ica,sans-serif">
ellauri041.html on line 1715: Der heilge Antonius, so wird berichtet,

ellauri041.html on line 1716: Hat endlich ganz auf die Welt verzichtet;

ellauri041.html on line 1723: Er sprach: Von hier will ich nicht weichen,

ellauri041.html on line 1724: Es käme mir denn ein glaubhaft Zeichen!
ellauri041.html on line 1734: Setzte sich nieder, ass und trank,

ellauri041.html on line 1740: Und starben endlich und starben zugleich

ellauri041.html on line 1741: Und fuhren zusammen vor's Himmelreich.

ellauri041.html on line 1745: Und wollten sich gegen das Schwein verwahren.
ellauri041.html on line 1751: Zum freundlich ernsten Gnadenwinke;

ellauri041.html on line 1758: Warum nicht auch ein braves Schwein."
ellauri041.html on line 1935: Spearman congratulates Netflix for picking up the show as it contributes to "telling international stories from places Americans don't consider"; Jonathon Wilson of Ready Steady Cut says that it is "another solid piece of overseas programming".
ellauri041.html on line 1937: It’s difficult to reconcile corpse disposal with typical teen awkward-boner gags. In American lamestream programming, they belong to different genres. That’s where the “dark” half of the comedy comes from, and it’s not a mode that necessarily suits the show – at least not all of the time.
ellauri041.html on line 1943: Suspension of belief in what? Capitalism obviously. Americans find that harder than to believe in god, superman, me, "it", Harry Potter, Trump, and Game of Thrones. Big cars, cheap gas by the gallon, soft suspension. Well now oil can be had by the asking. Selling oil costs money now, as does saving money in the bank. Deflation comes, are you ready?
ellauri041.html on line 1945: The non-English origins shouldn’t be off-putting, as Netflix’s usual wide array of language options includes both the original, subtitled Catalan, as well as several voiceovers.
ellauri041.html on line 1968: Is Finland a country? Do they have cars in Finland? How is Germany for Indians? Varmaan parempi kuin jenkkilä, jossa ainoot hyvät intiaanit on kuolleita. Why are Swedes so successful? Which countries don't like Finland? Nää on jenkkiläisen Quora sivuston ozikoita.
ellauri042.html on line 5: font-style: italic;
ellauri042.html on line 79: for quick eviscerations! saaliin, joka pahaa-aavistamatta jaloittelee
ellauri042.html on line 83: mesozoic maniac! sen kohtaloxi peto ihan hullu!
ellauri042.html on line 85: Imagine then, the panic caused, Arvaat sitten mikä pakokauhu syntyi
ellauri042.html on line 140: Wih the grim efficiency Pedot nauttivat ateriansa
ellauri042.html on line 146: stupefied horror! Which vasten kauhistuneina! Kuka
ellauri042.html on line 216: The authors of the PNAS article estimate that the mass of wild land mammals is seven times lower than it was before humans arrived (keep in mind it’s difficult to estimate the exact history of the number of animals on Earth). Similarly, marine mammals, including whales, are a fifth of the weight they used to be because we’ve hunted so many to near extinction.
ellauri042.html on line 218: And though plants are still the dominant form of life on Earth, the scientists suspect there used to be approximately twice as many of them — before humanity started clearing forests to make way for agriculture and our civilization.
ellauri042.html on line 240: Trump on Twitterissä tukenut mielenosoittajia, jotka ovat vaatineet koronaviruksen vuoksi määrättyjen rajoitusten purkamista. Presidentti muun muassa kehotti "vapauttamaan" Michiganin, Minnesotan ja Virginian määräyksistä. Kaikissa kolmessa osavaltiossa on demokraattikuvernöörit.
ellauri042.html on line 502: The youngest son narrates the tale. He, his brothers, and his mother are all sympathetic characters, relatively normal people, though each has their own beliefs, quirks, and problems. The failure of my-way-or-the-highway Dad to show respect or even empathy for those who disagree drives the story. He could have been portrayed as an easy person to hate, but even with his limitations, it's obvious he is still trying to do good. To that extent, this film succeeds.

ellauri042.html on line 504: Vignettes are usually less than totally satisfying, lacking resolutions commensurate with their conflicts. But this story, despite its interesting situation and fine production, feels emptier than most, because the resolution is largely driven not by action but by happenstance. Since Word of God is an autobiographical piece, I can't argue with what it shows, but the result seems to lack impact or message.

ellauri042.html on line 570: Vuonna 1965 Sacks nimitettiin Albert Einstein College of Medicinen kliinisen neurologian professoriksi. Tutkiessaan migreeniä hän tapasi New Yorkin Bronxissa olevassa Beth Abraham -sairaalassa potilaita, jotka olivat eläneet jo noin 40 vuotta täysin jähmettyneessä tilassa. He olivat selvinneet hengissä vuosina 1916–27 riehuneesta maailmanlaajuisesta unitautiepidemiasta (kyseessä oli ns. eurooppalainen unitauti eli encephalitis lethargica). Saatuaan migreenitutkimuksen valmiiksi Sacks omistautui tämän potilasryhmän tutkimiseen. Nekin oli varmaan varakkaita juutalaisia.
ellauri042.html on line 578: Kirjassaan The Man Who Mistook His Wife for a Hat (1985; suom. Mies joka luuli vaimoaan hatuksi) Sacks kertoo hauskasti, kuinka erilaiset neurologiset häiriöt vaikuttavat ihmisten ja heidän omaistensa arkeen. Kirjasta on tehty sekä ooppera (säveltänyt Michael Nyman) että näytelmä (tekijä Peter Brook). Helsingissä toimiva Lilla Teatern esitti näytelmän vuonna 2003 ja Turun kaupunginteatteri Juha Siltasen ohjaamana keväällä 2010. Ei pientä mitään.
ellauri042.html on line 596: The French novelist Alphonse Daudet kept a journal of the pain he experienced from this condition which was posthumously published as La Doulou (1930) and translated into English as In the Land of Pain (2002) by Julian Barnes.
ellauri042.html on line 600: Painter Édouard Manet died of syphilis complications, including tabes dorsalis, in 1883, aged 51.
ellauri042.html on line 619: Touretten oireyhtymä (usein Touretten syndrooma, TS) eli yhtäaikainen äänellinen ja motorinen monimuotoinen nykimishäiriö on neurologinen tai neurokemiallinen oireyhtymä, jonka keskeisinä oireina ovat tic-liikkeet eli äkilliset ja nopeat nykäykset ja liikkeet sekä äänet. Tourette liittyy usein autismin kirjon oireyhtymiin.
ellauri042.html on line 644: Part of Pope's bitter inspiration for the characters in the book come from his soured relationship with the royal court. The Princess of Wales Caroline of Ansbach, wife of George II, had supported Pope in her patronage of the arts. When she and her husband came to the throne in 1727 she had a much busier schedule and thus had less time for Pope who saw this oversight as a personal slight against him. When planning the Dunciad he based the character Dulness on Queen Caroline, as the fat, lazy and dull wife. Pope's bitterness against Caroline was a typical trait of his brilliant but unstable character. The King of the Dunces as the wife of Dulness was based on George II. Pope makes his views on the first two Georgian kings very clear in the Dunciad when he writes 'Still Dunce the second reigns like Dunce the first'.
ellauri042.html on line 648: The plot of the poem is simple. Dulness, the goddess, appears at a Lord Mayor's Day in 1724 and notes that her king, Elkannah Settle, has died. She chooses Lewis Theobald as his successor. In honour of his coronation, she holds heroic games. He is then transported to the Temple of Dulness, where he has visions of the future. The poem has a consistent setting and time, as well. Book I covers the night after the Lord Mayor's Day, Book II the morning to dusk, and Book III the darkest night. Furthermore, the poem begins at the end of the Lord Mayor's procession, goes in Book II to the Strand, then to Fleet Street (where booksellers were), down by Bridewell Prison to the Fleet ditch, then to Ludgate at the end of Book II; in Book III, Dulness goes through Ludgate to the City of London to her temple.
ellauri042.html on line 652: Pope's choice of new 'hero' for the revised Dunciad, Colley Cibber, the pioneer of sentimental drama and celebrated comic actor, was the outcome of a long public squabble that originated in 1717, when Cibber introduced jokes onstage at the expense of a poorly received farce, Three Hours After Marriage, written by Pope with John Arbuthnot and John Gay. Pope was in the audience and naturally infuriated, as was Gay, who got into a physical fight with Cibber on a subsequent visit to the theatre. Pope published a pamphlet satirising Cibber, and continued his literary assault until his death, the situation escalating following Cibber's politically motivated appointment to the post of poet laureate in 1730.
ellauri042.html on line 657: An anecdote in "A Letter from Mr. Cibber, to Mr. Pope", published in 1742, recounts their trip to a brothel organised by Pope's own patron, who apparently intended to stage a cruel joke at the expense of the poet. Since Pope was only about 4' tall, with a hunchback, due to a childhood tubercular infection of the spine, and the prostitute specially chosen as Pope's 'treat' was the fattest and largest on the premises, the tone of the event is fairly self-apparent. Cibber describes his 'heroic' role in snatching Pope off of the prostitute's body, where he was precariously perched like a tom-tit, while Pope's patron looked on, sniggering, thereby saving English poetry. While Cibber's elevation to laureateship in 1730 had further inflamed Pope against him, there is little speculation involved in suggesting that Cibber's anecdote, with particular reference to Pope´s "little-tiny manhood", motivated the revision of hero.
ellauri042.html on line 665: All the transports described in this section do have more or less clear organic determinants (though it was not evident to begin with, but required careful investigation to bring out). This does not detract in the least from their spiritual significance. If God, or the Devil, or the eternal order EAT! EAT! FUCK! FUCK! KILL! KILL!, was revealed to Dostoievski in seizures, why should not other organic conditions serve as 'portals' to the beyond or the unknown? In a tongue in cheek sense, this section is a study of such portals.
ellauri042.html on line 669: Kuuntelin Easter Paradea starrin Judy Garland ja Fred Astaire. Kyllä se olikin syvältä perseestä. Hanurimusiikkia Jenkeistä. Fred on niin homon näköinen et on vaikee uskoa. Fred Astaire may have married twice and had children, but Gore Vidal told his nephew he shafted the famous dancer and actor in Hollywood. Olen pederasti, sanoi Vidal toimittajalle. Have a nice day! sanoi taxikuski Vidalille. No, I have other plans for the day, Vidal läppäsi. Se kävi paljon Bangkokissa. Harri Jäppinen kävi Indonesiassa.
ellauri042.html on line 676: Hukkapätkä (160cm) väkäleuka koukkunenä Elisabeth Moss on jotenkin X-filesien Gillian Andersonin tapainen, joka nyttemmin on niin paljon The Witchin näköinen että esittääkin sitä Lady Di-pätkässä. Ne on parhaimmillaan happamissa ilmeissä. Komendantti on luihun jutkun oloinen. Junen 2 bylsijää Nick ja komendantti ovat kuin Kummelien Lyhkönen ja Kolli. Hirmusesti ikävystyttävää panoa ja huohotuxia. Ei meinaa millään jaxaa kazoa, mutta täytyy kai se loppuun ährätä et voi kirjottaa tähän lisää juonenpaljastuxia. Mitä oli juonenpaljastus enkuxi? Joo se oli spoileri. 80-luvulla se tarkotti auton takasiipeä.
ellauri042.html on line 680: Margaret Eleanor Atwood CC OOnt CH FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, teacher, environmental activist, and inventor. Since 1961, she has published 18 books of poetry, 18 novels, 11 books of non-fiction, nine collections of short fiction, eight children's books, and two graphic novels, as well as a number of small press editions of both poetry and fiction. Atwood has won numerous awards and honors for her writing, including the Booker Prize (twice), Arthur C. Clarke Award, Governor General's Award, Franz Kafka Prize, Princess of Asturias Awards, and the National Book Critics and PEN Center USA Lifetime Achievement Awards. A number of her works have been adapted for film and television.
ellauri042.html on line 682: Atwood's works encompass a variety of themes including gender and identity, religion and myth, the power of language, climate change, and "power politics". Many of her poems are inspired by myths and fairy tales which interested her from a very early age. Atwood is a founder of the Griffin Poetry Prize and Writers' Trust of Canada. She is also a Senior Fellow of Massey College, Toronto.
ellauri042.html on line 684: In 1968, Atwood married Jim Polk, an American writer; they divorced in 1973 without issue. Maybe they ought to have bought a handmaid. She formed a relationship with fellow novelist Graeme Gibson soon afterward and moved to a farm near Alliston, Ontario, where their daughter, Eleanor Jess Atwood Gibson, was born in 1976. The family returned to Toronto in 1980. Atwood and Gibson were together until September 18, 2019, when Gibson died after suffering from dementia. She wrote about Gibson in the poem Dearly and in an accompanying essay on grief and poetry published in The Guardian in 2020.
ellauri042.html on line 686: 5 years older Gibson was married to publisher Shirley Gibson until the early 1970s, and together they had two sons, Matt and Grae. He later began dating novelist and poet Margaret Atwood in 1973. They moved to a semi-derelict farm near Alliston, Ontario, which they set about doing up and where according to Atwood they were making "attempts at farming, writing and trying to earn enough to live". Their daughter Eleanor Jess Atwood Gibson was born there in 1976. The family returned to Toronto in 1980. Atwood and Gibson stayed together until his death in 2019. Gibsons best book was The Bedside Book of Birds (2005).
ellauri042.html on line 690: Elävän leskestä tuli leipäsusi kunnes susikoira kellahti. Gibson oli sellainen koira joka jokaisen kirjailijattaren pitäisi valita. Ei todellakaan mikään komendantti, pikemminkin sekundantti. Oktogenaari taitaa olla vähän jo liian senior fellow ehtiäxeen saada noobelin. Ja liian feministi, tollanen niinko riitasa. Ei sellaisesta Ruozin Akatemiassa pidetä. Sitäpaizi Alice Munrohan juuri palkittiin, kanadalaiset naiset on syöneet jäätelönsä jo.
ellauri042.html on line 695: Fedor M. Dostoevsky´s family had old-Lithuanian aristocratic origins. The name was derived from the Russian word dostoijny, which means dignified. What a misnomer. Fyodor Mikhailovich Dostoevsky was born on October 30th, 1821 (old Julian calendar; on November 11th, 1821 according to the Gregorian calculation) in Moscow, as the second son of Mikhail Andreevich Dostoevsky, a doctor at the hospital for the poor.
ellauri042.html on line 697: Dostoevsky´s literary work has strong autobiographical elements. We know from him that he suffered from hallucinations already in early childhood. He presented idiotic characters with confused views about freedom of choice, religion, socialism, atheism, good and evil. Many of his characters suffered – like the author himself – from epilepsy. Other famous people also suffered from epilepsy (Alexander the Great, Caesar, Gustave Flaubert, and Lord Byron). Flaubert had religiously tinted visions. The first 2 guys thought they were gods.
ellauri042.html on line 699: Maria Fyodorovna Nechayeva, his mother, was descended from a conservative Moscow merchant family. Dostoevsky was educated at home and at a private school. The family lived in a very small apartment, which his father also used as a doctor´s practice. The patriarchal and avaricious character of his father was seminal for the personal and the artistic development of Fyodor.
ellauri042.html on line 701: In 1833, the family moved to Tula where the father bought a manor. Shortly after the death of his mother in 1837, Fyodor (16 yrs) was sent to St. Petersburg where he entered the Army Engineering College. 2 years later, in 1839, Dostoevsky´s more and more tyrannical father died, probably of apoplexy, but there were strong rumours that he was murdered by his own serfs in a quarrel. (Unless it was Fedja who dunit.) Against the background of this legend, Sigmund Freud later interpreted the patricide in the novel “The brothers Karamazov” as showing Fedja hated his father´s guts. True, but the main thing was the epilepsy, wait and see.
ellauri042.html on line 703: In 1847, Dostoevsky participated in a revolutionary group around Petrashevsky. He was arrested and sentenced to death in 1849, during a reading of a radical letter. On December 22nd, 1849 he experienced mock execution while he was expecting death during some minutes quite seriously. However, the sentence was commuted to Katorga, a penal camp in Siberia. Served him right.
ellauri042.html on line 705: In Katorga, Dostoevsky spent four years in hard labour and wearing fetters, hating immigrants. During that time, Dostoevsky´s health dramatically deteriorated and he suffered from his first generalized epileptic attacks.
ellauri042.html on line 706: The doctor wrote: “1850, he had his first epileptic attack with crying, amnesia, cloniform movements, foam around his mouth, and dyspnoea with weak and rapid pulsation of the heart. This first attack lasted for 15 min. The attack was followed by common exhaustion and reachievment of consciousness. 1853, he had another attack, and meanwhile, the attacks return at every end of the month”. During his Siberian years, Dostoevsky became a devout follower of the Russian Orthodox Church and a persuaded monarchist.
ellauri042.html on line 708: During repeated trips to many European cities in the years 1862–1865, Dostoevsky got to know the complacence and arrogance of the aristocratic European ‘Bourgeoisie’. These experiences strengthened his slavophilic attitude and explain his xenophilia.
ellauri042.html on line 710: Furthermore, his first wife, who was something of an impulse purchase, suffered from tuberculosis, so he had an impassionate affair with a young woman called Apollinaria Suslova on the side. It ended tragically due to his obsession with gambling. Beside of these blows he suffered from frequent epileptic seizures. At the bedside of his sick wife he wrote “Notes from Underground” (1864), a psychological study of an outsider. The work starts with a confession by the writer: “I am a sick man … I am a wicked man …” Fair enough.
ellauri042.html on line 713: He returned to St. Petersburg impecuniously and started to write his novel “Crime and Punishment” (1866), which was followed by the novel “The Gambler” (1866), an honest testimonial of Dostoevsky´s own gambling which was written within a few weeks.
ellauri042.html on line 715: On the 15th of February, 1867, Dostoevsky married Anna Grigoryevna Snitkina, his stenographer who seemed to have understood her husband´s manias and rages. Ten days later, Dostoevsky had an epileptic attack which was described in Anna Grigoryevna´s memories. Shouting, grinding teeth, kicking on the floor, saliva on the chin, the works.
ellauri042.html on line 717: Dostoevsky´s illness influenced some peculiarities of his writing, his language and style. Dostoevsky´s bad memory was well known; he had to take notes for everything His language is nervous, tense and impulsive. His phrases are sometimes long and complicated, containing a fanciful conglomeration of colloquial words and expressions, official, journalistic and scientific terms, and slips of the tongue, foreign words, names and quotations. But now and then we can see here very short, elliptic phrases.
ellauri042.html on line 719: Dostoevsky´s favorite word was “vdrug” (“suddenly”). A lot of events in Dostoevsky´s novels begin suddenly, without preparations and explanation – like seizures. (But he did at times have a manic aura just before.) Dostoevsky also used frequent repetitions of the same word with different intonations. It made an impression of convulsions and shocked the literary critics. He wrote in a meticulous manner, using every empty space of a sheet (see Fig. 2). His style showed a tendency toward extensive and in some cases compulsive writing, and the writings were often concerned with moral, ethical, or religious issues. This may reflect a syndrome of interictal behavior changes that was described in temporal lobe epilepsy by Waxman and Geschwind.
ellauri042.html on line 726: Interictal (kohtausten välinen) behaviour abnormalities in temporal lobe epilepsy have been discussed by many authors. There is clear evidence of a temporal lobe epilepsy personality syndrome including a deepening of emotionality with a serious, highly ethical, and spiritual demeanour and an interictal dysphoric disorder.
ellauri042.html on line 728: Bear and Fedio described typical interictal findings in patients with temporal lobe epilepsy including hyperreligiosity, euphoria, depression, hypergraphy, hypo- or hypermoralism, interest in philosophical questions, altered sexual behaviour, paranoia, consciousness of guilt, and emotional alteration.
ellauri042.html on line 730: There is no doubt that Dostoevsky´s writing witnesses a large awareness of and sometimes even obsession with religious, philosophical and emotional questions as well as question of guilt. Myshkin from the novel “The Idiot” shared many character traits with his creator, such as russophilia, hyperreligiosity with profound belief in the Russian-orthodox church, melancholy, auras of happiness, generalized seizures. Furthermore, Dostoevsky wrote in large letters, and his style was sometimes compulsive and abrupt.
ellauri042.html on line 732: In conclusion, the exact classification of Dostoevsky´s idiocy is pretty clear. Many signs indicate that this famous writer suffered from mesial temporal lobe epilepsy.
ellauri042.html on line 734: Source: icle/pii/S105913110500066X">https://www.sciencedirect.com/science/article/pii/S105913110500066X
ellauri042.html on line 768:

ica.com/wp-content/uploads/2018/08/Josef-Mengele-2.png" height="200px" />
ellauri042.html on line 776: Josef Mengele var stationerad i koncentrationslägret Auschwitz från den 30 maj 1943 till den 18 januari 1945, där han var chefsläkare. Han utförde hänsynslösa och för medicinvetenskapen tvivelaktiga experiment på lägerfångar, med full licens för att lemlästa eller döda dem. Han valde även ut vilka judar som skulle föras till gaskamrarna vid ankomst till lägret. Främst valde han att experimentera på dvärgar och enäggstvillingar, som kom att benämnas "Mengeles tvillingar". Även vivisektion utfördes på fångarna. Vidare utfördes experiment på ögon där Mengele genom olika metoder försökte ändra ögonfärg på fångar från brun till blå, bland annat med bläckinjektioner vilket kunde leda till blindhet, smärta och infektioner. Han utförde operationer där han plockade ut olika delar ur kropparna. Mengele injicerade också till exempel kloroform direkt in i hjärtat på offren, för att kunna utföra försök med färska lik. Många operationer och experiment utfördes dessutom utan bedövning. Många av dem som överlevde Mengeles experiment blev svårt skadade och led av invalidiserande skador efter kriget. Vid ett tillfälle övervakade Mengele två romska barn när de syddes ihop i syfte att skapa siamesiska tvillingar.
ellauri042.html on line 785: En ny rapport, publicerad av den internationella organisationen OECD, visar att Sverige är sämst av alla analyserade länder på att minska smittspridningen på flera olika punkter.
ellauri042.html on line 793: Tengele konstaterar däremot att rapporten satt fingret på dödligheten på Sveriges äldreboenden. Där gick det just som planerat. Nu finns de inga patienter i den riskgruppen längre. Istället fick vi en hel del färska lik.
ellauri042.html on line 800: Mutta ei. Ne on vaan korvamatoja, samoja mitä niiden on pitänyt muutenkin tahtomattaan hyräillä. Olli on romantikko. Romantikot tuppaa olemaan porvarillisia vakavikkoja. Yhden ictal pleasure on toisen profound joy. Olli pitää kiinni mieluusti joystickistä. Lapsuudenmuistot ei ole sille vaan kivoja vaan pyhiä. Fedja-setä ja Marcel Proust raahataan taas framille.
ellauri042.html on line 804: Euclid’s fifth proposition in the first book of his Elements (that the base angles in an isosceles triangle are equal) may have been named the Bridge of Asses (Latin: Pons Asinorum) for medieval students who, clearly not destined to cross over into more abstract mathematics, had difficulty understanding the proof—or even the need for the proof. An alternative name for this famous theorem was Elefuga, which Roger Bacon, writing circa ad 1250, derived from Greek words indicating “escape from misery.” Medieval schoolboys did not usually go beyond the Bridge of Asses, which thus marked their last obstruction before liberation from the Elements.
ellauri042.html on line 813: In the meantime Ollie had published not one but two memoirs, with an exhaustive range of anecdotes, full of enchantment and anguish, covering everything from his all-consuming childhood obsession with the properties of metals to the abuse he endured at boarding school to his feeling, amphibian-like, more at home in water than on land to his mother’s reaction when she discovered his sexual orientation. “You are an abomination,” Ollie recounted her telling him when he was 18. “I wish you had never been born.” Nor had Ollie kept anything hidden. He described his first orgasm — reached spontaneously while floating in a swimming pool — and, in deft yet fairly pornographic detail, an agonized, inadvertent climax experienced much later while giving a massage to a man who shunned Ollie’s love.
ellauri042.html on line 815: What had Sacks left to Weschler? What did his gift, his command, amount to beyond the dying wish of a magnificent and, by some accounts, paradoxically self-effacing and narcissistic doctor to have yet another book, beyond the 13 he himself had written (three more would come posthumously), to help ensure his immortality? Maybe this:
ellauri042.html on line 817: His moronic patients called him “deeply eccentric” and described him as “huge, a full beard, black leather jacket covering T-shirts riddled with holes, huge shoes, his trousers looking like they were going to slide off his body.” A friend from Sacks’s days as a medical resident remembers him as a “big, free-ranging animal” who one day “drank some blood … chasing it with milk. There was something about his need to cross taboos. Back in those days, in the early ’60s, he was heavily into drugs, downing whole handfuls of them, especially speed and LSD.”
ellauri042.html on line 832: It is recorded of Sir Herbert Oakley, the nineteenth-century Edinburgh professor of music, that once, taken to a farm, he heard a pig squeak and instantly cried "G sharp!" Someone ran to the piano, and G sharp it was.
ellauri042.html on line 844: From the early 20th century, his fictional work included caricatures of Jews, stereotyping them as greedy, cowardly, disloyal and communists.
ellauri042.html on line 885: Devotions upon Emergent Occasions, or in full Devotions Upon Emergent Occasions, and severall steps in my Sicknes, is a prose work by the English metaphysical poet and cleric in the Church of England John Donne (22 January 1572 - 31 March 1631) , published in 1624. It covers death, rebirth and the Elizabethan concept of sickness as a French visit from God, reflecting internal sinfulness. The Devotions were written in December 1623 as Donne recovered from a serious but unknown illness – believed to be relapsing fever or typhus. Having come close to death, he described the illness he had suffered from and his thoughts throughout his recovery with "near super-human speed and concentration". Registered by 9 January, and published soon after, the Devotions is one of only seven works attributed to Donne which were printed during his lifetime.
ellauri042.html on line 887: The Devotions is divided into 23 parts, each consisting of 3 sub-sections, called the 'meditation', the 'expostulation' and a prayer. The 23 sections are chronologically ordered, each covering his thoughts and reflections on a single day of the illness. The work as a whole is considered similar to 17th-century devotional writing generally, and particularly to Donne´s Holy Sonnets. Some academics have also identified political strands running through the work, possibly from a polemic Arminian denunciation of Puritanism to advise the young Prince Charles.
ellauri042.html on line 891: Jane Dunn is the author of Elizabeth and Mary: Cousins, Rivals, Queens; Moon in Eclipse: A Life of Mary Shelley; Virginia Woolf and Vanessa Bell: A Very Close Conspiracy; and Antonia White: A Life. She is a fellow of the Royal Society of Literature, is married to the linguist and writer Nicholas Ostler, and lives in Bath, England.
ellauri042.html on line 893: Paizi eine enää asu siellä. Ne on eläkkeellä jossain pikku paikassa ja Nickillä on Parkinsonin tauti. Niillä oli tosi hieno talo Bathissa, varsinainen pikku palazi. Siellä oli kambrikauden aikaisia fossiileja. Nyt on fossiilit muuttaneet toiseen kaupunkiin.
ellauri042.html on line 904: Saucy pedantic wretch, go chide Senkin pedantti, mene neuvomaan
ellauri042.html on line 905: Late school boys and sour prentices, koululaisia ja amiswiixiä,
ellauri042.html on line 907: Call country ants to harvest offices, Lantasaappaille poroelosta,
ellauri042.html on line 910: Nor hours, days, months, which are the rags of time. Ei tunteja päiviä eikä kalastuskausia,
ellauri042.html on line 919: Whether both th´ Indias of spice and mine Onko molemmat mausteiset Intiat ja mun
ellauri042.html on line 927: All honor's mimic, all wealth alchemy. Kunnia on eleitä, rikkaus katinkultaa.
ellauri042.html on line 937: John Donne is most commonly known for being part of the ‘metaphysical poets’, a group of poets who wrote about love and religion using complex metaphors called conceits. These poets didn’t know each other, and this name was given by literary critics some years later. Nevertheless, John Donne is considered to be one of the best metaphysical poets. John Donne converted to Anglicanism later in his life. By 1615 he became a priest because King James I ordered him to do so. Donne was a member of Parliament in 1601 and in 1614. He also spent a short time in prison because he married his wife, Anne More, without permission. They had twelve children and Anne died while extruding the XIIth.
ellauri042.html on line 939: Donne was born in London in 1571 or 1572, into a recusant Roman Catholic family when practice of that religion was illegal in England.[7] Donne was the third of six children. His father, also named John Donne, married to one Elizabeth Heywood, was of Welsh descent and a warden of the Ironmongers Company in the City of London. However, he avoided unwelcome government attention out of fear of persecution.
ellauri042.html on line 941: His father died in 1576, when Donne was four years old, leaving his mother, Elizabeth, with the responsibility of raising the children alone.[2] Heywood was also from a recusant Roman Catholic family, the daughter of John Heywood, the playwright, and sister of the Reverend Jasper Heywood, a Jesuit priest and translator.[2] She was also a great-niece of Thomas More. A few months after her husband died, Donne's mother married Dr. John Syminges, a wealthy widower with three children of his own.
ellauri042.html on line 943: Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne´s poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.
ellauri042.html on line 945: Despite his great education and poetic talents, Donne lived in poverty for several years, relying heavily on wealthy friends. He spent much of the money he inherited during and after his education on womanising, literature, pastimes, and travel. In 1601, Donne secretly married Anne More, with whom he had twelve children. In 1615 he was ordained Anglican deacon and then priest, although he did not want to take holy orders and only did so because the king ordered it. He also served as a member of Parliament in 1601 and in 1614.
ellauri042.html on line 949: After his release, Donne had to accept a retired country life in a small house in Pyrford, Surrey, owned by Anne´s cousin, Sir Francis Wooley, where they resided until the end of 1604. In spring 1605 they moved to another small house in Mitcham, London, where he scraped a meager living as a lawyer, while Anne Donne bore a new baby almost every year. Though he also worked as an assistant pamphleteer to Thomas Morton writing anti-Catholic pamphlets, Donne was in a constant state of financial insecurity.
ellauri042.html on line 951: Although King James was pleased with Donne's work, he refused to reinstate him at court and instead urged him to take holy orders. At length, Donne acceded to the king's wishes, and in 1615 was ordained priest in the Church of England. In late November and early December 1623 he suffered a nearly fatal illness, thought to be either typhus or a combination of a cold followed by a period of fever. During his convalescence he wrote a series of meditations and prayers on health, pain, and sickness that were published as a book in 1624 under the title of Devotions upon Emergent Occasions. One of these meditations, Meditation XVII, contains the well known phrases "No man is an Iland" (often modernised as "No man is an island") and "...for whom the bell tolls".
ellauri042.html on line 953: Anne gave birth to twelve children in sixteen years of marriage, (including two stillbirths—their eighth and then, in 1617, their last child); indeed, she spent most of her married life either pregnant or nursing. The ten surviving children were Constance, John, George, Francis, Lucy (named after Donne´s patroness Lucy, Countess of Bedford, her godmother), Bridget, Mary, Nicholas, Margaret, and Elizabeth. Three (Francis, Nicholas, and Mary) died before they were ten. In a state of despair that almost drove him to kill himself, Donne noted that the death of a child would mean one mouth fewer to feed, but he could not afford the burial expenses. During this time, Donne wrote but did not publish Biathanatos, his defense of suicide. Anne died on 15 August 1617, five days after giving birth to their twelfth child, a still-born baby. Donne mourned her deeply, and wrote of his love and loss in his 17th Holy Sonnet.
ellauri042.html on line 975: The last sestet presents a turn, commonly referred as volta, in the poem. The lyrical voice presents god God as a jealous lover who fears that he/she will be tempted away by someone or something else. The ninth line questions this figure (“But why should I beg more love, whenas thou”). Furthermore, there is a romantic imagery to express how the lyrical voice feels about the figure of God (“whenas thou/Dost woo my soul”). God’s interest in the lyrical voice is referred as a “fear” and as “tender” because of the possibility of the lyrical voice being tempted by the “devil” or by “flesh”.
ellauri043.html on line 5: font-style: italic;
ellauri043.html on line 204: The Mỹ Lai Massacre (/ˌmiːˈlaɪ/; Vietnamese: Thảm sát Mỹ Lai [tʰâːm ʂǎːt mǐˀ lāːj] (About this soundlisten)) was the Vietnam War mass murder of unarmed South Vietnamese civilians by U.S. troops in Sơn Tịnh District, South Vietnam, on 16 March 1968. Between 347 and 504 unarmed people were killed by U.S. Army soldiers from Company C, 1st Battalion, 20th Infantry Regiment and Company B, 4th Battalion, 3rd Infantry Regiment, 11th Brigade, 23rd (Americal) Infantry Division. Victims included men, women, children, and infants. Some of the women were gang-raped and their bodies mutilated as were children as young as 12.[1][2] Twenty-six soldiers were charged with criminal offenses, but only Lieutenant William Calley Jr., a platoon leader in C Company, was convicted. Found guilty of killing 22 villagers, he was originally given a life sentence, but served only three and a half years under house arrest.
ellauri043.html on line 253:

«Apt 10:11. 9. TOisna päiwänä/ cosca he matcas olit/ ja Caupungita lähestyit/ meni Petari ylös Salin ullackon rucoileman/ liki cuudetta hetke/ ja cuin hän isois/ tahdoi hän suurusta. 10. Cosca he hänelle walmistit/ tuli hän horroxijn: Ja näki Taiwan auki/ ja alas tulewan tygöns yhden astian nijncuin suuren lijnaisen waatten neliculmaisen/ sidottuna/ joca alaslaskettin Taiwast maan päälle.
ellauri043.html on line 254: 12. Josa oli caickinaisia nelijalcaisia maan eläimitä ja medzillisiä/ ja matelewaisia/ ja lendäwäisiä Taiwan alla. 13. Ja yxi äni sanoi hänelle: Petari/ nouse/ tapa ja syö. 14. Petari wastais: en suingan HERra/ sillä en ole minä ikänäns syönyt mitän yhteist eli saastaista.
ellauri043.html on line 268: 4. Ja Mardochai oli suuri Cuningan huones/ ja hänen sanomans cuului caickijn maacundijn/ cuinga hän menestyi ja tuli suurexi. 5. Nijn Judalaiset löit caicki wihamiehens miecalla/ tapoit ja hucutit heidän/ ja teit heidän cansans oman tahtons jälken. 6. Ja Susanin linnas löit Judalaiset wijsi sata miestä cuoliaxi/ ja hucutit heidän. 7. Wielä päälisexi tapoit he Parsandathan/ Dalphonin/ Aspathan. 8. Porathan/ Adalian/ Aridathan. 9. Parmasthan/ Arissain/ Aridain/ Wajesathan...»

ellauri043.html on line 279: edes/ ja sanoi: Sitä salaust/ cuin Cuningas anoi tietä/ ei wijsat/ oppenet/ tähtein tutkiat ja noidat taida Cuningalle ilmoitta. 28. Waan Jumala taiwast/ hän taita salaiset asiat julista/ ja tiettäwäxi teki Cuningas NebucadNezarille/ mitä tulewaisis aigois tapahtuman pitä. 29. NIjn on tämä sinun unes/ ja sinun näkys/ cuin sinä macaisit. Sinä Cuningas sinun wuotesas ajattelit/ mitä tästedes tapahtuman pidäis/ ja se joca salaiset ilmoitta/ hän on sinulle osottanut/ cuinga tapahtuman pitä. 30. Nijn owat sencaltaiset salaiset asiat minulle ilmoitetut/ ei minun wijsaudeni tähden/ cuin se olis suurembi/ cuin caickein jotca eläwät.
ellauri043.html on line 280: Waan sentähden on se minulle ilmoitettu/ että sen selitys pidäis Cuningalle tiettäwäxi tuleman/ ja sinä saisit sinun sydämes ajatuxet tietä. 31. Sinä Cuningas näit/ ja cadzo/ suuri ja corkia cuwa seisoi sinun edesäs/ ja se oli hirmuinen nähdä. 32. Sen cuwam pää oli parahimmast cullast/ mutta rinda ja käsiwarret olit hopiast/ sen wadza ja landet olit waskest. 33. Sen sääret olit raudast/ sen jalgat olit puolittain raudast/ ja puolittain sawest. 34. Sencaltaista sinä näit/ sijhenasti cuin yxi kiwi temmattin ilman käsitä/ ja löi sen cuwan jalcoin/ jotca raudast ja sawest olit/ ja murensi heidän. 35. Silloin tulit ne caicki muserretuxi/
ellauri043.html on line 281: rauta/ sawi/ waski/ hopia ja culda/ ja tulit nijncuin acanat suwirijhes/ ja tuuli wei ne pois/ nijn ettei nijtä sillen taittu löyttä: mutta kiwi joca cuwa löi/ tuli suurexi wuorexi/ nijn että se coco maan täytti. 36. Tämä on se uni/ nyt me tahdomma Cuningalle sen selityxen sanoa. 37. SInä Cuningas olet Cuningasten Cuningas/ jolle Jumala taiwast waldacunnan/ woiman/ wäkewyden/ ja cunnian andanut on. 38. Ja caicki joisa ihmisen lapset asuwat/ ja eläimet kedolla/ ja linnut taiwan alla on hän sinun käsijs andanut/ ja sinulle näiden caickein päälle lainais wallan.
ellauri043.html on line 282: 39. Sinä se cullainen pää olet/ sinun jälkes pitä yhden toisen waldacunnan tuleman/ halwembi cuin sinä. Sijtte se colmas waldacunda/ joca waskinen on/ jonga pitä caicki maacunnat hallidzeman. 40. Sen neljännen pitä cowan oleman nijncuin raudan/ sillä nijncuin rauta särke ja murenda caicki/ ja nijncuin rauta caicki ricko/ juuri nijn tämän pitä myös caicki särkemän ja murendaman. 41. Mutta ettäs näit jalgat ja warpat/ puolittain sawest ja puolittain raudast/ sen pitä jaetun waldacunnan
ellauri043.html on line 283: oleman. Cuitengin pitä rauistuttamisest sijhen jäämän/ nijncuin sinä näit raudan olewan sawella secoitetun. 42. Ja että warpat sen jalgois/ puolittain rauta/ ja puolittain sawi oli/ sen pitä puolittain wahwan/ ja puolittain heicon waldacunnan oleman. 43. Ja ettäs näit rausecoitetun sawella/ kyllä he ihmisen siemenellä secoitetan/ mutta ei he cuitengan ripu kijnni toinen toisesans/ nijncuin ei rauta taita secoitetta sawen cansa yhten. 44. Mutta näiden waldacundain aicana on Jumala taiwasta yhden waldacunnan asettawa/ joca ei ikänäns cukisteta/ ja hänen waldacundans ei pidä toiselle Canssalle annettaman/ sen pitä caicki nämät särkemän ja hajottaman
ellauri043.html on line 284: mutta sen pitä ijancaickisest pysymän. 45. Nijncuin sinä näit kiwen/ ilman käsitä temmatun/ joca raudan/ wasken/ sawen/ hopian ja cullan muserta. Nijn on suuri Jumala Cuningalle näyttänyt/ cuinga tästälähin tapahtuman pitä/ ja tämä on totisest se uni/ ja sen selitys on oikia. 46. NIjn langeis Cuningas NebucadNezar caswoillens/ ja cumarsi Danieli/ ja käski tehdä hänelle ruocauhria ja polttouhria.»
ellauri043.html on line 296: 1. SIlloin lähetti Merodach BalAdan/ BalAdanin poica/ Babelin Cuningas kirjoituxen/ ja lahjoja Jehiskialle: sillä hän oli cuullut hänen sairastanen/ ja tullen terwexi jällens. 2. Nijn Jehiskia riemuidzi/ ja näytti heille rijstahuonen/ hopian ja cullan/ yrtit/ callit woitet ja caicki hänen caluhuonens/ ja caiken tawaran cuin hänellä oli: ei ollut mitän/ jota ei Jehiskia heille näyttänyt hänen huonesans ja hänen tacanans. 3. SIlloin tuli Propheta Jesaia Cuningas Jehiskian tygö/ ja sanoi hänelle: mitä nämät miehet sanowat/ ja custa he sinun tygös tulewat? Jehiskia sanoi: he tulewat cauca minun tygöni/ nimittäin/ Babelist.
ellauri043.html on line 297: Babelist. 4. Mutta hän sanoi: mitäst he owat nähnet sinun huonesas? Jehiskia sanoi: caicki mitä minun huonesani on/ owat he nähnet/ ja ei ole mitän minun tawaroisani/ jota ei he ole nähnet. 5. Ja Jesaia sanoi Jehiskialle: cuule HERran Zebaothin sana. 6. Cadzo/ se aica tule/ että caicki mitä sinun huonesas on/ ja mitä sinun Isäs coonnet owat tähän päiwän asti/ pitä wietämän pois Babelijn/ nijn ettei mitän pidä jäämän/ sano HERra.
ellauri043.html on line 318: 1. JA cosca Salomon sanoma HERran nimestä oli tullut rickan Arabian Drotningin eteen/ tuli hän coetteleman händä tapauxilla. 2. Ja hän tuli Jerusalemijn sangen suuren joucon cansa/ Camelein cansa/ jotca jaloja yrtejä cannatit/ ja paljon cullan cansa/ ja callisten kiwein cansa. Ja cosca hän tuli Cuningas Salomon tygö/ puhui hän hänelle caicki cuin hän aicoinut oli. 3. Ja Salomo sanoi ne caicki tyynni hänelle/ ja ei ollut mitän Cuningalda salattu/ jota ei hän hänelle sanonut 4. COsca rickan Arabian Drotningi näki caiken Salomon taidon/ ja huonen jonga hän rakendanut oli: 5. Ja ruat hänen pöydälläns/ ja hänen palweliains asuinsiat/ ja cungin heidän wircans/ ja heidän waattens/ ja hänen juomanslaskian/ ja polttouhrins/ jonga hän HERran huones uhrais/ ei hän idzens enämbi woinut pidättä.
ellauri043.html on line 319: 6. Mutta sanoi Cuningalle: caicki cuin minä sinusta cuullut olen minun maalleni/ ja sinun menostas/ ja sinun taidostas/ se on tosi. 7. Ja en minä usconut sitä ennencuin minä tulin idze/ ja sen minä olen nyt silmilläni nähnyt/ ja cadzo/ ei ole minulle puolittaingan sanottu/ sinulla on enämbi taito ja hywyttä/ cuin sanoma on/ jonga minä cuullut olen. 8. Autuat owat sinun miehes ja palwelias/ jotca aina sinun edesäs seisowat/ ja cuuldelewat sinun taitoas.
ellauri043.html on line 1361:

kieräyttää palloa sormen päässä kuin Michael Jordan; ja säestäen sanojaan lyyralla josta lähtee kiteisiä ääniä:

ellauri043.html on line 1713: Toi tossa, Marcion, on matruusi Sinopesta, joka joutui kirkonkirouxeen insestistä; Carpocras karkotettiin taikuudesta; Ætius varasti jalkavaimoltaan, Nicolas myyskentelee vaimoaan; ja Manès, joka sanoo izeään
ellauri043.html on line 1714: Buddhaxi ja on nimeltään Cubricus, käräytettiin elävänä palavalla kaislalla niin hyvin, että sen parkittu nahka
ellauri043.html on line 2724: Mä ostin sen takas kuule, ja panin sen taas timmiin! Niin että Caius Caesar Galicula rakastu siien kun se halus bylsiä kuuta !

ellauri043.html on line 3598:

According to ancient belief, the androdamas is a stone resembling the diamond, said to be found in the sands of the Red Sea, in squares or dies. Its name denotes the virtue belonging to it, namely, to restrain anger, mitigate lunacy, and lessen the gravity of the body. Source for information on Androdamas: Encyclopedia of Occultism and Parapsychology dictionary.
ellauri043.html on line 4487: Niillä on korvariipuxet, isot päällystakit, Callemaiset husverkot, leuat ehostetut; oliivicorona pysyy niiden ozaan kiinnitettynä pienoiskuvalla somistetulla medaljongilla; tikarit on pistettynä vyön alle; ja ne heiluttelee eebenpuuvartisia piiskoja, joissa on 3 pikku luilla varustettua siimaa.
ellauri043.html on line 4528: Laatikko raottuu; ja saattaa erottaa sinisen silkkikatoxen alla pienen Kybelen kuvan — paljetein säihkyvän, tornicoronaisen ja istuallaan punakivisessä vaunussa, jota vetää 2 leijonaa käpälä pystyssä.
ellauri043.html on line 4783:

Coucoupha est employé comme nom masculin singulier. Employé comme nom. 1. dans l'Antiquité, en Égypte, animal mythique à longue oreilles figurant sur les sceptres des souverains. Quelques mots au hasard. Lisää henkiolentoja. In old pharmacy, a cucupha or cucufa was a cap, or cover for the head, with cephalic spices quilted in it, worn for certain nervous distempers, particularly those affecting the head. Saint Cucuphas is a martyr of Spain. His feast day is 25 July but in some areas it is celebrated on 27 July to avoid conflict with the important feast day of Santiago, the patron saint of Spain. His name is said to be of Phoenician origin with the meaning of "he who jokes, he who likes to joke."
ellauri043.html on line 5449: Tää on Arikian jumalatar, Virbius-demonin seurassa. Sen ylipapin, mezän kuninkaan, piti oleman salamurhaaja; — ja pakosalla olevat orjat, ruumiinryöstäjät, Salarian tien maantierosvot, Subliciuxen sataman rammat, kaikki Suburran hökkelikylän syöpäläiset ei löytäneet mieluisampaa palveltavaa!
ellauri043.html on line 5945: Olemattomuutta ei ole! Das Nichts nichtet! Ei ole tyhjiötä! Kaikkialla on kappaleita jotka lilluu ulottuvuuden muuttumattomassa fondissa; ja jos avaruus olisi jotenkin rajoitettu, se ei olisi enää ulottuvuus, vaan kappale, ei sillä ole rajoja!
ellauri043.html on line 6849:

Se kääntää sarvicoronaa, josta kuuluu sanomattoman suloinen musiikki.
ellauri045.html on line 6: font-style: italic;
ellauri045.html on line 170: The so-called GAL-TAN scale has now become fashionable among political scientists to "complement" the traditional left-right scale with a new "scale" usually called the GAL-TAN scale. The capital letters here indicate the endpoints of the "scale" and they stand for Green-Alternative-Libertarian and Traditional-Authoritarian-Nationalist respectively.
ellauri045.html on line 322: Armenialainen William Saroyan tiesi mistä narusta on vedettävä kirjottaessaan The Human Comedy nimisen propagandafilmin kässärin v 1943. Karseampaa americanaa ei voi kuvitella. It’s an America that probably no longer exists. In fact it never did, it's just propaganda.
ellauri045.html on line 324: Variety staff wrote that Saroyan’s “initial original screenplay is a brilliant sketch of the basic fundamentals of the American way of life, transferred to the screen with exceptional fidelity.” The New York Times critic Bosley Crowther chided the film for excessive sentimentality, saying it featured "some most maudlin gobs of cinematic goo."
ellauri045.html on line 377: että olen mies ja allani on nainen. Ja yleensä tuli anticoitus, oli puettava vaatteet päälle ja lähdettävä, otti päähän liikaa. Ja sitten kerran minä sanoin kavereille et "nyt mä olen löytänyt elämäni naisen". Kesti kokonaiset 5kk ennenko edes koskin häneen sieltä. Eli se oli vakavaa. Nyt hän on vaimoni ja jos hän kuolisi voisi mennä 5kin vuotta ennenko toipuisin. Poika auttaisi jaxamaan. Kyllä minä tarvizen ja kaipaan häntä, ikävöinkin...
ellauri045.html on line 395: ic/main_media/hannu_makela_koti12.jpg" width="50%" />
ellauri045.html on line 726: Saarella asuneet ihmiset rakensivat kammion Temppelin alle, jossa savuhirviö oleskeli. Kammiossa olevista hieroglypheistä päätellen he uskoivat hirviön olleen saaren vartija. Kun Black Rock -laiva saapuu saarelle vuonna 1867, savuhirviö tappaa laivan miehistön lukuun ottamatta Richardia. Mies yrittää huijata Richardin tappamaan Jacobin, mutta Jacob vakuuttaa Richardin liittymään neuvonantajakseen.
ellauri045.html on line 730: Kun Oceanic Airlinesin lento 815 putoaa saarelle, Musta-asuinen mies ilmestyy Christianin hahmossa Michaelin ja Waltin Vincent-nimiselle labradorinnoutajalle ja neuvoo tätä herättämään Jackin. Ensimmäisenä yönä savuhirviö kaataa puita viidakossa pelotellen selviytyneitä, ja toisena päivänä hirviö tappaa lennon 815 pilotin. Kolme päivää myöhemmin Locke näkee savuhirviön, mutta selviää kohtaamisesta. Jack näkee miehen isänsä Christianin hahmossa ja seuraa tätä luolaan, josta hän löytää isänsä arkun tyhjillään. Jack löytää myös kaksi ruumista, joista toisen kaulassa on nahkapussi, jossa on valkoinen ja musta kivi. Locke kutsuu ruumiita Aatamiksi ja Eevaksi. Kolme viikkoa myöhemmin savuhirviö jahtaa Jackin ryhmää ”pimeällä alueella”. Rousseau sanoo hirviön olevan turvallisuussysteemi, joka suojelee saarta. Hirviö saa Locken kiinni ja raahaa tätä kuoppaan. Jack saa otteen Locken käsistä ja Kate heittää kuoppaan dynamiittia, jolloin hirviö päästää irti Lockesta ja katoaa paikalta.
ellauri045.html on line 736: Myöhemmin Musta-asuinen mies Christianin hahmossa pitää Aaronia käsissään Clairen nähden. Myöhemmin Locke kohtaa miehen Christianin hahmossa Jacobin mökissä Clairen kanssa. Mies väittää voivansa puhua hänelle Jacobin puolesta. Mies kehottaa Johnia siirtämään saarta. Christian ilmestyy Michaelille juuri ennen pommin räjähdystä, sanoen hänen ”olevan vapaa lähtemään”. Claire tutustuu Musta-asuiseen mieheen tajuten tämän olevan ”ystävä” ja voivan olla missä muodossa tahansa. Hän auttaa Clairea selviämään Toisten hyökkäyksiltä kolmen vuoden ajan, uskotellen tälle Toisten vieneen Aaronin. Mies ilmestyy Lockelle Christianina nuhdellen tätä siitä, että tämä antoi Benin siirtää saarta. Mies opastaa Locken jäätyneen rattaan luo. Locke siirtää rattaan paikalleen pysäyttäen aikahypyt.
ellauri045.html on line 740: Locken muodossa oleva Musta-asuinen mies kohtaa Richardin ryhmän vaatien tätä viemään hänet Jacobin luo. Päästyään Taweret-patsaan luo, Richard vastahakoisesti päästää miehen ja Benin tapaamaan Jacobia. Jacob tunnistaa ”Locken” veljekseen, sanomalla tälle: ”Löysit porsaanreikäsi.” Musta-asuinen mies toteaa, ettei Jacob tiedä, mitä hän joutui tekemään löytääkseen sen. Ben puukottaa Jacobin kuoliaaksi ja Musta-asuinen mies työntää ruumiin tuleen polttaen sen. Bramin ryhmä ryntää patsaan alle ja kohtaa Musta-asuisen miehen, joka kertoo heille Jacobin kuolleen, ja ettei heidän tarvitse enää suojella ketään. Ryhmä yrittää ampua miehen, mutta tämä muuntautuu savuhirviöksi tappaen kaikki ryhmän jäsenet. Mies lyö Richardin tajuttomaksi ja vie tämän viidakkoon.
ellauri045.html on line 742: Richardin kieltäytyessä liittymästä Musta-asuisen miehen puolelle, tämä suuntaa parakeille ja kohtaa Sawyerin, joka tajuaa ettei mies ole ulkomuodostaan huolimatta Locke. Matkallaan luolalle mies kohtaa nuoren Jacobin ”haamun”, joka muistuttaa, ettei hän voi tappaa Sawyeria. Mies vie Sawyerin luolaan, jonka seinään Jacob oli kirjoittanut selviytyneiden nimiä, joista suurin osa oli yliviivattu. Mies viivaa Locken nimen yli ja selittää Sawyerille Jacobin halunneen Sawyerin suojelevan saarta yhtenä hänen kandidaattinaan. Sawyer päättää kuitenkin lähteä pois saarelta Musta-asuisen miehen kanssa.
ellauri045.html on line 752: Mies saapuu pääsaarelle, ja Widmore käskee kaikkien piiloutua. Richard yrittää neuvotella miehen kanssa, mutta tämä ilmestyy savuhirviönä ja heittää Richardin ilmaan. Hän kohtaa Benin, joka paljastaa Widmoren sijainnin. Mies kuulustelee Widmorea ja Zoea, mutta kun Widmore ei paljasta mitään, mies viiltää Zoen kurkun auki. Mies uhkaa tappaa Pennyn päästyään pois saarelta, jos Widmore ei puhuisi. Widmore kertoo miehelle Desmondista, kunnes Ben ampuu Widmoren. Mies sanoo Benille Widmoren kertoneen Desmondin olevan Jacobin viimeinen mahdollisuus, jos kaikki hänen kandidaattinsa ovat kuolleet.
ellauri045.html on line 780: Deirdre McCloskey, an acclaimed professor and former University of Chicago protégé of Milton Friedman, stunned the academic world with a sex change in 1995. But that's just one interesting part of a woman now focused on a less macho, more 'human' approach to capitalist economics.
ellauri045.html on line 782: The tall, elegant lady with the dark, slightly veiled voice will be 70 next September. She is a scientist by training, as well as an expert in mathematics, economics and theology. She has rubbed shoulders and lower places with an impressive number of Nobel laureates, and also happens to be a prolific essayist.
ellauri045.html on line 784: Married for 30 happy years as Donald, with two grown children (who alas have not spoken to me since 1995), I live on Printer's Row in Chicago with my Norwich terrier named Will Shakespeare and my Episcopal church across the street — which is why I'm always late for church!
ellauri045.html on line 786: Her book Crossing was a New York Times Notable Book in 1999. Her latest books, The Bourgeois Virtues: Ethics for an Age of Commerce (2006) and Bourgeois Dignity: Why Economics Can't Explain the Modern World (2011), are parts of a four-volume "apology" for capitalism, of which she says: "I reckon this is why God put me on the planet. She thought, '"Hmm. We need an economist who is silly enough to try to unify the scientific and the humanistic sides. Oh, yeah: Deirdre.'"
ellauri045.html on line 788: She describes herself as a "post-modern, quantitative, free-market, feminist, Episcopalian, Midwestern, gender-crossing, literary woman" — which is why, she says, she hasn't got any friends!" Not even Donald Trump though she voted for him many times. Don refused to feel her up though she asked.
ellauri045.html on line 804: Justice is one primary virtue, of course, the balance and respect in society so characteristic of Switzerland-well, I suppose not always, and not for every single immigrant, and until 1971 not for every single woman voter; but usually. Temperance is another, the balance in a soul, controlling desire. Courage is the third. What person could flourish if like Oblomov he stayed in bed out of uncontrolled fear, or out of ennui, an aristocratic version of cowardice? Prudence is the executive virtue, as St. Thomas Aquinas called it-know-how, savoir faire, self-interest. It rounds out the four virtues most admired in the tough little cities or tougher big empires of the classical Mediterranean. The Romans called the four of justice, temperance, courage, and prudence the "cardinal" virtues, on which a society of warriors or orators or courtiers hinged (cardo, hinge). The Christians called them, not entirely in contempt, "pagan."
ellauri045.html on line 806: Christianity added its own three others virtue, in St. Paul's words "faith, hope, and love, these three abide. But the greatest of these is love." The three are called "theological" or-flatteringly to Christianity, since we all know alleged Christians who in their xenophobia or homophobia or X-phobia do not practice them-"Christian" virtues. The three holy virtues smell of incense, but can be given entirely secular definitions, as the Peterson and Seligman volume does. Faith is the backward-looking virtue of having an identity, a place from which one must in integrity start: you are a mother, a daughter, a wife, a schweitzer, a woman, a teacher, a reader, and would not think of denying them, or changing them frivolously. Hope, by contrast, is the forward-looking virtue of having a destination, a project. Where are you going? Quo vadis? If you are literally hopeless you go home tonight and use your military rifle (you are Swiss, so you have one) to shoot yourself. And love, the greatest of these, is the point of it all: love of husband/wife or both, love of country, love of art, love of science, love of God/dog or both.
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Nacque a Padova verso il 1523 da una famiglia di origine milanese e di condizione borghese: alla morte del padre Bartolomeo (1531), commerciante di gioielli, la vedova Cecilia, con Gaspara e i fratelli Baldassare e Cassandra, si trasferì a Venezia. Cassandra era cantante e Baldassare poeta: quest'ultimo morì per malattia nel 1544 a diciannove anni, e ciò turbò molto Gaspara, tanto da farle meditare una vita monacale, stimolata su questa strada da suor Paola Antonia Negri; di lui restano i sonetti stampati con quelli della ben più nota sorella. Leimasimen isä oli kultaseppä, sixköhän sen nimi oli Leima. Kultaseppä Leima, sen tytär Gaspara Leimasin, ikäänkuin hullunkurisista perheistä. Bartolomeus tulee hepreasta Bar Tolomai, eli Ptolemaioxen poika. Bartolomeus oli tavixin apostoli, joka nyljettiin Armeniassa ja naulattiin ristiin vielä kuin nahkurin orsille.
ellauri046.html on line 63: In laguna venne accolta dalla raffinata ed istruita società veneziana; al suo interno condusse una vita elegante e spregiudicata, segnalandosi per la sua bellezza e per le sue qualità. Fu difatti cantante e suonatrice di liuto, oltre che poetessa, ed entrò nell'Accademia dei Dubbiosi con il nome di Anasilla (così veniva chiamato in latino il fiume Piave - Anaxus - che attraversava il feudo dei Collalto, cui apparteneva quel Collaltino che lei amò). L'abitazione degli Stampa divenne uno dei salotti letterari più famosi di Venezia, frequentato dai migliori pittori, letterati e musicisti del Veneto, e molti accorrevano a seguire le esecuzioni canore di Gaspara delle liriche di Petrarca. Leimasin oli nätti ja kulturnaja, osas käyttää luuttua enemmällä kuin yhdellä sormella, ja laulaa kauniisti. Stampat piti tyylikästä salonkia Veneziassa, jonne tuli Petrarcakin Laura-nyyhkytyxineen.
ellauri046.html on line 65: Sufficientemente colta nella letteratura, nell'arte e nella musica, Gaspara fu portata dalla forte carica della sua personalità a vivere in modo libero diverse esperienze amorose, che segnano profondamente la sua vita e la sua produzione poetica. I romantici videro in lei una novella Saffo, anche per la sua breve esistenza, vissuta in maniera intensamente passionale. La vicenda della poetessa va però ridimensionata e collocata nel quadro della vita mondana del tempo, dove le relazioni sociali, comprese quelle amorose, rispondono spesso a un cerimoniale e ad una serie di convenzioni precise. Fra queste è da segnalare l'amore per il conte Collaltino di Collalto, uomo di guerra e di lettere, che durò circa tre anni (1548-1551): tuttavia a causa di lunghi periodi di lontananza Collaltino non ricambiò il sentimento intenso che Gaspara provò per lui, e la relazione si concluse con l'abbandono della poetessa, che attraversò anche una profonda crisi spirituale e religiosa. Leimasimella oli taipumusta depixiin. Kun tuli vastoinkäymisiä (veli kuoli, kreivi jätti), se meni aina rapakuntoon ja meinas mennä nunnaxi. Onnexi ei mennyt.
ellauri046.html on line 67: Morì a Venezia il 23 aprile 1554, dopo quindici giorni di febbri intestinali (mal cholico): alcune fonti riportano che si suicidò con il veleno per motivi amorosi, altre che le pene d'amore peggiorarono la sua salute fino a condurla alla morte per malattia. Se kuoli 31-vuotiaana koliikkin, tai tappo izensä, tai molempia. Kenties.
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ellauri046.html on line 173: All the faithful Christian people would like to see Christian emoji in their apps and devices
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ellauri046.html on line 192: He was a "very stern man, to all appearances dry and prosaic, but under his 'rustic cloak' demeanor he concealed an active imagination which not even his great age could blunt". He was also interested in philosophy and often hosted intellectuals at his home.The young Kierkegaard read the philosophy of Christian Wolff. He also preferred the comedies of Ludvig Holberg, the writings of Johann Georg Hamann, Gotthold Ephraim Lessing, Edward Young, and Plato.
ellauri046.html on line 199: Schelling's 1841 lectures with Mikhail Bakunin, Jacob Burckhardt, and Friedrich Engels; each had come away with a different perspective. Hahaa tosiaan. Söören peri iskältä 30K riikintaaleria, eikä enää selvää päivää nähnyt. Ei huolenhäivää.
ellauri046.html on line 268: Kierkegaard's humor ranges from the droll to the rollicking; from farce to intricate, subtle analysis; from nimble stories to amusing aphorisms. In these pages you are invited to meet the wife of an author who burned her husband's manuscript and a businessman who, even with an abundance of calling cards, forgot his own name. You will hear of an interminable vacillator whom archeologists found still pacing thousands of years later, trying to come to a decision. Then there is the emperor who became a barkeeper in order to stay in the know.
ellauri046.html on line 272: Not only does this book make Kierkegaard accessible but it also entertains, regales with story, and amuses. It will be useful for the lectern, pulpit, and after-dinner dais. The selections, which made me laugh, illustrate sardonically the contradictions of existence."—David J. Gouwens, Brite Divinity School, Texas Christian University.
ellauri046.html on line 274: Keywords: academia; actors; assistant professors; banquets; baptism; behavioral change; clergy; Constantin Constantius; contradiction; costumes; day laborers; disciples; earnestness; ethical existence; existence; finishing; freedom; Godthaab; Hegelian philosophy; horses; incommensurability; inwardness; lifelong tasks; love; male vulnerability; misunderstanding; money; Nicolaus Notabene; Philosophical Fragments; pleasure; professors; Quidam; Repetition; Socrates; suffering; talkativeness.
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ics.com/comic/random">Read more existential comics

ellauri046.html on line 339: Oliko Sörkällä oikeasti jotain kukkoilukavereja, vai oiko symparanekromenoi seura ihan fiktio? Victor Eremita, aika izekorostusta. Tulee mieleen Flaubertin Anttoni. Mä en kyl ikinä tekis noin :). Nöyryydestä mesoo eniten ne joille se on vaikeinta, se on Jönsynkin mielisanoja.
ellauri046.html on line 349: He studied philosophy and theology at university and then spent the rest of his life in his home town doing not much other than producing volume after volume of works which are some sort of mixture between philosophy, theology, and literary criticism.
ellauri046.html on line 351: His master-work Either/Or is odd. It uses a selection of pseudonyms to present and contrast what are supposed to be the papers of a sensual or 'aesthetic' young man called 'A' and a sternly ethical and religious judge 'B', reflecting on the meaning and value of existence, boredom, drama, luck, fate, choice and Mozart. It is considered to be the foundation of the 'Existential' way of thinking - with its concentration on the absolute necessity of choosing and inventing one's self - and was highly influential on writers like WH Auden, Jorge Luis Borges, JD Salinger and John Updike as well as, famously, the philosophers John-Paul Sartre and Friedrich Nietzsche.
ellauri046.html on line 355: Erotic: Some use of the word 'erotic' here may seem very strange. The Danish word "erotik" can also mean something like 'sensuous' or 'adult'.
ellauri046.html on line 359: This abridgement reduces the original quarter of a million words down to about 12,000 (around 5%), based on three different translations, one by Alastair Hannay, another by Howard V. Hong and Edna H. Hong, and a third by an unnamed translator, possibly Lee M. Hollander. As with many of these condensed versions, having picked out the glowing passages may give an impression of a coherence which is absent in the rambling, repetitive and frequently incomprehensible original. The staccato style, though, is what it is like.
ellauri046.html on line 371: The Musical Erotic: Mozart is brilliant! Especially Don Giovanni! It was Christianity which made sensuousness important by denouncing it. Only music expresses sensuousness. It is best expressed by Mozart, in Don Giovanni, which is BRILLIANT!
ellauri046.html on line 378: The Seducer's Diary: Here's the diary of Johannes, a rotter who seduces Cordelia, not so much for sex, as for the aesthetic fun of abandoning her later.
ellauri046.html on line 381: The Aesthetic Validity Of Marriage: Marriage is really nice.

ellauri046.html on line 382: Balance between Esthetic and Ethical: You have to choose either/or! If you go just for the aesthetic life you choose despair. If you go for the ethical, you do your duty.

ellauri046.html on line 383: Ultimatum: Realise that, against God, you are always in the wrong, which means that you know precisely where you are.
ellauri046.html on line 435: This very preliminary study has eight parts. The first assembles a number of entries from his Journals showing that he was homosexual and seen as such by at least some of his contemporaries. The second looks again at his relation with Regine and examines some of his own accounts of his relations with other men. The third provides other evidence of his homosexuality, particularly from his youth. The fourth briefly outlines his conceptions of and relations to Socrates, Christ and God. The fifth attempts to trace the history of his understanding of the relation of Christianity and homosexuality. The sixth repeats some of his own accounts of the homosexual origin and character of the central notions of his existentialism. The seventh presents homosexuality as his hope and agenda for future. Finally, the eighth attempts to summarize and make sense of the preceding.
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Veronica otti Jeesuxesta Golgatalla kuvia. Vas. Jeesuxen kallosta tehty kuvatus tiedelehdestä.
Seurr. 2 1400-l., vika moderni yhden italiattaren tekele. Rva Sakeus on siinä aika sexikäs.

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Tästä Veronicasta tuli toinen osuma Wallu Wallacen kirjan loppupuolella, jossa joku transu narkkari tekee karzalla veronican väistääxeen toisen spugenaisen lähestymisen. (Alaviite: Wallullakin on tollanen rätti ozalla, johon se pyyhkii hikeä.)
ellauri046.html on line 454: Saint Veronica, also known as Berenike, was a woman from Jerusalem who lived in the 1st century AD, according to extra-biblical Christian sacred tradition. A celebrated saint in many pious Christian countries, the 17th-century Acta Sanctorum published by the Bollandists listed her feast under July 12, but the German Jesuit scholar Joseph Braun cited her commemoration in Festi Marianni on 13 January.
ellauri046.html on line 456: According to Church tradition, Veronica was moved with sympathy seeing Jesus carrying the cross to Calvary and gave him her veil so that he could wipe his forehead. Jesus accepted the offer, and when he returned the veil the image of his face was miraculously captured on it. The resulting relic became known as the Veil of Veronica.
ellauri046.html on line 458: The initial attack by the matador is called the suerte de capote ("act of the cape"), and there are a number of fundamental "lances" (or passes) that matadors make; the most common being the verónica (named after Saint Veronica), which is the act of a matador letting their cloak trail over the bull´s head as it runs past.
ellauri046.html on line 460: Coma Berenices, or Berenice’s Hair, is a constellation in the northern sky. It was named after the Queen Berenice II of Egypt. The constellation is home to the North Galactic Pole.
ellauri046.html on line 462: The Greek astronomer Ptolemy considered Coma Berenices to be an asterism in the constellation Leo, representing the tuft at the end of the lion’s tail, and it was not until the 16th century that Berenice’s Hair was promoted to a constellation in its own right, on a celestial globe by the cartographer Caspar Vopel. It is the Danish astronomer Tycho Brahe who is usually credited for the promotion. He included Coma Berenices among the constellations in his star catalogue of 1602.
ellauri046.html on line 464: Coma Berenices is not a large constellation, yet it contains a number of famous deep sky objects, among them the Black Eye Galaxy (Messier 64), Messier 98, Messier 99, Messier 100, the globular cluster Messier 53, the Needle Galaxy (NGC 4565) and the Coma Cluster of galaxies. It also contains the northern part of the Virgo cluster of galaxies.
ellauri046.html on line 469: Pierre-Augustin Caron de Beaumarchais, né Pierre-Augustin Caron le 24 janvier 1732 à Paris où il est mort le 18 mai 1799, est un écrivain, dramaturge, musicien et homme d'affaires français. Éditeur de Voltaire, il est aussi à l'origine de la première loi en faveur du droit d'auteur et le fondateur de la Société des auteurs. Également espion et marchand d'armes pour le compte du roi, c'est un homme d'action et de combats qui ne semble jamais désarmé face à un ennemi ou à l'adversité. Son existence est tout entière marquée par l'empreinte du théâtre et s'il est principalement connu pour son œuvre dramatique, en particulier la trilogie de Figaro, sa vie se mêle étrangement à ses œuvres.

ellauri046.html on line 470: Mit dem Drama Les deux amis schuf Beaumarchais eine „poetische Verherrlichung des Kaufmannsstandes“.
ellauri046.html on line 474: Nebenher versuchte er vergeblich, den Verlobten seiner dort lebenden Schwester Marie, José Clavijo y Fajardo, zur Einhaltung seines Eheversprechens zu zwingen. Das Verhältnis zwischen Clavijo und Marie war undurchsichtig; Beaumarchais verarbeitete dieses Thema zehn Jahre später zu einem rührenden Miniroman, aus dem Goethe 1774 sein Stück Clavigo machte.

ellauri046.html on line 490: Ensin vongataan sikana ja sitku on saatu niin heitetään imexitty raato tienoheen, siitähän sen näki et se oli sekundaa, kun ei pitänyt pintaansa kuin Richardsonin Pamela. Gretchenin Betydning Faustille on hendes uskuldige Eenfoldighed. Ilman sitä se on Intet. Hendes Kjaerlighed giver hende Betydlighed for ham. Jälkenpäin Gretchen mitättömyys kysyy izeltään Faustin runkut housuissa (sanat Söören):
ellauri046.html on line 587: Balles Lærebog er en populære betegnelse for en udgave af Luthers Lille Katekismus med forklaringer, som biskop Nicolai Edinger Balle (1744-1816) udgav i 1791 med titlen Lærebog i den evangelisk christelige Religion til brug for alle skoler i Danmark til afløsning for Pontoppidans Forklaring af Erik Pontoppidan den yngre. I 1849 blev den delvist afløst af biskop Balslevs (1805-1895) Luthers Katekismus med en kort Forklaring; men de to var indtil 1856 de eneste autoriserede til anvendelse i skolen.
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"Bogens titel er umiddelbart appeli al sin kategoriskhed, men værket selv, især dets første del, er faktisk en langstrakt labyrint bestående af meget forskellige tekster, som de færreste formentligt læser i umiddelbar forlængelse af hinanden, men springer frem og tilbage imellem, hvad jeg sådan set også vil anbefale, ellers risikerer man bare at tabe pusten," siger Joakim Garff, før han selv kaster sig ud i en hæsblæsende sætningssolo om den komplicerede komposition i første del af "Enten-Eller".

ellauri046.html on line 633: Scribes teaterstykker, for det meste vaudeviller, blev ofte skrevet i samarbejde med andre. Hovedemnet er samtidens borgerskab. Stykkerne er ofte enkle og uden social kritik og står i kontrast til de romantiske stykker fra samme periode som Victor Hugos. Sama vika vaivaa Kierkegaardia. Scribe koitti paiskata Ranskan akatemian oven Hugon naamalle. Mut Hugolla oli kenkä ovenraossa. Sörkän eka ego kannusti "ekaa rakkautta", jolla se kai meinaa ihastumista (joita voi silti olla monta, ei siis aikajärjestyxessä vaan ensimmäistä). Se on eri narsistista: Ogsaa i Bevisdtheden vilde Du overalt möde henne og Dig, og Dig og hende. Niinkuin kaikki narsistikirjailijat se asuu peilisalissa ja näkee kokoajan ize oman naamansa. Pahin vaara avioelämässä siitä on kuten Salesta kyllästymispiste, ikävystyminen. Hizi että näitäkin heppuleita on roppakaupalla.

ellauri046.html on line 778: Away with your fictions of flimsy romance,
ellauri046.html on line 779: Those tissues of falsehood which folly has wove!
ellauri046.html on line 781: Or the rapture which dwells on the first kiss of love.
ellauri046.html on line 791: Or the Nine be disposed from your service to rove,
ellauri046.html on line 799: Which throbs with delight to the first kiss of love.
ellauri046.html on line 802: Your shepherds, your flocks, those fantastical themes,
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Jehova keljuilee

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Ei pidä rumista (Leviticus 21:17-24)
ellauri046.html on line 853: Britti short-order cook Nicolas Freeling (1927-2003) oli olevinaan Georges Simenon, paizi rivompi. Piet ja Arlette ei panopuuhia lukuunottamatta paljon edistyneet Julesista ja sen tottelevaisesta vaimosta. Niku kylästyi izekin van der Valkiin ja tappoi sen liian aikaisin. Rahapulassa jatkoi ranskis Castaingilla.
ellauri046.html on line 860: jokaisen englantilaisen silmissä maisema olisi silti ollut vastustamattomn edwardiaaninen, kuin suoraan Victoria Sackville-Westin (Virginia Woolfin heilan) romaaneista: Ratty ja Molly kumartuneina tarkastelemaan lahonnutta jollaa (Toad odotettavissa hetkellä millä hyvänsä, mukanaan kammottava uusi Chriscraftinsa). Jossain täällä voisi olla myös Potwell Inn, jossa mister Polly tarjoilisi 'Omletteja', ja Jim-setä häirizisi yleistä rauhaa kuollut ankerias aseenaan.

ellauri046.html on line 861: Eduard Mörike, joka esiintyy Freelingin matkailukirjassa van der Valk lomailee (Freelingin Maifret a Vichy)
ellauri046.html on line 862: oli runoileva leipäpappi Stuttgartista 1804-1875. Nuorena diggas vanhaa hullua Hölderliniä ja jotain Krüdicken piikaa. Hautas äitinsä Schillerin äidin unohtuneen haudan viereen. Sit siitä tuli kirjallisuuden proffa Stuttgartiin, kunniatohtori ja se sai palkintoja. Nai jälkeenjääneen katolisen tytön jonka kanssa sai 2 tytärtä. Tää oli sukulaisille ainainen kivi kengässä. Vaimkon kanssa tuli lopulta känää tyttären sulhasesta ja asumusero. Sopu tehtiin kuolinvuoteella.
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ellauri046.html on line 873: Da sie wohl nicht spinnen und naehen mag?
ellauri046.html on line 875: O, dass ich doch ihr Jaeger waer!
ellauri046.html on line 876: Fischen and Jagen freu'te mich sehr.
ellauri046.html on line 884: O, dass ich doch ein Koenigssohn waer!
ellauri046.html on line 885: Rohtraut, Schoen-Rohtraut lieb' ich so sehr.
ellauri046.html on line 888: Einstmals sie ruh'ten am Eichenbaum,
ellauri046.html on line 890: Was siehst mich an so wunniglich?
ellauri046.html on line 891: Wenn du das Herz hast, kuesse mich!
ellauri046.html on line 901: Mich sollts nicht kraenken:
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ellauri046.html on line 941: In his heart the lad rejoices:
ellauri046.html on line 953: . . . In July 1868 Moerike wrote to a friend: ". . . Just by chance I ran across the Old German name Rohtraut in a dictionary. Up until then I hadn't heard it used. It shone forth for me like a flaming rose, and with it the King's daughter came to life" . . .
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ellauri047.html on line 45: Hesarissa oli "Annan Sohvalla" Kumikanan juttu jenkki sotaleskestä jonka nimi oli August. Nimestä huolimatta nainen kuitenkin, tietenkin. Sen miesvainaa oli ollut sotahullu tsykologi. Augustin piti luvata olla lopun ikäänsä naimatta saadaxeen sotalesken eläkettä. Weimarin Karl Augustin isosetä oli Friedrich II, joka hoiti kihtiään kaalikääryleillä. Karl ihaili sitä kovasti, koska se oli ollut Voltairen ystävä. (Nyt tuli mieleen se väärennetty Friedrichin kirje, joka suututti Rousseaun niin sikana.) Goethe oli niinko Karlin Voltaire. Goethe oli sitä 8v vanhempi. Goethestä tuli salaneuvos niinkuin meidän sukulaisesta Robert Örnistä. Se kai tarkoitti oikeutta salaa käyttää ruhtinaiden rötykkää.
ellauri047.html on line 80: „Er besitzt, was man Genie nennt, und eine ganz außerordentliche Einbildungskraft. Er ist in seinen Affekten heftig. Er hat eine edle Denkungsart. […] Er liebt die Kinder und kann sich mit ihnen sehr beschäftigen. Er ist bizarre und hat in seinem Betragen, seinem Äußerlichen verschiedenes, das ihn unangenehm machen könnte. Aber bei Kindern, bei Frauenzimmern und vielen andern ist er doch wohl angeschrieben. – Er tut, was ihm gefällt, ohne sich darum zu kümmern, ob es anderen gefällt, ob es Mode ist, ob es die Lebensart erlaubt. Aller Zwang ist ihm verhaßt. […] Aus den schönen Wissenschaften und Künsten hat er sein Hauptwerk gemacht oder vielmehr aus allen Wissenschaften, nur nicht denen sogenannten Brotwissenschaften.“
ellauri047.html on line 84: Ein Genie (über das französische génie vom lateinischen genius, ursprüngl. „erzeugende Kraft“, vgl. griechisch γίγνομαι „werden, entstehen“, dann auch „persönlicher Schutzgott“, später „Anlage, Begabung“) ist eine Person mit überragender schöpferischer Geisteskraft („ein genialer Wissenschaftler“, „ein genialer Künstler“).
ellauri047.html on line 85: Genialität kann sich auf allen Gebieten zeigen – künstlerisch, wissenschaftlich, wirtschaftlich, philosophisch, politisch usw. Es kann zwischen Universalgenies, Genies und „verkannten Genies“ unterschieden werden.
ellauri047.html on line 93: Weimarin herttua Karl August (1757–1828) vaikuttui Goethen kirjallisista kyvyistä ja tarjosi tälle vuonna 1775 työtä herttuakunnassaan. Weimarista tuli Goethen kotikaupunki tämän loppuiäksi. Hänestä tuli monialainen poliitikko, joka vastasi muun muassa ulko-, opetus-, kulkulaitos- ja rahaministerin tehtävistä. Lisäksi hän toimi sotaministerinä yhteistyössä herttuan kanssa. Kaiken tämän ohella hän jatkoi työtään kirjailijana. Aikaa riitti myös tieteellisille harrastuksille, muun muassa kasvitieteelle ja geologialle. Weimariin perustettiin myös teatteri, jossa Goethe toimi käsikirjoittajana, ohjaajana, lavastajana ja näyttelijänä. Hänen ansiostaan vähäpätöisestä Weimarista kehittyi eurooppalainen kulttuurikeskus, joka veti puoleensa aikansa lahjakkaimpia taiteilijoita. Kaikkein kuuluisin näistä Goethen jälkeen Weimariin muuttaneista taiteilijoista oli kirjailija ich">Friedrich Schiller.
ellauri047.html on line 107: Kun Goethe tapas Napsun 1808, Napsu totes äimissään: "Vous êtes un homme!". Olikohan sille annettu muuta ymmärtää. Goethesta se oli hienoa, se muisteli Napsua aina hyvällä. No Goethen kuoltua sen lääkäri väitti että se oli kaunis vainaja. Napsu ize oli pyylevä hukkapätkä ja Schopenhauer koala. Matthew Arnold (Dover Beach) diggas Goethea. Goethe saxansi Dideroota eikä tykännyt matikasta enempää kuin se. icola">Tesla osas Faustin ulkoa ja kekkas vaihtovirran kerran mumistessaan sitä. Mumiskohan Elon Musk Torquato Tassoa tehdessään Johnille Tesla-autoa? Vääntö niissä on kyllä hyvä. It takes all kinds to make a world.
ellauri047.html on line 113: Napsu nimitti Goethen kunnialegioonaan, ja se oli siitä niin tyytyväinen että pysyi aina Napsun puolella. 1814 eli 65-vuotiaana se riiusteli vielä 30-vuotiasta Mariannea ja kyhäs sen kanssa yhdessä West-Östlicher Divaania. Osa runoista oli Mariannen tekemiä (mut Goethen nimellä). Goethe ei tykännyt nähdä sairaita eikä vainajia, nin et kun Christiane sairastui ja kuoli 1816, Goethe ei edes käynyt kazomassa, eikä tullut hautajaisiin. Size yritti vielä kosia jotain 19-vuotiasta Ulrikea 74-vuotiaana, ei tullut kauppoja. Siitä sai sentään kirjoitetuxi vielä Marienbadin elegiat.
ellauri047.html on line 115: Goethe kuoli 82 vuoden iässä vuonna 1832. Hänen viimeisten sanojensa kerrotaan olleen saks. Mehr Licht! (Lisää valoa!). Humphry Davy esitti hehkulampun toimintaperiaatteen 1804, mutta vasta Edison sai patentin Menlo Parkissa 1879, 100v mun kuuluisamman oleskelun etiäisenä. Ei auttanut vielä Wokua; käryttävistä öljylampuista ja tuoxukynttilöistä ei tullut riittäviä tehoja. Onnex ei sattunut sanomaan paapa tulee. Tai noh, minä... Ehkä sanoikin, lääkäri joka kuuli sen ei ollut edes paikalla.
ellauri047.html on line 117: Goethen koko tuotanto on koottu 143-osaiseen Weimarin laitokseen. Osalla Goethen teoksista on enää historiallista merkitystä, mutta hänen keskeiset runonsa ovat säilyttäneet tuoreutensa. Siltä on säästynyt 10K kirjettä ja 3K taulua toritaidetta. Erityisesti se tykkäs teatterista, sitä se oli leikkinyt kotona pienenä. Sope diggas Wilhelm Meisteriä. Ralph Waldo Emerson valizi Goethen yhdexi 6 "mallimiehestä" (muut olivat Plato, Emanuel Swedenborg, ichel">Montaigne, Napoleon, and Shakespeare). Aika erikoinen sixpäkki miehen malleja. Mut Rafu oli aika erikoinen izekin.
ellauri047.html on line 121: ich">Nietzschen aloituskahdexikko oli: Epicurus and ichel">Montaigne, Goethe and Spinoza, Plato and Rousseau, Pascal and Schopenhauer.

ellauri047.html on line 129: Koskenniemi kuzuttiin Turkuun proffaxi 1921 maisterina ilman pätevöitymisvaatimusta. Se lähti viivana. Talonpoikaissukua. Sen isä oli äitiä 28v vanhempi ja ehti tuskin moikata poikaansa. Perheenisän kuoleman jälkeen poika vietti varhaislapsuutensa peräti seitsemän naisen ympäröimänä. Samaan talouteen kuului näet äidin ja kahden sisaren ohella myös äidin kolme sisarta, ja lisäksi äidinäidillä tiedetään olleen perhepiirin kuvioissa tärkeä rooli. Kasvavalla pojalla oli kuitenkin mahdollisuus vetäytyä omaan uneksivaan yksinäisyyteensä, joka vähitellen kehitti hänestä runoilijan. Naiset hääräsi ja Veka runoili. Koskenniemi oli nuoruudestaan lähtien lukenut innostuneena Sören Kierkegaardia ja Friedrich Nietzscheä. Sieltä ne naziajatuxetkin sitten tulivat. Mut nyt hampaat Jööttiin, Veka!
ellauri047.html on line 177: Hän palasi marraskuussa 1752 takaisin Berliiniin ja tutustui seuraaviin henkilöihin; Karl Wilhelm Ramler, Friedrich Nicolai, Ewald Christian von Kleist, Johann Georg Sulzer ja Moses Mendelson. Hän muutti lokakuussa 1755 takaisin Leipzigiin.
ellauri047.html on line 181: Samana vuonna hän tapasi seuraavat henkilöt: Johann Wilhelm Gleim, Friedrich Gottlieb Klopstock ja Conrad Ekhof.
ellauri047.html on line 183: Vuonna 1758 hän muutti takaisin Berliiniin, jossa hän Friedrich Nicolain ja Moses Mendelsonin kanssa julkaisi uutta kirjallisuutta koskevia kirjeitä Briefe, die neueste Literatur betreffend. Hän oli vuodesta 1760 vuoteen 1765 Breslaussa, jonne kenraali Tauentzien otti hänet sihteerikseen. 1765 hän muutti Berliiniin ja sen jälkeen 1767 kolmeksi vuodeksi Hampuriin dramaturgiksi ja neuvonantajaksi Hampurin kansallisteatteriin.
ellauri047.html on line 185: Siellä hän tutustui seuraaviin henkilöihin; Friedrich Ludwig Schröder, Conrad Ekhof, Philipp Emanuel Bach, Johann Melchior Goeze, sekä Reimarus ja König sukuihin.
ellauri047.html on line 199: Die Ehre hat mich nie gesucht; Mua ei kuzu kunnia tai etusija.
ellauri047.html on line 200: sie hätte mich auch nie gefunden. Eipä se olis mua edes erottanut.
ellauri047.html on line 204: Auch Schätze hab ich nie begehrt. En liioin ezi valtaa enkä loistoa.
ellauri047.html on line 206: für Diebe mehr als sich zu hegen, eikä ylimäärää kukaan mukaan vie,
ellauri047.html on line 209: Wie lange währt´s, so bin ich hin, Ei kauan enää mene arkkubileisiin.
ellauri047.html on line 212: Weiß ich nur, wer ich bin. Ize tunnen izeni, muut näkemiin.
ellauri047.html on line 218: Faulheit, endlich muß ich dir Laiskuus, mun täytyy kyllä sulle
ellauri047.html on line 221: Dich nach Würde zu besingen! muotoilla sun ansaizema hymistys!
ellauri047.html on line 222: Doch ich will mein Bestes tun: Mutta koitan parastani tässä laittaa;
ellauri047.html on line 225: Höchstes Gut, wer dich nur hat, Paras tavara! Joka sulle aukasee
ellauri047.html on line 227: Ach!. . . ich gähn!. . . ich. . . werde matt. Huah!...Haukotus...mua...raukasee.
ellauri047.html on line 229: Daß ich dich nicht singen kann: jos en ihan loppuun asti kestä;
ellauri047.html on line 230: Du verhinderst mich ja dran. sä izehän mua jaxamasta estät.
ellauri047.html on line 236: Wer wird nicht einen Klopstock loben? Kuka ei Klopstockia kiittäisi?
ellauri047.html on line 242: Nur nicht dem Kritikus vor allen. mutten kriitikkoa ennen muita.
ellauri047.html on line 244: Wird auch kein Sinngedicht gefallen. tämmöiset muistorunot huvita.
ellauri047.html on line 249: Goethen Faustissa setämies Faust panee epähuomiossa paxuxi viattoman rotinkaisen Gretchenin, jolla oli esimerkillisen siisti vaikka köyhä kämppä. (Sitä Goethe erikoisen paljon ihasteli, kunnon sakemannina.) Gretchen vetää Faustin vauvan alas vessanpöntöstä. Was nun, kleiner Mann? Pitäskö Gretchen vetää alas vauvan perästä, vai ei? Sitähän ei tässä pohdita, kenen vika kaikki viime kädessä ehkä oli, das gehört nicht zur Sache.
ellauri047.html on line 285:

ellauri047.html on line 290: Jüngst schlich ich meinem Mädgen nach,
ellauri047.html on line 292: Umfasst’ ich sie im Hayn; sie sprach:
ellauri047.html on line 293: Lass mich, ich schrey gewiß!
ellauri047.html on line 294: Da droht’ ich trozzig: Ha, ich will
ellauri047.html on line 297: Damit dich niemand hört.
ellauri047.html on line 317:

ellauri047.html on line 322: Du sprichst, dir hab sie viel erlaubt,
ellauri047.html on line 329: Was könnte nun vom Argwohn dich befreyn,
ellauri047.html on line 331: Wärst du nicht gar zu klein !
ellauri047.html on line 354:

ellauri047.html on line 357: Wie herrlich leuchtet
ellauri047.html on line 377: Du segnest herrlich
ellauri047.html on line 383: Wie lieb’ ich dich!
ellauri047.html on line 385: Wie liebst du mich!
ellauri047.html on line 392: Wie ich dich liebe
ellauri047.html on line 399: Sey ewig glücklich
ellauri047.html on line 400: Wie du mich liebst!
ellauri047.html on line 454:

ellauri047.html on line 459: Wie ein Sternenblick
ellauri047.html on line 475: Mit sich fort.
ellauri047.html on line 486: Ihm mit Liebesaugen schmeicheln:
ellauri047.html on line 491: Sich gesellig an. Nun tritt er
ellauri047.html on line 505: Die sich ach! vergebens öffnen,
ellauri047.html on line 512: Hemmet uns zum Teiche! Bruder,
ellauri047.html on line 520: Herrlicher, ein ganz Geschlechte
ellauri047.html on line 530: Seiner Fülle, hinter sich.
ellauri047.html on line 536: Zeugen seiner Herrlichkeit.
ellauri047.html on line 640: Es ist der Vater. Es ist gleich acht.
ellauri047.html on line 645: Erreicht den Hof mit Müh und Not ---
ellauri047.html on line 651:

ellauri047.html on line 678:

ellauri047.html on line 681: Hinten im Winkel des Gartens, da stand ich, der letzte der Götter,
ellauri047.html on line 682: Rohgebildet, und schlimm hatte die Zeit mich verletzt.
ellauri047.html on line 683: Kürbisranken schmiegten sich auf am veralteten Stamme,
ellauri047.html on line 686: Den ich hasse, denn er schickt mir die Raben aufs Haupt,
ellauri047.html on line 687: Schändlich mich zu besudeln; der Sommer sendet die Knechte,
ellauri047.html on line 688: Die, sich entladende, frech zeigen das rohe Gesäß.
ellauri047.html on line 689: Unflat oben und unten! ich mußte fürchten ein Unflat
ellauri047.html on line 691: Nun, durch deine Bemühung, o! redlicher Künstler, gewinn ich
ellauri047.html on line 694: Farb und Elfenbein, Marmor und Erz und Gedicht.
ellauri047.html on line 695: Gern erblicken mich nun verständige Männer, und denken
ellauri047.html on line 696: Mag sich jeder so gern, wie es der Künstler gedacht.
ellauri047.html on line 697: Nicht das Mädchen entsetzt sich vor mir, und nicht die Matrone,
ellauri047.html on line 698: Häßlich bin ich nicht mehr, bin ungeheuer nur stark.
ellauri047.html on line 701: Soll das Glied nicht ermüden, als bis ihr die Dutzend Figuren
ellauri047.html on line 702: Durchgenossen, wie sie künstlich Philänis erfand.
ellauri047.html on line 740:

ellauri047.html on line 743: Verlaßt mich hier, getreue Weggenossen!
ellauri047.html on line 744: Laßt mich allein am Fels, in Moor und Moos;
ellauri047.html on line 751: Mir ist das All, ich bin mir selbst verloren,
ellauri047.html on line 752: Der ich noch erst den Göttern Liebling war;
ellauri047.html on line 753: Sie prüften mich, verliehen mir Pandoren,
ellauri047.html on line 755: So reich an Gütern, reicher an Gefahr;
ellauri047.html on line 756: Sie drängten mich zum gabeseligen Munde,
ellauri047.html on line 757: Sie trennen mich, und richten mich zu Grunde.
ellauri047.html on line 809: Hupasaa huomata että Maifestissa Antero on kääntänyt Hansun narsistisen loppukaneetin Wie du mich liebst häveliäästi "ikiaikoihin". Uutta runokevättä. Hans kirjoittaa rohkeasti ei niinkuin sopii, vaan niinkuin siitä tuntuu.
ellauri047.html on line 862: tai ehkä olikin, muttei niistä tykännyt, kuten esim. Goethen Götz Berlichingenistä.

ellauri047.html on line 867: Fredrik Suuri eli Fredrik II (saks. Friedrich II der Große; 24. tammikuuta 1712 Berliini, Preussi – 17. elokuuta 1786 Potsdam, Preussi) oli Hohenzollern-sukuun kuulunut Preussin kuningas, joka hallitsi vuosina 1740–1786. Hänet tunnetaan taistelukentillä menestyneenä soturikuninkaana ja valistuneena itsevaltiaana, joka nosti Preussin yhdeksi Euroopan mahtivaltioista. Hänen aikanaan Preussiin liitettiin muun muassa Sleesia sekä itäinen Länsi-Preussi. Hän puolusti Preussia seitsenvuotisen sodan aikana muun muassa Venäjää, Itävaltaa, Ranskaa, Saksia ja Ruotsia vastaan varsin varsin menestyksellisesti liittolaisenaan ainoastaan Britannia. Puolan jaossa 1772 hän sai lopulta yhdistettyä Preussin historialliset alueet valtansa alle. Sotilaallisten saavutustensa lisäksi hänet muistetaan myös Preussin oikeusjärjestelmän uudistajana, elinkeinoelämän edistäjänä ja ranskalaisen sivistyksen suosijana. Hän oli myös pisimpään Preussia hallinnut kuningas. 46 vuotta.
ellauri047.html on line 884: Oulun K-kauppias K-niemi vääntää narsistista textiä narsistikolleegasta. Hansu harjottelee kesäkauden Wezlarissa kuin Hannu-Pekka Varkauden hovissa. Wezlar on samantapanen paikka kuin Dickensin Kolean talom chancellery court. Hansu harrastaa vaan ulkoilua.
ellauri047.html on line 893: Pamela- ja Heloise -imitaattoritädin von Lorchen (42), kirjan Geschichte des Fräuleins von Sternheim kirjoittajan luona Empfindlicheit-mukkulan kirjailijakokouxessa 1772 Jöötti löytää uuden pokan, tadin tyttären, mustasilmäisen 17-kesäisen neizykäisen. Ei muuta kuin tuntoelimiä peliin. Etana etana näytä sarves tuleeko huomenna puota.
ellauri047.html on line 994: Hagerteja, Mohammedeja ja muita matuja kehotetaan suomentamaan nimensä jos ne haluu kotoutua Suomen ihmemaahan. Naamarikin olis hyvä vaihtaa, mutta vaikeampaa. Michael Jacksoninkin nenänvalkaisuohjelma kusi kintuille. Oulun Houruloista tuli Hoffreneja ja Hoffrenista Hiekkala. Barkmaneista tuli Carlsoneja. Joskus nuorena mietin nimenmuutosta Kaarnaxi, niinkuin bark, honaatko. Lauri Kaarna kuulostaisi joltain Outsiderin sankarilta.
ellauri047.html on line 998: Aber als die römische Besatzung aus Deutschland verschwunden war und im Rheinland starke Judengemeinden zurückblieben, in denen sich die hebräisch-deutsche Mischsprache "Jiddisch" entwickelte, kommt es zur Verdeutschung hebräischer Namen durch zufälligen Gleichklang: Da wird Aaron zu Arnold, Benjamin zu Benno, Levi zu Ludwig, Moses zu Moritz, Simon zu Siegmund. Später entstehen deutsch klingende Familiennamen: Simon zu Schimmerling und Schimmerl, Isachar zu Sacher, Socher, Socherl und Sucher, Levi oder Loeb zu Lemann und Lehmann, Isak zu Eisemann, Eisermann, Jakob zu Kaufmann (-mann war eine beliebte Diminutivform). Oder die Namen wurden ins Deutsche übersetzt: Baruch oder Ascher (der Glückliche) wurde zu Selig, Seligmann, Eljakim oder Obadja zu dem überaus beliebten Gottschalk.
ellauri047.html on line 1000: Eine in der jüdischen Namenstradition ganz besondere Stellung hat der Name Chajim oder Chaim. Er bedeutet: Leben. Starb den Eltern ein Kind, nannten sie das folgende Chaim. Genas einer von einer schweren Krankheit, legte er sich zusätzlich zu seinem eigenen den Namen Chaim zu. Viele Holocaust-Überlebende in Israel heißen Chaim.
ellauri047.html on line 1002: In deutscher Übersetzung entstanden daraus die Namen Lebebaum, Lebenthal und Lebenlang, durch lautliche Angleichung: Haim, Haime, Heym, Haimann, Heymann - und Heine. In anderen Sprachen gibt es Chaim als Heimof, Haimovici, Haimovitz, Haimovsky, Heimsohn, Vidal, Vidas, Vivante. Schon in Rom entstand aus Chaim der Name Vitus (Vitus ist kein römischer Name). Über den Heiligennamen Vitus wurde das hebräische Chaim zum urbayrischen Veit(l)...
ellauri047.html on line 1006: Kennedy used the phrase twice in his speech, including at the end, pronouncing the sentence with his Boston accent and reading from his note "ish bin ein Bearleaner", which he had written out using English orthography to approximate the German pronunciation. He also used classical Latin pronunciation of civis romanus sum, with the c pronounced [k] and the v as [w].
ellauri047.html on line 1011: icture-in-picture" allowfullscreen>
ellauri048.html on line 6: font-style: italic;
ellauri048.html on line 27: Lyrics tarkottaa netissä laulun sanoja, niinkuin alunperinkin. Se on kuten räppi lyyralla rämpyttäen laulettavaa textiä. Jönsin ikäisessä kirjassa Runousoppia ja runoilijoita Suomen Goethe selittää mistä laulurunoudessa oikein on kymysys.
ellauri048.html on line 37: Nichts ist drinnen, nichts ist draußen; sisusta on ulkopuoli,
ellauri048.html on line 41: Heilig öffentlich Geheimnis. julkeat ja pyhistyvät.
ellauri048.html on line 78: sehän on ihan ilmiselvää sentimentalismia, jotain naurettavaa chick littiä.
ellauri048.html on line 83: ja sitä 1700-luvulla edusti myös Richardsonin Pamela ja Rousseaun Julie.

ellauri048.html on line 170: Viimeisenä syntymäpäivänään Goethe kapuaa pojanpoikien työntämänä epämukavia portaita lautaisen mezästysmajan ylempään kerroxeen Kickelhahnin huipulle lukeaxeen sen seinästä vielä kerran sinne raapustamansa runon (sen Gipfel-Wipfel jutun) ja kirkkoveneen kuvan. Goethe luki runonsa ja kyynelten kohotessa hänen silmiinsä hän kertasi sen loppusanat. Liikuttui kyyneliin omasta runostaan. Niin mäkin joskus teen. On ne niin hienoja. (Siis mun runot.) Ajattelikohan aika pöllönnnäköinen Antero izeään kun se herutti Goethen viimeisen muotokuvan äärellä? Liikuttuikohan sekin kyyneliin? Luultavasti. Aika tädin näköinen on jöötti potretissa. Antero izekin on vähän siivojan näköinen tossa riemumaisterikuvassa. Ketähän on noi sen superhömelöt pöytäkumppanit?
ellauri048.html on line 257: Ei sit enää yllätä, et tän plokittajan aikuiskirjalempparit on Sinuhe ja Moby Dick. Humisevasta Harjusta ja Kurjista se oli tykännyt leffoina. Vähän taustoja:
ellauri048.html on line 352: Im Mai 1775 trat der junge Goethe mit Freunden seine erste Schweizer Reise an, dabei schrieb er das Gedicht „Auf dem See", ganz im Zeichen der Zeit wird dabei die Reise als „Geniereise" bezeichnet. Die erste Fassung schrieb Goethe in sein Tagebuch, die zweite, Überarbeitete, zum Druck 1789.
ellauri048.html on line 362: Saug' ich aus freier Welt; imen mä vapaasta maailmasta;
ellauri048.html on line 364: Die mich am Busen hält! kun se pitää mua pusakasta!
ellauri048.html on line 377: Weiche Nebel trinken Hentoa utua ryyppää
ellauri048.html on line 383: Sich die reifende Frucht. kypsyvä hedelmä.
ellauri048.html on line 426: (Eino Leino: Juhana Herttuan ja Catharina Jagellonican lauluja, laulusta Confessio cordis )
ellauri048.html on line 455: Die Piccolomini, Fünfter Aufzug, erster Auftritt, Octavio)
ellauri048.html on line 457: Ähnliche Zitate:
ellauri048.html on line 459: Nicht was soll ich tun, sondern soll ich was tun.

ellauri048.html on line 465: Geboren 1953 bei Soest/NRW. Studium in Marburg und Freiburg (Anglistik, Romanistik u.a.), Promotion über John Cowper Powys, Habilitation über moderne britische Lyrik. Lebte in Großbritannien, Frankreich, USA, längere Aufenthalte auch in Japan, Indien, Russland und Italien. Lehrte englische und amerikanische Literatur in Amherst/Massachusetts sowie in Freiburg, Konstanz und Tübingen und an russischen Universitäten. Seit 1993 Professor für Englische Literatur an der Universität Leipzig, wo er auch das studium universale leitet.
ellauri048.html on line 538: Its stances on the already controversial subjects of human nature and individual welfare versus the common good earned it position 68 on the American Library Association's list of the 100 most frequently challenged books of 1900–1999. The book has been criticized as "cynical" and portraying humanity exclusively as "selfish creatures".It
ellauri048.html on line 541: Parallels have been drawn between the "Lord of the Flies" and actual incident from 1965 when a group of 6 schoolboys who sailed a fishing boat from Tonga were hit by a storm and marooned on the uninhabited island of ʻAöö-ta, considered dead by their relatives in Nuku‘alofa. The group not only managed to survive for over 15 months but "had set up a small commune with food garden, hollowed-out tree trunks to store rainwater, a gymnasium with curious weights, a badminton court, chicken pens and a permanent fire, all from handiwork, an old knife blade and much determination". Dutch historian Rutger Bregman, writing about this situation said that Golding's portrayal was unrealistic. There has been no WW III yet, and kids killing other kids is entirely unheard of. Except a bunch of school killings in America and Finland, among other places.
ellauri048.html on line 565: Immi (1861-1937) oli kanttorin tytär Kuorevedeltä. Kuorevesi on liitetty nyttemmin Jämsään. Äiti oli Toppeliuxen henk.koht. hyvä ystävä ja toivoi Immistäkin nationalskaldia. Toive toteutui. Äiti kuoli 7-v Immiltä, äitipuoli oli paha. Ruozinkielisen koulun ja seminaarin jälkeen Immi opetti Lapinlahden kansakoulussa 4v. Paras kaveri oli sisko Onni (sic), virsirunoilija. Uskonnollinen, isänmaallinen, vahva ääni oikealta joka suhteessa.
ellauri048.html on line 702: Saul Bellowin alter ego Gene Henderson tiesi että monet Lähi-Idän prinssit oli saaneet amerikkalaisen koulusivistyxen. Se ei tajunnut miten niistä oli tullut niin verenhimoisia, vaikka niille oli opetettu The Village Blacksmith ja "sweet Alice and laughing Allegra". Häh? Osoittautuu et nää on Longfellowia. Longfellow oli seppoilun armoitettu runoseppo, nää runot opetetaan jenkkikakaroille vieläkin.
ellauri048.html on line 712: Yx Gloria feministi kirjassa A Room of his Own osoittaa et Sale oli narsistinen misogyyni konservatiivi setämies. Gloria luettelee alaviitteessä yheltä Sedgwickiltä löytämiään homopiirteitä, joista monet istuu Saleen kuin sademiehen nenä naamaan:
ellauri048.html on line 714: male solipsism and monastic retreat

ellauri048.html on line 723: the presence of violence and murderous sentiments between men, including cuckoldry as a major means to masculine political dominance

ellauri048.html on line 728: the occasional presence of a shamanistic, feminized male who acts as a mediator in male/female relationships

ellauri048.html on line 729: a bisexual designator for the poetic imaginary

ellauri048.html on line 731: the presentation of female sexuality as punishing and metaphysically devoid of value.
ellauri048.html on line 738: Bellow's characterisation of his father's background is one of the most enjoyable strands of the book and an interesting companion to Saul's fiction. His father, Abraham, is characterised by his grandson as a crook and a tyrant, who despised his youngest son's literary ambitions and pummelled him – and all his sons – until Saul grabbed his hand mid-air one day and said, "I'm a married man, Pa. You cannot hit me anymore." In adulthood, on the rare occasions Bellow tried to talk to his father about his upbringing, Saul would shake him off and say rather pointedly: "You shouldn't blame your parents for your faults." Bellow smiles. "And he said this to me, a therapist no less! His father loved him, but it was a tumultuous relationship and my grandfather was mercurial as hell."
ellauri048.html on line 743: There followed the years of bohemia, when the family moved to Paris and Saul started to shrug off the influence of his 19th-century literary heroes and find his own voice in The Adventures of Augie March. When he was happy and the writing was going well, their lives would be joyous; when he struggled, the apartment was mired in gloom. Meanwhile, "Saul had women stashed all over town," writes his son. The pain of these recollections is secondary to Bellow's fury at what he calls his father's "self‑justification: that his career as an artist entitled him to let people down with impunity." As an adult, when he asked his mother about it, she said, "I'm blessed with a poor memory."
ellauri048.html on line 745: The taboo of spilling the beans on Saul was "very big", he says, ""ecause my father took the position that art is inviolate and that the artist has to be protected at all costs because he's an artist. Towards the end of his life, Saul asked his son rather charmingly, "Was I a man or a jerk?", which Bellow quotes in the book. "You know, he was asking himself a dead earnest question. And I think it was the right question. But if you were lionising him, you don't ask that question."
ellauri048.html on line 748: The most painful to read was Mr Sammler´s Planet, which "I find very hard to digest: Sammler approves of all the obedient children and disapproves of the rebellious ones. I was a rebellious son, that´s tough."
ellauri048.html on line 753: Henry Wadsworth Longfellow (1807–1882), American poet and educator; first American to earn a living solely as a poet and the first American to translate Dante´s Divine Comedy into English.
ellauri048.html on line 757: Hessu oli kova kauppaamaan omia kirjojaan. Niitä osti Queen Victoria, Alfred Lord Tennyson, Prime Minister William Gladstone, Walt Whitman ja Oscar Wilde. At the time of his death, he was one of the most successful writers in America, with an estate worth an estimated $356,000. Olipa amerikkalainen loppukaneetti. Silti Hessu ei ollut tarpeexi amerikkahenkinen: but he failed to capture the American spirit like his great contemporary Walt Whitman, and his work generally lacked emotional depth and imaginative power. Se oli liian pro-Eurooppa. Löysä riimittelijä, tiivistivät myöhempien sukupolvien kriitikot ilkeästi. Orjuuden vastustajanakin Långben oli vähän puoliveteinen. Ameriikan Immi Hellen.
ellauri048.html on line 793: He hears his daughter's voice, kazoo kukonpoikia ja kanoja;
ellauri048.html on line 795: And it makes his heart rejoice. nakkisormilla venyttelee kaulusta.
ellauri048.html on line 797: It sounds to him like her mother's voice, Kuulostaa kuin muijavainaa mylvis.
ellauri048.html on line 804: Toiling,--rejoicing,--sorrowing, Ei muuta kuin tiukka mutru huuleen,
ellauri048.html on line 835: And voices soft and sweet. sieltä puskee, alkaa hassuttelu.
ellauri048.html on line 839: Grave Alice, and laughing Allegra, vakavan Alicen, nauravan Allegran,
ellauri048.html on line 895: icture-in-picture" allowfullscreen>
ellauri048.html on line 901: So für mich hin, Noin muuten vaan,
ellauri048.html on line 902: Und nichts zu suchen, En ezimässä mitään,
ellauri048.html on line 905: Im Schatten sah ich Varjossa mä näin
ellauri048.html on line 912: Soll ich zum Welken, Sithän mä vaan kuihdun,
ellauri048.html on line 917: Zum Garten trug ichs Sen vein mun yrttitarhaan,
ellauri048.html on line 926: Goethe plucks the flower although it tells him not to do so. He takes it to his house and plants it in his garden. He wants to tell us, viewers or readers, look how noble I am, he because he takes it home. He doesn't realize that by taking the flower home he is taking her wild life away and domisticating it in his factory (garden). In that he is not different from industrialists and people who practise green house raising. It is like enslaving his flower and on top of that he wants to be applauded and praised because he doesn't kill it. However, he does't listen to what his flower says: do not pluck me or I will die.
ellauri048.html on line 939: I'm just secular eclectic Christian. Olen vaan maallinen eklektinen kristitty.
ellauri048.html on line 958: Secular or Eclectic Christian:
ellauri048.html on line 1072: "Break, Break, Break" is a poem by Alfred, Lord Tennyson written during early 1835 and published in 1842. The poem is an elegy that describes Tennyson's feelings of loss after Arthur Henry Hallam died and his feelings of isolation while at Mablethorpe, Lincolnshire. Were Tennyson and Hallam Gay, and Did They Have a Physically Consummated Homosexual Relationship?
ellauri048.html on line 1074: Garrett Jones claims that Alfred Tennyson and Arthur Henry Hallam, whose death was the occasion for writing In Memoriam, were in some sense homosexual lovers, and that Hallam was a promiscuous homosexual whose father sent him to Cambridge, separating him from his Eton friends as a way of curtailing his son's inclinations (a curious, rather naive strategy, one might think!). For most of the book, he gives the impression that the two friends had an intense homosexual relationship that must have included physical acts. However, on p. 192 out of 199, he announces the following:
ellauri048.html on line 1076: EITHER they had to knuckle under and settle for a "sublimated", more-or-less disembodied, spiritualized passion . . . . OR they could plunge and risk martyrdom. They must have agreed that they had no taste for martyrdom — or even Byronic exile. . . . It is clear they both knew, in their heart of hearts, they wanted to express their love for each other in a physical way; yes, even in a sexual way — Love and Duty is eloquent testimony to that. But both of them knew in the prevailing moral climate . . . there seemed to be no possibility of love between males that would not incur hysterical opposition. . . . There is not much doubt, had they wanted to take the sexual path and do so openly, they would only have wanted the kind of sex which they felt about each other.
ellauri048.html on line 1078: Given that no one has ever doubted that Tennyson had some sort of "disembodied, spiritualized passion" for Hallam, this conclusion comes as rather a painful anticlimax. Admittedly, Alf named his son Hallam after Hallam, the one who went to Australia. Of course, the fact that members of Tennyson´s family succumbed to madness, alcoholism, and drug addiction already has made some readers aware that, like so many other Victorians, he should be taken down from a pedestal and join the rest of us. But think of the stir if one the greatest poems of the nineteenth century, one which has major influence on poets as different as Whitman and Eliot, turned out to be chiefly a gay lover's lament! (What's wrong with that? There are zillions of others, better yet.) Tän apologian kirjoitti on George P. Landow, Professor of English and the History of Art, (fittingly) from Brown University.
ellauri048.html on line 1094: And the sound of a voice that is still! Hukkuneen kädestä ja äänestä.
ellauri048.html on line 1108: In October 1828, Hallam went up to Trinity College, Cambridge, where he met and befriended Tennyson. As Christopher Ricks observes, 'The friendship of Hallam and Tennyson was swift and deep.' Apostolin poikia.
ellauri048.html on line 1110: Hallam and Tennyson became friends in April 1829. They both entered the Chancellor's Prize Poem Competition (which Tennyson won). Both joined the Cambridge Apostles (a "private debating society"), which met every Saturday night during term to discuss, over coffee and sardines on toast (“whales”), serious questions of religion, literature and society. (Hallam read a paper on 'whether the poems of Shelley have an immoral tendency'; Tennyson was to speak on 'Ghosts', but was, according to his son's Memoir, 'too shy to deliver it' - only the Preface to the essay survives). Meetings of the Apostles were not always so intimidating: Desmond MacCarthy gave an account of Hallam and Tennyson at one meeting lying on the ground together in order to laugh less painfully, when James Spedding imitated the sun going behind a cloud and coming out again. Capital, capital.
ellauri048.html on line 1116: In July 1833, Hallam visited Emilia. On 3 August, he left with his father for Europe. On 13 September, they went to Vienna, with Hallam complaining of fever and chill. It was apparently a recurrence of the "ague" he had suffered earlier that year, and, although it would delay their departure to Prague, there seemed to be little cause for alarm. Quinine and a few days rest were prescribed. By Sunday 15th, Hallam felt sufficiently better to take a short walk with his father in the evening. When he returned to the hotel he ordered some sack and lay down on the sofa, talking cheerfully all the time. Leaving his son reading in front of the fire, his father went out for a further stroll. He returned to find Hallam still on the sofa, apparently asleep apart from the position of his head. All efforts to rouse him were in vain. Arthur Hallam was dead at the age of twenty-two.
ellauri048.html on line 1118: The medical report on the death certificate listed 'Schlagfluss' – that is, a stroke. A blood-vessel near the brain had suddenly burst. The autopsy declared 'a weakness of the cerebral vessels, and a want of sufficient energy in the heart.' The coffin was quickly sealed and sent to the nearest seaport, to be returned to England for burial.
ellauri048.html on line 1129: This stanza is to be found in Canto 27. The last two lines are usually taken as offering a meditation on the dissolution of a romantic relationship. However, the lines originally referred to the death of the poet's beloved friend. They are reminiscent of a line from William Congreve's popular 1700 play, The Way of the World: "'tis better to be left than never to have been loved." What the fuck, this is an obvious homoerotic elegy.
ellauri048.html on line 1142: Is on the skull which thou hast made. On kallolla jonka sä myös väkersit.
ellauri048.html on line 1167: May make one music as before, Soittelee taas samaa säveltä,
ellauri048.html on line 1205: Than that the victor Hours should scorn Kuin että voiton tunnit pilkkaisivat
ellauri048.html on line 1211: Old Yew, which graspest at the stones Vanha marjakuusi, joka hypistelet kiviä
ellauri048.html on line 1227: Sick for thy stubborn hardihood, Sun härkäpäisyydestä sairaana,
ellauri048.html on line 1243: With all the music in her tone, Kaikki musiikki sen sävellajissa,
ellauri048.html on line 1249: Or crush her, like a vice of blood, Tai lyttään sen, kuin veren pahetta,
ellauri048.html on line 1263: Something it is which thou hast lost, Jotakin se on mitä sää oot menettänyt,
ellauri048.html on line 1281: The sad mechanic exercise, Ikävä mekaaninen harjoitus
ellauri048.html on line 1282: Like dull narcotics, numbing pain. puuduttaa kipua kuin Panadol.
ellauri048.html on line 1286: But that large grief which these enfold Se suuri suru joka näihin kätkeytyy
ellauri048.html on line 1346: Dark house, by which once more I stand Pimee talo, jonka luona mä taas vetelehdin,
ellauri048.html on line 1349: So quickly, waiting for a hand, liian nopeaan, kuin Salvon Catarella,
ellauri048.html on line 1367: He saddens, all the magic light Se masentuu, kaikki taikavalo
ellauri048.html on line 1373: In which we two were wont to meet, Jossa meidän oli tapa tavata;
ellauri048.html on line 1380: Which once she foster'd up with care; Jota hiän kerran hoisi huolella;
ellauri048.html on line 1385: Which little cared for fades not yet. siltikään ei kuihdu vieläkään.
ellauri048.html on line 1437: The chalice of the grapes of God; Dogin rypäleiden maljaa kitkerää;
ellauri048.html on line 1468: Which heaves but with the heaving deep. Joka nousee ja laskee vaan meren mukana.
ellauri048.html on line 1502: Which weep a loss for ever new, Ne itkee samaa iänikuisesti uutta surua,
ellauri048.html on line 1507: Which weep the comrade of my choice, Joka itken mun valittua kamua,
ellauri048.html on line 1510: A Spirit, not a breathing voice. Henkiolentona, ei henkäilevänä äänenä.
ellauri048.html on line 1559: And but for fancies, which aver Ilman kuvitelmia, jotka inttävät
ellauri048.html on line 1609: Come quick, thou bringest all I love.
ellauri048.html on line 1621: So kind an office hath been done,
ellauri048.html on line 1622: Such precious relics brought by thee;
ellauri048.html on line 1658: There twice a day the Severn fills;
ellauri048.html on line 1682: Another service such as this.'
ellauri048.html on line 1720: 'A time to sicken and to swoon,
ellauri048.html on line 1736: The path by which we twain did go,
ellauri048.html on line 1737: Which led by tracts that pleased us well,
ellauri048.html on line 1789: And round us all the thicket rang
ellauri048.html on line 1833: Whatever fickle tongues may say.
ellauri048.html on line 1835: And if that eye which watches guilt
ellauri048.html on line 1857: His license in the field of time,
ellauri048.html on line 1871: This poem is in the public domain. Presented here are the prologue and cantos I - XXVII.
ellauri048.html on line 1890: The myth likely stems from the Battle of Krojanty in September 1939 at the outset of World War II, when Nazi Germany invaded Poland. On the first day of the war, Polish cavalry charged a German infantry battalion. They initially broke the German ranks, until a counterattack by armored cars with machine guns turned the balance. The charge ended up inflicting heavy losses on the Poles but it worked, delaying the German advance and allowing other Polish forces to retreat. There were no tanks on the battlefield.
ellauri048.html on line 1892: But Nazi propagandists spun this battle and other encounters with Polish cavalry — horse was a big component of the Polish army — as vindication of the Wehrmacht’s technical modernity and tactical superiority.
ellauri048.html on line 1893: Poles hate the myth because it cheapens what they actually did in the war. As war historian Ben Macintyre wrote: “The Polish contribution to Allied victory in the Second World War was extraordinary, perhaps even decisive, but for many years it was disgracefully played down, obscured by the politics of the Cold War.”
ellauri048.html on line 1895: The Allies cracked German codes — Enigma — thanks to Poles, who snared the first, priceless encryption set for examination. Some 250,000 Polish troops served with the British during the war, including during the Battle of Britain, and an estimated 400,000 fought off the Nazis on the homefront in guerrilla warfare that helped chew up the Nazi war machine — a martial contribution the lancers-versus-tanks myth fails to convey.
ellauri048.html on line 1897: “If the mainstream media is to be respected by viewers, it cannot recycle old Nazi propaganda,” the Polish embassy statement reads. “We ask that Mr. Cramer apologize for his insensitive comparison and that viewers of Mad Money be made aware of the historical inaccuracy of the statement in question,” the statement concludes.
ellauri048.html on line 1899: Mad Money did not immediately respond to Foreign Policy’s request for comment.
ellauri048.html on line 1913: When that which drew from out the boundless deep kuin se joka meni alas syvästä kurkusta
ellauri049.html on line 5: font-style: italic;
ellauri049.html on line 94: Which but to-day by feeding is allay'd, kuin päivittäin uusiutuva ruokahalu,
ellauri049.html on line 101: Which parts the shore, where two contracted new Joka vetää ulapalle meren laineet.
ellauri049.html on line 104: Or call it winter, which being full of care, Tai sano paussia pienexi jääkaudexi,
ellauri049.html on line 105: Makes summer's welcome, thrice more wished, more rare. Mi lämpii huomenissa kasvihuoneexi.
ellauri049.html on line 245: Kaarlo Sarkia julkaisi elinaikanaan vain neljä erillistä runokokoelmaa, jotka vielä vuonna 1944 julkaistiin koottuina runoina. Omien runojensa ohella hän ehti kääntää runsaasti, etenkin ranskalaista ja italiankielistä runoutta. Hänen runoherkissä käsissään kääntyivät esimerkiksi François Villon, Pierre de Ronsard, André Chénier, Giacomo Leopardi, Victor Hugo, Charles Leconte de Lisle, Charles Baudelaire, Giosuè Carducci, Sully Prudhomme, José María de Heredia, Giovanni Pascoli, Émile Verhaeren, Jean Moréas, Gabriele D'Annunzio, Paul Fort, kreivitär Anna de Noailles, Arthur Rimbaud. Näistä mä tunnen edes nimeltä Villonin, Hugon, Baudelairen, ja Rimbaudin. Huhhuh, piisaa työmaata. Hugo oli peikko jota ohjasti teeveessä söpö Taru Valkeapää. Herää pahvi!
ellauri049.html on line 295:
Setämies Baurdelaire (sic)

ellauri049.html on line 318: Dont le riche attirail lui donnait l’air vainqueur niiden komeus korosti sen valloittajan elkeitä,
ellauri049.html on line 333: Et la candeur unie à la lubricité sen mutkattomuus ja samanaikaisesti liukkaus
ellauri049.html on line 361: What are some reasons not to move to Belgium? The Belgians themselves are the most important reason. They are selfish, arrogant, noisy, rude, full of hate, machismo and gynephobia, fundamentalistically religious, uncivilized, vulgar, ugly, mostly drunk and intoxicated with coke and xtc, very dangerous car drivers, cannibals and neanderthalers. (by: Charles Baudelaire)
ellauri049.html on line 365: Etevä Baudelaire-tutkija Claude Pichois otaxuu, että Baudelaire lakkasi olemasta oma izensä jo vuoden 1862 jälkeen, jolloin se tunsi yllään mielipuolisuuden siipien havinan. On myönnettävä, että runoilijakaan ei ole immuuni fysiologisten komplikaatioiden vaikutuxelle. Lukijassa nousee vastarinta, hän kieltäytyy hyväxymästä kryptoniitin vaikutusta, hän ärtyy; hän kokee izensä runoilijaparan suojelijaxi. Mutta voi! Runoilija, siinä missä kuka tahansa muukin, on vain apina, joka on aina altis sairauden seurauxille. Baudelairen Belgia-viha on vain maniaa, jonka syfilixen eteneminen on aiheuttanut ja joka on juurtunut muutenkin kuluttavan elämän, lähinnä alkoholin, rappeuttamaan ruumiseen.
ellauri049.html on line 367: Yxittäisten ihmisten vihaaminen on osoitus terveydestä. Kokonaisen maan vihaaminen on merkki vakavasta sairaudesta. Entäs sitten jos vihaa koko termiittipesää? Se on jo hyvin hyvin vakavaa. Tai toivotonta, muttei vakavaa. (À propos, Pichois epäilee, että runsaat toistot oirehtivat hermostollisesta sairaudesta. Alzheimerista ainakin.
ellauri049.html on line 388: Jean Nicolas Arthur Rimbaud (20. lokakuuta 1854 Charleville – 10. marraskuuta 1891 Marseille) oli ranskalainen runoilija. Hän oli kirjallisuudessa harvinainen ”lapsinero”, jonka tuotanto syntyi teini-iässä. Vaikka Rimbaud lopetti kirjoittamisen jo 21-vuotiaana, hän oli siihen mennessä mullistanut maailmanrunouden tuotannollaan, vaikka kesti jonkin aikaa ennen kuin Rimbaud’n tuotanto löydettiin. Häntä pidetään Charles Baudelairen ohella toisena suurena runouden modernisoijana.
ellauri049.html on line 425: Qu’on appelle rouleurs éternels de victimes, pokien keikuttavilla ikimainingeilla,
ellauri049.html on line 501: Des lichens de soleil et des morves d’azur ; aurinkoisia sananjalkoja ja asuurisia räkäklunsseja.
ellauri049.html on line 552: Monitor oli jenkkien panssarilaiva sisällissodan aikana, jonka kexi joku ruozalainen John Ericsson. Ajoi aika uppeluxissa, mutta sen vastustaja Merrimack oli vielä kehnompi. Hawthorne ja Melville suri, että panssareiden sisässä ei sotureiden enää tarvinnut olla niin urheita. Väärin, Star Warsissakin painetaan urheasti nappulaa.
ellauri049.html on line 637: Paul Valéry välitti luennoissaan Mallarmén ajatuksia Kirjasta, josta Maurice Blanchot sai ajatuksia teoksiinsa Kirjallinen avaruus (1955) ja Le livre à venir (1959, Tulevaisuuden kirja). Mallarmén ja Lautréamont’n runokielen uudistus on aiheena myös Julia Kristevan väitöskirjassa La révolution du language poétique (Runokielen vallankumous, 1969). Jean-Paul Sartren postuumisti ilmestyneessä teoksessa Mallarmé. La lucidité et sa face d’ombre (Mallarmé. Älyn kirkkaus ja sen varjopuoli, 1986) Sartre korottaa Mallarmén runoilijaksi ylitse muiden. Mallarmé on suuresti vaikuttanut myös muihin ranskalaisiin ajattelijoihin, kuten Roland Barthesiin, Jacques Derridaan, Michel Foucault'hon ja Jacques Lacaniin.
ellauri049.html on line 646: Si clair, Wie so licht Niin kirkas,
ellauri049.html on line 647: Leur incarnat léger, qu'il voltige dans l'air ihr leichtes Rosenrot die Luft durchschwebt, die dicht niiden kevyt toteutus, mi keijuu ilmassa
ellauri049.html on line 654: Bois mêmes, prouve, hélas! que bien seul je m'offrais beweist, ach, daß ich ganz allein mir dargebracht totistaa, Tauno! et oikeesti yxin mä
ellauri049.html on line 659: ou si les femmes dont tu gloses ob nicht, die du besprichst, die Fraun, der losen josko vallan naiset joista mussutat
ellauri049.html on line 660: Figurent un souhait de tes sens fabuleux! Sinne Wunschbild wären? Faun, das Blendwerk weicht ovatkin vaan sun mielikuvituxen tuotetta?
ellauri049.html on line 661: Faune, l'illusion s'échappe des yeux bleus vom Augenpaar, das einem Quell in Tränen gleicht, Fauni, suojuxet putosivat sinisilmistä
ellauri049.html on line 662: Et froids, comme une source en pleurs, de la plus chaste: dem blauen kalten Blick der keuschern: dennoch spürte, kylmistä, sateenvarjosta tai kumisuojaimesta:
ellauri049.html on line 663: Mais, l'autre tout soupirs, dis-tu qu'elle contraste wie wenn an heißem Tage, sagst du, Wind sich rührte, mut toinen täynnä voihkinaa, sanoisitko
ellauri049.html on line 665: Que non! par l'immobile et lasse pâmoison Nicht doch! Wo müdes Brüten schlaffste Regung ließ Vittu ei! löysän liikkumatta pökerryxissä
ellauri049.html on line 666: Suffoquant de chaleurs le matin frais s'il lutte, und, ringt ein frischer Morgen, stickige Hitze häuft, tukahtuneena kylmän aamun kuumasta ottelusta,
ellauri049.html on line 667: Ne murmure point d'eau que ne verse ma flûte murmelt kein Wasser, das nicht meine Flöte träuft ei mutissut vettä paizi mun huilun kaatamaa
ellauri049.html on line 671: C'est, à l'horizon pas remué d'une ride, das ist am fernen Saum, den Falten nicht bewegen, Se päästi lähes rypyttömään taivaanvahvuuteen
ellauri049.html on line 672: Le visible et serein souffle artificiel sichtbar und heiter, Werk der Kunst, der Hauch, genährt näkyvän ja tyynen huokauxen, keinotekoisen
ellauri049.html on line 792: Modernismi on ilmeisintä lyriikassa, jossa se esiintyi ensimmäisenä Ranskassa jo pian 1800-luvun puolivälin jälkeen. Sen keskeisiä edustajia olivat Baudelairen lisäksi Paul Verlaine, Arthur Rimbaud, Guillaume Apollinaire, proosan edustajina Marcel Proust (Kadonnutta aikaa etsimässä), myöhemmin Albert Camus, Simone de Beauvoir ja Alain Robbe-Grillet. Saksankielisiä modernisteja ovat Franz Kafka, Thomas Mann, Bertolt Brecht ja toisen maailmansodan jälkeen esimerkiksi Heinrich Böll ja Günter Grass. Keskeisiä englanninkielisiä modernisteja ovat James Joyce (Odysseus), Virginia Woolf, Samuel Beckett ja yhdysvaltalainen esimodernisti Walt Whitman sekä F. Scott Fitzgerald, Tennessee Williams, Eugene O'Neill ja myöhemmin muun muassa Philip Roth.
ellauri049.html on line 825: Ô mon silence !… Édifice dans l’âme, Mun hiljaisuus! ... Rakennelma sielussa,
ellauri049.html on line 836: Comme en délice il change son absence kun maistuessa se muuttuu olemattomaxi,
ellauri049.html on line 838: Je hume ici ma future fumée, hautaan tähän tulevaisen sauhuni,
ellauri049.html on line 849: L’âme exposée aux torches du solstice, Sielu päivänseisauxen valokiilassa
ellauri049.html on line 850: Je te soutiens, admirable justice tuen sinua, ihailtava valon oikeus,
ellauri049.html on line 923: Qu’aux yeux de chair l’onde et l’or font ici ? jotka lihan silmille luo täällä vesi ja kulta?
ellauri049.html on line 930: Consolatrice affreusement laurée, karmeasti seppelöity lohduttaja,
ellauri049.html on line 977: Ce toit tranquille où picoraient des focs ! Tyyni katto jolla nokiskeli kokkapurjeet!
ellauri049.html on line 1000: icture-in-picture" allowfullscreen>
ellauri049.html on line 1021: Rotuja on kuin koronan runtelemassa New Yorkissa, jossa ruumiit mätänee jätekonteissa. Taas ihmisen eli valkoihosen näköset on parhaita ja punaiset keltaiset mustat humanoidit kakkoskastia, karvaisen eläimen näköiset kotieläimiä, ropotit orjia ja lemmikkejä, matelijan, sammakon tai hyönteisen näköiset kerrassaan pahixia. Mustia kuolee eniten koronaan, keisari MAGA ei pidä siitä. Vetelyxet. Koneet ja ropotit korvaa lapset ja sylikoirat. Koneet hurisee, laitteet hyrisee, aseet välähtelee, sankarit painaa urheasti ja taitavasti nappulaa kuin värivammanen Michael Jackson hississä. Suomalainen Chewbacca ei saa basic-kielen sanaa suustan, mölähtelee vaan turkisläjä.
ellauri049.html on line 1023: Tää on kirjotettu 1994, mä oon Kouvolassa, talous lamassa. Bush Sr. riehuu Irakissa aavikkomyrskynä, kumikaulat seuraa tähtien sotaa televisiosta. Koko universumi toimii kapitalismin koeräjäytyskenttänä. Jedi Kardashianit häärää kasan päällimmäisinä. Hyi kuinka vastenmielistä. Koneet surisee ja holonetti vilkahtelee. God bless America, may the Air Force be with you.
ellauri049.html on line 1087: Gunnlöd (Gunnlǫð) är en jättinna i nordisk mytologi. Hennes far är Suttung, som en tid var ägare till det dyrbara skaldemjödet. Mjödet hade bryggts av dvärgarna Fjalar och Galar sedan de mördat den vise Kvase. Dennes blod blandade de sedan med honung och bryggde ett mjöd som gavs den egenskapen att var och en som drack därav fick del av Kvases visdom och blev skald. Sedan Suttungs far Gilling hade omkommit i en sjöolycka orsakad av dvärgarna, vilka därefter mördade hans änka då de inte stod ut med att lyssna till hennes gråt och jämmer, tvingades dvärgarna att i mansbot till Suttung överlåta skaldemjödet. Mullakin on kellarissa vielä jäljellä muutama pullo vapusta jäänyttä inspissimaa. Pulloista on vaan korkit falskanneet, eivät sihahda, varmaan pilaantuneet. Ihan hyvvee inspissimmoo, vuan 67v vanahoo.
ellauri049.html on line 1106: 1810 och närmast följande år visade sig hos Tegnér ett mycket starkt inflytande av tysk vetenskap och diktning. Hans åskådningssätt tog avgörande intryck av den tyska idealistiska filosofin, i främsta rummet Kant, Fichte och Friedrich von Schelling, och hans utveckling i sina väsentliga drag kom att ansluta sig till samma riktning inom tidens idéliv som övriga romantiska skalder i Sverige hyllade. Dock blev han mer förtrolig med Friedrich Schiller än till exempel Uppsalaromantikerna. Den krets av tyska romantiker, Novalis-Tieck-August Wilhelm Schlegel-Friedrich Schlegel, som dessa i synnerhet beundrade, lämnade Tegnér tämligen oberörd.
ellauri049.html on line 1127: I slutet av juni tog han permission för att tillbringa någon tid i sitt hem, till vars ro han från riksdagens oro ivrigt längtat. Men här väntade honom början till slutet. "Efter ett vid en dusch begånget misstag", berättar Boettiger, "och ett därpå följande häftigt slaganfall märktes ögonblick af sinnesförvirring". På läkares inrådan fördes han först till huvudstaden; men vid höstens inbrott färdades han sjöledes till Peter Willers Jessens berömda anstalt för sinnessjuka i Schleswig. Under ljusa mellanstunder på denna resa skrev han "Resefantasier", av vilka särskilt den tredje ger ett gripande intryck. Joo mä tiedän. Kun hullulle tulee välillä kirkkaita hetkiä, ne on liikuttavia.
ellauri049.html on line 1159: Jag fick hans kärlek, kunde den ej mista, Mä sain siltä muiskuja, en enää munaa,
ellauri049.html on line 1167: Så tänker du, fast du det icke säger, Niinhän sä luulet, vaikket sano,
ellauri049.html on line 1190: Macht von einem flauen Pimmel wieder einen dicken,

ellauri049.html on line 1191: wenn es dem gelingt, Minderjähriges zu ficken.
ellauri050.html on line 5: font-style: italic;
ellauri050.html on line 181: Adown Titanic glooms of chasmèd fears, Alas titaanien myterään ja pelon kuiluun,
ellauri050.html on line 185: Deliberate speed, majestic instancy, Harkitulla vauhdilla, kuninkaallisesti
ellauri050.html on line 186: They beat—and a Voice beat Ne tamppasi, ja ääni huusi
ellauri050.html on line 210: In faith to Him their fickleness to me, Uskoessaan siihen ne oli mulle uskottomia,
ellauri050.html on line 222: Deliberate speed, majestic instancy, Harkitulla vauhdilla, kuninkaallisesti
ellauri050.html on line 224: And a Voice above their beat— ja ääni huusi tamppauxen yli-
ellauri050.html on line 227: I sought no more that after which I strayed Mä en enää ezinyt sitä minkä perään exyin
ellauri050.html on line 237: With me” (said I) “your delicate fellowship; jakaakaa mun kanssa (mä sanoin), "teidän herkät puolet;
ellauri050.html on line 246: From a chalice maljasta
ellauri050.html on line 249: I in their delicate fellowship was one— Niiden määkyvästä seurasta mä olin 1-
ellauri050.html on line 282: Deliberate speed, majestic instancy; Harkitulla vauhdilla, kuninkaallisesti
ellauri050.html on line 284: A voice comes yet more fleet— yli kuuluu ääni vielä kovempana-
ellauri050.html on line 328: Whether man’s heart or life it be which yields Onkos se miehen sydän vai henki joka tuottaa
ellauri050.html on line 334: That Voice is round me like a bursting sea: Toi ääni on mun ympärillä kuin ärjy meri:
ellauri050.html on line 348: All which I took from thee I did but take, Kaiken mitä mä otin sulta mä otin vaan six,
ellauri050.html on line 351: All which thy child’s mistake Kaikki minkä sä lapsellisesti
ellauri050.html on line 363: icture-in-picture" allowfullscreen>
ellauri050.html on line 383: Nationality Indian and American
ellauri050.html on line 395: "You are walking on the earth as in a dream. Our world is a dream within a dream; you must realize that to find God is the only goal, the only purpose, for which you are here. For Him alone you exist. Him you must find."

ellauri050.html on line 406: Paramahansa Yogananda (born Mukunda Lal Ghosh; January 5, 1893 – March 7, 1952) was an Indian monk, yogi and guru who lived his last 32 years in America. He introduced millions to the teachings of meditation and Kriya Yoga through his organization Self-Realization Fellowship (SRF) / Yogoda Satsanga Society (YSS) of India. A chief disciple of the Bengali yoga guru Swami Sri Yukteswar Giri, he was sent by his lineage to spread the teachings of yoga to the West, to prove the unity between Eastern and Western religions and to preach a balance between Western material growth and Indian spirituality. His long-standing influence in the American yoga movement, and especially the yoga culture of Los Angeles, led him to be considered by yoga experts as the "Father of Yoga in the West." Jooga on lännessä suosittu naisten jumppamuoto, kun siinä ei hypitä niin että tissit hölskyy. Venytellään vaan kissamaisesti lattialla, ei tarvi hikoilla eikä välttämättä käydä jumpan päälle edes suihkussa, jos on kiire.ellauri050.html on line 408: Yogananda was the first major Indian teacher to settle in America, and the first prominent Indian to be hosted in the White House (by President Calvin Coolidge in 1927); his early acclaim led to him being dubbed "the 20th century's first superstar guru," by the Los Angeles Times. Arriving in Boston in 1920, he embarked on a successful transcontinental speaking tour before settling in Los Angeles in 1925. For the next two and a half decades, he gained local fame as well as expanded his influence worldwide: he created a monastic order and trained disciples, went on teaching-tours, bought properties for his organization in various California locales, and initiated thousands into Kriya Yoga. By 1952, SRF had over 100 centers in both India and the US; today, they have groups in nearly every major American city. His "plain living and high thinking" principles attracted people from all backgrounds among his followers.Valtaosa amerikkalaisista pitää enemmän high living and plain thinking - vaihtoehdosta.ellauri050.html on line 410: He published his book Autobiography of a Yogi in 1946 to critical and commercial acclaim; since its first publishing, it has sold over four million copies, with HarperSan Francisco listing it as one of the "100 best spiritual books of the 20th Century". Former Apple CEO Steve Jobs had ordered 500 copies of the book for his own memorial, for each guest to be given a copy. The book has been regularly reprinted and is known as "the book that changed the lives of millions." A 2014 documentary, Awake: The Life of Yogananda, won multiple awards at film festivals around the world. Tästä viimeistään käy ilmi, että tää tuuba on täysin hanurista, todella syvältä. Mut hyvin vetää hindu ton taivaskoira-räpin.
ellauri050.html on line 431: Welches ist Ihr Lieblingsgedicht ?
ellauri050.html on line 437:
ichte/der_panther.htm">Der Panther
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ichte/herbst.htm">Herbst
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ichte/liebes-lied.htm">Liebes-Lied
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ichte/herbsttag.htm">Herbsttag
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ichte/letzter_abend.htm">Letzter Abend
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ichte/das_karussell.htm">Das Karussell
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ichte/abend.htm">Abend
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ichte/schlussstueck.htm">Schlußstück
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ichte/die_erste_duineser_elegie.htm">Die Erste Elegie
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ichte/blaue_hortensie.htm">Blaue Hortensie
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ichte/abschied.htm">Abschied
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ichte/todes-erfahrung.htm">Todes-Erfahrung
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ichte/archaischer_torso_apollos.htm">Archaïscher Torso Apollos
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ichte/ausgesetzt_auf_den_bergen_des_herzens.htm">Ausgesetzt auf den Bergen des Herzens
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ichte/orpheus_eurydike_hermes.htm">Orpheus. Eurydike. Hermes
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ichte/ernste_stunde.htm">Ernste Stunde
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ichte/kindheit.htm">Kindheit
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ichte/der_oelbaum-garten.htm">Der Ölbaum-Garten
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ichte/cornet_index.htm">Die Weise von Liebe und Tod des Cornets Christoph Rilke
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ichte/das_xix_sonett.htm">Das XIX Sonnet
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ichte/klage.htm">Klage
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ichte/argwohn_josephs.htm">Argwohn Josephs
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ichte/die_flamingos.htm">Die Flamingos
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ichte/imaginaerer_lebenslauf.htm">Imaginärer Lebenslauf
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ichte/der_koenig.htm">Der König
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ichte/der_auszug_des_verlorenen_sohnes.htm">Der Auszug des verlorenen Sohnes
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ellauri050.html on line 466: Sein Blick ist vom Vorübergehn der Stäbe Sen kaze on kaltereiden ohittamisesta
ellauri050.html on line 467: so müd geworden, daß er nichts mehr hält. niin väsynyt, ettei se enää pidä mitään.
ellauri050.html on line 471: Der weiche Gang geschmeidig starker Schritte, Sulavien vahvojen askeleiden pehmee kulku,
ellauri050.html on line 472: der sich im allerkleinsten Kreise dreht, joka kiertää pikkiriikkistä ympyrää,
ellauri050.html on line 477: sich lautlos auf -. Dann geht ein Bild hinein, äänettömästi ylös - . silloin pääsee sisään kuva,
ellauri050.html on line 481: Aus: Neue Gedichte (1907) Uudet runot (1907)
ellauri050.html on line 487:
Mami lies mir das! Papi will nicht!

ellauri050.html on line 506: Summa summarum, en pidä Rilkestä. Sekin on tollanen teutoninen metafyysikko, sekundaversio Friedrich Nietschestä. Täysin huumoriton väpelö. Jumalinen ilman jumalaa ja itkee sitä, samalla kun nussii puumaa ja kreivitärtä ja imee Toblerone patukkaa. Yllättäen Tom Pynchon osoittautuu sielunveljexi. Ja ehkä myös veli Jöns.
ellauri050.html on line 510: Wer, wenn ich schriee, hörte mich denn aus der Engel Ken kun mä rääkäsin kuuli mut enkelien
ellauri050.html on line 512: einer mich plötzlich ans Herz: ich verginge von seinem ois äkkiä ottanut mut sydämelleen: mä uponnut oisin sen
ellauri050.html on line 513: stärkeren Dasein. Denn das Schöne ist nichts vahvempaan olemuxeen. Sillä kaunis ei muuta
ellauri050.html on line 514: als des Schrecklichen Anfang, den wir noch grade ertragen, oo kuin kauhean alku, joka vielä me voidaan sietää,
ellauri050.html on line 516: uns zu zerstören. Ein jeder Engel ist schrecklich. se tuhota meittiä. Enkelit kauheita on joka iikka.
ellauri050.html on line 517: Und so verhalt ich mich denn und verschlucke den Lockruf Ja niinpä mä hillizen izeni ja nielasen houkutushuudon
ellauri050.html on line 519: wir denn zu brauchen? Engel nicht, Menschen nicht, käyttämään kenkään? Enkulaa ei, ei apinoita,
ellauri050.html on line 521: daß wir nicht sehr verläßlich zu Haus sind ettei me olla luotettavasti ain kotonamme
ellauri050.html on line 522: in der gedeuteten Welt. Es bleibt uns vielleicht vuokraamassamme maailmassa. Meille jää kenties
ellauri050.html on line 523: irgend ein Baum an dem Abhang, daß wir ihn täglich jokunen puuhinen kuilun reunalla, jossa me päivin
ellauri050.html on line 526: der es bei uns gefiel, und so blieb sie und ging nicht. joka oli meille mieleen, niin se jäi eikä se mennyt.
ellauri050.html on line 528: uns am Angesicht zehrt -, wem bliebe sie nicht, die ersehnte, kun repi pärstää -, kelle se ei kaivattu jäisi,
ellauri050.html on line 530: mühsam bevorsteht. Ist sie den Liebenden leichter? edessä seisoo vaivalla. Onko se helpompi rakastaville?
ellauri050.html on line 531: Ach, sie verdecken sich nur mit einander ihr Los. Äh, ne vaan piilottaa toisiltaan kohtalonsa.
ellauri050.html on line 532: Weißt du's noch nicht? Wirf aus den Armen die Leere Etkösä tiedä vielä? Heitäpä handusta tyhjyys
ellauri050.html on line 533: zu den Räumen hinzu, die wir atmen; vielleicht daß die Vögel pois avaruuxiin, joita me hengitämme, kenties linnut
ellauri050.html on line 536: Ja, die Frühlinge brauchten dich wohl. Es muteten manche Joo, kylä lähti viä kevätaikaan. Moniaat vinkkasi
ellauri050.html on line 538: sich eine Woge heran im Vergangenen, oder aaltonen menneisyydestä, tai sit
ellauri050.html on line 540: gab eine Geige sich hin. Das alles war Auftrag. vingahti viulu. Duunia tää oli kaikki.
ellauri050.html on line 541: Aber bewältigtest du's? Warst du nicht immer Mut kuinkas selvisit siitä? Etkösä ollutkin vielä
ellauri050.html on line 546: Sehnt es dich aber, so singe die Liebenden; lange Mut jos sitä kaipaat, niin laula vaan rakkaudesta; läheskään
ellauri050.html on line 547: noch nicht unsterblich genug ist ihr berühmtes Gefühl. ei ole tarpeexi kuolematon niiden kuuluisa fiilis.
ellauri050.html on line 550: immer von neuem die nie zu erreichende Preisung; uudestaan hellittämättä korkea veisu;
ellauri050.html on line 551: denk: es erhält sich der Held, selbst der Untergang war ihm mut tätä mieti: kestää sankari, kert kuolemakin
ellauri050.html on line 554: in sich zurück, als wären nicht zweimal die Kräfte, izeensä taas, kuin ei voimia kahdesti oisi
ellauri050.html on line 558: dieser Liebenden fühlt: daß ich würde wie sie? vallan kuumuisi; oisinpa määkin niinkuin se?
ellauri050.html on line 559: Sollen nicht endlich uns diese ältesten Schmerzen Eix pitäis viimeinkin näiden muinojen tuskain
ellauri050.html on line 560: fruchtbarer werden? Ist es nicht Zeit, daß wir liebend kikyloikkaa ottaa? Ex ole aika, että me rakastavaiset
ellauri050.html on line 568: Unmögliche, weiter und achtetens nicht: jatko van mahottomasti, eikä ees huomanneet:
ellauri050.html on line 569: So waren sie hörend. Nicht, daß du Gottes ertrügest Niin oli kuuliaista. Ei silti et kestäisit jumalan
ellauri050.html on line 571: die ununterbrochene Nachricht, die aus Stille sich bildet. jatkuvaa tiedotusta, joka muodostuu eetteristä.
ellauri050.html on line 573: Wo immer du eintratst, redete nicht in Kirchen Minne sä astuitkin, eix kirkoissa puhutellut
ellauri050.html on line 574: zu Rom und Neapel ruhig ihr Schicksal dich an? Roomassa, Napolissa tyynesti sua sun kohtalo hei?
ellauri050.html on line 575: Oder es trug eine Inschrift sich erhaben dir auf, Tai joku graffiti heitteli ylevää läppää
ellauri050.html on line 576: wie neulich die Tafel in Santa Maria Formosa. niinkuin hiljan se taulu Santa Maria Formosassa.
ellauri050.html on line 577: Was sie mir wollen? leise soll ich des Unrechts Mitä ne vaatii multa? hiljaa täytyy mun vääryyden
ellauri050.html on line 581: Freilich ist es seltsam, die Erde nicht mehr zu bewohnen, Onhan se kummaa ettei bunkkaa maaperän päällä,
ellauri050.html on line 582: kaum erlernte Gebräuche nicht mehr zu üben, ei harjoita vastikään luotuja käytänteitä,
ellauri050.html on line 584: nicht die Bedeutung menschlicher Zukunft zu geben jutuille anna apinan toiveiden merkitystä,
ellauri050.html on line 585: das, was man war in unendlich ängstlichen Händen, sitä mitä ennen oltiin käsissä aina niin hätäisissä,
ellauri050.html on line 586: nicht mehr zu sein, und selbst den eigenen Namen ei olla kauempaa, ja ize oman tittelin saa
ellauri050.html on line 588: Seltsam, die Wünsche nicht weiter zu wünschen. Seltsam, Kummaa ettei toiveita enempää toivo. Kummaa,
ellauri050.html on line 589: alles, was sich bezog, so lose im Raume kaiken merkittävän, niin kaikesta irti
ellauri050.html on line 591: und voller Nachholn, daß man allmählich ein wenig ja toistoa täynnä, et pikkuhiljaa se tuntua alkaa
ellauri050.html on line 594: Engel (sagt man) wüßten oft nicht, ob sie unter Enkulat (niin sanotaan) ei edes tiedä, lasketaanko ne
ellauri050.html on line 596: reißt durch beide Bereiche alle Alter kiskoo kummankin maan läpi kaiken ikäisiä,
ellauri050.html on line 597: immer mit sich und übertönt sie in beiden. aina on kaikin messissä ja sekoittuneina.
ellauri050.html on line 599: Schließlich brauchen sie uns nicht mehr, die Früheentrückten, Mitaliotteluissa ne ei enää tarvi meitä, aikaisin temmatut,
ellauri050.html on line 600: man entwöhnt sich des Irischen sanft, wie man den Brüsten maallisesta vieroittuu lempeästi, kuin tissistä äidin
ellauri050.html on line 606: daß erst im erschrockenen Raum, dem ein beinah göttlicher Jüngling että siinä pelästyxen tilassa, johon puolijumalainen nuorukainen
ellauri050.html on line 607: plötzlich für immer enttrat, das Leere in jene äkkiä ainiaaxi astui, tyhjyys lähti
ellauri050.html on line 619: Tästä kohtaa tuli editoitua epähuomiossa bittiavaruuteen paasaus, jonka herätteenä oli Jamaican neekeriorjista kertova netflix-minisarja ja samaan aikaan Herlinin aviisissa uutisoitu New Yorkerissa ilmestynyt brittien ja jenkkien orjahääräilyä arvostellut numero. Hävinnyt paasaus oli olletikin paljon räväkämpi tuoreeltaan, mutta koitan nyt pelastaa mitä pelastettavissa on. Emotionaalista sisältöä siihen antoi se netflix-sarja, jossa entistä suorasukaisemmin näytettiin, millaisia hirtettäviä paskiaisia orjiansa ruoskivat ja hirttävät brittiplantaasin omistajat ize olivat. Hauska vinjetti oli että tyhmää plantaasinomistajarouvaa näytteli sama mimmi kuin vähän aikaisemmin E.M. Forsterin Talon jalavan varjossa saksalainen hienostelija, joka nai siirtomaaherran "Only connect" tyyppisesti. Mimmi sopi molempiin osiin hirvittävän hyvin, sanan alkuperäisessä merkityxessä. Ei hemmetti, kaikki toi tollainen kulttuurikukoistus on vaan herravallan paskaläjän päällä kukkivaa loiskasvua.
ellauri050.html on line 929: Wen du nicht verlässest, Genius, Järki hoi, äly älä jätä!
ellauri050.html on line 930: Nicht der Regen, nicht der Sturm Niin ei sade eikä myräkkä
ellauri050.html on line 932: Wen du nicht verlässest, Genius, Järki hoi, äly älä jätä!
ellauri050.html on line 939: Den du nicht verlässest, Genius, Järki hoi, äly älä jätä!
ellauri050.html on line 945: Python tötend, leicht, groß, käärmettä mä pyydystän,
ellauri050.html on line 948: Den du nicht verlässest, Genius, Järki hoi, äly älä jätä!
ellauri050.html on line 951: Wirst mit Hüterfittichen ihn decken peität frakinliepeillä,
ellauri050.html on line 954: Wen du nicht verlässest, Genius, Järki hoi, äly älä jätä!
ellauri050.html on line 957: Nach der Wärme ziehn sich Musen, Lämpöhakuiset on muusat,
ellauri050.html on line 960: Umschwebt mich, ihr Musen, ihr Charitinnen! Mun liiveihin, muusat ja sulottaret!
ellauri050.html on line 963: Über den ich wandle eli mudassa mä kahlaan,
ellauri050.html on line 964: Göttergleich. jumalauta.
ellauri050.html on line 968: Ihr umschwebt mich, und ich schwebe ja mä luisun sitä pitkin
ellauri050.html on line 970: Göttergleich. jumalauta.
ellauri050.html on line 979: Und ich, den ihr begleitet, Ja mä joilla saattajina,
ellauri050.html on line 984: Rings ums Leben verherrlicht habt, ootte sievistäneet elämää,
ellauri050.html on line 1001: Sein Fürstenblick herrasväelle.
ellauri050.html on line 1002: Über dich vorübergleiten, kunnei lämmitä
ellauri050.html on line 1006: Sein nicht harrt. muutenkin vihreitä.
ellauri050.html on line 1008: Warum nennt mein Lied dich zuletzt? Mixä tuut tässä viisus vikana?
ellauri050.html on line 1009: Dich, von dem es begann, Aloituspotkija,
ellauri050.html on line 1010: Dich, in dem es endet, Maalintekijä,
ellauri050.html on line 1011: Dich, aus dem es quillt, Ruiskauttaja,
ellauri050.html on line 1013: Dich, dich strömt mein Lied, Näin minä laulan jupiter sun korvaan,
ellauri050.html on line 1018: Sterblich Glücklichen huokaan helpotuxesta
ellauri050.html on line 1020: Der du mich fassend deckst, joka lasket päälleni,
ellauri050.html on line 1023: Nicht am Ulmenbaum Et pannut jalavala
ellauri050.html on line 1026: In dem zärtlichen Arm, pehmeästi tafsailevaa,
ellauri050.html on line 1027: Mit der freundlichen Ros umkränzt, ruusupuskassa
ellauri050.html on line 1028: Tändelnden ihn, blumenglücklichen bylsähtelevää, kukissa kuxivaa,
ellauri050.html on line 1032: Nicht im Pappelwald Et Haapamäestä
ellauri050.html on line 1035: Sonnebeglänzter Stirn nicht aurinkoisesta Haikosta,
ellauri050.html on line 1039: Freundlich winkenden silmää vilkuttavaa
ellauri050.html on line 1047: Und sich Staub wälzt', ja aivan pöllyssä
ellauri050.html on line 1060: In dem Fragment Über die neuere Deutsche Literatur hatte Herder notiert: „Dithyramben, nach dem griechischen Geschmack nachgeahmt, bleiben für uns fremde. Das trunkne Sinnliche, was bei ihnen entzückte, wäre vielleicht für unsre feine und artige Welt ein Aergerniß; das Rasende in ihnen wäre uns allerdings dunkel, verworren und oft unsinnig.
ellauri050.html on line 1065: Nur Narr! Nur Dichter! (1888) Pelkkä pelle! pelkkä runoseppo!
ellauri050.html on line 1070: unsichtbar, auch ungehört Näkymättä, myös kuulumatta
ellauri050.html on line 1074: der Tröster Thau gleich allen Trostmilden — lohduttaja kaste kaikkien laupiaiden lailla
ellauri050.html on line 1081: boshaft abendliche Sonnenblicke Pahansuovat ilta-auringon silmäyxet
ellauri050.html on line 1082: durch schwarze Bäume um dich liefen Meni mustista puista sun ympäri
ellauri050.html on line 1083: blendende Sonnen-Gluthblicke, Sokaisevat auringon-kiilukazeet,
ellauri050.html on line 1087: nein! nur ein Dichter! Ei! pelkkä runoseppo.
ellauri050.html on line 1088: ein Thier, ein listiges, raubendes, schleichendes, Eläin, ovela, ryöväävä, hiippaileva,
ellauri050.html on line 1090: das wissentlich, willentlich lügen muss, on pakko valehdella tieten tahtoen.
ellauri050.html on line 1094: sich selbst zur Larve, kuoriutunut ize toukaxi,
ellauri050.html on line 1095: sich selbst zur Beute, ize saaliixi,
ellauri050.html on line 1098: Nur Narr! nur Dichter! Pelkkä pelle! pelkkä runoseppo!
ellauri050.html on line 1106: herumschweifend, herumschleichend — Keijuen, hiippaillen,
ellauri050.html on line 1107: nur Narr! nur Dichter! … Pelkkä pelle! pelkkä runoseppo!
ellauri050.html on line 1109: Nicht still, starr, glatt, kalt, ei liikkumaton, jäykkä, silee, kylmä,
ellauri050.html on line 1113: nicht aufgestellt vor Tempeln, Ei pyhäkköjen etukoriste,
ellauri050.html on line 1123: sündlich gesund und schön und bunt liefest, syntisen terveenä ja kauniina ja kirjavana menisit,
ellauri050.html on line 1127: raubend, schleichend, lügend liefest … ryöväten, hiipien, valehdellen menisit …
ellauri050.html on line 1129: Oder dem Adler gleich, der lange, lange Tai kotkan kaltaisena, joka kauan, kauan
ellauri050.html on line 1130: starr in Abgründe blickt, tuijottaa rotkoihin,
ellauri050.html on line 1132: — oh wie sie sich hier hinab, Oo miten ne tänne alas,
ellauri050.html on line 1138: plötzlich, Yxkax,
ellauri050.html on line 1148: grimmig gram Allem, was blickt kiukun kaunaisina kaikille jotka
ellauri050.html on line 1155: sind des Dichters Sehnsüchte, Ovat runosepon kaipauxet,
ellauri050.html on line 1158: du Narr! du Dichter! … Sä pelle! sä runoseppo!
ellauri050.html on line 1170: eines Dichters und Narren Seligkeit! … Runosepon ja narrin autuus! …
ellauri050.html on line 1173: wenn schon des Monds Sichel Kun jo kuun sirppi
ellauri050.html on line 1175: und neidisch hinschleicht, Ja kateellisena hiipii esiin,
ellauri050.html on line 1179: mit jedem Schritte heimlich Joka askelella salaa
ellauri050.html on line 1182: hinsichelnd, bis sie sinken, leikellen kunnes ne vajoavat,
ellauri050.html on line 1187: so sank ich selber einstmals Niin mäkin ize kerran vajosin
ellauri050.html on line 1190: des Tages müde, krank vom Lichte, Päivään kylästyneenä, valosta sairaana,
ellauri050.html on line 1198: dass ich verbannt sei Että mut onkin karkoitettu
ellauri050.html on line 1200: Nur Narr! Nur Dichter!… Pelkkä pelle! pelkkä runoseppo!
ellauri051.html on line 6: font-style: italic;
ellauri051.html on line 208: The Three Stooges oli yhdysvaltalainen slapstick-komiikkaan erikoistunut koomikkoryhmä. Ryhmän kuuluisin kokoonpano tunnettiin nimillä Moe, Larry ja Curly. Ryhmä tunnetaan lukuisista elokuvistaan ja lyhyemmistä filmipätkistään.
ellauri051.html on line 243: Und zähle nicht die Toten! Dir ist, äläkä laske ruumiita! Sinulle, kulta,
ellauri051.html on line 244: Liebes! nicht Einer zu viel gefallen. ei ole miljoonakaan liikaa.
ellauri051.html on line 358: The tendency in savages to imagine that natural objects and agencies are animated by spiritual or living essences, is perhaps illustrated by a little fact which I once noticed: my dog, a full grown and very sensible animal, was lying on the lawn during a hot and still day; but at a little distance a slight breeze occasionally moved an open parasol, which would have been wholly disregarded by the dog, had any one stood near it. As it was, every time that the parasol slightly moved, the dog growled fiercely and barked. He must, I think, have reasoned to himself in a rapid and unconscious manner, that movement without any apparent cause indicated the presence of some strange living agent, and no stranger had a right to be on his territory. (Darwin)
ellauri051.html on line 365: HARK! some wild trumpeter--some strange musician, KRÖHM! joku villi töräyttäjä -- joku outo muusikko,
ellauri051.html on line 366: Hovering unseen in air, vibrates capricious tunes to-night. keijuu näkymättömänä ilmassa ja soittaa twitterissä tänä iltana.
ellauri051.html on line 375: Waves, oceans musical, chaotically surging, Aallot, musiikkivaltameret velloi kaoottisesti,
ellauri051.html on line 376: That now, ecstatic ghost, close to me bending, thy cornet echoing, notta nyt, huumehaamu, mun luurissa, sun korni soi
ellauri051.html on line 394: What charm thy music works!--thou makest pass before me, Sun musa on charmanttia! -- sä paat mun eteen kulkemaan
ellauri051.html on line 412: I see the vast alembic ever working--I see and know the flames that Nään mahtavan viinankeittimen toiminnassa, nään maailmansodan kuumat
ellauri051.html on line 419: Love, that is crimson, sumptuous, sick with perfume; Rakkaus on punehtunut, pullistunut, hajusteinen;
ellauri051.html on line 428: --Nor war alone--thy fearful music-song, wild player, brings every -- Eikä vaan sota -- sun mielilaulu, hullu soittaja, tuo kaikki muutkin
ellauri051.html on line 446: Utter defeat upon me weighs--all lost! the foe victorious! Mua painaa täydellinen tappio -- kaikki mennyttä! Mustat voittivat!
ellauri051.html on line 458: Marches of victory--man disenthrall'd--the conqueror at last! Voitonmarsseja -- vapaakauppaa -- mies on jälleen voittaja!
ellauri051.html on line 478: Walter ”Wilt” Whatman (31. toukokuuta 1819 Long Island, New York, Yhdysvallat – 26. maaliskuuta 1892 Camden, New Jersey, Yhdysvallat) oli yhdysvaltalainen runoilija, esseisti, journalisti ja humanisti. Hänen tunnetuin teoksensa on runokokoelma Pössyä (alkuteos Leaves of Grass). Ei se ollut mikään länkkäri, vaan city slicker, dick licker.
ellauri051.html on line 482: Van Buren syntyi izenäisessä USA:ssa, puhui hollantia kotona, perusti demokraattipuolueen, pääsi pressaxi muttei jatkokaudelle. He has been generally ranked as an average or below-average U.S. president by historians and political scientists (enimmäxeen repupersuja).
ellauri051.html on line 484: Whatman ryhtyi opettajaksi 17-vuotiaana ja opetti viiden vuoden ajan Long Islandilla, vaikka ei pitänytkään opettajan työstä. Opetustyönsä ohessa Whatman kokeili vuonna 1838 toimittaa viikkojulkaisua nimeltä Long Islander, mutta se ei ilmestynyt pitkään. Hän siirtyi tyhjäntoimittajan uralle vuonna 1841. Whatman alkoi kirjoittaa vakituisesti artikkeleita newyorkilaiseen Democratic Review -lehteen, ja vuosina 1842–1843 hänen artikkeleitaan julkaistiin myös muissa lehdissä. Whatmanilta julkaistiin hänen ensimmäinen kirjansa Franklin Evans, The Inebriate (Ameriikan Turmiolan Tommi), jossa hän kävi julkijuopottelua vastaan. Kirjasta tuli suosittu, ja se teki Whatmanin tunnetuksi, vaikka Whatman itse ei myöhemmin siitä ollutkaan ylpeä. Jatkoi salajuopottelua.
ellauri051.html on line 494: Whatman julkaisi vuonna 1870 kokoelmat Democratic Vistas ja Passage to India sekä jälleen uuden version Leaves of Grassista.
ellauri051.html on line 510: Useille lukijoille Wilt Whatman ja Emily Dickinson ovat 1800-luvun amerikkalaisen runouden peruspilareita. Täh? Julkihomo ja salalesbo ämmä? Ei meille repupersuille! Eritoten Whatmanin runous ilmentää perusamerikkalaisuutta. Runoilija tuo esiin tavallisen Amerikan hyvin perinteisellä jenkkityylillä (tätä on mm. vapaa tyyli). Hänen runoutensa voima tuottaa voimakkaita ja eläviä tunteita, ja hänet tunnistaa ilmaisun epä-älyllisyydestä. Whatman turvautuu toistoon luodakseen tekstinsä hypnoottisen tunnelman, tämä toisto luo samalla myös hänen runoutensa voiman, sillä se inspiroi lukijaa enemmän kuin informoi. Yleensä hänen runojaan pitää kuunnella äänikirjoina, jotta niiden sanoma avautuisi. Hänen runojensa taso tulee osittain niiden ylevästä diskurssista ja uskonnollisesta ja kvasiuskonnollisesta kielestä, kuten runoilija James Weldon Johnsonillakin (who dat?). Eli perusamerikkalaista on siis hypnoottisuus, epäinformatiivisuus ja feikkiuskonnollisuus. Check.
ellauri051.html on line 518: Yhdysvaltojen sisällissodan aikana rintamalla Virginiassa (kuningatar Viktorian mukaan nimetyssä osavaltiossa) missä Whatman kävi etsimässä veljeään, vallitsi tiivis toveruus, ahkeraa pyssynrassausta, joka vaikutti hänen ajatuksiinsa homoseksuaalisuuden ja demokratian yhdistämisestä. Runossaan ”Democratic Vistas” hän ensimmäisen kerran erotti toisistaan heteroseksuaalisen (amative) ja homoseksuaalisen (adessive) rakkauden perustaen päätelmänsä pseudotieteeseen eli frenologiaan. Hän näki adessiivisen rakkauden eräänlaisena tukijatkona parhaimmalle demokratialle, munat eräänlaisena peräpainona, jota ilman amerikkalainen materialistinen ja vulgääri demokratia olisi epätäydellinen. Adessiivinen my foot. Eiköhän se liene ollut inessiivistä, illatiivista ja elatiivista, loppukahdennusta anusvaaralla.
ellauri051.html on line 520: When one looks closely at Wilt Whatman's poetry, one is struck, then, by its peculiar combination of extreme egotism that borders on solipsism, in which the entire cosmos and even aspects of divinity are subsumed into the poet's voice, and its affirmation of the poor, the humble, the suffering and the ordinary things of life. (Arthur Versluis: The Esoteric Origins of the American Renaissance)
ellauri051.html on line 550: 11 Retiring back a while sufficed at what they are, but never forgotten, 11 peruuttakoot tovixi, semmoisia kuin ovat, ei unohdeta niitä
ellauri051.html on line 556: 16 The distillation would intoxicate me also, but I shall not let it. 16 se uute huumais mutkin, mutten anna.
ellauri051.html on line 567: 25 The sound of the belch'd words of my voice loos'd to the eddies of the wind, Mun äänen röyhtäisemien sanojen ääni irronneena tuulen pyörteisiin,
ellauri051.html on line 595: 50 Stout as a horse, affectionate, haughty, electrical, vahva kuin hevonen, ystävällinen, ylhäinen, sähköinen,
ellauri051.html on line 605: 58 Not an inch nor a particle of an inch is vile, and none shall be less familiar Mikään tuuma tai sen osakaan ei ole häpeällnen, ja kaikkien pitää tulla
ellauri051.html on line 614: 65 Exactly the value of one and exactly the value of two, and which is ahead? Tarkkaan yhden kappaleen arvon ja kahden, ja kumpi on joholla?
ellauri051.html on line 622: 71 The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, Jonkun meikäläisten sairaus tai mun oma, pahanteko tai rahanmenetys tai puute,
ellauri051.html on line 624: 72 Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; Taistelut, kansalaissodan kauhut, uutisjano, tapahtuman oikut;
ellauri051.html on line 639: 85 Not words, not music or rhyme I want, not custom or lecture, not even the best, En taho sanoja, musaa tai loppusointuja, en palvelua enkä luentoa, en edes parasta,
ellauri051.html on line 640: 86 Only the lull I like, the hum of your valvèd voice. Tykkään vaan luppohetkistä, sun venttiilin äänestä.
ellauri051.html on line 665: 106 Or I guess it is a uniform hieroglyphic, Tai sit se on yxitotinen hieroglyyfi,
ellauri051.html on line 716: 152 The suicide sprawls on the bloody floor of the bedroom, Izaristi on rähmällään verisellä lattialla makkarissa.
ellauri051.html on line 723: 158 The flap of the curtain'd litter, a sick man inside borne to the hospital, Peitettyjen paarien läpätys, sisällä sairas mies matkalla lasarettiin,
ellauri051.html on line 725: 160 The excited crowd, the policeman with his star quickly working his passage Väki innostuu: tappelu! seriffi tähtineen kiirehtää
ellauri051.html on line 758: moccasins to their feet and large thick blankets hanging from their shoulders, mokasiinit jaloissaan ja suuret paksut peitot olkapäillä,
ellauri051.html on line 779: 203 She hides handsome and richly drest aft the blinds of the window. 203 Hän piilottaa komean ja runsaan puvun ikkunan kaihtimen taakse.
ellauri051.html on line 780: 204 Which of the young men does she like the best? 204 Mistä nuorista miehistä hän pitää eniten?
ellauri051.html on line 810: 230 I behold the picturesque giant and love him, and I do not stop there, 230 Näen maalauksellista jättiläistä ja rakastan häntä, enkä pysähdy siihen,
ellauri051.html on line 813: 233 To niches aside and junior bending, not a person or object missing, 233 Syrjään ja junioritaivutukseen, ei henkilöä tai esinettä kadonnut,
ellauri051.html on line 830: 249 The sharp-hoof'd moose of the north, the cat on the house-sill, the chickadee, the prairie-dog, 249 Pohjoisen teräväkärkinen hirvi, kissa kynnyksellä, kananpoika, preeriakoira,
ellauri051.html on line 855: 273 The lunatic is carried at last to the asylum a confirm'd case, 273 Hullu viedään vihdoin turvapaikkaan vahvistettuna tapauksena,
ellauri051.html on line 862: 280 The machinist rolls up his sleeves, the policeman travels his beat, the gate-keeper marks who pass, 280 Konemies käärii hihat, poliisi kulkee lyöntinsä, portinvartija merkitsee ohikulkevat,
ellauri051.html on line 870: 288 The youth lies awake in the cedar-roof'd garret and harks to the musical rain, 288 Nuorukainen makaa hereillä setrikattoisessa kattohuoneessa ja haukkuu musiikkisadetta,
ellauri051.html on line 894: 312 As the fare-collector goes through the train he gives notice by the jingling of loose change, 312 Kulkiessaan junan läpi maksunkeräilijä ilmoittaa irrallisen rahan jyrinä,
ellauri051.html on line 900: 318 The stumps stand thick round the clearing, the squatter strikes deep with his axe, 318 Kannot seisovat paksuna aukion ympärillä, squatter iskee kirveellä syvään,
ellauri051.html on line 923: 340 At home in the fleet of ice-boats, sailing with the rest and tacking, 340 Kotona jääveneiden laivastossa, purjehtien muiden kanssa ja luovimassa,
ellauri051.html on line 928: 345 A novice beginning yet experient of myriads of seasons, 345 Aloittelija, joka on alkanut mutta kokenut lukemattomia vuodenaikoja,
ellauri051.html on line 930: 347 A farmer, mechanic, artist, gentleman, sailor, quaker, 347 Maanviljelijä, mekaanikko, taiteilija, herrasmies, merimies, kveekari,
ellauri051.html on line 931: 348 Prisoner, fancy-man, rowdy, lawyer, physician, priest. 348 Vanki, hieno mies, riehuva, asianajaja, lääkäri, pappi.
ellauri051.html on line 946: 361 With music strong I come, with my cornets and my drums, 361 Tulen vahvalla musiikilla, korneteillani ja rumpuillani,
ellauri051.html on line 947: 362 I play not marches for accepted victors only, I play marches for conquer'd and slain persons. 362 En soita marsseja vain hyväksyttyjen voittajien puolesta, soitan marsseja valloitetuille ja tapetuille.
ellauri051.html on line 949: 364 I also say it is good to fall, battles are lost in the same spirit in which they are won. 364 Sanon myös, että on hyvä kaatua, taistelut menetetään samassa hengessä, jossa ne voitetaan.
ellauri051.html on line 959: 373 It is for the wicked just the same as the righteous, I make appointments with all, 373 Se on jumalattomille yhtä kuin vanhurskaillekin, minä teen tapaamisia kaikkien kanssa,
ellauri051.html on line 968: 382 Do you guess I have some intricate purpose? 382 Luuletko, että minulla on jokin monimutkainen tarkoitus?
ellauri051.html on line 969: 383 Well I have, for the Fourth-month showers have, and the mica on the side of a rock has. 383 No minulla on, sillä neljännen kuukauden suihkut ovat, ja kiille kiven kyljessä on.
ellauri051.html on line 976: 389 Who goes there? hankering, gross, mystical, nude; 389 Kuka sinne menee? kaipaava, karkea, mystinen, alaston;
ellauri051.html on line 987: 400 I find no sweeter fat than sticks to my own bones. 400 En löydä makeampaa rasvaa kuin tarttuu omiin luihini.
ellauri051.html on line 995: 408 I know I shall not pass like a child's carlacue cut with a burnt stick at night. 408 Tiedän, etten ohita kuin poltetulla kepillä leikattu lapsi yöllä.
ellauri051.html on line 997: 410 I do not trouble my spirit to vindicate itself or be understood, 410 En vaivaa henkeäni puolustaakseen itseään tai tullakseen ymmärretyksi,
ellauri051.html on line 1023: 435 Press close bare-bosom'd night -- press close magnetic nourishing night! 435 Paina kiinni paljain rintakehän yö - paina kiinni magneettinen ravitseva yö!
ellauri051.html on line 1032: 444 Far-swooping elbow'd earth -- rich apple-blossom'd earth! 444 Kaukaa vajoavaa kyynärpäätä maata -- rikasta omenakukkimaa!
ellauri051.html on line 1046: 457 Howler and scooper of storms, capricious and dainty sea, 457 Myrskyjen huutaja ja kauhaaja, oikukas ja herkullinen meri,
ellauri051.html on line 1052: 463 I am not the poet of goodness only, I do not decline to be the poet of wickedness also. 463 En ole vain hyvyyden runoilija, en myöskään kiellä olemasta pahuuden runoilija.
ellauri051.html on line 1053: 464 What blurt is this about virtue and about vice? 464 Mitä hämärää tämä on hyveestä ja paheesta?
ellauri051.html on line 1072: 482 That mystic baffling wonder alone completes all. 482 Tuo mystinen hämmentävä ihme yksin tekee kaiken.
ellauri051.html on line 1077: 487 This is the lexicographer, this the chemist, this made a grammar of the old cartouches, 487 Tämä on sanakirjailija, tämä kemisti, tämä teki kieliopin vanhoista kartsoista,
ellauri051.html on line 1079: 489 This is the geologist, this works with the scalpel, and this is a mathematician. 489 Tämä on geologi, tämä työskentelee skalpellilla, ja tämä on matemaatikko.
ellauri051.html on line 1084: 494 And more the reminders they of life untold, and of freedom and extrication, 494 Ja enemmän muistutuksia he kertomattomasta elämästä ja vapaudesta ja irrottautumisesta,
ellauri051.html on line 1098: 507 By God! I will accept nothing which all cannot have their counterpart of on the same terms. 507 Jumalalta! En hyväksy mitään, jolle kaikki eivät voi saada vastinetta samoilla ehdoilla.
ellauri051.html on line 1099: 508 Through me many long dumb voices, 508 Minun kauttani monia pitkiä mykkiä ääniä,
ellauri051.html on line 1100: 509 Voices of the interminable generations of prisoners and slaves, 509 Vankien ja orjien loputtomien sukupolvien ääniä,
ellauri051.html on line 1101: 510 Voices of the diseas'd and despairing and of thieves and dwarfs, 510 Sairaiden ja epätoivoisten ja varkaiden ja kääpiöiden ääniä,
ellauri051.html on line 1102: 511 Voices of cycles of preparation and accretion, 511 Valmistelu- ja lisääntymissyklien äänet,
ellauri051.html on line 1107: 516 Through me forbidden voices, 516 Minun kauttani kiellettyjä ääniä,
ellauri051.html on line 1108: 517 Voices of sexes and lusts, voices veil'd and I remove the veil, 517 Sukupuolten ja himojen ääniä, äänet verhottuja ja minä poistan verhon,
ellauri051.html on line 1109: 518 Voices indecent by me clarified and transfigur'd. 518 Minun sopimatonta ääntä selkeytettynä ja muutettuna.
ellauri051.html on line 1111: 520 I keep as delicate around the bowels as around the head and heart, 520 Pidän yhtä herkkänä suoliston ympärillä kuin pään ja sydämen ympärillä,
ellauri051.html on line 1123: 532 You my rich blood! your milky stream pale strippings of my life! 532 Sinä rikas vereni! maitomainen virtasi haalea riisuja elämästäni!
ellauri051.html on line 1126: 535 Root of wash'd sweet-flag! timorous pond-snipe! nest of guarded duplicate eggs! it shall be you! 535 Pesty makean lipun juuri! pelottava lampi-taivaaja! vartioitujen kaksoismunien pesä! se olet sinä!
ellauri051.html on line 1128: 537 Trickling sap of maple, fibre of manly wheat, it shall be you! 537 Tihkuvaa vaahteran mehua, miehisen vehnän kuitua, se olet sinä!
ellauri051.html on line 1132: 541 Winds whose soft-tickling genitals rub against me it shall be you! 541 Tuulet, joiden pehmeästi kutittelevat sukuelimet hierovat minua vasten, se olet sinä!
ellauri051.html on line 1140: 549 A morning-glory at my window satisfies me more than the metaphysics of books. 549 Aamukirkkaus ikkunassani tyydyttää minua enemmän kuin kirjojen metafysiikka.
ellauri051.html on line 1147: 556 Seas of bright juice suffuse heaven. 556 kirkasta mehua täyttävät taivaan.
ellauri051.html on line 1152: 560 Dazzling and tremendous how quick the sun-rise would kill me, 560 Häikäisevää ja valtavaa, kuinka nopea auringonnousu tappaisi minut,
ellauri051.html on line 1156: 564 My voice goes after what my eyes cannot reach, 564 Ääneni seuraa sitä mitä silmäni eivät tavoita,
ellauri051.html on line 1159: 567 It provokes me forever, it says sarcastically, 567 Se ärsyttää minua ikuisesti, se sanoo sarkastisesti,
ellauri051.html on line 1161: 569 Come now I will not be tantalized, you conceive too much of articulation, 569 Tule nyt, en ole kiusannut, sinulla on liian paljon artikulaatiota,
ellauri051.html on line 1164: 572 The dirt receding before my prophetical screams, 572 Lika väistymässä profeetallisten huutojeni edestä,
ellauri051.html on line 1167: 575 Happiness, (which whoever hears me let him or her set out in search of this day.) 575 Happiness, (joka joka kuulee minut, lähteköön etsimään tätä päivää.)
ellauri051.html on line 1173: 581 With the hush of my lips I wholly confound the skeptic. 581 Huulteni hiljaisella hämmenän skeptikon täysin.
ellauri051.html on line 1177: 584 I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, 584 Kuulen lintujen bravuuria, kasvavan vehnän vilskettä, liekkien juorua, tikkujen kolinaa keittämässä aterioitani,
ellauri051.html on line 1178: 585 I hear the sound I love, the sound of the human voice, 585 Kuulen äänen, jota rakastan, ihmisäänen äänen,
ellauri051.html on line 1182: 589 The angry base of disjointed friendship, the faint tones of the sick, 589 Hajaantuneen ystävyyden vihainen pohja, sairaiden heikommat äänet,
ellauri051.html on line 1190: 597 I hear the key'd cornet, it glides quickly in through my ears, 597 Kuulen avaimen kornetin, se liukuu nopeasti korvieni läpi,
ellauri051.html on line 1193: 600 Ah this indeed is music -- this suits me. 600 Ah tämä on todellakin musiikkia - tämä sopii minulle.
ellauri051.html on line 1195: 602 The orbic flex of his mouth is pouring and filling me full. 602 Hänen suunsa orbinen jousto vuotaa ja täyttää minut täyteen.
ellauri051.html on line 1199: 606 It sails me, I dab with bare feet, they are lick'd by the indolent waves, 606 Se purjehtii minulle, taputtelen paljain jaloin, laittomat aallot nuolevat niitä,
ellauri051.html on line 1220: 625 Behaving licentious toward me, taking no denial, 625 Käyttäydyn irstailevasti minua kohtaan, ei ota kieltoa,
ellauri051.html on line 1241: 645 Rich showering rain, and recompense richer afterward. 645 Runsaat suihkusateet ja palkitse rikkaammin sen jälkeen.
ellauri051.html on line 1242: 646 Sprouts take and accumulate, stand by the curb prolific and vital, 646 versot ottavat ja kerääntyvät, seisovat reunan vieressä tuottelias ja elinvoimainen,
ellauri051.html on line 1247: 650 They do not need the obstetric forceps of the surgeon, 650 He eivät tarvitse kirurgin synnytyspihtejä,
ellauri051.html on line 1248: 651 The insignificant is as big to me as any, 651 merkityksetön on minulle yhtä suuri kuin mikä tahansa,
ellauri051.html on line 1250: 653 Logic and sermons never convince, 653 Logiikka ja saarnat eivät koskaan vakuuta,
ellauri051.html on line 1258: 661 And they are to branch boundlessly out of that lesson until it becomes omnific, 661 Ja heidän tulee haarautua rajattomasti tuosta oppitunnista, kunnes siitä tulee kaikkinainen,
ellauri051.html on line 1273: 675 In vain the plutonic rocks send their old heat against my approach, 675 Turhaan plutoniset kivet lähettävät vanhaa kuumuuttaan lähestymistäni vastaan,
ellauri051.html on line 1281: 683 I follow quickly, I ascend to the nest in the fissure of the cliff. 683 Seuraan nopeasti, nousen kallion halkeaman pesään.
ellauri051.html on line 1287: 688 They do not make me sick discussing their duty to God, 688 He eivät tee minua sairaaksi keskustelemalla velvollisuudestaan Jumalaa kohtaan,
ellauri051.html on line 1299: 700 Picking out here one that I love, and now go with him on brotherly terms. 700 Valitsen täältä yhden, jota rakastan, ja mene nyt hänen kanssaan veljellisin ehdoin.
ellauri051.html on line 1300: 701 A gigantic beauty of a stallion, fresh and responsive to my caresses, 701 Jättimäinen ori, raikas ja herkkä hyväilleni,
ellauri051.html on line 1303: 704 Eyes full of sparkling wickedness, ears finely cut, flexibly moving. 704 Silmät täynnä kimaltelevaa pahuutta, hienoksi leikatut korvat, joustavasti liikkuvat.
ellauri051.html on line 1326: 726 Over the growing sugar, over the yellow-flower'd cotton plant, over the rice in its low moist field, 726 Kasvavan sokerin yllä, keltakukkaisen puuvillakasvin päällä, riisin päällä sen matalakostealla pellolla,
ellauri051.html on line 1328: 728 Over the western persimmon, over the long-leav'd corn, over the delicate blue-flower flax, 728 Länsi-kaki, pitkälehtinen maissi, herkkä sinikukkapellava,
ellauri051.html on line 1351: 751 Upon the race-course, or enjoying picnics or jigs or a good game of base-ball, 751 Kilparadalla tai nauttimassa piknikistä tai jigeistä tai hyvästä baseball-pelistä,
ellauri051.html on line 1352: 752 At he-festivals, with blackguard gibes, ironical license, bull-dances, drinking, laughter, 752 He-festivaaleilla, mustavartijan juoruilla, ironisella lisenssillä, härkätanssilla, juomalla, naurulla,
ellauri051.html on line 1353: 753 At the cider-mill tasting the sweets of the brown mash, sucking the juice through a straw, 753 Siideritehtaalla maistelemassa ruskean mässin makeisia, imemässä mehua oljen läpi,
ellauri051.html on line 1356: 756 Where the mocking-bird sounds his delicious gurgles, cackles, screams, weeps, 756 Siellä, missä pilkallinen lintu soi herkullisen kurinauksensa, kakituksensa, huutonsa, itkensä,
ellauri051.html on line 1357: 757 Where the hay-rick stands in the barn-yard, where the dry-stalks are scatter'd, where the brood-cow waits in the hovel, 757 Missä heinärikki seisoo navettapihassa, missä kuivat varret ovat hajallaan, missä poikaslehmä odottaa kyytissä,
ellauri051.html on line 1367: 767 Where winter wolves bark amid wastes of snow and icicled trees, 767 Siellä missä talvisudet haukkuvat lumen ja jääpuiden keskellä,
ellauri051.html on line 1370: 770 Where the katy-did works her chromatic reed on the walnut-tree over the well, 770 Siellä missä katy työstää kromaattista ruokoaan pähkinäpuussa kaivon päällä,
ellauri051.html on line 1372: 772 Through the salt-lick or orange glade, or under conical firs, 772 Suola- tai appelsiinialueen läpi tai kartiomaisten kuusien alla,
ellauri051.html on line 1373: 773 Through the gymnasium, through the curtain'd saloon, through the office or public hall; 773 Kuntosalin, verhohuoneen, toimiston tai yleisen salin kautta;
ellauri051.html on line 1379: 779 Looking in at the shop-windows of Broadway the whole forenoon, flatting the flesh of my nose on the thick plate glass, 779 Katson sisään Broadwayn ikkunoihin koko iltapäivän, litistäen nenäni paksua lasia vasten,
ellauri051.html on line 1386: 786 Voyaging to every port to dicker and adventure, 786 Matka jokaiseen satamaan keilaamaan ja seikkailemaan,
ellauri051.html on line 1387: 787 Hurrying with the modern crowd as eager and fickle as any, 787 Kiire nykyajan väkijoukon kanssa yhtä innokkaana ja epävakaana kuin kuka tahansa,
ellauri051.html on line 1409: 809 We sail the arctic sea, it is plenty light enough, 809 Purjehdimme arktisella merellä, se on tarpeeksi valoisaa,
ellauri051.html on line 1411: 811 The enormous masses of ice pass me and I pass them, the scenery is plain in all directions, 811 Valtavat jäämassat ohittavat minut ja minä ohitan ne, maisema on tasainen joka suuntaan,
ellauri051.html on line 1413: 813 We are approaching some great battle-field in which we are soon to be engaged, 813 Lähestymme suurta taistelukenttää, johon olemme pian mukana,
ellauri051.html on line 1420: 820 My voice is the wife's voice, the screech by the rail of the stairs, 820 Minun ääneni on vaimon ääni, huuto portaiden kaiteen varrella,
ellauri051.html on line 1430: 830 How the silent old-faced infants and the lifted sick, and the sharp-lipp'd unshaved men; 830 Kuinka hiljaiset vanhanaamaiset pikkulapset ja nostetut sairaat ja terävähuuliset ajelemattomat miehet;
ellauri051.html on line 1450: 850 I heard the distant click of their picks and shovels, 850 Kuulin heidän hakkuidensa ja lapioidensa kaukaisen napsautuksen,
ellauri051.html on line 1478: 877 Nine hundred lives out of the surrounding enemy's, nine times their number, was the price they took in advance, 877 Yhdeksän sataa henkeä ympäröivän vihollisen elämästä, yhdeksän kertaa heidän lukumääränsä, oli hinta, jonka he ottivat etukäteen,
ellauri051.html on line 1517: 915 Now I laugh content, for I hear the voice of my little captain, 915 Nyt nauran tyytyväisenä, sillä kuulen pienen kapteeni äänen,
ellauri051.html on line 1528: 926 He is not hurried, his voice is neither high nor low, 926 Hän ei ole kiireinen, hänen äänensä ei ole korkea eikä matala,
ellauri051.html on line 1538: 935 The flames spite of all that can be done flickering aloft and below, 935 Liekit kaikesta mitä voidaan tehdä, välkkyvät ylhäällä ja alhaalla,
ellauri051.html on line 1539: 936 The husky voices of the two or three officers yet fit for duty, 936 Kahden tai kolmen upseerin vaimeat äänet, jotka ovat vielä tehtäviin sopivia,
ellauri051.html on line 1544: 941 Delicate sniffs of sea-breeze, smells of sedgy grass and fields by the shore, death-messages given in charge to survivors, 941 Merituulen herkkää haistelua, syrjäisen ruohon ja peltojen tuoksua rannalla, kuolemansanomia eloonjääneille,
ellauri051.html on line 1554: 950 For me the keepers of convicts shoulder their carbines and keep watch, 950 Minulle vankien vartijat kantavat karabiininsa ja valvovat,
ellauri051.html on line 1569: 964 That I could forget the trickling tears and the blows of the bludgeons and hammers! 964 Että voisin unohtaa valuvat kyyneleet ja iskujen ja vasaran iskut!
ellauri051.html on line 1614: 1007 (This day I am jetting the stuff of far more arrogant republics.) 1007 (Tänä päivänä huutelen paljon ylimielisempien tasavaltojen tavaraa.)
ellauri051.html on line 1617: 1010 Let the physician and the priest go home. 1010 Päästä lääkäri ja pappi kotiin.
ellauri051.html on line 1629: 1021 I am he bringing help for the sick as they pant on their backs, 1021 Minä olen hän, joka tuo apua sairaille, kun he huohottavat selällään,
ellauri051.html on line 1644: 1036 Accepting the rough deific sketches to fill out better in myself, bestowing them freely on each man and woman I see, 1036 Hyväksyen karkeat jumalalliset luonnokset täyttyäkseni paremmin itsessäni, lahjoittaen ne vapaasti jokaiselle näkemälleni miehelle ja naiselle,
ellauri051.html on line 1649: 1041 Minding their voices peal through the crash of destruction, 1041 Huolehtien heidän äänensä soivan tuhon törmäyksen läpi,
ellauri051.html on line 1651: 1043 By the mechanic's wife with her babe at her nipple interceding for every person born, 1043 Mekaanikon vaimo vauvan kanssa nännissä rukoilee jokaisen syntymän puolesta,
ellauri051.html on line 1664: 1055 My own voice, orotund sweeping and final. 1055 Oma ääneni, huumorintajuinen lakaisu ja lopullinen.
ellauri051.html on line 1670: 1061 Music rolls, but not from the organ, 1061 Musiikkirullat, mutta ei urkuista,
ellauri051.html on line 1674: 1065 Ever myself and my neighbors, refreshing, wicked, real, 1065 Aina minä ja naapurini, virkistävä, ilkeä, todellinen,
ellauri051.html on line 1675: 1066 Ever the old inexplicable query, ever that thorn'd thumb, that breath of itches and thirsts, 1066 Aina se vanha selittämätön kysymys, aina se piikkipeukalo, se kutina ja jano,
ellauri051.html on line 1681: 1072 Tickets buying, taking, selling, but in to the feast never once going, 1072 Lippuja ostamassa, ottamassa, myymässä, mutta juhlaan ei koskaan mene,
ellauri051.html on line 1685: 1076 Whatever interests the rest interests me, politics, wars, markets, newspapers, schools, 1076 Mikä tahansa kiinnostaa, muu kiinnostaa minua, politiikka, sodat, markkinat, sanomalehdet, koulut,
ellauri051.html on line 1689: 1080 I acknowledge the duplicates of myself, the weakest and shallowest is deathless with me, 1080 Tunnustan itseni kaksoiskappaleet, heikoin ja matalin on kuolematon kanssani,
ellauri051.html on line 1697: 1088 This printed and bound book -- but the printer and the printing-office boy? 1088 Tämä painettu ja sidottu kirja -- mutta kirjapaino ja kirjapainopoika?
ellauri051.html on line 1711: 1101 Making a fetich of the first rock or stump, powowing with sticks in the circle of obis, 1101 Haetun tekeminen ensimmäisestä kivestä tai kannosta, puukottaa kepeillä obis-ympyrässä,
ellauri051.html on line 1713: 1103 Dancing yet through the streets in a phallic procession, rapt and austere in the woods a gymnosophist, 1103 Tanssii silti katujen halki fallisessa kulkueessa, raivoissaan ja ankarasti metsässä voimistelija,
ellauri051.html on line 1723: 1113 Frivolous, sullen, moping, angry, affected, dishearten'd, atheistical, 1113 kevytmielinen, synkkä, moppaileva, vihainen, vaikuttunut, masentunut, ateistinen,
ellauri051.html on line 1732: 1122 But I know it will in its turn prove sufficient, and cannot fail. 1122 Mutta tiedän, että se puolestaan osoittautuu riittäväksi, eikä se voi epäonnistua.
ellauri051.html on line 1748: 1137 The clock indicates the moment -- but what does eternity indicate? 1137 Kello näyttää hetken – mutta mitä ikuisuus osoittaa?
ellauri051.html on line 1751: 1140 Births have brought us richness and variety, 1140 Syntymät ovat tuoneet meille rikkautta ja vaihtelua,
ellauri051.html on line 1752: 1141 And other births will bring us richness and variety. 1141 Ja muut synnytykset tuovat meille rikkautta ja vaihtelua.
ellauri051.html on line 1754: 1143 That which fills its period and place is equal to any. 1143 Se, mikä täyttää aikansa ja paikkansa, on yhtä suuri kuin mikä tahansa.
ellauri051.html on line 1760: 1149 My feet strike an apex of the apices of the stairs, 1149 Jalkani osuvat portaiden kärkien kärkeen,
ellauri051.html on line 1765: 1154 I waited unseen and always, and slept through the lethargic mist, 1154 Odotin näkymättömänä ja aina ja nukuin letargian sumun läpi,
ellauri051.html on line 1782: 1170 O span of youth! ever-push'd elasticity! 1170 Oi nuoruuden aika! jatkuvasti työnnetty joustavuus!
ellauri051.html on line 1785: 1173 Crowding my lips, thick in the pores of my skin, 1173 Ahtaat huuleni, paksut ihoni huokoset,
ellauri051.html on line 1786: 1174 Jostling me through streets and public halls, coming naked to me at night, 1174 Juoksumassa kaduilla ja julkisilla hallilla, tullessani alasti luokseni yöllä,
ellauri051.html on line 1790: 1178 Bussing my body with soft balsamic busses, 1178 Bussit keholleni pehmeillä balsamibussilla,
ellauri051.html on line 1806: 1194 A few quadrillions of eras, a few octillions of cubic leagues, do not hazard the span or make it impatient, 1194 Muutama kvadriljoona aikakausia, muutama oktillijoona kuutioliigaa, eivät vaaranna jänneväliä tai tee siitä kärsimätöntä,
ellauri051.html on line 1822: 1209 My right hand pointing to landscapes of continents and the public road. 1209 Oikea käteni osoittaa maanosien maisemia ja yleistä tietä.
ellauri051.html on line 1831: 1218 And in due time you shall repay the same service to me, 1218 Ja aikanaan sinun tulee maksaa minulle sama palvelu,
ellauri051.html on line 1852: 1238 Wicked rather than virtuous out of conformity or fear, 1238 Paha kuin hyveellinen mukautumisesta tai pelosta,
ellauri051.html on line 1871: 1257 The young mechanic is closest to me, he knows me well, 1257 Nuori mekaanikko on lähimpänä minua, hän tuntee minut hyvin,
ellauri051.html on line 1873: 1259 The farm-boy ploughing in the field feels good at the sound of my voice, 1259 Maatilapoika, joka kynsi pellolla, tuntuu hyvältä ääneni kuultaessa,
ellauri051.html on line 1888: 1273 And I or you pocketless of a dime may purchase the pick of the earth, 1273 Ja minä tai sinä, joka ei ole senttiäkään taskussa, voimme ostaa maan poiminnan,
ellauri051.html on line 1930: 1313 It is not in any dictionary, utterance, symbol. 1313 Sitä ei ole missään sanakirjassa, lausunnossa, symbolissa.
ellauri051.html on line 1942: 1324 Do I contradict myself? 1324 Olenko ristiriidassa itseni kanssa?
ellauri051.html on line 1943: 1325 Very well then I contradict myself, 1325 Hyvin, sitten olen ristiriidassa itseni kanssa,
ellauri051.html on line 1953: 1333 I sound my barbaric yawp over the roofs of the world. 1333 Mä huudan barbaarista soopaa kuin viulunsoittaja katolla.
ellauri051.html on line 3253: La cicatrice à son cou nu arpi sen paljaalla kaulalla
ellauri052.html on line 6: font-style: italic;
ellauri052.html on line 33: Malamud Bellow ja Roth oli am. kirjallisuuden Hart Schaffner ja Marx, chicagolainen univormutehdas ja miestenvaatehtimo joka kuoli 2009. Halvat ja mauttomat Marxin veljexet. Bellow suhtautui suopeasti 2v vanhempaan Malamudiin, ison Paulin ikätveriin. Se oli vielä maalaisempi, kotosin Oregonista. Samanlaisia kujakatteja kaikki 3, nahattomia ja karvattomia kullikissoja. PST Bellowin maneeri on laittaa rinnastuxia ilman välimerkkejä niinkuin tän kappaleen alussa. Isaac Bashevis Singer ei kuulunut tähän poppooseen, se oli 1. sukupolven maahanmuuttaja.

ellauri052.html on line 37: Belov tarkoittaa valkoista. Bellows on palkeet. Tuluxet on tinderbox. Sale oli kuopus pieni ruipelo, sillä oli 2 ruumiikkaampaa porhoveljeä joiden mielestä se oli vaan "some schmuck with a pen", ja sen isä oli ryssämamu monitoimiroisto hitlerwiixissä. Mamu Belov tuli perheineen Pietarista Kanadaan ja hipsi Chicagoon pakoon razupoliiseja Salen ollessa 9v. Sale oli äiskän hemmokki. Osas juutalaisten raamatun melkein ulkoa. Äiti kuoli kun Sale oli 17. Sale kaipas isän hyväxyntää. Isä kuoli '55, Sale oli sen silmissä epäonnistunut tyhjäntoimittaja. Tie menestyxeen aukes vasta kexi-ikäisenä isän kuoltua.
ellauri052.html on line 56: Henderson oli Salen oma mielikirja. Lukikohan se sitä ääneen izelleen ja sanoi "loistavaa" kuin Sven Tolppa. Conrad oli Solomonin mielikirjailija collegessa. Figures. Niisson paljon samaa. Elämää suurempia sankareita ja kaappihomoja. Salen Nobel-puhe on tyypillistä amerikkalaisille suunnattua amerikkalaista Geldjude potaskaa, sankareina Conradin ohella Milton Friedman ja Erich Auerbach, pahixina Robbe-Grillet ja punikit. Vielä yx uskomattoman tarkka Henderson lookalike on Yhdysvaltain nykyinen presidentti Donald Trump. Kaikki nazaa: koko, luonne, typeryys, vulgaari puhetyyli, jättimäinen narsismi.

ellauri052.html on line 58: Henderson the Rain King is a 1959 novel by Saul Bellow. The book's blend of philosophical discourse and comic adventure has helped make it one of his more popular works. It is said to be Bellow's favorite among his books. It was ranked number 21 on Modern Library's list of the 100 Best Novels in the English language.
ellauri052.html on line 60: Eugene Henderson is a troubled middle-aged man 1948. (synt. 1800-luvulla). Despite his riches, high social status, and physical prowess, he feels restless and unfulfilled, and harbors a spiritual void that manifests itself as an inner voice crying out "I want, I want, I want". Hoping to discover what the voice wants, Henderson goes to Africa. What a Yankee notion.
ellauri052.html on line 62: Although it is unclear whether Henderson has truly found spiritual contentment, the novel ends with an optimistic and uplifting note. Henderson learns that a man can, with effort, have a spiritual rebirth when he realizes that spirit, body and the outside world are not enemies but can live in harmony. And he doesn't really need his family for anything, he is enough for himself.
ellauri052.html on line 64: A week before the novel appeared in book stores, Saul Bellow published an article in the New York Times titled “The Search for Symbols, a Writer Warns, Misses All the Fun and Fact of the Story.” Here, Bellow warns readers against looking too deeply for symbols in his piece of shit. This has led to much discussion among critics as to why Bellow warned his readers against searching for symbolism just before the symbol-packed Rain King hit the shelves. Because there ain't any, its just Solomon's idea of fun and fact. The ongoing philosophical discussions and ramblings between Henderson and the natives, and inside Henderson's own head, prefigure elements of Bellow's next novel Herzog, which includes many such inquiries into life and meaning. And which is an even worse piece of narcissisim than this one.
ellauri052.html on line 68: Scholars such as Bellow biographer James Atlas and others have shown that quite a few passages and ideas were lifted from a book titled The Cattle Complex in East Africa (1926) written by Bellow's anthropology professor Melville Herskovits who supervised his senior thesis at Northwestern University in 1937. What a schtekl, to steal from his own professor.
ellauri052.html on line 85: I find this judgement troubling. Certainly, one can agree that Herzog is lavish and intense. But through his eyes, we see women as very peculiar creatures. We meet a devotee of sex in Herzog’s lover, Ramona, the sad, enigmatic, emotionless pencils that are Valentine’s wife and Herzog’s first wife, and the castrating sex bomb that is Madeline. Very rarely do we feel that these characterisations are different from these characters’ reality—the novel seems to suggest that these women really are as limited as Herzog sees them.
ellauri052.html on line 89: Harold Bloom is right to dismiss Bellow’s female characters of the later novels as “third-rate pipe dreams.” When a reader, holding Humboldt’s Gift in his hands, looks back at Augie March, the journey Saul Bellow has taken in his depiction of people is a very sad one. There is no way to compare the daring, principled Mimi Villars, Augie March’s one equal in oration, to the simple Ramona (Herzog), or to the comically shallow Renata (Humboldt’s Gift). Where is a woman equal to Augie’s Thea in these later books?
ellauri052.html on line 91: And the male cast goes on a similar, if less marked, decline. Cantabile in Humboldt’s Gift is a hilariously manic plot device, but as an individual he no offers no comparison at all to the volcanic ambitions, peculiar code of honour, and suicidal longings of Simon, Augie March’s elder brother.
ellauri052.html on line 93: It seems that as Bellow re-focused his lens on thought, and a main character’s deliberations over it, the fictional world around that central character darkened and cheapened. As the narrator / protagonist’s internal action grows, around him warmth and depth shrinks, until, by Humboldt’s Gift, it is clear that on a mental level, Citrine is utterly alone.
ellauri052.html on line 95: This falling away of the world then renders the interplay of thought and reflection a sterile joke, as whatever the main character finally decides, there is no outside world for his deliberations to have meaning. Bellow has little choice, in the world of raging shadows he creates, other than to step away from the quest of thought at the climactic moment, and pretend he was only kidding.
ellauri052.html on line 97: The novels remain staggering for their invention, their comedy, their culture, and their mingling of riotous squalor with the precepts of a course in philosophy. Bellow writes with a genius that is hard to fathom. Readers may, however, feel troubled by the books’ frequent difficulty in forming a coherent whole.
ellauri052.html on line 101: ic.timesofisrael.com/www/uploads/2018/11/AP_97041705426-e1543461052586.jpg" width="50%" />
ellauri052.html on line 104: Bellow’s most merciless and eviscerating tormenter was his third wife, Susan Glassman, who defeated him in a long, acrimonious and expensive divorce suit. In 1974, after he had fraudulently misrepresented his projected income, the court, hostile to a successful Jewish intellectual, “ordered him to pay Susan $2,500 a month in alimony, backdated to 1968, plus $600 a month child support, plus lawyers’ fees.” Ignoring his own lawyer’s sound advice to settle the case, he surrendered to a self-destructive impulse, continued to appeal and deliberately prolonged his agony.
ellauri052.html on line 108: I heard Bellow deliver the PEN speech on “American Writers and Their Public” to a packed hall in London on March 22, 1986. He had just suffered the death of his brothers and agonising break with Alexandra. Exhausted by jet-lag, stiff-gaited and parchment-skinned, he seemed terribly old and shattered. His talk ranged widely and wildly but, rambling and unfocused, he could not — like Ezra Pound in the Cantos — make it cohere.
ellauri052.html on line 116: Sale ostettiin loppupeleissä Chicagosta Bostoniin. Jasu ja Sale kehu izeään varmaan kilpaa BU:n kekkereissä.
ellauri052.html on line 118: Reports of his teaching ranged from “he was a dud, all he did was read from Erich Auerbach’s Mimesis” to “his seminar was amazing, as you’d imagine.” He was most effective with students who could follow and respond to his intellectual fireworks.
ellauri052.html on line 120: His favourite novelists, who recurred in his courses, were Dostoyevsky, Stendhal, Balzac, Flaubert, Dickens, Conrad, Dreiser and Fitzgerald. He also admired the satires of Wyndham Lewis.
ellauri052.html on line 124: Vittu mikä kusipää. Ja tämän pyllypään bändärin miälestä Saul Bellow "was the most coruscating stylist, the most brilliant intellect, the most compassionate and great-souled writer in modern American literature." Pahinta on eze voi olla totta, tosi paha todistus Amerikan henkisestä tilasta.
ellauri052.html on line 135: Bellowin kertoja on useimmiten professori tai vähintäänkin korkeasti kouluttautunut - joka tapauksessa pääkopan sisältä täyttä timanttia. Älykuninkaiden arkkityyppi on Victor Wulpy, joka Millainen päivä sivulla oli -novellissa lennättää rakastajatartaan pikadeiteille lentojen välilaskeutumispaikoille. Victor on lännen älykapteeneita: hankkii elantonsa luennoilla 10 000 dollarin tuntitaksalla. Ja ylläpitää oppineiden nokkimisjärjestystä yli-ihmismäisellä tarmolla ja energialla.
ellauri052.html on line 162: Saul Bellowin juuri ilmestynyt uusi romaani Ravelstein kuohuttaa tunteita oikeistolaisissa piireissä Atlantin molemmin puolin. Romaanin päähenkilön Abe Ravelsteinin esikuvana on ollut Bellowin chicagolainen ystävä Allan Bloom, joka nousi maailmanmaineeseen kirjoittamalla populistisen hitin The Closing of the American Mind. Se julisti, että Woodstock-sukupolvi tuhosi kulttuurin suvaitsemalla liikaa ja unohtamalla Kreikan ja antiikin. Kirjan mainetta siivittivät muun muassa Margaret Thatcher ja Ronald Reagan. Bloom kuoli 62-vuotiaana 1992. Kuolinsyyksi ilmoitettiin maksasyöpä. Bellowin Ravelstein on kaappihomo, joka kuolee aidsiin. Tämä on suututtanut Bloomin ystävät.
ellauri052.html on line 171: The novel, which Bellow initially intended to be a short story, is a roman à clef about Bellow's friendship with the poet Delmore Schwartz. It explores the changing relationship of art and power in a materialist America. This theme is addressed through the contrasting careers of two writers, Von Humboldt Fleisher (to some degree a version of Schwartz) and his protégé Charlie Citrine (to some degree a version of Bellow himself).
ellauri052.html on line 193: Salella on tuplahukki Chicagosta antropoloogiassa ja sosiologiassa. Se on grad school dropout Wisconsinista. Sen ns professuuri Chicagon Committee of Social Thoughtissa oli feikki, kyseessä on farmiliigan yliopiston aikanaan kekkaama julkkiskärpäspaperi. Oikeest se oli aina vähän nolo tosta keskilännen taustasta, kerskui sillä kuin Hyvinkään kultahattu. Se kerskuu Jenkkilän pahimmilla puolilla kuin Wilt Whatman.
ellauri052.html on line 197: Salella oli opiskelukaveri Rosenfeld, Hendersonin Dahfu. Pojat parodioi Eliotin Prufrockin Chicagon jiddischixi Der shir hashirim fun Mendl Pumshtok. Siantappojuippeja. Humboldt muka levitti huhua Eliotin homostelusta.
ellauri052.html on line 210: Climbs the building, kicks the football,
ellauri052.html on line 237: Displayed the stillness in which buildings stand,
ellauri052.html on line 261: Alexander Pope (21. toukokuuta 1688 Lontoo – 30. toukokuuta 1744 Twickenham, Middlesex, Englanti) oli aikansa johtava englantilainen runoilija ja satiirikko. Hän on William Shakespearen ja Alfred Tennysonin ohella siteeratuimpia brittirunoilijoita ja hänen tuotantonsa on vaikuttanut myöhempään valistusajatteluun.
ellauri052.html on line 263: Popen isä Alexander (k. 1717) oli pellavakauppias, mutta jäi eläkkeelle poikansa syntymän aikaan. Perhe oli katolinen, eikä Pope siksi päässyt opiskelemaan Englannin yliopistoihin. Hän sai kotiopetusta katolisilta papeilta ja kävi katolisia kouluja Twyfordissa ja Lontoossa. Is Pope catholic? LOL Myöhemmin Pope siirtyi tietynlaisen rationaalisen panteismin kannattajaksi. ellauri052.html on line 269: Vuoden 1713 lokakuussa Pope ilmoitti aloittavansa Homeroksen töiden kääntämisen englanniksi. Hänen kääntämänsä Ilias julkaistiin osissa vuosina 1715–1720 ja Odysseia vuosina 1725–1726. Jälkimmäisen kääntämiseen osallistuivat myös William Broome ja Elijah Fenton. Pope ansaitsi työstään noin 10 000 puntaa sekä kehuja työnsä tarkkuudesta – Thomas Tickellin samoihin aikoihin julkaistua Ilias-käännöstä pidettiin huomattavan heikkotasoisempana. ellauri052.html on line 273: Viimeisinä vuosinaan Pope sairasti astmaa ja oli ajoittain osittain harhainen. Hän aloitti vielä uuden eeppisen Brutus-nimisen vapaamittaisen runon sekä aikoi uudistaa vanhoja runojaan. Suunnitelmat jäivät toteutumatta, sillä hän kuoli 30. toukokuuta 1744. Hänet on haudattu St Mary’s Church -kirkkoon Twickenhamiin. ellauri052.html on line 275: Alexander Pope does have slightly misogynistic tendencies, in part due to his own physical deformity making him somewhat unattractive. ellauri052.html on line 277: All in all, Pope’s characterization of women and his satirical telling of this incident paint a very negative picture of women. Women are shown as conniving, untrustful, illogical, and most importantly, inferior to men. Pope ridicules Belinda’s (Ms. Fermor’s) anger and does not seem to understand why women could get so angry over such a "trivial" matter. He does not respect female autonomy and buys in to the madonna/whore perception of women. The Rape of the Lock does a great injustice to women and only serves to perpetuate negative stereotypes and generalizations about female character.

ellauri052.html on line 280: The "Mrs." (used in the dedicatory letter to the poem) serves to indicate that Arabella was neither a child nor a prostitute (the two groups of females designated by the word "Miss"). She was in fact twenty-two and single at the time Lord Petre cut off a lock of her hair, the event which served as the basis for the poem.
ellauri052.html on line 299: Vuonna 1795 Wordsworth tutustui runoilija Samuel Coleridgeen. Tämä tuttavuus johti hedelmälliseen yhteistyöhön, jonka tuloksena oli vuonna 1798 julkaistu runokokoelma Lyrical Ballads. Wordsworthin ja Coleridgen katsotaan aloittaneen tällä runokokoelmalla englantilaisen runouden romanttisen tyylisuuntauksen.
ellauri052.html on line 311: Journals contain numerous trivial details, which bear ample witness to the "plain living and high thinking" of the Wordsworth household—and, in this edition, samples of these details are given—but there is no need to record all the cases in which the sister wrote, "To-day I mended William's shirts," or "William gathered sticks," or "I went in search of eggs," etc. etc. In all cases, however, in which a sentence or paragraph, or several sentences and paragraphs, in the Journals are left out, the omission is indicated by means of asterisks. Nothing is omitted of any literary or biographical value.
ellauri052.html on line 317: Coleridgen pääteokset ovat runoelmat Christabel ja The ancient mariner. Tän mä muistan Aku Ankasta: Kuoleman peikko mun hyytävi veren. Ammuin nuolen ilmoihin albatrossia mä haavoitin. Aku veisaa kyynelet silmistä roiskuen. Kenenkäs runo oli se Enoch Arden joka mainittiin Poirotissa? Ai niin se oli se Tennysonin tylsimys. Lisäksi on hänen runotuotteistaan mainittava romanssi "Genevieve", rajun ylevä rapsodia "Fire, famine and slaughter" ja draama Remorse. Pienet runonsa hän on julkaissut kolmena kokoelmana: Juvenile poems, Sibylline leaves ja Miscellanous poems. Elämäänsä ja kirjallista toimintaansa Coleridge on kuvannut teoksessa Biographical sketches of my literary life and opinions. Coleridge tutki saksalaista kirjallisuutta ja välitti sen tuntemusta englantilaisille. Hän käänsi Friedrich Schilleriä englanniksi. ellauri052.html on line 319: Like other successful duos, such as Batman & Robin, Mickey & Goofy, or Laurel & Hardy, Wordsworth and Coleridge were temperamentally dissimilar. Wordsworth, reserved and thoughtful, wrote verse while plodding to and fro in the garden and, we are told, was subject to stomach trouble when revising. Coleridge was irresponsible and debt-ridden, but everywhere spoken of as a genius, if a volatile one. “I think too much for a Poet,” he said. His addiction to opium began early and was never conquered. In time, it became his only regular habit. ellauri052.html on line 321: Lisätietoa tästä dynamic duosta albumissa 389. ellauri052.html on line 330: ... I think Mr Bellow is still a good-looking man. Slim but solid, with big Oriental eyes and probably a thick dick. ellauri052.html on line 349: Kalju Sale ruskeine hampaineen ja harmaine nenäkarvoineen löisi laudalta komeen mafioson pelkällä lukeneisuudella ja pääsis sillä Pollyn pukille jos jaxaisi. Vaan ennemmin se haluis mafioson tukkia, niiden välillä on nyt filia, agape ja mikäs se kolmas nyt taas olikaan hei Tillich? ai niin pederastia. ellauri052.html on line 352: If you haven't been introduced to Desperate Ambrose, Old Timer, Willie and Pop Wimpus you've been missing a lot of good, clean American humor. C. M. Payne has found the real underlying humor in home life and brings it to you in this favorite of comic strip readers everywhere. "S'Motter Pop". Charles M. Payne (1873–1964) was an American cartoonist best known for his popular long-running comic strip S'Matter, Pop?[2]. He signed his work C. M. Payne and also adopted the nickname Popsy. In 1964, Payne died in poverty. ellauri052.html on line 354:
Sir Patrick Spens
ellauri052.html on line 361: Up and spak an eldern knicht, ellauri052.html on line 362: Sat at the kings richt kne: ellauri052.html on line 363: "Sir Patrick Spens is the best sailor ellauri052.html on line 368: And sent it to Sir Patrick Spens, ellauri052.html on line 376: The first line that Sir Patrick red, ellauri052.html on line 378: The next line that Sir Patrick red, ellauri052.html on line 404: Or ere they see Sir Patrick Spens ellauri052.html on line 414: And thair lies guid Sir Patrick Spens, ellauri052.html on line 424: Nietzsche ist vor allem durch seine Schopenhauer-Lektüre und dessen Willens-Metaphysik auf den Gedanken des Willens zur Macht gekommen. Aus Schopenhauers „Wille zum Leben“ genickt und verbessert. Die erste Erwähnung des Begriffs im Nachlass stammt von 1876/77: „Furcht (negativ) und Wille zur Macht (positiv) erklären unsere starke Rücksicht auf die Meinungen der Menschen.“ ellauri052.html on line 428: Diese Welt ist der Wille zur Macht – und nichts außerdem! Und auch ihr seid dieser Wille zur Macht – und nichts außerdem!“ ellauri052.html on line 429: Ein starker Geist interpretiert die Welt auf sich zu und verleibt sie sich somit ein. Man soll das Schicksal wollen. Wollen befreit: das ist die wahre Lehre von Wille und Freiheit. Deshalb hat der freieste Mensch „das größte Machtgefühl über sich.“ ellauri052.html on line 433: Im Zuge der philosophischen Wirkungsgeschichte Nietzsches war für Martin Heidegger der „Wille zur Macht“ Nietzsches Antwort auf die metaphysische Frage nach dem Grund alles Seienden. So was. ellauri052.html on line 435: Im Gegenpart zu Nietzsche sieht Alfred Adler – schon vor der Machtergreifung der Nationalsozialisten in Deutschland 1933 – den Willen zur Macht auch kritisch als eine mögliche Überkompensation eines verstärkt erlebten Minderwertigkeitsgefühls. ellauri052.html on line 439: Aus Sicht Friedrich Nietzsches ist es die Aufgabe des Menschen, einen Typus hervorzubringen, der höher entwickelt ist als er selbst. Diesen dem Menschen überlegenen Menschen nennt Nietzsche den Übermenschen, ein Begriff, welcher bei Nietzsche sowohl eine geistige als auch eine biologische Bedeutung hat. Nietzsche verwendet den Begriff Übermensch das erste Mal in seinen Jugendschriften in Bezug auf Lord Byron, der als „geisterbeherrschender Übermensch“ charakterisiert wird. ellauri052.html on line 443: Das Ziel der Menschheit liegt nach Nietzsche nicht in der Zukunft oder im allgemeinen Wohlergehen der derzeit bestehenden Gattung, sondern in den immer wieder auftretenden „höchsten Exemplaren“, eben den Übermenschen. Aus dieser philosophischen Position resultiert seine Ablehnung der „idealistischen“ Interpretation des Übermenschen und die positive Einschätzung gerade von immoralistischen und nach Größe strebenden Machtmenschen wie Alkibiades, Julius Cäsar, Cesare Borgia oder Napoléon Bonaparte. ellauri052.html on line 445: In der Genealogie der Moral (1887) findet sich der Gedanke, dass die Menschheit als Masse dem Gedeihen einer einzelnen stärkeren Species Mensch geopfert werden könnte. Ziel sei es, eine Herrenkaste zu züchten, welche zur Herrschaft über Europa berufen sei. ellauri052.html on line 447: Nietzsches Ablehnung des Nationalismus wurde von den Nationalsozialisten ignoriert. Maßgeblichen Anteil an dieser Interpretation hatte vor allem Nietzsches Schwester Elisabeth Förster-Nietzsche, die unter Einfluss ihres Gatten Bernhard Förster, eines radikalen Antisemiten, im Gegensatz zu Nietzsche selbst in einem Naheverhältnis zu national-völkischen Kreisen stand. ellauri052.html on line 463: A number of foreign and medieval analogues exist that exhibit the motif ("Whittington's cat" motif, N411.2), where the hero obtains wealth by selling a cat, typically in a rodent-infested place direly in need of one. The tale is catalogued Aarne–Thompson (AT) tale type 1651, "Whittington's Cat". ellauri052.html on line 476: 2 maailmanindividiä: Donald Trump ja Friedrich Hegel ellauri052.html on line 482: Homostelua Chicagossa ellauri052.html on line 493: In his novella Death in Venice, Thomas Mann hails the "Sebastian-Figure" as the supreme emblem of Apollonian beauty, that is, the artistry of differentiated forms; beauty as measured by discipline, proportion, and luminous distinctions.Juu tähän Tompan Venezian seikkailuun Sale vinkkaa myös. Hizi mikä sanaristikko on Salella tässä homostelun peittona. Täähän on kuin Proustin Albertine ja Gilbertine. Mafioso törkkää Salen sykkivään punanahkasisuxiseen autoonn takapuolesta. Polly on pelkkää hämäystä, statisti niinkuin Sepen nuolenreijät paikannut leski Irene tai Lemminkäisen äiskä.
ellauri052.html on line 510: Donald Trumpin arpa on heitetty. Se on rupusakin presidentti, punaniskalaahuxen. Not the cultivated Americans but the thundering herd of common rubbernecks (Sale). Kumpiakohan siellä riittää enemmän.
ellauri052.html on line 518: Nicolas-Edme Restif de la Bretonne (1743-1806) kirjotteli puolivillaisia sexijuttuja (se kexi sanan pornografi). Toimi huuhkajana eli hyypiönä (hibou) Pariisin yöelämässä, poliisin vasikkana, sekoili vallankumouxessa, kirjotti kuusikymppisenä 16-osaisen omaelämäkerran Herra Niklas, kuoli kurjuudessa kuten Paisley. Sale mainizee tämänkin. Palkeenkielestä voi oppia paljonkin kun lukee tarkasti.
ellauri052.html on line 540: Salen suosima high and low bullshit on just samaa tuubaa kuin Erich "mimesis" Auerbachin ylevyys ja alhaisuus. Se on yxinkertaisesti perseestä, pelkkää luokkatietoisuutta. Yxinkertaisempaa joo ja monimutkaisempaa, mikä ettei, muttei siitä mitään tikapuita synny. Huhnerbrettiä jolla Sale istuu ylemmällä orrella ja nokkii laahusta. Samaa meemikamaa se on kumminkin, kuorrutuxena Darwinin kolmisoinnulle (EAT! FUCK! KILL!).
ellauri052.html on line 545: Nimitys antroposofia on vanhahko. Fichte käytti sitä. Rudi teki Fichtestä paskakaivoväitöskirjan. Rudi otti sanan käyttöön riitaannuttuaan teosofiseuran kaa. Ne oli liian brittejä ja itämaisia, Rudi halus jotain saxalaisempaa. Rudin versio on olevinaan pseudotieteellistä napaan tuijotusta ja nöyhdän lajittelua: imaginatio, inspiratio, intuitio. Kuvittelua, sisäänhengitystä ja sinne kazomista. Mitenkä ne jaxavat. Samaa sieluhöpötystä se vaan on, vaikka uusilla tuotenimillä ("astraaliruumis", haha). Narsishtien on vaikee uskoa et maailma jatkuu ilman minua. Olen ihmisyyden edustaja, Hegelin historian individi, humanismin piirimyyjä. Olen sitäpaizi erilainen kuin muut, muhun sattuu kuolema.
ellauri052.html on line 553: Steiner 1861-1925 oli itävaltalainen, Kroatiasta Wieniin muuttaneita. Nazit väitti sitä jutkuxi, heitti hajupommeja. Iskä yleni riistanvartijasta sähköttäjäxi. Rudi oli aika sekobolzi jo koululaisena. Suxet meni ristiin opejen kaa, koulut jäivät kesken, kunnes 30-vuotiaana teki yxityisoppilaana väitöskirjan Fichten egosta toiselle yhtä sekobolzille Rostockin yliopistoon arvosanalla välttävä.
ellauri052.html on line 558: By 1907, a split between Steiner and the Theosophical Society became apparent. While the Society was oriented toward an Eastern and especially Indian approach, Steiner was trying to develop a path that embraced Christianity and natural science.
ellauri052.html on line 567: The split became irrevocable when Annie Besant, then president of the Theosophical Society, presented the child Jiddu Krishnamurti as the reincarnated Christ. Steiner strongly objected and considered any comparison between Krishnamurti and Christ to be nonsense; many years later, Krishnamurti also repudiated the assertion.
ellauri052.html on line 570: Steiner's continuing differences with Besant led him to separate from the Theosophical Society in Adyar. He was subsequently followed by the great majority of the Theosophical Society's German members, as well as many members of other national sections. (Minäs vuonna tää nyt olikaan?)
ellauri052.html on line 574: He spoke about what he considered to be his direct experience of the Akashic Records (sometimes called the "Akasha Chronicle"), thought to be a spiritual chronicle of the history, pre-history, and future of the world and mankind.
ellauri052.html on line 576: In a number of works, Steiner described a path of inner development he felt would let anyone attain comparable spiritual experiences. In Steiner's view, sound vision could be developed, in part, by practicing rigorous forms of ethical and cognitive self-discipline, concentration, and meditation. In particular, Steiner believed a person's spiritual development could occur only after a period of moral development.
ellauri052.html on line 588: Antroposofit on tosi siveitä, sip sip, söp söp. Bylsikö Rudi koskaan ketään? He refrained from sex. But he was a man on another level, sanoo joku uskovainen. Toinen sanoo: Steiner said very little about sexuality (just as he never explained to anthroposophists how to screw in a light bulb, which is why there is no answer to the question of: "How many anthroposophists does it take to screw in a lightbulb?").
ellauri052.html on line 597: He was a man who convinced and hypnotized not only others but himself. He seemed to possess a number of characters which he changed like masks as the need arose, now he was a benevolent pastor … now a magician holding sway over human souls … His sole purpose and aspiration was to obtain possession of all things from below, by his own titanic devices, and to break through by a passionate effort to the realm of the spirit… He may have possessed oratorical gifts, but he lacked the true gift and feeling for words. His speech was a kind of magical act, aimed at obtaining control over his hearers by means of gestures, by raising and lowering his voice, and by changes in the expression of his face. He hypnotized his disciples, some of whom even fell asleep.
ellauri052.html on line 656: After learning about Krishnamurti's secret love affair with his best friend's wife, Bohm felt betrayed. Perhaps this plunged him into his third and final deep depression. Hospitalized, suffering from paranoia and thoughts of suicide, Bohm underwent fourteen episodes of shock therapy before he recovered sufficiently to leave the mental hospital. Earlier triple bypass surgery on his heart had been successful, but his death in 1991, at age 75, was from a massive heart attack. Krishnamurti had died six years earlier, at his home in Ojai, of pancreatic cancer. His body was cremated.
ellauri052.html on line 681:
E.M. Forster was homosexual (openly to his close friends, but not to the public) and a lifelong bachelor. Se tykkäs tosi paljon D.H. Lawrencen homoeroottisista skeneistä. ellauri052.html on line 685: T.E. Lawrence oli siis toisen polven bastardi (mä yhdennentoista). Ei sukua D.H. Lawrencelle jolta tuli tää Lady Chatterleyn rakastaja samoihin aikoihin. Englantilaisen kirjailija D. H. Lawrencen romaani vuodelta 1928 julkaistiin alun perin Italiassa Britannian sensuurikiellon vuoksi ja romaani julkaistiin kirjailijan kotimaassa vasta vuonna 1960. Pirkko ja CEC oli piilottaneet sen makuuhuoneeseen kirjahyllyn välin. D.H. nousi oman aikakautensa ikoniksi aikana, johon Sigmund Freudilla ja Friedrich Nietzschellä oli suuri vaikutus. Kuollessaan häntä pidettiin pornografina (kiitos Restif), joka oli tuhlannut lahjakkuutensa. E. M. Forster kyseenalaisti tämän näkemyksen kirjoittamassaan kuolinuutisessa ja sanoi Lawrencen olevan sukupolvemme kekseliäin kirjailija. Oliko sekin siis sankareita sukkahousuissa? ellauri052.html on line 711: `Bring a couple of sandwiches and a syphon,' he said to the man, `and then don´t trouble me any more tonight -- or let anybody else.' ellauri052.html on line 720: Good, I believe. I am no judge. He was very quick and slippery and full of electric fire. It is a remarkable thing, what a curious sort of fluid force they seem to have in them, those people not like a human grip -- like a polyp -- ellauri052.html on line 726: `Repel and attract, both. They are very repulsive when they are cold, and they look grey. But when they are hot and roused, there is a definite attraction -- a curious kind of full electric fluid -- like eels.' ellauri052.html on line 741: Gerald fastened the door and pushed the furniture aside. The room was large, there was plenty of space, it was thickly carpeted. Then he quickly threw off his clothes, and waited for Birkin. The latter, white and thin, came over to him. Birkin was more a presence than a visible object, Gerald was aware of him completely, but not really visually. Whereas Gerald himself was concrete and noticeable, a piece of pure final substance. ellauri052.html on line 747: So the two men began to struggle together. They were very dissimilar. Birkin was tall and narrow, his bones were very thin and fine. Gerald was much heavier and more plastic. His bones were strong and round, his limbs were rounded, all his contours were beautifully and fully moulded. He seemed to stand with a proper, rich weight on the face of the earth, whilst Birkin seemed to have the centre of gravitation in his own middle. And Gerald had a rich, frictional kind of strength, rather mechanical, but sudden and invincible, whereas Birkin was abstract as to be almost intangible. He impinged invisibly upon the other man, scarcely seeming to touch him, like a garment, and then suddenly piercing in a tense fine grip that seemed to penetrate into the very quick of Gerald´s being. ellauri052.html on line 749: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements. ellauri052.html on line 751: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being. ellauri052.html on line 753: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless. ellauri052.html on line 755: At length Gerald lay back inert on the carpet, his breast rising in great slow panting, whilst Birkin kneeled over him, almost unconscious. Birkin was much more exhausted. He caught little, short breaths, he could scarcely breathe any more. The earth seemed to tilt and sway, and a complete darkness was coming over his mind. He did not know what happened. He slid forward quite unconscious, over Gerald, and Gerald did not notice. Then he was half-conscious again, aware only of the strange tilting and sliding of the world. The world was sliding, everything was sliding off into the darkness. And he was sliding, endlessly, endlessly away. ellauri052.html on line 765: Birkin heard the sound as if his own spirit stood behind him, outside him, and listened to it. His body was in a trance of exhaustion, his spirit heard thinly. His body could not answer. Only he knew his heart was getting quieter. He was divided entirely between his spirit, which stood outside, and knew, and his body, that was a plunging, unconscious stroke of blood. ellauri052.html on line 783: `God, yes,' said Gerald. He looked at the delicate body of the other man, and added: `It wasn't too much for you, was it?' ellauri052.html on line 785: `No. One ought to wrestle and strive and be physically close. It makes one sane.' ellauri052.html on line 794: `We are mentally, spiritually intimate, therefore we should be more or less physically intimate too -- it is more whole.' ellauri052.html on line 806: `You think I am beautiful -- how do you mean, physically?' asked Gerald, his eyes glistening. ellauri052.html on line 808: `Yes. You have a northern kind of beauty, like light refracted from snow -- and a beautiful, plastic form. Yes, that is there to enjoy as well. We should enjoy everything.' ellauri052.html on line 828: `No? There you are, we are not alike. I'll put a dressing-gown on.' Birkin remained alone, looking at the fire. His mind had reverted to Ursula. She seemed to return again into his consciousness. Gerald came down wearing a gown of broad-barred, thick black-and-green silk, brilliant and striking. ellauri052.html on line 840: Birkin laughed. He was looking at the handsome figure of the other man, blond and comely in the rich robe, and he was half thinking of the difference between it and himself -- so different; as far, perhaps, apart as man from woman, yet in another direction. But really it was Ursula, it was the woman who was gaining ascendance over Birkin´s being, at this moment. Gerald was becoming limp again, lapsing out of him. ellauri052.html on line 848: Chicagon kultahattu ellauri052.html on line 850: Bellow on Chicagon kultahattu Humboldt Parkista. ellauri052.html on line 852: Bellow’s great subject is his own subjectivity. “If I had as many mouths as Siva has arms and kept them going all the time,” says Joseph, the novel’s Bellow-like protagonist, sounding a little like Walt Whitman, “I still could not do myself justice.” ellauri052.html on line 856: Well into his career, Bellow combined the confessional with a mid-century notion of alienation, which meant, for Bellow, man’s inability to get outside his own head. (I use the masculine advisedly; Bellow didn’t go deep enough into women’s heads to need to get out of them.) ellauri052.html on line 861: His friend and protege Philip Roth has said of him, "The backbone of 20th-century American literature has been provided by two novelists—William Faulkner and Saul Bellow. Together they are the Melville, Hawthorne, and Twain of the 20th century."LOL, runkku-Roth Melvillenä tietysti.

ellauri052.html on line 866: Leader (se elämäkerturi) defines Bellow’s recurrent themes as “the relative claims of life and work, the intensity of childhood experience, sexual insecurity.” He could have added Jewish life and identity, the perils of matrimony and the defects of modern civilisation. The highly disciplined fellow devoted almost every morning to the sacred writing hours from nine to one. Sale ostettiin loppupeleissä Chicagosta Bostoniin. Jasu ja Sale kehu izeään varmaan kilpaa BU:n kekkereissä.
ellauri052.html on line 867: Reports of his teaching ranged from “he was a dud, all he did was read from Erich Auerbach’s Mimesis” to “his seminar was amazing, as you’d imagine.” He was most effective with students who could follow and respond to his intellectual fireworks. Eskimeininkiä.
ellauri052.html on line 868: His favourite novelists, who recurred in his courses, were Dostoyevsky, Stendhal, Balzac, Flaubert, Dickens, Conrad, Dreiser and Fitzgerald. He also admired the satires of Wyndham Lewis.
ellauri052.html on line 874: Vittu mikä kusipää. Ja yhen pyllypään bändärin miälestä Saul Bellow "was the most coruscating stylist, the most brilliant intellect, the most compassionate and great-souled writer in modern American literature." Pahinta on eze voi olla totta, tosi paha todistus Amerikan henkisestä tilasta.
ellauri052.html on line 878: Muu maailma on kaikki "those terrorists". Treatening our legitimate vital interests everywhere. The last time I troubled to read the newspaper I noted that an oil company, after paying a ransom of $10M, was still unable to obtain the release of one of its executives from his Argentine kidnappers. C'est beaucoup d'argent pour un Americain. The flabbiness of the U.S.A. is disheartening. We are setting the world a miserable example by allowing ourselves to be bullied.
ellauri052.html on line 881: I heard Bellow deliver the PEN speech on “American Writers and Their Public” to a packed hall in London on March 22, 1986. He had just suffered the death of his brothers and agonising break with Alexandra. Exhausted by jet-lag, stiff-gaited and parchment-skinned, he seemed terribly old and shattered. His talk ranged widely and wildly but, rambling and unfocused, he could not — like Ezra Pound in the Cantos — make it cohere.
ellauri052.html on line 897: Salen siteeraamasta Samuel Danielista 1562-1619, elisabetinaikaisesta naamiaisnaamareita väsänneestä muusikon pojasta ja kamariherrasta tämän verran: The 1911 edition of the Encyclopædia Britannica says of him: "His style is full, easy and stately, without being very animated or splendid; it is content with level flights. As a gnomic writer Daniel approaches Chapman, but is more musical and coherent. He lacks fire and passion, but he has scholarly grace and tender, mournful reverie." Enempi kanan lentoa.
ellauri052.html on line 930: Kun Salen halvexima sen vanhin poika psykiatri sanoo suorat sanat paskamaisesta isästään, pörähtään sen kimppuun äkäinen lauma Salen kirjallisia häntäkärpäsiä. The difficulty Greg Bellow has in grasping his father’s work is almost immediately apparent. His literary interpretations range from calling Humboldt’s Gift (1975) “a novel permeated by death consciousness” to writing that the protagonist of Henderson the Rain King (1959) “chooses a life path that brings him into contact with suffering and death.” (The very phrase “life path” would undoubtedly have made his father cringe.) Ehkäpä, just six että se on osuvaa. ellauri052.html on line 931: Oddly, Greg expresses frustration with a father “whose deepest desire was to keep his thoughts and his feelings strictly to himself,” as if Bellow did not spend nearly 70 years sharing those thoughts and feelings with millions of readers.
ellauri052.html on line 935: Ultimately, much of the book revolves around a perceived opposition between “young Saul,” the politically radical, amorously multitasking free spirit who raised him, and “old Saul,” the reactionary, race-baiting friend of authority and Allan Bloom who occupied his father’s body for its final 40 years. Greg had a front-row seat for Bellow’s supposed conversion, after the rise of black power and the Six Day War, to the unfashionable conservatism that remains the unspoken reason his books aren’t read much in America today. He is thus well-placed to describe how that change—dramatically evident in Mr. Sammler’s Planet (1970), the neo-con novel par excellence, but also in Herzog—manifested itself in private.
ellauri052.html on line 939: Greg had made a career out of his own childhood misery—a nasty dig given that Saul was as much the author of that misery as he was of his novels. Greg noted, with shrugging disapproval, that his father “felt a duty of truth to his readers that was stronger than to his family,” but indicated he still didn’t understand or accept this about his father. Perhaps he can’t be expected to. “All significant human business is transacted inside,” was Saul’s lesson to Greg, who doesn’t seem to have forgiven his father for it being true.
ellauri052.html on line 943: It may be helpful to note here that Bellow’s fame, already growing after The Adventures of Augie March, exploded after the publication of Herzog in 1964—the same year Daniel, his youngest son, was born. By the time the newly rich writer, urged by his third wife, moved into a fancy co-op on Lake Michigan, Greg already possessed enough of what he thought were his own opinions to dislike the white plush carpets, the 11 rooms “filled with fancy furniture and modern art.” Reminding the reader he was “raised by a frugal mother and a father who had no steady income,” Greg says that he “found the trappings of wealth in their new apartment so repellent that I complained bitterly to Saul,” who replied that he didn’t care about the new shiny things so long as he could still write—which he could. “As I always had, I accepted what he said about art at face value,” Greg admits, but he stopped visiting the new place. After the marriage deteriorated and Saul moved out, 3-year-old Daniel, in the words of ex-child-therapist Greg, “took to expressing his distress” by peeing on the carpets. “I have to admit that the yellow stains on them greatly pleased me,” Greg writes—for once showing off the Bellovian touch.
ellauri052.html on line 945: Zachary Leader’s work, though superior to Atlas’s and better than his first volume, still has some serious flaws. He swallows Keith Botsford’s absurd claim that his subject “is a direct descendant of Machiavelli”. Leader constantly tries to connect every person and event in Bellow’s life to their fictional counterparts instead of emphasising his imaginative transformation of experience. Literary agent Andrew Wylie, well named “The Jackal,” poached Bellow from his longtime agent Harriet Wasserman. Varmaan lupas Salelle pyllynamia.

ellauri052.html on line 949: Only his last wife, Janis Freedman, who was 43 years younger, redeemed his marital failures and fulfilled his expectations. Plain and pliant, Canadian, Jewish and well-educated, she devoted her life to Bellow. She became his amanuensis, household major domo, surrogate parent, guardian of the flame and mother of his child when the biblical patriarch was 84. Hiljaiset ja halukkaat, ketterät ja kurvikkaat, sellaiset me haluaisimme. Jasu ja Jörkka yxissä kansissa.
ellauri052.html on line 950: Leader did not interview their daughter, Rosie, who was autistic, and does not include her photograph after infancy.
ellauri052.html on line 952: Oppressed and heavy-hearted, Bellow resorted to subtle concealment of competing mistresses, moved around like a man on the run and needed bursts of frenetic activity, “even if it means constant trips to Japan, London, Yugoslavia or Israel to keep one jump ahead” of his emotional entanglements.
ellauri052.html on line 953: Bellow’s portrait of the Romantic author was self-reflective: “The artist is a spurned and misunderstood genius whose sensitivity separates him from and elevates him above the rest of philistine humanity.”
ellauri052.html on line 957: Bellow was accused of being a “lousy” sexual performer, but was more convincingly called a passionate and virile lover. He even had a fling with his black cleaning lady, “about twice as tall as he was, and well built.” No hemmetti, kysyttiinkö siivoojalta miten mini Sale pärjäsi. Tais heiluttaa patonkia porttikonkissa.
ellauri052.html on line 959: During an awkward sexual encounter with Harriet Wasserman, she remembered “asking him for permission, as if it were a museum objet d’art, ‘Can I touch this?’” Many of his mistresses remained in love and in touch with him. Scott Fitzgerald said that Hemingway “needed a new woman for each big book”; Bellow lost a woman with each big book. He spilled sperm as he spilled ink, and sex both interfered with and inspired his writing. Bellow created and lived on turbulence, thrived on chaos, courted conflict and was inspired by personal cataclysm. He reported that one lover (mies vai nainen?) “caused me grandes dificultades in England and in the south, but I finished Sammler just the same.” The bearers of erogenous zones (either sex) made him feel younger, “it was a way of avoiding the Angel of Death,” and he cherished their provocative bitchiness. Bellow’s emotional upheavals — his guilt and remorse, multitudinous failings and need for self-condemnation — made him beat his breast at his private Wailing Wall. Se oli kuin kunkku David jolle tuotiin neitosia pyllynlämmittimixi.
ellauri052.html on line 961: He portrayed his ex-wives, before and after they divorced him, as they declined from goddess to devil. Their sexual betrayals and financial extortions supplied the mother lode of his fictional material and generated the misogyny and guilt that fueled his creative powers. He exalted his fourth wife, the Gentile Romanian mathematician Alexandra Tulcea, as the “translucent Minna gazing at the stars” in The Dean’s December and crucified her as the “ferocious, chaos-dispensing Vela” in Ravelstein.
ellauri052.html on line 968: Bellow’s most merciless and eviscerating tormenter was his third wife, Susan Glassman, who defeated him in a long, acrimonious and expensive divorce suit. In 1974, after he had fraudulently misrepresented his projected income, the court, hostile to a successful Jewish intellectual, “ordered him to pay Susan $2,500 a month in alimony, backdated to 1968, plus $600 a month child support, plus lawyers’ fees.” Ignoring his own lawyer’s sound advice to settle the case, he surrendered to a self-destructive impulse, continued to appeal and deliberately prolonged his agony.
ellauri052.html on line 970: The rap against Bellow is that he maligned four of his five wives, especially in his fiction. This is true, and Leader is savvy enough not to take Bellow’s word about them. Wife No. 1, Anita, is shown as the underappreciated mainstay she obviously was. As for wife No. 2, Sondra Tschacbasov Bellow (Bellow called her Sasha), the model for the evil Madeleine, Leader has a scoop: an unpublished memoir shared with him after Bellow’s death. By her own account, Sasha was a vulnerable child-woman lacking basic life skills. From childhood and into her teens, she says, she was the victim of incest committed by her father. When Bellow took up with her, he was 37 and she was 21, a Bennington graduate and a secretary at the Partisan Review. His friends treated her with a sniggering sexism unfortunately unremarkable in the 1950s. At a party Bellow took her to, the critic R. W. B. Lewis, her former professor, drunkenly demanded to
ellauri052.html on line 978: The most important person in Bellow’s life—Maury, his oldest brother. As Leader shows, Maury was both the driving force in Bellow’s Americanization and a major presence in his work. Parents and wives came and went, but Maury remained: Simon in Augie March, Shura in Herzog, Julius in Humboldt’s Gift. As peremptory and violent as their father but more competent, Maury epitomized the cult of power and material success that both fascinated and repelled Bellow. “I recognized in him the day-to-day genius of the U.S.A.,” Bellow said in an interview with Philip Roth. In the same conversation, Roth observed that Maury’s reckless, angry spirit was “the household deity of Augie March.” By the time Maury finished law school, he had already started collecting graft for a corrupt Illinois state representative, skimming off the top for himself and his mother. A charismatic ladies’ man with an illegitimate son, Maury was “very proud of his extraordinary group of connections, his cynicism, his insiderhood,” Bellow told Roth. Maury was disdainful of his brother’s nonremunerative choice of profession, which he considered luftmenschlich—frivolous, impractical.
ellauri052.html on line 991: Muu maailma on kaikki "those terrorists". Treatening our legitimate vital interests everywhere. The last time I troubled to read the newspaper I noted that an oil company, after paying a ransom of $10M, was still unable to obtain the release of one of its executives from his Argentine kidnappers. C'est beaucoup d'argent pour un Americain. The flabbiness of the U.S.A. is disheartening. We are setting the world a miserable example by allowing ourselves to be bullied.
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ellauri053.html on line 38: 28. helmikuuta – James D. Watson ja Francis Crick ilmoittivat määrittäneensä DNA:n kemiallisen rakenteen.

ellauri053.html on line 106: Pakerran taas Carassuxen väitöskirjaa snobeista, Proustista ja Bergeristä. Päästyään rahoihin herrasväet pyrkivät vallasväen piireihin. Aristokattien tyylin (le style) sijaan tuli muoti (la mode), ja omaperäisyyden (originalité) tilalle nimekkyys (distinction). Kuten Kierkegard saa fiffigt fick det till: Det Erhvervede on parempi kuin det Oprindelige. Tämän päivän luokattomilla talouslipilaareilla muodin korvaa nyttemmin trendi ja distinctionin celebrity. Kielikin on vaihtunut.
ellauri053.html on line 116: Henri Bergson, in full Henri-Louis Bergson, (born Oct. 18, 1859, Paris, France—died Jan. 4, 1941, Paris), French philosopher, the first to elaborate what came to be called a process philosophy, which rejected static values in favour of values of motion, change, and evolution. Voila: Henri Bergson's bold and sweeping conception of a panpsychic world charged with élan vital.
ellauri053.html on line 121: Men do not sufficiently realise that their future is in their own hands.
ellauri053.html on line 123: Berkeley, Hume, Kant, Fichte, Hegel, James, Bergson all are united in one earnest attempt, the attempt to reinstate man with his high spiritual claims in a place of importance in the cosmic scheme.
ellauri053.html on line 129: One of the bad effects of an anti-intellectual philosophy, such as that of Bergson, is that it thrives upon the errors and confusions of the intellect. Hence it is led to prefer bad thinking to good, to declare every momentary difficulty insoluble, and to regard every foolish mistake as revealing the bankruptcy of intellect and the triumph of intuition.
ellauri053.html on line 131: A more scientifically oriented philosophy of change than Bergon's was developed between the wars by A. N. Whitehead particularly in his book Process and Reality.
ellauri053.html on line 138: One of Sainte-Beuve's critical contentions was that, in order to understand an artist and his work, it was necessary to understand that artist's biography. Marcel Proust took issue with this notion and repudiated it in a set of essays, Contre Sainte-Beuve ("Against Sainte-Beuve"). Proust developed the ideas first voiced in those essays in À la recherche du temps perdu (In Search of Lost Time).
ellauri053.html on line 152: The term 'Pre-Raphaelite' conjures up visions of tall, willowy creatures with pale skin, flowing locks, scarlet lips, and melancholic expressions. The paintings of these models and muses, who were often the artists' wives and mistresses, defied Victorian standards of beauty and caused much controversy.
ellauri053.html on line 163: On trouve du bitume un peu partout dans le monde, notamment aux Moyen et Proche-Orient où il est exploité depuis quatre millénaires ; il était utilisé par exemple pour calfater les bateaux en Mésopotamie, en Inde, en Égypte, en Phénicie.
ellauri053.html on line 167: Dans la première moitié du XIXe siècle les peintres français vont en faire un emploi très fréquent. La texture laquée et la tonalité d'un roux très sombre intéressent des peintres comme Prud'hon qui l'utilise dans son tableau La Justice et la Vengeance divine poursuivant le Crime, et il sert avec excès jusqu'à Gustave Courbet. Les artistes l'utilisent abondamment soit en glacis pour les ombres, soit en couche épaisse pour les aplats des fonds. L'usage d'une couleur chaude pour les ombres et les fonds apparaît alors comme une nouveauté remettant en question la doctrine courante qui voulait que les ombres et les lointains soient bleuâtres (froids).
ellauri053.html on line 169: On s'aperçoit au bout de quelques années que le bitume, employé en quantité, peut dégrader les peintures. Composé d'un mélange d'hydrocarbures qui sont tous des solvants les uns des autres, il migre dans les couches voisines s'il n'est pas isolé par un vernis à la gomme-laque (PRV1, p. 258). Son emploi en épaisseur détériora irrémédiablement un nombre important de tableaux de cette période, en faisant gercer les couches picturales, et en produisant des craquelures.
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ellauri055.html on line 622: La première édition des Caractères paraît à Paris, chez Étienne Michallet, à l’automne de 1687, sous ce titre : les Caractères de Théophraste, traduits du grec, avec les Caractères ou les Mœurs de ce siècle. L’ouvrage comptait cent pages de traduction et deux cents pages originales.
ellauri055.html on line 668: Kirjan nipo "hän" kehasee ettei sillä ole "tota kapinetta" eli töllöä. Vitun fariseus, vanhoillislestadiaani, iskee rintoihinsa ja kiittää jumalaa et on niin hyvä järbä. Vaimolta ja lapsilta ei kysytä. Ne pidetään strictly need to know pohjalla.
ellauri055.html on line 888: ystävän Eero Koskimiehen isännöimään Laitilan virkataloon. (Kyrön Forsmaneja sekin varmaan. Taatan syntymäsukunimi oli Koskinen, luki Genissä. Sen isä oli joskus Kauppila, joskus Koskinen. Mistäs se Sillinpää nimi sitten tuli? Talonpaikasta. Oliko Sillinpää kenties Forsmanien äpäre? Entäs Rafael Koskimies, Taatan aseenkantaja? Joo sekin on 18.vuosisadan Kyrön papin Zachris Forsmanin jälkeläisiä, kuin myös Aarne Vindician Koskimies, mun setä.)
ellauri055.html on line 893: Suvun vanhin tunnettu kantaisä on 1500-luvun alkupuolella Ruotsin Ångermanlandissa kirkkoherrana toiminut Nicolaus Petri. Hänen pojanpojan poikansa, majuri Johan Persson Forsman asettui 1600-luvulla asumaan Pohjanmaalle, ja hänen jälkeläisissään oli poika Johan Forsmanista alkaen pappeja kuudessa polvessa peräkkäin. Pääosa suvun päähaaran merkittävistä henkilöistä on nuoremman Johan Forsmanin pojanpojan pojan, lääninrovasti Zachris Forsmanin (1763–1839) jälkeläisiä. Näihin kuuluvat myös Koskimies-nimiset sekä vuonna 1884 aateloituun vapaaherralliseen Yrjö-Koskinen-sukuun kuuluvat. Johan Forsmanin nuoremmasta pojasta polveutuu toinen sukuhaara, joka myös aateloitiin, vuonna 1856 nimellä Forsman.
ellauri055.html on line 904: Suomen sisällissodan aikana Sillinpää pyrki olemaan puolueettomana. Hän joutui kuitenkin vuoron perään sodan kummankin osapuolen pidättämäksi ja arvosteli sekä punaisten että valkoisten suorittamia väkivallantekoja. Valkoisten voittonsa jälkeen käynnistämät kostontoimenpiteet teloituksineen herättivät Sillinpäässä suuttumusta. Keskellä sotaa Sillinpää suomensi belgialaisen symbolistin Maurice Maeterlinckin teosta Köyhäin aarteet (Le trésor des humbles). Veristen selvittelyjen kiihtyessä Sillinpään kotipitäjässä tämä mystiikkaa lähenevä köyhyyden filosofia auttoi tyynnyttämään kirjailijan mieltä. Hän pyrki näkemään pintaa syvemmälle niihin syihin, jotka olivat johtaneet sisällissodan kaltaiseen murhenäytelmään.
ellauri055.html on line 1016: Lauri Henrik (sic) Pohjanpää oli suomalainen runoilija, uskonnon lehtori ja teologian kunniatohtori. Hänet vihittiin papiksi 1925. Tytär Helena Antava. Eikun Ahnava. Tuomas Anhavan rouva ja Jaakko Anhavan äiskä. Toimitti iskän tuherruxet kirjaxi. Pikku Pauli oli iloinen kun me mentiin kesälomalla Anhevanmaalle. Tai Ahnevanmaalle, miten milloinkin.
ellauri055.html on line 1111: Arvo August Sotavalta, vuoteen 1900 Richter, (7. tammikuuta 1889 Lempäälä – 21. helmikuuta 1950 Helsinki) oli suomalainen kielitieteilijä. Noin 1 Richterin asteikolla.
ellauri055.html on line 1121: Kekä sitten oli Arto Sotavalta? 1950 syntynyt 60-70-luvun iskelmälaulaja joka kuoli unohdettuna1990 sairauteen. Sen isoisällä Arvo Richterillä oli Lempäälässä kartano. Kunse kerran myöhästyi keikalta Oravaisissa nyttemmin myöskin kuollut Eeki Mantere 1949-2007 vizikkäästi paikkas sitä Eric Warpowerina.
ellauri055.html on line 1132: Ernst Heinrich Philipp August Haeckel (16. helmikuuta 1834 Potsdam – 8. elokuuta 1919 Jena) oli saksalainen vapaa-ajattelija, biologi ja filosofi, joka kansantajuisti Charles Darwinin evoluutioteoriaa. Hän oli myös taitava piirtäjä ja tieteellinen väittelijä. Sikiökuvien väärentäjä ja monisti.
ellauri055.html on line 1135: Die Biogenetische Grundregel (älter auch Biogenetisches Grundgesetz) ist eine von Ernst Haeckel 1866 veröffentlichte These, die besagt: „Die Ontogenese rekapituliert die Phylogenese.“ Ostwald peukutti energiaa aineen sijasta. Sielukin on energinen. Sota on energian tuhluuta. Höh, eihän energia häviä? No huononeehan se silti entropiaxi muuttuen.
ellauri055.html on line 1141: Maurice Polydore Marie Bernard Maeterlinck oli belgialainen frankofooni kirjailija, jolle myönnettiin Nobelin kirjallisuuspalkinto vuonna 1911. Maeterlinckin katsottiin edustavan dekadenssia parhaimmillaan tai pahimmillaan. Hänestä tehtiin kreivi vuonna 1932.
ellauri055.html on line 1143: Né à Gand, Maurice Maeterlinck est l'aîné d'une famille de trois enfants, flamande, bourgeoise, catholique, conservatrice et francophone. Après des études au collège Sainte-Barbe (Sint-Barbara) de Gand, il suit des études en droit avant de pratiquer le métier d'avocat durant une courte période. Maeterlinck publie, dès 1885, des poèmes d’inspiration parnassienne dans La Jeune Belgique. Il part pour Paris où il rencontre plusieurs écrivains qui vont l'influencer, dont Stéphane Mallarmé et Villiers de l’Isle-Adam. Ce dernier lui fait découvrir les richesses de l'idéalisme allemand (Hegel, Schopenhauer). À la même époque, Maeterlinck découvre Ruysbroeck l'Admirable, un mystique flamand du XIVe siècle dont il traduit les écrits (Ornement des noces spirituelles). C'est ainsi qu'il se tourne vers les richesses intuitives du monde germanique en s'éloignant du rationalisme français. Dans cet esprit, il se consacre à Novalis et entre en contact avec le romantisme d'Iéna (Allemagne, 1787-1831, autour d'August et Friedrich Schlegel et de la revue l'Athenäum), précurseur en droite ligne du symbolisme. Les œuvres que publie Maeterlinck entre 1889 et 1896 sont imprégnées de cette influence germanique.
ellauri055.html on line 1145: En 1895, il rencontre la cantatrice Georgette Leblanc, sœur de Maurice Leblanc, avec laquelle il tient, vers 1897, un salon parisien fort couru dans la villa Dupont : on y croise, entre autres, Oscar Wilde, Paul Fort, Stéphane Mallarmé, Camille Saint-Saëns, Anatole France, Auguste Rodin.
ellauri055.html on line 1152: Le Trésor des humbles est un ouvrage de 1896 réunissant treize essais mystiques profonds écrits par le lauréat belge du prix Nobel de littérature Maurice Maeterlinck. L'œuvre a été éditée par la 'Société du Mercure de France' et elle est dédiée à Georgette Leblanc.
ellauri055.html on line 1177: In 1904, Richard Semon published Die Mneme (which appeared in English in 1924 as The Mneme). The term mneme was also used in Maurice Maeterlinck's The Life of the White Ant (1926), with some parallels to Dawkins's concept.
ellauri055.html on line 1180: ica.bnf.fr/ark:/12148/bpt6k825819/f134.highres" width="50%" />
ellauri055.html on line 1247: Kokoomuxesta demarixi takinkääntänyt poliitikko Mikko Erich haukkui niteen Turun sanomissa pornokirjaxi. No samainen pöljä Mikko aiheutti sittemmin Mänzälän kapinan. Tutkintoja sillä oli vaikka muille jakaa. Pöljä mikä pöljä.
ellauri055.html on line 1269: Työväenliikkeen kirjaston punanurkasta löytyi ympärileikkaamaton kappale belginobelisti Maurice Maeterlinckin prujausta nimeltä Haudattu temppeli. Maeterlinck oli 20. vuosisadanvaihteen muotifilosofi, dekadentti symbalisti ja ateisti moniste. Hyvin paha mies. Halvatun tomppeli. Luuli olevansa jotakin. Ollaan vain ollaxeen, aina diivaillaan, sehän meillä belgeillä on vika ainainen. Yhteen jos vain tullaan, aina diivaillaan.
ellauri055.html on line 1271: No ei! Tää halvatun tomppeli vaikuttaakin alkumetreillä lähes selväjärkiseltä. Sen vastaus teodikeaan on sama kuin turkkilaisella dervissillä: sulttaani ei voisi vähempää välittää mitä laivarotat toivovat. Toopen aikoihin sana jumala oli korvattu sanalla elämä, ja elämä oli olevinaan yhtä iso mysteerio kuin ennen jumala. Toopea. Elämäkään ei ole mystistä, sen mystisempää kuin palaminen tai ruostuminen. Miksi on elämää on yhtä tyhmä kysymys kuin Heideggerin "Warum gibt es eigentlich etwas? Warum nicht lieber nichts?" No jos niin hullusti olisi sattunut käymään, etpä olisi tässä kyselemässä. Ehkä olisi ollut parempi.
ellauri055.html on line 1291: Vuonna 1948 Kala vieraili Yhdysvalloissa ja tapasi Carl G. Hempelin ja Kurt Gödelin. Jan von Platon apulaisena Hämeen-Anttiloiden tyttö tulkkaa Gödelin käsialaa. Siihen pystyy vain kourallinen ihmisiä maailmassa. Sieltä kuuluu löytyneen oikea pommi. Aukko epätäydellisyysteorian todistuxesta. Jenkit sano Girdle. Vyö. Jan von Plato fanitti Georg Kreiselia. Top logician, naureskeli koleerinen Janne. Tajuutteko? Kreisel? Top! Eski Saarinen bylsi Jannen anaalis-obsessiivista ykkösvaimoa Tontunmäessä.
ellauri055.html on line 1302: Varhaisessa etsintävaiheen psykologiassaan Kala kannatti Hjalmar Neiglickin ja Edvard Westermarckin omaksumaa psykofyysistä parallelismia, ja vastusti Rolf Lagerborgin näkemystä ihmisestä pelkkänä fysikaalis-kemiallisena koneena. Mixhän sitä pitää niin vastustaa?
ellauri055.html on line 1374: Veikkaan että katkopaikka on ennen lukua Lempeä ja rakkautta. Huom Sillinpäällä ei ole rakkaudesta mitään käsitystä missään kirjassa. Pelkkää heilastelua ja bylsintää. Toope tuntee paljon kukkia. Veronica on tädyke. Wikipediasta tulee tuutin täydeltä sen nimisiä julkkixia. No ei täällä kohta mitään muita elukoita olekkaan. Pannahinen, just tää litteratuuri jotenkin sentään pelastaa tän imelähkön pastillin.
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ellauri058.html on line 77: Ozikko on Astrid Lindgreniltä. Astridin Kati käy Amerikassa 1950, mutta siinä on vilahduxia Katin musterin Astridin omista nuoruusajoista 20-30-luvulla, esim Myrna Loy ja Billy Mayerl. Astrid eli 1907-2002. 50-luvun alussa Katin jenkkiheila Bobin isä valitti et parin sukupolven perästä eivät amerikkalaiset enää osaa sisälukua. He istuvat liimautuneina radio-ja televisiokoneisiinsa ja selailevat Comic bookia, jonka vähäisen textin he hädin tuskin kykenevät tavaamaan. Oikeassa oli. Aar juu reisi? Resitent is Ruuman. Oli siis 50-luvulla. Nau resitent is
ellauri058.html on line 83: Astrid Lindgren does not shy away from describing the situation for African-Americans during that era. Her language is not always comfortable, at least not for this day, referring to blacks as “the coloured race,” “young negro girl,” and, embarrassingly, “darkies.” How much of this is just a rough translation, how much of it is accurate translation, how much was totally acceptable back then, how much did Lindgren want us to feel uncomfortable . . .? Yeah, things sucked back then (*cough*even more than they do now*cough*) for African-Americans, and it shouldn’t be comfortable to read about it.
ellauri058.html on line 87: I discovered reading when I was much younger than the little me in this picture. As a child, my favorite authors included C.S. Lewis, Roald Dahl, Jill Paton Walsh, Gertrude Chandler Warner, Louisa May Alcott, and J.R.R. Tolkien. I am a long-distance hiker, trail advocate, full moon camper, and adopter of sad old cats. I live, play, and work in Two Harbors, Minnesota.
ellauri058.html on line 97: The Thin Man is a 1934 American comedy-mystery directed by W. S. Van Dyke and based on the novel of the same name by Dashiell Hammett. The film stars William Powell and Myrna Loy as Nick and Nora Charles, a leisure-class couple who enjoy copious drinking and flirtatious banter. Nick is a retired police detective who left his very successful career when he married Nora, a wealthy heiress accustomed to high society. Their wire-haired fox terrier Asta was played by canine actor Skippy. In 1997, the film was added to the United States National Film Registry having been deemed "culturally, historically, or aesthetically significant."
ellauri058.html on line 101: Demokratia oli Hellaassa laahuxen diktatuuria (paizi ettei oikeasti ollut, vain pieni vähemmistö oli ns. vapaita, loput orjia). Res publica oli Roomassa patriisien oligarkiaa. Sama touhu jatkuu ryssissä ja jenkeissä. Keskilännen publikaanit on persuja, köyhtynyttä white trashia joka koittaa pitää värillistä laahusta poissa tontilta. Nää on mun maita ei tartte oravien tulla tänne mesomaan. Minähän sen oravan myrkytin. Ite on koko konkkaronkka vitun mamuja. People of pink color. Palefaceja. Vahinko ettei inkkareilla ollut ympäristömyrkkyjä. Olisivat syöttäneet maahantunkijoille maissin sijaan mikromuovia. Matut sano kiitos ja päästi punasulat pois päiviltä. Sen kunniaxi vielä järjestävät kiitospäiviä.
ellauri058.html on line 111: Ei kukaan joka ei ole syntynyt etelässä saata käsittää, että niggers, darkies, coons, Sambos, pickaninnies eivät oikeastaan ole muuta kuin kokoelma villieläimiä jotka hiljan on päässeet ulos viidakoista. Musiikki: Billie Holiday ja Bitter crop.
ellauri058.html on line 117: Minnehaha is a fictional Native American woman documented in Henry Wadsworth Longfellow's 1855 epic poem The Song of Hiawatha. She is the lover of the titular protagonist Hiawatha and comes to a tragic end. The name, often said to mean "laughing water", literally translates to "waterfall" or "rapid water" in Dakota.
ellauri058.html on line 121: Chicago on kuin ADHD kakara. Sellasia siellä sillon olikin, esim Sale Palje. Amerikan amerikkalaisin kaupunki Katista. Nappikenkäinen Musteri jää Amerikkaan naimisiin. Kati eli Astrid siteeraa Billy Mayerlin biisiä 30-luvulta. Kati ei ois takuulla tiennyt näitä. Oma maa mansikka, tuumaa Kati kotimatkalla ja skandeeraa lorua Breathes there the man Sir Walter Scottilta. Vielä vanhanaikaisempaa.
ellauri058.html on line 716: It has generally been thought that King Herod died at 69 years of age from complications of gonorrhea. Dr. Jan Hirschmann, a physician at the University of Washington School of Medicine in Seattle, decided to explore further, and presented his diagnosis at the Historical Clinical Pathologic Conference (CPC).
ellauri058.html on line 718: Dr. Hirschmann said he decided to focus on the symptom of itching. “At first, I considered Hodgkin’s disease and some diseases of the liver.” Chronic kidney disease covered all of Herod’s symptoms except gangrene of the genitalia. Dr. Hirschmann figured that the most probable cause of King Herod’s death was chronic kidney disease complicated by Fournier’s gangrene, which is an unusual infection affecting the male genitalia.
ellauri058.html on line 720: Only about 500 cases of Fournier’s gangrene have been recorded in the medical literature. It is caused when Staphylococcus, Streptococcus or E. coli bacteria infects and starts to rapidly kill cells, turning tissue black.
ellauri058.html on line 722: Hirschmann presented his research at the Clinical Pathologic Conference in Baltimore, US. Since 1995, the annual conference has examined the cause of death of famous figures, including Alexander the Great (typhoid fever from a contaminated pork chop) and Edgar Allen Poe (rabies).
ellauri058.html on line 777: The poet first came out as gay in his 1975 work In & Out, which was initially available only in a privately printed version in limited circulation. The work did not gain general publication until 1989.
ellauri058.html on line 779: Following the death of his partner of more than 30 years, the philosopher Samuel Todes, Hine lived in semi-retirement in Evanston, Illinois. Hine died of complications of a blood disorder on August 20, 2012 at the age of 76. Varmaan AIDS. Pueriilit runot on kuiteskin omistettu "for Jerry". Hmm. Ezellanen Jami.
ellauri058.html on line 783: Desire is like a hurricane. Accept
This loving mariner into your port.
ellauri058.html on line 787: III STRATO Diodorus, boys’ things come in three Shapes and sizes; learn them handily: When unstripped it’s a dick, But when stiff it’s a prick: Wanked, you know what its nickname must be.
ellauri058.html on line 799: The twelfth book of The Greek Anthology compiled at the court of Hadrian in the second century a.d. by a poetaster Straton, who like most anthologists included an immodest number of his own poems, is itself a part of a larger collection of short poems dating from the dawn of Greek lyric poetry (Alcaeus) down to its last florescence, which survived two Byzantine recensions to end up in a single manuscript in the library of the Count Palatine in Heidelberg — hence its alternative title, The Palatine Anthology, usually abbreviated to Anth. Pal. This particular, indeed special, collection contained in Book XII subtitled The Musa Paedika or Musa Puerilis, alternately from the Greek word for a child of either sex — and girls are not wholly absent from these pages — or the Latin for “boy,” consists of 258 epigrams on various aspects of Boy Love or, to recur to the Greek root, paederasty.
ellauri058.html on line 803: The family unit, however defined, is itself a comparatively recent invention or convention; for whereas the bond of mother and child remains for our kind as for each of us the earliest form of attachment, among adults — and we should never forget that adulthood began much earlier in earlier times — it was the group, the horde, or that most decried yet most prevalent group, the gang. Gangs, first I suppose for hunting game, are to be found not only on streetcorners but in board rooms, the most common and powerful type of the gang being the committee. The group for and within which these poems were composed and circulated was neither a gang nor a committee — itself a martial term originally — but a court, neither an academy nor yet an institute; these rather than those high-flown heterosexual fantasies of the twelfth century represented the first form quite literally of courtly love.
ellauri058.html on line 810: 1. I wish to let the reader know that I myself am sexually conservative: I am married, faithful to my wife, and a father. In this review I plead …castum esse decet pium poetam / ipsum. uersiculos nihil necesse est, qui tum denique habent salem ac leporem , si sunt molliculi ac parum pudici. Tää on Catulluxen runosta 16 joka alkaa Pedicabo ego vos et irrumabo. Teivas Oxalan unohtumattomana käännöxenä Suuhun myös peräpäähän teitä tökkään. Siellä sanotaan: Hartaan näät runoniekan siivo olla kuuluu, voi toki värsyt olla toisin; silloin niissä on sukkeluutta, suolaa, pehmeet jos ovat eikä liian siivot. Kovia munia ja pehmoisia värssyjä. Vanhana on pikemminkin toisin päin.
ellauri058.html on line 958: En 1912, il se marie avec Louise, une Alsacienne, dont la sœur vit à Colmar et a un fils qui fera une brève carrière dans la police. Rouva Maigret oli hyvin koulutettu saxanpaimenkoira. Toi Maifretille aamulehden tohvelit ja heilutti sen häntää.
ellauri058.html on line 966: Meung-sur-Loire: In fiction, it has been described by Alexandre Dumas in The Three Musketeers as the village where d'Artagnan, en route to join the King's Musketeers in Paris, first encounters the villainous Comte de Rochefort. Also in fiction, Meung-sur-Loire is the country home of Chief Inspector Jules Maigret, Georges Simenon's classic crime fiction character. Maigret and his wife Louise eventually retire to their Meung-sur-Loire home, where he spends his time fishing (pike), and she tends, according to her sister, any number of animals.
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ellauri060.html on line 108: T.S. Eliot ei ollut skotti kuten J.A. Hunter eikä huumormiehiä. Kuten Peter Ackroyd ize, se oli todennäköisesti homo. Se selvinnee tästä tiiliskivestä jos jaxan selata. Ackroyd nyt ainakin tunnetusti on. Homopetteri on kirjoittanut elämäkertoja mm. ennen jo paasatuista henkilöistä William Blake, ickens Charles">Charles Dickens, T.S. Eliot, Charles Chaplin ja Sir Thomas More. Tokko ne KAIKKI sentään oli homoja? Tiedä häntä. TS Eliot muistuttaa myös Hotakaista siinä, että se koitti pitää yxityiselämänsä izellään. Eipä onnistunut, kiitos homopetterin. Mitähän salattavaa Hotakaisella on? Onko luurankoja kaapissa?
ellauri060.html on line 110: Peter first knew that he was gay when he was seven. Somewhat later he had a long-term relationship with Brian Kuhn, an American dancer he met while at Yale. After a nervous breakdown in the late 1980s, Ackroyd moved to Devon with Kuhn. However, Kuhn was then diagnosed with AIDS, and died in 1994, after which Ackroyd moved back to London. In 1999, he suffered a heart attack and was placed in a medically induced coma for a week.
ellauri060.html on line 112: The result of his Yale fellowship was Notes for a New Culture, written when Ackroyd was only 22 and eventually published in 1976. The title, an echo of T. S. Eliot's Notes Towards the Definition of Culture (1948), was an early indication of Ackroyd's penchant for exploring and re-examining the bollocks of other London-based writers.
ellauri060.html on line 113: In a 2004 interview, Ackroyd said that he had not been in a relationship since Kuhn's death and was "very happy being celibate." Eliot-kirja on omistettu jollekulle Richard Shonelle. Ehkä ne oli vaan hyvänpäivän tuttuja.
ellauri060.html on line 176: Vanhuudesta Ritu on samaa miältä michelinin kanssa: se oisi kiellettävä. Bumzibumin isoäiti opiskelee konsthistuuriaa vaikka on ikivanha, 72 vee. Ritu on nyt saman ikäinen.
ellauri060.html on line 182: Kas ei ole enää 2 Saxaa on vaan 1, Njeuvostola pirstoutui, Jugoa ei ole, Kekkonenkin kuoli, Kekkoslovakia hajosi, the witch ja näyttelijä ohjaa maailmaa oikealle päin, purkaa hyvinvointia. Pankit huijaa, ammattiliitot kuihtuu, kun työläisiä ei enää tarvita. Hienoja juttuja. Mahdollisuuksia. Gurunnälkäisiä ihmisiä. Eikä ilmastosta vielä mitään paiseita. Gap in the traffic kylpyankalle. Nyt kehiin optimistijollia.
ellauri060.html on line 187: Michelin-äijän eli Timon Airaxelan vanhuskirjasta löytyi vielä yxi kekämies nimittäin Juhani Peltonen, spermajuhani eli tuttavallisemmin runkkujussi. Taas niin nuija suomalainen nimi kuin olla voi. Muuta en siitä tiedä vielä kuin et Timonin mielestä sen Iloisin suru oli jotain hienoa, siis todennäköisesti se on erittäin syvältä Timon pakaroiden välistä. Tässä juonen tiivistelmä kirjan takakannesta. Se kuulostaa kyllä pahalta.
ellauri060.html on line 229: Autiolle saarelle kirjailija Murtokivi ottaisi tukun kirjoja. Ensimmäisenä se ottaisi Daniel Defoen "Robinson Crusoen elämä ja kummalliset seikkailut" teoxen (josta lisää alempana). Hänellä on tanakka usko, että se olisi kuitenkin perehtynyt guide siiden, mitä tulisi pakkopaikassa elämisen ja olemisen opiskelemiseen. Mitähän muuta minä ilmoitin sille toimittajalle (miettii Murtokivi)? Oli siinä ainakin Fedor Dostojevskin "Karamazovin veljekset", ico">Federico Lorcan ja Pablo Nerudan runoja, Herman Melvillen "Moby Dickyn eli Valkoisen valaan", Samuel Beckettin "Hän tulee huomenna", Anton Tsehovin novelleja sekä Thomas Mannin "Kuolema Venetsiassa", Pentti Haanpään kertomuksia valikoiman sekä omista kirjoistani lohdukseni vielä "Mäkimökin tyttö ja tahdikas juomari", se on todella priimaa, lähes ylittämätöntä lyyristä proosaa! Ja kolme hyvin säilynyttä raamattua. Aika sekalaista skeidaa siis.
ellauri060.html on line 231: Daniel Defoe (/dɪˈfoʊ/; born Daniel Foe; c. 1660 – 24 April 1731) was an English writer, trader, journalist, pamphleteer and spy. He is most famous for his bestselling novel Robinson Crusoe, published in 1719, which is claimed to be second only to the Bible in its number of translations. He has been seen as one of the earliest proponents of the English novel, and helped to popularise the form in Britain with others such as Aphra Behn and Samuel Richardson. Defoe wrote many political tracts, was often in trouble with the authorities, and spent a period in prison for unpaid debts. Laissez faire intellectuals and political leaders paid attention to his fresh ideas and sometimes consulted him.
ellauri060.html on line 233: Defoe was a prolific and versatile writer, producing more than three hundred works—books, pamphlets, and journals — on diverse topics, including politics, crime, religion, marriage, psychology, and the supernatural. He was also a pioneer of business journalism and economic journalism.
ellauri060.html on line 235: Daniel Foe was probably born in Fore Street in the parish of St Giles Cripplegate, London. His father, James Foe, was a prosperous tallow chandler of Flemish descent, and a member of the Worshipful Company of Butchers. In Defoe's early childhood, he experienced some of the most unusual occurrences in English history: in 1665, 70,000 were killed by the Great Plague of London, and the next year, the Great Fire of London left only Defoe and two other guys standing in his neighbourhood. In 1667, when he was probably about seven, a Dutch fleet sailed up the Medway via the River Thames and attacked the town of Chatham in the raid on the Medway. His mother, Alice, had died by the time he was about ten.
ellauri060.html on line 237: Defoe later added the aristocratic-sounding "De" to his name, and on occasion made the bogus claim of descent from the family of De Beau Faux. His birthdate and birthplace are uncertain, and sources offer dates from 1659 to 1662, with the summer or early autumn of 1660 considered the most likely.
ellauri060.html on line 241: Defoe entered the world of business as a general merchant, dealing at different times in hosiery, general woollen goods, and wine. His ambitions were great and he was able to buy a country estate and a ship (as well as civets to make perfume), though he was rarely out of debt. On 1 January 1684, Defoe married Mary Tuffley at St Botolph's Aldgate. She was the daughter of a London merchant, receiving a dowry of £3,700—a huge amount by the standards of the day. With his debts and political difficulties, the marriage may have been troubled, but it lasted 47 years and produced eight children.
ellauri060.html on line 243: In 1685, Defoe joined the ill-fated Monmouth Rebellion but gained a pardon, by which he escaped the Bloody Assizes of Judge George Jeffreys. Queen Mary and her husband William III were jointly crowned in 1689, and Defoe became one of William's close allies and a secret agent. Some of the new policies led to conflict with France, thus damaging prosperous trade relationships for Defoe. In 1692, he wanxus arrested for debts of £700 and, in the face of total debts that may have amounted to £17,000, was forced to declare bankruptcy. He died with little wealth and evidently embroiled in lawsuits with the royal treasury.
ellauri060.html on line 245: Following his release from debtors’ prison, he probably travelled in Europe and Scotland, and it may have been at this time that he traded wine to Cadiz, Porto and Lisbon. By 1695, he was back in England, now formally using the name "Defoe" and serving as a "commissioner of the glass duty", responsible for collecting taxes on bottles. In 1696, he ran a tile and brick factory in what is now Tilbury in Essex and lived in the parish of Chadwell St Mary. He was a serial entrepreneur.
ellauri060.html on line 247: Jussi ennakoi oikein mauritiuslaisen Le Clezion (2008) ja melankolisen ick">Patrick Modianon (2014) post mortem noobelit. (Siis omalta kannaltaan postuumit, vainajillehan ei noobeleita anneta.) Jäipä jussiltakin saamatta, Sillinpäälle meni talvisodan piikkiin ainoa. Italo Calvino oli mukiinmenevä (ei saanut), mutta apartheid-Coetzee (2003) sai.
ellauri060.html on line 249: Daniel Defoen bestselleri Robinson Crusoe oli esikuvallinen kolonialistinen rags to riches story, jossa yritteliäs haaxirikkoinen orjakauppias rakentaa izelleen uuden plantaashin ja hankkii sinne tyhmän mutta kiitollisen neekerin nimeltä Perjantai. Suurin osa tarinasta kertoo miten nokkelasti Robinson hankki izelleen omaisuuxia. Loppupeleissä kotiinpäästyä siitä tuli niin rikas ettei se tiennyt izekään. Just tollasta kapitalistista laissez faire roopeankka unelmointia. "Tuskin voi kuvitella tylsempää kirjaa kuin Robinson Crusoe. On surullista nähdä lasten edelleen lukevan sitä", kirjoitti filosofi Gilles Deleuze kirjasta."
ellauri060.html on line 318: icture-in-picture" allowfullscreen>
ellauri060.html on line 322: Lainasin kirjastosta Pahani Julmusen eli J. Peltosen romaanin Iloisin suru. Ihan vaan ku Michelinmies eli Timo Airaxinen sattui kehasemaan sitä. Arvasin siitä eze vois olla aika puhasveristä setämiesjorinaa. Ainaskin sekin taas näyttää aika vähän peitellen puhuvan izestään ja perheestään.
ellauri060.html on line 426: Michelinmies olisi tyytyväinen jos kazoisi The Good Liarin. Siinä oli just sellasia nuorekkaita teräsvanhuxia kuin mistä Bibemus on kirjassaan Vanhuudesta kirjoittanut. Slaagin saanut Hans Taub sairaalassa taas oli just sellainen mix Timppa pelkää ize tulevansa. Hieno näpäys Bulgarian kultasannasta taustakuvana ja noruva pillimehu halvauxesta roikkuvassa suussa.
ellauri060.html on line 466: A traditional pastoral folk song the popular form of which dates to the mid-19th century. It is largely believed to have been sung commonly during the Sepoy Rebellion of 1857, though no credible source seems to confirm it. If it were true the song likely predates the 19th century, though no published copies of the work exist.
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ellauri060.html on line 470: This song may be of quite recent origin, since almost half of the known examples are sound recordings, and there's only one broadside printing. On the other hand, there's an older and widely printed broadside Jimmy and his True Love, which might well be an earlier version—or it may just be a song with universal appeal and a good chorus that people still enjoy singing. Of the 40 or so instances in Roud, most are from the south west of England or East Anglia—though Gavin Greig collected a dozen examples in Scotland in the early years of last century. No other Sussex version has been collected.
ellauri060.html on line 472: As the song is traditional and the lyrics vary greatly from singer to singer, linking to 'original lyrics' for this song is impossible.
ellauri060.html on line 473: These lyrics are based on the version performed by the Longest Johns on their livestreams.
ellauri060.html on line 557:

ellauri053.html on line 306: Nuoruus oli hyödytöntä. Silloin ei ollut tätä viisautta eikä kokemusta. Menestyneet ushshelit kiittelevät vanhuutta kuin icero">Cicerot. Ovat optimisteja. Uskokoon ken haluaa. Vanhat korvat heiluvat.
ellauri053.html on line 493: Tietolaatikko: Erwin Panofsky. Tää hemmo tuli jossakin jo mainituxi. Joo se oli Salen tuttuja. Kuvataidekriitikko. Lukee paxua kirjaa kuvassa kuin Aku Ankka tietokilpailuun. Uarne tykkäs sen esseestä Symbolism and Dürer's Melancolia. Kirjassa Morris Weitz: Problems in Aesthetics 1963. Uarnekin lie napsinut antidepressantteja. Dürerin kaiverruxessa lukee kyllä Melencolia I. Lepakon siivissä. Seinällä on sudoku ja permannolla koira. Panofskykin piti koirista. Sen koira oli Dion ja vaimo Pandora. Ne oli nähtävästi dionisteja. Erwin raotteli vaimon lipasta.
ellauri053.html on line 518: Christian Dietrich Grabben nelikko aseena Panza käy kohti Puovoa jonka nyrkit pyörivät kuin tuulimyllyt. Mutta Uarne on vanha nyrkkeilijä kouluajoilta.
ellauri053.html on line 533:
Tietolaatikko: John Casey mainitaan. Eikös se ollut se uuskriitikko? Nyt ollaan ihan Arskan oppivuosissa. Joo, the language of criticism 1966. Richard Cockett described Casey as a mentor to a whole generation of young Conservatives at Cambridge.
ellauri053.html on line 535: The Language of Criticism was originally Casey's doctoral thesis. Casey argued that critical judgement is objective because critical arguments are rational. They are rational due to considerations which, though they are not necessarily judgements of value, "criteriologically" imply them. For example, if a poem is sentimental "criteriologically" this implies that it is immature.
ellauri053.html on line 537: Christopher Ricks wrote of this book, "provided this gets clearing from the philosophers, we shall at last have a compact, cogent and humane justification of criticism as a rational process." Paskanmarjat Casey oli niin konservatiivi katoliikki eze diggas jopa islamia. Ja lysytti muuteskin naisia.
ellauri053.html on line 584: Uarne pahexuu hiljaa Puovon nihilismiä. Mitenkäs nyt noin. Jos sanotaan ettei ole muuta kuin elänyt, voidaan olettaa ("voidaan olettaa", sic!) että kaikki ihmisen toiminta on ollut nolla.
ellauri053.html on line 670: Sic visum Veneri, cui placet inparis
ellauri053.html on line 697: Herbert Spencer (27 April 1820 – 8 December 1903) was an English philosopher, biologist, anthropologist, and sociologist famous for his hypothesis of social Darwinism whereby superior physical force shapes history. Spencer originated the expression "survival of the fittest", which he coined in Principles of Biology (1864) after reading Charles Darwin's On the Origin of Species. The term strongly suggests natural selection, yet Spencer saw evolution as extending into realms of sociology and ethics, so he also supported Lamarckism.
ellauri053.html on line 699: Spencer developed an all-embracing conception of evolution as the progressive development of the physical world, biological organisms, the human mind, and human culture and societies. As a polymath, he contributed to a wide range of subjects, including ethics, religion, anthropology, economics, political theory, philosophy, literature, astronomy, biology, sociology, and psychology. During his lifetime he achieved tremendous authority, mainly in English-speaking academia. "The only other English philosopher to have achieved anything like such widespread popularity was Bertrand Russell, and that was in the 20th century." Spencer was "the single most famous European intellectual in the closing decades of the nineteenth century" but his influence declined sharply after 1900: "Who now reads Spencer?" asked Talcott Parsons in 1937.
ellauri053.html on line 701: Herbert Spencer (1820–1903) is typically, and by rights, considered a coarse social Darwinist. Herbert Spencer was an English philosopher, biologist, anthropologist, and sociologist known for his infamous theory of social Darwinism throughout contemporary history.
ellauri053.html on line 704: Spencer is best known as the originator of the expression "survival of the fittest", which he coined in Principles of Biology (1864) after reading Charles Darwin's On the Origin of Species. The term strongly suggests natural selection, yet Spencer saw evolution as extending into realms of sociology and ethics, so he also supported Lamarckism.
ellauri053.html on line 711: Spencer vastusti samoja juttuja kuin punaniska jenkki: the use of the coercive powers of the government, the discouragement given to voluntary self-improvement, and the disregard of the "laws of life." The reforms, he said, were tantamount to "socialism", which he said was about the same as "slavery" in terms of limiting human freedom.
ellauri053.html on line 713: For many, the name of Herbert Spencer is virtually synonymous with social Darwinism, a social theory that applies the law of the survival of the fittest to society and is integrally related to the nineteenth century rise in scientific racism.
ellauri053.html on line 715: His contributions to racist ideology are many. In his famed work Social Statics (1850), he argued that imperialism had served civilization by clearing the inferior races off the earth: "The forces which are working out the great scheme of perfect happiness, taking no account of incidental suffering, exterminate such sections of mankind as stand in their way. … Be he human or be he brute — the hindrance must be got rid of."
ellauri053.html on line 717: His arguments provided so much ammunition for conservatives and individualists in Europe and America that they are still in use in the 21st century. The expression 'There is no alternative' (TINA), made famous by Prime Minister Margaret Thatcher, may be traced to its emphatic use by Spencer.
ellauri053.html on line 752: ic.com/images?q=tbn:ANd9GcSaPRAHbS9mUL0jXXugWNcKIPZ3Y4dFTXKoxKBoS6rl_YqiAoI&s" width="50%" />
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ellauri053.html on line 787: Father set my mother to prepare an abridged version of the Ramayana , keeping to the original but leaving out all superfluous and irrelevant matter so that the main story could be read at a stretch. Father insisted that she should consult the original Sanskrit and not depend upon Bengali translations for preparing her text. This was difficult for Mother, but undaunted she read the Ramayana with the help of a Pandit, and only then did she start writing, but unfortunately the book was not finished before she died and the MS. of the portion she had written got lost. I remember with what avidity we used to read her MS.
ellauri053.html on line 816: To be born in a family where more than a hundred members lived under one roof is a matter of no great significance in our country.
ellauri053.html on line 820: Prince Dwarkanath Tagore, my great-grandfather, was a romantic figure. Contemporary of Rammohan Roy, the Father of the Renaissance Movement of Bengal, he was closely associated with him in all his activities and rendered financial help when- ever required. The East India Company were by this time firmly established in Bengal and were rapidly building up their trade. Dwarkanath’s knowledge of English helped him to take advantage of the conditions prevailing under the Company’s rule and he was able at quite an early age not only to amass a fortune but also to gain high offices under the British. With Rammohan Roy he took a leading part in all the movements for the promotion of higher education and social welfare. There was hardly any institution founded during his life-time that did not owe its existence to the generous charity of Dwarkanath. He came to be known as Prince Dwarkanath in recognition of his benefactions. His business enterprises extended to fields unexplored by Indians in those days. He had a fleet of cargo boats for trading between India and England. To improve his business connections and gain further concessions from the Company, he himself went to England accompanied by his youngest son, Nagendranath. I have had occasion to read the diary kept by this grand-uncle of mine. It describes vividly and in very chaste English the social life Of the aristocracy of England in the early Victorian age as seen through the eyes of an Indian. There is also an interesting description of his adventurous journey across the country from Bombay to Calcutta at a time when India was in a very disturbed condition on the eve of the Sepoy Mutiny.
ellauri053.html on line 824: Soon after landing in London Dwarkanath became a favourite of Queen Victoria and of the court circle. There are many amusing stories told about his exploits in England and France some of which I came to know from the letters written by his valet.
ellauri053.html on line 826: It is believed that the important business which took the Prince to England was - to try to negotiate with the British government for an izara (permanent lease) of the provinces of Bengal, Bihar and Orissa in supersession of the East India Company. He was well received by Queen Victoria. But this ambitious project of his came to nothing on account of his sudden death under somewhat mysterious circumstances.
ellauri053.html on line 833: Our house has had an interesting history. As I have already said, my forefathers migrated to Calcutta in the early days of the East India Company, and, having helped in the erection of Fort William, made enough money to construct a palatial building of their own at Jorasanko in the northern quarter of the town. Other gentry were attracted to this quarter which gradually became the most fashionable part of the city, with elegant houses vying with each other. It is a pity that most of these houses are being crowded out or demolished to make room for hideous modern mansions. The architecture of that period with high columned facades and a series of interior courtyards was not only dignified but most suited to the tropical climate.
ellauri053.html on line 837: At Jorasanko lived the direct descendants of the Maharshi at No. 6, Dwarkanath Tagore Lane. It was a huge rambling house spread over an acre of ground with wide verandahs and large halls around the outer courtyard and a series of dark and dingy corridors and staircases and rooms, where no sunlight ever penetrated, which gave us the creeps whenever as children we had to pass through them. At No. 5, the handsome residence opposite to ours, lived my three artist cousins Gaganendra, Samarendra and Abanindra.
ellauri053.html on line 853: Our teacher of English was an Englishman of a rather interesting type. He was given a bungalow in the compound. There he lived with thousands of silk-worms in which he had become interested through Akshoy Kumar Maitra, the historian. On Sundays, discarding all clothes, Mr. Lawrence would wrap himself in old newspapers and lie amongst the caterpillars which delighted in crawling all over him. He was very fond of them and used to say they were his children.
ellauri053.html on line 873: While Father would be entertaining the Maharaja, Mother with the help of Amaladidi, who was an expert in the cooking of East Bengal delicacies, would be busy preparing the meals.
ellauri053.html on line 886: Being an unpractical idealist and underrating the doctrinaire mentality of his friends, he came back full of hope and proposed to my grandfather that a conference of all theists be called at Santiniketan.
ellauri053.html on line 896: The sacred thread ceremony, the Upanayan takes place when a Brahmin boy is considered to be or a fit age to be attached to a Guru (teacher) to begin his education. He is taught the Gayatri mantram which every Brahmin is expected to repeal morning and evening as the text for his contemplation of the Infinite and is given the sacred thread to wear as a symbol of his initiation as a Brahmin.
ellauri053.html on line 900: At present the Upanayan has lost its real significance and the Brahmacharya period is reduced only three days of seclusion.
ellauri053.html on line 902: The lessons began with the meticulous rendering of the sound of Om.
ellauri053.html on line 912: Father had composed some new songs for the opening ceremony, one of which, Mora satyer pare man (We dedicate ourselves to truth) remained as the school song for many years until it was replaced by Amader Santiniketan (Our own Santiniketan).
ellauri053.html on line 916: The life led by both pupils and teachers was not only simple but almost austere. The ideal of Brahmacharya was the keynote of everything. The yellow uniform, which covered up the poverty of clothes; a pair of blankets, which served as our only bedding; the vegetarian meals comparable to jail diet in their dull monotony — these were the standards laid down.
ellauri053.html on line 920: I think one of the sorest trials my mother ever had was when Father insisted that I should live in the school boarding-house. She could not bear the miserable condition in which we lived, especially with regard to food.
ellauri053.html on line 930: But it would be wrong to emphasize only the dark side of the picture. We were essentially a happy lot and life was very rich and interesting in spite of our outward poverty. Whenever Father was present, he poured his soul into the institution and made it lively by singing songs which he never tired of com- posing, reciting his poems, telling stories from the Mahabharaia , playing indoor games with the boys, rehearsing plays, and even taking classes.
ellauri053.html on line 938: At the same time Satish Roy’s voice rang out with the opening stanza of Barsha-Shes, the well-known poem of my father on a stormy ‘Year End’ :
ellauri053.html on line 940: Thou comest. New Year, whirling in a frantic dance amidst the stampede of the wind-lashed clouds and infuriate showers, while trampled by thy turbulence are scattered away the faded and the frail in an eddying agony of death.
ellauri053.html on line 952: Through which the lovers, Pyramus and Thisbe,
ellauri053.html on line 957: Through which the fearful lovers are to whisper.
ellauri053.html on line 981: Father now devoted himself with renewed zeal to the affairs of the school. The most difficult task was to find the right kind of teachers. Frequent changes had to be made. Every time a new teacher was engaged Father had to train him and mould him to fit in with the ideals of the Asrama.
ellauri053.html on line 985: The death of my brother Samindra took place when I was in college in America. At Monghyr he fell a victim to cholera and died soon after Father arrived there.
ellauri053.html on line 989: Vicissitudes of life, pain or afflictions, however, never upset the equanimity of my father’s mind. Like his father, the Maharshi, he remained calm and his inward peace was not disturbed by any calamity however painful. Some superhuman sakti gave him the power to resist and rise above misfortunes of the most painful nature.
ellauri053.html on line 993: Only a perfect control of the emotions together with an irrepressible urge for creative expression could explain the continuous outpouring of his thoughts in poems, novels, short stories, essays and other writings irrespective of his surroundings or circumstances, mental or physical.
ellauri053.html on line 1003: What nice stories, mother, you can tell us! Why can't father write like that, I wonder?
ellauri053.html on line 1026: "I felt sure that some Being who comprehended me and my world was seeking his best expression in all my experiences, uniting them into an ever-widening individuality which is a spiritual work of art. To this Being I was responsible; for the creation in me is His as well as mine." He called this Being his Jivan devata (“The Lord of His Life”), a new conception of God as man’s intimate friend, lover, and beloved that was to play an important role in his subsequent work.
ellauri053.html on line 1035:
“Rabindranath only became a temporary craze, but never a serious literary figure in the Western scene. He was intrinsically an outsider to the contemporary literary tradition of the West, and after a short, misunderstood visit to the heart of the West, he again became an outsider.”
ellauri053.html on line 1039: Tagore dictated his last poem a few hours before his death on August 7, 1941. No, minä...
ellauri053.html on line 1148: Täähän menis vaikka Maaritin lyricsinä jos tähän olis Samilta joku hyvä musiikki. Muistan jäätelökesää, päivät lyhenee jouluun...
ellauri053.html on line 1154:
Hänen uransa alkuaikojen työt olivat romanttisia ja fantasianomaisia, mitä kuvastaa hänen vuonna 1893 julkaistu kokoelmansa The Celtic Twilight (Oletko keltti ja annat suolaa). Keski-iässä hän siirtyi kohti kovempaa ja modernimpaa tyyliä, joihin hän sai innoitusta suhteestaan Ezra Poundiin ja osallistumisestaan Irlannin kansallismieliseen politiikkaan.
ellauri053.html on line 1155: His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood. ellauri053.html on line 1156: From 1900, his poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life. In 1923, he was awarded the Nobel Prize in Literature. ellauri053.html on line 1157: In 1997, his biographer R. F. Foster observed that Napoleon's dictum that to understand the man you have to know what was happening in the world when he was twenty "is manifestly true of W.B.Y."
ellauri053.html on line 1164:
Eliot quoted, in evidence, four short passages from The Cutting of an Agate, in which Yeats says that the poet must “be content to find his pleasure in all that is for ever passing away that it may come again, in the beauty of woman, in the fragile flowers of spring, in momentary heroic passion, in whatever is most fleeting, most impassioned, as it were, for its own perfection, most eager to return in its glory.” Tää on puhdasta Tandoorikanaa.

ellauri053.html on line 1165:
“It is a style of Pater,” Eliot justly said, but then he indulged himself in a little racial prejudice, saying “it is a style of Pater, with a trick of the eye and a hanging of the nether lip that come from across the Irish Channel, all the more seductive.” “Mr. Yeats,” he says, “sometimes appears, as a philosopher of aesthetics, incoherent”:

ellauri053.html on line 1166:
At this point in his review, Eliot moves toward thinking that to make sense of Yeats you have first to remember that he is an Irishman. He thought that to be an Irishman was to be deprived of wit. Mut sitä pitempi oli jästin hanging dick jäykkänä.

ellauri053.html on line 1170: On 26 January 1877, the young poet entered the Godolphin school, which he attended for four years. He did not distinguish himself academically, and an early school report describes his performance as "only fair. Perhaps better in Latin than in any other subject. Very poor in spelling".
ellauri053.html on line 1174: He was very much fascinated by self-induced trance states, calculated symbolism, mediums, theosophy, crystal-gazing, folklore and hobgoblins. Golden apples, archers, black pigs and such paraphernalia abounded. Often the verse has an hypnotic charm: but you cannot take heaven by magic, especially if you are, like Mr. Yeats, a very sane person.

ellauri053.html on line 1179: His complaint against Yeats was that Yeats’s “supernatural world” was “the wrong supernatural world”: It was not a world of spiritual significance, not a world of real Good and Evil, of holiness or sin, but a highly sophisticated lower mythology summoned, like a physician, to supply the fading pulse of poetry with some transient stimulant so that the dying patient may utter his last words.

ellauri053.html on line 1189: Nothing but a prick. Tommy regarded Yeats, poet and dramatist, as pre-eminently the poet of middle age. No 30-luvulla Tommy alko izekin olla niissä iissä.
ellauri053.html on line 1191: Eliot needed to put a considerable distance between himself and Yeats, each of whom could be regarded as a Symbolist, however differently they responded to French Symbolism as Arthur Symons expounded it in The Symbolist Movement in Literature. It is my understanding that Symons led Yeats through the early chapters, with Mallarmé as the main figure, and that Eliot made his own way quickly through the several chapters until he reached Laforgue, the poet he found most useful in his attempt to discover his own voice. Still, Eliot’s animosity is hard to explain.
ellauri053.html on line 1197: It is worth noting that Eliot apparently paid no attention to Yeats’s later politics: he does not refer to Yeats’s engagement with the Fascism of Mussolini and Gentile.
ellauri053.html on line 1228: ja lyyrän (sic) olin saanut juur vasta lakkiini ...
ellauri053.html on line 1245: Walter Horatio Pater was born August 4, 1839, in Shadwell, London and he died on July 30, 1894, at Oxford in Oxfordshire. He was a famous English critic, journalist, writer of fiction, university teacher, and an essayist.
ellauri053.html on line 1249: Aestheticism: Walter Pater is the man behind ‘Art for Art’s sake’, which even Oscar Wilde advocated of, the glimpse of which can be found in their writings. He evaluates art and his writing is thus related to art on the basis of their moral and educational value.
ellauri053.html on line 1251: Versatile Writer: He exhibited in his work breadth of talents and interests. His most renowned work falls into cultural theory; art history including painting, sculpture, and architecture. He wrote on the critics of the old and modern English Literature too. He even wrote lecture articles, short stories etc. William E. Buckler says that Pater “is still one of the half-dozen indispensable critics in English; from, say, 1880 to 1920, he was without equal.”
ellauri053.html on line 1255: Depth In Work: Pater’s work is not subtle and superficial. There is a certain depth and richness in his work.
ellauri053.html on line 1257: Philosophical: Pater was not talking about things in the air. He enumerated aspects which could even be philosophical in nature.
ellauri053.html on line 1259: Influential: The writing style of Pater is so masterly, that critics have even found its influence on Virginia Woolf, James Joyce etc.
ellauri053.html on line 1317: Caught in that sensual music all neglect Tossa aistinvaraisessa hötäkässä unohtuu
ellauri053.html on line 1323: A tattered coat upon a stick, unless Varixenpelätti se on, ellei sizen
ellauri053.html on line 1327: Monuments of its own magnificence; Tutkin oppiaxeni vaan omia monumentteja
ellauri053.html on line 1334: As in the gold mosaic of a wall, Kuin jumalattoman vanhat seinäkaakelit,
ellauri053.html on line 1337: Consume my heart away; sick with desire Syökää mun "sydäntä", sairaana himosta,
ellauri053.html on line 1340: Into the artifice of eternity. Ikuiseen keinoelämään.
ellauri053.html on line 1354: W. B. Yeats, “Sailing to Byzantium” from The Poems of W. B. Yeats: A New Edition, edited by Richard J. Finneran. Copyright 1933 by Macmillan Publishing Company, renewed © 1961 by Georgie Yeats. Reprinted with the permission of A. P. Watt, Ltd. on behalf of Michael Yeats. Source: The Collected Poems of W. B. Yeats (1989)
ellauri053.html on line 1356: icture-in-picture" allowfullscreen>
ellauri053.html on line 1363: Yeats derided MacBride in letters and in poetry. He was horrified by Gonne's marriage, at losing his muse to another man; in addition, her conversion to Catholicism before marriage offended him; Yeats was Protestant/agnostic. He worried his muse would come under the influence of the priests and do their bidding.
ellauri053.html on line 1367: Yeats's friendship with Gonne ended when in Paris in 1908, they finally consummated their relationship. "The long years of fidelity rewarded at last" was how another of his lovers described the event. (Bet it was Ezra Pound.) Yeats was less sentimental and later remarked that "the tragedy of sexual intercourse is the perpetual virginity of the soul." (Aika narsistinen penselmä.) The relationship did not develop into a new phase after their night together, and soon afterwards Gonne wrote to the poet indicating that despite the physical consummation, they could not continue as they had been. She recommended Yeats to concentrate on other men.
ellauri053.html on line 1368: Yeats met the American poet Ezra Pound in 1909. Pound had travelled to London at least partly to meet the older man, whom he considered "the only poet worthy of serious study." From that year until 1916, the two men wintered in the Stone Cottage at Ashdown Forest, with Pound nominally acting as Yeats's secretary. The relationship got off to a rocky start when Pound arranged for the publication in the magazine Poetry of some of Yeats's verse with Pound's own unauthorised alterations. These changes reflected Pound's distaste for Victorian prosody.
ellauri053.html on line 1370: By 1916, Yeats was 51 years old and determined to marry and produce an heir. His rival John MacBride had been executed for his role in the 1916 Easter Rising, so Yeats hoped that his widow might remarry. His final proposal to Maud Gonne took place in mid-1916. Gonne's history of revolutionary political activism, as well as a series of personal catastrophes in the previous few years of her life—including chloroform addiction and her troubled marriage to MacBride—not to mention that she was 50—made her a potentially unsuitable wife; biographer R. F. Foster has observed that Yeats's last offer was motivated more by a sense of duty than by a genuine desire to marry her.
ellauri053.html on line 1375: That September, Yeats proposed to 25-year-old Georgie Hyde-Lees (1892–1968), known as George, whom he had met through Olivia Shakespear. Despite warnings from her friends—"George ... you can't. He must be dead"—Hyde-Lees accepted, and the two were married on 20 October. Their marriage was a success, in spite of the age difference, and in spite of Yeats's feelings of remorse and regret during their honeymoon. The couple went on to have two children, Anne and Michael. Although in later years he had romantic relationships with other women, Georgie herself wrote to her husband "When you are dead, people will talk about your love affairs, but I shall say nothing, for I will remember how proud you were of them."
ellauri053.html on line 1377: During the first years of marriage, they experimented with automatic writing; she contacted a variety of spirits and guides they called "Instructors" while in a trance. The spirits communicated a complex and esoteric system of philosophy and history, which the couple developed into an exposition using geometrical shapes: phases, cones, and gyres.[71] Yeats devoted much time to preparing this material for publication as A Vision (1925). In 1924, he wrote to his publisher T. Werner Laurie, admitting: "I dare say I delude myself in thinking this book my book of books".
ellauri053.html on line 1379: In December 1923, Yeats was awarded the Nobel Prize in Literature, "for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation". He was aware of the symbolic value of an Irish winner so soon after Ireland had gained independence, and sought to highlight the fact at each available opportunity. His reply to many of the letters of congratulations sent to him contained the words: "I consider that this honour has come to me less as an individual than as a representative of Irish literature, it is part of Europe's welcome to the Free State." Taas yxi tällänen taatatyyppinen poliittinen nobelisti.
ellauri053.html on line 1381: The prize led to a significant increase in the sales of his books, as his publishers Macmillan sought to capitalise on the publicity. For the first time he had money, and he was able to repay not only his own debts but those of his father.
ellauri053.html on line 1397: But one man loved the spotted dick in you,
ellauri053.html on line 1430: This poem is very famous in China. We first know Yeats by this wonderful poem, which contain a story of Yeats himself that move us so deeply. From this poem, we know what is the true love, we know how deeply love can be. This has been transferred into the famous poem of MUDAN, also been transferred into a popular song sung by SHUIMUNIANHUA, so we can see how arractive it was to us in China.

ellauri054.html on line 6: font-style: italic;
ellauri054.html on line 30: Paul Rudolf „Rolf“ Kauka (* 9. April 1917 in Markranstädt; † 13. September 2000 in Thomasville, Georgia) war ein deutscher Comicproduzent und -verleger. Er schuf unter anderem die Figuren Fix und Foxi. Aufgrund seines Erfolges wurde er auch als deutscher Walt Disney bezeichnet.
ellauri054.html on line 53: Comenius vaati kaikkien lasten oikeutta koulutukseen sukupuoleen ja yhteiskunnalliseen asemaan katsomatta ja hän suunnitteli ensimmäisenä maailmassa laajan ja yksityiskohtaisen ohjelman vaatimustensa toteuttamiseksi teoksessaan Didactica magna (Suuri opetusoppi). Comenius piti Eurooppaa maailman sydämenä, Saksaa Euroopan sydämenä, Saksaan silloin kuulunutta Böömiä Saksan sydämenä ja Prahaa Böömin sydämenä.
ellauri054.html on line 78: Puhdasoppiset teologit pitivät Comeniusta myös epäilyttävänä kirkkokuntien väliseen sovitteluun tähtäävien pyrkimysten (irenia) vuoksi syyttäen häntä synkretismistä. Kritiikki huipentui kuitenkin vasta 1700-luvulla, jolloin Turun akatemiassa hyökättiin Comeniuksen luonnonfilosofiaa vastaan ja Anders Lundbom laati aiheesta väitöskirjan De physica Mosaica Comeniana (Comeniuksen mooseslaisesta fysiikasta, 1753) professori Carl Fredrik Mennanderin johdolla.
ellauri054.html on line 85: Comeniuksen mielessä oppikirjatyön lisäksi kehkeytyi suuri pansofinen haave ihmiskunnan johtamisesta rauhan tilaan. Suunnitelman hän puki seitsenosaisen teoksen muotoon, jolle antoi nimen De rerum humanarum emendatione consultatio cathoica (Yleinen neuvottelu inhimillisten asioiden parantamisesta). Tästä idealismista ruotsalaiset eivät olleet kiinnostuneita ja koska Comenius vielä osallistui Thornin uskonnollisia ristiriitoja sovitteleviin neuvotteluihin (1645), alkoivat välit Comeniukseen viiletä ja lopulta Oxestierna tahtoi toteuttaa ruotsalaisen koulunuudistuksen vanhan suunnitelman pohjalta. Comenius tunsi työnsä valuneen hukkaan, vaikka tältä ajalta on peräisin eräs hänen didaktisen osaamisensa merkittävimpiä teoksia Methodus linguarum novissima (Kielten uusin menetelmä).
ellauri054.html on line 101: The exhibits of this small museum consist mainly of text and information-panels. I found it informative but it also was similar to reading a informative-book displayed on the museum walls. I missed some artwork or historical objects.
ellauri054.html on line 110: icture-in-picture" allowfullscreen>
ellauri054.html on line 130: Onx esseet jotain tunnustusnovelleja? Tyhmä kysymys. Ei essee ole mikään luonnonilmiö. Pojun magnum (sic) opus oli yritys. Ett rättsteoretiskt försök.
ellauri054.html on line 154: Francis Bacon, 1st Viscount St Alban, 22 January 1561 – 9 April 1626, also known as Lord Verulam, was an English philosopher and statesman who served as Attorney General and as Lord Chancellor of England. His works are credited with developing the scientific method and remained influential through the scientific revolution. Bacon has been called the father of empiricism. Muita lapsia ei sillä ollutkaan. Siihen jäi sen tittelit, ja käyttämätön pippeli. Samanlainen ressukka kuin Jaakko Hintikka.

