ter;margin-top:0%;margin-bottom:0%">SARJAKUVA-VIISIKKO

ter;margin-top:0%;margin-bottom:0%">VIISIKKO
VAKOILIJOIDEN NAAMIAISISSA

Vakoilua

Alimachtiger Gott, allmachtiger Vuter!

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Characters

ter;margin-top:0%;margin-bottom:0%">KIRJAVA MIEHISTÖ

ter;margin-top:0%;margin-bottom:0%">TYPYJÄ TYPYJÄ TYPYJÄ

{span style="color:white;background-color:orange"}2021{/span} Hulvatonta

ter;margin-top:0%;margin-bottom:0%">Gian Lorenzo Bernini

ter;margin-top:0%;margin-bottom:0%">Ecstasy of St. Teresa, 1645–52

Ekstaasia

ter;margin-top:0%;margin-bottom:0%">James Wallace

ter;margin-top:0%;margin-bottom:0%">Kuuluisien diktaattorien vauvavalokuvia

Nalkutusta

ter;margin-top:0%;margin-bottom:0%">Sally Jean Foster

ter;margin-top:0%;margin-bottom:0%">CENSORED DIALOGUE

Makulatuuria

“Psychotic Depression” and Suicide in David Foster Wallace's Infinite Jest

Does Jordan Peterson have any mental illnesses?

“No such theory has been found in even the most voluminous and learned histories of economic theories, including J.A. Schumpeter’s monumental 1,260-page History of Economic Analysis. Yet this non-existent theory* has become the object of denunciations from the pages of the New York Times and the Washington Post to the political arena. It has been attacked by Professor Paul Krugman of Princeton and Professor Peter Corning of Stanford, among others, and similar attacks have been repeated as far away as India. It is a classic example of arguing against a caricature instead of confronting the argument actually made.”
xxx/ellauri085.html on line 415: Let’s say you have an idea for a business or invention, or innovation on an old idea, it could be anything, a restaurant, or selling the iPhone. An entrepreneur has an idea, without which there would be no iPhone or any other product or service. You start the business by putting in your life savings or and/or getting investors, and they all lose their money if the business doesn’t work out. You have to put out money to suppliers for materials money for rent, you have to PAY EMPLOYEES even when you haven’t made 1 red cent yet from sales, because the product hasn’t even been produced yet, much less sold. Thats SOOO wrong! Never mind that they work quite as hard whether or not your snaky idea will work.
xxx/ellauri085.html on line 428: Other barriers are produced by govt in their speeches, it might not even be policy yet, but if for example Obama talks about raising taxes and tells business owners like Joe the Plumber that “You didn’t build that!” Then what signal does that send to would-be entrepreneurs? Probably just wait til a more friendly administration comes along. Not surprising that business activity increased toward the end of Obama’s term and really took off once people figured out that Trump was going to have policies that reduced barriers.
xxx/ellauri085.html on line 430: So uncertainty and hostile business environments tend to chill investment in new ventures. When the tide changes, then boom, it increases, and even at lower tax rates, we end up with MORE tax revenue due to a wider tax base and more people working and paying taxes and reduced tax avoidance, since rich people will pay "reasonable" taxes, but when they are high, then they look for shelters and overseas investments.
xxx/ellauri085.html on line 439: Incentive based economics works spectacularly well and is the reason that Americans in the 2000s are two to three times better off than they were in 1980. Nothing to do with lucrative wars in Asia, WTC deals or other steals.
xxx/ellauri085.html on line 441: And more recently incentive based economics introduced in 2017 is the reason that Americans coming in to 2020 had lower unemployment than all other economics predicted possible, with wages starting to grow rapidly again, and the reason that Americans fared better economically than any other part of the world under the ravages of the COVID pandemic. (Admittedly, it helped a lot that a bigger number of poor shits died of it.)
xxx/ellauri085.html on line 453: Christian Winter, Senior Software Architect (2016-present)
xxx/ellauri085.html on line 457: Because it assumes that rich people automatically create more jobs if they have more money. This idea ignores the reason why jobs are created in the first place: to make profit. Which means that new jobs are only created if they are profitable to the employer. If all the jobs that could be created aren’t, it doesn’t matter how much money the employer has. And therefore giving the employer more money in such a situation will not lead to more jobs being created.
xxx/ellauri085.html on line 466: It works well for a small rich elite, but for the majority and more importantly for the national economy? Well it has never worked in the past why assume that it would work now? This is a con perpetuated by the wealthy elite to keep more of the money they earn and give less of it to the government. Concentrating wealth in the hands of a few is actually really really bad for the economy. Less of it circulates. The poor/middle classes tend to spend everything they get, they can't not, they just have less disposable income. It tends to go on food, rent and essentials. If they don't have enough money to spend because a greater slice of the pie is tied up in fewer hands they don't have as much to spend and less money circulates through the economy. That is bad. They don't squirrel it away in the Bahamas or Swiss bank accounts or spend it on a second Ferrari Testarossa. They don't have that luxury. The myth of trickle down economics was discredited years ago.
xxx/ellauri085.html on line 483: William Darity, a professor of public policy at Duke University, said it’s “nonsensical” to think that greater wealth for the rich translates to improved fortunes for everyone else.
xxx/ellauri085.html on line 487: Put simply, there is no empirical evidence — none whatsoever — that trickle-down economics delivers as promised, bringing more jobs, higher pay and better conditions to millions of people.
xxx/ellauri085.html on line 491: The latest indicator that things are terribly out of whack came in a report last week from the Economic Policy Institute, which found that compensation for American chief executives increased by 940% from 1978 to 2018, while pay for the average worker rose by a miserable 12% over the same 40-year period.
xxx/ellauri085.html on line 493: Put another way, compensation for CEOs is now 278 times greater than for ordinary workers. That’s a stratospherically larger income gap than the 20-to-1 ratio in 1965.
xxx/ellauri085.html on line 505: The deficit is projected to top $1 trillion for the entire fiscal year, which ends Sept. 30. The last time that happened was in the aftermath of the Great Recession.
xxx/ellauri085.html on line 513: Economists say the wealth gap in American society is now the greatest since the Gilded Age of the late 19th century, when the richest 10% owned roughly three-quarters of the nation’s wealth, and the bottom 40% had virtually nothing.
xxx/ellauri085.html on line 520: What the evidence does show is that large-scale tax cuts lead to more debt, deficits, budget cuts and economic uncertainty as a greater share of financial resources is devoted to paying off interest on loans from our trading partners.
xxx/ellauri085.html on line 522: UC Berkeley’s Haas Institute for a Fair and Inclusive Society has some smarter suggestions:
xxx/ellauri085.html on line 531: That last proposal regarding progressivity is the most important. As the rich have accumulated a greater share of the nation’s wealth, they’ve simultaneously succeeded in lowering their tax obligations.
xxx/ellauri085.html on line 532: From 1940 to 1980, the tax rate for the super-rich never dropped below 70%. For much of the 1950s, it was above 90% — although, like today, most rich people used a variety of techniques to lower their tax bills, such as tax shelters and offshore accounts.
xxx/ellauri085.html on line 543: President Trump sold his 2017 tax cuts as “rocket fuel” for the economy, arguing that freeing up money for the wealthy would allow them to hire more workers, pay better wages and invest more. The tax savings, in other words, would trickle down from the rich to everyone else.
xxx/ellauri085.html on line 545: But, just as many economists predicted, slashing individual, corporate and estate tax rates was mostly a windfall for big corporations and wealthy Americans. The Tax Cuts and Jobs Act did not pay for itself, failed to stimulate long-term growth and did not lead to sustained business investments.
xxx/ellauri085.html on line 553: Using this measure, they set out to identify “major” tax cuts on the rich in 18 wealthy nations from 1965 to 2015. In the United States, that included the Reagan-era tax cuts of 1981 and 1986, which dramatically reduced the top income tax rate from 70 percent to 28 percent after fully taking effect.
xxx/ellauri085.html on line 555: They then traced what happened to those nations’ economies in the five years after the cuts were implemented. They focused particularly on income inequality, economic growth as measured by gross domestic product, and the unemployment rate. They aggregated those trends across countries to capture the broadest possible picture of the tax cuts’ effects.
xxx/ellauri085.html on line 563: But they had no effect on economic growth or employment. Though those quantities fluctuated slightly after the major tax cuts that were studied, the effect was statistically indistinguishable from zero. The “rocket fuel” so often promised by supporters of these tax cuts? It fizzles out time and time again.
xxx/ellauri085.html on line 569: “There is a large political science literature on the power of rich voters and organised business interests to shape public policies in their favour,” the authors write in their report.
xxx/ellauri085.html on line 577: Given the historically low tax burdens on the wealthy in the United States, their ability to pay for higher taxes has probably never been better.
xxx/ellauri085.html on line 603: I would complete revamp our higher education system to a bunch of 2 year programs designed to teach skills. That would start much earlier, nearer the Junior year in high school, thereby positioning students to begin professional life much earlier. Potentially taking those skills into an actual internship program for two years where they would get paid a nominal amount, instead of paying large sums for college.
xxx/ellauri086.html on line 22: ter">Sisälmysluetteloon
xxx/ellauri086.html on line 27:

ter;margin-top:0%;margin-bottom:0%">Hieno japanilainen animaatio

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ter;margin-top:0%;margin-bottom:0%">Sydämen kuiskaus