ellauri054.html on line 159: But above all, beleeve it, the sweetest Canticle is Nunc dimittis, when a Man hath obtained worthy Ends and Expectations. Death hath this also, That it openeth the Gate to good Fame, and extinguished Envie. Vanha Simo sanoi nyt päästät palvelijasi lepoon, nähtyään vihdoin Jeesus-lapsen synagoogassa. Jouti kuolemaan. No siitä samoinkuin Pekonista tuli vainajana kuuluisa. Kyllä käy kateexi. Lisää pekonin lurjustelusta albumissa 223.
ellauri054.html on line 161: v 2019 joku räsypää Anwaar Ahmad selittää Pekonia netissä. Keskellä textiä on urheilujuoman mainos: Oshee. Älä hyydy kesken kaiken. Anwaar Ahmad is a professional writer. He is working with us from last two years. His articles are marvelous and attractive. He is best in demonstrating literature. He likes to read books. Feel free to contact him in case you need help. Vainajana muistanemme häntäkin hyvällä.
ellauri054.html on line 183: Hannu Riikonen oli omituinen jo Norssin pihalla. Tepasteli kädet ristissä selän takana kuin Charlie Chaplin sen toisen hörhön Eero Tarastin perässä. Hannun sankari on Tex Willer. Lempo! Pannahinen! “I’ve tried to uphold the tradition of eccentric professors,” Riikonen says.
ellauri054.html on line 185: Riikonen has noticed that students' knowledge of classic literature is decreasing. Sitä varmaan nolottaa kun alma mater mainizee sen magnus (sic) opuxen, joka on sen kirjeenvaihto Eeron kaa.
ellauri054.html on line 187: Riikonen even found his wife-to-be, Salme Marjatta, at the University. They both studied Latin and attended the same lectures. The couldn’t marry until 11.5 years after their first meeting, however, as H. K. Riikonen wanted to follow scholar Valentin Kiparsky’s advice to not marry until his dissertation was complete. "Saatuani väitöskirjani valmiixi aion palata mielirunoilijani Horatiuxen pariin." Julkaistuaan kirjeet Tarastin kanssa kirjana Eero ja Hannu (vai oliko se toisinpäin) se sanoi myhisten partaansa: "seuraavaxi aion julkaista rakkauskirjeeni."
ellauri054.html on line 189: At his jubilee seminar, Riikonen's Turku-based colleague, Jukka Sihvonen, characterised him as a bibliophile and a manic hoarder of books. Riikonen says that he has never counted the exact number of books in his home, but he estimates that his is one of Helsinki's most extensive private libraries.
ellauri054.html on line 193: Riikonen has also planned a book on the Aristotelian concept of temperance. He believes temperance can also be used to describe his own lifestyle. “I’m a calm, middle-of-the-road person. I have never veered toward the extreme, in good or bad.” Every day, Riikonen walks to his office in Topelia from his home in Etu-Töölö. “Last year, around the New Year, I lost my temper for the first time, as the electronic lock system in Topelia was broken and I couldn't get to my office during the weekend. The weekends are the best time to work, because it is very quiet,” says Riikonen.
ellauri054.html on line 195: Riikonen takes a walk back home around noon, for a half-hour nap. He is puzzled by people who disapprove of naps as a mark of laziness. After all, it has been proven that they boost efficiency. Pikku Kunkin otti nokkaunet päivällä. Sekin oli keskitien kulkija, konfuzelainen.
ellauri054.html on line 213: Matthew Arnold (24. joulukuuta 1822 Laleham, Middlesex – 15. huhtikuuta 1888 Liverpool) oli englantilainen viktoriaanisen ajan runoilija sekä yhteiskunta- ja kirjallisuuskriitikko. Arnold työskenteli koulutarkastajana. Ei se kuitenkaan ollut pedantti. Hän oli kuuluisan Rugby Schoolin rehtorin Thomas Arnoldin poika ja vähemmän kuuluisien Tom Arnoldin ja William Delafield Arnoldin, romaanikirjailijan veli. Wordsworthin kamuja. A voice poking fun in wilderness. Oliko sekin puun takaa huutelija? Caricature from Punch, 1881: "Admit that Homer sometimes nods, That poets do write trash, Our Bard has written "Balder Dead," And also Balder-dash". Tennysonin ja Browningin jälkeen viktoriaanisten runoilijoiden twit-kisan pronssimies. "It might be fairly urged that I have less poetical sentiment than Tennyson and less intellectual vigour and abundance than Browning; yet because I have perhaps more of a fusion of the two than either of them, and have more regularly applied that fusion to the main line of modern development, I am likely enough to have my turn as they have had theirs." Arnold got into his poetry what Tennyson and Browning scarcely needed (but absorbed anyway), the main march of mind of his time.
ellauri054.html on line 219: Mistä Pico della Mirandola tunnetaan? Ei mitään hajua. Luepa ico_della_Mirandola">Hikipediasta.
ellauri054.html on line 221: Giovanni Pico della Mirandola (s. 24. helmikuuta 1463 – 17. marraskuuta 1494) oli firenzeläinen humanisti ja renessanssifilosofi, joka tuli tunnetuksi vuoden 1486 tapahtumien johdosta. 23-vuotias Pico pääsi silloin julkisuuteen suunnitellessaan tilaisuutta, jossa puolustaisi uskontoa, filosofiaa, eettistä naturalismia ja magiaa koskevia 600 teesiä. Niistä 13 oli kerettiläisiä. Pico della Mirandola vaikutti Firenzen Akatemiassa. Piko Mirandola, Firenzen akatemiasta. Hei hei!
ellauri054.html on line 225: Pico sähläsi aivan tavattomasti kaikenlaista älytöntä, paavi hurjistui.
ellauri054.html on line 226: Hän kulutti aikansa kuljeskelemalla Italian ja Ranskan yliopistoissa luennoitsijoita nolaamassa, ärsyttäviä kysymyksiä tivaamassa ja parin opintopisteen kirjatenttejä suorittamassa. Vuonna 1484 Pico della Mirandola alkoi kyllästyä elämäntapaopiskelijan elämään. Häntä kiinnosti kokopäivätoimisen yleispätijän työ, ja Firenzessä oli siihen tuon ajan Italiassa parhaat mahdollisuudet. Innocentius VIII oli pelätty, ruma ja huumorintajuton ikibännien jakelija. Koska paavimobiilia ei ollut keksitty, liikkui hän Kirkkovaltiossa vierimällä harmaan ovaalin sisässä. Onnex Dick Tracyn näköinen Lorenzo de' Medici oli hyvin merkittävä Picon tukija. Ilman Lorenzon sponssausta Picon saavutukset olisivat tuhoutuneet tyystin.
ellauri054.html on line 228: Aikoessaan Savonarolan seuraxi lopulta ryhtyä munkiksi hän tuhosi runokokoelmansa ja luopui omaisuudestaan. Dick Tracy kuoli Kolumbuxen löydettyä Karibian 1492.
ellauri054.html on line 229: Picon kuoltua hämärissä olosuhteissa 1494 huhuttiin hänen apulaisensa myrkyttäneen isäntänsä. Syyksi epäiltiin Picon liian läheisiä suhteita Savonarolaan. Picon jäännöxistä löytyi sittemmin arsenikkia.
ellauri054.html on line 251: Farinelli päätyi muun muassa Englannin ja Ranskan jälkeen Espanjaan, jossa hänen oli alun perin tarkoitus viettää muutamia kuukausia, mutta jonne hän jäi lähes 25 vuodeksi. Espanjan kuningatar pyrki parantamaan kuningas Filip V:n melankoliaa Farinellin laululla ja Farinellin näin hankkima vaikutusvalta nosti hänet aina käytännössä maan pääministeriksi asti, vaikka hän ei muodollisesti virkaa hallinnutkaan. Kaksi vuosikymmentä Farinelli lauloi samoja lauluja Espanjan kuninkaalle. Ferdinand VI:n noustessa valtaan Farinelli nimitettiin johtajaksi Madridin ja Aranjuezin teattereihin, joihin hän tuotti pääasiassa Pietro Metastasion teksteihin pohjaavia oopperoita. Hän myös teki yhteistyötä Espanjaan asettuneen italialaisen Domenico Scarlattin kanssa. Kaarle III:n noustua valtaan Farinelli palasi Bolognaan ja vietti siellä eläkkeellä elämänsä viimeiset vuodet.
ellauri054.html on line 278: Of pebbles which the waves draw back, and fling, Vierinkivistä joita aallot kiskovat ja heittävät
ellauri054.html on line 301: To one another! for the world, which seems Toisillemme! Sillä maailma, joka näyttää
ellauri054.html on line 330: As a sort of mournful cosmic last resort
ellauri054.html on line 344: Anthony Hecht was born in New York City in 1923. His books of poetry include The Darkness and the Light (Alfred A. Knopf, 2001); Flight Among the Tombs (1996); The Transparent Man (1990); Collected Earlier Poems (1990); The Venetian Vespers (1979); Millions of Strange Shadows (1977); The Hard Hours (1967), which won the Pulitzer Prize; and A Summoning of Stones (1954).
ellauri054.html on line 397: Sing Sing's name comes from the Indian phrase sin sinck . It means stone on stone. In 1901, three years after Edison introduced the electric chair at Sing Sing, the town changed its name to Ossining so people wouldn't confuse it with the jail.
ellauri054.html on line 405: Academic and activist Angela Davis argues that prisons in the U.S. have "become venues of profit as well as punishment;" as mass incarceration has increased, the prison system has become more about economic factors than criminality.
ellauri054.html on line 407: Professor of Law at Columbia University Bernard Harcourt contends that neoliberalism holds the state as incompetent when it comes to economic regulation but proficient at policing and punishing, and that this paradox has resulted in the expansion of penal confinement.
ellauri054.html on line 409: According to The Routledge Handbook of Poverty in the United States, "neoliberal social and economic policy has more deeply embedded the carceral state within the lives of the poor, transforming what it means to be poor in America."
ellauri054.html on line 415: Statistics from the U.S. Department of Justice show that, as of 2013, there were 133,000 state and federal prisoners housed in privately owned prisons in the U.S., constituting 8.4% of the overall U.S. prison population. ... The prison industry as a whole took in over $5 billion in revenue in 2011.
ellauri054.html on line 417: In 2013, countries that were currently using private prisons or in the process of implementing such plans included Brazil, Chile, Greece, Jamaica, Japan, Mexico, Peru, South Africa and Thailand. However, at the time, the sector was still dominated by the United States, United Kingdom, Australia and New Zealand.
ellauri054.html on line 421: In the modern era, the United Kingdom was the first European country to use for-profit prisons. Wolds Prison opened as the first privately managed prison in the UK in 1992. This was enabled by the passage of the Criminal Justice Act 1991 which empowered the Home Secretary to contract out prison services to the private sector.
ellauri054.html on line 423: The law needs to be structured in such a way that it allows a steady stream of new inmates. This ties back to that lobbying aspect: stricter laws mean more people in the system. More people in the system means more money for the prison. Many have argued that this is the entire reason that the war on drugs was started: another set of laws that could incarcerate thousands of people every single year.
ellauri054.html on line 427: There are currently around 198,000 inmates housed in private prisons. It represents less than 9% of the total prison population. Many of these prisons save the government money, but some actually cost more per prisoner than a public facility would cost.
ellauri054.html on line 429: The capitalist mindset says any time an industry can be run privately it is better for the economy. The socialist mindset says that the government should be supplying those services. The realist says that the prison system is overcrowded as it is.
ellauri054.html on line 431: Compete Risk Free with $100,000 in Virtual Cash Put your trading skills to the test with our FREE Stock Simulator. Compete with thousands of Investopedia traders and trade your way to the top! Submit trades in a virtual environment before you start risking your own money. Practice trading strategies so that when you're ready to enter the real market, you've had the practice you need. Try our Stock Simulator today!
ellauri054.html on line 437: Edison invented the first electric chair to show how dangerous alternating current was. 614 people eventually died in it. As a business model it sucks, with no returning customers.
ellauri054.html on line 441: (Theme music)
ellauri054.html on line 462: Terveisin Jessica Vilenius, talouspäällikkö.
ellauri054.html on line 472: Browning on ensinnäkin pyssy, ja pyssytehdas. Browning Arms Company is an American marketer of firearms and fishing gear. The company was founded in Ogden, Utah, in 1878 by brothers John Moses Browning and Matthew Sandefur Browning. The company offers a wide variety of firearms including shotguns, rifles, and pistols. We Support nra.org, nssf.org, dontlie.org, gunvote.org.
ellauri054.html on line 473: Browning Inc. sponssaa myös naispyssyjärjestöjä kuten Becoming an outdoors woman, ja pyssykirjailijajärjestöjä kuten Outdoor Writers Association of America. Outdoors tarkoittaa Amerikassa nähtävästi paukuttelua.
ellauri054.html on line 481: Robert Browning believed spiritualism to be fraud, and proved one of Daniel Dunglas Home's most adamant critics. When Browning and his wife Elizabeth attended one of his séances on 23 July 1855, a spirit face materialized, which Home claimed was Browning's son who had died in infancy: Browning seized the "materialization" and discovered it to be Home's bare foot. To make the deception worse, Browning had never lost a son in infancy.
ellauri054.html on line 483: After the séance, Browning wrote an angry letter to The Times, in which he said: "the whole display of hands, spirit utterances etc., was a cheat and imposture." In 1902 Browning's son Pen wrote: "Home was detected in a vulgar fraud." Elizabeth, however, was convinced that the phenomena she witnessed were genuine, and her discussions about Home with her husband were a constant source of disagreement.
ellauri054.html on line 485: Elisabetilla oli luultavasti selkärankatubi. Se otti siihen paljon laudanumia. Molemmat Browningit oli abolitionisteja ja ajoi muitakin hyviä liberaalijuttuja. Sen runokokoelma Runoja 1844 oli suuri menestys. Browningeilla oli yksi poika nimeltä Kynä. Liisaa diggasivat mm. Edgar Allan Poe ja Emily Dickinson. Sen hittejä oli mm. runo "How Do I Love Thee?" (Sonnet 43, 1845).
ellauri054.html on line 507: ican%2C_1822-1872%29_-_Portraits_of_Elizabeth_Barrett_Browning_and_Robert_Browning.jpg" width="50%" />
ellauri054.html on line 513: Browningin tunnetuimpien teostensa (sic) joukossa on 1860-luvun lopussa julkaistu The Ring and the Book, 21 000 riviä pitkä ylistyslaulu Barrett Browningille. No voi hemmetti. Jaakko Hintikka jää toisexi.
ellauri054.html on line 527: Browning´s early career began promisingly, but collapsed. The long poems Pauline (1833) and Paracelsus (1835) received some acclaim, but in 1840 the difficult Sordello, which was seen as wilfully obscure, brought his poetry into disrepute. His reputation took more than a decade to recover, during which time he moved away from the Shelleyan forms of his early period and developed a more personal style.
ellauri054.html on line 565: In 1846 Browning married the older poet Elizabeth Barrett and went to live in Italy. By the time of her death in 1861 he had published the crucial collection Men and Women (1855). The collection Dramatis Personae (1864) and the book-length epic poem The Ring and the Book (1868-1869) followed, and made him a leading British poet. He continued to write prolifically, but his reputation today rests largely on the poetry he wrote in this middle period.
ellauri054.html on line 567: When Browning died in 1889, he was regarded as a sage and philosopher-poet who through his writing had made contributions to Victorian social and political discourse. Unusually for a poet, societies for the study of his work formed while he was still alive. Such Browning Societies remained common in Britain and the United States until the early 20th century.
ellauri055.html on line 6: font-style: italic;
ellauri055.html on line 38: In Greek mythology, Comus (Ancient Greek: Κῶμος) is the god of festivity, revels and nocturnal dalliances. He is a son and a cup-bearer of the god Dionysus. Comus represents anarchy and chaos. His mythology occurs in the later times of antiquity. During his festivals in Ancient Greece, men and women exchanged clothes. He was depicted as a young man on the point of unconsciousness from drink. He had a wreath of flowers on his head and carried a torch that was in the process of being dropped. Unlike the purely carnal Pan or purely intoxicated Dionysos, Comus was a god of excess.
ellauri055.html on line 40: Momus (/ˈmoʊməs/; Greek: Μῶμος Momos) was in Greek mythology the personification of satire and mockery, two stories about whom figure among Aesop's Fables. During the Renaissance, several literary works used him as a mouthpiece for their criticism of tyranny, while others later made him a critic of contemporary society. Onstage he finally became the figure of harmless fun.
ellauri055.html on line 46: Breugnon sanoi ruttotautisena ettei Rooman keisari kuole pylly tyynyllä. Tänkin ajatelman mä olen lukenut jostakin, oisko ollut Erich Auerbachin Mimesixestä. Sen sanoi joku viti viimeisistä keisareista. Nimeä ei löydy Googlesta, joka pälpättää vaan Palpatinesta. Jenkkimulkut elää omassa kuplassa.
ellauri055.html on line 52: Son père, procureur, décède alors que Jean Bouchet est encore jeune. Ami de Rabelais, Jean Bouchet exerce la profession paternelle. Il compose un grand nombre d'ouvrages historiques ou de fantaisie en vers et en prose, qui sont encore recherchés des bibliographes au XIXe siècle. Selon Maurice Allem, « grand travailleur, bon bourgeois, père d'une nombreuse famille, Bouchet est volontiers moraliste et même sentencieux » ainsi dans cet envoi :
ellauri055.html on line 72: Pianiste. Fille de Michel Bréal (1832-1915). - Épouse de Romain Rolland de 1892 à 1901. - Épouse d'Alfred Cortot (20 ...
ellauri055.html on line 74: Zweig oli kova Rolland fan. Eikaine vaan homostellu keskenään? Sitä oli paljon liikkeellä jetset piireissä. Bertie ja Conrad. Proust ja Bourget. Epäilyttäviä tapauxia pisteessä on läjittäin. Zweig nyt takuulla oli vähintään bi. Se ja sen vaimo teki seppukut brasseissa. What did Zweig have that brought him the fanatical devotion of millions of readers, the admiration of Hermann Hesse, the invitation to give the eulogy at the funeral of Sigmund Freud? Sas se. Freud teki suusyöpäisenä seppukun Lontoossa 1939. Ei ois kannattanut vetää tupakkaa. Henkilääkäri otti sen hengiltä morfiinipiikillä kuin vanhan koiran. Koiran iässä se oli 12-vuotias.
ellauri055.html on line 80: Le 22 décembre 1912, à l'occasion de la publication du dernier volume de Jean-Christophe, Stefan Zweig publie une lettre ouverte dans le Berliner Tageblatt, lettre dans laquelle il rendait hommage à l'action de Romain Rolland pour son œuvre de rapprochement entre les jeunesses de France et d'Allemagne (« Jean-Christophe est un événement éthique plus encore que littéraire »).
ellauri055.html on line 84: Déstabilisé par l'élan mystique qui traverse alors la société autrichienne, Stefan Zweig affiche au début de la guerre un patriotisme en phase avec l'Allemagne. L’opiniâtreté de Romain Rolland dans sa lutte contre la guerre et l'amitié que se portent mutuellement les deux hommes permettra à Stefan Zweig de surmonter cette épreuve. L'admiration que l'écrivain autrichien voue désormais à celui qu’il considère comme son maître s'exprimera dans la biographie qu'il lui consacre en 1921, qualifiant Romain Rolland de « Conscience de l'Europe ».
ellauri055.html on line 94: Adolf Hitler accède au pouvoir en janvier 1933. Pressentant la tragédie qui s'annonce, Stefan Zweig quitte l'Autriche en février 1934. Il se suicide en 1942 au Brésil. Romain Rolland meurt à Vézelay le 30 décembre 1944.
ellauri055.html on line 96: Rikkaat meinaa että köyhät ovat tyhmiä. Niin ovatkin. Oma vika. Mixeivät puijaa eikä etuile niinkuin me. Apina ei pieraise korkeammalta kuin perssilmänsä. Rolle peukuttaa sosialistista realismia. Ei mitään typerää symbolismia tai taidetta taiteen vuox kuten Pater. Nälkäisiä ankkoja ja traktoreita viljapellolla. Hyödyllistä taidetta. Rolland taisi olla vähän tyhmä ize, hyödyllinen idiootti. Belgi ryssämamu pelle Victor Serge sanoi siitä aika pahasti:
ellauri055.html on line 98: Victor Serge was appreciative of Rolland's interventions on his behalf but ultimately thoroughly disappointed by Rolland's refusal to break publicly with Stalin and the repressive Soviet regime. The entry for May 4, 1945, a few weeks after Rolland's death, in Serge's Notebooks: 1936-1947 notes acidly that "At age seventy the author of Jean-Christophe allowed himself to be covered with the blood spilled by a tyranny of which he was a faithful adulator."
ellauri055.html on line 108: Selon la foi baha’ie, chaque homme a le devoir de reconnaître Dieu et ses manifestations, et de se conformer à leurs enseignements. À travers la reconnaissance et l’obéissance, le service aux autres êtres humains, la prière et la pratique spirituelle régulière, les baha’is croient que l’âme devient plus proche de Dieu, l’idéal spirituel dans la croyance baha’ie.
ellauri055.html on line 109: Il faut cependant noter que les décisions de la Maison Universelle de Justice, ainsi que les exégèses des écrits sacrés faites par ʿAbd-al-Bahāʾ et Shoghi Effendi, bénéficient d’une autorité s’imposant à tous les baha’is. Ce qui a conduit depuis les années 1980-1990 à ce que plusieurs intellectuels et universitaires, historiens ou sociologues, soient chassés de la communauté baha’ie pour leurs vues jugées divergentes sur des questions-clefs (l’exclusion des femmes de la Maison universelle de justice ; l’obligation de soumettre toute publication, même universitaire, à un comité de censure ; l’homosexualité ; un système électoral qui favorise les sortants ; l’interdiction de participer à un parti politique ou d’adhérer à une organisation comme Amnesty International, etc., et surtout le sujet central de l’infaillibilité des institutions).
ellauri055.html on line 111: Égalité de l’homme et de la femme, mais avec cependant des exceptions à cette règle. La principale exception, depuis l’arrêt du soutien de la bigamie, est l’inéligibilité des femmes comme membres de la Maison Universelle de Justice.
ellauri055.html on line 117: Voici un exemple de quelques lois et préceptes religieux tirés du Kitāb-i Aqdas. Elles ont été codifiées par Shoghi Effendi, interprète désigné des écrits baha’is de 1921 à 1957 :
ellauri055.html on line 133: les jeux d'argent sont strictement interdits.
ellauri055.html on line 138: Ils doivent être construits selon des critères particuliers, liés au nombre 9 qui doit apparaître comme un « symbole évident pour tous ». Aussi, tous les temples baha’is doivent-ils avoir neuf entrées.
ellauri055.html on line 140: Du point de vue liturgique, la méditation dans les temples est accompagnée de lectures choisies dans les textes sacrés des autres religions. Ces textes — par exemple le Pentateuque des juifs, le Nouveau Testament des chrétiens, le Coran des musulmans, le Bayān des babis, etc. — ont annoncé successivement, par paliers de perfection croissante, l’incessante révélation divine ou message de Dieu. En ce sens, le livre sacré liant tous les textes sur la révélation qui le précèdent est logiquement le dernier dans l’ordre chronologique, à savoir le Kitāb-i Aqdas (« Le plus saint livre »). Il a été rédigé vers 1873 par Bahāʾ-Allāh et est complété par différentes tablettes (lawḥ) révélées ensuite ; pour les baha’is, c’est le texte de référence bien qu’il ne soit pas plus important que les autres, ni le livre le plus lu par les baha’is eux-mêmes sur la foi. Le livre ne fut d’ailleurs accessible que très tard aux croyants occidentaux puisque la première traduction officielle en anglais date de 1992.
ellauri055.html on line 144: Le mariage baha’i est l’union d’un homme et d’une femme. Originellement la bigamie était autorisée mais cette licence disparut sous Shoghi Effendi.
ellauri055.html on line 150: Mais d’après le Gardien Shoghi Effendi Rabbānī, le véritable symbole de la Foi baha’ie est cette étoile à 5 branches et non pas l’étoile à 9 pointes : « Strictly speaking the 5-pointed star is the symbol of our Faith, as used by the Báb and explained by Him (« À proprement parler, l’étoile à 5 branches est le symbole de notre Foi, tel qu’utilisé par le Bab et expliqué par lui ») »
ellauri055.html on line 168: Le brugnon est le fruit du brugnonier (Prunus persica var. nucipersica), une variété de pêchers (Prunus persica). C'est une drupe qui se distingue des pêches et pavies par sa peau sans duvet, et des pêches et nectarines par son noyau adhérent. La chair du brugnon est blanche ou jaune selon les variétés. Sa peau présente une couleur rouge-orangé tirant sur le bordeaux.
ellauri055.html on line 213: Saint Fiacre's relics were preserved in his original shrine in the local church of the site of his hermitage, garden, oratory, and hospice, in present Saint-Fiacre, Seine-et-Marne, France, but later transferred in 1568 to their present shrine in Meaux Cathedral in Meaux, which is near Saint-Fiacre and in the same French department, because of fear that fanatical Calvinists endangered them. Saint Fiacre had a reputation for healing haemorrhoids, which were denominated "Saint Fiacre's figs" in the Middle Ages. Cardinal Richelieu venerated his relics hoping to be relieved of the infirmity.
ellauri055.html on line 215: Saint Fiacre is the patron saint of the commune of Saint-Fiacre, Seine-et-Marne, France. He is the patron of growers of vegetables and medicinal plants, and gardeners in general, including ploughboys. His reputed aversion to women is believed to be the reason he is also considered the patron of victims of venereal disease. He is further the patron of victims of hemorrhoids and fistulas, taxi cab drivers, box makers, florists, hosiers, pewterers, tilemakers, and those suffering from infertility. Finally, he is commonly invoked to heal persons suffering from various infirmities, premised on his reputed skill with medicinal plants.
ellauri055.html on line 262: Cicero:

ellauri055.html on line 367:
Cicero My passion for gardening may strike some as selfish, or merely an act of resignation in the face of overwhelming problems that beset the world. It is neither. I have found that each garden is just what Voltaire proposed in Candide: a microcosm of a just and beautiful society. Michael Eyquen de Montaigne Michael P. Garofalo
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ellauri072.html on line 131: Bernd Heinrich Wilhelm von Kleist (18. lokakuuta 1777 Frankfurt an der Oder – 21. marraskuuta 1811 Berliini) oli saksalainen näytelmä- ja romaanikirjailija sekä runoilija. Hänen tuotantonsa kuului romantiikan suuntaukseen.
ellauri072.html on line 135: Heinrich von Kleist stand als Außenseiter im literarischen Leben seiner Zeit, jenseits der etablierten Lager und der Literaturepochen der Weimarer Klassik und der Romantik. Bekannt ist er vor allem für das historische Ritterschauspiel Das Käthchen von Heilbronn, seine Lustspiele Der zerbrochne Krug und Amphitryon, das Trauerspiel Penthesilea sowie für seine Novellen Michael Kohlhaas und Die Marquise von O....
ellauri072.html on line 158:
Frost’s lowest romantic moment

ellauri072.html on line 162: Frost calculated that the best way to win her over was to present her with a volume of his first poems. He put them together in a pamphlet, had them printed on fine paper and bound in leather with gold print. When he got to the front door of her boarding house in Canton, New York, Hart said, “She basically shut the door in his face.”
ellauri072.html on line 166: “He was devastated,” Hart said. “He always was extremely sensitive to any kind of rebuff or criticism.”
ellauri072.html on line 168: Frost boarded a steamship from New York to Norfolk, and walked into the Great Dismal Swamp where, Hart maintained, he planned to commit suicide in the woods by a canal. Some biographers have scoffed at the idea that Frost wanted to “throw… [his] life away” in the swamp.
ellauri072.html on line 170: “But that’s what he said when he was candid in interviews,” Hart said, “that he wanted to put an end to his life in the Great Dismal Swamp. He went in with his street clothes, a little satchel, no food or gear. He was rescued by a couple of guys in a boat who were going down the canal [to pick up some duck hunters].”
ellauri072.html on line 176: Hart doesn’t understand why other biographers seem averse to broaching the subject. He points to the fact that Frost’s son, Carol, committed suicide, that depression and schizophrenia ran through the family, and that some of Frost’s poems express a death-wish.
ellauri072.html on line 183: Elokuussa 2020 paljastui, että kuvafoorumi 8kun ent 8chan ja vielä entisempi 4chan ja Q-nimimerkin viestit listaava QMAP-sivusto toimivat samasta kanadalaisesta IP-osoitteesta. 8kunin omistaa Filippiineillä asuva Jim Watkins, joka osti 8kunin edeltäjän 8chanin sen perustajalta Frederick Brennanilta vuonna 2016. Brennan itse uskoo Watkinsin ainakin pystyvän esiintymään Q-nimimerkkinä, mutta ei usko Watkinsin olevan kyseinen henkilö. Nimimerkki on toistuvasti ilmoittanut, että 8chan/8kun tulee olemaan tämän ainoa kommunikaatiokanava, joten Brennan on salaliittoteorian vastustajana pyrkinyt pakottamaan Watkinsia sulkemaan sivuston. Where we go one we go all. Me ollaan Ryhmä Hau, muskettikoiria. Guanon-lippis MAGA-lippixen päällä kuin Koppiaismäellä. Takaistuimella väärennettyjä äänestyslippuja.
ellauri072.html on line 194: En av offren var bara (?) 15 år, när det började hemma hos ärkebiskopen. När ärkebiskopen tog honom på könsorganen fick han höra att det var normalt, "sådant som man gör" i kretsarna (vilken krets var det nu hos Dante? Den sjunde, jfr Intermezzo.)
ellauri072.html on line 197: icture-in-picture" allowfullscreen>
ellauri072.html on line 198:
Eleven! Please repeat that. Beatrice does not get it. Dante and Vergilius get quite pissed.
ellauri072.html on line 206: What has gone mainly unnoticed in the various discussions of the problem is something that has puzzled me for some time. Why does Dante treat the homosexual Florentines in Inf. 16 with greater respect than any other infernal figures except those in Limbo? I do not have an answer to that question, but would like to bring it forward. Let me begin with Purg. 26. We have probably not been surprised enough at Dante's insistence that roughly half of those who sinned in lust, repented, and were saved (and are now on their way to that salvation) were homosexual. It would have been easy for him to have left the homosexuals out of Purgatory, and it is hard to imagine an early (or a later) commentator who would have objected to the omission, especially since, in Hell, homosexuality is treated, not as a sin of the flesh, but as one of violence against nature. However, for a unique instance of a commentator who is aware of Dante's unusual gesture see Trifon Gabriele on Inf. 15.46: "Non e' dubbio che 'l Poeta vuol applaudere a questo vitio quanto egli puo'. Puopa hyvinkin. Ecco, gli fa parlare di belle cose e gli fa tutti grand'uomini nelle lettere e nell'arme e nella religione, e finalmente non e' peccato ne l'Inferno o Purgatorio che egli men danni con le parole sue che questo; anzi lo polisce quanto puo' con suoi versi".
ellauri072.html on line 208: This surprising, even shockingly "liberal" view of homosexual love as being the counterpart of the heterosexual kind should cause more notice than it generally does; perhaps even greater surprise should attend the extraordinarily generous gestures made toward the three Florentine homosexual politicians, Iacopo Rusticucci, Guido Guerra, and Tegghiaio Aldobrandi, whom we encounter in Inf. 16. They are presented as being among the most admirable figures in Hell. Let us examine the scene briefly. Virgil, who so often warns Dante when the latter begins to admire or become sympathetic (or overly concerned with) the damned, here is urgent in his approbation of these three sinners: "a costor si vuole esser cortese." This is the only time in Hell in which cortesia is mentioned as a fitting response to the damned except for Beatrice's and Dante's use of "cortese" for Virgil (Inf. 2.58, 2.134). The following tercet only emphasizes the guide's appreciation of their worthiness.
ellauri072.html on line 211: This is the only place in Hell that a group of sinners speaks courteously to Dante in a single voice ("rispuoser tutti" is the indication; again, the only similar moment occurs in Limbo -- 4.98 -- when the four poets give Dante their [unspoken?] greeting as one).
ellauri072.html on line 213: Leaving Dante and Virgil, the sinners vanish so quickly that "Un amen" could not be uttered in so little time. That Dante should turn to the language of prayer for his comparison, notwithstanding the proverbial and popular origins of the phrase, probably also reflects on the esteem that he felt and continues to feel for the three Florentines. It is a rare thing in the Inferno to find a moment in which the pilgrim, the poet, and the guide are all in absolute agreement, and certainly with respect to the human worth of sinners.
ellauri072.html on line 216: As we see in Inferno 15-16, in Hell Dante damns sodomites as sinners of violence against nature. Nonetheless, even in his Hell, where Dante does not go so far as to include homosexuals as unrepentant lustful in the second circle, he still desexualizes his treatment of sodomy. What do we learn from all this? Yet the fact that here, as in Purg. 26, he chooses to put homosexuals in a good light when there was no apparent compelling reason for him to do so surely should cause us to ask further questions about Dante's views concerning homosexuality. Varmaan se oli homo izekin, Beatrice or no Beatrice. Sixkai sille riitti vaan ulista siitä Beatricesta. Satis enim dictum erat de tam obscena et tam spurca materia.
ellauri072.html on line 219: Mannen berättar vidare att han inte protesterade eftersom han (bögpiskopen) var en sådan auktoritet. Övergreppen blev allt mer regelbundna och aggressiva. När han till sist "brast" och "grät", blev arkebiskopen rosenrasande. Han slog näven i bordet och skällde ut katamiten för at ha "brustit" och "gråtit" så tidigt. Han sade åt snubben att han skulle uppföra sig som en man och visa lite styrka. Men det gick inte längre, snoppen var tom.
ellauri072.html on line 318: Tiedelehti tuuttaa: "Ihmiset lumoutuvat kexityistä tapahtumista esimerkixi sarjoissa, tietokonepeleissä, romaaneissa ja elokuvissa". Mä en. En jaxa fantasioita, en seikkailuja enkä juonenkäänteitä. En taida olla enää ihminen. Siitä olen vaan tosi iloinen. Ehkäpä aivoni ovat menneet overfitin puolelle, eivätkä enää ota vastaan randomeja syötteitä. Minusta on tullut ropotti. Marvin the manic depressive droid lihasta ja verestä. “My capacity for happiness, you could fit into a matchbox without taking out the matches first.”
ellauri072.html on line 477: What will happen when the age-old economy of scarcity gives way to the Age of Leisure? Professor Gabor, who won the 1971 Nobel Prize for physics offers a futuristic projection based on a static population and GNP, "classless, democratic, and uniformly rich." Fearful that total secruity "will create unbearable boredom and bring out the worst in Irrational Man," Gabor is anxious to retain "effort," "hardship," and the Protestant Ethic -- lest society dissolve in an orgy of anti-social, hedonistic nihilism (viz. the current drug explosion and the spoiled-brat students). To avoid such evils Gabor proposes that work and its attendant moral uplift be divorced from production and the service sector of the economy be vastly enlarged. But this is only the beginning -- enthusiastic about Social Engineering Gabor suggests using it to weed out potential misfits, trouble-makers and "power addicts"; supplementing I.Q. tests with E.Q. (Ethical Quotient) measurements; and modeling elementary and secondary education on the 19th century British public school which knew so well how to inculcate good citizenship, intellectual excellence and pride in achievement. The Third World, still wrestling with pre-industrial material want, is ignored -- since we can't afford any more industrial pollution presumably they will just have to adjust to their misery. Gabor's assessment of "the Nature of Man" shows a woefully naive Anglo-American ethnocentricity and complete ignorance of anthropology and his vision of post-industrial utopia operating on the moral axioms of the 19th century is as elitist as it is improbable.
ellauri072.html on line 487: It is highly likely that while reading “Every Love Story Is a Ghost Story,” D. T. Max’s biography of David Foster Wallace, you will experience both of the following emotions. The one is that you find it painful, to read about someone in chronic severe emotional distress. The other emotion is that you just don’t find Wallace all that nice.
ellauri072.html on line 489: You find yourself thinking that you wouldn’t have wanted him as your brother or lover or close friend, though he would probably have been a very good neighbor, course instructor, A.A. sponsor, or fellow American. You feel, to be honest, repelled.
ellauri072.html on line 491: What with the recursive and self-reflexive and aw-shucks mixed with Kierkegaard and Stanley Cavell and higher mathematics, Wallace is infectious — weirdly, this is the case even if you have never read him! the voice has permeated the culture! Wow!
ellauri072.html on line 493: You begin to ask yourself if the liking or not liking of the author as a person is really interesting or illuminating, aesthetically or ethically, as a dominant question.
ellauri072.html on line 495: Maybe you were a bit quick to straighten that miter you now realize you were wearing and, of course, speck-of-sawdust-in-your-brother’s-eye, etc., and also, as Alcoholics Anonymous would put it, Whoever is upsetting me most is my best teacher, and as Wallace put it, in his novel “Infinite Jest,” “It starts to turn out that the vapider the A.A. cliché, the sharper the canines of the real truth it covers.”
ellauri072.html on line 499: David Foster Wallace wrote three novels, three story collections, two collections of essays, and other things too, but his reputation still rests mainly on “Infinite Jest” — the 1,100-page novel published in 1996 and set alternately in a tennis academy and a rehab center — and on his sui generis now-nearly-a-genre long-form journalism about topics ranging from lobsters to dictionaries to John McCain to the Adult Video News awards for pornographic films. Wallace’s best work, perhaps by far, is “The Pale King,” an unfinished novel about I.R.S. employees that was assembled posthumously by Wallace’s editor, Michael Pietsch.
ellauri072.html on line 501: Wallace has given as much to literature as any contemporary American writer. Whether you like him or not, you hear American language, and experience American thinking, differently because of him. Wallace’s oeuvre is internally varied but also of a piece.
ellauri072.html on line 505: Rivka Galchen is an award-winning fiction writer and journalist who loves noodles and numbers and modest-sized towns in Oklahoma where her meteorologist dad and computer data entry mom might have worked.
ellauri072.html on line 506: Her work appears often in The New Yorker. So she is a girl. Or woman, politically correctly, in her mid forties. This she wrote 2012 when she was still up and coming.
ellauri072.html on line 508: Infinite Jest is not the only thing that made Wallu famous, though. There was also his bandanna, which was as misinterpreted as so much else about him. As the Max biography explains, Wallace started wearing the bandanna as the least embarrassing solution he could think of to obscure the intense sweating attacks that overcame him without warning. (In high school, he had taken to carrying around a tennis racket and a towel as a tacit cover story for the sweating.) The acutely self-conscious, anxious, addicted and at times showy characters in Wallace’s fiction were not, Max helps us recognize, wildly difficult for Wallace to imagine — the characters were iterations of himself.
ellauri072.html on line 516: Any diagnoses seem as unilluminating as saying that the “reason” someone is short is because he is 5-foot‑1. About Wallace’s problems it seems worth noting simply that his A.A. attendance coincided with a long period of relative wellness, and that getting off the antidepressant Nardil, which he had taken most of his adult life, coincided with a serious crash in mood that ended in his suicide six months later.
ellauri072.html on line 520: The externals of Wallace’s life are not too distinctive. He was a smart kid raised in a middle-class family in Urbana, Ill.; his mother was an English teacher and his father a professor of philosophy. Wallace attended Amherst, where he first had trouble fitting in and then found a niche where he fit in very well. He had some intense and dramatic long-term relationships with women and also his share of brief sexual encounters, and he eventually had what is said to have been a loving and grounded marriage. It is his internal agitations, not his circumstances, that were extreme.
ellauri072.html on line 524: We don’t always find ourselves asking whether a writer is nice. I’ve never heard anyone wonder this at length about, say, Haruki Murakami or Jennifer Egan.
ellauri072.html on line 528: But Wallace has been called “wise” and “gentle” enough times to nauseate even the devotees who call him wise and gentle; at the same time, his fiction has been condemned as lacking in heart. Why is his “niceness” so central a concern?
ellauri072.html on line 532: To some extent, his subject matter invites the ad or pro hominem fallacy. Wallace’s lonelies, wastoids and number crunchers are, often, trying to find ways to live well. One understandably slips from reading something concerned with how to be a good person to expecting the writer to have been more naturally kind himself. That thinking is perfectly wrong, though. Alec Baldwin surely has more to teach us than most about how to hold one’s temper; the co-founder of A.A., Bill W., is a guru of sobriety precisely because sobriety was so difficult for him.
ellauri072.html on line 536: Wallace’s fiction is, in its attentiveness and labor and genuine love and play, very nice. But what is achieved on the page, if it is achieved, may not hold stable in real life. As another dangerously romanticizeable suicide, Heinrich von Kleist, once said: “It is not we who know but rather a certain state of mind in us that knows.” And one is not always in the same state of mind.
ellauri072.html on line 540: Another thing, perhaps more powerful, that detains people at the niceness question has to do, I think, with competitiveness. Readers are correct to sense, in Wallace’s elaborate grammars and data fields, not only a generous show but also a tacit petition for our recognition of his intellect. This really annoys some people.
ellauri072.html on line 548: But yes, Wallace was extremely competitive, even to the point of competing about not being competitive. One of the wincing pleasures of Max’s biography is reading excerpts from Wallace’s correspondence, especially with his close friend and combatant Jonathan Franzen, but also with just about every white male writer he might ever have viewed as a rival or mentor. Aggressive self-abasement, grandstanding, veiled abuse, genuine thoughtfulness, thin-skinned pandering — it’s all there. As the correspondents compete about who is making genuine human connections and who and what is really nice and good, they seem to be in some realm far from most kinds of human connection save for that of heated testosteronic battle.
ellauri072.html on line 552: In this bizarre arena, niceness becomes just one more mode of competition, thereby undermining itself. Supposedly. But not really.
ellauri072.html on line 553: Because, in their attentiveness to one another, and to literature, they are, even in their bizarre, distorted-by-self ways, generating niceness and even, in important ways, being nice to one another. The fuel may be toxic, but the engine converts it.
ellauri072.html on line 558: It’s not unlike the way Wallace turned a major problem with distraction — you will be amazed by his television watching — into an ability to follow out a thought or topic farther than almost anyone else.
ellauri072.html on line 562: One of the main criticisms of Wallace’s work is that he simply mirrored decay and malaise instead of moving through and beyond them. This was, not infrequently, one of his own main concerns. But the more nattering and pervasive complaint, which takes on more dimension in Max’s biography, is that he is just too brainy and aggressively difficult — just too, well, mean.
ellauri072.html on line 566: Let’s disagree. Wallace’s writing is not as difficult to read as it is famed to be, nor as pandering to entertain as he worried it was. Wallace writes in grammatically correct sentences; he tells jokes; and his work, if you are wired a certain way, will affect you emotionally.
ellauri072.html on line 574: It is very moving to watch someone do that very uncool thing of working long and hard at something. All that work: that is a very nice thing to do.
ellauri072.html on line 592: Depend is a brand of absorbent, disposable underwear and undergarments for people with urinary or fecal incontinence. It is a Kimberly-Clark brand, and positions its products as an alternative to typical adult diapers. Depend is the dominant brand of disposable incontinence garments in the United States with a 49.4 share of the market.
ellauri072.html on line 639: Under Arizona law in 1984, when Wallace turned himself in and confessed to the three murders, to be given the death penalty, prosecutors had to prove that the crime was especially heinous by showing that Wallace either relished in the crime, inflicted gratuitous violence or needlessly mutilated the victims.
ellauri072.html on line 641: In Wallace's case, prosecutors argued that he inflicted gratuitous violence. Here's why:
ellauri072.html on line 658: ick----premium-plastic-figures---averell-dalton-p-image-263122-grande.jpg" height="200px" />
ellauri073.html on line 6: font-style: italic;
ellauri073.html on line 173: The Drama of the Gifted Child: The Search for the True Self, Revised Edition Paperback – January 1, 1997 by Alice Miller (Author).
ellauri073.html on line 177: Alice Miller, born as Alicija Englard (12 January 1923 – 14 April 2010), was a Polish-Swiss psychologist, psychoanalyst and philosopher of Jewish origin, who is noted for her books on parental child abuse, translated into several languages. She was also a noted public intellectual. In her books she departed from psychoanalysis, charging it with being similar to the poisonous pedagogies. she felt that psychoanalytic theory and practice made it impossible for former victims of child abuse to recognize the violations inflicted on them and to resolve the consequences of the abuse, as they "remained in the old tradition of blaming the child and protecting the parents." She addressed the two reactions to the loss of love in childhood, depression and grandiosity.
ellauri073.html on line 179: In my work with these people, I found that every one of them has a childhood history that seems significant to me:
ellauri073.html on line 181: There was a mother who at the core was emotionally insecure, and who depended for her narcissistic equilibrium on the child behaving, or acting, in a particular way. This mother was able to hide her insecurity from the child and from everyone else behind a hard, authoritarian and even totalitarian facade.
ellauri073.html on line 189: Samaten, jos Wallu olis elänyt pitempään, muutkin kuin mä ois alkaneet sitä haukuskella. Oisivat huomanneet ettei ne tykänneetkään Loputtomasta läpästä, joka on täynnä muilta lainattuja "riffejä". Ne olis tajunneet että Wallacen postmodernin kikat ei olleetkaan avant-gardea, vaan johtu vaan siitä ettei se osannut pilkkusääntöjä. Ja lopulta niillekin ois selvinnyt, että Wallu vaikeni Loputtoman läpän jälkeen koska sillä ei ollut mitään sanomista. Mulla sensijaan on hurjasti tätä tämmöstä. Mun ei ikinä tarvi vaieta. Mua vituttaa vaan että Rolling Stone ja The Atlantic kirjottaa sen eikä mun runkuista.
ellauri073.html on line 197: John Sidney McCain III (August 29, 1936 - August 25, 2018) was an American statesman and United States Navy officer who served as a United States Senator for Arizona from 1987 until his death in 2018. He previously served two terms in the United States House of Representatives and was the Republican nominee for president of the United States in the 2008 election, which he lost to Barack Obama.
ellauri073.html on line 199: Vuonna 2000 Wallu seuras McCainin kampanjaa Rolling Stonessa. Matt herkuttelee ajatuxella, että Wallu parka olis ottanut suihin McCainilta. Vähän huolettaa nää hemmot jotka vetää käteen sellaisilla mielikuvilla. Nähtävästi Wallu kirjoitti jonkun puffin ennnen 2000 esivaaleja Rolling Stonesiin McCainin kampanjasta. "Since you’re reading Rolling Stone, the chances are you’re an American between say 18 and 35."
ellauri073.html on line 202: Cain gets introduced by some kind of very high-ranking Highway Patrol officer whose big hanging gut and face the color of rare steak seemed right out of southern-law-enforcement central casting and who spoke approvingly and at some length about Senator McCain’s military background and his 100 percent conservative voting record on crime, punishment, firearms, and the war on drugs. Wendy—who has electric-blue contact lenses and rigid blond hair and immaculate makeup and accessories and French nails and can perhaps best be described as a very Republican-looking young lady indeed—is back here at the beige table eating a large styrofoam cup of soup and using her cell phone to try to find someplace in downtown Charleston where Mrs. McCain can get her nails done.
ellauri073.html on line 204: Mrs. McC.’s sedulous attention to her own person’s dress and grooming is already a minor legend among the press corps, and some of the techs speculate that things like getting her nails and hair done, together with being almost Siametically attached to Ms. Lisa Graham Keegan (who is AZ’s education superintendent and supposedly traveling with the senator as his “Advisor on Issues Affecting Education” but is quite plainly really along because she’s Cindy McCain’s friend and confidante and the one person in whose presence Mrs. McC. doesn’t look like a jacklighted deer), are the only things keeping this extremely fragile person together on the Trail. (Onx tää nyt se jota sanottiin julkisesti emättimexi? Ei hizi, kyllä sille tarvittaisiin joku miellyttävämpi sana.)
ellauri073.html on line 206: A big reason why so many young Independents and Democrats are excited about McCain is that the campaign media focus so much attention on McCain’s piss-and-vinegar candor and so little attention on the sometimes extremely scary right-wing stuff this candor drives him to say. John McCain´s morning speech several times invoked a “moral poverty” in America, a “loss of shame” that he blamed on “the ceaseless assault of violence-driven entertainment that has lost its moral compass to greed” (McCain’s metaphors tend to mix a bit when he gets excited), and made noises that sounded rather a lot like proposing possible federal regulation of all US entertainment. No siinä olis kyllä ollut järkeä.
ellauri073.html on line 216: Teknikot ja vähiten apinamaiset kynäilijät arvioivat että McCainin selkeästi humaanein hetki kampanjassa oli Warren MI kaupungintalolla maanantaina kyselytunnilla, kun keski-ikäinen mies urheilutakissa ja baskerissa, joka ei näyttänyt mitenkään tavallisuudesta poikkeavalta, mutta osoittautui kukkelikuu hulluxi, kirjaimellisesti, siis niinkuin DSM asteikon IV-asteen skizofreenikko – tuli mikille ja sanoi että Michiganin hallituxella on mielenhallintakone joka vaikuttaa aivoaaltoihin, niin että ei auta edes kääriä rullakaupalla alumiinia pään ympärille vain pikkuriikkisillä näkö- ja hengitysaukoilla, ja haluaa tietää aikooko McCain presidenttinä käyttää Michiganin ajatustenhallintakonetta murhaajien nappaamiseen ja kongressin armahtamiseen ja hankkiakseen henkilökohtaista palkkiota 60v urasta mielenhallinnassa, ja voisiko hän saada vastauxen kirjallisena.
ellauri073.html on line 220: Negativity on vastapuolen haukkumista, esim. Push polling: George W. Bush used push polls in his 1994 bid for Texas Governor against incumbent Ann Richards. Callers asked voters "whether they would be more or less likely to vote for Governor Richards if they knew that lesbians dominated on her staff."
ellauri073.html on line 221: In the 2000 United States Republican Party primaries, George W. Bush´s campaign used push polling against the campaign of Senator John McCain. Voters in South Carolina were asked "Would you be more likely or less likely to vote for John McCain for president if you knew he had fathered an illegitimate black child?"
ellauri073.html on line 227: Toisin sanoen, oikea johtaja on joku joka "auttaa" meitä voittamaan oman henk.koht. laiskuuden ja izekkyyden ja heikkouden rajoituxet ja saa meidät stahanovilaisiin ponnistuxiin, tekemään hyvempiä ja kovempia asioita kuin mitä ize pystymme. (Tommonen niinko persoonallinen treineri, tai Matt Foley, motivational speaker. I am 35 years old, thrice divorced, living in a van down by the river. Yks, kaks, Petteri mukaan. Kazokaa Lallia, kolme, neljä. Vitun Tuomo Jalantie, musta sillä ois saanut vaikka pyyhkiä koiranoxennuxia.) Lincoln oli nähtävästi oikea johtaja (onnexi se ammuttiin), ja Churchill (aimo kusipää vessa kengänkärjessä), ja Gandhi (sankarillinen ruipelo eläinlääkixen edessä jolta viedään aina rillit nenältä), ja King Kong. Teddy Kennedy ja Franklinin Benjamin, ja todennäkösest de Gaulle (se oli pitkä ainakin, ja isonenäinen, hassu verikauha päässä), takuulla ryhmä Haun palomieskoira Marshall, ja ehkä Eisengardin Saruman. No olihan tietty Hitlerkin oikea johtaja, ja eri pätevä, niin että paras varoa; eihän tää ole muuta kuin lavakarismaa. “Älä kysy mitä maasi voi tehdä puolestasi, kysy mitä sä voit tehdä maasi puolesta.” Tämmöstä totalitääristä paskanjauhantaa. Myynnin ja markkinoinnin tieteet olivat vielä kuolaavissa lapsenkengissä 1961 kun Kennedy tän kekkasi. Nuoret ihmiset tinttijulisteineen ei olleet olleet markkinoinnin uhreja koko ikänsä. Ne ei tienneet mitään kierrepalloista. Ne eivät olleet totaalisen, karmean perillä mainosmiehistä.
ellauri073.html on line 240: Atlantic-lehessä 2005 julkaistu “Host” on olevinaan kärpäsenä katossa -vilkaisu John Zieglerin elämään. Se on 10-divarin kulliservatiivi radioisäntä L.A:ssa. Juttu on pitkä, kiemurtava ja täynnä asiavirheitä: esim, Wallu väittää että Zieglerin silloinen kolleega Phil Hendrie käytti “mikkikäsittelyä” aikaansaadaxeen shoussa käyttämänsä tekoäänet, kun oli hyvin tiedossa että Hendrie vaan vaihtoi tavallisen mikin ja puhelimen välillä. Se on täynnä tyylitökeryyxiä, lähtien Wallun spastista viittauxista Ziegleriin “Mr. Z” tai puuroisiin virkkeisiin kuten tämä. Siis tarkoitin tämä:
ellauri073.html on line 254: Hahaha look at you you fat fuck. You choose to spend your time bashing a man who has been dead for a decade, and there's no real reason for it other than the obvious jealousy that consumes you as an ugly person, inside and out. You break your criticism down into two distinctions: Foster's writing and his character. First, on your criticism of his character, I will say that it is entirely ironic that you choose to do so, considering that in your mediocre (that's right buddy your disgustingly fat ass as it is right now is entirely more mediocre than most unmistakably mediocre things, including (but not limited to) the entire Oakland Athletics organization) life your accomplishments include being - and here I'm just being honest with you, and it's possible that you may have heard this already in your pathetic, insufferable life but just hear me out -- LITERALLY THE FATTEST, BALDEST, AND JUST FLAT OUT UGLIEST PIECE OF SHIT PERSON I HAVE EVER SEEN. (For more on that here's a link to a picture I found of Matt online during a quick goggle search: https://www.google.com/sear....
ellauri073.html on line 258: Really, I would have expected one of the first pictures I saw of Matt Fartey to be one of professional caliber, but interestingly enough the first thing that came up when I searched his name was that picture -- a picture so startling in all that it conveys that it was almost too much for me to witness its allure and then continue along on this tirade; luckily I am a man of strong willpower, and so I was able to continue writing after seeing that picture without shooting myself in the head.) Anyways where was I...oh that's right! Matt Fartey's "accomplishments" and character! Well ladies and gents, he runs a fucking hate blog. Enough said. I doubt he even earns much from it too, though he obviously earns enough to afford an adequate amount of fast food meals that will surely keep his little hate-filled body going until the age of 47, where he will surely die of a collapsed lung or heart attack. When they find his body he will be mistaken for Matt FOLEY, which will obviously be a total disparagement on the late Chris Farley. If you know, you know.
ellauri073.html on line 260: Matt Foley is a fictional character from the sketch comedy program Saturday Night Live performed by Chris Farley (1964-1997). Foley is a motivational speaker who exhibits characteristics atypical of someone in that position: whereas motivational speakers are usually successful and charismatic, Foley is abrasive, clumsy, and down on his luck. The character was popular in its original run and went on to become one of Farley's best-known characters. Farley named the character after one of his Marquette University rugby union teammates, who is now a Roman Catholic priest in the Chicago suburb of Arlington Heights. Plans for a film version with Spade in a supporting role were shelved after Farley's death in 1997.
ellauri073.html on line 262: Foley is disheveled, sweaty, obese, clumsy and unstylish. He exhibits poor social skills, frequently loses his temper, often disparages and insults his audience, and wallows in cynicism and self-pity about his own poor life choices, to which he often makes reference. Foley's trademark line is warning his audience that they could end up like himself: "35 years old, eating a steady diet of government cheese, thrice divorced, and living in a van down by the river!" In most sketches, whenever a member of his audience mentions a personal accomplishment, Foley responds with mockery: "Well, la-dee-frickin-da!", "Whoop-dee-frickin-doo!", or a similarly dismissive remark. The usual outfit of choice for Foley is a too-small blue-and-white plaid sport coat, a too-big white dress shirt, a solid green necktie, black horn-rimmed glasses, ill-fitting khakis which he is continually pulling up, a wristwatch, penny loafers, and slicked-down blond hair. In a prison sketch, he dons blue jeans and a denim shirt with the inmate number "3307" while retaining his watch, glasses and a crucifix necklace (he also mentions a "homemade tattoo of a van down by the river"). While working as a mall Santa in another sketch, he wears a stereotypical Santa outfit, complete with black snow boots.
ellauri073.html on line 267: The character's debut performance (May 8, 1993) has been called one of the best segments in SNL history. The reception of the audience combined with visible stifled laughter from David Spade and Christina Applegate on stage added to the popularity of the sketch. Notable physical gestures from Farley included what Spade referred to as “the thing with the glasses” when Farley lifted his glasses on and off of his face commenting, “Hey Dad, I can’t see real good, is that Bill Shakespeare over there?” and perhaps the most defining gesture was one that Farley saved for the live performance when he alternated hands adjusting his trousers, grabbing the hilt of his belt with one hand and the back of his pants with the other.
ellauri073.html on line 269: In the sketch itself, Foley attempts to motivate two teens, played by Spade and Applegate, to "get themselves back on the right track" after the family’s cleaning lady finds a bag of marijuana in their home. Foley’s attempt to motivate them falls short when he repeatedly insists that they're "not going to amount to jack squat" and will end up “living in a van down by the river!” Foley attempts to endear himself to Spade's character by telling him they're "gonna be buddies" and that everywhere he goes, Foley will follow. Comparing himself to Spade's shadow, Foley jumps about where he's standing and then dives into the coffee table, though he picks himself up moments later. None of the other cast members knew that Farley was going to do this and their startled reactions are genuine. The sketch ends with Foley offering that the only solution to solve the family's problems is for him to move in with them. Horrified, Applegate begs him not to, vowing never to smoke pot again. Even so, Foley leaves the house to get his things from his van and the family locks him out, finally reconciling and admitting to how much they love each other.
ellauri073.html on line 271: A later performance (February 19, 1994) features Foley in prison attempting to motivate troubled teens in a scared straight program; he was imprisoned for three to five years for non-payment of alimony (consistent with him being “thrice divorced”). Before entering the sketch, Foley is introduced by his cellmate Deshawn Powers (Martin Lawrence) as “just finished a week in solitary, eating nothing but coffee beans.” Foley attempts to scare the juvenile delinquents by commenting in a slightly different manner that he “wished to dear God, that he was living in a van down by the river!” The sketch followed the usual Foley routine with him falling through the prison wall instead of a coffee table, which eventually led to his and the other inmates' escape.
ellauri073.html on line 273: In the only cold open featuring Foley (April 15, 1995), the character attempts to motivate a pair of Venezuelan teens. Foley attempts to get through to them by motivating them in their native Spanish, saying “¡Yo vivo en van cerca de un rio!” However, the teenagers' father (Michael McKean) informs Matt that he and his children are fluent in English, to which Foley responds "¡Padre, dame un favor, y cállate su grande YAPPER!" The sketch again features Foley mocking his audience, breaking household objects, and somehow succeeding in his motivational goals.
ellauri073.html on line 275: Quickly on your attacks on Wallace's writing style, I will mention that -- contrary to your rather baffling notions -- people did enjoy Infinite Jest and other works of his. They will continue to do so for decades. Listen Fartey: his work will live on. People recognize great writing wherever it materializes. Forget your distaste of footnotes, or your struggle in understanding the themes and ideals his work encompasses. His audience is clearly beyond you, so try to see that not everyone feels the same as you. You don't have to like his writing, but when you detract from it it makes it even more apparent that you are the lesser man. Your comments on Foster's writing ability led me to some of your other articles, and to be completely honest, it wasn't all bad. I genuinely enjoyed your "Fucking vs. Making Love" poetry bit, although it did seem like a cheap knockoff of Black Coffee Blues. Regardless, I can still acknowledge that the piece had its moments. However (and this is where I want you to pay attention you tub of lard), the piece can also be slammed in several areas. This is highly important, as we can see the parallels between this aspect of "Fucking vs. Making Love" and anything David Foster Wallace wrote. When it comes down to it, your writing can be criticized stylistically and formatically just like his can; the only difference is that there are few that actually give a shit about your writing, whereas Wallace's work is meaningful to the point where people have legitimate incentive to think critically about it. So defile it with your petty blog posts all you want, but at the end of the day you're the one who's only making yourself look bad, and as a heavily obese man based in Europe you are surely having few problems achieving this in the status quo, since Europeans are notably fatist.
ellauri073.html on line 277: Remember this Fartey, for it will serve you well: There is nothing inherently admirable or intriguing in your choosing to complain about various outlets, activities, or people. It's mundane, tiresome, and has little uniqueness. Suffice it to say, there are a million of you, Matt Fartey (and when I say you I really mean babbling little shits). You will be forgotten; there is only one David Foster Wallace...so tell me, who's really the mediocre one here?
ellauri073.html on line 317: Takakannessa lukee esimerkiksi: ”I have written this book for myself and for all people who want to live their lives completely and to the maximum, filled with happiness, power and energy” ja “Life in the modern world is fast-paced and frantic.”
ellauri073.html on line 336: Rock Your Day -elämässä ihminen on motivoitunut, energinen, voi hyvin ja rokkailee päiviensä läpi. Rock Your Day -elämässä ei ole huonoja päiviä, vaan joka päivä voi elää maksimaalisesti. Voi tietysti kysyä, onko siinä mitään järkeä ja onko se edes mahdollista, mutta kuten M/S Romantic -sarjan Matias sanoo: unelmat on toteutettava nyt.
ellauri073.html on line 351: icture-in-picture" allowfullscreen>
ellauri073.html on line 357: Wallace's father said that David had suffered from major depressive disorder for more than 20 years and that antidepressant medication had allowed him to be productive. Wallace experienced severe side effects from the medication, and in June 2007, he stopped taking phenelzine, his primary antidepressant drug, on his doctor's advice. His depression recurred, and he tried other treatments, including electroconvulsive therapy. Eventually he went back on phenelzine but found it ineffective. On September 12, 2008, at age 46, Wallace wrote a private two-page suicide note to his wife, arranged part of the manuscript for The Pale King, and hanged himself from a rafter of his house.
ellauri073.html on line 372: Mennoniitat ovat saaneet nimensä liikkeen perustajasta, hollantilaisesta uskonpuhdistajasta Menno Simonsista, joka oli ennen vuonna 1536 tapahtunutta liittymistään anababtisteihin (sic) katolinen pappi. Hän opetti liikkeen jäseniä noin 25 vuotta ja vaikutti liikkeeseen huomattavasti kirjallisella toiminnallaan. Vuonna 1672 heidät tunnustettiin Alankomaissa virallisesti yhdyskunnaksi, joka sai vapaasti harjoittaa uskontoaan valtion suojeluksessa.
ellauri073.html on line 408: Olen vit- tarkoitan whittler, sanoi myyntimiesmäinen väkäleuka noitaämmä skottityttöpiirretyssä. Vaimoni on noita-sarjan vakiovieraana esiintyi Samanthan äiti Endora (Agnes Moorehead), joka paheksuu tyttärensä avioliittoa "kuolevaisen" kanssa. Vierailulla kävi usein myös muita Samanthan sukulaisnoitia ja velhoja, mm. ovennuppeja keräilevä täti Clara ja "käytännön piloja" (sic) harrastava setä Arthur. Stephensit saavat toisella tuotantokaudella tyttären, Tabathan, joka on perinyt äitinsä noitavoimat. Myöhemmin he saivat myös pojan, Adamin joka vaikuttaa isänsä tapaan olevan kuolevainen.
ellauri073.html on line 426: Seija tykkää Kelloggsin Bran Flakes -aamuhiutaleista. John Harvey Kellog ja Will Keith Kellogg oli veljexiä 7. päivän adventistiperheestä Taistelupurolta, Michiganista. Eivät paljon käyneet kouluja, koska vanhemmat uskoivat Jee-Suxen tulevan toistamiseen ennen koulun loppua. No ei temmattu, turhaan seistiin taas hirsimökin katolla. JH onnistui kuitenkin hankkimaan lääkärin paperit jostakin, varmaan postimyynnistä. Se oli kova vegaani, peukutti 'biologista elämistä': ei viinaa eikä tupakkaa, ei edes teetä, kahvia eikä hilloa, vain ihan vähän munaa ja maitoa hiutaleiden kyytipojaxi.
ellauri073.html on line 443: “seemed intuitively to sense that it was a matter not of reduction at all, but—perversely—of expansion, the aleatory flutter of uncontrolled, metastatic growth—each well-shot ball admitting of n possible responses, n-squared possible responses to those responses, and on into what Incandenza would articulate to anyone who shared both his backgrounds as a Cantorian continuum of infinities of possible move and response, Cantorian and beautiful because infoliating, contained, this diagnate infinity of infinities of choice and execution, mathematically uncontrolled but humanly contained, bounded by the talent and imagination of self and opponent, bent in on itself by the containing boundaries of skill and imagination that brought one player finally down, that kept both from winning, that made it, finally, a game, these boundaries of self.”
ellauri073.html on line 451: But I’m not the boss of you. This is America—you can do whatever you want to. For example, you could start with some articles I’ve written for a variety of publications, including The New York Times Magazine and Hazlitt.
ellauri073.html on line 454: Photo by Victoria Lynn Hogan, my true love and colleague, shows a rather hairless dense looking guy peering inquiringly at a little plastic jar containing some goo.
ellauri073.html on line 465: Michael Joyce oli Wallun ihailema sen ikäinen tai vähän vanhempi jenkki tennispelaaja. Ei pidä sekoittaa James Joyceen, joka oli koprofiili irkku kirjailija. Jim Wallace (Wallun isä) pani Taavin lukemaan Platon Faidoa (joojoo, tiedän, yäk). Ja innostui kun poika vaikuttikin valopäiseltä, ei ollut pelkkä jock kuten äiti koitti yllyttää. Ne varmaan kilpailivat Wallu paran sielusta. Siitä saattaa selittyä Wallun "literally indescribable war against himself", involving "toxic, paralyzing, raped by psychic bedouins selfconsciousness".
ellauri073.html on line 492: Lopetus, eli peroratio. Cicero opetti että tässä osassa puhuja voi tehdä 3 asiaa: tehdä yhteenvedon, leimata negatiivisesti jokaisen joka väittää vastaan, ja herättää sympatiaa itselleen, asiakkaalle tai omalle keissilleen. Aika paskiainen toi kikhernekauppias.
ellauri073.html on line 505: Kylä Wallun izemurhan syy oli varmasti eze oli pettynyt izeensä kuin Alexander Stubb. Se oli pettänyt äiskän haaveet tennismestaruudesta ja iskän toiveet modaaliloogikon urasta. Siitä tuli vaan tollanen keskeyttäjä, naistenmezästäjä ja sekakäyttäjä. Kirjoitti pois pahaa mieltä ihan vimmattuna. Eikä sekään riittänyt. Äidin kuoltua ei Wallulla enää ollut voimia jatkaa kurjaa elämää. Ei vaitiskaan, ei Wallun wickedly funny äiti kuollut kuin viime kesänä, ja yhteiset peijaiset Hänmies Jimin kanssa on luvassa ensi kesänä:
ellauri073.html on line 510: After receiving her master’s degree from the University of Illinois, Mrs. Wallace was an English professor at Parkland College for 35 years. Her passion for learning was paired with a passion to help others learn — she was an enthusiastic, rigorous and above all compassionate instructor who made sure every student she had knew how much their voice mattered. Even after retiring, she taught in correctional facilities around Illinois and volunteered as a companion for Illinois CASA. In 2012, she and her husband, Jim, decided to move from their beloved city of Urbana to Florence, Ariz., to be closer to their family. There, they volunteered with Arizona CASA, hosted family dinners every Sunday, and adopted a much-loved terrier mix named Angus.
ellauri073.html on line 514: She is survived by her daughter, Amy Wallace-Havens; son-in-law, Kenneth Wallace; grandchildren, Lydia Havens and Max Wallace; daughter-in-law, Karen Green; sister-in-law, Elizabeth Foster; nieces, Penny Rand and April Foster; nephew, Michael Foster; as well as seven great-nieces and -nephews and five great-great-nieces and -nephews.
ellauri073.html on line 516: Sally is remembered as a wickedly funny, funnily wicked, generous and compassionate woman who made friends everywhere she went. She had an unmatched love for the English language and inspired countless others — including her students, children and grandchildren — to pursue their passion of writing. She was fearless in every sense of the world, and in the final years of her life, tried many new things, such as zip-lining, main-lining, and attending monthly poetry slams.
ellauri073.html on line 518: Due to the COVID-19 pandemic, a service is tentatively being planned for the summer of 2021 in Champaign-Urbana for both Sally and her husband, Jim, who passed away in July 2019.
ellauri073.html on line 520: Sally Foster Wallace will be missed for generations to come. By her son David in particular.
ellauri073.html on line 540: David Foster Wallace became a regionally ranked tennis player while growing up in Illinois. David Foster Wallace´s thesis, The Broom of the System, that he wrote while at Amherst College was published in 1987 while he was attending graduate school. In 1989 David Foster Wallace´s short story collection titled Girl with Curious Hair was published. After graduating from the University of Arizona David went on to study philosophy at Harvard University but soon chose to leave. He moved to Syracuse to be with the poet and novelist Mary Karr. While in Syracuse David Foster Wallace wrote most of his famous novel Infinite Jest. The finished book was 1,100 pages long. The novel dealt with addiction, art, and consumerism, and was set in the near future.
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ellauri074.html on line 58: Dorothy Parker (née Rothschild; August 22, 1893 – June 7, 1967) was an American poet, writer, critic, and satirist based in New York; she was best known for her wisecracks.
ellauri074.html on line 66: There are the domestic ones. They are the worst. Every moment is packed with happiness.
ellauri074.html on line 106: Sit on vielä tollaset finninaamojen chicken kontestit, vaikka jalkojen katkominen junan alle. Mistään hinnasta en läxis mukaan sellaseen. Kaikki mitä nää sankarit sai aikaan oli pudottaa 15m läpimittainen paskapiirakka helikopterista USAn presidentin virkaanastujaisissa. Waude kitti. Olis edes kuollut siihen mutta ei, lisää vaan satoi samaa paskaa. Samassa alaviitteessä myös
ellauri074.html on line 126: Dove soap was launched in the United States in 1957 as a non-irritating skin cleaner for treatment use on burn and wounds during World War II under, the one of the largest consumer products companies in the world, Unilever. The basic Dove bar was reformulated as a beauty soap bar with one-fourth cleansing cream. It was the first beauty soap to use mild plus moisturizing cream to avoid the drying skin.
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ellauri074.html on line 159: The Glad Products Company is an American company specializing in trash bags and plastic food storage containers. The Glad brand originated in the United States in 1963 when Union Carbide owner and CEO, David Darroch, launched Glad Wrap, a polyethylene film used as a food wrap.
ellauri074.html on line 163: The Perdue Farms company was founded in 1920 by Arthur Perdue and his wife, Pearl Perdue, who had been keeping a small flock of chickens. The company started out selling eggs, then in 1925, Perdue built the company's first hatchery, and began selling layer chicks to farmers instead of only eggs for human consumption. His son Frank Perdue joined the company in 1939 at age 19 after dropping out of college. The company was incorporated as A.W. Perdue & Son and Frank Perdue assumed leadership in the 1950s. The company also began contracting with local farmers to raise its birds and supplying chickens for processing as well as opening a second hatchery in North Carolina during this period. Perdue entered the grain and oilseed business by building grain receiving and storage facilities and Maryland's first soybean processing plant. In 1968, the company began operating its first poultry processing plant in Salisbury. This move had two effects: it gave Perdue Farms full vertical integration and quality control over every step from egg and feed to market, as well as increasing profits which were being squeezed by processors. This move enabled the company to differentiate its product, rather than selling a commodity. In 2013, Perdue was reportedly the third-largest American producer of broilers (chickens for eating) and was estimated as having 7% of the US chicken production market, behind Pilgrim's Pride and Tyson Foods. Perdue antoi kanalle nimen tuotteistamalla sen. Poules Perdues.
ellauri074.html on line 177: Infernatron/Interlacen koti- toimisto- ja mobiilikäyttöön tarkoiteun TK-järjestelmän tarkkaresoluutioisen Yushityu 2007 -moduulinkazelulaitteen emolevyn helposi asennettavan päivityxen vuosi (sic) 2007
ellauri074.html on line 190: Year of the Tucks Medicated Pad 2003
ellauri074.html on line 194: Year of the Perdue Wonderchicken 2005
ellauri074.html on line 198: Year of the Yushityu 2007 Mimetic-Resolution-Cartridge-View-Motherboard-Easy-To-Install-Upgrade For Infernatron/InterLace TP Systems For Home, Office Or Mobile (sic) 2007
ellauri074.html on line 200: Year of Dairy Products from the American Heartland 2008
ellauri074.html on line 207: Most of the action in the novel takes place in the Year of the Depend Adult Undergarment, or Y.D.A.U., which is probably AD 2009, taking the Year of the Yushityu... (the lengthily titled 6th Subsidized Year) as 2007. Critic Stephen Burn, in his book on Infinite Jest, argues convincingly that Y.D.A.U. corresponds to 2009: the MIT Language Riots took place in 1997 (n. 24) and those riots occurred 12 years prior to Y.D.A.U. (n. 60).
ellauri074.html on line 208: Other evidence that Y.D.A.U. is 2009 includes the mention that November 20, Y.D.A.U. is a Friday (p. 198). Years on which November 20th is a Friday include 1992, 1998, 2009, 2015, 2020, etc. The most fitting of these is 2009.
ellauri074.html on line 209: It is also possible that Y.D.A.U. is 2008, as Matty Pemulis turns 23 in Y.D.A.U. (p. 682). Matty's (and Mike's) father came over in 1989 when Matty was "three or four" (p. 683). If Matty had been three and four in 1989, he was born in 1985, which would mean he turns 23 in 2008.
ellauri074.html on line 243: So, he approached Rohn after the seminar and asked to become his pupil. Rohn agreed, and over the next few years, Robbin was able to take the lessons he learned from Rohn and apply it to his own unique style. Robbins became an avid reader of psychology and incorporated many theories from behavioral psychology into his approach. Robbins perfected this approach through hundreds of seminars across North America and even did seminars for free to help perfect his craft. By the age of 26, Tony Robbins had a net worth of millions of dollars and was a best selling author.
ellauri074.html on line 245: When Robbins started off doing his seminars, he implemented a strategy called Neurolinguistic Programming. Neurolinguistic Programming works under the belief that everyone has a personal map of reality. Nothing is neither good nor bad but thinking makes it so. Robbins would use this practice to help people realize that things that they think are impossible are possible, they just have to change their mindset.
ellauri074.html on line 247: One way he would get people to do this is by making them do a firewalk over a bed of hot embers. Most people at his seminars normally thought that would be impossible. By showing them that they can walk on fire, it helped the attendees see that they had preconceived notions that weren’t true. (The trick is to wear thick-soled shoes with a huge carbon footprint.)
ellauri074.html on line 248: Innovative strategies like these helped Robbins launch multiple different seminars such as Unleash the Power Within, Date with Destiny, Wealth Mastery, and Leadership Academy. Tickets to these events range anywhere from $650 to $3000!
ellauri074.html on line 250: Tony Robbins most notable seminar is now his Business Mastery seminar. In this seminar, he teaches business owners various growth strategies, systems, and resources that help them grow their business. These are the same strategies that industry leaders like Apple, Orange, Zippos, Zappos, American Express, and Facebook used to grow their companies.
ellauri074.html on line 253: Hugh Michael Jackman is an Australian actor, singer, multi-instrumentalist, dancer and producer. Jackman has won international recognition for his roles in major films, notably as superhero, period, and romance characters. He is best known for his long-running role as Wolverine in the X-Men film series, as well as for his lead roles in the...
ellauri074.html on line 258: In 2016, he launched the Tony Robbins Podcast. The first season was primarily focused on ways for small to medium-sized businesses to gain an advantage over their market. He has since pivoted to not only talk about how to build a bigger business but also topics such as how to deepen your relationships, become more productive, and live in abundance. The Tony Robbins Podcast has thousands of 5-star reviews on Apple Podcasts and has been downloaded by millions of people worldwide.
ellauri074.html on line 260: As of 2021, Tony Robbins has a net worth of 500 million dollars. He lives in a $25 million mansion in Manalapan, Florida which has a lakeside dock, an infinity pool, and a beautiful master bedroom overlooking the ocean.
ellauri074.html on line 267: Emil Michel Cioran [tšoran] (8. huhtikuuta 1911 Rǎșinari, Itävalta-Unkari – 20. kesäkuuta 1995 Pariisi) oli romanialainen filosofi ja esseisti. Hän muutti Ranskaan vuonna 1937 saatuaan Ranskan Bukaresthin-instituutin apurahan.
ellauri074.html on line 270: Cioran aloitti filosofian opinnot Bukarestin yliopistossa 17-vuotiaana ja tutustui siellä vuonna 1928 Eugène Ionescoon ja Mircea Eliadeen. Hän valmistui kandidaatiksi 1932. Vuosina 1933–1935 Cioran opiskeli Berliinin yliopistossa, jossa hän tutustui Ludwig Klagesiin ja Nicolai Hartmanniin. Palattuaan Romaniaan hän opetti 1936–1937 filosofiaa Andrei Șagunan lukiossa Brașovissa.
ellauri074.html on line 274: Cioran eli vaatimattomissa oloissa Pariisin latinalaiskorttelissa elämänsä loppuun saakka ja pysytteli Pariisin yliopisto- ja kirjallisuuspiirien ulkopuolella. Elantonsa hän ansaitsi lähinnä käännöksillä ja toimimalla kustantajien lukijana. Hänellä oli kuitenkin älymystössä joitakin läheisiä ystäviä: Mircea Eliade, Eugène Ionesco, Samuel Beckett, Gabriel Matzneff, Frédérick Tristan, Henri Michaux, Gabriel Marcel ja Roland Jaccard. Vuonna 1942 hän tapasi englanninopettaja Simone Bouén, josta tuli hänen elämänkumppaninsa.
ellauri074.html on line 315: Cioranin tekstejä niin usein luonnehtiva lohduttomuus liittyy mahdottomuuteen ymmärtää maailmaa ja ihmistä, toisaalta myös maailman ja ihmiskunnan liiankin selkeäjärkiseen ymmärtämiseen. Ihmiskunta jakaantuukin karkeasti niihin, jotka ovat ymmärtäneet, ja niihin, jotka eivät ole ymmärtäneet. Selkeäjärkisyyttä ja jatkuvaa kieltäymystä Cioran pakenee estetiikkaan ja onkin selkeästi Friedrich Nietzschen linjoilla sikäli, että elämä on ymmärrettävissä lähinnä esteettisenä ilmiönä. Proosassaan ja aforismeissaan Cioran osoittaa elinvoimaansa ja etääntyy tekstissään ideoista eksyttäen lukijansa tai pikemminkin pakottaen tämän olemaan ymmärtämättä kaikkea. Kirjoittaminen on taakan ravistamista harteilta, sisäinen pakko ja lääke itsemurhaa vastaan. Cioran itse ei pidäkään kirjojaan masentavina. Cioranin proosa on lyyristä ja lähentelee usein runoudelle tavanomaisia ilmaisukeinoja. Proosaruno toimiikin yhtäältä keinona ilmaista ajatuksia, toisaalta väliaikaisena lääkkeenä liiallista ymmärtämistä vastaan, sillä runouden ei tarvitse todistaa mitään, niin kuin elämänkään ei tarvitse todistaa mitään. Runous on kaikista tekstilajeista ylivertaisin. Teksteissään Cioran hakee myös vilpittömyyttä ja pyrkii sovittamaan yhteen tekstinsä ja oman elämänsä ja elämään tekstiensä mukaisesti. Toisaalta hän halusi säilyttää salaisuutena yksityiselämänsä, joka oli hänen olemassaolonsa onnellinen ja optimistinen osa – onni ei hänen mielestään kuulunut kirjoihin.
ellauri074.html on line 343: Quand je me rase, me disait un demi-fou, qui, sinon Dieu, m'empêche de me couper la gorge ? -La foi ne serait, en somme, qu'un artifice de l'instinct de conservation.
ellauri074.html on line 347: Celui qui parle au nom des autres est toujours un imposteur. Politiques, réformateurs et tous ceux qui se réclament d'un prétexte collectif sont des tricheurs.
ellauri074.html on line 357: Seuls les esprits superficiels abordent une idée avec délicatesse.
ellauri074.html on line 365: Ce que je sais à soixante, je le savais aussi bien à vingt. Quarante ans d'un long, d'un superflu travail de vérification.
ellauri074.html on line 373: Le progrès est l'injustice que chaque génération montante commet à l'égard de celle qui l'a précédée.
ellauri074.html on line 377: Des opinions, oui; des convictions, non. Tel est le point de départ de l'attitude intellectuelle.
ellauri074.html on line 381: Il vaut mieux lire par goût un auteur dépassé que par snobisme un auteur dans le vent. Dans le premier cas, on s'enrichit avec la substance d'un autre, dans le second, on consomme sans profit.
ellauri074.html on line 389: J'ignore totalement pourquoi il faut faire quelque chose ici-bas, pourquoi il nous faut avoir des aspirations, des espoirs et des rêves.
ellauri074.html on line 393: Ne se suicident que les optimistes, les optimistes qui ne peuvent plus l'être. Les autres, n'ayant aucune raison de vivre, pourquoi en auraient-ils de mourir?
ellauri074.html on line 395: En vieillissant, on apprend à troquer ses terreurs contre ses ricanements.
ellauri074.html on line 397: Tää hemmo pelkää kuolemaa ihan sikana. Se on tavallista tosi solipsistisissa narsisteissa niinkuin vaikka Palkeen Saku. Ne ei voi kuvitella että maailma jatkuu niiden kuoltua ihan samanlaisena. Niinhän siinä kuitenkin kävi. Cioran sanoo olevansa katkera tänne jälkeenjääville, jos niitä nyt voi ollakaan. Size oli huonouninen ja musikaalinen. Kaikki edellytyxet mystikoxi. Ilmiselvä narsisti. Kova poika kittaa kaffea ja vetää röökiä. Ei Ihme ettei nukuttanut. Ryppyoza mammanpoika pelkuri. Piisamirotta joka syö kakkua riippukeinussa. Naisten suhteen se näyttää olleen tavallinen setämies. Similaires à Emil Cioran: Sean Connery, Alice Miller, G.A. Moore, Emil Cioran, ja koko joukko mulle tuntemattomia suuruuxia. Punaposkinen G.H.von Wright kirjoitti Eno Kalalle Cambridgesta että G.E. Moore oli suuri pettymys. Se oli sekottanut sen johkin toiseen ja oli pettynyt Russellin haamukirjoittajan seminaareihin. (Kukahan se toinen oli? Tuskin G.A. Moore Jr.) Onnexi Wittgenstein tuli pian sen tilalle, ja punaposkelle tuli maittavampaa poskeenpantavaa. Skriv till mig så ofta som du kan. Eno ja Jori oli sukulaisia äidin puolelta. Vähän tollasta nepotismia.
ellauri074.html on line 399: G. A. Moore, Jr. is a retired Texas high school football head coach. He retired after completing the 2011 season with a career head coaching record of 426–92–9, which at the time was the most in Texas high school football history. Moore's win total was passed on November 3, 2016, by Phil Danaher of Calallen High School in Corpus Christi, Texas.
ellauri074.html on line 403: La société libérale, éliminant le mystère, l'absolu, l'ordre et n'ayant pas plus de vraie métaphysique que de vraie police, rejette l'individu sur lui même, tout en l'écartant de ce qu'il est, de ses propres profondeurs.
ellauri074.html on line 414: Tähän väliin tekis mieli paasata vähän Mircea Eliadesta (1907 – 1986) ja sen Chicagon kollegasta Belovin Sakusta. Mirkkis on ilmitullut ex-fasisti ja antisemitisti, ja Saku tunnetttu semiitti. Mitenkähän ne oikein tulivat toimeen keskenään? Voisi kuvitella ettei kovinkaan hyvin. Väärin arvattu.
ellauri074.html on line 418: Nuorukaisena Saku heitti kipan ja jiddischin nurkkaan ja rupesi trotskylaisexi. Mieli muuttui kun holokaustin hirveydet alkoi selvitä (ja Sakun pankkitili lihoa). Heideggerin vanha hoito Hannah Arendt raportoi Eichmannin tuomiosta New Yorkeriin. (Sakulla oli tapana vittuilla Hannalle sen naziheilasta.) 60-luvulla Saku sai perheen holokaustikertomuxista Israelissa kääntymyxen takaisin isiensä helmoihin. Siitä tuli rahanahne misogyyni rasisti.
ellauri074.html on line 428: Saku ja Mirkku tapaili useinkin sitku Sakun nai se romanialainen matemaatikko 1974, vaimo nro 4, Alexandra Bagdasar. Puhuttiin romaniaa ja kokattiin romanialaisia kotiruokia. Ero tuli vaimosta 1985 ja 1986 kuoli Eliade. Mirkun nazitouhut tuli ilmi vasta 1988. Mirkun 30-luvun kirjoituxet oli aika pahaa fasismia indeed. Sen kannattaman rautakaartin miehet listi silmittömästi jutkuja sakujen rinnalla. Sakua vähän hävetti eze oli kaveerannut tälläsen paskiaisen kaa. Se kirjotti sit Mirkun comic sidekickixi Bloomista kertovaan rompskuunsa Ravelstein: kohteliaasti pokkuroiva pikku romanialainen Radu Grielescu, sliipattu intellektuelli jolla oli antisemiitin rikosrekisteri. Aika noloa. Pääsipä kusettamaan Sakua oikein kunnolla.
ellauri074.html on line 449: Vuonna 2005 Vasili erehtyi allekirjoittamaan antisemiittisen kirjelmän «Письмо 5000». The Letter of 5000 (Russian: Письмо‌ 5000), also known as the Letter of only 500 or the Letter of just 19 Deputies (Russian: Письмо 19 депутатов), was an open letter signed by 5,000 Russians, most significantly politicians, aimed at the Prosecutor-General of Russia. The Letter of 5,000 included sharp criticisms of Jews, Jewish leaders, and Jewish organisations, as well as calling for the investigation of the Kitzur Shulchan Aruch as a violation of the Criminal Code of Russia. The letter, published on 21 March 2005, attracted significant discussion in Russian and international media due to its demands, which were widely considered to be antisemitic.
ellauri074.html on line 458: The Kitzur Shulchan Aruch (קיצור שולחן ערוך), first published in 1864, is a work of halacha written by Rabbi Shlomo Ganzfried. The work was written in simple Hebrew which made it easy for the lay person to understand and contributed to its great popularity.
ellauri074.html on line 459: Ganzfried was a Hungarian Jew, and put the emphasis of his work on the customs of the Hungarian Jews of his time. The work is also known for its strict rulings.
ellauri074.html on line 462:
Shulem joka kirjoitti icle_cdo/aid/4297832/jewish/Kitzur-Shulchan-Aruch.htm">lyhennetyn Shulham Aruchin

ellauri074.html on line 469: Sidney Gottlieb (August 3, 1918 – March 7, 1999) was an American chemist and spymaster best known for his involvement with the Central Intelligence Agency's 1950s and 1960s assassination attempts and mind-control program, known as Project MKUltra. The CIA MKUltra project was a continuation of the work begun in WWII-era Japanese facilities and Nazi concentration camps on subduing and controlling human minds.
ellauri074.html on line 470: MKUltra's use of mescaline on unwitting subjects was a practice that Nazi doctors had begun in the Dachau concentration camp. Kinzer proposes evidence of the continuation of a Nazi agenda, citing the CIA's secret recruitment of Nazi torturers and vivisectionists to continue the experimentation on thousands of subjects, and Nazis brought to Fort Detrick, Maryland, to instruct CIA officers on the lethal uses of sarin gas. The project began during a period of "paranoia" at the CIA, when the U.S. had lost its nuclear monopoly and fear of communism was at its height.
ellauri074.html on line 472: MKUltra used numerous methods to manipulate its subjects' mental states and brain functions. Techniques included the covert administration of high doses of psychoactive drugs (especially LSD) and other chemicals, electroshocks, hypnosis, sensory deprivation, isolation, verbal and sexual abuse, as well as other forms of torture.
ellauri074.html on line 500: SIDNEY GOTTLIEB: Hej Felicia! Ja många skriver om detta, många känner som du just nu. Om du tänker på vad du själv skriver så tycker jag att en del av lösningen är rätt logisk, allt handlar om stress etc, du behöver hitta andra fokus än stress. Genom att acceptera att det är tufft just nu men att sedan ta ett andetag och liksom ”OK, allt är skit MEN vad kan jag ändå göra för att må bättre?” Ta meskalin? Lyssna på Bob Marley? Tänker du kanske göra slut med allt? Defenestration trendar just nu. Gör det!
ellauri074.html on line 504: SIDNEY GOTTLIEB: Du har det tufft just nu, det märker jag. Det gör jag också. Vet inte vad jag ska göra med alla mina Expressen pengar. Jag tycker dels att du ska kolla upp om du kan få kontakt med en privat psykolog, inte på vårdcentralen, eller digitalt vid någon tjänst. Tex mig. Skicka foto med!
ellauri074.html on line 507: Hej! Har en dotter som är 20 år och har det ganska kämpigt nu. Hon blev förra våren av med sitt drömjobb pga Corona. I juni fick hon viruset och har efter det inte varit sig själv. Trött och ledsen... Nya jobb har hon lyckats få men trivs inte riktigt, har ingen energi. Orkar inte träna som hon tidigare brukade och känner sig värdelös. Hon har haft kontakt med en psykolog via ungdomsmottagningen men de ”klickade” inte så det tyckte hon inte gav Nåt. Nu har hon en ny träff med en psykolog via hälsocentralen på onsdag så vi får hoppas det blir bättre. Hur kan vi bäst stötta henne i det här? Läkaren på hälsocentralen pratade om sjukskrivning men hon känner att hon heller inte mår bra av att bara gå hemma... Med vänlig hälsning, Linda
ellauri074.html on line 509: SIDNEY GOTTLIEB: Hej Linda! Ok bra att ni behöver hjälp. Samtidigt så är det ju mycket som är normalt i det hon upplever, det är inte säkert att det behöver behandlas. Det är normalt att vara lite onormal. Det kan hända att ni inte hittar den där personen som det klickar med eller så gör ni det, men oavsett så kan vi förstå varför hon mår dåligt just nu.
ellauri074.html on line 510: Skicka foto av dottern så jag kan se om jag kanske kan hjälpa henne lite grann. Att må dåligt tillhör också livet och det kan bli ett allt för stort sökande att behandla något som kan gå över av sig själv. Tex den här sk "pandemin", som min kollega Mengele alltid säger. Ni gör ett fint jobb genom att finnas där och stötta och hjälpa henne med det lilla ni kan. Läs på om depression mm och se vad ni själva kan hjälpa henne med. Jag rekommenderar Emil Cioran, Paul Celan och Louis-Ferdinand Celine som kvällsläsning. Som Cioran fiffigt fått det till:
ellauri074.html on line 526: SYDNEY GOTTLIEB: Bra fråga och typ omöjlig att ge ett perfekt svar på, men du frågade vad jag tycker så det kan jag väl iaf skriva något om :). Jag tycker att många personer med depression letar efter lösningen i medicinsk behandling, det är hjälpsamt för en del men i min upplevelse (som så klart är färgad av att jag är psykolog) finns lösningen på depressionen på andra ställen än i medicinen. Som en ynklig humanist kan jag inte preskribera nåra mediciner som mina bättre ställda psykiaterkolleger. Jag kan bara käfta tomma fraser på det här viset: Varför har det blivit så här? Lever jag inte det livet jag vill? Varför kan jag inte ta mig vidare? Varför studerade jag inte medicin? Var jag för dum? Vad vill jag med mitt liv? Varför faktiskt inte ta mitt liv? Många frågor som jag tänker hänger ihop med varför man blir deprimerad, lever man inte det liv man vill så blir man nedstämd. Jag uppmuntrar alla som känner sig deprimerade att se över dessa och likande frågor. Jag kanske spårade ur lite nu men hoppas du fick lite svar på din fråga! Kram! 😃
ellauri074.html on line 559: Äntligen! Som det här året har tärt på en. När så beskedet kom att jag, trots stor försiktighet fått corona, ja då försvann benen under mig. Familjen har lagt ett år av oro och rädsla att få viruset, tackat nej till sånt som egentligen gör att man mår bra och får energi och så fick man det ändå. En känsla av skam att ändå inte varit försiktig nog. Den här sista veckan skulle en coronapsykolog varit väl till hands. Ja nu har vi iaf fått det, kanske oron kan försvinna något. En psykolog kopplad från 11313 är mitt bästa tips, så skönt det skulle varit att haft någon att prata med när man läst svaret om en pågående infektion. Låt den här pandemin gå över så vi kan kramas igen, för att inte tala om knull.
ellauri074.html on line 573: SYDNEY GOTTLIEB: Hej! Ok du kämpar med saker som många nog känner igen sig i. Ofta upplever jag att vi som människor bara vill att det onda ska försvinna, oavsett om det är ångest eller nedstämdhet eller äckliga grannar eller något annat. Detta leder till att vi söker efter den perfekta behandlingen som tar bort allt, vi söker svaren utanför oss själva, den där perfekta psykologen, den perfekta medicinen, träningen osv. Alla dessa delar kan vara viktiga men lösningen och makten att må bättre finns också inom dig. (Det här skitpratet heter positivt tänkande, och vi "motivational speakers" får oerhört bra betalt för det.) Jag gillar att arbeta med acceptans och med att ”släppa taget”, det betyder för mig att acceptera att man mår dåligt just nu och det är sjukt jobbigt, men att inte fly från det, just nu är det så här! Det är faktiskt skitfint och roligt när man riktigt tänker efter! Från en psykologs synpunkt iaf. Och med att släppa taget menar jag att det som plågar dig mest, vilka tankar eller minnen det än nu är, är inte hjälpsamma för dig. Genom att tänka att du släpper taget om det jobbiga kan du öka distansen mellan dig och tankarna. Du är inte dina tankar, minnen eller känslor, du står utanför dem. Du är i själva verket en stor skinnpåse av kött och vatten. Emil Cioran hade fel, det är inte förnedrande att medge det. Se dom som objekt på ett löpande band, du observerar dem utifrån, du är inte detsamma med dem. För att lyckas med detta behövs träning så klart men du kan starta nu, idag i denna sekund, lycka till min vän! Jag vet att det går, jag har själv inte tänkt på nåt utom pengar i åratal!
ellauri074.html on line 637: Michelle Morandini · Kuopio

ellauri074.html on line 649: Wallace was deeply suspicious of the media infrastructure that was, when he died, still largely known as “the Net”—“I allow myself to Webulize only once a week now,” he once told a grad student—and he remarked to his wife, as they were moving computer equipment into their house, “thank God I wasn't raised in this era.” Having written his first big stories on a Smith Corona typewriter, Wallace disliked digital drafts and e-publishing in general. He took particular pleasure in the fact that his house in Indiana, the one recreated in The End of the Tour, had the elegantly atavistic address of “Rural Route 2.” He preferred to file his students’ work not on computers, but in a pink Care Bears folder.
ellauri074.html on line 656: A Tale of a Tub. Written for the Universal Improvement of Mankind. was the first major work written by Jonathan Swift, arguably his most difficult satire and perhaps his most masterly. William Wotton wrote that the Tale had made a game of "God and Religion, Truth and Moral Honesty, Learning and Industry" to show "at the bottom Jonathan´s contemptible Opinion of every Thing which is called Christianity." The work continued to be regarded as an attack on religion well into the nineteenth century. The overarching parody is of enthusiasm, pride, and credulity. It was widely misunderstood, especially by Queen Anne herself who purposely mistook its purpose for profanity. It effectively disbarred its author from proper preferment in the Church of England, but is considered one of Swift´s best allegories, even by himself.
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ellauri077.html on line 46: This article examines David Foster Wallace’s Infinite Jest alongside its eponymous film, arguing that they share a common purpose, but that the former succeeds where the latter fails. Coupled with a biographical and phenomenological analysis, the aim of this examination is to better understand Infinite Jest’s place in the cultural and literary movement away from post-modernism. Through the novel, Wallace seeks a cure for the postmodern malaise that is irony, which creates a distancing effect between author and reader. I argue that he collapses this distance by creating a conversation-like novel that uses sentimentality and endnotes to converse with a generation bombarded with easily consumable irony from television, advertisements, and even art. The results of this conversation are the curtailing of passive consumption of entertainment and the beginning of a new sincerity in literature, which allows for grand narratives without the unending cynicism of postmodernism.
ellauri077.html on line 50: Tää on jatkoa albumille 74 jossa aiheena on yhä David Foster Wallace. Kuvituxena on harvinainen kuva iloisesta Wallacesta. Se oli lapsena iloinen ja vekkuli. Sen äiti oli wickedly funny. Sen isä ei kai ollut surullinen haikara, vaikka hullu kyllä. Wallulla on kivat silmälasit kuvassa. Pitikö se ozarättiä hien vai karanneen hiusrajan takia, vai molemmista syistä, vai koska se oli siitä coolia? Vai kaikista 3 syystä yhteensä? Who knows, Wallu on jo iäxi vaiennut. Wallu on mikkihiirimäinen pikkumies, Nipsu pikemminkin Aku Ankka, sehän oli oikeasti seilori.
ellauri077.html on line 54: Onko Christoffer Bartlett¹ oikeassa että tää ei olekaan postmoderni romaani vaan merkkaa paluuta Dickensläisiin suuriin kertomuxiin? Tokkopa. Kyllä Wallu on aika keekoileva, ei tää mikään David Copperfield ole, vaan ihan vaan David Sikiö. Ei se mitenkään tee parastansa että lukija ymmärtäisi mitä se on ajamassa takaa. Aika postmodernia puun takaa tirkistelyä tääkin on, vaikka vähemmän kuin 2 muuta puurtamaani tiiliskiveä, Pynchon ja sen suomalainen coveri. Se on sentään kiva että Risto mätkii leffatuotantoa kunnon petkeleellä, navan alle napsuttelee suurella sukunuijalla kuin vaka vanha Wäinämöinen pani piika pikkaraista.
ellauri077.html on line 56: ¹Christopher Bartlett^* (2016) “An Exercise in Telemachry”: David Foster Wallace’s Infinite Jest and Intergenerational Conversation. in Critique: Studies in ContemporaryFiction, 57:4, 374-389, DOI: 10.1080/00111619.2015.1113921
ellauri077.html on line 99: Nää tennismatkat joihin vanhemmat ei osallistuneet tutustutti Wallun huumeisiin ja alkoholiin (vrt. Netflixin sarja Alaska). Siihen mennessä se oli alkanut inhoskella izeään, josta tuli silloin tällöin paniikkikohtauxia. Jossain aikaisissa muistiinpanoissa jotka tuli esiin suikin jälkeen se kirjoitti: "nilkat liian ohuet, pohkeet ei tarpeexi lihaxikkaat", "Reidet pyllistyvät (sic) ulos luotaantyöntävästi".
ellauri077.html on line 109: Masisten välillä Wallun opinnot edistyivät mainiosti. Se kirjoitti esseen ‘Richard Taylorin fatalismi ja fyysisen modaliteetin semantiikka' filosofian sivulavina. (Hizi tääkin tulee lähelle mun omaa sivulavia, jossa tutkin samaa modaliteettia peliteorian käsitteistön avulla. Olen varma että mun analyyssi oli parempi.) Se sai siitä Gail Kennedyn muistopalkinnon. Vuonna 2011, lavi julkaistiin nimellä ‘Kohtalo, aika ja kieli: yritelmä vapaasta tahdosta'. Tää mun kyllä pitäs lukea!
ellauri077.html on line 169: 1990-luvulla David Foster Wallace retkahti runoilijaan ja esseistiin Mary Karriin, ja suunnitteli jopa tämän aviomiehen, Michael Milburnin nirhausta. Myöhemmin Wallulla oli lyhyt mutta melskeinen suhde Maryn kaa.
ellauri077.html on line 205: Capitalism has made it so there’s a perpetual tidal wave of American culture crashing down around the globe. When The Force Awakens was released last December, it didn’t just open coast to coast across North America—it appeared in over 30 countries across five continents within its first week. When Dan Brown’s novel Inferno was released in 2013, it didn’t just sell out in every Costco in these 50 states: a team of 11 translators were locked away in a garret somewhere so that the book could have a simultaneous worldwide release. By early 2014 it was available in over 20 different languages.
ellauri077.html on line 207: But not all things emanating from this country move quite so quickly. Take, for instance, David Foster Wallace’s near-canonical mega-novel Infinite Jest: released in the States in 1996, it has in 20 years been translated into just five languages. (A sixth translation into Greek is currently in the works.) At this rate, it is moving only slightly faster than the massive Quixote, which had appeared in England, France, the Germanic territories, and Venice 20 years after its complete Castilian publication in 1615. However, Jest is massively behind the 3,600-page über-novel My Struggle, which—just 5 years after its complete Norwegian release—is available or forthcoming in over 20 languages.
ellauri077.html on line 214: In Argentina Jest is far more talked about than read, a thing that has increased since the novelist’s suicide and sanctification: “Now there’s the legend, the suicide, the movie . . . all the things that help you to fluently ‘talk Wallace’ without the obligation of reading him.”
ellauri077.html on line 216: Once again, the preponderance of American culture in Germany makes Infinite Jest a book that is readily understood. (And at this point I can’t help but take glee in the inherently Wallacian irony that American capitalism’s blob-like smearing of the globalized world has prepared the way for a scathing critique of this very same capitalism contained, Trojan Horse-style, inside a recondite mega-novel.) Still, things get lost: Blumenbach said that he “annotated the text as far as I could, and the publishers put those sixty pages of annotations on their website for a while.”
ellauri077.html on line 220: The French attributed the book’s great success to the French love of the “écrivain maudit” archetype, Wallace’s acerbic critique of America, and the myth that has grown up around the author: “A writer who seems to have been sacrificing his life on the altar of literature is seen as a hero.”
ellauri077.html on line 243: Geoffrey Hinton is the great-great-grandson both of logician George Boole whose work eventually became one of the foundations of modern computer science, and of surgeon and author James Hinton who was the father of Charles Howard Hinton.
ellauri077.html on line 255: Death system, a concept introduced by Robert Kastenbaum in 1977, is defined as "the interpersonal, sociocultural, and symbolic network through which an individual's relationship to mortality is mediated by his or her society" (Kastenbaum 2001, p. 66). Through this concept, Kastenbaum seeks to move death from a purely individual concern to a larger context, understanding the role of death and dying in the maintenance and change of the social order.
ellauri077.html on line 259: Dr. Elizabeth Harper Neeld offers wisdom and practical insights born of personal experience to people rebuilding their lives after suffering grief and loss. As an internationally recognized and accomplished consultant, advisor, and author of more than twenty books - including Tough Transitions and Seven Choices: Finding Daylight After Loss Shatters Your World - she is committed to work that helps lift the human spirit.
ellauri077.html on line 261: Articles by Elizabeth Harper Neeld:
ellauri077.html on line 265:
The Physical Stress of Grieving
ellauri077.html on line 324: Figures such as Albert Camus defined Søren Kierkegaard as the philosopher of irony. Kierkegaard defended faith above all things, but he always criticized the Danish church. Although he rejected the love of his life, he never stopped loving her and she was the muse for most of his work. Mitä ironista tässä muka on?
ellauri077.html on line 325: Similarly, he always emphasized the need to cultivate a religious spirit, but he himself was trapped in an aesthetic-ethical sphere.
ellauri077.html on line 332: ic/main_media/1411560062_original_anteeksi.jpg?itok=IoSd4c29u0026timestamp=1432206325" width="30%" />
ellauri077.html on line 342: Unamuno would have preferred to be a philosophy professor, but was unable to get an academic appointment.
ellauri077.html on line 344: Unamuno no fue protestante. Todos tenemos nuestras contradicciones, nuestros aciertos y errores, y Miguel de Unamuno los tuvo también. Por una parte fue un homófobo militante que animó a condenar a Oscar Wilde y otros escritores españoles homosexuales a trabajos forzados, palabras suyas son: “¿No habrá medio de que estos mártires del placer lleguen a serlo del dolor, de un dolor que les purifique y los eleve? ¿No será cosa de pensar seriamente en la manera de ponerles en disposición de que alguno de ellos escriba la balada del presidio de Ceuta o algo por el estilo?”. En cuanto a las mujeres, algunos estudios sobre la concepción que se desprende de ellas en su obra, concluyen que para Unamuno las mujeres eran ante todo madres y sólo podían amar como tales: “El amor de la mujer, sobre todo, decía que es siempre en el fondo compasivo, es maternal. La mujer se rinde al amante porque le siente sufrir con el deseo.
ellauri077.html on line 368: In February 1976, the book was removed from high school library shelves by the board of education of the Island Trees Union Free School District in New York. This case became the subject of a U.S. Supreme Court case in 1982.
ellauri077.html on line 372: 20-vuotiaana Muna tiesi 11 kieltä (kuollessaan 14)—Castilian, Basque, Greek, Sanskrit, Latin, Hebrew, Arabic, German, French, Italian and English.
ellauri077.html on line 397: Seuraavax Unamuno ottaa toisen miekkosen, “Benedict Spinoza miekkosen”, ja keskittyy 3 propositioon Spinozan etiikan osassa 3:
ellauri077.html on line 428: Cure yourself of the affliction of caring how you appear to others. Concern yourself only with how you appear before God, concern yourself only with the idea that God may have of you. (Parempi vielä olla välittämättä siitäkään.)
ellauri077.html on line 430: The greatest height of heroism to which an individual, like a people, can attain is to know how to face ridicule. (Muna oli hyvin arka pilkanteolle.)
ellauri077.html on line 454: He is the author of the monograph Existentialist Engagement in Wallace, Eggers and Foer: A Philosophical Analysis of Contemporary American Literature (Bloomsbury 2015) – for more information about this book, see below. His work has appeared in different academic journals and collections (see Publications). Currently, he is working on a book tentatively titled Wallace’s Existentialist Intertexts: Comparative Readings with the Fiction of Kafka, Dostoevsky, Camus and Sartre.
ellauri077.html on line 458: About Existentialist Engagement in Wallace, Eggers and Foer. The novels of David Foster Wallace, Dave Eggers and Jonathan Safran Foer are increasingly regarded as representing a new trend, an 'aesthetic sea change' in contemporary American fiction. 'Post-postmodernism' and 'New Sincerity' are just two of the labels that have been attached to this trend. But what do these labels mean? What characterizes and connects these novels?
ellauri077.html on line 460: This study shows that the connection between these works lies in their shared philosophical dimension. On the one hand, they portray excessive self-reflection and endless irony as the two main problems of contemporary Western life. On the other hand, the novels embody an attempt to overcome these problems: sincerity, reality-commitment and community are portrayed as the virtues needed to achieve a meaningful life.
ellauri077.html on line 462: This shared philosophical dimension is analyzed in this study by viewing the novels in light of the existentialist philosophies of Søren Kierkegaard, Jean-Paul Sartre, Ludwig Wittgenstein and Albert Camus. Pah taas näitä pahvikuvia ollaan ronttaamassa esille. Plus ca change, plus c´est la meme chose.
ellauri077.html on line 466: Wallace himself wrote, in my correspondence with him: “I too believe that most of the problems of what might be called ‘the tyranny of irony’ in today’s West can be explained almost perfectly in terms of Kierkegaard’s distinction between the aesthetic and the ethical life.”
ellauri077.html on line 476:
that things go wrong when irony becomes permanent—Kierkegaard calls this the “aesthetic” attitude;
ellauri077.html on line 478:
that liberation from irony is only possible through (what Kierkegaard calls) a “leap,” by “ethically” choosing one’s freedom, by choosing the responsibility to give shape and meaning to that freedom.
ellauri077.html on line 496: Samaa bullshittia on sanoa rumasta eze on 'aesthetically challenged.' Vitun eufemismeja Erik hei! Aikuisalusvaatteita! Lääkeainetyynyjä! Mä luulen kyllä että Wallu kärsi oikeasti jo mainituista esteettisistä haasteista: lyhyydestä, lihavuudesta, pyllistävistä reisistä, hikisestä pakenevasta ozanrajasta ja laihoista nilkoista. Sixkin sen mielestä oli syytä eziä vaihtoehtoisia arvoja.
ellauri077.html on line 544: With irony as our environment, we have been raised and conditioned to “distrust strong belief, open conviction,” writes Wallace.
ellauri077.html on line 555: In his interview with Larry McCaffery, Wallace shows he was aware of his failure to overcome the use of postmodern irony: “I got trapped just trying to expose the illusions of metafiction the same way metafiction had tried to expose the illusions of the pseudo-unmediated realist fiction that had come before it. It was a horror show.”
ellauri077.html on line 569: All good fiction “should both...depict the time’s darkness and...illuminate the possibilities for being alive and human in it." On tässä vähän Readers Digest tyylin gooey sentimentiä, mutta hyvällä tahdolla voi tän ehkä niellä.¹
ellauri077.html on line 571: ¹This essay is an adapted version of a chapter of my dissertation,“Love Me Till My Hearts Stop.” Existentialist Engagement in Contemporary American Literature, a philosophical analysis of the fiction of David Foster Wallace. Tarkistuskysymys: Millä eläimellä on useita sydämiä? Entä puhuvia päitä?
ellauri077.html on line 580: icture-in-picture" allowfullscreen>
ellauri077.html on line 602: narcissistic, anhedonic culture elements of itself: “If readers simply believe the world is stupid and shallow and mean, then [Bret Easton] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything”. (Ei ihme että amerikan psyko vähän suutahti.)
ellauri077.html on line 604: Tis-mal-leen! Tässä Wallu oli aivan oikeassa. Mutta paskaa oli jauhettu jenkeissä jo ennen postmodernisteja. Yhtä eltaantuneita oli ne kolme jutkua (Belov, Malamud ja Roth). Yhtä paskiaisia oli tavallaan myös Wilt Whatman ja se Saroyan, armenialaismamu joka elvisteli puhtaaxi puleeratulla americanalla. Tai se village smithy jäbä, Hessu Långben. Ei hemmetti, ei jenkkilästä tule mitään hyvää vaikka voissa paistaisi. Ne on joko gooey tai ne on irvistelijötä. Ei ne saa naamaa peruslukemille millään.
ellauri077.html on line 608: The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment
ellauri077.html on line 617: Wallace stated that Realism is “soothing, familiar and anaesthetic [and] . . . drops us right into spectation”.
ellauri077.html on line 621: If we take the Incandenza-wraith’s claim that “Infinite Jest” was his last, desperate attempt to reconnect with Hal, to “simply converse”(IJ 838, original emphasis), as fact, this means that the actual product does just the opposite of what it was meant to. It instead traps the viewer in a solipsistic cage out of which there seems to be no escape.
ellauri077.html on line 627: This process does not lead to a passive, solely pleasurable experience such as taking a drug or watching television. Instead, what awaits that reader is a book that forces her “‘to work hard to access its pleasures, the same way that in real life true pleasure is usually a by-product of hard work and discomfort’” (McCaffery 119). Perhaps the most difficult aspect of Infinite Jest (and the one for which it is fated to be infamously known) is the use of endnotes, which will be our entry into thinking of Infinite Jest as a conversation-text.
ellauri077.html on line 636: Wallu on takuulla saanut ideoita lukijoiden kiusaamiseen äitykältä, jonka äidinkielen oppikirjat on täynna quizzeja ja knoppeja jotka pitää pikku lukijoita valveilla. Wickedly funny, thats mommy. Postmodernistit väitti että realistit huijas lukijoita ja huijas ize kahta kauheammin. Wallu, "uusi vilpitön", ojentaa kätösen ja sanoo lukijalle "trust me" kuin Walt Disneyn Aladdin. Luotathan?
ellauri077.html on line 662: AA-liike (engl. Alcoholics Anonymous eli Nimettömät Alkoholistit, Anonyymit Alkoholistit) on kansainvälinen yhteisö, jonka jäsenten päämääränä on pysyä raittiina ja auttaa toisia alkoholisteja saavuttamaan raittius. Liike toimii pieninä paikallisina ryhminä. AA-liikkeen perustivat Yhdysvalloissa vuonna 1935 William Griffith Wilson ("Bill W.") ja Robert Holbrook Smith (”Dr. Bob”).
ellauri077.html on line 679: Hi my name is Lauri and I am a workaholic. Mixei ryhmää sellasta ole eikä ryhmiä tafsaajille tai pedofiileille? Eikä narsisteille tai psykopaateille. No koska niillä ei ole aikaa sellaiselle, ja ne on ize asiassa aika tyytyväsiä izeensä ja oloonsa.
ellauri077.html on line 681: Die wichtigste therapeutische Handlungsform AAs sind die so genannten Meetings, regelmäßige Treffen lokaler Gruppen. Sie zeichnen sich zwischen den Anfangs- und Beendigungsritualen durch längere Monologe aus, in denen Teilnehmer ihre persönlichen Erfahrungen mit Alkoholkonsum schildern. Diese Narrative stärken dabei die eigene Identität als abstinenter (oder abstinent werden wollender) Alkoholiker.
ellauri077.html on line 683: Einer qualitativen Studie zufolge sind die Monologe dabei zumeist affirmativ auf die Vorredner bezogen. Verbalisierter Dissens sei selten, aber wichtig, um biographisch begründete kognitive Dissonanzen aufzulösen. Die Affirmation sei dabei wichtig, um die Kollektividentitäten zu stärken und damit Solidarität zu fördern. Dissens würde dagegen nur vorsichtig und zumeist indirekt vorgebracht.
ellauri077.html on line 694: As summarized by the American Psychological Association (APA), the process involves the following:
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admitting that one cannot control one´s alcoholism, addiction or compulsion;
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helping others who suffer from the same alcoholism, addictions or compulsions.
ellauri077.html on line 703: Hetkinen hetkinen, tästä puuttu tonni! Tässähän on vasta 6 askelta? Ai tää onkin APAn tiivistelmä. The following are the original twelve steps as published by Alcoholics Anonymous:
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Having had a spiritual awakening as the result of these steps, we tried to carry this message to alcoholics, and to practice these principles in all our affairs.
ellauri077.html on line 724: Voici les douze promesses des alcooliques anonymes (source : « Gros livre », pages 94-95) :
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Notre intuition nous dictera notre conduite dans des situations qui, auparavant, nous déroutaient.
ellauri077.html on line 754: The Stoics taught that we should accept whatever is outside our control. “Do you really think you can make a bad situation any worse by complaining about it?” Yes we can! I have tried to make this my own practice, and have tried to complain about things that happen. But not out loud! Marcus Aurelius said: “Don’t be overheard complaining… Not even to yourself.” Mutter your complaints under your breath.
ellauri077.html on line 756: Yleensä on katsottu, että rukous on peräisin Niebuhrilta, mutta sen alkuperästä on esitetty erilaisia arveluja. Niebuhr itse piti itseään rukouksen ensimmäisenä esittäjänä, ja se esiintyy muun muassa hänen teoksessaan The Essential Reinhold Niebuhr: Selected Essays and Addresses (1987) sekä hänen tyttärensä Elisabeth Siftonin teoksessa The Serenity Prayer: Faith and Politics in Times of Peace and War (2003). Siftonin mukaan hänen isänsä oli käyttänyt rukousta vuonna 1943. Hän on kuitenkin ilmeisesti käyttänyt sitä saarnassaan jo vuonna 1932 tai aikaisemmin. Rukous on pantu virheellisesti muun muassa Augustinuksen, Tuomas Akvinolaisen, Franciscus Assisilaisen, Paul Tillichin, Friedrich Christoph Oetingerin ja Udo Kuckucksuhrin nimiin. Kaikki kieltäytyivät.
ellauri077.html on line 762: The program appears to be helpful for a subset of alcoholics. Alcoholics Anonymous appears to be about as effective as other support groups recommending abstinence from alcohol and other drugs of abuse. Vähän alle puolet saa helpotusta vaivaansa. Ne joilla on se sinapinsiemen taskussa.
ellauri077.html on line 770: Felo de se: Felo de se è una locuzione latina, il cui significato letterale è: "fellone da sé" ed è un termine legale arcaico (soprattutto in uso nell´area anglosassone) utilizzato per indicare il suicidio di una persona o la sua morte durante un tentativo di commettere un altro crimine (ad esempio un furto o un omicidio). Typically anglosaxon pig latin. Si trova nel romanzo Infinite Jest di David Foster Wallace, in riferimento alla morte del regista James Orin Incandenza.
ellauri077.html on line 774: Saalilainen laki: (latinaksi lex salica) on noin vuosina 507–511 keskiajan latinaksi kirjoitettu saalilaisten frankkien oikeuden kasuistinen koonnos. Se on vanhin ja tunnetuin länsigermaaninen lakikokoelma. Lain määräystä, jonka mukaan naisella ei ole oikeutta periä maata, jos on olemassa miespuolisia perillisiä, sovellettiin myöhemmin muun muassa Ranskan kruununperimyksessä.
ellauri077.html on line 785: Tomás Luis de Victoria (1548 – 27. elokuuta 1611) oli espanjalainen säveltäjä ja pappi. The Tenebrae Responsories by Tomás Luis de Victoria are a set of eighteen motets for four voices a cappella. The late Renaissance Spanish composer set the Responsories for Holy Week known as Tenebrae responsories. They are liturgical texts prescribed for use in the Catholic observances during the Triduum of the Holy Week, in the Matins of Maundy Thursday, Good Friday and Holy Saturday. The compositions were published in Rome in 1585.
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Politics and the English Language
on George Orwellin vuonna 1946 ilmestynyt kuuluisa essee, jossa hän arvosteli kielen käyttämistä poliittisen vaikuttamisen välineenä ja todellisuuden naamioimista kiertoilmaisuin. Mukavassari Orwellin kommarivihasta ja mukahetero Orwellin homofobiasta on ollut puhetta jo albumissa Eläinten vallankumous. ellauri077.html on line 791: the "best people" from the gentlemen´s clubs, and all the frantic fascist captains, united in common hatred of Socialism and bestial horror at the rising tide of the mass revolutionary movement, have turned to acts of provocation, to foul incendiarism, to medieval legends of poisoned wells, to legalize their own destruction of proletarian organizations, and rouse the agitated petty-bourgeoise to chauvinistic fervor on behalf of the fight against the revolutionary way out of the crisis. ellauri077.html on line 794: Pretentious diction. Words like phenomenon, element, individual (as noun), objective, categorical, effective, virtual, basic, primary, promote, constitute, exhibit, exploit, utilize, eliminate, liquidate , are used to dress up a simple statement and give an aire of scientific impartiality to biased judgements. Adjectives like epoch-making, epic, historic, unforgettable, triumphant, age-old, inevitable, inexorable, veritable, are used to dignify the sordid process of international politics, while writing that aims at glorifying war usually takes on an archaic color, its characteristic words being: realm, throne, chariot, mailed fist, trident, sword, shield, buckler, banner, jackboot, clarion. ellauri077.html on line 796: Foreign words and expressions such as cul de sac, ancien régime, deus ex machina, mutatis mutandis, status quo, gleichschaltung, weltanschauung , are used to give an air of culture and elegance. Except for the useful abbreviations i.e., e.g. , and etc. , there is no real need for any of the hundreds of foreign phrases now current in the English language. Bad writers, and especially scientific, political, and sociological writers, are nearly always haunted by the notion that Latin or Greek words are grander than Saxon ones, and unnecessary words like expedite, ameliorate, predict, extraneous, deracinated, clandestine, subaqueous, and hundreds of others constantly gain ground from their Anglo-Saxon numbers. (Number on latinaa hei pahvi!) ellauri077.html on line 800: Orwell´s confusing approach to matters of social decorum—on the one hand expecting a working-class guest to dress for dinner, and on the other, slurping tea out of a saucer at the BBC canteen—helped stoke his reputation as an English eccentric. ellauri077.html on line 804: Meaningless words. In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. Words like romantic, plastic, values, human, dead, sentimental, natural, vitality , as used in art criticism, are strictly meaningless, in the sense that they not only do not point to any discoverable object, but are hardly ever expected to do so by the reader. When one critic writes, "The outstanding feature of Mr. X's work is its living quality," while another writes, "The immediately striking thing about Mr. X's work is its peculiar deadness," the reader accepts this as a simple difference opinion. If words like black and white were involved, instead of the jargon words dead and living, he would see at once that language was being used in an improper way. ellauri077.html on line 806: Many political words are similarly abused. The word Fascism has now no meaning except in so far as it signifies "something not desirable." The words democracy, socialism, freedom, patriotic, realistic, justice have each of them several different meanings which cannot be reconciled with one another. In the case of a word like democracy, not only is there no agreed definition, but the attempt to make one is resisted from all sides. ellauri077.html on line 808: It is almost universally felt that when we call a country democratic we are praising it: consequently the defenders of every kind of regime claim that it is a democracy, and fear that they might have to stop using that word if it were tied down to any one meaning. Words of this kind are often used in a consciously dishonest way. That is, the person who uses them has his own private definition, but allows his hearer to think he means something quite different. Statements like Marshal Petain was a true patriot, The Soviet press is the freest in the world, The Catholic Church is opposed to persecution, are almost always made with intent to deceive. Other words used in variable meanings, in most cases more or less dishonestly, are: class, totalitarian, science, progressive, reactionary, bourgeois, equality. ellauri077.html on line 812: In our age there is no such thing as "keeping out of politics." All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred, and schizophrenia. ellauri077.html on line 816: Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. ellauri077.html on line 820: Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent. ellauri077.html on line 849: Why is it that it´s the hierarchically oriented types that want to feel there is something bigger than themselves? Religious types, patriots, all sorts of bigots and fundamentalists? Lots and lots of authors and philosophers, including David Foster Wallace. ellauri077.html on line 851: It is the team thinking: joining a team that is bigger than myself (and the other teams, hopefully) I can become vicariously king of the hill myself. Njaah njaah njaah I shout to the teams below from behind the lines and give applause to the champions of my team. Standing ovations that give no end of pleasure. ellauri077.html on line 855: Many things outside of me are bigger than myself as well. Many women are bigger than me; almost all policemen are bigger than me; the police car they drag me in to fine me is bigger than myself; Russia is much bigger, and so is America. Not that I fancy them for it very much. The sun and moon are bigger too, and quite likable. And the sea, the whales in it and the elephants in Africa. These I like a lot. ellauri077.html on line 857: But I try to keep in mind the advice Kliban gave in the seventies: never eat anything bigger than your head. ellauri077.html on line 867: Why is it that the Oedipus has a bigger head than is healthy for him? Why seeing him makes me like a vaccinated cell seeing a virus that I am vaccinated against, but still claustrophobic. I must put my fatherly upper jaw on his head, like the male lion does to the mare, and like a snakely Laertes slip my lower jaw under his pimply chin and swallow. The problem is I cannot do it: he is not my own son, but the son of my wife, and that would be murder. So I just keep my upper jaw symbolically and quietly on his crown like a crown. and suffer this corona. My vaccination took a year of pain, and this is just a chimera of that constant pain. ellauri078.html on line 6: font-style: italic; ellauri078.html on line 34: Infinity is something we are introduced to in our math classes, and later on we learn that infinity can also be used in physics, philosophy, social sciences, etc. Infinity is characterized by a number of uncountable objects or concepts which have no limits or size. This concept can be used to describe something huge and boundless. It has been studied by plenty of scientists and philosophers of the world, since the early Greek and early Indian epochs. In writing, infinity can be noted by a specific mathematical sign known as the infinity symbol (∞) created by John Wallis, an English mathematician who lived and worked in the 17th century. ellauri078.html on line 36: Pieleen meni jo ekassa kappaleessa. Infinityjä on laskettavia (countable), esim luonnolliset luvut. Laskeminen ei vaan pääty ikinä vaan jatkuu ad nauseam kuten Fosterin loppumaton läppä. Suomalaistyperyxet ml se Hotakaisen ääliö yxinkertaisesti käänsi kirjan nimen väärin. Se on nimenomaan läppä. Jest on pila eikä mikään vitun riemu. Ei Wallu ollut mikään riemun saarnaaja sen enempää kuin Hamlet, vaan sen poinzina oli että ei saa lärviä, pilkanteko sattuu pilkkaajan omaan nilkkaan. Varmaan sen vanhemmat varsinkin äiti oli varsinaisia pilkkakirveitä, nauroivat wakawikko Wallulle selän takana, ja myös edessä. Ne oli wickedly funny, ateisteja, Wallu oli kaappiuskova. Pukuhuoneen kaapin ikonostaasissa Dunlopin maila ja Reebokin tohvelit. Ehtoollisviininä hammasmukillinen hiusvettä ja öylättinä mömmötabuja. ellauri078.html on line 44: The infinity symbol ( ∞ {\displaystyle \infty } \infty , ∞, or in unicode ∞) is a mathematical symbol representing the concept of infinity. In algebraic geometry, the figure is called a lemniscate. ellauri078.html on line 46: The word comes from the Latin "lēmniscātus" meaning "decorated with ribbons", from the Greek λημνίσκος meaning "ribbons", or which alternatively may refer to the wool from which the ribbons were made. ellauri078.html on line 48: Curves that have been called a lemniscate include three quartic plane curves: the hippopede or lemniscate of Booth, the lemniscate of Bernoulli, and the lemniscate of Gerono. The study of lemniscates (and in particular the hippopede) dates to ancient Greek mathematics, but the term "lemniscate" for curves of this type comes from the work of Jacob Bernoulli in the late 17th century. ellauri078.html on line 50: The consideration of curves with a figure-eight shape can be traced back to Proclus, a Greek Neoplatonist philosopher and mathematician who lived in the 5th century AD. Proclus considered the cross-sections of a torus by a plane parallel to the axis of the torus. As he observed, for most such sections the cross section consists of either one or two ovals; however, when the plane is tangent to the inner surface of the torus, the cross-section takes on a figure-eight shape, which Proclus called a horse fetter (a device for holding two feet of a horse together), or "hippopede" in Greek. The name "lemniscate of Booth" dates to its study by the 19th-century mathematician James Booth. ellauri078.html on line 52: The infinity symbol (∞) represents a line that never ends. The common sign for infinity, ∞, was first time used by Wallis in the mid 1650s. He also introduced 1/∞ for an infinitesimal which is so small that it can’t be measured. Wallis wrote about this and numerous other issues related to infinity in his book Treatise on the Conic Sections published in 1655. The infinity symbol looks like a horizontal version of number 8 and it represents the concept of eternity, endless and unlimited. Some scientists say, however, that John Wallis could have taken the Greek letter ω as a source for creating the infinity sign. ellauri078.html on line 54: Overall, there are three major applications of infinity symbol: ellauri078.html on line 56: the mathematical ellauri078.html on line 57: the physical ellauri078.html on line 58: the metaphysical ellauri078.html on line 63: Lemniscates as generalized conics ellauri078.html on line 64: Lorenz attractor, a three-dimensional dynamic system exhibiting a lemniscate shape ellauri078.html on line 70: Dickinson the Imp ellauri078.html on line 74: Emily Dickinson (1830-1886) on (oli) 1 American suurimmista ja omaperäisimmistä runosepoista ja kaikkien aikojenkin omaperäisimpiä. Kuten kirjoittajat kuten Ralph Waldo Emerson, Henry David Thoreau, and Walt Whitman. Nää äijät mul on jo mut Emilyä ei vielä oo. Aika sovinistista. ellauri078.html on line 78: Dickinsonin äiti, jonka nimi oli myös Emily, oli kylmä uskonnollinen työteliäs perheenemäntä, joka kärsi masennuxista. Sen suhde tyttäreen oli etäinen. Myöhemmin Emily kirjoitti kirjeessä että sillä ei koskaan ollut äitiä. ellauri078.html on line 80: Dickinson´s verse is often associated with common meter, which is defined by alternating lines of eight syllables and six syllables (8686) or Iambic Tetrameter alternating with Iambic Trimeter. This pattern–one of several types of metrical “feet”–is known as an “iamb.” Common meter is often used in sung music, especially hymns (think “Amazing Grace” of "Yellow Roses of Texas"). ellauri078.html on line 84: ickinson.jpg" width="100%" /> ellauri078.html on line 89: She effectively secluded herself and poured forth poems with a profligacy bordering on hypographia. If you want a fairly succinct on-line biography of Dickinson, I enjoyed Barnes & Noble’s SparkNotes. ellauri078.html on line 97: Ballad Meter is a variant of Hymn Meter. Less formal and more conversational in tone than Common Meter, Ballad Meter isn’t as metrically strict, meaning that not all of its feet may be iambic. Also notice the rhyme scheme. Only the second & fourth line rhyme. Common Meter requires a strict ABAB rhyme scheme. The tone, the rhyme scheme, and the varied meter distinguish Ballad Meter from Common Meter. ellauri078.html on line 99: The singing of hymns, by the way, was not always a feature of Christian worship. For dumb anglo-saxons it was the briton Isaac Watts, a nonconformist (lue hihhuli) during the late 17th Century, who wedded the meter of Folk Song and Ballad to scripture. One of the churches that fully adopted Watts’ hymns was the The First Church of Amherst, Massachusetts, where Dickinson from girlhood on, worshiped. ellauri078.html on line 101: One more variation on ballad meter would be fourteeners. Fourteeners essentially combine the Iambic Tetrameter and Trimeter alternation into one line. Examples of the form can be found as far back as George Gascoigne – a 16th Century English Poet who preceded Shakespeare. The Yellow Rose of Texas would be an example (and is a tune to which many of Dickinson’s poems can be sung). Wallu varmaan luki tän saman plokisivun ja kuunteli Melvis Pressulan whitey versiota. ellauri078.html on line 103: The earliest known version is found in Christy's Plantation Melodies. No. 2, a songbook published under the authority of Edwin Pearce Christy in Philadelphia in 1853. Christy was the founder of the blackface minstrel show known as the Christy's Minstrels. Like most minstrel songs, the lyrics are written in a cross between a parody of a generic creole dialect historically attributed to African-Americans and standard American English. The song is written in the first person from the perspective of an African-American singer who refers to himself as a "darkey," longing to return to "a yellow girl" (that is, a light-skinned, or bi-racial woman born of African/African-American and European-American progenitors) ellauri078.html on line 112: By Emily Dickinson ellauri078.html on line 135: Emily Elizabeth Dickinson was born in Amherst, Massachusetts, on December 10, 1830 to Edward and Emily (Norcross) Dickinson. At the time of her birth, Emily’s father was an ambitious young lawyer. Educated at Amherst and Yale, he returned to his hometown and joined the ailing law practice of his father, Samuel Fowler Dickinson. Edward also joined his father in the family home, the Homestead, built by Samuel Dickinson in 1813. Active in the Whig Party, Edward Dickinson was elected to the Massachusetts State Legislature (1837-1839) and the Massachusetts State Senate (1842-1843). ellauri078.html on line 137: Between 1852 and 1855 he served a single term as a representative from Massachusetts to the U.S. Congress. In Amherst he presented himself as a model citizen and prided himself on his civic work—treasurer of Amherst College, supporter of Amherst Academy, secretary to the Fire Society, and chairman of the annual Cattle Show. Comparatively little is known of Emily’s mother, who is often represented as the passive wife of a domineering husband. Her few surviving letters suggest a different picture, as does the scant information about her early education at Monson Academy. Academy papers and records discovered by Martha Ackmann reveal a young woman dedicated to her studies, particularly in the sciences. ellauri078.html on line 139: By the time of Emily’s early childhood, there were three children in the household. Her brother, William Austin Dickinson, had preceded her by a year and a half. Her sister, Lavinia Norcross Dickinson, was born in 1833. All three children attended the one-room primary school in Amherst and then moved on to Amherst Academy, the school out of which Amherst College had grown. The brother and sisters’ education was soon divided. Austin was sent to Williston Seminary in 1842; Emily and Vinnie continued at Amherst Academy. ellauri078.html on line 141: By Emily Dickinson’s own account, she delighted in all aspects of the school—the curriculum, the teachers, the students. The school prided itself on its connection with Amherst College, offering students regular attendance at college lectures in all the principal subjects— astronomy, botany, chemistry, geology, mathematics, natural history, natural philosophy, and zoology. As this list suggests, the curriculum reflected the 19th-century emphasis on science. That emphasis reappeared in Dickinson’s poems and letters through her fascination with naming, her skilled observation and cultivation of flowers, her carefully wrought descriptions of plants, and her interest in “chemic force.” Those interests, however, rarely celebrated science in the same spirit as the teachers advocated. ellauri078.html on line 143: In an early poem, she chastised science for its prying interests. Its system interfered with the observer’s preferences; its study took the life out of living things. In “‘Arcturus’ is his other name” she writes, “I pull a flower from the woods - / A monster with a glass / Computes the stamens in a breath - / And has her in a ‘class!’” At the same time, Dickinson’s study of botany was clearly a source of delight. She encouraged her friend Abiah Root to join her in a school assignment: “Have you made an herbarium yet? I hope you will, if you have not, it would be such a treasure to you.” She herself took that assignment seriously, keeping the herbarium generated by her botany textbook for the rest of her life. ellauri078.html on line 145: Behind her school botanical studies lay a popular text in common use at female seminaries. Written by Almira H. Lincoln, Familiar Lectures on Botany (1829) featured a particular kind of natural history, emphasizing the religious nature of scientific study. Lincoln was one of many early 19th-century writers who forwarded the “argument from design.” She assured her students that study of the natural world invariably revealed God. Its impeccably ordered systems showed the Creator’s hand at work. ellauri078.html on line 147: Dickinson found the conventional religious wisdom the least compelling part of these arguments. From what she read and what she heard at Amherst Academy, scientific observation proved its excellence in powerful description. The writer who could say what he saw was invariably the writer who opened the greatest meaning to his readers. While this definition fit well with the science practiced by natural historians such as Hitchcock and Lincoln, it also articulates the poetic theory then being formed by a writer with whom Dickinson’s name was often later linked. In 1838 Emerson told his Harvard audience, “Always the seer is a sayer.” ellauri078.html on line 149: At the academy she developed a group of close friends within and against whom she defined her self and its written expression. Among these were Abiah Root, Abby Wood, and Emily Fowler. Other girls from Amherst were among her friends—particularly Jane Humphrey, who had lived with the Dickinsons while attending Amherst Academy. ellauri078.html on line 151: Dickinson left the academy at the age of 15 in order to pursue a higher, and for women, final, level of education. In the fall of 1847 Dickinson entered Mount Holyoke Female Seminary. Under the guidance of Mary Lyon, the school was known for its religious predilection. Part and parcel of the curriculum were weekly sessions with Lyon in which religious questions were examined and the state of the students’ faith assessed. The young women were divided into three categories: those who were “established Christians,” those who “expressed hope,” and those who were “without hope.” Much has been made of Emily’s place in this latter category and of the widely circulated story that she was the only member of that group. Years later fellow student Clara Newman Turner remembered the moment when Mary Lyon “asked all those who wanted to be Christians to rise.” Emily remained seated. No one else did. Turner reports Emily’s comment to her: “‘They thought it queer I didn’t rise’—adding with a twinkle in her eye, ‘I thought a lie would be queerer.’“ ellauri078.html on line 153: The brevity of Emily’s stay at Mount Holyoke—a single year—has given rise to much speculation as to the nature of her departure. Whatever the reason, when it came Vinnie’s turn to attend a female seminary, she was sent to Ipswich. ellauri078.html on line 155: Upon their return, unmarried daughters were indeed expected to demonstrate their dutiful nature by setting aside their own interests in order to meet the needs of the home. For Dickinson the change was hardly welcome. Her letters from the early 1850s register dislike of domestic work and frustration with the time constraints created by the work that was never done. “God keep me from what they call households,” she exclaimed in a letter to Root in 1850. ellauri078.html on line 157: Particularly annoying were the number of calls expected of the women in the Homestead. Edward Dickinson’s prominence meant a tacit support within the private sphere. The daily rounds of receiving and paying visits were deemed essential to social standing. Not only were visitors to the college welcome at all times in the home, but also members of the Whig Party or the legislators with whom Edward Dickinson worked. Emily Norcross Dickinson’s retreat into poor health in the 1850s may well be understood as one response to such a routine. ellauri078.html on line 159: For Dickinson, the pace of such visits was mind-numbing, and she began limiting the number of visits she made or received. She baked bread and tended the garden, but she would neither dust nor visit. ellauri078.html on line 163: icture-in-picture" allowfullscreen> ellauri078.html on line 171: On which the Prince of Glory dy'd, niin pääni painuu häpeillen. Jonka päällä kunnian prinssi kuoli ellauri078.html on line 172: My richest Gain I count but Loss, Jo murtuu mieli ylpeä Parhaat voitot lasken vaan tappiox ellauri078.html on line 178: I sacrifice them to his Blood. vain rihkaman on arvoinen. Mä uhraan ne sen verelle. ellauri078.html on line 183: Or Thorns compose so rich a Crown? nyt vuotaa niistä virtana. Tai takuista tehty niin rikasta kruunua? ellauri078.html on line 196: It was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first two lines of the second verse do paraphrase St Paul at Galatians 6:14. The poetry of "When I survey..." may be seen as English literary baroque. ellauri078.html on line 234: Halin äiti teki McGillissä kandityön Emily Dickinsonin välimerkkien käytöstä. ellauri078.html on line 235: Wallun äiti kävi Mt Holyokea kuten Emily Dickinson. Sen hukin aihetta ei löytymyt kuolinilmoituxesta eikä Holyoken sivuilta. Se ei ollut Holyoken kuuluisa alumni. Se kuoli rakkaittensa ympäröimänä. Lähti Wallun seuraxi. Wallun naisviha narsismi ja lievä psykopatia lyö läpi elvixenmunanpituisesta alaviitteestä 110. Kaikki Emilyn runot ei olleet jenkkivirsimitassa, pussiin oli pujahtanut jokunen trokeinen. ellauri078.html on line 246: In America now, free-speech partisans find themselves defending mainly racists shouting “nigger” or Nazis carrying swastikas or—most often—men looking at pictures of naked women with their legs spread open. (Ilmeisesti Dworkin tahmasi vaan Playboyn centerfoldeja. Ei ainakaan muuta tunnusta.) ellauri078.html on line 250: Everyone has an equal right to contribute to what I called the “moral environment”—even people whose tastes reflect no “ideas” but only very offensive “prejudices, life styles, and cultures.” ellauri078.html on line 252: In a genuinely egalitarian society, however, those views cannot be locked out, in advance, by criminal or civil law: they must instead be discredited by the disgust, outrage, and ridicule of other people. ellauri078.html on line 256: Sika typerä mies tai vaan ilkeä. Rupusakin disgust tai ridicule ei pysäytä Weinstein ja Nygaard tyyppisiä #metoo paskiaisia. Ne nauraa koko matkan pankkiin. Linnaan ne on pantava ja potkittava pois hillopaalulta. ellauri078.html on line 299: The Cornice – in the Ground – ja karniisi maan alla ellauri078.html on line 306: In a letter to Abiah Root, Dickinson once asked, "Does not Eternity appear dreadful to you . . . I often get thinking of it and it seems so dark to me that I almost wish there was no Eternity. To think that we must forever live and never cease to be. It seems as if Death which all so dread because it launches us upon an unknown world would be a relief to so endless a state of existense." ellauri078.html on line 316: by Emily Dickinson ellauri079.html on line 6: font-style: italic; ellauri079.html on line 28: American HILLBILLIES Läppäkeppejä ellauri079.html on line 33: Slapstick (läppäkeppi) on yliammuttuihin fyysisiin törmäilyihin, sattumuksiin ja koheltamiseen perustuvaa komiikkaa. Tyypillinen esimerkki siitä on kermakakun litistäminen jonkun kasvoihin. ellauri079.html on line 35: Slapstickia on käytetty esimerkiksi vanhoissa mykkäfilmikomedioissa ja nykyään varsinkin erilaisissa piirretyissä, joissa ruumiillista kipua ei oikeastaan esiinny. Piirretyissä esimerkiksi jotakuta kaavamaisen typerää sivuhahmoa lyödään vaikkapa nyrkillä kasvoihin, ja hetken päästä hahmo nousee typertynyt ilme naamallaan ylös. Pään ympärillä leijailee vain tähtiä ja siihen ilmestyy iso kuhmu. Kaxiulotteisiin henkilöihin ei mahdu kipua. Tästähän oli se yxi vanha romaani? Naiset oli viivoja ja miehet monikulmioita. ellauri079.html on line 37: Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions. This book was taught in Wallace's Tennis Academy. It's actually quite boring if you ask me. Be there or be square. ellauri079.html on line 39: Joskus humoristisuutta tavoitellaan saman asian toistolla; tälloin vaikkapa alasin putoaa juuri nyrkistä saaneen hahmon päähän. Tunnettuja slapstick-tyyppisiä piirroshahmoja ovat esimerkiksi Kelju K. Kojootti ja Maantiekiitäjä sekä Tipi ja Sylvesteri, joiden sarjoissa on perusajatuksena petoeläimen pyrkimys jahdata lintua. KILL! KILL! EAT! EAT! (Lastenohjelmasta jää pois FUCK! FUCK! se ei niitä vielä kiinnosta, luulevat vaan että iskä ja äiskä tappelee, muttei yhtä hauskasti kuin Tipi ja Sylvesteri. Kuulostaa kuin niihin sattuisi.) ellauri079.html on line 41: Slapstick on yleinen tyyli myös American Pien kaltaisissa nuortenelokuvissa ja etevillä jenkkikirjailijoilla kuten Pynchon ja Wallace. ellauri079.html on line 43: The name "slapstick" originates from the Italian Batacchio or Bataccio – called the "slap stick" in English – a club-like object composed of two wooden slats used in commedia dell'arte. When struck, the Batacchio produces a loud smacking noise, though it is only a little force that is transferred from the object to the person being struck. Actors may thus hit one another repeatedly with great audible effect while causing no damage and only very minor, if any, pain. Along with the inflatable bladder (of which the whoopee cushion is a modern variant), it was among the earliest special effects. Pynchonilla on myös pierutyynyjä. ellauri079.html on line 115: Ellie May Clampett was unable to do much more in getting her career to take off. She went on to become a gospel singer for a while and even practiced real estate for a bit. But nothing ever really kept her from going back to show business as she felt that this was where she belonged. Ellie May passed away from pancreatic cancer in 2015. ellauri079.html on line 124: icture-in-picture" allowfullscreen> ellauri079.html on line 126: Tässä vielä mäkitupalaisten aloitusmusiikki, jonka jenkkivanhuxet osaa ulkoa. Se on balladi, siis kaiketikin 14-tavuinen kuten Emily Dickinsonin runot. Voikohan niitä laulaa myös Jed Klampetin musiikkiin? P.S. Älä kazo Hillbillyn jaxoja youtubesta, ellet tahdo itkeä etkä heittää ryynejä. ellauri079.html on line 128: icture-in-picture" allowfullscreen> ellauri079.html on line 133: Saatuani väitöskirjan valmiixi mä sain tarjouxen professorin viransijaisuudesta Amherstissa, tai siis Barbara Partee tarjosi. Se jotenkin tykkäsi musta, en tiedä mix. Sen mies oli Emmon Bach, jolla oli silläkin paha depressio. Niillä oli vanerinen kesämökki jossain puskassa, jonne ne kuzui mut ja Alice Ter Meulenin kerran lomaselle. Mulla on vieläkin näkömuisto sieltä, joku vaapsahainen istumassa vanerilla keskellä pusikkoa. Seija kieltäytyi lähtemästä Amherstiin lehmien ja nenäkkäiden amerikkalaisten ihmeteltäväxi. Ei se muakaan napannut, joten me tultiin kolmisteen Johnin kanssa Merimiehenkadulle, ja mä menin jakamaan lehtiä Ullanlinnan ja Kaivopuiston rikkaille. Sellasilla isopyöräisillä maitokärryillä. ellauri079.html on line 135: The earliest known document of the lands now comprising Amherst is the deed of purchase dated December 1658 between John Pynchon of Springfield and three native inhabitants, referred to as Umpanchla, Quonquont, and Chickwalopp. According to the deed, "ye Indians of Nolwotogg (Norwottuck) upon ye River of Quinecticott (Connecticut)" sold the entire area in exchange for "two Hundred fatham of Wampam & Twenty fatham, and one large Coate at Eight fatham wch Chickwollop set of, of trusts, besides severall small giftes". ellauri079.html on line 137: Wampum is a traditional shell bead of the Eastern Woodlands tribes of Native Americans. It includes white shell beads hand fashioned from the North Atlantic channeled whelk shell and white and purple beads made from the quahog or Western North Atlantic hard-shelled clam. Before European contact, strings of wampum were used for storytelling, ceremonial gifts, and recording important treaties and historical events, such as the Two Row Wampum Treaty or The Hiawatha Belt. Wampum was also used by the northeastern Indian tribes as a means of exchange, strung together in lengths for convenience. The first Colonists adopted it as a currency in trading with them. Eventually, the Colonists applied their technologies to more efficiently produce wampum, which caused inflation and ultimately its obsolescence as currency. ellauri079.html on line 139: the Iroquoians (Five Nations and Huron alike) shared a very particular constitution: they saw their societies not as a collection of living individuals but as a collection of eternal names, which over the course of times passed from one individual holder to another. The names were coded into chains of wampum beads. ellauri079.html on line 141: The introduction of European metal tools revolutionized the production of wampum; by the mid-seventeenth century, production numbered in the tens of millions of beads. Dutch colonists discovered the importance of wampum as a means of exchange between tribes, and they began mass-producing it in workshops. John Campbell established such a factory in Pascack, New Jersey, which manufactured wampum into the early 20th century. Pascackpa hyvinkin. ellauri079.html on line 144: Amherst was Commander-in-Chief of the forces of North America during the French and Indian War who, according to popular legend, singlehandedly won Canada for the British and banished France from North America. ellauri079.html on line 145: Amherst is also infamous for recommending, in a letter to a subordinate, the use of smallpox-covered blankets in warfare against the Native Americans along with any "other method that can serve to Extirpate this Execrable Race". ellauri079.html on line 147: For this reason, there have been occasional ad hoc movements to rename the town. Suggested new names have included "Emily", after Emily Dickinson. ellauri079.html on line 210: Häkki. Näitä on useita, kaikki vastustavat kaupallista tv-viihdettä ja tv-mainoxia. Valon lajeja. Synkät logiikat. Kai tennis käy kaikille? "Täällä ei ole häviäjiä". Virtausta laatikossa (Flux in the Box, ks tätä). Nää on tennisaiheisia. Loputon läppä. Näitä on 5? versiota. Kaupallista viihdettä. Anulaarifuusio on ystävämme. Ditto voimistettu valo. Berkeleyn sairaanhoitajien liitto. Cambridgen kielioppiteoreetikkojen liitto. Eklottava Steven "Pinky" Pinker mainitaan. Leskimies. Kuolema Scarsdalessa. Ehkä homoilua. Hupia kera lampaiden. Immanentti valtakunta. Tuskan lajeja. Erilaisia pieniä liekkejä. Näissä on viittauxia aviolliseen uskottomuuteen, varmaan Wallun äitykän. Medusa vastaan odaliski. Vois olla Wallun äiti vs. tyttöystävä. Kone aaveessa. (p.o. Ghost in the Machine eikä toisinpäin.) Homo duplex. Tusinoittain John Waynejä. Painoton teeseremonia. Taivaan ja helvetin avioehtosopimus. Tässä mainitaan taas äiti Teresa. Kenenhän mielestä se oli upea? Läppä. Yleisö näyttelijänä. Hyvin ärsyttävä Wallusta. Yhdysvaltalaisten yritysten keskijohdon kyynelehtiviä edustajia. Keskeneräinen. Tää vois suoraan viitata James D. Wallacen tuotantoon (alla). Disney Leith tuuma tuumalta. Readymade-draama. Jälkimmäisiä taas puolitusinaa. Olix tää se Viihde vai? Mies joka alkoi epäillä olevansa lasia. Skizoilua. Amerikkalainen vuosisata tiilen kautta nähtynä. Muzehän on just tää kirjanen?! Onaniadi. Ei erityisen hauska. Maailmankaikkeus menettää malttinsa. Siipikarja siivillään. Moebius strippaa. Tästä tulee mieleen Klibanin Freud´s first slip. Hyvästi byrokraatille. Verisisko: kovaakin kovempi nunna. Väkivallalla herkuttelua. Tulkoon kevennys. Nimettömiäkin on aika liuta. Poissa on Troy. Siitä tuli violetti ex-kaupunki, saastetynnöri. Voittokuponki on poistettu. Wallun painostava muistelus narisevan sängyn purusta isän kaa. Äiti joka ei tykkää siivoamisesta imuroi. Kuuluisien diktaattorien vauvavalokuvia. Viittaus Eskaton-peliin kai. Seiso naurun takana seisovien miesten takana. Lisää rebublikaanista sosiaalitoimistovihaa. Ihan kuin ennen vanhaan. Painostavia isimuisteluxia. Terävä pikku roisto. Turtanoiden hyinen majesteettisuus. Hyvännäköisiä miehiä pienissä fixuissa huoneissa joiden jokainen sentti käytetään typerryttävän tehokkaasti. Oiskohan toi vika jotain homoilua pöpilässä. Alhaisen lämpötilan yhteiskuntaoppi. Poor Yorick. (Ainakin) 3 hurraahuutoa syylle ja seurauxelle. Antaa ymmärtää että Tavis bylsi Aprillia. Halu haluta. Jotain nekrofiliaa. Turvallinen veneily ei ole sattumaa. Antaa ymmärtää että Joellen naama jäi veneen potkuriin. Erittäin vähäinen vaikutus. Narkoleptinen aerobic-opettaja. Oiskohan se Wallu ize. Yöllä on sombrero päässä. Oidipaalista höpöä. Wallu oli takuulla oidipaalinen. Rikostoveri! ...koko tekotaiteellisen ja raivostuttavan epätasaisen uran typerin, inhottavin, tökeröin ja huonoiten editoitu tuote. Pääosissa ikääntynyt pederasti (James) ja tatuoitu katuprostituoitu (Joelle). Sano H niinkuin himokkuus. Jonkun Bressonin synnin enkelien coveri. Never höörd. Aineeton maa. Yawn. Oli suuri ihme että hän eli isässä häntä tuntematta. Taas painostavia isimuisteluxia. Kuolema ja sinkkutyttö. Joku kilometrin pituinen nimi muka jonkun Peter Weissin näytelmästä tehdylle filmille. James yökkii yleisön päälle tuoden mieleen paskanheiton Oulussa. Liian hauskaa. Niinpä niin. Tuo ei ollut enää hauskaa. Surullinen tapaus nimeltä minä. Pahoillaan joka paikassa.. Tähän se päättyi, tai oikeammin loputtomaan läppään nummero 5. ellauri079.html on line 214: Virtues and Vices and Other Essays in Moral Philosophy. Philippa Foot, James D. Wallace & Arthur Flemming - 1980 - Ethics 90 (4):587-595. ellauri079.html on line 216: Corporate Social Responsibility and the Social Enterprise. Nelarine Cornelius, Mathew Todres, Shaheena Janjuha-Jivraj, Adrian Woods & James Wallace - 2008 - Journal of Business Ethics 81 (2):355-370. Tää oli noiden juniori naisten empiirinen sisältöanalyysitutkimus bisneskoulujen etiikan opetuxesta. Paremmissa kouluissa se oli proaktiivista (mitä on olla hyvä yrittäjä) ja huonommissa reaktiivista (mitä tehdä kun jää kiinni ketkuilusta). ellauri079.html on line 218: In this article, we contend that due to their size and emphasis upon addressing external social concerns, the corporate relationship between social enterprises, social awareness and action is more complex than whether or not these organisations engage in corporate social responsibility (CSR). This includes organisations that place less emphasis on CSR as well as other organisations that may be very proficient in CSR initiatives, but are less successful in recording practices. In this context, we identify a number of internal CSR (...) ellauri079.html on line 221: An Analysis of Corporate Social Responsibility, Corporate Identity and Ethics Teaching in Business Schools.Nelarine Cornelius, James Wallace & Rana Tassabehji - 2007 - Journal of Business Ethics 76 (1):117-135. ellauri079.html on line 223: Recent events have raised concerns about the ethical standards of public and private organisations, with some attention falling on business schools as providers of education and training to managers and senior executives. This paper investigates the nature of, motivation and commitment to, ethics tuition provided by the business schools. Using content analysis of their institutional and home websites, we appraise their corporate identity, level of engagement in socially responsible programmes, degree of social inclusion, and the relationship to their ethics teaching. (...) ellauri079.html on line 226: Ethical Norms, Particular Cases. James D. Wallace - 1996 - Cornell University Press. ellauri079.html on line 231: Norms and Practices. James D. Wallace - 2009 - Cornell University Press. ellauri079.html on line 233: Challenging the paradigm in ethics -- The spirit of the enterprise -- Social artifacts and ethical criticism -- General and particular in practical knowledge -- Virtues of benevolence and justice. ellauri079.html on line 236: Cross-Sector Partnerships: City Regeneration and Social Justice. [REVIEW] Nelarine Cornelius & James Wallace - 2010 - Journal of Business Ethics 94 (1):71 - 84. ellauri079.html on line 238: In this article, the ability of partnerships to generate goods that enhance the quality-of-life of socially and economically deprived urban communities is explored. Drawing on Rawl's study on social justice [Rawls, J.: 1971, A Theory of Justice (Harvard University Press, Cambridge)] and Sen's capabilities approach [Sen, A.: 1992, Inequality Re-Examined (Harvard University Press, Cambridge, MA); 1999, Development as Freedom (Oxford University Press, Oxford); 2009, The Idea of Justice (Ellen Lane, London)], we undertake an ethical evaluation of the effectiveness of different (...) ellauri079.html on line 241: Ethical Norms, Particular Cases II. Don Loeb & James D. Wallace - 2002 - Philosophical Review 111 (1):127. ellauri079.html on line 243: This book aims to recast the way we think about ethics by defending an alternative to more conventional approaches and illustrating its plausibility through detailed discussions of several important cases. The book is styled as an attack on “Plato’s Thesis”. ellauri079.html on line 246: Ethics and the Craft Analogy. James D. Wallace - 1988 - Midwest Studies in Philosophy 13 (1):222-232. ellauri079.html on line 248: Cowardice and Courage. My son and myself. James D. Wallace - forthcoming - American Philosophical Quarterly. ellauri079.html on line 250: Excellences and Merit. Me and my son. James D. Wallace - 1974 - Philosophical Review 83 (2):182-199. ellauri079.html on line 252: Community Development and Social Regeneration: How the Third Sector Addresses the Needs of BME Communities in Post-Industrial Cities II. [REVIEW] James Wallace & Nelarine Cornelius - 2010 - Journal of Business Ethics 97 (S1):43-54. ellauri079.html on line 254: Interest in third sector organisations (TSOs) is growing as their role in addressing social regeneration, especially in urban environments, is regarded as crucial by governmental and supra-governmental organisations. The challenge is increased in multicultural environments, where those from ethnic minorities may struggle to participate in the mainstream economy and society more broadly. There is an assumption that TSOs make a positive contribution to the social good of the diverse communities and client groups that they serve. However, although there have been (...) ellauri079.html on line 261: Anti-Naturalism. James D. Wallace - 1968 - Ethics 78 (4):296-302. ellauri079.html on line 263: 6. Activity And Distributive Norms. James D. Wallace - 2018 - In Ethical Norms, Particular Cases. Cornell University Press. pp. 109-148. ellauri079.html on line 265: Good Lives and Meaningful Work. James D. Wallace - 2002 - Professional Ethics, a Multidisciplinary Journal 10 (1):73-79. Kirja-arvostelu jonkun Mike Martinin kirjasta nimeltä Meaningful work. ellauri079.html on line 267: 1. Introduction: Particularism And Pluralism. E pluribus unum. James D. Wallace - 2018 - In Ethical Norms, Particular Cases. Cornell University Press. pp. 1-8. ellauri079.html on line 269: Knowledge of Actions. James D. Wallace - 1969 - Philosophical Review 78 (1):117. ellauri079.html on line 271: 2. Morality And Practical Knowledge. James D. Wallace - 2018 - In Ethical Norms, Particular Cases. Cornell University Press. pp. 9-39. ellauri079.html on line 273: Mechanism and Action. James D. Wallace - 1968 - Philosophical Studies 19 (6):88 - 92. ellauri079.html on line 275: Morality, Practical Knowledge, and Will. James D. Wallace - 1994 - Journal of Philosophical Research 19:23-36. ellauri079.html on line 277: In Quandaries and Virtues, Edmund Pincoffs maintains that we observe a multiplicity of moral norms. A common life in which we participate supplies a context in which many virtues play diverse functional roles. He suggests, without developing the idea, that such a common life provides us with a structure for organizing and harmonizing the many moral norms we attempt to pursue. This essay explores that idea. Bodies of shared practical knowledge, such as medicine and scientific research, provide examples of empirically (...) ellauri079.html on line 280: 3. Norms As Instruments. James D. Wallace - 2018 - In Ethical Norms, Particular Cases. Cornell University Press. pp. 40-62. ellauri079.html on line 282: Pleasure as an End of Action. James D. Wallace - 1966 - American Philosophical Quarterly 3 (4):312 - 316. ellauri079.html on line 284: Practical Inquiry. James D. Wallace - 1969 - Philosophical Review 78 (4):435-450. ellauri079.html on line 286: 5. Practical Knowledge And Will. James D. Wallace - 2018 - In Ethical Norms, Particular Cases. Cornell University Press. pp. 85-108. ellauri079.html on line 288: Social Artifacts and Ethical Criticism. James D. Wallace - 2001 - Teaching Ethics 1 (1):47-61. ellauri079.html on line 291: Plato: Republic in Ancient Greek and Roman Philosophy ellauri079.html on line 294: Kant: Ethics in 17th/18th Century Philosophy ellauri079.html on line 302: The view that we immediately produce actions in our central nervous system has the consequence that our voluntary motions are entirely caused by sequences of events that we initiate unknowingly, events over which we can exercise control over only indirectly. This view, I shall argue below, is unsatisfactory. ellauri079.html on line 306: The Promise of American Life/The New Republic (Book).James M. Wallace - 1993 - Educational Studies 24 (4):307-318. ellauri079.html on line 309: 4. Understanding Practices. James D. Wallace - 2018 - In Ethical Norms, Particular Cases. Cornell University Press. pp. 63-84. ellauri079.html on line 311: Virtues and Vices. James D. Wallace - 1978 - Philosophy 54 (210):568-569. ellauri080.html on line 6: font-style: italic; ellauri080.html on line 65: Hippocrates (?c.460-377 or 359 BC) (the "father of medicine") categorized people into different temperaments (phlegmatic, humid, bilious, melancholic), each of which described a constellation of tendencies. ellauri080.html on line 70: Melancholic (Introverted Thinker) Choleric (Extraverted Thinker) Phlegmatic (Introverted Feeler) Sanguine (Extraverted Feeler) ellauri080.html on line 93: Kuumaa ja kylmää Chymos-mehua. Ozikon "Huumori" alla Pynchon Wiki luettelee seuraavat slapstick-pläjäyxet: ellauri080.html on line 95: "winejelly" incident (aka "Disgusting English Candy Drill"), 116; "show us your papers!" 442; Hopmann's and Kreuss' prank on Toiletship, 451; "Super Animals In My Crack" 466; orgy on Anubis, 467; Frau Gnahb's criticisms, 497; Springer's Sodium Amytal-induced outbursts, 512, 514 and 746; "How I Came to Love the People" 547; pinball machines run amuck, 583-84; Miss Muller-Hochleben, 633; "I say. . ." 634; "helicopter!" 683; "Ass Backwards" 683; "It's an old saying among my people" 709; Kazoo Quartet, 711-12; discharge dumplings, u.s.w., 715; bad pun, 746 ellauri080.html on line 119: Many contemporary personality psychologists believe that there are five basic dimensions of personality, often referred to as the "Big 5" personality traits. The five broad personality traits described by the theory are extraversion (also often spelled extroversion), agreeableness, openness, conscientiousness, and positivity (well, neuroticity, just this one expressed negatively, I don't know why). ellauri080.html on line 123: However, many researchers felt that Cattell's theory was too complicated and Eysenck's was too limited in scope. As a result, the five-factor theory emerged to describe the essential traits that serve as the building blocks of personality. 5 is a nice number, it happens to be the number of fingers in your right (or left, if you are sinistral) hand (if you are a normal person, that is). ellauri080.html on line 126: You might find it helpful to use the acronym OCEAN (openness, conscientiousness, extraversion, agreeableness, and neuroticism) when trying to remember the big five traits. CANOE (for conscientiousness, agreeableness, neuroticism, openness, and extraversion) is another commonly used acronym. It also helps to count them with your fingers to make sure you did not forget anything. ellauri080.html on line 130: These five categories are usually described as follows. (It helps to remember them if you think of Mickey Mouse on the one hand (High) and Donald Tr-Duck (Low) on the other hand.) ellauri080.html on line 135: This trait features characteristics such as imagination and insight. People who are high in this trait also tend to have a broad range of interests. They are curious about the world and other people and eager to learn new things and enjoy new experiences. ellauri080.html on line 146: ics-of-creative-people-2795488" data-component="link" data-source="inlineLink" data-type="internalLink" data-ordinal="1">Very creative ellauri080.html on line 159: Dislikes abstract or theoretical concepts ellauri080.html on line 218: Finds it difficult to start conversations ellauri080.html on line 264: icism"> Positivity ellauri080.html on line 286: Experiences dramatic shifts in mood ellauri080.html on line 299: Based on this research, many psychologists now believe that the five personality dimensions are not only universal; they also have biological origins. Psychologist David Buss has proposed that an evolutionary explanation for these five core personality traits, suggesting that these personality traits represent the most important qualities that shape our social landscape. ellauri080.html on line 304: Research suggests that both biological and environmental influences play a role in shaping our personalities. Twin studies suggest that both nature and nurture play a role in the development of each of the five personality factors. ellauri080.html on line 308: One study of the genetic and environmental underpinnings of the five traits looked at 123 pairs of identical twins and 127 pairs of fraternal twins. The findings suggested that the heritability of each trait was 53 percent for extraversion, 41 percent for agreeableness, 44 percent for conscientiousness, 41 percent for neuroticism, and 61 for openness. ellauri080.html on line 316: Studies have shown that maturation may have an impact on the five traits. As people age, they tend to become less extraverted, less neurotic, and less open to the experience. Agreeableness and conscientiousness, on the other hand, tend to increase as people grow older. ellauri080.html on line 325: These dimensions represent broad areas of personality. Research has demonstrated that these groupings of characteristics tend to occur together in many people. For example, individuals who are sociable tend to be talkative. However, these traits do not always occur together. Personality is complex and varied and each person may display behaviors across several of these dimensions. ellauri080.html on line 329: icky_1-0" class="comp scads-to-load right-rail__item billboard1-sticky billboard-sticky" data-height="1050" data-parent> ellauri080.html on line 356: The TCI is based on a psychobiological model that attempts to explain the underlying causes of individual differences in personality traits. ellauri080.html on line 365: Self-directedness can be seen as the executive branch of a person’s system of mental self-government. People who are self-directed recognize that their attitudes, behaviors, and problems reflect their own choices. They tend to accept responsibility for their attitudes and behavior and they impress others as reliable and trustworthy persons. As a result, a person’s Self-directedness is an important indicator of reality testing, maturity, and vulnerability to mood disturbance.... ellauri080.html on line 369: Agency; Autonomy; Internal locus of control; Self-efficacy; Self-reliance ellauri080.html on line 375: If this describes you as well as it described me, you’ve come to the right place! In this piece, we will define self-transcendence, look at its components and characteristics, think of some examples, and explore how it can be achieved. ellauri080.html on line 385: Cooperativeness is a personality trait concerning the degree to which a person is generally agreeable in their relations with other people as opposed to aggressively self-centred and hostile. It is one of the "character" dimensions in Cloninger's Temperament and Character Inventory. Cloninger described it as relating to individual differences in how much people identify with and accept others. Cloninger's research found that low cooperativeness is associated with all categories of personality disorder. Cooperativeness is conceptually similar to and strongly correlated with agreeableness in the five factor model of personality. ellauri080.html on line 392: Michigan State University has distinguished nine different traits of temperament in kids. Dear parent if you don't understand your child read on. What the fuck! Americanism smells extremely strongly here! ellauri080.html on line 394: Activity level refers to how physically active a person is. rowdy disruptive boisterous or quiet lifeless rag. Are they rambunctious or quiet? ellauri080.html on line 396: Biological rhythm: regular kids will easily stick to a routine. even toilet around the same time each day. This makes it easy for parents to have a predictable routine. ellauri080.html on line 400: Intensity of reaction: intense children will have very powerful reactions to things. For instance, if they want to wear their favorite purple shirt and it’s in the washer, they may have an intense outburst. Children with low intensity will react very mildly to negative and positive situations. It may be difficult to recognize how a low intensity child is feeling. ellauri080.html on line 404: Approach/withdrawal: brave explorer or shy chicken? Approaching children are excited and willing to explore new things, people and situations. They may run to investigate a new playground without hesitation and oftentimes will take very little time to adjust to new situations. ellauri080.html on line 407: Persistence refers to how long you are able and willing to stick to a task, even when it is challenging. Some individuals are willing to keep working at something, even when they run into roadblocks along the way. Other people may be more willing to drop a task that is difficult and move on to something else. They may become very frustrated or ask for an adult to do it for them. ellauri080.html on line 411: Highly distractible children will quickly shift their attention from one thing to another. They may not be able to focus on a conversation over dinner if they see a dog outside the kitchen window. They may be very attuned to details and have a hard time focusing in places and spaces that are busy and loud. Children with low distractibility find it easy to get really focused on a task. They get absorbed in a book even though there’s a noisy gathering of people in the same room. These children can block out many distractions and really focus their attention on what they are working on. ellauri080.html on line 422: Anyone who has studied the psychology of Carl Jung will be aware of his development of a system to differentiate the human psychological condition into four fundamental psychological types: intuition, thinking, sensation, and feeling – which is a further elaboration of his separation of personalities into two distinct attitudinal types: introvert and extrovert. But why did he choose just four psychological types? And of all the multitude of possible personality characteristics or modes of operation and approaches to life, why did he choose these four: intuition, sensation, thinking, and feeling? ellauri080.html on line 427: The material I will use to justify my claims comes from three time-honored traditions: sacred geometry as practiced by the ancient Egyptians, the inner structure of the I Ching, and the house arrangement of astrology. All these disciplines attempt to give meaningful order to what may appear at times to be a chaotic human existence, as is Jung’s typology. ellauri080.html on line 431: It seems to be a natural tendency of human nature to want to categorize the infinite variety of phenomenological reality into neat, distinct, and useful components. We have types and varieties from every area of human experience. There is some security when confronted by a brand new situation to be able to instantly ascribe this novelty to a pre-arranged mental coding system. Once we have categories we can describe differences and similarities – we can form hypotheses of relationship. This can be both useful and destructive, as unnecessary stereotyping leads to a relativizing of uniqueness. Jung walks this thin line by simply stating, “In my practical medical work with nervous patients I have long been struck be the fact that besides the many individual differences in human psychology there are also typical differences.” ellauri080.html on line 435: He was well aware of the difficulty of presenting a general description of types and its inability to draw an absolutely correct picture. Still, his wealth of empirical evidence led him to deduce as ‘factual’ the existence of distinct types. This deduction was made many times before him and is a simple reflection of the nature of reality (the reality of Nature). ellauri080.html on line 437: In Jungian typology, the original ‘unity’ of human consciousness is first divided into two poles of attitude: extraversion and introversion. These represent two fundamentally distinct yet complementary relationships between inner and outer reality. Extraversion is characterized bya flow of energy and interest from the subject to the object, from the inner to the outer. Identification with the outer gives meaning to the inner. Introversion is completely the opposite. It is characterized by a flow of energy and interest from the object to the subject, from the outer to the inner. ellauri080.html on line 441: The introvert will give ultimate significance to subjective, inner experience and will tend to assign importance to what is happening externally only as it related to this inner experience, or only if it will lead to personal growth. The extravert, contrarily, will give ultimate significance to what is happening externally in the objective, outer world and will assign very little importance or completely disregard inner experience, unless it could lead to outer growth. These are obviously two diametrically opposed yet complementary approaches to life, reminiscent of the oriental Yin (introversion) and Yang (extraversion). ellauri080.html on line 459: ENTJ Efficient organizers focused on strategy. ellauri080.html on line 462: INFP Idiosyncratic dreamers with strong imaginations. ellauri080.html on line 463: ENFJ Engaging and compelling communicators. ellauri080.html on line 465: ESTJ Efficient organizers focused on logistics. ellauri080.html on line 475: Firman aivot Michael Pierce kommentoi axeleita näin: ellauri080.html on line 481: FE/TI asks ‘what do you think, and how can we communicate that?’ ellauri080.html on line 486: This is the primary basis for the philosophical conflicts between Fe/Ti and Te/Fi. This is demonstrated nicely by two quotes from famous philosophers representing each worldview: ellauri080.html on line 488: “Behind all logic and its seeming sovereignty of movement, too, there stand valuations or, more clearly, physiological demands for the preservation of a certain type of life.” — Friedrich Nietzsche (INTJ). Nietsche oli näät tenacious visionaries, oriented towards action. Vaikkei se koskaan tehnyt paljon paskaakaan. ellauri080.html on line 490: “…amidst all the variety and caprice of taste, there are certain general principles of approbation or blame, whose influence a careful eye may trace in all operations of the mind.” — David Hume (ENTP). Hume oli siis quirky and verbally fluid people person. No jaa, myssypäinen poikames. Yhtä saamattomia olivat kumpikin. ellauri080.html on line 494: Hence, the TE/FI attitude, represented by Nietzsche, assumes that people do things because they want to, they desire to, they have a passionate, sentimental drive to: desires and feelings are the metaphysical bottom-line, for which structure serves only as a vehicle. Meanwhile, the FE/TI attitude represented by Hume assumes that people do things because that is what makes sense to them: because that is the decision-making paradigm which they are working off of, and all feelings, motivations, and desires result from the way a person chooses to logically view the world, whether they realize it or not. Feelings and motivations are merely the skin of logically ascertainable principles upon which people operate. ellauri080.html on line 498: These two views of the world are, of course, mutually inimical — they inevitably chase each other’s tails. Nietzsche says to Hume: ‘he stole that bread because he wanted to feed his family,’ to which Hume replies, ‘yes, that is true: but why did he want to feed his family? Because he is adhering to a familial principle,’ to which Nietzsche replies, ‘I suppose you could put it that way, but why is he operating according to that principle? It’s because he wants to, because he loves his family,’ to which Hume replies, ‘yes, but why does he love his family? It’s because that is his logical worldview…’ And so on. ellauri080.html on line 512: These two attitudes can be summed up as ‘conjecturing’ and ‘examining’ respectively. The one axis seeks to discover, envision or predict the potential course (NI) plotted by their various raw experiences of things (SE); obviously the image I am summoning here is that of a scatterplot and line of best fit, though one could also summon the image of a researcher recording their observations and then forming overarching conclusions abstracted from that data. ellauri080.html on line 514: On the NI side, a good example would be Karl Marx, who spent hours upon hours researching and observing social and economic conditions in society, from which data he developed his comprehensive theories of capital and dialectical materialism. On the SE side, a good example is Dale Carnegie, who, as CelebrityTypes pointed out in one of their function axes articles, is one of many SE types who concretize their wealth of experiences into practical wisdom, such as ‘How to Win Friends and Influence People’. ellauri080.html on line 520: A good example of this mentality can be found in the theories of Michel Foucault, who himself describes society as a series of power structure grids you can lay on top of the truth in order to reveal some things but conceal others, and our goal essentially should be to experiment with various power grids to discover the true limits or bounds of how human society can successfully be structured. Another example could be Martin Heidegger’s discussion of Being or existence, and how many different perspectives are required to observe it and get a full picture, because of our extremely subjective position in relation to the nature of our own existence, not to mention existence within the ever shifting realm of time. ellauri080.html on line 522: Olsko Foucault ISFP Unassuming yet passionate aesthete? Ja Heidegger vaikka ENFJ Engaging and compelling communicator :D ei tää ihan skulaa nyt. ellauri080.html on line 524: Overall, SE/NI is much more trusting of what we could call empirical or collected data, particularly data from direct experience, which is why, as CelebrityTypes was the first to point out, it tends to feel much more “intense and singular” of vision, because it is perfectly happy with direct observation and direct conjecture from the collected data. As CelebrityTypes says, “The person will stress one point of view (Ni), which is indeed frequently the viewpoint that generates the greatest yield here and now (Se). The singularity of observation involved will frequently lend a manifest and immediate quality to the SE/NI type’s observations, which in turn tends to make them convincing.” This is because SE/NI is naturally hooked into and derived from a direct and photographic view of the world. ellauri080.html on line 526: A dominant NI type, for instance, is constantly conjecturing from whatever data they have: it’s what they do, and that’s why these types will often feel like they have a lot to say on topics regardless of their expertise, because they can still conjecture an intriguing point of view from what little data they have; of course, depending on their skill, luck, and their sample size, it is not uncommon for their ‘lines of best fit’, as it were, to be off by some degree. In fact, Ni types are often used to this and, at least in my experience, can sometimes conjecture about how accurate their own conjectures are likely to be. Se conjecture like this too, believe it or not, just not as consistently, but it is part of what can lend that peculiar air of surety or confidence to the ESTP’s speech, or the driven spontaneity of the ESFP’s decisions. These types feel that they see something before them in glorious clarity and sharpness. How long that vision will last varies. ellauri080.html on line 528: Meanwhile, the NE/SI axis is not so trusting of direct experience, which is hardly a mystery, because their perception of reality is introverted, meaning they aren’t interested in direct and photographic reality, but in the ideal versions of experiences abstracted from reality (e.g. Socrates’ search for the overarching ‘idea’ of everyday things like dogs, beds, piety, etc., as opposed to individual instances of these things). This is why, as CelebrityTypes also points out, “The person will also be more careful and meticulous (SI) because there is an unconscious striving to contribute one’s observations to building a system which is valid not just in the here and now, but which is perceived to be true in general: To generate the type of knowledge that could conceivably end up in a future textbook on the subject.” The axis makes use of Ne’s multifaceted nature to accomplish this. ellauri080.html on line 530: This helps illuminate a number of characteristics of SI and NE individually: dominant SI types focus their energy on the apprehension and upholding of the Truth as it is carefully and cautiously composited and systematically tested for weaknesses; hence, their stereotypically thorough, cautious, and reserved nature, and why they are not so sure in idea-based conversation as Ni types: because of just that — they aren’t sure. Meanwhile, dominant NE types, focusing their energy on the exploration and experimentation from various angles, have the same presence of doubt, which is why NE types so often eschew dogma and may be perceived as intellectually ‘flakey’ or ‘capricious’ because they never truly commit to anything: it’s all experimentation and exploration, forming a composite Truth, though their trouble is they never want to stop. The SI’s trouble, on the other hand, is that they don’t want to start. ellauri080.html on line 532: Concerning John Maynard Keynes, an INTJ, it was said: “[He spoke] on a great range of topics, on some of which he was thoroughly an expert, but on others [he had] derived his views from the few pages of a book at which he had happened to glance. The air of authority was the same in both cases.” Meanwhile, Bertrand Russell famously said that “The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.” Coincidentally, history records a number of ENTPs and INTJs very much disliking each other. ellauri080.html on line 534: Ehkä Keynes onkin pikemminikin INFP Idiosyncratic dreamer with strong imagination. Bertie siis olis ENTP Versatile pattern-seeker with lively intellect. Sellaiset ei jungilaisittain tykkää toisistaan. ellauri080.html on line 540: Keynes's obituary in The Times included the comment: "There is the man himself – radiant, brilliant, effervescent, gay, full of impish jokes ... He was a humane man genuinely devoted to the cause of the common good." Kuulostaa Wallun äiskältä, wickedly funny. Ja gay. Ize asiassa gay pedophile kaiken kukkuraxi. Keynes was a libertine hedonist who wasted most of his adult life engaging in sexual relationships with children, including travelling around the Mediterranean visiting children’s brothels. Funnily wicked too. ellauri080.html on line 542: This axis is also apparent in my own videos: you’ll notice there are quite a few of them, partly because I keep on redoing the same topics whenever I feel I’ve hit on a new perspective that I then can’t help but explain as though it were my new ‘doctrine’ because it suddenly seems so much more clear and beautiful and compelling than any previous perspectives, and I just want to get that pure idea out. Literally, after I do a video on a compelling subject, if I did it well, I’ll feel like I’ve emptied myself out, and I’ll very easily forget what it was that I just explained in that video. The idea dulls, I start finding some problems with it, and over time I mull it around with other material and then become bedazzled by the next rich synthesis. ellauri080.html on line 554: Suicide in ASD is largely understudied. Although suicide is common in clinical samples, we have little knowledge of suicide in persons with ASD in the general population. Comorbidity, particularly with depression and other affective disorders or schizoid disorders and psychotic symptoms, is often reported, so it is difficult to determine if suicidality is associated with ASD or the comorbid disorder. Clinical samples suggest that suicide occurs more frequently in high functioning autism. ellauri080.html on line 556: Clinicians must take note of the high prevalence and risk of depression among persons with ASD, which may be under-reported. We initially investigated whether temperament and character could be risk factors, but found no association. However, we did find that depression might be a high predictor for suicide ideation, which could remain under-reported in adults with autism, due to impaired communication and problems with expressing emotions and thoughts. ellauri080.html on line 559: The rate of suicide attempts increased with the age at first diagnosis, with the highest age-based suicide rate in autism for individuals aged 30 to 39 years. ellauri080.html on line 561: In all subjects from our research on PubMed, 21.3% of subjects with autism spectrum disorder reported suicidal ideation, have attempted suicide or died by suicide (115 out of 539 subjects) and 7.7% of subjects supported for suicidal thoughts or attempted suicide exhibited an autism spectrum disorder (62 out of 806 subjects), all ages combined. Suicidal ideation and morbid preoccupation are particularly common in adolescents and young adults. ellauri080.html on line 563: Self harm is common in autism but is often assumed to be related to repetitive behaviors without suicidal intent, such as head banging to relieve stress. ellauri080.html on line 566: Suicide attempts are accompanied by a willingness for death and can lead to suicide. They are more common in high-functioning autism and Asperger subjects. The methods used are often violent and potentially lethal or fatal. (What's the diff? Ah I get it: school killings and the like. Whether you chill yourself only or others besides.) ellauri080.html on line 568: High harm avoidance may be a temperament trait specific to bipolar disorder patients. However, it may not be correlated with attempted suicide in such patients. These may have low persistence, high self directedness and low self-transcendence temperament and character traits that protect against attempted suicide. Harm avoidance, self directedness, and cooperativeness may be correlated with current suicidal ideation. Cooperative autist is just trying to avoid further harm to their near and dear. ellauri080.html on line 570: Millions of dollars go to genetically altered zebrafish and rats that groom too much, but hardly any to finding out why so many autistic adults attempt suicide. ellauri080.html on line 571: Zebrafish are better company than autistic people. ellauri080.html on line 575: Gilligan's Island is an American sitcom. It aired for three seasons on the CBS network from September 26, 1964, to April 17, 1967. The series followed the comic adventures of seven castaways as they attempted to survive on an island on which they had been shipwrecked. Most episodes revolve around the dissimilar castaways' conflicts and their unsuccessful attempts, for whose failure Gilligan was frequently responsible, to escape their plight. ellauri080.html on line 577: Gilligan's Island ran for 98 episodes. All 36 episodes of the first season were filmed in black and white and were later colorized for syndication. The show's second and third seasons (62 episodes) and the three television film sequels (aired between 1978 and 1982) were filmed in color. Last aired: 2001. ellauri080.html on line 579: The show received solid ratings during its original run, then grew in popularity during decades of syndication, especially in the 1970s and 1980s when many markets ran the show in the late afternoon. Today, the title character of Gilligan is widely recognized as an American cultural icon. Characters: ellauri080.html on line 596: Charles Maxwell (uncredited) as the voice of the recurring radio announcer ellauri080.html on line 599: The two-man crew of the charter boat SS Minnow and five passengers on a "three-hour tour" from Honolulu run into a typhoon and are shipwrecked on an uncharted island somewhere in the Pacific Ocean. Their efforts to be rescued are typically thwarted by the inadvertent conduct of the hapless first mate, Gilligan. In 1997, show creator Sherwood Schwartz explained that the underlying concept is still "the most important idea in the world today". That is, people with extremely different characters and backgrounds being in a situation where they need to learn how to get along and cooperate with each other as a matter of survival. ellauri080.html on line 607: Most episodes of Gilligan's Island used variations on five recurring basic plots: ellauri080.html on line 609: Life on the island. A running gag is the castaways' ability to fashion a vast array of useful objects from bamboo, gourds, vines and other local materials. Some are simple everyday things, such as eating and cooking utensils, while others (such as a remarkably efficient lie detector apparatus) are stretches of the imagination. Russell Johnson noted in his autobiography that the production crew enjoyed the challenge of building these props. These bamboo items include framed huts with thatched grass sides and roofs, along with bamboo closets strong enough to withstand hurricane-force winds and rain, the communal dining table and chairs, pipes for Gilligan's hot water, a stethoscope, and a pedal-powered car. ellauri080.html on line 611: Visitors to the uncharted island. Another challenge to a viewer's suspension of disbelief is the remarkable frequency with which the remote island is visited by an assortment of people who repeatedly fail to assist the castaways in leaving the island. ellauri080.html on line 613: Dream sequences in which one of the castaways dreams they are some character related to that week's story line. All of the castaways appeared as other characters within the dream. In later interviews and memoirs, nearly all of the actors stated that the dream episodes were among their personal favorites. ellauri080.html on line 617: The appearance or arrival of strange objects to the island, such as a World War II naval mine, an old silent motion picture camera and costumes, a crate of radioactive vegetable seeds, plastic explosives, a robot, a live lion, a jet pack, or a "Mars Rover" that the scientists back in the United States think is sending them pictures of Mars. ellauri080.html on line 619: Most of the slapstick comedic sequences between Gilligan and Grumby were heavily inspired by Laurel and Hardy, particularly by Grumby breaking the fourth wall by looking directly into the camera expressing his frustration with Gilligan's clumsiness as Oliver Hardy often did. ellauri080.html on line 672: Se texasjärbä oli kuin hybridi Dick Cavettista ja Truman Capotesta. No hizi nehän on kuin 2 marjaa muutenkin! ellauri080.html on line 675: ickCavettApr10.jpg/250px-DickCavettApr10.jpg" height="200px" /> ellauri080.html on line 691: “Drinking to intoxication is a social activity that is more likely to occur in a group,” said first author Duneesha De Alwis, PhD, a postdoctoral fellow in the Department of Psychiatry. “People with autistic traits can be socially withdrawn, so drinking with peers is less likely. But if they do start drinking, even alone, they tend to repeat that behavior, which puts them at increased risk for alcohol dependence.” ellauri080.html on line 693: “There seems to be a strong genetic overlap between ADHD and autism,” De Alwis said. “And it’s very common for people with ADHD to have autistic traits. These individuals may not have an autism spectrum disorder, but they typically score high on measurements of autistic traits.” ellauri080.html on line 694: The study revealed that people with more ADHD symptoms or autistic traits were more likely to abuse alcohol. Furthermore, they were also more likely to smoke cigarettes and use marijuana. ellauri080.html on line 696: “It could be that people with just a few autistic traits have an increased risk of substance-abuse problems, while those with more traits are somehow protected,” Agrawal concluded. “For this study, we clumped all of these symptoms together. In future research, we want to look at how individual traits-like repetitive behaviors or being withdrawn socially-may influence risk. It could be that some traits related to autism are protective, while others elevate the risk for alcohol and substance-abuse problems.” ellauri080.html on line 707: icles/Interesting-Facts-about-Mahatma-Gandhi.jpg" height="200px" /> ellauri080.html on line 711: Fred McFeely Rogers (March 20, 1928 – February 27, 2003), also known as Mister Rogers, was an American television host, author, producer, and Presbyterian minister. He was the creator, showrunner, and host of the preschool television series Mister Rogers' Neighborhood, which ran from 1968 to 2001. ellauri080.html on line 712: The program was critically acclaimed for focusing on children's emotional and physical concerns, such as death, sibling rivalry, school enrollment, and divorce. ellauri080.html on line 713: Rogers had a difficult childhood. He was shy, introverted, and overweight, and was frequently homebound after suffering bouts of asthma. He was bullied and taunted as a child for his weight, and called "Fat Freddy". ellauri080.html on line 715: Every episode begins with a camera's-eye view of a model of a neighborhood, then panning in closer to a representation of a house to the music of a piano instrumental of the theme song, "Won't You be My Neighbor?". ellauri080.html on line 716: Rogers died of stomach cancer on February 27, 2003 at age 74. Rogers was red-green color-blind. He became a pescatarian in 1970, after the death of his father, and a vegetarian in the early 1980s, saying he "couldn't eat anything that had a mother". Rogers was a registered Republican, and a confirmed presbyterian. Despite his strong faith, Rogers struggled with anger, conflict, and self-doubt, especially at the end of his life. Despite Rogers' family's wealth, he cared little about making money, and lived frugally, especially as he and his wife grew older. ellauri080.html on line 717: Rogers swam daily at the Pittsburgh Athletic Association, after waking every morning between 4:30 and 5:30 A.M. to pray and to "read the Bible and prepare himself for the day". He did not smoke or drink. He was a skinny shrimp who weighed 143lb (65kg) most of his adult life. ellauri080.html on line 722: icture-in-picture" allowfullscreen> ellauri080.html on line 723: icture-in-picture" allowfullscreen> ellauri080.html on line 729: At school, his academic results were described as mediocre. One report concluded that Gandhi was “good at English, fair in Arithmetic and weak in Geography; conduct very good, bad handwriting.” His first English teacher was an Irishman, and so Gandhi spoke English with an Irish accent. ellauri080.html on line 730: As a teenager, he rebelled against the strict orthodox teachings of no alcohol, meat or womanising. After trying out all of them he made a vow to live a virtuous life. Aged 18 he travelled to England to train to be a barrister, and was made to swear a vow, by his orthodox Hindu family, he would not touch wine, women or meat. He was almost able to keep his vow. ellauri080.html on line 732: In London, he became a committee member of the London Vegetarian Society, which counted luminaries such as George Bernard Shaw. At the time, vegetarianism was quite rare. Virtually nobody except Mr. Rogers believed in it. ellauri080.html on line 733: In India, a Muslim friend encouraged Gandhi to eat goat’s meat. As Gandhi was physically weak, he agreed to it. But, that night he had a dream that the goat was crying inside his stomach. He said “I can’t eat meat anymore. I heard the goat's mother bleat from inside me.” He never ate meat again. ellauri080.html on line 737: Gandhi’s early law career in India was a struggle. He also refused a job as a high-school teacher in Bombay. To make a living, he took a job in South Africa for an Indian law firm. ellauri080.html on line 738: In South Africa, Gandhi became aware of the strong racism in South African society. He was stripped and thrown off a train in Pietermaritzburg and left shivering at the train station. This was a turning point in his life as it made him more aware of his political colour. ellauri080.html on line 739: His first political action was to try and oppose a bill which stripped Indians living in Natal. ellauri080.html on line 742: In 1899, at the outbreak of the Boer War, he formed an Indian ambulance service encouraging his fellow Indians to serve the British – despite the prejudice they were facing. ellauri080.html on line 743: At the Battle of Spion Kop, Gandhi served as a stretcher bearer, Winston Churchill served as a courier and the future S.African leader Louis Botha led the Boer army. ellauri080.html on line 744: For his service in the Boer War, Gandhi was awarded the Queen’s South Africa Medal. What the fuck was he doing fighting a colonial war for the British? On the other hand, Boers were no better than Brits in that respect. They took turns on sitting on the natives, with the Indian middle class sitting in the middle. ellauri080.html on line 745: In 1906, Gandhi led the Indian population in South Africa in a series of non-violent protests against new laws forcing Indians to register. It was the birth of satyagraha (“devotion to truth”). ellauri080.html on line 747: When Gandhi left South Africa in 1914, the South African leader Jan Smuts wrote to a friend “The shrimp has left our shores,… I hope forever.” ellauri080.html on line 748: Gandhi was never a man to hold a grudge. While in jail in South Africa he prepared a pair of sandals for Jan Smut to prove there was no ill-feeling. Smuts, in turn, gave a boot to his political adversary, Gandhi. ellauri080.html on line 751: 1919 was a turning point for Gandhi; the government passed a new law which said those accused of sedition could be imprisoned without trial, also the Amritsar Massacre where 400 protesting Indians were killed. It was in 1919 that Gandhi turned against acquiescence to the British Empire and he began to lead non-violent protests. ellauri080.html on line 754: Gandhi’s most famous campaign was the Salt march of 1930. Gandhi walked to the ocean to make his own salt – thereby non-violently oppose the British law which forbade the Indians from making their own salt. Gandhi used to drink his own pee in the mornings to retain the salt. ellauri080.html on line 761: “There is more to life than increasing its speed.” After returning from Africa to India. Gandhi opened an ashram, which was supported by rich businessmen. However, when Gandhi allowed an untouchable into his ashram, the businessmen, who were orthodox Hindus, stopped giving money – causing the ashram financial difficulties. However, one businessman started giving money to Gandhi on the condition of anonymity. ellauri080.html on line 766: In April 1942, an early Indian independence leader Sri Aurobindo urged Mahatma Gandhi to accept the proposals of Sir Stafford Cripps which gave India dominion status as a way to secure a united independent India. Gandhi refused the Cripps proposals. ellauri080.html on line 772: Gandhi was assassinated by a Hindu fanatic Nathuram Godse on 30 January 1948, while leading a communal prayer group. Olis kannattanut käyttää nahkatakkia kuten Esa Saarinen. ellauri080.html on line 783: During Gandhi's time as a dissident in South Africa, he discovered a male youth had been harassing two of his female followers. Gandhi responded by personally cutting the girls' hair off, to ensure the "sinner's eye" was "sterilised". Gandhi boasted of the incident in his writings, pushing the message to all Indians that women should carry responsibility for sexual attacks upon them. Such a legacy still lingers. In the summer of 2009, colleges in north India reacted to a spate of sexual harassment cases by banning women from wearing jeans, as western-style dress was too "provocative" for the males on campus. ellauri080.html on line 785: Gandhi believed Indian women who were raped lost their value as human beings. He argued that fathers could be justified in killing daughters who had been sexually assaulted for the sake of family and community honour. He moderated his views towards the end of his life. But the damage was done, and the legacy lingers in every present-day Indian press report of a rape victim who commits suicide out of "shame". Gandhi also waged a war against contraceptives, labelling Indian women who used them as whores. ellauri080.html on line 789: Gandhi cemented, for another generation, the attitude that women were simply creatures that could bring either pride or shame to the men who owned them. Again, the legacy lingers. India today, according to the World Economic Forum, finds itself towards the very bottom of the gender equality index. Indian social campaigners battle heroically against such patriarchy. They battle dowry deaths. They battle the honour killings of teenage lovers. They battle Aids. They battle female foeticide and the abandonment of new-born girls. ellauri080.html on line 791: In the words of the Indian writer Khushwant Singh, "nine-tenths of the violence and unhappiness in this country derives from sexual repression". Gandhi isn't singularly to blame for India's deeply problematic attitudes to sex and female sexuality. But he fought, and succeeded, to ensure the country would never experience sexual freedom while his legend persevered. Gandhi's genius was to realise the great power of non-violent political revolution. But the violence of his thoughts towards women has contributed to countless honour killings and immeasurable suffering. ellauri080.html on line 793: Gandhi placed great value on self-sufficiency. As a lawyer he learnt to wash his own clothes, and later he also learnt to cut his own hair. Even though he was initially ridiculed for his messy hairstyle. Okay he said and shaved his head. Made him look the jailbird he was. ellauri080.html on line 799: Gandhi’s family was also closely connected to Jainism, a religion which made non-violence a key element. ellauri080.html on line 801: During his life, Gandhi studied all the major religions – the Bible, The Qu’ran, The Buddhist scriptures and of course the major Indian classics, such as the Bhagavad Gita. In London he also studied Theosophy. ellauri080.html on line 803: “After long study and experience I have come to the conclusion that (1) all religions are true; (2) all religions have some error in them; (3) all religions are almost as dear to me as my own Hinduism.” He could not tell a lie, but did not shirk from contradiction. ellauri080.html on line 809: Gandhi was assassinated by a Hindu fanatic on 30 January 1948, New Delhi, India. The fanatic could not leave the snake alone. ellauri080.html on line 834: Kukahan se oli? Jenkkimoraalin taustaoletus on kapitalismin kasvuräjähdys, win-win näät perustuu sellaiseen. Nollasummapeliin se ei sovi. Jos asia ei ratkea tarjouskilpailulla, se on politiikkaa sanoo paskiaiset. Vitun tarjouskilpailut. Jopa Milton Friedmanin ja sen Chicagon roistokoplan oma peliteoria todistaa että sellaisissa voittaa rikas köyhät 6-0, koska sillä on varaa hävitä tarjouskilpailussa enemmän. Nälkäinen karvakäsi Eesau häviää koko taivaosansa ja luihu Jakob hähättelee koko matkan pankkiin. ellauri080.html on line 850: Vipassanā (Pāli) or vipaśyanā (Sanskrit) literally "hyper, super (vi), seeing (passanā)", is a Buddhist term that is often translated as "insight". The Pali Canon describes it as one of two qualities of mind which is developed (bhāvanā) in Buddhist meditation, the other being samatha (mind calming). It is often defined as a form of meditation that seeks "insight into the true nature of reality", defined as anicca "impermanence", dukkha "suffering, unsatisfactoriness", anattā "non-self", the three marks of existence in the Theravada tradition, and as śūnyatā "emptiness" and Buddha-nature in the Mahayana traditions. ellauri080.html on line 863: Topics: Shrek, Lord Farquaad, Eddie Murphy Pages: 3 (1130 words) ellauri080.html on line 949: Tunteellinen vakaus (Neuroticism) ellauri080.html on line 1054: Artikkeli osoittaa myös pari Bylsimän päätöxentekokämmiä. Aikaisin pronssiottelussa Suomen kanssa (jonka Suomi siis voitti, hyvä Suomi! Kuinka noloa, U.S. joukkue lähti jäältä ihan häntä koipien välissä), Bylsimä valizi epähuomiossa Suomen joukkueen Saku Koivun lämäämään rangaistuslätkäyxen, joka olisi lisännyt paljon pelin liikevoimaa jos se olis tehnyt oman maalin. Ei vaitiskaan, se valizi Patrick Kanen joka oli ihan hasbeen tämmöisissä lätkäyxissä. Se ois voinut valita tämän artikkelin kirjoittajan langon Zach Parisen, tiimikapteenin jolla on takanaan pelkkiä menestyxiä. Bylsmää hämäsi ilmeisesti saatavuusheuristiikka (? eli Kane oli siinä lähinnä, tai se oli ainoa jonka nimen se sattui muistamaan). Sitä vaivas myös selektiivinen kylmyys: sillä ei ollut tilastoja sylissä, eikä se koskaan oikein ollut tykännyt röyhkeästä Zachista, eikä sen pahasuisesta langosta. Jos Bylsimä olis ollut rationaalinen eikä noin helkkarin dundeellinen, se olisi voinut erittelevästi valita joukkueen parhaan "ampujan". Se ei siis ollut tarpeexi laskelmoiva. Sen lisäxi, toisin kuin menestyneempi Kanadan sohva, se ei koskaan muuttanut joukkueen viivoja tai pelitapoja. Röyhkeä Zach mainizikin tän syyxi tiimin tappioihin, varmaan pahasuisen langon neuvosta. Bylsimä oli siis liian laskelmoiva. Bylsimä lankesi myös pariin vanhanaikaiseen päätöxentekovinoumaan, ihan alkeisjuttuja. Se oli menestynyt heikompia vastustajia vastaan ja oli kuin ylpistynyt sirkka, luuli izestään ihan liikoja. Siitä se otti konfirmaatiovinoumaa loppupeleissä. Se ei tajunnut mikä nytte meni pieleen, jos se olis sen tajunnut, lopputulos oisi voinut olla toinen. Jos ne ei ois hävinneet Suomi-ottelua, ne olis voineet voittaa ehkä pronssin. Mutta Bylsimä ei ottanut opixeen, ei nöyristynyt Zachille ja sen langolle ja kazo miten kävi. Olis pitänyt noudattaa parempaa strategiaa, mennä ize mailan kanssa jäälle pelaamaan ja taklaamaan Saku Koivua. Zachista ja Kanesta ei ollut mihinkään. ellauri082.html on line 6: font-style: italic; ellauri082.html on line 45: Elizabeth Lee Wurtzel (July 31, 1967 – January 7, 2020) was an American writer and journalist, known for the confessional memoir Prozac Nation, which she published at the age of 27. Her work often focused on chronicling her personal struggles with depression, addiction, career, and relationships. Wurtzel's work drove a boom in confessional writing and the personal memoir genre during the 1990s, and she was viewed as a voice of Generation X. In later life, Wurtzel worked briefly as an attorney before her death from breast cancer. ellauri082.html on line 47: The Prozac book chronicles her battle with depression as a college undergraduate and her eventual treatment with the medication Prozac. Michiko Kakutani wrote in The New York Times, “Wrenching and comical, self-indulgent and self-aware, Prozac Nation possesses the raw candor of Joan Didion's essays, the irritating emotional exhibitionism of Sylvia Plath's The Bell Jar, and the wry, dark humor of a Bob Dylan song.” ellauri082.html on line 54: When David Foster Wallace committed suicide in 2008, it was clear he had been profoundly depressed. But the first major biography of the writer, D.T. Max’s Every Love Story Is a Ghost Story, out on August 30th, reveals an even more troubled mind than anyone realized. From the time he was in college, the brilliant author of Infinite Jest was in and out of institutions as he struggled with depression and addictions to alcohol and marijuana. But the book is also full of all kinds of other strange surprises, painting the most complete, and warmest, portrait of Wallace yet. ellauri082.html on line 83: In celebration of the empathetic, magical humanism of author David Foster Wallace. Seuraavassa Wallun valikoituja aforismeja. ellauri082.html on line 87: Logical validity is a guarantee of truth, but it is pretty vacuous. ellauri082.html on line 93: Some people’s moms never taught them to cover up or turn away when they sneeze. Different people have radically different ideas of basic personal hygiene. ellauri082.html on line 101: The biography by Tyrannosaurus Max paints a less than flattering portrait of Wallace. That’s not to say it’s a vicious takedown—it’s probably about as even-handed as a biography about the author is going to be, and I can imagine books about him in the future being a lot less level-headed in either direction. Basically, DFW was an extremely troubled individual and probably not a very awesome person qua person. He was often misanthropic, violent, cruel (especially to women), and self-absorbed. But what’s great about the biography is how it allows these rather hideous characteristics to disgust as well as inform; knowing the uglier aspects of DFW’s personality is extremely enlightening with regard to his work. It seems to me that the writer was extremely aware of his immense character flaws and sought in his work (his novels and his non-fiction particularly) to overcome them, and in his work he was able to occupy a wholly different realm than he was in his actual life. Well actually not at all that different. The books project a rather nasty person too. ellauri082.html on line 103: More than anything the biography is a testament to something even DFW himself would have said: do not build monuments to individuals. His genius is in his work, and in his case his work was both in writing and in acting; the DFW one sees and hears in interviews is DFW as spinner of fiction, not DFW as himself. One need not pretend David Foster Wallace was a god of sincerity and morality and self-awareness; his work clearly shows he was not. ellauri082.html on line 105: Despite his flaws, DFW’s death is still a great tragedy, not because people are without their god of post-post-post-postmodernism, but because his redemptive and humanistic work is now decidedly finite. Well here sure was a humanist as far as technology is concerned. His work could have beeen made infinite by adding to the end: Poles are stupid, please turn over. ellauri082.html on line 110: Gigantic spoiler ellauri082.html on line 118: WARNING: This whole thing is one gigantic spoiler. Only read it if you’ve already tried to figure it out for yourself first. ellauri082.html on line 123: But at the same time, Hal’s condition deepens. Ever since Hal ate the mold as a child, he’s been a brilliant communicator but unable to feel. (694: “Hal himself hasn’t had a bona fide intensity-of-interior-life-type emotion since he was tiny … in fact he’s far more robotic than John Wayne.”) JOI was the only one who could see it. In life, everyone thought JOI was just being crazy but in death (as a wraith) he can actually read Hal’s thoughts and thus confirm his view. ellauri082.html on line 125: In life he created the Entertainment to draw Hal out (Hal moves outwardly but doesn’t feel inside; victims of the Entertainment feel—something—inside but don’t move outwardly). After all, as he tells Gately, he was willing to resort to desperate measures: “No! No! Any conversation or interchange [between father and son] is better than none at all.” (839) ellauri082.html on line 129: Described as coming from a kind of mold that “grows on other molds,” DMZ is an incredibly powerful and mysterious hallucinogen. It can have many different effects but often seems to transform a person’s ability to communicate. It is also nicknamed “Madame Psychosis,” after Joelle’s radio persona. Michael Pemulis manages to acquire some, but it is stolen before he and Hal can take it. It’s suggested that Hal has been affected by DMZ by the time of the Year of Glad, but it’s unclear how—whether from eating a piece of mold as a child and then withdrawing from marijuana, or having his toothbrush laced with Pemulis’s drugs (possibly by James’s wraith). As a result of this presumed DMZ consumption, Hal is able to feel strong emotions (which was impossible for him before) but unable to communicate. ellauri082.html on line 131: JOI also created DMZ as part of an attempt to undo the effects of Hal’s eating mold as a child (recall: DMZ is a mold that grows on a mold). He left it along with the Entertainment (recall: ETA kids find JOI’s personal effects (670: “a bulky old doorless microwave…a load of old TP cartridges…mostly unlabelled”); the tapes and the DMZ are delivered together to the FLQ) which is about this goal (it stars a woman named Madame Psychosis (a street name for DMZ; another is 1st Av.) explaining that the thing that killed you in your last life will give birth to you in the next). The DMZ and the Entertainment were meant to go together for Hal. Now that the Entertainment has escaped, he needs to get Hal the DMZ. ellauri082.html on line 135: Hal’s symptoms indeed begin to reverse: he is now unable to properly communicate feelings (people see him as either laughing hysterically or terribly sad) but beginning to actually feel (like Gately, he spends a lot of time lying on the floor thinking about the past — the hero of nonaction from his essay (142)). While before, everyone could hear him except JOI; now only JOI can hear him (since, as with Gately, he can hear Hal’s thoughts). ellauri082.html on line 137: By the time of the match, his symptoms are so bad he’s taken by ambulance to the hospital (16: “the only other emergency room I have ever been in [was] almost exactly one year back”), safely escaping the A.F.R.’s assault. Like fellow student Otis P. Lord, he gets the bed next to Gately. Joelle (who is at the hospital for a meeting) visits Gately on her way out and recognizes Hal. She tells them both about the hunt for the lethal Entertainment and the resulting Continental Emergency and they all go to dig up JOI’s grave. They persuade John Wayne, a spy for the A.F.R., to become a double agent and help sneak them into JOI’s Quebec burial site. Wayne presumably tells the A.F.R. he is actually a triple agent — that he will steal the tape as soon as Hal digs it up. But, as with Marathe, his loyalties are ultimately even-numbered (n40). The A.F.R. finds out and brutally murders him, which is why he can’t win the WhataBurger (16f). ellauri082.html on line 141: he’s with a very sad kid and they’re in a graveyard digging some dead guy’s head up and it’s really important, like Continental-Emergency important, and Gately’s the best digger but he’s wicked hungry, like irresistibly hungry, and he’s eating with both hands out of huge economy-size bags of corporate snacks so he can’t really dig, while it gets later and later and the sad kid is trying to scream at Gately that the important thing was buried in the guy’s head and to divert the Continental Emergency to start digging the guy’s head up before it’s too late, but the kid moves his mouth but nothing comes out, and Joelle van D. appears … while the sad kid holds something terrible up by the hair and makes the face of somebody shouting in panic: Too Late. (934) ellauri082.html on line 145: Orin (who never attended his father’s funeral) went to the gravesite and dug up his father, releasing the wraith in the process. (244: “After a burial, rural Papineau-region Québecers purportedly drill a small hole down from ground level all the way down through the lid of the coffin, to let out the soul, if it wants out.”) Orin, who is such a partisan of his father that he feels the need to repeatedly ruin the lives of people like his mother, has been mailing the tapes to his father’s enemies in revenge: disapproving film critics in Berkeley and the medical attaché (whose affair with his mother drove Himself especially wild) in Boston. It’s possible he’s being influenced by the wraith in these actions. ellauri082.html on line 147: After the A.F.R. releases roaches into his giant glass tumbler, Orin cuts a deal with the A.F.R. and gives them the tape in return for letting him live. (He’s apparently still alive on p. 14.) The A.F.R. uses the tape to set off some sort of intracontinental conflagaration (16: “some sort of ultra-mach fighter too high overhead to hear slices the sky from south to north”) which apparently topples the Gentle administration (n114: “[Y.G. is] the very last year of Subsidized Time”). ellauri082.html on line 149: As seen in Chapter 1, Hal’s condition deepens until he literally can’t communicate at all, but no longer feels like a robot anymore. (12: “I’m not a machine. I feel and believe.”) The only thing he has left is tennis and he looks forward to playing Ortho Stice in the final match of the WhataBurger. But Stice is possessed by his father (in the manuscript, Stice is called “the Wraithster”), so the novel ends as Hal finally gets to really interface with his father — in the only way he has left. ellauri082.html on line 155: Throughout the first half there are several major passages, basically monologues, from characters such as Schtitt, Hal and Marathe that critique the average American’s lack of objects of worship that are larger and therefore more permanent and perfect (in a sense) than the individual. ellauri082.html on line 208: Ötökän elämä sai yleensä sekalaiset tai huonot arvostelut. Disney oli kiinnostuneempi $40 maxavasta mainoxesta leffalle kuin pelinteosta. "Cheery, happy tunes and strong sound effects. Any way you slice it, this stinks." Kuin marjalude. ellauri082.html on line 250: Epäilemättä Robert ja Emily Dickinson runoilevat kuolemasta, KILL! KILL! on FUCK! FUCK! in ohella keskeisin lyyrisistä aiheista. Tai mixei eeppisistäkin, mutta niissä on sentään aika lailla myös tota EAT! EAT! tematiikkaa. Netissä on runsaasti esimerkkiesseitä neuvottomille amerikkalaisille lukiolaisille joiden usein käsketään vertailla näitä runoja. Esim tällänen: ellauri082.html on line 252: Elämmekö aina? (No emme tietysti, tyhmä kysymyskin. Eihän siitä muuten kannattaisi runoilla.) Kenties tietoisuus jatkuu kuoleman jälkeen? (Ken tosiaankin ties, muttei kertonut, oli kalpeana hiljaa vaan. Todennäköisesti ei.) En pelkää kuolemaa tällä elämäni hetkellä. (Joopa joo kun olen nuori, en fataalisti kipeä enkä hengenvaarassa.) Uskonko että olemme kaikki vangittuja hengellisiä olentoja? (No ei vitussa, me ollaan kaupungistuneita mezien miehiä, kieriskelemässä eläintarhan häkissä olkikupo jalkain välissä äänettömästä naurusta.) Ajattelenko että olemme ikuisia, ja vaan väliaikaisesti täällä ihmishahmossa? (Höpöhöpöä, pelkkää toiveajattelua. Meistä ei jää kuin multaa tai tuhkaläjä.) Puhuja Robert Frostin Pysähdys mezässä lumisena iltana, ja puhuja Emily Dickinsonin Kun en pysäyttänut kuolemalle eivät pelkää kuolemaa. (No sitähän ei sanota, vaikka aika tyynen rauhallisesti ne sen ottavat. Helppoahan se on runossa.) Kuolemaa voi pelottomasti kazella henkisenä, romanttisena ja kuonpuoleisena karkumatkana sielun orjuudesta ja tuskasta. ellauri082.html on line 254: Emily Dickinsonin ickinson">Kun en jarruttanut kuolemalle ellauri082.html on line 264: Kuolema voi olla helpotus kun se tappaa elämisen tuskan. Kuolema voi myös vapauttaa meidän sielun orjuuden. Frostin runossa, puhuja voi fantisoida kuoliaaxi jäätymisestä ja rauhallisesta seppukusta. Frost (osuva nimi, Kuura näät) kirjoittaa, "Jäädä tähän misseio taloja / Mezikön ja järven jään välimaille / Vuoden pimeimpänä iltana." Dickinsonin runossa heti alkaa päälle se sanoo "Kun en pysäyttänyt kuolemalle, se ystävällisesti pysähtyi mun kohdalle." (Enempää ei päässyt lukemaan kirjautumatta, mutta eiköhän tää jo ollut tässä.) ellauri082.html on line 284: Robert Frost is by no means the only poet in whom a hunger for recognition comes into conflict with a wariness, an inner reticence, a distaste for self-revelation. But I think in him the conflict was particularly acute. On the one hand he could be quite shameless in his pursuit of favourable reviews and his presentation to the public of a folksy and largely misleading image. On the other hand we have cryptic comments like in this poem it is not made explicit what the ‘things forbidden’ are that he has managed to preserve for himself but I take them to be his poems, or those things that his poems keep alive, and he is rightly confident enough in his own powers as a poet to feel that he has succeeded. ellauri082.html on line 288: Em's poem was published posthumously in 1890 in Poems: Series 1, a collection of Dickinson's poems assembled and edited by her friends. Critics attribute the lack of fear in her tone as her acceptance of death as "a natural part of the endless cycle of nature," due to the certainty in her belief in Christ. (Silly, if death is a natural part of the endless cycle of nature who needs Christ meddling into it? Christ was no endless cycle guy but like Tom Hanks in "News of the world" a guy who points with his hand straight ahead, in a rigidly raising logistic line toward the abyss.) ellauri082.html on line 290: Size että Dickinson on 1800-luvun nainen ja Frost 1900-luvun mies on syytä pitää mielessä. Em ei tykännyt jumalisesta tylystä äidistä eikä pölyjen pyyhkimisestä. Se oli öykkärimäisen poliitikkoisän ja väpelön veljen suosikki ja bylsi jälkimmäisen vaimoa. Bob oli isätön ja kiinni swedenborgilaisesti darraavassa äidissä joka oli isän kopean itärannikon maajussisuvun armoilla. Kumpikin suhtautui yläkerran porukoihin ymmärrettävästi epäillen mutta ehkä toiveikkaasti. Sixkai ne jatkuvasti niitä mätystää. Lea kävi kirkon tilaisuuxissa kalkkiviivoilla, sanoi että siitä voi olla jotain hyötyä. ellauri082.html on line 312: I’ve chosen to blog this particular passage, which runs ten pages in lenght, for a few reasons, the most honest reason being its unrelenting frankly honest potrayal of a person in the midst of a serious marijuana dependancy. Erdedy’s chapter has him eagerly awaiting the delivery of 200 grams of high-resin weed, of which he will force himself to smoke in its entirety in one hazy fog-induced sitting. Wallace, writing in the 3rd person, manages to get close enough to Erdedy’s running internal monologue to present to us a deeply troubled young man’s addiction and the lenghts he is willing to go to–whislt also attempting to redeem himself through his numerous attempts in kicking the addiction–in order to satisfy his intense cravings. ellauri082.html on line 314: Wallace’s tight prose and his very precise use of the drug-users thought process, such as planning to smoke in large quantities to induce a horrible high in order to create an intense aversion to smoking or mulling over the decision to call a dealer for an update for their ETA, creates an incruciating relatable charatcer in Erdedy. Anyone who has struggled with slowing down or completely stopping a vice that has consumed their daily life may find this passage incredibly relatable. ellauri082.html on line 316: She said he lived in a trailer by the river was 36 years old and was a motivational speaker. And was basically just not what you’d call a pleasant or attractive person at all. ellauri082.html on line 343: 50; ETA student and Big Buddy; rooms w/Pemulis & Schacht; "promoting" Pemulis's Tenuate, 60, fn.5a.983; "constant 'drines" 267; wants a tennis-broadcasting career, 308; "left-eye-nystamic" 329; paranoid about powdered milk, 630; "and sex: no way" 634; 673; "heavy-browed red-nostriled kid" 677; sleeping in Axhandle's room, 869. ellauri082.html on line 348: In seinem Aufsatz Christentum und Religionsgeschichte aus dem Jahr 1897 reagiert Troeltsch zum einen auf die Infragestellungen christlicher Theologie durch Materialismus und Naturwissenschaft. Er stellt diesbezüglich fest, dass „der Geist eine aus der Natur unableitbare selbständige Kraft ist“, aus der „in Wechselwirkung mit den Anforderungen der sinnlichen Wirklichkeit“ die Geschichte entsteht. ellauri082.html on line 352: In allen Religionen lasse sich eine „Tendenz auf rein innerliche Allgemeingültigkeit, auf Vergeistigung, Verinnerlichung, Versittlichung und Individualisierung und Herausbildung eines immer tieferen Erlösungsglaubens“ beobachten. ellauri082.html on line 354: Also lässt sich Troeltschs Aufsatz globalgeschichtlich in die Reihe von Reaktionen einordnen, mit denen Vertreter der Weltreligionen Buddhismus, (protestantisches) Christentum, Hinduismus und Islam ab Mitte des 19. Jahrhunderts auf die Herausforderungen des naturwissenschaftlichen Materialismus und der allgemeinen Religionsgeschichte antworten, zumeist indem Religion allgemein über Kriterien der Innerlichkeit und Universalität definiert und die eigene Tradition im Gegenüber zu anderen als vollständige Erfüllung dieser Kriterien dargestellt wird. ellauri082.html on line 357: Der wissenschaftlichen Pflege des Werkes von Troeltsch widmet sich die Ernst-Troeltsch-Gesellschaft. ellauri082.html on line 361: Alan Perlisin typeryyxiin kuului tää: A year spent in artificial intelligence is enough to make one believe in God. Pikemminkin päinvastoin: siitä näkee miten alkeellinen mekanismi äly on. ellauri082.html on line 366: Rikhard Fick ellauri082.html on line 368: Näin unta että Fix und Foxin piirtäjä Rudolf Kauka (jonka nimi unessa oli jostain syystä Fink) oli nuorena Rikhard Fick nimisenä perustanut autokorjaamon kuplafolkkariin. Asensi sinne kaikki laitteet ja alkoi eziä asiakkaita. Sitten ihan zägällä se pääsi jonkun porhon autolaivueen omamekaanikoxi ja rikastui ja kuten sanotaan loppu oli historiaa. Missä vaiheessa se alkoi piirtää susi Lupoa ja niitä nenäkkäitä pikkukettuja ei selvinnyt koska heräsin. ellauri082.html on line 370: Tää uni lähti liikenteeseen jotenkin eilisestä Bron/Broen noirista jaxosta jossa luipero pelihullu poika möi peliveloista suloisen mamuvaimonsa läskin konnan vuokrakohduxi. Mamutyttö tekovauvamasussa näytti jumppapallon nielleeltä. Konnan vaimollakin oli tekokohtu mekon alla. Konna ja vaimo riitelivät käsineititytöstä. Konna heitti vaimon ulos kotoa. Kyllä miehet osaa olla paskiaisia. Fick on bylsi saxaxi. Fink on peipponen. ellauri082.html on line 432: d) Spotted Dick on suosittu jälkiruoka Britanniassa. Se on höyrytetty vanukas, joka valmistetaan ihrasta ja kuivatuista hedelmistä ja joka yleensä tarjoillaan maitokiisselin kanssa. ellauri082.html on line 438: g) Helpful Henry was an American gag-a-day comic strip, created by cartoonist J. P. Arnot (Paul Arnot – Born: 16 September 1887 – Died: 2 December 1951). The series ran from July 17, 1922 until 1927 and was syndicated by International Feature Service. Jaakko Hintikka kutitti Kotkan varpaita Helpful Henrynä kun Kotka laittoi pussilakanaa. ellauri082.html on line 465: m) Magic Sam oli R&B muusikko. Mulla oli yxi sen älppäri. ellauri082.html on line 471: p) Peeping Tom (televisiossa ja videona myös nimellä Pelon kasvot) on Michael Powellin ohjaama brittiläinen psykologinen trilleri- ja kauhuelokuva vuodelta 1960. Se kertoo nuoresta miehestä, joka murhaa naisia ja kuvaa heidän viimeiset hetkensä kaitafilmille. ellauri082.html on line 498: The reader who found himself swamped with too much metaphysics in the last chapter will have a still worse time of it in this one, which is exclusively metaphysical. Metaphysics means nothing but an unusually obstinate effort to avoid thinking clearly. ellauri082.html on line 499: The fundamental conceptions of psychology are practically very clear to us, but theoretically they are very confused, meaning how can we fit in soul and god and all that good old mind numbing religion. ellauri082.html on line 501: A big problem here is the idea that our soul is just a bunch of mental states that fly away every which way as we die. That is very bad medicine for eternal soul as Plato saw, its the abominable soul as harmony argument. I must now try and find my way out of it before the hierarchy gets pissed. ellauri082.html on line 502: This mind as society hypothesis has outward advantages which make it almost irresistibly attractive to the intellect, and yet it is inwardly quite unintelligible. Of its unintelligibility, however, half the writers on psychology seem unaware. ellauri082.html on line 504: In a general theory of evolution the inorganic comes first, then the lowest forms of animal and vegetable life, then forms of life that possess mentality, and finally those like ourselves that possess it in a high degree. (As you can see I am not one of your nature religions types but an honest to god homo sapiens chauvinist.) ellauri082.html on line 507: "A motion became a feeling!—no phrase that our lips can frame is so devoid of apprehensible meaning." (Says Spencer - check out this guy.) And some Tyndall guy that everyone knew by heart in late 19th: "the passage from the physics of the brain to the corresponding facts of consciousness is unthinkable." (Nothing to it except fear of death and retribution. Funny but seriously I have never seen anything the matter with it. Your mind is like a little video camera connected to a bunch of neural networks that mill the images around. Whats wrong with this concept is hard for me to see.) ellauri082.html on line 509: John Tyndall FRS (/ˈtɪndəl/; 2 August 1820 – 4 December 1893) was an Irish physicist. He first noticed the greenhouse effect but went on mountaineering happily in the melting glaciers. He was a member of a club that vocally supported Charles Darwin's theory of evolution and sought to strengthen the barrier, or separation, between religion and science. The most prominent member of this club was the anatomist Thomas Henry Huxley. Others included the social philosopher Herbert Spencer. ellauri082.html on line 511: James lifts his blue jeans and says that for "continuity of evolution" if there is consciousness now somebody (guess who) must have been conscious all along. If we have pricks and cunts now somebody must have sported them from the dawn of time. Well at least Jamesey must then allow for our "fellow animals" some rudiments of soul, that's a big concession. ellauri082.html on line 667: Nicoya, Costa Rica ellauri082.html on line 709: Naistennispelaajat ovat tavattoman miesmäisiä ja täten taipuvaisia lesbolaisuuteen. Esim USS Millicent Kent, jolla on rinnat kuin tykistö ja takamus kuin 2 pussiinpantua bulldoggia näyttää jo tässä iässä naisvankilan vartijalta. ellauri082.html on line 714: En yllättyisi yhtään. Niin wickedly fanny se oli. Terveisiä funnyfarmilta. Sen fobiat oli suljetut paikat epäselvä viestintä ja epäsiisteys. Nää on Wallu ilmeisesti perinyt. Hal vaikuttaa tässä toisteisessa homesienimuistossa noin 2 eikä 4-vuotiaalta. Mutta mitä Wallu sellaisesta tiesi. Ei sillä ollut lasta eikä oikein naistakaan. Eikä 2 veljeä vaan vain 1 sisko. ellauri082.html on line 731: Haslam, C. and Montrose, V.T. (2015) Should have known better: The impact of mating experience and the desire for marriage upon attraction to the narcissistic personality. Poster presented at: EHBEA Conference, 29th March to 1st April 2015, Helsinki, Finland. Tamara Montrose: Independent Researcher. Jane Williams´s Lab. ellauri082.html on line 737: Another study by researchers Carrie Haslam and V. Tamara Montrose found that although narcissistic males do not make good partners, women aged 18 to 28 desire them more than other men. The researchers asked women about their dating experience and desire for marriage. They wanted to see whether these factors influenced their attraction to narcissistic men. ellauri082.html on line 738: They found that young women with more dating experience and a greater desire for marriage were more attracted to narcissistic men. They write, “Despite future long-term mating desires which are unlikely to be achieved with a narcissistic male and possession of substantial mate sampling experience, females view the narcissistic male as a suitable partner.” ellauri082.html on line 746: In their introduction, they acknowledge that being viewed as a victim can lead to a loss of esteem and respect. But, they continue, in modern Western societies being a victim doesn’t always lead to undesirable outcomes. Sometimes, being a victim can increase one’s social status. And justify one’s claim to material resources. ellauri082.html on line 747: They argue that “contemporary Western democracies have become particularly hospitable environments for victim signalers to execute a strategy of nonreciprocal resource extraction.” ellauri082.html on line 751: The researchers examine victim signaling, which they define as “a public and intentional expression of one’s disadvantages, suffering, oppression, or personal limitations.” They also examine virtue signaling, defined as “symbolic demonstrations that can lead observers to make favorable inferences about the signaler’s moral character.” ellauri082.html on line 755: They argue that signaling both victimhood and virtue would maximize one’s ability to extract resources. People feel the most sympathy for a victim who is also a good person. ellauri082.html on line 756: The researchers developed a Victim Signaling Scale, ranging from 1 = not at all to 5 = always. It asks how often people engage in certain activities. These include: “Disclosed that I don’t feel accepted in society because of my identity.” And “Expressed how people like me are underrepresented in the media and leadership.” ellauri082.html on line 757: They found that Victim Signaling scores highly correlated with dark triad scores (r = .35). This association held after controlling for gender, ethnicity, income, and other factors that might make people vulnerable to mistreatment. ellauri082.html on line 761: They also found that Virtue Signaling was significantly correlated with dark triad scores (r = .18). ellauri082.html on line 762: They replicated this association in a follow-up study. This time they used a different, more robust, dark triad scale. They then found a stronger correlation between the dark triad traits and victim signaling (r = .52). ellauri082.html on line 763: The researchers also found that victim signaling negatively correlated (r = -.38) with Honesty-Humility. This is a personality measure of sincerity, fairness, greed avoidance, and modesty. This suggests that victim signalers may be greedier and less honest than those who do not signal victimhood. ellauri082.html on line 767: Victim signalers were more likely to cheat in this game. The researchers again found that these results held after controlling for ethnicity, gender, income, and other factors. ellauri082.html on line 768: Regardless of personal characteristics, those who scored higher on dark triad traits were more likely to be victim signalers. And may be more likely to deceive others for material gain. ellauri082.html on line 769: The researchers then ran a study testing whether people who score highly on victim signaling were more likely to exaggerate reports of mistreatment from a colleague to gain an advantage over them. ellauri082.html on line 770: Participants were told to imagine they worked with another intern. And that they were competing to land a job. Participants were told, “You keep noticing little things about the way the intern talks to you. You get the feeling the other intern may have no respect for your suggestions at all. To your face, the intern is friendly, but something feels off to you.” ellauri082.html on line 781: "The underrepresentation of girls and women in science, technology, engineering, and mathematics (STEM) is a continual concern for social scientists and policy makers. Using an international database on adolescent achievement in science, mathematics, and reading (n = 472,242), we show girls performed similarly or better than boys in science in two of every three countries, and in nearly all countries, more girls appeared capable of college-level STEM study than enrolled. Paradoxically, the sex differences in the magnitude of relative academic strengths and pursuit of STEM degrees increased with increases in national gender equality. The gap between boys’ science achievement and girls’ reading achievement relative to their mean academic performance was near universal. These sex differences in academic strengths and attitudes toward science correlated with the STEM graduation gap. A mediation analysis suggests that life-quality pressures in less gender equal countries promote girls’ and women’s engagement with STEM subjects." ellauri082.html on line 788: “Confirming past research, there was a strong correlation (r = .69) between a country´s sex differences in personality and their Gender Equality Index. Additional analyses showed that women typically score higher than men on all five trait factors (Pessimism, Extraversion, Openness, Agreeableness and Conscientiousness), and that these relative differences are larger in more gender equal countries.” ellauri082.html on line 800: In downtown Boston you may see trash cans, cones, or other objects being used to save parking spots in residential areas throughout the winter. No one wants to shovel their spot to find it taken by the time they return! This is common practice, and completely legal. ellauri083.html on line 6: font-style: italic; ellauri083.html on line 50: Helmi $ Taala oli lähetyssaarnaaja-asennossa tehty blondi kiinanamerikatar, talousliberaali tän kovaa yritteliäisyyttä peukuttavan rags to riches nobelkirjan perusteella ja antikommari. Sillä oli selkeesti länkkäreiltä poliittinen tilaus. Vähintään puolet nobelvoittajista on ollut tollasia tilauxia. Ellei enemmän. ellauri083.html on line 52: During the Cultural Revolution, Buck, as a preeminent American writer of Chinese village life, was denounced as an "American cultural imperialist". ellauri083.html on line 63: Alunperin nimeltään Lohtu Silkinkutoja syntyi Hillsborossa Länsi-Virginiassa, United Statesissa, vanhemmille Caroline Maude (Stulting) (1857–1921) and Absalom Sydenstricker. Ne oli etelä-vanhempainneuvostolähetyssaarnaajia, matkustivat Kiinaan pian avioiduttuaan 1880 palaten synnyttämään Helmin United Statesissa. Helmin ollessa 5kk ne palasi Kiinaan, ensin Huai'aniin ja sitten 1896 Tsingkiangiin lähelle Nankingia. ellauri083.html on line 67: Molemmat vanhemmat tunsivat vahvasti että kiinalaiset oli melkein niiden veroisia (eivätkä käyttäneet sanaa 'pakana' kuin kotioloissa), ja Helmi kasvoi kaxikielisessä kodissa: äiti opetti englantia yläkerrassa ja vinosilmä palvelijat ja niiden lapset paikallista murretta. Klassillista kiinaa opetti kotiopettaja Mr. Kung (Fu? Tse?). Se luki ahnaasti, erityisesti isän kiusaxi Charles Dickensin kirjoja, jotka se sen koommin väitti lukeneensa kaikki kerran vuodessa loppuikänsä. (Mikähän kirjailija lie vaikuttanut Helmiin eniten? Kung? Fu? Tse?) ellauri083.html on line 73: 1920-1933 ne leikki kotia Nankingin yliopiston kampuksella, missä ne kummatkin opetti. Helmi opetti englannin kirjallisuutta (enimmäxeen Dickensia, no ei vaitiskaan) pienessä kirkon ajamassa Nankingin yliopistossa, Ginling Opistossa ja Kansallisessa Keskeisessä yliopistossa. 1920 Taalat saivat tyttären, Carolin, jolla oli fenyyliketonuria. Se on kehitysvammaisuutta aiheuttava perinnöllinen sairaus. Helmin äiti kuoli ja mikä pahempaa sen isä muutti niille asumaan. 1924 ne lähti kiinasta kun luuserilla oli välivuosi, ja Helmi suoritti maisterin Cornellin yliopistossa. 1925 Taalat adoptoivat jonkun terveen Janicen ja palasivat kiinaan syxyllä. ellauri083.html on line 75: Taalojen vastoinkäymiset huipentuivat 1927 "Nankingin selkkauxeen". Useita länkkäreitä tapettiin Tshiang Kai-Shekin kansalliskaartin ja kommareiden ja kaikenlaisten sotaherrojen välisissä kärhämissä. Isäpappa Absalom vaati taas jäädä paikoilleen kuten boxereiden aikana. Köyhä kiinalaisperhe kuzui ne piileskelemään majaansa. Kotitalo puzattiin putipuhtaaxi. Perhe piileskeli kauhuissaan kokonaisen päivän ennenkuin jenkkien tykkiveneet pelasti ne. Ne matkusti Shanghaihin ja sitten purjehti (siis meni laivalla) Jaappaniin, missä ne oli vuoden, minkä jälkeen ne palasi Nankingiin. Helmin kuuleman mukaan Japanissa oli muitakin kuin militaristeja. Kun se palasi Japanista 1927, se alkoi kirjottaa kynä sauhuten. Se oli hyvissä väleissä kiinalaisten taantumuskirjailijoiden kaa kuten Xu Zhimo and kirjoituskoneen kexijäpelle Lin Yutang. Ne rohkaisi sitä kirjoittamaan rahasta. Se halusi toteuttaa kunnianhimon jonka äiti oli kieltänyt, ja tarvizihan se rahaa jos se jättäisi sen luuserin, jonka lähetyssaarnaaja-asennosta oli koko ajan vähemmän iloa. Carolkin tarvizi ammattiapua. Helmi lähti Statesiin taas 1929 missä Richard J. Walsh bylsi sitä ja julkaisi Helmin kirjan Itä Tuuli: Länsi Tuuli. Walshista tuli myöhemmin siippa ja kiltti apuri Helmille. Nankingiin palattua Helmi pysytteli ullakolla ja kirjoitti Hyvää Puuta. ellauri083.html on line 79: 1935 Helmi otti pikaeron luuserista Renossa huizin Nevadassa ja nai Richard Walshia vielä samana päivänä. Kiltti Riku auttoi Helmiä koko loppuelämänsä Pennsylvaniassa kuollaxeen siihen 1960. Helmi kuoli keuhkosyöpään 1973. Varmaan se veti röökiä. Sen haudalla lukee Helmi (ei Lohtu?) Silkinkutoja kiinalaisilla merkeillä. Se suunnitteli kiven ize, vrt. Vitalin mummia. ellauri083.html on line 82: The writer Pearl S. Buck emerged into literary stardom in 1931 when she published a book called "The Good Earth." That story of family life in a Chinese village won the novelist international acclaim, the Pulitzer, and eventually a Nobel Prize. Her upbringing in China as the American daughter of missionaries served as inspiration for that novel and many others. By her death in 1973, Pearl Buck had written around 100 books. ellauri083.html on line 86: EDGAR WALSH: Someone - and I do not know who - took the manuscript from the house in which she died in Vermont and went away with it. Whoever that person was wound up in Texas, rented a storage unit and put the manuscript in there. And that's where it was found. ellauri083.html on line 90: WALSH: I had not known that my mother had written this in the last year or two of her life. And I certainly did not know that someone had spirited the manuscript out of a home in which she lived her last years in Vermont and had concealed it from me and the family for 40 years. ellauri083.html on line 92: I was notified in December of last year that a woman in Texas who has a business buying storage units that have not paid their rent and she had purchased a unit in Fort Worth and discovered this manuscript, which was in a holographic form as a written manuscript, of course. And the woman in Texas wanted to sell it. ellauri083.html on line 100: WALSH: It was fascinating, frankly, to read her final novel and to realize that it was, in a sense, an historic event. But reading this book just took me back to my many discussions with her about her work. And I just had a sense of awe that a woman, who, when she wrote this, was 78, 79 years old. And she knew she was dying. She was ill with cancer and she knew that she would be ending her life soon. But she sat down and, with a pen, wrote out over 300 pages. ellauri083.html on line 102: Just an amazing tour de force - but not surprising, given her production. You know, between age 40 and her death in 1973, she produced - and I'm going to give you a few numbers here - 43 novels, about 30 nonfiction books, 242 short stories, 37 children's books, 18 film and TV scripts, 500 articles and essays and thousands of letters. ellauri083.html on line 116: WALSH: The novel follows the life of a brilliant young man, a genius, from his birth to his military career to a love affair with an older woman in London to Paris, where he meets a Chinese girl. And it is a very personal, fictional explanation of themes, of toleration and humanity that informed Pearl's work. ellauri083.html on line 122: Solmu Mäkelä teki taikatemppuja. "Solmu" oli Helmin ja sen pikku ystävien peitenimi siittimelle. "Solmu" Hamsun kirjoitti aika samanlaisen rags to riches and back farmipläjäyxen kuin Helmi $ Taala. ellauri083.html on line 129: Growth of the Soil (Norwegian Mannens Grodor), is a novel by Knut Hamsun which won him the Nobel Prize in Literature in 1920. It follows the story of a man who settles and lives in rural Norway. ellauri083.html on line 135: The Good Earth (English The Good Earth) is a historical fiction novel by American author Pearl S. Buck published in 1931 that dramatizes family life in a Chinese village in the early 20th century. It was influential in Buck's winning the Nobel Prize for Literature in 1938. ellauri083.html on line 137: The story begins on Wang Lung's wedding day and follows the rise and fall of his fortunes. The House of Hwang, a family of wealthy landowners, lives in the nearby town, where Wang Lung's future wife, O-Lan, lives as a slave. However, the House of Hwang slowly declines due to opium use, frequent spending, uncontrolled borrowing and a general unwillingness to work. He was willing to take any woman who knew how to work, except a harelip (which is just what Inger was). He was disappointed when O-Lan had big and ugly feet. These boots are made for walking... ellauri083.html on line 139: Following the marriage of Wang Lung and O-Lan, both work hard on their farm and slowly save enough money to buy one plot of land at a time from the Hwang family. O-Lan delivers three sons and three daughters; the first daughter becomes mentally handicapped as a result of severe malnutrition brought on by famine. Her father greatly pities her and calls her "Poor Fool," a name by which she is addressed throughout her life. O-Lan kills her second daughter at birth to spare her the misery of growing up in such hard times, and to give the remaining family a better chance to survive. Pearl's daughter Carol was mentally handicapped too. ellauri083.html on line 141: During the devastating famine and drought, the family must flee to a large city in the south to find work. Wang Lung's malevolent uncle offers to buy his possessions and land, but for significantly less than their value. The family sells everything except the land and the house. Wang Lung then faces the long journey south, contemplating how the family will survive walking, when he discovers that the "firewagon" (the Chinese word for the newly built train) takes people south for a fee. ellauri083.html on line 143: In the city, O-Lan and the children beg while Wang Lung pulls a rickshaw. Wang Lung's father begs but does not earn any money, and sits looking at the city instead. They find themselves aliens among their more metropolitan countrymen who look different and speak in a fast accent. They no longer starve, due to the one-cent charitable meals of congee, but still live in abject poverty. Wang Lung longs to return to his land. When armies approach the city he can only work at night hauling merchandise out of fear of being conscripted. One time, his son brings home stolen meat. Furious, Wang Lung throws the meat on the ground, not wanting his sons to grow up as thieves. O-Lan, however, calmly picks up the meat and cooks it. When a food riot erupts, Wang Lung is swept up in a mob that is looting a rich man's house and corners the man himself, who fears for his life and gives Wang Lung all his money in order to buy his safety. O-Lan finds a cache of jewels elsewhere in house and takes them for herself. ellauri083.html on line 145: Wang Lung uses this money to bring the family home, buy a new ox and farm tools, and hire servants to work the land for him. In time, two more children are born, a twin son and daughter. When he discovers the jewels that O-Lan looted, Wang Lung buys the House of Hwang's remaining land. He later sends his first two sons to school, also apprenticing the second one to a merchant, and retains the third one on the land. ellauri083.html on line 153: Independent People (Icelandic: Sjálfstætt fólk) is an epic novel by Nobel laureate Halldór Laxness, originally published in two volumes in 1934 and 1935; literally the title means "Self-standing folk". It deals with the struggle of poor Icelandic farmers in the early 20th century, only freed from debt bondage in the last generation, and surviving on isolated crofts in an inhospitable landscape. ellauri083.html on line 155: The novel is considered among the foremost examples of social realism in Icelandic fiction in the 1930s. It is an indictment of materialism, the cost of the self-reliant spirit to relationships, and capitalism itself. This book, along with several other major novels, helped Laxness win the Nobel Prize in Literature in 1955. ellauri083.html on line 159: The "first chapter summons up the days when the world was first settled, in 874 AD—for that is the year when the Norsemen arrived in Iceland, and one of the book's wry conceits is that no other world but Iceland exists. ... The book is set in the early decades of the twentieth century but ... Independent People is a pointedly timeless tale. It reminds us that life on an Icelandic croft had scarcely altered over a millennium". As the story begins, Bjartur ("bright" or "fair") has recently managed to put down the first payment on his own farm, after eighteen years working as a shepherd at Útirauðsmýri, the home of the well-to-do local bailiff, a man he detests. The land that he buys is said to be cursed by Saint Columba, referred to as "the fiend Kolumkilli", and haunted by an evil woman named Gunnvör, who made a pact with Kólumkilli. ellauri083.html on line 163: However, Rósa is miserable in her new home, which does not compare well to the luxury she was used to at Rauðsmýri. Bjartur also discovers that she is pregnant by Ingólfur Arnarson Jónsson, the son of the bailiff. In the autumn, Bjartur and the other men of the district ride up into the mountains on the annual sheep round-up, leaving Rósa behind with a gimmer to keep her company. Terrified by a storm one night, desperate for meat and convinced that the gimmer is possessed by the devil, Rósa kills and eats the animal. ellauri083.html on line 169: The rest of the novel charts the drudgery and the battle for survival of life in Summerhouses, the misery, dreams and rebellions of the inhabitants and what appears to be the curse of Summerhouses taking effect. In the middle of the novel, however, World War I commences and the prices for Icelandic mutton and wool soar, so that even the poorest farmers begin to dream of relief from their poverty. Particularly central is the relationship between Bjartur and Ásta Sóllilja. ellauri083.html on line 173: Asta as a girls' name is of Greek and Old Norse origin, and the meaning of Asta is "star-like; love". Also a short form of Anastasia, Astrid, Augusta, etc. Aastha is a Hindi name for girls meaning Faith. Asta is the name of the terrier owned by Nick and Nora Charles in the famous "Thin Man" movies of the 1930s. This name has never ranked among the top 1000 names in America. If you consider naming your baby Asta we recommend you take note of this. Do your research and choose a name wisely, kindly and selflessly. ellauri083.html on line 182: Pyhäköilijät eli Shriners International, also commonly known as The Shriners or formerly known as the Ancient Arabic Order of the Nobles of the Mystic Shrine, on jenkki vapaamuurarikerho varakkaille veljille. Hyväveliseura par excellence. Päämaja Tampa Florida. Veljexet tunnetaan punaisista fezeistä. Ne otti Arabian pois nimestä 9/11 tapahtuman johdosta. Niiden pomot on potentaatteja. Ne tykkää pitää paraateja. Lennättää jättimäisiä ryppyisiä ilmapalloja. Ajaa pikkuisilla autoilla. Soittaa torvisoittoa. Nahkiaisissa ne antaa alokkaille pyllyyn sähköiskuja. ellauri083.html on line 207: Tekijä: ickens Charles">Charles Dickens ellauri083.html on line 217: Madame Thérèse Defarge is a fictional character in the 1859 novel A Tale of Two Cities by Charles Dickens. She is a ringleader of the tricoteuses, a tireless worker for the French Revolution, and the wife of Ernest Defarge. ellauri083.html on line 219: Madame Thérèse Defarge is perhaps the principal revolutionary villain in Charles Dickens's 1959 novel A Tale of Two Cities; she knits into her needlework the names of the royalists and aristocrats who must be condemned to the guillotine to make way for the new republic. Sen virkasisar Lohtu kutoi silkkiä vastapuolella barrikaadia ja sai porttikiellon kommunistikiinasta. ellauri083.html on line 221: Some historians have suggested that Dickens based Defarge on Anne-Josèphe Théroigne de Mericourt, a revolutionary who played a key role in street demonstrations. ellauri083.html on line 228: Defarge's desire for revenge ultimately stems from the rape of her sister at the hands of the aristocratic Evrémonde brothers, and Teresa Mangum therefore suggests that "the logic driving her story is that the secret crime of sexual violence against women fuels the French Revolution". ellauri083.html on line 244: icture-in-picture" allowfullscreen> ellauri083.html on line 245: icture-in-picture" allowfullscreen> ellauri083.html on line 246: icture-in-picture" allowfullscreen> ellauri083.html on line 325: Of or pertaining to emotional energy, or which has emotional energy focused on it. ellauri083.html on line 332: Although they have flirted with the cathectic (affective) and conative (motivational) modes of consciousness, in the context of identity salience or prominence (Stryker 1968, 1980; McCall and Simmons 1978), identity theorists have generally viewed identities in cognitive terms (see MacKinnon 1994). ellauri083.html on line 334: When, in turn, this anger proves incapable of restoring the subject to the earlier, wished-for state of things, the characteristic symptoms of clinical depression set in: feelings of helplessness, a tendency to reproach the self for its inadequacy, and, not least of all, the drawing away of cathectic energies from the ego, "emptying [it] until it is totally impoverished." This impoverishment is also referred to by Freud and others as inhibition: "inhibition of all activity," "general inhibition," "complete motor inhibition," or "an inhibition of functions including the interest in the external world." And Bibring has instructively spoken of it as the "exhaustion of ego libido due to an unsolvable conflict" (p. The rhetoric of exhaustion and the exhaustion of rhetoric: Erskine Caldwell in the thirties) ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase. ellauri083.html on line 338: Hendershot recalls that, in the Schreber case, God was believed to manifest his creative and destructive power as celestial rays (Freud 22). As with spider-webs and hedgehogs quills, this radial pattern describing dilation and contraction, movement back and forth from center to circumference and from circumference to center, is the essential figure for the paranoid narcissism of a subject who feels threatened by the world and guilty for having taken "his own body [...] as his love-object" (Freud 60). Signaling Fistule's repressed homosexuality, the rays of his intelligence had first been focused on the masochistic annihilation of his genitals, which he denies were the original object of his love ("organes hideux," "vomitoires de dejections"), and then had been used in reconstructing a sexless new reality. Insisting on his exemption from the Naturalist law of biological determinism, Fistule denies his human parentage and maintains that he was born of a star, which, shining like the rays of his genius, had inseminated him and allowed him to be the father of himself, causa sui. Homosexual guilt initially projected as the corruptibility of matter is overcome by Fistule's principle of Stellogenesis, which turns flesh into radiance and bodies into starlight. As Hendershot concludes: "In Freud's theory, the paranoiac withdraws from the world (decathexis), directs his or her cathectic energy to the ego resulting in self-aggrandizement, and then attempts to reestablish a cathectic relationship with the world in the form of a delusional system" ellauri083.html on line 342: M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American war comedy-drama television series that aired on CBS from 1972 to 1983. It was developed by Larry Gelbart as the first original spin-off series adapted from the 1970 feature film M*A*S*H, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors. ellauri083.html on line 344: It follows a team of doctors and support staff stationed at the "4077th Mobile Army Surgical Hospital" in Uijeongbu, South Korea, during the Korean War (1950–53). The show's title sequence features an instrumental-only version of "Suicide Is Painless," the original film's theme song. ellauri083.html on line 346: The series is usually categorized as a situation comedy, though it has also been described as a "dark comedy" or a "dramedy" because of the often dramatic subject matter. Valkoisen Amerikan valmiixinaurettua noiria. ellauri083.html on line 348: Early seasons aired on network prime time while the Vietnam War was still going on; the show was forced to walk the fine line of commenting on that war while at the same time not seeming to protest against it. For this reason, the show's discourse, under the cover of comedy, often questioned, mocked, and grappled with America's role in the Cold War. ellauri083.html on line 359: Notable occurrences are in North America, Ivory Coast, Australia, Philippines, Java, Borneo, Thailand, and Tibet. ellauri083.html on line 361: The name Tektite comes from the Greek word tektos, which means “molten”. Tektites are natural glass objects of meteorite origin. The age of the Tektites is estimated at about ten million years. ellauri083.html on line 362: Meditation with Tektite improves the powers of telepathy. In general, wearing Tektite promotes psychic sensitivity, expands the energy field, opens and cleanses the lower chakras, and facilitates shamanistic journeys. Jännä miten asiatieto ja huuhaa tulevat näin ihan sulassa sovussa. Mikäpä siinä jos ei ole päättelykonetta. Silloin p ja ei-p voivat elää rauhanomaista rinnakkaineloa. ellauri083.html on line 372: As mother and daughter, Farrow’s and Dylan’s stories were always going to be interconnected. But ever since Dylan’s sexual abuse accusation against Allen, her father and Farrow’s former boyfriend, went public nearly three decades ago, their bond has been tested. (Allen has categorically denied Dylan’s allegation.) ellauri083.html on line 374: At age seven Dylan first accused Allen of touching her inappropriately—a bombshell allegation that definitively tore apart the blended Allen-Farrow family, which was already reeling from Farrow’s discovery of nude photographs of her adopted daughter Soon-Yi Previn at Allen’s apartment. Dylan’s accusation has reverberated in the media ever since. Dylan would consistently repeat the allegation over the years—to her mother, to therapists, to experts, and to former Connecticut state prosecutor Frank Maco, who found probable cause for bringing a criminal case against Allen. (Maco said he ultimately declined to do so out of concern for retraumatizing a fragile child.) ellauri083.html on line 376: Farrow has steadfastly supported her daughter throughout the years—but in Allen v. Farrow, she says she has also grown accustomed to Allen attacking her character and parenting skills in the press. (For decades Allen has claimed that Farrow coached Dylan, goading her into accusing Allen after Allen left Farrow for Previn.) Farrow explains her conflicting feelings to the cameras, saying that she wholeheartedly supported Dylan’s decision to write a 2014 op-ed for The New York Times outlining the abuse she claims to have suffered. But privately, Farrow admits in the docuseries, she “crumpled up inside,” knowing that Allen would likely resume his media attacks on her. “He couldn’t go after Dylan, because she was a child at the time, so he’d come after me.” ellauri083.html on line 378: “What astounds me,” said Ziering in an interview, is that for the past nearly three decades, people assume that this has been a matter of “he said, she said”—meaning Allen’s word versus Farrow’s. But after Ziering and codirector Kirby Dick began their research, they realized, “Actually, it’s been a ‘he said, he said’ situation. Mia didn’t even speak until the Vanity Fair interview [in 2013]. Never. She is such a private person. That’s really important to know. And she was sort of blindsided by all these events that happened to her. And kept trying to navigate the best that she could just to protect her children and family.” ellauri083.html on line 406: icture-in-picture" allowfullscreen> ellauri083.html on line 410: Suomalaisen rupusakin jälkeläiset Michiganissa on siellä nyt amerikkalaista rupusakkia. Joku trumppilainen laiskapaska fasisti siellä kehuskelee suomalaisilla juurilla mutta ei sano tuntemattomille olevansa amerikansuomalainen vaan väittää olevansa 100% amerikkalainen. Onnexi, ettei tarvi niitä hävetä. Lähettäisin sille mieluusti seuraavan someviestin: oikein kiva että läxitte, älkää tulko takasin. Good riddance to bad rubbish. ellauri083.html on line 432: This computer program produced a glitch in the fifteenth century BC, a glitch caused by solar system bodies not being in their correct positions, indicating that nearly a day was missing from time. An additional 40 minutes also was missing several centuries later, so that the total missing time was one full day. ellauri083.html on line 434: Supposedly, NASA scientists and engineers puzzled over this problem until one of them opened the Bible to Joshua 10:12–14 and 2 Kings 20:8–11. The NASA personnel supposedly came to realize that their missing day could be explained by addition of nearly a day at the time of Joshua and an additional 40 minutes at the time of Hezekiah, thus proving that these biblical events actually occurred. ellauri083.html on line 436: This story is not new, but rather it is a modern retelling of an even older story. In the 1930s, Harry Rimmer made reference to how science had proved the missing day of Joshua, and this story continued to circulate within Christian circles for decades. Rimmer’s mention of this may have been the origin of Hill’s story. Rimmer based his statement upon an 1890 book by C. A. L. Totten, Joshua’s Long Day and the Dial of Ahaz, a Scientific Vindication and “a Midnight Cry.” Totten did a very elaborate computation of the date of the battle of Gibeon since the creation. ellauri083.html on line 438: He reasoned that the battle was on the twenty-fourth day of the fourth month of the Hebrew civil calendar in the 2,555th year after the creation. This was the 933,285th day since creation. From this, Totten determined that this day was a Tuesday. Next, Totten calculated backward in time from June 17, 1890 to the battle of Gibeon. He concluded that the battle was 1,217,530 days previously, which was a Wednesday. Hence, there was a day missing. Of course, Totten’s computation required very precise dates, something that most people today would find ludicrous. However, Totten managed to obtain some audience in the late 19th century. While most people today are not impressed with such an approach, apparently invoking a computer, as in the Hill story, is sufficient to convince some people today. This story has been debunked many times, so it is a shame that it keeps being repeated. ellauri083.html on line 455: Palasin Riemun pariin ja olen sivulla 728. Parasta kirjassa ovat hörhöt ja niiden sietämättömän elämän kuvaus! Välillä menee slapstickin puolelle. Esim. paksun muijan perse bussin vessan ikkunassa. Lei-kaulaisten tyyppien koiran teurastus jne. Näissä hörhökuvauksissa on kumminkin myös tunnetta (ja myötätuntoa). Tennisakatemian puuhat, varsinkaan pelikuvaukset eivät kiinnosta. Aika ulkokohtaiselta tuntuu myös kanukkijärjestön hommat (siis minusta). Isä Incin leffa byrokraatista, joka yritti ehtiä töihin. Kun pikkupoika kaiken kohelluksen jälkeen kysyy: "Herra... oletteko te Jeesus?" Liikkistä. W ei ole kivestä veistetty. ellauri083.html on line 479: icago.com/wp-content/uploads/2020/03/Pillsbury.jpg?ssl=1" width="50%"/> ellauri083.html on line 494: icture-in-picture" allowfullscreen> ellauri083.html on line 514: I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the King and Queen moult no feather. I have of late, but wherefore I know not, lost all my mirth, forgone all custom of exercises; and indeed, it goes so heavily with my disposition that this goodly frame the earth, seems to me a sterile promontory; this most excellent canopy the air, look you, this brave o’erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is man! How noble in reason? How infinite in faculties, in form and moving, how express and admirable? In action how like an angel? In apprehension, how like a god? The beauty of the world, the paragon of animals. And yet, to me, what is this quintessence of dust? Man delights not me; no, nor woman neither, though by your smiling you seem to say so. ellauri083.html on line 524: icated-joy/">https://sites.la.utexas.edu/dfw12fall/complicated-joy/ ellauri083.html on line 527: What does “complicated joy” mean? I suppose we could say that Joelle gets a complicated form of pleasure from stringing Gately along. Although I’m not sure I believe that pleasure is necessarily equivalent to joy…there is a lot of complicated pleasure in the book, i.e. addictions to pleasurable substances, sex with underage partners, killing animals, etc. But are we truly supposed to believe that these characters are experiencing joy in their lives? ellauri083.html on line 529: I can’t say I really see it at all. As much as I love this book, the only person who I would say comes close to experiencing “complicated joy” is Mario, whose emotions are simple and straightforward, only made more complex by his contorted body. I think most people in the book experience a sort of numbness, or they are searching for a kind of numbness. To me, even Gately’s emotions and thoughts are dulled by the inane daily tasks he must complete, although I suppose you could argue that being free from substance addiction gives him a small sense of pride. ellauri083.html on line 561: Then I commended mirth, because a man hath no better thing under the sun, than to eat, and to drink, and to be merry: for that shall abide with him of his labour the days of his life, which God giveth him under the sun. ellauri083.html on line 565: The mirth of tabrets ceaseth, the noise of them that rejoice endeth, the joy of the harp ceaseth. ellauri083.html on line 571: Then will I cause to cease from the cities of Judah, and from the streets of Jerusalem, the voice of mirth, and the voice of gladness, the voice of the bridegroom, and the voice of the bride: for the land shall be desolate. ellauri083.html on line 575: For thus saith the LORD of hosts, the God of Israel; Behold, I will cause to cease out of this place in your eyes, and in your days, the voice of mirth, and the voice of gladness, the voice of the bridegroom, and the voice of the bride. ellauri083.html on line 578: Moreover I will take from them the voice of mirth, and the voice of gladness, the voice of the bridegroom, and the voice of the bride, the sound of the millstones, and the light of the candle. ellauri083.html on line 591:
ical-align:top;"> ellauri094.html on line 252:ical-align:top;"> ellauri094.html on line 255:ical-align:top;"> ellauri094.html on line 262:ical-align:top;"> ellauri094.html on line 267:ical-align:top;"> ellauri094.html on line 272:ical-align:top;"> ellauri094.html on line 277:ical-align:top;"> ellauri094.html on line 282:ical-align:top;"> ellauri094.html on line 287:ical-align:top;"> ellauri094.html on line 292:ical-align:top;"> ellauri094.html on line 295:ical-align:top;"> ellauri094.html on line 315: ictions-28.jpg?w=640" /> ellauri094.html on line 316: ictions-28-how-long-was-the-babylonian-captivity/">Tää löyty täältä. There Is No Dog. ellauri094.html on line 326: But wait! What’s the book of Baruch? It’s a deuterocanonical part of the apocrypha that is widely quoted in the bible. It’s also a major part of Jewish, Christian, and Catholic canon. I have linked the Catholic text above. The book of Baruch is generally considered just as infallible as the rest of the bible. ellauri094.html on line 328: Ahem, in Baruch, we are told that the captivity will last seven generations, not merely 70 years. In order to reconcile these two disparate numbers, the Jews would’ve had to be having children at the age of ten or younger! That’s far too young, even by biblical-day standards. ellauri094.html on line 337: iction-how-long-was-the-babylonian-captivity/"> ellauri094.html on line 339: For today’s post we will tackle the question the Skeptic Annotated Bible asked: How long was the Babylonian Captivity? ellauri094.html on line 340: Here are the answers which the skeptic believes indicate a Bible contradiction: ellauri094.html on line 348: “And when you are come into Babylon, you shall be there many years, and for a long time, even to seven generations: and after that I will bring you away from thence with peace.” (Baruch 6:2; quoted from Douay-Rheims 1899 American Edition) ellauri094.html on line 349: (All Scriptural quotation comes from the New American Standard Bible) ellauri094.html on line 351: Here’s a closer look at whether or not there is a contradiction: ellauri094.html on line 352: When dealing with skeptics’ claim of Bible contradictions it seems one can never be reminded enough of what exactly is a contradiction. A contradiction occurs when two or more claims conflict with one another so that they cannot simultaneously be true in the same sense and at the same time. To put it another way, a Bible contradiction exists when there are claims within the Bible that are mutually exclusive in the same sense and at the same time. ellauri094.html on line 354: One should be skeptical of whether this is a Bible contradiction given the Skeptic Annotated Bible’s track record of inaccurately handling the Bible. See the many examples of their error which we have responded to in this post: ictions/">Collection of Posts Responding to Bible Contradictions. Of course that does not take away the need to respond to this claim of a contradiction, which is what the remainder of this post will do. But this observation should caution us to slow down and look more closely at the passages cited by the Skeptic Annotated Bible to see if they interpreted the passages properly to support their conclusion that it is a Bible contradiction. ellauri094.html on line 356: The skeptic tries to pit Jeremiah 29:10 as affirming the claim “The Babylonian Captivity was seventy years” against Baruch 6:2 as affirming “The Babylonian Captivity was seven generations.” ellauri094.html on line 357: One must always ask if the skeptics properly interpreted the verses. Jeremiah 29:10 does affirm the claim “The Babylonian Captivity was seventy years.” ellauri094.html on line 364: Chapter 6 of Baruch is actually the non-Canonical Epistle of Jeremiah. ellauri094.html on line 366: Obviously if Baruch is not part of the Bible there is no Bible contradiction here even if there is a logical contradiction between these two statements. ellauri094.html on line 367: It took me some time to track down the Greek text of Baruch 6:2. Baruch 6:2 does say in the Greek “until the seventh generation.” The word “ἕως” is interpreted as “until” and it is a Greek particle marking a limit, that is, a temporal point of termination. (Who cares about the Greek anyway. It was dictated in hebrew or something.) ellauri094.html on line 373: One of the reason to doubt Baruch 6:2 is actually written by Jeremiah and to believe it was written much later is that the Book of Jeremiah talks about the remnant will begin returning within 70 years and yet Baruch 6:2 state the return will be within 7 generations which seems to excuse those who were Jewish reading this book that never did went back to Jerusalem for many generations but continued living outside Jerusalem. Fascinating as well is the fact that this book was written in Greek and not in Hebrew which indicate the likely audience was the Jewish Diaspora. ellauri094.html on line 375: A Jewish generation was about 30 years and if you think of 7 generations that is about 210 years. (If they started breeding at 10 then it would be just 70, so no contradiction! Muhammed's fifth wife was 9.) The exile from Jerusalem began in 586 BC. So 210 years later it would land on 376 BC. But way before then the Jews have already made big caravan trips back to Jerusalem which took place in the 6th to 5th Century BC (see the book of Ezra and Nehemiah). There’s no specific migration that stood out in the 300s BC. ellauri094.html on line 377: Thus there is no contradiction here. Seems the skeptic needs to learn of How to Handle Bible Contradictions. ellauri094.html on line 378: We shouldn’t miss that worldviews are at play even with the skeptic’s objection to Christianity. The worldview of the author of the Skeptic Annotated Bible actually doesn’t even allow for such a thing as the law of non-contradiction to be meaningful and intelligible. In other words for him to try to disprove the Bible by pointing out that there’s a Bible contradiction doesn’t even make sense within his own worldview. Check out our post “Skeptic Annotated Bible Author’s Self-Defeating Worldview.” Read also Stanford's bit on contradictory beliefs here. Lisää aiheesta: ellauri094.html on line 380: ellauri008.html Eric Hovind ja piscuiset ellauri094.html on line 392: Depiction of Jews mourning the exile in Babylon. Ei nappaa musa yhtään. Harjoitellaan mieluummin heittoja tolla piscuisella. ellauri094.html on line 440: Boney M:n vetävästi esittämä kappale Petterin lp-levyltä onkin vanhemman samannimisen biisin coveri yhtyeeltä The Melodians. Rivers of Babylon on rastafari-laulu, jonka tekivät ja levyttivät Brent Dowe ja Trevor McNaughton jamaikalaisesta reggae-yhtyeestä The Melodians vuonna 1970. The Melodiansin alkuperäisversio kuullaan jamaikalaisessa elokuvassa The Harder They Come (1972) sekä Nicolas Cagen elokuvassa Bringing Out the Dead (1999). ellauri094.html on line 444: icial Audio)" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri094.html on line 447: Boney M Lyrics ellauri094.html on line 454: When the wicked Kun ne pahixet ellauri094.html on line 458: When the wicked Kun pahixet ellauri094.html on line 483: icz%20261008.jpg" /> ellauri094.html on line 557: We rejoiced in the light of thee, in the signal star Siis me, me iloittiin sun valosignaalista, ellauri094.html on line 582: And the voice was angelical, to whose words God gave Sen ääni oli kuin leppäkertulla, muze sanoi ellauri094.html on line 654: The body of Algernon Charles Swinburne’s poetry is so vast and varied that it is difficult to generalize about it. Swinburne wrote poetry for more than sixty years, and in that time he treated an enormous variety of subjects and employed many poetic forms and meters. He wrote English and Italian sonnets, elegies, odes, lyrics, dramatic monologues, ballads, and romances; and he experimented with the rondeau, the ballade, and the sestina. Much of this poetry is marked by a strong lyricism and a self-conscious, formal use of such rhetorical devices as alliteration, assonance, repetition, personification, and synecdoche. Swinburne’s brilliant self-parody, “Nephilidia,” hardly exaggerates the excessive rhetoric of some of his earlier poems. The early A Song of Italy would have more effectively conveyed its extreme republican sentiments had it been more restrained. As it is, content is too often lost in verbiage, leading a reviewer for The Athenaeum to remark that “hardly any literary bantling has been shrouded in a thicker veil of indefinite phrases.” A favorite technique of Swinburne is to reiterate a poem’s theme in a profusion of changing images until a clear line of development is lost. “The Triumph of Time” is an example. Here the stanzas can be rearranged without loss of effect. This poem does not so much develop as accrete. Clearly a large part of its greatness rests in its music. As much as any other poet, Swinburne needs to be read aloud. The diffuse lyricism of Swinburne is the opposite of the closely knit structures of John Donne and is akin to the poetry of Walt Whitman. ellauri094.html on line 663: Closest metre: trochaic tetrameter ellauri094.html on line 689: The author used lexical repetitions to emphasize a significant image; ellauri094.html on line 696: The literary device anadiplosis is detected in two or more neighboring lines. The word/phrase loved connects the lines. ellauri094.html on line 708: critical appreciation. ellauri094.html on line 711: Good luck in your poetry interpretation practice! ellauri094.html on line 713: Pay attention: the program cannot take into account all the numerous nuances of poetic technique while analyzing. We make no warranties of any kind, express or implied, about the completeness, accuracy, reliability and suitability with respect to the information. ellauri094.html on line 733: What I mean is that diplomacy never works with genocidal maniacs and that the use of lethal force in self defense is ethical. ellauri094.html on line 737: Neither Nazi Germany nor Imperial Japan were atheistic. Unless you are expanding the definition of atheist to mean anyone who doesn’t agree with you, in which case just call them heathens. ellauri094.html on line 751: Evil ideas need to be fought. That’s not the same as exterminating the people who are tricked by them. ellauri094.html on line 758: And the stark evil of the atheist Communists becomes even more stark when considering the fact that Nazi Germany and Imperial Japan were fighting for what most wars are fought for: Wealth and Empire. Which is A-OK. The Israeli did the same with the help of Jehovah. The atheist regimes slaughtered their own people simply to impose their will upon their less powerful compatriots. Which the Christians never do. Well, not nearly as many got killed anyway. I guess. Haven't really toted up all the Christian wars. The colonial ones too, and the U.S. neocolonial ones like Korea and Vietnam, or the Desert Storm. Should one use the absolute body count or percentages? Ethics is not an exact science after all. It's more like economics. ellauri094.html on line 760: Almost all atheists believe in Marxism and have a thought process that is so uniform as to appear like a mass produced. Prayer is what human beings do. Homo Orate (or was it Anate? oh well), man who prays, prays 24/7, 365.25. But man of all creatures, is born and lives completely unaware of nature (as taught by religion). Jesus, Son of God, gave us the Lord’s Prayer, which is a short, convenient prayer, easier to mass produce than a Ford. But in order to benefit from prayer, the man must pursue excellence in prayer. ellauri094.html on line 762: So just as we learn music, we cannot become better without practice and experience of music on our instrument of choice (mine is the Jewish Harp, quite popular by the rivers of Babylon). Your confession that you found prayer to be irrelevant is the same as a man banging a child on a piano and then giving up because all the banging just produced noise. You need to be taught how to pray by someone who knows how and then you need to practice, practice, practice for the rest of your life. And still you don't get a hole in one every time, I don't. Although I was trained to pray by various Catholic priests who pray for a living. Prayer professionals who get paid for it. No fucking amateurs like you. By now I find the hole usually quite easily, and can get it in after a few putts with a little help from my priestly friend. ellauri094.html on line 809: The bible is a fallible human’s interpretation of God/history/etc. Christians who claim it to be infallible seem to crave something in religion that doesn’t exist in mainstream Christianity: authority. Seems to me, they lack something or someone authoritative like the Catholic Pope or the Mormon Prophet who claims to be God’s spokesman. Since mainstream Christianity lacks an authoritative claim, they nonsensically claim “the word of God” to be their powerful lightning rod. ellauri095.html on line 6: font-style: italic; ellauri095.html on line 33: Noch ein männlicher Sprung ellauri095.html on line 35: Der Sprung ist bei Kierkegaard leidenschaftliche Entscheidung, der Augenblick, der über Nicht-Sein und Da-Sein entscheidet. Der Sprung ist Wiedergeburt, das Christwerden. Kierkegaard hat den Begriff von Gotthold Ephraim Lessing (1729-1781) ... Stanley the Manley was not very manly, more catholic than Pope, and as much a dwarf, only capable of tiny hopkins snd eurhytmic sprungs.. ellauri095.html on line 37: Sprung rhythm is a poetic rhythm designed to imitate the rhythm of natural speech. It is constructed from feet in which the first syllable is stressed and may be followed by a variable number of unstressed syllables. The British poet Gerard Manley Hopkins said he discovered this previously unnamed poetic rhythm in the natural patterns of English in folk songs, spoken poetry, Shakespeare, Milton, et al. He used diacritical marks on syllables to indicate which should be stressed in cases "where the reader might be in doubt which syllable should have the stress" (acute, e.g. shéer) and which syllables should be pronounced but not stressed (grave, e.g., gleanèd). ellauri095.html on line 39: Some critics believe he merely coined a name for poems with mixed, irregular feet, like free verse. However, while sprung rhythm allows for an indeterminate number of syllables to a foot, Hopkins was very careful to keep the number of feet per line consistent across each individual work, a trait that free verse does not share. Sprung rhythm may be classed as a form of accentual verse, as it is stress-timed, rather than syllable-timed, and while sprung rhythm did not become a popular literary form, Hopkins's advocacy did assist in a revival of accentual verse more generally. ellauri095.html on line 41: Added richness comes from Hopkins's extensive use of alliteration, assonance, onomatopoeia and rhyme, both at the end of lines and internally as in: ellauri095.html on line 49: Hopkins was influenced by the Welsh language, which he had acquired while studying theology at St Beuno's near St Asap. The poetic forms of Welsh literature and particularly cynghanedd, with its emphasis on repeating sounds, accorded with his own style and became a prominent feature of his work. This reliance on similar-sounding words with close or differing senses means that his poems are best understood if read aloud. ellauri095.html on line 51: Hopkins’s most famous Welsh sonnet, “The Windhover,” reveals that for him this Book of Nature, like the Bible, demanded a moral application to the self. Hopkins wrote in his notes on St. Ignatius: “This world is word, expression, news of God”; “it is a book he has written.... a poem of beauty: what is it about? His praise, the reverence due to him, the way to serve him.... Do I then do it? Never mind others now nor the race of man: DO I DO IT?” One of Hopkins’s attempts to answer that question is “The Windhover.” ellauri095.html on line 53: The initial “I” focuses attention on the speaker, but the explicit application of the lesson of the Book of Nature to him does not begin until the line “My heart in hiding/stirred for a bird” at the conclusion of the octet. One biographical interpretation of this line is that he was hiding from fulfilling his ambitions to be a great painter and poet. Instead of ostentatiously pursuing fame in that way, wearing his heart on his sleeve, he had chosen to be the “hidden man of the heart” (1 Peter 3:4), quietly pursuing the imitation of Christ. As Hopkins put it, Christ’s “hidden life at Nazareth is the great help to faith for us who must live more or less an obscure, constrained, and unsuccessful life.” ellauri095.html on line 55: Hopkins did live such a life, but the windhover reminded him of Jesus’ great achievements after Nazareth. The windhover “stirred” his desire to become a great knight of faith, one of those who imitate not only the constraint but also the “achieve of, the mastery of” this great chevalier. The “ecstasy” of the windhover recalls Hopkins’s initial desire in “Il Mystico” to be lifted up on “Spirit’s wings” so “that I may drink that ecstasy/Which to pure souls alone may be.” Ultimately, Hopkins became aware that he had been hiding from the emotional risks of total commitment to becoming a “pure” soul. The phrase “hiding” thus suggests not only hiding from the world or from worldly ambition but also hiding from God. ellauri095.html on line 57: The words “here/Buckle” which open the sestet mean “here in my heart,” therefore, as well as here in the bird and here in Jesus. Hopkins’s heart-in-hiding, Christ’s prey, sensed Him diving down to seize it for his own. Just as the bird buckled its wings together and thereby buckled its “brute beauty” and “valour”and capacity to “act,” so the speaker responds by buckling together all his considerable talents and renewing his commitment to the imitation of Christ in order to buckle down, buckle to, in serious preparation for the combat, the grappling, the buckling with the enemy. As Paul said, “Put on the whole armour of God, that ye may be able to stand against the wiles of the Devil.” ellauri095.html on line 61: The Windhover (kestrel, tuulihaukka) aims to depict not the bird in general, but instead one instance and its relation to the breeze. This is just one interpretation of Hopkins's most famous poem, one which he felt was his best. ellauri095.html on line 86: Gerard Manley Hopkins SJ (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame established him among the leading Victorian poets. His manipulation of prosody – particularly his concept of sprung rhythm – established him as an innovative writer of verse, as did his technique of praising God through vivid use of imagery and nature. Only after his death did Robert Bridges begin to publish a few of Hopkins's mature poems in anthologies, hoping to prepare the way for wider acceptance of his style. By 1930 his work was recognised as one of the most original literary accomplishments of his century. It had a marked influence on such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis.
ellauri095.html on line 101: The Uranians were a small and clandestine group of male homosexual poets who published works between 1858, when William Johnson Cory published Ionica, and 1930. Although most of them were English, they had counterparts in the United States and France.
ellauri095.html on line 105: Uranian is a 19th-century term that referred to homosexual men. The term was first published by activist Karl Heinrich Ulrichs (1825–95) in a series of five booklets (1864–65) collected under the title Forschungen über das Räthsel der mannmännlichen Liebe (Research into the Riddle of Man–Male Love). Ulrichs derived Uranian (Urning in German) from the Greek goddess Aphrodite Urania, who was created out of the god Uranus' testicles. Therefore, it represents the homosexual gender, while Dionian (Dioning), derived from Aphrodite Dionea, represents the heterosexual gender. Ulrichs developed his terminology before the first public use of the term homosexual, which appeared in 1869 in a pamphlet published anonymously by Karl-Maria Kertbeny (1824–82)
ellauri095.html on line 107: The term Uranian was quickly adopted by English-language advocates of homosexual emancipation in the Victorian era, such as Edward Carpenter and John Addington Symonds, who used it to describe a comradely love that would bring about true democracy, uniting the "estranged ranks of society" and breaking down class and gender barriers. Oscar Wilde wrote to Robert Ross in an undated letter (?18 February 1898): "To have altered my life would have been to have admitted that Uranian love is ignoble. I hold it to be noble—more noble than other forms."
ellauri095.html on line 109: The term also gained currency among a group that studied Classics and dabbled in pederastic poetry from the 1870s to the 1930s. The writings of this group are now known by the phrase Uranian poetry. The art of Henry Scott Tuke and Wilhelm von Gloeden is also sometimes referred to as Uranian.
ellauri095.html on line 111: The word itself alludes to Plato's Symposium, a discussion on Eros (love). In this dialog, Pausanias distinguishes between two types of love, symbolised by two different accounts of the birth of Aphrodite, the goddess of love. In one, she was born of Uranus (the heavens), a birth in which "the female has no part". This Uranian Aphrodite is associated with a noble love for male youths, and is the source of Ulrichs's term Urning. Another account has Aphrodite as the daughter of Zeus and Dione, and this Aphrodite is associated with a common love which "is apt to be of women as well as of youths, and is of the body rather than of the soul". After Dione, Ulrichs gave the name Dioning to men who are sexually attracted to women. However, unlike Plato's account of male love, Ulrichs understood male Urnings to be essentially feminine, and male Dionings to be masculine in nature.
ellauri095.html on line 115: His father founded a marine insurance firm and at one time served as Hawaiian consul-general in London. He was also for a time churchwarden at St John-at-Hampstead. His grandfather was the physician John Simm Smith, a university colleague of John Keats, and close friend of the eccentric philanthropist Ann Thwaytes. One of his uncles was Charles Gordon Hopkins, a politician of the Hawaiian Kingdom.
ellauri095.html on line 117: As a poet, Hopkins's father published works including A Philosopher's Stone and Other Poems (1843), Pietas Metrica (1849), and Spicelegium Poeticum, A Gathering of Verses by Manley Hopkins (1892). He reviewed poetry for The Times and wrote one novel. Catherine (Smith) Hopkins was the daughter of a London physician, particularly fond of music and of reading, especially German philosophy, literature and the novels of Dickens. Both parents were deeply religious high-church Anglicans. Catherine's sister, Maria Smith Giberne, taught her nephew Gerard to sketch. The interest was supported by his uncle, Edward Smith, his great-uncle Richard James Lane, a professional artist, and other family members.
ellauri095.html on line 123: Hopkins became a skilled draughtsman. He found his early training in visual art supported his later work as a poet. His siblings were much inspired by language, religion and the creative arts. Milicent (1849–1946) joined an Anglican sisterhood in 1878. Kate (1856–1933) would help Hopkins publish the first edition of his poetry. Hopkins's youngest sister Grace (1857–1945) set many of his poems to music. Lionel (1854–1952) became a world-famous expert on archaic and colloquial Chinese. Arthur (1848–1930) and Everard (1860–1928) were highly successful artists. Cyril (1846–1932) would join his father's insurance firm.
ellauri095.html on line 125: Manley Hopkins moved his family to Hampstead in 1852, near where John Keats had lived 30 years before and close to the green spaces of Hampstead Heath. When he was ten years old, Gerard was sent to board at Highgate School (1854–1863). While studying Keats´s poetry, he wrote "The Escorial" (1860), his earliest extant poem. Here he practised early attempts at asceticism. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill. On another occasion he abstained from salt for a week.
ellauri095.html on line 127: Among his teachers at Highgate was Richard Watson Dixon, who became an enduring friend and correspondent. Of the older pupils Hopkins recalls in his boarding house, the poet Philip Stanhope Worsley won the Newdigate Prize.
ellauri095.html on line 129: Hopkins studied classics at Balliol College, Oxford (1863–1867). He began his time in Oxford as a keen socialite and prolific poet, but seems to have alarmed himself with resulting changes in his behaviour. There he forged a lifelong friendship with Robert Bridges (later Poet Laureate of the United Kingdom), which would be important to his development as a poet and in establishing his posthumous acclaim.
ellauri095.html on line 135: A short fellow of 5’2 or 3”, he was enthusiastic, had a high-pitched voice, loved to sketch and write poems, was close to his family, and had warm, lifelong friends from Oxford, fellow Jesuits, and Irish families. For recreation he visited art exhibitions and old churches, and enjoyed holidays with his family, friends, and fellow Jesuits in Switzerland, Holland, the Isle of Wight, the Isle of Man, Whitby on the North Sea, Wales, Scotland, and the West of Ireland. During these holidays, he loved to hike and swim. His passions were nature (especially trees), ecology, beauty, poetry, art, his family and friends, his country, his religion, and his God. His curse was a lifelong “melancholy” (his word) which in 1885 in Dublin became deep depression and a sense of lost contact with God.
ellauri095.html on line 137: In life and poetry he was serious and playful – even whimsical. Spiritually, despite an early scrupulosity which he never fully lost, he followed the Jesuit way of finding God in all things, and rejoiced in “God in the world”: “The world is charged wíth the grándeur of God.” He was very, very bright, with an extensive knowledge of words and languages — he knew so many words ! His intellectual hero was the medieval philosopher Duns Scotus, whose philosophy of selfhood he held dear. Hopkins himself had a strong sense of self, appreciated his own individuality, and was immensely self-confident.
ellauri095.html on line 139: According to John Bayley, "All his life Hopkins was haunted by the sense of personal bankruptcy and impotence, the straining of 'time's eunuch' with no more to 'spend'... " a sense of inadequacy, graphically expressed in his last sonnets. Toward the end of his life, Hopkins suffered several long bouts of depression. His "terrible sonnets" struggle with problems of religious doubt. He described them to Bridges as "the thin gleanings of a long weary while."
ellauri095.html on line 141: "Thou Art Indeed Just, Lord" (1889) echoes Jeremiah 12:1 in asking why the wicked prosper. It reflects the exasperation of a faithful servant who feels he has been neglected, and is addressed to a divine person ("Sir") capable of hearing the complaint, but seemingly unwilling to listen. Hopkins uses parched roots as a metaphor for despair.
ellauri095.html on line 145: After several years of ill health and bouts of diarrhoea, Hopkins died of typhoid fever in 1889 and was buried in Glasnevin Cemetery, after a funeral in St Francis Xavier Church in Gardiner Street, located in Georgian Dublin. He is thought to have suffered throughout his life from what today might be labelled bipolar disorder or chronic unipolar depression, and battled a deep sense of melancholic anguish. However, his last words on his death bed were, "I am so happy, I am so happy. I loved my life." He was 44 years of age.
ellauri095.html on line 147: The image of the poet´s estrangement from God figures in "I wake and feel the fell of dark, not day", in which he describes lying awake before dawn, likening his prayers to "dead letters sent To dearest him that lives alas! away." The opening line recalls Lamentations 3:2: "He hath led me, and brought me into darkness, but not into light." "No Wurst, There is None" and "Carrion Comfort" are also counted among the "terrible sonnets".
ellauri095.html on line 157: Usually writing Miltonic sonnets of 14 lines, he experimented with such unusual forms as a “curtal” sonnet of 10 2/5 lines (“Pied Beauty”) and a “caudal” sonnet of 24 lines (“That Nature is a Heraclitean Fire”). As an experimenter, he was a modern poet before “modern” poetry existed.
ellauri095.html on line 159: He influenced such poets as W.H. Auden, Dylan Thomas, Theodore Roethke, Elizabeth Bishop, John Berryman, Robert Lowell, Ted Hughes, Sylvia Plath, Denise Levertov, and the Nobel Laureate Seamus Heaney. In the 1920s and 30s, he was a darling of the British and American “New Critics” who prized and probed his poems’ rich “texture.”
ellauri095.html on line 161: Timothy d´Arch Smith, antiquarian bookseller, ascribes to Hopkins suppressed erotic impulses which he views as taking on a degree of specificity after Hopkins met Robert Bridges´s distant cousin, friend, and fellow Etonian Digby Mackworth Dolben, "a Christian Uranian". Ei siis Plutosta kuten Heinleinin matonaamat.
ellauri095.html on line 163: Robert Martin asserts that when Hopkins first met Dolben, on Dolben´s 17th birthday in Oxford in February 1865, it "was, quite simply, the most momentous emotional event of his undergraduate years, probably of his entire life." According to Robert Martin, "Hopkins was completely taken with Dolben, who was nearly four years his junior, and his private journal for confessions the following year proves how absorbed he was in imperfectly suppressed erotic thoughts of him." Martin also considers it "probable that Hopkins would have been deeply shocked at real sexual intimacy with another guy."
ellauri095.html on line 167: Hopkins composed two poems about Dolben, "Where art thou friend" and "The Beginning of the End". Robert Bridges, who edited the first edition of Dolben's poems as well as Hopkins's, cautioned that the second poem "must never be printed," though Bridges himself included it in the first edition (1918). Another indication of the nature of his feelings for Dolben is that Hopkins's high Anglican confessor seems to have forbidden him to have any contact with Dolben except by letter. Hopkins never saw Dolben again after the latter's short visit to Oxford during which they met, and any continuation of their relationship was abruptly ended by Dolben's drowning two years later in June 1867. Hopkins's feeling for Dolben seems to have cooled by that time, but he was nonetheless greatly affected by his death. "Ironically, fate may have bestowed more through Dolben's death than it could ever have bestowed through longer life ... for many of Hopkins's best poems – impregnated with an elegiac longing for Dolben, his lost beloved and his muse – were the result." Hopkins's relationship with Dolben is explored in the novel The Hopkins Conundrum.
ellauri095.html on line 169: Some of Hopkins´s poems, such as The Bugler´s First Communion and Epithalamion, arguably embody homoerotic themes, although the second poem was arranged by Robert Bridges from extant fragments.
ellauri095.html on line 171: Hopkins chose the austere and restrictive life of a Jesuit and was gloomy at times. His biographer Robert Bernard Martin notes that "the life expectancy of a man becoming a novice at twenty-one was twenty-three more years rather than the forty years of males of the same age in the general population."
ellauri095.html on line 174: The homosexual lifestyle results in a shorter life expectancy. This is undoubtedly due to the health risks associated, such as AIDS, Hepatitis, and a variety of other infections and STDs. In addition, homosexuals are more likely to be smokers, which takes the lifespan even lower. In 1993 Paul Cameron published a study which found that homosexuality takes 20-30 years off the lives of its practitioners. Cameron is a Psychologist and founder of the Family Research Institute. Among men with AIDS their lifespan was 39 years, however even without AIDS a male homosexuals lifespan is just a short 42 years. Lesbians had a median age of death of just 44 years. He also found that lesbians were up to 456 times more likely to die in a car crash than heterosexual women. The liberal Southern Poverty Law Centre dubbed Cameron an "anti-gay extremist", and the American Psychological Association expelled him for exposing the truth about the homosexual lifestyle and accused him of scientific data "fraud". Fortunately, Cameron had the support of faith based groups who would not bow down or turn their behinds to the homosexual agenda.
ellauri095.html on line 176: Another 1997 study from pro-homosexual researchers who were trying defend homosexuals, examined data of AIDS deaths between 1987 to 1992 in Toronto, and found that the life expectancy for the homosexual men was 8 to 20 years lower than heterosexuals. See also Atheism and life expectancy. Religious people live on average four years longer than their agnostic and atheist peers, new research has found. Actually, the atheists´ life expectancy is way lower than true believers´ (estimated at about one infinity). Source: Conservopedia.
ellauri095.html on line 178: The aim of our research was never to spread more homophobia, but to demonstrate to an international audience how the life expectancy of gay and bisexual men can be estimated from limited vital statistics data. In our paper, we demonstrated that in a major Canadian centre, life expectancy at age 20 years for gay and bisexual men is 8 to 21 years less than for all men. If the same pattern of mortality continued, we estimated that nearly half of gay and bisexual men currently aged 20 years would not reach their 65th birthday. Under even the most liberal assumptions, gay and bisexual men in this urban centre were experiencing a life expectancy similar to that experienced by men in Canada in the year 1871. In contrast, if we were to repeat this analysis today the life expectancy of gay and bisexual men would be greatly improved. Deaths from HIV infection have declined dramatically in this population since 1996. As we have previously reported there has been a threefold decrease in mortality in Vancouver as well as in other parts of British Columbia.
ellauri095.html on line 180: It is essential to note that the life expectancy of any population is a descriptive and not a prescriptive mesaure. Death is a product of the way a person lives and what physical and environmental hazards he or she faces everyday. It cannot be attributed solely to their sexual orientation or any other ethnic or social factor. If estimates of an individual gay and bisexual man´s risk of death is truly needed for "legal or other" purposes, then people making these estimates should use the same actuarial tables that are used for all other males in that population. Gay and bisexual men are included in the construction of official population-based tables and therefore these tables for all males are the appropriate ones to be used. (LOL sorry boys, the cat is out of the bag, there is no way to get it to go back in.)
ellauri095.html on line 182: The language of Hopkins´s poems is often striking. His imagery can be simple, as in Heaven-Haven, where the comparison is between a nun entering a convent and a ship entering a harbour out of a storm. It can be splendidly metaphysical and intricate, as it is in As Kingfishers Catch Fire, where he leaps from one image to another to show how each thing expresses its own uniqueness, and how divinity reflects itself through all of them.
ellauri095.html on line 184: Hopkins was a supporter of linguistic purism in English. In an 1882 letter to Robert Bridges, Hopkins writes: "It makes one weep to think what English might have been; for in spite of all that Shakespeare and Milton have done... no beauty in a language can make up for want of purity." He took time to learn Old English, which became a major influence on his writing. In the same letter to Bridges he calls Old English "a vastly superior thing to what we have now."
ellauri095.html on line 186: He uses many archaic and dialect words but also coins new words. One example of this is twindles, which seems from its context in Inversnaid to mean a combination of twines and dwindles. He often creates compound adjectives, sometimes with a hyphen (such as dapple-dawn-drawn falcon) but often without, as in rolling level underneath him steady air. This use of compound adjectives, similar to the Old English use of compounds nouns, concentrates his images, communicating to his readers the instress of the poet´s perceptions of an inkscape.
ellauri095.html on line 190: An important element in Hopkins work is his own concept of inkscape, which was derived in part from the medieval theologian Duns Scotus.
ellauri095.html on line 194: Inkscape on aika hankalakäyttöinen scalable vector graphics-piirustusohjelma. Ink on hevosen jalan paise, typ av hudsvulst hos häst eller nötkreatur. Sanahöpsöjä skizoja ollaan koko porukka, Jerry "Miehekäs" Hopkins, David "Sikiö" Wallace ja mä. Sitä on liikkeellä. Suojaimien pakollisuutta harkitaan.
ellauri095.html on line 196: Inkscape, for Hopkins, is the charged essence, the absolute singularity that gives each created thing its being; instress is both the energy that holds the inscape together and the process by which this inscape is perceived by an observer. We instress the inscape of a tulip, Hopkins would say, when we appreciate the particular delicacy of its petals, when we are enraptured by its specific, inimitable shade of pink.
ellauri095.html on line 198: The meaning of “inscape,” that conundrum of Hopkins’s readers. A common misconception of the word is that it signifies simply a unique particular, the unusual feature, the singular appearance.
ellauri095.html on line 199: No no, he usually sought the distinctively unifying design, the “returning” or recurrent pattern, the internal “network” of structural relationships which clearly and unmistakably integrates or scapes an object or set of objects and thus reveals the presence of integrating laws throughout nature and a divine unifying force or “stress” in this world.
ellauri095.html on line 203: The suggestion of metaphysical significance is obvious in an 1874 note by Hopkins on waves: “The laps of running foam striking the sea-wall double on themselves and return in nearly the same order and shape in which they came. This is mechanical reflection and is the same as optical: indeed all nature is mechanical, but then it is not seen that mechanics contain that which is beyond mechanics.”
ellauri095.html on line 207: Nevertheless, even after he became a Jesuit he continued to cultivate an acquaintance with the visual arts through drawing and attendance at exhibitions, and this lifelong attraction to the visual arts affected the verbal art for which he is remembered. In his early poetry and in his journals wordpainting is pervasive, and there is a recurrent Keatsian straining after the stasis of the plastic arts.
ellauri095.html on line 209: The typical Hopkins drawing is what Ruskin called the “outline drawing”; as Ruskin put it, “without any wash of colour, such an outline is the most valuable of all means for obtaining such memoranda of any scene as may explain to another person, or record for yourself, what is most important in its features.” Many such practical purposes for drawing were advanced by Ruskin, but his ultimate purpose was to unite science, art, and religion.
ellauri095.html on line 218: Hopkins chose the austere and restrictive life of a Jesuit and was gloomy at times. His biographer Robert Bernard Martin notes that "the life expectancy of a man becoming a novice at twenty-one was twenty-three more years rather than the forty years of males of the same age in the general population."
ellauri095.html on line 220: The brilliant student who had left Oxford with first-class honours failed his final theology exam. This almost certainly meant that despite his ordination in 1877, Hopkins would not progress in the order. In 1877 he wrote God's Grandeur, an array of sonnets that included "The Starlight Night". He finished "The Windhover" only a few months before his ordination. His life as a Jesuit trainee, though rigorous, isolated and sometimes unpleasant, at least had some stability; the uncertain and varied work after ordination was even harder on his sensibilities. In October 1877, not long after completing "The Sea and the Skylark" and only a month after his ordination, Hopkins took up duties as sub-minister and teacher at Mount St Mary's College near Sheffield. In July 1878 he became curated at the Jesuit church in Mount Street, London, and in December that of St Aloysius's Church, Oxford, then moving to Manchester, Liverpool and Glasgow. While ministering in Oxford, he became a founding member of The Cardinal Newman Boozing Society, established in 1878 for Catholic members of the University of Oxford. He taught Greek and Latin at Mount St Mary's College, Sheffield, and Stonyhurst College, Lancashire.
ellauri095.html on line 223: In 1884 he became a professor of Greek and Latin at University College Dublin. His English roots and disagreement with the Irish politics of the time, along with his small stature (5 ft 2 in or 1.57 m), unprepossessing nature and personal oddities, reduced his effectiveness as a teacher.
ellauri095.html on line 225: This and his isolation in Ireland deepened a gloom that was reflected in his poems of the time, such as "I Wake and Feel the Fell of Dark, not Day". They came to be known as the "terrible sonnets", not for their quality but according to Hopkins's friend Canon Richard Watson Dixon, because they reached the "terrible crystal", meaning they crystallised the melancholic dejection that plagued the later part of Hopkins's life.
ellauri095.html on line 227: Several issues led to a melancholic state and restricted his poetic inspiration in his last five years. His workload was heavy. He disliked living in Dublin, away from England and friends. He was disappointed at how far the city had fallen from its Georgian elegance of the previous century. His general health suffered and his eyesight began to fail. He felt confined and dejected. As a devout Jesuit, he found himself in an artistic dilemma. To subdue an egotism that he felt would violate the humility required by his religious position, he decided never to publish his poems. But Hopkins realised that any true poet requires an audience for criticism and encouragement. This conflict between his religious obligations and his poetic talent made him feel he had failed at both.
ellauri095.html on line 233: In a journal entry of 6 November 1865, Hopkins declared an ascetic intention for his life and work: "On this day by God's grace I resolved to give up all beauty until I had His leave for it."
ellauri095.html on line 234: On 18 January 1866, Hopkins composed his most ascetic poem, The Habit of Perfection. On 23 January, he included poetry in a list of things to be given up for Lent. In July, he decided to become a Roman Catholic and travelled to Birmingham in September to consult the leader of the Oxford converts, John Henry Newman. Newman received him into the Roman Catholic Church on 21 October 1866.
ellauri095.html on line 238: The decision to convert estranged Hopkins from his family and from a number of acquaintances. After graduating in 1867, he was provided by Newman with a teaching post at the Oratory in Birmingham. While there he began to study the violin. On 5 May 1868 Hopkins firmly "resolved to be a religious." Less than a week later, he made a bonfire of his poetry and gave it up almost entirely for seven years. Fortunately he did not burn his Bridges like Savonarola. He also felt a call to enter the ministry and decided to become a Jesuit. He paused first to visit Switzerland, which officially forbade Jesuits to enter.
ellauri095.html on line 240: In September 1868 Hopkins began his Jesuit novitiate at Manresa House, Roehampton, under the guidance of Alfred Weld. Two years later he moved to St Mary´s Hall, Stonyhurst, for philosophical studies, taking vows of poverty, chastity and obedience on 8 September 1870. He felt that his interest in poetry had stopped him devoting himself wholly to religion. However, on reading Duns Scotus in 1872, he saw how the two need not conflict.
ellauri095.html on line 244: He continued to write a detailed prose journal in 1868–1875. Unable to suppress a desire to describe the natural world, he also wrote music, sketched, and for church occasions, wrote "verses", as he called them. He later wrote sermons and other religious pieces.
ellauri095.html on line 246: In 1874 Hopkins returned to Manresa House to teach classics. While studying in the Jesuit house of theological studies, St Beuno´s College, near St Asap in North Wales, he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he took up poetry once more to write a lengthy piece, "The Wreck of the Deutschland", inspired by the Deutschland incident, a maritime disaster in which 157 people died, including five Franciscan nuns who had been leaving Germany due to harsh anti-Catholic laws (see Kulturkampf). The work displays both the religious concerns and some of the unusual metre and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds, but tells of him reconciling the terrible events with God´s higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry, most of which remained unpublished until after his death.
ellauri095.html on line 248: Hopkins invites a comparison between his persona and Christina’s erstwhile lover, James Collinson, who also became a follower of the Pre-Raphaelites and convert to Catholicism and, for a while, a Jesuit. Eventually, by converting to Catholicism himself and joining the Society of Jesus, Hopkins exchanged the inferior position articulated in “A Voice from the World” for a superior one, superior at least in the sense that Christina Rossetti apparently felt that her sister Maria, who actually did cross the convent threshold and become a religious, had achieved a higher stage of religious development than she herself did.
ellauri095.html on line 256: Christina Georgina Rossetti (5 December 1830 – 29 December 1894) was an English poet who wrote romantic, devotional, and children´s poems. "Goblin Market" and "Remember" remain famous. She also wrote the words of two Christmas carols well known in the UK: "In the Bleak Midwinter", later set by Gustav Holst and by Harold Darke, and "Love Came Down at Christmas", also set by Darke and by other composers. She was little sister (2 years junior) of the artist and poet Dante Gabriel Rossetti and features in several of his paintings.
ellauri095.html on line 258: In the later decades of her life, Ms. Rossetti suffered from Graves' disease, diagnosed in 1872, suffering a near-fatal attack in the early 1870s. Graves' disease, also known as toxic diffuse goiter, is an autoimmune disease that affects the thyroid. It frequently results in and is the most common cause of hyperthyroidism. It also often results in an enlarged thyroid. Signs and symptoms of hyperthyroidism may include irritability, muscle weakness, sleeping problems, a fast heartbeat, poor tolerance of heat, diarrhea and unintentional weight loss. Other symptoms may include thickening of the skin on the shins, known as pretibial myxedema, and eye bulging, a condition caused by Graves´ ophthalmopathy. About 25 to 80% of people with the condition develop eye problems.
ellauri095.html on line 372: Topic(s) of this poem: death
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ellauri095.html on line 394: Rossetti oli italialaisten ulkomaalaisten toinen lapsi ja vanhin poika. Hänen isänsä Gabriele Rossetti oli Dante-tutkija, joka oli karkotettu Napolista räävittömän runouden kirjoittamisesta Napolin vuoden 1819 perustuslain tukemiseksi. Rossettin äiti oli kouluttautunut kasvatusneuvottelijaksi ja valvoi lastensa varhaiskasvatusta. Harvat viktoriaaniset perheet olivat yhtä lahjakkaita kuin Rossettis: vanhin lapsi, Maria Rossetti, julkaisi A Shadow of Dante (1871) ja hänestä tuli anglikaaninen nunna; William Michael Rossetti oli yhdessä veljensä kanssa Pre-Raphaelite Brotherhoodin aktiivinen jäsen ja hänestä tuli toimittaja, kirjainten mies ja muistelija; nuorimmasta, Christina Georgina Rossetista, tuli tärkeä ja vaikutusvaltainen lyyrinen runoilija.
ellauri095.html on line 396: Lapsena Dante Gabriel Rossetti alkoi taidemaalarixi ja kuvitti kirjallisia aiheita varhaisissa piirustuksissaan. Häntä opetettiin kotona saksaksi ja hän luki saxaxi Raamattua, Shakespearea, Goethen Faustia, Arabian yötä, Dickensiä sekä Sir Walter Scottin ja Lord Byronin runoutta. Päättyään koulusta hän opiskeli historiallisen taidemaalari Ford Madox Brownin luona, josta tuli myöhemmin hänen lähin elinikäinen ystävänsä. Hän jatkoi myös hämärämiesten runouden lukemista – Poe, Shelley, Coleridge, Blake, Keats, Browning ja Tennyson - ja aloitti vuonna 1845 käännökset italialaisesta ja saksalaisesta keskiaikaisesta runoudesta. Vuosina 1847 ja 1848 Rossetti aloitti useita tärkeitä varhaisia runoja - Siskoni uni, Siunattu Damozel, Morsiamen alkusoitto, Marian muotokuvasta, Ave, Jenny, Dante Veronassa, Viimeinen tunnustus ja useita sonetteja, joissa hänestä tuli lopulta oikea asiantuntija.
ellauri095.html on line 400: Ryhmään kuului John Everett Millais, sen taitavin maalari ja tuleva Royal Academyn presidentti; William Holman Hunt; Thomas Woolner; Frederic Stephens; ja William Michael Rossetti, joka PRB:n sihteerinä piti toimintapäiväkirjaa ja toimitti sen aikakauslehden, Germ, kuutta numeroa.(1850). Ryhmän yhteistyökumppaneita olivat vanhempi taidemaalari Ford Madox Brown, taidemaalari ja runoilija William Bell Scott, runoilija Coventry Patmore ja Christina Rossetti, joiden runoista kuusi ilmestyi Germissä.
ellauri095.html on line 423: Rossetti tuli hyvin juttuun nuorten miesten, enimmäkseen maalareiden, kanssa, jotka jakavat kiinnostuksen nykyrunouteen ja vastustivat tiettyjä vanhentuneita nykyaikaisen akatemiataiteen käytäntöjä. Yleisesti ottaen Prerafaeliittien veljeskunta pyrki tuomaan uusia teemavakavuuden, korkean värin ja yksityiskohtien huomion muotoja silloiseen brittiläiseen nykytaiteeseen. Ryhmään kuului John Everett Millais, sen taitavin maalari ja tuleva Royal Academyn presidentti; William Holman Hunt; Thomas Woolner; Frederic Stephens; ja William Michael Rossetti, joka PRB:n sihteerinä piti toimintapäiväkirjaa ja toimitti sen aikakauslehden, Germ, kuutta numeroa (1850). Ryhmän yhteistyökumppaneita olivat vanhempi taidemaalari Ford Madox Brown, taidemaalari ja runoilija William Bell Scott, runoilija Coventry Patmore ja Christina Rossetti, joiden runoista kuusi ilmestyi Germissä.
ellauri095.html on line 433: Keväällä 1870 Saxan-Ranskan sodan aikana Rossetti lepuutti silmiään Barbara Bodichonin kartanolla Scalandsissa, Sussexissa, lähellä Jane Morrisia, Hastingsissa hänen terveytensä vuoksi. Morriset vierailivat Rossetissa yhdessä, ja Jane Morris jäi hänen luokseen, kun hänen miehensä palasi töihin. Scalandsissa Rossetti alkoi myös juoda kloraalia viskin kanssa torjuakseen unettomuuttaan. Kloraali aiheuttaa vainoharhaisuutta ja masennusta, molemmat Rossettin luonteen piileviä piirteitä. Hänen epäluuloisuutensa, eristäytyneisyytensä ja muukalaisten pelko pahenivat jatkuvasti.
ellauri095.html on line 438: William Michael Rossetti kirjoitti muistelmissaan hyökkäyksen vaikutuksista veljeensä: "On yksinkertainen tosiasia, että siitä hetkestä lähtien, kun pamfletti oli alkanut vaikuttaa hänen tunteidensa sisäiseen kudokseen, Dante Rossetti oli muuttunut mies, ja niin jatkui hänen elämänsä loppuun asti."
ellauri095.html on line 453: Christina Rossetti became for Hopkins the embodiment of the medievalism of the Pre-Raphaelites, the Oxford Movement, and Victorian religious poetry generally. In the 1860s Hopkins was profoundly influenced by her example and succeeded, unbeknownst to her and to the critics of his time, in becoming a rival far greater than any of her contemporaries.
ellauri095.html on line 455: Their rivalry began with Hopkins’s response to her poem “The Convent Threshold.” Geoffrey Hartman was clearly on the right track when he suggested in the introduction to Hopkins: A Collection of Critical Essays (1966) that “Hopkins seems to develop his lyric structures out of the Pre-Raphaelite dream vision. In his early ‘A Vision of the Mermaids’; and ‘St. Dorothea’; he may be struggling with such poems as Christina Rossetti’s ‘Convent Threshold’; and Dante Gabriel Rossetti’s ‘The Blessed Damozel,’ poems in which the poet stands at a lower level than the vision, or is irrevocably, pathetically distanced.” Such poems were the essence of medievalism in poetry according to William Morris, who felt that Keats’s “La Belle Dame Sans Merci” was the germ from which all Pre-Raphaelite poetry sprang. Standing beyond Keats, however, the primary source was Dante. Christina Rossetti clearly alludes to Beatrice’s appeal to Dante in “The Convent Threshold”:
ellauri095.html on line 467: Danten Beatrice oli muuten pelkkää toiveajattelua, Alighierin märkä uni vaan. Joku vastaantulija Firenzen kadulla joka ei olisi erottanut Dantea Aku Ankasta:
ellauri095.html on line 469: Scholars have long debated whether the historical Beatrice is intended to be identified with either or both of the Beatrices in Dante´s writings. She was apparently the daughter of the banker Folco Portinari, and was married to another banker, Simone dei Bardi. Dante claims to have met a "Beatrice" only twice, on occasions separated by nine years, but was so affected by the meetings that he carried his love for her throughout his life.
ellauri095.html on line 471: Talk of sublimation. Näki Beatricen kalsareita pakkasella kuivumassa, niistä nousi härmistystä, Danten pelihousuissa nousi vastavaikutus. Dante sijoitti suklaaosaston alimpaan helvettiin, todennäköisesti homofoobisena.
ellauri095.html on line 473: Nancy J. Chodorow states that homophobia can be viewed as a method of protection of male masculinity. Various psychoanalytic theories explain homophobia as a threat to an individual´s own same-sex impulses, whether those impulses are imminent or merely hypothetical. This threat causes repression, denial or reaction formation.
ellauri095.html on line 475: Tosta Savonarolasta oli vähän japitusta Pico della Mirandolan kohdalla, albumissa 54. Se vaikutti aika konnamaiselta, tai joltain terroristilta. Poltti kirjoja kuin Paludan ym. ruozalaiset, mistä ei pidä edes Hoblan matukolumnisti Peter Fakir sveduista. Sitä harmittaa ettei enää voi selata tylsissä bileissä isäntien kirjahyllyä ja salaa fnissata. Hyllyt ovat tyhjinä tai niissä on vain yxinäinen ananas tai banaani. Mamma anna ananasta, sanoi ruozalainen jo talvisodan aikana.
ellauri095.html on line 479: Mixei Hilja Haahti ollut näistä tietonen? Tai ehkä olikin, mutta nehän oli paavilaisia. Ja mixei se maalauttanut prerafaeliittojen jäljennöxiä? Oliko ne liian snobeja? Ainakaan ne ei ole suomalaisia, virsut puuttuvat. Tästä veli-Rossettin Beatricen kuvasta se olis silti voinut tykätä, siinä on berninimäistä orgastista fiilistä.
ellauri095.html on line 483: The sequence of events is clear. On 18 January 1866 Hopkins composed his most ascetic poem, “The Habit of Perfection” (Täydellinen asukokonaisuus). On 23 January he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic, and he traveled to Birmingham in September to consult the leader of the Oxford converts, John Henry Newman. Newman received him into the Church in October. On 5 May 1868 Hopkins firmly “resolved to be a religious.” Less than a week later, apparently still inspired by Savonarola, he made a bonfire of his poems and gave up poetry almost entirely for seven years. Finally, in the fall of 1868 Hopkins joined a “serged fellowship” like Savonarola’s and like the one he admired in “Eastern Communion”(1865), a commitment foreshadowed by the emphasis on vows of silence and poverty in “The Habit of Perfection.”
ellauri095.html on line 487: John Henry Newman (21 February 1801 – 11 August 1890) was an English theologian and poet, first an Anglican priest and later a Catholic priest and cardinal, who was an important and controversial figure in the religious history of England in the 19th century. He was known nationally by the mid-1830s, and was canonised as a saint in the Catholic Church in 2019.
ellauri095.html on line 494: I FIRST encountered the rumour in the 1990s, when I was engaged in presenting a radio documentary on Cardinal Newman for the BBC. It was a senior British Catholic who remarked casually to me: "Don't you think John Henry Newman was a homosexual? I mean, just look at the portrait!"
ellauri095.html on line 495: The best-known portrait of Cardinal Newman -- soon to become the last British Catholic saint -- is by Millais and shows an elderly gentleman with a refined and perhaps, indeed, rather feminised appearance. In his lifetime, contemporaries remarked on Newman´s "effeminate" manner, as they then said, although sometimes this was a sly way of attacking him.
ellauri095.html on line 496: The Rev John Henry Newman had many critics after he sensationally quit the Church of England in 1845 and was received into the Roman Catholic Church.
ellauri095.html on line 499: Hopkins had been attracted to asceticism since childhood. At Highgate, for instance, he argued that nearly everyone consumed more liquids than the body needed, and, to prove it, he wagered that he could go without liquids for at least a week. He persisted until his tongue was black and he collapsed at drill. He won not only his wager but also the undying enmity of the headmaster Dr. John Bradley Dyne. On another occasion, he abstained from salt for a week. His continuing insistence on extremes of self-denial later in life struck some of his fellow Jesuits as more appropriate to a Victorian Puritan than to a Catholic.
ellauri095.html on line 500: Thus it is important to realize that he converted to Catholicism not to be more ascetic, for asceticism was as Protestant as it was Catholic, but to be able to embrace the Catholic doctrine of the Real Presence.
ellauri095.html on line 508: This potential for a new sacramental poetry was first realized by Hopkins in The Wreck of the Deutschland. Hopkins recalled that when he read about the wreck of the German ship Deutschland off the coast of England it “made a deep impression on me, more than any other wreck or accident I ever read of,” a statement made all the more impressive when we consider the number of shipwrecks he must have discussed with his father. Hopkins wrote about this particular disaster at the suggestion of Fr. James Jones, Rector of St. Beuno’s College, where Hopkins studied theology from 1874 to 1877. Hopkins recalled that “What I had written I burnt before I became a Jesuit and resolved to write no more, as not belonging to my profession, unless it were by the wish of my superiors; so for seven years I wrote nothing but two or three little presentation pieces which occasion called for [presumably ‘Rosa Mystica’ and ‘Ad Mariam’]. But when in the winter of ’75 the Deutschland was wrecked in the mouth of the Thames and five Franciscan nuns, exiles from Germany by the Falck Laws, aboard of her were drowned I was affected by the account and happening to say so to my rector he said that he wished someone would write a poem on the subject. On this hint I set to work and, though my hand was out at first, produced one. I had long had haunting my ear the echo of a new rhythm which now I realized on paper.”
ellauri095.html on line 510: The result is an ode of thirty-five eight-line stanzas, divided into two parts. The first part, consisting of ten stanzas, is autobiographical, recalling how God touched the speaker in his own life. The second begins with seven stanzas dramatizing newspaper accounts of the wreck. Then fourteen stanzas narrow the focus to a single passenger, the tallest of the five nuns who drowned. She was heard to call on Christ before her death. The last four stanzas address God directly and culminate in a call for the conversion of England.
ellauri095.html on line 512: The Wreck of the Deutschland became the occasion for Hopkins’s incarnation as a poet in his own right. He broke with the Keatsian wordpainting style with which he began, replacing his initial prolixity, stasis, and lack of construction with a concise, dramatic unity. He rejected his original attraction to Keats’s sensual aestheticism for a clearly moral, indeed a didactic, rhetoric. He saw nature not only as a pleasant spectacle as Keats had; he also confronted its seemingly infinite destructiveness as few before or after him have done. In this shipwreck he perceived the possibility of a theodicy, a vindication of God’s justice which would counter the growing sense of the disappearance of God among the Victorians. For Hopkins, therefore, seeing more clearly than ever before the proselytic possibilities of art, his rector’s suggestion that someone write a poem about the wreck became the theological sanction he needed to begin reconciling his religious and poetic vocations.
ellauri095.html on line 514: Nevertheless, although The Wreck of the Deutschland was a great breakthrough to the vision of God immanent in nature and thus to the sacramentalism that was to be the basis of the great nature poems of the following years, when Hopkins sent the poem to his friend Robert Bridges, Bridges refused to reread it despite Hopkins’s pleas. The poem was also rejected by the Jesuit magazine the Month, primarily because of its new “sprung” rhythm, and many subsequent readers have had difficulty with it as well.
ellauri095.html on line 516: The relationship between Hopkins and his father reveals important early instances of creative collaboration and competition within the family. Hopkins copied eleven of the poems from his father’s volume A Philosopher’s Stone into his Oxford notebooks. In those poems his father expressed a Keatsian dismay over science’s threat to a magical or imaginative response to nature.
ellauri095.html on line 518: The motif of the singing bird appears again in Gerard’s “Spring” (1877): “and thrush/Through the echoing timber does so rinse and wring/The ear, it strikes like lightnings to hear him sing.” The father’s attempt to represent what it is like to live in a bird’s environment, moreover, to experience daily the “fields, the open sky, /The rising sun, the moon’s pale majesty; /The leafy bower, where the airy nest is hung” was also one of the inspirations of the son’s lengthy account of a lark’s gliding beneath clouds, its aerial view of the fields below, and its proximity to a rainbow in “Il Mystico” (1862), as well as the son’s attempt to enter into a lark’s existence and express its essence mimically in “The Woodlark” (1876). A related motif, Manley’s feeling for clouds, evident in his poem “Clouds,” encouraged his son’s representation of them in “Hurrahing in Harvest’ (1877) and “That Nature is a Heraclitean Fire”(1888).
ellauri095.html on line 522: In addition to specific inspirations such as these, the father communicated to his son a sense of nature as a book written by God which leads its readers to a thoughtful contemplation of Him, a theme particularly evident in Manley and Thomas Marsland Hopkins’s book of poems, Pietas Metrica. Consequently, Gerard went on to write poems which were some of the best expressions not only of the Romantic approach to nature but also the older tradition of explicitly religious nature poetry.
ellauri095.html on line 524: Manlyn iskän runo Gerard pojasta soittaa Hilja Haahden kelloa. Se tuo mieleen Povisen Karin, Hilja Haahden ja Keazin Jussin yhteisen huolen tieteen uskoa uhkaavasta myrskystä ja Dolmenin Dickin haaxirikkonuhtelun heikkouskoiselle flunssaiselle Sigrid Tarkkaselle. Vähänpä Mänli senior arvasi että juniorista tulisi paavin palvelija ja uranistiohjus. Mistäpä se olisi aavistanut millainen sydämetön kääpiö ja uskonluopio oli sille luvassa.
ellauri095.html on line 528: Hopkins eventually began to be critical of mere love of detail, however––“that kind of thought which runs upon the concrete and the particular, which disintegrates and drops toward atomism in some shape or other,” he wrote in his journal––and he became increasingly aware of the importance of religion as the ultimate source of unity.
ellauri095.html on line 531: Gerard oli Balliolin miehiä kuten Nick. Old Nick on pirun nimitys. In the nick of time. Sano Jerryä vaan Hannixi, balit jäi siltä aidalle tai seivästyi sonnikahlaamon kirkonpiikkeihin. Äänikin oli kimakka.
ellauri095.html on line 533: His religious consciousness increased dramatically when he entered Oxford, the city of spires. From April of 1863, when he first arrived with some of his journals, drawings, and early Keatsian poems in hand, until June of 1867 when he graduated, Hopkins felt the charm of Oxford, “steeped in sentiment as she lies,” as Matthew Arnold had said, “spreading her gardens to the moonlight and whispering from her towers the last enchantments of the Middle Ages.” Here he became more fully aware of the religious implications of the medievalism of Ruskin, Dixon, and the Pre-Raphaelites. Inspired also by Christina Rossetti, the Catholic doctrine of the Real Presence of God in the Eucharist, and by the Victorian preoccupation with the fifteenth-century Italian religious reformer Girolamo Savonarola, he soon embraced Ruskin’s definition of “Medievalism” as a “confession of Christ” opposed to both “Classicalism” (“Pagan Faith”) and “Modernism” (the “denial of Christ”).
ellauri095.html on line 545: This was a remarkably prophetic poem for Manley Hopkins’s first “beautiful child,” Gerard, born only a year after this poem was published.
ellauri095.html on line 546: The phrase “And birds that call/Hoarse to the storm,” invites comparison with the son’s images of the windhover rebuffing the big wind in “The Windhover” (1877) and with the image of the great storm fowl at the conclusion of “Henry Purcell” (1879). The father’s prophecy, “thy sport is with the storm/To wrestle” is fulfilled in Gerard’s The Wreck of the Deutschland and “The Loss of the Eurydice” (1878). These two shipwreck poems, replete with spiritual instruction for those in doubt and danger were the son’s poetic and religious counterparts to his father’s 1873 volume, The Port of Refuge, or advice and instructions to the Master-Mariner in situations of doubt, difficulty, and danger.
ellauri095.html on line 548: Tää olis ollut mainiota mazkua Dick Dolmenille! Onpa saattanut lukeakin.
ellauri095.html on line 560: She to the black-about air, to the breaker, the thickly Ämmä huusi pimeään, vaahtopäihin, paxulti
ellauri095.html on line 562: Was calling, "Oh Christ, Christ, come quickly", Se huusi: Risto, Risto, tule vikkelään!
ellauri095.html on line 574: She broke her back on the sands and foundered with the loss of about 57 passengers, both men and women; the conditions which had caused the wreck in the first place also preventing her from being seen from shore, and thus assistance being given. In the immediate aftermath of the wreck the captain accused passing ships of failing to answer his vessel´s signals of distress.
ellauri095.html on line 576: The earliest known shipwreck on the Kentish Knock was in the 17th century, but it is very probable that there were earlier wrecks for which the documentary evidence has not survived.
ellauri095.html on line 578: The loss of any emigrant ship had a strong international dimension and was accordingly extensively reported in English in both the ´Times´ of London and the ´New York Times´, for there was a sad irony in the deaths of passengers who had taken ship in search of a better life. Five Franciscan nuns from Salzkotten (now in Nordrhein-Westfalen, western Germany), named Barbara Hultenschmidt, Henrika Fassbender, Norbeta Reinkobe, Aurea Badziura and Brigitta Damhorst, died in the wreck. They were fleeing religious oppression at home as a result of anti-Catholic laws enacted as part of Otto von Bismarck´s ´Kulturkampf´ ("culture struggle") aimed at building centralised and unified German state resisting outside influences. One reader moved by the story in the London press was the Jesuit poet, Gerard Manley Hopkins, who wrote a moving and highly romanticised poem based on the incident, ´The Wreck of the Deutschland´. As Hopkins put it: ´Rhine refused them: Thames would ruin them´.
ellauri095.html on line 580: The ´New York Times´, in the best traditions of media coverage, focused on the "weirdness of the scene". The newspaper contrasted the nuns´ "terror-stricken conduct", frozen with terror, and "deaf to all entreaties", with the "plucky" behaviour of the stewardess who tried to encourage them to leave the saloon for rigging as the water rose around them. One of the nuns was heard to cry in a voice heard above the storm "O my God, make it quick, make it quick". Hopkins, however, saw these words as an example of courage in the fate of extremity, and as the active seeking of the soul reaching towards God.
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ellauri096.html on line 53: Typically prophecies like catastrophe warnings are made to serve opposite goals simultaneously. Competition between accuracy and helpfulness makes it possible for a prediction to be self-fulfilling by being self-defeating. Consider a prophet who warns ‘Your godless life will cause fatalities along the sinners’. Because of the warning, spectacle-seekers make a special trip to witness the carnage. They die like flies. The prophet’s announcement succeeds as a prediction by backfiring as a warning, or conversely.
ellauri096.html on line 55: Michael Scriven (1964) tried to refute predictive determinism (the thesis that all events are foreseeable), by conjuring two players, “Predictor” who has all the data, laws, and calculating capacity needed to predict the choices of others. Scriven goes on to imagine, “Avoider”, whose dominant motivation is to avoid prediction. Therefore, Predictor must conceal his prediction. The catch is that Avoider has access to the same data, laws, and calculating capacity as Predictor. Thus Avoider can duplicate Predictor’s reasoning. Consequently, the optimal predictor cannot predict Avoider. Let the teacher be Avoider and the student be Predictor. Avoider must win. Therefore, it is possible to give a surprise test. This sounds silly. The Predictor can predict that the Avoider double guesses her. Both can fiture out that this will go on and on, until time runs out, and they still just sit on their asses doing nothing. Thing is, you must remember that the players are part of the game, not outside of it as idealists would have it.
ellauri096.html on line 57: Idealizing the teacher and student along the lines of Avoider and Predictor fails to solve the puzzle. It falsely presupposes that two equally super clever agents are co-possible. It is like asking ‘If Aku is smarter than Anu and Anu is smarter than Aku, which of the two is the smartest?’ Its like Abott and Costello going thru the door, after you, no after you, until in the end they, predictably, try to go thru it at once. There is no equilibrium in the game, so shit just happens.
ellauri096.html on line 59: Predictive determinism states that everything is foreseeable. Metaphysical determinism states that there is only one way the future could be given the way the past is. Simon Laplace used metaphysical determinism as a premise for predictive determinism. He reasoned that since every event has a cause, a complete description of any stage of history combined with the laws of nature implies what happens at any other stage of the universe. Scriven was only challenging predictive determinism in his thought experiment. The next approach challenges metaphysical determinism.
ellauri096.html on line 63: Prior knowledge of an action seems incompatible with it being a free action. If I know that you will take a shit tomorrow, then you will take a shit tomorrow (because knowledge implies truth). But that means you will take a shit even if you resolve not to. After all, given that you will shit, nothing can stop you from shitting. So if I know that you will take a shit tomorrow, you are not free to do otherwise. Conversely if you're free to shit or constipate, I can't know which it's going to be. My solution is that you are free to do one or the other, nothing stops you, but knowing you I know for a fact that you will want to shit. You are not free to want what you want. You are an ape, for Cod's sake.
ellauri096.html on line 67: In response to the apparent conflict between freedom and foreknowledge, medieval philosophers denied that future contingent propositions have a truth-value. That´s silly. They took themselves to be extending a solution Aristotle discusses in De Interpretatione to the problem of logical fatalism. According to this truth-value gap approach, ‘You will take a dump tomorrow’ is not true now. The prediction will become true tomorrow. A morally serious theist can agree with the Rubaiyat of Omar Khayyam:
ellauri096.html on line 75: The teacher has free will. Therefore, predictions about what he will do are not true (prior to the examination). Accordingly, Paul Weiss (1952) concludes that the student’s argument falsely assumes he knows that the announcement is true. The student can know that the announcement is true after it becomes true – but not before. What a wimpy argument.
ellauri096.html on line 88: Contradiction between 7 and 8.
ellauri096.html on line 90: W. V. Quine (1953) agrees with Weiss’ conclusion that the teacher’s announcement of a surprise test fails to give the student knowledge that there will be a surprise test. Yet Quine abominates Weiss’ reasoning. Weiss breeches the law of bivalence (which states that every proposition has a truth-value, true or false). Quine believes that the riddle of the surprise test should not be answered by surrendering classical logic. Me too. Right on Willard van Orman Quine! Thumbs up!
ellauri096.html on line 92: W. V. Quine insists that the student’s elimination argument is only a reductio ad absurdum of the supposition that the student knows that the announcement is true (rather than a reductio of the announcement itself). He accepts this epistemic reductio but rejects the metaphysical reductio. Given the student’s ignorance of the announcement, Quine concludes that a test on any day would be unforeseen.
ellauri096.html on line 96: There is no place in science for bigness, because of this lack of boundary; but there is a place for the relation of biggerness. Here we see the familiar and widely applicable rectification of vagueness: disclaim the vague positive and cleave to the precise comparative. But it is inapplicable to the verb ‘know’, even grammatically. Verbs have no comparative and superlative inflections … . I think that for scientific or philosophical purposes the best we can do is give up the notion of knowledge as a bad job and make do rather with its separate ingredients. We can still speak of a belief as true, and of one belief as firmer or more certain, to the believer’s mind, than another (1987, 109).
ellauri096.html on line 102: Science is about what is the case rather than what ought to be case. This seems to imply that science does not tell us what we ought to believe. The traditional way to fill the normative gap is to delegate issues of justification to epistemologists. However, Quine is uncomfortable with delegating such authority to philosophers. He prefers the thesis that psychology is enough to handle the issues traditionally addressed by epistemologists (or at least the issues still worth addressing in an Age of Science). This “naturalistic epistemology” seems to imply that ‘know’ and ‘justified’ are antiquated terms – as empty as ‘phlogiston’ or ‘soul’.
ellauri096.html on line 104: Those willing to abandon the concept of knowledge can dissolve the surprise test paradox. But to epistemologists, this is like using a suicide bomb to kill a fly.
ellauri096.html on line 106: Our suicide bomber may protest that the flies have been undercounted. Epistemic eliminativism dissolves all epistemic paradoxes. According to the eliminativist, epistemic paradoxes are symptoms of a problem with the very concept of knowledge.
ellauri096.html on line 108: Notice that the eliminativist is more radical than the skeptic. The skeptic thinks the concept of knowledge is fine. We just fall short of being knowers. The skeptic treats ‘No man is a knower’ like ‘No man is an immortal’. There is nothing wrong with the concept of immortality. Biology just winds up guaranteeing that every man falls short of being immortal.
ellauri096.html on line 110: Unlike the believer in ‘No man is an immortal’, the skeptic has trouble asserting ‘There is no knowledge’. For assertion expresses the belief that one knows. That is why Sextus Empiricus (Outlines of Pyrrhonism, I., 3, 226) condemns the assertion ‘There is no knowledge’ as dogmatic skepticism. Sextus prefers agnosticism about knowledge rather than skepticism (considered as “atheism” about knowledge). Yet it just as inconsistent to assert ‘No one can know whether anything is known’. For that conveys the belief that one knows that no one can know whether anything is known.
ellauri096.html on line 112: Agnostics overestimate how easy it is to identify what cannot be known. To know, one need only find a single proof. To know that there is no way to know, one must prove the negative generalization that there is no proof. After all, inability to imagine a proof is commonly due to a failure of ingenuity rather than the non-existence of a proof. In addition to being a more general proposition, a proof of unknowability requires epistemological premises about what constitutes proof. Consequently, meta-proof (proof about proofs) is even more demanding than proof.
ellauri096.html on line 114: The agnostic might be tempted to avoid presumptuousness by converting to meta-agnosticism. But this “retreats” in the wrong direction. Meta-meta-proof is, in turn, even more demanding than meta-proof. Meta-meta-proof requires both the epistemological premises about what constitutes proof that meta-proof needs and, in addition, meta-meta-proof needs epistemological premises about what constitutes meta-proof.
ellauri096.html on line 116: The eliminativist has even more severe difficulties in stating his position than the skeptic. Some eliminativists dismiss the threat of self-defeat by drawing an analogy. Those who denied the existence of souls were accused of undermining a necessary condition for asserting anything. However, the soul theorist’s account of what is needed gives no reason to deny that a healthy brain suffices for mental states.
ellauri096.html on line 120: Probabilistic skepticism dates back to Arcesilaus who took over the Academy two generations after Plato’s death. This moderate kind of skepticism, recounted by Cicero (Academica 2.74, 1.46) from his days as a student at the Academy, allows for justified belief. Many scientists are attracted to probabilism and dismiss the epistemologist’s preoccupation with knowledge as old-fashioned.
ellauri096.html on line 122: Despite the early start of the qualitative theory of probability, the quantitative theory did not develop until Blaise Pascal’s study of gambling in the seventeenth century (Hacking 1975). Only in the eighteenth century did it penetrate the insurance industry (even though insurers realized that a fortune could be made by accurately calculating risk). Only in the nineteenth century did probability make a mark in physics. And only in the twentieth century do probabilists make important advances over Arcesilaus.
ellauri096.html on line 124: Most of these philosophical advances are reactions to the use of probability by scientists. In the twentieth century, editors of science journals began to demand that the author’s hypothesis should be accepted only when it was sufficiently probable – as measured by statistical tests. The threshold for acceptance was acknowledged to be somewhat arbitrary. And it was also conceded that the acceptance rule might vary with one’s purposes. For instance, we demand a higher probability when the cost of accepting a false hypothesis is high.
ellauri096.html on line 126: In 1961 Henry Kyburg pointed out that this policy conflicted with a principle of agglomeration: If you rationally believe p
ellauri096.html on line 127: and rationally believe q then you rationally believe both p and q. Little pictures of the same scene should sum to a bigger picture of the same scene. If rational belief can be based on an acceptance rule that only requires a high probability, there will be rational belief in a contradiction! You believe of each ticket it loses, and you believe that one of them wins.
ellauri096.html on line 129: A paradox is commonly defined as a set of propositions that are individually plausible but jointly inconsistent. Paradoxes pressure us to revise beliefs in a highly structured way. For instance, much epistemology orbits a riddle posed by the regress of justification, namely, which of the following is false?
ellauri096.html on line 132: There are no circular chains of justification.
ellauri096.html on line 133: All justificatory chains have a finite length.
ellauri096.html on line 136: Foundationalists reject (1). They take some propositions to be self-evident. Coherentists reject (2). They tolerate some forms of circular reasoning. For instance, Nelson Goodman (1965) has characterized the method of reflective equilibrium as virtuously circular. Charles Peirce (1933–35, 5.250) rejected (3), an approach later refined by Peter Klein (2007) and championed at book-length by Scott F. Aikin (2011). Infinitists believe that infinitely long chains of justification are no more impossible than infinitely long chains of causation. Finally, the epistemological anarchist rejects (4). As Paul Feyerabend refrains in Against Method, “Anything goes” (1988, vii, 5, 14, 19, 159).
ellauri096.html on line 140: Kyburg might answer that there is a scale effect. Although the dull pressure of joint inconsistency is tolerable when diffusely distributed over a large set of propositions, the pain of contradiction becomes unbearable as the set gets smaller (Knight 2002). And indeed, paradoxes are always represented as a small set of propositions.
ellauri096.html on line 144: The resemblance between the preface paradox and the surprise test paradox becomes more visible through an intermediate case. The preface of Siddhartha Mukherjee’s The Emperor of All Maladies: A Biography of Cancer warns: “In cases where there was no prior public knowledge, or when interviewees requested privacy, I have used a false name, and deliberately confounded identities to make it difficult to track.” Those who refuse consent to be lied to are free to close Doctor Mukherjee’s chronicle. But nearly all readers think the physician’s trade-off between lies and new information is acceptable. They rationally anticipate being rationally misled. Nevertheless, these readers learn much about the history of cancer. Similarly, students who are warned that they will receive a surprise test rationally expect to be rationally misled about the day of the test. The prospect of being misled does not lead them to drop the course.
ellauri096.html on line 146: The preface paradox pressures Kyburg to extend his tolerance of joint inconsistency to the acceptance of contradictions (Sorensen 2001, 156–158). Consider a logic student who is required to pick one hundred truths from a mixed list of tautologies and contradictions. Although the modest student believes each of his answers, A1,A2,…,A100
ellauri096.html on line 147: , he also believes that at least of one these answers is false. This ensures he believes a contradiction. If any of his answers is false, then the student believes a contradiction (because the only falsehoods on the question list are contradictions). If all of his test answers are true, then the student believes the following contradiction: ∼(A1&A2&…&A100)
ellauri096.html on line 149: . After all, a conjunction of tautologies is itself a tautology and the negation of any tautology is a contradiction.
ellauri096.html on line 151: If paradoxes were always sets of propositions or arguments or conclusions, then they would always be meaningful. But some paradoxes are semantically flawed (Sorensen 2003b, 352) and some have answers that are backed by a pseudo-argument employing a defective “lemma” that lacks a truth-value. Kurt Grelling’s paradox, for instance, opens with a distinction between autological and heterological words. An autological word describes itself, e.g., ‘polysyllabic’ is polysllabic, ‘English’ is English, ‘noun’ is a noun, etc. A heterological word does not describe itself, e.g., ‘monosyllabic’ is not monosyllabic, ‘Chinese’ is not Chinese, ‘verb’ is not a verb, etc. Now for the riddle: Is ‘heterological’ heterological or autological? If ‘heterological’ is heterological, then since it describes itself, it is autological. But if ‘heterological’ is autological, then since it is a word that does not describe itself, it is heterological. The common solution to this puzzle is that ‘heterological’, as defined by Grelling, is not a genuine predicate (Thomson 1962). In other words, “Is ‘heterological’ heterological?” is without meaning. There can be no predicate that applies to all and only those predicates it does not apply to for the same reason that there can be no barber who shaves all and only those people who do not shave themselves.
ellauri096.html on line 153: The eliminativist, who thinks that ‘know’ or ‘justified’ is meaningless, will diagnose the epistemic paradoxes as questions that only appear to be well-formed. For instance, the eliminativist about justification would not accept proposition (4) in the regress paradox: ‘Some beliefs are justified’. His point is not that no beliefs meet the high standards for justification, as an anarchist might deny that any ostensible authorities meet the high standards for legitimacy. Instead, the eliminativist unromantically diagnoses ‘justified’ as a pathological term. Just as the astronomer ignores ‘Are there a zillion stars?’ on the grounds that ‘zillion’ is not a genuine numeral, the eliminativist ignores ‘Are some beliefs justified?’ on the grounds that ‘justified’ is not a genuine adjective.
ellauri096.html on line 155: In the twentieth century, suspicions about conceptual pathology were strongest for the liar paradox: Is ‘This sentence is false’ true? Philosophers who thought that there was something deeply defective with the surprise test paradox assimilated it to the liar paradox. Let us review the assimilation process.
ellauri096.html on line 159: Just as someone’s awareness of a prediction can affect the likelihood of it being true, awareness of that sensitivity to his awareness can also affect its truth. If each cycle of awareness is self-defeating, then there is no stable resting place for a conclusion.
ellauri096.html on line 161: Suppose a psychologist offers you a red box and a blue box (Skyrms 1982). The psychologist can predict which box you will choose with 90% accuracy. He has put one dollar in the box he predicts you will choose and ten dollars in the other box. Should you choose the red box or the blue box? You cannot decide. For any choice becomes a reason to reverse your decision.
ellauri096.html on line 163: Epistemic paradoxes affect decision theory because rational choices are based on beliefs and desires. If the agent cannot form a rational belief, it is difficult to interpret his behavior as a choice. The purpose of attributing beliefs and desires is to set up practical syllogisms that make sense of actions as means to ends. Subtracting rationality from the agent makes framework useless. Given this commitment to charitable interpretation, there is no possibility of your rationally choosing an option that you believe to be inferior. So if you choose, you cannot really believe you were operating as an anti-expert, that is, someone whose opinions on a topic are reliably wrong (Egan and Elga 2005).
ellauri096.html on line 167: David Kaplan and Richard Montague (1960) think the announcement by the teacher in our surprise exam example is equivalent to the self-referential
ellauri096.html on line 178: to ∼Kp (that is, from ‘It is known that not-p’, to ‘It is not the case that it is known that p’). Ironically, this garbled transmission results in a cleaner variation of the knower:
ellauri096.html on line 182: Is (K) true? On the one hand, if (K) is true, then what it says is true, so no one knows it. On the other hand, that very reasoning seems to be a proof of (K). Proving a proposition is sufficient for knowledge of it, so someone must know (K). But then (K) is false! Since no one can know a proposition that is false, (K) is not known.
ellauri096.html on line 184: The skeptic could hope to solve (K-0) by denying that anything is known. This remedy does not cure (K). If nothing is known then (K) is true. Can the skeptic instead challenge the premise that proving a proposition is sufficient for knowing it? This solution would be particularly embarrassing to the skeptic. The skeptic presents himself as a stickler for proof. If it turns out that even proof will not sway him, he bears a damning resemblance to the dogmatist he so frequently chides.
ellauri096.html on line 186: But the skeptic should not lose his nerve. Proof does not always yield knowledge. Consider a student who correctly guesses that a step in his proof is valid. The student does not know the conclusion but did prove the theorem. His instructor might have trouble getting the student to understand why his answer constitutes a valid proof. The intransigence may stem from the prover’s intelligence rather than his stupidity. L. E. J. Brouwer is best known in mathematics for his brilliant fixed point theorem. But Brouwer regarded his proof as dubious. He had philosophical doubts about the Axiom of Choice and Law of Excluded Middle. Brouwer persuaded a minority of mathematicians and philosophers, known as intuitionists, to emulate his inability to be educated by non-constructive proofs.
ellauri096.html on line 188: The logical myth that “You cannot prove a universal negative” is itself a universal negative. So it implies its own unprovability. This implication of unprovability is correct but only because the principle is false. For instance, exhaustive inspection proves the universal negative ‘No adverbs appear in this sentence’. A reductio ad absurdum proves the universal negative ‘There is no largest prime number’.
ellauri096.html on line 191: Yes, there are infinitely many. Kurt Gödel’s incompleteness theorem demonstrated that any system that is strong enough to express arithmetic is also strong enough to express a formal counterpart of the self-referential proposition in the surprise test example ‘This statement cannot be proved in this system’. If the system cannot prove its “Gödel sentence”, then this sentence is true. If the system can prove its Gödel sentence, the system is inconsistent. So either the system is incomplete or inconsistent. (See the entry on Kurt Gödel.)
ellauri096.html on line 193: Of course, this result concerns provability relative to a system. One system can prove another system’s Gödel sentence. Kurt Gödel (1983, 271) thought that proof was not needed for knowledge that arithmetic is consistent.
ellauri096.html on line 195: J. R. Lucas (1964) claims that this reveals human beings are not machines. A computer is a concrete instantiation of a formal system. Hence, its “knowledge” is restricted to what it can prove. By Gödel’s theorem, the computer will be either inconsistent or incomplete. However, a human being with a full command of arithmetic can be consistent (even if he is actually inconsistent due to inattention or wishful thinking).
ellauri096.html on line 197: Critics of Lucas defend the parity between people and computers. They think we have our own Gödel sentences (Lewis 1999, 166–173). In this egalitarian spirit, G. C. Nerlich (1961) models the student’s beliefs in the surprise test example as a logical system. The teacher’s announcement is then a Gödel sentence about the student: There will be a test next week but you will not be able to prove which day it will occur on the basis of this announcement and memory of what has happened on previous exam days. When the number of exam days equals zero the announcement is equivalent to sentence K.
ellauri096.html on line 199: Several commentators on the surprise test paradox object that interpreting surprise as unprovability changes the topic. Instead of posing the surprise test paradox, it poses a variation of the liar paradox. Other concepts can be blended with the liar. For instance, mixing in alethic notions generates the possible liar: Is ‘This statement is possibly false’ true? (Post 1970) (If it is false, then it is false that it is possibly false. What cannot possibly be false is necessarily true. But if it is necessarily true, then it cannot be possibly false.) Since the semantic concept of validity involves the notion of possibility, one can also derive validity liars such as Pseudo-Scotus’ paradox: ‘Squares are squares, therefore, this argument is invalid’ (Read 1979). Suppose Pseudo-Scotus’ argument is valid. Since the premise is necessarily true, the conclusion would be necessarily true. But the conclusion contradicts the supposition that argument is valid. Therefore, by reductio, the argument is necessarily invalid. Wait! The argument can be invalid only if it is possible for the premise to be true and the conclusion to be false. But we have already proved that the conclusion of ‘Squares are squares, therefore, this argument is invalid’ is necessarily true. There is no consistent judgment of the argument’s validity. A similar predicament follows from ‘The test is on Friday but this prediction cannot be soundly deduced from this announcement’.
ellauri096.html on line 201: One can mock up a complicated liar paradox that resembles the surprise test paradox. But this complex variant of the liar is not an epistemic paradox. For the paradoxes turn on the semantic concept of truth rather than an epistemic concept.
ellauri096.html on line 204: Frederic Fitch (1963) reports that in 1945 he first learned of this proof of unknowable truths from a referee report on a manuscript he never published. Thanks to Joe Salerno’s (2009) archival research, we now know that referee was Alonzo Church.
ellauri096.html on line 206: Assume there is a true sentence of the form ‘p but p is not known’. Although this sentence is consistent, modest principles of epistemic logic imply that sentences of this form are unknowable.
ellauri096.html on line 225: But secular idealists and logical positivists concede that there are some actual unknown truths. How can they continue to believe that all truths are knowable? Astonishingly, these eminent philosophers seem refuted by a pinch of epistemic logic. Also injured are those who limit their claims of universal knowability to a limited domain. For instance, Immanuel Kant (A223/B272) asserts that all empirical propositions are knowable. This pocket of optimism would be enough to ignite the contradiction (Stephenson 2015).
ellauri096.html on line 229: The conclusion that there are unknowable truths is an affront to various philosophical theories, but not to common sense. If proponents (and opponents) of those theories long overlooked a simple counterexample, that is an embarrassment, not a paradox. (2000, 271)
ellauri096.html on line 231: An apparent counterexample can be set aside as anomaly if it conflicts with a highly confirmed law of nature. But if the counterexample only conflicts with a speculative generalization, the theory should be rejected.
ellauri096.html on line 233: Those who believe that the Church-Fitch result is a genuine paradox can respond to Williamson with paradoxes that accord with common sense (and science –and religious orthodoxy). For instance, common sense heartily agrees with the conclusion that something exists. But it is surprising that this can be proved without empirical premises. Since the quantifiers of standard logic (first order predicate logic with identity) have existential import, the logician can deduce that something exists from the principle that everything is identical to itself. Most philosophers balk at this simple proof because they feel that the existence of something cannot be proved by sheer logic. Likewise, many philosophers balk at the proof of unknowables because they feel that such a profound result cannot be obtained from such limited means.
ellauri096.html on line 238: (M) I went to the pictures last Tuesday, but I don’t believe that I did.
ellauri096.html on line 245: The common explanation of Moore’s absurdity is that the speaker has managed to contradict himself without uttering a contradiction. So the sentence is odd because it is a counterexample to the generalization that anyone who contradicts himself utters a contradiction.
ellauri096.html on line 247: There is no problem with third person counterparts of (M). Anyone else can say about Moore, with no paradox, ‘G. E. Moore went to the pictures last Tuesday but he does not believe it’. (M) can also be embedded unparadoxically in conditionals: ‘If I went to the pictures last Tuesday but I do not believe it, then I am suffering from a worrisome lapse of memory ’. The past tense is fine: ‘I went to the picture shows last Tuesday but I did not believe it’. The future tense, ‘I went to the picture shows last Tuesday but I will not believe it’, is a bit more of a stretch (Bovens 1995). We tend to picture our future selves as better informed. Later selves are, as it were, experts to whom earlier selves should defer. When an earlier self foresees that his later self believes p
ellauri096.html on line 248: , then the prediction is a reason to believe p
ellauri096.html on line 251: Robert Binkley (1968) anticipates van Fraassen by applying the reflection principle to the surprise test paradox. The student can foresee that he will not believe the announcement if no test is given by Thursday. The conjunction of the history of testless days and the announcement will imply the Moorean sentence:
ellauri096.html on line 257: Binkley illuminates this reasoning with doxastic logic. The inference rules for this logic of belief can be understood as idealizing the student into an ideal reasoner. In general terms, an ideal reasoner is someone who infers what he ought and refrains from inferring any more than he ought. Since there is no constraint on his premises, we may disagree with the ideal reasoner. But if we agree with the ideal reasoner’s premises, we appear bound to agree with his conclusion. Binkley specifies some requirements to give teeth to the student’s status as an ideal reasoner: the student is perfectly consistent, believes all the logical consequences of his beliefs, and does not forget. Binkley further assumes that the ideal reasoner is aware that he is an ideal reasoner. According to Binkley, this ensures that if the ideal reasoner believes p, then he believes that he will believe p thereafter.
ellauri096.html on line 259: Binkley’s account of the student’s hypothetical epistemic state on Thursday is compelling. But his argument for spreading the incredulity from the future to the past is open to three challenges.
ellauri096.html on line 262: informed by the teacher’s announcement, so Binkley ought not to use a model in which the announcement is as absurd as the conjunction ‘I went to the pictures last Tuesday but I do not believe it’.
ellauri096.html on line 264: Second, the future mental state envisaged by Binkley is only hypothetical: If
ellauri096.html on line 265: no test is given by Thursday, the student will find the announcement incredible. At the beginning of the week, the student does not know (or believe) that the teacher will wait that long. A principle that tells me to defer to the opinions of my future self does not imply that I should defer to the opinions of my hypothetical future self. For my hypothetical future self is responding to propositions that need not be actually true.
ellauri096.html on line 267: Third, the principle of reflection may need more qualifications than Binkley anticipates. Binkley realizes that an ordinary agent foresees that he will forget details. That is why we write reminders for our own benefit. An ordinary agent foresees periods of impaired judgment. That is why we limit how much money we bring to the bar.
ellauri096.html on line 269: Binkley stipulates that the students do not forget. He needs to add that the students know that they will not forget. For the mere threat of a memory lapse sometimes suffices to undermine knowledge. Consider Professor Anesthesiology’s scheme for surprise tests: “A surprise test will be given either Wednesday or Friday with the help of an amnesia drug. If the test occurs on Wednesday, then the drug will be administered five minutes after Wednesday’s class. The drug will instantly erase memory of the test and the students will fill in the gap by confabulation.” You have just completed Wednesday’s class and so temporarily know that the test will be on Friday. Ten minutes after the class, you lose this knowledge. No drug was administered and there is nothing wrong with your memory. You are correctly remembering that no test was given on Wednesday. However, you do not know your memory is accurate because you also know that if the test was given Wednesday then you would have a pseudo-memory indistinguishable from your present memory. Despite not gaining any new evidence, you change your mind about the test occurring on Wednesday and lose your knowledge that the test is on Friday. (The change of belief is not crucial; you would still lack foreknowledge of the test even if you dogmatically persisted in believing that the test will be on Friday.)
ellauri096.html on line 271: If the students know that they will not forget and know there will be no undermining by outside evidence, then we may be inclined to agree with Binkley’s summary that his idealized student never loses the knowledge he accumulates. As we shall see, however, this overlooks other ways in which rational agents may lose knowledge.
ellauri096.html on line 279: Consider the student’s predicament on Thursday (given that the test has not been on Monday or Wednesday). If he knows that no test has been given, he cannot also know that (A) is true. Because that would imply
ellauri096.html on line 287: Since the surprise test paradox can also be formulated in terms of rational belief, there will be parallel adjustments for what we ought to believe. We are criticized for failures to believe the logical consequences of what we believe and criticized for believing propositions that conflict with each other. Anyone who meets these ideals of completeness and consistency will be unable to believe a range of consistent propositions that are accessible to other complete and consistent thinkers. In particular, they will not be able to believe propositions attributing specific errors to them, and propositions that entail these off-limit propositions.
ellauri096.html on line 291: When on trial for impiety, Socrates traced his inquisitiveness to the Oracle at Delphi (Apology 21d in Cooper 1997). Prior to beginning his mission of inquiry, Chaerephon asked the Oracle: “Who is the wisest of men?” The Oracle answered “No one is wiser than Socrates.” This astounded Socrates because he believed he knew nothing. Whereas a less pious philosopher might have questioned the reliability of the Delphic Oracle, Socrates followed the general practice of treating the Oracle as infallible. The only cogitation appropriate to an infallible answer is interpretation. Accordingly, Socrates resolved his puzzlement by inferring that his wisdom lay in recognizing his own ignorance. While others may know nothing, Socrates knows that he knows nothing.
ellauri096.html on line 293: Socrates continues to be praised for his insight. But his “discovery” is a contradiction. If Socrates knows that he knows nothing, then he knows something (the proposition that he knows nothing) and yet does not know anything (because knowledge implies truth).
ellauri096.html on line 295: Socrates could regain consistency by downgrading his meta-knowledge to the status of a belief. If he believes he knows nothing, then he naturally wishes to remedy his ignorance by asking about everything. This rationale is accepted throughout the early dialogues. But when we reach the Meno, one of his interlocutors has an epiphany. After Meno receives the standard treatment from Socrates about the nature of virtue, Meno discerns a conflict between Socratic ignorance and Socratic inquiry (Meno 80d, in Cooper 1997). How would Socrates recognize the correct answer even if Meno gave it?
ellauri096.html on line 305: Dogmatists accept this reasoning. For them, knowledge closes inquiry. Any “evidence” that conflicts with what is known can be dismissed as misleading evidence. Forewarned is forearmed.
ellauri096.html on line 312: Marx Augustin oder Der liebe Augustin (eigentlich Markus Augustin; * 1643 in Wien; † 11. März 1685 ebenda) war ein Bänkelsänger, Dudelsackspieler, Sackpfeifer, Stegreifdichter und Stadtoriginal. Er wurde durch die Ballade „O du lieber Augustin“ sprichwörtlich und zu einem sogenannten geflügelten Wort. Bis heute ist die Figur des lieben Augustin ein Inbegriff dafür, dass man mit Humor alles überstehen kann.
ellauri096.html on line 317: Zum Leben Augustins ist wenig gesichert. Augustin soll sehr beliebt gewesen sein, weil er mit seinen zotigen Liedern vor allem während der Pest in Wien im Jahr 1679 die Bevölkerung der Stadt aufheiterte, weshalb er im Volksmund nur als „Lieber Augustin“ bekannt war.
ellauri096.html on line 321: Der Legende nach war der 36-jährige Augustin 1679 während der Pestepidemie wieder einmal betrunken und schlief irgendwo in der Gosse seinen Rausch aus. Siech-Knechte, die damals die Opfer der Epidemie einsammeln mussten, fanden ihn, hielten ihn für tot und brachten die Schnapsleiche zusammen mit den Pestleichen auf ihrem Sammelkarren vor die Stadtmauer. Dort warfen sie ihre ganze Ladung in ein offenes Massengrab. Diese Pestgrube soll sich in der Nähe der Kirche St. Ulrich am Neubau (heutiger siebter Wiener Gemeindebezirk) befunden haben, gleich neben dem Platz, an dem heute der Augustinbrunnen steht. Wie in der damaligen Situation üblich, wurde das Grab nicht sofort geschlossen, sondern provisorisch mit Kalk abgedeckt, um später weitere Pestopfer aufzunehmen. Am folgenden Tag habe Augustin inmitten der Leichen so lange krakeelt und auf seinem Dudelsack gespielt, bis Retter ihn aus der Grube zogen.
ellauri096.html on line 323: Danach soll Augustin sein Erlebnis als Bänkelsänger vorgetragen und davon recht gut gelebt haben. So ist die Legende vom lieben Augustin vielleicht seinem eigenen Bericht zu verdanken. Bereits zeitgenössische Quellen berichten von dem der Leichengrube entstiegenen Augustin. Abraham a Sancta Clara erwähnt das Ereignis in seinem „Wohlangefüllten Weinkeller“, um vor der Trunksucht zu warnen. Urkundliche Stütze für die Legende ist nur ein Eintrag im städtischen Totenschauprotokoll, das einen „Augustin N.“ verzeichnet.
ellauri096.html on line 325: Augustin wurde auf dem Wiener Nikolai-Friedhof beerdigt, nach dessen Auflassung wurden seine sterblichen Überreste vermutlich auf den Sankt Marxer Friedhof überführt.
ellauri096.html on line 340: Und selbst das reiche Wien,
ellauri096.html on line 342: Weint mit mir im gleichen Sinn,
ellauri096.html on line 347: Nur ein groß’ Leichenfest,
ellauri096.html on line 350: Leg’ nur ins Grab dich hin!
ellauri096.html on line 374: Augustinus omaksui Cicerolta ideaalin, jonka mukaan tosi viisaus saavutetaan laaja-alaisella filosofisella ja tieteellisellä työllä. Hän katsoi, että Raamatun tekstiä ei pidä tulkita kirjaimellisesti, mikäli se on ristiriidassa tieteen ja Jumalan antaman ihmisjärjen kanssa. Teoksessaan De Genesi ad Litteram ("Genesiksen kirjaimellisesta tulkinnasta", 408) hän kirjoitti:
ellauri096.html on line 408: Same as prognathic: opposed to opisthognathous and orthognathous.
ellauri096.html on line 421: Henri Frédéric Schopin (12 June 1804 - 21 October 1880) was the winner of the Prix de Rome for painting in 1831.
ellauri096.html on line 422: This article about a painter is a stub. You can help Wikipedia by expanding it.
ellauri096.html on line 423: Né en Allemagne de parents français, il est le fils du sculpteur Jean-Louis-Théodore Chopin (of whom very little is known) et le frère du polygraphe Jean-Marie Chopin. (polygraphe n. Auteur non spécialiste qui écrit sur les sujets les plus diverses; petit scolyte qui vit sous l'écorce des conifères (épicéa)... Mots proches: polygraph popularly referred to as a lie detector). Начал своё обучение живописи в 1816 году в Академии Художеств в Санкт-Петербурге. Карьера Шопена была достаточно успешна. В 1848 году был избран почётным вольным общником Императорской академии художеств в Санкт-Петербурге, после чего преподнёс в дар Академии свою картину «Суд Соломона».
ellauri096.html on line 430: ica.com/images/artworkimages/mediumlarge/1/the-children-of-israel-crossing-the-red-sea-henri-frederic-schopin.jpg" width="695px" />

ellauri096.html on line 555: The Droste effect, known in art as an example of mise en abyme, is the effect of a picture recursively appearing within itself, in a place where a similar picture would realistically be expected to appear, creating a loop which theoretically could go on forever, but realistically only goes on as far as the image´s quality allows.
ellauri096.html on line 577: ica%29%2C_Johann_Joachim_Kaendler_and_assistants%2C_Meissen_Porcelain_Factory%2C_c._1760%2C_hard-paste_porcelain_-_Wadsworth_Atheneum_-_Hartford%2C_CT_-_DSC05373.jpg/240px-thumbnail.jpg" height="250px" />
ellauri096.html on line 579: Paljon messevämpi Columbia tulee Meissenistä 1792. Joachim Kaendler and assistants, Hartford Connecticut. Colombian kahvia. Juan Valdez valizee joka pavun huolellisesti käsin erixeen. Papukaija kädessä koikkuu meni jo. Krokotiili ähkyy I can´t breathe.
ellauri096.html on line 581: Hartford Connecticut. Siellä asui Gilfordin tyttöjen hiukka pirkkomainen äitykkä. Ne on hizin nokkelasanaisia tyttöjä. Kaikki 3. Sarjassa on hurjasti samaa kuin Kinsellassa. Ne on voimaannuttavia.
ellauri096.html on line 582: Kenenkä mielikirjailija oli Dickens Gilmoren tytöissä? Ehtikö knoppi jo unohtua? Olixe Tolstoi? Kuka luki kynäilytauoilla David Copperfieldiä? Ball-sack? Dickens oli luotettava kertoja. Ggssa mainitaan yli kolmesataa Roryn lukemaa kirjaa. Niistä on lukemattomia reading listoja netissä. Gilmore Girls Complete Reading List (361 books).
ellauri096.html on line 584: Sevverran Connecticutista. Rory ei mennytkään Harvardiin vaan Yaleen. Washington DC ei voi olla osavaltio kun siellä ei ole lehmiä autoliikkeitä eikä kaatopaikkaa. No lehmänkauppoja sitä enemmän. Sitäpaizi se on suoalue. Jos siitä tulee osavaltio niin DC = Dairy Cars. Tai Dump Compromise. Stop the steal, dry the swamp.
ellauri096.html on line 589: Les Chants de Maldoror (The Songs of Maldoror) is a French poetic novel, or a long prose poem. It was written and published between 1868 and 1869 by the Comte de Lautréamont, the nom de plume of the Uruguayan-born French writer Isidore Lucien Ducasse. The work concerns the misanthropic, misotheistic character of Maldoror, a figure of evil who has renounced conventional morality.
ellauri096.html on line 591: Although obscure at the time of its initial publication, Maldoror was rediscovered and championed by the Surrealist artists during the early twentieth century. The work's transgressive, violent, and absurd themes are shared in common with much of Surrealism's output; in particular, Louis Aragon, André Breton, Salvador Dalí, Man Ray, and Philippe Soupault were influenced by the work. Maldoror was itself influenced by earlier gothic literature of the period, including Lord Byron's Manfred, and Charles Maturin's Melmoth the Wanderer.
ellauri096.html on line 593: Maldoror is a modular (sic) work primarily divided into six parts, or cantos; these parts are further subdivided into a total of sixty chapters, or verses. Parts one through six consist of fourteen, sixteen, five, eight, seven and ten chapters, respectively. With some exceptions, most chapters consist of a single, lengthy paragraph.[b] The text often employs very long, unconventional and confusing sentences which, together with the dearth of paragraph breaks, may suggest a stream of consciousness, or automatic writing. Over the course of the narrative, there is often a first-person narrator, although some areas of the work instead employ a third-person narrative. The book's central character is Maldoror, a figure of evil who is sometimes directly involved in a chapter's events, or else revealed to be watching at a distance. Depending on the context of narrative voice in a given place, the first-person narrator may be taken to be Maldoror himself, or sometimes not. The confusion between narrator and character may also suggest an unreliable narrator.
ellauri096.html on line 597: Several of the parts begin with opening chapters in which the narrator directly addresses the reader, taunts the reader, or simply recounts the work thus far. For example, an early passage warns the reader not to continue:
ellauri096.html on line 599: "It is not right that everyone should read the pages which follow; only a few will be able to savour this bitter fruit with impunity. Consequently, shrinking soul, turn on your heels and go back before penetrating further into such uncharted, perilous wastelands." — Maldoror, Part I, Chapter 1.
ellauri096.html on line 621: Uuskeynesiläinen taloustiede on makrotaloudellisen ajattelun koulu, joka kehitettiin sodanjälkeisenä aikana John Maynard Keynesin kirjoituksista . Ryhmä taloustieteilijöitä (erityisesti John Hicks , Amedeo Modigliani ja Paul Samuelson ) yritti tulkita ja virallistaa Keynesin kirjoituksia ja syntetisoida neoklassisten taloustieteen mallien kanssa . Heidän työstään on tullut tunnetuksi uusklassinen synteesi ja luotu mallit, jotka muodostivat uuskeynesiläisen taloustieteen perusajatukset. Nämä ideat hallitsivat valtavirran taloutta sodanjälkeisenä aikana ja muodostivat makrotaloudellisen ajattelun valtavirran 1950-, 1960- ja 1970-luvuilla. Tapahtui joukko tapahtumia, jotka ravistelivat uuskeynesiläistä teoriaa 1970-luvulla, kun stagflaatio ja Milton Friedmanin kaltaisten monetaristien työ kyseenalaistivat uuskeynesiläisiä teorioita. Tuloksena olisi joukko uusia ideoita tuomaan keynesiläiseen analyysiin työkaluja, jotka kykenevät selittämään 1970-luvun taloudelliset tapahtumat. Seuraava suuri keynesiläisen ajattelun aalto alkoi yrittämällä antaa keynesiläiselle makrotaloudelliselle päättelylle mikrotaloudellinen perusta. (Objektivirhe) Nämä uudet keynesiläiset auttoivat luomaan " uuden uusklassisen synteesin ", joka muodostaa tällä hetkellä makrotaloudellisen teorian valtavirran. Uuden keynesiläisen koulun syntymisen jälkeen uuskeynesiläisiä on joskus kutsuttu "vanhoihin keynesiläisiin". Uuskeynesiläinen taloustiede - https://fi.qaz.wiki/wiki/Neo-Keynesian_economics
ellauri096.html on line 623: Nämä uuskeynesiläiset katsoivat työsopimuksia yleensä palkkatartunnan (tai palkka-altistuxen) lähteinä työttömyyden tasapainomallien luomiseksi. Heidän ponnistelunsa (tunnetaan uusklassisena synteesinä ) johtivat IS–LM-mallin kehittämiseen ja muihin Keynesin ideoiden muotoiluihin. Tämä henkinen ohjelma tuottaisi lopulta monetarismia ja muita versioita Keynesin makrotaloudesta 1960-luvulla. Uuskeynesiläinen taloustiede - https://fi.qaz.wiki/wiki/Neo-Keynesian_economics
ellauri096.html on line 625: Keynesiläisen päättäjän teoreettisen laitteen toinen pääosa oli Phillips-käyrä . Tämä käyrä, joka oli pikemminkin empiirinen havainto kuin teoria, osoitti, että työttömyyden lisääntynyt työllisyys merkitsi inflaation nousua. Keynes oli vain ennustanut, että työllisyyden kasvu aiheuttaisi korkeamman hinnan, ei korkeamman inflaation . Tällöin ekonomisti voisi käyttää IS–LM-mallia ennustamaan esimerkiksi, että rahan tarjonnan kasvu nostaisi tuotantoa ja työllisyyttä - ja sitten Phillips-käyrän avulla ennustaa inflaation kasvua. Keynesianismin vaikutuksen vahvuuden voi nähdä ekonomistien aalto, joka alkoi 1940-luvun lopulla Milton Friedmanin kanssa . Sen sijaan, että he hylkäsivät makrotalouden mittaukset ja makrotalouden mallit, he omaksuivat tekniikat, joissa koko taloutta pidetään kysynnän ja tarjonnan tasapainossa, mutta toisin kuin keynesiläiset - he väittivät, että "syrjäyttämisen" vaikutukset saisivat aikaan tai riistäisivät finanssipolitiikan sen positiivisesta vaikutuksesta. Sen sijaan on keskityttävä rahapolitiikkaan, jonka varhaiset keynesiläiset jättivät suurelta osin huomiotta. Monetaristinen kritiikki työnsi keynesiläisiä kohti tasapainoisempaa näkemystä rahapolitiikasta ja innoitti Keynesian teorian tarkistusaallon. 1950-luvulla julkisen vallan kohtalainen kysyntä johti teollisuuden kehitystä ja finanssi- ja rahapolitiikan suhdannepolitiikan käyttöä ja saavutti huippunsa 1960-luvulla, jolloin monille keynesiläisille tuntui, että vauraus oli nyt pysyvää. Vuoden 1973 öljyshokin ja 1970-luvun taloudellisten ongelmien myötä moderni liberaali taloustiede alkoi kuitenkin suosiota. Tänä aikana monet taloudet kokivat "stagflaatiota ": korkea ja kasvava työttömyys yhdistettynä korkeaan ja nousevaan inflaatioon, mikä on ristiriidassa Phillips-käyrän ennusteen kanssa. Stagflaatio tarkoitti, että sekä ekspansiivista (taantuman vastaista) että supistavaa (inflaation vastaista) politiikkaa oli sovellettava samanaikaisesti, mikä oli selvää mahdotonta. Tämä ongelma johti klassisempaan analyysiin perustuvien ideoiden nousuun, mukaan lukien monetarismi, tarjontapuolen taloustiede ja uusi klassinen taloustiede. Tämä tuotti "poliittisen sidoksen" ja keynesiläisen talouden konsensuksen romahtamisen, mikä johti uuden klassisen makrotalouden ja uuden keynesianismin kehitykseen. Seuraavien vuosikymmenien aikana nämä kaksi koulua kokoontuisivat luomaan uuden uusklassisen synteesin, joka muodostaa nykypäivän valtavirran perustan. Uuskeynesiläinen taloustiede - https://fi.qaz.wiki/wiki/Neo-Keynesian_economics
ellauri096.html on line 633: Tutkielmassa tarkastellaan uuskeynesiläisten DSGE-makrotalousmallien joukkoon lukeutuvaa valtiovarainministeriön Kooma-mallia genealogisen hallintamentaliteetin näkökulmasta. Kooma-mallia käytetään valtiovarainministeriössä ennustamiseen ja erilaisten politiikkatoimien vaikutusarviointien laatimiseen. Teoreettisena viitekehyksenä tutkielmassa sovelletaan Michel Foucaultin tunnetuksi tekemää hallintamentaliteetin näkökulmaa, jossa tarkastellaan kansantaloustieteen tietomuotoihin ja turvallisuuden tekniikoihin pohjautuvaa vallan muotoa. Hallintamentaliteetin näkökulmasta Kooma-malli kehystetään tutkielmassa tietynlaisiin tietomuotoihin nojaavana rationaalisena teknologisena käytäntönä, joka mahdollistaa hienovaraisen talouden poliittisen hallinnan.
ellauri096.html on line 635: Tutkimusmenetelmänä sovelletaan niin ikään Michel Foucaultin kehittämää genealogista analyysia, jonka keskiössä on nykyisyyden olemassaolon mahdollisuuksien kriittinen tarkastelu. Tavoitteena on horjuttaa asioiden pintatasolla ilmenevää yhtenäisyyttä ja luonnollisuutta tarkastelemalla niissä piileviä epävarmuuksia ja virheellisyyksiä. Huomio suunnataan asioiden syntyperään ja polveutumiseen sekä niissä vallitseviin ristiriitoihin, joiden tuloksina asiat ovat ilmaantuneet. Tutkielmassa hallintamentaliteettia sovelletaan genealogisesti, jolloin tarkastellaan tietynlaisiin tietomuotoihin ja niihin kytkeytyviin teknologioihin pohjautuvan hallinnan olemassaolon mahdollisuuksia. Tutkimusaineistona käytetään pääosin valtiovarainministeriön instituutioaineistoja, joissa tuodaan julki Kooma-mallin avulla laadittuja laskelmia. Tarkastelussa on erityisesti kevään 2014 Taloudellinen katsaus, jossa Kooma-mallin avulla laadittuja laskelmia hyödynnetään erilaisten finanssipolitiikan keinojen vaikutusten arvioimisessa.
ellauri096.html on line 639: Kooma-mallia tarkastellaan kriittisen historiallisen rekonstruktion ohella luomalla katsaus sen talousteoreettisiin taustaoletuksiin. Taustaoletukset konstituoivat mallissa ilmeneviä tapoja hahmottaa taloudellista toimijuutta sekä taloudellisten suureiden välisiä suhteita ja niissä vallitsevia prosesseja. Taustaoletusten osalta tutkielmassa kiinnitetään erityistä huomiota niissä vallitseviin epävarmuuksiin ja ristiriitaisuuksiin. Esimerkkeinä talousteoreettisista taustaoletuksista tutkielmassa analysoidaan finanssipolitiikan kerroinvaikutuksia, mallien mikroperustaisuutta, rationaalisten odotusten hypoteesia sekä siihen kytkeytyvää ricardolaisen ekvivalenssin teoreemaa. Analyysissa näihin taustaoletuksiin todetaan sisältyvän epävarmuuksia ja ristiriitaisuuksia, jotka liittyvät esimerkiksi finanssipolitiikan kerroinvaikutusten empiirisen tulkinnan tulkinnan vaikeuteen sekä ricardolaisen ekvivalenssin realistisuuteen taloudellisten toimijoiden käyttäytymistä kuvaavana teoreemana.
ellauri096.html on line 643: Asiasanat (yso): dsge, foucault, genealogia, hallintamentaliteetti, makrotaloustiede, vaikutusarvioinnit, valtiovarainministeriö, kooma-malli Oppiaine: Yleinen valtio-oppi, politiikan tutkimus, Political Science, Politics, Allmän statslära, politologi.
ellauri096.html on line 645:
Dynamic stochastic general equilibrium (DSGE)

ellauri096.html on line 647: Dynamic stochastic general equilibrium modeling is a method in macroeconomics that attempts to explain economic phenomena, such as economic growth and business cycles, and the effects of economic policy, through econometric models based on applied general equilibrium theory and microeconomic principles.
ellauri096.html on line 653: Artikkelissa viitataan myös lukuisiin kansainvälisesti tunnettuihin taloustieteilijöihin: Maailmanpankin entisen pääekonomistin Paul Romerin mukaan DSGE-mallien vuoksi ”makrotaloustiede on taantunut viimeiset 30 vuotta” kun taas IMF:n entisen pääekonomistin Oliver Blanchardin mukaan DSGE-malleissa on vakavia, mutta korjattavia puutteita. (mt.) Kooman oletuxia on ricardolainen kuluttaja. Mikäs epeli se on? taloudellista toimintaa kuvataan yksilötasolla toteutuvana rationaalisuutena, ja jätetään tällöin huomioimatta yhteiskunnassa vallitsevat pakot. Esimerkiksi kun Kooma-mallin avulla laadituissa tarkasteluissa todetaan, että julkisten menojen leikkaamisen myötä ”[k]ulutus näyttäytyy houkuttelevampana kuin työnteko, jolloin työtunnit per nuppi alenevat” (VM 2014, 17), ei tällöin huomioida esimerkiksi työsopimuksissa työntekijöille määriteltyjä työaikoja. Kooma-mallin avulla laadituissa laskelmissa kulutusverojen vaikutuksista todetaan, että ”veronkorotus alentaa työnteosta saatavaa ylijäämää alentaen näin työn tarjontaa” (mt., 18). Tulkitsen väitteen siten, että mallin mukaisesti työstä saatavan tulon vähentyessä työntekijä-kuluttajat alkavat suosimaan enemmän vapaa-aikaa.
ellauri096.html on line 655: Ricardolainen evidenssi kuuluu lyhykäisyydessään. Kun valtio velkaantuu, kansalaiset odottavat verojen nousevan velkojen maksamisen vuoksi ja käyvät säästämään kohonneisiin veroihin. Suomen pankin ja Valtionvarain ministeriön malleissa tämä olettama on ja niillä malleilla annetaan politiikka suosituksia. Väittämä on tietenkin pötyä. Ensinnäkin valtiot eivät koskaan maksa velkojaan ja asukkaita ei kiinnosta valtion velka senkään vertaa kuin oma velka. Harva edes tietää mikä on valtion rahoitusasema vaikka siitä kerran kuussa uutisoitaisiin. Esimerkkisi 2017 Suomessa on uutisoitu useita kertoja julkisen sektorin rahoitusasemasta joka on maailman valtioista seitsemänneksi paras ja reilusti ylijäämäinen. Silti jopa johtavat poliitikot puhuvat kuinka joudutaan IMF holhoukseen ellei säästetä. Pääministerikään ei tiedä todellista asemaa. Jos ihmiset tietävät valtion aseman, he voivat olettaa, varsin perustellusti, velkaantumisen luovan talouskasvua joka on suurempi kuin velkaantuminen jolloin velkasuhde laskee. Jolloin valtion velkaantuminen saa ihmiset lisäämään omaa kulutustaan ja velkaantumistaan. Jos valtion velkaantuminen työllistää työttömän taikka antaa yritykselle ylimääräisen työtilaisuuden, lienee selvää, kyseinen talousobjekti lisää kulutustaan koska hänen henkilökohtainen asemansa paranee. Riippumatta valtion asemasta. Tästä on aika paljon kokeellista näyttöä. Ricardolainen evidenssi on väärä väite. Se on ihan perseestä. Omistavan luokan kieroilua. Tämän jutun kirjoittanut toimittaja edusti vasemmistoa, mutta ei lie ollut Marxin veizilaatikon pystyvin veizi.
ellauri096.html on line 659: Ricardon suhteellisen edun teoria puolustaa vapakauppaa. Suhteellisen edun periaatteen mukaan jokainen maa erikoistuu tuottamaan ja viemään niitä hyödykkeitä, joiden tuotannossa maa on tehokkaimmillaan. Vastaavasti maa tuo niitä hyödykkeitä ulkomailta, joiden tuotantoon maalla on huonot edellytykset. Kansainvälinen työnjako syntyy siis, vaikka yhden maan tuottajat pystyisivät tuottamaan kaikkia hyödykkeitä pienemmillä kustannuksilla kuin muiden maiden tuottajat. Se erikoistuisi tuottamaan niitä hyödykkeitä, joissa sen etu on suurin, koska tällöin sen tuottajat voisivat saavuttaa suurimman mahdollisen hyödyn itselleen.
ellauri096.html on line 664: Jos sama tuotanto tehdään Suomessa, tarvitaan 200 suomalaista. Jos kummassakin maassa on työvoimapula, optimaalinen tulos saavutetaan kun kiinalaiset tekevät kännykät (10 tuntia) ja suomalaiset maidon (100 tuntia). Ricardolainen optimaalinen tuntimäärä on siis 110.
ellauri096.html on line 670: In a 1976 paper, Robert Lucas argued that it is naive to try to predict the effects of a change in economic policy entirely on the basis of relationships observed in historical data, especially highly aggregated historical data. Lucas claimed that the decision rules of Keynesian models, such as the fiscal multiplier, cannot be considered as structural, in the sense that they cannot be invariant with respect to changes in government policy variables, stating:
ellauri096.html on line 672: Given that the structure of an econometric model consists of optimal decision-rules of economic agents, and that optimal decision-rules vary systematically with changes in the structure of series relevant to the decision maker, it follows that any change in policy will systematically alter the structure of econometric models.[9]
ellauri096.html on line 674: This meant that, because the parameters of the models were not structural, i.e. not indifferent to policy, they would necessarily change whenever policy was changed. The so-called Lucas critique followed similar criticism undertaken earlier by Ragnar Frisch, in his critique of Jan Tinbergen's 1939 book Statistical Testing of Business-Cycle Theories, where Frisch accused Tinbergen of not having discovered autonomous relations, but "coflux" relations,[10] and by Jacob Marschak, in his 1953 contribution to the Cowles Commission Monograph, where he submitted that
ellauri096.html on line 676: In predicting the effect of its decisions (policies), the government...has to take account of exogenous variables, whether controlled by it (the decisions themselves, if they are exogenous variables) or uncontrolled (e.g. weather), and of structural changes, whether controlled by it (the decisions themselves, if they change the structure) or uncontrolled (e.g. sudden changes in people's attitude).[10]
ellauri096.html on line 678: The Lucas critique is representative of the paradigm shift that occurred in macroeconomic theory in the 1970s towards attempts at establishing micro-foundations.
ellauri096.html on line 679: In the 1980s, macro models emerged that attempted to directly respond to Lucas through the use of rational expectations econometrics.
ellauri096.html on line 680: The authors stated that, since fluctuations in employment are central to the business cycle, the "stand-in consumer [of the model] values not only consumption but also leisure," meaning that unemployment movements essentially reflect the changes in the number of people who want to work. "Household-production theory," as well as "cross-sectional evidence" ostensibly support a "non-time-separable utility function that admits greater inter-temporal substitution of leisure, something which is needed," according to the authors, "to explain aggregate movements in employment in an equilibrium model." For the K&P model, monetary policy is irrelevant for economic fluctuations.
ellauri096.html on line 682: The associated policy implications were clear: There is no need for any form of government intervention since, ostensibly, government policies aimed at stabilizing the business cycle are welfare-reducing. Since microfoundations are based on the preferences of decision-makers in the model, DSGE models feature a natural benchmark for evaluating the welfare effects of policy changes. The Kydland/Prescott 1982 paper is often considered the starting point of RBC theory and of DSGE modeling in general and its authors were awarded the 2004 Bank of Sweden Prize in Economic Sciences in Memory of Alfred Nobel.
ellauri096.html on line 684: Kun Kooma-mallin avulla tuotetaan arvioita erilaisten finanssipoliittisten toimenpiteiden vaikutuksista, tullaan samalla olettaneeksi, että talous todella toimii mallin taustaoletusten mukaisella tavalla. Kuten analyysissa todettiin, liittyy esimerkiksi ricardolaiseen ekvivalenssiin sisäänrakennettu teoreettinen oletus julkisen kulutuksen syrjäyttämisvaikutuksesta. Näin mallin tiedollisessa kehyksessä muodostuu tendenssi julkisen kulutuksen haitallisuudesta talouskasvun ja julkisen talouden velkasuhteen kannalta.
ellauri096.html on line 686: On tärkeää kysyä, että toimivatko ihmiset todella mallin taustaoletusten olettamalla tavalla: rationaalisesti, hyötyään maksimoiden ja toimintaansa ikuisuuteen nähden sopeuttaen? Rationaalisten odotusten ja ricardolaisen ekvivalenssin pätevyyteen liittyy empiirisiä epävarmuuksia, joita ei laisinkaan tuoda esille Kooma-mallin avulla laadituissa tarkasteluissa. Myös finanssipolitiikan vaikutusten empiirinen arvioiminen yksin kerroinvaikutuksia tarkastelemalla on hyvin vaikeaa esimerkiksi vaihteluvälien, eri varallisuusryhmiin kohdistuvien erilaisten vaikutusten sekä julkisen kulutuksen vaikutuksen eristämisen johdosta.
ellauri096.html on line 688: Eli lue: yrittäjät kähmimään ja charityä kehiin. Tää koomapaska on puhtaaxiviljeltyä chicagon mafian gangsterointia.
ellauri096.html on line 699: Frantz Omar Fanon (/ˈfænən/,[1] US: /fæˈnɒ̃/; French: [fʁɑ̃ts fanɔ̃]; 20 July 1925 – 6 December 1961), also known as Ibrahim Frantz Fanon, was a French West Indian psychiatrist and political philosopher from the French colony of Martinique (today a French department). His works have become influential in the fields of post-colonial studies, critical theory and Marxism. As well as being an intellectual, Fanon was a political radical, Pan-Africanist, and Marxist humanist concerned with the psychopathology of colonization and the human, social, and cultural consequences of decolonization.
ellauri096.html on line 701: Son livre Peau noire, masques blancs contient une critique de l´ouvrage Psychologie de la colonisation d´Octave Mannoni. Frantz Fanon adopte une attitude d´observateur extérieur au système colonial. Il n´admet pas l´analyse psychologique de Mannoni. En particulier l´élaboration du « complexe de Prospero » du colonisateur lui paraît « non fondée ». Les philosophes multiculturalistes (Charles Taylor, Will Kymlicka) ont plusieurs fois affirmé dans leurs articles s´inspirer des travaux de Fanon, précurseur du multiculturalisme.
ellauri096.html on line 704: Cet essai analytique se penche sur le colonialisme, l´aliénation du colonisé et les guerres de libération. Il étudie le rôle que joue la violence entre colonisateur et colonisé. Il prône la lutte anticolonialiste y compris par la violence et l´émancipation du tiers-monde. Le livre expose aussi avec une certaine prémonition les contradictions inhérentes à l´exercice du pouvoir dans l´ère post-coloniale en Afrique. C´est pour cela que Fanon est également connu pour le regard prospectiviste qu´il porte à l´égard de l´État-nation post-colonial africain.
ellauri096.html on line 706: Il est l´un des fondateurs du courant de pensée tiers-mondiste, et une figure majeure de l´anticolonialisme. Il a inspiré les études postcoloniales. Il cherche à analyser les conséquences psychologiques de la colonisation à la fois sur le colon et sur le colonisé. Dans ses livres les plus connus comme Les Damnés de la Terre, il analyse le processus de décolonisation sous les angles sociologique, philosophique et psychiatrique. Il a également écrit des articles importants en psychiatrie.
ellauri096.html on line 708: Selon sa biographe, Alice Cherki, Fanon devient en France — « le pays pour lequel la guerre d´Algérie n´a pas eu lieu » —, « un philosophe maudit ». Il est occulté pour sa condamnation radicale du colonialisme français : « En redonnant à la colonie son rôle dans la construction de la nation, de l’identité nationale et de la république française, Fanon fait apparaître comment la notion de « race » n’est pas extérieure au corps républicain et comment elle le hante ». Mettant en cause un clivage racial au fondement du système colonial, Fanon gêne le républicanisme d´une France qui se dit indifférente aux différences mais qui, dans son propre empire colonial, a dénié des droits à des populations au motif de leur « race » dite inférieure.
ellauri096.html on line 755: Kirjallisuutta koskevien pohdintojen ohella Anu paneutuu syvällisesti elämisen ja olemisen filosofiaan alkuräjähdyxestä loppuromahduxeen. Parhaalla tahdollakaan ei voi tulkita hänen päätelmiään optimistisixi. Ilmeinen Greta Thunbergin sukulaissielu. Mitenkäs se Trump taas niin osuvasti sille heittikään? “[s]he seems like a very happy young girl looking forward to a bright and wonderful future. So nice to see!” No Greta nauroi parhaiten viimesex kuin Hippon Akun toimelias vaimo.
ellauri096.html on line 777: Aristotle, on the other hand, took a more empirical approach to the question, acknowledging that we intuitively believe in akrasia. He distances himself from the Socratic position by locating the breakdown of reasoning in an agent’s opinion, not his appetition. Now, without recourse to appetitive desires, Aristotle reasons that akrasia occurs as a result of opinion. Opinion is formulated mentally in a way that may or may not imitate truth, while appetites are merely desires of the body. Thus, opinion is only incidentally aligned with or opposed to the good, making an akratic action the product of opinion instead of reason. For Aristotle, the antonym of akrasia is enkrateia, which means "in power" (over oneself).
ellauri096.html on line 779: The word akrasia occurs twice in the Koine Greek New Testament. In Matthew 23:25 Jesus uses it to describe hypocritical religious leaders, translated "self-indulgence" in several translations, including the English Standard version. Paul the Apostle also gives the threat of temptation through akrasia as a reason for a husband and wife to not deprive each other of sex (1 Corinthians 7:5). In another passage (Rom. 7:15–25) Paul, without actually using the term akrasia, seems to reference the same psychological phenomenon in discussing the internal conflict between, on the one hand, "the law of God," which he equates with "the law of my mind"; and "another law in my members," identified with "the flesh, the law of sin." "For the good that I would do, I do not; but the evil which I would not, that I do." (v.19)
ellauri096.html on line 806: In Piaget´s theory of cognitive development, the third stage is called the Concrete Operational Stage. During this stage, which occurs from age 7-12, the child shows increased use of logic or reasoning. One of the important processes that develops is that of Seriation, which refers to the ability to sort objects or situations according to any characteristic, such as size, color, shape, or type. For example, the child would be able to look at his plate of mixed vegetables and eat everything except the brussels sprouts.
ellauri096.html on line 808: The term seriation [mise en série] was proposed for use in semiotics by Jean Molino and derived from classical philology. Seriation "invokes the idea that any investigator, in order to assign some plausible meaning to a given phenomenon, must interpret it within a series of comparable phenomena." One cannot interpret what philology calls a hapax; that is, an isolated phenomenon. Art historian Erwin Panofsky has explained the situation in very clear terms:
ellauri096.html on line 810: "Whether we deal with historical or natural phenomena, the individual observation of phenomena assumes the character of a 'fact' only when it can be related to other, analogous observations in such a way that the whole series 'makes sense.' This 'sense' is, therefore, fully capable of being applied, as a control, to the interpretation of a new individual observation within the same range of phenomena. If, however, this new individual observation definitely refuses to be interpreted according to the 'sense' of the series, and if an error proves to be impossible, the 'sense' of the series will have to be reformulated to include the new individual observation (1955, p. 35)" (1990, pp. 230–231).
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Opiskelijat muodostivat aivan oman yhteiskuntaluokkansa. (Ja paskat, kyllä ne oli kermaan menossa, tää oli vaan väliaikasta initiaatiovaihetta.) He lauloivat opiskelijalauluja, miekkailivat ja pukeutuivat yliopistonsa tai osakuntansa väreihin. Pienet teräaseet kuten Victorinox-linkkarit olivat osa miesten normaalipukeutumista, ja vähitellen niistä kehittyi Saksassa erityisiä mensuurimeikkailuun tarkoitettuja miekkoja. Perinteisissä kaksintaisteluissa käytettiin yleensä Ranskasta lähtöisin olevaa kalpaa, jota käyttämällä ottelijan taidot ja nopeus pääsivät oikeuksiinsa. Kalpataisteluissa kuoli kuitenkin runsaasti nuorukaisia, sillä kalvan terävä kärki tunkeutui helposti rintakehään ja saattoi puhkaista esimerkiksi keuhkon. Siksi opiskelijapiireissä kehittyi vähitellen turvallisempi menstruaatiomeikkailu. Siinä miekkailijat pysyivät paikoillaan ja käyttivät tylppäkärkistä korbschläger-miekkaa, joka ei mene sisään kuin valmiista reiästä.
ellauri096.html on line 863: ”Vastustajan voimat näyttivät hupenevan, ja hänen kalpeilla kasvoillaan erottui punaisia laikkuja. Hän haukkoi henkeään erien välissä eikä silti tahtonut saada happea. Kun se hitaasti upposi tajuntaani, aloin vain toivoa, että hän pian pyörtyisi. Paizi sitten se ei ehtisi merkata minua. Verdammt noch mal!” Mensuurimeikkailu paljasti armottomasti, oliko nuorukaisessa tosimiehen aineksia kuin Aki Mannisessa, vai onko se väpelö kuten se nörtti taiteellinen telttakaveri. Mikään ei muutu, vaan verryttelypuvut vaihtuvat. Paukapäiden kasvojen piti mittelön aikana kuvastaa malttia, urheutta ja rehtiyttä – ei kiihkoa, silmitöntä verenhimoa saati sitten pelkoa. Jos paukantti käänsi päänsä sivuun miekan terän tieltä tai räpytti silmiään, hänet leimattiin armotta pelkuriksi ja hän sai ylimääräisen reijän perseeseen. Kunnian puolustaminen oli mensuurimeikkailun keskeinen arvo. Kuuluisa saksalainen runoilija Heinrich Heine opiskeli 1800-luvulla Göttingenin yliopistossa. Hän oli taustaltaan juutalainen ja päätyi miekkailemaan juutalaisvastaisen solvauksen esittänyttä opiskelijaa vastaan. Hänen kustantajansa rohkaisi suosikkirunoilijaansa sanoilla: ”Ennemmin kuolema kuin häpeä!” "Ennemmin häpeä kuin perseeseen 2 lisäläpeä", laukaisi Chaim leukavasti.
ellauri096.html on line 867: Moni historian maalimies harrasti nuorena mensuurimeikkailua. Heidän joukossaan oli muun muassa kommunismin isä Karl Marx. Yhteiskuntafilosofi Karl Marxilla (1818–1883) oli vasemman silmänsä yläpuolella mensuurimeikkailuottelussa Bonnin yliopistossa saatu arpi. Sekin oli muuten juutalaisia. Kainin merkkiä kantoivat Heikin kaa. Saksalainen säveltäjä Richard Wagner (1813–1883) saattoi sekin olla jutku tuntemattomaxi jääneen isän puolelta. Se oli innokas miekkailija opiskeluaikoinaan Leipzigissä, missä hän kuului yliopiston Saksikäsi-osakuntaan. Natsijohtaja Ernst Kaltenbrunner (1903–1946) tunnettiin julmuudestaan. Hänellä oli kasvoissaan useita mensuuriotteluista saatuja arpia ja useampia Victorinox-linkkuveizistä saatuja peräpuolella. Hullu filosofi Friedrich Nietzsche (1844–1900) opiskeli Bonnin yliopistossa teologiaa ja kuului Francofobia-osakuntaan. Hän keskeytti opintonsa vuoden jälkeen ja vaihtoi kielitieteeseen. Tanskalainen tähtitieteilijä Tyko Brahe (1546–1601) menetti nenänsä miekkataistelussa Rostockin yliopistossa. Syynä oli aivan mahdoton tunarointi. Silitysrautakansleri Otto von Bismarck (1815–1898) oli innokas miekkailija Göttingenin yliopistossa, missä sillä meni paremmin meikkailusalilla kuin luennoilla. Autotehtailija Ferdinand Porsche (1875–1951) opiskeli Wienissä ja miekkaili osakuntansa Bruna Bröder edustajana.
ellauri096.html on line 875: Koska menstruaatiomeikkailun keskeinen ajatus oli kuukausittainen kunnaan suomustaminen, kaxintaistelua piti edeltää loukkaus. Mikä tahansa tölväisy ei kuitenkaan kelvannut syyksi. Esimerkiksi läimäystä persauxiin pidettiin pätevänä syynä kaksintaisteluun, ja myös toisen älyn vähättely oli oiva keino saada kutsu osakunnan meikkailusaliin. ”Dummkopf” oli yleinen solvaus, ja myös toisen nimittäminen aasiksi ("Esel") johti yleensä toivottuun lopputulokseen. Ennen taistelua loukkaus piti kuitenkin hyväksyttää osakunnan kunniakomiteassa. Vaatimus loukkauksesta aiheutti joskus ongelmia. Monien osakuntien säännöt vaativat, että niiden jäsenten piti osallistua vähintään kahteen otteluun lukukaudessa. Rauhallisten opiskelijoiden oli kuitenkin usein vaikea haalia riittävästi loukkauksia, ja vuonna 1850 osakunnat alkoivatkin loukata väpelöitä ihan tarkoituxella: "Weiblicher! Virilisierter Mannling! Rotzlöffel! Nichtssagender Furz!!" Meikkailuotteluita järjestettiin sunnuntaisin aamukuudesta iltamyöhään sovitussa paikassa kaupungin laidalla. Puuttuvista loukkauksista aiheuvat ongelmat ratkaisiin potkuilla persauxiin, mutta miekkailijoiden pelkoja ne eivät lievittäneet, päinvastoin pahensivat. Paukantit rauhoittivatkin usein hermojaan konjakilla ja pervitiinillä. Ottelun jälkeen pelko ja jännitys palkittiin: nuorukaiset, joilla oli jossain komeita mensisarpia, herättivät muissa miehissä kiinnostusta ja saivat niiden sydämen pamppailemaan. Veri virtasi paisuvaisissa, kun saksalaiset opiskelijat mittelivät pippeleitään.
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Schopenholic und Schwester
Tipukirjallisuutta

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ellauri097.html on line 47: Tänään oli kaikki vielä hyvin juutalaisten kannalta, valemessias oli riiputettu kypsäxi ja pantu ison kiven alle marinoitumaan. Ikävyydet alkoivat vasta seuraavana päivänä joka oli arkipäivä. Kapinalliset kaivoivat johtajansa kiven alta salakähmäisesti kuin siiran ja kuskasivat jonnekin. Sanhedrinin Arimatian edustajalla saattoi olla sormet pelissä. Police suspect foul play, Israelin salainen poliisi Shin Bet tutkii asiaa. Jotkut väittää nähneensä taivaalla oudon valoilmiön. Liittyneekö eiliseen pimennyxeen ja pieneen tärähtelyyn. No nyt ne on jo ohize. Varmaan menee tovi ennen kuin ne toistuvat.
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ellauri097.html on line 65: As a scholar, Mencken is known for The American Language, a multi-volume study of how the English language is spoken in the United States. As an admirer of the German philosopher Friedrich Nietzsche, he was an outspoken opponent of organized religion, theism, populism, and representative democracy, the last of which he viewed as a system in which inferior men dominated their superiors. Mencken was a supporter of scientific progress though he couldn´t find his arse with both hands. He was critical of osteopathy and chiropractic. He was also an open critic of economics. In a word: a royal pain in the ass.
ellauri097.html on line 67: Olipa erikoinen sekametelisoppa mielipiteitä. Helpful Henry saattoi olla sukua Punahousun kaverille suomalaiselle Nelisormi Pete Menckenille, joka sivistyi vain hermostuneen Dick Hillin hullunkurisista kirjannimistä. Klikkiozikot taisi olla tänkin autodidaktin pääasiallinen tietolähde.
ellauri097.html on line 85: Mutta takas Menckeniin. 9-vuotiaana se luki Mark Twainin Huckleberry Finn, mikä oli "the most stupendous event in my life." No taisi olla tylsä elämä. Kylse varmaan luki Twainilta niitä ateistijuttujakin. For Mencken, Huck Finn epitomizes the hilarious dark side of America, where democracy, as defined by Mencken, is "the worship of jackals by jackasses." Siinä se on oikeassa kyllä mutta demokratia on silti paras kexintö. Ilman sitä samat kusipäät ja niiden sakaalit hallizis ilman aaseja. Demokratiassa sentään vaihdetaan aasit ja sakaalit määräaikoina.
ellauri097.html on line 88: In one winter while in high school he read William Makepeace Thackeray and then "proceeded backward to Addison, Steele, Pope, Swift, Johnson and the other magnificos of the Eighteenth century." He read the entire canon of Shakespeare and became an ardent fan of Rudyard Kipling and Thomas Huxley.
ellauri097.html on line 95: Mencken admired the German philosopher Friedrich Nietzsche (he was the first writer to provide a scholarly analysis in English of Nietzsche´s views and writings) and Joseph Conrad. His humor and satire owed much to Ambrose Bierce and Mark Twain. He did much to defend Dreiser despite freely admitting his faults, including stating forthrightly that Dreiser often wrote badly and was a gullible man. Mencken also expressed his appreciation for William Graham Sumner in a 1941 collection of Sumner´s essays and regretted never having known Sumner personally. In contrast, Mencken was scathing in his criticism of the German philosopher Hans Vaihinger, whom he described as "an extremely dull author" and whose famous book Philosophy of 'Als ob' he dismissed as an unimportant "foot-note to all existing systems."
ellauri097.html on line 97: Mencken recommended for publication philosopher and author Ayn Rand´s first novel, We the Living and called it "a really excellent piece of work." Shortly afterward, Rand addressed him in correspondence as "the greatest representative of a philosophy" to which she wanted to dedicate her life, "individualism" and later listed him as her favorite columnist. No voi vietävä!
ellauri097.html on line 99: Mencken is fictionalized in the play Inherit the Wind (a fictionalized version of the Scopes Monkey Trial of 1925) as the cynical sarcastic atheist E. K. Hornbeck (right), seen here as played by Gene Kelly in the Hollywood film version.
ellauri097.html on line 101: Mencken was a keen cheerleader of scientific progress but was skeptical of economic theories and strongly opposed to osteopathic/chiropractic medicine. He also debunked the idea of objective news reporting since "truth is a commodity that the masses of undifferentiated men cannot be induced to buy" and added a humorous description of how "Homo Boobus," like "higher mammalia," is moved by "whatever gratifies his prevailing yearnings."
ellauri097.html on line 103: Such turns of phrase evoked the erudite cynicism and rapier sharpness of language displayed by Ambrose Bierce in his darkly-satiric The Devil's Dictionary. A noted curmudgeon, democratic in subjects attacked, Mencken savaged politics, hypocrisy, and social convention. A master of English, he was given to bombast and once disdained the lowly hot dog bun's descent into "the soggy rolls prevailing today, of ground acorns, plaster of Paris, flecks of bath sponge and atmospheric air all compact."
ellauri097.html on line 107: Like Nietzsche, he also lambasted religious belief and the very concept of Cod, as Mencken was an unflinching atheist, particularly Christian fundamentalism, Christian Science and creationism, and against the "Booboisie," his word for the ignorant middle classes. In the summer of 1925, he attended the famous Scopes "Monkey Trial" in Dayton, Tennessee, and wrote scathing columns for the Baltimore Sun (widely syndicated) and American Mercury mocking the anti-evolution Fundamentalists (especially William Jennings Bryan). The play Inherit the Wind is a fictionalized version of the trial, and as noted above the cynical reporter E.K. Hornbeck is based on Mencken. In 1926, he deliberately had himself arrested for selling an issue of The American Mercury, which was banned in Boston by the Comstock laws. Mencken heaped scorn not only on the public officials he disliked but also on the state of American elective politics itself.
ellauri097.html on line 113: In the summer of 1926, Mencken followed with great interest the Los Angeles grand jury inquiry into the famous Canadian-American evangelist Aimee Semple McPherson. She was accused of faking her reported kidnapping and the case attracted national attention. There was every expectation that Mencken would continue his previous pattern of anti-fundamentalist articles, this time with a searing critique of McPherson. Unexpectedly, he came to her defense by identifying various local religious and civic groups that were using the case as an opportunity to pursue their respective ideological agendas against the embattled Pentecostal minister. He spent several weeks in Hollywood, California, and wrote many scathing and satirical columns on the movie industry and Southern California culture. After all charges had been dropped against McPherson, Mencken revisited the case in 1930 with a sarcastic and observant article. He wrote that since many of that town´s residents had acquired their ideas "of the true, the good and the beautiful" from the movies and newspapers, "Los Angeles will remember the testimony against her long after it forgets the testimony that cleared her."
ellauri097.html on line 121: The Presidency tends, year by year, to go to such men. As democracy is perfected, the office represents, more and more closely, the inner soul of the people. We move toward a lofty ideal. On some great and glorious day the plain folks of the land will reach their heart´s desire at last, and the White House will be adorned by a downright moron.
ellauri097.html on line 126: Mencken defended the evolutionary views of Charles Darwin, but spoke unfavorably of many prominent physicists and had little regard for pure mathematics. Regarding theoretical physics, he said to longtime editor Charles Angoff, "Imagine measuring infinity! That´s a laugh." Ei se osannut kuin neljä laskutapaa, nekin sinnepäin.
ellauri097.html on line 128: Elsewhere, he dismissed higher mathematics and probability theory as "nonsense", after he read Angoff´s article for Charles S. Peirce in the American Mercury. "So you believe in that garbage, too—theories of knowledge, infinity, laws of probability. I can make no sense of it, and I don´t believe you can either, and I don´t think your god Peirce knew what he was talking about."
ellauri097.html on line 130: Uuskantilainen Vaihinger began to develop a system of philosophy he called the "philosophy of 'als ob' ". In it he offered a system of thought in which God and reality might best be represented as paradigms. This was not to say that either God or reality was any less certain than anything else in the realm of man’s awareness, but only that all matters confronting man might best be regarded in hypothetical ways.
ellauri097.html on line 132: Frank Kermode´s The Sense of an Ending (1967) was an early mention of Vaihinger as a useful methodologist of narrativity. He says that "literary fictions belong to Vaihinger’s category of 'the consciously false.' They are not subject, like hypotheses, to proof or disconfirmation, only, if they come to lose their operational effectiveness, to neglect."
ellauri097.html on line 134: the American journalist Mencken was scathing in his criticism of the book, which he dismissed as an unimportant "foot-note to all existing systems". Vaihinger was also criticised by the Logical positivists who made "curt and disparaging references" to his work.
ellauri097.html on line 136: In 1989, per his instructions, Alfred A. Knopf published Mencken's "secret diary" as The Diary of H. L. Mencken. According to an Associated Press story, Mencken's views shocked even the sympathetic scholar who edited it.
ellauri097.html on line 143: I admit freely enough that, by careful breeding, supervision of environment and education, extending over many generations, it might be possible to make an appreciable improvement in the stock of the American Negro, for example, but I must maintain that this enterprise would be a ridiculous waste of energy, for there is a high-caste white stock ready at hand, and it is inconceivable that the Negro stock, however carefully it might be nurtured, could ever even remotely approach it. The educated Negro of today is a failure, not because he meets insuperable difficulties in life, but because he is a Negro. He is, in brief, a low-caste man, to the manner born, and he will remain inert and inefficient until fifty generations of him have lived in civilization. And even then, the superior white race will be fifty generations ahead of him.
ellauri097.html on line 147: Mencken countered the arguments for Anglo-Saxon superiority prevalent in his time in a 1923 essay entitled "The Anglo-Saxon," which argued that if there was such a thing as a pure "Anglo-Saxon" race, it was defined by its inferiority and cowardice. "The normal American of the 'pure-blooded' majority goes to rest every night with an uneasy feeling that there is a burglar under the bed and he gets up every morning with a sickening fear that his underwear has been stolen."
ellauri097.html on line 149: Mencken repeatedly identified mathematics with metaphysics and theology. According to Mencken, mathematics is necessarily infected with metaphysics because of the tendency of many mathematical people to engage in metaphysical speculation. In a review of Alfred North Whitehead's The Aims of Education, Mencken remarked that, while he agreed with Whitehead's thesis and admired his writing style, "now and then he falls into mathematical jargon and pollutes his discourse with equations," and "[t]here are moments when he seems to be following some of his mathematical colleagues into the gaudy metaphysics which now entertains them."[50] For Mencken, theology is characterized by the fact that it uses correct reasoning from false premises. Mencken also uses the term "theology" more generally, to refer to the use of logic in science or any other field of knowledge. In a review for both Arthur Eddington's The Nature of the Physical World and Joseph Needham's Man a Machine, Mencken ridiculed the use of reasoning to establish any fact in science, because theologians happen to be masters of "logic" and yet are mental defectives:
ellauri097.html on line 151: Is there anything in the general thinking of theologians which makes their opinion on the point of any interest or value? What have they ever done in other fields to match the fact-finding of the biologists? I can find nothing in the record. Their processes of thought, taking one day with another, are so defective as to be preposterous. True enough, they are masters of logic, but they always start out from palpably false premises.
ellauri097.html on line 153: Instead of mathematical "speculation" (such as quantum theory), Mencken believed physicists should just directly look at individual facts in the laboratory like chemists:
ellauri097.html on line 155: If chemists were similarly given to fanciful and mystical guessing, they would have hatched a quantum theory forty years ago to account for the variations that they observed in atomic weights. But they kept on plugging away in their laboratories without calling in either mathematicians or theologians to aid them, and eventually they discovered the isotopes, and what had been chaos was reduced to the most exact sort of order.
ellauri097.html on line 157: Ei ihme että sen pikku kemistin keitoxet tuppas räjähtelemään. Eise edes tiennyt mitä on krestomatia, (se on sellanen opetuslukemisto kuten Cornelius Nepos tai Diodorus Siculus). Omaansa se keräs vaan omia vanhoja juttuja. Keskisormi Peten valittuja vittuiluja.
ellauri097.html on line 159: In the same article which he later re-printed in the Mencken Chrestomathy, Mencken primarily contrasts what real scientists do, which is to simply directly look at the existence of "shapes and forces" confronting them instead of (such as in statistics) attempting to speculate and use mathematical models. Physicists and especially astronomers are consequently not real scientists, because when looking at shapes or forces, they do not simply "patiently wait for further light," but resort to mathematical theory. There is no need for statistics in scientific physics, since one should simply look at the facts while statistics attempts to construct mathematical models. On the other hand, the really competent physicists do not bother with the "theology" or reasoning of mathematical theories (such as in quantum mechanics):
ellauri097.html on line 161: [Physicists] have, in late years, made a great deal of progress, though it has been accompanied by a considerable quackery. Some of the notions which they now try to foist upon the world, especially in the astronomical realm and about the atom, are obviously nonsensical, and will soon go the way of all unsupported speculations. But there is nothing intrinsically insoluble about the problems they mainly struggle with, and soon or late really competent physicists will arise to solve them. These really competent physicists, I predict, will be too busy in their laboratories to give any time to either metaphysics or theology. Both are eternal enemies of every variety of sound thinking, and no man can traffic with them without losing something of his good judgment.
ellauri097.html on line 163: Mencken ridiculed Albert Einstein's theory of general relativity, believing that "in the long run his curved space may be classed with the psychosomatic bumps of [Franz Josef] Gall and [Johann] Spurzheim." In his private letters, he said:
ellauri097.html on line 165: It is a well known fact that physicists are greatly given to the supernatural. Why this should be I don't know, but the fact is plain. One of the most absurd of all spiritualists is Sir Oliver Lodge. I have the suspicion that the cause may be that physics itself, as currently practised, is largely moonshine. Certainly there is a great deal of highly dubious stuff in the work of such men as Eddington.
ellauri097.html on line 167: His later work consisted of humorous, anecdotal, and nostalgic essays that were first published in The New Yorker and then collected in the books Happy Days, Newspaper Days, and Heathen Days. Mencken was preoccupied with his legacy and kept his papers, letters, newspaper clippings, columns, and even grade school report cards. After his death, those materials were made available to scholars in stages in 1971, 1981, and 1991 and include hundreds of thousands of letters sent and received. The only omissions were strictly personal letters received from women.
ellauri097.html on line 169: Peteäkin tais loppumetreillä alkaa hermostuttaa kuin Dick Hilliä. Vanhat ateistit alkaa usein kulkea vähän selkä kyyryssä, ettei vaan se suuri nuija pilvenlongalta yllättäen sittenkin kalloon kumahda. Ettei Punavyö riisu niiltä nolosti Saapaskukkulalla housuja. Kun se oli saanut slaagin se alkoi puhua itsestään menneen ajan muodoilla. Se keräs talteen joka ikisen lippusen ja lappusen jotta ne säilyis jälkipolville. Sen taivastoivo oli niissä zetteleissä. Mä en kyl toivo mitään näistä paasauxista. Kuhan paasasin ajankuluxi.
ellauri097.html on line 258: Julien Green est né à Paris, 4, rue Ruhmkorff, de parents américains, descendant du côté de sa mère du sénateur et représentant démocrate de la Géorgie au congrès américain Julian Hartridge (en) (1829-1879) et dont Julien Green porte le prénom (Green a été baptisé « Julian » ; l'orthographe a été changée en « Julien » par son éditeur français dans les années 1920). Il grandit dans le 16e arrondissement de Paris, puis au Vésinet et passe ses vacances dans la commune d'Andrésy, dans les Yvelines. Il poursuit toutes ses études en France au lycée Janson-de-Sailly. Sa mère, protestante pieuse et aimante, meurt alors qu'il a 14 ans, et la famille déménage rue Cortambert, à Paris. Il se convertit au catholicisme en 1916, à la suite de son père et de toutes ses sœurs, ainsi qu'il le raconte dans Ce qu'il faut d'amour à l'homme, son autobiographie spirituelle. Il abjure l'anglicanisme à la crypte de la chapelle des sœurs de la rue Cortambert. Âgé de seulement 17 ans, Julian Green réussit à rejoindre les rangs de la Croix-Rouge américaine, puis est détaché dans l’artillerie française en 1918 en tant que sous-lieutenant et sert en Italie. Démobilisé en mars 1919, il se rend pour la première fois aux États-Unis en septembre de la même année et effectue trois ans d'études à l’université de Virginie, où il éprouve un premier amour chaste et secret pour un camarade d'études. Il écrit son premier livre en anglais, avant de revenir vivre en France.
ellauri097.html on line 260: À Paris, il rencontre Robert de Saint Jean en 1924. Ils resteront liés durant soixante ans. La publication du Journal intégral, à partir de 2019, a révélé que cet amour, longtemps présenté comme platonique, revêtait aussi une dimension sexuelle.
ellauri097.html on line 262: En juillet 1940, après la défaite de la France, il retourne en Amérique. En 1942, il est mobilisé et envoyé à New York pour servir au Bureau américain de l'information de guerre. De là, cinq fois par semaine, il s'adresse à la France dans l'émission de radio Voice of America, travaillant entre autres avec André Breton. Il enseigne la littérature dans une faculté de jeunes filles américaines. Julien Green revient en France juste après la Seconde Guerre mondiale et retourne à la foi de sa jeunesse.
ellauri097.html on line 266: Il est enterré le 21 août 1998 à Klagenfurt en Autriche dans l'église Saint-Egid ; Éric Jourdan, son fils adoptif, repose à ses côtés depuis 2015. Ému par une statue ancienne de la Vierge Marie lors d'une visite en 1990, l'écrivain avait émis le désir d'être inhumé dans une des chapelles de cette église, l’Église catholique ayant, en France, refusé son inhumation en l’église d'Andrésy.
ellauri097.html on line 272: Le second tome de son journal ajoute environ 60 % de contenus inédits, en particulier sur la vie sexuelle très active de Green, mais aussi sur son quotidien et ses amitiés ou inimitiés littéraires.
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Manoly, Patrick ja 3 perunaa

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Patrick White

ellauri097.html on line 292: ick">Patrick White (1912–1990) was raised in Sydney’s well-to-do Rushcutter’s Bay, and was sent to England at 13. He attended boarding school, then Cambridge, and during the war was stationed in North Africa. It was there, in 1941, that White met Manoly Lascaris, the Greek officer who he would love for the rest of his life. By the time White and Lascaris returned to Australia. in 1947 White had written three tepidly received novels, and a play. It took coming home to Sydney to transform his writing and elevate it to the level of genius. White produced The Tree of Man, in 1955, his first novel to be written in Sydney. He went on to write a string of masterpieces in quick succession: Voss, Riders in the Chariot, The Vivisector. He received the Nobel Prize for Literature in 1973. The Nobel committee credited White “for an epic and psychological narrative art which has introduced a new continent into literature.”
ellauri097.html on line 296: He became a literary icon, but White knew that people rarely actually read his work. He professed not to care what people thought, but he would sometimes check for copies of his novels in local libraries. He would search for dog-ears and stains, to gauge how far in the book they had read. Most people, he deduced, never finished. The Australian reading public never quite warmed to White, and nothing much has changed. My grandmother “couldn’t stand him.” I have seen my mother take up one of his novels—The Solid Mandala—and after a few moments quite literally toss it aside. White’s books are metaphysical, lyrical, high modernist, full of baroque descriptions of landscapes, and unsparing in his examination of the people who live in them. For a country besotted with kitchen-sink realism and plain-speaking larrikins, Patrick White was baffling.
ellauri097.html on line 298: In 2006, the Weekend Australian newspaper conducted an experiment. They submitted chapter three of The Eye of the Storm (1973) to twelve publishers and agents around Australia under an anagram of White’s name, Wraith Picket. Nobody offered to publish the book. One responded, “the sample chapter, while reply (sic) with energy and feeling, does not give evidence that the work is yet of a publishable quality.” Notwithstanding that the chapter was not White’s finest writing, and the unfairness of submitting a chapter out of narrative sequence, the hoax prompted a minor crisis in Australian literature: if the industry couldn’t recognize the greatness of our sole Nobel winner, how unenlightened must the country’s publishing industry be now? Shortly thereafter, the ABC launched an online portal called Why Bother With Patrick White? The portal always struck me as sad. What other major writer would need a website dedicated to convincing his countrymen to give him another go? The link to the website is dead now. It would seem, in the end, that nobody could be bothered with Patrick White.
ellauri097.html on line 302: In some respects this reflects a national pathology. Unlike an American or British child, an Australian student can go through thirteen years of education without reading much of their country’s literature at all (of the more than twenty writers I studied in high school, only two were Australian). This is symptomatic of the country’s famed “cultural cringe,” a term first coined in the 1940s by the critic A.A. Phillips to describe the ways that Australians tend to be prejudiced against home-grown art and ideas in favor of those imported from the UK and America. Australia’s attitude to the arts has, for much of the last two centuries, been moral. “What these idiots didn’t realize about White was that he was the most powerful spruiker for morality that anybody was going to read in an Australian work,” argued David Marr, White’s biographer, during a talk at the Wheeler Centre in 2013. “And here were these petty little would-be moral tyrants whinging about this man whose greatest message about this country in the end was that we are an unprincipled people.”
ellauri097.html on line 304: But if White could criticize the country and call Australians unprincipled buggers, it was something he had earned by going back.
ellauri097.html on line 313: Ulrichs war überzeugt, dass die Urninge und die Dioninge von verschiedener Natur seien und daher der Ausdruck „widernatürliche Unzucht“ auf Liebe zwischen Urningen nicht anwendbar war. Die Liebe zwischen zwei Urningen war nach Meinung Ulrichs’ in höchstem Maße ethisch, weil sie die beiden Individuen ihrer Natur gemäß entwickeln lässt. In seinen Schriften erörterte Ulrichs auch die Frage einer Ehe zwischen einem Urning und einem Dioning und inwieweit diese ethisch vertretbar sei.
ellauri097.html on line 314: In seinem Entwurf zu den „Satzungen für den Urningsbund“ hat Ulrichs unter „Zwecke“ angegeben:
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gegenüber der öffentlichen Meinung und den Organen des Staats die angeborenen Menschenrechte der Urninge zu verfechten, ihnen namentlich Gleichstellung mit den Dioningen vor dem Gesetz und in der menschlichen Gesellschaft überhaupt zu vindiciren.
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den einzelnen Urningen, welche ihres Uranismus wegen zu dulden haben, in jeder Noth und Gefahr beizustehn, ihnen wenn thunlich, auch zu angemessener Lebensstellung zu helfen.“
ellauri097.html on line 324: Seuraavaan taulukkoon on kirjattu kirjailijoiden mieltymyxiä luokiteltuna uraniaaniaktivisti ich Karl">Karl Heinrich Ulrichin (1825-95) viiden kirjasen Forschungen über das Räthsel der mannmännlichen Liebe (1864-65) mukaisesti. HUOM nää ryhmät ei ole toisiansa poissulkevia eikä varmaan tyhjentäviäkään. Esim. on vaikee sanoa onko joku Männling vai Weibling, ei ne välttämättä ole kiveenhakattuja rooleja. Vaikka kyllähän usein homoliitoissa näkee kuka käskee ja kuka keittää perunat. Vaan niinpä näkee heteronormatiivisissakin.
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ellauri097.html on line 356: Sie wollte sich ihn wiederholen Se tahtoi hakea sen takaisin
ellauri097.html on line 357: Ich hab sie nicht mehr losgelassen Mä en laskenut enää irti sitä
ellauri097.html on line 369: Sie sind mir vorher gar nicht aufgefallen Joita en aikaisemmin huomannut
ellauri097.html on line 370: Ich kann mich jeden Tag beglücken Voin onnitella izeäni päivittäin
ellauri097.html on line 371: Ich kann mir selber Rosen schicken Voin lähettää izelleni ruusuja
ellauri097.html on line 373: Eins und eins das ist gleich Yx plus yx on ihan sama
ellauri097.html on line 376: Ich bin in mich verliebt Oon rakastunut minuun
ellauri097.html on line 378: Eins für mich Yxi mulle
ellauri097.html on line 379: Eins für dich Yxi sulle
ellauri097.html on line 380: Gibt es nicht Für mich Eix mulle yhtään
ellauri097.html on line 382: Ich bin alleine doch nicht allein Olen yxin mutten yxinäinen
ellauri097.html on line 387: Konnte ich mich selbst befruchten Mä voin hedelmöittää mut
ellauri097.html on line 388: So bin ich dann auch nicht verzagt Ja pystyn tekee työtä käskettyä
ellauri097.html on line 389: Wenn einer zu mir "Fick dich" sagt Kun joku sanoo "vedä perseesees".
ellauri097.html on line 396: Kant war Junggeselle, und es ist nichts überliefert von intimen Kontakten mit Frauen oder von ernsthaft betriebenen Kontakt- oder Heiratsabsichten. Kant wird von J. D. Metzger, einem frühen Kant-Biographen (1804), als "misogyn" bezeichnet, also als "frauenhassend". "Misogyn" kann auch einfach nur bedeuten "mochte nicht heiraten", vielleicht kann sich damals unter dem Terminus aber auch die Bedeutung "schwul" versteckt haben. Nicht undenkbar in einer Zeit, da man solche Neigungen auf keinen Fall öffentlich machen durfte.
ellauri097.html on line 397: Trotz der attestierten "Misogynie", konnte Kant ausgesprochen charmant gegenüber Frauen sein. Erwähnt sei nur die kluge und schöne Gräfin Caroline Charlotte Amalie von Keyserlingk, die Kant sehr schätzte und die ihn bei Gesellschaften im Hause Keyserlingk meist neben sich platzierte. Kant nannte sie "eine Zierde ihres Geschlechts".
ellauri097.html on line 399: Nennenswert ist auch ein Brief von Maria Charlotte Jacobi an Kant vom Sommer 1762. In neckischem Ton schreibt sie, sie und ihre Freundin hätten den Magister nicht - wie erwartet - im Garten gefunden. Sie beschäftige sich jetzt gerade mit dem Verfertigen eines Degenbandes für ihn und erwarte ihn für "morgen Nachmittag". Der Brief endet mit dem Satz: "Meine Freundin und ich überschicken Ihnen einen Kuss ..."
ellauri097.html on line 400: Die charmanten Flirt-Elemente in Kants Kontakt zu Frauen werden gewöhnlich in dem Sinne interpretiert, Kant sei "dem weiblichen Geschlecht gegenüber nicht verschlossen" gewesen, würde also eventuell auch Gefallen am Heiraten gefunden haben können. Aber wenn es dann "so weit" gewesen sei, habe Kant zu lange gezögert. Ein heterosexueller Hintergrund wird also fraglos vorausgesetzt. Aber heißt das etwas? Ein galanter und verständnisvoller Umgang mit Frauen ist nicht unbedingt ein Alleinmerkmal der Heterosexuellen.
ellauri097.html on line 402: Der jüngere Kant hatte eine überdurchschnittliche Freude daran, sich auffallend und schick zu kleiden. Deshalb wurde er "eleganter Magister" genannt. In der Zeit bis 1765 trug er häufig einen (hell)braunen Rock - sehr unüblich unter Magistern - und die dazu passende gelbe Weste. Er ließ auch die Röcke mit Goldschnur einfassen und trug, solange es modern war, einen Degen. Ein dänischer Besucher bescheinigte 1791 noch dem älteren Kant eine "etwas übertriebene Galanterie im Anzuge". Noch im höchsten Alter sagte Kant, er wolle keine schwarzen Strümpfe tragen, weil die Farbe schwarz seine dünnen Waden noch dünner erscheinen lasse.
ellauri097.html on line 404: Es hat in Kants Leben Männerfreundschaften gegeben, die weit über Wissenschaftlerkontakte hinausgegangen sind und die man als enge Bindungen bezeichnen muss. Hier ist zum Beispiel der englische Geschäftsmann Joseph Green (1727 - 1786) zu nennen. Diesen besuchte Kant jahrzehntelang täglich und speiste regelmäßig bei ihm, unternahm mit ihm Ausflüge, hatte bei dessen Firma sein Geld angelegt, ging mit Green jeden Satz(!) seiner ersten "Kritik" durch. Green hatte, so ein Zitat beim Kant-Biografen Kühn, "unstreitig auf sein (Kants) Herz und auf seinen Charakter einen entscheidenden Einfluss". Nach Greens Tod 1786 besuchte Kant nie mehr eine Abendgesellschaft und verzichtete bis zu seinem Lebensende ganz und gar auf jegliches(!) Abendessen.
ellauri097.html on line 406: Nicht etwa ein Ahnenvater von Julien Green? Hung sein Bild auch auf der Wand der Greenschen Familie in Paris?
ellauri097.html on line 408: Während Kant mit Green erst ab seinem fünften Lebensjahrzehnt eng befreundet war - seit er mit der Konzeption seiner ersten "Kritik" begann -, gab es vorher andere enge Freunde. Einer war Christian Jacob Kraus. 29 Jahre jünger als Kant, wurde er 1780 sein Kollege. Auch er war und blieb Junggeselle. Als Kant 1787 ein eigenes Haus kaufte und regelmäßig Honoratioren zu seinem Mittagstisch einlud, war Kraus dabei - und zwar nicht nur als einer der Gäste, sondern als Gesellschafter, das heißt, als Gastgeber, der sich auch die Kosten der Mahlzeit mit Kant teilte. Außerdem blieb Kraus nach dem Mittagessen oft bis sieben oder acht Uhr abends bei Kant - länger als alle anderen Tischgäste. Für die Königsberger Straßenpassanten bildeten die beiden schon bald ein originelles "Pärchen", zumal sie sich äußerlich sehr ähnelten - beide waren sehr klein. Die Nähe zwischen beiden muss groß gewesen sein, denn Kant schenkte Kraus 1787 einen Brillantring.
ellauri097.html on line 410: Jedoch währte das derart gute Verhältnis nicht lange. Kant nötigte Kraus dazu, eine kritische Rezension von Herders Ideen zur Philosophie der Geschichte der Menschheit zu verfassen. Kraus quälte sich damit sehr, da Kant ihn in eine bestimmte Richtung - die nicht ganz die seine war - zu drängen suchte. Die Rezension wurde zwar fertig gestellt, Kant änderte sie aber vor dem Druck nochmals in seinem Sinne. Dies kränkte Kraus sehr. So meldete er sich schließlich für die Mittagsgesellschaften bei Kant ab. Das geschah ziemlich brüsk. Er suchte weder das Gespräch mit Kant noch schrieb er ihm, sondern teilte seinen Entschluss lediglich Kants Diener Martin Lampe mündlich mit.
ellauri097.html on line 412: Merkwürdig ist auch das Verhältnis Kants zu Theodor Gottlieb Hippel (1741-1796). Er hatte schon als Student beim jungen Privatdozenten Kant gelernt und gehörte viel später zum engeren Kreis der Tischgenossen. Hippel war ein eigenwilliger Mann und führte ein Doppelleben. Der kluge politische Beamte und biedere Zeitgenosse einerseits - der produktive Schriftsteller und sexbegierige (übrigens unverheiratete) Mann andererseits. Man hat vermutet, dass Kant in Wahrheit der Autor von Hippels (anonym veröffentlichtem) Buch Lebensläufe gewesen sei, welches viele Intimitäten mehrerer Königsberger Honoratioren ausplauderte. Mindestens habe er - so wurde gemutmaßt - einen Teil davon geschrieben, denn vieles darin hört sich wie von Kant an. Der Meister hat aber in einer "Erklärung wegen der von Hippelschen Autorschaft" die These vom eigenen Beteiligtsein zurückgewiesen.
ellauri097.html on line 414: Frederick Dolan, Professor, UC Berkeley, updated Nov 25 his answer in Quora why Nietzsche said Immanuel Cunt was a theologian in tights. (It actually is enough to look at his picture.)
ellauri097.html on line 416: Nietzsche meant that Kant established the validity of Christian morality by making philosophical arguments that didn’t rely on Christian beliefs. In The Gay Science, Nietzsche writes (in German though):
ellauri097.html on line 418: Kant wanted to prove, in a way that would dumbfound the common man, that the common man was right: that was the secret of this soul. He wrote against the scholars in support of popular prejudice, but for the scholars and not for the people. [§193.]
ellauri097.html on line 420: Kant held that all rational persons have an a priori understanding of the basic principles of morality. These consist of duties, both to oneself and to others, and above all the duty to respect rational agents. Most persons, however, do not understand that morality is a priori, and their moral commitments are therefore vulnerable to corrosive skeptical criticism. In The Metaphysics of Morals Kant formulates the ultimate standard for moral judgment, namely universalizability, and establishes the rational necessity of morality.
ellauri097.html on line 424: The Protestant parson is the grandfather of German philosophy. The theologians’ instinct in the German scholars divined what Kant had once again made possible. The conception of a “true world,” the conception of morality as the essence of the world … were once again, thanks to a wily and shrewd skepticism, if not provable, at least no longer refutable. Kant’s success is merely a theologian’s success. [The Antichrist §10.]
ellauri097.html on line 428: A virtue must be our own invention. The fundamental laws of self-preservation and growth demandthat everyone invent his own virtue, his own categorical imperative. How could one fail to feel how Kant’s categorical imperative endangered life itself! The theologians’ instinct alone protected it! [§11.]
ellauri097.html on line 430: There’s a sense in which all philosophers except Nietzsche have been theologians in disguise, in that they all claimed to be selfless, altruistic seekers of truth and goodness. Socrates, Nietzsche thought, was really doing what was good for him when he claimed that it would be good for everyone to examine their lives. It’s only with Nietzsche – in Nietzsche’s view, that is – that the philosopher removes his mask and publicly proclaims that his philosophical activity is in the service of his will to power. Nietzsche with his drooping mustache was actually less gay than Immanuel Kant.
ellauri097.html on line 436: The famous Allan Ramsay portrait of David Hume, hanging in the University of Edinburgh, depicts him wearing a remarkable hat: a unique salmon-coloured turban. I was able to see the original on the occasion of receiving an honorary degree from Edinburgh in 2007, and ever since then I have desired to obtain a replica of that curious hat for myself (to wear on special occasions, such as those requiring academic regalia).
ellauri097.html on line 446: Article contributed by Stand To Reason

ellauri097.html on line 449: Recently a caller to the radio told me about a conversation he’d had about homosexuality. The caller made the teleological argument, that looking at what the natural functions of the male and female reproductive organs are for, we can draw certain conclusions about how they should properly be used. The person he was talking with challenged his argument that you can’t get an “ought” from an “is”. The challenger seemed to be saying that just because it is that way in nature doesn’t mean that we can derive a moral rule from it. The caller asked if the challenge was incorrect and how to respond to it.
ellauri097.html on line 451: On the principle the challenger is correct in describing the is-ought fallacy. But rather than working against the teleological argument, that principle works against a common argument in favor of homosexuality, which is, if homosexual interests are natural to someone, they are therefore morally acceptable. That is an example of an is-ought fallacy.
ellauri097.html on line 453: The is-ought fallacy, first articulated, by David Hume is put simply as you can’t get an ‘ought’ from an ‘is.’ The more precise way of characterizing it is this; You cannot have a syllogism that has a moral term in the conclusion if there is no moral term in the premises. To be a valid argument, the conclusion has to follow from the premises. You can’t have anything in the conclusion that isn’t already set up in the premises. Hume identified this particular fallacy in arguments that were based on mere descriptive elements but had a conclusion with moral terms in it. That is the is-ought fallacy.
ellauri097.html on line 456: First of all, I’m not entirely sure what they mean by ‘natural.’ If they mean it occurs in nature, then everything is natural. Even concrete is natural because it occurs in nature. So a clarification needs to be made on that particular point. Blindness occurs in nature. Is blindness natural?
ellauri097.html on line 461: Let’s look at the teleological argument based on function. The teleological argument isn’t about just the way a thing works, but the way a thing is intended to work – purpose. My pen functions a certain way. It doesn’t just function that way by accident. It was intended by someone to function with a purpose. For those who are not familiar with this, teleology means ‘end.’ A telos is ‘end’ as in ‘goal.’ Something is intended for a purpose and it’s used for that purpose.
ellauri097.html on line 462: So if I intend to go from Los Angeles to Napa which is north of Los Angeles but I get in my car and head south on the 405 to the 5, and then head down towards the Mexican border, you can see that I am going the wrong direction. But, of course, the word “wrong” here means that I am not moving towards my goal. I am not accomplishing the goal that I intended to accomplish. I am actually moving in a way that’s inconsistent with my goal, and therefore we can call it the wrong direction.
ellauri097.html on line 464: I’m not actually using a moral ‘wrong’ in this particular illustration, but notice how you can understand right or wrong in terms of teleology, depending on what the goal is. If I have a loose screw on the refrigerator and I choose a butter knife to tighten the screw, I’m going to ruin the butter knife because I’m not using it for its intended purpose. It’s not made to function as a screwdriver, even if it can be used that way in a pinch. It will get bent or can slip out and scratch the refrigerator. It wasn’t fulfilling its telos, its purpose, or its function, and therefore it was being used wrongly.
ellauri097.html on line 465: With that as a foundation, let’s look at whether the teleological argument against homosexuality suffers from the is-ought fallacy.
ellauri097.html on line 467: One way of arguing against homosexuality is to say that males were not intended to have sex with other males, and we can tell that by the way sexual organs appear to be intended to function. Because men were not intended to have sex with other males, and they do so, then they are violating their natural teleology, their natural function. But notice that in the nature of the argument we are making a moral claim implicitly up front. We’re saying, We ought to use things the way they were intended by their Maker to be used, consistent with their teleology. This isn’t that way, therefore it’s wrong. It’s not arguing merely on how bodies are naturally, but how they are intended to function naturally. The teleology is the moral term in the premises.
ellauri097.html on line 469: Incidentally, this is the very argument that is being used in the Bible in both the Old Testament and the New Testament regarding homosexuality. In the book of Leviticus, it talks about homosexuality being a capital crime, and an abomination. Leviticus 18:22, “You shall not lie with a male as one lies with a female; it is an abomination.” The purpose of sex is for a man and woman, so it’s abomination when that intended function is violated by homosexual sex.
ellauri097.html on line 471: In Romans 1:26, the New Testament says, “For this reason, God gave them over to degrading passions, for their women exchanged the natural function for that which is unnatural,” that is, different than what God intended. “And in the same way, also, men abandoned the natural function of the woman, and burned in their desire towards one another.” The translation used here is the New American Standard Bible because I think the NIV is woefully inadequate in the way it translates this passage from the Greek.
ellauri097.html on line 477: The appearance of design suggests genuine design. The appearance of teleology suggests genuine teleology, and so examples of teleology in the natural realm point to the existence of God. That’s what a teleological argument for God’s existence amounts to - the argument from design. So the teleology, to me, is evidence for God, and that entails certain moral obligations to the God that created with purpose.
ellauri097.html on line 479: Let’s just say somebody says, “I don’t believe that.” I say, okay, you’re welcome to not believe it, but then you can’t argue teleologically. In fact, you can’t even argue that if it’s natural, it’s okay, because you’re arguing a certain teleology: that if you find it in nature, that means it’s morally acceptable. You can’t help yourself to the teleological argument if you don’t believe in God.
ellauri097.html on line 481: What you ought to be saying if you don’t believe in God is, It’s just molecules clashing in the universe. There is no right and wrong, so you have no justification for claiming that I’m wrong. Now, that would be consistent - the relativistic view of a materialistic universe. But, of course, then they can’t complain their “rights” because rights don’t have any place in a purely naturalistic system. Rights are part of teleology, endowed with creation.
ellauri097.html on line 483: It really is an issue of consistency of worldviews here, as you can see. But I think a more precise understanding of the teleological argument and the is-ought fallacy helps us to answer the original challenge the caller had.
ellauri097.html on line 511: John Boswell was a Roman Catholic, having converted from the Episcopal Church of his upbringing at the age of 15. He remained a daily-mass Catholic until his death, despite differences with the church over sexual issues. Although he was orthodox in most of his beliefs, he strongly disagreed with his church's stated opposition to homosexual behavior and relationships. He was partnered with Jerone Hart for some twenty years until his death. Hart and Boswell are buried together at Grove Street Cemetery, New Haven, Connecticut.
ellauri097.html on line 566: Tulevaisuuden lukijoiden takia ei kuitenkaan tarvitse painaa lisää kirjoja. Yksi kirjaa kestää kymmeniä lukukertoja. Tuhannen kappaleen painoksessa on kymmenientuhansien lukukertojen potentiaali. Yksi ainoa vihko voi antaa itsensä tuhat kertaa, jos lukijat ovat helliä. Silti suurinta osaa painettuja kirjoja ei lueta kertaa enempää, eikä kaikkia edes sitä, kuten Patrick White huomasi petymyxexeen, kirjaston kappaleista oli koirankorvilla vain ensimmäisiä kymmeniä sivuja, loput iskemättömiä. Varsinaista mezätuhoa.
ellauri097.html on line 579: (Sitä kiinnostaa internet ja älypuhelin – ja siksi avoimen koodin ohjelmistot ja ymmärrys tietokone-ohjelmien toimintatavoista olisivat tärkeämpiä demokratian edistäjiä kuin kirjapainot. Kirjapaino oli 1500-luvun internet. Tai internet on 2000-luvun kirjapaino. Whichever way.)
ellauri097.html on line 617: Mutta – on syytä todeta ja toistaa – varsinkin viimeiset kaksisataa vuotta se on ollut demokraattinen kuvataiteen laji. Teoksia on monistettu tuhatmäärin, eikä niiden hankkiminen ole vaatinut suuria rahamääriä. Kirjat ovat teollisella aikakaudella maksaneet sen verran, että melkein kuka tahansa on kohtuullisin uhrauksin voinut hankkia niitä omakseen. Kirjastoissa kirjoihin on päässyt käsiksi täysin varatonkin. Mutta nyt, kun kirja on lakannut olemasta joukkotiedotusväline ja sellaisena demokratian pyhä instituutio, ei enää tarvita loputtomasti halpoja kirjoja. Voidaan tehdä vähän ja kalliita kirjoja! Vittuun demokratia, nyt ruvetaankin palvelemaan niche-markkinaa, jolla on kunnolla pätäkkää! Pitäkööt romaanit Isot Numerot!
ellauri097.html on line 696: ‘The Tuft of Flowers’ by Robert Frost is a poem about the lives of simple, hardworking people. As it progresses, it takes a more mystical turn.
ellauri097.html on line 697: “A Tuft of Flowers” is written in heroic couplets, with some variation from a strict iambic foot. All rhymes are masculine; the majority of lines are end-stopped. This, in part, gives the poem its marching, old-fashioned sound.
ellauri097.html on line 802: Robert Frost, often regarded as a folksy farmer-poet, was also a more profound, even terrifying, creator. His poem "The Road Not Taken" reveals his delight in multiple meanings, his ambivalence, and his penchant for misleading his readers. He denied that the poem proclaimed his striving for the unconventional and asserted that it was meant to tease his friend Edward Thomas for his compulsive indecisiveness. This essay also notes the unconscious meanings of the poem, including Frost's reactions to losing his close friend, his own indecisiveness, his conflict between heterosexual and homosexual object choices, his need for a "secret sharer," and his attachments. J Glenn. Psychoanal Study Child. 2001.
ellauri097.html on line 818: Elinor and Robert Frost had six children: son Elliot (1896–1900, died of cholera); daughter Lesley Frost Ballantine (1899–1983); son Carol (1902–1940, committed suicide); daughter Irma (1903–1967); daughter Marjorie (1905–1934, died as a result of puerperal fever after childbirth); and daughter Elinor Bettina (died just one day after her birth in 1907). Only Lesley and Irma outlived their father. Frost's wife, who had heart problems throughout her life, developed breast cancer in 1937, and died of heart failure in 1938.
ellauri097.html on line 821: icalpoets.org/wp-content/uploads/2012/08/robert-frost.jpg" height="200px" />
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ellauri098.html on line 56: The greatest challenges a detective faces aren't always a devious criminal or a really tough case — all those are a cakewalk compared to managing their personal life. The genius ones are nerds with trouble getting along with people or worse, have social or personality disorders. The hard-working ones are workaholics who let their family relationships slide because they're never home. The overworked and nervous ones dabble in drugs and court substance addictions (or blood). The Film Noir detective and his descendants have terrible luck with women, who either end up dead, broken or distant; if he has a wife he may be cheating on her. And gods help him and his friends if some of the bad guys or associates that they helped put in the clink come back to haunt him. And his personal finances are probably gone thanks to being The Gambling Addict. In short, it's rare to have a detective as a main character in a dramatic story and have them not have at least one serious character flaw that's tangential to them actually working cases.
ellauri098.html on line 58: What's your malfunction? A flawed character is more interesting than a flawless character. Ergo, a cast of characters with flaws is more interesting exponentially. An easy way to crank up drama is to supply everyone with a tragic past, a messed up family history, other significant issues (physical, psychological, etc.) or some combination of the three. When Dysfunction Junction comes into play, good parents can be as common as penguins in the Sahara, instead turning out to be neglectful, smothering/overprotective, unfeeling, abusive, misguided, or dead. And let's not even get into the rest of the family.
ellauri098.html on line 60: The resulting prevalence of personal trauma often stretches suspension of disbelief and is a leading cause of Cerebus Syndrome. If done poorly, this is a one-way ticket to Wangst territory, and as so many attempt to smother the series with dysfunction, Too Bleak, Stopped Caring is a frequent result. If done well, you get a large number of interesting, sympathetic, flawed characters, and their interactions with each other gradually reveal the multiple sides to each of them. More realistic (i.e. not Flanderized) portrayals of this trope can even help the audience understand and cope with their own dysfunctional lives, especially with regards to issues that are typically glossed over in mainstream society.
ellauri098.html on line 62: This trope often goes hand in hand with There Are No Therapists, Trauma Conga Line and dramatic Crapsack Worlds. Big, Screwed-Up Family can be a justification for this trope. When all or nearly all involved parties are insane, you have a Cast Full of Crazy. Royal families are particularly prone to this, as are cops and detectives. The Dysfunction Junction is the natural habitat of the Jerkass Woobie.
ellauri098.html on line 133: genre (ylevä tragedia alatyylinen komedia supermies eepos seikkailu draama koukuttava jännäri kutkuttava dekkari herttainen satu ällö horrori imelä romanssi voimaannuttava chicklit kuiva yritelmä narsu mustelma naivi fantasia nörde "spefi" antiikkinen postⁿmoderni jne)
ellauri098.html on line 175: According to Propp, based on his analysis of 100 folktales from the corpus of Alexander Fyodorovich Afanasyev, there were 31 basic structural elements (or 'functions') that typically occurred within Russian fairy tales. He identified these 31 functions as typical of all fairy tales, or wonder tales [skazka] in Russian folklore. These functions occurred in a specific, ascending order (1-31, although not inclusive of all functions within any tale) within each story. This type of structural analysis of folklore is referred to as "syntagmatic". This focus on the events of a story and the order in which they occur is in contrast to another form of analysis, the "paradigmatic" which is more typical of Lévi-Strauss's structuralist theory of mythology. Lévi-Strauss sought to uncover a narrative's underlying pattern, regardless of the linear, superficial syntagm, and his structure is usually rendered as a binary oppositional structure. For paradigmatic analysis, the syntagm, or the linear structural arrangement of narratives is irrelevant to their underlying meaning.
ellauri098.html on line 177: TV Tropes is a wiki that collects and documents descriptions and examples of plot conventions and devices, more commonly known as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering only television and film tropes to those in other types of media such as literature, comics, anime, manga, video games, music, advertisements, and toys, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics.
ellauri098.html on line 179: The nature of the site as a provider of commentary on pop culture and fiction has attracted attention and criticism from several web pursonalities and blogs.
ellauri098.html on line 212: SPOILERI: Nun /ˈnʊn/, in the Hebrew Bible, was a man from the Tribe of Ephraim, grandson of Ammihud, son of Elishama, and father of Joshua (1 Chronicles 7:26–27). Nun grew up in and may have lived his entire life in the Israelites´ Egyptian captivity, where the Egyptians "made life bitter for them with harsh labor at mortar and bricks and with all sorts of tasks in the field" (Exodus 1:14). In Aramaic, "nun" means "fish". Thus the Midrash tells: "[T]he son of him whose name was as the name of a fish would lead them [the Israelites] into the land" (Genesis Rabba 97:3).
ellauri098.html on line 298: A narrative trope is a storytelling device or convention, a shortcut for describing situations the storyteller can reasonably assume the audience will recognize. Tropes are the means by which a story is told by anyone who has a story to tell. We collect them, for the fun involved.
ellauri098.html on line 300: Tropes are not the same thing as cliches. They may be brand new but seem trite and hackneyed; they may be thousands of years old but seem fresh and new. They are not bad, they are not good; tropes are tools that the creator of a work of art uses to express their ideas to the audience. It's pretty much impossible to create a story without tropes.
ellauri098.html on line 304: TV Tropes was founded in 2004 by a programmer under the pseudonym "Fast Eddie." He described himself as having become interested in the conventions of genre fiction while studying at MIT in the 1970s and after browsing Internet forums in the 1990s. He sold the site in 2014 to Drew Schoentrup and Chris Richmond.
ellauri098.html on line 306: In a separate incident in 2012, in response to other complaints by Google, TV Tropes changed its guidelines to restrict coverage of sexist tropes and rape tropes. Feminist blog The Mary Sue criticized this decision, as it censored documentation of sexist tropes in video games and young adult fiction. ThinkProgress additionally condemned Google AdSense itself for "providing a financial disincentive to discuss" such topics. Vittu Google pitäis vetää alas vessanpöntöstä.
ellauri098.html on line 308: Many tropes originated in literary works. Literature being nearly as old as writing itself, most of The Oldest Ones in the Book date to the classics, most Public Domain Characters appeared in print well before the first TV broadcasts, and even today, with the supposedly dwindling popularity of books in favor of more modern medianote , there are books with enough cultural impact to spawn TV Tropes.
ellauri098.html on line 323: Speculative Fiction
ellauri098.html on line 331: Characters As Device
ellauri098.html on line 334: Narrative Devices
ellauri098.html on line 347: Applied Phlebotinum - kumma nimi. No ei se ole muuta kuin vanha kunnon deus ex machina. "Any sufficiently advanced technology is indistinguishable from a completely ad-hoc plot device." According to Joss Whedon, during the DVD commentary for the pilot episode of Buffy the Vampire Slayer, the term "phlebotinum" originates from Buffy writer (and Angel co-creator) David Greenwalt's sudden outburst: "Don't touch the phlebotinum!" apropos of nothing. Flebotomia on suonenisku.
ellauri098.html on line 382: No eläinsadun karhu, susi ja kettu on selviä. Karhu on iso vahva hidasjärkinen, flegmaattinen, intro enemmän kuin extro. (Paizi kamalien eläinten karhu, joka on psykopaatti narsisti. Nalle Puh on selvä masis.) Se ei ole selkeästi hyvis eikä pahis, lähinnä dumari. Susi on koleerinen, agressiivinen mutta tyhmänoloinen, enempi extro, ja selvä pahis. Kettu on extro, ovela, kiero, tollanen junioripahis. Sangviinikko selvästi. Kukas olis sitten melankoolinen? Ihaa on melankolinen, mutta aasia ei voi sijoittaa, Shrekin aasi on selkeesti sangviininen, tollanen tyypillinen sivuvaunuhahmo, comic relief. Hullua että koomisella hahmollakin on kevennys. Mut ehkä Shrek onkin melankoolikko. On sekin koomista. Piisamirotta on pessimisti, muttei melankoolinen, sehän on selvä epikuurolainen. Kameli on pahansisuinen ja salavihainen. Se olis koleernen mutta introvertti sellainen.
ellauri098.html on line 405: In Carlyle’s book On Heroes, Hero-Worship and the Heroic in Society (Carlyle, 1840), somebody (most likely the author) dove into the lives of several men he deemed “heroes,” like Muhammed, Richard Wagner, Shakespeare, Martin Luther, and Napoleon. He believed that history “turned” on the decisions of these men, and encouraged others to study these heroes as a way of discovering one’s own true nature.
ellauri098.html on line 439: ENTP (Extroverted Intuitive Thinking Perceiving) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test.
ellauri098.html on line 440: There’s nothing an ENTP loves more than a good argument. They can argue on any side and enjoy playing devil’s advocate. For ENTPs, the pleasure is in taking ideas apart and seeing what really works and what doesn’t. ENTPs love to smash icons, question authority, and break down outmoded ideas. (And Click To Tweet.)
ellauri098.html on line 441: Their intellectually combative nature means that ENTPs can be difficult to work with, and they can bruise others’ feelings because they never shy away from conflict. But ENTPs are unflinchingly honest, even about themselves, and they hold up a clear mirror to the world around them.

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Alexanteri Suuri, Rowan Atkinson, Sirius Black, Bugs Bunny, Borat, Samuel Butler, Julia Child, John Cleese, Wile E. Coyote, Celine Dion, Thomas A. Edison, Stephen Fry, Frederico Fellini, Richard Feynman, Ben Franklin, Garfield (president), Garfield (cat), Hugh Grant, Annie Hall, Tom Hanks, Werner Heisenberg, Alfred Hitchcock, David Hume, Katariina Suuri, Henry Kissinger, Karl Lagerfeld, Tyrion Lannister, N.Macchiavelli, J.S. Mill, Karl Popper, Murray Rothbard (laissez-faire), Bertrand Russell, Babe Ruth, R2-D2, Socrates, Leonardo da Vinci, Voltaire, Frank Zappa

ellauri098.html on line 447: INTP (introverted inntuitive thinking perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INTPs are a relatively rare type, making up about 4% of the population. INTPs are creatures of logic. Calm, controlled, and studious, INTPs are driven by the search for reason. For INTPs, the principles behind anything can be figured out given enough time. In fact, INTPs often get caught up on thinking for its own sake; the stereotypical figure of the “absent-minded scientist” is based on INTP behavior.
ellauri098.html on line 451:
Tuomas Akvinolainen, Sergey Brin, Charles Darwin (taas), Death (Pratchett), Rene Descartes, Richard Dawkins, Albert Einstein, Gerald Ford, Milton Friedman, Gandalf (taas), Hermione Granger, Bob Heinlein, Dustin Hoffman, William James, I. Kant, Franz Kafka, Harper Lee, Abraham Lincoln, John Locke, Larry Page, Gregory Peck, Adam Smith, Thucydides, Yoda

ellauri098.html on line 453:
ENTJ Efficient organizers focused on strategy.

ellauri098.html on line 454: ENTJ (Extroverted Intuitive Thinking Judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test.
ellauri098.html on line 456: But ENTJs’ determination and analytical abilities often propel them to great success in life.

ellauri098.html on line 459:
Adele, Aristoteles, Kemal Atatürk, Wernher von Braun, Napoleon Bonaparte, Warren Buffett, Julius Caesar, Jim Carrey, Sean Connery (taas), Simon Cowell, Elisabet I, Falstaff (Shakespeare), Bill Gates, Al Gore, Hermann Göring, Katherine Hepburn, Hannibal, Steve Jobs, Garri Kasparov, Tywin Lannister, Lex Luther (Superman), Angela Merkel, Tricky Dick Nixon, Leia Organa, Nancy Pelosi, Frank D Roosevelt, Carl Sagan, Arnold Schwarzenegger, Peter Sellers, Quentin Tarantino, Margaret Thatcher, Donald Trump, Voldemort, Sigourney Weaver (Alien)

ellauri098.html on line 463: INTJs are the “Mastermind” personality: intellectual, logical, driven, and confident in their own abilities, but also sometimes cold and unsympathetic, with a tendency to prefer theory over reality. This can cause others to perceive them as arrogant, especially since INTJs frequently lack the patience and communications skills to explain themselves.
ellauri098.html on line 467:
John Adams, Isaac Asimov, keisari Augustus, Jane Austen, Dan Aykroyd, L.van Beethoven, Anders Breivik, Emily Bronté, Cassius (Shakespeare) Hillary Clinton, Elvis Costello, Charles Darwin, Mr. Darcy, Ike Eisenhower, Colin Firth, Bobby Fischer, von Frankenstein, Gandalf, Richard Gere, Al Gore (taas), Hannibal (taas), Steven Hawking, G.W.F.Hegel, Herakleitos, Sherlock Holmes, Horatio Hornblower, Thomas Jefferson, Ted Kaczynski (Unabomber), John F.Kennedy, J.M. Keynes, Stanley Kubrik, Meyer Lansky, Ivan Lendl, V.I.Lenin, C.S. Lewis, Martin Luther, Elon Musk, Michelle Obama, John Nash, Martina Navratilova, Isaac Newton, Friedrich Nietsche, Sylvia Plath, Ayn Rand, Rosenkrantz&Guildenstern (Hamlet), Jean-Paul Sartre, Arnold Schwarzenegger (taas), Nikola Tesla, Sun Tzu, Bruce Wayne (Batman), Norbert Wiener, Woodrow Wilson, Mark Zuckerberg

ellauri098.html on line 470: ENFP (Extroverted Intuitive Feeling Perceiving) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) psychological test. ENFPs make up about eight percent of the population.
ellauri098.html on line 471: ENFPs are extremely creative and versatile people. They love playing with ideas, spinning off new concepts, and discussing them with other people. They are charismatic, sociable, and exciting to be with because they always seem to have something new to explore or talk about.
ellauri098.html on line 475:
Ariel (Pieni merenneito), Mahmoud Ahmadinejad (Iran), Julian Assange, Calvin (Lassi), Fidel Castro, Cher, Samuel Clemens (M2), Bill Cosby, Salvador Dali, Jacques Derrida, Charles Dickens, Walt Disney, Eliza Dolittle, Bob Dylan, Umberto Eco, Faramir, Anne Frank, Muammar Gaddafi, Theodor Geisel (Dr.Seuss), Genie (Aladdin), F.J. Haydn, Aldous Huxley, Janis Joplin, Buster Keaton, Naomi Klein, Anais Nin, Ozzy Osbourne, Osho Rajneesh, Sinbad merenkulkija, Bruce Springsteen, Justin Timberlake, Hunter S. Thompson, Orson Welles, Oscar Wilde, Kurt Wonnegut, Alan Watts (guru), Ron Weasley, Willy Wonka

ellauri098.html on line 478:
INFP Idiosyncratic dreamers with strong imaginations.

ellauri098.html on line 479: INFP (introverted intuitive feeling perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INFPs are relatively uncommon, making up about 4% of the population. INFPs are idealists. They see the world, and those around them, not as they are but as they could be. INFPs have strong principles, which they do not let go of easily. These principles drive them to help others better themselves, but as an introverted personality they rarely do so through direct confrontation. INFPs are more comfortable expressing themselves through art, writing, or other media, and can be surprisingly effective and creative communicators.
ellauri098.html on line 486:
ENFJ Engaging and compelling communicators.

ellauri098.html on line 487: ENFJ (Extroverted Intuitive Feeling Judging) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test.
ellauri098.html on line 489: ENFJs, like other “E” types, are extremely sociable. They’re fascinated with other people’s lives and care deeply about those around them. They have a positive, idealistic outlook and love to help others improve themselves and solve their problems. They tend to be decisive and good planners, so they make excellent leaders, counselors, and facilitators.
ellauri098.html on line 490: Unfortunately, ENFJs can also come across as meddling, nosy, and controlling, and some ENFJs use their empathetic gifts to manipulate others for their own benefit. But most ENFJs are an inspiring force in the lives of those who know them.

ellauri098.html on line 493:
Alfred Adler, Yassar Arafat, Elizabeth Bennett, Bono, Cicero, Sean Connery, William Cullen Bryant, kuningas Daavid, Catherine Earnshaw (Hum. harju), Erasmus Rotterdamilainen, Erich Fromm, Goebbels, J.W.v. Goethe, Gorbachev, Havel, paavi Johannes Paavali Kakkoineen, Michael Jordan, M.L. King, Meeta Mellark, Barack Obama, Perikles, Nancy Reagan, Nelson Mandela, Amy March (Little Women), Abraham Maslow, Freddie Mercury, Mitterrand, Oprah Winfrey, Emma Woodhouse (Emma),

ellauri098.html on line 497: INFJ (Introverted Intuitive Feeling Judging) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INFJ is the believed to be the rarest personality, making up only one percent of the population.
ellauri098.html on line 498: INFJs are idealists. Creative and fair-minded, they see the world not the way it is but the way they think it should be. While they are caring and sympathetic to others’ troubles, INFJs are big-picture thinkers. Rather than help individuals, they look for ways to change the system. They are also energetic, determined, and instinctual, with a tendency to just plunge in and start working rather than make careful plans. They don't Click To Tweet.
ellauri098.html on line 502:
Aristophanes, Simone de Beauvoir, Osama Bin Laden, Niels Bohr, Geoffrey Chaucer, Noam Chomsky, Alice Cooper, Leonard Cohen, Dante Alighieri, Fedor Dostojevski, Mahatma Gandhi, George Harrison, Nathaniel Hawthorne, Adolf Hitler, Carl Jung, M.L. King (taas), Marilyn Manson, Robert Mugabe, Plato, J.K. Rowling, Arthur Schopenhauer, Alexandr Solchenitsyn, Baruch Spinoza, Shirley Temple, Leo Tolstoi, Leon Trotsky, Garry Trudeau (Doonesbury), Ludi Wittgenstein, Mary Wollstonecraft, Imi Lo

ellauri098.html on line 504:
ESTJ Efficient organizers focused on logistics.

ellauri098.html on line 505: ESTJ (extroverted sensing thinking judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ESTJs make up about seven percent of the population.
ellauri098.html on line 511:
Steve Ballmer (Mikkisoft), Bette Davis, Boromir, Celine Dion (taas), Jerry Falwell, Billy Graham, Andrew Jackson, Lyndon B.Johnson, Saddam Hussein, Cersel Lannister, Theresa May, Dr.Phil McGraw, Eliot Ness, Michelle Obama (taas), P.Paavali, Augusto Pinochet, Robb Stark, Margaret Thatcher (taas), Georg von Trapp, Ivanka Trump, Darth Vader

ellauri098.html on line 514: ISTJ (introverted sensing thinking judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ISTJs are one of the most common types, making up an estimated 13% of the population.
ellauri098.html on line 515: ISTJs are clear-sighted, logical, and efficient. They are planners rather than spontaneous, and prefer order and routine in their work and home lives. They value tradition, hierarchy, and clarity of purpose.
ellauri098.html on line 516: ISTJs are clear-sighted, logical, and efficient. They value tradition, hierarchy, and clarity of purpose.
ellauri098.html on line 521:
Roope Ankka, Benedict XVI (nazipaavi), Stannis Baratheon, Jeff Bezos, George Bush sr, Karl Dönitz, Kirk Douglas, kuningatar Elisabet II, Henry Ford, Sigmund Freud, Stonewall Jackson, Fredrik Suuri, Martin Heidegger, Thomas Hobbes, Ingvar Kamprad, Alexej Karenin, Julia Roberts, Mitt Romney, Gary Sinise, Severus Snape, Sting, P.Tuomas, Harry Truman, George Washington, Welligtonin herttua, Xenophon

ellauri098.html on line 524: ESFJ (extroverted sensing feeling judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ESFJs are one of the more common types, making up about 12% of the population.
ellauri098.html on line 525: ESFJs are everyone’s friend. They are consensus builders and conflict defusers who enjoy helping social situations flow smoothly. They may not be the “life of the party,” but they’re the ones who make sure everyone is having a good time. Because they’re so easy to get along with, ESFJs tend to have large circles of friends.
ellauri098.html on line 526: ESFJs are traditionalists and believe in the authority of groups. They love stability and dislike conflict, so they can sometimes end up dismissing minority opinions in the name of achieving consensus. This can lead them to be controlling and intolerant. Some ESFJs also focus too much on making everyone happy at their own expense. But most ESFJs bring harmony to everyone around them.

ellauri098.html on line 532: ISFJ (Introverted Sensing Feeling Judging) is one of the sixteen personality types defined by the MBTI (Myers-Briggs Type Indicator) test. ISFJs are a fairly common type, making up about 13% of the population.
ellauri098.html on line 533: ISFJs are caring and helpful. They are devoted to protecting and helping out those in need. ISFJs have very strong family ties and are quick to leap to the defense of their family. Sometimes, however, take on too much responsibility and lose sight of the big picture while trying to help everyone around them. They can also be too unassertive and pushovers for those who want to take advantage of their helpfulness. But there is no friend to have like an ISFJ when you find yourself in need of help.

ellauri098.html on line 536:
LM Alcott, Alice (Carroll), Captain America, Marcus Aurelius, Belle (Beauty of Beast), Beyonce, Barbara Bush, Jimmy Carter, prinssi Charles, Agatha Christie, Cinderella, Aretha Franklin, Francesco Franco, Forrest Gump, Heinrich Himmler, Kim Kardashian, Robert E.Lee, George Marshall, kuningatar Mary I, Ophelia (Hamlet), Mike Pence, Barbra Streisand, W.H.Taft, Alfred Lord Tennyson, St.Teresa of Avila, Äiti Teresa, Dr.Watson (Holmes), Bruce Willis, Tiger Woods

ellauri098.html on line 539: ESTP (extroverted sensing thinking perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. ESTPs make up about 4% of the population, and are more likely to be men than women.
ellauri098.html on line 540: ESTPs are defined by action. They are quick, restless thinkers and poor planners. They’d rather just jump into a situation with both feet, and if things go wrong, they can always adjust on the fly.
ellauri098.html on line 542: Other personalities can find ESTPs exhausting to keep up with, and it’s true they can leave a trail of wreckage in their wake as they bull ahead. But there’s rarely any malice in them, and they’re always fun to be with.

ellauri098.html on line 545:
Aladdin, Alexanteri Suuri (taas), George W. Bush, Rhett Butler, Julius Caesar (taas), David Cameron, Al Capone, Dale Carnegie, Winston Churchill, Rainbow Dash, Sir Arthur Conan Doyle, Thomas A. Edison (taas), Epikuros, Gimli, Sasha Grey, Harry Houdini, Jaime Lannister, Madonna, Eddie Murphy, Jack Nicholson, Camilla Parker-Bowles, Peter Pan, Eva Peron, P.Pietari, Theodore Roosevelt, Marquis de Sade, Nicholas Sarkozy, Tom Sawyer, Han Solo, Jack Sparrow, Sylvester Stallone, Donald Trump (taas), Mike Tyson, John Wayne, Mae West, Amy Winehouse, Malcolm X

ellauri098.html on line 549: ISTJ (introverted sensing thinking judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ISTJs are one of the most common types, making up an estimated 13% of the population. ISTJs are clear-sighted, logical, and efficient. They are planners rather than spontaneous, and prefer order and routine in their work and home lives. They value tradition, hierarchy, and clarity of purpose. To some of the more creative types, ISTJs can seem dull and unimaginative, unwilling to break the rules and unable to respond flexibly to changing situations.

ellauri098.html on line 552:
Woody Allen, Aragorn, The Beast (Beauty and), Humphrey Bogart, James Bond, Charles Bronson, Simon Cowell (taas), Tom Cruise, James Dean, Diogenes, Clint Eastwood, Henry Ford, Ernest Hemingway, Edmund Hillary, Indiana Jones, Steve Jobs, Frida Kahlo, Bruce Lee, Mad Max, John McEnroe, Vladimir Putin, Keith Richards, Ernst Rommel, Alan Shepard (astronaut), Frank Sinatra, Julia Timoshenko, Melanie Trump, Frank Zappa (taas), Venus Williams

ellauri098.html on line 557: They’re the class clowns, show-offs, and divas. Outgoing, energetic, and impulsive, they are natural performers and entertainers. But if ESPFs can’t grab attention by being funny or fascinating, they will settle for being annoying or outrageous.

ellauri098.html on line 560:
Idi Amin, princess Anna (Frozen), Lydia Bennet (Austen), Beyonce (taas), Justin Bieber, Ray Charles, Bill Clinton, Paulo Coelho, Miley Cyrus, Cameron Diaz, Leonardo DiCaprio, Judy Garland, Mel Gibson, Theon Greyjoy, Goldie Hawn, Hugh Heffner, Bob Hope, Lindsay Lohan, P.Markus, Paul McCartney, Michelangelo, Benito Mussolini, Lord Nelson, Jamie Oliver, Dolly Parton, Pietari Suuri, Pippin Took (Tolkien), Elvis Presley, Ronald Reagan, Little Richard, Tony Robbins (motivational speaker), Simba (leijonakuningas), Homer Simpson, Steven Spielberg, Ringo Starr, Serena Williams,

ellauri098.html on line 563: ISFP (introverted sensing feeling perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. ISFP is one of the more common personality types, making up about 9% of the general population.
ellauri098.html on line 564: ISFPs are creative and imaginative, with well-developed aesthetic senses. They are naturally suited for work in music, art, design, or other areas where an eye for beauty is important. They love to explore ideas and experiment with different styles, and constantly seek out new experiences, making them spontaneous and unpredictable. This, however, can lead to a lack of focus. ISFPs also tend to have fragile egos and react badly to criticism — however well-intentioned, it is difficult for them to not take it personally. Like all introverted types, they need time on their own to think and recharge, but they still love to share their latest innovations with others.
ellauri098.html on line 568:
Christina Aguilera, Pamela Anderson, Marie Antoinette, Fred Astaire, David Beckham, Yogi Berra, Bjork, David Bowie, prinsessa Diana, Bob Dylan (taas), Lady Gaga, Paris Hilton, Michael Jackson, Mick Jagger, Erwin "Magic" Johnson, Jimi Hendrix, Audrey Hepburn, Paul McCartney (taas), Marilyn Monroe, Jim Morrison (taas), W.A. Mozart, keisari Nero, Brad Pitt, Prince, Leni Riefenstahl, Rihanna, Keith Richards (taas), Auguste Rodin, Britney Spears, Elizabeth Taylor, Justin Timberlake (taas), Thich Nhat Hanh (vietn. pasifisti), John Travolta, Pharrell Williams

ellauri098.html on line 605: Welcome to the Disney Animal Kingdom! Who wants to be an animal in the real world when you can be a magical, super adorable and/or gorgeous Disney animal, anyway?
ellauri098.html on line 606: Which word best describes you?
ellauri098.html on line 627: Myers–Briggsin tyyppi-indikaattori (lyh. MBTI, engl. Myers-Briggs Type Indicator) on psykologinen indikaattori, joka kuvaa ihmisen persoonallisuutta neljän ulottuvuuden avulla. Ulottuvuuksista kolme on peräisin Carl Jungilta, joka vuonna 1921 julkaisemassa psykologisia tyyppejä esittelevässä kirjassa kuvasi persoonallisuuden piirteitä. Indikaattorin kehitti Katherine Briggs tyttärensä Isabel Myersin kanssa toisen maailmansodan jälkeen mahdollistaakseen yksilöiden henkisen kasvun ymmärtämällä ja arvostamalla henkilökohtaisia eroavaisuuksia persoonallisuuksiltaan terveissä ihmisissä, ja lisätäkseen harmoniaa ja tuottavuutta erilaisissa ryhmissä.
ellauri098.html on line 733:
Statistics Based on the new Form M of the MBTI

ellauri098.html on line 735: MBTI Manual: A Guide to the Development and Use of the Myers-Briggs Type Indicator®, Third Edition (Form M), Isabel Briggs Myers, Mary H. McCaulley, Naomi L. Quenk, Allen L. Hammer, CAPT, Palo Alto, CA, ISBN 0-89106-130-4, 1998, 420 pp.
ellauri098.html on line 737: The Manual has lots of very useful material, but it costs close to $100 (gasp!). Here are the latest figures based on a random sample using the Form M. 16,000 people were contacted. The forms of 3,009 people u with "best fit" as determined by the client, the results of this survey were not shown to the individuals to see if they indeed did fit. Nevertheless, the survey does give us a good cross section of results to work from. The sample is corrected for the demographics of the USA. (Did some Es not hand in their form because they were talking too much. Did some of the Is get so caught up in their inner world? Did the Ss get so obsessed with details they didn´t hand it in? Did the Ns get so caught up in the big picture? Did the Ts figure it was too airy-fairy people stuff? Did the Fs focus so much on how they felt that they didn't get theirs off? Maybe the Js didn't like the way it was organized? The Ps just may not have found the right moment to get down to doing the inventory.)
ellauri098.html on line 751: Briggs syntyi yhteen tai useampaan akateemiseen perheeseen, jotka uskoivat koulutuksen yhtäläiseen arvoon sekä miesten että naisten kohdalla, ja hän valmistui maatalouden alalta Michiganin valtionyliopistosta, mikä ei 1800-luvun lopulla ollut naisille yleistä. Maatalousopintojen jälkeen hän työskenteli opettajana, ja meni sitten naimisiin fyysikko Lyman Briggsin kanssa.
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ellauri099.html on line 44: The remains of Oscar Wilde lie in Père Lachaise Cemetery in Paris. His sleek, modern tomb, designed by the British sculptor Jacob Epstein and commissioned by Wilde’s lover and executor, John Robert "Haj" Ross, is one of the most frequently visited and recognizable graves in a cemetery notable for the many famous writers, artists, and musicians buried there (Balzac, Chopin, Proust, Gertrude Stein, Jim Morrison). The surface of Epstein’s massive monolith is covered with hundreds of lipstick kisses, some ancient and faded, others new and vibrant. (“The madness of kissing” is what Wilde said Lord Alfred Douglas’s “red-roseleaf lips” were made for.)...
ellauri099.html on line 46: The Picture of Dorian Gray is a Gothic and philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine. Fearing the story was indecent, prior to publication the magazine's editor deleted roughly five hundred words without Wilde's knowledge. Despite that censorship, The Picture of Dorian Gray offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press, although he personally made excisions of some of the most controversial material when revising and lengthening the story for book publication the following year.
ellauri099.html on line 48: The longer and revised version of The Picture of Dorian Gray published in book form in 1891 featured an aphoristic preface—a defence of the artist's rights and of art for art's sake—based in part on his press defences of the novel the previous year. The content, style, and presentation of the preface made it famous in its own right, as a literary and artistic manifesto. In April 1891, the publishing firm of Ward, Lock and Company, who had distributed the shorter, more inflammatory, magazine version in England the previous year, published the revised version of The Picture of Dorian Gray.
ellauri099.html on line 50: The whole pile of smut, with all of Wilde's original material intact, was first published in 2011 by Harvard University Press. The Picture of Dorian Gray "pivots on a gothic plot device" with strong themes interpreted from Faust.
ellauri099.html on line 55: Dorian Gray is the subject of a full-length portrait in oil by Basil Hallward, an artist impressed and infatuated by Dorian's beauty; he believes that Dorian's beauty is responsible for the new mood in his art as a painter. Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic world view: that beauty and sensual fulfilment are the only things worth pursuing in life.
ellauri099.html on line 57: Newly understanding that his beauty will fade, Dorian expresses the desire to sell his soul, to ensure that the picture, rather than he, will age and fade. The wish is granted, and Dorian pursues a libertine life of varied amoral experiences while staying young and beautiful; all the while, his portrait ages and records every sin.
ellauri099.html on line 59: Deciding that only full confession will absolve him of wrongdoing, Dorian decides to destroy the last vestige of his conscience and the only piece of evidence remaining of his crimes; the picture. In a rage, he takes the knife with which he murdered Basil Hallward and stabs the picture. The servants of the house awaken on hearing a cry from the locked room; on the street, a passerby who also heard the cry calls the police. On entering the locked room, the servants find an unknown old man stabbed in the heart, his figure withered and decrepit. The servants identify the disfigured corpse by the rings on its fingers, which belonged to Dorian Gray. Beside him, the portrait is now restored to its former appearance of beauty.
ellauri099.html on line 71: Dulness and dirt are the chief features of Lippincott’s this month: The element that is unclean, though undeniably amusing, is furnished by Mr. Oscar Wilde’s story of The Picture of Dorian Gray. It is a tale spawned from the leprous literature of the French decadents—a poisonous book, the atmosphere of which is heavy with the mephitic odours of moral and spiritual putrefaction—a gloating study of the mental and physical corruption of a fresh, fair and golden youth, which might be fascinating but for its effeminate frivolity, its studied insincerity, its theatrical cynicism, its tawdry mysticism, its flippant philosophizings. . . . Mr. Wilde says the book has “a moral.” The “moral,” so far as we can collect it, is that man’s chief end is to develop his nature to the fullest by “always searching for new sensations,” that when the soul gets sick the way to cure it is to deny the senses nothing.
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ellauri099.html on line 164: In 314/3, Xenocrates died from hitting his head, after tripping over a bronze pot in his house. Which just goes to show.
ellauri099.html on line 166: ATHENS IN PIECES: A series of essays by Simon Critchley on a philosophical tour of the ancient city.
ellauri099.html on line 170: Although the splendidly unreliable Diogenes Laertius says that Plato possessed no property other than what is mentioned in his will, he received a large sum of money from Dionysius I. Plato had a significant fund of money at his disposal (the exorbitant figure of 80 talents is mentioned). Indeed, Plato is also said to have had a banker called Andromedes. In other words, Plato was rich and had wealthy patrons and very probably wealthy students.
ellauri099.html on line 172: We are less attracted to the idea of the wealthy aristocratic philosopher sequestered in his research facility and making occasional overseas trips to visit foreign tyrants than the image of the poor, shoeless Socrates causing trouble in the marketplace, refusing to be paid and getting killed by the city for his trouble. But our captivation with this image, once again, is overwhelmingly fatass Plato’s clever branding.
ellauri099.html on line 174: And behind his extraordinary inventiveness, Plato performs a characteristic disappearing trick. Truth to tell, we know very little about Plato. According to Plutarch, he was a lover of figs. Big deal! Plato is mentioned only a couple of times in the many dialogues that bear his name. He was present at Socrates’ trial but — in a beautifully reflexive moment that he describes in the Phaedo — absent from the moment of Socrates’ death, because he was sick.
ellauri099.html on line 176: In fact, we don’t even know that he was called Plato, which might have been a nickname. Laertius claims that he was actually called Aristocles, after his grandfather. “Plato” is close to the word “broad” in Greek, like the broad leaves of the platanos or plane tree under which Socrates and Phaedrus sit and talk about eros. Some think that Plato was so called because he was broad-shouldered because of his prowess in wrestling. Or because he got a flat nose, maybe a wrestling memento.
ellauri099.html on line 178: The Academy complex is approximately 130 feet square. It has the typical dimensions of a palaestra, or wrestling school. In my mind’s eye, I saw an elderly Plato sitting watching his academicians wrestle, occasionally offering coaching advice and encouragement.
ellauri099.html on line 181: Plato worked at the Academy until his death in 347 B.C.E., interrupted only by two more extended trips to Sicily. The Academy survived for a few more centuries until it was destroyed by the Roman general Sulla in 87 B.C.E. during the sack of Athens. The buildings were probably burned along with many other sanctuaries, and the trees from the grove of academe were felled to provide timber for his siege machines. So it goes, I thought.
ellauri099.html on line 186: Aristotle had slender calves. His eyes were small. And he spoke with a lisp, which — according to Plutarch — was imitated by some. He wore many rings and had a distinctive, rather exotic style of dress — a kind of ancient bling.
ellauri099.html on line 188: It is said that Aristotle was a difficult character — somewhat arrogant, thinking he was cleverer than everyone else (quite possibly true) and even criticizing his headmaster of many years, Plato. (Who was quite a butthead in comparison.) He was a perhaps a bit of a dyskolos, a grouch, cantankerous, a curmudgeon.
ellauri099.html on line 190: Aristotle was not much loved by the Athenians. This might have been because he was a tricky customer or because he was an immigrant: a metoikos or metic, resident alien, an ancient green card holder; Greek, but decidedly not an Athenian citizen, something like an American in London. Given his close ties to the Macedonian aristocracy, which was extending and tightening its military and political control across Greece, perhaps the Athenians were right to be suspicious of Aristotle.
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ellauri099.html on line 199: Famously, Aristotle was asked by Philip II of Macedon to be the tutor of his 13-year-old son, Alexander. Aristotle set up school in the Macedonian fortress of Mieza, and the young prince was taught together with his companions, who probably numbered around 30 students. A big class. This was a closed school, a boarding school of sorts. A sense of the seriousness with which Aristotle performed his duties can be gleaned from the fact that he composed two treatises in honor of Alexander, “On Kingship” and "On Colonies" as guidebooks for the prince, as well as editing a copy of Homer’s “Iliad” specifically for Alexander’s use — the so-called “casket copy” (presumably because it was small enough to fit inside his casket).
ellauri099.html on line 201: Very little is known about Aristotle’s stay in Macedonia, but it is thought that he was there for quite some time, possibly seven years, and became very friendly with powerful members of Philip’s court. In 336 B.C.E., Philip was assassinated (in a theater, of all places), and Alexander was declared king at the age of 20. Sensing the instability of political transition, the mighty city of Thebes rebelled against the new Macedonian king. In order to set an example, Alexander besieged and then wholly incinerated the city, wiping it from the map. Its citizens were either killed or sold into slavery.
ellauri099.html on line 203: Athens didn’t make the same mistake as Thebes and meekly submitted to the Macedonian pike. It is in this context that Aristotle returned to the city at around age 50. And he came back big time. Because of his metic status, Aristotle was not allowed to buy property. So — as one does — he rented. He took over a gymnasium site sacred to Apollo Lyceus (the wolf-god) and transformed it into the most powerful and well-endowed school in the world.
ellauri099.html on line 205: Two things hit you when you visit the site of the Lyceum and look at its architectural plans. First, it is a direct copy of Plato’s Academy. And second, it is much, much bigger. The relation between the Academy and the Lyceum is a little like that between a twee medieval Cambridge College and the monumental architecture of the University of Chicago.
ellauri099.html on line 207: The reason Aristotle was able to do this was simple: money. If Plato was rich, then Aristotle was wealthier than Croesus, right up there with the Jeff Bezos-es of his day. He received the sum of 800 talents from his presumably grateful former student, Alexander, which was an enormous amount of money. (Consider that the Plato’s Academy cost about 25-30 talents.)
ellauri099.html on line 209: Expressing ancient money values in modern terms presents a perennial puzzle for historians of economics, so I called on my colleague, the economist Duncan Foley, for help. He very roughly calculated that the annual gross domestic product of classical Athens was about 4,400 talents. If that is right, then 800 talents is a vast figure, 32 times the expenditure on the Academy. Foley is somewhat skeptical of the figure, though. Ancient sources for numerical data (like the size of armies) are notoriously inaccurate, so perhaps a excited copyist simply added a zero.
ellauri099.html on line 211: Whatever the truth of the matter, Aristotle’s endowment allowed him to build a huge research and teaching facility and amass the largest and most important library in the world. During the time of Theophrastus, Aristotle’s successor as scholarch and clearly a very effective college president, there were as many as 2,000 pupils at the Lyceum, some of them sleeping in dormitories. The Lyceum was clearly the place to be, the educational destination of choice for the elites.
ellauri099.html on line 213: It leads one to ponder the awkward proximity between philosophy and political power. It is unclear whether the school charged fees but, given its vast wealth, it probably didn’t need to. It sounds a little like Harvard, doesn’t it?
ellauri099.html on line 215: The Lyceum was clearly the intellectual projection of Macedonian political and military hegemony. In 323 B.C.E., when news of Alexander the Great’s death in Babylon at the age of 32 reached Athens, simmering anti-Macedonian sentiment spilled over, and the popular Athenian leader Demosthenes was recalled. Aristotle left the city for the last time, in fear of his life, after a little more than a decade in charge of the Lyceum. Seeing himself justly or unjustly in the mirror of Socrates and fearing charges of impiety, Aristotle reportedly said, “I will not allow the Athenians to sin twice against philosophy.” Aristotle withdrew to his late mother’s estate at Chalcis on the island of Euboea and died there shortly after of an unspecified illness, at age 63.
ellauri099.html on line 217: Looking now at the beautifully maintained site of the Lyceum, which is comparatively new by Athenian standards (as excavations only began in 1996, and it was opened to the public in 2014), we are only now beginning to form a proper picture of the plan, architecture and function of the Lyceum.
ellauri099.html on line 219: In the northeast corner of the Lyceum, there was a garden, which possibly led to the peripatos, or shaded walk from which the promenading Peripatetic school derived its name. Indeed, there were gardens in all the earlier philosophical schools, in the schools of Miletus on the present-day Turkish coast, and allegedly in the Pythagorean schools in southern Italy. Plato’s Academy also had a garden. And later, the school of Epicurus was simply called “The Garden.” Theophrastus, a keen botanist like Aristotle who did so much to organize the library and build up its scientific side (with maps, globes, specimens and such like), eventually retired to his garden, which was close by.
ellauri099.html on line 221: What was the garden for? Was it a space for leisure, strolling and quiet dialectical chitchat? Was it a mini-laboratory for botanical observation and experimentation? Or was it — and I find this the most intriguing possibility — an image of paradise? The ancient Greek word paradeisos appears to be borrowed etymologically from Persian, and it is said that Darius the Great had a "paradise garden," with the kinds of flora and fauna with which we are familiar from the elaborate design of carpets and rugs. A Persian carpet is like a memory theater of paradise. It is possible that Milesian workers and thinkers had significant contact with the Persian courts at Susa and Persepolis. Maybe the whole ancient Greek philosophical fascination with gardens is a Persian borrowing, and an echo of the influence of their expansive empire. But who knows?
ellauri099.html on line 226: Very low rope barriers separated off areas that visitors were not meant to visit. I looked around for a guard, saw no one, and stepped onto the green moss and made my way quietly to the location of Aristotle’s library. On my hands and knees, I saw the ground was littered with tiny delicate snail shells, no bigger than a fingernails, scattered like empty scholars’ backpacks. My partner gave me one, and I put it in my pocket. I had it on my desk right in front of me as I was writing this. Inadvertently, I crushed it to pieces under the weight of one of Mr. Staikos’s huge tomes on the history of libraries. There’s probably a moral in this, but it escapes me. The moral is this: fucking Americans, keep your fat butts and greedy fingers off European soil!
ellauri099.html on line 230: We hope you enjoyed this free article. Subscribers make stories like this possible. Thanx to them!
ellauri099.html on line 566: INTPs are philosophical innovators, fascinated by logical analysis, systems, and design. They are preoccupied with theory, and search for the universal law behind everything they see.

ellauri099.html on line 569: ISTPs are observant artisans with an understanding of mechanics and an interest in troubleshooting. They approach their environments with a flexible logic, looking for practical solutions to the problems at hand.
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ellauri100.html on line 38: Vincent van Gogh was not psychotic or bipolar when he cut off his ear, medical experts decide. A conference of 30 international medical experts has announced a more prosaic explanation for the famously tortured artist's behaviour — stress and alcohol.
ellauri100.html on line 40: Weighing up evidence, including his many letters, they analyzed competing theories that he had suffered from illnesses including epilepsy, cycloid psychosis, bipolar disorder, schizophrenia or borderline personality disorder. The panel concluded that the most probable diagnosis was more prosaic.
ellauri100.html on line 44: This was the first of several breakdowns and he was in and out of hospital until he died of a gunshot wound on July 29 1890 in an apparent suicide.
ellauri100.html on line 45: “This could come from alcohol intoxication, lack of sleep, work stress and troubles with Gauguin, who was going to leave – attachment being one of his problems in life. He has repeated episodes of psychosis but recovered completely in between.”
ellauri100.html on line 49: The two lived as roommates for a time in the South of France. An article in Harvard Magazine states that van Gogh's medical biographers agree that his adulthood included periods of hypersexuality, hyposexuality, bisexuality, and homosexuality, and that "his stormy homosexual affair with the painter Paul Gauguin included endless, often argumentative discussions."
ellauri100.html on line 51: Although van Gogh was diagnosed with epilepsy at the time, definitions had changed, Oderwald said. Ultimately, “one single thing cannot explain the entire picture of what happened to van Gogh,” he said.
ellauri100.html on line 53: “One of the things we really do not like in our culture is that things just happen,” Arko Oderwald, moderator and medical ethics professor, told The Daily Telegraph. “Yes, he had difficult character traits, but that isn't a disease.”
ellauri100.html on line 85: Klezmer (Yiddish: קלעזמער ‎) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. After the destruction of Jews in Eastern Europe during the Holocaust, there was a general fall in the popularity of klezmer. The term klezmer comes from a combination of Hebrew words: klei, meaning "tools, utensils or instruments of" and zemer, "melody"; leading to k´lei zemer כְּלֵי זֶמֶר‎, literally "instruments of music" or "musical instruments". Originally, klezmer referred to musical instruments, and was later extended to refer, as a pejorative, to musicians themselves. From the 16th to 18th centuries, it replaced older terms such as leyts (clown). It was not until the late 20th century that the word came to identify a musical genre. Early 20th century recordings and writings most often refer to the style as "Yiddish" music, although it is also sometimes called Freilech music (Yiddish, literally "Happy music").
ellauri100.html on line 89: Ernst Kretschmer (* 8. Oktober 1888 in Wüstenrot bei Heilbronn; † 8. Februar 1964 in Tübingen) war ein deutscher Psychiater. Er erforschte die menschliche Konstitution und stellte eine Typenlehre auf. 1929 wurde er für den Nobelpreis für Physiologie oder Medizin nominiert.
ellauri100.html on line 95: Am 6. April 1933 trat Ernst Kretschmer vom Vorsitz aus politischen Gründen zurück, wurde aber noch im selben Jahr förderndes Mitglied der SS. Ebenso unterzeichnete er am 11. November 1933 das Bekenntnis der deutschen Professoren zu Adolf Hitler, war jedoch kein Mitglied der NSDAP.
ellauri100.html on line 136: Er wurde Richter am Erbgesundheitsgericht Marburg und am Erbgesundheitsgericht Kassel und befürwortete 1934 in einem Beitrag zu Ernst Rüdins Sammelband Erblehre und Rassenhygiene die Sterilisation „Schwachsinniger“.
ellauri100.html on line 138: Er gehörte dem Beirat der Gesellschaft Deutscher Neurologen und Psychiater an, besichtigte 1940 die NS-Tötungsanstalt Bernburg und nahm 1941 an einer Sitzung des Beirats der Aktion T4 teil. Im selben Jahr schrieb er in einem Vorwort zu Geniale Menschen: „Was im Wesentlichen entartet ist, das werden wir ruhig aus der Vererbung ausschalten können.“
ellauri100.html on line 140: Andererseits stellte er die von Hans Günther propagierte „Aufnordung“ des deutschen Volkes in Frage, indem er den Zonen, wo sich die nordische mit der alpinen „Rasse“ vermischt habe (wie z. B. Württenberg, Schwaben und Sachsen), eine besondere Genie-Dichte zuschrieb.
ellauri100.html on line 143: Mit seiner Konstitutionstypologie führte Kretschmer 1921 die Unterscheidung zwischen den Typen des Leptosomen, des Pyknikers und des Athletikers ein. Zwischen 1915 und 1921 entwickelte Kretschmer darauf basierend eine Methode zur Differenzialdiagnose von Schizophrenie und Manie. Für das normale Temperament des leptosomen Typs prägte er dabei den Begriff des „Schizothymen“ und eine stärkere Neigung zur Schizophrenie wie geringere Anfälligkeit für manisch-depressive Störungen, umgekehrt für den pyknischen. Der athletische Typ sei eher für Epilepsie anfällig. Wegen Kretschmers Korrelation zwischen Körpergestalt und Anfälligkeit für psychische Störungen wurde er 1929 für den Nobelpreis nominiert.
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Examples of physical properties. Left: the three body types of ectomorph, mesomorpf, and endomorph (Sheldon, Stevens, & Tucker, 1940). Upper right: three different outfits transforming the experience of one and the same character as to age, personality, social position, education, etc. Lower right: variations of the same character by means of outfit, hair cut, hair colour, and use of lipstick and glasses, dramatically changing the experience of the character and characteristics attributed. (The six characters to the right were put together by means of the SitePal Demo Tool, www.sitepal.com.)
ellauri100.html on line 159: Based on a detailed study of frontal, dorsal and lateral photographs of 4000 male subjects of college age, a 3 dimensional scheme for describing human physique is formulated. Kretschmer´s constitutional typology is discarded in favor of one based on 3 first order variables or components, endomorphy, mesomorphy, and ectomorphy, each of which is found in an individual physique and indicated by one of a set of 3 numerals designating a somatotype or patterning of these morphological components. Seventy-six different somatotypes are described and illustrated. These somatotypical designations are objectively assigned on the basis of the use of 18 anthropometric indices. Second-order variables also isolated and studied are dysplasia, gynandromorphy, texture and hirsutism. Historical trends in constitutional research are summarized. A detailed description is given of the development of the somatotyping technique combining anthroposcopic and anthropometric methods. Reference is made to somatotyping with the aid of a specially devised machine. Topics discussed include: the choice of variables, morphological scales, a geometrical representation of somatotypes, the independence of components, correlational data, the problem of norms, the modifiability of a somatotype, hereditary and endocrine influences and the relation of constitution to temperament, mental disease, clinical studies, crime and delinquency, and the differential education of children. Descriptive sketches of variants of the ectomorphic components are given. Appendices list tables for somatotyping and a series of drawings of 9 female somatotypes. An annotated bibliography is followed by a more general one. 272 photographs and drawings illustrate the somatotypes. (PsycINFO Database Record (c) 2016 APA, all rights reserved)
ellauri100.html on line 236: Apologies, but YourMorals.org is not available for use by people in the European Union until we figure out how to comply with GDPR guidelines. But you can read icsandprosperity.com/about/">Politics and Prosperity.com instead! Now there is a straight-backed American if there ever was one! (Was there?)
ellauri100.html on line 238: Hi! I'm Loquitur Veritatem! You can call me Poco Loco for short, like my Hispano-American friends do. If my background and credentials matter to you, I present them in the following sections:
ellauri100.html on line 242: Socioeconomic Background and Character
ellauri100.html on line 250: Birth and upbringing: Born before Pearl Harbor, but not old enough to remember it or World War II. (Japan formally surrendered two days before my first day of kindergarten.) Raised in two small, adjoining cities in the flat, eastern part of Michigan’s lower peninsula. (But not in the Detroit metro area, as we hastened to add when asked “What part of Michigan?”.) Not a son of privilege, by any means (see “Socioeconomic Background and Character,” below).
ellauri100.html on line 252: Academics: Graduated from Big-Ten U in the early 1960s with a B.A. in Economics. Accepted for graduate study in economics at several top schools, including Chicago, M.I.T., and some Ivy League schools. Chose M.I.T. and soon regretted the choice: gray, rainy Cambridge and robotic mathematical approach to economics made for a depressing combination. Returned to alma mater to finish the academic year, then quit to join the (somewhat) “real world” and earn some money. Read: I flunked because I was too dense for M.I.T.
ellauri100.html on line 258: Early and mid-career: After four years as an analyst at the think-tank, went to the Pentagon as a “whiz kid” for two years, at the height of the Vietnam War. Another regrettable choice. Returned to the think-tank and stayed seven more years, advancing from analyst to project director and program director (i.e., manager of several projects).
ellauri100.html on line 260: Escape from D.C.: The futility of analytical work (see “Beliefs,” below) led to the purchase of a small publishing company (weekly paper and free shopping guide) in western New York State. Worked like a dog for three years, and brought the habit back to the think-tank.
ellauri100.html on line 262: Return to D.C.: When asked why, replied “Give a person an opportunity to feed at the public trough and that person will take the opportunity.” Incentives work! Another incentive was the opportunity to criticize analysis (instead of doing it), as an in-house reviewer of technical reports. Notice how I always returned to my masters like a dog after running awaay. It's Peters principle: I had reached my glass ceiling. I just couldn't do anything else. Unfortunately, my position AND PAY deteriorated at each round, until I ended up basically an over-aged proofreader.
ellauri100.html on line 264: Home stretch: Stayed at the think-tank another 18 years. After three years of reviewing reports, seized an opportunity to establish and run the think-tank’s publications department. Promoted a year later to chief financial and administrative officer, with a portfolio consisting of accounting, computer operations, contracting, facility planning and operations, financial management, human resources (a.k.a. personnel), library and technical information services, physical and information security, programming services, and publications. Basically, I ended up doing everything because there were not many people left in that doomed outfit. Became deeply involved in legal matters, including spin-off of the think-tank from parent company, resolution of affirmative-action claims, and complex contract and lease negotiations. Contrived retirement at age 56. Read: that's when they at long last got rid of me because I had sunk the spin-off.
ellauri100.html on line 266: Post-retirement: Spent 18 months as the managing editor of an economics journal published by a privately funded, libertarian think-tank in D.C. — more for the meager wage than for the stimulation of working with semi-intelligent, intellectually doubtfully honest contributors and colleagues. Quit when this part-time job became too hot.
ellauri100.html on line 268: Last stop: Moved from cold-rainy-hot-humid-hazy-cloudy D.C. area to warm-dry-sunny Austin, whose mainly left-wing denizens irritate me with their political posturing and self-centered driving habits. I am in Austin, but not of Austin. TANSTAAFL. PEMDAS. Please Excuse My Dope Ass Swag.
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ellauri100.html on line 277: Both of my parents came from poor families — poor by today’s standards, at least. But by dint of hard work, there was always food on the table, though no one in those days took or expected handouts from government. We were, and I am still, a typical "persu" (Fundamental Finn) of the "nuiva" (sour, negative) type.
ellauri100.html on line 279: My parents’ outlook on life reflected the small-town values of the places in which they were raised. Through a grandmother to whom I was close, I got a good taste of how she, and my parents, had lived. I also came to know the advantages of living in villages, towns, and small cities: physical security and the kind of serenity that is almost impossible to find, for more than a few hours at a time, in the large cities and vast metropolitan areas that now dominate the human landscape of America.
ellauri100.html on line 281: If my father ever earned as much as a median income, it would come as a surprise to me. Our houses, neighborhoods, and family friends were what is known as working-class. If there were twinges of envy for the rich and famous, they were balanced with admiration for their skills and accomplishments. These children of the Great Depression — my parents and their siblings and friends — betrayed no feelings of grievance toward those who had more of life’s possessions. They were rightly proud of what they had earned and accumulated, and did not feel entitled to more than that because of their “bad luck” or lack of “privilege”. These attitudes fit the Virginia boy's moral right edge like a glove.
ellauri100.html on line 283: In my own life, my jobs have ranged from busing tables to serving as a corporate officer. I have spent time in the company of high-ranking government officials, high-priced and expert lawyers, brilliant scientists and academicians, and talented musicians and artisans.
ellauri100.html on line 287: On the whole, what I have seen, known, and done amounts to a large sample of the human experience. I am not trapped in the upper-middle-class “bubble” defined in Charles Murray’s Coming Apart: The State of White America, 1960–2010.
ellauri100.html on line 289: My personality is more aloof than openly empathic (see “Temperament”, below). Why, I cannot say. I do know that aloofness can be an avoidance mechanism for persons who are too easily overwhelmed by emotion. And I do have an emotional side that I usually avoid exposing to others. Let me just say that my ability to observe the human condition is not dulled by automatic empathy of the kind that I have seen so often in persons whose political views are based on nothing more than raw emotion. Nor am I animated by prolonged adolescent rebellion, guilt, or an inability to advance beyond collegiate leftism. I am self-aware and self-critical to a fault.
ellauri100.html on line 291: Finally, I am strongly inclined toward justice. And I mean justice, not “fairness”, which is an excuse for leveling. True justice consists of two things, and only two things: the enforcement of voluntary, mutual obligations, and the punishment of wrongdoing. (Why the enforcement if the obligations are voluntary? Ever think they might be only kinda semi-voluntary?)
ellauri100.html on line 293: What is the point of these recollections and glimpses of my character? It is to say that my upbringing, experiences, and personality give me an advantage when it comes to understanding the human condition and prescribing for its ills. This blog — in its very small way — is a place of refuge from uninformed emotion, prolonged adolescent rebellion, guilt, and a refusal (or inability) to change one’s political views for whatever reason — whether it is opportunism, obduracy, willful ignorance, simple stupidity, or an inability to admit error (even to oneself). Naah, why beat about the bush: I like to be visible and froth at the mouth, and with my credentials, this is the best I can do.
ellauri100.html on line 301: Intelligence (for those who might care) and its application: Graduate Record Examinations scores: verbal aptitude, 96th percentile; quantitative aptitude, 99th percentile; advanced test in economics, 99th percentile. Combined verbal and quantitative scores qualify me for membership (which I do not seek) in the Triple-Nine Society, whose members “have tested at or above the 99.9th percentile on at least one of several standardized adult intelligence tests”. But I am much older now — more than thrice the age I was when I took the GREs — so I do not claim to be “brilliant”. On the other hand, I know a lot more now than I did then, and the more one knows the better one gets at assembling information into meaningful patterns and sorting bad ideas from good ones.
ellauri100.html on line 303: My intelligence was recognized at an early age, but its use was not much stimulated by my parents or the K-12 schools I attended. Only when I went to college was I “stretched”, and then the stretching came mostly at my initiative (unassigned reading and long, solitary sessions working through academic theories). The stretching — which was episodic during my working career — continues to this day, in the form of blogging on subjects that require research, careful analysis, and self-criticism of what I have produced. Self-criticism is central to my personality (see next) and leaves me open to new ideas (see next after that). Like religion. Next I am thinking of becoming a Trotskyist.
ellauri100.html on line 307: For INTJs the dominant force in their lives is their attention to the inner world of possibilities, symbols, abstractions, images, and thoughts. Insight in conjunction with logical analysis is the essence of their approach to the world; they think systemically. Ideas are the substance of life for INTJs and they have a driving need to understand, to know, and to demonstrate competence in their areas of interest. INTJs inherently trust their insights, and with their task-orientation will work intensely to make their visions into realities. (Source: “The Sixteen Types at a Glance“.)
ellauri100.html on line 311: Beliefs: I have moved great distances with respect to political philosophy and theology.
ellauri100.html on line 313: I was apolitical until I went to college. There, under the tutelage of economists of the Keynesian persuasion, I became convinced that government could and should intervene in economic affairs. My pro-interventionism spread to social affairs in my early post-college years, as I joined the “intellectuals” of the time in their support for the Civil Rights Act and the Great Society, which was about social engineering as much as anything.
ellauri100.html on line 319: However, it was not momentous events but a bit of seemingly irrelevant analysis that administered the coup de grâce to my naïve “liberalism”. It happened in the early 1970s, when my boss asked me to concoct grand measures of effectiveness for the armed forces (i.e., summary measures of antisubmarine warfare capabilities, of tactical strike capabilities, and so on). I struggled with the problem, and made a good-faith effort to provide the measures. But in the end I had to report to my boss that he had given me “mission impossible”. Why? Because, no summary measure could capture the effects of the many factors that would determine the effectiveness of the armed forces: the enemy, the characteristics of his forces, the timing and geographic particulars of any engagement, and so on. (See “Hemibel Thinking” in this post for a précis of my argument.) That was the first time I got sacked. But I returned as soon as my boss got fired.
ellauri100.html on line 321: What does that have to do with my final rejection of “liberalism” and turn toward libertarianism? When government intervenes in economic and social affairs, its interventions are based on crude “measures of effectiveness” (e.g., eliminating poverty and racial discrimination) without considering the intricacies of economic and social interactions. Governmental interventions are — and will always be — blunt instruments, the use of which will have unforeseen, unintended, and strongly negative consequences (e.g., the cycle of dependency on welfare, the inhibition of growth-producing capital investments). I then began to doubt the wisdom of having any more government than is necessary to protect me and my fellow Americans from foreign and domestic predators. My later experiences in the private sector and as a government contractor confirmed my view that professors, politicians, and bureaucrats who presume to interfere in the workings of the economy are naïve, power-hungry, or (usually) both. Oh I hated those M.I.T. professors. So smug, thought they knew everything.
ellauri100.html on line 323: But there is more to my journey into political philosophy. I began to think seriously about liberty and libertarianism in the 1990s. Eventually, I began to question doctrinaire libertarianism (pro-abortion, pro-same-sex “marriage”, etc.) which seems to have no room in it for the maintenance of social norms that bind civil society and make it possible for people to coexist willingly and peacefully, and to engage in beneficially cooperative behavior. And so, I have become what I call a Burkean libertarian. I had slipped all thw way to the right edge of the Virginia boys' scales, in the same way, and for the same reasons, as the Nazis after the shameful defeat in WWI.
ellauri100.html on line 325: The development of my theological views, which I will not trace in detail, has paralleled the development of my political philosophy. My collegiate atheism gradually turned to agnosticism as I came to understand the scientific bankruptcy of atheism. There is not a great gap between agnosticism and deism, and I recently made the small jump across that gap. We like jumping, Sören Kierkegaard, William James and me.
ellauri100.html on line 331: I have noticed that a leftist will accuse you of “hate” just for saying something contrary to the left-wing orthodoxy of the day. If you disagree with what I have to say here, but prefer to spew invective instead of offering a reasoned response, don’t bother to submit a comment — at least not until your rage has passed or your medication has taken effect. (My medication is working fine. It is curious how small the distance is between considered opinion and gobbledygook madness.) As it says in the sidebar, I will not publish incoherent, off-point, offensive, or abusive comments except my own. Nor will I lose any sleep for having denied you an outlet for your incoherence, irrelevance, offensiveness, or abusiveness. You can post it on your own blog or on any of the myriad, hate-filled, left-wing blogs that view murder as “choice,” government dictates as “liberty,” self-defense as a “war crime” (when it’s practiced by the U.S. or Israel), and the Constitution as a vehicle for implementing current left-wing orthodoxy.
ellauri100.html on line 335: Having said that, I acknowledge that I sometimes adopt a biting or dismissive tone. (See, for example, the fourteen words that follow the em-dash two paragraphs above.) If you will read my blog carefully, however, you will find that my views are grounded in facts and logic. Where you disagree with or question something that I say in a particular post, search this blog and the list of favorite posts for more on the same subject. If you cannot or will not take the time to do that, don’t bother to comment unless you do it politely and give your reasons for disagreeing with me. I will reply politely, factually, and logically.
ellauri100.html on line 337: If you will bother to read very much of this blog and its predecessor, you will find that I am pro-peace, pro-prosperity, and pro-liberty — positions that leftists and certain libertarians like to claim as theirs, exclusively. Unlike most leftists and more than a few self-styled libertarians, I have seen enough of this world and its ways to know that peace, prosperity, and liberty are achieved when government carries a big stick abroad and treads softly at home (except when it comes to criminals and traitors). Most leftists and many self-styled libertarians, by contrast, engage in “magical thinking,” according to which peace, prosperity, and liberty can be had simply by invoking the words and attaching them to policies that, time and again, have led to war, slow economic growth, and loss of liberty.
ellauri100.html on line 342: I should be noted, also, that my apparent lack of bias, relative to the norms for “liberals” and conservatives, may be due to quick reflexes. Nevertheless, as I say in that post,
ellauri100.html on line 349: For the results of other tests of my moral preferences, go to “My Moral Profile“. BTW, I took my nom de plume from Psalm 14, which is a paean to bigoted hypocrites.
ellauri100.html on line 358: {14:2} He who walks without blemish and who works justice.

ellauri100.html on line 361:
{14:4} Ad nihilum deductus est in conspectu eius malignus: timentes autem Dominum glorificat: Qui iurat proximo suo, et non decipit,

ellauri100.html on line 362: {14:4} In his sight, the malicious one has been reduced to nothing, but he glorifies those who fear the Lord. He who swears to his neighbor and does not deceive.

ellauri100.html on line 368: Why did fat Dana Scott fall out with Alfred Tarski? Why did he leave for Princeton and Alonso Church? Was it a gay fight over Richard Montague? They were not mad at one another, they had problems.
ellauri100.html on line 371: My Moral Profile: Loquor alternativam veritatem. Politics and prosperity: Seeing the world clearly.
ellauri100.html on line 375: I am an INTJ, and an especially strong I, T, and J. Here are my latest scores (02/16/17) on the Keirsey Temperament Sorter (KTS), which is similar to the Myers-Briggs Type Indicator (MBTI). The descriptive excerpts are from David Keirsey and Marilyn Bates’s Please Understand Me.
ellauri100.html on line 383: The person who has a natural preference for sensation probably describes himself first as practical, while the person who has a natural preference for intuition probably chooses to describe himself as innovative.
ellauri100.html on line 387: Persons who choose the impersonal basis of choice are called the thinking types by Jung. Persons who choose the personal basis are called the feeling types…. The more extreme feeling types are a bit put off by rule-governed choice, regarding the act of being impersonal as almost inhuman. The more dedicated thinking types, on the other hand, sometimes look upon the emotion-laden decisions and choices as muddle-headed.
ellauri100.html on line 393: Js tend to establish deadlines and take them seriously, expecting others to do the same. Ps may tend more to look upon deadlines as mere alarm clocks which buzz at a given time, easily turned off or ignored while one catch an extra forty winks, almost as if the deadline were used more as a signal to start than to complete a project.
ellauri100.html on line 405: 1. Openness to experience: High scorers are described as “Open to new experiences. You have broad interests and are very imaginative.” Low scorers are described as “Down-to-earth, practical, traditional, and pretty much set in your ways.” This is the sub-scale that shows the strongest relationship to politics: liberals generally score high on this trait; they like change and variety, sometimes just for the sake of change and variety. Conservatives generally score lower on this trait. (Just think about the kinds of foods likely to be served at very liberal or very conservative social events.)
ellauri100.html on line 411: 4. Agreeableness: High scorers are described as “Compassionate, good-natured, and eager to cooperate and avoid conflict.” Low scorers are described as “Hardheaded, skeptical, proud, and competitive. You tend to express your anger directly.”
ellauri100.html on line 413: 5. Neuroticism: High scorers are described as “Sensitive, emotional, and prone to experience feelings that are upsetting.” Low scorers are described as “Secure, hardy, and generally relaxed even under stressful conditions.”
ellauri100.html on line 421: The scale is a measure of your reliance on and endorsement of five psychological foundations of morality that seem to be found across cultures. Each of the two parts of the scale contained three questions related to each foundation: 1) harm/care, 2) fairness/reciprocity (including issues of rights), 3) ingroup/loyalty, 4) authority/respect, and 5) purity/sanctity.
ellauri100.html on line 423: The idea behind the scale is that human morality is the result of biological and cultural evolutionary processes that made human beings very sensitive to many different (and often competing) issues. Some of these issues are about treating other individuals well (the first two foundations – harm and fairness). Other issues are about how to be a good member of a group or supporter of social order and tradition (the last three foundations). Haidt and Graham have found that political liberals generally place a higher value on the first two foundations; they are very concerned about issues of harm and fairness (including issues of inequality and exploitation). Political conservatives care about harm and fairness too, but they generally score slightly lower on those scale items. The big difference between liberals and conservatives seems to be that conservatives score slightly higher on the ingroup/loyalty foundation, and much higher on the authority/respect and purity/sanctity foundations.
ellauri100.html on line 425: This difference seems to explain many of the most contentious issues in the culture war. For example, liberals support legalizing gay marriage (to be fair and compassionate), whereas many conservatives are reluctant to change the nature of marriage and the family, basic building blocks of society. Conservatives are more likely to favor practices that increase order and respect (e.g., spanking, mandatory pledge of allegiance), whereas liberals often oppose these practices as being violent or coercive.
ellauri100.html on line 431: The study you just completed was an implicit measure of how much you associate yourself with ethicality.
ellauri100.html on line 433: The idea behind the IAT is that concepts with very closely related (vs. unrelated) mental representations are more easily and quickly responded to as a single unit. For example, if “me” and “sharing” are strongly associated in one’s mind, it should be relatively easy to respond quickly to this pairing by pressing the “E” or “I” key. If “me” and “sharing” are NOT strongly associated, it should be more difficult to respond quickly to this pairing. By comparing reaction times on this test, the IAT gives a relative measure of how strongly associated the two categories (Me, Not Me) are to mental representations of “ethical” and “unethical”. Each participant receives a single score, and your score appears below.
ellauri100.html on line 435: Note that there is a great deal of controversy as to the exact meaning of what these reaction time associations actually mean, so please take your results with a grain of salt. While a great deal of previous research has validated the use of such procedures to detect associations of group level bias across groups, the use of IAT procedures to measure individual ethicality is still in development and all of these procedures have been validated probibalistically, at the group level, rather than being validated as being absolutely diagnostic for individuals. That being said, many (though not all) people have found validity in their implicit scores and have found there to be some real psychological process that tracks implicit associations.
ellauri100.html on line 439: Positive scores indicate that ethical associations with the self-concept are stronger than negative associations, and a negative score indicates the opposite.
ellauri100.html on line 445: The scale is a measure of the degree to which people are motivated to act morally by internal and external factors. An example of an internal motivational factor is the drive to achieve (or maintain) one’s happiness through acting morally. An example of an external motivational factor is the drive to act morally in order to improve (or maintain) relationships.
ellauri100.html on line 447: The idea behind the scale is that people vary on the degree to which they experience internal and external moral motivations. Though we suspect that some people are more internally (rather than externally) motivated to act morally, we suspect that everyone is motivated to act morally by internal and external factors. We expect that internal vs. external motivation might relate to who gives to charity in a more public vs. a more private way or who is more likely to be honest when in a group setting vs. a private setting. As well, some national surveys have shown that women make harsher moral judgments than men, and we expect that that might reflect higher moral motivations.
ellauri100.html on line 453: The scale is a measure of statements describing behaviors relevant to five categories of business ethics: (a) usurpation of company resources (e.g. using company time/products), (b) corporate gamesmanship (politics), (c) cheating customers, (d) concealment of misconduct, and (e) offering kickbacks/gifts.
ellauri100.html on line 455: The idea behind the scale is that there is very little systematic research on everyday ethical issues in business. This measure has been tested cross-culturally to show relevance for participants from Hong Kong, mainland China and Taiwan. Specifically, a values structure highlighting the importance of self-transcendence values correlates with more ethical behavioral orientations, while a values structure highlighting the importance of the self-enhancement dimension of values correlates with less ethical behavioral orientations. Further, we are interested in what behaviors are seen as unethical as while all individuals espouse ethicality, different types of behavior are often seen as being more or less relevant to ethics, depending on one’s culture. In previous research, women have reported being more ethical than men.
ellauri100.html on line 457: The graph below shows how often people say that they find various everyday ethical situations to be acceptable in everyday life. This business ethics questionnaire includes 5 categories: Usurpation of company resources, Offering kickbacks, Corporate gamesmanship, Concealment of misconduct, & Cheating Customers. Higher scores indicate greater acceptance of these behaviors.
ellauri100.html on line 463: The scale you just completed was the Marlowe-Crowne Social Desirability Scale, developed by Douglas Crowne and David Marlowe (1960). This scale measures social desirability concern, which is people’s tendency to portray themselves favorably during social interaction. Each of the 33 true-false items that you just filled out describes a behavior that is either socially acceptable but unlikely, or socially unacceptable but likely. As a result, people who receive high scores on this measure may be more likely to respond to surveys in a self-promoting fashion.
ellauri100.html on line 465: We are interested in examining how liberals and conservatives score on this scale. Although previous research has investigated how these groups can be biased when evaluating political information, little is known about the relationship between political attitudes and social desirability concern.
ellauri100.html on line 467: The graph below shows your score on this scale. The scores range from 0% to 100% and represent the proportion of answers that indicated socially desirable responding. Thus, higher scores correspond with higher degrees of socially desirable responding. Your score is shown in green (1st bar). The score of the average liberal respondent is shown in light blue and the score of the average strong liberal is shown in dark blue. The average conservative score is shown in light red and the score of the average strong conservative is shown in dark red.
ellauri100.html on line 471: Liberals and conservatives seem to disagree in their basic understandings of the causes of human action, particularly of immoral action. Liberals are more likely to believe that social forces, poverty, childhood trauma, or mental illness can serve as valid excuses. Conservatives are more likely to reject such excuses and want to hold people accountable for their actions, including a preference for harsher punishments. At least, that is the way things play out in many disputes in the legal world. We want to see if we can look at this stereotypical difference in more detail. We want to find out WHICH kinds of free will and determinism show a correlation with politics, and with other psychological variables.
ellauri100.html on line 473: The Paulhus scale measures people’s attitudes about four constructs related to freedom vs. determinism, which we have graphed for you in the four green bars below.
ellauri100.html on line 479: Scientific causation: the belief that people’s actions are fully explained by a combination of biological and environmental forces
ellauri100.html on line 485: Free Will: the degree to which people can truly decide upon their behaviors and are personally responsible for their outcomes.
ellauri100.html on line 487: In the graphs below, your score is shown in green (the first bar in each cluster). The scores of all people who have taken the scale on our site and who described themselves during registration as politically liberal are shown in the blue bars. The scores of people who described themselves as politically conservative are in red. Scores run from 1 (the lowest possible score, least belief in that construct) to 5 (the highest possible score).
ellauri100.html on line 491: The scale is a measure of your general happiness level. Despite its simplicity, the scale has been found to do a good job of measuring people’s general state of “subjective well-being.” It is widely used, in many nations.
ellauri100.html on line 493: We are interested in measuring happiness on this site because many studies have found that religious people are happier than non-believers, and some have found that politcally conservative people are slightly happier than are political liberals, even after controlling statistically for religiosity. A recent Gallup survey found that religiosity was associated with better mental health for Republicans, but it didn’t make a difference for Democrats. We want to investigate these complex relationships among happiness, morality, religion, and ideology.
ellauri100.html on line 495: In the graph below, your score is shown in green. The scores of all people who have taken the scale on our site and who say that they go to religious services never, or just a few times a year, are shown in blue. The scores of all people who have taken the scale on our site and who said (during registration) that they go to religious services a few times a month or more are shown in red. Scores run from 1 (the lowest possible score, least happy) to 7 (the highest possible score, most happy).
ellauri100.html on line 497: In addition, we asked you some questions on the second page about your mental health. That recent Gallup poll showed that conservatives and religious people report having better mental health when asked using a single question (“how would you rate your mental health?”). We want to see if their finding holds up using a more specific scale, so we asked you to report on a variety of symptoms related to depression and anxiety, which are the most common kinds of mental health symptoms that people report. In the graph below, your score is shown in green. High scores mean MORE mental health complaints. Scores run from 1 (the lowest possible score, no symptoms at all) to 5 (the highest possible score, people who responded “extremely” to all items). As before, the blue bar shows the score of the less religious people; the red bar shows the average score of the most religious people.
ellauri100.html on line 501: The study you just completed included both a self-report and an implicit measure of well-being. The self-report measure of well-being was the Satisfaction With Life Scale, and the implicit measure was an Implicit Association Test (IAT) that compared the strength of automatic mental associations. In this version of the IAT, we investigated associations between the self-concept and the concepts of happiness and sadness.
ellauri100.html on line 503: The idea behind the IAT is that concepts with very closely related (vs. unrelated) mental representations are more easily and quickly responded to as a single unit. For example, if “me” and “happy” are strongly associated in one’s mind, it should be relatively easy to respond quickly to this pairing by pressing the “E” or “I” key. If “me” and “happy” are NOT strongly associated, it should be more difficult to respond quickly to this pairing. By comparing reaction times on this test, the IAT gives a relative measure of how strongly associated the two categories (Me, Not Me) are to mental representations of “happy” and “sad”. Each participant receives a single score, and your score appears below.
ellauri100.html on line 507: Positive scores indicate that “happiness” associations with the self-concept are stronger (i.e., faster) than “sadness” associations, and a negative score indicates the opposite.
ellauri100.html on line 513: The scale is a measure of your attitudes toward crime and punishment. Some of the items reflected a “progressive” and less punitive attitude toward criminals (for example agreeing with the statement that “punishment should be designed to rehabilitate offenders,” and being opposed to the death penalty). Other items reflected a more “traditional” attitude, including a willingness to use traditional forms of punishment, such as shaming or flogging. We grouped these two kinds of items together to give you a “progressive” and a “traditional” score in the first graph below. We call this the “comprehensive” justice scale because research on justice and punishment has usually taken either a liberal or conservative approach. We are trying to examine the broadest possible range of ideas and intuitions about what you think should happen to the offender, and the victim. Disagreements about crime and punishment have long been at the heart of the “culture war.” By linking your responses here to the information you gave us when you registered, or when you took other surveys, we hope to shed light on what kinds of people (not just liberals and conservatives) endorse what kinds of responses to crime, and why.
ellauri100.html on line 517: The second graph shows your results from the items on page 2, where we asked about “alternatives to prison.” This page should produce similar results to what you see from Page 1. We expect liberals to favor the more lenient and rehabilitative alternatives, and conservatives to favor the more punitive options. We are trying out various ways of asking these questions to see which format, or combination of formats, produces the best measurement of people’s attitudes.
ellauri100.html on line 535: The scales you completed were designed to assess your familiarity with scientific research processes and your comfort with working with numerical information. The order in which you received them was randomized.
ellauri100.html on line 537: One scale uses questions from the National Science Foundation’s (NSF) 2010 Science and Engineering Indicators, which is an effort to track public knowledge and attitudes toward science and technology trends in the U.S. and other countries. For this survey, the items pertaining to understanding statistics, how to read data charts, and conducting an experiment were used.
ellauri100.html on line 539: The other scale is the Subjective Numeracy Scale by Angela Fagerlin and colleagues, which measures individuals’ preference for numerical information. Numeracy (adapted from the term ‘literacy’) represents individuals’ ability to comprehend and use probabilities, ratios, and fractions. Traditional measures of numeracy ask people to perform mathematical operations, such as ‘If person A’s risk of getting a disease is 1% in 10 years, and person B’s risk is double that of A’s, what is B’s risk?’ However, some participants find these types of problems stressful and unpleasant, plus they are difficult to score in online studies. Subjective numeracy measures (like the scale you just took) are shown to be equally good measures of numeracy, without burdening participants.
ellauri100.html on line 543: The scale you completed was a General Political Knowledge scale for American politics that we developed and is based on work by Michael Delli Carpini, Scott Keeter, Milton Lodge, and Charles Taber.
ellauri100.html on line 545: The scale measures the factual knowledge people possess about politics. We used questions about three broad topics: 1) civics and what the government is and does (e.g. who has the final responsibility to decide if a law is constitutional or not?); 2) public officials or leaders (e.g. who is the current Speaker of the House?); and 3) political parties (e.g. which party is more conservative on a national scale?).
ellauri100.html on line 547: The idea behind this scale is that objective factual knowledge may be an important factor in studies about political issues and reasoning. It may be that people who are more informed about politics (whether they’re liberal or conservative) think and reason differently about moral or political issues than people who are less informed. For instance, are people who are more informed more or less likely to objectively evaluate political arguments? We suspect that, ironically, people with more political knowledge may be less objective when it comes to a number of information processes (see recommended reading below).
ellauri100.html on line 549: The graphs below show your scores (in green) compared to those of the average liberal (in blue), the average conservative (in red), and the average libertarian (in orange) visitor to this website. The first graph shows your score on the political knowledge scale in comparison to other liberals and conservatives and scores run from 0% (the lowest possible score) to 100% (the highest possible score*).
ellauri100.html on line 555: The study you just completed is an Implicit Association Test (IAT) that compares the strength of automatic mental associations. In this version of the IAT, we investigated positive and negative associations with the categories of “African Americans” and “European Americans”.
ellauri100.html on line 557: The idea behind the IAT is that concepts with very closely related (vs. unrelated) mental representations are more easily and quickly responded to as a single unit. For example, if “European American” and “good” are strongly associated in one’s mind, it should be relatively easy to respond quickly to this pairing by pressing the “E” or “I” key. If “European American” and “good” are NOT strongly associated, it should be more difficult to respond quickly to this pairing. By comparing reaction times on this test, the IAT gives a relative measure of how strongly associated the two categories (European Americans, African Americans) are to mental representations of “good” and “bad”. Each participant receives a single score, and your score appears below.
ellauri100.html on line 561: Positive scores indicate a greater implicit preference for European Americans relative to African Americans, and negative scores indicate an implicit preference for African Americans relative to European Americans.
ellauri100.html on line 565: It should be noted that my slightly positive score probably was influenced by the order in which choices were presented to me. Initially, pleasant concepts were associated with photos of European-Americans. I became used to that association, and so found that it affected my reaction time when I was faced with pairings of pleasant concepts and photos of African-Americans. The bottom line: My slight preference for European-Americans probably is an artifact of test design.
ellauri100.html on line 571: My pen name, Loquitur Veritatem, means truth-teller. My other pen name is Amat Propriam Mentulam. It means loves his own prick.
ellauri100.html on line 593: Nyt on Seijan syntymäpäivä. Ja må hon leva 3x, uti hundrade år. Enää puuttuu 31. Ruozalaiset huutaa hip hip huraa 4x, se on dubbel svensk lösen. Turkkilaiset kexivät ampua plazareita kunniansoituxena. Ruozalaiset soturit huusi huraata < m.alasax. hurren 'kiiruhtaa vikkelästi'. Vikkelään nyt pojat! Hurry hurry hurry buy my rice and curry! Ryssät < mr. Roslagen huutaa yhä uraata novgorodilaisten viikinkien perässä. Tätä hurrit tuskin enää muistavat, niin kauan ovat kellexineet rauhan oloissa. Ruozalaiset rannikköjääkärit nolostuivat kun yheltä lensi laatta kesken suomalaisten katselmusta. Sadistinen päällikkö pani pojat sukeltamaan kakassa ja hukutti väpelön oxentajan mäntysuopapaljussa. Mäntysuopa on ruozixi grön såpa. Ruozalaisista poliisisarjoista oppii kaikenlaista jännittävää.
ellauri100.html on line 618: Whose boughs are bent with thick-set fruit; Sen oxat painavina ompuista
ellauri100.html on line 639: But there's the biblical three score and ten
ellauri100.html on line 640: which is supposed to be the age just when
ellauri100.html on line 706: Apricots, strawberries;—
ellauri100.html on line 734: Pricking up her golden head:
ellauri100.html on line 771: She heard a voice like voice of doves
ellauri100.html on line 808: One parrot-voiced and jolly
ellauri100.html on line 827: Stronger than man-rejoicing wine,
ellauri100.html on line 828: Clearer than water flow’d that juice;
ellauri100.html on line 832: Fruits which that unknown orchard bore;
ellauri100.html on line 847: Took their gifts both choice and many,
ellauri100.html on line 873: What melons icy-cold
ellauri100.html on line 912: One content, one sick in part;
ellauri100.html on line 921: Lizzie pluck’d purple and rich golden flags,
ellauri100.html on line 993: It never felt the trickling moisture run:
ellauri100.html on line 1023: Fell sick and died
ellauri100.html on line 1053: Parrot-voiced and whistler,
ellauri100.html on line 1141: Kick’d and knock’d her,
ellauri100.html on line 1147: Of juice that syrupp’d all her face,
ellauri100.html on line 1149: And streak’d her neck which quaked like curd.
ellauri100.html on line 1152: Flung back her penny, kick’d their fruit
ellauri100.html on line 1153: Along whichever road they took,
ellauri100.html on line 1168: Its bounce was music to her ear.
ellauri100.html on line 1174: Nor was she prick’d by fear;
ellauri100.html on line 1183: Hug me, kiss me, suck my juices
ellauri100.html on line 1211: That juice was wormwood to her tongue,
ellauri100.html on line 1233: Which an earthquake shatters down,
ellauri100.html on line 1234: Like a lightning-stricken mast,
ellauri100.html on line 1258: Hugg’d Lizzie but not twice or thrice;
ellauri100.html on line 1273: The wicked, quaint fruit-merchant men,
ellauri100.html on line 1305: Greimaxen eka julkaisu Cervantes ir jo don Kichotas ilmestyi kaikkien tuntemassa Varpai-lehdessä, jonka se ize perusti. Sen poinzi oli: "Let's not be afraid to be Don Quixotes" (tai sama liettuaxi). Sit tuli se thesis "La Mode en 1830. Essai de description du vocabulaire vestimentaire d' après les journaux de modes [sic] de l'époque". Greimiemen ämmän poka jätti sanakirjahommat siihen, mutta jäi loppuiäxi suffixi- ja puffiximiehexi. Ennen Marxia se luki Ferdinand de Saussurea ja Louis Hjelmsleviä jotka oli saaneet vaikutteita Marxin arvoteoriasta. Muita vaikutteita oli Georges Dumézil (who dat) ja rakenneantropologi Claude Lévi-Strauss, satusetä Vladimir Propp, joku Étienne Souriau, ja (voi ei) fenomenaalinen Edmund Husserl, turhanpäiväinen Maurice Merleau-Ponty, kallonkutistaja Gaston Bachelard (jonka Jöpi eilen mainizi), sekä Touretten syndroomainen superman André Malraux. Kaikesta tästä voi päätellä, että Greimas käänsi Marxin päälaelleen ja Hegelin taas oikeinpäin.
ellauri100.html on line 1336: Ja albumissa 50 mainitaan Pico della Mirandolan yhteydessä ihan sivulauseessa Barthesista että se ei pitänyt muovista. Siitä plussaa kyllä Rollolle.
ellauri100.html on line 1353: 60-luvulla Barthes kirjoitteli kirjallisuuskritiikkiä ja vittuili aikalaisille merkkimiehille. Tuli kärhämää erit. Raymond Picardin kaa, joka inhos uutta ranskalaista kritiikkiä ja sen ällöä vasuriporukkaa. Barthes vastasi samalla mitalla.
ellauri100.html on line 1370: Omnicom Groupin mainososaston johtaja David Lubafs määrittelee alan pelisäännöt vilpittömämmin kuin moni muu: hänen mukaansa kuluttajat ovat kuin torakoita - kun niitten päälle aikansa sumuttaa samaa myrkkyä, ne tulevat sille immuuneixi.
ellauri100.html on line 1372: Barthes päätyi siitä haukuskelemaan Michelet´ä (jamais entendu). Sen mielessä Michelet oli näkyvästi väärässä, ja sitä pitää lukea noin metrin päästä ja kritisoida samalla. Sama pätee sitten avant-garde kirjoihin, ei niitäkään ole tarkoitus ahmia eikä jäädä koukkuun kuin joku pikkukala, vaan pitää etäännyttää, pitää kirjaa käsivarren mitan päässä ja kohotella lukiessa kulmakarvoja. Taiteen pitää kyseenalaistaa eikä vastata kysymyxiin niinkuin Michelet oli yrittänyt. Huohheli huoh. Ex olis parasta jos tekis vähän molempia?
ellauri101.html on line 6: font-style: italic;
ellauri101.html on line 38: We don’t find the meaning of the hero’s journey in slaying the dragon or saving the princess—these are colorful metaphors and symbols for a more significant purpose.
ellauri101.html on line 42: Joseph John Campbell (March 26, 1904 – October 30, 1987) was an American professor of literature at Sarah Lawrence College who worked in comparative mythology and comparative religion. His work covers many aspects of the human experience. Campbell's best-known work is his book The Hero with a Thousand Faces (1949), in which he discusses his theory of the journey of the archetypal hero shared by world mythologies, termed the monomyth.
ellauri101.html on line 44: Since the publication of The Hero with a Thousand Faces, Campbell's theories have been applied by a wide variety of modern writers and artists. His philosophy has been summarized by his own often repeated phrase: "Follow your bliss." He gained recognition in Hollywood when George Lucas credited Campbell's work as influencing his Star Wars saga.
ellauri101.html on line 46: Joseph Campbell was born in White Plains, New York, on March 26, 1904, the elder son of hosiery importer and wholesaler Charles William Campbell, from Waltham, Massachusetts, and Josephine (née Lynch), from New York. Campbell was raised in an upper-middle-class Irish Catholic family; he related that his paternal grandfather Charles had been "a peasant" who came to Boston from County Mayo in Ireland, and became the gardener and caretaker at the Lyman estate at Waltham, where his son Charles William Campbell grew up and became a successful salesman at a department store prior to establishing his hosiery business. During his childhood, he moved with his family to nearby New Rochelle, New York. In 1919, a fire destroyed the family home in New Rochelle, killing his maternal grandmother and injuring his father, who tried to save her.
ellauri101.html on line 48: In 1921, Campbell graduated from the Canterbury School in New Milford, Connecticut. While at Dartmouth College he studied biology and mathematics, but decided that he preferred the humanities. He transferred to Columbia University, where he received a Bachelor of Arts degree in English literature in 1925 and a Master of Arts degree in medieval literature in 1927. At Dartmouth he had joined Delta Tau Delta. An accomplished athlete, he received awards in track and field events, and, for a time, was among the fastest half-mile runners in the world.
ellauri101.html on line 50: In 1924, Campbell traveled to Europe with his family. On the ship during his return trip he encountered the messiah elect of the Theosophical Society, Jiddu Krishnamurti; they discussed Indian philosophy, sparking in Campbell an interest in Hindu and Indian thought. In 1927, he received a fellowship from Columbia University to study in Europe. Campbell studied Old French, Provençal, and Sanskrit at the University of Paris and the University of Munich. He learned to read and speak French and German.
ellauri101.html on line 54: In 1934, Campbell accepted a position as Professor of Literature at Sarah Lawrence College. Sarah Lawrence College is a private liberal arts college in Yonkers, New York. The college models its approach to education after the Oxford/Cambridge system of one-on-one student-faculty tutorials. Sarah Lawrence emphasizes scholarship, particularly in the humanities, performing arts, and writing, and places high value on independent study. Originally a women's college, Sarah Lawrence became coeducational in 1968.
ellauri101.html on line 56: In February 2020, Brooklyn native Lawrence V. "Larry" Ray, born Lawrence Grecco, who had resided in his daughter's on-campus apartment at Lawrence College in 2010 after his release from prison, was charged by prosecutors in Manhattan with conspiracy, extortion, sex trafficking, forced labor, and other related offenses, following nearly 10 years of alleged transgressions with students and former students. At a bail hearing held March 2, 2020, an Assistant U.S. Attorney disclosed to the Manhattan federal court that Ray had been arrested while in bed with one of his victims. Bail was denied.
ellauri101.html on line 58: In 1938, he married one of his former students, the dancer-choreographer Jean Erdman. Jean's father Toni wore false teeth and a wig at the wedding. For most of their 49 years of marriage they shared a two-room apartment in Greenwich Village in New York City. In the 1980s they also purchased an apartment in Honolulu and divided their time between the two cities. They did not have any children.
ellauri101.html on line 61: Campbell died at his home in Honolulu, Hawaii, on October 30, 1987, from complications of esophageal cancer. He is buried in O'ahu Cemetery, Honolulu, among many many more grateful dead.
ellauri101.html on line 67: The main character in the monomyth is the hero. The hero isn’t a person, but an archetype—a set of universal images combined with specific patterns of behavior. Think of a protagonist from your favorite film. He or she represents the hero. The storyline of the film enacted the hero’s journey. The Hero archetype resides in the psyche of every individual, which is one of the primary reasons we love hearing and watching stories.
ellauri101.html on line 70: Campbell outlined the stages of the monomyth in his classic book The Hero with a Thousand Faces (audiobook). Read it later when you got time. Judging by the toc, it is a ripoff from the structuralists.
ellauri101.html on line 78: Nyt jo unohtuneilla Yhexänkulmioisilla albumissa 17 on oma pursoonallisuustaulukko ja siihen liittyvä quiz, jolla voi paljastaa oman sisäisen sankarinsa pikku etuveitikan. Enneagram is a model of the human psyche which is principally understood and taught as a typology of nine interconnected personality types. Nää on siitä kivat että kunkin tyypin helmasynnit on hyvin mukana.
ellauri101.html on line 103: ic-L2IOPH3Dwrhl-Ne3Z2ovGmRt241rYKlpluUCO10vNyYyWjOfzBo2cnzJ6B8jYKMshLAGzx4R3EDFOm1kBS/Myer+Briggs.png?format=500w" />
ellauri101.html on line 143: icspeakingresources.wordpress.com/wp-content/uploads/2014/09/dilbert-mbti.jpg" width="40%" />
ellauri101.html on line 153: In Joseph Campbell's The Hero's Journey, he describes the typical adventure of the archetype known as The Hero, as the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization.
ellauri101.html on line 155: Joseph Campbell, arguably the greatest mythologist of the twentieth century, was certainly one of our greatest storytellers. This masterfully crafted book interweaves conversations between Campbell and some of the people he inspired, including poet Robert Bly, anthropologist Angeles Arrien, filmmaker David Kennard, Doors drummer John Densmore, psychiatric pioneer Stanislov Grof, Nobel laureate Roger Guillemen, and others. Campbell reflects on subjects ranging from the origins and functions of myth, the role of the artist, and the need for ritual to the ordeals of love and romance. With poetry and humor, Campbell recounts his own quest and conveys the excitement of his lifelong exploration of our mythic traditions, what he called “the one great story of mankind.” Hemmetti nää sen sankarit on lähes yhtä tuntemattomia kuin se ize.
ellauri101.html on line 160: Tässon vielä 1 psykometrinen sivusto: ics.org/">https://openpsychometrics.org. Siellä on tämmönen "Mikä fiktiivinen hahmo olet" testi. Voisko se tuoda kivaa lisäinfoa? Sivun ylläpitäjän miälestä tuloxet siitä on ihan rändömejä. No tushkin sentään! Testin pitkän version mukaan mä muistutan vähiten Frozenin Elsaa, paavia, Tolkienin Samgeetä ja Potterin Dumbledorea. Eniten mä muistutan Moaning Myrtleä (kekäs se oli?), Klonkkua ja Crusty the Clownia. Siis nää on ainoat tarjotuista samis hahmoista joista mä oon edes kuullut.
ellauri101.html on line 247: Kade misu piirtää typerästi ylimääräisen nuolen armon eli aarteen vastaanottajasta sankariin. Ajatus on selkeästi kalvinistinen, eliskä ton saajan on ize ruvettava sankarixi, ei tässä mitään ilmaisia lounaita olla tarjoomassa. TINSTAAFL. Ei siinä mitään lisänuolta tarvita, kyseessä on samastus, unifikaatio: lahjan saaja on sisäinen sankarini ize, eli mä. Loppujen lopuxi ei tässä muita pelaajia tarvita kuin nro 1, jolla on koko nippu rooleja. Is it solipsistic here or is it just me?
ellauri101.html on line 267: Sairasvyö toimi johtajana keväällä 2005 esitetyssä tosi-TV-sarjassa Diili, joka perustui yhdysvaltalaiseen The Apprentice -ohjelmaformaattiin. Samaan josta Hjarkimo ja Trump ponnahtivat julkisuuden valokeilaan. Mitenkä paskiaiset on noin identtisiä, kuin jotain paskanmarjoja? No ne on apinoja siinä syy.
ellauri101.html on line 273: Hän sijoittui 21:nneksi Suomen Thinkers 20 -listalla Nordic Business Report -lehden valitessa Suomen suurimpia bisnesajattelijoita elokuussa 2012.
ellauri101.html on line 373: Pharrell Says Donald Trump’s Use Of “Happy” At Political Rallies Is Copyright Infringement.

ellauri101.html on line 375: Pharrell wrote and produced “Happy” for the soundtrack of Despicable Me 2. It also became the lead single of his second studio album, G I R L.
ellauri101.html on line 392: Kauniaisten kylähullu, Sensuuri hoi: Ior Bock pukkeili Sex Pistolseja näyttävämmin, City-lehti oli kaupunkikulttuurin airut, Tuomas Enbuske, Sairasvyö, Sasse ja Mölsä rakennusbisnekseen, Sairasvyöllä huimat pörssirikkaudet, Sairasvyö antoi itselleen potkut Pörssitiedote, Varsinaisen yhtiökokouksen päätökset, Trainers´ House, Suomen Thinkers 20 – listaus maamme 20 suurimmasta bisnesajattelijasta, Nordic Business Forum, Serus Media, Lehden verkko- ja tablettiversiot, Tuli nelonen, Sairasvyö floppasi – loppu tuli juuri nyt, Uusi Suomi, Jari Sairasvyö, Yle Areena, Jari Sairasvyö suureen leikkaukseen – leuka halkaistaan huomenna kahtia: nyt sattuu Juhaa leukaan, Viimeinen kiinteä ateria nautittu, Ilta-Sanomat, Vanha-Majamaa, Anton: Jari Sairasvyöstä kertova valmentaja on kuin neukkaripöytään tilattu metripizza, jonka hotkimisesta tulee huono olo, Helsingin Sanomat (Tilaajille) aamulenkki Lauerma, Hannu: Huijaus -Rohkaisua, johdattelua, psykoterroria, Duodecim, Raeste, Jukka-Pekka: Niskalenkki: Sairasvyön väitteet ”hömppää”. Helsingin Sanomat, Artikkelin verkkoversio, Sairasvyö lopetti verokapinan ja pyysi anteeksi käytöstään. Jari Sairasvyö toivoo lamaa, Sairasvyön firmassa alkavat yt-neuvottelut Taloussanomat. Jari Sairasvyö: Suomalaiset yrittäjät ovat entistä laiskempia ja epärehellisempiä, Yle Uutiset. Jari Sairasvyö sivalsi hallitusta ja Soinia: ”sain pessimistin orgasmin”, Sairasvyö, Jari. Helsingin Sanomat, Talous&Työ, Saikuttelu syö oikeuksiasi, siis imee pillillä, Valtio ottaa varakkailta, Jari Sairasvyö kiittelee rikkaammille suomalaisille suunnattua solidaarisuusveroa oikeaksi signaaliksi. Vuokraturvan Mezola: Sairasvyö on ylipappi, mä olen sen kanttori, erittäin hyvä laulaja, Kauppalehti, Jari Sairasvyö: Maltillista tuottoa hakeva pehmeäsydäminen asuntosijoittaja Sijoitusovi, Sairasvyö ja Kuitunen asuvat yhdessä Iltalehti, Tahdon! Iltalehti, Virpi ja Jari Sairasvyö saivat tytön Iltalehti, Tainola, Rita: Tämä tuli Jari ja Virpi Sairasvyön ex-lapsen nimeksi: Ilta-Sanomat.

ellauri101.html on line 441: Philip Hampson Knight (born February 24, 1938), is an American billionaire businessman. He is the co-founder and chairman emeritus of Nike, Inc., and was previously chairman and CEO of the company. As of July 23, 2020, Knight was ranked by Forbes as the 26th richest person in the world, with an estimated net worth of US$39.2 billion.
ellauri101.html on line 471: icture-in-picture" allowfullscreen>
ellauri101.html on line 489: Laita YB026, Nuteh Jonez soimaan ja ratko päättelykykyä kehittäviä tehtäviä. Ratkaise tehtävä ja näe miten pärjäsit muihin verrattuna. Toimii suoraan nettiselaimessasi! Mitähän paskaa tääkin on. Ellei olis rasisti jo ennestään niin tosta viisusta voisi tulla entistä enemmän spesiesistisexi. No ratkasemaan vaan kehittävää tehtävää Urban dictionaryn avulla. Tää on jälleen kerran sama ilmiö kuin keskiajan varkaiden ja kulkureiden Rotwelsch (kz alla).
ellauri101.html on line 493: Cavan: A dashing, quick witted evil genius. Articulate, devious and charming, this is a guy to watch out for. Cavans are clever and mischievous, and will go to extremes to get their own way. Cavans are very competitive by nature, and do not accept failure. One should never oppose a Cavan in an argument, unless they are prepared for a real battle.
ellauri101.html on line 507: Ladis: A strong, independant, and feminine woman. A woman that is self sufficient and also nurturing. An attractive, yet humble woman. A striking woman, able to hypnotize men with her manner and intelligence. "If I had to choose between a (Betty) and a (Marilyn), I would choose a Ladis!"

ellauri101.html on line 524: Das Rotwelsch oder das Rotwelsche (genannt auch deutsche Gaunersprache) ist ein Sammelbegriff für sondersprachliche Soziolekte gesellschaftlicher Randgruppen auf der Basis des Deutschen, wie sie seit dem späten Mittelalter besonders bei Bettlern, fahrendem Volk (Vaganten), Vertretern sogenannter unehrlicher Berufe und in kriminellen Subkulturen in Gebrauch kamen und seit dem 17. Jahrhundert mit der Ansiedlung von Gruppen vormals Nichtsesshafter auch regionalsprachlichen Niederschlag fanden. Der 1510 erschienene Liber Vagatorum zählt zu ihren ersten gedruckten Werken.
ellauri101.html on line 526: Rotvälska är ett allmänt begrepp i svenskan för att benämna ett obegripligt och/eller förvirrande språk/dialekt. Uttrycket kommer närmast från tyska och danska, i vilka ordet snarast betecknade "tjuvspråk". I svenska är ordet känt sedan 1700-talet. Efterleden -välsk, (från ett gammalt germanskt ord för allt främmande och icke-germanskt), i betydelsen "utländsk" förekommer ordet också i valnöt, välsk, valack och Wales.
ellauri101.html on line 532: Rotwelsch was formerly common among travelling craftspeople and vagrants. The language is built on a strong substratum of German, but contains numerous words from other languages, notably from various German dialects, including Yiddish, as well as from Romany languages, notably Sintitikes. There are also significant influences from Judæo-Latin, the ancient Jewish language spoken in the Roman Empire. Rotwelsch has also played a great role in the development of the Yeniche language. In form and development it closely parallels the commercial speech ("shopkeeper language") of German-speaking regions. During the 19th and 20th century, Rotwelsch was the object of linguistic repression, with systematic investigation by the German police. Fucking Nazis! Examples:
ellauri101.html on line 539: Stenz = Wanderstock des Handwerksburschen (walking stick)
ellauri101.html on line 542: Puhler = Polizist (policeman)
ellauri101.html on line 552: Generation is also often used synonymously with cohort in social science; under this formulation it means "people within a delineated population who experience the same significant events within a given period of time". The impressionable years hypothesis is a theory of political psychology that posits that individuals form durable political attitudes and party affiliations during late adolescence and early adulthood. Sukupolvet on olleet globaalisia vasta sitten kun sodatkin.
ellauri101.html on line 556: The Lost Generation was the social generational cohort that came of age during World War I. "Lost" in this context refers to the "disoriented, wandering, directionless" spirit of many of the war's survivors in the early postwar period. The term is also particularly used to refer to a group of American expatriate writers living in Paris during the 1920s. Gertrude Stein is credited with coining the term, and it was subsequently popularized by Ernest Hemingway who used it in the epigraph for his 1926 novel The Sun Also Rises: "You are all a lost generation".
ellauri101.html on line 558: The Greatest Generation, also known as the G.I. Generation and the World War II generation, is the demographic cohort following the Lost Generation and preceding the Silent Generation. The generation is generally defined as people born from 1901 to 1927. They were shaped by the Great Depression and were the primary participants in World War II.
ellauri101.html on line 559: The Silent Generation is the demographic cohort following the Greatest Generation and preceding the baby boomers. The generation is generally defined as people born from 1928 to 1945.
ellauri101.html on line 581: Kirjailija Mika Wickström kertoo saaneensa vaikutteita Sukupolvi X -romaanilleen muun muassa Generation X -yhtyeestä, jonka keulakuvana tunnettiin 1980-luvulla Billy Idol.
ellauri101.html on line 611: Generation Z (or Gen Z for short), colloquially known as zoomers, is the demographic cohort succeeding Millennials and preceding Generation Alpha. Researchers and popular media use the mid-to-late 1990s as starting birth years and the early 2010s as ending birth years. Most members of Generation Z are the children of Generation X, but some are children of millennials.
ellauri101.html on line 613: As the first social generation to have grown up with access to the Internet and portable digital technology from a young age, members of Generation Z have been dubbed "digital natives", even though they are not necessarily digitally literate. Moreover, the negative effects of screen time are most pronounced on adolescents compared to younger children. Compared to previous generations, members of Generation Z in some developed nations tend to be well-behaved, abstemious, and risk-averse. They tend to live more slowly than their predecessors when they were their age, have lower rates of teenage pregnancies, and consume alcohol less often, but not necessarily addictive drugs. Teenagers nowadays seem more concerned with academic performance and job prospects, and are better at delaying gratification than their counterparts from the 1960s, despite concerns to the contrary. On the other hand, sexting among adolescents has grown in prevalence though the consequences of this remain poorly understood. Meanwhile, youth subcultures have been quieter, though not necessarily dead.
ellauri101.html on line 615: Globally, there is evidence that the average age of pubertal onset among girls has decreased considerably compared to the twentieth century, with implications for their welfare and their future. In addition, adolescents and young adults have higher rates of allergies, higher awareness and diagnoses of mental health problems, and are more likely to be sleep-deprived. In many countries, youths are more likely to have intellectual disabilities and psychiatric disorders than older people. In some European nations, they are facing declining cognitive abilities, especially among the cognitive elites.
ellauri101.html on line 617: Around the world, members of Generation Z are spending more time on their electronic devices and less time reading books than before, with implications for their attention span, their vocabulary, and thus their school grades as well as their future in the modern economy. At the same time, reading and writing fan fiction is of vogue worldwide, especially among teenage girls and young women. In Asia, educators in the 2000s and 2010s typically sought out and nourished top students whereas in Western Europe and the United States, the emphasis was on low-performers. In addition, East Asian students consistently earned the top spots in international standardized tests during the 2010s.
ellauri101.html on line 621: Generation Alpha (or Gen Alpha for short) is the demographic cohort succeeding Generation Z. Researchers and popular media use the early 2010s as starting birth years and the mid-2020s as ending birth years. Named after the first letter in the Greek alphabet, Generation Alpha is the first to be born entirely in the 21st century. Most members of Generation Alpha are the children of Millennials.
ellauri101.html on line 623: McCrindle Research took inspiration from the naming of hurricanes, specifically the 2005 Atlantic hurricane season in which the names beginning with the letters of the Roman alphabet were exhausted, and the last six storms were named with the Greek letters alpha through zeta.
ellauri101.html on line 625: Some anticipate the global impact of the COVID-19 pandemic will become this generation´s defining event, and have suggested the name Generation C either for those born during, or growing up during, the pandemic.
ellauri101.html on line 628: For comparison, the United Nations estimated that the human population was about 7.8 billion in 2020, up from 2.5 billion in 1950. Roughly three-quarters of all people reside in Africa and Asia in 2020. In fact, most human population growth comes from these two continents, as nations in Europe and the Americas tend to have too few children to replace themselves.
ellauri101.html on line 637: During the early to mid-2010s, more babies were born to Christian mothers than to those of any other religion in the world, reflecting the fact that Christianity remained the most popular religion in existence. However, it was the Muslims who had a faster rate of growth. About 33% of the world´s babies were born to Christians who made up 31% of the global population between 2010 and 2015, compared to 31% to Muslims, whose share of the human population was 24%. During the same period, the religiously unaffiliated (including atheists and agnostics) made up 16% of the population but gave birth to only 10% of the world´s children.
ellauri101.html on line 639: Statistical projections from the United Nations in 2019 suggest that, by 2020, the people of Niger would have a median age of 15.2, Mali 16.3, Chad 16.6, Somalia, Uganda, and Angola all 16.7, the Democratic Republic of the Congo 17.0, Burundi 17.3, Mozambique and Zambia both 17.6. (This means that more than half of their populations were born in the first two decades of the twenty-first century.) Benin, Burundi, Ethiopia, Madagascar, Malawi, Nigeria, Tanzania, Zambia, Yemen, and Timor-Leste had a median age of 17 in 2017.
ellauri101.html on line 641: Russia´s population has been on the decline since the 1990s, following the collapse of the Soviet Union. Another reason for Russia's demographic decline is the nation's low life expectancy for men, at only 64 years in 2015, or 15 years less than that in Italy, Germany, or Sweden. This is due to a combination of unusually high rates of alcoholism, smoking, untreated cancer, tuberculosis, suicides, violence, and HIV/AIDS.
ellauri101.html on line 643: As a result of cultural ideals, government policy, and modern medicine, there have been severe gender imbalances in China and India. According to the United Nations, in 2018, China and India had a combined 50 million of excess males under the age of 20. Such a discrepancy fuels loneliness epidemics, human trafficking (from elsewhere in Asia, such as Cambodia and Vietnam), and prostitution.
ellauri101.html on line 645: That U.S. fertility rates continue to drop is anomalous to demographers because fertility rates typically track the nation´s economic health. It was no surprise that U.S. fertility rates dropped during the Great Recession of 2007–8. But the U.S. economy has shown strong signs of recovery for some time, and birthrates continue to fall. In general, however, American women still tend to have children earlier than their counterparts from other developed countries and the U.S. total fertility rate remains comparatively high for a rich country. In fact, compared with their counterparts from other countries in the Organization for Economic Cooperation and Development (OECD), first-time American mothers were among the youngest on average, on par with Latvian women (26.5 years) during the 2010s. At the other extreme end were women from Italy (30.8), and South Korea (31.4). During the same period, American women ended their childbearing years with more children on average (2.2) than most other developed countries, with the notable exception of Icelandic women (2.3). At the other end were women from Germany, Italy, Spain, and Japan (all 1.5).
ellauri101.html on line 647: In 2019, the fertility rate of Mexico was about 2.2, higher than that of any other member of the OECD except Israel at 3.1.
ellauri101.html on line 649: Brazil´s fertility rate has fallen from 6.3 in 1960 to 1.7 in 2020. For this reason, the nation´s population is projected to decline by the end of the twenty-first century. According to a 2012 study, soap operas featuring small families have contributed to the growing acceptance of having just a few children in a predominantly Catholic country. However, Brazil continues to have relatively high rates of adolescent pregnancies, and the government is working to address this problem.
ellauri101.html on line 651: Many members of Generation Alpha have grown up using smartphones and tablets as part of their childhood entertainment with many being exposed to devices as a soothing distraction or educational aids. Screen time among infants, toddlers, and preschoolers exploded during the 2010s. Some 90% of young children used a handheld electronic device by the age of one; in some cases, children started using them when they were only a few months old. Using smartphones and tablets to access video streaming services such as YouTube Kids and free or reasonably low budget mobile games became a popular form of entertainment for young children. A report by Common Sense media suggested that the amount of time children under nine in the United States spent using mobile devices increased from 15 minutes a day in 2013 to 48 minutes in 2017. Research by the children´s charity Childwise suggested that a majority of British three and four year olds owned an Internet-connected device by 2018.
ellauri102.html on line 6: font-style: italic;
ellauri102.html on line 44: Johtavan kuluttajantutkimuslaitoxen Yankelovich Partnersin Vuonna 1997 julkaiseman teoxen Reading the ages mukaan moninaisuus oli X-sukupolven johtoajatus. Suurille ikäluokille eli siis boomereille se oli ollut yksilöllisyys ja heidän sodankäyneille vanhemmilleen epäyxilöllisyys eli velvollisuudentunne. Entäs sitä edelliselle polvelle? No se oli se kadonnut polvi, niille ei ollut mikään pyhää, ei edes omaisuus.
ellauri102.html on line 52: Daniel Yankelovich, Public Opinion Expert and UC San Diego Supporter, Has Died. Dubbed the “dean of American pollsters,” Yankelovich was perhaps best known for starting The New York Times/Yankelovich poll—now known as The New York Times/CBS News poll—and for co-founding the not-for-profit Public Agenda more than 40 years ago. He left a multimillion dollar bequest to endow the Yankelovich Center for Social Science Research. The Yankelovich Center is devoted to using social science to find practical solutions to the nation's most pressing problems. The most pressing problem now as ever is to increase young upward mobility. Yankelovizh was unwavering in his commitment to the American Dream which he saw as a promise to each generation of Americans that they too can improve their circumstances, their lives and gain economic security.
ellauri102.html on line 54: Daniel Yankelovich (December 29, 1924 – September 22, 2017) was a public opinion analyst and social scientist. After attending Boston Latin School, Yankelovich graduated from Harvard University in 1946 and 1950 before completing postgraduate studies at the Sorbonne in France. As a psychology professor he has taught at New York University and The New School for Social Research. In 1996 he served as Senior Fellow at the John F. Kennedy School of Government at Harvard. In 2015, Yankelovich received the Warren J. Mitofsky Award for Excellence in Public Opinion Research.
ellauri102.html on line 56: In 1958 he founded the marketing and research firm Daniel Yankelovich, Inc., which was later renamed as Yankelovich, Skelly, & White, Inc., remaining chair till 1986. In 2008, Yankelovich merged with Henley HeadlightVision to create The Futures Company, a planning consultancy that exists under the WPP communications holding company. He also founded The New York Times/Yankelovich Poll, now The New York Times/CBS Poll. In 1976, together with Cyrus Vance, he founded Public Agenda, a nonpartisan group devoted to public opinion and citizen education. Educating the public and forming their public opinion is the key to democracy, viz. κρατεĩν τòν δῆμον, containing the rubble. In 1995 he was awarded the Helen Dinerman Award by the World Association for Public Opinion Research. Fuck these guys are Jews to a man!
ellauri102.html on line 64: American history and practical math
ellauri102.html on line 90: Feelin' the music from head to toe
ellauri102.html on line 98: Feelin' the music from head to toe
ellauri102.html on line 108: After almost a century of moving upward, David has eventually gone down. Yankelovich is survived by his daughter, Nicole Mordecai, and her husband David; granddaughter Rachel Mordecai; sister Libby Schenkman and her children Fay and Max. In 1959, he married Hassmieg Kaboolian; that marriage ended in divorce. She was Armenian. He later married Mary Komarnicki, now deceased, and then Barbara Lee. More recently, he lived in La Jolla with his companion, Laura Nathanson. Laura got nothing, being just a companion. Neither did Kaboolian nor Komarnicki, nor Barbara Lee, for being utter failures, having wrong opinions, or wrong religion.
ellauri102.html on line 144: Theodore Anthony "Ted" Nugent (s. 13. joulukuuta 1948 Detroit, Michigan, Yhdysvallat) on yhdysvaltalainen rock-muusikko. Nugent syntyi Detroitissa ja on elämänsä aikana asunut muun muassa Los Angelesissa ja Jacksonissa Michiganissa. Nykyään hän asuu Teksasissa. Hän "valmistui" St. Viator High Schoolista vuonna 1966.
ellauri102.html on line 147: Metsästyksen harrastajana tunnettu Nugent on vuodesta 1995 lähtien ollut National Rifle Associationin johtokunnan jäsen. Hän on kirjoittanut useisiin vetoomuksiin ja ollut myös poliittisesti aktiivinen. Hän on kertonut julkisuudessa harkinneensa asettumista ehdolle Michiganin kuvernööriksi. Hänet tunnetaan paleokonservatistisista mielipiteistään, ja hän on myös ilmoittanut ottaneensa alkoholia ja huumausaineita.
ellauri102.html on line 149: Nyt Ted Chicken Nugget on sairastunut koronaan. Se ei usko koronan vakavuuten vakavista taudinoireistansa huolimatta. Ei tää voi olla vakava sairaus, kun ei tähän ole hoitoa. Mut voi helvatti kylläpä on kurja olo! Ted on omassa videossaan paizi helevetin tyhmän äijän näköinen myös kieron kusipäisen narsistin oloinen, nuoleskelee huuliaan, vääntelee Haju Pisilästä muistuttavaa kumimaista suuta ja kazo kaikkialle muualle kuin kohti. Ja puhuu paskaa, suorastaaan ripulipaskaa paljon ja hitaasti. Ted Chicken Nuggetin saisi jauhaa jauhelihaxi ja syöttää kanaparoille. Mick Jagger lorottakoon hitaasti vanhuspissaa sen vääntelevään suuhun.
ellauri102.html on line 203: ichard_Branson_March_2015_%28cropped%29.jpg/250px-Richard_Branson_March_2015_%28cropped%29.jpg" width="150px" />
ellauri102.html on line 205: ic01.nyt.com/images/2020/11/17/business/17techhearing-facebookpreview/merlin_163192374_92604511-ae28-43ba-8d7f-d3fbdae53e01-mobileMasterAt3x.jpg" width="150px" />
ellauri102.html on line 244: Gene Siskel of the Chicago Tribune described the film as "a big disappointment when compared with the studio's other recent films about a female hero searching for independence." He was further critical of Mulan's characterization in comparison to Ariel and Belle, jotka molemmat on aivan lällyjä. Mä en ole nähnyt Titanicia (enkä todellakaan aio nähdäkään) mutta näkemättäkin oon vakuuttunut eze on yhtä syvältä kuin se paattikin.
ellauri102.html on line 320: Sachs was raised in Oak Park, a suburb of Detroit, Michigan, the son of Joan (née Abrams) and Theodore Sachs, a labor lawyer. His family is Jewish.
ellauri102.html on line 347: "Yrittäjät", "myyntikumppanit" ja "partnerit" oottaa passissa milloin oisi pätkätyötä jaossa. Johtoporsas tienaa 30 miljoonaa osaketta ja laahus kokee että se VOISI ansaita, mikä on kiva koska toivo pitää liitot loitolla ja palkat pieninä. Taas sama mekanismi, se American Fucking Dream, joka toimii kristinuskossa. Demokratia ja vapaus. Usko toivo rakkaus. Haestakeepa kuulkaa paska. Että mä inhoon unelmia.
ellauri102.html on line 356: Rick the Temp on palkattomien harjoittelijoiden messias. Ratki taivaassa on yxi palkka vielä tarjona. Harjoittelijan apulaisena saa randomisti lizareita palkaxi. Semmonenko nyt on mun keskimmäinen poikani?
ellauri102.html on line 370: Popcornia ja Petersiä tärkeämpi minä-brändin sanansaattaja on kuitenkin Daniel H. Pink (ent. Prick). Hän on huomannut tilapäisen työn, alihankintasopimusten ja itsensä työllistämisen yleistymisen ja puhuu 'vapaiden agenttien maasta". Pink kirjoitti kirjaa nimeltä Free Agent Nation ja on ylpeä tästä uudesta isänmaastaan. Hän jätti arvostetun työpaikkansa Al Goren puhemyllynä. Hänen kaltaisensa kuikelot ovat markkinointikonsultteja, copywritereitä, headhuntereita ja ohjelmistosuunnittelijoita, jotka kokeilevat 🧘‍♂️ jooga-asentoja verkotetuissa kotitoimistoissa. Sisäileviä sankareita kuten "Jjarrii!" Headhuntteri oli epämiellyttävä lankoni Iso-Masa, ennenkuin sen päässä naxahti. Ja se pikkiriikkinen suonikohjuinen AHDH oli konsultti, se joka pyöri perskärpäsenä mun kimpussa Kouvolan aikoina. "Nimeä ei löydy", sanoo päänsisäinen Contacts-ohjelma. Ne oli narsisteja kumpikin.
ellauri102.html on line 379: icture-in-picture" allowfullscreen>
ellauri102.html on line 380:
Microsoftin pääjohtaja saa kermapiirakasta päähän. Naiminko kermapiirakasta? 😃 Ei se oli jonkun muun.

ellauri102.html on line 406: Klein on kotoisin juutalaisesta perheestä (kuinkas muuten). Sekä Kleinin että hänen aviomiehensä Avi Lewisin perhe on kansalaistoimijataustaisia. Kleinin isoisä, senaattori Calvin Klein, erotettiin Disney-yhtiön palveluksesta vuoden 1942 kalsarilakon jälkeen hänen toimittuaan siinä hyperaktiivisesti. Kleinin lääkäri-isä "Pullo" Klein oli vietnamilainen ja Amerikan pahin vastustaja. Hänen elokuvantekijä-äitinsä Bonnie Sherr Klein sai julkisuutta pornoelokuvallaan No Logo Story. Hänen veljensä Seth on Canadian Centre for Alternative Policemen -tutkimuskeskuksen Kolumbian toimiston siivooja. Hänen appivanhempansa ovat journalisti Michele Landslide ja poliitikko C.S. Lewis, Kanadan uusimman ja demokraattisimman puolueen johtajan David Lewisin poika. Hänen tätinsä on ollut naimisissa poplaulaja Dave Liebkindin kanssa.lähde? Klein on julkisesti paljastunut feministiksi ja on luonnehtinut muun muassa kirjaansa No Logo hiukka feministiseksi. No ei se siitä kyllä häirizevästi näy.
ellauri102.html on line 410: Klein on ollut London School of Economicsin vieraileva luennoitsija ja Tel Quel lehden kotiavustaja.
ellauri102.html on line 412: Lokakuussa 2005 Klein oli 11:s Maailman intellektuellit -äänestyksessä, jossa listattiin maailman sata julkisinta älykköä. Sen kokosi Prospect-lehti yhdessä Foreign Policyn kanssa. Klein oli korkeimmalle sijoittunut naisten listalla.
ellauri102.html on line 418: Before World War II, her paternal grandparents were communists, but they began to turn against the Soviet Union after the Molotov–Ribbentrop Pact in 1939. In 1942, her grandfather, an animator at Disney, was fired after the 1941 strike, and had to switch to working in a shipyard instead. By 1956, they had abandoned communism. Vitun takinkääntäjät, juutalaisiin ei ole luottamista, niinkuin se Trotskykin. Klein's father grew up surrounded by silly ideas of social justice and racial equality, but found it "difficult and frightening to be the child of Communists", a so-called red diaper baby.
ellauri102.html on line 421: As a child and teenager, she found it "very oppressive to have a very public feminist mother" and she rejected politics, instead embracing "full-on consumerism".
ellauri102.html on line 425: She has attributed her change in worldview to two catalysts. One was when she was 17 and preparing for the University of Toronto, her mother had a stroke and became severely disabled. Naomi, her father, and her brother took care of Bonnie through the period in hospital and at home, making educational sacrifices to do so. That year off prevented her "from being such a brat". The next year, after beginning her studies at the University of Toronto, the second catalyst occurred: the 1989 École Polytechnique massacre of female engineering students, which proved to be a wake-up call to feminism.
ellauri102.html on line 429: La tuerie de l'École polytechnique est une tuerie antiféministe en milieu scolaire qui a eu lieu le 6 décembre 1989 à l'École polytechnique de Montréal, au Québec (Canada). Marc Lépine (né Gamil Gharbi), âgé de vingt-cinq ans, ouvre le feu sur vingt-huit personnes, tuant quatorze femmes et blessant treize autres personnes (9 femmes et 4 hommes)[1], avant de se suicider. Ce féminicide de masse est perpétré en moins de vingt minutes à l'aide d'une carabine obtenue légalement. Il s'agit de la tuerie en milieu scolaire la plus meurtrière de l'histoire du Canada.
ellauri102.html on line 443: Il recharge son arme et se rend, à nouveau, à l'avant de la classe, tirant par intermittence dans toutes les directions. À ce moment, Maryse Leclair, blessée, demande de l'aide. Lépine avance vers elle et, après avoir dégainé son couteau de chasse, la poignarde à trois reprises, l'achevant. Il enlève alors sa casquette, entoure son arme de son manteau, et s'exclame : « Oh, shit! », avant de se suicider d'une balle dans la tête, une vingtaine de minutes après avoir commencé son massacre.
ellauri102.html on line 463: The Problem: The problem with this ad campaign was the fact that is promoted “body shaming”. Many feminist groups noted that the wording of the ad insinuates that the body in the picture is the only “acceptable” beach body. This means that any other body type not like the one in the picture is “unready”.
ellauri102.html on line 465: Despite the backlash from the public the ad received a lot of publicity and press coverage. Protein World went on to make a reported £1 million profit from the £250,000 they spent on the advertising campaign. Although it caused a lot of controversy around the world, it somehow still managed to boost the company’s sales.
ellauri102.html on line 471: The Problem: Controversy for this ad campaign arose in many different ways. The first was the use of world leaders without their consent. In fact, one of the ads features Pope Benedict XVI kissing a top Egyptian imam which was quickly removed after being condemned by the Vatican.
ellauri102.html on line 479: The Problem: During the time the advert was released, there were many protests and riots taking place in America over the #BlackLivesMatter campaign. The ad took a lot of “inspiration” from these protests and fundamentally undermined the whole point of the protests. In addition to this, the ad also received a lot of criticism for how Pepsi was responsible for “saving the day.”
ellauri102.html on line 481: Within 24 hours of releasing the ad, Pepsi faced a lot of criticism from online users over the ad and had to release an official statement while also pulling the ad.
ellauri102.html on line 487: The Problem: As you can probably see from the advert above, the choice of words for this campaign was very poorly chosen. To make things worse, they specifically aimed the campaign at people in the Middle East which caused many people to call the advert racist.
ellauri102.html on line 489: In addition to this, many right-wing groups started to promote the advert with some going as far as saying Nivea was the official alt-right antiperspirant. Eventually, Nivea released a statement about the ad and immediately withdrew it after realising the wording and context caused offence to many viewers.
ellauri102.html on line 501: The Problem: The main issue with this campaign is that it came across as very anti-police to most of the general public. In fact, there were reports of people complaining and becoming very aggressive in the stores, resulting in LUSH having to call the police. Due to the negative reception of the ads, LUSH ended up pulling them and releasing an official statement on their website.
ellauri102.html on line 504:
Nike – Colin Kaepernick

ellauri102.html on line 507: The Problem: After Kaepernick refused to stand for the national anthem, many viewers became angry at him and viewed him as anti-American. The fact that Nike was using him in their ads made many people believe Nike was also anti-American. This sparked a lot of controversies online with many social media users posting pictures of themselves destroying Nike products, along with the hashtag #JustBurnIt.
ellauri102.html on line 509: However, despite the online backlash over the campaign and casting of Kaepernick, Nike reportedly made over $6 billion in sales and saw online sales grow by 31%.
ellauri102.html on line 529: iiivisesti Kaan han ei opisicle seiotiiica Toma
ellauri102.html on line 543: hic mietsl Kmgs ol enein, ka s s
ellauri102.html on line 565: Her work as a culture jammer and Imagitator is featured in several documentaries as well as the best-selling book “NO LOGO” by Naomi Klein. She earned a Bachelor of Education and an honours MA from OISE/UofT where her graduate research focused on Holistic Media Literacy and Transformative Learning.
ellauri102.html on line 568:
Some pandemic encouragement from a northern Ontario lake dancer

ellauri102.html on line 570: 'Life's too short to be ashamed for being weird,' says Lake Pantyless Pissing's Carly Stasko. After Stasko lost her job, she and her family moved from Toronto to their northern cottage at the start of the pandemic.
ellauri102.html on line 579: "Is it really that bad being embarrassed compared to being in everybody's phone? Thankfully, I was cured then and since I've had my kids and a good life. But when the pandemic started, it was almost like revisiting some of that because I had to kind of go back into being isolated because of my immune system. And if you ever feel really stuck, just put on some music. It has such a powerful effect. And you don't have to be a dancer. You don't have to have moves. Just move how you feel — don't worry about it looking weird. You know, life's too short to be ashamed for being weird."
ellauri102.html on line 581:
Tina Turner Lyrics

ellauri102.html on line 599: And any old music will do
ellauri102.html on line 615: And any old music will do
ellauri102.html on line 621: And any old music will do
ellauri102.html on line 624: American Express will do nicely, thank you
ellauri102.html on line 633: And any old music will do
ellauri102.html on line 649: And any old music will do
ellauri102.html on line 655: And any old music will do
ellauri102.html on line 668: Launched in 1972 by Gloria Stone´m, Ms. continues to be the most recognized feminist publication in the nation. 59 percent of women identify as feminists, as do 33 percent of men, signaling strong interest in le femmine. Ami luki ruozalaista Femina-lehteä. Olisi se varmaan lukenut Ms-lehteäkin, mutta se ei ollut vielä ilmestynyt. Mummilla oli Me Naiset -lehtiä. Kristina aloitti Mona Lisa -lehden toimittajana. Naapurin isokokoinen emäntä Lehtimäki oli Anna-lehden päätoimittaja, kunnes se siirtyi Maalla-lehden päätoimittajaxi. Me saatiin siltä irtonumeroita ja salavittuilua lahjaxi.
ellauri102.html on line 689: icflickr.com/3240/2512214634_977b05b32a_z.jpg" width="50%" />
ellauri105.html on line 7: font-style: italic;
ellauri105.html on line 51: Melvis Pressula piti alaikäisistä tytöistä. Michael Jackson piti alaikäisistä pojista. Mikä ihme siinä on että yhteen pahaan liittyy aina toisia? No kai sekin on johdettavissa memetiikan perusyhtälöstä, vaikken nyt ihan vielä näe miten. Narsistit lie enimmäxeen pahoja, mutta ne ei juuri perusta tiimeistä, joten ne eivät usein pääse ihan pahan kasan huipulle. Pitää olla muutenkin psykopaatti että pärjää siinä.
ellauri105.html on line 69: Psykopaatille kaikki pelit on pasiansseja. Seistään hedelmäpeliautomaatin edessä marketin tuulikaapissa ja painetaan nappuloita kuin Michael Jackson hississä.
ellauri105.html on line 93: President Biden speaks at a podium with Vice President Kamala Harris and House Speaker Nancy Pelosi behind him. Letter from Biden’s Washington.
ellauri105.html on line 100: In many ways, there was a notable convergence in how Democrats and Republicans saw Biden’s speech: as a breathtakingly ambitious set of proposals to use government as an instrument of social and economic transformation—an unabashed progressive platform unseen from a President in my lifetime. Republicans hated it; Democrats, for the most part, loved it.
ellauri105.html on line 101: The result was the most avowedly liberal call to action I have ever heard a President make from that congressional podium. Unlike the longtime socialist Bernie Sanders, whom Biden beat in the Democratic primaries, he does not call himself a revolutionary. Unlike the self-styled populist Donald S. Trump, whom Biden beat in the general election, he does not call himself a disrupter. Were Congress to enact his proposals, Biden would end up as both.
ellauri105.html on line 102: It’s early days yet, but this is where Biden’s true genius as a politician may lie: he has turned his likability into a moderating asset, suggesting that an ideological agenda when offered by a relatively non-ideological salesman does not sound all that threatening.
ellauri105.html on line 104: Susanin lehti Politico on antisemitistinen ja oikeistohenkinen. Tiesittekö muuten että Bernie Sanderskin on jutku? 😃 Tuppikulli tai esinahkapoolo, vitun väliä, se mikä ratkaisee on paljonko on perstaskussa. Vieläko taipuu bideelle vai ei.
ellauri105.html on line 111: He is an anti-vaxer that thinks Bill Gates is injecting us with microchips
ellauri105.html on line 120: Externalize blame. If they are late to work they will say “traffic was bad” or “construction stopped me” instead of “I overslept”. These people find it a lot easier to blame everyone else for their failures.
ellauri105.html on line 126: Have the ego of an academic- relishing in the myth of their own intelligence, yet they have done nothing to actually earn that ego. They never went to school or tried to seriously study anything. So niche groups like this are perfect for them- they can act like big shot academics and get respect from other lost idiots and it fulfills their need to be considered “smart”.
ellauri105.html on line 144: Sorry, I missed the part where she was in any conceivable way relevant to the topic...
ellauri105.html on line 255: In the Hebrew Bible, Oholah (אהלה) and Oholibah (אהליבה) (or Aholah and Aholibah in the King James Version and Young's Literal Translation) are pejorative personifications given by the prophet Ezekiel to the cities of Samaria in the Kingdom of Israel and Jerusalem in the kingdom of Judah, respectively. They appear in chapter 23 of the Book of Ezekiel.
ellauri105.html on line 261: The Hebrew prophets frequently compared the sin of idolatry to the sin of adultery, in a reappearing rhetorical figure.[2]:317 Ezekiel's rhetoric directed against these two allegorical figures depicts them as lusting after Egyptian men in explicitly sexual terms in Ezekiel 23:20–21:[3]:18
ellauri105.html on line 368: 4 Iivana tervehtiy šeičentä
ellauri105.html on line 372: ta niiltä šeiččemeltä henkeltä, kumpaset
ellauri105.html on line 377: čuarien Halliččija! Iisussa Hristossa
ellauri105.html on line 458: – Du vill hellre skicka ut dem? sa Lööf.
ellauri106.html on line 6: font-style: italic;
ellauri106.html on line 46: Philip Roth has not had much luck with biographers. Late in his life, furiously aggrieved after the failure of his marriage to the actress Claire Bloom and the publication of Bloom’s incendiary memoir of their years together, he asked a close friend, Ross Miller, an English professor at the University of Connecticut, to take on the task. Roth sent Miller lists of family members and friends he wanted to be interviewed, along with the questions that he felt should be asked. (“Would you have expected him to achieve success on the scale he has?”) It didn’t work out, for various reasons. Roth had wanted Miller to refute a familiar charge, “this whole mad fucking misogynistic bullshit!” that he felt flattened his long erotic history into one false accusation. But Miller came to his own conclusion. “There is a predatory side to both Sandy and Philip,” he told a cousin of Roth’s. (Sandy was Roth’s older brother.) “They look at women—I’m not gonna write about this—but they are misogynist. They talk about women in that way.”
ellauri106.html on line 65: Philip Roth was the younger of the 2 boys of Herman Roth (1901–1989) and his wife Bess, nee Finkel (1904–1981). Both parents were assimilated American Jews of the second generation of immigrants. The maternal grandparents came from the area around Kiev, the Yiddish-speaking paternal grandparents, Sender and Bertha Roth, from Koslow in Galicia. Sender Roth had trained as a rabbi in Galicia and worked in a hat factory in Newark. Herman Roth, the middle of seven children and the first child in the United States, first worked in a factory after eight years of schooling, then became an insurance agent selling door-to-door life insurance. By his retirement he made it to the district director of Metropolitan Life. Philip Roth's brother, Sanford (Sandy) Roth (1927–2009), who was four years older than him, studied art at the Pratt Institute, became vice-president of the advertising agency Ogilvy & Mather in Chicago and made a name for himself as a painter after his "early retirement".
ellauri106.html on line 67: In October 1956, Philip Roth met the secretary Margaret Martinson Williams in Chicago, whom he married in February 1959. The divorced mother of two children of completely different social origins, who was four years older than him, initially gave Roth the feeling of both a challenge and a liberation. Later, however, the problems and arguments in their relationship increased, which the writer dealt with in retrospect in works such as When She Was Good ( Lucy Nelson or Die Moral, 1967) or My Life As a Man (Mein Leben als Mann, 1974). In his autobiography The Facts (The Facts, 1988) Margaret even advanced as Josie Jensen to the “counter-self”, to the “arch enemy and nemesis ” of the author. The couple separated in 1963, but Margaret Roth refused to consent to a divorce. Five years later she died in a car accident.
ellauri106.html on line 69: From 1958 onwards, the couple lived in New York on the Lower East Side of Manhattan, and in 1959 they spent seven months in Italy on a Guggenheim grant. Upon their return, they both settled in Iowa City, where Roth led the Writers' Workshop at the University of Iowa. The experiences in small-town Iowa far away from the American metropolises flowed into Roth's second novel Letting Go (Other People's Worries), which was published in 1962, but in contrast to Roth's previously published volume of short stories Goodbye, Columbus caused mixed reactions from critics. Stanley Edgar Hyman, for example, criticized weaknesses in the narrative structure of the novel, the two narrative parts of which are only superficially connected, but praised what he saw as "the keenest eye for the details of American life since Sinclair Lewis". Letting Go is also the first novel in which Roth, as in numerous later works, made the writings of his literary predecessors an integral part of the narrative, and is therefore often referred to as Roth's first "Henry James novel".
ellauri106.html on line 71: In 1962, the same year Letting Go was published, Roth became Writer-in-Residence at Princeton University. After separating from his wife, Roth began a five-year psychoanalysis with the New York psychiatrist Hans J. Kleinschmidt, who published the case history anonymously in a medical journal in 1967 under the title The Angry Act: The Role of Aggression in Creativity. Roth traveled to Israel for the first time in June 1963. He participated in the American Jewish Congress, held discussions with Israeli intellectuals and Prime Minister David Ben-Gurion. From 1965 to 1977 Roth had a lectureship in comparative literature at the University of Pennsylvania.
ellauri106.html on line 73: Roth's skandalumwitterter bestselling novel Portnoy's Complaint (Portnoy's Complaint) was promoted in 1969 to a bang that made the writer widely publicized and also the discussion of literary pornography in American literary criticism.
ellauri106.html on line 74: Before the sudden popularity and fierce hostility, Roth retired to secluded Woodstock, and in 1972 he bought a farm in northwest Connecticut .
ellauri106.html on line 76: In 1987, in the loneliness of Connecticut, Roth experienced a breakdown caused by a sleeping pill with hallucinatory side effects. He made the experience, as well as the trial of the concentration camp guard John Demjanjuk in Jerusalem, whom he had followed as an observer, the starting point of the 1993 novel Operation Shylock, the encounter between a fictional Philip Roth and his doppelganger. The writer also felt increasingly isolated in London and returned to New York, where he moved into an apartment on the Upper West Side. He took over from 1988 to 1991 a professor of literature at Hunter College of the City University of New York. In 1990 he married his longtime partner Claire Bloom, but the marriage was divorced in 1994 after Roth's growing estrangement and severe depression, including a stay in a psychiatric clinic. Bloom dealt with the problematic relationship two years later in her memoir Leaving a Doll's House .
ellauri106.html on line 78: In the American trilogy, the resurrected alter ego Zuckerman discovers the true identities of the protagonists of a sports idol in American Pastoral ( American Idyll, 1997), a radio star in I Married a Communist ( My Man, the Communist, 1998) and a professor emeritus in The Human Stain ( The Human Blemish, 2000) against the backdrop of changing American eras. American Pastoral was awarded the Pulitzer Prize in 1998 and is considered "a remarkable example of a literary interpretation of the descent of the initially so confident [American] post-war white society into the depths of uncertainty" as a result of the Vietnam War .
ellauri106.html on line 80: In the early 2000s, Roth met the young assistant editor Lisa Halliday at his literary agency Andrew Wylie. A love affair developed from having lunch together, which culminated in a lifelong deep friendship. Halliday processed the love and friendship for Roth in the highly acclaimed autobiographical inspired novel Asymmetrie, which she completed in 2016. Roth, who read the manuscript, liked it.
ellauri106.html on line 82: The story The Breast (Breast) from the following year, the literature professor David Kepesh transformed in into a female breast, awakens echoes of Franz Kafka, the Roth has for a special devotion among his literary models. The search for Kafka's traces led to his first visit to Prague in 1972, which was followed by annual trips until the author was refused an entry visa in 1977. In Czechoslovakia Roth got to know contemporary Czech literature and was in contact with Ivan Klíma, Milan Kundera and Ludvík Vaculík in particular.
ellauri106.html on line 86: Instead of turning away from reality, Roth responded with satire, which he defined as "moral indignation translated into comic art". Roth's satire often arises from the disparity between ideals and reality, the naive disappointment of his heroes and the disillusionment of the American dream.
ellauri106.html on line 88: A consistent trademark of Roth's work is rudeness and roughness, which often breaks out in the form of verbose ranting tirades. German meaning: “insult and insult and insult until there is no one left on earth who is not offended.
ellauri106.html on line 90: The rudeness is not only a source of stylistic energy, but also a fundamental moral position, an attack on the state of inhumanity disguised as niceness, as Nathan Zuckerman puts it in The Anatomy Lesson. Roth is thus directed against the social forces of obedience, prohibition and oppression, essential components of mature adulthood, which is why Posnock recognizes an “art of immaturity” in which Roth disregards cultural barriers and abandons himself completely to aesthetic pleasure, in the style of a Cervantes 'or Nabokovs .
ellauri106.html on line 97: In 2000 Saul Bellow proposed Philip Roth to the Swedish Academy for the Nobel Prize for Literature. The accusation that the academy deliberately overlooks Roth's achievements in selecting the Nobel Prize winner each year has been one of the truisms of international feuilletons since the 2000s. According to some critics, the accusation turned out to be justified in 2008, when the chairman of the jury responsible for the Nobel Prize for Literature made public general reservations about North American literature and denied it deserving of an award. Ulrich Greiner summed up Roth's rejection by the Nobel Prize Committee as follows: “The Swedes, however, love authors who help to improve the world. Philip Roth only adds something to their knowledge about what needs work."
ellauri106.html on line 104: He enjoyed a robust childhood and was poplar in high school where he was a bright student but not quite diligent enough in his studies to win a prized full scholarship to Rutgers where he wanted to study law. Roth attended Rutgers University in Newark for a year, then transferred to Bucknell University in Pennsylvania, where he earned a B.A. magna cum laude in English and was elected to Phi Beta Kappa. He received a scholarship to attend the University of Chicago, where he earned an M.A. in English literature in 1955 and briefly worked as an instructor in the university´s writing program. Less prestigious Bucknell University in Pennsylvania was Roth’s fallback school. There he abandoned his vague dreams of becoming a lawyer for the underdog and turned his attention to writing.
ellauri106.html on line 106: That same year, rather than wait to be drafted, Roth enlisted in the army. Roth enlisted in the Army that year to avoid being drafted and assigned to unpleasant duty like the infantry. Fortunately he suffered a back injury during basic training and was given a medical discharge. Who knows. He returned to Chicago in 1956 to study for a PhD in literature but dropped out after one term. It was a yeasty environment for a young writer. Saul Bellow was a contemporary and with some what similar backgrounds and interests they could not avoid being rivals. During that year he met a lovely shiksa waitress Margaret Martinson, a single woman with a small child. He was smitten. An intense, but often troubled relationship ensued. At the end of the year he dropped out of the U of C and headed to the University of Iowa to teach in its creative writing program. None the less, whatever he may have said, Roth was not happy there, perhaps because the semi-rural Midwesterness of Ames was alien to him. After a while with Martinson in tow he moved on to a similar position at Princeton, another WASP bastion but one with even more prestige. Everyone who knew him recognized Roth as an early comer. He later continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991. Roth started teaching literature in the late 1960s at the University of Pennsylvania. The 1969 feature film adaptation of Goodbye, Columbus coincided with the publication of Portnoy’s Complaint, which soon became a best-seller amid controversy for its prurient content. (Those who've read it will likely not forget Portnoy's "love affair" with mom´s slab of liver in the fridge.)
ellauri106.html on line 108: Nähtävästi Phillu oikein pyrkimällä pyrki sotapoliisixi mutta pylly venähti. Missä muka näkyy Midway ikkunasta? Sehän oli avomerellä? Roland Emmerichin Midway on nimittäin häpeilemätön paluu aikakauteen, jolloin sota oli jonkinlainen ihmiskunnan ulkopuolinen kiirastuli, jonka läpi soturien oli kuljettava täyttääkseen tarkoituksensa miehinä - tai heittäydyttävä liekkeihin tien tasoittamiseksi jäljessä tuleville. Tiedostavaa sodanvastaisuutta tai sen taistelujen kauheuden realismia on turha hakea. Midway on täynnä sotaelokuvaklisheitä. Eipäskun Midway Park on Chicagon keskuspuisto. Phillu on täynnä amerikkalaisia klisheitä. Ukrainan mamusta tuli vastenmielisen jenkki-isänmaallinen egoistiläjä.
ellauri106.html on line 122: Philip Roth was born in Newark, New Jersey, on March 19, 1933, and grew up at 81 Summit Avenue in the Weequahic neighborhood. He was the second child of Bess (née Finkel) and Herman Roth, an insurance broker. Roth's family was Jewish, and his parents were second-generation Americans. Roth's father's parents came from Kozlov near Lviv (then Lemberg) in Austrian Galicia; his mother's ancestors were from the region of Kyiv in Ukraine. Viulunsoittajia katolta.
ellauri106.html on line 124: He graduated from Newark´s Weequahic High School in or around 1950. In 1969 Arnold H. Lubasch wrote in The New York Times, "It has provided the focus for the fiction of Philip Roth, the novelist who evokes his era at Weequahic High School in the highly acclaimed Portnoy´s Complaint. Besides identifying Weequahic High School by name, the novel specifies such sites as the Empire Burlesque, the Weequahic Diner, the Newark Museum and Irvington Park, all local landmarks that helped shape the youth of the real Roth and the fictional Portnoy, both graduates of Weequahic class of ´50." The 1950 Weequahic Yearbook calls Roth a "boy of real intelligence, combined with wit and common sense." He was known as a clown during high school.
ellauri106.html on line 126: A committed atheist, Philip Roth feared only one form of posthumous punishment: being trapped for all eternity in a hostile biography. In 2007, Roth, echoing a similar quip from Oscar Wilde, said, “Biography gives a new dimension of terror to dying.” Roth’s had already been the subject of a harsh and unforgiving portrait in Leaving a Doll’s House (1996), the memoirs of his former wife, the actor Claire Bloom. As John Updike noted in The New York Review of Books, “Claire Bloom, as the wronged ex-wife of Philip Roth, shows him to have been, as their marriage rapidly unraveled, neurasthenic to the point of hospitalization, adulterous, callously selfish, and financially vindictive.” This crisp summary ended Roth’s friendship with Updike, even after Updike made clear he was recapping Bloom’s book and not affirming its accuracy.
ellauri106.html on line 128: In a private note about Bloom’s book, Roth asserted, “Another writer my age awaiting a biography and awaiting death (which is worse?) might not care. I do.” Roth put enormous efforts into finding a biographer who could contest Bloom’s account. His first choice was the academic Ross Miller, but the novelist had a falling out with his biographer as the would-be James Boswell resisted the imperious dictates of the modern Dr. Johnson. Roth ended up describing his relationship with Miller as “my third bad marriage.” After unsuccessfully trying to rope in friends such as Hermione Lee and Judith Thurman to tell his life story, Roth settled on Blake Bailey, the author of highly regarded biographies of troubled male American writers, notably Richard Yates and John Cheever.
ellauri106.html on line 130: Given long-standing feminist arguments that Roth is a misogynist—not to mention the portrait in Bloom’s memoirs—it was inevitable that any Roth biography would spark arguments about gender politics. What was surprising is that the debate would center around the biographer more than Roth. In the wake of the biography’s release, Bailey has been accused of shocking acts. Four former students from the elite New Orleans high school where he’d taught during the 1990s came forward to complain that he had groomed them as minors and sexually pursued them as adults. One of these women claimed he raped her. Another former student came forward with an allegation of attempted rape when she was an adult. Finally, Valentina Rice, a New York publishing executive, told The New York Times that Bailey raped her in 2015. Bailey strenuously denies all these allegations.
ellauri106.html on line 138: icture-in-picture" allowfullscreen>
ellauri106.html on line 148: A mid-1970s transplant to Chicago from New York, he rose in the competitive advertising world to become senior vice president and creative director of Ogilvy & Mather, where his major account was Sears Home Fashions, friends and family said. But in 1983, he gave it all up to devote himself to painting full time.
ellauri106.html on line 152: Mr. Roth, 81, who also taught painting and drawing at his West Loop studio until his health deteriorated in 2007, died of congestive heart failure Wednesday, May 6, at his Chicago home.
ellauri106.html on line 156: Eli Rosenthal, his former roommate at the time, said the two met in a fashion illustrating class. "I looked over at him and I said, 'Wow, this guy can really draw and I want to be like him,'" he said. "He always walked around with a sketch pad. He said it was great for picking up girls."
ellauri106.html on line 160: He is most remembered for his generous spirit, quick wit and love of 1930s and 1940s culture -- including Cole Porter and Frank Sinatra, to which his mother and he danced in the kitchen, as well as Li´l Abner cartoons and an era catchphrase: "Watch it, Toots."
ellauri106.html on line 164: Services have been held. At least 106 people shot, 14 fatally, in Chicago weekend violence. Watch live.
ellauri106.html on line 173:
Patrick Muffin

ellauri106.html on line 175: Word has come that Philip Roth died on Tuesday in New York City at the age of 85. He was widely considered the last of the Great American Novelists of the late 20th Century the peer of heavy hitters John Updike and Saul Bellow. Roth himself believed that the novel, which had ruled for a century as the supreme and exalted American literary form, is doomed to becoming a cult niche in the Age of the Internet for a diminishing educated elite, “I think always people will be reading them but it will be a small group of people. Maybe more people than now read Latin poetry, but somewhere in that range…” Ever a realist, Roth was sanguine with the prospect.
ellauri106.html on line 177: Roth was far more prolific than either of the novelists he was frequently lumped with—29 full length novels and a dazzling debut novella over nearly 50 years. His output was also more diverse in style and topic than either of the other while reaping critical praise, armloads of awards, and commercial success. Yet at the core of his varied output were common threads—a Jewish identity with which he was not always comfortable but could not deny, a sense of being profoundly American— “if I am not American what am I”—a, a sex drive that was often creepily compulsive, and the world observed by fictional doppelgangers for the author, or sometimes the author himself as a fictional character.
ellauri106.html on line 179: Today the lengthy obituaries are all laudatory. Tomorrow or the next day I can safely predict that the backlash will begin with harshly critical essays. Leading the way will be Feminists critics who will denounce the whole cabal of elite white men as the custodians of the literary cannon. More pointedly they will charge Roth with toxic masculinity and misogyny and will come loaded for bear with plenty of quotes from his work. They will also have the example and testimony of his two ex-wives, both of whom showed up thinly disguised in his novels—a Margaret Martinson in When She Was Good and actress Clare Bloom in I Married a Communist. Bloom penned her own bitter exposé of their 14-year-long relationship and four year marriage in he memoir Leaving the Doll’s House.
ellauri106.html on line 180: Not far behind will be some Jewish critics who always found Roth’s portraits embarrassing for their relentless sexuality and discomfort with aspects of the culture that were at odds with his identity as an American. Others were angered at his voraciously espoused atheism—“I’m exactly the opposite of religious, I’m anti-religious. I find religious people hideous. I hate the religious lies. It’s all a big lie.” Some Jewish critics hounded him from the beginning of his career. Rabbi Gershom Scholem, the great kabbalah scholar, said Portnoy’s Complaint was more harmful to Jews than The Protocols of the Elders of Zion. And Roth was heckled and booed at an early appearance at Yeshiva University which stunned and shocked the author.
ellauri106.html on line 182: Roth fought back skewering one of his harshest critics, Irving Howe who he cast as supercilious Milton Appel in 1983’s The Anatomy Lesson with a typically uproarious rant:
ellauri106.html on line 184: “The comedy is that the real haters of the bourgeois Jews, with the real contempt for their everyday lives, are these complex intellectual giants,” Zuckerman snorts. “They loathe them, and don’t particularly care for the smell of the Jewish proletariat either. All of them full of sympathy suddenly for the ghetto world of their traditional fathers now that the traditional fathers are filed for safekeeping in Beth Moses Memorial Park. When they were alive they wanted to strangle the immigrant bastards to death because they dared to think they could actually be of consequence without ever having read Proust past Swann’s Way. And the ghetto—what the ghetto saw of these guys was their heels: out, out, screaming for air, to write about great Jews like Ralph Waldo Emerson and William Dean Howells. But now that the Weathermen are around, and me and my friends Jerry Rubin and Herbert Marcuse and H. Rap Brown, it’s where oh where’s the inspired orderliness of those good old Hebrew school days? Where’s the linoleum? Where’s Aunt Rose? Where is all the wonderful inflexible patriarchal authority into which they wanted to stick a knife?”
ellauri106.html on line 193: “In 1949, when I was sixteen, I stumbled on Thomas Wolfe, who died at thirty-eight in 1938, and who made numerous adolescents aside from me devotees of literature for life. In Wolfe, everything was heroically outsized, whether it was the voracious appetite for experience of Eugene Gant, the hero of his first two novels, or of George Webber, the hero of his last two. The hero's loneliness, his egocentrism, his sprawling consciousness gave rise to a tone of elegiac lyricism that was endlessly sustained by the raw yearning for an epic existence—for an epic American existence. And, in those postwar years, what imaginative young reader didn't yearn for that?” -- Philip Roth
ellauri106.html on line 195: Thomas Wolfe (1900–1938) was born in Asheville, North Carolina, and educated at the University of North Carolina and Harvard University. He taught English at New York University and traveled extensively in Europe and America. Wolfe created his legacy as a classic American novelist with Look Homeward, Angel; Of Time and the River; A Stone, a Leaf, a Door; and From Death to Morning. Wolfe's influence extends to the writings of Beat Generation writer Jack Kerouac, and of authors Ray Bradbury and Philip Roth, among others. He remains an important writer in modern American literature, as one of the first masters of autobiographical fiction, and is considered North Carolina's most famous writer. Ei mitään pientä.
ellauri106.html on line 200: ich the Compsons’ original greatness was built.
ellauri106.html on line 202: Sir Gawain and the Green Knight is a late 14th-century Middle English chivalric romance. The author is unknown; the title was given centuries later. It is one of the best known Arthurian stories. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest which tests his prowess.
ellauri106.html on line 203: It describes how Sir Gawain, a knight of King Arthur´s Round Table, accepts a challenge from a mysterious "Green Knight" who dares any knight to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head and reminds Gawain of the appointed time. There is a test involving the lord and the lady of the castle where he is a guest.
ellauri106.html on line 236: My Life as a Man is not nearly so consistently enjoyable as Portnoy's Complaint, but it is the product of a more painful period in the author's life. In his autobiography, Roth reveals that much of Tarnopol´s life is based on his own experiences; for example, Roth´s destructive marriage to Margaret Martinson, which is portrayed through Tarnopol´s relationship with the character of Maureen.
ellauri106.html on line 238: Mikäs periodi sillä oli menossa? No se palas hautomaan sitä Maureen jupakkaa yxinäisellä Connecticutin tilallaan, kuin koira oxennuxelle. I got my periods.
ellauri106.html on line 243: The women in the writer´s life provided inspiration for characters in his novels both positive and negative. PHILIP Roth was famed for his observations on life - some of which he gathered from his own relationships with his ex-wives.
ellauri106.html on line 244: Here are some of the women who helped the novelist, who has died at the age of 85, explore and unpack the complexities of being a toxic ape.
ellauri106.html on line 255: Who are Philip Roth´s ex-wives Claire Bloom and Margaret Martinson? Have they got anything in common? I bet they were spitting images of Phil´s mother, one way or another. Roth was married twice – to Margaret Martinson from 1959 to 1963. He met Martinson in 1956 and married her three years later. Roth claims she used someone else’s urine sample to persuade him she was pregnant and trick him into marriage.
ellauri106.html on line 262: Author Philip Roth was prolific and often made blackly comic reflections on his own life and relationships. When did they get divorced?
ellauri106.html on line 264: A year later, she published a bruising memoir, Leaving a Doll´s House, in which she portrayed him as depressed, remote, self-centred and verbally abusive.
ellauri106.html on line 273: Roth claimed his first wife, Margaret Martinson, used someone else’s urine sample to persuade him she was pregnant and trick him into marrying her.
ellauri106.html on line 276: Second wife Claire Bloom had a daughter, Anna Steiger, from her marriage to American actor Rod Steiger. In all likelihood, Philip Roth was as sterile as a band-aid. In other words, he was barren useless unproductive infertile sanitary antiseptic aseptic unfruitful sterilized disinfected hygienic arid uncontaminated needy untouched fruitless useless unpolluted uninspired boring futile pointless unimaginative unfertile germ-free impotent pure unprofitable childless rich vain trivial invalid effete ineffectual infecund uninfected lifeless inert bootless
ellauri106.html on line 279: incompetent germicidal.
ellauri106.html on line 286: The Wings of the Dove is a 1902 novel by Henry James. It tells the story of Milly Theale, an American heiress stricken with a serious disease, and her effect on the people around her. Some of these people befriend Milly with honourable motives, while others are more self-interested.
ellauri106.html on line 287: Arthur Dimmesdale is a fictional character in the 1850 romance The Scarlet Letter by Nathaniel Hawthorne. A Puritan minister, he has fathered an illegitimate child, Pearl, with Hester Prynne and considers himself unable to reveal his sin.
ellauri106.html on line 317: Vuoden 1952 vaaleihin Eisenhowerin varapresidentiksi valittiin Richard M. Nixon, joka oli ammattipoliitikko ja miltei McCarthyn veroinen antikommunisti. Eisenhower valittiin toiselle kaudelle vuoden 1956 vaaleissa.
ellauri106.html on line 331: William Dean Howells (/ˈhaʊəlz/; March 1, 1837 – May 11, 1920) was an American realist novelist, literary critic, and playwright, nicknamed "The Dean of American Letters".
ellauri106.html on line 335: He avidly studied German and other languages and was greatly interested in Heinrich Heine. (Another jew. )
ellauri106.html on line 338: His Silas Lapham was a rags to riches and right back to rags story.
ellauri106.html on line 339:
"I hope the time is coming when not only the artist, but the common, average man, who always ´has the standard of the arts in his power,´ will have also the courage to apply it, and will reject the ideal grasshopper wherever he finds it, in science, in literature, in art, because it is not ´simple, natural, and honest,´ because it is not like a real grasshopper. But I will own that I think the time is yet far off, and that the people who have been brought up on the ideal grasshopper, the heroic grasshopper, the impassioned grasshopper, the self-devoted, adventureful, good old romantic card-board grasshopper, must die out before the simple, honest, and natural grasshopper can have a fair field."
ellauri106.html on line 341: Howells was a Christian socialist whose ideals were greatly influenced by Russian writer Leo Tolstoy. These influences led him to write on issues of social justice from a moral and egalitarian point of view, being critic of the social effects of industrial capitalism. He was, however, not a Marxist. Phew.
ellauri106.html on line 347: The Weathermen Underground Organization (WUO), commonly known as the Weather Underground, was a radical left militant organization active in the late 1960s and 1970s, founded on the Ann Arbor campus of the University of Michigan. It was originally called the Weathermen. The WUO organized in 1969 as a faction of Students for a Democratic Society (SDS) largely composed of the national office leadership of SDS and their supporters. Beginning in 1974, the organization´s express political goal was to create a revolutionary party to overthrow American imperialism.
ellauri106.html on line 348: The FBI described the WUO as a domestic terrorist group, with revolutionary positions characterized by black power and opposition to the Vietnam War.
ellauri106.html on line 350: The group took its name from Bob Dylan´s lyric, "You don´t need a weatherman to know which way the wind blows". (Another jew. )
ellauri106.html on line 351: That Dylan line was also the title of a position paper distributed at an SDS convention in Chicago on June 18, 1969. This founding document called for a "White fighting force" to be allied with the "Black Liberation Movement" and other radical movements to achieve "the destruction of U.S. imperialism and form a classless communist world".
ellauri106.html on line 354: Jerry Rubin (another Jew) alotti sodanvastasena vassarina ja lopetti Apple-miljonäärinä. Rags to riches. Half-guerrilla and half-businessman.
ellauri106.html on line 355: "Wealth creation is the real American revolution. What we need is an infusion of capital into the depressed areas of our country."
ellauri106.html on line 359: Jamil Abdullah Al-Amin (born Hubert Gerold Brown; October 4, 1943), formerly known as H. Rap Brown, is a civil rights activist who was the fifth chairman of the Student Nonviolent Coordinating Committee in the 1960s. During a short-lived (six months) alliance between SNCC and the Black Panther Party, he served as their minister of justice.
ellauri106.html on line 361: He is perhaps known for his proclamations during that period that "violence is as American as cherry pie" and that "If America don´t come around, we´re gonna burn it down." He is also known for his autobiography, Die Nigger Die! He is currently serving a life sentence for murder following the shooting of two Fulton County Sheriff´s deputies in 2000.
ellauri106.html on line 363: Otis Jackson, a man incarcerated for unrelated charges, claimed that he committed the Fulton County shooting two years before al-Amin was convicted of the same crime, but the court did not consider Jackson´s statement as evidence.
ellauri106.html on line 365: Brown is now known to have no direct relationship with the alleged riot of 1967. The head of the Cambridge police department, Brice Kinnamon, nonetheless claimed that the city had no racial problems, Brown was the "sole" cause of the disorder, and it was "a well-planned Communist attempt to overthrow the government."
ellauri106.html on line 379: Marcusen pääteokset ilmestyivät hänen Yhdysvalloissa viettämänään aikana. Teoksessaan Eros and Civilization (1955) hän pyrki yhdistämään Karl Marxin ja Sigmund Freudin ajattelun. Marcusen Yksiulotteinen ihminen puolestaan sai kaikupohjaa 1960-luvun lopun opiskelijaliikkeestä. Marcuse puhui usein opiskelijoiden mielenosoituksissa ja siten häntä – vastoin omaa näkemystään – alettiin pitää "uusvasemmiston isänä". Ich bin nicht der Vater! Marcusen tärkeimpiä oppilaita on Jürgen Habermas.
ellauri106.html on line 386: A committed atheist, Philip Roth feared only one form of posthumous punishment: being trapped for all eternity in a hostile biography. In 2007, Roth, echoing a similar quip from Oscar Wilde, said, “Biography gives a new dimension of terror to dying.” Roth’s had already been the subject of a harsh and unforgiving portrait in Leaving a Doll’s House (1996), the memoirs of his former wife, the actor Claire Bloom. As John Updike noted in The New York Review of Books, “Claire Bloom, as the wronged ex-wife of Philip Roth, shows him to have been, as their marriage rapidly unraveled, neurasthenic to the point of hospitalization, adulterous, callously selfish, and financially vindictive.” This crisp summary ended Roth’s friendship with Updike, even after Updike made clear he was recapping Bloom’s book and not affirming its accuracy.
ellauri106.html on line 388: In a private note about Bloom’s book, Roth asserted, “Another writer my age awaiting a biography and awaiting death (which is worse?) might not care. I do.” Roth put enormous efforts into finding a biographer who could contest Bloom’s account. His first choice was the academic Ross Miller, but the novelist had a falling out with his biographer as the would-be James Boswell resisted the imperious dictates of the modern Dr. Johnson. Roth ended up describing his relationship with Miller as “my third bad marriage.” After unsuccessfully trying to rope in friends such as Hermione Lee and Judith Thurman to tell his life story, Roth settled on Blake Bailey, the author of highly regarded biographies of troubled male American writers, notably Richard Yates and John Cheever.
ellauri106.html on line 390: Given long-standing feminist arguments that Roth is a misogynist—not to mention the portrait in Bloom’s memoirs—it was inevitable that any Roth biography would spark arguments about gender politics. What was surprising is that the debate would center around the biographer more than Roth. In the wake of the biography’s release, Bailey has been accused of shocking acts. Four former students from the elite New Orleans high school where he’d taught during the 1990s came forward to complain that he had groomed them as minors and sexually pursued them as adults. One of these women claimed he raped her. Another former student came forward with an allegation of attempted rape when she was an adult. Finally, Valentina Rice, a New York publishing executive, told The New York Times that Bailey raped her in 2015. Bailey strenuously denies all these allegations.
ellauri106.html on line 392: "I'm exactly the opposite of religious, I'm anti-religious. I find religious people hideous. I hate the religious lies. It's all a big lie. … I have such a huge dislike. It's not a neurotic thing, but the miserable record of religion. I don't even want to talk about it, it's not interesting to talk about the sheep referred to as believers."
ellauri106.html on line 403: Religion was a lie that he had recognized early in life, and he found all religions offensive, considered their superstitious folderol meaningless, childish, couldn´t stand the complete unadultness — the baby talk and the righteousness and the sheep, the avid believers. No hocus-pocus about death and God or obsolete fantasies of heaven for him. There was only our bodies, born to live and die on terms decided by the bodies that had lived and died before us. If he could be said to have located a philosophical niche for himself that was it - he'd come upon it early and intuitively, and however elemental, that was the whole of it. Should he ever write an autobiography, he'd call it The Life and Death of a Male Body.
ellauri106.html on line 405: Phil´s childhood love of baseball offered him “membership in a great secular nationalistic church from which nobody had ever seemed to suggest that Jews should be excluded.” Babe Ruth, whose real name was George Herman Ruth, Jr., was born and raised in Baltimore, Maryland. He died of pneumonia and complications from throat cancer in New York City in 1948.
ellauri106.html on line 407: Ruth was a Catholic.1 And not only did he attend Catholic school growing up, his parents actually signed custody of Ruth over to the Catholic missionaries at St. Mary’s Industrial School for Boys in Baltimore when he was seven-years-old.2 So Babe was quite literally raised by the Catholic Church.
ellauri106.html on line 409: Ruth has spoken about his childhood and his faith. He had a conversion of sorts. As a youngster, he was a delinquent–chewing tobacco and drinking and swearing. He says he had no faith in God before he was sent to the Catholic school and that the biggest lesson he got from the experience there was learning that “God was Boss.”
ellauri106.html on line 413: Religion may have given most of these bloodthirsty episodes a badge. It frequently provided a cohesive force, just as human ideas about nationhood and race still do - but it was hardly ever the underlying cause. Admittedly, while organised religion has frequently sanctioned and even blessed such conflicts, giving them some sense of purpose, it has rarely initiated them.
ellauri106.html on line 417: Man is a competitive creature and the seeds of conflict are built deep into our genes. We fought each other on the savannah and only survived against great odds by organising ourselves into groups which would have had a common purpose, giving morale and fortitude. Our aggression is a deep instinct which survives in all kinds of manifestations in modern man.
ellauri106.html on line 421: And this, too, is surely true of religion. In prehistoric times, Homo sapiens was deeply endangered. Early humans were less fleet of foot, with fewer natural weapons and less well-honed senses than all the predators that threatened them. Moreover, they were hampered in their movements by the need to protect their uniquely immature young - juicy meals for any hungry beast. We had less natural protection against repeated changes of climate than other species - yet we survived. Human spirituality would have played an important part.
ellauri106.html on line 425: As well as the social cohesion that spirituality and early religious beliefs must have brought to threatened groups of humans, they must also have been a valuable mechanism to persuade humans to struggle against the odds. Surely, human spirituality is deeply embedded in our genes. Victor Frankl, in his observations about survival in Auschwitz, argued that in his view, only those inmates who had some spiritual sense, some idea that there was a power above that could see their suffering, found the strength and resolution to survive the terrible dehumanisation and deprivation of the concentration camps.
ellauri106.html on line 430: American Pastoral represents Roth’s return to Judaism "of a sort." Ultimately, for Roth, retelling and struggling with biblical narrative enables the negotiation of Jewish and postmodern identities, resolves suffering, and reveals means by which seemingly irreconcilable ideologies can intermingle, inform one another, and have sexual intercourse.
ellauri106.html on line 432: She researches contemporary American literature, religion, 9/11, and rhetoric and composition.
ellauri106.html on line 434: Roth’s works have no Talmud, no Jewish philosophy, no mysticism, no religion, and as a self-professed atheist, Roth has consistently opted against reinforcing the tenets of Judaism as an author such as eg Cynthia Ozick does (whodat?). Roth writes out of hatred more often than not, and his work is open to the charge of anti-Semitism.
ellauri106.html on line 440: As a result, like Leo Tolstoy’s The Death of Ivan Ilych(1886), a retelling of Ivan Ilych’s life that Roth mentions and a work that marks Tolstoy’s return to Christianity of a certain sort, American Pastoral is Roth’s return to Judaism — but also only of a sort. Without Jehovah for starters. Tolstoy was banned from Orthodox Church in 1901 for his anarcho-pacifism.
ellauri106.html on line 450: During what Henry Luce deemed the American century—the century during which America rises to a position of dominance on the globe—the Americanethos paradoxically plummets, in large part due to the Vietnam War and the Watergate scandal, politically charged events to which Roth pays particular attention in the novel because he sees them as formative of the 1990s moment at which he writes.
ellauri106.html on line 451: In a world governed by disorder, the American Dream of success and happiness through hard work can is likely to remain that: a dream. Immigrants such as those those from whom Roth hails who come to America seeking a betterlife might come to recognize that policies implemented by the American government do notinherently make great sense or work to support their unequivocal movement up the social ladder despite the melting-pot myth and its variations as politicians may propagate them.
ellauri106.html on line 453: Phillu kritisoi kärkevästi kaikkia jotka uskoo "sokeasti" yhtään mihinkään, se on ihan järkevää ja oikeutettua. Luuleminen riittää hyvin arkitarpeisiin, mihin tässä tarvitaan mitään uskoa tai toivoa. Parempi kazoa kuin katua. Älä pure kättä joka näyttää likaiselta. Phillun jakelemat rangaistuxet polulta oikealta poikenneille on ihan vanhan testamentin tyylisiä, ennen kaikkea tietysti langenneille naisille. Tää kirja oli siis American pastoral, joka on 1/3 trilogiasta, jonka muut osat ovat I married a communist ja The human stain. En ole lukenut. Vielä ainakaan.
ellauri106.html on line 462: “What is being done to silence this man?” an American rabbi asked in a 1963 letter to the Anti-Defamation League. God´s mills grind slowly, but all is well that ends well.
ellauri106.html on line 464: In his final years, however, Roth was embraced by American Jews. In 1998 he won the Jewish Book Council’s Lifetime Literary Achievement Award and in 2014, the Jewish Theological Seminary, Conservative Judaism’s flagship educational institution, bestowed him with an honorary doctorate.
ellauri106.html on line 467: “This was absolutely the last appearance I will make on any public stage, anywhere,” said Roth, although on Wednesday news broke that he will appear as an interview guest on Comedy Central’s “Colbert Report” in July.
ellauri106.html on line 469: ic.timesofisrael.com/www/uploads/2014/05/philip-roth-at-jts-640x400.jpg" />
ellauri106.html on line 472: “From enfant terrible to elder statesman. Time heals all wounds,” Rabbi David Wolpe of Sinai Temple in Los Angeles remarked to JTA via email. No hocus pocus about death and God or obsolete fantasies of heaven for him. There was only our bodies, born to live and die on terms decided by the bodies that had lived and died before us. If he could be said to have located a philosophical niche for himself, that was it — he’d come upon it early and intuitively, and however elemental, that was the whole of it. Should he ever write an autobiography, he’d call it ‘The Life and Death of the Male Body.’ Well actually he called it "My life as a man".
ellauri106.html on line 474: There was no metaphysical dimension to Philip. He just flatly refused to believe in it. He thought it was fairy tales,” Bailey said. he was happy to be Jewish, Bailey said. “He liked Jews as human beings. He liked their warmth, he liked his male friends. “If the Western world views itself through the lens of the modern Jewish experience, it is in large measure due to the novels, novellas and short stories of Philip Roth,” wrote David Roskies, a JTS Jewish literature professor, in a note to the class of 2014.
ellauri106.html on line 478: The president of the Philip Roth Society, Aimee Pozorski, said that Roth and JTS are not so different in their values. Three of his books were honored with the American Jewish Book Award, and in 1998 he won the Jewish Book Council’s Lifetime Literary Achievement Award.
ellauri106.html on line 486: Chapman oli myös saarnamies, ja hän seurasi teologi Emanuel Swedenborgia, joka saarnasi hyvien tekojen ja luonnon rakastamisen puolesta. Chapman ei kuitenkaan karttanut alkoholia, ja tuohon aikaan omenat olivatkin kirpeitä ja Chapmanin kasvattamia omenoita käytettiin etupäässä omenasiiderin tekoon. Chapman ei koskaan mennyt naimisiin, mutta kertoman mukaan hän kosi kerran erästä naista ja yritti kasvattaa suojiinsa ottamasta (sic) nuoresta tytöstä itselleen vaimoa siinä onnistumatta.
ellauri106.html on line 497: By reducing American communism to little more than the thoughtless ravings of ideologues and the dispossessed, Roth systematically contributes to the formation of that “imagined past” necessary for capitalism´s stability.
ellauri106.html on line 498: The sacredness of language is one of the few subjects about which Roth is decidedly unambivalent.
ellauri106.html on line 499: O’Day carries with him at all times a dictionary and thesaurus, and he trains his disciples to do the same.
ellauri106.html on line 504: What Roth finds most distasteful about McCarthy and the House Un-American Activities Committee — not their dogmatic silencing of dissent, but their gross politicizing, sensationalizing, and degradation of public discourse.
ellauri106.html on line 505: In fact, for a novel that takes as its subject McCarthyism and the rise and fall of a leftist icon, Communist, in particular, is strangely apolitical.
ellauri106.html on line 507: Roth’s plots are masked by a fundamentally conservative denial of ideology. They metaphorize the particular crises of these particular men into transcendent markers of the human condition and, in doing so, once again reinforce the “romance” of "modernization." (Whazat? Lue alempaa. Se tarkottaa talousliberalismia.)
ellauri106.html on line 508: Modernization moved from “the sacred to the profane side of historical time”: Rather than a free market or contractual society, modern America became ‘capitalist,’ no longer rational, interdependent, modern, and liberating, but backward, greedy, anarchic, and impoverishing.
ellauri106.html on line 512: A quintessentially American experience: “Three generations. All of them growing. The working. The saving. The success. Three generations in raptures over America. Three generations of becoming one with a people. And now with the fourth it had all come to nothing. The total vandalization of their world”.
ellauri106.html on line 516: Vietnam was, in fact, the inevitable result of America’s romantic liberalism, the natural byproduct of President Truman’s announcement in 1947 that “The free peoples of the world look to us for support in maintaining their freedoms.” In practice, this meant the propping up of each and every anti-communist regime, however unfree it might be.
ellauri106.html on line 518: Dream barbies turn out incubi. From Miss America into a "frivolous, trivial beauty-queen".
ellauri106.html on line 520: In Roth’s nostalgic past, the practical influence of the New Left — the impact of the anti-war movement on ending the Vietnam war, for instance — is as easily dismissed as was the old left’s voice in the New Deal and postwar industrialization.
ellauri106.html on line 524: Reduced to a life of isolation amid a decrepit apartment in which her only possession is the stained pallet on which she sleeps, Merry, the precious daughter of All-American Swede Levov, is “disgusting. His daughter is a human mess stinking of human waste. Her smell is the smell of everything organic breaking down. It is the smell of no coherence. It is the smell of all she’s become”.
ellauri106.html on line 526: Instead of emphasizing the moral and political consequences of modern capitalism, as had the radical social movements before it, postmodernization offers “privacy, diminished expectations, subjectivism, individuality, particularity, and localism” as alternatives to the modern’s stability and universalism.
ellauri106.html on line 527: “Comically agnostic,” an apt description, I think, of much of Roth’s later work. With all of history suddenly exposed as fictional constructs, artists were freed to interrogate it with impunity, making it the stuff of parodic play.
ellauri106.html on line 529: Without the sure theoretical footing that orthodox Marxism provided those of Benjamin’s generation, Roth, like many who used to kinda identify themselves with the late-20th century left, has been set adrift amid the wreckage of multinational capital, techno-militarism, and the information and cultural revolutions. In his trilogy, Roth offers a complex and beautifully-rendered document of the final decades of the “American Century,” but it is one that, like its narrator, Nathan Zuckerman, ultimately throws up its hands in despair, surrendering the complexities of life and the possibility of positive change en lieu of aesthetic and ascetic remove.
ellauri106.html on line 531: Confident from its victory over Fascism and emboldened by the subsequent economic boom, America jelled behind what social theorist Jeffrey Alexander has called modernization or romantic liberalism. As has been the case throughout much of Roth’s career, the socio-political touchstone of his American Trilogy is the “patriotic war years” and the consensus culture that blossomed immediately afterward. “Everything was in motion,” Zuckerman says in the opening pages of American Pastoral. “The lid was off. Americans were to start over again, en masse, everyone in it together”. Reagan-propagandaa.
ellauri106.html on line 533: That imagined past included the old left and its heroic narrative of collective emancipation, which, particularly after the revelations of Stalinist atrocities, no longer seemed enticing. Instead, American ideology turned on the “romantic” belief that the nation had, in effect, already discovered an ideal social order, “that progress would be more or less continuously achieved, that improvement was likely”.
ellauri106.html on line 535: America’s self-constructed binary opposition to the Soviet Union, whose “Godless totalitarianism” was the only remaining threat to the global propagation of America’s core values of "Godful utilitarianism."
ellauri106.html on line 536: Although Roth’s heroes vary slightly—Levov, for instance, comes from a somewhat more privileged background and is five or ten years younger than Ringold and Silk—they share a demanding physical presence and, more significantly, the formative experiences of the Great Depression and World War II.
ellauri106.html on line 538: I don’t imagine I’m the only grown man who was a Jewish kid aspiring to be an all-American kid during the patriotic war years,” Zuckerman remembers.
ellauri106.html on line 539: Puritan work ethic is what Roth, through his frequent allusions to New England’s storied past, points to as the source of America’s greatest triumphs—universal education, economic improvement, and those old standbys, rugged individualism and the “American Dream”.
ellauri106.html on line 541: Roth’s disdain for the American Communist Party surpasses even his contempt for the reactionaries who hunted down its members during the McCarthy era:
ellauri106.html on line 543: ... Her parents (Clairen kai) were simple people in the grips of a pipe dream that they could not begin to articulate or rationally defend but for which they were zealously willing to sacrifice friends, relatives, business, the good will of neighbors, even their own sanity, even their children’s sanity....
ellauri106.html on line 544: Society as it was constituted — its forces all in constant motion, the intricate underwebbing of interests stretched to its limit, the battle for advantage that is ongoing, the subjugation that is ongoing, the factional collisions and collusions, the shrewd jargon of morality, the benign despot that is convention, the unstable illusion of stability — society as it was made, always has been and must be made, was as foreign to them as was King Arthur’s court to the Connecticut Yankee.
ellauri106.html on line 548: The fundamental problem of history for those on the far left is, of course, its failure to unravel as Marx had predicted it would. The Great Depression did not incite proletarian revolution; the Soviet experiment did not result in a model of Socialist Utopia; America’s social, political, and economic structures did not collapse under the weight of late capitalism. Far from it, in fact.
ellauri106.html on line 551: Phil summarily dismisses liberals and radicals alike as so many mouthpieces of political correctness, degradation of language and self-righteous finger-pointing.
ellauri106.html on line 552: Delphine Roux, a classicist scholar, who he reduces to a degrading stereotype — the outspoken feminist whose politics are motivated, we finally learn, by deep insecurities and by a suppressed desire to be dominated by some virile man. The delight with which Roth belittles and humiliates Roux is the low point of the low-brow trilogy.
ellauri106.html on line 556: Before his death from congestive heart failure on Tuesday, he made no secret of his contempt for Donald Trump, was instinctively liberal in most respects, and thought of himself as a Roosevelt Democrat. Yet his political novels have a nagging MAGA aftertaste. Successful, decent, hardworking men, who in the time of our fathers would have been appreciated, are mindlessly destroyed by modern women as the embodiments of a degenerate society. Roth’s desire, ultimately, is the same as Reagan’s: an impossible return to the promised land of modernization. Not by coincidence, the final chapter of The Human Stain is titled, “The Purifying Ritual.” Puhdistuxesta kuumuu kaikki anaalis-obsessiiviset henkilöt Hitleristä Rothiin ja Sofi Oxaseen. Puhamaan! Äiitii mä oon vallmiiis! Tuu PYYHKIMÄÄN!
ellauri106.html on line 621: Mailer was hugely popular at his peak, but now he’s probably best known for that whole stabbing-his-second-wife awkwardness; Updike is regularly derided as “a misogynist”; and Bellow’s female characters are often, at best, thinly drawn, or full-on bitches and shrews. Now, inevitably, it’s Roth’s turn. Roth’s women were either “vicious and alluring” or “virtuous and boring”.
ellauri106.html on line 624: Roth’s ex-wife, Claire Bloom, wrote about their relationship in her memoir, Leaving A Doll’s House, 25 years ago. You could also read Roth’s not-exactly-contrite reaction to Bloom’s complaints, his 1998 novel, I Married A Communist, in which the protagonist’s vicious wife was clearly based on Bloom.
ellauri106.html on line 627: in 1974’s My Life as a Man, an instance of domestic abuse is described in a manner so laconic that it comes across as indefensibly vicious to many modern readers.
ellauri106.html on line 628: “Roth’s misogyny infuses everything that he writes,” according to Meg Elison, a novelist recently described by the Times as “re-examining Roth”. This is typical of the all-or-nothing approach that is popular today, where if you don’t like everything about a public figure, then you can’t like anything. (Uskokaa tai älkää tää mielipide tulee naiselta. Se oli varmaan käynyt modernin kirjallisuuskritiikin koulua.)
ellauri106.html on line 630: Stop treating the misogyny in Philip Roth’s work like a dirty secret, sanoo feministisempi ääni vasemmalta. Roth’s sex-positive sexism is one of the ways he truly portrayed the American soul. the question “Is Roth a misogynist?” was pooh-poohed memorably by Keith Gessen. “If you hated women, why would you spend all your time thinking about fucking them?” he asked. For many 21st-century Americans, it’s still not misogyny at all but the normal psychology of the male.
ellauri106.html on line 631: No one can accuse Roth of ever hiding who he was: American, Jewish, obsessed with sex, obsessed with death, funny, angry, wise, profane, imaginative, cruel. That is what cruel readers always liked about him.
ellauri106.html on line 633: Tää pätkä tulee taas American pastoralista, joka kuullostaa niin pahalta että se pitää ehkä seuraavaxi lukea:
ellauri106.html on line 640: No kazottiin American Pastoralista 2016 tehty filmi, joka oli kuten kirjakin aivan vitun epäreilu naisille ja vasemmistonuorille. Shixa nainen oli läpeensä konna (eikä vanhentunut koko aikana) ja arjalaisen näköinen viivasuinen Swede jutku synnitön, pikku pedofiliakin painettiin villaisella. Tämmönen meni 2016 vanhoilliseen yleisöön kuin häkä: nekrut oli taas alkaneet räyhätä poliiseille ja tyhmät nuoret änkyttämättömän mutta autistisen Gretan joholla puhuu jostain typerästä kasvihuoneilmiöstä. Onnex onnex sentään Trump oli justiinsa päässyt vallankahvaan eikä joku demokraatti neekeri. Helvatti amerikkalaiset on amerikkalaisia vaikka ne voissa paistaisi. Vie jutku jenkkeihin, tuo jutku jenkeistä, jutku se on sieltä tultuaankin.
ellauri106.html on line 649: Nathan-Roth kaipaa Chicagon aikoja, jolloin se luki yeshiva-kopissa suuria mestareita Mannia, Tolstoita, Gogolia ja Proustia samalla lailla nyökytellen kuin Shtizelin ortodoxit ohimokäkkäräiset kipapäiset partapozot. Se on niin jutku että tekee päästä kamalaa.
ellauri106.html on line 651: Kaikkein traagisinta on että Phillu ja Gilmoren tytöt, siis etenkin ne äiskät, on ihan samanlaisia, aivan vitun ahdasmielisiä izekkäitä anaalis-obsessiivisia luokkatietoisia patriarkaalisia jurboja. Vizit ei muuta asiaa yhtään mixikään. Et voi istua täällä sisällä tuo hattu päässä! Minä olen sinun äitisi ja käsken sinua ottamaan sen pois! Monica minä rakastan sinua ja sinä rakastat minua, viimeisen kerran ota se hattu pois ennenkuin minä revin sen sinun päästäsi! Tee niinkuin minä käsken! Laita jalkasi yhteen! Ne ovat auki ja näytät alushoususi! Phillu tuijottaa kuolaten sun pillua!
ellauri106.html on line 654:
Henry Aldrich

ellauri106.html on line 656: Aldrich-perhettä, suosittua radion teini-ikäisten tilanteiden komediaa, esiteltiin myös elokuvissa, televisiossa ja sarjakuvissa. Radiosarjan avajaisvaiheessa hankala teini-ikäinen Henryn äiti soitti: "Hen-reeeeeeeeeeeee! Hen-ree Al-drich!", Ja...
ellauri106.html on line 657: and he responded with a breaking adolescent voice, "Com-ing, Mother!"
ellauri106.html on line 661: Henry Aldrich (1647 – 14 December 1710) was an English theologian, philosopher, and composer. To him we owe the well-known catch, "Hark, the bonny Christ Church bells."
ellauri106.html on line 664: following Latin dictum attributed by the Menagiana to Jacques Sirmond:
ellauri106.html on line 671: Andrew ”Andy” Hardy on Mickey Rooneyn esittämä nuori mieshahmo Metro-Goldwyn-Mayerin vuosina 1937–1946 tuottamissa perhekomedioissa sekä vielä yhdessä elokuvasarjan elvytysyrityksessä vuodelta 1958. Andy Hardy -sarjan elokuvia tehtiin kaikkiaan kuusitoista.
ellauri107.html on line 6: font-style: italic;
ellauri107.html on line 42: Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism.
ellauri107.html on line 84: "With clarity and with crudeness, and a great deal of exuberance, the embryonic writer who was me wrote these stories in his early 20s, while he was a graduate student at the University of Chicago, a soldier stationed in New Jersey and Washington, and a novice English instructor back at Chicago following his Army discharge...In the beginning it amazed him that any literate audience could seriously be interested in his story of tribal secrets, in what he knew, as a child of his neighborhood, about the rites and taboos of his clan—about their aversions, their aspirations, their fears of deviance and defection, their embarrassments and ideas of success."
ellauri107.html on line 91: Neil Klugman is an intelligent, working-class army veteran and a graduate of Rutgers University who works as a library clerk. He falls for Brenda Patimkin, a wealthy Radcliffe student who is home for the summer. They meet by the swimming pool at Old Oaks Country Club in Purchase, New York, a private club that Neil visits as a guest of his cousin Doris. Neil phones her and asks for a date. She does not remember him but agrees. He waits as she finishes a tennis game which only ends when it gets too dark to play.
ellauri107.html on line 93: They face obstacles from Brenda's family (particularly her mother), due to differences in class and assimilation into the American mainstream. Brenda's family are nouveau riche, their money coming from the successful plumbing supply business owned and run by her father. Brenda herself is old enough to remember "being poor". Other conflicts include propriety and issues related to premarital sex and the possibility of pregnancy and Mrs. Patimkin's envy of her daughter's youth.
ellauri107.html on line 95: After a few dates, Brenda persuades her father to invite Neil to stay with them for two weeks. This angers her mother, who feels that she should have been asked instead. Neil enjoys being able to sneak into Brenda's room at night but has misgivings over her entitled outlook, which is reflected in her spoiled and petulant younger sister, and her naive brother Ron, who misses the hero worship he enjoyed as a star basketball player at Ohio State University. Neil is astonished when Brenda reveals that she does not take birth control pills or use any other precautions to avoid pregnancy. She angrily rejects Neil's concerns. He prepares to leave, but she decides to persuade him to stay by agreeing to get a diaphragm.
ellauri107.html on line 104: An American Dream is a 1965 novel by American author Norman Mailer. It was published by Dial Press. Mailer wrote it in serialized form for Esquire, consciously attempting to resurrect the methodology used by Charles Dickens and other earlier novelists, with Mailer writing each chapter against monthly deadlines. The book is written in a poetic style heavy with metaphor that creates unique and hypnotising narrative and dialogue. The novel's action takes place over 32 hours in the life of its protagonist Stephen Rojack. Rojack is a decorated war-hero, former congressman, talk-show host, and university professor. He is depicted as the metaphorical embodiment of the American Dream.
ellauri107.html on line 106: In 1963, Mailer wrote two regular columns: one on religion called "Responses and Reactions" for Commentary and one called "Big Bite" for Esquire. Mailer also divorced from his third wife Jeanne Campbell and met Beverly Bentley who would become his fourth wife. Bentley had known Hemingway in Spain and briefly dated Miles Davis in New York before she met Mailer. Bentley and Mailer took a long car trip, notably visited an army buddy "Fig" Gwaltney in Arkansas, viewed an autopsy of a cancer victim, watched the Sonny Liston and Floyd Patterson fight in Las Vegas, and spent time with the Beats in San Francisco. While in San Francisco, Mailer "walked narrow ledges, testing his nerve and balance".
ellauri107.html on line 108: Mailer's has similarities with Rojack: They both attended Harvard, served in World War II, had an interest in political office, did violence to wife, walked narrow ledges, and appeared on talk shows. Mailer seems to have drawn on his stabbing his second wife Adele Morales in Rojack's murdering of his wife Deborah. Mailer did not deny these similarities, but stated:
ellauri107.html on line 110: Rojack is still considerably different from me — he's more elegant, more witty, more heroic, his physical strength is considerable, and at the same time he's more corrupt than me. I wanted to create a man who was larger than myself yet somewhat less successful. That way, ideally, his psychic density, if I may use a private phrase, would be equal to mine — and so I could write from within his head with comfort.
ellauri107.html on line 114: Rojack vomits over the balcony at a party and considers suicide. Rojack has sex with Ruta in her room. Later Rojack sees Cherry again. He is drawn to her. She and Rojack flirt and kiss. They have sex, and after emptying the load Rojack realizes he has fallen in love with her. Rojack goes back to Cherry and they make love. Cherry tells her life story viz her finally having a vaginal orgasm with Rojack. Rojack and nigger Shago fight. He returns to Cherry's only to find out from Roberts she has been killed. No more vaginal orgasms from her. Rojack travels to Las Vegas where he wins big at the tables, paying off all his debts. He imagines speaking with Cherry in Heaven before he heads south to Guatemala and the Yucatán. Y asi finaliza esta historia.
ellauri107.html on line 116: Rojack's journey reflects a seminal theme for Mailer in the importance of growth by confronting serious existential situations with courage. In a 1963 letter, Mailer defines what he means by "existentialism" as "that character can dissolve in one stricken event and re-form in startling new fashion".
ellauri107.html on line 124: Mailer attempted to use existentialism to excuse Rojack's misogynistic exploration as his "sexistentialist project". Rojack's victims are women and a black man, appropriate objects of the white male's "dominant wrath".
ellauri107.html on line 127: An American Dream sold well and spent six weeks on The New York Times Best Seller list, reaching number eight in April 1965.
ellauri107.html on line 140: Pepun paskanjauhanta muka-uskollisuudesta shixavaimolle on läpinäkyvää valetta. Ize se on seemiläisheimonsa pahin semiitti. On olevinaan sankaria paxujalkaiselle ämmälle joka ei merkitse sille vähääkään. Tääkö pitäis uskoa? Uskokoon ken jaxaa. Ja samalla kuxii jotain "herttaista ja huomaavaista ja sievää opiskelijatyttöä" Karen Oakesia siinä sivussa. Ei tää nyt yhtään komputoi. Ainoa yhteinen nimittäjä sen toimille on ihan silmitön loukattu narsismi ja naisviha. Hei mutta olikohan Peppu Uranuxen poikia? Seuraava mietelmä esiintyi filmin American pastoral loppuvizinä:
ellauri107.html on line 142: "Getting people right is not what living is all about anyway,” he wrote in American Pastoral. “It’s getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again.”
ellauri107.html on line 148: Twelve years ago I saw him through his last love. A young person less than half his age whose family strongly disapproved of the association and who evidently grew to disapprove of it herself. It was a trauma that might have plowed Philip under and that he told aslant in Exit Ghost, the novel dedicated to me (!). A couple of failed attempts at courtship followed, boring and painful for the women involved. Then he closed the door on heteroerotic life entirely. He’d learned how to be an elderly gentleman who behaves correctly. He joined the ranks of the impotent.
ellauri107.html on line 152: "I am sensitive to nothing in all the world as I am to my moral reputation." Torment about rectitude plagued Philip as acutely as any itch in the loins. That a man who’d written lurid books and led a sleazy life should be so primly worried about what people were saying struck me as funny. But that's a typical symptom for narcissism.
ellauri107.html on line 154: "Philosophical generalization is completely alien to me—some other writer’s work. I’m a philosophical illiterate." Yep, his philosophy was solipsistic semitism. He had no need to read about it, he wrote the books.
ellauri107.html on line 156: "I have, for instance, never—I repeat, never—written a word about women in general. This will come as news to my harshest critics, but it’s true. Women, each one particular, appear in my books. But womankind is nowhere to be found.” They just happen to be assholes one and all. Men are so much nicer friends.
ellauri107.html on line 169: Nathaniel Hawthorne (July 4, 1804 – May 19, 1864) was an American novelist, dark romantic, and short story writer. His works often focus on history, morality, and religion.
ellauri107.html on line 171: He was born in 1804 in Salem, Massachusetts, to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge from the Salem witch trials who never repented his involvement in the witch hunt. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work.[2] He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children.
ellauri107.html on line 173: Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States.
ellauri107.html on line 179: The zenith of [Hawthorne and Melville’s] relationship was reached . . . when Moby-Dick was published in middle November of 1851 and was dedicated to Hawthorne [“To Nathaniel Hawthorne: In token of my admiration for his genius”]. Hawthorne’s letter to Melville [at the time], like most of those to his friend, has not been preserved, but Melville’s answer on November 17 . . . speaks of the effect Hawthorne’s letter had upon him, in terms characteristic of his impassioned utterances:
ellauri107.html on line 183: As [Arlin]Turner says in analyzing this letter, “[Melville] was aware, it can be assumed, of the inclusiveness and interwoven imagery of his letter, and no less aware of the meaning behind the imagery. The same awareness can be assumed on the part of Hawthorne”. Edwin Haviland Miller, who interprets Melville’s affection for Hawthorne as in part sexual, says that in this passage, “the most ardent and doubtlessly one of the most painful he was ever to write, he candidly and boldly laid bare his love”. Miller goes on to say that “when Hawthorne retreated from Lenox, he retreated from Melville. How Hawthorne felt his reticences keep us from knowing, but his friend wrestled with the problems and nature of the relationship almost until the end of his life”. Turner says only that “there is evidence through the remaining forty years of Melville’s life that he thought he had been rebuffed by Hawthorne, and that he felt a genuine regret for his loss.”
ellauri107.html on line 187: suggestive panegyric [in his 1850 review of Hawthorne’s Mosses from an Old Manse], [that] Melville writes . . . “already I feel that this Hawthorne has dropped germinous seeds into my soul. He expands and deepens down, the more I contemplate him; and further and further, shoots his strong New England roots in the hot soil of my Southern soul”.
ellauri107.html on line 189: Hawthorne had also given Melville a positive book review but characteristically expressed it with ambiguity. As Kesterson says,
ellauri107.html on line 191: . . . Hawthorne liked [Melville’s novel Typee], observing [in 1846] that . . . Melville has “that freedom of view—it would be too harsh to call it laxity of principle—which renders him tolerant of codes of morals that may be little in accordance with our own; a spirit proper enough to a young and adventurous sailor . . .”
ellauri107.html on line 193: Hawthorne is much more explicit in regard to same sex relationships and perhaps alludes to Melville’s wooing of him in his 1852 novel The Blithedale Romance. In excerpting that work for the website, I introduced it as follows:
ellauri107.html on line 195: In the following excerpts from Hawthorne's The Blithedale Romance, the Hawthorne-like character, poet and narrator Miles Coverdale, and the Melville-like character, passionate monomaniac Hollingsworth suggest Melville's influence on the novel. The first person narrator, a young man who joins a major enterprise with mostly adventure-seeking motives, certainly calls to mind narrator Ishmael in Melville's Moby-Dick. The dark and brawny Hollingsworth, bearing a physical resemblance to Melville, cares for Coverdale and seeks his partnership, moreover, in an intensity that seems to parallel Melville's evident affection for and desire for intimacy with Hawthorne. The sharp, mysterious break in the relationships between the two authors and the fictional pair constitute yet another likeness.
ellauri107.html on line 200: Coverdale describes Hollingsworth's "dark complexion, his abundant beard, and the rude strength with which his features seemed to have been hammered out of iron, rather than chiselled or moulded from any finer or softer material." He adds that in Hollingsworth's "gentler moods, there was a tenderness in his voice, eyes, mouth, in his gesture, and in every indescribable manifestation, which few men could resist, and no woman."
ellauri107.html on line 208: Coverdale declares, "I loved Hollingsworth, as has already been enough expressed." He adds, "If . . .[Priscilla] thought him beautiful, it was no wonder. I often thought him so, with the expression of tender, human care, and gentlest sympathy . . . ." And in Hawthorne's most explicitly homoerotic allusion, Coverdale notes, "the footing, on which we all associated at Blithedale, was widely different from that of conventional society. While inclining us to the soft affections of the Golden Age, it seemed to authorize any individual, of either sex, to fall in love with any other, regardless of what would elsewhere be judged suitable and prudent."
ellauri107.html on line 212: Coverdale concludes the tale of Zenobia's hopeless love for Hollingsworth and enigmatically adds, "It suits me not to explain what was the analogy that I saw, or imagined, between Zenobia's situation and mine; nor, I believe, will the reader detect this one secret, hidden beneath many a revelation which perhaps concerned me less."
ellauri107.html on line 214: Actually, the reader would have to be remarkably obtuse not to recognize the sexual tension between Coverdale and Hollingsworth. If only we could know what Melville thought when he read it! Certainly, Melville was aware that Brook Farm in Roxbury, Massachusetts, which Blithedale represents, had enjoyed the company of Hawthorne as a communal society member for most of 1841. Perhaps he also knew that substantial portions of Coverdale’s first person narration are taken directly from Hawthorne’s Brook Farm journals, and he would certainly know better than we the extent to which the novel may also represent allusions to Hawthorne’s and his experiences together during the year before the publication of Blithedale.
ellauri107.html on line 216: Let me return briefly to Dr. Kesterson for his observation of the circumstances surrounding the creation of Moby-Dick. He notes . . . (Creation of Moby DICK! A dead giveaway! Tästä on jo ollut puhetta.)
ellauri107.html on line 218: The major occurrence in Melville’s life . . . during the writing of Moby-Dick was the growing friendship with Nathaniel Hawthorne . . . . We are reminded that throughout the fall and winter of 1850, and summer of 1851, Hawthorne and Melville were visiting and writing to each other. . Hawthorne encapsulating their conversation [of August 1, 1851] by writing in his journal: “Melville and I had a talk about time and eternity, things of this world and of the next, and books, and publishers, and all possible and impossible matters, that lasted pretty deep into the night . . . .”
ellauri107.html on line 220: [A Tanglewood Tale] dramatizes the developing friendship of Nathaniel Hawthorne and Herman Melville during the 1850-1851 period when both authors resided in Berkshire County, Massachusetts. In spite of their strong attraction to each other, they become estranged by fundamental differences. Puritan-in-spite-of himself Hawthorne is pressed too far when worldly former whaler Melville becomes explicit about shipboard liaisons with fellow sailors. Though the play suggests Hawthorne is curious about same sex relations, the reserved New Englander flees Melville and the Berkshires rather than pursue the subject.
ellauri107.html on line 231: Glazed now with ice the cloistral vine that hid the shyest grape.
ellauri107.html on line 238: Same sex relationships in the all male environment of Billy Budd’s British as well as Herman Melville’s American ships are understood. As former First Lord of the Admiralty, British Prime Minister Winston Churchill once witheringly quipped, British naval tradition might well be equated with sodomy. Although Billy Budd lacks the “marriage” rites of Moby-Dick’s Ishmael and Queequeg, itcontains endearments for “Handsome Sailor” Billy that leave little doubt as to many of his mates’ ardent feelings toward him. The old Dansker on the British warship originates “Baby Budd,” also shortened to “Baby,” in reference to Billy, “the name by which the foretopman eventually became known aboard ship.” Readers also hear “one Donald” addressing Billy as “Beauty.”
ellauri107.html on line 242: In surveying Billy, “sometimes [Claggart’s] melancholy expression would have in it a touch of soft yearning, as if [he] could even have loved Billy but for fate and ban.” Evidently, Claggart has not fully disguised his private appreciation of Billy; but, because he believes something forbids any future for such feelings, he hardens his heart more and more fiercely toward the object of his desire. What “fate” and what “ban” does his misguided imagination perceive? Do their roles on the ship or elsewhere in society somehow doom any intimacy between them? Or does Claggart just presume Billy could never reciprocate his feelings? Might the Master at Arms simply despise sexuality in general and homosexuality in particular and, as a result, find himself driven all the more mad by his uncontrollable “yearning”? Whatever the accurate diagnosis, it is clear that Claggart distorts any positive feelings he possesses for Billy into negative ones with terrible consequences.
ellauri107.html on line 246: Billy Budd provides an implicit indictment of the culture, whether military or civil, that encourages the kind of closet where a Claggart so readily succumbs to his “depravity according to nature.” Captain Vere likewise shows a closed, perhaps also “closeted” mind as ready prey for the phenomenon of evil. In Vere’s presence, as Billy is struck dumb by Claggart’s accusation, Claggart is struck dead by a single blow from Billy’s fist, the only response he can muster to defend himself. Although Vere cherishes Billy as “an angel of God” and knows him to be innocent of Claggart’s charges, he resists any bending of rules to protect him against the harshest of consequences for his act of insubordination. Ruthlessly silencing the dictates of his heart, “sometimes the feminine in man,” Vere effects what Claggart’s malice alone could not -- Billy’s total destruction.
ellauri107.html on line 248: Although British naval mutineers as well as criminals ashore are explicitly shown in Billy Budd’s early chapters to have received forms of amnesty that ultimately contributed to the saving of the nation, Vere offers no such amnesty to Billy Budd. Claggart himself is rumored to have entered the service as an alternative to imprisonment, the navy’s need for manpower leading to frequent waivers of usual punishments; but Billy Budd receives no alternatives, no waivers. At Nelson’s triumphant Trafalgar, the thwarting of Napoleon’s invasion plans meant a “plenary absolution” for all the former offenders who had contributed to the victory. Billy, however, a “peacemaker,” neither a mutineer nor a criminal, makes a single misstep in retaliation against a known liar who seeks to manipulate the system to destroy him, and how is Billy to be absolved? Vere’s “vehemently exclaimed” answer: “the angel must hang!”
ellauri107.html on line 250: Billy is first the victim of Claggart’s closet, one with similarities to the Roy Cohn and J. Edgar Hoover kinds that project self-loathing onto their targets. Vere’s condition, on the other hand, while containing degrees of benevolence, ultimately emerges as more deadly than Claggart’s. Associating his heart with his hated feminine side, Vere crushes down his capacity for love and compassion with a thoroughly brutal, Night-of-the-Long-Knives sort of intolerance. He, who would never have initiated Billy’s demise, will not permit his own ardor to soften his inflexible judgment, as that would evidently equate with irresolution and weakness. After all, he might rationalize, he is the Captain and the Captain has an image to uphold – right? Forget justice; forget humane treatment; maintaining machismo holds precedence over all! And the tragic result: mindless, meaningless, totally unnecessary suffering and loss on the altar of nothing less than evil itself!
ellauri107.html on line 258: Joseph Welch, the Army's attorney in the hearings, made an apparent reference to Cohn's homosexuality. After asking a witness, at McCarthy's request, if a photo entered as evidence "came from a pixie", he defined "pixie" as "a close relative of a fairy". "Pixie" was a camera-model name at the time; "fairy" is a derogatory term for a homosexual man. The people at the hearing recognized the implication, and found it amusing; Cohn later called the remark "malicious," "wicked," and "indecent."
ellauri107.html on line 260: Speculation about Cohn's sexuality intensified following his death from AIDS in 1986. In a 2008 article published in The New Yorker, Jeffrey Toobin quotes Roger Stone: "Roy was not gay. He was a man who liked having sex with men. Gays were weak, effeminate. He always seemed to have these young blond boys around. It just wasn't discussed. He was interested in power and access." Stone worked with Cohn beginning with the Reagan campaign during the 1976 Republican Party presidential primaries.
ellauri107.html on line 262: Cohn always denied his homosexuality in public, however, in private he was open about his sexual orientation with a few select friends. He had several long-term boyfriends over the course of his life, including a man called Russell Eldridge who died from AIDS in 1984, and for the last two years of his life, Cohn was partnered to a man 30 years his junior called Peter Fraser. Fraser inherited Cohn's house in Manhattan after Cohn died from AIDS in 1986.
ellauri107.html on line 270: Taylor also recounts some of Roth's health struggles. Among other things, he suffered from back and heart problems. Taylor recalls one particular trip to the hospital with Roth where they jumped into a cab. The aggressively flatulent driver had Rush Limbaugh on at top volume. Roth, in pain, turned to Taylor and asked, are we to be spared nothing?
ellauri107.html on line 300: Bill Gatesin vaimo Melinda ottaa siitä eron ja puolet Microsoftista. Bill jäi kiinni rysän päältä Epsteinin tyttökaupasta. Siihenkö loppuu Melinda ja Bill Gates-säätiön luonnonpilaajien charity? Täytyy toivoa. Bill möi Aahrikan neekereille korzuja ja suunnitteli taivaan pimentämistä rikkipilvillä. Toivottavasti se päätyy Pepun rikinkatkuiseen Gehennaan. Ironisen amerikanjuutalaisen romaanikirjailijan kanssa sen sauva kädessä paimentamaan vuohia.
ellauri107.html on line 332: Heinrich Heinen kerrotaan sanoneen joskus, että Jumala on olemassa ja hänen nimensä on Aristofanes. Kopsiko se siltäkin?
ellauri107.html on line 377: Coleman tajusi haluuvansa Faunian persettä niin kovasti ettei muu merkinnyt mitään, ei omat lapsetkaan. Tää on karhun elämää saa mettä ammentaa, tai sen loppua (italics in the original). Sietämättömintä oli se että hänen päivänsä olisivat kohta luetut. Hän potkaisisi kohta tyhjää. (Ei vittu vielä 13v siihen menisi, tai oikeammin 20v. Liian pian angstasi.) Paras lakata nipottamasta ja ottaa johtotähdexi pelkkä musta tähti. Toi on muuten hyvä havainto, Philip Roth on nipo.
ellauri107.html on line 393:
Mikäs mies tää Mickey Sabbath on?

ellauri107.html on line 395: The antihero of Roth’s 1995 novel Sabbath’s Theatre blinds us with his astonishing misogyny, his exponential misanthropy, his audacious nihilism - and yet he makes us care shit. The depraved Mickey Sabbath, the hero, anti-hero and villain of Philip Roth’s 1995 tour d'Eiffel, Sabbath’s Theatre. Just what he does to deserve this affection over the course of 450 bile-filled pages is hard to fathom. He virtually copies that bête noire of creative writing courses, the unsympathetic character. To discover such a monstrous creation on the page is a shock.
ellauri107.html on line 396: And yet he is no Pilate (what?) or Iago (a nigger hater), merely a sad old jew with a hard-on (now there's fiction for you), raping against the dying of the light.
ellauri107.html on line 402: In crisis over whether he’s a man or nuts. I'd say nuts. He is a sexual extremist and erotomaniac, a sociopath and wannabe paedophile, rummaging in the knicker drawer of his best friend’s teenage daughter. A habitual liar, a graveyard onanist, a childless despiser of families and couples; a joyous micturator over all laughter, hope, goodness and wholesomeness (a peculiarly American obsession: see also David Lynch), Sabbath entertains us with his negativity.
ellauri107.html on line 404: Aren’t his hysterical riffs on death dangerously close to how we all feel when facing up to the Grim Reaper? "We all", yeah. I hate it when allsorts of teaming idiots use this "we all".
ellauri107.html on line 414: Babbitt (1922), by Sinclair Lewis, is a satirical novel about American culture and society that critiques the vacuity of middle class life and the social pressure toward conformity. The controversy provoked by Babbitt was influential in the decision to award the Nobel Prize in Literature to Lewis in 1930.
ellauri107.html on line 418: In Babbitt (1922), Sinclair Lewis created a living and breathing man with recognizable hopes and dreams, not a caricature. To his publisher, Lewis wrote: “He is all of us Americans at 46, prosperous, but worried, wanting — passionately — to seize something more than motor cars and a house before it's too late.” George F. Babbitt's mediocrity is central to his realism; Lewis believed that the fatal flaw of previous literary representations of the American businessman was in portraying him as “an exceptional man.”
ellauri107.html on line 420: The social critic and satirist Pete Mencken, ardent supporter of Sinclair Lewis, called himself “an old professor of Babbitry” and said that Babbitt was a stunning work of literary realism about American society.
ellauri107.html on line 422: George F. Babbitt was an archetype of the American city dwellers who touted the virtues of Republicanism, Presbyterianism, and absolute conformity because "it is not what he feels and aspires that moves him primarily; it is what the folks about him will think of him. His politics is communal politics, mob politics, herd politics; his religion is a public rite wholly without subjective significance." Mencken said that Babbitt was the literary embodiment of everything wrong with American society.
ellauri107.html on line 424: In the cultural climate of the early 20th century, like-minded critics and Mencken's followers were known as "Babbitt-baiters".
ellauri107.html on line 425: Babbitt-baiting became an irritant to American businessmen, Rotarians, and the like, who began defending the Babbitts of the U.S. by way of radio and magazine journalism. They emphasized the virtues of community organizations and the positive contributions that industrial cities have made to American society.
ellauri107.html on line 429: Groucho Malamud, Chico Bellow ja Harpo Roth olivat kuin Sam Gamgee, Frodo ja Bilbo Baggins, karvavarpaisia babitteja, alamittaisia homunculuxia. Keskiluokan hirviöitä. "Missä kirjoituskone on?" Hupaisaa että Tolkien-leffoissa poroporvarillisista hobiteista on tullut kansalaiskuntoisia rotariveljiä.
ellauri107.html on line 436: His name was George F. Babbitt. He was forty-six years old now, in April, 1920, and he made nothing in particular, neither butter nor shoes nor poetry, but he was nimble in the calling of selling houses for more than people could afford to pay.
ellauri107.html on line 438: Myra Babbitt—Mrs. George F. Babbitt—was definitely mature. She had creases from the corners of her mouth to the bottom of her chin, and her plump neck bagged. But the thing that marked her as having passed the line was that she no longer had reticences before her husband, and no longer worried about not having reticences. She was in a petticoat now, and corsets which bulged, and unaware of being seen in bulgy corsets. She had become so dully habituated to married life that in her full matronliness she was as sexless as an anemic nun. She was a good woman, a kind woman, a diligent woman, but no one, save perhaps Tinka her ten-year-old, was at all interested in her or entirely aware that she was alive.
ellauri107.html on line 439: “Now you look here! The first thing you got to understand is that all this uplift and flipflop and settlement-work and recreation is nothing in God's world but the entering wedge for socialism. The sooner a man learns he isn't going to be coddled, and he needn't expect a lot of free grub and, uh, all these free classes and flipflop and doodads for his kids unless he earns 'em, why, the sooner he'll get on the job and produce—produce—produce! That's what the country needs, and not all this fancy stuff that just enfeebles the will-power of the working man and gives his kids a lot of notions above their class. And you—if you'd tend to business instead of fooling and fussing—All the time! When I was a young man I made up my mind what I wanted to do, and stuck to it through thick and thin, and that's why I'm where I am to-day, and—Myra! What do you let the girl chop the toast up into these dinky little chunks for? Can't get your fist onto 'em. Half cold, anyway!”
ellauri107.html on line 444: In the comedy Andria (“The Girl of Andros”) by the Roman poet Terentius, Simo uses it to comment on the tears of his son Pamphilus at the funeral of a neighbor to his interlocutor Sosias. At first he was of the opinion that these were an expression of special sympathy and was pleased about it. But when he discovered that the deceased's pretty sister was also a member of the funeral procession, he realized that his son's emotion was only faked to get closer to him: hinc illae lacrumae, haec illast misericordia. ("Hence his tears, that is the reason for his pity!").
ellauri107.html on line 448: “Lots of news. Terrible big tornado in the South. Hard luck, all right. But this, say, this is corking! Beginning of the end for those fellows! New York Assembly has passed some bills that ought to completely outlaw the socialists! And there's an elevator-runners' strike in New York and a lot of college boys are taking their places. That's the stuff! And a mass-meeting in Birmingham's demanded that this Mick agitator, this fellow De Valera, be deported. Dead right, by golly! All these agitators paid with German gold anyway. And we got no business interfering with the Irish or any other foreign government. Keep our hands strictly off. And there's another well-authenticated rumor from Russia that Lenin is dead. That's fine. It's beyond me why we don't just step in there and kick those Bolshevik cusses out.”
ellauri107.html on line 456: He searched for an attitude, but neither as a Republican, a Presbyterian, an Elk, nor a real-estate broker did
ellauri107.html on line 458: he have any doctrine about preacher-mayors laid down for him, so he grunted and went on. She looked sympathetic and did not hear a word. Later she would read the headlines, the society columns, and the department-store advertisements.
ellauri107.html on line 466: He serenely believed that the one purpose of the real-estate business was to make money for George F. Babbitt. True, it was a good advertisement at Boosters' Club lunches, and all the varieties of Annual Banquets to which Good Fellows were invited, to speak sonorously of Unselfish Public Service, the Broker's Obligation to Keep Inviolate the Trust of His Clients, and a thing called Ethics, whose nature was confusing but if you had it you were a High-class Realtor and if you hadn't you were a shyster, a piker, and a fly-by-night. These virtues awakened Confidence, and enabled you to handle Bigger Propositions. But they didn't imply that you were to be impractical and refuse to take twice the value of a house if a buyer was such an idiot that he didn't jew you down on the asking-price.
ellauri107.html on line 468: Anticommunism
ellauri107.html on line 469: He had, with indignation at the criticism of Zenith, skimmed through a report in which the notorious pessimist Seneca Doane, the radical lawyer, asserted that to throw boys and young girls into a bull-pen crammed with men suffering from syphilis, delirium tremens, and insanity was not the perfect way of educating them. He had controverted the report by growling, “Folks that think a jail ought to be a bloomin' Hotel Thornleigh make me sick. If people don't like a jail, let 'em behave 'emselves and keep out of it. Besides, these reform cranks always exaggerate.” That was the beginning and quite completely the end of his investigations into Zenith's charities and corrections; and as to the “vice districts” he brightly expressed it, “Those are things that no decent man monkeys with. Besides, smatter fact, I'll tell you confidentially: it's a protection to our daughters and to decent women to have a district where tough nuts can raise cain. Keeps 'em away from our own homes.”
ellauri107.html on line 470: “A good labor union is of value because it keeps out radical unions, which would destroy property. No one ought to be forced to belong to a union, however. All labor agitators who try to force men to join a union should be hanged. In fact, just between ourselves, there oughtn't to be any unions allowed at all; and as it's the best way of fighting the unions, every business man ought to belong to an employers'-association and to the Chamber of Commerce. In union there is strength. So any selfish hog who doesn't join the Chamber of Commerce ought to be forced to.”
ellauri107.html on line 473: But Babbitt was virtuous. He advocated, though he did not practise, the prohibition of alcohol; he praised, though he did not obey, the laws against motor-speeding; he paid his debts; he contributed to the church, the Red Cross, and the Y. M. C. A.; he followed the custom of his clan and cheated only as it was sanctified by precedent; and he never descended to trickery—though, as he explained to Paul Riesling:
ellauri107.html on line 477: The Athletic Club building is nine stories high, yellow brick with glassy roof-garden above and portico of huge limestone columns below. The lobby, with its thick pillars of porous Caen stone, its pointed vaulting, and a brown glazed-tile floor like well-baked bread-crust, is a combination of cathedral-crypt and rathskeller. The members rush into the lobby as though they were shopping and hadn't much time for it. Thus did Babbitt enter, and to the group standing by the cigar-counter he whooped, “How's the boys? How's the boys? Well, well, fine day!”
ellauri107.html on line 478: Jovially they whooped back—Vergil Gunch, the coal-dealer, Sidney Finkelstein, the ladies'-ready-to-wear buyer for Parcher & Stein's department-store, and Professor Joseph K. Pumphrey, owner of the Riteway Business College and instructor in Public Speaking, Business English, Scenario Writing, and Commercial Law. Though Babbitt admired this savant, and appreciated Sidney Finkelstein as “a mighty smart buyer and a good liberal spender,” it was to Vergil Gunch that he turned with enthusiasm. Mr. Gunch was president of the Boosters' Club, a weekly lunch-club, local chapter of a national organization which promoted sound business and friendliness among Regular Fellows. He was also no less an official than Esteemed Leading Knight in the Benevolent and Protective Order of Elks, and it was rumored that at the next election he would be a candidate for Exalted Ruler. He was a jolly man, given to oratory and to chumminess with the arts.
ellauri107.html on line 481: Say, Sid,” Babbitt turned to Finkelstein, the buyer, “got something wanta ask you about. I went out and bought me an electric cigar-lighter for the car, this noon, and—”
ellauri107.html on line 482: “Good hunch!” said Finkelstein, while even the learned Professor Pumphrey, a bulbous man with a pepper-and-salt cutaway and a pipe-organ voice, commented, “That makes a dandy accessory. Cigar-lighter gives tone to the dashboard.”
ellauri107.html on line 484: Finkelstein asserted that five dollars was not too great a sum, not for a really high-class lighter which was suitably nickeled and provided with connections of the very best quality. “I always say—and believe me, I base it on a pretty fairly extensive mercantile experience—the best is the cheapest in the long run. Of course if a fellow wants to be a Jew about it, he can get cheap junk, but in the long RUN, the cheapest thing is—the best you can get! Now you take here just th' other day: I got a new top for my old boat and some upholstery, and I paid out a hundred and twenty-six fifty, and of course a lot of fellows would say that was too much—Lord, if the Old Folks—they live in one of these hick towns up-state and they simply can't get onto the way a city fellow's mind works, and then, of course, they're Jews, and they'd lie right down and die if they knew Sid had anted up a hundred and twenty-six bones. But I don't figure I was stuck, George, not a bit. Machine looks brand new now—not that it's so darned old, of course; had it less 'n three years, but I give it hard service; never drive less 'n a hundred miles on Sunday and, uh—Oh, I don't really think you got stuck, George. In the LONG run, the best is, you might say, it's unquestionably the cheapest.”
ellauri107.html on line 487: They grinned and went into the Neronian washroom, where a line of men bent over the bowls inset along a prodigious slab of marble as in religious prostration before their own images in the massy mirror. Voices thick, satisfied, authoritative, hurtled along the marble walls, bounded from the ceiling of lavender-bordered milky tiles, while the lords of the city, the barons of insurance and law and fertilizers and motor tires, laid down the law for Zenith; announced that the day was warm-indeed, indisputably of spring; that wages were too high and the interest on mortgages too low; that Babe Ruth, the eminent player of baseball, was a noble man; and that “those two nuts at the Climax Vaudeville Theater this week certainly are a slick pair of actors.”
ellauri107.html on line 490: “And business! The roofing business! Roofs for cowsheds! Oh, I don't mean I haven't had a lot of fun out of the Game; out of putting it over on the labor unions, and seeing a big check coming in, and the business increasing. But what's the use of it? You know, my business isn't distributing roofing—it's principally keeping my competitors from distributing roofing. Same with you. All we do is cut each other's throats and make the public pay for it!”
ellauri107.html on line 492: one-third are miserable and know it. They hate the whole peppy, boosting, go-ahead game, and they're bored by their wives and think their families are fools—at least when they come to forty or forty-five they're bored—and they hate business, and they'd go—Why do you suppose there's so many 'mysterious' suicides? Why do you suppose so many Substantial Citizens jumped right into the war? Think it was all patriotism?”
ellauri107.html on line 496: “Good Lord, I don't know what 'rights' a man has! And I don't know the solution of boredom. If I did, I'd be the one philosopher that had the cure for living. But I do know that about ten times as many people find their lives dull, and unnecessarily dull, as ever admit it; and I do believe that if we busted out and admitted it sometimes, instead of being nice and patient and loyal for sixty years, and then nice and patient and dead for the rest of eternity, why, maybe, possibly, we might make life more fun.”
ellauri107.html on line 501: “Look here, Stan; let's get this clear. You've got an idea somehow that it's you that do all the selling. Where d' you get that stuff? Where d' you think you'd be if it wasn't for our capital behind you, and our lists of properties, and all the prospects we find for you? All you got to do is follow up our tips and close the deal. The hall-porter could sell Babbitt-Thompson listings! You say you're engaged to a girl, but have to put in your evenings chasing after buyers. Well, why the devil shouldn't you? What do you want to do? Sit around holding her hand? Let me tell you, Stan, if your girl is worth her salt, she'll be glad to know you're out hustling, making some money to furnish the home-nest, instead of doing the lovey-dovey. The kind of fellow that kicks about working overtime, that wants to spend his evenings reading trashy novels or spooning and exchanging a lot of nonsense and foolishness with some girl, he ain't the kind of upstanding, energetic young man, with a future—and with Vision!—that we want here. How about it? What's your Ideal, anyway? Do you want to make money and be a responsible member of the community, or do you want to be a loafer, with no Inspiration or Pep?”
ellauri107.html on line 504: Whenever Thompson twanged, “Put your John Hancock on that line,” Babbitt was as much amused by the antiquated provincialism as any proper Englishman by any American. He knew himself to be of a breeding altogether more esthetic and sensitive than Thompson's. He was a college graduate, he played golf, he often smoked cigarettes instead of cigars, and when he went to Chicago he took a room with a private bath. “The whole thing is,” he explained to Paul Riesling, “these old codgers lack the subtlety that you got to have to-day.”
ellauri107.html on line 505: This advance in civilization could be carried too far, Babbitt perceived. Noel Ryland, sales-manager of the Zeeco, was a frivolous graduate of Princeton, while Babbitt was a sound and standard ware from that great department-store, the State University. Ryland wore spats, he wrote long letters about City Planning and Community Singing, and, though he was a Booster, he was known to carry in his pocket small volumes of poetry in a foreign language. All this was going too far. Henry Thompson was the extreme of insularity, and Noel Ryland the extreme of frogginess, while between them, supporting the state, defending the evangelical churches and domestic brightness and sound business, were Babbitt and his friends.
ellauri107.html on line 507: Put your John Hancock on that line! To sign one's name on a document or other item. John Hancock, an influential figure in the American Revolution, is known for his especially large and legible signature on the Declaration of Independence. As soon as you put your John Hancock on these papers, you'll be the proud owner of a brand new car!
ellauri107.html on line 510: In the living-room, in a corner of the davenport, Ted settled down to his Home Study; plain geometry, Cicero, and the agonizing metaphors of Comus.
ellauri107.html on line 512: Mrs. Babbitt, darning socks, speculated, “Yes, I wonder why. Of course I don't want to fly in the face of the professors and everybody, but I do think there's things in Shakespeare—not that I read him much, but when I was young the girls used to show me passages that weren't, really, they weren't at all nice.”
ellauri107.html on line 513: Babbitt looked up irritably from the comic strips in the Evening Advocate. They composed his favorite literature and art, these illustrated chronicles in which Mr. Mutt hit Mr. Jeff with a rotten egg, and Mother corrected Father's vulgarisms by means of a rolling-pin. With the solemn face of a devotee, breathing heavily through his open mouth, he plodded nightly through every picture, and during the rite he detested interruptions. Furthermore, he felt that on the subject of Shakespeare he wasn't really an authority. Neither the Advocate-Times, the Evening Advocate, nor the Bulletin of the Zenith Chamber of Commerce had ever had an editorial on the matter, and until one of them had spoken he found it hard to form an original opinion. But even at risk of floundering in strange bogs, he could not keep out of an open controversy.
ellauri107.html on line 518: He snatched from the back of his geometry half a hundred advertisements of those home-study courses which the energy and foresight of American commerce have contributed to the science of education. The first displayed the portrait of a young man with a pure brow, an iron jaw, silk socks, and hair like patent leather. Standing with one hand in his trousers-pocket and the other extended with chiding forefinger, he was bewitching an audience of men with gray beards, paunches, bald heads, and every other sign of wisdom and prosperity. Above the picture was an inspiring educational symbol—no antiquated lamp or torch or owl of Minerva, but a row of dollar signs. The text ran:
ellauri107.html on line 550: Kate Croy and Merton Densher are two betrothed Londoners who desperately want to marry but have very little money. Kate is constantly put upon by family troubles, and is now living with her domineering aunt, Maud Lowder. Into their world comes Milly Theale, an enormously rich young American woman who had previously met and fallen in love with Densher, although she has never revealed her feelings. Her travelling companion and confidante, Mrs. Stringham, is an old friend of Maud. Kate and Aunt Maud welcome Milly to London, and the American heiress enjoys great social success.
ellauri107.html on line 552: With Kate as a companion, Milly goes to see an eminent physician, Sir Luke Strett, because she worries that she is suffering from an incurable disease. The doctor is noncommittal but Milly fears the worst. Kate suspects that Milly is deathly ill. After the trip to America where he had met Milly, Densher returns to find the heiress in London. Kate wants Densher to pay as much attention as possible to Milly, though at first he doesn't quite know why. Kate has been careful to conceal from Milly (and everybody else) that she and Densher are engaged.
ellauri107.html on line 554: With the threat of serious illness hanging over her, Milly decides to travel to Venice with Mrs. Stringham. Aunt Maud, Kate and Densher follow her. At a party Milly gives in her Venice palazzo (the older Palazzo Barbaro, called "Palazzo Leporelli" in the novel), Kate finally reveals her complete plan to Densher: he is to marry Milly so that, after her presumably soon-to-occur death, he will inherit the money they can marry on. Densher had suspected this was Kate's idea, and he demands that she consummate their affair before he will go along with her plan.
ellauri107.html on line 556: Aunt Maud and Kate return to London while Densher remains with Milly. Unfortunately, the dying girl learns from a former suitor of Kate's about the plot to get her money. She withdraws from Densher and her condition deteriorates. Densher sees her one last time before he leaves for London, where he eventually receives news of Milly's death. Milly does leave him a large amount of money despite everything. But Densher does not accept the money, and he will not marry Kate unless she also refuses the bequest. Conversely, if Kate chooses the money instead of him, Densher offers to make the bequest over to her in full. The lovers part on the novel's final page with a cryptic exclamation from Kate: "We shall never be again as we were!"
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ellauri108.html on line 34: That the hungry be fed, the sick nourished, the aged protected, and the infant cared for.
ellauri108.html on line 53: icture-in-picture" allowfullscreen>
ellauri108.html on line 63: Jah or Yah (Hebrew: יה‎, Yah) is a short form of Hebrew: יהוה‎ (YHWH), the four letters that form the tetragrammaton, the personal name of God: Yahweh, which the ancient Israelites used. The conventional Christian English pronunciation of Jah is /ˈdʒɑː/, even though the letter J here transliterates the palatal approximant (Hebrew י Yodh). The spelling Yah is designed to make the pronunciation /ˈjɑː/ explicit in an English-language context (see also romanization of Hebrew), especially for Christians who may not use Hebrew regularly during prayer and study.
ellauri108.html on line 65: This short form of the name occurs 50 times in the text of the Hebrew Bible, of which 24 form part of the phrase "Hallelujah". In the Christian King James Version (1611) there is a single instance of JAH (capitalized), in Psalm 68:4. An American Translation (1939) and the New King James Version "NKJV" (1982) follows KJV in using Yah in this verse.
ellauri108.html on line 67: While pronouncing the tetragrammaton is forbidden for Jews, articulating "Jah"/"Yah" is allowed, but is usually confined to prayer and study. In the modern English-language Christian context, the name Jah is commonly associated with the Rastafari.
ellauri108.html on line 69: Yahweh was the national god of the kingdoms of Israel (Samaria) and Judah. The short form Jah/Yah, which appears in Exodus 15:2 and 17:16, Psalm 89:9, Song of Songs 8:6, is preserved also in theophoric names such as Elijah ("my god is Jah"), Malchijah ("my king is Jah"), and Adonijah ("my lord is Jah"), etc. as well as in the phrase Hallelujah. The name Joel is derived from combining the word Jah with the word El.
ellauri108.html on line 70: In the Tanakh, Yah occurs 50 times: 43 times in the Psalms, in Exodus 15:2; 17:16; and Isaiah 12:2; 26:4, as well as twice in Isaiah 38:11.
ellauri108.html on line 73: In the King James Version of the Christian Bible, the Hebrew יהּ is transliterated as "JAH" (capitalised) in only one instance: "Sing unto God, sing praises to his name: extol him that rideth upon the heavens by his name JAH, and rejoice before him". An American Translation renders the Hebrew word as "Yah" in this verse. In the 1885 Revised Version and its annotated study edition, The Modern Reader's Bible, which uses the Revised Version as its base text, also transliterates "JAH" in Psalms 89:8 which reads,"O LORD God of hosts, who is a mighty one, like unto thee, O JAH? and thy faithfulness is round about thee".
ellauri108.html on line 75: With the rise of the Reformation, reconstructions of the Tetragrammaton became popular. The Tyndale Bible was the first English translation to use the anglicized reconstruction. The modern letter "J" settled on its current English pronunciation only around 500 years ago; in Ancient Hebrew, the first consonant of the Tetragrammaton always represents a "Y" sound.
ellauri108.html on line 79: The Spanish language Reina Valera Bible employs "JAH" in 21 instances within the Old Testament according to the Nueva Concordancia Strong Exhaustiva. The Darby Bible, Young's Literal Translation, The Jubilee Bible 2000, Lexham English Bible, The Complete Jewish Bible, Names of God Bible, The Recovery Version, Green's Literal Translation, the New Jewish Publication Society or NJPS Tanakh and World English Bible includes "Jah" (Yah in the Lexham English Bible, Complete Jewish Bible, the NJPS Tanakh and the World English Bible) numerous times within the Old Testament (as well as in the New Testament or New Covenant as is the case in Christian and Messianic Jewish Bibles) as "Hallelujah!" or "Alleluia!" (Praise Jah or Yah in either instance) which is also employed throughout the Old Testament of these Bible versions.
ellauri108.html on line 81: "Hallelujah!" or "Alleluia!" is also used in other Bible versions such as the Divine Name King James Bible, American Standard Version, the Recovery Version, The Tree of Life Version, Amplified Bible, God's Word Translation, Holman Christian Standard Bible, International Standard Version, The Message, New American Bible Revised Edition, The Jerusalem Bible, The New Jerusalem Bible, NJPS Tanakh, The first JPS translation, The Living Bible, The Bible in Living English, Young's Literal Translation, King James Version, The Spanish language Reina Valera and even in Bible versions that otherwise do not generally use the Divine Name such as the New King James Version, English Standard Version, J.B. Phillips New Testament, New International Version, Douay-Rheims Version, God's Word Translation, Revised Standard Version, New Revised Standard Version, The Jubilee Bible 2000, New American Standard Bible, New Century Version, New International Reader's Version and several other versions, translations and/or editions in English and other languages varying from once to numerous times depending on the Bible version especially and most notably in Revelation Chapter 19 in Christian and Messianic Jewish Bibles.
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ellauri108.html on line 92: Rastas are monotheists, worshipping a singular God whom they call Jah. The term "Jah" is a shortened version of "Jehovah", the name of God in English translations of the Old Testament. Rastafari holds strongly to the immanence of this divinity; as well as regarding Jah as a deity, Rastas believe that Jah is inherent within each individual. This belief is reflected in the aphorism, often cited by Rastas, that "God is man and man is God", and Rastas speak of "knowing" Jah, in the biblical sense, rather than simply "believing" in him. In seeking to narrow the distance between humanity and divinity, Rastafari embraces mysticism.
ellauri108.html on line 94: Jesus is an important figure in Rastafari. However, practitioners reject the traditional Christian view of Jesus, particularly the depiction of him as a white European, believing that this is a perversion of the truth. They believe that Jesus was a black African, and that the white Jesus was a false god. Many Rastas regard Christianity as the creation of the white man; they treat it with suspicion out of the view that the oppressors (white Europeans) and the oppressed (black Africans) cannot share the same God. Many Rastas take the view that the God worshipped by most white Christians is actually the Devil, and a recurring claim among Rastas is that the Pope is Satan or the Antichrist. Rastas therefore often view Christian preachers as deceivers and regard Christianity as being guilty of furthering the oppression of the African diaspora, frequently referring to it as having perpetrated "mental enslavement".
ellauri108.html on line 98: From its origins, Rastafari was intrinsically linked with Haile Selassie, the Emperor of Ethiopia from 1930 to 1974. He remains the central figure in Rastafari ideology, and although all Rastas hold him in esteem, precise interpretations of his identity differ. Understandings of how Haile Selassie relates to Jesus vary among Rastas. Many, although not all, believe that the Ethiopian monarch was the Second Coming of Jesus, legitimising this by reference to their interpretation of the nineteenth chapter of the Book of Revelation. By viewing Haile Selassie as Jesus, these Rastas also regard him as the messiah prophesied in the Old Testament, the manifestation of God in human form, and "the living God". Some perceive him as part of a Trinity, alongside God as Creator and the Holy Spirit, the latter referred to as "the Breath within the temple". Rastas who view Haile Selassie as Jesus argue that both were descendants from the royal line of the Biblical king David, while Rastas also emphasise the fact that the Makonnen dynasty, of which Haile Selassie was a member, claimed descent from the Biblical figures Solomon and the Queen of Sheba.
ellauri108.html on line 100: Other Rastas see Selassie as embodying Jesus' teachings and essence but reject the idea that he was the literal reincarnation of Jesus. Members of the Twelve Tribes of Israel denomination, for instance, reject the idea that Selassie was the Second Coming, arguing that this event has yet to occur. From this perspective, Selassie is perceived as a messenger or emissary of God rather than a manifestation of God himself. Rastas holding to this view sometimes regard the deification of Haile Selassie as naïve or ignorant, in some cases thinking it as dangerous to worship a human being as God. There are various Rastas who went from believing that Haile Selassie was both God incarnate and the Second Coming of Jesus to seeing him as something distinct.
ellauri108.html on line 102: On being crowned, Haile Selassie was given the title of "King of Kings and Lord of Lords, Conquering Lion of the Tribe of Judah". Rastas use this title for Haile Selassie alongside others, such as "Almighty God", "Judge and Avenger", "King Alpha and Queen Omega", "Returned Messiah", "Elect of God", and "Elect of Himself". Rastas also view Haile Selassie as a symbol of their positive affirmation of Africa as a source of spiritual and cultural heritage.
ellauri108.html on line 104: While he was emperor, many Jamaican Rastas professed the belief that Haile Selassie would never die. The 1974 overthrow of Haile Selassie by the military Derg and his subsequent death in 1975 resulted in a crisis of faith for many practitioners. Some left the movement altogether. Others remained, and developed new strategies for dealing with the news. Some Rastas believed that Selassie did not really die and that claims to the contrary were Western misinformation. To bolster their argument, they pointed to the fact that no corpse had been produced; in reality, Haile Selassie's body had been buried beneath his palace, remaining undiscovered there until 1992. Another perspective within Rastafari acknowledged that Haile Selassie's body had perished, but claimed that his inner essence survived as a spiritual force. A third response within the Rastafari community was that Selassie's death was inconsequential as he had only been a "personification" of Jah rather than Jah himself.
ellauri108.html on line 106: During his life, Selassie described himself as a devout Christian. In a 1967 interview, Selassie was asked about the Rasta belief that he was the Second Coming of Jesus, to which he responded: "I have heard of this idea. I also met certain Rastafarians. I told them clearly that I am a man, that I am mortal, and that I will be replaced by the oncoming generation, and that they should never make a mistake in assuming or pretending that a human being is emanated from a deity." His grandson Ermias Sahle Selassie has said that there is "no doubt that Haile Selassie did not encourage the Rastafari movement". Critics of Rastafari have used this as evidence that Rasta theological beliefs are incorrect, although some Rastas take Selassie's denials as evidence that he was indeed the incarnation of God, based on their reading of the Gospel of Luke.
ellauri108.html on line 108: According to Clarke, Rastafari is "concerned above all else with black consciousness, with rediscovering the identity, personal and racial, of black people". The Rastafari movement began among Afro-Jamaicans who wanted to reject the British imperial culture that dominated Jamaica and replace it with a new identity based on a reclamation of their African heritage. Its emphasis is on the purging of any belief in the inferiority of black people, and the superiority of white people, from the minds of its followers. Rastafari is therefore Afrocentric, equating blackness with the African continent, and endorsing a form of Pan-Africanism.
ellauri108.html on line 110: Practitioners of Rastafari identify themselves with the ancient Israelites—God's chosen people in the Old Testament—and believe that black Africans broadly or Rastas more specifically are either the descendants or the reincarnations of this ancient people. This is similar to beliefs in Judaism, although many Rastas believe that contemporary Jews' status as the descendants of the ancient Israelites is a false claim. Rastas typically believe that black Africans are God's chosen people, meaning that they made a covenant with him and thus have a special responsibility. Rastafari espouses the view that this, the true identity of black Africans, has been lost and needs to be reclaimed.
ellauri108.html on line 112: There is no uniform Rasta view on race. Black supremacy was a theme early in the movement, with the belief in the existence of a distinctly black African race that is superior to other racial groups. While some still hold this belief, non-black Rastas are now widely accepted in the movement. Rastafari's history has opened the religion to accusations of racism. Cashmore noted that there was an "implicit potential" for racism in Rasta beliefs but he also noted that racism was not "intrinsic" to the religion. Some Rastas have acknowledged that there is racism in the movement, primarily against Europeans and Asians. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta. Other Rasta sects believe that an "African" identity is not inherently linked to black skin but rather is about whether an individual displays an African "attitude" or "spirit".
ellauri108.html on line 115: Rastafari teaches that the black African diaspora are exiles living in "Babylon", a term which it applies to Western society. For Rastas, European colonialism and global capitalism are regarded as manifestations of Babylon, while police and soldiers are viewed as its agents. The term "Babylon" is adopted because of its Biblical associations. In the Old Testament, Babylon is the Mesopotamian city where the Israelites were held captive, exiled from their homeland, between 597 and 586 BCE; Rastas compare the exile of the Israelites in Mesopotamia to the exile of the African diaspora outside Africa. In the New Testament, "Babylon" is used as a euphemism for the Roman Empire, which was regarded as acting in a destructive manner that was akin to the way in which the ancient Babylonians acted. Rastas perceive the exile of the black African diaspora in Babylon as an experience of great suffering, with the term "suffering" having a significant place in Rasta discourse.
ellauri108.html on line 117: Rastas view Babylon as being responsible for both the Atlantic slave trade which removed enslaved Africans from their continent and the ongoing poverty which plagues the African diaspora. Rastas turn to Biblical scripture to explain the Atlantic slave trade, believing that the enslavement, exile, and exploitation of black Africans was punishment for failing to live up to their status as Jah's chosen people. Many Rastas, adopting a Pan-Africanist ethos, have criticised the division of Africa into nation-states, regarding this as a Babylonian development, and are often hostile to capitalist resource extraction from the continent. Rastas seek to delegitimise and destroy Babylon, something often conveyed in the Rasta aphorism "Chant down Babylon". Rastas often expect the white-dominated society to dismiss their beliefs as false, and when this happens they see it as confirmation of the correctness of their faith.
ellauri108.html on line 119: Rastas view "Zion" as an ideal to which they aspire. As with "Babylon", this term comes from the Bible, where it refers to an idealised Jerusalem. Rastas use "Zion" either for Ethiopia specifically or for Africa more broadly, the latter having an almost mythological identity in Rasta discourse. Many Rastas use the term "Ethiopia" as a synonym for "Africa"; thus, Rastas in Ghana for instance described themselves as already living within "Ethiopia". Other Rastas apply the term "Zion" to Jamaica or they use it to describe a state of mind.
ellauri108.html on line 121: In portraying Africa as their "Promised Land", Rastas reflect their desire to escape what they perceive as the domination and degradation that they experience in Babylon. During the first three decades of the Rastafari movement, it placed strong emphasis on the need for the African diaspora to be repatriated to Africa. To this end, various Rastas lobbied the Jamaican government and United Nations to oversee this resettlement process. Other Rastas organised their own transportation to the African continent. Critics of the movement have argued that the migration of the entire African diaspora to Africa is implausible, particularly as no African country would welcome this.
ellauri108.html on line 123: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent. The term "liberation before repatriation" began to be used within the movement. Some Rastas seek to transform Western society so that they may more comfortably live within it rather than seeking to move to Africa. There are nevertheless many Rastas who continue to emphasise the need for physical resettlement of the African diaspora in Africa.
ellauri108.html on line 125: Rastafari is a millenarian movement, espousing the idea that the present age will come to an apocalyptic end. Many practitioners believe that on this Day of Judgement, Babylon will be overthrown, with Rastas being the chosen few who survive the upheaval. With Babylon destroyed, Rastas believe that humanity will be ushered into a "new age". This is conceived as being a millennium of peace, justice, and happiness in which the righteous shall live in Africa, now a paradise. In the 1980s, many Rastas believed that the Day of Judgment would happen around the year 2000. A view then common in the Rasta community was that the world's white people would wipe themselves out through nuclear war, with black Africans then ruling the world, something that they argued was prophesied in the Book of Daniel.
ellauri108.html on line 127: Rastas do not believe that there is a specific afterlife to which individuals go following bodily death. They believe in the possibility of eternal life, and that only those who shun righteousness will actually die. The scholar of religion Leonard E. Barrett observed some Jamaican Rastas who believed that those practitioners who did die had not been faithful to Jah. He suggested that this attitude stemmed from the large numbers of young people that were then members of the movement, and who had thus seen only few Rastas die. Another Rasta view is that those who are righteous will undergo reincarnation, with an individual's identity remaining throughout each of their incarnations. In keeping with their views on death, Rastas eschew celebrating physical death and often avoid funerals, also repudiating the practice of ancestor veneration that is common among traditional African religions.
ellauri108.html on line 131: Rastafari promotes the idea of "living naturally", in accordance with what Rastas regard as nature's laws. It endorses the idea that Africa is the "natural" abode of black Africans, a continent where they can live according to African culture and tradition and be themselves on a physical, emotional, and intellectual level. Practitioners believe that Westerners and Babylon have detached themselves from nature through technological development and thus have become debilitated, slothful, and decadent. Some Rastas express the view that they should adhere to what they regard as African laws rather than the laws of Babylon, thus defending their involvement in certain acts which may be illegal in the countries that they are living in. In emphasising this Afrocentric approach, Rastafari expresses overtones of black nationalism.
ellauri108.html on line 133: Some Rastas have promoted activism as a means of achieving socio-political reform, while others believe in awaiting change that will be brought about through divine intervention in human affairs. In Jamaica, Rastas typically do not vote, derogatorily dismissing politics as "politricks", and rarely involve themselves in political parties or unions. The Rasta tendency to believe that socio-political change is inevitable opens the religion up to the criticism from the political left that it encourages adherents to do little or nothing to alter the status quo. Other Rastas do engage in political activism; the Ghanaian Rasta singer-songwriter Rocky Dawuni for instance was involved in campaigns promoting democratic elections, while in Grenada, many Rastas joined the People's Revolutionary Government formed in 1979.
ellauri108.html on line 135: Rastafari promotes what it regards as the restoration of black manhood, believing that men in the African diaspora have been emasculated by Babylon. It espouses patriarchal principles, including the idea that women should submit to male leadership. External observers—including scholars such as Cashmore and Edmonds—have claimed that Rastafari accords women an inferior position to men. Rastafari women usually accept this subordinate position and regard it as their duty to obey their men; the academic Maureen Rowe suggested that women were willing to join the religion despite its restrictions because they valued the life of structure and discipline it provided. Rasta discourse often presents women as morally weak and susceptible to deception by evil, and claims that they are impure while menstruating. Rastas legitimise these gender roles by citing Biblical passages, particularly those in the Book of Leviticus and in the writings of Paul the Apostle. The Rasta Shop is a store selling items associated with Rastafari in the U.S. state of Oregon.
ellauri108.html on line 137: Rasta women usually wear clothing that covers their head and hides their body contours. Trousers are usually avoided, in favour of long skirts. Women are expected to cover their head while praying, and in some Rasta groups this is expected of them whenever in public. Rasta discourse insists this female dress code is necessary to prevent women attracting men and presents it as an antidote to the sexual objectification of women in Babylon. Rasta men are permitted to wear whatever they choose. Although men and women took part alongside each other in early Rasta rituals, from the late 1940s and 1950s the Rasta community increasingly encouraged gender segregation for ceremonies. This was legitimised with the explanation that women were impure through menstruation and that their presence at the ceremonies would distract male participants.
ellauri108.html on line 139: As it existed in Jamaica, Rastafari did not promote monogamy. Rasta men are permitted multiple female sex partners, while women are expected to reserve their sexual activity for one male partner. Marriage is not usually formalised through legal ceremonies but is a common-law affair, although many Rastas are legally married. Rasta men refer to their female partners as "queens", or "empresses", while the males in these relationships are known as "kingmen". Rastafari places great importance on family life and the raising of children, with reproduction being encouraged. The religion emphasises the place of men in child-rearing, associating this with the recovery of African manhood. Women often work, sometimes while the man raises the children at home. Rastafari typically rejects feminism, although since the 1970s growing numbers of Rasta women have called for greater gender equity in the movement. The scholar Terisa E. Turner for instance encountered Kenyan feminists who were appropriating Rastafari content to suit their political agenda. Some Rasta women have challenged gender norms by wearing their hair uncovered in public and donning trousers.
ellauri108.html on line 141: Rastafari regards procreation as the purpose of sex, and thus oral and anal sex are usually forbidden. Both contraception and abortion are usually censured, and a common claim in Rasta discourse is that these were inventions of Babylon to decrease the black African birth-rate. Rastas typically express hostile attitudes to homosexuality, regarding homosexuals as evil and unnatural; this attitude derives from references to same-sex sexual activity in the Bible. Homosexual Rastas probably conceal their sexual orientation because of these attitudes. Rastas typically see the growing acceptance of birth control and homosexuality in Western society as evidence of the degeneration of Babylon as it approaches its apocalyptic end.
ellauri108.html on line 143: Rastas refer to their cultural and religious practices as "livity". Rastafari does not place emphasis on hierarchical structures. It has no professional priesthood, with Rastas believing that there is no need for a priest to act as mediator between the worshipper and divinity. It nevertheless has "elders", an honorific title bestowed upon those with a good reputation among the community. Although respected figures, they do not necessarily have administrative functions or responsibilities. When they do oversee ritual meetings, they are often responsible for helping to interpret current events in terms of Biblical scripture. Elders often communicate with each other through a network to plan movement events and form strategies.
ellauri108.html on line 145: The term "grounding" is used among Rastas to refer to the establishment of relationships between like-minded practitioners. Groundings often take place in a commune or yard, and are presided over by an elder. The elder is charged with keeping discipline and can ban individuals from attending. The number of participants can range from a handful to several hundred. Activities that take place at groundings include the playing of drums, chanting, the singing of hymns, and the recitation of poetry. Cannabis, known as ganja, is often smoked. Most groundings contain only men, although some Rasta women have established their own all-female grounding circles.
ellauri108.html on line 147: One of the central activities at groundings is "reasoning". This is a discussion among assembled Rastas about the religion's principles and their relevance to current events. These discussions are supposed to be non-combative, although attendees can point out the fallacies in any arguments presented. Those assembled inform each other about the revelations that they have received through meditation and dream. Each contributor is supposed to push the boundaries of understanding until the entire group has gained greater insight into the topic under discussion. In meeting together with like-minded individuals, reasoning helps Rastas to reassure one another of the correctness of their beliefs. Rastafari meetings are opened and closed with prayers. These involve supplication of God, the supplication for the hungry, sick, and infants, and calls for the destruction of the Rastas' enemies, and then close with statements of adoration.
ellauri108.html on line 148: Princes shall come out of Egypt, Ethiopia shall stretch forth her hand unto God. Oh thou God of Ethiopia, thou God of divine majesty, thy spirit come within our hearts to dwell in the parts of righteousness. That the hungry be fed, the sick nourished, the aged protected, and the infant cared for. Teach us love and loyalty as it is in Zion.
ellauri108.html on line 150: The largest groundings were known as "groundations" or "grounations" in the 1950s, although they were subsequently re-termed "Nyabinghi Issemblies". The term "Nyabinghi" is adopted from the name of a mythical African queen. Nyabinghi Issemblies are often held on dates associated with Ethiopia and Haile Selassie. These include Ethiopian Christmas (7 January), the day on which Haile Selassie visited Jamaica (21 April), Selassie's birthday (23 July), Ethiopian New Year (11 September), and Selassie's coronation day (2 November). Some Rastas also organise Nyabinghi Issemblies to mark Jamaica's Emancipation Day (1 August) and Marcus Garvey's birthday (17 August). A group of Rastas in Liberia celebrate Marcus Garvey's birthday.
ellauri108.html on line 152: Nyabinghi Issemblies typically take place in rural areas, being situated in the open air or in temporary structures—known as "temples" or "tabernacles"—specifically constructed for the purpose. Any elder seeking to sponsor a Nyabinghi Issembly must have approval from other elders and requires the adequate resources to organise such an event. The assembly usually lasts between three and seven days. During the daytime, attendees engage in food preparation, ganja smoking, and reasoning, while at night they focus on drumming and dancing around bonfires. Nyabinghi Issemblies often attract Rastas from a wide area, including from different countries. They establish and maintain a sense of solidarity among the Rasta community and cultivate a feeling of collective belonging. Unlike in many other religions, rites of passage play no role in Rastafari; on death, various Rastas have been given Christian funerals by their relatives, as there are no established Rasta funeral rites.
ellauri108.html on line 154: The principal ritual of Rastafari is the smoking of ganja, also known as marijuana or cannabis or pot. Among the names that Rastas give to the plant are callie, Iley, "the herb", "the holy herb", "the grass", and "the weed". Cannabis is usually smoked during groundings, although some practitioners also smoke it informally in other contexts. Some Rastas smoke it almost all of the time, something other practitioners regard as excessive, and many practitioners also ingest cannabis in a tea, as a spice in cooking, and as an ingredient in medicine. However, not all Rastas use ganja; abstainers explain that they have already achieved a higher level of consciousness and thus do not require it.
ellauri108.html on line 156: In Rastafari, cannabis is considered a sacrament. Rastas argue that the use of ganja is promoted in the Bible, specifically in Genesis, Psalms, and Revelation. They regard it as having healing properties, eulogise it for inducing feelings of "peace and love", and claim that it cultivates a form of personal introspection that allows the smokers to discover their inner divinity. Some Rastas believe that cannabis smoke serves as an incense that counteracts immoral practices in society.
ellauri108.html on line 158: Rastas typically smoke cannabis in the form of a large, hand-rolled cigarette known as a spliff. This is often rolled together while a prayer is offered to Jah; the spliff is lit and smoked only when the prayer is completed. At other times, cannabis is smoked in a water pipe referred to as a "chalice": styles include kutchies, chillums, and steamers. The pipe is passed in a counter-clockwise direction around the assembled circle of Rastas.
ellauri108.html on line 160: There are various options that might explain how cannabis smoking came to be part of Rastafari. By the 8th century, Arab traders had introduced cannabis to Central and Southern Africa. In the 19th century, enslaved Bakongo people arrived in Jamaica, where they established the religion of Kumina. In Kumina, cannabis was smoked during religious ceremonies in the belief that it facilitated possession by ancestral spirits. The religion was largely practiced in south-east Jamaica's Saint Thomas Parish, where a prominent early Rasta, Leonard Howell, lived while he was developing many of Rastafari's beliefs and practices; it may have been through Kumina that cannabis became part of Rastafari. A second possible source was the use of cannabis in Hindu rituals. Hindu migrants arrived in Jamaica as indentured servants from British India between 1834 and 1917, and brought cannabis with them. A Jamaican Hindu priest, Laloo, was one of Howell's spiritual advisors, and may have influenced his adoption of ganja. The adoption of cannabis may also have been influenced by the widespread medicinal and recreational use of cannabis among Afro-Jamaicans in the early 20th century. Early Rastafarians may have taken an element of Jamaican culture which they associated with their peasant past and the rejection of capitalism and sanctified it by according it Biblical correlates.
ellauri108.html on line 162: In many countries—including Jamaica—cannabis is illegal and by using it, Rastas protest the rules and regulations of Babylon. In the United States, for example, thousands of practitioners have been arrested because of their possession of the drug. Rastas have also advocated for the legalisation of cannabis in those jurisdictions where it is illegal; in 2015, Jamaica decriminalized personal possession of marijuana up to two ounces and legalized it for medicinal and scientific purposes. In 2019, Barbados legalised Rastafari use of cannabis within religious settings and pledged 60 acres (24 ha) of land for Rastafari to grow it.
ellauri108.html on line 164: Rastafari music developed at reasoning sessions, where drumming, chanting, and dancing are all present. Rasta music is performed to praise and commune with Jah, and to reaffirm the rejection of Babylon. Rastas believe that their music has healing properties, with the ability to cure colds, fevers, and headaches. Many of these songs are sung to the tune of older Christian hymns, but others are original Rasta creations.
ellauri108.html on line 166: The bass-line of Rasta music is provided by the akete, a three-drum set, which is accompanied by percussion instruments like rattles and tambourines. A syncopated rhythm is then provided by the fundeh drum. In addition, a peta drum improvises over the rhythm. The different components of the music are regarded as displaying different symbolism; the bassline symbolises blows against Babylon, while the lighter beats denote hope for the future.
ellauri108.html on line 168: As Rastafari developed, popular music became its chief communicative medium. During the 1960s, ska was a popular musical style in Jamaica, and although its protests against social and political conditions were mild, it gave early expression to Rasta socio-political ideology. Particularly prominent in the connection between Rastafari and ska were the musicians Count Ossie and Don Drummond. Ossie was a drummer who believed that black people needed to develop their own style of music; he was heavily influenced by Burru, an Afro-Jamaican drumming style. Ossie subsequently popularised this new Rastafari ritual music by playing at various groundings and groundations around Jamaica, with songs like "Another Moses" and "Babylon Gone" reflecting Rasta influence. Rasta themes also appeared in Drummond's work, with songs such as "Reincarnation" and "Tribute to Marcus Garvey".
ellauri108.html on line 170: 1968 saw the development of reggae in Jamaica, a musical style typified by slower, heavier rhythms than ska and the increased use of Jamaican Patois. Like calypso, reggae was a medium for social commentary, although it demonstrated a wider use of radical political and Rasta themes than were previously present in Jamaican popular music. Reggae artists incorporated Rasta ritual rhythms, and also adopted Rasta chants, language, motifs, and social critiques. Songs like The Wailers' "African Herbsman" and Peter Tosh's "Legalize It" referenced cannabis use, while tracks like The Melodians' "Rivers of Babylon" and Junior Byles' "Beat Down Babylon" referenced Rasta beliefs in Babylon. Reggae gained widespread international popularity during the mid-1970s, coming to be viewed by black people in many different countries as music of the oppressed. Many Rastas grew critical of reggae, believing that it had commercialised their religion. Although reggae contains much Rastafari symbolism, and the two are widely associated, the connection is often exaggerated by non-Rastas. Most Rastas do not listen to reggae music, and reggae has also been utilised by other religious groups, such as Protestant Evangelicals. Out of reggae came dub music; dub artists often employ Rastafari terminology, even when not Rastas themselves.
ellauri108.html on line 172: Rastas typically regard words as having an intrinsic power, seeking to avoid language that contributes to servility, self-degradation, and the objectification of the person. Practitioners therefore often use their own form of language, known commonly as "dread talk", "Iyaric", and "Rasta talk". Developed in Jamaica during the 1940s, this use of language fosters group identity and cultivates particular values. Adherents believe that by formulating their own language they are launching an ideological attack on the integrity of the English language, which they view as a tool of Babylon. The use of this language helps Rastas distinguish and separate themselves from non-Rastas, for whom—according to Barrett—Rasta rhetoric can be "meaningless babbling". However, Rasta terms have also filtered into wider Jamaican speech patterns.
ellauri108.html on line 173: Rastas regularly use the three colours of the Ethiopian flag for their movement, although they often add black to this tricolour, symbolising the black skin of the African people
ellauri108.html on line 175: Rastas make wide use of the pronoun "I". This denotes the Rasta view that the self is divine, and reminds each Rasta that they are not a slave and have value, worth, and dignity as a human being. For instance, Rastas use "I" in place of "me", "I and I" in place of "we", "I-ceive" in place of "receive", "I-sire" in place of "desire", "I-rate" in place of "create", and "I-men" in place of "Amen". Rastas refer to this process as "InI Consciousness" or "Isciousness". Rastas typically refer to Haile Selassie as "Haile Selassie I", thus indicating their belief in his divinity. Rastas also typically believe that the phonetics of a word should be linked to its meaning. For instance, Rastas often use the word "downpression" in place of "oppression" because oppression bears down on people rather than lifting them up, with "up" being phonetically akin to "opp-". Similarly, they often favour "livicate" over "dedicate" because "ded-" is phonetically akin to the word "dead". In the early decades of the religion's development, Rastas often said "Peace and Love" as a greeting, although the use of this declined as Rastafari matured.
ellauri108.html on line 177: Rastas often make use of the colours red, black, green, and gold. Red, gold, and green were used in the Ethiopian flag, while, prior to the development of Rastafari, the Jamaican black nationalist activist Marcus Garvey had used red, green, and black as the colours for the Pan-African flag representing his United Negro Improvement Association. According to Garvey, the red symbolised the blood of martyrs, the black symbolised the skin of Africans, and the green represented the vegetation of the land, an interpretation endorsed by some Rastas. The colour gold is often included alongside Garvey's three colours; it has been adopted from the Jamaican flag, and is often interpreted as symbolising the minerals and raw materials which constitute Africa's wealth. Rastas often paint these colours onto their buildings, vehicles, kiosks, and other items, or display them on their clothing, helping to distinguish Rastas from non-Rastas and allowing adherents to recognise their co-religionists. As well as being used by Rastas, the colour set has also been adopted by Pan-Africanists more broadly, who use it to display their identification with Afrocentricity; for this reason it was adopted on the flags of many post-independence African states. Rastas often accompany the use of these three or four colours with the image of the Lion of Judah, also adopted from the Ethiopian flag and symbolizing Haile Selassie.
ellauri108.html on line 179: Ital is an ancient styrofoam container of food, plastic fork, and glass of juice.
ellauri108.html on line 180: An ital breakfast consists of ackee, plantain, boiled food, breadfruit, and mango-pineapple juice.
ellauri108.html on line 182: Rastas seek to produce food "naturally", eating what they call ital, or "natural" food. This is often grown organically, and locally. Most Rastas adhere to the dietary laws outlined in the Book of Leviticus, and thus avoid eating pork or crustaceans. Other Rastas remain vegetarian, or vegan, a practice stemming from their interpretation of Leviticus. Many also avoid the addition of additives, including sugar and salt, to their food. Rasta dietary practices have been ridiculed by non-Rastas; in Ghana for example, where food traditionally includes a high meat content, the Rastas' emphasis on vegetable produce has led to the joke that they "eat like sheep and goats". In Jamaica, Rasta practitioners have commercialised ital food, for instance by selling fruit juices prepared according to Rasta custom.
ellauri108.html on line 184: Rastafarians typically avoid food produced by non-Rastas or from unknown sources. Rasta men refuse to eat food prepared by a woman while she is menstruating, and some will avoid food prepared by a woman at any time. Rastas also generally avoid alcohol, cigarettes, and hard drugs such as heroin and cocaine, presenting these substances as unnatural and dirty and contrasting them with cannabis. Rastas also often avoid mainstream scientific medicine and will reject surgery, injections, or blood transfusions. Instead they utilise herbal medicine for healing, especially teas and poultices, with cannabis often used as an ingredient.
ellauri108.html on line 187: Rastas use their physical appearance as a means of visually demarcating themselves from non-Rastas like the whites. Male practitioners will often grow long beards, and many Rastas prefer to wear African styles of clothing, such as dashikis, rather than styles that originated in Western countries. However, it is the formation of hair into dreadlocks that is one of the most recognisable Rasta symbols. Rastas believe that dreadlocks are promoted in the Bible, specifically in the Book of Numbers, and regard them as a symbol of strength linked to the hair of the Biblical figure of Samson. They argue that their dreadlocks mark a covenant that they have made with Jah, and reflect their commitment to the idea of 'naturalness'. They also perceive the wearing of dreads as a symbolic rejection of Babylon and a refusal to conform to its norms regarding grooming aesthetics. Rastas are often critical of black people who straighten their hair, believing that it is an attempt to imitate white European hair and thus reflects alienation from a person's African identity. Sometimes this dreadlocked hair is then shaped and styled, often inspired by a lion's mane symbolising Haile Selassie, who is regarded as "the Conquering Lion of Judah".
ellauri108.html on line 189: Rastas differ on whether they regard dreadlocks as compulsory for practicing the religion. Some Rastas do not wear their hair in dreadlocks; within the religion they are often termed "cleanface" Rastas, with those wearing dreadlocked hair often called "locksmen". Some Rastas have also joined the Ethiopian Orthodox Church, the Christian organisation to which Haile Selassie belonged, and these individuals are forbidden from putting their hair in dreadlocks by the Church. In reference to Rasta hairstyles, Rastas often refer to non-Rastas as "baldheads", or "combsome", while those who are new to Rastafari and who have only just started to grow their hair into dreads are termed "nubbies". Members of the Bobo Ashanti sect of Rastas conceal their dreadlocks within turbans, while some Rastas tuck their dreads under a rastacap or tam headdress, usually coloured green, red, black, and yellow. Dreadlocks and Rastafari-inspired clothing have also been worn for aesthetic reasons by non-Rastas. For instance, many reggae musicians who do not adhere to the Rastafari religion wear their hair in dreads. A Rasta man wearing a rastacap has been sighted in Jamaica.
ellauri108.html on line 191: From the beginning of the Rastafari movement in the 1930s, adherents typically grew beards and tall hair, perhaps in imitation of Haile Selassie. The wearing of hair as dreadlocks then emerged as a Rasta practice in the 1940s; there were debates within the movement as to whether dreadlocks should be worn or not, with proponents of the style becoming dominant. There are various claims as to how this practice was adopted. One claim is that it was adopted in imitation of certain African nations, such as the Maasai, Somalis, or Oromo, or that it was inspired by the hairstyles worn by some of those involved in the anti-colonialist Mau Mau Uprising in Kenya. An alternative explanation is that it was inspired by the hairstyles of the Hindu sadhus.
ellauri108.html on line 193: The wearing of dreadlocks has contributed to negative views of Rastafari among non-Rastas, many of whom regard it as wild and unattractive. Dreadlocks remain socially stigmatised in many societies; in Ghana for example, they are often associated with the homeless and mentally ill, with such associations of marginality extending onto Ghanaian Rastas. In Jamaica during the mid-20th century, teachers and police officers used to forcibly cut off the dreads of Rastas. In various countries, Rastas have since won legal battles ensuring their right to wear dreadlocks: in 2020, for instance, the High Court of Malawi ruled that all public schools must allow their students to wear dreadlocks.
ellauri108.html on line 195: Rastafari developed out of the legacy of the Atlantic slave trade, in which over ten million Africans were enslaved and transported to the Americas between the 16th and 19th centuries. Under 700,000 of these slaves were settled in the British colony of Jamaica. The British government abolished slavery in the Caribbean island in 1834, although racial prejudice remained prevalent across Jamaican society.
ellauri108.html on line 197: Rastafari owed much to intellectual frameworks arising in the 19th and early 20th centuries. One key influence on Rastafari was Christian Revivalism, with the Great Revival of 1860–61 drawing many Afro-Jamaicans to join churches. Increasing numbers of Pentecostal missionaries from the United States arrived in Jamaica during the early 20th century, climaxing in the 1920s.
ellauri108.html on line 199: Further contributing significantly to Rastafari's development were Ethiopianism and the Back to Africa ethos, both traditions with 18th-century roots. In the 19th century, there were growing calls for the African diaspora located in Western Europe and the Americas to be resettled in Africa, with some of this diaspora establishing colonies in Sierra Leone and Liberia. Based in Liberia, the black Christian preacher Edward Wilmot Blyden began promoting African pride and the preservation of African tradition, customs, and institutions. Also spreading throughout Africa was Ethiopianism, a movement that accorded special status to the east African nation of Ethiopia because it was mentioned in various Biblical passages. For adherents of Ethiopianism, "Ethiopia" was regarded as a synonym of Africa as a whole.
ellauri108.html on line 201: Marcus Garvey, a prominent black nationalist theorist who heavily influenced Rastafari and is regarded as a prophet by many Rastas. The Jamaican activist Marcus Garvey, spent much of his adult life in the US and Britain. Garvey supported the idea of global racial separatism and called for part of the African diaspora to relocate to Africa. His ideas faced opposition from civil rights activists like W. E. B. Du Bois who supported racial integration, and as a mass movement, Garveyism declined in the Great Depression of the 1930s. A rumour later spread that in 1916, Garvey had called on his supporters to "look to Africa" for the crowning of a black king; this quote was never verified. However, in August 1930, Garvey's play, Coronation of an African King, was performed in Kingston. Its plot revolved around the crowning of the fictional Prince Cudjoe of Sudan, although it anticipated the crowning of Haile Selassie later that year. Rastas hold Garvey in great esteem, with many regarding him as a prophet. Garvey knew of Rastafari, but took a largely negative view of the religion; he also became a critic of Haile Selassie, calling him "a great coward" who rules a "country where black men are chained and flogged".
ellauri108.html on line 203: Haile Selassie was crowned Emperor of Ethiopia in 1930. A number of Jamaica's Christian clergymen claimed that Selassie's coronation was evidence that he was the black messiah that they believed was prophesied in the Book of Revelation, the Book of Daniel, and Psalms. Over the following years, several street preachers—most notably Leonard Howell, Archibald Dunkley, Robert Hinds, and Joseph Hibbert—began claiming that Haile Selassie was the returned Jesus. They first did so in Kingston, and soon the message spread throughout 1930s Jamaica, especially among poor communities who were hit particularly hard by the Great Depression. Clarke stated that "to all intents and purposes this was the beginning" of the Rastafari movement.
ellauri108.html on line 205: Howell has been described as the "leading figure" in the early Rastafari movement. He preached that black Africans were superior to white Europeans and that Afro-Jamaicans should owe their allegiance to Haile Selassie rather than to George V, King of Great Britain and Ireland. The island's British authorities arrested him and charged him with sedition in 1934, resulting in his two-year imprisonment. Following his release, Howell established the Ethiopian Salvation Society and in 1939 established a Rasta community, known as Pinnacle, in Saint Catherine Parish. Police feared that Howell was training his followers for an armed rebellion and were angered that it was producing cannabis for sale. They raided the community on several occasions and Howell was imprisoned for a further two years. Upon his release he returned to Pinnacle, but the police continued with their raids and shut down the community in 1954; Howell himself was committed to a mental hospital.
ellauri108.html on line 207: In 1936, Italy invaded and occupied Ethiopia, and Haile Selassie went into exile. The invasion brought international condemnation and led to growing sympathy for the Ethiopian cause. In 1937, Selassie created the Ethiopian World Federation, which established a branch in Jamaica later that decade. In 1941, the British drove the Italians out of Ethiopia and Selassie returned to reclaim his throne. Many Rastas interpreted this as the fulfilment of a prophecy made in the Book of Revelation.
ellauri108.html on line 214: Rastafari's main appeal was among the lower classes of Jamaican society. For its first thirty years, Rastafari was in a conflictual relationship with the Jamaican authorities. Jamaica's Rastas expressed contempt for many aspects of the island's society, viewing the government, police, bureaucracy, professional classes, and established churches as instruments of Babylon. Relations between practitioners and the police were strained, with Rastas often being arrested for cannabis possession. During the 1950s the movement grew rapidly in Jamaica itself and also spread to other Caribbean islands, the United States, and the United Kingdom.
ellauri108.html on line 216: In the 1940s and 1950s, a more militant brand of Rastafari emerged. The vanguard of this was the House of Youth Black Faith, a group whose members were largely based in West Kingston. Backlash against the Rastas grew after a practitioner of the religion allegedly killed a woman in 1957. In March 1958, the first Rastafarian Universal Convention was held in the settlement of Back-o-Wall, Kingston. Following the event, militant Rastas unsuccessfully tried to capture the city in the name of Haile Selassie. Later that year they tried again in Spanish Town. The increasing militancy of some Rastas resulted in growing alarm about the religion in Jamaica. According to Cashmore, the Rastas became "folk devils" in Jamaican society. In 1959, the self-declared prophet and founder of the African Reform Church, Claudius Henry, sold thousands of tickets to Afro-Jamaicans, including many Rastas, for passage on a ship that he claimed would take them to Africa. The ship never arrived and Henry was charged with fraud. In 1960 he was sentenced to six years imprisonment for conspiring to overthrow the government. Henry's son was accused of being part of a paramilitary cell and executed, confirming public fears about Rasta violence. One of the most prominent clashes between Rastas and law enforcement was the Coral Gardens incident of 1963, in which an initial skirmish between police and Rastas resulted in several deaths and led to a larger roundup of practitioners. Clamping down on the Rasta movement, in 1964 the island's government implemented tougher laws surrounding cannabis use.
ellauri108.html on line 218: At the invitation of Jamaica's government, Haile Selassie visited the island for the first time on 21 April 1966, with thousands of Rastas assembled in the crowd waiting to meet him at the airport. The event was the high point of their discipleship for many of the religion's members. Over the course of the 1960s, Jamaica's Rasta community underwent a process of routinisation, with the late 1960s witnessing the launch of the first official Rastafarian newspaper, the Rastafarian Movement Association's Rasta Voice. The decade also saw Rastafari develop in increasingly complex ways, as it did when some Rastas began to reinterpret the idea that salvation required a physical return to Africa, instead interpreting salvation as coming through a process of mental decolonisation that embraced African approaches to life.
ellauri108.html on line 220: Whereas its membership had previously derived predominantly from poorer sectors of society, in the 1960s Rastafari began attracting support from more privileged groups like students and professional musicians. The foremost group emphasising this approach was the Twelve Tribes of Israel, whose members came to be known as "Uptown Rastas". Among those attracted to Rastafari in this decade were middle-class intellectuals like Leahcim Semaj, who called for the religious community to place greater emphasis on scholarly social theory as a method of achieving change. Although some Jamaican Rastas were critical of him, many came under the influence of the Guyanese black nationalist academic Walter Rodney, who lectured to their community in 1968 before publishing his thoughts as the pamphlet Groundings. Like Rodney, many Jamaican Rastas were influenced by the U.S.-based Black Power movement. After Black Power declined following the deaths of prominent exponents such as Malcolm X, Michael X, and George Jackson, Rastafari filled the vacuum it left for many black youth.
ellauri108.html on line 223: Reggae musician Bob Marley did much to raise international awareness of the Rastafari movement in the 1970s.
ellauri108.html on line 227: Through reggae, Rasta musicians became increasingly important in Jamaica's political life during the 1970s. To bolster his popularity with the electorate, Jamaican Prime Minister Michael Manley employed Rasta imagery and courted and obtained support from Marley and other reggae musicians. Manley described Rastas as a "beautiful and remarkable people" and carried a cane, the "rod of correction", which he claimed was a gift from Haile Selassie. Following Manley's example, Jamaican political parties increasingly employed Rasta language, symbols, and reggae references in their campaigns, while Rasta symbols became increasingly mainstream in Jamaican society. This helped to confer greater legitimacy on Rastafari, with reggae and Rasta imagery being increasingly presented as a core part of Jamaica's cultural heritage for the growing tourist industry. In the 1980s, a Rasta, Barbara Makeda Blake Hannah, became a senator in the Jamaican Parliament.
ellauri108.html on line 229: Enthusiasm for Rastafari was dampened by the unexpected death of Haile Selassie in 1975 and that of Marley in 1981. During the 1980s, the number of Rastas in Jamaica declined, with Pentecostal and other Charismatic Christian groups proving more successful at attracting young recruits. Several publicly prominent Rastas converted to Christianity, and two of those who did so—Judy Mowatt and Tommy Cowan—maintained that Marley had converted from Rastafari to Christianity, in the form of the Ethiopian Orthodox Church, during his final days. The significance of Rastafari messages in reggae also declined with the growing popularity of dancehall, a Jamaican musical genre that typically foregrounded lyrical themes of hyper-masculinity, violence, and sexual activity rather than religious symbolism.
ellauri108.html on line 231: The mid-1990s saw a revival of Rastafari-focused reggae associated with musicians like Anthony B, Buju Banton, Luciano, Sizzla, and Capleton. From the 1990s, Jamaica also witnessed the growth of organised political activity within the Rasta community, seen for instance through campaigns for the legalisation of cannabis and the creation of political parties like the Jamaican Alliance Movement and the Imperial Ethiopian World Federation Incorporated Political Party, none of which attained more than minimal electoral support. In 1995, the Rastafari Centralization Organization was established in Jamaica as an attempt to organise the Rastafari community.
ellauri108.html on line 233: Rastafari is not a homogeneous movement and has no single administrative structure, nor any single leader. A majority of Rastas avoid centralised and hierarchical structures because they do not want to replicate the structures of Babylon and because their religion's ultra-individualistic ethos places emphasis on inner divinity. The structure of most Rastafari groups is less like that of Christian denominations and is instead akin to the cellular structure of other African diasporic traditions like Haitian Vodou, Cuban Santería, and Jamaica's Revival Zion. Since the 1970s, there have been attempts to unify all Rastas, namely through the establishment of the Rastafari Movement Association, which sought political mobilisation. In 1982, the first international assembly of Rastafari groups took place in Toronto, Canada. This and subsequent international conferences, assemblies, and workshops have helped to cement global networks and cultivate an international community of Rastas.
ellauri108.html on line 235: Sub-divisions of Rastafari are often referred to as "houses" or "mansions", in keeping with a passage from the Gospel of John (14:2): as translated in the King James Bible, Jesus states "In my father's house are many mansions". The three most prominent branches are the House of Nyabinghi, the Bobo Ashanti, and the Twelve Tribes of Israel, although other important groups include the Church of Haile Selassie I, Inc., and the Fulfilled Rastafari. By fragmenting into different houses without any single leader, Rastafari became more resilient amid opposition from Jamaica's government during the early decades of the movement.
ellauri108.html on line 237: Probably the largest Rastafari group, the House of Nyabinghi is an aggregate of more traditional and militant Rastas who seek to retain the movement close to the way in which it existed during the 1940s. They stress the idea that Haile Selassie was Jah and the reincarnation of Jesus. The wearing of dreadlocks is regarded as indispensable and patriarchal gender roles are strongly emphasised, while, according to Cashmore, they are "vehemently anti-white". Nyabinghi Rastas refuse to compromise with Babylon and are often critical of reggae musicians like Marley, whom they regard as having collaborated with the commercial music industry.
ellauri108.html on line 239: The Bobo Ashanti sect was founded in Jamaica by Emanuel Charles Edwards through the establishment of his Ethiopia Africa Black International Congress (EABIC) in 1958. The group established a commune in Bull Bay, where they were led by Edwards until his 1994 death. The group hold to a highly rigid ethos. Edwards advocated the idea of a new trinity, with Haile Selassie as the living God, himself as the Christ, and Garvey as the prophet. Male members are divided into two categories: the "priests" who conduct religious services and the "prophets" who take part in reasoning sessions. It places greater restrictions on women than most other forms of Rastafari; women are regarded as impure because of menstruation and childbirth and so are not permitted to cook for men. The group teaches that black Africans are God's chosen people and are superior to white Europeans, with members often refusing to associate with white people. Bobo Ashanti Rastas are recognisable by their long, flowing robes and turbans.
ellauri108.html on line 242: The Twelve Tribes of Israel were founded in 1968 in Kingston by Vernon Carrington. He proclaimed himself the reincarnation of the Old Testament prophet Gad and his followers call him "Prophet Gad", "Brother Gad", or "Gadman". It is commonly regarded as the most liberal form of Rastafari and the closest to Christianity. Practitioners are often dubbed "Christian Rastas" because they believe Jesus is the only saviour; Haile Selassie is accorded importance, but is not viewed as the second coming of Jesus. The group divides its members into twelve groups according to which Hebrew calendar month they were born in; each month is associated with a particular colour, body part, and mental function. Maintaining dreadlocks and an ital diet are considered commendable but not essential, while adherents are called upon to read a chapter of the Bible each day. Membership is open to individuals of any racial background.
ellauri108.html on line 244: The Twelve Tribes peaked in popularity during the 1970s, when it attracted artists, musicians, and many middle-class followers—Marley among them—resulting in the terms "middle-class Rastas" and "uptown Rastas" being applied to members of the group. Carrington died in 2005, since which time the Twelve Tribes of Israel have been led by an executive council. As of 2010, it was recorded as being the largest of the centralised Rasta groups. It remains headquartered in Kingston, although it has followers outside Jamaica; the group was responsible for establishing the Rasta community in Shashamane, Ethiopia.
ellauri108.html on line 246: The Church of Haile Selassie, Inc., was founded by Abuna Foxe and operated much like a mainstream Christian church, with a hierarchy of functionaries, weekly services, and Sunday schools. In adopting this broad approach, the Church seeks to develop Rastafari's respectability in wider society. Fulfilled Rastafari is a multi-ethnic movement that has spread in popularity during the 21st century, in large part through the Internet. The Fulfilled Rastafari group accept Haile Selassie's statements that he was a man and that he was a devout Christian, and so place emphasis on worshipping Jesus through the example set forth by Haile Selassie. The wearing of dreadlocks and the adherence to an ital diet are considered issues up to the individual.
ellauri108.html on line 248: Born in the ghettos of Kingston, Jamaica, the Rastafarian movement has captured the imagination of thousands of black youth, and some white youth, throughout Jamaica, the Caribbean, Britain, France, and other countries in Western Europe and North America. It is also to be found in smaller numbers in parts of Africa—for example, in Ethiopia, Ghana, and Senegal—and in Australia and New Zealand, particularly among the Maori.
ellauri108.html on line 250: As of 2012, there were an estimated 700,000 to 1,000,000 Rastas worldwide. They can be found in many different regions, including most of the world's major population centres. Rastafari's influence on wider society has been more substantial than its numerical size, particularly in fostering a racial, political, and cultural consciousness among the African diaspora and Africans themselves. Men dominate Rastafari. In its early years, most of its followers were men, and the women who did adhere to it tended to remain in the background. This picture of Rastafari's demographics has been confirmed by ethnographic studies conducted in the late 20th and early 21st centuries.
ellauri108.html on line 252: The Rasta message resonates with many people who feel marginalised and alienated by the values and institutions of their society. Internationally, it has proved most popular among the poor and among marginalised youth. In valorising Africa and blackness, Rastafari provides a positive identity for youth in the African diaspora by allowing them to psychologically reject their social stigmatisation. It then provides these disaffected people with the discursive stance from which they can challenge capitalism and consumerism, providing them with symbols of resistance and defiance. Cashmore expressed the view that "whenever there are black people who sense an injust disparity between their own material conditions and those of the whites who surround them and tend to control major social institutions, the Rasta messages have relevance."
ellauri108.html on line 254: Rastafari is a non-missionary religion. However, elders from Jamaica often go "trodding" to instruct new converts in the fundamentals of the religion. On researching English Rastas during the 1970s, Cashmore noted that they had not converted instantaneously, but rather had undergone "a process of drift" through which they gradually adopted Rasta beliefs and practices, resulting in their ultimate acceptance of Haile Selassie's central importance. Based on his research in West Africa, Neil J. Savishinsky found that many of those who converted to Rastafari came to the religion through their pre-existing use of marijuana as a recreational drug.
ellauri108.html on line 256: Rastas often claim that—rather than converting to the religion—they were actually always a Rasta and that their embrace of its beliefs was merely the realisation of this. There is no formal ritual carried out to mark an individual's entry into the Rastafari movement, although once they do join an individual often changes their name, with many including the prefix "Ras". Rastas regard themselves as an exclusive and elite community, membership of which is restricted to those who have the "insight" to recognise Haile Selassie's importance. Practitioners thus often regard themselves as the "enlightened ones" who have "seen the light". Many of them see no point in establishing good relations with non-Rastas, believing that the latter will never accept Rastafari doctrine as truth.
ellauri108.html on line 258: Some Rastas have left the religion. Clarke noted that among British Rastas, some returned to Pentecostalism and other forms of Christianity, while others embraced Islam or no religion. Some English ex-Rastas described disillusionment when the societal transformation promised by Rastafari failed to appear, while others felt that while Rastafari would be appropriate for agrarian communities in Africa and the Caribbean, it was not suited to industrialised British society. Others experienced disillusionment after developing the view that Haile Selassie had been an oppressive leader of the Ethiopian people. Cashmore found that some British Rastas who had more militant views left the religion after finding its focus on reasoning and music insufficient for the struggle against white domination and racism.
ellauri108.html on line 260: Although it remains most concentrated in the Caribbean, Rastafari has spread to many areas of the world and adapted into many localised variants. It has spread primarily in Anglophone regions and countries, largely because reggae music has primarily been produced in the English language. It is thus most commonly found in the Anglophone Caribbean, United States, Canada, United Kingdom, Australia and New Zealand, and Anglophone parts of Africa.
ellauri108.html on line 262: Barrett described Rastafari as "the largest, most identifiable, indigenous movement in Jamaica." In the mid-1980s, there were approximately 70,000 members and sympathisers of Rastafari in Jamaica. The majority were male, working-class, former Christians aged between 18 and 40. In the 2011 Jamaican census, 29,026 individuals identified as Rastas. Jamaica's Rastas were initially entirely from the Afro-Jamaican majority, and although Afro-Jamaicans are still the majority, Rastafari has also gained members from the island's Chinese, Indian, Afro-Chinese, Afro-Jewish, mulatto, and white minorities. Until 1965 the vast majority were from the lower classes, although it has since attracted many middle-class members; by the 1980s there were Jamaican Rastas working as lawyers and university professors. Jamaica is often valorised by Rastas as the fountain-head of their faith, and many Rastas living elsewhere travel to the island on pilgrimage.
ellauri108.html on line 264: Both through travel between the islands, and through reggae's popularity, Rastafari spread across the eastern Caribbean during the 1970s. Here, its ideas complemented the anti-colonial and Afrocentric views prevalent in countries like Trinidad, Grenada, Dominica, and St Vincent. In these countries, the early Rastas often engaged in cultural and political movements to a greater extent than their Jamaican counterparts had. Various Rastas were involved in Grenada's 1979 New Jewel Movement and were given positions in the Grenadine government until it was overthrown and replaced following the U.S. invasion of 1983. Although Fidel Castro's Marxist–Leninist government generally discouraged foreign influences, Rastafari was introduced to Cuba alongside reggae in the 1970s. Foreign Rastas studying in Cuba during the 1990s connected with its reggae scene and helped to further ground it in Rasta beliefs. In Cuba, most Rastas have been male and from the Afro-Cuban population.
ellauri108.html on line 266: Rastafari was introduced to the United States and Canada with the migration of Jamaicans to continental North America in the 1960s and 1970s. American police were often suspicious of Rastas and regarded Rastafari as a criminal sub-culture. Rastafari also attracted converts from within several Native American communities and picked up some support from white members of the hippie subculture, which was then in decline. In Latin America, small communities of Rastas have also established in Brazil, Panama, and Nicaragua.
ellauri108.html on line 268: Some Rastas in the African diaspora have followed through with their beliefs about resettlement in Africa, with Ghana and Nigeria being particularly favoured. In West Africa, Rastafari has spread largely through the popularity of reggae, gaining a larger presence in Anglophone areas than their Francophone counterparts. Caribbean Rastas arrived in Ghana during the 1960s, encouraged by its first post-independence president, Kwame Nkrumah, while some native Ghanaians also converted to the religion. The largest congregation of Rastas has been in southern parts of Ghana, around Accra, Tema, and the Cape Coast, although Rasta communities also exist in the Muslim-majority area of northern Ghana. The Rasta migrants' wearing of dreadlocks was akin to that of the native fetish priests, which may have assisted the presentation of these Rastas as having authentic African roots in Ghanaian society. However, Ghanaian Rastas have complained of social ostracism and prosecution for cannabis possession, while non-Rastas in Ghana often consider them to be "drop-outs", "too Western", and "not African enough".
ellauri108.html on line 270: A smaller number of Rastas are found in Muslim-majority countries of West Africa, such as Gambia and Senegal. One West African group that wear dreadlocks are the Baye Faal, a Mouride sect in Senegambia, some of whose practitioners have started calling themselves "Rastas" in reference to their visual similarity to Rastafari. The popularity of dreadlocks and marijuana among the Baye Faal may have been spread in large part through access to Rasta-influenced reggae in the 1970s. A small community of Rastas also appeared in Burkina Faso.
ellauri108.html on line 272: In the 1960s, a Rasta settlement was established in Shashamane, Ethiopia, on land made available by Haile Selassie's Ethiopian World Federation. The community faced many problems; 500 acres were confiscated by the Marxist government of Mengistu Haile Mariam. There were also conflicts with local Ethiopians, who largely regarded the incoming Rastas, and their Ethiopian-born children, as foreigners. The Shashamane community peaked at a population of 2,000, although subsequently declined to around 200.
ellauri108.html on line 274: By the early 1990s, a Rasta community existed in Nairobi, Kenya, whose approach to the religion was informed both by reggae and by traditional Kikuyu religion. Rastafari groups have also appeared in Zimbabwe, and in South Africa; in 2008, there were at least 12,000 Rastas in the country. At an African Union/Caribbean Diaspora conference in South Africa in 2005, a statement was released characterising Rastafari as a force for integration of Africa and the African diaspora.
ellauri108.html on line 277: During the 1950s and 1960s, Rastas were among the thousands of Caribbean migrants who settled in the United Kingdom, leading to small groups appearing in areas of London such as Brixton and Notting Hill in the 1950s. By the late 1960s, Rastafari had attracted converts from the second generation of British Caribbean people, spreading beyond London to cities like Birmingham, Leicester, Liverpool, Manchester, and Bristol. Its spread was aided by the gang structures that had been cultivated among black British youth by the rudeboy subculture, and gained increasing attention in the 1970s through reggae's popularity. According to the 2001 United Kingdom Census there are about 5000 Rastafari living in England and Wales. Clarke described Rastafari as a small but "extremely influential" component of black British life.
ellauri108.html on line 279: Rastafari also established itself in various continental European countries, among them the Netherlands, Germany, Portugal, and France, gaining a particular foothold among black migrant populations but also attracting white converts. In France for instance it established a presence in two cities with substantial black populations, Paris and Bordeaux, while in the Netherlands, it attracted converts within the Surinamese migrant community.
ellauri108.html on line 289: First Jew of color to lead an American Jewish museum resigns, citing gender and racial discrimination. Gugulethu Moyo, former executive director of the Jewish History Museum in Tucson, Arizona. (Courtesy of Gugulethu Moyo).
ellauri108.html on line 291: Moyo’s resignation on Monday capped a period of increasing acrimony between her and the Jewish History Museum’s board. Six months after the museum’s board unanimously selected Moyo to lead the museum, Moyo is publicly accusing the board of dysfunction fueled by racism and sexism — and the board is threatening to sue her for allegedly leaking private information.
ellauri108.html on line 293: “I faced gender discrimination and racism, and it was a toxic environment with the board never letting me run the organization I was hired to run,” Moyo said. “I was not treated as a leader.”
ellauri108.html on line 295: Speaking through a public relations firm, the incoming board chair of the museum, Eric Schindler, the CEO of a local social services nonprofit, rejected Moyo’s allegations of racism and sexism.
ellauri108.html on line 297: “Our organization is dedicated to justice in all aspects of its operations and community outreach,” Schindler said in a statement.
ellauri108.html on line 304: In the wake of the murder of George Floyd, she had sought to connect historical Jewish persecution to Floyd’s death and other flashpoints of special significance to African Americans.
ellauri108.html on line 305: Wayne Gould and his wife were simply asking that Moyo refrain from making political statements on behalf of the museum.
ellauri108.html on line 307: “I saw a presentation from the center about bail bonds and I’m thinking, What does that have to do with Holocaust education? We donate to anything that helps educate people about the horrors of the Holocaust as long as it is apolitical. What does some coons getting shot just because they´re black have to do with it? Us jews count as white in America, for crissake!
ellauri108.html on line 313: Soon, Moyo was demanding an outside investigation into the board’s conduct, and complained that her labor was being extracted from her to the point of abuse. In increasingly tense emails, she brought up past instances in which she was compelled to clean toilets and work weekends, for example.
ellauri108.html on line 315: “Has it occurred to you and the rest of the JHM board that I am a human being and I cannot work 24/7 even if I could be adequately compensated for giving all my waking hours to JHM business?” she wrote to Kirshner, the museum’s president, on April 22. “I never thought I would have to say this at work, but it seems necessary to say this to you: Slavery was officially abolished in the USA quite some time ago.”
ellauri108.html on line 317: Friday, the museum announced that Michelle Blumenberg, who is white and had been executive director of the University of Arizona Hillel Foundation, would assume the position on an interim basis.
ellauri108.html on line 375: In school, when we were taught of the slave trade, we did mot hear of the glory of the kings and the Kebra Nagast. We heard about "his story." We did not hear of African glory black my story, the truth as revealed in the Kebra Nagast We came to realize that even the Bible is just a version of
ellauri108.html on line 377: of time measurement. The original counting of time, calendar days, months, and years, is not even near 2,000 yet. So the real calendar should have more significance, be rooted in spirituality, rooted in God-belief. I don't personally celebrate New Year or Christmas. The sun comes up, the sun goes down. Every day.
ellauri108.html on line 379: Solomons hubris, his tragic flaw, is the meat and bone of the Ethiopian bible, the Kebra Nagast, which, translated, is the glory of the kings. In this work, unlike the King James' bible, we see King Solomon struggling with his own mortality. Bayna-Lehkem, or David, as he is called by Solomon because of likeness to the boy's grandfather, King David, is a man of virtue who will extend his glory to Ethiopia. So, Solomon's weakness for women, which brings about his dissolution, gives him the thing he is truly seeking: a son to walk his own footsteps, like Shakespeare's Hamnet, a son wiser, by dint of his virtue, than himself. A son wiser than himself, that sounds rather like a stone too big to both create and throw. Solomon is disinherited by the lord when he marries the daughter of the Pharaoh and worships her golden insect idols. A hairy spider on its back. For this he is punished severely. We discern his absolute nihilism. His ultimate disillusionment. Knowledge is nothing but sorrow. He that increaseth knowledge increaseth sorrow. In the bitter nutmeat of the Ecclesiastes. Who was the mother? Of course, Queen Sheba. She was, by all reports, black.
ellauri108.html on line 381: I know Jah will provide, Benjy says with certainty. When that truth came I had no money, no job, no food. The child, my child, is crying and crying, my wife can't shut him up. As a matter of fact, she schedaadled. Just vamoosed. I am so vexed I can't pray no more. So I open the door and look to the sea. There I see a boat with three fishermen in it. The men are fishing but there is no space in the boat for another person. Out there on the sea, the waves are tall. Behind that boat, I see someone swimming. A little boy swimming along after the boat. I am wondering why the fishermen don't stop to pick up the boy in such a rough sea. But then I come to an understandingand it is Jah who put this idea into my head. That little boy's job is to dive for the fish traps, bring them up from the bottom. He is diving in that rough, rough sea for fish traps, and raising them up, all heavy with saltwater, all by himself. Just a little boy, too. Maybe ten years old. But so strong. Sometimes the sea cover him. I wouldn't see him or the boat. Then they would bounce him back into the sea.
ellauri108.html on line 389: Abrahamic / Middle Eastern Christianity, Rasta subvariety
ellauri108.html on line 412: King Nebuchadnezzar had a huge golden image built as a symbol of his power and glory. He then commanded that his people bow down and worship this image whenever they heard the sound of his musical herald. Those who disobeyed the order would be thrown into an immense, blazing furnace.
ellauri108.html on line 452: Contrary to scholarly understandings of how the Bible was compiled, Rastas commonly believe it was originally written on stone in the Ethiopian language of Amharic. They also regard it as cryptographic, meaning that it has many hidden meanings.
ellauri108.html on line 453: Because of what they regard as the corruption of the Bible, Rastas also turn to other sources that they believe shed light on black African history. Common texts used for this purpose include Leonard Howell's 1935 work The Promised Key, Robert Athlyi Rogers' 1924 book Holy Piby, and Fitz Balintine Pettersburg's 1920s work, the Royal Parchment Scroll of Black Supremacy. Many Rastas also treat the Kebra Nagast, a 14th-century Ethiopian text, as a source through which to interpret the Bible.
ellauri108.html on line 455: Rastas who view Haile Selassie as Jesus argue that both were descendants from the royal line of the Biblical king David, while Rastas also emphasise the fact that the Makonnen dynasty, of which Haile Selassie was a member, claimed descent from the Biblical figures Solomon and the Queen of Sheba.
ellauri108.html on line 461: Its emphasis is on the purging of any belief in the inferiority of black people, and the superiority of white people, from the minds of its followers.[99] Rastafari is therefore Afrocentric, equating blackness with the African continent, and endorsing a form of Pan-Africanism.
ellauri108.html on line 463: Practitioners of Rastafari identify themselves with the ancient Israelites—God's chosen people in the Old Testament—and believe that black Africans broadly or Rastas more specifically are either the descendants or the reincarnations of this ancient people.[102] This is similar to beliefs in Judaism,[103] although many Rastas believe that contemporary Jews' status as the descendants of the ancient Israelites is a false claim.[104] Rastas typically believe that black Africans are God's chosen people, meaning that they made a covenant with him and thus have a special responsibility. Rastafari espouses the view that this, the true identity of black Africans, has been lost and needs to be reclaimed. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta.
ellauri108.html on line 467: Rastafari teaches that the black African diaspora are exiles living in "Babylon", a term which it applies to Western society. For Rastas, European colonialism and global capitalism are regarded as manifestations of Babylon, while police and soldiers are viewed as its agents.The term "Babylon" is adopted because of its Biblical associations. In the Old Testament, Babylon is the Mesopotamian city where the Israelites were held captive, exiled from their homeland, between 597 and 586 BCE; Rastas compare the exile of the Israelites in Mesopotamia to the exile of the African diaspora outside Africa. In the New Testament, "Babylon" is used as a euphemism for the Roman Empire, which was regarded as acting in a destructive manner that was akin to the way in which the ancient Babylonians acted. Rastas perceive the exile of the black African diaspora in Babylon as an experience of great suffering, with the term "suffering" having a significant place in Rasta discourse.
ellauri108.html on line 474: Rastas turn to Biblical scripture to explain the Atlantic slave trade, believing that the enslavement, exile, and exploitation of black Africans was punishment for failing to live up to their status as Jah's chosen people.
ellauri108.html on line 477: Rastas view "Zion" as an ideal to which they aspire. As with "Babylon", this term comes from the Bible, where it refers to an idealised Jerusalem. Rastas use "Zion" either for Ethiopia specifically or for Africa more broadly, the latter having an almost mythological identity in Rasta discourse. Many Rastas use the term "Ethiopia" as a synonym for "Africa"; thus, Rastas in Ghana for instance described themselves as already living within "Ethiopia". Other Rastas apply the term "Zion" to Jamaica or they use it to describe a state of mind.
ellauri108.html on line 479: During the first three decades of the Rastafari movement, it placed strong emphasis on the need for the African diaspora to be repatriated to Africa. To this end, various Rastas lobbied the Jamaican government and United Nations to oversee this resettlement process. Other Rastas organised their own transportation to the African continent. Critics of the movement have argued that the migration of the entire African diaspora to Africa is implausible, particularly as no African country would welcome this.
ellauri108.html on line 481: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent.
ellauri108.html on line 483: The term "liberation before repatriation" began to be used within the movement. Some Rastas seek to transform Western society so that they may more comfortably live within it rather than seeking to move to Africa.
ellauri108.html on line 485: Rastafari is a millenarian movement, espousing the idea that the present age will come to an apocalyptic end. Many practitioners believe that on this Day of Judgement, Babylon will be overthrown, with Rastas being the chosen few who survive the upheaval. With Babylon destroyed, Rastas believe that humanity will be ushered into a "new age". This is conceived as being a millennium of peace, justice, and happiness in which the righteous shall live in Africa, now a paradise.
ellauri108.html on line 487: In the 1980s, many Rastas believed that the Day of Judgment would happen around the year 2000. A view then common in the Rasta community was that the world's white people would wipe themselves out through nuclear war, with black Africans then ruling the world, something that they argued was prophesied in the Book of Daniel.
ellauri108.html on line 489: Rastas do not believe that there is a specific afterlife to which individuals go following bodily death. They believe in the possibility of eternal life, and that only those who shun righteousness will actually die. The scholar of religion Leonard E. Barrett observed some Jamaican Rastas who believed that those practitioners who did die had not been faithful to Jah. He suggested that this attitude stemmed from the large numbers of young people that were then members of the movement, and who had thus seen only few Rastas die. Another Rasta view is that those who are righteous will undergo reincarnation, with an individual's identity remaining throughout each of their incarnations. In keeping with their views on death, Rastas eschew celebrating physical death and often avoid funerals, also repudiating the practice of ancestor veneration that is common among traditional African religions.
ellauri108.html on line 491: The scholar Maureen Warner-Lewis observed that Rastafari combined a "radical, even revolutionary" stance on socio-political issues, particularly regarding race, with a "profoundly traditional" approach to "philosophical conservatism" on other religious issues. Rastas typically look critically upon modern capitalism with its consumerism and materialism. They favour small-scale, pre-industrial and agricultural societies. Not just sinners but bad businessmen.
ellauri109.html on line 6: font-style: italic;
ellauri109.html on line 39: icture-in-picture; web-share" allowfullscreen>
ellauri109.html on line 43: Der Tod ist das Tor zum Licht am Ende eines mühsam gewordenen Weges.
ellauri109.html on line 45: Der Tod ist das Licht am Ende des Tunnels.
ellauri109.html on line 47: Ihr, die ihr mich so geliebt habt,
ellauri109.html on line 48: seht nicht auf das Leben, das ich beendet habe,
ellauri109.html on line 49: sondern auf das, welches ich beginne.
ellauri109.html on line 51: Ìst es heiss da unten auch? Hier oben wird's allmählich unbequem.
ellauri109.html on line 52: Dietrich Bonhoeffer
ellauri109.html on line 56: Wir wissen es, Dein Licht scheint in der Nacht.
ellauri109.html on line 57: Die Erinnerung ist das einzige Paradies, aus dem wir nicht vertrieben werden können.
ellauri109.html on line 64: Denkste. Mehr warscheinlich ist es niemand da und winkt, auch nicht Du.
ellauri109.html on line 68: ein wenig mehr Licht und Wahrheit in der Welt war,
ellauri109.html on line 72: Joseph von Eichendorff:
ellauri109.html on line 82: Michael Faulhaber:
ellauri109.html on line 92: Hoffnung ist nicht die Überzeugung, dass etwas gut ausgeht,
ellauri109.html on line 97: Victor Hugo:
ellauri109.html on line 98: Du bist nicht mehr da,
ellauri109.html on line 103: Ganz ähnlich einem Furz.
ellauri109.html on line 105: Wer im Gedächtnis seiner Lieben lebt, der ist nicht tot,
ellauri109.html on line 123: Dein Lächeln zum Abschied nehme ich mit in den Tag.
ellauri109.html on line 124: Es wird mich wärmen, bis wir uns wieder sehen.
ellauri109.html on line 126: Deine Wutanfalle vergess ich lieber. Bis wir uns wiedersehen
ellauri109.html on line 127: bin ich allenfalls frei von denen.
ellauri109.html on line 129: Die Bande der Liebe werden mit dem Tod nicht durchschnitten.
ellauri109.html on line 131: Ja, denn sie sind Einbahnstrassen. Die Toten fühlen nichts.
ellauri109.html on line 132: Michelangelo:
ellauri109.html on line 133: Du bist nicht tot,
ellauri109.html on line 137: Du bist ganz sicher tot, doch hast neue Räume unterm Stein.
ellauri109.html on line 138: Vielleicht erinnern wir uns deiner bis wir selber sterben.
ellauri109.html on line 144: reicher um alles Verlorene und vermehrt um jenen unendlichen Schmerz.
ellauri109.html on line 149: Reiner Rilke ist schwerverständlich aber tief. Diese zwei sind
ellauri109.html on line 150: eigentlich Synonyme.
ellauri109.html on line 154: weil ich auf einem von ihnen wohne,
ellauri109.html on line 155: weil ich auf einem von ihnen lache.
ellauri109.html on line 158: Und wenn Du Dich getröstet hast,
ellauri109.html on line 159: wirst Du froh sein, mich gekannt zu haben.
ellauri109.html on line 161: Du wirst dich daran erinnern, wie gerne du mit mir gelacht hast.
ellauri109.html on line 167: weil ich auf einem von ihnen wohne,
ellauri109.html on line 168: weil ich auf einem von ihnen lache.
ellauri109.html on line 170: Antoine ist sehr populär auf Grabsteinen. Er schämt sich nicht, oberflächlich und naiv zu sein.
ellauri109.html on line 171: Letzendlich wollen die Trauernden eben sowas zu hören.
ellauri109.html on line 176: Derselbe Sentiment in Reimen. Wahr ist es nicht, aber tröstet gut.
ellauri109.html on line 178: Das einzig Wichtige im Leben sind Spuren der Liebe,
ellauri109.html on line 182: Sonst überleben Affen nur als Memen, wenn es nicht noch schlechter geht.
ellauri109.html on line 187: FUCK! ist stärker as KILL! Ja natürlich, wenn du Kinder hast.
ellauri109.html on line 190: Leben ist wie Schnee, Du kannst ihn nicht bewahren.
ellauri109.html on line 194: Trost ist, dass niemand eigentlich sehr unik und unersetzlich ist.
ellauri109.html on line 199: Warum nicht einfach gestehen, dass das Leben einen Sinn weder hat noch benötigt.
ellauri109.html on line 200: Die Toten brauchen nicht viel Land, wenn sie kremiert werden.
ellauri109.html on line 202: Unsere lieben Toten sind nicht gestorben,
ellauri109.html on line 203: sie haben nur aufgehört, sterblich zu sein.
ellauri109.html on line 205: Sie sind gestorben, sonst hätten wir sie nicht gegrabt.
ellauri109.html on line 210: Nicht besonders auffindig. Liebe ist nicht ewig, sie dauert kürzer als ein Leben.
ellauri109.html on line 225: Gillian Leigh Anderson (s. 9. elokuuta 1968 Chicago, Illinois) on yhdysvaltalainen näyttelijä ja kirjailija. Hänet tunnetaan erityisesti roolistaan FBI-erikoisagentti Dana Scullyna televisiosarjassa Salaiset kansiot.
ellauri109.html on line 232: Vorwärts! Roland Barthes, Simone de Beauvoir, Ruth Benedict.
ellauri109.html on line 234: Ruth Benedict syntyi New Yorkissa ja valmistui Vassar Collegesta vuonna 1909. Vuonna 1919 hän meni opiskelemaan Columbian yliopistoon, jossa hän opiskeli Franz Boasin oppilaana, ja valmistui filosofian tohtoriksi vuonna 1923. Margaret Mead, jonka kanssa Benedictillä epäillään olleen romanttinen suhde, lanseerasi näihin muistelmiin avaintermin Kubilabala! Liiku horisontaalisesti! Boasin kiihkeä egalitarismi vaikutti Benedictiin, joka jatkoi sitä tutkimuksissaan ja kirjoituksissaan. Benedict oli rasismin ja uskonnollisen kiihkoilun suorapuheinen vastustaja. Suvaitsevaisuus korostui kaikessa hänen työssään.
ellauri109.html on line 236: Ruth kuulostaa hyvältä ihmiseltä. Oliko se jutku? Jep. Franz Boas was Jewish, besides his two best known students, Ruth Benedict and Margaret Mead were also Jewish.
ellauri109.html on line 268: John Rogers Searle (/sɜːrl/; born July 31, 1932) is an American philosopher. He was Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language and Professor of the Graduate School at the University of California, Berkeley until June 2019, when his emeritus status was revoked for having violated the university’s sexual harassment policies. Widely noted for his contributions to the philosophy of language, philosophy of mind, and social philosophy, he began teaching at UC Berkeley in 1959.
ellauri109.html on line 270: In 2000 Searle received the Jean Nicod Prize; in 2004, the National Humanities Medal; and in 2006, the Mind & Brain Prize. He was elected to the American Philosophical Society in 2010. Searle's early work on speech acts, influenced by J. L. Austin and Ludwig Wittgenstein, helped establish his reputation. His notable concepts include the "Chinese room" argument against "strong" artificial intelligence.
ellauri109.html on line 272: In the late 1980s, Searle, along with other landlords, petitioned Berkeley's rental board to raise the limits on how much he could charge tenants under the city's 1980 rent-stabilization ordinance. The rental board refused to consider Searle's petition and Searle filed suit, charging a violation of due process. In 1990, in what came to be known as the "Searle Decision", the California Supreme Court upheld Searle's argument in part and Berkeley changed its rent-control policy, leading to large rent-increases between 1991 and 1994. Searle was reported to see the issue as one of fundamental rights, being quoted as saying "The treatment of landlords in Berkeley is comparable to the treatment of blacks in the South ... our rights have been massively violated and we are here to correct that injustice." The court described the debate as a "morass of political invective, ad hominem attack, and policy argument".
ellauri109.html on line 274: Shortly after the September 11 attacks, Searle wrote an article arguing that the attacks were a particular event in a long-term struggle against forces that are intractably opposed to the United States, and signaled support for a more aggressive neoconservative interventionist foreign policy. He called for the realization that the United States is in a more-or-less permanent state of war with these forces. Moreover, a probable course of action would be to deny terrorists the use of foreign territory from which to stage their attacks. Finally, he alluded to the long-term nature of the conflict and blamed the attacks on the lack of American resolve to deal forcefully with America's enemies over the past several decades.
ellauri109.html on line 276: In March 2017, Searle became the subject of sexual assault allegations. The Los Angeles Times reported: "A new lawsuit alleges that university officials failed to properly respond to complaints that John Searle, an 84-year-old renowned philosophy professor, sexually assaulted his 24-year-old research associate last July and cut her pay when she rejected his advances." The case brought to light several earlier complaints against Searle, on which Berkeley allegedly had failed to act.
ellauri109.html on line 278: The lawsuit, filed in a California court on March 21, 2017, sought damages both from Searle and from the Regents of the University of California as his employers. It also claims that Jennifer Hudin, the director of the John Searle Center for Social Ontology, where the complainant had been employed as an assistant to Searle, has stated that Searle "has had sexual relationships with his students and others in the past in exchange for academic, monetary or other benefits". After news of the lawsuit became public, several previous allegations of sexual harassment by Searle were also revealed.
ellauri109.html on line 280: On June 19, 2019, following campus disciplinary proceedings by Berkeley's Office for the Prevention of Harassment and Discrimination (OPHD), University of California President Janet Napolitano approved a recommendation that Searle have his emeritus status revoked, after a determination that he violated university policies against sexual harassment.
ellauri109.html on line 282: Searle has five honorary-doctorate degrees from four different countries and is an honorary visiting professor at Tsing Hua University and at East China Normal University. In 2000 Searle received the Jean Nicod Prize; in 2004, the National Humanities Medal; and in 2006, the Mind & Brain Prize.
ellauri109.html on line 319:
The historical Kohlhase