Kuiskauxia

xxx/ellauri086.html on line 34: David Foster Wallace-vainaan päätön remu on LÄPITTE! 😃
xxx/ellauri086.html on line 70: Löytikö Wallu merkityxen nykypäivän kadotuxesta? No eipä juuri. Eipä ei. Valaisipa omalta osaltaan what the fuck on olla termiittiapina. Millaista on elää Amerikassa sellaisena. Aika kamalaa.
xxx/ellauri086.html on line 75: About Lindsfarne Gospels Bede explains how each of the four Evangelists was represented by their own symbol: Matthew was the man, representing the human Christ; Mark was the lion, symbolising the triumphant Christ of the Resurrection; Luke was the calf, symbolising the sacrificial victim of the Crucifixion; and John was the eagle, symbolising Christ's second coming. A collective term for the symbols of the four Evangelists is the Tetramorphs. Each of the four Evangelists is accompanied by their respective symbol in their miniature portraits in the manuscript. In these portraits, Matthew, Mark, and Luke are shown writing, while John looks straight ahead at the reader holding his scroll. The Evangelists also represent the dual nature of Christ. Mark and John are shown as young men, symbolising the divine nature of Christ, and Matthew and Luke appear older and bearded, representing Christ's mortal nature.
xxx/ellauri086.html on line 78: The carpet pages have motifs familiar from metalwork and jewellery that pair alongside bird and animal decoration. No pornographic details, worse luck. I chose to research these particular Gospels because they are the intermediary between the first truly Insular manuscripts, like the Book of Durrow, and the perhaps the greatest achievement of Insular manuscript production, the Book of Kells.
xxx/ellauri086.html on line 101: Maailman onnellisin mies asuu Sydneyssä, satavuotias holokaustista livistänyt juutalainen nimeltä Jaku. Sen kosto Hitlerille ja sen kumppaneille jossain siellä alhaalla on olla onnellisempi kuin ne. Se ei vihaa niitä vaikka SS-miehet potki sitä peppuun terävillä saappaiIla sanoen Schnell! Schnell! niin että peppuun tuli haavoja jotka paranivat huonosti. Se ei vihaa niitä koska vihasta tulee vain paha mieli izelle. Mutta ei se anna niille koskaan anteexi. Kun se näki Belgiassa vankilassa tuomiota kärsivän ex-nazin joka ei osannut sanoa mixi se oikeastaan teki sen, Jaku oli onnellinen. Saku itki ja Jaku oli oikeastaan tosi iloinen. Se joka nauraa viimeisexi nauraa parhaiten.
xxx/ellauri086.html on line 112: Jukka Tapani Gustafsson (s. 2. tammikuuta 1947 Turku) on suomalainen poliitikko, joka on toiminut kansanedustajana vuodesta 1987 asti. Kevään 2011 eduskuntavaaleja seuranneiden hallitusneuvottelujen jälkeen hänet valittiin nimitettäväksi Jyrki Kataisen hallituksen opetusministeriksi. Hän jatkoi opetusministerinä toukokuuhun 2013 asti, jolloin hänen seuraajakseen valittiin aiemmin saman hallituksen asunto- ja viestintäministerinä toiminut Krista Kiuru.
xxx/ellauri086.html on line 113: Gustafsson on valmistunut yhteiskuntatieteiden maisteriksi vuonna 1976. Ennen uraansa kansanedustajana Gustafsson on työskennellyt konepuuseppänä, koulutussuunnittelijana sekä Murikka-opiston rehtorina opiston ensimmäiset kymmenen toimintavuotta (1977–1987).
xxx/ellauri086.html on line 132: huolehtivat varakkaiden vanhusten terveyskonsultaatioista
xxx/ellauri086.html on line 184: Sarjaan tuli uusi tuotantokausi tai ainakin uusi episodi Harry Potter-pelin tekijältä. Harry Potter-videopelin pääsuunnittelija haukkuu Youtube-videoillaan ”sosiaalista oikeudenmukaisuutta” ja puolustaa Gamergate-häirintäkampanjaa.
xxx/ellauri086.html on line 192: Hogwarts Legacy on avoimen maailman roolipeli, joka sijoittuu 1800-luvun Tylypahka-velhokouluun sekä sen ympäristöön. Avalanche Softwaren kehittämän ja Warner Bros. -mediajätin omistaman Portkey Studion levittämän pelin on määrä ilmestyä PC:lle ja konsoleille 2022. Hogwarts Legacyn on tarkoitus ilmestyä PC:lle, Playstation 4- ja 5-konsoleille sekä Xbox One ja Xbox Series -konsoleille 2022.­KUVA: WARNER BROS / AVALANCHE SOFTWARE (Tää kuulostaa joltain Wallun InterLace alaviitteeltä...)
xxx/ellauri086.html on line 195: Pitkään työn alla ollut Hogwarts Legacy sai negatiivista julkisuutta jo viime vuoden puolella, Harry Potter -kirjailija J. K. Rowlingin transfobisten kommenttien vuoksi. Rowling kirjoitti Twitterissä kesällä 2020 muun muassa, että sukupuolten olemassaolon häivyttäminen on hänen mielestään haitallista, ja että ”totuuden puhuminen ei ole vihaamista”.
xxx/ellauri086.html on line 196: Monet Potter-fanit ilmoittivat julkisesti, etteivät enää pysty tukemaan lapsuutensa suosikkikirjasarjan luojaa. Myös useat Harry Potter -hyvixet kuten Harry Potter ize ja Hermione irtisanoutuivat aiemmin viime vuonna Rowlingin kommenteista.
xxx/ellauri086.html on line 222: Kukat ovat kasvien genitaaleja ja hedelmät niiden sikiöitä. Haista kukkanen. Näytä tädillesi tulppaani. Sinunko tulppaasi? Muutamia viikunoita ohdakkeista. Terho Pursiainen. Kuuden jalan terttu banaaneja. Luumuja. Kupeitteni hedelmä, kohtusi. Kuuensaan kurkku. Harmaalla alueella kaikki.
xxx/ellauri086.html on line 224: My brothers and sisters, can a fig tree bear olives, or a grapevine bear figs?
xxx/ellauri086.html on line 230: Smoking is not expressly forbidden anywhere in the Bible. There is a veritable who’s who list of Christians who smoked. One of the greatest preachers and evangelists of the 19th century loved his cigars. He was Charles Spurgeon. Other famous Christians who smoked or still do are J.R.R. Tolkien, C.S. Lewis, Chuck Colson, Johann Sebastian Bach, Billy Graham, and Jerry Farwell (although the last two quit in their latter years). This article has addressed all types of tobacco: cigarettes, pipe, cigar, snuff, and chewing tobacco. Come to think of it, all these famous Christians are dead. Put that in your pipe and smoke.
xxx/ellauri086.html on line 232: “What goes into someone’s mouth does not defile them, but what comes out of their mouth, that is what defiles them." Hmm. Better exhale through the nose.
xxx/ellauri086.html on line 234: The same questions could be asked about drinking beer, or wine, or eating pork, or…the list goes on. The fact is that it is a fallen world and that there are no perfect Christians. None are perfect but they are forgiven. Even eating pork is forgiven although it is expressly forbidden in the Word. Pig breeders bleed horses and mainline the blood into pigs to get them into heat in unison. Jesus sent a bunch of demons into a flock of pigs who ran into lake Kinnereth and drowned. It was a-okay, because it was him that did it. Why the demons begged to be allowed to enter the swine is unclear from the account.
xxx/ellauri086.html on line 240: There are many gray areas in a Christian’s life. In this respect, Islam is better, it has a rule for every contingency.
xxx/ellauri086.html on line 247: Piis. Helluntaiystävät tervehti toisiansa "Rauhaa". Se nauratti Paulin lapsia, ihankuin ne olis jotain inkkareita, tai hippejä, jotka näyttää veemerkkiä kämmen ulospäin ja sanoo "Piis". Polttaa calumettia (rauhanpiippua, vaikka se onkin oikeastaan harmaata aluetta). Mikko oli ärtynyt kun sillä oli joku merkkipäivä tarhassa ja kakkua ja mehua, mutta kesken kaiken Pastor Müller tuli kertomaan että Jeesuxen syntymäpäivä oli tulossa. Täytistäkö senkin nyt pitää tunkea tähän mukaan?
xxx/ellauri086.html on line 262: Piirretyssä jossa näytettiin Afganistaniin karauttaneita valloittajia mainittiin nimeltä vain muutamia ensimmäisiä mm Kyyros ja Alexanteri. Muhammedin porukoita ei mainittu ja kuvat loppui häveliäästi britteihin. Ryssistä ja jenkkipirulaisista natovahvistuxineen ei ollut kuvia. Ryssistä oli 1 maininta filmissä jonkun häiskän tappajina. Filmi sijoittui kätevästi viime vuosituhannelle, ilmeisesti jenkkilänkkäreiden tilaustyö 9/11 ajoilta. Islamilaishihhulit ei siis olleet talebaaneja vaan mujadehiinejä. Sillä nyt ei ole paljon väliä, mutta vähän silti naurattaa että viimeisimmät siirat oli kumitettu propagandakuvasta stalinmaisesti.
xxx/ellauri086.html on line 264: Neuvostomiehityxen aikaan USA:n rahoittamat jihadistit oli urheita patrioottisia mujahediinejä. Amerikkalaismiehityxen aikaan ne (tai niiden opiskelijapojat) muuttuivat ilkeiksi terroristitalebaaneixi. Koko ajan ne ovat olleet tavallisia sovinistisia muslimiheimoveljiä ihan normipäivähommissa. Ne saavat paljon aikaan länkkäreiden rahoilla ja aseilla. Ei päästäisi ihan samaan mattokaupalla. 100K apinaa on kuollut sodissa, kotimaisia siviilejä tietysti valtaosa. Länkkäreiden "tappiot" eli ruumiskasat koko aikana on olleet kymmenissä tai sadoissa. Länkkärit "taistelevat" siellä lentohärveleillä ja rahalla.
xxx/ellauri086.html on line 267: Toi sieltä pienen kapeen pitkän matontapaisen joka on meillä vielä vintissä. Mustaa afgaa poltettiin Laivanvarastajankadun poxissa. Sen afgaanikaverit nukku mun oma tekemässä liian lyhyessä lautasängyssä. Ja jätti sinne terveisixi luteita.
xxx/ellauri086.html on line 296: Iliman vuan aekojaan Iisalamesta: Iisalamelaisen joogin SM-studio on aiheuttanut ison tartuntaketjun. Poliisi tarttui sitä hihasta mutta se potki tutkainta vastaan ja on nyt pidätettynä epäiltynä terveyden vastustamisesta. SM-studion ajanvaraus avaa kuitenkin kuten tavallisesti. Joogi tiedottaa:
xxx/ellauri086.html on line 349: Tiedä ensimmäisenä ja anna meille oikeus tuoda sinulle kotiovelle terveysuutisia ja promootioita MS Studio :ltä.
xxx/ellauri086.html on line 350: Yhdestä luukusta thai massage, terveysvinkit ja kulkutaudit, maailmanlaajuisesti. Kerromme, kun jotain tapahtuu kaupungissa Iisalami.
xxx/ellauri086.html on line 410: Despite being recognized as a novelist on an international scale, Ferrante has kept her identity secret since the 1992 publication of her first novel. Speculation as to her true identity has been rife, and several theories, based on information Ferrante has given in interviews as well as analysis drawn from the content of her novels, have been put forth.
xxx/ellauri086.html on line 412: In October 2016, investigative reporter Claudio Gatti published an article jointly in Il Sole 24 Ore and Frankfurter Allgemeine Zeitung, that relied on financial records related to real estate transactions and royalties payments to draw the conclusion that Anita Raja, a Rome-based translator, is the real author behind the Ferrante pseudonym. Gatti's article was criticized by many in the literary world as a violation of privacy, though Gatti contends that "by announcing that she would lie on occasion, Ferrante has in a way relinquished her right to disappear behind her books and let them live and grow while their author remained unknown. Indeed, she and her publisher seemed to have fed public interest in her true identity." British novelist Matt Haig tweeted, "Think the pursuit to discover the 'real' Elena Ferrante is a disgrace and also pointless. A writer's truest self is the books they write." The writer Jeanette Winterson, in a Guardian article, denounced Gatti's investigations as malicious and sexist, saying "At the bottom of this so-called investigation into Ferrante's identity is an obsessional outrage at the success of a writer – female – who decided to write, publish and promote her books on her own terms." She went on to say that the desire to uncover Ferrante's identity constitutes an act of sexism in itself, and that "Italy is still a Catholic country with strong patriarchial attitudes towards women." Others responding to Gatti's article suggested that knowledge of Ferrante's biography is indeed relevant.
xxx/ellauri086.html on line 414: Gatti joutaisi panna säkkiin ja hukuttaa Napolin satama-altaaseen. Nähdä Napoli kuin sika säkistä ja kuolla. Samaan säkkiin vois laittaa italialaisen pranxterin Tommaso Debendettin.
xxx/ellauri086.html on line 418: In September 2017, a team of scholars, computer scientists, philologists and linguists at the University of Padua analyzed 150 novels written in Italian by 40 different authors, including seven books by Elena Ferrante, but none by Raja. Based on analysis using several authorship attribution models, they concluded that Anita Raja's husband, author and journalist Domenico Starnone, is the probable author of the Ferrante novels. Raja has worked for E/O Publishing as copy editor and has been editing Starnone's books for years.
xxx/ellauri086.html on line 420: Ferrante has repeatedly dismissed suggestions that she is actually a man, telling Vanity Fair in 2015 that questions about her gender are rooted in a presumed "weakness" of female writers.
xxx/ellauri086.html on line 459: Not a second did you falter. There's no doubt about it, I can tell that she was born Hungarian!
xxx/ellauri086.html on line 465: Henry: Shortly after we came in I saw at once we'd easily win; She thought that I was taken in, but actually I never was
xxx/ellauri086.html on line 466: And after that I found it deadly dull. How could she deceive another member of her race?"
xxx/ellauri086.html on line 490:

Tässä paiaanissa kuten koko Pygmalionissa haisee voimakkaasti Bernard Shawin ja Rex Harrisonin testosteroni, sperma sekä jalkahiki. Eliza, where are my slippers? Sen sopii hyvin aloituxexi seuraavalle paasauxelle kansainvälisenä naistenpäivänä.
xxx/ellauri086.html on line 501: Viime vuosina Ms. Rajan ja sen miehen, novellisti (ja oppikoulunopettaja) Domenico Starnonen, nimet ovat olleet aivan kärjessä "Kuka mahtaa olla Elena Ferrante? lyhyellä listalla. Niiden kirjat on samantyylisiä kuin Elena Ferranten. Höh, ne kirjoittaa niitä tietysti yhdessä! Ne on niinkuin se yx ruozalainen aviopari jotka kirjottaa whodunitteja. Six ne kirjat on niin androgyynisiä, mikä on mielenterveyden kannalta edullisinta, toteaa Suomen Tieteen Valitut Palat (HS-yhtymä).
xxx/ellauri086.html on line 513: Vitas Gerulaitis was some stupid Lithuanian immigrant tennis player in the 80's who died of carbon monoxide poisoning in his pool. During a tennis match, didn't the late tennis great Vitas Gerulaitis tell a Jewish umpire who had ruled against him, "You should be exterminated in a crematorium?" Well, this isn't precisely the same wording as your quote, but the meaning is similar:
xxx/ellauri086.html on line 528: We use cookies and similar methods to recognize visitors and remember their preferences. We also use them to measure ad campaign effectiveness, target ads and analyze site traffic. To learn more about these methods, including how to disable them, view our Cookie Policy.Starting on July 20, 2020 we will show you ads we think are relevant to your interests, based on the kinds of content you access in our Services. You can object. For more info, see our privacy policy. By tapping ‘accept,’ you consent to the use of these methods by us and third parties. You can always change your tracker preferences by visiting our Cookie Policy.
xxx/ellauri086.html on line 563: Frihet Sverigen varapuheenjohtaja on 30-vuotias Filip Sjöström. Hän toimi lauantaisen tapahtuman isäntänä. Sjöström luonnehtii itseään ”terveysyrittäjäksi”, mutta levittää pääasiassa jopa vaarallista tietoa vaihtoehtoisista hoitomuodoista. Hänen mukaansa esimerkiksi koronaviruksen tarttumista voi estää meditoinnilla ja positiivisiin asioihin keskittymisellä. Filip on amerikansuomalaisen massayrittäjän Jyri Engeströmin sielullinen mentori. Sjöströmin mukaan kaikki koronarajoitukset olisi poistettava. – Kaikki koronavirukseen, sulkutiloihin, maskipakkoon, uusiin lakeihin ja vapautemme rajoittamiseen uskovat ovat osa salaliittoa ja pitävät sitä yllä, Sjöström kirjoitti lauantain tapahtuman Facebook-sivulla.
xxx/ellauri086.html on line 582: "Roger, Wilco" are both military radio terms, and often heard together in WWII films, but should never be used together in correct military radio etiquette. "Roger" means "Message received and understood". "Wilco" means "Message received and understood, will comply with your instructions".
xxx/ellauri086.html on line 591: Tässä pitkäveteisessä paasauxessa on "alphabet soup" aiheisia vanhoja amer. meemejä. Alphabet on Googlen kauppanimi, aiheeseen sopivasti. Näitä meemejä on "Scarlet letter", "Purloined letter" ja monen monta muuta, kuten French letter joka esiintyy Pynchonin tiiliskivessä, jopa Open Letter To My Future Self:
xxx/ellauri086.html on line 593: FutureMe: Write a Letter to your Future Self