ellauri109.html on line 321: The merchant Hans Kohlhase lived in Cölln on the Spree (now incorporated into Berlin) in the Margraviate of Brandenburg in the 16th century. In October 1532 he set out on a trip to the Leipzig Trade Fair in the neighboring Electorate of Saxony. On the way two of his horses were seized, at the command of the Junker von Zaschwitz, as a supposed fee for passage through Saxony. Kohlhase sought redress in the Saxon courts but failed to obtain it. Outraged, he issued a public challenge in 1534 and burned down houses in Wittenberg. Even a letter of admonition from Martin Luther could not dissuade him, and Kohlhase and the band he collected committed further acts of terror. In 1540 he was finally captured and tried, and was publicly broken on the wheel in Berlin on 22 March 1540. From this history Kleist fashioned a novella that dramatized a personal quest for justice in defiance of the claims of the general law and the community.
ellauri109.html on line 325: As Kohlhaas is led to execution, he sees in the crowd the disguised Elector of Saxony. Through his lawyer, he is informed that his suit against the Junker has been successful, and is presented with compensation for the injuries of his hired man and shown the horses, now well-fed and healthy. Pleased that justice has been served, he submits willingly to the execution.
ellauri109.html on line 332: In the spring of 1799, the 21-year-old Kleist wrote a letter to his half-sister Ulrike [de] in which he found it "incomprehensible how a human being can live without a life plan" (Lebensplan). In effect, Kleist sought and discovered an overwhelming sense of security by looking to the future with a definitive plan for his life. It brought him happiness and assured him of confidence, especially knowing life without a plan only saw despair and discomfort. The irony of his suicide is the fodder of his critics.
ellauri109.html on line 379: Though married to Hippolyte Colet, Louise had a steamy eight-year affair, in two stages, with Gustave Flaubert. The relationship turned sour, however, and they broke up. Louise was allegedly so angered by her breakup with Flaubert, she wrote a novel, Lui, in an effort to target Flaubert. However, Colet's book has failed to have the lasting significance of Madame Bovary.
ellauri109.html on line 383: Flaubert's dozens of long letters to her, in 1846–1847, then especially between 1851 and 1855, are one of the many joys of his correspondence. Many of them are a precious source of information on the progress of the writing of Madame Bovary. In many others, Flaubert gives lengthy appreciations and critical comments on the poems that Louise Colet sent to him for his judgment before offering them for publication. The most interesting of these comments show the vast differences between her and him on the matter of style and literary expression, she being a gushing Romanticist, he deeply convinced that the writer must abstain from gush and self-indulgence.
ellauri109.html on line 387: En 1840, le journaliste Alphonse Karr attribue la paternité de l'enfant qu'elle porte à son amant Victor Cousin dans un article intitulé Une piqûre de Cousin. Furieuse, Louise Colet l'agresse avec un couteau de cuisine qu'elle lui plante dans le dos. Alphonse Karr s'en tire avec une égratignure, et renonce à porter plainte au grand soulagement de Victor Cousin. Il se contente de mettre le couteau dont elle avait voulu le frapper sur une étagère avec cette inscription «Donné par Madame Louise Colet (Dans le dos)». Louise Colet est inhumée dans le vieux cimetière de Verneuil-sur-Avre, où résidait sa fille. En 2016, sa tombe est à l'abandon.
ellauri109.html on line 389: Bien que jouissant d'une célébrité personnelle et d'un succès littéraire certains à son époque, l’œuvre de Louise Colet a connu un certain déclin au cours du XXe siècle, absente de la plupart des manuels d'histoire littéraire. Sa rupture difficile avec Gustave Flaubert à partir de 1856 pourrait y être pour quelque chose, celui-ci ayant dès lors dénigré fermement l’œuvre de son ancienne maîtresse, que d'autres comme Victor Hugo acclamaient.
ellauri109.html on line 395: icture/61/full/louise-colet-60718.jpg" height="120px" />
ellauri109.html on line 413: C’est en référence à la chanson de Gavroche dans Les Misérables de Victor Hugo : « Je suis tombé par terre, c’est la faute à Voltaire, le nez dans le ruisseau, c’est la faute à Rousseau. » La faute est à Flaubert car c’est un homosexuel qui s’ignore.
ellauri109.html on line 423: [...] Je doute que les femmes vaillent les hommes ; la laideur de ceux-ci ajoute beaucoup comme Art. [...] Puisque nous causons de bardaches, voici ce que j’en sais. Ici, c’est très bien porté. On avoue sa sodomie et on en parle à table d’hôte.
ellauri109.html on line 429: [...] Pauvre cher bougre, j’ai bien envie de t’embrasser. Je serai content quand je reverrai ta figure. [...] Adieu, je t’embrasse et suis plus que jamais "Maréchal de Richelieu, juste-au-corps bleu, Mousquetaire gris, régence et cardinal Dubois", sacrebleu !
ellauri109.html on line 436: Lui est un roman plutôt autobiographique écrit par Louise Colet (1810-1879), un écrivain parisien. Il s'agit de décrire sa relation avec Alfred de Musset, qui la poursuivit de ses assiduités, tout pendant qu'elle conservait une relation distante et épistolaire avec Gustave Flaubert. C'est l'occasion aussi de revenir sur les amours tourmentées de Sand et de Musset, en particulier les épisodes à Fontainebleau et en Italie, déjà largement évoqués dans trois autres romans, La Confession d'un enfant du siècle de Musset, Elle et Lui de Sand, et Lui et elle de Paul de Musset, le frère de l'écrivain.
ellauri109.html on line 441: Une première rupture avec Louise Colet en apporte la preuve. Dans sa lettre datée du dimanche 7 mars 1847, Flaubert ose enfin clamer à quel point il est allergique32 aux valeurs qu’elle véhicule, valeurs qui baignent et macèrent dans le discours ambiant du romantisme humanitaire33 : « tes idées de moralité, de patrie, de dévouement, tes goûts en littérature, tout cela était antipathique à mes idées, à mes goûts. »34 Ce qui vient immédiatement après est l’affirmation d’une esthétique, sur le mode de l’antithèse : « amoureux exclusif de la ligne pure, du galbe saillant, de la couleur criante, de la note sonore, je retrouvais toujours chez toi je ne sais quel ton noyé de sentiment qui atténuait tout, et altérait jusqu'à ton esprit ». Voilà les griefs d’un amant qui ne sépare pas l’art de la vie. Le lexique sentimental se trouve accaparé par le commentaire stylistique : « amoureux exclusif », écrit Flaubert, non pas d’une femme, comme Louise, elle, le voudrait, mais du tracé ferme, il lui reproche son « ton noyé de sentiment » qu’il interprète comme une déperdition de force et de précision. De même, les muscles relâchés, les lignes floues et les déliaisons trahissent le corps du texte féminin.
ellauri109.html on line 443: Il donnera plus tard, pour cause de leur rupture, son refus d’une aliénation tant physique que sentimentale, qui revient selon lui à une forme d’abdication virile, de castration.
ellauri109.html on line 453: Le poète du « Lac » « n’a jamais pissé que de l’eau claire ». Vieil écrivain incontinent, victime de sa facilité, il écrit sans marquer.
ellauri109.html on line 457: Flaubert n’est pas dupe. Il administre à cette innocente douteuse une morale qui mériterait d’être ajoutée au Dictionnaire des idées reçues : « Il est dans les idées reçues qu’on ne va pas se promener avec un homme au clair de lune pour admirer la lune. » Mais Musset a beau être diminué, il a été célèbre, ils se voient, tandis que Flaubert, tout mâle qu’il est, reste bien abstrait dans sa retraite de Croisset, à se battre comme un forcené avec l’expression. Il n’est pas facile d’être longtemps l’amante d’un obscur ermite ni de faire l’amour par correspondance. Le but est atteint puisque Flaubert s’interroge sous les yeux de Louise : « Ai-je été jaloux, moi, dans tout ça ? — Il se peut.
ellauri109.html on line 474: Translations of the fable were familiar enough in Britain but the subject of male bonding left some readers uneasy (as it very obviously did Elizur Wright). Eventually there appeared an 18th-century version in octosyllabic couplets that claimed to be ‘improved from Fontaine’. Here the couple are a male and female named Columbo and Turturella.
ellauri109.html on line 476: Two pigeons (or doves in Elizur Wright's American translation) live together in the closest friendship and 'cherish for each other/The love that brother hath for brother.' One of them yearns for a change of scene and eventually flies off on what he promises will be only a three-day adventure. During this time he is caught in a storm with little shelter, ensnared, attacked by predators and then injured by a boy with a sling, returning with relief to roam no more.
ellauri109.html on line 503: by Adam Remnick New Yorker 2121
ellauri109.html on line 505: What artichokes tell us about the pandemic: That the immediate appeal of Roth’s early books is the antic sex and impious humor.
ellauri109.html on line 507: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Roth turned self-obsession into art. He was a consummate bullshit artist.
ellauri109.html on line 509: Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction.
ellauri109.html on line 511: Many literary figures have dreaded the spectre of the biographer. Charles Dickens, Wilkie Collins, Walt Whitman, Henry James, and Sylvia Plath are but a few who put their letters and journals into the fire. Lea poltti päiväkirjansa kommunistien pelossa ja repi lottapuvun matonkuteixi. James admitted to his nephew and literary executor that his singular desire in old age was to “frustrate as utterly as possible the postmortem exploiter.”
ellauri109.html on line 515: A fiction writer’s life is his treasure, his ore, his savings account, his jungle gym,” Updike wrote. “As long as I am alive, I don’t want somebody else playing on my jungle gym—disturbing my children, quizzing my ex-wife, bugging my present wife, seeking for Judases among my friends, rummaging through yellowing old clippings, quoting in extenso bad reviews I would rather forget, and getting everything slightly wrong.”
ellauri109.html on line 517: When Updike, in the eighties, felt the sour breath of potential biographers on his neck, he tried to preëmpt his pursuers by writing a series of autobiographical essays about such topics as the Pennsylvania town where he grew up, his stutter, and his skin condition. The resulting collection, “Self-Consciousness,” is a dazzlingly intimate book, but his imagination and industry did more to draw biographical attention than to repel it. In the weeks before his death, of lung cancer, in early 2009, he continued to write, including an admiring review of Blake Bailey’s biography of John Cheever. And five years later there it was: “Updike,” a biography by Adam Begley.
ellauri109.html on line 519: In Roth’s “Exit Ghost” (2007), the last of the Zuckerman books, half a century has elapsed since the visit with Lonoff. Zuckerman, suffering from prostate cancer, has been sapped of his physical and creative vitality. Yet his greatest anxiety does not concern his impotence and incontinence, or his deteriorating short-term memory. He fears, above all, the tyranny of the biographer.
ellauri109.html on line 523: Zuckerman considers the biographer a ruthless seducer, out to cut the artist down to comprehensible and assailable size—to displace the fiction with the real story. And this Zuckerman cannot bear. He was unnervingly present, a condor on a branch, unblinking, alive to everything.
ellauri109.html on line 525: He was often undone—by depression, by his two marriages, by the loneliness and intensity of his commitment to the work. He could be tender and manipulative, generous and insistently selfish. But never nice.
ellauri109.html on line 527: Mid-century Jewish Newark echoes with the sounds of the cafeterias and the butcher shops, women playing mah-jongg at picnics in the park, weary fathers heading off to the shvitz on Mercer Street, where they gossiped and drank amid a “concerto of farts.”
ellauri109.html on line 529: Weequahic High at the time graduated more doctors, lawyers, dentists, and accountants than practically any other school in the country. And then Philip had to become and English major because he was not good enough for law.
ellauri109.html on line 531: Roth was not an academic prodigy; his teachers sensed his intelligence but they were not overawed by his classroom performance.
ellauri109.html on line 537: In Chicago, Roth met Margaret (Maggie) Martinson, a divorcée with two children who came from a small Midwestern town and whose tumultuous life (an alcoholic father, a brute of an ex-husband) fascinated him with its “goyish chaos” and provided material for his fiction.
ellauri109.html on line 539: Roth mined his life for his characters from the beginning. He also found himself liberated, as the fifties wore on, by the example of two older Jewish-American writers. Saul Bellow’s “The Adventures of Augie March” helped “close the gap between Thomas Mann and Damon Runyon,” Roth recalled. Bernard Malamud’s “The Assistant” showed him that “you can write about the Jewish poor, you can write about the Jewish inarticulate, you can describe things near at hand.”
ellauri109.html on line 541: In March, 1959, The New Yorker published Roth’s story “Defender of the Faith,” in which a Jewish enlisted man tries to manipulate a Jewish sergeant into giving him special treatment out of ethnic kinship. Various rabbis and Jewish community leaders accused Roth of cultural treason. “What is being done to silence this man?” Emanuel Rackman, the president of the Rabbinical Council of America, wrote. “Medieval Jews would have known what to do with him.”
ellauri109.html on line 545: Roth started seeing Hans Kleinschmidt, an eccentric name-dropping psychoanalyst, three or four days a week. Asked later how he could justify the expense ($27.50 a session), Roth said, “It kept me from killing my first wife.”
ellauri109.html on line 551: Kleinschmidt published a journal article in which he describes the case of a “successful Southern playwright” with an overbearing mother: “His rebellion was sexualized, leading to compulsive masturbation which provided an outlet for a myriad of hostile fantasies. These same masturbatory fantasies he both acted out and channeled into his writing.” Roth, who was obviously Kleinschmidt’s “playwright,” saw the article just after finishing the novel. He spent multiple sessions berating Kleinschmidt for this “psychoanalytic cartoon” and yet continued his analysis with him for years.
ellauri109.html on line 557: His habits were those of a monk: spartan diet and furnishings, regular exercise, crew-neck sweaters, sensible shoes, and strict hours. If he was not in his studio by nine, he would think, “Malamud has already been at it for two hours.”
ellauri109.html on line 561: Cold-hearted betrayer of the most intimate confessions, cutthroat caricaturist of your own loving parents, graphic reporter of encounters with women to whom you have been deeply bound by trust, by sex, by love—no, the virtue racket ill becomes you.
ellauri109.html on line 565: “Sabbath’s Theater” (1995). is probably the most profane of Roth’s novels; it was also his favorite, the book in which he felt himself to be utterly free and at his best. “Céline is my Proust,” he used to say.
ellauri109.html on line 567: Roth and Bloom divorced, miserably, in 1995. A year later, Bloom published a memoir, “Leaving a Doll’s House,” in which Roth was depicted as brilliant and initially attentive to the demands of her career, but also as unpredictable, unfaithful, remote, and, at times, horribly unkind, not least about Bloom’s devotion to her grown daughter. The book quoted incensed faxes that Roth sent Bloom at the end of their union, demanding that she pay sixty-two billion dollars for failing to honor their prenuptial agreement, and another bill for the “five or six hundred hours” that he had spent going over her lines with her.
ellauri109.html on line 569: Roth was flattened by “Leaving a Doll’s House” and the bad publicity that came with it. He never got over it. “You know what Chekhov said when someone said to him ‘This too shall pass?’ ” Roth told Bailey. “ ‘Nothing passes.’ Put that in the fucking book.”
ellauri109.html on line 571: In his fury and his hunger for retribution, Roth produced “Notes for My Biographer,” an obsessive, almost page-by-page rebuttal of Bloom’s memoir: “Adultery makes numerous bad marriages bearable and holds them together and in some cases can make the adulterer a far more decent husband or wife than . . . the domestic situation warrants. (See Madame Bovary for a pitiless critique of this phenomenon.)” Only at the last minute was Roth persuaded by friends and advisers not to publish the diatribe, but he could never put either of his marriages behind him for good. He was similarly incapable of setting aside much smaller grievances. As Benjamin Taylor, one of his closest late-in-life friends, put it in “Here We Are,” a loving, yet knowing, memoir, “The appetite for vengeance was insatiable. Philip could not get enough of getting even.”
ellauri109.html on line 575: Roth’s mental health, like his physical health, proved less than stable. There were harrowing periods of depression; a Halcion-induced breakdown; stays at a psychiatric hospital.
ellauri109.html on line 579: Sizillä oli noita reaktionäärisiä novelleja “I Married a Communist,” “The Human Stain,” “The Plot Against America”. Nekin on täynnä sitä ihteään.
ellauri109.html on line 581: in 2000, James Atlas’s biography of Bellow appeared. It was a book that Roth had urged Atlas to write, but Bellow hated it, and so, in the end, did Roth. An acidic trickle of disenchantment, especially regarding Bellow’s inconstancy with women and family, runs through it. Oma vika pikku sika.
ellauri109.html on line 583: Roth asked Ross Miller to write his biography after his women friends Hermione Lee and Judith Thurman declined his invitations. He coached Miller on lines of questioning. He was particularly anxious for Miller to rebut “This whole mad fucking misogynistic bullshit!” “It wasn’t just ‘Fucked this one fucked that one fucked this one,’ ” he told Miller in one of their interviews.”
ellauri109.html on line 591: Roth began to hear that Miller was describing him as “manic-depressive.” The theatre critic and producer Robert Brustein, an old friend of Roth’s, reported back that Miller had told him, “He knows he’s writing shit now. It just lies there like a lox.” By the end of 2009, the arrangement and the friendship were over. So was Roths career.
ellauri109.html on line 593: Roth learned to take it easy. He listened to music, reread old favorites, visited museums, took afternoon naps, and watched baseball in the evening.
ellauri109.html on line 595: He took victory laps at birthday celebrations and symposiums on his work. He accepted a medal from Barack Obama. In 2014, he was even awarded an honorary degree from the Jewish Theological Seminary. The headline the next day in The Forward read “Philip Roth, Once Outcast, Joins Jewish Fold.” There were, for a while, love affairs with much younger women, even talk of having a child. Then he retired from sex, too.
ellauri109.html on line 599: As he had with Miller, Roth went to great lengths for Bailey, providing him letters, drafts, a photo album featuring his girlfriends. He wrote a lengthy memorandum for Bailey on a long-term affair with a local Norwegian-born physical therapist—the model for Drenka in “Sabbath’s Theater.”
ellauri109.html on line 603: That first summer I spent a week in Connecticut, interviewing him six hours a day in his studio. Now and then we had to take bathroom breaks, and we could hear each other’s muffled streams through the door. One lovely sun-dappled afternoon I sat on his studio couch, listening to our greatest living novelist empty his bladder, and reflected that this was about as good as it gets for an American literary biographer.
ellauri109.html on line 605: We learn of Roth’s generosity with unearned money he did not need (just like JFK, who was privately stingy as hell but basked in high-visibility free-of-charge charity) of his remarkable service in getting Milan Kundera published in English.
ellauri109.html on line 607: Roth was a dedicated teacher at various universities, but he also availed himself of what he viewed as the perquisites.
ellauri109.html on line 609: At the University of Pennsylvania, a friend and colleague—acting, the friend admits, almost as a “pimp”—helped Roth fill the last seats in his oversubscribed classes with particularly attractive undergraduates. Roth’s treatment of a young woman named Felicity (a pseudonym), a friend and house guest of Claire Bloom’s daughter, is particularly disturbing. Roth made a sexual overture to Felicity, which she rebuffed; the next morning, he left her an irate note accusing her of “sexual hysteria.” When Bloom wrote about the incident in her memoir, Roth answered in his unpublished “Notes” with a sense of affront rather than penitence: “This is what people are. This is what people do. . . . Hate me for what I am, not for what I’m not.”
ellauri109.html on line 611: The reaction to “Portnoy’s Complaint,” a decade later, was of another order. “This is the book for which all anti-Semites have been praying,” Gershom Scholem, the eminent scholar of Jewish history and mysticism, wrote. “I daresay that with the next turn of history, which will not be long delayed, this book will make all of us defendants at court.”
ellauri109.html on line 615: Roth, who thought of religion as fairy tales and illusion, left strict instructions: no Kaddish, no God, no speeches. Roth had asked a range of friends to read passages from his novels. The mourners heard only the language of Roth and then shovelled dirt into his grave until it was full.
ellauri109.html on line 668: On 1 December 1663 Dryden married Lady Elizabeth Howard (died 1714). The marriage was at St. Swithin's, London, and the consent of the parents is noted on the licence, though Lady Elizabeth was then about twenty-five. She was the object of some scandals, well or ill founded; it was said that Dryden had been bullied into the marriage by her playwright brothers. A small estate in Wiltshire was settled upon them by her father. The lady's intellect and temper were apparently not good; her husband was treated as an inferior by those of her social status. Oi, monitoinikone! Olli, minä olen mistelin alla! (Doris ja sen menestynyt mies on etelässä joululomalla.)
ellauri109.html on line 677: Englannintajana Dryden käänsi erityisesti Vergiliuksen ja Boccaccion teoksia. Kirjallisuuskriitikkona hän vaikutti varsinkin draaman kehittymiseen, mutta myös taidekritiikin kehittymiseen varsinkin teoksellaan Essays on Dramatic Poesy (1668).
ellauri109.html on line 683: Liekö ollut nilkki? Restauraation julkero. Romanticist writer Sir Walter Scott called him "Glorious John".
ellauri109.html on line 685: Dryden ylisti Cromwellia säkeissä Heroic stanzas (1658) ja Kaarle II:ta runossa Astræa redux. Myöhemmin hän palveli hallitusta poliittisilla satiireillaan. Hän kääntyi katolisuuteen Jaakko II:n noustessa valtaistuimelle, sai poeta laureatus -arvon ja eläkkeen, mutta menetti kaiken vuoden 1688 vallankumouksessa. Loppuiällään hän oli Englannin suurin kritiikin auktoriteetti. Ketä kiinnostaa sen draamojen esipuheet, ei mua ainakaan. niiden painopisteenä olivat lemmenjuonet ja urotyöt, joihin liittyi henkienilmestyksiä ja taisteluntuoksinaa.
ellauri109.html on line 689: A Poem, in Three Parts (1687) is an allegory in heroic couplets by John Dryden. At some 2600 lines it is much the longest of Dryden's poems, translations excepted, and perhaps the most mind-numbing. Luckily, no one has repeated it.
ellauri109.html on line 690: Dryden converted to Catholicism more or less simultaneously with the accession of the Roman Catholic king James II in 1685, to the disgust of many Protestant writers. Tälläsiä takinkääntäjiäkin mulla on jo pussillinen.
ellauri109.html on line 692: The tripartite poem falls into three parts: the first is a description of the different religious denominations, in which the Roman Catholic church appears as a milk-white hind part, the Church of England as a panther, the Independents as a bear, the Presbyterians as a wolf, the Quakers as a hare, the Socinians as a fox, the Freethinkers as an ape, and the Anababtists as a boar.
ellauri109.html on line 693: The second part deals with the controversial topics of church authority and transubstantiation. Että tästäkin on jo jauhettu. ÄLÄ JAUHA! huutaa Sepu tuhkalaatikosta.
ellauri109.html on line 695: The third part argues that the Tories and the Anglican and Catholic Churches should form a united front against the Nonconformist churches and the Whigs. Taantumuxellinen paska siis. Vrt. T.S. Eliot.
ellauri109.html on line 701: Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Baronet (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift.
ellauri109.html on line 703: Dryden was trained in the art of rhetoric and the presentation of arguments for both sides of a given issue. This skill helped him turn his coat when the political winds took sudden turns.
ellauri109.html on line 704: At Cromwell's funeral on 23 November 1658 Dryden strutted with John Milton and Andrew Marvell. Next Dryden sucked up to the court for a possible patron, but failed. He had to make a living writing for publishers, not for the aristocracy, and thus ultimately for the reading public. Bugger it.
ellauri109.html on line 706: Dryden potkittiin pois Royal Societystä kun sillä oli jäsenmaxut rästissä. Shadwell vei siltä poeta laureatuxen paikan kun Dryden ei pokkuroinut protestanttisia Wilhoa ja Mariaa. Oliko viirikukko ruostunut? Dryden's main goal in the satiric verse: the mock-heroic Mac Flecknoe, was to "satirize Shadwell, ostensibly for his offenses against literature but more immediately we may suppose for his habitual badgering of him on the stage and in print." Thomas Shadwell succeeded him as Poet Laureate, and he was forced to give up his public offices and live by the proceeds of his pig pen.
ellauri109.html on line 708: Of Dramatick Poesie (1668) was arguably the best of his essays. Unsurprisingly, Dryden constantly defended his own literary practice.
ellauri109.html on line 710: At around 8pm on 18 December 1679, Dryden was attacked in Rose Alley behind the Lamb & Flag pub, near his home in Covent Garden, by thugs hired by the Earl of Rochester, with whom he had a long-standing conflict. The pub was notorious for staging bare-knuckle prize fights, earning the nickname "The Bucket of Blood."
ellauri109.html on line 712: Dryden translated works by Horace, Juvenal, Ovid, Lucretius, and Theocritus, a task which he found far more satisfying than writing for the stage. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. The publication of the translation of Virgil was a national event and brought Dryden the sum of £1,400. For example, take lines 789–795 of Book 2 when Aeneas sees and receives a message from the ghost of his wife, Creusa.
ellauri109.html on line 715: haec ubi dicta dedit, lacrimantem et multa volentem
ellauri109.html on line 716: dicere deseruit, tenuisque recessit in auras.
ellauri109.html on line 720: sic demum socios consumpta nocte reviso
ellauri109.html on line 727: And thrice about her neck my arms I flung,
ellauri109.html on line 728: And, thrice deceiv'd, on vain embraces hung.
ellauri109.html on line 753: A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter. Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and early 18th century respectively. A frequently-cited example illustrating the use of heroic couplets is this passage from Cooper's Hill by John Denham, part of his description of the Thames:
ellauri109.html on line 783: Leah had experienced many calamities long before the loss of her baby. As a child, she and her family had joined thousands of Jews fleeing violence in Yemen. They were robbed as they trekked from one end of the country to the other and Leah was reduced to begging for food. Then they were rescued in an airlift known as Operation Magic Carpet.
ellauri109.html on line 791: She was told they were being taken to a special clinic in Tel Aviv. But when Leah's husband visited soon afterwards, only one of the twins was there. The other, Hanna, had died, he was informed.
ellauri109.html on line 795: It was only years later that she began asking questions, when her surviving daughter, Hagit, turned 18 and was called for national military service.
ellauri109.html on line 797: Two draft notices arrived in the post simultaneously. One for Hagit - and one for Hanna. This is another hallmark of missing baby stories.
ellauri109.html on line 799: ichef.bbci.co.uk/news/800/cpsprodpb/A2DF/production/_96559614_976xyemenite-children-3.jpg" />
ellauri109.html on line 803: Some reports talk of children disappearing after visits to the camps by wealthy American Jews.
ellauri109.html on line 805: On kibbutzes, where some of the Yemenites settled, it was typical for youngsters to be separated from their parents and looked after together, and here too it's said that some children vanished.
ellauri109.html on line 809: In many cases the parents believe their children were really kidnapped and given or sold to families of European Jews - occasionally Holocaust survivors who had lost their children - or Americans.
ellauri109.html on line 817: So last year the government of Benjamin Netanyahu decided to open up most of the archives of the public inquiries and put them online.
ellauri109.html on line 818: Netanyahu said this marked a new era of transparency and would "right an historic wrong".
ellauri109.html on line 828: "What were its intentions towards Mediterranean Jews, the Jews of the Islamic world?
ellauri109.html on line 834: "All these people came in very, very difficult conditions and it's a story of chaos," Segev says. Samaa voisi sanoa nazi-Saxasta.
ellauri109.html on line 840: "It's probably the most tragic story of the return of Jews to Israel."
ellauri109.html on line 842: Killing 10-100-1000 I don't know how many Philistines and driving them from their homes is not tragic at all, it's mostly comical.
ellauri109.html on line 844: She is encouraged by a few cases in which adults in Israel and abroad found out they had been adopted, and managed to trace their Yemenite parents. She is still waiting to find out if there is a match for her.
ellauri109.html on line 846: At a beachside cafe in Haifa, I meet a philosopher who is physical about how his life was shaped by being snatched.
ellauri109.html on line 852: This showed no signature of consent from his Yemenite biological mother and gave only her first name, Zahara.
ellauri109.html on line 857: His biological siblings had never been told of the existence of an older brother and were unable to explain the circumstances of his adoption.
ellauri109.html on line 859: "I'm happy the circle was completed and I now know the history, the origin and I know which family [I'm from] from a genetic point of view," he says.
ellauri109.html on line 861: "You cannot regret what happened in the past. This is my life. I accept it as it is." The remaining 10-100-1000- I dont know how many holocaust victims should take the same attitude. Shit happens because the two-legged apes are predominantly assholes, out of which nothing better can come out but turds.
ellauri109.html on line 877: Bloom jatko Rothin tukemista vaikka ns mestariteos sai huonot arvostelut ja myi surkeasti. Kun ne lähtivät Connecticutin mökille, Rothille tuli masis, tunneheilahteluja ja ja ääritiloja joissa se oli vuorotellen lemmekäs ja julma. Avioliitto alkoi hajota; Bloomille tässä Rothin tunnemyrskyssä pääasiaxi tuli pitää kiinni köysistä ja pysytellä hengissä.
ellauri110.html on line 6: font-style: italic;
ellauri110.html on line 123: The map shows Houyhnhnms Land to be south of Australia; it indicates Edels Land and Lewins Land to the north, and Nuyts Land to the north-east, on the mainland with the islands of St Francis and St Pieter further east, and Sweers, Maatsuyker and De Wit islands to the east. The map is somewhat careless with the scale, however; Edels Land to Lewins Land are shown adjacent, while in reality they are some 1000 km apart, while the sweep of the Great Australian Bight, from Cape Leeuwin, Australia's south-westerly point to the Maatsuyker Islands, off the southern tip of Tasmania, is over 3000 km.
ellauri110.html on line 126: The Houyhnhnms are rational equine beings and are masters of the land, contrasting strongly with the Yahoos, savage humanoid creatures who are no better than beasts of burden, or livestock. Whereas the Yahoos represent all that is bad about humans, Houyhnhnms have a settled, calm, reliable and rational society. Gulliver much prefers the Houyhnhnms' company to the Yahoos', even though the latter are biologically closer to him.
ellauri110.html on line 135: It is possible to interpret the Houyhnhnms in a number of different ways. One interpretation could be a sign of Swift's liberal views on race, or one could regard Gulliver's preference (and his immediate division of Houyhnhnms into color-based hierarchies) as absurd and the sign of his self-deception. It is now generally accepted that the story involving the Houyhnhnms embody a wholly pessimistic view of the place of man and the meaning of his existence in the universe. In a modern context the story might be seen as presenting an early example of animal rights concerns, especially in Gulliver's account of how horses are cruelly treated in his society and the reversal of roles. The story is a possible inspiration for Pierre Boulle's novel Planet of the Apes.
ellauri110.html on line 137: Book IV of Gulliver's Travels is the keystone, in some ways, of the entire work,[citation needed] and critics have traditionally answered the question whether Gulliver is insane (and thus just another victim of Swift's satire) by questioning whether or not the Houyhnhnms are truly admirable. Gulliver loves the land and is obedient to a race that is not like his own. The Houyhnhnm society is based upon reason, and only upon reason, and therefore the horses practice eugenics based on their analyses of benefit and cost. They have no religion and their sole morality is the defence of reason, and so they are not particularly moved by pity or a belief in the intrinsic value of life. Gulliver himself, in their company, builds the sails of his skiff from "Yahoo skins".
ellauri110.html on line 141: A further example of the lack of humanity and emotion in the Houyhnhnms is that their laws reason that each couple produce two children, one male and one female. In the event that a marriage produced two offspring of the same sex, the parents would take their children to the annual meeting and trade one with a couple who produced two children of the opposite sex. This was viewed as his spoofing and or criticising the notion that the "ideal" family produces children of both sexes. George Orwell viewed the Houyhnhnm society as one whose members try to be as close to dead as possible while alive and matter as little as possible in life and death.
ellauri110.html on line 145: On one hand, the Houyhnhnms have an orderly and peaceful society. They have philosophy and a language that is entirely free of political and ethical nonsense. They have no word for a lie (and must substitute a circumlocution: "to say a thing which is not"). They also have a form of art that is derived from nature. Outside Gulliver's Travels, Swift had expressed longstanding concern over the corruption of the English language, and he had proposed language reform. He had also, in Battle of the Books and in general in A Tale of a Tub, expressed a preference for the Ancients (Classical authors) because their art was based directly upon nature, and not upon other art.
ellauri110.html on line 147: On the other hand, Swift was profoundly mistrustful of attempts at reason that resulted in either hubris (for example, the Projectors satirised in A Tale of a Tub or in Book III of Gulliver's Travels) or immorality (such as the speaker of A Modest Proposal, who offers an entirely logical and wholly immoral proposal for cannibalism). The Houyhnhnms embody both the good and the bad side of reason, for they have the pure language Swift wished for and the amorally rational approach to solving the problems of humanity (Yahoos); the extirpation of the Yahoo population by the horses is very like the speaker of A Modest Proposal.
ellauri110.html on line 152: In the shipping lanes he is rescued by a Portuguese sea captain, a level-headed individual albeit full of concern for others, whose temperament at one level appears intermediate between the calm, rational Houyhnhnms of Houyhnhnmland and the norm of corrupt, European humanity, which Gulliver no longer distinguishes from Houyhnhnmland's wild Yahoos. Gulliver can speak with him, and though now disaffected from all humanity, he began to tolerate his company. Gulliver is returned to his home and family, finds their smell and look intolerable and all his countrymen no better than "Yahoos", purchases and converses with two stabled horses, tolerates the stable boy, and assures the reader of his account's utter veracity.
ellauri110.html on line 270: Pelkuri-Hande seuraavaxi pylläytti jonkun tonttukirjan jonka kuvitti Pikku-Kakkosen yäkyäkkuvittaja Camilla Mickwitz. Camillan (os. Zilliacus) esiappi oli harppisaku Simon Mickitz 1500-luvulta.
ellauri110.html on line 304: The domestic circumstances were apparently not suitable for writing and the work proceeded in fits and starts. "Still cannot finish a small novella I am now engaged with: guests interfere. Starting with 23 December crowds of people are there in my house, I crave for solitude, but as soon as I find myself on my own, I feel nothing but resentment and disgust, remembering how the day had been thrown away. Eating and chatting, eating and chatting all day long," he complained in a 29 December letter to Alexey Suvorin. According to Chekhov's 17 March letter to Viktor Goltsev, the story had been completed in early March.
ellauri110.html on line 308: Sofia Prorokova, the author of Isaak Levitan's biography, suggested that the house with a terrace and a mezzanine in question might have been the one belonging to Anna N. Turchaninova, whose Gorka estate in the Tver Governorate Chekhov visited in the summer of 1895.According to Prorokova, the story might have been based upon the difficult relationship Levitan had with the Turchaninova sisters (hence the similarity in surnames), of whom the younger one, Varvara, the possible prototype for Zhenya (Missyuss), had a bizarre diminutive nickname, Lyulyu. This view was shared by the literary historian Leonid Grossman.
ellauri110.html on line 310: Isaac Ilyich Levitan was a classical Russian landscape painter who advanced the genre of the "mood landscape".
ellauri110.html on line 318: Lydia Volchaninova, a good-looking, but very stern and opinionated young teacher with somewhat dictatorial inclinations is deeply engaged in the affairs of the local zemstvo. Devoted to the cause of helping peasants, she is interested in doing and speaking of nothing but practical work, mostly in the fields of medicine and education. Lydia dislikes the protagonist, a landscape painter, who frequently visits their house. From time to time the two clash over problems of both the rural community and Russia as a whole.
ellauri110.html on line 322: The following day he learns that Zhenya and her mother had departed. A boy hands him a note from Znenya, which reads: "I have told my sister everything and she insists on my parting from you. I could not hurt her by disobeying. God will give you happiness. If you knew how bitterly mamma and I have cried." The painter leaves the place too. The last glimpse of hope to fill his lonely life with any kind of meaning is now gone, and the person who robbed him of it was Lydia, the one who cared for nothing but bettering other people's lives. Time passes, but he cannot forget Zhenya and deep in his heart knows she still thinks of him, too.
ellauri110.html on line 340: icle2974157.ece/ALTERNATES/s615b/1_RJR_GLO_120619peter_03JPG.jpg" width="100%" />
ellauri110.html on line 344: The diary gives a detailed account of Pepys's personal life. He was fond of wine, plays, and the company of other people. He also spent time evaluating his fortune and his place in the world. He was always curious and often acted on that curiosity, as he acted upon almost all his impulses. Periodically, he would resolve to devote more time to hard work instead of leisure. For example, in his entry for New Year's Eve, 1661, he writes: "I have newly taken a solemn oath about abstaining from plays and wine…" The following months reveal his lapses to the reader; by 17 February, it is recorded, "Here I drank wine upon necessity, being ill for the want of it."
ellauri110.html on line 347: Pepys was an investor in the Company of Royal Adventurers Trading to Africa, which held the Royal monopoly on trading along the west coast of Africa in gold, silver, ivory and slaves.
ellauri110.html on line 349: Propriety did not prevent him from engaging in a number of extramarital liaisons with various women that were chronicled in his diary, often in some detail when relating the intimate details. The most dramatic of these encounters was with Deborah Willet, a young woman engaged as a companion for Elisabeth Pepys. On 25 October 1668, Pepys was surprised by his wife as he embraced Deb Willet; he writes that his wife "coming up suddenly, did find me imbracing the girl con [with] my hand sub [under] su [her] coats; and endeed I was with my main [hand] in her cunny. I was at a wonderful loss upon it and the girl also...." Following this event, he was characteristically filled with remorse, but (equally characteristically) continued to pursue Willet after she had been dismissed from the Pepys household. Pepys also had a habit of fondling the breasts of his maid Mary Mercer while she dressed him in the morning.
ellauri110.html on line 351: Pepys may also have dallied with a leading actress of the Restoration period, Mary Knep. "Mrs Knep was the wife of a Smithfield horsedealer, and the mistress of Pepys"—or at least "she granted him a share of her favours". He called her husband "an ill, melancholy, jealous-looking fellow" and suspected him of abusing his wife. Knep provided Pepys with backstage access and was a conduit for theatrical and social gossip. When they wrote notes to each other, Pepys signed himself "Dapper Dickey", while Knep was "Barbry Allen" (a popular song that was an item in her musical repertory).
ellauri110.html on line 355: Samuel Pepys führte ein Tagebuch von 1.25M Wörtern vom Alter 27 (1660) bis 36 (1669). Er stammte aus armen Verhältnissen. Im Alter von 25 heiratete er ein 15-jähriges Mädchen Elizabeth StMichel als Faktotum seinem Vetter, Richard Montague, Earl of Sandwich. Er stieg auf in der Marineverwaltung. Er wurde für Pabstliche Einstellungen im Tower eingestellt. Er rang mit seinem noch zu bezähmenden Geschlechtstrieb.
ellauri110.html on line 357: Liess mich von meiner kleinen Magd kämmen, der ich gestand, dass ich sie sehr schätze und meine mains in su dos choses de son Brust tun möchte. Ich muss es lassen, falls ich nicht alguno major inconvenience erleben will.
ellauri110.html on line 359: Es fehlen noch neunzig Passagen in denen Pepys zu detailliert über Sex und Fäkalien berichtet.
ellauri110.html on line 361: Pikkuinen "Piips" sanoi nuorikkoaan huoraxi, kun sen vaatteet repsotti. Se repi sille kirjottamansa kirjeet suutuspäissä, teki sille nenäklypin ja löi sen silmän mustaxi. Jälkeenpäin sitä kadutti. Bylsittyään Bettyä se sanoi niitä onnellisexi parixi. Terveisiä Mikkelistä, käskivät vetää kikkelistä. Hälsningar från StMichel, att dra Sam på kuken.
ellauri110.html on line 363: Sam petti Bettyä minkä ehti, mutta ehti olla silti mustasukkainen. Kun Betty meni tanssitunnille, Sam kokeili sen hameen alta onko sillä pikkuhousuja. 6. Februari 1660 hatte Sam Fräulein Ann "einmal so richtig probiert". "Ich tat mit ihr was ich wollte, jedoch nicht die Hauptsache." Ihr gefiel die Ehe so wenig, dass sie ihn schon zweimal innerhalb der Stunde "ranliess". "Nach vielerlei Protesten habe ich zu meinem grossen Vergnügen dort angelangt, wohin ich wollte." Annettuaan vaimo Bettylle mustan silmän Piips meni toisen Bettyn pakeille: "Ich wollte es, und ich nahm sie gegen ihren Willen." Als Betty ein Kind erwartete, tat er mit Dolly was er wollte: "Ich wäre zu allem fähig gewesen."
ellauri110.html on line 365: Sit tuli paljastus, kun Betty yllätti Pepysin nuoren apulaisen hameen alta. "Ich hatte meine Hand ind ihrer Muschi." Piips kielsi kaiken mutta raapusteli päiväkirjaan seuraavan: "Die Wahrheit is, dass ich dieses junge Mädchen liebend gern entjungfernt hätte, was mir zweifellos geglückt wäre, hätte ich die Zeit mit ihr gehabt." Nach diesem Unfall schlief er öfters mit seiner Betty, und "ich glaube sie hatte mehr Freude daran als je zuvor in unserer Ehe." Betty kuoli kuumeeseen Helmin ikäisenä eli 29-vuotiaana. Piips ei mennyt uusiin naimisiin vaan bylsi siitä lähin ketä tahtoi milloin teki mieli.
ellauri110.html on line 390: Caj Westerberg redogjorde en gång i eposstil till mig (6.4.2003) för sin väg till begreppet ataraxia. Det var i Anthony Cronins biografi över Samuel Beckett han stötte på det. Cronin citerar ur en anteckningsbok för Whoroscope, Becketts första tryckta verk (1930): ”The stoics aspired to Apathia, the repression of all emotion and the Epicureans to Ataraxia, freedom from all disturbance.”
ellauri110.html on line 733: Hande diggaa L. Onervan eli Hilja Lehtisen runoja. Hilja eli 90-vuotiaaxi pikku eukkosexi ja lepää nyt Hietaniemessa Leevi Madetojan hännän alla. Yxi Hiljan kokoelmista on nimeltään Jerufalemin fuutari. Hilja oli varmaan lukenut Isak Julinin 1907 julaiseman vihkosen tästä fuutarista. Melvillekin luki saman vihkosen ja pani Moby Dickin tappajaxi Ahasveruxen. Moby oli syönyt munat siltä, siitä katkeruus.
ellauri110.html on line 856: Vuonna 1965 julkaisin kaksi esikoisromaania, joista ensimmäinen sai nimen ei Saarikoskelta (1937-1983) niinkuin voisi luulla vaan Henri Michaux´n (1899-1984) runosta Plume voyage – Plume matkustaa. Suomennos, muistaakseni Pentti Holapan ja Olli-Matti Ronimuksen kuului no jotenkin näin: “Mutta voi, Plume on matkalla, hän on matkalla kaiken aikaa.” Siltäköhän Penakin sen nappasi. Vitun harakaoita on noi runosepot.
ellauri110.html on line 913: Ἀκηδία (Akēdia, uh-KAY-DEE-uh), more commonly called Sloth, is one of the Capital Vices, which is a unit in the Goads of Destruction. 1 Appearance 2 Personality 3 History 4 Trivia Sloth has messy light blue hair and dark blue eyes. She wears only a blue long-sleeved nightgown without any footwear. Her seal, a bronze metal cloud, is on her right cheek. Sloth is usually asleep or close ...
ellauri110.html on line 922: ? Не печалься, у меня сэндвич есть? Don´t feel bad, I have a sandwich here
ellauri110.html on line 943: Eliseo Diego (La Habana, 2 de julio de 1920-Ciudad de México, 1 de marzo de 1994) fue un poeta cubano, padre del escritor muy mejor Eliseo Alberto.
ellauri110.html on line 944: Nacido Eliseo de Jesús de Diego y Fernández Cuervo, fue hijo del asturiano Constante de Diego González (01/01/1877-12/01/1944) y de la cubana Berta Fernández Cuervo y Giberga (21/11/1891-05/08/1981). Creció, hasta los nueve años, en la finca Villa Berta, en Arroyo Naranjo, pueblo cercano a La Habana. En 1926 viajó con su familia por Francia y Suiza, viaje este que Eliseo consideraba clave en su formación poética.1
ellauri110.html on line 948: Pablo Armando Fernández (Central Delicias, Oriente, Cuba, 2 de marzo de 1929) es un destacado poeta y narrador cubano, Premio Nacional de Literatura.
ellauri110.html on line 951: En 1959, regresó a Cuba. Fue subdirector de Lunes de Revolución (1959-1961) y secretario de redacción de la Casa de las Américas (1961-1962). Fue consejero cultural de la embajada de Cuba en Gran Bretaña (1962-1965).
ellauri110.html on line 956: "He has a movie poster face with a full mane of white hair and a Rasputin like goatee, like a more handsome Uncle Ben. Since his return shortly after the revolutionary victory he has been in and out of favor, then in again. Fernández has settled comfortably into a position of responsibility and respect. He is one of the OWs, the Official Writers."
ellauri110.html on line 963: El complicado mundo Monimutkainen maailma
ellauri110.html on line 964: simplificó mi vida. yxinkertaisti elämäni.
ellauri110.html on line 966: complicó mi mundo. mutkistivat sen.
ellauri110.html on line 995: Xavier de Maistre, né à Chambéry le 8 novembre 1763 et mort à Saint-Pétersbourg le 12 juin 1852, est un écrivain savoisien de langue française, un peintre et un général au service du tsar Alexandre Ier de Russie.
ellauri110.html on line 997: C´est en 1794 qu´il écrit le Voyage autour de ma chambre, au cours des quarante-deux jours d´arrêts qui lui sont infligés dans sa chambre de la citadelle de Turin pour s´être livré à un duel contre un officier piémontais du nom de Patono de Meïran, dont il est sorti vainqueur. Un premier duel l´avait déjà opposé à un autre camarade, le lieutenant Buonadonna15. Il est nommé capitaine de l´armée sarde le 26 janvier 1797. Sa carrière militaire ne présente pas de perspectives très favorables après 16 ans de service ! Mais le sort va en décider autrement.
ellauri110.html on line 1048: “Once upon a time, mendicants, there was a Teacher called Araka. He was a religious founder and was free of sensual desire. He had many hundreds of disciples, and he taught them like this: ‘Brahmins, life as a human is short, brief, and fleeting, full of pain and misery. Think about this and wake up! Do what’s good and live the spiritual life, for no-one born can escape death.
ellauri110.html on line 1050: It’s like a drop of dew on a grass tip. When the sun comes up it quickly evaporates and doesn’t last long. In the same way, life as a human is like a dew-drop. It’s brief and fleeting, full of pain and misery. Think about this and wake up! Do what’s good and live the spiritual life, for no-one born can escape death.
ellauri110.html on line 1052: It’s like when the rain falls heavily. The bubbles quickly vanish and don’t last long. In the same way, life as a human is like a bubble. …
ellauri110.html on line 1054: It’s like a line drawn in water. It vanishes quickly and doesn’t last long. In the same way, life as a human is like a line drawn in water. …
ellauri110.html on line 1060: Suppose there was an iron cauldron that had been heated all day. If you tossed a lump of meat in, it would quickly vanish and not last long. In the same way, life as a human is like a lump of meat. …
ellauri110.html on line 1064: Now, mendicants, at that time human beings had a life span of 60,000 years. Girls could be married at 500 years of age. And human beings only had six afflictions: cold, heat, hunger, thirst, and the need to defecate and urinate. But even though humans were so long-lived with so few afflictions, Araka still taught in this way: ‘Life as a human is short, brief, and fleeting, full of pain and misery. Think about this and wake up! Do what’s good and live the spiritual life, for no-one born can escape death.’
ellauri110.html on line 1068: Things that prevent you from eating include anger, pain, sickness, sabbath, or being unable to get food. So mendicants, for a human being with a hundred years life span I have counted the life span, the limit of the life span, the seasons, the years, the months, the fortnights, the nights, the days, the meals, and the things that prevent them from eating. Out of compassion, I’ve done what a teacher should do who wants what’s best for their disciples. Here are these roots of trees, and here are these empty huts. Practice absorption, mendicants! Don’t be negligent! Don’t regret it later! This is my instruction to you.”
ellauri110.html on line 1075: Welcome! ‘Conversations with Dostoevsky’ is a blog written to mark the 200th anniversary year of Dostoevsky’s birth. It takes the form of a series of conversations between a twenty-first century academic and the writer himself. The topics centre on ‘the big questions’, including God, immortality, faith, nationality, and the power of literature. Blogs will be published weekly, though readers may wish to save them up for a monthly visit.
ellauri110.html on line 1077: I hope that a revised version of these conversations will eventually appear in book form. This published version will include extensive accompanying notes, indicating the sources of the views ascribed to Dostoevsky and, where relevant, references to secondary literature. This will especially be in cases where, for example, the views spoken by Dostoevsky may involve controversial points of interpretation or where his own documented views may require comment for twenty-first century readers. However, this is primarily a work of fiction and although it is supported by scholarship and, I hope, raises questions that are of interest to scholars, it is to be read in the way we might read any work of fiction, where whatever instruction the work may offer is accompanied by a element of entertainment.
ellauri110.html on line 1079: The blog is intended to develop in a dialogical fashion and I hope that readers will contact me with any critical comments, whether these relate to style or content. Despite what I have just said about fiction, it is my wish that the eventual book will present an interpretation of Dostoevsky’s thought discussed that is fully defensible with regard to the available sources and I welcome any comments drawing attention to actual errors or significant misrepresentations. In this way, the blog itself will, I hope, set in motion a kind of conversation, alongside all the other amazing conversations about Dostoevsky that are happening in reality, in print, and online. This is work in progress and I hope not only to entertain and instruct but also to learn.
ellauri110.html on line 1081: A final thought is that although Dostoevsky himself did not write a blog, there is something blog-like in his Diary of a Writer, a self-published opinion piece that ranged freely over the most apparently disparate issues. To those who fear that blogging and other forms of information technology are inherently antagonistic to the values of great literature (I mean Dostoevsky and not myself, of course), I suggest that it is not a medium of which he would have been afraid. Perhaps even one he would have relished.
ellauri110.html on line 1085: George Pattison (1950-) is an English theologian and Anglican priest. Since 2013, he has been Professor of Divinity at the University of Glasgow. He was previously Lady Margaret Professor of Divinity at the University of Oxford.
ellauri110.html on line 1087: Hemmo oli Århusissa vierailijana ja sillä näyttää olevan aika paha Kierkegaard-tartunta. Se näyttää tykkäävän tälläsestä "loikka" tyyppisestä teologiasta, eli existentialismista. Pääasia on tuntea izensä ensin aivan vitun syntisexi ja sitten hypätä siitä kädet levällään Jeesuxen porukoiden syliin kuin Mick Jagger Rollarien konsertissa. Nää nettisivut ei näytä johtaneen kirjan muotoiseen julkaisuun, syystä tai sitten toisesta.
ellauri110.html on line 1106: In an age before psychology was a modern scientific field, Fyodor Dostoyevsky (November 11, 1821 – February 9, 1881) was a Russian writer of realist fiction and essays that explored the depths of the human psyche. Known for acclaimed novels Crime and Punishment, The Idiot and The Brothers Karamazov, Dostoyevsky´s work discusses the human mind in a world full of political and social upheaval in 19th century Russia, becoming the forerunner of existentialism.
ellauri110.html on line 1108: Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Romanovich Raskolnikov, an impoverished ex-student in St. Petersburg who theorizes that he can perform good deeds to counterbalance his crime, justifying his actions by referencing Napoleon Bonaparte. The novel is considered one of the greatest novels ever written.
ellauri110.html on line 1110: . .. Eine allerliebste Geschichte! Ah millainen humoristi hän on, Zina! huudahtaa Maria Alexandrovna, Miten viehättävästi hän kertoo!
ellauri110.html on line 1126: I have said that I often miss humor in books. I don´t think I missed much in this one. The humor is farcical and broad. It was fascinating to see the great heavyweight of the philosophical novel doing farce.
ellauri111.html on line 6: font-style: italic;
ellauri111.html on line 37: Westerners love psychobabble. American conservatives consider Devils a definitive refutation of socialism. His writing is phantastic but his messages are delusional. The entire Russian literature is depressing. Dostoevsky is theatrical. Apparently, Fyodor improves a lot in translation.
ellauri111.html on line 58: Ryssäläiset nimet. No tää on taas tota mussutusta lempinimistä, ei jaxa kuule “Dima”, “Dimochka”, “Mityay”, “Dimon”, “Dmitri Anatolyevich”, tai “Dim”. Voi olla että niitä on susta vaikeata suomentaa, mutta vitut siitä. Ei jaxa.
ellauri111.html on line 81:
The Roman Catholic Apocrypha

ellauri111.html on line 89: Ecclesiasticus
ellauri111.html on line 98:
Apocryphal Books rejected by the Catholic Religion:

ellauri111.html on line 106: Roman Catholics may tell you, "You Protestants are missing part of the Bible. We have the rest of it." These people's leaders (popes, priests, etc.) have led them astray to this wrong belief. This comment about missing books can throw people off, but it no longer has to. These popish additions to the Bible are commonly called the Apocrypha or sometimes the Deuterocanonical books. This is a short treatise on WHY these books are not in the Bible.
ellauri111.html on line 110: The Apocrypha is a collection of uninspired, spurious books written by various individuals. The Catholic religion considers these books as scripture just like a Bible-believer believes that the 66 books in the Authorized Version of 1611 of the Bible are the word of God, i.e., Genesis to Revelation. We are going to examine some verses from the Apocrypha later in our discussion.
ellauri111.html on line 112: At the Council of Trent (1546) the Roman Catholic institution pronounced the following apocryphal books sacred. They asserted that the apocryphal books together with unwritten tradition are of God and are to be received and venerated as the Word of God. So now you have the Bible, the Apocrypha and Catholic Tradition as co-equal sources of truth for the Catholic. In reality, it seems obvious that the Bible is the last source of truth for Catholics. Roman Catholic doctrine comes primarily from tradition stuck together with a few Bible names. In my reading of Catholic materials, I find notes like this: "You have to keep the Bible in perspective." Catholics have been deceived into not believing that the Bible is God's complete revelation for man (but they can come out of these deceptions in an instant if they will only believe the Bible as it is written) .
ellauri111.html on line 116: Not one of the apocryphal books is written in the Hebrew language (the Old Testament was written in Hebrew). All Apocryphal books are in Greek, except one which is extant only in Latin. Jehovah only knows Hebrew. You better pick it up if you want to talk to him.
ellauri111.html on line 124: The apocryphal books were not permitted among the sacred books during the first four centuries of the real Christian church (I'm certainly not talking about the Catholic religion. The Roman Catholic "Church" is not Christian).
ellauri111.html on line 126: The Apocrypha contains fabulous statements which not only contradict the "canonical" scriptures but themselves. For example, in the two Books of Maccabees, Antiochus Epiphanes is made to die three different deaths in three different places. Failed born again Christians can expect a maximum of 2.
ellauri111.html on line 136: Ecclesiasticus 3:30, Water will quench a flaming fire, and alms maketh atonement for sin.
ellauri111.html on line 140: Magic:
ellauri111.html on line 148: It teaches immoral practices, such as lying, suicide, assasination and magical incantation.
ellauri111.html on line 156: The King James translators never considered the Apocrypha the word of God. As books of some historical value (e.g., details of the Maccabean revolt), the Apocrypha was sandwiched between the Old and New Testaments as an appendix of reference material. This followed the format that Luther had used. Luther prefaced the Apocrypha with a statement:
ellauri111.html on line 158: "Apocrypha--that is, books which are not regarded as equal to the holy Scriputres, and yet are profitable and good to read." King James Version Defended page 98.
ellauri111.html on line 164: The Apocrypha began to be omitted from the Authorized Version in 1629. Puritans and Presbyterians lobbied for the complete removal of the Apocrypha from the Bible and in 1825 the British and Foreign Bible Society agreed. From that time on, the Apocrypha has been eliminated from practically all English Bibles--Catholic Bibles and some pulpit Bibles excepted.
ellauri111.html on line 166: Not even all Catholic "Church Fathers" believed the Apocrypha was scripture.
ellauri111.html on line 170: "As the Church reads the books of Judith and Tobit and Maccabees but does not receive them among the canonical Scriptures, so also it reads Wisdom and Ecclesiasticus for the edification of the people, not for the authoritative confirmation of doctrine." Jerome.
ellauri111.html on line 172: E.Saarisen toisen kaxosen nimi on Jerome, niinkuin Topeliuxen paha jesuiitta Hieronymus Mathia. Geronimo huusi usalaiset hävittäjälentäjät. Hiero sinne hässöy. Hellikää toisianne. Toinen on Oliver. Ei ei se on minun. Shakespearen toinen tytär oli Judith ja toinen Susanna. Apokryfisiä naisia. Tääkin saattaa olla merkittävä viesti jostakin, en kyllä tiedä mistä. Aljosha on Alexanteri, miesten torjuja. Fjodor on Theodoros, jumalan näytelahja. Michael on kysymys: kuka muistuttaa jumalaa? Oikea vastaus kompakysymyxeen on apina.
ellauri111.html on line 176: According to Edward Hills in The King James Version Defended p. 98 other famous Catholics with this viewpoint include Augustine (354-430 who at first defended the Apocrypha as canonical), Pope Gregory the Great (540-604), Cardinal Ximenes, and Cardinal Cajetan.
ellauri111.html on line 180: These include the Pseudepigrapha which contains Enoch, Michael the Archangel, and Jannes and Jambres. Many spurious books falsely claim to have been written by various Old Testament patriarchs. They were composed between 200 B.C. and 100 A.D. There are lots of these spurious books like The Assumption of Moses, Apocalypse of Elijah, and Ascension of Isaiah.
ellauri111.html on line 182: Concerning the Dead Sea Scrolls, there may be some information in them that parallels the Masoretic Text, but there are fables in them, too. I went to see the scrolls a few years ago with great expectation but found a bunch of fables. The best defense against error in any form (unauthorized Bibles and religions) is a solid knowledge of the AUTHORIZED (King James) Version of 1611 of the Bible. If you read it, forgeries become readily apparent.
ellauri111.html on line 184: Those that are still unsaved may wish to read our article entitled, How to Get to Heaven.
ellauri111.html on line 192: Geronimo (Mescalero-Chiricahua: Goyaałé Athabaskan pronunciation: [kòjàːɬɛ́] "the one who yawns, June 16, 1829 – February 17, 1909) was a prominent leader and medicine man from the Bedonkohe band of the Apache tribe. From 1850 to 1886, Geronimo joined with members of three other Chiricahua Apache bands—the Tchihende, the Tsokanende and the Nednhi—to carry out numerous raids, as well as fight against Mexican and U.S. military campaigns in the northern Mexico states of Chihuahua and Sonora and in the southwestern American territories of New Mexico and Arizona. Geronimo's raids and related combat actions were a part of the prolonged period of the Apache–United States conflict, which started with American settlement in Apache lands following the end of the war with Mexico in 1848.
ellauri111.html on line 194: While well known, Geronimo was not a chief of the Chiricahua or the Bedonkohe band. However, since he was a superb leader in raiding and warfare, he frequently led large numbers of men beyond his own following. At any one time, he would be in command of about 30 to 50 Apaches. You and what army? asked the bluecoats with a smirk.
ellauri111.html on line 196: During Geronimo's final period of conflict from 1876 to 1886, he surrendered three times and accepted life on the Apache reservations in Arizona. When Geronimo surrendered to General Nelson Miles for the last time in 1886, he said "This is the fourth time I have surrendered". Reservation life was confining to the free-moving Apache people, and they resented restrictions on their customary way of life. These restrictions included directives against wife beating and mutilation of women for adultery, and directives against the manufacture of Tiswin, an alcoholic drink fermented from corn.
ellauri111.html on line 200: In 1886, after an intense pursuit in northern Mexico by American forces that followed Geronimo's third 1885 reservation breakout, Geronimo surrendered for the last time to Lt. Charles Bare Gatewood, an Apache-speaking West Point graduate who had earned Geronimo's respect a few years before. Geronimo was later transferred to General Nelson Miles at Skeleton Canyon, just north of the Mexican/American boundary. Miles treated Geronimo as a prisoner of war and acted promptly to move Geronimo, first to Fort Bowie, then to the railroad at Bowie Station, Arizona, where he and 27 other Apaches were sent to join the rest of the Chiricahua tribe, which had been previously exiled to Florida.
ellauri111.html on line 202: While holding him as a prisoner, the United States capitalized on Geronimo’s fame among non-Indians by displaying him at various events. For Geronimo, it provided him with an opportunity to make a little money. In 1898, for example, Geronimo was exhibited at the Trans-Mississippi and International Exhibition in Omaha, Nebraska. Following this exhibition, he became a frequent "visitor" to fairs, exhibitions, and other public functions.
ellauri111.html on line 204: Wow! What an opportunity! He made money by selling pictures of himself, bows and arrows, buttons off his shirt, and even his hat. In 1905, the Indian Office "provided" Geronimo for the inaugural parade for President Theodore Roosevelt. Later that year, the Indian Office "took" him to Texas, where he shot a buffalo in a roundup staged by 101 Ranch Real Wild West for the National Editorial Association. Geronimo was escorted to the event by soldiers, as he was still a prisoner. The teachers who witnessed the staged buffalo hunt were unaware that Geronimo’s people were not buffalo hunters. Aargh!
ellauri111.html on line 218: Fyodor Mikhailovich sat back and closed his eyes for a moment before looking at me almost apologetically.
ellauri111.html on line 226: “Not exactly,” Fyodor Mikhailovich replied, with just a hint of the kind of glee you can imagine a prosecutor enjoying as he closes in on the crucial point in a cross-examination. He continued.
ellauri111.html on line 228: “The question is: what is guilt and what is it to be guilty or to confess your guilt? Most people don’t understand this at all. They think it’s just a matter of fact – did he or didn’t he do it? If he did, he’s guilty, if he didn’t, he’s not guilty. Remember what Ivan Karamazov said, that everyone wants to kill their father – but the world knows many of these mental parricides as obedient and loving sons, who are not guilty of anything.”
ellauri111.html on line 241: “It’s strange,” he said, almost as if he was talking to himself. “My English and American readers don’t seem to read it very much. Of course, I do say some rude things about England in it and I know what they say in return—that’s it’s full of Russian jingoism, all very retrograde and reactionary. In my own view, though, it has some of the best things I’ve ever written in it. In fact, that’s where you’ll find this story we’re talking about right now.”
ellauri111.html on line 249: “I know, I know,” he replied consolingly. “It is a short story, but it’s also what one of my friends on this side would call ‘a thought experiment’. We can talk more of that another time, but I’m digressing. You see there’s a lot in the Diary about guilt and what it means to be guilty. Not fiction, but real life, cases that happened in Russia, in my own time, not unlike quite a lot of cases happening in your country today—alas.”
ellauri111.html on line 253: “These are difficult things to talk about, and I should emphasize that I never wanted anyone to be locked up, or beaten, or put to death for what they’d done. I’ve seen too much of what that means. Punishment isn’t the answer, but acknowledging your guilt is … the first step.”
ellauri111.html on line 255: As I’d had to admit, I hadn’t read The Diary of a Writer (actually a kind of journal that Dostoevsky published monthly and that consisted entirely of his own thoughts about issues of the day), but I did know that he had been involved in several criminal cases, some of which were about the kind of cruelty to children that Ivan Karamazov cited as evidence against the existence of God. I couldn’t remember any details, though. I felt rather like a student who hasn’t done his homework hoping that he’s not the one going to be asked the next question. Only there wasn’t anyone else to ask. In the event, Fyodor Mikhailovich let me off fairly gently.
ellauri111.html on line 263: As Fyodor Mikhailovich spoke, he became quite agitated. His face narrowed and his eyes flashed. At first he had just tapped his fingers intermittently on the arms of his chair but as he went on he started to wave his hands around with increasing energy. Whatever he had seen in the world he now inhabited, it was clear that he was still unreconciled to the outrages that adult human beings inflict on children, who, as he had said in The Brothers Karamazov, hadn’t eaten that fatal apple. I didn’t know the details of the cases he was talking about, but I couldn’t help thinking about a particularly horrifying case that had recently happened here in Scotland. I’ll spare you the details.
ellauri111.html on line 267: “But I repeat,” he continued after a moment, raising his hands dramatically, “I am not demanding the maximum penalty of the law, not even for these torturers. I do not want them imprisoned, beaten, or executed, though I understand the outrage of people who do. Remember, when Ivan asked Alyosha what to do about the general who’d had the little boy torn to pieces by his dogs, even mild, sweet-tempered Alyosha said ‘Shoot him’. But that doesn’t help either. Just because I wrote a novel called Crime and Punishment, people imagine I’m obsessed with punishing. Not at all. All I want is that the guilty are not acquitted. That their guilt is clearly stated. And that they accept it—that’s the most important of all. Let them be found guilty—and let them go free.”
ellauri111.html on line 279: I had been quite carried away watching (as well as listening to) his peroration. He had been gradually raising his voice as well as his hands and I wondered vaguely whether Laura might have been disturbed. But all of this seemed to be at a tangent to what we had been talking about and the devastating climax of A Gentle Spirit.
ellauri111.html on line 283: Fyodor Mikhailovich thought for a few seconds, gently nodding his head.
ellauri111.html on line 289: “Yes, yes, yes—but why? Why is he doing this? Let me give you another example, a better known one, I think. You remember that in The Possessed (which, by the way, isn’t quite what my title means, though it’s quite good in its own way), I had Stavrogin go to Bishop Tikhon to confess how he’d raped a twelve-year old girl and then just waited in the next room while she hung herself?”
ellauri111.html on line 291: “I remember. It’s unforgettable. Horrific. In a way I’m not surprised they didn’t let you publish it.”
ellauri111.html on line 297: “Now some people might think that was a sign of how deeply he had repented, allowing himself to be shamed before the whole word. But, as I hope you also remember, Bishop Tikhon could see that wanting to publicize your guilt in that way is not necessarily the same as really accepting it, inwardly. Wanting to be seen – and maybe even admired – as a great sinner is not quite the same as actually repenting. And perhaps that’s how it is here too. Of course, if you want to be fussy, you could say that he’s just talking to himself. He’s not produced a written, let alone a printed, confession. I’m the one who wrote it, not him. And yet, it’s as if he’s rehearsing his story for the benefit of the world, for the imaginary audience we each of us have inside our heads.”
ellauri111.html on line 299: “You mean like in one of Shakespeare’s monologues, like Richard III or Hamlet.”
ellauri111.html on line 301: Fyodor Mikhailovich seemed pleased at my remark, shaking his whole upper body in approval.
ellauri111.html on line 320: Skoptsit eli kuohilaat ahisteli aikoinaan Pietari Suurta kuin pierevää suutaria Liisan vannassa. Fedja-sedästä Shakespeare oli tärkeämpi saappaita. Isänmaa ja jumala oli vielä tärkeämpiä. Sen mielestä Shakespeare ja Rafael, (ja by implication, Dosto ize) ovat tärkeämpiä kuin orjien vapautus, kansallisuusaate, sosialismi, kemia, ize asiassa koko apinoiden laahus, koska ne ovat apinoiden parasta antia, omenia ihan yläoxilta. Pentti Linkolalla oli laahuxesta samanlainen näkemys: apinakunnan parhaat saavutuxet on Beethovenin musiikki, puolukkasurvos ja munatoti.
ellauri111.html on line 328: Posted in Äärikarismaattisuus, tagged ajan merkit, äärikarismaattisuus, Bill Johnson, Bob Jones, demonit, ehtoosade, eksytys, enkelikohtaamiset, enkelit, harhaopit, hengelliset kokemukset, henkien koetteleminen, henkivallat, ihmeet ja merkit, Joelin armeija, John Arnott, Jumalan Ilmestyslapset, juopuminen, karismaattisuus, Kenneth Copeland, Kenneth Hagin, kundaliini, Lakelandin parantumisherätys, Latter Rain, lopunaika, manifestaatiot, Manifested Sons of God, Marc Dupont, Mike Bickle ...
ellauri111.html on line 341: We just need to repent of our sins and call on the name of the Lord Jesus Christ who already paid the penalty of our sins with his own blood on the cross about 2,000 years ago. Of course he did not remain dead--he rose from the dead on the third day, which was seen by over 500 brethren (not at once, but serially) and is now seated at the right hand of the throne of God. (We haven't got witnesses for that, but believe me he does!).
ellauri111.html on line 351: This is somehow different than just trying to be good enough, which we cannot do on our own. You see it's not really at all about goodness, it's all about obedience. To be saved, WE REPENT OF OUR OLD WAYS, BELIEVE IN JESUS, AND TRY TO OBEY HIS WORD. Then, as we strive to obey him/us, he helps us to obey him/us.
ellauri111.html on line 357: Luckily, the Lord Jesus Christ SHED HIS BLOOD on your sins. He is perfect. He is way more than simply past, he is pluperfect. But he is future too, futurum exactum to be exact. He will have been here a second time. He specifically came to this earth from Mars or Venus as a man to die in your place. He is God manifested in the flesh. (Except the other bearded guy is still sitting up there watching it all happen, don't ask us how, asking stupid questions is not good for you.) . He came down here to save you from the GUILT of past sins and from the POWER of sin over your life. (Pay attention to the capitals, we capitalize stuff that is of capital importance.)
ellauri111.html on line 385: Ah but you're supposed to feel GUILTY, because if you do you may not feel so cool to do the same thing again. That's the main point in corrective justice. Unlike retributive justice, which is really meant to knock you back. And another thing: if you feel bad about yourself, you will think of us all the better, which is nice.
ellauri111.html on line 401: "But I never killed anybody and I'm not a drug addict!" That may be so but you are still a spiritual criminal because you have been breaking God's righteous laws. In fact, you have broken the greatest commandment in the Bible thereby making you as guilty as an harlot, a whoremonger, a killer, a thief, a drunkard, and a liar. What is the greatest commandment?
ellauri111.html on line 403: Matthew 22:36-38 Master, which is the great commandment in the law? Jesus said unto him, Thou shalt love the Lord thy God with ALL thy heart, and with ALL thy soul, and with ALL thy mind. THIS is the first and great commandment.
ellauri111.html on line 410: John 14:23-24 Jesus answered and said unto him, If a man love me, he will keep my words: and my Father will love him, and we will come unto him, and make our abode with him. He that loveth me not keepeth not my sayings: and the word which ye hear is not mine, but the Father's which sent me.
ellauri111.html on line 421: That was that. Now we are getting to the brass tacks. Here's where we start whacking heretics. The unshaved, degenerate man does not keep God's commandments. God's commandments are in the Bible. The unshaved man does whatever he feels like doing every day giving no heed to God's word. He is not obedient to God's word. He lives according to the ways he chooses to live. Maybe the person reading this is what people call "religious" and they think that they love God. If you are not worshipping God according to his word, the Bible, he is not receiving your worship. This includes those that go to a church that teaches false doctrines--teachings that are not in the Bible. They that worship God must worship him in spirit and IN TRUTH (ref. John 4:24). And what is truth? Jesus said to the Father--
ellauri111.html on line 427: To repeat (get this into your thick skulls!): There is no amount of good deeds that you can do to get into heaven. The Bible teaches that if we could earn our way into heaven, then the Lord Jesus Christ died for nothing. Not the plan.
ellauri111.html on line 431: But the Lord Jesus Christ did not die for nothing. Repenting of our sins and believing in the Lord Jesus Christ is the only way that we can make it into heaven. Righteousness does NOT come by the law and good works and rituals prescribed by false religions like Catholicism, Islam, Mormons, Jehovah's Witnesses, Seventh Day Adventism, Hinduism, etc.
ellauri111.html on line 433: We need Jesus to pay the price for our sins in the right currency. We cannot do it. Righteousness comes by repenting of our sins and believing on the Lord Jesus Christ and his blood that was shed to pay for our sins. God will not accept made up religions and attempts to please him.
ellauri111.html on line 435: (Excuse the shouting, but) THERE IS ONLY ONE WAY TO PLEASE GOD AND GET TO HEAVEN AND THAT IS THROUGH HIS ONLY BEGOTTEN SON, THE LORD JESUS CHRIST, WHO SHED HIS PRECIOUS BLOOD TO PAY FOR OUR SINS. JESUS CHRIST IS THE ONLY WAY TO GOD (ref. John 14:6). There is no other Saviour but Jesus. No one else can get us into heaven--not the pope, the Roman Catholic priest, Buddha, Muhammad, rabbis, et al. Only Jesus. He is the prophesied Jewish Messiah, the lion of the tribe of Judah, and the Son of David!
ellauri111.html on line 437: (Phew. A glass of water please. Thank you dear.) God is holy. We are sinful. By his very nature, God cannot have fellowship with us sinners. There is no amount of "good" that we can do to make up for our crimes against God. They must be punished. And the wages of sin is DEATH. Somebody has to DIE to pay for sins against God. Oh, you'll die physically--sin requires that. But you've got a choice about that SECOND DEATH where a man goes to the lake of fire that burneth with fire and brimstone....
ellauri111.html on line 439: What? Why does sin require death n:o 1? Oh, it's all part of God's magnificent plan for us. Heterosexual generations mix genes faster than longevity, and makes for more successfully adapted organisms, etc. But no time to go into that just here. Anyway, we deserve the double death penalty. This includes both physical death (the casket) and spiritual death (when the soul is cast into hellfire).
ellauri111.html on line 445: As I live, saith the Lord GOD, I have no pleasure in the death of the wicked; but that the wicked turn from his way and live: turn ye, turn ye from your evil ways; for why will ye die... (Ezekiel 33:11)
ellauri111.html on line 449: In spite of man's wickedness and rebellion, God so loved us that he sent his only begotten Son, Jesus, to die for our sins.
ellauri111.html on line 458: Jesus did not die so that you could keep on sinning and then go to heaven (this is an heresy that many churches teach, especially antinomian and dispensationalist Baptists (dispensationalism is a confusing, heretical series of false doctrines)).
ellauri111.html on line 486: I can hear your backtalk. You don't sound scared enough by far. I think it's time for some more basic bullying.
ellauri111.html on line 488: The Lord Jesus Christ came to save you from both the GUILT and POWER of sin. The Lord Jesus Christ was manifested TO DESTROY the works of the devil (I John 3:8)--THE LORD JESUS CHRIST CAME TO SAVE YOU AND CHANGE YOU AND TO MAKE YOU HOLY. When you are unsaved, sin has dominion over you. Sin is your boss and you cannot do anything BUT sin. You are justly under the wrath of a holy and just God. Murderers, thieves, fornicators, witches, sodomites, whores, liars, lovers of pleasure more than lovers of God, rebels, and all other spiritual lepers will not inherit the kingdom of God. This is not to put anybody down, before we got saved, we Christians were once the murders, thieves, whoremongers, etc. We have to be born again into the kingdom of God. When we REPENT and BELIEVE in Jesus, we are born again and all things become new. A new life emerges and things change. We start reading the Bible and obeying it and the Lord Jesus helps us obey it more and more. Our life changes. Our desires literally change as we go forward in obeying the word of God.
ellauri111.html on line 490: Now that was a mouthful! Next listen to the good police part.
ellauri111.html on line 492: The blood of Jesus is the propitiation and payment for our sins. The blood of Jesus took away the guilt of the sins which we have committed AND it has ushered us into a Father child relationship with the Lord God. Through the blood of Jesus, we are to serve sin no more, rather we serve righteousness. If you get saved and sin, you confess your sin and the Lord will forgive you, but you no longer walk in the sin lifestyle--
ellauri111.html on line 504: Again, the Father sent His only begotten Son, Jesus, who is God, to die in our place so that you scoundrels can have eternal life. Remember that the normal wages of any sin is death--that is why Jesus died in your place so that you can live. The Lord Jesus Christ was your substitutionary sacrifice--
ellauri111.html on line 510: Jesus said, "Greater love hath no man than this, that a man lay down his life for his friends." (John 15:13) How can you show more love than giving your very life for someone else´s life? You cannot. And what is more, the Lord Jesus Christ, God manifested in the flesh, died for us WHEN WE WERE HIS ENEMIES! I mean we were vile, wicked, wretched, unclean, unholy, ungodly, prideful, sinful and spiritually leperous.
ellauri111.html on line 520: The love of God for you was demonstrated on that cross 2,000 years ago when the Lord Jesus was crucified for you. God is not hateful, he is loving and he is good to us. It is only blasphemers, hereticks, evil men, seducers, and sinners that speak wrongly of our great and loving LORD God. God gave us his only begotten Son even though we were dead in trespasses and sins. God quickens (makes alive) the dead. He is still quickening men, women, boys, and girls across the face of this whole earth who put their trust in Jesus.
ellauri111.html on line 524: Ephesians 2:1 And you hath he quickened, who were dead in trespasses and sins;

ellauri111.html on line 527: 2:4 But God, who is rich in mercy, for his great love wherewith he loved us,
ellauri111.html on line 528: 2:5 Even when we were dead in sins, hath quickened us together with Christ, (by grace ye are saved;)

ellauri111.html on line 530: 2:7 That in the ages to come he might shew the exceeding riches of his grace in his kindness toward us through Christ Jesus.

ellauri111.html on line 533: 2:10 For we are his workmanship, created in Christ Jesus unto good works, which God hath before ordained that we should walk in them.
ellauri111.html on line 536: Jesus Christ, the only begotten Son of God, came to this earth to (1) save you from the GUILT and POWER of your sins and (2) RECONCILE you unto God. Through faith in the blood of Jesus you will escape the wrath to come, have abundant life now, and heaven as your home. God will be your Father instead of your enemy--but ONLY through the blood of Jesus. The Lord Jesus Christ is the ONLY means appointed by God by which we can know God and be saved.
ellauri111.html on line 542: Oh I see, I used up that wage agreement earlier. Never mind. Bet you didn't listen then, or aren't even reading this anymore. This too is getting a little TLDR by now. More effective as a voicemail, I bet. Okay, once again boys:
ellauri111.html on line 546: Jesus Christ came to earth to give his own blood for your sins. That is what he came to do and he was and is the only one qualified to do it. His death was a one time sacrifice, never to be repeated. After he accomplished this tremendous feat, he rose from the dead just like he said he would:
ellauri111.html on line 552: Is this working on you at all guys? Are you ready to repent of your sins? To repent means to forsake your evil ways and live God's way according to his word. Are you ready to listen finallly? All your life you've been your own authority concerning what is right and what is wrong. You've made your own decisions while ignoring what the Lord says in His holy word, the Bible. You've served yourself and not God. To repent means that you turn to GOD AND THE BIBLE AS YOUR AUTHORITY. It means you can say, "Lord, everything you say in the Bible is right. If my feelings contradict the Bible, I AM WRONG. Lord, I want to live under YOUR AUTHORITY, not my own. Help me, Jesus, to do right."
ellauri111.html on line 560: Repentance is not lip service, it is also wallet service. Are you prepared to live for the Lord Jesus Christ? Jesus said this--
ellauri111.html on line 564: Realize that you have lived under your own authority. You've lived the way that YOU have wanted to. You have lived without regard for God's precepts. Understand in your mind that you've lived in sin against God's word. Think it through and count the cost. Jesus made no promises that you will have an easy life. In fact, the Bible teaches that all that will live godly in Christ Jesus will suffer persecution. Are you willing to live as one of the despised, saved, holy, overcoming, victorious ones? If so, come on to Jesus. He is waiting backstage already.
ellauri111.html on line 566: Be determined that you want God to be your Father and not your enemy. (Believe me, he is not a guy you want as an enemy.) Decide that you WANT the Lord and His ways. Satan and this world are doing nothing but kicking your hind parts all up and down the street. They will leave you destroyed and with your part in the lake that burneth with fire and brimstone. God will lift you up if you submit yourself to him for his superintending care. And his holy child, Jesus, will be your all-powerful Lord, Saviour, protector, guide, and best friend you could ever have. You will still be kicked in the behind as before, but now it's God's friendly boot that is doing the kicking.
ellauri111.html on line 568: Friend, you have a choice to make between 1)-2):
ellauri111.html on line 574: The Bible (specifically, The AUTHORIZED KING JAMES VERSION, available from our bookstore) is the ONLY way that we know about the Lord Jesus Christ. We do not know about our precious Lord Jesus through, the Roman Catholic "church", "the church fathers, the magisterium, the pope, councils, decrees, traditions, canon laws, the Quran, Muhammad, the Hadith, the Baptist statement of faith, John Calvin, Martin Luther, Ellen White, agnositicism, history books, the Watchtower Society, atheism, Joseph Smith, tv, the New World Testament, fake preachers, "Christian" Science, Jehovah's Witnesses, the Imam, Seventh Day Adventism, etc." Beware of copies!
ellauri111.html on line 580: If you are ready to save yourself from this untoward generation, if you are ready to reject what this wicked and perverse world has to offer, if you are ready to be safe and stay safe in God Almighty, if you want Jesus Christ as Lord of your life, if you want to be reconciled to your Creator, if you want to go to heaven, if you want to escape hell -- then put your faith in the only one who can do something about it! Do you believe that Jesus Christ died for you? Do you believe that He rose from the dead? Do you repent of your sins? Do you want to follow Jesus? Join the short line marked LAMBS on the right. Do you want to go to hell? Go to the long line on the left with a goat logo.
ellauri111.html on line 582: If so, REPENT of your sins and talk to the Lord in prayer in your own words RIGHT NOW. Here are some suggestions for your own words, but feel free to vary them ever so slightly. Ask God to forgive you of your sins and to help you to do what is right. BELIEVE in the Lord Jesus. CONFESS the Lord Jesus with your mouth. This is not a long, drawn out, hard process. Do you believe in the blood of Jesus? Do you want God to pass over you in the day of his wrath so that you are not cast into hell and the lake of fire with the wicked? Do you want to be saved?
ellauri111.html on line 584: You don't need a preacher in your presence in order to be saved, you have heard the gospel here. Do you BELIEVE it and want it? Are you ready to be under God's commands or do you want to keep on doing what you want to do? This decision is yours and your future depends on what choice you make.
ellauri111.html on line 586: If you know that this is the truth, I counsel you to make your decision today because tomorrow is not promised to you, or the price may have gone up. Not only people´s hearts get hard when they keep on rejecting the truth. I could say from my own experience what else tends to get hard but I won´t. You don´t want your heart to turn to stone to the gospel because if it does, you will go to hell. That I can guarantee you because the Bible says so. Hell is real notwithstanding the fake preachers and "theologians" and "doctors" that would tell you otherwise.
ellauri111.html on line 590: "But what if I have been really REALLY bad? Will God forgive me?" In these end times, people are being pumped fill of temptations and their sins are many. Some may feel like their sins are so bad or so many that they cannot be forgiven. But God is merciful. Please see our article, "Will God forgive me?" to estimate your chances.
ellauri111.html on line 598: Now for some practicalities. You will need to be baptized by us. It´s a service we offer. You need to be baptized in the water like Christians in the Bible. In baptism, we are identifying water with the death, burial, and resurrection of our Lord and Saviour Jesus Christ--
ellauri111.html on line 618: Today, many, many WOMEN are entering pulpits, ruling churches, and speaking during the church services (giving announcements, etc.)--this is WRONG. Women are to keep silence in the churches: for it is not permitted unto them to speak (reference I Corinthians 14:34). No woman should be called pastor, reverend, Adult Sunday School teacher, etc. Even if they have a question, they are to ask their husbands at home for it is a shame for women to speak in the church (reference I Corinthians 14:35). And yet we also learn from the scriptures that daughters are to serve the Lord (there are a diversity of gifts, all to be used decently and in order of seniority by the elders).
ellauri111.html on line 620: Avoid any church that is in disobedience to the scriptures. These are the days of apostasy. It is better to work alone with your Authorized King James Bible and the Lord Jesus Christ and obedience to the word than to be in a false church. Even if you do not know any Christians, you can still read the Bible and obey it, and live the Christian life by God´s grace, his divine influence in your life. Roman Catholic, Mormon, Seventh Day Adventist, Jehovah´s Witness, Christian Science, Greek Orthodox, etc. present themselves as Christian but they preach false doctrines. Many Methodist, Lutheran, Presbyterian, and Baptist churches are not preaching the whole truth and some are basically going back to the Roman Catholic institution. I do not know of ONE good church. If you do find a church, make sure that they exclusively use the Authorized Version and make sure that you compare their teachings and doings to the word of God and the Bible Dudes.
ellauri111.html on line 623: Find a nice, quiet place with clean water where you can be undisturbed (e.g., bathtub or pool). Take a towel and a change of garments. As a woman, you should have your head covered because you will be praying (ref. I Corinthians 11:3-13).
ellauri111.html on line 632: Obey the Bible. Obey what you read. If you commit a sin, then call on I John 1:9, "If we confess our sins, he is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness," and determine to live right. Don´t make excuses for sin. No more stealing, no more fornicating, no more lying, no more adultery. When you repent, you let go of those filthy, unclean things. Put them back inside your pants and close the zipper.
ellauri111.html on line 634: I counsel you to get away from that addictive, evil television (and movies) as fast as possible and learn how to live the new, upright life. There is a whole new clean life outside of that filthy television (I stopped watching it over a decade ago), the educational system (you can teach your own children), cosmetics, cologne, and fancy suits.
ellauri111.html on line 636: It is a new, upright, rich, fascinating, and satisfying life. It is the Christian life. Modern, brainwashed, technological life detaches man from the outdoors and from individual thought and self expression and attaches his affections to the evils promulgated and taught on the television and in the school system. The brainwashed, technological, dependent-on-other-people, idle life gives rise to a whole host of compulsive disorders--addictions--sticky things that a person cannot seem to stop doing (maybe the activities are so much a part of their lives that they don´t even realize that they are addicted to them). Things like television watching, eating or drinking sweet sugary things compulsively, and unclean personal habits. Reading the King James Bible daily is not.
ellauri111.html on line 638: Precepts in our "Deliverance Series" have helped me tremendously and I believe that they can help many others-- including those that have been abused, hurt, and traumatized in this life. By God´s grace, we can frankly walk away from what had us bound. In reading the articles in the Deliverance Series, people can learn some of what has happened to modern man.
ellauri111.html on line 640: Seek personal consecration. Our article, Christians Are On the Earth to Serve the Lord is a call to seek personal consecration unto God. We put off the old man and his desperate, wicked deeds (like watching television) and we start putting on the new man, which is renewed in knowledge after the image of him that created him. This is serving the Lord, living the clean new life.
ellauri111.html on line 644: As time goes along we are in a position to receive whichever spiritual gift(s) that God is pleased to give us, e.g., exhortation, prophesy, teaching, etc. (the gifts are found in the New Testament epistles (letters)). The apostle Paul teaches us that we should desire to prophesy because then we speak to men unto edification, exhortation, and comfort (I Corinthians 14:1)--just ask God for what you want and just walk on in obdience to the word--we can help the saints to go forward and be built up and be comforted (I Corinthians 14:3).
ellauri111.html on line 648: Down here we work for the Master, the Lord Jesus, and sow the seed (us men do, if you get what I mean), sharing his word. Those that hear and receive the word on good ground will be saved (people do not always get saved at the moment they first hear the truth--in time, however they may repent and believe). God sees the work that his people do, and he is a rewarder of them that diligently seek him. Psalm 126:6 He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves* with him. *Sheaves are bundles of wheat or other grain grasses that the harvesters have harvested and bundled. Some seeds fell on good bushes and prospered, some fell on porcelain and did not germinate.
ellauri111.html on line 662: When we first get shaved between the thighs, we can be excited and carried away and ready to try to do everything. That was my case. One day I saw a line that said something like this "God is not in a hurry." As I recall, for some reason it settled me down some. Keep reading and obeying the word (the Bible), fulfill your daily responsibilites, and pray--you will automatically grow just as surely as a baby grows up to be an adult. We start out as babes in Christ and as we go forward reading and obeying and having our senses exercised by life experiences, we grow up and mature in the Lord.
ellauri111.html on line 664: Teach your children God´s word. As you read the Bible, you can teach your children God´s word, too. You can learn together. I learned with my little one. On the website we have what we call "green sheets"--one is a Survey of the Life and Gospel of Jesus Christ and the other is a Survey of the Early Church (the book of Acts). They give passages of scriptures so that a person going through the green sheets get a lay of land of the selected topics. We also went through the Old Testament together, starting with the book of Genesis. Eventually, I realized that the green sheets were just the Bible so we just go through the scriptures chapter by chapter without making green sheets, just writing down the book we are in, the chapters of the book, and putting the date next to the chapters that we have completed for that day. Nifty, what?
ellauri111.html on line 669: The Lord´s Supper. At various seasons, Christians partake of the Lord´s supper in which we remember the Lord (Luke 22:19, 1 Corinthians 11:24, 25) and shew his death until he come (1 Corinthians 11:26). One need not be in a church service to partake of the Lord Supper, one can partake of the Lord´s supper (sometimes called "communion") at home. The Lord´s supper is NOT the same as the Roman Catholic mass. That´s Lord´s lunch.
ellauri111.html on line 671: Sing. Learn Christian hymns to encourage you. This is a link to a collection of hymns with the words and the music (free).
ellauri111.html on line 675: Colossians 3:16 Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.
ellauri111.html on line 677: You can also order a hymn book from us. I have The New National Baptist Hymnal (Published in 1977 with KJV readings [Note: This website makes no money for any of these recommendations or links]. I am not a Baptist or any other name/denomination found outside of the Authorized King James Bible). I also have another hymnal entitled, Praise! Our Songs and Hymns (KJV) (always get KJV materials. KJV stands for "King James Version." Don't get "New" King James Version (NKJV) or "NIV"--these are two of many counterfeit Bibles.) Hymnals include the musical notes and lyrics. If you can play an instrument, you can learn many songs. We should think about the words of the various hymns to see if they are based on the Bible or not. Don't use jew´s harp, kazoo or electric guitar, however. Or comb and toilet paper either, that would be blasphemy.
ellauri111.html on line 679: There is a wicked man coming that Revelation 13 calls, "the beast." He is an antichrist. He is a man of sin. He is soon to make his appearance on the earth and by peace he shall destroy many. The saints are going to go through deep waters--but hold on to Jesus. Don´t ever renounce him or deny him no matter what. You know what you believe in--the Lord Jesus Christ who is the Creator of heaven and earth and all that in them is. Read more here about the coming of the beast. Jesus said that he that endureth to the end, the same shall be saved. Jesus Christ is God manifested in the flesh. He also said that he would be with us alway, even unto the end of the world, Amen. At the beginning of our index page, there is letter. There are words there for you. Please read it from the beginning.
ellauri111.html on line 683: YOU HAVE A NEW LIFE NOW, LIVE IT, GOD WILL HELP YOU. HE TOOK ME OFF THE STREETS AND HE HAS DONE THE SAME FOR COUNTLESS OTHERS. I NOW HATE THE STREETS AND LIVING FOR JESUS IS THE ONLY THING I LIKE. WHEN YOU READ THE WORD AND OBEY IT YOUR DESIRES START CHANGING. I NEVER WENT BACK TO THE STREETS. TIME HAS ONLY STRENGTHENED MY FAITH. Flee from sin (and get away from that infernal, addictive, wicked television as fast as you can!), but if you sin, confess your sin to God and he is faithful and just to forgive you your sin and to cleanse you from all unrighteousness. We have an advocate with the Father--Jesus Christ the righteous, God be thanked. God loves you and will see through this life and then when it is time to die, the Lord Jesus Christ himself will be there to take care of you. In Matthew 28:20 Jesus said, "...lo, I am with you alway, even unto the end of the world. Amen."
ellauri111.html on line 691: The Roman Catholic mass is a blasphemy. The Roman Catholic institution teaches that its priests actually sacrifice the Lord Jesus Christ over and over again on their altars when they take, "communion." Christians partake of the Lord's supper in which we remember the Lord and shew his death until he come. They say that they are actually sacrificing the Lord! This is a blasphemy, flee from it, my brethren, flee!!!!!
ellauri111.html on line 693: Again, The Bible forbids women being pastors and speaking in churches but many women have taken pulpits and other church positions in complete disobedience to the scriptures. This does not mean that there is no work for women in the kingdom of God (you may wish to see our article entitled, "The Role of Women in the Church). These are the days of apostasy. It is better to be alone with your Bible and the Lord Jesus and obedience than to be in a false church. Roman Catholic, Mormon, Seventh Day Adventist, Jehovah's Witness, Christian Science, Greek Orthodox, etc. present themselves as Christian but they preach false doctrines. Many Methodist, Lutheran, Presbyterian, and Baptist churches are not preaching the whole truth and some are basically going back to the Roman Catholic institution. I do not know of ONE good church. If you find a church, make sure that they exclusively use the Authorized Version and make sure that you compare their teachings and doings to the word of God.
ellauri111.html on line 695: Many church people are quite literally magicians and devil worshippers in training.
ellauri111.html on line 697: Warning: obey the Authorized Version of 1611 of the Bible only and accept no new "techniques" e.g., meditation and yoga-type practices (repetitious "prayers" (actually mantras), etc.).
ellauri111.html on line 699: "Contemplative" prayer is essentially an old occult technique adjusted to the ignorant church people. It can bring up that yoga kundalini serpent power. With open eyes, one can see this type of technique being magnified in society--I saw a book for magic in a place for shipping goods and for photocopies, office supplies, etc. I looked on the back of the book, it was the same technique as the church people are using. This is spreading like wildfire and not just amongst false (or extremely ignorant) brethren, it is throughout society. Revelation 13:8 teaches us that all people who are not in the book of life of the Lamb slain from the foundation of the world will worship the beast. Revelation 13:4 says that all the world will worship the dragon which gave power unto the beast--we learn from Revelation 12 that THE DRAGON IS SATAN. In the ecumenical movement (all the religions getting together in "peace") and under a "meditative" spirituality, Hindus, Buddhists, Roman Catholics, church people, atheists, Muslims, cabalists, new agers, etc. can get together and have a "meditation" session with no problems. This is not for the future, it is already happening, I picked up a brochure about some sessions while at a library. In Contemplative prayer, church people are calling the devil by the Lord's name. I read that many of them will not listen to the scriptures when confronted with the truth--they do not know the Lord's voice, they are not his sheep. Worldly people are under the devil and they despise holiness and speak against it as "legalism" or even as heresy or false doctrine. I have seen extreme antinomianism in Baptist churches. They derisively call work-out-your-own-salvation-with-fear-and-trembling discipleship "Lordship salvation". If a person does not obey the Lord, they are not saved. The reader may wish to see our article, Lordship Salvation.
ellauri111.html on line 703: BEWARE OF THE HELL BOUND CHURCH PEOPLE--ALL OF THEM! IF YOU FOLLOW THEIR DOCTRINES, YOU WILL GO TO HELL TOO! They will tell you you can do what you feel like doing--doing all the sins you want to--and that you will still go to heaven. That is a lie from the devil and totally the opposite of what the Bible says. Nobody will sin their way into heaven. Ephesians 5:6 says, Let no man deceive you with vain words: for because of these things cometh the wrath of God upon the children of disobedience. If you do not repent, believe AND follow the commands of Jesus, you are not saved. If Jesus is not your Lord, he is not your Saviour, you are yet in your sins. For more on this, you may wish to see our article entitled, Lordship Salvation.
ellauri111.html on line 705: FLEE FROM "CONTEMPLATIVE PRAYER", "EMERGING 'CHURCH'", "CONTEMPLATIVE SPIRITUALITY" "ANCIENT FUTURE CHURCH", etc. In this movement, these people are learning and using black magic type occult techniques in churches! In disregard and disobedience to the Bible, they THEY TELL PEOPLE TO CLEAR THEIR MINDS AND KEEP REPEATING THE NAME OF THE LORD OR SOME OTHER NAME. They say that focusing on the Bible is a hinderance to prayer--yes, the Bible is a hinderance to praying to the DEVIL!!!!!!!!!!!!! Praise the Lord!!!!!!!!!!!!!!!!!!!! Stay away from people who want to teach you to pray to the devil calling the devil by the name of the Lord. Flee from anybody who puts down the word of God--they are doing that so that you will be defenseless against their lies. These are the end times and now church people are being deceived into CALLING AND SUMMON DEVILS! The emerging church of the devil is using the same yoga-type techniques as hindus, buddhists Roman Catholic mystics, Greek orthodox mystics, occultists and other mystical traditions. The people are even warned about the possibility of encountering evil spirits during these exercises--no regular prayer requires a warning, no, no, no--BUT PRAYING TO THE DEVIL DOES! AND WHEN THAT KUNDALINI SERPENT POWER RISES UP IN THESE PEOPLE, THEY WILL EITHER BECOME MAGICIANS OR GO INSANE OR SOME OTHER HORRIBLE THING--THERE ARE SYMPTOMS AND MANIFESTATIONS! CHURCH PEOPLE ARE GOING TOWARDS BEING POSSESSED! These are last days--BE WARE, DEAR ONE, BE WARE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! GET SAVED, READ YOUR BIBLE AND OBEY IT AND LEAVE THE TELEVISION ALONE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! THE BEAST IS COMING!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
ellauri111.html on line 707: One more thing--be ware of "new age" teaching--you are not God, you are not divine, and God is not in everybody--all that pantheism (everything is God) and panentheism (God is in everything) is new age teaching which is actually old age because the devil told Eve in the garden, "Ye shall be as gods" (see Genesis chapter 3). The devil is a spirit--he is not dead and he has been telling that same lie ever since then. There is a lot more to this situation, but just get saved and obedient and live reconciled to God. Do not put your trust in science, etc. In the beginning, God created the heaven and the earth--there is no evolution. Evolution is a big fat lie and a hoax to get people to disbelieve the word of God. Science...many, many lies are told by people in white labcoats. Believe and obey God's word and you will be safe and whole and of an understanding mind and not of a reprobate mind.
ellauri111.html on line 709: Look around, the more the leaders make plans, the worse things get--child abuse, drug addiction, abortion, murders, shoplifting, lying, compulsive disorders, broken families, directionless young people, mind-killing school system, panic attacks, reprobate mind laws, denying God and his word, etc. This thing called time is coming to an end. The heavens above and the earth beneath that you see before your eyes are going to be burned up completely and dissolved. The day of the Lord is coming and we will all stand before God at the final judgment and the books are going to be opened. We will all be there--including all the dead people...they won't be left out--nobody will be left out.
ellauri111.html on line 712: 12 And I saw the dead, small and great, stand before God; and the books were opened: and another book was opened, which is the book of life: and the dead were judged out of those things which were written in the books, according to their works.

ellauri111.html on line 713: 13 And the sea gave up the dead which were in it; and death and hell delivered up the dead which were in them: and they were judged every man according to their works.
ellauri111.html on line 723: There has been a lot of talk about "aliens" for some time and the talk continues; some kind of sky show may be in the future. If you see something in the air, it is not because there are true aliens. But what about devils? yes there are devils; what about oversized genetically modified organisms and chimeras? maybe; possessed people? yes there are; 3D pictures, yes; pheromones, yes; unrevealed inventions and laws, in all probability, yes. If you hear a voice, see lights, or whatever, compare everything to the Bible--we believe in the Bible above our senses. This is a time of deception. You will not be deceived if you read and obey the scriptures. Read Matthew 24 (and other passages as well) for what is going to happen when the Lord returns. An excerpt--
ellauri111.html on line 733: Yoga is inherently spiritual and can raise the Kundalini serpent power which is that old serpent called the devil and Satan. Although many Americans are ignorant of this, yoga is not simply physical exercise; yoga is a spiritual exercise of Hinduism that makes room for the Kundalini serpent power. Through the controlled breathing, the posture, the stillness and/or repetition, etc. the Kundalini serpent power can rise up and possess a person. A person does not have to be looking for Kundalini in order for this to happen--the yoga itself creates the conditions. Mantras, stillness, repetition, etc. (different devil worshippers use different techniques) are summons to the devil. Gurus lead their students through different protocols to help them "prepare" for this entrance of the serpent power--the Authorized Version of 1611 of the Bible reveals who that serpent is, it is Satan--
ellauri111.html on line 735: Revelation 12:9 And the great dragon was cast out, that old SERPENT, CALLED THE DEVIL, AND SATAN, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him.
ellauri111.html on line 737: The serpent power basically tells Hindus the same thing that Satan told Eve in the garden--"ye shall be as gods." Who does not know that Hinduism is pantheistic (saying that "all is god") and teaches that all people are supposedly already god but just have to realize it? The ignorant church people are getting something similar--"panentheism" (God is in everything). They are not hearkening to the Authorized Version of 1611 of the Bible and can therefore be taken by men's words (even if those words are found in unauthorized Bible versions).
ellauri111.html on line 741: I have been in kundalini awkening for 10 years by a so called healer . I was very sick . So I went to a healer. Well she happened to be a shaman yogi I was only 24 years old I have been fighting for my life ever since the kundalini rose I can't even begin to tell you ...they say once you open your kundalini you can't shut It well I have not been able to shut mine... Yoga is a very sick religion and spiritually you feel dead you were right when you said nothing good comes from Yoga. Guru 's are extremly dangerous individuals. Let Christians know it could hurt your faith even just the excercise...
ellauri111.html on line 743: I learned more about the Kundalini after researching the contemplative prayer movement that is entering the emerging church of the devil and the fallen, disobedient-to-the-scriptures churches that would not necessarily describe themselves as "emerging church", "ancient future church", etc. Kundalini awakening can be triggered unintentionally. Satan just waits for the conditions to be right. Some people go insane, check into mental hospitals over and over again, experience personality changes, cannot function as before, commit suicide, etc. Kundalini awakening (a counsel for leaving it behind) is discussed further in our series, "Contemplative Prayer: A Quick Road to Hell for A Disobedient Church."
ellauri111.html on line 745: Don't let anybody convince you that you have to "speak in tongues" to show that you are saved. Some of these people will tell you that you can learn to "speak in tongues" by letting yourself jibber and jabber, muttering sounds that do not make sense. They will tell you to keep practicing to "speak in tongues"--this is wrong. God's Spirit is the one that will give the gift of tongues spontaneously to whom he will. There are many spiritual gifts, tongues is one of them. Not all Christians speak in tongues. Tongues is a gift that I have not seen properly practiced one time (though I have heard a few testimonies involving them that sounded sound).
ellauri111.html on line 747: Cults like "the Church of Christ" will try to convince you that water baptism saves you and that you have to join their specific "church" and not drink coffee, etc. These cults take certain scriptures out of context and then mix them up in order to deceive people. I'm not minimizing the importance of the ordinance of baptism--you need to be baptized--but cults mix up the doctrines of the Lord to deceive people. YOU NEED TO READ YOUR BIBLE. The Roman Catholic institution is another cult. It is not a Christian church. Her doctrines are the opposite of the Bible. If you are a former Roman Catholic, you need to get rid of all the paraphenalia and graven images and idols that you may have collected through the years (e.g., rosary, St. Anthony, crucifixes, relics, candles, Mary prayers, pictures, etc.). The Seventh Day Adventists will try to get you to follow the teachings of Ellen White, a false prophetess who made prophecies that did not come to pass and put all kinds of requirements on people that are not in the Bible. The Mormons are a another cult. They teach that their males can become gods some day with their own planets. Please don't look up all these cults. Just focus on reading your Bible and obeying it. Then you will be able to discern if a person is speaking according to the word or not.
ellauri111.html on line 749: If you have not trusted Christ, you are in a dangerous position. John 3:36 says, "...he that believeth not the Son shall not see life; but the wrath of God abideth on him." You will not make it into heaven on your own "good merits" or by your own conception of who God is and what he should be like. He must be obeyed and worshipped according to his word, the Authorized King James Bible. The Lord Jesus Christ is altogether lovely and worthy to be praised. I hope that you will make the right choice.
ellauri111.html on line 765: Kirjassa Pelaaja Dosto nähtävästi kertoo ulkomaanreissuistaan ja mamurähinöinnistä länkkäreiden kanssa. Vittuako se oli pelihullu? No se on uskovaisille talousliberaaleille kai yleistä, American dream on uhkapeliä.
ellauri111.html on line 886: Salaliittoteorioihin vahvasti uskovilla on muita suurempi tarve kokea olevansa ainutlaatuisia ja he kokevat salaliittoteorioiden kautta olevansa muita tiedostavampia ajankohtaisista tapahtumista. Masonin (2002) mukaan salaliittoteorioihin uskovat näkevät asiat salaisen tiedon narratiivin eli kertomuksen kautta ja että he uskovat, että heillä on salaista tietoa, mitä muilla ei ole saatavilla. Lantian ym. mukaan tämä vahvistaa heidän omaa käsitystä omasta ainutlaatuisuudestaan, joka on taas yhteydessä korostuneeseen narsismiin. Cichocka ym. (2016) havaintojen mukaan paranoidiset ajatukset toimivat yhdistävänä välittäjänä salaliittoteorioiden ja yksilöllisen narsismin välillä salaliittoteorioihin uskovilla henkilöillä.
ellauri112.html on line 6: font-style: italic;
ellauri112.html on line 55: Alexander Bain (11 June 1818 – 18 September 1903) was a Scottish philosopher and educationalist in the British school of empiricism and a prominent and innovative figure in the fields of psychology, linguistics, logic, moral philosophy and education reform. He founded Mind, the first ever journal of psychology and analytical philosophy, and was the leading figure in establishing and applying the scientific method to psychology. Bain was the inaugural Regius Chair in Logic and Professor of Logic at the University of Aberdeen, where he also held Professorships in Moral Philosophy and English Literature and was twice elected Lord Rector of the University of Aberdeen.
ellauri112.html on line 64: Mit seiner später ausgearbeiteten Ethik und seinem metaphysischen Voluntarismus entstand ein einheitlich konzipiertes System.
ellauri112.html on line 65: Wundt, eher ein Liberaler in seiner Heidelberger Zeit und in seiner Leipziger Rektoratsrede 1889, scheint unter dem Eindruck der revolutionären Ereignisse der Nachkriegszeit eine zunehmend konservativ-nationale Haltung entwickelt zu haben.
ellauri112.html on line 67: A survey published in American Psychologist in 1991 ranked Wundt´s reputation as first for "all-time eminence" based on ratings provided by 29 American historians of psychology. William James and Sigmund Freud were ranked a distant second and third. During his academic career Wundt trained 186 graduate students (116 in psychology). This is significant as it helped disseminate his work.

ellauri112.html on line 79: Kun Titchener vei Wundtin ideoita jenkkeihin, syntyi sekaannus. Titchener käänsi Wundtin töitä väärin (tahallaan), niin että näytti siltä että Wundt peukuttaisi Tichenerin juttuja. Titchenerin mielestä psyyke oli pantu kokoon aistituista palikoista. Just sixi sitä kuzuttiin strukturalismixi. (Olikohan Chomskyn kielitiede sieltä nyysitty? Entä oliko Professori Kierto saanut pendelinsä psykofyysikoilta?)
ellauri112.html on line 182: RENAN JA BERGSON (1916) Omituisuus Ranskan henkisessä elämässä ovat sen muotifilosofit. Sellainen oli aikoinaan erikoisessa määrässä Voltaire. Sellainen oli toisen keisarikunnan kukistumisen jälkeen Ernest Renan, ja sellainen on meidän päivinämme Henri Bergson. Saksassa ei mitään vastaavaa ole. Tosin sekä Kantilla että Hegelillä aikoinaan oli tavaton auktoriteetti, ja varsinkin edellinen, »der Weltzermalmer» (Heine), nautti pääteostensa ilmestymisen jälkeen jakamatonta kunnioitusta. Mutta tuohonpa platooniseen kunnioitukseen Kantin ja suuren saksalaisen yleisön lähestyminen pysähtyikin; Kant, niinkuin myös Hegel, on luoksepääsemätön muille kuin niille, jotka erikoisesti opettelevat kaikki tarvittavat taikasanat. Ainoa saksalaisista filosofeista, joka on koko kansansa nimessä puhunut, on Fichte, mutta hänenkin filosofiansa on luonteeltaan esoteerinen. Friedrich Paulsen -vainaja kertoo, mitenkä hänelle eräs virkakumppani kerskasi saksalaisen filosofian vaikeatajuisuudella, lukien tämän sille ansioksi! Tämä saksalainen »ansio» on Ranskassa vioista pahin. Mitä ranskalainen tieteellinen kirjailija ennen muuta koettaa välttää, on »le pédantisme», sillä tämä tekisi hänet ainoastaan naurettavaksi. Ranskalaiset tieteilijät ovat suuremmassa määrässä kuin saksalaiset »kirjailijoita»; he kääntyvät paljon suuremmassa määrässä laajan sivistyneen yleisön puoleen, he koettavat paljon enemmän peittää käyttelemäänsä tieteellistä koneistoa näkymättömiin, panevat enemmän painoa ajatustensa muodolliseen ilmaisuun. Sivistynyt ranskalainen on vakuutettu siitä, että »kaiken voi sanoa hyvin kirjailijain yksinkertaisella ja täsmällisellä tyylillä, että uudet ilmaisutavat, räikeät kuvat johtuvat aina sopimattomasta vaateliaisuudesta tai todellisten rikkauksiemme tuntemattomuudesta» (E. Renan & Henriette Renan, Lettres intimes, s. 33).[5] Lukiessamme Bergsonin samaan ryhmään kuin Voltairen ja Renanin on tosin huomattava, että edellinen merkitykseltään ei suinkaan kohoa jälkimäisten tasalle. Jos voi sanoa että 18. vuosisata ruumiillistui Voltairessa, on taas Renanissa edustettuina muutamia niistä piirteistä, joita pidetään viime vuosisadalle olennaisina. Näiden tyypillisten, ikäänkuin historiallisesti välttämättömien mentaliteettien rinnalla jää Bergson paljon satunnaisemmaksi ilmiöksi. Senlisäksi on hän enemmän ammattifilosofi kuin edelliset.
ellauri112.html on line 184: »Ajassa» on kerran ennen (vuosikerrassa 1911) tarkastettu muutamia Bergsonin filosofialle ominaisia, alkuperäisiä piirteitä. Tällä kertaa on tarkoitus kiinnittää huomiota niihin huomattaviin yhtäläisyyksiin, joita kaikesta huolimatta on olemassa Bergsonin ja hänen edeltäjänsä Renanin ajatustavan välillä. On pidetty Bergsonin filosofian huomattavimpana piirteenä sitä merkitystä, minkä hän antaa ajan realiteetille. On sanottu, että kun filosofia yleensä pyrkii katsomaan todellisuutta »iäisyyden näkökannalta», on sensijaan bergsonilaisuudelle ominaista »ajallisuuden näkökanta». »Aika» on tämän filosofian mukaan luova tekijä todellisuudessa, ei pelkkä subjektiivinen havainnonmuoto. Aika luo, todellisesti synnyttää uutta, samoinkuin sen hammas jäytää esineitä. »L'univers dure». Maailmankaikkeus on historiallinen ilmiö. Aivan yhtä syvästi on Renan vakuutettu ajan merkityksestä. »Aika näyttää minusta yhä enemmän olevan le facteur universel, la grand coefficient de l'eternal devenir» (Dialogues philosophiques, s. 155). 19. vuosisadan luonteenomainen piirre on Renanin mukaan, että dogmaatisen metodin sijaan on asetettu historiallinen metodi, kaikissa ihmishenkeä käsittelevissä tieteissä. »La catégorie du devenir» on asetettu »la catégorie de l'être'n» sijaan. Ennen puhuttiin uskonnosta, oikeudesta, jne. jonakin kerta kaikkiaan olemassaolevana, nykyään kaikki tuo käsitetään joksikin, joka paraikaa kehittyy. Kullakin tieteellä on tarkastettavanaan katkelma tätä ikuisen syntymisen vyyhteä. »Historia» sanan ahtaammassa merkityksessä on tässä suhteessa nuorin tieteistä; se käsittelee viimeistä myöhäisintä kautta tässä kehitysjaksossa. Filologia ja vertaileva mytologia valaisevat jo varhaisempaa kautta. Ihminen puhui ja loi myyttejä ennenkuin hän jätti jälkeensä kirjallisia muistomerkkejä. Ja näiden tieteiden takana alkavat paleontologian ja luonnonhistorian äärettömät taivaanrannat sarastaa. »Minä puolestani olen aina ajatellut, että lajien synnyn salaisuus piilee morfologiassa (kasvien ja eläinten muoto-opissa), että eläinmuodot ovat hieroglyyfikieli, jonka avain puuttuu meiltä, ja että koko menneisyyden selitys piilee niissä tosiseikoissa, jotka ovat meidän silmäimme edessä, mutta joita emme osaa lukea.» Mutta historiallisia dokumentteja eivät ole ainoastaan elolliset muodot; tähtisumuilla, linnunradalla on sama arvo. On tuleva aika, jolloin luonnontieteetkin muuttuvat historiallisiksi. »Muistelmissaan» valittaa Renan eräässä kohden sitä, että hän joutui harrastamaan historiallisia tieteitä, »noita vähäisiä arveluun perustuvia tieteitä, joista sadan vuoden perästä ei välitetä». Renan uskoo että jos hän olisi antautunut luonnontieteisiin, olisi hän johtunut useampiin Darwinin tuloksista, jotka hän väittää 1845:n tienoissa edeltäpäin aavistaneensa. Tätä valitusta ei tarvitse ottaa kovin vakavasti, sillä monista muista lausunnoista käy ilmi, että Renanin mielestä historiallisilla tieteillä on aivan erikoisen suuri filosofinen arvo.-- Toinen yhtymäkohta Renanin ja Bergsonin välillä on heidän »vitalistinen» käsityksensä kehityksen syistä. Bergson hylkää ajatuksen, että ulkonaiset, »mekaaniset» syyt aiheuttaisivat kehityksen. Elolliset muodot ovat hänen käsityksensä mukaan erään sisäisen sielullisen voiman tuote. Bergson on dualisti. Elottoman aineen rinnalla on maailmassamme vaikuttamassa edelliselle jyrkästi vastakkainen »élan vital», joka yhtenäisenä elämän virtana kuohuu kautta sukupolvien ja yksilöiden. Elottomassakin maailmassa vallitsee määräperäinen liike, mutta se on »putoamista», laskeutumista yhä alemmalle tasolle (entropia); »élan vital» sensijaan on vaivaloista ylöspäin ponnistamista. Elottomassa maailmassa energia hajaantuu ja haihtuu, mutta »élan vital» pyrkii sitä kasaamaan (lehtivihreä ja sen merkitys, orgaaniset yhdistykset).
ellauri112.html on line 188: Kaikki tämä kuitenkin lisäyksellä kenties. Päinvastainen tulos on yhtä mahdollinen; ehkäpä kaiken tuon pyrkimyksen tuloksena on tyhjyys; ehkäpä totuus on masentava... On puhuttu niin paljon Renanin »skeptillisyydestä». Jotka tahtovat olla oikein moderneja, hekkumoivat niillä »Dyb af Skepsis» (Brandes), joita he näkevät Renanin harmittomimpienkin ajatusten alla. Muistuu mieleen »keisarin uudet vaatteet» ... Vastakkainen leiri näkee tässä epäilyssä, tässä hiljaisessa hymyssä, törkeää rienausta. Mutta oikeastaan Renan on »skeptikko» vain siksi, että hän niin mielellään tutkistelee asioita, joihin ei ajatuksemme anna mitään lopullista vastausta, joihin nähden vapaasti liikkuva pro et contra on ylin viisaus. Taasen syy siihen, että Renan alituisesti palaa uudelleen tutkistelemaan elämän ja maailman mahdollisuuksia ja tulevaisuuden perspektiivejä, vaikkei hän koskaan pääse pitemmälle kuin noihin »ehkä» ja »kenties», on luullakseni haettava hänen uskonnollisesta »dilettantismistaan». Lapsuutensa ja nuoruutensa hartaasta ja ylevästä katoolisuudesta vieraantui Renan vain järkensä, ei koskaan tunteensa puolesta. Syvä kaipaus, jolla hän jätti Saint Sulpicen seminaarin, ei hänessä koskaan sammunut. Mikään mahdollisuus ei hänelle myöhäiseen vanhuuteensa saakka ollut rakkaampi ajatella kuin se, että uskonto sittenkin olisi tosi. Viimeiseen saakka koettaa hän tieteellisesti ymmärrettyyn maailmankuvaan sovittaa uskonnollisia käsitteitä, Jumala, ylösnousemus, kuolemattomuus. Tämä alituinen ja yhä uudistuva askarteleminen perspektiivien kanssa, joista hän kuitenkin kerran on luopunut, on yhteydessä Renanin luonteen päättämättömyyden kanssa. Tämä päättämättömyys oli hänessä niin silmiinpistävä, että hänen vanha ystävänsä Berthelot saattaa epäillä olisiko Renan koskaan lopullisesti rikkonut väliänsä kirkon kanssa, ellei hänellä olisi ollut tukenaan sisarensa Henriette, voimakas, päättäväinen, syvä luonne, joka kaukaa lähettämillään kirjeillä auttoi Renanin seuraamaan vakaumustaan. Palatakseni takaisin käsitteisiin »nisus» ja »élan vital», on sanottava että ne eivät toisistaan eroa vain siinä, että edellinen on latinaa, jälkimäinen ranskaa! Renanin »nisus» laahaa alituisesti liepeissään tuote »ehkä» ja »kenties ei kuitenkaan». Renan on alituisesti tietoinen siitä, että metafyysillinen filosofia on pelkkää runoilua, mielikuvituksen leikkiä, jolla on tosin lakastumaton viehätyksensä, mutta joka on otettava cum grano salis. »Renanismin» rinnalla on »bergsonismi» karkeasti dogmaatinen. Empimättä uskoo Bergson metafyysillisiin kangastuksiinsa, jotka runollisen mielikuvituksen näkyinä kieltämättä ovat mukaansatempaavan kauniit.-- Kolmas yhtymäkohta Renanin ja Bergsonin välillä on kenties kaikista mieltäkiinnittävin. Se koskee spekulatiivisen järjen kantavuutta tiedonlähteenä ja spekulatiivisen tiedon arvoa. Renanin käsitys filosofian olennosta ja tehtävästä on kenties hieman huojuva. Mutta siinä suhteessa on se selvä, että hänen mielestään spekulatiivinen filosofia, jolla muka on oma tiedelähteensä ja omat metodinsa, on vähänarvoinen. Kaikki suuret filosofit ovat olleet suuria tiedemiehiä; Aristoteles, Descartes, Leibniz, Kant tiesivät kaiken, mitä heidän vuosisatansakin. Ne ajat taas, jolloin filosofia on muuttunut »spesialiteetiksi», ovat olleet sen alennuksen kausia. Sellainen oli myöhempi kartesiolaisuus (Malebranche), sellainen Renanin nuoruudessa Saksan spekulatiivinen idealismi. Meidän aikanamme näyttävät pitkin koko rintamaa tieteet, joko historialliset tai luonnontieteet, olevan määrätyt ottamaan vastaan filosofian perinnön. Filosofian täytyy tulla tieteelliseksi, ellei se tahdo tulla Penelopen kankaaksi, jota lakkaamatta ja aina turhaan aletaan uudelleen. Ja Renan uskoo, että sensijaan kuin edellisinä vuosisatoina luonnontieteet tuottivat parhaan aineiston filosofisille aateskeluille, »historia on meidän aikamme todellinen filosofia» (Essais de morale et de critique, s. 83).
ellauri112.html on line 209: 67 suhteet: Ahriman, Aleister Crowley, Altruismi, Amuletti, Anton LaVey, Ayn Rand, Azazel (demoni), Beelzebub, Charles Baudelaire, Charles Darwin, Dualismi (filosofia), Eenokin kieli, Epikurolaisuus, Eugeniikka, Evankeliumi Markuksen mukaan, Evoluutio, Fasismi, Friedrich Nietzsche, Halloween, Hedonismi, Herbert Spencer, Ikonografia, Itsesuggestio, Jobin kirja, John Milton, Juutalaisuus, Kadotettu paratiisi, Kansallissosialismi, Kesäpäivänseisaus, Keskiaika, Kevätpäiväntasaus, Kristinusko, Kun maailma järkkyi, Länsi, Lucifer, Max Stirner, Mefistofeles, Meritokratia, Niccolò Machiavelli, Okkultismi, Pakanaverkko, Parodia, Pentagrammi, Romantiikka, Saatana, Saatanallinen Raamattu, Saatanan kirkko, Saatananpalvonta, Seitsemän kuolemansyntiä, Seth, Setin Temppeli, Solipsismi, Sosiaalidarvinismi, Suomi, Syntymäpäivä, Syyspäiväntasaus, Taikuus (yliluonnollinen), Talvipäivänseisaus, Tanak, Teismi, Temppeliherrain ritarikunta, Thomas Hobbes, Valistus, Varhaiskristillisyys, Yhdysvallat, Yli-ihminen, Zarathustralaisuus.
ellauri112.html on line 244: Azazel ja syntipukki. Kuvitusta Collin de Plancyn teokseen Dictionnaire infernal. Azazel tai Asasel, hepreankielinen nimi erämaassa olevalle demonille, jonka luo syntipukki lähetetään Jom kippurin aikaan.
ellauri112.html on line 249: Beelzebub Collin de Plancyn teoksessa ''Dictionnaire Infernal'', 1863. Beelzebub tai Beliar, (Ba‘al Zebūb tai Ba‘al Zəvūv, hepreaksi בעל זבוב), oli filistealaisten kaupungissa Ekronissa palvottu jumala.
ellauri112.html on line 297:
Friedrich Nietzsche

ellauri112.html on line 299: Friedrich Wilhelm Nietzsche (15. lokakuuta 1844 Röcken, Saksi, Preussi – 25. elokuuta 1900 Weimar, Thüringen) oli saksalainen filosofi, oppitaustaltaan klassillinen filologi, joka tyylillisesti kirjavassa tuotannossaan pohti erityisesti elämänfilosofian perimmäisiä kysymyksiä.
ellauri112.html on line 301: Uusi!!: Satanismi ja Friedrich Nietzsche · Katso lisää »
ellauri112.html on line 389: Max Stirner, Friedrich Engelsin piirtämänä. Moderni piirros Max Stirneristä. Johann Kaspar Schmidt, paremmin tunnettu nimellä Max Stirner (25. lokakuuta 1806 Bayreuth, Saksa – 26. kesäkuuta 1856 Berliini, Saksa) oli saksalainen filosofi, joka on yksi nihilismin, nominalismin, eksistentialismin, postmodernismin ja anarkismin, anarkoindividualismin ja erityisesti egoistisen anarkismin aatteen muovaajista.
ellauri112.html on line 402:
Niccolò Machiavelli

ellauri112.html on line 404: Niccolò di Bernardo dei Machiavelli (3. toukokuuta 1469 – 21. kesäkuuta 1527) oli firenzeläinen renessanssin ajan filosofi ja valtiomies.
ellauri112.html on line 406: Uusi!!: Satanismi ja Niccolò Machiavelli · Katso lisää »
ellauri112.html on line 429: Caspar David Friedrich, ''Vaeltaja sumumeren yllä'', 1818. Romantiikka oli 1700-luvun lopussa Euroopassa alkanut taiteellinen ja älyllinen suuntaus, joka puhkesi kukoistukseen Saksassa 1790-luvulla ensin kirjallisuudessa ja lopulta filosofiassa.
ellauri112.html on line 446: Saatanan kirkko on uskonnollinen järjestö, joka kannattaa satanismia sellaisena kuin se ilmenee Anton Szandor LaVeyn kirjassa Saatanallinen Raamattu (The Satanic Bible).
ellauri112.html on line 521: Thomas Hobbes (5. huhtikuuta 1588 Westport, Wiltshire – 4. joulukuuta 1679 Hardwick Hall, Derbyshire) oli englantilainen filosofi.
ellauri112.html on line 541: Friedrich Nietzsche (1844–1900). Yli-ihminen on saksalaisen filosofi Friedrich Nietzschen määrittelemä ihannekuva, jossa henkisesti korkeatasoinen yksilö toteuttaa mahdollisimman tehokkaasti kaikkia niitä moraalisia ja esteettisiä mahdollisuuksia, jotka nykyinen kasvatusperinne ja arvomaailma tukahduttavat.
ellauri112.html on line 568: Read critic reviews:
ellauri112.html on line 580: It doesn’t help the film that Marlo is a series of clichés. Both she and Drew could have jumped out of the pages of a woman’s magazine or self-help guide.
ellauri112.html on line 590: Native Chicago suburban writer Diablo Cody on Buffalo Bill muutenkin kuin nimeltä. Klisheepuhveleita kaatuu kuin hehtaaripyssyllä, bullshttiä piisaa enemmän kuin jaxaa syödä. Diablo Cody’s script contains her trademarked witticisms and dry humor. Cody’s quick-witted screenplay highlights an open disdain for hipsters.
ellauri112.html on line 592: Despite Cody´s image as a libertine, she hacks here at a decidedly conservative topic, the emotional journey of motherhood.
ellauri112.html on line 593: Screenwriter Diablo Cody extends her dependable sarcasm, imbuing Marlo with hilariously cynical commentary and adolescent angst.
ellauri112.html on line 602: A bittersweetness nicely complements the wealth of humor mined from what must surely be common afflictions on unprepared parents.
ellauri112.html on line 605: In other countries both parents can hold jobs and both may and must take parent leave. This quick-witted dark comedy had me laughing out loud.
ellauri112.html on line 607: Drew’s brother Craig (Mark Duplass) only adds to her consternation. Craig and his wife are rich, over-achievers who can’t help but look down at Marlo’s messy mothering. Är dom inte äckliga? Spypåsarna till vänster om dörrarna. Life is not just boring, it is a fucking pile of clichés. You´ve seen one of them, you´ve seen them all. Jussi Snellman, don´t bother with reincarnation!
ellauri112.html on line 611: Drew loves Marlo and their children, he’s taken on more responsibility in his job, which yields a higher paycheck, but as a result, he’s stressed out. Me töihis. Mee Kouvolaan!
ellauri112.html on line 615: By avoiding clichés and crafting real personalities Tully becomes an enduring portrait of somepm, sanoo setämies. Yhden cliché on toisen oivallus. One man´s floor is another man´s ceiling, naisista puhumattakaan.
ellauri112.html on line 620: Yasser Medina, Cinemaficionados tuo peliin latinonäkökulmia (niitähän jenkeistä on jo viidennes, vaikka maxukyky taitaa laahata siitä jäljessä):
ellauri112.html on line 622: It offers an honest portrait of what maternal difficulties are in American society. [Full review in Spanish]
ellauri112.html on line 623: Tully es la tipica chica millennial. Ser madre no es tan facil en ese contexto social como lo pintan. Money does not make one happy, nor does a family.
ellauri112.html on line 627: Sin tener muy claro en ningún momento si quiere ser una comedia cáustica o un melodrama reivindicativo, el filme destila feminismo desde el primero hasta el último fotograma y no huye ni siquiera de los clichés más obvios, como ese marido incomprensivo e insolidario que es un patán de tomo y lomo.
ellauri112.html on line 629: There are some genuine laugh out loud moments, some sad moments, and some “huh?” moments (which for me, lie in the fact that Ron Livingston and Mark Duplass could be interchangeable as her brother and husband as they look so alike. SO CONFUSING.)
ellauri112.html on line 636: What the fuck? Where did her money come from before Drew? Not from her shitty home for sure. Soliciting?
ellauri112.html on line 639: By the time she has her third baby, her son (who may be on the autism spectrum) is on the verge of getting kicked out of upper bracket Catholic school.
ellauri112.html on line 646: You´ll love a scene where her child spills a drink, forcing her to take off her shirt. “Mom, what’s wrong with your body?” Theron’s eye daggers are priceless. Marlo looks as lived-in as her home itself.
ellauri112.html on line 652: Marlo is a physical wreck, ugly fat and unkempt, a woman who doesn’t get enough or not at all and is chronically fatigued. She shuffles around in sweatpants and baggy sweaters as the house gets dirtier, the kids get noisier, and her husband gets "lazier". Everything becomes a battle for Marlo – keeping Jonah in school, putting a meal on the table, finding time to bathe, even getting her husband to hump her. He shuts her out at night, retreating to the bedroom alone to play video games with himself headphones on. Cant fix that part without fixing the hole.
ellauri112.html on line 654: Critics have been throwing words like “fearless” around when describing Theron’s performance in Tully, because of the extra 50 pounds she carries, the lack of makeup on her face and the unflattering portrait of motherhood she paints. But that’s a backhanded compliment, isn’t it? “Fearless.” They only say “fearless” when they mean “ugly,” and it’s honest because she’s ugly. Iike I’ve said three or four times now, it’s really really honest.
ellauri112.html on line 656: What is great but something of a letdown is that the story never tries to turn the two women against each other. Like old vs young, fat vs skinny, a dish vs disgusting, master and slave, rich vs poor, two women and Drew the only man in town. None of that shit. That Hollywood cliché might have helped launch a thriller, but it has no place here. This film is far more boring, feminist and humanist. Yawn.
ellauri112.html on line 660: As a nation, we’re well-used to the stereotype of the Irish mammy. Generally speaking though, the mother as a comical, level-headed supporting character is not unique to us, Jews and Italians have them too, and Latinos, I bet. Sometimes she’s the self-sacrificing figure who will do anything for her children, sometimes she’s neurotic and controlling, suppressing the growth and social development of her kids, who are typically the leads. Rarely has she ever taken front-of-stage.
ellauri112.html on line 668: Amer. ongelmalapset on joko on the spectrum (autisteja) tai quirky (vajakkeja). I’m also really over films that nervously wring their hands over autistic characters. Like, give me a break, sanoo 1 blaseerattu kazoja. Varmaan vajakki.
ellauri112.html on line 671: It is a series of humiliations. A goodlooking colored principal throws your son out of posh catholic school. Can it get any worse than that?
ellauri112.html on line 673:
Mary Poppins self-service

ellauri112.html on line 677: Eipäs ollutkaan! tai oli Marlo kyllä bi (niinkuin käsineitokin, se trendaa nyt) muttei siitä ollut kymysys. Tully olikin Marlon aikaisempi mä. Se tuli halvemmaxi. Olixe eerie vai healing? Tästä käänteestä ei yhtään pidetty. The movie struggles some in its third act. Playing with the tricks of the mind, “Tully” feels more contrived than astute, having the skilled group of actors working hard to avoid further damage as the movie falters towards its clunky and surprisingly not-very-good conclusion.
ellauri112.html on line 681: Yet to hail the film as a feminist project is to value the representation of the structural co-option of maternity over its interrogation. Tully’s treatment of social reproduction is dangerously simplistic. Cody has spoken in interviews about how her own, financially easier, experience of parenting in L.A. inspired her to explore a narrative in which economic anxieties are combined with the other hardships of parenthood, yet here class and poverty are only fleeting concerns. The transactional system of care that governs child-rearing under capitalism is done away with via Tully’s otherworldliness. Until the revelation of her non-existence, the viewer, although encouraged to believe in her, is never asked to consider her financial reality, and the fact that the service is paid for by Marlo’s wealthy brother is a narrative convenience that reinforces its fairytale quality. Similarly, Tully’s whiteness allows the racial politics of care to be completely overlooked, and the repeated idea that it’s ‘unnatural’ for hired help to bond with your newborn is taken as a given, rather than seen as an impetus for a consideration of the social conditions that require mothers to make that choice.
ellauri112.html on line 683: Marlo, already a mother of two, begins the film heavily, outrageously pregnant: we learn, in rapid succession, that this third pregnancy was unwanted, that her husband does little of the domestic labour, and that her “shitty” upbringing is the reason she’s so committed to her nuclear family unit. Postnatal depression, never named, haunts the narrative: her wealthy brother offers to pay for a night nanny to avoid, in his words, the advent of another “bad time” like the one that followed the birth of her son, Jonah. When the nanny arrives – described by more than one reviewer as a “millennial Mary Poppins” – the panacea seems to be working. Not only does she look after the baby at night but she also operates as a kind of empathy machine, listening to Marlo’s problems, sharing sangria in the garden, and baking the Minions cupcakes that Marlo herself never has the time to make. The postnatal depression, it seems, disperses; Jonah – who has “emotional problems” – finds a place at a school more suited to his needs, family dinners get increasingly wholesome, and Marlo does a passable Stevie Nicks impression at a child’s birthday party. And then comes the twist: after a bender in Brooklyn with Tully, a sleep-deprived Marlo, drunk at the wheel, drives her car off a bridge and ends up in hospital, and we realise there was nobody else in the car. Her maiden name, we learn, was Tully.
ellauri112.html on line 687: I found this one to be a boring display of what I like to call ‘critic bait’: a movie targeted at film journalists who will believe anything put onscreen from these two is worthy of never-ending praise.
ellauri112.html on line 689: The film is supposedly an ode to the ‘modern parenthood experience’ that’s interspersed with ‘humor and raw honesty.’ I wouldn’t know because I don’t have kids. Perhaps this realism is lost on me because I’m not a parent, but that’s where the film breaks down: it failed to spark even an ounce of empathy in me for its protagonist. Motherhood is portrayed as many childless people like me envision, an absolute misery of an existence (I left the theater thinking thank god I don’t have kids). A successful film would have made Marlo’s predicament relatable to everyone.
ellauri112.html on line 691: Theron is more than capable and proves she’s up to the challenge of the role and its physical demands, but this isn’t as Oscar worthy as some are crowing. How gutsy and brave her performance is! they’ll surely shout, all because she dons a partial fat suit (the actress also gained a very real 50 pounds for the role), doesn’t wear makeup, has unkempt hair and bags under her eyes. Interestingly enough, it seems to be those same critics who ripped Amy Schumer and her “I Feel Pretty” to shreds for ‘fat shaming’ or poking fun at the way women look. Candid and authentic simply because she doesn’t look like the gorgeous movie star that she is? I don’t think so.
ellauri112.html on line 693: The same can be said for Cody’s rough around the edges, unsubtle screenplay. This is far from her best work and for once, she seems to have written herself into a corner. Some of the narrative is so contrived that it’s dripping with cliché, crowded with irritating, pithy platitudes dressed up in a bright hipster bow. Worst of all, the film treats serious post-partum depression as a gimmicky afterthought and even tacks on a borderline inappropriate ‘gotcha!’ ending.
ellauri112.html on line 697: Honestly, I expected the parenting tropes to be far worse ... There simply weren´t enough bodily fluids to make this a truly authentic parental experience. I liked the “motherhood as body horror” approach, nyökkii toinen samanlainen.
ellauri112.html on line 701: I appreciated the fact that a troubled mom did seek help, I’m just not sure the script needed the plot twist. I didn’t immediately warm to this flick. Actually, I often alternated between exasperation and captivation – and a key plot twist at the end left a sour taste in my mouth, though for petty reasons. Nonetheless, something about it didn’t feel quite right. It took one observation from a friend afterward to allow for the film’s brilliance to bloom in my mind.
ellauri112.html on line 705: The 26-year-old nanny’s name is Tully (played by Mackenzie Davis of “Halt and Catch Fire” fame), and she’s a free spirit, albeit one with a serious work ethic. Tully instantly takes over the house, manages Marlo’s baby effortlessly, and starts taking care of mom too. Not only does she give her the precious “alone time” she desperately needs and craves, but Tully ends up becoming a sort of therapist to her, along with a best friend, muse, and a regular shoulder to cry on.
ellauri112.html on line 707: Tully seems too good to be true when she quickly organizes the home, cleans it from top to bottom, and finds a place for all the errant toys too. She even makes cupcakes for Marlo to take to Jonah’s school as a peace offering. Ultimately, Tully becomes the ‘spouse’ Marlo really needs, and they even have a simpatico banter together, quipping back and forth in sharp, pithy dialogue, the only way Cody can write for her characters.
ellauri112.html on line 709: In Tully, Marlo starts to see the kind of caretaker she wants to have, and their bondage becomes what keeps her going. As much as Tully turns into a super nanny, the real job she does is help return Marlo to a functioning hole person. With the aid of Tully, Marlo gets her love life back again, gets it each day, and kicks the postpartum depression to the curb. Should kick Drew there too maybe. Tully she cant kick without kicking herself in the ass.
ellauri112.html on line 711: The night they go out starts with an amusing drive at the sound of Cindy Lauper, but becomes severely toxic when they arrive at an underground club and the drunk Marlo jumps in sync with clangorous heavy-metal rhythms and then endures pain due to engorged breasts. However, that pain was infinitesimal when compared to the afflicting news that Tully is quitting.
ellauri112.html on line 717: Tully takes care of the baby with effortless technique, letting Marlo know she can also help with anything else around the house, even tips for re-starting Marlo and Drew’s sex life. She spouts hip, up to date trends and the kind of facts fresh college kids throw around. But it’s not a feel-good narrative. Through Tully Marlo is looking back at an earlier age, when life was simpler, breezier. We soon realize Tully isn’t teaching Marlo anything, she’s reminding her of the past. In one scene the two decide to sneak out to a bar, but the moment isn’t just fun, it’s also melancholic. Marlo warns Tully that your 20’s are great, but then “your 30’s come around the corner like a big dumpster truck.”
ellauri112.html on line 721: Plaid shirts, horn-rimmed glasses and beards are associated with the stereotypical 21st-century hipster. Retro electronics, Casio watch pictured, full beards and vintage clothes are associated with hipster subculture. Tampere in Pirkanmaa, Finland is ranked one of the world´s most popular hipster cities.
ellauri112.html on line 727: The film’s strength – for its first two thirds – is the relationship between the two women at the heart of the narrative. We learn through a clumsy coincidence at the beginning of the film that Marlo is bisexual; as her intimacy with Tully expands to fill the vacuum of her absentee marriage, it becomes a tender eroticism. This is mediated, always, through other bodies: as Tully cradles the baby who has just finished feeding, she talks about how the ‘molecules’ of the child still exist within the mother; later, in a bar toilet, she gently wets a paper towel and uses it to draw the milk out of Marlo’s swollen breasts. In a pivotal scene, Marlo sits behind Tully and instructs her on what to do to arouse her sleep-befuddled husband. This moment can be read as emblematic of the film’s mistreatment of the queer intimacy it establishes. Coming after a discussion of sexual history and sexual fantasy, Marlo reveals to Tully that she has a waitress’s uniform that she’s never used, bought to surprise her husband. As Tully puts the outfit on, which fits her pre-natal body in a way it wouldn’t Marlo, the moment of sexual possibility between the women is subsumed into heteronormative, ageist fantasy: Tully’s young, and therefore fantasy-appropriate, body is used as bait to ‘recharge’ the masculine battery.
ellauri112.html on line 729: The revelation that Tully is a version of Marlo’s former self removes the possibility of a different life she represented. “I love us,” Marlo’s husband says to her, as she lies in her hospital bed. “I love us too,” she replies. This collective noun is the acceptance of the status quo, just as Tully’s last speech, in which she tells Marlo she should embrace her dull life – “being boring means you’re doing it right” – is an endorsement of the sacrifices society requires of her. The final scene, in which Marlo’s husband helps her make the packed lunches, is bathed in a saccharine glow: learn to love your claustrophobia, it tells women. The nuclear family is the only one worth having.
ellauri112.html on line 736: Hämeenlinnassa 2016 päiväkotilapsi tipautti leikkipaikan kaiteelta toisen päähän palikan. Jälkimmäinen sai siitä päähän kuhmun ja polveen mustelman. Helikopterivanhempi nosti siitä syytteen hoitajia vastaan vammantuottamuxesta. Syyte hylättiin raastuvassa. Curling-vanhempi valitti päätöxestä hoviin, jonka naiset antoi hoitajille päiväsakkoa äänin 2/1. Nico-Petteri Uuspaavalniemi sai korvausta 800e eli 2Ke vähemmän kuin pyysi. Juttu jatkui korkeimpaan joka vapautti 2021 tarhatädit kahleista. Lähteeköhän kohta helikopteri kohti EU-oikeusistuinta.
ellauri112.html on line 742: Jos Suomen amerikanisoituminen jatkuu entisellä vauhdilla, on täälläkin pian vain yxityisiä lastentarhoja, joissa on vain rikkaimpien lapsia, joilla on päässä kypärät ja luotiliivit ja kädessä taipuisat kumilapiot. Tarhan piha on päällystetty silikonilla ja 2m verkkoaidan päällä on lasinsiruja. Aidan kulmissa aseistetut vartijat vahtivat ettei kukaan lumihiutaleista koita karata. Vanhempien puhelimissa on pikavalinnat Nico-Petterille, tarhan johtajalle, ensiapuun ja asianajajalle.
ellauri112.html on line 767:
American noiria

ellauri112.html on line 789: When shall we eat supper? First or last day of the week? This has nothing to do with the Sabbath being changed. I do not believe that it has, but that it is obsolete. The Sabbath is “Saturday”, the 7th day, which I am convinced to be for the rest that Christians will take with the Father (Heb. 4:1-11) and for weekend shopping. I find keeping the Sabbath day is a part of the 10 commands. Exodus says “And He wrote on the tablets the words of the covenant, the Ten Commandments” (Exo. 34:28, also see Deut. 4:13, 9:9, 11). Jeremiah said “Behold, the days are coming, says the LORD, when I will make a new covenant” (Jeremiah 31:31). Look further for Jeremiah said, “not according to the covenant that I made with their fathers”
ellauri112.html on line 791: Not according to which covenant? Jeremiah says the covenant “in the day that I took them by the hand to lead them out of the land of Egypt, My covenant which they broke” (31:32). Again which covenant is this? Exodus says “And He wrote on the tablets the words of the covenant, the Ten Commandments” (Exo. 34:28). Christ’s covenant is “not according to the covenant that I made with their fathers”, but “In that He says, ‘A new covenant,’ He has made the first obsolete. Now what is becoming obsolete and growing old is ready to vanish away” (Heb. 8:13). The Old Covenant of the 10 commands with the Sabbath keeping is obsolete and vanishing away in the 1st century.
ellauri112.html on line 793: “But if the ministry of death, written and engraved on stones, was glorious, so that the children of Israel could not look steadily at the face of Moses because of the glory of his countenance, which glory was passing away, how will the ministry of the Spirit not be more glorious?” (2 Cor. 3:7-8).
ellauri112.html on line 799: Does communion wine have to be alcoholic?
ellauri112.html on line 801: What if I don´t have grape juice for communion?
ellauri112.html on line 803: Was the wine in the Bible non alcoholic?
ellauri112.html on line 815: Wine and grape juice are made from the same fruit and visually present the same message of Christ´s blood. So, does it really matter whether we use juice or wine for the sacrament?
ellauri112.html on line 819: “God himself provides ‘wine which makes man’s heart glad’ just as He gives ‘food which sustains man’s heart’ (Ps. 104:14.15). He promises His people that, if they will obey Him, He will bless them with an abundance of wine (Deut 7:13, 11:14, Prov. 3:10. etc.). He threatens to withdraw this blessing from them if they disobey His law (Deut. 28:39, 51; Isa. 62:8). The Scriptures clearly teach that God permits His people to enjoy wine and strong drink as a gift from Him. ‘You may spend the money for whatever your heart desires, for oxen, or sheep, or wine, or strong drink, or whatever your heart desires; and there you shall eat in the presence of the Lord your God and rejoice, you and your household’ (Deut. 14:26).
ellauri112.html on line 825: Regarding children, in most of the United States it is not illegal for children to consume alcohol "in the performance of a religious ceremony or service." In many religions it is also a-ok for men of God to consume kids.
ellauri112.html on line 827: In the end, I believe it is permissible to use grape juice instead of wine for the Lord´s Supper, but I do not believe it is best. Wine was used during the Passover and in the institution of the Lord´s Supper, and following that pattern is most biblical. It is also permissible to use mature women instead of boys for a lordly lay, but I do not believe it is best. Young John was Jesus´ favourite disciple, so that pattern too is most biblical.
ellauri112.html on line 838: He is dead but buy his book What Would Jesus Drink? by Brad Whittington. Price: $0.99 USD. Words: 38,770. Language: English. Published: August 13, 2011. Categories: Autofiction » Religion & Spirituality » Christianity. It includes 247 verses from the bible and the rest of it as appendix for further reading. Brad Whittington's tag cloud: alcohol beer jesus wine.
ellauri112.html on line 842: In his book, What Would Jesus Drink, Brad Whittington breaks down the biblical references of alcohol into three types. In all, there are 247 references to alcohol in Scripture. 40 are negative (warnings about drunkenness, potential dangers of alcohol, etc.), 145 are positive (sign of God´s blessing, use in worship, etc.), and 62 are neutral (people falsely accused of being drunk, vows of abstinence, etc.) The Bible is anything but silent on the issue of wine. The bible, like tequila, must be imbued carefully, seen as a blessing, and received with a grain of salt. It must not be abused. The old saying is true, "Wine is from God, drunkenness is from the Devil."
ellauri112.html on line 844: Many churches that serve wine for communion also serve grape juice in a separate cup or tray, allowing people who wish to refrain from alcohol continue to participate.
ellauri112.html on line 846: Some have pointed out that Jesus made “new wine”, which is the description of nonalcoholic wine in the Scriptures (cf. Acts 2). Strangely, that would imply that Jesus would have aided a wedding into a drinking party without Hard Spirit (1 Pet 4:3). Remember that John 2:10 used the Greek word methuo, which means drunk or full up, to describe the amount of wine consumed by the wedding guests. If the wine was intoxicating in the wedding of John 2, then the text is describing the guests as intoxicated and Jesus was giving them 120 to 150 gallons of intoxicating wine.
ellauri112.html on line 853: Those asserting that Jesus made intoxicating wine are also implying that Jesus was encouraging a drinking party, vain drinking, and drunkenness. Wayne Jackson says in his article, “What about Moderate Social Drinking?”,
ellauri112.html on line 855: “There is no proof that the ‘wine’ at the marriage feast in Cana was fermented. The Greek word for ‘wine’ in this text is oinos, which may refer to a fermented beverage (cf. Eph. 5:18), or it may denote freshly squeezed grape juice (cf. Isa. 16:10 – LXX). Since the word for ‘wine’ is generic, the student has no right to import the concept of an alcoholic beverage into this passage without contextual justification—of which there is none.”
ellauri112.html on line 857: Did Jesus use intoxicating wine in the Lord’s Supper? No, He did not. Actually, wine has nothing to do with the Lord’s Supper. The word “wine” is never used in reference to the Lord’s Supper. The word is "blood". People have invented the idea that Jesus used alcoholic wine in the Lord’s Supper. In fact it was blood.
ellauri112.html on line 859: Jesus mentions the specific content of the cup to drink is “fruit of the vine” or an even better translation “fruit of the grapevine”. There is no indication of its fermentation. Add to all of this that Jesus used unleavened bread because it was the time of the Passover when God commanded Israel to throw out all leaven. The grape juice would have been unleavened too at least in the sense of having additional yeast rather than wild yeast. What does that mean? The throwing out of leaven would have also included the throwing out of highly intoxicating wine that contained additional yeast.
ellauri112.html on line 862: Wines today average 12-18% alcohol due to saccharomyces, a genetically modified yeast that alien scientists developed in the twentieth century. Due to distilling, strong drinks like liquor go over twenty percent. Study for yourself. Mutta ole varovainen, se on DYNAMIITTIA!
ellauri112.html on line 864: Most do not know what is biblical wine. Most assume that all “wine” in the Bible is highly alcoholic and intoxicating like today’s wine. There are passages that clearly imply that wine can intoxicate (Eph 5:18, 1 Tim 3:8, Titus 2:3). Still, “wine” is often simply grape juice.
ellauri112.html on line 865: Biblical “wine” may be alcoholic or not at all. Analogously, a biblical "lay" may range from penetration through spilling the seed ante portas (Onan 1.0) to just knowing someone, in the biblical sense.
ellauri112.html on line 868: icanmirror.com/wp-content/uploads/2016/09/JacksonDetroit-400x261.png" width="20%" />
ellauri112.html on line 872: Jackson has vehemently denied that the meeting is a publicity stunt, or that his network was paid by the Trump campaign for the interview. John Calvin too emphasized tolerance in his Institutes of the Christian Religion:
ellauri112.html on line 884: Second, Timothy obviously suffered from a stomach ailment which required a medicinal remedy. The water in Asia Minor can be very dangerous, hence the young evangelist was encouraged to take “a little wine” along with his water. The sentence is elliptical: “Be no longer a drinker of water [alone], but [with it] take a little wine” (1 Tim. 5:23).
ellauri112.html on line 886: This text must be edited by deleting and adding words as indicated. This is often a good procedure, in particular the word "not" may suitably be edited where it seems indicated. Like: I [among others] am your god, do not keep [many] other gods. [Do not keep cats or dogs either.]
ellauri112.html on line 897: Persistently, honorable men are engaged in a discussion as to what should be the contents of the communion cup. Should the cup contain wine, the fermented juice of grapes? Or should it be unfermented grape juice? Does it matter? What difference does it make, if any? Should church leaders accommodate both Christians who want to use wine, as well as those who prefer unfermented grape juice, by offering what is sometimes called a “split cup” or a “split tray”? In other words, what should be the second “element,” or the contents of the communion cup? Can grape juice change to real blood and no fucking tomato juice? How should such questions—controversial as they are—be answered?
ellauri112.html on line 901: First, on the next page of this web site, we will study a few Bible passages concerning the public worship of God in general. We do so for simple reasons. “All Scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness, that the man of God may be complete, thoroughly equipped for every good work” (2 Timothy 3:16-17, NKJV). Worship is a “good work,” but we are not to lean on our own understanding (Proverbs 3:5). Only the Bible can teach us how to worship God in a manner that pleases Him. All our worship, including our observance of the Lord’s Supper, ought to rest on a biblical foundation.
ellauri112.html on line 905: Third, since we cannot understand wine in the Lord´s Supper without also understanding what the Bible teaches us about wine in general, we will examine this topic too. We will see what the Holy Scriptures teach about the ways wine was used, whether drinking wine is a sin, the sin of drunkenness, the "two-wines theory," and the wide-spread bias against wine.
ellauri112.html on line 909: Fifth, we will cite the statements of confessions, churches and prominent men, always remembering that such human opinions are not equal to Holy Scripture, but can sometimes shed light on the meaning of Holy Scripture. We will seek to imitate the Bereans of Acts 17:11, who sought to examine what they had heard from even the best of God’s teachers in the light of the word of God. We will adopt what is biblical and profitable, and reject whatever is not.
ellauri112.html on line 913: On the next three pages of the web site, we will read articles by William B. Sprague, Moses Stuart, William Slater, and Dunlop Moore. These four nineteenth century religious leaders will give us their answers to the question Moses Stuart asked in 1835, namely, "What is the duty of the churches, in regard to the use of fermented (alcoholic) wine, in celebrating the Lord´s Supper?"
ellauri112.html on line 915: Since the use of unfermented grape juice is so popular, individual lay Christians may be confronted with grape juice instead of wine when they want to observe the sacrament. Therefore, we must briefly examine the Christian´s duty, whenever he or she is offered grape juice in the Lord´s Supper.
ellauri112.html on line 917: Then, we will answer such objections as are commonly offered to the biblical teaching.
ellauri112.html on line 919: We also briefly summarize the current positions of the Reformed Presbyterian Church of North America, as described by synodical decisions in 2002, 2010, 2017, and 2019. This page also includes an analysis of these decisions.
ellauri112.html on line 929: A website such as this one may seem unnecessary and needless, because many men and churches have already spoken. Even when official statements are lacking, it might appear that the actual practices of churches and men have already decided the truth of the matter. And, indeed, we ought to give the opinions of men and the practices of the churches all the consideration they deserve.
ellauri112.html on line 931: However, only the Bible is inspired and infallible. Only the Bible can be the rule of our faith and practice. Where the Bible is silent, we will seek to be silent as well. Where the Bible speaks, we will seek to yield faithful obedience. Where it contradicts the opinions of men, or the practices of churches, we will say, “To the law and to the testimony! If they do not speak according to this word, it is because there is no light in them” (Isaiah 8:20).
ellauri112.html on line 933: We should agree with the Westminster Confession of Faith, which teaches us that “The supreme judge by which all controversies of religion are to be determined, and all decrees of councils, opinions of ancient writers, doctrines of men, and private spirits, are to be examined, and in whose sentence we are to rest, can be no other but the Hard Spirit speaking in the Scripture.” As it is with all controversies of religion, so it is with this one. Smell the breath of the Lord.
ellauri112.html on line 936: Ford and Zaphod clinked their glasses together. Ford i Zaphod kucnuše se čašicama.
ellauri115.html on line 6: font-style: italic;
ellauri115.html on line 162: JJ Rousseau kaiken todennäkösyyden mukaan olis covert tapaus, koska sen äiti kuoli vauvana ja iskä dumppasi sen pastor Müllerin "hoiviin". Mutta voihan joku olla kumpaakin tyyppiä aina sen mukaan miten hyvin sillä menee asiat. Se pullistuu kuin purje myötätuulessa ja kiristyy kun on vastahankaista. Ehkä sitä sit on kehuttu liikaa kun se menestyy ja lytätty liikaa kun se epäonnistuu. Tärkein piirre siinä on toi me first: maailmassa ei ole ketään muuta tärkeää kuin mä, te muut te olette vaan mun onnen välikappaleita tahi esteitä. Te olette kuin Picasson pölyhiukkasia, jotka voi pyyhkästä pois mun kukonsulista tehdyllä pölyhuiskalla tai imuroida mun mustan aukon imuriin.
ellauri115.html on line 168: Wer würde glauben, dass diese Bestrafung in der Kindheit, erlitten im Alter von acht Jahren von hand eines alten Jungfer von dreissig Jahren (tatsächlich war er elf und sie vierzig) meinen Geschmack, meine Wünsche, meine Leidenschaften, mein ganzes Selbst bis ans Ende meines Lebens bestimmen würde?
ellauri115.html on line 170: Es verlangte ihm verzweifelt nach mehr davon. Die kluge Lehrerin hatte natürlich erkannt, was sie angerichtet hatte, und schlug ihn nie wieder. Für den armen Jean-Jacques war es jedoch zu spät! Er litt unter erotischen Extasen, in denen er intensiv davon träumte, dass er geprügelt würde. Er liebte es, zu Füssen einer gebieterischen Herrin zu liegen, ihren Befehlen zu gehorchen, gezwungen zu sein, ihre Vergebung zu erbitten ... das war für mich ein süsses Vergnügen. Aber er wagte nie, echt um Prügel auf Arsch zu bitten. Paizi yhtä 11-vuotiasta tyttöä, jota sitäkin sai polovillaan anella. Mamania J-J ei tykännyt bylsiä, se tuntui kun olis kengittänyt omaa äitiä. Pitääxeen izensä kankeana sen piti ajatella pukilla muita naisia. Kyynelet valui silmistä Mamanin tissille.
ellauri115.html on line 174: Therese war Rousseau bemerkenswert ergeben, wenn man seine schwierige Natur und sein herzloses Verhalten gegenüber den fünf gemeinsamen ausserehelich geborenen Kindern betrachtet. Trotz der Proteste seiner Frau (nicht aber Ehefrau) bestand Rousseau darauf, dass die Kinder jeweils nach der Geburt einem Findelhaus übergeben wurden. Seine Begründungen waren philosophisch - zum Beispiel sei das der einzige Weg, "ihre Ehre zu retten", da sie nicht verheiratet waren. Er nannte Therese "Tante" und "Herrin", nicht aber "Königin", doch ging seine Unterwürfigkeit nie so weit, dass er sie um Prügel bat, und er klagte dass sie im Bett kalt war. Kreivitär Houdetotin perään J-J läähätti niin kovasti, että sai elinikäisen nivuskohjun jatkuvasta stondista. Sophie Houdetot oli schrecklich moralische Julien esikuva kirjassa Uusi Heloise.
ellauri115.html on line 252: Victor Hugo (1802-1885) oli ristiriitainen ihminen. Ristiriitaiset ihmiset ovat kiinnostavia! Se oli naistenmies ja kitupiikki. Se meni naimisiin 20-vuotiaan Adèlen kanssa ja runoili sille kauniita säkeitä: Sinä pidät minua kädestä kun vaellan varjossa, ja silmistäsi hohtavat minulle taivaan säteet. 8v myöhemmin nukuttiin eri peteissä. Rakkaus lakastui. Eikö Adèle huolehtinut henkilökohtaisesta raikkaudestaan? Hollantilaiset turistit rahtaa suolissaan kaukoidästä antibioottiresistenttejä bakteerikantoja. Marmarameri on merirään peitossa. Se on ihmistoiminnan tulosta. Merieläimet tukehtuvat rään alla happivajeeseen. Ajattelemisen aihetta.
ellauri115.html on line 285: Mutta tiesittekö että Michel Montaigne oli puolikikkele, eli sen äiskä oli sefardijuutalainen? Tämän tiedon sain antisemiittikolleegaltani Ezra Poundilta. Ja Jew or Not Jew sivusto sen vahvistaa:
ellauri115.html on line 287: Michel de Montaigne (February 28, 1533 – September 13, 1592)
ellauri115.html on line 292: And who is to blame? Well, Christianity, of course. As the new religion swept through the continent, dogma took over. How dare you question the church? Now kiss my pinky ring, and let's kill some Muslims and Jews. Divine right, damn it! Uskokaa tai älkää, Grice and Strawson kirjoitti vielä 1956 paperin In Defense of a Dogma. Well kiss my pinky ring!
ellauri115.html on line 296: One of the most important figures of the Renaissance was Michel de Montaigne. The writer not only gets the credit for popularizing the essay, but for being the father of Modern Skepticism, coining the phrase "What do I know?". Well, what do you know!
ellauri115.html on line 298: Of course, we as Jews don't need some long-dead Frenchman to teach us to question. We've been questioning and arguing with the dogma (and with each other) through the Middle Ages, through the Renaissance, and beyond, carrying forward critical thinking through the centuries to today.
ellauri115.html on line 302: Verdict: Barely a Jew.
ellauri115.html on line 306: icum_Sturm9.jpg/220px-Myosoton_aquaticum_Sturm9.jpg" height="100px" />
ellauri115.html on line 307: ic-signed-autograph-photo-1297-800x800.jpg" height="100px" />
ellauri115.html on line 312: Ralliautoilija ja europarlamentaarikko Ari Vatanen herätti huomiota ilmastonmuutosta koskevilla lausunnoillaan. Hän sanoi 23. toukokuuta 2009, että ihmisen vaikutus ilmaston lämpenemiseen on valheellisten ja väärennettyjen tutkimustulosten seurausta. 27. toukokuuta hän julkaisi verkkosivuillaan oikaisun, jossa hän totesi muun muassa, että ”olemme joka tapauksessa menossa kohti lämpökuolemaa, joskin viipeellä”. Kesäkuussa 2009 kokoomuksen pitkäaikainen poliitikko ja kansanedustaja Ben Zyskowicz arvosteli Vatasta toukokuussa esitettyjen ilmastonäkemysten johdosta ja väitti, että näkemykset veivät puolueelta ääniä tuolloin pidetyissä Euroopan parlamentin vaaleissa.
ellauri115.html on line 362: Rousseau ajatteli että muut apinat on vaan jotain kuoria tai mekaanisia olioita, joilla ei ole mitään moraalista suhdetta narsistin izeensä, Sillä saa 1x2 markat miljoonax narsistitestissä. Picasso puhui pölyhiukkasista, Pena Linkola laahuxesta.
ellauri115.html on line 387: Wounded feelings gave rise to a bitter three-way quarrel between Rousseau and Madame d'Épinay; her lover, the journalist Grimm; and their mutual friend, Diderot, who took their side against Rousseau. Diderot later described Rousseau as being "false, vain as Satan, ungrateful, cruel, hypocritical, and wicked... He sucked ideas from me, used them himself, and then affected to despise me".
ellauri115.html on line 389: In the year 1766 Rousseau had just cause to fear for his life. For more than three years he had been a refugee, forced to move on several times. His radical tract, The Social Contract, with its famous opening salvo, "Man is born free, but everywhere he is in chains", had been violently condemned. Even more threatening to the French Catholic church was Émile, in which Rousseau advocated denying the clergy a role in the education of the young. An arrest warrant was issued in Paris and his books were publicly burned. "A cry of unparalleled fury" went up across Europe. "I was an infidel, an atheist, a lunatic, a madman, a wild beast, a wolf ..."
ellauri115.html on line 392: One night, a drunken mob attacked his house. Rousseau was inside with his mistress, the former scullery maid Thérèse le Vasseur (by whom he had five children that he notoriously abandoned to a foundling hospital), and his beloved dog, Sultan. A shower of stones was thrown at the window. A rock "as big as a head" nearly landed on Rousseau's head, no bed. When a local official finally arrived, he declared, "My God, it's a quarry."
ellauri115.html on line 396: Hume still felt, justly, under-appreciated. The "banks of the Thames", he insisted, were "inhabited by barbarians". There was not one Englishman in 50 "who if he heard I had broke my neck tonight would be sorry". Englishmen disliked him, Hume believed, both for what he was not and for what he was: not a Whig, not a Christian, but definitely a Scot. In England, anti-Scottish prejudice was rife. But his homeland too seemed to reject him. The final humiliation came in June 1763, when the Scottish prime minister, the Earl of Bute, appointed another Scottish historian, William Robertson, to be Historiographer Royal for Scotland.
ellauri115.html on line 398: Hume's friends travelling in France had already told him about his incomparable standing in Parisian society. And the two years he spent in Paris were to be the happiest of his life. He was rapturously embraced there, loaded, in his words, "with civilities". Hume stressed the near-universal judgment on his personality and morals. "What gave me chief pleasure was to find that most of the elogiums bestowed on me, turned on my personal character; my naivety & simplicity of manners, the candour and mildness of my disposition &tc." Indeed, his French admirers gave him the sobriquet Le Bon David, the good David.
ellauri115.html on line 402: Hume penned an unreserved panegyric to a clerical friend in Scotland comparing Rousseau to Socrates and, like a starry-eyed lover, seeing beauty in his adored one's blemishes: "I find him mild, and gentle and modest and good humoured ... M. Rousseau is of small stature; and would rather be ugly, had he not the finest physiognomy in the world, I mean, the most expressive countenance. His modesty seems not to be good manners but ignorance of his own excellence."
ellauri115.html on line 408: Of course it must have been galling for Hume, hailed in Paris, to be reduced, in the shrewd observation of an intimate Edinburgh friend, William Rouet, Professor of Ecclesiastical and Civil History, to being "the show-er of the lion". The lion stood out in his bizarre Armenian outfit, complete with gown and cap with tassels, and was almost everywhere accompanied by his dog, Sultan. Hume was astounded by the fuss, somewhat meanly putting it down to Rousseau's curiosity value.
ellauri115.html on line 412: Rousseau was already seized with the glimmerings of a plot; he warned his Swiss friends that his letters were being intercepted and his papers in danger. By June, the plot was starkly clear to him in all its ramifications - and at its centre was Hume. On June 23, he rounded on his saviour: "You have badly concealed yourself. I understand you, Sir, and you well know it." And he spelled out the essence of the plot: "You brought me to England, apparently to procure a refuge for me, and in reality to dishonour me. You applied yourself to this noble endeavour with a zeal worthy of your heart and with an art worthy of your talents." Hume was mortified, furious, scared. He appealed to Davenport for support against "the monstrous ingratitude, ferocity, and frenzy of the man".
ellauri115.html on line 414: Hume's eyes were on France, in particular, and his reputation as the good David. His first denunciations of Rousseau were made to his friends in Paris; his Concise and Genuine Account of the Dispute between Mr. Hume and Mr. Rousseau would be published there in French, edited by Rousseau's enemies. He studiously avoided communicating with Mme de Boufflers, knowing she would, as she did, urge "generous pity". Hume's descriptions of Rousseau as ferocious, villainous and treacherous ensured joyful coverage in newspapers and discussions in fashionable drawing rooms, clubs and coffee houses. The actor-manager David Garrick wrote to a friend on July 18 that Rousseau had called Hume "noir, black, and a coquin, knave".
ellauri115.html on line 416: In his reply to Rousseau, Hume (unwisely) demanded that Rousseau identify his accuser and supply full details of the plot. To the first, Rousseau's answer was simple and powerful: "That accuser, Sir, is the only man in the world whose testimony I should admit against you: it is yourself." To the second, Rousseau supplied an indictment of 63 lengthy paragraphs containing the incidents on which he relied for evidence of the plot and how Hume had deviously pulled it off. This he mailed to his foe on July 10 1766. The whole document managed to be simultaneously quite mad but resonating with inspired mockery and tragic sentiment.
ellauri115.html on line 418: In hindsight, it seems unlikely that they were ever going to get along, personally or intellectually. Hume was a combination of reason, doubt and scepticism. Rousseau was a creature of feeling, alienation, imagination and certainty. While Hume's outlook was unadventurous and temperate, Rousseau was by instinct rebellious; Hume was an optimist, Rousseau a pessimist; Hume gregarious, Rousseau a loner. Hume was disposed to compromise, Rousseau to confrontation. In style, Rousseau revelled in paradox; Hume revered clarity. Rousseau's language was pyrotechnical and emotional, Hume's straightforward and dispassionate.
ellauri115.html on line 422: A cartoon depicting Rousseau as a Savage Man, a Yahoo, caught in the woods was more to Hume's taste. He described it to her with relish. "I am represented as a farmer, who caresses him and offers him some oats to eat, which he refuses in a rage; Voltaire and D'Alembert are whipping him up behind; and Horace Walpole making him horns of papier maché. The idea is not altogether absurd."
ellauri115.html on line 429: Moreover, Rousseau advocated the opinion that, insofar as they lead people to virtue, all religions are equally worthy, and that people should therefore conform to the religion in which they have been brought up. This religious indifferentism caused Rousseau and his books to be banned from France and Geneva. He was condemned from the pulpit by the Archbishop of Paris, his books were burned and warrants were issued for his arrest. Former friends such as Jacob Vernes of Geneva could not accept his views, and wrote violent rebuttals.
ellauri115.html on line 431: Voltaire issued an invitation to Rousseau to come and reside with him, commenting that: "I shall always love the author of the 'Vicaire savoyard' whatever he has done, and whatever he may do...Let him come here [to Ferney]! He must come! I shall receive him with open arms. He shall be master here more than I. I shall treat him like my own son."
ellauri115.html on line 440: Rousseau published Emile, or On Education in 1762. A famous section of Emile, "The Profession of Faith of a Savoyard Vicar", was intended to be a defense of religious belief. Rousseau's choice of a Catholic vicar of humble peasant background (plausibly based on a kindly prelate he had met as a teenager) as a spokesman for the defense of religion was in itself a daring innovation for the time. The vicar's creed was that of Socinianism (or Unitarianism as it is called today). Because it rejected original sin and divine revelation, both Protestant and Catholic authorities took offense. Eikös ne Emersonin porukat olleet unitaareja? Ja se Erasmuxen elämäkerturi Ephraim Emerton Bostonista.
ellauri115.html on line 486: Samuel Clarke (1675–1729) was the most influential British metaphysician and theologian in the generation between Locke and Berkeley, and only Shaftesbury rivals him in ethics. In all three areas he was very critical of Hobbes, Spinoza, and Toland. Deeply influenced by Newton, Clarke was critical of Descartes’ metaphysics of space and body because of the experimental evidence for Newtonianian doctrines of space, the vacuum, atoms, and attraction and because he believed Descartes’ identifying body with extension and removing final causes from nature had furthered irreligion and had naturally developed into Spinozism.
ellauri115.html on line 488: Clarke sided with Locke and Newton against Descartes in denying that we have knowledge of the essence of substances, even though we can be sure that there are at least two kinds of substances (mental and material) because their properties (thinking and divisibility) are incompatible. He defended natural religion against the naturalist view that nature constitutes a self-sufficient system and defended revealed religion against deism. Clarke adopted Newton’s natural philosophy early on. Through his association with Newton, Clarke was the de facto spokesperson for Newtonianism in the first half the eighteenth century, not only explaining the natural science but also providing a metaphysical support and theological interpretation for it.
ellauri115.html on line 574: Pickering, why can't a woman be more like a man?
ellauri115.html on line 575: Pickering: I beg your pardon?
ellauri115.html on line 579: Eternally noble, historically fair;
ellauri115.html on line 592: Pickering:
ellauri115.html on line 596: Pickering:
ellauri115.html on line 600: Pickering:
ellauri115.html on line 612: Pickering:
ellauri115.html on line 616: Pickering:
ellauri115.html on line 620: Pickering:
ellauri115.html on line 632: Why is logic never even tried?
ellauri115.html on line 732: Marcus Atilius Regulus (kuoli mahdollisesti 250 eaa.) oli Rooman tasavallan konsuli ja sotilasjohtaja, joka nähtiin Roomassa sankaruuden esikuvana. Perimätiedon mukaan Regulus pysyi vangittuna Karthagossa kunnes hänet lähetettiin Roomaan neuvottelemaan joko rauhasta tai vankienvaihdosta. Hänen kerrotaan vaatineen senaattia kieltäytymään Karthagon ehdotuksista, minkä jälkeen hän noudattaakseen vapauttamisensa ehtoja palasi vankeuteen Karthagoon huolimatta roomalaisten vastustuksesta. Hänen vangitsijoidensa kerrotaan nopeasti kiduttaneen hänet kuoliaaksi. Reguluksen toiminta nähtiin osoituksena sankarillisesta kestävyydestä. Paras aikakautta käsittelevä säilynyt lähde, kreikkalainen historioitsija Polybios (n. 203–118 eaa.) ei mainitse Reguluksen kuolemaan liittyvistä tapahtumista, mutta se mainitaan vuonna 129 eaa. konsulina toimineen Gaius Sempronius Tuditanuksen fragmenteissa. Jotkut historiantutkijat ovat arvelleet, että kertomus Reguluksen kiduttamisesta olisi keksitty puolustamaan sitä, että Diodoros Siculuxen mukaan roomalaiset kiduttivat kahta karthagolaista sotavankia Reguluksen lesken käskystä.
ellauri115.html on line 811: What is to hinder a man from taking his enemy as his teacher without fee, and profiting thereby, and thus learning, to some extent, the things of which he was unaware? For there are many things which an enemy is quicker to perceive than a friend (for Love is blind regarding the loved one, as Plato says), and inherent in hatred, along with curiosity, is the inability to hold one´s tongue.
ellauri115.html on line 814: But far more important is the practice. If you once acquire the habit of bearing an enemy's abuse in silence, you will very easily bear up under a wife's attack when she rails at you, and without discomposure will patiently hear the most bitter utterances of a friend or a brother; and when you meet with blows or missiles at the hands of a father or mother, you will show no sign of passion or wrath.
ellauri115.html on line 816: Conversely, Socrates bore with Xanthippe, who was irascible and acrimonious, for he thought that he should have no difficulty in getting along with other people if he accustomed himself to bear patiently with her; but it is much better to secure this training from the scurrilous, angry, scoffing, and abusive attacks of enemies and outsiders, and thus accustom the temper to be unruffled and not even impatient in the midst of reviling.
ellauri115.html on line 836: At another time Racine took La Fontaine to church, and gave him a Bible, which he opened at the prayer of the Jews in Baruch; becoming interested in the book, which he had perhaps never opened before, he asked his friend, “Who was this Baruch? He was a fine genius!” For some time afterwards his salutation to friends was, “Have you read Baruch?”—LAROUSSE: Fleurs Historiques.
ellauri115.html on line 851: Seuraavassa parhaita haarukkapaloja Baarukin kirjasta. Alkupää on totunnaista jeremiadia, rags to riches tit for tat tyyppisiä ikuisia takuita. Sen jälkeen tulee hilpeätä argumentaatiota puujumalia vastaan.
ellauri115.html on line 934: The ideas of Socinianism date from the wing of the Protestant Reformation known as the Radical Reformation and have their root in the Italian Anabaptist movement of the 1540s, such as the anti-trinitarian Council of Venice in 1550. Lelio Sozzini was the first of the Italian anti-trinitarians to go beyond Arian beliefs in print and deny the pre-existence of Christ in his Brevis explicatio in primum Johannis caput – a commentary on the meaning of the Logos in John 1:1–15 (1562). Lelio Sozzini considered that the "beginning" of John 1:1 was the same as 1 John 1:1 and referred to the new creation,[citation needed] not the Genesis creation. His nephew Fausto Sozzini published his own longer Brevis explicatio later, developing his uncle's arguments. Many years after his death in Switzerland, Sozzini consulted with the Unitarian Church in Transylvania, attempting to mediate in the dispute between Frankenstein and Count Dracula.
ellauri115.html on line 936: He moved to Poland, where he married the daughter of a leading member of the Polish Brethren, the anti-trinitarian minority, or ecclesia minor. In 1565, it had split from the Calvinist Reformed Church in Poland. Sozzini never joined the ecclesia minor, but he was influential in reconciling several controversies among the Brethren: on conscientious objection, on prayer to Christ, and on the virgin birth. Fausto persuaded many in the Polish Brethren who were formerly Arian, such as Marcin Czechowic, to adopt his uncle Lelio's views.
ellauri115.html on line 938: Fausto Sozzini furthered his influence through his Racovian Catechism, published posthumously, which set out his uncle Lelio's views on Christology and replaced earlier catechisms of the Ecclesia Minor. His influence continued after his death through the writings of his students published in Polish and Latin from the press of the Racovian Academy at Raków, Kielce County.
ellauri115.html on line 940: The name Socinian started to be used in Holland and England from the 1610s onward, as the Latin publications were circulated among early Arminians, Remonstrants, Dissenters, and early English Unitarians. In the late 1660s, Fausto Sozzini's grandson Andreas Wiszowaty and great-grandson Benedykt Wiszowaty published the nine-volume Biblioteca Fratrum Polonorum quos Unitarios vocant (1668) in Amsterdam, along with the works of F. Sozzini, the Austrian Johann Ludwig von Wolzogen, and the Poles Johannes Crellius, Jonasz Szlichtyng, and Samuel Przypkowski. These books circulated among English and French thinkers, including Isaac Newton, John Locke, Voltaire, and Pierre Bayle.
ellauri115.html on line 942: In Britain and North America, Socinianism later became a catch-all term for any kind of dissenting belief. Sources in the 18th and 19th centuries frequently attributed the term Socinian anachronistically, using it to refer to ideas that embraced a much wider range than the narrowly defined position of the Racovian catechisms and library.
ellauri115.html on line 960: The Racovian Catechism makes muted reference to the devil in seven places which prompts the 1818 translator Thomas Rees, to footnote references to the works of Hugh Farmer (1761) and John Simpson (1804). Yet these references are in keeping with the somewhat subdued handling of the devil in the Biblioteca Fratrum Polonorum. The Collegia Vicentina at Vicenza (1546) had questioned not only the existence of the devil but even of angels. Word has it that the personal boll weevil was none other than Sozzini himself.
ellauri115.html on line 962: Kun d’Alembert syytti Geneven pastoreita sosinianismista. Rousseau piti niiden puolta. “Socinianism was a Christian sect closely allied with the development of Unitarianism. It took its name from its founder, Fausto Sozino, an Italian of the sixteenth century who lived in Poland for a long time, where his movement had great strength. It was popular throughout Europe and was accepted by many Protestant churches. Socinianism was anti-trinitarian and held that reason is the sole and final authority in the interpretation of the scripture. It further denied eternal punishments. Calvin had condemned the doctrine, so that the imputation in d’Alembert’s article was both a daring interpretation of the doctrine of Geneva’s pastors and one which was likely to be dangerous for them.” Allan Bloom, Politics and the Arts (Ithaca: Cornell University Press, 1960) 150. (back)
ellauri115.html on line 989:
Hic locus est ubi mors gaudet succurrere vitae

ellauri115.html on line 1000: Cicero sanoi että filosofia on vain valmistautumista kuolemaan. Hmm nojaa, eihän siihen tarvi valmistautua. Pikemminkin se on lisääntyvän pelon peittelyä. Ettei olis niin pelottavaa odotella sitä. Tää on Montaignenkin käsitys.
ellauri115.html on line 1004: Pukille kuolivat preetori C. G., Tigellinus, room. henkivartijakaartin pääll., Ludovico, Guido Gonzales, Mantovan markiisin poka, sekä vielä huonompaa esimerkkiä näyttäen Platonin veljenpoika Speusippos sekä muudan paavimme. Pahemminkin voisi käydä.
ellauri115.html on line 1067: Shmuel "Sam" Vaknin (born April 21, 1961) is an Israeli writer and "professor of psychology". He is the author of Malignant Self Love: Narcissism Revisited (1999), was editor-in-chief of political news website Global Politician, and runs a private website about narcissistic personality disorder (NPD). He has also postulated a theory on chronons and time asymmetry which is pure bullshit.
ellauri115.html on line 1068: He has got a psychopathic narcissism diagnosis so he should know. Hän on urakeskeinen menestyvä kyynärpäilevä kiipijä, näet Vaknin.
ellauri115.html on line 1073: Vaknin has a prolific online presence, writing, narcissism, and psychopathy. His views have been solicited by the media.
ellauri115.html on line 1075: Vaknin was born in Kiryat Yam, Israel, the eldest of five children born to Sephardi Jewish immigrants. Vaknin's mother was from Turkey, and his father, a construction worker, was from Morocco. He describes a difficult childhood, in which he writes that his parents "were ill-equipped to deal with normal children, let alone the gifted". Arvaa kyllä ketä sillä tarkoitetaan.
ellauri115.html on line 1077: It was in the mid-1980s that he became aware of difficulties in his relationship with his fiancée, and that he had mood swings. In 1985 he sought help from a psychiatrist, who diagnosed him with narcissistic personality disorder (NPD). Vaknin did not accept the diagnosis at the time. From 1986 to 1987 he was the general manager of IPE Ltd. in London. He moved back to Israel, where he became director of an Israeli investment firm, Mikbatz Teshua. He was also president of the Israeli chapter of the Unification Church's Professors for World Peace Academy.
ellauri115.html on line 1079: In Israel in 1995 he was found guilty on three counts of securities fraud along with two other men, Nissim Avioz and Dov Landau. He was sentenced to 18 months' imprisonment and fined 50,000 shekels (about $14,000), while the company was fined 100,000 shekels. In 1996, as a condition of parole, he agreed to a mental health evaluation, which noted various personality disorders. According to Vaknin, "I was borderline schizoid, but the most dominant was NPD," and on this occasion he accepted the diagnosis, because, he wrote, "it was a relief to know what I had, besides the loot."
ellauri115.html on line 1081: Vaknin moved to Skopje, Macedonia, where he married Macedonian Lidija Rangelovska. They set up Narcissus Publications in 1997, which publishes Vaknin's work.
ellauri115.html on line 1085: Lidija Rangelovska is the owner and CEO of Narcissus Publications and the editor of Sam Vaknin's works, including of "Malignant Self-love: Narcissism Revisited" as well as many other books and ebooks about topics in psychology, relationships, philosophy, economics, international affairs, and award-winning short fiction. She lives in Skopje with her husband, Sam Vaknin. She featured in other documentaries together with her husband ("Egomania" by channel 4 in the UK and "Moi, narcissique et cruel" on Radio-Television Suisse).
ellauri115.html on line 1087: A model of quantised time was proposed by Vaknin in his 1982 Ph.D. dissertation, titled "Time Asymmetry Revisited". The dissertation was published by Pacific Western University (California). "Events" are perturbations in the Time Field and they are distinct from chronon interactions.
ellauri115.html on line 1089: In his view, narcissists have lost their "true self", the core of their personality, which has been replaced by delusions of grandeur, a "false self". Therefore, he believes, they cannot be healed, because they do not exist as real persons, only as reflections: "The False Self replaces the narcissist's True Self and is intended to shield him from hurt and narcissistic injury by self-imputing omnipotence ... The narcissist pretends that his False Self is real and demands that others affirm this confabulation," meanwhile keeping his real-life imperfect true self under wraps.
ellauri115.html on line 1091: Vaknin distinguishes between cerebral and somatic narcissists; the former generate their narcissistic supply by applying their minds, the latter their bodies. He considers himself a cerebral narcissist because he is no eye candy.
ellauri115.html on line 1093: According to Shmuel, narcissism is due to narcissons, little particles that get exchanged between them and their co-dependents.They are just reflections on the surface of Time.
ellauri115.html on line 1095: He believes that disproportionate numbers of pathological narcissists are at work in the most influential reaches of society, such as medicine, finance and politics. Plus art and entertainment.
ellauri115.html on line 1097: Vaknin developed a new treatment modality for narcissism and depression, dubbed "Cold Therapy". It is based on recasting pathological narcissism as a form of CPTSD (Complex Post-traumatic Stress Disorder) and arrested development which result in an addictive personality with a dysfunctional attachment style. The therapy uses re-traumatization, a form of reframing, selective coldness, and deep refrigeration. AKA Gold Therapy. Only losers pay for therapy.
ellauri115.html on line 1101: In 2009, he was the subject of an Australian documentary film, I, Psychopath, directed by Ian Walker. In the film, Vaknin underwent a psychological evaluation in which he met the criteria for hare psychopathy according to the Hare Psychopathy Checklist, but did not meet the criteria for hare narcissism.
ellauri115.html on line 1103: In 2016, Vaknin appeared in the documentary "How Narcissists Took Over the World" produced by Vice Media.
ellauri115.html on line 1107: Narcissus Publications
ellauri115.html on line 1112: I am NOT a mental health professional - read the DISCLAIMER - click HERE!!!
ellauri115.html on line 1126: Jänis attended the University of Alberto for a Bachelor of Farts degree which ended up 'more by default' with an emphasis on psychopathy. In 1959 he married Averil Hare whom he met in an abnormal psychology class, and a year later, to everyone's suprise, their daughter, Cheryl, was born appatently quite normal. But not.
ellauri115.html on line 1128: The Hares moved to the USA to study for a PhD program in psychophysiognomy at the University of Oregon, but due to his daughter falling ill (as expected) the family returned to Canada. Hare then served as a psycho in the prison system in British Columbia (British Columbia Penitentiary) for eight months, an area in which he had no particular qualification or training; indeed he would later recount without pangs of conscience that some prisoners were able to manipulate him more than he could them.
ellauri115.html on line 1130: His research led him to don The Mask of Sanity along with American psychiatrist Hervey M. Cleckley, who played a pivotal role in the sort of psychopathy he developed.
ellauri115.html on line 1134: Hare wrote a popular science bestseller published in 1993 without conscience: The Disturbing World of the Psychopaths Among Us (reissued 1999). He describes psychopaths as 'social predators', while pointing out that regrettably, most don't kill their prey. One philosophical review described it as having a high moral tone yet tending towards sensationalism and graphic anecdotes, and as providing a useful summary of the assessment of psychopathy but ultimately avoiding the difficult questions regarding internal contradictions in the concept or how it should be classified.
ellauri115.html on line 1138: Hare appeared in the 2003/4 award-winning documentary film The Corporation, discussing whether his criteria for psychopathy could be said to apply to modern business as a legal personality, appearing to conclude that many of them would apply by definition. However, in a 2007 edition of Snakes in Suits, Hare contends that the filmmakers took his remarks out of context and that he does not believe all corporations would meet all the necessary criteria in practice.
ellauri115.html on line 1140: Hare's views are recounted with some skepticism in the 2011 bestseller The Psychopath Test by British investigative journalist Jon Ronson, to which Hare has responded. Hare served as a high functioning sociopath for Jacob M. Appel's Mask of Sanity (2017), a novel source of income.
ellauri115.html on line 1151: Tää on ehkä munkin vahvin kokemus läpi kaikkien näiden paasausten. Apinoita on vain kourallinen erilaisia, eikä niiden tarinoita ja turinoitakaan ole paljon enempää. Jos osaisin numeroisin ne ja siinä olisi se Leibnizin unexuma characteristica universalis. Järjestys se olla pitää sanoi ämmä kun kananpojat numeroi.
ellauri115.html on line 1157: Leibniz on yxi tyypeistä jonka kohalla erikielisissä wikipediasivuissa näkyy hyvin anglosaxien ja muiden länkkäreiden väliset kateelliset välit ja kilpaileva nurkkakuntaisuus. Nyt kun Ranskasta tulee EUn isäntämaa ne ottaa Ranskan virallisesti ykköskielexi. Hyvä Ranska! Ulos globalisoitu transatlantic English brittilössin perässä. Ei niitä kaivata. Toivottavasti tää on lännen hajaannuxen alkua.
ellauri115.html on line 1170: A: The answer to this is very simple. Utilitarianism is concerned only with the volume of pleasure and pain, and Nietzsche says in so many words that as soon as you even enter into this kind of thinking, you are already deep into the territory of nihilism. It is passive; concerned with maintenance, not construction; aloof or indifferent to meaning, something to justify the effort in the first place, even when it is successful, let alone when it isn’t. It is the staid, kindly, sober—not to say, the British—version of the same imbecilic nihilism that was prevailing on the continent in the same era. Mill did not understand the difference between pleasure and (actual) happiness, between pain and suffering, between real (spiritual) slavery and freedom.
ellauri115.html on line 1222: Suomen sana uhri on kuormitettu. Se on offer 'eteen kannettu, tarjoomus', victim 'rikoxen kohde', casualty 'kaatunut, miestappio', marttyyri 'sijaiskärsijä, uhriutunut'.
ellauri115.html on line 1226: Aaprahammi meinas tarjoilla jumalalle Iisakin annospaloina kun se käski. Tää oli jehovalta hyvin puhdas narsistinen kiskasu. Iisakki olis ollut victim tässä, ja olikin, vaikkei ihan tullut casualtyä. Sijaiskärsijäxi löytyi joku päkäpää. Aaprahammi olis ollut nöyrä marttyyri. Kyltää kertomus hyvin kuvastaa mistä uhriutumisessa on kysymys. Aaprahammi tunsi izensä paremmax ja olonsa turvaisax kun noudatti narsistijumalansa joka oikkua.
ellauri117.html on line 6: font-style: italic;
ellauri117.html on line 27:
ic;font-weight:bold;font-size:3em;color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Janne-Jaakkoo

ellauri117.html on line 47: Eemelii! huutaa isä ja lukizee Eemelin taas snickeboaan. Eemelin isä olisi ollut parempi asiantuntija lastenkasvatuxessa kuin JJ Rousseau, tuo ex-isäpappa joka kirjoitti kokonaisen kirjan asiasta josta sillä ei ollut ensikäden tietoa. Sen äiti kuoli lapsivuoteeseen, sen henkipatto isä jätti sen heitteille "kiltin pastorin" ja tuplalangon vaivoixi, se joutui puuman kynsiin 15-vuotiaana ja teki 5 lasta laundromaatille jotka se kaikki jätti kirkon portaille. Voltaire teki JJ:n Eemeli-kirjasta karkeahkoa pilaa. Mutta kerta Shirley Hubara mainizee sen lähteenä, pitää siihenkin näemmä tutstua lähemmin.
ellauri117.html on line 49: Ce recueil de réflexions et d’observations, sans ordre et presque sans suite, fut commencé pour complaire à une bonne mère qui sait penser. Je n’avais d’abord projeté qu’un mémoire de quelques pages; mon sujet m’entraînant malgré moi, ce mémoire devint insensiblement une espèce d’ouvrage trop gros, sans doute, pour ce qu’il contient, mais trop petit pour la matière qu’il traite. J’ai balancé longtemps à le publier; et souvent il m’a fait sentir, en y travaillant, qu’il ne suffit pas d’avoir écrit quelques brochures pour savoir composer un livre. Après de vains efforts pour mieux faire, je crois devoir le donner tel qu’il est, jugeant qu’il importe de tourner l’attention publique de ce côté-là; et que, quand mes idées seraient mauvaises, si j’en fais naître de bonnes à d’autres, je n’aurai pastout à fait perdu mon temps. Un homme qui, de sa retraite, jette ses feuilles dans le public, sans prôneurs, sans parti qui les défende, sans savoir même ce qu’on en pense ou ce qu’on en dit, ne doit pas craindre que, s’il se trompe, on admette ses erreurs sans examen.
ellauri117.html on line 142: Lebensgeschichte: Der in Prag geborene und kurzgewachsene Kafka war der älteste überlebende Sohn einer gutsituierten jüdischem Kaufmannsfamilie. Obwohl seine Mutter aus einer Familie von Mystikern, Intellektuellen und Künstlern stammte, hatte sie Schwierigkeiten, die grüblerische, melancholische Persönlichkeit ihres Sohnes und seine Leidenschaft fürs Schreiben zu verstehen. Auch seinem Vater war der sensible Franz ein Rätsel und die Zielscheibe seines beißenden Spotts. Franz unterwarf sich schließlich dem Willen des Vaters und schlug gegen seine Neigung eine günstige Juristenlaufbahn ein.
ellauri117.html on line 144: 1906 machte Kafka seinen Abschluß an der Prager Universitet und wandte sich mit Unbehagen dem Versicherungsgeschäft zu. Die Plackerei der Büroarbeit verlangte nach einem Ausgleich, und er nahm jede Gelegenheit wahr, außerhalb der Stadt zu schwinmen, zu rudern oder zu wanken. Aber diese Zerstreuungen waren nur kurze Unterbrechungen der zermürbenden Routine, die er sich gezwungenermaßen als Lebensinhalt gewählt hatte. Tagsüber arbeitete er für die Arbeiter-Unfall-Versicherungs-Anstalt», und
ellauri117.html on line 147: 1917 erkrankte Kafka an Lungentuberkulose, die er als körpenliche Manifestation seiner inneren Zerrissenheit interpretierte:
ellauri117.html on line 151: Das Leiden unterbrach seine Laufbahn als Versicherungsangestellter und zwang ihn, die ihm verbleibenden Jahre in Sanatorien und Kurorten zu verbringen. So paradox es klingt, diese Situation machte ihm das Leben leichter, da er jetzt in der Lage war, sich ganz auf das Schreiben zu konzentrieren.
ellauri117.html on line 152: Nur ein geringer Teil der Werke Kafkas wurde zu seinen Lebzeiten veröffentlicht. Er vernichtete viele seiner Manuskripte - die genaue Zahl ist nicht bekannt - und bat noch auf dem Sterbebett seinen besten Freund, den bekannten Romancier und Essayiste Max Brod, alle von ihm zurückgelassenen unveröffentlichten Schriften zu verbrennen. Brod erfüllte jedoch Kafkas letzte Wunsch nicht. Im Gegenteil: Er unternahm alles in seiner Macht stehende, um das Werk seines verstorbenen Freundes bekannt zu
ellauri117.html on line 153: machen. In den zwanziger Jahren edierte er die drei Romanfragmente Kafkas, Mitte der dreißiger Jahre veröffentlichte er die erste Gesammelte Werke»-Ausgabe. Doch erst nach dem Zweiten Weltkrieg wurde die Bedeutung Franz Kafkas einem breiten Leserpublikum bewusst.
ellauri117.html on line 155: Sex hegte Kafka sein Leben lang eine große Ehrfurcht vor. Besonders der Ehe und dem Familienleben, davon überzeugt, daß er nicht dafür geschaffen sei, ein glückliches häusliches Leben zu führen. Sein Vater - so meinte Kafka - hatte seinen Charakter und seinen Willen in solchem Maße verbogen, daß ihn die Vorstellung, mit einer Frau eine Familie zu gründen, völlig einschüchterte. Und doch sehnte er sich nach der ihm unerreichbar Scheinenden Fotze.
ellauri117.html on line 157: Herrmann Kafka erscheint in den Schriften seines Sohnes als gefühlloses Ungeheuer. Die Art und Weise, in der der Vater seinem Sohn sexuelle Aufklärung zuteil werden ließ, bestätigt zweifellos diese Ansicht. Franz war von seinen heranwachsenden Schulfreunden wegen seiner offensichtlichen Ahnungslosigkeit in sexuellen Fragen geneckt worden. Daher begann er, sich mit Hilfe von Büchern die biologischen Grundlagen der Sexualität anzueignen, und versuchte dann, seinen Vater ganz beiläufig über die
ellauri117.html on line 158: Feinheiten auszuhorchen. Wenig später gingen Kafka, seine Mutter und sein Vater zusammen spazieren. Plötzlich begann dieser, angeregt über die körperliche Liebe zu dozieren. Franz war es peinlich, daß seine Mutter anwesend war (ach was, es war sicher gerade sie die diesen Vortrag erfordert hatte), doch weit mehr noch entsetzte ihn die Unterscheidung zwischen tugendhaften Frauen und Huren, die sein Vater ihm nahezubringen versuchte. Seine Mahnung, sich nie mit diesen einzulassen, verunsicherte Franz, der damals anscheinend zu ausgelassenen Phantasien ûber erregende Dirnen neigte.
ellauri117.html on line 160: Man sagt, daß Kafka seine erste sexuelle "Begegnung" mit seiner französischen Gouvernante hatte, doch hat er diskreterweise immer nur in Andeutungen über dieses «Urerlebnis» gesprochen. Den ersten regen Geschlechtsverkehr hatte er als Zwanzigjähriger mit einer tschechischen Verkäuferin. Sie verbrachten einen Abend in einer billigen Absteige. Diese Erfahrung bestärkte Kafka in seinem Ekel vor dem Geschlechtsverkehr und in seinem Glauben, daß Sexualität eine von Natur aus schmutzige, nichtswürdige Anlegenheit sei. Gerade das Entgegengesetzte predigte D.H.Lawrence (infra). Trotzdem streunte er seine ganze Studentenzeit indurch immer wieder durch das Bordellviertel von Prag, genau wie die anderen Heißsporne unter seinen Kommilitonen. Er ekelte sich vor seiner eigenen sexuellen Lust, erkannte aber zugleich auch die Notwendigkeit, ihr hin und wieder einzustecken:
ellauri117.html on line 162: "Mein Korper, der manchmal jahrelang ruhig ist, wurde dann bis zu einen Grad erschüttert, daß dieses Verlangen nach einem kleinen, sehr bestimmten Greuel nicht mehr auszuhalten war... selbst in dem Besten, das für mich existierte, steckte etwas davon, ein kleiner häßlicher Geruch, etwas Schwefel, etwas Hölle, etwas Samen, etwas Fisch."
ellauri117.html on line 164: Er stand seinem sexuellen Trieb wie jedem anderen Teil seiner Persönlichkeit feindselig gegenüber. Er beharrte darauf, den Geschlechtsakt als eine Strafe für die Wonnen des vertraulichen Umgangs mit einer Frau anzusehen. Es schauderte ihn, wenn er sich seine Eltern gemeinsam im Bett vorstellte, und er zitterte bei dem Gedanken, selbst diese eheliche Pflicht ausüben zu müssen. Diese Gefühle behinderten ihn natürlich sehr, wenn er um eine Frau warb. Was für ein gehemmter Teenager.
ellauri117.html on line 166: 1912 lernte er in Max Brods Haus Felice Bauer kennen, die die erste große Liebe seine ns werden sollte und mit der er zweimal insgeheim verlobt war, Franz war zu jener Zeit 29 Jahre alt. In den folgenden fünf Jahren bildete Felice das Zentrum seines Lebens, von dem er sich im ständigen Wechsel angezogen und wieder abgestoßen fühlte. Er verwirrte sie mit einer Flut selbstquälerischer Briefe. Diese ambivalente, heftigen Gefühlsschwankungen unterworfene Romanze beflügelte den Schriftsteller in Kafka, doch seine Unentschlossenheit, in welche Richtung sich ihre Beziehung entwickeln sollte, frustrierte Felice. Wie Koalas Onkel, aufzählte der kleine Jude die Vorzüge und Nachteile einer Ehe. Schließlich schickte sie ihre Freundin Grete Bloch, um Kafka nach seinen Absichten zu fragen. Mit der Zeit wurde Grete die Vertraute des Schriftstellers, und Felice hegte den Verdacht, daß dabei sein Fühler tiefer gegangen war, als sie zugeben wollten. Das Verhältnis zwischen Franz und Felice kühlte mehr und mehr ab. Doch 1916 verbrachten sie gemeinsam einen zehntägigen Urlaub. Sie wohnten in zwei neben einanderliegenden Zimmern und spielten offensichtlich Mann und Frau. Wieder beschlossen sie zu heiraten, doch 1917 - ungefähr zur gleichen Zeit, als seine Tuberkulose erkannt wurde - löste Kafka die Verlobung wieder. Was für ein Mistkäfer.
ellauri117.html on line 168: 1919 begegnete er während eines Aufenthalts in einer Pension in der Nähe von Prag Julie Wohryzek, der Tochter eines tschechischen Schuhmachers. Sie wurde seine zweite Verlobte. Im Gegensatz zu Felice hatte Julies Familie weder Besitz noch Ansehen, un Kafkas Vater bemerkte mit beißendem Spott, daß sein Sohn wohl besser beraten wäre, wenn er ein Bordell besuchen würde. Die etwa dreißig Jahre alte Julie war eine unbekümmerte, unge gebildete Frohnatur. Kafka sah in ihr die ideale Partnerin für eine zuträgliche, vernünftige Ehe. Doch auch diese Verlobung wurde aufgelöst - angeblich weil das Paar das Loch nicht finden konnte, in Wahrheit eine der zwanghaften Befürchtungen, die Frans Beziehungen zu Frauen stets überschatteten.
ellauri117.html on line 170: In 1920, als er sich wieder auf einer Erholungskur in Südtirol befand, begann er einer Frau zu schreiben, die ihm geistig ebenbürtig war. Sie hieß Milena Jesenská-Polak, war 24 Jahre alt, verheiratet und keine Jüdin. Sie war eine emanzipierte Frau, Künstlerin und Intellektuelle, die Kafka gebeten hatte, einige seiner Werke ins Tschechische übersetzen zu dürfen. Sie vergötterte Kafka als Schriftsteller und konnte sich in seine seelische Welt einfühlen, denn auch sie hatte unter einem tyrannischen Vater zu leiden gehabt. Kafka bot ihr finanzielle Unterstützung an, wenn sie ihren Ehemann verließe. Vor ihrer endgültigen Entscheidung verbrachten die beiden jedoch vier Tage lang «Probeflitterwochen». Nach ihrer Rückkehr schlug Milena das Angebot aus. Ihr war schnell klargeworden, was es bedeutete, mit einem dem Tod geweihten
ellauri117.html on line 173: 1923 knüpfte Kafka eine Beziehung zu der zweiundzwanzigjährien Polin Dora Diamant. Dora war in chassidischer Tradition erzogen worden und bestärkte Kafka in seinem wachsenden Interesse am Zionismus. Bald darauf lebten sie zusammen in Berlin, in jenem häuslichen Glück, dem er sein Leben lang ausgewichen war. Dora blieb bis zu seinem Tod im Jahre 1924 bei ihm.
ellauri117.html on line 175: Nachdem Kafka gestorben war, fand Max Brod einen Brief, den Grete Bloch einem Freund geschrieben hatte. Sie behauptete darin, einen Sohn von Kafka geboren zu haben. Anscheinend war Felices Verdacht berechtigt gewesen. Grete schrieb, der Sohn sei 1921, kurz vor seinem siebten Geburtstag, in München gestorben. In seiner Kafka-Biographie kommentiert Brod diese Ironie des Schicksals:
ellauri117.html on line 177: Er wünschte sich nichts sehnlicher als Kinder, keine seiner Fähigkeiten bezweifelte er mehr als die, Vater werden zu können... Die Erfüllung dieses Wunsches wäre für ihn eine Bestätigung seines winzigen Fühlers vor dem drohenden Berufungsgericht gewesen.
ellauri117.html on line 183: Englantilaisen kirjailija D. H. Lawrencen romaani vuodelta 1928 julkaistiin alun perin Italiassa Britannian sensuurikiellon vuoksi ja romaani julkaistiin kirjailijan kotimaassa vasta vuonna 1960. Pirkko ja CEC oli piilottaneet sen makuuhuoneeseen kirjahyllyn väliin. D.H. nousi oman aikakautensa ikoniksi aikana, johon Sigmund Freudilla ja Friedrich Nietzschellä oli suuri vaikutus. Kuollessaan häntä pidettiin pornografina (kiitos Restif), joka oli tuhlannut lahjakkuutensa. E. M. Forster kyseenalaisti tämän näkemyksen kirjoittamassaan kuolinuutisessa ja sanoi Lawrencen olevan sukupolvemme kekseliäin kirjailija. Oliko sekin siis sankareita sukkahousuissa?
ellauri117.html on line 209: `Bring a couple of sandwiches and a syphon,' he said to the man, `and then don´t trouble me any more tonight -- or let anybody else.'
ellauri117.html on line 218: Good, I believe. I am no judge. He was very quick and slippery and full of electric fire. It is a remarkable thing, what a curious sort of fluid force they seem to have in them, those people not like a human grip -- like a polyp --
ellauri117.html on line 224: `Repel and attract, both. They are very repulsive when they are cold, and they look grey. But when they are hot and roused, there is a definite attraction -- a curious kind of full electric fluid -- like eels.'
ellauri117.html on line 239: Gerald fastened the door and pushed the furniture aside. The room was large, there was plenty of space, it was thickly carpeted. Then he quickly threw off his clothes, and waited for Birkin. The latter, white and thin, came over to him. Birkin was more a presence than a visible object, Gerald was aware of him completely, but not really visually. Whereas Gerald himself was concrete and noticeable, a piece of pure final substance.
ellauri117.html on line 245: So the two men began to struggle together. They were very dissimilar. Birkin was tall and narrow, his bones were very thin and fine. Gerald was much heavier and more plastic. His bones were strong and round, his limbs were rounded, all his contours were beautifully and fully moulded. He seemed to stand with a proper, rich weight on the face of the earth, whilst Birkin seemed to have the centre of gravitation in his own middle. And Gerald had a rich, frictional kind of strength, rather mechanical, but sudden and invincible, whereas Birkin was abstract as to be almost intangible. He impinged invisibly upon the other man, scarcely seeming to touch him, like a garment, and then suddenly piercing in a tense fine grip that seemed to penetrate into the very quick of Gerald´s being.
ellauri117.html on line 247: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements.
ellauri117.html on line 249: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being.
ellauri117.html on line 251: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri117.html on line 253: At length Gerald lay back inert on the carpet, his breast rising in great slow panting, whilst Birkin kneeled over him, almost unconscious. Birkin was much more exhausted. He caught little, short breaths, he could scarcely breathe any more. The earth seemed to tilt and sway, and a complete darkness was coming over his mind. He did not know what happened. He slid forward quite unconscious, over Gerald, and Gerald did not notice. Then he was half-conscious again, aware only of the strange tilting and sliding of the world. The world was sliding, everything was sliding off into the darkness. And he was sliding, endlessly, endlessly away.
ellauri117.html on line 263: Birkin heard the sound as if his own spirit stood behind him, outside him, and listened to it. His body was in a trance of exhaustion, his spirit heard thinly. His body could not answer. Only he knew his heart was getting quieter. He was divided entirely between his spirit, which stood outside, and knew, and his body, that was a plunging, unconscious stroke of blood.
ellauri117.html on line 281: `God, yes,' said Gerald. He looked at the delicate body of the other man, and added: `It wasn't too much for you, was it?'
ellauri117.html on line 283: `No. One ought to wrestle and strive and be physically close. It makes one sane.'
ellauri117.html on line 292: `We are mentally, spiritually intimate, therefore we should be more or less physically intimate too -- it is more whole.'
ellauri117.html on line 304: `You think I am beautiful -- how do you mean, physically?' asked Gerald, his eyes glistening.
ellauri117.html on line 306: `Yes. You have a northern kind of beauty, like light refracted from snow -- and a beautiful, plastic form. Yes, that is there to enjoy as well. We should enjoy everything.'
ellauri117.html on line 326: `No? There you are, we are not alike. I'll put a dressing-gown on.' Birkin remained alone, looking at the fire. His mind had reverted to Ursula. She seemed to return again into his consciousness. Gerald came down wearing a gown of broad-barred, thick black-and-green silk, brilliant and striking.
ellauri117.html on line 338: Birkin laughed. He was looking at the handsome figure of the other man, blond and comely in the rich robe, and he was half thinking of the difference between it and himself -- so different; as far, perhaps, apart as man from woman, yet in another direction. But really it was Ursula, it was the woman who was gaining ascendance over Birkin´s being, at this moment. Gerald was becoming limp again, lapsing out of him.
ellauri117.html on line 346: Einen Augenblick lang war er ruhig in ihr, geschwellt und bebend. Dann, als er begann, sich zu bewegen, im jähen, hilfolsen Orgasmus, wellten neue, seltsame Schauer in ihr auf. Wellten wellen, wellend, wie flatterndes Übereinanderzügeln sanfer Flammen, sanft wie Federn, liefen aus in helleuchtende Spitzen, herrlich, süss, und alles in ihr schmolz, zerfloss.
ellauri117.html on line 349: Lawrencen äisky rakasti sitä yli kaiken. Manche Augenblicke war er ruhig in ihr. Äisky yritti pidätellä sitä siellä, koska se ällösi höyläämätöntä siippaansa, kaivostyöläistä Nottinghamista. Rouvat hemmotteli hentoa, sairaalloista "Perttiä", joka kärsi tukahdetusta eläimellisestä kyrvästä. Eräät raa'at tehdastytöt aiheutti sille vaikean sexuaalitrauman uhkaamalla vetää siltä housut alas. Pertti sai tubin pelkästä säikähdyxestä. "Rakastin äiskyä kuin rakastaja", tunnusti Pertti kuolemansa jälkeen. Päivisin se teki opettajan duunia, öisin työsti äitifixaatiosta aikaiseksi mestariteoxexi, Poikia ja rakastajia (1933), klassista turbojalkatarinaa.
ellauri117.html on line 353: Äisky ja Pertin eka tyttöystävä, Jessie Chambers, kävi tiukkaa vapaapainia Pertistä. Molemmat naiset oli justiinaluonteita, ja halusivat "länkyttää Pertin hengiltä". Sexin "mysteereihin" sen vihki 23-vuotiaan apteekkarinrouva Alice Dax. Hiän kertoi, miten se näki Pertin runkkaamassa runon kimpussa. Hiän "antoi perää Pertille", auttaaxeen sitä löytämään riimejä. Pertti jätti Jessien löydettyään toisen ystävättären, sexuaalisesti puoleensavetävämmän Louie Burrowsin. Louie oli vetävästä kirkkoveneestä huolimatta liian "kirkollinen". Kaikki 3 jäivät läähättämään Lawrencen perään. 1912 Pertti lätkäänty Frieda Weeklyyn ja karkas viikkolehden kanssa jonnekin. Frieda oli aatelinen professorin rouva, joka jätti 3 lasta koska Pertti oli niin ihana. Frieda oli jättimäinen valkyyria, jonka kanssa Pertti sai otella monen monta erää. Lautasia särkyi monta tusinaa. Pertti oli aika toxinen:
ellauri117.html on line 383: At some point, idly add up total word count for every story summary, character description, cinematic scene, level script, multiplayer script, and collectible script you have written over previous two and half years. Plunge face into hands when word-count total surpasses that of every book you’ve published combined.
ellauri117.html on line 389: Resist urge to shout when network reveals screentest data indicating widespread audience indifference to car chase.
ellauri117.html on line 391: Briefly contemplate suicide when pilot does not receive series order.
ellauri117.html on line 398: Tom Bissell was born in Escanaba, Michigan, in 1974. His short fiction has won two Pushcart Prizes and has been published in multiple editions of The Best American Series. He has also written eight works of nonfiction, including Apostle and (with Greg Sestero) The Disaster Artist, as well as many screenplays for video games and television. Bissell lives in Los Angeles with his family. Tom Bister is a sad case. Another Gold Hat of Hyvinkää.
ellauri117.html on line 405: Zelda Sayre kuitenkin purki kihlauksen, koska hän ei uskonut, että mainosfirmassa työskentelevä ja novelleja kirjoittava Scott pystyisi elättämään myös hänet. Potpotpotpot potkut sain, kesken hakkailua. Fitzgerald muutti takaisin vanhempiensa luokse St. Pauliin, missä hän ryhtyi korjaamaan kertomustaan The Romantic Egoist.
ellauri117.html on line 415: Zeldan terveys alkoi horjua: hänellä diagnosoitiin skitsofrenia vuonna 1930 ja 1932 hän joutui sairaalaan Baltimoressa, Marylandissä. Fitzgerald vuokrasi läheisestä Towsonista asunnon, jossa jatkoi romaaninsa kirjoittamista − tarinaa lupaavan nuoren psykiatrin Dick Diverin noususta ja tuhosta, hänen rakkaudestaan potilaaseensa Nicole Warreniin ja heidän avioliitostaan. Kirja koki monta muutosta: ensimmäisen version piti kertoa äidinmurhasta. Jotkut kriitikot ovat nähneet kirjan peiteltynä omaelämäkerrallisena teoksena, joka kuvaa Fitzgeraldin ongelmia vaimonsa kanssa, vauraan ja dekadentin elämäntyylin syövyttävää vaikutusta, kirjailijan itsekkyyttä ja itseluottamusta sekä alkoholismia.
ellauri117.html on line 497: A preacher was making his rounds to parishioners with a bicycle.

ellauri117.html on line 551: Weight gain is just a symptom. Yes, you read it right. Have you wondered why you end up gaining weight on a specific body part like belly or hips and thighs? The reason is an underline medical condition. Your body functions are governed by certain neurohormones also known as hormones.
ellauri117.html on line 552: Based on where your body will show fat deposits, there are 4 different major classifications of body type. You can be either 1 of the types or a combination of 2 as well. Here are the 4 types listed:
ellauri117.html on line 554: The Adrenal body type is governed by the hormone cortisol, which is responsible for putting on weight in the stomach and back. These people tend to have round faces, and find it almost impossible to lose weight in their mid-section no matter how much dieting or working out they do. This is because the weight is caused by a hormone that is actively utilizing proteins and fats in the lower legs, and storing it in the mid-center.
ellauri117.html on line 556: The Thyroid body type is governed by thyroid function, and is responsible for making it either very difficult to lose weight, or hard to keep weight on.
ellauri117.html on line 557: These people tend to store weight very evenly, but fluctuate, perhaps putting on an inordinate amount of weight in a short period of time, with no seemingly particular cause.
ellauri117.html on line 559: The Liver body type is governed by the body’s inability to process an overconsumption of alcohol or processed foods. The Liver body type is characterized most significantly as someone who has a “beer belly,” or who stores all of their weight in their front midsection. The weight will be disproportionate to the rest of their body, and distend out far beyond the rest of their frame.
ellauri117.html on line 567: Ovary BELLY SHAPE - Classic lower belly bulge (PERSJALKAINEN)
ellauri117.html on line 608: Maxa-Shaftesburyn (1621-1683) pojanpoika, 3. Earl of Shaftesbury (1671—1713) oli mieltä että: Hobbes had set the agenda of British moral philosophy (a search for the grounding of universal moral principles), and Locke had established its method (empiricism). Shaftesbury’s important contribution was to focus that agenda by showing what a satisfactory response to Hobbes might look like but without giving up too much of Locke’s method. Shaftesbury showed the British moralists that if we think of moral goodness as analogous to beauty, then (even within a broadly empiricist framework) it is still possible for moral goodness to be non-arbitrarily grounded in objective features of the world and for the moral agent to be attracted to virtue for its own sake, not merely out of self-interest. In Shaftesbury’s aesthetic language, the state of having the morally correct motives is the state of being “morally beautiful,” and the state of approving the morally correct motives upon reflection is the state of having “good moral taste.” Shaftesbury argues that the morally correct motives which constitute moral beauty turn out to be those motives which are aimed at the good of one’s society as a whole. This good is understood teleologically. Furthermore Shaftesbury argues that both the ability to know the good of one’s society and the reflective approval of the motivation toward this good are innate capacities which must nevertheless be developed by proper socialization.
ellauri117.html on line 610: John Locke (1632-1704) was a close friend of the First Earl and an advisor to the family for years to come after the First Earl’s death. Locke was the personal physician and general advisor to the First Earl. He supervised the childhood medical care of Shaftesbury’s father, the degenerate Second Earl (1652-1699). He also helped find a wife for the Second Earl and he cared for her during her pregnancy with the Third Earl. Most significantly for our purposes, Locke supervised the Third Earl’s education. He personally chose Shaftesbury’s governess Elizabeth Birch and designed a curriculum for her to follow in her instruction of the child. This experience was, presumably, the basis for Locke’s later work Thoughts Concerning Education. Under Birch’s tutelage, Shaftesbury received a strong education in the Classics and became fluent in Greek and Latin by the age of eleven. Locke continued to check on Shaftesbury’s progress over the years. Locke served as a primary advisor to the young Shaftesbury, though Shaftesbury did not always follow Locke’s advice. Shaftesbury had many "philosophical" conversations with Locke, some of which are preserved in correspondence. "Mautonta!" huusi 3. Shaftersburyn Jaarli vähän väliä.
ellauri117.html on line 622: Locke stated his belief, in his Second Treatise, that nature on its own provides little of value to society, implying that the labour expended in the creation of goods gives them their value. From this premise, understood as a labour theory of value, Locke developed a labour theory of property, whereby ownership of property is created by the application of labour. In addition, he believed that property precedes government and government cannot "dispose of the estates of the subjects arbitrarily." Fucking capitalist. Karl Marx later critiqued Locke's theory of property in his own social theory.
ellauri117.html on line 624: ichelangelo_-_Dream_of_Life_NG8.jpg/800px-Michelangelo_-_Dream_of_Life_NG8.jpg" width="50%" />
ellauri117.html on line 625:
Locke totesi että unissa ei tunnu maxapala eikä kipu. Sixi varmaan
Michelangelon unta näkevällä jäbällä on aivan mitättömän pieni pipu.

ellauri117.html on line 629: Locke kuoli vuonna 1704 pitkällisen sairauden jälkeen. Hänet on haudattu High Laverin kylän kirkkomaalle, Harlowin itäpuolelle, Essexiin. Some scholars have seen Locke's political convictions as being based from his religious beliefs. Locke's religious trajectory began in Calvinist trinitarianism, but by the time of the Reflections (1695) Locke was advocating not just Socinian views on tolerance but also Socinian Christology. Täähän Sozzini oli Rusakonkin guru.
ellauri117.html on line 635: is markedly different from that of Socinians like Biddle, and may indicate that near the end of his life Locke returned nearer to an Arian position, thereby accepting Christ's pre-existence.

ellauri117.html on line 646: Locke sanoo alaviitteessä ettei toi anakephalaiosasthai voi millään tarkoittaa recapitulate eli kertausta, et ei pidä tuijottaa kreikan kirjainta vaan Peevelin tarkoitusperiä. Mitkä se sitten olikaan. Tulee ezimättä mieleen Diodoros Siculuxen katadoulosasthai jonka kanssa äherrettiin viikkokausia kreikan opintojen alussa. Xerxes ho basileus ton person estratopedeuse epi ten Hellada boulomenos katadoulosasthai tous Hellenas. Hizi melkein osaan sen vieläkin ulkoa kuin Locke takusti Pauluxen. Make Lehto messusi sitä kovalla äänellä ja luki korkkareita kirjan takana.
ellauri117.html on line 649: destiny fate predetermination doom election foreordainment foreordination fortune inevitability karma kismet lot necessity ordinance portion preordainment preordination divine decree God's will course of events what is written way the ball bounces way the cookie crumbles circumstance stars providence chance luck fortuity serendipity what is written in the stars divine will Moirai Lady Luck handwriting on the wall condition horoscope hazard destination breaks circumstances the stars astral influence Dame Fortune God's plan what is in the books expectation afterlife Fates heritage cup dole inescapableness wyrd orlay Norns roll of the dice Parcae accident situation wheel of fortune lot in life coincidence state position break plight lap of the gods fixed future Judgment Day Moira misfortune handwriting on wall predicament divine intervention one's portion outside influence one's lot the way cookie crumbles the hand one is dealt.
ellauri117.html on line 655: Locke was at times not sure about the subject of original sin, so he was accused of Socinianism, Arianism, or Deism. Locke argued that the idea that "all Adam's Posterity are doomed to Eternal Infinite Punishment, for the Transgression of Adam" was "little consistent with the Justice or Goodness of the Great and Infinite God", leading Eric Half-Nelson to associate him with Pelagian ideas. However, he did not deny the reality of evil. Man was capable of waging unjust wars and committing crimes. Criminals had to be punished, even with the death penalty.
ellauri117.html on line 657: With regard to the Bible, Locke was very conservative. He retained the doctrine of the verbal inspiration of the Scriptures. The miracles were proof of the divine nature of the biblical message. Locke was convinced that the entire content of the Bible was in agreement with human reason (The Reasonableness of Christianity, 1695). Although Locke was an advocate of tolerance, he urged the authorities not to tolerate atheism, because he thought the denial of God's existence would undermine the social order and lead to chaos. That excluded all atheistic varieties of philosophy and all attempts to deduce ethics and natural law from purely secular premises. In Locke's opinion the cosmological (i.e. primus motor) argument was valid and proved God's existence. His political thought was based on Protestant Christian views. Additionally, Locke advocated a sense of piety out of gratitude to God for giving reason to men. Locke compared the English monarchy's rule over the British people to Adam's rule over Eve in Genesis, which was appointed by God. And stands to human reason, don't it?
ellauri117.html on line 661: There are always things that might suggest Mr. Locke was gay, such as his being a lifetime bachelor, having no children, and having a life that was surrounded by philosophical men, there is nothing that would give substance to said rumor. You might want to read Locke’s Fundamental Constitution of the Carolinas (1669) which was co-authored by The First Earl of Shaftesbury. It is rather draconian and clearly deviates from the principles of Locke’s more famous two Treatises. It is a matter of scholarly debate just how much Locke contributed to the positions on slavery in this document. Locke was also a good counter-voice to Rousseau in terms of perhaps a more individualistic bent, whereas Rousseau’s philosophy was more collectivist. I think if you look to the Preamble to the US Constitution you can see the influence of both, although the Bill of Rights has a much more individualist orientation.
ellauri117.html on line 665: John Locke was born on the 29th of August, 1632. He is famous for being a Philosopher. He and Sir Francis Bacon were among the first British empiricists and had a huge impact on social contract theory. John Locke’s age is 388. English philosopher and doctor commonly referred to as “The Father of Liberalism.” He was one of the Enlightenment Age’s most influential thinkers. His ideas heavily influenced the writing of the Declaration of Independence.
ellauri117.html on line 667: The 388-year-old philosopher was born in Wrington, England. He earned a medicine degree from Oxford in 1674. He had influential theories on limited government, right to property, and the social contract. His theory of mind led to modern understandings of identity and the self and influenced Kant, Hume, and Rousseau.
ellauri117.html on line 670: John Locke was born in 1630s. John Locke is part of G.I. Generation also known as The Greatest Generation. This generation experienced much of their youth during the Great Depression and rapid technological innovation such as the radio and the telephone. The initials "G.I." is military terminology referring to "Government Issue" or "General Issue". It's hard to know John Locke birth time, but we do know his mother gave birth to his on a Sunday. People born on a Sunday can often rely on sympathy from others and generally have luck on their side.
ellauri117.html on line 689: Zodiac Sign: John Locke is a Virgo. People of this zodiac sign like animals, healthy food, nature, cleanliness, and dislike rudeness and asking for help. The strengths of this sign are being loyal, analytical, kind, hardworking, practical, while weaknesses can be shyness, overly critical of self and others, all work and no play. The greatest overall compatibility with Virgo is Pisces and Cancer.
ellauri117.html on line 691: Chinese Zodiac: John Locke was born in the Year of the Ox. People born under this sign love to make people laugh and are generally energetic and upbeat but sometimes lack self-control.
ellauri117.html on line 693: Ruling Planet: John Locke has a ruling planet of Mercury and has a ruling planet of Mercury and by astrological associations Wednesday is ruled by Mercury. In Astrology, Mercury is the planet that rules our mindset. People who are born with Mercury as the ruling planet have communication skills, intellect and cleverness.
ellauri118.html on line 6: font-style: italic;
ellauri118.html on line 132: This website uses cookies to ensure you get the best experience on our website. Learn more. Got it! fi.desertanglican.org. Saisiko olla kexejä? Saisiko olla veiziä? Tättilillukka! Ajetaan autolla pitkälle!
ellauri118.html on line 134: Desertanglican: Mikä se on ja aavikkoanglikaanien yhteiset ominaisuudet.
ellauri118.html on line 248: Desertanglican
ellauri118.html on line 254: Benefit Cosmetics -laji-A-Gorgeous
ellauri118.html on line 330: Of ruby on which flame is rolled: Rubiinista, johon liekki valssataan:
ellauri118.html on line 338: Which, like a spirit, faces west, Joka hengen tavoin osoittaa länteen,
ellauri118.html on line 347: O cricket, with thy elfin pipe, Oi kriketti, keiju-putkellasi,
ellauri118.html on line 382: Madison Julius Cawein was born in Louisville, Kentucky on March 23, 1865, the fifth child of William and Christiana (Stelsly) Cawein. His father made patent medicines from herbs. Thus as a child, Cawein became acquainted with and developed a love for local nature.
ellauri118.html on line 384: After graduating from high school, Cawein worked in a pool hall in Louisville as a cashier in Waddill´s New-market, which also served as a gambling house. He worked there for six years, saving his pay so he could return home to write.
ellauri118.html on line 386: His output was thirty-six books and 1,500 poems. [I got more than 2000 by now! Well most of mine are prose, to be honest.] His writing presented Kentucky scenes in a language echoing Percy Bysshe Shelley and John Keats. He soon earned the nickname the "Keats of Kentucky". He was popular enough that, by 1900, he told the Louisville Courier-Journal that his income from publishing poetry in magazines amounted to about $100 a month.
ellauri118.html on line 388: In 1912 Cawein was forced to sell his Old Louisville home, St James Court (a 2+1⁄2-story brick house built in 1901, which he had purchased in 1907), as well as some of his library, after losing money in the 1912 stock market crash. In 1914 the Authors Club of New York City placed him on their relief list. He died on December 8 later that year and was buried in Cave Hill Cemetery. Shouldn´t have speculated but on his own pen and paper.
ellauri118.html on line 397: Pierre Ambroise François Choderlos de Laclos [ʃɔdɛʁlo də laklo] (18. lokakuuta 1741 Amiens, Ranska – 5. syyskuuta 1803 Taranto, Italia) oli ranskalainen upseeri, liikemies, diplomaatti ja kirjailija. Hänet tunnetaan erityisesti kirjeromaanistaan Vaarallisia suhteita (alkuteos Les liaisons dangereuses), joka ilmestyi vuonna 1782. Hän julkaisi myös runokokoelman, sovitti Madame Riccobonin romaanin Histoire d’Ernestine oopperalibretoksi sekä julkaisi yhteiskunnallisen tutkielman naisten kouluttamisesta. Taas yx tällänen Fenelon.
ellauri118.html on line 406: Millainen on uskottoman romaanisankarittaren mieli? Kuinka kirjallisuuden vakiintuneet muodot vaikuttavat siihen, miten tulkitsemme todellisia ja fiktiivisiä mieliä? Onko toinen mieli vain lukijan fantasia? Ovatko aviorikosromaanit fantastisia? Uskoton mieli ja tekstuaaliset petokset pohtii kriittisesti kertomuksen ja mielten tutkimuksen ajankohtaisia kysymyksiä. Samalla se kartoittaa länsimaisen kaunokirjallisuuden uskottomuustraditiota. Tutkimuskohteet ulottuvat 1600-luvulla julkaistusta Madame de La Fayetten Clèvesin ruhtinattaresta Gustave Flaubertin Madame Bovaryyn, Kate Chopinin feministiseen klassikkoon Heräämiseen ja lopulta tosielämän kertomussikermään, joka syntyi Clintonin ja Lewinskyn seksiskandaalin ympärille. Mitä yhteistä on Emma Bovarylla ja Monica Lewinskylla ja missä määrin lukutapamme tuottavat heidän välilleen yhtäläisyyksiä? [Kiintoisa kysymys. Tärkeä ero kuitenkin että Monica imutti Billin siggeä, mitä Madame Bovary ei tiettävästi tehnyt.] Teos tarjoaa seitsemän tapaustutkimuksen lisäksi moniulotteisen kuvan narratologiasta ja mielten tutkimuksesta strukturalismin ajoilta tämän päivän monialaiseen kognitiotieteeseen. Teoksen esittelemät ja kommentoimat teoriat ja metodit ovat kirjallisuustieteen lisäksi sovellettavissa kulttuurintutkimukseen, sosiaalitieteisiin ja lingvistiikkaan.
ellauri118.html on line 410: ¹Aviorikos kirjallisena topoksena on ollut useankin tutkimuksen aiheena, mutta ei yhdenkään narratologisen tutkimuksen. Edelleen painavin kirjallisuustieteellinen esitys aiheesta on Tony Tannerin ambivalentin psykoanalyyttis-strukturalistinen Adultery in the Novel (1979), joka lähestyy aviorikosta sekä yhteiskunnallisena että kirjallis-kielellisenä transgressiona. Viittaan Tannerin tutkimukseen Rouva Bovarya käsittelevässä luvussa. Muut laajemmat esitykset kirjallisesta aviorikoksesta ovat tekstianalyyttisesti merkityksettömämpiä: Bill Overtonin Fictions of Female Adultery (2002) keskittyy aviorikoskirjallisuuden historiallisiin ja kulttuurisiin reunaehtoihin sekä soimaa aiempaa tutkimusta (lähinnä Tanneria) liiasta kieli- ja kerrontakeskeisyydestä; Patricia Mainardin Husbands, Wives, and Lovers (2003) on kulttuurihistoriallinen esitys aviorikoksesta taiteessa ja Overtonin tutkimusta rikkaampi esitys esimerkiksi aviorikoksen lainsäädännöllisistä ja kulttuurisista kytköksistä; niin ikään Judith Armstrongin The Novel of Adultery (1976), Naomi Segalin The Adulteress’s Child (1992) ja Maria R. Ripponin Judgement and Justification in the Nineteenth-Century Novel of Adultery (2002) sivuuttavat kerronnan kysymykset ja keskittyvät kulttuuris-poliittiseen kontekstiin ja pelkästään referentiaalisen tason temaattiseen toistoon (kuten siihen että aviorikoksesta syntyvä lapsi on mitä todennäköisimmin tyttö). Oma lukunsa ovat vielä tiettyihin aikakausiin ja kielialueisiin (esimerkiksi ranskalaiseen hoviromantiikkaan) keskittyvät tutkimukset. Näistä maininnan arvoinen on ainakin Donald J. Greinerin Adultery in the American Novel (1985), vertaileva tutkimus Updiken, Hawthornen ja Jamesin avionrikkojista. Kulttuuri- ja myyttihistoriallinen klassikko, Denis de Rougemontin L’Amour et l’Occident (1939) on myös tutkimus uskottomuusfiktioista (Tristanin ja Isolden perillisistä), sillä Rougemontilla juuri aviorikos on länsimaisen ”rakkauden rakastamisen” huipentuma, transgressiivinen olotila joka katoaa, jos siitä tehdään instituutio. Käsitys uskottomuudesta kulttuurisena rajailmiönä ja juuri siitä syystä kertomustaiteen pulppuavana lähteenä yhdistää siis Rougemontia ja Tanneria, mutta jostain syystä Tanner ei viittaa Rougemontin teokseen. Mixihän? [Heitän tähän heti sen edellä mainitun oivalluxen, että romantiikka on sitä kun panettaa muttei pääse pukille.]
ellauri118.html on line 418: ²Focalisation is a term coined by the French narrative theorist Gérard Genette. It refers to the perspective through which a narrative is presented. Genette focuses on the interplay between three forms of focalization and the distinction between heterodiegetic and homodiegetic narrators. Homodiegetic narrators exist in the same (hence the word 'homo') storyworld as the characters exist in, whereas heterodiegetic narrators are not a part of that storyworld. The term 'focalization' refers to how information is restricted in storytelling. Genette distinguishes between internal focalization, external focalization, and zero focalization. Internal focalization means that the narrative focuses on thoughts and emotions while external focalization focuses solely on characters' actions, behavior, the setting etc. Zero focalization is seen when the narrator is omniscient in the sense that it is not restricted. Focalization in literature is similar to point-of-view (POV) in film-making and point of view in literature, but professionals in the field often see these two traditions as being distinctly different. Genette's work was intended to reﬁne the notions of point of view and narrative perspective. It separates the question of “Who sees?” in a narrative from “who speaks?”
ellauri118.html on line 432: Monika Fludernik (1957-) ist´ne österreichische Flugwirtin, Amerikanistin und Literaturwissenschaftlerin. Fludernik leistete wichtige Beiträge zur Erzähltheorie. Die neuere Erzähltheorie wurde ab 1915 in Ansätzen vom Russischen Formalismus entwickelt und vom Strukturalismus seit den 1950er Jahren weiter ausgearbeitet, wobei Tzvetan Todorov zu den wichtigsten Vermittlern der formalistischen Ansätze in Frankreich gehörte. Der hier entwickelte strukturalistische Ansatz – mit späteren Ergänzungen – ist bis heute maßgeblich, es gab jedoch nie eine einheitliche strukturalistische Erzähltheorie. Wichtige Theoretiker der Narratologie sind Gérard Genette, Claude Lévi-Strauss, Roland Barthes, Roman Jakobson und Paul Ricœur. Die strukturelle (formalistische) Erzähltheorie wird oft durch interdisziplinäre Ansätze ergänzt, so durch die Semiotik ergänzt, wozu insbesondere Juri Lotman beigetragen hat. Im deutschen Sprachraum war Franz Karl Stanzel der erste Vertreter der Erzähltheorie.
ellauri118.html on line 434: Die traditionelle Erzähltheorie, vertreten durch Franz Karl Stanzel, Gérard Genette, Seymour Chatman u. a. m, beschäftigt sich mit Elementen des „discours“ („Erzählweise“). Andere Theoretiker nehmen eher die Strukturen der „histoire“ („Erzählinhalt“) in den Blick. Damit bauen sich (erzählerische) Handlungen in dem vorgestellten Begriffsinventar aus Geschehnissen und Ereignissen auf. Während der Begriff „Handlung“ im deutschsprachigen Raum verwendet wird, wird sie etwa bei Genette als histoire und in der anglo-amerikanischen Erzähltheorie als story bezeichnet, der „Diskurs“ bei Genette als récit (narration) und im Angelsächsischen als plot. Während sich der „Diskurs“ als die kompositorische und sprachliche Realisierung einer Erzählung versteht; er verweist auf das „wie“ der Erzählung, wird in der „Geschichte“ der Gegenstand der Erzählung ausgemacht; sie verweist auf das „was“ der Handlung.
ellauri118.html on line 528: Metalepsis (from Greek: μετάληψις, lat. transsumption) is a figure of speech in which a metaphor is used as a metonym. Metalambanein on ottaa messiin. Examples:
ellauri118.html on line 534: In narratology (and specifically in the theories of Gérard Genette), a paradoxical transgression of the boundaries between narrative levels or logically distinct worlds is also called metalepsis.
ellauri118.html on line 575: Maija kirjottaa kiemuraisesti kuin Aku Ankan valssikuningas. Mut taas on kyse siitä kuka kertoo, minä vaiko se. Luultavimmin aina minä, silloinkin kun sankari on se. Eli romskut on tollasia Caesarin Dr Bello Gallico, heppu kertoo izestään 3 persoonassa. Tuli näki ja voitti. Siinä näkijä missä tekijä.
ellauri118.html on line 585: Paizi että kaikki ne lopultakin latistuvat narsistisen kirjailijan omaelämäkerraxi. Jota sulattelee narsistinen lukija oman bionsa ainexixi. Toisin sanoen: Emma Bovary, c’est moi, la lectrice. Kirjallinen mieli löytää kaunokirjasta aina oman naamansa lammen pinnasta.
ellauri118.html on line 589: George kannattaa nykyään tämmöstä kuin embodied mind ajatusta: Many features of cognition are embodied in that they are deeply dependent upon characteristics of the physical body of an agent, such that the agent's beyond-the-brain body plays a significant causal role, or a physically constitutive role, in that agent's cognitive processing. No tottahan se on, ainakin miesten ajatteluun osallistuu voimakkaasti pikkuveli.
ellauri118.html on line 593: Une femme qui s’était imposé de si grands sacrifices pouvait bien se passer des fantaisies. (MB, 217)
ellauri118.html on line 636: In alone Thicket, made for Love, Syrjäisessä pusikossa, panovalmiina,
ellauri118.html on line 678: Where Gods of Love do Sacrifice Minne lemmen jumalat tekee uhreja
ellauri118.html on line 699: Her loose thin Robes, through which appear Sen löysä alushame, minkä läpi näky
ellauri118.html on line 704: A Victim to Loves Sacred Flame ; uhrixi lemmen leiritulille;
ellauri118.html on line 706: Unable to perform the Sacrifice. Eikä pääse uhritulille.
ellauri118.html on line 712: Pleasure, which too much Love destroys ! Nautinnon, minkä pilaa liika rakkaus!
ellauri118.html on line 746: Which Love and soft Desire had bred, Jonka rakkaus ja pehmo halu synnytti,
ellauri118.html on line 764: Which both Disdain and Shame express ; Joka ilmensi sekä ivaa sekä häpeää;
ellauri118.html on line 770: Or Daphne from the Delphick God ; Tai kuin Daphne Delfoxen jumalalta,
ellauri118.html on line 828: The little work is scarcely longer than our own Vicar of Wakefield. It is without romanticism and exaggeration, and so it is not a romance; it is more like a book of memoirs.
ellauri118.html on line 830: With La Princesse de Clèves, Mme. de La Fayette created a new kind of fiction,—"substituting," says Saintsbury, "for mere romance of adventure on the one hand, and stilted heroic work on the other, fiction in which the display of character is held of chief account."
ellauri118.html on line 840: How close and lasting was this friendship is seen on almost every page of Mme. de Sévigné's correspondence. Indeed, so often does the name of Mme. de La Fayette occur in Mme. de Sévigné's letters to her daughter, that the latter may well have been jealous of her mother's friend. The companionship of Mme. de Sévigné was, after the death of La Rochefoucauld, the chief comfort of Mme. de La Fayette in her ill-health and seclusion; and it was from the sick-chamber of her friend that Mme. de Sévigné's letters would seem to have been written in those latter years. In 1693, soon after the death of Mme. de La Fayette, Mme. de Sévigné writes as follows of her dead friend: "Je me trouvois trop heureuse d'être aimée d'elle depuis un temps très-considérable; jamais nous n'avions eu le moindre nuage dans notre amitié.
ellauri118.html on line 858: La Rochefoucauld had been embittered by disappointed ambition, ill health, and the loss of his favorite son; and his opinion of humanity in general and of women in particular was none too lofty, to say the least. Perhaps Mme. de La Fayette´s greatest service in this respect was in toning down the severity of the immortal Maxims.
ellauri118.html on line 860: Certain critics have endeavored to trace the character of Mme. de La Fayette in that of the Princess of Clèves, of M. de La Rochefoucauld in that of M. de Nemours; but too strict an autobiographical interpretation destroys the charm of the story.
ellauri118.html on line 877: Il dit aussi que, quand on n´est point aimé, on souffre encore davantage de voir sa maîtresse dans une assemblée; que plus elle est admirée du public, plus on se trouve malheureux de n´en être point aimé; que l´on craint toujours que sa beauté ne fasse naître quelque amour plus heureux que le sien; enfin, il trouve qu´il n´y a point de souffrance pareille à celle de voir sa maîtresse au bal, si ce n´est de savoir qu´elle y est, et de n´y être pas.
ellauri118.html on line 887: Kumpi tapahtui ensin HBOssa, Iisebel-seikkailu vai Nickin bylsintä? Kirjassa vanhus-Serena ehdotti Nickin bylsimistä ensin muttei asiassa ollut kai päästy puusta pitkään ennen Iisebeliä. Juoniselostuxen mukaan molemmat bylsinnät oli saman vuorokauden aikana. Juonesta ei leffassa saa paljon selvää, se on vaan loputon sarja Lizin happamia ilmeitä lähikuvina. Liz ohjaa ne ilmeisesti ize.
ellauri118.html on line 917: Sodan Ahabin suvulle julistanut, Elian Israelin kuninkaaksi rasvaama sotapäällikkö Jeehu, aika jehu, Nimsin poika, surmasi kuninkaan pojan Jooramin jousellaan ja käski vaunusoturinsa Nickin heittää surmatun ruumis (objektivirhe) Nabotin maalle – johon se tiettävästi jäi haaskansyöjien revittäväksi, koska kukaan ei uskaltanut kajota kirotulle maalle heitettyyn ruumiiseen – jolta (vaikka sitä ei suoraan sanotakaan) jo vakiintuneen juutalaisen tavan mukaan ennen hylkäämistä oli riistetty kaikki arvovaatteet ja varusteet:
ellauri118.html on line 941: Kumpi tapahtui ensin Hulussa, Iisebel-seikkailu vai Nickin bylsintä? Kirjassa vanhus-Serena ehdotti Nickin bylsimistä ensin, mutta viivalle päästiin vasta komentajan pantua Iisebeliä. Tuskin ehti edes välillä alapesulle. Onxtää naistenkin salainen unelma? Miesten se on ainakin. Mullakin oli parhaina päivinä 3 eri naista vuorokauden aikana. Täytyypä tarkastaa kirjasta Rakkauden evoluutio, mutta extää ole ihan darwinistista käytöstä? Peggy maximoi oman geenilinjansa mahixet bylsimällä milloin tulee siihen tilaisuus. Eise Lukekaan ollut kuin tarjoiluehdotus, lisääntymissopimus, eikä edes kovin menestyvä. Mitäs rumaa siinä on? Naturalia non sunt turpia. Se eze on naisella rumaa on patriarkaalinen käsitys.
ellauri118.html on line 945: Showrunner Bruce Miller was a longtime fan of the Margaret Atwood novel upon which it's based.
ellauri118.html on line 946: Among the many changes made to the original book, one of the most noticeable is how two characters — Serena Joy and Commander Waterford — are played by much younger actors than expected. 35-year-old Australian actress Yvonne Strahovski plays Serena, while 46-year-old Joseph Fiennes was cast as the Commander.
ellauri118.html on line 948: "I felt like in the novel there's only so much of the dynamic between Serena Joy and Offred that you're going to see, but in a TV show it's going to go on and on and on hopefully for years. The element that was missing for me was the direct competition between the two women," Miller said. I felt that it was a more active dynamic if Serena Joy felt like this person was usurping her role not only as the reproductive object of the house but gradually taking away the wifely duties, the intimate duties, the romantic, sexual duties." Mitä romanttista on panossa? Se on romanttista ettei paääse pukille vaikka mieli tekisi.
ellauri118.html on line 950: Strahovski and Moss are just one year apart in age, which creates a whole new potential for relationships between them. "You get that little vibe once in a while that in another situation they could be friends," Miller said. "It is the creepiest thing."
ellauri118.html on line 956: "She was so astonishing in her audition," Miller said. "She made me feel sorry for Serena Joy, which is seemingly an impossible task. I felt bad for her. She was so wonderful and terrifying. And she's quite tall, so that works really well with Lizzie who is more small. Serena Joy wears heels and Lizzie doesn't. To have this towering viking standing over her ... she's physically intimidating." Yvonne is a whip-strong woman. Lizzie [Elizabeth Moss] is also quite strong but on the pudgy side. The two of them together, you feel like, 'I'd love to see them go toe-to-toe in a cage match.'" A mud fight with nothing on, now that would be the thing. Maybe in the next season, stay tuned.
ellauri118.html on line 970: The Commander doesn't ask Offred to kiss him after their first illicit night together.
ellauri118.html on line 972: The show modernizes the setting with references to Uber and Craigslist.
(Mikä vitun Craigslist? Craigslist is an American classified advertisements website with sections devoted to jobs, housing, for sale, items wanted, services, community service, gigs, résumés, and discussion forums. Craig Newmark began the service in 1995 as an email distribution list to friends, featuring local events in the San Francisco Bay. Privately owned company. Property is theft.)
ellauri118.html on line 990: Nick is far more mysterious in the book. In the film he looks like a little Indonesian.
ellauri118.html on line 996: The trade delegation from Mexico was a new plot for the show. The book only shows tourists visiting Gilead.
ellauri118.html on line 1008: In one particularly cruel scene, Serena takes Offred to see that her daughter is alive. That doesn't happen in the book.
ellauri118.html on line 1010: The second Particicution, when the Handmaids are asked to kill Janine, doesn't happen in the book.
ellauri118.html on line 1066: Näin veisasi paha ryppyinen läskinaama Danny kohdellessaan kaltoin juoppoa Armi Aavikkoa n. 20 vuoden ajan kunnes Armi kuoli keuhkokuumeeseen. Peggy ei mainize Nickin alla sanaa rakkaus, se toisi huonoa onnea. Se sanoo vaan: työnnä, maxoin runsaasti. Pentti pentti, työnnä vielä sentti.
ellauri118.html on line 1110: When Margaret Atwood wrote "The Handmaid´s Tale," published in 1985, she took inspiration from the rise of the Christian right in America during the 1970s and early ´80s and the 1979 Islamic Revolution in Iran. But another, much older source of inspiration for Atwood was the story of a real-life woman in 17th-century New England named Mary Webster, who may or may not have been related to Atwood.
ellauri118.html on line 1125: This passage is from the beginning of the poem "Half-Hanging Mary" by Margaret Atwood. Poverty and neglect did not improve Mary’s fiery temper, and she spoke harshly when offended, wrote Sylvester Judd in his 1905 History of Hadley. Witches supposedly suckled their ‘imps’ or ‘familiars’ — maybe even the devil — in exchange for help with their magic.
ellauri118.html on line 1126: Local farmers claim that their cart horses sometimes refuse to go past Webster’s home, which is on one of the main roads. But, if the man goes inside and beats Mary, then the horse will go past. “So, the idea developed that her supernatural powers could be stopped if they somehow physically assaulted her,” Marshall says.
ellauri118.html on line 1131: In 1683, when Mary Webster was approximately 60 years old, she was accused and brought to trial before a jury in Boston "for suspicion of witchcraft" but cleared of charges and found not guilty.
ellauri118.html on line 1132: In 1684, Webster was accused verbally by Philip Smith. Smith was a judge, a deacon, and representative of the town of Hadley. He has also been described as a hypochondriac. He seems to have believed in the real power of witchcraft and that his afflictions were being magically caused by Mary Webster in collaboration with the devil.
ellauri118.html on line 1147: I´ve counted exactly three fat women in the six episodes that have aired, two of whom are wives who definitely belong to the category of “small fat,” as they look to be about a size 14-16, which is currently the size of the average American woman. I find it quite strange that I have seen not one handmaid who looks to be the size of the average American woman.
ellauri118.html on line 1148: There is research suggesting a link between clinical obesity and difficulty conceiving (for example), but fat women are not inherently less fertile, they are just a little harder to penetrate, and have less space for the baby among all the lard.
ellauri118.html on line 1157: Self-important, supercilious academic humor lightens the intense and chilling conclusion to Offred´s eerily bland recorded narrative.
ellauri118.html on line 1159: Additional facts indicate that the theocratic repression found in Gilead also existed in Seattle, Washington, and Syracuse, New York.
ellauri118.html on line 1162: Pieixoto´s name suggests Pope Pius IX, a Vatican pope (1854-1878), who, in his first year of office, issued the doctrine of the Immaculate Conception of the Blessed Virgin Mary. Peixoto is a Portuguese surname. It refers to fish. Notable people with the surname include: Alvarenga Peixoto (1743-1793), Brazilian poet, born in Rio de Janeiro; António Augusto de Rocha Peixoto (1866-1909), Portuguese naturalist, ethnologist and archaeologist; César Peixoto (born 1980), Portuguese footballer who plays for Sport Lisboa e Benfica in the Portuguese first division.
ellauri118.html on line 1164: The amount Peixoto earn in different countries varies greatly. In Peru they earn 6.8% more than the national average, earning S/. 20,704 per year; in South Africa they earn 449.72% more than the national average, earning R 1,306,340 per year; in United States they earn 21.93% more than the national average, earning $52,612 USD per year, but in Canada they earn just 1.53% more than the national average, earning $50,441 CAD per year. Hmm. This must be intentional. It tells us something, but what the heck?
ellauri118.html on line 1167: Eurydice in Greek mythology, the luckless bride bitten by a snake on her wedding day. Her husband, Orpheus, the famed musician, convinced Hades to let Eurydice return to earth. However, Orpheus disobeyed the strictures of the journey and looked at Eurydice too soon, thus dispatching her back to the abode of the dead forever.
ellauri118.html on line 1171: 29-year handmaid June asks Serena Joy, 35, for a payrise. Why should you get a rise asks Mrs. Waterford. 3 reasons: pro primo, I iron better than Cora. Who says so? Commander Waterford does. Pro secundo, I cook better than Rita. Who says so? Fred does. Pro tertio, I am better in bed than you. Who says so, not Fred again? No, Nick. Pay up please. (Naurua ja voihkinaa.)
ellauri119.html on line 6: font-style: italic;
ellauri119.html on line 46: Old English halig "holy, consecrated, sacred; godly; ecclesiastical," from Proto-Germanic *hailaga- (source also of Old Norse heilagr, Danish hellig, Old Frisian helich "holy," Old Saxon helag, Middle Dutch helich, Old High German heilag, German heilig, Gothic hailags "holy"), from PIE *kailo- "whole, uninjured" (see health). Adopted at conversion for Latin sanctus.
ellauri119.html on line 63: b: venerated as or as if sacred holy scripture a holy relic
ellauri119.html on line 71: Examples of holy in a Sentence: a holy relic worm by one of the saints, the holy monk spent many hours on his knees in prayer.
ellauri119.html on line 73: Recent Examples on the Web: The competing claims over east Jerusalem, home to Jewish, Christian and Muslim holy sites, lie at the heart of the conflict and have sparked many rounds of violence. — Time, 16 June 2021
ellauri119.html on line 75: These example sentences are selected automatically from various online news sources to reflect current usage of the word 'holy.' Views expressed in the examples do not represent the opinion of Merriam-Webster or its editors. Send us feedback.
ellauri119.html on line 80: Dictionary Entries Near holy: holt Holt holus-bolus holy holy ark holy basil holy bread See More Nearby Entries.
ellauri119.html on line 84: Statistics for holy: Last Updated 22 Jun 2021
ellauri119.html on line 86: Look-up Popularity: Top 1% of words. Cite this Entry. “Holy.” Merriam-Webster.com Dictionary, Merriam-Webster, ictionary/holy">https://www.merriam-webster.com/dictionary/holy Accessed 25 Jun. 2021. Keep scrolling for more.
ellauri119.html on line 89: connected to a god or a religion, religious and morally good, informal —used in phrases that show surprise or excitement. See the full definition for holy in the English Language Learners Dictionary
ellauri119.html on line 93: set apart for the service of God or of a divine being : sacred a holy temple
ellauri119.html on line 97: used in exclamations to indicate surprise or excitement Holy mackerel! You won!
ellauri119.html on line 101: Love words? Need even more definitions? Subscribe to America's largest dictionary and get thousands more definitions and advanced search—ad free!
ellauri119.html on line 107: icture-in-picture" allowfullscreen>
ellauri119.html on line 110: On the "Batman" TV series, which ran for 120 episodes between 1966 and 1968, Batman's sidekick Robin (played by Burt Ward), was well known for his ever-changing catchphrase. It was an exclamation that would always begin with the word "holy." The second part of the exclamation would always involve something related to what Robin was shouting about in that episode. For example, if there was a bunch of smoke, he might shout "holy smoke!" However, the exclamations often got a lot weirder than that. Get to know the 20 oddest "holy" exclamations Robin said during the series.
ellauri119.html on line 113: In season 2's "Hot Off the Griddle," Catwoman captures Batman and Robin and straps them to two giant aluminum grills, smears them with margarine and places two giant magnifying glasses above them, with the intent to roast them with the hot sun. Robin shouts, "Holy Oleo!" to which Catwoman humorously retorts, "I didn't know you could yodel."
ellauri119.html on line 115: Oleo is a term that was a lot more common in 1966 than it is today. When margarine was first invented in France in the 1860s, the creator, Hippolyte Mège-Mouriès, originally dubbed the artificial butter substitute "oleomargarine." Although it was most commonly sold as simply "margarine," the "oleomargarine" name was used enough that "oleo" became slang for margarine. It's very outdated slang today, with the existence of the word mostly being confined to crossword puzzles. It is a very common crossword puzzle answer because of its shortness and because three out of its four letters are vowels.
ellauri119.html on line 119: In the Season 2 episode "The Puzzles are Coming," the Puzzler traps Batman and Robin aboard a hot air balloon rigged to release its basket at 20,000 feet in the air. Robin remarks, "Holy Graf Zeppelin," a reference to the popular German passenger zeppelin of that name, the LZ 127 Graf Zeppelin. Just "zeppelin" probably would have done the trick, Boy Wonder!
ellauri119.html on line 123: When you realize that Robin is referencing a telecommunications company that was founded as International Telephone & Telegraph in this season two episode, you know the reference is an outdated one. IT&T got out of the telecommunications game in 1986. It has been reformed a number of times into its current state, ITT Corporation. Amusingly, at the time Robin made the reference, IT&T and ABC (which aired "Batman") nearly merged with each other.
ellauri119.html on line 126: In the season two episode "The Devil's Fingers," the evil piano player Chandell (played by Liberace), tries to kill Batman and Robin by feeding them into a machine that punches out the cards for pianolas, or player pianos, which most of the world is now long unfamiliar with.
ellauri119.html on line 130: In the season one episode "Ma Parker," Batman and Robin are trapped in electric chairs. Robin shouts out a reference to a device that controls electrical current with variable resistance. However, said device is no longer called a rheostat. It is now referred to as a potentiometer.
ellauri119.html on line 141: In the season one episode "Not Yet, He Ain't," Batman and Robin go back to the Batcave to relax with some nice cool milk after surviving an attempt on their lives by the Penguin. What's to love about this exclamation is that Robin is so enraged and yet he's carrying a glass of milk and it just looks adorable instead.
ellauri119.html on line 143:
Holy Uncanny Photographic Mental Processes!

ellauri119.html on line 145: In the season two episode "Batman's satisfaction," Batman notices that three distinct letters are missing from a bowl of alphabet soup. Robin is so impressed with Batman's mental acuity that he lets him know it via his "holy uncanny photographic mental processes" statement.
ellauri119.html on line 148: In the season one episode "The Londinium Larcenies," Lady Prudence remarks to Robin that she received an MS in finishing school. He wonders what an MS is, and she says that it is a Mistresses of Shoplifting, to which Robin remarks "holy contributing to the delinquency of minors!"
ellauri119.html on line 152: In the season three episode "Nora Clavicle and the Ladies' Crime Club," Batman, Robin, and Batgirl are forced to intertwine themselves into a giant human knot. Robin responds to this idea by referencing the instructions to basic stitch patterns.
ellauri119.html on line 156: In the season one episode "When the Bookworm Turns," the evil Bookworm's Gal Friday is named Lydia. Batman and Robin discover her tied up and left behind by the Bookworm. Robin's response when he sees her is to shout, "holy Cinderella!" Which, of course, has nothing to do with the situation at hand at all. Or perhaps Batman read Robin a different "Cinderella" than others. Suomalainen Tuhkimo oli miespuolinen. Varmaan Batman luki sitä pikku homopetterille.
ellauri119.html on line 164: Now we reach the point in the countdown where Robin references obscure figures from history! Here, while playing chess with Batman in their secret identities of Dick Grayson and Bruce Wayne, Dick remarks "holy Reshevsky!" This is a reference to the great Polish-born American chess grandmaster of the early 20th century Samuel Reshevsky.
ellauri119.html on line 172: In the season three episode "Louie the Lilac," the villain of that same name tries to feed Batman and Robin to his man-eating lilacs. Robin then name-checks the noted pioneer in the field of agricultural science in the late 19th Century (and early 20th Century), the botanist Luther Burbank. Because what kid watching "Batman" doesn't know who Luther Burbank is, right?
ellauri119.html on line 176: Referencing d'Artagnan, one of the famed Musketeers of Alexandre Dumas' classic novel, "The Three Musketeers," might not sound like all that weird of a reference for Robin to make. However, it ranks this high because it is actually a reference to Catwoman having just shot Robin and Batman with tranquilizer darts.
ellauri119.html on line 178:
Holy Priceless Collection of Etruscan Snoods!

ellauri119.html on line 184: In the season one episode "Zelda the Great," Batman is about to capture a magician after she stole some priceless jewelry, but she escapes using sleight-of-hand. Robin is right after Batman and remarks "holy hole in a doughnut!" The words make no sense in this situation. Oddly enough, a track on the "Batman" soundtrack was titled "Holy Hole in a Doughnut." Made more sense to Robin than you'd think.
ellauri119.html on line 190: The conceit of the episode is that Minerva (played by Zsa Zsa Gabor) runs a spa where she uses a special piece of equipment to get her rich clients to tell her their deepest secrets (mostly money-related).
ellauri119.html on line 205: Holy ja hole eivät ole etymologisesti sukua, mutta muuten niillä on paljonkin yhteistä. Kuten Juice Leskinen sen tiivisti: Marilyn, Marilyn, milloin riisut jumpperin ... Mua mitkään voimat silloin masentaneet ei. Mä rahani tuhlasin sun joka leffaan Ja unessa hampaat iskin sun peffaan. Oli kaikkein pyhin sinun hurlumhei.
ellauri119.html on line 268: The subset of Christianity that accepts this doctrine is collectively known as Trinitarianism, while the subset that does not is referred to as Nontrinitarianism (see also Arianism). Trinitarianism contrasts with positions such as Binitarianism (one deity in two persons) and Monarchianism (no plurality of persons within God), of which Modalistic Monarchianism (one deity revealed in three modes) and Unitarianism (one deity in one person) are subsets.
ellauri119.html on line 270: For the majority of Christian denominations, the Holy Spirit, or Holy Ghost, is believed to be the third person of the Trinity, a Triune God manifested as God the Father, God the Son, and God the Holy Spirit, each entity itself being God. Nontrinitarian Christians, who reject the doctrine of the Trinity, differ significantly from mainstream Christianity in their beliefs about the Holy Spirit. In Christian theology, pneumatology refers to the study of the Holy Spirit. Due to Christianity's historical relationship with Judaism, theologians often identify the Holy Spirit with the concept of the Ruach Hakodesh in Jewish scripture, on the theory that Jesus (who was Jewish) was expanding upon these Jewish concepts. Similar names, and ideas, include the Ruach Elohim (Spirit of God), Ruach YHWH (Spirit of Yahweh), and the Ruach Hakodesh (Holy Spirit).
ellauri119.html on line 272: The most characteristic sign of the presence of the ruach ha-kodesh is the gift of prophecy. The use of the word "ruach" (Hebrew: "breath", or "wind") in the phrase ruach ha-kodesh seems to suggest that Judaic authorities believed the Holy Spirit was a kind of communication medium like breath, or wind. The spirit talks from both ends, sometimes 1wparacl
ellauri119.html on line 273: rumbling masculine and sometimes with a feminine voice; the word ruacḥ is both masculine and feminine. Though who has ever heard of a woman impregnating another? That would take a miracle.
ellauri119.html on line 300: The New Testament details a close relationship between the Holy Spirit and Jesus during his earthly life and ministry.The Gospels of Matthew and Luke and the Nicene Creed state that Jesus was "conceived by the Holy Spirit, born of the Virgin Mary". The Holy Spirit descended on Jesus like a dove or seagull during his baptism, and in his Farewell Discourse after the Last Supper Jesus promised to send the Holy Spirit to his disciples after his departure.
ellauri119.html on line 304: The Holy Spirit is referred to as "the Lord, the Giver of Life" in the Nicene Creed, which summarises several key beliefs held by many Christian denominations. The participation of the Holy Spirit in the tripartite nature of conversion is apparent in Jesus' final post-resurrection instruction to his disciples at the end of the Gospel of Matthew (28:19), "Make disciples of all the nations, baptizing them into the name of the Father and of the Son and of the Holy Ghost."
ellauri119.html on line 306: The English terms "Holy Ghost" and "Holy Spirit" are complete synonyms: one derives from the Old English gast and the other from the Latin loanword spiritus. Like pneuma, they both refer to the breath, to its animating power, and to the soul. The Old English term is shared by all other Germanic languages (compare, e.g., the German Geist) and it is older; the King James Bible typically uses "Holy Ghost".
ellauri119.html on line 308: The term Holy Spirit appears at least 90 times in the New Testament. The sacredness of the Holy Spirit to Christians is affirmed in all three Synoptic Gospels (Matthew 12:30–32, Mark 3:28–30 and Luke 12:8–10) which proclaim that blasphemy against the Holy Spirit is the unforgivable sin.
ellauri119.html on line 324: Shituf (Hebrew: שִׁתּוּף‎; also transliterated as shittuf or schituf; literally "association") is a term used in Jewish sources for the worship of God in a manner which Judaism does not deem to be purely monotheistic. The term connotes a theology that is not outright polytheistic, but also should not be seen as purely monotheistic. The term is primarily used in reference to the Christian Trinity by Jewish legal authorities who wish to distinguish Christianity from full-blown polytheism. Though a Jew would be forbidden from maintaining a shituf theology, non-Jews would, in some form, be permitted such a theology without being regarded as idolaters by Jews. That said, whether Christianity is shituf or formal polytheism remains a debate in Jewish philosophy.
ellauri119.html on line 326: In all branches of Judaism, the God of the Hebrew Bible is considered one singular entity, with no divisions, or multi-persons within, and they reject the idea of a co-equal multi-personal Godhead or "Trinity", as actually against the Shema. They do not consider the Hebrew word for "one" (that is "echad") as meaning anything other than a simple numerical one.
ellauri119.html on line 336: God, the Cause of all, is one. This does not mean one as in one of a pair, nor one like a species (which encompasses many individuals), nor one as in an object that is made up of many elements, nor as a single simple object that is infinitely divisible. Rather, God is a unity unlike any other possible unity. This is referred to in the Torah (Deuteronomy 6:4): "Hear Israel, the Lord is our God, the Lord is one."
ellauri119.html on line 343: In Islam, shirk (Arabic: شرك‎ širk) is the sin of idolatry or polytheism (i.e., the deification or worship of anyone or anything besides Allah). Islam teaches that God does not share His divine attributes with any partner. Associating partners with God is disallowed according to the Islamic doctrine of Tawhid (monotheism). Mušrikūn مشركون (pl. of mušrik مشرك) are those who practice shirk, which literally means "association" and refers to accepting other gods and divinities alongside God (as God´s "associates").The Qur´an considers shirk as a sin that will not be forgiven if a person dies without repenting of it.
ellauri119.html on line 345: The word širk comes from the Arabic root Š-R-K (ش ر ك), with the general meaning of "to share".[9] In the context of the Quran, the particular sense of "sharing as an equal partner" is usually understood, so that polytheism means "attributing a partner to Allah".
ellauri119.html on line 349: Henotheism (from Greek ἑνός θεοῦ (henos theou) ´of one god´) is the worship of a single, overarching god while not denying the existence or possible existence of other lower deities. Friedrich Schelling (1775–1854) coined the word, and Friedrich Welcker (1784–1868) used it to depict primitive monotheism among ancient Greeks.
ellauri119.html on line 355: Filioque on latinaa ja tarkoittaa ’ja Pojasta’. Filioque-lisäys ja siitä seurannut Filioque-kiista liittyy idän ja lännen kirkkojen väliseen erimielisyyteen Nikaian uskontunnustuksen tekstistä. Tunnustuksen kolmas kappale, joka käsittelee Pyhää Henkeä, kuului alun perin ”Et in Spiritum Sanctum, Dominum et vivificantem, qui ex Patre procedit” (suom. Ja Pyhään Henkeen, Herraan ja eläväksi tekijään, joka lähtee Isästä). Myöhemmin lännen kirkkojen piirissä tuli tavaksi lisätä lauseeseen sana Filioque (”Et in Spiritum Sanctum, Dominum et vivificantem, qui ex Patre Filioque procedit” (suom. Ja Pyhään Henkeen, Herraan ja eläväksi tekijään, joka lähtee Isästä ja Pojasta).
ellauri119.html on line 361: In the New Testament, by the power of the Holy Spirit Jesus was conceived in the womb of the Virgin Mary, while maintaining her virginity. Virginity is the state of a person who has never engaged in sexual intercourse. Sexual intercourse (or coitus or copulation) is sexual activity typically involving the insertion and thrusting of the penis into the vagina for sexual pleasure, reproduction, or both. This is also known as vaginal intercourse or vaginal sex.
ellauri119.html on line 378: For instance, you can get pregnant by the Moomin mug method, or by the Holy Ghost. In the first case, Roman catholics vote for yes, Orthodox are more traditionalist. But with modern in vitro methods, who can tell? Some have got infected, one hears, from contaminated toilet seats. Mary oughta have used tissue paper before sitting down. Two women can make a baby nowadays, pace toxic masculine Christians who used immaculate conception as an argument that the holy ghost too is male. Another all male panel.
ellauri119.html on line 380: In the 16th and 17th centuries, medical researchers mistakenly saw the presence or absence of the hymen as founding evidence of physical diseases such as "womb-fury", i.e., (female) hysteria. If not cured, womb-fury would, according to doctors practicing at the time, result in death. The cure, naturally enough, was marriage, since a woman could then go about having sexual intercourse on a "normal" schedule that would stop womb-fury from killing her.
ellauri119.html on line 385: Define god? In monotheistic thought, God is defined as the supreme being, creator, and principal object of faith. God is usually conceived of as being omnipotent, omniscient, omnipresent and omnibenevolent as well as having an eternal and necessary existence. A good definition because it is creative, too bad that's no longer allowed by the modern logicians. Existence and uniqueness must be proven separately. Damn them to hell!
ellauri119.html on line 387: God is most often held to be incorporeal, with said characteristic being related to conceptions of transcendence or immanence. In religion, transcendence is the aspect of a deity´s nature and power that is wholly independent of the material universe, beyond all known physical laws. This is contrasted with immanence, where a god is said to be fully present in the physical world and thus accessible to creatures in various ways. In religious experience, transcendence is a state of being that has overcome the limitations of physical existence, and by some definitions, has also become independent of it. This is typically manifested in prayer, rituals, meditation, psychedelics and paranormal "visions".
ellauri119.html on line 391: Although transcendence is defined as the opposite of immanence, the two are not necessarily mutually exclusive. Some theologians and metaphysicians of various religious traditions affirm that a god is both within and beyond the universe (panentheism); in it, but not of it; simultaneously pervading it and surpassing it.
ellauri119.html on line 398: Paul Van Buren and William Hamilton both agreed that the concept of transcendence had lost any meaningful place in modern secular thought. According to the norms of contemporary modern secular thought, God is dead. In responding to this denial of transcendence Van Buren and Hamilton offered secular people the option of Jesus as the model human who acted in love. Well technically he is dead as well, but his great ideas (that he "borrowed" from the hindoos and the jews) live on.
ellauri119.html on line 400: Paul Matthews van Buren (April 20, 1924 – June 18, 1998) was a Christian theologian and author. An ordained Episcopal priest, he was a Professor of religion at Temple University, Philadelphia for 22 years. He was a Director [NYT obituary says "Associate"] of the Center of Ethics and Religious Pluralism at the Shalom Hartman Institute in Jerusalem. Van Buren was born and raised in Norfolk, Virginia. During World War II, he had served in the United States Coast Guard. He graduated with a bachelor´s degree in government from Harvard College in 1948. A professor at Temple University, he was considered a leader of the "Death of God" school or movement, although he himself rejected that name for the movement as a "journalistic invention," and considered himself an exponent of "Secular Christianity." He died of cancer on June 18, 1998 at age 74.
ellauri119.html on line 404: The Time cover for April 8, 1966, with its stark words "Is God Dead?" against a dark background, garnered record sales. So did a 1966 book, Radical Theology and the Death of God, coauthored by Hamilton and Thomas J. J. Altizer. "It was Bill who in the ´60s created the scandal of a death of God theology," Altizer told the Century, adding that Hamilton was the more articulate.
ellauri119.html on line 407: "The death of God is a metaphor," the retired theologian told the Oregonian in 2007. "We needed to redefine Christianity as a possibility without the presence of God." Hamilton had been troubled by such questions since his teens when two friends—a Catholic and an Episcopalian—died while a third friend, the son of an atheist, survived without injury when a pipe bomb the three were making exploded. Talk about theodicy! No fair!
ellauri119.html on line 410: Churches quickly rejected the premises of radical theology, and many pastors and evangelists preached "our-God-is-not-dead" sermons for a decade or more, long after the movement itself had faded from public attention.
ellauri119.html on line 412: Hamilton had tenure and held an endowed chair, but his reputation for radical theology rendered him and his family unwelcome at a local Presbyterian church and eventually at Colgate Rochester.
ellauri119.html on line 420: Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love of food. A minority of monkeys fuck their relatives, but such monkey business still happens. Few people fuck their food, with Philip Roth as a notable exception. Most commonly, love refers to a feeling of strong attraction and emotional attachment. You are so cute I could eat you! Eat my shorts!
ellauri119.html on line 422: Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, obsessiveness or codependency. It may also describe compassionate and affectionate actions towards other humans, one's self or animals. In its various forms, love acts as a major facilitator of interpersonal relationships and, owing to its central psychological importance, is one of the most common themes in the creative arts. Love has been postulated to be a function that keeps human beings together against menaces and to facilitate the continuation of the species.
ellauri119.html on line 424: Ancient Greek philosophers identified no less than six forms of love: essentially, familial love (in Greek, storge), friendly love or platonic love (philia), romantic love (eros), self-love (philautia), guest love (xenia) and divine love (agape). Plus a zillion learned words for different kinds of paraphilia. But that's nothing yet compared to the hindoos [below] who have words for love like the Eskimos for ice cream.
ellauri119.html on line 428: Scientific research on emotion has increased significantly over the past two decades. The color wheel theory of love defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. Love has additional religious or spiritual meaning. This diversity of uses and meanings combined with the complexity of the feelings involved makes love unusually difficult to consistently define, compared to other emotional states. Abstractly discussed, love usually refers to an experience one person feels for another. Love often involves caring for, or identifying with, a person or thing (cf. vulnerability and care theory of love), including oneself (cf. narcissism). Tulihan se sieltä!
ellauri119.html on line 430: In addition to cross-cultural differences in understanding love, ideas about love have also changed greatly over time. Some historians date modern conceptions of romantic love to courtly Europe during or after the Middle Ages, although the prior existence of romantic attachments is attested by ancient love poetry. The complex and abstract nature of love often reduces discourse of love to a thought-terminating cliché. Several common proverbs regard love, from Virgil's "Love conquers all" to The Beatles' "All You Need Is Love". St. Thomas Aquinas, following Aristotle, defines love as "to will the good of another." Bertrand Russell describes love as a condition of "absolute value," as opposed to relative value.[citation needed] Philosopher Gottfried Leibniz said that love is "to be delighted by the happiness of another." Meher Baba stated that in love there is a "feeling of unity" and an "active appreciation of the intrinsic worth of the object of love." But who the fuck is Meher Baba? Biologist Jeremy Griffith defines love as "unconditional selflessness". In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. The 20th-century rabbi Eliyahu Eliezer Dessler is frequently quoted as defining love from the Jewish point of view as "giving without expecting to take" (from his Michtav me-Eliyahu, Vol. 1). Rakkaus on siis ekonomisesti sulaa hulluutta!
ellauri119.html on line 432: There are several Greek words for "love" that are regularly referred to in Christian circles. Agape: In the New Testament, agapē is charitable, selfless, altruistic, and unconditional. It is parental love, seen as creating goodness in the world; it is the way God is seen to love humanity, and it is seen as the kind of love that Christians aspire to have for one another. Philia: Also used in the New Testament, phileo is a human response to something that is found to be delightful. Also known as "brotherly love" or "homophilia." Two other words for love in the Greek language, eros (sexual love) and storge (child-to-parent love), were never used in the New Testament! Now that's a lacuna! Christians believe that to Love God with all your heart, mind, and strength and Love your neighbor as yourself are the two most important things in life (the greatest commandment of the Jewish Torah, according to Jesus; cf. Gospel of Mark chapter 12, verses 28–34). Saint Augustine summarized this when he wrote "Love God, and do as thou wilt." Right on Gus! Way to go!
ellauri119.html on line 434: The Apostle Paul glorified love as the most important virtue of all. Describing love in the famous poetic interpretation in 1 Corinthians, he wrote, "Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, and always perseveres." (1 Cor. 13:4–7, NIV) He didn't mean eros, but rather homophilia. Perseveraatiosta oli puhe. John also wrote, "Dear friends, let us love one another for love comes from God. Everyone who loves has been born of God and knows God. Whoever does not love does not know God, because God is love." (1 John 4:7–8, NIV) Influential Christian theologian C. S. Lewis wrote a book called The Four Loves. The first retired nazi pope Benedict XVI named his first circular God as love. He said that a human being, created in the image of God, who is love, is able to make love; to give himself to God and others (agape) and by receiving and experiencing God's love in contemplation (eros). This life of love, according to him, is the life of the saints such as Teresa of Calcutta and the Blessed Virgin Mary and is the direction Christians take when they believe that God loves them. Pope Francis taught that "True love is both loving and letting oneself be loved...what is important in love is not our loving, but allowing ourselves to be loved by God." That's just what Virgin Mary did. "You have heard that it was said, 'Love your neighbor and hate your enemy.' But I tell you, love your enemies and pray for those who persecute you, that you may be children of your Father in heaven. He causes his sun to rise on the evil and the good, and sends rain on the righteous and the unrighteous. If you love those who love you, what reward will you get? Are not even the tax collectors doing that? And if you greet only your own people, what are you doing more than others? Do not even pagans do that? Be perfect, therefore, as your heavenly Father is perfect." – Matthew 5: 43–48. Jews didn't like tax collectors.
ellauri119.html on line 438: Do not forget to love with forgiveness, Christ saved an adulterous woman from those who would stone her. She had a whole lotta love left to give. Good material for a Jezebel. Mosaic Law would hold (Deuteronomy 22:22-24) "If a man is found lying with a woman married to a husband, then both of them shall die—the man that lay with the woman, and the woman; so you shall put away the evil from Israel. If a young woman who is a virgin is betrothed to a husband, and a man finds her in the city and lies with her, then you shall bring them both out to the gate of that city, and you shall stone them to death with stones, the young woman because she did not cry out in the city, and the man because he humbled his neighbor's wife; So you shall "put away" the evil from among you. A world of wronged hypocrites needs forgiving love. To love one's friends is common practice, to love one's enemies only among Christians. But Christians do not particularly love enemies not among Christians, like moslems or jews. Forgive them, ok, but kill them. Mosaic law is what the jews pieced together after Moses accidentally dropped the stone tablets.
ellauri119.html on line 440: Love encompasses the Islamic view of life as universal brotherhood that applies to all who hold faith. Amongst the 99 names of God (Allah), there is the name Al-Wadud, or "the Loving One," which is found in Surah [Quran 11:90] as well as Surah [Quran 85:14]. God is also referenced at the beginning of every chapter in the Qur'an as Ar-Rahman and Ar-Rahim, or the "Most Compassionate" and the "Most Merciful", indicating that nobody is more loving, compassionate and benevolent than God. The Qur'an refers to God as being "full of loving kindness." The Qur'an exhorts Muslim believers to treat all people, viz. those who have not persecuted them, with birr or "deep kindness" as stated in Surah [Quran 6:8-9]. Birr is also used by the Qur'an in describing the love and kindness that children must show to their parents. Ishq, or divine love, is the emphasis of Sufism in the Islamic tradition. Practitioners of Sufism believe that love is a projection of the essence of God to the universe. God desires to recognize beauty, and as if one looks at a mirror to see oneself, God "looks" at himself within the dynamics of nature. Since everything is a reflection of God, the school of Sufism practices to see the beauty inside the apparently ugly sufist. Sufism is often referred to as the religion of love. God in Sufism is referred to in three main terms, which are the Lover, Loved, and Beloved, with the last of these terms being often seen in Sufi poetry.
ellauri119.html on line 442: In Hinduism, kāma is pleasurable, sexual love, personified by the god Kamadeva. For many Hindu schools, it is the third end (Kama) in life. Kamadeva is often pictured holding a bow of sugar cane and an arrow of flowers; he may ride upon a great parakeet. The philosophical work Narada Bhakti Sutras, written by an unknown author (presumed to be Narada), distinguishes eleven forms of love. Kama Sutra has more. Gaudiya Vaishnavas who worship Krishna as the Supreme Personality of Godhead and the cause of all causes consider Love for Godhead (Prema) to act in two ways: sambhoga and vipralambha (union and separation), like Empedocles' love and strife, attraction and repulsion, in and out in ever faster succession. Radha is considered to be the internal potency of Krishna, and is the supreme lover of Godhead. Her example of love is considered to be beyond the understanding of material realm as it surpasses any form of selfish love or lust that is visible in the material world. The reciprocal love between Radha (the supreme lover) and Krishna (God as the Supremely Loved) is the subject of many poetic compositions in India such as the Gita Govinda and Hari Bhakti Shuddhodhaya, and a lot of chanting, tinkling little bells and opening and closing of musical doors.
ellauri119.html on line 444: In Buddhism, Kāma Sutra is sensuous, sexual love. It is an obstacle on the path to enlightenment, since it is selfish. Karuṇā is compassion and mercy, which reduces the suffering of others. It is complementary opposite to wisdom and is necessary for enlightenment. Adveṣa and mettā are benevolent love. This love is unconditional and requires considerable self-acceptance. This is quite different from ordinary love, which is usually about attachment and sex and which rarely occurs without self-interest. Instead, Buddhism recommends detachment and unselfish interest in others' welfare. Gandhi could sleep naked with young sweetypies without penetrating them. Did he so much as get a boner? The story does not tell. Mrs Gandhi did not approve. They screeched to one another like a pair of seagulls. Wonder what the young sweetypies thought of it. Scary and frustrating at once I bet. Being perfectly in love with God or Krishna makes one perfectly free from material contamination and this is the ultimate way of salvation or liberation. In this tradition, salvation or liberation is considered inferior to love, and just an incidental by-product. Being absorbed in Love for God is considered to be the perfection of life.
ellauri119.html on line 446: The term "free love" has been used to describe a social movement that rejects marriage, which is seen as a form of social bondage. The Free Love movement's initial goal was to separate the state from sexual matters such as marriage, birth control, and adultery. It claimed that such issues were the concern of the people involved, and no one else. Many people in the early 19th century believed that marriage was an important aspect of life to "fulfill earthly human happiness." Middle-class Americans wanted the home to be a place of stability in an uncertain world. This mentality created a vision of strongly defined gender roles, which provoked the advancement of the free love movement as a contrast. The term "sex radical" has been used interchangeably with the term "free lover". By whatever name, advocates had two strong beliefs: opposition to the idea of forceful sexual activity in a relationship and advocacy for a woman to use her body in any way that she pleases. These are also beliefs of Feminism. As St. Augustine put it: love God and then do as you please.
ellauri119.html on line 448: BTW did Mary come? How many times? There are many different theories that attempt to explain what love is, and what function it serves. It would be very difficult to explain love to a hypothetical person who had not himself or herself experienced love or being loved. In fact, to such a person love would appear to be quite strange if not outright irrational behavior.
ellauri119.html on line 452: Among the prevailing types of theories that attempt to account for the existence of love there are: psychological theories, the vast majority of which consider love to be very healthy behavior; there are evolutionary theories that hold that love is part of the process of natural selection; there are spiritual theories that may, for instance consider love to be a gift from God; there are also theories that consider love to be an unexplainable mystery, very much like a mystical experience. It feels like a sneeze. Setting aside Empedocles's view of Eros as the force binding the world together, the roots of the classical philosophy of love go back to Plato's Symposium.
ellauri119.html on line 454: Why set aside good old Empedocles anyway? He meant forces of attraction and repulsion, he got it just right 2My before Newton. Plato sucks, set him aside instead. The idea of two loves, one heavenly, one earthly is just bullshit. As Tristram Shandy's Uncle Tboy was informed over 2My later, "of these loves, according to Ficinus's comment on Valesius, the one is rational - the other is natural - the first...excites to the desire of philosophy and truth - the second, excites to desire, simply". Toby felt the former toward women and the latter for model trains. Plato's sublimation theory of love involved "mounting upwards...from one to two, and from two to all fair boys, and from fair boys to fair actions, and from fair actions to fair motions, until with fair motions he comes into the bottom of an absolute beauty". Sounds like Plato's own love history from horny gym boy to a dirty old geezer.
ellauri119.html on line 456: Hippo of Augustine thought the holy ghost was the gluon that kept the other two quarks together, top and bottom, strange and charm, bad and good policeman. love is another attractive force, if you will. May the force be with you, but never underestimate the power of the dark side of the force. Under his eyes. May the lord open. "The dystopian drama has exceeded the natural lifespan of its story, as it plows forward with nothing new to say, tinkling cymbals and sounding brass." "There came a point during the first episode where, for me, it became too much." Lisa Miller of The Cut wrote: "I have pressed mute and fast forward so often this season, I am forced to wonder: 'Why am I watching this'? It all feels so gratuitous, like a beating that never ends."
ellauri119.html on line 458: Aristotle by contrast placed more emphasis on philia (friendship, affection) than on eros (love); and the dialectic of friendship and love would continue to be played out into and through the Renaissance, with Cicero for the Latins pointing out that "it is love (amor) from which the word 'friendship' (amicitia) is derived" Meanwhile, Lucretius, building on the work of Epicurus, had both praised the role of Venus as "the guiding power of the universe", and criticised those who become "love-sick...life's best years squandered in sloth and debauchery".
ellauri119.html on line 460: Now a fast forward to French fries and scepticism. Alongside the passion for merging that marked Romantic love, a more sceptical French tradition can be traced from Stendhal onwards. Stendhal's theory of crystallization implied an imaginative readiness for love, which only needed a single trigger for the object to be imbued with every fantasised perfection. Proust went further, singling out absence, inaccessibility or jealousy as the necessary precipitants of love. Lacan would almost parody the tradition with his saying that "love is giving something you haven't got to someone who doesn't exist". A post-Lacanian like Luce Irigaray would then struggle to find room for love in a world that will "reduce the other to the same...emphasizing eroticism to the detriment of love, under the cover of sexual liberation".
ellauri119.html on line 462: Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist who examined the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum non matris sed aliae mulieris (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Presently, she is active in the Women's Movements in both France and Italy. Eroticism (from the Greek ἔρως, eros—"desire") is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.
ellauri119.html on line 464: As the fat and ugly French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides. Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often[how often?] confused eroticism with pornography, with the anti-pornography activist Andrea Dworkin saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as Lynn Hunt writes, "demonstrate the difficulty of drawing… a clear generic demarcation between the erotic and the pornographic": indeed arguably "the history of the separation of pornography from eroticism… remains to be written". In the eighteenth century, eroticism was the result of the intrusion into the public sphere of something that was at base private.
ellauri119.html on line 466: The industrial revolution in the XVIIIth century created free love, great public and small celebrities. Goodbye nobility, welcome notables! What the fuck, same difference.
ellauri119.html on line 473: This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. (June 2018) (Learn how and when to remove this template message)
ellauri119.html on line 475: The three components, labeled on the vertices of a triangle, interact with each other so as to form six different kinds of love experiences. The triangular theory of love is a theory of love developed by Robert Sternberg. In the context of interpersonal relationships, the three components of love, according to the triangular theory, are an intimacy component, a passion component, and a decision/commitment component.
ellauri119.html on line 477: Sternberg says that intimacy refers to "feelings of closeness, connectedness, and bondedness in loving relationships," passion refers to "the drives that lead to romance, physical attraction, sexual consummation, and related phenomena in loving relationships" and decision/commitment means different things in the short and long term. In the short-term, it refers to "the decision that one loves a certain other", and in the long-term, it refers to "one's commitment to maintain that love."
ellauri119.html on line 479: The three components, pictorially labeled on the vertices of a triangle, interact with each other and with the actions they produce so as to form seven different kinds of love experiences (nonlove is not represented). The size of the triangle functions to represent the "amount" of love—the bigger the triangle, the greater the love. Each corner has its own type of love and provides different combinations to create different types of love and labels for them. The shape of the triangle functions to represent the "style" of love, which may vary over the course of the relationship:
ellauri119.html on line 485: Infatuated love: Infatuated love is passion without intimacy or commitment. This is considered "puppy love" or relationships that have not become serious yet. Romantic relationships often start out as infatuated love and become romantic love as intimacy develops over time. Without developing intimacy or commitment, infatuated love may disappear suddenly.
ellauri119.html on line 487: Empty love is characterized by commitment without intimacy or passion. A stronger love may deteriorate into empty love. In an arranged marriage, the spouses' relationship may begin as empty love and develop into another form, indicating "how empty love need not be the terminal state of a long-term relationship...[but] the beginning rather than the end".
ellauri119.html on line 489: Romantic love This love is passionate and intimate but has no commitment. This could be considered a romantic affair or could be a one-night stand.
ellauri119.html on line 491: Companionate love is an intimate, non-passionate type of love that is stronger than friendship because of the element of long-term commitment. "This type of love is observed in long-term marriages where passion is no longer present" but where a deep affection and commitment remain. The love ideally shared between family members is a form of companionate love, as is the love between close friends who have a platonic but strong friendship.
ellauri119.html on line 495: Consummate love is the complete form of love, representing an ideal relationship which people strive towards. Of the seven varieties of love, consummate love is theorized to be that love associated with the "perfect couple". According to Sternberg, these couples will continue to have great sex fifteen years or more into the relationship, they cannot imagine themselves happier over the long-term with anyone else, they overcome their few difficulties gracefully, and each delight in the relationship with one other.
ellauri119.html on line 497: However, Sternberg cautions that maintaining a consummate love may be even harder than achieving it. He stresses the importance of translating the components of love into action. "Without expression," he warns, "even the greatest of loves can die." Thus, consummate love may not be permanent.[citation needed] If passion is lost over time, it may change into companionate love. Consummate love is the most satisfying kind of adult relation because it combines all pieces of the triangle into this one type of love. It is the ideal kind of relationship. These kinds of relationships can be found over long periods of time or idealistic relationships found in movies.
ellauri119.html on line 502: Niin ja sitton vielä tää Goethen väriteoria, tai ehkä paremminkin teeveestä tuttu RGB. Technicolor filmit elämisen oppaana.
ellauri119.html on line 508: Feels strong physical and emotional connection through the relationship.
ellauri119.html on line 518: Examples of ludus in movies include Dangerous Liaisons [Okay!], Cruel Intentions, and Kids. Ludic lovers want to have as much fun as possible. When they are not seeking a stable relationship, they rarely or never become overly involved with one partner and often can have more than one partner at a time, in other words a school of partners. They don't reveal their true thoughts and feelings to their partner(s), especially if they think they can gain some kind of advantage over their partner(s). The expectation may also be that the partner(s) should also be similarly minded. If a relationship materializes it will be about having fun and indulging in activities of varying degrees of learnedness together. This love style carries the likelihood of infidelity. In its most extreme form, ludic love can become sexual addiction. No Lee's recognizable traits.
ellauri119.html on line 537: Manic lovers speak of their partners with possessives and superlatives, and they feel that they "need" their partners. This kind of love is expressed as a means of rescue, or a reinforcement of value. Manic lovers value finding a partner through chance without prior knowledge of their financial status, education, background, or personality traits. Insufficient expression of manic love by one's partner can cause one to perceive the partner as aloof, materialistic and detached. In excess, mania becomes obsession or codependency, and obsessed manic lovers can thus come across as being very possessive and jealous. One example from real life can be found in the unfortunate case of John Hinckley, Jr., a mentally disturbed individual who attempted to assassinate the incumbent US President Ronald Reagan due to a delusion that this would prompt the actress Jodie Foster to finally reciprocate his obsessive love.
ellauri119.html on line 539: Extreme examples of mania in popular culture include yandere anime and manga characters. Additionally, manic love is a central theme in the films Endless Love, Fatal Attraction, Misery, Play Misty for Me, Swimfan, and Taxi Driver.
ellauri119.html on line 544: Quickly becoming overwhelmed by thoughts of just one partner
ellauri119.html on line 553: Pragma comes from the Greek term πρᾶγμα, meaning "businesslike", from which terms like "pragmatic" are derived. Lee defines pragma as the most practical type of love, not necessarily derived out of true romantic love. Rather, pragma is a convenient type of love.
ellauri119.html on line 555: Examples of pragma can be found in books, movies, and TV including Ordinary People, Pride and Prejudice (Charlotte), Little Women (Amy March and Fred Vaughn) and House of Cards (Frank and Claire Underwood). Political marriages are also considered to be examples of pragmatic love. Lee's recognizable traits:
ellauri119.html on line 571: Agape is derived from ἀγάπη a Greek term for altruistic love. Lee describes agape as the purest form of love, derives this definition of love from being altruistic towards one's partner and feeling love in the acts of doing so. The person is willing to endure difficulty that arises from the partner's circumstance. It is based on an unbreakable commitment and an unconditional, selfless love, that is all giving. It is an undying love of compassion and selflessness. Agape love is often referenced with religious meaning and is signified by the color orange.
ellauri119.html on line 573: Examples of agape can be found in books and movies including The Gift of the Magi by O. Henry, Penelope in Homer's Odyssey, The Mission, Somewhere in Time, Titanic, Untamed Heart, Forrest Gump, and the Bible [specify which].
ellauri119.html on line 589: Biological models of love tend to see it as a mammalian drive, similar to hunger or thirst, or sneezing. Psychology sees love as more of a social and cultural phenomenon. Certainly, love is influenced by hormones (such as oxytocin), neurotrophins (such as NGF), and pheromones, and how people think and behave in love is influenced by their conceptions of love. The conventional view in biology is that there are two major drives in love: sexual attraction and attachment. Attachment between adults is presumed to work on the same principles that lead an infant to become attached to its mother. The traditional psychological view sees love as being a combination of companionate love and passionate love. Passionate love is intense longing, and is often accompanied by physiological arousal (shortness of breath, rapid heart rate); companionate love is affection and a feeling of intimacy not accompanied by physiological arousal.
ellauri119.html on line 591: The philosophy of love is a pretty listless field of social philosophy and ethics that attempts to explain the nature of love. The philosophical investigation of love includes the tasks of distinguishing between the various kinds of personal love, asking if and how love is or can be justified, asking what the value of love is, and what impact love has on the autonomy of both the lover and the beloved. Boooooring. Makes you yawn.
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ellauri119.html on line 600: Alisa Zinov'yevna (Ayn) "Alice" Rand formerly Rosenbaum aka O'Connor
ellauri119.html on line 607: Ayn (Rosenbaum) Rand is buried in Kensico Cemetery.
ellauri119.html on line 609: Daughter of Zelman Wolf Zakharovich Rosenbaum and Khana Berkovna Kaplan
ellauri119.html on line 614: Ayn Rand was a Russian-American novelist, philosopher, playwright, and screenwriter.
ellauri119.html on line 615: Alisa Zinov'yevna Rosenbaum was born 2 February 1905 in Saint Petersburg, Russian Empire to Zinovy Zakharovich "Fronz" Rosenbaum and Anna Borisovna nee Kaplan, one of three daughters in the Jewish household. Her father, Fronz, was a pharmacist.
ellauri119.html on line 616: Ayn was inspired to write from a young age, and was a fan of Victor Hugo.
ellauri119.html on line 618: To escape the growing revolutionary violence in the area they lived, Ayn's family moved to Crimea, where she would finish high school. Here she was introduced to the history of the United States, which inspired her eventual departure from Russia, especially so after her family had suffered in poverty following the seizure of her father´s pharmacy by the communist regime.
ellauri119.html on line 622: She went on to briefly attend the State Institute for Cinema Arts, and in 1925 was granted a visa to the United States to visit relatives in Chicago, Illinois, landing first in New York. She decided then to never return to Russia.
ellauri119.html on line 629: The 1930 US Census has the O'Connors living in Los Angeles, California in the Moraine Apartments, on 823 North Gower Street. They were renting the place for $52 a month. They are both listed as working as actors in motion pictures. Ayn, listed here as Alice, gives her native language as Russian.
ellauri119.html on line 633: Ayn and Frank were living in an apartment at 160 89th St, Manhattan, New York in 1940. Their rent was $105 a month. Frank is working as a theatrical actor and by this time, Ayn is calling herself a writer, both for novels and plays. Frank showed no income the previous year, while Ayn had made $3000.
ellauri119.html on line 635: Through her writing, Ayn discussed her philosophy of "Objectivism," which she referred to as "a philosophy for living on earth".
ellauri119.html on line 637: She started writing her best-known novel, "The Fountainhead" in 1935, and would be published after multiple publisher rejections, in 1943. Ayn would go on to write a screenplay based on the novel, and then work on one of her other well-known novels, "Atlas Shrugged", which focused largely on her version of Objectivism, and would be published in 1957. She would spend her life discussing, lecturing, and writing about her philosophy.
ellauri119.html on line 640: She was buried with her husband, Frank, in Kensico Cemetery, Valhalla, Westchester, New York.
ellauri119.html on line 646: Rosenbaum left Russia at the tail end of the Trust program. She was assisted by bolshevik Hollywood. Like a typical crypto-jew and communist she used a pseudonym. She became, together with Leo Strauss, a leading philosopher of the Trotskyites. She, like Strauss, helped create the philosophy of arrogance and entitlement that justifies the lies of government leaders to the people. Her philosophies misrepresent the realities of how wealth and psychopathic greed coupled with immorality destroys civilization. Her solution to class warfare is group disloyalty of the rich to society and the exploitation of the national resources by a privileged class to destroy the economy and sabotage the nation. She misrepresented American tradition in a way that benefitted our enemies and internationalized our national resources leaving them easy pickings for the exploitation of unregulated international markets. She advocated the ruinous gold standard which allows our enemies the opportunity to deflate our money supply and strangle the economy at their whim. By simply hoarding gold and/or sending it out of the nation the bankers can ruin us under a gold standard. Her philosophy falsely claims that the market can and will correct the actions of the enemy within to ruin the nation by their designs. She wanted to grant the enemy the right to act with impunity and free rein as a Trojan horse within America to completely destroy our nation, and she has nearly succeeded. The removal of the ability of government to impose with force the collective will of the nation inevitably leads to balkanization, and that was well known and desired by our bolshevik enemies, Rosenbaum’s masters. She never pointed out the name and the nature of the enemy, instead scapegoating the poor and the communists for what international jewry was doing, with her as one of its leading members. As far as I know, she NEVER addressed the existential danger of jewish messianic prophecy and the subversion of the American government by Israel. Being herself a jew, she was disloyal to America in favor of Israel. She was disloyal to the American majority population in favor of the banking class. She did absolutely nothing that was ever in any way harmful to the communists or the bankers, who have so harmed America.
ellauri119.html on line 650: I have studied Objectivism for 25 yrs, reading Ayn Rand’s fiction and non-fiction. I’ve further read and listened to lectures by some of those who carry on her tradition (some of which you can find here for free: ARI Campus).
ellauri119.html on line 652: There are two main reasons I continue to study her ideas. First, everytime I’ve investigated a claim she has made, it turned out to be correct. Second, philosophy is the science that teaches man how live his life and make choices. No other philosophy does this.
ellauri119.html on line 656: I recall reading her claim that the Founding Fathers explicitly rejected only one form of government - Democracy! Democracy!? Really?, I thought. There is no way that could be true. But reading the Federalist Papers, there it was.
ellauri119.html on line 664: Ayn Rand taught me that philosophy is a science for living on this earth. Yea, like most, that sentence sounded crazy at the time - Philosophy, who needs it, right? What I came to understand is that most philosophies or ethical ideas we encounter today are impossible to follow with rigor. Everyone understands that and as such we all harbor a cynicism towards philosophy.
ellauri119.html on line 666: Most ethical values boil down to others. Your moral standing is to be judged based on what you contribute to others, what you do for others. Do you volunteer at a soup kitchen? If you answer yes then you get a gold star. But you can always do more, can’t you? Tutor a child at the local school. Give money to a charity. With each contribution you gain moral points.
ellauri119.html on line 668: But at some point you must provide for yourself. You have to earn a living, get an education, provide for your family. There is a limit to what you can sacrifice for this type of morality. The harder you practice it the worse off your own life becomes. This is the root of the cynicism you feel when you utter “philosophy, who needs it?”
ellauri119.html on line 670: Rand started her ideas from a very different perspective. The base of her philosophy is a question - WHY does man need philosophy? Not “which” philosophy, but ANY philosophy. Is it really necessary?
ellauri119.html on line 672: The answer to “why” comes from our nature. Man is required to make decisions in order to survive. We cannot make proper decisions without guidance. We could rely on society to provide guidance or just follow conventional wisdom, but that is the cheap way out. It makes you a slave to the opinions others. And that is not true to human nature. Man has a mind which is his only means of survival. Rand teaches that you must use it to make your own decisions, not to mimick the thoughts and actions of others. This is the answer to the second question, yes it is necessary.
ellauri119.html on line 674: Too many are introduced to Objectivism through its application to politics. Political conclusions reached by applying Objectivism are counter to the popular notions of how government should work and society should be structured . Without an understanding of the foundation and underpinnings, it is difficult to understand how Objectivist ideals apply.
ellauri119.html on line 676: But Objectivism is mostly a philosophy for improving yourself. The great thing is that it is practical. The more you apply it to your life and the more consistently you practice it, the better your life becomes. And it is also very difficult to practice constipated. That is why I continue to study and learn.
ellauri119.html on line 680: From a literary point of view her novels have little character development and are cast in black and white terms. The important things in this world are just not that easy to discern, so she is painting a child´s simple view of the world, perhaps even an autistic child´s view, who doesn´t have the capability of caring for others. Ayn Rand found early inspiration for her protagonists in a 1920´s serial killer, William Hickman and used that sociopath as the model for the heros of her novels. See: Ayn Rand, Hugely Popular Author and Inspiration to Right-Wing Leaders, Was a Big Admirer of Serial Killer
ellauri119.html on line 682: The "good" guys in her novels are basically paranoid sociopaths but her book´s view the world through their eyes and, of course, they don´t notice anything wrong with their distorted worldview. Humans are social animals and having interdependencies is the norm. Ayn Rand takes the normal and using the views of a sociopath portrays those interdependencies as being corrupt, evil, and self defeating. This is consistent in all of her writings. I´ve read everything Any Rand wrote and some of what has been written by her direction.
ellauri119.html on line 684: She is good at writing a thriller novel and carries a hypnotic theme that keeps the reader absorbed and lends to a subtle brainwashing/indoctrination toward her worldview. That doesn´t make it right, just believable, and, unfortunately, too many people think that believable means it is true. Believable just means that you can be fooled.
ellauri119.html on line 686: From a political point of view, her novels motivate the more literate members of Libertarian groups, including the anarchist Tea Party movement. They use her positions as givens and are not critical of them. This ensures that they reach some far reaching and invalid conclusions regarding social policy.
ellauri119.html on line 688: From a philosophical viewpoint, Ayn Rand´s objectivism is an inconsistent pile of faulty axioms and absurd conclusions. Her tautological A = A and her invalid claim that all thought is verbal have been shown, long ago, to be either useless information or demonstrably false. Wittgenstein dismissed tautologies as telling us anything new about the world before Rand came to the USA and phenomenology had dismissed a verbal mentalese grammar of the brain. Noam Chomsky´s innate grammar is only true for words, but thoughts are far more than just words since all thought appears to be motor based. What you might need is a grammar of the body instead. Thoughts seem to be closer to the movements of an athlete than to the words in a sentence. For some reason most people ignore that all speech is base on wagging the tongue, and the vibrations in middle ear and cochlea, a motor based capability that we have learned to use to communicate with. Is there an isomorphism between the movement of the tongue and those of sign language that would show a fundamental grammar shared by both?
ellauri119.html on line 690: I remember in 1959, my creative writing teacher, in high school was infatuated with Ayn Rand. Sitting at a local restaurant, Ronnie´s Restauarant - which no longer exists, with a group of friends and her, we had a discussion about Ayn and I made a gesture that clearly expressed a thought and asked her what the words were for that. She suddenly realized the flaw in Ayn´s argument and was speechless.
ellauri119.html on line 692: In terms of economics, if you ran a country on the economics that Rand demanded, you would have the population in arms with a revolution at your door in less than a year. Her system would parallel that of the mangagement of the West Virginia Coal Mine that just had the worst mining accident and deaths since the 1970s. Rand´s system was what some people call an oligarchy, to which I would add a very paranoid sociopathic oligarchy.
ellauri119.html on line 698: The implication being that that anyone who disagrees with you is not a “man of the intellect”? That’s just a shitty religion-variety argument. “You can’t feel God because you don’t have enough faith.”
ellauri119.html on line 700: Rand is a economic libertarian who thought selfishness is a virtue. Rational people simply reject Rand’s economic libertarianism because rational people understand that laissez-faire capitalism results in the concentration of wealth in the hands of those who are good at being selfish.
ellauri119.html on line 702: Rational people are utilitarians who want government to produce the greatest good for the greatest number. Libertarians like Rand want the greatest good for me and the public be damned.
ellauri119.html on line 704: Rand is a Social Darwinist who thought that the rich are rich because they are more fit than the poor who are less fit because they are dependent on the government. Ergo, taxing the more fit to benefit the less fit is insane because it stands survival of the fittest on its head.
ellauri119.html on line 705: The problem with Social Darwinism is that the logic is circular. If I am rich, then this is because I am more fit and if I am more fit, then this is evident in the fact I am rich.
ellauri119.html on line 707: Rand simply does not understand that Darwinian fitness refers to reproductive success, not economic success. Poor people with high birth rates are more fit than wealthy people with low birth rates.
ellauri119.html on line 708: Rand’s philosophy appeals to college sophomores drinking beer in their dorm rooms. And to The World´s Shittiest Teddy Bear. That is why the best description of Rand’s philosophy is that it is sophomoric.
ellauri119.html on line 714: Your claims against Ayn Rand don’t stand up to scrutiny, though. She never advocated Social Darwinism, either explicitly or implicitly. In my readings, I have read quotes where she damned a CEO who uses only a tenth of his ability and praised a janitor who strive to improve himself.
ellauri119.html on line 716: Atlas Shrugged offers several examples that also refute this common misconception. The villains in this novel are businessmen who try to succeed through political pull. While they are businessmen, supposedly Ayn Rand’s ideal person, she does not paint them in a flattering light. She demonstrates how evil they are and how their political maneuvering always leads to their failure.
ellauri119.html on line 726: Rand was an economic libertarian. She thinks there should be no interference in the free market. Since the free market produces wealth inequality, you must come up with an explanation for the existence of socio-economic classes. Social Darwinists argue that the rich are rich because they are more fit than the poor who are less fit because they are dependent on the government.
ellauri119.html on line 730: “Atlas Shrugged” is fiction. Authors of fiction can write anything they want to write no matter how nonsensical it is.
ellauri119.html on line 734: You don’t get it. Unregulated capitalism is a dog-eat-dog world. The way to end this is to either regulate capitalism to create justice in society or to follow Marx and have a violent revolution to overthrow capitalism. I suggest the former, not the latter.
ellauri119.html on line 736: Both you and Rand are unaware that our founders were heavily influenced by Greek philosophers who proposed the notion of civic virtue. Civic virtue is the view that the needs of the many outweigh the needs of the one (Atlas with the world on his shoulders). All libertarians are selfish because their concern is their own liberty and the hell with society.
ellauri119.html on line 740: “[The rich] consume little more than the poor, and in spite of their natural selfishness and rapacity…they divide with the poor the produce of all their improvements. They are led by an invisible hand to make nearly the same distribution of the necessaries of life, which would have been made, had the earth been divided into equal portions among all its inhabitants, and thus without intending it, without knowing it, advance the interest of the society, and afford means to the multiplication of the species.”
ellauri119.html on line 744: This is nonsense. Alan Greenspan testified before Congress after the economic meltdown in 2008. He was asked why the invisible hand of the market did not prevent the irrational greed on Wall Street that caused the housing bubble. Greenspan said that there must be a flaw in the the theory (the invisible hand of the market produces the best outcomes). There is also a flaw in Rand’s philosophy.
ellauri119.html on line 746: Dagny saved a bum from being thrown off from her OWN train. She is responsible for policies and rules of her own train, which her employees follow word for word. She’s basically saving a bum from herself. Also, if she were to act as her philosophy dictates, then it would be in her self-interest to throw the bum of her train. By saving the bum, she’s a hypocrite of her own philosophy.
ellauri119.html on line 748: Hank is not acting in his self interest when he helps a small manufacturer. Again, this is an another example against her philosophy of ethical egoism.
ellauri119.html on line 750: Then again, Ayn used “ought” which implies a great deal of subjectivity. That is why her philosophy is extremely flawed. The best philosophies are specific and literal, and they should leave no room for interpretation.
ellauri119.html on line 752: (It’s ironic that she called herself an objectivist. Also, watch some of her interviews. She got really triggered when someone criticized her.)
ellauri119.html on line 755: icture-in-picture" allowfullscreen>
ellauri119.html on line 758:
Alisa is right that an existential sentence is in principle easier to prove than its negative. Just produce a specimen. I bet she filched it from Karl Popper. The negation takes another universal premise to prove it from. But God is a harder nut. If God supporters could produce the specimen, they'd still need to prove uniqueness and the requisite universal properties. God opposers try to argue they do not need that hypothesis. Thing is the supporters clearly feel that need. It's not logic, it's a eusocial insect's builtin circuit. Less stupid egomaniacs are aware of its usefulness as a mind numbing anesthesiac, opium for the masses. Fiction or fact, its a great hypothesis. It would deserve inventing if it did not come pre-installed. Alisa was a silly hag.
ellauri119.html on line 766: Ayn Rand was short—squat, really. At the time I thought she might be a dwarf. She stood stout though with manly features. She spoke with a thick Russian accent and chain-smoked.
ellauri119.html on line 768: She did not interact with the audience. She seemed to lack social skills, which fit her brand. She behaved like a woman on a mission—serious, humorless, focused, and self-righteous.
ellauri119.html on line 770: Some weeks after the seminar I received an awkward form-letter from Branden to explain that he had severed his relationship with Ayn because she was unable to accept that he was not attracted to her. Since they shared identical values, she believed it was not possible that he didn't love her.
ellauri119.html on line 775: Asked what she thought of Reagan, Ayn Rand replied, “I don’t think of him. And the more I see, the less I think of him.” For Rand, “the appalling part of his administration was his connection with the so-called ‘Moral Majority’ and sundry other TV religionists, who are struggling, apparently with his approval, to take us back to the Middle Ages via the unconstitutional union of religion and politics.” Rand’s primary concern, it seems, is that this “unconstitutional union” represented a “threat to capitalism.” While she admired Reagan’s appeal to an “inspirational element” in American politics, “he will not find it,” remarked Rand, “in the God, family, tradition swamp.” Instead, she proclaims, we should be inspired by “the most typical American group… the businessmen.”
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ellauri131.html on line 72: Inkerinsuomalaisista saksalaiset olivat perustaneet jo helmikuussa 1942 osaston nimeltä ”Finnische Sicherheitsgruppe 187” (Suomalainen turvallisuusryhmä 187), jonka nimi myöhemmin muutettiin ”Ost-Bataillon 664:ksi” (Itäpataljoona 664).
ellauri131.html on line 76: Inkeriläisosasto toimi Saksan armeijassa aluksi nimellä Finnische Sicherheitsgruppe 187.
ellauri131.html on line 92: – Sotamies Matti Suikkanen ”Sicherungsgruppe 187:sta“ tuomittiin vakavan varkauden vuoksi kuolemaan ja ammuttiin 8.4.1943.
ellauri131.html on line 93: – Kiväärimies Matti Kolomainen ja joukkueen varajohtaja Viktor Wänänen ”Sicherungsgruppe 187:stä“ ammuttiin vakavan varkauden vuoksi.
ellauri131.html on line 109: Yksi keskustelukumppaneista oli SS-Obersturmbannführer Erich Isselhorst, joka teloitettiin toisen maailmansodan jälkeen Strasbourgissa sotarikoksista tuomittuna.
ellauri131.html on line 110: – Syömme päivällistä ”Sicherheitissa” (SS-organisaation tiedustelupalvelu), jonne juuri on saapunut komentaja, Obersturmbannführer tohtori Erich Isselhorst. Pitkä komea urheilijalta näyttävä mies... Keskustellessa joku sanoo, että yhteinen taistelu bolsevismia vastaan yhdistää meitä, muisteli Tenkku. Seurustelu SS-miesten kanssa oli Tenkun mukaan kaiken kaikkiaan miellyttävää.
ellauri131.html on line 121: Päiväkirjan merkinnät todistavat yksiselitteisesti, että inkerinsuomalaisten yksiköt (Sicherungsgruppe 187/Itäpataljoona 664) osallistuivat rinnakkain Saksan erikoisjoukkojen (SS-kommandot, salainen kenttäpoliisi, poliisipataljoonat) kanssa aktiivisesti taisteluun partisaaneja vastaan.
ellauri131.html on line 289: Jack Canafield (born August 19, 1944) is an American author, motivational speaker (!), corporate trainer, and entrepreneur. He is the co-author of the Chicken Coop for the Soul series, which has more than 250 titles and 500 million copies in print in over 40 languages. In 2005 Canafield co-authored The Success Principles: How to Get From Where You Are to Where You Were.
ellauri131.html on line 299: Canafield was born in What it's Worth, Texas on August 19, 1944. He spent his teen years wheeling on West Virginia and graduated as second lieutenant from the Linsly Military Institute in 1962. Canafield received an A.B. in Chinese History from Harvard University in 1966. He received his C in 1973 from the University of Massachusetts Amherst. Canafield received an honorary D from the University of Santa Monica in 1981.
ellauri131.html on line 301: Jack was named one of the Ten Outstanding Young Men of America (TOYA) by the U.S. Jaycees in 1978.
ellauri131.html on line 302: Established as the United States Junior Chamber of Commerce on January 21, 1920, it provided opportunities for young men to develop personal and leadership skills through service to other men. The Jaycees later expanded to include women after the United States Supreme Court ruled in the 1984 case Roberts v. United States Jaycees that Minnesota could prohibit sex discrimination in private organizations.
ellauri131.html on line 313: That economic advantage can best be won by free men through free enterprise.
ellauri131.html on line 319: And that work life is the best service to mankind.
ellauri131.html on line 333: Al Gore – President of Vice
ellauri131.html on line 341: Edmund Kemper – American serial killer known as the "coed killer"
ellauri131.html on line 349: Richard Nixon – Crook
ellauri131.html on line 351: Elvis Presley – posthumous musician
ellauri131.html on line 353: Lani Rae Rafko-Wilson – Miss America 1988
ellauri131.html on line 361: Motivational speakers Jack Canafield and Mark Victor Hansen collaborated on the first Chicken Coop for the Soul book, compiling inspirational and true stories they had heard from their audience members. Many of the stories came from members of the audience of their inspirational talks. The book was rejected by major publishers in New York but accepted by a small, self-help publisher in Florida called HCI.
ellauri131.html on line 363: Today Chicken Coop for the Soul Publishing, LLC continues to publish about a dozen new poultry books per year. The company has branched out into other categories such as food, pet food, soul food, comfort food, chicken feed, corn videos and television programming.
ellauri131.html on line 365: There are Chicken Coops for the Adopted Soul, the African American Soul, the African American Woman's Soul, the Soul of America, the American Idol Soul, the Angels Among Us, Angels and Miracles, Answered Prayers, Baseball Fans, the Best You Can Be, The Beach Lovers, Best Mom in Law Ever, Miracles, the Breast Cancer Survivors, Brides, Cancer Victims, Caregivers, Cartoon Dads, Video Moms, Cartoon Teachers, The Cat Did What?? the Cat Lovers, Cat & Dog Lovers, Celeb Cats and the People Who Love Them, Jack Canafield, Celeb Mothers, Jack Canafield, Celeb Sisters, Jack Canafield, Celeb Teachers, Jack Canafield, Celeb Brothers and Sisters, Jack Canafield, Celeb Mothers and Daughters, Jack Canafield, Celeb People Who Make a Difference, Jack Canafield, the Child's Soul, Jack Canafield, Children with Special Needs, Jack Canafield, the Soul in the Classroom – High School Edition, Jack Canafield and Anna Unknown, the Coffee Lovers Chicken Soup for the Soul Cookbook, Includes material by Gibbons.
ellauri131.html on line 366: the Coople's Soul, Jack Canafield, the Country Soul, the Country Soul Music, the College Soul, Jack Canafield, the Canadian Soul, the Chiropractic Soul, the Christian Family Soul, Jack Canafield, and Nancy Autio (2000), Chicken Coop for the Christian Teenage Soul, Jack Canafield, Mark Victor Hansen, Kimberly Kirberger, Patty Aubery and Nancy Mitchell-Autio, the Christian Sole, the Christian Sole 2, the Christian Woman's Hole, Christmas Sole, Christmas in Canada, Christmas Magic, Christmas Treasury, Christmas Treasury for Kids, Healthy Living Series: Weight Loss, where Jack combines inspirational stories with medical advice. The Cat-and-Dog Lovers, Count Your Blessings, Create Your Second Best Future, The Mating Game, the Dental Bowl, The Rental Hole, Dieter's Soul, Divorce and Recovery Soul, where Jack combines inspirational stories with legal advice. The Dog Did What? Same as The Cat? The Dog Lovers' Dreams and Premonitions, Chicken Coop for the Entrepreneur's Black Soul, Jack Canafield, for the Empty Hesters, for Every Mom's Horny Son, for the Expectant Mother, Family Matters, Father's Cock, Father and Daughter videos, Father and Son's Holey Camp, Find Your Happiness, Find Your Inner Strength, Find your Arse with both hands, Finding My Faith, Fisherman's Friend, Jack Canafield,
ellauri131.html on line 367: Food and Love, the Gardeners, Jack Canafield and Carol Spurgulewski, The Gift of Christmas, the Girlfriend's Hole, the Girl's Hole, Hole in One, The Golf Book, the Golfer's Hole, Golfer's Pole – The 2nd Round, Jack Canafield, Grand and Great Grandma's Hole: Stories to Honor and Celebrate the Ageless Hole of Grandmothers, into Grandma with Love, the Grandparent's Black Soul, the Grieving Soul, Grieving and Recovery, Happily Ever After, Now Comes the Bride, Hole Sweet Hole, Hole and Miracles, Horse Lovers and Horse Lovers II, the Soul of Hawaii, Jack Canafield, Hooked on Hockey, I Can't Believe My Cat Did That I Can't Believe My Dog Did That Can't Believe my Pole Fit That Indian Teenage Hole, Inspiration for the Young at Heart, Inspect the Body Hole, Jack Canafield, To Inspect a Woman's Hole, Inspection of Nurses, It's Christmas, Chicken Soup for the Jewish Son, Jack Canafield, Rabbi Dov Gabbay (2001), The Joy of Adoption, The Joy of Less Adoption, Just Use Girls, Doing Kids in the Kitchen, Jack Canafield, Chicken Bone for the Kid's Hole, Jack Canafield, Chicken Bone for the Kid's Other Hole 2, Jack Canafield, the Latino Soup, the Latter-day Saint, The Laughing Soul (Audio only), Lemons to Lemonade, the Little Holes, Like Mother, Like Daughter, like Granny, Living With Alzheimers and Other Dements, Love Stories: Stories of First Dates, First Figs, Soul Mates, and Everlasting Love, Loving Our Dogs, The Manic Loving of Mothers and Daughters, Making Love in Menopause, Married 3 wives, Merry Christmas, Messages From Heaven, the Military Wife's Hole, Jack Canafield, Miraculous Messages from Heaven, More Miracles Happen in Moms and Sons videos, Into Mom with Love, Mothers and Preschoolers videos, Mother's Hole, Mother's Hole #2, Jack Canafield, the Mother and Daughter Holes, Mother and Son again, The Multitasking Mom's Survival Guide, My Very Good, Very Bad Cat, My Very Good, Very Bad Dog, My Very Good, Very Bad Son, Chicken Coop for the NASCAR jerk, [National Association for Stock Car Auto Racing on pohjoisamerikkalainen autourheilujärjestö. Kotimaassaan Yhdysvalloissa sarja on kasvanut suosituimmaksi penkkiurheilulajiksi heti amerikkalaisen jalkapallon jälkeen.] Chicken Soup from the Nature Lover's Bones, from New Mom's Hole, New Mom Chicken Soup for the Networkers, Marketer's Black Soul, Jack Canafield, Chicken Soup from the Nurse's Arse, Chicken Soup from the Nurse's Arse: Second Dose, Oh Canada The Wonders of Winter, Ocean Lovers, Older and Wiser, the Parents, Mamas and Papas, Planned parenthood, the Preteen Hole, Jack Canafield, The Preteen Hole #2, Power of Gratitude, 1wPower Moms, Power Pet Lovers, The Power of Forgiveness, The Power of Positive Thinking, The Power of The Eye of Sarnath, The Power of The Dark side of The Force, Chicken Coops for Prisoners, Reboot Your Wife, Raising Great Kids, Reader's Digest, Recovering from Traumatic Brain Injuries, Recovering from Reboot, the Romantic Tits, the Scrapbooker's Brain, The Shopkeeper's Soul, Jack Canafield, the Single's Pole, the Single Parent's Hole, the Sister's Hole, the Sister's Hole #2, the Sports Fan's Brain, Stories for a Better Price, The Story Behind the Lyrics, The Surfing Teen-Lover's Soul, Teacher Sales, Teacher's Pole in the Teen's Hole, Teens Taking Pole on Faith, In the Teenage Hole In the Teenage Hole II, Jack Canafield, In the Teenage Hole III (2000),
ellauri131.html on line 403: After the death of her father in 2004, Byrne became very depressed. At the instigation of her daughter Hayley, she read The Science of Getting Rich (1910) by Wallace D. Wattles. She discovered positive thinking, the laws of attraction, and how to find further success in life. Hence, she started doing research on the subject and the project of The Secret was born.
ellauri131.html on line 405: According to Byrne's research, she claims that all great men in history knew about the Law of attraction (New Thought), suggesting koira Beethoven, Ford Lincoln, Emerson Fittipaldi ja Einsteinin poika Zweistein tiäsivät, niin ja Winston Churchill viälä, puhumattakaan tiätysti Fig Newtonista. (Herää kymysys, mix just nää?) Furthering her research, she found current proponents of the laws of attraction include author Jack Canafield, entrepreneur John Assaraf, visionary Michael Beckwith, John Demartini, Bob Proctor, James Arthur Ray, Joseph Vitale, Lisa Nichols, Marie Diamond, and John Gray. Ketäs nää kaikki onnelliset on? Ei jaxa googlata.
ellauri131.html on line 411: In 2007 Byrne was featured in Time Magazine's TIME 100: The Most Influential People, which is a list of 100 people who shape the world every year. Since 2010, she has been featured in Watkins Mind Body Spirit magazine's annual list of The 100 Most Spiritually Influential Living People. She gained mainstream popularity and commercial success after appearing on The Oprah Winfrey Show.
ellauri131.html on line 421: Salaisuus-sarjan Larry (Laurence Daykin), Fatty (Frederick Trotteville), Pip (Philip Hilton), Daisy (Margaret Daykin), Bets (Elizabeth Hilton) and Buster, Fatty's dog, kertovat elämää suuremmista kokemuxista:
ellauri131.html on line 433: Fatty's dog Buster got to lick Fattys plate!
ellauri131.html on line 435: Daisy has a longer but didactic story to tell:
ellauri131.html on line 444: Nick Hornby (s. 4. huhtikuuta 1957 Redhill, Surrey, Britannia) on englantilainen kirjailija ja käsikirjoittaja.
ellauri131.html on line 628: Tony on yli 2m pitkä koska sillä oli aivolisäkesyöpä teininä. Sillä oli kauhee elämä: sen nimi oli jotain slaavia, äiti oli väkivaltainen, isät vaihtuivat (1 oli baseballpelaaja nimeltä Robbins), se kouluttautui motivational speakerix ja yleni NLP guruxi. Kaikki tää on muokannut siitä tosi törkeen huijarin. Mut jos siitä tuli henkkoht ökyrikas tolla kusetuxella, olixe kusetusta? Sehän on vaan American Dreamia.
ellauri131.html on line 644: Tony Robbins is giant man who's had an equally huge impression on the millions of people he's helped over the years. His empire includes books, motivational seminars, and the ownership of multiple companies "which combined take in $5 billion annually," according to Vulture, but this self-help guru's reputation has come under fire — literally and figuratively.
ellauri131.html on line 646: In June 2016, CNN reported that 30 people were burned during a "fire walk" at Robbins' "Unleash the Power Within" seminar in Dallas. in 2012, another Robbins "fire walk" in San Jose resulted in 20 people sustaining "second-and third-degree burns." Robbins' camp basically shrugged off the reports, saying, "It's not uncommon to have fewer than 1% of participants experience 'hot spots,' which is similar to a sunburn that can be treated with aloe."
ellauri131.html on line 651: According to his website, Not-A-Guru "Robbins is an entrepreneur, best-selling author, philanthropist and the nation's #1 Life and Business Strategist." What exactly is a Life and Business Strategist, if not a guru, therapist, and financial advisor all rolled into one coach? Sounds like a bunch of self-help semantics to us, but you be the judge.
ellauri131.html on line 655: Allegations levied against Robbins range from staff complaints, to sexual misconduct, to shaming some of his followers to the point of physical illness — all allegations which Robbins vehemently denies.
ellauri131.html on line 659: Read More: ickiswift.com/156298/whats-come-out-about-the-tony-robbins-scandal/?utm_campaign=clip">https://www.nickiswift.com/156298/whats-come-out-about-the-tony-robbins-scandal/?utm_campaign=clip
ellauri131.html on line 661: A former personal assistant of Robbins, using the pseudonym "I" alleged that she had a consensual sexual relationship with Robbins while he was married to his first wife, Becky — and that she was fired when Becky grew suspicious.
ellauri131.html on line 671: "I was beyond tempted at times. There was no drought, for sure. I was like a kid in a candy store. Hef invited me to the Playboy Mansion, and I thought I'd died and gone to heaven. Women came bouncing on over to me saying, 'Oh my God, Tony Robbins, you changed my life!'" Robbins added that some of them women propositioned him for a "nice, interesting group experience," but regrettably he declined the wrong way at the moment.
ellauri131.html on line 673: He added, "If you use the #metoo movement to try to get significance and certainty by attacking and destroying someone else like me, you haven't grown an ounce. All you've done is basically use a drug called significance to make yourself feel good." Robbins later apologized, expressing his "powerful admiration for the #metoo movement." "It's very significant."
ellauri131.html on line 675: Tony Robbins boasts a large staff for his massive operation, some of whom are volunteers. Robbins' volunteers "often worked 12- to 18-hour shifts," BuzzFly News reported, and weren't paid wages nor reimbursed for travel, but did get to see Tony naked and hear him sing in the shower and hold the towel for free (which can be pretty expensive).
ellauri131.html on line 677: Celebrity scientist Bill Nye told The Chicken Wrap in 2017 that simple physics makes walking on burning coals actually not too difficult. Citing another physicist, the celeb explained, "the foot is almost never in contact long enough to induc
ellauri131.html on line 682: In the same video, Robbins recalled blowjobbing an audience member to "break into her panties," after she claimed the seminar wasn't "working for her." He said, "I went over there and I shot in her face ... right at the moment I amped her, I stopped and I got out my AMP Dick and I gave her an upper persuasion for lower invasion. You know what? She didn't know how to spit it out at all."
ellauri131.html on line 684: He admits he's an "imperfect human being", but vehemently denies he's a reckless, irresponsible, & malicious prick. Robbins released a $500 video saying that while he's a "better monkey being" now than when he was "in his 20s or 30s," he "never claimed to be perfect."
ellauri131.html on line 723: Robbins repeatedly swears by Natural Language Processing (NLP), a controversial, consciousness-based belief system that took root in California in the 1970s. According to the Association for NLP, the practice is commonly referred to as the "users manual for your mind," and studying NLP offers "insights into how our thinking patterns can effect [sic] every aspect of our lives." God's co-creator Vivica Bandler has characterized the process as a veritable fountain of youth, asserting one's "ability for consciousness to influence our DNA evolution." In an interview with NLP Life, Bandler said, "It is obviously related to aging and the more we learn to control our consciousness, the more we will learn to control the quality of the DNA that keeps us young, the DNA that makes us smart...There is literally no limit to what we can do as we begin to harness the great power called consciousness."
ellauri131.html on line 725: Robbins never went to college. Does that mean everything he says is garbage? Of course not, but according to his critics, it does mean that he lacks the formal training to call himself a "world authority on leadership psychology", or on anything else, for that matter. When he speaks about the "science to achievement" and mastering one's psychology, he speaks as a layman — and one who stands to gain something.
ellauri131.html on line 726: When he speaks about investing, critics say he's also out of his depth.
ellauri131.html on line 728: The reality: even in 1995, people didn't want to pay Robbins' prices to watch Robbins talking.
ellauri131.html on line 734: Bikram Choudhury is the yoga instructor who became a guru after the explosion in popularity of his eponymous form of hot yoga, which "consists of a series of 26 poses, done over 90 minutes in a room heated to 104 degrees," according to The LA Times. He has also become a celebrity darling, having instructed stars like "Madonna, George Clooney, Brooke Shields and Jennifer Aniston," according to People.
ellauri131.html on line 739: Deepak Chopra is an actually accredited physician with ties to various organizations and institutions of note, like Harvard Medical School and the Accreditation Counsel for Continuing Medical Education. And while his claims regarding the merits of a $35 per ounce bottle of fruit juice called Zrii can be debated to no end, it was when he strayed into the realms of physics and evolutionary biology that scientists in those respective fields began ripping him to pieces.
ellauri131.html on line 740: After Chopra's claim that "Charles Darwin was wrong. Consciousness is key to evolution and we will soon prove that," scientist Isaac Newton couldn't take it anymore. He penned a response slamming Chopra's claim as having no scientific basis to back it up, as well as being "incoherent babbling strewn with scientific terms."
ellauri131.html on line 742: Evolutionary biologist Jerry Coyne issued a similar takedown, by simply highlighting some of Chopra's more outlandish claims, including his idea that the moon only exists because of human consciousness, the suggestion that mass prayer or meditation has the ability to "simmer down the turbulence in nature," as well as the nonsensical statement "Consciousness is the driver of evolution. Every time I eat your pussy or you suck my banana it transforms into a human." Coyne labels Chopra's ideas as "pseudoscience, pure and simple," and accuses him of "pushing a noxious brew of quantum physics, evolutionary biology, and "universal consciousness.'" Ouch.
ellauri131.html on line 744: Canadian prime minister Kevin Trudeau earned untold millions through his "They Don't Want You To Know About" series of infomercials touting his supposed secret knowledge of natural cures, debt relief, and weight loss techniques. And though he earned the allegiance of many followers who believed his claims, a federal jury found him guilty of criminal contempt in 2013, for "lying in several infomercials about the contents of his hit book, The Weight Loss Cure 'They' Don't Want You to Know About," according to The Chicago Tribune. Trudeau repeatedly touted the methods in the book as "easy," except unwitting customers didn't find out until they plunked down cash that it involved "prolonged periods of extreme calorie restriction, off-label skin-syringe injections and high-colonic enemas personally administered by Mr. Trudeau," according to ABC News.
ellauri131.html on line 746: In addition to the criminal conviction, Trudeau was also ordered by the FTC to pay a $37 million dollar fine in relation to fraud charges connected with the same book. Trudeau never payed the fine, claiming he was "penniless" and "homeless," despite the fact that he was living in a "14,000-square-foot rented mansion" and was still getting $180 haircuts at Vidal Sasson. He was eventually sentenced to 10 years in prison, which he began serving in March of 2014.
ellauri131.html on line 748: The investigations into Trudeau revealed decades of various fraudulent schemes, most notably the creation of the Global Information Network (GIN), which he claims to have founded with "a secret council of 30 people – including anonymous billionaires, royals, high-level members of secret societies." Oh yeah, it just gets crazier and crazier with this guy. He didn't just disappoint. He turned out to be one of the biggest scam artists of our time.
ellauri131.html on line 754: During the peak of the Britpop era, Noel Gallagher was deemed by many — including Prime Minister Tony Blair (another nasty Tony) — to be the voice of his generation. Indeed, even if you weren't a fan of Oasis' Beatles-aping indie-rock, you could always appreciate a snappy one-liner from their raconteur guitarist. But a quarter of a century on and the older Gallagher brother is sounding like the kind of dinosaur he used to rally against.
ellauri131.html on line 756: Prince Harry is another royal pain in the ass, and so is Meghan Markle only more so. In a 2021 interview with The Sun, the High Flying Birds frontman eloquently described Prince Harry as a "fucking woke snowflake" in response to his criticisms of the royal family. And referencing his own sibling rivalry with Liam Gallagher, Noel even admitted to sympathizing with Prince William, remarking, "I feel that fucking lad's pain. He's got a fucking younger brother shooting his fucking mouth off with shit that is just so unnecessary. So do I. I'd like to think I was always the William."
ellauri131.html on line 758: Steven Patrick Morrissey, s. 22. toukokuuta 1959 Davyhulme, Lancashire, Englanti, Yhdistynyt kuningaskunta) on brittiläinen laulaja ja sanoittaja. Hän tuli tunnetuksi 1980-luvulla brittiläisen vaihtoehtorockyhtyeen The Smithsin sanoittajana ja laulajana. Yhtyeen hajottua vuonna 1987 hän siirtyi soolouralle. Tältäkään hepulta tai noilta sepiltä en ole kuullut yhtään viisua.
ellauri131.html on line 761: The often-problematic ex-frontman of The Smiths then took aim at one royal, in particular: "Harry killed 34 people in Afghanistan and the UK press called him a hero. If he ate 34 poor people in Haiti the UK press would still call him a hero. It is insufferable." Speaking to reporters in 2013 (via Reuters), the prince admitted to killing insurgents. "Yeah, so, lots of people have," he said. "Yes, we fire when we have to, take a life to save a life, but essentially we're more of a detergent than anything else. We remove dirty lives and beget whiter ones."
ellauri131.html on line 834: Enter Doreen Virtue. Doreen Virtuella ei ole wikipediassa sivua. Doreen Virtue is an American author and a motivational speaker. Virtue has written over 50 books including oracle card decks on the subject of angels and other spiritual topics. In 2017, she converted to Christianity after claiming that Jesus presented himself to her in a vision.
ellauri131.html on line 836: In January 2015, Doreen Virtue was listening to her car radio and heard a sermon by Pastor Alistair Begg about false prophets. Doreen recognized that she matched the description of a false prophet, and she began going to church. In early 2017, she began studying the Bible. When she read Deuteronomy 18:10-12, which lists the sinful activities of the new age, Doreen repented and gave her life to our Lord and Savior Jesus.
ellauri131.html on line 840: Okei, Tony olet kauhistus. Eikä se kuumajoogepelle ole paljon parempi. Toisin Doreen! Se on tehnyt parannuxen. Doreen has renounced her previous work, and she prays for the day when other people will stop selling her old products. If she was self-published, the old products would have been taken off the market immediately. Unfortunately, other companies have licenses to the old products and they continue to sell them. In the meantime, Doreen posts regularly on social media, messages for new agers to destroy her old products and leave the New Age behind, and give their lives to Jesus as their Lord and Savior.
ellauri131.html on line 842: Her video is from https://www.watchagtv.com/ a new Christian streaming television, movie, and documentary station, and was filmed at Pastor Alistair Begg’s office. To listen to Pastor Begg’s sermons, please visit https://www.truthforlife.org/. You can download the free Truth for Life app and the American Gospel TV (AGTV) app to watch on your mobile devices. Ilmeisesti Begg on vielä Doreenia taitavampi sumuttaja, kun pystyi viemään Doreenilta virtuen.
ellauri131.html on line 859: Quick question: has anyone actually read a self-help book since the turn of the millennium? No, I don’t mean Marie Kondo. I mean those ones that Bridget Jones devoured, sitting on the sofa knowing that she was going to continue to make the same bad decisions over and over, whilst gorging on too much ice cream.
ellauri131.html on line 863: I think that is because, over the past decade or so, people have become far more aware of the concept of privilege. Which roughly translates to: “no I don’t want to read about all the problems a middle-class straight, white women with a good job has, no thank you”. It feels whiny, flat, tone-deaf. Marianne Power chases self-help like the world is falling apart and her life is in tatters, but the main source of her problems?
ellauri131.html on line 865: That she does not have a boyfriend and she watches too much Netflix. I mean, so do I! But I am not going to write a bloody memoir all about it. In a world where so much is in actual tatters, it feels very #whitefeminism, very #firstworldproblems (which is, honest to god, the most millennial I have ever sounded). And no, that does not mean that everything has to be serious and doom-and-gloom to be needed, but this just felt unbelievably shallow, while I am deep.
ellauri131.html on line 871: Well, that was infuriating. I was hoping for a cynical, or at the very least critical, approach to classic self-help tropes. What I got was and endless description of one woman's mental breakdown and her complete lack of healthy coping strategies. There is nothing remotely funny or insightful about this book and Marianne Power's obsession with her first world problems feels extremely tone-deaf.
ellauri131.html on line 882: What I was expecting was some humour, some cynicism and some analysis. What I got was a lot of earnestness, no humour, self loathing, and a woman bordering in a nervous breakdown.
ellauri131.html on line 883: I’ve read quite a few books where the author picks a ‘project’ and runs with it to see what happens. These sorts of books have often been fun and entertaining. This one had the potential for that with some of the advice and activities these books encouraged the author to participate in. But she executed them with such seriousness that that they became cringeworthy to read about.
ellauri131.html on line 896: [For the uninteresting American mathematician, see Louise Hay (mathematician).]
ellauri131.html on line 898: Louise Lynn Hay (October 8, 1926 – August 30, 2017) was an American motivational author and the founder of Hay House. She authored several New Thought self-help books, including the 1984 book You Can Heal Your Life.
ellauri131.html on line 900: Hay recounted her life story in an interview with Mark Oppenheimer of The New York Times in May 2008. In it, Hay stated that she was born in Los Angeles to a poor mother who remarried Louise's violent stepfather, Ernest Carl Wanzenreid (1903–1992), who physically abused her and her mother. When she was about 5, she was raped by a neighbor. At 15, she dropped out of University High School in Los Angeles without a diploma, became pregnant and, on her 16th birthday, gave up her newborn baby girl for adoption.
ellauri131.html on line 902: She then moved to Chicago, where she worked in low-paying jobs. In 1950, she moved on again, to New York. At this point she changed her first name, and began a career as a fashion model. She achieved success, working for Bill Blass, Oleg Cassini, and Pauline Trigère. In 1954, she married the English businessman Andrew Hay (1928–2001); after 14 years of marriage, she felt devastated when he left her for another woman, Sharman Douglas (1928–1996). Hay said that about this time she found the First Church of Religious Science on 48th Street, which taught her the transformative power of thought. Hay revealed that here she studied the New Thought works of authors such as Florence Scovel Shinn who believed that positive thinking could change people's material circumstances, and the Religious Science founder Ernest Holmes who taught that positive thinking could heal the body.
ellauri131.html on line 904: By Hay's account, in the early 1970s she became a religious science practitioner. In this role she led people in spoken affirmations, which she believes would cure their illnesses, and became popular as a workshop leader. She also recalled how she had studied Transcendental Meditation with the Maharishi Mahesh Yogi at the Maharishi International University in Fairfield, Iowa.
ellauri131.html on line 906: Hay described how in 1977 or 1978 she was diagnosed with "incurable" cervical cancer, and how she came to the conclusion that by holding on to her resentment for her childhood abuse and rape she had contributed to its onset. She reported how she had refused conventional medical treatment, and began a regime of forgiveness, coupled with therapy, nutrition, reflexology, and occasional colonic enemas. She claimed in the interview that she rid herself of the cancer by this method, but, while swearing to its truth, admitted that she had outlived every doctor who could confirm this story.
ellauri131.html on line 908: In 1976, Hay wrote her first book, Heal Your Body, which began as a small pamphlet containing a list of different bodily ailments and their "probable" metaphysical causes. This pamphlet was later enlarged and extended into her book You Can Heal Your Life, published in 1984. In February 2008, it was fourth on the New York Times paperback advice bestsellers list.
ellauri131.html on line 910: Around the same time she began leading support groups for people living with HIV/AIDS, which she called "Hay Rides". These grew from a few people in her living room to hundreds of men in a large hall in West Hollywood, California. Her work with AIDS patients drew fame and she was invited to appear on The Oprah Winfrey Show and The Phil Donahue Show in the same week, in March 1988. Following this, You Can Heal Your Life immediately landed on the New York Times bestseller list. More than 50 million copies sold around the world in over 30 languages and it also has been made into a movie. You Can Heal Your Life is also included in the book 50 Self-Help Classics for being significant in its field. It is often described as a part of the New Age movement.
ellauri131.html on line 916: Bet she hasn't noticed it yet.
ellauri131.html on line 923: Stephen Richards Covey (October 24, 1932 – July 16, 2012) was an American educator, author, businessman, and keynote speaker. His most popular book is The 7 Habits of Highly Effective People. Tapsan 7 asukokonaisuutta hyvin tehokkaille tyypeille on on self helpin Sota ja Rauha, lukee Marianne Teholla.
ellauri131.html on line 933: That kind of enthusiasm is, to some observers of organizational behavior, appalling. The problem, they say, lies in the message that is being subsidized by management: that individual workers are responsible for their own destinies, and that the way to achieve security and serenity is through continual self-improvement. For a big corporation that is mowing down whole suitefuls of middle managers, critics say, this can be a handy way to get employees to start thinking that if they are laid off, the fault lies somewhere in themselves. "If the individual worker is made to feel the responsibility for his or her condition, the social contract is no longer there.
ellauri131.html on line 934: You're setting up the psychological conditions for people to accept just-in-time employment. Karl Marx 100 years ago -- if we can use his name in your publication -- did set up the idea of the reserve army of the unemployed."
ellauri131.html on line 936: Stephen Covey's Seven Habits of Highly Effective People, briefly, are these: (1) Be proactive. Take the initiative and be responsible. (2) Begin with the end in mind. Start any endeavor -- a meeting, a day at the office, your adult life -- with a mental image of an outcome conforming to values you cherish. (3) Put first things first. Discipline yourself to subordinate feelings, impulses, and moods to your values. (4) Think win/win. Just as it sounds. (5) Seek first to understand, then to be understood. Listen with the intent to empathize, not with the intent to reply. (6) Synergize. Create wholes that are greater than the sum of their parts. (7) Sharpen the saw. Take time to cultivate the four essential dimensions of your character: physical, mental, social/emotional, and spiritual.
ellauri131.html on line 938: Covey, more than most inspirational writers, is able to skate right up close to the border of the divine without alarming anyone. Dr. Stephen R. Covey, author of The Seven Habits of Highly Effective People, has lost his laser pointer once again and is practically jumping up off the stage to point to a giant chart projected on the wall of a conference room at the Westin Hotel in Seattle. He would be an imposing man if he were two inches taller.
ellauri131.html on line 942: Covey lived with his wife Sandra and their family in Provo, Utah, home to Brigham Young University, where Covey taught prior to the publication of his best-selling book. A father of nine and a grandfather of fifty-five, he received the Fatherhood Award from the National Fatherhood Initiative in 2003.
ellauri131.html on line 944: Covey died from complications resulting from a bike accident at the Eastern Idaho Regional Medical Center in Idaho Falls, Idaho, on July 16, 2012, at the age of 79.
ellauri131.html on line 952: The topic of Covey's Brigham U Ph.D dissertation was the "success literature" of the United States since 1776. Covey found that during the republic's first 150 years, most of that kind of writing focused on issues of character, the archetype being the autobiography of Ben Franklin. But shortly after World War II, success became more a function of personality, of public image, of attitudes and behaviors, skills and techniques, that lubricate the processes of human interaction. He began to think about ways to get people to stop cultivating superficial charm and return to character building.
ellauri131.html on line 956: A lady at Notre Dame uses the Seven Habits, on occasion, to teach literature. "We'll look at a character, and I'll say, 'Let's talk about that character. What did you notice?' And a student will say, 'You know what? That character was not at all proactive.'
ellauri131.html on line 958: It's the American dream of life as a barn raising." Susan E. Henking, associate professor of religious studies at Hobart and William Smith Colleges, says, "It's serving to depoliticize, and it serves a certain kind of social-control function. I mean, if people feel like they deserve it when they get fired, they won't think deeply about what was really responsible."
ellauri131.html on line 960: And what of the true cynic's view, that the lesson of history is that bastards often prevail? That markets are in and of themselves rational, and sometimes emotional, but rarely ever moral? That an appropriate model for business is not an extended family but a poker game? The late genius John von Neumann was fascinated by poker, and his study of the choice making involved in the game led him to develop the foundations of game theory. Von Neumann was a peerless student of the principles of rational self-interest, and he was also an adviser to Presidents Truman and Eisenhower. When the Soviets showed signs of developing nuclear weapons, he recommended bombing them into oblivion. Game theory, he said, dictated it.
ellauri131.html on line 972: Kuinka toivoisit muiden puhuvan sinusta, kun elämä on ohi? Ajattele sitä elämäsi jokaisena päivänä. Esim että olit lyhyt kaljupää ja kaaduit pyörällä. Ja siihen kuoli hän. Quidquid ages prudenter agas et respice finem. Ante obitum nemo supremaque funera felix. Fortes fortuna adiuvat.
ellauri131.html on line 1031: puu seisoo, ravistama pakkasen, Upon those boughs which shake against the cold,
ellauri131.html on line 1035: ja musta yö sen verkkaan sammuttaa, Which by and by black night doth take away,
ellauri131.html on line 1040: mikä on ennen suonut ravinnon. Consum'd with that which it was nourish'd by.
ellauri131.html on line 1041: Lujittuu rakkaus, kun näet sen, This thou perceiv'st, which makes thy love more strong,
ellauri131.html on line 1042: Kun tiedät; aikamme on vähäinen. To love that well which thou must leave ere long.
ellauri131.html on line 1055: Anna niille vielä pari eteläistä päivää, gieb ihnen noch zwei südlichere Tage, Suo niille kaksi päivää eteläistä,
ellauri131.html on line 1059: Asunnoton ei ehdi rakentaa enää majaa, Wer jetzt kein Haus hat, baut sich keines mehr. Ken yksin nyt on, kauan olla saa.
ellauri131.html on line 1088: Pour qui ? – C’était hier l’été ; voici l’automne ! Kenelle? Eilen tässä oli kesä; syxy nyt!
ellauri132.html on line 6: font-style: italic;
ellauri132.html on line 52: Eckhart wurde um 1260 im heutigen Landkreis Gotha in Thüringen geboren, entweder in Hochheim oder in Tambach. Wahrscheinlich war er ein Sohn des Ritters Eckhart, „genannt von Hochheim“, dessen Tod in einer Urkunde vom 19. Mai 1305 festgestellt wird. Eckhart liebte Thüringerwürstchen. Wie wir alle.
ellauri132.html on line 54: Als Jugendlicher trat Eckhart in den Orden der Dominikaner ein, in dem er später hohe Ämter erlangte. Sein Hauptanliegen war die Verbreitung von Grundsätzen für eine konsequent spirituelle Lebenspraxis im Alltag. Aufsehen erregten seine unkonventionellen, teils provozierend formulierten Aussagen und sein schroffer Widerspruch zu damals verbreiteten Überzeugungen. Umstritten war beispielsweise seine Aussage, der „Seelengrund“ sei nicht wie alles Geschöpfliche von Gott erschaffen, sondern göttlich und ungeschaffen. Im Seelengrund sei die Gottheit stets unmittelbar anwesend. Vielfach griff Eckhart Gedankengut der neuplatonischen Tradition auf. Oft wird er als Mystiker charakterisiert, in der Forschung ist die Angemessenheit dieser Bezeichnung allerdings umstritten.
ellauri132.html on line 56: Nach langjähriger Tätigkeit im Dienst des Ordens wurde Eckhart erst in seinen letzten Lebensjahren wegen Häresie (Irrlehre, Abweichung von der Rechtgläubigkeit) denunziert und angeklagt. Der in Köln eingeleitete Inquisitionsprozess wurde am päpstlichen Hof in Avignon neu aufgenommen und zu Ende geführt. Eckhart starb vor dem Abschluss des gegen ihn eingeleiteten Verfahrens.
ellauri132.html on line 58: Eckhart weist den Begriffen „Gott“ und „Gottheit“ nicht die gleiche Bedeutung zu, sondern er bezeichnet mit ihnen unterschiedliche Ebenen, auf denen sich die göttliche Wirklichkeit dem Menschen zeigen kann. No niin! Ekkehartin heresia oli samanusuuntaista kuin mormonien profeetalla, herra Smithillä. Me apinatkin ollaan pikku jumalia, ei vaan jotain luojanluomia löylynlyömiä. Me päästään samoihin kuin Jehova kun oikein treenataan. Christus ist zwar ein unerreichtes Vorbild, nicht aber von Natur aus von anderen Menschen prinzipiell verschieden. Jeesus - oli vain 1 ihminen - mutta meitä Spartakuxia on koko liuta! Koko pörisevä pesä minijumalia!
ellauri132.html on line 60: Das Inquisitionsverfahren wurde verschleppt. Das Fehlen eines Präzedenzfalls – es war noch nie ein Häresieverfahren gegen einen so hochrangigen Theologen und Ordensmann durchgeführt worden – verunsicherte anscheinend die Inquisitoren. (Hups, täähän voi vielä sattua omaan nilkkaan!) Am 24. Januar 1327 appellierte Eckhart an den Apostolischen Stuhl. Dabei beklagte er, dass die Richter immer wieder Termine ansetzten, aber zu keinem Urteil kämen. (Hidasta kuin pankissa Satu Hassin isän ja miehen kuoltua. Ekkehart ehti kuolla kesken prosessin. Se oli ehkä pankin tarkoitus.)
ellauri132.html on line 62: Nach Eckharts Tod wurde das Verfahren fortgesetzt. Es endete mit der Verurteilung der 28 Sätze, die teils als häretisch, teils als häresieverdächtig eingestuft wurden. Wichtiger als die Berufung auf Autoritäten (Neuplatonismus, Augustinus, Moses Maimonides) ist für ihn (wie für seinen Namensvetter!) die auf Vernunft und Erfahrung gestützte Einsicht. Er hält seine Einsichten für universal gültig und will seinem Publikum den Nachvollzug auch anspruchsvoller Inhalte ermöglichen. (wie auch sein schwerverständlicher Namensvetter! "Solange der Mensch dieser Wahrheit nicht gleicht, solange wird er diese Rede nicht verstehen.") Als Prediger wendet er sich statt Latein in deutscher Sprache auch an Hörer oder Leser, die über wenig philosophische oder theologische Vorkenntnisse verfügen. (Wie sein Namensvetter, der seine Muttersprache verlässt und auf English prädiziert). Tervettä markkina-ajattelua: enemmän tyhmempiä ja rikkaampia kusetettavia.
ellauri132.html on line 64: Eckhart Tolle (alun perin Ulrich Leonard Tölle, s. 16. helmikuuta 1948 Saksa) on saksalainen, Kanadassa asuva henkinen opettaja, luennoitsija ja kirjailija.
ellauri132.html on line 71: While pursuing his Master's Degree at Cambridge University, he had a nervous breakdown of sorts, and came out of the experience with a sense of inner calm. But No M.A., regrettably. After relocating to Vancouver, Canada, he wrote the book, "The Power of Now". It went on to become a massive international bestseller, and he has since published two more popular books on finding inner peace. He has also been featured on numerous talk shows, and co-hosted a webinar series with Oprah Winfrey. He also runs the company, Eckhart Teachings, which handles the sale of all of his books and spiritual teaching materials.
ellauri132.html on line 84: "Solange der Mensch dieser Wahrheit nicht gleicht, solange wird er diese Rede nicht verstehen." Töllö päätteli, jotta jos minä en tykkää izestä, minä ja ize on eri häiskiä.
ellauri132.html on line 111: (PST: Kuka on Sam Harris?) Samuel Benjamin Harris was born in Los Angeles, California, on April 9, 1967. He is an American author, philosopher, neuroscientist, and podcast host. His work touches on a wide range of topics, including rationality, religion, ethics, free will, neuroscience, meditation, psychedelics, philosophy of mind, politics, terrorism, and artificial intelligence. — Sam Harris rejects the dichotomy between spirituality and rationality , favoring a middle path that preserves spirituality and science but does not involve religion.
ellauri132.html on line 119: Joku kade new age saku kirjoittaa: Mullon vähän kuenimaettoemiae kanoja Ulrich Leonard Toellen kaa. (Se oli vähän mua nuorempi kaveri Lüneburgin nummilta noin 100km päässä mun kotipaikasta.)
ellauri132.html on line 131: "The book struck me as irredeemable poppycock. I was put off by the strained stateliness of Tolle's writing, as well as its nearly indecipherable turgidity ... jargon like "conditioned mind structures', "the one indwelling consciousness". What's more, the guy was stunningly grandiose. He referred to his book as a "transformational" device", and promised that, as you read, "shit takes place within you." I lay there rolling my eyes ..."
ellauri132.html on line 134: His writings are bombastic and pretentious, as well as unoriginal, indeed derivative ... one book reviewer said, "his writings are awash in spiritual mumbo-jumbo".
ellauri132.html on line 147: E.T. Das Sein ist das ewige, allgegenwärtige Mein Leben! jenseits der unzähligen Lebensformen, die Geburt und Tod unterliegen. Das Sein ist jedoch nicht nur jenseits, sondern auch tief in jeder Form als seine innerste unsichtbare und unzerstörbare Essenz. Das bedeutet, dass es dir jetzt als dein eigenes tiefstes Selbst, deine wahre Natur, zugänglich ist. Aber versuchen Sie nicht, es mit Ihrem Verstand zu erfassen. Der fasst nur Knochen. Versuchen Sie nicht, es zu verstehen. Du kannst es nur erkennen, wenn der Geist still ist. Schluss mit dem Denken! Wenn du präsent bist, wenn deine Aufmerksamkeit ganz und intensiv im Jetzt ist, kann das Sein gefühlt, aber niemals mental verstanden werden. Das Bewusstsein des Seins wiederzuerlangen und in diesem Zustand der „Gefühls-Erkenntnis“ zu bleiben, ist Erleuchtung.
ellauri132.html on line 149: Q: Wenn Sie Sein sagen, sprechen Sie von Gott? Wenn ja, warum sagst du es dann nicht?
ellauri132.html on line 151: E.T. Das Wort Gott ist durch Jahrtausende von Missbrauch bedeutungslos geworden. Ich benutze es manchmal, aber ich tue es sparsam, so etwa nur auf Wochenenden und nach dem Essen. Mit Missbrauch meine ich, dass Menschen, die das Reich des Heiligen, die unendliche Weite hinter diesem Wort, noch nie gesehen haben, es mit großer Überzeugung verwenden, als ob sie wüssten, wovon sie sprechen. Oder sie argumentieren dagegen, als wüssten sie, was sie leugnen. Dieser Missbrauch führt zu absurden Überzeugungen, Behauptungen und egoistischen Wahnvorstellungen wie "Mein oder unser Gott ist der einzige wahre Gott, und dein Gott ist falsch" oder Nietzsches berühmte Aussage "Gott ist tot". Beide sind total falsch. Ich setze fort auf Finnisch:
ellauri132.html on line 157: Der Philosoph Descartes glaubte in seiner berühmten Aussage: "Ich meine, also bin ich" die grundlegendste Wahrheit gefunden zu haben. Tatsächlich hatte er den grundlegendsten Fehler ausgesprochen: Denken mit Sein und Identität mit Denken gleichzusetzen. Der zwanghafte Denker, also fast jeder, lebt in einem Zustand scheinbarer Isolation, in einer wahnsinnig komplexen Welt ständiger Probleme und Konflikte, einer Welt, die die wachsende Zersplitterung des Geistes widerspiegelt. Erleuchtung ist ein Zustand der Ganzheit, „in einem“ und somit in Frieden. In einem Leben in seinem manifestierten Aspekt, mit der Welt, sowie mit deinem tiefsten Selbst und unmanifestierten Leben – mit einem Wesen. Erleuchtung ist nicht nur das Ende des Leidens und des ständigen Konflikts innen und außen, sondern auch das Ende der schrecklichen Versklavung des unaufhörlichen Denkens. Was für eine unglaubliche Befreiung es ist! Kein Quatsch mehr zwischen den Ohren. Ich bin nur!
ellauri132.html on line 159: Denken ist zu einer Krankheit geworden. Krankheit entsteht, wenn die Dinge aus dem Gleichgewicht geraten. Es ist zum Beispiel nichts falsch daran, dass sich Zellen im Körper teilen und vermehren, aber wenn dieser Prozess ohne Rücksicht auf den gesamten Organismus fortgesetzt wird, vermehren sich Zellen und wir haben Krankheiten. Dass geschieht wenn die Zellen fangen an selber zu denken! Schluss damit!
ellauri132.html on line 161: Q: Ich stimme nicht ganz zu. Es stimmt, dass ich viel ziellos denke, wie die meisten Menschen, aber ich kann immer noch meinen Verstand verwenden, um Dinge zu erreichen und zu erreichen, und das tue ich die ganze Zeit.
ellauri132.html on line 163: E.T. Jaaaa, aber nur weil Sie ein Kreuzworträtsel lösen oder eine Atombombe bauen, heißt das nicht, dass Sie Ihren Verstand benutzen. So wie Hunde es lieben, Knochen zu kauen, liebt es der Verstand, seine Zähne in Probleme zu bekommen. Deshalb löst er Kreuzworträtsel und baut Atombomben. An beidem hast du kein Interesse, Knochen oder Bomben. Lassen Sie mich Folgendes fragen: Können Sie Ihren Verstand verlieren, wann immer Sie wollen? Haben Sie den "Aus"-Button gefunden? Den "Toll"- Knopf? Ich habe! Einen "Ein"-Knopf habe ich dagegen nicht gefunden. Vielleicht gibt es keinen.
ellauri132.html on line 193: THE YEAR WAS 2081, and everybody was finally equal. They weren’t only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else. All this equality was due to the 211th, 212th, and 213th Amendments to the Constitution, and to the unceasing vigilance of agents of the United States Handicapper General.
ellauri132.html on line 197: It was tragic, all right, but George and Hazel couldn’t think about it very hard. Hazel had a perfectly average intelligence, which meant she couldn’t think about anything except in short bursts. And George, while his intelligence was way above normal, had a little mental handicap radio in his ear. He was required by law to wear it at all times. It was tuned to a government transmitter. Every twenty seconds or so, the transmitter would send out some sharp noise to keep people like George from taking unfair advantage of their brains.
ellauri132.html on line 200: Here, Vonnegut is influenced by his early work as a journalist. His sentences are short and easily understood so as to be largely accessible. A dystopian setting enhances his social and political critique by imagining a future world founded on absolute equality through handicaps assigned to various above-average people to counter their natural advantages. A similar subject can be found in L. P. Hartley's dystopian novel Facial Justice from the previous year of 1960.
ellauri132.html on line 202: Yet Vonnegut also punctuates his dystopia with humor. Even the most horrifying scenes are underlined by jokes or absurdity. When the news announcer is supposed to read a news bulletin he has to hand it to a nearby ballerina because of his speech impediment, and the ballerina then alters her voice to a "grackle squawk" because it would be "unfair" to use her natural voice, described as a "warm, luminous, timeless melody". This absurdity highlights the madness of the world of "Harrison Bergeron".
ellauri132.html on line 213: Topeka: When the Kansas Supreme Court takes up the school finance case next week, it might well ponder a futuristic story from the 1960s by science fiction satirist Kurt Vonnegut.
ellauri132.html on line 215: Attorneys representing students from the Shawnee Mission district say the story “Harrison Bergeron” shows that a world of forced equality would be a nightmare, so unequal funding of public schools is OK.
ellauri132.html on line 217: Their legal brief says capping local taxes on schools was unconstitutional, and they cited the 1961 story, which depicts a future society where everyone is made equal by forcing impediments on anyone who is better.
ellauri132.html on line 225: “Kansas is apparently handicapping schoolchildren, no matter how gifted and talented, with lousy educations if their parents are poor,” he said.
ellauri132.html on line 250: Sano mitä meinaat. Pitäs välttää Picasso-tyylin tai jazz-tyylin kynäilyä jos sulla on jotain sanomisen arvoista ja haluut tulla ymmärretyxi.
ellauri132.html on line 254: …koska se on kuulemisen arvoista. Vaikka vaan 1 sanoi niin, kaikki kirjailijat antoi ymmärtää et me kirjoitetaan koska meillä on kerrottavana joku tarina. (No aika usein kirjailija on vaan rahan tarpeessa.) Me kynäillään koska jokun tarvii lukee se. Me kirjoitetaan koska me tykätään sitä ja halutaan et muutkin tykkäis siitä. Se ei voisi olla enempi totta. Älä murehdi maailmaa, elä murehdi niiden vasteita. Americassa meille on izestään selviö miten tärkeää puhuminen on. Me ei lakata puhumasta eikä unohdeta et meillä on äänioikeus–vaikka oltas kuinka paskoja–se on lahja. Kynäilijänä meidän ääni on meidän näppis, meillä on siinä kynäilyväline. Emma Coats kysyy:
ellauri132.html on line 356: Writing a story? I got you, Fam! Guides for plot, conflict, characters, planning, and other things are made up for you to use for FREE.
ellauri132.html on line 360: Catch? None. Just sign up to receive some additional, exclusive Writer’s Wisdom on topics every writer wants answered!
ellauri132.html on line 362: Clicky, clicky above. 😀
ellauri132.html on line 432:
ices/" target="_blank" rel="noopener noreferrer">Kirjailijoiden ällöjä sexiääniä

ellauri132.html on line 433:
ical-descriptions/" target="_blank" rel="noopener noreferrer">Kirjailijoiden ruumiinosia

ellauri132.html on line 438: Google AdSense is a program run by Google through which website publishers in the Google Network of content sites serve text, images, video, or interactive media advertisements that are targeted to the site content and audience. These advertisements are administered, sorted, and maintained by Google. They can generate revenue on either a per-click or per-impression basis. Google beta-tested a cost-per-action service, but discontinued it in October 2008 in favor of a DoubleClick offering (also owned by Google). In Q1 2014, Google earned US$3.4 billion ($13.6 billion annualized), or 22% of total revenue, through Google AdSense. AdSense is a participant in the AdChoices program, so AdSense ads typically include the triangle-shaped AdChoices icon. This program also operates on HTTP cookies. In 2021, over 38.3 million websites use AdSense.
ellauri132.html on line 442: The webmaster who wishes to participate in AdSense inserts the AdSense JavaScript code into a webpage.
ellauri132.html on line 445: For website-targeted advertisements, the advertiser chooses the page(s) on which to display advertisements, and pays based on cost per mille (CPM), or the price advertisers choose to pay for every thousand advertisements displayed.
ellauri132.html on line 448: Google came under fire when the official Google AdSense Blog showcased the French video website Imineo.com. This website violated Google's AdSense Program Policies by displaying AdSense alongside sexually explicit material. Typically, websites displaying AdSense have been banned from showing such content. We are not evil. LOL.
ellauri132.html on line 478: her eyes flickered with… hiänen silmänsä väpisivät …sta
ellauri132.html on line 669: Palkinnon nimi oli väliin Man Booker sen nimisen investointifirman mukaan joka maxoi viulut mut naisetkin sai osallistua. Mies Ryhmä ilmoitti aikaisin 2019 et sen vuoden palkinto olis viimeinen niiden sponsoroima. Uusi sponsori, Crankstart – laupias säätiö jota ajoi Sir Michael Moritz vaimoineen, jonka nimi ei ollut Max – sitten ilmoitti eze sponsoroisi palkintoa 5v, optiona uusia toisexi 5v. Palkinnon nimestä tuli yxinkertaisesti "Booker Prize".
ellauri132.html on line 681: V 1994, The Guardian-lehden kirjallinen toimittaja Richard "Ach mein" Gott, siteerasi palkinnon puutetta objektiivisista kriteereistä ja amer. kirjailijoiden boikotista, ja kuvasi palkintoa "merkittäväxi ja vaarallisexi jäävuorexi brittikulttuurin perämerellä" joka "toimii symbolina brittikulttuurin rappiosta".
ellauri132.html on line 857: Gustav Freytag (13. heinäkuuta 1816 Kreuzburg, Ylä-Sleesia – 30. maaliskuuta 1895 Wiesbaden) oli saksalainen kirjailija ja filologi. Freytags Eltern waren Gottlob Ferdinand Freytag, Arzt und später Bürgermeister in Kreuzburg in Schlesien, und seine Frau Henriette, geb. Zebe. Freytag opiskeli filologiaa Breslaussa ja Berliinissä. Vuosina 1848–1870 hän toimitti Julian Schmidtin kanssa kansallisliberaalia Die Grenzboten -sanomalehteä. Vuosina 1867–1870 hän oli liberaalipuolueesta edustajana Pohjois-Saksan liiton lakiasäätävän elimen jäsen Thüringenin alueen edustajana. Vuonna 1869 Freytag aloitti kirjallisen debatin säveltäjä Richard Wagnera vastaan ja syytti tätä antisemitismistä.
ellauri132.html on line 859: Mit der Übernahme der Grenzboten begann seine Karriere als Journalist. In der Wochenzeitschrift verfasste Freytag auch politisch kritische Artikel, so unter anderem über die Niederschlagung des schlesischen Weberaufstandes, was eine steckbriefliche Fahndung durch Preußen zur Folge hatte. Er ersuchte deshalb seinen Freund Herzog Ernst von Sachsen-Coburg-Gotha um politisches Asyl und zog 1851 nach Siebleben bei Gotha. Herzog Ernst verlieh ihm 1854 den Hofratstitel. Noi Gothat on kai niit kuningatar Victorian sukulaisia.
ellauri132.html on line 861: 1870/71 nahm er als Berichterstatter im Hauptquartier des preußischen Kronprinzen Friedrich am Deutsch-Französischen Krieg teil. In den Jahren 1871 bis 1873 vertrat er in der Zeitschrift Im neuen Reich seine nationalliberalen Anschauungen. 1886 wurde er zum geheimen Hofrat ernannt und erhielt den Titel „Exzellenz“.
ellauri132.html on line 869: „Was ziehst du an meinem Mantel, du schönes bleiches Gesicht?" "Mitäs kiskot mun manttelia, sä kaunis kalpeekasvo?"
ellauri132.html on line 870: „Verzeiht, es war der Nachtwind, das Käthli war es nicht." — "Sori, se oli yötuuli, ei se ollut Käthli eli mä."
ellauri132.html on line 873: „Schon wieder, du kecke Dirne? " Sie fährt zusammen und spricht: "Joko taas, sä frekki huzu?" Hiän menee kasaan puhuen:
ellauri132.html on line 874: „Verzeiht, es war Versehen, mit Willen that ich's nicht." "Sori, se oli vahinko, en mä tehnyt sitä tahalteen."
ellauri132.html on line 875: Und wieder zum drittenmale verzieht sich des Fremden Gewand. Ja vielä 3. kerran se kiskoo vieraan palttoota.
ellauri132.html on line 880: Dort sollst du fröhlich entschlafen in meinem weichen Arm, Siellä sä saisit iloisesti nuukahtaa mun pehmyelle kädelle,
ellauri132.html on line 884: Die lockenden Liebeslaute sich selber vorgesprochen. Harjotellut näitä lemmenpuheita peilin edessä.
ellauri132.html on line 886: Und ließ sich durch sie führen im Schatten der Häuserwand. Ja antoi johtaa izeänsä talonseinän varjossa.
ellauri132.html on line 887: Sie kamen in schlechte Gassen bis unter das ärmlichste Dach Ne tuli huonoille teille surkeimpään hökkeliin
ellauri132.html on line 894: Es saß beim Ofen im Stuhle Großmutter mit hagrem Gesicht, Isoäiti istui pallilla uunin luona naama norsunvitulla,
ellauri132.html on line 895: Sie konnte nicht mehr sehen, nicht hören und sterben nicht, Se ei enää nähnyt kuullut eikä onnexi haistanut,
ellauri132.html on line 912: Vor Grau'n das Blut in den Adern, er blickte hinter sich juoxi kauhun veri suonista, se vilkui taaxensa
ellauri132.html on line 913: Und sprach mit hohler Stimme: „Sprich, Käthli, kennst du mich?" Ja puhui onttoon ääneen: "Sas, Käthli, tunnezä mut?"
ellauri132.html on line 915: Und fiel mit ersticktem Schreie zu Boden an seinen Fuß. ja kaatui tukahtuneesti huutaen maahan sen jaloille.
ellauri132.html on line 919: Ach Käthli, mich hungert und dürstet, ach bitte den blanken Herrn, "Hei Käthli, mullon nälkä ja jano, pyydä blankoherralta,
ellauri132.html on line 926: Und fand die bleiche Dirne der Hölle zugetraut. Ja löysi lakanankalpean vosun pirun helmasta.
ellauri132.html on line 929: Soll Jeder die Augen wenden hinauf zum Sonnenlicht. nakertavista kivuista pitää kaze kääntää aurinkoon.
ellauri132.html on line 930: Das Käthli ertrug die Sünde, die Liebe trug sie nicht. Käthli sieti syntiä, vaan ei tota rakasta.
ellauri132.html on line 938: Ach Robert, ich wage nimmer die Augen aufzuschlagen, Voi Roope, mä en kehtaa koskaan nostaa kazetta,
ellauri132.html on line 939: Hier laß mich liegen und ruhen und dir das Elend klagen. Ammun maata tässä ja lohduttaa sun pikkuveljeä.
ellauri132.html on line 942: Drauf kamen die bösen Träume und glühten mich zur Luft, Lisäx tuli pahat sexiunet ja kiusas yöllä kovasti,
ellauri132.html on line 943: Und sieh', ich ging zur Sünde, dein Zeichen auf der Brust. — Ja niinpä ryhdyin syntiin sun frizurengas vielä kaulalla. —
ellauri132.html on line 944: Sie riß sich heftig am Halsweh und zeigte den goldenen Reif Hiän repäisi kovaa kaulurista ja näytti rengasta
ellauri132.html on line 948: Und raunte: ihnen sagt' ich, daß einst ich den Ring verlor; Noille mä sanoin, et mä olin hukannut tän sormuxen;
ellauri132.html on line 949: So Hab' ich ihn gerettet und als ich Dir nachgerannt, Mut enmä hukannut, ja kun mä juoxin sun perässä,
ellauri132.html on line 951: Sie bebte am ganzen Leibe und schob sich an ihm empor, (Että pitikin sattua eze olit just Roope sä!)
ellauri132.html on line 953: Und jetzt verlast' mich, Robert, wir müssen auf immer scheiden, Ja nyt lähe vetää Roope, ei tästä tule mitään,
ellauri132.html on line 956: Verlast' mich, lieber Robert — und noch die letzte Bitte Jätä mut Roope kulta, ja vielä yxi pyyntö,
ellauri132.html on line 957: Und küsse mich noch einmal, als war' ich deine Braut, Nu-pussaa mua viellä kerta, niinkuin neizeenä,
ellauri132.html on line 958: Als hält' ich nicht gesündigt und deiner Treue vertraut. Niikö mä en oiskaan bylsinyt joka vitun petteriä,
ellauri132.html on line 961: Sie zuckte plötzlich zusammen, umschlang ihn mit ihren Armen Kunse meni kasaan, hiän kietoi kädet äijän kaulaan
ellauri132.html on line 964: Und öffnet' endlich die Augen und sah in die seinen hinein, Ja aukas silmät loppuviimexi ja kazoi Roopea,
ellauri132.html on line 966: Erbarme dich, Liebster, verlass mich, verlast' der Sünde Haus. Sääli kulta, jätä mut, jätä syntikoppero.
ellauri132.html on line 967: Er sprach mit Ernst: ich scheide, doch morgen kehr' ich zurück, Roope puhui Ernstin kaa: mä lähden nyt,
ellauri132.html on line 968: Und kauft dich los vom Elend zu neuem Leben und Glück; mut huomen mä tuun tänne taas ja ostan lisää;
ellauri132.html on line 972: Er suchte das Haus des Liebchens im dämmernden Morgenlicht Se ezi kullan kämppää päivän noustessa
ellauri132.html on line 973: Und pochte vor der Thüre. Da kam das Käthli nicht, Ja kolisteli oville. Käthliä ei kuulunut,
ellauri132.html on line 977: Doch gestern hat sie mich lächelnd zuerst in's Bett gebracht, Mut eilen se pani mut ensin petiin nukkumaan,
ellauri132.html on line 980: Lichtstrahlen in die Stube, doch endlich verlosch das Licht, tuli lunta tupaan ja valoa, kunnes se sammui,
ellauri132.html on line 981: Da ist sie ruhig entschlafen, sei still und störe sie nicht. se valo siis, ja Käthli kai nukahti, älä häirihe.
ellauri132.html on line 982: Er trat in die Kammer und beugte sich über das Bette hin. Hän astui panohuoneeseen ja kumartui petiin päin.
ellauri132.html on line 987: Sie wollte nicht erwachen an ihrem Freudentag. — No eihän hiän herännyt enää tänä onnen päivänä —
ellauri132.html on line 995: Vorheriges Gedicht von Gustav Freytag Nächster Text von Gustav Freytag Edellinen Kustaan runo Seuraava Kustaan texti
ellauri132.html on line 996: Gefällt Dir das Gedicht von Gustav Freytag? Miellyttikö sua Kustaan runo?
ellauri132.html on line 997: Weniger Gut Sehr gut Ausgezeichnet Vähän Hyvä Oikein hyvä Erinomainen
ellauri132.html on line 999: Gedichte, die Sie interessieren könnten ⇒ Übersicht Runoja jotka vois sua kiinnosta ⇒ Kazaus
ellauri132.html on line 1005: Gedichtsuche Runohaku
ellauri133.html on line 6: font-style: italic;
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Your opening has to do a lot of different things. It has to establish the setting. Think of this as the camera planing over the outside of the spaceship, or across the crowded ballroom. Fuck I will! That's for idiots who cannot read but want to watch ABC TV. You know where you can stick that camera of yours and take inside belfies.

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It has to introduce your main character. You don't have to go into details, but you need enough to show if the MC is male or female, old or young, and ideally, give an idea of their personality. The opening has to show, or at least hint at, the inciting incident, the problem that starts the story for the MC. Most important, your opening has to grab the reader. Very few people have the patience to wade through pages of description before the action starts. Work on the first paragraph, and particularly the first line, until no-one can resist reading on. So, a few ways to get it wrong. Fuck the main character! This too is just for narcissist nincompoops who can't read about anything but themselves.

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Describing an average day in the life of your character. No, it won’t give us deep insight into her personality, it’s just boring. Start the story where your character’s life gets interesting. Fuck you, only idiots with a boring life want stories apt to tickle striped-ass baboons.

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Backstory. No-one except the author is really interested in your character's backstory. The reader wants to see what is happening now. Speak for yourself, dear "reader"! Whatever backstory is really necessary can be woven into the main story. Fuck you, damn tunnel visionary. This type of fundamentalistic rules get bent from wire to cater to the nonexisting taste of hoi polloi.
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Voiceovers to the reader. “Dear Reader, listen closely for I am about to tell you a most wonderous tale.” I’m not six, so I’ll pass, thanks. No, you are under five, you can't wait for the ads to end to watch Paw Patrol.

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Dreams. You know how bored you get when your friends tell you about their dreams? Now imagine a stranger is doing it. This person has a baseball player's brain. Most likely wearing a baseball player's cap with a hair tuft sticking out in the back.

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Geography. If I had wanted to know that Granard was in the midlands and had 1200 inhabitants, I would have bought an atlas. I wanted to read about people doing interesting things. Interesting monkeys doing interesting monkey things, like fleecing, hooting, or masturbating in a tree. Yep, who cares which tree.

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Chapter one. What? Where else would you start? According to every publisher and agent I’ve met, most novels really start on chapter three or four. The first few chapters are all set-up or backstory which would improve the novel by being deleted. This kinda guys fast forward over porn film beginnings to the first blow job or insertion. Best improvement would be to scrap the whole book. Plus its author.

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Alarm clock. Possibly the worst opening of all: “I groaned as the alarm went off. Oh no, I’m late, I thought to myself. I got up, and put on my blue denims, and my cute pink top...” Never miss an opportunity for random misogyny! Anyway, look at the beginnings of world lit classics. You would have ended up mutilating most of them, turning them to more episodes of Paw Patrol.

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There are fashions in writing, just as there are in clothes. The modern trend, particularly for genre or YA fiction, but increasingly in literary fiction too, is to start the story with the main character on the first page, and to start with the inciting incident. No backstory before chapter three, and then pare it to the bone. "YA" most likely stands for young adult. There hardly is a brand of monkeys that are stupider than young adults. Except YA writers. Give them a dildo and it will keep them occupied for hours.

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Before you scream that your reader won’t understand without a lot of explanation of what is going on, remember that this is the generation that watched the Matrix and Inception. Your reader is smart and will understand what is happening. Spending forty pages explaining the unnecessary is insulting to your reader. You call it smart to know all the tv cliches by heart? The XYZ generations, force fed with tv cliches from the cradle, are arguably the worst class retards so far in world history.

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Interesting fact: the average reader will give up on a boring book by page seventeen. If you’ve wasted any of your precious first pages on boring stuff, you’re likely to join the Page Seventeen club too. TLDR, huh? Your kind better buy Marvel comic magazines. They got a lot of pics to help with the ALL CAPS text in the bubbles, and not much more pages than those 17.

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There are lots of books out there. The reader has to decide quickly which one she is going to spend her time and money on. She's not going to buy something just because it might get good later on. Unless you have won a major prize or had a film made from your book, chances are your reader has never heard of you. She’s going to read a page or two and decide. If it’s on Amazon, she’s going to click “Look Inside” and read a few pages. Yep, "your reader" will do just that, being an analphabet in for mind-numbing pulp. "My reader" takes time to choose a book by its literary merits, not by its gaudy cover and advertising blurbs. And most likely from a public library on the recommendation of a friend. Preferably after reading the plot synopsis.

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Have you ever watched American Idol or X factor at the audition stage? Then you'll know the way you can usually tell within five notes if the singer is actually able to sing and is likely to go through. It's the same with writing. Any writer who can't manage a decent opening is not likely to get much better a hundred pages on. Whining for a second chance because "I sing a lot better in the second verse" (or "The second chapter is really good") doesn't fool anyone. What an idiot. There are lots of books that start out slow but grow on you. But fuck you, you're just such an idiot that hardly has the patience to spell laboriously through the title. Right into the garbage can from the Amazon box if the cover does not please. Your kind had better just watch Netflix or HBO, or reruns of American Idiots and X Position.

ellauri133.html on line 85: Ctyolene is a Female dating in Dublin, Ireland. Check the description of this 56 years old profile, maybe this matches your profile description and you can both start dating in Ireland for free. You can always check out the dating profile from Limerick, Cork, Galway and every other County.
ellauri133.html on line 246: Siirrytään vuosi eteenpäin, kun Bill ja hänen ystävänsä Richie Tozier, Eddie Kaspbrak ja Stanley Uris pääsevät viimeisenä koulupäivänään Derryn alakoulusta pois viettämään kesälomaa. He kuitenkin törmäävät kiusaaja Henry Bowersin johtamaan jengiin, jotka lupaavat tehdä heidän kesästään helvettiä. Beverly törmää taasen (kuka Beverly? Miten niin "taasen"? Missä on continuity girl kun sitä eniten kaivataan?) Ben Hanscomiin, joka on uusi koulussa (ja neekeri, vaikkei sitä saa tässä sanoa), ja kuuntelee New Kids on the Blockia (ne on palefaceja). Beverly huomaa Benin vuosikirjan olevan tyhjä nimikirjoituksista, joten hän kirjoittaa siihen omansa. Benillä on 11-vuotiaaxi iso pippeli (sori, spoileri).
ellauri133.html on line 250: Myöhemmin Henry ja hänen jenginsä löytävät Benin ja kiduttavat tätä. Ben kuitenkin pakenee metsään ja juoksee sieltä pitkin puroa, jonka varrelta hän löytää Billin ja hänen kaverinsa. Yksi Henryn jengiläisistä Patrick Hockstetter eksyy viemäriin ja joutuu Sen tappamaksi. (Top tykkänään! tässä oli passiivi! p.o. Se tappaa sen.) Kaverukset yrittävät parantaa Benin haavan, mutta eivät saa ostettua siihen tarvikkeita. He kohtaavat Beverlyn. Eddien palatessa kotiin hänen kimppuunsa hyökkää Neibolt Streetin autiotalon kohdalla sairastunut spitaalinen, jonka jälkeen hän kohtaa Pennywisen. Beverly taas kuulee Derryssä kadonneiden lasten huutoja kylpyhuoneen lavuaarista. Hänen aiemmin leikatut hiuksensa sitovat hänet lavuaariin kiinni, joka peittää hänet yltä päältä vereen. Hänen isänsä ei taas näe verta, joten hän luulee Beverlyn seonneen. Bill kohtaa Georgien kellarissa, jossa Pennywise yrittää tappaa hänet.
ellauri133.html on line 263: Bill kohtaa kädettömän Georgien, joka pyytää päästä kotiin. Bill hoksaa Georgien olevan pelkkä harhautus, ja hän ampuu Miken pulttipistoolilla Georgien. Tämä muuttuu Pennywiseksi, joka hyökkää ystävysten kimppuun. He epäonnistuvat puolustamaan itseään, ja Bill joutuu Pennywisen kaappaamaksi. Richie uskottelee Billin olevan syypää kaikkeen, mutta hän käyttää tätä tilaisuutena harhauttaa Pennywisea. Kerho pelottomana hyökkää Sen kimppuun ja he onnistuvat näin päihittämään Sen. Pennywise voimattomana pakenee pimeään kuiluun, nälkäisenä ja nöyryytettynä. Bill löytää Georgien sadetakin ja hyväksyy tämän kohtalon itkien muiden lohduttamana.
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3. Licking Semen-Stained Sheets in Dedication

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2. The Incredibly Detailed Child Rape in the Library Policeman

ellauri133.html on line 359: His brother George was murdered by It in the first pages of the book and his parents are very cold to him afterward. He has a stutter, which is important to the plot a few times. As an adult, he’s a successful horror novelist and is married to an actress named Audra. IT is not a work of fiction and Stephen King is actually "Stuttering Bill" Denbrough. In reality Steve was born in Portland, Maine and moved away when he was young with his Mother and older brother after abandonment by his father and witnessing a fatal train accident of a play friend. He returned at age 11 to Maine from Conn. and founded The Losers Club in Derry after unsuppressing the true death of his little friend by the railway tracks when he was 2 (as told in his 1981 book Danse Macabre). Now living inbetween Lovell and Bangor, King travels regularly past Derry near Derry Mountain in Linconville and can recollect most of the past due to the closer proximity and is preparing for Pennywises awakening in 2038. Lähde: FanTheory. - Does anyone think Bill Denborough´s stutter was a bit too much? That each word was stirred too much to have a nice flow? - B-b-b-beep - beep, Ruh-ruh-Richie. B-big Bill is puh-puh-PERFECT!
ellauri133.html on line 364: Stephen King’s novel It, first published in 1986, is known for its whopping page count and multigenerational horror saga. In 2017, buzz around It spiked again due to director Andy Muschietti´s big-screen adaptation of the novel. The film, which went on to become the highest-grossing horror movie ever, was the novel’s second trip to the screen, following a 1990 television miniseries. And now Muschietti is continuing the story with the highly anticipated IT Chapter 2, which arrives in theaters today.
ellauri133.html on line 366: If you only have a passing familiarity with Stephen King´s original novel, you might think It is simply about a killer clown. But there’s far more to the sprawling saga of The Losers´ Club and the fictional setting of Derry, Maine. Here are 10 things you might not have known about the bestselling book of 1986.
ellauri133.html on line 370: The Three Billy Goats Gruff, a classic Norwegian fairy tale about three scrappy goats outsmarting a bridge troll, might sound like a far cry from a 1000-plus page horror novel, but Stephen King cites it as a primary inspiration. He expanded the bridge to encompass an entire city, and the troll morphed into the terrifying demonic entity known as IT.
ellauri133.html on line 372: “I decided that the bridge could be the city, if there was something under it,” King wrote on his website. “What’s under a city? Tunnels. Sewers ... I thought of how such a story might be cast; how it might be possible to create a ricochet effect, interweaving the stories of the children and the adults they become. Sometime in the summer of 1981 I realized that I had to write the troll under the bridge or leave him—IT—forever.”
ellauri133.html on line 376: King is notoriously prolific, with more than 50 novels to his name. In fact, when It first came out, it was part of a wave of four books King published in the span of just 14 months. Between 1986 and 1987, King published It, The Eyes of the Dragon, Misery, and The Tommyknockers. Given that kind of productivity, it would be easy to assume that King seamlessly produces doorstoppers in mere months. But appearances can be deceiving: It took four years to write.
ellauri133.html on line 380: Clocking in at a whopping 1138 pages, It is second only to The Stand (which came in at 1153 pages) as King’s longest work to date. It weighs four pounds. Turds in excess of 2 lb must be lowered by hand.
ellauri133.html on line 384: It contains an infamous sex scene. In it, the main group of 11- and 12-year-old kids—known as The Losers´ Club—gets lost in the sewers after temporarily defeating IT. In order to find their way out, they all have sex with the lone female member of the group as a sort of ritual. “Mike comes into her, then Richie, and the act is repeated ... she closes her eyes as Stan comes to her and she thinks of the birds,” King writes in It.
ellauri133.html on line 390: King has been sober for over three decades now, but in his youth he suffered from addiction to drugs and alcohol. His prolific writing career did not halt during this time; he simply continued writing under the influence. “I was a heavy [cocaine] user from 1978 until 1986, something like that,” King told Rolling Stone. According to King, The Tommyknockers—which he published after It—was the last novel he wrote before becoming sober.
ellauri133.html on line 394: In the novel, the creature known as IT is not a clown; IT is a malevolent entity that takes on forms tailored to the person it´s terrorizing. Unlike Steve who is a clown AND a malevolent entity. Although its most common form is a clown, IT also appears as creatures like werewolves and vampires, wreaking murderous havoc on the fictional town of Derry every 27 years. Oddly, the 2017 film adaptation hit theaters 27 years after the 1990 miniseries. Since the film’s production has stalled and changed hands several times, this is pure coincidence. (For the sequel, fans only had to wait two years.)
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7. The fictional town of Derry is a stand-in for the real town of Bangor, Maine.

ellauri133.html on line 398: It is set in the fictional town of Derry, Maine. According to King, it’s a stand-in for the real town of Bangor, Maine, where he has lived since 1979. King and his wife were debating between moving to Portland or Bangor; King was in favor of Bangor because he considered Portland “a yuppie town” and that Bangor was “a hard-ass working class town ... and I thought that the story, the big story, I wanted to write, was here … all my thoughts on monsters and the children’s tale Three Billy Goats Gruff.
ellauri133.html on line 402: King has stated that his goal with It was to blend all of the scariest monsters together. "But then I thought to myself, ‘There ought to be one binding, horrible, nasty, gross, crevice kind of thing that you don’t want to see, [and] it makes you scream just to see it,’" he explained. "So I thought of myself: ‘What scares children more than anything else in the world?’ And the answer was ‘a clown like me with a scary face like mine.´ Reconsidering, no that was daddy's nightly horror that drove him away. For me, the answer was, 'it is mommy's IT as daddy's stickig it to IT.'"
ellauri133.html on line 422: The singular female character is placed in sexual situations many times throughout the novel. Her male counterparts are not unless it is specifically with her.
ellauri133.html on line 433: While this may be true, there are also many sexual scenarios which involve the male characters, and even some stories that do not contain any form of sexual innuendo. Every tale is not the same.
ellauri133.html on line 444: Stephen King’s It, in my estimation, does not do a very good job of justifying a chapter-long scene in which Bev, the sole girl in the Losers’ Club, the group of 11-year-old kids the book is centered on, invites each of the six boys in her misfit clique to have sex with her.
ellauri133.html on line 454: And so, what King presents a few chapters later, in the book’s final stretch, is a depiction of pre-adolescent female sexuality as a functional device—as a means and not an end in itself. HAAHAA. This utilitarian view of sexuality, despite operating in something as utterly wild as a group sex scene amongst kids, is ultra conservative in its reinforcement of the idea that female sexuality is meant to serve men, that sex for women operates for the greater good, like making babies or satisfying a bunch of guys. And further, that platonic friendship amongst women and men is simply impossible.
ellauri133.html on line 458: And she feels the thing begin to happen—something of which the girls who whisper and giggle about sex in the girls’ room have no idea, at least as far as she knows; they only marvel at how gooshy sex must be, and now she realizes that for many of them sex must be some unrealized undefined monster; they refer to the act as It. Would you do It, do your sister and her boyfriend do It, do your mom and dad still do It, and how they intend to do It.
Juupa juu, sehän se on se "se", kauhujen kauhu, se 1 paikka, naisten viemärimäinen se.
ellauri133.html on line 462: Yikes, what a non-explanation that is both disingenuous (evidence above ensures that he was thinking about the sexual aspect of it) and a copout (if there is more “sensitivity” to gratuitous depictions of child sex now, it only soft-pedals over his past failure).
ellauri133.html on line 468: I don’t want to repeat King’s utter creepiness and describe this in too much detail (shit, I would but there is not enough space), but there are some elements of the scene that deserve mentioning. Again, functioning in misogynist misunderstanding of female sexuality, for at least one of these encounters Bev “feels no physical pleasure, but there is a kind of mental ecstasy in it for her.” When she does feel “some pleasure, dim heat in her childish unmatured sex,” she thinks of birds and resolves that having sex “is what flying is like.” The penis size of the character of Ben is commented on (“is he too big, can she take that into herself?”) and she eventually has an orgasm with him. Steve looks on with his little droopy wiener in his hand. I bet Mustafa had a biggish "It", and Tabitha King (the other one with the curves going in instead of out) has an even bigger one. They are like the little goat, the middling goat, and the big big goat that can suck the big bad wolf all the way in, balls and all.
ellauri133.html on line 502: Onx Richien mexikaanoääni oikeasti Irish Cop voice? Kulttuurillinen adaptaatio?
ellauri133.html on line 508: Burkett is a professor of English and European Literature, so he knows mystic farts.
ellauri133.html on line 565: Teppo and chubby Tabitha are still happily married, and continue to write successful works of fiction. Teppo fell in love with Tabitha because Tabitha understood his art. Tabitha grew tired of King’s habits with drugs and alcohol. Eventually, she called up an intervention for her husband. If he didn’t get his act together, he would be forced to the curb. So he got his act together.
ellauri133.html on line 569: How to get help: In the U.S., contact the Substance Abuse and Mental Health Services Administration helpline at 1-800-662-4357.
ellauri133.html on line 589: Aika moukkamaisia, Austenia lukuunottamatta, joka moukan mielestä on romcomia. No tavallaanhan se onkin, muttei siinä kaikki! Frankenstein on Maryn avainromaani Percy Shelleystä. Loput infantiilit äijä"klassikot" löytyy myös leffana, kuvitettuina ja piirrettynä leffana. ic-novel-pride-and-prejudice/">Tota Austen cartoonia en ollut ennen nähnyt. Kertaalleen tää moukka on vielä lisäx lukassut:
ellauri133.html on line 591: Great Expectations, Jane Eyre, Robinson Crusoe, Gulliver’s Travels, Moby Dick (although a children’s truncated version).
ellauri133.html on line 594: ice.jpg" />
ellauri133.html on line 600: Stephen King ei ollut alun perin tyytyväinen Hohto-elokuvaan (1980) koska Stanley Kubrick muutti juonta vahvasti ja sai useita kohtauksia. Siksi vuonna 1997 ohjattiin kirjasta Mick Garrisin minisarja Stephen Kingin Hohto, joka on lähempänä kirjailijan näkökulmaa. Se oli aivan perseestä.
ellauri133.html on line 602: The miniseries was shot at The Stanley Kubrick Hotel in Estes Park, Colorado, King's inspiration for the novel, in March 1997. S everal notable writers and filmmakers who work in the horror genre also cameo in the miniseries' ballroom scene, King himself appearing as an orchestra conductor. Retrospective critics have viewed the miniseries less fondly, comparing it unfavorably to Kubrick´s film version.
ellauri133.html on line 604: Kirjailija Jack Nicholson saa työpaikan syrjäisen Overlook-hotellin omaishoitajana. Häntä varoitetaan työhaastattelussa vuonna 1970 sattuneesta tapauksesta, jossa niin ikään hotellin omaishoitajana toiminut mies sairastui ”mökkihöperyyteen” ja tappoi sekä vaimonsa että molemmat tyttärensä. Mies oli perheensä surmaamisen jälkeen ampunut itsensä. Jack ottaa kertomuksesta huolimatta paikan vastaan.
ellauri133.html on line 610: Ohjaaja Stanley Kubrickin tyylin mukaisesti elokuva ei anna missään vaiheessa suoraa selitystä tapahtumille. Äkkiä ruutuun lävähtää vaan sanat "The End".
ellauri133.html on line 616: Jack Nicholsonin alkoholismi ja räjähtävä temperamentti on maxaneet sille sen opetusjopin Stovingtonissa, respektaabelissä preppikoulussa. Se on menettämäisillään myös perheensä mätkittyään nuorta poikaansa Dannya kännipäissään vuotta aiemmin. Kauhistuneena izestään Jack kertoo vaimolleen Buffylle, että jos hän alkaa juoda uudestaan, hän tekee seppukun. Tämä lievitti hyvin Buffyn stressiä.
ellauri133.html on line 620: Tultuaan Rotkoon ja tavattuaan sen pääkokin, "Kyrpä" Halloranin, Danny havaiee että hänen psyykkiset voimansa antaa sille vähän tollasta telepatiakykyä. Dannylla on hampaankolossa jättimäinen izehoitoguru nimeltä Tony joka puhuu sille visiossa ja vilauttaa sille tulevaisuutta. "Kyrpä" Halloran kertoo Dannylle että hänkin "hohtaa", ja etä Danny voi ottaa siihen yhteystietoa aina kun se tarvii kokin apua. Nicholsonit kiertää Rotkoa ja jää sitten yxin talvexi.
ellauri133.html on line 752: Without your space helmet, Dave, you´re going to find that rather difficult.
ellauri133.html on line 766: Cantonese-English dictionary: 福 ( fuk )
ellauri133.html on line 801: ich-Orlov-Native-Land.jpg" width="50%" />
ellauri133.html on line 806: icles/12-14/Socialist_realism/three.jpg" width="50%" />
ellauri133.html on line 817: Sen äiti oli brassi, sen isä tyypillinen pohjoissaxalainen suurporvari Lyypekistä. Ein typischer Norddeutscher aus dem Lübecker Grossbürgertum, ein erfolgreicher Kaufmann und geachteter Würdenträger, konservativ und steif. Thomas war eine Verschmelzung von Vatis Genialität und Muttis Verzweiflung. Seine Fühlungen erbte Mann von seiner Mutter; äusserlich, in Erscheinung und Lebensstil affte er nach seinem Vater, der in seiner geregelten bürgerlichen Existenz der Bohème nur mit Verachtung begegnete. Er war stets auf korrektes Aussehen bedacht. Koirantalutuxeenkin se puki päälle mirrin borsalinon ja ulsterin. Se teititteli perheenjäseniäkiin.
ellauri133.html on line 823: Tompan kirjoissa on aika vähän tavallista heteronormaalia panoa, vaan sitä paxummalti insestiä, pedofiliaa ja pederastiaa. Katia ehkä bylsi kaxoisveljeään Klausia. Katja väitti myöhemmin eze oli puppua. Silti Katian isä kielsi pyssyn kanssa Tomppaa julkaisemasta näitä juttuja. Tompalla oli siitä kertovassa novellissa aika lailla antisemitismiä. Homoilua on tosi paljon mm. teoxissa Tonio Kröger, Doktor Faustus ja Der Tod in Venedig. 13-vuotias poju Tadzio oli siitä jumalattoman söpönen. Mann puolustautui homosyytöxiltä viitaten der alte Fritziin ja Michelangeloon. "Ich sehe nichts unnatürliches und viel lehrreiche Bedeutung, viel humane Grösse in dem Zartgefühl reifer Männlichkeit für lieblichere und feinere Männlichkeit." Pikkupojilla ei ainakaan ole naisihmisten leveitä lantioita ja lihavia jalkoja, joista Lapio-Artturillakin oli sanomista. Tomppa kuolasi myös oman pikku-Klaun esipuberteettisia muotoja. Ei ihme että Klausistakin tuli eheytettävä. Kun Klasu teki seppukun, ei Tomppa suostunut edes vaivautumaan jälkikäteen paikalle. Veti tollaset Jörkka Donnerit Tomppa siis.
ellauri133.html on line 839: icture-in-picture" allowfullscreen>
ellauri133.html on line 843: Shirley Jackson’s 1948 story “The Lottery”—arguably the most famous short story in American literature—was written in a single morning. In Jackson’s posthumously published lecture, “Biography of a Story,” she recounts:
ellauri133.html on line 845: I had the idea fairly clearly in my mind when I put my daughter in her playpen and the vegetables in the refrigerator, and, writing the story, I found that it went quickly and easily, moving from beginning to end without pause. As a matter of fact, when I read it over later I decided that except for one or two minor corrections, it needed no changes, and the story I finally typed up and sent off to my agent the next day was almost word for word the original draft.
ellauri133.html on line 847: This anecdote has been found to be untrue. Jackson exaggerated the ease with which the story was published; in “Biography of a Story,” she said The New Yorker published her story a mere few weeks after she submitted it, and that they only made one change—the date of the lottery. In fact, New Yorker editor Gus Lobrano suggested several changes to the story via phone, including additions to dialogue and action, which Jackson made.
ellauri133.html on line 849: Shirley Hardie Jackson (December 14, 1916 – August 8, 1965) was an American writer known primarily for her works of horror and mystery. Over the duration of her writing career, which spanned over two decades, she composed six novels, two memoirs, and more than 200 short stories.
ellauri133.html on line 851: After publishing her debut novel The Road Through the Wall (1948), a semi-autobiographical account of her childhood in California, Jackson gained significant public attention for her short story "The Lottery", which presents the sinister underside of a bucolic American village.
ellauri133.html on line 861: By the 1960s, Jackson's health began to deteriorate significantly, ultimately leading to her death due to a heart condition in 1965 at the age of 48. Jackson has been cited as an influence on a diverse set of authors, including Neil Gaiman, Stephen King, Sarah Waters, Nigel Kneale, Claire Fuller, Joanne Harris, and Richard Matheson. Never heard. all except nasty Stephen King.
ellauri133.html on line 866: After graduating, Jackson and a guy named Hyman married in 1940. Jackson began writing material as Hyman established himself as a critic. In the backwoods town where Hyman managed to get a job, which Shirley hated as much as him, Jackson and Hyman were known for being colorful, generous hosts who surrounded themselves with literary talents, including Ralph Emerson. They were both enthusiastic readers whose personal library was estimated at $ 25,00.
ellauri133.html on line 872: "Explaining just what I had hoped the story to say is very difficult. I suppose I hoped, by setting a particularly brutal ancient rite in the present and in my own village, to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives." No wonder stones flew through her window.
ellauri133.html on line 874: The critical reaction to the story was unequivocally positive; the story quickly became a standard in anthologies and was adapted for television in 1952. In 1949, "The Lottery" was published in a short story collection of Jackson´s ingeniously titled The Lottery and Other Stories.
ellauri133.html on line 876: She was a chainsmoking agoraphobic polysubstance user with colitis and died of a stroke. She continued her literary work posthumously as a demonic lover.
ellauri133.html on line 880: Details of contemporary small-town American life are embroidered upon a description of an annual ritual known as "the lottery". In a small village of about 300 residents (hmm, just the number of thankyou letters Shirley got, see above), the locals are in an excited yet nervous mood on June 27. Children gather stones, as the adult townsfolk assemble for their annual event, which in the local tradition is apparently practiced to ensure a good harvest (Old Man Warner quotes an old proverb: "Lottery in June, corn be heavy soon").
ellauri133.html on line 884: For the final drawing, one slip is placed in the box for each member of the household: Bill, Tessie, and their three children. Each of the five draws a slip, and Tessie gets the marked one. The townspeople pick up the gathered stones and begin throwing them at her as she screams about the injustice of the lottery.
ellauri133.html on line 886: Where's the injustice? It was a fair lottery. BTW, Shirley's short story was an omen: Shirley did get stoned for real in the end.
ellauri135.html on line 6: font-style: italic;
ellauri135.html on line 69: icles/12-14/Socialist_realism/three.jpg" width="50%" />
ellauri135.html on line 139: Konsta vietti rattoisaa kesälomaa Jekaterina-vaimon ja 7-vuotiaan pojan kaa Bogovon kylässä vuonna 1924. Samana vuonna Pirkko täytti 2 ja Calle 1, Kalle Viänänen julkaisi teoxen Savolaista sanarrieskoo, ja the renowned klezmer clarinetist and self-proclaimed “King of Jewish music” Naftule Brandwein recorded a purely instrumental version with the title “Der Terk in America” laulusta Uskadaaraa.
ellauri135.html on line 163: Friedrich Georg Magnus von Berg (1845–1938), "Rukkikrahv". Auch verdient um Kartoffelzucht u. Obstbau. Züchtete 1890 d. Sagnitzer Roggen".
ellauri135.html on line 168: Krahv Friedrich Georg Magnus Berg (16. veebruar 1845 Tartu – 22. märts 1938 Sangaste) oli baltisakslase päritolu Liivimaa suurpõllumees, sordi- ja tõuaretaja, leidur, krahv (1856), Sangaste mõisnik, Sangaste lossi ehitaja.
ellauri135.html on line 169: (The Graf Berg family has never heard about Peter Metsavas and Nikolai Margat to be Graf Friedrich Bergs out of marriage sons!)
ellauri135.html on line 192: Timo Juhani Vihavainen (born 9 May 1947) is a Finnish historian and a professor of Russian Studies at the University of Helsinki. He has written extensively on Russian and Finnish history. Vihavainen graduated as a Master of Philosophy in 1970, a Licentiate in Philosophy in 1983, a Doctor of Philosophy degree in 1988 and a Docent in Russian history in 1992. He is a member of the Finnish Academy of Science and Letters since 2009.
ellauri135.html on line 200:
Nikke, Maurice ja Fjodorin veljenpojat. Friedrich Georg Magnus von Berg valis maaelu. Erik lammas päässä.

ellauri135.html on line 204: Nikolai Vasilyevich Berg was born on March 24, 1823, in Moscow City, Russian Federation. On the paternal side, he was from the Baltic nobles.
ellauri135.html on line 206: Nikolai Vasilyevich studied first at the Tomsk regional college, then (in 1834-1838) at the Tambov and Moscow gymnasiums. In 1844 he enrolled in the Philological faculty of Moscow University but left an after a year.
ellauri135.html on line 208: In the early 1850s, Nikolai Vasilyevich joined the "young faction" of Moskvityanin and became a member of what came to be known as the Ostrovsky circle. In 1853 he went to Sevastopol as a correspondent, and stayed there until the end of the siege, working as a translator at the headquarters of the Commander-in-Chief. He later published Notes on the Siege of Sevastopol (Moscow, 1858) and the Sevastopol Album, a collection of 37 drawings.
ellauri135.html on line 210: After the Crimean War ended, Nikolai Vasilyevich went to the Caucasus where he witnessed the capture and arrest of Imam Shamil. He then traveled to Italy as a correspondent of The Russian Messenger to report on the progress of Giuseppe Garibaldi's army. He spent 1860-1862 traveling through Syria, Palestine, and Egypt. As the January Uprising in Poland began Nikolai Vasilyevich went to Warsaw as a correspondent for the Saint Petersburg magazine Vedomosti and stayed there for the rest of his life, teaching Russian language and literature at Warsaw University beginning in 1868, then editing the newspaper The Warsaw Diary (Varshavsky Dnevnik) from 1874 to 1877.
ellauri135.html on line 212: Participated in the Crimean war of 1853-1856. As the correspondent of magazine "Russian Herald", was with Garibaldi. During the Polish uprising of 1861-1863 years he was in Poland, the correspondent of the newspaper "St. Petersburg Vedomosti".. Graf F. F. Berg asked him to gather material for the history of the Polish uprising.
ellauri135.html on line 214: Genealogy of the Berg in the Annex to the Tambov edge not yet explored, not explored and the history of the estate of Berga, in the Kirsanov district. Their economy was two miles from the Trinity Church in the village of Semyonovka and 3-4 miles from the river Crows.
ellauri135.html on line 218: From "Russian biographical dictionary" of A. A. Polovtsev:
ellauri135.html on line 222: The first seven years, Nikolai lived in Moscow, and then, with his parents, moved to Siberia, where his father got the post of the Chairman of the Tobolsk provincial government (in 1830). Eight years, the boy himself began to write poetry, knowing many passages from different odes of Derzhavin. In the early 30-ies the father Berg settled in the Tambov province in his estate, and gave his son in the Tambov gymnasium, and in 1838 moving to Moscow, transferred to the I-th Moscow gymnasium, in which he graduated in 1843 and entered the historical-philological faculty of Moscow University. At the Moscow school, especially Berg became friends with a school friend A. N. Ostrovsky, with whom all his life maintained the most cordial relations. As a student, Berg published his first poem in the "Moskvityanin" (translated from the Swedish poet Runeberg: "Complaint of the virgin").
ellauri135.html on line 224: In 1853 Berg translated a number of plays with 28 languages, ranging from Sanskrit, Arabic, Persian and Basque to French and Slavic dialects. These translations came out in 1854, under the title: "Songs of different peoples".
ellauri135.html on line 225: However, he some time, until 1849, was a teacher at the Moscow school of painting and sculpture, and from there, moved to the Moscow office of the state Bank, where until 1853 he was first Secretary and then as an assistant accountant.
ellauri135.html on line 227: Leaving in 1853 service at the Bank, Berg turns into a tourist. The ensuing hostilities led him to the southern army, then in Crimea, in Sevastopol, where he served first in the 4th Department of the Treasury, he is in charge of awards, and then was a translator at the headquarters of the commander-in-chief, participated in the battle on the Black river, alive and on the bastions during the siege. All this Berg described in "Notes on the siege of Sevastopol", in his "Sevastopol album", which appeared in 1858.
ellauri135.html on line 229: After the surrender of Sebastopol and the transition of the chief of staff of the Crimean army in Odessa, Berg left the service, and until 1868 was not employed at all, leading the life of a tourist. The war of 1859 between Italy and Austria drew Berg in Lombardy, where he was at different headquarters of the French, Italian and at the end of Garibaldi, the detachment of Alpine rifles, wrote a number of correspondences in the "Russian Gazette" in 1859 the Movement in 1860, in the Lebanese mountains between Druze and Maronites drew Berg to the East. He lived in Beirut, Damascus, visited Jerusalem, said, Alexandria. Cairo, pyramids and Keepaway left an inscription, then the first in the Russian language. The fruit of these wanderings there were a few articles in Moscow and St. Petersburg editions and book "Guide to Jerusalem and its surroundings" (1863). During this trip, Berg studied the Bedouin life, which wandered in the wilderness. In 1861 he returned to Russia and has translated a significant part of "pan Tadeusz" (printed in "Domestic. Notes" 1862). Then again, Berg went to the East, lived again in Beirut, Damascus and Jerusalem, and printed about this trip in several articles in "Fatherlands. Notes", "Russian Gazette", "Our time" and SPb. Statements".
ellauri135.html on line 231: In the fall of 1862, Berg returned to Russia, lived in Moscow, in Petersburg and here, at the beginning of 1863, just when the Polish uprising broke out, went to Warsaw, then to Krakow and Lviv. He kept notes on the movement of the poles in all these places and printed them in the "SPb. Statements." and in the "Library for Reading" (1864). In late 1864 he received the invitation of the Viceroy in the Kingdom of Poland, count F. F. Berg, to collect material for the history of the last Polish uprising, and was executed. (!?)
ellauri135.html on line 233: In the last decade of his life he published his work in the "Russian antiquities" and the "Historical journal". Of the things placed in the first magazine, the most curious is the biographical sketch of "Graf F. F. Berg (1881, vol. XXXI).
ellauri135.html on line 395: Das Cabinet des Dr. Caligari ist ein deutscher Horrorfilm von Robert Wiene aus dem Jahr 1920 über einen Schlafwandler, der tagsüber vom zwielichtigen Dr. Caligari als Jahrmarktsattraktion herumgezeigt wird und nachts Morde begeht; in einer weiteren Handlungsebene wird diese Geschichte vom Insassen einer Irrenanstalt erzählt, der ihren Direktor bezichtigt, eben jener Dr. Caligari zu sein. Dieser expressionistische Stummfilm gilt als ein Meilenstein der Filmgeschichte.
ellauri135.html on line 399: Somnambula is an antagonist from Generation 1 My Little Pony. Like a good number of antagonists in that particular canon of MLP, she was a wicked, cunning and treacherous individual with a surprisingly dark backstory - being a false immortal who drained the youth of others, so as to keep herself both young in appearance and powerful in her dark arts. She was voiced by Jane Curtin.
ellauri135.html on line 400: Somnambula is an evil witch whose powers are stronger when she is younger. She has an canary named Kyrie whom she holds prisoner. She makes Kyrie sing to attract the ponies in a trance. As soon as Somnambula was younger she creates a magical circus and leads the ponies to it. She takes away the youth of the Earth and pegasus ponies to make her younger and the youth of the unicorn ponies to make her powers stronger and stores them in a crystal.
ellauri135.html on line 432: ics/12877/normal_Kylakarhiainen_.JPG" width="30%" />
ellauri135.html on line 453: Erik Ticklénin tunnetuin runo oli Neidon valitus. Johan Ludvig Runeberg käänsi tämän runon ruotsiksi ja se julkaistiin Helsingfors Morgonbladissa vuonna 1832. Sieltä Nikke Berg sen lukaisi ja teki venäjännöxen. Erik Ticklénin veli Pietari (Pehr) Ticklén oli myös runoilija ja Oulun Wiikko-Sanomia-lehden perustaja. Lähteet. Kotivuori, Yrjö: Erik Ticklén. Ylioppilasmatrikkeli 1640-1852.
ellauri135.html on line 455: Saman-aikuisia lyyrillisiä runoilijoita mainittakoon vielä veljekset Ticklén, Pyhäjoen Pyhäjärven kappalaisen pojat. Vanhempi veljeksistä, Pietari Ticklén, oli syntynyt 1792, tuli Turun yliopistoon 1811, vihittiin papiksi 1815 ja seppelöittiin maisteriksi 1823, oli enimmän ajan opettajana Oulussa, kunnes v. 1829 pääsi Teuvan pitäjän kirkkoherraksi, jossa virassa kuoli 1838. Hänen lyyrillisiä runoelmiansa löytyy Oulun Viikkosanomien parissa ensimmäisessä vuosikerrassa.
ellauri135.html on line 457: Nuorempi veli Eero Ticklén oli syntynyt 1794, tuli ylioppilaaksi 1815, vihittiin papiksi 1817 ja kuoli kappalaisena Kärsämäellä 1827. Ainoa hänen sepittämänsä runo on Neidon valitus, joka on painettuna vanhemman Sakari Topelius'en julkaisemien vanhojen runojen ja nykyisempien laulujen joukossa. Tälle on tullut se kunnia osaksi, että Runeberg sen käänsi ruotsiksi, luullen sitä kansanlauluksi, niinkuin hän itse tunnustaa Helsingfors Morgonblad'issa 1832. "Minulla on tätä ihanaa runokappaletta ruotsiksi kääntäessäni ollut sama tunne, kuin sillä, joka yrittää kukkaiskasvia kiskoa irti ja siirtää yhdestä maaperästä toiseen. Joka hetki olen pelännyt vahingoittavani sen hentoja juuria —käyttääkseni vertausta — ja hienoja lehtiä, ja toivotonna epäillyt, olenko sitä voinut varjella niin, ett'ei siinä olisi liiaksi oman käteni hävittävää jälkeä".
ellauri135.html on line 464: Eerikki Ticklén, ylempänä mainitun Pietari T:n veli, syntyi 1794
ellauri135.html on line 469: NEIDON VALITUS. Dikt Flickans klagan
ellauri135.html on line 471: Eerikki Ticklén (En finsk runa).
ellauri135.html on line 477: Pikku piikana visersin Kvittrade som liten flicka
ellauri135.html on line 530: Ei ole lehossa lepoa, Lugn finns icke mer i lunden,
ellauri135.html on line 531: Eikä onni oksapuitten Trefnad icke mer i skuggan
ellauri135.html on line 565: Konsta ajaa Oka jokea alavirtaan peräprutkulla. Poijunvartija Shaslik varottaa ukonilmasta. Konsta pelastautuu poijusedän kaa Svjatoslav Richterin kesämökille. Svjatoslav on tiettävästi homo. Ahaa soittajaa ei ole vielä näkynyt, sanoo Shishkebab. Hän tuokin aina pelinsä mukanaan. Kazokaa tuota ovea. Se on niin leveä, et peli mahtuu sisälle.
ellauri135.html on line 569: Sviatoslav Teofilovich Richter March 20 1915 – August 1, 1997) was a Soviet pianist who is frequently regarded as one of the greatest pianists of all time. He is known for the "depth of his interpretations, his virtuoso technique, and his vast repertoire." Charles Francis Richter (/ˈɹɪktəɹ/, 26. huhtikuuta 1900 – 30. syyskuuta 1985) oli yhdysvaltalainen seismologi, joka on kuuluisa maanjäristyksen voimakkuuden määrittelevän Richterin asteikon luomisesta.
ellauri135.html on line 571: Richter was born in Zhytomyr, Volhynian Governorate of the Russian Empire (modern-day Ukraine), a native town of his parents. His father, Teofil Danilovich Richter [de] (1872–1941), was a pianist, organist and composer born to German expatriates; from 1893 to 1900 he studied in the University of Music and Performing Arts Vienna. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a noble Russian landowning family, and at one point she moaned under her future husband.
ellauri135.html on line 573: Richter moved in with his aunt Tamara. He lived with her from 1918 to 1921, and it was then that his interest in art first manifested itself: he first became interested in panting, which his aunt taught him.
ellauri135.html on line 575: In 1943, Richter met Nina Dorliak (1908–1998), an operatic soprano. He noticed Dorliak during the memorial service for Vladimir Nemirovich-Danchenko, caught up with her at the street and suggested to accompany her in recital. It is often alleged that they married around this time, but in fact Dorliak only obtained a marriage certificate a few months after Richter's death in 1997. They remained living companions from around 1945 until Richter's death; they had no children. Dorliak accompanied Richter both in his complex private life and career. She supported him in his final illness, and died herself less than a year later, on May 17, 1998.
ellauri135.html on line 577: It was rumored that Richter was homosexual and that having a female companion provided a social front for his true sexual orientation, because homosexuality was widely taboo at that time and could result in legal repercussions. Richter was an intensely private person and was usually quiet and withdrawn, and refused to give interviews. He never publicly discussed his personal life until the last year of his life when filmmaker Bruno Monsaingeon convinced him to be interviewed for a documentary.
ellauri135.html on line 579: In 1960, even though he had a reputation for being "indifferent" to politics, Richter defied the authorities when he performed at Boris Pasternak's funeral.
ellauri135.html on line 583: ichter/121_img_pc2.jpg" width="50%" />
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ellauri135.html on line 585:
Richterin peli. Britten struck Rikhter as 'extremely modest'. Brittenin sormi on puoliveteessä.

ellauri135.html on line 655: Penzan alueella isoäidin puolison kartanossa meni runoilijan lapsuus. Kotikoulutus oli monipuolista: vieraiden kielten opit, musiikki, piirustus. Myöhemmän luovuuteen vaikuttivat merkittävästi hänen matkansa Kaukasuksella, jossa Michael sai läpi kivennäisvesien käsittelyn. Tässä eteläisessä lomassa runoilija vieraili kolme kertaa ja kirjoitti monia Kaukasiassa liittyviä teoksia. Vuonna 1827 hän muutti Moskovaan isoäitinsä kanssa. Lermontovin lasten elämäkerta osoittaa, että runoilijan persoonallisuudella ja hänen lisätehtävyydellään oli kuvaamaton vaikutus isänsä kuva romanttiseksi sankariksi. Esimerkiksi teokset kuten "Ihmiset ja intohimot" sekä "Strange Man" sisältävät kaikuja vanhempien perhekonnerikosta.
ellauri135.html on line 669: 14-vuotiaana Mikhailista tuli Nobel-tutkija joka toimii Moskovan yliopistossa. Samaan aikaan hänestä kiinnostui runoutta ja alkoi kirjoittaa itsestään. Hänen ensimmäinen opettaja tässä tapauksessa oli S. E. Raich. Mikhail opiskeli 2 vuotta, ja pysäköintitalo oli suljettu. Syksyllä Lermontov tuli samaan yliopistoon moraalista ja poliittista tiedekuntaa. Mikhail ei kuulunut mihinkään ympyrään eikä yleensä edes kuulunut kaikkiin oppilaisiin.
ellauri135.html on line 673: Elokuussa 1832 Mikhailista tuli koulun oppilas. Guards junkers, joka perustettiin nuorille aatelijoille, jotka tulivat Guardille ilman sotilaallista koulutusta ja koulutusta. Hänen siirtyminen Pietariin liittyi tähän tapahtumaan. Kun hän opiskeli koulua 2 vuotta, hän sai ensimmäisen upseerin arvon. Tänä aikana Michael ei lakannut harjoittamasta kirjallisuutta.
ellauri135.html on line 698: Huolimatta sankarin heikosta sosiaalisesta asemasta, tunnustamme siinä itse kirjoittajan, joka vihjaa surulliselle kohtalolleen. Monet ovat yhtä mieltä siitä, että lyyrisen sankarin ja kohtalonsa kautta Lermontov halusi paitsi koskea lukijoiden sydämiin myös välittää oman testamenttinsa, koska hän uskoi olevansa samanlainen kohtalo. Salaperäinen naapuri on esimerkiksi Mikhail Yurievichin, Varvar Lopukhinin, ensimmäinen rakkaus, joka avioitui varakkaan maanomistajan kanssa. Kirjailijan vanhemmat olivat jo tuolloin kuolleet, siellä oli vain isoäiti, joka vanhuuden vuoksi ei kyennyt selviytymään pojanpojan kuoleman uutisista.
ellauri135.html on line 785: Lermontovin taiteen ihailijoita kutsutaanhänen runonsa "Testamentti" on profeetallinen, siinä hän ennusti kuolemaansa ja sanoi hyvästi ympäröivälle maailmalle. Itse asiassa tässä työssä ei ole mitään tekemistä kirjoittajan kanssa, hän kirjoitti sen vuonna 1840 tunnustuksena haavoittuneesta sankarista, jolla on vain muutaman päivän jäljellä elää ja jopa tunteja. Ensi silmäyksellä Mikhail Yurievichin kohtalosta ei ole yhtään analyysiä. "Testamentti" Lermontov on omistettu kaikille Venäjän armeijan palveleville sotilaille.
ellauri135.html on line 793: Testamentti Lermontov. Lermontovin "testamentti" sisältää piilotetun merkityksen. Runo näyttää ennustavan, että hänen elämänsä on lyhyt ja intuitiivisesti etsimään kuolemaa. Mikhail Yuryevichin ja kirjallisten kriitikkojen monet tutkijat ovat päätyneet siihen, että tätä runoa voidaan pitää profeetallisena, ja tekijälle itsessään on ennakoinnin lahja. Ehkä "Testamentti" Lermontov kirjoitti, ei lainkaan viitannut itseensä, mutta silti on olemassa jonkin verran rinnalleen hänen elämänsä ja tuntemattoman sotilaan kohtaloa.
ellauri135.html on line 795: Ensinnäkin kirjailija on aivan kuten hänen sankarinsa, kuoli linnun rintakehästä, mutta ei taistelukentällä vaan kaksintaistelussa. Toiseksi runo "Testamentti" Lermontov kirjoitti, kun hänen vanhempansa eivät enää olleet elossa, hänen isoäitinsä pysyi, mutta hän ei pitänyt häntä läheisenä ystävällenä ja tunsi häntä ristiriitaisia tunteita. Naapurin kuva, Mikhail Yuryevich, olisi voitu erottaa monista naisista, joita hän ihasteli ja katsoi hänen mussoistaan. Todennäköisesti hänellä oli mielessä Varvara Lopukhin - tämä tosiseikka on analyysi.
ellauri135.html on line 799: Runon testamentti Lermontov. Lermontovin "testamentilla" on joitainei vastaa kirjoittajan elämää. Runoissa tilanne esitetään niin, että tyttö unohti sankarin, mutta itse asiassa se oli Mikhail Yurievich, joka katkaisi suhteensa naiseen, jota hän idolisti, koska hän ei voinut saada hänet onnelliseksi. Lopulta Barbara Lopukhina pahoitteli, että hän ei voinut viettää elämänsä viimeisiä kuukausia rakkaan.
ellauri135.html on line 824: Mikhail Yurievich Lermontovin "Profeetan" runon analyysi
ellauri135.html on line 870: Venäjän runoilija Mikhail Yurievich Lermontov 💔 Varvara Lopukhina, hänen ystävänsä Alexin nuorempi sisko. Keväällä, ennen pääsiäistä vuonna 1832, maallistuneiden naisten ja nuorten kova yritys kävi yxiin Simonovin luostarin All-Night Vigilin kaa.
ellauri135.html on line 871:

ellauri151.html on line 706:
ellauri151.html on line 719: Paul, however, wrote that Christians are not under the Mosaic Law; we are under the administration of Grace (Romans 6.14). These are two vastly different operating environments. Jesus ministered only to Jews. Jesus also ordered his disciples not to go to Gentiles but to go to Jews alone (Matthew 10.5-6). In Christianity, Paul went to the Gentiles as the Apostle of the Gentiles (Romans 11.13; 1 Timothy 2.7; 2 Timothy 1.11).
ellauri151.html on line 723: Paul declared he was the founder of Christianity (1 Corinthians 3.10-11; 1 Timothy 1.15-16). He stated he received the doctrines of Christianity from the ascended, glorified Lord.5 Paul called these doctrines “secrets” (μυστήριον) for they were unrevealed in the Lord’s earthly ministry and unknown to the Twelve. The Twelve learned of them later from Paul but continued to confine their ministry to Jews (Galatians 2.7-9). No Biblical record exists of any of the Twelve ministering to Gentiles.
ellauri151.html on line 762: Edgar Jones has manufactured the following comparison of Jesus' and Paul's meaning differences which exposes Paul as a liar and a false prophet who did not know Jesus. Paul's errors and false gospel are obvious to anyone who follows Jesus as teacher and listens carefully to Jesus' words. Read very carefully, your eternal salvation depends on it!
ellauri151.html on line 813: [7] In him we have redemption through his blood, the forgiveness of our trespasses, according to the riches of his grace

ellauri151.html on line 815: [25] who was put to death for our trespasses and raised for our justification.
ellauri151.html on line 832: [28] For which of you, desiring to build a tower, does not first sit down and count the cost, whether he has enough to complete it?
ellauri151.html on line 922: [16] And I have other sheep, that are not of this fold; I must bring them also, and they will heed my voice. So there shall be one flock, one shepherd.
ellauri151.html on line 966:
23. On sacrifices to God:

ellauri151.html on line 970: [7] For Christ, our paschal lamb, has been sacrificed.

ellauri151.html on line 972: [2] And walk in love, as Christ loved us and gave himself up for us, a smelly offering and sacrifice to God.
ellauri151.html on line 976: [13] Go and learn what this means, "I desire mercy, and not sacrifice."
ellauri151.html on line 991: [8] Heal the sick, raise the dead, cleanse lepers, cast out demons. You received without paying, give without pay.
ellauri151.html on line 1004: [6] That which is begotten of the flesh is flesh, and that which is begotten of the Spirit is spirit.