xxx/ellauri086.html on line 596: Write a letter to the future: set goals for yourself, make a prediction about the world. Envision the future, and then make it happen. FutureMe has been delivering letters to the future for millions of people since 2002.
xxx/ellauri086.html on line 597: "I love this. I've sent myself 5 letters so far and every year it's a surprise. Because I forget so easily. It turns into such a deep reflective process, that I usually weep and laugh while I write." - Margaret Member since 2011.
xxx/ellauri086.html on line 599: (ook) Read future letters written by others: You are lost!
xxx/ellauri086.html on line 604:

Purloined letter

xxx/ellauri086.html on line 606: Tän ozakkeen mä oon nähnyt 1 zilj. kertaa, mutten jaxanut lukea. Viimexi se tuli vastaan Bob Heinleinin juveniilissa. Bobilla on paljon kulttuurivinkkejä. Edgar Allan Poe on musta ollut aina lähinnä rasittava. Enkä mä pidä muutenkaan detektiivijutuista. Musta on samantekevää kuka oli murhaaja. Tässä purloined letterissä on nimetön kertoja. Olis ollut parempi jos kertoja olis murhattu heti alussa.
xxx/ellauri086.html on line 608: "The Purloined Letter" is a short story by American author Edgar Allan Poe. It is the third of his three detective stories featuring the fictional C. Auguste Dupin, the other two being "The Murders in the Rue Morgue" and "The Mystery of Marie Rogêt". These stories are considered to be important early forerunners of the modern detective story. It first appeared in the literary annual The Gift for 1845 (1844) and soon was reprinted in numerous journals and newspapers.
xxx/ellauri086.html on line 613: A letter from the queen's lover has been stolen from her boudoir by the unscrupulous Minister D—. D— was in the room, saw the letter, and switched it for a letter of no importance. He has been blackmailing the queen.
xxx/ellauri086.html on line 617: The contents of the letter have not been revealed, as this would have led to certain circumstances that have not arisen. Therefore, Minister D— still has the letter in his possession.
xxx/ellauri086.html on line 619: The ability to produce the letter at a moment's notice is almost as important as actual possession of the letter. Therefore, he must have the letter close at hand.
xxx/ellauri086.html on line 621: The prefect says that he and his police detectives have searched D-'s town house and have found nothing. They checked behind the wallpaper and under the carpets. His men have examined the tables and chairs with magnifying glasses and then probed the cushions with needles but have found no sign of interference; the letter is not hidden in these places. Dupin asks the prefect if he knows what he is seeking, and the prefect reads a minute description of the letter, which Dupin memorizes. The prefect then bids them good day.
xxx/ellauri086.html on line 623: A month later, the prefect returns, still unsuccessful in his search. He is motivated to continue his fruitless search by the promise of a large reward, recently doubled, upon the letter's safe return, and he will pay 50,000 francs to anyone who can help him. Dupin asks him to write that check now and he will give him the letter. The prefect is astonished, but knows that Dupin is not joking. He writes the check, and Dupin produces the letter. The prefect determines that it is genuine and races to deliver it to the queen.
xxx/ellauri086.html on line 625: Alone together, the narrator asks Dupin how he found the letter. Dupin explains the Paris police are competent within their limitations, but have underestimated with whom they are dealing. The prefect mistakes the Minister D— for a fool because he is a poet. (Siis kumpi on? Perfekti vai ministeri Dee? No Poe on ainakin, senhän sanoo nimikin, Poe-t. Ja hölmökin se on.) For example, Dupin explains how an eight-year-old boy made a small fortune from his friends at a game called Odds and Evens. The boy had determined the intelligence of his opponents and played upon that to interpret their next move. Tästä aiheesta on valtava amer. kirjallisuus, koskien vangin dilemman toistoja. He explains that D— knew the police detectives would have assumed that the blackmailer would have concealed the letter in an elaborate hiding place, and thus hid it in plain sight.
xxx/ellauri086.html on line 627:

The letter stolen again

xxx/ellauri086.html on line 630: Dupin says he had visited the minister at his hotel. Complaining of weak eyes he wore a pair of green spectacles, the true purpose of which was to disguise his eyes as he searched for the letter. In a cheap card rack hanging from a dirty ribbon, he saw a half-torn letter and recognized it as the letter of the story's title. Striking up a conversation with D— about a subject in which the minister is interested, Dupin examined the letter more closely. It did not resemble the letter the prefect described so minutely; the writing was different, and it was sealed not with the "ducal arms" of the S— family, but with D—'s monogram. Dupin noticed that the paper was chafed as if the stiff paper was first rolled one way and then another. Dupin concluded that D— wrote a new address on the reverse of the stolen one, re-folded it the opposite way and sealed it with his own seal.
xxx/ellauri086.html on line 632: Dupin left a snuff box behind as an excuse to return the next day. Resuming the same conversation they had begun the previous day, D— was startled by a gunshot in the street. While he went to investigate, Dupin switched D—'s letter for a duplicate.
xxx/ellauri086.html on line 634: Dupin explains that the gunshot distraction was arranged by him and that he left a duplicate letter to ensure his ability to leave the hotel without D— suspecting his actions. If he had tried to seize it openly, Dupin surmises D— might have had him killed. As both a political supporter of the queen and old enemy of the minister [who had done an evil deed to Dupin in Vienna in the past], Dupin also hopes that D— will try to use the power he no longer has, to his political downfall, and at the end be presented with a quotation from Prosper Jolyot de Crébillon's play Atrée et Thyeste that implies Dupin was the thief: Un dessein si funeste, S'il n'est digne d'Atrée, est digne de Thyeste (If such a sinister design isn't worthy of Atreus, it is worthy of Thyestes).
xxx/ellauri086.html on line 644: Atreuksen saatua tietoonsa Thyesteen aviorikkomuksen hän pyysi Thyesteen vieraakseen teeskennellen ystävyyttään, mutta tappoikin veljensä pojat ja tarjosi heidän lihaansa valmistettuna Thyesteelle kuitenkin säästäen kaikki raajat. Kun Thyestes oli nauttinut ateriansa, Atreus näytti hänelle säästämänsä raajat ja karkotti tämän uudelleen maasta. (Tää kohta on parempi englannixi:)
xxx/ellauri086.html on line 646: Atreus then learned of Thyestes' and Aerope's adultery and plotted revenge. He killed Thyestes' sons and cooked them, save their hands and heads. He served Thyestes his own sons and then taunted him with their hands and heads. This is the source of modern phrase "Thyestean Feast," or one at which human flesh is served. When Thyestes was done with his feast, he released a loud belch, which represents satiety and pleasure and his loss of self-control.
xxx/ellauri086.html on line 650: An oracle then advised Thyestes that, if he had a son with his own daughter Pelopia, that son would kill Atreus. Thyestes did so by raping Pelopia (his identity hidden from her) and the son, Aegisthus, did kill Atreus. However, when Aegisthus was first born, he was abandoned by his mother, ashamed of the origin of her son. A shepherd found the infant Aegisthus and gave him to Atreus, who raised him as his own son. Only as he entered adulthood did Thyestes reveal the truth to Aegisthus, that he was both father and grandfather to the boy and that Atreus was his uncle. Aegisthus then killed Atreus.
xxx/ellauri086.html on line 656: Hemmetti tässähän jää jenkkisaippuasarjat lähtöviivalle. Mut joo mä tiedän nyt mitä Poe tarkoittaa: Ministeri Dee oli niinko Atreus joka syötti Thyesteen pojat sille lounaaxi, ja Dupin on sit niinko Thyestes, joka bylsi omaa tytärtään. Kuinka ovelaa!
xxx/ellauri086.html on line 660:

Scarlet Letter

xxx/ellauri086.html on line 662: The Scarlet Letter: A Romance is a work of historical fiction by American author Nathaniel Hawthorne, published in 1850. Set in Puritan Massachusetts Bay Colony during the years 1642 to 1649, the novel tells the story of Hester Prynne, who conceives a daughter through an affair and then struggles to create a new life of repentance and dignity. Containing a number of religious and historic allusions, the book explores themes of legalism, sin, and guilt.
xxx/ellauri086.html on line 666: The Scarlet Letter was one of the first mass-produced books in America. It was popular when first published and is considered a classic work today. It inspired numerous film, television, and stage adaptations. Critics have described it as a masterwork and novelist D. H. Lawrence called it a "perfect work of the American imagination".
xxx/ellauri086.html on line 668: D.H. Lawrencella oli izellään aika amerikkalainen mielikuvitus. James Joyce teki siitä irlantilaista pilaa. Cambridgen apostolipojat hahatteli sille myös. Lawrence oli vähän vihainen, murti suuta murti päätä murti mustoa haventa. Pureskeli viixiään ja hautoi kaunaisia ajatuxia. Se oli työläistaustainen. Kostoxi tai muuten vaan se bylsi sitten Bertin ja muiden apostolipoikien flammaa Lady Ottolinea, joka Jönsin mukaan oli jusze Lady Chatterley. D.H. oli sen testosteronilta hajahtava moukkamainen puutarhuri joka kuokki sitä nakupellenä puutarhavajassa kuin Miltonilla Eevaa Aatami. Leidi oli varmaan kova rupattelemaan. Chatterley, get it? On jäänyt lapsuudesta mieleen se kohta missä D.H.:n kikkeli koki taisteluväsymystä ja oli rutistunut pienexi kuin possun kärsä tai joku rusina. Leidi koitti saada sitä pystyyn taas, ja lähtihän se kuin hoppafoordi kun oli muutama kerta vemputettu kammesta. Kirja löytyi työnnettynä äidin ja isin kirjahyllyyn takariville.
xxx/ellauri086.html on line 672: In Puritan Boston, Massachusetts, a crowd gathers to witness the punishment of Hester Prynne, a young woman who has given birth to a baby of unknown parentage. Her sentence required her to stand on the scaffold for three hours, exposed to public humiliation, and to wear the scarlet "A" for the rest of her life. As Hester approaches the scaffold, many of the women in the crowd are angered by her beauty and quiet dignity. When demanded and cajoled to name the father of her child, Hester refuses.
xxx/ellauri086.html on line 674: As Hester looks out over the crowd, she notices a small, misshapen man and recognizes him as her long-lost husband, who has been presumed lost at sea. When the husband sees Hester's shame, he asks a man in the crowd about her and is told the story of his wife's adultery. He angrily exclaims that the child's father, the partner in the adulterous act, should also be punished and vows to find the man. He chooses a new name, Roger Chillingworth, to aid him in his plan.
xxx/ellauri086.html on line 676: The Reverend John Wilson and the minister of Hester's church, Arthur Dimmesdale, question her, but she refuses to name her lover. After she returns to her prison cell, the jailer brings in Chillingworth, now a physician, to calm Hester and her child with his roots and herbs. He and Hester have an open conversation regarding their marriage and the fact that they were both in the wrong. Her lover, however, is another matter and he demands to know who it is; Hester refuses to divulge such information. He accepts this, stating that he will find out anyway, and forces her to conceal that he is her husband. If she ever reveals him, he warns her, he will destroy the child's father. Hester agrees to Chillingworth's terms although she suspects she will regret it.
xxx/ellauri086.html on line 678: Following her release from prison, Hester settles in a cottage at the edge of town and earns a meager living with her needlework, which is of extraordinary quality. She lives a quiet, somber life with her daughter, Pearl, and performs acts of charity for the poor. She is troubled by her daughter´s unusual fascination with the scarlet "A". The shunning of Hester also extends to Pearl, who has no playmates or friends except her mother. As she grows older, Pearl becomes capricious and unruly. Her conduct starts rumors, and, not surprisingly, the church members suggest Pearl be taken away from Hester.
xxx/ellauri086.html on line 680: Hester, hearing rumors that she may lose Pearl, goes to speak to Governor Bellingham. With him are ministers Wilson and Dimmesdale. Hester appeals to Dimmesdale in desperation, and the minister persuades the governor to let Pearl remain in Hester´s care.
xxx/ellauri086.html on line 682: Because Dimmesdale´s health has begun to fail, the townspeople are happy to have Chillingworth, the newly arrived physician, take up lodgings with their beloved minister. Being in such close contact with Dimmesdale, Chillingworth begins to suspect that the minister´s illness is the result of some unconfessed guilt. He applies psychological pressure to the minister because he suspects Dimmesdale is Pearl´s father. One evening, pulling the sleeping Dimmesdale´s vestment aside, Chillingworth sees a symbol that represents his shame on the minister´s pale chest.
xxx/ellauri086.html on line 684: Tormented by his guilty conscience, Dimmesdale goes to the square where Hester was punished years earlier. Climbing the scaffold in the dead of night, he admits his guilt but cannot find the courage to do so publicly in the light of day. Hester, shocked by Dimmesdale´s deterioration, decides to obtain a release from her vow of silence to her husband.
xxx/ellauri086.html on line 686: Several days later, Hester meets Dimmesdale in the forest and tells him of her husband and his desire for revenge. She convinces Dimmesdale to leave Boston in secret on a ship to Europe where they can start life anew. Inspired by this plan, the minister seems to gain new energy. On Election Day, Dimmesdale gives one of his most inspired sermons. But as the procession leaves the church, Dimmesdale climbs upon the scaffold and confesses his sin, dying in Hester´s arms. Later, most witnesses swear that they saw a stigma in the form of a scarlet "A" upon his chest, although some deny this statement. Chillingworth, losing his will for revenge, dies shortly thereafter and leaves Pearl a substantial inheritance.
xxx/ellauri086.html on line 688: After several years, Hester returns to her cottage and resumes wearing the scarlet letter. When she dies, she is buried near the grave of Dimmesdale, and they share a simple slate tombstone engraved with an escutcheon described as: "On a field, sable, the letter A, gules" ("A red letter A written on a black background").
xxx/ellauri086.html on line 690: A niinkuin Adultery, todennäkösest. Parasta A-ryhmää oli Hesteri. Kova luu. Hän on valintansa tehnyt. Hemmetti miten toi Pihlajalinnakin on naisvihainen setämies. Inhottavia pillureviiriä vartioivia koiria nää jenkkikirjailijat.

xxx/ellauri086.html on line 691: -"Tämä mies on naurettava pelle ja nysväri. Hän soittaa orkesterissa....BASSOA!...Kun taas tämä mies kuuluu parhaaseen A-ryhmään, hän on selkeästi...URKURI!. Paras A-ryhmä!"