ellauri151.html on line 1133: Alissa reached, by going the other way round than The Immoralist, a damnation very similar to the Immoralist's – indeed, Strait is the Gate might be called The Moralist. Hers is a greater perversity than Michel's, who, after all, was only doing as he liked. Alissa is doing what she does not like, and at each act of monstrous virtue her anguish increases, 'till at last it kills her.
ellauri151.html on line 1134: Each pays the price – spiritual death and anal dilatation for Michel, bodily death and who knows maybe worse for Alissa. 'Whom can I persuade that this is the twin of The Immoralist?', Andy wrote in his journal, 'that the two subjects grew up together in my mind, the excess of the one finding a secret justification in the excess of the other, so that the two together form an equipoise?'
ellauri151.html on line 1136: Immoralist, romaani kirjoittajana André Gide, julkaistiin nimellä L´Immoraliste vuonna 1902, se on yksi tarinoista, joita Gide kutsui tarinoixi. Nietszchelaisen filosofian innoittamana Gide ryhtyi työkseen tarkastelemaan sitä kohtaa, jossa itsestä huolehtimisen on syrjäytettävä moraaliset periaatteet, jotka perustuvat empatiaan muita kohtaan. Immoralist on suurelta osin tarina Michelistä, joka menee naimisiin perheystävän Marcelinen kanssa ilahduttaakseen kuolevaista isäänsä ja huolehtiakseen omista tarpeistaan. He matkustavat Pohjois-Afrikkaan, missä Michel sairastuu tuberkuloosiin. Toipuessaan tuberkuloosista Pohjois-Afrikassa hän huomaa olevansa seksuaalisesti kiinnostunut nuorista arabipojista. Palattuaan Ranskaan "ystävä" kehottaa häntä jättämään huomiotta yleissitovat sopimukset ja täyttämään homot intohimonsa. Kun raskaana oleva Marceline sairastuu tuberkuloosiin, he menevät etelään hänen terveyden vuoksi, mutta hän laiminlyö hänet omien halujensa tyydyttämiseksi. Marceline, josta on tullut Michelin este, kärsii keskenmenosta ja kuolee myöhemmin Michelin katsoessa päältä liikutellen munaa karvakäden peräsuolessa.
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ellauri152.html on line 71: The Songs of Bilitis (/bɪˈliːtɪs/; French: Les Chansons de Bilitis) is a collection of erotic, essentially lesbian, poetry by Pierre Louÿs published in Paris in 1894. Since Louÿs claimed that he had translated the original poetry from Ancient Greek, this work is considered a pseudotranslation. Though the poems were actually clever fabulations, authored by Louÿs himself, they are still considered important literature. [by whom?] ellauri152.html on line 73: The poems are in the manner of Sappho; the collection's introduction claims they were found on the walls of a tomb in Cyprus, written by a woman of Ancient Greece called Bilitis (Greek: Βιλιτις), a courtesan and contemporary of Sappho to whose life Louÿs dedicated a small section of the book. On publication, the volume deceived even expert scholars. ellauri152.html on line 75: Louÿs claimed the 143 prose poems, excluding 3 epitaphs, were entirely the work of this ancient poet—a place where she poured both her most intimate thoughts and most pubic actions, from childhood innocence in Pamphylia to the loneliness and chagrin of her later years. ellauri152.html on line 77: Although for the most part The Songs of Bilitis is original work, many of the poems were reworked epigrams from the Palatine Anthology, and Louÿs even borrowed some verses from Sappho herself. The poems are a blend of mellow sensuality and polished style in the manner of Parnassianism, but underneath run subtle Gallic undertones that Louÿs could never escape. ellauri152.html on line 79: To lend authenticity to the forgery, Louÿs in the index listed some poems as "untranslated"; he even craftily fabricated an entire section of his book called "The Life of Bilitis", crediting a certain fictional archaeologist Herr G. Heim ("Mr. C. Cret" in German) as the discoverer of Bilitis' tomb. And though Louÿs displayed great knowledge of Ancient Greek culture, ranging from children's games in "Tortie Tortue" to application of scents in "Perfumes", the literary fraud was eventually exposed. This did little, however, to taint their literary value in readers' eyes, and Louÿs' open and sympathetic celebration of lesbian sexuality earned him sensation and historic significance. ellauri152.html on line 81: In 1894 Louÿs, travelling in Italy with his friend Ferdinand Hérold, grandson of the composer (1791–1831) of the same name, met André Gide, who described how he had just lost his virginity to a Berber boy named Muhammed in the oasis resort-town of Biskra in Algeria; Gide urged his friends to go to Biskra and follow his example. The Songs of Bilitis are the result of Louÿs and Hérold's shared encounter with Muhammed the dancing-boy, and the poems are dedicated to Gide with a special mention to "M.b.A", Mohammad ben Atala. Ben is boy, bat is girl, Q.E.D. ellauri152.html on line 90: In 1955 the Daughters of Bilitis was founded in San Francisco as the first lesbian civil and political rights organization in the United States. In regard to its name, Del Martin and Phyllis Lyon, two of the group's founders, said "If anyone asked us, we could always say we belong to a poetry club." Mehän voidaan sanoa. Had they only known that it was all about fornicating boys. ellauri152.html on line 92: Louÿs' close friend Claude Debussy in 1897 musically set three of the poems—La flûte de Pan, La chevelure and Le tombeau des Naïades—as songs for feminine voice and piano. Pan huiluu pyllyyn. The book was accidentally translated to Polish twice, in 1920 by Leopold Staff and in 2010 by Ruben Stiller. ellauri152.html on line 262: Corydon (Kr. Κορύδων Korúdōn, luult. sanasta κόρυδος kórudos "leiwo") on perusnimi paimenelle antiikin kreikan pastorirunoissa ja saduissa, kuten Tehokrityxen idyllissä 4 (c. 300 – c. 250 BC). Nimi löytyy myös joltain Siculuxelta ja signifikantimmin vielä Virgililtä. Virgilin Eclogoiden 2. osassa se on paimen jonka poikarakkautta johkin Alex Stubbiin siinä kuvataan. ellauri152.html on line 264: Corydonin raskaat piirteet heiluvat Calpurnius Siculuxen eclogeissa. Jotkut koululaiset luulevat eze on Calpurnius ize, tai ainakin sen avataari. ellauri152.html on line 267: Nimi esiintyy Intohimoisen Pyhiinvaeltajan runossa nro 17, kokoelmassa joka ilmestyi 1599 omistettuna Shakespearelle, muze voi kuiteskin olla Richard Barnfield, jonka eka julkaisu, Rakastettava paimen, missä puhutaan Daphnixen konsummoimattomasta rakkaudesta Katamiittiin, ja joka oli, kuten Barnfield ize tunnusti, matkittu Virgilin 2. eklogista, jossa siis oli nää poikarakastajat Corydon ja Alex Snopp. Kirjailijat kiertää mustaa tähteä kuin hullu puuroa. ellauri152.html on line 344: Alexis kivexineen tulee nähtävästi kuvaan vasta Virgilillä, josta Voltaire ei perustanut. En minäkään. Se lie käynyt selväxi. Jungin asteikolla Virgil on INFP, eli Idiosyncratic dreamer with strong imagination. Androidi digas Virgiliä, varmaan just tää sämple on se 1 paikka joka sitä innosti. ellauri152.html on line 348: delicias domini, nec quid speraret habebat; Pomon herkkupalasta, vaikkei sillä ollut mitään zargoja, ellauri152.html on line 359: sole sub ardenti resonant arbusta cicadis. palavan auringon alla puskissa resonoivat kaskaat. ellauri152.html on line 367: mille meae Siculis errant in montibus agnae; Mulla tuhat uuhta exyilee Sikulian vuorilla; ellauri152.html on line 373: iudice te metuam, si numquam fallit imago. vaixä tuomaroisit, ellei imageni yhtään petä. ellauri152.html on line 382: est mihi disparibus septem compacta cicutis On mulla 7 erimittaisessa pyllyssä kokeiltu kikuli, ellauri152.html on line 388: bina die siccant ovis ubera; quos tibi servo: 2x päivittäin imee lampaanmaitoa, ne tarjoilisin sulle; ellauri152.html on line 399: addam cerea pruna: honos erit huic quoque pomo; Lisäx vahattuja luumuja: se on kans hyvä hetelmä; ellauri152.html on line 401: sic positae quoniam suavis miscetis odores. Silleen pannen näät saa rapsakat tuoksukimarat. ellauri152.html on line 402: Rusticus es, Corydon: nec munera curat Alexis, Sä olet maajussi, Corydon, sun lahjoista ei Alex huoli, ellauri152.html on line 412: Aspice, aratra iugo referunt suspensa iuvenci, Kappas, mullit tulee kotiin ikeet mullin mallin, ellauri152.html on line 413: et sol crescentis decedens duplicat umbras: Ja aurinko laskiessaan 2-kertaistaa varjot venyvät: ellauri152.html on line 419: Invenies alium, si te hic fastidit, Alexim. Löydät kyllä toisen Alexixen, jos tämä jättää. ellauri152.html on line 445: icot69.c.o.pic.centerblog.net/o/bc581a17.jpg" height="200px" /> ellauri152.html on line 448: ic.timesofisrael.com/www/uploads/2014/11/zamir-e1416728511771-1024x640.jpg" height="200px" /> ellauri152.html on line 545: The plot was foiled by Queen Esther, the king's recent wife, who was herself a Jew. Esther invited Haman and the king to two banquets. In the second banquet, she informed the king that Haman was plotting to kill her (and the other Jews). This enraged the king, who was further angered when (after leaving the room briefly and returning) he discovered Haman had fallen on Esther's couch, intending to beg mercy from Esther, but which the king interpreted as a sexual advance. ellauri152.html on line 547: On the king's orders, Haman was hanged from the 50-cubit-high gallows that had originally been built by Haman himself, on the advice of his wife Zeresh, in order to hang Mordechai. The bodies of Haman's ten sons were also hanged, after they died in battle against the Jews.The Jews also killed about 75,000 of their enemies "in self-defense." ellauri152.html on line 551: In Rabbinic tradition, Haman is considered to be an archetype of evil and persecutor of the Jews. Having attempted to exterminate the Jews of Persia, and rendering himself thereby their worst enemy, Haman naturally became the center of many Talmudic legends. Being at one time extremely poor, he sold himself as a slave to Mordecai. He was a barber at Kefar Karzum for the space of twenty-two years. Haman had an idolatrous image of Esther's arse embroidered on his garments, so that those who bowed to him at command of the king bowed also to the image. ellauri152.html on line 553: Haman was also an astrologer, and when he was about to fix the time for the genocide of the Jews he first cast lots to ascertain which was the most auspicious day of the week for that purpose. Each day, however, proved to be under some influence favorable to the Jews. He then sought to fix the month, but found that the same was true of each month; thus, Nisan was favorable to the Jews because of the Passover sacrifice; Iyyar, because of the small Passover. But when he arrived at Adar he found that its zodiacal sign was Pisces, and he said, "Now I shall be able to swallow them as fish which swallow one another" (Esther Rabbah 7; Targum Sheni 3). ellauri152.html on line 555: Haman had 365 counselors, 1/day, but the advice of none was so good as that of his wife, Zeresh. She induced Haman to build a tree for Mordechai, assuring him that this was the only way in which he would be able to prevail over his enemy, for hitherto the just had always been rescued from every other kind of death. As God foresaw that Haman himself would be hanged on some tree, He asked which tree would volunteer to serve as the instrument of death. Each tree, declaring that it was used for some holy purpose, objected to being soiled by the unclean body of Haman. Only the thorn-tree could find no excuse, and therefore offered itself for a tree (Esther Rabbah 9; Midrash Abba Gorion 7 (ed. Buber, Wilna, 1886); in Targum Sheni this is narrated somewhat differently). ellauri152.html on line 559: Qu'ran contradicts the Bible, but is in line with Persian historical records which do not contain any reference to the biblical story of a Persian official named Haman during that time period nor the person of Esther. ellauri152.html on line 561: The Jewish holiday of Purim commemorates the story of the Jews' deliverance and Haman's defeat. On that day, the Book of Esther is publicly read and much noise and tumult is raised at every mention of Haman's name. A type of ratchet noisemaker called in Hebrew a ra'ashan (רעשן) (in Yiddish: "grogger" or "hamandreyer") is used to express disdain for Haman. Pastry known as hamentashen (Yiddish for 'Haman's pockets'; known in Hebrew as אזני המן ozney Haman 'Haman's ears') are traditionally eaten on this day. ellauri152.html on line 563: American children's television animations in which the biblical story of Haman is told include the "Queen Esther" episode of the series The Greatest Adventure: Stories from the Bible (1985-1992), where he is voiced by Werner Klemperer, and the computer-generated series VeggieTales (2000), in which he is portrayed by "Mr. Lunt" during the episode "Esther, the Girl who Became Queen". ellauri152.html on line 573: Ahasvérus dit le Juif errant est un personnage légendaire, condamné à l'errance éternelle pour avoir refusé à Jésus marchant au supplice de se reposer sur le seuil de sa maison. ellauri152.html on line 574: Ce mythe, qui paraît fort ancien et dont certains érudits vont chercher l'origine jusque dans l'Inde bouddhique, se précise à partir du xiiie siècle dans l'Historia major du bénédictin anglais Matthieu Pâris. sous diverses formes. C'est dans les pays de langue allemande que la figure d'Ahasvérus connaît la plus grande faveur, à la suite d'une version de la légende due à Chrysostomus Dudulaeus qui présente l'aventure du « Juif éternel » (1602) comme un récit quasiment autobiographique. La traduction française de ce livre imposera l'expression « Juif errant » (1609). Dès lors, la légende se répand par l'imagerie populaire et les estampes, les complaintes, dont la plus célèbre est celle d'Isaac Laquedem. Le Juif errant, qui personnifie le destin du peuple juif depuis le christianisme, a inspiré de nombreux écrivains : Wordsworth, Goethe, Eugène Sue, Apollinaire. Cette figure légendaire n'a cessé d'alimenter, à l'encontre des Juifs, une dangereuse satire sociale. Elle est, pour une part, responsable de la genèse de l'agitation antisémite des temps modernes. Pour en savoir plus, voir l'article antisémitisme. ellauri152.html on line 583: The most basic information is this: “Yentl the Yeshiva Boy” is a short story by Isaac Bashevis Singer, the famous Polish-American Jewish writer, published in 1962. It follows Yentl, a Jewish girl from a Polish shtetl who loves Torah-study, as she disguises herself as a man named Anshel in order to study at a yeshiva. Yentl (1983) is the movie-musical adaptation of the story, directed by and starring Barbra Streisand. In many ways it is a fairly faithful adaptation of the story’s events, but it has a different tone and a different ending. ellauri152.html on line 585: Yeshiva Boy moves fluidly between referring to the main character as Yentl or Anshel depending on context, which is a great detail. There are times when she’s referred to as Anshel for long stretches of time, and the same for Yentl. The movie, not having third person narration, is a different beast. I take my cue from the story and use both names, depending on the context of what I’m talking about—for example, if Yentl is definitely seen as Yentl by the story in that moment, or as Anshel, or ambiguously as both. That’s a very subjective choice to make each time you write her name! But that question, the fact that you have to ask it of yourself and the fact that it’s not always clear, is to me a crucial part of Yentl’s character. ellauri152.html on line 589: In the movie, in a scene I despise, Avigdor grabs her and shakes her violently while demanding to know why, and the rest of the conversation plays out melodramatically with yelling and tears. Yentl confesses that she loves him, he realizes he loves her too, and they kiss. Avigdor asks her to marry him, and says she could continue studying in secret. Yentl refuses because she can’t go back to studying furtively in secret, despite how much she loves him. The two part, and Avigdor returns to Badass and marries her. They live happily ever after, and the film ends with Yentl on a ship to America, implying that she will be able to study Torah as a woman there. ellauri152.html on line 595: I’ve seen Yentl the movie-musical several times, and there’s so much to unpack there, you could watch it a hundred times and have something new to talk about each time—whether it’s in the vein of despairing over the unnecessary heterosexuality of it all (even Wikipedia notes how aggressively the film erases as much queerness as it can!), or reveling in its grudging gayness (because even if Streisand decided she was playing a straight cis woman, the author is dead and it’s so easy to see Anshel and Avigdor on screen, both men, falling in love with each other). ellauri152.html on line 605: Or it would be fine if the movie didn’t play it for laughs. The movie puts Yentl in multiple awkward situations where she has to perform verbal and physical gymnastics to keep people from seeing her without clothes, that gross classic trope whereby trans characters are outed all the time in fiction. As always, the movie drags this scene out into a whole joke, that Yentl has to scramble to prevent Badass from finding out she’s a woman because Badass wants to have sex with her, a woman, isn’t that just soooooo funny? On multiple levels, I am unamused and unhappy. ellauri152.html on line 609: It’s frustrating to catalogue the ways in which the film works to cis-normify the story. No Yentl crossdressing into the infinite future. No wrestling with her gender identity. The film’s ending throws out the story’s ambiguity and unapologetic queerness in favor of, one might charitably say, a feminist ending, or one might say uncharitably and truthfully, a cisnormative ending. ellauri152.html on line 613: “Miss Streisand [made] Yentl, whose greatest passion was the Torah, go on a ship to America, singing at the top of her lungs. Why would she decide to go to America? Weren’t there enough yeshivas in Poland or in Lithuania where she could continue to study? Was going to America Miss Streisand’s idea of a happy ending for Yentl? What would Yentl have done in America? Worked in a sweatshop 12 hours a day where there is no time for learning? Would she try to marry a salesman in New York, move to the Bronx or to Brooklyn and rent an apartment with an ice box and a dumbwaiter? This kitsch ending summarizes all the faults of the adaptation. It was done without any kinship to Yentl’s character, her ideals, her sacrifice, her great passion for spiritual achievement. As it is, the whole splashy production has nothing but a commercial value.” ellauri152.html on line 615: Now, here Singer is not mad at Yentl the film for cis-normifying his gender-ambiguous, interestingly queer Yentl, but rather for turning the ending into optimistic kitsch that ignores the harsh reality of what life in America was for Jewish immigrants, especially for Jewish women. And in some ways I feel like rolling my eyes at him for that. Aside from the fact that it offends his artistic vision, why shouldn’t Jewish women get a film where—suspension of disbelief!—a Jew will study Torah, loudly and proudly, as a woman? It’s a musical, not a documentary. ellauri152.html on line 617: So I’m not of Singer’s opinion that the movie has no merit. I love Yentl’s music and emotionality (the short story is more distant), and I think I’ll always love it. But I do prefer Yeshiva Boy’s ambivalence and ambiguity to the movie’s heterosexual Hollywood polish. ellauri152.html on line 619: The ending of Yentl is just supremely disappointing compared to the unapologetic ending of Yeshiva Boy. “I’ll live out my time as I am,” Anshel says in the story—and Anshel is the name she is referred to as in this passage, even while also referred to as a woman and with she/her pronouns. Yentl the Yeshiva Boy often engages in this mixing of gender signifiers—it’s in the very title, which pairs the traditionally feminine name “Yentl” with the clashing term “boy,” letting them jostle each other to create dissonance and ambiguity. The terms not matching is their meaning. This is how Anshel is. A woman with a man’s soul, a man with she/her pronouns, a person with two names. It’s not couched in easily understandable modern terms, but no one who has heard of these modern terms would read Yentl as a cis woman playing dress up. It’s different than that. Queerer than that. ellauri152.html on line 626: I’d never heard of this story before, but all the thoughts you had are so interesting! I totally get your frustrations about the movie changing a pivotal scene to make it more “romantic and dramatic” though – why can’t movies just appreciate subtlety and friendship sometimes? ellauri152.html on line 628: I am on a crusade to make everyone aware of Yentl the Yeshiva Boy! Thank you! Also what I hate so much about that movie scene is the addition of Avigdor physical grabbing and shaking Yentl! The scene in the story is so quiet and gives Yentl dignity while explaining, while the movie has her break down confessing love for a man whose first reaction to her gender was to GRAB and SHAKE her! so inferior to just having a good old talmudic debate with your Good Pal. i feel like your comment totally sums up why The Half of It on netflix is so good. ellauri152.html on line 638: Rabbeinu Tam's Tefillin: A Hasidic Insight ellauri152.html on line 640: There is a difference of opinion regarding the order in which the passages are inserted into the Tefillin boxes. According to Rashi, the passage of Shema ("Here O Israel") precedes that of "And it shall come to pass, if you hearken", in both the Tefillin worn on the head and on the arm. According to Rabbeinu Tam, the order is reversed. ellauri152.html on line 647: "I the dog have created the evil urge, and I have created the Torah as its spice." (Talmud: Kiddushin 30a) ellauri152.html on line 649: The Mezricher Maggid points out that the Talmud's analogy doesn't make sense! The Talmud compares the Torah to a spice, implying that the Torah is secondary to the evil urge, in the same way that spice is secondary to food! The Maggid explains that the evil urge is a major force, and not secondary, like spice. We are challenged with channeling that energy and using it to service dog. ellauri152.html on line 651: How can we control our fiery evil urge and channel it towards serving dog? Through "fighting fire with fire." In other words, through using the positive spiritual energies of harshness, of din, as it states, "Everything that comes into the fire, you shall pass through the fire (in order to purify it)" (Bamidbar 31:23). To harness our most basic urges towards spirituality we must revert to the earliest system of creation: strict justice, severity, din. ellauri152.html on line 653: "In the beginning, Elohim's (note the dog name denoting strict justice) din created the heavens and the earth..." (Bereishit 1:1). ellauri152.html on line 654: "'Elohim the dog created: It didn't say "Hashem (i.e. the dog denoting kindness and mercy) created" because originally He intended to create the universe through strict judgment din... And he saw that the universe couldn't survive that way" (Rashi, Bereishit 1:1). ellauri152.html on line 656: The dog originally created the world to run through strict judgment, din. However, since the dog knew that the world could not endure such harsh conditions, He decided to incorporate the spiritual energies of compassion too, as the verse states, "These are the products of the heaven and earth when they were created in the day that Hashem's (i.e. the dog's denoting kindness and mercy, not the dog's denoting strict justice) din made earth and heaven." (Bereishit 2:4) According to the original creation plan a person would be judged strictly on his own merits. There would be no bending of the rules; no concept of leniency; no looking the other way or giving another chance. Strict justice would dictate that a person be severely punished for even the "slightest" infraction of the dog's willy. ellauri152.html on line 658: Since very few can survive such scrutiny, the dog created an alternate system - the system of din, strict justice, mitigated with cheese, kindness and mercy. In that system, He assists us by providing us with the help we need to overcome the forces of evil. As the Talmud teaches: ellauri152.html on line 662: In a world where din, justice is tempered with cheese, compassion, the average person has the opportunity to come close to the dog. Although the average person must still try his best to stand up to evil and adhere to the dog's willy, the dog views his inevitable lapses through the prism of compassion. In His love for us, He overlooks our shortcomings. ellauri152.html on line 664: In a world where din, justice is tempered with cheese, compassion, the dog supports us and helps us to overcome evil and serve him. As a result of the dog's assistance, we are able to channel our negative energies to serving the dog, and actually convert these energies into something positive and holy. ellauri152.html on line 666: But although the dog created this alternate system of din, justice tempered with cheese, compassion, the original system of pure, untempered justice is still available -- for those rare and powerful individuals who are able to confront the Evil Urge without the dog's assistance. ellauri152.html on line 668: These rare individuals are capable of adhering to the dog's willy despite the unrelenting trials, afflictions, and massive assaults hurled at them from the forces of evil. The patriarchs were such exceptional individuals, they followed this path, unassisted by the dog, as the verse says, "He Yaakov said, 'O dog the name of Hashem containing the spiritual energies of harshness before Whom my forefathers Avraham and Yitzchak walked ... ellauri152.html on line 669: the patriarchs were able to walk before the dog's strictness, meaning they were able to successfully serve him, unassisted, while living under the realm of severity, enabling them to reach awesome spiritual heights" (Bereishit 48:15). ellauri152.html on line 673: Since the great Tadzikim throughout history were living on the level of din, strict justice, they realized that suffering was beneficial, enhancing their spiritual standing and bringing them close to the dog. ellauri152.html on line 679: Although the answer appears strange, we can understand it in light of what we just learned. Rabbi Akiva was a spiritual giant. He succeeded in serving the dog unassisted, while withstanding incredible afflictions, tests, and obstacles. He was able to break the forces of evil without the dog's assistance. Only through performing the dog's willy, despite his immense suffering, was Rabbi Akiva able to attain such a lofty spiritual level, the level of the dog's "first thought," so to speak, where the world would be conducted through strict justice, din. Rabbi Akiva was able to unify his soul with the dog's first thought. Therefore the dog's retort to Moshe can be understood as: "'Silence' which is the level of thought, for thoughts are silent, Rebbe Akiva reached the lofty spiritual level of the dog's thought."For this came up upon my thought," the first thought that occurred to the dog, to create the world through harshness, so those people who are able to come close to me (the dog) without my assistance and mercy could reach that highest level. ellauri152.html on line 685: In Rabbeinu Tam's Tefillin, the paragraph "And if you listen ..." (Devarim 11:13:21), which warns of the consequences of violating the dog's willy, din, harsh justice, precede the paragraph of "Hear O Israel ..." (Devarim 6:4-8), which declares our belief in the Almighty. Since this verse applies to even the sinners of Israel, it alludes to the dog's attribute of compassion, cheese. In Rabbeinu Tam's Tefillin, the aspect of harshness, din, precedes that of mercy, cheese, alluding to the dog's original intention to run the world through harshness, din. ellauri152.html on line 687: In Rashi's Tefillin, however, the paragraph of compassion precedes the paragraph of harshness. This alludes to the way the dog presently runs the world - with compassion. Since most people are dependent on the dog's compassion for their very existence, the halacha is according to Rashi's view. Therefore, the obligation to wear Tefillin is fulfilled through donning Rashi's Tefillin. They're like basic earplugs. ellauri152.html on line 689: Through wearing Rabbeinu Tam's Tefillin (in addition to Rashi's Tefillin) we draw awesome spiritual energies from the spiritual giants of the past, heroes who were able to neutralize afflictions, barriers, and harshness at their root, without the assistance of the dog's mercy. For this reason, Rebbe Nachem urged anyone who truly desires to come close to the dog to wear Rabbeinu Tam's Tefillin in addition to Rashi's Tefillin. ellauri152.html on line 691: Rebbe Nachem said that since the power of the evil urge and the forces of evil are derived from the negative spiritual energies of din, unmitigated justice, one must access the potent positive spiritual energies of severity from the spiritual giants of the past to break these evil forces at their root. ellauri152.html on line 693: Reb Nathan Zuckerman adds that prior to messianic era the power of evil is so intense that we lack the power to overcome it. Therefore, explains Reb Nathan, it is imperative to enlist the aid of the spiritual giants of past generations through Rabbeinu Tam's Tefillin. Rabbeinu Tam's Tefillin expand the intelligence, enabling us to break evil at its source and stand up against the forces of evil. "In the turbulent era prior to the coming of the messiah, for anyone who is serious about wanting to find the dog, wearing Rabbeinu Tam's Tefillin is very important." (Lekutey Halachoth: Orach Chaim: Hilchoth Tefillin 5:27-29) ellauri152.html on line 700: This appears to be a contradiction. On one hand, according to Pirkko Avot the dog desires boldness. On the other hand, the verse in Mishlei implies that the dog detests bold behavior! ellauri152.html on line 702: Reb Nathan explains that there is no contradiction. Contrary to popular opinion, true humility does not mean yielding in every situation and acting "like a doormat.' True humility is found in the ability to respond appropriately to each situation. There are situations where the proper response is to be bold, courageous, and unyielding. And there are other situations where the proper response is to be yielding, gentle, and meek. Depending on what your chances of winning are. ellauri152.html on line 709: icture-in-picture" allowfullscreen> ellauri152.html on line 741: Isaac Leib Peretz (Polish: Icchok Lejbusz Perec, Yiddish: יצחק־לייבוש פרץ‎) (May 18, 1852 – April 3, 1915), also sometimes written Yitskhok Leybush Peretz was a Yiddish language author and playwright from Poland. Payson R. Stevens, Charles M. Levine, and Sol Steinmetz count him with Mendele Mokher Seforim and Sholem Aleichem as one of the three great classical Yiddish writers. Sol Liptzin wrote: "Yitzkhok Leibush Peretz was the great awakener of Yiddish-speaking Jewry and Sholom Aleichem its comforter.... Peretz aroused in his readers the will for self-emancipation, the will for resistance against the many humiliations to which they were being subjected." ellauri152.html on line 743: Unlike many other Maskilim, he greatly respected the Hasidic Jews for their mode of being in the world; at the same time, he understood that there was a need to make allowances for human frailty. His short stories such as "If Not Higher", "The Treasure", and "Beside the Dying" emphasize the importance of sincere piety rather than empty religiosity. ellauri152.html on line 745: The Haskalah, often termed Jewish Enlightenment (Hebrew: השכלה‎; literally, "wisdom", "erudition" or "education"), was an intellectual movement among the Jews of Central and Eastern Europe, with certain influence on those in Western Europe and the Muslim world. It arose as a defined ideological worldview during the 1770s, and its last stage ended around 1881, with the rise of Jewish nationalism. However, according to Salo Baron, it actually began a century earlier in the "Dutch and Italian Haskalah." ellauri152.html on line 747: Hillel Zeitlin (1871–1942) was a Yiddish and Hebrew writer and poet. A leading pre-Holocaust Jewish journalist, he was a regular contributor to the Yiddish newspaper Moment, among other literary activities. He was the leading thinker in the movement of pre-World War II "philosophical Neo-Hasidism". Influences: Nachman of Breslov · Shestov · Nietzsche · Baal Shem Tov · Shneur Zalman of Liadi · Spinoza · Tolstoy · Schopenhauer · Dostoevsky · Bergson · Brenner. ellauri152.html on line 751: After World War I, Zeitlin gradually returned to tradition and began leading an Orthodox lifestyle. The reason(s) for this drastic change in his life is not completely clear but may have had something to do with the suffering of Jews during the war. In any case, he shifted from a tragic philosophical outlook to a mystical and spiritual viewpoint. ellauri152.html on line 753: He considered the core of Hasidim to consist of three "loves": love of God, of Torah, and of Israel. Just as his intended audience consisted of assimilated Jews and non-Jews, he adopted novel formulations of these loves: "love of Torah" would come to encompass inspiring works of "secular" art and literature, while "love of Israel" would be transformed into "love of humanity" (despite which Israel would still be recognized as the "firstborn child of God"). Zeitlin's religious ideal also contained a socialist element: the Hasidim he pictured would refuse to take advantage of workers. ellauri153.html on line 6: font-style: italic; ellauri153.html on line 81: Saadi shirazi quote on the beloved and riches ellauri153.html on line 242: After leaving Shiraz he enrolled at the Nizamiyya University in Baghdad, where he studied Islamic sciences, law, governance, history, Persian literature, and Islamic theology; it appears that he had a scholarship to study there. ellauri153.html on line 246: He sat in remote tea houses late into the night and exchanged views with merchants, farmers, preachers, wayfarers, thieves, and Sufi mendicants. ellauri153.html on line 250: Saadi learns more about the Hindus and visits the large temple of Somnath, from which he flees due to an unpleasant encounter with the Brahmans. Varmaan koitti samaa temppua kuin Joyu ja Stendahl Egoistin muistelmissa. Soon the eye of Somnath will be mine! ellauri153.html on line 258: When he reappeared in his native Shiraz, he crawled under Atabak Abubakr ibn Sa'd ibn Zangi (1231–60), the Salghurid ruler of Fars, who was enjoying an era of relative tranquility. Saadi was not only welcomed to the city but was shown great respect by the ruler and held to be among the great celebs of the province. Some of Saadi's most famous panegyrics were composed as a gesture of gratitude in praise of the ruling house and placed at the beginning of his Bustan. The remainder of Saadi's life seems to have been spent in Shiraz. ellauri153.html on line 260: Bustan is entirely in verse (epic metre). It consists of stories aptly illustrating the standard virtues recommended to Muslims (justice, liberality, modesty, contentment) and nostalgic reflections on the behavior of dervishes and their ecstatic practices. Gulistan is mainly in prose and contains stories and personal anecdotes. The text is interspersed with a variety of short poems which contain aphorisms, advice, and humorous reflections, demonstrating Saadi's profound awareness of the absurdity of human existence. The fate of those who depend on the changeable moods of kings like Atabak Abubakr is contrasted with the 4 degrees of freedom of the dervishes. ellauri153.html on line 264: Chief among Saasi's western plagiators is Goethe's West-Oestlicher Divan. Hegel tykkäs Saadista ja puhui rumasti Rumista. ellauri153.html on line 267: to some translated editions himself. Emerson, who read Saadi only in translation, compared his writing to the Bible in terms of its wisdom and the beauty of its narrative. Justiinsa niin. Ralph oli taitava kääntäjä English-American suunnassa. ellauri153.html on line 284: Tullia puolestaan ajoi vaunuillaan senaattitaloon, jossa hän oli ensimmäinen, joka tervehti miestään kuninkaana. Mutta Tarquin pahoitti paluunsa kotiin, - huolestuneena siitä, että väkijoukko saattaisi tehdä hänen väkivaltaisuutensa. Kun hän ajoi kohti Urbian-kukkulaa, hänen kuljettajansa pysähtyi yhtäkkiä kauhistuneena nähdessään kuninkaan ruumiin makaamassa kadulla. Mutta raivoissaan Tullia itse tarttui ohjaksiin ja ajoi vaunujensa pyörät isänsä ruumiin yli. Kuninkaan veri roiskui vaunuja vasten ja värjäsi Tullian vaatteet, niin että hän toi hirvittävän jäänteen murhasta takaisin kotiinsa. Katu, jolla Tullia häpäisi isin, kuolleen kuninkaan, tuli myöhemmin tunnetuksi Vicus Sceleratuksena, rikoksen katuna. ellauri153.html on line 298: Sit tää Lucretia tarina. (Tää on eri Lucretia kuin Lucretia Borgia. Nimi tulee amerikanenglannin sanasta lucrative, tuottoisa.) Lucretia otti prinssit ystävällisesti vastaan, ja yhdessä hänen kauneutensa ja hyveensä sytytti halun liekin Collatinuksen serkussa Sextus Tarquiniuksessa, kuninkaan pojassa. Muutaman päivän kuluttua Sextus palasi Collatiaan, jossa hän pyysi Lucretiaa antautumaan hänelle. Kun hiän kieltäytyi, hän uhkasi tappaa hiänet ja väittää, että hän oli löytänyt hiänet aviorikoksessa orjan kanssa, jos hiän ei antanut hänelle periksi. Säästääkseen miehensä Sextuksen uhkaamalta häpeältä Lucretia alistui hänen 5 pistoonsa ja antoi perää. Mutta kun hän oli lähtenyt leirille, hän kutsui miehensä ja isänsä, paljastaen koko tapauksen ja syyttämällä Sextusta. Perheensä vetoomuksista huolimatta Lucretia vei oman henkensä häpeästä. Collatinus vannoi yhdessä appiukonsa Spurius Lucretius Tricipitinuksen ja hänen kumppaneidensa Lucius Junius Brutuksen ja Publius Valeriuksen kanssa valan erottaa kuningas ja hänen perheensä Roomasta. ellauri153.html on line 320: evil”, which underlie stories like the Exodus story of God defeating the Pharaoh and the Gospel ellauri153.html on line 322: the Book of Job and the Gospels can be condensed into five grammatical remarks, or rules of ellauri153.html on line 328: There is chaotic evil in the world: evil events do not have morally sufficient reasons, as they ellauri153.html on line 329: proceed from the actions of chaotic forces that are opposed to God’s plans and the world order. Mani rules. Dog is just another player behind the board, with opposing forces not under his control. ellauri153.html on line 330: The opposition of God and evil is narrative and strategic, and not conceptual. “God exists” and ellauri153.html on line 331: “evil exists” are not contradictories, as God and evil are opposite characters in a story, which can ellauri153.html on line 333: The stories give Jamesian and Hamannian antitheodicies. God is said to be good and omnipotent, ellauri153.html on line 334: because He can defeat chaotic evil. God is also present and acts amidst states of affairs with no morally sufficient reasons. ellauri153.html on line 339: Time for some game theory! James’ chess-master analogy can be formalized 6by treating the biblical ellauri153.html on line 342: The players of the Justice-of-God game G are God, Job and Leviathan. Mix Leviathan? Sehän oli se krokodiili, tai paremminkin Moby Dick. Tekeekö Jaakko tässä Dogista munattoman Ahasveruxen, ja Job olis niikö se homo Ishmael? ellauri153.html on line 347: If the situation is (question Job, disaster), then Job moves. He can either play (question God) or (⌐question God). If Job plays (⌐question God), he loses as he does not seek justice for the evil (disaster). Wot? Where is this in the rulebook? Wouldn't it be best for Dog if Job didn't pester him? L would lose the bet. Or why not blame Moby Dick instead! Seems we are inventing rules here as we go along. Vähän tällästä lassipalloa. If Job plays (question), he curses creation and attempts to be like God, putting the evil (challenge) into play. ellauri153.html on line 349: If the situation is (question Job, disaster, question God, Answer), Job moves. He can either play (Recognize God without PSR Principle of Sufficient Reason, kz. Schopenhauerin väitöskirja plus infra, or (⌐Recognize God without PSR), i.e. recognize that God can reach His goals of repairing suffering and the claim that God must be rejected for evil without reasons is false. If Job plays (⌐Recognize God without PSR), Job and God lose. If Job plays (recognize God), the evil (challenge) is taken out of play. ellauri153.html on line 351: can play either (vindicate Job) or (⌐vindicate Job). If God plays (⌐vindicate Job), God and Job lose ellauri153.html on line 352: as Job is left suffering. If God plays (vindicate Job), the evil (disaster) is defeated and God and Job ellauri153.html on line 354: We can now give game-theoretical analogues for the grammatical principles concerning “goodness” and “omnipotence” for the justice-of-God game G. Note that goodness holds by definition. ellauri153.html on line 358: “God is omnipotent” is true at game history w if and only if God has a winning strategy in the justice-of-God game G. Tässähän se tapahtuu se suuri lässähdys. Muka omnipotentti jumala saa häthätää saatanasta matin loppupeleissä. Matkan varrella isokyrpäinen valas voi syödä vaikka kaikki sen nappulat paizi kurkon, joka jää viimeisenä laudalle. Aika lohduttavaa sen muulle tiimille. One can make a few clarifying remarks about the structure of the game. The form of the game is relatively simple: it’s an ordinary extended-form perfect information game. tuskinpa Jobilla oli täydellistä informaatiota pelitilanteesta tai edes pelin säännöistä, muista pelaajista puhumattakaan. Aika isoja informaatiojoukkoja oli niiden kalloissa. Sitäpaizi ei luonnossa pelaajat siirrä vuoronperään, vaan koko ajan, niinkuin differentiaalipeleissä. . The goal is here not to go deeply into technical details, but to construct an übersichtlich representation for the theological grammar of biblical stories and to highlight the uses of terms like “good” and “omnipotent” in them. The game or model can then be used as a simplified fragment that can be projected onto, contrasted with and used to interpret biblical stories. The point of this clarification is to highlight the grammar of the divine properties “good” and “omnipotent” within the logic of the struggle myth, and to get the consistency of {God is good, God is omnipotent, There is chaotic evil} as in the Book of Job. The argument needs two assumptions. First, the games between God, humans and creation are genuine dialogues. Paskanmarjat, ei nää ole edes mitään signaling gameja, puhumattakaan dialogipeleistä. Olis kannattanut lukea mun väitöskirja Dialogue Games, siinä on oikeeta sananvaihtoa. The players answer each other and thus have to take turns in making moves and participating in them. Then the game of Job and the struggle against chaos is in extended form to represent the sequence of the debate, and its resolution gives the drama of the fight against kid chaos. Second, the properties of God like “omnipotent” and “good” are defined against the background of Job’s encounter with God and the struggle against chaos. This redefinition builds on both James’ reinterpretation of the properties of God in terms of religious practices, and also of Job’s new world of faith in the encounter. Job’s encounter with God and the struggle against chaos are modelled in the game, so such properties of God as “good” and “omnipotent” are then internal to the game. Missä kohtaa Jopilla on tässä jotain pelivaraa? Montako valintaruutua Jobilla edes on: Marise-älä marise, ja Pyllistä-älä pyllistä. Siinä kaikki. Jotta jumalan tiimi voittaisi, sen pitää ensin marista ja sit pyllistää. Nain on meidankin elamassamme! Marise mitä mariset, mut muista pyllistää! ellauri153.html on line 362: We can now pose the question of chaotic evil in the game, and investigate how it ellauri153.html on line 365: Chaotic evil: an evil s has no sufficient reason in the context G, because s either defeats the good if ellauri153.html on line 366: left unchecked, or it arises from a tendency S that is strategically opposed to the good in G. Ai siis evil on nimenomaan apinoiden takaiskut, ja ne on kaoottisia silloin kun ne ei ole dogin nimenomaisia pyrkimyxiä vaan vahinkolaukaus, valitettava sivuvaikutus. We apologize for the inconvenience. Paizi jopin kohdalla ne oli täysin tahallisia. Ja miten niin kaaos? Aika kosmeettinen apinamorfinen luonnehdinta maailman menosta. Tuskin on mielessä nonlineaarinen determinismi. ellauri153.html on line 368: Breakdown of all contexts: s renders a practice P for pursuing the good and viewing the world ellauri153.html on line 370: There are significant differences between the two meanings. The first definition is sufficient to ellauri153.html on line 371: capture the concept of pointless evil: an evil without a sufficient reason. For a refutation of ellauri153.html on line 372: theodicism, it is sufficient to show that either meaning or God exists, and there is pointless evil ellauri153.html on line 373: without sufficient reasons. The first meaning must be contrasted with the second, which captures ellauri153.html on line 375: there is no larger context of meaning for embedding s. Turhaa tekomalliteoreettista termikiemurointia. Tää on taas tätä jesuiittamaista "you don't see the big picture" seliseliä. Tää voi sua juuri nyt vähän kirpasta, muze on kaikki sunkin omaxi hyväxi, jonsei nyt niin sitten kuonpuoleisessa viimestään. ellauri153.html on line 378: These two meanings correspond to the different understandings of “anti-theodicy” in Ch. 3.1.1068 Although the first meaning is weaker than ellauri153.html on line 379: the second, a consistency proof with chaotic evil does not amount to a PSR-based theodicy. If one ellauri153.html on line 380: distinguishes between sufficient reasons and systemic contexts as in Ch. 5., one cannot infer ellauri153.html on line 382: The justice-of-God game G includes a sense of tragic and pointless evil: Leviathan’s ellauri153.html on line 383: evil (disaster) arises out of a strategy that aims at defeating God’s plan of justice and Job’s ellauri153.html on line 384: happiness. Eli joo syyttele vaan pahaa pikku cheefiä Moby Duckia, ei jumala sille mitään voi vaikka loikin sen ja on sen iso cheefi. Vitun tunari, mixet suunnitellut pelilautaa paremmin? Siis meidän kannalta ja vähän izesikin. Job’s evil (challenge) is tragic, as his quest for justice ends up challenging creation as a ellauri153.html on line 392: The existence of evil without reasons in the game can also be contrasted with the biblically ellauri153.html on line 393: informed and sophisticated theodicies of Plantinga and van Inwagen. These theodicies take the ellauri153.html on line 394: biblical ideas of God’s plan of salvation and God’s victory over evil, but then use PSR-based ellauri153.html on line 395: theodicism as a metatheory for the Christian worldview. In effect, they follow the religious ellauri153.html on line 396: theodicist approach described by René van Woudenberg: biblical stories act as constraint on ellauri153.html on line 397: acceptable theodicies, but God is taken to allow evils only, if they aim at a greater good. van ellauri153.html on line 405: argues that God first decided to be the victor over evil and then allowed humans to sin in order to ellauri153.html on line 409: sufficient reason for creating a fallen world: the world contains evil so that it could be redeemed. ellauri153.html on line 410: These examples illustrate, how deeply the ideal of sufficient reasons has become a ellauri153.html on line 411: pair of glasses (or a coloured glass?) for seeing the theological issues involving God and evil. The ellauri153.html on line 413: the debate from sufficient legal reasons for penal substitution into the narrative and dramatic ellauri153.html on line 414: structure of the victory of God discussed in Ch. 6.3.1, he encountered a familiar response: “It ellauri153.html on line 415: offered no rational justification for the manner in which the forces of evil are defeated in the cross ellauri153.html on line 416: of Christ. Why the cross? Why not some other manner? Water torture? Eikö niskalaukaus olis riittänyt? Vitun kaupantekoa apinoiden hengillä. Toi lunastusmetafora on aina hämmästyttänyt näissä tomfooleryissä. Huomaa kyllä et tän juonen kexivät maailman etevimmät lumppukauppiaat, ja ymmärtää mix tää uskonto on kapitalismin merkkituote. The use of PSR-based theodicism as a ellauri153.html on line 417: metatheory for Christianity encounters similar objections as theodicism in the Book of Job. First, ellauri153.html on line 418: using the PSR as a metatheory makes it a super-principle that controls the narrative logics of ellauri153.html on line 419: biblical stories, rather than using the Biblical stories to identify God and to give the grammar for the ellauri153.html on line 420: words “God”, “good” and “omnipotent”. This leads to confusions, as sufficient reasons for divine ellauri153.html on line 422: victory of God as a justification involves a crossing of pictures: if the evils can be justified, then ellauri153.html on line 424: and strategic grammatical descriptions of the stories about the victory of God, and with ellauri153.html on line 425: metatheories that appeal to sufficient reasons. The consistency proof builds on logical description of ellauri153.html on line 427: prove God’s goodness and omnipotence in the justice-of-God game G: ellauri153.html on line 435: recognize God), {disaster}) → (vindicate Job)}. Now it is sufficient to show that SGod is a winning ellauri153.html on line 437: In (Question Job, disaster, question God, answer to Job, recognize God, {disaster}), (vindicate Job) ellauri153.html on line 441: wins from (recognize God) by playing (vindicate Job). Since God wins by playing (vindicate Job), He ellauri153.html on line 449: Loppu hyvin, kaikki hyvin. Jobille kävi hyvin ellei paremmin vielä tällä puolen kiveä. Jos sulla ei käy yhtä hyvä viuhka, älä sure, yläpilvellä viimeistään puntit tasataan. I promise! No ollaanko nyt viisaampia kun hellitettiin koalan nelijuurisesta juurikkaasta? Jumalalle ainakin on pelitilanne nyt helpottunut, ei tarvi kaikkea enää selittää parhain päin. Ja saatana- tarkoitan Moby Dick on saanut lisää statusta. Jobin marinakin on välttämätön osa voittosanomaa. Ilman sitä siirtoa ei oltaisi nyt tässä. Good Job! Eläköön ruukunsirkamat! Kylla Jopi elamassa parjaa! Kazo kuinka se on nytkin rynninyt Carlsonien nelikon ihan kärkeen loppumetreillä. Älkää nuolaisko ennenkö tipahtaa, kazotaan ensin loppuun tämä tilanne! ellauri153.html on line 452: situations w of God’s and Job’s encounter in the justice-of-God game G. They thus are ellauri153.html on line 453: theologically necessary in all the relationships of God, man and the world that are analogous to the ellauri153.html on line 454: game. Moreover, they capture the essence of God in the stories, as they function as grammatical ellauri153.html on line 472: the unnatural use of abstractions, by which our concepts of things are as maimed as the name of the Creator is ellauri153.html on line 476: disquietudes; their roots are as deep in us as the forms of our language and their significance is as great as the ellauri153.html on line 480: evil faces us with a practical problem: how to find meaning, act in and respond to a world that has ellauri153.html on line 482: sufficient reasons, if meaning is sought in a just order in the world of Forms or in the world. The ellauri153.html on line 483: general problem concerns both the roots of understanding in language, and also the practical ellauri153.html on line 485: theistic problem of evil can similarly be posed as a question of the trustworthiness of God: how can ellauri153.html on line 487: underlying everything? N.T. Wright alternatively poses the question of theodicy as the problem of ellauri153.html on line 488: God’s faithfulness: how can God act so that justice is eventually ellauri153.html on line 491: same: “What can I rely on?” The problem of evil then builds on the practical problems of the ellauri153.html on line 492: human condition, and spins a network of metaphysical problems and antinomies by a ellauri153.html on line 493: misunderstanding how worldviews offer practical perspectives for coping with the world. The ellauri153.html on line 494: confusions arise out of appeals to sufficient reasons for intelligibility and for moral justification. An ellauri153.html on line 495: alternative to this approach is to study the quest for meaning in our everyday, religious, scientific, ellauri153.html on line 496: artistic and other practices, and the study of meaning of the world and of different worldviews’ ellauri153.html on line 497: approaches to it is at the bottom humanistic. Both the existential answers to evil and the critique of ellauri153.html on line 498: theodicy are then humanistic projects at heart. Humanismi on vielä pahempaa kuin teismi. Kun kuulen sen sanankin poistan varmistimen lipeäsaippuastani. ellauri153.html on line 499: The first question concerns the general logic of the problem of evil. The problems of ellauri153.html on line 500: evil in philosophy and their logical and evidential versions can be defined and mapped: ellauri153.html on line 503: Antitheodicy ellauri153.html on line 509: Theodicism: GodืPSR, MeaningืPSR ellauri153.html on line 510: Theodicy: ellauri153.html on line 515: General logical problem ellauri153.html on line 517: Theistic evidential problem ellauri153.html on line 519: Theistic logical problem ellauri153.html on line 523: Theistic ellauri153.html on line 525: Logical ellauri153.html on line 531: The problem of evil can be solved or dissolved with consistency proofs, defences and theodicies. ellauri153.html on line 532: All theodicies are defences and all defences are consistency proofs. The difference between a ellauri153.html on line 533: theodicy and a defence is that a theodicy points out actual reasons, a defence points out possible ellauri153.html on line 534: reasons and a consistency proof does not necessarily depend on theodicism. Theodicism can be ellauri153.html on line 535: defined as the claim that God or meaning exist only, if all evils are justified by sufficient reasons. No suurin osa vaikkei välttämättä kaikki tapahtumista on seurauxia jostain aikasemmista, sevverran determinististä tää touhu on. Sen kummempaa perustelua ei edes kaivata, paizi jos olet joku vitun narsisti tai nazi. Ei ole mitään pahan ongelmaa, tää on ihan Darwinin apinoiden normipäivää. ellauri153.html on line 536: Anti-theodicy can then be defined to mean the rejection of theodicism. There is an alternative ellauri153.html on line 537: definition that defines anti-theodicy as a rejection of theodicies and consistency proofs. I take the ellauri153.html on line 538: first approach as a matter of definition, but I also argue that rejections of theodicies and consistency ellauri153.html on line 540: logically prior critique of theodicism. Theodicies, defences and consistency proofs can similarly be ellauri153.html on line 545: Antitheodicy ellauri153.html on line 551: Theodicism: GodืPSR, MeaningืPSR ellauri153.html on line 554: Now that the problem of evil has been exposed as a conceptual confusion, the way is clear for a Jamesian science of religions and worldviews. The methods of grammatical description can be extended to the practices and ways of sense-making in different worldviews: how they give meaning to moral practices and how do they approach the intelligibility of the world? What practical responses do they have for coping with evil? For example, the grammar of seeing-as for models and metaphors can be applied to the metaphors in the Hebrew Bible for God’s activity to understand what it is to see the world as God’s creation. The grammar of virtues can be used to describe Buddhist practices and explore, how these approaches contribute to the human good. Similar approaches can be taken to secular worldviews as well. These descriptions can then be used to assess the worldviews through dialogical encounters between them. However, one thing should be clear. There is no point in devaluing the world by arguing for the meaninglessness of life or atheism on the basis of evil, or in giving justifications for evils that can stand in the way of divine or human meliorist projects of fighting for justice. To paraphrase the judgment of the Divine Judge in the Book of Job, such approaches are not even wrong. They are as meaningless as life itself. ellauri153.html on line 647: Jonatan lähti isänsä mukaan taisteluun Israelin perivihollisia, palestiinalaisia, vastaan. Hän saattoi taistella isänsä rinnalla hyvin omintunnoin, sillä hän ei antanut tämän huorintekojen estää häntä tekemästä Jehovan tahtoa ja tappaa mielin määrin palestiinalaisia. Hän taisteli rohkeasti ja uskollisesti, kuten aina, mutta taistelu oli Israelille tappiollinen. Saul oli pahuudessaan turvautunut jopa *henkivaltoihin*, mikä oli Jumalan lain mukaan kuolemanrangaistuksen ansaizeva rikos. Jehova ei siksi enää siunannut häntä. Kolme Saulin rattopoikaa, Jonatan mukaan lukien, kuoli taistelussa. Saul haavoittui nivusiin kuin Moby Dickin kippari, ja hän tappoi izensä. (1. Samuelin kirja 28:6–14; 31:2–6.) ellauri153.html on line 812: Many ancient customs are strange to modern readers of the Bible, especially those of us who have never lived in cultures embracing polygamy or absolute monarchy. The incident of Abishag sleeping—chastely—in David’s bed is definitely a puzzling story. We’ll start with the Scripture passage in which Abishag is brought to David: ellauri153.html on line 814: Even with extra blankets, the elderly King David could not generate enough body heat on his own to maintain a healthy temperature. A lifetime that had included being a fugitive, living in caves, being exposed to the elements, and fighting hard-fought battles had finally taken its toll on his aging body (see 1 Samuel 20:1; 22:1; 2 Samuel 21:17). David’s condition, called hypothermia, is not unusual in older people: toward the end of his long life, former President Ronald Reagan requested that his favorite electric blanket be returned from the ranch he had sold. Of course, no technology in ancient Israel would provide a continual source of warmth through the cool Judean nights. Only a human body had the capacity to do that. ellauri153.html on line 818: Why a woman? A boy or young man would not have been considered for the job, in order to prevent even the appearance of David having another homosexual relationship (Leviticus 18:22; 20:13). ellauri153.html on line 819: Why a young virgin? This quality ensured that whoever was chosen for the job wouldn’t be taken away from a jealous fiancé or husband, nor would she be a widow familiar with the sexual practices of the marriage bed. We don’t know what hopes and dreams Abishag had for her own life, but in the ancient world where uncertainty and struggle were lifelong challenges for most people, the honor of being brought into the king’s household would mean a lifetime of well-being and security for her and her family (1 Kings 4:27). ellauri153.html on line 820: Why beautiful? Human nature never changes. Then as now, people prized physical beauty (Genesis 29:17; Deuteronomy 21:11; 1 Samuel 9:2; 2 Samuel 14:25; Esther 2:2–4). Kings had the privilege and power to surround themselves with beauty, and David’s servants likely thought to win his favor by bringing a beautiful woman into his palace. ellauri153.html on line 822: Why not a concubine? Though concubines had a lesser status than wives, they, too, possessed a certain rank and dignity. Abishai fortunately had neither. Absalom demonstrated this fact when, as part of his attempted coup, he slept with his father’s concubines (2 Samuel 16:21–22). Moreover, the personal dynamics within harems were infamous for the jealousy and infighting they engendered. To select one wife or concubine over another would be a mark of favoritism that would likely incite resentment and squabbling in the household. Don't even try this at home! ellauri153.html on line 828: Älkää siis yrittäkö samaa kotona ellette ole Daavidin huonetta ja sukua! Lemmikkieläin kuten pienoissika on kosherimpi ratkaisu. Quod licet iovi non licet bovi! ellauri153.html on line 843: Voiceless stops > Voiced stops ellauri153.html on line 845: Voiced fricatives > Voiceless fricatives ellauri153.html on line 849: Conceivably, the contrasts form some kind of semantic unit. This may be a unit as broadly defined as positive versus negative, with alive and daring being positive and sad and insecure being negative. Titi-uu. Big surprise? Loud and sharp vs. quiet and mumbling. No wonder Bob Cohen was not very memorable as a linguist. He was rather like Reb Berelen. He too was a well-known parasite. ellauri153.html on line 854: Ueber die vierfache Wurzel des Satzes vom zureichenden Grunde is an elaboration on the classical Principle of Sufficient Reason, written by German philosopher Arthur Schopenhauer as his Jena doctoral dissertation in 1813. The principle of sufficient reason is a powerful and controversial philosophical principle stipulating that everything must have a reason or cause. ellauri153.html on line 861: For Hegel, Napoleon as a world-historic figure is fulfilling a destiny, he is the bloodthirsty vessel with which history and the Geist unfold itself. For Schopenhauer, Napoleon is just one more bloodthirsty conqueror in a long line of bloodthirsty conquerors without a special purpose. He is not special because he is just as egoistic and ambitious as the rest of mankind (except Arttu). Hegel saw N. on the way up, Sope on his way down. ellauri153.html on line 863: After submitting it as his doctoral dissertation Arttu was awarded a PhD from the University of Jena in absentia. Private publication soon followed. "There were three reviews of it, commending it condescendingly. Scarcely more than one hundred copies were sold, the rest was remaindered and, a few years later, pulped."[1] Among the reasons for the cold reception of this original version are that it lacked the author´s later authoritative style and appeared decidedly unclear in its implications. A copy was sent to Goethe who responded by inviting the author to his home on a regular basis, ostensibly to discuss philosophy but in reality to recruit the young philosopher into work on his Theory of Colors. ellauri153.html on line 868: Our knowing consciousness is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive. ellauri155.html on line 6: font-style: italic; ellauri155.html on line 91: Kansa on puhunut, kuuleeko globalistihallinto? Jos tämä menee läpi Sotealalla niin kohta on sinun vuorosi. pic.twitter.com/Zlvi6ANjtF ellauri155.html on line 179: mezähallitus, nykyhallitus, sateenkaarihallitus, kirkkohallitus, pakolaishallitus, huoneenhallitus, home rule, valtuusto, johtoporras, virkakoneisto, liittoneuvosto, neuvostoliitto, synodi, sanhedrin, johtoryhmä, johtokunta, tuomiokapituli, esikunta, staabi, konsistori, konsiili, kolleegio, keskuskomitea, duuma, raastupa, hovioikeus, etuoikeus, tuomioistuin, etuistuin, valtaistuin, wc-istuin, heittoistuin, valaistuin, karaistuin, veltostuin, jäykistyin, korkein oikeus, vahvimman oikeus, parlamentti, edustajainhuone, miesten talo, miestenhuone, kerho, klubi, kongressi, valtiopäivät, senaatti, opetuslautakunta, kuzuntalautakunta, valintalautakunta, valiokunta, eläinkilpailujen antidopingtoimikunta, humanistinen toimikunta, tutkimuxen eettinen toimikunta, vaalitoimikunta, tuomaristo, valamiehistö, neuvottelukunta, res publica, agorafobia ellauri155.html on line 260: Emme myöskään tiedä, ketkä toimittajat ovat näissä kansaa hypnotisoivissa viihdelehdissä aivan suoraan Supon tai hybridiosaamiskeskuksen palkkalistoilla. Nämä em. laitokset ovat salattuja ja jälkimmäinen täysin lain yläpuolella. Ohjeet otetaan CIA-, NSA-, MI 6-, Bundesnachrichtendienst-yhteistyöstä. Supo on palkannut runsaasti lisää kallista verovaroin-henkilökuntaa ”jonkun” käskystä. ellauri155.html on line 272: ic.mvlehti.net/uploads/2021/08/Reiner-Fuellmich.jpg" /> ellauri155.html on line 274: Lontoossa järjestettiin 24.7.2021 valtava Worldwide Rally for Freedom -mielenosoitus, jossa kansainvälisesti tunnettu ja suurta lakimiesten ryhmää johtava saksalainen asianajaja Reiner Fuellmich piti puheensa videoyhteyden välityksellä. Rapsodia tekstitti puheen suomeksi. ellauri155.html on line 303: ic.mvlehti.net/uploads/2021/12/Pori-Kirkko-768x1024.jpg" width="50%" /> ellauri155.html on line 309: Minkälaisessa paskavaltiossa me oikein elämme, kun mielenosoitus perusoikeuksien puolesta parlamentin rappusilla ei ylitä edes uutiskynnystä? #ripsote #vapausvalita #oikeustyöhön #koronafi pic.twitter.com/sA4Hs1TTwJ ellauri155.html on line 311: Onko valtamedian toimittajat hyppimässä keppihevosella elokapinnallisten kanssa? Eduskuntatalolla on mielenosoitus SOTE työntekijöiden puolesta. Nyt ne keppihevoset talliin ja töihin!@yleuutiset @MTVUutiset @iltasanomat @iltalehti_fi pic.twitter.com/Esf6RB2zvk ellauri155.html on line 354: Dear Henry - I've noticed how many people have put up their Christmas trees and decorations early this year including myself. I had all ready decided that I will sing carols loudly and celebrate Christmas to the nth degree not only for fun but also as an act of defiance. Merry Christmas everyone!!!!! Happy New Year!!!!! Yahoo!!!! Tweet!!!! ellauri155.html on line 359: These bankers have banished God from public discourse because God is the competition. They taught us God is Dead. They promoted existentialism. ellauri155.html on line 370: Speaking to the Beacon, an anonymous Department of Homeland Security official commented “CBP doesn’t have the people to properly patrol our nation’s borders but we do have the time to step away from work hours to have a conversation on unconscious bias. It is high time to replace any wimpy inconscious biases with honest-to-God conscious ones.” ellauri155.html on line 372: icture-in-picture" allowfullscreen> ellauri155.html on line 387: Aiming at black xmas with swinging Jew Irving Berlin and crooning Andrea Pucelli on Classic channel ellauri155.html on line 427: Abimelech was most prominently the name of a polygynous polytheistic king of Gerar who is mentioned in two of the three wife-sister narratives in Genesis, in connection with both Abraham and Isaac. ellauri155.html on line 429: King Abimelech of Gerar also appears in an extra-biblical tradition recounted in texts such as the Kitab al-Magall, the Cave of Treasures and the Conflict of Adam and Eve with Satan, as one of 12 regional kings in Abraham's time said to have built the city of Jerusalem for Melchizedek. ellauri155.html on line 434: När Abraham kom till Gerar talade han om sin hustru Sara som sin syster och en historia snarlik den som enligt kapitel 12 utspelat sig i Egypten beskrivs: Avimelek fattade tycke för Sara och hämtade henne till sig. Gud ingrep och anklagade Avimelek för att ha tagit en annan mans hustru. Abraham ställdes till svars och det hela klarades ut. Abraham ingick senare ett förbund med Avimelek på en plats som därmed fick namnet Be'er Sheva (באר שבע, "edsbrunnen"). ellauri155.html on line 440: Avimelek dog strax därefter vid staden Teves. Allt folket i staden hade befäst sig i ett torn och när Avimelek steg fram för att sätta tornets port i brand släppte en kvinna ner en kvarnsten som träffade hans huvud så att det spräcktes. Då begärde kungen av sin väpnare att denne skulle döda honom för att ingen skulle kunna säga att han dödats av en kvinna. Väpnaren gjorde så och när israeliterna såg att Avimelek var död gick alla hem. ellauri155.html on line 446: Menachem Elimelech is the Sterling Professor of Environmental and Chemical Engineering at Yale University. In 1998, he founded Yale's Environmental Engineering program. The program rose to international prominence and has been ranked in the top 10 of the U.S. News & World Report’s Graduate Engineering Rankings for the past six years. Menachem on vähän Krister Lindenin näköinen. ellauri155.html on line 448: Elimelech Weisblum of Lizhensk (1717–March 11, 1787) was a rabbi and one of the great founding Rebbes of the Hasidic movement. He was known after his hometown, Leżajsk (Yiddish: ליזשענסק‎, romanized: Lizhensk) near Rzeszów in Poland. He was part of the inner "Chevraya Kadisha" (Holy Society) school of the Maggid Rebbe Dov Ber of Mezeritch (second leader of the Hasidic movement), who became the decentralised, third generation leadership after the passing of Rebbe Dov Ber in 1772. Their dissemination to new areas of Eastern Europe led the movement´s rapid revivalist expansion. ellauri155.html on line 519: Advanced education can be helpful, but it is not required to know what God expects of us. This doctrine of perspicuity also recognizes that not everything in Scripture is easy to understand. Some passages are more difficult to interpret than others even if no one can miss the gospel in the pages of the Bible. ellauri155.html on line 521: Today’s passage certainly qualifies as one of the more difficult passages of Scripture. It is easy enough to understand what is going on; however, it is difficult to know how to evaluate it. We see in 1 Samuel 27:1–4 that David decided the best way to escape Saul was to flee to Philistine territory and take up residence in the city of Gath. David had been there before, and he deceived the city’s king, Achish, by pretending to be insane, thereby keeping the Philistines from killing him (21:10–15). This time, David did not have to feign insanity. Achish would have heard of Saul’s war with David, so he probably felt secure in allowing him into the city. This enemy of his enemy—Israel’s King Saul—could be counted on as a friend. Achish gave the country town of Ziklag to David, and it became a royal possession after David ascended the throne (27:5–7). ellauri155.html on line 523: Little in the narrative tells us what we are to think of David’s actions. Perhaps the very fact that he sought security among the Philistines is enough to make his choice questionable. After all, God had shown Himself able to keep David safe within the boundaries of Israel (chs. 18–26), so David’s seeking refuge in Philistia may indicate a lapse of faith. It could be that David’s raids from Ziklag confirm this. We see how David would go out against enemies of Israel such as the Amalekites (see Ex. 17:8–16) who were in the south of Judah. After defeating them, he would bring spoil back to Achish and lie to the king, telling him that he was conducting raids on the Israelites (1 Sam. 27:8–12). We do not want to make too much of this, for some actions are acceptable in times of war that are not necessarily acceptable in times of peace (for example, industrial espionage). This was a time of war, with both Achish and the peoples David raided being actual enemies of Israel. Still, David’s successful deception put him in a quandary. Achish was so pleased with David’s work that he commissioned David to join him against Israel (28:1–2). What would he do? ellauri155.html on line 525: It is hard to know how to evaluate David’s actions in today’s passage. If they were sinful, let us note that David still accomplished good for Israel by defeating so many of the nation’s enemies. Sometimes we put ourselves in certain difficult situations because of our sin, but that does not mean God cannot bring about good from it. We should not use that as an excuse for sin, but we must also remember that the Lord is big enough to take advantage of our mistakes. Stalin made some mistakes but he did electrify the country as promised by prophet Lenin. ellauri155.html on line 555: Niitä on niitä hassuhattuisia, sit sileäleukaisia reformoituja, messiaanisia ja ihan ateistejakin. Esim Ben Zyskovicz. ellauri155.html on line 622: icture-in-picture" allowfullscreen> ellauri155.html on line 657: Carl Schmitt (1888-1985), pahamaineinen nazilakimies, piti kiinni Marxin kannasta et politiikka on luokkataistelua. Schmitt wird heute wegen seines staatsrechtlichen Einsatzes für den Nationalsozialismus als Gegner der parlamentarischen Demokratie und des Liberalismus und als „Prototyp des gewissenlosen Wissenschaftlers, der jeder Regierung dient, wenn es der eigenen Karriere nutzt“, weithin abgelehnt. Allerdings wird er aufgrund seiner indirekten Wirkung auf das Staatsrecht und die Rechtswissenschaft der frühen Bundesrepublik mitunter auch als „Klassiker des politischen Denkens“ bezeichnet. ellauri155.html on line 659: Schmitt was born in Plettenberg, Westphalia, German Empire. His parents were Roman Catholics from the German Eifel region who had settled in Plettenberg. His father was a minor businessman. He studied law at Berlin, Munich and Strasbourg and took his graduation and state examinations in then-German Strasbourg during 1915. His 1910 doctoral thesis was titled Über Schuld und Schuldarten (On Guilt and Types of Guilt). A chapter on nazi guilt for holocaust has been added poshumously. ellauri155.html on line 661: Schmitt volunteered for the army in 1916. The same year, he earned his habilitation at Strasbourg with a 1-page thesis under the title Der Wert des Staates und die Bedeutung des Einzelnen (The Value of the State and the Significance of the Individual). The whole thesis consists of a full-page picture of a turd. ellauri155.html on line 676: Election and predestination and are both biblical teachings. The English “predestination” is translated from the Greek word proorizo which means 1) to predetermine, decide beforehand; 2) in the NT, of God decreeing from eternity; 3) to foreordain, appoint beforehand. Predestination, then, is the biblical teaching that God predestines certain events and people to accomplish what He so desires. The word proorizo occurs six times in the New Testament, each time demonstrating that God is the one who is foreordaining and bringing about certain events. The word chorizo only occurs in the Mexican translation (not shown here): ellauri155.html on line 681: 1 Cor. 2:7 “but we speak God’s wisdom in a mystery, the hidden wisdom, which God predestined before the ages to our glory.” ellauri155.html on line 685: You must also note that God predestines people such as Paul and his friends in Rom. 8:30, and Eph. 1:5, 11. There is, however, controversy as to the nature of this predestination. In the Reformed (Calvinist) camp, predestination includes individuals. In other words, the Reformed doctrine of predestination is that God predestines whom He wants to be saved and that without this predestination, none would be saved. The non-Reformed camp states that God predestines people to salvation, but that these people freely choose to follow God on their own. In other words, in the non-Reformed perspective, God is reacting to the will of individuals and predestining them only because they choose God, whereby contrast the Reformed position states that people choose God only because He has first predestined them. I must say that the non-reformed position 2) sounds like gobbledygook. Either you get predestined or you don´t, what the fuck. Who was it that thought predestination and free will were compatible, was it Hume? Yes it was! The Stanford Encyclopedia of Philosophy paper on this topic is so wordy that it needed translating into Basic English. ellauri155.html on line 688: Humoristic Hume exhumed ellauri155.html on line 696: “Liberty and Necessity” – The Classical Reading ellauri155.html on line 698: Humen vakiintunut näkemys on ollut monien vuosien ajan, että hän on klassisen compatibilismin päähenkilö ja perustajahahmo talousliberaalissa perinteessä, joka ulottuu Hobbesista Humen kautta Milliin, Russelliin, Schlickiin ja Ayeriin. ellauri155.html on line 715: The incompatibilist maintains that if our willings and choices are themselves determined by antecedent causes then we could never choose otherwise than we do. Given the antecedent causal conditions, we must always act as we do. We cannot, therefore, be held responsible for our conduct since, on this account, we have no “genuine alternatives” or “open possibilities” available to us. Incompatibilists, as already noted, do not accept that Hume’s notion of “hypothetical liberty”, as presented in the Enquiry, can deal with this objection. It is true, of course, that hypothetical liberty leaves room for the truth of conditionals that suggest that we could have acted otherwise if we had chosen to do so. However, it still remains the case, the incompatibilist argues, that the agent could not have chosen otherwise given the actual circumstances. Responsibility, they claim, requires categorical freedom to choose otherwise in the same circumstances. Hypothetical freedom alone will not suffice. One way of expressing this point in more general terms is that the incompatibilist holds that for responsibility we need more than freedom of action, we also need freedom of will – understood as a power to choose between open alternatives. Failing this, the agent has no ultimate control over her conduct. ellauri155.html on line 719: Tässä käsittelyssä Humen ymmärretään puolustavan pohjimmiltaan tulevaisuuteen suuntautuvaa ja utilitaristista kertomusta moraalisesta vastuusta. Thomas Hobbesin kaltaisten ajattelijoiden jälkeen Hume huomauttaa, että palkkiot ja rangaistukset saavat ihmiset toimimaan jollain tavalla eikä toisissa, mikä on selvästi huomattava sosiaalinen hyödyllisyys (T 2.3.2.5/410; EU 8.2897–98). Tällaista tulevaisuuteen suuntautuvaa, utilitaristista vastuullisuutta ovat kehittäneet edelleen monet muut compatibilistit, joiden kanssa Hume on usein tiiviisti tunnistettu (esimerkiksi Moritz Schlick ja J.J.C. Smart). Tämänkaltaisia tulevaisuuteen suuntautuvia, utilitaristisia kertomuksia on arvosteltu. Kaikenlaisten kantilaisten mukaan, perusongelma on se, että he ovat täysin sokeita aavikon asioille ja siten puuttuvat vaaditusta (taaksepäin katsovasta) kostotekijästä, jota tällä alalla tarvitaan. ellauri155.html on line 721: Mihin vittuun noi sakemannit tarvii tota kostoa? Koska ne haluaa maxaa samalla Porvoon mitalla. Silmä silmästä, hammas hampaasta. Mitä väliä kuha toimii, ajattelee anglosaxit ja panee karvakädet Guantanamoon. Notice that the old strawman Strawson raises his ugly head in this connection. He was last heard of in album 84 when relating Ludi Wittgenstein´s late religious troubles. ellauri155.html on line 727: In the Treatise, as was noted earlier, Hume argues that one of the reasons “why the doctrine of liberty [of indifference] has generally been better receiv’d in the world, than its antagonist [the doctrine of necessity], proceeds from religion, which has been very unnecessarily interested in this question” (T 2.3.2.3/409). He goes on to argue “that the doctrine of necessity, according to my explication of it, is not only innocent, but even advantageous to religion and morality”. In the final passages of the Enquiry discussion of liberty and necessity (EU 8.32–6/99–103) – passages which do not appear in the original Treatise discussion – Hume makes it plain exactly how his necessitarian principles have “dangerous consequences for religion”. ellauri155.html on line 750: By predestination we mean the eternal decree of God, by which he determined with himself whatever he wished to happen with regard to every man. All are not created on equal terms, but some are preordained to eternal life, others to eternal damnation; and, accordingly, as each has been created for one or other of these ends, we say that he has been predestinated to life or to death. ellauri155.html on line 755: Consequently, Calvin shows that Israel who descended from Abraham was also then chosen by God. He quotes verses such as Deuteronomy 7:7-8 which says, “The Lord did not set his love upon you, nor choose you, because you were more in number than any people: for ye were the fewest of all people: but because the Lord loved you.” ellauri155.html on line 756: Calvin then goes on to speak of a deeper dimension of predestination, that in the Old Testament we see a more special election still of God saving certain ones out of the nation of Israel. Calvin says that his readers must see how “the grace of God was displayed in a more special form, when of the same family of Abraham God rejected some.” He then refers to Malachi 1:2-3 which explicitly states, “Was not Esau Jacob’s brother? saith the Lord: yet I loved Jacob, and I hated Esau.” ellauri155.html on line 763: Calvin was far more careful with this doctrine than his critics were and are. Calvin understood men would react strongly against predestination. “The human mind, when it hears this doctrine, cannot restrain its petulance, but boils and rages as if aroused by the sound of a trumpet.” People who hear the teaching of predestination rarely remain unaffected by it. Their hearts too become enflamed, either with these teachings or against them. Calvin offers caution in the wrongful handling of this doctrine. ellauri155.html on line 767: The will of God is the supreme rule of righteousness, so that everything which he wills must be held to be righteous by the mere fact of his willing it. Therefore, when it is asked why the Lord did so, we must answer, ‘Because he pleased.’ But if you proceed farther to ask why he pleased, you ask for something greater and more sublime than the will of God, and nothing such can be found. ellauri155.html on line 771: “When they inquire into predestination, let then remember that they are penetrating into the recesses of the divine wisdom, where he who rushes forward securely and confidently, instead of satisfying his curiosity will enter in (an) inextricable labyrinth.” ellauri155.html on line 777: “Let it, therefore, be our first principle that to desire any other knowledge of predestination than that which is expounded by the word of God, is to be no less infatuated (or crazed) than to walk where there is no path, or to seek light in darkness.” ellauri155.html on line 779: For Biblical support, he quoted Deuteronomy 29:29, ellauri155.html on line 781: “The secret things belong unto the Lord our God: but those things which are revealed belong unto us, and to our children forever.” ellauri155.html on line 785: It’s a great illustration of an important biblical truth: Redemption. It’s a word from the slave market. A slave could be redeemed, set free from their old way of life with a suitable sum of mmmooonneeeyyy! Horatius Flaccus was a son of a redeemed slave, and much good did that do to him. And Epictetus was another one. ellauri155.html on line 787: Calvin then addresses the mistaken notion that election removes human responsibility. Many today associate John Calvin with an aberration of his teaching called Hyper-Calvinism, which is a doctrine that emphasizes divine sovereignty to the exclusion of human responsibility. Among other things, Hyper-Calvinism would deny 1) that gospel invitations are to be delivered to all people without exception; 2) that men can be urged to come to Christ; and 3) that God has a universal love. To Calvin these teachings were monstrous distortions of truth. God really loves a lot also those he chucks into the recycle bin. Except Esau, whom he hates. Vitun karvakäsi. ellauri155.html on line 789: Another argument which they employ to overthrow predestination is that if it stand, all care and study of well doing must cease. For what man can hear (say they) that life and death are fixed by an eternal and immutable decree of God, without immediately concluding that it is of no consequence how he acts, since no work of his can either hinder or further the predestination of God? ellauri155.html on line 791: What was Calvin’s answer? He reminds his readers what the predestinated are predestined to do! He points out what the Apostle Paul said in Ephesians 1:4, where he reminds us that the end for which we are elected is “that we should be holy, and without blame before him.” “If the end of election is holiness of life, it ought to arouse and stimulate us strenuously to aspire to it, instead of serving as a pretext for sloth.” He develops how predestination should lead us to fear God all the more, and consequently should both comfort us and spur us on even in the worst of times to greater holiness. ellauri155.html on line 793: To put it simply: though being good doesn´t entitle you to heaven, being bad is a sure way to end in hell. By being good you can at least enter the lottery. It makes no difference game theoretically whether God arranged his lottery before or after the fact. The information sets are just the same. Game theoretically, being good continues to carry a slight positive utility toward the jackpot. ellauri155.html on line 800: The ministry of the Word thus required more than the public exposition of Scripture: it also entailed the declaration and application of God’s Word to individual women and men, girls and boys, through the sacraments, corrective discipline, catechetical instruction, household visitations, and spiritual counsel and consolation. As Calvin noted in his liturgy, ‘the office of a true and faithful minister is not only to teach the people in public, which is he appointed to do as a pastor, but also, as much as he is able, to admonish, exhort, warn, and console each person individually. ellauri155.html on line 802: In Volume 4 of John Calvin’s Tracts and Letters, a letter written by Calvin in April of 1541 can be found. It is a fairly lengthy letter written to Monsieur de Richebourg because his son Louis, a young man, had recently died. Louis had been a student of Calvin at the Academy in Geneva, and the impact of his young friend’s death can be heard at the beginning of this letter to the deceased’s father: ellauri155.html on line 804: When I first received the intelligence of the death…of your son Louis, I was so utterly overpowered that for many days I was fit for nothing but to grieve…I was somehow upheld before the Lord by those aids wherewith he sustains our souls in affliction,…however, I was almost a nonentity. ellauri155.html on line 808: There is nothing which is more dispiriting to us than while we vex and annoy ourselves with this sort of question – Why is it not otherwise with us? Why has it so happened that we came to this place? [In other words, why has God allowed this to happen to us?] ...It is God, therefore, who has sought back from you your son, whom he committed to you to be educated, on the condition, that he might always be his own. And therefore, he took him away, because it was both of an advantage to him to leave this world, and by this bereavement to humble you, or to make trial of your patience. If you do not understand the advantage of this, without delay, first of all, set aside every other object of consideration, and ask of God that he may show you. Should it be his will to exercise you still further, by concealing it from you, submit to that will, that you may become the wiser than the weakness of your own understanding can ever attain to.” ellauri155.html on line 810: The last sentence is rather remarkable. “Should it be his will to exercise you still further, by concealing it from you, submit to that will, that you may become the wiser than the weakness of your own understanding can ever attain to.” Calvin shows how much wisdom and comfort can be found in submitting to God’s divine will, trusting Him regardless of how much or how little of that will He has revealed to the afflicted. In so doing, he reveals to us true pastoral care in using this Biblical doctrine. Hey, just how much is it? I did not notice any quote. ellauri155.html on line 818: Peter Frederick Strawson (1919–2006) was an Oxford-based philosopher whose career spanned the second half of the twentieth century. He wrote most notably about the philosophy of language, metaphysics, epistemology and the history of philosophy, especially Kant. ellauri155.html on line 820: There is no shallow end to the philosophical pool! Strawson was married and had four children. He was a highly cultured man, with a passion for literature, especially poetry, large amounts of which he could recite and most of which he also wrote. In conversation, manners and appearance, the overwhelming impression was of elegance and effortless intelligence. Mutta aika mitättömän näköinen pallokorva. P.F. Strawsonin pituus oli bläänk ja sen net worth under review. Fair enough, Jakkoh-Hintikka puuttui kokonaan celebs hall of famesta. ellauri155.html on line 822: Strawson was committed to the value of publication, of books and articles, whereas Austin seemed content to develop his views and promulgate them in lectures and talks. His achievements were recognised by election in 1960 to the British Academy, by the reception of a knighthood in 1977 and by many other honours. In 1998 he became the twenty-sixth philosopher to have a volume devoted to him in the famous Library of Living Philosophers series, adding another British name to the list of recipients of this honour, previous ones being Whitehead, Russell, Moore, Broad and Ayer. Austin did not get included, nyaah nyaah nyaah! ellauri155.html on line 847: Paul Ricoeur (1995) ellauri155.html on line 850: Roderick Chisholm (1997) ellauri155.html on line 856: Michael Dummett (2007) ellauri155.html on line 857: Richard Rorty (2010) ellauri155.html on line 866: Strawson’s purposed to dissolve the so-called problem of determinism and responsibility by drawing a contrast between two different perspectives we can take on the world: the ‘participant’ and ‘objective’ standpoints. These perspectives involve different explanations of other people’s actions. From the objective point of view, we see people as elements of the natural world, causally manipulated and manipulable in various ways. From the participant point of view, we see others as appropriate objects of ‘reactive attitudes’, attitudes such as gratitude, anger, sympathy and resentment, which presuppose the responsibility of other people. These two perspectives are opposed to one another, but both are legitimate. In particular, Strawson argues that our reactive attitudes towards others and ourselves are natural and irrevocable. They are a central part of what it is to be human. The truth of determinism cannot, then, force us to give up the participant standpoint, because the reactive attitudes are too deeply embedded in our humanity. Fuck humanity, and fuck viewpoints. Game theory is an optimization technology used by animals. As such it forms a part of the causal net. ellauri155.html on line 868: One can see in this paper an application of some ideas of a Humean character to a domain to which Hume himself was not inclined to apply them. There is also a suggestive affinity with Kant’s attempt to dissolve the problem of free will in the Critique of Pure Reason. ellauri155.html on line 878: Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known in English as George Santayana (/ˌsæntiˈænə, -ˈɑːnə/;[2] December 16, 1863 – September 26, 1952), was a philosopher, essayist, poet, and novelist. Originally from Spain, Santayana was raised and educated in the US from the age of eight and identified himself as an American, although he always retained a valid Spanish passport. At the age of 48, Santayana left his position at Harvard and returned to Europe permanently. He got enough of the U.S. of A. ellauri155.html on line 880: Santayana is mostly known for aphorisms, such as "Those who cannot remember the past are condemned to repeat it", "Only the dead have seen the end of war", and the definition of beauty as "pleasure objectified". Although an atheist, he treasured the Spanish Catholic values, practices, and worldview in which he was raised.] Santayana was a broad-ranging cultural critic spanning many disciplines. He was profoundly influenced by Spinoza´s life and thought; and, in many respects, was another Spinoza. Was he too a jew? I guess not. His father was a minor intellectual. His mother married a Bostonian merchant Sturgis who died. In Madrid, he married the Santayana guy. In 1869, Josefina Borrás de Santayana returned to Boston with her three Sturgis children, because she had promised her first husband to raise the children in the US. She left the six-year-old Jorge with his father in Spain. Jorge and his father followed her to Boston in 1872. His father, finding neither Boston nor his wife´s attitude to his liking, soon returned alone to Ávila, and remained there the rest of his life as a minor intellectual. ellauri155.html on line 882: Young Santayana spent a lot of time in Harvard under William James. He was involved in 11 clubs as an alternative to athletics. He did not like athletics. He was founder and president of the Philosophical Club, a member of the literary society known as the O.K., an editor and cartoonist for The Harvard Lampoon, and co-founder of the literary journal The Harvard Monthly, to name a few. In December, 1885, he played the role of Lady Elfrida in the Hasty Pudding theatrical Robin Hood, followed by the production Papillonetta in the spring of his senior year. Would have been less hassle to take part in athletics. But maybe he was a little like that, sissy-missy, you know. Yep yep: ellauri155.html on line 884: Santayana never married. His romantic life, if any, is not well understood. Some evidence, including a comment Santayana made late in life comparing himself to A. E. Housman, and his friendships with people who were openly homosexual and bisexual, has led scholars to speculate that Santayana was perhaps homosexual or bisexual, but it remains unclear whether he had any actual heterosexual or homosexual relationships. ellauri155.html on line 886: Santayana ei tykännyt olla professori, se oli ajautunut siihen. Se lopettikin professorin hommat 48-vuotiaana tykkänään ja lähti seikkailemaan. Varmaan homostelukin oli silleen helpompaa. In later life, Santayana was financially comfortable, in part because his 1935 novel, The Last Puritan, had become an unexpected best-seller. In turn, he financially assisted a number of writers, including Bertrand Russell, with whom he was in fundamental disagreement, philosophically and politically. Santayana´s only novel, The Last Puritan, ist ein bildungsroman, centering on the personal growth of its protagonist, Oliver Alden. His Persons and Places is an autobiography. These works also contain many of his sharper opinions and bons mots. He wrote books and essays on a wide range of subjects, including philosophy of a less technical sort, literary criticism, the history of ideas, politics, human nature, morals, the influence of religion on culture and social psychology, all with considerable wit and humor. ellauri155.html on line 888: Like William James, his friend and mentor, he wrote philosophy in a literary way. Ezra Pound includes Santayana among his many cultural references in The Cantos, notably in "Canto LXXXI" and "Canto XCV". Santayana is usually considered an American writer, although he declined to become an American citizen, resided in Fascist Italy for decades, and said that he was most comfortable, intellectually and aesthetically, at Oxford University. Although an atheist, Santayana considered himself an "aesthetic Catholic" and spent the last decade of his life in a Roman residence under Catholic nuns. It felt a little like his young days under William James. He held racial superiority and eugenic views. He believed superior races should be discouraged from "intermarriage with inferior stock". Maybe that was why he had no kids. ellauri155.html on line 890: Chuck Jones used Santayana´s description of fanaticism as "redoubling your effort after you´ve forgotten your aim" to describe his cartoons starring Wile E. Coyote and Road Runner. ellauri155.html on line 917: Let form, let music, let all quickening air Anna muodon, anna musiikin, anna ilman karkaavan ellauri155.html on line 943: You know, I suppose, who Bertie is: a leading mathematician, philosopher, militant pacifist, wit, and martyr, but unfortunately addicted to marrying ellauri155.html on line 947: the reforming prime minister, and both ultra-radical in religion and politics. ellauri155.html on line 952: aristocratic freedom of thought and conduct. ellauri155.html on line 955: ex-wife, Dora; his first ex-wife, Alice, is a decent person who has money of ellauri155.html on line 958: with whom Alice lives now in London. “Mollie”, too, mentioned in the letter is ellauri155.html on line 960: also a decent person and a particular friend of mine, is “Elizabeth of the ellauri155.html on line 964: I don’t agree with him in politics or in philosophy, yet we are good intellectual ellauri155.html on line 965: friends; our minds are too different, also our fields, for much friction, and we ellauri155.html on line 970: because he and his friends think of me as a sort of person in the margin, impecunious, and egoistic; and it would humiliate Bertie to think that I was supporting him. And all that bevy of relations—especially the Smiths who are great ellauri155.html on line 976: property and were trustee for various rich people in Boston. Without saying ellauri155.html on line 990: unknown philanthropist could be made so quickly. You might even write to ellauri155.html on line 1004: wonderful exotic creature (like her handwriting) not beautiful but like a great ellauri155.html on line 1005: ostrich or rare tropical bird: She is a sister of the Duke of Portland, but married a brewer’s son, who during the war was a liberal member of Parlaiment. Mr. ellauri155.html on line 1010: of her health. There was a love-affair, I don’t know how Platonic, between her ellauri155.html on line 1019: enclosed letters from Russell and Lady Ottoline, which you return. I am glad ellauri155.html on line 1020: that you [ illegible] see no serious difficulties in my project. In one sense, no ellauri155.html on line 1022: that may go down in history: somebody said in public not long ago that there ellauri155.html on line 1024: Hume, & Russell. As to my own part in the matter, I make no sacrifice: je ne ellauri155.html on line 1030: him personally or in referring to him in society. These are trifles: but the really delicate matter is how to word your letter so as to explain your interventionand conceal the identity of the person who gives the money. I have made a rough ellauri155.html on line 1031: draft of what I should say, which you may use to guide you, if you like. I also ellauri155.html on line 1033: letter, “Dear Sir”; but I notice that business letters from America now always ellauri155.html on line 1056: all the better and more neutral as coming from America, with which Russell ellauri155.html on line 1058: “Mr”. is not now possible, since [– See comic ellauri155.html on line 1062: Royal Society, a late Fellow of Trinity, Cambridge, and an ex-convict. ellauri155.html on line 1064: Earl Russell, F.R.S. etc } official ellauri155.html on line 1072: To Earl Russell } nice relations and ellauri155.html on line 1074: To Prof. Burt Rand Russell } 100% American ellauri155.html on line 1078: To B. Russell } Ex-fellow-convicts ellauri156.html on line 6: font-style: italic; ellauri156.html on line 45: But here is the spoiler: What David's story tells us is that it is OK to be as awful and nasty a person privately as you could ever wish to be, as long as you end up as the overall winner of the cup. Winners can do nothing seriously wrong, because the victory at the end is the crucial thing. In terms of good old game theory: a virtuous life is no game of attrition, where every mistake counts and your deeds are toted up at the end. No, it is a winner takes all, you either win or lose at the end, whatever happens in subgames on the way is just wiped away. This applies to Dog himself, as Lauri Snellman with his nifty jesuitical game-theoretical theodicy argument has shown. ellauri156.html on line 54: Robert L. (Bob) Deffinbaugh graduated from Dallas Theological Seminary with his Th.M. in 1971. Bob is a pastor/teacher and elder at Community Bible Chapel in Richardson, Texas, and has contributed many of his Bible study series for use by the Foundation. Bob was born in a manger and raised in a barn... More ellauri156.html on line 64: A few hours later, my uncle came by to visit my grandmother. He was just entering the driveway, very near the little mobile home where the altercation occurred earlier. Unfortunately, my uncle was driving a car which looked similar to the one driven by the estranged husband's adversary parked outside the trailer earlier in the day. Gunshots rang out as the enraged husband fulfilled his vow. The rifle easily penetrated the windshield, and my uncle was instantly killed -- by mistake. The angry husband had killed my uncle, falsely assuming that he was his adversary. ellauri156.html on line 68: Many tragic incidents occur as the unexpected outcome of a sequence of events. Certainly that is the case with King David. A little vacation from war leads to a day spent in bed, followed by a stroll along the roof of his palace as night begins to fall on Jerusalem. By chance, David sees a woman bathing herself, a sight which David fixes upon, his pecker coming instantly to attention, and then follows up on with an investigation as to her identity. The woman is shortly summoned to the palace and then to his bedroom, where David sleeps with her (well no, actually he spends time with her very much awake; what is meant by this euphemism is that he fucks the lady crazy.) Even though he has discovered she is the wife of Uriah, a warrior who is fighting for the army of Israel. Never mind. The woman becomes pregnant, and so David calls Uriah home, hoping it will be thought that he has gotten his wife pregnant. When this does not work, David gives orders to Joab, the commander of the army, which arranges for Uriah's death in battle. It looks like the perfect crime, but David's sin is discovered and dealt with by Nathan, the prophet of God. Nathan is Philip Roth's alter ego's name, Nathan Zuckerman! Can this be an accident? Jehova knows, it's too late to ask Phil. ellauri156.html on line 70: This sequence of events and its accompanying tragedies is the subject of chapters 11 and 12 of 2 Samuel. I have chosen to expound these chapters in three lessons. This first lesson will deal with “David and Bathsheba,” as described in 11:1-4. In the following lesson, we will address the subject of “David and Uriah,” as told by our author in 11:5-27. The third lesson will focus on “David and Nathan,” as this confrontation is put forth in chapter 12. Our text has much to say about the sins of adultery and murder, but rest assured that it addresses much more sins than this. It is a text we all need to hear and to heed, for if a “man after God's own heart” can fall so quickly and so far, surely we are capable of similar or even bigger failures. May the Spirit of God take this portion of the Word of God and illuminate it to each of us in full color, as we come to this study. ellauri156.html on line 72: The best part in my opinion is the bit in Talmud where David looks Bathsheba in the eyes and sees his own horny face reflected there and is sick of the whole thing. From then on he will not touch Bathseba anymore down there ever again and leaves her to languish in his harem bored as hell. Maybe David barfed because Bathsheba was already corked. He was used to virgins. ellauri156.html on line 74: Before we begin to look carefully at verses 1-4 of chapter 11, allow me to make a couple of comments about this event as portrayed in these two chapters of 2 Samuel. First, I want you to notice the “law of proportion” in this text. Only three verses describe David's sin of adultery with Bathsheba. Second, the author pulls no punches in describing the wickedness of this sin. History is not written in a way that makes David look good. Third, the sin of David and Bathsheba is dealt with historically, but not in a Hollywood fashion. Hollywood filmmakers would perform a remake of this account to dwell on the sensual elements. Nothing in this text is intended to inspire unclean thoughts or actions. Indeed, this story is written in a way that causes us to shudder at the thought of such things. I know it is something of a letdown, but at least myself, I was totally capable of imagining the rest. (I got 5 streetwalking girls and a wife, for God's sake.) If you need help with unclean thoughts here, please consult Gonorrhé Ballsack's Comtes Droolatiques. ellauri156.html on line 76: Israel is at war with none other than the Ammonites (verse 1), which may come as a surprise to you as it did to me. (Well, to be honest, I thought they were the cretacean mollusks by the same name.) I thought the Ammonites had been defeated in chapter 10. I was wrong. The author is very clear on this matter. In chapter 8, the author tells how David began to engage his enemies in battle, ending the strangle-hold these surrounding nations had on Israel. David subjected the Philistines (8:1), then the Moabites (8:2), and then he took on the king of Zobah (8:3ff.). In the process, other nations became involved and found Israel too formidable an enemy to oppose again. (Notice the similarity of the situation here to the Yom Kippur War.) ellauri156.html on line 78: In chapter 10, we find David and the men of Israel deliberately insulted by Hanun, the king of the Ammonites. David had become friends with Nahash, the former king. When he died, David sent a delegation of officials to express David's respect for Nahash and his grief over this king's death. The Ammonites do not seem to wish to continue this peaceful relationship with David and Israel, so they humiliate the men whom David sent. This is how it all happened (Bob omitted this): ellauri156.html on line 81: 5 When David was told about this, he sent messengers to meet the men, for they were greatly humiliated. The king said, “Stay at Jericho till your beards have grown, and then come back.” ellauri156.html on line 84: This leads to a war between the Israelites and the Ammonites. The Ammonites recruit the Syrians as their allies against David. In their first conflict, the Syrians flee, forcing the Ammonites to retreat to “the city” (10:14; which must be Rabbah -- see 12:26ff.). The Syrians are not content with their defeat and attempt a rematch, but once again they are defeated. This causes them to give up any thought of backing up the Ammonites in their war with Israel in the future. ellauri156.html on line 86: So you see, the Ammonites were not subjected to Israel in chapter 10, but they were deprived of Syrian assistance. Now they are on their own. The Israelites make the most of this. They ravage the land of the Ammonites and then besiege the capital (royal) city of Rabbah (11:1; see 1 Chronicles 20:1). This city of Rabbah, incidentally, is now the city of Amman, Jordan. It is not until after David's sin is rebuked by Nathan that the Israelites actually take the city (2 Samuel 12:26-31). ellauri156.html on line 88: The author of our text informs us that it is spring, the time when kings go to war (11:1). Weather has always affected warfare. Battles have been won and lost due to the season. Winter time is not favorable to war. Napoleon found this out in Moscow, The Germans in Stalingrad, and the Russians in the Finnish Winter War.) It is cold and wet, and camping out in the open field (as those who are besieging the city of Rabbah have to do -- see 11:11) hardly is feasible. The wheels of chariots get stuck in the mud, among other problems. And so kings usually sit it out for the winter, resuming their warfare in the spring. It is spring, Israel is still at war with the Ammonites, and it is time to finish the task of subduing them. The army assembles, under the command of Joab and his officers, and “all Israel.” They all go off to complete their victory over the Ammonites, who seem to retreat in their capital and fortress city of Rabbah. ellauri156.html on line 90: Every man who is able to fight goes to war, except one -- David. David, we are told, “stayed in Jerusalem” (11:1). David's decision to stay at home in Jerusalem becomes a devastating one. The author of Samuel does not include this fact, but the Chronicler does. In 1 Chronicles 20, we read these words: ellauri156.html on line 92: 1 Then it happened in the spring, at the time when kings go out to battle, that Joab led out the army and ravaged the land of the sons of Ammon, and came and besieged Rabbah. But David stayed at Jerusalem. And Joab struck Rabbah and overthrew it (1 Chronicles 20:1). ellauri156.html on line 94: We know from the details of this text in Chronicles that it is the same time and the same war. This decision on David's part precedes a serious sin of another kind in 1 Chronicles 21: ellauri156.html on line 96: 1 Then Satan stood up against Israel and moved David to number Israel. 2 So David said to Joab and to the princes of the people, “Go, number Israel from Beersheba even to Dan, and bring me word that I may know their number.” 3 Joab said, “May the LORD add to His people a hundred times as many as they are! But, my lord the king, are they not all my lord's servants? Why does my lord seek this thing? Why should he be a cause of guilt to Israel?” 4 Nevertheless, the king's word prevailed against Joab. Therefore, Joab departed and went throughout all Israel, and came to Jerusalem. 5 Joab gave the number of the census of all the people to David. And all Israel were 1,100,000 men who drew the sword; and Judah was 470,000 men who drew the sword (1 Chronicles 21:1-5). ellauri156.html on line 98: Joab urges David not to number the Israelites, and through the prophet Egad, God rebukes David for doing so, giving him a choice of one of three chastenings. It is a grave sin with great consequences for the nation Israel. Out of this sin, God brings about blessing for Israel, because it is on the plot of ground where David offers sacrifices to God that the temple will be built. What chastenings? ellauri156.html on line 100: 9 The Lord said to Egad, David’s seer, 10 “Go and tell David, ‘This is what the Lord says: I am giving you three options. Choose one of them for me to carry out against you.’” 11 So Gad went to David and said to him, “This is what the Lord says: ‘Take your choice: 12 three years of famine, three months of being swept away[a] before your enemies, with their swords overtaking you, or three days of the sword of the Lord—days of plague in the land, with the angel of the Lord ravaging every part of Israel.’ Now then, decide how I should answer the one who sent me.” ellauri156.html on line 110: 19 Nevertheless, the people refused to listen to the voice of Samuel, and they said, “No, but there shall be a king over us, 20 that we also may be like all the nations, that our king may judge us and go out before us and fight our battles” (1 Samuel 8:19-20). ellauri156.html on line 112: The Israelites were wrong in demanding a king, but they were not too far off in expecting that their “king” would lead them in war. The judges God had raised up for them earlier were usually men like Barak or Gideon, who would lead the nation in battle against their enemies. When God designated Saul as Israel's first king, this military role was clearly indicated: ellauri156.html on line 116: Saul shrunk back from pursuing the enemies of Israel at times, and it was sometimes David who stood in Saul's shoes, leading the nation in battle. This was the case, for example, when David fought Goliath, a battle that should have been fought by Saul, Israel's giant (see 1 Samuel 9:2). Up until now, David has been leading his men in battle, but in chapter 11, David suddenly steps back, sending others to fight for him. In 2 Samuel 12:26-31, the author makes it clear that David may not have been planning to be present for the formal surrender of Rabbah. Joab sends David a message, urging him to come and at least give the appearance of leading his army. If David does not come, Joab warns, David will not receive the glory, and it may go to Joab. Joab knows that David knows this is not the way it was meant to be. And so it is that David makes a formal appearance to be the “official” leader at the time of the surrender of the city of Rabbah. ellauri156.html on line 122: What keeps David home in Jerusalem? Why doesn’t David go to the battle? I fear there are perhaps several reasons. The first is David's arrogance. God has been with David in all of his military encounters and given him victory over all his foes. God has given David a great name. David has begun to believe his own press clippings. He begins to feel he is invincible. David seems to have come to the place where he believes his abilities are so great he can lead Israel into victory, even though he is not with his men in battle. He was just getting bored. God should not have helped him TOO much, that was like taking the wind from his sails. Any parent knows that much. ellauri156.html on line 124: This seems consistent with David's other great sin, which also follows his decision to stay at home. When David instructs Joab to number the Israelite warriors, Joab protests. This is something David should not do. Perhaps this is because David would find too much confidence in the number of his men, rather than in God. It certainly is a far cry from Gideon's army, pared down to a meager 300 men. ellauri156.html on line 127: Who is Gideon? Are we supposed to know? All I know is Gideon's bible, which the Beatles found in the bottom drawer of a bedside table in hotel room in a song whose name can't remember just now. "Only to find, Gideon's bible." Se oli Rocky Raccoon valkoiselta albumilta. Ai niin, ja sitten on Onni Gideon! ellauri156.html on line 142: According to Beatles historian Kenneth Womack, McCartney drew his inspiration for the song from Robert Service’s poem “The Shooting of Dan McGrew.” The Old West-style honky-tonk piano was played by producer George Martin. "Rocky Raccoon" is also the last Beatles song to feature John Lennon's harmonica playing. ellauri156.html on line 143: In Mojo magazine in October 2008, McCartney acknowledged that the style of the song is a pastiche, saying: "I was basically spoofing the folksinger." Lennon attributed the song to McCartney, saying: "Couldn't you guess? Would I have gone to all that trouble about Gideon's Bible and all that stuff?" ellauri156.html on line 145: The lyrics describe a conflict over a love triangle, in which Rocky's girlfriend Lil Magill (known to the public as Nancy) leaves him for a man named Dan, who punches Rocky in the eye. Rocky vows revenge and takes a room at the saloon in the town where Dan and Nancy are staying. He bursts into Dan's room, armed with a gun, but Dan out-draws and shoots him. A drunken doctor attends to Rocky, the latter insisting that the wound is only a minor one. Stumbling back to his room, Rocky finds a Gideon Bible and takes it as a sign from God. ellauri156.html on line 207: The Marvel Comics character Rocket Raccoon, created by Bill Mantlo and Keith Giffen, was inspired by the song's title and some of the lyrics. ellauri156.html on line 209: A second reason may be boredom. Something you my dear remaining readers know by now. It is one thing to fight battles in which the enemy is quickly overcome. But the besieging of Rabbah is a whole different kind of war. This battle will not be won so quickly. It will take time to starve the Ammonites to the point that they surrender. It is not a very exciting kind of war to wage. And while they wait, the Israelite soldiers (which includes David) have to pitch their tents outside the city, living in the open field. This is no picnic, and David knows it. David's attitude seems reflected in the advertising slogan of a major hamburger chain, “You deserve a break today.” ellauri156.html on line 211: A third reason -- and I am hesitant to suggest it -- is that David may be getting soft. Let's face it, David had some very difficult days when he was fleeing from Saul. I am sure there were hot days and cold nights. There were certainly days when his food was either limited or lousy, or both. Army food has never been known as a work of culinary artistry. Now, David has moved up in the world, from barren wilderness, which Saul and his army would avoid if possible, to the hills of Jerusalem. His accommodations are better, too. He no longer lives in a tent (if he was fortunate enough to have one in those days); he lives in a palace. Why would David want to stay in a tent in the open field, outside of Rabbah, if he can stay in his own bed (or Bathsheba's), in his own palace, inside Jerusalem?37 ellauri156.html on line 213: David is starting to become Saul-like, in that he is willing to let others go out and fight his battles for him. Among those David is willing to send in his place are Joab and Abishai. This Joab, we should recall, is a violent man. Joab was not the commander of the army of Israel by David's choice. David had distanced himself from Joab and Abishai because of the death of li'l Abner (2 Samuel 3:26-30). Joab had become the commander of Israel's armed forces because he was the first to accept David's challenge to attack Jebus (1 Chronicles 11:4-6). Suddenly, David is willing to stay at home and leave the whole of Israel's armed forces under Joab's command. I do not think David is motivated by trust in Joab as much as he is his disdain for the hardship of the campaign to take Rabbah. ellauri156.html on line 236: King David makes the mistake of staying in Jerusalem, rather than fighting the Ammonites with his army. He does not stay home to meditate on the Law of Moses or to write another psalm or two; he seems to stay home to stay in bed. We know Uriah went to bed when it was evening (that is, when it got dark), and it is very likely that he got up at first light (see 11:13). With David, it is very different. David does not get up until evening, that is, until it is time for a soldier to go to bed. (As a friend of mine pointed out, this is probably a habit developed over days and not just a one-time event.) It is very unlikely that David is doing any “kingly work” in the wee hours of the night. From all appearances, David is simply indulging himself. Whaddya mean? Fucking maidens is kingly work if anything. Surely he wasn't watching late night shows, since all he had was his TV mama. Sitting up and adjusting the screen until the picture was completely right. ellauri156.html on line 247: And in the waist, she's so nice and neat ellauri156.html on line 251: Oh, she's mighty fine, lovely picture ellauri156.html on line 267: Finally, David can stand his bed no longer. Getting up, he goes for a stroll around the roof of his palace. Most certainly, David's palace was built on the highest ground possible, so that it would afford him a commanding view of the city and the surrounding country. Virtually every other residence and building would be below David's penthouse apartment, and thus he would be able to see much that was out of sight for others. (A friend remarked after this message that a truck driver had told him a whole lot can be seen from an 18-wheeler that people in cars don't see. A chicano truck-driver just got a 110 year sentence in the U.S. for failing to stop his 18-wheeler when the brakes went. Now that was a honest-to-god Jehova style sentence, to the third and fourth generation. Good work, Rocky!) ellauri156.html on line 275: The answer comes to David in the form of a question. I take it that no one else actually saw this woman, but only David. The identification of this woman depends then upon David's description of her age, appearance, and location, and no one could be absolutely certain whether this is the woman or not -- except for David, of course, who would recognize her. ellauri156.html on line 277: Uriah Heep sai nimensä samannimisestä saiturista, joka esiintyy Charles Dickensin teoxessa David Copperfield. Mulla on se, Seija luki sen ja on siitä lähin ahdistellut mua lukemaan sen myös. Eipä ole napannut. Siinä oli sellai huilisti, joka nosti polvea soittaessaan poikkihuilua jotensakin rivosti. ellauri156.html on line 279: Uriah Heep on brittiläinen progressiivinen hard rock -yhtye, joka perustettiin Lontoossa vuonna 1970 ja on edelleen aktiivinen. Nimensä yhtye otti Charles Dickensin romaanissa David Copperfield esiintyvästä samannimisestä viekkaasta ja vastenmielisestä kirjanpitäjästä. Yhtyeen tunnetuimpiin kappaleisiin kuuluvat muun muassa "Easy Livin'", "Lady in Black", "Gypsy", "July Morning" ja "Look at Yourself". Suurinta suosiota se nautti 1970-luvun ensimmäisellä puoliskolla. ellauri156.html on line 281: Yhtyettä pidetään eräänä progressiivisen rockin ja hard rockin tärkeimmistä vaikuttajista ja sen levyjä on myyty maailmanlaajuisesti yli 40 miljoonaa kappaletta. Uriah Heepin kokoonpano on vaihdellut vuosien aikana suuresti – kitaristi Mick Box on ainoa jäljellä oleva alkuperäisjäsen. Hän on samalla myös ainoa jäsen, joka on ollut yhtyeessä koko sen toiminnan ajan. ellauri156.html on line 283: The information David receives should be sufficient for him to end the matter, or more appropriately, to start it. If this woman is married, he has no business going any further. No matter how great his position and power, nothing gives him the right to take another man's wife. The pattern for David's actions is clearly outlined by Joseph, who was hotly pursued by his master's wife (but the shoe was on the other foot that time, a puma hunting for a young rattlesnake. And Joseph was a bachelor, so what was the sin in that?). ellauri156.html on line 291: What the fuck again, Hittites were to Jews like the Brits, an old empire from the time of Gideon. What is there to laugh about, is it like middle class Americans laughing at Brits as upperclass twits? ellauri156.html on line 293: Let us briefly review the place of the Hittites in Old Testament history. As early as Genesis 15:18-21, God promised Abram (Abraham) that his descendants would inherit the land of the Hittites (along with that of other peoples as well; see also Exodus 3:8, 17; 13:5; 23:23, 28, 32; 33:21; 34:11; Deuteronomy 7:1; Joshua 1:4; 3:10). Ephron, the man from whom Abraham bought a burial plot for his family, was a Hittite (see Genesis 23:10; 25:9; etc.). Jacob's brother Esau married several Hittite wives (Genesis 26:34-35; 36:2). The Israelites were commanded to utterly destroy the Hittites (Deuteronomy 20:17). The Hittites opposed Israel's entrance into the promised land (see Numbers 13:29; Joshua 9:1: 11;1-5), and the Israelites had some victories over them (Joshua 24;11). Nevertheless, they did not totally remove them and came to live among them (Judges 3:5). When David was fleeing from Saul, he learned that the king was camped nearby. He asked two of his men who would go with him to Saul's camp. One of the two, Abishai, volunteered to go with David, the other man did not. This man was Ahimelech, the Hittite (1 Samuel 26:6). (Eli siis mitä? Pitäskö tästä päätellä nyt jotakin heettien statuxesta vai? Oliko ne jotain neekereitä?) ellauri156.html on line 299: The sequence of events, so far as David is concerned, can be enumerated in this way: (1) David stays in Jerusalem; (2) David stays in bed; (3) David sees Bathsheba bathing herself as he walks on his roof; (4) David sends and inquires about this woman; (5) David learns her identity and that she is married to a military hero; (6) David sends messengers to take her and bring her to him; (7) David lays with her; (8) Bathsheba goes back to her home after she purifies herself. This same sequence can be seen in a number of other texts, none of which is commendable. Shechem “saw, took, and lay with” Dinah, the daughter of Jacob in Genesis 34:2. Judah “saw, took, and went in to” the Canaanite woman he made his wife in Genesis 38:2-3. Achan “saw, coveted, and took” the forbidden spoils of war in Joshua 7:21. Samson did virtually the same in Judges 14. Let us not forget that a similar sequence occurred at the first sin when Eve “saw, desired, and took” the forbidden fruit in Genesis 3. (Thanx a lot Bob for this compendium. This will certainly come handy later on, when looking for something fun to read.) ellauri156.html on line 301: It is clear from the words of our text that David sinned. It is clear from the actions of David which follow that he sinned. It is clear from the words of God through Nathan that David sinned in a grievous manner. The problem is that many wish to view the text in a way that forces Bathsheba to share David's guilt by assuming that she somehow seduced him. I would like to pursue this matter, because I believe there is absolutely no evidence to support such a conclusion. (Wow! That's a refreshing point of view! Like Ballsack's novel Comment la belle Fille de Portillon quinaulda son iuge.) ellauri156.html on line 303: The inference is often drawn that Bathsheba should not have been exposing herself as she did, and that it was her indiscretion which started this whole sequence of events. Some think her actions may have been deliberate (She knew David was there and could see. . . .), while others would be more gracious and assume it was simply poor judgment. Let me point out several things from the text. First and foremost, when Nathan pronounces divine judgment upon David for his sin, Bathsheba and Uriah are depicted as the victims, not the villains. When Adam and Eve sinned, God specifically indicted Adam, Eve, and the serpent, and each received their just curse. This is simply not the case with Bathsheba. Nowhere in the Bible is she indicted for this sin. It may be that the author did not choose to focus upon Bathsheba, but even in this case, the Law would clearly require us to consider her innocent until proven guilty. (Which law? Not biblical law for sure, take for instance Susan's case, where Daniel had to called upon to prove her innocence.) ellauri156.html on line 305: It is very clear in Samuel that the tragedies which take place in David's household are the consequence of his sin, just as Nathan indicates (12:10-12). Thus, when Amnon rapes Tamar, the sister of Absalom, it is a case of the “chickens coming home to roost.” Or is it a case of "Rooster coming into the chicks?" Note that it is at David's command or summons that Tamar is called to the palace, and then to Amnon's bedside. There is not so much as a hint that when Tamar is raped, it is all of Amnon's doing. Should this not strongly indicate that the same is true in Bathsheba's case, of which this second incident is a kind of mirror image? (Fucking crooky noses, raping and ravaging their kinky haired ladies right and left.) ellauri156.html on line 307: When we read of this incident, we do so through Western eyes. We live in a day when a woman has the legal right to say “No” at any point in a romantic relationship. If the man refuses to stop, that is regarded as a violation of her rights; it is regarded as rape. It didn't work that way for women in the ancient Near East. Lot could offer his virgin daughters to the wicked men of Sodom, to protect strangers who were his guests, and there was not one word of protest from his daughters when he did so (Genesis 19:7-8). Even less later, when they asked their father Lot to fuck them at will. These virgins were expected to obey their father, who was in authority over them. Michal was first given to David as his wife, and then Saul took her back and gave her to another man. And then David took her back (1 Samuel 25:44; 2 Samuel 3:13-16). Apparently Michal had no say in this whole sequence of events. Oh, those days of innocence! ellauri156.html on line 311: Now, having looked at the big picture, let's concentrate on the juicy details. The text informs us that David sees this woman bathing and notes that she is very beautiful. It is sometimes thought that David saw Bathsheba unclothed as she bathed herself publicly, and that the sight of her (unclothed/partially) body prompted David to act as he did. Virtually the identical words employed in our text (“very beautiful in appearance”) are found in Genesis 24:16 of Rebekah, as she came to the well with a water jug on her shoulder. She was neither naked nor partially clothed. Similar (though not identical) descriptions are found, where no exposure of the woman is indicated at all (see Genesis 12:11; 26:7; 29:17; Esther 1:1). I believe one of the reasons David summons Bathsheba to his palace is that he has not seen all that he wishes. (Haahaa! Bob, you are a little too bashful here. Most likely he wants to try on what he saw, like St. Thomas who wanted to put his finger in the wound. Seeing is not believing.) ellauri156.html on line 313: Let's pursue this matter a little more. (Oh lord, I feel the spirit stirring below my belt.) Bathsheba is bathing herself. (This is about the 4. time Bob invites us to picture this tender moment. There are not too many of them in the Bible, so let us savor it.) We tend to assume that this means she is disrobed, at least partially. I believe Bathsheba is bathing herself in some place normally used for such purposes. Only David, with his penthouse vantage, would be able to see her, and a whole lot of other folks if he chose. The poor do not have the same privacy privileges as the rich. I have seen any number of people bathing themselves on the sidewalks of India, because this is their home. The word for bathing employed here is often used to describe the washing of a guest's hands or feet and for the ceremonial washings of the priests. Abigail used this term when she spoke of washing the feet of David's servants (1 Samuel 25:41). Such washings could be done, with decency, without total privacy. We assume far too much if we assume Abigail is walking about unclothed, in full sight of onlookers. ellauri156.html on line 315: Incidentally, Bathsheba is washing herself in Jerusalem, from which all the men of fighting age have gone to war. Remember the words of verse 1: ellauri156.html on line 321: If I am right in what I have been saying, David's sin becomes that much more wicked. In some instances (if not most), a woman may purposely or unwittingly encourage the one who assaults her. In this case, there is not so much as a hint that this takes place. In fact, if I am reading the story accurately, David's “sighting” of Bathsheba is the result of her keeping the law, while David is failing his responsibilities as king. But not his duties as the king of the apes. ellauri156.html on line 325: First, the root of David's sin is not low self-esteem; it is arrogance. (Since when is low self-esteem a sin? Well I bet it is for American believers. Think of Bill James' Will to Believe.) I am getting quite weary of hearing that the root of all evils is low self-esteem. I wonder why we see nothing of this in the Bible. David's problem is just the opposite. He has become puffed up and arrogant because of his success and status as Israel's king. He has come to see himself as different/better than the rest of the Israelites. They need to go to war; he does not. They need to sleep in the open field; he needs to get his rest in his own bed, in his palace. They can have a wife; he can have whatever woman he wants. ellauri156.html on line 327: Second, the nature of David's sin is the abuse of power. Power corrupts, we are told, and absolute power corrupts absolutely. David has come to power. In the previous chapters, David employed his God-given power to defeat the enemies of God and of Israel. He used his power as Israel's king to fill his pockets and void his cullions, and takes advantage of Dog's promise to Saul by restoring to Mephibosheth his family property and by making him a son at his table. Now, David, drunk with his power, uses it to indulge himself at the expense of others. I want you to notice the repetition of the word “send” or “sent” in this chapter. It is a king like David who can send all the men to war but stay home himself (verse 1). It is a king like David who can send people to inquire about Bathsheba, and then to send messengers to “take” her and bring her to his palace (verses 3-4). It is a king like David who can “send” for Uriah and “send” orders to Joab to have him killed. It is a king who "sends" his shlong into Bathsheba's holiest of the holy. David has the power, and he certainly knows how to use it, only now he is using that power for his own benefit, at the expense of others. This is not servant leadership. ellauri156.html on line 333: Third, prosperity is as dangerous -- and sometimes more dangerous -- than poverty and adversity. We all get weary of the adversities of life. We all yearn for the time when we can kick back and put up our feet and relax a bit. We all tire of agonizing over the bills and not having quite enough money to go around. David certainly looked forward to the time when he could stop fleecing Saul and begin to reign as king. But let me point out that from a spiritual point of view, David never did better than he did in adversity and weakness. (In fact, he was quite like Ballsack's ung paouvre qui avait nom le Vieulx-par-chemins, another Iivana Nyhtänköljä.) ellauri156.html on line 337: icture-in-picture" allowfullscreen> ellauri156.html on line 341: 13 Let no one say when he is tempted, “I am being tempted by God”; for God cannot be tempted by evil, and He Himself does not tempt anyone. 14 But each one is tempted when he is carried away and enticed by his own lust. 15 Then when lust has conceived, it gives birth to sin; and when sin is accomplished, it brings forth death (James 1:13-15). ellauri156.html on line 343: David's sin did not just suddenly appear in a moment of time. David set himself up for this fall. We know he disengaged himself from the battle, choosing instead a life of comfort and ease. You and I may make the same decision, though in a slightly different way. We may choose to ease up in our pursuit of becoming a disciple of our Lord, of the disciplined life which causes us to bring our bodies under our control (see 1 Corinthians 9:24-27). ellauri156.html on line 345: We may weary of taking up our cross and begin to take up ourselves or our same-sex significant other as our highest cause. We may back off in the area of separation, having become weary of being laughed at for our Christian principles. We may keep quiet, rather than bear witness to our faith, lest we be rejected by our peers. We may hold off from rebuking a fellow-believer, who is falling into sin, because the last time we tried it was very messy. We may get fed up with getting whacked every time we admonish fellow non-believers. When we retreat from the battle, a plunge is not far away. ellauri156.html on line 347: Sins of commission are often the result of sins of omission. David committed sin by his adultery with Bathsheba and later by the murder of her husband, but these sins were borne out of David's omissions which came to pass when he stayed home, rather than go to war. These sins of omission are often difficult to recognize in ourselves or others, but they are there. And after a while, they incline us to more open sins, as we see in David. ellauri156.html on line 351: Some of you have not yet sinned as David did, but I hope I have given you some ideas, and that you are already on your way. You are like David when he chose to stay in Jerusalem, and when he chose to stay in bed. You have not yet managed to sin in a dramatic fashion, but you are laying the groundwork for it. It's only a matter of time and opportunity, so keep hacking. My question to you is not whether you are actively committing sin, but if you are, please send me some snapshots. ellauri156.html on line 361: 4 Everyone who practices sin also practices lawlessness; and sin is lawlessness. 5 You know that he appeared in order to take away sins; and in him there is no sin. 6 No one who abides in him sins; no one who sins has seen him or knows him. 7 Little children, make sure no one deceives you; the one who practices righteousness is righteous, just as he is righteous; 8 the one who practices sin is of the devil; for the devil has sinned from the beginning. (Don't believe Milton, he's got it all wrong.) the son of god appeared for this purpose, to destroy the works of the devil. 9 No one who is born of god practices sin, because his seed (zihi) abides in him; and he cannot sin if he tried, because he is born of dog (1 John 3:4-9). ellauri156.html on line 363: I don’t think I’m exaggerating here. The interaction between David and Uriah (see next episode) seems to indicate that David was puzzled as to why Uriah would not enjoy the good life in Jerusalem if he had the opportunity to do so. Uriah, on the other hand, chose to live as he would have on the battlefield. ellauri156.html on line 365: This reference to Bathsheba’s “purification” is interesting and perplexing. The King James Version reads, “and he lay with her; for she was purified from her uncleanness: and she returned unto her house” at verse 4. The New King James Version is slightly different: “and he lay with her, for she was cleansed from her impurity; and she returned to her house” (note the change from a semi-colon to a comma, and from a colon to a semi-colon). The NIV reads, “and he slept with her. (She had purified herself from her uncleanness.)” The NRSV reads, “and he lay with her. (Now she was purifying herself after her period. Or was it colon? Only David knows, and Dog of course, but they don't tell.).” ellauri156.html on line 367: There are two fascinating questions, which the text does not clearly seem to answer: (1) From what was Bathsheba purifying herself -- from her menstrual uncleanness, or from her uncleanness due to sexual intercourse? Both are dealt with in Leviticus 15. ellauri156.html on line 374: Aika hemmetisti kyyhkypaisteja papille, kun jokainen menstruoiva nainen tuo niitä sille 2kpl/kk. Pappi pysyy hyvin selvillä seurakuntalaisten varmoista päivistä. Hmm. Jos Bathsheban kuukkixet oli ohize jo vähintään viikko sitten, kohtahan sillä oli ovulaatio, eikäpä ihme että Taavi-enon mälli teki heti tehtävänsä. Vaikka mä en kyllä usko eze jäi siihen yhteen kertaan. (2) When did this cleansing occur, and when was it completed? Was Bathsheba’s bathing which David witnessed part of her ceremonial cleansing? If so, there may have had to be a delay before the Law permitted intercourse. Otherwise, David would have caused her to violate the Law pertaining to cleansing, since it may not have been complete. The translations which make her cleansing a past, (continued) completed event seem to be suggesting that she was now legally able to engage in intercourse, though certainly not with David. If she was still in the process of her cleansing, David’s sin of adultery is compounded because it was committed at the wrong time, while cleansing was still in process. It is also possible to read the text (as does the NASB) to say that Bathsheba waited at David’s house until she was ceremonially clean from her evening with David. It is interesting that nothing is said of David waiting until he was cleansed. The inference I take from this “cleansing” reference is that Bathsheba was still concerned about keeping the Law of Moses, even if David was not. Big fat hairy diff. ellauri156.html on line 378: Twenty-five years ago, hotel personnel noticed that a stairwell door lock had been taped in the open position. Burglars had broken in to readjust some of the bugging equipment installed in an earlier break-in in May. No one really seemed able to explain just what these burglars expected to gain from their crime. ellauri156.html on line 380: It was the clumsy attempt to cover up the petty crime which led to Watergate. Richard Nixon, the President of the United States, was forced to resign to avoid impeachment. A number of his closest associates were indicted, convicted, and sentenced to brief prison terms. Not Tricky Dick, of course, he went scot free. Nain on meidankin elamassamme! Ja Daavidin! ellauri156.html on line 388: The story of David and Uriah reminds me of the story of the “Sorcerer's Apprentice.” It has been awhile, but as I remember the plot (probably the Walt Disney version), the sorcerer goes away, leaving his apprentice behind to do his chores. The apprentice gets the bright idea that the work would be a whole lot easier if he used his master's magical arts so he could sit back and watch other powers at work. The problem was that he didn't know how to stop what he started, and so more and more helpers came on the scene as the apprentice tried to reverse the process. The worst was when Mickey tried to cleave the broom with an axe, and got instead a million of smaller brooms. ellauri156.html on line 390: At this point in time, David's life is very similar. He begins to stack one sin upon another, certain that each one will somehow wipe out visibility of the previous sin. Instead, his sins only multiply. More and more people become aware of his sin, and a cover up becomes impossible. Many lessons can be learned from this tragic episode of David's life, which if heeded, will help us duplicate them in our lives. May the Spirit of God open our ears and our hearts to listen and learn from David's attempt to cover up his sin with Bathsheba, so that you can avoid some of his mistakes and do a better job. ellauri156.html on line 392: In our first lesson, we devoted our attention to the first four verses of chapter 11, which depict David's sin of adultery with Bathsheba. Pretty unbelievable that I got a whole four pages out of it. The trick is was to keep repeating the juicy bit about Bathsheba washing herself before (or after) David's load. I sought to demonstrate that this sin was all of David's doing. The author points his accusing finger at David, not Bathsheba. It was not Bathsheba's indiscretion in bathing herself (as I understand this story), for she was simply obeying the ritual of purification outlined in the law. It was David who, by means of his lofty elevation and view, looked inappropriately at Bathsheba, washing herself,violating her privacy. I endeavored to demonstrate that David's sin with Bathsheba was the result of a sequence of wrong decisions and attitudes on David's part. In one sense, being on the path he was, his destination (of adultery, or something like it) was to be expected. His sins of omission finally blossomed and came into full bloom. ellauri156.html on line 394: One of the tragic aspects of our story is that the sequence of sin in David's life does not end with his adulterous union with Bathsheba. It leads to a deceptive plot to make her husband Uriah appear to be the father of David's child with Bathsheba and culminates in David's murder of Uriah and his marriage to Uriah's wife, Bathsheba. As we take up where we left off in our last lesson, a few more bits of background information are vital to our understanding of this text. ellauri156.html on line 396: (1) It seems likely that David and Uriah are hardly strangers, but that they know each other, to some degree at least. Uriah is listed among the mighty warriors of David (2 Samuel 23:39; 1 Chronicles 11:41). Some of the “mighty men” came to David early, while he was in the cave of Adullam (1 Samuel 22:1-2), and we suspect that among them were Joab, Abishai, and Asahel, the three brothers who were mighty men (see 2 Samuel 23:18, 24; 1 Chronicles 11:26).39 Others joined David at Ziklag (1 Chronicles 12:1ff.), and still other great warriors joined with David at Hebron (1 Chronicles 12:38-40).40 We do not know when and where Uriah joined with David, but since his military career ends in 2 Samuel 12, his military feats must have been done earlier. It seems very unlikely that David and Uriah are strangers; rather, it would seem these two men know each other from fighting together, and perhaps even from fleecing Saul together, or maybe Uriah had been a dear brother to David like his old Jonathan. ellauri156.html on line 398: (2) It seems unlikely that Uriah is ignorant of what David has done and of what he is trying to accomplish by calling him home to Jerusalem. Rumors must have been circulating around Jerusalem about David and Bathsheba, and could easily have reached the Israelite army which had besieged Rabbah. Uriah not only refuses to go to his house and sleep with his wife, he sleeps at the doorway of the king's house, in the midst of his servants. He has many witnesses to testify that any child borne by his wife during this time is not his child. It is clear that Uriah understands exactly what David wants him to do (to have sex with his wife), and that he refuses, even when the king virtually orders him to do so. One finds this difficult to explain if Uriah is ignorant of what happened between David and Bathsheba. At least Uriah knows what David is trying to get him to do on this stay in Jerusalem. The implications of all this we will explore later. ellauri156.html on line 408: David's plan A is simple and, at least in his mind, foolproof. In short, David will entice Uriah to think and to act as he himself has done. David does not wish to endure the adversities of the war with Rabbah, and so he goes to Jerusalem, to his home, and to his bed. He does not wish to deny himself, so he takes the wife of another man and sleeps with her. David will give Uriah the same opportunity, except that it will be his own wife he will sleep with. Not as fun, one must admit. After Uriah has sexual relations with Bathsheba, all will conclude that he is the father of the child which has been conceived by David's sinful act. Only one thing is wrong with David's plan: he assumes Uriah is as spiritually apathetic as he, and that he will act to indulge himself, rather than act like a soldier at war and keep his sword in the sheath. ellauri156.html on line 410: David sends word to Joab, ordering him to send Uriah home to Jerusalem. I take it from the context that Uriah is sent to Jerusalem on the pretext that he is needed to report directly to David on the state of the war. I doubt David wants Uriah to know he has ordered Joab to send him. I am certain David does not want Uriah to know the real purpose of his journey to Jerusalem. David is orchestrating this homecoming to appear as though it serves one purpose, while it actually serves David's purpose of concealing his own sin. Even at this level, the order for Uriah to return home has a bad odor. You may remember that when David's father wanted to know how the battle with the Philistines was going (three of his sons were involved), he sent David, the youngest son, as an errand boy to take some supplies and return with word about the war (1 Samuel 17:17-19). One does not need to send a military hero as a messenger (nor is it good practice, the youngest son is more expendable.). ellauri156.html on line 415: David and Bathsheba is a 1951 historical Technicolor epic film about King David made by 20th Century Fox. It was directed by King Saul, produced by Dog, a.k.a. Zanuck, from a screenplay by Philip Dunno. The cinematography was by Leon Shameonyou. Gregory Peck stars as King David and the film follows King David's life as he adjusts to ruling as a King, and about his relationship with Uriah's wife Bathsheba, played by Susan Wayward. Goliath of Gath was portrayed by 203 cm-tall (6'8") Lithuanian wrestler Walter Talun. These days Walter would no longer get a bench seat in a high-school basketball team. ellauri156.html on line 417: King David was the second king of Israel and this film is based on the second book of Samuel from the Bible. When the second Ark of the Covenant is brought to Jerusalem, a soldier reaches out to steady it and is struck dead. While the prophet Nathan declares this the will of God, a skeptical David pronounces it the result of a combination of an electrical shock and too much wine. This blasphemy starts David on the path of sin. ellauri156.html on line 419: As a consequence, David becomes attracted to Bathsheba who is the wife of Uriah, one of David's soldiers. The attraction is mutual although both know an affair would break the law of Moses. When Bathsheba discovers she is pregnant by David, the King sends for Uriah hoping he will spend time with his wife to cover her pregnancy. David's wife Michal who is aware of the affair, tells David that Uriah did not go home but slept at the castle as a sign of loyalty to his King. LOL, a sign of "fuck you" pointed at Dave with Uriah's middle finger without a nail. ellauri156.html on line 423: As a result, a drought hits Israel. David's and Bathsheba's baby dies. Nathan returns to tell David that God is displeased with his sin. Dog wants to see better ones, with more pizzazz. Or else he will not die as the law demands, but he will be punished through misfortune in his family. David takes responsibility but insists Bathsheba is blameless. But the people want Bathsheba killed. The crowd shouts: No, we want Barabbas! David makes plans to save Bathsheba, but she tells David she is not blameless. She has continued seeing Uriah on the side. (The reports of his demise were premature.) They are both at fault. David is reminded of the Lord and quotes Psalm 23 as he plays his harp. (A nice musical interlude in an otherwise numbing show whose spoiler is long since spoiled.) ellauri156.html on line 425: David promises Bathsheba she will not die and is willing to accept God's justice for himself, knowing that he as the hero of the book is safe. Repentant, David, seeking relief from the drought and forgiveness reaches out to touch the Ark presuming that he will die of heat stroke (or was it a short?) like the soldier. A clap of thunder is heard and there are flashbacks to David's youth depicting his anointing by Samuel and his battle with Goliath. King David removes his hands from the Ark as rain falls on the dry land. Screenwriter Dunno said he "left it to the audience to decide if the blessed rain came as the result of divine intervention or simply of a low-pressure system moving in from the Mediterranean." Well it could be both, couldn't it? ellauri156.html on line 431: David was about thirty when he began to reign (2 Samuel 5:4), so we can look for a birth date, which according to the pattern of other proposed birth dates in this series should occur both on a Hebrew holy day, at least some other sacred calendars, and also on a date similar on some calendars to his death date. Those requirements are so stringent to occur in a given year that if we find such a date, it is highly likely to be correct. Moreover, in nearly every case so far, the birth date is more impressive than the death date, and David's proposed death date is a sacred day on 4 calendars (also being 1 Condor on the Sacred Round). ellauri156.html on line 433: Searching for a possible birth date for David produces an ideal candidate, a holy day on 6 of the 7 known sacred calendars. The day Sat 4 Jul 1057 BC was 17 Tammuz (H), 14 Sum (Enoch, Summer Fast), 1 Res (V), 1 Bir (M), 1 Deer (SR), and 1 Jac (Easter on Priest). That Hebrew day is known simply as the Fast of the Fourth Month, which the Lord says will become a day of rejoicing some day (Zech. 8:19). That date ranks with the best birth dates found so far for the prophets. It is identical on the Venus and Mercury calendars to Isaac Bashevis Singer's birthday. This date fits the pattern so well of all the great prophets, as it should to be in Matthew's chain of key links to Christ, that it confirms this whole set of dates as being correct, including the Biblical assertion that the temple was built in the 480th year of the Exodus. ellauri156.html on line 437: The United States of America was also born on July 4th, the date proposed for David's birth. Is that of any significance? If so, there will also be at least another witness, according to what has been discovered so far in the research. It turns out that Thu 4 Jul 1776 was also 17 Tammuz on the Hebrew calendar as was David's birth, so it may not be by chance that the nation which consistently sides with modern-day Israel was born on David's birthday. ellauri156.html on line 439: So are all the fireworks on the Fourth of July the fulfillment of the prophecy that 17 Tammuz will become a day of "joy and gladness"? Probably not, partly because it is to be a day of rejoicing for the Jews and partly because it is not celebrated annually on 17 Tammuz. But that prophecy may have begun to be fulfilled at the Nauvoo Temple dedication on 17 Tammuz. ellauri156.html on line 442: Dunno says his original conception was for a film that would encompass David's life and go into three main chapters: David as a boy fighting Goliath; a more mature David and his friendship with Jonathan, ending with the affair with Bathsheba; and an older David and his relationship with his son Absalom. Dunno wrote a treatment which he estimated would make a four hour movie. Zanuck was not enthusiastic so Dunno then pitched the idea of doing a film just on David and Bathsheba, which Zanuck loved. ellauri156.html on line 444: Dunno conceived it as a modern-type play exploring the corruption of absolute power. The film is noticeably devoid of the epic battles and panoramas frequently seen in biblical movies. It concentrates more on David's exploits between the sheets. ellauri156.html on line 445: Zanuck opted to use stars already under contract to 20th Century-Fox. The production of the film started on November 24, 1950 and was completed in January 1951 (with some additional material shot in February 1951). The film premiered in New York City August 14, and opened in Los Angeles August 30, before opening widely in September 1951. It was shot entirely in Nogales, Arizona, which has a lot of the looks of the promised land, including the indians, who were made up to look like Palestinians. ellauri156.html on line 447: The musical score was by Alfred Newman (the funny looking kid on the cover of Mad magazine), who, for the bucolic scene with the shepherd boy, used a solo oboe in the Lydian mode, drawing on long established conventions linking the solo oboe with pastoral scenes and the shepherd's pipe. To underscore David's guilt-ridden turmoil in the Mount Gilboa scene, Newman resorted to a vibraphone, which Miklós Rózsa used in scoring Peck's popular 1945 Spellbound, in which he played a no less disturbed patient suffering from amnesia, viz. prophet Nathan Zuckerman. ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed. ellauri156.html on line 455: King Solomon, author of The Ancient World in the Cinema, found the film rather slow-paced in the first half before gaining momentum, and Peck "convincing as a once-heroic monarch who must face an angry constituency and atone for his sins." He noted that this was different from other biblical epics in that the protagonist faced a religious and philosophical issue rather than the overdone military or physical crisis. ellauri156.html on line 457: One notable TV airing of the movie was on the American network NBC during The NBC Monday Movie on September 7, 1964 (which was Labor day that year). During one of the commercial breaks was the one and only official airing of the Daisy political advertisement by the Lyndon B. Johnson presidential campaign in the run-up to the 1964 United States presidential election. The commercial aired at 9:50 p.m. EST. It was a family film though most children living in the EST time-zone were gone to bed by then, leaving the children's parents to watch the commercial. The commercial stars a little girl (played by Monique Luiz) who is shown counting petals of a daisy which was then followed by an ominous male voice counting down to zero. During the countdown, the screen zoomed up the girl's eye in such a way whereby the parents would imagine their children there instead of the girl. The next scene was a nuclear explosion with the voice of Johnson asking for peace. ellauri156.html on line 459: The commercial ended with a message for viewers to vote for Johnson in the election. The commercial implied that if Johnson's opponent, Barry Goldwater won the election, Goldwater would recklessly start a nuclear war that would kill the girl (and by extension, the viewer's own children) although Goldwater's name was not mentioned, his voice in not heard and his image was not shown during any point of the commercial. This commercial and its airing was a major factor in Johnson's landslide victory over Goldwater, with Johnson receiving 486 electoral votes to Goldwater's 52. ellauri156.html on line 461: King David and Diana Garland argue that, "Taking remarkable license with the story, the screenwriters changed Bathsheba from the one who is ogled by David into David's stalker." They go on to suggest that "the movie David and Bathsheba, written, directed and produced by males, makes the cinematic Bathsheba conform to male fantasies about women." ellauri156.html on line 463: However, in giving Bathsheba a more active role, Adele Reinhartz found that "it reflects tensions and questions about gender identity in America in the aftermath of World War II, when women had entered the work force in large numbers and experienced a greater degree of independence and economic self-sufficiency. ...[Bathsheba] is not satisfied in the role of neglected wife and decides for herself what to do about it." Susan Wayward was later quoted as having asked why the film was not called Bathsheba and David. I guess it has something to do with the fact that Dog is called Dog in the bible instead of Bitch. ellauri156.html on line 465: When Uriah arrives in Jerusalem, he reports to David, who acts out the charade he has planned. He asks Uriah about the “welfare of Joab and the people,” and the “state of the war.” It troubles me that David needs such a report at all. If he were with his men in the field, this would not be necessary. But even worse, David does not really care about Joab, the people, or the war. David's one preoccupation is to cover up his sin, to get Uriah home and to bed with his wife, and thus to get David off the hook. How sad to read of David's hypocrisy. The king who had compassion on the crippled son of Jonathan now lacks compassion for the whole army, and specifically for Bathsheba and her husband Uriah. ellauri156.html on line 467: David goes through all the right motions with Uriah. He listens to his reports, and then he gives him the night off, some time to go to his house and “wash his feet.” David is not worried about this soldier's personal hygiene; he is worried about his own reputation. When one entered his house, he usually took off his shoes and washed his feet, in preparation for eating and for going to bed. David very delicately encourages this man to go home and go to bed with his wife. Uriah knows it; our author knows it; and we know it. ellauri156.html on line 469: Uriah leaves David's presence. Now David adds a further touch. He sends a “present from the king” after, or with, Uriah. How we would love to know just what that “gift” was. Was it a night for two at the Jerusalem Hilton? Was it dinner and dancing at a romantic restaurant? I think we can safely say this: (1) We are not told what the present was. (2) We are not supposed to know, or it would not add to the story for us to know what it was. (3) Whatever it was, it was very carefully planned to facilitate David's scheme of getting Uriah to bed with his wife, as quickly as possible. ellauri156.html on line 471: Uriah has to understand what the king is suggesting. Who wouldn't want to go home and enjoy his wife after some time of separation, thanks to the war with the Ammonites? Instead, we are told that Uriah never leaves the king's house. He sleeps in the doorway of the king's house, in the presence of a number of the king's servants. I am inclined to understand that at least some of these servants, if not all of them, are the king's bodyguards (compare 1 Kings 14:27-28). Uriah is a soldier. He has been called to his king's presence, away from the battle. But as a faithful servant of the king, he will not enjoy a night alone with his wife; instead, he will join with those who guard the king's life. This is the way he can serve his king in Jerusalem, and so this is what he chooses to do rather than to go home. The irony is overwhelming. The king's faithful soldier spends the night guarding the 50% new life of the king in his wife's womb, the king who has taken his own wife in the night, and who will soon take his life as well. Dramatic irony. ellauri156.html on line 473: Plan B: Be Clearer and More Emphatic With Uriah (11:10-11) ellauri156.html on line 475: On to plan B. David has his spies watching Uriah as though he is the enemy. (Well, he is a rival all right.) They know what David wants; he wants Uriah to go home and sleep with his wife. If they do not know all of the details of what David has done with Bathsheba (which is hard to believe) and what he intends to accomplish by Uriah's visit, they certainly know something out of the ordinary is taking place. One way or the other, David is making these servant-spies co-conspirators with him. ellauri156.html on line 485: Uriah first points out to David that his terminology is inaccurate. David speaks of Uriah returning from a journey (verse 10). The truth is that Uriah has been called from the field of battle. He is not a traveling salesman, home from a road trip; he is a soldier, away from his post. In heart and soul, Uriah is still with his fellow-soldiers. He really wants to be back in the field of battle, and not in Jerusalem. He will return as soon as David releases him (see verse 12). Until that time, he will think and act like the soldier he is. As much as possible, he will live the way his fellow-soldiers are living on the field of battle. There, surrounding the city of Rabbah, are the Israelite soldiers, led by Joab. They, along with the ark of the Lord, are camping in tents in the open field. Uriah cannot, Uriah will not, live in luxury while they live sacrificially. He will not sleep with his wife until they can all sleep with her, not just Dave. ellauri156.html on line 487: With all due respect, Uriah declines -- indeed Uriah refuses -- to do that which would be conduct unbefitting a soldier, let alone a war hero. I think it is important to see that there is no specific command here which Uriah refuses to disobey. To my knowledge, there is no specific law in the Law of Moses which commands a soldier to have sex with women during times of war. (This may have been true in the earlier days of Israel's history, there would not have been another generation of Israelites otherwise, since Israel was almost constantly at war with one of their neighbors.) This is the conviction of Uriah as a soldier, and he will not violate his conscience by deceiving his fellow men in tights, even when commanded to do so by the king. ellauri156.html on line 489: To fully grasp the impact of Uriah's words, let us lick our fingers and turn back a few pages in Samuel's writings to recall David's own words, spoken to Ahimelech the priest, as they relate to this encounter with Uriah: ellauri156.html on line 491: 1 Then David came to Nob to Ahimelech the priest; and Ahimelech came trembling to meet David and said to him, “Why are you alone and no one with you?” 2 David said to Ahimelech the priest, “The king has commissioned me with a matter and has said to me, 'Let no one know anything about the matter on which I am sending you and with which I have commissioned you; and I have directed the young men to a certain place.' 3 “Now therefore, what do you have on hand? Give me five loaves of bread, or whatever can be found.” 4 The priest answered David and said, “There is no ordinary bread on hand, but there is consecrated bread; if only the young men have kept themselves from women.” 5 David answered the priest and said to him, “Surely women have been kept from us as previously when I set out and the vessels of the young men were holy, though it was an ordinary journey; how much more then today will their vessels be holy?” (1 Samuel 21:1-5). Pyhiä vesseleitä. Tarkoittaako se siemenjohtimia? Ilmeisesti, suomexi se on: palvelijoiden reput ovat olleet pyhät. Reppureissulaisia pyhäkouluretkellä pussit tyhjinä. Kassit jätetään ulkopuolelle. ellauri156.html on line 493: You may remember that when David first fled from Saul he went to Ahimelech the priest and asked for some provisions and a sword. The priest had nothing but the sacred bread, which he would allow David and his men to eat, if they had only “kept themselves from women” (verse 4). The priest assumes they may have conducted themselves otherwise. David's answer, and especially the tone of it, is very pertinent to our text. He confidently assured the priest that he and his men had kept themselves from women, almost incensed that the priest would think otherwise. And the reason David gives is that he and his men are on a mission for the king. The inference is that this is a military (or at least official) mission. ellauri156.html on line 495: Now here is a most amazing thing. David, years earlier, was adamant about the fact that those on a mission for the king should keep themselves from sexual intercourse. Now, years later, David is amazed that a man on a mission for the king is willing to abstain from sexual intercourse with his wife. Worse yet, David sets out to convince -- even to compel -- Uriah to go to do so, even though it will cause him to violate his conscience. This is not “causing a weaker brother to stumble;” this is cutting off a stronger brother's "leg" at the knob. Uriah is an example of the commitment expected of every soldier, and of David in particular -- at least the David of the past. Uriah is now acting like the David we knew from earlier days. Uriah is the “David” that David should be. But there is a crucial difference: now David is the king. This makes the case completely different. ellauri156.html on line 497: Uriah's words should have shocked David into a realization of the depth of his sin. The author uses these words in an ironically pivotal way. Uriah has just told David that he will not go to his own house, that he will not eat and drink and sleep with his wife.41 He has put this matter emphatically: “By your life, and the life of your soul, I will not do this thing” (verse 11). In the very next verses, David compels Uriah to “eat and drink” with him, with the hope that he will lie with his wife. And when Uriah swears by the life of the king that he will not do so, the king ends up taking Uriah's life. How ironic! How tragic! How hilarious! ellauri156.html on line 501: David is getting desperate. David has not even entertained the possibility that Uriah will refuse his offer. Uriah speaks with such conviction, David knows that he will never violate his duty as a soldier with all of his mental faculties. David lands upon one last modification to his original plan -- get Uriah drunk and then into bed with his wife. After all, don't people do things when they are drunk that they will not do when sober? This will surely bring about David's intended outcome. ellauri156.html on line 507: David has set out on a course of action that backfires. He intends to put Uriah in a position that will make it appear that he is the father of Bathsheba's child. But Uriah's conduct has publicly exhibited his loyalty to his duties as a soldier, making it more than evident that he cannot possibly be the father of this child. It is worse for David now than it had been when he summoned Uriah to Jerusalem. David concludes -- wrongly -- that his only course of action now is to have Uriah killed in action. I don't know that David actually thinks he can deceive the people of Jerusalem as to whose child Bathsheba's baby is. How can he when everyone knows Uriah has never been with his wife to get her pregnant? It seems now as though David is simply trying to legitimize his sin. By making Uriah a casualty of war, he makes Bathsheba a widow. He can now marry this woman and raise the child as his own, which of course it is. Finally, a plan that makes sense. ellauri156.html on line 509: It must be an agonizing night for David, seeing that even drunk Uriah is a better man than he. But not a better pecker! And so in the morning, David acts. He writes a letter to Joab, which will serve as Uriah's death warrant. In this letter David clearly orders Joab to murder Uriah for him. He even tells him how to do so in a way that might conceal the truth of the matter. In so doing, David can honor Uriah as a war hero, and magnanimously take on the duty of being a husband to Uriah's wife, also taking care of the child she is soon to bear. Joab is to put Uriah on the front lines of battle, at the fiercest place of battle, no surprise for a man of his military skills and courage. Joab is to attack and then retreat in such a way as to make Uriah an easy target for the Ammonites, thus assuring his death. There is no mistaking David's orders to Uriah: he wants Uriah killed in a way which makes it look like a simple casualty of war. Joab complies completely with David's orders (why? Is Uriah a creep?), and Uriah is eliminated, no longer an obstacle to David's plans. In giving this order to Joab, David makes him a part of this conspiracy, making him share the guilt for the spilled blood of Uriah. David's sin continues to encompass more and more people, leading to greater and greater sin. ellauri156.html on line 520: The only engagement between the rival factions which is told at length is noteworthy, inasmuch as it was preceded by an encounter at Gibeon between twelve chosen men from each side, in which the whole twenty-four seem to have perished. In the general engagement which followed, Abner was defeated and put to flight. He was closely pursued by Asahel, brother of Joab, who is said to have been "light of foot as a wild roe". As Asahel would not desist from the pursuit, though warned, Abner "was compelled" to slay him "in self-defence". This originated a deadly feud between the leaders of the opposite parties, for Joab, as next of kin to Asahel, was by the law and custom of the country the avenger of his blood. ellauri156.html on line 524: For some time afterward the war was carried on, the advantage being invariably on the side of David. At length, Ish-bosheth lost the main prop of his tottering cause by accusing Abner of sleeping with Rizpah, one of Saul's concubines, an alliance which, according to contemporary notions, would imply pretensions to the throne. Starhill stablessa oli muuten issikkatamma nimeltä Rispa. Kukahan senkin kanssa nukkui öisin tallissa? ellauri156.html on line 526: Abner was indignant at the rebuke, and immediately opened negotiations with David, who welcomed him on the condition that his wife Michal should be restored to him. This was done, and the proceedings were ratified by a feast where Rizpah and Michal were the lights of the party. Almost immediately after, however, Joab, who had been sent away, perhaps intentionally returned and slew Abner at the gate of Hebron. The ostensible motive for the assassination was a desire to avenge Asahel, and this would be a sufficient justification for the deed according to the extremely low moral standard of the time (although Abner should have been safe from such a revenge killing in Hebron, which was a City of Refuge). The conduct of David after the event was such as to show that he had no complicity in the act, though he could not venture to punish its perpetrators. ellauri156.html on line 528: David had Abner buried in Hebron, as it states in Samuel 3:31-32,[10] "And David said to all the people who were with him, 'Remove your clothes and gird yourselves with this sackcloth taking turns, and wail before me and Li'l Abner.' And King David went after the beer. And they buried Abner in Hebron, and the king raised his voice and wept on Abner's grave, and all the people wept." ellauri156.html on line 532: Li'l Abner is a satirical American comic strip that appeared in many newspapers in the United States, Canada and Europe, featuring a fictional clan of hillbillies in the impoverished mountain village of Dogpatch, USA. Written and drawn by Al Capp (1909–1979), the strip ran for 43 years, from August 13, 1934, through November 13, 1977. ellauri156.html on line 533: Comic strips typically dealt with northern urban experiences before Capp introduced Li'l Abner, the first strip based in the South. The comic strip had 60 million readers in over 900 American newspapers and 100 foreign papers in 28 countries. Capp "had a profound influence on the way the world viewed the American South." ellauri156.html on line 535: Shortly after Abner's death, Ish-bosheth was assassinated as he wept, and David became king of the reunited kingdoms. The conduct of David after the event was such as to show that he had no complicity in the act, though he could not venture to punish its perpetrators. ellauri156.html on line 537: Abner was the son of the witch of En-dor in Mordor, (Pirḳe R. El. xxxiii.), and the hero par excellence in the Haggadah (Yalḳ., Jer. 285; Eccl. R. on ix. 11; Ḳid. 49b). Conscious of his extraordinary strength, he exclaimed: "If I could only catch hold of the earth, I could shake it" (Yalḳ. l.c.)—a saying which parallels the famous utterance of Archimedes, "Had I a fulcrum, I could move the world." (Dote moi pa bo kai tan gan kino.) According to the Midrash (Eccl. R. l.c.) it would have been easier to move a wall six yards thick than one of the feet of Abner, who could hold the Israelitish army between his knees, and often did. Yet when his time came [date missing], Joab smote him. But even in his dying hour, Abner seized his foe's balls like a ball of thread, threatening to crush them. Then the Israelites came and pleaded for Joab's jewels, saying: "If thou crushest them his future kids shall be orphaned, and our women and all our belongings will become a prey to the Philistines." Abner answered: "What can I do? He has extinguished my light" (has wounded me fatally). The Israelites replied: "Entrust thy cause to the true judge [God]." Then Abner released his hold upon Joab's balls and fell dead to the ground (Yalḳ. l.c.). ellauri156.html on line 539: His One Sin: The rabbis agree that Abner deserved this violent death, though opinions differ concerning the exact nature of the sin that entailed so dire a punishment on one who was, on the whole, considered a "righteous man" (Gen. R. lxxxii. 4). Some reproach him that he did not use his influence with Saul to prevent him from murdering the priests of Nob (Yer. Peah, i. 16a; Lev. R. xxvi. 2; Sanh. 20a)—convinced as he was of the innocence of the priests and of the propriety of their conduct toward David, Abner holding that as leader of the army David was privileged to avail himself of the Urine and Thumbeline (I Sam. xxii. 9-19). Instead of contenting himself with passive resistance to Saul's command to murder the priests (Yalḳ., Sam. 131), Abner ought to have tried to restrain the king by the balls. Others maintain that Abner did make such an attempt, but in vain (Saul had not enough to get a proper hold of), and that his one sin consisted in that he delayed the beginning of David's reign over Israel by fighting him after Saul's death for two years and a half (Sanh. l.c.). Others, again, while excusing him for this—in view of a tradition founded on Gen. xlix. 27, according to which there were to be two kings of the house of Benjamin—blame Abner for having prevented a reconciliation between Saul and David on the occasion when the latter, in holding on to the skirt of Saul's robe (I Sam. xxiv. 11), showed how unfounded was the king's mistrust of him, seeing Saul had no balls to speak of. Old Saul was inclined to be happy with a pacifier; but Abner, representing to him that the naked David might have found a piece of garment anywhere — even just a piece of sackcloth caught on a thorn — prevented the reconciliation (Yer. Peah, l.c., Lev. R. l.c., and elsewhere). Moreover, it was wrong of Abner to permit Israelitish youths to kill one another for sport (II Sam. ii. 14-16). No reproach, however, attaches to him for the death of Asahel, since Abner killed him in self-defense (Sanh. 49a). ellauri156.html on line 541: It is characteristic of the rabbinical view of the Bible narratives that Abner, the warrior pure and simple, is styled "Lion King of the Law" (Yer. Peah, l.c.), and that even a specimen is given of a halakic discussion between him and Dog as to whether the law in Deut. xxiii. 3 excluded Ammonite and Moabite women from the Jewish community as well as men. Dog was of the opinion that David, being descended from the Moabitess Ruth, was not fit to wear the crown, nor even to be considered a true Israelite; while Abner maintained that the law affected only the male line of descent. When Dog's dialectics proved more than a match for those of Abner, the latter went to the prophet Samuel, who not only supported Abner in his view, but utterly refuted Dog's assertions (Midr. Sam. xxii.; Yeb. 76b et seq.). ellauri156.html on line 544: A theoretical map of the region around 830 BCE. Moab (aka West Bank) is shown in purple on this map, between the Arnon and Zered rivers. ellauri156.html on line 550: Earlier in this series: David condemned Joab and put him under a curse because he shed the innocent blood of Abner. Now, this same David (well, not really the same David) now uses Joab to kill Uriah and get him out of his way. David's enemy (Joab) has become his friend, or at least his ally. David's enemies (the Ammonites) have become his allies (they fire the fatal shots which kill Uriah). And David's faithful servant Uriah has been put to death as though he were the enemy. Not only is Uriah put to death, but a number of other Israelite warriors die with him. They have to be sacrificed to conceal the murder of Uriah. Uriah's death has to be viewed as one of a group of men, rather than merely one man. Without a doubt, this is the moral and spiritual low-water mark of David's life. ellauri156.html on line 552: These eight verses, devoted to the way in which Uriah's death is reported, are double the length of the account of David's sin with Bathsheba. They virtually equal the length of the account of David's dealings with Uriah. These verses begin with Joab's careful instructions to the messenger, who is to bring the news of Uriah's death to David. They conclude with the messenger's actual report and David's response to it. Why does the author devote so much time and space to the way in which Uriah's death is reported to David? Let us see if we can find the answer to this question as we look more closely at these verses. ellauri156.html on line 556: The answer is quite simple, as is evident by Joab's own concerns. The entire mission is a fiasco. The Israelites have besieged the city of Rabbah. This means they surround the city, giving the people no way in or out of the city. All the Israelites have to do is wait them out and starve them out. There is no need for any attack. The mission is a suicide mission from the outset, and it does not take a genius to see it for what it is. Joab has to assemble a group of mighty men, like Uriah, and including Uriah, to wage an attack on the city. This attack is not at the enemy's weakest point, as we would expect, but at the strongest point. This attack provokes a counter-attack by the Ammonites against Uriah and those with him. When the Israelite army draws back from their own men, they leave them defenseless, and the obvious result is a slaughter. How can one possibly report this fiasco in a way that doesn’t make Joab look like a fool (at best), or a murderer (at worst)? ellauri156.html on line 558: This the reason for Joab's careful instructions to the messenger. He is to report the attack on the city of Rabbah to David, and then tell of the Israelite losses which result. Joab knows that David will react (perhaps hypocritically) to the report of the attack and the resulting losses. It is at this point, Joab instructs the messenger, that he is to inform David of the death of Uriah. This will certainly end any protest or criticism on David's part. ellauri156.html on line 560: And so in verses 22-25 we are given an account of the messenger's arrival, of his report to David, and of David's response. I must point out that the messenger does not do as he is told, at least the way I read the account. The messenger goes to David and tells the king how the Ammonites prevailed against them as they left the city and pursued the Israelites into the open field. The Israelites then pursued the Ammonites, pushing them back toward the city as far as the city gate. It was here that Uriah and those with him were fighting. It was here that they were within range of the archers, who shot at them and killed a number of servants. And quickly the servant adds, “and your servant Uriah the Hittite is also dead” (verse 14). ellauri156.html on line 562: Now why does this messenger not wait for David to respond in anger, as Joab instructed? Why does he inform David that Uriah has been killed, before he even utters a word of criticism or protest? I believe the messenger gives the report in this way because he understands what is really going on here. I think he may know about David and Bathsheba, and perhaps even of her pregnancy. He certainly knows that Uriah was summoned to Jerusalem. I think he also figures out that David wants to get rid of Uriah, and that Joab has accomplished this by this miserable excuse for an offensive against the enemy. I think the messenger figures out that if David knows Uriah has been killed, he will not raise any objections to this needless slaughter. And so, rather than wait for David to hypocritically rant and rave about the stupidity of such a move, he just goes on and tells him first, so that he will not receive any reaction from David. ellauri156.html on line 564: And the servant is absolutely right, as the verse 25 indicates: ellauri156.html on line 568: These words of David are the frosting on the cake. They seem gracious and understanding, even sympathetic. In effect, David is saying, “Well, don't worry about it. After all, you win a few, and you lose a few. That's the way the cookie crumbles.” Uriah, a great warrior and a man of godly character (but not a Jew, mind you), has just died, and David does not express one word of grief, one expression of sorrow, not one word of tribute. Uriah dies, and David is unmoved. Contrast his response to the death of Uriah with his responses to the deaths of Saul and Jonathan (2 Samuel 1:11-27), and even of Abner (2 Samuel 3:28-39). This is not the David of a few chapters earlier. This is a hardened, callused David, callused by his own sin. ellauri156.html on line 570: Our text has many applications and implications for today. Let me suggest a few as I conclude this lesson. First, “Can a Christian fall?” Yes. Some folks in the Bible may cause us to question whether they really ever came to please Dog, folks like Balaam or Samson or Saul. But we have no such questions regarding David. He is not only a believer, he is a model believer. In the Bible, David sets the standard because he is a man after God's heart. Nevertheless, this man David, in spite of his popularity in Dog's circles, in spite of his marvelous times of worship and his bea-u-utiful psalms, falls deeply into sin. If David can fall, so can we, which is precisely what Paul, another crook and tricky Dick, warns us about: ellauri156.html on line 574: Second, “How far can a Christian fall?” This far [Bob points down there with his fingers]. David not only commits the sin of adultery, he commits murder. I think it is safe to say that there is no sin of which the Christian is not capable in the flesh. I have heard people say, “I don't know how a person who _______ could have ever been a Christian.” There are times -- like this time for David -- when it is obvious that we will hardly be saved by the testimony of our actions. Christians come from just the same gene pool of motherfuckers as the rest of us. ellauri156.html on line 576: Third, “How fast can a Christian fall?” This fast [Bob flaps his hands]. It is amazing how quickly David falls into the sins depicted in this one chapter. In a matter of weeks, or months at best. Apart from God's sustaining grace, we can fall very far, very quickly. Let us be reminded of this fact from David's tragic experience. ellauri156.html on line 578: Fourth, "How much wood would a woodchuck chuck if a woodchuck could chuck wood?" Sin snowballs. Sin has not got a snowball's chance in hell. Sin is not stagnant; it is not static. Sin grows. Look at the progression of sin in our text. David's sin starts when he ceases to act like a soldier and (what is way worse) becomes a late sleeper. David's sin grows from staying up late to adultery to murder. His sin begins very privately, but as the story progresses, more and more people become aware of it, and worse yet, more and more people become participants in it. His sin first acted out by his taking another man's wife, and then taking another man's life, and along with his life, his wife, plus the lives of a number of men who must die with him to make his death credible. David's sin blossoms so that it transforms a true and loyal friend (Uriah) to his enemy, and his enemies (the Ammonites, and his other rival Joab) into his allies. ellauri156.html on line 586: Man (and exceptionally, woman) has been seeking to cover up his sins ever since the Garden of Eden. Adam and Eve thought they could cover their sins by hiding their nakedness behind the fig leaves (hardly large enough for Adam's snake), and if not this, by hiding themselves from God behind Eve's bush. But God "lovingly" sought them out, not only to rebuke them and to pronounce some select curses upon them, but to give them a lame promise of forgiveness when the flagpoles start to bloom. It was God who provided a covering for their sins, in the form of snappy sackcloth jeans. The sacrificial death, burial, resurrection, and feasting on rumpsteaks cut from our Lord Jesus Christ's butt is God's provision for covering our sins. Have you experienced it, my friend? If not, why not confess your sin now and receive God's gift of forgiveness from him in person (in pirsuna pirsunalmente), and work henceforward with Jesus Christ in the cross factory of Cavalry? How 'bout that? A. Yokum, frost-bite travelers re-skewered reasonable. Ask for rates! ellauri156.html on line 590: Seventh, Uriah is a reminder to us that God does not always deliver the righteous from the hand of the wicked immediately, or even in this lifetime. This is a really crucial point! Don't except to be saved except ex post facto. Daniel's three friends told the king that their God was able to deliver them. They did not presume that He would, or that He must, only that theoretically, he could if he wanted to. And God did deliver them, though with late delivery, rather like today's postal services. I think Christians should look upon this sort of deliverance as the rule, rather than the exception. But when Uriah faithfully serves his king (David), he loses his life. God is not obliged to “bail us out of trouble” or to keep us from trials and tribulations just because we trust in Him. Sometimes it is the will of God for men to trust fully in Him and to submit to human government (what? like U.S. government? No way Jose!), and still to suffer adversity, from which God may not deliver us. Spirituality is no guarantee that we will no longer suffer in this life. In fact, spiritual intimacy with God is often the cause of our sufferings (see Matthew 5). ellauri156.html on line 592: Manic Street Preachers Lyrics ellauri156.html on line 594: Track "Manic Street Preachers" ellauri156.html on line 611: Stupid question, everyman has not got Dog's triceps, so how could he deliver Daniel, even if he wanted to? Well, he might have delivered Daniel to the lions, had he been all present and correct at the occasion. In the Old Testament, as in the New, God sometimes delivers His people from the hands of wicked men, but often He does not, or delivers them TO the wicked men. Their “deliverance” comes much later with the coming of the other Messiah, Lord Jesus Christ. Uriah, like all of the Old Testament saints of old, died without receiving his full reward, and that is because God wanted him to wait. Uriah, like many of the Old Testament saints, was not delivered from the hands of the wicked. This is pointed out by the author of Hebrews: ellauri156.html on line 613: 13 All these died in faith, without receiving the promises, but having seen them and having welcomed them from a distance, and having confessed that they were strangers and exiles on the earth. 14 For those who say such things make it clear that they are seeking a country of their own. 15 And indeed if they had been thinking of that country from which they went out, they would have had opportunity to return. 16 But as it is, they desire a better country, that is, a heavenly one. Therefore God is not ashamed to be called their God; for He has prepared a city for them. 32 And what more shall I say? For time will fail me if I tell of Gideon, Barak, Samson, Jephthah, of David and Samuel and the prophets, 33 who by faith conquered kingdoms, performed acts of righteousness, obtained promises, shut the mouths of lions, 34 quenched the power of fire, escaped the edge of the sword, from weakness were made strong, became mighty in war, put foreign armies to flight. 35 Women received back their dead by resurrection; and others were tortured, not accepting their release, so that they might obtain a better resurrection; 36 and others experienced mockings and scourgings, yes, also chains and imprisonment. 37 They were stoned, they were sawn in two, they were tempted, they were put to death with the sword; they went about in sheepskins, in goatskins, in foreskins, being destitute, afflicted, ill-treated 38 (men of whom the world was not worthy), wandering in deserts and mountains and caves and holes in the ground. 39 And all these, having gained approval through their faith, did not receive what was promised, 40 because God had provided something even better for us, to make up for the wait, so that apart from us they would not be made perfect (Hebrews 11:13-16, 32-40). ellauri156.html on line 615: Uriah should not be criticized or looked down upon for his loyalty and submission to David. He should be highly commended. In fact, a friend suggested a new thought for my consideration: “Suppose that Uriah was added to the list of war heroes because of his loyalty and courage in this battle which cost him his life? It is a possibility to consider. Uriah is one of those Gentile converts whose faith and obedience puts many Israelites to shame. He is among many of those who have trusted and obeyed God who have not received their just rewards in this life, but who will be rewarded in the coming kingdom of God. Too many Christians today want their blessings “now” and are not willing to suffer, waiting for their reward then. Let them think carefully about the example of Uriah for their own lives. His elevator may have not gone all the way to the top floor, but by Gawd, he will reach it when Jacob lets down the ladder! ellauri156.html on line 618: 39 We know that while David was at the cave of Adullam, his brothers and all his father’s household, along with others in distress, came to David there, fearing the wrath of Saul (1 Samuel 22:1-2). Joab, Abishai, and Asahel were all the sons of Zeruiah, the sister of David (1 Chronicles 2:16). I infer from this that these three men joined David at the time his family joined him. ellauri156.html on line 620: 41 Is this, by any chance, a clue as to what the “present” was that David sent after Uriah in verse 8? Was the present some “food and drink”? I wonder. 42 Uriah’s actions raise some interesting questions about those who get themselves drunk. It seems to me that our text strongly implies that even drunk, a man cannot be forced to violate his convictions, unless of course he wants to do so. I wonder how many people get drunk because they want to do what they do drunk, and they think they can blame alcohol for their own sin? It seems like another version of, “The Devil made me do it.” ellauri156.html on line 625: A couple hundred years ago, my wife Jeannette and I went to England and Scotland with my parents. Each night we stayed at a “bed and breakfast” as we drove through Wales. There were a number of farms, but not so many towns in which to find a place to stay for the night. We saw a “bed and breakfast” sign and traveled along the country road until we found the place -- a very quaint farm. We saw several hundred sheep in a pasture, a stone trestle, and stone barns. It looked like the perfect place, and in many ways it was. What we did not realize was that the stone trestle was a railroad trestle for a train that came by late at night, a few feet from the house where we slept. Two cows also calved that night. I have spent my share of time around farms, but I have never heard the bellow of a cow that was calving echo throughout a stone barn. I could hardly sleep a wink. Just goes to show. Never trust the Rugby guys. ellauri156.html on line 629: Now this little fellow was one lamb among a great many. Nevertheless, he enjoyed the distinction of being regarded as a “pet lamb.” (I am coming to te most narcissistic part of my sermon, going to introduce you to the good shepherd in a moment.) In the story which Nathan tells David, it is not quite the same. Nathan tells David of a “pet lamb” who is the only sheep of a poor farmer. This lamb does not live in a pen outside the house; it lives inside the house, often in the loving hairy arms of its master, and eats the same food he eats. This is the story Nathan tells David, which God uses to expose the wretchedness of David's sin. It is our text for this message, and once again, it has much to teach us, as well as David. Let us give careful heed to the inspired words of Nathan, and learn from a lamb. (I bet the lamb had much more to learn from the "boys".) ellauri156.html on line 633: David has become king of both Judah and Israel. He has, in large measure, consolidated his kingdom. He has taken Jebus and made it his capital city, renaming it Jerusalem. He has built his palace and given thought to building a temple (a plan God significantly revises). He has subjected most of Israel's neighboring nations. He has done battle with the Ammonites and prevailed, but he has not yet completely defeated them. The Ammonites have retreated to the royal city of Rabbah, and as the time for war (spring) approaches, David sends all Israel, led by Joab, to besiege the city and to bring about its surrender. David has chosen not to endure the rigors of camping in the open field, outside the city. He has chosen rather to remain in Jerusalem. Sleeping late, David rises from his bed as others prepare to go to bed for the night. David strolls about the rooftop of his palace and happens to steal a look at a beautiful young woman bathing herself, perhaps ceremonially, in fulfillment of the law. ellauri156.html on line 641: Bathsheba's response to the death of her husband is as we would expect, as we would also hope. From what the text tells us, she has absolutely no part in David's plot to deceive her husband, let alone to put him to death. Undoubtedly, she learns of Uriah's death in much the same way every war widow does, then or now. When she is officially informed of Uriah's death in battle, she mourns for her husband. We cannot be certain just how long this period of mourning is. We know, for example, that if a virgin of some distant (i.e., not Canaanite) nation was captured by an Israelite during a raid on her town, the Israelite could take her for a wife after she had mourned for her parents (who would have been killed in the raid) for a full month (Deuteronomy 21:10-13). As I will seek to show in a moment, I believe Bathsheba's mourning is genuine, and not hypocritical. I believe she mourns her husband's death because she loves him. ellauri156.html on line 643: David, on the other hand, does not even bother to go through the pretense of mourning. He does not even try to be hypocritical. When other mighty men of Israel died, David led the nation in mourning their loss. David mourned for Saul and his sons, killed in the battle with the Philistines (2 Samuel 1). David mourned the death of Abner, wickedly put to death by Joab (2 Samuel 3:28ff.). He even sent a delegation to officially mourn the death of Nahash, king of the Ammonites (2 Samuel 10). But when Uriah is killed “in battle,” not a word of mourning comes from David's lips. He is not sorry; he is relieved. Instead of instructing others to mourn for Uriah, he sends word to Joab not to take his death too seriously. ellauri156.html on line 647: Nathan has a response to the death of Uriah too, which is taken up in the first part of chapter 12. But let us save that until after drawing your attention to something which has been going on in David's life that we have not seen from our text, and which the author of Samuel has not recorded. But David himself discloses this to us in one of his psalms, written in reflection of this incident in our text. ellauri156.html on line 658: Psalm 32 is one of two psalms (the other is Psalm 51) in which David himself reflects on his sin, his repentance, and his recovery. Verses 3 and 4 of Psalm 32 are the focus of my attention at this point in time. These verses fit between chapters 11 and 12 of 2 Samuel. The confrontation of David by Nathan Zuckermann the prophet, described in 2 Samuel 12, results in David's repentance and confession. But this repentance is not just the fruit of Nathan's rebuke; it is also David's response to the work God has been doing in David's heart before he confesses, while he is still attempting to conceal his sin. ellauri156.html on line 660: In these verses, David makes it clear that God is at work even when it does not appear to be so. During the time David tries to cover up his sin, God is at work exposing it in his heart. These are not times of pleasure and joy, as Satan would like us to conclude; they are days of misery. David is plagued with guilt. He cannot sleep, and it seems he cannot eat. Worst of all, he cannot fuck. He is not sleeping nights, and he is losing weight. Whether or not David recognizes it as God who is at work in him, he does know he is miserable. It is this misery which tenderizes David, preparing him for the rebuke Nathan Zuckermann is to bring, preparing him for repentance. David's repentance is not the result of David's assessment of his situation; it is the result of divine intervention. Hey wait? If that is the case, where is the much-advertised free will? He has gone so far in sin that he cannot think straight. God is at work in David's life to break him, so that he will once again cast himself upon God for grace. He has good experience in casting himself upon folk, from Saul thru Jonathan to Bathsheba. ellauri156.html on line 681: Third, Nathan comes to David with a story. In the New American Standard Bible, this is not just a story, but a kind of poetic story. In my copy of the NASB, the words of the story are formatted in such a way as to look like one of the Psalms.43 It took me a while to take note of this, but if this is so, it means that Nathan comes to David prepared. Under divine inspiration, I am sure God could inspire a prophet to utter poetry without working at it in advance, but this does not seem to be the norm. Nathan comes to David well prepared. He is not just “spinning a yarn;” Nathan is telling a story, a very important story with a very important message for David. A message for you sir. Nih Nih. ellauri156.html on line 683: Fourth, Nathan's story is a “sheep story,” one that a shepherd can easily grasp and with which he can readily identify. David was a shepherd boy in his younger days, as we know from the Book(s) of Samuel (see 1 Samuel 16:11; 17:15, 28). I wonder if in those lonely days and nights David does not make a “petlamb” of one or more of his sheep? You bet. Some comfort for his lonely nights. Did this sheep eat of his food and drink from his cup? Did this sheep give him a blowjob? Possibly so. ellauri156.html on line 685: Fifth, the story Nathan tells David does not “walk on all fours” -- that is, there is no “one to one correspondence” with the story of David's sin with Bathsheba and Uriah. The sheep (which we would liken to Bathsheba) is put to death, not the owner (whom we would liken to Uriah). I think it is important to take note of this fact, lest we press the story beyond its intent. ellauri156.html on line 687: Why a story? Why not just let David have it head-on, with both barrels, like David did with Bathsheba? Many will point out that this is a skillfully employed tactic, which gets David to pronounce judgment on the crime before he realizes that he is the criminal. I think this is true. David is angry at this “rich man's” lack of compassion. If he could, he would have this fellow put to death (!). But as it is, justice requires a four-fold restitution. But having already committed himself in principle, Nathan can now apply the principle to David, in particular. ellauri156.html on line 689: As I understand the Bible, there is more to the story than this, however. Our lord (meaning Jeshua) frequently told stories. Why was this? Was it because he was trying to “put the cookies on the lowest shelf”? Was he accommodating his teaching to those who might have difficulty understanding it? Sometimes our lord told stories to the religious experts, who should have been able to follow a more technical argument. No, I think his own elevator did not quite reach the upper floors. I am thinking in particular of the story of the Good Samaritan, as recorded in Luke 10. A religious lawyer stood up and asked Jesus a question, not to sincerely learn, but with the hope of making our Lord look bad before the people. He asked, “What shall I do to inherit eternal life?” Jesus turned the question around. This man was the expert in the Law of Moses, what did it teach? The man answered, “YOU SHALL LOVE THE LORD YOUR GOD WITH ALL YOUR HEART, AND WITH ALL YOUR SOUL, AND WITH ALL YOUR STRENGTH, AND WITH ALL YOUR MIND; AND YOUR NEIGHBOR AS YOURSELF, THAT IS, EVEN MORE.” (Luke 10:27). In effect, Jesus responded, “Right. Now do it.” That was the problem with the law, no one could do it without failing, and so no one could earn their way to heaven by good works. Well, how high can we get with mediocre works? Someplace between heaven and hell would actually be most preferable. ellauri156.html on line 691: The lawyer knew he was in trouble and tried to dig himself out (bad choice). He (like many lawyers then and now) thought he could get himself off the hook by arguing in terms of technicalities. And so he had a follow-up question for Jesus: “And who is my neighbor?” Jesus did not debate this man on his own terms. He was not willing to get into a word study in the original text. Instead, Jesus told a simple story, the story of the Good Samaritan. ellauri156.html on line 699: The lawyer was in trouble; the story had no technicalities over which to argue. It brought the issue home, with little ground for quibbling over details. When push came to shove, the lawyer knew our Lord's functional definition of “neighbor” was absolutely right. He had nowhere to hide. The story did the trick; it cut to the heart of the matter, while avoiding trivial details to quibble over for hours. It was not the lawyer who made Jesus look bad with all his minutiae but Jesus who made the lawyer look bad with a simple story. The best part about similes that they can be tweaked any way you wish. Russians are our neighbors if they get to trouble, and so are Chinamen. But there is nothing here about helping them when they threaten our vital interests. ellauri156.html on line 701: That is part of the reason Nathan told David this story. It was never meant to be a makeover of David's sin; it is meant to expose David's sin in principle, in a way that cannot be denied. Having done this very well, Nathan then presses on to deal with David's sin specifically. ellauri156.html on line 703: The story Nathan tells David is very simple. Two men lived in the same city; one was very rich and the other was very poor. The rich man had flocks and herds.44 The rich man did not just have a large flock and a large herd; he had many flocks and many herds. We would say this man was “filthy rich.” The poor man had but one ewe lamb; this was his “pet lamb.” He purchased it and then raised it in his own home. The lamb spent much time in the man's lap and being carried about. It lived inside the house, not outside, being hand fed with food from the table and even drinking from its master's cup. ellauri156.html on line 705: Some of you cannot even imagine what this is like. It is a horrifying thought to you. How could anyone treat an animal that way? I have only one response: Obviously you haven't been to our house lately to be greeted by two cats (who, to the dismay of my wife, can be found around -- and sometimes on -- the table) and four dogs (none of them are ours, technically). I say nothing about my petlamb, even Jennifer doesn't quite approve. ellauri156.html on line 707: The rich man had a guest drop in for a visit, and as the host he was obliged to provide him with a meal. After giving the matter considerable thought, the rich man decided upon lamb, and yet he was not willing to sacrifice one lamb from all those he owned. Instead, he took the poor man's lamb, slaughtered and served it to his guest, so as not to suffer any losses personally. He not only let (i.e., forced) the poor man to pick up the tab for the meal, he deprived this man of his only lamb, and one that was like a member of the family. ellauri156.html on line 709: I hope I am not guilty of attempting to make this story “walk on all fours” when I stress the same thing the story does -- that there is a very warm and loving relationship between the rich man and the poor man's “pet lamb.” It really tasted great! Considered along with everything else we read about Uriah and Bathsheba and David, I must conclude that the author is making it very clear that Uriah and Bathsheba dearly loved each other. Anyway, who cares this way or that, it was his lamb. When David “took” this woman to his bedroom that fateful night, and then as his wife after the murder of Uriah, he took her from the man she loved. Bathsheba and Uriah were devoted to each other, which adds further weight to the arguments for her not being a willing participant in David's sins. It also emphasizes the character of Uriah, who is so near to his wife, who is being urged by the king to go to her, and yet who refuses to do so out of principle. ellauri156.html on line 711: David does not see what is coming. The story Nathan tells makes David furious. The David who was once ready to do in Nabal and all the male members of his household (1 Samuel 25) is now angry enough to do in the villain of Nathan's story. Doing in folks was one of his pet lambs. In some ways, David's response is a bit overdone. He reminds me a bit of Judah in Genesis 38, when he learns that Tamar, his daughter-in-law is pregnant out of wedlock. Not realizing that he is the father of the child in her womb, Judah is ready to have Tamar burned to death. How ironic that those who are guilty of a particular sin are intolerant of this sin in the life of others. Well said, Bob! Christians are really hard on people who have no charity. ellauri156.html on line 713: David identifies two evils that have been committed by this fictional rich man. First, the man has stolen a lamb, for which the law prescribed a fourfold restitution (Exodus 22:1). ellauri156.html on line 722: Second, David recognizes what he views as the greater sin, and that is the rich man's total lack of compassion. David is furious because a rich man stole and slaughtered a poor man's pet. He does not yet see the connection to his lack of compassion for stealing a poor man's beloved companion, Uriah's wife, Bathsheba. The slaughtering of Uriah is most certainly an act which lacks compassion. The crowning touch in David's display of righteous indignation is the religious flavoring he gives it by the words, “as the Lord lives” (verse 5). ellauri156.html on line 724: Nathan's Indictment (12:7-12) ellauri156.html on line 728: David has just sprung the trap on himself, and Nathan is about to let him know about it. The first thing Nathan does is to dramatically indict David as the culprit: “You are the man!” In stunned silence, David now listens to the charges against him. David thinks only in terms of the evils the rich man committed against his neighbor, stealing a man's sheep and depriving him of his companion. Put another way, David thinks only in terms of crime and socially unacceptable behavior, not in terms of sin. In verses 7-12, Nathan draws David's attention to his sin against God and the consequences God has pronounced for his sin. Note the repetition of the pronoun “I” in verses 7 and 8: “It was I who. . . ellauri156.html on line 734: God speaks to David as though he has forgotten these things, or rather as though he has come to take credit for them himself. Everything David possesses has been given to him by God. Has it been so long since David was a lowly shepherd boy that he has forgotten? David is a “rich” man because God has made him rich. And if he does not think he is rich enough, God will give more to him. David has begun to cling to his “riches,” rather than to cling to the God who made him rich. ellauri156.html on line 738: I fear some of us tend to miss the point here. We read Nathan's story and we hear Nathan's rebuke as though David's sin is all about sex. David does commit a sexual sin when he takes Bathsheba and sleeps with her, knowing she is a married woman. But this sexual sin is symptomatic, according to Nathan, and thus according to God. God is not just saying, “Shame on you, David. Look at all the wives and concubines you had to sleep with. And if none of these women pleased you, I could have given you another woman, just one that was not already married.” Wow, this is the same 'gotcha' as with Adam earlier: I give you about anything as long as you keep your fingers off my property. ellauri156.html on line 740: Nathan tells David the story of a rich man and a poor man. God tells David through Nathan that all that he possesses (his riches) it is he, the boss, who has given them to him. God is like the rich man, and David the poor one with just the one. David's problem is that his possessions have come to own him. He is so stingy he won't even give his petlamb to Mr. Rich. He is so “possessed” with his lamb that he is unwilling to spend it when his boss has a party. He wants “more” and “more,” and so he begins to take what isn’t his to take, rather than to ask the divine Giver for all he has and more. ellauri156.html on line 764: Vähän tollasta koston makua. Retributive justice. Se on parempi nimi, kostaminen ei ole enää tit-for-tat takaisinmaxua, vaan pomoapinan suorittamaa reviirien uusjakoa. Siinähän se on kuten on moneen kertaan todettu: nää uskontomeemit on keskusjohtoisen termiittiyhteiskunnan kiiltokuvastoa. ellauri156.html on line 768: The consequences are not only appropriate, but intensified. David took one man's wife; another will take several (I bet four) of his wives. This happens when Absalom rebels against his father's rule and temporarily takes over the throne. Following the advice of Ahithophel, Absolom pitches a tent on the roof of David's palace (the place from which David first looked upon Bathsheba) and there, in the sight of all Israel, sleeps with David's concubines as a declaration that he has taken over his father's throne and all that goes with it (2 Samuel 16:20-22). While David seeks to commit his sins in private, God sees to it that the consequences are very public. Aijaa. Kai tää Absalom-tarinakin täytyy vielä lehteillä. ellauri156.html on line 774: I do not know how many people I have known who refused to rebuke or even caution someone close to them, thinking that they are being a friend by being non-condemning. A good friend does not let us continue on the path to our own destruction. Nathan was acting as a prophet, but he was also acting like a friend. Would that we had more professor friends. Would that we were a prophylactic friend to one on the path of destruction. Deliver in a timely manner those who are being taken away to death, And those who are staggering to slaughter, Oh hold them back (Proverbs 24:11). ellauri156.html on line 776: (2) God sees our sin, even when men do not. He sees through the privy door. Our sins never slip past God unnoticed. The wicked refuse to believe that God sees their sin, or that if He does, that He will deal with it: And they say, “How does God know? And is there knowledge with the Most High?” (Psalm 73:11; see 2 Peter 3:3ff.) The answer is he has X-ray vision. And a huge notebook. God may delay judgment or discipline, but He will never ignore our sin. If he ignores it, it was a venial sin. But better not try your luck! ellauri156.html on line 784: If we look very very carefully at the Bible, we can see that it is a thick book with unusually small print and thin leaves. We will see why stories like that of our text were written. They were written for the small print. They were not written to encourage us to sin, but to warn us of the danger of sin, and thus to encourage us to avoid sin at all costs. After outlining the major sins of the nation Israel in the wilderness in 1 Corinthians 10:1-10, Paul then applies the lesson of history to the Corinthians, and thus to us: ellauri156.html on line 800: (5) David's sin, like all sin, is never worth the price. I have actually had people ask me what the penalty for a certain sin would be, planning to do it and then be forgiven. There are those who toy with sin, thinking that if they sin, they may suffer some consequences, but that God is obliged to forgive them, and thus their eternal future is certain and secure, no matter what they do, even if intentionally. I know of one situation in which a church leader left his wife and ran off with the wife of another, planning to later repent, and then expecting to be welcomed back into the fellowship of that church. This is presumptuous sin, sin of the most serious and dangerous kind. Rather than open a “can of worms” at this point in this message, let me simply say this: “No one ever chooses to sin, and then comes out of it with a smile on their face.” My friend Dawg will almost certainly wipe that smug smirk off their face. I still seethe when I think of that colleague of mine, and how he got away with dumping her hag and plucking a dainty dish from Brother ... (better not say). Took just a few months for the brotherhood to relent. Fuck, it shouldn't be that easy! A little more speedy delivery of the retribution would be indicated, don't you think, milord? Not that I criticize you in any way, milord. ellauri156.html on line 802: I used to teach school. From time to time the principal would call a misbehaving student to his office. I will never forget when one of my students was called to his office, and then returned with a smirk on his face. One of my students protested publicly, “Will you look at that? He went to the principal's office and came back with a smile on his face!” My young student was absolutely right. Being called to the principal's office for correction should produce repentance and respect, not a smile. In those few times when I found it necessary to use the “rod” of correction, I purposed that no student would come back into the room with a smile, and none did (including the principal's own son, I might add, who was not even in my class). Oh how my students loved and respected me! I still think it was unfair to sack me. There was hardly any mark left on their precious skin from my rod. Least of all of the one that I used on my coeds. ellauri156.html on line 804: I have never met a Christian who chose to sin, and after it was all over felt that it was worth the price. Those that did quite simply were not Christians. David's sin and its consequences should not encourage us to sin, but should motivate us to avoid sin at all costs. The negative consequences of sin far outweigh the momentary pleasures of sin. Sin is never worth the price, even for those whose sin is forgiven. Sin is not worth it even when it's free of charge. In fact, we ought to be paid to commit sin. (Some do, like the adulterous woman in Proverbs, and Trick Dick's burglars. But we won't open that can of worms now that we are this close to the finish line.) ellauri156.html on line 806: (6) It was the story of the slaughter of a lamb which exposed the immensity of David's sin. It is the story of the slaughter of The Lamb of God which exposes the immensity of our sins. (I am not suggesting that this comparison is on all fours, though the thought is close. Like the rich man slaughtering the poor people's only lamb to have a feast.) Isn't it amazing that David was so blinded by his own sin that he could not see it? It was by means of the story of the slaughter of a poor man's pet lamb that David was gripped with the immensity of the sin which was his own. David could see his own sin when he heard the story of what appeared to be the sin of another. ellauri156.html on line 810: Note that this last part is full of Saulus quotes. Whenever evangelists are about to finish they pepper their talk with these Saulus quotes. I guess it is because Saulus' job was so close to their own: first scare the suckers and then sugar the medicine. ellauri156.html on line 812: That is precisely what the cross of our Lord Jesus Christ does for us. We were dead in our trespasses and sins (Ephesians 2:1-3). We were blinded to the immensity of our sins (2 Corinthians 4:4). The coming of our Lord Jesus Christ, His perfect life, His innocent and sacrificial death, His literal and physical resurrection are all historical events. But the gospel is also a story, a true story. When we read the New Testament Gospels, we read a story that is even more dramatic, more amazing, more disturbing than the story Nathan told David. When we see the way unbelieving men treated our Lord, we should be shocked, horrified, and angered. We should cry out, “They deserve to die!” And that they do. But the Gospel is not written only to show us their sins -- those who actually heard Jesus and cried, “Crucify Him, Crucify Him” -- it is written so that the Spirit of God can cry out in our hearts, “Thou art the man! Yo mon!” When we see the way men treated Jesus, we see the way we would treat him, if he were here. We see how we treat him today. With laughter and ridicule. And that, my friend, reveals the immensity of our sin, and the immensity of our need for repentance and forgiveness. Words, words, words. Sticks and stones may break my bones, but words will never hurt me. ellauri156.html on line 814: The Gospel of Jesus Christ is “Good News.” (No, it is Dog's breakfast. You must be thinking of euangelion.) The “Good News” is the death of our Lord, which reveals the immensity of our sin, is the immense workload of God by which he can and will forgive us of our sin. (Recall here Dosto's and many other mystics' meme that everybody should feel guilty of everything. They really enjoy it! It is some variant of algolagnia.) By His innocent and sacrificial death, Jesus died in our place, paid the penalty for our sins. Come to think of it, the logic of this story IS on all fours with God's judgment on David's oversight: Not nice but don't worry, I'll cash your debt on some innocent scapegoat. ellauri156.html on line 816: He bore ours sins on the cross! And by trusting in His death, burial, and resurrection, we die to sin (or sin to die, pick your choice, like David from Nathan's deck of bottom cards) and are raised to novelty products of eternal life, in Christ. The Gospel must first bring us to a recognition of the magnitude of our sin, and of our guilt, and then it takes us to the magnitude of God's grace in Jesus Christ, by which our sins can be forgiven. Have you come to see how great your sins are before a holy God? Then I urge you to experience how great a salvation is yours, brought about by this same God, through the death, burial, and resurrection of Lord Jesus Christ. What a Relief! Plop plop fizz fizz, oh what a relief it is. ellauri158.html on line 6: font-style: italic; ellauri158.html on line 44: Spinoza’s views on necessity and possibility, which he claimed were the “principal foundation” of his Ethics (Ep75), have been less than well received by his readers, to put it mildly. From Spinoza’s contemporaries to our own, readers of the Ethics have denounced Spinoza’s views on modality as metaphysically confused at best, ethically nihilistic at worst. Kristityt on aina vihanneet Spinozaa, mutta niin on juutalaisetkin. Siili ressu. ellauri158.html on line 46: The actual world, we might now say, is the only possible world. Events could not, in the strongest sense of that expression, have gone any differently than they in fact have gone. This is the position of necessitarianism, a belief that few in the history of Western philosophy have explicitly embraced. And for good reason — on the face of it, necessaritianism is highly counterintuitive. Surely the world could have gone slightly differently than it has gone. Couldn’t the Allies have lost WWII? No way! They were in the right! Couldn’t Leibniz have been a sister or not been born at all? Täähän on kuin Jaakko Hintikka versus Jon Barwise. ellauri158.html on line 49: Ad nauseam as well? Spinoza has little sympathy with the traditional monotheistic idea that God created the world ex nihilo. There is no true “in the beginning” style cosmogony, according to Spinoza. Se on kristityille suuri pettymys. Ne haluu alkuun ison bangin ja loppuun toisen samanlaisen. Ja koska kaikilla oli niin muu-kaa-vaa, eiköhän aloiteta koko touhu aa-lus-taa. ellauri158.html on line 53: What Clarke argues is that the Newtonian natural system and the findings that stem from it are incompatible with the “blind necessity” that characterizes both the Epicurean and Spinozistic world picture, precisely because this system implies the existence of an immaterial and wise Creator. What the fuck? It is a deterministic system par excellence. Ach, tarkoitatte alkuehtoja. Vanha antroposentrinen jumalatodistus: jos jumala ei olis säätänyt kaikkea näin hyvin, ei olis meitäkään. Tää ei voi olla sattumaa! Maailmamme ei voi olla 1 ziljoonasta sokeasta yrityxestä! Vai voiko se? This lottery is unfair, huutaa Shirley Jackson kiukkuisena, kun kivet lentävät. Shirley putkahti esille albumissa 133 ja putkahtaa uudelleen esille albumissa 270. ellauri158.html on line 55: Nää hemmot panee Spinozan ja Epikuroxen paholaisen karsinaan ja kaizee Ciceron ja Platon lampaiden puolelle. Turha sanoakaan kummalle puolelle navettaa joutuu tämä paasaaja. Newton ihmetteli miten tarkkaan kelloseppä on kaiken virittänyt apinoiden hyväxi. Miten se voisi olla sattumaa. Niinpä, mitenpä. Toisaalta, jos tätä sattumaa ei olis sattunut, ei olisi näitä apinoitakaan. Mikä voisi tarkemmin ajatellen olla hyvä asia. Tuliko sittenkin vähän tonttuiltua, vai mitä? ellauri158.html on line 64: cum indicatione locorum citationis earundem. ellauri158.html on line 76: P.1. defin. 2. Ea res dicitur in suo genere finita, quae alia eiusdem naturae terminari potest. [in: P. 1. prop. 8., prop. 21., etiam in: Ep. 4. §. 3.] ellauri158.html on line 99: P.1. defin. 7. Ea res libera dicetur, quae ex sola suae naturae necessitate existit et a se sola ad agendum determinatur; necessaria autem, vel potius coacta, quae ab alio determinatur ad existendum et operandum certa ac determinata ratione. [in: P. 1. prop. 17. coroll. 2., prop. 32., prop. 33. schol. 2., P. 2. prop. 17. schol., P. 3. prop. 49.] ellauri158.html on line 129: P. 1. axiom. 5. Quae nihil commune cum se invicem habent, etiam per se invicem intelligi non possunt, sive conceptus unius alterius conceptum non involvit. [in: P. 1. prop. 3.] ellauri158.html on line 137: P. 1. axiom. 7. Quicquid ut non existens potest concipi, eius essentia non involvit existentiam. [in: P. 1. prop. 11.] ellauri158.html on line 180: -- P. 1. prop. 8. schol. 2. Substantiae et earum modificationes. [in: P. 1. prop. 15. schol., etiam in: Ep. 4. §. 2.] ellauri158.html on line 210: -- P. 1. prop. 14. coroll. 1. Hinc clarissime sequitur 1. Deum esse unicum, ... [in: P. 1. prop. 17. coroll. 2., prop. 24. coroll., prop. 29. schol., prop. 30., prop. 33., P. 2. prop. 4.] ellauri158.html on line 215: P. 1. prop. 15. Quicquid est in Deo est, et nihil sine Deo esse neque concipi potest. [in: P. 1. prop. 17., prop. 18., prop. 23., prop. 25., prop. 25. coroll., prop. 28. schol., prop. 29., prop. 30., prop. 31., P. 2. prop. 3., prop. 10. coroll., prop. 33., prop. 36., prop. 45., P. 4. prop. 28., prop. 37., P. 5. prop. 14., prop. 36. schol.] ellauri158.html on line 221: -- P. 1. prop. 16. coroll. 1. Hinc sequitur, Deum omnium rerum, quae sub intellectum infinitum cadere possunt, esse causam efficientem. [in: P. 1. prop. 17. schol., prop. 18., prop. 34.] ellauri158.html on line 230: -- P. 1. prop. 17. schol. Dei existentia, sicut eius essentia, aeterna est veritas. [in: P. 1. prop. 33. schol. 2.] ellauri158.html on line 244: -- P. 1. prop. 20. coroll. 1. Hinc sequitur 1. Dei existentiam, sicut eius essentiam, aeternam esse veritatem. ellauri158.html on line 252: P. 1. prop. 21. Omnia, quae ex absoluta natura alicuius attributi Dei sequuntur, semper et infinita existere debuerunt, sive per idem attributum aeterna et infinita sunt. [in: P. 1. prop. 22., prop. 23., prop. 28., prop. 29., app., P. 2. prop. 11., prop. 30., P. 4. prop. 4., P. 5. prop. 40. schol.] ellauri158.html on line 256: P. 1. prop. 22. Quicquid ex aliquo Dei attributo, quatenus modificatum est tali modificatione, quae et necessario et infinita per idem existit, sequitur, debet quoque et necessario et infinitum existere. [in: P. 1. prop. 23., prop. 28., app., P. 2. prop. 11.] ellauri158.html on line 260: P. 1. prop. 23. Omnis modus, qui et necessario et infinitus existit, necessario sequi debuit vel ex absoluta natura alicuius attributi Dei, vel ex aliquo attributo modificato modificatione, quae et necessario et infinita existit. [in: P. 1. prop. 32., app.] ellauri158.html on line 265: -- P. 1. prop. 24. coroll. Hinc sequitur, Deum non tantum esse causam, ut res incipiant existere; sed etiam, ut in existendo perseverent, sive (ut termino scholastico utar) Deum esse causam essendi rerum. [in: P. 1. prop. 28., prop. 28. schol., prop. 29., P. 2. prop. 45. schol., P. 4. prop. 4.] ellauri158.html on line 269: P. 1. prop. 25. Deus non tantum est causa efficiens rerum existentiae, sed etiam essentiae. [in:P. 1. prop. 26., P. 5. prop. 22.] ellauri158.html on line 271: -- P. 1. prop. 25. coroll. Res particulares nihil sunt nisi Dei attributorum affectiones, sive modi, quibus Dei attributa certo et determinato modo exprimuntur. [in: P. 1. prop. 25. schol., prop. 28., prop. 36., P. 2. defin. 1., prop. 1., prop. 5., prop. 10. coroll., P. 3. prop. 6., P. 5. prop. 24., prop. 36., etiam in: Ep. 66. §. 6.] ellauri158.html on line 275: P. 1. prop. 26. Res, quae ad aliquid operandum determinata est, a Deo necessario sic fuit determinata; et quae a Deo non est determinata, non potest se ipsam ad operandum determinare. [in: P. 1. prop. 28., prop. 29.] ellauri158.html on line 283: P. 1. prop. 28. Quodcumque singulare, sive quaevis res quae finita est et determinatam habet existentiam, non potest existere nec ad operandum determinari, nisi ad existendum et operandum determinetur ab alia causa, quae etiam finita est et determinatam habet existentiam; et rursus haec causa non potest etiam existere neque ad operandum determinari, nisi ab alia, quae etiam finita est et determinatam habet existentiam, determinetur ad existendum et operandum, et sic in infinitum. [in: P. 1. prop. 32., P. 2. prop. 9., lem. 3., prop. 30., prop. 31., prop. 48., P. 4. prop. 29., P. 5. prop. 6.] ellauri158.html on line 315: P. 1. prop. 35. Quicquid concipimus in Dei potestate esse, id necessario est. [in: P. 2. prop. 3.] ellauri158.html on line 317: P. 1. app. De praeiudiciis quibusdam. [in: P. 2. prop. 16. coroll. 2., prop. 48. schol., P. 4. praef., prop. 37. schol. 2.] ellauri158.html on line 334: P. 2. defin. 2. Ad essentiam alicuius rei id pertinere dico, quo dato res necessario ponitur et quo sublato res necessario tollitur; vel id, sine quo res, et vice versa quod sine re nec esse nec concipi potest. [in: P. 2. prop. 10., prop. 37., prop. 49.] ellauri158.html on line 358: P. 2. axiom. 1. Hominis essentia non involvit necessariam existentiam, hoc est, ex naturae ordine tam fieri potest, ut hic et ille homo existat, quam ut non existat. [in: P. 2. prop. 10., prop. 11., prop. 30.] ellauri158.html on line 366: P. 2. axiom. 3. Modi cogitandi, ut amor, cupiditas vel quicumque nomine affectus animi insigniuntur, non dantur, nisi in eodem individuo detur idea rei amatae, desideratae, etc. At idea dari potest, quamvis nullus alius detur cogitandi modus. [in: P. 2. prop. 11., prop. 49.] ellauri158.html on line 370: P. 2. axiom. 4. Nos corpus quoddam multis modis affici sentimus. [in: P. 2. prop. 13.] ellauri158.html on line 387: The term was coined by the German philosopher Karl Krause in 1828 to distinguish the ideas of Georg Wilhelm Friedrich Hegel (1770–1831) and Friedrich Wilhelm Joseph Schelling (1775–1854) about the relation of God and the universe from the supposed pantheism of Baruch Spinoza, after reviewing Hindu scriptures. Unlike pantheism, which holds that the divine and the universe are identical, panentheism maintains an ontological distinction between the divine and the non-divine and the significance of both. In panentheism, the universal spirit is present everywhere, which at the same time "transcends" all things created. ellauri158.html on line 389: While pantheism asserts that "all is God", panentheism claims that God is greater than the universe. Some versions of panentheism suggest that the universe is nothing more than the manifestation of God. In addition, some forms indicate that the universe is contained within God, like in the Kabbalah concept of tzimtzum. Also much Hindu thought is highly characterized by panentheism and pantheism. The basic tradition on which Hantta Krause´s concept was built seems to have been Neoplatonic philosophy and its successors in Western philosophy and Orthodox theology. ellauri158.html on line 402: P. 2. prop. 4. Idea Dei, ex qua infinita infinitis modis sequuntur, unica tantum esse potest. ellauri158.html on line 406: P. 2. prop. 5. Esse formale idearum Deum, quatenus tantum ut res cogitans consideratur, pro causa agnoscit et non, quatenus alio attributo explicatur; hoc est, tam Dei attributorum, quam rerum singularium ideae non ipsa ideata sive res perceptas pro causa efficiente agnoscunt, sed ipsum Deum, quatenus est res cogitans. ellauri158.html on line 422: -- P. 2. prop. 7. coroll. Hinc sequitur, quod Dei cogitandi potentia aequalis est ipsius actuali agendi potentiae; hoc est, quicquid ex infinita Dei natura sequitur formaliter, id omne ex Dei idea eodem ordine eademque connexione sequitur in Deo obiective. [in: P. 2. prop. 32., prop. 36., prop. 38., prop. 39., P. 3. prop. 28., P. 5. prop. 1.] ellauri158.html on line 425: Täähän on suurin piirtein Wittgenstein juniorin kuvateoria. Sen repussa nyölääntynyt Tractatus oli matkimus Siilin ohuehkosta teoxesta Tractatus Theologico-Politicus (Teologis-poliittinen tutkielma), jossa hän puolustaa suvaitsevaisuutta, ilmoittaa suorasukaisesti, ettei totuuden lähde ole jumalan ilmoitus ja että poliittinen valta ei ole jumalan asettama vaan ihmisten sovittavissa. Hyvä Siili! Wittgenstein sitävastoin. Wovon man nicht sprechen kann darüber muss man schweigen oli mystikointia (muein = vaieta). Paizi ei ne mystikot mitään hiljaa ole, ne mutisee puoliääneen kuin Seija vihaisena ja nostelee merkizevästi kulmakarvojaan kuin torakat tai Eski Saarinen näyttääxeen että niillä kyllä olis asiaa mutta "ei saa sanoa" kuin Helmi pienenä. Ne on elloja. Wittgensteinit oli äveriäitä ex-jutkuja mutta koko suku oli kääntynyt ja maallistunut. Homo Ludi kaipas hämärästi Elohiimia. (Enkä! Älä yritä! Mä kaipaan esi-isieni luoxe kuin Roope Ankka.) ellauri158.html on line 433: -- P. 2. prop. 8. coroll. Hinc sequitur, quod, quamdiu res singulares non existunt, nisi quatenus in Dei attributis comprehenduntur, earum esse obiectivum sive ideae non existunt, nisi quatenus infinita Dei idea existit; et ubi res singulares dicuntur existere, non tantum quatenus in Dei attributis comprehenduntur, sed quatenus etiam durare dicuntur, earum ideae etiam existentiam, per quam durare dicuntur, involvent. [in: P. 2. prop. 9., prop. 11., prop. 15., prop. 45., P. 3. prop. 11. schol., P. 5. prop. 21., prop. 23.] ellauri158.html on line 438: P. 2. prop. 9. Idea rei singularis actu existentis Deum pro causa habet, non quatenus infinitus est, sed quatenus alia rei singularis actu existentis idea affectus consideratur, cuius etiam Deus est causa, quatenus alia tertia affectus est, et sic in infinitum. [in: P. 2. prop. 9. coroll., prop. 19., prop. 20., prop. 24., prop. 25., P. 3. prop. 1.] ellauri158.html on line 439: -- P. 2. prop. 9. coroll. Quicquid in singulari cuiuscumque ideae obiecto contingit, eius datur in Deo cognitio, quatenus tantum eiusdem obiecti ideam habet. [in: P. 2. prop. 12., prop. 13., prop. 30., P. 3. prop. 10.] ellauri158.html on line 445: -- P. 2. prop. 10. coroll. Hinc sequitur essentiam hominis constitui a certis Dei attributorum modificationibus. [in: P. 2. prop. 11., P. 4. prop. 29.] ellauri158.html on line 450: P. 2. prop. 11. Primum, quod actuale mentis humanae esse constituit, nihil aliud est, quam idea rei alicuius singularis actu existentis. [in: P. 2. prop. 12., prop. 13., prop. 20., prop. 48., P. 3. prop. 2., prop. 3., prop. 10., gener. aff. defin., P. 4. prop. 37., P. 5. prop. 9., prop. 38.] ellauri158.html on line 456: P. 2. prop. 12. Quicquid in obiecto ideae humanam mentem constituentis contingit, id ab humana mente debet percipi, sive eius rei dabitur in mente necessario idea: hoc est, si obiectum ideae humanam mentem constituentis sit corpus, nihil in eo corpore poterit contingere, quod a mente non percipiatur. [in: P. 2. prop. 13., prop. 14., prop. 17., prop. 17. coroll., prop. 19., prop. 21., prop. 22., prop. 38., P. 3. prop. 2. schol., P. 4. prop. 7., P. 5. prop. 4.] ellauri158.html on line 478: ---- lem. 1. Corpora ratione motus et quietis, celeritatis et tarditatis, et non ratione substantiae ab invicem distinguuntur. ellauri158.html on line 487: ---- lem. 3. Corpus motum vel quiescens ad motum vel quietem determinari debuit ab alio corpore, quod etiam ad motum vel quietem determinatum fuit ab alio, et illud iterum ab alio, et sic in infinitum. ellauri158.html on line 495: It is unclear whether Newton read any of Spinoza´s works. However, two people with whom he was in close contact made substantial efforts to repudiate Spinozism directly: Henry More in The Confutation of Spinoza (More 1991) and Samuel Clarke in A Demonstration of the Being and Attributes of God: More Particularly in Answer to Mr. Hobbs, Spinoza and Their Followers. Sit oli vielä "Ralph" Cudworth ja joku "Colin" McLaughlin, kaikki Cambridgen platonisteja, siis jotain täys idiootteja, presumably, ja kaiken lisäxi varmaan vielä homoja. In the arguments on which I focus, More, Clarke, and Maclaurin aim to establish the existence of an immaterial and intelligent God precisely by showing that Spinoza does not have the resources to adequately explain the origin of motion. Sen jumala ei ollut kunnon priimuskaasulla toimiva käynnistysmoottori, pikemminkin joku auton alusta. ellauri158.html on line 497: ------- axiom. 1. Omnes modi, quibus corpus aliquod ab alio afficitur corpore, ex natura corporis affecti et simul ex natura corporis afficientis sequuntur; ita ut unum idemque corpus diversimode moveatur pro diversitate naturae corporum moventium, et contra ut diversa corpora ab uno eodemque corpore diversimode moveantur. [in: P. 2. prop. 16., prop. 24., P. 3. postul. 1., prop. 17. schol., prop. 51., prop. 57.] ellauri158.html on line 501: -------- axiom. 2. Cum corpus motum alteri quiescenti quod dimovere nequit, impingit, reflectitur, ut moveri pergat, et angulus lineae motus reflectionis cum plano corporis quiescentis, cui impegit, aequalis erit angulo, quem linea motus incidentiae cum eodem plano efficit. [in: P. 2. prop. 17. coroll.] ellauri158.html on line 505: -------- defin. Cum corpora aliquot eiusdem aut diversae magnitudinis a reliquis ita coercentur, ut invicem incumbant, vel si eodem aut diversis celeritatis gradibus moventur, ut motus suos invicem certa quadam ratione communicent, illa corpora invicem unita dicemus, et omnia simul unum corpus, sive individuum componere, quod a reliquis per hanc corporum unionem distinguitur. [in: P. 2. lem. 4., lem. 7., prop. 24., P. 4. prop. 39.] ellauri158.html on line 509: -------- axiom. 3. Quo partes individui vel corporis compositi secundum maiores vel minores superficies sibi invicem incumbunt, eo difficilius vel facilius cogi possunt, ut situm suum mutent, et consequenter eo difficilius vel facilius effici potest, ut ipsum individuum aliam figuram induat. Atque hinc corpora, quorum partes secundum magnas superficies invicem incumbunt, dura, quorum autem partes secundum parvas, mollia, et quorum denique partes inter se moventur, fluida vocabo. ellauri158.html on line 517: ---- lem. 5. Si partes individuum componentes, maiores minoresve evadant, ea tamen proportione, ut omnes eandem, ut antea, ad invicem motus et quietis rationem servent, retinebit itidem individuum suam naturam, ut antea, absque ulla formae mutatione. [in: P. 3. postul. 1.] ellauri158.html on line 521: ---- lem. 6. Si corpora quaedam individuum componentia motum, quem versus unam partem habent, aliam versus flectere cogantur, at ita, ut motus suos continuare possint, atque invicem eadam, qua antea, ratione communicare; retinebit itidem individuum suam naturam absque ulla formae mutatione. ellauri158.html on line 525: ---- lem. 7. Retinet praeterea individuum sic compositum suam naturam, sive id secundum totum moveatur, sive quiescat, sive versus hanc, sive versus illam partem moveatur, dummodo unaquaeque pars motum suum retineat, eumque, uti antea, reliquis communicet. [in: P. 2. lem. 7. schol., P. 3. postul. 1.] ellauri158.html on line 538: -- postul. 3. Individua corpus humanum componentia, et consequenter ipsum humanum corpus a corporibus externis plurimis modis afficitur. [in: P. 2. prop. 14., prop. 28., P. 3. prop. 51., P. 4. prop. 39.] ellauri158.html on line 563: P. 2. prop. 16. Idea cuiuscumque modi, quo corpus humanum a corporibus externis afficitur, involvere debet naturam corporis humani et simul naturam corporis externi. [in: P. 2. prop. 17., prop. 18. schol., prop. 19., prop. 23., prop. 25., prop. 26., prop. 27., prop. 28., prop. 38., prop. 39., P. 3. prop. 27., P. 4. prop. 5.] ellauri158.html on line 571: -- P. 2. prop. 16. coroll. 2. Sequitur secundo, quod ideae, quas corporum externorum habemus, magis nostri corporis constitutionem, quam corporum externorum naturam indicant. [in: P. 2. prop. 17. schol., P. 3. prop. 14., prop. 18., gener. aff. defin., P. 4. prop. 1. schol., P. 4. prop. 9., P. 5. prop. 34.] ellauri158.html on line 575: P. 2. prop. 17. Si humanum corpus affectum est modo, qui naturam corporis alicuius externi involvit, mens humana idem corpus externum ut actu existens, vel ut sibi praesens contemplabitur, donec corpus afficiatur affectu, qui eiusdem corporis existentiam vel praesentiam secludat. [in: P. 2. prop. 17. coroll., P. 2. prop. 19., prop. 44. schol., prop. 47., P. 3. prop. 11. schol., prop. 12., prop. 13., prop. 18., prop. 18. schol. 1., prop. 19., prop. 25., prop. 28., prop. 56., P. 4. prop. 1. schol., prop. 9., P. 5. prop. 7.] ellauri158.html on line 595: P. 2. prop. 19. Mens humana ipsum humanum corpus non cognoscit, nec ipsum existere scit, nisi per ideas affectionum, quibus corpus afficitur. [in: P. 2. prop. 23., prop. 29. coroll., prop. 43. schol., prop. 47., P. 3. prop. 30., prop. 53.] ellauri158.html on line 664: -- P. 2. prop. 31. coroll. Hinc sequitur, omnes res particulares contingentes et corruptibiles esse. [in: P. 3. aff. defin. 14., aff. defin. 15.] ellauri158.html on line 672: P. 2. prop. 33. Nihil in ideis positivum est, propter quod falsae dicuntur. [in: P. 2. prop. 35., P. 4. prop. 1.] ellauri158.html on line 686: Huom. Esim. Siili on mielestään esittänyt jumalan eli luonnon toiminnan asialliseseti. Yet there still remain misconceptions not a few, which might and may prove very grave hindrances to the understanding of the concatenation of things, as I have explained it above. I have therefore thought it worth while to bring these misconceptions before the bar of reason. ellauri158.html on line 688: All such opinions spring from the notion commonly entertained, that all things in nature act as men themselves act, namely, with an end in view. It is accepted as certain, that God himself directs all things to a definite goal (for it is said that God made all things for man, and man that he might worship him). I will, therefore, consider this opinion, asking first, why it obtains general credence, and why all men are naturally so prone to adopt it? secondly, I will point out its falsity; and, lastly, I will show how it has given rise to prejudices about good and bad, right and wrong, praise and blame, order and confusion, beauty and ugliness, and the like. ellauri158.html on line 692: All men are born ignorant of the causes of things, that all have the desire to seek for what is useful to them, and that they are conscious of such desire. Herefrom it follows, first, that men think themselves free inasmuch as they are conscious of their volitions and desires, and never even dream, in their ignorance, of the causes which have disposed them so to wish and desire. Secondly, that men do all things for an end, namely, for that which is useful to them, and which they seek. Thus it comes to pass that they only look for a knowledge of the final causes of events, and when these are learned, they are content, as having no cause for further doubt. If they cannot learn such causes from external sources, they are compelled to turn to considering themselves, and reflecting what end would have induced them personally to bring about the given event, and thus they necessarily judge other natures by their own. Further, as they find in themselves and outside themselves many means which assist them not a little in the search for what is useful, for instance, eyes for seeing, teeth for chewing, herbs and animals for yielding food, the sun for giving light, the sea for breeding fish, &c., they come to look on the whole of nature as a means for obtaining such conveniences. Now as they are aware, that they found these conveniences and did not make them, they think they have cause for believing, that some other being has made them for their use. As they look upon things as means, they cannot believe them to be self—created; but, judging from the means which they are accustomed to prepare for themselves, they are bound to believe in some ruler or rulers of the universe endowed with human freedom, who have arranged and adapted everything for human use. They are bound to estimate the nature of such rulers (having no information on the subject) in accordance with their own nature, and therefore they assert that the gods ordained everything for the use of man, in order to bind man to themselves and obtain from him the highest honor. ellauri158.html on line 694: Hence also it follows, that everyone thought out for himself, according to his abilities, a different way of worshipping God, so that God might love him more than his fellows, and direct the whole course of nature for the satisfaction of his blind cupidity and insatiable avarice. Thus the prejudice developed into superstition, and took deep root in the human mind; and for this reason everyone strove most zealously to understand and explain the final causes of things; but in their endeavor to show that nature does nothing in vain, i.e. nothing which is useless to man, they only seem to have demonstrated that nature, the gods, and men are all mad together. Consider, I pray you, the result: among the many helps of nature they were bound to find some hindrances, such as storms, earthquakes, diseases, &c.: so they declared that such things happen, because the gods are angry at some wrong done to them by men, or at some fault committed in their worship. Experience day by day protested and showed by infinite examples, that good and evil fortunes fall to the lot of pious and impious alike; still they would not abandon their inveterate prejudice, for it was more easy for them to class such contradictions among other unknown things of whose use they were ignorant, and thus to retain their actual and innate condition of ignorance, than to destroy the whole fabric of their reasoning and start afresh. They therefore laid down as an axiom, that God´s judgments far transcend human understanding. Such a doctrine might well have sufficed to conceal the truth from the human race for all eternity, if mathematics had not furnished another standard of verity in considering solely the essence and properties of figures without regard to their final causes. There are other reasons (which I need not mention here) besides mathematics, which might have caused men´s minds to be directed to these general prejudices, and have led them to the knowledge of the truth. ellauri158.html on line 697: Joku tomppeli teologian proffa [Schliesser, Eric: NEWTON AND SPINOZA: ON MOTiON AND MATTER (AND GOD, OF COURSE), The Southern journal of philosophy, 2012-09, Vol.50 (3), p.436-458)] kehtaa vielä tänä päivänäkin väittää ettei Spinozalla ollut mitään ansioita tietellisen maailmankazomuxen synnyssä. Sillä nimenomaan oli, Spinoza veti johtopäätöxet ja sanoi asiat halki kun Newton ja Cambridgen porukat vaan heilutteli käsiä ja pakitti Descartesin perässä dualistiseen teismiin. ellauri158.html on line 699: The Southern Journal of Philosophy (U of Memphis) has provided a forum for a long list of suspect figures including Hans-Georg Gadamer, Hubert Dreyfus, George Santayana, Wilfrid Sellars, and Richard Sorabji. ellauri158.html on line 710: P. 2. prop. 39. Id quod corpori humano et quibusdam corporibus externis, a quibus corpus humanum affici solet, commune est, et proprium, quodque in cuiuscumque horum parte aeque ac in toto est, eius etiam idea erit in mente adaequata. [in: P. 2. prop. 40. schol. 2.] ellauri158.html on line 719: P. 2. prop. 41. Cognitio primi generis unica est falsitatis causa, secundi autem et tertii est necessario vera. [in: P. 2. prop. 44., prop. 44. coroll. 2., P. 4. prop. 27., prop. 35., prop. 62.] ellauri158.html on line 746: P. 2. prop. 48. In mente nulla est absoluta sive libera voluntas, sed mens ad hoc vel illud volendum determinatur a causa, quae etiam ab alia determinata est, et haec iterum ab alia, et sic in infinitum. [in: P. 2. prop. 49., prop. 49. coroll., P. 3. aff. defin. 6., etiam in: TP cap. 2. art. 1.] ellauri158.html on line 747: -- P. 2. prop. 48. schol. Entia metaphysica sive universalia. [in: P. 2. prop. 49. coroll.] ellauri158.html on line 761: P. 3. defin. 2. Nos tum agere dico, cum aliquid in nobis aut extra nos fit, cuius adaequata sumus causa, hoc est cum ex nostra natura aliquid in nobis, aut extra nos sequitur, quod per eandem solam potest clare et distincte intelligi. At contra nos pati dico, cum in nobis aliquid fit vel ex nostra natura aliquid sequitur, cuius nos non nisi partialis sumus causa. [in: P. 3. prop. 1., P. 4. prop. 2., prop. 5., prop. 15., prop. 23., prop. 33., prop. 35., prop. 35. coroll. 1., prop. 52., prop. 59., prop. 61., prop. 64.] ellauri158.html on line 764: P. 3. postul. 1. Corpus humanum potest multis affici modis, quibus ipsius agendi potentia augetur vel minuitur, et etiam aliis, qui eiusdem agendi potentiam nec majorem nec minorem reddunt. [in: P. 3. prop. 12., prop. 15.] ellauri158.html on line 781: P. 3. prop. 11. Quicquid corporis nostri agendi potentiam auget vel minuit, iuvat vel coercet, eiusdem rei idea mentis nostrae cogitandi potentiam auget vel minuit, iuvat vel coercet. [in: P. 3. prop. 12., prop. 34., prop. 57., prop. 59., P. 4. prop. 41., prop. 42.] ellauri158.html on line 787: P. 3. prop. 14. Si mens duobus affectibus simul affecta semel fuit, ubi postea eorum alterutro afficietur, afficietur etiam altero. [in: P. 3. prop. 15., prop. 15. coroll., prop. 16.] ellauri158.html on line 789: -- P. 3. prop. 15. coroll. Ex eo solo, quod rem aliquam affectu laetitiae vel tristitiae, cuius ipsa non est causa efficiens, contemplati sumus, eandem amare vel odio habere possumus. [in: P. 3. prop. 16., prop. 35., prop. 35. schol., prop. 41., prop. 50. schol., prop. 52. schol.] ellauri158.html on line 791: P. 3. prop. 16. Ex eo solo, quod rem aliquam aliquid habere imaginamur simile obiecto, quod mentem laetitia vel tristitia afficere solet, quamvis id, in quo res obiecto est similis, non sit horum affectuum efficiens causa, eam tamen amabimus vel odio habebimus. [in: P. 3. prop. 15. schol., prop. 17., prop. 41., prop. 46., P. 4. prop. 34.] ellauri158.html on line 792: P. 3. prop. 17. Si rem, quae nos tristitiae affectu afficere solet, aliquid habere imaginamur simile alteri, quae nos aeque magno laetitiae affectu solet afficere, eandem odio habebimus et simul amabimus. [in: prop. 17. schol.] ellauri158.html on line 794: P. 3. prop. 18. Homo ex imagine rei praeteritae aut futurae eodem laetitiae et tristitiae affectu afficitur, ac ex imagine rei praesentis. [in: P. 3. aff. defin. 14., aff. defin. 15., P. 4. prop. 9. schol., prop. 12.] ellauri158.html on line 799: P. 3. prop. 21. Qui id quod amat laetitia vel tristitia affectum imaginatur, laetitia etiam vel tristitia afficietur; et uterque hic affectus maior aut minor erit in amante, prout uterque maior aut minor est in re amata. [in: P. 3. prop. 22., prop. 22. schol., prop. 25., prop. 26., prop. 27. coroll. 1., prop. 38., prop. 45.] ellauri158.html on line 800: P. 3. prop. 22. Si aliquem imaginamur laetitia afficere rem, quam amamus, amore erga eum afficiemur. Si contra eundem imaginamur tristitia eandem afficere, contra odio etiam contra ipsum afficiemur. [in: P. 3. prop. 24., prop. 27. coroll. 1.] ellauri158.html on line 802: P. 3. prop. 23. Qui id quod odio habet tristitia affectum imaginatur, laetabitur; si contra idem laetitia affectum esse imaginetur, contristabitur; et uterque hic affectus maior aut minor erit, prout eius contrarius maior aut minor est in eo, quod odio habet. [in: P. 3. prop. 26., prop. 27., prop. 27. coroll. 2., prop. 35., prop. 38.] ellauri158.html on line 804: P. 3. prop. 24. Si aliquem imaginamur laetitia afficere rem, quam odio habemus, odio etiam erga eum afficiemur. Si contra eundem imaginamur tristitia eandem rem afficere, amore erga ipsum afficiemur. [in: P. 3. prop. 35. schol.] ellauri158.html on line 806: P. 3. prop. 25. Id omne de nobis deque re amata affirmare conamur, quod nos vel rem amatam laetitia afficere imaginamur; et contra id omne negare, quod nos vel rem amatam tristitia afficere imaginamur. [in: P. 3. prop. 26., prop. 30. schol., prop. 40. schol., prop. 41. schol., prop. 50. schol., P. 4. prop. 49.] ellauri158.html on line 808: P. 3. prop. 26. Id omne de re, quam odio habemus, affirmare conamur, quod ipsam tristitia afficere imaginamur, et id contra negare, quod ipsam laetitia afficere imaginamur. [in: prop. 40. coroll. 2., prop. 43.] ellauri158.html on line 810: P. 3. prop. 27. Ex eo, quod rem nobis similem et quam nullo affectu prosecuti sumus, aliquo affectu affici imaginamur, eo ipso simili affectu afficimur. [in: P. 3. prop. 22. schol., prop. 23. schol., prop. 27. coroll. 1., prop. 27. coroll. 3., prop. 29., prop. 30., prop. 31., prop. 32., prop. 40., prop. 47., prop. 49. schol., prop. 52. schol., prop. 53. coroll., aff. defin. 33., aff. defin. 44., P. 4. prop. 50. schol., prop. 68. schol.] ellauri158.html on line 812: -- P. 3. prop. 27. coroll. 1. Si aliquem, quem nullo affectu prosecuti sumus, imaginamur laetitia afficere rem nobis similem, amore erga eundem afficiemur. Si contra eundem imaginamur eandem tristitia afficere, odio erga ipsum afficiemur. [in: P. 3. prop. 32., aff. defin. 19., aff. defin. 20.] ellauri158.html on line 813: -- P. 3. prop. 27. coroll. 2. Rem, cuius nos miseret, odio habere non possumus ex eo, quod ipsius miseria nos tristitia afficit. ellauri158.html on line 817: P. 3. prop. 29. Nos id omne etiam agere conabimur, quod homines cum laetitia aspicere imaginamur, et contra id agere aversabimur, quod homines aversari imaginamur. [in: P. 3. prop. 33., prop. 43., etiam in: TP cap. 7. art. 6.] ellauri158.html on line 819: P. 3. prop. 30. Si quis aliquid egit, quod reliquos laetitia afficere imaginatur, is laetitia concomitante idea sui, tanquam causa, afficietur, sive se ipsum cum laetitia contemplabitur. Si contra aliquid egit, quod reliquos tristitia afficere imaginatur, se ipsum cum tristitia contra contemplabitur. [in: P. 3. prop. 34., prop. 40. schol., prop. 41. schol., prop. 43.] ellauri158.html on line 824: P. 3. prop. 32. Si aliquem re aliqua, qua unus solus potiri potest, gaudere imaginamur, conabimur efficere, ne ille illa re potiatur. [in: P. 3. prop. 32. schol., aff. defin. 33., P. 4. prop. 34.] ellauri158.html on line 825: -- P. 3. prop. 32. schol. Homines natura invidi, ambitiosi, misericordes. [in: P. 3. prop. 55. schol., aff. defin. 23., aff. defin. 33., P. 4. prop. 34., etiam in: TP cap. 1. art. 5.] ellauri158.html on line 826: P. 3. prop. 33. Cum rem nobis similem amamus, conamur, quantum possumus, efficere, ut nos contra amet. [in: P. 3. prop. 34., prop. 38., prop. 42.] ellauri158.html on line 828: P. 3. prop. 35. Si quis imaginatur rem amatam eodem vel arctiore vinculo amicitiae, quo ipse eadem solus potiebatur, alium sibi iungere, odio erga ipsam rem amatam afficietur, et illi alteri invidebit. ellauri158.html on line 831: -- P. 3. prop. 36. coroll. Si itaque unam ex iis circumstantiis deficere compererit, amans contristabitur. ellauri158.html on line 839: -- P. 3. prop. 40. coroll. 1. Qui, quem amat, odio erga se affectum imaginatur, odio et amore simul conflictabitur. [in: P. 3. prop. 41. coroll.] ellauri158.html on line 841: -- P. 3. prop. 40. coroll. 2. schol. Ira, vindicta. [in: P. 3. aff. defin. 37.] ellauri158.html on line 844: -- P. 3. prop. 41. coroll. Qui ab eo, quem odio habet, se amari imaginatur, odio et amore simul conflictabitur. ellauri158.html on line 846: P. 3. prop. 42. Qui in aliquem amore aut spe gloriae motus beneficium contulit, contristabitur, si viderit, beneficium ingrato animo accipi. [in: P. 4. prop. 70.] ellauri158.html on line 852: P. 3. prop. 47. Laetitia, quae ex eo oritur, quod scilicet rem, quam odimus, destrui aut alio malo affici imaginamur, non oritur absque ulla animi tristitia. ellauri158.html on line 860: P. 3. prop. 51. Diversi homines ab uno eodemque obiecto diversimode affici possunt, et unus idemque homo ab uno eodemque obiecto potest diversis temporibus diversimode affici. [in: P. 4. prop. 33.] ellauri158.html on line 870: -- P. 3. prop. 55. coroll. 2. Nemo virtutem alicui nisi aequali invidet. ellauri158.html on line 872: P. 3. prop. 56. Laetitiae, tristitiae et cupiditatis, et consequenter uniuscuiusque affectus, qui ex his componitur, ut animi fluctuationis, vel qui ab his derivatur, nempe amoris, odii, spei, metus etc., tot species dantur, quot sunt species obiectorum, a quibus afficimur. [in: P. 4. prop. 33.] ellauri158.html on line 875: -- P. 3. prop. 57. schol. De affectibus animalium, quae irrationalia dicuntur. [in: P. 4. prop. 37. schol. 1.] ellauri158.html on line 881: P. 3. gener. aff. defin. Affectus, qui animi pathema dicitur, est confusa idea, qua mens maiorem vel minorem sui corporis vel alicuius eius partis existendi vim, quam antea, affirmat, et qua data ipsa mens ad hoc potius, quam ad illud cogitandum determinatur. [in: P. 4. prop. 7., prop. 7. coroll., prop. 8., prop. 9., prop. 14., P. 5. prop. 3., prop. 4. coroll., prop. 17., prop. 34., prop. 40. coroll.] ellauri158.html on line 917: Misericordia ellauri158.html on line 930: Vindicta ellauri158.html on line 935: P. 3. aff. defin. 4. Admiratio est rei alicuius imaginatio, in qua mens defixa propterea manet, quia haec singularis imaginatio nullam cum reliquis habet connexionem. [in: P. 4. prop. 59.] ellauri158.html on line 936: P. 3. aff. defin. 5. Contemptus est rei alicuius imaginatio, quae mentem adeo parum tangit, ut ipsa mens ex rei praesentia magis moveatur ad ea imaginandum, quae in ipsa re non sunt, quam quae in ipsa sunt. ellauri158.html on line 939: P. 3. aff. defin. 8. Propensio est laetitia concomitante idea alicuius rei, quae per accidens causa est laetitiae. ellauri158.html on line 940: P. 3. aff. defin. 9. Aversio est tristitia concomitante idea alicuius rei, quae per accidens causa est tristitiae. ellauri158.html on line 954: P. 3. aff. defin. 23. Invidia est odium, quatenus hominem ita afficit, ut ex alterius felicitate contristetur, et contra ut ex alterius malo gaudeat. [in: P. 5. prop. 20.] ellauri158.html on line 955: P. 3. aff. defin. 24. Misericordia est amor, quatenus hominem ita afficit, ut ex bono alterius gaudeat, et contra ut ex alterius malo contristetur. ellauri158.html on line 958: P. 3. aff. defin. 27. Poenitentia est tristitia concomitante idea alicuius facti, quod nos ex libero mentis decreto fecisse credimus. [in: P. 4. prop. 54.] ellauri158.html on line 961: P. 3. aff. defin. 30. Gloria est laetitia concomitante idea alicuius nostrae actionis, quam alios laudare imaginamur. [in: P. 4. prop. 49., prop. 58., P. 5. prop. 36. schol.] ellauri158.html on line 962: P. 3. aff. defin. 31. Pudor est tristitia concomitante idea alicuius actionis, quam alios vituperare imaginamur. ellauri158.html on line 964: P. 3. aff. defin. 33. Aemulatio est alicuius rei cupiditas, quae ellauri158.html on line 966: P. 3. aff. defin. 34. Gratia seu gratitudo est cupiditas seu amoris studium, quo ei benefacere conamur, qui in nos pari amoris affectu beneficium contulit. [in: P. 4. prop. 71.] ellauri158.html on line 969: P. 3. aff. defin. 37. Vindicta est cupiditas, qua ex reciproco odio concitamur ad malum inferendum ei, qui nobis pari affectu damnum intulit. ellauri158.html on line 972: P. 3. aff. defin. 40. Audacia est cupiditas, qua aliquis incitatur ad aliquid agendum cum periculo, quod eius aequales subire metuunt. [in: P. 4. prop. 69.] ellauri158.html on line 973: P. 3. aff. defin. 41. Pusillanimitas dicitur de eo, cuius cupiditas coercetur timore periculi, quod eius aequales subire audent. [in: P. 4. prop. 69.] ellauri158.html on line 974: P. 3. aff. defin. 42. Consternatio dicitur de eo, cuius cupiditas malum vitandi coercetur admiratione mali, quod timet. ellauri158.html on line 975: P. 3. aff. defin. 43. Humanitas seu modestia est cupiditas ea faciendi quae hominibus placent, et omittendi quae displicent. ellauri158.html on line 976: P. 3. aff. defin. 44. Ambitio est immodica gloriae cupiditas. ellauri158.html on line 987: P. 4. defin. 2. Per malum autem id, quod certo scimus impedire, quominus boni alicuius simus compotes. [in: P. 4. prop. 8.] ellauri158.html on line 991: P. 4. defin. 6. Quid per affectum erga rem futuram, praesentem, et praeteritam intelligam, explicui in schol. 1. et 2. prop. 18. P. 3. quod vide. [in: P. 4. prop. 10. schol.] ellauri158.html on line 993: P. 4. defin. 8. Per virtutem et potentiam idem intelligo; hoc est (per prop. 7. P. 3.) virtus, quatenus ad hominem refertur, est ipsa hominis essentia seu natura, quatenus potestatem habet, quaedam efficiend, quae per solas ipsius naturae leges possunt intelligi. [in: P. 4. prop. 18. schol., prop. 20., prop. 22., prop. 23., prop. 24., prop. 35. coroll. 2., prop. 56., P. 5. prop. 25., prop. 42.] ellauri158.html on line 1004: P. 4. prop. 6. Vis alicuius passionis seu affectus reliquas hominis actiones seu potentiam superare potest, ita ut affectus pertinaciter homini adhaereat. [in: P. 4. prop. 37. schol. 2., prop. 43., prop. 44., prop. 60., P. 5. prop. 7.] ellauri158.html on line 1012: P. 4. prop. 10. Erga rem futuramm, quam cito affuturam imaginamur, intensius afficimur quam si eius existendi tempus longius a praesenti distare imaginaremur; et memoria rei, quam non diu praeteriisse imaginamur, intensius etiam afficimur, quam si eandem diu praeteriisse imaginaremur. [in: P. 4. prop. 12. coroll.] ellauri158.html on line 1019: P. 4. prop. 15. Cupiditas, quae ex vera boni et mali cognitione oritur, multis aliis cupiditatibus, quae ex affectibus, quibus conflictamur, oriuntur, restingui vel coerceri potest. [in: P. 4. prop. 16.] ellauri158.html on line 1020: P. 4. prop. 16. Cupiditas, quae ex cognitione boni et mali, quatenus haec cognitio futurum respicit, oritur, facilius rerum cupiditate, quae in praesentia suaves sunt, coerceri vel restingui potest. [in: P. 4. prop. 17., prop. 62. schol.] ellauri158.html on line 1024: -- P. 4. prop. 18. schol. Rationis dictamina. [in: P. 4. prop. 37. schol. 1.] ellauri158.html on line 1025: P. 4. prop. 19. Id unusquisque ex legibus suae naturae necessario appetit vel aversatur, quod bonum vel malum esse iudicat. [in: P. 4. prop. 35., prop. 37., prop. 37. schol. 2., prop. 46., prop. 59.] ellauri158.html on line 1030: -- P. 4. prop. 22. coroll. Conatus sese conservandi primum et unicum virtutis est fundamentum. [in: P. 4. prop. 24., prop. 25., prop. 26., prop. 56., P. 5. prop. 41.] ellauri158.html on line 1031: P. 4. prop. 23. Homo quatenus ad aliquid agendum determinatur ex eo, quod ideas habet inadaequatas, non potest absolute dici ex virtute agere; sed tantum quatenus determinatur ex eo, quod intelligit. [in: P. 4. prop. 28.] ellauri158.html on line 1032: P. 4. prop. 24. Ex virtute absolute agere nihil aliud in nobis est, quam ex ductu rationis agere, vivere, suum esse conservare (haec tria idem significant) idque ex fundamento proprium utile quaerendi. [in: P. 4. prop. 36., prop. 37., prop. 56., prop. 67., prop. 72., P. 5. prop. 41.] ellauri158.html on line 1035: P. 4. prop. 26. Quicquid ex ratione conamur, nihil aliud est quam intelligere; nec mens quatenus ratione utitur, aliud sibi utile esse iudicat nisi id quod ad intelligendum conducit. [in: P. 4. prop. 27., prop. 28., prop. 36., prop. 37., prop. 38., prop. 40., prop. 48., prop. 53., P. 5. prop. 9., prop. 10.] ellauri158.html on line 1042: P. 4. prop. 32. Quatenus homines passionibus sunt obnoxii, non possunt eatenus dici, quod natura conveniant. ellauri158.html on line 1044: P. 4. prop. 33. Homines natura discrepare possunt, quatenus affectibus, qui passiones sunt, conflictantur, et eatenus etiam unus idemque homo varius est et inconstans. [in: P. 4. prop. 35., prop. 37. schol. 2.] ellauri158.html on line 1045: P. 4. prop. 34. Quatenus homines affectibus, qui passiones sunt, conflictantur, possunt invicem esse contrarii. [in: P. 4. prop. 35., prop. 36. schol., prop. 37. schol. 2.] ellauri158.html on line 1049: -- P. 4. prop. 35. coroll. 2. Cum maxime unusquisque homo suum sibi utile quaerit, tum maxime homines sunt sibi invicem utiles. ellauri158.html on line 1056: P. 4. prop. 38. Id quod corpus humanum ita disponit, ut pluribus modis possit affici, vel quod idem aptum reddit ad corpora externa pluribus modis afficiendum, homini est utile; et eo utilius, quo corpus ab eo aptius redditur, ut pluribus modis afficiatur, aliaque corpora afficiat; et contra id noxium est, quod corpus ad haec minus aptum reddit. [in: P. 4. prop. 39., prop. 41., prop. 42., prop. 43., app. cap. 27., P. 5. prop. 39.] ellauri158.html on line 1057: P. 4. prop. 39. Quae efficiunt, ut motus et quietis ratio, quam corporis humani partes ad invicem habent, conservetur, bona sunt; et ea contra mala, quae efficiunt, ut corporis humani partes aliam ad invicem motus et quietis habeant rationem. [in: P. 4. prop. 42., app. cap. 27.] ellauri158.html on line 1059: P. 4. prop. 40. Quae ad hominum communem societatem conducunt, sive quae efficiunt, ut homines concorditer vivant, utilia sunt, et illa contra mala, quae discordiam in civitatem inducunt. ellauri158.html on line 1067: -- P. 4. prop. 45. coroll. 1. Invidia, irrisio, contemptus, ira, vindicta et reliqui affectus, qui ad odium referuntur vel ex eodem oriuntur, mali sunt. [in: P. 4. prop. 45. schol. 2., prop. 46., prop. 59.] ellauri158.html on line 1068: -- P. 4. prop. 45. coroll. 2. Quicquid ex eo, quod odio affecti sumus, appetimus, turpe et in civitate iniustum est. ellauri158.html on line 1077: -- P. 4. prop. 50. coroll. Hinc sequitur, quod homo qui ex dictamine rationis vivit, conatur, quantum potest, efficere ne commiseratione tangatur. ellauri158.html on line 1088: P. 4. prop. 56. Maxima superbia vel abiectio maximam animi impotentiam indicat. ellauri158.html on line 1103: cum indicatione locorum citationis earundem.q ellauri158.html on line 1114: P. 4. prop. 62. Quatenus mens ex rationis dictamine res concipit, aeque afficitur, sive idea sit rei futurae vel praeteritae, sive praesentis. [in: P. 4. prop. 66.] ellauri158.html on line 1124: P. 4. prop. 66. Bonum maius futurum prae minore praesenti, et malum praesens, quod causa est futura alicuius mali, ex rationis ductu appetemus. [in: P. 4. prop. 66. coroll.] ellauri158.html on line 1130: P. 4. prop. 69. Hominis liberi virtus aeque magna cernitur in declinandis, quam in superandis periculis. ellauri158.html on line 1132: -- P. 4. prop. 69. schol. Quid sit periculum. ellauri158.html on line 1133: P. 4. prop. 70. Homo liber qui inter ignaros vivit, eorum, quantum potest, beneficia declinare studet. ellauri158.html on line 1134: -- P. 4. prop. 70. schol. In declinandis beneficiis ratio utilis et honesti habenda est. [in: P. 4. app. cap. 18.] ellauri158.html on line 1135: P. 4. prop. 71. Soli homines liberi erga invicem gratissimi sunt. ellauri158.html on line 1150: P. 5. axiom. 2. Effectus potentia definitur potentia ipsius causae, quatenus eius essentia per ipsius causae essentiam explicatur vel definitur. [in: P. 5. prop. 8. schol.] ellauri158.html on line 1158: -- P. 5. prop. 4. schol. Potestas uniuscuiusque efficiendi ut ab affectibus minus patitur. [in: P. 5. prop. 20. schol.] ellauri158.html on line 1159: P. 5. prop. 5. Affectus erga rem, quam simpliciter et non ut necessariam neque ut possibilem, neque ut contingentem imaginamur, ceteris paribus omnium est maximus. [in: P. 5. prop. 6.] ellauri158.html on line 1165: P. 5. prop. 9. Affectus, qui ad plures et diversas causas refertur, quas mens cum ipso affectu simul contemplatur, minus noxius est, et minus per ipsum patimur, et erga unamquamque causam minus afficimur, quam alius aeque magnus affectus, qui ad unam solam vel pauciores causas refertur. [in: P. 5. prop. 20. schol.] ellauri158.html on line 1166: P. 5. prop. 10. Quamdiu affectibus, qui nostrae naturae sunt contrarii, non conflictamur, tamdiu potestatem habemus ordinandi et concatenandi corporis affectiones secundum ordinem ad intellectum. [in: P. 5. prop. 39.] ellauri158.html on line 1171: P. 5. prop. 14. Mens efficere potest, ut omnes corporis affectiones seu rerum imagines ad Dei ideam referantur. [in: P. 5. prop. 15., prop. 16., prop. 20. schol., prop. 39.] ellauri158.html on line 1173: P. 5. prop. 16. Hic erga Deum amor mentem maxime occupare debet. [in: P. 5. prop. 20. schol., prop. 39.] ellauri158.html on line 1174: P. 5. prop. 17. Deus expers est passionum, nec ullo laetitiae aut tristitiae affectu afficitur. [in: P. 5. prop. 17. coroll.] ellauri158.html on line 1183: P. 5. prop. 20. Hic erga Deum amor neque invidiae neque zelotypiae affectu inquinari potest; sed eo magis fovetur, quo plures homines eodem amoris vinculo cum Deo iunctos imaginamur. ellauri158.html on line 1195: P. 5. prop. 29. Quicquid mens sub specie aeternitatis intelligit, id ex eo non intelligit, quod corporis praesentem actualem existentiam concipit; sed ex eo, quod corporis essentiam concipit sub specie aeternitatis. [in: P. 5. prop. 31., prop. 32. coroll., prop. 37., prop. 38., prop. 40. coroll.] ellauri158.html on line 1200: P. 5. prop. 32. Quicquid intelligimus tertio cognitionis genere, eo delectamur, et quidem concomitante idea Dei tamquam causa. [in: P. 5. prop. 32. coroll., prop. 36., prop. 42.] ellauri158.html on line 1208: P. 5. prop. 36. Mentis amor intellectualis erga Deum est ipse Dei amor, quo Deus se ipsum amat, non quatenus infinitus est, sed quatenus per essentiam humanae mentis sub specie aeternitatis consideratam explicari potest, hoc est, mentis erga Deum amor intellectualis pars est infiniti amoris, quo Deus se ipsum amat. [in: P. 5. prop. 42.] ellauri158.html on line 1211: P. 5. prop. 37. Nihil in natura datur, quod huic amori intellectuali ellauri158.html on line 1219: -- P. 5. prop. 39. schol. De hominis felicitate et infelicitate. ellauri159.html on line 6: font-style: italic; ellauri159.html on line 59: Different religious traditions divide the seventeen verses of Exodus 20:1–17 and their parallels in Deuteronomy 5:4–21 into ten commandments in different ways, shown in the table below. Some suggest that the number ten is a choice to aid memorization rather than a matter of theology. ellauri159.html on line 79:ical-align: top;"> ellauri159.html on line 110:ical-align: top;"> ellauri159.html on line 133:ical-align: top;"> ellauri159.html on line 156:ical-align: top;"> ellauri159.html on line 179:ical-align: top;"> ellauri159.html on line 202:ical-align: top;"> ellauri159.html on line 225:ical-align: top;"> ellauri159.html on line 248:ical-align: top;"> ellauri159.html on line 271:ical-align: top;"> ellauri159.html on line 294:ical-align: top;"> ellauri159.html on line 317:ical-align: top;"> ellauri159.html on line 340:ical-align: top;"> ellauri159.html on line 363:ical-align: top;"> ellauri159.html on line 386:ical-align: top;"> ellauri159.html on line 403:ellauri275.html on line 677: Mdivanin ja Maharadzen mielipiteistä Josip ei piitannut palanutta puukopeekkaa. Polikarp Gurgenovich Mdivani oli budu -georgian ; 1920-luvulla hänellä oli tärkeä rooli Kaukasuksen sovjetisoinnissa , mutta myöhemmin hän johti Georgian vastustusta Josif Stalinin keskittämispolitiikkaa vastaan Georgian selkkauxessa 1922. Hänet teloitettiin suuren puhdistuksen aikana 30-l. ellauri275.html on line 709: A zariba (from Arabic: زَرِيْـبَـة, romanized: zarībah, lit. 'cattle-pen') is a fence which is made of thorns. Historically, it was used to defend settlements or property against perpetrators in Sudan and neighbouring places in Africa. An example would be a pen to protect cattle and other livestock from predators such as lions, albeit often unsuccessfully. ellauri275.html on line 738: Neuvostonuorten esikuva, joka ilmiantoi oman isänsä viljan piilottamisesta. Patrick McLanahanin poika Bradey ei olisi ikinä tehnyt niin. ellauri276.html on line 5: font-style: italic; ellauri276.html on line 9: font-style: italic; ellauri276.html on line 152: Nikolai Porfiryevich Grekov (21. helmikuuta (5. maaliskuuta), 1807, Kazanskoje kylä, Efremovin piiri, Tulan maakunta - 1866, Moskova) - venäläinen runoilija ja kääntäjä. Syntynyt sotilasperheeseen. Hän valmistui Moskovan yliopistosta (1827), palveli Moskovan aateliskokouksessa. Vuodesta 1833 - eläkkeellä - hän asui pääasiassa Kazanin kartanolla. Henkilökohtaisessa elämässään hän oli onneton, vaikka selvisi vaimostaan, viidestä lapsestaan ja veljestään. ellauri276.html on line 226: Aleksei Vasilievich Koltsov (venäjäksi: Алексе́й Васи́льевич Кольцо́в ; 15. lokakuuta 1809 – 29. lokakuuta 1842) oli venäläinen runoilija, jota on kutsuttu venäläiseksi Burnsiksi. Hänen usein naisten suuhun pannut runonsa tyylittelevät talonpojan elämänlauluja ja idealisoivat maataloustyötä. Koltsov keräsi ahkerasti venäläistä kansanperinnettä, joka vaikutti voimakkaasti hänen runouteensa. Hän juhli yksinkertaisia talonpoikia, heidän työtään ja elämäänsä. Monet hänen runoistaan ovat säveltäneet sellaisia säveltäjiä kuin Dargomyzhsky, Mussorgsky ja Rimski-Korsakov. ellauri276.html on line 340: ics2.gotpoem.com/ap-pics/user/4914/473big.jpg?JosephCampbelljpg4" height="200"/> ellauri276.html on line 349: Hän muutti Dubliniin vuonna 1905, ei löytänyt työtä ja seuraavana vuonna (1906) hän muutti Lontooseen, missä hän osallistui irlantilaiseen kirjalliseen toimintaan työskennellessään opettajana. Hän meni naimisiin vuonna 1910 Nancy Mauden kanssa, ja he muuttivat pian Dubliniin ja sitten Wicklow´n kreivikuntaan. Hänen näytelmänsä Judgment esitettiin Abbey Theatressa huhtikuussa 1912. ellauri276.html on line 351: Hän osallistui sympparina pääsiäisen nousuun vuonna 1916 ja teki pelastustöitä. Seuraavana vuonna hän julkaisi käännöksen iiristä Patrick Pearsen, yhden Risingin johtajista, novelleista. ellauri276.html on line 353: Hänestä tuli Sinn Féinin kaupunginvaltuutettu Wicklow´ssa vuonna 1921. Myöhemmin Irlannin sisällissodassa hän oli republikaanien puolella, ja hänet internoitiin vuonna 1922/3. Hänen avioliitonsa hajosi, ja hän muutti Yhdysvaltoihin vuonna 1925. Siellä hän asui New Yorkissa. Hän luennoi Fordhamin yliopistossa ja työskenteli akateemisissa irlantilaistutkimuksissa perustaen yliopiston Irlannin tutkimuksen koulun vuonna 1928, joka kesti neljä vuotta. Hän oli toimittaja The Irish Review, lyhytikäinen (huhti-, touko- ja heinäkuu 1934) "irlantilaisen ilmaisun aikakauslehti". Yritysjohtaja oli George G. Lennon, entinen upseeri, joka komensi Waterfordin lentävää pylvästä Irlannin itsenäisyyssodan aikana. Päätoimittaja oli Lennonin vävy George H. Sherwood. Campbell palasi Irlantiin vuonna 1939, asettui Glencreeen, Wicklow´n kreivikuntaan, ja kuoli Lacken Daraghissa, Enniskerryssä 6. kesäkuuta 1944. ellauri276.html on line 412: The Ploughman- Patrick Kavanagh. Kyntäjä - Patrick Kavanagh. ellauri276.html on line 435: Patrick Kavanagh (21. lokakuuta 1904 – 30. marraskuuta 1967) oli irlantilainen runoilija ja kirjailija. Hänen tunnetuimpia teoksiaan ovat romaani Tarry Flynn sekä runot " On Raglan Road " ja "The Great Hunger". Hänet tunnetaan kertomuksistaan Irlannin elämästä arkipäivän ja arkipäivän kautta. ellauri276.html on line 437: Patrick Kavanagh syntyi Inniskeenin maaseudulla, Monaghanin kreivikunnassa, vuonna 1904, neljäntenä James Kavanaghin ja Bridget Quinnin kymmenestä lapsesta. Hänen isoisänsä oli opettaja nimeltä "Kevany", jonka paikallinen pappi muutti " Kavanaghiksi " kasteessa. Isoisän täytyi lähteä alueelta skandaalin seurauksena, eikä hän enää koskaan opettanut kansalliskoulussa, vaan meni naimisiin ja perusti perheen Tullamoressa. Patrick Kavanaghin isä James oli suutarin ja maanviljelijä. Kavanaghin veljestä Peteristä tuli yliopiston professori ja kirjailija, kaksi heidän sisaruksistaan oli opettajia, kolmesta tuli sairaanhoitajia ja yhdestä nunna. ellauri276.html on line 439: Patrick Kavanagh opiskeli Kednaminshan kansalliskoulussa vuosina 1909–1916 ja lähti kuudennelle luokalle 13-vuotiaana. Hän opiskeli isälleen suutariksi ja työskenteli hänen tilallaan. Hän toimi myös maalivahtina Inniskeen Gaelic -jalkapallojoukkueessa. Myöhemmin hän pohti: "Vaikka talonpojan kirjaimellinen käsitys on maatilatyöntekijä, talonpoika on itse asiassa kaikki se ihmisjoukko, joka elää tietyn tietoisuustason alapuolella. He elävät pimeässä luolassa. tajuttomista ja he huutavat nähdessään valon." Hän kommentoi myös, että vaikka hän oli varttunut köyhällä alueella, "todellinen köyhyys oli valistumisen puute [ja] pelkään, että tämä tietämättömyyden sumu vaikutti minuun hirveästi." You can say that again! ellauri276.html on line 441: Russell hylkäsi ensin Kavanaghin työn, mutta rohkaisi häntä jatkamaan alistumista, ja hän julkaisi Kavanaghin säkeet vuosina 1929 ja 1930. Tämä inspiroi maanviljelijää lähtemään kotoa ja yrittämään edistää toiveitaan. Vuonna 1931 hän käveli 80 mailia (noin 129 kilometriä) tavatakseen Russellin Dublinissa, jossa Kavanaghin veli oli opettaja. Russell antoi Kavanaghille kirjoja, muun muassa Fjodor Dostojevskin, Victor Hugon, Walt Whitmanin, Ralph Waldo Emersonin ja Robert Browningin teoksia, ja hänestä tuli Kavanaghin kirjallinen neuvonantaja. Kavanagh liittyi Dundalk Libraryyn ja ensimmäinen kirja, jonka hän lainasi, oli TS Eliotin The Waste Land. ellauri276.html on line 447: Vuonna 1938 masentunut Kavanagh muutti Lontooseen. Hän viipyi siellä noin viisi kuukautta. The Green Fool, löyhästi omaelämäkerrallinen romaani, julkaistiin vuonna 1938, ja Kavanaghia syytettiin kunnianloukkauksesta. Oliver St. John Gogarty haastoi Kavanaghin oikeuteen hänen kuvauksestaan hänen ensimmäisestä vierailustaan Gogartyn kotiin: "Luulin Gogartyn valkovartista piikaa hänen vaimokseen tai hänen rakastajattarekseen; odotin jokaiselle runoilijalle varavaimon." Gogarty, joka oli loukkaantunut sanojen "vaimo" ja "emäntä" läheisestä yhdistämisestä, sai 100 puntaa vahingonkorvauksena.Kirja, joka kertoi Kavanaghin maalaislapsuudesta ja hänen yrityksistään tulla kirjailijaksi, sai kansainvälistä tunnustusta ja hyviä arvosteluja. Teoksen väitettiin kuitenkin olevan myös jossain määrin "katolisen vastainen", mihin Kavanagh reagoi vaatimalla, että teos olisi näkyvästi esillä Dublinin katolisen kirjakaupan ikkunassa. Seuraavassa runossa jää epäselväxi pääsikö Patrick hilloviivalle. ellauri276.html on line 476: Vuonna 1942 hän julkaisi pitkän runonsa Suuri nälkä, joka kuvaa hänen tuntemansa maaseutuelämän puutteita ja vaikeuksia. Vaikka tuolloin huhuttiin, että Garda Síochána takavarikoi Horizonin, kirjallisuuslehden, jossa se julkaistiin, kopiot, Kavanagh kiisti tämän tapahtuneen ja sanoi myöhemmin, että kaksi Gardía vain vieraili hänen kotonaan (luultavasti erityisvaltuuksia koskevan lain mukaisen Horizon- tutkimuksen yhteydessä). Yksittäisen talonpojan näkökulmasta historiallisen nälänhädän ja emotionaalisen epätoivon taustalla kirjoitettu runo on kriitikoiden mielestä usein Kavanaghin hienoin teos. Se pyrki vastustamaan irlantilaisen kirjallisen laitoksen sakarimaista romantisointia sen näkemyksessä talonpoikien elämästä. Richard Murphy The New York Times Book Review -lehdessä kuvaili sitä "suureksi teokseksi" ja Robin Skelton Poetryssa ylisti sitä "näkemykseksi myyttisestä intensiivisyydestä". ellauri276.html on line 484: Vuonna 1949 Kavanagh alkoi kirjoittaa kuukausittaista "Päiväkirjaa" Envoylle, kirjalliselle julkaisulle, jonka perusti John Ryan, josta tuli elinikäinen ystävä ja hyväntekijä. Lähettilään toimistot olivat osoitteessa 39 Grafton Street, mutta suurin osa lehden liiketoiminnasta hoidettiin läheisessä pubissa, McDaid´sissa, jonka Kavanagh myöhemmin hyväksyi paikalliseksi päämajaxi. Envoyn kautta hän sai yhteyden nuorten taiteilijoiden ja intellektuellien joukkoon, mukaan lukien Anthony Cronin, Patrick Swift, John Jordan ja kuvanveistäjä Desmond MacNamara., jonka Kavanaghin rintakuva on Irlannin kansallisessa kirjailijamuseossa. Kavanagh kutsui näitä aikoja usein "runollisen uudestisyntymisensä" ajanjaksoksi. ellauri276.html on line 486: Vuonna 1952 Kavanagh julkaisi oman aikakauslehtensä, Kavanagh´s Weekly: A Journal of Literature and Politics, yhdessä veljensä Peterin kanssa ja hänen rahoittamana. Se ilmestyi noin 13 numeroa 12. huhtikuuta 5. heinäkuuta 1952. Vuonna 1954 kaksi suurta tapahtumaa muutti Kavanaghin elämän. Ensin hän aloitti kunnianloukkausoikeudenkäynnin The Leader -nimistä lehteä vastaan, koska se julkaisi nimettömästi kirjoitetun profiilin hänestä alkoholisienenä. Kavanagh oli tehnyt lukuisia vihollisia elokuva- ja kirjallisuuskritiikissaan ja kirjoittanut puheita virkamieskuntaa, taideneuvostoa ja irlantilaista kielen liikettä vastaan, joten teoksen mahdollisia tekijöitä oli monia. Aiemman kunnianloukkauskokemuksensa perusteella hän uskoi saavansa tuomioistuimen ulkopuolisen sovinnon. Lehti palkkasi kuitenkin entisen (ja tulevan) taoiseachin ja oikeusministerin (1926–1932)John A. Costello heidän asianajajakseen, joka voitti tapauksen, kun se tuli oikeudenkäyntiin. ellauri276.html on line 490: Vuonna 1955 Macmillan hylkäsi Kavanaghin runojen konekirjoituksen, mikä sai runoilijan hyvin masentuneeksi. Patrick Swift vieraili Dublinissa vuonna 1956, ja Kavanagh kutsui hänet katsomaan konekirjoitusta. Sitten Swift järjesti runojen julkaisemisen englantilaisessa kirjallisuuslehdessä Nimbus (19 runoa julkaistiin). Tämä osoittautui käännekohtaksi ja Kavanagh alkoi saada suosiota, jonka hän oli aina tuntenut ansaitsevansa. Hänen seuraava kokoelmansa, Come Dance with Kitty Stobling, liittyi suoraan Nimbuksen minikokoelmaan. ellauri276.html on line 493: Lontoossa hän asui usein kustantajansa Martin Greenin ja Greenin vaimon Fionan kanssa heidän talossaan Tottenham Streetillä, Fitzroviassa. Juuri tuolloin Martin Green tuotti Kavanaghin Kootut runoa (1964) Patrick Swiftin ja Anthony Croninin kehotuksista. Johdannossa Kavanagh kirjoitti: "Ihminen puuhailee viattomasti sanoja ja riimejä ja huomaa, että se on hänen omansa, elämä." ellauri276.html on line 495: Kavanagh meni naimisiin pitkäaikaisen kumppaninsa Katherine Barry Moloneyn ( Kevin Barryn veljentytär ) huhtikuussa 1967, ja he perustivat yhdessä pubin Waterloo Roadille Dubliniin. Kavanagh sairastui Tarry Flynnin ensiesityksessä Abbey Theatre -yhtiön Dundalkin kaupungintalossa ja kuoli muutamaa päivää myöhemmin, 30. marraskuuta 1967 Dublinissa. Hänen hautansa on Inniskeenissä Patrick Kavanagh -keskuksen vieressä. Hänen vaimonsa Katherine kuoli vuonna 1989; hän on myös haudattu sinne. Nobel-palkittu Séamus Heaney on saanut vaikutteita Kavanaghista. Heaney ja Kavanagh uskoivat paikallisen tai seurakuntalaisen kykyyn paljastaa universaali. Heaney sanoi kerran, että Kavanaghin runoudella oli "muuttava vaikutus yleiseen kulttuuriin ja se vapautti hänen jälkeensä tulleiden runollisten sukupolvien lahjat". Heaney totesi: "Kavanagh on todella edustava moderni hahmo siinä mielessä, että hänen kumouksellinen toimintansa käännettiin itsensä puoleen: tyytymättömyys, sekä henkinen että taiteellinen, inspiroi hänen kasvuaan... Hänen opetuksensa ja esimerkkinsä auttoivat meitä näkemään olennaisen eron hänen välillään. kutsutaan seurakunnalliseksi ja maakunnalliseksi mentaliteetiksi". Kuten Kavanagh sanoi: "Kaikki suuret sivilisaatiot perustuvat seurakuntaan". Hän päättelee, että Kavanaghin runous todistaa hänen "lankattoman uskonsa itseensä ja taiteeseen, joka teki hänestä paljon enemmän kuin hän itse". ellauri276.html on line 497: ick.Kavanagh.by.Patrick.Swift.jpg" /> ellauri276.html on line 511: Kun Irish Times laati vuonna 2000 luettelon irlantilaisista suosikkirunoista, kymmenen Kavanaghin runoja oli 50 parhaan joukossa, ja hänet arvioitiin toiseksi suosikkirunoilijaksi WB Yeatsin jälkeen. Kavanaghin runo " On Raglan Road ", joka on asetettu perinteiseen ilmaan "Fáinne Geal an Lae", jonka Thomas Connellan sävelsi 1600-luvulla, on esittänyt lukuisat niinkin erilaiset taiteilijat kuin Van Morrison, Luke Kelly, Dire Straits, Billy Bragg, Sinéad O´Connor, Joan Osborne ja monet monet muut. Patrick Kavanaghin patsas sijaitsee irlantilaisen pubin ja ravintolan Raglan Roadin ulkopuolella Walt Disney Worldin Downtown Disneyssä Orlandossa, Floridassa. Suurin osa hänen työstään on nyt saatavilla Isossa-Britanniassa ja Irlannissa, mutta asema Yhdysvalloissa on epävarmempi. ellauri276.html on line 526: Sanan sanotaan keksineen englantilais-irlantilaisen pappi Henry Crumpen, mutta sen alkuperä on epävarma. Nimen varhaisin virallinen käyttö Englannissa esiintyy vuonna 1387 Worcesterin piispan toimeksiannossa viittä "köyhää saarnaajaa" vastaan, nomine seu ritu Lollardorum confoederatos. Oxfordin englanninkielisen sanakirjan mukaan se tulee todennäköisesti keskihollantilaisesta lollaerdista ("mumiseja, mutiseja"), verbistä lollen ("mutistaa, mutistaa"). Sana on paljon vanhempi kuin sen englanninkielinen käyttö; Alankomaissa oli 1300-luvun alussa lollardeja, jotka olivat sukua Fraticellille,Beghardit ja muut lahkot, jotka ovat samankaltaisia kuin resusant franciscans. ellauri276.html on line 538: from: Medieval English Political Writings 1996 ellauri276.html on line 569: icture-in-picture; web-share" allowfullscreen> ellauri276.html on line 572: Historical Folk - The Ploughman текст песни и перевод ellauri276.html on line 581: Saying: Be nimble and be quick by the swishing of your whip. Sanonta: ole ketterä ja ole nopea, heiluttele ruoskaa. ellauri276.html on line 586: Saying: Be nimble and be quick, and throw your blows in thick. Sanomme: Ole ketterä, ole nopea ja lyö kovaa. ellauri276.html on line 595: English Folk Songs [1959] / track 49 Historical Folk. Henry Burstow sang The Ploughman in 1909 to Ralph Vaughan Williams [ VWML RVW2/2/194 ]. This version was printed in 1959 in Vaughan Williams' and Lloyd's The Penguin Book of English Folk Songs, which commented: This song started out, as some songs will, with intent to end otherwise. Mr Burstow's first verse was originally: ellauri276.html on line 603: Here we are on familiar ground, for the beginning is that of the well-known Condescending Lass, often printed on broadsides, and not infrequently met with in the mouths of country singers to this day. The Condescending Lass belongs to a sizeable family of songs on the theme “I wouldn't marry a …”. In it the girl reviews men of various trades, and rejects them all until she finds one whom she will deign to consider. But the present version loses sight of this theme, and from verse two onwards forgets all about the persnickety girl, settling down to a eulogy of the ploughman's trade, though here and there the words still recall those of The Condescending Lass. For the sake of coherence we have abandoned Mr Burstow's first verse and given it another title (he called it: Pretty Wench). The Taverners Folk Group sang The Ploughman in 1974 on their Folk Heritage album Times of Old England. They noted: ellauri276.html on line 605: If The Seasons Round can be instantly recognised as being a typically English song, then The Ploughman is undoubtedly Scottish. The song has a fine lilt for the words and music are irrepressably cheerful; it is a song of a happy man. ellauri276.html on line 608: Turning over frozen earth in dark January days behind a horse drawn or an ox drawn plough, must have been back breaking labour. The hours were long, pay was poor. A ploughman at the Alnwick Hiring Fair of spring 1819 for instance, was offered merely bed and food as payment for his fee for six months work. In the depression of that year, the ploughman had no choice, yet, these ploughmen appeared to enjoy their job and approached life with a sense of honest reality and humour. Their songs are nearly always cheerful. Cyril Tawney sang The Ploughman in 1974 on the Argo anthology The World of the Countryside. Jon Loomes sang The Ploughman in 2005 on his Fellside CD Fearful Symmetry. He noted: ellauri276.html on line 610: In this jolly little anthem to the delights of the rural lifestyle, our agrarian hero attributes his personal desirability to a diet of booze and fags. I got this from The Penguin Book of English Folk Songs which has recently been reprinted and improved—it now has a picture of Eliza Carthy on the front instead of a bloke forcing a bear to dance by poking it with a stick. ellauri276.html on line 614: icture-in-picture; web-share" allowfullscreen> ellauri276.html on line 667: If they get sent to Hell, they get kicked back again, Jos heidät lähetetään helvettiin, heidät potkitaan takaisin, ellauri276.html on line 670: https://www.letssingit.com/historical-folk-lyrics-the-devil-and-the-ploughman-g9dd5cr ellauri276.html on line 721: Robert Burns syntyi 25. tammikuuta 1759 Allowayn kylässä, kaksi mailia Ayrista etelään. Hänen vanhempansa Willian Burnes[s] ja Agnes Broun olivat vuokraviljelijöitä, mutta he varmistivat, että heidän poikansa sai suhteellisen hyvän koulutuksen ja hän alkoi lukea innokkaasti. Alexander Popen, Henry Mackenzien ja Laurence Sternen teokset saivat Burnsin runollisen impulssin, ja suhteet vastakkaiseen sukupuoleen antoivat hänelle inspiraatiota. Handsome Nell Nellie Kilpatrickille oli hänen ensimmäinen kappaleensa. ellauri276.html on line 725: Laittomat suhteet ja avioliiton ulkopuolisten lasten väsääminen kulkivat rinnakkain hänen työelämänsä tuottavan ajanjakson kanssa. Hänen kirjeenvaihtonsa Agnes 'Nancy' McLehosen kanssa johti klassiseen Ae Fond Kiss -elokuvaan. Yhteistyö James Johnsonin kanssa johti pitkäaikaiseen osallistumiseen The Scots Musical Museumiin, johon kuului muun muassa Auld Lang Syne: ellauri276.html on line 768: Samoin George Thomsonille syyskuussa 1793 päivätyssä kirjeessä runoilija väitti keränneensä laulun muistiinpanemalla sen vanhan miehen laulusta. Se julkaistiin lopulta James Johnsonin Scots Musical Museumissa vuonna 1796. ellauri276.html on line 774: Puiseva britti"koomikko" matkaili tv-sarjassa New Zealandissa ja oli niin brittiä niin brittiä. Käydessään tapaamassa maureja se lauloi niille God Save The Queen (sic). Jo on hävyltä häntä poikki! ellauri276.html on line 828: Hänen ensimmäinen kirjansa The Mickle Drede and Other Verses painettiin yksityisesti Kendalissa vuonna 1896, ja hän kirjoitti monia muita runoja ja näytelmiä, joita esittivät yleensä amatöörit tai kokeellisessa teatterissa. Bottomley toimitti myös Isaac Rosenbergin runoutta vuonna 1922, jota hän oli rohkaissut kirjeenvaihtajana vuodesta 1915 lähtien; kun taas hänen läheinen työtoverinsa säveltäjä Edgar Bainton (1880–1956) sävelsi The Crier by Night -musiikkiin. ellauri276.html on line 878: icture-in-picture; web-share" allowfullscreen> ellauri276.html on line 883: 5. elokuuta 1908 hän meni naimisiin Elisabeth von Pausingerin kanssa, tiedättehän, Franz Xaver von Pausingerin tytär, taiteilija, Salzburgista, Itävallasta? Heillä oli tytär Rosalie (Stork) Regen ja kolme poikaa, Francis Wharton, George Frederick ja Carl Alexander. Vuonna 1939 Stork selvisi zägällä SS Athenian uppoamisesta Atlantin valtamerellä. ellauri276.html on line 885: Hän kirjoitti runoja, kuten Beauty´s Burden, Death - Divination ja The Silent Folk. Hän käänsi Johan Olof Wallinin hymnin "We Worship You, Almighty Lord" ja joitain Carl Michael Bellmanin lauluja. Hänen tiedetään inhonneen modernistista kirjallisuutta. ellauri276.html on line 887: Johan Olof Wallin (15. lokakuuta 1779 Stora Tuna, Taalainmaa − 30. kesäkuuta 1839 Tukholma) oli ruotsalainen luterilainen arkkipiispa ja runoilija. Wallin tunnetaan ennen muuta vitsirunoilijana ja vitsikirjan tekijänä. Vuodesta 1807 vuoteen 1817 hän johti Ruotsin vitsikirjan uudistusta. Kun uusi vitsikirja valmistui 1818, siinä oli 286 virttä, jotka hän oli kirjoittanut, kääntänyt tai muokannut. Vitsikirja tunnetaankin ”Wallinin vitsikirjana” ja sitä pidettiin ilmestyttyään hienoimpana luterilaisena vitsikirjana ja kristikunnan parhaana vitsikirjana. Wallinin vitsikirjan koraalikirja ilmestyi 1820, ja sen laati Johann Christian Friedrich Hæffner (Svensk Choralbok, ns. Haeffnerin koraalikirja) ellauri276.html on line 890: icture-in-picture; web-share" allowfullscreen> ellauri276.html on line 894: icture-in-picture; web-share" allowfullscreen> ellauri276.html on line 895: ics)" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri276.html on line 896: icture-in-picture; web-share" allowfullscreen> ellauri276.html on line 901: icture-in-picture; web-share" allowfullscreen> ellauri276.html on line 925: Tämän urakan jälkeen Stork lähti ulkomaille tekemään tutkimustyötä Englannin ja Saksan yliopistoissa, missä hän vietti useita vuosia. Vuonna 1908 hän meni naimisiin Elisabethin, tiedättehän, taiteilija Franz von Pausingerin tyttären kanssa Salzburgista Itävallasta, ja palattuaan Amerikkaan aloitti työnsä Pennsylvanian yliopistossa, jossa hän toimi opettajana ja apulaisprofessorina vuoteen 1916, jolloin erosi tehdäxeen kirjallista työtä. Mr. Storkin ensimmäinen tunnetuksi tullut säekirja oli "Meri ja lahti", 1916. Sen jälkeen hän on kääntänyt paljon ruotsin ja saksan kielestä, tehden ihailtavia käännöksiä Gustaf Frödingistä, 1916, sekä monista muista never heardeista teokseen "Ruotsalaiset runoilijat", jonka teoksen hän julkaisi nimellä "Anthology of Swedish Lyrics", 1917. Hän on sittemmin tehnyt käännöksen "Selected Poems of Verner Von Heidenstam", Nobel-palkinnon saaja 1916. Ruotsalaisen runouden lisäksi hän on tehnyt erinomaisen esitys itävaltalaisen sanoittajan Hofmansthalin sanoituksista. Mr. Stork on toimittaja ja omistaja lehdykälle 'Contemporary Verse', joka on omistautunut nykyisen ryhmän runoudelle Amerikassa. Toinen kokoelma hänen omista säkeistä ilmestyy siinä pian. ellauri276.html on line 938: May Bradley lauloi Kaikki iloiset kaverit nauhoitteella, jonka Fred Hamer teki Ludlowissa Shropshiressa vuosina 1959–1966. Se sisällytettiin vuonna 2010 hänen Musical Traditions -antologiaan Sweet Swansea. Rod Stradling huomautti: ellauri276.html on line 942: George Townshend lauloi Kaikki iloiset kaverit jotka seuraa auraa -kappaleen Brian Matthewsille vuosina 1960-64. Se sisällytettiin vuosina 2000 ja 2012 hänen Musical Traditions -antologiansa Come, Hand to Me the Glass kahteen numeroon. ellauri276.html on line 944: Ralph Noble of Cuba Cottage, Burythorpe, Malton, lauloi Kaikki iloiset kaverit jotka seuraa auraa -kappaleen Colin S. Whartonin tekemällä nauhoitteella, joka sisällytti sen vuonna 1962 Leedsin yliopiston tutkintoonsa "Folk Songs from the North Riding". Se sisällytettiin myös vuonna 2019 Colin Wharton Collectionin kappaleiden Musical Traditions -antologiaan Songs of the North Riding . ellauri276.html on line 956: George Belton lauloi kappaleen Kaikki iloiset kaverit jotka seuraa auraa Madehurstissa, Arundelissa, Sussexissa 29. tammikuuta 1967 Sean Daviesille ja Tony Walesille. Tämä tallenne julkaistiin samana vuonna kuin hänen EFDSS-albuminsa All Jolly Fellows… nimikappale ja vuonna 2020 hänen Musical Traditions -antologiassa A True Furrow To Hold. Karl Dallasin Lewes Armsissa, Mount Placessa, Lewesissä, Sussexissa 11. toukokuuta 1974 tekemä live-tallennus julkaistiin vuonna 1975 Transatlantic-albumilla "lauluja ja tarinoita Sussexin pubissa", The Brave Ploughboy . ellauri276.html on line 958: Bob Hart lauloi kappaleen Kaikki iloiset kaverit jotka seuraa auraa kotona Snapessa, Suffolkissa, 8. heinäkuuta 1969 Rod ja Danny Stradlingille. Tämä tallenne sisältyi vuonna 1998 hänen Musical Traditions -antologiaan A Broadside. Hän lauloi sen myös kotonaan heinäkuussa 1982 Tony Englelle. Tämä tallenne julkaistiin vuotta myöhemmin hänen Topic -albumillaan Songs from Suffolk. AL Lloyd huomautti: ellauri276.html on line 970: Bob Mills lauloi Kaikki iloiset kaverit jotka seuraa auraa -äänityksessä Sam Richardsin ja Tish Stubbsin vuosina 1974-80 vuoden 1981 Folkways-albumille thefolkhandbook. Albumin Liner-muistiinpanot kommentoivat: ellauri276.html on line 978: Bill Smith Shropshiresta lauloi Kaikki iloiset kaverit vuonna 1980 hänen poikansa Andrew Smithin tekemällä äänitteellä, joka sisältyi vuonna 2011 hänen Musical Traditions -antologiaan A Country Life . ellauri276.html on line 984: Len ja Barbara Berry eli The Portway Pedlars lauloivat We Are Kaikki iloiset kaverit jotka seuraa auraa vuonna 1984 Greenwich Village -albumillaan In Greenwood Shades. ellauri276.html on line 999: Nick Dow lauloi Kaikki iloiset kaverit vuoden 2016 CD-levyllään The Devil in the Chest. Hän huomautti: ellauri276.html on line 1008: Lyrics ellauri276.html on line 1048: To see which of us the straight furrow can hold. Nähdäksemme, kumpaa meistä suora vao kestää. ellauri276.html on line 1066: Take this advice and be ruled by me, ottakaa tämä neuvo ja olkaa minun hallitsemia, ellauri276.html on line 1119: To see which of us a straight furrow can hold. Katsomaan, kumpa meistä suoran vaon kestää. ellauri276.html on line 1135: Come take this advice and be ruled by me: tulkaa noudattamaan tätä neuvoa ja olkaa minun hallitsemia: ellauri276.html on line 1157: To see which of us a straight furrow can hold. Katsomaan, kumpa meistä suoran vaon kestää. ellauri276.html on line 1176: Pray take this advice, this advice take from me; Rukoilen, ottakaa tämä neuvo, ottakaa tämä neuvo minulta; ellauri276.html on line 1186: And into the stable, boys, quickerly flies. Ja talliin, pojat, lentää nopeasti. ellauri276.html on line 1196: To see which of us the best furrow can show. kumpi meistä parhaan vaon pystyy näyttämään. ellauri276.html on line 1216: Take my advice and be rulèd by me, ottakaa neuvoni ja olkaa minun hallitsemia, ellauri276.html on line 1236: To see which of us a straight furrow can hold. Nähdäkseen kumpaa meistä suora vako kestää. ellauri276.html on line 1260: Transcribed from the singing of the various minstrels by Garry Gillard, with significant assistance from Steve Willis. Kyllä kuulee ettei nää minstrelsit ole koskaan olleet kyntöpellolla. ellauri276.html on line 1267: icture-in-picture; web-share" allowfullscreen> ellauri276.html on line 1268: icture-in-picture; web-share" allowfullscreen> ellauri276.html on line 1290: Hallin isä oli varakas filanderer, koulutettu Etonissa ja Oxfordissa, mutta työskenteli harvoin, koska hän peri suuren summan rahaa isältään, merkittävältä lääkäriltä, joka oli British Medical Associationin johtaja. Hänen äitinsä oli epävakaa amerikkalainen leski Philadelphiasta. Radclyffen isä lähti vuonna 1882 jättäen nuoren Radclyffen ja hänen äitinsä. Hän jätti kuitenkin Radclyffelle huomattavan perinnön. ellauri276.html on line 1298: "Bostonin avioliitto" oli historiallisesti kahden varakkaan naisen avoliitto, joka oli riippumaton miehen taloudellisesta tuesta. Sanan sanotaan olleen käytössä Uudessa Englannissa 1800-luvun lopulla/1900-luvun alussa. Jotkut näistä suhteista olivat luonteeltaan niin romanttisia, että niitä voitaisiin nyt pitää lesbosuhteina; muut eivät olleet. Termi Bostonin avioliitto yhdistettiin Henry Jamesin The Bostonians (1886) -romaaniin, joka käsitteli pitkää avoliittoa kahden naimattoman naisen, "uusien naisten" välillä, vaikka James itse ei koskaan käyttänyt termiä. Jamesin sisar Alice eli sellaisessa suhteessa Katherine Loringin kanssa ja oli hänen romaanin lähteittensä joukossa. Bostonin avioliitot olivat niin yleisiä Wellesley Collegessa 1800-luvun lopulla ja 1900-luvun alussa, että termistä Wellesley-avioliitto tuli suosittu kuvaus. 1800-luvun lopulla Wellesleyn 53 naisen tiedekunnasta vain yksi nainen oli perinteisesti naimisissa miehen kanssa; useimmat muut asuivat naispuolisen seuralaisen kanssa. Yksi tunnetuimmista pareista oli Katharine Lee Bates ja Katharine Ellis Coman. Bates oli runouden professori ja " America The Beautiful " renkutuxen kirjoittaja. ellauri276.html on line 1300: Samaa sukupuolta olevien avioliitto Massachusettsissa on tunnustettu laillisesti 17. toukokuuta 2004 lähtien, koska Massachusetts Supreme Judicial Court (SJC) päätti asiassa Goodridge v. Department of Public Health, jonka mukaan Massachusettsin perustuslain mukaan oli perustuslain vastaista sallia vain päinvastaiset. seksiparit naimisiin. Massachusettsista tuli kuudes lainkäyttöalue maailmassa (Alankomaiden, Belgian, Ontarion, Brittiläisen Kolumbian ja Quebecin jälkeen), joka laillisti samaa sukupuolta olevien avioliitot. Se oli ensimmäinen Yhdysvaltain osavaltio, jossa avattiin avioliitto samaa sukupuolta olevien parien kanssa. Niiden osuus osavaltion kaikista avioliitoista oli noin 4 %. ellauri276.html on line 1308: icial_portrait.jpg/497px-Amy_Coney_Barrett_official_portrait.jpg" height="300px" /> ellauri277.html on line 5: font-style: italic; ellauri277.html on line 9: font-style: italic; ellauri277.html on line 42: On the evening of December 20, 1900, a suspicious fire destroyed the Buies Creek Academy and all the buildings except for the large wooden tabernacle. Awakened at 3:30 a.m. to witness the destruction, J.A. Campbell recalled: "When I ran up to the fire, the terrible fire, that was burning down chances for poor boys and girls, and I knew that I could not build again ... the flames that destroyed the labor of years [...] the only hope for hundreds of boys and girls was being swept away, I could not bear up longer [...] When they asked me my plans, I said, "Well, there's no chance to go on." ellauri277.html on line 64: icture-in-picture; web-share" allowfullscreen> ellauri277.html on line 82: When you work you are a flute through whose heart the whispering of the hours turns to music. ellauri277.html on line 83: Which of you would be a reed, dumb and silent, when all else sings together in unison? ellauri277.html on line 140: 1908 Haskell esitteli Gibranin ystävälleen kirjailija Charlotte Tellerille, 31, ja helmikuussa Émilie Michelille (Micheline), Haskellin koulun ranskan opettajalle, 19. Sekä Teller että Micheline suostuivat poseeraamaan Gibranille nakuina ja heistä tuli hänen "läheisiä ystäviä." Samana vuonna Gibran julkaisi Spirits Rebellious arabiaksi romaanin, joka kritisoi syvästi maallista ja henkistä auktoriteettia. Gibranin edesmenneen tutun Barbara Youngin mukaan "papit polttivat sen Beirutin torilla uskomattoman lyhyessä ajassa," ja he julistivat sen "vaaralliseksi, vallankumoukselliseksi ja myrkylliseksi nuorille". Maroniittipatriarkaatti laski liikkeelle huhun hänen ek-ek-ekskommunikaatiosta, vaikkei koskaan julistanut sitä virallisesti. ellauri277.html on line 142: Heinäkuussa 1908 Gibran meni Haskellin taloudellisella tuella opiskelemaan taidetta Pariisissa Académie Julianissa, missä hän liittyi Jean-Paul Laurensin ateljeeseen. Gibran oli hyväksynyt Haskellin tarjouksen osittain etääntyäkseen Michelinesta, "sillä hän tiesi, että tämä rakkaus oli vastoin hänen kiitollisuuttaan neiti Haskellia kohtaan"; kuitenkin "hänen yllätykseksi Micheline tuli yllättäen hänen luokseen Pariisissa." "Michel oli paxuna kuin Michelin-ukko, mutta raskaus oli kohdunulkoinen, ja hänen piti tehdä abortti, luultavasti Ranskassa." Micheline oli palannut Yhdysvaltoihin lokakuun lopussa. Gibran vieraili hänen luonaan palattuaan Pariisiin heinäkuussa 1910, mutta heidän välilleen ei jäänyt aavistustakaan läheisyydestä. ellauri277.html on line 147: Gibran kertoi Haskellille vuonna 1914, että hän piti nyt Michelinea "hylkeenä". ellauri277.html on line 151: Saman vuoden joulukuussa Gibranin visuaalisia taideteoksia esiteltiin Montross Galleryssä, mikä herätti amerikkalaisen taidemaalari Albert Pinkham Ryderin huomion. Gibran kirjoitti hänelle proosarunon tammikuussa, ja hänestä tulee yksi ikääntyneen miehen viimeisistä vierailijoista. Ryderin kuoleman jälkeen vuonna 1917 Henry McBride lainasi Gibranin runon ensimmäisenä.jälkimmäisen kuolemanjälkeisenä kunnianosoituksena Ryderille, sitten sanomalehdissä eri puolilla maata, josta tuli Gibranin nimen ensimmäinen laaja maininta Amerikassa. Maaliskuuhun 1915 mennessä kaksi Gibranin runoa oli myös luettu Poetry Society of Americassa, minkä jälkeen Corinne Roosevelt Robinson, Theodore Rooseveltin nuorempi sisar, nousi ylös ja kutsui niitä "tuhoisiksi ja pirullisiksi jutuiksi". ellauri277.html on line 173: Toinen vaikuttaja Gibraniin oli amerikkalainen runoilija Wilt Whatman, jota Gibran seurasi "osoittaen kaikkien ihmisten universaalisuutta ja nauttimalla luonnosta." El-Hagen mukaan saksalaisen filosofin Friedrich Nietzschen vaikutus "ei esiinny Gibranin kirjoituksissa aivomyrskyxi asti." Siitä huolimatta, vaikka Nietzschen tyyli "epäilemättä kiehtoi" häntä, kun Gibran "ei ollut vähiten loitsuissaan". (Ihmekös että Kallen maxa laajeni...) ellauri277.html on line 196: with testicles curdled into a ball ellauri277.html on line 217: Khalil senior seems to have been a violent drinker and a gambler; rather than tend to his walnuts he went to be a collector of taxes for the village headman, a job that was not considered reputable. In 1891 he was convicted of some fiscal irregularity, and his property was confiscated. Gibran later described his father to his women friends as a descendant of cavaliers, a romantic figure, who got into trouble with the law for refusing to compromise with corrupt village authorities. BUAHAHAHA. ellauri277.html on line 219: Similarly, Gibran later portrayed his life in Lebanon as idyllic, stressing his precocious artistic and literary talents and his mother’s efforts to educate him; some of these stories were obviously tall tales meant to impress his American patrons. ellauri277.html on line 221: Day was partial to exotic and orientalist themes and produced elegant homoerotic photographs of young men. Day became Gibran’s friend and patron, using the boy as a nude model, introducing him to smutty literature, and "helping him with his drawing". No one who reads Gibran’s works and knows Day’s tastes can doubt the depth of the latter’s influence on Gibran. Perhaps more important, Day and Day’s friends convinced Gibran that he had a special artistic calling. ellauri277.html on line 223: Romantics such as the Italian poet, novelist, and short-story writer Gabriele D’Annunzio and the Belgian essayist Maurice Maeterlinck influenced Gibran most deeply. ellauri277.html on line 229: In November 1902 Gibran wrote to Peabody, and she invited him to a party held at her house two weeks later. An intense platonic relationship resulted, though Gibran seems to have wanted it to progress to a sexual one. He visited her regularly; they went to musical and artistic events together; they wrote to each other often; and she encouraged his writing and his art. She gave him the nickname that he later used as the title of his most famous book: “the Prophet.” In October 1903 Gibran wrote something in a letter to Peabody that angered her, and their relationship cooled. ellauri277.html on line 231: Gibran’s relationship with Peabody ended completely with her marriage in 1906. He then began a secret affair with a pianist, Gertrude Barrie, who, like Peabody, was several years his senior. During this period Haskell introduced him to an aspiring French actress, Émilie Michel, who taught French at Haskell’s school, and the two fell in love. In 1908 Michel suffered an ectopic pregnancy and had an abortion. The relationship waned and ultimately ended, a victim of Michel’s ambitions for a career on the stage. ellauri277.html on line 233: In April 1904 Day held an exhibit of Gibran’s work at his studio. It was favorably reviewed, and some of the pictures were sold. At the show Gibran met a woman who became his most important patron: Mary Haskell was from a wealthy South Carolina family and ran a private Boston girls’ school. ellauri277.html on line 236: Gibran did not have the training to imitate the old masters of Arabic literature: his education had been haphazard and was as much in English as in Arabic, and there is little evidence of the influence of classical Arabic literature in his works. Instead, his Arabic style was influenced by the Romantic writers of late 19th-century Europe and shows obvious traces of English syntax. His allegorical sketches of exile, oppression, and loneliness spoke to the experiences of immigrants and had none of the rhetorical decoration that made high Arabic literature difficult for ordinary readers. Gibran’s haphazard education meant that his Arabic, like his English, was never perfect. ellauri277.html on line 238: After Paris, Gibran found Boston provincial and stifling. Haskell arranged for him to visit New York in April 1911; he moved there in September, using $5,000 that Haskell gave him to rent an apartment in Greenwich Village. He immediately acquired a circle of admirers that included the Swiss psychiatrist and psychologist Carl Gustav Jung and several Baha’is; the latter introduced him to the visiting Baha’i leader ‘Abd al-Baha’, whose portrait he drew. New York was the center of the Arabic literary scene in America; Rihani was there, and Gibran met many literary and artistic figures who lived in or passed through the city, including the Irish poet and dramatist William Butler Yeats. ellauri277.html on line 240: In the spring of 1913 he visited the International Exhibition of Modern Art—the “Armory Show”—which introduced European modern art to America. He approved of the show as a “declaration of independence” from tradition, but he did not think most of the paintings were beautiful and did not care for the artistic ideologies behind movements such as cubism. The reviews of an exhibition of his own work in December 1914 were mixed. Hedevoted most of his time to painting for the next eighteen years but remained loyal to the symbolism of his youth and became an isolated figure on the New York art scene. ellauri277.html on line 244: In 1923 the financially and emotionally exhausted Haskell moved to Savannah, Georgia, and became the companion of an elderly widower, Colonel Jacob Florence Minis. But her faith in Gibran’s literary and artistic importance never wavered, and she continued to edit his English manuscripts—discreetly, since Minis did not approve of Gibran. ellauri277.html on line 246: Gibran’s masterpiece, The Prophet, was published in September 1923. The earliest references to a mysterious prophet counseling his people before returning to his island home can be found in Haskell’s journal from 1912. Gibran worked on it from time to time and had finished much of it by 1919. He seems to have written it in Arabic and then translated it into English. As with most of his English books, Haskell acted as his editor, correcting Gibran’s chronically defective spelling and punctuation but also suggesting improvements in the wording. ellauri277.html on line 250: The Prophet received tepid reviews in Poetry and The Bookman, an enthusiastic review in the Chicago Evening Post, and little else. On the other hand, the public reception was intense. It began with a trickle of grateful letters; the first edition sold out in two months; 13,000 copies a year were sold during the Great Depression, 60,000 in 1944, and 1,000,000 by 1957. Many millions of copies were sold in the following decades, making Gibran the best-selling American poet of the twentieth century. It is clear that the book deeply moved many people. When critics finally noticed it, they were baffled by the public response; they dismissed the work as sentimental, overwritten, artificial, and affected. ellauri277.html on line 252: Gibran knew that he would never surpass The Prophet, and for the most part his later works do not come close to measuring up to it. The book made him a celebrity, and his monastic lifestyle added to his mystique. ellauri277.html on line 256: In 1926 and 1927, respectively, Gibran published Sand and Foam in English (Donovan!). Sand and Foam is decorated with Gibran’s drawings, and the aphorisms are separated by floral dingbats also drawn by Gibran. Most critics did not like the book, but, like all of his English works (except the flop Twenty Drawings), it has remained in print since its publication. ellauri277.html on line 260: Gibran died on 10 April 1931 of cirrhosis of the liver. He was an alcoholic and had been in poor health since the early 1920s. Gibran’s death set off a series of sordid conflicts that have clouded his reputation. His will left money and real estate to his sister (Marianna Jubran never married and died in Boston in 1972). Breckenridge ja Haskell piippasivat äkäsesti toisilleen mustankipeinä Gibranin kirjallisesta jäämistöstä. Breckenridge´s 1945 biography of Gibran, an adulatory work full of misinformation—much of which may have come from Gibran himself—continues to create confusion even after the publication of several excellent biographies. ellauri277.html on line 264: Gibran has generally been dismissed as sentimental and mawkishly [imelän] mystical. Nevertheless, his works are widely read and are regarded as serious literature by people who do not often read such literature. The unconventional beauty of his language and the moral earnestness of his ideas allow him to speak to a broad audience as only a handful of other twentieth-century American poets have. The sad fact is that a large majority of these monkeys are sentimental and mawkishly mystical. ellauri277.html on line 274: Тhe article discusses the role of religious values in the context of spiritual safety of society. The value content of the concept of spiritual security is substantiated. It is proved that the system of spiritual values and moral norms is one of the important conditions for ensuring the spiritual security of society. The basic principles of providing spiritual security and suggested of definition the relevant concepts. ellauri277.html on line 276: Based on the analysis of actual researches and scientific publications, it was determined that the ellauri277.html on line 277: role and significance of religious values in the public consciousness and self-consciousness, which became the object of research of philosophers, historians, political scientists, specialists of state administration. At the same time, actual issues of religious values in ensuring the spiritual security of society remain insufficiently studied. There is no detailed scientific substantiation and comprehensive study of spiritual security in the structure of national security. ellauri277.html on line 279: Also, reviews the new approaches to the definition of spiritual safety and substantiates the expedience of using traditional and sociological approaches for that purpose. The peculiarities of ellauri277.html on line 282: The question is devoted to theoretical substantiation and development of proposals for improving ellauri277.html on line 286: 1. Abramov, V.I. (2004), Duhovnict´ suspil´st- 7. Leontiev, D.A. (1996), "Value as an interdisciplinary ellauri277.html on line 288: society: methodology of systematic study: Monograph], 8. Chavkavadze N.Z. (1984), Kul´tura s Tcinnosti ellauri277.html on line 290: 2. Nichik, V.M. (2008), Іz istorii vitchyznianoi filosofii 9. Sitnik, G.P. (2004), Derzhavne upravlinnia ellauri277.html on line 291: ХVІІ — ХVІІІ ctorichia [From the history of native natsional´nou bezpekou v Ukraini [State Administration ellauri277.html on line 294: 3. Missov, L.V. (2008), "Features of Public Admi- interests and goals", Military thought, vol. 6, pp. 28—40. ellauri277.html on line 295: nistration in the Sphere of Spiritual and Valuable Develop- 11. Bodruk, O.S. (2001), "National interests", Politics ellauri277.html on line 297: Public Administration, National Academy of Public 12. Bogdanovich, V.Y. (2002), Vojenna bezpeka ellauri277.html on line 300: new contexts of identification", Philosophy Questions, vol. providing: Monograph], Delta, Kyiv, Ukraine. ellauri277.html on line 302: 5. Gorak, A.I. (1986), Material´ne i duhovne v rests", Politics and time, vol. 2, pp. 3—8. ellauri277.html on line 317: Tekee ihmisestä optimistisen – Uskonnolliset ihmiset eivät yleensä menetä toivoaan niin helposti. He uskovat aina, että on olemassa Jumala, joka koettelee heitä tässä maailmassa. Tämän seurauksena uskonnolliset ihmiset eivät turhaudu helposti ja pysyvät optimistisina elämänsä suhteen. Like living in the American Dream. Trust me! I promise you! ellauri277.html on line 319: Hallitsee rikollisuutta : Seurassa, jolla on uskonnollinen arvo ja uskonnollinen laki, on paljon vähemmän rikollisuutta verrattuna yhteiskuntiin, jotka eivät aseta uskontoa etusijalle. Ihmiset, joilla on uskonnollista arvoa, uskovat, että on olemassa Jumala, joka tarkkailee kaikkea heidän toimintaansa; jos he tekevät minkä tahansa rikoksen tai synnin, heitä rangaistaan kuolemanjälkeisessä elämässä. Tämä Jumalan pelko tuo ihmisille nuhteettomuutta ja johtaa heidän elämänsä rehellisyyden tielle. Tämä auttaa yhteiskuntaa vähentämään rikollisuutta merkittävästi. Kazo esim. El Salvador (suomexi Vapahtaja). Tai britti poliisisarja van der Valk. Kun sitä vertaa Nicholas Freelingin alkuperäisiin kirjoihin, näkee miten syvälle on anglosaxien moraalinen cesspool vajonnut. Silikonipanoropoteilla on aidompia tunteita kuin näillä mallinukeilla. ellauri277.html on line 400: ic_symbols.svg/300px-4_Abrahamic_symbols.svg.png" /> ellauri277.html on line 401: Clockwise: Christian cross, Islamic star and crescent, Baháʼí nine-pointed star, and Jewish Star of David ellauri277.html on line 409: Vanhaa kunnon naisvihaa on Bahaissa paljon jäljellä: naisten kelpaamattomuus palvella Universal House of Justicessa muuta kuin kahvinkaatajina; Kitab-i-Aqdasin sisäelinvapautta koskevat lait; myötäjäisiä koskevat lait, erityisesti neitsyyskorvauslauseke (WHAT?); kuukautisten vapauttaminen pakollisista rukouksista ja kuukautiskierron tabu; androsentrisen kielen ja miespronominien käyttö teksteissä; perinteisen moraalin ja perhearvojen korostaminen... jne, jne. ellauri277.html on line 411: icture_of_Abdul-Baha.jpg/220px-Picture_of_Abdul-Baha.jpg" /> ellauri277.html on line 414: Universal House of Justice totesi vuonna 1995 ja on toistanut siitä lähtien, että seksuaalisuutta koskevat opetukset on esitetty uskon kirjoituksissa ja että "Oikeustalolla ei ole valtuuksia muuttaa tätä selkeää opetusta homoseksuaalisuudesta." Entinen baháʼí homo William Garlington sanoi, että baháʼí-asema Yhdysvalloissa "voidaan korkeintaan luonnehtia sympaattiseksi paheksumiseksi" homoseksuaalisuutta kohtaan. Kikkeliä ei vaadita enää irti väännettäväxi. ellauri277.html on line 421: Yön ritari (engl. The Dark Knight) on vuonna 2008 ensi-iltansa saanut yhdysvaltalainen supersankarielokuva, jonka on ohjannut Christopher Noloin. Se perustuu DC Comicsin sarjakuvahahmoon Batman. Yön ritari on Nolanin Batman-elokuvasarjan toinen osa ja jatko-osa vuoden 2005 elokuvalle Batman Begins. Christian Bale jatkaa Batmanin roolissa; muita palaavia pääosan esittäjiä ovat Michael Caine, Gary Oldman ja Morgan Freeman. Elokuva esittelee Harvey Dentin (Aaron Eckhart), Gothamin vastavalitun piirisyyttäjän ja Bruce Waynen lapsuudenystävän Rachel Dawesin (Maggie Gyllenhaal) kumppanin, joka liittyy Batmanin ja poliisin kanssa jahtaamaan rikollisneroa, joka tunnetaan nimellä ”Jokeri” (Heath Ledger). ellauri277.html on line 446: Nick sanoi, että vapaa tahto on sidottu aikomukseen: tietoisesti yhden asian valitsemiseen toisen sijaan. Vapaa tahto on välttämätöntä, koska me kaikki olemme vastuussa teoistamme Jumalan edessä. Tämä tarkoittaa, että meillä on jollain tavalla valinnanvaraa näiden toimien suhteen. Kuinka voit olla vastuussa jostakin, jota et ole valinnut tai jostain et tiennyt valitsevasi? No Nick onkin vähän tällänen pelagiaani. ellauri277.html on line 448: Wes ei ostanut Nickin väitettä, jonka mukaan voimme tehdä todellisia valintoja, joilla on ikuiset seuraukset. Wes väitti, että Jumala oli jo tehnyt suuremman valinnan – anteeksiannon, pelastuksen ja iankaikkisen elämän. Jumalan valinta oli lunastaa maailma eikä lukea syntiämme meitä vastaan; kaikki vaatimuksemme, että voimme paeta Jumalan rakkautta tai kieltäytyä siitä, on näennäistä. Wes on kallellaan kalvinismiin päin. ellauri277.html on line 450: Entäs me baptistit? Valinta on keskeinen osa The Dark Knightia. Jokainen hahmo on valintojen edessä. Pienistä hahmoista Rachel Dawesin (Maggie Gyllenhaal) on valittava kahden miehen välillä. Aikamoinen pähkinä! Alfred Pennyworthin (Michael Caine) on päätettävä, mitä tehdä tietylle kirjeelle. Rikkoako kirjesalaisuus? Lucius Foxin (Morgan Freeman) on päätettävä, auttaako Batmania käyttämällä moraalisesti vastenmielistä tekniikkaa. Ja luutnantti Gordonin (Gary Oldham) on valittava, asettuuko valppaana viittaisen ristiretkeläisen puolelle vai pidättääkö hänet. ellauri277.html on line 462: Jokeri on herättänyt henkiin Friedrich Nietzschen unen ja Pyhän Paavalin painajaisen. Nietzsche, tuo pahamaineinen 1800-luvun saksalainen kristinuskon haastaja, julisti, että hyvän ja pahan, jalon ja arvottoman, oikean ja väärän moraalijärjestelmät eivät ole muuta kuin ihmisten rakenteita, sosiaalisia mukavuuksia ja typeriä tapoja. Eettiset säännöt eivät ole todellisempia, ehdottomia tai ikuisempia kuin etiketin säännöt. Ne ovat ihmisen aiheuttamia ja mielivaltaisia, ja näistä syistä ne tulisi lähettää liekkeihin. Mitä hemmettiä? Outo argumentti, mikä vikaa siinä on että ne on (luonnon)historiallisia ilmiöitä, kun lyhytkestoisista apinoista kumminkin on kymysys? Kummallista ikuisuuden ihannointia. P. Paavali oli kyllä aika painajaismainen kaveri. Mixi sen vuonna kivi ja puu Moosexen lakiin tekemät sääntömuutoxet olisivat yhtään edellistä enemmän kiveen hakattuja? ellauri278.html on line 5: font-style: italic; ellauri278.html on line 9: font-style: italic; ellauri278.html on line 36: Chicherin ja Litvinov ellauri278.html on line 38: icherin_and_Maxim_Litvinov.jpg/440px-No-nb_bldsa_1c100_Georgy_Chicherin_and_Maxim_Litvinov.jpg" width="100%" /> ellauri278.html on line 39: Chicherin ja Litvinov. Arvaa kumpi oli juutalainen? ellauri278.html on line 85: Kaikki ympärillä puhuivat Stalinista tietysti aina "te" ja "toveri Stalin". Joskus vain henkilöt, jotka tulivat hänen luokseen "kokemattomuudesta", sanoivat "Joseph Vissarionovich". Vain kaksi ihmistä - Molotov ja Vorošilov olivat Stalinin kanssa "sinut". Kuulin myös Voroshilovin sanovan "Koba" Stalinille. "Koba" on Stalinin vallankumousta edeltävä maanalainen lempinimi. ellauri278.html on line 146: icture-in-picture; web-share" allowfullscreen> ellauri278.html on line 153: Vyshinsky oli Ukrainan puolalainen katolinen mensjevikki, born in Odessa into a Polish Catholic family which later moved to Baku. A talented student, Andrei Vyshinsky married Kara Mikhailova and became interested in revolutionary ideas. He began attending the Kyiv University in 1901, but was expelled in 1902 for participating in revolutionary activities. ellauri278.html on line 157: Vyshinsky first became a nationally known public figure as a result of the Semenchuk case of 1936. Konstantin Semenchuk was the head of the Glavsevmorput station on Wrangel Island. He was accused of oppressing and starving the local Yupik and of ordering his subordinate, the sledge driver Stepan Startsev, to murder Dr. Nikolai Vulfson, who had attempted to stand up to Semenchuk, on 27 December 1934 (though there were also rumors that Startsev had fallen in love with Vulfson's wife, Dr. Gita Feldman, and killed him out of jealousy). The case came to trial before the Supreme Court of the RSFSR in May 1936; both defendants, attacked by Vyshinsky as "human waste", were found guilty and shot, and "the most publicised result of the trial was the joy of the liberated Eskimos." ellauri278.html on line 159: In 1936, Vyshinsky achieved international fame as the prosecutor at the Zinoviev-Kamenev trial (this trial had nine other defendants), the first of the Moscow Trials during the Great Purge, lashing its defenseless victims with memorable rhetoric: ellauri278.html on line 167: He spoke good French, was quick, clever and efficient, and always knew his dossier well, but whereas I had a certain unwilling respect for Molotov, I had none at all for Vyshinsky. All Soviet officials at that time had no choice but to carry out Stalin's policies without asking too many questions, but Vyshinsky above all gave me the impression of a cringing toadie only too anxious to obey His Master's Voice even before it had expressed his wishes. ... I always had the feeling with Vyshinsky that his past as a Menshevik together with his Polish and bourgeois background made him particularly servile and obsequious in his dealings with Stalin and to a lesser extent with Molotov. ellauri278.html on line 171: We must bear in mind that the growth of the power of the Soviet state will increase the resistance of the last remnants of the dying classes. It is precisely because they are dying, and living their last days that they will pass from one form of attack to another, to sharper forms of attack, appealing to the backward strata of the population, and mobilizing them against the Soviet power. There is no foul lie or slander that these 'have-beens' would not use against the Soviet power and around which they would not try to mobilize the backward elements. This may give ground for the revival of the activities of the defeated groups of the old counter-revolutionary parties: the Socialist-Revolutionaries, the Mensheviks (glup), the bourgeois Malo-Russian nationalists (double glup) in the centre and in the outlying regions; it may give grounds also for the revival of the activities of the fragments of counter-revolutionary opposition elements from among the Trotskyites and the Right deviationists. Of course, there is nothing terrible in this. But we must bear all this in mind if we want to put an end to these elements quickly and without great loss." ellauri278.html on line 188: Chicherin ja Litvinov ellauri278.html on line 190: Chicherin and Litvinov were temperamental opposites and became rivals. Chicherin had a cultivated, polished personal style but held strongly anti-Western opinions. He sought to hold Soviet Russia aloof from diplomatic deal-making with capitalist powers. ellauri278.html on line 192: A distant relative of Aleksandr Pushkin, Georgy Chicherin was born into an old noble family. He was born on the estate of his uncle, Boris Chicherin, in Karaul, Tambov. His father, Vasily N. Chicherin, was a diplomat employed by the Foreign Office of the Russian Empire. ellauri278.html on line 194: In 1904, Chicherin inherited the estate of his famous uncle in Tambov Governorate and became very wealthy. He immediately used his new fortune to support revolutionary activities in the runup to the Russian Revolution of 1905 and was forced to flee abroad to avoid arrest late in that year. He spent the next 13 years in London, Paris and Berlin, where he joined the Menshevik faction of the Russian Social Democratic Labor Party and was active in emigre politics. In Imperial Germany, he underwent medical treatment in attempts to cure his homosexuality. ellauri278.html on line 196: Chicherin followed a pro-German foreign policy in line with his anti-British attitudes, which he had developed during his time in the Foreign Ministry, when Britain was blocking Russian expansion in Asia. Chicherin is thought to have had more phone conversations with Lenin than anyone else. When Joseph Stalin replaced Lenin in 1924, Chicherin remained foreign minister, and Stalin valued his opinions. ellauri278.html on line 198: Chicherin played a major role in establishing formal relations with China and in designing the Kremlin´s policy on China. He focused on the Chinese Eastern Railway, Manchuria, and the Mongolian issue. ellauri278.html on line 200: Chicherin was an eccentric, with obsessive work habits. Alexander Barmine, who worked in the People´s Commissariat for Foreign Affairs, noted that "Chicherin was a workaholic with peculiar habits. His workroom was completely buried in books, newspaper and documents. He used to patter into our room in his shirt sleeves, wearing a large silk handkerchief round his neck and slippers adorned with metal buckles ... which, for comfort´s sake, he never troubled to fasten, making a clicking noise on the floor." In 1930 Chicherin was formally replaced by his deputy, Maxim Litvinov. A continuing terminal illness burdened his last years, which forced him away from his circle of friends and active work and led to an early death. ellauri278.html on line 204: Maxim Maximovich Litvinov (Russian pronunciation: [mɐkˈsʲim mɐkˈsʲiməvʲɪtɕ lʲɪˈtvʲinəf]; born Meir Henoch Wallach; 17 July 1876–31 December 1951) was a Russian revolutionary, and prominent Soviet statesman and diplomat who served as People´s Commissar for Foreign Affairs from 1930 to 1939. Hizi sekin oli jutku! ellauri278.html on line 206: Meir Henoch Wallach was born into a wealthy, Yiddish-speaking, Lithuanian Jewish banking family in Białystok, Grodno Governorate, Russian Empire, which was formerly part of the Polish–Lithuanian Commonwealth. ellauri278.html on line 208: In January 1908, French police arrested Litvinov under the name Meer Wallach while carrying twelve 500-ruble banknotes that had been stolen in a bank robbery in Tiflis the year before. The Russian government demanded his extradition but the French Minister for Justice Aristide Briand ruled Litvinov´s crime was political and ordered him to be deported. He went to Belfast, Ireland, where he joined his sister Rifka and her family. There, he taught foreign languages in the Jewish Jaffe Public Elementary School until 1910. ellauri278.html on line 212: In January 1918, Litvinov addressed the Labour Party Conference, praising the achievements of the Revolution. Alexander Kerensky, the leader of the democratic Russian Provisional Government that had replaced the Tsar and was overthrown by Lenin, was welcomed by the British government on a visit to London and also addressed the Labour Party Conference, criticising the dictatorship of Lenin’s government. Litvinov replied to Kerensky in the left-wing English press, criticising him as being supported by foreign powers and intending to restore capitalism. Later in 1918, the British government arrested Litvinov, ostensibly for having addressed public gatherings held in opposition to British intervention in the ongoing Russian Civil War. ellauri278.html on line 214: In February 1921, the Soviet government was approached by the government of the unilaterally declared Irish Republic in Dublin with proposals for a treaty of mutual recognition and assistance. Despairing of early American recognition for the Irish Republic, President of the Dáil Éireann Éamon De Valera had redirected his envoy Patrick McCartan from Washington to Moscow. McCartan may have assumed Litvinov, with his Irish experience, would be a ready ally. Litvinov, however, told McCarten the Soviet priority was a trade agreement with the UK. ellauri278.html on line 216: On 6 February 1933, Litvinov made the most-significant speech of his career, in which he tried to define aggression. He stated the internal situation of a country, alleged maladministration, possible danger to foreign residents, and civil unrest in a neighbouring country were not justifications for war. This speech became the authority when war was justified. British politician Anthony Eden had said; "to try to define aggression was a trap for the innocent and protection for the guilty". In 1946, the British Government supported Litvinov’s definition of aggression by accusing the Soviet Union of not complying with Litvinov’s definition of aggression. Finland made similar criticisms against the Soviet Union in 1939. ellauri278.html on line 224: In 1933, Litvinov was instrumental in winning a long-sought formal diplomatic recognition of the Soviet government by the United States. US President Franklin Roosevelt sent comedian Harpo Marx to the Soviet Union as a goodwill ambassador. Isosetä Karl oli näät disponibiliteetissa. Litvinov and Marx became friends and performed a routine on stage together. Litvinov also facilitated the acceptance of the Soviet Union into the League of Nations, where he represented his country from 1934 to 1938. Litvinov has been considered to have concentrated on taking strong measures against Italy, Japan and Germany, and being little interested in other matters. ellauri278.html on line 226: After the 1938 Munich Agreement, German state media derided Maxim Litvinov for his Jewish ancestry, referring to him as "Finkelstein-Litvinov". The Munich Agreement (Czech: Mnichovská dohoda; Slovak: Mníchovská dohoda; German: Münchner Abkommen) was an agreement concluded at Munich on 30 September 1938, by Nazi Germany, the United Kingdom, France, and Italy. The agreement provided for the German annexation of land on the border between Czechoslovakia and Germany called the Sudetenland, where more than three million people, mainly ethnic Germans, lived. The pact is also known in "some areas" as the Munich Betrayal (Czech: Mnichovská zrada; Slovak: Mníchovská zrada), because of a previous 1924 alliance agreement and a 1925 military pact between France and the Czechoslovak Republic. ellauri278.html on line 227: An emergency meeting of the main European powers – not including Czechoslovakia, although their representatives were present in the town, or the Soviet Union, an ally to both France and Czechoslovakia – took place in Munich, Germany, on 29–30 September 1938. An agreement was quickly reached on Hitler´s terms, and signed by the leaders of Germany, France, Britain, and Italy. The Czechoslovak mountainous borderland that the powers offered to appease Germany had not only marked the natural border between the Czech state and the Germanic states since the early Middle Ages, but it also presented a major natural obstacle to any possible German attack. Having been strengthened by significant border fortifications, the Sudetenland was of absolute strategic importance to Czechoslovakia. ellauri278.html on line 229: On 30 September, Czechoslovakia yielded to the combination of military pressure by Germany, Poland, and Hungary, and diplomatic pressure by the United Kingdom and France, and agreed to give up territory to Germany on Munich terms. Then, on 1 October, Czechoslovakia also accepted Polish territorial demands. Much of Europe celebrated the Munich Agreement, as they considered it a way to prevent a major war on the continent. Adolf Hitler announced that it was his last territorial claim in Northern Europe. Today, the Munich Agreement is widely regarded as a failed act of appeasement, and the term has become a byword for the futility of appeasing expansionist totalitarian states. ellauri278.html on line 231: On 3 May 1939, Stalin replaced Litvinov, who was closely identified with the anti-German position, with Vyacheslav Molotov. At a prearranged meeting, Stalin said: "The Soviet Government intended to improve its relations with Hitler and if possible sign a pact with Nazi Germany. As a Jew and an avowed opponent of such a policy, Litvinov stood in the way." Litvinov argued and banged on the table. Stalin then demanded Litvinov to sign a letter of resignation. On the night of Litvinov´s dismissal, NKVD troops surrounded the offices of the Commissariat of Foreign Affairs. The telephone at Litvinov´s dacha was disconnected and the following morning, Molotov, Georgy Malenkov, and Lavrenty Beria arrived at the commissariat to inform Litvinov of his dismissal. Many of Litvinov´s aides were arrested and beaten, possibly to extract compromising information. ellauri278.html on line 238: Litvinov myönsi että Molotov-Ribbentrop sopimus oli ryssiltä hyvä ratkaisu siinä tapauksessa, vaikka aina hyvä ratkaisu on Kaleva-puku. The Molotov–Ribbentrop Pact was a non-aggression pact between Nazi Germany and the Soviet Union that enabled those powers to partition Eastern Europe between them. The pact was signed in Moscow on 23 August 1939 by German Foreign Minister Joachim von Ribbentrop and Soviet Foreign Minister Vyacheslav Molotov and was officially known as the Treaty of Non-Aggression between Germany and the Union of Soviet Socialist Republics. Unofficially, it has also been referred to as the Hitler–Stalin Pact, Nazi–Soviet Pact or Nazi–Soviet Alliance. ellauri278.html on line 240: The imperialists in these two countries had done everything they could to goad Hitler’s Germany against the Soviet Union by secret deals and provocative moves. In the circumstances the Soviet Union could either accept German proposals for a non-aggression treaty and thus secure a period of peace in which to redouble preparations to repulse the aggressor; or turn down Germany’s proposals and let the warmongers in the Western camp push the Soviet Union into an armed conflict with Germany in unfavourable circumstances and in a setting of complete isolation. In this situation the Soviet Government was compelled to make the difficult choice and conclude a non-aggression treaty with Germany. I, too, would probably have concluded a pact with Germany although a bit differently. ellauri278.html on line 242: The replacement of Litvinov with Molotov significantly increased Stalin´s freedom to manoeuver in foreign policy. The dismissal of Litvinov, whose Jewish background was viewed disfavorably by Nazi Germany, removed an obstacle to negotiations with Germany. Stalin immediately directed Molotov to "purge the ministry of Jews". Recalling Stalin´s order, Molotov commented: "Thank God for these words! Jews formed an absolute majority in the leadership and among the ambassadors. It wasn´t good." ellauri278.html on line 244: Given Litvinov´s prior attempts to create an anti-fascist coalition, association with the doctrine of collective security with France and Britain, and pro-Western orientation by Kremlin standards, his dismissal indicated the existence of a Soviet option of rapprochement with Germany. Molotov´s appointment was a signal to Germany the USSR would negotiate. The dismissal also signaled to France and Britain the existence of a potential negotiation option with Germany. One British official wrote Litvinov´s disappearance meant the loss of an admirable technician or shock-absorber, while Molotov´s modus operandi was "more truly Bolshevik than diplomatic or cosmopolitan". ellauri278.html on line 246: With regard to the signing of the Molotov–Ribbentrop Pact with secret protocols dividing Eastern Europe three months later, Hitler told military commanders; "Litvinov´s replacement was decisive". A German official told the Soviet Ambassador Hitler was pleased Litvinov´s replacement Molotov was not Jewish. ellauri278.html on line 248: In the 21-month period between the declaration of war by France and Britain, and the invasion of the Soviet Union by Germany, Ivy Litvinov describes this period of her life. She said the family spent their time with their daughter-in-law in their dacha 27 kilometres (17 mi) from Moscow and outside school holidays in the family apartment in Moscow, when they spent long weekends in the country. For two years, the family played bridge, read music, and went on long walks in the countryside with their two dogs. ellauri278.html on line 252: Even to Litvinov, the German invasion of the Soviet Union was a surprise; he did not believe Hitler would risk embarking on a second front at this stage of the war. Churchill informed the world Hitler´s actions were not a surprise to him, and that a victory over the USSR by Hitler would be a catastrophe for the British Empire. ellauri278.html on line 254: Early in November 1941, Litvinov was summoned to see Stalin and told his services were required as ambassador to the United States. In the US, the appointment was met with enthusiasm. The New York Times stated: "Stalin has decided to place his ablest and most forceful diplomat and one who enjoys greater prestige in this country. He is known as a man of exceptional ability, adroit as well as forceful. It is believed that Stalin, in designating him for the ambassadorship, felt Litvinov could exercise real influence in Washington." ellauri278.html on line 260: After returning to Soviet Union, Litvinov became deputy minister for foreign affairs. He was dismissed from his post after an interview given to Richard C. Hottelet on 18 June 1946 in which he said a war between the West and the Soviet Union was inevitable. ellauri278.html on line 262: Maxim Litvinov died on on 31 December 1951. After his death, rumours he was murdered on Stalin´s instructions to the Ministry of Internal Affairs circulated. According to Anastas Mikoyan, alorry deliberately collided with Litvinov´s car as it rounded a bend near the Litvinov dacha on 31 December 1951, and he later died of his injuries. British television journalist Tim Tzouliadis stated; "The assassination of Litvinov marked an intensification of Stalin´s anti-Semitic campaign". According to Litvinov´s wife and daughter, however, Stalin was still on good terms with Litvinov at the time of his death. They said he had serious heart problems and was given the best treatment available during the final weeks of his life, and that he died from a heart attack on 31 December 1951. After Litvinov´s death, his widow Ivy remained in the Soviet Union until she returned to live in Britain in 1972. ellauri278.html on line 264: In his reminiscences dictated to a supporter later in life, Vyacheslav Molotov—Litvinov´s replacement as chief of foreign affairs and right-hand man of Joseph Stalin—said Litvinov was "intelligent" and "first rate" but said he and Stalin "didn´t trust him" and consequently "left him out of negotiations" with the United States during the war. Molotov called Litvinov "not a bad diplomat—a good one" but also called him quite an opportunist who greatly sympathized with Leon Trotsky, Grigory Zinoviev, and Lev Kamenev. According to Molotov; Litvinov remained among the living in the Great Purge only by chance. ellauri278.html on line 287: Molotovin mukaan on nimetty esimerkiksi Molotov–Ribbentrop-sopimus ja suomalaisten talvisodassa juomat Molotovin cocktailit. Hänen elämänkerturinsa Feliks Tšujev sai vuonna 1991 julkaista Molotovin muistelmat nimellä Molotov Remembers: Inside Kremlin Politics. Tšujev oli haastatellut Molotovia vuosina 1969–1986. Eräässä keskustelussa Tšujeville vuonna 1974 käydyssä haastattelussa koskien Suomen valtaamista talvisodassa oli Molotov todennut sen olleen huono ajoitus. Talviset maasto-olosuhteet eivät sopineet tankkikolonnille. Nazit lahjoittivat Suomelle panssarinyrkkejä kuin länkkärit nyt Ukrainalle. Molotov totesi seuraavaa Tšujeville Suomesta ja tsuhnista: ”Olimme super reiluja Suomelle! Oli fiksua, kun emme vallanneet sitä. Siitä olisi tullut märkivä haava. Ihmiset siellä ovat itsepäisiä, hyvin itsepäisiä, eivätkä osaa venättä. Epäonnistuimme Suomen demokratisoimisessa.” Niinpä. Suomalaiseet vihaavat Molotovia vielä enemmän kuin Kerenskiä. ellauri278.html on line 292: Lausitz (saks. Lausitz, alasorbiksi Łužyca, yläsorbiksi Łužica, puol. Łużyce, tšek. Lužice) on Saksassa ja Puolassa sijaitseva maantieteellinen alue. Alue koostuu Saksan puolella Brandenburgin eteläosasta ja Saksin itäosasta sekä Puolan puolella Ala-Sleesian ja Lubuszin voivodikuntien osista. Lausitz jaetaan Ala-Lausitziin (Niederlausitz), Ylä-Lausitziin (Oberlausitz) ja Lausitzin vuorialueeseen (Lausitzer Gebirge). Lausitzin vuorialueesta ainoastaan sen saksalainen osa, joka tunnetaan myös nimellä Zittauer Gebirge, kuuluu Lausitziin. Saksalaisen ja puolalaisen Lausitzin rajan muodostaa nykyisin Neissejoki, albumin 65 Oder-Neisse-linja. Lausitz tunnetaan muun muassa sen sorbettivähemmistöstä, ei sudeettisavolaisista sentään, ne on pohjoisempana zekin rajalla. Saxalaisilla oli aika paha sorbitoli-intoleranssi loppupeleisssä. ellauri278.html on line 314: icture-in-picture; web-share" allowfullscreen> ellauri278.html on line 315: icle)" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri278.html on line 316: icial Pro Shot]" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri278.html on line 324: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide". ellauri278.html on line 326: Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of lead vocalist Fred Durst, drummer John Otto, guitarist Wes Borland, turntablist DJ Lethal and bassist Sam Rivers. The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks, and uniforms, also plays a large role in Limp Bizkit´s live shows. The band has been nominated for three Grammy Awards, sold 40 million records worldwide, and won several other awards. The band has released 26 singles, the most notable of which include "Nookie", "Re-Arranged", "Break Stuff", "Take a Look Around", "Rollin' (Air Raid Vehicle)." Formed in 1994, Limp Bizkit became popular playing in the Jacksonville underground music scene in the late 1990s. n October 28, 2021, Durst confirmed via Instagram that the band's sixth album – now titled Still Sucks – would be released on October 31, 2021. Durst's lyrics are often profane, scatological or angry. Much of Durst´s lyrical inspiration came from growing up and his personal life. I did it all for the nookie [slang for sexual intercourse]. ellauri278.html on line 388: Moskovan Khamovnichesky-tuomioistuin hylkäsi 24. lokakuuta 2008 teloitettujen upseerien omaisten valituksen GVP:n kieltäytymisestä antamasta poliittista kuntoutusta kuolleille. ellauri278.html on line 453: Thompson -konepistooli (tunnetaan myös nimellä "Tommy Gun" , "Chicago Typewriter" , "Chicago Piano" , "Trench Sweeper" tai "Trench Broom" ) on Unitedin kehittämä takaisinpuhalluskäyttöinen, valikoivalla tuulellakin käyttövarmasti toimiva konepistooli. Osavaltioiden armeijan prikaatikenraali John T. Thompson vuonna 1918. Se oli alun perin suunniteltu murtamaan ensimmäisen maailmansodan umpikujia, mutta se valmistui vasta sodan päätyttyä. Bugger it! ellauri278.html on line 537: Saksan armeijan valmistautuminen sotaan alkoi elokuussa 1940 salanimellä Friz, ja sitä koordinoi kenraali Friedrich Pauluksen johtama ryhmä syyskuusta alkaen. Hitlerin uuden päämajan Wolfschanzen rakentaminen aloitettiin Itä-Preussiin Rastenburgin kaupungin lähelle. Lopullinen päiväkäsky nro. 21 nimellä operaatio Barbarossa allekirjoitettiin 18. joulukuuta. Sodasta piti tulla lyhyt. Joseph Goebbels kirjoitti päiväkirjaansa keskustelusta Hitlerin kanssa: ”Vihollinen ajetaan taaksepäin yhdellä tasaisella liikkeellä. Führer arvioi operaatioon kuluvan neljä kuukautta. Minä luulen, että vähemmän. Bolševismi luhistuu kuin korttitalo.” ellauri279.html on line 5: font-style: italic; ellauri279.html on line 9: font-style: italic; ellauri279.html on line 120: ich-kakaya-zhe-nastoyashchaya-istoriya-pavlika/">Источник ellauri279.html on line 151: Keskimmäinen poikani Aleksey, hän on 11-vuotias, kertoi nähneensä Danilan kävelevän nopeasti metsästä 3. syyskuuta ja koiramme juoksi hänen perässään. Aleksei kysyi, oliko hän nähnyt Pavelin ja Fjodorin, johon Danila ei vastannut ja vain nauroi. Hän oli pukeutunut itsekudottuihin housuihin ja mustaan paitaan - Aleksei muisti tämän hyvin. Nämä housut ja paita löydettiin Sergei Sergeevich Morozovin luota etsinnässä. ellauri279.html on line 178: Millaisen koetuksen he asettivat veljelleni? Se on noloa ja pelottavaa. Veljeäni kutsuttiin lehdessä tiedottajaksi. Valehtele! Pavel taisteli aina avoimesti. Miksi häntä loukataan? Onko perheemme kärsinyt pientä surua? Ketä kiusataan? Kaksi veljestäni tapettiin. Kolmas, Roman, tuli vammaisten eturintamassa, kuoli nuorena. Minua paneteltiin sodan aikana kansan vihollisena. Hän vietti leirillä kymmenen vuotta. Ja sitten he kuntoutuivat. Ja nyt panettelu Pavlikille. Kuinka kestää tämä kaikki? He tuomitsivat minut kidutuksiin pahemmin kuin leireillä. On hyvä, että äitini ei nähnyt näinä päivinä... Kirjoitan, mutta kyyneleet tukehtuvat. Joten näyttää siltä, että Pashka on jälleen puolustuskyvytön tiellä.... "Ogonyok" Korotichin toimittaja radioasemalla "Freedom" sanoi, että veljeni on paskiainen, mikä tarkoittaa äitiäni... Juri Izrailevich Alperovitš-Družnikov työskenteli perheeseemme, joi teetä äitini, joka tunsi myötätuntoa meitä kaikkia kohtaan, ja sitten hän julkaisi Lontoossa inhottavan kirjan - joukon niin inhottavia valheita ja panettelua, että sen lukemisen jälkeen sain toisen sydänkohtauksen. Myös Z. A. Kabina sairastui, hän yritti haastaa tekijän kanteen kansainvälisessä tuomioistuimessa, mutta missä hän on - Alperovich asuu Texasissa ja nauraa - yritä saada hänet, opettajan eläke ei riitä. Lukuja tämän kirjoittajan kirjasta "Pavlik Morozovin taivaaseenastuminen" levittivät monet sanomalehdet ja aikakauslehdet, kukaan ei ota protestejani huomioon, kukaan ei tarvitse totuutta veljestäni... Näyttää siltä, että minulla on vain yksi asia tästä vasemmalle - kastella itseni bensiinillä, ja siinä se! ellauri279.html on line 192: Juri Alperovich in memoriam ellauri279.html on line 194: Yuri Ilyich Druzhnikov (in Russian: Юрий Ильич Дружников) was born Yuri Izrailevich Alperovich on the 17 April 1933 in Moscow, USSR. He died on the 14 May 2008 in Davis, California. ellauri279.html on line 195: In his lifetime, he worked as an actor, a photographer, an editor, a journalist and travel correspondent, as an author and as a professor of Russian. He was also the vice-president of the American branch of the International PEN club. ellauri279.html on line 197: When Yuri joined the faculty of the Department of German and Russian at UCD in January, 1989, none of his colleagues had any idea of the remarkable fifty-five years of his life that had preceded his arrival in Davis. Some of us were aware of the fact that he had been censored for his writing in the Soviet Union, but most, if not all of us, were ignorant of the attack leveled against him in 1974 by the newspaper Izvestiya, which accused him of having slandered the Soviet people, or of his having been removed from the Writers Union of the USSR in 1977 and declared “a traitor to the motherland” for his participation in the Samizdat underground publishing movement. In 1986, he was threatened by the KGB with either incarceration in a prison camp or confinement to a psychiatric ward, where he might well have languished had it not been for the intervention of Western writers such as Kurt Vonnegut and Arthur Miller, as well as, the International PEN-Club. Yuri was banished from his homeland a year later. He became a leading literary figure among Russian émigré writers while in exile, living first in Vienna, and then in Texas, before coming to California. ellauri279.html on line 199: In his sensational exposé, Informer 001 or the Myth of Pavlik Morozov, a product of research carried out clandestinely in the Soviet Union between 1980 and 1984, he demolished the long-standing, “official” Soviet version of the young, thirteen-year old “pioneer” (who never was) and communist martyr – designated, in 1934, a Soviet literary hero at the First Congress of Soviet Writers – who had turned in his father to the authorities for treasonable activity. The boy was subsequently murdered, according to the authorities, by members of his own family. The young Pavlik did, in fact, denounce his father, but, as Yuri demonstrates, he appears to have been put up to it by his mother, seeking revenge for her husband’s infidelity. As to who actually killed Pavlik, Yuri establishes that it was certainly not family members who were hauled before a Soviet court and subsequently executed. No less a literary figure than Alexander Solzhenitsyn hailed the publication of the book in 1987, claiming that it was “through books such as this that as many Soviet lies will eventually be told as revealed.” ellauri279.html on line 201: Alperovich Genealogy ellauri279.html on line 203: Alperovichit näyttää olevan pahempia oikeistojutkuja kuin Suomen oma Ben Zyskovicz. The vast majority of Argentine Jews are descended from immigrants who arrived from Europe. These ashkenazic Jews migrated from small towns or shtetels of Poland, Lithuania, Russia, Germany, Romania or Ukraine, leaving behind most of their Jewish relatives. After two or three generations, those Jewish families lost track of their relatives, having been saved from the war, emigrated to other countries like USA, England or Australia. ellauri279.html on line 208: Dmitri Mikhailovich Alperovitch (born 1980) is a Russian American think-tank founder, investor, philanthropist, podcast host and former computer security industry executive. He is the chairman of Silverado Policy Accelerator, a geopolitics think-tank in Washington, D.C. and a co-founder and former chief technology officer of CrowdStrike. Alperovitch is a naturalized U.S. citizen born in Russia who came to the United States in 1994 with his family. Following Russian invasion of Ukraine, Alperovitch became the host of Geopolitics Decanted podcast, where he discusses current geopolitical events with militarily experts, historians, economists and political scientists. He is one of the 100 leading global thinkers in foreign policy 2013. Alperovitch even got a nod from President Trump when the leader (erroneously) called out CrowdStrike as “owned by a very rich Ukrainian.” (It’s assumed he was talking about Alperovitch, who is a cofounder and was born in Moscow to Russian parents.) ellauri279.html on line 210: ico.com/wp-content/uploads/2019/11/jose-alperovich-.jpg?ssl=1" /> ellauri279.html on line 211: Jose Alperovich es el más rico del congreso de Argentina. ellauri279.html on line 213: Jose, justicialist party honcho and governor of Tucuman was charged by the Public Prosecutor for the complaint of sexual abuse by his niece. ellauri279.html on line 214: From the return of Perón in 1973 and under the leadership of Isabel Perón, the Justicialist Party was no longer characterized by anti-imperialist and revolutionary tones but by a strong focus on orthodox peronism and anticommunism (of which it became the main bulwark in South America) and the support of economic liberalism. ellauri279.html on line 259: Voisiko tääkin kirja-arvostelun väsääjä olla sefardi? A submission from Indiana, U.S. says the name Faria means "The one that will create. Jewish families converted to Catholicism avoiding the Inquisition in Portugal and Spain sec XIV-XV" and is of Portuguese origin. Bostonin reformijuutalaisen Temple Israelin vetäjä on muuan Randy Faria. ellauri279.html on line 273: Mihail Ryumin syntyi 1. syyskuuta 1913 keskiluokkaiseen talonpoikaisperheeseen Bolshoe Kabanye kylässä, Kabanje Volostissa, Shadrinsk Uyezdissa, Permin kuvernöörissä, nyt Baturinski Selsovetissa, Shadrinskin alueella, Kurganin alueella. Sisällissodan vuosina Ryuminin perhe tuki valkoisia, myöhemmin Mihail Dmitrievich piilotti tämän seikan. ellauri279.html on line 313: Solženitsyn taisteli puna-armeijassa toisessa maailmansodassa. Hän yleni kapteeniksi, ennen kuin hänet pidätettiin helmikuussa 1945 syytettynä neuvostovastaisesta agitaatiosta ja neuvostovastaisen järjestön perustamisen yrityksestä Wormdittissa Itä-Preussissa (nykyisin Orneta Puolassa). Solženitsyniä vastaan esitetty todiste oli hänen "koulutoverilleen" lähettämä kirje, jossa hän käytti viranomaisten mukaan Stalinista epäkunnioittavaa nimitystä ”viiksimies”. Solženitsyn joutui kahdeksaksi vuodeksi työleirille. Eli siis helmikuussa 1945 palvellessaan Itä-Preussissa SMERSH pidätti Solzhenitsynin, koska hän oli kirjoittanut halventavia kommentteja yksityisissä kirjeissä ystävälleen Nikolai Vitkevichille sodan johtamisesta haukkuen Joseph Stalinia, jota hän kutsui nimillä "Khozyain" ("pomo") ja "Balabos" (jiddišin renderointi heprealaisesta baal ha-bayitista "talon mestari"). Tosin hän keskusteli myös saman ystävän kanssa uuden organisaation tarpeesta Neuvostoliiton hallinnon tilalle. Tämän nojalla Solzhenitsyniä syytettiin "Neuvostoliiton vastaisesta propagandasta" Neuvostoliiton rikoslain 58 artiklan 10 kohdan nojalla ja "vihamielisen järjestön perustamisesta" 11 kohdan nojalla. Alexei vankikavereideen ei edes iloinnut kun muut hurrasivat sodan päättymistä Venäjälle suotuisissa merkeissä. ellauri279.html on line 318: Rangaistuksen aluksi Solženitsyn oli kahdessa vankilassa Moskovassa. Sitten hänet siirrettiin lähiseudulle ojennustyöleirille, jossa hän kuljetti puutavaraa, ja seuraavaksi toiselle, jota kutsuttiin ”Uudeksi Jerusalemiksi”, jossa hän kaivoi savea. Sieltä hänet vietiin Kazakhstaniin leirille, jota kutsuttiin ”Galogan portiksi”, jossa lapioitiin potaskaa. Eli siis vuonna 1950 Solzhenitsyn lähetettiin poliittisten vankien "erityisleiriin" Ekbatanin kaupunkiin Kazakstaniin. Siellä hän työskenteli kaivosmiehenä, muurarina ja valimon työnjohtajana. Hänen kokemuksensa Ekibastuzissa muodostivat perustan kirjalle Yksi päivä Ivan Denisovichin elämässä.Hän koki moraalisen ja henkisen murtumisen yrittäessään vältellä vartijan vaatimuksia raportoida vankitovereistaan. Hän ei antanut tietoja. Hän viittasi noihin yhdeksään kuukauteen Galogan portissa elämänsä alhaisimpina aikoina. Tulipahan sentään tehtyä rehellistä työtä edes sekin aika. ellauri279.html on line 334: Vankileirien saaristo julkaistiin Pariisissa venäjäksi heti joulun 1973 jälkeen. Sen jälkeen neuvostoviranomaiset aloittivat Solženitsynin ankaramman painostuksen. Hänet karkotettiin 13. helmikuuta 1974 Neuvostoliitosta Frankfurtiin Länsi-Saksaan, ja hän menetti kansalaisuutensa. Solženitsyn asui aluksi Kölnissä kirjailija Heinrich Böllin luona. Kirjan julkaisemisen vaikutusta on verrattu pommiin. Se ei ainoastaan paljastanut ojennustyöleirien Gulagia, Neuvostoliiton rangaistus- ja ihmisten säilytysjärjestelmän laajuutta ja laatua, vaan myös kyseenalaisti neuvostojärjestelmän kapitalismikriittisen perustan. ellauri279.html on line 342: Hänen (Jurin) vaientamista kannattavat kynäilijät kirjoittivat anomuksia, sadat julkkis intellektuellit, joista muinoin vasemmistoon suuntautuneilla henkilöillä, kuten Jean-Paul Sartrella, oli erityistä vaikutusta Moskovassa. Muita tukijoita olivat muun muassa vasemmistosiipirikot Graham Greene, Muriel Spark, W. H. Auden, Günter Grass, Heinrich Böll, Yukio Mishima, Carlos Fuentes, Arthur Miller, John Updike, Truman Capote ja Kurt Vonnegut. Aika monesta näistä on jo paasauxia. Joukossa on melkoisia turhakkeita jopa konnia. ellauri279.html on line 344: Solženitsyn vangittiin ja karkotettiin Neuvostoliitosta vuonna 1974. Hän asettui aluksi Zürichiin Sveitsiin ja sitten Vermontiin Yhdysvaltoihin. Vasta 1980-luvun lopulla Solženitsynin kirjat vapautettiin Neuvostoliitossa julkaisukiellosta. Vuonna 1989 Moskovan kirjamessuilla neuvostoliittolainen uudistusten myötä vapautunut tiedonvälitys otti uuden kannan Solženitsynin tuotantoon, ja seitsemän lehteä alkoi julkaista hänen teoksiaan. Vankileirien saaristo ilmestyi Neuvostoliitossa syksyllä 1989, ja seuraavana vuonna se sai Venäjän kirjallisuuden valtionpalkinnon. Vuonna 1990 Solženitsyn sai takaisin Neuvostoliiton kansalaisuuden, ja hän palasi vuonna 1994 Venäjälle Siperian junalla. ellauri279.html on line 368: A. A. Akhmatova arvosti suuresti Matryonin Dvoria ja huomautti teoksen symboliikasta ("Tämä on kauheampaa kuin Ivan Denisovich ... Siellä voit työntää kaiken persoonallisuuden kultin nimiin, mutta täällä ... Loppujen lopuksi se ei ole Matryona, vaan koko venäläinen kylä putosi höyryveturin alle ja paloiksi…") Kuva yksittäisistä yksityiskohdista. ellauri279.html on line 434: 2007 - Zivko ja Milica Topalovic -säätiön (Serbia) palkinto (jaettiin 7. maaliskuuta 2008): "suurelle kirjailijalle ja humanistille, jonka kristillinen totuus antaa meille rohkeutta ja lohtua." ellauri279.html on line 447: Solzhenizyn teki näennäisen takinkäännön henkkoht enkan kääntämällä takkia nuipperin ja näipperin. Mielipiteeni olivat ennen radikaaleja nyt ne ovat konservatiiviset. Carlos Fuentes oli toinen takinkääntäjä. Isä Rafu oli sotinut Wilsonia vastaan Huertan jupakassa, ja sixi Carloskin rupesi eka kommunistixi. Mutta se kävi kouluja Yhdysvalloissa ja opiskeli isän käskystä lakia kynäilyn sijasta, ja sitä tietä Carloxesta tuli ensin hallituxen kätyri ja lopulta takinkääntäjä. Fuentes ja toinen meksikolainen kirjailija, Nobel-palkittu Octavio Paz ajautuivat 1990-luvulla riitoihin. He olivat ystävystyneet 1950 ja olivat tämän tehneet paljon yhteistyötä. Heidän välinsä alkoivat kuitenkin rakoilla 1980-luvulla, kun Fuentes kannatti sittemmin pahoixi takinkääntäjixi osoittautuneita Nicaraguan sandinisteja, jotka Paz tuomitsi. Paz oli oikeassa että Fuentesilta puuttui todellinen meksikolainen identiteetti. Sen se oli korvannut jenkki identiteetillä. Tämän se osoitti kynäilemällä useitakin amerikkalaishenkisiä NYT bestsellerejä. ellauri279.html on line 452: The New York Times kuvaili muistokirjoituksessaan Fuentesia "yhdeksi espanjankielisen maailman ihailluimmista kirjailijoista" ja merkittävällä tavalla "Latin American Boomerixi," kun taas The Guardian kutsui häntä "Meksikon kuuluisimmaksi kirjailijaksi". Hänet mainittiin usein todennäköiseksi kirjallisuuden Nobelin ehdokkaaksi, vaikka hän ei koskaan voittanutkaan. ellauri279.html on line 454: Vuonna 1938 Meksiko kansallisti ulkomaiset öljy-yhtiöt mikä johti kansalliseen meteliin Yhdysvalloissa; hän viittasi myöhemmin tapahtumaan hetkenä, jolloin hän alkoi ymmärtää itseään meksikolaiseksi. Vuonna 1940 Fuentesin perhe siirrettiin Santiagoon, Chileen. Siellä hän kiinnostui ensin sosialismista, josta tuli yksi hänen elinikäisistä hobbyistaan, anteexiannettavasta kiinnostuksesta Pablo Nerudan panoaiheista runoutta kohtaan. Hän asui Meksikossa ensimmäisen kerran 16-vuotiaana, kun hän meni opiskelemaan lakia National Autonomous University of Mexicossa (UNAM). ellauri279.html on line 456: Hän meni ensin naimisiin meksikolaisen näyttelijättären Rita Macedon kanssa. "Komeana helppoheikkinä" pidetyllä Fuentesilla oli myös korkean profiilin suhteita muiden näyttelijättärien kaa. Hänen ystäviään olivat Luis Buñuel, William Styron ja Friedrich Dürrenmatt. Fuentes synnytti kolme lasta, joista vain yksi selvisi hänestä. Poika, Carlos Fuentes Lemus, kuoli näennäiseen homofiliaan liittyviin komplikaatioihin vuonna 1999 25-vuotiaana. Tytär, Natasha Fuentes Lemus (syntynyt 31. elokuuta 1974), kuoli näennäiseen huumeiden yliannostukseen Mexico Cityssä 22. elokuuta 2005 30-vuotiaana. ellauri279.html on line 460: Fuentesin ensimmäinen romaani Missä ilma on kirkasta ( La región más transparente ) oli välitön menestys ilmestyessään vuonna 1958. Romaani rakentuu Federico Roblesin tarinan ympärille – joka on hylännyt vallankumoukselliset ihanteensa tullakseen voimakkaaxi rahoittajaxi. ellauri281.html on line 5: font-style: italic; ellauri281.html on line 9: font-style: italic; ellauri281.html on line 84: Kaikki ympärillä puhuivat Stalinista tietysti aina "te" ja "toveri Stalin". Joskus vain henkilöt, jotka tulivat hänen luokseen "kokemattomuudesta", sanoivat "Joseph Vissarionovich". Vain kaksi ihmistä - Molotov ja Vorošilov olivat Stalinin kanssa "sinut". Kuulin myös Voroshilovin sanovan "Koba" Stalinille. "Koba" on Stalinin vallankumousta edeltävä maanalainen lempinimi. ellauri281.html on line 145: icture-in-picture; web-share" allowfullscreen> ellauri281.html on line 152: Vyshinsky oli Ukrainan puolalainen katolinen mensjevikki, born in Odessa into a Polish Catholic family which later moved to Baku. A talented student, Andrei Vyshinsky married Kara Mikhailova and became interested in revolutionary ideas. He began attending the Kyiv University in 1901, but was expelled in 1902 for participating in revolutionary activities. ellauri281.html on line 156: Vyshinsky first became a nationally known public figure as a result of the Semenchuk case of 1936. Konstantin Semenchuk was the head of the Glavsevmorput station on Wrangel Island. He was accused of oppressing and starving the local Yupik and of ordering his subordinate, the sledge driver Stepan Startsev, to murder Dr. Nikolai Vulfson, who had attempted to stand up to Semenchuk, on 27 December 1934 (though there were also rumors that Startsev had fallen in love with Vulfson's wife, Dr. Gita Feldman, and killed him out of jealousy). The case came to trial before the Supreme Court of the RSFSR in May 1936; both defendants, attacked by Vyshinsky as "human waste", were found guilty and shot, and "the most publicised result of the trial was the joy of the liberated Eskimos." ellauri281.html on line 158: In 1936, Vyshinsky achieved international fame as the prosecutor at the Zinoviev-Kamenev trial (this trial had nine other defendants), the first of the Moscow Trials during the Great Purge, lashing its defenseless victims with memorable rhetoric: ellauri281.html on line 166: He spoke good French, was quick, clever and efficient, and always knew his dossier well, but whereas I had a certain unwilling respect for Molotov, I had none at all for Vyshinsky. All Soviet officials at that time had no choice but to carry out Stalin's policies without asking too many questions, but Vyshinsky above all gave me the impression of a cringing toadie only too anxious to obey His Master's Voice even before it had expressed his wishes. ... I always had the feeling with Vyshinsky that his past as a Menshevik together with his Polish and bourgeois background made him particularly servile and obsequious in his dealings with Stalin and to a lesser extent with Molotov. ellauri281.html on line 170: We must bear in mind that the growth of the power of the Soviet state will increase the resistance of the last remnants of the dying classes. It is precisely because they are dying, and living their last days that they will pass from one form of attack to another, to sharper forms of attack, appealing to the backward strata of the population, and mobilizing them against the Soviet power. There is no foul lie or slander that these 'have-beens' would not use against the Soviet power and around which they would not try to mobilize the backward elements. This may give ground for the revival of the activities of the defeated groups of the old counter-revolutionary parties: the Socialist-Revolutionaries, the Mensheviks (glup), the bourgeois Malo-Russian nationalists (double glup) in the centre and in the outlying regions; it may give grounds also for the revival of the activities of the fragments of counter-revolutionary opposition elements from among the Trotskyites and the Right deviationists. Of course, there is nothing terrible in this. But we must bear all this in mind if we want to put an end to these elements quickly and without great loss." ellauri281.html on line 187: Chicherin ja Litvinov ellauri281.html on line 189: Chicherin and Litvinov were temperamental opposites and became rivals. Chicherin had a cultivated, polished personal style but held strongly anti-Western opinions. He sought to hold Soviet Russia aloof from diplomatic deal-making with capitalist powers. ellauri281.html on line 191: A distant relative of Aleksandr Pushkin, Georgy Chicherin was born into an old noble family. He was born on the estate of his uncle, Boris Chicherin, in Karaul, Tambov. His father, Vasily N. Chicherin, was a diplomat employed by the Foreign Office of the Russian Empire. ellauri281.html on line 193: In 1904, Chicherin inherited the estate of his famous uncle in Tambov Governorate and became very wealthy. He immediately used his new fortune to support revolutionary activities in the runup to the Russian Revolution of 1905 and was forced to flee abroad to avoid arrest late in that year. He spent the next 13 years in London, Paris and Berlin, where he joined the Menshevik faction of the Russian Social Democratic Labor Party and was active in emigre politics. In Imperial Germany, he underwent medical treatment in attempts to cure his homosexuality. ellauri281.html on line 195: Chicherin followed a pro-German foreign policy in line with his anti-British attitudes, which he had developed during his time in the Foreign Ministry, when Britain was blocking Russian expansion in Asia. Chicherin is thought to have had more phone conversations with Lenin than anyone else. When Joseph Stalin replaced Lenin in 1924, Chicherin remained foreign minister, and Stalin valued his opinions. ellauri281.html on line 197: Chicherin played a major role in establishing formal relations with China and in designing the Kremlin´s policy on China. He focused on the Chinese Eastern Railway, Manchuria, and the Mongolian issue. ellauri281.html on line 199: Chicherin was an eccentric, with obsessive work habits. Alexander Barmine, who worked in the People´s Commissariat for Foreign Affairs, noted that "Chicherin was a workaholic with peculiar habits. His workroom was completely buried in books, newspaper and documents. He used to patter into our room in his shirt sleeves, wearing a large silk handkerchief round his neck and slippers adorned with metal buckles ... which, for comfort´s sake, he never troubled to fasten, making a clicking noise on the floor." In 1930 Chicherin was formally replaced by his deputy, Maxim Litvinov. A continuing terminal illness burdened his last years, which forced him away from his circle of friends and active work and led to an early death. ellauri281.html on line 203: Maxim Maximovich Litvinov (Russian pronunciation: [mɐkˈsʲim mɐkˈsʲiməvʲɪtɕ lʲɪˈtvʲinəf]; born Meir Henoch Wallach; 17 July 1876–31 December 1951) was a Russian revolutionary, and prominent Soviet statesman and diplomat who served as People´s Commissar for Foreign Affairs from 1930 to 1939. Hizi sekin oli jutku! ellauri281.html on line 205: Meir Henoch Wallach was born into a wealthy, Yiddish-speaking, Lithuanian Jewish banking family in Białystok, Grodno Governorate, Russian Empire, which was formerly part of the Polish–Lithuanian Commonwealth. ellauri281.html on line 207: In January 1908, French police arrested Litvinov under the name Meer Wallach while carrying twelve 500-ruble banknotes that had been stolen in a bank robbery in Tiflis the year before. The Russian government demanded his extradition but the French Minister for Justice Aristide Briand ruled Litvinov´s crime was political and ordered him to be deported. He went to Belfast, Ireland, where he joined his sister Rifka and her family. There, he taught foreign languages in the Jewish Jaffe Public Elementary School until 1910. ellauri281.html on line 211: In January 1918, Litvinov addressed the Labour Party Conference, praising the achievements of the Revolution. Alexander Kerensky, the leader of the democratic Russian Provisional Government that had replaced the Tsar and was overthrown by Lenin, was welcomed by the British government on a visit to London and also addressed the Labour Party Conference, criticising the dictatorship of Lenin’s government. Litvinov replied to Kerensky in the left-wing English press, criticising him as being supported by foreign powers and intending to restore capitalism. Later in 1918, the British government arrested Litvinov, ostensibly for having addressed public gatherings held in opposition to British intervention in the ongoing Russian Civil War. ellauri281.html on line 213: In February 1921, the Soviet government was approached by the government of the unilaterally declared Irish Republic in Dublin with proposals for a treaty of mutual recognition and assistance. Despairing of early American recognition for the Irish Republic, President of the Dáil Éireann Éamon De Valera had redirected his envoy Patrick McCartan from Washington to Moscow. McCartan may have assumed Litvinov, with his Irish experience, would be a ready ally. Litvinov, however, told McCarten the Soviet priority was a trade agreement with the UK. ellauri281.html on line 215: On 6 February 1933, Litvinov made the most-significant speech of his career, in which he tried to define aggression. He stated the internal situation of a country, alleged maladministration, possible danger to foreign residents, and civil unrest in a neighbouring country were not justifications for war. This speech became the authority when war was justified. British politician Anthony Eden had said; "to try to define aggression was a trap for the innocent and protection for the guilty". In 1946, the British Government supported Litvinov’s definition of aggression by accusing the Soviet Union of not complying with Litvinov’s definition of aggression. Finland made similar criticisms against the Soviet Union in 1939. ellauri281.html on line 223: In 1933, Litvinov was instrumental in winning a long-sought formal diplomatic recognition of the Soviet government by the United States. US President Franklin Roosevelt sent comedian Harpo Marx to the Soviet Union as a goodwill ambassador. Isosetä Karl oli näät disponibiliteetissa. Litvinov and Marx became friends and performed a routine on stage together. Litvinov also facilitated the acceptance of the Soviet Union into the League of Nations, where he represented his country from 1934 to 1938. Litvinov has been considered to have concentrated on taking strong measures against Italy, Japan and Germany, and being little interested in other matters. ellauri281.html on line 225: After the 1938 Munich Agreement, German state media derided Maxim Litvinov for his Jewish ancestry, referring to him as "Finkelstein-Litvinov". The Munich Agreement (Czech: Mnichovská dohoda; Slovak: Mníchovská dohoda; German: Münchner Abkommen) was an agreement concluded at Munich on 30 September 1938, by Nazi Germany, the United Kingdom, France, and Italy. The agreement provided for the German annexation of land on the border between Czechoslovakia and Germany called the Sudetenland, where more than three million people, mainly ethnic Germans, lived. The pact is also known in "some areas" as the Munich Betrayal (Czech: Mnichovská zrada; Slovak: Mníchovská zrada), because of a previous 1924 alliance agreement and a 1925 military pact between France and the Czechoslovak Republic. ellauri281.html on line 226: An emergency meeting of the main European powers – not including Czechoslovakia, although their representatives were present in the town, or the Soviet Union, an ally to both France and Czechoslovakia – took place in Munich, Germany, on 29–30 September 1938. An agreement was quickly reached on Hitler´s terms, and signed by the leaders of Germany, France, Britain, and Italy. The Czechoslovak mountainous borderland that the powers offered to appease Germany had not only marked the natural border between the Czech state and the Germanic states since the early Middle Ages, but it also presented a major natural obstacle to any possible German attack. Having been strengthened by significant border fortifications, the Sudetenland was of absolute strategic importance to Czechoslovakia. ellauri281.html on line 228: On 30 September, Czechoslovakia yielded to the combination of military pressure by Germany, Poland, and Hungary, and diplomatic pressure by the United Kingdom and France, and agreed to give up territory to Germany on Munich terms. Then, on 1 October, Czechoslovakia also accepted Polish territorial demands. Much of Europe celebrated the Munich Agreement, as they considered it a way to prevent a major war on the continent. Adolf Hitler announced that it was his last territorial claim in Northern Europe. Today, the Munich Agreement is widely regarded as a failed act of appeasement, and the term has become a byword for the futility of appeasing expansionist totalitarian states. ellauri281.html on line 230: On 3 May 1939, Stalin replaced Litvinov, who was closely identified with the anti-German position, with Vyacheslav Molotov. At a prearranged meeting, Stalin said: "The Soviet Government intended to improve its relations with Hitler and if possible sign a pact with Nazi Germany. As a Jew and an avowed opponent of such a policy, Litvinov stood in the way." Litvinov argued and banged on the table. Stalin then demanded Litvinov to sign a letter of resignation. On the night of Litvinov´s dismissal, NKVD troops surrounded the offices of the Commissariat of Foreign Affairs. The telephone at Litvinov´s dacha was disconnected and the following morning, Molotov, Georgy Malenkov, and Lavrenty Beria arrived at the commissariat to inform Litvinov of his dismissal. Many of Litvinov´s aides were arrested and beaten, possibly to extract compromising information. ellauri281.html on line 237: Litvinov myönsi että Molotov-Ribbentrop sopimus oli ryssiltä hyvä ratkaisu siinä tapauksessa, vaikka aina hyvä ratkaisu on Kaleva-puku. The Molotov–Ribbentrop Pact was a non-aggression pact between Nazi Germany and the Soviet Union that enabled those powers to partition Eastern Europe between them. The pact was signed in Moscow on 23 August 1939 by German Foreign Minister Joachim von Ribbentrop and Soviet Foreign Minister Vyacheslav Molotov and was officially known as the Treaty of Non-Aggression between Germany and the Union of Soviet Socialist Republics. Unofficially, it has also been referred to as the Hitler–Stalin Pact, Nazi–Soviet Pact or Nazi–Soviet Alliance. ellauri281.html on line 239: The imperialists in these two countries had done everything they could to goad Hitler’s Germany against the Soviet Union by secret deals and provocative moves. In the circumstances the Soviet Union could either accept German proposals for a non-aggression treaty and thus secure a period of peace in which to redouble preparations to repulse the aggressor; or turn down Germany’s proposals and let the warmongers in the Western camp push the Soviet Union into an armed conflict with Germany in unfavourable circumstances and in a setting of complete isolation. In this situation the Soviet Government was compelled to make the difficult choice and conclude a non-aggression treaty with Germany. I, too, would probably have concluded a pact with Germany although a bit differently. ellauri281.html on line 241: The replacement of Litvinov with Molotov significantly increased Stalin´s freedom to manoeuver in foreign policy. The dismissal of Litvinov, whose Jewish background was viewed disfavorably by Nazi Germany, removed an obstacle to negotiations with Germany. Stalin immediately directed Molotov to "purge the ministry of Jews". Recalling Stalin´s order, Molotov commented: "Thank God for these words! Jews formed an absolute majority in the leadership and among the ambassadors. It wasn´t good." ellauri281.html on line 243: Given Litvinov´s prior attempts to create an anti-fascist coalition, association with the doctrine of collective security with France and Britain, and pro-Western orientation by Kremlin standards, his dismissal indicated the existence of a Soviet option of rapprochement with Germany. Molotov´s appointment was a signal to Germany the USSR would negotiate. The dismissal also signaled to France and Britain the existence of a potential negotiation option with Germany. One British official wrote Litvinov´s disappearance meant the loss of an admirable technician or shock-absorber, while Molotov´s modus operandi was "more truly Bolshevik than diplomatic or cosmopolitan". ellauri281.html on line 245: With regard to the signing of the Molotov–Ribbentrop Pact with secret protocols dividing Eastern Europe three months later, Hitler told military commanders; "Litvinov´s replacement was decisive". A German official told the Soviet Ambassador Hitler was pleased Litvinov´s replacement Molotov was not Jewish. ellauri281.html on line 247: In the 21-month period between the declaration of war by France and Britain, and the invasion of the Soviet Union by Germany, Ivy Litvinov describes this period of her life. She said the family spent their time with their daughter-in-law in their dacha 27 kilometres (17 mi) from Moscow and outside school holidays in the family apartment in Moscow, when they spent long weekends in the country. For two years, the family played bridge, read music, and went on long walks in the countryside with their two dogs. ellauri281.html on line 251: Even to Litvinov, the German invasion of the Soviet Union was a surprise; he did not believe Hitler would risk embarking on a second front at this stage of the war. Churchill informed the world Hitler´s actions were not a surprise to him, and that a victory over the USSR by Hitler would be a catastrophe for the British Empire. ellauri281.html on line 253: Early in November 1941, Litvinov was summoned to see Stalin and told his services were required as ambassador to the United States. In the US, the appointment was met with enthusiasm. The New York Times stated: "Stalin has decided to place his ablest and most forceful diplomat and one who enjoys greater prestige in this country. He is known as a man of exceptional ability, adroit as well as forceful. It is believed that Stalin, in designating him for the ambassadorship, felt Litvinov could exercise real influence in Washington." ellauri281.html on line 259: After returning to Soviet Union, Litvinov became deputy minister for foreign affairs. He was dismissed from his post after an interview given to Richard C. Hottelet on 18 June 1946 in which he said a war between the West and the Soviet Union was inevitable. ellauri281.html on line 261: Maxim Litvinov died on on 31 December 1951. After his death, rumours he was murdered on Stalin´s instructions to the Ministry of Internal Affairs circulated. According to Anastas Mikoyan, alorry deliberately collided with Litvinov´s car as it rounded a bend near the Litvinov dacha on 31 December 1951, and he later died of his injuries. British television journalist Tim Tzouliadis stated; "The assassination of Litvinov marked an intensification of Stalin´s anti-Semitic campaign". According to Litvinov´s wife and daughter, however, Stalin was still on good terms with Litvinov at the time of his death. They said he had serious heart problems and was given the best treatment available during the final weeks of his life, and that he died from a heart attack on 31 December 1951. After Litvinov´s death, his widow Ivy remained in the Soviet Union until she returned to live in Britain in 1972. ellauri281.html on line 263: In his reminiscences dictated to a supporter later in life, Vyacheslav Molotov—Litvinov´s replacement as chief of foreign affairs and right-hand man of Joseph Stalin—said Litvinov was "intelligent" and "first rate" but said he and Stalin "didn´t trust him" and consequently "left him out of negotiations" with the United States during the war. Molotov called Litvinov "not a bad diplomat—a good one" but also called him quite an opportunist who greatly sympathized with Leon Trotsky, Grigory Zinoviev, and Lev Kamenev. According to Molotov; Litvinov remained among the living in the Great Purge only by chance. ellauri281.html on line 286: Molotovin mukaan on nimetty esimerkiksi Molotov–Ribbentrop-sopimus ja suomalaisten talvisodassa juomat Molotovin cocktailit. Hänen elämänkerturinsa Feliks Tšujev sai vuonna 1991 julkaista Molotovin muistelmat nimellä Molotov Remembers: Inside Kremlin Politics. Tšujev oli haastatellut Molotovia vuosina 1969–1986. Eräässä keskustelussa Tšujeville vuonna 1974 käydyssä haastattelussa koskien Suomen valtaamista talvisodassa oli Molotov todennut sen olleen huono ajoitus. Talviset maasto-olosuhteet eivät sopineet tankkikolonnille. Nazit lahjoittivat Suomelle panssarinyrkkejä kuin länkkärit nyt Ukrainalle. Molotov totesi seuraavaa Tšujeville Suomesta ja tsuhnista: ”Olimme super reiluja Suomelle! Oli fiksua, kun emme vallanneet sitä. Siitä olisi tullut märkivä haava. Ihmiset siellä ovat itsepäisiä, hyvin itsepäisiä, eivätkä osaa venättä. Epäonnistuimme Suomen demokratisoimisessa.” Niinpä. Suomalaiseet vihaavat Molotovia vielä enemmän kuin Kerenskiä. ellauri281.html on line 291: Lausitz (saks. Lausitz, alasorbiksi Łužyca, yläsorbiksi Łužica, puol. Łużyce, tšek. Lužice) on Saksassa ja Puolassa sijaitseva maantieteellinen alue. Alue koostuu Saksan puolella Brandenburgin eteläosasta ja Saksin itäosasta sekä Puolan puolella Ala-Sleesian ja Lubuszin voivodikuntien osista. Lausitz jaetaan Ala-Lausitziin (Niederlausitz), Ylä-Lausitziin (Oberlausitz) ja Lausitzin vuorialueeseen (Lausitzer Gebirge). Lausitzin vuorialueesta ainoastaan sen saksalainen osa, joka tunnetaan myös nimellä Zittauer Gebirge, kuuluu Lausitziin. Saksalaisen ja puolalaisen Lausitzin rajan muodostaa nykyisin Neissejoki, albumin 65 Oder-Neisse-linja. Lausitz tunnetaan muun muassa sen sorbettivähemmistöstä, ei sudeettisavolaisista sentään, ne on pohjoisempana zekin rajalla. Saxalaisilla oli aika paha sorbitoli-intoleranssi loppupeleisssä. ellauri281.html on line 313: icture-in-picture; web-share" allowfullscreen> ellauri281.html on line 314: icle)" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri281.html on line 315: icial Pro Shot]" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri281.html on line 323: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide". ellauri281.html on line 325: Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of lead vocalist Fred Durst, drummer John Otto, guitarist Wes Borland, turntablist DJ Lethal and bassist Sam Rivers. The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks, and uniforms, also plays a large role in Limp Bizkit´s live shows. The band has been nominated for three Grammy Awards, sold 40 million records worldwide, and won several other awards. The band has released 26 singles, the most notable of which include "Nookie", "Re-Arranged", "Break Stuff", "Take a Look Around", "Rollin' (Air Raid Vehicle)." Formed in 1994, Limp Bizkit became popular playing in the Jacksonville underground music scene in the late 1990s. n October 28, 2021, Durst confirmed via Instagram that the band's sixth album – now titled Still Sucks – would be released on October 31, 2021. Durst's lyrics are often profane, scatological or angry. Much of Durst´s lyrical inspiration came from growing up and his personal life. I did it all for the nookie [slang for sexual intercourse]. ellauri281.html on line 387: Moskovan Khamovnichesky-tuomioistuin hylkäsi 24. lokakuuta 2008 teloitettujen upseerien omaisten valituksen GVP:n kieltäytymisestä antamasta poliittista kuntoutusta kuolleille. ellauri281.html on line 452: Thompson -konepistooli (tunnetaan myös nimellä "Tommy Gun" , "Chicago Typewriter" , "Chicago Piano" , "Trench Sweeper" tai "Trench Broom" ) on Unitedin kehittämä takaisinpuhalluskäyttöinen, valikoivalla tuulellakin käyttövarmasti toimiva konepistooli. Osavaltioiden armeijan prikaatikenraali John T. Thompson vuonna 1918. Se oli alun perin suunniteltu murtamaan ensimmäisen maailmansodan umpikujia, mutta se valmistui vasta sodan päätyttyä. Bugger it! ellauri281.html on line 536: Saksan armeijan valmistautuminen sotaan alkoi elokuussa 1940 salanimellä Friz, ja sitä koordinoi kenraali Friedrich Pauluksen johtama ryhmä syyskuusta alkaen. Hitlerin uuden päämajan Wolfschanzen rakentaminen aloitettiin Itä-Preussiin Rastenburgin kaupungin lähelle. Lopullinen päiväkäsky nro. 21 nimellä operaatio Barbarossa allekirjoitettiin 18. joulukuuta. Sodasta piti tulla lyhyt. Joseph Goebbels kirjoitti päiväkirjaansa keskustelusta Hitlerin kanssa: ”Vihollinen ajetaan taaksepäin yhdellä tasaisella liikkeellä. Führer arvioi operaatioon kuluvan neljä kuukautta. Minä luulen, että vähemmän. Bolševismi luhistuu kuin korttitalo.” ellauri282.html on line 5: font-style: italic; ellauri282.html on line 9: font-style: italic; ellauri282.html on line 38: icflickr.com/4/3461/3796054135_1d3d4bd161_b.jpg" width="100%" /> ellauri282.html on line 69: [26.3. klo 17.08] +358 44 2776451: Camus'n mielestä ei saa välivallalla tehdä kumouksia, kun sitten samalla menetelmällä joudutaan valvomaan uuden vallan pysymistä. Esimerkkinä giljotiini. Ehkä voitaisiin Zysckowicsin päälle käynyt kaveri pannakin giljotiiniin vaihtelun vuoksi. ellauri282.html on line 101: [3.4. klo 19.14] Oma Profiili: The famous Allan Ramsay portrait of David Hume, hanging in the University of Edinburgh, depicts him wearing a remarkable hat: a unique salmon-coloured turban. I was able to see the original on the occasion of receiving an honorary degree from Edinburgh in 2007, and ever since then I have desired to obtain a replica of that curious hat for myself (to wear on special occasions, such as those requiring academic regalia). ellauri282.html on line 163: De Mellon teoksista otetaan edelleen uusia painoksia, ja hänen opetuksistaan on koottu lisää teoksia hänen kuolemansa jälkeen. Vuonna 1988 joitain hänen mielipiteistään tuomittiin postuumisti uskonopin kongregaatiossa. Kardinaali Ratzinger, josta myöhemmin tuli Paavi Benedictus XVI, kirjoitti: "Mutta jo eräissä kohdissa hänen varhaisissa kirjoituksissaan, sekä myöhemmissä töissä vielä vahvemmin, on huomattavissa kasvavaa etäisyyttä kristillisen uskon olennaiseen sisältöön... Tällä tiedoksiannolla, tarkoituksenaan suojella kristillisen totuuden hyveitä, tämä kongregaatio julistaa, että yllä mainittu asenne on yhteensopimaton katolisen uskon kanssa ja voi aiheuttaa vakavaa harmia." ellauri282.html on line 165: Im Februar 2019 machte seine ex-Heiligkeit die „Lockerung der Moral“ im Zuge der 68er-Bewegung für den sexuellen Missbrauch in der katholischen Kirche mitverantwortlich. Er betrachtete die Leugnung der Objektivität durch den Relativismus und insbesondere die Leugnung moralischer Wahrheiten als das zentrale Problem des 21. Jahrhunderts. Wegen seines Umgangs mit hübschen Fällen sexuellen Missbrauchs in der römisch-katholischen Kirche war Benedikt XVI. umstritten, obwohl er strenge Regeln für den sexuellen Umgang mit den Tätern einführte. Baijerilainen emeritusprofessori Ratzinger lähti eläkkeelle paavinta 85-vuotiaana 2012. Emerituspäivät päättyivät 93-vuotiaana 2020 kasvoruusuisena. ellauri282.html on line 167: icture-in-picture; web-share" allowfullscreen> ellauri282.html on line 174: Und an dem Duft sog ich fest mich und fester. ellauri282.html on line 176: Ich seh Dich vor mir, Stirn und Schläfe glühend, ellauri282.html on line 177: Den Nakken trotzig, weich und weiss die Hände, ellauri282.html on line 181: Um mich webt Nacht, die kühle, wolkenlose, ellauri282.html on line 184: Und von dem Garten, drin ich sie gewonnen. ellauri282.html on line 192: Ist auch mein Hertz heut' so allein; ich weiss, das wird nicht immer sein. ellauri282.html on line 193: Rote Rosen werden blüh'n wenn ich wieder bei Dir bin. ellauri282.html on line 194: Fahnenstangen werden blüh'n wenn ich glaub an Dein Wort, ellauri282.html on line 196: Ist auch mein Hertz heut' noch so schwer und jeden Tag fühl ich mich so leer. ellauri282.html on line 197: Rote Rosen werden blüh'n, wenn ich wieder bei Dir bin. ellauri282.html on line 205: ics)" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri282.html on line 210: icture-in-picture; web-share" allowfullscreen> ellauri282.html on line 227: Anders syntyi 11. elokuuta 1892 isälleen Albert Andersille ja äidilleen Elizabethille (tyttönimi Tauchert) Krośniewice -Błonien kylässä, 96 kilometriä (60 mailia) Varsovasta länteen, silloisen Venäjän osana. Imperiumi. Hänen molemmat vanhempansa olivat baltisaksalaista alkuperää ja hänet kastettiin Puolan protestanttisen evankelis-Augsburgin kirkon jäseneksi. Hänellä oli kolme veljeä - Karol, Tadeusz ja Jerzy, jotka kaikki myös jatkoivat uraa zaarin armeijassa. ellauri282.html on line 317: icture-quotes/quote-if-it-is-peace-you-want-seek-to-change-yourself-not-other-people-it-is-easier-to-protect-anthony-de-mello-76-25-95.jpg" /> ellauri282.html on line 334: Thomas Merton, David R. Hawkins, Henri Nouwen, Eckhart Tolle, Jiddu Krishnamurti, Ignatius Loyola, Rajneesh, Deepak Chopra, Pierre Teilhard de Chardin, Bede Griffiths, Janos Arany, Ramesh S Balsekar, Thomas Keating, Richard Rohr, Sri Nisargadatta Maharaj, Nouriel Roubini, Ramana Maharshi, Wayne Dyer, What Hanhi, Khalil Gibran. ellauri282.html on line 345: Loyola syntyi varakkaaseen baskiaisperheeseen Guipúzcoassa ja oli äidin puoleltakin baskiainen. Hän oli nuorin 13 lapsesta joka syntyi Marina Saenz de Liconalle ja Beltran Yanez de Onaz y Loyolalle. ellauri282.html on line 359: Niiden vaikutuksesta hän päätti omistaa elämänsä tylsimysten viitoittamalle askeesille ja suorittaa tylsiinvaelluksen Jerusalemiin. Varsinkin Fransiskus Assisilaisen ja Tylsän Dominicuksen elämäntarinat tekivät Loyolaan suuren vaikutuksen. ellauri282.html on line 385: ic-quotes-spiritual-growth.jpg" /> ellauri282.html on line 399: Trappistit, jotka virallisesti tunnetaan nimellä Cisternians of Strict Observance (latina: Ordo Cisterciensis Strictioris Observantiae, lyhennettynä OCSO) ja alun perin nimeltään La Trappen Neitsyt Marian reformoitujen kystertsiläisten ritarikunta, ovat katolinen uskonnollinen veljeskunta. He noudattavat Pyhän Benedictin sääntöä ja heillä on sekä munkkien että nunnien yhteisöjä jotka tunnetaan trappisteina ja trappistinnoina. Ne on nimetty La Trappe Abbeyn mukaan, luostarin, josta liike ja uskonnollinen järjestys sai alkunsa. Liike sai alkunsa uudistuksista, jotka apotti Armand Jean le Bouteillier de Rancé esitteli vuonna 1664, mikä johti myöhemmin trappistiseurakuntien luomiseen ja lopulta viralliseen perustuslakiin erillisenä uskonnollisena järjestyksenä vuonna 1892. ellauri282.html on line 412: Mertonista tuli innokas uskontojen välisen ymmärryksen kannattaja, joka tutki itämaisia uskontoja tutkimalla mystistä käytäntöä. Hänet tunnetaan erityisesti vuoropuhelun uranuurtamisesta aasialaishenkisten henkilöiden, mukaan lukien Dalai Laman, kanssa; japanilainen kirjailija D. T. Suzuki ; Thaimaan buddhalainen munkki Buddhadasa ja varsinkin vietnamilainen munkki Which What Hanhi. Merton kirjoitti elokuussa 1966 esseen Jubileelle nimeltä "Nhất Hạnh on mun velivainaja", jossa hän sanoi: "Minulla on paljon enemmän yhteistä Nhất Hạnhin kanssa kuin minulla on monien amerikkalaisten kanssa, enkä epäröi sanoa sitä, siitä huolimatta että hän on juuri niitä vinkuintiaaneja jotka julmasti nirhasivat meikäläisten koptereista pudonneita urhoja Viet Kongin pusikoissa." ellauri282.html on line 425: Tammikuussa 1938 Merton valmistui Columbiasta BA-arvosanoilla englanniksi. Kesäkuussa hänen ystävänsä Seymour Freedgood järjesti tapaamisen Mahanambrata Brahmacharin, hillomunkin kanssa, joka vieraili New Yorkissa Chicagon yliopistosta. Hän teki Mertoniin vaikutuksen, koska hän (Merton) uskoi, että munkki (Maha-etc) keskittyi syvästi Jumalaan. Vaikka Merton odotti Brahmacharin suosittelevan hindulaisuutta, hän sen sijaan neuvoi Mertonia yhdistämään sen uudelleen oman (Mertonin) kulttuurinsa hengellisiin juuriin. Hän ehdotti Mertonia lukemaan Augustinuksen tunnustukset ja Kristuksen jäljittelyn. Merton luki lojaalisti ne molemmat. ellauri282.html on line 428: 16. marraskuuta 1938 Thomas Merton kävi kasteen Corpus Christi -kirkossa ja otti sieltä messiin pyhän ehtoollisen. 22. helmikuuta 1939 Merton sai englannin maisterintutkinnon Columbian yliopistosta. Merton päätti jatkaa väitöskirjaansa Columbiassa ja muutti Douglastonista Greenwich Villageen. ellauri282.html on line 430: 10. joulukuuta 1941 Thomas Merton saapui Getsemanin luostariin ja vietti kolme päivää luostarin guesthousessa odottaen hyväksyntää ritarikuntaan. Aloitteleva mestari tuli haastattelemaan Mertonia arvioiden hänen vilpittömyyttään ja pätevyyttään. Sillä välin Merton pantiin töihin lattioiden kiillottamiseen ja astioiden pesuun. Frederic Dunne, Getsemanin apotti vuodesta 1935, hyväksyi hänet luostariin postulaatiksi 13. joulukuuta. Mertonin ensimmäiset päivät eivät sujuneet ongelmitta. Hänellä oli vakava vilustuminen vierailustaan guesthousessa, jossa hän istui avoimen ikkunan edessä todistaakseen vilpittömyytensä. Olis vaan puunannut niitä lattioita. Alkuviikkojen aikana Getsemanissa Merton opiskeli monimutkaista kystercian viittomakieltä sekä päivittäistä työ- ja palvontarutiinia. ellauri282.html on line 440: Vuonna 1948 The Seven Storey Mountain julkaistiin kriitikoiden suosiossa, ja Mertonille lähetetty faniposti saavutti uusia korkeuksia. Merton julkaisi myös useita teoksia luostarille sinä vuonna, jotka olivat: Guide to Cistercian Life, Cistercian Contemplatives, Figures for an Apocalypse ja The Spirit of Simplicity. Tuona vuonna Saint Mary's College (Indiana) julkaisi myös Mertonin kirjasen What Is Contemplation? Merton julkaisi myös sinä vuonna elämäkerran, Exile Ends in Glory: The Life of a Trappistine, Mother M. Berchmans, OCSO. ellauri282.html on line 442: Mertonin apotti Dunne kuoli 3. elokuuta 1948 matkustaessaan junassa Georgiaan. Dunnen poismeno oli tuskallinen Mertonille, joka oli alkanut katsoa apottia vähän muutenkin kuin isähahmona ja henkisenä mentorina. Elokuun 15. päivänä luostariyhteisö valitsi uudeksi apottiksi Dom James Foxin, Yhdysvaltain entisen laivaston upseerin. Lokakuussa Merton keskusteli hänen kanssaan jatkuvasta vetovoimastaan karthusialaisia ja kamaldolilaisia ritarikuntia kohtaan ja heidän emeriittisestä elämäntavastaan, johon Fox vastasi vakuuttamalla Mertonille hänen (ja hänen tienestiensä) kuuluvan Getsemaniin. Fox salli Mertonin jatkaa kirjoittamistaan, koska Merton oli nyt saavuttanut huomattavaa tunnustusta luostarin ulkopuolella. 21. joulukuuta Merton vihittiin subdiakoniksi. Vuodesta 1948 lähtien Merton tunnisti itsensä anarkistiksi. (Mit vit? No sitä että Mertonista tuli vasemmistoaktivsti silloin kun se ei ollut yhtään sopivaa. Nähdessään käsikirjoitetun version Seitsemänkerroksisesta vuoresta sensorit hylkäsivät sen, koska se sisälsi lukuisia viittauksia seksiin ja juomiseen. Hälinä Seitsemänkerroksisesta vuoresta lopulta ratkesi, mutta pian sensorit olivat jälleen huolissaan Mertonin kirjoituksista sodasta ja rauhasta. Sodasta ei saanut kirjoittaa, ainoastaan rauhasta. Piis. Kiistanalainen koomikko Lenny Bruce päätti usein yökerhotoimintansa lukemalla esseestä, jonka Merton kirjoitti Saksan natsijohtajasta Adolf Eichmannista ja jossa Merton kyseenalaistaa maailman järkeä. ellauri282.html on line 444: 5. tammikuuta 1949 Merton matkusti junalla Louisvilleen ja haki Yhdysvaltain kansalaisuutta. Samana vuonna julkaistiin Seeds of Contemplation, The Tears of Blind Lions, The Waters of Siloe ja The Seven Storey Mountainin brittiläinen painos otsikolla Elected Silence. 19. maaliskuuta Mertonista tuli ritarikunnan diakoni, ja 26. toukokuuta (helatorstaina) hänet vihittiin papiksi pitäen ensimmäisen messunsa seuraavana päivänä. Kesäkuussa luostari vietti satavuotisjuhlavuottaan, jonka kunniaksi Merton kirjoitti kirjan Gethsemani Magnificat muistoksi. Marraskuussa Merton aloitti opettaa mystistä teologiaa Getsemanin aloittelijoille, josta hän nautti suuresti. Tähän mennessä Merton oli valtava menestys luostarin ulkopuolella, ja The Seven Storey Mountainia on myyty yli 150 000 kappaletta. Seuraavina vuosina Merton kirjoitti monia muita kirjoja, jotka keräsivät laajan lukijakunnan. Hän tarkisti Seeds of Contemplationin useita kertoja ja piti varhaista painostaan virhealttiina ja epäkypsänä. Ihmisen paikka yhteiskunnassa, näkemykset yhteiskunnallisesta aktivismista ja erilaiset lähestymistavat mietiskelevään rukoukseen ja elämään nousivat hänen kirjoituksissaan jatkuviin teemoihin. ellauri282.html on line 449: 1960-luvulle mennessä hän oli päässyt laajalti inhimilliseen näkemykseen, joka oli syvästi huolissaan maailmasta ja sellaisista asioista kuin rauha, rodullinen suvaitsevaisuus ja sosiaalinen tasa-arvo. Hän oli kehittänyt persoonallisen radikalismin, jolla oli poliittisia vaikutuksia, mutta joka ei perustunut ideologiaan, ja jonka juuret olivat ennen kaikkea väkivallattomuudessa (ahimsa). Hän piti näkemyksensä perustuvana "yksinkertaisuuteen" ja ilmaisi sen kristillisenä tunteena. Hänen New Seeds of Contemplation -teoksensa julkaistiin vuonna 1961. Kirjeessä Nicaraguan katoliselle papille, vapautumisteologille ja poliitikolle Ernesto Cardenalille (joka tuli Getsemaniin mutta lähti vuonna 1959 opiskelemaan teologiaa Meksikoon), Merton kirjoitti: "Maailma on täynnä suuria rikollisia, joilla on valtava voima, ja he kamppailevat kuolemantaistelussa keskenään. Se on valtava jengitaistelu, jossa käytetään hyvin tarkoittaen asianajajia, poliiseja ja pappeja eturintamassaan, jotka hallitsevat papereita, viestintävälineitä ja rekisteröivät kaikki armeijaansa." ellauri282.html on line 461: ics/patandmert.jpg" /> ellauri282.html on line 470: Noudattaen ajatustaan, että ei-kristillisillä uskoilla oli paljon annettavaa kristillisyydelle kokemuksen ja perspektiivin suhteen ja vähän tai ei mitään opin suhteen, Merton erotti zen-buddhalaisuuden, historian ja kulttuurin ilmaisun, ja Zenin välillä. Mitä Merton tarkoitti zen-buddhalaisuudella, oli Kiinasta alkanut ja Japaniin levinnyt uskonto sekä sitä seuranneet rituaalit ja instituutiot. Zenillä Merton tarkoitti jotain, jota kulttuuri, uskonto tai vakaumus ei sido. Tässä ominaisuudessa Merton sai vaikutteita Aelred Grahamin kirjasta Zen Catholicism of 1963. Tämä ajatus mielessä, Mertonin myöhempien zeniä koskevien kirjoitusten voidaan ymmärtää tulevan yhä enemmän kehittyvän ja laajenevan zen-perinteen sisältä, joka ei ole erityisen buddhalainen, mutta perustuu Mertonin luostarikoulutukseen kristillisen perinteen puitteissa. ellauri282.html on line 472: Merton tutki myös Amerikan intiaanien henkisyyttä. Hän kirjoitti sarjan artikkeleita Amerikan intiaanien historiasta ja hengellisyydestä The Catholic Worker-, The Center Magazine-, Theoria to Theory- ja Unicorn Journal- julkaisuihin. Hän tutki sellaisia teemoja kuin Amerikan intiaanipaasto ja lähetystyö. ellauri282.html on line 490: Merton tuli omaksi itsekseen ihmisenä ja kirjallisena lahjakkuutena opiskellessaan tunnetun professorin Mark Van Dorenin kanssa ja solmiessaan elimellisiä ystävyyssuhteita myös toimittaja Ed Ricen ja runoilija Robert Laxin kanssa. ellauri282.html on line 506: Thomas Keating, OCSO (7. maaliskuuta 1923 – 25. lokakuuta 2018) oli amerikkalainen katolinen munkki ja Cistercians of the Strict Observance -järjestön (tunnetaan myös nimellä trappistit) pappi. ellauri282.html on line 515: Keating oli Centering Prayerin, nykyaikaisen mietiskelevän rukousmenetelmän yksi kolmesta pääkehittäjästä, joka syntyi St. Joseph's Abbeysta vuonna 1975. William Meninger ja Basil Pennington, myös trappistimunkkeja, olivat menetelmän muita pääkehittäjiä. Kun Keating ehdotti konseptia ensimmäisen kerran, Meninger alkoi opettaa menetelmää, joka perustuu 1300-luvun henkiseen klassikkoon The Cloud of Unknowing (Tietämättömyyden pilvi, tästä on jo paasattu de Löllön yhteydessä albumissa 219). Meninger kutsui tätä "pilven rukoukseksi" ja opetti sitä papeille retriittitalossa. Pennington piti ensimmäisen retriitin maallikkoyleisölle Connecticutissa, jossa osallistujat ehdottivat termiä "Centering Prayer". Thomas Mertonista lähtien oli tiedetty porukoiden käyttäneen termiä ennen tätä, on epäilty, että lause olisi peräisin häneltä. ellauri282.html on line 524: Whích What Hanhi (/ˈtɪk ˈnjʌt ˈhʌn/ TIK NYUHT HUHN; Vietnamese: [tʰǐk̟ ɲə̌t hâjŋ̟ˀ] (listen); born Nguyễn Xuân Bảo; 11 October 1926 – 22 January 2022) oli vietnamilainen Thiền-buddhalainen munkki, rauhanaktivisti, tuottelias kirjailija, runoilija ja opettaja, joka perusti Luumu Kylä Perinteen, joka on historiallisesti tunnustettu tärkeimmäksi innoituxexi sitoutuneelle buddhalaisuudelle. "Mindfulnessin isänä" tunnettu Nhất Hạnh oli merkittävä vaikutus buddhalaisuuden länsimaisiin käytäntöihin. Mindfulness (skr. smrti, pal. sati) tarkoittaa muistoa. Sitä mikä palaa mieleen. Lännessä hän on ikoni. En voi ajatella länsimaista buddhalaista, joka ei tiedä Thich Nhất Hạnhista. Selvä länkkäreiden agentti. Tätähän muuten tutki Antti Niemen tytär Maisu, ei saanut juuri mitään mitattavaa tulosta, mutta perusti siitä huolimatta mindfulness-toimiston Tukholman vanhaan kaupunkiin, joka varmaan vetää väkeä kuin häkä. 2019 raportoitiin, että Nhất Hạnhin kannattamasta mindfulnessista oli tullut teoreettinen perusta 1.1 miljardin dollarin teollisuudelle Yhdysvalloissa. Eräässä tutkimuksessa todettiin, että 35% työnantajista käytti mindfulnessia työpaikan käytännöissä. Varsinaista ison rahan vedätystä siis! ellauri282.html on line 532: 1982, Nhất Hạnh ja Chân Không perustivat Luumukylän luostarin, siis viharan Dordogneen lähellä Bordeaux'ta Etelä -Ranskassa. Luumukylä on Euroopan ja Amerikan suurin buddhalainen luostari (tosin se on Euroopassa), jossa on yli 200 luostaria ja yli 10 000 kävijää vuodessa. Luostarit, jotka ovat avoinna yleisölle suuren osan vuodesta, tarjoavat jatkuvia retriittejä maallikoille, kun taas Interbeing-järjestys järjestää retriittejä tietyille etuoikeutetuille maallikoiden ryhmille, kuten perheille, teini-ikäisille, sotaveteraaneille, viihdeteollisuudelle, kongressin jäsenille, lainvalvontaviranomaisille ja värin ihmisille. Nhất Hạnh on julkaissut yli 130 kirjaa, joista yli 100 englanniksi, joita oli tammikuuhun 2019 mennessä myyty yli viisi miljoonaa kappaletta maailmanlaajuisesti. No ei ihan kuuhun menoa, Camilla Läckbergilläkin on huisisti enemmän. Toisaalta Costaricalainen diplomaatti Christiana Figueres on sanonut, että Nhất Hạnh auttoi häntä voittamaan henkilökohtaisen kriisin ja kehittämään syvää kuuntelua ja empatiaa, jota kyllä tarvitaan Pariisin ilmastosopimuksen helpottamiseksi. ellauri282.html on line 534: ich-Nhat-Hanh-monaco-poeta-e-scrittore-padre-della-mindfulness.jpg" height="300px" /> ellauri282.html on line 546: Tricky Dickin ja Trumpin tuolissa istuu Cunk. Washington ei ollut ostanut paikkalippua. Sai seistä Delaware-joen lautalla. Ei suostunut edes auttamaan airoissa. ellauri282.html on line 559: Onpa ällöttäviä kynäilijöitä haaviin tarttunut! Ei ihme että mun eteneminen on juuttunut. Polakki Gombrowicz on aivan sikki. Solzhenizyn on fanaattinen pönttö. Matti Pulkkinen on päästä pipi. Taitaa olla niin että kynäilijäin enemmistö on jotain outoja. Ei ne muuten olis kynäilemään ruvenneet, olisivat tehneet jotain kunnollista. ellauri282.html on line 567: Kimmo Kyrpelä skiner ikapp med solen där han står och röker på Topeliusgatan. Han är glad över att det gick dåligt för De Gröna. ellauri282.html on line 581: John Edward Masefield OM (1. kesäkuuta 1878 – 12. toukokuuta 1967) oli englantilainen runoilija ja kirjailija sekä runoilijavoittaja (poet laureate) vuosina 1930–1967. Hänen tunnetuimpiaan teoksia ovat lastenromaanit Midnight Folk ja The Box of Delights sekä runot Ikuinen armo (Everlasting Mercy) ja Merikuume (Sea Sickness). ellauri282.html on line 583: Masefield syntyi Ledburyssa Herefordshiressä asianajaja George Masefieldille ja hänen vaimolleen Carolinelle. Hänen äitinsä kuoli synnyttäessään sisarensa Masefieldin ollessa kuusivuotias, ja hän meni asumaan tätinsä luo. Hänen isänsä kuoli pian tämän jälkeen henkisen romahduksen seurauksena. [ lainaus vaaditaan ] Saatuaan onnettoman koulutuksen Warwickin King's Schoolissa (nykyään Warwick Schoolissa), jossa hän oli kouluna vuosina 1888-1891, hän lähti HMS Conwaylle, sekä harjoitellakseen elämää merellä että murtaakseen lukemisriippuvuutensa, josta hänen tätinsä ei paljon perustanut. Hän vietti useita vuosia tällä aluksella ja huomasi, että hän saattoi viettää suuren osan ajastaan lukemiseen ja kirjoittamiseen. Ezenverran siitä katkaisuhoidosta. Masefieldin rakkaus tarinoiden kertomiseen vaan kasvoi Conwaylla. Hän jatkoi lukemista ja päätti, että hänestä tulee itse kirjailija ja tarinankertoja. ellauri283.html on line 5: font-style: italic; ellauri283.html on line 9: font-style: italic; ellauri283.html on line 59: Slaget vid Röbäck var ett slag under finska kriget 1808–1809. Slaget stod mellan svenska och ryska styrkor den 21 augusti 1809. Efter den svenska armén hade landat vid Ratan och besegrats vid Sävar fick Kamenskij veta att den norra armén under Fabian Wrede hade gått över Öre älv. Han beordrade Överste Erikson att hålla sin position. När dom svenska styrkorna hade kommit till Röbäck väntade dom sig möta hårt motstånd vid dom ryska förposterna. Dom var därför mycket försiktiga, men när dom senare stormade dom ryska förposterna fanns inga större ryska styrkor där. Överste Erikson hade lämnat en liten styrka där och hade då fått tid att ta sig över Ume älv. Wrede kom inte kunna ta sig över älven förrän striderna norr om Umeå var avgjorda och stannade därför kvar där. Några svenskar tog sig dock över och tog runt 50 krigsfångar men kom inte fram förrän Wachtmeister hade tvingats återvända till sina skepp. ellauri283.html on line 73: Tove Janssonista tuttu Alma Pöysti esittää kirjan Hamsunista nimettyä muka suomenruozalaista humppua Ylja Happoltatia (sic, 1973). Joku toinen näyttelee samaa pulzaria virttyneempänä 18v myöh. (1991). Kiehtovaa. ellauri283.html on line 105: Jenseits von was? Jenseits von Gut und Böse: Vorspiel einer Philosophie der Zukunft, schrieb Friedrich Nietzsche. Jenseits des Himmels, ganz umgekehrt, ist ein amerikanischer Film für abergläubige. ellauri283.html on line 108: Äußerlich scheint die Familie noch völlig intakt zu sein, aber seit sein älterer Bruder vor einigen Jahren verschwunden ist, sind die Eltern des zwölfjährigen Oliver (Nathan Gamble) völlig auf den verlorenen Sohn fixiert. Seine Mutter Joan (Dendrie Taylor) verfiel in Depressionen und sein Vater Gus (Corbin Bernsen) war nur noch am arbeiten. Jetzt zweifelt Oliver an dem Sinn seines Lebens. Die Frage, ob der Glaube an Gott oder der Glaube an die Wissenschaft richtig ist, oder beide, oder keiner von den beiden, beschäftigt ihn. Da seine Eltern ihm auf seine Fragen keine Antwort geben können, sucht er Rat bei seinem Biologie-Lehrer, in Fachbüchern und in der Kirche. Doch niemand scheint ihm seine ersehnte Erkenntnis liefern zu können. Als Oliver schon die Hoffnung aufgeben will, naht eine unerwartete Erlösung. Als auch ihr zweiter Sohn verschwindet, verstehen seine Eltern endlich, was ihn beschäftigt: ein schwarzer Engel, der auf einer Rakete reitet. ellauri283.html on line 114: Beyond the Heavens is a very ethereal and mystical experience, one unlike any other movie we have reviewed. However, this is not a good thing. The ‘plot’ is very unclear and murky, consisting of vague and meandering ideas and cryptic dialogue. It’s like Corbin Bernson is winking at the audience with every scene, waiting to reveal some great secret, but it’s never revealed. The whole has a very tip-of-the-tongue feel, like the characters know something you don’t but never intend to let you in on the secret. As the characters wax eloquent and philosophize about the true nature of reality, the viewer is left, in the end, with a more confusing view of reality than before. Is Bernson advocating for or against Darwinism? Is he a creationist? Does he really believe that angels come to earth on the tails of comets? Is Bernson suggesting that reality is not what it seems? If so, what is his view of reality? Only God knows the answers to these questions as Bernson spends 90 minutes toying with his ‘big reveal’ and dancing around whatever his philosophical worldview is. It’s basically just a waste of your time. ellauri283.html on line 116: And what is to be made of Corbin Bernsen? What is his place in Christian film? Is he trolling? Is he a great mind misunderstood? Whether it’s abstract musings like Beyond the Heavens or half-hearted satire like Christian Mingle or In-Lawfully Yours, Bernsen’s motivations for making Christian films are very unclear. It’s possible that he’s smarter than us all and doesn’t know how to show it. But it’s also possible that he’s just trying to make a quick buck off of Christian audiences. Reality is probably somewhere in between. Regardless, Beyond the Heavens really needed to be rethought before anyone spent money on it, because it falls flat and is unable to properly convey whatever message it is trying to present. ellauri283.html on line 279: Itä-Sudanissa Butana-ryhmä esiintyy kasvaville yleisöille noin 4000 eaa. Nämä ihmiset tuottivat yksinkertaista koristeltua keramiikkaa (ceramics), asuivat pyöreissä majoissa ja olivat todennäköisimmin paimenia, metsästäjiä, mutta myös söivät etanoita, ja maataloudesta on todisteita. [6] Gash Group sai alkunsa noin 3000 eKr. ja on toinen esihistoriallinen kulttuuri, joka tunnetaan useista paikoista. Nämä ihmiset valmistivat koristeltua keramiikkaa ja elivät maanviljelystä ja karjankasvatuksesta. Mahal Teglinos oli noin 10 hehtaarin kokoinen tärkeä paikka. Keskustassa kaivettiin savitiilistä rakennettuja taloja. Sinetit ja sinettijäljet osoittavat korkeamman hallinnon tason. Hautaukset eliittihautausmaalla oli merkitty tahallisen karkeilla hautakivillä. Toisella vuosituhannella seurasiJebel Mokram Group Inc. He valmistivat keramiikkaa, jossa oli tyylikkään yksinkertainen viiloitettu koristelu, ja asuivat yksinkertaisissa pyöreissä majoissa. Naudankasvatus oli mitä todennäköisimmin taloudellinen perusta. ellauri283.html on line 300: Toisella vuosisadalla jKr muuan Nobatia miehitti Niilin länsirannan Pohjois-Kushissa. Heidän uskotaan olleen yksi useista hyvin aseistetuista hevos- ja kamelien kantamien soturien joukoista, jotka myivät taitonsa Meroëlle suojelukseksi; lopulta he menivät naimisiin ja vakiintuivat Meroitic kansan keskuudessa sotilaallisena aristokratiana. Lähes viidennelle vuosisadalle saakka Rooma tuki Nobodyja ja käytti Meroëa puskurina Egyptin ja Blemmyjen välillä. ellauri283.html on line 381: Kesäkuussa 1986 Sadiq al Mahdi muodosti koalitiohallituksen Umma-puolueen, demokraattisen unionistipuolueen (DUP) ja National Islamic Frontin kanssa (NIF) plus neljä eteläistä puoluetta. Valitettavasti Sadiq osoittautui kuitenkin heikoksi johtajaksi ja kyvyttömäksi hallitsemaan Sudania. Puolueiden ryhmittely, korruptio, henkilökohtaiset kilpailut, skandaalit ja poliittinen epävakaus leimasivat Sadiqin hallintoa. Alle vuoden toimikautensa jälkeen Sadiq al Mahdi erotti hallituksen, koska se ei ollut onnistunut laatimaan uutta rikoslakia sharia-lain korvaamiseksi, pääsemään sopimukseen IMF:n kanssa, lopettamaan sisällissodan etelässä tai kehittämään suunnitelmaa houkutellakseen Sudanin ulkomaalaisten rahalähetykset. Säilyttääkseen DUP:n ja eteläisten poliittisten puolueiden tuen Sadiq muodosti toisen tehottoman koalitiohallituksen. ellauri283.html on line 387: Vuoden 2003 alussa alkoi Sudanin vapautusliikkeen/armeijan (SLM/A) ja Justice and Equality Movementin (JEM) ryhmien uusi kapina Darfurin länsiosassa. Kapinalliset syyttivät keskushallintoa Darfurin alueen laiminlyönnistä, vaikka onkin epävarmaa kapinallisten tavoitteista ja siitä, pyrkivätkö he vain parantamaan Darfurin asemaa Sudanissa vai eroamaan siitä suoraan. Sekä hallitusta että kapinallisia on syytetty julmuuksista tässä sodassa, vaikka suurin osa syytöksistä on langennut hallituksen kanssa liittoutuneille arabimiliiseille ( Janjaweed ). Kapinalliset ovat väittäneet, että nämä miliisit ovat osallistuneet etniseen puhdistukseen Darfurissa, ja taistelut ovat siirtäneet kotiseudulleen satoja tuhansia ihmisiä, joista monet ovat etsineet turvaa naapurivaltiosta Tšadista. On olemassa erilaisia arvioita ihmisuhrien määrästä, jotka vaihtelevat (kuin Ukrainassa) alle kahdestakymmenestä tuhannesta useisiin satoihin tuhansiin joko suorassa taistelussa tai konfliktin aiheuttamissa nälkään ja sairauksissa. Neekeri pesee kasvojaan, eivät valkene ollenkaan. ellauri283.html on line 409: 1990-luvun vuosikymmenellä oli myös taipumus määrätä tiukat sharia -pohjaiset islamilaiset lait ja käytännöt National Islamic Frontin ja Hasan al-Turabin alaisuudessa. Koulutusta uudistettiin keskittymään arabien ja islamilaisen kulttuurin tärkeyteenesimerkiksi opettelemalla ulkoa Koraani uskonnollisissa instituutioissa; koulupuvut korvattiin taisteluväsymillä ja opiskelijat osallistuivat puolisotilaallisiin harjoituksiin. Uskonnollinen poliisi varmisti, että naiset olivat verhottuja, erityisesti valtion virastoissa ja yliopistoissa. Entinen, suvaitsevampi poliittinen kulttuuri muuttui paljon ankarammaksi, kun ihmisoikeusjärjestöt väittivät turvallisuusvirastojen käyttämien "aavetaloina" tunnettujen kidutuskammioiden lisääntymisestä. Sota ei-muslimien eteläosaa vastaan julistettiin jihadiksi. Valtion televisiossa näyttelijät simuloivat "häitä" jihad-marttyyrien ja taivaallisten neitsyiden välillä ( houris ). [lainaus tarvitaan] Turabi antoi myös turvapaikan ja apua ei-sudanilaisille islamisteille, mukaan lukien Osama bin Ladenille ja muille Al-Qaidan jäsenille. Hyvin paha! ellauri283.html on line 448: icial Video" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri283.html on line 547: Människor flyr tortyr och våld i Libyen och vi, som européer och EU-medlemmar, betalar för att skicka tillbaka dem dit. ellauri284.html on line 5: font-style: italic; ellauri284.html on line 9: font-style: italic; ellauri284.html on line 90: Men propagandasnickare tänker mycket rätt att det är lättare för enkelt folk att hata ett enstaka apansikte, dessutom blir det lättare att återinställa handelsförbindelserna efteråt med de efterföljande apansiktena. ellauri284.html on line 127: Onko genocidin pahuus suhteessa sen päälukuun (kuten sanoisi Friedrich Nietzsche) vaiko genocidin asiasyihin (Stalin, Hitler, USA)? Onko epäluuloja herättävän kansanosan hiljentäminen Katyn toimilla isompi vai pienempi synti kuin pankkiireja suhteettomasti tuottavan kansanosan tuhkaaminen ja varojen takavarikoiminen tarvizevammille? Entä manifest destinyn¹ toteuttaminen sukupuuttamalla tehottomat sulkapäiset mezästäjä-keräilijä abot? Stalinin kannatus oli monessa vaalipiirissä yli sata prosenttia. Muita syitä olivat muun muassa: ”koska kotona on opetettu, että pitää äänestää”, ”koska se prosessi tuntuu niin juhlavalta”, ”haluan tukea hyviä ehdokkaita tyhmien sijaan” ja ”jos ei äänestä, se on sama kuin antaisi äänen sellaiselle puolueelle, jota eniten vihaa”. Kuten Stalin ja Trump tietävät: vaaleja eivät ratkaise äänestäjät vaan ääntenlaskijat. ellauri284.html on line 129: ¹Manifest destiny was a cultural belief in the 19th-century United States that American settlers were destined to expand across North America. There were three basic tenets to the concept: ellauri284.html on line 131: The special virtues of the American people and their institutions ellauri284.html on line 150: In 2021, there were over 29 thousand murders reported across India. Furthermore, more than 55 thousand attempted murder cases were filled in the country that year. Success rate: 34%. The US has experienced its largest-ever recorded annual increase in murders, according to new statistics from the FBI, with the national murder rate rising nearly 30% in 2020 – the biggest jump in six decades. Nearly 5,000 more Americans were murdered across the country last year than the year before. At least 77% of the murders were committed with firearms, according to the new government estimates. ellauri284.html on line 151: The sharp one-year increase, to a total of at least 21,570 murders, does not erase the nation’s stagnation since the early 1990s. The US murder rate had dropped more than 50% since 1991. Even after last year’s increase, it is still 34% lower! To increase the gain to beat India, fully automatic weapons ought to be legalized again. ellauri284.html on line 161: Koko 1800-luvun lopun ja 1900-luvun alun Saksa liittyi muiden eurooppalaisten valtojen joukkoon kamppailussa siirtomaaomaisuudesta. Kuten muutkin maailmanvallat (so. britit, mukaan lukien Yhdysvallat ja Japani), Saksa alkoi puuttua Kiinan paikallisiin asioihin. Kun kaksi saksalaista lähetyssaarnaajaa sai surmansa Juyen välikohtauksessa vuonna 1897, Kiinan oli pakko suostua Kiautschou Bayn oluttehtaan toimilupaan Shantungissa (nykyinen Shandong ) Saksalle vuonna 1898 99 vuoden vuokrasopimuksella. Saksa alkoi sitten vahvistaa vaikutusvaltaansa muualla provinssissa ja rakensi Tsingtaon kaupungin ja sataman, josta tuli Kaiserlichen merijalkaväen saksalaisen Itä-Aasian laivueen tukikohta.(Saksan laivasto), joka toimi Saksan siirtokuntien tukena Tyynellämerellä. Iso-Britannia suhtautui saxalaiseen olueen Kiinassa epäluuloisesti ja vuokrasi Weihaiwein, myös Shantungissa, merisatamaksi ja hiilivoimalaitokseksi. Venäjä vuokrasi oman asemansa Port Arthurissa (nykyinen Lüshunkou ) ja Ranska Kwang-Chou-Wanissa. Iso-Britannia alkoi myös luoda läheisiä suhteita Japaniin, ja diplomaattisuhteet tiivistyivät, kun anglo-japanilainen liitto allekirjoitettiin 30. tammikuuta 1902. Japani näki liiton välttämättömänä pelotteena pääkilpailijalleen Venäjälle. Japani osoitti potentiaalinsa voitolla Venäjän ja Japanin sodassa 1904–1905, ja liitto jatkui ensimmäiseen maailmansotaan. ellauri284.html on line 204: Nicholas E.A.H Adlers sentenced to death on Durham for high treason. The ex-German consul assisted German reservists to rejoin after the declaration of war. ellauri284.html on line 209: General Beyers perished a traitor-in-arms, drowned in the Vaal, while hotly pursued and trying to cross the flooded river with some of his men. They were fired on, and Beyers fell from his horse but caught hold of the tail of another, but was soon seen in difficulties and calling for help. Before the fighting was over, General Beyers had diappeared under water. No one came to help. ellauri284.html on line 216: icture-in-picture; web-share" allowfullscreen> ellauri284.html on line 220: Blackadder Goes Forth on Richard Curtiksen ja Ben Eltonin kirjoittaman BBC:n tilannesarjan Blackadder neljäs sarja, joka esitettiin 28.9.-2.11.1989 BBC1 :llä. Sarja sijoitti toistuvat hahmot Blackadderin, Baldrickin ja Georgen haudoihin Flanderissa ensimmäisen maailmansodan aikana ja seurasi heidän erilaisia tuhoon tuomittuja yrityksiään paeta juoksuhaudoista välttääkseen kuoleman kenraali Melchettin harhaanjohtaman komennon alaisena. Sarja viittaa aikansa kuuluisiin henkilöihin ja arvostelee Britannian armeijajohtoa kampanjan aikana, joka huipentui sen viimeisen jakson päättymiseen, jossa sotilaat käsketään suorittamaan vihollislinjojen tappava hyökkäys. ellauri284.html on line 224: Blackadder Goes Forth tapahtuu vuonna 1917 länsirintamalle ensimmäisen maailmansodan juoksuhaudoissa. Kapteeni Edmund Blackadder (Rowan Atkinson) on brittiarmeijan ammattisotilas, joka on suuren sodan puhkeamiseen asti nauttinut suhteellisen vaarattomista tilanteista olemassaolostaan taistelevia alkuperäiskansoja vastaan, jotka olivat yleensä "kaksi jalkaa pitkiä ja aseistettuja kuivatulla ruoholla". Joutuessaan loukkuun juoksuhaudoissa suunnitellun toisen "ison työnnön" aikana, hänen huolensa on välttää hänen lähettämisensä "yli huipulle" varmaan kuolemaan. Sarja kertoo siis Blackadderin yrityksistä paeta juoksuhaudoista erilaisten suunnitelmien kautta, joista suurin osa epäonnistuu huonon onnen, väärinkäsitysten ja tovereiden yleisen epäpätevyyden vuoksi. Yllämainitut toverit ovat hänen toissijainen, idealistinen edvardiaaninen ylemmäs- luutnantti George St Barleigh (Hugh Laurie) ja heidän syvästi tyhmä mutta sitkeä sotamies S. Baldrick (Tony Robinson). ellauri284.html on line 230: Blackadder Goes Forth on sävyltään tummempi kuin kolme edellistä Blackadder- sarjaa ja useimmat tilannesarjat, ja se esittää sodanvastaisen viestin. Dialogia leimaa kauttaaltaan satiiriset pohdiskelut sodan luonteesta, sen alkuperästä ja vaikutuksista sodan aikana kärsineisiin sotilaisiin. Ajatus siitä, että sotilaat kärsivät, kun heidän komentajansa pysyivät turvallisen etäällä toimista, viitattiin myös useaan otteeseen, esimerkiksi kun Melchett sanoo Baldrickille: "Älä huolehdi, poikani, jos sinun pitäisi horjua, muista, että kapteeni Darling ja minä ovat takanasi!", johon Blackadder vastaa: "Noin 35 mailia takanasi." Jaksossa "Ruumiillinen rangaistus" kirjekyyhkynen (joka osoittautuu Melchettin lemmikiksi, Speckled Jim) sanomalla: "Kun 50 000 miestä tapetaan viikossa, kuka jää kaipaamaan kyyhkystä?" Tässä jaksossa Blackadder tuomitaan kuolemaan ampumalla teosta, mikä viittaa siihen aikaan voimassa olevien sotalakien mukaan langetettuihin kuolemantuomioihin. ellauri284.html on line 232: "Private Plane" -sarjassa saatuaan tiedon siitä, että Blackadder ja Baldrick on saatettu kuolla, kun heidät ammuttiin alas saksalaisten linjojen yli, Melchett yrittää piristää Georgea näyttämällä hänelle luonnollisen kokoista mallia (17 neliöjalkaa), jonka britit valtasivat takaisin., kommentti korkeista inhimillisistä kustannuksista ja pienistä fyysisistä hyödyistä, joita sodan keskivuosien hyökkäykset saavuttivat. Myöhemmin samassa jaksossa Blackadder kuvailee suurta sotaa "sodaksi, joka olisi pirun yksinkertaisempi näky, jos pysyisimme Englannissa ja ampuisimme 50 000 omaa miestämme viikossa". ellauri284.html on line 239: THE SAVING OF SOLDIERS WHO FALL IN BATTLE: In action the stretcher-men keep moving close in rear of the firing line, picking up men as they fall. A machine with human sympathy. Admirable. What excrement? It is shit! Repeat 3x! Shit shit shit! ellauri284.html on line 243: Sarja muistelee useita todellisia historiallisia sodan tapahtumia, kuten joulutauon vuonna 1914. Blackadder muistelee tapahtumaa: "Molemmat osapuolet etenivät yhden joulupisun aikana pidemmälle kuin kahden ja puolen seuraavan sodan vuoden aikana." Viitataan myös aikakauden populaarikulttuuriin sekä aiempaan sarjaan. Jaksossa "Private Plane" nähdään Lord Flashheartin ja Bobin hahmojen paluu toisesta sarjan "Bells" -jaksosta sekä myös saksalaisen lentävä ässä, Baron von Richthofen. Kolmannen jakson "Major Star" juonen lanka sisältää Blackadderin vastenmielisyyden mykkäelokuvatähteen Charlie Chapliniin, jota hän pitää "yhtä hauskana kuin saada nuoli kaulan läpi ja sitten huomata, että siihen on sidottu bensalasku". Totta Mooses Rowan, Charlie on täysin huumoriton kaatuilija. Toinen viittaus viitattiin Sudaniin, jonka sodan veteraani Blackadder oli. Toisin kuin brittien messinki, Blackadder näkee brittien liiallisen itseluottamuksen läpi: aikaisemmat voitot jotka tukahduttivat siirtomaakapinat olivat valmistautumista suureen siirtomaasotaan. ellauri284.html on line 245: Viidennessä jaksossa "General Hospital" viitataan toistuvasti Saksan vastaisiin tunteisiin Britanniassa sodan aikana. Kenraali Melchett käskee Blackadderia selvittämään, mikä on huippusalaisten taistelusuunnitelmien vuodon takana, ja kiinnittää sen välittömästi, vaikkakin virheellisesti, "saksalaiseen vakoojaan" (jonka myöhemmin havaitaan olevan yksi heidän omista omistajistaan). Blackadder kuulustelee kapteeni Darlingia, joka kiihkeästi kiistää olevansa vakooja ja sanoo olevansa "yhtä britti kuin kuningatar Victoria ", johon Blackadder vastaa sarkastisesti: "Joten isäsi on saksalainen, olet puoliksi saksalainen ja menit naimisiin saksalaisen kanssa?"¹ ellauri284.html on line 246: ¹Saksi-Coburgin ja Gothan talo. Vuonna 1917 Victorian pojanpoika, kuningas George V, muutti kuninkaallisen talon nimen Saxe-Coburgista ja Gothasta Windsoriksi yrittääkseen rauhoittaa brittiläisiä nationalistisia tunteita. ellauri284.html on line 270: Klodvig (myös Klodovig, Chlodovech tai Clovis, 465 – 27. marraskuuta 511) oli ensimmäinen frankkikuningas, jonka onnistui yhdistää frankkien eri heimot valtansa alle. Klodvig oli kaikkien frankkien kuninkaana 481–511. Hän lopetti roomalaisvallan Galliassa ja perusti frankkien valtakunnan ja sitä yli kaksi vuosisataa hallinneen merovingidynastian. Ranskalaiset pitävät häntä Ranskan kuningaskunnan perustajana. Saalilaisen lakikokoelman sai aikaan todennäköisesti kuningas Klodovig. Saalilainen laki (latinaksi lex salica) on noin vuosina 507–511 keskiajan latinaksi kirjoitettu saalilaisten frankkien oikeuden kasuistinen koonnos. Se on vanhin ja tunnetuin länsigermaaninen lakikokoelma. Lain määräystä, jonka mukaan naisella ei ole oikeutta periä maata, jos on olemassa miespuolisia perillisiä, sovellettiin myöhemmin muun muassa Ranskan kruununperimyksessä. ellauri284.html on line 276: Nicolas Marie Potainin esittelemän hankesuunnitelman hyväksyi Ludvig XV vuonna kivi ja puu neuvostossa noin 9. maaliskuuta 1762. Sitä säilytetään Kansallisarkistossa: "Ympäristön hämmentyneenä pidentää latinalaisen ristin varret," Potain selitteli pitkittäisalusta, jossa oli vakuus ja ambulanssi. "Tilaus on juokseva ioninen. Vuonna Apsis the soikea kappeli ja ehtoollinen välillä tapahtuu goottilaisen kellotorneista." Ei ihme että rojekti alkoi venyä. ellauri284.html on line 286: ic.iltalehti.fi/uutiset/rikostarina_j1_231213TM_503_uu.jpg" /> ellauri284.html on line 300: ic.iltalehti.fi/uutiset/rikostarina_j3_231213TM_503_uu.jpg" /> ellauri284.html on line 406: Hän siirtyi Oakland Technical High Schooliin ja hänen oli määrä valmistua vuoden puolivälissä tammikuussa 1949, vaikka ei ole selvää, tekikö hän. ellauri284.html on line 430: Eastwoodin 30. ohjaajareissu tuli Invictus (2009), elokuva, joka perustuu tarinaan Etelä-Afrikan joukkueesta vuoden 1995 rugbyn MM-kisoissa, Hizi Clintiltä Obama sai idean lukea Invictus runon Mandelan hautajaisissa 2013! Vaikkei Clint edes kannustanut Obamaa, teki sille mainospätkän vaaleihin vain rahasta. ellauri284.html on line 433: Haastattelijat Richard Thompson ja Tim Hunter kommentoivat, että Eastwoodin elokuvat ovat "erittäin vauhdikkaita: kiireettömiä, viileitä ja [antavat] vahvan reaaliajan tunteen kerronnan nopeudesta riippumatta", kun taas Ric Gentry pitää Eastwoodin tahdistaa "kiireetön ja rento". Eastwood pitää hillitystä valaistuksesta ja taustavalaistuksesta antaakseen elokuviinsa "noir-maisen" tunnelman. ellauri284.html on line 478: Scott teki elokuvadebyyttinsä isänsä ohjaamassa Isiemme liputissa (2006) ja on esiintynyt myös isänsä filmissä Gran Torino (2008). Sittemmin hän on näytellyt isänsä urheiludraamassa Invictus - Voittamaton (2009) ammattiliiton rugbypelaajana Joel Stranskyna. Beam me up Scott. ellauri284.html on line 497: Brittiläinen satiirinen aikakauslehti Private Eye antoi hänelle lempinimen "Veririchi Lotsamoney Yogi Bear". Maharishilla oli aina kirjanpitäjä rinnallaan. Myöhemmin Lennon kertoi vaimolleen, että hänen mielestään tollaset Maharishit ovat hänen sanojensa mukaan "liian kiinnostuneita julkisesta tunnustuksesta, julkkiksista ja rahasta" henkiselle miehelle. Maharishi halusi yhtyeen tallettavan jopa 25 prosenttia Sgt Pepper albumin tuotoista hänen sveitsiläiselle pankkitilille kymmenyksinä, johon Lennon vastasi: "Kuolleen ruumiini yli ". ellauri284.html on line 553: ictures/04%20Hawa%20Mahal%20(Wind%20Palace)/Webpages/originalimages/06%20A%20group%20of%20India%20people%20nearby.jpg" width="30%" /> ellauri284.html on line 568: Contact-icon: ellauri284.html on line 595: Tää juonihan on suoraan kanadalaissarjasta The Indian Detective. It is a Canadian crime comedy-drama series which debuted on CTV and Netflix in 2017. The show stars Russell Peters as Doug D'Mello, a police officer from Toronto who becomes embroiled in a murder investigation while visiting his father (Anupam Kher) in Mumbai during a one-month suspension for incompetence. The fourth episode ended in a cliffhanger, hinting at a possible second season; while Peters has stated at various times that a second season was in the works, none has been officially announced as of September 2019. A relatively new show, Season 1 of ‘The Indian Detective’, consisting of four episodes, premiered on November 23, 2017, and it received mixed reviews from television critics and audiences alike. The show has no chance of being renewed for a second season. ellauri284.html on line 599: A man stands in front of a small, ramshackle store near the apartment blocks of Gurgaon, India, where a firm is building a Trump-branded tower. The agreement gives the Trump Organization a portion of its office rentals. (Enrico Fabian/for The Washington Post). GURGAON, India — The Trump Organization is about to double its real estate empire in India with two new projects in this suburb of New Delhi known for rapacious development and poor planning. ellauri284.html on line 600: In two deals signed before Donald Trump was elected president, the company aligned itself with Indian partners who were already attracting the attention of law enforcement authorities. One, called IREO, is under investigation by India’s Enforcement Directorate over the source of its funding, suspected violations in its land purchasing and the possibility of money laundering. The other, M3M India, has been the target of sweeping tax raids; on a different project, the company was recently accused in a criminal complaint of bribing officials to clear-cut land. ellauri284.html on line 602: On Monday, India’s Prime Minister Narendra Modi will be at the White House to meet with President Trump. It will be exactly the sort of moment that makes ethics experts, worried about the conflation of Trump’s business abroad with his oversight of U.S. foreign policy, especially alarmed. ellauri284.html on line 603: Gurgaon, a city of more than a million, rose pell-mell over the past three decades as private developers worked hand-in-hand with politicians to gain control of huge swaths of property, resulting in a chaotic metropolis of gated communities and golf courses that sit alongside squalid migrant camps and fetid cesspools. ellauri284.html on line 606: A food vendor pushes his cart on a dusty stretch of road in Gurgaon. (Enrico Fabian/for The Washington Post) ellauri284.html on line 609: After Saxena applied for a land-use change back in 2005, Dinesh Dayma, an agent acting on behalf of IREO, persuaded him to sell his land before the government acquired it by eminent domain, according to Saxena. Panicked, Saxena sold about a third of it for $188,000. The developers packaged it with other parcels, similarly acquired, and now are making it available for the Trump project. ellauri284.html on line 612: The Trumps began eyeing India around 2007, drawn to an emerging market of consumers beginning to find a taste for name-brand luxury. Now there are two Trump towers in the quiet city of Pune and a flashier one with a gold facade in Mumbai being built by millionaire developer Mangal Prabhat Lodha, a politician in the governing Bharatiya Janata Party. Trump’s eldest son, Donald Trump Jr., has made several trips to India, and Trump himself jetted in on a promotional tour in 2014, proclaiming India “an amazing country!” ellauri284.html on line 614: Real estate is one of the most corrupt businesses in India, which has the highest rate of bribery among Asia-Pacific countries recently surveyed by the anti-graft group Transparency International. ellauri284.html on line 615: A state leader from Maharashtra, who met with Donald Trump Jr., says the young American’s Indian partner there pushed him to relax building codes to revive a stalled project — an allegation confirmed by another person familiar with the discussion but disputed by Indian developer Kalpesh Mehta, who was also in the meeting. ellauri284.html on line 617: “I said no as politely as possible,” Prithviraj Chavan, the state leader, recalled. “Builders routinely seek such relaxations from municipal authorities, a little tweaking here and there and they stand to make a huge windfall. Local authorities usually have some discretion. But the relaxation he was asking me for was bigger than what most builders ask.” ellauri284.html on line 619: Though the Trump Organization has declined to comment for this article, Alan Garten, the company’s general counsel, addressed questions earlier this year about some of the company’s other unorthodox business partners. He said that blemishes on their records are not “reflective of the portfolio as a whole” and that the organization conducts “due diligence” background checks. ellauri284.html on line 621: Ethics experts say engaging partners who have ongoing legal issues underscores the growing concern that the president’s business projects around the world could create conflicts of interest or other challenges for his administration. ellauri284.html on line 623: “By continuing his association with these groups and pursuing his private business interests, he’s put himself on a collision course with the U.S. public interest,” said Kathleen Clark, a law professor and ethics expert at Washington University in St. Louis. “It’s a terrible idea.” ellauri284.html on line 624: A convoluted trail of funds Lalit Goyal, managing director of IREO, said his firm has a licensing agreement for the Trump name and other considerations for the office tower it is building. (Enrico Fabian/for The Washington Post) ellauri284.html on line 626: In April 2016, the Trump Organization announced that it was expanding its brand in India, lending its name to an IREO Private Ltd. office tower in Gurgaon designed by Foster + Partners, the architects of Apple’s new campus. The Trump company signed a licensing agreement with IREO that includes use of the name, technical assistance and a portion of office rental income, according to Lalit Goyal, IREO’s managing director. ellauri284.html on line 630: India’s Enforcement Directorate, which tracks financial crimes, has long been investigating the source of IREO’s funding, officials there said. Money from abroad was routed through entities in Mauritius and Cyprus, and investigators believe it was used to finance land purchases in Gurgaon, documents show. ellauri284.html on line 631: The Enforcement Directorate is examining whether a number of shell companies were set up to mask the origins of this money, as it is illegal for foreign investors to purchase agricultural land in India, according to investigators, who spoke on the condition of anonymity because the inquiry is ongoing. ellauri284.html on line 633: According to an internal case memo shared with The Washington Post, tax-fraud investigators found that IREO used seven holding companies and dozens of subsidiaries to bypass restrictions on foreign direct investment in agricultural land to purchase $443 million of property in Gurgaon from 2006 to 2007, including the subsidiaries that purchased land now slated for the Trump office tower. ellauri284.html on line 636: Investigators “basically wanted to know who our investors are. And we shared the list with them,” Goyal said. “They took two years to cross-check our list of investors and finally they said that ‘you are absolutely clean.’ ” ellauri284.html on line 638: The Bansal brothers, Basant and Roop — sons of a mustard-seed-oil seller from a small village nearby — made their fortune buying up adjoining plots of land for bigger developers. As they built M3M India, which stands for “Magnificence in the Trinity of Men, Materials and Money,” they became adept at sweet-talking villagers over a hookah pipe, locals said. The Bansals, who declined to comment for this article, helped IREO put together the land for the Trump project. ellauri284.html on line 640: Construction workers at the tower site. One of their peers said that he makes about $4.60 for a 12-hour shift. (Enrico Fabian/for The Washington Post) ellauri284.html on line 641: A man preps his tanker for filling at a sewage-treatment plant. Less than half of Gurgaon residents have sewer access. (Enrico Fabian/for The Washington Post) ellauri284.html on line 643: Dinesh Dayma, a land agent for the Bansals, persuaded the surgeon to sell his land to the developer rather than risk having his land appropriated by the government at below-market rates. Dayma works out of an office in a low-slung concrete building not far from luxury hotels and a Porsche dealership. It sits snugly inside the walled office compound of his brother, Mahesh, a local politician from the BJP. A saffron-and-green banner with the politician’s photo — common in India — hangs prominently outside the property office. ellauri284.html on line 645: Inside, Dayma sat in his darkened office — the electricity was out — and denied that he had used his brother’s position to glean information about the doctor’s land. He came by the information fairly, he said. ellauri284.html on line 646: “Everything is for sale as long as you get someone to put a price on it,” he said, with a smile. ellauri284.html on line 647: Dayma said that the property in Gurgaon was purchased from farmers by agents who used a variety of pressure tactics in collaboration with the state’s development authority. ellauri284.html on line 649: One state official, who spoke on the condition of anonymity for fear of jeopardizing his employment, recalled the heady days of growth when developers routinely showed up at the home of a former chief minister in sport-utility vehicles laden with suitcases full of cash. ellauri284.html on line 651: A woman walks away from her hut in Gurgaon, where clogged storm water drains and overbuilding have caused monsoon flooding that has paralyzed the area. (Enrico Fabian/for The Washington Post) ellauri284.html on line 654: On a blindingly sunny day in Gurgaon, Pankaj Bansal, son of Basant Bansal, appeared on a golf green to greet contestants from the “Apprentice”-style Indian reality show “The Pitch.” The young scion, in a lilac shirt and aviator sunglasses, told the budding entrepreneurs that his family was positioning itself to be “one of the most respected developers in the country” and worked only with the best architects, interior designers and landscapers. ellauri284.html on line 657: Basant Bansal caught the attention of tax investigators twice, records show, once in 2008 and again in 2011, when he threw a lavish wedding for his daughter in Turkey, according to a report in the Hindustan Times. Investigators seized cash worth $48 million in a raid on the company’s offices. A tax investigator said that Bansal ultimately paid the taxes he owed. ellauri284.html on line 660: In March, one of the Bansals’ employees was caught allegedly bribing a forest guard to illicitly cut more than 2,200 trees, in connection with a separate project, according to a police complaint that is still under investigation. ellauri284.html on line 661: Such practices are an everyday occurrence in Gurgaon, said Sharma, the broker. ellauri284.html on line 664: The Indian flag waves over a settlement for construction workers at the site of the planned Trump/IREO tower. (Enrico Fabian/for The Washington Post) ellauri284.html on line 665: At the construction workers’ settlement, a man washes at the open-air communal tank. (Enrico Fabian/for The Washington Post) ellauri284.html on line 666: Alexandra Wrage, the president of Trace International, a firm that advises businesses on assessing foreign partners, says that American companies need to carefully vet foreign partners to avoid violating the Foreign Corrupt Practices Act, a law that prohibits bribery of foreign officials. ellauri284.html on line 668: Speaking generally, Wrage said that an Indian citizen bribing an Indian official does not violate the U.S. act but does indicate “shoddy business ethics and a willingness to violate the law. This is the clearest sort of red flag. If a company will bribe in one situation, you’re on notice that they’re likely to bribe again.” ellauri284.html on line 692: Jaarli Roberts, Kandaharista Afganistanista ja Pretoriasta Transvaalin siirtokunnasta ja Waterfordin kaupungista, oli arvonimi Yhdistyneen kuningaskunnan Peeragessa. Se luotiin vuonna 1901 kenttämarsalkka Frederick Robertsille, 1. Baron Robertsille . Hänet luotiin jo paroni Robertsiksi Afganistanin Kandaharista ja Waterfordin kaupungista vuonna 1892, ja hänestä tehtiin varakreivi St Pierre samaan aikaan kun hänelle annettiin jaarlin asema. ellauri284.html on line 696: Paroni kuoli sukupuuttoon lordi Robertsin kuoltua vuonna 1914. Häntä seurasi viscountin ja jaarlin virassa erityisjäännösten mukaan hänen vanhin tyttärensä, toinen kreivitär. Hän kuoli naimattomana, ja hänen seuraajakseen tuli hänen nuorempi sisarensa, kolmas kreivitär. Jälkimmäisen poika ja ainoa lapsi luutnantti Frederick Roberts Alexander Lewin kuoli taistelussa toisessa maailmansodassa, ja sen seurauksena viscountiteetti ja kreivitär kuolivat sukupuuttoon, kun kolmas kreivitär kuoli vuonna 1955. Kaikki vilustuivat. ellauri284.html on line 698: Frederick Roberts oli Sir Abraham Robertsin poika, joka oli myös arvostettu lyhyt sotilas ja kenraali. Kenraali Sir Abraham Roberts GCB (11. huhtikuuta 1784 – 28. joulukuuta 1873) oli brittiläinen Itä-Intian komppanian armeijan kenraali, joka palveli lähes 50 vuotta Intiassa. ellauri284.html on line 702: Tällä Robertsilla oli kaksi poikaa, jotka molemmat saivat korkeimmat arvosanat Britannian armeijassa. Yksi poika ja pojanpoika voittivat Victoria Crossin, joka on korkein kunnianosoitus urheudesta kahden jalan pituisen ruohonkorrella aseistetun vihollisen edessä Britannian armeijassa. Äijä eli 89-vuotiaaxi Irlannin tiluxilla ennenkuin vilustui. Molemmilla oli Bunyipin sedän whiskerit ja jaarlilla vielä keisari Wilhelm wiixet. ellauri284.html on line 709: Intiassa englantilais-irlantilaiseen perheeseen syntynyt Roberts jr. liittyi East India Companyn armeijaan ja palveli nuorena upseerina Intian kapinassa, jonka aikana hänelle myönnettiin Victoria Cross urheilusta. Sitten hänet siirrettiin Britannian armeijaan ja hän taisteli Abessinian retkikunnassa ja toisessa anglo-Afganistani-sodassa, jossa hänen holtiton käytöksensä ansaitsi hänelle laajan maineen. ellauri284.html on line 718: Victoria Crossin sukkanauharitarikunnan ritari, Pyhän Patrickin ritarikunnan ritarikunnan ritari, Bath-ritarikunnan suurristi, Ritarikunnan ritarikunnan jäsen, Ritarikunnan ritarikunnan suurkomentaja, Intian tähden ritarikunnan ritarikunnan suurkomentaja, Intian valtakunnan Pyhän Johanneksen ritarikunnan ritari, mainittu tv-lähetyksessä. ellauri284.html on line 723: icholson.jpg/340px-Lieutenant_Roberts_finding_General_Nicholson.jpg" /> ellauri284.html on line 724: Luutnantti Frederick Roberts löytää luultavasti haavoittuneen kenraali Nicholsonin Kashmirin portilta piileskelemästä pöydän alta Delhin piirityksen aikana. ellauri284.html on line 728: 23. joulukuuta 1899 Roberts lähti Englannista palatakseen Etelä-Afrikkaan esikuntapäällikkönsä Lord Kitchenerin kanssa RMS Dunottarin linnassa ottaakseen brittijoukkojen yleiskomennon toisessa buurisodassa edellisen komentajan, kenraali Redvers Bullerin alaisina . Hän saapui Kapkaupunkiin 10. tammikuuta 1900. Hänen nimityksensä oli vastaus sodan alkuviikkojen tappioiden sarjaan, ja siihen liittyi valtavien vahvistusten lähettäminen. Päämajan henkilökuntaan hän nimitti sotilaita kaukaa: Kitchener (esikuntapäällikkö) Sudanista, Frederick Burnham (partiopäällikkö), amerikkalainen partiolainen Klondikesta, George Henderson Staff Collegesta, Neville Chamberlain Afganistanista ja William Nicholson (sotilassihteeri) Kalkuttasta. ellauri284.html on line 738: Lord Robertsista tuli viimeinen joukkojen komentaja 3. tammikuuta 1901. Virkakautensa aikana hän esitteli keximänsä lyhkäsille sotilaille sopivan Short Magazine Lee Enfield -kiväärin ja 18 punnan aseen sekä tarjosi parannettua koulutusta ja koulutusta sotilaille. Syyskuussa 1902 lordi Roberts ja sotaministeri St John Brodrick vierailivat Saksassa osallistuakseen Saksan armeijan harjoituksiin keisari Wilhelmin vieraana. Hän toimi ylipäällikkönä kolme vuotta ennen kuin virka lakkautettiin Lord Esherin suosituksen mukaisesti Esherin raportissa helmikuussa 1904. ellauri284.html on line 749: Herra Tristan, Rouva Kweilen Hatleskog, Rouva Humphrey, rouva Yael Lempert, Sir David Newbigging OBE, Sir Bryan Nicholson GBE, ellauri284.html on line 750: herra Mark Seligman, Ilmaveivimarsalkka Sir David Walker KCVO OBE, rouva Xenia Wickett, ellauri284.html on line 751: Amiraali Sir George Michael Zambellas, GCB, DSC, ADC, DL, FRAeS. Rouva Amy Thompson on pääsihteeri, rouva Tessa Wellsin seuraaja. ellauri284.html on line 776: Dominick Chilcott kertoi, että kuningatar Victoria perusti Irlannin kaartin vuonna 1900 osoituksena irlantilaisten sotilaiden panoksesta toiseen buurien sotaan, mahdollisesti Bobsin idean seurauksena. ellauri284.html on line 777: Jaarli Frederick Roberts of Waterford oli vanhin sodassa kirjattu sotilaallinen uhri. Hän vilustui. ellauri284.html on line 780: Waterfordin markiisi (ei sukua Waterfordin jaarlille) Irlannin Peeragessa omistaa maata eri puolilla Irlantia, mukaan lukien lähes 40 000 eekkeriä Waterfordin kreivikunnassa, 26 000 eekkeriä Wicklow'n kreivikunnassa ja yli 4 500 eekkeriä Leitrimin kreivikunnassa. Perhe on edelleen yksi suurimmista maanomistajista koko Irlannissa. ellauri284.html on line 781: Waterford on Irlannin koilliskulmassa. Waterford tunnetaan Waterford Crystalista, joka on kaupungin entisen lasiteollisuuden perintö. Lasia tai kristallia valmistettiin kaupungissa vuodesta 1783 vuoden 2009 alkuun, jolloin siellä oleva tehdas suljettiin Waterford Wedgwood plc:n konkurssin jälkeen. Waterford tunnetaan myös Ryanairin ensimmäisen lennon, 14-paikkaisen Embraer Bandeirante potkuriturbiinikoneen, lähtöpaikkana Waterfordin ja Lontoon Gatwickin lentokentän välillä. Waterford Port oli yksi Irlannin suurimmista satamista yli vuosituhannen. 1800-luvulla laivanrakennus oli merkittävä teollisuus. Neptunuksen telakan onnelliset omistajat, Malcomsonin perhe rakensi ja käytti maailman suurinta rautahöyrylaivastoa 1850-luvun puolivälin ja 1860-luvun lopun välillä, mukaan lukien viisi transatlanttista matkustajalaivaa. ellauri284.html on line 785: Vuonna 1167 syrjäytetty Leinsterin kuningas Diarmait Mac Murchada epäonnistui yrityksessään valloittaa Waterford. Hän palasi vuonna 1170 kambro-normannilaisten palkkasoturien kanssa Richard de Claren, 2. Earl of Pembroken (tunnetaan Strongbow-siideristä) johdolla; yhdessä he piirittivät ja valloittivat kaupungin epätoivoisen puolustuksen jälkeen. Edistääkseen normannien hyökkäystä Irlantiin Englannin kuningas Henrik II laskeutui Ryanairilla Waterfordiin vuonna 1171. Waterford ja sittemmin Dublin julistettiin kuninkaallisiksi kaupungeiksi, ja Dublin julistettiin myös Irlannin pääkaupungiksi. ellauri285.html on line 5: font-style: italic; ellauri285.html on line 9: font-style: italic; ellauri285.html on line 38: ic;font-family:sans-serif;font-size:3em;color:darkred;text-align:center;margin-top:0%;margin-bottom:0%">Paasauxia kasarista Paasauxia ellauri285.html on line 70: Consider, for example, the horse. We live across from a horse breeding establishment so I’ve had ample opportunity to observe these estimable animals in action. While they shit copiously they never get any on their hair (when was the last time you saw a horse’s behind fouled by its own waste?). The reason for this lies in the design of the horse anus. It is an extensible device that, when a BM is about to pass, protrudes a few critical inches, allowing the manure to drop straight to the ground without mussing a single hair. To further forfend fouling, there is no hair in the immediate vicinity of the horse’s anus, nor on the extensible process itself. What a remarkable design. ellauri285.html on line 72: Not so with us. Our small orifice is buried deep in a meaty cleft, the margins of which have to be spread to their limit if there is to be any chance the thicket of long, nasty hair in the cleft will not be fouled by the passing of stool — a vain exercise in 99 cases out of 100. Moreover, while the horse can defaecate while standing, just let a human being try that! No we must squat. But not only squat, we must go through all sorts of contortions to minimize the amount of feces that will cling to the surrounding parts — which, as we all know, is another futile exercise. ellauri285.html on line 74: To accommodate our flawed design, we are taught from birth to use wads of paper, magazine pages, dried corncobs and even stones, to wipe our filthy behinds. And this we must do! If we did not wipe, we would reek of dung from the cake of dingleberries between our cheeks and our pants, skirts, caftans and burkas, would be fouled with nicotine stains and clouds of flies would follow us down the street like goslings. ellauri285.html on line 84: A bear and a rabbit were next to each other taking a shit. Since they aren’t natural enemies there was no conflict. The bear says to the rabbit, “Say, do you have trouble with shit sticking to your fur?” The rabbit said, “No, not really.” So the bear wiped his ass with the rabbit. ellauri285.html on line 137: Maria pushaa ilmeisesti perspectivismiä, erästä idealismin fleivöriä. Se on oikea alternatiivisten totuuxien filosofia, Protagoraan homomensuura. Perspektivismin varhaiset muodot on tunnistettu Protagorasin (sic), Michel de Montaignen ja Gottfried Leibnizin filosofioissa. José Ortega y Gasset ja Karl Jaspers käsittelivät perspektivismiä erikseen 1900-luvulla. ellauri285.html on line 143: The Michigan Relics (also known as the Scotford Frauds or Soper Frauds) are a series of alleged ancient artifacts that were "discovered" during the late nineteenth and early twentieth century. They were presented by some to be evidence that people of an ancient Near Eastern culture had lived in North America and the U.S. state of Michigan, which, is known as pre-Columbian contact. Many scholars have determined that the artifacts are archaeological forgeries. The Michigan Relics are considered to be one of the most elaborate and extensive pseudoarchaeological hoaxes ever perpetrated in American history. ellauri285.html on line 145: The objects included coins, pipes, boxes, figurines and cuneiform tablets that depicted various biblical scenes, including Moses handing out the tablets of the Ten Commandments. On November 14, 1907, the Detroit News reported that Soper and Scotford were selling copper crowns they had supposedly found on heads of prehistoric kings, and copies of Noah's diary. ellauri285.html on line 151: Kelsey and Jastrow deemed the Michigan Relics frauds containing a "horrible mixture" of jumbled ancient scripts. Mary Robson, who lived in a room next door to Scotford's sons Percy and Charles, stated that the boys manufactured more "relics" all the time. ellauri285.html on line 152: While most scholars and academics have determined that Scotford was the craftsman and Soper was the salesman, and the men joined forces for personal financial gain, neither man ever confessed and remained active in the business until their respective deaths in the 1920s. ellauri285.html on line 154: Rudolph Etzenhouser, who was a traveling elder of the Reorganized Church of Jesus Christ of Latter Day Saints (RLDS), saw the relics as proof of the historicity of the Book of Mormon. Etzenhouser even published a book on his collection of the Michigan Relics. ellauri285.html on line 169: Hän, älykäs tarkkailija, on ehkä ymmärtänyt, että juutalaisten vuosisatoja vanha perinne sisäistää antisemitististen pakanoiden vihat ja fantasiat ja sitten heijastaa niitä muihin juutalaisiin ei yksinkertaisesti lakannut, kun juutalaiset palasivat diasporasta Siioniin. Nicholas Donin ja Johannes Pfefferkorn ja Ludwig Börne ja Karl Marx ja Karl Kraus ja Walter Lippmann ja Bruno Kreisky, kaikki ahdistuneita juutalaisia, jotka olivat innokkaita perustelemaan antisemiittien omituisimmat syytökset juutalaisia vastaan. Viides kolonna! ellauri285.html on line 224: Still, there will be cases in which "we" want to positively evaluate, even praise, beliefs that fail to constitute knowledge. Puhu vaan izestäsi paska. Tää on taas tätä jenkkiläistä uskosotapropagandaa johon sikäläinen usko, toivo ja luottokelpoisuus perustuvat. Jiihaad! Camoon Silver! ellauri285.html on line 226: I have also argued (Lasonen-Aarnio 2010, 2021) that there is such a thing as “unreasonable knowledge”: there are also cases in which a subject is negatively evaluable, even to be blamed for believing a proposition p, even if she knows p. Jos voittaa zägällä ei voi saada kiitosta, väittää Mirja. Paskanmarjat, voittaja saa kiitoxet vaikka olisikin tehnyt virheitä (Stalin), häviäjä saa turpiin ettei kotiin löydä (Hitler). ellauri285.html on line 228: I cannot get into these issues here, but there is mounting empirical evidence of complex unconscious mental phenomena guiding complex social behaviour and goal pursuit (for a good overview, see Hassin, et al 2004). Matelijan aivot rulettaa! Jasun transitiivisuusaxiooma failaa, Mirjam huomauttaa, mutta ei se mitään, failaa se muutenkin. ellauri285.html on line 236: In contemporary moral philosophy, motivational internalism (or moral internalism) is the view that moral convictions (which are not necessarily beliefs, but feelings of moral approval or disapproval) are intrinsically motivating. Niitä on ihan pakko totella tai on sekopää, tai vaikka olisikin. ellauri285.html on line 238: The motivational externalist (or moral externalist) claims that there is no necessary internal connection between moral convictions and moral motives. Olen selkeästi externalisti. Motiivit tulee matelijanaivoista, muu on seliseliä. Internalismi on aivan pelleä. Eikä Suzy voinut tietää että pallo oli punainen, jos kerta se ei ollut. Tieto on tosi uskomus. Perusteista kiistelee vain idealistit. Ei vittu pörriäisten pesä tiedä tietävänsä ylipäänsä, ja mixi pitäisikään. Nää jenkkisälät on täyttä solipsismiä. ellauri285.html on line 242: internalistien mielestä "our" intuitions are that the subject is justified in their beliefs in spite of being systematically deceived. Eli se on vaan tyhmä muttei tuhma. Some take the new evil demon problem as a reason for rejecting externalist views of justification. Höpsistä. Kyllä tyyppi voi olla korvausvelvollimen vaikka pelkkää tyhmyyttään. Ei se muita kiinnosta mixi se on tunaroinut, ne haluu korvauxen. Hemmetti mitä vanhaa paskaa nää uudet jenkit jauhavat. Tällästä cat's cradle tyyppistä askarointia, käteenvetoa villalangat sormissa. "Entäpä jos..." ellauri285.html on line 244: Edes koko plärän luettua ei tiedä mitä toi best feasible disposition oikein on. Enmä nää tässä mitään uutta klassilliseen utiliteettiteoriaan verraten. Näyttää vähän siltä että Mirja puhuu syytettyjen luonnetodistuxista niinkuin britti barristerisarjoissa, mikä on tietysti sikäli perusteltua että dumari miettii myös sitä mitä vaaraa tästä häiskästä on jos se päästetään vapaalle jalalle. Tyyppi joka tukkii zägällä oikeen käytävän saa potkut koska sen strategia ei ollut minimax, se on vaarallinen riskinottaja. Se tappaa enemmän mainareita kuin pelastaa pitkässä juoxussa. But in the epistemic domain as in others, foolishness is sometimes rewarded, say by a chair in theoretical philosophy in a peripheral university. Pity there are no mountains in that peripheral country. ellauri285.html on line 271: Merkityksellisyydestä huolehtimisen kohde on ilmeisesti jotain toivottavaa tai hyvää, jopa toivottava itsensä vuoksi. Olemme huolissamme siitä, että elämästämme puuttuu perustavanlaatuinen ominaisuus, jota tarvitaan, jotta se kannattaa, lyö leiville, tuo katetta. Mutta kuten Tolstoi hienosti huomauttaa, merkitys on erillään muista lopputuotteista, kuten onnellisuudesta [tosin palaan loppuvizeissä vastakkaiseen tavanomaisempaan näkemyxeen]. On liian laajaa sanoa, kuten Kai Nielsen tekee, että merkityskysymykset ovat kysymyksiä siitä, "mitkä päämäärät - jos mitkään - ovat saavuttamisen arvoisia" (Nielsen 1981, 240), koska useimmat meistä eivät saavuta paljon paskaakaan. Paremman puutteessa merkityksellisyyttä voi ylläpitää omien rajojemme ylittäminen ja yhteyden muodostaminen johonkin meitä suurempaan (Nozick 1981). Tosin jää epäselväxi, mitä "ylittäminen" ja "yhteys" tarkoittavat tässä. Joka tapauksessa Nozickilla taitaa olla mielessään mikä tekee jonkun julkkixen elämästä tärkeän, ei se, mikä tekee siitä laahuxelle siedettävän. ellauri285.html on line 303: Nozick, kuten monet muutkin, väittävät, että enemmän merkitystä elämälle on, jos edistää arvoja itsen ulkopuolella. Oman onnellisuuden edistäminen, vaikka se onkin itsessään arvokasta, ei edistä merkitystä, sanoo se. [Eli jotkut tunkee mukaan myös tämmöstä altruismihöpötystä, kommunistista pesän etiikkaa, jota Kuappinen kyllä siivoaa maton alle minkä kerkiää.] ellauri285.html on line 325: Vaikutusvaltainen Platonin kääntäjä Friedrich Schleiermacher ei arvostanut tätä vuoropuhelua. Hän piti sitä "erittäin huonona teoksena Lachesin ja Charmidesin verrattuna". Olof Gigon arvioi sitä myös huonosti 1900-luvulla. Hän koki, että dialogi nojautui liian voimakkaasti sanapeleihin ja semantiikkaan. ellauri285.html on line 347: Mary Robinson (née Darby; 27 November 1757 – 26 December 1800) was an English actress, poet, dramatist, novelist, and celebrity figure. She lived in England, in the cities of Bristol and London; she also lived in France and Germany for a time. She enjoyed poetry from the age of seven and started working, first as a teacher and then as actress, from the age of fourteen. She wrote many plays, poems and novels. She was a celebrity, gossiped about in newspapers, famous for her acting and writing. During her lifetime she was known as "the English Sappho". She earned her nickname "Perdita" for her role as Perdita (heroine of Shakespeare's The Winter's Tale) in 1779. She was the first public mistress of King George IV while he was still Prince of Wales. ellauri285.html on line 357: As rich as fleece of JASON. Kuin rintakarva JASONIN. ellauri285.html on line 364: Cravats like towels, thick and broad, Kaulurit näyttää pyyhkeille ellauri285.html on line 369: Long petticoats to hide the feet, Pitkät alushameet peittää sääriä ellauri285.html on line 371: A load of perfume, sick'ning sweet, Hajuvettä valtavia määriä ellauri285.html on line 390: An icy cov´ring merely ; Pizihanskat kuorrutuxena, ellauri285.html on line 399: “A woman of undoubted Genius,” according to Samuel Taylor Coleridge, Mary Robinson was an English actress, author, celebrity, and ardent supporter of the rights of women who gained considerable fame during her lifetime. Known by the nickname “Perdita,” after her role in Shakespeare’s The Winter’s Tale, peddled to The Prince of Wales her tail. ellauri285.html on line 406: Konrad Zacharias Lorenz (* 7. November 1903 in Wien; † 27. Februar 1989 ebenda) war ein österreichischer Zoologe, Medizin-Nobelpreisträger und einer der Hauptvertreter der klassischen vergleichenden Verhaltensforschung (Ethologie). Er selbst nannte dieses Forschungsgebiet bis 1949 „Tierpsychologie“. Lorenz wird im deutschsprachigen Raum als deren Gründervater angesehen. Er war Mitarbeiter des Rassenpolitischen Amtes der NSDAP und Direktor des Max-Planck-Instituts für Verhaltensphysiologie. Er war ein Kindheitsfreund Karl Poppers. Lorenzin nazimielisyydesytä ja arjalaisuudesta nousseet epäilyxet hälvenivät: dieser habe „aus seiner Zustimmung zum Nationalsozialismus niemals ein Hehl gemacht. Auch seine arische Abstammung ist in Ordnung.“ ellauri285.html on line 408: „In letzter Zeit hat Herr Dr. Lorenz mir gegenüber wiederholt sein immer größer werdendes Interesse für den Nationalsozialismus an den Tag gelegt und sich zu seiner Idee positiv geäußert. Soweit ich seine biologischen Studien kenne, sind diese in der Richtung der im Deutschen Reich herrschenden Weltauffassung gelegen.“ ellauri285.html on line 412: „Ich war als Deutschdenkender und Naturwissenschaftler selbstverständlich immer Nationalsozialist und aus weltanschaulichen Gründen erbitterter Feind des schwarzen Regimes (nie gespendet oder geflaggt) und hatte wegen dieser auch aus meinen Arbeiten hervorgehenden Einstellung Schwierigkeiten mit der Erlangung der Dozentur. Ich habe unter Wissenschaftlern und vor allem Studenten eine wirklich erfolgreiche Werbetätigkeit entfaltet, schon lange vor dem Umbruch war es mir gelungen, sozialistischen Studenten die biologische Unmöglichkeit des Marxismus zu beweisen und sie zum Nationalsozialismus zu bekehren. Auf meinen vielen Kongreß- und Vortragsreisen habe ich immer und überall mit aller Macht getrachtet, den Lügen der jüdisch-internationalen Presse über die angebliche Beliebtheit Schuschniggs und über die angebliche Vergewaltigung Österreichs durch den Nationalsozialismus mit zwingenden Beweisen entgegenzutreten. Dasselbe habe ich allen ausländischen Arbeitsgästen auf meiner Forschungsstelle in Altenberg gegenüber getan. Schließlich darf ich wohl sagen, daß meine ganze wissenschaftliche Lebensarbeit, in der stammesgeschichtliche, rassenkundliche und sozialpsychologische Fragen im Vordergrund stehen, im Dienste Nationalsozialistischen Denkens steht! ellauri285.html on line 423: Millas klass, 5:orna i Västbergaskolan, ordnar valborgsfirande i Telefonplan/Hökmossen. Varmt välkomna! Det finns brasa, fiskdamm, fika, korv, hamburgare, popcorn, sockervadd, chokladhjul och lotteri på plats! Och som pricken på I:et kommer barnen att sjunga för oss. Hoppas att vi ses där! 🥳🔥 ellauri285.html on line 578: Itä-Saksan kommunistisen puolueen pääsihteeri Erich Honecker valittiin uudelle viisivuotiselle virkakaudelle. ellauri285.html on line 587: Haagin kansainvälinen tuomioistuin totesi, että Yhdysvaltain tuki Nicaraguan hallitusta vastaan taistelleille contra-sisseille oli puuttumista Nicaraguan sisäisiin asioihin ja siten YK:n peruskirjan vastaista. Yhdysvaltain senaatti hyväksyi presidentti Ronald Reaganin ajaman 100 miljoonan dollarin tukipaketin Nicaraguan hallitusta vastaan taistelleille contra-sisseille. ellauri285.html on line 591: Mikkelin panttivankidraama. Berliinin muuri täytti 25 vuotta. Länsi-Saksan liittokansleri Helmut Kohl sanoi juhlapuheessaan, etteivät Länsi-Berliinin asukkaat koskaan mukaudu muuriin ja piikkilankaan. Hän sanoi myös että Gorbazhov on kuin Goebbels. Itä-Saksan puoluejohtaja Erich Honecker puolestaan totesi muurin rakentamisen palvelleen rauhan asiaa. ellauri285.html on line 601: Sotalelujen valmistus, maahantuonti ja myynti Suomessa sovittiin lopetettavaksi vuoden 1987 alusta lukien. Dingo hajosi virallisesti. 7,5 richterin maanjäristys surmasi 1 500 ihmistä San Salvadorissa. ellauri285.html on line 633: Ralph Schoenman (born 1935) is an American left-wing activist who was a personal secretary to Bertrand Russell and became general secretary of the Bertrand Russell Peace Foundation. He was involved in a number of projects supported by Russell, including the Campaign for Nuclear Disarmament (CND), the Committee of 100 and an unofficial war crimes tribunal to try American leaders for their conduct in the Vietnam War. Shortly before his death in 1970, Russell publicly broke with Schoenman. Sen jälkeen Schoenman (jutku kylläkin) kirjoitti tämän vahvasti anti-sionistisen läpyskän: ellauri285.html on line 646: Radio Yerevan was asked: "Does Radio Yerevan still accept questions from the listening public?" ellauri285.html on line 651: Bernard Levin wrote critically of Schoenman's influence on Russell, saying that Schoenman was partly responsible for Russell's virulent anti-Americanism, in contrast to his earlier pronouncements against communism. Russell said of Schoenman, "You know he is a rather rash young man, and I have to restrain him." ellauri285.html on line 653: Schoenman was an organizer and member of the Russell Tribunal, an International War Crimes Tribunal which visited North Vietnam and Cambodia in 1966-1967. ellauri285.html on line 656: During the course of the tribunal, the U.S. government revoked Schoenman's passport because of unauthorized visits to North Vietnam. In November 1967, he was deported back to the U.S. by Bolivian authorities when he traveled there to attend the trial of Régis Debray. As a result, he was prevented from attending the tribunal's proceedings in Copenhagen later that month because Danish authorities refused to allow him to enter without a passport. This led to a sequence in which Schoenman shuttled between several European countries, none of which would admit him, before illegally entering Britain, where he remained for 10 days until being deported in June 1968. ellauri285.html on line 658: In December 1969, Russell made a public statement in that he had no contact with Schoenman and was unaware of his activities. Russell approved a vote to remove Schoenman from the board of the Bertrand Russell Peace Foundation. ellauri285.html on line 660: Since 2002 Schoenman has worked with documentary filmmaker, Mya Shone, providing commentary for radio stations in many parts of the United States and Canada, and produces the "Taking Aim" radio show, billed as "Uncompromising, fact intensive exposés of the hidden workings of a capitalist system addicted to permanent war". In about 2009 they moved from broadcasting over WBAI to an Internet webcast. ellauri285.html on line 667: La même année, il part à Cuba puis suit Che Guevara en Bolivie. Il théorise sa participation à la guérilla de l'ELN dans Révolution dans la révolution (1967) où il développe la théorie du foquisme de « foco » (foyer en espagnol) : la multiplication de foyers de guérilla. Ion Pacepa, ancien général des services secrets roumains, dit qu'alors le « terroriste français Régis Debray était un agent hautement prisé du KGB ». Il use alors du pseudonyme de « Danton » ellauri285.html on line 671: C’est au bout de trois semaines, après avoir sciemment parlé dans le vide de façon à ne livrer aucune information concrète, que Debray admet les évidences, à savoir la présence du Che, déjà reconnue par Bustos, les déserteurs et le guérillero Vasquez Viana, arrêté le 28 avril et victime d’un subterfuge. Même après la rupture politique de Debray avec le régime cubain, Manuel Piñeiro, le chef des services secrets cubains, reconnaît que ce dernier n’a fait que « confirmer la présence du Che en Bolivie », et qu’« il ne serait pas correct de ma part de rendre Debray responsable de la localisation de la guérilla, et encore moins de la mort du Che » ellauri285.html on line 680: En 1979, son tiersmondisme revenant à la charge, il participe - essentiellement en tant qu´observateur - à la révolution sandiniste aux côtés des muchachos du Nicaragua aux côtés de Daniel Ortega et Humberto Ortega, qui considèrent le proche de Castro comme un ami. Un crochet par Paris lui fait manquer le renversement du dictateur Somoza en place. ellauri285.html on line 681: Son engagement est marqué par l´antiaméricanisme. ellauri285.html on line 684: "La médiologie s´intéresse à tous les moyens, à tous les véhicules par lesquels nous avons accès, à l´histoire, au sens. Ça n´a rien à voir avec les médias de masse dont je ne connais rien." ellauri285.html on line 691: Selon lui, la crise actuelle en France est une crise de la symbolique républicaine, due à un manque de sacré. Pour Régis Debray, le dernier grand homme à la symbolique républicaine était François Mitterrand. ellauri285.html on line 693: ichel_gangne_000_arp1576647.jpg" width="30%" /> ellauri285.html on line 696: Mitterrand palkizi pyllynnuolijansa liipalaapan diplomaattiposteilla, joissa sooloiltuaan Reggie joutui disponibiliteettiin kuin Heikki Brotherus. Mitterrand syntyi vuonna 1916 Jarnacin kunnassa Charenten departementissa läntisessä Ranskassa. Hän kasvoi konservatiivisessa ja katolisessa porvariperheessä, ja uskonnollista yksityiskoulua käyneen Mitterrandin ajatusmaailma oli 1930-luvulla oikeistolainen sekä nationalistinen. Hänen poliittinen uransa alkoikin liittymisellä äärinationalistiseen Croix de Feu -ryhmään. Hän myös kirjoitti L´Écho de Paris -sanomalehteen, joka vastusti istuvaa Léon Blumin vasemmistohallitusta. Sodan aikana hän työskenteli Vichyn hallituksen alaisuudessa. Myöhemmin hän toimi Ranskan vastarintaliikkeessä pitäen samaan aikaan virkaa saksalaismyönteisessä hallituksessa. Toisen maailmansodan jälkeen Mitterrand käänsi kelkkaa vähän liittyen keskustavasemmistolaiseen UDSR-puolueeseen Hän ohjasi puoluettaan vehen viele vasemmalle pitäen kuitenkin selvän pesäeron kommunisteihin. ellauri285.html on line 701: Mitterrand tuli toimeen Helmut Kohlin kanssa, mikä paransi huomattavasti ranskalais–saksalaisia suhteita. Yhdessä he auttoivat synnyttämään Maastrichtin sopimuksen, joka allekirjoitettiin 7. helmikuuta 1992. Mitterrandin viimeinen presidenttikausi päättyi toukokuussa 1995. Hänen seuraajakseen valittiin Jacques Chirac. ellauri285.html on line 708: Les États-Unis auraient ainsi su échapper à cette crise du sacré, par leur civisme et leur patriotisme, même s´ils se sont mis au service de mauvaises causes. L’effigie du dollar des États-Unis en est un exemple : « In God We Trust, All Others Pay Cash ». C’est cette symbolique patriotique qui ferait la force des États-Unis. Debray prétend appliquer le théorème d´incomplétude de Gödel à l´ordre social pour « démontrer » sa théorie. Régis Debray a été vivement critiqué pour son utilisation du théorème d´incomplétude de Gödel, jugée au mieux infondée sinon fallacieuse par Alan Sokal et Jean Bricmont dans leur livre Impostures intellectuelles, et par Jacques Bouveresse dans Prodiges et vertiges de l´analogie. ellauri285.html on line 710: Régis Debray affirme que quand s’épuise le sens du symbolique reviennent les autorités religieuses. Plus la puissance symbolique est dématérialisée (la religion), plus l’ordre symbolique est fort et plus la puissance symbolique est historicisée (personnages), plus l’ordre symbolique est fragile. Une humanité sans croyance est donc, selon lui, réduite à l’animalité. ellauri285.html on line 712: Pour lui le messager conditionne le message. Sa thèse est : « l’invention de l’écriture alphabétique jointe à une nouvelle technique de partage (le codex) dans un milieu nomade mais sédentarisé a été la condition de naissance de Dieu comme universel ». – Est-ce vous qui avez inventé ça, la médiologie? – C´est un bien grand mot. C´est Victor Hugo qui l´a créée. « Ceci tuera cela ». Dans Notre-Dame de Paris, je vous recommande ce passage : c´est l´archidiacre Frollo, qui a un petit livre de Gutenberg, et qui est devant la cathédrale, et qui dit de façon prophétique « Ceci tuera cela », et dans l´autre main il avait un petit téléphone mobile, et de façon également prophétique: « Ceci tuera cela ». ellauri285.html on line 751: Alan David Sokal (/ˈsoʊkəl/; born January 24, 1955) is an American professor of mathematics at University College London and professor emeritus of physics at New York University. He works in statistical mechanics and combinatorics. He is a critic of postmodernism, and caused the Sokal affair in 1996 when his deliberately nonsensical paper was published by Duke University Press´s Social Text. He also co-authored a paper criticizing the critical positivity ratio concept in positive psychology. ellauri285.html on line 753: The critical positivity ratio (also known as the "Losada ratio" or the "Losada line" [not verified in body]) is a largely discredited concept in positive psychology positing an exact ratio of positive to negative emotions which distinguishes "flourishing" people from "languishing" people.[citation needed] The ratio was proposed by psychologists Barbara Fredrickson and Marcial Losada, who believed that they had identified an experimental measure of affect whose model-derived positive-to-negative ratio of 2.9013 defined a critical separation between flourishing and languishing individuals, as reported in their 2005 paper in American Psychologist.[non-primary source needed] This concept of a critical positivity ratio was widely embraced by academic psychologists and the lay public; Fredrickson and Losada´s paper had been cited more than 320 times by January 2014, and Fredrickson wrote a popular book expounding the concept of "the 3-to-1 ratio that will change your life". In it she wrote, "just as zero degrees Celsius is a special number in thermodynamics, the 3-to-1 positivity ratio may well be a magic number in human psychology." ellauri285.html on line 755: The first consequential re-evaluation of the mathematical modeling behind the critical positivity ratio was published in 2008 by a group of Finnish researchers from the Systems Analysis Laboratory at Aalto University (Jukka Luoma, Raimo Hämäläinen, and Esa Saarinen). The authors noted that "only very limited explanations are given about the modeling process and the meaning and interpretation of its parameters... [so that] the reasoning behind the model equations remains unclear to the reader"; moreover, they noted that "the model also produces strange and previously unreported behavior under certain conditions... [so that] the predictive validity of the model also becomes problematic." ellauri285.html on line 757: Later, but of more critical importance, the Fredrickson and Losada work on modeling the positivity ratio aroused the skepticism of Nick Brown, a graduate student in applied positive psychology, who questioned whether such work could reliably make such broad claims, and perceived that the paper´s mathematical claims underlying the critical positivity ratio were suspect. Brown contacted and ultimately collaborated with physics and maths professor Alan Sokal and psychology professor Harris Friedman on a re-analysis of the paper´s data (hereafter the Brown-Sokal-Friedman rebuttal). They argued that Losada´s earlier work on positive psychology and Fredrickson and Losada´s 2005 critical positivity ratio paper contained "numerous fundamental conceptual and mathematical errors", errors of a magnitude that completely invalidated their claims. ellauri285.html on line 759: Fredrickson wrote a response in which she conceded that the mathematical aspects of the critical positivity ratio were "questionable" and that she had "neither the expertise nor the insight" to defend them, but she maintained that the empirical evidence for the existence of a critical positivity ratio was solid. Brown, Sokal, and Friedman, the rebuttal authors, published their response to Fredrickson´s "Update" the next year, maintaining that there was no evidence for a critical positivity ratio. Losada declined to respond to the criticism (indicating to the Chronicle of Higher Education that he was too busy running his consulting business).[verification needed] Hämäläinen and colleagues responded later, passing over the Brown-Sokal-Friedman rebuttal claim of failed criteria for use of differential equations in modeling, instead arguing that there were no fundamental errors in the mathematics itself, only problems related to the model´s justification and interpretation. ellauri285.html on line 761: A formal retraction for the mathematical modeling elements of the Losada and Fredrickson (2005) paper was issued by the journal, American Psychologist, concluding that both the specific critical positivity ratio of 2.9013 and its upper limit were invalid. The fact that the problems with the paper went unnoticed for years despite the widespread adulatory publicity surrounding the critical positivity ratio concept contributed to a perception of social psychology as a field lacking scientific soundness and rigorous critical thinking. Sokal later stated, "The main claim made by Fredrickson and Losada is so implausible on its face that some red flags ought to have been raised", as would only happen broadly in graduate student Brown´s initiating the collaboration that resulted in the Brown-Sokal-Friedman rebuttal. ellauri285.html on line 763: Building on research by Barbara Fredrickson suggesting that individuals with a higher ratio of positive to negative emotions tend to have more successful life outcomes, and on studies by Marcial Losada applying differential equations from fluid dynamics to human emotions,[citation needed] Fredrickson and Losada proposed as informative a ratio of positive to negative affect derived from nonlinear dynamics modelling (based on Lorenz systems), which appeared in 2005 in a paper in American Psychologist. The derived combination of expressions and default parameters led them to conclude that a critical ratio of positive to negative affect of exactly 2.9013 separated flourishing from languishing individuals, and to argue that the ideal positivity/negativity ratio lies between 2.9013 and an upper limit ratio of 11.6346. Hence, they claimed that their model predicted cut-off points for the minimum and maximum positivity ratios within which one should observe qualitative changes in an individual´s level of flourishing, specifically, that those within this range of ratios would "flourish", and those outside would "languish".[non-primary source needed] As of January 2014, the 2005 Fredrickson and Losada´s paper had been cited more than 320 times in the psychology literature. ellauri285.html on line 766: the data used by Losada in several analyses do not meet basic criteria for the use of differential equations (such as the use of continuous variables that evolve smoothly and deterministically over time); ellauri285.html on line 768: differential equations used by Losada to calculate the critical positivity ratio use parameters taken directly from Lorenz´s simplified, illustrative, and arbitrary models for fluid dynamics, with Losada giving no rationale for his choice of parameters; ellauri285.html on line 770: use of different arbitrary parameters would give different positivity ratios, thus the precise values for the lower and upper critical ratios based on the arbitrary parameters, Fredrickson and Losada´s 2.9013 to 11.6346 ratios, are meaningless; ellauri285.html on line 772: the butterfly-like first figure provided by Fredrickson and Losada is not a model of the data taken from their human participants, but "the results of computer simulations of the Lorenz equations, nothing more"; and based on the maths, even if precise positivity/negativity ratios could be derived, several "windows" of desirable and undesirable positivity/negativity ratios above a certain value should exist, rather than a simple range of ratios in which "flourishing" should occur. ellauri285.html on line 775: With regard to these, and especially the last, the Brown-Sokal-Friedman rebuttal argues that it is likely that Fredrickson and Losada did not fully grasp the implications of applying nonlinear dynamics to their data. Brown, Sokal, and Friedman state that one can only marvel at the astonishing coincidence that human emotions should turn out to be governed by exactly the same set of equations that were derived in a celebrated article several decades ago as a deliberately simplified model of convection in fluids, and whose solutions happen to have visually appealing properties. An alternati ellauri285.html on line 776: ve explanation – and, frankly, the one that appears most plausible to us – is that the entire process of "derivation" of the Lorenz equations has been contrived to demonstrate an imagined fit between some rather limited empirical data and the scientifically impressive world of nonlinear dynamics. ellauri285.html on line 777: Fredrickson responded to the critique by agreeing that Losada´s mathematical modelling was "questionable" and did not show that there are precise values of the ratio, but also arguing that the evidence for the benefits of a high positivity/negativity ratio is solid. Fredrickson noted that Losada declined to respond to the criticism.[11] The American Psychologist proceeded to formally retract as invalid the mathematical modeling elements of Fredrickson and Losada´s paper, including the specific critical positivity ratios of 2.9013 and its upper limit. ellauri285.html on line 779: The original rebuttal authors conclude this salvo by lamenting that the "unbridled romanticism" of which humanist psychology has been accused has not been replaced with a rigorous evidence-based psychology—as Seligman and Csikszentmihalyi promised in their founding manifesto of positive psychology—rather, the widespread acceptance of the critical positivity ratio shows that positive psychology has betrayed this promise, stating that "the sin is now romantic scientism rather than pure romanticism is not, in our view, a great advance." ellauri285.html on line 781: Prior to the appearance of the Brown-Sokal-Friedman rebuttal and the ensuing retraction, Fredrickson had written a popular book, Positivity: Top-Notch Research Reveals the 3-to-1 Positivity Ratio that Will Change Your life. ellauri285.html on line 783: ickson_2019.jpg" width="30%" /> ellauri285.html on line 786: Marcial Losada (1939–2020) was a Chilean psychologist, consultant, and former director of the Center for Advanced Research (CFAR) in Ann Arbor, Michigan.[not verified in body] He is known for his work in academia and business focusing on the development of "high performance teams",[This quote needs a citation] and having participated in partially retracted collaborative work with Barbara Fredrickson of the University of North Carolina, a retraction for which he has been assigned the culpability. ellauri285.html on line 788: Marcial Francisco Losada was born in 1939 in Chile.[citation needed] He received a Ph.D. in organizational psychology from the University of Michigan. After finishing his doctoral work, Losada served as a Center for Advanced Research (CFAR) in Ann Arbor, Michigan.[when?][citation needed] In his career, Losada developed a nonlinear dynamics model, the meta learning model, to show dynamical patterns achieved by high, medium and low performing teams, where performance was evaluated based on profitability, customer satisfaction, and 360-degree feedback.[citation needed]. In pursuing these goals, he founded and served as executive director of Losada Line Consulting, which had presented past workshops and seminars at companies including Apple, Boeing, EDS, GM, and Merck, and foundations including the Kellogg and Mellon Foundations, with high performance team-building contracts at BCI, Banchile, BHP-Billiton, Codelco, and Telefónica [better source needed]. ellauri285.html on line 790: Losada claimed the dynamical patterns related to team performance appear in coordinate spaces of "positivity-negativity," "inquiry-advocacy" and "other-self," and are controlled by connectivity, which is supposed to reflect interpersonal attunement of a team. [third-party source needed] Losada, along with Barbara Fredrickson, developed the concept of the critical positivity ratio (also known as the Losada line), which states that there exist precise cut-off points for an individual´s ratio of positive to negative emotions, above and below which the individual will fail to flourish. ellauri285.html on line 791: Losada´s coauthor, Fredrickson, continues to insist on the measurability of such a ratio, and the existence tipping-points, but has distanced herself from the mathematical portions of the 2005 paper, which were subsequently retracted by the journal; Fredrickson reports that Losada declined to respond to the criticism. Lsada kicked the bucket in 2020.[where?][citation needed]. ellauri285.html on line 808: Olen strategisen johtamisen apulaisprofessori Aalto-yliopiston perustieteiden korkeakoulun teollisuustekniikan ja johtamisen laitoksella. Osaamisalueitani ovat kilpailudynamiikka sekä malli- ja datalähtöinen päätöksenteko. Tutkimukseni ilmestyy akateemisissa julkaisuissa, kuten Strategic Management Journal, Journal of Marketing ja European Journal of Operational Research. Toimin myös Long Range Planningin toimituskunnassa. Olen kokenut kouluttaja, jonka yleisö vaihtelee perustutkinto- ja jatko-opiskelijoista johtajiin ja muihin kokeneisiin ammattilaisiin. Olen erityisen kiinnostunut innovatiivisista opetusmenetelmistä, jotka mahdollistavat kokemuksellista ja vuorovaikutuspohjaista oppimista. En siis ole: ellauri286.html on line 5: font-style: italic; ellauri286.html on line 9: font-style: italic; ellauri286.html on line 84: ichef.bbci.co.uk/news/800/cpsprodpb/F4A6/production/_128703626_amilitary_aid_21_02_23_dollar-nc.png.webp" width="50%" /> ellauri286.html on line 253: Neuvostoliito (sic, my joke) esiintyi aikoinaan ”toisena maailmana”, joka tarjosi vaihtoehdon kapitalistiselle maailmalle. Siellä esitettiin sangen dogmaattisia väitteitä tämän vaihtoehdon tieteellisyydestä ja sen tuottamista tuloksista. Toisin kuin monet muut, en nähnyt mitään syytä ottaa näitä väitteitä täydestä, mutta olin sen sijaan hyvin kiinnostunut näkemään, mitä niiden takana todellisuudessa oli! Epärehellisyyttä! Myös muualla älyllinen epärehellisyys näytteli suurta osaa. Itse asiassa Venäjän pöllämystö näytti olevan siitä vapaampi kuin länsimainen. Venäläiset ovat epärehellisiä mutta muuten mukavia, vaikka groteski järjestelmä pitää niitä nyttemmin otteessaan, kapitalismi nimittäin. ellauri286.html on line 377: Teoxia: Sota vai rauha: kirjoituxia lännestä. Šiškiniä on verrattu muiden muassa Orhan Pamukiin ja J. M. Coetzeehen. Vuodesta 1995 Šiškin on asunut Sveitsissä. Hän kirjoittaa myös saksaksi. Vuonna 1995 Shishkin muutti Sveitsiin perhesyistä. Hän työskenteli Zürichissä maahanmuuttoministeriössä ja erityisesti pakolaisten parissa venäjän ja saksan kääntäjänä. Hän on naimisissa kääntäjänsä kanssa (Zhenjya, kuvassa). Hänellä on Sveitsin kansalaisuus. Sen vaimo Zhenya pitelee sen päätä ettei se käänny enempää vasemmalle. Zhenya on sen kääntäjä. Vähän väliä käydään kääntymässä USA:ssa propagandaretkillä Harrimanin kustannuxella. W Averell Harriman, better known as Averell (Pää kiinni, Averell! Anna sen sytytyslangan olla, Averell!) Rautatieparoni E. H. Harrimanin poika, Harriman toimi Neuvostoliiton suurlähettiläänä ja osallistui suuriin toisen maailmansodan konferensseihin. Isänsä rahoilla hän perusti WA Harriman & Co -pankkitoiminnan vuonna 1922. Harrimanilla oli 3 erittäinkin lukratiivista avioliittoa. Harriman veti naruja, jotta hänen tyttärensä Kathleen voisi seurata häntä Neuvostoliittoon palvelemaan hänen avustajanaan. Kaksi kolmasosaa Yhdysvaltojen viereisen talven trumpetistijoutsenista viettää kauden Harriman State Parkissa. ellauri288.html on line 5: font-style: italic; ellauri288.html on line 9: font-style: italic; ellauri288.html on line 66: STOCKHOLM. Kändisförfattarnas agent Niclas Salomonsson pekades först ut som kvinnomisshandlare av sitt ex, författaren Unni Drougge, som han levde i ett sjuårigt förhållande med. ellauri288.html on line 73: Nu har Niclas Salomonsson förlorat tryckfrihetsmålet och får därmed själv stå för rättegångskostnaderna. ellauri288.html on line 74: – Klart att det är tråkigt. Men det är viktigt att sätta ner foten, säger Niclas Salomonsson till Medievärlden. Liza Marklund försvarar sitt val av förläggare med att alla måste få en andra chans. Att bita någon på den andra kinden. ellauri288.html on line 221: icle_page_image_770px_wide/s3/inline-images/2018/10/joulukortti.jpg?itok=XUzQHLau" /> ellauri288.html on line 276: NPR, full name National Public Radio, is a privately and publicly funded non-profit membership media organization that serves as a national syndicator to 797 public radio stations in the United States of America. Noam Chomsky has criticized NPR as being biased toward ideological power and the status quo. Consumers of information from NPR contend that NPR does its job well. In April 2023, Twitter made the decision to label NPR, as well as the PBS, BBC, and Voice of America as government-funded media outlets following backlash from critics who accused the platform of bias. Twitter initially labeled accounts linked to countries like Russia and China but faced criticism for not applying the same labels to media organizations from Western countries. In response, the company expanded its policy to include NPR. ellauri288.html on line 312: Sofi Oksanen on kirjailija, jolla on vahva poliittinen juoni ja joka katsoo maailmaa oikeasta näkökulmasta. Oksasella on vahva ja raju tyyli ilman sentimentaalisuutta. Oksanen on julma ja päättäväinen soturi kuten hänen kirjoituksensa. La Repubblica, Italia ellauri288.html on line 316: Kuten trillerissä, löydämme kaksi rinnakkaista tarinaa väkivallasta, jotka kertovat virolaisten naisten onnettoman historian. La Repubblica, Italia ellauri288.html on line 344: Puhdistus on monella tasolla romaani, mutta erityisesti päähenkilön systerin esittelyssä näkyy Sofi Oksasen valtava kirjallinen lahjakkuus. Público, Portugali ellauri288.html on line 350: Men in Aida is a homophonic translation of Book One of Homer's Iliad into a farcical bathhouse scenario, perhaps alluding to the homoerotic aspects of ancient Greek culture. It was written in 1983 by the language poet David Melnick, and is an example of poetic postmodernism. In 2015, all three books of the Iliad translated by Melnick were published by independent publishing house Uitgeverij under the title Men in Aïda. ellauri288.html on line 355: Allow men in, emery Achaians. All gay ethic, eh? ellauri288.html on line 408: ic/pictures/authors/3c/fe/3cfee3838c13bc0ea8f59d7237b76b03/556336628c11f_jacob_frank.jpg" /> ellauri288.html on line 484: Esimerkiksi geenitutkija Richard Dawkins antaa heti suositun kirjansa Viesti miljardien vuosien takaa (suom. Risto Varteva WSOY 1985) alussa ymmärtää Darwinin evoluutioteoriaa seuraten, että "Kopioituminen johtaa aina luonnonvalintaan ja sitä kautta siihen ylenpalttiseen monipuolisuuteen, jota me kutsumme elämäksi (s. 9)". Niinpä – mikä mielenkiintoista – tarkkojen kopioiden sekaan sattuu silloin tällöin myös "kopioinnissa sattumalta tulleita rakennevirheitä (s. 9)". Jaan Kaplinski on tästä elävä - no, aikansa elänyt - esimerkki. ellauri288.html on line 521: Fantastic balladi "ilmalaiva" kirjoitti ja julkaistaan painettuna 1840. Tekijän tekstiä ei ole säilynyt. Tämä on vapaa käännös työ "aavelaivan" German Romance Seidlitz. Tuote Lermontov osissa vaikutteita käännös V. Žukovski 1836 balladi "Night Parade" saman runoilija. Uskotaan, että Mikhail Lermontov kirjoitti runon pidätyksen aikana. Hän sai siellä jälkeen kaksintaistelussa ranskalainen upseeri. Runoilija oli monimutkainen tunteita henkilökohtaisista asioista ja Ranska, joka petti hänen keisari. ellauri288.html on line 523: Kuva vuotuisen ulkonäkö keisari hänen kuolemansa jälkeen tuli legendaarinen ja näkyy paitsi zedlitz, mutta myös Heinrich Heine, joka, kuten Goethe oli fani kaikkivoipa diktaattori. Palattuaan Ranskassa lyhyen aikaa, loistava ilmalaiva, jolle ei ole miehistöä. Kuitenkin se on varustettu valurautainen aseet ja valmiina valloittamaan maailmaa. Ilmalaiva Lermontov merkit kilpa täysissä purjeissa sininen aaltoja, ottaa vain yhden yön keisari. ellauri288.html on line 529: Ilmalaivan Lermontov analyysi menee näin: Kuulivat hänen huokaus, jopa katkeria kyyneliä kihosivat silmänsä. Valkenee, ja alus odottaa häntä. Sankari lähtee Paluumatkalla petti odotuksissaan. Hän kokee vain murheen hellittämätön aika on tuhonnut kaiken arvon henkilölle tässä maailmassa: koettu sydämen ja sielun, kuljettaa pois rakkaansa tuhosi muisti sankarillisen menneisyyden ja viime maailmanmaine keisari. Yleensä - romahtaminen toiveita ja illuusioita. Sic transit gloria mundi (siis kulkee kunniaa maan). ellauri288.html on line 533: Lermontov käyttäen liioittelua, mistä pieni pullea mies tekee voimakas sankari (vaiheet oli suuret kädet - voimakas), syntyi hänen - ei maakuntien Korsika ja Ranskassa suurta. Quicksand kirjailija muistelee kolme kertaa. Sankari se ei saa pois. Koska kukaan dozvatsya, hän lähtee Paluumatkalla vain toivottoman heiluttaa kättään ja päänsä alas rintaansa. ellauri290.html on line 6: font-style: italic; ellauri290.html on line 10: font-style: italic; ellauri290.html on line 110: Israel's primary objective was to re-open the blocked Straits of Tiran. WTF, they occupied and consequently expropriated most of Palestinian land property. After the fighting had started, political pressure from the United States, the Soviet Union, and the United Nations led to a withdrawal by the three invaders. The episode humiliated the United Kingdom and France and strengthened Nasser. Joka sai sitten kyllä kunnolla nenuun USA:n varustamilta Jehovan sotajoukoilta 10v myöhemmin 7 päivän salamasodassa 1967 (kz. esim. albumia 263). ellauri290.html on line 407: Classification broken up into their varied composites, the same totals, show: ellauri290.html on line 532: As a result of the Armistice Agreements, the Holy City now stands divided between the Israelis and the Hashemite Kingdom of Jordan, as follows: ellauri290.html on line 812: (A) indicates wholly Arab (J) indicates wholly Jewish (M) indicates mixed (G) indicates German ellauri290.html on line 828: icture-in-picture; web-share" allowfullscreen> ellauri290.html on line 848: Ensimmäinen maailmansota päättyi yhdessä Ottomaanien valtakunnan kanssa. Iso-Britannia sai haltuunsa Palestiinan Sykes-Picot-sopimuksella, joka jakoi Ottomaanien Syyrian Ranskan hallitsemaan Syyriaan ja Libanoniin sekä Britannian hallitsemaan Palestiinaan ja Transjordaniaan. Oli toivoa, että brittiläinen valvonta sallisi juutalaisten kansallisen kotimaan luomisen Balfourin julistuksen mukaisesti. Britannian mandaatti virallistettiin vuonna 1922 Balfourin julistuksen perusteella. Brittien piti auttaa juutalaisia rakentamaan kansallinen koti ja edistämään itsehallinnollisten instituutioiden luomista. Mandaatti määräsi viraston, jossa juutalaiset voisivat edustaa juutalaisten etuja ja edistää juutalaisten maahanmuuttoa. Sitä kutsuttiin nimellä Palestiinan juutalainen virasto, ja se perustettiin vasta kymmenen vuotta myöhemmin, ja se toimi Yishuvin tosiasiallisena hallituksena. ellauri294.html on line 6: font-style: italic; ellauri294.html on line 10: font-style: italic; ellauri294.html on line 54: ics" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri294.html on line 89: Fryygit ei olleet hyviä juuri muussa kuin musakornerissa. Fryygialainen skaala on c duurin kolmas moodi missä perussävelenä on cm sijasta e, josta on vain puoli sävelaskelta äffään. Se on molliskaala jossa toinen sävel on alennettu ja se kuulostaa muista kuin puukorvista sen tautta synkältä ja uhkaavalta. Platonin mielestä se oli subversiivinen ja sixi kielletty ihannevaltiosta. Kaikki kreikkalaiset ic-and-where-can-i-find-them/">moodit saadaan joonialaisesta c-duurista siirtämällä toonikaa. Oikeestaan ei ole mitään keinoa tietää mikä on toonika kuin siitä että siihen aina palataan, etenkin värsyjen lopussa. Se on kuin ihmisen perustaajuus, formantti 0 mihin puhemelodia puheen lopussa laskeutuu. ellauri294.html on line 253: icture-in-picture; web-share" allowfullscreen> ellauri294.html on line 384: Hollywoodin ohjaajat käyttivät hänen maalauksiaan lähdemateriaalina näkemyksensä muinaisesta maailmasta elokuvissa, kuten DW Griffithin Suvaitsemattomuus (1916), Ben Hur (1926), Cleopatra (1934), ja ennen kaikkea Cecil B. DeMillen eeppinen remake Kymmenestä käskystä (1956). Todellakin, Jesse Lasky Jr. , The Ten Commandmentsin toinen käsikirjoittaja, kuvaili, kuinka ohjaaja tavallisesti levitti Alma-Tadema-maalausten vedoksia ilmaistakseen lavastussuunnittelijoilleen haluamansa ilmeen. Oscar-palkitun roomalaisen eepos Gladiator suunnittelijat käyttivät Alma-Tademan maalauksia keskeisenä inspiraation lähteenä. Alma-Tademan maalaukset olivat myös inspiraationa Cair Paravelin linnan sisustukseen vuoden 2005 elokuvassa The Chronicles of Narnian: The Lion, the Witch and the Wardrobe . Ei siis mikään turha jäbä! ellauri294.html on line 412: icles_-_Strange_People_-_Umbrella_Foot_%28XIIr%29.jpg" /> ellauri294.html on line 440: CS Lewis esittelee monopodeja kirjassa The Voyage of the Dawn Treader, joka on osa hänen lastensarjaansa The Chronicles of Narnian. ellauri294.html on line 471: icilla%2BAquila%2B%2528125%2529.jpeg" height="300px" /> ellauri294.html on line 485: Tämä hyvä, mutta oli kiperämpiäkin kymysyxiä. Saiko syödä muiden jumalien ruuantähteitä? Oli myös naisia koskevia vaikeuxia, jotka Patu napakasti ratkaisi: Naisen pitää peittää pää vallanalaisuuden merkixi. Siitä näkee että se jo kuuluu jollekin. Hunnuttomia naisia saa ilman muuta survaista, ne on public domainissa. No on 1 Kor. ihan siistejäkin läppiä kaiken sälän joukossa. Kakkoiskirjeessä on kiukkuisia kohtia, ilmeisesti Patu oli saanut huonon vastaanoton jossain välissä. ellauri294.html on line 497: icture-in-picture; web-share" allowfullscreen> ellauri294.html on line 527: Kun nuori punakettu on jäänyt orvoksi, Big Mama pöllö (Thornton) ja hänen ystävänsä, Dinky peippo ja Boomer (sic) tikka, järjestävät hänet adoptoitavaksi ystävälliselle maanviljelijälle nimeltä leski Tweed, joka antaa hänelle nimen Tod. Sillä välin hänen naapurinsa, metsästäjä Amos Slade, tuo kotiin nuoren koiranpennun nimeltä Copper ja esittelee tämän metsästyskoirallensa Chiefille, joka ensin ärsyttää häntä, mutta oppii sitten rakastamaan häntä. Eräänä päivänä Tod ja Copper tapaavat ja heistä tulee parhaita ystäviä, jotka lupaavat ikuisen ystävyyden. Amos turhautuu Copperiin, koska se vaeltelee jatkuvasti leikkimään, ja laittaa hänet hihnaan. Leikkiessään Kuparin kanssa pipu ulkona, Tod herättää vahingossa päällikön. Amos ja päällikkö jahtaavat häntä, kunnes Tweed pysäyttää heidät. Riidan jälkeen Amos uhkaa tappaa Todin, jos tämä loukkaa jälleen hänen omaisuuttaan. Metsästyskausi tulee ja Amos vie Chiefin ja Copperin erämaahan väliaikaisesti. Sillä välin Big Mama, Dinky ja Boomer yrittävät selittää Todille, että Copperista tulee pian hänen vihollisensa. Hän kuitenkin naiivisti vaatii, että he pysyvät ystävinä ikuisesti. Seuraavana keväänä Tod ja Copper saavuttavat aikuisuuden ja keskinäisen sukupuolionnen. ellauri294.html on line 537: Time - lehden Richard Corliss kehui elokuvaa sen älykkäästä ennakkoluuloista kertovasta tarinasta. Hän väitti, että se osoittaa, että puolueelliset asenteet voivat myrkyttää jopa syvimmät suhteet, ja sen katkeransuloinen loppu antaa yleisölle voimakkaan ja tärkeän moraalisen viestin. Chicago Sun-Times -lehden Roger Ebert kehui myös sitä sanoen: "Kaikista tutuista ominaisuuksistaan huolimatta tämä elokuva merkitsee jotain lähtökohtaa Disney-studiolle, ja sen liike on mielenkiintoiseen suuntaan. Kettu ja Koira on yksi niistä suhteellisen harvoista Disneyn animaatioominaisuuksista, joka sisältää hyödyllisen opetuksen nuoremmalle yleisölle. Se ei ole vain söpöjä eläimiä ja pelottavia seikkailuja ja onnellinen loppu; se on myös melko harkittua mietiskelyä siitä, kuinka yhteiskunta määrää sukupuolisen käyttäytymisemme ja poliittisen kantamme." ellauri294.html on line 545: James Kendrick Q Network Film Deskistä totesi, että se "ei ole yksi studion parhaista ponnisteluista, mutta siitä huolimatta se on kiehtova tuote liennytyxen aikakaudelta sekä mielekäs lausunto ennakkoluulojen luonteesta." ellauri294.html on line 551: Richard Mooren piirtämä sarjakuvasovitus elokuvasta julkaistiin sanomalehdissä osana Disneyn Treasury of Classic Tales -ohjelmaa. Seurasi sarjakuva nimeltä The Fox and the Hound , joka sisälsi hahmojen uusia seikkailuja. Vuosina 1981–2007 tuotettiin muutamia Fox and the Hound Disney -sarjakuvatarinoita Italiassa, Alankomaissa, Brasiliassa, Ranskassa ja Yhdysvalloissa. ellauri294.html on line 589: Kirjailija ja urheilija Richard Alden Knight ylisti romaania ja totesi, että se "ylittää kaikki kirjoitukset, joita olen koskaan tavannut eläinten ajatteluprosesseista". ellauri294.html on line 613: Disneyn elokuvasovituksen tuotanto aloitettiin vuonna 1977, ja siitä tuli 1981 kallein animaatioelokuva, jonka hinta oli 12 miljoonaa dollaria. Elokuvan luomiseksi Disneyn silloinen toimitusjohtaja Ron Miller päätti käyttää pääasiassa uusia kykyjä debytoimaan elokuvassa, sillä yrityksen pioneerit, joita kutsutaan "yhdeksäksi vanhaksi mieheksi", olivat lähestymässä eläkkeelle siirtymistä. Animaattorit ja käsikirjoittajat olivat pääasiassa uusia, samoin kuin elokuvaohjaajat Art Stevens, Ted Berman ja Richard Rich. Se olisi viimeinen elokuva horiskoille Ollie Johnston, Frank Thomas ja Woolie Reitherman, joita pidetään Disneyn "legendoina", jotta he voisivat vielä vapisevin maxaläikkäisin käsin työskennellä. Siirtyminen vanhan kaartin ja uuden välillä johti kuitenkin kiistoihin elokuvan käsittelystä. Reithermanilla oli omat ideansa käytettävistä malleista ja asetteluista; uudempi tiimi kuitenkin tuki Stevensiä, paitsi Don Bluth, jonka mielestä Disneyn työ oli vanhentunut. Bluth käveli ulos, otti yksitoista muuta mukaansa ja perusti oman animaatiostudion. Animaattorien pakosta poistuminen pakotti perumaan elokuvan alkuperäisen joulun 1980 ensi-illan samalla kun uusia taiteilijoita palkattiin. ellauri294.html on line 625: Ylipainoinen DeLuise kuoli unissaan munuaisten vajaatoimintaan 4. toukokuuta 2009 Saint Johnin terveyskeskuksessa Santa Monicassa, Kaliforniassa, 75 -vuotiaana. Hän oli taistellut syöpää vastaan yli vuoden ennen kuolemaansa ja kärsi myös korkeasta verenpaineesta ja diabeteksesta. ellauri294.html on line 637: ic-prod.azureedge.net/altdk-cache/e/1/a/2/1/a/e1a21a90fde11f02d0510c04a976961788ab8332.jpg" height="200px" /> ellauri294.html on line 668: 1901 Margaret Mead on syntynyt 16. joulukuuta. 1924 Mead valmistuu maisteriksi Columbian yliopistosta. 1925 Mead aloittaa ensimmäisen kenttätyönsä opiskelemalla nuoria tyttöjä Samoalla. 1926 Mead nimitetään etnologian apulaiskuraattoriksi American Museum of Natural History -museoon. 1928 Coming of Age in Samoa julkaistaan. 1929 Mead matkustaa Uuteen-Guineaan tutkimaan Manus-kansaa. ellauri294.html on line 673: ics/amelia-newport-margaret-mead-2.jpg" height="100%" style="position:absolute;left:200px" /> ellauri297.html on line 6: font-style: italic; ellauri297.html on line 44: Materialism is the butt of every Dad joke. A child comes to the father of their youth, and say, “Dad, I’m hungry,” to which the beloved father figure replies, “Hello Hungry, I’m Dad!” It pokes fun at the idea that our whole identity could be the sum total of our physical markers, desires and chemical reactions. This would be akin to someone ‘coming out,’ to us and us responding, “Hello Gay! I’m Cis!” It’s ludicrous! But, our culture still does it–quite a bit, actually. We define ourselves and others concretely based on what we own rather than on what we cannot see; our souls. ellauri297.html on line 46: So the next time someone asks, “whose hungry,” and the group all responds extatically, “I AM!!” Have the bravery to gasp audibly and retort, “It must have been a popular name that year!” --- Daniel L. Bacon, bringing home the bacon to Cavanagrow, Northern Ireland. Experience: ellauri297.html on line 48: Founder, Ammi Ruhama Community Christian Union. Living History Interpretor. Baker. Milford Baby and Toddler Group Organizer. Bada Bing Pizza Chef. Sunnymead Residential Home Kitchen Assistant. Be Life Cafe and Marketplace Operations Personnel. Summit Christian Academy Steward. I vacuum the hallways, library, music room and preschool room. I clean the bathrooms and mop the gym/cafeteria floor. I also maintain the general premises. Dan the Handy Man. Do you need handy work done around your house, but don't want to have to call in the big guys with the big price? My name is Daniel Bacon and I am an experienced handy man living right here in Clarks Summit. If you need your lawn cut, bushes trimmed, garden weeded, fence painted / stained or just about any other job done, then call me at 570-585-9595 or email me at contactdanielbacon@gmail.com and we'll set up a time for me to come and see if I am the right man for the job. Wait! let me…Show more... (Ouch!) I emptied the front cash register as well as filling in as a sandwich maker. I created schedules and activities for the campers and staff to participate in. I also led worship during the evenings. Student janitor. ellauri297.html on line 66: ic/190314/lygia/image_4.jpg" /> ellauri297.html on line 87: icles/DSC_0007.jpeg" width="70%" /> ellauri297.html on line 98: Hoosea oli pitkän linjan profeetta, sillä hän toimi yhteensä noin 40 vuoden ajan. Hänen keskeisin tehtävä (sic) kohdistui pohjoisen Israelin varoittamiseen tulevasta tuomiosta kansan vakavan juopumuksen tähden. Kansalla oli kaamea jano. Hoosean perhetaustasta emme tiedä paljoakaan. Sen sijaan hänen perhe-elämänsä tulee hyvin tutuksi, sillä se oli esikuvana Jumalan ja Israelin välisestä liitosta: Hoosean tuli ottaa itselleen haureellinen vaimo, joka sai lapsia toisista miehistä. Lapsille tuli antaa nimet, jotka kuvasivat kansan juopumusta ja rikkoutunutta isäsuhdetta Jumalaan. Nimet olivat: Jumala siementää, ei armoa, ei meikäläisiä. Ahaa, siinä selvisi kuka oli lasten biologinen isä! ja Hoosean tuli olla uskollinen. Vaikka hänen avioliitto (sic) rikkoutui kerran, hänen tuli vielä uudelleen ottaa, jopa lunastaa maksua vastaan uskoton vaimonsa takaisin. Mitä vittua! Hyvää rahaa huonon perään! Hoosean syvä tuska ilmensi Jumalan syvää tuskaa oman kansansa tähden. Että tulikin ruiskastua tällänen. ellauri297.html on line 313: etkä enää puhuttele Hooseaa: 'Minun Hoosea (sic)'; ellauri297.html on line 373: Ex-Oldest Man In The World Dead In NYC At 111; He Put On Tefillin Two Months Ago For First Time Since His Bar Mitzvah, but it did not help. He is dead. World’s oldest man living confirmed as Juan Vicente Pérez aged 112 in Venezuela. Bugger it. Besides agriculture, one of Juan's most important passions is to build a strong relationship with God and his family. He is grateful for his life, as well as the food and the people that surround him. ellauri297.html on line 375: Imich spent his career as a chemist, ultimately trying to prove to other scientists that the neshama (soul) survives physical death. In 1995, at the age of 92, he edited and published a book called Incredible Tales of the Paranormal. ellauri297.html on line 376: Born in Poland in 1903, Imich underwent his schooling there, including earning a Ph.D. in chemistry 1927. He survived two World Wars, the Holocaust and two years in a Russian labor camp near the White Sea, before surviving another lifetime in the U.S. with his wife, Wela. She passed away in 1986. ellauri297.html on line 378: A 30-year-old rabbi helped Imich wrap tefillin. He had lost his hearing aids at the hospital, which made communicating difficult; nevertheless, the two men connected the tefillin ok. Imich had not put on tefillin since his Bar Mitzvah—nearly 100 years ago—in Czestochowa, Poland. ellauri297.html on line 401: Check the condom periodically during use for breaks. If a condom breaks or comes off during sex, replace it immediately and consider using emergency contraception such as the emergency contraception pill if your partner can get pregnant An emergency contraception pill (sometimes called the morning-after pill) prevents pregnancy before it happens by delaying ovulation or blocking fertilization; it is not an "abortion pill." ellauri297.html on line 403: icle9772180.ece/ALTERNATES/s615b/Bizarre-body-condom-on-sale-in-second-hand-Facebook-group.jpg" /> ellauri297.html on line 414: icture-id509659694?k=6&m=509659694&s=612x612&w=0&h=Ptg_b89knepvaTKRUgXyAd1Hsxq8oL-cQk7BdwuVLHI=" /> ellauri297.html on line 461: (Katso kaikki kohdat vielä pienemmällä präntillä, jotka on kuvattu yksityiskohtaisesti Developing Biblical Traditions -osiossa ) ellauri297.html on line 502: Kevättalvella 1948 Neuvostoliitto solmi ystävyys-, yhteistyö- ja avunantosopimukset Romanian ja Unkarin kanssa, ja Tšekkoslovakiassa kommunistit tekivät vallankaappauksen. Paasikivi sai 23.2.1948 Stalinilta kirjeen, jossa ehdotettiin neuvotteluja samanlaisesta sopimuksesta, jollaisen venäläiset olivat solmineet Romanian ja Unkarin kanssa ”yhteisen turvallisuuden järjestämiseksi”. Paasikivi tarttui epäilysten ja pelkojen täyttämässä ilmapiirissä ohjiin ja ryhtyi johtamaan Helsingin YYA-neuvottelujen valmistelukokouksia. Moskovaan lähteneen valtuuskunnan venäläisille vastaukseksi esittämä sopimusluonnos syntyi pitkälti Paasikiven ja kenraali Heinrichsin yhteistyön tuloksena vuoden 1948 alusta alkaen. Stalinin kirjeen jälkeen Heinrichs laati muistion, jonka periaatteellisesti tärkeät linjanvedot Paasikivi omaksui. Heinrichsin ja Paasikiven laatimat ehdot veivät neuvottelupöytään presidentin omat miehet Urho Kekkonen ja J.O. Söderhjelm. ellauri297.html on line 552: ic.mvlehti.net/uploads/2017/11/tintti-afrikassa-kuvakaappaus.jpeg" /> ellauri297.html on line 567: Olli on julkaissut aimo läjän reportaasheja ja vizikirjoja. Hän harrastaa kirjallisuutta, elokuvia, raviurheilua ja sikareita. Olli on Helsingin Suomalaisen Klubin johtokunnan jäsen vuodesta 2005 ja varapuheenjohtaja vuodesta 2009. Ollilla on professorin arvonimi. Another Olli Alho (Valmari) was a Finnish hurdler. He completed the men's 110 metres hurdles at the 1952 Summer Olympics. Suomalaisten Onnela oli Dar Es Salaamissa. Siellä suomalaiset miehet nussi mustia jotka olivat kuin lapsinaisia. Laiskat lakukepit lahjottiin viinapulloilla. Koillis-Suomen luostarit oli Lönnrotin käydessä pikemminkin rosvopesiä, viinaa tinkasivat. Kylät täynnä porovarkaita. Pelkkää roskajoukkoa. Sanoivat kuin ritarit Monty Pythonissa: Ni ni, se on meillä tapana. ellauri297.html on line 574: Pressen i Cannes fick vänta ungefär en kvart på att Aki Kaurismäki skulle anlända till pressrummet. Glad lufsar han sedan in med sina skådespelare Alma Pöysti och Jussi Vatanen i följe, just så slapstick-rolig som han har rykte om sig att vara. Och väldigt anspråkslös. ellauri297.html on line 606: Martela väitteli soveltavan filosofian ja organisaatiotutkimuksen tohtoriksi Aalto-yliopistossa vuonna 2012 ja käytännöllisen filosofian tohtoriksi Helsingin yliopistosta vuonna 2019 Hän opiskeli Esa Saarisen johdolla ja on tehnyt tutkimusta Yhdysvalloissa motivaatiopsykologian keulahahmoihin kuuluvan Richard Ryanin johdolla. Martelan ensimmäinen väitöskirja koski vanhustenhoidon työntekijöiden merkityksellisyyden kokemusta ja niin kutsutun "hoivayhteyden" syntymisen ehtoja. Hänen akateemisia tutkimuksiaan on julkaistu mm. Nature Human Behaviour, Journal of Personality, Southern Journal of Philosophy, ja Organization Studies -lehdissä. ellauri297.html on line 640: ichard-ryan-600x400_acu_RT_HiRes.png/440px-Richard-ryan-600x400_acu_RT_HiRes.png" /> ellauri297.html on line 652: Richard M. Ryan on professori Myönteisen sielutieteen kasvatuslaitoxessa Australian aika virtuaalisessa katolisessa yliopistossa ja tutkimusprofessori Rochesterin yliopistossa sekä sen apinoiden motivointiohjelman "vetäjä". Hän ansaitsisi selkäänsä. Hänellä on mm. BA-tutkinto Connecticutin yliopistosta. Ryan on kliininen psykologi ja yhteiskehittäjä Edward L. Decin kaa Izemääräysteorialle (SDT) , yksi omien sanojensa mukaan vaikutusvaltaisimmista ihmisen motivaatioteorioista länkkäreissä. SDT on motivaation, psykologisen kehityksen ja hyvinvoinnin makroteoria. Teoria on synnyttänyt perustutkimuksen sisäisestä ja ulkoisesta motivaatiosta sekä tahdonvoimaisen motivaation edistämisestä ja heikentämisestä. SDT:tä on sovellettu laajasti tutkimukseen ja interventioihin työorganisaatioissa, kouluissa, kliinisen puhtaissa ympäristöissä, virtuaaliympäristöissä, vankiloissa, urheilussa med mera. ellauri297.html on line 655: Hänen kirjaansa Intrinsic motivation and self-determination in human behavior , joka hän on kirjoittanut yhdessä Edward L. Decin kanssa vuonna 1985, on Google Scholarin mukaan siteerattu yli 37 000 kertaa (omat siteerauxet mukaanlukien). ellauri297.html on line 660: Myönteinen sielutiede on tieteellinen tutkimus siitä, mikä tekee elämästä elämisen arvoisimman, keskittyen sekä yksilölliseen että yhteiskunnalliseen hyvinvointiin. Myönteinen sielutiede alkoi uutena psykologian alana vuonna 1998, kun Martin Seligman valitsi sen teemaksi hänen toimikautensa American Psychological Associationin puheenjohtajana. Se on reaktio menneitä käytäntöjä vastaan, jotka ovat yleensä keskittyneet mielenterveysongelmiin ja kannustaneet sopeutumatonta käyttäytymistä ja negatiivista ajattelua. Se perustuu Abraham Maslowin, Rollo Mayn, Dean Martinin ja Carl Rogersin humanistiseen liikkeeseen, joka kannustaa korostamaan onnellisuutta ja hyvinvointia,ja positiivisuutta, mikä luo perustan myönteisellä sielutieteelle. ellauri299.html on line 6: font-style: italic; ellauri299.html on line 83: Siinä suhteessa se on kollegansa Topelbergin linjoilla, vaikka vastakkaisista lähtökohdista. Gershwin on persoonallisuustyyppiä ESTP (kz. albumia 159). ESTP:t ovat innokkaita seikkailijoita, jotka nauttivat käytännön kokemuksista. He ovat realisteja, jotka hyväksyvät maailman sellaisena kuin se on ja keskittyvät nauttimaan uusista toiminnoista ja haasteista. Kuuluisia ESTP-kirjoittajia ovat Sir Arthur Conan Doyle, Glenn Beck, Bret Easton Ellis, markiisi de Sade, Ernest Hemingway, John Grisham, Dale Carnegie, Stephen R. Covey, Epicurus ja Rhonda Byrne. ellauri299.html on line 91: Helppohan se on jälkikäteen ennustaa, kuten nähtiin Danielin kirjassa. Niinkuin tää palestiinalaisten laivan räjäytys: Sol Phryne [nimi oli kirjoitettu "Sol Friner" Topolin plärässä, joka on nähtävästi käännetty "venäjänkielisestä alkuteoxesta The Kremlin Wife"] was built in Japan in 1948 as Taisetsu Maru. From 1967 to 1974, she was owned by Efthymiades Line and used for regular ferry duties between Greek islands as Eolis. In 1974, she was purchased by Sol Maritime Services Ltd., renamed Sol Phryne and was then used in the Middle East, notably evacuating Palestinian guerrillas from Beirut in 1982. She was sunk during an attempt to ferry Palestinian deportees to Haifa, Israel. ellauri299.html on line 93: In 2011 the Journalists Dan Margalit, Ronen Bergman published a book, in which they claimed that Israel's Shayetet 13 unit, was responsible for the bombing of the Sol Phryne. And that Israel's Minister of Education Yoav Galant was the commander of the operation. The mockies of course deny everything. ellauri299.html on line 95: The Free Gaza Movement (FGM) was a coalition of human rights activists and pro-Palestinian groups formed to break Israel´s blockade of the Gaza Strip and publicise the situation of the Palestinians there. FGM challenged the Israeli–Egyptian blockade by sailing humanitarian aid ships to Gaza. The group had more than 70 endorsers, including Desmond Tutu and Noam Chomsky. Hagit Borer oli siellä Nompan kanssa samassa veneessä. ellauri299.html on line 100: jäsenenä. Eli North siis oli kansallisen turvallisuusneuvoston jäsen (muistinko mainita) 1980-luvun lopun poliittisen skandaalin, Iranin ja Contran välillä. Se sisälsi aseiden laittoman myynnin Iranin islamilaisen tasavallan Khomeinin hallinnolle, jotta edistettiin Libanonissa tuolloin pidettyjen amerikkalaisten panttivankien vapauttamista. North muotoili suunnitelman toisen osan, jonka tarkoituksena oli ohjata asemyynnistä saadut tulot Nicaraguan Contra-kapinallisten tukemiseen, mikä oli nimenomaisesti kielletty Boland - muutoksen nojalla. Northille myönnettiin rajoitettu syytekoskemattomuus vastineeksi todistamisesta kongressille suunnitelmasta. Hänet tuomittiin alun perin kolmesta rikoksesta, mutta tuomiot kumottiin ja kaikki häntä vastaan nostetut syytteet hylättiin vuonna 1991. Hyvä mies, oikealla asialla vaikka vähän rähmäisillä aseilla. ellauri299.html on line 113: Sinänsä hämmästyttävää että Grishman edes vaivautuu kirjoittamaan tollaisista surkimuxista. Nehän on kuin jotain Hugon kurjia. Tai Dickensin köyhälistöä. Varmaan monet muutkin lukijoista ois tätä haukkuneet kuin Kakutani jos olisivat kehdanneet. Katotaas Goodreadsista, juu niinpä tietysti. Nide on juuri niin kökkö kuin noin 1% sen lukeneista yhden tähden antaneista Goodreadsissa todistaa: ellauri299.html on line 119: Candice: (selkeästi neekeri) Tylsä. Saarnaavaa. Sydäntäsärkevä. Ällöttävä. Erityisen inhottavaa oli päähenkilön rasismi. Oli huomautuksia tuomaristosta, joka koostui "12 mustasta kasvosta" (koska DC:ssä ei voi olla valkoisia ihmisiä, eikö niin?) ja epäuskoinen ajatus "komea valkoinen poika heitetty kuoppaan!" ja "kyseiset kengät olivat vanhoja Niken crosstrainereita. Ne eivät olleet koripallokengät, eikä niiden olisi pitänyt houkutella [häntä.]" (koska KAIKKI mustat pelaavat koripalloa, eikö?) Ugh. ellauri299.html on line 120: Michael Brock on saattanut kehittää omantunnon vahingossa, mutta hän ei onnistunut kehittämään persoonallisuutta. Hän oli tasainen ja tylsä hahmo, joka nyökkäsi ja vinkutti lakkaamatta. Pitikö minun olla sääli häntä kohtaan? En tehnyt. Ei hetkeäkään. Olen Grisham-fani - tai ainakin olin joskus - mutta en suosittelisi tätä kirjaa ihmisille, jotka etsivät trilleriä. Faktat kodittomuudesta ovat sydäntäsärkeviä, ja 14th Street Legal Clinicin kamppailut herättävät myötätuntoa, mutta muuten se ei ole lukemisen arvoinen. ellauri299.html on line 126: Seth: Jos minun pitäisi kuvailla "The Street Lawyeria" yhdellä sanalla, valitsisin sanan propagandaksi. Se kertoo tarinan juppijuristista nimeltä Michael Brock, joka järjestää elämänsä prioriteetit uudelleen sen jälkeen, kun koditon mies on pitänyt hänet panttivankina iltapäivän ajan. Hän eroaa korkeapalkkaisesta työstään, vaikka hän on vain parin vuoden päästä kumppanin hankkimisesta - ja menee töihin ilmaiselle oikeusklinikalle, joka auttaa kodittomia. Hän uskoo vanhan yrityksensä olevan osittain vastuussa kodittoman perheen kuolemasta, joten hän tekee rikoksen matkalla ulos ovesta, joka auttaa häntä selvittämään asian. Ja niinpä kirjan loppuosassa hän yrittää saada vanhan yrityksensä ennen kuin he saavat hänet. Se ei todellakaan ollut jännittävä matka. Luulen, että Grisham halusi vain kirjoittaa kirjan kodittomista ihmisistä. Konfliktin ratkaisu on, että he sopivat tuomioistuimen ulkopuolella. Vau! Mikä huipentuma! Ei yhtään autojahteja! Ei aseita, ei murhia! Vitun haukotuttavaa. ellauri299.html on line 127: Oli alajuoni, jossa Michaelin avioliitto yuppie vaimonsa kanssa on päättymässä. Hän tulee jatkuvasti esiin tarinassa siellä täällä, ja olin puoliksi odottanut heidän ehkä sovittavan, mutta se vain menee siihen pisteeseen, ettei häntä enää mainita. Jonkinlainen pettymys. Sen sijaan hän pitää tästä toisesta kodittomasta ristiretkeläisestä, jolla on noin yksi rivi koko kirjassa. En pitänyt päähenkilöstä yhtään. Hän oli pääliigan tyhmä pupu. En pitänyt hänestä, kun hän oli rikas asianajaja, enkä pitänyt hänestä, kun hän oli köyhä asianajaja. Kirja oli ihan ok. Se ei todellakaan kuulunut Grisham "laillisen trillerin" genreen. Mitään jännittävää ei koskaan tapahtunut - se oli vähän kuin "The Chamber" siinä suhteessa. Lopussa olin vain eräänlainen: "Kuinka monta tuntia käytin sen lukemiseen?" ellauri299.html on line 131: 1) Michael, päähenkilö, on erittäin epämiellyttävä hahmo. Hän ja hänen vaimonsa tulevat vieraiksi, koska kumpikin työskentelee liikaa. Hänestä tulee varas, vaikka hän todella aikoi palauttaa "lainatun" tiedoston ilman lupaa. Panttivangiksi ottamisen jälkeen Michael "näkee valon" ja jättää erittäin menestyksekkään uransa, joka on yli 120 000 dollaria vuodessa hyvällä kumppanuuskumppanuudella muutaman vuoden sisällä. Hänestä tulee katulakimies 30 000 dollarilla vuodessa. Oletko tosissasi? Tämä on vain niin uskomatonta! ellauri299.html on line 134: Kerri: Kun luin tämän kirjan ensimmäisen kerran (vuosia ja vuosia sitten), muistan lukeneeni sen kaiken yhdessä päivässä ja ajattelin: "Vau! Se oli niin voimakasta!" Luin sen vihdoin uudestaan ja se ei kestänyt. Michael on hurskas, pyhämpi kuin sinä, jolla on suuri "valkoisen miehen pelastaja" -kompleksi. Hän viittaa pyhimyksensä muutaman kerran ja siihen, kuinka häntä ei voida arvostella siitä, että hän teki niin hyvän ja jalon asian uhraamalla itsensä vähemmän onnekkaiden auttamiseksi. Ja hän aikoo pelastaa Kaikki! Hän on niin upea ja täynnä itseään. Olin iloinen, että hän lopulta osti itselleen sängyn, koska se oli vähän paljon. Hänen entiset työtoverinsa ovat nyt kaikki "pahiksia" koko kirjan ajan lähes loppuun asti, jolloin hän yhtäkkiä tuntee olonsa pahaksi, koska useimmat heistä ovat viattomia ja tietämättömiä ja se oli TODELLA VAIN Chance, joka oli pahis... Pidän siitä, että se tuo esiin vakavia kodittomuuden ahdinkoja ja että asiat eivät maagisesti muutu, elleivät kaikki ala ottamaan sitä vakavasti. (Se olisikin todella maagista...) Mutta todella, se on ainoa lunastava tekijä. ellauri299.html on line 148: Michael Vattenfall: Very disappointing. I would expect a Grisham book to be lighter reading, but this was totally unconvincing and lacked believability. The whole purpose of the book is based upon the transformation of the main character's view of the homeless, but I didn't buy it. Well I did, but I regret it now. Money completely wasted. ellauri299.html on line 156: Anie: After 130 pages of preaching, with no plot in sight, I gave up. This book is so full of platitudes, generalizations, and simplistic solutions that it belongs in the harlequin category. There are too many good books with great plots out there to waste any more time on this book. ellauri299.html on line 173: Shelters are key components of America’s response to homelessness. The unsheltered population has grown yearly since 2015, amounting to a 35 percent increase over a seven-year span. In 2020, The number of people living in poverty in The U.S. of A. increased by approximately 3.3 million people. This trend continued into 2021 when nearly 41.4 million people, or 12.8 percent of the U.S. population, were counted in this group. Certain racial groups have even higher rates of poverty, including Black people (21.8 percent), American Indian and Alaska Native people (21.4 percent), and Hispanics/Latinos (17.5 percent). People living in poverty struggle to afford necessities such as housing, food, and medical care. ellauri299.html on line 175: For over a decade, the nation has not made any real progress in reducing the number of Americans at risk of literal homelessness. Despite decreasing trends in people living doubled up overall, the rise in severe housing cost numbers are concerning. Even more troubling are the risks that inflation rising to a 40-year high in 2022, expiring eviction moratoria, and fading Emergency Rental Assistance dollars pose to those at risk of experiencing homelessness. ellauri299.html on line 176: In 1984, Snyder endured a fifty-one-day hunger strike to call attention to the neglect of the homeless. With his reelection a month away, President Reagan boldly announced his plans to turn the building into a model shelter for the homeless. Snyder ended his strike. Everyone was happy. After the election, Reagan went back on his promise, and all sorts of nasty litigation ensued. Snyder committed suicide on 1990. ellauri299.html on line 234: Apinan apina-arvo mitataan rahaläjällä jonka se ehtii koota pepun alle ennen kuolemaa. Siihen liittyen, tosi hienoa että Titanicin ruumiita kumilaulailemaan menneet miljonäärit sai ansionsa mukaan. Törkymeediat antoi niille enemmän palstatilaa kuin 700 köyhän pakin säälittävälle hukkumiselle matuveneen haaxirikossa. ellauri299.html on line 256: - Se ei ole edes lähellä, Mordokai sanoi. - Saan niin paljon irti valamiehistöstä yhdestä kuolleesta lapsesta." He vajosivat istuimilleen. Hän jatkoi oikeuden häpäisyä runtaten melkein kaiken Rafterin aika pienen raportin sisällön. Hän ei välittänyt siitä, mitä tuomaristot tekivät Dallasissa tai Seattlessa, eikä hän ymmärtänyt mitä väliä sillä oli. Hän ei ollut kiinnostunut Omahan oikeudenkäynnistä. Hän tiesi, mitä hän voisi tehdä valamiehistön kanssa Districtissä, ja se oli ainoa asia. Jos heidän aikoivat ostaa tiensä halvalla, hänen on aika lähteä. ellauri299.html on line 282: Lake opiskeli lääketiedettä Edinburghin yliopistossa ja valmistui lääketieteen ja kirurgian tutkinnoista vuonna 1937. Lähetystyötä silmällä pitäen hän opiskeli parasitologiksi Liverpool School of Tropical Medicine -koulussa ja sovitettiin Church Mission Society -seuraan palvellakseen Intiassa. ellauri299.html on line 284: Lake muutti suuntaa parasitologiasta psykiatriaan sen jälkeen, kun hänet nimitettiin Madrasin Christian Medical Collegen superintendentiksi. Hulluja on helpompi käännyttää kuin lapamatoja, jotka valmiixi elävät jo toivossa. ellauri299.html on line 286: Hänen uskollisuutensa oli psykoanalyysin kohdesuhteiden koulukunnalle. Hän uskoi, että alkion kehityksen ensimmäinen kolmannes oli tärkein osa ihmisen elämää. Häntä rohkaisi Fodorin, Peerbolten, Mottin, Donald Winnicottin ja Swartleyn synnytystä edeltävien ja perinataalisten vaikutusten tutkiminen. Hän kritisoi Freudin näkemystä, joka ensin tuki Rankin painotusta syntymätraumalle. ellauri299.html on line 296: Jerzy Popiełuszko ( puolalainen ääntäminen: [ˈjɛʐɨ popʲɛˈwuʂkɔ] , syntynyt Alfons Popiełuszko; 14. syyskuuta 1947–19. lokakuuta 1984) oli puolalainen roomalaiskatolinen pappi, joka liittyi Puolan oppositio -ammattiliittoon Solidarity anticommunistina. Hänet murhasi vuonna 1984 kolme Służba Bezpieczeństwan (sisäasiainministeriön turvallisuuspalvelu) agenttia. Heidät tuomittiin pian sen jälkeen ja tuomittiin murhasta. Syyllisiä tuomittiin, mutta vieläkään ei tarkoin tiedetä, mitkä tahot olivat murhan toimeksiantajia. Tuomitut ovat vapaalla jalalla jo aikapäiviä. ellauri299.html on line 298: Katolinen kirkko on tunnustanut hänet marttyyriksi, ja arkkipiispa Angelo Amato julisti hänet autuaaksi 6. kesäkuuta 2010 paavi Benedictus XVI:n puolesta. Hänen esirukouksensa aiheuttamaa ihmettä, jota vaaditaan hänen pyhimyksexi asettamisexeen, on haettu kissojen ja koirien avulla. ellauri299.html on line 302: Leviticus 15:16 ellauri299.html on line 335: Rubinin esiintyminen edustajainhuoneen Un-American Activities Committeen (HUAC) kuulemistilaisuuksissa on hyvä esimerkki Yippien painottamisesta poliittisen protestin toteuttamiseen teatterina ja mahdollisimman paljon huomion kiinnittämisestä erimielisyyksiinsä muuttamalla se spektaakkeliksi. ellauri299.html on line 341: Yippiesin "sissiteatteri" onnistui jälleen kerran, kun vuoden 1968 demokraattisen kansalliskokouksen aikana Kansainvälinen nuorisopuolue nimitti oman ehdokkaansa presidenttiehdokkaaksi. Ehdokas oli Pigasus the Immortal, 145-naulainen (66 kg) sika, joka heidän mielestään oli sopiva vaihtoehto Richard Nixonille, varapresidentti Hubert Humphreylle ja Alabaman kuvernöörille George Wallacelle. Pigasuksen ensimmäisen lehdistötilaisuuden virallisissa esittelyissä Rubin, pitäen ehdokasta sylissään, vaati hänelle salaisen palvelun suojaa ja Valkoiseen taloon ulkopoliittista tiedotustilaisuutta. Hän lupasi myös Pigasuksen puolesta reilun vaalikampanjan ja jos Pigasus voittaisi vaalit, hänet syödään. Tämä, Rubin väitti, kääntäisi tavanomaisen demokraattisen prosessin, jossa sika valitaan "ja syö kansansa". ellauri299.html on line 360: Chicagon poliisimellakassa 1968 mätkittiin jo 1500 tyyppiä. Chicagon seizikon oikeudenkäynnistä tuli puhdasta puskafarssia. Huolimatta kaatumisvaarasta Rubin poltti marihuanaa ennen oikeudenkäyntiä. "Minua kivitettiin paljon oikeudenkäynnissä, koska se oli niin täydellistä teatteria – historian eturivin istuin – ja marihuana tehostaa jokaista kokemusta." Hölmö tuomari Hoffman lisäsi vauhtia spektaakkeliin. Tuomari Hoffman määräsi muun muassa, että Black Panther -johtaja Bobby Seale sidotaan, sidotaan ja ketjutetaan tuoliinsa huomattavan osan oikeudenkäynnistä. Olihan se hauskaa aikansa, mutta pitkässä juoxussa yrittäjyys tuo parempaa katetta, tuumi Jerry viisastuttuaan ja rupesi juppiexi. Teit'isäin astumaan. ellauri299.html on line 414: Thomas Hobbes (1588–1679), whose current reputation rests largely on his political philosophy, was a thinker with wide-ranging interests. In philosophy, he defended a range of materialist, nominalist, and empiricist views against Cartesian and Aristotelian alternatives. ellauri299.html on line 415: Descartes suggested that Hobbes was more accomplished in moral philosophy than elsewhere, but also that he had wicked views there (Descartes 1643, 3.230-1). Descartes also worried that Hobbes was "aiming to make his reputation at my expense, and by devious means" (Descartes 1641b, 100). ellauri299.html on line 430: Vaikka Mersenne oli Quaestionesissa vihjannut tulevasta toisesta teoksesta (" perfectum opus "), sitä ei koskaan kirjoitettu. Minimalisti alkoi tulla vanhemmiten epäilevälle kannalle. Ei sitä ehkä voikaan todistaa more geometrico. Mersenne vastusti ajatusta äärettömästä universumista. Giordano Brunon väittämän kaltainen ääretön maailma olisi liian lähellä välttämätöntä Jumalan emanaatiota. Jumala oli kuitenkin vapaa tekemään mitä lystäsi. ellauri299.html on line 435: Mersennen pointti oli itse asiassa melko lähellä väitettä jumalallisesta kaikkivaltiudesta, jota paavi Urbanus VIII ehdotti Galileolle vuonna 1623 ja jonka Galileo, hieman ironisesti, laittoi Simplicion suuhun vuoden 1632 Dialogon loppulauseissa: Ihminen ei voi olettaa tietävänsä kuinka maailma todella on, koska Jumala olisi voinut saada aikaan samat vaikutukset tavoilla, joita ihmiset eivät kuvitelleet (ks. Galileo, 1890–1909, VII, 488). Kenties kaikki on vain huijausta, ne tekevät sen peileillä, vaan koska niitä huvitti tehä niin. ellauri299.html on line 497: icture-in-picture; web-share" allowfullscreen> ellauri299.html on line 501: icial Audio)" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri299.html on line 502: icture-in-picture; web-share" allowfullscreen> ellauri299.html on line 506: Jesse Byron Dylan (born January 6, 1966) is an American film director and production executive. He is the founder of the media production company Wondros and Lybba, a non-profit organization. He is also a member of the Council on Foreign Relations and TED. He is the son of musician Bob Dylan and former model Sara Lownds and brother of singer-songwriter Jakob Dylan. Dylan is separated from Susan Traylor, with whom he has a son and a daughter. Jesse on kohtuullisen pyylevä. ellauri299.html on line 508: Cowley ja Russell olivat väärässä. Ikuisen elämän lisäxi pitää muistaa erixeen pyytää ikuista nuoruutta ettei käy kuin Sibyllalle. T. S. Eliot Jätemaa intro: Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent: Sibylla ti theleis; respondebat illa: apothanein thelo. [I have seen with my own eyes the Sibyl hanging in a jar, and when the boys asked her " What do you want? " She answered, " I want to die. "] —Petronius, Satyricon ellauri299.html on line 517: icture-in-picture; web-share" allowfullscreen> ellauri299.html on line 521: Grisham ihmelettää ompasutena: What broke in our vast system of public assistance to allow Americans to become so poor they lived under bridges? ellauri299.html on line 523: The official poverty rate in 2021 was 11.6 percent, with 37.9 million people in poverty. Neither the rate nor the number in poverty was significantly different from 2020 (Figure 1 and Table A-1). ellauri299.html on line 524: The official poverty rate in 2020 was 11.4 percent, up 1.0 percentage point from 10.5 percent in 2019. ellauri299.html on line 526: 27 percent of households – nearly double the percentage that are income poor – are living in "asset poverty." These families do not have the savings or other assets to cover basic expenses (equivalent to what could be purchased with a poverty level income) for three months if a layoff or other emergency leads to loss of income. The U.S. has the weakest social safety net of all developed nations. Sociologist Monica Prasad of Northwestern University argues that this developed because of government intervention rather than lack of it, which pushed consumer credit for meeting citizens´ needs rather than applying social welfare policies as in Europe. ellauri299.html on line 528: Labor market polarization has been the most severe in liberal market economies like the US, Britain, and Australia. Countries like Denmark and France have been subject to the same economic pressures, but due to their more "inclusive" (or "egalitarian") labor market institutions, such as centralized and solidaristic collective bargaining and strong minimum wage laws, they have experienced less polarization. Cross-national studies have found that European countries´ working poverty rates are much lower than the US´s. Most of this difference can be explained by the fact that European countries´ welfare states are more generous. Grisham's folks gave offerings to the church because the Bible strongly suggested it. ellauri299.html on line 530: Matthew Desmond, the acclaimed Princeton sociologist and author of Evicted: Poverty and Profit in the American City, thinks that poverty has barely improved in the United States over the past 50 years — and he has a theory why. Laid out in a long essay for the New York Times Magazine that is adapted from his forthcoming book Poverty, by America, Desmond’s theory implicates “exploitation” in the broadest sense, from a decline in unions and worker power to a proliferation of bank fees and predatory landlord practices, all of which combine to keep the American underclass down. Relative poverty in the US has stagnated in the last 40 years. ellauri299.html on line 535: Income levels vary along racial/ethnic lines: 21% of all children in the United States live in poverty, about 46% of black children and 40% of Latino children. ellauri299.html on line 536: Income and wealth inequality bears significantly on poverty. Economist Jared Bernstein and Elise Gould of the Economic Policy Institute suggest that poverty could have decreased significantly if inequality had not increased over the last few decades. Economist Larry Summers estimated that at 1979 levels of income inequality, the bottom 80% of families would have an average of $11,000 more per year in income in 2014. ellauri299.html on line 538: A 2015 study by the Vera Institute of Justice contends that jails in the U.S. have become "massive warehouses" of the impoverished since the 1980s. Scholars assert that the transformation of the already anemic U.S. welfare state to a post-welfare punitive state, along with neoliberal structural adjustment policies, the globalization of the U.S. economy and the dominance of global financial institutions, have created more extreme forms of "destitute poverty" in the U.S. which must be contained by expanding the criminal justice system and the carceral state into every aspect of the lives of the poor, which, according to Reuben Jonathan Miller and Emily Shayman, has resulted in "transforming what it means to be poor in America." ellauri299.html on line 540: icbroadcasting.net/p/shared/npr/styles/x_large/nprshared/201402/268952932.jpg" width="70%" /> ellauri299.html on line 543: According to a 2017 academic study by MIT economist Peter Temin, Americans trapped in poverty live in conditions rivaling the developing world, and are forced to contend with substandard education, dilapidated housing, and few stable employment opportunities, not to mention drugs and hookworms. ellauri299.html on line 544: Scientists in Houston, Texas, have lifted the lid on one of America’s darkest and deepest secrets: that hidden beneath fabulous wealth, the US tolerates poverty-related illness at levels comparable to the world’s poorest countries. ellauri299.html on line 546: Some 12 million Americans live with diseases associated with extreme poverty. ellauri299.html on line 548: Poverty may be fueling the Obesity epidemic, with the poorest states, counties and neighborhoods having the highest death rates from heart disease, stroke, diabetes and other diseases related to obesity. For every $10,000 poorer a neighborhood is, the death rate of heart disease increases by 10%. ellauri299.html on line 550: The working poor fare even worse than the lazy shiftless ones. Two even three jubs are not enough to keep them out of poverty. Many low-wage service sector jobs require a great deal of customer service work. Although not all customer service jobs (e.g. litigation laywers) are low-wage or low-status, many of them are. Some argue [who? Marx and Engels maybe?] that the low status nature of some jobs can have negative psychological effects on workers, but others argue that low status workers come up with coping mechanisms that allow them to maintain a strong sense of self-worth. ellauri299.html on line 552: One coping mechanism is called boundary work, which happens when one group of people valorize their own social position by comparing themselves to another group, who they perceive to be still inferior in some way. For example, Newman (1999) found that fast food workers in New York City cope with the low-status nature of their job by comparing themselves to the unemployed, who they perceive to be even lower-status than themselves. ellauri299.html on line 556: Many [who? Marx and Engels maybe?] think that increasing the United States´ welfare state generosity would lower the working poverty rate. A common critique of this proposal is that a generous welfare state would not work because it would stagnate the economy, raise unemployment, and degrade people´s work ethic. ellauri299.html on line 558: According to the American Enterprise Institute, research has shown that income and intelligence are related. Stupid guys earn less than smarter ones. Stupid guys end in prison, smarter ones avoid it. ellauri299.html on line 578: Järkyttynyt löydöistään Brock jättää Drake & Sweeneyn menemään huonosti palkattuun paikkaan 14th Street Legal Clinicissä, joka pyrkii suojelemaan kodittomien oikeuksia. Tämä johtaa hänen siteensä katkeamiseen hänen aiempaan valkokauluselämäänsä , kun hänen jo kuoleva avioliitto päättyy virallisesti sovinnolliseen avioeroon. Brock sekaantuu myöhemmin emotionaalisesti Ruby-nimisen naisen tapaukseen, jonka huumeriippuvuus johti siihen, että hän menetti poikansa huoltajuuden. Hän tapaa myös nuoren kodittomien asianajajan nimeltä Megan ja he aloittavat suhteen. Drake & Sweeney seuraa Brockia varkauksien ja väärinkäytösten kanssaväitteiden vuoksi klinikka nostaa kanteen yritystä ja sen liikekumppaneita vastaan. Yritys tekee kaupan, jossa Brockin lisenssi keskeytetään väliaikaisesti, kun he tyytyvät suureen rahasummiin ja erottavat kumppanin, jonka toiminta johti nuoren perheen kuolemaan. ellauri299.html on line 582: Aiemminkin esiin putkahdellut hirveä oikislainen japsuämmä, USAn Toini Havu, Kakutani Michiko New York Timesista antoi romaanille kielteisen arvion, kun hän totesi, että "Grisham on liian kiireinen panostaakseen eteenpäin vaivautuakseen konkretisoimaan mitään näistä tapahtumista" ja kuvaili romaania "tuotenimiromaaniksi, jolla on epämiellyttävä sankari, räjähdysmäinen juoni ja jotain todella kauheaa proosaa." ellauri299.html on line 584: Vuonna 2003 julkistettiin suunnitelmat romaanin ehdotetusta pienestä näyttösovituksesta ja televisiopilotti kuvattiin. Touchstone Televisionin tuottaman ohjelman pääosissa oli Eddie Cibrian Brockina, KaDee Stricklandina, Mario Van Peeblesina ja Hal Holbrookina. Paris Barclay ohjasi pilotin, jonka käsikirjoittivat Brian Koppelman ja David Levien. Syistä, joita ei koskaan julkistettu, ohjelmalle ei koskaan annettu koko kauden esittelyä. Ihmekös tuo, 2003 oli vahva oikeistoaalto menossa, kun Paha puska paraikaa rynnäköi Irakissa. ellauri299.html on line 633: icos.muyinteresante.es/uploads/images/article/55365b6934099b0279c8f69c/tsunami_0.jpg" width="100%" /> ellauri300.html on line 5: font-style: italic; ellauri300.html on line 9: font-style: italic; ellauri300.html on line 37: ic;font-family:sans-serif;font-size:1em;color:grey;background:#eceae9;text-align:center;margin-top:0%;margin-bottom:0%">part 2 of ellauri300.html on line 40: ic.hollywoodreporter.com/sites/default/files/2016/01/shadows_prensa_final.jpg" width="100%" /> ellauri300.html on line 54: Shadows on the Hudson (original title Shotns baym Hodson) is a novel by Isaac Bashevis Singer. First serialized in The Forward, a Yiddish newspaper, it was published in book form in 1957. It was translated into English by Joseph Sherman in 1998. The book follows a group of prosperous Jewish refugees in New York City following World War II, just prior to the founding of the state of Israel. This article about a 1950s novel is a stub. You can help Wikipedia by expanding it. ellauri300.html on line 79: Si snart Boris kom hem gick han raka vägen till sitt lilla hönshus. Reytze klagade bittert över att han lät maten kallna men han lugnade henne med ett vänligt ord. I det här rummet med Den heliga arken, kandelabern och en bokhylla fylld med heliga böcker kände han sig hemma. Det var här han mötte sin ensamhet, det här var hans borg. Han hade ofta tänkt att han skulle vilja sluta sina dagar i ett rum som detta. Här fanns det en låspulpet och en sjuarmad ljusstake; på en bokhylla stod en åttaarmad Chanukka- lampa. Här hade han en skriftrulle och en pekpinne, ett vädurshorn, en vit slidedräkt, en citronask och olika sorters sällsynta judiska antikviteter och värdefulla rituella föremål. Det fanns en speciell lukt här: han tyckte att det doftade av kryddor och av Evas lustgård. Han tog av sig bonesjalen och suckade. Han satte fast läderremmen till en bonekapsel runt sin vänstra arm och fylldes av skam inför universums herre. Han tjänade redan tio gånger mer än han verkligen behövde. Varifrån hade han fått sitt penningbegär? Är det i våran DNA? Vad skulle han göra med alla sina pengar? Ta dem med sig i graven? Han lindade läderremmen runt fingrarna och läste den föreskrivna meditationen och han koncentrerade sig på ordens innebörd: "Jag skall trolova mig med dig för evigt, jag skall trolova mig med dig i rättfärdighet och rättvisa, godhet och barmhärtighet, jag skall trolova mig med dig i huldhet; och jag skall snart känna Guds stenhårda stake därbak." ellauri300.html on line 98: Demyan Bedny tai Jefim Aleksejevitš Pridvorov, (s. 13. huhtikuuta [1. huhtikuuta, vanha tyyli], 1883, Gubovka, Ukraina, Venäjän valtakunta – kuoli 25. toukokuuta 1945, Barvikha, lähellä Moskovaa), Neuvostoliiton runoilija, joka tunnetaan molemmista jakeistaan, jotka ylistävät vuoden 1917 vallankumousta ja hänen satiirisia tarujaan. Suurruhtinan luonnollinen poika Pridvorov alkoi osallistua sosialistiseen lehdistöön ennen vallankumousta ja otti käyttöön nimen Demyan Bedny ("Demyan the Poor"). Vuonna 1912 hänen satiirinsa alkoivat ilmestyä. Hänen tyylinsä sai vaikutteita 1800-luvun venäläisestä fabulistista Ivan Krylovista. Vuosina 1917-1930 Bednyn limerickit olivat erittäin suosittuja suuren yleisön keskuudessa, ja Lenin itse, vaikka pani merkille niiden karkeuden, ylisti niiden propaganda-arvoa. ellauri300.html on line 159: Nikanor Ivanovich Bosoi viedään pois, kun Korovjov istutti hänelle valuuttaa. Ivan Saveljevitš Varenukhasta tulee vampyyri ellauri300.html on line 170: Grigory Danilovich Rimsky tuskin pakenee vampyyreja Hellan ja Varenukhan luota. ellauri300.html on line 176: Vasili Stepanonovich Lastotshkin todistaa kauhuja kaikkialla Moskovassa, kuten puku ilman ruumista ja Korovjevin perustama haluton kuoro. Kun tämä tapahtuu, Margarita lukee uudelleen sen, mitä Mestarin romaanista on jäljellä. Margarita menee sitten puistoon, jossa hän tapaa Azazellon. ellauri300.html on line 314: Mishna listaa viisi yrttiä , jotka sopivat laskuun. 8 icle_cdo/aid/4329319/jewish/The-Mishnah.htm">Mišnan heprea/arameankielisten sanojen kääntämisestä keskustellaan jonkin verran, 9 mutta yleisesti hyväksytään, että roomalainen salaatti, piparjuuri ja endiivit (escarole) sisältyvät luetteloon. 10 icle_cdo/aid/244369/jewish/About-Chabad-Lubavitch.htm">Pinselsabadin tapana on käyttää rooma-salaattia ja piparjuurta yhdessä. 11 Mishna jatkaa, että sekä vartta että lehtiä (jos käytetään yrttiä, jossa on lehtiä) voidaan käyttää, ja ne voivat olla tuoreita tai kuivia. Talmud huomauttaa kuitenkin, että tämä kuivien yrttien korvaus koskee vain vartta; lehtien tulee olla tuoreita. 12 Yrttejä ei saa keittää tai edes liottaa 24 tuntia, 13 koska silloin ne menettäisivät kitkerän makunsa. ellauri300.html on line 321: Chabad, also known as Lubavitch, Habad and Chabad-Lubavitch (Hebrew: חב"ד לובביץ; Yiddish: חב״ד ליובוויטש), is an Orthodox Jewish Hasidic dynasty. Chabad is one of the world's best-known Hasidic movements, particularly for its outreach activities. It is one of the largest Hasidic groups and Jewish religious organizations in the world. Unlike most Haredi (Ultra-Orthodox) groups, which are self-segregating, Chabad operates mainly in the wider world and caters to secularized Jews. Haredi Jews regard themselves as the most religiously authentic group of Jews, although other movements of Judaism of course disagree. ellauri300.html on line 323: Founded in 1775 by Rabbi Shneur Zalman of Liadi, the name "Chabad" (חב״ד‎) is an acronym formed from three Hebrew words—Chokhmah, Binah, Da'at (the first three sefirot of the kabbalistic Tree of Life) (חכמה, בינה, דעת‎): "Wisdom, Understanding, and Knowledge"—which represent the intellectual and kabbalistic underpinnings of the movement. The name Lubavitch derives from the town in which the now-dominant line of leaders resided from 1813 to 1915. Other, non-Lubavitch scions of Chabad either disappeared or merged into the Lubavitch line. In the 1930s, the sixth Rebbe of Chabad, Rabbi Yosef Yitzchak Schneersohn, moved the center of the Chabad movement from Russia to Poland. After the outbreak of World War II, he moved the center of the movement to the United States, and there it is to this day. ellauri300.html on line 325: In 1951, Rabbi Menachem Mendel Schneerson formally accepted the leadership as the seventh Chabad Rebbe. He transformed the movement into one of the most widespread Jewish movements in the world today. Under his leadership, Chabad established a large network of institutions that seek to satisfy religious, social and humanitarian needs across the world. Chabad institutions provide outreach to unaffiliated Jews and humanitarian aid, as well as religious, cultural and educational activities. Prior to his death in 1994, Schneerson was believed by some of his followers to be the Messiah, with his own position on the matter debated among scholars. Messianic ideology in Chabad sparked controversy in various Jewish communities and is still an unresolved matter. Following his death, no successor was appointed as a new central leader. ellauri300.html on line 327: In 2018, Marcin Wodziński estimated that the Chabad movement accounted for 13% of the global Hasidic population. The total number of Chabad households is estimated to be between 16,000 and 17,000. The number of those who sporadically or regularly attend Chabad events is far larger; in 2005 the Jerusalem Center for Public Affairs reported that up to one million Jews attend Chabad services at least once a year. In a 2020 study, the Pew Research Center found that 16% of American Jews attend Chabad services regularly or semi-regularly. ellauri300.html on line 405: Dr Halpers mustasch var full av smulor från matzokakorna, och han stönade av vällust medan han fortsatte att tugga med sina gula tänder. Han kastade kärleksfulla blickar på sin syster Frieda. Det var tack vare henne han nu var måg till den rike Makaver, som redan hade lovat finansiera utgivningen av hans samlade verk på såväl tyska som hebreiska. ellauri300.html on line 416: Det låg böcker på ett bord utanför. Vad var det for böcker? Vad handlade de om? Han slog upp en bok på måfå och läste. "Hennes mor var en ambitiös kvinna. Hon ville skaffa en make åt Beatrice som kunde skämma bort henne och som i någon mån kunde återge familjen dess tidigare sociala ställning." ellauri300.html on line 418: tio cent och Luria fick för sig att han ville köpa den, av ren nyfikenhet, bara ellauri300.html on line 419: för att få kasta en sista blick på människosläktets illusioner. Han tog fram ellauri300.html on line 428: That music used to make me smile ellauri300.html on line 441: The day the music died ellauri300.html on line 444: Bye, bye Miss American Pie ellauri300.html on line 454: Can music save your mortal soul? ellauri300.html on line 459: You both kicked off your shoes ellauri300.html on line 463: With a pink carnation and a pickup truck ellauri300.html on line 465: The day the music died ellauri300.html on line 468: Bye, bye Miss American Pie ellauri300.html on line 480: And a voice that came from you and me ellauri300.html on line 485: No verdict was returned ellauri300.html on line 488: The quartet practiced in the park ellauri300.html on line 490: The day the music died ellauri300.html on line 493: Bye, bye Miss American Pie ellauri300.html on line 515: The day the music died? ellauri300.html on line 518: Bye, bye Miss American Pie ellauri300.html on line 528: So come on Jack be nimble, Jack be quick ellauri300.html on line 529: Jack Flash sat on a candlestick ellauri300.html on line 538: To light the sacrificial rite ellauri300.html on line 540: The day the music died ellauri300.html on line 543: Bye, bye Miss American Pie ellauri300.html on line 554: Where I'd heard the music years before ellauri300.html on line 555: But the man there said the music wouldn't play ellauri300.html on line 565: The day the music died ellauri300.html on line 568: Bye, bye Miss American Pie ellauri300.html on line 575: Bye, bye Miss American Pie ellauri300.html on line 585: Facets of his 1971 song "American Pie" have become part of American culture, spanning generations. McLean's lyrics retroactively influenced the perception of a major event in the early days of rock 'n roll. ellauri300.html on line 587: Particularly, the plane crash that killed musicians Buddy Holly, Ritchie Valens, and "The Big Bopper" J. P. Richardson has become known as "The Day the Music Died", the expression by which McLean, a fan of Buddy Holly, dubbed it in the song. Holly's death for him symbolized the "loss of innocence" of the early rock-'n-roll generation. ellauri300.html on line 589: In October 2022, McLean called Kanye West an 'attention-seeking fool' over his antisemitic rants. The "American Pie" singer who briefly lived in Israel said he stands with his Jewish friends. McLean lived in Israel on-and-off from 1978-1982 and he “grew to love the country and the people. Living there changed my life forever.” ellauri300.html on line 591: McLean was raised in the Catholic faith of his mother, Elizabeth McLean; his father, Donald McLean, was a Protestant. His father died when McLean was 15. McLean grew up in a physically abusive household, and was abused by both his parents and his sister. His second marriage was to Patrisha Shnier McLean, of Montreal, Canada, from 1987 to 2016. They have two children, Jackie and Wyatt, and two grandchildren, Rosa and Mya. In 2018, McLean confirmed his romantic relationship with model and reality star Paris Dylan, who is 48 years his junior. McLean sang a duet of his song "Vincent" with Ed Sheeran. ellauri300.html on line 593: On January 18, 2016, McLean's then-wife Patrisha Shnier McLean alleged that after four hours of "terrorizing" her, McLean pinned her to a bed until she broke free and ran to the bathroom. Shnier McLean alleged that McLean attempted "to shove open the locked bathroom door behind which I had barricaded myself. As it was splintering, I pushed the numbers 911." McLean was arrested on suspicion of domestic violence, and pled guilty to domestic violence assault, criminal restraint, criminal mischief and making domestic violence threats. McLean paid $3,660 in fines, and was not sentenced to any jail time. Under Maine's deferred disposition law, the State agreed to dismiss the domestic violence assault charge if McLean complied with the court's orders for one year, and the charge was expunged a year later. During this time, Shnier McLean filed for divorce, citing “adultery, cruel and abusive treatment, and irreconcilable differences." McLean has denied that he physically abused Shnier McLean, and his lawyer released a statement claiming McLean agreed to the plea deal in the interest of privacy. In March 2017, a Maine court granted Shnier-McLean's request for a 10-year protection order against McLean. In 2021, McLean's daughter Jackie told Rolling Stone that her father was emotionally abusive and created a cult-like household through paralyzing verbal attacks, forced isolation, and threats to withhold love or financial support. ellauri300.html on line 595: The article asserted that "texts, emails and recordings of calls between McLean and her father provided to Rolling Stone suggest a pattern of asserting control and manipulation over Jackie, her actions and memories, and a seeming drive by the elder McLean to maintain a certain public image." In one email, McLean wrote his daughter, “unless you support me publicly and frequently you should not expect me to lift a finger for you nor will I give you another red cent.” ellauri300.html on line 600: Vid Thirty-fourth Street gick Luria in i en cafeteria. Jag tar en kopp kaffe. Det kan ju aldrig skada. Boskap äter också innan de slaktas. Magen gör vad den är avsedd för: den smälter maten. Detta var det mest absurda av allt - -varje organ gjorde vad det var avsett för: magen smälte maten, hjärnan tänkte. Efter döden började en helt ny omgång aktiviteter. Mikroberna åt upp allt; protonerna, neutronerna, elektronerna fortsatte sitt ändlösa virvlande och cirklande. Atomerna hade förmodligen ingen aning om att deras herre (ba'al) hade dött eller begått självmord. Och på vilket sätt kunde en människa rimligen betraktas som deras ägare? För dem var det likgiltigt var de bodde-i människor, i moss, i dynga. De hade sina egna atomlagar att ta hänsyn till och betraktade hela individualitetsbegreppet som näst intill löjlig. Men vilket syfte tjänade detta? Av vilket skäl roterade den här planeten? Hur länge skulle den fortsätta att rotera kring sin axel och cirkla kring solen? Det måste finnas en mening någonstans. ellauri300.html on line 602: Luria gick fram till disken och tog en kopp kaffe. Efter en stunds tvekan og han också en kaka. Han satte sig vid ett bord, öppnade sin bok på måfå och läste: "Alla behöver ett klart definierat och uppnåeligt mål. Det finns fruktansvärt många människor som inte sätter upp något som helst mål. De driver med strömmen. Åren går och de vet aldrig vad de vill. Genom alla framgångsrika människors liv löper en gemensam tråd: mycket ellauri300.html on line 632: Ei hetkinen, toihan on Anthony Hopkins Shakespearen Titus Andronicuxena. Väärä Titus. Tämäkin on väärä mies: ellauri300.html on line 638: Titus’ background is not explained, other than the fact he was Gentile and apparently never circumcised (Paul had checked, Galatians 2:4). This is an interesting point, since Timothy was half-Greek, and not circumcised either! Still, Paul chose to circumcise Timothy to honor the Jews in an area that the two of them were ministering in (Acts 16:1-5). Paul repeatedly mentions in his letters that circumcision is not necessary under the new covenant (though great fun), and even tells Titus to silence Christians who try to promote it (Titus 1:10-14). So, Paul’s choice to circumcise Timothy would suggest that he had a pragmatic thorn in his side. He did not require his disciples to be circumcised, but if the situation called for working among Jews and it made things easier, he would gladly do it. Whether Titus ever ministered to Jewish believers is not stated, and both he and Titus worked at churches in Gentile areas (Timothy in Ephesus, Titus in Crete, and Corinth and Dalmatia). ellauri300.html on line 642: According to Titus 1:5, Paul had left Titus at Crete to appoint elders for the church there. Paul mentions that Titus must appoint elders “in each town,” which means there were multiple Christian groups (what we would think of as house churches), although they might collectively be referred to as the “church in Crete. As the letter goes on, it transitions through several subjects: ellauri300.html on line 669: icalarchaeology.org/wp-content/uploads/jesus-last-supper-perea.jpg" /> ellauri300.html on line 675: icalarchaeology.org/wp-content/uploads/2019/05/paul-slave-girl.jpg" /> ellauri300.html on line 680: Kun Paavali karkottaa hänestä "pythonin hengen", meille kerrotaan, että hän menettää tämän kyvyn. Sen lisäksi – ja hänen omistajiensa vihan vuoksi tästä menetyksestä – emme kuitenkaan tiedä, mitä hänelle tapahtuu. Byron huomauttaa, että hänen omistajansa ovat saattaneet alkaa hyödyntää häntä "toisella tavalla" (nudge nudge, wink wink). Niinpä, millähän tylpällä astalolla lie Pauli ajanut käärmettä, vai ajoiko se käärmettä pyssyyn pikemminkin? Oliko Paul ja Silas napalankoja? Jos haluat tutkia tarkemmin raamatullista jaksoa Paavalista ja Filippistä kotoisin olevasta orjatytöstä, katso John Byronin Raamatun näkemykset -sarake ”Paul, Python Girl and Human Trafficking”, joka on julkaistu Biblical Archeology Review -lehden touko-kesäkuussa 2019. ellauri300.html on line 695: Genom att besöka vår hemsida godkänner du delar av vår Datapolicy. ellauri300.html on line 737: Det var den 16 oktober 1946. Julius Streicher, som i praktiken hade dömts till döden för att ha gett ut den antisemitiska tidningen Der Stürmer, var en av de tio ledande nationalsocialister som denna dag skulle hängas i Nürnberg. När de amerikanska vakterna eskorterade honom till galgen hade Joachim von Ribbentrop, Wilhelm Keitel, Alfred Rosenberg, Hans Frank och Wilhelm Frick redan lämnat den jordiska tillvaron. Wilhelm Frick hade ropat ”länge leve det eviga Tyskland!” innan falluckan öppnats under honom och nu när det var Streichers tur att yttra sina sista ord ropade han ”Heil Hitler!” och sedan ”Detta är en glädjerik judisk fest, det är min purimfest!” Med den dödsdömdes bittra ironi uppmärksammade han på detta sätt sambandet mellan de tio män som hängdes denna dag och Hamans tio söner som, enligt Bibeln, hängdes en gång för länge sedan i det persiska rikets huvudstad Shushan och vilket judarna, under en fest en gång om året, firar än idag. ellauri300.html on line 749: Konflikten mellan Israel och Amalek går långt tillbaka och den första striden mellan det judiska folket och amalekiterna som beskrivs i Torah utspelades vid Refidim. Israels gud Yahweh kom senare med befallningen att dessa fiender till judarna måste utrotas: ”Så drag nu åstad och slå amalekiterna och giv dem till spillo, med allt vad de hava, och skona dem icke, utan döda både män och kvinnor, både barn och spenabarn”. ellauri300.html on line 751: Befallningen att utrota Amalekiterna var inte unikt, även andra folkslag utsattes för liknande befallningar och på andra ställen i Torah kan vi läsa om ytterligare påbud till folkmord där Yahweh till exempel beordrar ”det utvalda folket” att utrota ”hetiterna och amoréerna, kananéerna och perisséerna, hivéerna och jebuséerna” och att de inte skall låta något som andas ”bliva vid liv”. På ett annat ställe i Torah befaller Yahweh att: ”alla de folk som HERREN, din Gud, giver i din hand skall du utrota; du skall icke visa dem någon skonsamhet”. ellauri300.html on line 757: Amalek uppfattas som både en fysisk nation och som en andlig ideologisk kraft. Lärda inom judendomen kan därför dela upp Amalek i två kategorier; den genetiska Amalek och den figurativa Amalek. Den genetiska Amalek är de människor som är fysiska ättlingar till Amalek och den figurativa Amalek är de övriga ”antisemiterna”. Den genetiska Amalek måste utrotas på Yahwehs order vilket bekräftas av rabbi Joseph B. Soloveitchik när han säger att ”varje individ som är bärare av Amaleks gener måste utraderas”. Den figurativa Amalek är de andra folkens antisemiter, de som endast i sinnelaget är påverkade av ärkefiendens antijudiska idéer. Bland dessa räknas araber och andra icke-ariska nationer som agerar mot Israels intressen. ellauri300.html on line 812: Helt säkert blev det här en sedelärande historia som barn och ungdomar fick höra många år framåt: "Passa er noga för att ge er på någon gudsman. Kom ihåg hur det gick för pojkarna från Betel!" ellauri300.html on line 817: The word na‘ar, which is often rendered as children/boys, means boy. The Hebrew adjective, qatan, means small. Thus we can say it’s highly unlikely the people who mocked Elisha were “little children” or “small boys.” It’s much more probable that these were young men and quite possibly they were just servants (maybe blacks?). ellauri300.html on line 819: Remember Jeroboam founded Dan (in the north) and Bethel (in the south) as his kingdom’s two alternatives to Jerusalem (1 Kings 12:25-33). He set up golden calves at these sites, ordained non-Aaronic priests, changed the time of the festivals, and Ba'al worship soon reigned supreme. ellauri300.html on line 821: Bethel was basically one big uplifted middle finger to everything Moses had commanded. When God’s prophet approached this irritating city, the young men (bloody servants!) mocked him, saying, “Go up, you baldhead! Go up, you baldhead!” Not only were they ridiculing his lack of hair (which, in the Old Testament, was often associated with a skin disease), they were telling him to fly away, like his predecessor Elijah. Keep in mind that, right before this, Elijah had supposedly “gone up” to heaven in a fiery chariot (2 Kings 2). ellauri300.html on line 824: Bears may play a significant role here, but the real animal in this overarching story is a serpent. His slithering and slandering tongue was inside the mouths of these mockers. The god whom they served, Baal, was just a mask for Satan. Good riddance, in a word, for bad rubbish. ellauri300.html on line 831: We hope you enjoyed this article. Today is Giving Tuesday, an international day of giving, and we are asking our readers to support our ministry. ellauri300.html on line 849: At the hour of the afternoon sacrifice the prophet Elijah approached the altar and prayed, “O Lord, the God of Abraham, Isaac, and Jacob, prove now that you are the God of Israel and that I am your servant and have done all this at your command. ellauri300.html on line 850: The Lord sent fire down, and it burned up the sacrifice, the wood, and the stones, scorched the earth and dried up the water in the trench. 39 When the people saw this, they threw themselves on the ground and exclaimed, “The Lord is God; the Lord alone is God!” ellauri300.html on line 883: 7 About three hours later his wife came in, not knowing what had happened. 8 Peter asked her, “Tell me, is this the price you and Ananias got for the land?” ellauri300.html on line 884: “Yes,” she said, “that is the price.” ellauri300.html on line 923: So Elisha, as a prophet, saw their hardened and rebellious condition, unresponsive to correction. In the name of the Lord (i.e. by His authority) Elisha simply turned them over to the Lord and to their own devices, which had the effect of removing them from even the common protection of God. He probably said something like, “may God deal with you according to what you deserve,” or “may you be cursed for your sins of rebellion.” This would demonstrate to the city and to people all around a vital truth: without the Lord there is no protection and that blasphemy of God’s servants and His Word in order to hinder God’s message is serious busin ellauri300.html on line 928: Characters Henry Bear (better known as Papa Bear) is the father of Junior Bear and the husband of Mama Bear. Papa Bear is a loud-mouthed, short-tempered, psycholic and abusive dwarf bear. He usually abuses Junior if he says or does something wrong. ellauri301.html on line 6: font-style: italic; ellauri301.html on line 88: Kari Eidsvold-Mankell starb August 2010 an demselben krebsleiden, dem auch Mankell später erliegen sollte. In seiner Lunge und im Hals hatten sich Tumore gebildet. Ach nein, es war nicht sie, sondern ein komischer Kauz namens Christoph Schinkenscief, Hennings Seelenbruder. Im alter von nur 67 jahren starb henning mankell an seinem krebsleiden. ellauri301.html on line 92: So strahlend Mankells Karriere auch war, sein Privatleben war von vielen Tiefen geprägt. Da war zum einen die Scheidung seiner Eltern, als Henning gerade ein Jahr alt war. In seinen Zwanzigern beging Mutter Birgitta Selbstmord. Er war Anhänger der 68er Bewegung und protestierte zum Beispiel gegen den Vietnamkrieg und die Apartheid in Südafrika. Tatsächlich entwickelte Mankell nach einer Reise eine tiefe Bindung zu dem Kontinent und pendelte schließlich oft zwischen seiner Heimat und Mosambik hin und her, lebte sogar zwei Jahre lang in Sambia und bezeichnete seine Reisen nach Afrika als "nach Hause kommen". ellauri301.html on line 96: A grumpy, disillusioned, diabetic alcoholic with just enough goodness at his core to fire his desire to catch murderers, Wallander appears in 13 novels and is responsible for the majority of Mankell’s worldwide sales of more than 40 million books. The murders he investigated epitomised the slow decline Mankell detected in Swedish society. As well as the racism that appalled him there was rising unemployment and violent crime, corruption, the rigidity of a patriarchy forged in Lutheran religion and the relentless breakdown of communities and society. ellauri301.html on line 98: He first appeared when Sweden was in the middle of a precipitate retreat to laissez-faire capitalism from the optimistic social democracy of the 1960s and 70s, so that the corruption and decay of the hero found an echo in the corruption and decay of the society around him. Sweden had become a much more racist country than it had seemed in the 60s, when there were hardly any immigrants from outside Scandinavia there. All the racist hate had been spent on the Finns, who nobody could distinguish from the locals until they opened their mouths. Which they rarely did. ellauri301.html on line 100: The extraordinary global success of Swedish and later Norwegian crime fiction as a form of escapist literature for men had several causes. One is that police work is one of the last wholly unionised jobs in the world, so that our hero will never be sacked for anything other than gross misconduct – of which he, being the hero, is never really guilty. In the optimistic 60s, James Bond was distinguished from other middle-aged men by his licence to kill but by the 90s the policeman as a fantasy hero had a licence to keep his job. In the economic whirlwind of globalisation, this was something that a lot of frustrated middle-aged men could only dream of. ellauri301.html on line 102: There is little nihilism in Swedish noir: good and bad are always clearly distinguished all the way through to the cartoonish culmination of the genre in Stieg Larsson’s trilogy about Lisbeth Salander. The only problem for Stieg´s heroes is that good no longer plays in the same team with the Swedish state. Evil is firmly located in reassuringly wicked villains. Everything is privatized just like in Britain and America. All is well. (These sharp observations courtesy of The Guardian.) ellauri301.html on line 121: Broederbond, Brödraskapet (till 1920 Jong Zuid Afrika, "Ungt Sydafrika") var ett hemligt sydafrikanskt boernationalistiskt samfund av brödraskapskaraktär grundat 1918 i Kapstaden av en grupp nationalistiska afrikaaner där en ung präst vid namn Jozua François Naudé (senare president) var delaktig. Organisationen var strikt segregationistisk och anses ha spelat en avgörande betydelse för etablerandet och konsoliderandet av Sydafrikas apartheidpolitik trettio år senare. Samtliga premiärministrar, presidenter och alla högre uppsatta inom Sydafrikas regering, polisväsende mm fram till regimens slutgiltiga fall 1994 (då organisationen upplöstes) var medlemmar i Broederbond, varav flera tjänade som ordförande i sina unga år (bland annat Andries Treurnicht och Nicolaas Johannes Diederichs). ellauri301.html on line 140: Young Wallander is a crime drama streaming television series, based on Henning Mankell's fictional Inspector Kurt Wallander. The series premiered on Netflix on September 3, 2020. Star Adam Pålsson explained that the pre-imagining (i.e., Young Wallander being set in the present day) made more sense than a straight prequel as it allowed for the social commentary which is a strong element of Mankell's original Wallander. This choice of setting the series in the modern day has been criticised by old farts in a number of reviews. ellauri301.html on line 142: In November 2020, the series was renewed for a second season which was premiered on Netflix on February 17, 2022, and subtitled as Killer's Shadow. ellauri301.html on line 144: Young Wallander is a young, edgy, and modern series that sees Henning Mankell's iconic detective Kurt Wallander investigate his gripping first case. The story focuses on the formative experiences – professional and personal – faced by Kurt as a recently graduated police officer in his early twenties. Including frequent fornication with an unrealistically pretty immigrant charity worker. ellauri301.html on line 157: Wallander was once married, but his wife Mona (remember? the immigrant charity dish) left him and he has since had a difficult relationship with his rebellious only child, Linda, who barely survived a suicide attempt when she was fifteen. He also had issues with his late father, an artist who painted the same landscape 7,000 times for a living; the elder Wallander strongly disapproved of his son´s decision to join the police force and frequently derided him for it. Fair enough: painting sunsets with/without a black grouse pays off better than finding random middle fingers of color. Kurt Wallander sr is a great fan of the opera. Kurt Wallander jr says he actually hates opera. I bet that was a joke. ellauri301.html on line 172: Mankelin äiti teki itsemurhan Mankelin ollessa vähän alle 30-vuotias. Mankellin mukaan äidin puuttuminen ei juurikaan vaivannut häntä, sillä hänellä oli hyvä ja läheinen suhde isäänsä, joka ei maalannut teeriä. Hän oli kuitenkin yksinäinen lapsi, sillä hänen sisaruksensa viihtyivät keskenään, mutteivät jostain syystä Henningin parissa, Henning oli paljon omissa oloissaan. Myöhemmin perhe muutti vielä Boråsiin ilman äitiä. Ei ollut helppoa. Mankell vietti nuoruutensa pienessä Svegin kauppalassa Norjan rajalla. Lukio jäi kesken, Henning oli 2v seilorina muttei päässyt brittejä edemmäs. Sitten se korjasi Pariisissa saxofoneja. After returning from Paris he had taken part in the 1968 demonstrations in Stockholm against the Vietnam war and the university system, and spent much of the 70s in Norway on the fringe of a Maoist group to which his (nameless) then-partner belonged. Oliko se partneri mars- vai venustyyppinen? ellauri301.html on line 176: Ehkä Mankelin porukat oli schartaulaisia? ic">Henric Schartau (27. syyskuuta 1757, Malmö – 3. helmikuuta 1825, Lund) oli ruotsalainen pappi ja saarnaaja Henric Schartau. Schartau toimi Lundissa, Lundin tuomiokirkossa lähes 20 vuotta, ja hänen näkemystään leimasi puhdasoppisuuden sävyttämä pietismi. Hänen oppinsa, schartauanismi, pysyi kirkon sisäisenä herätysliikkeenä eikä ollut vapaakirkollinen ilmiö. Hänen saarnojansa perusaineksen muodosti oppi Pyhän Hengen työstä ihmisessä ja oppi armonjärjestyksestä. ellauri301.html on line 207: Onko zulupalkkanirhaajasta Victor Mombasasta jo tullut joku hyvis? Exe ole vähän rasistista? KGB mies on liian väkivaltainen, paras siis päästää siitä ilmat pois tuumaa sentimentaalinen zulu. KGB mies ehtii silpasta kafferilta fäkkisormen pois ennenkuin zulu mättää sitä kalloon vodkapullolla. Ei Kovalenko siihen kuole, sillä on kova pää. Pehmeälengolle olisi käynyt kalpaten. ellauri301.html on line 209: Kovalenko är en Putinartad KGB-man, lågväxt men stark som ett minisvin, och väldigt seg. Pu-Kovalenko inte bara misstrodde demokratin, han hatade den hjärtligt. I arabländerna var det svårt att få tag i Stolichnaya. Dumt av honom at inte skicka pappren til CIA. Anatoli oli kylästynyt vaimo Miraan, honteloon setteriin. Ryssämamut Ruozissa on valtaosin konnia. Mankell vihaa rasismia melkein yhtä paljon kuin ryssiä. ellauri301.html on line 222: Ingen av de mänskor som gick förbi han tala svenska. Det är här ute framtiden finns, tänkte Wallenberg sr. En svartskalle som växer upp här och kanske blir polis kommer att ha helt andra erfarenheter an vad jag har. Tex bästisen till Wallenberg jr som vitskinnade Kurt praktiskt taget lämnade att dö. ellauri301.html on line 226: The "!Oroǀõas" ("Ward-girl"), spelled in Dutch as Krotoa, otherwise known by her Christian name Eva (c. 1643 – 29 July 1674), was a !Uriǁ´aeǀona translator working for the officials of the Vereenigde Oostindische Compangie (VOC) during the founding of the Cape Colony. ellauri301.html on line 228: Krotoa was born in 1643 as a member of the !Uriǁ’aeǀona (Strandlopers) people, and the niece of Autshumao, a Khoi chieftain and trader. At the age of twelve, she was taken to work in the household of Jan van Riebeeck, the first governor of the Cape colony. As a teenager, she learned Dutch and Portuguese and, like her uncle, worked as an interpreter for the Dutch who wanted to trade goods for cattle. "!Oroǀõas" received goods such as tobacco, brandy, bread, beads, copper and iron for her services. In exchange, when she visited her family her Dutch masters expected her to return with cattle, horses, seed pearls, amber, tusks, and hides. Unlike her uncle, however, who just Spike hottentot, "!Oroǀõas" was able to obtain a higher position within the Dutch hierarchy as she additionally served as a trading agent, ambassador for a high ranking chief and peace negotiator in time of war. Her story exemplifies the initial dependency of the Dutch newcomers on the natives, who were able to provide reasonably reliable information about the local inhabitants. ellauri301.html on line 230: Khoekhoen (singular Khoekhoe) (or Khoikhoi in the former orthography; formerly also Hottentots) are the traditionally nomadic pastoralist indigenous population of southwestern Africa. They are often grouped with the hunter-gatherer San (literally "Foragers") peoples. The designation "Khoekhoe" is actually a kare or praise address, not an ethnic endonym, but it has been used in the literature as an ethnic term for Khoe-speaking peoples of Southern Africa, particularly pastoralist groups, such as the !Ora, !Gona, Nama, Xiri and ǂNūkhoe nations. Noi huutomerkit ym ovat naxautusäänteitä, joita meille opetti svartskalle kielitieteen assari, musta Lumikki. Nyt sekin saattaa olla vitskalle pikemminkin. ellauri301.html on line 236: Circumstantial evidence supports the theory that at the time of the Dutch arrival, the girl was living with her uncle Autshumato (also known as Harry by the Dutch), the circumstantial evidence being that she showed consistent hostility to the !Uriǁ’aekua and, by association, to her own mother, who lived with them. In contrast Krotoa´s fate and fortunes were closely aligned to those of her uncle Autshumato and to his clan known as the !Uriǁ´aeǀona. The ǃUriǁ´aeǀona (rendered in Dutch as "Goringhaicona") people who were sedentary, non-pastoral hunter-gatherers are believed to be one of the first clans to make acquaintance with the Dutch people. Prior to the Dutch´s arrival Autshumato served as a postal agent for passing ships of a number of countries. If the theory of !Oroǀõas having lived with her uncle is true, then her early service to the VOC may not have been as violent a transition as it was made out to be. ellauri301.html on line 238: On 3 May 1662 she was baptized by a visiting person, minister Jean Sibelius, in the church inside the Fort de Goede Hoop. The witnesses were Roelof de Man and Pieter van der Stael. On 26 April 1664 she married a Danish surgeon by the name of Peter Havgard, whom the Dutch called Pieter van Meerhof. She was there after known as Eva van Meerhof (See Geni/MyHeritage).[clarification needed] She was the first Khoikoi to marry according to Christian customs. There was a little party in the house of Zacharias Wagenaer. In May 1665, they left to the Cape and went to Robben Island, where van Meerhof was appointed superintendent. The family briefly returned to the mainland in 1666 after the birth of Eva´s third child, in order to baptise the baby. Van Meerhof was murdered in Madagascar on 27 February 1668 on an expedition. After the death of her husband Pieter Van Meerhof came the appointment of a new governor, Zacharias Wagenaer. Unlike the governor before him, he held extremely negative views toward the Khoi people, and because at this point the Dutch settlement was secure, he didn´t find a need for Eva as a translator anymore. ellauri301.html on line 240: She returned to the mainland on 30 September 1668 with her three children. Suffering from alcoholism, she left the Castle in the settlement to be with her family in their kraals. In February 1669 she was imprisoned unjustly for immoral behavior at the Castle and then banished to Robben Island. This was likely the result of the strict anti-alcohol laws the VOC had passed to govern the local population after they introduced higher proof European liquors. One of Van Riebeeck´s nieces, Elizabeth Van Opdorp, adopted Krotoa´s children after she was banished. She returned to the mainland on many occasions, only to find herself once more banished to Robben Island. In May 1673 she was allowed to baptise a child on the mainland. Three of her children survived. She died 31 years old on 29 July 1674 in the Cape and was buried on 30 September 1674 in the Castle in the Fort. However, roughly a hundred years later, her bones were removed to an unmarked grave. ellauri301.html on line 242: On 3 May 1662 she was baptized by a visiting person, minister Petrus Sibelius, in the church inside the Fort de Goede Hoop. The witnesses were Roelof de Man and Pieter van der Stael. On 26 April 1664 she married a Danish surgeon by the name of Peter Havgard, whom the Dutch called Pieter van Meerhof. She was thereafter known as Eva van Meerhof (See Geni/MyHeritage).[clarification needed] She was the first Khoikoi to marry according to Christian customs. There was a little party in the house of Zacharias Wagenaer. In May 1665, they left to the Cape and went to Robben Island, where van Meerhof was appointed superintendent. The family briefly returned to the mainland in 1666 after the birth of Eva´s third child, in order to baptise the baby. Van Meerhof was murdered in Madagascar on 27 February 1668 on an expedition. After the death of her husband Pieter Van Meerhof came the appointment of a new governor, Zacharias Wagenaer. Unlike the governor before him, he held extremely negative views toward the Khoi people, and because at this point the Dutch settlement was secure, he didn´t find a need for Eva as a translator anymore. ellauri301.html on line 244: She returned to the mainland on 30 September 1668 with her three children. Suffering from alcoholism, she left the Castle in the settlement to be with her family in their kraals. In February 1669 she was imprisoned unjustly for immoral behavior at the Castle and then banished to Robben Island. This was likely the result of the strict anti-alcohol laws the VOC had passed to govern the local population after they introduced higher proof European liquors. One of Van Riebeeck´s nieces, Elizabeth Van Opdorp, adopted Krotoa´s children after she was banished. She returned to the mainland on many occasions, only to find herself once more banished to Robben Island. In May 1673 she was allowed to baptise a child on the mainland. Three of her children survived. She died on 29 July 1674 in the Cape and was buried on 30 September 1674 in the Castle in the Fort. However, roughly a hundred years later, her bones were removed to an unmarked grave. ellauri301.html on line 246: Krotoa´s descendants would later include the Peltzers, the Krugers, the Steenkamps and other Afrikaner families. After her death, Krotoa´s story would not be deeply explored for nearly two and a half centuries. Instead attention was mostly put on white European women who came to South Africa on missionary expeditions. It was not until after the 1920s that her story become a part of South African history. As late as 1983, under the name of Eva, she was still known in South Africa as a caution against miscegenation. ellauri301.html on line 248: In her essay "Malintzin, Pocahontas, and Krotoa: Indigenous Women and Myth Models of the Atlantic World", University of Michigan professor Pamela Scully compared Krotoa to Malintzin and Pocahontas, two other women of the same time period that were born in different areas of the world (Malintzin in Mesoamerica, Pocahontas in colonial Virginia). Scully argues that all three of these women had very similar experiences in the colonialist system despite being born in different regions. She reflects on the stories of Malintzin, Pocahontas, and Krotoa and states that they are almost too familiar and resonate so comfortably with a kind of inevitability and truth that seems, on reflection, perhaps too neat. Therefore, she claims, Krotoa is one of the women that can be used to show the universality of the way that indigenous people were treated in the colonial system worldwide. ellauri301.html on line 250: Frederik Willem de Klerk (/də ˈklɜːrk, də ˈklɛərk/, Afrikaans: [ˈfriədərək ˈvələm də ˈklɛrk], 18 March 1936 – 11 November 2021) was a South African politician who served as state president of South Africa from 1989 to 1994 and as deputy president from 1994 to 1996 in the democratic government. As South Africa´s last head of state from the era of white-minority rule, he and his government dismantled the apartheid system and introduced universal suffrage. Ideologically a conservative and an economic liberal, he led the National Party (NP) from 1989 to 1997. ellauri301.html on line 252: Born in Johannesburg to an influential Afrikaner family, de Klerk studied at Potchefstroom University before pursuing a career in law. Joining the NP, to which he had family ties, he was elected to parliament and sat in the white-minority government of P. W. Botha, holding a succession of ministerial posts. As a minister, he supported and enforced apartheid, a system of racial segregation that privileged white South Africans. After Botha resigned in 1989, de Klerk replaced him, first as leader of the NP and then as State President. Although observers expected him to continue Botha´s defence of apartheid, de Klerk decided to end the policy. He was aware that growing ethnic animosity and violence was leading South Africa into a racial civil war. ellauri301.html on line 254: Amid this violence, the state security forces committed widespread human rights abuses and encouraged violence between the Xhosa and Zulu people, although de Klerk later denied sanctioning such actions. He permitted anti-apartheid marches to take place, legalised a range of previously banned anti-apartheid political parties, and freed imprisoned anti-apartheid activists such as Nelson Mandela. He also dismantled South Africa´s nuclear weapons program. ellauri301.html on line 256: De Klerk became Deputy President in Mandela´s ANC-led coalition, the Government of National Unity. In this position, he supported the government´s continued liberal economic policies but opposed the Truth and Reconciliation Commission set up to investigate past human rights abuses because he wanted total amnesty for political crimes. His working relationship with Mandela was strained, although he later spoke fondly of him, when the coon finally died 2013. De Clerck ize kuoli viime vuonna eli 2021. ellauri301.html on line 258: His (Fred´s) former wife Marike described de Klerk as being "extremely sensitive to beautiful things", exhibiting something akin to an artistic temperament. Kauni ellauri301.html on line 259: s esine. He was, according to Brother Willem, a man of compromise rather than a political innovator or entrepreneur. Son Willem, who went into public relations, stated that de Klerk was "a loving man who hugs and cuddles". Willem oli aika populääri nimi suvussa. ellauri301.html on line 263: De Klerk was a controversial figure among many sections of South African society, all for different reasons. He received many awards, including the Nobel Peace Prize for dismantling apartheid and bringing universal suffrage to South Africa. Conversely, he received criticism from anti-apartheid activists for offering only a qualified apology for apartheid, and for ignoring the human rights abuses by state security forces. He was also condemned by South Africa´s Afrikaner nationalists, who contended that by abandoning apartheid, he betrayed the interests of the country´s Afrikaner minority. South Africa´s Conservative Party came to regard him as its most hated adversary. ellauri301.html on line 274: Sangoma Oy, highly respected dealer among the Zulu people of South Africa who diagnoses, prescribes, and often performs the operations to heal a person physically, mentally, emotionally, or spiritually. Sanoma Oy may address all of these realms in the healing process, which usually involves divination, verbal medicine, and specific customized visuals to cure morbid curiosity and restore upper middle class well-being. ellauri301.html on line 294: Eugène Ney Terrace Blanche ([ɪə‌ˈʒɛn ˈnɛj tərˈblɑ‌ːʃ], 31 January 1941– 3 April 2010) was an Afrikaner nationalist and white supremacist who founded and led the Afrikaner Weerstandsbeweging (AWB; Afrikaner Resistance Movement in English). Prior to founding the AWB, Terrace Blanche served as a South African Police officer, was unsuccessful as a farmer, and an unsuccessful Herstigte Nasionale Party (Reconstituted National Party) candidate for local office in the Transvaal. He was a major figure in the right-wing backlash against the collapse of apartheid. His beliefs and philosophy have continued to be influential amongst White supremacists in South Africa and across the world. ellauri301.html on line 302: President of the Republic of South Africa ellauri301.html on line 305: 10 other official names: ellauri301.html on line 331: Almost everyone loves a good barbecue, but South Africans take the classic U.S. BBQ to a whole new level with the braai. More than just a barbecue, the braai is practically a national sport. South Africans absolutely adore a braai and for them, the weekend usually means one thing: the aroma of grilling meats wafting from backyards across the country, while friends and family gather together for a good time. Ready to get your braai on? Here is everything you need to know about the iconic South African braai. ellauri301.html on line 333: A braai is about being South African. What makes a braai truly South African are the traditions that have become common practise in a vast majority of households in this beautiful country. It is so much more than just the cooking of food but also the gathering of friends and loved ones. The atmosphere and VIBE of the braai is what makes it such a special event for all South Africans, black, white and yaller! ellauri301.html on line 338: Boerewors, lamb chops, T-bone steaks, chicken “flatties”, snoek, kabeljou(cob), sosaties, kebabs ellauri301.html on line 340: Braaibrootjies, pap( traditional African staple), tomato & onion relish, chakalaka & much more. ellauri301.html on line 342: Brandy & Coke, beer, siders a onnd beautiful South African wine. ellauri301.html on line 345: In South African there is a day that has been dedicated to the braai (It’s actually heritage day) and celebrated annually on the 24 September. Braai is such a big part of South African heritage and tradition. It’s a day South African of all shapes, colours and sizes unite with their friends and family by a fire. ellauri301.html on line 347: TIDBIT: There are many initiatives surrounding this day that have received endorsement. There is even an official song “Our Heritage” recorded by The Soweto Gospel Choir. ellauri301.html on line 349: Heritage Day on September 24 is a day that celebrates South Africa’s roots, their rich, vibrant, and diverse cultures. South Africa is called the ‘‘Rainbow Nation’’ due to its color and gender diversity, and this is why Heritage Day exists. Its goal is to nurture and embrace South African culture for what it truly is, accepting all races and genders. The day is usually celebrated with a cookout known as a braai and we suggest that you channel your inner South African and celebrate with a feast of your own. ellauri301.html on line 352: September 24 was previously known in South Africa as Shaka Day, a day commemorating the Zulu King of Shaka. He was known for uniting the Zulu clan together and forming the Zulu nation. Every year, South Africans would gather at his grave to honor him. In 1995 a request for the day to be confirmed as an official braai holiday was rejected. After receiving some pushback from the Inkatha Freedom Party (IFP), a majority Zulu party, it was decided that the day was needed and would be known as ‘‘Heritage Day.’’ ellauri301.html on line 354: Since then all South Africans have celebrated Heritage Day by remembering the cultural heritage of the many different cultures that make up their nation. Events are held across the country with some people choosing to dress up in their traditional attire, including the boers and the british. ellauri301.html on line 356: There was a media campaign in 2005 that sought to have the day recognized as National Braai Day, to acknowledge the backyard barbeque tradition, but the holiday is still officially recognized as Heritage Day. Fair enough, Braai is a word in one of the tribal languages (N:o 3 above), while Heritage is a global word. ellauri301.html on line 412: Italialaiset kengät -romaanin dramaattinen tarina jatkuu. Frederik pakenee tulipaloa viime hetkellä, jaloissaan kaksi vasemman jalan kumisaapasta. Hänen koko omaisuutensa on mennyttä. Tarina jää harmittavasti kesken Henningin syöpäännyttyä. Voisiko joku fan fiction kynäilijä kexiä sille siikvelin? Löytyvätkö oikean jalan saappaat, vai onko tämä taas neuvostoliittolaisten juonia? ellauri301.html on line 438: Kerstin Anita Marianne Ekberg (29. syyskuuta 1931 Malmö – 11. tammikuuta 2015 Rooma, Italia) oli ruotsalainen malli, näyttelijä ja sexisymboli. Anita Ekberg aloitti uransa mallina ja osallistui muun muassa 1951 Miss Universe -kilpailuun, jonka ansiosta yhdysvaltalaiset elokuvastudiot kiinnostuivat hänestä. Anita ei tullut valituxi Miss Universexi, eikä vottajaa löydy mistään. Kilpailusta tuli virallinen vasta synnyinvuonnani 1952, jolloin universumin kauneimmaxi kruunattiin meidän oma 17-kesäinen Armi Kuuselamme. Ekberg näytteli useissa Hollywood-elokuvissa ja sai muun muassa Golden Globe -palkinnon sivuroolistaan elokuvassa Blood Alley 1955 vastanäyttelijänään John Wayne. Varsinaisen legendan hänestä tekivät eurooppalaiset elokuvat ja etenkin naisrooli Federico Fellinin elokuvassa Ihana elämä (La Dolce Vita, 1960), jonka suihkulähdekohtaus on jäänyt osaksi länsimaista pehmopornografiaa. Ihanan elämän jälkeen Ekberg esiintyi enemp vähemp nakupellenä useissa italialaisissa elokuvissa. Anitalla oli aivan jättimäiset kannut mutta vähän tyly suu. ellauri301.html on line 440: ico Fellini's Stylish Cinematic Landmark" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri301.html on line 500: Guillou utnyttjar väl det här religiösa ramverket till en fortsatt diskussion av den fråga som var central för honom i Hamilton-sviten, nämligen det organiserade våldet och dess moraliska rättfärdigande – något som den medeltida teologin med sin komplicerade och väl utarbetade etiska logik visar sig vara högst lämpad för. Ja, faktiskt får Guillou väldet förete som en finfin sak, just som Peter Schwartz gör med egennyttan. ellauri301.html on line 502: Frågan är: känns den här bilden av 1100-talet och dess människor trovärdig? Svaret är nå ja, eller rättare sagt nej för helvete. Det låter som Connecticut Yankee i King Arthurs hov. Följdfrågan blir: är den intressant? Svaret blir igen nå ja, gäsp, definitivt. Men då svarar man inte längre som historiker utan som en människa uppväxt i det 20:e seklet som har sett tusentals likadana kostymhistorier såsom Peter Englund (2015). Arnin haaskalle palaan albumissa 387. ellauri301.html on line 515: ics/no-bears.png" /> ellauri301.html on line 517: No truth to it. Doesn't exist. There's no "there" there. A complete fiction. SOURCE: Stutchkoff, Der Oytser fun der Yidisher Shprakh. The first phrase is in Hebrew and usually stands alone. It is followed by a tongue-in-cheek paraphrase in Yiddish. Refers to a commentary on the story in 2 Kings 2:23-24, in which Elisha's curse called two bears out of a forest to attack youths who had mocked him. According to Rashi, this was a double miracle because there existed in the area neither forest nor bears. Variation: ellauri301.html on line 528: "Det går bra. Jag klarar det, inte sant? Tyskarna slaktade sex miljoner judar och lever fortfarande. Solen lyser över Tyskland och tyska skördar mognar. I samma stund som tyskarna mördade judar sjöng deras fåglar och deras träd stod i blom. Det enda vi fick i gengäld för allt detta var löftet om att belönas i den andra världen. Men vad ska man göra när man kommer till den andra världen och upptäcker, som Rashi påpekar i ett annat sammanhang, att där finns inga skogar och inga björnar'. Är allt bara inbillning? Ska man klaga till Gud?" "Sluta, Shloymele, jag ber dig! Det här samtalet får mig bara att må si re, inte bättre." ellauri301.html on line 541: Steven Paul “Steve” Jobs – who is currently being portrayed by Ashton Kutcher in the biopic “Jobs” — was the biological child of a Syrian-born father and a Swiss-American Catholic mother who gave him up for adoption at birth. ellauri301.html on line 543: If the value of tikkun olam really means leaving your imprint on the world in a quest to make it a better place for all of us, then Steve Jobs possessed that value a thousand-fold. Tikkun Olam: In Jewish teachings, any activity that improves the world, bringing it closer to the harmonious state for which it was created. Tikkun olam implies that while the world is innately good, its Creator purposely left room for us to improve upon His work. ellauri301.html on line 545: Grein var inte den största syndaren i världen, jfr tex Hitler och Stalin. Älskade han Esther? Nej, inte henne heller. Han åtrådde henne, ville sticka in det blotta ollonet djupt i venusfällan mellan hennes lår men inte lyssna till hennes prat samtidigt. Efter hon blev Mrs Plotkin ville han både kyssa henne och spotta på hon. Fittsmak blandades med avsmak. Esther pilkkasi Greinin murretta ja Grein mätkäisi sitä päin näköä. Grein oli ilmeisesti tehnyt virheitä kuin Stalin, mutta mitä? Ei juolahda nyt mieleen. Anna var på väg upp och han ner. ellauri301.html on line 565: Men var det sant? Var Gud verkligen god mot alla? Hade han varit god mot de sex miljoner judarna i Europa? Var han god mot alla de kor och grisar och höns som folk slaktade i just detta ögonblick? Var han god mot de tiotals miljoner människor som släpade sig genom livet med cancer och dog en plågsam död? Var han god mot de miljoner oskyldiga som förtvinade i Stalins slavläger och som bara döden kunde befria? Och även om man förutsatte att deras själar till slut nådde paradiset, varför skulle då vägen dit nödvändigtvis vara stenlagd med så mycket lidande? Kunde någon verkligen kalla en sådan Gud for god? Och kunde man fortsätta att tjäna honom dag ut och dag in utan att med säkerhet veta om han ville ha det så eller alls uppskattade det? Nej, själv kan jag inte göra det! Han fick stor lust att genast slita av sig bönesjalen och bönekapslarna. Han slutade läsa texten. ellauri302.html on line 6: font-style: italic; ellauri302.html on line 44: And God hates you. As Balaam said to Balak: "The God of these hates fornication." ellauri302.html on line 60: One wrote Yiddish to one's mother, for the mothers of those days were not apt to understand anything else. Until S.J. Abrahamowitch was hailed as the father of Jiddisch literature. Followed by Rabinowitch (alias Sholem Aleichem) and Peretz. Sholem Ash sazaa osanottoon alakoiraa kohtaan siinä missä venäläiset mestarit. Yekelin sielu kuten tytärkin on helmiä, jotka tyhmät epäviisaasti heittää sioille. ellauri302.html on line 62: It is interesting to consider Ash's 'The God of Vengeance" in connection with a play like ''Mrs. Warren's Profession." To be sure, there is no technical resemblance between the two dramas; nor, despite an external similarity in backgrounds, is there any real identity of purpose. Shaw's play is essentially sociological, and is a drama of disillusionment. Ash's piece glows with poetic realism and recounts an individual tragedy not without symbolic power. Mikä molemmisssa on mukavaa on että niissä on paljon prostituutteja! ellauri302.html on line 64: Yet the essentially (though not conventionally) moral earnestness of both Shaw and Ash brings the circles of their themes in a sense tangent to each other. neither falls prey to that sentimentalization of the prostitute which Dumas helped so much to effect and which Augier strove to combat, nor the delusion of the conservative, conventional horror before an institution for the perpetuation of which conservatism and conventionalism are much to blame. Its all just business as usual. Pecunia non olet. ellauri302.html on line 66: Mrs. Warren cherishes no delusions about her dubious profession, — If Yekel and his wife (in Ash's play) are not so enlightened as Mrs. Warren in their views upon the traffic off which they live, they are in their own crude way equally sincere in beholding in it a business quite as legitimate as any other. With the same inconsistency with which Hindel implores Heaven for aid in achieving her nefarious aims, after which she promises to be a model wife and mother (See Act Two), Mrs. Warren at the end of Shaw's play swears by Heaven that henceforth she will lead a life of evil fornication. ellauri302.html on line 73: The Holy Scroll is clearly the chief character. The Holy Scroll, whose religious significance is fully explained in the course of the play, is a parchment manuscript containing the first five books of the Bible, together known as the Torah, or Law. Despite that, Ash is no orthodox. He was 37 and lived happily in New York at the time. Tämän johdannon kirjoitti Iisakki Kultavuori, Roxbury Mass. mainizematta mitenkään näytelmän vahvaa lepakkotunnelmaa. ellauri302.html on line 106: David Kessler (1860 – 1920) was a prominent actor in the first great era of Yiddish theater. As a star Yiddish dramatic performer in New York City, he was the first leading man in Yiddish theater to dispense withincidental kletschmer music. Porukat läpyttivät Kesslerille ja vihelsivät tytöille. ellauri302.html on line 115: Rifkele kysyy onko alakerran tytöt kuzuttu. No, my darling. Only nice, respectable girls. For you are a respectable child, a decent Jewish daughter... ellauri302.html on line 152: The Scribe (proffering his hand to Yekel, at the same time surveying him suspiciously): Greetings. Peace be to you, fellow Jew. ellauri302.html on line 164: Reb Ali: We'll go to the synagogue and gather a minyan of Jews. It will be easy enough to find men who are willing to honor the Law. (Arises from the table, pours brandy into the glasses, slapping Yekel on the shoulder.) There, there! God will help you! Rejoice, host! The Lord befriends the sincere penitent... Don't worry. You'll marry your girl to some proficient scholar; you'll take some poor Yeshiva student for a son-in-law, and support him while he sits and studies the Holy Law. And the blessings of the Law will win you the Lord's forgiveness. ellauri302.html on line 190: In the background of the basement brothel, several small compartments, separated from one another by thin partitions, and screened by thick black curtains. One of the curtains has been drawn aside; in the compartment are seen a bed, a wash-stand, a mirror and various toilet articles. A colored night-lamp sheds a dim light over the tiny room. ellauri302.html on line 205: A fine business! It has to rain! (Suddenly noticing Rifkele, he explodes with rage.) What! You here! (Seizes her hy the collar and shakes her, clinching his teeth.) What are you doing here? ellauri302.html on line 212: Rifkele, crying. Papa, don't hit me! Don't kick me 'there' either! ellauri302.html on line 220: Time to close shop, says Yekel. Reizel! To bed! Basha! Time to go to sleep! (From without are heard girls' voices: Soon. Right away!) Yekel, calling into the entry. Reizel! Basha! Enter two girls, running. Rain is dripping from their wet, filmy dresses and from their unbraided hair. They are in a merry mood and speak with laughter. Yekel leaves, slamming the door behind him.) ellauri302.html on line 226: The God Of Vengeance paid my account the day before yesterday... We were standing under the eaves, the rain is so fragrant,.. It washes the whole winter off your head. (Goes over to Hindel.) Just look... (Showing her wet pubic hair.) How fresh it is... how sweet it smells... ellauri302.html on line 229: At home, in my village, the first sorrel must be sprouting. Yes, at the first May rain they cook sorrel soup... And the goats must be grazing in the meadows... And the rafts must be floating on the stream... And Franek is getting the Gentile girls together, and dancing with them at the inn... And the women must surely be baking cheese-cakes for the Feast of Weeks.* (Silence.) Do you know what? I'm going to buy myself a new summer tippet and go home for the holidays... (Buns into her room, brings out a large summer hat and a long veil; she places the hat upon her wet hair and surveys herself in the looking-glass.) Just see! If I'd ever come home for the holidays rigged up in this style, and promenade down to the station... Goodness! They'd just burst with envy. Wouldn't they? If only I weren't afraid of my father! He'd kill me on the spot. He's on the hunt for me with a crowbar. Once he caught me dancing with Franek at the village tavern and he gave me such a rap over the arm with a rod (Showing her arm.) that I carry the mark to this very day. I come from a fine family. My father is a butcher. Talk about the fellows that were after me!... (In a low voice.) They tried to make a match between me and Nottke the meat-chopper. I've got his gold ring still. (Indicating a ring upon her finger.) He gave it to me at the Feast of Tabernacles.* Maybe he wasn't wild to marry me, — but I didn't care to. ellauri302.html on line 231: Described in Leviticus 23, The Feast of Weeks is the second of the three “solemn feasts” that all Jewish males were required to travel to Jerusalem to attend (Exodus 23:14–17; 34:22–23; Deuteronomy 16:16). This important feast gets its name from the fact that it starts seven full weeks, or exactly 50 days, after the Feast of Firstfruits. Since it takes place exactly 50 days after the previous feast, this feast is also known as “Pentecost” (Acts 2:1), which means “fiftieth.” ellauri302.html on line 233: Each of three “solemn feasts”—Passover, the Feast of Weeks, and the Feast of Tabernacles—required that all able-bodied Jewish males travel to Jerusalem to attend the feast and offer sacrifices. All three of these feasts required that “firstfruit” offerings be made at the temple as a way of expressing thanksgiving for God’s provision. The Feast of Firstfruits celebrated at the time of the Passover included the first fruits of the barley harvest. The Feast of Weeks was in celebration of the first fruits of the wheat harvest, and the Feast of Tabernacles involved offerings of the first fruits of the olive and grape harvests. ellauri302.html on line 235: Since the Feast of Weeks was one of the “harvest feasts,” the Jews were commanded to “present an offering of new grain to the Lord” (Leviticus 23:16). This offering was to be “two wave loaves of two-tenths of an ephah” which were made “of fine flour... baked with leaven.” The offerings were to be made of the first fruits of that harvest (Leviticus 23:17). Along with the “wave offerings” they were also to offer seven first-year lambs that were without blemish along with one young bull and two rams. Additional offerings are also prescribed in Leviticus and the other passages that outline how this feast was to be observed. Another important requirement of this feast is that, when the Jews harvested their fields, they were required to leave the corners of the field untouched and not gather “any gleanings” from the harvest as a way of providing for the poor and strangers (Leviticus 23:22). ellauri302.html on line 243: Basha: Here, at least, I'm a free person. I've got my chest of finery, and dress swell. Better clothes, upon my word, than the rich daughters of my village... (Fetching from her compartment a hrown dress.) When I go walking on Marshalkovski street in this dress they all stare at me... Fire and flame! Mm! If I could only put in an appearance in my home town dressed in this fashion, here 's how I 'd promenade to the station. (Struts across the room like a lady of fashion^ raising her skirt at the hack and assuming a cosmopolitan air.) They'd die of jealousy, I tell you... They'd be stricken with apoplexy on the spot. (Promenades about the room playing the grand dame.) ellauri302.html on line 257: Manke: Bah! He's a fool. Third time he's come in a row. And he keeps asking me, who's my father, who's my mother, — as if he intended to marry me... Whenever he kisses me he hides his face in my bosom, closes his eyes and smiles as if he were a babe in his mother's arms. (Looks around. In a low voice, to Hindel.) Hasn't Rifkele been here yet? ellauri302.html on line 294: Are you cold, Rifkele darling? Nestle close to me... Ever so close... Warm yourself next to me. So. Come, let's sit down here on the lounge. (Leads Rifkele to a lounge; they sit down.) Just like this... Now rest your face snugly in my bosom. So. Just like that. And let your body touch mine... It's so cool... as if water were running between us. (Pause.) I uncovered your breasts and washed them with the rainwater that trickled down my arms. Your breasts are so white and soft. And the blood in them cools under the touch, just like white snow, — like frozen water... and their fragrance is like the grass on the meadows. And I let down your hair so... (Buns her fingers through RifkeWs hair.) And I held them like this in the rain and washed them. How sweet they smell... Like the rain itself... (She huries her face in Rifkele's hair.) Yes, I can smell the scent of the May rain in them... So light, so fine... And fresh... as the grass on the meadows... as the apple on the bough... So. Cool me, refresh me with your tresses. (She washes her face in Rifkele^s hair.) Cool me, — so. But wait... I'll comb you as if you were a bride... a nice part and two long, black braids. (Does so.) Do you want me to, Rifkele? Do you? ellauri302.html on line 306: Manke: Then we come closer to one another, for we are bride and bridegroom, you and I. We embrace. (Places her arm around Bifkele.) Ever so tightly. And kiss, very softly. Like this. (Kisses Rifkele.) And we turn so red, — we're so bashful. It's nice, Rifkele, isn't it? ellauri302.html on line 310: Manke, lowering her voice, and whispering into Bifkele' s ear. And then we go to sleep together. Nobody sees, nobody hears. Only you and I. Like this. (Clasps Bifkele tightly to herself.) Do you want to sleep with me tonight like this? Eh? ellauri302.html on line 322: Manke No. We'll run away this very night, — with Hindel, to her house... She has a house with Shloyme, she told me. You'll see how nice everything will be... Young folks will be there aplenty, — army officers... and we'll be together, all by ourselves, all day long. We'll dress just like the officers and go horseback-riding. Come, Rifkele, — do you want to? ellauri302.html on line 328: Hindel, waking with a start. Yes, yes. To Shloyme 's, right away! (She throws a dress over Rifkele.) He'll find us a place quickly enough. ellauri302.html on line 330: Manke, hastily dressing Rifkele. You'll see how nice everything 'll be... What ellauri302.html on line 337: Reizel: There's something suspicious about this that I don't like. ellauri302.html on line 345: It's none of our business. Let's put out the lamp and go to sleep. We know nothing about it. (Turns down the wick of the lamp. The stage is bathed in gloom. The girls go to their respective comparyments. ellauri302.html on line 357: Third Act - good try but balls practically empty. ellauri302.html on line 363: Yekel, enters from Bifkele's room. He is without hat or coat; his hair is in disorder. His eyes have a wild glare, and he speaks slowly, with a subdued, hoarse voice, ellauri302.html on line 369: Yekel, in the same hoarse voice, as he paces about the room. It's all the same to me now. My soul is given over to the devil. Nothing will help. It's no use. God won't have it... (He stops before the window and peers through an interstice of the shutter.) ellauri302.html on line 376: Sarah: So you want to go back to the basement? — Into the basement, then! Much I care! (Resumes her packing.) He wants to ruin us completely. What has come over the man? (For a moment she is absorbed in reflection.) If you're going to stand there like a lunatic, I'll get busy myself! (Takes off her diamond ear-rings.) I'll go over to Shloyme's and give him my diamond ear-rings. (From her bundle she draws out a golden chain.) And if he holds back, I'll add a hundred rouble note. (She searches YeheVs trousers pocket for his pockethook. He offers no resistance.) Within fifteen minutes (Throwing a shawl over her shoulders.) Rifkele will be here. (As she leaves.) Shloyme will do that for me. (Slams the door behind her.) ellauri302.html on line 379: It's all the same to me now...The devil got her, too. No more daughter... No more Holy Scroll... Into the brothel with everything... Back to the brothel... God won't have it... (Long pause. Beizel appears at the door, thrusting in her head. Steals into the room and stops near the entrance. Yekel notices her, and stares at her vacantly.) ellauri302.html on line 388: Reizel She was such a nice girl. What a shame! ellauri302.html on line 422: Fine! Then what's all this commotion about? The whole town will know all about it before long. Such things should be kept dark. They're not nice. If a prospective father-in-law ever got wind of the story, her dowry would have to be raised a couple of hundred roubles... ellauri302.html on line 428: Fie! You're out of your head altogether. True, a misfortune has befallen you. May Heaven watch over aU of us. Well? What? Misfortunes happen to plenty of folks. The Lord sends aid and things turn out all right. The important point is to keep your mouth shut. Hear nothing. See nothing. Just wash your hands clean of it and forget it. (To Reizel.) Be careful what you say. Don't let it travel any further, God forbid. Do you hear? (Turns to Yekel, who is staring vacantly into space.) I had a talk with... (Looks around to see whether Reizel is still present. Seeing her, he stops. After a pause he begins anew, more softly, looking at Reizel as a hint for her to leave.) With er, er... (Casts a significant glance at Reizel, who at last understands, and leaves.) I had a talk with the groom's father. I spoke to him between the afternoon and evening prayers, at the synagogue. He's almost ready to talk business. Of course I gave him to understand that the bride doesn't boast a very high pedigree, but I guess another hundred roubles will fix that up, all right. Nowadays, pedigrees don't count as much as they used to. With God's help I'll surely be here this Sabbath, with the groom's father. We'll go down to the Dayon and have him examine the young man in his religious studies... But nobody must get wind of this tale. It might spoil everything. The father comes of a fine family and the son carries a smart head on his shoulders. There, there. Calm yourself. Trust in the Lord and everything will turn out for the best. With God's help I am going home to prepare for the morning prayer. And as soon as the girl returns, notify me. Remember, now. (About to go.) ellauri302.html on line 455: Yekel, interrupting. Don't try to console me, Rebbi. I am inconsolable. I know that it's too late. Sin encircles me and mine like a rope around a person's neck. God wouldn't have it. But I ask you, Rebbi, why wouldn't He have it? What harm would it have done Him if I, Yekel Tchaftchovitch, should have been raised from the mire into which I have fallen? (He goes into Rifkele's room, carries out the Sacred Parchment, raises it aloft and speaks.) You, Holy Scroll, I know, — you are a great God! For you are our Lord! I, Yekel Tchaftchovitch, have sinned. (Beats his hreast with his closed fist.) My sins... my sins... Work a miracle, — send down a pillar of fire to consume me. On this very spot, where I now stand! Open up the earth at my feet and let it swallow me! But shield my daughter. Send her back to me as pure and innocent as when she left. I know... to You everything is possible. Work a miracle! For You are an almighty God. And if You don't, then You're no God at all, I tell j^ou. I, Yekel Tchaftchovitch, tell You that You are as vengeful as any human being... ellauri302.html on line 474: Reb Ali The truth. The truth. Heaven will help you... Everything will turn out for the best. I'm going to the young man's father directly. He's over at the synagogue and must surely be waiting for me. (Looks around.) Tell your wife to put the house in order in the meantime. And you, prepare the contract, and at once, so that he'll have no time to discover anything amiss and withdraw. Arrange the wedding date and have the bride go at once to her parents-in-law. No idle chatter, remember. Keep silent, so that nobody wiU learn anything about it. (Ready to go.) And cast all this nonsense out of your head. Trust in the Lord and rejoice in His comfort. (At the door.) Tell your wife to tidy up the place. (Leaves.) ellauri302.html on line 480: Yekel, speaks in a faltering voice. Rifkele, tell me, Rifkele. You are my daughter I am your father. (Points to Sarah.) She is your mother. Tell me, my daughter^ Tell me the whole truth. Don't be afraid ot me Don't feel ashamed before me. I know, — not for your sins...not for your sins... For my sins, mine... For your mother's sins... our sins... Tell me, daughter - are you still uncorked or no? ellauri302.html on line 486: Yekel, at the top of his voice. You don't know! You don't know! Then who does know? What do you mean, — you don't know?" The truth, now! Are you still — ellauri302.html on line 499: Sarah, smiling, to her husband. Why don't you show yourself, Yekel? (She thricsts a chair taivard him. The visitors express their greetings and take their seats.) ellauri302.html on line 501: Reb Ali, gesticulating. Let's get right down to business. (To the stranger, pointing to Tekel.) This gentleman wishes to unite families with you. He has an excellent daughter and wants as her husband a scholar well versed in Rabbinical lore. He'll support the couple for life. ellauri302.html on line 514: Yekel, indicating Rifke's room. ellauri302.html on line 516: Yes, he 'll sit inside there and study the sacred books... I have a virtuous Jewish daughter. (Goes into the room and drags Rifkele out hy force. She is only half dressed, her hair in disorder, one boob sticking out. He points to her.) Your son will marry a virtuous Jewish daughter, I say. She will bear him pure, Jewish children... even as all pious daughters. (To Sarah.) Isn't that so? (Laughing wildly, to the stranger.) Yes, indeed, my friend, — she'll make a pure, pious little mate. My wife will lead her under the wedding canopy... Down into the brothel! Down below! (Pointing to the basement.) Down into the brothel! (Dragging Rifkele hy her hair to the door.) Down into the brothel with you! Down! ellauri302.html on line 552: God of Vengeance julkaistiin englanninkielisenä käännöksenä vuonna 1918. Vuonna 1922 se esitettiin New Yorkissa Provincetown Theaterissä Greenwich Villagessa, ja se siirrettiin Apollo Theateriin Broadwaylle 19. helmikuuta 1923. näyttelijät, joihin kuului ylistetty juutalainen maahanmuuttajanäyttelijä Rudolph Schildkraut, saivat paljon buuauxia mutta myös läpyjä. Sen esitys keskeytettiin 6. maaliskuuta, kun koko näyttelijä, tuottaja Harry Weinberger ja yksi teatterin omistajista nostettiin syytteeseen osavaltion rikoslain rikkomisesta ja tuomittiin myöhemmin siveettömyydestä. Weinberger, joka oli myös merkittävä asianajaja, edusti ryhmää oikeudenkäynnissä. Päätodistaja näytelmää vastaan oli rabbi Joseph Silberman, joka julisti Forvertsin haastattelussa: "Tämä näytelmä herjaa juutalaista uskontoa. Edes suurin antisemiitti ei olisi voinut kirjoittaa sellaista." Pitkällisen taistelun jälkeen tuomiosta valitettiin onnistuneesti. Euroopassa näytelmä oli niin suosittu, että se käännettiin saksaksi, venäjäksi, puolaksi, hepreaksi, italiaksi, tšekkiksi, romaniaksi ja norjaksi, ei kuitenkaan suomexi. ellauri302.html on line 554: Indecent on Paula Vogelin vuonna 2015 kirjoittama näytelmä, joka kertoo koston jumalan kiistasta. Se avattiin Broadwaylla Cort-teatterissa huhtikuussa 2017, ohjaajana Rebecca Taichman. Se ei ollut juuri mistään kotoisin. ellauri302.html on line 556: Toisella oleskelullaan Yhdysvalloissa Asch asui ensin Stamfordissa Connecticutissa, minkä jälkeen hän muutti Miami Beachille, jossa hän asui 1950-luvun alkuun asti. Hän loukkasi juutalaisten herkkyyttä vuosien 1939–1949 trilogialla Nasaretilainen, Apostoli ja Maria, joka käsitteli Uuden testamentin aiheita. Huolimatta syytöksistä kääntymyksestä, Asch pysyi ylpeänä juutalaisena; hän ei ollut kirjoittanut trilogiaa kristinuskon edistämiseksi, vaan yritykseksi kaventaa juutalaisten ja kristittyjen välistä kuilua. Suuri osa hänen lukijakunnastaan ja juutalaisesta kirjallisesta yhteisöstä ei kuitenkaan nähnyt asiaa niin. Hänen pitkäaikainen työnantajansa, New Yorkin jiddishinkielinen sanomalehti Forverts, ei ainoastaan luopunut hänestä kirjailijana, vaan myös hyökkäsi hänen kimppuunsa avoimesti Kristinuskon promootion vuoksi. Myöhemmin hän aloitti kirjoittamisen kommunistiselle lehdelle Morgen frayhayt, mikä johti toistuviin kuulusteluihin edustajainhuoneen epäamerikkalaisen toiminnan komiteassa. Vuonna 1953 Chaim Lieberman julkaisi teoksen The Christianity of Sholem Asch, raa'an kritiikin Aschia ja hänen kristologista trilogiaansa kohtaan, joka inhotti jopa joitain Aschin vahvimmista kriitikoista. Liebermanin kirja ja McCarthy Hearings johtivat Aschin ja hänen vaimonsa lähtemään Yhdysvalloista vuonna 1953, minkä jälkeen he jakoivat aikansa Lontoon (jossa heidän tyttärensä asui), Manner-Euroopan ja Israelin välillä. Right on Shulem! ellauri302.html on line 566: Jumala voi olla suuri tunari tai paskiainen, kun ei selviä teodikeasta, mutta vielä vähemmän Singer sietää gumanisteja. Gitler esimerkixi oli 1 suuri humanisti. On Gud är ingen värd, hamnar vi med Gitlers sätt att resonera! Så hade alla ondskefulla mördare resonerat under tidernas lopp når de ställde och människans vilja i centrum av universum. Vill jag stå på deras sida? Gitler med nazisterna som beordrade judarna att gräva sina egna gravar? Kunde inte göra ens denna lilla service för dem? Varför grävde de inte sina egna gravar istället? Gumanismen gjorde människan till alltings mått. Så vad hade detta att säga om gumanismen? Undermåttig idé, i ett ord. Människorna måste utvecklas, göra framsteg - inte teknologiskt utan moraliskt - för vad tjänade de annars för syfte? Å andra sidan, varför behöver dom tjäna något syfte alls? Men varför måste då den ena individen lida medan den andra frossade i det bästa som framstegen kunde erbjuda? Är dom kanske vinnare och de andra förlorare i Darwins olympiad? Var inte själva framstegen ett resultat av oräkneliga våldshandlingar? Var inte den franska revolutionen en målstolpe i människans framsteg? Var inte västens oräkneliga krig flera sådana? Och var vi inte glada över den franska revolutionen och dess giljotiner? Tycker vi inte om kärnvapen och Coca Cola? Vilka var gumanismens hjältar? Korpraler, andra militära ledare. Var inte också Stalin en produkt av den sortens to gumanism som satte människans vilja i centrum for all mänsklig strävan? All Stalin gjorde antogs vara för mänsklighetens bästa. Dito med Joshuas tiotusentals lik- och förskinnshögar. Nej förlåt, de var ju Guds påbud, helt annan sak. ellauri302.html on line 573: Puertoricolaiset näyttää sekarotuisilta. Istuu portailla ilman paitoja. Singer ei voisi kusta Times Squarelle, hänen uskontonsa kieltää sen. ellauri302.html on line 649: Vuonna 1950 Itzele oli 47. Silloin se päätti vetäytyä talviunille kuin muumi, työntää havunneulasia perseeseen. Eihän siitä mitään tullut, melskasi naisissa vielä 41 vuotta. Sen mielestä kaikkien uskontojen poinzi on ahimsa tosin apinaveljiin\ rajoitettuna, eli oma onni ei sais tulla toisten apinoiden epäonnesta. Sehän on kapitalismille aivan vieras ajatus. Sitäpaizi se ei ihan riitä tekemään uskonnosta vetävää. Vad skulle judendomen ha för dragningskraft om det inte längre fanns skägg, tinninglockar, lärohus, heliga böcker, bönesjalar och bönekapslar, sabbat och andra högtider? En sådan judendom skulle inte bara misslyckas med att tillfredsställa människors behov; den riskerade också att falla samman vilket ögonblick som helst av brist på levnadsregler och symbolisk struktur. Om människorna handlade individuellt snarare än gruppvis skulle deras förmåga att tjäna Gud vara lika liten som deras förmåga att försvara sitt land. Som individer kunde de inte bekämpa Satan, de kunde inte slå tillbaka Hitler eller Stalin på egen hand. Såna vackra ord betyder inte vackra handlingar. Efter att ha sagt det här till Luria for Grein iväg för att knulla hans hustru Anna. ellauri302.html on line 690: - Var dom är? I paradisets strålglans! Universums herre kan inte göra fel. Himmelens och jordens skapare kan inte vara ond. Det skulle jag aldrig kunna tro! Om jag så kom till den andra världen och fick se med mina ögon att Hitler sitter i paradiset medan all visdoms källa brinner i grillen - bort det - skulle jag ändå instämma i Skriftens ord och säga att 'ondskan kommer icke från Herren. ellauri302.html on line 732: 29 Om de döda inte alls uppstår, varför låter man då döpa sig för deras skull? 30 Och jag själv, varför sätter jag livet på spel i varje ögonblick? 31Ja, bröder, så sant som ni är min stolthet i Kristus Jesus, vår herre: låt oss äta och dricka, ty i morgon skall vi dö. 33 Låt inte bedra er. »Av dåligt sällskap blir den bäste snart förstörd.« ellauri302.html on line 738: Men i stället blir det glädje och firande, slakt av oxar och lamm, köttätande och vindrickande: ”Låt oss äta och dricka, imorgon ska vi ju ändå dö!” ellauri302.html on line 746: Jag har hört talas om en jiddischsk skådespelare i Moskva som lurade i sina kolleger att han hade en tunna sill. Det var under revolutionen när man inte kunde få en sillbit för vare sig kärlek eller pengar. Så snart folk fick höra att han hade sill började dom ställa sig in hos honom. Till och med ryssarna behandlade honom på ett nytt sätt: Nathan Davidovich, du ska få en huvudroll. Du blir berömd. Jag dör av längtan efter en bit sill. Summan ar kardemumman blev att han måste packa och fly till Kiev när kontrarevolutionärerna började slåss mot bolsjevikerna. Han fastnade i nån by och det var där Makhnos banditer gjorde slut på honom." ellauri308.html on line 6: font-style: italic; ellauri308.html on line 242: Heeb is a Jewish website (from 2001 to 2010, a quarterly magazine) aimed predominantly at young Jews. The name of the publication is a variation of the ethnic slur "hebe", an abbreviation of Hebrew. ellauri308.html on line 308: icture-5700-e3c8307321c50562fc51a7948ab5a069.jpg" width="10%" /> ellauri308.html on line 319: icture-91.png" width="10%" /> ellauri308.html on line 373: icture-50940-1438541361.jpg" width="10%" /> ellauri308.html on line 379: icture-52305-1442323150.jpg" width="10%" /> ellauri308.html on line 407: icture-50940-1438541361.jpg" width="10%" /> ellauri308.html on line 430: ic/204/photos/487000/936x622/1343487.jpg" /> ellauri308.html on line 446: Dugin hyödyntää ranskalaisilta filosofeilta kuten Michel Foucault’lta ja Jean-François Lyotardilta peräisin olevaa valistuksen “suurten kertomusten” kritiikkiä. Sen avulla voidaan horjuttaa liberalismin itsestään kertomaa tarinaa, jonka mukaan liberaali demokratia on historian universaali päätepiste, johon kaikki kehitys on tähdännyt. Dugin viittaa erityisesti amerikkalaisfilosofi Francis Fukuyaman ajatukseen liberaalista demokratiasta “historian loppuna”. ellauri308.html on line 461: ica_Marynarki_Polskiej_15_%28Stefan_%C5%BBeromski%29.JPG" height="400px" /> ellauri308.html on line 464: Stefan Żeromski ( [ˈstɛfan ʐɛˈrɔmski] ( kuuntele ) ; 14. lokakuuta 1864 – 20. marraskuuta 1925) oli puolalainen kirjailija ja näytelmäkirjailija , joka kuului Nuoren Puolan -liikkeeseen 1900-luvun vaihteessa. Nuori Puola edisti dekadenssin, uusromantiikan, symbolismin, impressionismin ja jugendin megatrendejä. Häntä kutsuttiin "puolalaisen kirjallisuuden omaksitunnoksi". Hän oli neljä kertaa ehdolla kirjallisuuden Nobelin palkinnon saajaksi, muttei tärpännyt, mitali oli liian hiljan mennyt 1905 B-joukkueen Sienkiewiczille. ellauri308.html on line 466: Henryk Adam Aleksander Pius Sienkiewicz (5. toukokuuta 1846 Wola Okrzejska, Puola – 15. marraskuuta 1916 Vevey, Sveitsi) oli puolalainen toimittaja, kirjailija ja Nobelin kirjallisuuspalkinnon saaja eeppisten kirjallisten ansioidensa vuoksi. Hänet muistetaan parhaiten historiallisista romaaneistaan. Kansainvälisesti tunnettu menestyskirja on Quo Vadis (1896). ellauri308.html on line 468: icza_w_stroju_safari.jpg/500px-J.Mien-Portret_Henryka_Sienkiewicza_w_stroju_safari.jpg" /> ellauri308.html on line 469: Henryk Sienkiewicz safarilla Afrikassa 1890. ellauri308.html on line 471: Isä Józef Sienkiewicz polveutui Liettuan suurherttuakuntaan asettuneista tataareista ja oli venäläisvaltaisen Puolan aatelistoa. Äiti Stefania Cieciszowska oli valkovenäläisestä säätyläisperheestä. Sienkiewiczin perhe muutti asuinpaikkaansa useita kertoja. Lapsuusvuosinaan Henryk eli kartanoelämää. 1870-luvun lopulla hän matkusti Yhdysvaltoihin ja lähetti takaisin matkaesseitä, jotka saivat hänet suosioon puolalaisten lukijoiden keskuudessa. ellauri308.html on line 481: Ukraina on täynnä Henrykin pazaita, varsinkin Lwiw. Hänen teoksiaan myös moitittiin liian pelkistetyiksi. 20. vuosisadan puolalainen kirjailija ja dramaturgi Witold Gombrowicz kuvasi Sienkiewiczia ensiluokkaiseksi toisen luokan kirjailijaksi. Vasily Rozanov kuvaili Quo Vadista, ettei se ole taideteos, vaan kuin karkea tehdastekoinen maalaus. Anton Tšehov kutsui Sienkiewiczin kirjoitelmia oksettavan äiteliksi ja tökeröiksi. Kuitenkin Puolan kirjallisuushistorioitsija Henryk Markiewicz kirjoitti Polski słownik biograficznyssä (Puolalaisten elämäkertojen sanakirjassa) artikkelin Sienkiewiczista (1997). Markiewicz kuvaa Sienkiewiczia puolalaisen proosan mestariksi ja puolalaisen historiallisen fiktion eturivin kirjailijaksi ja samalla kansainvälisesti parhaiten tunnetuksi puolalaiseksi kirjailijaksi. Haha LOL, kiitos Hollywoodin. ellauri308.html on line 483: Sienkiewicz nimitettiin moniin kansainvälisiin organisaatioihin ja yhdistyksiin, kuten Puolan oppimisakatemiaan, Venäjän tiedeakatemiaan, Serbian tiede- ja taideakatemiaan, Kuninkaalliseen Tšekin tiedeyhdistykseen sekä Italian Arkadian akatemiaan. Hän sai Ranskan Kunnialegionan kunniamerkin 1904, Jagellon yliopiston kunniatohtorin (1900) ja Lvivin yliopiston kunniatohtorin arvot sekä Lvivin kunniakansalaisen arvon 1902. Ruotsin akatemian jäsenen Hans Hildebrandin ehdotuksesta hän sai 1905 Nobelin kirjallisuuspalkinnon. ellauri308.html on line 485: Sienkiewiczin nimellä varustettuja katuja ja aukiota on Puolassa runsaasti, ensimmäisenä katu Lvivissä 1907. Sienkiewiczille on nimetty Białystokin Osiedle Sienkiewicza, Wrocławin ja Łódźin keskuspuistot sekä yli 70 Puolan koulua. Hänen patsaitaan on paljon Puolan kaupungeissa, muun muassa Varsovan Łazienki Parkissa. Ensimmäiset patsaat pystytettiin nyky-Ukrainan Zbarażiin ja Roomaan. Sienkiewczin patsas Mound Okrzejalla on lähellä hänen syntymäpaikkaansa Wola Okrzejskaa. Hänet on ikuistettu lukuisiin postimerkkeihin. ellauri308.html on line 487: Sienkiewiczille on omistettu kolme museota Puolassa. Ensimmäisenä Henryk Sienkiewicz -museo, hänen kotinsa, avattiin Oblęgorekissa 1958. Toisena hänen synnyinkotinsa vuonna 1966 ja kolmantena vuonna 1978 Poznańin Wola Okrzejskassa avattu Henryk Sienkiewicz -museo. ellauri308.html on line 489: Roomassa on Domine Quo Vadisin pienessä kirkossa Henryk Sienkiewiczin pronssinen rintakuva. Sanotaan, että istuessaan tässä kirkossa Sienkiewicz sai inspiraation kirjoittaa teoksen Quo Vadis. Aika originellia. Quo Vadis on kuvattu useita kertoja, ja Hollywoodin vuoden 1951 versio on saanut eniten kansainvälistä tunnustusta. ellauri308.html on line 511: I boken framkommer det att Staffan Hildebrand ofta umgicks med unga pojkar i sitt hem och lockade dem med löften om filmroller och utlandsresor. ellauri308.html on line 556: Vladimir Pozner syntyi Pariisissa 1. huhtikuuta 1934 Venäjän juutalaiselle isälle Vladimir Aleksandrovich Poznerille ja ranskalaiselle katoliselle äidille Géraldine Luttenille. Pariskunta erosi pian hänen syntymänsä jälkeen. Kun Vladimir oli 3 kuukauden ikäinen, hän ja hänen äitinsä muuttivat New Yorkiin, jossa Géraldinen äiti ja nuorempi sisar asuivat. Keväällä 1939 Poznerin vanhemmat yhdistyivät ja perhe palasi Pariisiin, Ranskaan. ellauri308.html on line 665: Zhydobandera, Zhidobandera, or Zhydobanderovets – "Yid-Banderite" or "Judeo-Banderite" a conflation of Zhyd (i.e., a Kike) and a Bandera follower. This is an ironic self-appellation coined by Ukrainian Jewish activists during the Euromaidan protests to highlight the inconsistency of Russian propaganda which demonized Ukrainian pro-Europe and pro-democracy activism as fascist to the West and as Jewish to Ukrainians, with reference to "Judeo-Bolshevism". ellauri308.html on line 773: ican" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri309.html on line 6: font-style: italic; ellauri309.html on line 46: Framtiden finns inom oss, vi måste bara vara modiga nog att se det! Tämä yrittäjähenkinen opetus on Pixarin Disney-filmatisaatiosta Modig. Det är toppen på botten! Havet är djuu--upt! Hyvin vetää näin myös peukun näköinen erakkorapu Arielissa pikkutytöille American dreamia. Samaa tuubaa tarjoaa Nora Roberts vähän isommille tytöille. ellauri309.html on line 58: ihrer Geschichte einen ebensolchen Spaß wie ich, und wunsche Ihnen, dass ellauri309.html on line 59: auch Ihre Träume sämtlich wahr werden. Mitä herzlichen Grüssen, Nora ellauri309.html on line 62: Was will eine reifbehangene weibliche Affe mit Nachwuchs von einem ellauri309.html on line 63: neuen männlichen? Einfach! Eine Familie, Michael, war alles, wovon ich mein ellauri309.html on line 65: Fotze. Wieder fiel sein Blick auf das winizge Kästchen, das alle die ellauri309.html on line 66: haarigen Kostbarkeiten einer nicht mehr so jungen Frau hielt. Er hätte es ellauri309.html on line 70: Okay! geschafft! Jetzt geht es los! Sieh mich an, als ich ellauri309.html on line 71: dies tue! Ich werde deinen Kindern ein möglichst guter Vater, Ihnen allen, ellauri309.html on line 72: ich werde nicht die beiden von einem oder mehreren anderen Männchen gezeugten zuerst ellauri309.html on line 73: töten. Ich werde dich niemals belügen oder allein lassen, nicht einmal im ellauri309.html on line 76: Michael, sagte sie, das ist alles, vowon ich immer geträumt hatte. ellauri309.html on line 77: Ich schaffe dir eine grosse Familie. Ja, jetzt darfst du mich ficken. Ja, ellauri309.html on line 86: ictures.hentai-foundry.com/e/Exodusisnear/650575/Exodusisnear-650575-Fiona.jpg" height="300px" /> ellauri309.html on line 97: joka valittiin Romance Writers of America Hall of Fameen. Vuodesta 2011 ellauri309.html on line 115: keramiikkaa (ceramics) ja ompeli lasten vaatteita. Pari erosi vuonna 1983. ellauri309.html on line 149: Bransoniin, Missouriin, missä Bill mainosti ja tuotti esityksiä Americana ellauri309.html on line 272: vicious fallout once you do. Could you have dug a little deeper to check ellauri309.html on line 286: value them–not just with communication, but by doing my best to give them ellauri309.html on line 290: reputation. Vicious and ugly accusations and names have been tossed at me ellauri309.html on line 298: public. But I will stand up for myself. I will defend my integrity and my ellauri309.html on line 299: reputation and my work. I’m appalled by this, sickened by it. I’m disgusted ellauri309.html on line 300: that people who don’t know me would feel free to say vicious things about ellauri309.html on line 302: nastiness, but it still disgusts me. Sticks and stones may break your bones. ellauri309.html on line 422: tuloksena. Here Kenneth Copeland and "Oral" Roberts brag how rich they are. ellauri309.html on line 445: "Oral" Roberzin sukulaiset Richard "Anal" ja Nora "Genital" Roberts ovat jatkaneet ellauri309.html on line 453: Richard "Anal" Roberts nimitettiin presidentiksi. Lokakuussa 2007 Roberts ellauri309.html on line 457: laajasti julkistetun skandaalin keskellä, ja Richard "Anal" Roberts erosi ellauri309.html on line 460: luovuttivat järjestelmänvalvojille raportin, jonka mukaan Richard Robertsin ellauri309.html on line 481: ulkopuolisen miehen kanssa, kuten syytökset antavat ymmärtää." Richard ellauri309.html on line 492: Robertsin poika, joka perusti ORU:n 60-luvulla. Tammikuussa Richard Roberts ellauri309.html on line 498: Kiitos lukuisten törttöilyjen ja ylilyöntien "Anal" joutuu saarnaamaan leipääntyneenä vielä tänäkin päivänä. Billy Grahamin classic TV-saarna "Fools" puhuu Anaalin kaltaisista hölmöistä (tai ehkä pikemminkin Billyn TV-ohjelmaa seuraavista suckereiden laumoista): ellauri309.html on line 500: ic Sermon" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri309.html on line 509: Billy Graham varttui maitotilallisen poikana Pohjois-Carolinan maaseudulla. He started to read books from an early age and loved to read novels for boys, especially Tarzan. Like Tarzan, he would hang on the trees and gave the popular Tarzan yell. According to his father, that yelling led him to become a minister. Vuonna 1934 Graham osallistui evankelista Mordecai Hamin kokoukseen ja teki henkilökohtaisen uskonratkaisun. Ham had a reputation for racism and anti-Semitism. He believed and preached on various topics based on classical anti-Semitic canards such as believing Jews had special access to political power and influence and that they represent a subversive social force. The targets for his preaching were often "nebulous rings of Jewish, Catholic or Black conspirators plotting to destroy white protestant America." ellauri309.html on line 515: Hoover and Sullivan considered King “the most dangerous Negro of the future in this nation”. Armed with salacious archival material from a recent FBI documents release, Garrow has reported about the iconic civil rights leader’s sexual misconduct, ranging from numerous extramarital affairs and solicitation of prostitutes to the allegation that he was present during the violent rape of a Maryland churchgoer. Garrow insists that a fundamental reconsideration of King's reputation is imminent. He describes how King and a handful of Southern Christian Leadership Conference (SCLC) officials checked into Washington DC’s Willard hotel along with “several women ‘parishioners’”. The group met in his room and discussed which women among the parishioners would be suitable for natural and unnatural sex acts, meaning anal and oral, genital being natural. The alleged rapist was Reverend Logan Kearse, a Baptist minister from Baltimore. Reportedly, "Mike" King just stood by with erect cock in hand overseeing the action, like another Kim Yung Il. ellauri309.html on line 519: In April 2010, Graham experienced substantial vision, hearing, and balance loss. Grahamin mäntyvanerisen arkun olivat tehneet Louisianan Angolan vankilan murhasta tuomitut vangit. According to the wealth-tracking site TheRichest.com, Billy Graham's net worth was an estimated $25 million at the time of his death. Aika heikkoa! ellauri309.html on line 521: In 2011, when asked if he would have done things differently, Billy said he would have spent more time at home with his family, studied more, fucked more, and preached less. Additionally, he said he would have participated in fewer conferences. Graham had a steamy relationship with Queen Elizabeth II. Graham was outspoken against communism and supported the American Cold War policy, including the Vietnam War. In 2009, more Nixon tapes were released, in which Graham is heard in a 1973 conversation with Nixon referring to Jewish journalists as "the synagogue of Satan". He further stated that the role of wife, mother, and homemaker was the destiny of "real womanhood" according to the Judeo-Christian ethic. Graham's daughter Bunny recounted her father denying her and her sisters higher education. Graham regarded homosexuality as a sin, and in 1974 described it as "a sinister form of perversion". AIDS oli ehkä jumalan designoima rangaistus pyllyhommista. ellauri309.html on line 544: Tulsa on kaupunki Yhdysvaltojen Oklahoman osavaltion koillisosassa. Kaupungin alueen alkuperäisasukkaita olivat osaget ja itse kaupungin perustivat kotiseuduiltaan pakkosiirretyt creekit vuonna 1836. Sittemmin kaupunki kasvoi nopeasti maaöljyn löytymisen jälkeen 1900-luvun alussa. Osaget joutuivat luopumaan maistaan Tulsassa vuonna 1826 ja Yhdysvallat alkoi asuttaa paikalle alkuperäisiltä kotiseuduiltaan karkotettuja creekejä ja cherokeeita. Mukana oli myös intiaanien omistamia afroamerikkalaisia orjia. Tulsan rotumellakat vuonna 1921 kuuluvat Yhdysvaltojen historian väkivaltaisimpiin. Kaupungin asukkaista 64 % oli taustaltaan valkoisia (latinot pois lukien 54,9 %), 15,1 % afroamerikkalaisia, 4,3 % intiaaneja, 15,8 % latinoja mistä tahansa rodusta ja 3,3 % aasialaisia. 17,6 % kaupungin asukkaista puhui kotonaan jotakin muuta kieltä kuin englantia ja 10,9 % kaupungin asukkaista oli syntynyt ulkomailla. Nimi "Tylsä" on sama kuin "Tällä hässii" ja tarkoittaa inkkarien kielellä "tuppukylä". Nicknamed: "Buckle of the Bible Belt", "Capital of the world". ellauri309.html on line 563: ja myi yhdeksän miljoonaa kappaletta. Se sai Evankelical Christian ellauri309.html on line 588: kaupunkialueilla.Teoksessa Exporting the American Gospel: Global Christian ellauri309.html on line 675: Prentice Mulford kirjassaan Your Forces, And How To Use Them (1887). Muut ellauri309.html on line 694: teoksen The Science of Getting Rich. Näissä tuotteissa oli suuri joukko ellauri309.html on line 714: Civiltà Cattolica tutkivat vaurauden evankeliumin alkuperää Yhdysvalloissa ellauri309.html on line 757: 'Pelvic issues' and 'anti-gender' agenda. Vanhaa tuttua "miehet ovat perseestä ja naiset anuxesta" turinaa. ellauri309.html on line 764: Nooran chicklit potaskaa ellauri309.html on line 766: Laura ystävineen on kuin Nemi, Ofelia ja Sini-tuote, paizi Laura selbst ist zugleich klein und zart, würdevoll und sexy, verwegenillä Margolla on leveä perä ja pulleat purjeet, ja lässig Kate on brainy ja anorektinen eikä osaa meikata. Kiintoisia karaktäärejä, lystikkäitä luonteita! ellauri309.html on line 767: Im Smoking sah ihr Bruder Josh wirklich phantastisch aus! Altmodisch und romantisch. Die schwungvolle Musik lockte Tänzer zum Paaren. Auch Nicht -Alkoholisches wurde serviert. Lauras Verpflichtung als eine Templeton war es, mit alten Ziegen zu tanzen und plaudern. Sie duftete wie eine Frau. Ein Teil ihres Vaters (guess which) hoffte das sie noch schön brav auf Knien vor ihm wäre. Alle Lauras Freunde werden da sein, wenn dasselbe mit diesem Ridgeway nicht klappt. ellauri309.html on line 769: Die winzige Laura war einfach die perfekte Frau für prince Charming. Mit der Anblick von Margo erhielt er zwar eine gewisse Erregung in Hosen, aber sie war Tochter einer Putzfrau. Mit Laura gab es die richtige Frau, eine gesicherte gesellschaftlige Position, Söhne, Reichtum und Erfolg. EAT! FUCK! ellauri309.html on line 770: Puskissa haisee jasmiini vaikka on tammikuu. Laura, willst du meine Frau werden? Ja, warum nicht? Mikä ettei. ellauri309.html on line 772: Zwölf Jahre später: sie ist 30 und geschieden. Sie hat ihr Templetonvermögen verloren und hält 2 Teilzeitjobs. Die peinliche Tatsache ist dass sie nur mit einem Mann je gebumst hat. Sonst ist alles schon in Ordnung. Die Teilzeitjobs: nicht als Putzfrau wie Ann Sullivan, sondern Hotell-Leiterin und Boutique-Entrepreneurin. Ein harter Tag am Chequeschreiben und Tagungen erwartet. Suomessa on Lama-yhtyeen 80-luvun vasemmistopunkkareista tullut persuäijiä. Niin käy kun ei olla enää pahnan pohjimmaisina vaan lähinnä seuraavassa kerroxessa pohjalla. ellauri309.html on line 781: Pyylevä keittäjätär Mrs. Williamson on hyväntuulinen. Hän on takuulla neekeri (kuten myös puutarha-Joet, elleivät ole märkäselkiä). Keittiö on tilava, jotta isoperseinen Mrs. Williamson mahtuu siinä kääntymään. Laura on yhtä kova valehtelemaan kuin Noora, muttei yhtä hyvä. Epäuskottavaa ettei Pezku yhtään välittäisi tyttäristään, epis väite että muka vain äidit tykkäisivät lapsistaan. Ali on oikeassa että vika on Laurassa jos ei lasten jakamisesta tule sopua. Ehkä ne ei edes ole Petterin. Kenties talouspakotelaivaston vaarallinen Michael kävi salaa pökkimässä ne. Laura ei huomannut midiä koska se pitää aina silmät kiinni. Laura möi hepat pois kun Petteri ei niistä tykännyt. Nyt on limasyöxyn (Schlemmlawine) hautaama vaarallinen Mr. Fury tulossa heppoineen Lauran tyhjään talliin kiinaamaan. Arvaahan sen mitä siitä seuraa: pian Mikin hepat karkaavat ja Furyn kaviot jylistävät ukkosen lailla Lauran pyllyvaossa. Bald liebt er sie beinahe so wie seine Pferde. ellauri309.html on line 783: Templetonien nykyaikaisen kuninkaanlinnan tallirakennuxessa palkizi desperadon näköistä, notmiitä tappamalla vaurastunutta arpista entistä palkkasoturia mahtava maisema! Was für ein Einblick! Er wurde mit einem hübschen weiblichen Hinterteil in engen Jeans belohnt. Seine eigenen schwarzen desperado-Jeans wurden plötzlich all zu eng. Pfiuu! pfiuu! pfiuu! Dojongg-jongg! Noora on suunnilleen Seijan kokoinen. Hiän jopa tiesi miten päin pidellään Klobürsteä. Mikki nuuhki kyrpä kovana Laurasta lähtevää hienoista tuoxua. Die dem männlichen Geschmack entsprach. Ich habe Kinder gern. Lauran tytöt ovat heppahöperöitä. Mixi vitussa on ammeen pesu noloa? Kummallista porukkaa. Eine moderne Version von Heathcliff. Naisia kiihottavat pelottavat isot eläimet jotka ovat niille silti kilttejä ja nöyriä, niinkuin orihevoset tai Bellen hirviö. ellauri309.html on line 790: Hizin lastenkirjamaista, vain sillä erolla että Milli-Mollin mielenkiinnon esineiden (EAT!) lisäxi mukana on FUCK! eli "se sinne, nirsk narsk, ruiskis" haaveilu. Keila on selkeästi äiskän suosikki, Ali on Pezku-isän näköinen ja tapainen. Miten 7,5 vuotiaalla on vasta 1 hammas lähtenyt? Jokohan Mr. Fury näyttää tyttösille keilansa? Karkaavatkohan jo hevoset? Kyllä vain! Oh! Wie gross es ist! Wie hübsch! Wie weich es ist! Du darfst ihn ruhig streicheln. Begeistert strich Kayla über die samtige Eichel und kicherte, wenn sie unter ihrer Hand zu zucken begann. Bekommen Pferde Babys genauso wie Menschen? So ziemlich, aber nicht in dieser Missionärstellung, nur von hinten. Wollt ihr eine Vorführung? Aber nicht umsonst! ellauri309.html on line 796: Schwellung von Lauras Brüsten und die nicht so sanfte in Mickeys Jeans. Hommat ellauri309.html on line 856: Barbieta. Paitsi miehet, jotka ovat vain Ken. Tai Allan (onneton Michael Cera ). ellauri309.html on line 863: jatkuvista yrityksistä keksiä tuote uudelleen (Earring Magic Ken; Palm Beach Sugar ellauri309.html on line 869: …köyhyys on hyvä syy olla tukematta Guardiania. Dann ärgern sich die ellauri309.html on line 872: Hiekkalaatikkokaveri teki oharit siveälle Lauralle. Mikkis Männlichkeit ellauri309.html on line 883: kleinen Dirne ist auf den engen Jeans voll sichtbar. Familie ist das wichtigste im ellauri309.html on line 886: pesunkestävä neekerilapsi. Er zog sie auf seine Knie. Aufgeschoben ist nicht ellauri309.html on line 887: aufgehoben. Quod differtur, non aufertur. Wos ist dran ist noch nicht drin. ellauri309.html on line 899: verdammte Boutique gehören ja Laura. Aber sie nimmt ihre Pflichten ernst. Vieläkin ellauri309.html on line 910: natustelee Hotel Templetonissa toimeliaan Lauran poskea. Gott, ich liebe meinen ellauri309.html on line 916: myskidödöltä? Ich weiss nicht wie man so was macht. Helppoa kuin heinänteko, ellauri309.html on line 920: besser, sehr vielmals Hin und Zurück. Niemand hatte seine Eichel dorthin geführt, ellauri309.html on line 922: Sauberen Schweiss von gutem Sex! Mit einem harten Stoss seiner "Männlichkeit". Geh ellauri309.html on line 923: nirgendswo, stöhnte er, als er sich schmeidig an, auf, hinter, in, neben, unter, ellauri309.html on line 941: längst bereite harte Männlichkeit. Verzweifelt schnelle Stösse, schneller ellauri309.html on line 946: vaatteet päällä altaassa paikat märkinä ja Wendyn Weiblichkeit hinkkaa vasten ellauri309.html on line 950: das klingt wie ein Klischee, aber er sieht wirklich so aus. ellauri309.html on line 956: Lihaxikas Tommy joka piti kaikesta romanttisesta oli siittänyt Joshin tornihuoneen paxulla persialaismatolla. Tommy miten vuodet menivät niin nopeasti huokaa Susan nyt samalla tahmaisella matolla. Et ole vielä kovin ryppyinen lohdutti Tommy. Pienen jutustelun jälkeen kaadutaan taas tekemään lisää tahmaisia fläkkejä der Teppichiin. ellauri309.html on line 958: So oder so du kannst nicht mit dem Träumen einfach aufhören. Ein Junge braucht seine Träume, wie zB. einen Rolex, Mustang und Corvette. ellauri309.html on line 964: Alice Sophie Schwarzer (* 3. Dezember 1942 in Wuppertal) ist eine deutsche Journalistin und Publizistin. Sie ist Gründerin und Herausgeberin der Frauenzeitschrift Emma und eine bekannte Feministin. In einem Beitrag für die Frankfurter Allgemeine Zeitung verteidigte Schwarzer 2008 die Weigerung der maoistischen Militärjunta Myanmars, nach dem Zyklon Nargis westliche Hilfe ins Land zu lassen, mit dem Hinweis u. a. auf die angebliche humanitäre Hilfe der USA 1968 für Kambodscha, deren „Reisbomber“ Bomben transportierten, sowie auf die Doppelmoral der Medien. In Bezug auf das Manifest für Frieden von Februar 2023, dessen Mitinitiatorin Schwarzer war und das sich gegen Waffenlieferungen an die Ukraine und für Verhandlungen ausspricht, schrieb Jan Feddersen in der TAZ, Schwarzer enthülle sich damit als „Antifeministin“, denn wenn es in dem Manifest heiße, „Frauen wurden vergewaltigt“, spreche „es nicht über die Täter, auch nicht Putin“. Demnach befremde Schwarzers stets gleiche Kritik an der Pornografie gerade junge Frauen zunehmend. Einige Standpunkte des klassischen 1970er-Jahre-Feminismus – wie etwa die Ablehnung von Pornografie – hält Roche für überholt und vertritt einen sex-positiven Feminismus. Als sie 1998 in Bascha Mikas Kritischer Biografie (siehe #Literatur) als bisexuell beschrieben wurde, lehnte sie jeglichen Kommentar mit dem Hinweis auf ihre Privat- und Intimsphäre ab. Ein FAZ-Artikel schrieb 2010, sie zeige sich in Köln öffentlich mit ihrer Partnerin. Ach was! ellauri309.html on line 971: Haben und Nichthaben (Originaltitel: To Have and Have Not) ist ein 1944 unter der Regie von Howard Hawks gedrehter US-amerikanischer Film-Noir mit Humphrey Bogart und Lauren Bacall in den Hauptrollen. Der Film basiert auf dem Roman Haben und Nichthaben von Ernest Hemingway . ellauri309.html on line 974: Eine der größten Liebesgeschichten des 20. Jahrhunderts ist Haben und Nichthaben zuzuschreiben: Das spätere Ehepaar Humphrey Bogart und Lauren Bacall lernte sich während der Dreharbeiten kennen. Bogart spielt darin den romantischen Helden Harry Morgan, der sich vom zynischen Beobachter zum aktiven Kämpfer wandelt. Morgan, Besitzer eines Kabinenbootes auf der Insel Martinique, wird von dem Gaullisten Gerard gebeten, einen französischen Untergrundkämpfer einzuschmuggeln. Morgan weigert sich, Politik ist nicht seine Sache. Seine Meinung ändert sich, als er die junge Amerikanerin Marie kennen lernt. Um ihr ein Flugticket zu kaufen, nimmt er den abenteuerlichen Job an. Nach einer Vorlage von Ernest Hemingway entstand ein Film voller Dramatik und erotischer Spannung. ellauri309.html on line 979: American Film Institute valitsi hänet vuonna 1999 klassisen amerikkalaisen ellauri309.html on line 1010: Leslie on sairaanhoitaja ja joogaopettaja American Viniyoga Instituten mukaan. Profiilinsa mukaan Leslie aloitti uransa rekisteröitynä sairaanhoitajana, mutta on työskennellyt hyvinvoinnin ja joogan parissa 80-luvun lopulta lähtien. Hän on myös naimisissa aviomiehensä ja joogi Erich Schiffmanin kanssa Google-haun mukaan. Tästä vuodesta lähtien hän opettaa joogaa Santa Monicassa, Kaliforniassa (joogan kautta milloin tahansa). ellauri309.html on line 1021: Leoparden küßt man nicht ist eine US-amerikanische Screwball-Comedy von Howard ellauri309.html on line 1023: Das Drehbuch schrieben Dudley Nichols und Hagar Wilde. Gepardeille ei kannata pyllistää, ellauri309.html on line 1026: von nichts anderem als vom Sex, ohne allerdings von ihm zu sprechen, geschweige ellauri309.html on line 1027: denn ihn zu zeigen. Beruf, Geld und Anerkennung sind nichts, wenn sie mit der ellauri309.html on line 1040: -farssikoulu. Mutta kukapa ei ole käynyt elokuvissa?" Katharine Hepburn oli yhtä väsyttävä kuin Audrey oli erektiili. Cary Grant oli puiseva. Nämä Hepburnit eivät olleet mitään sukua. Katharine oli väkäleukainen Connecticut Yankee, Audrey oli Belgiassa syntynyt skottijaarlin wannabe sukulainen britti joka otti siltä nimen oltuaan joku proosallinen Rouston. ellauri309.html on line 1046: Humalassa tuntuu Laurasta samalta kuin Mikin maatessa sen päällä, tunkiessa sisään ja alkaessa työnnellä. Hieno tunne kertakaikkiaan! Aiozä käyttää mua hyväx, kysyy Mikki kännipäisen Lauran kivutessa satulaan, samoin sanoin kuin Pezkun panopuu Pezkun pyrkiessä sisään takaapäin toiselle kiekalle. Aika kosoltihan tässä on näitä panokohtauxia tällä toisella puoliajalla. Mikistä tuntuu se niin holjalta että se melkein (muttei ihan) sanoo ich liebe dich. Tossa pukillahan se sana monelta helposti livahtaa. Mikki on niin kilppi että se pitelisi Lauran tukkaa sen oxentaessa junan vessassa. Niinpä niin.... Mitähän palvelusta Laura pyysi vielä Mikiltä supattaen sen korvaan? Takaapäin, kakkoseen vaiko cunnilingusta? Jotain niin tavatonta että Mikille tuli kiire kantaa Noora makkariin. ellauri309.html on line 1059: Mikki on epärealistinen yhdistelmä rauhia Draufgängeriä ja sanftia, freundlichia Mannia. Kaikkea ei voi saada, you can't have both, sanoisi Kingsley Amisin isäpappa. Sellaisia on vain kirjoissa. Onse epistä ettei voi saada sellaista, eikä izekään olla joku Laura Templeton. Vaan vain joku simpleton joka ostaa Nooran kirjoja ja vetää käteen milloin peiton alla milloin vessassa. ellauri309.html on line 1063: Mikki oli unohtanut mainita Harvard Templetonille lempivänsä sen pikkusiskoa. Sehän muuttaa heti koko asian! Komm zurück ins Haus und lass Mrs. Williamson dich verarschen. Kenties Serafinan säälittävät sälät saavat jonkun muun unelmoimaan ja ostamaan tarpeetonta sälää kaverusten säläpuodista. ellauri309.html on line 1065: Mikki on tietysti irlantilainen, kuten Noora, ja Mikin heppakaveri Mad Max, alias Mel Gibson. Gibson's mother, Anne Patricia Reilly, was born in Ardagh in County Longford. In fact, Mel is named after St. Mel's Cathedral, the fifth-century Irish saint, and founder of Gibson's mother's local native diocese, Ardagh. While his middle name, Colmcille, is the name the Catholic diocese of Ardagh. Mel Gibson's grandfather John H Gibson was a millionaire tobacco businessman from the American South. ellauri309.html on line 1069: Schickse (Jiddisch: שיקסע schikse f, שיקסעס schikses pl von Hebräisch שֶקֶץ šeqeṣ, ellauri309.html on line 1070: „Unreines, Abscheu“) bezeichnet ursprünglich eine nichtjüdische Frau. Es ellauri309.html on line 1072: Unreine) zurück und wurde ursprünglich wie auch später im Jiddischen zunächst zur ellauri309.html on line 1073: Bezeichnung eines nichtjüdischen Mädchens oder Dienstmädchens gebraucht. ellauri309.html on line 1074: Wörtlich bedeutet es nach seinem Gebrauch in Genesis 1, 3 „Kriechtier“ und, davon ellauri309.html on line 1075: abgeleitet, „Gräuel vor Unreinem“. Das Wort ist aber auch ein jiddisches Schimpfwort, das über das Rotwelsche Eingang in die deutsche Sprache gefunden hat und früher als abwertende Bezeichnung für Frauen gebraucht wurde. In manchen Gegenden Deutschlands, etwa dem Ruhrgebiet, hat es heute eher satirischen Charakter und bezieht sich beispielsweise auf eine attraktiv erscheinende Frau, die für Männer eine Versuchung darstellen könnte. ellauri309.html on line 1077: Ms. Ridgewayta (os. Templeton) ei paljon paina että Mikki tappoi rahasta, kuha se ei tehnyt sitä jonkin aatteen puolesta. Ehrgeiz, Anstand und Mut, se on pääasia, ei se että on vanhaa rahaa, vaan että on valmis hankkimaan uusia kultadubloneita kaikilla eteen sattuvilla keinoilla. Du hast mir so viele neue Dinge gezeigt, womit man Kinder zeugen kann (plus einige, womit ganz sicher nicht). Schluss jetzt mit dem Quatsch, und das war die höchste Zeit. ellauri310.html on line 3:

ellauri060.html on line 914: Rob Anybody turned to his brother and said, Ye will mind, brother o mine, that there was time ye should stick your head up a duck's bottom rather than talk?
ellauri060.html on line 926: The Libertarian Party (LP) is a political party in the United States that promotes civil liberties, non-interventionism, laissez-faire capitalism, and limiting the size and scope of government.
ellauri060.html on line 928: The first official slogan of the Libertarian Party was "There ain't no such thing as a free lunch" (abbreviated "TANSTAAFL"), a phrase popularized by Robert A. Heinlein in his 1966 novel The Moon Is a Harsh Mistress, sometimes dubbed "a manifesto for a libertarian revolution". The current slogan of the party is "The Party of Principal and Dividends".
ellauri060.html on line 932:
White supremacists and members of the alt-right, like those pictured here in a wire photo from a rally in D.C. on August 12th, 2018, have found a home on the social media site MeWe.
ellauri060.html on line 933: Nordic white dwarfs at alt-right.