xxx/ellauri086.html on line 697: Nathaniel Hawthorne (July 4, 1804 – May 19, 1864) was an American novelist, dark romantic, and short story writer. His works often focus on history, morality, and religion.
xxx/ellauri086.html on line 700: He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860.
xxx/ellauri086.html on line 704: The major theme of The Scarlet Letter is shaming and social stigmatizing, both Hester´s public humiliation and Dimmesdale´s private shame and fear of exposure. Notably, their liaison is never spoken of, so the circumstances that led to Hester´s pregnancy, and how their affair was kept secret never become part of the plot.
xxx/ellauri086.html on line 708: Elmer Kennedy-Andrews remarks that Hawthorne in "The Custom-house" sets the context for his story and "tells us about ´romance´, which is his preferred generic term to describe The Scarlet Letter, as his subtitle for the book – ´A Romance´ – would indicate." In this introduction, Hawthorne describes a space between materialism and "dreaminess" that he calls "a neutral territory, somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet, and each imbues itself with nature of the other". This combination of "dreaminess" and realism gave the author space to explore major themes.
xxx/ellauri086.html on line 726: Poe muutti takaisin Richmondiin vuonna 1835. Hän työskenteli seuraavina vuosina toimittajana useissa kirjallisuuslehdissä. Richmondissa hän työskenteli kuukausittain ilmestyneessä Southern Literary Messengerissä vuosina 1835–1836. Aluksi Poe hoiti lehden kirjeenvaihdon ja oikoluvun sekä kirjoitti kirjallisuusarvostelut.
xxx/ellauri086.html on line 734: Poen aikana Southern Literary Messengerin levikki seitsenkertaistui. Omistaja oli kuitenkin erottanut Poen käyttäytymisensä (sic) johdosta jo kaksi kertaa väliaikaisesti, ja Poe erotettiin lopullisesti joulukuussa 1836. Poe yritti vuonna 1836 myös saada novellikokoelmaansa Tales of the Folio Club julki, mutta kustantaja halusi helppotajuisempia romaaneja eikä jo julkaistuja tarinoita ja torjui sen.
xxx/ellauri086.html on line 742: Vuonna 1845 Poe saavutti vihdoin mainetta, joskaan ei rahaa, kun hänen runonsa "Korppi" ("The Raven") julkaistiin ja hänen muotokuvansa ja elämäkertansa ilmestyivät Graham'sissa. Hän sai lehdissä neron maineen, pääsi New Yorkin seurapiireihin ja tutustui merkittäviin kirjailijoihin kuten Walt Whitmaniin. Hänen terävä kynänsä ja alkoholinkäyttönsä toivat hänelle kuitenkin kielteistä julkisuutta, eikä menestys jäänyt pysyväksi. Runoutta hän "Korpin" jälkeen kirjoitti enää melko vähän.
xxx/ellauri086.html on line 744: Vuosina 1846–1847 Poeta työllisti kaksi suurta julkisuutta saanutta kirjallista riitaa, jotka vahingoittivat suuresti hänen mainettaan ja joiden seurauksena hänen juopottelunsa ja epäilyt mielenterveydestä tuotiin julkisuuteen. Mitkäs ne riidat olivat?
xxx/ellauri086.html on line 777: “’Tis some visitor,” I muttered, “tapping at my chamber door— "Se on vaan joku fanittaja - nimmarien kalastaja,
xxx/ellauri086.html on line 788: Thrilled me—filled me with fantastic terrors never felt before; pelotti mua hurjasti, käyköhän mun kurjasti?
xxx/ellauri086.html on line 811: Let me see, then, what thereat is, and this mystery explore— Kurkistanpa räppänästä, näkyykö jälki käppänästä,
xxx/ellauri086.html on line 812: Let my heart be still a moment and this mystery explore;— kestäös vaan sydämmeni, joskus huonomminkin sulla meni!
xxx/ellauri086.html on line 815: Open here I flung the shutter, when, with many a flirt and flutter, Avaan siis jo akkunaa, sisään siitä porhaltaa
xxx/ellauri086.html on line 823: By the grave and stern decorum of the countenance it wore, Alkoi vähän hymyilyttää pazaan päälle lymyillyt tää
xxx/ellauri086.html on line 838: Nothing farther then he uttered—not a feather then he fluttered— Paizi että mustas saris, tokko siitä höyhen varis.
xxx/ellauri086.html on line 839: Till I scarcely more than muttered “Other friends have flown before— Kunnes mä sit sanoin näin izexeni mimittäin:
xxx/ellauri086.html on line 844: “Doubtless,” said I, “what it utters is its only stock and store Mut siinähän se kaikki on mitä osaa taidoton.
xxx/ellauri086.html on line 845: Caught from some unhappy master whom unmerciful Disaster Kai sen joku opetti masis joka lopetti
xxx/ellauri086.html on line 846: Followed fast and followed faster till his songs one burden bore— sanomasta enää muuta, myötäänsä vaan hoki tuota,
xxx/ellauri086.html on line 852: Then, upon the velvet sinking, I betook myself to linking uppoutuen polstereihin syvennyin mä mysteereihin:
xxx/ellauri086.html on line 872: Whether Tempter sent, or whether tempest tossed thee here ashore, selässänsä risutaakka, tänne konttoriini saakka!
xxx/ellauri086.html on line 882: Clasp a rare and radiant maiden whom the angels name Lenore.” Halaan Nooraa siellä eikä tervattu oo sillä reikä.
xxx/ellauri086.html on line 903: "The Philosophy of Composition" is Edgar Allan Poe's theory about how good writers write when they write well. He concludes that length, "unity of effect" and a logical method are important considerations for good writing. He also makes the assertion that "the death... of a beautiful woman" is "unquestionably the most poetical topic in the world". Poe uses the composition of his own poem "The Raven" as an example. The essay first appeared in the April 1846 issue of Graham's Magazine. It is uncertain if it is an authentic portrayal of Poe's own method.
xxx/ellauri086.html on line 907: Poe believed that all literary works should be short. He writes, "[...] there is a distinct limit, as regards length, to all works of literary art — the limit of a single sitting [...]" He especially emphasized this "rule" with regards to poetry, but also noted that the short story is superior to the novel for this reason.
xxx/ellauri086.html on line 913: Poe dismissed the notion of artistic intuition and argued that writing is methodical and analytical, not spontaneous. He writes that no other author has yet admitted this because most writers would "positively shudder at letting the public take a peep behind the scenes... at the fully matured fancies discarded in despair... at the cautious selections and rejections"
xxx/ellauri086.html on line 919: The essay states Poe's conviction that a work of fiction should be written only after the author has decided how it is to end and which emotional response, or "effect", he wishes to create, commonly known as the "unity of effect". Once this effect has been determined, the writer should decide all other matters pertaining to the composition of the work, including tone, theme, setting, characters, conflict, and plot. In this case, Poe logically decides on "the death... of a beautiful woman" as it "is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover." Some commentators have taken this to imply that pure poetry can only be attained by the eradication of female beauty. Biographers and critics have often suggested that Poe's obsession with this theme stems from the repeated loss of women throughout his life, including his mother Eliza Poe, his foster mother Frances Allan and, later, his wife Virginia.
xxx/ellauri086.html on line 925: In the essay, Poe traces the logical progression of his creation of "The Raven" as an attempt to compose "a poem that should suit at once the popular and the critical taste." He claims that he considered every aspect of the poem. For example, he purposely set the poem on a tempestuous evening, causing the raven to seek shelter. He purposefully chose a pallid bust to contrast with the dark plume of the bird. The bust was of Pallas in order to evoke the notion of scholar, to match with the presumed student narrator poring over his "volume[s] of forgotten lore." No aspect of the poem was an accident, he claims, but is based on total control by the author.
xxx/ellauri086.html on line 927: Even the term "Nevermore," he says, is based on logic following the "unity of effect." The sounds in the vowels in particular, he writes, have more meaning than the definition of the word itself. He had previously used words like "Lenore" for the same effect. The raven itself, Poe says, is meant to symbolize Mournful and Never-ending Remembrance. This may imply an autobiographical significance to the poem, alluding to the many people in Poe's life who had died.
xxx/ellauri086.html on line 929: George Rex Graham, a friend and former employer of Poe, declined Poe's offer to be the first to print "The Raven". Graham said he did not like the poem but offered $15 as a charity. Graham made up for his poor decision by publishing "The Philosophy of Composition" in the April 1846 issue of Graham's American Monthly Magazine of Literature and Art. Another act of charity.
xxx/ellauri086.html on line 946: Paikannäyttäjän talo (The Fall of the House of Usher) is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
xxx/ellauri086.html on line 968:

Jöpi terixenä

xxx/ellauri087.html on line 22: ter">Sisälmysluetteloon
xxx/ellauri087.html on line 27:

ter;margin-top:0%;margin-bottom:0%">E. Saarinen

xxx/ellauri087.html on line 28:

ter;margin-top:0%;margin-bottom:0%">Ilman Pipsaa ei olisi muutakaan

Huutoja

xxx/ellauri087.html on line 49: On vaikea sanoa, mihin tässä ollaan menossa, muuta kuin brittituristien suosimaan lomakohteeseen Kyproksen Pafokselle. Seminaarin tervetuliaiskirje on älytön. Alku vielä menettelee:
xxx/ellauri087.html on line 56: Jos Saarisen allekirjoittamasta kirjeestä poistaisi kaikki adjektiivit, siinä ei lukisi juuri mitään. Pafos-seminaarin esitteessä on sama ongelma. Siinä luetellaan sanoja kuten ylärekisteri, kukoistuskumppanuus, sisäinen hehku ja maaginen noste. Sellaisia, joita ei käytetä edes horoskoopeissa. Samalla kerrotaan, että Saarisen puhetta ymmärtää jokainen.
xxx/ellauri087.html on line 63: Muutaman tunnin rentoutumisen jälkeen bussit kiertävät noukkimassa kaikki hotelleil€¨ta ja kuljettavat seminaarihotelli Amathukseen. Se on viiden tähden pylväspalatsi, jonka lasiset portaikot on värjätty valaisintaiteella. Kokous- salin kattokruunu on kuin Titanicista, seinät ja kalusteet kullan ja puuterin värisiä. Salin nimi on Platon.
xxx/ellauri087.html on line 72: Tässä orkesterissa on virittäytymässä jotain aivan huikeaa, Saarinen lietsoo. Hän on kapellimestari, me olemme soittajia, joilla kaikilla on mahdollisuus herkistyä elämän hienovaraisille ja hyväntahtoisille ilmentymille.
xxx/ellauri087.html on line 75: Sitten on meidän orkesterilaisten vuoro. Sadan ihmisen pitäisi kertoa itsestään, mutta useimmat avaavat suhdettaan Esa Saariseen.
xxx/ellauri087.html on line 91: Saarinen piti filosofian johdantokurssia, omien sanojensa mukaan siksi, että silloinen kollega Simo Knuuttila oli sitä mieltä, että “siinä on aihe, josta Saarisen poka ei tiedä hölkäsen pöläystä”. Samoihin aikoihin Saarinen oli rakastunut kuningattareensa ja dumpannut Liisa-paran sekä rohkaistunut vetämään henkilökohtaisempia luentoja. Porthanian iso sali oli joka kerta täynnä. Eikös Knupo enää ollut kolleega kun Eski lensi alma materista pellolle? No ehkä ei.
xxx/ellauri087.html on line 103: 20-vuotiaana tohtoriksi valmistunut Pekka Himanen taas kertoi, että Saarisella oli hänen väitöksensä ohjaamisessa “sokraattisen kätilön tehtävä, innostaminen”. Ei ole kätilön vika jos lapsi syntyy kuolleena. Himanen on käynyt Pafos-seminaareissa useita kertoja, ja Saarinen on sanonut hänen löytäneen Eskin äänen sieltä. His masters voice. E. Saarinen pitää ilmeisesti kokea uskoaxeen sen.
xxx/ellauri087.html on line 114: Pafoksella systeemit yksi ja kaksi toimivat paremmin yhteen kuin yleensä, koska täällä ihminen vapautuu. Arkena on vaikeaa avata mieli sellaiselle, mitä normaalisti pidetään vähän naurettavana. Vessajonossa on useimmilla mielessä systeemi ykkönen, voi niitä joiden pitää mennä kakkoselle. Panee miettimään: vetiköhän positiivinen Vesa-Matti Loiri myöntyväistä Eskiä Ankallisteatterin miestenhuoneessa kakkoseen? Nyt on myöhäistä kysyä, paizi Eskiltä.
xxx/ellauri087.html on line 122: Saarinen kehottaa meitä orkesterilaisia ajattelemaan itseämme jääkiekkojoukkueena. (Voi helvetti.) Tähtipelaajaa ei voi peluuttaa koko ajan, muuten se ei pysty koskaan tähtisuoritukseen.
xxx/ellauri087.html on line 174: Mutta Eskin asiakkaat tulee uudestaan ja uudestaan. Eskin Pafos-seminaari koukuttaa kuin David Foster Wallacen Viihde-moduuli.
xxx/ellauri087.html on line 192: “Hellän dynamiikan idea on, että siitä syntyy vaikutusta. Se ohjaa, miten se, mikä muuttuu, muuttuu. Se kohteliaasti tuuppaa muutosta kohti”, Saarinen aloittaa. Senhän takia sirkustirehtöörilläkin on silinterihattu ja apinalla fezi.
xxx/ellauri087.html on line 197: Viimeisen luennon päätteeksi kaikki hiljentyvät kuuntelemaan Saarisen valitseman kappaleen, Kulkurin ja joutsenen. (Ylpeänä esittää: Lasse Hoikka ja Souvarit.) Ensi kertaa seminaarissa ollut nainen pitää vuolaan kiitospuheen, jossa kertoo jännittäneensä puhumista kovasti. Ihankuin David Foster Wallace. What is water. Oli tuntunut, että hän ei pysty, mutta tässä hän seisoo, kiitos E. Saarisen. Nainen kertaa oppeja ja pohtii niiden vaikutuksia. Sellaisia tulee olemaan.
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xxx/ellauri087.html on line 247: 50-vuotias leoparditakissaan kuvattuna syntymäpäivähaastatteluun 2003. Kuosiin innosti alun perin Pipsa.­Kuva: Christian Westerback
xxx/ellauri087.html on line 294: Filosofi luennoi hotelli Inter Continentalin Ballroomissa 1998. Saarinen on pitänyt yritysvalmennuksia 1990-luvulta.­Kuva: ISMO HENTTONEN
xxx/ellauri087.html on line 321: No Lawrence oli luultavasti kade apostolipojille jotka tiesi kuinka puhutella Lady Ottolineä Garsingtonissa. Se varmaan tunsi izensä tollasexi Lady Chatterboxin rakastajaxi, likakyntisexi ruttupippelixi hienon rouvan vällyissä.
xxx/ellauri087.html on line 332: Milton was born in Brooklyn, New York on July 31, 1912. His parents, Sára Ethel (née Landau) and Jenő Saul Friedman, were Jewish immigrants from Beregszász in Carpathian Ruthenia, Kingdom of Hungary (now Berehove in Ukraine). They both worked as dry goods merchants. Shortly after his birth, the family relocated to Rahway, New Jersey. In his early teens, Friedman was injured in a car accident, which scarred his upper lip.
xxx/ellauri087.html on line 338: Milton Friedman's's book Capitalism and Freedom eventually brought him popular acclaim. Published by the University of Chicago in 1962, it has sold over half a million copies and has been translated into 18 different languages, no small feat for a popular book on the subject of economics. In the book, he argues for a classically liberal society where free markets solve problems of efficiency, enriching rich in the United Stoates as a side effect. He argues for free markets on the basis of hebrew pragmatism and philosophy. He concludes the book with an argument that most of America’s successes are due to the free market and private enterprise, while most of its greatest failures are due to government intervention. George W. Bush got the point and let private enterprises be jailkeepers and fight the second Iraq war. Welcome back to the 19th century and before.
xxx/ellauri087.html on line 347: ternal-content.duckduckgo.com/iu/?u=https%3A%2F%2Ftse1.mm.bing.net%2Fth%3Fid%3DOIP.8dc7Ef6qn3zY7kRSXkT-HAHaGN%26pid%3DApi&f=1" width="50%" />
xxx/ellauri087.html on line 367: Ne on kuin punatulkut hankipälvellä, kahvit termospullossa, pörheinä oransseissa liiveissä.