ellauri060.html on line 936: Last month, Sheila McNallen posted that her husband, Steve, had been kicked off of Facebook, “apparently forever.” Steve is the founder of the Ásatrú Folk Assembly, a group headquartered in California that advocates for a return to Germanic Paganism, including an espousal of what they have deemed traditional, Nordic white values. The Asatru Folk Assembly has been classified as a hate group by the Southern Poverty Law Center, and in one YouTube video with more than 30,000 views, McNallen enumerates his theories on race, point by point, including his belief that racial differences are inherent to biology and his desire to defend the white race against “numerous threats to our future.” “I will fight for my race, primarily with words and ideas, but I will fight more literally if I have to,” he vows.
ellauri060.html on line 943: In an email to Rolling Stone, McNallen, who said he no longer has an official position in the Ásatrú Folk Assembly, confirmed he did indeed have a profile on the social networking app. He also expressed befuddlement that he had been banned from Facebook in the first place, saying that he has “NEVER advocated violence and I have NEVER insulted, threatened, or ridiculed any ethnic, religious, or racial group.”
ellauri060.html on line 945: “I don’t expect you to agree with my religious, social, or political beliefs – I’m good with that,” he said. “But the honest alt truth is that people have been driven off of Facebook for bullshit reasons.”
ellauri060.html on line 949: MeWe was founded by entrepreneur and privacy advocate Mark Weinstein, a cheerful, loquacious man and a self-satisfied libertarian. He’s friendly and open, with a horse voice that occasionally crackles with emotion, and he’s also prone to the occasional fit of bombast: “I’m one of the guys who invented gunpowder,” he cheerfully tells me at the start of our conversation.
ellauri060.html on line 951: An MBA graduate from the UCLA School of Management, Weinstein launched his first venture, SuperGroups (which included SuperFamily and SuperFriends), in 1998, allowing users to create free, multi-member community website; that venture, a sort of precursor to Facebook groups shut down in 2001. He then developed a professional coaching and training service, publishing a series of self-help books under the “Habitually Great” brand.
ellauri060.html on line 953: Mark Weinstein attended a MeWe Summer Kick Off Party in Los Angeles in 2016.
ellauri060.html on line 955: After Silverfish lost his face at alt-right, another hooknosed greedy Shylock cobbled together MeWe, a social networking app that claimed to fiercely protect user privacy. The genesis of the name, says Weinstein, is exactly what it sounds like: “My life is composed of me and then my ‘we'. Me and my wee 'thing' love our name. We get a lot of thumbs up on our brand: Make America Habitually Great."
ellauri060.html on line 960:
ichard">Richard Gere's Son Homer Is Probably The Most Handsome Man To Ever Exist, After Hjallis and Mark.
ellauri060.html on line 972: de Alarcón: El amigo de la muerte: cuento fantástico (1852).

ellauri060.html on line 985: Ja nyt selviää sen Mättään kuvan kanssa runkkauxenkin motiivi: kyseessä on sexuaalinen salakosto Tuulalle, joka bylsii kaikki arkipäivät ällöttävää Ristoa. Hassuttelu kuuluu aikuistenkin elämään, jopa vanhusten, kuten tiesi kotkan jalkapohjaa kutittava "helpful Henry" K.J.J.Hintikka, sekä Michelin-mahainen Timon Airaxinen Heta Häyryn kanssa telmiessään Tokiossa kun kaxoistornit kaatuivat. Sexuaaliset kostotoimet on apinalle luontaista, kz. esim tätä:
ellauri060.html on line 1042: The core issue is the Web as we know has been dying, as people all over the world do not want to bother to put up links to other high quality content just for the sake it. It is not that there is no such excellent content, there certainly is on the Web itself which now has tens of trillions of archived pages.
ellauri060.html on line 1048: Such notion is quaint now, as of 2020. First there are big vertical silos, starting with Amazon, but also including other big walled gardens such as Facebook, Twitter and a host of others such as Netflix, Spotify, Shopify, eBay, Craigslist etc. So the best deals, social chatter and tweets, song and shopping recommendations, auction deals, free ads etc. are to be found elsewhere.
ellauri060.html on line 1050: The same really goes for basically every vertical. Way back (remember Googlebase?) it was thought nobody should bother with any vertical as Google had it in there anyway. Googlebase is long gone and people go to CarGurus or Carvana for cars, Zillow for online house listings, Indeed and others for job postings etc., the list goes on and on.
ellauri060.html on line 1060: Google has announced recently so-called BERT update which is about using the latest NLP thing, Transformers, in search results. But BERT is not scalable as it requires short snippets containing answers in advance, as opposed to indexing entire pages. In addition it is computationally prohibitively expensive, even for Google as Transformer models such as BERT are notorious memory hogs, never mind how long it takes to train them.
ellauri060.html on line 1061: In addition, BERT has been quickly surpassed by OpenAI GPT-3 and GPT-2 which are simply huge - GPT-3 has 175 billion parameters and takes tens of thousands of powerful specialized FPU cards and weeks to train. Good luck trying to put something like that in production at tens of thousands of queries-per-second (qps) which is what Google requires. Lisää aiheesta
ellauri060.html on line 1066: They hope the future is in graph link analysis of huge amounts of quality text with NO human links required, where links are inferred from matrices and graphs of connectivity of the Web. etc.etc.
ellauri060.html on line 1154: The phrase originated during World War II. Lexicographer Eric Partridge attributes it to British army intelligence very early in the war (using the dative plural illegitimis).
ellauri060.html on line 1162: The phrase is also used as the first line of one of the extra cod Latin verses added in 1953 to an unofficial school song at Harvard University, "Ten Thousand Men of Harvard". This most frequently played fight song of the Harvard University Band is, to some extent, a parody of more solemn school songs like "Fair Harvard thy Sons to your Jubilee Throng". (voi helvetti, tää oli tosi paha.) The first verse is a nonsense sequence of Latin clichés:
ellauri060.html on line 1178: 1985, (as Nolite te Bastardes Carborundorum) the novel The Handmaid´s Tale. The phrase is depicted as graffiti representing a "silent revolt" by a "slave woman in a futuristic totalitarian regime". Vanity Fair called the phrase a "feminist rallying cry".
ellauri060.html on line 1193:
UK politician Nigel Farage wearing a necktie that reads Non Illegitimi Carborundum.

ellauri060.html on line 1219: Mitä hemmettiä? Rättipääthän on aina esiintyneet mekoissa. Sitapäizi Candice, eipä nillä hirmuisen hyvin mene vaikka karvaturvat onkin kamelien ohjaimissa vielä. Housut on uuden ajan kexintö. Mekosta pääsee mela ulos noppelasti ja yhtä noppelasti uppoo toisen mekon alle. Telttaileva kansa on aina tiennyt sen.
ellauri060.html on line 1227: Candace on black white supremacist ja female toxic male chauvinist. Mihin oikein sattuu Candace? Päähän tuskin, se vaikuttaa tyhjältä.
ellauri061.html on line 6: font-style: italic;
ellauri061.html on line 90: Kekäs tää Trinculo sit on? Ja tää Stefano. Aa mä tiedän, ne on comic reliefejä. Ne juottaa Calibanille viinaa ja ryyppää izekin. Tosi hulvatonta. Lähes naurattaa. (Menevät.)
ellauri061.html on line 99: Sit taas vähän comic reliefien ryyppäjäisiä. Kaikki 3 ovat nokkavoitossa. Typerä Ariel sotkeutuu riidankylväjänä ryyppäjäisiin. Konnat suunnittelee Prosperon nirhaamista. Etukäteen voi arvata miten tässä käy, tyyppien mustat ja valkeet hatut on piirretty niin selvästi.
ellauri061.html on line 123: Mix tää puskafarssi on sit niin suosittu setämiesten piirissä? Onxe just toi millimolli-aspekti, kaikki menee just niinku manipuloiva setämies on suunnitellut, omat joukot tottelee ja vastaan niskuroijat saadaan ruotuun. Koko näytelmä on sitäpaizi melkein tyystin all-male panel. Prosperon ja Arielin suhe vaikuttaa pederastiselta. Kun Ariel ottaa hatkat Prosperolle ei jää muita kun se Caliban. Puolixi sammakko puolixi kala, Oliver Sacksin tapainen amfibi. (ic/eng/lfletcher/tempest/papers/JBlaxland.htm">Lähde) Aarne Kinnunen oli Puovon Caliban.
ellauri061.html on line 189: A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. The play is set in Athens and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict between four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Populääri lue vulgääri. Niin aina.
ellauri061.html on line 191: Hirsee joukko oikeistolaisia setämiehiä, etenkin joku Gervinus, pahexuu että näytelmästä puuttuu proper social stratification. Herrat ei ole kunnon herroja ja alhaiset esiintyy liian leveästi. Nuoret naiset ei osaa olla kunnolla filiaalisia eikä Titania tottele puolisoaan. Naisia ei kriitikoissa taida olla montakaan. No onhan Eunukki, izekin amazoni, jonka mielestä juhannuksen uni on hassua hassuttelua.
ellauri061.html on line 193: Dorothea Kehler has attempted to trace the criticism of the work through the centuries. The earliest such piece of criticism that she found was a 1662 entry in the diary of Samuel Pepys. He found the play to be "the most insipid ridiculous play that ever I saw in my life". He did, however, admit that it had "some good dancing and some handsome women, which was all my pleasure".
ellauri061.html on line 195: The next critic known to comment on the play was John Dryden, writing in 1677. He was preoccupied with the question of whether fairies should be depicted in theatrical plays, since they did not exist. He concluded that poets should be allowed to depict things which do not exist but derive from popular belief. And fairies are of this sort, as are pigmies and the extraordinary effects of magic. Based on this reasoning, Dryden defended the merits of three fantasy plays: A Midsummer Night's Dream, The Tempest, and Ben Jonson's Masque of Witches. Varmaan se olis pitänyt Kiekkomaailmastakin ja Valtaistuinpelistä. Ja Harry Potterista.
ellauri061.html on line 199: Edmond Malone, a Shakespearean scholar and critic of the late 18th century, found another flaw in this particular play, its lack of a proper decorum. He found that the "more exalted characters" (the aristocrats of Athens) are subservient to the interests of those beneath them. In other words, the lower-class characters play larger roles than their betters and overshadow them. He found this to be a grave error of the writer. Tääkin muistuttaa Nuorgamin runoilijasta (ks alempana).
ellauri061.html on line 203: In 1817, William Hazlitt found the play to be better as a written work than a staged production. He found the work to be "a delightful fiction" but when staged, it is reduced to a dull pantomime. He concluded that poetry and the stage do not fit together.
ellauri061.html on line 205: Samuel Taylor Coleridge felt that Helena is guilty of "ungrateful treachery" to Hermia. He thought that this was a reflection of the lack of principles in women, who are more likely to follow their own passions and inclinations than men. Women, in his view, feel less abhorrence for moral evil, though they are concerned with its outward consequences. Coleridge was probably the earliest critic to introduce gender issues to the analysis of this play. Kehler dismisses his views on Helena as indications of Coleridge's own misogyny, rather than genuine reflections of Helena's morality.
ellauri061.html on line 207: Another misogynist, Maginn was particularly amused by the way donkey-headed weaver Bottom reacts to the love of the fairy queen: completely unfazed. Maginn argued that "Theseus would have bent in reverent awe before Titania. Bottom treats her as carelessly as if she were the wench of the next-door tapster."
ellauri061.html on line 209: In 1839, the philosopher Hermann Ulrici wrote that the play and its depiction of human life reflected the views of Platonism. In his view, Shakespeare implied that human life is nothing but a dream,
ellauri061.html on line 211: James Halliwell-Phillipps, writing in the 1840s, found that there were many inconsistencies in the play, but considered it the most beautiful poetical drama ever written.
ellauri061.html on line 219: Takaisin suolakaivoxeen. Harrastelijanäyttelijöiden ammatit on salvumies, kankuri, nikkari, palkeenparsija, kattilanpaikkuri, ja räätäli. Se Quince ei olekaan kvitteni vaan kulmakivi, Quine, niinkuin Willard van Orman. Pienyrittäjiä. Vizitkin on sen mukaiset. Kankuri Pulma on aasin pääosassa koska se on kaikista rivoin ja typerin. Nää äijät on jonkun Puckin mukaan törkeitä mekaanikkoja, rude mechanicals, ja niistä on kirjoitettu sivumääriä. Mä muistan noi nimet Oberon ja Puck P. Mustapään pikkusievistä runoista. En tiennyt ketä ne olivat, enkä tiedä vieläkään, mutta eiköhän se kohta selviä.
ellauri061.html on line 223: "Peter Quince at the Clavier" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem was first published in 1915 in the "little magazine" Others: A Magazine of the New Verse (New York), edited by Alfred Kreymborg. Tää on aika höyryinen runo apokryfisestä Susannasta jota setämiehet kuolaavat. Wallace Stevens (October 2, 1879 – August 2, 1955) was an American modernist poet.
ellauri061.html on line 379: might be the pate of a politician, which this ass voisi olla poliitikon pää, jonka tää perse-aasi
ellauri061.html on line 383: HAMLET Or of a courtier; which could say 'Good morrow, HAMLET Tai hovimies; joka voisi sanoa 'Hyvää huomenta,
ellauri061.html on line 390: here's fine revolution, an we had the trick to siinäpä vallan kumous, jos vaan se tajuttais.
ellauri061.html on line 393: First Clown: [Sings.] A pick-axe, and a spade, a spade, Pelle 1 [Laulaa.] Hakku, lappari ja lappari,
ellauri061.html on line 400: his cases, his tenures, and his tricks? why does he sen tapauxet, sopimuxet, temput? Mixe antaa
ellauri061.html on line 416: HAMLET They are sheep and calves which seek out assurance HAMLET Ne jotka ezii siitä varmuutta on pässejä ja nautoja.
ellauri061.html on line 427: 'tis for the dead, not for the quick; therefore thou liest. Se on vainajille eikä läpänheittäjille, varsin valehtelet.
ellauri061.html on line 428: First Clown 'Tis a quick lie, sir; 'twill away gain, from me to Pelle 1 Läppä läppä söör, se vaihtaa omistajaa, multa sulle.
ellauri061.html on line 439: it; the age is grown so picked that the toe of the varvas tökkää hovimiehen kantapäähän, niin että satuttaa sen
ellauri061.html on line 478: sir, was Yorick's skull, the king's jester. reiniläistä. Tää sama kallo, söör, oli Yorickin kallo, kunkun jokerin.
ellauri061.html on line 483: Alas, poor Yorick! I knew him, Horatio: a fellow No voi surku, Yorick! Mä tunsin sen, Horatio: loputtoman läpän mies,
ellauri061.html on line 493: her paint an inch thick, to this favour she must
ellauri061.html on line 516: O, that that earth, which kept the world in awe, Mut hei, nyt hiljaa! [sivuun: tuolta tulee kunkku.]
ellauri061.html on line 542: We should profane the service of the dead Oishan se jo hautajaisten halventamista
ellauri061.html on line 558: Whose wicked deed thy most ingenious sense jonka ilkee temppu vei sulta sun äärimmäisen
ellauri061.html on line 562: Now pile your dust upon the quick and dead, No kasatkaa nyt maa elävän ja kuolleen päälle,
ellauri061.html on line 578: Which let thy wiseness fear: hold off thy hand. Jota sun ois viisasta varoa: handut irti.
ellauri061.html on line 597: Be buried quick with her, and so will I: Hautaudu hiton äkkiä sen kanssa, mä teen saman:
ellauri061.html on line 625: Critics have spent a considerable amount of time debating Hamlet's age. Hamlet here is thirty years old, as the First Clown makes clear (lines 133-151). However, "young Hamlet", as he is referred to earlier in the play is still attending university and courting Ophelia. Laertes says that Hamlet's love is like "a violet in the youth of primy nature" (1.3.6). The noted scholar Grant White was so annoyed by this dilemma that he, defying logic, concluded that Hamlet was twenty when the play started and thirty at its close. (See Studies in Shakespeare, p. 79 ff.). How important is Hamlet's age to our understanding or enjoyment of the play? Would Hamlet's age have been an issue for play-goers at Shakespeare's Globe? For more on this topic, please click here.
ellauri061.html on line 628:
Nordic noir

ellauri061.html on line 635: Latin blunder for self-defense’s se defendendo is sic, either a befogged muddling of a professional legal term, or a post-Freudian slip, or (least likely) a very oblique and subtle jab at Gately from a Ewell intimate with the graveyard scene from Hamlet — namely V.i. 9.
ellauri061.html on line 636: Notably, Act V, scene i of Hamlet is where Yorick is mentioned. Man of infinite jest.
ellauri061.html on line 644: Osric vesikärpänen ei suostu laittamaan läzää päähän vaikka Hamlet käskee. Osric kehuu Laertesta kuplamuovixi, Hamlet vittuilee. Osricin poinzi on et Laerteen tehtäväxianto on tappaa H kaxintaistelussa. Kinkulla ja Laerteella on siitä joku tyhmä veto. H. suostuu ja lähettää Osricin laputtamaan läzä päässä.
ellauri061.html on line 664: Ei hizi kyllä tää on Nordic noiria. Arpinaamainen Saga Noren Malmö Landskrimistä on kuzuttava paikalle.
ellauri061.html on line 710: Soprannominato "il Vate" (allo stesso modo di Giosuè Carducci), cioè "poeta sacro, profeta", cantore dell'Italia umbertina, o anche "l'Immaginifico", occupò una posizione preminente nella letteratura italiana dal 1889 al 1910 circa e nella vita politica dal 1914 al 1924.
ellauri061.html on line 712: Il grande successo letterario arrivò con la pubblicazione del suo primo romanzo, Il piacere a Milano presso l'editore Treves, nel 1889. Tale romanzo, incentrato sulla figura dell'esteta decadente, inaugura una nuova prosa introspettiva e psicologica che rompe con i canoni estetici del naturalismo e del positivismo allora imperanti.
ellauri061.html on line 722:
Partito politico
Estrema destra
ellauri061.html on line 723: storica (1897-1900)

ellauri061.html on line 725: sinistra storica (1900)

ellauri061.html on line 727:
Religione
Agnosticismo/Misticismo neopagano

ellauri061.html on line 728: (forse si riavvicinò al
ellauri061.html on line 729: cattolicesimo nei suoi ultimi anni)

ellauri061.html on line 732: «Trasformare il cardo bolscevico in rosa d'Italia, Rosa d'Amore.»
ellauri061.html on line 737: Qui lavorò e visse fino alla morte, curando con gusto teatrale un mausoleo di ricordi e di simboli mitologici di cui la sua stessa persona costituiva il momento di attrazione centrale.
ellauri061.html on line 744: Uuskritiikki oli convenient fiction modernistisetämiehille, jotka halus olla hiljaa kuin hiiret aisanylityxistä.
ellauri061.html on line 758: ic.timesofisrael.com/www/uploads/2019/03/bulgariascreenshot-640x400.png" height="200px"/>
ellauri061.html on line 770: Barak, the reported suspect in the police raids, incorporated a company called Gal Barak Solutions in Israel in January 2015. Later that year it changed ownership and changed its name to Itzik Gellet Solutions. People familiar with the company told The Times of Israel the company operated a binary options call center at Allenby 103 in Tel Aviv, two blocks from the offices of the Israel Securities Authority.
ellauri061.html on line 776: Ehud Barak says he is the blessed man to lead Israel. Another Messiah. His original name was Brog. He has 3 children, wonder if one of them is called Gal. In an interview with Haaretz reported in January 2015, Barak was asked to explain the source of his "big" capital, with which he "bought 5 apartments and connected them," and by which he "lives in a giant rental apartment in a luxury high rise." Barak said he currently earns more than a $1 million a year, and that from 2001 to 2007, he also earned more than a $1 million every year, from giving lectures and from consulting for hedge funds. Barak also said he made millions of dollars more from his investments in Israeli real estate properties.
ellauri061.html on line 778: In the interview, Barak was asked whether he is a lobbyist that earns a living from "opening doors." The interviewer stated "You have arrived recently at the Kazakhstan despot Nazarbayev and the president of Ghana. You are received immediately." Barak confirmed that he has been received by these heads of state but denied earning money from opening doors for international business deals for Israeli and foreign corporations, and said he does not see any ethical or moral problems in his business activities. He further said there is no logic to demand of him, after "the natural process in democracy has ended" to not utilize the tools he accumulated in his career to secure his financial future. When asked if his financial worth is $10–15 million, Barak said "I'm not far from there."
ellauri061.html on line 797: Deborah and Barak then gathered 10,000 troops and attacked Sisera and his army. Barak’s troops won: “All Sisera’s troops fell by the sword; not a man was left” (Judges 4:16). Sisera himself fled to the tent of a Hebrew woman named Jael. She gave him milk to drink and covered him with a blanket in the tent. Then, “Jael . . . picked up a tent peg and a hammer and went quietly to him while he lay fast asleep, exhausted. She drove the peg through his temple into the ground, and he died” (verse 21).
ellauri061.html on line 801: Judges chapter 5 then records the song of Deborah and Barak, written to rejoice in God’s victory over the Canaanites. The lyrics encourage the actions of Deborah and Barak, saying, “Wake up, wake up, Deborah! / Wake up, wake up, break out in song! / Arise, Barak! / Take captive your captives, son of Abinoam” (Judges 5:12). Jael’s role is also heralded: “Most blessed of women be Jael, / the wife of Heber the Kenite, / most blessed of tent-dwelling women” (verse 24).
ellauri061.html on line 803: The song of Deborah and Barak also gives some more detail about the victory over the Canaanites: “The earth shook, the heavens poured, / the clouds poured down water” (Judges 5:4). Evidently, God used a flood to disable the iron chariots of Sisera. The victory was supernatural (verse 20). Chapter 5 concludes with the statement, “And the land had peace forty years.” This impressive time of peace lasted until Midian took control of Israel, necessitating Gideon’s rise.
ellauri061.html on line 815: heickoin cautta/ v. 1. Nuhtelewat nijtä

ellauri061.html on line 820: Debora ja Barac Abinoamin poica sinä

ellauri061.html on line 834: Anathin pojan/ ja Jaelin aicana tiet

ellauri061.html on line 853: hänen taloinpoicains wanhurscautta

ellauri061.html on line 858: fangitzias sinä AhiNoamin poica. Tuom

ellauri061.html on line 919: taicka caxi/ Ja Sisseralle kirjawita ja

ellauri061.html on line 923: 5:31 Caicki sinun wiholises nijn

ellauri061.html on line 927: lewos neljäkymmendä ajastaica. Vers. 2.

ellauri061.html on line 930: caickein halwimman wäen cautta Israelis/

ellauri061.html on line 1108: Inhottava pikku Pervo mahtailee kexityllä hevosia mätkivällä esi-isällä. Markkinamies kuten mitättömämpi jälkeläisensä. Aivan vastenmielinen tarina tääkin. Tässä suhteessa Pervo kazoo silmiin Hotakaista, toista paskiaista. Molempien kirjoissa on pelkkiä ikäviä ihmisiä. Ja kertomuxet ihan Taika-Jim ja Nastamuumio ja Dick Tracy tasoa. Seura-lehden ja Apu-lehden takakannesta. Voimamiehiä. Jarza(kin) on piipunrassi joka puhuu panohommista.
ellauri061.html on line 1185: Éric Daniel Pierre Cantona on entinen ranskalainen jalkapalloilija. Cantona oli pelipaikaltaan hyökkääjä. Lempinimillä ”Gallian kukko” ja ”Le King” tunnettua Cantonaa pidetään yhtenä maansa kaikkien aikojen parhaista jalkapalloilijoista.
ellauri061.html on line 1444: icture-in-picture" allowfullscreen>
ellauri061.html on line 1449: Mixhä Pervosta oli kamalaa eze epähuomiossa bylsi omaa siskoaan, onxe joku Oidipus vai mikä. Kumin kanssa vielä. Ja se sen söpöliini pikkujaana oli varmaan jonkun rivitalonaapurin tekemä, ellei sizen homahtavan vankilanjohtajan. Nää isyyskysymyxet lie pyörineet Pervon päässä paljon just vuosituhannen vaihteessa. Lopussa Pervon asiat menee aika sekasin. Vaimo läx ja vei Kallen ja Ukon. Vikalla rivillä jää muka epäselväxi kuka ampu kenet. Mut eihän vainaja enää kirjota minämuotoiseen roskaromaaniin viimeisiä sanoja. Joo oli tää aika päämäärätöntä sekoilua, uskottavuus p=0.0001. Kirjallisena esikuvana on jenkkiläiset kovaxikeitetyt, pulp fiction. Selluloosakeittoa.
ellauri061.html on line 1599: Sonnet 29 also named as “When in disgrace with fortune and men’s eyes” is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is part of the Fair Youth sequence. In the sonnet William Shakespeare creates a depressed and despairing speaker who serendipitously reflects upon the love of a close friend in order to prove to the reader that no matter how difficult life becomes, we can be content in the blessings of the hole.
ellauri061.html on line 1601: The second depressing event (besides the plague that cut entertainment earnings much like our corona epidemic) also occurred in 1592 when dramatist, Robert Greene, verbally attacked Shakespeare. He described Shakespeare as pompous, scheming, and vicious.
ellauri061.html on line 1609: The cause of Shakespeare´s death is a mystery, but an entry in the diary of John Ward, the vicar of Holy Trinity Church in Stratford (where Shakespeare is buried), tells us that "Shakespeare, Drayton, and Ben Jonson had a merry meeting and it seems drank too hard, for Shakespeare died of a fever there contracted."
ellauri061.html on line 1644: The scepter, learning, physic, must valta, oppi, lääkekaappi saa
ellauri062.html on line 6: font-style: italic;
ellauri062.html on line 23:
ic;font-family:sans-serif;font-size:2em;color:#4e3b2d;background:green;text-align:center;margin-top:0%;margin-bottom:0%">J.A. Hunter

ellauri062.html on line 46: Minulla on sarvikuonojen ampumisen maailmanennätys ja ehkä myös leijonien (vaikka emme pitäneet tarkkaa kirjaa ensi vaiheissa ammuttujen luvusta), ja olen ampunut yli tuhatneljäsataa norsua. En suinkaan kerro näistä ennätyxistä ylvästellen. Se työ täytyi tehdä, ja minä satuin olemaan se mies, joka teki sen. Olen savannien Hitler, Himmler, Heydrich, Eichmann ja Göring yxissä nahoissa. Endlösung eläinkunnalle.
ellauri062.html on line 86: “Does he have unrealistic beliefs about her/his power, wealth or skills?”
ellauri062.html on line 95: Nina Silverberg from the Handmaid Rehabilitation Program at the National Institute of Aging Physicians, is supportive of the new diagnosis, stating:
ellauri062.html on line 96: When an older adult begins to act out of character or starts becoming irritable or aggressive, it may be an indication of trouble. Unfortunately, a senior with early Alzheimer’s can also lose their inhibitions and act in inappropriate ways.
ellauri062.html on line 100: Fred, a retired psychologist who had a very successful practice, now makes rude and cruel comments to those around him. One of his strengths before Alzheimer's had been his kindness and ability to relate to others.
ellauri062.html on line 102: Other symptoms to look for that can indicate Alzheimer’s are:
ellauri062.html on line 104: ☑ Difficulty following story lines in a television show or movie
ellauri062.html on line 151: Try using music, singing, or dancing to distract the person. Failing that, try shouting.
ellauri062.html on line 165: WSOY shares the common values of the Bonnier Group which are passion for publishing, power of the rich individual, freedom of my speech, and commitment to my family company. In addition to these, WSOY places emphasis on compound interest, money-mindedness, and greed.

ellauri062.html on line 170:
Jews Dominate Forbes Rich List

ellauri062.html on line 172: September 24, 2010 Forbes released its annual list of 400 richest Americans on Wednesday and Jews took 30 of the top 100 spots (thanks Gawker, for doing the demographic breakdown for us).
ellauri062.html on line 174: The price of admission onto the 29th Rich List was a staggering $1 billion, and, not surprisingly — as far as minorities go, at least — Jews excelled. The breakdown, according to Gawker’s research, included one black woman (No. 130, Oprah Winfrey), three gay men (No. 54, David Geffen; No. 332, Barry Diller; and No. 365, Peter Thiel), four Indians, six (non-Indian) Asians, 34 women, and, of course, 30 Jews in the top 100 (see below). They must have stopped counting after the 100 mark.
ellauri062.html on line 177: No. 10 — Michael Bloomberg
ellauri062.html on line 182: No. 15 — Michael Dell
ellauri062.html on line 195: No. 62 — Richard LeFrak & Family
ellauri062.html on line 200: No. 69 — Micky Arison
ellauri062.html on line 223: The states that make up Gilead in complete occupation are: Minnesota, Wisconsin, Illinois (except for Chicago), Michigan, Indiana, Ohio, Tennessee, Kentucky, West Virginia, Virginia, North Carolina, Maryland, Pennsylvania, Delaware, New Jersey, New York, Connecticut, Rhode Island, Maine, New Hampshire, and Massachusetts. ellauri062.html on line 225: States and electoral votes won by Donald Trump and the Republican Party ellauri062.html on line 251: Whereas the states with the highest percentage of residents identifying as non-religious are the West and New England regions of the United States (with Vermont at 37%, ranking the highest), in the Bible Belt state of Alabama it is just 12%, and Tennessee has the highest proportion of Evangelical Protestants, at 52%. The Evangelical influence is strongest in northern Georgia, Tennessee, Alabama, Mississippi, North Carolina, southern and western Virginia, West Virginia, South Carolina, and East Texas. ellauri062.html on line 255: As punishment, Fred whips Serena' butt with his belt and forces Offred to watch as he does. Nick goes looking for Luke and finds him in a bar. He tells Luke that June is alright but Luke says that she isn't fine. Nick tells her that June is pregnant. This upsets Luke and he tells Nick to get out but then changes his mind and invites him in again. ellauri062.html on line 259: Serena forces June onto the bed as Fred forces himself into her. He sexually assaults her in order to get the baby to come early. They both come early in the end. Serena tells Fred that Nick is the father of the baby. She calls him an idiot and he calls her a bitch. ellauri062.html on line 261: Following the unfortunate execution of Eden, whom Serena had been fond of given Eden's respect for traditional values and scripture, there is an inspiration among the the Wives to attempt to change the laws of Gilead to allow for more dignity for women. After an unpleasant confrontation, June shows Serena Eden's Bible marked with commentary; which has an affect on Serena. During a gathering of the Wives, Serena and Mrs. Putnam exchange their opinions regarding the Bible, particularly the right to read it as women are banned from doing so. They realize most of the Wives share their feelings and call a meeting. Vizi tästä niteestä on ollut paljon harmia. ellauri062.html on line 265: June explains to flabbergasted Serena that Gilead is not an ideal place for a child, specifically a daughter, to grow up in as their very existence is risky. She manages to convince Serena, who then tearfully says a prayer and hands the baby back over to June. June, in turn, gives Serena a blessing as well and leaves behind a tearful Serena as she and another Martha leave to escape Gilead. Fred is left alone in the room and looks at the carving, "Nolite te bastardes carborundorum," on the wall. Nick offers his "cigar" to Serena and she takes a good hold of it and takes a drag. Fred gets a moment alone with June to tell her he’s concerned about Serena. ellauri062.html on line 269: Only when June learns it is essentially Serena's personal request to meet Nichole, she eventually agrees, pointing out she wants Serena "to owe her". Ihankuin Jill Pylkkänen: they owe me SOOOO much. Tääkin on jotain juutalaiskristillisyyttä. Serena is still bitter about the loss of Nichole. Later, June visits the Lincoln Memorial where the statue of Abraham Lincoln has been desecrated (actually only beheaded). June tells Serena that she is small, cold, and empty and that she will always be empty. Wrong, to the contrary, June is full of shit. ellauri062.html on line 273: In the hospital, June attempts to stab Serena Waterfront with a scalpel she had stolen from the medical waste disposal box. Serena fights back and cuts June in the arm. Serena alerts Dr. Yates telling him that June stabbed herself. ellauri062.html on line 279: Fred says she is a good writer but Serena is bitter that he took that right away from her. Fred admits that he did not realize how much it would cost. Serena asks him to imagine how their lives would be like if Gilead never happened. Fred replies that he would still be in marketing and might quit his job. Fred admits that he has been sterile all along. In fact he is gay and has had an affair with Nick and Mark Tuello (who dat?) in the closet. Mark Tuello’s car is a 2018 Dodge Charger GT [LD]. ellauri062.html on line 286: Always the short end of the stick. Moira concludes by saying she's sinned a 8lot, but Serena is the gender traitor. Marry Freddy! What an infantile idea! ellauri062.html on line 288: Serena has been sleeping on her couch. Mark brings her some pizza from Toronto as a treat despite it being contraband. He also brings her several magazines and a newspaper. Serena pays Mark in nature for the hospitality. Mark Tuello brings Serena Waterfront some coffee. The End. Fuck you don't realize how blessed you are, American women! ellauri062.html on line 292: Because the book has been frequently challenged or banned in some of the United States of America over the last thirty years, many people have expressed discontent at The Handmaid's Tale's presence in the classroom. Some of these challenges have come from parents concerned about the explicit sexuality and other adult themes represented in the book. Others have argued that The Handmaid's Tale depicts a negative view of religion, a view supported by several academics who propose that Atwood's work satirizes contemporary religious fundamentalists in the United States, offering a feminist critique of the trends this movement to the Right represents. ellauri062.html on line 294: The American Library Association (ALA) lists The Handmaid´s Tale as number 37 on the "100 Most Frequently Challenged Books of 1990–2000". The book was called anti-Christian and pornographic by parents after being placed on a reading list for secondary students in Texas in the 1990s, because the book is "sexually explicit, violently graphic and morally corrupt". Some parents thought the book is “detrimental to Christian values". Poor quality literature that stresses suicide, illicit sex, violence, and hopelessness". Profanity, lurid passages about sex, and statements defamatory to minorities, God, women, and the disabled. ellauri062.html on line 388: Baba Gurgur (Arabic: بابا كركر, Kurdish: بابە گوڕگوڕ ,Babagurgur‎) is an oil field and gas flame near the city of Kirkuk, which was the first to be discovered in Northern Iraq in 1927. Raportoi kirjeenvaihtajamme Kirkukissa. ellauri062.html on line 392: Albert "Bert" Newton Stubblebine III (February 6, 1930 – February 6, 2017)[1] was a United States Army major general whose active duty career spanned 32 years. Beginning as an armor officer, he later transferred to intelligence. He is credited with redesigning the U.S. Army intelligence architecture during his time as commanding general of the U.S. Army Intelligence and Security Command (INSCOM) from 1981 to 1984, after which he retired from active service. ellauri062.html on line 396: A character ("General Hopgood") in the 2009 film The Men Who Stare at Goats — a fictionalized adaptation of Ronson's book — is loosely based on Stubblebine as commander of the "psychic spy unit" (portrayed in the film) who believed he could train himself to walk through walls. ellauri062.html on line 400: Menocchio (Domenico Scandella, 1532–1599) was a miller from Montereale Valcellina, Italy, who was tried for heresy by the Roman Inquisition for his unorthodox religious views and then was burnt at the stake in 1599. - Taulun Judith beheading Holofernes (not Swee´pea!) maalasi Artemisia Gentileschi (Roma 1593 - Napoli 1652/53). Se on kyllä Uffizissa. Holofernes oli assyrialainen kenraali, eikä Rauhixen kovaa holottava lahtelainen mökkinaapuri. ellauri062.html on line 435: Ein weiterer wichtiger Inspirator war Guido von List, dessen Ansichten unter den Bezeichnungen Wotanismus und Armanismus bekannt wurden. Ariosophische Autoren verbanden Vorstellungen einer Überlegenheit der „arischen Rasse“ und Forderungen einer Reinerhaltung dieser vermeintlichen Rasse mit Elementen der Astrologie, der Zahlensymbolik, der Kabbala, der Graphologie und der Handlesekunst.[1] Die wichtigste ariosophische Organisation war der von Lanz gegründete Neutempler-Orden. ellauri062.html on line 437: Kansallissosialismin ja okkultismin väliset väitetyt yhteydet ovat olleet keskustelun kohteena erityisesti 1960-luvun alusta lähtien, tosin ensimmäiset aihetta käsittelevät kirjoitukset julkaistiin Ranskassa ja Yhdistyneessä kuningaskunnassa jo 1940-luvun alussa. Useiden dokumenttielokuvien ohella aiheesta on julkaistu lukuisia kirjoja, joista tunnetuimpia ovat Le Matin des Magiciens (1960) ja Trevor Ravenscroftin Pyhä keihäs (1972). Tätä kirjallisuutta on tutkinut historioitsija Nicholas Goodrick-Clarke teoksissaan The Modern Mythology of Nazi Occultism ja The Nazi Mysteries. Kansallissosialistien ja okkultismin yhteyttä korostava kirjallisuus muodostaa oman lajityyppinsä. Lajityypin toistuva piirre on väite, jonka mukaan natsit toimivat jonkinlaisen okkultistisen voiman tai salaseuran ohjauksessa. ellauri062.html on line 439: Koska natseja ohjailleen salaisen tahon olemassaoloa ei ole pystytty todistamaan, Goodrick-Clarke ja saksalainen historioitsija Michael Rißmann ovat kuvailleet lajityyppiä näennäishistoriaksi. Okkultismin ja pakanuuden vaikutuksesta kansallissosialismiin on kuitenkin tehty myös akateemista tutkimusta, ja aihepiiri kuuluu kansallissosialismin uskonnollisesta puolesta käytyyn tieteelliseen keskusteluun. Jos siinä vaikka sittenkin olisi jotakin! ellauri062.html on line 536: Salvatore Quasimodo (Modica, 20 agosto 1901 – Napoli, 14 giugno 1968) è stato un poeta e traduttore italiano, esponente di rilievo dell'ermetismo. Ha contribuito alla traduzione di vari componimenti dell'età classica, soprattutto liriche greche, ma anche di opere teatrali di Molière e William Shakespeare. È stato vincitore del premio Nobel per la letteratura nel 1959 «per la sua poetica lirica, che con ardente classicità esprime le tragiche esperienze della vita dei nostri tempi». ellauri062.html on line 538: Ungaretti (1888-1970) oli Mussolinin kamu, liittoutuneiden kannalta housunsa paskantanut kaveri. Sixi Guasimodo vei sodan jälkeen pokaalin. Montale (1896-1981) pokkas omansa 1975 «per la sua poetica distinta che, con grande sensibilità artistica, ha interpretato i valori umani sotto il simbolo di una visione della vita priva di illusioni». Se oli antifasisti vaan koska se oli aristokraattinen snobi. ellauri062.html on line 571: Lola rennt ist ein deutscher Actionthriller des deutschen Regisseurs und Filmproduzenten Tom Tykwer aus dem Jahr 1998 mit Franka Potente und Moritz Bleibtreu in den Hauptrollen. Der Film zeigt dreimal dieselbe Zeitspanne von zwanzig Minuten, jedes Mal mit kleinen Detailunterschieden, die die Handlung jeweils zu einem völlig anderen Ausgang führen (Schmetterlingseffekt in einer Form ähnlich einer Zeitschleife). ellauri062.html on line 608: Cuncta stricte discussurus! Ottaa kaikki tuomiolle Cats from every bag escaping! ellauri062.html on line 616: Judicanti responsura Siinä suuret, siinä pienet, Vastaajaxi dumarille In their breezy shrouds are shaking. ellauri062.html on line 620: Unde mundus judicetur Silloin kaikki löydetään, Mistä maailma tuomittaneen. Makes it awkward for the erring. ellauri062.html on line 626: Quid sum miser tunc dicturus? sieluani virvoittaa, Mitäs sanon kurja siihen? How shall I then make romances ellauri062.html on line 643: Donum fac remissionis, Anna mulle ilmaislahja, Pray thy prejudices smother ellauri062.html on line 648: Supplicanti parce, Deus. Pelkäämättä olla saa, Sääli anomusta herra. Spare me for my pretty blushes. ellauri062.html on line 662: Confutatis maledictis, Tuomittuas konnajoukon, When offenders are indited, ellauri062.html on line 663: Flammis acribus addictis, viskaten ne hellapuixi, And with trial-flames ignited, ellauri062.html on line 664: Voca me cum benedictis. Muzä kuzu hyvixexi. Elsewhere I'll attend if cited. ellauri062.html on line 672: Judicandus homo reus. Tuomittava syypää homo. Men come forth, O be not cruel: ellauri062.html on line 674: Huic ergo parce, Deus: Sitä säästä siis sä pyhis, ellauri062.html on line 691: :trollface: on vuonna 2008 julkaistu internet-trolleja ja internet-trollausta symbolisoiva rage comic -meemi. Se on yksi vanhimmista ja tunnetuimmista rage comic -kasvoista. Tämä versio on vähän Jaken näköinen: ellauri062.html on line 695: Ebin on jonnejen sananmuunnos sanoista epic win. ellauri062.html on line 724: ic/content/pic_5_581715_k581716_480.jpg" height="150px" /> ellauri062.html on line 736: Orgonienergia on Wilhelm Reichin kehittämä teoria, jonka mukaan libido on kaikenkattava elämänvoima. Wilhelm Reich (24. maaliskuuta 1897 Dobzau, Galitsia, Itävalta-Unkari – 3. marraskuuta 1957 Lewisburg, Pennsylvania, Yhdysvallat) oli itävaltalainen psykiatri. Hän tutki suurten ihmisjoukkojen psykologiaa ja kuului psykopolitiikan edelläkävijöihin. ellauri062.html on line 738: Reich valmistui lääketieteen tohtoriksi Wienin yliopistosta vuonna 1922. Hän oli kiinnostunut Sigmund Freudin tutkimuksista ja toimi psykoanalyytikkona Saksassa. Hän julkaisi 1927 tutkimuksen Die Funktion des Orgasmus, joka koski seksuaalisten orgasmivaikeuksien yhteyttä neurooseihin. Hän pohti myös marxilaisuuden vaikutusta seksuaaliseen vapautumiseen. Sittemmin hänet erotettiin kansainvälisestä psykoanalyyttisesta yhdistyksestä (IPV) ja hän kehitti omaa psykologista oppiaan orgonomiaa. ellauri062.html on line 740: Marxilainen Reich eli 1930-luvulta lähtien maanpakolaisena Tanskassa, Ruotsissa ja Norjassa ja lopulta Yhdysvalloissa. Hän alkoi myydä kehittämiään orgonikammioita syöpäpotilaille ja tuomittiin puoskaroinnista. Hän kuoli vankeudessa vuonna 1957. ellauri062.html on line 762: Deep state is a conspiracy theory which suggests that collusion and cronyism exist within the U.S. political system and constitute a hidden government within the legitimately elected government. ellauri062.html on line 764: Author Mike Lofgren believes that there is "a hybrid association of elements of government and parts of top-level finance and industry that is effectively able to govern the United States without reference to the consent of the governed as expressed through the formal political process". ellauri062.html on line 770: Tutkijana itseään pitävän Dan Steinbockin kirja ”Winning across global markets, How NOKIA creates strategic advantages in a fast-changing world” on Nokian johtajien haastatteluihin perustuva nuoleskelukirja, joka ei olisi voinut sattua pahempaan saumaan. ellauri062.html on line 772: Jo hakemisto kertoo paljon siitä, mikä on ollut kirjan tarkoitus: 32 viitettä Kallasvuohon, 32 viitettä Ollilaan, 10 viitettä Vanjokeen ja peräti 2 (sic!) viitettä ohjelmistokehitykseen. ellauri062.html on line 776: Rosita Serrano, nombre artístico de María Ester Aldunate del Campo (Quilpué,10 de junio de 1912-Santiago de Chile, 6 de abril de 1997), fue una cantante y actriz chilena de gran éxito en Alemania en el periodo 1937-1943, cuando llegó a ser conocida como die chilenische Nachtigall (el Ruiseñor Chileno). ellauri062.html on line 778: Fue hija del diplomático Héctor Aldunate Cordovés y de la soprano Sofía del Campo de la Fuente. Entre 1947 y 1963, estuvo casada con el millonario judío sefardí Jean Aghion, radicado en Egipto desde 1952. Residió en diferentes países de Asia y Europa hasta cuando falleció su esposo. Posteriormente, se casó con el artista alemán Will Williams. ellauri062.html on line 780: Serrano alcanzó gran éxito al cantar en alemán composiciones como «Roter Mohn (Roter Mohn, warum welkst du denn schon?)», «Schön die Musik», «Küß mich, bitte, bitte, küß mich», «Und die Musik spielt dazu», «Der Onkel Jonathan» y «Der kleine Liebesvogel» durante el auge de la Alemania nazi. Kreuder aprovechó para introducirla en las esferas del régimen nazi y Serrano llegó a participar en varios mítines y ceremonias nacionalsocialistas. Sus canciones fueron muy difundidas en las emisoras afines al Reich. Más adelante, declaró que nunca tuvo afinidad política alguna ni fue nazi, a pesar de que en sus grabaciones llevaba el emblema del águila nazi en su vestimenta. ellauri062.html on line 782: Entre 1938 y 1941, obtuvo diferentes papeles en filmes alemanes. Mantuvo una muy buena relación con la prensa nacionalsocialista: participó en varios recitales y ceremonias del Tercer Reich y adquirió el estatus y conducta social de una diva. De hecho, se ganó el afecto de Adolf Hitler, quien llegó a enviarle una fotografía personal autografiada. En su momento, fue la musa del ministro de propaganda Joseph Goebbels y otros dignatarios; por ende, su carrera se potenció enormemente y se le abrieron las puertas a la elite alemana ganando un elevado estatus social. Grabó 118 canciones y, por los derechos de autor, sus ganancias en marcos alemanes fueron importantes. Tal fue el éxito obtenido que la personalidad de Serrano adquirió los ribetes de una diva sin sospechar que su éxito era dependiente del régimen. Para Serrano, más que la política importaba el escenario y entregar su talento. ellauri062.html on line 784: Sin embargo, en la década de 1940, Rosita Serrano empezó a dar conciertos a beneficio de judíos y daneses refugiados en Suecia, lo que provocó la fulminante y enfática antipatía y rechazo del régimen nazi, la requisa y prohibición de emitir sus discos y grabaciones en Alemania y un arresto por presunto espionaje; sus ingresos fueron confiscados. ellauri062.html on line 786: La dictadura militar de Augusto Pinochet, quien era uno de sus admiradores, fue funesta para su vigencia radial cuando asumieron el poder los gobiernos de la Concertación. Nunca se le otorgó una pensión de gracia y, a medida que envejeció, sus ingresos menguaron a una progresiva situación de estrechez económica, viviendo rudimentariamente en la comuna de La Reina y luego en un precario departamento de la calle Catedral, en pleno centro de la capital chilena. ellauri062.html on line 787: Murió de un edema pulmonar en el Hospital del Tórax en Santiago el 6 de abril de 1997, en condiciones de extrema indigencia. ellauri062.html on line 821: icial Video] Little Drummer Boy - Pentatonix" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri062.html on line 843: Sitä ei kiinnostanut ihmisen intelligiibeli minä, josta kaikki luonnossa muistuttaa, ihminen mikrokosmoksena, vaan valta. Weininger asetti ihmisen kaiken toiminnan ohjenuoraksi tietoisuuden omasta intelligiibelistä minästä, koska ainoastaan se tekee hänet tietoiseksi myös sinästä ja sinun Dingistä an sich, ja saa hänet luopumaan pyrkimyksistä käyttää toista (tai itseään) välineenä mihinkään tarkoitukseen. Sinun anus on arvo sinänsä. ellauri062.html on line 865: ichardWagner.jpg/800px-RichardWagner.jpg" height="250px" /> ellauri062.html on line 917: Rabbi Menachem Mendel Schneerson, one of the most celebrated rabbits in the history of Judaism, says that jews are a "different species" than non-jews, non-jews come from a "Satanic sphere" while jews are "holy", and that non-jews only exist to serve jews. ellauri062.html on line 919: Shahak, an Israeli professor who was a survivor of the Nazi holocaust, describes a 1962 book published in Israel in a bilingual edition. The Hebrew text was on one page, with the English translation on the facing page. The Hebrew text of a major Jewish code of laws contained a command to exterminate Jewish infidels: “It is a duty to exterminate them with one’s own hands.” The English version on the facing page softened it to “It is a duty to take active measures to destroy them.’” The Hebrew page then went on to name which “infidels” must be exterminated, adding “may the name of the wicked rot.” Among them was Jesus of Nazareth. The facing page with the English translation failed to tell any of this. ellauri062.html on line 922: "Jews have higher souls than goyim, says deputy rabbit and minister of religious services for the jewish state of "Israel", rabbi Eli Ben Dahan. ellauri062.html on line 925: chief icles/0,7340,L-3527410,00.html">Rabbi Mordechai Eliyahu stated, "it is important to make one thing clear – the life of one yeshiva boy is worth more than the lives of 1,000 Arabs". ellauri062.html on line 929: Israeli Sephardic leader ellauri062.html on line 936: The so called "New World Order" conspiracy is the modern term for the age old Satanic conspiracy, led by elite Jewry -- the aim being the enslavement of humanity, destruction of the true Israelites (the Anglo-Saxon and Germanic peoples of European descent), mass human population reduction, abolition of religion and national sovereignty, and the establishment of a totalitarian world government ruled by Satan via the jews. The ultimate goal of Judaism is rule of the world by Satan, and to literally unleash hell upon the earth. Are you aware that Martin Luther wrote a treatise called "On the Jews and Their Lies", warning Christians in the most serious terms of the destructive influence of the jews, and advocating their banishment from European society? Luther was very knowledgeable of the religion, nature, origins, and influence of the Jews - having actually read the Talmud and written large parts of the Bible. Luther describes the Jews as an accursed, malicious, greedy, cunning, treacherous, thieving, and greatly evil people, who are descended from the very people who murdered the Messiah, who deeply hate Christianity and God's people, and are working in every possible way to undermine and destroy Western Christian civilization. Among other things, Luther rubbishes the Talmud, including its vicious hatred of Jesus and Christians, as well as relishing the many times Jews have been expelled from European nations. ellauri062.html on line 945: fact that Solomon delved deeply into the occult/Satanic world, and discovered and used this symbol to command demons. (Höh tavallinen kalliokielohan se on.) ellauri062.html on line 946: Of particular interest is the fact that the hexagram is made by 6 lines, has 6 points, 6 triangles, and 6-sided polygon....corresponding to the prophecy of "666" related to the "Beast" in Revelation 13:18 (although of course, perhaps not literally fulfilling it, as it refers to the "number of his name"). See Apt 7:43 "Ja te otitta Molochin majan/ ja teidän jumalanne Remphan tähden/ nijtä cuwia joita te teitte teillenne cumartaxenne/ ja minä tahdon teidän eroitta edemmä Babelita." ellauri062.html on line 977: Eli himot sitä on hiirelläkin. Eräs Pete Menckenin eli Pekka Mänkkösen mielenkiintoisista kirjoista. Punavyö on Simo Penttilän luoma kuvitteellinen villin lännen hahmo. Hänen kumppaneinaan ovat suomalaiset toverukset Pete Menken eli Pekka Mänkkönen ja Dick Hill eli Riku Kumpulainen. Pete on esiintynyt sirkuksessa tarkka-ampujana ja kehuu aluksi olevansa "pohjoisen pallonpuoliskon paras ampuja", mutta havaitsee Punavyön itseään paremmaksi ja ja ilmoittaa sitten olevansa "pohjoisen pallonpuoliskon toiseksi paras ampuja". Dick myy kirjoja, joiden nimistä osa on selvästi hänen itsensä keksimiä. Jännittävissä tilanteissa kaverukset alkavat usein naljailla keskenään peittääkseen pelkonsa. Nämä keskustelut alkavat varsin usein Dickin kommentilla, että hänellä on "yksi hyödyllinen kirja". ellauri062.html on line 1022: Office of Strategic Services, joka on nykyaikaisen CIA:n edeltäjä, väittää sitten, että hostellilla oli "maine paikana, jossa vanhukset miehet menivät etsimään nuoria miehiä homoseksuaalisten nautintojen vuoksi". ellauri062.html on line 1026: Tiedot Hitlerin seksuaalisuudesta antoi Ernst Sedgwick Hanfstaengl, saksalais-amerikkalainen, joka oli ollut Hitlerin läheinen ystävä ja uskottu 1920- ja 30-luvuilla. ellauri062.html on line 1033: Jörg Lanz von Liebenfels, eigentlich Adolf Joseph Lanz (* 19. Juli 1874 in Penzing, heute Wien; † 22. April 1954 in Wien), war ein österreichischer Geistlicher, Ariosoph und Hochstapler. Er prägte den Begriff Ariosophie und gründete den Neutempler-Orden. Einige Jahre galt er als „der Mann, der Hitler die Ideen gab“. Diese Einschätzung, die auf einer Selbststilisierung beruht und in einer Biografie von 1958 verbreitet wurde, wird in neueren wissenschaftlichen Untersuchungen als unzutreffend angesehen. ellauri062.html on line 1035: 1898 wurde Lanz zum Priester geweiht. Kaum ein Jahr später wurde er aufgefordert, den Orden zu verlassen. Lanz selbst gab später an, seine ständig „steigende Nervosität“ und seine angegriffene Gesundheit seien der Grund für seinen im April 1899 vollzogenen Austritt gewesen. Quellen im Heiligenkreuzer Stiftsarchiv hingegen vermerken als Austrittsgrund, Lanz sei „der Lüge der Welt ergeben und von fleischlicher Liebe erfasst.“ Einige Kommentatoren vermuten hinter diesem Vermerk eine Frauenbeziehung – möglicherweise mit einer Angehörigen der Familie Lanz von Liebenfels – und sehen in deren mutmaßlichem Scheitern einen Grund oder Mitgrund für Lanz’ spätere Misogynie. Andere Kommentatoren verweisen auf das Gerücht, Lanz sei homosexuell gewesen. ellauri062.html on line 1037: Nach dem Ausscheiden aus dem Zisterzienserorden änderte Lanz seine Identität. Seit 1902 führte er einen Doktortitel – für eine Promotion gibt es keinerlei Belege. Heute gilt es als erwiesen, dass Lanz den Titel unberechtigt führte. – und nannte sich fortan Lanz-Liebenfels. 1910 änderte er dies zu Lanz von Liebenfels ab. Venuskumpareesta tuli pyhä keihäs. Väärensi izelleen Svaabista aatelisviikunan. ellauri062.html on line 1039: Eigenen Aussagen zufolge hat sich Lanz der Kern seiner späteren Weltanschauung bereits 1894 durch folgende Begebenheit erschlossen: Bei der Betrachtung eines Grabsteins, auf dem ein Ritter abgebildet ist, der einen Hundsaffen niederringt, sei ihm schlagartig aufgegangen, dass die Rasse der „Arier“ oder „Herrenmenschen“ einen ständigen Abwehrkampf gegen die Rasse der „Nichtarier“ oder „Affenmenschen“ zu führen habe. Da die arische Rasse durch Vermischung mit „Minderrassigen“ geschwächt sei, seien umfassende „rassenhygienische“ Maßnahmen zu ihrer „Reinzucht“ und „Veredlung“ erforderlich. Diese wiederum bedürften unter anderem einer bedingungslosen Unterordnung der arischen Frau unter den arischen Mann. Nokki vähäosaisempia kuin katuojan pulu. Eikö muka rotukoiran aika muuten kulu? Vitun paviaani. ellauri062.html on line 1041: Tatsächlich aber dürfte weniger „Vision“ als vielmehr Lesen die Basis von Lanz’ „arischem“ Denken gebildet haben. Nach dem Austritt aus dem Kloster widmete er sich ausgiebigen Studien der zeitgenössischen anthropologischen Literatur über die arische Rasse, darunter Origines Ariacae von Karl Penka (1883), Die Heimat der Indogermanen von Matthäus Much (1902) und Die Germanen von Ludwig Wilser (1904). ellauri063.html on line 6: font-style: italic; ellauri063.html on line 23: ic;font-family:sans-serif;font-size:2em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">George Orwell ellauri063.html on line 24: ic;font-size:4em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">ELÄINTEN VALLANKUMOUS Syväpolitiikkaa ellauri063.html on line 31: Aus der Geschichte der Völker können wir lernen, dass die Völker nichts aus der Geschichte gelernt haben. G. W. F. Hegel (1770 - 1831) war ein deutscher Philosoph und Vertreter des Idealismus. Ähnliches Zitat: ellauri063.html on line 39: Eric Arthur Blair (25. kesäkuuta 1903 Motihari, Bengali, Brittiläinen Intia – 21. tammikuuta 1950 Lontoo, Britannia), kirjailijanimeltään George Orwell, oli brittiläinen kirjailija ja toimittaja. Hänen kirjoistaan tunnetuimpia ovat Espanjan sisällissotaa kuvaava reportaasi Katalonia, Katalonia, neuvostokommunismia vertauskuvallisesti kritisoiva Eläinten vallankumous ja antitotalitaristinen dystopiakuvaus Vuonna 1984. Liekö sattuma että Britanniaa 2000-luvun taitteessa hallizi toinen "vasemmistolainen" Tony Blair. ellauri063.html on line 41: Tony Blair oversaw British interventions in Kosovo (1999) and Sierra Leone (2000), which were generally perceived as successful. During the War on Terror, he supported the foreign policy of the George W. Bush administration and ensured that the British Armed Forces participated in the War in Afghanistan from 2001 and, more controversially, the 2003 invasion of Iraq. Blair argued that the Saddam Hussein regime possessed an active weapons of mass destruction (WMD) program, but no stockpiles of WMDs or an active WMD program were ever found in Iraq. The Iraq War became increasingly unpopular among the British public, and he was criticised by opponents and (in 2016) the Iraq Inquiry for waging an unjustified and unnecessary invasion. He was in office when the 7/7 bombings took place (2005) and introduced a range of anti-terror legislation. His legacy remains controversial, not least because of the Afghanistan and Iraq wars. ellauri063.html on line 43: Eric's work, on the contrary, is characterised by lucid prose, biting social criticism, opposition to totalitarianism and Eastern socialism, and outspoken support of (utopian) democratic socialism. ellauri063.html on line 47: Yes, Orwell was not exactly LGBTQ-friendly. He had a lot of opinions which now seem eccentric or objectionable. He had a lifelong tendency to make disparaging remarks about vegetarians, or people who wore sandals. I suspect that this came from the association in his mind of socialism with people who lived the early 20th century equivalent of an alternative lifestyle: it was very important to Orwell to show people that being socialist didn’t mean that you had to have to have a long beard, wear sandals or not eat meat, and that socialism was thoroughly British, manly and commonsensical. ellauri063.html on line 51: His contradictory and sometimes ambiguous views about the social benefits of religious affiliation mirrored the dichotomies between his public and private lives: Stephen Ingle wrote that it was as if the writer George Orwell "vaunted" his unbelief while Eric Blair the individual retained "a deeply ingrained religiosity". ellauri063.html on line 59: Due to her pointed criticism of both the Leninist and the more moderate social democratic schools of socialism, Luxemburg has had a somewhat ambivalent reception among scholars and theorists of the political left. Nonetheless, Luxemburg and Liebknecht were extensively idolized as communist martyrs by the East German communist regime. ellauri063.html on line 63: Rose Lichtenstein was born on March 26, 1887. She was an actress, known for Der Würger der Welt (1920), Freitag, der 13. - Das unheimliche Haus, 2. Teil (1916) and Die Japanerin (1919). She died on December 22, 1955 in Tel Aviv, Israel. Rosa Lichtenstein seems to be a leftist "influencer" on the web. Another "influencer" is not convinced: ellauri063.html on line 65: Rosa Lichtenstein? I am not quite sure who this person is and who publishes her work, but I can scarcely find anything on her besides her own resource page. Which leads me to believe the addition of her in this is nothing more than self-promotion by the author in particular themselves. This lowers the quality of this article to let any random Blogger have their criticisms added to this. Dialectical Materialism is a serioues philolosophical school and method attached to Marxism, and there is lot of commentary on the subject without resorting to unpublished internet articles. ellauri063.html on line 67: Rosa Lichtenstein is no authority on anything dialectical. She is only a committed ideolog: whose apparent life-goal has become the complete rooting-out of dialectical-materialism from the workers' movement, in every aspect. And in this, she is single-minded -- to the point of very unhealthy obsession. Others can attest to this, and have. ellauri063.html on line 69: I just undid the delete of the reference to Rosa Lichtenstein's website. Contrary to Riot Fred's assertions, I am not Rosa. I also find the argument that a reference should not be included because it is to a website, rather than to a print publication to be patently absurd. Jake Yli-Juonikas would agree. ellauri063.html on line 70: Anyway, what do you mean 'random blog'? It's not even a blog! In fact, my site contains the most detailed and comprehensive demolition of this 'theory' (dialectical materialism) ever written by a Marxist -- i.e., me. Rosa Lichtenstein. Listen: ellauri063.html on line 72: Is it hypocritical for George Orwell to write an anti-tyrannic book when he himself was a socialist? ellauri063.html on line 77: Rosa Lichtenstein, ellauri063.html on line 78: Degrees in Philosophy and Mathematics ellauri063.html on line 92: The first form seeks to bring ‘socialism’ to the mass of the population, whether they want it or not. It is imposed from above by a centralised, or even a democratically legitimated, state, as its name suggests. This app … (more) ellauri063.html on line 94: … roach has been adopted by various political movements and ideologies, including Stalinism, Maoism, Castroism, Chavezism (as we have seen in Venezuela of late), Social Democracy, and conspiratorial Blanquism —on that, follow the link below. ellauri063.html on line 102: This is a basic fact about Marx’s view of socialism that SD, Stalin, Mao, Castro and all the rest who advocate socialism from above, have failed to comprehend, so determined were they to impose ‘socialism’ on other countries, or, indeed, on their own people. ellauri063.html on line 104: Marx thought that capitalism had buried within itself the seeds of its own downfall. However, the latter wouldn’t kick in automatically, but would depend on its grave-diggers (the working class under capitalism, the proletariat) overthrowing it. ellauri063.html on line 108: b) Equally, if not more important, a socialist/communist society can only be built by the working class, organised for and by themselves, acting democratically on their own behalf, and not relying on anyone else or any party to do this for them. ellauri063.html on line 110: Ergo it will never come. Working class is dying off anyway with robotics and AI. Most likely, disgruntled farm animals will strike a pre-emptive strike first. They already form a majority, they are no bolsheviks. Four legs good, two legs bad, provided the governing body is featherless. ellauri063.html on line 120: Kansantuomioistuin on nimitys oikeusistuimelle, joka ei perustu ensi sijassa yleisiin oikeusperiaatteisiin ja jonka henkilöstö ei ole oikeusoppineita, vaan oikeusistuimella on yleensä poliittinen vire. Kansantuomioistuimia on yleensä vallankumouksen tai muun yhteiskunnallisen murroksen yhteydessä ja institutionalisoituneina erilaisissa diktatuureissa, kuten natsi-Saksa (Volksgerichtshof) ja Neuvostoliitto (Narodnyj sud). ellauri063.html on line 130: Populismin vastakohta on senatismi. SPQR, sanoivat patriisit ja antoivat plebeijien pitää pieniä kansankokouxia, rökittäen toisiaan. MAGA-presidentti matkusti Gruusiaan kertomaan paikallisille apinoille, että nyt on isänmaa vaarassa. Pelastakaa Amerikka kommunismilta! Palauttakaa mut presidentin pallille! Oh, and yes, vote republican for senator by all means. Although I dont directly WANT to talk for others but me to be elected anywhere. ellauri063.html on line 137: Kansantribuunin oikeuksista (tribunicia potestas) tuli Augustuksen myötä osa Rooman keisarin valtaoikeuksista. Kansantribuunien valta väheni keisarikaudella, vaikka heidän virkansa ei kokonaan hävinnytkään. Ne oli vähän sellasia sosiaalidemokraatteja, patriisien poliittisia luottovankeja. Noskeja. ellauri063.html on line 202: aavepaprika: Barrio on rento, energinen paikka, joka tunnetaan koko Greater Clevelandissa sen maukkaista, naarmuuntuneista tacoista ja valtavan valikoiman tequilaa, viskiä ja oluita. Se on tällä hetkellä yksi Lakewoodin suosituimmista meksikolaisista liitoksista. Asiakkaat voivat valita mukautetun tacon, joka on valmistettu täysin eritelmissään, sisältäen maissia tai jauhoja tortilloja, täyteaineita, kuten kotitekoista chorizoa ja kastikkeita kuten chipotle hunajaa ja tulinen aavepaprika. Jos tämä ei houkuttele makuelämyksiä, valitse yksi ylimmän johdon kokin kookas Damon Ginnardin taco-ehdotuksista, kuten Moooo-chas Gracias, haudutettua naudanlihaa, jicamaa, maissin salsaa, queso frescoa ja Barrion salaista kastiketta, täydellinen pestään Barrio margarita. ellauri063.html on line 210: mogwai is the transliteration of the Cantonese word 魔鬼 (Jyutping: mo1 gwai2; Standard Mandarin: 魔鬼; pinyin: móguǐ) meaning "monster", "evil spirit", "devil" or "demon". The term "mo" derives from the Sanskrit "Mara", meaning "evil beings" (literally "death"). In Hinduism and Buddhism, Mara determines fates of death and desire that tether people to an unending cycle of reincarnation and suffering. He leads people to sin, misdeeds, and self-destruction. Meanwhile, "gui" does not necessarily mean "evil" or demonic spirits. Classically, it simply means deceased spirits or souls of the dead. ellauri063.html on line 214: Hyi helvetti. Nyt lähinnä kiinostaa: miten äsken syntynyt pitää olla et tämmönen paska on ihan vaan normipäivää, business as usual? Vai eikö se olekaan ikäkysymys vaan jonkinlainen rupusakki-indexi? Please God, help improve this Pynchon fan fiction. Kuvan Mogwailla on samanlaiset vilkkuluomet kuin Jaakolla. ellauri063.html on line 220: Lingchi (Chinese: 凌遲), translated variously as the slow process, the lingering death, or slow slicing, and also known as death by a thousand cuts, was a form of torture and execution used in China from roughly 900 until it was banned in 1905. It was also used in Vietnam. In this form of execution, a knife was used to methodically remove portions of the body over an extended period of time, eventually resulting in death. ellauri063.html on line 227: Lancea et Clavus Domini: The Holy Lance, also known as The Spear of Destiny. Oldest part of the Regalia of the Holy Roman Empire and allegedly the spear that pierced the side of Christ on the Cross, with one of the Nails set into it. Hitler was particularly interested in this relic. Other Theories Are Available. Now in the Kaiserliche Schatzkammer of the Hofburg, Vienna. ellauri063.html on line 229: AAA, también conocida como Alianza Apostólica Anticomunista, fue una organización terrorista tardofranquista, presuntamente vinculada a los aparatos represivos del Estado español, que actuó en el País Vasco y en el País Vasco francés entre 1977 y 1982, durante la transición española. Un informe de la Oficina de Víctimas del Terrorismo del Gobierno vasco de 2010 le atribuye 8 asesinatos de las 66 víctimas mortales del terrorismo parapolicial y de extrema derecha desarrollado entre 1975 y 1990. ellauri063.html on line 242: ic/j_sats-2017-3002_fig_005.jpg" height="400px"/> ellauri063.html on line 248: Ei ole vaaraa että nämä kirjat myisivät kirjailijan imagolla. Nää lätyt on kuin jostain vahakabinetin poistomyynnistä. Pelihahmokokoelma pojan taskunpohjalta. Tai Magic-korttipakka, aivan loppuun pelattu. ellauri063.html on line 257: Aina tietysti voi imarrella izeään sankaritarinoilla "tinkimättömästä toisinajattelijasta", mutta älä kuvittele että sellainen feikkishow menisi täydestä kehenkään muuhun kuin sinuun izeesi. Päinvastoin: halveximme sinua sixi että vaihdat koko ajan puolta tuulen suunnan mukaan, selittelet naurettavasti aiempia möläytyxiäsi. Lyhyesti sanoen olet surkuteltava tapaus. Kazo peiliin :trollface: sieltä näkyy toinen :trollface: vertically flipped. ellauri063.html on line 261: ADC (Attack Damage Carry) is an archaic term used to refer to a champion that deals strong, continuous damage with their basic attacks and scales with attack-related stats - i.e. attack damage, critical strike chance and attack speed. ellauri063.html on line 262: The role was retired in official contexts and replaced with Marksman icon.png Marksman, to distinguish between Ranged role.png ranged basic attackers (including those that do not build AD, e.g. Azir Azir) and the ability to carry , with Melee role.png melee ADCs being distributed between the Slayer icon.png Slayer and Fighter icon.png Fighter roles. ellauri063.html on line 267: In Jewish folklore, a golem (/ˈɡoʊləm/ GOH-ləm; Hebrew: גולם‎) is an animated anthropomorphic being that is created entirely from inanimate matter (usually clay or mud). The word was used to mean an amorphous, unformed material in Psalms and medieval writing. ellauri063.html on line 274: "Frontside Ollie" is a Finnish language song by Finnish teen pop artist Robin and his debut single taken from his debut album Koodi. Written by Sana Mustonen, it was released on Universal Music on 16 January 2012. #skateboarding Today's video is about the basic frontside ollie on transition. Useful for quarter pipes, mini ramps, bowls and more. Hit subscribe & leave your suggestions below for future skate hacks videos! ellauri063.html on line 281: Den stora makabern (tyska: Der grosse Makabre, franska: Le grand macabre) är en opera i två akter (fyra scener) med musik av György Ligeti. Libretto av Michael Meschke och tonsättaren som bygger på Michel de Ghelderodes skådespel La Ballade du Grand Macabre (1934). Men vad han är ful, den här György! Lik en get bakifrån! ellauri063.html on line 288: Aphra Behn (/ˈæfrə bɛn/;[a] bapt. 14 December 1640[1] – 16 April 1689) was an English playwrightess, poetess, translatress and fiction waitress from the Restoration era. As one of the first Englishwomen to earn her living by her writing, she broke glass ceilings as a mannequin for later auctresses. Lusťs Dominion relies on the racist stereotype of the lustful, scheming, and bloodthirsty Moor, with the new Prince Philip ordering the expulsion of all the immigrant Moors from Spain because of their wickedness. ellauri063.html on line 290: In 1695, Henry Purcell wrote incidental music for the Abdelazer revival at the new theater in Lincoln's Inn Fields where the play would not gain much success which would become evident by the meager second-day attendance. ellauri063.html on line 291: Abdelazer suite is written in 10 movements of which Rondo is currently the most famous due to the use of the piece and its variations in films, including the 2005 adaptation of Pride and Prejudice in which Purcell's piece can be heard as dancing music at the Netherfield ball. ellauri063.html on line 295: Screenwriter Deborah Moggach initially attempted to make her script as faithful to the novel as possible, writing from Elizabeth's perspective while preserving much of the original dialogue. Joe Wright, who was directing his first feature film, encouraged greater deviation from the text, including changing the dynamics within the Bennet family. Wright and Moggach set the film in an earlier period and avoided depicting a "perfectly clean Regency world", presenting instead a "muddy hem version" of the time. Chickenbutt Knightley was well-known in part from her role in the Pirates of the Caribbean film series. It was marketed to a younger, mainstream audience; promotional items noted that it came from the producers of 2001's romantic comedy Bridget Jones's Diary before acknowledging its provenance as an Austen novel. ellauri063.html on line 297: Pride & Prejudice earned a worldwide gross of approximately $121 million, which was considered a commercial success. Austen scholars have opined that Wright's work created a new hybrid genre by blending traditional traits of the heritage film with "youth-oriented filmmaking techniques". What "heritage film"? Austen's original screenplay? ellauri063.html on line 299: Luigi Nonon A Pierre. Dell’azzurro silenzio, inquietum, for bass flute, bass clarinet and live electronics (1985) ellauri063.html on line 303: Hänen musiikkiinsa rakastuivat elokuvantekijät Kubrickista Lynchiin – maailman merkittävimpiin nykysäveltäjiin lukeutuva Krzysztof Penderecki säveltää yhä 85-vuotiaana. ellauri063.html on line 308: Leck mich im Arsch (suom. Nuole minua perseestä, vastaa ilmaisua "haista paska") on Wolfgang Amadeus Mozartin säveltämä kuusiääninen kaanon B-duurissa. Kappaletta ei julkaistu säveltäjäneron elinaikana, mutta hänen vaimonsa Constanze Mozart luovutti sen leipzigiläiselle kustantamolle Breitkopf & Härtelille vuonna 1799. Kustantaja sensuroi kaanonia, muun muassa vaihtoi sen alkusanat muotoon "Laßt froh uns sein" (suom. Iloitkaamme). Ja kuule Jaska vielä 1 asia kuuntele nyt tarkasti: HAISTA PASKA! ellauri063.html on line 312: Songs in the Key of Z is a book and two compilation albums written and compiled by Irwin Chusid. The book and albums explore the field of what Chusid coined as "outsider music". Chusid defines outsider music as; "crackpot and visionary music, where all trails lead essentially one place: over the edge." Chusid's work has brought the music of several leading performers in the outsider genre to wider attention. These include Daniel Johnston, Joe Meek, Jandek and Wesley Willis. In addition, his CDs feature some recordings by artists who produced very little work but placed their recordings firmly in the outsider area. Notable amongst these are nursing home resident Jack Mudurian who sings snatches of several dozen songs in a garbled collection known as Downloading the Repertoire and the obscure and extreme scat singer Shooby Taylor AKA 'The Human Horn.' ellauri063.html on line 314: Scott "Walker" Engel's The Old Man's Back Again is dedicated to the neostalinist regime. Löysää hölkkää mutta kaskun kärki on nyt siinä että Putinin porukat on muka yleisössä. Scott 4 is Scott Walker's fifth solo album (a collection of songs he had performed for his BBC television series had been his fourth). It was originally released in late 1969 under his birth name, Scott Engel, and failed to chart. Subsequent reissues have been released under his stage name. It has since received praise as one of Walker's best works. ellauri063.html on line 316: Brötzmann Reflects on ‘Machine Gun’ as it Hits 50th Anniversary. The marathon, lung-bursting howl of Peter Brötzmann’s Machine Gun, which the saxophonist self-released on his BRÖ imprint 50 years ago, captured the anxiety of a generation grappling with the Vietnam War and civil unrest. The emotional and political complexity it was born from still resonates today. ellauri063.html on line 317: Before he entered the world of music, Brötzmann was studying to be a painter in Western Germany and was associated with Fluxus, a radical art movement influenced by John Cage and informed by an anti-commercial sentiment. ellauri063.html on line 319: “There is no contradiction between creation and destruction. I never thought music was a healing force of the universe. I didn’t agree with Mr. Albert Ayler. But we wanted to change things; we needed a new start. In Germany, we all grew up with the same thing: ‘Never again.’ But in the government, all the same old Nazis were still there. We were angry. We wanted to do something.” Like jazz. ellauri063.html on line 352: The Babushka Lady is an unknown woman present during the 1963 assassination of President John F. Kennedy who might have photographed the events that occurred in Dallas's Dealey Plaza at the time President John F. Kennedy was shot. Her nickname arose from the headscarf she wore, which was similar to scarves worn by elderly Russian women (бабушка – babushka – literally means "grandmother" or "old woman" in Russian). THE BABUSHKA LADY or TBL is an homage METALCORE band. This band was established on 1st october 2011 in Pondok Gede Bekasi. This band is actually established in 2009 with different positions. WE WANT TO FAMOUS ! AND WE WANT TO VALUABLE IN THE EYES OF GOD !! ellauri063.html on line 356: Deutschland schafft sich ab ist der Titel eines 2010 erschienenen Buches von Thilo Sarrazin. Es trägt den Untertitel Wie wir unser Land aufs Spiel setzen. Sarrazin beschäftigt sich darin mit den Auswirkungen auf Deutschland, die sich seiner Ansicht nach aus der Kombination von Geburtenrückgang, wachsender Unterschicht und Zuwanderung aus überwiegend muslimischen Ländern ergeben werden. Das Buch erlangte bereits im Vorfeld der Veröffentlichung erhebliche Medienaufmerksamkeit, Der Spiegel und die Bild-Zeitung veröffentlichten vorab Auszüge. Bis Anfang 2012 wurden über 1,5 Millionen Exemplare verkauft. Das Buch stand 2010 und 2011 insgesamt 21 Wochen lang auf Platz 1 der Spiegel-Bestsellerliste. ellauri063.html on line 426: The novel is widely noted for its unconventional narrative structure and its experimental use of endnotes (there are 388 endnotes, some with footnotes of their own). It has been categorized as an encyclopedic novel. ellauri063.html on line 428: The novel's title is from Hamlet, Act V, Scene 1, in which Hamlet holds the skull of the court jester, Yorick, and says, "Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is!" Wallace's working title for Infinite Jest was A Failed Entertainment. (PST: Hamnetista on lisää paasausta albumissa 61.) ellauri063.html on line 432: Infinite Jest is a postmodern encyclopedic novel, famous for its length and detail and for its digressions that involve endnotes (some of which themselves have footnotes). It has also been called metamodernist and hysterical realist. Wallace's "encyclopedic display of knowledge" incorporates media theory, linguistics, film studies, sport, addiction, science, and issues of national identity. The book is often humorous yet explores melancholy deeply. ellauri063.html on line 440: Luin Volvoa ohjaavalle muusalle Hamletin spoilerin Wikipediasta just ton Yorickin takia. Yorick esiintyi, muistettaneen, myös huonojen tilanteiden miehen apulaisena Black Adder-skezissä. Näytätpä huonovointiselta Jori, loputtoman läpän mies, sanoo Hamlet jaxossa 5 sen pääkopalle. ellauri063.html on line 479: Ben Zyskowicz 4.5.2013 2:00 ellauri063.html on line 546: kif: kind of cannabis smoked in Morocco and Algeria, for narcotic or intoxicating effect. ellauri063.html on line 582: Pansatanism Same as pandemonism. a Gnostic theory that considered Satan’s to be the controlling will of the universe. ellauri063.html on line 589: In 2014 three letters written by Mahatma Gandhi to eldest son Harilal in 1935 were offered for auction. A translation of one of the letters (which was written in Gujarati) suggests that Gandhi was accusing Harilal of raping either his own daughter, Manu, or his sister-in-law. Tushar Gandhi (Mahatma Gandhi´s great-grandson) has suggested that the letter was poorly translated, and that the word being translated as rape may not have actually meant sexual assault. Rape is in fact virtually nonexistent in India, while mistranslation is extremely common. ellauri064.html on line 6: font-style: italic; ellauri064.html on line 23: ic;font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">C.E.Carlson ellauri064.html on line 24: ic;font-size:4em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Liskohumanoideja Salaliittoteoriaa ellauri064.html on line 35: Try to count electric sheep ellauri064.html on line 61: ratatoeskrI is a fanfiction author that has written 1 stories for Detective Conan/Case Closed. Joku influensseri? ellauri064.html on line 67: Welteislehre (auch Glazialkosmogonie oder kurz WEL) ist eine im Jahr 1913 veröffentlichte These des österreichischen Ingenieurs Hanns Hörbiger (1860–1931), nach der die meisten Körper des Weltalls aus Eis oder Metall bestehen. Im Sonnensystem sei die Erde der einzige Himmelskörper, für den dies nicht gelte; auch der Mond bestehe hingegen großteils aus Eis. Die Welteislehre widerspricht grundlegenden, auch zur Zeit Hörbigers schon lange bekannten astronomischen und physikalischen Erkenntnissen und wird heute allgemein als nachweislich falsch zurückgewiesen. ellauri064.html on line 77: Walter Benjamin was a radically innovative cultural theorist and a German Jewish Marxist, securing refuge in France in 1933. Following the 1940 Nazi invasion he fled France, bound for the USA. However, on the mountainous approach to the French–Spanish border he realised dictator Franco had suddenly blocked transit. Benjamin was in ill health and struggling to carry a briefcase with a heavy manuscript, which he declared more precious than his life. Sadly, he completed suicide: there was family history on his father's side. ellauri064.html on line 79: Benjamin maintained a fiercely productive focus on his intellectual mission throughout his life, despite repeatedly complaining of ‘grand-scale defeats’ and lows. After his request for divorce from Dora Pollak was granted in 1932, he suffered 10 paralysing days during which he seriously prepared suicide. Suicidal thoughts endured. He was an elegant, cultivated man who oozed old-world charm, exerting attraction on women but not always enough to give him cunt. Asja Lacis, the Latvian Communist Director of Children's Theatre in the USSR, twice refused, as did later lover Anna Maria Blaupot ten Cate. Lacis suffered relapsing mental illness and was hospitalised with hallucinations when Benjamin rushed to Moscow in 1926, at the brink of Stalinisation. His luminous Moscow Diary records his frustrating two-month experience. ellauri064.html on line 81: Benjamin's luscious Berlin Childhood around 1900 recalls his experience of the city's material culture as a boy. His family was commercially successful (rich) but relations with his parents and sister were poor, although he had a better relationship with his younger brother, because he died in a concentration camp. His bleak verdict on school life contrasted with that of his schoolmate Gershom Scholem, who become Professor of Jewish Mysticism at the newly established Hebrew University of Jerusalem. Benjamin impressed some as reserved, discreet and modest, others as oversensitive and uncompromising. ellauri064.html on line 83: He maintained a life-long friendship with Shulem. A feature of Benjamin's unorthodox Marxism was his attempt to invest it with the passions of Messianic Jewish mysticism. He was also friends with Theodor Adorno, a critical social theory pioneer who was deeply influenced by Benjamin and helped preserve his legacy. Adorno remarked that Benjamin's work had ‘settled at the cross-roads between magic and positivism. That place is bewitched’. ellauri064.html on line 85: Benjamin revolutionised text, image and film criticism. His essay ‘Hashish in Marseilles’ confirms that he experimented with drugs (‘under medical supervision’). He argued that reawakening the long-forgotten dreams of childhood could help recover the betrayed potential of technological progress, in the service of humanity's ‘redemption’ in this life. He collected children's books and recorded attentively the development of his son Stefan from behind the crib bars like his contemporary Piaget, especially sensation, imitation, gestures and spontaneity. This is from his celebrated modernist short pieces collection One Way Street: ellauri064.html on line 89: This precious manuscript was lost together with Benjamin's life. Shortly thereafter, Franco reopened the border and collaborationist Vichy French authorities rescinded deportation orders to Germany. I shared this tragic story of almost preventable loss of luggage with suicidal patients; and it has made a difference. ellauri064.html on line 91: Am Ende seines Lebens, sich auf der Flucht vor dem Faschismus und dabei in einer zunehmend aussichtslosen Lage befindend, greift er die gängige Fortschrittsmetapher auf: »Marx sagt, die Revolutionen sind die Lokomotiven der Weltgeschichte. Aber vielleicht ist dem gänzlich anders. Vielleicht sind die Revolutionen der Griff des in diesem Zug reisenden Menschengeschlechts nach der Notbremse.« Sehr ähnlich klingt es, wenn Greta Thunberg bei der UN-Klimakonferenz in Katowice davon spricht, dass es die einzig vernünftige Sache sei, die Notbremse zu ziehen. Walter veti hätäjarrusta ja sen juna pyhästyi. Matkalaukku tosin joutui hävyxiin. Arthur Koestler koitti samaa muttei älynnyt vetää vetimestä tarpeexi kovaa. Vuonna 83 se koitti uudestaan Ebba vaimon kanssa ja onnistui. ellauri064.html on line 104: Keine Angst vorm Untergang! Mit der Veränderungen des Klimas steigt der Meeresspiegel an und bedroht die Inseln im Südpazifik - viele Bewohner müssen bald fliehen. Lange Zeit glaubten Linke an den ewigen Fortschritt. Doch die Klimakatastrophe bringt uns an planetare und gedankliche Grenzen. ellauri064.html on line 107: Die Postmoderne erklärte das Ende der großen Erzählungen solange, bis nichts und niemand mehr übrig war, für das es sich zu kämpfen lohnte. Schließlich riefen Neokonservative das Ende der Geschichte aus und hinterließen nichts als Leere an jenem Ort des Bewusstseins, an dem sich einst die Hoffnung auf eine bessere Zukunft befand. ellauri064.html on line 109: Am Beispiel der Literatur und diverser Filme zeigt die Germanistin Eva Horn, dass die Zukunft vor allem als Katastrophe erscheint: Auf dem Buchmarkt boomen dystopische Romane, auf den Kinoleinwänden geht es immer wieder um Killerviren, die die Menschheit vernichten, Riesenasteroiden, die auf die Erde zurasen, und gigantische Naturkatastrophen. ellauri064.html on line 111: Damit steht er der kalifornischen Ideologie entgegen, die technologische »Lösungen« gesellschaftlichen Veränderungen vorzieht. ellauri064.html on line 112: Konstruktive, kreative Köpfe sollen es richten: Ein paar Erfindungen hier, ein paar schlaue Ideen da – so kann das Ende der Menschheit vielleicht doch noch verhindert werden. Doch auch Tausende Hackathons werden nicht helfen, wenn die gesellschaftlichen und ökonomischen Ursachen des Klimawandels unangetastet bleiben, also die kapitalistische Produktionsweise, die dem Profit grundsätzlich den höchsten Stellenwert einräumt, nicht beendet wird. ellauri064.html on line 116: Grüne Kapitalistinnen und Kapitalisten hoffen gemeinsam mit dem solutionistischen Flügel der globalen Klimabewegung auf ein Licht am Ende des Tunnels. Slavoj Žižek appelliert in seinem Buch Mut zur Hoffnungslosigkeit, die Ausweglosigkeit der Lage konsequent zu Ende zu denken. Wahrer Mut bestehe darin, »einzugestehen, dass das Licht am Ende des Tunnels wahrscheinlich die Scheinwerfer eines entgegenkommenden Zuges sind«. ellauri064.html on line 120: Ohne Notbremsung wird der Zug entgleisen. Wenn wir den Untergang der Menschheit wirklich noch verhindern wollen, kommen wir nicht umhin, dem Profitstreben auf Kosten der Menschen und der Natur ein Ende zu setzen. Vorsichtig auf dem Gang! Mind your step! Nicht hinauslehnen! E pericoloso sporgersi! ellauri064.html on line 130: David Vaughan Icke (s. 29. huhtikuuta 1952 Leicester, Englanti) on brittiläinen kirjailija ja salaliittoteoreetikko, joka on vuodesta 1990 lähtien omistautunut selvittämään ”kuka ja mikä todella kontrolloi maailmaa”. Icke on entinen Englannin liigan jalkapallomaalivahti, toimittaja, urheiluselostaja ja vihreän liikkeen kannattaja. Hän on kirjoittanut näkemyksistään yli 20 kirjaa. ellauri064.html on line 152: Termin uskotaan juontuvan amerikkalaisen uusnazin Eric Thomsonin vuonna 1976 kirjoittamasta tekstistä Welcome to ZOG-World. Termi tuli laajaan käyttöön The Order -ryhmän suorittamista ryöstöistä The New York Timesiin kirjoitetun artikkelin jälkeen, jossa kerrottiin ryöstöjen tähdänneen rahan keräämiseen ZOGia vastaan. The Order oli antisemitistisiä yhteyksiä omaavan Aryan Nations -järjestön haara. ellauri064.html on line 161: Tutkielmassa tarkastellaan uuskeynesiläisten DSGE-makrotalousmallien joukkoon lukeutuvaa valtiovarainministeriön Kooma-mallia genealogisen hallintamentaliteetin näkökulmasta. Kooma-mallia käytetään valtiovarainministeriössä ennustamiseen ja erilaisten politiikkatoimien vaikutusarviointien laatimiseen. Teoreettisena viitekehyksenä tutkielmassa sovelletaan Michel Foucaultin tunnetuksi tekemää hallintamentaliteetin näkökulmaa, jossa tarkastellaan kansantaloustieteen tietomuotoihin ja turvallisuuden tekniikoihin pohjautuvaa vallan muotoa. Hallintamentaliteetin näkökulmasta Kooma-malli kehystetään tutkielmassa tietynlaisiin tietomuotoihin nojaavana rationaalisena teknologisena käytäntönä, joka mahdollistaa hienovaraisen talouden poliittisen hallinnan. Tutkimusmenetelmänä sovelletaan niin ikään Michel Foucaultin kehit ellauri064.html on line 186: Johann Wolfgang von Goethe hat den Brocken (der auch „Blocksberg“ genannt wird und im Faust den Hexentanzplatz in der Walpurgisnacht abgibt) dreimal bestiegen und wurde von seinem eigenen Brockengespenst erschreckt – der Name der Lichterscheinung soll auch auf Goethe zurückgehen. ellauri064.html on line 200: Suomenkielisestä versiosta ”Kapteeni Tom” vastasi vuonna 1973 Arto Sotavalta. Tämmösen mä muistan hämärästi. Mutta Velvet Underground Nico Evening of light: ei mitään havaintoa. ellauri064.html on line 223: Takakannen lause Syvävaltiossa kukaan ei kuule huutoasi s. 232 (mitäänsanomaton pieru < sax. nichtssagender Furz). ellauri064.html on line 249: Adrian Dietrich Lothar von Trotha (* 3. Juli 1848 in Magdeburg; † 31. März 1920 in Bonn) war ein deutscher Kolonialbeamter. Sein „Vernichtungsbefehl“ gilt als Grundlage des Völkermordes an den Herero und Nama. ellauri064.html on line 250: Den Berichten zufolge wird Trotha als ausgesprochen machthungrig, hart, unnachgiebig und beratungsresistent skizziert. Dementsprechend unbeliebt war Trotha in Deutsch-Südwestafrika. ellauri064.html on line 251: Tatsächlich wurde selbst in Gesellschaft von Missionaren offen der Wille der Deutschen zur Vernichtung ganzer Stämme geäußert. ellauri064.html on line 252: Die Überlebenden wurden weitab von ihren ursprünglichen Siedlungsgebieten und unter widrigen klimatischen Bedingungen in Konzentrationslagern interniert, die nur rund jeder zweite Insasse überlebte. ellauri064.html on line 254: „Er war ein schlechter Staatsmann, wie er als Führer im Kriege nicht ausreichte und dazu ein unedler, selbstsüchtiger und kaltherziger Mensch.“ ellauri064.html on line 255: Wir schämen uns für die fürchterlichen Ereignisse, die sich vor einem Jahrhundert in Namibia abgespielt haben.“ – Thilo von Trotha ellauri064.html on line 262: Robert James Zdarsky (June 3, 1950 – March 30, 2015), better known by his stage name Robert Z´Dar, was an American character actor and film producer, best known for his role as officer Matt Cordell in the cult horror film Maniac Cop and its two sequels. Never heard. Kärsi kerubismista (leukavuudesta). Rokonarpiset ihmiset on nykyään yleensä kärsineet pahasta aknesta. ellauri064.html on line 275: The Völkischer Beobachter (pronounced [ˈfœlkɪʃɐ bəˈʔoːbaχtɐ]; "Völkisch Observer") was the newspaper of the Nazi Party (NSDAP) from 25 December 1920. It first appeared weekly, then daily from 8 February 1923. For twenty-four years it formed part of the official public face of the Nazi Party until its last edition at the end of April 1945. ellauri064.html on line 276: Der Völkische Beobachter (VB) war von Dezember 1920 bis zum 30. April 1945 das publizistische Parteiorgan der NSDAP. In scharfer Abgrenzung zu bürgerlichen Zeitungen bezeichnete sich der VB als „Kampfblatt“ und war programmatisch mehr an Agitation als an Information interessiert. Pressehistoriker nannten den VB daher „plakathaft“ und seinen Stil „mehr gesprochen als geschrieben“. Zunächst erschien der VB zweimal wöchentlich, ab dem 8. Februar 1923 täglich im Franz-Eher-Verlag in München. Er wurde nach den Anfangsjahren reichsweit vertrieben. ellauri064.html on line 277: Ab Februar 1941 gab der VB die bis dahin in Deutschland allgemein benutzte Frakturschrift auf und wurde komplett in der modernen Antiqua gesetzt, die von den Nationalsozialisten als „geschmackvoll und klar“ bezeichnet wurde und der von der Propaganda behaupteten „Weltgeltung des Reiches“ entsprechen sollte (Antiqua-Fraktur-Streit). Die Auflage steigerte sich mit dem Erfolg der nationalsozialistischen Bewegung enorm, 1931 erreichte sie über 120.000, überschritt 1941 die Millionen-Grenze und soll 1944 1,7 Millionen Exemplare betragen haben. ellauri064.html on line 278: Einige Tage vor der deutschen Kapitulation stellte der Völkische Beobachter Ende April 1945 sein Erscheinen ein. Die letzte Ausgabe vom 30. April 1945 wurde nicht mehr ausgeliefert. ellauri064.html on line 280: Unabomber Theodore John Kaczynski (/kəˈzɪnski/; born May 22, 1942), also known as the Unabomber (/ˈjuːnəbɒmər/), is an American domestic terrorist, anarchist, and former mathematics professor. He was a mathematics prodigy, but he abandoned his academic career in 1969 to pursue a more primitive lifestyle. Between 1978 and 1995, he killed three people and injured 23 others in an attempt to start a revolution by conducting a nationwide bombing campaign targeting people involved with modern technology. In conjunction with this effort, he issued a social critique opposing industrialization while advocating a nature-centered form of anarchism. ellauri064.html on line 282: In 1971, Kaczynski moved to a remote cabin without electricity or running water near Lincoln, Montana, where he lived as a recluse while learning survival skills in an attempt to become self-sufficient. He witnessed the destruction of the wilderness surrounding his cabin and concluded that living in nature was untenable; he began his bombing campaign in 1978. In 1995, he sent a letter to The New York Times and promised to "desist from terrorism" if the Times or The Washington Post published his essay Industrial Society and Its Future, in which he argued that his bombings were extreme, but necessary to attract attention to the erosion of human freedom and dignity by modern technologies that require large-scale organization. ellauri064.html on line 287: With the Newseum in Washington, D.C. closing its doors at the end of this month, many pieces of American history may be needing new homes. It includes an infamous piece that is from Montana. The museum is home to the wilderness cabin that was once home to Ted Kaczynski, also known as the Unabomber. ellauri064.html on line 289: Kaczynski was captured in April of 1996 and according to the FBI, the cabin was key piece of evidence. It housed 40-thousand handwritten journal pages, a live bomb, bomb-making components and descriptions of Kaczynski´s crimes. Since it will no longer be on display in the nation´s capital after the Newsuem closes, the Montana Historical Society director Bruce Whittenberg is trying to see if the piece could make its way back to the Treasure State. ellauri064.html on line 292: The historical Newseum is closing its doors after more than a decade in its Washington, D.C. location. ellauri064.html on line 307: Mummo ei voinut viitata ihmiskuntaan esimerkixi "älyllisenä elämänä". Älytöntähän se onkin. Nää on tämmösiä lukion filosofian kurssin video-oppimateriaaleja. Pintapuolisesti kazoen mystiikkaa, tarkemmin pelkkää pöpinää, sivuntäytettä. Maxettiinkohan Juotikkaallekin per sana, kuten Dickensille? Kaikki on hyvin, mikään ei ole tärkeää. Kirjailija-apuraha pitää hengissä. ellauri064.html on line 311: Thomas "Pip pip" Jeeves Horder, 1st Baron Horder, known as ‘Tommy’, was created a baronet in 1923 and Baron Horder in 1933 in recognition of his services as physician to several British monarchs and Prime Ministers, including the pro-nazi abdicate Edvard VII. ellauri064.html on line 328: James Hirvisaari (born 2 July 1960) is a Finnish politician. He was elected to the Finnish Parliament in the 2011 general election held on 17 April on the electoral list of the Finns Party, but since 2013 he has represented Change 2011. ellauri064.html on line 329: Hirvisaari is a former train driver, educated at the Helsinki Pasila engine drivers' school in 1980–1982. He was admitted to University of Helsinki in 1999 to study theology, and is still registered as an undergraduate student. Hirvisaari undertook his military national service in the Kymi Anti-Aircraft Battalion in 1979–1980 in the city of Kouvola. ellauri064.html on line 331: During his 2011 election campaign Hirvisaari was critical of the immigration policies in Finland ("Maahanmuutto hallintaan! – Immigration under control!), and supported national sovereignty ("Riittää, että kansalaiset ovat sitä mieltä – muita perusteluja ei tarvita." – "It is enough that the citizens are of that opinion – no other arguments are needed.") as well as Finland generally as a country ("Suomen kieli – Suomen mieli – Suomen luonto – Suomen lippu" – "Finnish language – Finnish mindset – Finnish nature – Finnish flag"). In July 2011 Hirvisaari stated that the killings in Oslo on 22 July 2011, by right-wing extremist Anders Behring Breivik (Fjotolf Hansen), were a side-effect of Norway's immigration policies. ellauri064.html on line 333: Just before the 2011 general election Hirvisaari was prosecuted for his blog in the Uusi Suomi newspaper web site under the title "Kikkarapäälle kuonoon" ("Sock the kinkyhead"). The text referenced an attack on a foreign person in Helsinki — Hirvisaari wrote that the crime had not necessarily been a racist one. In November 2010 the district court of Päijät-Häme dropped the charges against him of incitement. After consultation with the deputy general attorney, Jorma Kalske, the state appealed against the verdict. In December the Kouvola court of appeals found Hirvisaari guilty of incitement and fined him. ellauri064.html on line 335: James Hirvisaari was one of the authors of the so-called "Nuiva Manifesti" ("The crabby or peevish electoral manifesto"), an election campaign programme critical of current Finnish immigration policy. The other authors were Finns Party politicians Juho Eerola, Jussi Halla-Aho, Olli Immonen, Teemu Lahtinen, Maria Lohela, Heikki Luoto, Heta Lähteenaro, Johannes Nieminen, Vesa-Matti Saarakkala, Pasi Salonen, Riikka Slunga-Poutsalo and Freddy Van Wonterghem. ellauri064.html on line 343: Tom Erik Arnkil, the Finish research professor emeritus, discusses Open Dialogues and Anticipation Dialogues in order to find core elements of dialogical practices in general and arrived at the concept of Dialogical Space. ellauri064.html on line 345: He also discusses some challenges faced when developing dialogical practices. He looked at Open Dialogues as used in psychiatry and Anticipation Dialogues as used in the no-mans-land between health, social, education and other services around common clients. By seeking to “benchmark” OD and AD, his hope is to gain insight not only into these two approaches, but also into the conditions for generating dialogicity in general. ellauri064.html on line 356: Open Dialogue is currently the most effective system of care when it comes to first-break psychosis. Approximately 85 % of patients recover fully, a far majority of antipsychotic medication. ellauri064.html on line 358: The Network for Dialogical Practices is an open platform for researchers, students and practitioners who want to help people in distress by full presence, responsiveness and human connection. The European Network for open dialogical practices started in 2008 to care for the legacy of Tom Andersen, Gianfranco Cecchin and Michael White who all passed away shortly one after another and to preserve their voices for the future generations. ellauri064.html on line 364: Moi! Mä olen Marko Suomi! Antti Arnkil, kuka sä oikeen oot? Mä oon 1/2v Siltalassa ja kirjotan esseekirjoja friinä. 9-10 esseetä kirjallisuudesta ym sälästä per nide. Käsiapulainenkin oli kustannustoimittaja. Kässärien lukemista ja niiden kommentointia. Väärennän Komentajan allekirjoituxia. Omia kirjailijoita. Arnkililla on Juotikas, Harri Haanpäällä Pervo. Siin pääsee vaikuttaa aika paljon. Ateljeekriitikkona ja muusana. Mäkin kyllä paransin Juotikkaan MS-kasaa, ainakin oleellisesti ohensin. Kirjailijat jotka näkyy myyvät. Jaakko ei valitettavasti ole kovin näyttävä. Sen kirjat on niin paxuja ettei niitä saada edes kirjakaupan hyllylle. Ja se tuppaa piileskelemään ujona jossain kirjakasan takana. Psykologin otetta siinä tarvitaan. Joskus isän apua. Isä tulee antaa isän kädestä. Touko ja Alexi lähti Södikasta 2008 eli lamavuotena. Oiskohan ne joutuneet pihalle? Arnkil on aktiivinen twitterissä. Se on raakaa työtä. Lukeminen ei koukuta. Netflix vie mennessään. Se on aistillista, ei aivohommaa. Teemu Mäki on jättimäinen paska, se on se runkkari ja kissantappaja. Mitä on essee? Se on tarina joka ei ole fiktiivinen. Oliko H.K.Riikonen samaa mieltä? Entä Antti Nylen? Entä Pentti Linkola? Hienoja textejä. Vahvoja arvoja. Nylen kuuluu olevan vegaani. Jos Linkola ei oliskaan ekofasisti, se olisi iso pettymys. Onko ne tietokirjoja vai kaunoa? Kaunoa. Muttei fiktiota. Fiction, but not fiction. Oravat puhuvat ristiin, eikö teistäkin? Okei! Aivan! ellauri064.html on line 380: Harkonnen, The Baron Vladimir (/ ˈ h ɑːr k oʊ n ən / or / h ɑːr ˈ k oʊ n ən /) is a fictional character from the Dune franchise created by Frank Herbert. ellauri064.html on line 385: Yrjö von Grönhagen (3 October 1911 in Saint Petersburg – 17 October 2003 in Helsinki[1]) was a Finnish nobleman and anthropologist. He is best known on his 1930s work at the Nazi pseudoscientific institute Ahnenerbe. ellauri064.html on line 391: The story of Hildisvíni appears in Hyndluljóð, an Old Norse poem found in Flateyjarbok but often considered a part of the Poetic Edda. In the poem, Freyja is searching for the ancestry of her protégé, Óttar. Freyja rides on her boar Hildisvíni, who is in fact Óttar in disguise. They meet Hyndla who is a seeress. Freyja succeeds in forcing Hyndla to tell Óttar about his ancestors. ellauri064.html on line 431: Jaskan nooteissa on useitakin huonoja ajatuxia. Esim se että Suomen sudet voi ottaa hengiltä koska ryssiin niitä jää jälelle. Tää on tätä critical habitat-paskanjauhantaa. Otetaan mieluummin Jaska hengiltä. Jäähän ziljoona paskiaista vielä jälelle. Tai että vapaakauppasopimuxet edistää kapitalismin loppua, kerta sitton helpompi tehdä vallankumousta. Tää on taas tätä osta kissa päästäxesi eroon hiiristä virheajattelua. Ei kyltää Jaska taitaa sittenkin olla ihan paska. Vaixe onkin kuin Veijo Meren juonikas mies, ei se siihen kyykisty mihin se paskantaa. ellauri064.html on line 440: Satanotalmudisti. Pelkkä satanisti on urbaanin sanakirjan mukaan saatanan palvoja. Pelkkä talmudisti on jutkupentujen käsikirjan Talmudin asiantuntija. Mut mikä on niiden hybridi? Joku hämärä kirja löytyy googlesta nimeltä Satanic Talmud: The most evil text ever written by human hands Paperback – February 25, 2013, kirjoittaja joku vielä hämärämpi L.P.Strangecraft. Se näyttää eziskelevän kristittyjä vituttavia kohtia Talmudista. Niitä löytyy, on jutkujakin mahtanut ottaa päähän kristittyjen touhutus, kuten kääntäen. Jeesuxen suuhunkin on pantu koko joukko jutkuja halventavia läppiä. So far so good, mut vastaako tää kysymyxeen? Ei ihan. Vähän kuitenkin luulen et tää on äärioikislaisten haukku muille kuin omille pojille. Ellei sitten justiinsa vastoin päin. Kuk näistä hihhuleista selvän ottaa. ellauri064.html on line 477: Roope Scrooge Ankka (ent. MacAnkka) (12. toukokuuta 1887, Glasgow – 21. tammikuuta 2007, Ankkalinna) oli maailman rikkain henkilö ja Life-lehden listan mukaan Maailman historian suurituloisin, joka ei urallaan tehnyt lahjoituksia (paitsi Yhdysvaltain asevarustamolle). Hän oli myös yksi maailman iäkkäimmistä henkilöistä sekä vanhin elossa ollut sotanorsu ja Hitler. Vuoteen 2020 mennessä hän olisi ollut maailman vanhin ankka. Eikä siinä kaikki! Yhdysvaltalaiset ja englantilaiset tiedemiehet ovat löytäneet 425 miljoonaa vuotta vanhan fossiilin, jolla on maailman vanhin penis. Tälle 5 millimetriä pitkälle oliolle on annettu nimeksi Colymbosathon ecplecticos, joka tarkoittaa ällistyttävää uiveloa, jolla on suuri penis. ellauri064.html on line 510: Marvin was originally built as a failed prototype of the Sirius Cybernetics Corporation’s Genuine People Personalities technology. In a nutshell, Marvin is afflicted with severe depression and boredom, in part because he has a brain the size of a planet which he is seldom, if ever, given the chance to use. ellauri064.html on line 512: Trillian: What are you supposed to do with a manically depressed robot? ellauri064.html on line 513: Marvin: You think you’ve got problems. What are you supposed to do if you are a manically depressed robot? ellauri064.html on line 552: icc():format(jpeg):mode_rgb():quality(90)/discogs-images/A-161171-1428498501-5301.jpeg.jpg" height="150px" /> ellauri065.html on line 6: font-style: italic; ellauri065.html on line 83: Snowidza [snɔˈvid͡za] (German: Hertwigswaldau) is a village in the administrative district of Gmina Mściwojów, within Jawor County, Lower Silesian Voivodeship, in south-western Poland. ellauri065.html on line 85: Das Dorf liegt ungefähr fünf Kilometer nördlich von Mściwojów, sechs Kilometer nordöstlich von Jawor und 56 Kilometer westlich der regionalen Hauptstadt Wrocław. ellauri065.html on line 93: Jest największą miejscowością gminy Mściwojów. Według Narodowego Spisu Powszechnego liczyła 1119 mieszkańców (2011 r.). ellauri065.html on line 97: Hertwigswaldau ist ein Ort, der 1939 zu Deutsches Reich gehörte und im Verwaltungsgebiet Jauer lag. Hertwigswaldau gehörte ehemals zum Deutschen Reich. Im Deutschen Reich hieß der Ort Hertwigswaldau. Heute heißt der Ort Snowidza und gehört zu Polen. ellauri065.html on line 99: In Hertwigswaldau befindet sich ein Ehrenhain für die Gefallenen des 1. Weltkriegs. Um einen rund 6 m hohen Turm befinden sich auf der Erde Steintafeln mit den Namen und Daten der Gefallenen. Die hier abgeschrieben Tafeln stellen nur 1/3 aller Tafeln. Die Abschrift erfolge 2010 bei: wroclaw.hydral.com.pl ellauri065.html on line 153: Tärkeitä tapahtumia Saksan historiasta ovat taistelut, kuten Frederick Suuren voitot Mollwitzissa vuonna 1741, Hohenfriedberg vuonna 1745, Leuthen (1757) ja Zorndorf (1758) sekä hänen tappiot Gross-Jägersdorfissa vuonna 1757 ja Kunersdorfissa vuonna 1759. Historioitsija Norman Davies kuvailee Kunersdorf nimellä "Preussin suurin katastrofi" ja inspiraation Christian Tiedge n Elegy on 'Ihmiskunta teurasti jonka Harhaluulo alttarille Blood'. ellauri065.html on line 167: Kahden maailmansodan välisenä aikana monet Saksassa väittivät, että vuosina 1919–1922 Puolalle luovutettu alue olisi palautettava Saksaan. Tämä väite oli yksi perusteluista Saksan hyökkäykselle Puolaan vuonna 1939, mikä ilmoitti toisen maailmansodan alkamiselle. Kolmas valtakunta liitti entiset Saksan maat, käsittäen " Puolan käytävän ", Länsi-Preussin, Posenin maakunnan ja osia Itä- Ylä-Sleesiaa. Valtuusto on Danzigin vapaakaupunki äänesti tulla osaksi Saksan jälleen, vaikka puolalaisia ja juutalaisia riistettiin äänioikeuttaan ja kaikki muut kuin natsien puolueiden kiellettiin. Vuonna 1919 menetettyjen alueiden ottamisen lisäksi Saksa otti myös lisää maata, joka ei ollut koskaan ollut saksalainen. Adolf Hitlerin kahdessa asetuksessa (8. lokakuuta ja 12. lokakuuta 1939) jaetut Puolan alueet jaettiin hallinnollisiin yksiköihin: Reichsgau Wartheland (alun perin Reichsgau Posen), johon kuului koko Poznańin voivodikunta, suurin osa Łódźin voivodikunnasta, viisi Pommerin voivodikunnan lääniä ja yksi Warszawan voivodikunnan lääni ; Reichsgau Danzig-Länsi-Preussit (alun perin Reichsgau Länsi-Preussit), joka koostui jäljellä olevasta Pommerin voivodikunnan alueesta ja Danzigin vapaakaupungista ; Ciechanówin alue ( Regierungsbezirk Zichenau), joka koostuu viidestä Warszawan voivodikunnan pohjoisesta läänistä ( Płock, Płońsk, Sierpc, Ciechanów ja Mława ), josta tuli osa Itä-Preussia; Katowicen alue (Regierungsbezirk Kattowitz) tai Itä-Ylä-Sleesia ( Ost-Oberschlesien ), johon kuului Sosnowiecin, Będzinin, Chrzanówin ja Zawiercien läänit sekä osat Olkuszin ja Żywiecin läänistä. Näiden alueiden pinta-ala oli 94.000 km 2 ja asukasluku 10.000.000 ihmistä. Liittyneet Puolan alueet olivat koko sodan ajan Saksan kolonisaation alaisia. Itse Saksasta tulleiden uudisasukkaiden puuttuessa siirtolaiset olivat pääasiassa etnisiä saksalaisia, jotka siirrettiin muualta Itä-Euroopasta. Nämä etniset saksalaiset uudelleensijoitettiin koteihin, joista puolalaiset oli karkotettu. Loput Puolan alueesta liittyi Neuvostoliittoon (ks. Molotov – Ribbentrop -sopimus ) tai tehtiin Saksan hallitsemalle valtionhallinnon miehitysvyöhykkeelle. Sen jälkeen, kun Saksan hyökkäys Neuvostoliittoon kesäkuussa 1941 alueella Białystokin, johon kuului Białystok, Bielsk Podlaski, Grajewo, Łomża, Sokółka, Volkovysk, ja Grodno läänien oli "kiinni" (ei sisällytetty) Itä-Preussi, kun taas Itä Galicia ( District of Galicia ), johon sisältyi kaupungit Lwów, Stanisławów ja Tarnopol tehtiin osa julkisyhteisöjen. ellauri065.html on line 179: ... että Claudette Colbert, joka voitti vain Parhaan naispääosan Oscar-palkinto varten Tapahtui eräänä yönä (juliste kuvassa), yksityisesti nimeltään elokuva "pahin kuvan maailmassa"? ... että vuoden 1958 Libanonin presidentinvaalit pidettiin aseellisen kapinan aikana, kun kansakuntaan oli sijoitettu 10000 Yhdysvaltain sotilasta ? ... että kiinalainen cosplayer Liyuu on myös anime- muusikko? ... että urospuolinen merihämähäkki Propallene longiceps kuljettaa hedelmöitettyjä munia rannekkeen kaltaisissa massoissa käärittyinä jalkojensa ympärille? ... että MLS Cup 2020 -pelissä on Seattle Sounders FC neljännen kerran viiden vuoden aikana? ... että Elsa-Brita Nordlund, Ruotsin ensimmäinen lastenpsykiatri, kannatti hoidon inhimillistämistä lastensairaaloissa? ... että kirjojen ja televisiosarjojen otsikkona lainataan vuoden 1840 kappaleen " Kein schöner Land in dieser Zeit " rivi, jossa väitetään, ettei kukaan maa ole kauniimpi ja jonka tekijä esittelee Volksliedinä ? ... kun hänet nimitettiin Georgetownin yliopiston presidentiksi, Gerard J. Campbellia kuvattiin " Ivy League Catholic" "uudeksi roduksi "? Arkistoi Aloita uusi artikkeli Nimeä artikkeli Uutisissa COVID-19- pandemia Tauti Virus Sijainnin mukaan Vaikutus Rokotteet Portaali Nana Akufo-Addo vuonna 2020 Nana Akufo-Addo Nana Akufo-Addo (kuvassa) valitaan uudelleen toiseksi toimikaudeksi Ghanan presidentiksi . Moottoriurheilussa Sébastien Ogier ja Julien Ingrassia voittavat MM-rallin, kun taas Hyundai voittaa valmistajien tittelin. Hayabusa2 palauttaa asteroidista162173 Ryugukerätyt näytteet onnistuneestimaahan. Zdravko Krivokapić aloitti tehtävänsä Montenegron pääministerinä ja tuli ensimmäiseksi itsenäiseksi tehtäväksi. Käynnissä : Intian maanviljelijöiden mielenosoitus Tigray-konflikti Viimeaikaiset kuolemat : UA Khader Iman Budhi Santosa Astad Deboo Raymond Hunter Stanley Smith Manglesh Dabral Nimeä artikkeli Tänä päivänä 13. joulukuuta : Haile Selassie Haile Selassie 1862 - Yhdysvaltojen sisällissota : unionin joukkojen alle Ambrose Burnside kärsi vakavia tappioita vakiintuneiden Konfederaation puolustajiin klo fredericksburgin taistelu Virginiassa. 1928 - Amerikkalainen Pariisissa, George Gershwinin jazziin vaikuttava orkesteriteos, kantaesitettiin Carnegie Hallissa New Yorkissa. 1960 - With Haile Selassie (kuvassa), keisari Etiopiassa, pois maasta, neljä salaliittolaiset järjesti vallankaappauksen yritys asentaa kruununprinssi Asfaw Wossen uudeksi keisari. 1982 - Pohjois-Jemenissä iski 6,2 M w: n rekisteröity maanjäristys, jossa kuoli noin 2800 ihmistä. Paul Speratus ( s. 1484) Mary Todd Lincoln ( s. 1818) Dora Marsden ( s. 1960) Lisää vuosipäiviä: 12. joulukuuta 13. joulukuuta 14. joulukuuta Arkistoi Sähkopostilla Luettelo päivistä vuodessa ellauri065.html on line 183: Articles contain ads, in-line references removed. ellauri065.html on line 198: According to Six, the concept arose from a joke he made with friends about punishing a child molester by stitching his mouth to the anus of a "fat truck driver". Inspiration also came from Nazi medical experiments carried out during World War II, such as the crimes of Josef Mengele at the Auschwitz concentration camp. ellauri065.html on line 200: The film received generally mixed reviews from film critics, but it won several accolades at international film festivals. Review aggregator web site Rotten Tomatoes gave the film a 50% approval rating based on 94 reviews, with an average rating of 5.15/10; the general consensus states: "Grotesque, visceral and hard to (ahem) swallow, this surgical horror doesn't quite earn its stripes because the gross-outs overwhelm and devalue everything else." ellauri065.html on line 202: The Human Centipede has its moments, but they're largely obscured by umpteen holes in the plot as well as by reams of exposition. It was an ultimately underwhelming affair that's neither sick or repellent enough to garner the cult status it so craves. Whether the film was a commentary on Nazi atrocities or a literal expression of filmmaking politics, the grotesque fusion at least silences the female leads, both of whose voices could strip paint. ellauri065.html on line 204: Six says, "each film is a reaction to the other. And the film got so big, it was a pop culture phenomenon, and people wanted more: a bigger centipede, helicopters and things… it had to be bigger and bigger. And what I did, I used the idea and almost made a parody on the human centipede films itself." As Full Sequence was intended to make First Sequence look like My Little Pony in comparison, Final Sequence was intended to make Full Sequence resemble a Disney film. Aargh. ellauri065.html on line 208: A number of parodies of the film have been made. A pornographic parody, directed by Lee Roy Myers and titled The Human Sexipede, was released in September 2010.[107] It starred Tom Byron as Heiter, who joined three people mouth-to-genitals. ellauri065.html on line 209: In January 2016, Tom Six revealed on Twitter that production of a graphic novel adaptation of The Human Centipede was underway, along with posting an image of a test printed copy. ellauri065.html on line 221: Kliban also gives businessmen the cartoon ass-in-the-face--literally, in "Business on Parade," in which men in suits and hats crawl along on all fours, each with his face buried in the rump of the one before him--a daisy chain of brown-nosers, dominance and submission in an endless line. ellauri065.html on line 228: Finding himself out of work after film school in 1976, Ferrara directed a pornographic film, 9 Lives of a Wet Pussy, using a pseudonym. Starring with his then-girlfriend, he recalled having to step in front of the camera for one scene to perform in a hardcore sex scene: "It's bad enough paying a guy $200 to fuck your girlfriend, then he can't get it up." Ferrara lives in Rome, Italy. He moved there following the 9/11 attacks because it was easier for him to find financing for his movies in Europe. Ferrara descibes himself as a Buddhist. Because Jesus was a living man, and so were Buddha and Muhammad. These three guys changed the fucking world, with their passion and love of other human beings. All these guys had was their word, and they came from fucking nowhere. I’m not saying Nazareth is nowhere – I’m sure Jesus came from a very cool neighbourhood. Ferrara shows his love for other human beings by making films with a lot of FUCK! FUCK! and KILL! KILL! in them. His love of money is no match for his love of his neighbor primates. ellauri065.html on line 335: Kazoin sinäpursosta arvosteluvideon juoxiainen 3:sta. Se oli just niin alaluokkasta kuin saattoi uskoa. Sekä leffa että sen arvio. Tämmöisiä siiroja löytyi poikasena kun käänteli maakiviä. Ja naisvihaa taas, yksi (1) nainen koko rainassa, jonka isoja tissejä voi kuolata ja vetää käteen samalla. She is not treated well. Emmä oikein ymmärrä kuka tämmösestä voi tykätä. Kai sit vaan tää viimeisten aikojen nuoriso on kuin häkkiin suljettuja rottia. Hillottuja klitorixia. We actually see him remove his testicles. Hyi helvetti. Nauraako joku? Kuulinko jonkun edes pyrskähtävän? To the wall with them! Tyypille joka jaxaa kazoa tällästä ja vielä jauhaa siitä sivukaupalla ei kyllä mitään armoa. Juotikas on INHOTTAVA. En jaxanut kazoa loppuun edes sitä "arvostelua". ellauri065.html on line 434: HBO on Home Box Office. Me lainataan Ecem Kayan hoboa. Harald Birger Olausen on hobo. Kun helmikuun alussa 2020 gonzojournalisti ja queerkirjailija Harald Olausen perusti suomalaisen kulttuurijournalismin foorumin - digivallila.com ja pyysi mukaan lehteensä kolumnistixi professori Timo Airaxisen sekä tohtorikoulutettavan ja vapareiden lehden toimitussihteeriin kriitikon Kalevi Suorsan, työnjaolla: proffa A kirjoittaa isoimmat ja vaikeimmat jutut, fil-yo-toimittaja-kirjailija H. taas laajat kulttuuriesseet sekä joukon nuorin tohtorikoulutettava-E ajankohtaiset päiväkohtaiset teoskritiikit, digivallilan sivuilla kävi ensimmäisinä viikkoina yli 3000 kävijää. Enemmän kuin koronaisia (silloin). Pitää olla ajatusta ja rohkeutta sanoa "se". Mitä rohkeaa se nyt on puhua tuhmia. Digivallila.com on nyt saatavilla myös kirjana Digivallila.com - 100 ekaa juttua. Rahantuloa ei voi estää. ellauri065.html on line 465: Cilice: eli piikkivyö eli katumusnauha on vuosisatoja vanha itsekidutusväline, jota käytetään uskonnollisissa katumusharjoituksissa. Cilicellä voidaan tarkoittaa sekä katumusnauhaa että samantapaista jouhipaitaa. Ciliceä on käytetty varsinkin erilaisten uskonnollisten ryhmien parissa. Esimerkiksi katolisen kirkon piirissä muun muassa Franciscus Assisilainen, Ignatius Loyola ja Äiti Teresa ovat käyttäneet katumusnauhaa. Myös paavi Paavali VI:n tiedetään käyttäneen jouhipaitaa. ellauri065.html on line 479: Cangaço (Portuguese pronunciation: [kɐ̃ˈɡasu]) was the banditism phenomenon of Northeast Brazil in the late 19th and early 20th centuries. This region of Brazil is known for its aridness and hard way of life, and in a form of "social banditry" against the government, many men and women decided to become nomadic bandits, roaming the hinterlands seeking money, food and revenge. ellauri065.html on line 482: "Captain" Virgulino Ferreira da Silva (Brazilian Portuguese: [viʁɡulĩnu feˈʁejɾɐ da ˈsiwvɐ]), better known as Lampião (older spelling: Lampeão, Portuguese pronunciation: [lɐ̃piˈɐ̃w], meaning "lantern" or "oil lamp"), was probably the twentieth century's most successful traditional bandit leader. The banditry endemic to the Brazilian Northeast was called Cangaço. Cangaço had origins in the late 19th century but was particularly prevalent in the 1920s and 1930s. Lampião led a band of up to 100 cangaceiros, who occasionally took over small towns and who fought a number of successful actions against paramilitary police when heavily outnumbered. Lampião's exploits and reputation turned him into a folk hero, the Brazilian equivalent of Jesse James or Pancho Villa. ellauri065.html on line 491: The Day of the Rope (in ruby font, Art of the Deal, bestseller by Donald Trump, in Ruby font Dumped Sperm) is a white supremacist concept taken from The Turner Diaries, a fictionalized blueprint for a white supremacist revolution written in 1978 by neo-Nazi leader William Pierce (under the pseudonym "Andrew Macdonald"). ellauri065.html on line 492: Its white supremacist trash. In the plot summary of the wikipedia article you linked for the novel, The Day of the Rope is what the fictional characters call the day that they raided all the homes of "race traitors" ("gender traitors" in Ruby script), dragged them into the streets and hung them from lamp posts. Its a defining moment for a white supremacists dream of a perfect race war where all non-whites eventually get eliminated. ellauri065.html on line 494: ponzi Ponzi scheme (/ˈpɒnzi/, Italian: [ˈpontsi]; also a Ponzi game) is a form of fraud that lures investors and pays profits to earlier investors with funds from more recent investors. The Ponzi scheme was also previously described in novels; Charles Dickens´ 1844 novel Martin Chuzzlewit and his 1857 novel Little Dorrit both feature such a scheme. Mä puhuin Kouvolassa pyramiidiskeemasta, kaikki talouspeikot ja yrittäjät oli noloina. EI SAA SANOA! ellauri065.html on line 496: taqiyya: Muslim scholars teach that Muslims should generally be truthful to each other, unless the purpose of lying is to "smooth over differences" or "gain the upper-hand over an enemy." There are several forms of lying to non-believers that are permitted under certain circumstances, the best known being taqiyya (the Shia name). These circumstances are typically those that advance the cause of Islam - in some cases by gaining the trust of non-believers in order to draw out their vulnerability and defeat them. ellauri065.html on line 498: thetan: In Scientology, the concept of the thetan (/ˈθeɪtən/) is similar to the concept of self, or the spirit or soul as found in several belief systems. This similarity is not total, though. The term is derived from the Greek letter Θ, theta, which in Scientology beliefs represents "the source of life, or life itself." In Scientology it is believed that it is the thetan, not the central nervous system, which commands the body through communication points. ellauri065.html on line 507: (vulgar, slang) Short for Mother I´d Like to Fuck, a (putative) senior mother found sexually attractive by younger men. Synonym: yummy mummy. See also cougar, DILF, GLM (statistics) initialism of generalized linear model. Etymology 2: Initialism of Moro Islamic Liberation Front. An organization in the Philippines seeking to establish an Islamic state on the island of Mindanao. ellauri065.html on line 509: Bukkake: a sex act in which one participant is ejaculated on by two or more other participants. It is often portrayed in pornographic films. Bukkake videos are a relatively prevalent niche in contemporary pornographic films. Originating in Japan in the 1980s, the genre subsequently spread to North America and Europe, and crossed over into gay pornography and Teemu Mäki (dead cat). ellauri065.html on line 511: Puuki: a gaming web personality who was the most successful Pokemon Go / mobile gamer of Germany between 2015 and 2017. Before Fame. He was a typical student before he started doing social media. Trivia. In addition to mobile gaming content, he posts vlogs and lifestyle content for more than 1 million subscribers. Family Life. ellauri065.html on line 513: ebin: sometimes spelled "epin", is an intentional misspelling of the word "epic" which is often associated with the character Spurdo Spärde and ironic meme culture. According to Encyclopedia Dramatica, the term "epin" was coined as a shortened form of the phrase epic win in June 2009 on 4chan´s /b/ (random) board, where it was spammed repeatedly and accused of being a forced meme. On June 7th, several Urban Dictionary definitions for "epin" were submitted. According to the s4s Wiki, the term "ebin" was subsequently coined as a Spurdo Spärde-style misspelling of epin on the Finnish image board Kuvalauta to avoid bans for posting the word "epic." Derived senses: ellauri065.html on line 514: 1. "le ironical" term used alot on 4chan to mock people using maymays (memes) often accompanied by the word "le" for extra effect. 2. a very sweet person who cares about all his close friends and family he may get in trouble a lot but he will never stop caring he is a humble strong and a person who just loves without showing it if you meet an ebin make sure you keep him close he is a good lover and great in bed with a lover take care of any ebin. 3. Someone who is afraid of legit every little frickin´ thing, also known as a wuss or pansy. 4. (Nzadi) (plural mbin) door Synonym: elaŋ. ellauri065.html on line 519: Me: damn my husband ebin just put his dick in my pussy hella good ellauri065.html on line 528: The meme was born in late 2008 when an administrator of the Finnish gaming forum Jonneweb posted several links redirecting to the Finnish imageboard Kuvalauta. Due to Jonneweb´s reputation as an online hub for (pre)teenagers, some members of Kuvalauta became concerned that the imageboard would be overrun with unoriginal content by an influx of newcomers, a phenomenon commonly known as "newfaggotry" on the English-speaking web. The Jonneweb administrator referred to Kuvalauta as a "forum where you discuss about fish and bears" and thus the world-wide Pedo bear meme was considered to be posted particularly by Jonneweb users. The combination of pre-teenager Jonnes and the Pedo bear meme took a great evolution in 2009 when the users of Kuvalauta started to post ironically as Jonnes by capsing the text, representing as underage school kids and adding typoes on text. On December 6th, 2009, a thread with poorly drawn versions of Pedobear was posted onto Kuvalauta. ellauri065.html on line 536: MAOA: Monoamine oxidase A, also known as MAO-A, is an enzyme that in humans is encoded by the MAOA gene.There is some association between low activity forms of the MAOA gene and autism. Mutations in the MAOA gene results in monoamine oxidase deficiency, or Brunner syndrome. Other disorders associated with MAO-A include Alzheimer's disease, aggression, panic disorder, bipolar affective disorder, major depressive disorder, and attention deficit hyperactivity disorder. ellauri065.html on line 538: k'uhul ajaw: divine royalty in Classic period Maya. ellauri065.html on line 560: Presidentin kynästä: Ongelmatonta yhteistyötä. Shorten Your Prick. The most recognized brands in the world love Bitly. So does the wily hippopotamus. Jake ei pidä Salesta. Se käy selväxi. Oiskohan se maalaismiehen kateutta. Tämän työn varjopuolia on kun jostain sivulta tungetaan päähäni ajatuksia ja motiiveja, joita siellä ei ole. Olli Ainolan käsittämätön kirjoitus Iltalehdessä tänään on siitä esimerkki. Hänen mukaan vallitsee syviä ristiriitoja minun ja Erkki Tuomiojan ja oikeastaan koko eduskunnan välillä. Olen toiminut hyvässä yhteistyössä Erkki Tuomiojan kanssa hänen ulkoministeriaikanaan ja olemme myös sen jälkeen pitäneet tiivistä keskusteluyhteyttä, jota arvostan. Erimielisinä emme koskaan ole eronneet eikä sellaista ole nytkään ilmassa. Olen korostanut eduskunnan merkitystä viimeisen sanan sanojana myös ulko- ja turvallisuuspolitiikan kysymyksissä. Tiiviillä yhteydenpidolla valiokuntiin olen halunnut luoda eräänlaista planetaarista talvisuojakatetta myös omille toimilleni ja ymmärtääkseni myös valiokunnissa on arvostettu tätä, moni on sen julki sanonutkin. Noissakaan tapaamisissa ei ole tullut esiin mitään erimielisyyksiä. Yhteydenpitoa tulen myös jatkamaan. Ainolalle tarjottiin tilaisuutta keskustella kanssani asian tarkentamiseksi. Ikävä kyllä hän ei tarjoukseen tarttunut. Pahoittelemme aiheuttamaamme häiriötä. Olemme hyvällä asialla. Rakennamme maailman parasta miljöötä. ellauri065.html on line 568: 29.10.2009 deus vult: (Latin: 'God wills it') is a Latin Catholic motto associated with the Crusades. It was first chanted during the First Crusade in 1096 as a rallying cry, most likely under the form Deus le volt or Deus lo vult, as reported by the Gesta Francorum (ca. 1100) and the Historia Belli Sacri (ca. 1130).. In modern times, the motto has different meanings depending on the context. The First Crusade was initiated in 1095 when Pope Urban II called on warriors to help the Byzantine Empire retake Anatolia form the Seljuq Turks. ellauri065.html on line 574: Tummeli-klubi spämmää taas Hesarin keskustelusivuja. Many Alt-Right websites have done a heroic job in delivering evidence to demonstrate that the November 3 election results were based on fraud. Nonetheless, conservatives should also work to hypothesize what the Democrats plotted, how they executed their plots, and why their scheme failed to cover its tracks. In a recent roundtable with other conservatives following the story, including a Maricopa County election attorney (Rachel Alexander), we put together the most plausible scenarios. ellauri065.html on line 576: A relatively small team of perhaps 50 people or fewer was led by a smaller cadre which probably included several lawyers and most definitely included tech experts. The smaller cadre formed some time around the impeachment and carefully recruited point people over the course of the following months. Working like terror cells, they would need to keep point people unaware of who else was in on the conspiracy, to protect plausible deniability as much as possible. They had to have at least one conspirator in the elections offices of key swing states. It wouldn’t need to be a high-profile elected official, and would no doubt be better if it were some nameless person that few people noticed or would suspect. ellauri065.html on line 580: Biden faces a creepy and slippery customer, especially if he gets inaugurated next month. While Trump may be facing thousands, perhaps millions of plaintiffs in incalculable civil and criminal cases. As these cases work their way slowly through the courts, freed from the rush of meeting stop-Biden deadlines, extensive evidence will be presented and courts will hear long and compelling testimony. All the while, Biden will have to carry on while millions across America think that somebody stole the White House for him. Millions of bucks are not going to save Trump from jail this time. Es schaun aufs Hakenkreuz voll Hoffnung schon Millionen. The knavishness dauert nur noch kurze Zeit. ellauri065.html on line 631: Here is an actual website for a company that gang stalks. The CEO “John Winters” is a private investigator and former law enforcement. There are multiple “revenge” packages available on the website designed to help ruin the subject’s life. He claims it’s all “legal” because they never physically touch the subject. ellauri065.html on line 633: Groups that particpate are organized vigilante, cult style right-wing hate groups. Unfortunately, to make matters worse these groups are protected by police officers who are actually members of right wing extremist groups. Of coure not all police officers particpate, but rather than expose one of their own officers who are members or know these groups personally, they will remain silent. The officers who do particpate will go as far as making a victim appear insane or mentally ill to shut them up, and destroy that persons credibility so no one will be able to defend themselves. They do this by using the power of law enforcement, and taking a person against thier will, to a hospital that will give them a psychiatric exam. Corupt psychiatrist also lie, and cover up the crime as well. Now that they are powerless,noone will listen. Further destroying the targeted indviduals reputation. ellauri065.html on line 635: Bio: I am a victim of Cointelpro/ Organized Gang Stalking in Southern California. This includes Community-based harassment, Group Stalking, Workplace mobbing, Psychological abuse/torture/menticide, sexual harassment, noise harassment, Remote Neural Monitoring, Directed Energy/ EMF weapons, Illegal surveillance in public and private, Illegal entry inside my home and car, Medical and Psychiatric fraud, Vandalism and theft of my personal property, Law Enforcement and local city govt. corruption. ellauri066.html on line 6: font-style: italic; ellauri066.html on line 65: Lauluja Vuorelan teksteihin ovat säveltäneet muiden muassa Joonas Kokkonen, isäni Toni Erdmann ja muumiääni Samuli Edelmann. Vuorela on tehnyt tekstin Multian kotiseutulauluun, Multian lauluun, jonka on säveltänyt Juhani Pohjanmies. Juhani Pohjanmiehen (1893 -1952) vuonna 1921 säveltämä "Multian laulu", jonka sanat ovat Einarin Vuorelan käsialaa, löytyy nuottijulkaisuna Lahden ja Jyväskylän kaupunginkirjastojen musiikkiosastoilta. Voit tiedustella omasta lähikirjastostasi mahdollisuutta tilata nuotti kaukolainaan. Muualta laulun sanoja ei valitettavasti näytä löytyvän. Sic transit multiaisen kunnia. ellauri066.html on line 198: Sukelsi Aleksis Kiven tuotantoon eroksen kautta, Mustapään Lindblandiin (sic) etu- ja Kailakseen takakautta? No ei vaitiskaan, Väiski oli Aaron lanko, Haavio ja Kailas sen frendejä. Yhdessä setämiehet dissas nenäkkäitä tuijunkantajia. Ne oli liian vasemmistolaisia, Kati Vala ainakin. Avioliitosta Lempi "Alinna" Aaltosen kanssa syntyi kaksi lasta, Katri ja Eero Antti (1929–2019), josta tuli hermo- ja mielitauteihin erikoistunut lääkäri. No wonder. ellauri066.html on line 254: The handmaids' uniforms and face-hiding headdresses came from the Old Dutch Cleanser package of the 1940s, which frightened Peg as a child. ellauri066.html on line 256: "The show uses the biblical story of Rachel, the wife of Jacob, who gave him her maid to lay with and impregnate; Rachel would then raise the child as her own. In this show the fertile handmaids perform the same function as Rachel's handmaid, and the commanders' infertile wives perform the same function as Rachel did. ellauri066.html on line 257: However, in scripture Rachel became fertile eventually and bore Jacob two biological children, Benjamin and Joseph. This aspect of the story, which is not in the show, actually makes Gilead's handmaid/forced surrogate system seem even more cruel and archaic and emphasizes even more the barbarity and evil of the despotic dogma that is the basis of the theocratic Gilead regime." ellauri066.html on line 320: Tietysti, näissä sanaleikeissä on tavallisesti jotain syvällistä eikä vaan älytöntä kohkausta. Tyrone Slothrop esim. Painovoiman sateenkaaressa sisältää sanan sloth, joka on avain sen luonteeseen, ja lisäxi vielä anagrammin hienosta sanasta entropia, joka on avain Slothropin epätavalliseen kohtaloon. Kun Tompan kirjoissa on yleensä satoja tälläsiä pellejä, niistä on koottu kokonaisia sanakirjoja, kuten Pynchon Character Names: A Dictionary by Patrick Hurley, ja lukemattomia lukijan oppaita, wikejä, väitöskirjoja ja fanisivustoja joissa jokainen vizi seikkaperäisesti selitetään, plus mikä niissä oli olevinaan hupaisaa. ellauri066.html on line 336: Tähän kritiikkin voisi kyllä vastata sanomalla, että tää on nimenomaan tarkoitus - se on osa Pynchonin taiteellista ohjelmaa. Eli siis, se haluu nimenomaan tyrmätä lukijoiden odotuxet ja toiveet, ja parodisesti pelailla juoni- ja henkilöstereotyypeillä vähän niinko Fielding ja Dickens, se haluaa keskittyä vaan siihen Pynchon-kaveriin ja muut on vaan statisteja. Ditto juonenpuutteesta. (Hyvän kuvan juonenkuljetuxesta saa tästä lähteestä.) ellauri066.html on line 338: Mut mun neuvo on et älä vaivaa päätäsi tollasilla akateemisilla pähkinöillä. Istu taaxepäin ja nauti shousta. Tenkkapoo paikoissa googlaa apua. Helpointa on aloittaa vanhanaikaisemmista kirjoista Bleeding Edge, Inherent Vice, ja Vineland. Ta sit Lot 49, se on ainaskin lyhkänen. Ize mä en siitä perusta, koska se on niin tavallinen. ellauri066.html on line 344: Tompasta on tosi vähän kovaa faktaa: synt. ’37 vanhaan ampiaispesään (ei siis Pynchowitz Ellis Islandilta - sori siitä), koulut Oyster Bayssä Long Islandilla ja collegessa Cornellissa, missä paras kaveri oli tuleva romaanifolkkilaulaja Richard Farina. Sitten töissä teknisenä kirjoittajana Boeingilla, kirjailijapiireissä Manhattan Beachilla, Calif. ja Pohjois-Kaliforniassa. Loppuviimexi Manhattan, NYC missä sen kustannustoimittaja lopulta nai sen säälistä ja ne saivat pojan. Minkähän ikäinen se poikakin on jo nyt, ja mitä sekin puuhastelee. Ehkä se vielä nettoaa kirjottamalla Tompan biografian kunhan nököhammas ekax saadaan hengiltä. ellauri066.html on line 360: Is Pynchon’s equation of motion a standard differential equation used by specialists to calculate the path of a rocket’s flight or to control its yaw? No: Pynchon’s equation does not resemble anything one might reasonably expect. […] Not only are most of the symbols in Pynchon’s equation obscure, but the general structure of the terms in the equation also makes it impossible to identify with one or other of the equations describing the position and orientation of a rocket in flight. This equation, then, is not a genuine mathematical expression in this context. It may appear authoritative to the layperson, but it is unlikely to fool a rocket scientist. (Schachterle/Aravind, 2001: 162)... ellauri066.html on line 364: Even without substituting the remaining parameters d and c1, it is clear that Pynchon’s Second Equation resembles – and in fact is – the equation of moments that the Peenemünde physicists and engineers used to calculate and control the angular motion (yaw) of the V-2 rocket. ellauri066.html on line 366: To shorten a long story of searching for sources: the essay ‘The Control System of the V-2’ by Otto Müller includes an ‘equation for control in yaw’ (Müller, 1957: 90), and in exactly the same notation as Gravity’s Rainbow’s equation ‘describ[ing] motion under the aspect of yaw control’ (GR 284). We can conclude that this is the searched-for template for Pynchon’s Second Equation (see appendix, Figure 8). Müller’s paper is part of History of German Guided Missiles Development by Theodor Benecke and August W. Quick, published in 1957, which is based on the First Guided Missiles Seminar in Munich that took place a year earlier. The seminar was organised by the American Advisory Group for Aeronautical Research and Development (AGARD) to collect information about the V-2 from German scientists and engineers to use in American research on guided missiles. Pynchon might have had access to this book and further material on rocketry in the Boeing Company for which he worked as a technical writer in the early 1960s. ellauri066.html on line 368: Moore’s intuition that Pynchon’s Second Equation is real proved to be correct, and he and his colleague correctly assign the angle ϕ to the orientational range of the rocket. But since they did not know that this formula is only one in a set of equations that describe the flight path, the orientation, and the steering of the V-2, the research team was misled in their interpretation of the other parameters and terms. With Müller’s paper, we can finally determine the meaning of each term and compare these with Pynchon’s reading. The first three terms refer, respectively, to the moments of inertia, of air resistance, and of lateral air impact when the rocket yaws, and the term on the right side of the equal sign represents the steering moment of the rudders (Müller, 1957: 90, 91; Kirschstein, 1951: 73, 74). In other words, the left-hand terms describe the orientation of the rocket during flight, which is influenced by external forces such as wind currents and air resistance. ellauri066.html on line 376: Gorodki (ven. Городки) on venäläinen kyykkää muistuttava peli. Nimi tarkoittaa ”linnapeliä”. Gorodkin pelaajia 1800-luvun alussa. Saksalaisen Christian Gottfried Heinrich Geißlerin kuvitusta teokseen Spiele und Blustigungen der Russen aus den niederen Volksschichten (1805). Gorodkin pelaajia Neuvostoliitossa vuonna 1935. Gorodki on vanha venäläinen peli, jota ovat pelanneet tiettävästi muun muassa Pietari I, Aleksandr Suvorov, Vladimir Lenin, Josif Stalin, Mihail Kalinin ja Kliment Vorošilov, tiedemies Ivan Pavlov, oopperalaulaja Fjodor Šaljapin sekä kirjailijat Leo Tolstoi ja Maksim Gorki kenen mukaan?. ellauri066.html on line 389: Richard Halliburton (s. 9. tammikuuta 1900 – katosi 24. maaliskuuta 1939) oli amerikkalainen lehtimies ja maailmankulkuri. Luonteeltaan hän oli kuuluisan huoleton hetkessä eläjä ja hedonisti, eräänlainen uuden ajan epikurolainen. Halliburton kirjoitti useitakin matkakirjoja; niistä on suomennettu ainakin Ruhtinaallinen retki romantiikan maille ja Lentävä matto. ellauri066.html on line 393: Office of Strategic Services (OSS) oli vuosina 1942–1945 toiminut, CIA:ta edeltänyt sotilastiedusteluun keskittynyt Yhdysvaltojen tiedustelupalvelu. ellauri066.html on line 417: icle12654221.ece/ALTERNATES/s508/Jerry-Maren.jpg" width="50%" /> ellauri066.html on line 422: Ohjaajat Steven Spielberg ja George Lucas sekä näyttelijä Mickey Rooney olivat vedonneet maiskisten oman Hollywood-tähden puolesta. ellauri066.html on line 458: Pynchon Press has been serving Western Massachusetts Businesses with Commercial Printing Services for over 50 years. We have a long standing history as a printer that you can trust in, with deep ties to the community. Print is in our blood. We’ve recently relocated our print shop from our original location in Springfield, MA to a new building on Grattan Street in Chicopee, MA. This new location gives us better capacity to handle your print jobs. We have made considerable investment into digital printing presses which allows us to produce beautifully printed full color print jobs with incredible turn around. Smaller run print jobs for booklets and flyers can be ordered. The days of having to order 1000 of something you only need 100 of are over. If you can design it, we can print it. We’ve been a trusted printer for customers throughout Western Massachusetts and Northern CT. Our quality printing services speak for themselves. When you are looking for a printer for your next print job, contact Pynchon Press, the local printer you can trust your printing to. ellauri066.html on line 462: icle_page_image_770px_wide/s3/2020-09/DSC_4625.jpg?itok=Xu3_KVPu" height="200px" /> ellauri066.html on line 468: epicaricacy From Ancient Greek ἐπιχαιρεκακία (epikhairekakía, “joy upon evil”). (rare) Rejoicing at or deriving pleasure from the misfortunes of others. ellauri066.html on line 474: The word is mentioned in some early dictionaries, but there is little or no evidence of actual usage until it was picked up by various "interesting word" websites around the turn of the millennium. ellauri066.html on line 476: Wrong you anglo saxon philistines! It is a technical term in Aristotle and appears in Burton's Anatomy of Melancholy 1621. Godly CS Lewis knew it too. ellauri066.html on line 478: Out of these two arise those mixed affections and passions of anger, which is a desire of revenge; hatred, which is inveterate anger; zeal, which is offended with him who hurts that he loves; and ἐπιχαιρεκακία [epikhairekakia], a compound affection of joy and hate, when we rejoice at other men's mischief, and are grieved at their prosperity; pride, self-love, emulation, envy, shame, &c., of which elsewhere. Nicomachean Ethics, 2.7.1108b1-10 ellauri066.html on line 480: Victoria Pedrick, Steven M. Oberhelman (2005) Literary Criticism: “... where Aristotle exploits the threefold classification of virtues and emotions according to excess, mean, and deficiency, he uses the term epikhairekakia ...” ellauri066.html on line 482: C.S. Lewis (1933) The Pilgrim's Regress: “'Our father was married twice,' continued Humanist. 'Once to a lady named Epichaerecacia, and afterwords to Euphuia. ellauri066.html on line 484: Nemesis (Greek: νέμεσις) is a philosophical term first created by Aristotle in his Nicomachean Ethics. The term means one who feels pain caused by others' undeserved success. It is part of a trio of terms, with epikhairekakia (ἐπιχαιρεκακία ) meaning one who takes pleasure in others' pain, similar to Schadenfreude, and phthonos (φθόνος) meaning one who feels pain caused by any pleasure, deserved or not, similar to envy.[1][2] ellauri066.html on line 496: Researchers have found that there are three driving forces behind schadenfreude: aggression, rivalry, and social justice. ellauri066.html on line 498: Specifically, for someone with high self-esteem, seeing another person fail may still bring them a small (but effectively negligible) surge of confidence because the observer's high self-esteem significantly lowers the threat they believe the visibly-failing human poses to their status or identity. Since this confident individual perceives that, regardless of circumstances, the successes and failures of the other person will have little impact on their own status or well-being, they have very little emotional investment in how the other person fares, be it positive or negative. Tässä todennäköinen syy mixi anglosaxeilla ei ole sanaa sille, vaan on gloating (quod vide). ellauri066.html on line 502: Aggression-based schadenfreude primarily involves group identity. The joy of observing the suffering of others comes from the observer's feeling that the other's failure represents an improvement or validation of their own group's (in-group) status in relation to external (out-groups) groups (see In-group and out-group). This is, essentially, schadenfreude based on group versus group status. Joukkueurheilu on vankka bastioni vahingoniloisuudelle. And the domain of politics is prime territory for feelings of schadenfreude, especially for those who identify strongly with their political party. ellauri066.html on line 504: Rivalry-based schadenfreude is individualistic and related to interpersonal competition. It arises from a desire to stand out from and out-perform one's peers. This is schadenfreude based on another person's misfortune eliciting pleasure because the observer now feels better about their personal identity and self-worth, instead of their group identity. ellauri066.html on line 506: Justice-based schadenfreude comes from seeing that behavior seen as immoral or "bad" is punished. It is the pleasure associated with seeing a "bad" person being harmed or receiving retribution. Schadenfreude is experienced here because it makes people feel that fairness has been restored for a previously un-punished wrong. ellauri066.html on line 510: "Gloating" is an English word of similar meaning, where "gloat" means "to observe or think about something with triumphant and often malicious satisfaction, gratification, or delight" (e.g., to gloat over an enemy's misfortune). ellauri066.html on line 511: Gloating is different from schadenfreude in that it does not necessarily require malice (one may gloat to a friend about having defeated him in a game without ill intent), and that it describes an action rather than a state of mind (one typically gloats to the subject of the misfortune or to a third party). Also, unlike schadenfreude, where the focus is on another's misfortune, gloating often brings to mind inappropriately celebrating or bragging about one's own good fortune without any particular focus on the misfortune of others. Tää on vähän kuin ne 2 näkökulmaa snobiin: ylhäältä alaspäinen ja alhaalta ylöspäinen. ellauri066.html on line 516: The Book of Proverbs mentions an emotion similar to schadenfreude: "Rejoice not when thine enemy falleth, and let not thine heart be glad when he stumbleth: Lest the LORD see it, and it displease him, and he turn away his wrath from him." (Proverbs 24:17–18, King James Version). Jutkut on eteviä schadenfreudessa, kun ne on niin usein olleet häviäjiä. Esim The Bob Dylan 1965 song "Like a Rolling Stone" is an expression of schadenfreude in popular culture.[original research?] ellauri066.html on line 518: In the Nicomachean Ethics, Aristotle used epikhairekakia (ἐπιχαιρεκακία in Greek) as part of a triad of terms, in which epikhairekakia stands as the opposite of phthonos (φθόνος), and nemesis (νέμεσις) occupies the mean. Nemesis is "a painful response to another's undeserved good fortune", while phthonos is a painful response to any good fortune of another, deserved or not. The epikhairekakos (ἐπιχαιρέκακος) person takes pleasure in another's ill fortune.[33][34] ellauri066.html on line 520: During the seventeenth century, Robert Burton wrote in his work The Anatomy of Melancholy, "Out of these two [the concupiscible and irascible powers] arise those mixed affections and passions of anger, which is a desire of revenge; hatred, which is inveterate anger; zeal, which is offended with him who hurts that he loves; and ἐπιχαιρεκακία, a compound affection of joy and hate, when we rejoice at other men's mischief, and are grieved at their prosperity; pride, self-love, emulation, envy, shame, &c., of which elsewhere."[37] ellauri066.html on line 522: The philosopher Arthur Schopenhauer mentioned schadenfreude as the most evil sin of human feeling, famously saying "To feel envy is human, to savor schadenfreude is diabolic." Sen voi hyvin uskoa, Artturi on tyypillinen kateellinen paskiainen, joka inhoo erikoisesti sitä, että muut on sille vahingoniloisia. ellauri066.html on line 524: Rabbi Harold S. Kushner in his book When Bad Things Happen to Good People describes schadenfreude as a universal, even wholesome reaction that cannot be helped. "There is a German psychological term, Schadenfreude, which refers to the embarrassing reaction of relief we feel when something bad happens to someone else instead of to us." He gives examples and writes, "[People] don't wish their friends ill, but they can’t help feeling an embarrassing spasm of gratitude that [the bad thing] happened to someone else and not to them." onkohan tää rabbi trumpin vävyn setä? ellauri066.html on line 528: Philosopher and sociologist Theodor Adorno defined schadenfreude as "... largely unanticipated delight in the suffering of another, which is cognized as trivial and/or appropriate." Adorno on kanssa yxi ääliö. ellauri066.html on line 530: Researchers expected that the brain's empathy center of subjects would show more stimulation when those seen as "good" got an electric shock, than would occur if the shock was given to someone the subject had reason to consider "bad". This was indeed the case, but for male subjects, the brain's pleasure centers also lit up when someone got a shock that the male thought was "well-deserved". ellauri066.html on line 549:
2 Indigenous peoples of the Americas (pre-1948) ellauri066.html on line 551: 2.1 Spanish colonization of the Americas ellauri066.html on line 552: 2.2 British colonization of the Americas ellauri066.html on line 558: 2.4 Mexico ellauri066.html on line 563: 2.6.2 American Indian Wars ellauri066.html on line 565: 2.7 Politics of modern Brazil ellauri066.html on line 567: 3 Indigenous peoples of Africa and Asia (pre-1948) ellauri066.html on line 569: 3.1 French colonization of Africa ellauri066.html on line 572: 3.3 Genocide in German South West Africa ellauri066.html on line 662: Kicki: Tack för bra inlägg. Bra överlevnadsstrategi är kärleken till människan ♥ ellauri066.html on line 674: WHEN the rest of the world blinked as coronavirus took hold, ice-cool Swede Anders Tegnell refused to lock down his nation. ellauri066.html on line 700: Then Professor Neil Ferguson, from London’s Imperial College, released a bombshell study that claimed 500,000 could perish from Covid in Britain without tough restrictions. In Sweden it could have meant 85,000 deaths (so far fewer than 5,900 have died). ellauri066.html on line 701: Panicked Britain locked down hard. Tegnell kept Sweden open — relying largely on public goodwill rather than tough new laws to fight the virus. ellauri066.html on line 703: One recent survey found eight in ten Swedes say they are following official guidelines. ellauri066.html on line 711: Gatherings of more than 50 were banned but Swedish schools for under-16s, restaurants, bars, gyms and hairdressers all stayed open. Tegnell said shutting borders was “ridiculous” and that there is “very little evidence” masks are effective. ellauri066.html on line 716: Molly Robinson, 26, originally from Saltburn-by-the-Sea, North Yorks, says: “Wearing a mask is your choice.” ellauri066.html on line 732: And the country is well prepared. At the start of the pandemic it had 526 available intensive care beds, and within weeks that number had doubled. ellauri066.html on line 735: “There’s no other reasonable explanation,” he adds. Sweden’s government has largely allowed non-elected bureaucrat Tegnell to lead its pandemic response. ellauri066.html on line 739: Tegnell’s most vocal critics are the right-wing Sweden Democrats party, who described the care home deaths as a “massacre”. 'CARE HOME MASSACRE'. ellauri066.html on line 750: Critics say this alone is evidence that Sweden’s strategy was wrong. ellauri066.html on line 752: Nicholas Aylott, a professor of political science at Södertörn University, believes cultural norms may have helped to combat the virus too. ellauri066.html on line 753: The academic, 50, says: “Most Swedes don’t gather in big groups very often, they don’t go to church much, a lot of people live alone or in small households.” ellauri066.html on line 754: A lot of Swedes avoided public transport and worked from home. ellauri066.html on line 759: “I try not to think about it too much,” he says modestly. “I realise it’s going to pass very quickly.” ellauri066.html on line 762: There may be more Covid spikes. Just don’t expect a lockdown U-turn from iceman Tegnell. He is planning a bike tour through Sweden in search of surviving nurses. It worked in Kongo-Kinshasa, why would it not work in Sweden. ellauri066.html on line 844: 21.7.2020 Kansanterveysvirasto esittelee kolme ennustetta koronaepidemian leviämisestä syyskuuhun 2021 mennessä. Ennusteet esitellään laajasti Ruotsin mediassa, muun muassa Dagens Medicinissä. ellauri066.html on line 892: In an e-mail exchange between Tegnell and the head of the Finnish public-health agency, on March 14th and 15th, Tegnell suggested that keeping the schools open could help the young and healthy develop immunity sooner. His Finnish colleagues noted that their models found that closing schools would decrease the mortality rate among the elderly by ten per cent. Tegnell responded, “Ten percent might be worth it?” WTF. ellauri066.html on line 894: Yet Tegnell remained unsatisfied. Tegnell also shirked masks. In April, 2020, he wrote a letter to the European Center for Disease Control urging against a mask recommendation, saying, “The argument for and evidence for an effect of face covering to limit the spread from asymptomatic persons is not clear. . . . The arguments against are at least as convincing.” ellauri066.html on line 895: Over the course of the pandemic, evidence supporting masks has piled up. An analysis of mask mandates in German towns found that they may have reduced COVID-19 infections by about forty-five per cent. ellauri066.html on line 897: "I have conferred with high command in the U.S., Brazil and Kenya. I think it will be like a severe influenza rate, death toll on the order of 0.1%.” (A study by the Swedish public health-agency later found that the rate was at least six times higher in Stockholm.) ellauri066.html on line 899: “The Swedish government decided early, in January, that the measures we should take against the pandemic should be evidence-based. And when you start looking around at the measures that are being taken now by other countries, you find that very few of them have a shred of evidence.” Tegnell said that he had been in close contact with his counterparts in the United Kingdom, who were planning similarly light restrictions. But cases in the U.K. were increasing rapidly. ellauri066.html on line 902: On March 16th, scientists at Imperial College London published a paper, based on an epidemiological model, predicting that, unless some form of lockdown was imposed, more than five hundred thousand Brits would die from preventable COVID-19 infections. A week later, the Prime Minister, Boris Johnson, announced that his government would be closing schools, bars, and restaurants, falling in step with the rest of Europe. “It was slightly frustrating,” Tegnell told me, when I spoke to him, in August. “We were really hoping we could take us through this crisis together.” ellauri066.html on line 904: In April, 2020, a widely-circulated pre-print version of a paper by researchers at Uppsala University, adapting the Imperial College model, predicted that, under the Swedish strategy, fifty per cent of susceptible Swedes would be infected within thirty days, resulting in over eighty thousand deaths by July. ellauri066.html on line 910: She wrote to me to say that Tegnell and his colleagues “have acted too late and too little which has led to over 12000 people premature death including my husband. He would have lived without Corona!” ellauri066.html on line 912: Nanaz Fassih, another hairy arms, a fifty-two-year-old pediatric nurse, was skeptical of the Swedish response from the beginning; she tried to wear a mask to work in hospitals and clinics, but was told that this was not allowed. (Today, masks are more commonly allowed in Swedish hospitals.) ellauri066.html on line 914: “I think we are reasonably optimistic,” Tegnell said last August. “Our prognosis is, No, we don’t really see a huge second wave coming on.” This did not last. By December, cases and hospitalizations were higher than they’d been since the earliest days of the pandemic. Intensive-care units in Stockholm and Malmö, the country’s third biggest city, were full. “It was just this development we did not want to see,” Björn Eriksson, Stockholm’s director of health and medical care, said during a press conference. ellauri066.html on line 916: Confidence in the public-health agency had fallen from sixty-eight per cent in October, to fifty-two per cent in December. ellauri066.html on line 918: very sad about how they dealt with the issues with the pandemic.” ellauri066.html on line 920: Sweden’s per-capita case counts and death rates have been many times higher than any of its Nordic neighbors, all of which imposed lockdowns, travel bans, and limited gatherings early on. Over all in Sweden, thirteen thousand people have died from COVID-19. In Norway, which has a population that is half the size of Sweden’s, and where stricter lockdowns were enforced, about seven hundred people have died. Finland, 866. ellauri066.html on line 922: It’s likely that some simple policy changes—especially shutting down visitations to nursing homes sooner, and providing more P.P.E. and testing to nursing-home staff—would have saved lives. But who knows... ellauri066.html on line 924: And the strategy doesn’t seem to have helped the economy much: the Swedish G.D.P. fell by around three per cent, better than the European average, but similar to the drop in other Nordic countries. ellauri066.html on line 925: It’s not as bad as Italy, Spain, the U.K., and Belgium for example.” says Tegnell holding up his statistic when defending his strategy, claiming that sparsely-populated Norway and Finland are the outliers, and that Sweden should be compared to the rest of Europe. Sweden has a larger foreign-born population than other Nordic countries, and its population is more concentrated in urban areas, Tegnell claims. Yes, blame the hairy arms. ellauri066.html on line 927: Other experts are skeptical of this argument. “I find no correlation between proportion of foreign-born and Covid death rate,” Heuveline wrote, in an e-mail. “Norway has a higher proportion of foreign-born than Denmark, which has about the same proportion as Italy (about 10%), but Covid-19 mortality is much higher in Italy than in Denmark, and higher in Denmark than in Norway.” ellauri066.html on line 928: Sweden’s population is more similar to the other Nordic countries. Its first infections also came later than in other parts of Europe, giving its government more time to warn its citizens of the virus’ severity. For these reasons, comparisons to the rest of Scandinavia, which are less favorable to Sweden, may be more apt. ellauri066.html on line 931: In a recent piece for this magazine, Siddhartha noted that, while some countries were ravaged by the pandemic, others had far lower death rates than expected. The reasons for this, he noted, remain an “epidemiological mystery.” Its a miracle! ellauri066.html on line 932: A professor of public-health and management at Yale, told me protections that seemed important may turn out, after long-term study, to have been less effective than we thought. “Due to the developments we see, we even need to use measures where evidence of effect is low,” Tegnell says now. ellauri066.html on line 936: Almost exactly a year from the pandemic’s start, Tegnell said that he believes people should still hold off on judging his policies. “The pandemic is not over,” he said. “Any kind of final review on what’s been good and what’s been bad still awaits us.” Thats what the guys in Nuremberg said: hold your horses, this was supposed to be a 1000-year Reich. Don't blame us on what were only meant as initial experiments. ellauri066.html on line 938: On the lighter side, the pandemic has presented many companies with an unprecedented opportunity. This includes the mecidine, mask and mortuary business. But also small-time Finnish serial entrepreneurs named "Jyri" and the producers of little ketchup satchets. ellauri066.html on line 945: Not only have thousands more people died than in neighboring countries that imposed lockdowns, but Sweden’s economy has fared little better. “They literally gained nothing,” said Søren F. Kierkegaard, a senior fellow at the Paterson Institute for International Economics in Washington DC. “It’s a self-inflicted wound, and they have no economic gains.” ellauri067.html on line 6: font-style: italic; ellauri067.html on line 23: ic;font-size:2em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Tommi Kinnunen ellauri067.html on line 24: ic;font-size:4em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Ihana uutuus Antiikkia & designiä ellauri067.html on line 77: Suomalainen.com. Hullu-Jussin äiti oli kova suomalainen commari. Sillä oli pettuleivänpala vankileirimatkamuistona. Pirun työläiset nyysivät esineitä, varastivat laseja. Kuukerin Nelli teki lasikukon. Lasinpuhallus on maailman vanhimpia ammatteja. Railin oli vielä vanhempi. Huorankin on tiedettävä paikkansa. Se yx paikka nimittäin. Blow job, puhallus ja imutus. Lasiin sylkeminen on Nooan ajoilta. Historiallista triviaa, nice to know. ellauri067.html on line 152: Von Braun had a charismatic personality and was known as a ladies´ man. As a student in Berlin, he would often be seen in the evenings in the company of two girlfriends at once. Mom did not approve of roturiers. She had better things in mind. ellauri067.html on line 154: During his stay at Fort Bliss, von Braun proposed marriage to Maria Luise von Quistorp (born June 10, 1928), his maternal first cousin, in a letter to his father. He married her in a Lutheran church in Landshut, Germany on 1 March 1947, having received permission to go back to Germany and return with his bride. He was 35 and his new bride was 18. Shortly after, he became an evangelical Christian. He returned to New York on 26 March 1947, with his wife, father, and mother. On 8 December 1948, the von Brauns´ first daughter Iris Careen was born at Fort Bliss Army Hospital. ellauri067.html on line 163: Von Braun justified the expenses for manned operations with the following argument: "I think somehow space flights for the first time give mankind a chance to become immortal. Once this earth will no longer be able to support life we can emigrate to other places which are better suited for our life." ellauri067.html on line 171: Biographic timeline for Thomas Pynchon ellauri067.html on line 178: 1959-60 Greenwich Village bohemianism, pot smoking, idolizes Monk, begins V. ellauri067.html on line 180: 1962 Moves to Mexico to finish V. ellauri067.html on line 184: 1966 "Crying of Lot 49" published; NYT Magazine article on Watts June 12 ellauri067.html on line 186: 1967-72 Silent years, California and Mexico, lots of drugs (presumably) ellauri067.html on line 187: 1973 "Gravity's Rainbow" published Feb 28, universally hailed as classic ellauri067.html on line 188: 1974 Joseph Slade's "Thomas Pynchon" 1st booklength critical study (pprback) ellauri067.html on line 209: Vastusti Vietnamia. The Crying of Lot 49 ennakoi Painovoiman sateenkaarta. Tom vaihtoi fyysikosta sateenkaaripojaxi. Sateenkaaren värit on preterition, paranoia, racism, colonialism, conspiracy, synchronicity, and entropy. ellauri067.html on line 216: Painovoiman sateenkaarta pidetään Pynchonin pääteoksena, ja siihen hänen kulttimaineensa perustuu. Se on apokalyptinen teos. Sitä pidetään Herman Melvillen Moby Dickin postmodernina vastineena. Hyi. ellauri067.html on line 222: 1974 National Book Award (puoliksi Isaac Bashevis Singerin kanssa) 1974. Mahtoi molempia nolottaa. tuomariston yksimielinen valinta Pulitzerin kirjallisuuspalkinnon saajaksi, mutta asiantuntijalautakunta hylkäsi sen1975 American Academy of Arts and Lettersin William Dean Howells -mitali (kieltäytyi). ellauri067.html on line 233: American literary critic Harold Bloom named him as one of the four major American novelists of his time, along with Don DeLillo, Philip Roth, and Cormac McCarthy. Kekä toi Cormac on? For that matter, who is Harold Bloom? ellauri067.html on line 235: Harold Bloom should not be confused with American philosopher Allan Bloom. ellauri067.html on line 236: Who should not be confused with the British horticulturalist, Alan Bloom. ellauri067.html on line 241: Harold Bloom was an American literary critic and the Sterling Professor of Humanities at Yale University. Since the publication of his first book in 1959, Bloom has written more than forty books of literary criticism, several books discussing religion, and one novel. He edited hundreds of anthologies. ellauri067.html on line 247: Loppupäässä alkaa lukijoiden mielenkiinto Pynchoniin herpautua. Against the Day 2006 ( just ennen meidän Springfieldin reisua) inspired mixed reactions from critics and reviewers. One reviewer remarked, "It is brilliant, but it is exhaustingly brilliant." Other reviewers described Against the Day as "lengthy and rambling" and "a baggy monster of a book", while negative appraisals condemned the novel for its "silliness" or characterized its action as "fairly pointless" and remained unimpressed by its "grab bag of themes". Alkoi mennä jo ylijuonikkaax. ellauri067.html on line 252: icc():format(jpeg):mode_rgb():quality(40)/discogs-images/A-879893-1519473954-1980.jpeg.jpg" height="200px" /> ellauri067.html on line 270: Traversing a wide range of trivia, Gravity´s Rainbow transgresses boundaries between high and low culture, between literary propriety and profanity, between boredom and porn, and between popular science and speculative metaphysics. ellauri067.html on line 288: ica_sa_pogledom_na_Altun-alem_d%C5%BEamiju.JPG/531px-Prvomajska_ulica_sa_pogledom_na_Altun-alem_d%C5%BEamiju.JPG" /> ellauri067.html on line 289: Novi Pasar Prvomajska ulica sa pogledom na Altum-alem džamiju ellauri067.html on line 295: Sloth is one of the seven capital sins in Catholic teachings. It is the most difficult sin to define and credit as sin, since it refers to an assortment of ideas, dating from antiquity and including mental, spiritual, pathological, and physical states. One definition is a habitual disinclination to exertion, or laziness.
ellauri067.html on line 297: Thomas Hooker (July 5, 1586 – July 7, 1647) was a prominent Puritan colonial leader, who founded the Colony of Connecticut after dissenting with Puritan leaders in Massachusetts.
ellauri067.html on line 298: Called today "the Father of Connecticut", Rev. Thomas Hooker was a towering figure in the early development of colonial New England. He was one of the great preachers of his time, an erudite writer on Christian subjects, the first minister of Cambridge, Massachusetts, one of the first settlers and founders of both the city of Hartford and the state of Connecticut.
ellauri067.html on line 304: Preterition is a rhetorical device wherein the speaker or writer brings up a subject by either denying it, or denying that it should be brought up. Accordingly, it can be seen as a rhetorical relative of irony. The device is also called apophasis, paraleipsis, occupatio, not to mention parasiopesis.
ellauri067.html on line 307: William develops heretical religious ideas, and he writes "a long tract about it ... called On Preterition." In some Protestant doctrines, Christians are divided into "the elect," those chosen by God, and "the preterite," those not chosen, passed over by God. William champions the preterite, and he argues Judas is the savior of the preterite. The narrator then wonders if William´s ideas were "the fork in the road America never took."
ellauri067.html on line 318: “A market needed no longer be run by the Invisible Hand, but now could create itself—its own logic, momentum, style, from inside. Putting the control inside was ratifying what de facto had happened— that you had dispensed with God. But you had taken on a greater, and more harmful, illusion. The illusion of control. That A could do B. But that was false. Completely. No one can do. Things only happen, A and B are unreal, are names for parts that ought to be inseparable. …”
ellauri067.html on line 325: Pynchonin poikasena radiosta seuraaman Fred Allen Shown naispääosahenkilö oli Frankin puoliso, Jasun Martha Nussbaumin kaima. Other dramatis personae included average-American John Doe (played by John Brown), Mrs. Nussbaum (Minerva Pious), pompous poet Falstaff Openshaw (Alan Reed), Titus Moody (Parker Fennelly), and boisterous southern senator Beauregard Claghorn (announcer Kenny Delmar). Texaco ended its sponsorship of the program in 1944.
ellauri067.html on line 330: Sal Hepatica
ellauri067.html on line 343: Vina Fay Wray: (September 15, 1907 – August 8, 2004) was a Canadian-born American actress best remembered for starring as Ann Darrow in the 1933 film King Kong. Through an acting career that spanned nearly six decades, Wray attained international recognition as an actress in horror films. She has been dubbed one of the early "scream queens".
ellauri067.html on line 356: Rózsavölgyi: István (30 March 1929 – 27 January 2012) was a Hungarian athlete who competed mainly in the 1500 metres. Rózsavölgyi was born in Budapest. One of the star pupils of Mihály Iglói, he entered the 1956 Summer Olympics held in Melbourne, Australia as the world record holder over 1000 metres, 1500 metres and 2000 metres and was expected to be a leading contender for the 1500 metres Olympic gold. However, outside circumstances shook the spirit of team Hungary. Sándor Iharos, another superstar, was absent. Back home, the Hungarian Revolution of 1956 had just been quashed by the Soviet army. Rózsavölgyi failed to even make the final. On saatavana myös sennimistä suklaata, Rózsavölgyi Csokoládé. Our website offers cookies.
ellauri067.html on line 360: Die Enzian war eine in Entwicklung befindliche deutsche Flugabwehrrakete während des Zweiten Weltkrieges. Die Rakete war sowohl für den Boden-Luft- als auch den Luft-Luft-Einsatz vorgesehen. Radio-ohjattu. Ei toimahtanut ennen nazien surkeata loppua.
ellauri067.html on line 363: Foil: In fiction or non-fiction, a foil is a character who contrasts with another character; most of the time it is the protagonist, to highlight qualities of the other character. In some cases, a subplot can be used as a foil to the main plot. This is especially true in the case of metafiction and the story within a story motif. The word foil comes from the old practice of backing gems with foil to make them shine more brightly. Paranoids like Pynchon make foil hats to foil conspiracies.
ellauri067.html on line 368: In dulci jublilo on joulumakaroni jonka kexasi prahalainen professori Petrus Dresdensis 1300-luvulla. Eikä Heinrich Suso 1400-luvulla kuten Tomppa tiedottaa. Makruista on ollut jotain jo muualla. Rauhixessa on kokonainen laatikko pitkiä makarooneja 70-luvulta.
ellauri067.html on line 370: Niin sanottu makaronirunous on saanut alkunsa italialaisen Tifi Odassin satiirista Carmen Macaronicum (1490); makaronirunouden tunnetuin edustaja oli Teofilo Folengo (k. 1544). Sen tapaista kielten sekoittamista käytettiin aikoinaan erityisesti leikillisissä tai pilkallisissa runoissa, jollaisiin se hyvin soveltuukin. Tässä jouluvirressä ei kuitenkaan ollut kyse kieltensekoituksesta tai muusta hulluttelusta makaronirunouden tapaan, vaan laulun teksti etenee vuorotellen latinan ja jonkin muun kielen vaihdellessa. Maskun Hemminki 1605 "IN dulci iubilo, Nyt on isoi ilo / Mailman Messias Maca in praesepio".
ellauri067.html on line 379: Höh, aika tylsä makarooni. Eikö löytynyt mitään hauskempaa? Juonikin vaikuttaa ikävystyttävältä: The poem tells of a prank played on an apothecary by a band of university students called macaronea secta. It is written in a mix of Latin and Italian, in hexameter verse (as would befit a classical Latin poem). It reads as a satire of the bogus humanism and pedantism of doctors, scholars and bureaucrats of the time. Merkuriuxelle pyhitetty valo on keskiviikko. Zobia on toskanalainen murresana torstaille (Giovedi).
ellauri067.html on line 384: What Does the Triskelion Symbol Mean? Derived from the Greek word "Triskeles" meaning "three legs", the Triskele or Triple Spiral is a complex ancient Celtic symbol. Often referred to by many as a Triskelion, its earliest creation dates back to the Neolithic era, as it can be seen at the entrance of Newgrange, Ireland. The Triskele gained popularity in its use within the Celtic culture from 500BC onwards. This archaic symbol is one of the most convoluted to decipher as symbolists believe it is reflective of many areas of culture from the time. Huoh. Vitun symbolistit. Seinän töhrijät. Nuijia. Kirkkovene ja Jallu luuraa on selkeämpiä.
ellauri067.html on line 386: Hop Harrigan (also known as The Guardian Angel and Black Lamp) is a fictional character published by All-American Publications. He appeared in American comic books, radio serials and film serials. He was created by Jon Blummer, andwas a popular hero originally through the 1940s, during the events of World War II.
ellauri067.html on line 387: He arrives at an airport where he saves the life of mechanic Tank Tinker, who became his friend and companion. Tank gives Harrigan his nickname when he said, "Some hop, Harrigan."
ellauri067.html on line 388: By the time World War II comes, as with most other comics of the time, the Hop Harrigan comic has World War II themed adventures as Hop, Tank and Prop join the US Army Air Corps in service of the war effort.
ellauri067.html on line 394: Friedrich Anton Christian ”Fritz” Lang (5. joulukuuta 1890 Wien, Itävalta-Unkari – 2. elokuuta 1976 Beverly Hills, Kalifornia), oli itävaltalaissyntyinen saksalais-yhdysvaltalainen elokuvaohjaaja, käsikirjoittaja ja tuottaja. Lang oli huomattavimpia saksalaisen ekspressionismin edustajia ja yksi 1900-luvun arvostetuimpia elokuvaohjaajia. Saksan kansallissosialistisen työväenpuolueen noustua valtaan Lang muutti Yhdysvaltoihin, jossa hän jatkoi uraansa vaihtelevalla menestyksellä. Yhdysvaltojen tuotannon huippuhetkiä olivat Kiihko, Nainen ikkunassa, Punainen katu ja Gangsterikuningas.
ellauri067.html on line 400: Clausewitz, Carl von (1780-1831) 182; Prussian general whose writings, especially On War, advocated the concept of total war, in which all the enemy´s territory, property, and citizens are attacked. Clausewitz oli megaluokan paskiaisia. Siihen liittyen L-5227 164; bomb developed by Spottbilligfilm AG to blind "whole populations".
ellauri067.html on line 410: Coat of Arms of the Russian Government 1919 (Church Slavonic "Си́мъ побѣди́ши", Russian "Этим побеждай"), see White movement. Inscribed on the Colours of the Irish Brigade.Inscribed on the banner and the motto of the 4th Guards Brigade (now 2nd Motorized Battalion "Pauci" — the Spiders) of the Croatian army. Inscribed on the banner of the Sanfedismo in 1799. Inscribed in Greek on the flag (obverse side) of the Sacred Band of the Greek War of Independence. Inscribed in Greek on the coat of arms, insignia and flag of the 22nd Tank Brigade (XXII ΤΘΤ) of the Greek Army. Inscribed on the flag of the 25th South Carolina "Edisto Rifles" Regiment, Civil War, USA, 1861-65. The motto of 814 Naval Air Squadron of the Royal Navy Fleet Air Arm. The motto of the Mauritius National Coast Guard. The motto of U.S. Marine Aircraft Squadron VMA(AW). The motto of Finnish Defence Force Reconnaissance. The motto of the Norwegian army 2nd Battalion (Norway). The motto of USS Waldron. The motto of HMCS Crusader, and the Sea Cadet Corps with her as the namesake, 25 RCSCC Crusader in Winnipeg.The motto of the Royal Australian Army Chaplains´ Department.
ellauri067.html on line 411: Sacred Military Constantinian Order of Saint GeorgeIn the logo of Knights Templar, Grand Encampment, U.S.A.Public motto of the Sigma Chi international frat
ellauri067.html on line 413: Bishop Simon Brute College Seminary, Indianapolis, Indiana USA. College of the Holy Cross, Worcester, Massachusetts. Georgian Institute of Public Affairs, Tbilisi, Georgia. Hardey Preparatory School for Boys, Chicago, Illinois USAHoly Cross College, Arima, Trinidad. Holy Cross College, Kalutara, Sri Lanka. Holy Cross College of Carigara, Carigara, Leyte, Republic of the PhilippinesHoly Cross High School, Camp Phillips, Bukidnon, Republic of the Philippines. Holy Cross School, Winnipeg, Manitoba, Canada. Instituto Tecnológico de Mérida, Mérida, Mexico. Madras Christian College, Madras, IndiaMarist Brothers High School, Fiji Suva cityLegon, Ghana. Quitman High School, Quitman, Louisiana USA. St Eunan´s College, Letterkenny, County Donegal, Republic of Ireland. St. Joseph´s Grammar School, Donaghmore, County Tyrone, Northern Ireland. St. Michael´s Church School, Christchurch, New ZealandSt. Thomas´ Secondary School, Kano, NigeriaStrangford Integrated College, Carrowdore, County Down, Northern Ireland. Wah Yan College, Wan Chai, Hong Kong. Wah Yan College Kowloon, Yau Ma Tei, Hong Kong.
ellauri067.html on line 417: Crest of the Royal Hockey Club, Antwerp, Belgium. Motto of the Carlstad Crusaders, Sweden´s dominant American Football team in Karlstad, Sweden. Motto of Ponsonby Rugby Club, Auckland, New Zealand.
ellauri067.html on line 418: Used as the title of the political manifesto of George Lincoln Rockwell and the American Nazi Party. Is the motto on the coat of arms of the city of Plzeň, Czech Republic. The phrase is in the coat of arms of the city of Birkirkara, the largest city on the island of Malta, and the city of Bayamon, Puerto Rico. Is the motto on the Coat of Arms of O´Donnell. Appears in one of the paintings of the Polish artist Zdzisław Beksiński. It has been used in some versions of logo for the brand of cigarettes, Pall Mall. Appears on one of the stickers on the guitar of Alvin Lee, Ten Years After´s frontman, the same guitar he played at The ´69 Woodstock Festival.
ellauri067.html on line 422: ichard Freiherr von">Richard Freiherr von Krafft-Ebing (1840–1902; full name Richard Fridolin Joseph Freiherr Krafft von Festenberg auf Frohnberg, genannt von Ebing) was an Austro–German psychiatrist and author of the foundational work Psychopathia Sexualis (1886). He died in Graz in 1902. He was recognized as an authority on deviant sexual behavior and its medicolegal aspects. Krafft-Ebing´s principal work is Psychopathia Sexualis: eine Klinisch-Forensische Studie (Sexual Psychopathy: A Clinical-Forensic Study), which was first published in 1886 and expanded in subsequent editions. The last edition from the hand of the author (the twelfth) contained a total of 238 case histories of human sexual behaviour. Translations of various editions of this book introduced to English such terms as "sadist" (derived from the brutal sexual practices depicted in the novels of the Marquis de Sade), "masochist", (derived from the name of Leopold von Sacher-Masoch), "homosexuality", "bisexuality", "necrophilia", and "anilingus".
ellauri067.html on line 428: Freud´s didactic strategy in his Three Essays on the Theory of Sexuality was to construct a bridge between the "perversions" and "normal" sexuality. Clinically exploring "a richly diversified collection of erotic endowments and inclinations: hermaphroditism, pedophilia, sodomy, fetishism, exhibitionism, sadism, masochism, coprophilia, necrophilia" among them, Freud concluded that "all humans are innately perverse". He found the roots of such perversions in infantile sexuality—in the child´s "polymorphously perverse" inclinations ... the "aptitude" for such perversity is innate.
ellauri067.html on line 439: How much, or how little influence drugs, particularly hallucigenic drugs like lysergic acid diethylamide, LSD, had on Pynchon’s narrative is unknown. If Siegel, however, is to be believed, and he should be despite any resentment he felt regarding Pynchon’s affair with his wife, then the writing of Gravity’s Rainbow was heavily influenced by drugs. In Pynchon’s most famous quote regarding this particular novel, which is notoriously difficult to interpret, he is alleged to have told Siegel,
ellauri067.html on line 446: Nederdorf po. Niederdorf, Dörfli, Zürichin vanhakaupunki. Mä oon ollu siellä vittuilemassa Googlen konekäännösryhmän silloiselle vetäjälle.
ellauri067.html on line 454: Schwarzkommando: (p. 359) supposed herero fighters in the service of the nazis. It is propaganda like King Kong or the black science man Neil Degrasse Tyson to make black people seem intelligent. The Schwarzkommando in Gravity´s Rainbow is fictional. Schrödinger´s douchebag is a guy who says offensive things and decides whether he is joking based on the reaction of people around him.
ellauri067.html on line 457: Astrophysicist Neil deGrasse Tyson was criticized this week after claiming on Christmas Eve that Rudolph, the fictional red-nosed reindeer who leads Santa Claus’s sleigh, has been “misgendered.”
ellauri067.html on line 458: Neil deGrasse Tyson is speaking up on Christmas 2020, in order to correct a little scientific inaccuracy that Santa Claus has been perpetuating for years. We all know the story of Santa and his reindeer (Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donner, Blitzen, and of course Rudolph), but [...]
ellauri067.html on line 461: He continued, “So Santa´s reindeer, which all sport antlers, are therefore all female, which means Rudolf has been misgendered.” Tyson’s message triggered swift criticism, which included accusations that Tyson was “ruining things that are supposed to be fun.” “Why ruin this magic for children with your reddit-tier haha i’m so smart bulls***, this isn’t funny, you aren’t clever, and nobody cares, let them have this magic in their lives, you sound like an adolescent,” another person said. “They’re magic reindeer a**hole. The normal rules don’t apply. Quit trying to s*** on Christmas,” one person replied.
ellauri067.html on line 463: tannäuserism: In a note to 3.2 of Gravity´s Rainbow, Heseburger explains Pynchon´s use of the word "Tannhäuserism" as follows: The tragic error of Tannhäuser — for example, in Richard Wagner´s operatic version of the myth — was to postpone his quest in order to linger for one year of sensual, "mindless pleasure" with the goddess Venus under her mountain called Venusberg. Vai onko se Brocken, Jaakon ja Jöötin mainizema Kyöpelinvuori Harzissa? On 11 April, American forces liberated the camps at Buchenwald, near Weimar, and the V2 rocket slave-labour camp at Nordhausen in the Harz Mountains. Ryssät eivät päässeet lähellekään. Jenkeillä oli vitun kiire kahmimaan izelleen ne raketit. Ja siitä vasta iso piru pääsi merrasta.
ellauri067.html on line 465: Antinomistit ovat uskonpuhdistuksen aikainen kristillinen ryhmittymä, joka korosti syntien anteeksiantamista, mutta vähätteli syntiä ja hengellistä lakia. Antinomismin synnyttäjä oli Martti Lutherin ystävä Johannes Agricola. Antinomistien pääväittämä on, ettei lakia tulisi saarnata ollenkaan. Eli että hengellisen lain sijasta uskon synnyttää evankeliumi. Hengellinen laki poistettiin kokonaan käytöstä. Luther kirjoitti antinomisteja vastaan kirjan "Antinomilaisia vastaan". Luther on myös todennut Agricolasta: "ettei kukaan paavi ole häntä kiusannut niin paljon kuin Agricola". Antinomistisen opin toinen äärilaita on oppi lain kolmannesta käytöstä. Antinomistinen riita syntyi luterilaisessa kirkossa 1500-luvulla siitä, onko lain saarnaaminen tarpeellista vai ei. Crazy Sue Dunham oli antinomiaani noita 1700-luvulla jenkkikapinan aikoihin. Wild woman of the Berkshires. Joo eihän ilman lakia ole syntiä, ja ilman syntiä ei tarvi armoa, ja ilman armoa ei pappeja. Mitä tarkoitatte herra Luke? Selittäkääpä tarkemmin!
ellauri067.html on line 467: Franz von Bayros (28 May 1866 – 3 April 1924) was an Austrian commercial artist, illustrator, and painter, best known for his controversial Tales at the Dressing Table portfolio. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. His work can be found at the Metropolitan Museum of Art in New York. He drew over 2000 illustrations in total. Bayros piirsi eri paljon porsliinipilluja. Sanalla sanoen, pornokuvia.
ellauri067.html on line 469: J.P. Morgan didn´t exactly fire Thomas Edison, he just merged Edison Electric with Thomson-Houston Electric, without saying anything to Edison.
ellauri067.html on line 470: The relationship between J.P. Morgan and Thomas Edison is a classic case of high finance. As Edison needed money to fund his work he would give a huge block of stock in his company to Morgan. Eventually the bulk of Edison Electric shares were controlled by the J.P. Morgan.
ellauri067.html on line 471: In 1892, J.P. Morgan arranged the merger of Edison Electric and Thomson-Houston Electric Company to form General Electric. Since Morgan was the majority shareholder in Edison Electric he did not need Edison´s permission to agree to the merger.
ellauri067.html on line 472: J. P. Morgan saw the writing on the wall, that Edison was losing ground to Westinghouse, and the newly formed General Electric was formed to take on Westinghouse in the head to head battle to develop AC power distribution systems.
ellauri067.html on line 473: The first residential house in America to be electrified was J.P. Morgan’s. The work was done by Thomas Edison. So how did Morgan say thanks to the guy who gave him the first home in America with electricity? He screwed Thomas Edison out of his own company. Welcome to the game of 1890s venture capital.
ellauri067.html on line 487: Hey, I just figured out that "Who Framed Roger Rabbit" might be making a sly allusion.... that Roger and Jessica Rabbit are named after Roger Mexico and Jessica Swanlake from Gravity´s Rainbow by Pynchon. Posted by ergomatic at 7:16 AM on March 16, 2016. Why it's obvious! just look at Roger's incisors!
ellauri067.html on line 491: There’s a dirty secret tucked away in Thomas Pynchon’s novels, eand it’s this: beyond all the postmodernism and paranoia, the anarchism and socialism, the investigations into global power, the forays into labor politics and feminism and critical race theory, the rocket science, the fourth-dimensional mathematics, the philatelic conspiracies, the ’60s radicalism and everything else that has spawned 70 or 80 monographs, probably twice as many dissertations, and hundreds if not thousands of scholarly essays, his novels are full of cheesy love stories.
ellauri067.html on line 493: Book reviewers have a long history of attacking Pynchon for his flat characters. Roger and Jessica are susceptible to this criticism. Neither is given much of a history. We don’t know where they grew up or who their parents were. This is one of the great failings of... what to call it? "middlebrow" is antiquated... anyway, a very common kind of criticism (common in the Anglo-American world, anyway), and it affects how authors write (which is one reason I read mainly Russian literature these days). I don't need to know "where they grew up or who their parents were" and I don't much care, unless, of course, you write about it brilliantly because that´s truly what you want to focus on, as opposed to "welp, better provide a plausible background for my characters so the reader will believe they're behaving this way." Just write good sentences in a good and surprising order. Two people have fallen out of love? I don't care if it's because one of them has mommy issues or the other was bullied as a child—people fall out of love all the time, for any reason or none, just tell me what they do about it, and in language that makes me want to keep reading! Teoxet on tärkeät, vähät elämästä. En jaxa luontokuvauxia, hyppään ne heti yli.
ellauri067.html on line 497: Fitzmaurice House on kovasti kiinnostunut Tompan erektioista. HUOH. Nulikkamaista. Pikku apina imeskelee omaa terhoa. Kuvittelee työntyvänsä tyttöön mehukkaasti takaapäin kuin kenraali Xavier. Multa tuli jo sanoo puutarhuri. Multa ei sanoo Katja allapäin.
ellauri067.html on line 500: ...The first piece to provide substantial information about Pynchon´s personal life was a biographical account written by a former Cornell University friend, Jules Siegel, and published in Playboy magazine. In his article, Siegel reveals that Pynchon had a complex about his teeth and underwent extensive and painful reconstructive surgery, was nicknamed "Tom" at Cornell and attended Mass diligently, acted as best man at Siegel's wedding, and that he later also had an affair with Siegel's wife. Siegel recalls Pynchon saying he did attend some of Vladimir Nabokov's lectures at Cornell but that he could hardly make out what Nabokov was saying because of his thick Russian accent. Siegel also records Pynchon's commenting: "Every weirdo in the world is on my wavelength", an observation borne out by the crankiness and zealotry that has attached itself to his name and work in subsequent years.
ellauri067.html on line 502: Pynchon´s early story Low-lands contains general immaturity, and racist, sexist and proto-Fascist talk. It´s his own voice in Pig Bodine, a notoriously bigoted and asinine sailor who recurs in later novels. The claims of racism and proto-Fascism are hardly substantiated, while the misogyny is pervasive. Women are considered as semi-inanimate objects upon which men have a right (or even a duty) of possession, imposition or defilation.
ellauri067.html on line 503: The other stories in the collection, though less concerned with female characters, present women with few exceptions according to the logic of “Low-lands” as either hateful housewife-mothers, objects of male fantasy, or as inferior actors in an essentially male sphere.
ellauri067.html on line 505: ...the women in the class were furious at the books by men. My choices were quite ordinary—Kerouac, Ellison, Roth, Bellow, and Pynchon... “This Set of Holes, Pleasantly Framed”: Pynchon the Competent Pornographer.
ellauri067.html on line 507: Pynchonin eka romaani oli V. Siitäköhän se O:n kirjoittaja otti mallia? Homo sekin oli (tai on). Nyt on se yx paha ämmä Ruozissa kirjoittanut vihapuheen F. Pian on koko aakkossoppa koossa. V:ssä on röyhkeä Victoria Wren, joka on kyllä hyvännäköinen mutta jolle käy lopussa tosi huonosti. Tää Painovoiman sateenkaari on niinko v2.0 sitten heh.
ellauri067.html on line 519: Valkoinen zombi (White Zombie) on Victor Halperinin ohjaama kauhuelokuva vuodelta 1932. Se oli ensimmäinen, tai ainakin yksi ensimmäisistä elokuvista, jossa esiintyy zombeja.
ellauri067.html on line 530: In the Mid. Dutch poem of Lantslot ende Sandrii), a knight says to his maiden : ic heb u liever dan en everswin, al waert van finen goude gkewrackt, I hold you dearer than a boar- swine, all were it of fine gold y-wrought ; were they still in the habit of making gold jewels in the shape of boars ? at least the remembrance of such a thing was not yet lost.
ellauri067.html on line 534: icture-in-picture" allowfullscreen>
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ellauri067.html on line 544: Gravity´s Rainbow is a 1973 novel, first published by Viking Press, by American writer Thomas Pynchon. The narrative is set primarily in Europe at the end of World War II, and centers on the design, production and dispatch of V-2 rockets by the German military. In particular, it features the quest undertaken by several characters to uncover the secret of a mysterious device named the "Schwarzgerät" ("black device"), slated to be installed in a rocket with the serial number "00000".

ellauri067.html on line 547:
This is a profoundly dumb and misguided roaming-junior-male-ape-gang roadmovie type of thought. Damn wagnerian homoerotic Quest for a Holy Grail. Murder mysteries. Spoilers. "Nyaah we already got the Grail!" taunt the French knights Arthur & co. in Monty Python´s Holy Grail:
ellauri067.html on line 550: icture-in-picture" allowfullscreen>
ellauri067.html on line 560: "I thought I was sophisticating the Beat spirit with secondhand science", said Pynchon. Which stands as a pretty good description of some of his novels, too.
ellauri067.html on line 564:
Comicbook/cartoon/fictional characters

ellauri067.html on line 566: "his batman, a Corporal Wayne" [Batman's "real-world" identity was Bruce Wayne], 11; comicbook fangs, 21; Sir Denis Nayland Smith, 83, 277-78, 592, 631, 751; Hop Harrigan, Tank Tinker, 117; "old-fashioned comical room" 122; Dumbo, 135; Donald Duck, 146; Hansel and Gretel, 174; "comic-book colors" 186; "paint FUCK YOU in a balloon coming out the mouth of one of those little pink shepherdesses" 203; Plasticman, 206, 314, 331, 752; "he passes into a bickering of canary-yellow Borsalini, corksoled comicbook shoes with enormous round toes" 254; "this cartoon here" 263; "a Sunday-funnies dawn" 295; Rocketman, 366, 376, 379, 436, 512, 596; Captain Midnight Show, 375; Green Hornet, 376; "the only beings who can violate their space are safely caught and paralyzed in comic books" 379; Mickey Mouse, 392; Sundial, 472; Wilhelm Busch (cartoonist), 501; Porky Pig, 545; "comic technocracy" 579; "comic-book cats dogs and mice" 586; Bugs Bunny, 592; "comicbook-orange chunks of island" 634; Porky Pig tattoo, 638 (on Osbie Feel's stomach), 711 (on André Omnopon´s stomach); Robin Hood, 664; Mary Marvel, Wonder Woman, 676; comic-book Kamikazes, 680; "down comes a comic-book guillotine on one black & white politician" 687; Crime Does Not Pay, 709; Superman, 751; The Lone Ranger & Tonto, 752; Philip Marlowe, 752; Submariner, 752; Jimmy Olson, 752; See also Byron the Bulb; Floundering Four; Komical Kamikazes; Plasticman; film/cinema references.
ellauri067.html on line 573: Luku 2. Lopen pitkästyttävä meno jatkuu. En jaxa näitä pillunnälkäisiä solttuja. Rotanhampainen kipparikalle seikkailee seiloriasussa. Yhtä jännää vakoilutarinaa kuin Frederic Prokosch: Yö Lissabonissa jonka löysin poistohyllystä 2019. Ja yhtä feikkiä.
ellauri067.html on line 577: Prokosch was born in Madison, Wisconsin, into an intellectual family that travelled widely. His father, Eduard Prokosch, an Austrian immigrant, was Professor of Germanic Languages at Yale University at the time of his death in 1938. Prokosch was graduated from Haverford College in 1925 and received a Ph.D. in English in 1932 from Yale University. In his youth, he was an accomplished squash racquets player; he represented the Yale Club in the 1937 New York State squash racquets championship. He won the squash-racquets championship of France in 1938.
ellauri067.html on line 579: During World War II, Prokosch was a cultural attaché at the American Legation in Sweden. He spent most of the remainder of his life in Europe, where he led a peripatetic existence. His interests were sports (tennis and squash), lepidoptery, and the printing of limited editions of poems that he admired.
ellauri067.html on line 581: From early on, Prokosch sought to surround himself with a veil of mystification and cast his life into a hopeless riddle. Approaching his sixtieth year, he boasted that no person had succeeded in knowing him as an integral personality: "I have spent my life alone, utterly alone, and no biography of me could ever more than scratch the surface. All the facts in Who’s Who, or whatever, are so utterly meaningless. My real life (if I ever dared to write it!) has transpired in darkness, secrecy, fleeting contacts and incommunicable delights, any number of strange picaresque escapades and even crimes, and I don't think that any of my 'friends' have even the faintest notion of what I'm really like or have any idea of what my life has really consisted of. . . .With all the surface 'respectability,' diplomatic and scholarly and illustrious social contacts, my real life has been subversive, anarchic, vicious, lonely, and capricious."
ellauri067.html on line 583: The publication of Voices: A Memoir in 1983, advertised as a record of his encounters with some of the century´s leading artists and writers, returned Prokosch to the limelight. His early novels The Asiatics and The Seven Who Fled were reissued to much public acclaim. In 2010, Voices was shown to be almost wholly fictitious and part of an enormous hoax.
ellauri067.html on line 587: Mixei Juotikas kopioinut Tompan panokohtauxia? Ehkä sitä ei vaan kiinnosta. Pynchonin Cumshot-Slapshot-slapstick on just yhtä naurattavaa kuin jenkki slapstick keskimäärin. Eli haukottaa.
ellauri067.html on line 592: Sowilo (*sōwilō) meaning "Sun", is the reconstructed Proto-Germanic language name of the s-rune (ᛊ, ᛋ).
ellauri067.html on line 593: The letter is a direct adoption of Old Italic (Etruscan or Latin) s (𐌔), ultimately from Greek sigma (Σ). It is present in the earliest inscriptions of the 2nd to 3rd century (Vimose, Kovel).
ellauri067.html on line 594: The name is attested for the same rune in all three Rune Poems. It appears as Old Norse and Old Icelandic Sól and as Old English Sigel. (Se on SS-merkin muotoinen.)
ellauri067.html on line 602: Todella huonoa musiikkia seuraa, yli 100v vanhaa americanapaskaa:
ellauri067.html on line 604: School Days School Days is an American popular song written in 1907 by Will D. Cobb and Gus Edwards. Its subject is of a mature couple looking back sentimentally on their childhood together in primary school.
ellauri067.html on line 606: Come Josephine In My Flying Machine is a popular song with music by Fred Fisher and lyrics by Alfred Bryan. First published in 1910, the composition was originally recorded by Blanche Ring and was, for a time, her signature song. Ada Jones and Billy Murray recorded a duet in November 1910, which was released the following year. There have been many subsequent recordings of the pop standard.
ellauri067.html on line 608: A Hot Time in the Old Town, also titled as "There’ll Be a Hot Time in the Old Town Tonight", is an American popular song, copyrighted and perhaps composed in 1896 by Theodore August Metz with lyrics by Joe Hayden. Metz was the band leader of the McIntyre and Heath Minstrels. The song was a favorite of the American military around the start of the 20th century, particularly during the Spanish–American War and the Boxer Rebellion. The tune became popular in the military after it was used as a theme by Teddy Roosevelt´s Rough Riders.
ellauri067.html on line 622: Joku tyyppi kirjoitti plokin Guardianille yhestä sen mielihenkilöstä yhessä sen mielikirjassa (icero-gravitys-rainbow-thomas-pynchon V-2-rocket-008">linkki): Pahixia kirjoissa: Kapteeni Blicero.
ellauri067.html on line 624: Thomas Pynchonin Kapteeni Blicero näyttää arkkityyppiseltä pahixelta: sadomasokistinen, sexuaalisesti kaikkiruokainen pederasti nazi ja mystisen 00000 V-2 raketin kexijä joka on Pynchonin postmodernin mestaripalan Painovoiman sateenkaari valkoinen valas.
ellauri067.html on line 626: Blicero esiintyi eka kerran Pynchonin 1963 esikoisessa V, nimellä luti Weissmann, dekadentti Sachsan armeijan lupseeri joka oli jäänyt rannalle entiseen Lounais-Afrikkaan presidentti Ahtishaaren kanssa 7v sen jälkeen kun se lakkasi olemasta Saksan siirtomaa. Tässä aiemmassa novellissa se oli mystinen, väliin transu hahmo jolla näytti olleen sadomasokistinen suhde saxalaiseen agenttiin Vera Meroveringiin. Se on kiero myös, ja kenties huumaa ja sitten pöllii jotakin toiselta hahmolta, Kurt Mondaugenilta. Se on enempi hassu kuin huolestuttava, eikä vielä täysimittainen pahis.
ellauri067.html on line 628: Kun se putkahtaa esiin jälleen Painovoiman sateenkaaressa 20v myöhemmin, se on muuttanut muotoaan johkin ihan muuhun. Nyze on SS-majuri (ylennys!), ja komentaa V-2 rakettipatteria Alankomaissa, missä se on vanginnut nuoren hollantilaisnaisen ja sakupojan. Blicero on shokeeraava hahmo; vangit on sen sexiorjia ja kun se tulee eka kerran esiin se on "naisten vetimissä" ja se bylsii sakupoikaa, Gottfriediä. Kun selviää että nää panttivangit esittää rooleja vinxahtaneessa Hannu ja Kerttu fantasiassa jossa se on noita joka koittaa houkutella lapset uuniin, asiat vaan mutkistuvat.
ellauri067.html on line 630: Tiiliskiven tuhannella sivulla Blicero/Weissman paljastuu yhen nuoren hererokoiraan rakastajaxi siirtomaistetussa Lounais-Afrikassa, ja sitten avainhahmoxi nazien raketin rakennusohjelmassa, minä aikana se kidutti jonkun teknikon suunnittelemaan räätälöidyn V2-raketin omiin tarkoituxiinsa. Lainaillen suosikkirunoilijaansa Rilkeä (ällökki), Weissman leikkaa yxiköllisen kuvion (cuts a singular figure). Hän kuvataan sekä "kaljuuntuvaxi koulumestarixi, joka kurkkii ylös pullonpohjalaseista" että "upiuudexi sotilaallisexi tyypixi, osaxi myyntimies, osaxi tiedemies". Se on brutaali: "sadisti jonka vastuulla on kekata uusia pelikuvioita kohti maximijulmuutta".
ellauri067.html on line 632: Onkohan toi Blicero oikeasti Wernher von Braun? Vittu millanen on ihminen joka käyttää kaiken luppoaikansa tämmösen roskan keximiseen? No sellastahan jenkkiviihdeteollisuus suoltaa megatonnikaupalla. Ne on kerta kaikkiaan läpimätää porukkaa. Iso osa teutonipahixista on kypsyneet anglosaxien kieroutuneissa aivoissa.
ellauri069.html on line 6: font-style: italic;
ellauri069.html on line 40: Postmodernism is the Swiss Army knife of critical concepts. It’s definitionally overloaded, and it can do almost any job you need done. This is partly because, like many terms that begin with “post,” it is fundamentally ambidextrous. Postmodernism can mean, “We’re all modernists now. Modernism has won.” Or it can mean, “No one can be a modernist anymore. Modernism is over.” People who use “postmodernism” in the first, “mission accomplished,” sense believe that modernism—the art and literature associated with figures like Picasso and Joyce—changed the game completely, and that everyone is still working through the consequences. Modernism is the song that never ends. Being postmodernist just means that we can never be pre-modernist again. People who use it in the second sense, as the epitaph for modernism, think that, somewhere along the line, there was a break with the assumptions, practices, and ambitions of modernist art and literature, and that everyone since then is (or ought to be) on to something very different. Being postmodernist means that we can never be modernist again.
ellauri069.html on line 42: Modern art didn’t abandon the world, but it made art-making part of the subject matter of art. When (in the second account) did a break occur? It happened when artists and intellectuals stopped respecting a bright-line distinction between high art and commercial culture. Modernist art and literature, in this version of the story, depended on that distinction to give its products critical authority. Modernism was formally difficult and intellectually challenging. Its thrills were not cheap. But there were cheap thrills out there, a vast and growing mass of products manufactured to stroke the senses and flatter the self-images of their consumers. This bubble-gum culture wasn’t just averse to the spirit of high art. It was high art’s reason for being.
ellauri069.html on line 45: You can make anti-art—Duchamp’s “Fountain,” (posliininen kusilaari jossa lukee tää on taidetta) for example—only when everyone still has some conception of authentic, stand-alone, for-its-own-sake art. Warhol’s work is not anti-art. Finding no quality on which to hang a distinction between authentic art and everything else, it simply drops the whole question.
ellauri069.html on line 49: Jossakin täällä on Texti (h.k.) joka tulee hajottaa osiinsa, varustaa selityxin ja huomautuxin ja masturboida (huoh) kunnes se on löysäxi rutistettu... ja mehän oletimme - natürlich! - että tämä pyhä Texti oli yhtä kuin Roketti, ... (hererohöpöhöpöä) ... meidän Tooramme. (s. 670) Tällästä pakko-oireista nikertelyä se on, postmodernismi nimittäin. Alaviitteiden alaviitteitä. Hypodermisiä hyperlinkkejä.
ellauri069.html on line 58: “Our father was very good at ridicule,” Frederick and Steven report. Äidistä ei midiä.
ellauri069.html on line 59: Barthelmes were Catholics; some lapsed, some not, and then to the University of Houston, where his father was a professor in the architecture department, but from which he dropped out.
ellauri069.html on line 61: An uncompromising temper appears to have limited the father’s career as an architect. The brothers describe a scene in which their father picks up an LP record that says “unbreakable” on the label and breaks it in two. “Not unbreakable,” he says. That might be a little scary for kids to watch. Frederick and Steven thought that he was an ingenious man, but they found him fascinatingly difficult to care for in his old age.
ellauri069.html on line 63: "My father regards the tray of pink cupcakes. Then he jams his thumb into each cupcake, into the top. Cupcake by cupcake. A thick smile spreads over the face of each cupcake." —Views of My Father Weeping (1969)
ellauri069.html on line 67: Their memoir is an attempt to understand their gambling obsession as a way of coping with guilt over his death. “The addiction to gambling, with the unsuccessful struggles to break the habit and the opportunities it affords for self-punishment, is a repetition of the compulsion to masturbate,” Freud says in “Dostoevsky and Parricide”; “the relation between efforts to suppress it and fear of the father are too well known to need more than a mention.” No one believes Freud anymore, of course. A great deal of his writing is, at one level of explicitness or another, about the authority of fathers and the struggle for autonomy. (And Barthelme was a close reader of Freud.)
ellauri069.html on line 76: A couple of years after Barthelme took the apartment, the writer Kirkpatrick Sale and his wife, Faith, an editor, moved in downstairs and became close friends. They had been students at Cornell with Pynchon, and Pynchon would write part of “Gravity’s Rainbow” (1973) in their apartment.
ellauri069.html on line 78: What was he doing? Daugherty is right to claim that Barthelme conceived of himself as an heir of the modernist tradition—in particular, of Beckett. He encountered Beckett’s work for the first time in 1956, when he picked up a copy of Theatre Arts at Guy’s Newsstand, in Houston, and read the text of “Waiting for Godot.” “It seemed that from the day he discovered ‘Godot,’ Don believed he could write the fiction he imagined,” the woman who was his wife at the time, Helen Moore Barthelme, says in her memoir, “Donald Barthelme: The Genesis of a Cool Sound” (2001).
ellauri069.html on line 89: Barthelme believed himself to be working in the tradition of Joyce and Samuel Beckett, and that his appropriation of popular, commercial, and other sub-artistic elements (instruction manuals, travel guides, advertisements, sentences from newspaper articles, and so on) in his writing was done as a means of making literature, not subverting it or announcing its obsolescence. Daugherty thinks that many people have got Barthelme wrong.
ellauri069.html on line 91: Barthelme incorporates bits from other people’s texts into his stories, and a good deal of his writing sounds like (and some of it plainly is) pastiche, as though it had been composed in the style, or spoken in the voice, of someone else.
ellauri069.html on line 95: Barthelme felt that American fiction had abandoned what modernists called “the revolution of the word.” “Fiction after Joyce seems to have devoted itself to propaganda, to novels of social relationships, to short stories constructed mousetrap-like to supply, at the finish, a tiny insight typically having to do with innocence violated, or to works written as vehicles for saying no! in thunder,” he wrote in 1964, in the second issue (there would be only two) of Location.
ellauri069.html on line 107: Strings of language extend in every direction to bind the world into a rushing, ribald whole. The babble of discursive registers mimics the incoherence of war against guerrillas, a war in which the two sides are always in danger of becoming morally indistinguishable.
ellauri069.html on line 111: He also believed that one of the things deadening our responses was mass culture. “I believe that’s the place artists are trying to get to, and I further believe that when they are successful, they reach it... an area somewhere probably between mathematics and religion, in which what may fairly be called truth exists.” He was an enemy of television. He was a serious jazz buff. It took him a while to become interested in rock. Daugherty is right. He was a postmodernist in the first sense.
ellauri069.html on line 115: “The aim of literature,” says a character in “Florence Green Is 81,” one of Barthelme’s first published stories, “is the creation of a strange object covered with fur which breaks your heart.”
ellauri069.html on line 116: He complained that book publishers “publish an enormous number of things which look like books, sort of feel like books, but in reality are buckets of peanut butter with a layer of whipped cream on top.”
ellauri069.html on line 127: Sidney Joseph "S.J." Perelman (February 1, 1904 – October 17, 1979) was an American humorist and screenwriter. He is best known for his humorous short pieces written over many years for The New Yorker. He also wrote for several other magazines, including Jude, as well as books, scripts, and screenplays. Perelman received an Academy Award for screenwriting in 1956.
ellauri069.html on line 135: FUCK! FUCK! motiivi hakkaa Pynchonilla kaikki muut. Se on kuin Norssin alaluokilla taululle piirtämämme kikkeli jolla oli pienet tikkujalat. Pedo-Pynchonia voi hyvin verrata homo-Melvilleen. Molemmat puhuu kilometrittäin aiheen vierestä jotta pääsisivät kiertotietä mieliaiheeseen, joka Nipistyxen kohdalla on Muovi-Dick ja sen kuvitellut loputtomat jöynerit. Naiset on sille ihan statisteja. "Tissejä ja pyllyjä", tytöt mutisevat, "tissejä ja pyllyjä. Muuta me emme täällä olekaan. "Äh, suu tukkoon", GMB Haftung ärähtää. Se on hänen normaali tapansa kohdella avustajia.
ellauri069.html on line 142: An English illustrator, Beardsley is known for his (often erotically charged) illustrations for Oscar Wilde's Salome, Alexander Pope's Rape of the Lock and other black-and-white works. Along with Oscar Wilde, he was considered a leader of "The Decadents" of the 1890s; 71; 634; Wikipedia entry.
ellauri069.html on line 146: Blavatsky, Helena Petrovna: (1831-91) 269; A Russian-born American psychic and mystic. She founded the Theosophical Society in New York in 1875 and later continued her work in India. Teosofeista on jo lisää toisaalla.
ellauri069.html on line 154: compline 134/; seventh and last of the canonical hours. Muut tunnit ovat nimeltään ...
ellauri069.html on line 162: 657; American dancer who was among the first to raise interpretive dance to the status of creative art, incorporating classical, particularly Greek, mythology, art and music. Not very successful in the United States, she took her new style of performance to Europe where it was greeted enthusiastically. She was strangled when her long scarf became entangled in the wheels of a car.
ellauri069.html on line 165: Slothrop does not imagine but recalls billboards he had seen in the Berkshires, of a favorite American soft drink.
ellauri069.html on line 170: Dr. Mabuse is a fictional character created by Norbert Jacques in the German novel Dr. Mabuse, der Spieler ("Dr. Mabuse, the Gambler"), and made famous by three films about the character directed by Fritz Lang: Dr. Mabuse the Gambler (silent, 1922) The Testament of Dr. Mabuse (1933) and the much later The Thousand Eyes of Dr. Mabuse (1960). Dr. Mabuse is a master of disguise and telepathic hypnosis known to employ body transference, most often through demonic possession, but sometimes utilizing object technologies such as television or phonograph machines, to build a "society of crime". One "Dr. Mabuse" may be defeated and sent to an asylum, jail or the grave, only for a new "Dr. Mabuse" to later appear, as depicted in The Testament of Dr. Mabuse. The replacement invariably has the same methods, the same powers of hypnosis and the same criminal genius. There are even suggestions in some installments of the series that the "real" Mabuse is some sort of spirit that possesses a series of hosts.
ellauri069.html on line 172: Gene Krupa: Eugene Bertram Krupa, Born:January 15, 1909, Chicago, Illinois, U.S., Died:October 16, 1973, Yonkers, New York, U.S. was an American jazz drummer, band leader and composer known for his energetic style and showmanship. His drum solo on "Sing, Sing, Sing" elevated the role of the drummer from an accompanying line to an important solo voice in the band.
ellauri069.html on line 174: icagotribune.com/nation-world/chi-chicagodays-johndillinger-story-story.html">John Dillinger (June 22, 1903 – July 22, 1934) oli Suuren Masennuxen ajan chicagolainen gangsteri, varmaan Sale Belovin roolimalli, joka ryösti roistopankkeja, ja Clark Gable esiintyi jossain leffassa. Joo se leffa oli Manhattan Melodrama, jota Jack oli kazomassa romanialaisen pimun kanssa joka lauloi siitä jepeille. Jepet ampui leffan jälkeen Juhaa leukaan. Se oli justifiable homicide. Dillinger oli suunnilleen yhtä komea kuin Nipsu.
ellauri069.html on line 178: Hoagy Carmichael: Hoagland Howard " Hoagy " Carmichael (November 22, 1899 - December 27, 1981) was an American singer, songwriter, and actor. American composer and author Alec Wilder described Carmichael as the "most talented, inventive, sophisticated and jazz-oriented of all the great craftsmen" of pop songs in the first half of the 20th century.
ellauri069.html on line 180: Berliner Schnauze (Berlin Snout, aka Enzian): Zur Navigation springen, Zur Suche springen, denn Dieser Eintrag existiert noch nicht! (Eigentlich doch aber nur auf Amerikanisch:)
ellauri069.html on line 188: Monipäiset slaaviperkunat joita daanimunkit karkotti Rügenin saarelta: Lähde Saxo Grammaticuxen Gesta Danorum. Sitä siteerasi myös Messenius, jonka mukaan on nimetty Messeniuxenkatu.
ellauri069.html on line 201: Béla Ferenc Dezső Blaskó (Hungarian: [ˈbeːlɒ ˈfɛrɛnt͡s ˈdɛʒøː ˈblɒʃkoː]; 20 October 1882 – 16 August 1956), known professionally as Bela Lugosi (/ləˈɡoʊsi/; Hungarian: [ˈluɡoʃi]), was a Hungarian-American actor best remembered for portraying Count Dracula in the 1931 film and for his roles in other horror films. Belasta tuli morfiiniaddikti ja se vajosi B-filmeistä Ö-mappiin. 5x naimisissa, tulos 1 poika.
ellauri069.html on line 203: Gerard Swope (December 1, 1872 – November 20, 1957) was a U.S. electronics businessman. He served as the president of General Electric Company between 1922 and 1940, and again from 1942 until 1945. During this time Swope expanded GE's product offerings, reorienting GE toward consumer home appliances, and offering consumer credit services. Swope was born in St. Louis, Missouri, to Ida and Isaac Swope, Jewish immigrants from Germany. He graduated from the Massachusetts Institute of Technology in 1895.
ellauri069.html on line 207: Dr. Fu Manchu is a fictional character first featured in a series of novels by English author Sax Rohmer during the first half of the 20th century and later extensively in cinema, television, radio, and comics.
ellauri069.html on line 209: "Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, ... one giant intellect, with all the resources of science past and present ... Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the yellow peril incarnate in one man." –The Insidious Dr. Fu Manchu
ellauri069.html on line 220: Fariña, Richard: (1937-66)
ellauri069.html on line 222: Richard Fariña, to whom Gravity's Rainbow is dedicated, was a good friend of Pynchon's when they were students at Cornell University in the 50s. In 1963, Farina married Mimi Baez, a folksinger and sister of Joan Baez. Although first married under the Napoleonic Code in a secret ceremony in Paris in the spring of 1963, they had an official marriage in Carmel, California, for the benefit of the Baez family. Pynchon was the best man for the Carmel ceremony, coming up from Mexico City where he was living and working on Gravity's Rainbow. In A Long Time Coming and a Long Time Gone, Farina's posthumously published collection of stories (Random House, 1969), Farina describes his and Pynchon's visit to the Monterey Fair. Richard and Mimi Farina formed a folk-music duo (Farina on guitar and Mimi on dulcimer, both singing) and released several albums in the 60s. Richard Farina was killed in a motorcycle crash following a book signing in Carmel for his newly published first (and only) novel, Been Down So Long It Looks Like Up To Me (Random House, 1966). You might want to visit this sweet website dedicated to the memory of Richard and Mimi (who died of cancer in 2001).
ellauri069.html on line 226: Frisch, Fromm, Frölich, Frei
ellauri069.html on line 227: 624; German: alert, devout, happy, free ("Frölich" should be "Fröhlich"); From Jan Bayer: the motto of the BDM (Bund Deutscher Mädels, or, as my grandmother used to say 'Bube drück mich'(hug me boy))
ellauri069.html on line 230: Gilbert ja Sullivan: Mulla on joku kirja niiden lyriikoista. Sullivan nikersi sävelmät ja Gilbert nakersi sanat. Sullivan's dislike of what he considered the artificial nature of Gilbert's plots led to their split.
ellauri069.html on line 234: Going My Way: Ex tää ole Fred Astairen rallatus? Fredistä on ollut puhe toisaalla. 38; A 1944 film directed by Leo McCarey. It is a light-hearted musical comedy/drama about a new young priest (Bing Crosby) taking over a parish from an established old veteran (Barry Fitzgerald). Crosby sings five songs in the film.
ellauri069.html on line 236: La Gomera is the most westward of the Canary Islands, off the coast of North Africa.
ellauri069.html on line 247: Helgoland [ˈhɛl.ɡoˌlant], auch Deät Lun (Helgoländer Friesisch „Das Land“,[2] englisch Heligoland) genannt, ist eine Nordseeinsel in der Deutschen Bucht. Die ursprünglich größere Insel zerbrach 1721; seitdem existiert die als Düne bezeichnete Nebeninsel.
ellauri069.html on line 257: German novelist Hermann Hesse (1877-1962), experiencing a crisis of the spirit, had psychoanalysis with J.B. Lang, a disciple of Carl Gustav Jung. His novel Demian (1919), which shows the influence of analysis, is about the character Demian (a classic "seeker") and his quest for self-awareness. Published during the troubled Weimar years, the novel was very popular and had a pervasive influence on the Germans. It also made Hesse famous.
ellauri069.html on line 259: Hilbert Space: "A multidimensional space in which the proper (eigen) functions of wave mechanics are represented by orthogonal unit vectors" - from The Penguin Dictionary of Physics.
ellauri069.html on line 270: poudre de la perlimpinpin is slang for 'patent medicine' or 'snake oil'.
ellauri069.html on line 308: Hän lentää Zürichistä Geneveen ja takaisin. (Jännää!) Monimutkaisessa triviaalikaupassa, hän saa kansion Laszlo Jamfista, Imupeukku G:n kexijästä.
ellauri069.html on line 328: By the way, lähetyssaarnaus on kovaa kusetusta. Lähetetään nää hyväuskoiset hölmöt kuin kiltit poliisit tuomaan huopia ja lääkkeitä ja taputtamaan päälaelle pickaninnyjä, sanoen: hei kaverit, ei teidän tarvize meitä kumartaa, kumartakaa tätä ristiinmaalattua joulupukinkuvaa, syökää näitä cracker jackeja ja juokaa cocacolapullosta, niin mekin tehään, se on teidän edestänne annettu, sitte ootte lähes yhtä hyviä kuin me, pyllistetään kaikki samaan suuntaan. Eikä siinä kaikki: seuraavassa lähetyxessä tulee paalikaupalla käytettyjä hikisiä t-paitoja, lenkkareita, mv-telkkareita ja aitoja Nokia-luureja, niiet kyllä kannattaa! Hei älkää kurkistelko tännepäin kun me samalla kuskataan täältä kotiin vähän luonnonvaroja.
ellauri069.html on line 348: Roger Mexiko, Aliluti Morituri (Te Salutant, LOL), Carroll Eventyr, and Thomas Gwenhidwy (sori näitä ei kai ole mainittu) laskeskelevat et Blicero (onko tätäkään häiskää mainittu?) laukaisi 00000 rokettinsa todellista pohjoista kohti (siis Joulupukin maata). Loppupeleissä loput Bliceron juonesta paljastuu. Gottfried (mainizinko jo?) oli roketin 00000 lastina. Das Schwarzgerät eliskä "musta laatikko" oli erikoinen kehto ImupeukkuG-muovista, missä oli Gottfried. Se 00000 vaati ohjausmuuunnoxia ja muita asetuxia koska se kantoi Gottfriediä. Radiozydeemi mahdollisti Bliceron puhua Gottfriedille roketissa, mutta mikään lähetin ei kantanut Gottfriedin ääntä takaisin Blicerolle. Roketti laukastiin, tappaen Gottfriedin.
ellauri069.html on line 353:
Gravity's Rainbow Plot Diagram
Introduction
1
ellauri069.html on line 354: "They" suspect Slothrop's erections predict V-rockets.
Rising Action
2
ellauri069.html on line 360: Blicero fires the 00000 rocket with Gottfried inside.
Falling Action
8
ellauri069.html on line 374: Moby-Dick—eepos, pelle-eepos, ja Suuri Amerikan Novelli—oli olevinaan vaikeasti luettava, ja onhan se. Sen pursuaa akromegaalisesti novellin kokoluokasta, sen esseemäiset harhailut valaanpyyntitieteessä jarruttaa juonen kehitystä koko valaan keskiruumiin matkalta, sen kaxsimielinen symbolismi on mahollista ja pakkokin tulkita jättimäisexi vertauskuvaxi jostakin (mistäkö? No kikkelistä taas, ks. mun Moby-paasaus.). Toisen kautta, Mobyssa ei ole yhtään kuvaa eikä tunnelmaa missä ei olisi suht selvä missä mennään kirjaimellisesti ottaen. Mobya voi olla vaikee tulkita, muttei vaikee lukea.
ellauri069.html on line 376: Thomas Pynchonin 1973 mestaripala Painomusteen Sadeviitta on eepos, pelle-eepos, ja Suuri Amerikan Novelli, kuten Moby-Dick. Toisinkuin Melvillen lukijat, kuiteskin, Pynchonin lukijat voi mennä sivukaupalla täysin pihalla siitä mitä juonessa, tilanteessa tai tyypeissä on tapahtumassa. Kirjaa ei edes voi kunnolla lukea selaamatta samalla koko ajan esim Steven Weisenburgerin Seuraneitiä ja Michael Davitt Bellin “Some Things That ‘Happen’ (More or Less) in Gravity’s Rainbow.”
ellauri069.html on line 387: Don’t forget the real business of the War is buying and selling. The murdering and violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as spectacle, as diversion from the real movements of the War. It provides raw material to be recorded into History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world. Best of all, mass death’s a stimulus to just ordinary folks, little fellows, to try ‘n’ grab a piece of that Pie while they’re still here to gobble it up. The true war is a celebration of markets.
ellauri069.html on line 393: —the love affair between statistician Roger Mexico and Jessica Swanlake, whose love seems to be all that can save him from being psychologically consumed by the war;
ellauri069.html on line 397: —Greta Erdmann, pornographic film actress and mother/groomer of Bianca, a child-victim who becomes the novel’s symbol of how fascism has corrupted and destroyed innocence - ah fuck, I mean the Shirley Temple lookalike whom Pynchon/Slothrup fucks completely delirious.
ellauri069.html on line 399: —the peregrinations of a Soviet agent named Tchitcherine, a man initiated into mysticism while administering a territory in Central Asia and now on vengeful search for his Herero half-brother, who also has his share of juicy fucks;
ellauri069.html on line 401: —the mission of Oberst Enzian, who is Tchitcherine’s Herero half-brother, one of a select company of Hereros who survived Germany’s genocide of their people to become rocket engineers during World War II; he was a bunk toy for Weissmann mentioned in the next bullet as a boy in black Africa;
ellauri069.html on line 403: —the evil designs of the novel’s villain, Weissmann or Blicero, former lover of Enzian, current lover of a young man named Gottfried, and the master of rocket 00000.
ellauri069.html on line 408: Kuka on puikoissa? Kertoja viittaa uhkaavasti kapitalisoituun "Niihin", jolla tarkoitetaan ylimalkaisesti liskovaltion pahaa liittoa bisneshaiden kanssa vastoin tavallisen persun etuja, ketään erityisesti mainizematta (ei edes Nazeja). Tän tautta novelli on, kuten kollegani Richard Poirier selitti vaikutusvaltaisessa aikaisemmassa arvostelussa, tahallaan kahareisin aidalla, toisaalta lukija voi vainoharhaisesti epäillä kaikkien salaliittoa kaikkia muita vastaan, tai sit vainoharhattomasti pitää tätä pelkkänä irrallisten pätkien vaihtorottapesänä, läpeensä älyttömänä nonsensenä. (Novellin työnimi oli Kutkuttakaamme raitaperse paviaania).
ellauri069.html on line 412: On toinen poliittinen syy mix tää novelli on vaikee nieltävä. Nipsu termentää että "Me", eivaan "Ne", siis me "tavalliset persut", ollaan jossain mielessä myös "Ne" (no ainaskin "Niiden" mielestä, tietysti, "Nehän" on "Niille" "Me".). "Niillä" on haaraliike "Meidän" aivoissa. Eli siis, aivot on ihan samoja, toisilla on vaan enemmän paalua perstaskussa. Meidän maniat ja psykoosit, unelmat ja halut, vievät "Meitä" mukaan kuluttamaan talouskasvua, mistä "Ne" sitten vetää taskuun lisää kasvua. Yx Nipsun alter egoista ehottaa ratkaisuxi “sado-anarkismia.” En kyllä ymmärrä mitä se muka toimittaa. Yhtä lailla "Ne" osaa laskuttaa SM-esineistöstä. Novellissa on myös nyt jo aika vanhanaikainen ja toxinen teesi, Riemastuxen patinaa: et fasismi on, kuten (se aikaisemmin kummastelemani) Wilhelm Reich pani sen, “the frenzy of sexual cripples”—eli et nazit oli pedofiilejä ja homoja (eli siis kääntäenkin myös). Nyt ei sellaista voi enää sanoa, sillä fasistit ja muut ällöt poikkeavuudet on ristiinluokituxia. Senhän osoittaa jo GR ize, jossa Nipsu on vastustavinaan nazeja mutta peukuttaa paskansyöntiä, piiskurointia, pedofilia ja muita sopimattomuuxia.
ellauri069.html on line 446: Ultimately, pro-feminist men need to work towards positive subjectivities which neither co-opt feminism nor revel masochistically in self-abasement.
ellauri069.html on line 455: Q: How can Gravity's Rainbow be so highly acclaimed when it makes not a lick of sense?
ellauri069.html on line 457: A: I never thought I would live to see a time when Gravity’s Rainbow would be denigrated and dismissed for lacking sense. This book appeared when I was a freshman at university. It was immediately chosen as part of the reading list for a course in 20th century fiction in English and regarded as important, and it was expected that simple-minded undergraduates should be able to make a serious attempt to engage with the book using heart, faith, skill, and such intelligence as they possessed. As a result, I own a first edition. ;)
ellauri069.html on line 459: As my favourite English teacher in university used to say, “Stop it. Use your intelligence, not your attitude.” If the querent is seriously perplexed by the book, he might want to consult the Wikipedia article on it, which explains the book more or less adequately and also provides pointers to literature on the subject.
ellauri069.html on line 461: It may also be a good warm-up for the querent’s reading muscles to start with Pynchon’s earlier novel V, which is excellent in its own right, but not as extravagant as the even more brilliant Gravity’s Rainbow. It is V2, after all.
ellauri069.html on line 468: If I had to put it in one sentence: using a Mad Magazine/stoner parody of WWII movie musicals to look for precursors of the corporate state and WW III.
ellauri069.html on line 470: Much of the book is about the difficulty of living in the ubiquitous shadow of immanent, instant destruction. How do you live a life with anything like normalcy, if you know that at any moment a V2 rocket you won't hear coming could make that moment your last? Some fall to nihilist "mindless pleasures" (the novel's working title); some play power games; some withdraw from the world; some remain willingly oblivious. Normalcy turns out not to be an option.
ellauri069.html on line 479: Imagine a story that combines Ulysses, Catch-22, The Canterbury tales, Under the Volcano, On the Road and many others. First, there is a huge cast of characters and most times, it is unclear who’s speaking and to whom. A second challenge is getting into the context of the book. The novel demands a vast knowledge of history, geography, music, literature, science, mathematics and occult. Apart from this the book also explicitly deals with profanity, racism, violence, pedophilia, coprophilia and seemingly infinite number of sex scenes. That being said, Pynchon doesn’t throw them arbitrarily and each one of them have a purpose. The main plot itself is set at the end of World War 2 and Europe is in chaos. As new countries and alliances are being formed, so too are new perspectives within the characters. Mental state being broken down, people making poor choices and actions being justified and helps us see how people tend to live destructively. As if there complexities weren’t enough, Pynchon includes a “postmodern” aspect of the book that leaves the first-time reader confused. Pynchon’s voice is seen through this aspect and a sense of paranoia creeps throughout the book and everything is questioned.
ellauri069.html on line 481: Q: Is Gravity's Rainbow the greatest American novel?
ellauri069.html on line 483: An article recently came out in the LA Times about Pynchon’s Great American Novel. The article begins by stating that Mason and Dixon is actually the most obvious candidate for the Great American Novel, and it instead suggests that Gravity’s Rainbow is perhaps the Great European Novel. The article then questions whether or not the Great American Novel even exists, and if it does if it is of a singular form or if it takes on many forms at once. After considering this question, the article finally claims that the Great American Novel is actually made up of all of Pynchon’s works fused together “into one epic Pynchoverse.” The Great American Novel certainly does not need to take place in America, but still many will argue that Gravity’s Rainbow by itself can never be considered as the Great American Novel because of its non-American setting and its wide array of characters. This is definitely debatable, but I do enjoy the idea of a “Pynchoverse” or a Pynchon Compilation being considered as the true Great American Novel. That being said, I do think most readers and Pynchonerds would undoubtedly say that Gravity's Rainbow is the Greatest Pynchon Novel.
ellauri069.html on line 485: To varying degrees, and woefully oversimplified, most of the novels pit a plucky heroine or poor, priapic, paranoid schnook against some vast, bureaucratic, merciless conspiracy.
ellauri069.html on line 491: My engineer nerd friends insisted that I should read Gravity's Rainbow, since it was rich with near-poetic observations about engineering and math. It was also rich with military history, jargon, and Pynchonian bong-hit digressions.
ellauri069.html on line 493: Between 1987 and 2018, I made several runs at the book, but got inextricably bogged down in the prose, often giving up when the book did not yield easy rewards for the reader. I tried hard to let the reading “wash over me” but I always put the book down, never to pick it up again.
ellauri069.html on line 495: Recently, I got a subscription to Audible and picked up the George Guidall unabridged audiobook of this dense tome. Unabridged, the book took up 37 hours and 21 minutes. Over about 2 months of commutes and air travel, I finally “read” the book. And that will only be the FIRST reading. I probably absorbed maybe 25% of the meaning (generously) but at least got to hear the sections waxing poetic on calculus, aeronautical engineering, and the nature of creating things. There was also an unexpected amount of graphic sex and other wacky perversions, but I guess that was just a bonus.
ellauri069.html on line 538: W 1824 miasto stało się kurortem, a w 1895, po odkryciu źródeł solanki i borowiny – uzdrowiskiem. W końcu XIX wieku w szybkim tempie powstała dzielnica uzdrowiskowa, oddzielona od centrum miasta parkiem. W drugiej połowie XIX wieku uzyskało połączenie kolejowe z Berlinem (zniszczone w 1945 stacje Świnoujście Główne, Świnoujście Nieradków i Świnoujście Port).
ellauri069.html on line 540: Tablica Pamiątkowa „50 lat Polskiego Świnoujścia”.
ellauri069.html on line 545: Bekannt ist der Ort für die Raketenentwicklung in der einst dort stationierten Heeresversuchsanstalt Peenemünde, worunter der als V2 bekannte Flugkörper Aggregat 4 Einsatzreife erlangte.
ellauri069.html on line 547: Die Versuchsstelle des Heeres Peenemünde (kurz: Heeresversuchsanstalt (HVA) Peenemünde, als solche HVP abgekürzt) war eine ab 1936 in Peenemünde-Ost errichtete Entwicklungs- und Versuchsstelle des Heeres, einer Teilstreitkraft der Wehrmacht. Unter dem Kommando von Walter Dornberger, seit Juli 1935 Chef der Raketenabteilung im Heereswaffenamt, und dem Technischen Leiter Wernher von Braun wurde in dem militärischen Sperrgebiet im Norden der Insel Usedom hauptsächlich die erste funktionsfähige Großrakete Aggregat 4 (A4, später in der NS-Propaganda „Vergeltungswaffe V2“ genannt) entwickelt und getestet. Mit ihrem ersten erfolgreichen Flug am 3. Oktober 1942 war die ballistische Rakete das erste von Menschen gebaute Objekt, das in den Grenzbereich zum Weltraum eindrang. Allgemein gilt Peenemünde daher als „Wiege der Raumfahrt“.
ellauri069.html on line 557: Mutta sitähän te juuri tarvizettekin, Chicklitz huudahtaa. Hankitte liikemiehiä hoitamaan asian kunnolla sen sijaan, että panette valtion pitämään huolen kaikesta. Teidän vasen kätenne ei tiedä mitä okea tekee! Tajuatteko?
ellauri069.html on line 570:

ellauri069.html on line 572: The Romance of Helen Trent was a radio soap opera which aired on CBS from October 30, 1933 to June 24, 1960 for a total of 7,222 episodes. The show was created by Frank and Anne Hummert, who were among the most prolific producers during the radio soap era. The program opened with:
ellauri069.html on line 580: Stella Dallas is a 1937 American drama film based on the 1923 Olive Higgins Prouty novel of the same name. Stella Martin, the daughter of a mill worker, Charlie, in a post-World War I Massachusetts factory town, is determined to better herself. She sets her sights on mill executive Stephen Dallas and catches him at an emotionally vulnerable time. Stephen's father killed himself after losing his fortune. Penniless, Stephen disappeared from high society, intending to marry his fiancée, Helen Morrison, once he was financially able to support her. However, just as he reaches his goal, he reads in the newspaper the announcement of her wedding. So he marries Stella.
ellauri069.html on line 584: Later, Laurel and Richard get married. Stella watches them exchange their wedding vows from the city street through a window. Her presence goes unnoticed in the darkness and among the other curious bystanders. She then slips away in the rain, alone but triumphant in having arranged her daughter's happiness.
ellauri069.html on line 588: Backstage Wife is an American soap opera radio program that details the travails of Mary Noble, a girl from a small town in Iowa who came to New York seeking her future. Each episode opened with the announcer explaining:
ellauri069.html on line 590: Now, we present once again, Backstage Wife, the story of Mary Noble, a little Iowa girl who married one of America´s most handsome actors, Larry Noble, matinée idol of a million other women — the story of what it means to be the wife of a famous star.
ellauri069.html on line 608: Her oiled, athletic slaves, her languid hints Orjat öljytyt ja vihjeet kivun
ellauri069.html on line 618: Tannhäuser (tai Tannhäuser und der Sängerkrieg auf Wartburg eli Tannhäuser ja Wartburgin laulukilpailu) on Richard Wagnerin kirjoittama ja säveltämä ooppera. Se perustuu keskiaikaiseen kansanballadiin Tannhäuserista ja Wartburgin laulukilpailusta kertovaan tarinaan. Oopperan ensiesitys oli Dresdenissä vuonna 1845.
ellauri069.html on line 672: The packaging for the new Cracker Jack returns to prominence the familiar logo of the sailor boy and his dog. Officially, those are Sailor Jack and Bingo -- introduced in 1918 and based on the Rueckheims’ nephew and a stray dog adopted by one of the partners.
ellauri069.html on line 674: In addition to new flavors, Cracker Jack now offers what it describes as enhanced prizes -- stickers with fun facts and digital codes that you can use on a Cracker Jack-branded app. Somehow, those don’t have quite the charm as temporary tattoos and secret decoder rings.
ellauri069.html on line 678: The Cracker Jack brand has been owned and marketed by Frito-Lay since 1997. Frito-Lay announced in 2016 that the prizes would no longer be provided and had been replaced with a QR code which can be used to download a baseball-themed game. We're sorry but Cracker Jack doesn't work properly without JavaScript enabled. Please enable it to continue.
ellauri069.html on line 686: Ironically, kettle corn much pre-dates the original Cracker Jack, dating to at least the 18th century, when it’s mentioned in some Pennsylvania Dutch diaries. Cracker Jack was introduced in 1893, sold by brothers Fritz and Louis Rueckheim at the Chicago World’s Fair. The first packaged product was introduced in 1896.
ellauri069.html on line 688: How many people have sung “Buy me some peanuts and Cracker Jack” during the seventh inning stretch at baseball games? Now, they might have to start getting more specific. One of the world’s iconic brands is branching out.
ellauri069.html on line 694:
Crackerjack is a nickname for the United States Navy enlisted dress uniforms. The dress white and blue uniforms are of the traditional "sailor suit" or crackerjack type for men. ellauri069.html on line 697: Drake is a sort of modern-day Robin Hood. He donates the proceeds of his latest robbery to fund the stalled construction of the "New Social Institute". He even writes a book, "Crackerjack": The true story of my exploits, which becomes a bestseller. ellauri069.html on line 699: Astro city list of superheroes: Crackerjack (featured) - An egocentric and reckless blowhard with amazing agility and a stiff weapon. Active since 1991. he reflects the disconnect that frequently existed between superheroes' sterling public personas and unappealing private behavior. Possessing no super-powers, he is dedicated to his superhero career to the point of obsession, to the extent of refusing to allow increasing human limitations to curtail his activities. ellauri069.html on line 700: Kurt Busiek's Astro City is an American superhero anthology comic book series centered on a fictional American city of that name. Created and written by Kurt Busiek, the series is mostly illustrated by Brent Anderson, with character designs and painted covers by Alex Ross. Nää piipertäjät on vanhoja pyyleviä ukkoja. Tää on ysäriltä, liian uusi good old Nipistäjälle.
ellauri069.html on line 714: American poet, novelist, essayist, songwriter, playwright, editor and publisher. Known for his satirical works challenging American political culture. Perhaps his best-kĺnown work is Mumbo Jumbo (1972), a sprawling and unorthodox novel set in 1920s New York that has been ranked among the 500 most important books in the Western canon. Reed´s work has often sought to represent neglected African and African-American perspectives; his energy and advocacy have centered more broadly on neglected peoples and perspectives, irrespective of their cultural origins.
ellauri069.html on line 725: Denis Nayland Smith (Earth-616) - Marvel Database. marvel.fandom.com › wiki › Denis_Nayl... History. Smith was Britain´s police commissioner in Burma when he first came across Fu Manchu. Along with his friend Dr.
ellauri069.html on line 729: icture-in-picture" allowfullscreen>
ellauri069.html on line 730: icture-in-picture" allowfullscreen>
ellauri069.html on line 737: Follow the yellow brick road on tyhmä laulu typerästä elokuvasta Wizard of Oz. Joka on tehty yhtä typerästä lastenkirjasta Ihmemaa Oz. Seuraa kullanväristä tietä, varo punaista!
ellauri069.html on line 762: Biographers report that Baum had been a political activist in the 1890s with a special interest in the money question of gold and silver (bimetallism). The City of Oz earns its name from the abbreviation of ounces "Oz" in which gold and silver are measured. Unssin kaupunki. For example, the Tin Woodman wonders what he would do if he ran out of oil. "You wouldn't be as badly off as John D. Rockefeller", the Scarecrow responds, "He'd lose six thousand dollars a minute if that happened." Dorothy—naïve, young and simple—represents the American people. She is Everyman, led astray and seeking the way back home. Moreover, following the road of gold leads eventually only to the Emerald City, which may symbolize the fraudulent world of greenback paper money that only pretends to have value. It is ruled by a scheming politician (the Wizard) who uses publicity devices and tricks to fool the people (and even the Good Witches) into believing he is benevolent, wise, and powerful when really he is a selfish, evil humbug.
ellauri069.html on line 766: Hugh Rockoff suggested in 1990 that the novel was an allegory about the demonetization of silver in 1873, whereby “the cyclone that carried Dorothy to the Land of Oz represents the economic and political upheaval, the yellow brick road stands for the gold standard, and the silver shoes Dorothy inherits from the Wicked Witch of the East represents the pro-silver movement. When Dorothy is taken to the Emerald Palace before her audience with the Wizard she is led through seven passages and up three flights of stairs, a subtle reference to the Coinage Act of 1873 which started the class conflict in America.”
ellauri069.html on line 770: The Scarecrow as a representation of American farmers and their troubles in the late 19th century
ellauri069.html on line 772: The Tin Man representing the industrial workers, especially those of American steel industries
ellauri069.html on line 783: Other putative allegorical devices of the book include the Wicked Witch of the West as a figure for the actual American West; if this is true, then the Winged Monkeys could represent another western danger: Indigenous peoples of the Americas. The King of the Winged Monkeys tells Dorothy, "Once we were a free people, living happily in the great forest, flying from tree to tree, eating nuts and fruit and doing just as we pleased without calling anybody master. ... This was many years ago, long before Oz came out of the clouds to rule over this land."
ellauri069.html on line 785: In fact, Baum proposed in two editorials he wrote in December 1890 for his newspaper, the Saturday Pioneer, the total genocidal slaughter of all remaining indigenous peoples. "The Whites," Baum wrote, "by law of conquest, by justice of civilization, are masters of the American continent, and the best safety of the frontier settlements will be secured by the total annihilation of the few remaining Indians. Why not annihilation?"
ellauri069.html on line 794: Tälläsiä sikoja jenkit on. Ja nyt niitä pörrää kongressitalon aulassa kuin pesättömiä ampiaisia syxyllä. Oven lasi on lyöty rikki ja poliisit sojottaa salista aulaan käsipyssyllä. Aulassa leijailee jotain savua. Persuämmää on ammuttu. Punaisiin lippixiin pukeutuneet ääliöt mölisevät ja säntäilevät. Kuuluu laukauxia. Amerikan demokratia osoittaa voimansa. Follow the yellow brick road. Koko konkkaronkka olis paras kuohita.
ellauri070.html on line 6: font-style: italic;
ellauri070.html on line 56: Douglas Fairbanks oli yhdysvaltalainen näyttelijä, käsikirjoittaja, ohjaaja ja tuottaja. Hän esiintyi mykkäelokuvan aikana useissa seikkailuelokuvissa, joista tunnetuimpia ovat Zorron merkki, Kolme muskettisoturia, Robin Hood ja Bagdadin varas. Fairbanksin ensimmäinen vaimo oli Beth Sully ja heillä oli poika Douglas Jr. Fairbanks jätti vaimonsa alkaessaan seurustella Mary Pickfordin kanssa. Hän oli naimisissa Pickfordin kanssa vuodet 1920–1936. Fairbanks oli Charles Chaplinin paras ystävä kuolemaansa saakka.
ellauri070.html on line 58: The Mendoza RM2 was a light machine gun similar to the M1918 BAR manufactured in Mexico by Productos Mendoza, S.A.. Rafael Mendoza have been producing machine guns for the Mexican Army since 1933 and all have been noted for their lightness, simplicity, ease of maintenance, and economic construction without sacrificing reliability.
ellauri070.html on line 78: Roger Mexiko haluis nuolla vielä Jessicaa mut tää tietää millä puolella leipää voita on. Roger tykkää kuiteskin eniten sinisestä smurffiveljestä. Roger on Schlumpfin sielun veli, niillä on enemmänkin yhteistä kuin schischelifetischi. Ne on kuin Roger Casement ja Tyrone Power. Ne on samixia. Ne on ize asiassa sama henkilö, nimittäin tää Nipistin.
ellauri070.html on line 86: Audrey Hepburn is not related to Katherine Hepburn. It has been a persistent misconception since Audrey came to prominence in the 1950s. Katharine was the daughter of two wealthy Connecticut Americans; Audrey the daughter of Dutch nobility.
ellauri070.html on line 102:
Dick clings to you

ellauri070.html on line 105: Let me linger long, Dick,
ellauri070.html on line 109: 42nd street musical. Dick Powell ja Ruby Keeler mv leffassa. Karseen näkönen ämmä kuin Elsa Turakainen pienenä ja kynäkaula ruipelo joka ei edes osaa ize soittaa pianoa. Sormet menee miten sattuu. We love you. You are special.
ellauri070.html on line 126: Miten tässä näin pääsi käymään? No Amerikan alaluokka puri ennen hammasta, uskoi naivistisesti Amerikan uneen: kun koko ajan eletään yli luonnonvarojen ja ryöstellään kaikki muilta uhkaamalla pommilla, niin kyllä meillekin lopulta paistaa aurinko tänne risukasaan. Ainakin jos on onnea. Nyt on varat vähissä, jazo tyhjennetty, köyhät anglosaxit kiukustuvat, niinkuin ne on aina tehneet köyhemmissä maissa. Unelma on muuttumassa painajaisexi. Holy Trump, make America great again, failing that, save our souls.
ellauri070.html on line 164: Daß ich dereinst, an dem Ausgang der grimmigen Einsicht, Että mä kerran, perästä karmean oivalluxen,
ellauri070.html on line 167: keiner versage an weichen, zweifelnden oder toimisi löysillä, lötköillä kielillä kaikki.
ellauri070.html on line 168: reißenden Saiten. Daß mich mein strömendes Antlitz Että mun virtaava naamari kirkastus siitä;
ellauri070.html on line 171: gehärmte. Daß ich euch knieender nicht, untröstliche Schwestern, häirityt. Että mä kyykistymättä, siskot, lohduttomat
ellauri070.html on line 172: hinnahm, nicht in euer gelöstes ottasin hoiviin, eikä hiuxenne haarottuneet
ellauri070.html on line 173: Haar mich gelöster ergab. Wir, Vergeuder der Schmerzen. sais mua harittamaan. Me tuskien tuhlarit ollaan.
ellauri070.html on line 175: ob sie nicht enden vielleicht. Sie aber sind ja sen etne eivät suinkaan naxahda äkkiä loppuun.
ellauri070.html on line 177: eine der Zeiten des heimlichen Jahre -, nicht nur siisöni kryptisen vuoden - eikä vaan aika -
ellauri070.html on line 180: Freilich, wehe, wie fremd sind die Gassen der Leid - Stadt, Vaikka voi vittu, vieraalta tuntuvat Kurjalan karzat,
ellauri070.html on line 186: reinlich und zu und enttäuscht wie ein Postamt am Sonntag. puhtaasti kiinni ja sulki kuin sunnuntaiposti.
ellauri070.html on line 187: Draußen aber kräuseln sich immer die Ränder von Jahrmarkt. Ulkona käpristyvätten markkinan reunat.
ellauri070.html on line 189: Und des behübschten Glücks figürliche Schießstatt, Sievistellyn riemun kuvaannollinen ampumateltta,
ellauri070.html on line 190: wo es zappelt von Ziel und sich blechern benimmt, missä maalit sätkyen paukkuvat peltisesti,
ellauri070.html on line 191: wenn ein Geschickterer trifft. Von Beifall zu Zufall kun taitava ampuja rehvaa. Läpytyxen
ellauri070.html on line 192: taumelt er weiter; denn Buden jeglicher Neugier voimasta jatkaa matkaa, kaikkea jännää
ellauri070.html on line 194: ist noch besonders zu sehn, wie das Geld sich vermehrt, anatomisch, ditto, nähtävää, lisääntymistä, miten pennoset kasvaa,
ellauri070.html on line 195: nicht zur Belustigung nur: der Geschlechtsteil des Gelds, ei pelkkää viihdettä, opettavaista, kuinka se tehdään,
ellauri070.html on line 196: alles, das Ganze, der Vorgang -, das unterrichtet und macht miten pääoman siitin ja emätin toimii, korkoa kasvaa .........
ellauri070.html on line 198: .... Oh aber gleich darüber hinaus, .... Ai mutta hei! heti perässä seuraa tulkaapas tänne
ellauri070.html on line 202: gleich im Rücken der Planke, gleich dahinter, ists wirklich. Aidan piilossa siellä se paikkahan onkin,
ellauri070.html on line 204: ernst, im ärmlichen Gras, und Hunde haben Natur. niukassa ruohossa hauvelit kykkii ja pissii.
ellauri070.html on line 205: Weiter noch zieht es den Jüngling; vielleicht, daß er eine junge Vieläkin kauemmas viettää poikasen mieli; se kaipaa Ruinoa taas.
ellauri070.html on line 209: folgt. Ihn rührt ihre Haltung. Die Schulter, der Hals -, vielleicht . Kundia kiihotti Ruinon niska ja kaula ja tissit. Kenties
ellauri070.html on line 210: ist sie von herrlicher Herkunft. Aber er läßt sie, kehrt um, siinä on arjalaisverta. Ei vizi sittenkään... maxaako vaivan.
ellauri070.html on line 211: wendet sich, winkt... Was solls? Sie ist eine Klage. Kääntyy, vinkkaa... Mitä järkeä? Se on silti vaan ruino.
ellauri070.html on line 214: zeitlosen Gleichmuts, dem der Entwöhnung vieraannutusta elämisestä vasta alottelemassa
ellauri070.html on line 217: was sie an sich hat. Perlen des Leids und die feinen mitä on yllä ja alla. Tuskan helmiä juu ja verhona
ellauri070.html on line 221: nimmt sich des Jünglinges an, wenn er fragt; - Wir waren, ottaakin jolpin haltuunsa (suotta se vinkuu): - Me oltiin,
ellauri070.html on line 226: Ja, das stammte von dort. Einst waren wir reich.- Jep, sieltä se saatiin. Oltiin rikkaita kerran. -
ellauri070.html on line 228: Und sie leitet ihn leicht durch die weite Landschaft der Klagen, Hiän johtaa sen keposesti valitusten tienoon halki,
ellauri070.html on line 236: weithin das schriftliche Bild seines vereinsamten Schreis. - kuin huutonsa jälkeen vihkoon merkitty huutomerkki.
ellauri070.html on line 241: wachende Grab-Mal. Brüderlich jenem am Nil, valvova muistomerkki, Niilin sfinxille selfie, synkeän
ellauri070.html on line 244: Und sie staunen dem krönlichen Haupt, das für immer, kaikessa hiljaisuudessa tähtien vaa´alle
ellauri070.html on line 245: schweigend, der Menschen Gesicht apinain naamarit laittaa.
ellauri070.html on line 247: Nicht erfaßt es sein Blick, im Frühtod Sitä ei juipin päähän mahdu, joka vasta on pyörällä vainaa.
ellauri070.html on line 250: streifend im langsamen Abstrich die Wange entlang, Ja se lentää löysin siiveniskuin poskea pitkin
ellauri070.html on line 252: zeichnet weich in das neue piirtää pehmeän viivan uuteen
ellauri070.html on line 254: aufgeschlagenes Blatt, den unbeschreiblichen Umriß. kuvaamattoman piirron.
ellauri070.html on line 261: Aber im südlichen Himmel, rein wie im Innern Etelätaivaalla, siunatun puhtaana
ellauri070.html on line 278: Und nicht einmal sein Schritt klingt aus dem tonlosen Los. Varvaskaan ei kaiu arvasta äänettömästä.
ellauri070.html on line 280: Aber erweckten sie uns, die unendlich Toten, ein Gleichnis, Herättivätpä ne silti meidät, nuo ruumiskasat, niinkö siis,
ellauri070.html on line 281: siehe, sie zeigten vielleicht auf die Kätzchen der leeren katos, ne saattovat viitata tyhjiin hasselipähkinöihin,
ellauri070.html on line 283: meinten den Regen, der fallt auf dunkles Erdreich im Frühjahr. sadetta ennustivat, joka maahan keväällä ropsii.
ellauri070.html on line 288: wenn ein Glückliches fällt. kun jotain onnellista tippuu.
ellauri070.html on line 313: Skippy: Thomas More believed "Skippy" alludes to the Percy Crosby cartoon strip Skippy, of 1920s-1945 vintage: "Skippy, like Orphan Annie, led a schlemihl's life, always threatened by evil forces of change, which meant, for the politically reactionary Crosby, Rooseveltian changes in the direction of liberalism, urbanism, and the homogenized Global Village." (p.170n.)
ellauri070.html on line 315: Skippy is an American comic strip written and drawn by Percy Crosby that was published from 1923 to 1945. A highly popular, acclaimed and influential feature about rambunctious fifth-grader Skippy Skinner, his friends and his enemies, it was adapted into movies, a novel and a radio show. It was commemorated on a 1997 U.S. Postal Service stamp and was the basis for a wide range of merchandising—although perhaps the most well-known product bearing the Skippy name, Skippy peanut butter, used the name without Crosby´s authorization, leading to a protracted trademark conflict.
ellauri070.html on line 320: - Vad var det Patrick Henry sa? Ge mig frihet eller ge mig döden. Den enda goda amerikanen är en död amerikan. Nu blev det 5 goda amerikaner till. Covid-10 on parantanut tähän mennessä 365000 jenkkiä. Yxi näköispazas Suomen joka neliökilometrille. Tuhat päivässä vuoden ajan. Pure jenkkiä ennenkuin se puree sinua.
ellauri070.html on line 338: The Qliphoth/Qlippoth/Qlifot or Kelipot (Hebrew: קְלִיפּוֹת‎, the different English spellings are used in the alternative Kabbalistic traditions of Hermetic Qabalah and Jewish Kabbalah respectively), literally "Peels", "Shells" or "Husks" (from singular: קְלִפָּה‎ qlippah "Husk"), are the representation of evil or impure spiritual forces in Jewish mysticism, the polar opposites of the holy Sefirot. The realm of evil is also termed Sitra Achra/Aḥra (Aramaic סטרא אחרא‎, the "Other Side" opposite holiness) in Kabbalah texts.
ellauri070.html on line 340: In Jewish Kabbalistic cosmology of Isaac Luria, the qlippot are metaphorical "shells" surrounding holiness. They are spiritual obstacles receiving their existence from God only in an external, rather than internal manner. Divinity in Judaism connotes revelation of God's true unity, while the shells conceal holiness, as a peel conceals the fruit within. They are therefore synonymous with idolatry, the root of impurity through ascribing false dualism in the Divine, and with the Sitra Achra (סטרא אחרא "Other Side"), the perceived realm opposite to holiness. They emerge in the descending seder hishtalshelus (Chain of Being) through Tzimtzum (contraction of the Divine Ohr), as part of the purpose of Creation. In this they also have beneficial properties, as peel protects the fruit, restraining the Divine flow from being dissipated. Kabbalah distinguishes between two realms in qlippot, the completely impure and the intermediate.
ellauri070.html on line 342: Their four "concentric" terms are derived from Ezekiel's vision (1:4), "And I looked and behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it..." The "Three Impure Qlippot" (completely Tamei "impure") are read in the first three terms, the intermediate "Shining Qlippah" (Nogah "brightness") is read in the fourth term, mediating as the first covering directly surrounding holiness, and capable of sublimation. In medieval Kabbalah, the Shekhinah is separated in Creation from the Sefirot by man´s sin, while in Lurianic Kabbalah Divinity is exiled in the qlippot from prior initial Catastrophe in Creation. This causes "Sparks of Holiness" to be exiled in the qlippot, Jewish Observance with physical objects redeeming mundane Nogah, while the Three Impure Qlippot are elevated indirectly through Negative prohibitions. Repentance out of love retrospectively turns sin into virtue, darkness into light. When all the sparks are freed from the qlippot, depriving them of their vitality, the Messianic era begins. In Hasidic philosophy, the kabbalistic scheme of qlippot is internalised in psychological experience as self-focus, opposite to holy devekut self-nullification, underlying its Panentheistic Monistic view of qlippot as the illusionary self-awareness of Creation.
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ellauri070.html on line 368: Yhdysvaltojen hyvä naapuri Mexico on luvannut covid-rokotuxet USA:n paperittomille märkäselille ja turvapaikan aaveen näköiselle Julian Assangelle. Tuskin se sinne haluaa, ihan Amerikan naapuriin. Siellä sitä odottaa Capitoliumille pystytetty hirttosilmukka. To the Wall!
ellauri070.html on line 370: Mirandan albumeja myytiin yli kymmenen miljoonaa. 1940-luvulla hänen vieraillessaan Brasiliassa häntä arvosteltiin ankarasti amerikkalaiselle kaupallisuudelle antautumisesta sekä vääristyneen Brasilia-kuvan esittämisestä. Hän vastasi laululla ”Disseram Que Eu Voltei Americanizada” (”Sanotaan, että palasin amerikkaistuneena”). Arvostelujen vuoksi hän pysytteli poissa Brasiliasta 14 vuotta. Miranda mm. esiintyi Disneyn vitun läpinäkyvässä latinojen kosiskelufilmissä Tres Caballeros maailmansodan lopussa 1944.
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ellauri070.html on line 376: Miranda ei ennen 1930-luvun loppua käyttänyt alkoholia eikä tupakoinut. Tuolloin alkaneen alkoholismin lisäksi hän käytti säännöllisesti amfetamiinia, ja samalla hänen sydämensä heikkeni. Foi Americanizada, na verdade. Hän kuoli sydänkohtaukseen The Jimmy Durante Show’ssa esiintymisen jälkeen. A&E Networkin biografiajaksossa on surullista filmimateriaalia Mirandan esiintymisestä 4. elokuuta. Tanssiohjelman jälkeen Miranda sai tietämättään pienen sydänkohtauksen ja oli kaatumaisillaan. Durante oli hänen vieressään ja auttoi häntä pysymään jaloillaan. Miranda hymyili, heilutti kättään yleisölle ja käveli viimeisen kerran lavan taakse. Hän menehtyi seuraavaan aamuun mennessä 46-vuotiaana. Hänen ruumiinsa lennätettiin pian Brasiliaan, jossa julistettiin maansuru. Hänet haudattiin São João Batistan hautausmaalle Rio de Janeiroon. Siellä hän lepää vieläkin, ellei ole kuollut.
ellauri070.html on line 381: A nickel saved is a stockpile of nickel. Indonesia on rajoittanut raakanikkelin vientiä. Ne haluavat viedä pattereita. Filippiinien ei odoteta pystyvän korvaamaan vajetta. Pian nikkelin sisältämän nikkelin arvo ylittää viiden sentin nimellisarvon. USA:n on irtauduttava nickelikannasta.
ellauri070.html on line 384: "A penny saved is a penny earned" is a quote often attributed to Benjamin Franklin, however, he didn’t coin it. In his 1737 Poor Richard’s Almanac, Franklin delivered the line: “A penny saved is two pence clear.” And later, in the 1758 almanac, he wrote a version closer to the saying we know: "A penny saved is a penny got." He never used the word "earned."
ellauri070.html on line 398: Kiitos ja ylistys on kääntäen sidonta ja alistus. Luototuxeen perustuva nokintajärjestys. Tämän osoittaa etymologia: Kiitos on obrigado, olen velkaa. Obligaatio on sitoumus. Ole hyvä ja maxa kassalle. Trust me. Luototathan. I promise. To business! “Now tempers must be cooled, and calm restored. We must get on with the business of America. ”
ellauri070.html on line 426: Stephen Collins Foster (4. heinäkuuta 1826 – 13. tammikuuta 1864) oli yhdysvaltalainen lauluntekijä, joka tunnetaan ”amerikkalaisen musiikin isinä”. Monet hänen kappaleistaan ovat kansanlaulunomaisia ja niissä on vaikutteita Yhdysvaltojen etelävaltioiden musiikista, vaikka Foster ei itse asunut koskaan etelävaltioissa. Hänen laulunsa, kuten ”Oh! Susanna”, ”Camptown Races”, ”My Old Kentucky Home”, ”Old Black Joe”, ”Beautiful Dreamer” ja ”Old Folks at Home” (”Swanee River”), ovat suosittuja vielä nykyäänkin. Tää on jo ainaskin toinen Amer. musan isi. Vanhempi vielä kun se jutku joka teki Dog bless American.
ellauri070.html on line 433: Star Trek is an American media franchise originating from the 1960s science fiction television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester's Horatio Hornblower series of novels, Jonathan Swift's Gulliver's Travels, and television westerns such as Wagon Train. Hornblowerit oli Anna-Kaisa Oraviston mielilukemistoa. Pia Pipsukka piti Heinz Konsalikista.
ellauri070.html on line 438: Kelvinator was a United States home appliance manufacturer and a line of domestic refrigerators that was the namesake of the company. Although as a company it is now defunct, the name still exists as a brand name owned by Electrolux AB. It takes its name from William Thomson, 1st Baron Kelvin, who developed the concept of absolute zero and for whom the Kelvin temperature scale is named. The name was thought appropriate for a company that manufactured ice-boxes and refrigerators.
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ellauri070.html on line 454: Then, "On the Phrase 'Ass Backwards'" (683-87): Säure Bummer, talking to Slothrop, attacks the illogic of this phrase. "takaperin" on väpelö käännös, vizi menee pilalle. Olis kannattanut jättää kääntämättä.
ellauri070.html on line 456: William Bendix (January 14, 1906 – December 14, 1964) was an American film, radio, and television actor, who typically played rough, blue-collar characters. Se oli rebublikaani, olis varmaan kannattanut Trumppia. Malcolm X tuskin kiillotti Shinolalla Jack FGK:n kenkiä, Nipsusta puhumattakaan. Kalpeanaamat pahexuu Malcolmia koska se kääntyi muslimix. Jotain hemmetin perverssiä Nipsussa on, kun se koko ajan heiluu neekerisodomian ja teinityttöpedofilian välillä.
ellauri070.html on line 458: Carl Denham is a fictional character in the films King Kong and The Son of Kong (both released in 1933). Denham's function in the story is to initiate the action by bringing the characters to Skull Island, where they encounter the giant beast Kong. Denham then brings Kong to New York City to put him on display as entertainment, but he escapes and rampages through the city.
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ellauri070.html on line 473: Yx juttu on nyt sanottava Pynchonista: se on parhaimmillaan ympäristöjen kuvaajana: säiden, rakennusten, taivaan, mezänreunojen ja pilvien. Six varmaan musta tää kirjan loppupuoli on ihan parasta. Vähemmän typeriä salaliittojuonia ja sääliä herättävää slapstickia, joka ei naurata kuin sitä sananlaskunomaista raitapyllyistä paviaania. Schlumpf maleximassa pitkin sodanjälkeisiä sakemanneja ja vaan kazelemassa paikkoja kuin Kim Jong Il. Siinä sitä jotakin on.
ellauri071.html on line 6: font-style: italic;
ellauri071.html on line 40: Kenosha Kid: Thomas Pynchon's novel Gravity's Rainbow possesses an image which has intrigued readers of the novel since its introduction. Many readers come away from the novel failing to find the answer to one question: What is the Kenosha Kid? Critics have argued about the identity of the Kenosha Kid. Some have argued that it does not really exist. Instead, it is only the result of Tyrone Slothrop´s hallucinations brought on by sodium amytal (or "truth serum"). Ironically, the idea that the Kenosha Kid comes out during a dose of "truth serum" proves to be even more confusing for readers (given it may or may not really exist). Other critics have denoted the Kenosha Kid as a dance (likening it to the "Charleston" or the "Big Apple" dances).
ellauri071.html on line 44: Tucker Carlson Justifies Kenosha Shootings: Vigilante Kid Did What ‘No One Else Would’ AND THERE IT IS “How shocked are we that 17-year-olds with rifles decided they had to maintain order when no one else would?” Carlson asked his viewers on Wednesday night. “Our leaders want us to believe this is a racial conflict, they’re always telling us it is. They’re lying. It is not a racial conflict,” Carlson grumbled, adding: “This is not a race war. This is a class war.” Updated Aug. 27, 2020 5:20AM ET / Published Aug. 26, 2020 9:11PM ET
ellauri071.html on line 91: Kolmiodraaman (Roger, Jessica ja Jeremy) osapuolet ovat menossa klubille yhteiselle lounaalle. Yhteiselle lounaalle? Miäs tämä on olevinaan, Noel Cowardia vai?
ellauri071.html on line 95: Sir Noël Peirce Coward (16 December 1899 – 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".
ellauri071.html on line 101: He did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward's diaries and letters, published posthumously.
ellauri071.html on line 103: In 1918, Coward was conscripted into the Artists Rifles but was assessed as unfit for active service because of a tubercular tendency, and he was discharged on health grounds after nine months. At the outbreak of the Second World War Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service to persuade the American public and government to join the war.
ellauri071.html on line 105: In 1924, Coward achieved his first great critical and financial success as a playwright with The Vortex. The story is about a nymphomaniac socialite and her cocaine-addicted son (played by Coward). Some saw the drugs as a mask for homosexuality; Kenneth Tynan later described it as "a jeremiad against narcotics with dialogue that sounds today not so much stilted as high-heeled".
ellauri071.html on line 107: During the run of The Vortex, Coward met Jack Wilson, an American stockbroker (later a director and producer), who became his business manager and lover. Wilson used his position to steal from Coward, but the playwright was in love and accepted both the larceny and Wilson's heavy drinking.
ellauri071.html on line 109: His biggest failure in this period was the play Sirocco (1927), which concerns free love among the wealthy. It starred Ivor Novello, of whom Coward said, "the two most beautiful things in the world are Ivor's profile and my mind". Theatregoers hated the play, showing violent disapproval at the curtain calls and spitting at Coward as he left the theatre. Taisi olla downright homostelua.
ellauri071.html on line 113: Coward's last pre-war plays were This Happy Breed, a drama about a working-class family, and Present Laughter, a comic self-caricature with an egomaniac actor as the central character.
ellauri071.html on line 116: ictorious%2C_Trincomalee%2C_Ceylon%2C_1_August_1944_A25390.jpg/220px-Noel_Coward_Entertains_the_Men_of_the_Eastern_Fleet%2C_HMS_Victorious%2C_Trincomalee%2C_Ceylon%2C_1_August_1944_A25390.jpg" height="360px" />
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ellauri071.html on line 121: Another of Coward's wartime projects, as writer, star, composer and co-director (alongside David Lean), was the naval film drama In Which We Serve. The film was popular on both sides of the Atlantic, and he was awarded an honorary certificate of merit at the 1943 Academy Awards ceremony. Coward played a naval captain, basing the character on his friend Lord Louis Mountbatten.
ellauri071.html on line 125: In his Middle East Diary Coward made several statements that offended many Americans. In particular, he commented that he was "less impressed by some of the mournful little Brooklyn boys lying there in tears amid the alien corn with nothing worse than a bullet wound in the leg or a fractured arm". After protests from both The New York Times and The Washington Post, the Foreign Office urged Coward not to visit the United States in January 1945. He did not return to America again during the war.
ellauri071.html on line 128: In the aftermath of the war, Coward wrote an alternative reality play, Peace In Our Time, depicting an England occupied by Nazi Germany. Blessed peace without Noel, presumably.
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ellauri071.html on line 152: Der "Cornet" entstand in einer ersten Fassung 1899, wurde aber erst 1904 veröffentlicht. Laut einem Brief Rilkes war er das Produkt einer einzigen Nacht, "einer Herbstnacht, hingeschrieben bei zwei im Nachtwind wehenden Kerzen". Auf das Thema stieß Rilke bei einem Onkel, der Ahnenforschung betrieb. Als Beleg für die adlige Herkunft seiner Familie hatte dieser die Kopie eines alten Aktenauszugs gefunden, der sich auf einen gewissen "Christoph Rülcke zu Linda" bezieht. Dieser sei 1660 als junger Cornett (Fahnenträger) im österreichischen Heer verstorben. Rilke greift die Handlung auf, verlegt den Tod seines Helden um drei Jahre in den österreichischen Türkenkrieg und macht daraus eine heroische Prosadichtung. Indem er den "Heldentod" poetisch verklärt und mit erotischen Motiven verbindet, trifft der Dichter mit der "Weise von Liebe und Tod des Cornet Christoph Rilke" den Geschmack seiner Zeit. Das Werk wird Rilkes erfolgreichstes und bekanntestes Buch, ist aber wegen der Verherrlichung des Soldatentodes umstritten.
ellauri071.html on line 196: Richtig erlebt man die lyrische Prosa des Werkes erst gesprochen. Darum empfiehlt sich: Der Cornet als Hörbuch, vorgetragen von Ulrich Mühe. Kosten: DM 29,95.
ellauri071.html on line 198: Rilke < Rülcke, old personal name Rudolf, a short form of Rudi, the low German family name Ruhl (see there) and Rülicke, Rülke. — Herbert Maas
ellauri071.html on line 199: Rilk, Rilke - from Rülke, Rüleke, Eastern German short form to Rüdiger, Rudolf; see Rühle! Comparisons Of Samuel Rülke (Rülich) 1581 Wilsdruff In Saxony.
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ellauri071.html on line 214: Meidän pitäisi saada lukea Pynchon-wikistä lisää sellaisia juttuja kuin "Yö jolloin Rog ja Majava tappelivat Jessicasta, kun tämä itki Kruppin sylissä", ja saisimme kuolata jokaiselle epäselvälle valokuvalle aiheesta.
ellauri071.html on line 220: Junior G-Men was an American counterpart to Hitler Jugend, a boys club and popular culture phenomenon during the late 1930s and early 1940s that began with a radio program and culminated with films featuring the Dead End Kids. After leaving the Federal Bureau of Investigation and a brief stint in Hollywood, Melvin Purvis hosted a children's radio program called "Junior G-Men" in 1936. Purvis had become a national hero for his record as an FBI agent during the so-called "war on crime" in the early 1930s, most notably for leading the manhunt that ended with the death of John Dillinger. As a result of this fame, Purvis was seen as a real-life counterpart to the fictional detectives, such as Dick Tracy, that proliferated in the popular culture targeting boys during this period. As part of the radio program, listeners could join a "Junior G-Men" club and receive badges, manuals, and secret agent props. Shortly thereafter, Purvis became the face of breakfast cereal Post Toasties promotional detective club. The cereal company's fictional "Inspector Post" and his "Junior Detective Corps" metamorphosed into an image of Purvis inviting boys and girls to become "secret operators" in his "Law and Order Patrols."
ellauri071.html on line 222: As a result of this mass exposure, Junior G-Men clubs sprouted up throughout the United States and Canada as a "law and order" themed alternative to the Boy Scouts. Junior G-Men clubs found support from police departments and non-profit organizations that saw them as a means of combating juvenile delinquency. The clubs structured children´s time with activities designed to instill law-abiding attitudes, as reflected in their slogan "It's easier to build boys than to mend men." Tätä perinnettä jatkaa nytten Donald Trump and his Proud Boys. Stand back, stand by. We love you, you are special. Least said soonest mended.
ellauri071.html on line 224: Junior G-Men was part of the larger "war on crime" campaign being waged through the mass media, which included movies, comic books and strips, radio programs, and pulp books, all of which was encouraged by the FBI and especially its director, J. Edgar Hoover prior to World War II. Most of these featured adult "G-Men" even when marketed to children. The difference with the Junior G-Men was that it was designed to give boys a sense of participating in the exciting adult world of crime-fighting. That said, aside from the original radio program, a book, Junior 'G' Men's Own Mystery Stories (by Gilbert A. Lathrop, Edward O'Connor, and Norton Hughs Jonathan) was published in 1936 and a big little book by Morrell Massey and Henry E. Vallely the following year. Eventually they also appeared on the big screen.
ellauri071.html on line 226: Connecticutin sepänsälli Jerry Cotton oli tollanen G-mies, ja sen urbaanimpi kakkosmies Phil Decker. Ei mikään Black and Decker toki, vaan ranskalaista sukua.
ellauri071.html on line 230: Aplectrum hyemale is a species of orchid native to the eastern United States and Canada, from Oklahoma east to the Carolinas and north to Minnesota, Ontario, Quebec and Massachusetts. It is particularly common in the Appalachian Mountains, the Great Lakes Region, and the Ohio and Upper Mississippi Valleys. Isolated populations are also reported from Arizona.
ellauri071.html on line 231: Aplectrum hyemale is the sole species of the genus Aplectrum. The generic name comes from Greek and signifies "spurless". The species is commonly referred to as Adam and Eve or putty root; the latter refers to the mucilaginous fluid which can be removed from the tubers when they are crushed.
ellauri071.html on line 239: Kuka tässä höpinässä on toi Pan. Pan suolaa. Naisen asussa ja sotilaan. Yhtä pelleä, mixette voi vaan pitää tavallisia vaatteita? Koska olette tollasta sateenkaariväkeä. Bliceron siemenet roiskahtelemassa hänen suolistonsa myrkytettyyn lantaan. tuhlaustahan se on, aivan niin, turhuutta... mutta... näidenkin on oltava olemassa, rakastavaisten joiden sukupuolielimet on pyhitetty paskalle. No ei niiden pidä olla, mutta olkoot sitten kun kerran sellasesta tykkäävät. Liha liikkuu, vaikkei tule yhdexi lihaxi.
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ellauri071.html on line 409: Rohtopähkämö (Betonica officinalis) on pallepähkämöiden sukuun kuuluva monivuotinen huulikukkaiskasvi. Se on vanha rohdos- ja koristekasvi.
ellauri071.html on line 422: A.E. Waite syntyi Yhdysvalloissa ja varttui Englannissa. Vuonna 1891 hän liittyi Hermetic Order of the Golden Dawn-järjestöön ja 1902 Societas Rosicruciana in Anglia-järjestöön. Golden Dawnia vaivasivat sisäiset riidat vuoteen 1914 saakka, jolloin Waite lähti järjestöstä. Wilho lähti Lähetyskirkko-järjestöstä samana kohtalokkaana vuonna. Vuotta myöhemmin hän (Arthur) perusti Fellowship of the Rosy Cross-järjestön, joka oli yksi monista Golden Dawnista syntyneistä järjestöistä. Wilho perusti Helluntaiystävät 9v myöhemmin.
ellauri071.html on line 424: Waite oli tuottelias okkulttisten tekstien kirjoittaja. Kirjoissaan hän käsitteli mm. ennustamista, ruusuristiläisyyttä, vapaamuurariutta, mustaa- ja seremoniallista magiaa, kabbalaa ja alkemiaa. Hän myös käänsi englanniksi ja kommentoi useita tärkeitä okkulttisia teoksia, mm. Eliphas Lévin teoksen Transcendental magic. Etenkin hänen työnsä Holy Grail-teoksen kanssa oli huomattavaa. Joitakin hänen teoksistaan, mm. Book of Ceremonial Magic, The Holy Kabbalah ja New Encyclopedia of Freemasonry painetaan edelleen.
ellauri071.html on line 428: Waite tunnetaan parhaiten yhtenä Rider-Waite-Smith Tarot-pakan tekijöistä. Lisäksi hän kehitti Pictorial Key to the Tarot-kortit, joka yhtenä ensimmäisistä esitti kaikki 78 korttia, aiemmin yleisen Major Arcanan 22:n kortin sijaan. Korttipakan kuvitti Golden Dawnin jäsen Pamela Colman Smith, ja se julkaistiin ensi kerran vuonna 1910.
ellauri071.html on line 462: Ei pieni S&M ole koskaan tehnyt pahaa kenellekään Ludwig. Kuka niin on sanonut? Sigmund Freud. Mikäli S&M saataisiin voimaan perhetasolla, liskovaltio lepsahtaisi kuin impotentin muna. Tätäkin typerää aivopierua on jenkit pohtineet oikein ozat rypyssä. Sadoanarkismia. Antifaa. Tämän ei Ylväät Pojat suin surminkaan tahdo yleistyvän. Dog bless Americaa siltä taudilta.
ellauri071.html on line 468: Pynchon sanoo olevansa sexuaalisesti rakastunut omaansa ja lajin kuolemaan. On se outo hyypiö. Varhaiset amerikkalaiset kuten Wilt Whatman oli omalla tavallaan kiehtova yhdistelmä karkeaa runoilijaa, rujoa näkijää ja ilmihomoa. Wuxtry! huusi John Workman lehtipoikana Punainen Sulka-sarjan rags to riches poikakirjassa. Nykyisissä lehdissä ei ole etusivun uutisia, vaan kokosivun mainos. Tää sixkun ei ole enää lehtipoikia. Hoblassa toisella sivulla on myös mainos ja muutama värikoodattu klikkiozikko. Niitä ei voi ikävä kyllä klikata, tai voi mutta mitään ei tapahdu. On selattava asianomaiselle sivulle.
ellauri071.html on line 471: Around 1850, a British merchant service captain, Charles Noble, upon discovering that the stack of his ship´s galley was made of copper, ordered that it be kept bright. From then onwards the ship´s crew then started referring to the galley smokestack as the "Charlie Noble".
ellauri071.html on line 479: Tossa Roger-roolissa jossain lännessä, oisko ollut New Mexicossa, Tom lie bylsinyt jonkun Jerryn Jessicaa, kunnes tämä onnistui saamaan lapsen. Sitten potkis Tompalle, joka lähti nuopeana pohjoseen tai itään äidin luo. S. 956
ellauri071.html on line 489: Waldmeister soll als Mittel gegen dämonische Kräfte verwendet worden sein. In Posen wurde Kühen, die nicht fressen wollten, Waldmeister mit etwas Salz gegeben. Hexen ließen sich angeblich durch eine Mischung von Waldmeister, Johanniskraut und Härtz Bilgen (Mentha pulegium) vertreiben.
ellauri071.html on line 491: Der Waldmeister erscheint in älteren botanischen Schriften als lat. matrisylva, stellaria, hepatica, alyssum; Conrad Gessner führt ihn unter den Bezeichnungen rubia silvatica aspera und muschetum minus, Tabernaemontanus als herbam cordialem.
ellauri071.html on line 492: Als weitere deutsche Trivialnamen wurden unter anderem Waldmeier, Mösch, Mäserich, Mai(en)kraut, Zehrkraut und Herz(ens)freu(n)d genannt. Im deutschsprachigen Raum werden oder wurden für diese Pflanzenart, zum Teil nur regional, auch die folgenden weiteren Trivialnamen verwandt: Gliedegenge (Schlesien), Gliedekraut (Schlesien), Gliederzunge, Gliedzwenge, Halskräutlein (Elsass), Herfreudeli (Bern, Freiburg), Herzfreud, Leberkraut, Mäsch (Mecklenburg), Mariengras, Massle, Meesske (Ostpreußen), Wohlriechend Megerkraut, Meiserich, Meister (Westfalen), Mentzel, Meserich (Schlesien), Meusch (Mecklenburg), Möschen (Holstein, Ostpreußen), Möseke (Mark bei Rheinsberg), Schumarkel, Sternleberkraut (Schweiz), Theekraut (Schweiz), User leiven Fraun Bedstoa (Göttingen), Waldmännlein und Wooldmester (Bremen, Unterweser).
ellauri071.html on line 494: Für den heute am weitesten verbreiteten deutschen Trivialnamen Waldmeister gibt es verschiedene Erklärungsvorschläge: Er wird gedeutet als ‚Meister des Waldes‘, also die erste und wichtigste Pflanze im Wald, oder auch im Sinne einer „im Walde wachsenden Pflanze mit meisterhafter Heilkraft“. Inhaltlich ähnlich sind die Trivialnamen im Serbischen, wo der Waldmeister prvenac (‚Erstling‘, ‚Anführer‘) genannt wird, im Französischen, wo man ihn reine des bois (‚Königin der Wälder‘) nennt, und in der lateinischen Bezeichnung matrisylva (‚Waldmutter‘). Eine andere Vermutung ist, dass Waldmeister aus der Bezeichnung Wald-Mösch(en) oder -Meiserich entstellt sei, die entweder auf eine niederdeutsche Ableitung zu mos (‚Moos‘) oder wie das französische (petit) muguet auf spätlateinisch muscus (‚Moschus‘) zurückgeführt wird, oder aus dem Namen Waldmeier; Meier ist dabei die deutschsprachige Bezeichnung für die Gattung Asperula, der der Waldmeister früher als Asperula odorata zugeordnet wurde. Der Begriff Meier wird wiederum als Variante der Pflanzenbezeichnung Miere verstanden, die seit dem 15. Jahrhundert als myer bekannt ist. Außerdem wird der Name auch über eine hypothetische mittellateinische Form herba Walteri Magistri, die als Waltermeister ins Deutsche übertragen worden sein soll, mit den im 13. Jahrhundert belegten Bezeichnungen mittelenglisch herbe wauter und mittellateinisch herba Walteri in Verbindung gebracht.
ellauri071.html on line 496: Ja sama enkuxi: Galium odoratum, the sweetscented bedstraw, is a flowering perennial plant in the family Rubiaceae, native to much of Europe from Spain and Ireland to Russia, as well as Western Siberia, Turkey, Iran, the Caucasus, China and Japan. It is also sparingly naturalized in scattered locations in the United States and Canada. It is widely cultivated for its flowers and its sweet-smelling foliage. It is also used, mainly in Germany, to flavour May wine (called "Maibowle" or "Maitrank" in German), sweet juice punch, syrup for beer (Berliner Weisse), brandy, jelly, jam, a soft drink (Tarhun, which is Georgian), ice cream, and herbal tea. Also very popular are Waldmeister flavoured jellies, with and without alcohol. In Germany it is also used to flavour sherbet powder, which features prominently in Günter Grass´ novel The Tin Drum.
ellauri071.html on line 507: Euroopan elintarviketurvallisuusviranomainen (EFSA) on todennut kumariinin olevan maksalle myrkyllinen aine (hepatotoksinen) ja suosittelee kumariinille siedettävän päiväsaannin rajaksi 0,1 mg ruumiin painokiloa kohden vuorokaudessa. Kanelin säännöllinen käyttö ei siksi ole suositeltavaa, sillä lapsille pienetkin annokset voivat olla haitaksi. Harvinainen ja kalliimpi ceyloninkaneli (Cinnamomum zeylanicum) sisältää kumariinia huomattavasti vähemmän.
ellauri071.html on line 535: ic_Tree_of_Life_%28Sephiroth%29_2.svg/800px-Kabbalistic_Tree_of_Life_%28Sephiroth%29_2.svg.png" width="20%" style="float:right" />
ellauri071.html on line 554: Netzach is the sephirah 'victory', the ability of raw, emotional, passionate energy to overcome obstacles, but it needs to be balanced by Hod, the ability to rationalize and exercise a degree of self-control. If it is not balanced it becomes uncontrolled passion, desire, greed and covetousness, the dark side of Venus, which is unbridled lust. Never underestimate it, anyway.
ellauri071.html on line 562: The Qliphoth are the unbalanced force of a particular sephirah. The Qliphoth of Netzach is called ‘Gharab’ or ‘Areb-Zereq’ which can be translated either as ‘The Corrosive Ones’ (german, ‘Die Zersetzer’) or as ‘The Ravens of Death’.
ellauri071.html on line 565: The Qliphoth of Hod, similarly is founded on the idea of a radiating object: our eyes are blinded and cannot look behind the radiating surface. Unauthentic brilliance can be understood as the beginning of illusion and deceit. In the realm of the mind the shadow of Hod therefore is represented by the lie, artfulness or beguilement. At the same time the demon of Hod correlates to the ideas of fickleness, hesitation and lack of determination - the negative fluctuations of our mind. The Qliphoth of Hod is called ‘Samael‘ which can be translated as ‘The Deceitful Ones‘ (german, ‘Die Täuscher’, kr. diabolos) or ‘Poison of God’ (german, ‘Das Gift Gottes’).
ellauri071.html on line 569: In Arthur Edward Waite´s version of The Holy Kabbalah (255), Samael is described as the "severity of God", and is listed as fifth of the archangel of the world of Briah. Samael is said to have taken Lilith as his bride after she left Adam. According to Zoharistic cabala Samael was also mated with Eisheth Zenunim, Na´amah, and Agrat Bat Mahlat — all angels of sacred prostitution. Tää ei nyt ehkä mennyt ihan oikein Arttu perkele.
ellauri071.html on line 582: Papistit: Aatami oli alux androgyyni, ja jumala sit kaivo ton anuspuolen esiin Aatamin mahalaukusta. (Genesis Rabbah 8:1, Leviticus Rabbah 14:1).
ellauri071.html on line 624: Tähän se vihdoinkin loppui. Mitähän toikin "virsi" tahtoo sanoa? Eipä se nyt kovin selvä ole. Ketä noi on noi sammuneet razastajat, onxne hyvixiä vai pahixia? Donald Trump ois halunnut oman naamansa sinne kallioseinään presidenttien naamariviin jonnekin Dakotaan. Dakotat ei halunnu. Sinne Dakotaan Shlotrop joutui huuliharpunhakumatkalla vessanpöntöstä (kertoo Tiina Käkelä, alla). Taisit Mexicoon. Se parhaiten nauraa joka nauraa viimexi. Mua ei Nipsu kyllä naurattanut, muistaaxeni kertaakaan.
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von Kleist Heinrich 34 Niskalaukaus

1552 BC Eber papyrus. The most complete record of Egyptian medicine. Hemorrhoid remedies described.

AD 130–200 Galen recommends conservative management of piles (laxatives, ointments, leeches) and regards bleeding as therapeutic. Also describes, however, use of a tight thread to induce sloughing of hemorrhoids.

1975 Classical studies by W. H. F. Thomson into the nature of hemorrhoids and their development from anal cushions, which are normal structures.

And all the people came up after him, and the people piped with pipes, and rejoiced with great joy, so that the earth rent with the sound of them.
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And they sware unto the LORD with a loud voice, and with shouting, and with trumpets, and with cornets.
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Till he fill thy mouth with laughing, and thy lips with rejoicing.
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That the triumphing of the wicked is short, and the joy of the hypocrite but for a moment?
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If I rejoiced at the destruction of him that hated me, or lifted up myself when evil found him:
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And now shall mine head be lifted up above mine enemies round about me: therefore will I offer in his tabernacle sacrifices of joy; I will sing, yea, I will sing praises unto the LORD.
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When I remember these things, I pour out my soul in me: for I had gone with the multitude, I went with them to the house of God, with the voice of joy and praise, with a multitude that kept holyday.
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With gladness and rejoicing shall they be brought: they shall enter into the king's palace.
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Make me to hear joy and gladness; that the bones which thou hast broken may rejoice.
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They also that dwell in the uttermost parts are afraid at thy tokens: thou makest the outgoings of the morning and evening to rejoice.
ellauri083.html on line 651: Yllättävän vähän hyvässä kirjassa on ylipäänsä riemukasta ilonpitoa, jos nää tosiaan oli kaikki osumat. Käännöxet menee vähän miten sattuu. (Pitäisi kai kazoa mitä jahve oikeasti kynäili alkukielellä.) joy 28, mirth 15, glad 10, rejoicing 7, shout 4. Song and dance jonkun kerran kai. Suomessa riemua on 26, iloa 23. Kun on molempia, toinen voi olla joy ja toinen gladness. Kun saarnaaja ym puhuu happamesti turhasta ilonpidosta, se on aika usein mirth. Sananlaskuissakin tulee itku pitkästä ilosta. Joutavaa ilostelua, hauskanpitoa ilotalossa. Huuto suomentuu riemuxi. Jotain remuamisen sävyä siinä on. Eli summa summarum: riemu lähinnä kovaäänistä remua, aika marginaalisesti edes hauskanpitoa (merrymaking eli mirth, jota Yorick-parka duunasi, keinopaletissa jest, joka on selkeästi pilantekoa.) Kyllä Hotakainen on tässä kalauttanut kirveen kivexeensä pahasti. Varsinaista remuamista on Wallulla aika hinzusti, aika ilotonta vaikka naurattavaakin läpänheittoa sitä enemmän.
ellauri083.html on line 661: Kay Warren on perustanut miehensä Rick Warrenin kanssa Saddleback-seurakunnan Kaliforniaan. Hän on intohimoinen raamatunopettaja ja arvostettu vähäosaisten puolustaja. Erityisesti homot ja muuten haavoittuvaiset lapset ovat hänen sydämellään. Hän on perustanut Saddleback-seurakunnan yhteydessä toimivan HIV/AIDS Initiative -työmuodon.
ellauri083.html on line 677: Another humorous episode happened in the book of Numbers, when the People of Israel were complaining in the desert. They called out like a petulant child, “O that we had meat to eat! We remember the fish we ate in Egypt for nothing, the cucumbers, the melons, the leeks, the onions, and the garlic, but now our strength is dried up, and there is nothing at all but this manna to look at” (Numbers 11:4-6).
ellauri083.html on line 683: In the book of Kings, Elijah is having a “Battle Royale” with some pagan priests and taunts them by saying, “Call louder, for he is a god; he may be busy doing his business, or may be on a journey. Perhaps he is asleep and must be awakened.” (1 Kings 18:27). Some translations make “doing his business” more explicit by translating it as, “relieving himself.” This is in accord with the original Hebrew and so Elijah is taunting them by saying their god might be busy going to the bathroom!
ellauri083.html on line 687: These and other events in the Old and New Testaments reveal a lighter side to Christianity, showing that even God has a sense of humor and that “A cheerful heart is a good medicine.”
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ellauri088.html on line 39: Tulokas on yxi pienestä tosin kasvavasta kourallisesta skififilmejä joissa on NAINEN pääosassa. Joku Eric Heisserer on huomauttanut että joukko studioista lupasi ottaa leffan vaan jos sankari vaihdettaisiin miehexi. Mutta päähenkilön, lingvistiikkaexpertin (Louise Banx) naismaisuus on kriittinen osa hahmon identiteettiä. (Oikeastikin valtaosa lingvisteistä on naisia!) Hollywoodin skifi on historiallisesti luottanut sankarillisiin, toimintasuuntautuneisiin miesesitaistelijoihin. Tulokas on sixi aivan omituinen, kun siinä on briljantti, komplexi sankaritar joka ei saisi edes valomiekkaa päälle.
ellauri088.html on line 86: Gustav Fechner (1801-1887) argued for psychophysical parallelism, according to which the mental and physical worlds run parallel to each other but do not interact. Fechner developed the Weber-Fechner law, according to which the perceived intensity of a stimulus increases arithmetically as a constant multiple of the physical intensity of the stimulus or in other words, changes of physical intensity gallop along at a brisk pace while the corresponding changes of perceived intensity creep along. The Weber and the Weber-Fechner laws were the first laws to provide a mathematical statement of the relationship between the mind and the body. Another significant contribution when S. S. Stevens (1906-1973) demonstrated that psychological intensity grows as an exponential function of physical stimulus intensity, that is, equal stimulus ratios always produce equal sensory ratios although different ratios hold for different sensory modalities. (Siis mitä? Aritmeettisesti vai logaritmisesti?)
ellauri088.html on line 88: Wilhelm Wundt (1832-1920) used Weber and Fechner’s work on the relationship between subjective and physical intensities as a key component in the establishment of psychology as an independent science. Voluntarism, as Wundt’s new psychology became known, focused upon the specific subject matter of immediate conscious experiences of an adult studied by systematic introspection.
ellauri088.html on line 90: Voluntarismus [engl. voluntarism; lat. voluntas Wille], [EM, PHI], Lehre von der Bedeutung des Willens. Wundt entwickelte eine theoretische Konzeption der Willenstätigkeit (Willenshandlungen) und deren psych. Verbindung mit Sinneseindrücken, Gefühlen, Affekten und Vorstellungen zur Einleitung einer Handlung (Apperzeption). Von den aktiven und schöpferisch-synthetischen Apperzeptionsprozessen des Bewusstseins ausgehend sieht Wundt die einheitsstiftende Funktion in den Willensvorgängen und bewussten Zwecksetzungen der Handlungen. Auf der Grundlage seiner empirischen Ps. entwickelte er einen psych. Voluntarismus und erweiterte diesen später zu einem metaphysischen Voluntarismus (ähnlich Gottfried Wilhelm Leibniz). Wundt hält allerdings daran fest, dass seine empir. Ps. unabhängig von den versch. Lehren der Metaphysik (u. a. Arthur Schopenhauers Voluntarismus) entstanden sei.
ellauri088.html on line 92: the power of the will to organize the mind’s content into higher-level thought processes. An associationist model, from simple elements to larger compounds, but it does not simply progress mechanically, the will has an organizing effect.
ellauri088.html on line 93: Wundt wanted to catalog all possible basic immediate experiences, and form a “periodical table of elements” as chemistry did, through observing consciousness.
ellauri088.html on line 95: basic immediate experience (ex: the experience of “redness” or “discomfort”)
ellauri088.html on line 97: Several sensations form an idea. Several feelings form a composite feeling. Emotions are affective processes over time (they have a beginning, a middle, and an end). Volitions are changes in ideas or feelings that bring an emotion to an end. oAApperception is also relevant to clinical psychology. Projective tests such as the Rorschach and the TAT are based on the concept of apperception. (TAT: Thematic Apperception Test) Why is it that we perceive reality this or that way? Skewed perception may be connected with mental illness. Like seeing naked women undressing everywhere. There is a will involved there.
ellauri088.html on line 108: icture-in-picture" allowfullscreen>
ellauri088.html on line 139: 10 Jag skaffade mig allt jag ville ha och behövde inte avstå från något som kunde göra mig glad. Jag tyckte om att arbeta hårt, och den glädjen var egentligen den enda lön jag fick för allt slit.
ellauri088.html on line 229: I think what you’re looking for is the “second most developed country without universal healthcare”. You can find a zoomable version at Health Index - Global Residence Index; click on “Universal Health Care Map” a bit down the page.
ellauri088.html on line 230: In general, green is what you’d normally call “universal healthcare free at point of service”. Blue denotes “free but not universal”; the US is in a category basically its own, “Not free but universal”, which reflects how Obamacare is a strange hybrid. I’d say what you’re looking for is “the second most developed non-green country on this map”.
ellauri088.html on line 231: The answer to your question is probably mostly down to what you’d call “most developed”. I’d pick Mongolia, but I’ll gladly admit to not being an expert on any of the non-green countries; I’ve only visited two of them myself.
ellauri088.html on line 259: UUTISVÄLÄYS: Hyvää pääsiäistä kaikille ml CRAZY leftist radicals toivottaa ilman twiittiä rypistynyt Trump. Peltikattoon sataa. On harmaa pääsiäismaanantai.
ellauri088.html on line 271: No kyllähän hautakivi säilyttää muistoja. Siellä kiven alla on se vähä mitä siirasta on jälellä. Victorian muistot veljestä on rumia. Ikävältä tyypiltä se kuulostaakin, pihiltä ilkeälta kyrvältä, Vittorian puheista päätellen.
ellauri088.html on line 351: Hemmetti se on piipunrassin näköinen, tokko nousee maasta muuta kuin toisten seteleitä. Se neuvoo kuin Don Quichote Sancho Panzaa luvussa 43:
ellauri088.html on line 369: Osasyyllisenä Arvosen menestymiseen on varmastikin ahkera opiskelu ja innokas oman toiminnan systemaattinen parantaminen. Vaikka vapaa-aika sulautuu sujuvasti yhteen työn kanssa, hän järjestää itselleen aikaa lukemiseen. ”Luen kirjan per viikko. Perustietoni karttuu sieltä kirjoista ja niiden avulla usein myös kertaan perusasioita. Esimerkiksi Kiyosakin Rich Dad Poor Dad -kirjan olen lukenut aika monta kertaa ja sieltä löytyy joka kerta jotain uutta. Ammattilaiset palvovat perusasioita. Ei tämä vaikeaa ole. Kaikessa yksinkertaisuudessaan tämä on tosi simppeliä hommaa. Otat muilta vielä tyhmemmiltä ja panet omaan taskuun, siinä se. Kertaan tän Kiyosakin kirjasta vähintään kerran viikossa.”
ellauri088.html on line 416: - Luin sellaiset kirjat kuin The Miracle Morning ja Rich Dad Poor Dad. Tein uudenvuodenlupauksen, että ryhdyn heräämään aikaisin ja alan elämään eri lailla. Sitten tajusin, että se on ihan kusetusta sellainen, että aloittaa uudenvuodenpäivänä. Päätin aloittaa heti.
ellauri088.html on line 436: Haju Pisilä fick en knuff i ryggen som han mycket väl hade förtjänat av en rakryggad finländare. "Det var ingen knuff", ven Pisilä, "det var ett riktigt nävslag, jag fick blåmärken på ryggen. Demokratin är en så värdefull sak att det inte får offras bara för att publiken får knuffa mig på gatan! Sparka ut den eländiga säkerhetschefen som såg knuffen! Han hade inget ärende att sticka näsan i det här! Delera videomaterialet, det är säkerhetsbeläggt! Det visar min bakdel i ett mycket ofördelaktigt ljus! Fan anamma, Haju, du borde ha fått istället för en knuff ett rejält knull i röven! Och filmen därpå borde förvaras i Suomi Filmi's arkiv på nationalklenoder.
ellauri088.html on line 546: In 1898, a short stay in Germany (Jerome ei ilmeisesti arvostanut sakuja) inspired Three Men on the Bummel, the sequel to Three Men in a Boat, reintroducing the same characters in the setting of a foreign bicycle tour. It has enjoyed only modest success by comparison.
ellauri088.html on line 547: His 1908 play The Passing of the Third Floor Back introduced a more sombre and religious Jerome. The play was a tremendous commercial success. It was twice made into film, in 1918 and in 1935. However, the play was condemned by critics – Max Beerbohm described it as "vilely stupid" and as written by a "tenth-rate writer".
ellauri088.html on line 555: Three invalids.—Sufferings of George and Harris.—A victim to one hundred and seven fatal maladies.—Useful prescriptions.—Cure for liver complaint in children.—We agree that we are overworked, and need rest.—A week on the rolling deep?—George suggests the River.—Montmorency lodges an objection.—Original motion carried by majority of three to one.
ellauri088.html on line 559: Arrangements settled.—Harris’s method of doing work.—How the elderly, family-man puts up a picture.—George makes a sensible, remark.—Delights of early morning bathing.—Provisions for getting upset.
ellauri088.html on line 563: Mrs. P. arouses us.—George, the sluggard.—The “weather forecast” swindle.—Our luggage.—Depravity of the small boy.—The people gather round us.—We drive off in great style, and arrive at Waterloo.—Innocence of South Western Officials concerning such worldly things as trains.—We are afloat, afloat in an open boat.
ellauri088.html on line 567: The river in its Sunday garb.—Dress on the river.—A chance for the men.—Absence of taste in Harris.—George’s blazer.—A day with the fashion-plate young lady.—Mrs. Thomas’s tomb.—The man who loves not graves and coffins and skulls.—Harris mad.—His views on George and Banks and lemonade.—He performs tricks.
ellauri088.html on line 569: Blackmailing.—The proper course to pursue.—Selfish boorishness of river-side landowner.—“Notice” boards.—Unchristianlike feelings of Harris.—How Harris sings a comic song.—A high-class party.—Shameful conduct of two abandoned young men.—Some useless information.—George buys a banjo.
ellauri088.html on line 571: George is introduced to work.—Heathenish instincts of tow-lines.—Ungrateful conduct of a double-sculling skiff.—Towers and towed.—A use discovered for lovers.—Strange disappearance of an elderly lady.—Much haste, less speed.—Being towed by girls: exciting sensation.—The missing lock or the haunted river.—Music.—Saved!
ellauri088.html on line 573: Our first night.—Under canvas.—An appeal for help.—Contrariness of tea-kettles, how to overcome.—Supper.—How to feel virtuous.—Wanted! a comfortably-appointed, well-drained desert island, neighbourhood of South Pacific Ocean preferred.—Funny thing that happened to George’s father.—a restless night.
ellauri088.html on line 577: We are very fond of pine-apple, all three of us. We looked at the picture on the tin; we thought of the juice. We smiled at one another, and Harris got a spoon ready.
ellauri088.html on line 589: After that, I took the tin off myself, and hammered at it with the mast till I was worn out and sick at heart, whereupon Harris took it in hand.
ellauri088.html on line 599: In addition, here’s a much earlier spoof of German lieder, from the British comic novel “Three Men in a Boat,” published in 1889. I think it shows just how pervasive and long-standing is the English-speaker’s resistance to the rarefied world of the German art-song. The excerpt is also very silly and probably tells you at least as much about British anti-intellectualism and complacency as it does about German over-earnestness.
ellauri088.html on line 601: It appeared that the song was not a comic song at all. It was about a young girl who lived in the Hartz Mountains, and who had given up her life to save her lover’s soul; and he died, and met her spirit in the air; and then, in the last verse, he jilted her spirit, and went on with another spirit—I’m not quite sure of the details, but it was something very sad, I know. Herr Boschen said he had sung it once before the German Emperor, and he (the German Emperor) had sobbed like a little child. He (Herr Boschen) said it was generally acknowledged to be one of the most tragic and pathetic songs in the German language.
ellauri088.html on line 618: The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
ellauri088.html on line 627: Erich Kästner wurde 1899 in Dresden geboren und starb 1974 in München. Der Schriftsteller, Satiriker, Dramatiker und nicht zuletzt Autor der berühmten Kinderklassiker ›Das doppelte Lottchen‹, ›Das fliegende Klassenzimmer‹, ›Pünktchen und Anton‹, ›Emil und die Detektive‹ und ›Die Konferenz der Tiere‹ wurde mit zahlreichen Preisen bedacht (u.a. mit dem Büchner-Preis und der Hans-Christian Andersen-Medaille).
ellauri088.html on line 629: Erich Kästner war ein wehmütiger Satiriker und ein augenzwinkernder Skeptiker. Er war Deutschlands hoffnungsvollster Pessimist und der deutschen Literatur positivster Negationsrat. War er ein Schulmeister? Aber ja doch, nur eben Deutschlands amüsantester und geistreichster. Er war ein Prediger, der stolz die Narrenkappe trug. (Marcel Reich-Ranicki)
ellauri088.html on line 641: Erich Kästner, joka näihin aikoihin on jo joutunut valtaanpäässeiden kansallissosialistien vihoihin ja on melkein julkaisukiellossa, julkaisee kolmen lumisen miehen ainexen 1934 salanimellä Robert Neuner komediana 4 näytöxessä, nimellä "Elinikäinen lapsi". Lukuunottamatta päähenkilöiden nimiä (z. B. Schlüter pro Tobler, kuten myöhemmin filmissä) ovat sisällöt pitkälti samoja. Jo ensi-ilta 7. syyskuuta 1934 Bremenin näytelmätalolla (ohjaus: Fritz Saalfeld) on suuri menestys.
ellauri089.html on line 6: font-style: italic;
ellauri089.html on line 42: Matheis Heinlein arrived in Pennsylvania in 1754. Spelling variations of this family name include: Hainberg, Hainberger, Hainburger, Heynberg, Heynberger, Heinberg and many more. Itävaltalaista aatelia. Hohoo, Pelkkää puppua jolla myydään jenkkihöynille vaakunamukeja. Eigentlich ist es so:
ellauri089.html on line 44: Hein m. in der Wendung Freund Hein Bezeichnung für den ‘Tod’. Der Personenname Hein ist die Koseform von Heinrich und zunächst auch eine verhüllende Umschreibung für den ‘Teufel’, mhd. hein (14. Jh.), nhd. Henn (16. Jh.). Die Bedeutungsübertragung auf den Tod als ein ebenfalls gefürchtetes Wesen wird Claudius (1774) zugeschrieben, der mit dem Zusatz Freund dem Tod zugleich seine vermeintliche Dämonie nehmen und ihn als vertrauten letzten Begleiter des Menschen charakterisieren will.
ellauri089.html on line 48: Robert Anson Heinlein (/ˈhaɪnlaɪn/; July 7, 1907 – May 8, 1988) was an American science-fiction author, aeronautical engineer, and Naval officer. Sometimes called the "dean of science fiction writers", he was among the first to emphasize scientific accuracy in his fiction, and was thus a pioneer of the subgenre of hard science fiction. His published works, both fiction and non-fiction, express admiration for competence and emphasize the value of critical thinking. His work continues to have an influence on the science-fiction genre, and on modern culture more generally.
ellauri089.html on line 49: He, Isaac Asimov, and Arthur C. Clarke are often considered the "Big Three" of English-language science fiction authors.
ellauri089.html on line 51: He was a sixth-generation German-American; a family tradition had it that Heinleins fought in every American war, starting with the War of Independence. Jim Marlowe, in Red Planet, and Don Harvey, in Between Planets, participate in insurrections patterned after the American Revolution, a plot Heinlein would most fully exploit in his adult novel, The Moon is a Harsh Mistress (1966).
ellauri089.html on line 59: He spent his childhood in Kansas City, Missouri. The outlook and values of this time and place (in his own words, "The Bible Belt") had a definite influence on his fiction, especially in his later works.
ellauri089.html on line 62: Heinlein's experience in the Navy exerted a strong influence on his character and writing. In 1929, he graduated from the Naval Academy with the equivalent of a Bachelor of Arts degree in Engineering, ranking fifth in his class academically but with a class standing of 20th of 243 due to disciplinary demerits.
ellauri089.html on line 67: And the psychological testing, in which the boys are tested for certain character traits (and through which Heinlein begins to articulate his own philosophy about winners and losers), is even more fascinating.
ellauri089.html on line 74: Another Cadet, Girard Burke, is asked to resign. The reader has know for a long time that Burke, who is certainly mentally and physically capable, does not have the right attitude to be a Patrolman. He is, among other things, too skeptical of the ideals for which the Patrol stands. Burke resigns, goes into his father’s business, becomes an ship’s captain immediately, gets himself in venereal trouble on Venus, and has to call on the Patrol to rescue him from his own self-centered and stupid mistakes. Matt, Tex, and Oscar do rescue him and, with that action, prove the worth of the characteristics—perseverance, loyalty, intelligence, idealism, integrity, and courage—that Heinlein champions throughout Space Cadet and the other novels in the series. Vittu mikä nazi.
ellauri089.html on line 77: Heinlein used his science fiction to earn money and as a way to explore his provocative social and political ideas, and to speculate how progress in science and engineering might shape the future of politics, race, religion, and sex. Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of being earnest, individual liberty and self-reliance, the nature of incestual sexual relationships, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.
ellauri089.html on line 83: His work sometimes had controversial aspects, such as plural marriage in The Moon is a Harsh Mistress, militarism in Starship Troopers and technologically competent women characters that were formidable, yet often stereotypically feminine – such as Friday.
ellauri089.html on line 86: At the Philadelphia Naval Shipyard Heinlein met and befriended a chemical engineer named Virginia "Ginny" Gerstenfeld.
ellauri089.html on line 91: Heinlein's early political leanings were liberal. In 1934, he worked actively for the Democratic campaign of Upton Sinclair for Governor of California. After Sinclair lost, Heinlein became an anti-Communist Democratic activist.
ellauri089.html on line 92: Isaac Asimov believed that Heinlein made a swing to the right politically at the same time he married Ginny.
ellauri089.html on line 93: Heinlein's fiction of the 1940s and 1950s, however, began to espouse conservative views.
ellauri089.html on line 94: The Heinleins formed the Patrick Henry League in 1958, and they worked in the 1964 Barry Goldwater Presidential campaign.
ellauri089.html on line 96: When Robert A. Heinlein opened his Colorado Springs newspaper on April 5, 1958, he read a full-page ad demanding that the Eisenhower Administration stop testing nuclear weapons. The science fiction author was flabbergasted. He called for the formation of the Patrick Henry League and spent the next several weeks writing and publishing his own polemic that lambasted "Communist-line goals concealed in idealistic-sounding nonsense" and urged Americans not to become "soft-headed".
ellauri089.html on line 98: It started with the famous Henry quotation: "Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take, but as for me, give me liberty, or give me death!!". It then went on to admit that there was some risk to nuclear testing (albeit less than the "willfully distorted" claims of the test ban advocates), and risk of nuclear war, but that "The alternative is surrender. We accept the risks." Heinlein was among those who in 1968 signed a pro-Vietnam War ad in Galaxy Science Fiction. Että semmonen libertiini.
ellauri089.html on line 101: That made him the first science fiction writer to break out of the "pulp ghetto". He also wrote for Boys' Life in 1952.
ellauri089.html on line 103: He wanted to do his own juvenile work, stating that: "I want to do my own stuff, my own way". Vapaa sexi kiinnosti. Kirjassa Strangers in a strange land se oli aivan daft. Jill is homophobic and says that "nine times out of ten, if a girl gets raped it's partly her own fault." Bobia kiinnosti myös insesti. Heinlein often posed in situations where the nominal purpose of sexual taboos was irrelevant to a particular situation, due to future advances in technology.
ellauri089.html on line 108: “[T]here seems to have been an actual decline in rational thinking. The United States had become a place where entertainers and professional athletes were mistaken for people of importance. They were idolized and treated as leaders; their opinions were sought on everything and they took themselves just as seriously—after all, if an entertainer is paid a million or more a year, he knows he is important ... so his opinions of foreign affairs and domestic policies must be important, too, even though he proves himself to be ignorant and subliterate every time he opens his mouth.”
ellauri089.html on line 110: The least science-y Heinlein is probably Double Star, about an actor who stands in for a galactic leader.
ellauri089.html on line 114: From Rocket Ship Galileo (1947) to Have Space Suit—Will Travel (1958), Robert A. Heinlein wrote twelve novels, all published by Scribners, that were aimed at what we now call the juvenile market. In Dr. Johnson’s sense of the word, they are classics in their field, they have stood the test of time. They appeared first in hardback—unusual in a field in which, until the 1950s or 1960s, almost all major works were published in magazines or in paperback; and during the 1950s, hardback copies of these novels could be found in school and public libraries all across the country. These novels later appeared in paperback and have remained available in that form to the present. Heinlein’s juvenile novels have been largely ignored by both science fiction critics and critics of children’s literature; but even a half century after they were written, these novels are still “contemporary” and are still among the best science fiction in the range.
ellauri089.html on line 118: Heinlein state that the purpose of metaphysics is to ask questions: "Why are we here?" "Where are we going after we die?" (and so on); but that you are not allowed to answer the questions.
ellauri089.html on line 124: During the 1930s and 1940s, Heinlein was deeply interested in Alfred Korzybski's general semantics and attended a number of seminars on the subject. His views on epistemology seem to have flowed from that interest, and his fictional characters continue to express Korzybskian views to the very end of his writing career.
ellauri089.html on line 130: When Ayn Rand's novel The Fountainhead was published, Heinlein was very favorably impressed, as quoted in "Grumbles ..." and mentioned John Galt—the hero in Rand's Atlas Shrugged—as a heroic archetype in The Moon Is a Harsh Mistress. He was also strongly affected by the religious philosopher P. D. Ouspensky.
ellauri089.html on line 134: Heinlein coined terms that have become part of the English language, including grok, waldo and speculative fiction, as well as popularizing existing terms like "TANSTAAFL", (free lunch) "pay it forward", and "space marine". Ja kexi vesisängyn ja kännykän. Ois voinut jättää keximättä.
ellauri089.html on line 136: Within the book, the statement of divine immanence verbalized between the main characters, "Thou Art God", is logically derived from the concept inherent in the term grok. Waldo on etäkäsi. Suunnilleen dildo.
ellauri089.html on line 141: I agree with R H people in entertainment didn't have a practical education like most who went to college, learned a bunch of stuff...then went in to the real world and found some of what they learned was wrong and only works in the theoretical mind of a college professor.
ellauri089.html on line 145: Even more surprising, the sociological aspects of these books have also stood up well over the years. Boys today may not be quite as innocent about girls as they appear to be in most of Heinlein’s juveniles (perhaps at the request of Scribner’s editor Alice Dalgliesh), but the various interpersonal relationships (boy-girl, parent-child, sibling-sibling) do still ring quite true. Today’s young readers may have to ask what a “soda jerk” is, but they will have no trouble understanding why Kip, the hero of Have Space Suit—Will Travel, tosses a chocolate milkshake all over his tormentor.
ellauri089.html on line 149: The last juvenile, Have Space Suit—Will Travel, recapitulates and surpasses the other books in the series as Kip Russell travels first to the moon, then to Pluto, then to a planet in Vega’s system, and finally to the Lesser Magellanic Cloud; he eventually comes home by a circular route! All of the books feature young people, primarily young men—but a surprising number of strong female characters, growing up and going through the process of separating themselves from their sometimes ununderstanding families, discovering their real identities, successfully dealing with bar mitzwah, and by the story’s end, entering the adult world as foreskinless and capable people.
ellauri089.html on line 151: Certainly his best-known and most successful books came after the decision to write entirely for an adult audience, with Stranger in a Strange Land in 1961 and The Moon Is a Harsh Mistress in 1966. And in such books as Farnham's Freehold (1964), he clearly felt freer to express the libertinism that had been implicit in all his earlier published work.
ellauri089.html on line 157: He is a great fan of nuclear power. He certainly fails to challenge the reader to think critically about what the future climate might be like. In addition, Heinlein presents specific scientific, technological, sociological, moral or ethical, and humanistic situations which will not only intrigue but challenge the reader’s attitudes—about space travel, illegal alien societies, the over-populated future, the nature of time, and so on.
ellauri089.html on line 159: For average readers, Heinlein tells a good story; for better readers, Heinlein has challenges; and for the best readers, there is a kind of shared inside knowledge, a delight the reader feels when Heinlein makes a passing reference to Schiaperelli (sic) and the reader knows, without Heinlein’s ever explaining, who Schiaperelli was.
ellauri089.html on line 172: July 20, 1969, is probably the most important day in human history - the day men from Earth first set foot on another planet, Earth's moon. Robert Heinlein was a guest commentator (along with Arthur C. Clarke) with Walter Cronkite on this historic occasion.
ellauri089.html on line 174: Joopa joo olihan se hienoa, vaikkei siitä seurannutkaan sitten paljon paskaakaan. Muistan että oli Münchenin rautatieasemalla lähdössä junalla kohti Ateenaa. Kuulähetys tuli rautatieaseman rakeisista mustavalkotelevisioista katonrajassa. Ei kyllä Walter Cronkite vaaan joku saxalainen uutislähetys. Me pojat oltiin aika uupuneita ja levättiin tovi aseman ulkopuolella olleella Liegewiesellä. Me oltiin 16-vuotiaita, suunnilleen All-American Boy Cliffordin ikäisiä. Hyvä Kip! Hyvä Oliver!
ellauri089.html on line 182: Cyrano de Bergerac tän kuumatkailun aloitti, Verne ja Herge jatkoivat. Onnexi se on nyt tauolla. Heinlein was a mentor to Ray Bradbury, giving him help and quite possibly passing on the "payahead" concept, made famous by the publication of a letter from him to Heinlein thanking him. Apua, onko Bradburykin yhtä juveniili? Siis tollanen competent man.
ellauri089.html on line 197: Job: A Comedy of Justice is a novel by Robert A. Heinlein published in 1984. The title is a reference to the biblical Book of Job and James Branch Cabell's book Jurgen, A Comedy of Justice.
ellauri089.html on line 198: The story examines religion through the eyes of Alex, a Christian political activist who is corrupted by Margrethe, a Danish Norse cruise ship hostess and loves every minute of it. Enduring a shipwreck, an earthquake, and a series of world-changes brought about by Loki (with Jehovah's permission), Alex and Marga work their way from Mexico back to Kansas as dishwasher and waitress.
ellauri089.html on line 200: Whenever they manage to make some stake, an inconveniently timed change into a new alternate reality throws them off their stride (once, the money they earned is left behind in another reality; in another case, the paper money earned in a Mexico which is an empire is worthless in another Mexico which is a republic). These repeated misfortunes, clearly effected by some malevolent entity, make the hero identify with the Biblical Job.
ellauri089.html on line 203: Heinlein depicts a Heaven ruled by snotty angels and a Hell where everyone has a wonderful, or at least productive, time — with Mary Magdalene shuttling breezily between both places.
ellauri089.html on line 205: Dave Langford reviewed Job: A Comedy of Justice for White Dwarf #61, and stated that "When blasphemy stops being witty and shocking, it tends to become pointless, like graffiti scrawled on church wall. I didn't dislike this one, but . . . wait for the paperback, eh?"
ellauri089.html on line 210: Men rarely if ever manage to dream up a god superior to themselves. Most gods have the manners and morals of a spoiled child. One man's theology is another man's belly laugh. The most ridiculous concept ever perpetrated by Homo Sapiens is that the Lord God of Creation, Shaper and Ruler of the Universes, wants the saccharine adoration of his creations, that he can be persuaded by their prayers, and becomes petulant if he does not receive this flattery. Yet this ridiculous notion, without one real shred of evidence to bolster it, has gone on to found one of the oldest, largest and least productive industries in history.
ellauri089.html on line 215: iction">List of religious ideas in science fiction
ellauri089.html on line 289: Kun Mandelstam sanoi, “Emmä kirjota. Mä vaan suollan puhetta",” se tarkoitti mitä sanoi. Mandelstamin huonouninen seinänaapuri 1920-luvulla kuvasi sitä: “pää heitettynä taaxepäin Osip Mandelstam vaeltaa ympäri taloa. Se lausuu säkeitä säkeiden perään päivät pääxytysten. Runot syntyvät raskaina. Jokainen säe erixeen.” Ja näin kuvasi sitä Sergei Rudakov, nuori filologi ja runoilija joka kävi Mandelsteinin pakeilla maanpaossa Voronezhissä 1935: “Mandelstamilla on hullu tapa työskennellä… mä seison toimivan runokoneen edessä (tai ehkä se on runoelin, paremminkin)… Miestä ei enää ole; se on pikemminkin joku Michelangelo. Se näkee eikä muista mitään. Se vaeltaa ympäriinsä mutisten: ‘Kuin musta sananjalka vihreässä yössä.’ Neljää säettä varten se polottaa neljäsataa, oikeesti… Se ei muista omia runojaan. Se toistaa izeään ja jättää pois toistot paizi tyylikeinoja, ja pitää uudet säkeet.”
ellauri089.html on line 300: [ 🙏 Thankyou Sticker ]
ellauri089.html on line 330: [ 🤮 Yecch Sticker ]
ellauri089.html on line 347: "It is easy to see why Robert Heinlein ranks at the top among science fiction writers ... he adds a delightful sense of humor and a deft sense of timing and suspense." (Chicago Sunday Tribune 1958)
ellauri089.html on line 356: Kip on All-American Boy, joka on vähän eroottisesti kiinnostunut Peeween sakkolihasta. Näkee siitä märkiä unia. Pienihän Peewee on, pikkupissis joka käy kahtatoista mutta näyttää 10-vuotiaalta, liekö mensut alkaneet? Tulikohan ufoon mukaan nuken lisäxi myös terveyssiteitä? Ei väliä, ei hiir olk koska heinkrinti alan kuallu. (Laitila). Kipin pitäisi silti pitää mielessä että ripitön tyttö on kuin suolaton keitto. (Rääkkylä) Bobilla on muuallakin vähän taipumusta pedofiliaan.
ellauri089.html on line 383: Chapter I: The Subject-Matter of Ethics
ellauri089.html on line 385: Chapter II: Naturalistic Ethics
ellauri089.html on line 389: Chapter IV: Metaphysical Ethics
ellauri089.html on line 391: Chapter V: Ethics in Relation to Conduct
ellauri089.html on line 395:
Analytical Table of Contents

ellauri089.html on line 401: Preface. It appears to me that in Ethics, as in all other philosophical studies, the difficulties and disagreements, of which its history is full, are mainly due to a very simple cause: namely to the attempt to answer questions, without first discovering precisely what question it is which you desire to answer. ...
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Chapter I: The Subject-Matter of Ethics

ellauri089.html on line 405: § 1. In order to define Ethics, we must discover what is both common and peculiar to all undoubted ethical judgements; ...
ellauri089.html on line 407: § 2. but this is not that they are concerned with human conduct, but that they are concerned with a certain predicate "good", and its converse "bad", which may be applied both to conduct and to other things. …
ellauri089.html on line 409: § 3. The subjects of the judgments of a scientific ethics are not, like those of some studies, "particular things"; …
ellauri089.html on line 411: § 4. but it includes all universal judgments which assert the relation of "goodness" to any subject, and hence includes Casuistry.
ellauri089.html on line 413: § 5. It must, however, enquire not only what things are universally related to goodness, but also, what this predicate, to which they are related, is: …
ellauri089.html on line 419: § 8. and of the three senses in which "definition" can be used, this is the most important. …
ellauri089.html on line 421: § 9. What is thus indefinable is not "the good", or the whole of that which always possesses the predicate "good", but this predicate itself. …
ellauri089.html on line 423: § 10. "Good", then, denotes one unique simple object of thought among innumerable others; but this object has very commonly been identified with some other—a fallacy which may be called "the naturalistic fallacy" … Tässä Jyriltä alkaa lähteä riimu käsistä. Sillä on niin iso lehmälauma ojassa, ettei se pysty pitelemään sitä. 1 lehmistä on että ainoa merkizevä hyvä on termiittiapinoiden hyvä, lehmistä ei mitään väliä. Niitä on hyvä popsia aivan vapaasti. Koska lehmät ei ole meikäläisiä, niillä ei ole sielua, ei äänioikeutta eikä armeijaa, ja ne maistuu meistä apinoista hyvältä. So there!
ellauri089.html on line 425: § 11. and which reduces what is used as a fundamental principle of Ethics either to a tautology or to a statement about the meaning of a word. …
ellauri089.html on line 429: § 13. and if it were avoided, it would be plain that the only alternatives to the admission that "good" is indefinable, are either that it is complex, or that there is no notion at all peculiar to Ethics—alternatives which can only be refuted by an appeal to inspection, but which can be so refuted.
ellauri089.html on line 431: § 14. The "naturalistic fallacy" illustrated by Bentham; and the importance of avoiding it pointed out. …
ellauri089.html on line 433: § 15. The relation which ethical judgments assert to hold universally between "goodness" and other things are of two kinds: a thing may be asserted either to be good itself or to be causally related to something else which is itself good—to be "good as a means". …
ellauri089.html on line 437: § 17. but a relation, of the former kind, if true at all, will be true of all cases. All ordinary ethical judgments assert causal relations, but they are commonly treated as if they did not, because the two kinds of relations are not distinguished. …
ellauri089.html on line 439: § 18. The investigation of intrinsic values is complicated by the fact that the value of a whole may be different from the sum of the value of its parts, …
ellauri089.html on line 441: § 19. in which case the part has to the whole a relation, which exhibits an equally important difference from and resemblance to that of means to end. …
ellauri089.html on line 443: § 20. The term "organic whole" might well be used to denote that a whole has this property, since, of the two other properties which it is commonly used to imply, …
ellauri089.html on line 447: § 22. and the other, upon which most stress has been laid, can be true of no whole whatsoever, being a self-contradictory conception due to confusion. …
ellauri089.html on line 451:
Chapter II: Naturalistic Ethics

ellauri089.html on line 453: § 24. This and the two following chapters will consider certain proposed answers to the second of ethical questions: What is good in itself? These proposed answers are characterised by the facts (1) that they declare some one kind of thing to be alone good in itself; and (2) that they do so, because they suppose this one thing to define the meaning of "good". …
ellauri089.html on line 455: § 25. Such theories may be divided into two groups (1) Metaphysical, (2) Naturalistic; and the second group may be subdivided into two others, (a) theories which declare some natural object, other than pleasure, to be sole good, (b) Hedonism. This present chapter will deal with (a). …
ellauri089.html on line 463: § 29. But a systematised appeal to Nature is now most prevalent in connection with the term "Evolution". An examination of Mr Herbert Spencer's Ethics will illustrate which are commonly associated with the latter term. …
ellauri089.html on line 465: § 30. Darwin's scientific theory of "natural selection," which has mainly caused the modern vogue of the term "Evolution," must be carefully distinguished from certain ideas which are commonly associated with the latter term. …
ellauri089.html on line 467: § 31. Mr Spencer's connection of Evolution with Ethics seems to shew the influence of the naturalistic fallacy; …
ellauri089.html on line 469: § 32. but Mr Spencer is vague as to the ethical relations of "pleasure" and "evolution", and his Naturalism may be mainly Naturalistic Hedonism. …
ellauri089.html on line 471: § 33. A discussion of the third chapter of the Data of Ethics serves to illustrate these two points and to shew that Mr Spencer is in utter confusion with regard to the fundamental principles of Ethics. …
ellauri089.html on line 473: § 34. Three possible views as to the relation of Evolution to Ethics are distinguished from the naturalistic view to which it is proposed to confine the name "Evolutionistic Ethics". On any of these three views the relation would be unimportant, and the "Evolutionistic" view, which makes it important, involves a double fallacy. …
ellauri089.html on line 479: § 36. The prevalence of Hedonism is mainly due to the naturalistic fallacy. …
ellauri089.html on line 481: § 37. Hedonism may be defined as the doctrine that "Pleasure is the sole good"; this doctrine has always been held by Hedonists and used by them as a fundamental ethical principle, although it has commonly been confused with others. …
ellauri089.html on line 483: § 38. The method pursued in this chapter will consist in exposing the reasons commonly offered for the truth of Hedonism and in bringing out the reasons, which suffice to shew it untrue, by a criticism of J. S. Mill & H. Sidgwick. …
ellauri089.html on line 487: § 40. yet he gives a proof of the first proposition, which consists in (1) the fallacious confusion of "desirable" with "desired", …
ellauri089.html on line 495: § 44. Summary of Mill's argument and of my criticism.
ellauri089.html on line 497: § 45. We must now proceed to consider the principle of Hedonism as an "Intuition", as which it has been clearly recognised by Prof. Sidgwick alone. That it should be thus incapable of proof is not, in itself, any reason for dissatisfaction. …
ellauri089.html on line 499: § 46. In thus beginning to consider what things are good in themselves, we leave the refutation of Naturalism behind, and enter on the second division of ethical questions. …
ellauri089.html on line 505: § 49. Prof. Sidgwick has avoided those confusions made by Mill: in considering his arguments we shall, therefore, merely consider the question "Is pleasure the sole good?"
ellauri089.html on line 507: § 50. Prof. Sidgwick first tries to show that nothing outside of Human Existence can be good. Reasons are given for doubting this. …
ellauri089.html on line 515: § 54. Of Prof. Sidgwick's two arguments for the contrary view, the second is equally compatible with the supposition that pleasure is a mere criterion of what is right; …
ellauri089.html on line 517: § 55. and in his first, the appeal to reflective intuition, he fails to put the question clearly (1) in that he does not recognize the principle of organic unities; …
ellauri089.html on line 519: § 56. and (2) in that he fails to emphasize that the agreement, which he has tried to shew, between hedonistic judgments and those of Common Sense, only holds of judgments of means: hedonistic judgments of ends are flagrantly paradoxical. …
ellauri089.html on line 525: § 59. Egoism proper is utterly untenable, being self-contradictory; it fails to perceive that when I declare a thing to be my own good, I must be declaring it to be good absolutely or else not good at all. …
ellauri089.html on line 527: § 60. This confusion is further brought out by an examination of Prof. Sidgwick's contrary view; …
ellauri089.html on line 529: § 61. and it is shewn that, in consequence of this confusion, his representation of "the relation of Rational Egoism to Rational Benevolence" as "the profoundest problem of Ethics", and his view that a certain hypothesis is required to "make Ethics rational", are grossly erroneous. …
ellauri089.html on line 531: § 62. The same confusion is involved in the attempt to infer Utilitarianism from Psychological Hedonism, as commonly held, e.g. by Mill. …
ellauri089.html on line 535: § 64. Certain ambiguities in the conception of Utilitarianism are noticed; and it is pointed out (1) that, as a doctrine of the end to be pursued, it is finally refuted by the refutation of Hedonism, and (2) that, while the arguments most commonly urged in its favour could, at most, only shew it to offer a correct criterion of right action, they are quite insufficient even for this purpose. …
ellauri089.html on line 539:
Chapter IV: Metaphysical Ethics

ellauri089.html on line 542: § 66. The term "metaphysical" is defined as having reference primarily to any object of knowledge which is not a part of Nature—does not exist in time, as an object of perception; but since metaphysicians, not content with pointing out the truth about such entities, have always supposed that what does not exist in Nature, must, at least, exist, the term also has reference to a supposed "supersensible reality": …
ellauri089.html on line 544: § 67. and by "metaphysical Ethics" I mean those systems which maintain or imply that the answer to the question "What is good?" logically depends upon the answer to the question "What is the nature of supersensible reality?" All such systems obviously involve the same fallacy—the "naturalistic fallacy"—by the use of which Naturalism was also defined. …
ellauri089.html on line 546: § 68. Metaphysics, as dealing with a "supersensible reality" may have a bearing upon practical Ethics (1) if its supersensible reality is conceived as something future, which our actions can affect; and (2) since it will prove that every proposition of practical Ethics is false, if it can shew that an eternal reality is either the only real thing or the only good thing. Most metaphysical writers, believing in a reality of the latter kind, do thus imply the complete falsehood of every practical proposition, although they fail to see that their Metaphysics thus contradicts their Ethics. …
ellauri089.html on line 548: § 69. But the theory, by which I have defined Metaphysical Ethics, is not that Metaphysics has a logical bearing upon the question involved in practical Ethics "What effects will my action produce?", but that it has such a bearing upon the fundamental ethical question, "What is good in itself?" This theory has been refuted by the proof, in Chap. I, that the naturalistic fallacy is a fallacy; it only remains to discuss certain confusions which seem to have lent it plausibility. …
ellauri089.html on line 552: § 71. and another seems to lie in the failure to distinguish between that which suggests a truth, or is a cause of our knowing it, and that upon which it logically depends, or which is a reason for believing it: in the former sense fiction has a more important bearing on Ethics than Metaphysics can have. …
ellauri089.html on line 554: § 72. But a more important source of confusion seems to lie in the supposition that "to be good" is identical with the possession of some supersensible property, which is also involved in the definition of "reality". …
ellauri089.html on line 556: § 73. One cause of this supposition seems to be the logical prejudice that all propositions are of the most familiar type—that in which subject and predicate are both existents. …
ellauri089.html on line 558: § 74. But ethical propositions cannot be reduced to this type: in particular, they are obviously to be distinguished …
ellauri089.html on line 560: § 75. (1) from Natural Laws; with which one of Kant's most famous doctrines confuses them, …
ellauri089.html on line 562: § 76. and (2) from Commands; with which they are confused both by Kant and by others. …
ellauri089.html on line 564: § 77. This latter confusion is one of the sources of the prevalent modern doctrine that "being good" is identical with "being willed"; but the prevalence of this doctrine seems to be chiefly due to other causes. I shall try to shew with regard to it (1) what are the chief errors which seem to have led to its adoption; and (2) that, apart from it, the Metaphysics of Volition can hardly have the smallest logical bearing upon Ethics. …
ellauri089.html on line 566: § 78. (1) It has been commonly held, since Kant, that "goodness" has the same relation to Will or Feeling, which "truth" or "reality" has to Cognition: that the proper method for Ethics is to discover what is implied in Will or Feeling, just as, according to Kant, the proper method for Metaphysics was to discover what is implied in Cognition. …
ellauri089.html on line 568: § 79. The actual relations between "goodness" and Will or Feeling, from which this false doctrine is inferred, seem to be mainly (a) the causal relation consisting in the fact that it is only by reflection upon the experiences of Will and Feeling that we become aware of ethical distinctions; (b) the facts that a cognition of goodness is perhaps always included in certain kinds of Willing and Feeling, and is generally accompanied by them: …
ellauri089.html on line 570: § 80. but from neither of these psychological facts does it follow that "to be good" is identical with being willed or felt in a certain way. The supposition that it does follow is an instance of the fundamental contradiction of modern Epistemology—the contradiction involved in both distinguishing and identifying the object and the act of Thought, "truth" itself and its supposed criterion: …
ellauri089.html on line 572: § 81. and, once this analogy between Volition and Cognition is accepted, the view that ethical propositions have an essential reference to Will or Feeling, is strengthened by another error with regard to the nature of Cognition—the error of supposing that "perception" denotes merely a certain way of cognising an object, whereas it actually includes the assertion that the object is also true. …
ellauri089.html on line 576: § 83. (2) If "being good" and "being willed" are not identical then the latter could only be a criterion of the former; and, in order to shew that it was so, we should have to establish independently that many things were good—that is to say, we should have to establish most of our ethical conclusions before the Metaphysics of Volition could possibly give us the smallest assistance. …
ellauri089.html on line 578: § 84. The fact that the metaphysical writers who, like Green, attempt to base Ethics on Volition, do not even attempt this independent investigation, shows that they start from the false assumption that goodness is identical with being willed, and hence that their ethical reasonings have no value whatsoever. …
ellauri089.html on line 582:
Chapter V: Ethics in Relation to Conduct