xxx/ellauri087.html on line 380: Among his major contributions to linguistic theory was the hypothesis that not all langages are like English, which Noam Chomsky found difficult to believe. Hale suggested that certain languages were non-configurational, lacking the phrase structure characteristic of such languages as English. Some people were Indians and aboriginals, and some were Finns with a baby and no place to put it in.
xxx/ellauri087.html on line 401: Vaster than Empires, and more slow. Isommaxi kuin valtakunnat ja hitaammin. rakkaudessa kasvaisin.
xxx/ellauri087.html on line 414: Desarts of vast Eternity. Ikuisuuden laaja erämaa. iankaikkisuuden erämaa.
xxx/ellauri087.html on line 435: Thorough the Iron gates of Life. Kiskotaan ne elämän kalterien läpi. elämän rautaportista.
xxx/ellauri087.html on line 440: Mitallisesta runosta tulee helposti sellainen muovinen tekopenis jonka päälle hygieeninen terveysopin opettaja näyttää miten rullataan konodomi ilman että kynnet tekee kumiin reikiä. Vaatii todellista taitoa kirjoittaa niitä ilman että tuntoherkkyys menee ja runo on kuin söisi karkkia ottamatta paperia päältä.
xxx/ellauri087.html on line 448: To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681. This poem is considered one of Marvell's finest and is possibly the best recognised carpe diem poem in English. Although the date of its composition is not known, it may have been written in the early 1650s. At that time, Marvell was serving as a tutor to the daughter of the retired commander of the New Model Army, Sir Thomas Fairfax, fucking her like a rabbit when Papa looked the other way.
xxx/ellauri087.html on line 452: At least two poets have taken up the challenge of to Marvell's poem in the character of the lady so addressed. Annie Finch's "Coy Mistress" suggests that poetry is a more fitting use of their time than lovemaking, while A.D. Hope's "His Coy Mistress to Mr. Marvell" turns down the offered seduction outright.
xxx/ellauri087.html on line 454: Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book title or inside. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-19th-century Kentucky. (WTF,? bet Ernest Heminway's booklet Farewell for Arms (p. 129) is famouser.) With variations, it has also been used for books on the philosophy of physics (World Enough and Space-Time: Absolute versus Relational Theories of Space and Time), geopolitics (World Enough and Time: Successful Strategies for Resource Management), a science-fiction collection (Worlds Enough & Time: Five Tales of Speculative Fiction), and a biography of the poet (World Enough and Time: The Life of Andrew Marvell). The phrase is used as a title chapter in Andreas Wagner's pop science book on the origin of variation in organisms, "Arrival of the Fittest". The verse serves as an epigraph to Mimesis, literary critic Erich Auerbach's most famous book. It is also the title of an episode of Big Finnish Productions's The Diary of River Song series 2, and of part 1 of Doctor Who's Series 10 finale. It is the title of a Star Trek New Voyages fan episode where George Takei reprises his role as Sulu after being lost in a rift in time. The title of Robert A. Heinlein's 1973 novel Time Enough for Love also echoes this line.
xxx/ellauri087.html on line 456: Further in the field of science fiction, Ursula K. Le Guin wrote a Hugo-nominated short story whose title, "Vaster than Empires and More Slow", is taken from the poem. Ian Watson notes the debt of this story to Marvell, "whose complex and allusive poems are of a later form of pastoral to that which I shall refer, and, like Marvell, Le Guin's nature references are, as I want to argue, "pastoral" in a much more fundamental and interesting way than this simplistic use of the term." There are other allusions to the poem in the field of Fantasy and Science Fiction: the first book of James Kahn's "New World Series" is titled "World Enough, and Time"; the third book of Joe Haldeman's "Worlds" trilogy is titled "Worlds Enough and Time"; and Peter S. Beagle's novel A Fine and Private Place about a love affair between two ghosts in a graveyard. The latter phrase has been widely used as a euphemism for the grave, and has formed the title of several mystery novels.
xxx/ellauri087.html on line 458: Brian Aldiss's novel Hothouse, set in a distant future in which the earth is dominated by plant life, opens with "My vegetable should grow / vaster than empires, and more slow."
xxx/ellauri087.html on line 465: The line "deserts of vast eternity" is used in the novel Orlando: A Biography, by Virginia Woolf, which was published in 1928.
xxx/ellauri087.html on line 467: B. F. Skinner quotes "But at my back I always hear / Time's wingèd chariot hurrying near", through his character Professor Burris in Walden Two, who is in a confused mood of desperation, lack of orientation, irresolution and indecision. (Prentice Hall 1976, Chapter 31, p. 266). This line is also quoted in Ernest Hemingway's novel A Farewell to Arms, as in Arthur C. Clarke's short story, The Ultimate Melody.
xxx/ellauri087.html on line 469: The same line appears in full in the opening minutes of Michael Powell and Emeric Pressburger's A Matter of Life and Death (1946), spoken by the protagonist, pilot and poet Peter Carter: 'But at my back I always hear / Time's wingéd chariot hurrying near; And yonder all before us lie / Deserts of vast eternity. Andy Marvell, What a marvel'.
xxx/ellauri087.html on line 475: The line "My vegetable love should grow / Vaster than empires, and more slow" is quoted by William S. Burroughs in the last entry of his diary (July 29, 1997).
xxx/ellauri087.html on line 478: The poem, along with Marvell's 'The Definition of Love', is heavily referenced throughout the 1997 film The Daytrippers, in which the main character finds a note she believes may be from her husband's mistress. In several scenes, the two Marvell poems are alluded to, quoted, and sometimes directly discussed.
xxx/ellauri087.html on line 480: The line "I would Love you ten years before the Flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow." Is used as the preamble to part three of Greg Bear's Nebula award winning novel Moving Mars.
xxx/ellauri087.html on line 481: In The Time Traveler's Wife, by Audrey Niffenegger, one of the main characters, Henry, recites the line "To world enough, and time," at several crucial points in the story.
xxx/ellauri087.html on line 487: BTW, There is a list of appropriate occcasions also in Ecclesiastes 3 by Peter, Paul, and Mary:
xxx/ellauri087.html on line 503: a time to scatter stones and a time to gather them,
xxx/ellauri087.html on line 520: Suomalaisen nenäsumuterokotteen pitäisi olla valtakunnallinen ykkösasia, sanoo sarjayrittäjä Jyri Engeström, jonka vajaa vuosi sitten perustama yhtiö hoitaa massarokotuksia Kaliforniassa.
xxx/ellauri087.html on line 563: In 1986 he was arrested for soliciting an undercover policewoman for immoral purposes. In 1995 he was charged with battering his girlfriend Krystal Kennedy after leaving his wife of 35 years. Kennedy declined to testify against Knievel, however, and later married him.
xxx/ellauri087.html on line 597: [16.3. 08:31] Bo Egov: Nukuin mutten unohtanut! Kirjoitin pitkän paasauxen jossa on kokonaista 3 sukupolvea yrjöä: 2 koukkunenää ja palsternakkanenäinen isoisä Georg GEM Engeström joka oli taidemaalari ja Hoblan pilapiirtäjä. Antikommunisti sekin vielä vanhana taatana, saatana.
xxx/ellauri087.html on line 598: [16.3. 8.38] Bo Egov: Ne on jostain Viipurin suunnalta peräisin. Palsternakan opettaja oli venäläinen ja se osas venättä. P-nakka oli Pirkko-mummin ikätoveri tai vuotta vanhempi.
xxx/ellauri087.html on line 608: Maailma on vienyt ja koulinut, mutta Yrjö Engeström on yhä idealisti. Höh, 1971 se oli olevinaan dialektinen materialisti. Taisi kääntää Hegelinsä takas jaloilleen.
xxx/ellauri087.html on line 618: Elsewhere CHAT has been defined as "a cross-disciplinary framework for studying how humans purposefully transform natural and social reality, including themselves, as an ongoing culturally and historically situated, materially and socially mediated process". Core ideas are: 1) humans act collectively, learn by doing, and communicate in and via their actions; 2) humans make, employ, and adapt tools of all kinds to learn and communicate; and 3) community is central to the process of making and interpreting meaning – and thus to all forms of learning, communicating, and acting.
xxx/ellauri087.html on line 620: The term CHAT was coined by Michael Cole and popularized by Yrjö Engeström to promote the unity of what, by the 1990s, had become a variety of currents harking back to Vygotsky's work. Engeström's now famous diagram, or basic activity triangle, – (which adds rules/norms, intersubjective community relations, and division of labor, as well as multiple activity systems sharing an object) – has become the principal third-generation model among the research community for analysing individuals and groups. Engeström summarizes the current state of CHAT with five principles:
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