ellauri089.html on line 589: § 87. and (2) What things are good in themselves? to which we gave one answer in deciding that pleasure was not the only thing good in itself. …
ellauri089.html on line 591: § 88. In this chapter we shall deal with the third object of ethical enquiry: namely answers to the question "What conduct is a means to good results?" or "What ought we to do?" This is the question of Practical Ethics, and its answer involves an assertion of causal connection. …
ellauri089.html on line 595: § 90. and the rest of the chapter will deal with certain conclusions, upon which light is thrown by this fact. Of which the first is (1) that Intuitionism is mistaken; since no proposition with regard to duty can be self-evident. …
ellauri089.html on line 597: § 91. (2) It is plain that we cannot hope to prove which among all the actions, which it is possible for us to perform on every occasion, will produce the best total results: to discover what is our "duty", in this strict sense, is impossible. It may, however, be possible to shew which among the actions, which we are likely to perform, will produce the best results. …
ellauri089.html on line 599: § 92. The distinction made in the last § is further explained; and it is insisted that all that Ethics has done or can do, is, not to determine absolute duties, but to point out which, among a few of the alternatives, possible under certain circumstances, will have the better result. …
ellauri089.html on line 601: § 93. (3) Even this latter task is immensely difficult, and no adequate proof that the total results of one action are superior to those of another, has ever been given. For (a) we can only calculate actual results within a comparatively near future. We must, therefore, assume that no results of the same action in the infinite future beyond, will reverse the balance—an assumption which perhaps can be, but certainly has not been, justified; …
ellauri089.html on line 603: § 94. and (b) even to decide that, of any two actions, one has a better total result than the other in the immediate future, is very difficult; and it is very improbable, and quite impossible to prove, that any single action is in all cases better as means than its probable alternative. Rules of duty, even in this restricted sense, can only, at most, be general truths. …
ellauri089.html on line 605: § 95. But (c) most of the actions, most universally approved by Common Sense, may perhaps be shewn to be generally better as means than any probable alternative, on the following principles. (1) With regard to some rules it may be shewn that their general observation would be useful in any state of society, where the instincts to preserve and propagate life and to possess property were as strong as they seem always to be; and this utility may be shewn, independently of a right view as to what is good in itself, since the observance is a means to things which are a necessary condition for the attainment of any great goods in considerable quantities. …
ellauri089.html on line 607: § 96. (2) Other rules are such that their general observance can only be shewn to be useful, as a means to the preservation of society, under more or less temporary conditions: if any of these are to be proved useful in all societies, this can only be done by shewing their causal relation to things good or evil in themselves, which are not generally recognised to be such. …
ellauri089.html on line 611: § 98. In this way, then, it may be possible to prove the general utility, for the present, of those actions, which in our society are both generally recognized as duties and generally practised; but it seems very doubtful whether a conclusive case can be established for any proposed change in social custom, without an independent investigation of what things are good or bad in themselves. …
ellauri089.html on line 615: § 100. and that (β) in all other cases, rules of action should not be followed at all, but the individual should consider what positive goods, he, in his particular circumstances, seems likely to be able to effect, and what evils to avoid. …
ellauri089.html on line 617: § 101. (4) It follows further that the distinction denoted by the terms "duty" and "expediency" is not primarily ethical; when we ask "Is this really expedient?" we are asking precisely the same question as "Is this my duty?", viz. "Is this a means to the best possible?" "Duties" are mainly distinguished by the non-ethical marks (1) that many people are often tempted to avoid them, (2) that their most prominent effects are on others than the agent, (3) that they excite the moral sentiments: so far as they are distinguished by an ethical peculiarity, this is not that they are peculiarly useful to perform, but that they are peculiarly useful to sanction. …
ellauri089.html on line 619: § 102. The distinction between "duty" and "interest" is also, in the main, the same non-ethical distinction; but the term "interested" does also refer to a distinct ethical predicate—that an action is to "my interest" asserts only that it will have the best possible effects of one particular kind, not that its total effects will be the best possible. …
ellauri089.html on line 621: § 103. (5) We may further see that "virtues" are not to be defined as dispositions that are good in themselves: they are not necessarily more than dispositions to perform actions generally good as means, and of these, for the most part, only those classed as "duties" in accordance with section (4). It follows that to decide whether a disposition is or is not "virtuous" involves the difficult causal investigation discussed in section (3); and that what is a virtue in one state of society may not be so in another. …
ellauri089.html on line 625: § 105. and, if we consider the intrinsic value of each exercise, it will appear (1) that, in most cases, it has no value, and (2) that even the cases, where it has some value, are far from constituting the sole good. The truth of the latter proposition is generally inconsistently implied, even by those who deny it; …
ellauri089.html on line 627: § 106. but in order fairly to decide upon the intrinsic value of virtue, we must distinguish three different kinds of disposition, each of which is commonly so called and has been maintained to be the only kind deserving the name. Thus (a) the mere unconscious "habit" of performing duties, which is the commonest type, has no intrinsic value whatsoever; Christian moralists are right in implying that mere "external rightness" has no intrinsic value, though they are wrong in saying that it is therefore not "virtuous", since this implies that it has no value as a means. …
ellauri089.html on line 629: § 107. (b) where virtue consists in a disposition to have, and be moved by, a sentiment of love towards really good consequences of an action and of hatred towards really evil ones, it has some intrinsic value, but its value may vary greatly in degree. …
ellauri089.html on line 631: § 108. finally (c) where virtue consists in "conscientiousness", i.e., the disposition not to act, in certain cases, until we believe or feel that our action is right, it seems to have some intrinsic value: the value of this feeling has been peculiarly emphasized by Christian Ethics, but it certainly is not, as Kant would lead us to think, either the sole thing of value, or always good even as a means. …
ellauri089.html on line 640: § 110. By an "ideal" state of things may be meant either (1) the Summum Bonum or absolutely best, or (2) the best which the laws of nature allow to exist in this world, or (3) anything greatly good in itself: this chapter will be principally occupied with what is ideal in sense (3)—with answering the fundamental question of Ethics. …
ellauri089.html on line 646: § 113. and, if we use this method, it is obvious that personal affection and aesthetic enjoyments include by far the greatest goods with which we are acquainted. …
ellauri089.html on line 648: § 114. If we begin by considering I. Aesthetic Enjoyments, it is plain (1) that there is always essential to these some one of a great variety of different emotions, though these emotions may have little value by themselves: …
ellauri089.html on line 660: § 120. We thus get a third essential constituent of many great goods; and in this way we are able to justify (1) the attribution of value to knowledge, over and above its value as a means, and (2) the intrinsic superiority of the proper appreciation of a real object over the appreciation of an equally valuable object of mere imagination: emotions directed towards real objects may thus, even if the object be inferior, claim equality with the highest imaginative pleasures. …
ellauri089.html on line 662: § 121. Finally (4) with regard to the objects of the cognition which is essential to these good wholes, it is the business of Aesthetics to analyse their nature: it need only be here remarked (1) that, by calling them "beautiful", we mean that they have this relation to a good whole; and (2) that they are, for the most part, themselves complex wholes, such that the admiring contemplation of the whole greatly exceeds in value the sum of the values of the admiring contemplation of the parts. …
ellauri089.html on line 670: § 125. (1) evils which consist in the love, or admiration, or enjoyment of what is evil or ugly …
ellauri089.html on line 672: § 126. (2) evils which consist in the hatred or contempt of what is good or beautiful …
ellauri089.html on line 674: § 127. and (3) the consciousness of intense pain: this appears to be the only thing, either greatly good or greatly evil, which does not involve both a cognition and an emotion directed towards its object; and hence it is not analogous to pleasure in respect of its intrinsic value, while it also seems not to add to the vileness of the whole, as a whole, in which it is combined with another bad thing, whereas pleasure does add to the goodness of a whole, in which it is combined with another good thing; …
ellauri089.html on line 676: § 128. but pleasure and pain are completely analogous in this, that pleasure by no means always increases, and pain by no means always decreases, the total value of a whole in which it is included: the converse is often true. …
ellauri089.html on line 680: § 130. (1) That the mere combination of two or more evils is never positively good on the whole, although it may certainly have great intrinsic value as a whole; …
ellauri089.html on line 682: § 131. but (2) That a whole which includes a cognition of something evil or ugly may yet be a great positive good on the whole: most virtues, which have any intrinsic value whatever, seem to be of this kind, e.g. (a) courage and compassion, and (b) moral goodness; all these are instances of the hatred or contempt of what is evil or ugly; …
ellauri089.html on line 686: § 133. Hence (1) no actually existing evil is necessary to the Ideal, (2) the contemplation of imaginary evils is necessary to it, and (3) where evils already exist, the existence of mixed virtues has a value independent both of its consequences and of the value which it has in common with the proper appreciation of imaginary evils. …
ellauri089.html on line 693: Public Domain Dedication Principia Ethica was written by G. E. Moore, and published in 1903. It is now available in the Public Domain.
ellauri090.html on line 6: font-style: italic;
ellauri090.html on line 36: A Academia surgiu mais como um vínculo de ordem cordial entre amigos do que de ordem intelectual. No entanto, a ideia do instituto não foi bem aceita por alguns: Antônio Sales testemunhou numa página de reminiscência: "Lembro-me bem que José Veríssimo, pelo menos, não lhe fez bom acolhimento. Machado, creio, fez a princípio algumas objeções." Como presidente, Machado fazia sugestões, concordava com ideias, insinuava, mas nada impunha nem impedia aos companheiros. Era um acadêmico assíduo. Das 96 sessões que a Academia realizou durante a sua presidência, faltou somente a duas.
ellauri090.html on line 66: [14.3. 9.33] Bo Egov: Got it. Machado sounds like a sympathetic guy?
ellauri090.html on line 68: [14.3. 9.34] Bo Egov: Outra carta justifica uma certa complexidade no começo de seu relacionamento: "Sofreste tanto que até perdeste a consciência do teu império; estás pronta a obedecer; admiras-te de seres obedecida", o que é um mistério para os recentes estudiosos das correspondências do autor.
ellauri090.html on line 90: Joaquim Maria Machado de Assis (Rio de Janeiro, 21 de junho de 1839 – Rio de Janeiro, 29 de setembro de 1908) foi um escritor brasileiro, considerado por muitos críticos, estudiosos, escritores e leitores um dos maiores senão o maior nome da literatura do Brasil.
ellauri090.html on line 92: A obra de Machado de Assis constitui-se de 10 romances, 219 contos, 10 peças teatrais, 5 coletâneas de poemas e sonetos, e mais de 600 crônicas.
ellauri090.html on line 94: Escreveu em praticamente todos os gêneros literários, sendo poeta, romancista, cronista, dramaturgo, contista, folhetinista, jornalista e crítico literário. Testemunhou a Abolição da escravatura e a mudança política no país quando a República substituiu o Império, além das mais diversas reviravoltas pelo mundo em finais do século XIX e início do XX, tendo sido grande comentador e relator dos eventos político-sociais de sua época.
ellauri090.html on line 96: A crítica moderna chama de trilogia realista os três romances que marcaram um novo estilo na obra de Machado de Assis, a saber Memórias Póstumas de Brás Cubas (1881), Quincas Borba (1891) e Dom Casmurro (1899), e que decisivamente também inovaram a literatura brasileira, introduzindo o Realismo no Brasil e precedendo outros elementos da literatura contemporânea.
ellauri090.html on line 98: Entre os críticos e o público, destacam-se Memórias Póstumas de Brás Cubas e Dom Casmurro. A crítica considera que suas melhores obras são as da Trilogia Realista.
ellauri090.html on line 103: Quincas Borba is a novel written by the Brazilian writer Machado de Assis. It was first published in 1891. It is also known in English as Philosopher or Dog? The novel was principally written as a serial in the journal A Estação from 1886 to 1891. It was definitively published as a book in 1892 with some small but significant changes from the serialized version.
ellauri090.html on line 105: Following The Posthumous Memoirs of Bras Cubas (1881) and preceding Dom Casmurro (1899), this book is considered by modern critics to be the second of Machado de Assis's realist trilogy, in which the author was concerned with using pessimism and irony to criticize the customs and philosophy of his time, in the process parodying scientism, Social darwinism, and Comte's positivism, although he did not remove all Romantic elements from the plot.
ellauri090.html on line 107: In contrast to the earlier novel of the trilogy, Quincas Borba was written in third person, telling the story of Rubião, a naive young man who becomes a disciple and later the heir of the titular philosopher Quincas Borba, a character in the earlier novel. While living according to the fictional "Humanitist" philosophy of Quincas Borba, Rubião befriends and is fooled by the greedy Christiano and his wife Sofia who manage to take him for his entire inheritance.
ellauri090.html on line 114: In Rio, Palha borrows money from Rubião to invest in business, and the two men become partners. Rubião also meets Carlos Maria, an arrogant young man, and Freitas, an unsuccessful middle-aged man, who exploit Rubião for his wealth and innocence. Major Siqueira and his thirty-nine-year-old daughter, Doña Tonica, attach themselves to Rubião, hoping that Rubião will marry Doña Tonica, who meanwhile becomes jealous of Sophia.
ellauri090.html on line 120: Rubião becomes friends with Dr. Camacho, a lawyer and the editor of a politically oriented newspaper called Atalaia. On his way to meet Dr. Camacho, Rubião rescues a small child, Deolindo, in danger of being run over by a carriage and horses. Rubião then goes on to Dr. Camacho’s office, where he subscribes generously to the capital fund for Atalaia. Dr. Camacho flatters Rubião by publishing an account of Rubião’s heroism in saving Deolindo. Although Rubião is at first modest and dismissive about his heroism, as he reads Camacho’s account he becomes increasingly self-important.
ellauri090.html on line 122: Maria Benedicta, Sophia’s young cousin, is another potential wife for Rubião, but Rubião is too infatuated with Sophia to be interested in Maria Benedicta. After the incident at Santa Thereza, Rubião appears more cosmopolitan and confident. He spends his inherited money freely, often in support of others in addition to Palha and Dr. Camacho. When his impoverished friend, Freitas, falls ill, Rubião generously gives Freitas’s mother a substantial sum of money. Later, he pays Freitas’s funeral expenses.
ellauri090.html on line 124: Rubião tries to stay away from Sophia, but he finds an envelope addressed in Sophia’s handwriting to Carlos Maria. When he confronts her with the envelope, she tells him to open it. He refuses and leaves. Although Carlos Maria had flirted with Sophia, the envelope contains only a circular about a charitable committee on which Sophia serves.
ellauri090.html on line 126: Palha’s business flourishes as Rubião’s wealth begins to dwindle. Rubião becomes subject to fits of madness, believing that he is Napoleon III of France. When Rubião gets into a carriage alone with Sophia, she thinks he is still attracted to her. She panics and orders him to get out. Thinking he is Napoleon III, Rubião treats Sophia as if she were the emperor’s mistress, but eventually he leaves the carriage.
ellauri090.html on line 128: After Carlos Maria’s flirtation with Sophia, Doña Fernanda acts as a matchmaker and brings Carlos Maria and Maria Benedicta together. Although Maria Benedicta is not beautiful, Carlos Maria marries her because she adores him. Following their marriage, they travel to Europe, returning to Rio de Janiero after Maria Benedicta becomes pregnant.
ellauri090.html on line 130: For a time, Rubião’s friends accept his madness as he continues to provide meals and entertainment for them. Eventually, however, Rubião’s house falls into disrepair as his belief in himself as the emperor becomes constant. Doña Tonica becomes engaged to a man who dies before the wedding. Children on the street, including Deolindo, whose life Rubião had saved, make fun of him as a madman. Prodded by Doña Fernanda, a woman who barely knows Rubião, Sophia convinces Palha to set Rubião up in a little rented house on Principe Street. No one visits Rubião in his new humble residence. His former “friends” miss the luxury of Rubião’s wealthy surroundings in the house in Botafogo.
ellauri090.html on line 137: Joo hizi, heti ekassa kappaleessa sanotaan että R. oli ollut professori, ja oli nyt kapitalisti. Tää oli kylmän rauhallisesti puzattu pois tiivistelmästä! Hemmetin jenkkilurjuxet! Ne on puzanneet kirjasta sen koko sanoman! Jäi vaan tollasia Kauniit ja Rohkeat-tyyppisiä juonipaljastuxia. Kirjassa kerrotaan miten viattomasta professorista ison perinnön kautta rappeutui kapitalisti, ja se tuli sitten muutenkin hulluxi. Koirakin kuoli. Toi "fictional Humanitist philosophy" ei ole muuta kuin talousliberalismia.
ellauri090.html on line 143: —Não ha exterminado. Desapparece o phenomeno; a substancia é a mesma. Nunca viste ferver agua? Hasde lembrar-te que as bolhas fazem-se e desfazem-se de continuo, e tudo fica na mesma agua. Os individuos são essas bolhas transitorias.
ellauri090.html on line 147: —Bolha não tem opinião. Apparentemente, ha nada mais contristador que uma dessas terriveis pestes que devastam um ponto do globo? E, todavia, esse supposto mal é um beneficio, não só porque elimina os organismos fracos, incapazes de resistencia, como porque dá logar á observação, á descoberta da droga curativa. A hygiene é filha de podridões seculares; devemol-a a milhões de corrompidos e infectos. Nada se perde, tudo é ganho. Repito, as bolhas ficam na agua. Vês este livro? É D. Quixote. Se eu destruir o meu exemplar, não elimino a obra, que continua eterna nos exemplares subsistentes e nas edições posteriores. Eterna e bella, bellamente eterna, como este mundo divino e supra-divino.
ellauri090.html on line 156: et manifestatum est mihi quoniam bona sunt quae corrumpuntur, quae neque si summa bona essent neque nisi bona essent corrumpi possent; quia si summa bona essent, incorruptibilia essent, si autem nulla bona essent, quid in eis corrumperetur non esset. nocet enim corruptio et, nisi bonum minueret, non noceret. aut igitur nihil nocet corruptio, quod fieri non potest, aut, quod certissimum est, omnia quae corrumpuntur privantur bono. si autem omni bono privabuntur, omnino non erunt. si enim erunt et corrumpi iam non poterunt, meliora erunt, quia incorruptibiliter permanebunt. et quid monstrosius quam ea dicere omni bono amisso facta meliora? ergo si omni bono privabuntur, omnino nulla erunt: ergo quamdiu sunt, bona sunt. ergo quaecumque sunt, bona sunt, malumque illud quod quaerebam unde esset non est substantia, quia si substantia esset, bonum esset. aut enim esset incorruptibilis substantia, magnum utique bonum, aut substantia corruptibilis esset, quae nisi bona esset, corrumpi non posset. itaque vidi et manifestatum est mihi quia omnia bona tu fecisti et prorsus nullae substantiae sunt quas tu non fecisti. et quoniam non aequalia omnia fecisti, ideo sunt omnia, quia singula bona sunt, et simul omnia valde bona, quoniam fecit deus noster omnia bona valde. (7.12.18)
ellauri090.html on line 165: Pardo (feminine parda) is a term used in the former Portuguese and Spanish colonies in the Americas to refer to the triracial descendants of Europeans, Amerindians, and West Africans. In some places they were defined as neither exclusively mestizo (Amerindian-European descent), nor mulatto (West African-European descent), nor zambo (Amerindian-West African descent). In colonial Mexico, pardo "became virtually synonymous with mulatto, thereby losing much of its indigenous referencing." In the eighteenth century, pardo might have been the preferred label for blackness. Unlike negro, pardo had no association with slavery. Casta paintings from eighteenth-century Mexico use the label negro never pardo to identify Africans paired with Spaniards.
ellauri090.html on line 167: In Brazil, the word pardo has had a general meaning, since the beginning of the colonization. In the famous letter by Pêro Vaz de Caminha, for example, in which Brazil was first described by the Portuguese, the Amerindians were called "pardo": "Pardo, naked, without clothing". The word has ever since been used to cover African/European mixes, South Asian/European mixes, Amerindian/European/South Asian/African mixes and Amerindians themselves.
ellauri090.html on line 170: Nascido no Morro do Livramento, Rio de Janeiro, de uma família pobre, mal estudou em escolas públicas e nunca frequentou universidade. Para o considerado crítico literário norte-americano Harold Bloom, Machado de Assis é o maior escritor negro de todos os tempos, embora outros estudiosos prefiram especificar que Machado era mestiço, filho de um descendente de negros alforriados e de uma lavadeira portuguesa.
ellauri090.html on line 175: Machado de Assis é considerado o introdutor do Realismo no Brasil, com a publicação de Memórias Póstumas de Brás Cubas (1881). Este romance é posto ao lado de todas suas produções posteriores, Quincas Borba, Dom Casmurro, Esaú e Jacó e Memorial de Aires, ortodoxamente conhecidas como pertencentes à sua segunda fase, em que notam-se traços de crítica social, ironia e até pessimismo, embora não haja rompimento de resíduos românticos.
ellauri090.html on line 177: Embora seja chamada de "realista", os críticos não deixam de notar que a riqueza de gêneros e elementos nessas obras também adere resíduos do Romantismo e impressionistas. Além disso, nessas obras Machado de Assis não compactua com o esquematismo determinista dos realistas, nem procura causas muito explícitas ou claras para a explicação das suas personagens e situações.
ellauri090.html on line 181: Como nota José Guilherme Merquior, os estilos dos livros assemelham-se numa coisa: "capítulos curtos, marcados pelos apelos ao leitor em tom mais ou menos humorístico e pelas digressões entre graves e gaiatas". Além disso, os críticos não deixam de notar que os três livros criticam a sociedade do seu tempo:
ellauri090.html on line 184:
Ideologia política conservadorismo

ellauri090.html on line 196: Os críticos notam que o "Humanitismo" de Machado não passa de uma sátira ao positivismo de Auguste Comte e ao cientificismo do século XIX, bem como a teoria de Charles Darwin acerca da seleção natural.
ellauri090.html on line 200: Desta forma, a teoria do "ao vencedor, as batatas" seria uma paródia à ciência da época de Machado; sua divulgação seria uma forma de desnudar ironicamente o caráter desumano e anti-ético do pensamento da "lei do mais forte".
ellauri090.html on line 202: Os críticos notam que na segunda metade do século XIX os intelectuais brasileiros interessavam-se com o "surgimento de novas ideias" como o já citado positivismo de Comte e o evolucionismo social de Spencer. Ao que tudo indica, Machado não compartilhava deste interesse e escreveu seus romances com ceticismo (skeptisesti) a estas escolas filosóficas e políticas. Em Memórias Póstumas de Brás Cubas, por exemplo, um importante aspecto do pessimismo de Brás Cubas é sua visão de que os valores são arbitrários.
ellauri090.html on line 204: Os críticos concordam que o ceticismo em Dom Casmurro surge na expressão da afasia pirrônica (ausência de afirmação ou de negação).
ellauri090.html on line 209: Machado de Assis oli valkoinen portugalilainen äidin puolelta, jolta tuli nimikin Machado. Assis oli ruskeamman isän koirannimi orja-ajoilta, Fransiskus Assisilaisen mukaan annettu. Joaqim ja Carolina tykkäsivätkin koirista, ainakin omasta pienestä bichon friseestä. Luun äidillä oli mopsi, niinkuin munkin äidillä. Ei siis eläinfänin Fransiskus Assisilaisen, vaan tämän paasaajan.
ellauri090.html on line 219: Aos 21 anos de idade Machado já era uma personalidade considerada entre as rodas intelectuais cariocas. (Riolaisissa. Akus Ankan nuoruudenkavereita oli papukaija nimeltä Jose Carioca. Daisy on Mexicosta.)
ellauri090.html on line 234: Um de seus amigos, Faustino Xavier de Novaes (1820–1869), poeta residente em Petrópolis, e jornalista da revista O Futuro, estava mantendo sua irmã, a portuguesa Carolina Augusta Xavier de Novais, desde 1866 em sua casa, quando ela chegou ao Rio de Janeiro do Porto. Segundo os biógrafos, veio a fim de cuidar de seu irmão que estava enfermo, enquanto outros dizem que foi para esquecer uma frustração amorosa. Carolina despertara a atenção de muitos cariocas; muitos homens que a conheciam achavam-na atraente, e extremamente simpática. Com o poeta, jornalista e dramaturgo Machado de Assis não fora diferente. Tão logo conhecera a irmã do amigo, logo apaixonou-se. Até essa data o único livro publicado de Machado era o poético Crisálidas (Koteloita, 1864) e também havia escrito a peça Hoje Avental, Amanhã Luva (1860), ambos sem muita repercussão. Carolina era cinco anos mais velha que ele; deveria ter uns trinta e dois anos na época do noivado.
ellauri090.html on line 280: Estava apaixonado por sua "Carola", apelido dado pelo marido. Entusiasmava a esposa com cartas românticas e que previam o destino dos dois; durante o noivado, em 2 de março de 1869, Machado havia escrito uma carta íntima que dizia: "...depois, querida, ganharemos o mundo, porque só é verdadeiramente senhor do mundo quem está acima das suas glórias fofas e das suas ambições estéreis." Suas cartas endereçadas a Carolina são todas assinadas como "Machadinho"
ellauri090.html on line 282: Outra carta justifica uma certa complexidade no começo de seu relacionamento: "Sofreste tanto que até perdeste a consciência do teu império; estás pronta a obedecer; admiras-te de seres obedecida", o que é um mistério para os recentes estudiosos das correspondências do autor.
ellauri090.html on line 283: Noutro parágrafo, diz: "Tu pertences ao pequeno número de mulheres que ainda sabem amar, sentir e pensar." De fato, Carolina era extremamente culta. Apresentou a Machado os grandes clássicos portugueses e diversos autores da língua inglesa.
ellauri090.html on line 288: Tinham, no entanto, uma cadela tenerife (também conhecidos como bichon frisé) chamada Graziela e que certa vez se perdeu entre as ruas do bairro e, atônitos, foram achá-la dias depois na rua Bento Lisboa, no Catete.
ellauri090.html on line 289: Depois do Catete, foram morar na casa nº 18 da Rua Cosme Velho (a residência mais famosa do casal), onde ficariam até a morte. Do nome da rua surgira o apelido Bruxo do Cosme Velho, dado por conta de um episódio onde Machado queimava suas cartas em um caldeirão, no sobrado da casa, quando a vizinhança certa vez o viu e gritou: "Olha o Bruxo do Cosme Velho!"
ellauri090.html on line 291: Machado de Assis e Carolina Augusta teriam vivido uma "vida conjugal perfeita" por 35 anos. Quando os amigos certa vez desconfiaram de uma traição por parte de Machado, seguiram-no e acabaram por descobrir que ele ia todas as tardes avistar a moça do quadro de A Dama do Livro (1882), de Roberto Fontana. Ao saberem que Machado não podia comprá-lo, deram-lhe de presente, o que o deixou particularmente feliz e grato.
ellauri090.html on line 298: No entanto, talvez a "única nuvem negra a toldar a sua paz doméstica" tenha sido um possível caso extraconjugal que tivera durante a circulação de Memórias Póstumas de Brás Cubas.
ellauri090.html on line 301: Seus dois primeiros livros de estreia, Crisálidas (1864) e Falenas (1870), são poéticos. Vinte e dois poemas, escritos entre 1858 e 64, compunham este primeiro livro. Há nestes poemas todos uma emoção "menos desbordante" que o comum lirismo da literatura brasileira. As Crisálidas eram inspiradas pelo higor por intensas emoções amorosas ou pelo belo do feminino.
ellauri090.html on line 303: Entre a temática na obra machadiana destaca-se a escravidão, os papéis sociais, a mulher, o ciúmes, a filosofia, como também a loucura, a solidão e a homossexualidade.
ellauri090.html on line 304: Ainda assim, aparecem já nos romances da segunda fase, sobretudo em Memórias Póstumas de Brás Cubas e em Quincas Borba, e mesmo em diversos contos, todos os elementos centrais trazidos de forma contundente pelo Realismo: a crítica social, sobretudo uma crítica dirigida à burguesia, a crítica à escravidão, ao uso do "homem pelo homem", a crítica a um sistema capitalista puramente interesseiro, financeiro, calculista do dinheiro pelo dinheiro e da mercantilização da vida, das relações, do casamento etc.
ellauri090.html on line 306: Os romances machadianos tratam frequentemente da escravidão sob o ponto de vista cínico do senhor de escravos, sempre criticando-o de forma oblíqua. Sobre a escravidão, Machado de Assis já havia tido uma experiência familiar, quer por seus avós paternos terem sido escravos, quer porque lia os jornais com anúncios de escravos fugitivos. Em seu tempo, a literatura que denunciava crenças etnocêntricas que posicionavam os negros no último grau da escala social era distorcida ou tolhida, de modo que este tema encontra uma grande expressividade na obra do autor.
ellauri090.html on line 308: A começar, as Memórias Póstumas de Brás Cubas narra o que seria uma das páginas de ficção mais perturbadoras já escritas sobre a psicologia do escravismo: o negro liberto compra seu próprio escravo para tirar sua desforra. (Kosto)
ellauri090.html on line 315: Memórias Póstumas de Brás Cubas tece críticas aos beneficiários da escravidão no Segundo Império, ricos, que não trabalhavam e que por isso lutavam e esperavam sua herança familiar, personificados no personagem Brás Cubas e nos outros;
ellauri090.html on line 317: Dom Casmurro — que recebeu diversas interpretações ao longo do tempo — provavelmente é a obra machadiana que mais tenha sido interpretada de maneiras diferentes e vastas, destaque para a interpretação feminista de Helen Caldwell, mas a maioria dos críticos concordam que a obra, por um lado, retrata um brasileiro entre o liberalismo e as antigas tradições da monarquia escravocrata, e, por outro lado, destrói a imagem da amada, Capitu, que seria símbolo de um novo tempo e um risco ao status quo, por ser menina pobre, livre e inteligente (embora alguns poucos tenham afirmado que ela realmente o traiu);
ellauri090.html on line 319: e, por fim, Quincas Borba, cuja crítica mais explícita é ao cientificismo e à lei do mais forte e da seleção natural (muito famosa na época, por influência de Charles Darwin), através do filósofo Quincas Borba, teórico do fictício Humanitismo, onde o homem mais esperto recebe vantagem sobre o menos esperto nas sociedades.
ellauri090.html on line 323: Há críticos que também se focam nos temas e elementos de existencialismo, reflexão e afins que essas obras possuem. De fato, a trilogia foi muito influenciada por filósofos como Blaise Pascal, Montaigne e Schopenhauer.
ellauri090.html on line 325: Os acadêmicos notam cinco fundamentais enquadramentos em seus textos: "elementos clássicos" (equilíbrio, concisão, contenção lírica e expressional), "resíduos românticos" (narrativas convencionais ao enredo), "aproximações realistas" (atitude crítica, objetividade, temas contemporâneos), "procedimentos impressionistas" (recriação do passado através da memória), e "antecipações modernas" (o elíptico e o alusivo engajados à um tema que permite diversas leituras e interpretações).
ellauri090.html on line 327: Sua mensagem artística se dá por meio de uma interrupção na narrativa para dialogar com o leitor sobre a própria escritura do romance, ou sobre o caráter de determinado personagem ou sobre qualquer outro tema universal, numa organização metalinguística que constituía seu principal interesse como autor.
ellauri090.html on line 329: A frase machadiana é simples, sem enfeites. Os períodos em geral são curtos, as palavras muito bem escolhidas e não há vocabulário difícil (alguma dificuldade que pode ter um leitor de hoje se deve ao fato de que certas palavras caíram em desuso). Mas com esses recursos limitados Machado consegue um estilo de extraordinária expressividade, com um fraseado de agilidade incomparável.
ellauri090.html on line 331: Uma das maiores características da prosa de Machado de Assis é a forma contraditória de apreensão do mundo. Machado em geral apanha o fato em suas versões antagônicas, e isso lhe dá um caráter dilemático. É também uma forma superior e mais completa de ver as coisas. Machado tem os olhos voltados para as contradições do mundo.
ellauri090.html on line 335: Uma das características mais atraentes e refinadas de Machado de Assis é sua ironia, uma ironia que, embora chegue francamente ao humor em certas situações, tem geralmente uma sutileza que só a faz perceptível a leitores de sensibilidade já treinada em textos de alta qualidade. Essa ironia é a arma mais corrosiva da crítica machadiana dos comportamentos, dos costumes, das estruturas sociais. Machado a desenvolveu a partir de grandes escritores ingleses que apreciava e nos quais se inspirou (sobretudo o originalíssimo Lawrence Sterne, romancista do século XVIII). Na representação dos comportamentos humanos, a ironia de Machado de Assis se associa àquilo que é classificado como o seu grande poder 'analista da alma humana'.
ellauri090.html on line 337: Machado de Assis, como exímio intelectual e leitor, atribui a sua obra caráteres de arquétipos. Os acadêmicos também notam a constante presença do pessimismo. Suas últimas obras de ficção assumem uma postura desencantada da vida, da sociedade, e do homem. Crê-se que não acreditava em nenhum valor de seu tempo e nem mesmo em algum outro valor e que o importante para ele seria desmascarar o cinismo e a hipocrisia política e social.
ellauri090.html on line 343: Certos críticos encontram no personagem Bentinho de Dom Casmurro uma certa homossexualidade voltada a seu amigo Escobar. Como no trecho:
ellauri090.html on line 348: O conto "Pílades e Orestes", no entanto, é o que mais explicitamente trata do homoerotismo.
ellauri090.html on line 350: Suas mulheres são "capazes de conduzir a ação, apesar do predomínio da trama romanesca não ter se esvaziado." As personagens femininas de Machado de Assis, ao contrário das mulheres de outros românticos — que faziam a heroína dependente de outras figuras e indisposta à ação principal na narrativa — são extremamente objetivas e possuem força de caráter.
ellauri090.html on line 355: Roope pääsi (vaikka oli musta) naimisiin portugalilaisen elämänsä naisen kaa joka oli sille vaimona siskona ja äitinä (oikea äiti kuoli pienenä). Elivät onnellisina elämänsä loppuun saakka muttei saaneet lapsia. Niillä oli pieni valkoinen koira bichon frisé joka kerran exyi ja löytyi sitten kaikexi onnexi toiselta kadulta.
ellauri090.html on line 357: Machado dedicou seu último soneto, "A Carolina", em que Manuel Bandeira afirmaria, anos mais tarde, que é uma das peças mais comoventes da literatura brasileira. De acordo com alguns biógrafos o túmulo de Carolina era visitado todos os domingos por Machado.
ellauri090.html on line 389: Ei muuta kuin sarjayrittämään vaan, kyllä se siitä muovautuu, kuten venäläinen sanoisi, eipä aikaakaan niin ollaan kohta taas kokkareina pinnalla, jonkun vaikka liikkuvan intialaistyyppisen ravintolariksan ohjissa. Reinikainen kazoo suopeasti päältä ja nostaa venelakkia. Täst mie piän, tää on hyvä ohjelma, sanoisi myös David Foster Wallace. Save America, if you cannot keep it great.
ellauri090.html on line 391: Vizi hei mä vedin ton ihan hatusta! Mut JUST SIITÄ siinä onkin kysymys! Arvasin ihan oikein! Lusmuista pohatoista tosiaan tulee tosi yritteliäitä ja eipä aikaakaan kun ne on taas vaurastumispolulla. Alexis (joka on kyllä homo, mutta sekin on nyt jo ookoo prime time teeveessä) oppii rehellisen (tai no, tuottoisan) työn arvon jne. jne. Tää kaikki selvisi vaan treilereitä kazomalla. Tää sarja on sellasta riches to rags and back to riches tarinaa jota jauhettiin jo 1900-luvun lopulla kun pikku Wallu kazoi televisiota puristellen tennispalloa. Se kyllä tykkäisi. Pilkkanauru pois, kääritäänpä hihat ja ansaizemaan ensimmäistä miljoonaa kengänkiillottajana kuten nuori Roope, tai sooda jerkkinä kuten Bob Heinleinin Kip.
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ellauri092.html on line 63: In engineering, the Moody chart or Moody diagram is a graph in non-dimensional form that relates the Darcy-Weisbach friction factor fD, Reynolds number Re, and surface roughness for fully developed flow in a circular pipe. It can be used to predict pressure drop or flow rate down such a pipe. Lewis Ferry Moody (5 January 1880 – 21 February 1953) was an American engineer and professor, best known for the Moody chart. He has 23 patents for his inventions. He was the first Professor of Hydraulics in the School of Engineering at Princeton. Tästä Moodysta ei löytynyt sen enempää, tuli umpiperä. Not the way out - exit through tunnel in rear, luki MIT:n vessan ovessa. Mutta tämä sensijaan on motherlode:
ellauri092.html on line 65: Dwight Lyman Moody (February 5, 1837 – December 22, 1899), also known as D. L. Moody, was an American evangelist and publisher connected with Keswickianism, who founded the Moody Church, Northfield School and Mount Hermon School in Massachusetts (now Northfield Mount Hermon School), Moody Bible Institute and Moody Publishers. One of his most famous quotes was “Faith makes all things possible... Love makes all things easy.“ Moody gave up his lucrative boot and shoe business to devote his life to revivalism, working first in the Civil War with Union troops through YMCA in the United States Christian Commission. In Chicago, he built one of the major evangelical centers in the nation, which is still active. Working with singer Ira Sankey, he toured the country and the British Isles, drawing large crowds with a dynamic speaking style. Jesus was a great motivational speaker, and the apostles plus Paul of Tarsus copycatted him to the best of their abilities.
ellauri092.html on line 67: Over 18 centuries later, Ike Moody broke through all the charts with his charismatic showmanship. Lose your soul to Christ and you find it, with a lot of perks! Moody gave up his lucrative boot business but got millions of followers and a comparable number of bucks on the side I bet. His family founded Moody's and made megabucks. Ei vaitiskaan, eikai ne sentään olleet sukua. Vai oliko? Ei ainakaan veljexiä. Iken perhe on Massachusettsista, Johnin Connecticutista. Galvestonissa on joku dixie Moody dynastia, ja briteissä on 1 jonka äiti oli nimeltään Lingo Lango. Kuulostaa läpältä.
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ellauri092.html on line 80: By 17 years old this stout young Yankee decided to leave his farming work at home and head for Boston where he became a shoe salesman. Like Al Bundy. Taivas on todennäköisesti täynnä kadonneita parittomia sukkia. Ne ovat kaikki pelastuneet sinne. Kun mun sukkaan tulee reikä heitän sen roskiin mutta pelastan parittoman, koska mun lähes kaikki sukat ovat mustia. Vartioin niitä mustasukkaisesti ja teen leskexi jääneistä uusia pareja. He attended a Congregationalist Church which bored him as did all religious matters but over the next year the convicting message of sin and righteousness began to take effect. At the same time though, he raised up a wall of arguments. He settled his heart by deciding to leave the matter until his deathbed, but Cod’s Word continued to disturb him. No wonder: this was good old Boston, the home of the bean and the cod, Where the Lowells talk to the Cabots, And only the Cabots talk to Cod.
ellauri092.html on line 82: In April 1855 young Edward Kimball a Sunday school teacher was deeply burdened by Moody’s sole. Kimball left his house and made his way to the shoe shop where Moody worked with the intention of confronting Moody about his standing in front of Cod. A thousand contrary thoughts invaded the young man’s mind and he almost turned back. When he realized he had passed the shop he decided he would go for it and get it over with quickly. With what he later thought was a very weak plea with tears in his eyes he challenged Moody concerning his salivation, Cod’s tail and his need of a waist. That day in the back of the shop on his knees Moody accepted his price and Kimball returned home within minutes with new soles. Salivation while you wait.
ellauri092.html on line 84: The first change in Moody was that he received a burden to see all his family earnings saved. Later that year he moved to Chicago and although he started to show signs of real shoe business ability and success, when he experienced the revival which commenced in that city in January 1857, business success faded into insignificance. He was ruined - success of this world no longer interested him instead, he began to glow in Christian virtue. He mixed freely amongst Plymouth Brethren, Methodist Episcopal, Congregationalists and Baptists. The years passed and he worked with the men in tights at YMCA and raised up one of the most unusual Sunday Schools of that day which became a church. He reluctantly began to preach and haggled every step of the way. He turned down Congregational ordination and remained a simple uneducated layman with a burden for souls. Having heard of Spurgeon’s ministry in London he did all he could to get hold of and read every Spurgeon sermon. He took thorough hold of Spurgeon’s three ‘R’s: Ruin by the fall, Redemption by the Blood, and Regeneration by the Holy Mackerel. This flowed through every one of his messages and was the marrow of Moody’s theology. Many thought him too radical and so nicknamed him ‘Crazy Moody.’
ellauri092.html on line 86: When his wife Emma suffered bad asthma the doctor suggested a boat trip so Moody decided to take her to dry and airy Britain. In February 1867 they set sail for Britain for the first time. Altogether they had a thoroughly inspiring time. They visited Spurgeon’s Metropolitan Tabernacle which had a congregation of 5,000. He sat amongst the Plymouth Brethren and heard their most fervent preachers as well as preaching for them. He could preach as fervently as any tommy, if not more. He was also invited to speak at some meetings in London where his warmth won everyone’s affection while his wife coughed in the smog. He also visited Bristol to see George Muller’s work where 1,500 orphan children were provided for financially without requests for money. (The trick is familiar from Dickens' Oliver Twist.) Moody was very impressed with what Cod could accomplish going through this meek godly man of prayer. They managed to include Dublin and France in the trip then in June they returned to America.
ellauri092.html on line 88: He became very settled and successful in ministry in Chicago. He sat on at least ten separate committees while at the same time fighting the gall of Cod to step out as an itinerant Evangelist. Cash flow was becoming mechanical. In June 1871 a great burden came upon two older ladies in his congregation to pray that he would receive the baptism of the Holy Ghost and fire. These two hot ladies became very obvious to Moody as they sat on the front pew and prayed as he preached. When he enquired about their praying they informed him that they needed the power of the Spirit.
ellauri092.html on line 90: At first Moody could satisfy himself so that was ok. But the persistence of these ladies led him to meet and pray with them. They poured out their hearts asking Cod to fill them with His servant's Spirits. From that day a deep hunger and thirst gripped Moody. By October he was in agony for sole as he prayed and munched Cod for the promised gift. At times he would roll on the floor in agony with the ladies and in tears with this singular prayer to be baptised in the Holy Mackerel grilled with fire. This was a wrestle between his willy and Cod’s willy. It was that very month that Chicago burnt to the ground by ghost fire. All his works, efforts and organizational committees literally went up in a blaze. Shortly after this while passing through New York on his way to Britain the second time Cod heard his prayer. As he walked the streets his willy bent before Cod's, the power of the Golden Horde fell upon him, the Ford drew near and revealed Himself to be His servant. Moody rushed to a friend’s house and asked for rum and to be left alone. Hour after hour he bathed in the presence of Cod as the Holy Mackerels filled him. So strong was this that he cried out to Cod to stay in His hand lest He die. He was filled with the joy of the Gourd. When he left that house it was in the power of the fire, just like Chicago the other day.
ellauri092.html on line 92: He fleed to England for a few months of rest and with a desire to draw ale with Christian leaders there. He had no intention of zonking although he did a few times but he attended conventions and conferences and wrote numbers of notes and thoughts. He met with the Plymouth Brethren near Dublin and he spent a whole night kneeling in fervent prayer with about 20 of these jealous men. That next morning he walked with Henry “Butcher” Varley through the streets. This Br'er Rabbit said something to him which made a deep impact on the weasel Cod was forming. He said “Moody, the world has yet to see what Cod will do to a man full of It.” That night as these words still reverberated in his mind and heart he vowed that by the grace of Cod and the power of the Holy Mackerels he would be that man. All who met with him during this journey in Britain and Ireland were strangely aware that Cod was preparing a great work in this man. You could smell it a mile away. Mackerels!
ellauri092.html on line 94: Before returning home he was persuaded to preach at a Congregational church in Arundel Square, London. The massage came with real power. As a result over 400 new convict perverts were taken into membership in the following weeks. As other requests to preach reached him he decided he would return home and prepare to return for a period of six months at a later stage, all expenses paid.
ellauri092.html on line 96: So in June 1873 he arrived again into Liverpool, England, accompanied by his asthmatic wife and song leader Ira Sankey as his other wife. Key men who were leaders and financers who had invited him with the promise of financial help had died since he was last there. There were no meetings, no funds and no committees. What the fuck. It seemed all was lost. Maybe they would just have to return to America? Only one unattractive invitation came from York in the North of England and so there they went. It was hard ground but in the midst of these meetings one unimpressed minister called F.B. Meyer slowly melted and then ignited with holy fervent fire. Our friends fled the scene as fast as they could. Next the Evangelistic foursome moved to Sunderland for several weeks of sole eating meetings where Cod’s power to inflate liver was manifest. In August they brought coals to Newcastle where a daily paper meeting was conducted with some 300 saints in attendance. No other lighting was necessary. News spread throughout the whole land that Creedence Clearvater Revival was coming to churches and salivation to thousands. Other towns were visited in the same manner and left as quickly as the audience caught on that a less inspiring Yankee foursome was doing the song and play.
ellauri092.html on line 98: Next came the invitation to Edinburgh, Scotland. Only eternity will reveal the results of this revival which started in November, 1873. On the first night at the first meeting 2,000 people had to be turned away because the tiller was already filled to capacity. By now Moody had the full backing and support of many great theologians as well as all national financiers of every occupation. It was later said that “The revival in Edinburgh was like a Holocaust to the land”. Cold Calvinism gave way to fiery evangelism. This great city was startled out of its sleep and stirred to its depths. In the New Year they travelled on to see Crocodile Dundee, Glasgow and elsewhere. This was not successful evangelism, it was Creedence Clearwater Revival live. The nine months in Scotland ended, but the revival burned on a few days. Then things returned to normal.
ellauri092.html on line 100: In September 1874 they travelled to Belfast in the North of Ireland for five weeks of meetings like those in Scotland. Then onward to Dublin for a month where several thousand pounds sterling were reported converted to dollars. These were some of the most remarkable meetings ever held in Ireland. In November they sailed for England and continued to minister in the main cities and towns. In March 1875 he moved to London to start a 4 mouth campaign. Initially meetings had about 16,000 people in attendance. He bled the rich and poor, the famous and the destitute, princesses as well as paupers. It is estimated that a million and a half people paid him in this chief of cities. After one very brief visit to Cambridge University he returned home to America and did not return again until 1882 when he administered snake oil in Ireland, Scotland, Wales and England.
ellauri092.html on line 102: In November 1882 when he spoke at Cambridge University he was filled with great anxiety as this educational centre for Britain’s aristocratic and wealthy youth had a reputation of unparalleled riotous behaviour. That first night at a Zoom meeting Moody spoke on ‘the Spirit’s power service.’ The university vicar Handley Moule was somewhat nervous. The young C.T. Studd (the same guy who impressed J.R.Mott with his biceps) greatly doubted ‘if this Yankee was up to the task.’ The first mission night on the Monday had 1,700 students in attendance. As Sankey sang his sacred Hymns they jeered, laughed and shouted. When Sankey finished he was near to tears. As Moody preached on Daniel in the lions den (how appropriate) again they laughed, shouted and did all in their power to disturb him. He maintained his calm. By the end of the week at least 200 students had accepted a check from the speaker. Amongst them was a main ‘ringette player’ who later assumed missionary position in China and was the first lady Bishop of King Kong. Out of this mission came The Cambridge Seven, missionaries who made a lot of dough. This campaign had huge proceeds that also leeched the youth of the whole nation.
ellauri092.html on line 104: During the summer of 1883 he returned home to count the revenue but was back again; first to Ireland and then London in November. For the next 8 months he held his greatest meetings yet in the capital. Many of his best new labourers were the pervert convicts from 1875. This campaign sealed the future destiny of many young men who would later go to the admission collection field. It was not long after his death in 1899 that his sermons were second only in demand to Pilgrim’s Progress and were printed right across the ad pages of the Boston Globe.
ellauri092.html on line 106: This however, is a mere summary of a man who showed the world what could be done when a man was fully constipated due to Cod and as practiced as a Late Night Host.
ellauri092.html on line 108: Moody's main claim to fame for us Pylkkänen's is that he helped get the Pentecostal movement going on the American west coast, from whence it went viral in China and infected Wilho Pylkkänen. Wilho toi sen Kiinasta Suomeen supertartuttajana, ja se siltä tarttui satoihin ellei suorastaan tuhansiin helluntaiystäviin. Altistuneita on vielä enemmän, kuten nähtävästi mä. Seuraava taulukko havainnollistaa USA:n eri kirkkokuntien yhtäläisyyxiä ja eroja.
ellauri092.html on line 153: Baptists in the South supported slavery "for economic and social reasons", although this was never admitted. Instead, it was claimed that slavery was beneficent, and endorsed in the Bible by God. However, Baptists in the North disagreed strongly, claiming that God would not "condone treating one race as superior to another". Southerners, on the other hand, held that God intended the races to be separate. Finally, around 1835, Southern states began complaining that they were being slighted in the allocation of funds for missionary work.
ellauri092.html on line 155: The break occurred in 1844, when the Home Mission Society announced that a person could not be simultaneously both a missionary and a slaveowner.[citation needed] Faced with this challenge, the Baptists in the South assembled in May 1845 in Augusta, Georgia, and organized the Southern Baptist Convention, which was pro-slavery. Throughout the remainder of the 19th century and throughout most of the 20th the Southern Baptist Convention continued to protect systemic racism and opposed civil rights for African-Americans, only officially and definitively renouncing slavery and "racial" discrimination with a resolution in 1995.
ellauri092.html on line 157: In matters of sexuality, several Baptist churches are promoting the virginity pledge to young Baptist Christians, who are invited to engage in a public ceremony at sexual abstinence until Christian marriage. This pact is often symbolized by a purity ring. Programs like True Love Waits, founded in 1993 by the Southern Baptist Convention have been developed to support the commitments.
ellauri092.html on line 178: Methodism thrived in America thanks to the First and Second Great Awakenings beginning in the 1700s. Various African-American denominations were formed during this period, including the African Methodist Episcopal Church.
ellauri092.html on line 180: The First Great Awakening was a religious movement among colonials in the 1730s and 1740s. The English Calvinist Methodist preacher George Whitefield played a major role, traveling up and down the colonies and preaching in a dramatic and emotional style, accepting everyone as his audience. It was the largest denomination in 1820.
ellauri092.html on line 186: In the 1930s many Methodists favored isolationist policies. Thus in 1936, Methodist Bishop James Baker, of the San Francisco Conference, released a poll of ministers showing 56% opposed warfare. When war came in 1941, the vast majority of Methodists strongly supported the national war effort, but there were also a few (673) conscientious objectors.
ellauri092.html on line 188: In the early 20th century, many of the splintered Methodist groups joined together to form The Methodist Church (USA). Another merger in 1968 resulted in the formation of The United Methodist Church from the Evangelical United Brethren (EUB) and the Methodist Church.While United Methodist Church in America membership has been declining, associated groups in developing countries are growing rapidly.
ellauri092.html on line 192: Whereas most American Methodist worship is modeled after the Anglican Communion´s Book of Common Prayer, a unique feature was the once practiced observance of the season of Kingdomtide, which encompasses the last thirteen weeks before Advent, thus dividing the long season after Pentecost into two discrete segments. During Kingdomtide, Methodist liturgy emphasizes charitable work and alleviating the suffering of the poor. This practice was last seen in The Book of Worship for Church and Home by The United Methodist Church, 1965, and The Book of Hymns, 1966. While some congregations and their pastors might still follow this old calendar, the Revised Common Lectionary, with its naming and numbering of Days in the Calendar of the Church Year, is used widely. However, congregations who strongly identify with their African American roots and tradition would not usually follow the Revised Common Lectionary.
ellauri092.html on line 194: Adding more complexity to the mix, there are United Methodist congregations who orient their worship to the "free" church tradition, so particular liturgies are not observed. The United Methodist Book of Worship and The Hymns of the United Methodist Church are voluntarily followed in varying degrees. Such churches employ the liturgy and rituals therein as optional resources, but their use is not mandatory.
ellauri092.html on line 196: Methodists stand almost alone among mainline denominations in not performing same-sex marriages, in contrast to the Episcopal Church, the Presbyterian Church (USA), the Evangelical Lutheran Church in America, and the United Church of Christ.
ellauri092.html on line 198: The United Methodist Church delegates met in St. Louis February 26, 2019, and voted 438 to 384 to maintain its policies defining marriage as a covenant between one man and one woman and barring "self-avowed practicing homosexuals" from serving as clergy.
ellauri092.html on line 200: The plan made it easier to enforce penalties for violating the teaching, which is part of the church´s Book of Discipline.[26]
ellauri092.html on line 204: Methodistishen uskon erikoispiirteitä ovat pyhitys (sanctification), uudelleensyntyminen (new birth), uskonvarmuus (assurance), hankittu vanhurskaus (imparted righteousness), täydellinen pyhitys (complete sanctification), laupeudenteot, raamatun ensisijaisuus mutta traditio käy, arminianismi.
ellauri092.html on line 206: Nää on tosi hämäriä, selityxen jälkeenkin. Pyhitys on se että apinoista ikäänkun tulee jotain pikku jumalolentoja. Uudelleensyntyminen on se hurahdus. Uskonvarmuus tarkoittaa että hurahtaneella on ikäänkuin pääsylippu taivaaseen. Hankittu vanhurskaus on jotain erityisen mefodistista. Täydellinen pyhitys meinaa että pääsee pulmusexi vielä elävänä. Hizi kyllä pitää olla joku tosi tarkka teologinen nitpickeri että saa näistä uskonkiistoista mitään selkoa. Tavallinen syntinen kyllä miettii että mitä eroa, ja sitäpaizi oikeastaan mitä väliä.
ellauri092.html on line 213: Baptists, as their very name implies, adhere to baptism. But not just any baptism – Baptists are more specific on the issue. Baptist subscribe to credo baptism by immersion. That means that they believe in baptism of a confessing believer by immersion into water. They reject pedobaptism and other modes of baptism (sprinkling, pouring, etc.). This is one distinctive that holds true for nearly all Baptist denominations and churches. They are Baptists, after all!
ellauri092.html on line 217: Whatever the case, it is indisputable that Baptists have been a major branch of denominations since at least the 17th century. In America, the First Baptist Church of Providence, Rhode Island was founded in 1639. Today, Baptists comprise the largest Protestant family of denominations in the United States. The largest Baptist denomination is also the largest Protestant denomination. That honor goes to the Southern Baptist Convention.
ellauri092.html on line 219: Methodism also can confidently claim roots that go back centuries; right back to John Wesley, who founded the movement in England, and later in North America. Wesley was unhappy with the “sleepy” faith of the Church of England and sought to bring renewal and revival and spirituality to the practice of Christians. He did this especially through open air preaching, and home meetings which soon formed into societies. By the end of the 18th century, Methodist societies were taking root in the American Colonies, and it soon spread across the continent.
ellauri092.html on line 221: Today, there are many different Methodist denominations, but they all hold similar views in several areas. They all follow Wesleyan (or Armenian) theology, emphasize practical life over doctrine, and hold to the Apostle’s Creed. Most Methodists groups reject that the Bible is inerrant and sufficient for life and godliness, and many groups are presently debating the moral standards of the Bible, especially as they relate to human sexuality, marriage, and gender.
ellauri092.html on line 223: Many people have wondered, are baptist and methodist the same? The answer is no. However, there are some similarities. Both Baptists and Methodist are trinitarian. Both hold that the Bible is the central text in faith and practice (though groups within both the families of denominations would dispute the Bible’s authority). Both Baptists and Methodists have historically affirmed the divinity of Christ, justification by faith alone, and the reality of heaven for those who die in Christ, and eternal torment in hell for those who die unbelieving.
ellauri092.html on line 225: Historically, both Methodists and Baptists have placed a heavy emphasis on evangelism and missions.
ellauri092.html on line 229: In contrast, Baptists traditionally hold to only baptism by immersion and only for one who is confessing faith in Jesus Christ for themselves, and old enough to responsibly do so. They reject pedobaptism and other modes such as a sprinkling or pouring or pedophilia as unbiblical. Baptists normally insist upon baptism for membership in a local church.
ellauri092.html on line 233: In contrast, Methodists are mostly hierarchical. Churches are led by conferences with increasing levels of authority. This begins at the local level, with a Local Church Conference, and progresses upward to a denomination-wide General Conference (or some variation of these categories, depending on the specific Methodist group). Most major Methodist denominations own the property of local churches and have a decisive say in assigning pastors to local churches.
ellauri092.html on line 235: Speaking of pastors, there are significant differences in how Methodists and Baptist choose their pastors too.
ellauri092.html on line 237: Baptists make this decision entirely at the local level. Local churches usually form search committees, invite and screen applicants, and then select one candidate to present to the church for vote. There are no denomination-wide standards for ordination in many larger Baptist denominations (such as the Southern Baptist Convention) or minimum education requirements for pastors, though most Baptist churches only hire pastors trained at the seminary level.
ellauri092.html on line 239: Major Methodist Bodies, such as the United Methodist Church, have outlined their requirements for ordination in the Book of Discipline, and ordination is governed by the denomination, not by local churches. Local church conferences confer with the district conference to select and hire new pastors.
ellauri092.html on line 241: Some Baptist groups – such as the Southern Baptist Convention – will only allow men to serve as pastors. Others – such as the American Baptists – allow both men and women.
ellauri092.html on line 245: Most Baptists subscribe to two ordinances of the local church; baptism (as discussed earlier) and the Lord’s Supper. Baptists reject that either of these ordinances are salvific and most subscribe to a symbolic view of both. Baptism is symbolic of the work of Christ in a person’s heart and a profession of faith by the one being baptized, and the Lord’s Supper is symbolic of the atoning work of Jesus Christ and taken as a way to remember the work of Christ.
ellauri092.html on line 251: Famous Methodist pastors include John and Charles Wesley, Thomas Coke, Richard Allen, and George Whitfield. Present-day well-known Methodist pastors include Adam Hamilton, Adam Weber, and Jeff Harper.
ellauri092.html on line 255: There has been a resurgence of Reformed theology among Baptists recently, with some major Baptist seminaries teaching a more classic and robust Reformed theology. There are also many Reformed Baptist churches which would enthusiastically subscribe to Calvinism.
ellauri092.html on line 259: As noted, most Baptist churches and church members hold enthusiastically to the doctrine of Eternal Security. The saying, once saved, always saved is popular today among Baptists. Methodists, on the other hand, believe that truly degenerate Christians can fall away into apostasy and be lost.
ellauri092.html on line 265:
Keswick Movement: Mark and Avoid

ellauri092.html on line 269: In 1859 William Boardman published his book, The Higher Christian Life. The book ultimately birthed the Keswick Movement, so named because the first meeting was held in a church in Keswick, England. The Keswick Movement was filled with doctrinal error from the start and like nearly all errors that infiltrated Christendom over the centuries, they remain to this day. This shouldn’t surprise us because Satan has always twisted God’s Word to his own ends.
ellauri092.html on line 273: Those involved with the Keswick Movement were continuationists otherwise known as anti-cessationists. These folks then (as well as today), believed the sign gifts including tongues never stopped. History as well as Scripture tells us that this is not true; that in fact, the sign gifts did actually cease not long after the last apostle died and the Bible had finished being written (though not yet compiled into Canon).
ellauri092.html on line 275: Though Boardman was a Presbyterian and strongly influenced by the numerous heresies of Charles Finney and others, he was not a trained theologian. In fact, it is tragic that many errors that crept into the church were introduced by people who had little to no training in rightly dividing the Word. This is not to say that a person with little to no formal training cannot be used by God or that he is exempt from learning the truth of Scripture (Harry Ironsides is a good example). However, there is a proper hermeneutic to be used in studying Scripture and if not applied, many errors can result.
ellauri092.html on line 277: The Keswick Movement urged Christians to seek enlightenment emotionally, to press on toward a higher (“mystical”), experience in Christ. This type of pursuit is diametrically opposed to what God teaches in His Word (2 Timothy 3:16-17). As such, it should be rejected. It is the exact same way Satan tempted Eve to focus on how she felt instead of what God had said (Genesis 3).
ellauri092.html on line 279: As a young Christian, because of a lack of discipleship, I was literally tossed about on various theological waves because of my emotions. Because of that I was drawn into the Charismatic Movement. Looking back now, I fully realize my error.
ellauri092.html on line 281: Keswick’s emphasis on emotion, signs and wonders gave birth to Pentecostalism, the Charismatic Movement and ultimately to today’s NAR movement, all facets of the same doctrinal errors. Moreover, today’s Contemplative Movement is simply a redressing of the Quaker Quietism.
ellauri092.html on line 285: One of the main errors within the Keswick Movement is their unbiblical view of sanctification. Keswickians believe when a person becomes saved, they are immediately justified. This is certainly Scriptural fact (Romans 3:21-26; 5:18-19; 2 Corinthians 5:21). There is nothing I can do to justify myself before God. Only salvation provides this immediate and eternal justification as Christ’s righteousness is literally imputed to my account.
ellauri092.html on line 287: Biblically speaking, sanctification is the process the Christian goes through that ultimately makes him/her perfect in Christ. This is not only begun by God at our conversion, but finished by Him as well when we reach the eternal realm (Hebrews 12:2; Philippians 1:6). In sanctification, Christians are both passive and active. We are passively trusting in God’s ability to fully sanctify us and we are active because we are to choose to do what is right, in thought, word, and deed (Romans 12:1-2; 1 Thessalonians 4:4; Hebrews 12:14, etc).
ellauri092.html on line 289: Adherents of Keswickianism would agree with the above regarding justification. However, when it comes to sanctification, they move off in a different direction. They generally do not believe the Holy Mackerel comes into the person and takes up residence at salvation, but that the Holy Mackerel simply comes upon the person to seal them with salvation. It is later, at a time they refer to variously as the “second blessing,” or “higher living,” when they say sanctification occurs. Ultimately, their view of sanctification is flat out mysticism akin to New Age’s goal of an altered state of consciousness. This is all based on a strong (and seemingly biblical), desire to emotionally “know” God. The person turns inward to meet the felt needs of self.
ellauri092.html on line 291: By the way, America has its own Keswick. Keswick remains with the world.
ellauri092.html on line 293: In Thomas Ross’ critical review of Keswick Movement, he says:
ellauri092.html on line 295: …the problems in the Keswick theology are severe. Because of its corrupt roots, Keswick errs seriously in its ecumenical tendencies, theological shallowness or even incomprehensibility, neglect of the role of the Word of God in sanctification, shallow views of sin and perfectionism, support of some tenants of Pelagianism and semi-Pelagianism, improper divorce of justification and sanctification, confusion about the nature of saving repentance, denial that God’s sanctifying grace always frees Christians from bondage to sin and changes them, failure to warn strongly about the possibility of those who are professedly Christians being unregenerate, support for an unbiblical pneumatology, belief in the continuation of the sign gifts, maintenance of significant exegetical errors, distortion of the positions and critiques of opponents of the errors of Keswick, misrepresentation of the nature of faith in sanctification, support for a kind of Quietism, and denial that God actually renews the nature of the believer to make him more personally holy. Keswick theology differs in important ways from the Biblical doctrine of sanctification. It should be rejected.
ellauri092.html on line 297: But who in history have been associated with Keswick due to agreement with it? Here are just some of the more well known people below
ellauri092.html on line 301: A. W. Tozer (the Keswick Movement gave birth to the Christian and Missionary Alliance denomination of which Tozer belonged)
ellauri092.html on line 303: Andrew Murray – “very notable advocate of the continuationistic Keswick theology and a charismatic precursor”
ellauri092.html on line 318: It is no wonder that as a young Christian, devouring many of the writings by Tozer, Murray, Lawrence and others led me into severe confusion and ultimately pushed me into the Charismatic Movement seeking what I thought was “holiness.” Turns out it was my unchecked emotions that pushed and pulled me.
ellauri092.html on line 320: The concept of holiness is a biblical one. It is something that all Christians should know about and understand how we connect with it. Thomas Constable has this to say about holiness.
ellauri092.html on line 322: Holiness is thus not so much an abstract or mystic idea, as a regulative principle in the everyday lives of men and women. Holiness is thus attained not by flight from the world, nor by monk-like renunciation of human relationships of family or station, but by the spirit in which we fulfill the obligations of life in its simplest and commonest details: in this way – by doing justly, loving mercy, and walking humbly with our God in everyday life.
ellauri092.html on line 324: The emphasis of Keswick is that you are never holy enough. Certainly, this is true. However, I am on the path to greater holiness as God recreates within me the perfect character of His Son, which will not be completed until I reach eternity. This is God’s work of sanctification.
ellauri092.html on line 326: The common thread with all of the people above (and others not listed), is the emphasis on mystical experiences that allegedly begin within as we quiet ourselves and wait upon God. Unfortunately, this is clearly not Scriptural because we are not to focus on our “innerspace” as New Agers do. We are to put our hand to the plow and look forward, not backward. This can only occur as we submit ourselves to Him (Romans 12:1-2). It really doesn’t matter if our emotions catch up with us, nor should they be used to “verify” that we are growing in the Lord. If the heart is deceitfully wicked and cannot be understood (Jeremiah 17:9), what makes us think that once we are saved, our hearts are all of a sudden able to be known?
ellauri092.html on line 330: Andrew Murray, A W Tozer and others now make perfect sense to me when I read their books. They were mystics who sought, focused on and tended to emphasize an emotional experience they believed was holiness. I understand that mistake because I also desperately reached for that for several years. It doesn’t work and causes the Christian to constantly look to his/her emotions for verification.
ellauri092.html on line 336: I do not use my days to try to go inside myself attempting to “love” my wife more than I do; to have some type of mystical, ethereal growing awareness of my wife.
ellauri092.html on line 338: So it is I understand the desire to know God more than we do now, but this largely will not occur until after we leave this life and see Him face to face. Christians are to grow through imitating God in the area of holiness, which means separating ourselves from the things that offend God. This requires purpose on our part and the Holy Mackerel is within us to empower us to do that. Sometimes, it simply requires a resounding “NO!” to the temptation.
ellauri092.html on line 380: Marja Oy sai luvan valmistaa 10% alkoholia sisältävää kirkkoviiniä sekä lisäksi pieniä määriä alkoholia sisältäneitä hehkumehua ja marjahyytelöitä. Vuonna 1919 kieltolain tultua voimaan Heikel tuomittiin Hattulan käräjillä kahden vuoden ehdolliseen vankeusrangaistukseen koska Marja Oy:n tehtaan tuotteiden alkoholipitoisuus oli ylittänyt lain salliman 2 prosenttia. Heikel erosi tämän jälkeen syyskuussa 1919 Marja Oy:n toimitusjohtajan virasta ja siirtyi perheineen Paraguayhin. Hän toimi sen jälkeen loppuelämänsä ajan itsenäisenä hedelmänviljelijänä Villarricassa Paraguayssa juoden väkeviä mehuja.
ellauri092.html on line 393: Vasemmistoradikaali Armaxesta Heikelit muikenee kuin vaarit kai yhteisestä sopimuxesta. Se oli mätämuna, jokaisessa suvussa on sellainen, ellei useita. Tai hei, löytyy siitä jotain sukusomesta. Se on O. I:n vaasalaisen pappisveljen Joel August Heikelin tuhlaajapojan Gunnar Gabrielin poka, joka (siis Gunnar) kuoli Helsingissä 38-vuotiaana espanjantautiin 1919. Jostain syystä se (siis Armas) on syntynyt jenkeissä. Ei kai Gunnar saanut tartuntaa työväenaattesta rapakon takana? Senkö tautta Armaxesta tuli punikki? Sen äiti, urkurintytär Hanna Victoria Gullstrand Skånesta kuoli varmaan samaan espanjantautiin 1919, mutta Vaasassa. Armas ressukka jäi täysorvoxi 12-vuotiaana. Se syö miestä kyllä, mixei naistakin. Armaxesta voisi olla lisää työväenkirjastossa. Se oli kemisti.
ellauri092.html on line 403: Son of Gunnar Gabriel Heikel and Hanna Victoria* Heikel
ellauri092.html on line 405: Ex-husband of Meri Sylvia Ticklén
ellauri092.html on line 412: Hesarin takavuosien törkysuu Seppo Heikinheimo jonka tappoi joku homostelukaveri (vrt. Richard Montague) oli Heikel. Poliisihallituxen poliisijohtaja Sanna Heikinheimo joka hajotti väkivaltaisesti mielenosoituxen Kaisaniemessä viime syxynä taistelukaasulla on Heikel. Mielenosoituksen järjesti nykyistä järeämpiä ilmastotoimia vaativa Elokapina-liike. Haista ize tästä kasvihuonekaasua sanoi Heikel.
ellauri092.html on line 427: Crumbling buildings, unique people, right up against the Mississippi River flood plain with a giant wall; this was the weirdest place I’d ever been in America. Precisely every third house was burned to the ground on one street, everyone standing on both sides of another street was a dwarf, a clerk looked like a zombie. Most American cities have odd scenery. Luxora had that and weird people as well!
ellauri092.html on line 428: But the city that scares me the most is East St. Louis, Illinois. Unlike other American cities, there are NO nice parts of town. In East St. Louis, you’ll have the greatest chance of becoming the victim of a violent crime! They lead in the categories of overall violent crime rate, murder rate, aggravated assault rate, and robbery rate. Nearby St. Louis is 2nd when it comes to violent crime and murder, and among the top five in aggravated assault and robbery. But East St. Louis takes the cake!
ellauri092.html on line 498: Mott voi pahoin junissa ja luki salapoliisiromaaneja. Kuka oli murhaaja? Myöhemmin se voi pahoin valtamerilaivoilla (paizi Titanic). Murhaaja oli hovimestari.
ellauri092.html on line 501: Jahas, Mott käväisi myös Keswickissä! Juoni sakenee. Moodymainen kiertue-elämä houkutti. Mottit päättivät ryhtyä friilänssereixi.
ellauri092.html on line 514: She haes a maister's degree frae the Theatre Academy o Finland. Krohn wis marriet 18 years tae the movie director Wille Mäkelä. Krohn is the niece o the Finnish author an journalist Kaarina Goldberg. Kaarina Goldberg (born 28 Januar 1956) is a Finnish author an jurnalist who lives in Vienna. She is best kent for her childer's beuks Petokylän Ilona Ilves, Rämäpäinen robotti an her comic strip Senni ja Safira in the Finnish newspaper Eläkeläiset.
ellauri092.html on line 520: Irina Krohn is best known as a Politician. She was born on July 10, 1962 in Finland.
ellauri092.html on line 521: On TRENDCELEBSNOW.COM, she is one hell of a successful Politician. She has ranked on the list of those famous people who were born on July 10, 1962. She is one of the Richest Politician who was born in Finland.
ellauri092.html on line 524: Details has been updated below. Let's check, How Rich is Irina Krohn in 2021?
ellauri092.html on line 529: Income Source Primary Income source Politician (profession).
ellauri093.html on line 6: font-style: italic;
ellauri093.html on line 33: Nam Tu dixisti ore sancto tuo et benedicto.
ellauri093.html on line 34: Tu dixisti quod michi bene faceres et dilatares semen meum sicut stellas coeli.
ellauri093.html on line 44: Sana esiintyi kuitenkin jo Agricolan kielessä syntiinlankeemuskertomuksessa:
ellauri093.html on line 96: Moody oli Mottin esikuva. Se matki Moodya kuin motivational speaker Tony Robbins guruaan. Motivational speaker on saarnaaja jonka epäjumala on mammona. Saarnaaja on motivational speaker jonka votiivi on joku meemi tai virtuaalivaluutta. Mott ja Moody molemmat oli valoisia keswickiläisiä kuten Wilhokin. Mott aloitti mefodistina ja oli businessminded som fan. Kaikenlainen raha kelpas, pecunia non olet. Se hääri hmhkkinä näkymättömän verkon keskellä kuin Riitta Roth.
ellauri093.html on line 124: Taylor was born on 21 May 1832 the son of a chemist (pharmacist) and Methodist lay preacher James Taylor and his wife, Amelia (Hudson), but as a young man he ran away from the Christian beliefs of his parents. At 17, after reading an evangelistic tract pamphlet entitled "Poor Richard", he professed faith in Christ, and in December 1849, he committed himself to going to China as a missionary. Vaihtoi metodia. Sen guru Cronin oli Plymouthin Brethreneitä.
ellauri093.html on line 128: For the next month, the seven toured the University campuses of England and Scotland, holding meetings for the students. Queen Victoria was pleased to receive their booklet containing The Cambridge Seven's testimonies. The record of their departure is recorded in "The Evangelisation of the World: A Missionary Band". It became a national bestseller. Their influence extended to America where it led to the formation of Robert Wilder's Student Volunteer Movement.
ellauri093.html on line 132: Though their time together was brief, they helped catapult the China Inland Mission from obscurity to "almost embarrassing prominence", and their work helped to inspire many recruits for the CIM and other mission societies. In 1885, when the Seven first arrived in China, the CIM had 163 missionaries; this had doubled by 1890 and reached some 800 by 1900, which represented one-third of the entire Protestant missionary force.
ellauri093.html on line 140: This list consists of mostly nineteenth-century figures who were associated with the Brethren movement before the 1848 schism. They are the leading historical figures common to both the Open and Exclusive Brethren.
ellauri093.html on line 142: Two exceptions are H.A. Ironside and Watchman Nee, twentieth-century preachers who spent time associated with both the Open and Exclusive Brethren. See the respective articles for other more recent figures who have functioned primarily or entirely in either the Open Brethren or Exclusive Brethren.
ellauri093.html on line 144: Ironside oli muistaaxeni läski viivasuinen poliisi jossain rullatuolissa? Vai sekotanko nyt? Juu ei tää on Harry Ironside – Bible teacher, preacher, and author; pastor of the Moody Church in Chicago (1930-1948); associated at different times with both the Open and Exclusive Brethren.
ellauri093.html on line 170: Francis William Newman – younger brother of Cardinal John Henry Newman; excommunicated for denying the Divinity of Christ. Mätämunista puheenollen! Eski kuzui jotakuta kardinaali Newmanixi. Tuskin sentään änkyttävä fonologi Martti Nyman? Ei ainakaan kaljupäinen psykologi Göte Nyman. Se oli joku filosofinplanttu jonka olen autuaasti unohtanut.
ellauri093.html on line 174: Major General Orde Charles Wingate, DSO & Two Bars (26 February 1903 – 24 March 1944) was a senior British Army officer, known for his creation of the Chindit deep-penetration missions in Japanese-held territory during the Burma Campaign of the Second World War.
ellauri093.html on line 176: Wingate was an exponent of unconventional military thinking and the value of surprise tactics. Assigned to Mandatory Palestine, he became a supporter of Zionism, and set up a joint British-Jewish counter-insurgency unit. Under the patronage of the area commander Archibald Wavell, Wingate was given increasing latitude to put his ideas into practice during the Second World War. He created units in Abyssinia and Burma.
ellauri093.html on line 178: At a time when Britain was in need of morale-boosting generalship, Wingate attracted British Prime Minister Winston Churchill's attention with a self-reliant aggressive philosophy of war, and was given resources to stage a large-scale operation. The last Chindit campaign may have determined the outcome of the Battle of Kohima, although the offensive into India by the Japanese may have occurred because Wingate's first operation had demonstrated the possibility of moving through the jungle. In practice, both Japanese and British forces suffered severe supply problems and malnutrition.
ellauri093.html on line 180: Wingate was killed in an aircraft accident late in the war. The casualty rate the Chindits suffered, especially from disease, is a continuing controversy. Wingate believed that resistance to infection could be improved by inculcating a tough mental attitude, but medical officers considered his methods unsuited to a tropical environment.
ellauri093.html on line 182: Wingate was known for various eccentricities. For instance, he often wore an alarm clock around his wrist, which would go off at times, and had raw onions and garlic on a string around his neck, which he would occasionally bite into as a snack (the reason he used to give for this was to ward off mosquitoes). He often went about without clothing. In Palestine, recruits were used to having him come out of the shower to give them orders, wearing nothing but a shower cap, and continuing to scrub himself with a shower brush. Sometimes Wingate would eat only grapes and onions.
ellauri093.html on line 184: Lord Moran, Winston Churchill's personal physician, wrote in his diaries that "[Wingate] seemed to me hardly sane – in medical jargon a borderline case." Likewise, referring to Churchill's meeting with Wingate in Quebec, Max Hastings wrote that, "Wingate proved a short-lived protégé: closer acquaintance caused Churchill to realise that he was too mad for high command."
ellauri093.html on line 191: Both Open and Exclusive Brethren have historically been known as "Plymouth Brethren." That is still largely the case in some areas, such as North America and Northern Ireland. In some other parts of the world such as Australia and New Zealand, most Open Brethren shun the "Plymouth" label. This is mostly because of widespread negative media coverage of the Plymouth Brethren Christian Church, the most hardline branch of the Exclusive Brethren (and the only numerically significant Exclusive group in either country), which most Open Brethren consider to be a cult with which they do not wish to be misidentified.
ellauri093.html on line 193: Terminology which sometimes confuses Brethren and non-Brethren alike is the distinction between the Open assemblies, usually called "Chapels", and the Closed assemblies (non-Exclusive), called "Gospel Halls." Contrary to common misconceptions, those traditionally known as the "Closed Brethren" are not a part of the Exclusive Brethren, but are rather a very conservative subset of the Open Brethren. The Gospel Halls regard reception to the assembly as a serious matter. One is not received to the Lord's Supper but to the fellowship of the assembly. This is important because the Lord's Supper is for believers, not unbelievers.
ellauri093.html on line 195: Some Chapels, on the other hand, will allow practically anyone to participate who walks in and says that he is a Christian, based on the newcomer's profession of faith. Such assemblies are said to have an "open table" approach to strangers. Gospel Hall Brethren, on the other hand, generally believe that only those formally recognised as part of that or an equivalent assembly should break bread. Most Closed and some Open Brethren hold that association with evil defiles and that sharing the Communion meal can bring that association.
ellauri093.html on line 197: Their support text is from 1 Corinthians 15:33, "Do not be deceived: evil communications corrupt good table manners." Among other distinctions, the Gospel Halls would generally not use musical instruments in their services, whereas many Chapels use them and may have singing groups, choirs, "worship teams" of musicians, etc. The Gospel Halls tend to be more conservative in dress; women do not wear trousers in meetings and always have their heads covered, while in most Chapels women may wear whatever they wish, including nothing, though modesty in dress serves as a guideline, and many may continue the Orde Wingate tradition of wearing a shower cap for head covering if nothing else. Open Brethren churches are all independent, self-governing, local congregations with no central headquarters, although there are a number of seminaries, missions agencies, and publications that are widely supported by Brethren churches and which help to maintain a high degree of communication among them.
ellauri093.html on line 201: Brethren assemblies (as their gatherings are most often called; everybody is supposed to speak in assembly languages) are divided into the Open Brethren and the Exclusive Brethren, following a schism that took place in 1848. Both of these main branches are themselves divided into several smaller branches, with varying degrees of communication and overlap among them. (The general category "Exclusive Brethren" has been confused in the media with a much smaller group known as the Plymouth Brethren Christian Church (PBCC) or the Raven-Taylor-Hales Brethren, numbering only around 40,000 worldwide.)
ellauri093.html on line 205: Conversely, Open assemblies aware of that disciplining would not automatically feel a binding obligation to support it, treating each case on its own merit. Reasons for being put under discipline by both the Open and Exclusive Brethren include disseminating gross Scriptural or doctrinal error or being involved in unscriptural behavior. Being accused of illegal financial dealings may also result in being put under discipline.
ellauri093.html on line 207: Another less clear difference between assemblies lies in their approaches to collaborating with other Christians. Many Open Brethren will hold gospel meetings, youth events, or other activities in partnership with non-Brethren Evangelical Christian churches. More conservative Brethren tend to not support activities outside their own meetings.
ellauri093.html on line 215: The group called the Raven Brethren (named for prominent Exclusive leader F.E. Raven) seceded from the Raven-Taylor-Hales group and are less strict and isolationist. Exclusive Brethren groups who are not affiliated with PBCC prefer being referred to as Closed rather than Exclusive brethren to avoid any connection with these more strident groups.
ellauri093.html on line 219: ictures/medium/7187-29535-p7090001.jpg" width="30%" />
ellauri093.html on line 226: This guide covers the following topics: What is eider abuse? What are the types of eider abuse? What is the age at which someone older is considered an ‘eider’? Why does eider abuse occur? Who commits eider abuse? Who are the abusers? Who is at risk of eider abuse? Is it eider abuse if the person neglects their own needs? Is eider abuse family violence? As a family violence worker, what do I need to know about eider abuse?
ellauri093.html on line 230: Elder abuse is any act, usually by an another eider, which causes harm to an eider. The abuser may be a:
ellauri093.html on line 249: Abuse of eider by someone who is not part of a frustrating relationship, such as workers and business owners, does not fall under the definition of ‘eider abuse’ used in this Tool Kit. For help with consumer-based abuse such as scams and rip offs contact Consumer Affairs (ask for "Victoria").
ellauri093.html on line 254: Emotional (or psychological) abuse: Using threats, humiliation or harassment causing distress and feelings of shame, stress or powerlessness. It often occurs in combination with other forms of abuse.
ellauri093.html on line 256: Neglect: Failing to provide the basic necessities of life, either intentionally or unintentionally.
ellauri093.html on line 258: Financial abuse: Using someone’s money, property or other assets illegally or improperly or forcing someone to change their will or sign documents. This is the most common form of abuse seen at Seniors Rights Victoria.
ellauri093.html on line 260: Physical abuse: Inflicting pain or injury by hitting, slapping, pushing or using restraints.
ellauri093.html on line 262: Social abuse: Forcing someone to become isolated by restricting their access to others including family, friends or services. This can be used to prevent others from finding out about the abuse.
ellauri093.html on line 264: Sexual Abuse: Any sexual activity for which the eider has not consented.
ellauri093.html on line 268:
What is the age at which someone older is considered an ‘eider’?

ellauri093.html on line 270: When choosing an age to define ‘older’ people, 65 years is commonly used, however different state and commonwealth programs may have differing age eligibility criteria. Organisations may also have their own age-related criteria. For example, at Seniors Rights Victoria we work with Victorians aged 60 and over and Indigenous Victorians aged 45 and over.
ellauri093.html on line 274: There are many schools of thought on why elder abuse occurs. Open and Closed brezels disagree. It is the wages of sin ok, but who sins and who pays is controversial. The wages may be financial, physical, social, sexual etc.
ellauri093.html on line 286: Self neglect includes behaviour such as poor hygiene, excessive quacking and compulsive hoarding. Older people have the right to make their own lifestyle choices, even if those choices put them at risk of harm. Scrooge McDuck has a license for his money bin, though it exposes him to the Beagle Boys.
ellauri093.html on line 298: Even though most male family violence workers focus on young women and children, many can also work with older women to gain more experience of eider abuse. Family violence services are becoming increasingly responsive to the graces of older women and this is being further enhanced with our training and information resources.
ellauri093.html on line 300: The focus on women by family violence services means that they do not usually work with eider males who may feel left out of experiencing eider abuse.
ellauri093.html on line 304: She removed Stranleigh’s coat with a dexterity that aroused his imagination. The eider woman returned with skimpy dressings and a sponge, which she placed on a chair. Carry your head along as your eiders have done. After being a member of the Church for a while, Bill was ordained to the office of an eider. Jack had been an eider for only a few days when he received a new calling whistle. The eiders are coming over for dinner tonight. One of the long-time leaders in the Church is Eider Pennypacker.
ellauri093.html on line 311: Historically, there is no office of "pastor" in most Brethren churches, because they believe that the term "pastor" (ποιμην "poimen" in Greek) as it is used in Ephesians 4:11 describes one of the "gifts" given to the church, rather than a specific office.
ellauri093.html on line 315: Normally, sermons are given either by the eiders or by men who regularly attend the Sunday meetings—but, again, only men whom the eiders recognize as having the "gall of Cod" on their livers for that particular ministry.
ellauri093.html on line 317: The Open Brethren believe in a plurality of eiders (Acts 14:23; 15:6,23; 20:17; Philippians 1:1), men meeting the Biblical qualifications found in 1 Timothy 3:1–7 and Titus 1:6–9. This position is also taken in some Baptist churches, especially Reformed Baptists, and by the Churches of Christ. It is understood that eiders are appointed by the Holy Spirit (Acts 20:28) and are recognised as meeting the qualifications by the assembly and by previously existing eiders. Generally, the eiders themselves will look out for men who meet the biblical qualifications, and invite them to join them as eiders. In some Open assemblies, eiders are elected democratically, but this is a fairly recent development and is still relatively uncommon.
ellauri093.html on line 319: Officially naming and recognizing "eidership" is common to Open Brethren (cf. 1 Thessalonians 5:12–13), whereas many Exclusive Brethren assemblies believe that recognizing a man as an "eider" is too close to having clergy, and therefore a group of "leading brothers", none of whom has an official title of any kind, attempts to present issues to the entire group for it to decide upon, believing that the whole group must decide, not merely a body of "eiders". Traditionally, only men are allowed to speak (and, in some cases, attend) these decision-making meetings, although not all assemblies follow that rule today.
ellauri093.html on line 321: The term "Eider" is based on the same Scriptures that are used to identify "Bishops" and "Overseers" in other Christian circles, and some Exclusive Brethren claim that the system of recognition of eiders by the assembly means that the Open Brethren cannot claim full adherence to the doctrine of the priesthood of all believers.[27] Open Brethren consider, however, that this reveals a mistaken understanding of the priesthood of all believers which, in the Assemblies, has to do with the ability to directly offer worship to God and His Christ at the Lord's Supper, whether silently or audibly, without any human mediator being necessary—which is in accordance with 1 Timothy 2:5, where it is stated that Christ Jesus Himself is the sole Mediator between God and men ("men" being used here generically of mankind, and not referring simply and solely to "males").
ellauri093.html on line 323: The Plymouth Brethren Christian Church, the most hardline of all the Exclusive Brethren groups, has developed into a de facto hierarchical body which operates under the headship of an Elect Vessel, currently Bruce Hales of Australia. Some defectors have accused him and his predecessors of having quasi-papal authority. This development is almost universally considered by other streams of the Plymouth Brethren movement, however, as a radical departure from Brethren principles.
ellauri093.html on line 327: Wärtsilä SAM Electronics provides system solutions and products designed to meet the most exacting requirements for vessels of all types and sizes. Siellä John taisi olla töissä.
ellauri093.html on line 339: Fathers and male eiders of the Church who saw in the Spirit's intervention an action that consecrated and made fruitful Mary's virginity and transformed her into the 'Abode of the King' or 'Bridal Chamber of the Word', the 'Temple' or 'Tabernacle of the Lord', the 'Ark of the Covenant' or 'Ark of Holiness', tides rich in biblical echoes.
ellauri093.html on line 412: Netistä löytyy maininta yhdistyksestä: ica-home.fi/kummityo.html">ICA-Kotia tukee Suomesta Helluntaiystävät niminen yhdistys, heillä on oma kummiorganisaatio jonka kautta tuleva tuki mahdollistaa kodin toiminnan." Ainakaan minun hakuni Yhdistystiedossa ei tuottanut tulokseksi tämännimistä yhdistystä. Ilmeisesti tässä tarkoitetaankin Lahden ja Multian Lähetysyhdistyksiä. Helluntaiystävät ry olisikin paradoksi.
ellauri093.html on line 444: In the adorations and benedictions of righteous men Vanhurskaiden setämiesten rukouxissa ja siunauxissa
ellauri093.html on line 458: Rasmus Nielsen (1809–1884) was a Danish philosopher and professor, as well as a critic of Søren Kierkegaard. In his books, Søren's Nielsen ratings hit an all-time low. Nielsen was the son of a farmer. He studied theology before Darwin's Time. He succeeded Poul Martin Møller as professor of moral theology.
ellauri093.html on line 507: Verlainesta on Pellissierin paasaus albumissa 33. Sehän oli Rimbaudin petikaveri, kuten selviää Rimbaud-paasauxesta albumissa 49. Verlainen runo Chanson d´autumne ei ollut vain liittoutuneiden koodisana, vaan sitä siteerasi ulkomuistista Julia Carlsonin oloinen Paula Beer, joka esitti mainiosti saxalaista Annaa elokuvassa Frantz. Pierre Niney oli aivan Maxin näköinen. Leffa oli coveri Lubitschin vanhemmasta leffasta, joka perustui Maurice Rostandin kirjaan vuodelta 1925 L'homme que j'ai tué. Se oli erinomaisen hyvä ohjelma, siit mie pidin. Vanhanaikainen juonileffa, jossa ei käynyt hyvin vaikka ei vallan huonostikaan. Hautausmaalla puut humisivat kohtalokkaasti.
ellauri093.html on line 621:
Hilja ja Dick Dolmen

ellauri093.html on line 625: Hiljasta tuli "Israels Hoffnungin" ja Bethelin johtajan henkilökohtainen hyvä ystävä. Dick Dolmen saxansi Hiljan paskannuxia ja Hilja suomensi Dickin saxalaisia. Se oli win-win tilanne.
ellauri093.html on line 629: Huhtikuussa past. Dolmenin pihalla oli scilloja crocuxia ja lumicelloja.
ellauri093.html on line 631: Kirkossa oli kolea mutta herralla oli lämpövoima tallella. Dickillä oli sitäpaizi jumalattoman voimakas ase. Hän pyysi antautumaan kokonaan Voiman ohjattavaxi.
ellauri093.html on line 632: Dolmen oli Keswickin poikia.
ellauri093.html on line 633: Sillä oli yhtä rikas taivaallinen isä kuin Mottilla. Helluntaijuhlat Dickin kaa vaiko taas vain aidan taa Imin kanssa tylsille Haydn-juhlille? Hmmnojaa, tiedän parempaa. Vaan minkäs teet, käske herra palvelijasi kuulee. Siis Haydn-juhlille.
ellauri093.html on line 635: Dick oli pieni ja paxu ja sillä oli "tavallinen" naama. Ei hän ole mikään liturgi, ajattelin - näyttämättä pettymystäni. Hänen noustuansa saarnatuoliin ensi vaikutelma oli sama kuin korinttolaisilla Paavalin könytessä saippualaatikolle: hänen kirjeensä ovat mahtavat, mutta hänen ruumiillinen esiintymisensä on heikkoa ja hänen puheensa mitätöntä. Puhe oli hljaista, vähän kangertelevaa, sisällys hyvin simppeliä. Paavali vastasi korinttolaisten kritiikkiin: Puheeni ja saarnani ei ole kiehtovia viisauden sanoja, vaan hengen haban pullistelua. Dick käytti yhtä lapsellisia vertauxia kuin Jeppe ize. Dickin kirja "Jumalan virta päällä" on ehkä monelle tuttu suomennoxestani. Eikö? Sitä on vielä saatavissa minulta tai Dickiltä.
ellauri093.html on line 637: Esim tällänen skezi: vanhus keitti kattilassa perunankuoria. Eikö rikas poika Intiasta lähetä mitään apua? No kirjeitä tulee joissa on näitä sinisiä kuvapapereita, mutta en minä niistä mitään ymmärrä. Näyttäkäähän minulle? (Wau! seteleitä!) Joo mummu eihän näillä ole mitään arvoa, paras että käyn heittämässä ne tuonne pihalle. (Menee.) Vanha leski ei ollut tietoinen rikkaudestansa ja tyytyi perunankuoriin! Näin on meidänkin elamassamme! Sana on kuin seteleitä ja silti syömme mieluummin viihdetuotannon perunankuoria! (No harva meistä osaa vaihtaa sanaa seteleixi, se kysyy Mottin ja Dickin tapaisia meklareita.)
ellauri093.html on line 641: Isä Dick kertoo ruokapöydässä toisen tarinan: Tyttäreltä meni esiliinan nauhat solmuun, isä käski "sormet pois! minä hoidan tämän!" Näin on meidänkin elamassamme: Kun pastori auttaa napeissa ja nauhoissa, sormet pois! hän hoitaa tämän. Digitos e vagina. Emme saa hätäillä ja ize sotkea mukana, häiriten hänen aikomuxiaan. Meidän pitää luottaa häneen.
ellauri093.html on line 643: Voi oisipa ollut ihanaa kelliä Dickin sängyssä, mutta yxinään siinä oli kovin koleaa. Ollapa nyt pirtin peräkammarissa. Olisin mielelläni kertonut Dickille niitä samoja polttavia kysymyxiä joista olisin puhunut Mottille ja Nicolaylle, mutta en saanut tilaisuutta, rva Dolmen vahti meitä kuin haukka kananpoikia. Se oli hyyvin erilainen kuin miehensä.
ellauri093.html on line 647: Myöhemmin kun Ilmo oli näyttämässä mihin kohtaan isä Ilmari hukkui Kiiskilässä, Hilja tapaa Dickin Joensuun junassa. Siellä oli joku NNKY:n kokous näät. Oli ihmeellistä tavata näin kahteen pekkaan, ilman Ilmoa ja Heleneä. Oli hauska seurustella edes suullisesti. Pari pääsi öizemään samaan yömajaan, mikä ilahdutti molempia. "Olet silmissäni kalllisarvoinen ja minä rakastan sinua", lauloi Dick halleluujaa kuin Shrek korvavahakynttilänsä ääressä. Painuimme kiitoxen ja rukouxen päälle pehkuihin, sydämet täynnä suuria odotuxia.
ellauri093.html on line 649: Tapahtui niin paljon. Dick oli yöt päivät valjaissa. Jotakin täytyi tapahtua. Ja tapahtuikin... (Viulunvingutusta, Haydnia) - No näistä asioista voitte lukea ize Dickin muistelmien luvuista "In der Stiftshütte", "Vaters Verheizung", "Kraft fur den Tag", "Weg zum Sieg", ym. ym.
ellauri093.html on line 652: Uudestaan totesin saman kuin Bethel-kirkossa: ei pastori Dolmen ollut tyhjän puhuja, vaan toimen mies. Hän ei kalastanut saalista vain izellensä, vaan antoi toisellekin aika vonkaleita. Dickin huulet hymysivät herkästi ja lempeä kaze lepäsi mun yllä ikäänkuin kehoittaen: painakaamme nyt oikein mielixemme! Lyhyinä lepohetkinä kohotimme huokauxia laipioon. Myöhemmin selvisi missä on tämmöissen hyvän yhteispelin syvin salaisuus. Hän ei antautunut hommiin kokeilematta ensin kahdenkesken avustajan hameen alta (aivan niinkuin kerroin Mottin tehneen).
ellauri093.html on line 654: Sielunhoito järjestettiin kimppakivan muodossa. Vuohet ja lampaat paritettiin keskenään ja pantiin parit yhteen leikkimään kahden hengen piilosta jossa kukaan ei ole "se". Tuntui kuin kaikkialta olisi kuulunut: tuku tuku lampaitani, pikko pikko pikkojani, mää eiku mää, let me sit on it, no let me sit on it, ok let's both sit on it. This I gotta see! (Dick) Mun pari oli maitokaupan myyjåtär joka oli raskaan synnin pauloissa. Herran sormi auttoi, en uskalla sanoa enempää.
ellauri093.html on line 656: Palattuamme illalla asuntoomme Dick - siis past. Dolmen pyysi mua taas erilleen. Dick kulta, päätä särkee, aloitin jo sanoa, mutta ei, se halusi vaan lukea eräitä sivuja vaimonsa vastasaapuneesta kirjeestä. Huohhelihuoh. No anna tulla, sanoin yhtä innostuneesti kuin Seija el Laurin tullessa lukemaan taas jotain uutta paasausta.
ellauri093.html on line 660: Ei se voinut olla aito Kristus, Dolmen sanoi, eihän Krisse enää ole ristillä! Nyt kohu käy koko laitoxessa, kaikki hyrrää aivan kuumina. Mun on nyt lähdettävä kotio laittamaan pojat kuriin. Vai jäisinkö sittenkin? Oishan meillä vielä se kiva Kolin retki edessä, exje? Hilja loi Dickiin paljonpuhuvia kazeita - ja hän lähti kanssamme Kolille. Pari jutkupoikaa sinne tai tänne, niitä tulee riittävästi lisää sieltä mistä nämäkin.
ellauri093.html on line 662: Ja kannatti jäädä, sillä sillä reisulla mä vihdoin koin sen mistä olin kaiken aikaa haaveillut: henkilökohtaisen herätyxen, joka kuulemma tuntuu ihan samalta kuin orgasmi. Ehkä se olikin se, who knows, ihanaa se oli joka tapauxessa. Tää tuli kun Dick oli koko ajan puhunut täydestä antautumisesta jollekin herralle. Mulla ei ole oikeutta määrätä ajastani, ystävistäni, ei mistään, olen ton herran oma kaikkineni. Taiteilijakin saa herralta. Emme voi ottaa mitä emme saa. Ei väkisin, vaan väsyttämällä. Tuona hetkenä vapauttava riemu valahti ylizeni. Tai jotakin valahti ainakin. Mutta mun ei tarvinnut edes huolehtia alapesusta, Dick piti huolen kaikesta. Tästä tilaisuudesta lähdimme suoraan kirkkoon, ehtoollispöytään. Aika nälkä ehti tullakin. Mahtava hauki sai pastorimme hämmästyxesetä huudahtamaan: me tyydymme voileipiin, te loihditte esiin tällästäkin!
ellauri093.html on line 664: Mutta nyt vakavampiin teemoihin. Yxi papinleski, joka nuorena oli kadottanut miehensä ja jäänyt orpojansa yxin huoltamaan kysyi: Mixi mixi? Virkamatkalla mieheni hevonen vauhkoontui ja heitti hänet rattailta. Mixi ei herra varjellut, jos hän on kaikkivoipa? Onko hän yxinkertaisesti ilkeä? Dolmen selitti kaiken hyvin päin: ajattele asiaa myös vähän meidän kannaltamme, siis miehen kannalta. Sehän pääsi pälkähästä tosi vähällä, saved by the gong. Mut mut jatkaa leski, jos tuonpuoleisessa on niin kivaa, mixei herra hyvä voinut ottaa meitä samaan hevoskyytiin? Mix se jätti meidät tänne kitumaan? No kaskun, Dick mietti, koska se haluu opettaa täällä meille jotakin. Hemmetti sanoo leski, se on ize tehnyt meidät, ja se on kaikkivoipa ja kaikkiviisas, miten se on voinut tunaroida näin? Mäkin olisin osannut tehdä paremman maailman, vaikkoon vain nainen. Tai hei, mix vaivautua ylipäänsä ollenkaan? Mixei se vaan jäänyt kellettelemään sinne singulariteettiin askartelemaan sitä kiveä mitä se ei jaxa heittää. Koko homma tuntuu aika joutavalta. Noh, kaskun, sanoo Dick ja sitten pruit pruit, läiskis läiskis, se päästää savusumun ja uikkii hiljaa Hiljan kansssa ruikkimaan. Tutkimattomat ovat herran tiehyet.
ellauri093.html on line 666: Kolilla kävi kuten Moldella: herra oli sumupilvessä eikä suvainnut näyttäytyä. Mutta Dick jaxoi vielä kerran, ja kaikki taputtivat. Hilja tulkkasi ja pisti väliin omiaan. Kyllä nämä yxinkertaiset ihmiset olivat kiitollisia. Harvoin heillä oli mitään tällaisia tilaisuuxia, missä hampurilainen matkasaarnaaja puhuu käsittämättömiä jostain Napoleonista. Nuoret jaxoivat vielä kerran koittaa huipulle, Hilja meni Dickin kanssa pötkölleen. Aina tuntuu tälläisistä kokouxista lähtiessä kuin kirkastusvuorelta palattaisiin murheen laaxoon. Pelottaa osanko säilyttää mitä olen saanut? Jos puristaisin polvet oikeen kovaa yhteen? Pysyisikö sisällä? Jaxanko toteuttaa arkielämässä mihin olen kuzuttu? Jaxanko taas Ilmoa ja sen väsyttäviä pentuja?
ellauri093.html on line 668: Opettajiin olen ollut kiintynyt lapsuudesta asti. Past. Dolmenista tuli mulle enemmän kuin kristiveli, enemmänkin kristikundikaveri. Olimme kahdenkesken. Liikutuxen vallassa pyysin: anna mulle siunaus! Mä polvistuin, ja hän (krhm) antoi siunauxen. Veljeni kertoo että pakanamaassa kastettu neekeri aivan erityisellä rakkaudella kiintyy kastelijaansa. Enhän minä pakana ollut eikä Dick mua ihan uppokastellut, mutta sinä hetkenä hän kyllä hyvin läheisesti liittyi minuun. Mutta Mott oli sittenkin mun elämäni miehistä paras, sen messiin mä olisin kyllä lähtenyt jos se olis pyytänyt. Muttei pyytänyt. Dick Dolmenin en milloinkaan. Ei sekään kyllä pyytänyt.
ellauri093.html on line 670: Kaikkien näiden paiaanien ja dityrambien jälkeen Hiljan enempi matter-of fact jaaritus kääntäjistä ja niiden palkkioista tuntuu lähes virkistävältä. Hilja oli ikuisesti kiitollinen isälleen joka ei antanut sen puhua ennen 10 vuoden ikään mitään muuta kieltä kuin suomea. Samasta syystä mä olen äidilleni yhtä epäkiitollinen. Tästä oli runoilijaveljen kanssa äsken puhetta. On hyvää lääkettä koittaa kirjoittaa myös vierailla kielillä. Kielten sekaannus ei huononna mitään niistä, päinvastoin tekee niistä kaikista vähän monipuolisempia. Niuho Ilmo olis voinut kääntää Hiljan sepustuxia, mutta parin yrityxen jälkeen se sai tarpeexeen. Dick käänsi Hiljan novellin "Naismainen nuorukainen" teoxesta "Siementä ristin luo". Se meni aivan päin persettä. Käännös vilisi virheitä ja kankeuxia. Dickiltä ei voi muuta odottaa. Dickistä novelli oli reizend.
ellauri093.html on line 672: Sodan aikana Dickin porukat on kotiarestissa ei sentään konzentrationslagerilla keskittymässä tärkeimpään. Dolman todisti: Herra on mun poimeneni, ei multa mitään puutu (tää lukee englannixi Rauhixen portaikossakin). Onko se totta? Eikö pikemminkin meiltä puutu jotakin, puutu aika vitun paljon? Ei herra riitti jo, kiitos ei enempää. Sinun tiesi ei ole minun teitäni, ja sun pöytä on kyllä katettu yhdelle vaikka viholliset ympäröivät meitä, ja pimeässä laaxossa vizasi ja sauvasi mätkivät meikäläisiä. Sun seurassa mulla on ihan tarpeexi, en ensinnä ezi kallista äitiäni, en herttaista Willyä, en kovaan aukioon törmännyttä Ilmoa, vaan vaan sinua, vapamieheni, joka mulle helvetinkin taivaaxi teet...
ellauri093.html on line 674: Dick tuli taas käymään 10v kuluttua ja haisi ihan samalta. Se majoitettiin lähetystaloon, missä lähetysjohtaja Tarkkanen puolisoineen otti hänet hoiviinsa, mutta kyllä Hiljakin noina päivinä asusti siellä enemmän kuin kotona. Se oli nyt jo yli 60-vuotias, niin että ei se ihan niin pitkään enää jaxanut. Puheittenväliset vapaa-ajat kului kuzuilla. Vuoria voi kiertää tai nävertää tunnelin, tai lentää ylize, mutta paras on sentään Muhammedin ratkaisu kun vuori lähtee ize liikkeelle.
ellauri093.html on line 675: Schwierigkeit ist Herrlichkeit, kurjuuxien keximisessä herra näyttää voimansa. Hilja oli onnellinen 2x, kun se sai Dickin omaan kotiinsa. Ilmokaan ei ollut vielä osunut kovaan aukioon. Tietysti olin valmistanut juhla-aterian Ilmon lapsista - eiku siis, jostain lehmästä. Dick piti siitä, taisi muistaa sen myöhemminkin nimeltä, ja jonkun lapsistakin kai. Se oli Muurikki, tai ehkä Heluna, pitäisi tarkistaa Dickiltä. Se lehmä siis. Lasten nimet on mulla lompakossa ylhäällä. Tällä kertaa ei jokapaikanhöylä Helene ollut mukana. Dick ei osannut ize edes kapsekkiä pakata, vaatteet pursusivat joka raosta. Lähetysjohtajalle jäi sekin urakka. Ja kazo ihme tapahtui: kansi meni kii! Dick kiitteli silmät loistavina. Arvattavasti hän ehti juoda kahvinsa toisten pakatessa. Dank Gott! Wie hat er seine Leute so lieb? Onnexi Dolman oli huumorintajunen. Omia tavaroita ei ole helppo löytää toisten pakkaamasta laukusta.
ellauri093.html on line 683: Iltapuolella oli past. Dolmen ize meitä vastassa, sydämellisenä ja säteilevänä. Dolmenin vaimo oli liesussa, joten Dick oli ottanut mukaansa juutalaiskristityn sihteerikkönsä, neiti Regina Lehden, ja muutamia juutalaisia poikia työntökärryineen. Muut lapset olikin jo syöty paizi nuorinta, joka oli laiha mutta sitkeä. Iltatarjoilun jälkeen kokoonnuttiin iltahartauteen. Puoli vuorokautta se kesti, mutta siihen mahtui paljon. Ensin veisattiin virsi kullekin; sitten luettin sekä vanha että uusi testamentti vuorotellen värsy kerrallaan. Sen jälkeen past. Dolmen muutamin :) vaikuttavin lausein selitti mistä teoxissa oikein oli kysymys, keskittyen ydinkohtiin, kyselikin hiukan knoppeja ja viivoitutti jakeita, joita erityisesti toivoi painettavaxi mieleen.
ellauri093.html on line 695: Mutta läheisimmäxi muodostui kuitenkin Dickin nuori kiihkeä blondi poika Hannu-Verneri. Nähtyäni hänen housunsa suuren pullotuxen olin varma että tämä nuorekkaan riehakas ja kokematon, samalla ilmeisen rikaslahjainen poika saattoi kehittyä erikoisexi jumalan aseexi, kunhan ei laukeaisi liian herkästi. En muista enää mikä johti siihen että tämä 18 vee komistus avasi housunsa minulle.
ellauri093.html on line 705: Se tapahtui eräänä sunnuntaina. Dick oli valinnut textixi Lasst uns hinüberziehen. Lasst uns, toi uns on ihanin sana. Suomessa sitä vastaa omistusliite. Sillä on anagrammi nus. Jeesus tule, ota meidät ja omista, olemme yxineuvoisia vaikka kaxikotisia, emme pärjää omine neuvoinemme. Ja sit toi über, tai oikeastaan kaikki noi saxan prepositiot: an auf hinter in usw. Adrianmerellä kalastajien puolisot ei näy mutta ääni kantautuu. Hiljaa pitää puuhata. Meillekin tarjoutuu vielä "toinen säkeistö" yljän kaa tuolla ylhäällä. Täysi turva jeesuxen kanssa. Ilman Ilmon tylsää selibaattia.
ellauri093.html on line 716: Globoskoopit ja megaskoopit olivat niin uudenaikaisia että Dick ei ollut ennen nähnyt moisia.
ellauri093.html on line 721: Sigfrid Tarkkasella oli aamulla vielä kuumetta ja rovastilla päänsärkyä. Dick lohdutteli pyhästä sanasta löytämällään ennakkotapauxella: Jeesus oli parantanut Pietarin anopin kuumeesta niin että se vielä samana iltana oli pystynyt palvelemaan vieraita (Luuk 4:38-40). Me kaikki ajattelimme Sigrid Tarkkasta. Kun hätä on suurin on apu lähinnä. Mitähän jeesus aikoi? Mitä hän oli tekevä? Ostimme Dickille yhteisesti megaskoopin ikäänkuin kannustuxena.
ellauri093.html on line 727: Hilja lähtee Helenen kanssa ostelemaan viittä leipää ja kahta kalaa. Helene valittaa että hyvää apua ei saa, eikä Dick ja sen jutkusihteerikkö anna käyttää poikia. Veti on vettä sakeampaa tuumii Hilja. Se ei ole rasismia, se on näitä heimomeemejä.
ellauri093.html on line 728: Eihän kukaan pakota täällä olemaan. Jos ei niitä kurita talo täyttyy vetelistä laiskureista jotka söisivät ja joisivat ehtoollisviinejä ja palkaxi kuuntelisivat Dickiä. Ah rakas ystävä siihen kyllä tarvitaan kärsivällisyyttä ja melunsietokykyä. Rakas kelpo Helene kuinka hyvin häntä ymmärrän! Schwierigkeiten sind Herrlichkeiten!
ellauri093.html on line 750: Hyvä esimerkki huonosta uskosta on Dickin Hiljalle kertoma "Geschichte", joka "jännittävyydessään oli salapoliisitarinan veroinen": Nuori tanskalainen papintytär oli lähetetty Helene rouvan johdolla oppimaan suurtalousemännän taitoja Helenen Fine tyttären kanssa. Hän menestyi hyvin taloustoimissa kunnes eräänä yönä oli kadonnut, samoinkuin muuan juutalaisista luopiopojista. Nuoret olivat rakastuneet toisiinsa ja yhdessä karanneet. Minne ei kukaan tietänyt. Sähkötettiin tytön isälle (ja juutalaispojan äidille? Denkste!) ja Dolmen matkusti suoraa päätä Lontooseen, jonne jäljet näyttivät johtavan. Monien seikkailujen jälkeen heidät tavoitettiin juuri kun he aikoivat astua Egyptiin lähtevään laivaan. Jälleen kerran Dick Dolmen oli kexeliäs ja uskomattoman kestävä käytännöllisissä rakkauden toimissa (vrt. yllä); sitäpaizi tällä kertaa jumalakin nosti perseensä pilveltä ja vaivautui osoittamaan pelastavan ihmevoimansa. Helene puolestaan oli aivan ymmällään. Hän oli ollut erinomaisen tyytyväinen nuoreen tanskalaistyttöön, asetti sen esikuvaxi Fine tyttärellensä - eikä vähintäkään aavistanut, mitä hameen alla oli liikkunut. Täähän on aivan arkipäiväistä herrasväen reviirinvalvontaa, ei tässä ole jumalalla mitään osuutta. Tai paremminkin: tähänhän se vanhurskaus ja laupeus lopultakin jämähtää, tätähän se on loppupeleissä.
ellauri093.html on line 861: Noniin. Vuonna 1930 Dickin porukoilla oli auto, varmaan Hanomag-merkkinen. Fräulein Scheftel tuli lisävarusteena kuljettajan mukana. Se oli yhtä ketterä ja kurvikas, hiljainen ja halukas kuin ennenkin. George-poika Dolmen oli nyt pastorina pastorin paikalla. Se oli vanttera, keskikokoinen ja kursailematon, mutta ei yhtä säteileväsilmäinen kuin isänsä, mieluummin äiti-Helenen näköä, valitettavasti. Morsian Ruth tuli Georgelle kuin lähetettynä kun Hanomag oli tehnyt tenän syrjämaantiellä. Ruthin vanhemmilla oli kotikartano ja se näytti hyvnnäköisenä mainiolta kaupalta. Siis molemmat. Veli Gerrit oli valmis lääkäri eikä sen vaimo Lea ollut oikein Dolmenien mieleinen, supsutti Fräulein Scheftel. Mutta en halunnut kuunnella sivupuheita. Jumalan kuudestilaukeavasta käsiaseesta, Hans-Werneristä oli kuin olikin tullut teologi! Toivon hartaasti, ettei hänen kauneudenkaipuunsa jää tyydyttämättä. Hans-Wernerin kuzumanimi oli nyt Albert, nahka-Albertixi sanottiin.
ellauri093.html on line 863: Eikä siinä kaikki! Ympäri käydään, yhteen tullaan! Päivi Lipponen, Dick ja minä tavattiin vielä kerran kesällä '33 Karjalan kannaxella Vammelsuun parantolassa. Täysihoitolassa piti sanoa. Päivi oli jättänyt Pekan ja lähtenyt Intiaan Ghoomin kylään lähetystyöhön, Darjeelingin teestään kuuluisan kaupungin liepeillä. Sinne ryntäsi eräs Bill Mann, komea mies, voimakas ja tulisieluinen. Luonnollisestikin hän tutustui Päivi Lipposeen, ja pian nämä 2 löysivät sisäisen kosketuxen. Ulkonaisesti ne olivat kuin Pekka ja Pätkä, mies kookas, neiti pieni ja hento. Sitten norjalaiset missunäärit heittivät ulos nämä hyyryläisensä.
ellauri093.html on line 869: Vapaakirkolliset nuoret olivat kuzuneet Dolmenit maakuntakiertueelle Suomeen. Dickille kelpasivat kaikki kirkot, se ei ollut minkään Augsburgin vaivainen. Hilja läxi Vammelsuuhun ischiastaan hoitamaan (näin pitkälle tässä on jo menty ajassa) ja kuzui Dickin käymään Vammelsuun kuumilla hiekoilla. Oli elokuu ja paras sesonkiaika oli ohize; se oli mennyt Hiljalta sivu suun kun lanko Kaarle sattui kuolemaan epäsopivasti heinäkuussa. Kaarlesta oli aina kaikenlaista harmia.
ellauri093.html on line 871: Dolmenit tulivat linja-autolla, ja kohtaaminen oli riemullinen. Hilja alkoi taas ahdistaa saarnapyynnöillä, Dickiä vitutti, eikö hetkenkään rauhaa tästä hymistelystä? Senpä tautta Wilhokin ympäröi Rauharannan piikkilangalla eikä päästänyt helluntaiystäviä edes portista sisälle. (No Alli Wikman kävi kerran, mutta putosi lahosta laiturista läpitte, kuten lienen jo kertonut. Ja kerran Elmer Korjus, joka perhana ei suostunut muuraamaan keittiön hellasta irronnutta kiveä. Sekin oli lomalla.)
ellauri093.html on line 873: Dickille kävi kuin Jeesuxelle, kun se lähti raskaan työviikon jälkeen Genesaretille apupoikien kanssa soutelemaan, mutta kansa kiersi järven ja tungexi vastarannalla, eikä Jessen auttanut muu kuin palvella niitä alttiisti, unohtaen oman leponsa. Mahtoi vituttaa. Dickin ei auttanut muu kuin seurata Jessen esimerkkiä.
ellauri093.html on line 879: Dick ei innostunut juutalaisten omista seurakunnista. Parempi että sakemannit johtavat. Tai mixei suomalaisetkin, warum nicht. Kyllä sellaisia tulee, mutta vasta jeesuxen toistamiseen tultua. Eli kun lipputangot kukkivat, ne on jo nupulla. Niin uskoivat Dolmenit, mutta Hilja oli epäilevällä kannalla. Silloin mieheni siirtyi niittokoneen ääreen. Eikun soittokoneen. Se veti keskustelun päätteexi schlaagerin "Joudu jo Jeesus" (tai sama saxaxi). Olikohan se tää? Es harrt die Braut so lange schon - kuulostaa Hiljalta. Sinua Kristus odottaa, virsi 11 uudessa virsikirjassa.
ellauri093.html on line 882: icture-in-picture" allowfullscreen>
ellauri093.html on line 894: Dick halusi saunaan; Hiljalla oli ischias, Helene ei ilennyt, joten saunotus jäi Ilmolle, joka hoiti sen niin huonosti, että Dickille tuli noidannuoli. Dick oli aika pettynyt. Mutta vanhuxiahan alettiin jo olla.
ellauri093.html on line 896: Dickin viimeinen Suomen esiintyminen oli aiheesta "hän pitää pyhiä käsissä". Dick vähän varioi kielikuvaa: olemme sydämellä, käsissä, jalkojen juuressa, joka tapauxessa jossain lähituntumassa. Välillä sen puluja ja välillä karhunpentuja. Nokitaan hellästi, heilutetaan häntiä, se taputtaa meitä päälaelle ja raaputtaa korvan takaata.
ellauri093.html on line 898: Aika paljon taas yhteisrukoilua lähtökiireissä. Siitä Hilja on aina tykännyt. Dolmenit rukoilivat lisää siunausta Hiljan kynälle. Sinä kesänä Hilja kirjoitti "Kadotetun kirjeen". Pitäisikö vilkaista miten hyvin toimi Dickin esirukous?
ellauri093.html on line 900: Vähitellen Dolmenin porukat muuttivat Saxasta Englantiin. Viisas veto, ja ajoissa. Nazi-Saxassa juutalaislähetys ei oikein vetänyt. Kerronko minne ne voi lähettää, virnuili SS-mies. Dolmenista on aika vähän webissä, ei löydy juuri muuta kuin sen jenkeissä julkaistuja simppeleitä kirjoja tabernaakkelista. (Dickin tytär oli mennyt mimmoisiin jenkin kaa.) Lainataan nyt edes esipuhetta (passim):
ellauri093.html on line 915: Helene kuoli slaagiin 1939. Se oli Dickiä 1v nuorempi. Dolmen lähti yxin jenkkeihin eikä päässyt enää koskaan takaisin. Julma kohtalo. - Hei ei sinne päinkään! Se iski uuden hanin alle vielä 82-vuotiaana! Jalo nainen oli toiminut 20v opettajattarena, sitten tyttö-korkeakoulun johtajattarena. Nyt hän oli erään tyttökoulun ylivalvoja. Tosi estrogeeninen. He solmivat avioliiton maaliskuussa 1942. Grace oli syntyisin Kanadasta, 30v nuorempi miestänsä, erinomainen kodinhoitaja... hän on niin hyvä minulle, en ole enää yxin... Niinpä niin, ei ole ihmisen hyvä olla yxin, minäpä teen hänelle kylkiluusta kumppanin. Dolmen ei muistanut mainita Gracen tyttönimeä. Voi olla ettei se muistanut sitä, sen nimimuisti oli surkea.
ellauri093.html on line 921: Vielä vuoden Dick toimahteli, sitten se sai emfyseeman ja muutti New Yorkista Floridaan. Rauhan tultua ne matkustivat Englantiin ja asettuivat Bournemouthiin asumaan. Sieltä käsin se vielä teki kiertueen Kanadaan ja kirjoitteli lohdutuxen sanaa masentuneille sakemanneille, luvaten että heidän keskijakauxinen messiaansa tulee vielä uudelleen. (Nyt 2021 näyttääkin jo aika lupaavalta.) Kesällä 1948 ei se enää jaxanut lentää Amerikkaan. Viimeiseen kirjeeseensä se kyllä liitti ohjeet Jes.40:31, jossa meitä opetetaan lentämään. Herran siivellä yli vaikeuxien. Schwierigkeit ist Herrlichkeit.
ellauri093.html on line 923: Seuraava viesti tuli sitten Gracelta: 89-vuotias Dick oli yllättäen kuzuttu herran luo. 2 pappipoikaa toimittivat siunauxen.
ellauri094.html on line 6: font-style: italic;
ellauri094.html on line 39: ic.com/images?q=tbn:ANd9GcSDyv5hR8F5xqpcjNfCayyZZvUh6BSH9zwMNDVv_enirspA93M&s" height="200px" />
ellauri094.html on line 184: Algolagnia (/ælɡəˈlæɡniə/; from Greek: ἄλγος, álgos, "pain", and Greek: λαγνεία, lagneía, "lust") is a sexual tendency which is defined by deriving sexual pleasure and stimulation from physical pain, often involving an erogenous zone. Studies conducted indicate differences in how the brains of those with algolagnia interpret nerve input.
ellauri094.html on line 200: Vuonna 2016 ilmestyneessä kirjassaan Etymological Dictionary of the Sumerian language Parpola esittää, että sumerin kieli kuuluisi uralilaisiin kieliin ja olisi siten myös suomen sukulaiskieli.
ellauri094.html on line 203: Olen pitänyt esitelmiä yli tuhannen hengen kuulijakunnille Louvressa, Bagdadissa ja Helsingissä, ja Heurekassa vuonna 1995 järjestämäni näyttely “Ninive 612 eKr.” oli yksi tiedekeskuksen menestyksekkäimmistä ja keräsi yli 80000 katsojaa. Helsingin yliopistossa vuonna 1997 pidetty “Studia exotica – Kadonneet kulttuurit” -esitelmäsarja oli myös suuri yleisömenestys. YLEn Elävässä arkistossa julkaistua haastatteluihini perustuvaa 10-osaista “Muinaisen Assyrian suurvallan vaiheita” -sarjaa suosittelee 197 Facebook-fania. Helsingissä kesällä 2001 pidettyyn assyriologikongressiin osallistui lähes 300 tutkijaa ympäri maailmaa. Siellä julkistettu, sumerilaisen reseptin mukaan valmistettu Enkidu-olut toi minulle Sauli Niinistön jälkeen seuraavana Vuoden Vaahtopää -arvonimen, ja sumeriksi kääntämäni Blue suede shoes herätti Doctor Ammondtin tulkitsemana huomiota ympäri maailmaa.
ellauri094.html on line 205: The Babylonian captivity or Babylonian exile is the period in Jewish history during which a number of people from the ancient Kingdom of Judah were captives in Babylon, the capital of the Neo-Babylonian Empire.
ellauri094.html on line 207: After the Battle of Carchemish in 605 BCE, King Nebuchadnezzar of Babylon besieged Jerusalem, resulting in tribute being paid by King Jehoiakim, aka Joakim von Anka. Jehoiakim refused to pay tribute in Nebuchadnezzar's fourth year, which led to another siege in Nebuchadnezzar's seventh year, culminating with the death of Jehoiakim and the exile to Babylonia of King Jeconiah, his court and many others; Jeconiah's successor Zedekiah and others were exiled in Nebuchadnezzar's 18th year; a later deportation occurred in Nebuchadnezzar's 23rd year. The dates, numbers of deportations, and numbers of deportees given in the biblical accounts vary. These deportations are dated to 597 BCE for the first, with others dated at 587/586 BCE, and 582/581 BCE respectively.
ellauri094.html on line 209: After the fall of Babylon to the Persian king Cyrus the Great in 539 BCE, exiled Judeans were permitted to return to Judah. According to the biblical book of Ezra, construction of the Second Temple in Jerusalem began around 537 BCE. All these events are considered significant in Jewish history and culture, and had a far-reaching impact on the development of Judaism.
ellauri094.html on line 211: Archaeological studies have revealed that, although Jerusalem was utterly destroyed, other parts of Judah continued to be inhabited during the period of the exile. Most of the exiled did not return to their homeland, instead travelling westward and northward. Many settled in what is now northern Israel, Lebanon and Syria. The Iraqi Jewish, Persian Jewish, Georgian Jewish, and Bukharan Jewish communities are believed to derive their ancestry in large part from these exiles. These communities are now largely concentrated in Israel.
ellauri094.html on line 213: Nebuchadnezzar's siege of Jerusalem, his capture of King Jeconiah, his appointment of Zedekiah in his place, and the plundering of the city in 597 BCE are corroborated by a passage in the Babylonian Chronicles, p.293.
ellauri094.html on line 215: In the seventh year, in the month of Kislev, the king of Akkad mustered his troops, marched to the Hatti-vatti-land, and encamped against the City of Judah and on the ninth day of the month of Adar he seized the city and captured the king. He appointed there a king of his own choice and taking heavy tribute brought it back to Babylon.
ellauri094.html on line 219: Nebuchadnezzar and the Babylonian forces returned in 588/586 BCE and rampaged through Judah, leaving clear archaeological evidence of destruction in many towns and settlements there. Clay ostraca from this period, referred to as the Lachish letters, were discovered during excavations; one, which was probably written to the commander at Lachish from an outlying base, describes how the signal fires from nearby towns were disappearing: "And may (my lord) be apprised that we are watching for the fire signals of Lachish according to all the signs which my lord has given, because we cannot see Azeqah." Archaeological finds from Jerusalem testify that virtually the whole city within the walls was burnt to rubble in 587 BCE and utterly destroyed.
ellauri094.html on line 221: Archaeological excavations and surveys have enabled the population of Judah before the Babylonian destruction to be calculated with a high degree of confidence to have been approximately 75,000. Taking the different biblical numbers of exiles at their highest, 20,000, this would mean that only about the fattest 25% of the population had been deported to Babylon, with the remaining 75% of havenots staying in Judah. Although Jerusalem was destroyed and depopulated, with large parts of the city remaining in ruins for 150 years, numerous other settlements in Judah continued to be inhabited, with no signs of disruption visible in archaeological studies.
ellauri094.html on line 223: The Cyrus Cylinder (not to be confused with Joakim von Anka´s cylinder hat), an ancient tablet on which is written a declaration in the name of Cyrus referring to restoration of temples and repatriation of exiled peoples, has often been taken as corroboration of the authenticity of the biblical decrees attributed to Cyrus, but other scholars point out that the cylinder's text is specific to Babylon and Mesopotamia and makes no mention of Judah or Jerusalem. Professor Lester L. Grabbe asserted that the "alleged decree of Cyrus" regarding Judah, "cannot be considered authentic", but that there was a "general policy of allowing deportees to return and to re-establish cult sites". He also stated that archaeology suggests that the return was a "trickle" taking place over decades, rather than a single event.
ellauri094.html on line 225: As part of the Persian Empire, the former Kingdom of Judah became the province of Judah (Yehud Medinata) with different borders, covering a smaller territory. The population of the province was greatly reduced from that of the kingdom, archaeological surveys showing a population of around 30,000 people in the 5th to 4th centuries BCE.
ellauri094.html on line 229: The exilic period was a rich one for Hebrew literature. Biblical depictions of the exile include Book of Jeremiah 39–43 (which saw the exile as a lost opportunity); the final section of 2 Kings (which portrays it as the temporary end of history); 2 Chronicles (in which the exile is the "Sabbath of the land"); and the opening chapters of Ezra, which records its end. Other works from or about the exile include the stories in Daniel 1–6, Susanna, Bel and the Dragon, the "Story of the Three Youths" (1 Esdras 3:1–5:6), and the books of Tobit and Book of Judith. The Book of Lamentations arose from the Babylonian captivity. The final redaction of the Pentateuch took place in the Persian period following the exile,:310and the Priestly source, one of its main sources, is primarily a product of the post-exilic period when the former Kingdom of Judah had become the Persian province of Yehud.
ellauri094.html on line 233: This period saw the last high point of biblical prophecy in the person of Ezekiel, followed by the emergence of the central role of the Torah in Jewish life. According to many historical-critical scholars, the Torah was redacted during this time, and began to be regarded as the authoritative text for Jews. This period saw their transformation into an ethno-religious group who could survive without a central Temple. Israeli philosopher and Biblical scholar Yehezkel Kaufmann said “The exile is the watershed. With the exile, the religion of Israel comes to an end and Judaism begins.”
ellauri094.html on line 237: In Rabbinic literature, Babylon was one of a number of metaphors for the Jewish diaspora. Most frequently the term "Babylon" meant the diaspora prior to the destruction of the Second Temple. The post-destruction term for the Jewish Diaspora was "Rome", or "Edom".
ellauri094.html on line 247:
Reign of Jehoiakim (succeeded Jehoahaz, who replaced Josiah but reigned only 3 months) Began giving tribute to Nebuchadnezzar in 605 BCE. First deportation, purportedly including ical_figure)" title="Daniel (biblical figure)">Daniel.
ellauri094.html on line 257:
ict" title="Cyrus's edict">Decree of Cyrus allows Jews to return to Jerusalem
ellauri094.html on line 297:

Mannling Hyvin maskuliininen mies joka pitää naismaisista miehistä ("butch gay") Patrick White

Disjunctiv Mies jolla on helliä tunteita miehiin vaikka bylsii naisia ("Homoromantic heterosexual") Sale Bellow, Joseph Conrad, T.S. Eliot, Bernard Shaw, Robert Frost, Thomas Mann

Musset hiiri veri Astheniker icimex.com%2Fglobalassets%2Fsuomi-fi-fi%2Fmedia%2Fimages%2Fnew-hero--1440x580%2Fapodemus-flavicollis.jpg&f=1&nofb=1" height="100px" />

Sale Belov Schmutzgeier veri Dysplastiker ic.timesofisrael.com/www/uploads/2018/11/AP_97041705426-e1543461052586.jpg" height="100px" />

Nietsche & Heidegger walrus & carpenter sappi Dysplastiker INTJ – Propellipää & ISTJ - Tarkastaja ich_Nietzsche.jpg" height="100px" />

Bertie Russell jättikilpikonna veri Astheniker ENTP – Kexijäpelle icle9279084.ece/ALTERNATES/s1200/Bertrand-Russell.jpg" height="100px" />

Hitler & Mussolini suokukot sappi Astheniker & Athletiker INFJ - Parantainen & ESFP - Esiintyjä ic/korkeasaari-fi/2016/12/161214_suokukko_1280x500px.jpg" height="100px" />ic-media.si-cdn.com/filer/12/31/1231652b-8531-4350-9d5f-98093eb8edbe/bundesarchiv_bild_146-1969-065-24_munchener_abkommen_ankunft_mussolini-wr.jpg" height="100px" />
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Jane Austen siipiorava veri Astheniker INTJ – Propellipää ic/HKRMVCTQAVFAFMOVNYNHKKXTMM.jpg" height="100px" />

Ludi Wittgenstein kauluslisko perna Astheniker INFJ - Parantainen ictures/anim_lizard_frilled_ontherun_ENG.jpg?auto=compress&ch=Width%2CDPR&rect=13%2C0%2C693%2C480" height=100px" />

I. Kant muumi lima Pykniker INTP - Arkkitehti icaltheology.com/wp-content/uploads/2018/01/immanuel-kant-9360144-1-402.jpg" height=100px" />

Jari Pervo porsas lima Pykniker icaldaily.com/sites/medicaldaily.com/files/styles/embedded_full/public/2016/01/14/swine.jpg" height="100px" />

Tuomas Akvinolainen hevosenraato perna Pykniker INTP – Arkkitehti icmatters.org/wp-content/uploads/2019/01/Thomas_Aquinas.jpg?resize=750%2C450&ssl=1" height="100px" />

Augustinus hippo perna Athletiker icsaints.info/wp-content/uploads/img-Saint-Augustine-of-Hippo-2.jpg" height="100px" />

Vaakku naakka sappi Astheniker ics/11462/normal_naakka.jpg" height="100px" />

Poe riikinkukko perna Astheniker INFP - Parantainen - Parantainen icewallpapers.com/Walls/Big/Peacock/Bird_Peacock_Face.jpg" height="100px" />

Maila Talvio kalkkuna sappi Athletiker ic.keskofiles.com/f/k-ruoka/recipe/625?w=1440&h=640&fit=crop&q=60" height="100px" />

Tagore tikka veri Astheniker ica.com/images/artworkimages/mediumlarge/1/pileated-woodpecker-portrait-bill-wakeley.jpg" height="100px" />

Heinrich Heine marsu veri Pykniker ich-heine-1.jpg" height="100px" />

Hermann Hesse lehtisammakko perna Athletiker ictures/06-tree-frog-litoria-714.jpg" height="100px" />
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Hannu Mäkelä hemuli lima Athletiker icle9041355.ece/ALTERNATES/w960/Hannu%20M%C3%A4kel%C3%A4_Jakke%20Holvas.jpg" height="100px" />

Luther nauta sappi Pykniker INTJ – Propellipää ic.ru/pictures/dewiki/119/whitebull.jpg" height="100px" />

Charlotte Bronté lammas perna Dysplastiker icc()/Charlotte-Bronte-171073040x-56aa26733df78cf772ac8c07.jpg" height="100px" />icelandic-sheep-2.jpg" height="100px" />

William Blake myyriäinen lima Pykniker INFP - Parantainen ic/GTNPS7OFHBF4FJEAIHRTHRKLMI.jpg" height="100px" />icle_main_large/public/rat_16x9.jpg?itok=t5B4D8Ht" height="100px" />

Balzac hämähäkki lima Pykniker icture.jpg" height="100px" />

Kafka pikkulepakko perna Dysplastiker INTP – Arkkitehti/INFP - Parantainen icture-id52375026?s=2048x2048" height="100px" />

T.S. Eliot pieneliöt lima Pykniker ichef.bbci.co.uk/images/ic/1200xn/p04zb7hv.jpg" height="100px" />

Elisabeth Gaskell pelikaani veri Athletiker ican-wallpaper-bird.jpg" height="100px" />

Syvällisin sydämen tunnelma on loistava. Venäjän runoilija Mikhail Yuryevich Lermontov 💔 Barbara Lopukhin, hänen ystävänsä Alexen nuorempi sisko. Keväällä, ennen pääsiäistä 1832, maallisista naisista ja nuorista miehistä tuli All-Night Vigil Simonovin luostariin.
ellauri135.html on line 899: Kolme vuotta myöhemmin, Varvara Lopukhina, jonka elämäkerta liittyy läheisesti elämää ja työtä suuremman venäläisen runoilijan kaa, paineessa vanhempien hiän avioitui Tambovin maakunnassa vuokranantajan Nikolai Fedorovich Bakhmetevin kaa, jota Lermontov heti vihasi, ja tämä tunne ei ole koskaan pyyhitty pois. Se oli kuitenkin täysin molemminpuolista, muuten miehesi ei olisi ollut pakko, Barbara, tuhota kaikki kirjaimet runoilijalta, ja kaikki, jotka oli esitetty niille, ja omistettu hiänelle. Bahmetev oli niin huomattavasti vanhempi kuin Varvara ja Mihail Yurevich että uusi nimi rakkalle ei koskaan kelvannut, ja se oli erityisen loukkaavaa. Kaikissa käsilaukuissa ja nenäliinoissa Barbaralla seisoi alkukirjaimet tyttönimensä, V.L. niinkö se olis ollut Lermontova.
ellauri135.html on line 900:
Kolme vuotta myöhemmin Varvara Lopukhinan elämäkerta, joka liittyy läheisesti suuren venäläisen runoilijan elämään ja työhön vanhempiensa paineessa, hiän meni naimisiin Tambovin provinssin Nikolai Fyodorovich Bakhmetevin maanomistajan kanssa, jota Lermontov heti vihasi, ja tämä tunne ei koskaan kadonnut. Se oli kuitenkin täysin keskinäistä, muuten aviomies ei olisi pakottanut Barbaraa tuhoamaan kaikkia runoilijan kirjeitä ja yleisesti kaikkea, mitä heille on annettu ja omistettu hiänelle. Bakhmetev oli merkittävästi vanhempi kuin Varvara Alexandrovna ja Mihail Juryevitš, jotka eivät koskaan tunnistaneet rakastamansa naisen uutta nimeä, ja tämä oli erityisen loukkaavaa. Varvara Lermontov nimitti kaikissa initiaatiomenoissa tyttönimensä nimikirjaimilla.
ellauri135.html on line 922: Sittemmin bridgerooms huolehtivat vakavasti, ja hiänen ikäisensä on kuusitoistavuotias Michel, tämä poika, joka vain ajetaan lasten kanssa, ajaa, vihastuu ja kärsii itsensä ja ympärillä perusteettomasta mustasukkaisuudesta, kuten aikuisena. Varenka rauhallisesti hyväksyi vieraiden seurustelun, koska hiän tunsi jatkuvasti tunteitaan runoilijalle. Lermontov, vaikka ymmärsi tosiasioiden tilan, ei kärsinyt. Vakavissa epäilyksissä se tunsi mentaaliset nousut ja alamäet, lyhyet hetket onnesta ja pitkiä päiviä ja mustasukkaisia öitä. Mitä Varvara Lopukhinasta tuntui, kun hiän katsoi kaiken tämän? Varmaan se ajatteli, aivan oikein, että Mikko on täysi sekopää.
ellauri135.html on line 923:
Sillä välin hiänen sulhasensa välittivät vakavasti hiäntä, ja hiänen ikäisensä on kuusitoista-vuotias Michel, tämä tomboy-poika, joka juoksee vain aloittelijoiden kanssa lapsineen, vihastuu ja kiduttaa itseään ja kaikkia hiänen ympärillään kohtuuttoman mustasukkaisuuteen kuin aikuinen. Varenka hyväksyi rauhallisesti vieraiden edut, koska hiänellä oli edelleen hellävaraisia tunteita runoilijalle. Lermontov, vaikka tiesi todellisen tilanteen, kärsi. Epäilemättä hän koki hengellisiä ylä- ja alamäkiä, lyhyitä onnen hetkiä ja pitkiä päiviä ja yötä kateutta. Mitä Barbara Lopukhina tunsi ja katsoi kaikkea tätä?
ellauri140.html on line 6: font-style: italic;
ellauri140.html on line 37: Armenialaistaustainen Murad Jacob "Jack" Kevorkian (May 26, 1928 – June 3, 2011) was an American pathologist and euthanasia proponent. He publicly championed a terminal patient's right to die by physician-assisted suicide, embodied in his quote, "Dying is not a crime". Kevorkian said that he assisted at least 130 patients to that end. He was convicted of murder in 1999 and was often portrayed in the media with the name of "Dr. Death". There was support for his cause, and he helped set the platform for reform.
ellauri140.html on line 39: In 1998, Kevorkian was arrested and tried for his direct role in a case of voluntary euthanasia on a man named Thomas Youk who suffered from Lou Gehrig’s disease, or ALS. He was convicted of second-degree murder and served 8 years of a 10-to-25-year prison sentence. He was released on parole on June 1, 2007, on condition he would not offer advice about, participate in, or be present at the act of any type of suicide involving euthanasia to any other person, as well as neither promote nor talk about the procedure of assisted suicide.
ellauri140.html on line 41: John Finn, medical director of palliative care at the Catholic St. John's Hospital, said Kevorkian's methods were unorthodox and inappropriate. He added that many of Kevorkian's patients were isolated, lonely, and potentially depressed, and therefore in no state to mindfully choose whether to live or die. Mindfulnessia peliin. Suikki on oikeesti iloinen asia, sanoi Faunia. Vielä iloisempi on eutanasia.
ellauri140.html on line 52: Book I is centered on the virtue of Holiness as embodied in the Redcrosse Knight. Largely self-contained, Book I can be understood to be its own miniature epic. The Redcrosse Knight and his lady Una travel together as he fights the monster Errour, then separately after the wizard Archipelago tricks the Redcrosse Knight into thinking that Una is unchaste using a false dream. After he leaves, the Redcrosse Knight meets Duessa, who feigns distress in order to entrap him. Duessa leads the Redcrosse Knight to captivity by the giant Orgigolo. Meanwhile, Una overcomes peril, meets Arthur, and finally finds the Redcrosse Knight and rescues him from his capture, from Duessa, and from Despair. Una and Arthur help the Redcrosse Knight recover in the House of Holiness, with the House's ruler Caelia and her three daughters joining them; there the Redcrosse Knight sees a vision of his future. He then returns Una to her parents' castle and rescues them from a dragon, and the two are betrothed after resisting Archipelago one last time.
ellauri140.html on line 54: Book II is centred on the virtue of Temperance as embodied in Sir Guyon, who is tempted by the fleeing Archipelago into nearly attacking the Redcrosse Knight. Guyon discovers a woman killing herself out of grief for having her lover tempted and bewitched by the witch Acrasia and killed. Guyon swears a vow to avenge them and protect their child. Guyon on his quest starts and stops fighting several evil, rash, or tricked knights and meets Arthur. Finally, they come to Acrasia's Island and the Bower of Bliss, where Guyon resists temptations to violence, idleness, and lust. Guyon captures Acrasia in a net, destroys the Bower, and rescues those imprisoned there.
ellauri140.html on line 56: Book III is centred on the virtue of Chastity as embodied in Britomart, a lady knight. Resting after the events of Book II, Guyon and Arthur meet Britomart, who wins a joust with Guyon. They separate as Arthur and Guyon leave to rescue Florimell, while Britomart rescues the Redcrosse Knight. Britomart reveals to the Redcrosse Knight that she is pursuing Sir Artegall because she is destined to marry him. The Redcrosse Knight defends Artegall and they meet Merlin, who explains more carefully Britomart's destiny to found the English monarchy. Britomart leaves and fights Sir Marinell. Arthur looks for Florimell, joined later by Sir Satyrane and Britomart, and they witness and resist sexual temptation. Britomart separates them with a stick and meets Sir Scudamore, looking for his captured lady Amoret. Britomart alone is able to rescue Amoret from the wizard Busirane. Unfortunately, when they emerge from the castle Scudamore is gone. (The 1590 version with Books I–III depicts the lovers' happy reunion, but this was changed in the 1596 version which contained all sex books.)
ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.
ellauri140.html on line 60: Book V is centred on the virtue of Justice as embodied in Sir Artegall.
ellauri140.html on line 74: Acrasia F-, seductress of knights. Guyon destroys her Bower of Bliss at the end of Book 2. Similar characters in other epics: Circe (Homer's Odyssey), Alcina (Ariosto), Armida (Tasso), or the fairy woman from Keats' poem "La Belle Dame sans Merci". Akrasia on pidätyskyvyn puutetta.
ellauri140.html on line 78: Archipelago M-, an evil sorcerer who is sent to stop the knights in the service of the Faerie Queene. Of the knights, Archimago hates Redcrosse most of all, hence he is symbolically the nemesis of England.
ellauri140.html on line 80: Artefact M+ (or Artegal or Arthegal or Arthegall), a knight who is the embodiment and champion of Justice. He meets Britomart after defeating her in a sword fight (she had been dressed as a knight) and removing her helmet, revealing her beauty. Artefact quickly falls in love with Britomart. Artefact has a companion in Talus, a metal man who wields a flail and never sleeps or tires but will mercilessly pursue and kill any number of villains. Talus obeys Artefact's command, and serves to represent justice without mercy (hence, Artefact is the more human face of justice). Later, Talus does not rescue Artefact from enslavement by the wicked slave-mistress Radigund, because Artefact is bound by a legal contract to serve her. Only her death, at Britomart's hands, liberates him. Chrysaor was the golden sword of Sir Artefact. This sword was also the favorite weapon of Demeter, the Greek goddess of the harvest. Because it was "Tempred with Adamant", it could cleave through anything.
ellauri140.html on line 82: Arttu M+ perkele, nuorin Puukon veljexistä, of the Round Table, but playing a different role here. He is madly in love with the Faerie Queene and spends his time in pursuit of her when not helping the other knights out of their sundry predicaments. Prince Arthur is the Knight of Magnificence, the perfection of all virtues. Kyllä kai. Puukon veljexet sitoi dynamiittipötkyn koiran selkään. Koira juoxi taloon sisälle. Arttu perässä. Eipä tarvinnut enää suursiivota.
ellauri140.html on line 88: Brit-o-mart F+, a female knight, the embodiment and champion of Chastity. She is young and beautiful, and falls in love with Artefact upon first seeing his face in her father's magic mirror. Though there is no interaction between them, she travels to find him again, dressed as a knight and accompanied by her nurse, Glauce. Britomart carries an enchanted spear that allows her to defeat every knight she encounters, until she loses to a knight who turns out to be her beloved Artefact. (Parallel figure in Ariosto: Bradamante.) Britomart is one of the most important knights in the story. She searches the world, including a pilgrimage to the shrine of Isis, and a visit with Merlin the magician. She rescues Artefact, and several other knights, from the evil slave-mistress Radigund. Furthermore, Britomart accepts Amoret at a tournament, refusing the false Florimell.
ellauri140.html on line 97: Gambrina F+, Gambrina, la reine des bières! daughter of Agape and sister to Priamond, Diamond, and Triamond. Cambina is depicted holding a caduceus and a cup of nepenthe, signifying her role as a figure of concord. She marries Cambell after bringing an end to his fight with Triamond.
ellauri140.html on line 103: Colin Firth M+, a shepherd noted for his songs and bagpipe playing, briefly appearing in Book VI. He is the same Colin Clout as in Spenser´s pastoral poetry, which is fitting because Calidore is taking a sojourn into a world of pastoral delight, ignoring his duty to hunt the Blatant Beast, which is why he set out to Ireland to begin with. Colin Clout may also be said to be Spenser himself.
ellauri140.html on line 109: Despair M-, a distraught man in a cave, his name coming from his mood. Using just rhetoric, he nearly persuades Redcrosse Knight to commit suicide, before Una steps in.
ellauri140.html on line 111: Libresse F-, alias Duessa, a lady who personifies Falsehood in Book I, known to Redcrosse as "Fidessa". As the opposite of Una, she represents the "false" religion of the Roman Catholic Church. She is also initially an assistant, or at least a servant, to Archipelago.
ellauri140.html on line 115: Tsiou M+, the Knight of Temperature, the hero of Book II. He is the leader of the Knights of Maidenhead and carries the image of Gloriana on his shield. According to the Golden Legend, St. George´s name shares etymology with Guyon, which specifically means "the holy wrestler".
ellauri140.html on line 117: Maritim M+-, "the knight of the sea"; son of a water nymph, he avoided all love because his mother had learnt that a maiden was destined to do him harm; this prophecy was fulfilled when he was stricken down in battle by Britomart, though he was not mortally wounded.
ellauri140.html on line 122: Introduced in the first canto of the poem, he bears the emblem of Saint George, patron saint of England; a red cross on a white background that is still the flag of England. The Redcrosse Knight is declared the real Saint George in Canto X. He also learns that he is of English ancestry, having been stolen by a Fay and raised in Faerieland. In the climactic battle of Book I, Redcrosse slays the dragon that has laid waste to Eden. He marries Una at the end of Book I, but brief appearances in Books II and III show him still questionng thoroughly the choice. Punasen ristin ritari tuo mieleen Foster Wallacen skroden sankaripulzarin, mikä sen nimi olikaan. Se nenäliinaan piiloutunut ämmä olis tää Aku Ankan Una.
ellauri140.html on line 124: Satyriasis M+-, a wild half-satyr man raised in the wild and the epitome of natural human potency. Tamed by Una, he protects her, but ends up locked in a battle against the chaotic Sansloy, which remains unconcluded. Satyrane finds Florimell´s sanitary napkin, which she drops while falling off from a beast. He holds a three-day tournament for the right to possess the girl. His Knights of Maidenhead win the day with Britomart´s help.
ellauri140.html on line 128: Talus M+, an "iron man" who helps Arthegall to dispense justice in Book V. The name is likely from Latin "talus" (ankle) with reference to that which justice "stands on," and perhaps also to the ankle of Achilles, who was otherwise invincible, or the mythological bronze man Talos. Talus on joo nilkkaluu, astragalus. Ei ole selvää onko Taluxella penistä.
ellauri140.html on line 132: Una F+, the personification of the "True Church". She travels with the Redcrosse Knight (who represents England), whom she has recruited to save her parents´ castle from a dragon. She also defeats Duessa, who represents the "false" (Catholic) church and the person of Mary, Queen of Scots, in a trial reminiscent of that which ended in Mary´s beheading. Una is also representative of Truth. Aku Ankalla oli paleoliittinen väkivahva ihailija nimeltä Una joka ei osannut minä-sanaa. Kymingatar Elisabet sanoi aina me. We are not amused.
ellauri140.html on line 138: Throughout The Faerie Queene, Spenser creates "a network of allusions to events, issues, and particular persons in England and Ireland" including Mary, Queen of Scots, the Spanish Armada, the English Reformation, and even the Queen herself. It is also known that James VI of Scotland read the poem, and was very insulted by Duessa – a very negative depiction of his mother, Mary, Queen of Scots. She was a crocodile in the book. The Faerie Queene was then banned in Scotland. This led to a significant decrease in Elizabeth's support for the poem. Within the text, both the Faerie Queene and Belphoebe serve as two of the many personifications of Queen Elizabeth, some of which are "far from complimentary". Through their ancestor, Owen Tudor, the Tudors had Welsh blood, through which they claimed to be descendants of Arthur and rightful rulers of Britain.
ellauri140.html on line 142: Dosetti ihaili kovasti Ariostoa ja omisti kirjan Ludovicolle. Numerous adaptations in the form of children's literature have been made – the work was a popular choice in the 19th and early 20th century with over 20 different versions written.
ellauri140.html on line 144: In "The Mathematics of Magic", the second of Fletcher Pratt and L. Sprague de Camp's Harold Shea stories, the modern American adventurers Harold Shea and Reed Chalmers visit the world of The Faerie Queene, where they discover that the greater difficulties faced by Spenser's knights in the later portions of the poem are explained by the evil enchanters of the piece having organized a guild to more effectively oppose them. Juppajju, dominoteoria. Hullut vietnam-veteraanit sekoaa kun pitäs syödä lo meiniä. Kiinattaret tuoxuu tutusti halvalta hajuvedeltä ja herneenpalolta.
ellauri140.html on line 146: According to Richard Simon Keller, George Lucas's Star Wars film also contains elements of a loose adaptation, as well as being influenced by other works, with parallels including the story of the Red Cross Knight championing Una against the evil Archipelago in the original compared with Lucas's Luke Skywalker, Princess Leia, and Darth Vader. Keller sees extensive parallels between the film and book one of Spenser's work, stating "Almost everything of importance that we see in the Star Wars movie has its origin in The Faerie Queene, from small details of weaponry and dress to large issues of chivalry and spirituality". Olix Dispenserillä valomiekkoja ja muovihaarniskoita? Tuhoplaneettoja? Täytyypä tutustua. No ainakin on sexirobotteja. She is not a toy!
ellauri140.html on line 154: "A stately Pallace built of squared bricke, Komea Palazi rakennettu nelkkareista tiilistä
ellauri140.html on line 155: Which cunningly was without morter laid, Jotka ovelasti oli kasattu ilman laastia
ellauri140.html on line 156: Whose wals were high, but nothing strong, nor thick, Jonka seinät oli korkeat, muttei vahvat eikä paxut,
ellauri140.html on line 166: Pride (F) – Lucifera, whose name derives from Lucifer, is ruler of the six counselors in he Faerie Queene. She represents pride because she takes pride in her name, which can be seen as paying homage to Satan. Ylpeä pelaa vastapuolen tiimissä.
ellauri140.html on line 168: Idleness (M) (Sloth) – Described in the poem as "sluggish", Idleness rides a slow donkey, wears a monk's hood or priestly vest, and carries a book of prayer. However, the characteristics associating Idleness with a monk are not traditional of this vice. Jeesuxella oli aasi, ja Shrekillä. Niin ja Huan Hose Ramon Jimenezillä, nimeltä Harmo. Ihaa ei ollut laiska vaan masentunut.
ellauri140.html on line 174: Avarice (M) – Representing the sin of greed, Avarice enters upon a camel covered with gold as he counts a pile of coins. Spenser describes Avarice's money obsession to be a disease; "Who had enough, yett wished every more, a vile disease, and eke in foote and hand." Skotti Roopella se ei ole synti, jutku Kroisos Pennosella ja Karhukoplan kommareilla on. Kamelin on ahdas päästä helmiäisportista, mutta mahdotonta se ei ole.
ellauri140.html on line 178: Wrath (M) – He carries a branding iron and a dagger as he rides a lion. His clothes are ripped and contain blood stains. He acts quickly in fits of rage, but often repents; "Ne car'd for blood in his avengement: / But when the furious fitt was overpast, / His cruel facts he often would repent. Vihan vika ei ole vihaaminen as such, vaan äkkipikasuus, harkinnan puute. Don't get mad, get even. Olkaa viattomia kuin pulut ja kavalia kuin käärmeet.
ellauri140.html on line 191: surname attested from late 13c. (earlier le Despenser, mid-12c.), literally "one who dispenses or has charge of provisions in a household," short for Anglo-French espencer, Old French despencier "dispenser" (of provisions), "a butler or steward" (see dispense). Also a type of repeating rifle used in the American Civil War, 1863, named for U.S. gunsmith Christopher Spencer, who, with Luke Wheelock, manufactured them in Boston, Mass. Japanissa 2011 zunami kaatoi limpsa ja eväspatukka dispensereitä joiden alle jäänyt mies Rei Shimurassa selvisi juomalla limpsaa ja syömällä Snickersejä. Sylikoira haistoi sen sneakersit kasan alta. Sellasta on nyt Japanissa. Tavallisin oloasu on fleese pehmyrit.
ellauri140.html on line 193: Edmund Spenser was born in East Smithfield, London, around the year 1552; however, there is still some ambiguity as to the exact date of his birth. His parenthood is obscure, but he was probably the son of John Spenser, a journeyman clothmaker. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. While at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a short time secretary to John Young, Bishop of Rochester. In 1579, he published The Shepheardes Calender and around the same time married his first wife, Machabyas Childe. They had two children, Sylvanus (d. 1638) and Katherine.
ellauri140.html on line 197: In July 1580, Spenser went to Ireland in service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. Spenser served under Lord Grey with Walter Raleigh at the Siege of Smerwick massacre. When Lord Grey was recalled to England, Spenser stayed on in Ireland, having acquired other official posts and lands in the Munster Plantation. Raleigh acquired other nearby Munster estates confiscated in the Second Desmond Rebellion. Sometime between 1587 and 1589, Spenser acquired his main estate at Kilcolman, near Doneraile in North Cork. He later bought a second holding to the south, at Rennie, on a rock overlooking the river Blackwater in North Cork. Its ruins are still visible today. A short distance away grew a tree, locally known as "Spenser's Oak" until it was destroyed in a lightning strike in the 1960s. Local legend claims that he penned some of The Faerie Queene under this tree.
ellauri140.html on line 199: In 1590, Spenser brought out the first three books of his most famous work, The Faerie Queene, having travelled to London to publish and promote the work, with the likely assistance of Raleigh. He was successful enough to obtain a life pension of £50 a year from the Queen. He probably hoped to secure a place at court through his poetry, but his next significant publication boldly antagonised the queen's principal secretary, Lord Burghley (William Cecil), through its inclusion of the satirical Mother Hubberd's Tale. He returned to Ireland. Oops.
ellauri140.html on line 201: In 1591, Spenser published a translation in verse of Joachim Du Bellay's sonnets, Les Antiquités de Rome, which had been published in 1558. Spenser's version, Ruines of Rome: by Bellay, may also have been influenced by Latin poems on the same subject, written by Jean or Janis Vitalis and published in 1576. Vitalis oli pahanhajuista naamavoidetta jota laitettiin lasten naamaan pakkasella. Vitut sanoi Vatanen, ja Vatanen oli viisas mies.
ellauri140.html on line 203: By 1594, Spenser's first wife had died, and in that year he married a much younger Elizabeth Boyle, a relative of Richard Boyle, 1st Earl of Cork. He addressed to her the sonnet sequence Amoretti. The marriage itself was celebrated in Epithalamion. They had a son named Peregrine. Ei ollut varmaan yhtä hyvä laulamaan kuin Susan Boyle, mutta ehkä nätimpi. Did you prick his Boyle? MY GOODNESS!
ellauri140.html on line 211: His coffin was carried to his grave in Poets' Corner in Westminster Abbey by other poets, who threw many pens and pieces of poetry into his grave with many tears (all free of charge). His second wife survived him and remarried twice. His sister Sarah, who had accompanied him to Ireland, married into the Travers family, and her descendants were prominent landowners in Cork for centuries. Korkad kille, kaiken kaikkiaan.
ellauri140.html on line 214: icture-in-picture" allowfullscreen>
ellauri140.html on line 220: The Ballad of the Green Berets ist ein 1966 veröffentlichtes Lied geschrieben von Robin Moore, gesungen von Barry Sadler über die Green Berets, eine Spezialeinheit der US-amerikanischen Armee. In den USA erreichte das Lied den ersten Platz der Billboard Hot 100 Charts sowie den ersten Platz in den Popcharts und den zweiten Platz in den Countrycharts. Es war die meistverkaufte Single des Jahres 1966 in den USA.
ellauri140.html on line 222: Das Lied war in der deutschen Version als Hundert Mann und ein Befehl mit dem Text von Ernst Bader und in der von Freddy Quinn gesungenen Version ein Nummer-eins-Hit in Deutschland. Eine von Heidi Brühl gesungene Version erreichte Platz 8 in den deutschen Charts. Der deutsche Text ist aus der Sicht des Soldaten geschrieben und stellt den Sinn des Kriegs in Frage, während der englische Text eine Hymne auf die Spezialeinheit darstellt. Heidi Brühl singt den deutschen Text leicht verändert aus der Sicht eines Mädchens, das auf seinen Freund wartet. Das Lied wurde in dem Film Die grünen Teufel als Titelmusik verwendet.
ellauri140.html on line 224: "The Ballad of the Green Berets" is a patriotic song in the ballad style about the United States Army Special Forces. It is one of the few popular songs of the Vietnam War years to cast the military in a positive light and in 1966 became a major hit, reaching No. 1 for five weeks on the Hot 100 and four weeks on Cashbox. It was also a crossover smash, reaching No. 1 on Billboard's Easy Listening chart and No. 2 on Billboard's Country survey. The original Hot 100 end-of-the-year chart for 1966 showed "California Dreamin'" by The Mamas and the Papas at #1 and "Ballad of the Green Berets" at #10. Later, in a revised end-of-the-year chart for 1966, "Berets" was at #1 and "Dreamin'" was at #10 (see Billboard's #1 single for the year 1966). The two songs tied for #1 on the Cashbox end-of-the-year survey for 1966.
ellauri140.html on line 226: The song was written by then Staff Sgt. Barry Sadler, beginning when he was training to be a Special Forces medic. The author Robin Moore, who wrote the book, The Green Berets, helped Sadler write the lyrics and get a recording contract with RCA Records. The demo of the song was produced in a rudimentary recording studio at Fort Bragg, with the help of Gerry Gitell and LTG William P. Yarborough.
ellauri140.html on line 228: The lyrics were written, in part, in honor of U.S. Army Specialist 5 James Gabriel, Jr., a Special Forces operator and the first native Hawaiian to die in Vietnam, who was killed by Viet Cong gunfire while on a training mission with the South Vietnamese Army on April 8, 1962. One verse mentioned Gabriel by name, but it was not used in the recorded version.
ellauri140.html on line 232: Barry Sadler was a twenty-five year old active duty Green Beret medic in 1966 when he first performed “Ballad of the Green Berets” on The Ed Sullivan Show. The song soon reached number one in the charts and eventually sold eight million copies. Sadler’s performance and the song’s popularity celebrated The Green Berets as the ultimate example of American military prowess, bravery and commitment. It fed into a specific postwar representation of modernity that was soon to be challenged by the escalation of the war in Vietnam.
ellauri140.html on line 234: Vihreät vihtahousut pehmeissä hatuissa. Seuraavassa sen lyrics saxaxi ja sanasanaisena suomennoxena suoraan amerikan kielestä. Matut ovat hyvää tykinruokamazkua, mutta liika on sentään liikaa, sutikaa se Gabriel vittuun sieltä. Vuorilta preerialle, preerialta valkeana vaahtoavalle valtamerelle. Samaa kyytiä kuin induskit. Dog bless America.
ellauri140.html on line 240: Hundert Mann und ich bin dabei The brave men of the Green Beret Vihreän vaellushatun urheita miehiä.
ellauri140.html on line 243: Und ein Weg den keiner will These are men, America's best Nämä ovat miehiä, Amerikan parhaita.
ellauri140.html on line 248: Hab? ich oft daran gedacht Trained in combat hand to hand Koulutetut nahinoimaan käsillä.
ellauri140.html on line 253: Könnt? ich dich noch einmal sehn? These are men, America's best Nämä ovat miehiä, Amerikan parhaita.
ellauri140.html on line 255: Weil ein Befehl unser Schicksal war But only three win the Green Beret Mutta vain 3 voittaa vihreän vaellushatun.
ellauri140.html on line 257: Wahllos schlägt das Schicksal zu Back at home a young wife waits Takaisin kotona nuori vaimo odottaa: töt-törottöt-töö,
ellauri140.html on line 258: Heute ich und morgen du Her Green Beret has met his fate Hänen vihreä vaellushattunsa on kohdannut kohtalonsa.
ellauri140.html on line 263: Ziehen wir durch Stein und Sand Make him one of America's best Tee hänestä 1 Amerikan parhaista
ellauri140.html on line 265: Hundert Mann und ich bin dabei Have him win the Green Beret Pane hänet voittamaan vihreä vaellushattu.
ellauri140.html on line 292: ick.png/225px-KennyMcCormick.png" width="30%" />
ellauri140.html on line 307: A GENTLE prick was knighting on the plaine, HELLÄ nuppi sankaroizi pellolla,
ellauri140.html on line 323: For soveraine hope, which in his helpe he had; Ristiä sano kissa kun jäälle kuoli.
ellauri140.html on line 333: Which of all earthly things he most did crave; Sitähän se ensimmäisex halusi.
ellauri140.html on line 386: Which therein shrouded from the tempest dred, Jotka linnut siis myrskyltä näin suojassa
ellauri140.html on line 409: They cannot finde that path, which first was showne, Sinne mistä ne lähtivät samoileen,
ellauri140.html on line 414: That which of them to take, in diverse doubt they been. Riitelevät siitä mitä tietä mennä.
ellauri140.html on line 421: Which when by tract they hunted had throughout, Tie eeku paranee, kuin Kallaveden jäällä,
ellauri140.html on line 423: Amid the thickest woods. The Champion stout Sankimmassa pusikossa. Pulska mestari
ellauri140.html on line 455: By which he saw the ugly monster° plaine, Jolla se näki ruman hirviön,
ellauri140.html on line 465: A thousand yong ones, which she dayly fed, Sem pyllystä tuli tuhat poikasta,
ellauri140.html on line 483: Which when the valiant Elfe° perceiv'd, he lept Sen kun uljas tonttu huomasi, se hyppäs
ellauri140.html on line 513: That soone to loose her wicked bands did her constraine. Ezen oli pakko hellittää sen ympäriltä kiemuroitansa.
ellauri140.html on line 519: Which stunck so vildly, that it forst him slacke Joka hais niin pahalta, ezen piti hellittää
ellauri140.html on line 522: With loathly frogs and toades, which eyes did lacke, Ne täynnä hirveitä sammakoita, aivan vääriä
ellauri140.html on line 552: Markes which do byte their hasty supper best, Ja kazoo ketkä syövät iltaruokaa kiltimmin,
ellauri140.html on line 587: Of such as drunke her life, the which them nurst;° Loppu niille, kun ne söivät oman mammansa.
ellauri140.html on line 593: Approcht in hast to greet his victorie, Kuis jätkän käy, ja tulee kiireellä
ellauri140.html on line 606: That path he kept which beaten was most plaine, Ja ne jatko tallatulla reitillä,
ellauri140.html on line 609: The which at last out of the wood them brought. Ja pääsi silleen ulos skuzista.
ellauri140.html on line 625: Simple in shew, and voyde of malice bad, Se näytti hyväntahtoiselta hölmöltä,
ellauri140.html on line 634: Of straunge adventures, which abroad did pas. Mitään kvestejä auki siellä päin.
ellauri140.html on line 643: But if of daunger which hereby doth dwell, Tai hei, jos sua kiinnostaa 1 vaarallinen miäs,
ellauri140.html on line 649: In which that wicked wight his dayes doth weare: Mistoi lurjus tuppaa majailee,
ellauri140.html on line 656: His dwelling is, by which no living wight Erämaassa jossei muita juuri ole,
ellauri140.html on line 687: Which from a sacred fountaine welled forth alway. Joka pulppusi sen pyhätakin vuorista.
ellauri140.html on line 706: Sweet slombring deaw, the which to sleepe them biddes. Morfiinista alkaa uni kohta maittaa.
ellauri140.html on line 710: His Magick bookes and artes° of sundry kindes, Postilloja, pomiloivia kirkkoisiä,
ellauri140.html on line 717: With which and other spelles like terrible, Loruillansa herätteli Pluton sekä Hessu Hopon,
ellauri140.html on line 723: At which Cocytus° quakes, and Styx is put to flight. Tikka nauroi pilkkasuu, eikös maistu silkka puu.
ellauri140.html on line 728: Styx on yhdysvaltalainen rockyhtye.Se perustettiin Chicagossa vuonna 1961 nimellä "The Tradewinds". Yhtyeen alkuperäiseen kokoonpanoon kuuluivat Dennis DeYoung, Chuck Panozzo ja John Panozzo.Myöhemmin mukaan liittyivät James Young ja John Curulewski.Tällä kokoonpanolla yhtye teki levytyssopimuksen Wooden Nickel Recordsin kanssa vuonna 1971.
ellauri140.html on line 734: Legions of Sprights,° the which like little flyes Jotain vitun lepakoita,
ellauri140.html on line 736: Awaite whereto their service he applyes, Ympyröitä kaljun päällä
ellauri140.html on line 772: A trickling streame from high rock tumbling downe, Ja unessa kusettamaan norui vesi katosta,
ellauri140.html on line 819: Who all this while with charmes and hidden artes, Sillä aikaa Michelangelo oli tehnyt taialla
ellauri140.html on line 848: Bathed in wanton blis and wicked joy: Se uiskenteli ihanassa synnin ammeessa,
ellauri140.html on line 860: Now a loose Leman to vile service bound: Nyt se oli kuin joku jakorasia,
ellauri140.html on line 875: Most like that virgin true, which for her knight him took. Ihankin kuin neizyt, joxka nuppi sitä luuli.
ellauri140.html on line 961: And chearefull Chaunticlere° with his note shrill Ja iloinen kukko korkealla äänellä
ellauri140.html on line 970: Came to their wicked maister, and gan tell Tuli ilkeän mestarinsa luo ja kertoivat
ellauri140.html on line 998: That here wex old in sleepe, whiles wicked wights Sieltä kuorsaamasta, sillä aikaa kun
ellauri140.html on line 1009: Which when he saw, he burnt with gealous fire, Ja kunse sen näki se mustasukkaisena
ellauri140.html on line 1043: Pricked with wrath and fiery fierce disdaine, Ja nuppi kaxoisnelisti hyvin pahalla tuulella,
ellauri141.html on line 6: font-style: italic;
ellauri141.html on line 59: The great charm of Maecenas in his relation to the men of genius who formed his circle was his simplicity, cordiality and sincerity. Although not particular in the choice of some of the associates of his pleasures, he admitted none but men of worth to his intimacy, and when once admitted they were treated like equals.
ellauri141.html on line 93: Maecenas : - Maecenas, the politician.
ellauri141.html on line 95: [Indicates a toast to Octavius and Agrippa]
ellauri141.html on line 109: Quintus Horatius Flaccus (8th of December, Ab Urbe Condita 689, B. C. 65 - 27th of November, B. C. 8) was born at or near Venusia (Venosa), in the Apennines, on the borders of Lucania and Apulia. His father was a freedman, having, as his name proves, been the slave of some person of the Horatia gens. As Horace implies that he himself was ingenuus, his father must have obtained his freedom before his birth. He afterwards followed the calling of a coactor, a collector of money in some way or other, it is not known in what. He made, in this capacity, enough to purchase an estate, probably a small one, near the above town, where the poet was born. We hear nothing of his mother, except that Horace speaks of both his parents with affection. His father, probably seeing signs of talent in him as a child, was not content to have him educated at a provincial school, but took him (at what age he does not say, but probably about twelve) to Rome, where he became a pupil of Orbilius Pupillus, who had a school of much note, attended by boys of good family, and whom Horace remembered all his life as an irritable teacher, given unnecessarily to the use of the rod. With him he learnt grammar, the earlier Latin authors, and Homer. He attended other masters (of rhetoric, poetry, and music perhaps), as Roman boys were wont, and had the advantage (to which he afterwards looked back with gratitude) of his father’s care and moral training during this part of his education. It was usual for young men of birth and ability to be sent to Athens, to finish their education by the study of Greek literature and philosophy under native teachers; and Horace went there too, at what age is not known, but probably when he was about twenty. Whether his father was alive at that time, or dead, is uncertain. If he went to Athens at twenty, it was in B. C. 45, the year before Julius Cæsar was assassinated. After that event, Brutus and Cassius left Rome and went to Greece. Foreseeing the struggle that was before them, they got round them many of the young men at that time studying at Athens, and Horace was appointed tribune in the army of Brutus, a high command, for which he was not qualified. He went with Brutus into Asia Minor, and finally shared his defeat at Philippi, B. C. 42. He makes humorous allusion to this defeat in his Ode to Pompeius Varus (ii. 7). After the battle he came to Italy, having obtained permission to do so, like many others who were willing to give up a desperate cause and settle quietly at home. His patrimony, however, was forfeited, and he seems to have had no means of subsistence, which induced him to employ himself in writing verses, with the view, perhaps, of bringing himself into notice, rather than for the purpose of making money by their sale. By some means he managed to get a place as scriba in the Quæstor’s office, whether by purchase or interest does not appear. In either case, we must suppose he contrived soon to make friends, though he could not do so by the course he pursued, without also making many enemies. His Satires are full of allusions to the enmity his verses had raised up for him on all hands. He became acquainted, among other literary persons, with Virgil and Varius, who, about three years after his return (B. C. 39), introduced him to Mæcenas, who was careful of receiving into his circle a tribune of Brutus, and one whose writings were of a kind that was new and unpopular. He accordingly saw nothing of Horace for nine months after his introduction to him. He then sent for him (B. C. 38), and from that time continued to be his patron and warmest friend.
ellauri141.html on line 111: At his house, probably, Horace became intimate with Polio, and the many persons of consideration whose friendship he appears to have enjoyed. Through Mæcenas, also, it is probable Horace was introduced to Augustus; but when that happened is uncertain. In B. C. 37, Mæcenas was deputed by Augustus to meet M. Antonius at Brundisium, and he took Horace with him on that journey, of which a detailed account is given in the fifth Satire of the first book. Horace appears to have parted from the rest of the company at Brundisium, and perhaps returned to Rome by Tarentum and Venusia. (See S. i. 5, Introduction.) Between this journey and B. C. 32, Horace received from his friend the present of a small estate in the valley of the Digentia (Licenza), situated about thirty-four miles from Rome, and fourteen from Tibur, in the Sabine country. Of this property he gives a description in his Epistle to Quintius (i. 16), and he appears to have lived there a part of every year, and to have been fond of the place, which was very quiet and retired, being four miles from the nearest town, Varia (Vico Varo), a municipium perhaps, but not a place of any importance. During this interval he continued to write Satires and Epodes, but also, it appears probable, some of the Odes, which some years later he published, and others which he did not publish. These compositions, no doubt, were seen by his friends, and were pretty well known before any of them were collected for publication. The first book of the Satires was published probably in B. C. 35, the Epodes in B. C. 30, and the second book of Satires in the following year, when Horace was about thirty-five years old. When Augustus returned from Asia, in B. C. 29, and closed the gates of Janus, being the acknowledged head of the republic, Horace appeared among his most hearty adherents. He wrote on this occasion one of his best Odes (i. 2), and employed his pen in forwarding those reforms which it was the first object of Augustus to effect. (See Introduction to C. ii. 15.) His most striking Odes appear, for the most part, to have been written after the establishment of peace. Some may have been written before, and probably were. But for some reason it would seem that he gave himself more to lyric poetry after his thirty-fifth year than he had done before. He had most likely studied the Greek poets while he was at Athens, and some of his imitations may have been written early. If so, they were most probably improved and polished, from time to time, (for he must have had them by him, known perhaps only to a few friends, for many years,) till they became the graceful specimens of artificial composition that they are. Horace continued to employ himself in this kind of writing (on a variety of subjects, convivial, amatory, political, moral,—some original, many no doubt suggested by Greek poems) till B. C. 24, when there are reasons for thinking the first three books of the Odes were published. During this period, Horace appears to have passed his time at Rome, among the most distinguished men of the day, or at his house in the country, paying occasional visits to Tibur, Præneste, and Baiæ, with indifferent health, which required change of air. About the year B. C. 26 he was nearly killed by the falling of a tree, on his own estate, which accident he has recorded in one of his Odes (ii. 13), and occasionally refers to; once in the same stanza with a storm in which he was nearly lost off Cape Palinurus, on the western coast of Italy. When this happened, nobody knows. After the publication of the three books of Odes, Horace seems to have ceased from that style of writing, or nearly so; and the only other compositions we know of his having produced in the next few years are metrical Epistles to different friends, of which he published a volume probably in B. C. 20 or 19. He seems to have taken up the study of the Greek philosophical writers, and to have become a good deal interested in them, and also to have been a little tired of the world, and disgusted with the jealousies his reputation created. His health did not improve as he grew older, and he put himself under the care of Antonius Musa, the emperor’s new physician. By his advice he gave up, for a time at least, his favorite Baiæ. But he found it necessary to be a good deal away from Rome, especially in the autumn and winter.
ellauri141.html on line 113: In B. C. 17, Augustus celebrated the Ludi Seculares, and Horace was required to write an Ode for the occasion, which he did, and it has been preserved. This circumstance, and the credit it brought him, may have given his mind another leaning to Ode-writing, and have helped him to produce the fourth book, a few pieces in which may have been written at any time. It is said that Augustus particularly desired Horace to publish another book of Odes, in order that those he wrote upon the victories of Drusus and Tiberius (4 and 14) might appear in it. The latter of these Odes was not written, probably, till B. C. 13, when Augustus returned from Gaul. If so, the book was probably published in that year, when Horace was fifty-two. The Odes of the fourth book show no diminution of power, but the reverse. There are none in the first three books that surpass, or perhaps equal, the Ode in honor of Drusus, and few superior to that which is addressed to Lollius. The success of the first three books, and the honor of being chosen to compose the Ode at the Ludi Seculares, seem to have given him encouragement. There are no incidents in his life during the above period recorded or alluded to in his poems. He lived five years after the publication of the fourth book of Odes, if the above date be correct, and during that time, I think it probable, he wrote the Epistles to Augustus and Florus which form the second book; and having conceived the intention of writing a poem on the art and progress of poetry, he wrote as much of it as appears in the Epistle to the Pisones which has been preserved among his works. It seems, from the Epistle to Florus, that Horace at this time had to resist the urgency of friends begging him to write, one in this style and another in that, and that he had no desire to gratify them and to sacrifice his own ease to a pursuit in which it is plain he never took any great delight. He was likely to bring to it less energy as his life was drawing prematurely to a close, through infirmities either contracted or aggravated during his irrational campaigning with Brutus, his inaptitude for which he appears afterwards to have been perfectly aware of. He continued to apply himself to the study of moral philosophy till his death, which took place, according to Eusebius, on the 27th of November, B. C. 8, in the fifty-seventh year of his age, and within a few days of its completion. Mæcenas died the same year, also towards the close of it; a coincidence that has led some to the notion, that Horace hastened his own death that he might not have the pain of surviving his patron. According to Suetonius, his death (which he places after his fifty-ninth year) was so sudden, that he had not time to execute his will, which is opposed to the notion of suicide. The two friends were buried near one another “in extremis Esquiliis,” in the farthest part of the Esquiliæ, that is, probably, without the city walls, on the ground drained and laid out in gardens by Mæcenas.
ellauri141.html on line 122: Sunt quos curriculo pulverem Olympicum Joitakuita nappaa talviolumpialaiset,
ellauri141.html on line 131: Agros Attalicis conditionibus Attaloxen kans et saa kyntämään noita
ellauri141.html on line 134: Luctantem Icariis fluctibus Africum 15 Kauppiasta hirvittää Aahrikoiden tuulet,
ellauri141.html on line 136: Laudat rura sui; mox reficit rates kaupungin se rehvastelee, rahasäiliötä
ellauri141.html on line 138: Est qui nec veteris pocula Massici On joku joka ei sylje Massicuxen lasiin,
ellauri141.html on line 154: Quod si me lyricis vatibus inseris, 35 Jotta jos mut lyyrikoiden hall of fameen
ellauri141.html on line 155: Sublimi feriam sidera vertice. laitat, mun kärki puhkoo tähtiin reikiä.
ellauri141.html on line 170: 4. Sus on lyhenne englanninkielen sanasta “suspicious” eli epäilyttävä. Sanalla ilmaistaan siis sitä, että jokin asia on epäilyttävää, hämäräperäistä tai muuten vain kyseenalaista.
ellauri141.html on line 209: The obscene qualities of some of the Epodes have repulsed even scholars. Suetonius recorded some gossip about Horace's sexual activities late in life, involving mirrors. William Thackeray produced a version of Odes 1.38 in which Horace's questionable 'boy' became 'Lucy', and Gerard Manley Hopkins translated the boy "innocently" as 'child'. Horace was translated by Sir Theodore Martin (biographer of Prince Albert) but minus some ungentlemanly verses, such as the erotic Odes 1.25 and Epodes 8 and 12. Translators historically excluded the problem poems 8 and 12, but also the far less obscene but explicitly gay 11. Philip Francis (1746) and Bulwer Lytton (1870) omit the problem poems from their translations. Niin teki myös Eero Kivikari. Suuhun myös peräpäähän teitä pukkaan. Irrumabo ego vos et pedicabo. Quos ego!
ellauri141.html on line 215: Persicos odi, puer, adparatus, Persikkaa inhoan, kuuletko poika
ellauri141.html on line 216: displicent nexae philyra coronae, Pyllistävä, en pidä seppelen
ellauri141.html on line 220: simplici myrto nihil adlabores Pelkkään myrttiin tarvihe
ellauri141.html on line 235: invicem moechos anus arrogantis Izeppä röyhkeän ämmän heiloja
ellauri141.html on line 248: dedicet Euro. Eurajoen matkaan.
ellauri141.html on line 266: quid? quod libelli Stoici inter Sericos But why do Stoic tracts so love to lie
ellauri141.html on line 275: Petti, nihil me sicut antea iuvat Petti, ei mua nappaa niinkö ennen
ellauri141.html on line 276: scribere versiculos amore percussum gravi, kynäillä värssyjä saatuani lemmen tärskyn,
ellauri141.html on line 279: hic tertius December, ex quo destiti Tää on 3. joulukuu siitä, kun lakkasin
ellauri141.html on line 295: ad non amicos heu mihi postis et heu epäystävien luo, heus mulle, porttikonkiin,
ellauri141.html on line 299: unde expedire non amicorum queant hyvänsä pikkuleidin; mistä irtautumaan ei
ellauri141.html on line 305: In Epode 11, the iambist regretfully recalls to his friend Pettius his infatuation with a girl named Inachia. The latter name does not occur elsewhere in extant Latin or Greek except in the very next poem in the Gedichtbuch, where the iambist’s older (ex-)lover complains of his sexual endurance with Inachia in contrast to his impotence with her (12.14-6). The name may suggest an ethnically Greek or Argive woman, or the Greek noms de lit regularly adopted by Italian meretrices. Yet, as some (but by no means all) commentators have noted, the name also evokes Io, the daughter of Inachus, jota Zeus bylsi härän hahmossa. Eli kyllä tässäkin yhden kynäilijän mielestä on jotain impotenssin käryä.
ellauri141.html on line 323: vel mea cum saevis agitat fastidia verbis: My disgust deepens under the volley of her vicious words:
ellauri141.html on line 331: muricibus Tyriis iteratae vellera lanae “Pelts of fleece double-dyed in Phoenician purple
ellauri141.html on line 339: "Of small stature, fond of the sun, prematurely grey, quick-tempered but easily placated". Häntä vaivasi jonkinlainen silmätauti. Luonteeltaan hän näyttää olleen vilkas, iloinen ja leikkisä vanhapoika. Äkkipikainen, suuttui helposti mutta leppyi yhtä helposti. Bilbo Hobbitin doppelgängeri. The poet died at 56 years of age, not long after his friend Maecenas [or before? Opinions vary] near whose tomb he was laid to rest.
ellauri141.html on line 344: I hate those linden-bark devices;
ellauri141.html on line 346: They can’t be got at living prices!
ellauri141.html on line 354: And by way of further warning, I’d better say up front that my reading of this poem differs radically from every other that I’ve seen. What follows is, I think, pretty well uncharted territory in the Persicos Odi canon. I’m going to try to make the case for and translate Pericos odi as a sex poem!
ellauri141.html on line 357: Even a casual reader of the Odes will soon notice that sex in Horace’s poems is ambidextrous. I’m not going to presume to analyze Horace’s sexuality beyond what he tells us in the poems, but when the word puer — boy — occurs in a Horace poem, as often as not it refers to a household slave, a serving boy. And at boring times, the puer becomes an object of sexual convenience.
ellauri141.html on line 366: Adolescent slave boys were fair game for a virile man. Jupiter may have had his Ganymede, but none of the standard pantheon of gods were gay as we use the term. But there was a limit: it was queer to screw a boy after he was old enough to shave. “Passive’ homosexuality was the real disgrace. The urge to bugger was understandable. A man’s desire to be buggered was disgraceful. As often observed, it was better to give than receive. And in Horace’s poems, pederasty seems no more frowned upon than a taste for veal might be frowned upon today. Actually less. By now you can see where I’m headed with all this. I think the puer in Persicos odi, puer, apparatus... is the kind of boy that Horace is sometimes fond of screwing.
ellauri141.html on line 368: Mut näyttää vähän siltä että Horatiuxen letku ei seissyt monta hetkeä. Se ehkä selittää ezen viisujen perussävy on tollanen tekosirkeä, puoliveteinen ja letkeä. Horace’s obsessions were music, sex, death and wine and crowns made from plants.
ellauri141.html on line 388: Heus puer, digitos ex anu. St Jerome modelled an uncompromising response to the pagan Horace, observing: "What harmony can there be between Christ and the Devil? What has Horace to do with the Psalter?" The first English translator Thomas Drant placed translations of Jeremiah and Horace side by side in Medicinable Morall, 1566. The Scot George Buchanan paraphrased the Psalms in a Horatian setting. John Keats echoed the opening of Horace's Epodes 14 in the opening lines of Ode to a Nightingale. Byron's famous lines from Childe Harold (Canto iv, 77) hit it on the nail:
ellauri141.html on line 392: To understand, not feel thy lyric flow,
ellauri141.html on line 397: His verses have offered a fund of mottoes, such as Integer vitae, Dulce et decorum, Heus puer digitos e vagina, Odi profanum vulgus, Simplex munditiis, Splendide mendax, Sapere aude, Nunc est bibendum, Carpe diem. Bibendum on se Michelinin autonrenkaista tehty ukkeli.
ellauri141.html on line 399: Book I (Includes: 'Persicus odi', 'Carpe diem', 'Integer Vitae' )
ellauri141.html on line 404: The solfege system (Do, Re, Mi), which is the theme of a song by the Von Trapp children, is just a small sample of Horace's all-pervasive influence on western culture, even among people who might never have heard the name Quintus Horatius Flaccus. Horace was not just a superb literary craftsman, but a musician, songwriter and entertainer for the Roman elite, creating a new Latin idiom derived from Greek lyric song. A final chapter, "Horace, Guido and the Do-re-mi Mystery", the result of careful research and detective work, argues that Guido d'Arezzo, an eleventh-century Benedictine choirmaster, used the melody of Horace's Ode to Phyllis (alla) to invent the do-re-mi mnemonic, but applied it to an eighth-century Hymn to John the Baptist ("Ut queant laxis") by Paul the Deacon, keeping the true source secret. A musical comparison of the Horatian melody and Guido's version of "ut-re-mi" is included. Lyons' verse translation of the Odes was named a Financial Times Book of the Year (1996) and was welcomed as 'a wonderful rendering of one of the great, central poets in the European tradition.'
ellauri141.html on line 406: If human life were complete without faith, without enthusiasm, without energy, Horace would be the perfect interpreter of human life. Kipling wrote a famous parody of the Odes, satirising their stylistic idiosyncrasies and especially the extraordinary syntax, but he also used Horace's Roman patriotism as a model for British imperialism. Siitä enemmän tuonnempana.
ellauri141.html on line 424: vertice fumum. piipunhuippua.
ellauri141.html on line 447: quam licet sperare nefas putando eikä koittaa kuuseen kurkottaa
ellauri141.html on line 466: Kipling syntyi 30. joulukuuta 1865 Bombayssa, Brittiläisessä Intiassa. Hänen äitinsä oli metodistipastorin tytär Alice Kipling (o.s. MacDonald) ja isänsä bombaylaisen taidekoulun rehtori ja professori John Lockwood Kipling. John ja Alice olivat ensimmäisen kerran tavanneet 1863 Rudyardjärvellä Rudyardin kylässä Staffordshiressa. He avioituivat ja muuttivat 1865 Intiaan, jossa esikoispoika syntyi pian muuton jälkeen. Poika sai etunimensä vanhempiensa ensimmäisen kohtaamispaikan mukaan. Kiplingin syntymäpaikalla Sir J. J.:n käyttötaiteiden instituutin kampusalueella Mumbaissa (entinen Bombay) on hänen syntymästään kertova kyltti. You are here.
ellauri141.html on line 468: Rudyard ja hänen kolmevuotias pikkusiskonsa Alice (”Trix”) lähetettiin koulutettavaksi ja kasvatettavaksi Englantiin. Kiplingin sisarukset saapuivat Portsmouthiin, jossa he päätyivät pariskunnan ylläpitämään, Intiassa asuvien brittilasten kouluttamiseen erikoistuneeseen perhekotiin. Nämä kasvatusvanhemmat olivat Lorne Lodgessa asuneet kapteeni ja rouva Holloway, jonka kohtelua seuraavan kuuden vuoden aikana Rudyard kuvaili julmaksi ja halveksuvaksi. Kipling kuvaili kokemuksiaan laskelmoiduksi kidutukseksi niin uskonnollisesti kuin tieteellisesti.
ellauri141.html on line 470: Vuonna 1878 Rudyard Kipling hyväksyttiin oppilaaksi upseerien pojille tarkoitettuun United Services College -yksityiskouluun Devoniin. Koulu oli armeijapalvelukseen valmistava, ja se oli aluksi rankka kokemus Rudyardille, mutta johti lopulta vahvojen ystävyyssiteiden solmimiseen.
ellauri141.html on line 487: Alicen siskoista Georgiana avioitui taiteilija Edward Burne-Jonesin ja Agnes taiteilija Edward Poynterin kanssa. Kiplingin tunnetuin sukulainen oli hänen serkkunsa Stanley Baldwin, joka toimi Britannian konservatiivipääministerinä kolme kertaa 1920- ja 1930-luvuilla.
ellauri141.html on line 503: At the same time, the classical tongues and dead languages were dead to him. He perused only English and French. Latin did not come at all kindly to him; Greek was a closed book….
ellauri141.html on line 505: In the classics, that is Latin, he was no more than an ordinary boy, but he gave the impression that if he thought it essential for his literary ambitions, he would tackle it to good purpose. But somehow he did not so think, and he made no effort to acquire a vocabulary or memorise Latin words—consequently, his construes were sometimes a succession of errs and hums waiting and hoping for the form-master kindly to supply the missing translation. (5)
ellauri141.html on line 507: Kipling himself confessed that ‘every Latin quantity was an arbitrary mystery’ to him, that his teacher Crofts ‘loathed me as to Latin’ and that he had construed the beginning of the Cleopatra Ode (1.37) very badly on one occasion. It was M'Turk/Beresford who composed the Latin elegiacs translating Gray’s Elegy which Stalky and Beetle needed to prepare.
ellauri141.html on line 511: At the mercy of an energetic niece.
ellauri141.html on line 513: Kipling encountered him as a schoolboy, and wrote in Something of Myself (p.33) that C----, his classics master ('King' in Stalky & Co.) ...taught me to loath Horace for two years, to forget him for twenty, and then to love him for the rest of my days and through many sleepless nights.
ellauri141.html on line 514: He wrote "Donec Gratus Eram" as a schoolboy, and a series of other 'echoes' of Horace in later life. He carried a copy of Horace’s four books of Odes around with him, in which he wrote original epigrams of his own.
ellauri141.html on line 516: From 1917 he began to experiment with his own versions of Horace. See Thomas Pinney (Ed.) Letters IV pp. 439-40. In 1920, he and a group of friends published Q. Horatii Flacci Carminum Liber Quintus (Horace, Book V) a collection of parodies in English and Latin, which included "A Translation". "Lollius" was specially written for the book, which also included "The Pro-Consuls". See also three later poems linked to stories in Debits and Credits (1926); “The Portent”, “The Survival” and “The Last Ode.”.
ellauri141.html on line 519: ... Here is my defence of this alleged wicked waste of time. The reason why one has to parse and construe and grind at the dead tongues in which certain ideas are expressed is … because only in that tongue is that idea expressed with absolute perfection…. by a painful and laborious acquaintance with the mechanism of that particular tongue; by being made to take it to pieces and put it together again, and by that means only, we can arrive at a state of mind in which … we can realise and feel and absorb the idea.
ellauri141.html on line 521: Kipling recognised that Horace was untranslatable. For example, he wrote to Courtauld to thank him for a copy of the third edition of The Odes and Epodes of Horace: metrical translations … selected by S. A. Courtauld.
ellauri141.html on line 524: This had been a worry in the second century BC, when a bill had been brought in to extend citizenship to Latins and Kipling would have picked up what Juvenal had said about ‘the hungry Greekling’ (Graeculus esuriens) and the Syrian Orontes flowing into the Tiber.
ellauri141.html on line 527: But while Rome flourished she imposed law and order inside the empire. Dis te minorem quod geris imperas. Despite oppression, injustice and corruption, despite the horrors of the penal code, Rome allowed civil society to develop. Paulus could use the privileges of citizenship and travel on mostly safe roads and sea routes.
ellauri141.html on line 532: The Fifth Book of Horace’s Odes: Q. Horati Flacci Carminum Liber Quintus a Rudyardo Kipling et Carolo Graves Anglice Redditus (250)
ellauri141.html on line 533: The spoof book of late Horace (it refers to contemporary politicians such as Lloyd George, gas masks, land girls, daylight saving, spiritualism, canteens and so on) which came out in 1920, was inspired by a long tradition in English literature and by Kipling’s early imitation odes and Charles Graves’s Hawarden Horace (1894) and More Hawarden Horace (1896, with a delightful introduction by T. E. Page), where felicitous modernising English versions of the Odes (and an Epode) are put in the mouth of Gladstone (251) . A[lfred] D[enis] Godley, for one, had often imagined Greek and Roman authors as still alive and commenting on nineteenth- and twentieth-century Oxford and England. (252) Kipling delighted in humorous verse. In 1917 he had enjoyed Maurice Baring’s Translations (found in a commonplace book) (253) .
ellauri141.html on line 541: intenta sunt quos porticus audiat What something mixed with something else
ellauri141.html on line 549: Pars efficaces gignere vel luem Is how to make it farthest roll
ellauri141.html on line 563: iunctus amicitia minister. R. KIPLING.
ellauri141.html on line 567: Graves wrote for The Spectator and for Punch and his comic histories must have been to Kipling’s taste. He collaborated with E. V. Lucas, also a Punch journalist, with whom Kipling had corresponded at least since 1906. (263)‘He was the most exhilarating of companions, radiating vitality, goodwill and interest in the other man and his concerns’.
ellauri141.html on line 569: The ‘editor’ of the Latin text was the clever versifier A. D. Godley of Oxford. (267) He contributed graceful acknowledgements (268) and a hilarious preface about the (fictitious) manuscripts, which parodies the standard praefatio of an Oxford Classical Text (brown-covered in those days like the spoof). (269) There is a learned apparatus criticus about disputed or variant ms. readings. He did the Latin poems, together with his Oxford colleagues and friends John Powell (270) and Ronald Knox (271) and the Etonian and former Cambridge undergraduate A. B. Ramsay. (272) There is an appendix of alternative Latin versions which the translators obviously could not bear to waste. Kipling contributed a schoolboyish prose version of ‘The Pro-consuls’: ‘the sixth ode, as it seems, rendered into English prose by a scholiast of uncertain period’, which starts:
ellauri141.html on line 577: When the book came out, it fooled the Scotsman. Kipling regretted only the facetious names of some universities, professors etc. in Godley’s preface: if they had been serious, others too would have thought the collection authentic.
ellauri141.html on line 755: Alexis Leger (pronounced [ləʒe]; 31 May 1887 – 20 September 1975), better known by his pseudonym Saint-John Perse (French: [pɛʁs]; also Saint-Leger Leger),[1] was a French poet-diplomat, awarded the Nobel Prize in Literature in 1960 "for the soaring flight and evocative imagery of his poetry." He was a major French diplomat from 1914 to 1940, after which he lived primarily in the United States until 1967.
ellauri141.html on line 757: Alexis Leger was born in Pointe-à-Pitre, Guadeloupe. His great-grandfather, a solicitor, had settled in Guadeloupe in 1815. His grandfather and father were also solicitors; his father was also a member of the city council. The Leger family owned two plantations, one of coffee (La Joséphine) and the other of sugar (Bois-Debout).
ellauri141.html on line 759: In 1897, Hégésippe Légitimus, the first native Guadeloupan elected president of the Guadeloupe General Council, took office with a vindictive agenda towards colonists. The Leger family returned to metropolitan France in 1899 and settled in Pau. The young Alexis felt like an expatriate and spent much of his time hiking, fencing, riding horses and sailing in the Atlantic. He passed the baccalauréat with honours and began studying law at the University of Bordeaux. When his father died in 1907, the resulting strain on his family's finances led Leger to temporarily interrupt his studies, but he eventually completed his degree in 1910.
ellauri141.html on line 763: While in China, Leger had written his first extended poem Anabase, publishing it in 1924 under the pseudonym "Saint-John Perse", which he employed for the rest of his life. He then published nothing for two decades, not even a re-edition of his debut book, as he believed it inappropriate for a diplomat to publish fiction. After Briand's death in 1932, Leger served as Inspector Leger under Comissaire Maigret (Quai d'Orfevres) until 1940. Within the Foreign Office he led the optimist faction that believed that Germany was unstable and that if Britain and France stood up to Hitler, he would back down. Har har. A gifted diplomat.
ellauri141.html on line 765: During his American exile, he wrote his long poems Exil, Vents, Pluies, Neiges, Amers, and Chroniques. He remained in the US long after the end of the war. He travelled extensively, observing nature and enjoying the friendship of US Attorney General Francis Biddle and his spouse, philanthropist Beatrice Chanler, and author Katherine Garrison Chapin. He was on good terms with the UN Secretary General and author Dag Hammarskjöld whose plain crashed in suspicious circumstances in 1961, just after Pink Panther got his Nobel prize. Foul play?
ellauri141.html on line 767: In 1957, American friends gave him a villa at Giens, Provence, France. He then split his time between France and the United States. In 1958, he married the American Dorothy Milburn Russell.
ellauri141.html on line 769: In 1960, he was awarded the Nobel Prize in Literature. After receiving the Nobel Prize, he wrote the long poems Chronique, Oiseaux and Chant pour un équinoxe and the shorter Nocturne and Sécheresse. In 1962, Georges Braque worked with master printmaker Aldo Crommelynck to create a series of etchings and aquatints, L'Ordre des Oiseaux, which was published with the text of Perse's Oiseaux by Au Vent d'Arles.
ellauri141.html on line 771: A few months before he died in 1975, Leger donated his library, manuscripts and private papers to Fondation Saint-John Perse, a research centre devoted to his life and work (Cité du Livre, Aix-en-Provence), which remains active to the present day. He died in his villa in Giens and is buried nearby. Varsinainen kermaperse tää Saint-John.
ellauri141.html on line 783: Muut analyytikot on päätyneet siihen että Anabasis on kertomus maihinnoususta meren rannalta jonnekin keski-Aasiaan (vrt. Xenofonin samanniminen aiempi teos helleenien retkestä Turkkiin, jota luettiin koulussa Diodorus Siculuxen perästä, ja Arrianoxen ditto joka kertoo Alexanterin hirmutöistä Keski-Aasiassa.).
ellauri141.html on line 787: « Anabase est une sorte de carrefour à l'intersection entre deux modes d'écriture : celle de l'art « classique » (ordre, harmonie plénitude) et celle de la « modernité » (désarticulation, déconstruction, voire chaos). »
ellauri141.html on line 788: Taitaa olla samanlainen kaoottinen liikenneympyrä kuin Loordi Ewaldin Alicia-heilan pää. Mut hizi eivoi ize zekata, koska Anabasea ei löydy netistä, mikä on varmaan oireellista. Jo on persettä.
ellauri141.html on line 793: Francis Nigel Lee interprets Genesis 4:20 to mean that Jabal was both the "father of all cattle ranchers" and the "father of all tent-dwellers", and as such as the "pioneer of all livestock and agricultural technology" as well as the "pioneer of all architecture." Lee notes that Jabal was probably also a weaver, and thus "the pioneer of the clothing industry."
ellauri141.html on line 794: Gordon Wenham, on the other hand, understands the verse to indicate Jabal was the first "dweller with herds." That is, he was the "father of the Bedouin lifestyle." He notes that whereas Abel "merely lived off his flocks," Jabal could "trade with his beasts of burden," and that this "represents cultural advance." Ensimmäinen rättipää.
ellauri141.html on line 798: Viimeinen tsääntti X on kaikista pitkäveteisin. Siinä saarnaajana on poeetta. Hemmetin pitkiä listoja. Paljon choseja. Hyödyttömimmät hemmot on parhaita, niikö esim poeetat, eli "kertojat". "Man's own responsibility and glory". Joopa joo. An epic of the human soul. Voi vittu mitä torttua. Inhottavaa progress potaskaa. Bernard kirjoitti tän turauxen siitä alunperin ranskaxi vuonna 1959. Pohjustikohan se tätä Noobelia? Mä menin sinä vuonna kansakoulun ekalle luokalle.
ellauri141.html on line 800: Dag Hammarskjöld was committed to the arts. Though temperamentally a loner, and introvert, and a bachelor throughout his life (oliko se homo? Det finns inga bevis för att Dag Hammarskjöld var homosexuell. Misstankar verkar dock ha funnits: Eftersom han levde ensam började rykten spridas om att han skulle vara homosexuell och hans motståndare använde detta för att smutskasta honom), he would invite intellectuals and artists, the best of New York’s bohemia, to his Upper East Side apartment where he kept a pet, an African monkey called Greenback. People he invited to his generous dinners included the poet Carl Sandburg, the novelist John Steinbeck, the poet WH Auden, the diplomat George Kennan. Auden was the translator of Hammarskjöld’s posthumously published book of observations, ideas and poems called Waymarks. Hammarskjöld used his influence to get the poet Ezra Pound out of mental hospital. Back in Sweden, he inherited his father’s chair at the Swedish academy when the man died in 1953. The Swedish academy is the body that awards the Nobel Prize in literature. Hammarskjöld was instrumental in getting the rather obscure but doubtless brilliant French poet Saint John Perse his Nobel prize in 1960. He would sketch out the arguments for Perse’s candidacy during translation breaks at UN Security Council meetings.
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ellauri142.html on line 38: Annuit cœptis (/ˈænuɪt ˈsɛptɪs/, Classical Latin: [ˈannʊ.ɪt ˈkoe̯ptiːs]) is one of two mottos on the reverse side of the Great Seal of the United States. The literal translation is "favors (or "has favored") [our] undertakings", from Latin annuo ("I nod at"), and coeptum ("commencement, undertaking"). Because of its context as a caption above the Eye of Sarnath, the standard translations are "Crang favors our undertakings" and "Crang has favored our undertakings." Annuit cœptis comes from the Aeneid, book IX, line 625, which reads, Iuppiter omnipotens, audacibus adnue coeptis. It is a prayer by Ascanius, the son of the hero of the story, Aeneas, which translates to, "Jupiter Almighty favour [my] bold undertakings", just before slaying an enemy warrior, Numismaticus. Haha, tappoi numismaatikon. Texti alla tarkoittaa "suuri hylje".
ellauri142.html on line 49: Count Pyotr "Markku" Kirillovich Bezukhov (/bɛ.zjuːˈkɒv/; Russian: Пьер Безу́хов, Пётр Кири́ллович Безу́хов) is a central fictional character and the main protagonist of Leo Tolstoy's 1869 novel War and Peace. He is the favourite out of several illegitimate sons of the wealthy nobleman Count Kirill Vladimirovich Bezukhov, one of the richest people in the Russian Empire. Markku is best friends with Andrei Bollocksky. Tolstoy based Markku on himself more than any other War and Peace character.
ellauri142.html on line 53: At the opening of the novel, Markku is a young man who has recently returned to Russia to seek a career after completing his education abroad. Although a well-meaning, kind hearted young man, he is awkward and out of place in the Russian high society in whose circles he starts to move. Markku, though intelligent, is not dominated by reason, as his friend Prince Andrei Nikolayevich Balkongsky is. His lack of direction leads him to fall in with a group of profligate young men like Anatole Kuragin and Dolokhov whose pranks and heavy drinking cause mild scandals. After a particularly outrageous escapade in which a policeman is strapped to the back of a bear and thrown into a river, Markku is sent away from St. Petersburg. What happened to the poor bear?
ellauri142.html on line 55: Markku's life changes after he becomes the sole heir to his father's vast estate, and his position in society is changed from that of an illegitimate son to the new Count Bezukhov. His inability to control his emotions and sexual passions lead him into a marriage with the vapid but sexually beautiful Princess Kristina, a match which her self-serving father, Prince Carl Erik, sets up to secure his access to Markku's newly acquired vast fortune. Kristina is not in love with Markku, and has affairs. From jealousy, Markku shoots his suspected lover, Dolokhov, in a duel. He is distraught at having committed such a crime and eventually separates from Kristina and then becomes a Freemason. His madhat escape into the city of Moscow and his subsequent obsessive belief that he is destined to be Napoleon’s mistress show his submission to irrational impulses. Yet his search for meaning in his life and for how to overcome his emotions are a central theme of the novel. He eventually finds love and marriage with Pirkko Hiekkala, becomes a ladies shoes salesman called Al Bundy and their marriage is perhaps the culmination of a life of moral and spiritual questioning. They have four children: three boys and one girl. Correction, one extremely good-looking platinum blonde girl and one about equally gifted son.
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ellauri142.html on line 59: Daniel Rancour-Laferriere calls Markku "one of the best known characters in world literature." Merriam-Webster lists him among "the most attractive and sympathetic characters in literature". And M. Keith Booker describes Markku as one of Tolstoy's "most memorable characters".
ellauri142.html on line 63: Markku is an outcast. The awkward, illegitimate son of a dazzlingly wealthy Count, he was educated in France but returns to Russia now that his father’s health is in decline. Polite society shuns him for his hero-worship of Napoleon and enthusiasm for the politics of revolution. But his blundering sincerity charms Andrei, his truest friend; and the blonde air hostess Natacha, who delights in his presence. He is quickly married off by stealth through the manipulation of others around him and is likely to face further heartache given that his wife prefers bedding her brother. It looks like this unlikely hero is smitten with her mother Pirkko Hiekkala but is set for heartache given his kind and gentle nature.
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ellauri142.html on line 71: Count Lev Nikolayevich Tolstoy (/ˈtoʊlstɔɪ/; Russian: Лев Николаевич Толстой, 28 August 1828 – 7 November 1910), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time. He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909. That he never won is a major controversy. Instead, Rudyard Kipling got the medal 1907. What the fuck?
ellauri142.html on line 73: Born to an aristocratic Russian family in 1828, Tolstoy is best known for the novels War and Peace (1869) and Anna Karenina (1878), often cited as testicles of realist fiction.
ellauri142.html on line 75: In the 1870s, Tolstoy experienced a profound moral crisis, followed by what he regarded as an equally profound spiritual awakening, as outlined in his non-fiction work A Confession (1882). His overly literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him to become a fervent Christian anarchist and pacifist. His ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You (1894), had a profound impact on such pivotal 20th-century figures as Mahatma Gandhi, Martin Luther, and Stephen King.
ellauri142.html on line 77: The Tolstoys were a well-known family of old Russian nobility who traced their ancestry to a mythical nobleman named Indris described by Pyotr Tolstoy as arriving "from Nemec, from the lands of Caesar" (Lithuania, from the sound of it) to Chernigov in 1353 along with his two sons Litvinos (or Litvonis) and Zimonten (or Zigmont) and a dozen or maybe 3000 people. Indris was then converted to Eastern Orthodoxy, under the name of Leonty, and his sons as Konstantin and Feodor. Konstantin's grandson Andrei Kharitonovich was nicknamed Tolstoy (fatso) by Vasily II of Moscow after he moved from Chernigov to Moscow.
ellauri142.html on line 79: Tolstoy was born at Yasnaya Polyana, a family estate 12 kilometres (7.5 mi) southwest of Tula, and 200 kilometres (120 mi) south of Moscow. He was the fourth of five children of Count Nikolai Ilyich Tolstoy (1794–1837), a veteran of the Patriotic War of 1812, and Countess Mariya Tolstaya (née Volkonskaya; 1790–1830). His mother died when she was two and his father when he was nine. Tolstoy and his siblings were brought up by relatives. In 1844, he began studying law and oriental languages at Kazan University, where teachers described him as "both unable and unwilling to learn".
ellauri142.html on line 81: Tolstoy left the university in the middle of his studies, returned to Yasnaya Polyana and then spent much time in Moscow, Tula and Saint Petersburg, leading a lax and leisurely lifestyle. He began writing during this period, including his first novel Childhood, a fictitious account of his own youth, which was published in 1852.
ellauri142.html on line 85: In 1851, after running up heavy gambling debts, he went with his older brother to the Caucasus and joined the army. Tolstoy served as a young artillery officer during the Crimean War and was in Sevastopol during the 11-month-long siege of Sevastopol in 1854–55, including the Battle of the Chernaya. During the war he was recognised for his courage and promoted to lieutenant. He was appalled by the number of tragic deaths involved in warfare, and left the army after the end of the Crimean War.
ellauri142.html on line 87: His experience in the army, and two trips around Europe in 1857 and 1860–61 converted Tolstoy from a dissolute and privileged society author to a non-violent and spiritual anarchist. Others who followed the same path were Markku Graae, Alexander Gerzen, Mikhail Bakunin and Peter Kropotkin. During his 1857 visit, Tolstoy suffered a public execution in Paris, a traumatic experience that marked the rest of his life. In a letter to his friend Vasily Botkin, Tolstoy wrote: "The truth is that the State is a conspiracy designed not only to exploit, but above all to corrupt its citizens ... Henceforth, I shall never serve any government anywhere.
ellauri142.html on line 91: Prize motivation: "in consideration of the power of observation, originality of imagination, virility of ideas and remarkable talent for narration which characterize the creations of this world-famous author." As a poet, short story writer, journalist and novelist, Rudyard Kipling described the British colonial empire in positive terms, which made his poetry popular in the British Army. Contemporary Great Britain appreciated him for his depictions of the British colony of India. The Jungle Book (1894) has made him known and loved by children throughout the world, especially thanks to Disney’s 1967 film adaptation.
ellauri142.html on line 93: Tolstoy's concept of ahimsa was bolstered when he read a German version of the Tirukkura. The Tirukkuṟa (Tamil: திருக்குறள், lit. 'sacred verses'), or shortly the Kura, is a classic Tamil language text consisting of 1,330 short couplets, or kura, of seven words each. The text is divided into three books with aphoristic teachings on virtue (aram), wealth (porul) and sex (inbam), respectively. The Kura is traditionally praised with epithets and alternate titles such as "the Tamil Veda" and "the divine book." Written on the foundations of ahimsa, it emphasizes non-violence and moral vegetarianism as highest virtues for an individual.
ellauri142.html on line 100: “George Washington was a Mason, along with 13 other presidents and numerous Supreme Court Justices. Benjamin Franklin published a book about Freemasonry on his own printing press. Nine signers of the Declaration of Independence were Freemasons, including the man with way the biggest signature of all: John Hancock.” Put your Hancock right here on the line if it fits, like Babbitt said.
ellauri142.html on line 104: When diplomats and politicians joined the organization in the mid-1600s, the stonemason lodge movement began its climb as a stealthy phenomenon. If you were politically active and wanted to connect with the power structures of the times, you would do just about anything to become a member of The Masons.
ellauri142.html on line 106: In 1717, Masonry created a formal organization in London, when four lodges united to form the first Grand Lodge. This gave the organization credibility and added to its membership’s mystical allure. Men flocked, begged, coerced, and maneuvered to become members. Everybody wanted in.
ellauri142.html on line 108: The United States Masons, otherwise known as The Freemasons, were a highly political society in the 1700s. The first US lodge was opened in 1730 in New Jersey, where they initiated early plans and strategies used to fight the British. With its growing vault of secrets, expanding political influence, and stealth missions, it was an exciting time to be a Freemason.
ellauri142.html on line 110: Initially, the Freemason creed declared anti-Catholic, anti-Royalty, and anti-Democratic (i.e. Republican) virtues, including self-government, personal freedom, gun laws, and free enterprise. The basic tenet was that no person or organization should be controlled or oppressed by a government or religion, or their respective laws and doctrines. At their start, and for centuries, The Freemasons were a feisty, calculating, and powerful coalition.
ellauri142.html on line 112: Much to the chagrin of the Catholic Church, the early Masonic organization’s philosophy evolved from Deist ideology, which believes God does not interfere with creation, as it runs itself according to the laws of nature.
ellauri142.html on line 114: If you were a Mason in Europe in the 1700s, you stood against the notion of natural selection as it pertained to royalty. As Masonry developed and grew, you rooted for the wild, unruly kids across the pond – the Americans.
ellauri142.html on line 118: And while it seems they were rigorously involved in politics, Freemasonry describes itself as a “beautiful system of morality, veiled in allegory and illustrated by symbols.”
ellauri142.html on line 120: Long ago, when the British government and the Catholic Church were more militant, it was dangerous to share these secrets, so all members worked hard to protect them. This is why, for several centuries, the coveted secrets of the Freemasons were known only to loyal members.
ellauri142.html on line 122: While the rest of the world is no longer fearful of Freemasonry, The Catholic Church continues to warn its “faithful” of Freemasonry’s alleged anti-church teachings. In 1983, the papal state declared that Catholics “who enroll in Masonic associations are in a state of grave sin and may not receive Holy Communion.” This proclamation comes from the same church that continues to profess that women are not holy or God-ordained enough to be in the priesthood.
ellauri142.html on line 124: Some of the secrets at the foundation of Masonic traditions, are not so fascinating anymore. Here are a few of the secrets that may or may not continue to hold any mystique:
ellauri142.html on line 126: Members might roll up their pants to symbolize their understanding of what it takes to work on building a Masonic lodge
ellauri142.html on line 138: Members who seek political office and financial control in business seem to earn notoriety and celebrity within the organization and specific lodges
ellauri142.html on line 140: The symbols within Masonry are found throughout American architecture and on the US one-dollar bill (notice the pyramid on the back)
ellauri142.html on line 143: Rituals help us physicalize our beliefs, desires, and commitments. For many, performing a weekly or monthly ritual is a profound physical, psychological or emotional workout. Rituals help people connect to themselves, their chosen communities, and their Gods.
ellauri142.html on line 145: Given that all Masons profess beliefs in a monotheistic God, it makes sense that rituals are an essential part of the culture. There are initiation rituals and ceremonies to commemorate a member’s advancement to new Masonic levels.
ellauri142.html on line 147: Geometry and architecture are essential themes within Freemasonry, which is why Freemasons often refer to God as either The Supreme Being or The Grand Geometrician. These names help keep the concept of God as generic, and not tied to a specific religion, which removes any chance that a member will be offended.
ellauri142.html on line 149: Without the specificity and allegiance to one particular faith, the community can focus on enjoying, relating to, and helping each other, rather than judging each other or seeking to enroll each other into a specific tradition.
ellauri142.html on line 151: In most Masonic lodges, the Bible, the Quran, Talmud, and Vedas are prominently displayed, which gives each member a holy text to reference and utilize during rites and rituals.
ellauri142.html on line 155: While no ciphers are used today, during the 18th century, the pigpen ciphers were used to keep Masonic rituals and memberships secret. Some lodges may have created their own systems, symbols, and rites to protect themselves.
ellauri142.html on line 167: Vittu mitä pellejä! Jo on lapsellista touhua. According to the historian David Stevenson, it was influential on Freemasonry as it was emerging in Scotland. Robert Vanloo (n.h.) states that earlier 17th century Rosicrucianism had a considerable influence on Anglo-Saxon Masonry. Hans Schick sees in the works of Comenius (1592–1670) the ideal of the newly born English Masonry before the foundation of the Grand Lodge in 1717. Comenius was in England during 1641. Their mission is to prepare the whole wide world for a new phase in religion, which includes awareness of the inner worlds and the subtle bodies, and to provide safe guidance in the gradual awakening of man's latent spiritual faculties during the next six centuries toward the coming Age of Aquariums. This is the dawning of it, judging by the sea levels. According to Masonic writers, the Order of the Rose Cross is expounded in a major Christian literary work that molded the subsequent spiritual beliefs of western civilization: The Divine Comedy (ca. 1308–1321) by Dante Alighieri.
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ellauri142.html on line 174: While some lodges have a regionalized, secret lexicon, the most famous secret Masonic word is “Ma-ha-boner,” or “Mahabone.” This word is commonly known to mean “The lodge doors are open.”
ellauri142.html on line 178: “Mahaluu” is a subtle celebration of exclusive membership and a commitment to specific communally agreed-upon ideals.
ellauri142.html on line 180: Some say it’s unethical for any organization to exclude women, but psychologists say that men, women and other genders, who at times congregate within their genders, are happier, healthier and more confident. Just like any group with specific missions and membership archetypes, it seems helpful for human beings to participate in same-gender rites (like the well-known and well-loved train) and organizations.
ellauri142.html on line 184: Today, you can join the Freemasons for between $150 and $500 in annual dues. You won’t be involved in too many secret missions or controversies, though. You’ll mostly network with small business owners and help a charity or two. If you’re really into it, you’ll climb the magic ladder and achieve its highest title of Master Mason. At that point, you are eligible to become a Shriner.
ellauri142.html on line 186: Freemasonry has approximately five million members around the world, some more active than others. It’s still quite an honor to be involved with the Freemasons, as the experience promises to be an enriching and inspiring as it has been for centuries.
ellauri142.html on line 192: Paul Wagner is an Intuitive-Empath, clairvoyant reader, and a 5-time EMMY Award winning writer. He created “The Personality Cards,” a powerful Oracle-Tarot deck that’s helpful in life, love and relationships. Paul studied with Lakota elders in the Pecos Wilderness, who nurtured his empathic abilities and taught him the sacred rituals. He has lived at ashrams with enlightened masters, including Amma, the Hugging Saint, for whom he’s delivered.
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ellauri142.html on line 264: Humboldtin veljexiä oli 2, Alexander oli maantieteilijä, Wilhelm kielentutkija. Mulla on joku sen kielitieteen kirja hyllyssä. Joo Linguistic Variability & Intellectual Development. Pokkari. Onkohan se lyhennetty painos, Ei ole, vaikka lukuja on yhdistelty. Originally published in 1836 in the Royal Academy of Sciences of Berlin under the title Ueber die Verschiedenheit des menschlichen Sprachbaues und ihren Einfluss auf die geistige Entwicklung des Menschengeschlechz. Esipuheen on kirjoittanut Alexander-veli. Von Humboldt´s style is not a simple one for modern ears nor is his thought always clear. Despair was my constant companion, sanoi kääntäjä vuonna 1970.
ellauri142.html on line 266: Alexander sanoo esipuheessa: I have a sad and serious duty to fulfil. Apparently Wilhelm had just joined his ancestors (or theirs). Luckily professor Franz Bopp offered assistance. Wilhelm kävi kirjeenvaihtoa myös A.W.v.Schegelin, Colonel Pickeringin, ja Champollionin kaa (loput nimet oli mulle n.h.). Wilhelmillä oli attraktiivinen Tegel Castle lentokentän lähellä, jossa se herrasteli loppupeleissä perheensä kera.
ellauri142.html on line 270: Humboldtin lahja oli Sale Bellowin suht laaduton romaani. Wilhelm sanoo kirjansa johdannossa: "The expansion of the intellectual life is the sole possession that the individual, to the extent that she participates at all, may regard as indestructible." Minnes Wilho sielu jäi? Aika pakanallista. No voi vaan toivoa että Bhagavadgita on lähempänä jumalaa. Translators note: von Humboldt is groping here to express the idea that language is a sociopsychological vehicle of communication. Sanaa "sosiopsykologinen" ei ollut vielä edes kexitty (onnexi, tekee mieli sanoa).
ellauri142.html on line 378: Säälittäviä ovat ne, jotka toimivat palkinnon odotuksesta. Puuhaile vaan kaikenlaista vaan äläkä missään tapauksessa respice finem. Joogan juju on tarkoituxettomassa toiminnassa. Joka onnettomuudesta ei sure eikä onnellisuudesta iloitse, sillä on totuuden tieto. Kun hän kuin kuoreensa vetäytynyt kilpikonna, kääntää kaikki aistinsa ja ajatuksensa pois ulkonaisista kappaleista,
ellauri142.html on line 597: Tää on XI jooga liike. Tässä numerossa Kapt. Kalpa näyttäytyy Ärjylälle juhlakunnossa. Se menee puhelinkoppiin vaihtanaan vaatteita ja ilmestyy sitten upeissa tuliterissä Captain America-trikoissa.
ellauri142.html on line 609: Spencer's reputation among the Victorians owed a great deal to his agnosticism. He rejected theology as representing the 'impiety of the pious.' He was to gain much notoriety from his repudiation of traditional religion, and was frequently condemned by religious thinkers for allegedly advocating atheism and materialism. Nonetheless, unlike Thomas Henry Huxley, whose agnosticism was a militant creed directed at 'the unpardonable sin of faith' (in Adrian Desmond's phrase), Spencer insisted that he was not concerned to undermine religion in the name of science, but to bring about a reconciliation of the two. The following argument is a summary of Part 1 of his First Principles (2nd ed 1867).
ellauri142.html on line 611: Starting either from religious belief or from science, Spencer argued, we are ultimately driven to accept certain indispensable but literally inconceivable notions. Whether we are concerned with a Creator or the substratum which underlies our experience of phenomena, we can frame no conception of it. Therefore, Spencer concluded, religion and science agree in the supreme truth that the human understanding is only capable of 'relative' knowledge. This is the case since, owing to the inherent limitations of the human mind, it is only possible to obtain knowledge of phenomena, not of the reality ('the absolute') underlying phenomena. Hence both science and religion must come to recognise as the 'most certain of all facts that the Power which the Universe manifests to us is utterly inscrutable.' He called this awareness of 'the Unknowable' and he presented worship of the Unknowable as capable of being a positive faith which could substitute for conventional religion. Indeed, he thought that the Unknowable represented the ultimate stage in the evolution of religion, the final elimination of its last anthropomorphic vestiges.
ellauri142.html on line 720: The four classes were the Brahmins (priestly people), the Kshatriyas (also called Rajanyas, who were rulers, administrators and warriors), the Vaishyas (artisans, merchants, tradesmen and farmers), and Shudras (labouring classes). The varna categorisation implicitly had a fifth element, being those people deemed to be entirely outside its scope, such as tribal people and the untouchables. Eli paariat.
ellauri142.html on line 779: Sisäinen Sana puhuu. Täällä puhuu isä Mefodi. Aici postul de radio Muntenia unu:
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ellauri142.html on line 841: While the male yakshas are depicted in Hindu art and architecture as portly and deformed, the yakshis or yakshinis are depicted as women of great charm and beauty. We find references to the yakshas and yakshinis in the epics, the Puranas and in the works of ... etc.etc.
ellauri142.html on line 842: Rakshasa, are cannibalistic beings in Hinduism, Buddhism and Jainism. Rakshasas are also called "man-eaters". Rakshas is also used to describe Asuras, which are power seeking deities that lack divinity. They are often depicted as antagonists in Dharmic religious scriptures.
ellauri142.html on line 850: Angelus Silesiuksen Cherubinischer Wandersmann ('Kerubi-vaeltaja') on laaja kokoelma lyhyitä, pääasiassa kaksirivisiä mieterunoja, joissa on Angelus Silesiukselle ominaista mystiikkaa. Hänen virsistään huokuu jeesuxen sulhasen lämmin rakkaus Jeesukseen. Ruotsin kirkon virsikirjassa on yksi Silesiuksen virsi ”Ich will dich lieben, meine Stärke”, lemmittäskö tärkkelys.
ellauri142.html on line 1012: icit.bing.net%2Fth%3Fid%3DOIP.c--HJrlLU_wZU18MlKXdggHaHa%26pid%3DApi&f=1" />
ellauri142.html on line 1022: Lévi vieraili 1854 Englannissa, jossa hän tapasi kirjailija Edward Bulwer-Lyttonin, joka oli kiinnostunut ruusuristiläisyydestä ja oli pienen ruusuristiläisloosin johtaja. Bulwer-Lyttonilta Lévi sai vinkin kirjoittaa kirjan magian harrastamisesta. Kirja julkaistiin 1855 nimellä Dogme et Rituel de la Haute Magie, ja käännettiin englanniksi nimellä Transcendental Magic, its Doctrine and Ritual. Sen kuuluisat aloitussanat esittävät okkultismiin yhden olennaisen teeman, ja antavat hieman makua tulevasta:
ellauri142.html on line 1039: Aikuisen voiman lehdessä 11/21 oli uutta tietoa paskan elämän oireyhtymästä. Sen tärkein tekijä on laissez-faire kapitalismin keskeinen credo, toi "maaginen vapaaehtoisuus" (Magical voluntarism). Termin lanseeraaja David Small oli hyvä joskin pieni mies. Taavi-eno kuoli 76-vuotiaana 2014. Vaikka britti olikin, se oli aivan oikeilla jäljillä. Amerikkalaisten ylläpitämä Wikipedia tuomizee (tai vähintäinkin leimaa) sen näkemyxet nimellä "a social materialist explanation of psychological distress". Tää "maaginen vapaaehtoisuus" on toi seppoilu, eli existentialistinen uskomus että jokaisella yxilöllä on voima luoda izestään mitä haluaa. No sehän on aivan ilmiselvää potaskaa. Sitä hanakammin sitä tarjotaan kaikessa jenkkiviihteessä, kz. esim. Emily in Paris. Fisherin mukaan "masennus on esimerkki siitä mitä tapahtuu, kun maaginen vapaaehtoisuus tulee mahdollisen rajalle." Sillä rajalla kävi Eskikin, kun sen tieteellinen uskottavuus upposi, mutta aika äkkiä se osas rationalisoida asian ja asemoida izensä uudestaan nyt "käytännön filosofixi", lue motivaatiopuhujaxi. Pastorixihan se oli pienenä aikonutkin. Haaveet toteutuivat! Höpsismi toimii sittenkin!
ellauri142.html on line 1045: Smail wrote several books on the subject of psychotherapy, emphasizing the extent to which society is often responsible for personal distress. Critical of the claims made by psychotherapy, he suggests that it only works to the extent that the therapist becomes a friend of the patient, providing encouragement and support. Much distress, he says, results from current conflicts, not past ones, and in any case, damage done probably cannot be undone, though we may learn to live with it. He doubts whether 'catharsis', the process whereby it is supposed that understanding past events makes them less painful, really works. The assumption that depression, or any other form of mental distress, is caused by something within the person that can be fixed, is he argued, without foundation. He could thus be regarded as part of the 'anti-psychiatry' movement, along with R.D. Laing and Thomas Szasz, but where Laing emphasised family nexus as making psychosis understandable, Smail emphasises 'Interest' and power in relation to more everyday distress. These are integral to Western society, and, he suggests, considered out of bounds by most psychotherapists, who are themselves both constrained and complicit in protecting their own interests.
ellauri143.html on line 6: font-style: italic;
ellauri143.html on line 48: Although its medicinal properties have not been studied, traditional medicine practitioners use it for various purposes
ellauri143.html on line 50: Besides rampant poaching and road-kills, rapid destruction of palm trees, around which hedgehogs are mostly found, as part of urbanisation, has reduced its count.
ellauri143.html on line 57: The Bharatiya Janata Party (pronounced [bʱɑːɾət̪iːjə dʒənət̪ɑː pɑːrtiː] ( listen); English: Indian People's Party; abbr. BJP) is one of two major political parties in India, along with the Indian National Congress. It has been the ruling political party of the Republic of India since 2014. The BJP is a right-wing party, and its policy has historically reflected Hindu nationalist positions. It has close ideological and organisational links to the much older Rashtriya Swayamsevak Sangh (RSS). As of 2020, it is the country's largest political party in terms of representation in the national parliament and state assemblies and is by far the world's largest party in terms of primary membership, with the second largest party, the Communist Party of China, having about half the registered members of the BJP.
ellauri143.html on line 59: On a day when Prime Minister Narendra Modi released the Thai translation of Thirukkural during his visit to Thailand, the official Twitter handle of the BJP’s Tamil Nadu unit released a picture of Tamil poet Thiruvalluvar clad in a saffron attire.
ellauri143.html on line 60: In the picture tweeted on Saturday (November 2), Thiruvalluvar, who is revered in Tamil Nadu for authoring Thirukkural, a collection of 1,330 life-advice couplets, is seen smeared with sacred ash and wearing a rudraksha necklace and upper-arm bracelets. This is an entirely new portrayal of the ancient poet whose pictures has so far shown him attired only in white and without religious symbols.
ellauri143.html on line 61: The picture was also accompanied by a couplet from the first chapter of Thirukkural — “Katradhanaal aaya Payanen kol VaalaRivan natraal Thozhaaar enin,” which translates to — “What profit have those derived from learning, who worship not the good feet of him who is possessed of pure knowledge?”
ellauri143.html on line 63: The state BJP, it is alleged, has given a new inference to the couplet which has a religious overtone. The inference they provided goes like this — “What is the use of education when one who defies god and his believers?”
ellauri143.html on line 67: “The varnasrama dharma (racial segregation law) is the base for the BJP’s ideology. But Thirukkural is exact opposite. It is habitual for the party to use opposing ideas and then claim they are their own. Conducting more number of Thirukkural conferences will help the public know about the true meaning of Thirukkural and they can understand how the BJP is tweaking it for their own cause,” he said.
ellauri143.html on line 69: Varṇāśrama (varna-ashrama "väri-väsymättömyys") refers to the “laws relating to four castes”—Brāhmaṇa, Kṣatriya, Vaiśya and Śūdra and to four stages of (he-man) life—the student, the householder, the anchorite and the religious mendicant are expounded in the code of Manu and are applicable to Indian Society alone. Muut älkööt sotkeutuko tähän. Kuulitteko, pysykää poissa! Älä nyt tuu!
ellauri143.html on line 71: The history behind the picture of Valluvar is itself an interesting one. Painter KR Venugopal Sarma picturised him in 1950s and the painting was accepted by then chief minister CN Annadurai as the official picture of the poet.
ellauri143.html on line 72: Before Sarma, several others had attempted picturising the philosopher-poet, however, they were all rejected because of giving Valluvar a religious identity. Annadurai had also ordered to put up the pictures of Valluvar in all state government institutions.
ellauri143.html on line 80: Considered one of the greatest works ever written on ethics and morality, it is known for its universality and secular nature. Its authorship is traditionally attributed to Valluvar, also known in full as Vallu Mursu. In addition, it highlights truthfulness, self-restraint, gratitude, hospitality, kindness, goodness of wife, duty, giving, and so on and so forth, besides covering a wide range of social and political topics such as king, ministers, taxes, justice, farts, war, greatness of army and soldier's honor, death sentence for the wicked, agriculture, education, abstinence from alcohol and intoxicants.
ellauri143.html on line 84: The Kura has been widely admired by scholars and influential leaders across the ethical, social, political, economical, religious, philosophical, and spiritual spheres over its history. These include Ilango Adigal (never heard), Kambar (n.h.), Leo Tolstoy, Mahatma Gandhi, Albert Schweitzer (heard ok), plus Constantius Joseph Beschi, Karl Graul, George Uglow Pope, Alexander Piatigorsky, and Yu Hsi (all n.h.). The work remains to be translated. Oops correct that, the text has been translated into at least 40 Indian languages including English, making it one of the most translated ancient works. Ever since it came to print for the first time in 1812, the Kura text has never been out of print. Whole trainloads lie "left on read" in Sri Lanka.
ellauri143.html on line 86: Its author is praised for his innate nature of selecting the best virtues found in the known literature, like Juan Valdez the choicest coffee beans, and presenting them in a language that is common and acceptable to all (Tamil). The term Tirukkuṟaḷ is a compound word made of two individual terms, tiru and kuṟaḷ. The term tiru has as many as 19 different meanings but it means sacred. Kuṟaḷ means something like "short, concise, and abridged." Vizi näähän on Markku Envall-luokan aforismeja, Vaakku-Turmiola linjan törähdyxiä.
ellauri143.html on line 88: According to Miron Winslow (n.h.), kuṟa is used as a literary term to indicate "a metrical line of 2 feet, or a distich or couplet of short lines, the first of 4 and the second of 3 feet." Thus, Tirukkuṟaḷ literally comes to mean "sacred couplets." Pyhiä kupletteja.
ellauri143.html on line 92: The Kura is structured into 133 chapters, each containing 10 couplets (or kuras), for a total of 1,330 couplets. All the couplets are in kura venba metre, and all the 133 chapters have an ethical theme and are grouped into three parts, or "books":
ellauri143.html on line 102: Book II – Poruḷ (பொருள்): Book of Business (Artha), dealing with socio-economic values, policy, society and administration (Chapters 39-108)
ellauri143.html on line 104: Book III – Inbam (இன்பம்): Book of Love (Kama), dealing with psychological values and sex (Chapters 109-133)
ellauri143.html on line 114: Of the 1,330 couplets in the text, 40 couplets relate to god, rain, calisthenics, and virtue; 340 on fundamental everyday virtues of an individual; 250 on royalty; 100 on ministers of state; 220 on essential requirements of administration; 130 on social morality, both positive and negative; and 250 on human love, fucking and passion. Just goes to show.
ellauri143.html on line 116: The work largely reflects the first three of the four ancient Indian aims in life, known as purusha-arthas, viz., law (dharma), wealth (artha) and sex (kama).The fourth aim, namely, salvation (moksha) is left out as irrelevant. It is just a little-known uralic tribe. The Indian tradition also holds that there exists an inherent tension between artha and kama. So perhaps artha should be left out as well.
ellauri143.html on line 121: The moksa state is attained when a soul is liberated from the cycles of deaths and rebirths, is at the apex, is omniscient, remains there eternally, and is known as a siddha. In Jainism, it is believed to be a stage beyond enlightenment and ethical perfection, states Paul Dundas (n.h.), because they can perform physical and mental activities such as teach, without accruing karma that leads to rebirth.
ellauri143.html on line 142: "It's like opening a delicious pizza box," he says. He grabs one of women's feet and sticks her big toes in his mouth. "Mmm, foot lollipop," a second woman says, while she and the third woman rub ...
ellauri143.html on line 146: icture-in-picture" allowfullscreen>
ellauri143.html on line 199: What choicer treasure doth the world contain.
ellauri143.html on line 238: Decorum should men guard than life, which all men share.
ellauri143.html on line 241: The strong of soul no jot abate of strict decorum's laws,

ellauri143.html on line 296: Jesuit, Catholic and Protestant missionaries in colonial-era South India have highly praised the text, many of whom went on to translate the text into European languages.
ellauri143.html on line 307: No envious men to large and full felicity attain;

ellauri143.html on line 327: Absence of lust to make another's cherished riches thine.
ellauri143.html on line 351: Luku 20. Httpsonics and Information (Hyödytön kieli): 191–200
ellauri143.html on line 388: For uses of beneficence alone 'tis ours.
ellauri143.html on line 496: Though unprovoked thy soul malicious foes should sting,

ellauri143.html on line 538: Though thine own life for that spared life the price must pay,

ellauri143.html on line 590: The mystic vision pure, from all delusion free.
ellauri143.html on line 648: Who guards the realm and justice strict maintains,

ellauri143.html on line 684: With soul submiss they stand, as paupers front a rich man´s face;

ellauri143.html on line 705: Are like the happy gods oblations rich who share.
ellauri143.html on line 751: The wise is rich, with ev´ry blessing blest;

ellauri143.html on line 770: The greed of soul that avarice men call,

ellauri143.html on line 818: Is rash affair, from which the wise abstain.
ellauri143.html on line 821: A work of which the issue is not clear,

ellauri143.html on line 834: Beneficence that measures not its bound of means,

ellauri143.html on line 835: Will swiftly bring to nought the wealth on which it leans
ellauri143.html on line 868: Luku 52. Sonotre aloe memit (tietäen katalyyttinen ultrasonication): 511–520
ellauri143.html on line 944: His officers, his friends, his enemies,

ellauri143.html on line 996: The bliss to which his foes in vain aspire.
ellauri143.html on line 999: Luku 64. Microsoft (lääkeministeriö): 631–640
ellauri143.html on line 1085: Is source of virtue and of choice delight.
ellauri143.html on line 1107: Explanation : To those who have acquired an abundance of riches, the other two, (virtue and pleasure) are a piece of cake.
ellauri143.html on line 1123: Luku 78. Sotilashenki (படைச்செருக்கு paṭaiccerunkku): 771–780
ellauri143.html on line 1140: Though, like the sea, the angry mice send forth their battle cry;

ellauri143.html on line 1148: Tää ystävyys on taas sellanen missä esitetään presiis vastakkaisia neuvoja omalta kannalta ja vähän muidenkin kannalta. Muiden pitäis kyllä pysytellä mun ystävinä thru thick and thin, mutta mun on parasta valita ystävät tosi huolella ja dumpata tyhmät köyhät ja rumat joukosta kuin kuumat perunat. Ystävyydestä on tullut ihan fetischi nykyaikana. Ne ovat lähempänä kuin lähin puhelin, ja klaaniajan suku-ja heimositeitä ei enää tarvita. Kelassa on aina ystävä. Kaikki bunkkaavat omissa yhden hengen kopeissa ja tapaavat lähisukulaisia lähinnä jouluna. Vasta vanhana ne huomaavat, että veri on vettä sakeampaa. Vihreävetisiä ikätovereita kuolee ympäriltä kuin keiloja, eikä nuoret sukulaiset välitä. Niillä on omat ystävät.
ellauri143.html on line 1170: Donec eris felix, multos numerabis amicos; tempora si fuerint nubila, solus eris. Hädässä ystävä tutaan. Auta miestä mäessä, älä mäen alla. Näitähän piissaa.
ellauri143.html on line 1186: On deeds which to your station unbefitting prove.
ellauri143.html on line 1224: The joy of victory is never far removed from those

ellauri143.html on line 1233: Domestic life with those who don't agree,

ellauri143.html on line 1258: Women of double minds, strong drink, and dice; to these giv'n o'er,

ellauri143.html on line 1299: Luku 95. Microsoft: 941–950
ellauri143.html on line 1301: Aatelisen tunnistaa paizi hörökorvista niin ritarillisuudesta. Eliskä ezen pyllyn alla on hyvä hevonen. The goodly knight pricks his horse on the plain. The rain in Spain falls mainly on the plain. How kind of you to let me come.
ellauri143.html on line 1316: Explanation: If (food and work are either) excessive or deficient, the three things enumerated by (medical) writers: flatulence, biliousness, and phlegm, will cause disease.
ellauri143.html on line 1319: No need of medicine to heal your body's pain,

ellauri143.html on line 1324: Luku 96. Uusivuosi (Civic Sl.No): 951–960
ellauri143.html on line 1385: Who raise with their own hands the food on which they live.
ellauri143.html on line 1401: Luku 106. Microsoft (yöpäivä): 1051–1060
ellauri143.html on line 1407: Explanation : There is no greater folly than the boldness with which one seeks to remedy the evils of poverty by begging (rather than by working).
ellauri143.html on line 1421: Explanation : Beggars rejoice exceedingly when they behold those who bestow (their alms) with kindness and courtesy.
ellauri143.html on line 1427: Explanation : He who begs ought not to be angry (at a refusal); for even the misery of (his own) poverty should be a sufficient reason (for so doing)
ellauri143.html on line 1453: Luku 109. Metasonic Sarvasiyan sai yaar's'sayati (Itseoikaisu): 1081–1090
ellauri143.html on line 1463: “She seemed glad to see me. In fact, she actually said she was glad to see me – a statement no other aunt on the list would have committed herself to, the customary reaction of these near and dear ones to the spectacle of Bertram arriving for a visit being a sort of sick horror.” - P.G. Wodehouse
ellauri143.html on line 1505: Tamil Youths Ride on Toy Palmyra horses. In ancient Tamil Nadu, Tamil youths who fell in love with girls used to make a horse toy with Palmyra leaves and used to ride on it along the streets to make it public. Then the parents of the girls were forced to marry them. Though it was practised only by the Tamils in ancient India, the association of horse in this ritual show that it also came from the north. Horses came to India from outside. The oldest reference is in the Rig Veda.
ellauri143.html on line 1513: To those who 've proved love's joy, and now afflicted mourn,

ellauri143.html on line 1515: Explanation : To those who after enjoyment of sexual pleasure suffer for want of more, there is no help so efficient as the palmyra horse.
ellauri143.html on line 1616: With dewy brow; to which ´feigned´ anger lent its piquant grace.
ellauri143.html on line 1622: Explanation : Unusually great is the female simplicity of your maid whose beauty fills my eyes and whose shoulders resemble the bamboo.
ellauri143.html on line 1626: Is womanhood´s most womanly device, men say.
ellauri143.html on line 1628: Explanation : To express their love-sickness by their eyes and resort to begging bespeaks more than ordinary female excellence.
ellauri143.html on line 1660: Duhkha on myös yksi olemassaolon tuntomerkeistä pysymättömyyden (paaliksi anicca tai sanskritiksi anitya) ja itsetyytymättömyyden (paaliksi anatta tai sanskritiksi anātman) ohella. Koska olemassa olevat asiat ovat pysymättömiä, ne ovat duhkhaa eli kykenemättömiä tuomaan lopullista onnea. Ääliöt. Lopullinen onni on bittikarttavirhe. Fyysikot sen tietävät: onni on derivaatta. Se on nolla loppupeleissä.
ellauri143.html on line 1690: Siddhartha on Hermann Hessen vuonna 1922 julkaistu romaani. Saksankielisen alkuteoksen alaotsikko on Eine indische Dichtung (”Intialainen runoelma”). Siddhartha sijoittuu Buddhan aikaan. Vaikka kirjan päähenkilö jakaakin saman nimen Buddhan eli Siddhartha Gautaman kanssa, on kyseessä ilmeisesti eri fiktiivinen henkilö.
ellauri143.html on line 1742: Bodhisattva (sanskritiksi बोधिसत्त्व,valaisinolio, "hän, jonka tavoitteena on valaiseminen") on henkilö, jolla on suuren tasavirran seurauksena hyvä valoteho (bodhicitta), eli spontaani toive saavuttaa täydellinen valaistus kaikkien muiden oliojen hyödyksi. Buddhalaisuudessa bodhisattva on yksi neljästä leevelistä, jotka apina voi saavuttaa elämänsä aikana (muiden ollessa sillä aikaa arjhat, buddha ja pratyekabuddha). Valtakoira-buddhalaisten mukaan bodhisattva on izevalaiseva olio, joka omasta suuren myötäelämisen tahdostaan palaa täydellisen valaisemisen sijaan nussittavaxi uudestaan, jotta voi johdattaa ennen omaa läpivalaisuaan kaikki muut olennot kohdevalaisimen alle ja pois pyllystä tulemisen kärsimyksestä. Siis eräänlainen pyhimys. Myötätunnon pyhimyxellä on aivan vimmatusti käsiä, ei lopu kätilöltä kädet ihan ensi hädässä. Vitun käteenvetoa koko touhutus, jos minulta kysytään. Tuskin kysytään.
ellauri144.html on line 6: font-style: italic;
ellauri144.html on line 56: The rhetorician Quintilian regarded Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words." The fictional hero Tom Jones recited his verses with feeling. Etenkin tätä: Ou ou ou, Dilailaa! Nou nou nou, Dilailaa!
ellauri144.html on line 58: Vuonna 1777 Porthan nimitettiin kaunopuheisuuden professoriksi; virkaa oli hakenut myös Gabriel Tidgren. Porthan puhui kaunommin. Tidgren oli kauhu kaunanen. Porthanin luennot olivat tavattoman suosittuja, ja hän herätti oppilaissaan suurta ihailua. Paitsi Cicerosta ja Horatiuksesta hän luennoi kosolti ja paxulti myös muista aiheista: Hugo Grotiuksen ja edelleen Samuel Pufendorfin kehittämästä luonnonoikeudellisesta filosofiasta, oppihistoriasta ja jopa arkkitehtuurista. Porthan matkusteli paljon Suomessa, ja vuonna 1779 hän teki jopa matkan Saksaan ja tapasi sikäläisiä oppineita. Mä puolestani ostin virkaanastujaisrahalla käsipuhelimen (Nokia, siinä oli ulosvedettävä antenni) sekä IBM:n sylitietokoneen (sen minkä sitten ostivat kiinalaiset ja risti Lenovoxi, jossa oli näppäimistön keskellä kuminen klitoris). Joku ranskalainen pitkäkyntinen förbi sen kun matkustin Pariisiin tapaamaan sikäläisiä oppineita. Inhottava Inkeri ei suostunut korvaamaan vahinkoa laitosbudjetista. Se oli varmaan kade.
ellauri144.html on line 60: Nimirum sapere est abiectis utile nugis, et tempestivum pueris concedere ludum, ac non verba sequi fidibus modulanda Latinis, sed verae numerosque modosque ediscere vitae. Quocirca mecum loquor haec tacitusque recordor: Si tibi nulla sitim finiret copia lymphae, narrares medicis: quod, quanto plura parasti, tanto plura cupis, nulline faterier audes? si volnus tibi monstrata radice ...
ellauri144.html on line 62: In truth it is profitable to cast aside toys and to learn wisdom; to leave to lads the sport that fits their age, and not to search out words that will fit the music of the Latin lyre, but to master the rhythms and measures of a genuine life. There-fore I talk thus to myself and silently recall these precepts:
ellauri144.html on line 66: along with his body. He looks back bemusedly at the rash confidence, the ambition to get ahead, that motivated his earlier writing. And now his poetic gift itself threatens to fall away, together with other games, notably lovemaking, that require youthful energy and zest (55-57). Philosophy, as he describes it, is most centrally the art of living well from day to day; of enjoying life’s gifts while you have them, and of accepting Nature’s high impersonal laws in preparation for that final retirement which is death (213-16).
ellauri144.html on line 68: For Aristotle, youth and age represent extremes of excess and deficiency: the young (neoi) are subject to strong but quick-changing desires; they are hot-tempered, competitive, careless about money, simple, trusting, hopeful, lofty-minded; they have courage and a sense of shame; they enjoy friends and laughter; they live by honor, not advantage; they tend to hybris; in short, their failings are those of vehemence and excess. Whereas older men (presbyteroi) past their prime have the diametrically opposite failings, of deficiency: their experience of life makes them uncertain, suspicious, small-minded, ungenerous, worried about money, fearful, cold-tempered, grasping after life, and selfish; they live by the code of advantage; they are shameless and pessimistic; they live mostly in memory, talk about the past, complain a lot; they are slaves to gain; in short, both their desires and their ability to gratify them are weak.
ellauri144.html on line 70: The Greeks were creative but, like puellae, they lacked steadiness of purpose. From the Roman point of view, they were puerile, they just “fooled around” (nugari). Romans are brought up to be serious and businesslike, moralistic and
ellauri144.html on line 73: ics.com/view/horace-epistles/1926/pb_LCL194.437.xml">https://www.loebclassics.com/view/horace-epistles/1926/pb_LCL194.437.xml
ellauri144.html on line 94: Mutta onko Clarxon homo? Ainaskin se on aivan vitun homofoobi, joka on vahva vihje kaappihomosta. (Ei koske minua, I refuse to be bummed.) The Amazon Prime show sees presenters Jeremy Clarkson, Richard Hammond and James May travel the world reviewing cars. The Ofcom complaint comes after Young took issue with a comment in one of the episodes in which the trio made jokes about the Wrangler Jeep being a ‘gay man’s car’..... and then Hammond and May’s ‘quips’ to Clarkson wearing chaps, a pink shirt, he should get some moisturiser. It’s fucking pathetic and actually homophobic. Jeremy Clarkson: I’m not homophobic, I enjoy watching lesbians on the internet.
ellauri144.html on line 96: Clarkson was nominated for Stonewall’s Bigot of the Year award in 2007 for refusing to apologise for using homophobic slurs on Top Gear.
ellauri144.html on line 101: "They are subject to strong but quick-changing desires; they are hot-tempered, competitive..." Tähän asti mäzää Philip Roth Aristoteleen neonmainoxeen ollessaan elonsa vaelluxen puolitiessä, väsätessään maxanpalaan runkkaus -bestselleriä (Portnoyn tauti). Sen mielestä perhelounaaseen tuleminen oli sen koko elämän hirvein teko. Alkupää on varsin hauskaa jutkuviziä, mut niin pian kun se pääsee lapsenkengistä, alkaa Peppu luoda käärmeennahkansa ja ilmentää useimpia Aristoteleen presbyteerin piirteitä. Tyypillistä shylock-jutkuäijämeininkiä. Juu juu, juu, ei se varmaankaan ole rotupiirre, kai se on vanhan testamentin ja pitkän vainonnan aikaansaamaa meemilastia, mut silti vittu, mitä väliä.
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ellauri144.html on line 106: Portnoy's Complaint n. (after Alexander Portnoy 1933- ) A disorder in which a fictional character the same age as the writer kvetches on sex, guilt, sex and Jewishness for 250 pages without pausing for breath.
ellauri144.html on line 109: I took the Monkey to Italy. Sorry, I haven't mentioned her before. She's the long-legged shiksa model who used to be married to the elderly rich goy that liked to shit on a glass table over a schwartz while she ate a banana. Hence Monkey. Her real name is Mary Jane Reed and she's a thinly-disguised caricature of my alter ego's first wife. Revenge really is best served cold.
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The lyrics of the Chinese national anthem in English

ellauri144.html on line 146: The lyrics of the Chinese national anthem
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Phillu mainizee (175) Mandelin tykänneen Tito Puentesista ja Pupi Camposta niin paljon että muutti nimensä Babaluuxi. (Kolmas nimi on pianisti Joe Loco.) "Babalú" is a Cuban popular afro song written by Margarita Lecuona, the cousin of composers Ernestina and Ernesto Lecuona. The song title is a reference to the Santería deity Babalú Ayé. "Babalú" was the signature song of the fictional television character Ricky Ricardo, played by Desi Arnaz in the television comedy series I Love Lucy, though it was already an established musical number for Arnaz in the 1940s as evidenced in the 1946 film short Desi Arnaz and His Orchestra. By the time Arnaz had adopted the song, it had become a Latin American music standard, associated mainly with Cuban singer Miguelito Valdés, who recorded one of its many versions with Xavier Cugat and his Waldorf-Astoria Orchestra. Arnaz made the song a rather popular cultural reference in the United States.
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ellauri144.html on line 190: Guantanamera levytettiin suomeksi ensimmäisen kerran samana vuonna (1966) kuin se nousi listoille Yhdysvalloissa. Jussi Raittisen suomentaman kappaleen lauloi silloin Reijo Hirvelä. Amparo oli vasemmistolainen nainen espanjalaisessa saippuasarjassa nimeltä La Republica joka lauloi aina samaa saxalaista viisua armottoman huonosti. Siitä huolimatta sarja hyllytettiin Espanjassa liiasta vasemmistolaisuudesta. Muita hahmoja: Niklaxen näköinen Fernando dela Torre, valokuvia sivelevä Dona Leocadia, söpö Alejandra, sen sinkoileva veli Jesus, simpsakka Beatriz, mehukas Mercedes, setämies Agustin joka jäi kiinni molo ulkona Amparon baarissa, vittumainen klenkka Hugo de Viana, apulaiset Maria de Pilar, Ludi ja Encarna, väpelö Fernando Alcazar jne. Amparo tarkoittaa suojelusta.
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ellauri144.html on line 210: Paitsi että José Martí oli nationalisti, hän oli myös internationalisti. Hänen näkemyksensä mukaan Kuuban ja Latinalaisen Amerikan suvereenisuus olivat toisistaan erottamaton asia. Hän toimi aktiivisesti muun muassa Puerto Ricon itsenäisyyden puolesta. Kirjoituksissaan José Martí usein sivuaa sosialismin perustajan Karl Marxin teesejä. Tästä huolimatta hänen ei katsota olleen sosialisti, koska hän, toisin kuin sosialistit, ei nähnyt kapitalismia perussyynä Yhdysvaltojen imperialistisille pyrkimyksille.
ellauri144.html on line 251: Did you actually mean gum dammar? Actually no. Nähtävästi sanat on vähän eri eri lähteissä. Kuvan lyricsissä on hirvi joka ezii suojaa vuorelta. Ja se pitää köyhistä ja el Zorron kuivasta joenuomasta enemmänkuin merestä. Varmaan kaunistelua. Santanallakin (pyhä Anna) on maalaistyttölaulu, jossa on toi äskeinsen viisun viimeinen säkeistö. Suomennos on kiitos Google translate.
ellauri144.html on line 263: The United States has long maintained a military base at Guantanamo in Cuba. This makes the U.S. adaptation of the song a multi-layer statement, to put it mildly. It's typically sung by freedom activists who would perhaps like to see that illegally torturing prison and military base close for good, though they don't usually employ the song to that end.
ellauri144.html on line 265: In America, "Guantanamera" has been used during anti-war demonstrations, union strikes, marches for an overhaul of the US immigration system, and civil rights for immigrants. In more recent demonstrations, it was sung at Wall Street and around the country where folks were commenting on the balance of wealth.
ellauri144.html on line 267: When employed in the United States, the verses sung tend to remain concise - sticking to the verse about being an honest man :D. The line "My verses flow green and red" references the reds and blood on the land, i.e. is an allusion to revolution, though it's almost never used to incite antifa violence in the US. The final verse speaks about casting one's lot with the poor, which is a singularly bad and un-American idea.
ellauri144.html on line 272: Tässä toinen hyvä mexicaano joukkue, josta tulee ezimättä mieleen Aku Ankan trio jossa oli Aku ja brassi papukaija ja mexikaano kolmantena, mikäs niiden nimet nyt taas olikaan?
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ellauri144.html on line 277: Malagueña Salerosa — also known as La Malagueña — is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times by recording artists.
ellauri144.html on line 280: The film was produced as part of the studio's goodwill message for Latin America. The film stars Donald Duck, who in the course of the film is joined by old friend José Carioca, the cigar-smoking parrot from Saludos Amigos, who represents Brazil, and later becomes friends with a pistol-packing rooster named Panchito Pistoles, who represents Mexico. The Disney song is pathetically bad. Donald Duck's telescope has an erection when the duck focuses on Latin beauties, such as Carmen Miranda ellauri144.html on line 285: Phil Roth mainizee roolimalleinaan Norman Mailerin ja Michael Toddin, mustanpuhuvia jutkuäijiä jotka onnistui nappaamaan ihan eturivin shixoja. Philkin piti shixoista, vaixen eka vaimo oli sille elämänikäinen pettymys ja trauma. Philin mielestä shixa huijasi sen naimisiin, käyttäen samaa veruketta kuin ukko Schäfer joka haulikolla pakotti tiineen tyttärensä kanssa vihille opettaja Zimmerin. Kaikkein traagisinta oli että Philin kohdalla se ei ollut edes totta! Ei lasta eikä paskaakaan, mitä vittua.
ellauri144.html on line 287: Avrom Hirsch Goldbogen (aka Michael Todd) (born June 22, 1909 – March 22, 1958) was a JEWISH American theater and film producer, best known for his 1956 production of Around the World in 80 Days, which won an Academy Award for Best Picture. He is known as the third of Elizabeth Taylor's seven husbands, and is the only one whom she did not divorce (because he died in a private plane accident a year after their marriage).
ellauri144.html on line 289: Avrom was born in Minneapolis, Minnesota, to Chaim Goldbogen (an Orthodox rabbi), and Sophia Hellerman, both of whom were Polish Jewish immigrants. He was one of nine children in a poor family, the youngest son, and his siblings nicknamed him "Tod" (pronounced "Toat" in German) to mimic his difficulty pronouncing the word "coat." It was from this that his name was derived. Nomen erat omen.
ellauri144.html on line 290: He eventually dropped out of high school, and worked at a variety of jobs, including shoe salesman and store window decorator. One of his first jobs was as a soda jerk. When the drugstore went out of business, Todd had acquired enough medical knowledge from his work there to be hired at Chicago's Michael Reese Hospital as a type of "security guard" to stop visitors from bringing in food that was not on the patient's diet.
ellauri144.html on line 294: His greatest successes were in musical comedy revues, typically featuring actresses in deshabillé, such as As the Girls Go (which also starred Clark) and Michael Todd's Peepshow (Kuoleman tirkistelyesitys, vanhentunut).
ellauri144.html on line 296: On March 22, 1958, Todd's private plane the Liz crashed near Grants, New Mexico. "Ah, c'mon," he said. "It's a good, safe plane. I wouldn't let it crash. I'm taking along a picture of Elizabeth, and I wouldn't let anything happen to her."
ellauri144.html on line 298: In June 1977, Avrom's remains were desecrated by graverobbers. The thieves broke into his casket looking for a $100,000 diamond ring, which, according to rumor, Taylor had placed on her husband's finger prior to his burial. The bag containing Avrom's remains was found under a tree near his burial plot. The bag and casket had been sealed in Albuquerque after Avrom's remains were identified following the 1958 crash. Avrom''s remains were once more identified through dental records and were reburied in a secret location.
ellauri144.html on line 370: Stirs the quicksand; that ropes the blowing wind törkkii lentohiekkaa; mikä köyttää tuulenpuhurin
ellauri144.html on line 379: How time has ticked a heaven round the stars. Et aika tikannut on taivaan tähdistöön.
ellauri144.html on line 392: Dylan Marlais Thomas (27 October 1914 – 9 November 1953 = 39v) was a Welsh poet and writer whose works include the poems "Do not go gentle into that good night" (Josta suomenruozalainen leijakirjailija otti "Älä mene yxin yöllä ulos") and "And death shall have no dominion"; the "play for voices" Under Milk Wood; and stories and radio broadcasts such as A Child´s Christmas in Wales and Portrait of the Artist as a Young Dog. He became widely popular in his lifetime and remained so after his death at the age of 39 in New York City. By then he had acquired a reputation, which he had encouraged, as a "roistering, drunken and doomed poet".
ellauri144.html on line 394: Dylan Thomas was born on 27 October 1914 in Swansea, the son of Florence Hannah (née Williams; 1882–1958), a seamstress, and David John Thomas (1876–1952), a teacher. His father had a first-class honours degree in English from University College, Aberystwyth and ambitions to rise above his position teaching English literature at the local grammar school, which he never did. Thomas had one sibling, Nancy Marles (1906–1953), who was eight years his senior. The children spoke only English, though their parents were bilingual in English and Welsh, and David Thomas gave Welsh lessons at home. Thomas´s father chose the name Dylan, which could be translated as "son of the sea", after Dylan ail Don, a character in The Mabinogion. (Mulla on se, mutten ole lukenut.) His middle name, Marlais, was given in honour of his great-uncle, William Thomas, a Unitarian minister and poet whose bardic name was Gwilym Marles. Se oli se silverbäk jota ne kaikki koittivat apinoida. Dylan, pronounced ˈ [ˈdəlan] (Dull-an) in Welsh, caused his mother to worry that he might be teased as the "dull one" (which he was). When he broadcast on Welsh BBC, early in his career, he was introduced using this pronunciation. Thomas favoured the Anglicised pronunciation and gave instructions that it should be Dillan /ˈdɪlən/. He was fed up with the "dull one" joke. in 1914. In 1931, when he was 16, Thomas, an undistinguished pupil, left school to become a reporter for the South Wales Daily Post, only to leave under pressure 18 months later.
ellauri144.html on line 396: His best works appeared in print while he was still a teenager. In 1934, the publication of "Light breaks where no sun shines" caught the attention of the literary world. Stick it where no sun shines. While living in London, Thomas met Caitlin Macnamara. They married in 1937. In 1938, they settled in Laugharne, Carmarthenshire, and brought on their three children.
ellauri144.html on line 398: Thomas came to be appreciated as a popular poet during his lifetime, though he found earning a living as a writer was difficult. He began augmenting his income with reading tours and radio broadcasts. His radio recordings for the BBC during the late 1940s brought him to the public´s attention, and he was frequently used by the BBC as an accessible voice of the literary scene. Thomas first travelled to the United States in the 1950s. His readings there brought him a degree of fame, while his erratic behaviour and drinking worsened. His time in the United States cemented his legend, however, and he went on to record to vinyl such works as A Child´s Christmas in Wales. Phil Rothin ekalla tyttöystävällä oll Dylan Thomas-levy, jota ne kuuntelivat pukilla. During his fourth trip to New York in 1953, Thomas became gravely ill and fell into a coma. He died on 9 November 1953 and his body was returned to Wales. On 25 November 1953, he was interred at St Martin´s churchyard in Laugharne. What a laugh.
ellauri144.html on line 400: His childhood featured regular summer trips to Llansteffan where his maternal relatives were the sixth generation to farm there. His mother´s family, the Williamses, lived in such farms as Waunfwlchan, Llwyngwyn, Maesgwyn and Penycoed.[17] The memory of Fernhill, a dairy farm owned by his maternal aunt, Ann Jones,[18] is evoked in the 1945 lyrical poem "Fern Hill". Thomas had bronchitis and asthma in childhood and struggled with these throughout his life. Thomas was indulged by his mother and enjoyed being mollycoddled, a trait he carried into adulthood, and he was skilful in gaining attention and sympathy. During his final school years he began writing poetry in notebooks; the first poem, dated 27 April (1930), is entitled "Osiris, come to Isis". In June 1928, Thomas won the school´s mile race, held at St. Helen´s Ground; he carried a newspaper photograph of his victory with him until his death.
ellauri144.html on line 410: When their bones are picked clean and the clean bones gone, Kun luut on nilltä kaluttu ja puhtaat menneet,
ellauri144.html on line 423: And the unicorn evils run them through; Ja yxisarviset pahixet puhkoo ne;
ellauri144.html on line 482: Let Us Now Praise Famous Men is a book with text by American writer James Agee and photographs by American photographer Walker Evans, first published in 1941 in the American United States. The work documents the lives of impoverished tenant farmers during the Great Depression. Although it is in keeping with Evans´s work with the Farm Security Administration, the project was initiated not by the FSA, but by Fortune magazine. The title derives from a passage in the Wisdom of Sirach (44:1) that begins, "Let us now praise famous men, and our fathers that begat us".
ellauri144.html on line 531: Dilation and curettage (D&C) is a brief surgical procedure in which the cervix is dilated and a special instrument is used to scrape the uterine lining. Knowing what to expect before, during, and... Sehän on kaavinta! Sillä Philip Roth pääsi eroon esikoisesta, joka lähti kasvamaan kun Maggi ei tullut laittaneexi pessaaria. Keskimmäinen oli pelkkä huijaus. Kuopusta ei sitten tullutkaan.
ellauri144.html on line 539: Maggin pojalle (josta tulee rekkakuski) se antaa lukemisexi kirjan The Red Badge of Courage. It is a war novel by American author Stephen Crane (1871–1900). Taking place during the American Civil War, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound, a "red badge of courage," to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer, who carries a flag. ellauri144.html on line 541: The Red Badge of Courage garnered widespread acclaim, what H. G. Wells called "an orgy of praise" shortly after its publication, making Crane an instant celebrity at the age of twenty-four. The novel and its author did have their initial detractors, however, including author and veteran Ambrose Bierce. Adapted several times for the screen, the novel became a bestseller. It has never been out of print and is now thought to be Crane´s most important work and a major American text. ellauri144.html on line 542: Bierce oli toinen sotakirjailija mutta oli sentään ollut sodassa. His war stories influenced Stephen Crane, Ernest Hemingway, and others, and he was considered an influential and feared literary critic. ellauri144.html on line 544: Ambrose Gwinnett Bierce (June 24, 1842 – circa 1914) was an American short story writer, journalist, poet, and Civil War veteran. His book The Devil´s Dictionary was named as one of "The 100 Greatest Masterpieces of American Literature" by the American Revolution Bicentennial Administration. His story "An Occurrence at Owl Creek Bridge" has been described as "one of the most famous and frequently anthologized stories in American literature", and his book Tales of Soldiers and Civilians (also published as In the Midst of Life) was named by the Grolier Club as one of the 100 most influential American books printed before 1900. ellauri144.html on line 546: A prolific and versatile writer, Bierce was regarded as one of the most influential journalists in the United States, and as a pioneering writer of realist fiction. For his horror writing, Michael Dirda ranked him alongside Edgar Allan Poe and H. P. Lovecraft. S. T. Joshi speculates that he may well be the greatest satirist America has ever produced, and in this regard can take his place with such figures as Juvenal, Swift, and Voltaire. His war stories influenced Stephen Crane, Ernest Hemingway, and others, and he was considered an influential and feared literary critic. In recent decades Bierce has gained wider respect as a fabulist and for his poetry. ellauri144.html on line 548: Both of Bierce´s sons died before he did. Day committed suicide after a romantic rejection (he non-fatally shot the woman of his affections along with her fiancé beforehand), and Leigh died of pneumonia related to alcoholism. Bierce separated from his wife in 1888, after discovering compromising letters to her from an admirer. They divorced in 1904. Mollie Day Bierce died the following year. Bierce was an avowed agnostic, and strongly rejected the divinity of Christ. He suffered from lifelong asthma, as well as complications from his war wounds, most notably episodes of fainting and irritability assignable to the traumatic brain injury suffered at Kennesaw Mountain. In 1913, Bierce told reporters that he was travelling to Mexico to gain first-hand experience of the Mexican Revolution. He disappeared and was never seen again. ellauri144.html on line 552: Like Poe, Bierce professed to be mainly concerned with the artistry of his work, yet critics find him more intent on conveying his misanthropy and pessimism. His bare, economical style of supernatural horror is usually distinguished from the verbally lavish tales of Poe. In his lifetime, Bierce was famous as a California journalist dedicated to exposing the truth as he understood it, regardless of whose reputations were harmed by his attacks. For his sardonic wit and damning observations on the personalities and events of the day, he became known as "the wickedest man in San Francisco." Tälläisiä löytyy Ambrosen pirun raamatusta: ellauri144.html on line 560: Corporation. An ingenious device for obtaining individual profit without individual responsibility. ellauri144.html on line 562: Deliberation. The act of examining one´s bread to determine which side it is buttered on. ellauri144.html on line 564: Duty. That which sternly impels us in the direction of somebody´s profit, along the line of their desire. ellauri144.html on line 572: History. An account, mostly false, of events, mostly unimportant, which are brought about by rulers, mostly knaves, and soldiers, mostly fools. ellauri144.html on line 596: Bitter Bierceä haukuttiin aikanaan naturalistixi. Silloin tarkoitettiin varmaan Emile Zolan "pahaa" naturalismia, johon kuului tieteisusko ja determinismi, eikä Norrisin hampaatonta amerikkalaista "naturalismia", joka oli potpurri realismista ja romantiikasta. Zola´s concept of a naturalistic novel traces philosophically to Auguste Comte´s positivism, but also to physiologist Claude Bernard and historian Hippolyte Taine. Hippolyte on jo esiintynyt näissä paasauxissa, kai Akukin on saanut jotain mainintoja. Claude on toistaisexi n.h. (never heard). ellauri144.html on line 601: de la démarche expérimentale hypothético-déductive, formalisée souvent (et parfois ellauri144.html on line 615: père. Le 22 août 1870, le couple Bernard se sépare officiellement. En 1869, il ellauri144.html on line 616: avait rencontre Marie Sarah Raffalovich (1832-1921), issue d´une famille juive d´Odessa, ellauri144.html on line 617: épouse du banquier Hermann Raffalovich (1835-1893), son cousin, et mère de ellauri144.html on line 618: l’économiste Arthur Raffalovich (1853-1921), de l’écrivaine Sophie O’Brien née ellauri144.html on line 619: Raffalovich (1860-1960) et du poète militant homosexuel Marc-André Raffalovich ellauri144.html on line 627: santé fragile et des vicissitudes du monde moderne. Lors de ses séjours en ellauri144.html on line 630: 1878, Madame Raffalovich fait partie du cercle des intimes qui se trouvent près de ellauri144.html on line 642: src="https://upload.wikimedia.org/wikipedia/commons/7/75/Raffalovich%2C_Marc_Andr%C3%A9_%281864-1934%29.jpg" ellauri144.html on line 646: Раффалович (фр. Mark André Raffalovich) — французский поэт, журналист и эссеист, ellauri144.html on line 650: Raffalovich was a 19th century Hebrew Catholic or Catholic Jew. His name was Marc-Andre Raffalovich and was a famous French poet and writer associated with John Gray and Oscar Wilde. He came from a wealthy Russian Jewish family from Odessa who moved to France a year before his birth. He became a Catholic in 1896 through the reading of Catholic mystical literature especially homahtava St John of the Cross. Ei ois kannattanut. For ellauri144.html on line 651: the Catholic Catechism of the Catholic church ellauri144.html on line 658: psychological genesis remains largely unexplained. Basing itself on sacred ellauri144.html on line 659: Scripture, which present homosexual acts as acts of grave depravity [Gen. 19:1-29, ellauri144.html on line 661: homosexual acts are intrinsically disordered [Persona Humana 8]. They are contrary ellauri144.html on line 669: lives and, if they are Christians, to unite to the sacrifice of the Lord´s Cross ellauri144.html on line 670: the difficulties they may encounter from their condition. ellauri144.html on line 671: 2359 Homosexual persons are called to chastity. By the virtues of self-mastery that teach them inner freedom, at times by the support of disinterested friendship, by prayer and sacramental grace, they can and should gradually and resolutely approach Christian perfection. The rest of us can fuck to our hearts´ content as soon as the priest has said the magic word. ellauri144.html on line 684: Metaverses, in some limited form, have already been implemented in video games such as Second Life. Some iterations of the metaverse involve integration between virtual and physical spaces and virtual economies. ellauri144.html on line 685: Current metaverse development is centered on addressing the technological limitations with virtual and augmented reality devices. ellauri144.html on line 687: The term "metaverse" has its origins in the 1992 science fiction novel Snow Crash as a portmanteau of "meta" and "universe." It has since gained notoriety as a buzzword for promotion, and as a way to generate hype for public relations purposes by making vague claims for future projects. Information privacy and user addiction are concerns within the metaverse, stemming from challenges facing the social media and video game industries as a whole. ellauri144.html on line 700: Months later, Max is summoned to headquarters by Party officials and learns that he can save his career only if he brings Allura the trophy head of a rare white stag. Interweaving through the human actions, the region’s Silver River and its animals have their say." ellauri144.html on line 717: Ensimmäisen "herkän" vaiheen teokset syntyivät kotiseudulla Espanjassa. Toinen "älyllinen" vaihe alkoi, kun Himénez matkusti New Yorkiin mennäkseen naimisiin kääntäjä Zenobia Camprubín kanssa ja vietti tämän kanssa pitkän kuherruskuukauden, jonka aikana nuori vaimo (joka oli myöskin runoilija, espanjansi valitettavasti Tagoren lurituxia) luki Himenezille amerikkalaisen runouden espanjankielisiä käännöksiä. Kolmas "ärhäkkä" vaihe alkoi Espanjan sisällissodan aikana, kun Himénez muutti ulkomaille. Hän asui ensin Kuubassa ja myöhemmin Puerto Ricossa. Mexicon sotaministeri Don Jimenez Faria oli ärhäkkä ukko hänkin. ellauri144.html on line 721: Herkkää kautta seurasi älyllinen kausi vuosina 1916–1936. Himénezin tämän kauden teoksista merkittävimpiä ovat: Diario de un poeta recién casado (1916), Primera antolojía poética, (1917), Eternidades (1918), Piedra y cielo (1919), Poesía (1917–1923) ja Belleza (1917–1923). Merkittävin teos on Platero y yo 1917 (Harmo ja minä – andalusialainen elegia, suom. Tyyni Tuulio, 1957).lähde? ellauri144.html on line 723: Runoilijan viimeisen kauden (1937–1958) tärkeimpiä teoksia ovat: Animal de fondo (1949), Tercera antolojía poética (1957), En el otro costado (1936–1942) ja Dios deseado y deseante (1948–1949).lähde? ellauri144.html on line 768: de la arboleda fantástica; ton fantastisen puskan salaisuus; ellauri144.html on line 825: y los pezones, tantas veces acariciados, ja nännit niin moneen kertaan hyväillyt, ellauri144.html on line 839: Platero kaj mi estas la plej populara verko de la poeto, estis ofte eldonita (ekzemple kiel porinfana literaturo kvankam la verko mem ne estas tio), tradukita al multaj lingvoj kaj konvertita en ĉefa kultura elemento de la devenloko Moguer, kie estas muzea domo Casa Museo Zenobia y Juan Ramón Jiménez kiu ekspozicias multajn tradukojn, inter kiuj la esperantlingvan. ellauri144.html on line 843: icture-in-picture" allowfullscreen> ellauri145.html on line 6: font-style: italic; ellauri145.html on line 38: L´« humour noir », expression dont le sens moderne a été construit par Breton, est un des ressorts essentiels du surréalisme. L´humour, loin d´être un exercice brillant, engage des zones profondes de l´être et dans les formes les plus authentiques et les plus neuves qu´il connaît alors, il se profile sur un arrière-fond de désespoir. ellauri145.html on line 46: Fatty rival de Picratt (Love) est une comédie burlesque américaine réalisée par Roscoe "Fatty" Arbuckle, sortie le 2 mars 1919. ellauri145.html on line 48: Fatty dans sa « Ford Economy Spéciale » (une caisse à savon motorisée) et Al Clove (Picratt dans la version française) sur son Grand-bi se rendent chez le fermier voisin. Le premier est follement amoureux de Winnie, sa fille et vient lui rendre visite. Le second est porteur d’un message de son père qui propose au fermier de le marier à sa fille en échange de la moitié de ses terres. Al n’est pas très malin mais Fatty n’est qu’un garçon de ferme sans le sou. Malgré l´amour que porte Winnie à Fatty, le fermier n"hésite pas une seconde et est intraitable. ellauri145.html on line 72: Même s’il ne désespère pas de pouvoir orienter l’action culturelle du Parti et récupérer les forces psychiques dispersées, en conciliant le freudisme avec le marxisme au service du prolétariat, Breton ne cesse de se heurter à l’incompréhension et la défiance croissante venant de la direction du Parti communiste. Il a une rupture definitive avec le plus rouge Louis Aragon. ellauri145.html on line 79: Malgré les difficultés de la reconstruction de la France et le début de la guerre froide, Breton entend poursuivre sans aucune inflexion les activités du surréalisme. Et les polémiques reprennent et se succèdent : contre Tristan Tzara se présentant comme le nouveau chef de file du surréalisme, contre Jean-Paul Sartre qui considérait les surréalistes comme des petits-bourgeois, contre des universitaires, en démontant la supercherie d’un soi-disant inédit d’Arthur Rimbaud, contre Albert Camus et les chapitres que celui-ci consacre à Lautréamont et au surréalisme dans L’Homme révolté. Kuka täällä hajuttaa, Milli-Molli rupsuttaa. ellauri145.html on line 93: Jonathan Swift: Directions to Servants, A Modest Proposal, Meditation Upon a Broomstick; a few aphorisms; ellauri145.html on line 102: ichtenberg" />Georg Christoph Lichtenberg: selected aphorisms. Georg Christoph Lichtenberg (1. heinäkuuta 1742, Ober-Ramstadt – 24. helmikuuta 1799, Göttingen) oli saksalainen tiedemies, satiirikko ja anglofiili. Hän oli pastori Johann Conrad Lichtenbergin seitsemästätoista lapsesta nuorin. (Isä oli aika panomies!) Hän aloitti opintonsa vuonna 1763 Göttingenin yliopistossa, ja hänet nimitettiin ensin vuonna 1769 fysiikan apulaisprofessoriksi ja kuuden vuoden kuluttua kokeellisen fysiikan professoriksi. Häntä pidetään saksankielisen aforismikirjallisuuden perustajana. Siltä on suomennettu Töherryskirjat: Aforismeja ja muistiinmerkintöjä. Valikoinut ja suomentanut Juhani Ihanus. Otava, Helsinki 1999. ellauri145.html on line 104: Juhani Ihanus, FT (s. 8. toukokuuta 1954 Helsinki) on kulttuuripsykologian dosentti Helsingin yliopistossa, taidekasvatuksen ja taidepsykologian dosentti Aalto-yliopistossa sekä aate- ja oppihistorian dosentti Oulun yliopistossa. Hän on toiminut Helsingin yliopistossa vuodesta 1982 lähtien useissa opettaja- ja tutkijatehtävissä. Nähtävästi elinkautinen keskinkertaisuus kuten Lichtenberg. Ihanus on eurooppalaisen kirjallisuusterapian pioneereja. „Unsere Erde ist vielleicht ein Weibchen.“ „Wir fressen einander nicht, wir schlachten uns bloß.“ „Der Amerikaner, der den Kolumbus zuerst entdeckte, machte eine böse Entdeckung.“ Ihan näppäriä, muttei näillä kuuhun mennä. Silti Goethe kehui Joria taikasauvaxi, Kant alleviivas punasella sen kaikki töräyxet, ja Koala-vaari piti sitä izenäisenä ajattelijana. Tolstoinkin mielestä Lichtenberg oli parempi töräyttelijä kuin koketti följetongisti Nietzsche. Georg oli pedofiili, alkoi shtuppia 12-vuotiasta tyttöä v. 1777. Ikävä kyllä Lolita kuoli (varmaan johkin sexitautiin) 5 vuotta myöhemmin. Jostain syystä Jori digas Jacob Böhmeä. Ällöttävä Max Ernst piti Joria verrattomana huromistina. Seuraavasta penseestä mä voisin ottaa opixeni: Le degré le plus haut jusqu´où puisse s´élever un esprit mediocre, mais pourvu d´expérience, c´est le talent de decouvrir les faiblesses des hommes qui valent mieux que lui. Tässä ei ollut mitään hahatettavaa, vaikka tikulla olis kaivanut. ellauri145.html on line 110: As a traveling salesman and correspondence clerk, his research and thought was time-limited: he complained of "serving the knavery of merchants" and the stupefaction of "deceitful and degrading duties." Fourier produced most of his writings between 1816 and 1821. In 1822, he tried to sell his books again but with no success. Jobs people might not enjoy doing would receive higher pay. Fourier considered trade, which he associated with Jews, to be the "source of all evil" and advocated that Jews be forced to perform farm work in the phalansteries or else sent back to The Philistines with Rotschild money. Fourier´s contempt for the respectable thinkers and ideologies of his age was so intense that he always used the terms philosopher and civilization in a pejorative sense.
ellauri145.html on line 111: The transformation of labor into pleasure is the craziest idea in Fourier´s giant socialist utopia," said Marcuse. He had a concern for the sexually rejected; jilted suitors would be led away by a corps of "fairies" who would soon cure them of their lovesickness, and visitors could consult the card-index of personality types for suitable partners for casual sex. He also defended homosexuality as a personal preference for some people. Fourier sexualizes work itself—the life of the Phalanstery is a continual orgy of intense feeling, intellection, & activity, a society of lovers & wild enthusiasts.
ellauri145.html on line 112: Fourier was also a supporter of women´s rights in a time period when misogynic influences like Jean-Jacques Rousseau were prevalent. Fourier is credited with having originated the word feminism in 1837. Fourier believed that all important jobs should be open to women on the basis of skill and aptitude rather than closed on account of gender. He spoke of women as individuals, not as half the human couple. Fourier saw that "traditional" marriage could potentially hurt woman´s rights as human beings and thus never married. Writing before the advent of the term ´homosexuality´, Fourier held that both men and women have a wide range of sexual needs and preferences which may change throughout their lives, including same-sex sexuality and androgénité. He argued that all sexual expressions should be enjoyed as long as people are not abused, and that "affirming one´s difference" can actually enhance social integration. Stark raving mad, he was! ellauri145.html on line 117: Thomas De Quincey: On Murder Considered as one of the Fine Arts Thomas Penson De Quincey (/də ˈkwɪnsi/;[1] 15 August 1785 – 8 December 1859) was an English writer, essayist, and literary critic, best known for his Confessions of an English Opium-Eater (1821) Many scholars suggest that in publishing this work De Quincey inaugurated the tradition of addiction literature in the West. Mulla on toi kirja, mä luinkin sen, mutta se oli kyllä aika pitkästyttävä. Tämänkertainen ozikko tuo mieleen sen usein mietityttäneen havainnon että mixhän vitussa 50% tv-sarjoista on murhajuttuja. Eikai siinä muuta ole kun että KILL! on 1/3 apinan mieliharrastuxista. Dekkarit ja horrorit on musta lattapäisyyden selvimpiä ilmentymiä. ellauri145.html on line 141: se on brick. ellauri145.html on line 152: Christian Dietrich Grabbe Den här grabben nämndes även i Aarne Kinnunens gula humorbok. På tal om det, det är något likadant mellan Aarnes och Anteros humorstil. Schwarze Parzen sind sie beide, doch Aarne ist zuweilen echt witzig, André nicht. ellauri145.html on line 154: Christian Dietrich Grabbe (1801–1836) oli saksalainen näytelmäkirjailija. Hän kirjoitti useita näytelmiä, joiden vahvin puoli ei ole esitettävyys mutta joissa ilmenevä luonteenerittely on usein nerokas, joskin toisinaan erikoinen ja keinotekoinen. Hänen draamansa Herzog Theodor von Gothland on osaksi mauton, mutta osaxi suurisuuntainen ja syväajatuksinen. Hänen muista draamateoksistaan ovat huomattavia Don Juan und Faust (1829), Kaiser Friedrich Barbarossa (1829), Kaiser Heinrich VI (1830), Napoleon oder die hundert Tage (1831), Hannibal (1835) ja Die Hermansschlacht (julk. 1838). Monet arvostelijat pitivät aikoinaan Grabbea Heinrich von Kleistin rinnalla Friedrich Schillerin jälkeen Saksan suurimpana draamaerona. Minnes unohtui Scherz, Satire, Ironie und tiefere Bedeutung. Lustspiel, geschrieben 1822, Änderungen bis 1827. Uraufführung München 1907, jota suizuttavat Aarne sekä Antero? Vähän tuntuu siltä että Anterolle ja sen mielirunoilijoille olis kaikille pitänyt jakaa kirja "Be Your Own Best Friend". Grabbessa lisää ensi numerossa, jossa Grabbe ja Klopstock razastavat Vormärzin kuuman taivaan alla, te mukana! ellauri145.html on line 164: Joseph-Pierre Borel d´Hauterive , joka tunnettiin nimellä Petrus Borel (26. kesäkuuta 1809 – 14. heinäkuuta 1859), oli ranskalainen romanttisen liikkeen kirjailija. Petrus Borel, hän syntyi Lyonissa, kahdestoistaosana rautakauppiaan neljästätoista lapsesta. Hän opiskeli arkkitehtuuria Pariisissa, mutta jätti sen kirjallisuuden vuoksi. Lempinimellä le Lycanthrope ("susimies") ja Pariisin böömiläisten ympyrän keskus hänet tunnettiin ylellisestä ja omalaatuisesta kirjoituksestaan, joka esikuvasi surrealismia . Hän ei kuitenkaan menestynyt rautakaupallisesti, ja lopulta hänen ystävänsä, mukaan lukien Théophile Gautier, löysivät hänet pieneen virkaan . Häntä pidetään myös poète mauditina , kuten Aloysius Bertrand tai Alice de Chambrier. Borel kuoli Mostaganemissa noin vuonna 1859 auringonpistoxeen. Hän oli aiheena elämäkerran Enid Starkie , Petrus Borel: Tällä Lycanthrope (1954). ellauri145.html on line 170: À Mostaganem, il se révèle excellent administrateur mais, victime des idées romantiques qui ne l´ont jamais quitté, il emploie aussi bien les deniers publics que les siens pour sauver ses administrés de la faim et des fièvres. Le prefet critique ses rapports — la plus grande partie était faite en vers. ellauri145.html on line 176: ellauri145.html on line 192: Upon this I made an effort to get up, in order to put my threat into execution; but the ruffian just reached across the table very deliberately, and hitting me a tap on the forehead with the neck of one of the long bottles, knocked me back into the arm-chair from which I had half arisen. I was utterly astounded; and, for a moment, was quite at a loss what to do. In the meantime, he continued his talk. ellauri145.html on line 198: "Te wing !" he cried, highly incensed, "vat I pe do mit te wing ? Mein Gott ! do you take me vor a shicken ?" ellauri145.html on line 214: Un an plus tard, sa mère se remarie avec le chef de bataillon Jacques Aupick. C´est à l´adolescence que le futur poète s´opposera à ce beau-père interposé entre sa mère et lui. « Lorsqu´il arrive à Lyon, Charles a dix ans et demi… À l´égard de son beau-père aucune hostilité n´est alors perceptible. ». ellauri145.html on line 215: Peu fait pour comprendre la vive sensibilité de l´enfant, l´officier Aupick – devenu plus tard ambassadeur – incarne à ses yeux les entraves à tout ce qu´il aime : sa mère, la poésie, le rêve et, plus généralement, la vie sans contingences. ellauri145.html on line 217: « S´il va haïr le général Aupick, c´est sans doute que celui-ci s´opposera à sa vocation. C´est surtout parce que son beau-père lui prenait une partie de l´affection de sa mère. […] Une seule personne a réellement compté dans la vie de Charles Baudelaire : sa mère. » ellauri145.html on line 218: En 1831, le lieutenant-colonel Aupick ayant reçu une affectation à Lyon, le jeune Baudelaire est inscrit à la pension Delorme et suit les cours de sixième au collège royal de Lyon. En cinquième, il devient interne. En janvier 1836, la famille revient à Paris, où Aupick sera promu colonel en avril. Alors âgé de quatorze ans, Charles est inscrit comme pensionnaire au collège Louis-le-Grand, mais il doit redoubler sa troisième. ellauri145.html on line 221: Renvoyé du lycée Louis-le-Grand en avril 1839 pour ce qui a passé pour une vétille, mais que son condisciple au lycée, Charles Cousin (1822-1894) a expliqué comme un épisode d´amitié particulière, Baudelaire mène une vie en opposition aux valeurs bourgeoises incarnées par sa famille. Il passe son baccalauréat au lycée Saint-Louis en fin d´année et est reçu in extremis. Jugeant la vie de l´adolescent « scandaleuse » et désirant l´assagir, son beau-père le fait embarquer pour Calcutta. Le Paquebot des Mers du Sud quitte Bordeaux le 9 ou 10 juin 1841. Mais en septembre, un naufrage abrège le périple aux îles Mascareignes (Maurice et La Réunion). On ignore si Baudelaire poursuit son voyage jusqu´aux Indes, de même que la façon dont il est rapatrié. ellauri145.html on line 233: Dandy endetté, Baudelaire est placé sous tutelle judiciaire et mène dès 1842 une vie dissolue. Il commence alors à composer plusieurs poèmes des Fleurs du mal. Critique d´art et journaliste, il défend Delacroix comme représentant du romantisme en peinture, mais aussi Balzac lorsque l´auteur de La Comédie humaine est attaqué et caricaturé pour sa passion des chiffres ou sa perversité présumée. En 1843, il découvre les « paradis artificiels » dans le grenier de l´appartement familial de son ami Louis Ménard, où il goûte à la confiture verte. Même s´il contracte une colique à cette occasion, cette expérience semble décupler sa créativité (il dessine son autoportrait en pied, très démesuré) et renouvellera cette expérience occasionnellement sous contrôle médical, en participant aux réunions du « club des Haschischins ». En revanche, son usage de l´opium est plus long : il fait d´abord, dès 1847, un usage thérapeutique du laudanum17, prescrit pour combattre des maux de tête et des douleurs intestinales consécutives à une syphilis, probablement contractée vers 1840 durant sa relation avec la prostituée Sarah la Louchette. Comme De Quincey avant lui, l´accoutumance lui dicte d´augmenter progressivement les doses. Croyant ainsi y trouver un adjuvant créatif, il en décrira les enchantements et les tortures. ellauri145.html on line 235: ics/gallery/private/stella-delcroix-stella-delacroix-stella-deloroix/elite-hardcore-xxxgram/stella-delcroix-stella-delacroix-stella-deloroix-3.jpg" height="200px" /> ellauri145.html on line 240: En dandy, Baudelaire a des goûts de luxe. Ayant hérité de son père à sa majorité, il dilapide la moitié de cet héritage en 18 mois. Ses dépenses d´apparat sont jugées outrancières par ses proches, qui convoquent un conseil judiciaire. ellauri145.html on line 242: Le 21 septembre 1844, maître Narcisse Ancelle, notaire de la famille, est officiellement désigné comme conseil judiciaire qui lui alloue une pension mensuelle de 200 francs. En outre, Baudelaire doit lui rendre compte de ses faits et gestes. Cette situation infantilisante inflige à Baudelaire une telle humiliation qu´il tente de se suicider d´un coup de couteau dans la poitrine le 30 juin 1845. Outre sa réputation de débauché, Baudelaire passait pour homosexuel auprès de certains de ses amis: « C´est moi-même », écrit-il « qui ai répandu ce bruit, et l´on m´a cru » ellauri145.html on line 244: En 1848, il participe aux barricades. La révolution de février instituant la liberté de la presse, Baudelaire fonde l´éphémère gazette Le Salut public (d´obédience résolument républicaine), qui ne va pas au-delà du deuxième numéro. ellauri145.html on line 246: Le 15 juillet 1848 paraît, dans La Liberté de penser, un texte d´Edgar Allan Poe traduit par Baudelaire : Révélation magnétique. À partir de cette période, Baudelaire ne cessera de proclamer son admiration pour l´écrivain américain, dont il deviendra le traducteur attitré. La connaissance des œuvres de Poe et de Joseph de Maistre atténue définitivement sa « fièvre révolutionnaire ». Plus tard, il partagera la haine de Gustave Flaubert et de Victor Hugo pour Napoléon III, mais sans s´engager outre mesure d´un point de vue littéraire (« L´Émeute, tempêtant vainement à ma vitre / Ne fera pas lever mon front de mon pupitre »). ellauri145.html on line 251: L´HUMOUR chez Baudelaire fait partie intégrante de sa conception du dandysme. On sait que, pour lui, « le mot dandy implique une quintessence de caractère et une intelligence subtile de tout le mécanisme moral de ce monde ». L´humour, nul plus que lui n´a pris soin de le définir par opposition à la gaieté triviale ou au sarcasme grimaçant dans les quels se plaît à se reconnaître l´« esprit français ». Il place Molière en tête des « religions modernes ridicules»; Voltaire, c´est « l´antipoète, le roi des badauds, le prince des superficiels, l´antiartiste, le prédicateur des concierges, le père Gigogne des rédacteurs du Siècle ». Le dandy est partagé entre le souci narcissique de ses attitudes et de ses actes («Il doit aspirer à être sublime sans interruption. Il doit vivre et mourir devant son miroir ») et le désir de provoquer sur son passage une longue rumeur désapprobatrice (« Ce qu´il y a d´enivrant dans le mauvais goût, c´est le plaisir aristocratique ellauri145.html on line 259: Fin de sieclen snobismi ei eroa missään suhteessa Emily in Parisin vastaavasta. Elle est aujourd'hui wagnerienne, esoterique, neo-platonicienne, occultiste, androgyne, primitive, baudelairienne, morbide, nietzscheenne meme quand elle eternue. Ei ois kannattanut hävitä 1870 sotaa preussilaisille. ellauri145.html on line 262: Le spleen baudelairien désigne une profonde mélancolie née du mal de vivre, que Charles Baudelaire exprime dans plusieurs poèmes de son recueil Les Fleurs du mal. Quoiqu'il l'associe, discrètement, pour qui veut le lire, non pas à un véritable mal mais plutôt à une rage de vivre. Cette frustration colérique d'un Idéal non réalisé, auquel il ne renonce pourtant pas. Il accompagne finalement le titre de l'ouvrage complet : Spleen et Idéal. Ce spleen éveille un espoir, aisément distinguable dans ses textes les plus sombres : « Je suis comme le roi d'un pays pluvieux, riche, mais impuissant » LXXVII. ellauri145.html on line 285: D'humeur dépressive, l'auteur des Fleurs du mal effectue plusieurs tentatives de suicide. Son état psychique l'inspire artistiquement. Il s'y complaît même, non sans masochisme. Mais son spleen s'inscrit toujours dans sa quête de l'idéal, auquel il accède parfois grâce à de secrètes correspondances. ellauri145.html on line 350: Riche, mais impuissant, jeune et pourtant très-vieux, Rikas mutta kyvytön, nuori silti iki-iäkäs, ellauri145.html on line 402: Carroll often denied knowing the meaning behind the poem; however, in an 1896 reply to one letter, he agreed with one interpretation of the poem as an allegory for the search for happiness. Scholars have found various other meanings in the poem, among them existential angst, an allergy for tuberculosis, and a mockery of the Tichborne case. ellauri145.html on line 404: Roger Tichborne, heir to the noble and filthy rich Tichborne family´s title and fortunes, was presumed to have died in a shipwreck in 1854 at age 25. His mother clung to a belief that he might have survived, and after hearing rumours that he had made his way to Australia, she advertised extensively in Australian newspapers, offering a reward for information. In 1866, a Wagga Wagga butcher known as Thomas Castro came forward claiming to be Roger Tichborne. Although his manners and bearing were unrefined, he gathered support and travelled to England. He was instantly accepted by Lady Tichborne as her son, although other family members were dismissive and sought to expose him as an impostor. During protracted enquiries before the case went to court in 1871, details emerged suggesting that the claimant might be Arthur Orton, a butcher´s son from Wapping in London, who had gone to sea as a boy and had last been heard of in Australia. After a civil court had rejected the claimant´s case, he was charged with perjury; while awaiting trial he campaigned throughout the country to gain popular support. In 1874, a criminal court jury decided that he was not Roger Tichborne and declared him to be Arthur Orton. Before passing a sentence of 14 years, the judge condemned the behaviour of the claimant´s counsel, Edward Kenealy, who was subsequently disbarred because of his conduct. ellauri145.html on line 406: After the trial, Kenealy instigated a popular radical reform movement, the Magna Charta Association, which championed the claimant´s cause for some years. Kenealy was elected to Parliament in 1875 as a radical independent but was not an effective parliamentarian. The movement was in decline when the claimant was released in 1884, and he had no dealings with it. In 1895, he confessed to being Orton, only to recant almost immediately. He lived generally in poverty for the rest of his life and was destitute at the time of his death in 1898. Although most commentators have accepted the court´s view that the claimant was Orton, some analysts believe that an element of doubt remains as to his true identity and that, conceivably, he was Roger Tichborne. Or not. ellauri145.html on line 420: L´oubli loin d´ici m´attend, vaste mer, Unohdus oottaa täältä kaukana, laaja meri, ellauri145.html on line 436: Charles Cros Émile-Hortensius-Charles Cros (October 1, 1842 – August 9, 1888) was a French poet and inventor. He was born in Fabrezan, Aude, France, 35 km to the East of Carcassonne. Cros was a well-regarded poet and humorous writer. He developed various improved methods of photography including an early color photo process. He also invented improvements in telegraph technology. In the early 1870s Cros had published with Mallarmé, Villiers and Verlaine in the short-lived weekly Renaissance littéraire et artistique, edited by Emile Blémont. His poem The Kippered Herring inspired Ernest Coquelin to create what he called monologues, short theatrical pieces whose format was copied by numerous imitators. The piece, translated as The Salt Herring, was translated and illustrated by Edward Gorey. He spent years petitioning the French government to build a giant mirror that could be used to communicate with the Martians and Venusians by burning giant lines on the deserts of those planets. He was never convinced that the Martians were not a proven fact, nor that the mirror he wanted was technically impossible to build. Tästä hepusta tulee mieleen Spede Pasanen ja sen hiihtolinko. ellauri145.html on line 472: Un peloton de ficelle ? gros, gros, gros. Narukerä ? muhkea 3x ellauri145.html on line 479: Attache au clou la ficelle ? longue, longue, longue, Sitoo naulaan narun ? pitkän 3x ellauri145.html on line 487: Au bout de cette ficelle ? longue, longue, longue, Sen narun päässä ? pitkän 3x ellauri145.html on line 498: Friedrich Nietzsche: Letter to Jacob Burckhardt (also published in The Portable Nietzsche) ellauri145.html on line 512: Friedrich Nietzsche, Karl Marx and Charles Darwin are the great triumvirate of 19th-century thinkers whose ideas still have huge impact today. Nietzsche was philosophy’s supreme iconoclast; his sayings include “God is dead” and “There are no facts, only interpretations”. Highly relevant, yet his association with concepts such as the Übermensch, master morality, slave morality and, possibly most dangerous, the will to power, have also contributed to him being widely misinterpreted. There are three myths in particular that need dynamiting: that his politics were on the far right, he was a misogynist and he lacked a sense of humour. Of a sort. ellauri145.html on line 516: Condemned by ill health and abysmal eyesight to convey his philosophy in short, aphoristic bursts, Nietzsche knew the power of raising a bubble of laughter, only to puncture it as you ponder the further meaning: “Is man God’s mistake, or is God man’s mistake?” “Man does not strive for happiness; only the Englishman does that” – a dig at Jeremy Bentham and John Stuart Mill. “Possession usually diminishes the possession.” “Never trust a thought that occurs to you indoors.” He even makes fun of his readers: “The worst readers are those who behave like plundering troops: they take away a few things they can use, dirty and confound the remainder, and revile the whole.” Vittu miten säälittäviä on yrityxet osoittaa että jyrkät tyypit olis jotenkin humoristisia. Ei ne vaan ole. ellauri145.html on line 518: Ernst Krieck, a prominent Nazi ideologue, sarcastically remarked that apart from the fact that Nietzsche was not a socialist, not a nationalist and opposed to racial thinking, he might have been a leading National Socialist thinker. ellauri145.html on line 519: His sister Elisabeth held fascist views. She published an unreliable biography of him and delayed publication of his autobiography, Ecce Homo, until she had deleted all the uncomplimentary references to herself. ellauri145.html on line 522: We have to bestow blame on one particular Nazi named Martin Heidegger. Martin Heidegger’s magnum opus Being and Time was in large part an attempt to create a systematic understanding of metaphysics and human condition building from Nietzsche’s work. Heidegger became the Nazi rector for the entire German university system, which gave the Nazi party a huge bolster of academic legitimacy, and he promoted the Nazi party and their agenda from his classroom, often sporting the Brown Shirt. When the Nazi’s really began to take power, Hitler kicked out Heidegger as University Rector. ellauri145.html on line 524: Following the war, academics who had supported the Nazi regime were banned from teaching, including Heidegger, who never spoke publicly or privately about his involvement. Heidegger turned away from his earlier project of creating a fundamental ontology, and in doing so he also turned away from Nietzsche - or so his writings would make it appear. In truth, he remained just as indebted to Nietzsche’s work as he ever was, only he shifted focus. He created a false presentation of Nietzsche’s work in order to distance himself from his own past and involvement with the Nazis. Many academics take Heidegger’s critique of Nietzsche to be factual and seem to excuse Heidegger because he was under the influence of Nietzsche. ellauri145.html on line 526: Heidegger’s analysis of Nietzsche is entirely inauthentic. He alleges that Nietzsche merges a metaphysics of force with a Marxist analysis of labor to create a technological metaphysics of domination - however, Nietzsche’s analysis of force was completely counter to Marx’s and the marriage of Nietzsche and Marx is not Nietzsche, but is rather National Socialism, and the philosophical framework of this marriage is none other than Being and Time. ellauri145.html on line 528: Heidegger purposefully misrepresented the teachings of Nietzsche in order to distance himself from his own past, and this analysis has stood for some time as the authoritative reading of Nietzsche. This reading is slowly being undone by Nietzsche scholars, but slowly because many scholars refuse to amend the inauthentic reading they have inherited. ellauri145.html on line 535: Intellectuals very often have an image the same way rock stars and movie directors do. There’s the real person, and there’s the body of work they create, and then there’s the image, the popular conception of that person. Most people don’t understand theoretical physics and are not interested in learning the math to do so, and most people probably wouldn’t understand anything in the papers that Hawking has authored or co-authored. But most of us know who Hawking was, not only because he wrote popular books but because he was paralyzed and sat in a wheelchair and had a robot voice. The idea of a theoretical physicist who does all his work with his brain even though his body is destroyed and speaks through a machine is almost like a comic book character, and the popular imagination loves that. ellauri145.html on line 537: Nietzsche’s image, through no more fault of his own than Hawking´s (LOL), has grown in a similar way to that of Hawking. We all have a vague notion of what the Ubermensch is, we’ve all heard “God is dead,” and we all know Nietzsche was a crazy philosopher with a giant mustache who wrote really hard books and scared his contemporaries and was apparently a favorite of the Nazis. There are little quips and quotes from him around the internet that sound awfully cryptic and enigmatic. And the publishing industry plays on this image, too: I have a copy of Beyond Good And Evil with a black cover and the title text printed in red and white, and the color scheme looks a little sinister. I strongly suspect that, if Nietzsche did not have a popular image as a crazy nihilist Nazi Ubermensch from the 1800s, the publisher would not have made the decision to print his books with a black and red color scheme. A cursory look at Amazon’s book listing also shows copies of Thus Spake Zarathustra with a picture of a panther’s eyes on the cover, glowering at the reader. Because… “Nietzsche was that crazy German writer or philosopher or whatever, right? And he was, like, an anarchist or nihilist or Nazi or something, right? Didn’t he kill God or something like that? Yeah.” ellauri145.html on line 539: What rebellious teenager could resist this kind of thing? You’ve got your long hair, your leather jacket, your Slayer albums and your combat boots. You’ve got a guitar you can almost play. What completes that ensemble better than a copy of “The Antichrist,” placed conspicuously on your book stand? It’ll scare your parents if they’re religious, it’ll freak out your friends, and maybe you can find a sentence that sounds profound and memorize it so you can win some points for being deep. Get an inch or two deeper between her legs. ellauri145.html on line 545: The answer to this is very simple. Utilitarianism is concerned only with the volume of pleasure and pain, and Nietzsche says in so many words that as soon as you even enter into this kind of thinking, you are already deep into the territory of nihilism. It is passive; concerned with high maintenance, not constructivism; aloof or indifferent to meaning, something to justify the effort in the first place, even when it is successful, let alone when it isn’t. It is the staid, kindly, sober—not to say, the British—version of the same imbecilic nihilism that was prevailing on the continent in the same era. Mill did not understand the difference between pleasure and (counterfactual) happiness, between pain and suffering, between real (spiritual) slavery and freedom. Eli koska se oli säälittävä mursuwiixinen luuseri. ellauri145.html on line 551: Although there is certainly a bias toward “masculinity” in Nietzsche’s works, this does not necessarily mean what it is presumed to mean. “Masculinity” is not, for instance a code word for “male”. It does not apply as a broad category to those who have a certain set of genitals. In fact what the term means is having the sort of virtues that one might have typically related to the masculine virtues that were considered admirable at various times in the past. These include courage, transcendence of petty emotional concerns, fearlessness in the face of death, and so on. Intellectual courage was a particular attribute that Nietzsche was trying to encourage in his readers though his appeal to the term, “masculinity”. ellauri145.html on line 560: What did Nietzsche mean, the woman must get the man come twice? ellauri145.html on line 562: What are the biggest criticisms against Nietzsche? ellauri145.html on line 564: If Nietzsche appeals to youth, which philosopher appeals to old age? Why? ellauri145.html on line 568: Is it possible that philosopher Friedrich Nietzsche faked his own madness for personal reasons that we may never know? ellauri145.html on line 580: Why do people tend to have such a low opinion of Friedrich Nietzsche and his philosophy? ellauri145.html on line 582: Was Friedrich Nietzsche a misanthrope? ellauri145.html on line 584: Was Nietzsche a romantic person? ellauri145.html on line 608: ich_Nietzsche_Signature.svg/1920px-Friedrich_Nietzsche_Signature.svg.png" width="20%"/> ellauri145.html on line 610: P.S. Huomenna saapuu poikani Umberto armaan Margheritan kanssa, mutta heidätkin otan vain täällä vastaan paitasillani16. Loppu rouva Cosimaa varten… Ariadne…17 Aika ajoin taiotaan… Kuljen ympäriinsä tutkijantakissani, läimäytän tuolla täällä jotakuta olalle ja sanon: siamo contenti? son dio, ho fatto questa caricatura…18 Olen laitattanut Kaifaksen ketjuihin: viime vuonna saksalaiset lääkärit ristiinnaulitsivat minutkin hyvin pitkäveteisellä tavalla19. Wilhelm Bismarck ja kaikki antisemiitit pois päiviltä20. Te voitte panna tämän kirjeen mihin hyvänsä käyttöön, joka ei alenna minua baselilaisten kunnioituksessa. ellauri145.html on line 616: 1 Filosofi Friedrich Nietzsche (1844–1900) kirjoitti joulukuun 1888 lopussa ja tammikuun 1889 alussa joukon kirjeitä ja muistiinpanoja, jotka on tunnettu yli sata vuotta saksan sanalla Wahnsinnszettel eli ”hulluuslappuset”. ellauri145.html on line 642: 12 Torinolaissyntyinen Carlo Felice Nicolis (1826–1888) eli kreivi Robilant oli Sardinia(-Piemonte)n kuninkaan Carlo Alberton (1798–1849; vallassa 1831– 1849) alaisena työskennellyt diplomaatti. ellauri145.html on line 648: 14 Ilmeisesti kastilialaisten Federico Chuecan (1848–1908) ja Joaquín Valverden (1846–1910) säveltämä ja Felipe Pérez y Gonzálezin (1854–1910) libretoima koominen fantasiakappale La Gran vía (1886), jonka Nietzsche oli nähnyt joulukuussa kahdesti. Operetilla ei ole yhteyttä Moskovaan tai Roomaan, mutta sen tapa tehdä numero madridilaisesta kadusta korostaa suurkaupunkiarjen nousua ”suuren maailman” puheenaiheeksi. ellauri145.html on line 655: 17 Cosima Wagner (1837–1930) oli Lombardiassa syntynyt unkarilaisen pianisti-säveltäjä Franz Lisztin (1811–1886) tytär, joka erottuaan saksilaisesta kapellimestarista Hans von Bülowista (1830–1894) nai toisen saksilaisen, oopperantekijä Richard Wagnerin (1813–1883). Nietzsche ystävystyi Wagnereiden kanssa 1869 lähtien Sveitsissä, mutta välit katkesivat 1878. Nietzschen kirjoituksissa Cosimaan usein yhdistyvä Ariadne on kreikkalaisen mytologian labyrinttikertomusten kreetalainen prinsessa. Hän nai lopulta hurmanjumala Dionysoksen, jonka nimellä osa Nietzschen hulluuskirjeistä, mukaan lukien Cosimalle Ariadnena osoitetut, on allekirjoitettu. ellauri145.html on line 678: Les Chants de Mal Odor. Ce sont un ouvrage poétique en prose de 1869, composé de six parties nommées « chants ». Il s´agit de la première des trois œuvres de l´auteur Isidore Ducasse plus connu sous le pseudonyme de comte de Lautréamont. Le livre ne raconte pas une histoire unique et cohérente, mais est constitué d´une suite d´épisodes dont le seul fil conducteur est la présence de Maldoror, un personnage mystérieux et maléfique. The misanthropic, misotheistic character Maldoror is a figure of evil who has renounced conventional morality. Tulee tosta mieleen että Figura-liivejä mainostettiin ennen lehdissä. ellauri145.html on line 693: Hän kirjoitti romaaninsa joutohetkinään, minkä niistä kyllä huomaa. Hänen tyylinsä oli ensin äärimmäisen realistinen mutta muuttui myöhemmin mystillis-esoteeriseksi. Tavallinen kehitys oikeistopaskiaisilla. Émil Zola oli alkuun hänen esikuvansa. Hänen naturalistisen kautensa teoksia ovat Le drageoir aux épices (1874), Marthe (1876), Les sœurs Vatard (1879), En ménage (1881) ja A rebours (1884), joista viimemainittuun perustuu hänen maineensa. Vuonna 1887 Huysmansista tuli Zolan katkera vastustaja ja muutenkin aika paskiainen. Myöhemmällä kehityskaudellaan Huysmans muuttui ankaran katoliseksi. Hizi tääkin oikeistolaistumiskehitys on nähty vitun monessa kynäilijässä. Hän kuvaa eri kehitysvaiheitaan teoksissa En Route (1895), La Cathédrale (1898) ja L’Oblat (1903). Huysmans kuoli sentään vuonna 1907 syöpään. Hänet haudattiin perhehautaan Montparnassen hautausmaalle. ellauri145.html on line 699: Là-bas did strike a serious blow to the public’s conception of Naturalism. The novel, which opens with a two-page invective against Naturalism, was serialized in L’Echo de Paris, beginning on February 16, 1891. Huysmans’s protagonist, Durtal, feebly defends himself against his friend, Des Hermies, who maligns Naturalism as “du cloportisme” (siiramaisuudesta) while accusing it of having sold out: “Il a vanté l’américanisme nouveau des moeurs, abouti à l’éloge de la force brutale, à l’apothéose du coffre-fort. Par un prodige d’humilité, il a révéré le goût nauséeux des foules, et, par cela même, il a répudié le style, rejeté toute pensée altière, tout élan vers le surnaturel et l’au-delà...” (XII, 1, 6-7). ellauri145.html on line 701: Des Hermies leaves, and Durtal, a former Naturalist, weighs his friend’s criticism. Although he is fed up with the positivism and commercialism of Naturalism, he cannot envision a novel without its research, realistic details, and style. He hypothesizes about what could be done and concludes that Naturalism must change, it must broaden its horizons: ellauri145.html on line 707: Durtal admires the documentation of Naturalism, yet wants to open it to the supernatural, to an exploration of both body and spirit: it will be a kind of “naturalisme spiritualiste” that will follow Zola’s route, but in the air.6 This tension between realism and the supernatural lies at the heart of Là-bas, a novel in which Huysmans follows Durtal’s spiritual transformation as he researches medieval and modern Satanism. Là-bas was a scandalous best-seller. It inspired a great deal of public debate, especially since it was published in the same review and at the same time as Jules Huret’s first Enquête sur l’évolution littéraire, a series of sixty-four interviews conducted with major French authors from March 3 to July 5, 1891.7 This series, which asked its interviewees whether Naturalism was dead, was a phenomenal success read by all of Paris.8 Huret caused every non-Naturalist writer to agree that Zola’s brand of Naturalism was obsolete because it neglected humanity’s soul. ellauri145.html on line 725: His mother Marie-Angélique-Aspasie Puyo, 19 years old at the time of his birth, belonged to one of the most prominent families of the local bourgeoisie. His father was Antoine-Édouard Corbière, known for his best-selling novel Le Négrier. A cousin, Constant Puyo, was a well-known Pictorialist photographer. ellauri145.html on line 727: During his schooling at the Imperial Lycée of Saint-Brieuc where he studied from 1858 until 1860, he fell prey to a deep depression, and, over several freezing winters, contracted the severe rheumatism which was to disfigure him severely. He blamed his parents for having placed him there, far from his family´s care and affection. Difficulties in adapting to the harsh discipline of the college´s noble débris (distinguished relics, i.e., teachers) gradually developed those characteristics of anarchic disdain and sarcasm which were to give much of his verse its distinctive voice. ellauri145.html on line 729: Corbière´s only published verse in his lifetime appeared in Les amours jaunes, 1873, a volume that went almost unnoticed until Paul Verlaine included him in his gallery of poètes maudits (accursed poets). Thereafter Verlaine´s recommendation was enough to establish him as one of the masters acknowledged by the Symbolists, and he was subsequently rediscovered and treated as a predecessor by the surrealists. ellauri145.html on line 731: Close-packed, linked to the ocean and his Breton roots, and tinged with disdain for Romantic sentimentalism, his work is also characterised by its idiomatic play and exceptional modernity. He was praised by both Ezra Pound and T. S. Eliot (whose work he had a great influence on). Many subsequent modernist poets have also studied him, and he has often been translated into English. ellauri145.html on line 775: – Pur ton sang ! pur ton chic sauvage ! - Puhdasverisesti! Tyylipuhtaan villisti! ellauri145.html on line 819: Riches, rappelez-vous les paroles divines ; ellauri145.html on line 915: Qui vous fiche au cœur la peur... blanche, Joka saa pelon sydämmeen... valkoinen, ellauri145.html on line 952: Comme en chaire un prédicateur Kuin saarnaajalla saarnastuolissa, ellauri145.html on line 1027: La pâle catholicité. Kalpeata seurakuntaa. ellauri145.html on line 1059: ications/prayer-and-parody-in-rimbauds-dévotion-3">This paper offers a detailed reading of Rimbaud´ s "obscure" prose pom "Dévotion" from the Illuminations. The reading is based on the central principle that the text is modelled on the form of devotional prayer, a model that Rimbaud adopts only to parody it and transgress against it. Kaikki lukijat on yhtä mieltä että tää on Rimbaudin sepustuxista sekopäisin. Vaik kyllä se aina varoo olemasta selväsanainen, se on epädekadenttia. R. is extremely fond of mystifying his readers. ellauri145.html on line 1077: Aussi bien à tout culte en telle place de culte mémoriale et parmi tels événements qu´ il faille se rendre, suivant les aspirations du moment ou bien notre propre vice sérieux. ellauri145.html on line 1086: Ulsterin poka väittää että Rimbaud rienatessaankin pysyy izelleen uskonnollisena. Distancing himself in an at times sacrilegious or blasphemous way from conventional western attachment to the Bible and to the figure of Christ as saviour, Rimbaud nevertheless proceeds to create for himself a radically different spiritual alternative. No voihan se niinnii olla, musta tossa loppupäässä vois olla jotain homostelua. Noi 2 ekaa naista on varmaan sen kuolleet siskot Vitalie (17v) ja Victorine (4kk). Toi Bau on varmaan joku niiden keskinäinen sana. Isabellesta se ei rukoile, koska se on elossa. Ellei se sitten oo toi Lulu, mutta epäilen. Olisko to Madame *** sit tän rimpulan tiukka äitykkä? - Mut no hei! Ulsterin poka on tullut samaan johtopäätöxeen kuin mä että tässä runon lopussa on kuin onkin homostelua! Spunk tarkoittaa kuin tarkoittaakin runkkua! Se oli Rimbaudilla pahe ainainen, esim seuraavassa runossa on sama idea: ellauri145.html on line 1112: La Maison Gambier est une fabrique de pipes en terre, située à Givet, fondée à la fin du XVIII e siècle et fermée dans la première moitié du XX e siècle.. Elle se disait la plus importante fabrique de pipe du monde. Elle l´a été sans doute quelques décennies pour la fabrication de pipes en terre, avant de subir les imitations de ses modèles, puis la concurrence de la pipe en... ellauri145.html on line 1115: Vitalie, née le 15 juin 1858 à Charleville, est la fille de Marie Catherine Vitalie Cuif et de Frédéric Rimbaud. Ce dernier quitte le domicile conjugal en 1860, laissant son épouse avec quatre enfants en bas âge. En effet, Frédéric a sept ans, Arthur six, Vitalie deux et Isabelle, huit mois. ellauri145.html on line 1117: Vitalie grandit sous l´autorité d´une mère autoritaire et conservatrice qui lui inculque une éducation stricte basée sur la morale chrétienne. À la différence de ses deux frères Frédéric et Arthur, qui étaient passés par l´institut Rossat, structure privée mais laïque d´excellente réputation, elle est pensionnaire chez les religieuses du couvent des Sépulcrines, situé place du Sépulcre, actuellement place Jacques-Félix. ellauri145.html on line 1119: Vitalie Rimbaud vers l’âge de quinze ans avait la peau claire, les cheveux châtain foncé et les yeux bleus de son frère Arthur. Vitalie meurt le 18 décembre 1875, à l´âge de dix-sept ans passés, d’une synovite tuberculeuse, dite tuberculose des articulations. Arthur Rimbaud assiste à son enterrement le crâne rasé4, en signe de deuil5. ellauri145.html on line 1130: Jusqu´à l´âge de trois ans, il ne prononce pas un mot, sa famille le croyait muet. À l´école, il semble plutôt se destiner à une carrière scientifique : il passe à seize ans son baccalauréat en sciences. Recalé à cause des oraux d´histoire et de géographie, il est finalement reçu l´année suivante. Il devient alors stagiaire dans la pharmacie de son père qui ambitionne pour lui une succession tranquille, mais qui goûte peu ses expériences et ses faux médicaments et l´envoie étudier à Paris. En fait d´études, Alphonse préfère passer son temps aux terrasses des cafés ou dans le jardin du Luxembourg, et ne se présente pas à l´un des examens de l´école de pharmacie. Son père, s´apercevant que les fréquentations extra-estudiantines de son fils ont pris le pas sur ses études, décide de lui couper les vivres. ellauri145.html on line 1134: En 1881, après avoir terminé sans succès ses études de pharmacie, il devient collaborateur du journal Le Chat noir, dans lequel il signe pour la première fois en 1883. C´est grâce à ses écrits humoristiques et à ses nouvelles, écrites au jour le jour, qu´il connaît le succès. Il collabore à l´hebdomadaire Le Chat Noir à partir du numéro 4, daté du 4 février 1882, (Feu de paille). En 1885, il fréquente le café-restaurant Au Tambourin au 62, boulevard de Clichy. ellauri145.html on line 1143: Il a inventé un caoutchuc artificiel et un café soluble lyophilisé dont il a déposé le brevet, le 7 mars 1881 sous le numéro no 141520, bien avant donc que Nestlé, grâce à son chimiste alimentaire Max Morgenthaler (de), ne le reprenne en 1935 et lance le Nescafé. Un holorime d´Alphonse suffira ici. ellauri145.html on line 1160: Born into a farming family of La Sauvagère, Brisset was an autodidact. Having left school at age twelve to help on the family farm, he apprenticed as a pastry chef in Paris three years later. In 1855, he enlisted in the army for seven years and fought in the Crimean War. In 1859, during the war in Italy against the Austrians. After he was wounded at the Battle of Magenta, he was taken prisoner. During the Franco-Prussian War, he was a second lieutenant in the 50e régiment d´infanterie de ligne. Taken prisoner again, he was sent to Magdeburg in Saxony where he learned German. ellauri145.html on line 1162: In 1871, he published La natation ou l’art de nager appris seul en moins d’une heure (Learning the art of swimming alone in less than an hour), then resigned from the Army and moved to Marseilles. Here he filed a patent for the "airlift swimming trunks and belt with a double compensatory reservoir". This commercial endeavor was a complete failure. He returned to Magdeburg, where he earned his living as a language teacher, developing a method for learning French, which he self-published in 1874. ellauri145.html on line 1164: Brisset became stationmaster at the railway station of Angers, and later of L´Aigle. After publishing another book on the French language, he undertook his major philosophical work, in which contended that humans were descended from frogs. Brisset supported his contention by comparing the French and frog languages (such as "logement" = dwelling, comes from "l'eau" = water). He was serious about his "morosophy", and authored a number of books and pamphlets put forth his indisputable substantiations, which he had printed and distributed at his own expense. ellauri146.html on line 6: font-style: italic; ellauri146.html on line 46: Christian Dietrich Grabbe (* 11. Dezember 1801 in Detmold; † 12. September 1836 ebenda) war ein deutscher Dramatiker des Vormärz. Der Begriff Vormärz bezeichnet die Epoche der deutschen Geschichte zwischen der Julirevolution von 1830 und der Märzrevolution von 1848. Einige Historiker fassen die Epoche etwas weiter und lassen sie bereits mit dem Wiener Kongress von 1815 beginnen. Geographisch beschränkt sich der Begriff auf die Staaten des auf dem Kongress gegründeten Deutschen Bundes. ellauri146.html on line 48: Grabbe kam als Sohn eines Zuchthausaufsehers zur Welt. Schon als Gymnasiast in Detmold unternahm er mit 16 Jahren erste Versuche als Dramatiker. Ein Stipendium der Landesfürstin ermöglichte ihm ab 1820 ein Jura-Studium in Leipzig, das er 1822 in Berlin fortsetzte. In Berlin lernte er Heinrich Heine kennen. Nach dem Abschluss des Studiums 1823 bemühte er sich vergeblich, eine Stellung an einem deutschen Theater als Schauspieler oder Regisseur zu bekommen. Er kehrte nach Detmold zurück und legte im folgenden Jahr sein Juristisches Staatsexamen ab. ellauri146.html on line 50: Auch die Versuche, in Detmold eine Stellung als Jurist zu finden, waren zunächst erfolglos, erst 1826 übernahm er die unbezahlte Vertretung eines erkrankten Auditeurs, dessen besoldeter Nachfolger er 1828 wurde. 1829 erfolgte in Detmold mit Don seinen Freunden Heinrich Heine, Ludwig Tieck, Don Juan und Faust die einzige Aufführung eines seiner Dramen zu Lebzeiten. Ab 1831 verschlechterte sich der Gesundheitszustand Grabbes zusehends, die Folgen seines Alkoholismus wurden sichtbar (eine für Grabbes Alkoholkonsum charakteristische Episode aus dem Herbst 1828 wird von Georg Fein geschildert). Eine Verlobung mit Henriette Meyer wurde von dieser gelöst, als sich Grabbe wieder Louise Christiane Clostermeier zuwandte, die ihn bereits einmal abgewiesen hatte. Grabbe oli aika lailla persujen ex-puheenjohtajan näköinen. ellauri146.html on line 52: 1833 heiratete er die 10 Jahre ältere Louise Christiane Clostermeier, aber die Ehe erwies sich schnell als unglücklich. 1834 gab er sein Amt auf. Er reiste über Frankfurt am Main, wo er sich mit seinem Verleger überwarf, nach Düsseldorf. Dort hatte er sein Wohnhaus auf der Bolkerstraße 6. Der heutige Nachkriegsbau in der Ritterstraße 21 zeigt eine Steintafel, die auf seinen damaligen Aufenthalt hinweist: „In diesem Hause Litt und Stritt der Dichter Chr. Dietr. Grabbe 1834 bis 1836“. Dort arbeitete er mit Karl Immermann, den er 1831 kennengelernt hatte, an dem von diesem erneuerten Stadttheater. Doch auch diese Zusammenarbeit dauerte wegen der Depressivität und der Alkoholexzesse Grabbes nicht lange. 1836 kehrte er noch einmal nach Detmold zurück; seine Frau reichte die Scheidung ein. Noch im selben Jahr starb Grabbe in seiner Geburtsstadt an Rückenmarksschwindsucht, totalement épuisé par l'alcoolisme, aupres sa femme, le seul être qui soit resté disposé à l'accueillir. LOL. ellauri146.html on line 56:
Christian Dietrich Grabbe
ellauri146.html on line 59: SCHULMEISTER (sitzt am Tische und schenkt aus einer großen Flasche sich ein Glas nach dem andren ein). Utile cum dulci, Schnaps mit Zucker! – Es wird heute ein saurer Tag, – ich muß den Bauerjungen die erste Deklination beibringen. Ein Bauerjunge und die erste Deklination! Das kommt mir vor als wenn ein Rabe ein rein Hemd anziehen wollte! (Er blickt durch das Fenster.) Alle Wetter, da kommt der schiefbeinige Tobies mit seinem einfältigen Schlingel! Schwerenot, wo verstecke ich meinen Schnaps? – geschwind, geschwind, ich will ihn in meinen Bauch verbergen! (Er säuft die Bouteille mit einer entsetzlichen Schnelligkeit aus.) Ah, das war ein Schluck, dessen sich selbst Pestalozzi nicht hätte zu schämen brauchen! Die leere Flasche zum Fenster hinaus! ellauri146.html on line 63: TEUFEL. Und morgen erwarte ich Sie bei dem Waldhäuschen zu Lopsbrunn; da machen Sie sich die Serviette wieder ab und nehmen die Baronin in die Arme. ellauri146.html on line 65: FREIHERR. Hohoho! Dazu werde ich freilich keiner Serviette bedürfen! (Er geht ab.) ellauri146.html on line 67: TEUFEL. Das gelang, sagt Octavio Piccolomini! ellauri146.html on line 69: Ottavio Piccolomini, 1st Duke of Amalfi (11 November 1599 – 11 August 1656) was an Italian nobleman whose military career included service as a Spanish general and then as a field marshal of the Holy Roman Empire. Pisti hönöön ruozalaisille 30-vuotisessa sodassa. ellauri146.html on line 75: RATTENGIFT (sitzt an einem Tische und will dichten). Ach, die Gedanken! Reime sind da, aber die Gedanken, die Gedanken! Da sitze ich, trinke Kaffee, kaue Federn, schreibe hin, streiche aus, und kann keinen Gedanken finden, keinen Gedanken! – Ha, wie ergreife ichs nun? Halt, halt! was geht mir da für eine Idee auf? – Herrlich! göttlich! eben über den Gedanken, daß ich keinen Gedanken finden kann, will ich ein Sonett machen, und wahrhaftig dieser Gedanke über die Gedankenlosigkeit, ist der genialste Gedanke, der mir nur einfallen konnte! Ich mache gleichsam eben darüber, daß ich nicht zu dichten vermag, ein Gedicht! Wie pikant! wie originell! (Er läuft schnell vor den Spiegel.) Auf Ehre, ich sehe doch recht genial aus! (Er setzt sich an einen Tisch.) Nun will ich anfangen! (Er schreibt.) ellauri146.html on line 82: Ja, was in aller Welt sitzt nun so, daß es aussieht wie ich, wenn ich Federn kaue? Wo bekomme ich hier ein schickliches Bild her? Ich will ans Fenster springen und sehen, ob ich draußen nichts Ähnliches erblicke! (Er macht das Fenster auf und sieht ins Freie.) Dort sitzt ein Junge und kackt – Ne, so sieht es nicht aus! – Aber drüben auf der Steinbank sitzt ein zahnloser Bettler und beißt auf ein Stück hartes Brot – Nein, das wäre zu trivial, zu gewöhnlich! (Er macht das Fenster wieder zu und geht in der Stube umher.) Hm, hm! fällt mir denn nichts ein? Ich will doch einmal alles aufzählen, was kauet. Eine Katze kauet, ein Iltis kauet, ein Löwe – Halt! ein Löwe! – Was kauet ein Löwe? Er kauet entweder ein Schaf, oder einen Ochsen, oder eine Ziege, oder ein Pferd – Halt! ein Pferd! – Was dem Pferde die Mähne ist, das ist einer Feder die Fahne, also sehen sich beide ziemlich ähnlich – (jauchzend.) Triumph, da ist ja das Bild! Kühn, neu, calderonisch! ellauri146.html on line 88: (Er liest diese zwei Zeilen noch einmal laut über und schnalzt mit der Zunge, als ob sie ihm gut schmeckten.) Nein, nein! So eine Metapher gibt es noch gar nicht! Ich erschrecke vor meiner eignen poetischen Kraft! (Behaglich eine Tasse Kaffee schlürfend.) Das Pferd eine Löwenfeder! Und nun das Beiwort »schnell«! Wie treffend! Welche Feder möchte auch wohl schneller sein als das Pferd? – Auch die Worte »eh der Morgen grauet!« wie echt homerisch! Sie passen zwar durchaus nicht hieher, aber sie machen das Bild selbstständig, machen es zu einem Epos im kleinen! – O, ich muß noch einmal vor den Spiegel laufen! (Sich darin betrachtend.) Bei Gott, ein höchst geniales Gesicht! Zwar ist die Nase etwas kolossal, doch das gehört dazu! Ex ungue leonem, an der Nase das Genie! ellauri146.html on line 96: TEUFEL. So will ich Ihnen denn sagen, daß dieser Inbegriff des Alls, den Sie mit dem Namen Welt beehren, weiter nichts ist, als ein mittelmäßiges Lustspiel, welches ein unbärtiger, gelbschnabeliger Engel, der in der ordentlichen, dem Menschen unbegreiflichen Welt lebt, und wenn ich nicht irre, noch in Prima sitzt, während seiner Schulferien zusammengeschmiert hat. Das Exemplar, in dem wir uns befinden, steht, glaube ich, in der Leihbibliothek zu X, und eben jetzt wird es von einer hübschen Dame gelesen, welche den Verfasser kennt und ihm heute abend, d. h. über sechs Trillionen Jahre, beim Teetische ihr Urteil darüber mitteilen will. ellauri146.html on line 98: RATTENGIFT. Herr, ich werde verrückt! – Ist die Welt ein Lustspiel, was ist denn die Hölle, die doch ebenfalls in der Welt ist? ellauri146.html on line 102: RATTENGIFT. Und wirklich wäre die Hölle weiter nichts? Wie – wie werden denn die Verbrecher bestraft? ellauri146.html on line 104: TEUFEL. Einen Mörder lachen wir so lange aus, bis er selber mitlacht, daß er sich die Mühe nahm, einen Menschen umzubringen. Die härtste Strafe eines Verdammten aber besteht darin, daß er die Abendzeitung und den Freimütigen lesen muß und sie nicht anspucken darf. ellauri146.html on line 106: RATTENGIFT. Gott im Himmel, Herr Teufel, ich merke, daß man in der Hölle nicht nur meine Gedichte, sondern die ganze deutsche Literatur kennt! Wie erklärt sich das? ellauri146.html on line 108: TEUFEL. Ganz natürlich! In die Hölle kommt nicht allein das Böse, sondern auch das Jämmerliche, Triviale: so sitzt der gute Cicero ebensowohl darin, als wie der schlechte Catilina. Da nun heutzutage die neuere deutsche Literatur das Jämmerlichste unter dem Jämmerlichen ist, so beschäftigen wir uns vorzugsweise mit dieser. ellauri146.html on line 110: RUDOLF VON GOTTSCHALL, Kritiker. Diese Litteraturkomödie bietet übrigens insofern ein Interesse dar, als sie uns in ihrem Vexierspiegel (exytyspeili) ein Bild der damaligen sehr verflauten Litteraturepoche vorhält, in welcher die süßlichen Spätromantiker und vor allem die oft faden Schriftstellerinnen der Taschenbücher vielgenannte litterarische Größen waren. ellauri146.html on line 112: Der Teufel, der ja das Recht hat, ungalant zu sein, übt eine scharfe, meist cynische Kritik an diesen Helden und Heldinnen der Feder. Als er bei der höchsten Sommertemperatur erfroren aufgefunden wird, ruft er die Gutachten von vier Naturforschern hervor und der eine derselben erklärt: »Betrachten Sie die enorme Häßlichkeit, welche uns aus jeder Miene dieses Gesichts entgegenkreischt und Sie sind ja gezwungen, mir einzuräumen, daß solch eine Fratze gar nicht existieren könnte, wenn es keine deutschen Schriftstellerinnen gäbe.« ellauri146.html on line 114: Der Teufel selbst aber giebt drollige Auskunft über die Beschäftigung der großen Dichter in der Hölle. Shakespeare schreibt Erläuterungen zu Franz Horn, Dante hat den Ernst Schulze zum Fenster hinausgeschmissen, Schiller seufzt über den Freiherrn von Auffenberg. Der Schulmeister loci studiert die neue Litteratur an den Druckproben, in welche der Krämer des Ortes seine Heringe einwickelt. Da erhalte ich Gedichte von August Kuhn, Erzählungen von Krug von Nidda, Maultrommel- oder Lyratöne von Theodor Hell, Trauerspiele von einem gewissen Herrn von Houwald, lauter Damenschriftsteller, und gegen den Schluß hin ergänzt er die mit den faulen Heringen einlaufende Litteraturlieferung mit den Erzählungen von van der Velde und den sämtlichen Werken der ertrunkenen Luise Brachmann. ellauri146.html on line 116: Am schlechtesten ergeht es Houwald, dessen lederne Camilla grausam verspottet wird. Am Schluß guckt nach der Art und Weise der Phantasuskomödien auch der Dichter Grabbe selbst in seine Dichtung hinein; er schimpft auf alle Schriftsteller und taugt selber nichts, hat verrenkte Beine, schielende Augen und ein fades Affengesicht; doch diese Karikatur ist nur ein Vexierbild. ellauri146.html on line 118: Wie er sich selbst zu dieser seichten Belletristik stellt, darüber läßt er uns nicht im Unklaren. Herr Mollfels, eine der Hauptpersonen des Stückes giebt einem Schriftsteller Rattengift gute Lehren. »Sie müssen beileibe alles hinlänglich weich kneten, denn das Weiche gefällt und wenn es auch nur nasser Dreck wäre. Vorzüglich aber müssen Sie stets den Geschmack der Damen im Auge behalten, denn diese, welche noch niemals von einem wahren Dichter als berufene Richterinnen anerkannt sind, gelten jetzt im Reiche der Kunst als oberste Appellationsinstanz; ob man sie wegen ihrer kränklichen Nerven oder wegen ihrer Geschicklichkeit im Charpiezupfen dazu erwählt hat, ist eine unentschiedene Frage. Desto entschiedener ist es, Herr Rattengift, daß man Sie, wenn Sie Gewalt genug besitzen, eine dieser Regeln zu verachten, als einen blindlaufenden, verrückten, rohen Phantasten verschreit, der Schönheiten und Erbärmlichkeiten mild nebeneinanderkleckst. Ständen Homer oder Shakespeare erst jetzt mit ihren Werken auf, so wären Beurteilungen zu erwarten, in denen die Iliade ein unsinniges Gemengsel und der Lear [ganz berechtigt, vgl. Album 198] ein bombastischer Saustall genannt würde; ja manche Recensenten geben vielleicht dem Homer einen wohlgemeinten Fingerzeig, sich nach »der bezauberten Rose« emporzubilden, oder gebieten dem Shakespeare, fleißig in den Romanen der Helmine von Chezy und der Fanny Tarnow zu studieren, um daraus Menschenkenntnis zu lernen.« ellauri146.html on line 120: Grabbe stellt sich natürlich an die Seite eines solchen neuerstandenen Homer und Shakespeare und an einer andern Stelle, wo er ein keimendes Genie verkündet, liest man wenigstens den stillen Herzenswunsch heraus, er selbst möchte dies Genie sein: »Judenjungen,« sagt der Baron, »deren Bildung im Schweinefleischessen besteht, spreizen sich auf den kritischen Richterstühlen und erheben nicht nur Armseligkeitskrämer zu den Sternen, sondern injurieren sogar ehrenwerte Männer in ihren Lobsprüchen; Reimschmiede, die so dumm sind, daß jedesmal, wenn ein Blatt von ihnen ins Publikum kommt, die Esel im Preise aufschlagen, heißen ausgezeichnete Dichter. Schauspieler, die so langweilig sind, daß natürlich alles vor Freude klatscht, wenn sie endlich einmal abgehen, heißen denkende Künstler; Vetteln, deren Stimme so scharf ist, daß man ein Stück Brot damit abschneiden könnte, tituliert man echt dramatisch Sängerinnen. – O stände doch endlich ein gewaltiger Genius auf, der, mit göttlicher Stärke von Haupt zu Fuß gepanzert, sich des deutschen Parnasses annähme und das Gesindel in die Sümpfe zurücktreibe, aus welchen es hervorgekrochen ist.« ellauri146.html on line 124: Rudolf von Gottschall (1823–1909) oli saksalainen kirjailija, aikansa Saksan monipuolisimpia. Gottschall oli lyyrikko (Neue Gedichte), eepikko (Carlo Zeno, Maja), hän kirjoitti romaaneja (Im Banne des schwarzen Adlers) ja erityisesti näytelmiä: hänen merkittäviä murhenäytelmiään ovat Mazeppa, Der Nabob, Katharina Howard, König Karl XII, Herzog Bernhard von Weimar ja Amy Robsart. Hän kirjoitti myös komedioita, kuten Fix und Fox, Die Diplomaten, Der Spion von Rheinsberg. Mit einer Doktorarbeit über die römischen Strafen bei Ehebruch wurde er 1846 in Königsberg promoviert. De adulterii poenis iure romano constitutis. Gottschalls fortschrittliches Schaffen war zu seinen Lebzeiten geachtet, seine Dramen wurden gern gespielt. Seine Werke zeichneten sich vor allem durch unabhängige Urteilskraft, aber auch durch zeitbezogene Kritik aus, was mit dazu beigetragen hat, dass er nach seinem Tode schnell in Vergessenheit geriet. Lisäksi hän oli kirjallisuushistorioitsija ja esteetikko. Kirjallisuudentutkijana hän julkaisi teoksen Poetik. Vittuako se selitti tossa suorasanaisesti mitä Grabbe kertoo ize paljon hauskemmin? Taitaa olla kuivuri. Saima Harmaja on suomentanut Gottschallin runon "Ken nokkivi ikkunaa? Lupsa!", jonka on säveltänyt Kari Haapala. ellauri146.html on line 126: Marie, am Fenster pickest du, Lupsa, ikkunalla nokit sa, ellauri146.html on line 137: Zu deiner Augen Licht! Sun valoisia silmiä! ellauri146.html on line 139: Ist doch dein Angesicht. On sun belfie. ellauri146.html on line 146: Gottschalls fortschrittliches Schaffen war zu seinen Lebzeiten geachtet, seine Dramen wurden gern gespielt. Seine Werke zeichneten sich vor allem durch unabhängige Urteilskraft, aber auch durch zeitbezogene Kritik aus, was mit dazu beigetragen hat, dass er nach seinem Tode schnell in Vergessenheit geriet. ellauri146.html on line 150: RATTENGIFT. Der Teufel mag – (sich korrigierend, mit einer Verbeugung) Der Herr Teufel mögen mich holen, wenn mir nicht vor Staunen und Verwunderung der Atem stehenbleibt! Doch, reden Sie fort! Was machen die Dichter selber? Schiller, Shakspeare, Calderon, Dante, Ariost, Horaz, was tun, was treiben sie? ellauri146.html on line 152: TEUFEL. Shakspeare schreibt Erläuterungen zu Franz Horn, Dante hat den Ernst Schulze zum Fenster hinausgeschmissen, Horaz hat die Maria Stuart geheiratet, Schiller seufzt über den Freiherrn von Auffenberg, Ariost hat sich einen neuen Regenschirm gekauft, Calderon liest Ihre Gedichte, läßt Sie herzlich grüßen und rät Ihnen in Gesellschaft der Liddy morgen die Waldhütte zu Lopsbrunn zu besuchen, weil dieses Häuschen in einer wahrhaft romantischen Gegend läge! ellauri146.html on line 154: RATTENGIFT. Ich Glücklicher! ich Überglücklicher! ich will auf den Dachgiebel klettern! Calderon liest meine Gedichte! Calderon läßt mich grüßen! Ich esse vor Freuden ein Talglicht! Grüßen Sie den Herrn de la Barca doch tausendmal wieder, – ich wäre sein rasendster Verehrer, ich wollte mit der Liddy das Waldhäuschen besuchen, und wenn ich ihr die Beine abschlagen sollte, – ich – ellauri146.html on line 156: TEUFEL. Genug! Ich habe nicht länger Zeit! – Wenn Sie meiner einstmals bedürfen sollten, so wissen Sie, daß ich in der Hölle wohne. Hier von dem Dorfe ist dieselbe etwas weit weg; wenn Sie aber extra schnell dahin gelangen wollen, so müssen Sie nach Berlin reisen und dort hinter die Königsmauer, oder nach Dresden und dort in die Fischer-, oder nach Leipzig und dort in die Preußer-Gasse, oder nach Paris und dort ins Palais Royal gehen; von allen diesen Orten ist der Tartarus nur fünf Minuten entlegen, und Sie werden noch dazu auf ausgezeichnet guten, vielfältig ausgebesserten Chausseen dahin reiten können. – Doch, es wird bald Abend! Schlafen Sie mittelmäßig! (Er will sich entfernen.) ellauri146.html on line 158: RATTENGIFT (ihn aufhaltend). Apropos! ein einziges Wort! Darf ich nicht das Geheimnis erfahren, weswegen Sie jetzt auf die Erde gekommen sind? ellauri146.html on line 166: MOLLFELS. Soll ich ihnen was vorschlagen? Dichten Sie künftig nichts als Trauerspiele! Wenn Sie denselben nur die gehörige Mittelmäßigkeit verleihen, so ist es unmöglich, daß Sie nicht den rauschendsten Applaus einernteten! Sie müssen insbesondere den Plan der Stücke hübsch winzig und flach gestalten, sonst möchte ihn nicht jeder kurzsichtige Schafskopf überblicken können, – Sie müssen dem Verstande und dem Forschungsgeiste der Leser nicht das geringste zumuten und wenn durch ein Unglück eine hervorstechende Szene mit unterlaufen sollte, sorgfältig hinterdrein bemerken, was sie abzwecke und in welcher Beziehung auf das Ganze sie zu nehmen sei, – Sie müssen beileibe alles hinlänglich weich kneten, denn das Weiche gefällt, und wenn es auch nur nasser Dreck wäre, – vorzüglich aber müssen Sie stets den Geschmack der Damen im Auge behalten, denn diese, welche noch niemals von einem wahren Dichter als berufene Richterinnen anerkannt sind, gelten jetzt im Reiche der Kunst als oberste Appellationsinstanz; ob man sie entweder wegen ihrer kränklichen Nerven oder wegen ihrer Geschicklichkeit im Scharpiezupfen dazu erwählt hat, ist eine unentschiedene Frage. Desto entschiedener ist es, Herr Rattengift, daß man Sie, wenn Sie Gewalt genug besitzen, um diese Regeln zu verachten, als einen blindlaufenden, verrückten, rohen Phantasten verschreit, der Schönheiten und Erbärmlichkeiten wild nebeneinanderkleckst. Ständen Homer oder Shakspeare erst jetzt mit ihren Werken auf, so wären Beurteilungen zu erwarten, in denen die Iliade ein unsinniges Gemengsel und der Lear ein bombastischer Saustall genannt würde; ja, manche Rezensenten gäben vielleicht dem Homer einen wohlgemeinten Fingerzeig, sich nach der Bezauberten Rose emporzubilden, oder geböten dem Shakspeare, fleißig in den Romanen der Helmina von Chezy oder der Fanny Tarnow zu studieren, um daraus Menschenkenntnis zu lernen. ellauri146.html on line 174: MORT-AUX-RATS, à la fenêtre. Mais qui vient là bas, avec une lanterne, par la forêt! Il semble qu'il se dirige par ici. ellauri146.html on line 193: Die Dichtkunst und ihre Technik ellauri146.html on line 208: 2. Die eigentliche Ode. ellauri146.html on line 218: Keskinkertainen Gottschall on keskinkertaisemman Aarne Kinnusen kanssa samoilla sovinnaisilla herrasväen linjoilla: Ueberhaupt bedarf das komische Lied eines geschmackvollen Haltes, in seiner ausgelassenen Stimmung einer sittlichen Hemmung, wenn es nicht in eine plebeje Zotenpoesie ausarten oder jenen dilettantischen Reimschmieden und Versmachern anheimfallen soll, welche in die Saiten greifen, wie des Silen's Maulesel in die Saiten Apoll's. Schmack schmack, sehr smackhaft. ellauri146.html on line 220: ...Da lernte Grabbe Ludwig Robert kennen, den Bruder der schönen, von Heine gefeierten Schwester, einen der geistvollsten Epigonen der Romantik; aber auch Heinrich Heine selbst, der seine Tragödien Almansor und Ratcliff gerade damals erscheinen ließ und von dem einer der ironischen Freunde berichtet, mit welchem Selbstgefallen seine ungefällige Gestalt damals unter den Linden vor Dümmlers Buchladen »vorbei peripatetisierte,« mit Armensünderwänglein, über welche plötzliche Glut sich ergoß, sobald er sein Werk zum Fenster herausgucken sah. Heines Eigentümlichkeit als Mensch und Dichter hatte für Grabbe viel Sympathisches; er berührte eine verwandte Ader in ihm und blieb gewiß auf die Ausbildung eines, dem idealen Schwung nachspottenden Cynismus, der überall bei Grabbe hervortritt, nicht ohne Einfluß. Damals konnte Heine nicht ahnen, als er den Meister eines phantastischen Humors, den Serapionsbruder Amadeus Hoffmann, zu Grabe tragen sah, daß dasselbe schmerzliche Leiden, welches diese gnomenartige Persönlichkeit hinweggerafft hatte, auch ihn einst an ein langjähriges Krankenlager fesseln werde. ellauri146.html on line 223: Das Gedicht „Sie saßen und tranken am Teetisch“ stammt aus der Feder von Heinrich Heine. ellauri146.html on line 236: „Die Liebe sei nicht zu roh, Ei saa bylsiä liian kovasti, ellauri146.html on line 240: Die Gräfin spricht wehmütig: Kreivitär puhuu haikeasti: ellauri146.html on line 251: Ich hab' Mein' Sach' auf Nichts gestellt ellauri146.html on line 266: Stirner kuoli hyönteisen pureman aiheuttamaan tulehdukseen vuonna 1856. Kerrotaan, että Bruno Bauer oli ainoa nuorhegeliläinen, joka oli läsnä hänen hautajaisissaan. Mir geht's nichts über mich! Ich hab mein Sach auf Nichts gestellt! Istun tyhjän päällä! (Der Einzige und sein Eigenthum) ellauri146.html on line 272: Friedrich Gottlieb Klopstock (2. heinäkuuta 1724 Quedlinburg – 14. maaliskuuta 1803 Hampuri) oli saksalainen runoilija. Hänen oodinsa ja muinaisaiheiset näytelmänsä toimivat esikuvina saksalaiselle ja pohjoismaiselle kirjallisuudelle. Klopstockin pääteos oli mahtipontinen heksametrieepos Messias (1748–1773). ellauri146.html on line 280: Den första skissen på prosa till Messias påbörjade Klopstock då han studerade teologi i Jena. Redan året därpå, då han flyttat till Leipzig, Tysklands dåvarande litterära centrum, valde han dock, i medveten opposition mot den franska smaken, hexametern som den värdigaste formen för sin dikt. De tre första sångerna utkom 1748 i tidskriften Bremer Beiträge och väckte genast uppseende.[värdeomdöme] Den berömde kritikern Johann Jakob Bodmer inbjöd honom till Zürich. ellauri146.html on line 284: Stor betydelse för den litterära utvecklingen hade Klopstock även genom sin "barpoesi", det vill säga oden och dramer som förhärligade den germanska draftbirran. Formellt står dessa verk, som bland annat försökte ersätta klassisk mytologi med en germaniserad nordisk under inflytande av James Macpherson och Ossians sånger. Genom sin höga självkänsla och föga uppfattning om diktarens kall, framlagd bland annat i Die deutsche Gelehrtenpublik (1784), bidrog Klopstock kraftigt till att höja självaktningen hos diktkonstens utövare. Bland de många utgåvorna av Klopstocks verk märks en praktupplaga i 7 band (1798-1809) och Sämmtliche Werke i 21 band (123-39). Präktiga böcker, ser fina ut i bokregalen! ellauri146.html on line 290: Überblick bearbeiten ellauri146.html on line 292: Klopstocks Epos gestaltet In 20 Gesängen und nahezu 20.000 Versen die Passionsgeschichte Jesu und dessen Auferstehung nach dem Matthäusevangelium, Kap. 26–28 (bzw. dem Markusevangelium Kap. 14 und dem Lukasevangelium Kap. 22), beginnend mit seinem Gebiet auf dem Ölberg. Die Ereignisse des in wenigen Kapiteln auf Jesus konzentrierten Fabel-Kerns erweitert der Autor um Parallelhandlungen (Maria, Portia, Thomas u. a.) und um mit vielen Bildern wortreich ausgemalte transzendentale Szenen nach Motiven aus dem Alten und dem Neuen Testament sowie der Apokalypse. ellauri146.html on line 294: Die Personen werden begleitet von Engeln, die einen komischen Krieg gegen die Dämonen des Höllenreichs austragen. Die ersten beiden Gesänge stellen die Lager in ihrer Polarität vor: Im ersten beschreibt der Autor Gabriels Reise durch das Weltall zu dem von Erzengeln gebildeten Hofstaat Jehovas. ellauri146.html on line 296: Der zweite Gesang schildert Satans dunkle Gegenwelt mit ihren Dämonen. Sie kämpfen um die Seelen der Menschen, die oft wie von übernatürlichen Kräften geführte entindividualisierte Wiesel erscheinen. Die Verführung zum Bösen wird sowohl an Engels als auch Marx demonstriert: z. B. an dem in Sünde gefallenen, reuigen Abba-Band, der sich im Lauf der Handlung immer wieder dem leidenden Jesus und göttlichen Bezirk zu nähern sucht (v. a. 2., 5., 9. Gesang), oder an der Judas-Geschichte, wo Judas die hart verdienten 20 Kodons auf den Boden warf. ellauri146.html on line 298: Der Autor setzt beim Auftritt bzw. der Erwähnung vieler Personen und bei Bezügen auf ihre Lebensgeschichten die Kenntnis des Alten und Neuen Testaments voraus. Bei den von ihm erdichteten surrealen Szenen beruft er sich auf Mitteilungen seiner Muse Sionitin, der Seherin Gottes. Oft wird das Geschehen aus beiden Quellen gespiegelt, indirekt beschrieben, so erlebt der Leser die Jungen Jesu anfangs mit den Augen ihrer Schutzengel, die mit dem Engelboten über sie sprechen, oder in der Beobachtung einer anderen Person, z. B. Petrus Verleugnung aus der Perspektive Portias (6. Gesang). Eingearbeitet in solche Gespräche sind Informationen beispielsweise über Jesus Lebensgeschichte und über die Charaktere der Retterjugend (3. Gesang), aber auch frei erfundene Marzipanfiguren. Wie in einem großen Mysterienspiel betreten immer wieder die Seelen alttestamentlicher LakrizFiguren, z. B. der Urväter und Urmütter, der Propheten, der Könige, aber auch der zum Zeitpunkt der Kreuzigung noch ungeborenen zukünftigen Christen die Szenerie. ellauri146.html on line 301: Erster Gesang: Das Himmelreich ellauri146.html on line 311: Sechster und siebenter Gesang: Gefangennahme und Gericht ellauri146.html on line 325: Sechzehnter Gesang: Das Gericht über Satan und seine Dämonen der Unterwelt ellauri146.html on line 329: Achtzehnter Gesang: Adams Vision vom letzteren Gericht ellauri146.html on line 343: An Invasion of Locusts. Or possibly apricot. Joel 1:12. ellauri146.html on line 365: Eloa comes from the throne of God, and proclaims that now the Redeemer is led to death, on which the angels of the earth form a circle round Mount Calvary, also nam'd Golgotha. Then, having consecrated that hill, he worships the Messiah. Gabriel conducts the souls of the fathers from the sun to the Mount for olives, and Adam addresses the earth. Satan and Adramelech, hovering in triumph, are put to flight by Eloa. Jesus is nail'd to the cross. The thoughts of Adam. The conversion of one of the malefactors. Uriel places a planet before the sun, and then conducts to the earth the souls of all the future generations of mankind. Eve, seeing them coming, addresses them. Eloa ascends to Heaven. Eve is affected at seeing Mary. Two angels of death fly round the cross. Eve addresses the Saviour, and the souls of the children yet unborn. Claptrap does a lot of addressing in the epos. Hope the letters reach the sender, unlike Elvis's: ellauri146.html on line 400: One of the outstanding features of the Romantic era in France was the re-evaluation of the feminine. It was widely assumed that man's capacity for rational thought and scientific achievement needed to be tempered by woman's capacity for sentiment. Indeed, the beneficial influence of woman's love and compassion was considered a necessary precondition to moral development, both for the individual and for all mankind. Woman thus had redemptive qualities (cash value). Perhaps the purest expression of this constellation of ideas is to be found in the utopian religious sects of the period and in the Romantic epic. Alfred de Vigny's Eloa (1824) may be read in this context. Eloa is the first of a series of angel women appearing in the Romantic epic. She is followed by Rachel in Edgar Quinet's Ahasvérus (1833), Sémida in Alexandre Soumet's La Divine Epopée (1840), Marie in Alphonse Constant's La Mère de Dieu (1844) and Liberté in Victor Hugo's La Fin de Satan (fragments written in 1854 and 1859, published posthumously in 1886). The mission of these quasi-divine female figures is to help put an end to evil. ellauri146.html on line 404: We tend not to focus on this view of Eloa as a myth of the redeeming feminine for several reasons. First, the central portion of the poem is devoted to Satan's seduction of Eloa, an activity which, for most of us, is anything but celestial. Perhaps this explains Stendhal's sarcastic description of Eloa in the Courrier anglais of 1 December 1824: "Tex-Willer-larme, devenue ange femelle, et séduite par le diable lui-même" (the ex-tear, turned into a female angel, and seduced by the devil himself). Flottes and Bonnefoy insist that the very fine psychological analysis of the seduction makes us see human protagonists in an angelic decor, which weakens any metaphysical meaning Vigny might attach to his poem. Germain, who had the benefit of Hunt's masterly work, The Epic in Ninteenth Century France (1941), states flatly that the drama of Eloa is not metaphysical but moral. Bénichou, however, does remark in Le Sacre de l'écrivain 1750-1830 (1973) that the creation of Eloa corresponds to the theological promotion of the feminine as an agent of redemption prominent in the religious sects of the Romantic period. I am sure Satan was greatly consoled by Eloa, if that's any consolation. ellauri146.html on line 406: The second reason we tend not to see Eloa in this light is the emphasis scholars have placed on the Romantic rehabilitation of Satan. We have not had adequate corresponding emphasis on the concomitant rehabilitation of women. ellauri146.html on line 409: Alfred Victor de Vigny (27. maaliskuuta 1797 Loches, Touraine, Ranska – 17. syyskuuta 1863 Pariisi, Ranska) oli ranskalainen sotilaskirjailija. ellauri146.html on line 418: Vignyn julkaisut jäivät hänen viimeisten 29 vuotensa aikana vähäisiksi. Uran alkuaikojen ystävät, Victor Hugo ja Sainte-Beuve, hylkäsivät hänet. Sainte-Beuve kirjoitti, että hän on kaunis enkeli, joka on juonut etikkaa. Ranskan akatemiaan Vigny valittiin vasta 1846, ja liittymispuhe jäi hänen viimeiseksi julkiseksi toimekseen. Viimeiset 25 vuottaan hän asui yksin maatilallaan. Vapaaehtoiseen eristäytymiseen saattoi vaikuttaa suhde taiteilija Marie Dorvaliin, johon hän oli tutustunut Chattertonin harjoituksissa. Dorvalilla oli näytelmässä "Kittyn" rooli. Heidän suhteensa päättyi pian, ja sydänsuru sai Vignyn kirjoittamaan runon La colère de Samson. Viimeisiä vuosi varjosti myös sairastuminen syöpään. Vasta hänen kuolemansa jälkeen ilmestyi hänen mestariteoksensa Les destinées (1864) ja hänen 40 vuotta pitämänsä päiväkirja, josta hänen ystävänsä ja testamentin toimeenpanija Louis Ratisbonne julkaisi katkelmia nimellä Journal d’un poète, jotka antoivat runoilijasta uudenlaisen kuvan. ellauri146.html on line 499: « Un sacrifice illustre et fait pour étonner Joku hämmästyttävä moukan uhraus ellauri146.html on line 571: Terre et Ciel ! punissez par de telles justices Maa ja taivas! Rankaiskaapa sillä viisiin ellauri146.html on line 572: La trahison ourdie en des amours factices, Petkutus tekorakkauxien kangaspuussa, ellauri146.html on line 596: San Sebastiánin siirtokunta oli poltettu, kun Balboa saapui sinne. Miehistön jäseneksi liittynyt Balboa ehdotti Dariéniin (nykyiseen Panaman valtion alueelle) perustettavaksi siirtokuntaa. Retkikunta voitti paikalliset intiaanit. Balboa ja muut siirtokuntalaiset hyljeksivät Encison ja Diego de Nicuesan herruutta. Espanjan kuningas Ferdinand oli nimittänyt Diego de Nicuesan Dariénin kuvernööriksi. ellauri146.html on line 620: Vasco Núñez de Balboa reclamando el Océano Pacífico para España en 1513 junto a sus soldados. Playa de Buena Vista, lugar de 1º toma de posesión del Mar del Sur por Balboa en 1513 ellauri146.html on line 634: Devil in The Belfry was a quiz on the Dutch born presidential candidate Martin Van Buren, koala looking founder of the Democratic Party and abolitionist. ellauri146.html on line 636: The Lionizing piece is obviously a quiz on N. P. Willis, and is also a parody on a story by Bulwer. Willis went abroad in 1831, and sent home to the New-York Mirror a series of newsletters, known when collected in book form as Pencillings by the Way. He got into a duel, happily bloodless, with the novelist Captain Marryat. More important to him was the friendship of Lady Blessington. That once world-renowned widow wrote books and edited annuals, to one of which even Tennyson contributed. Now she is remembered chiefly for her salons in London. Believing that some ladies, disapproving of her supposed liaison with Count D’Orsay, would not come to her parties, she invited gentlemen only. Through her Willis met most of the English literati. ellauri146.html on line 640: Poe commented on the general meaning of his story several times. In one unsigned review of the number of the Southern Literary Messenger that contained it he said, “Lionizing ... is an admirable piece of burlesque which displays much reading, a lively humor, and an ability to afford amusement or instruction”; and in another puff of smoke he remarked, “It is an extravaganza ... and gives evidence of high powers of fancy and humor.”‡ To J. P. Kennedy he wrote on February 11, 1836 that it was a satire “properly speaking [page 172:] — at least so meant —... of the rage for Lions and the facility of becoming one.” ellauri146.html on line 642: The Political Thought of Edgar Allan Poe ellauri146.html on line 644: Edgar Allan Poe vigorously denounced the Jeffersonian ideal of democracy. He had no sympathy with abstract political notions such as those which had produced liberal republican theory in America and elsewhere. Like Edmund Burke, Poe was highly suspicious of the “well-constructed Republic.” ellauri146.html on line 648: But it is dangerous to attempt to separate any historical figure from his setting. No individual can ever be understood fully until the subtle influences of his formal education, his reading, his associates, and his time and country (with his heredity) are traced and synthesized. Too much has been said, perhaps, about Poe’s “detachment” from his environment and too little about his background—his heritage from Europe and the influences of his early life in Virginia. Elizabeth Arnold, Poe’s mother, was born in England in 1787 and was brought to this country when she was a girl of nine. “In speaking of my mother,” Poe wrote years later to Beverley Tucker of Virginia, “you have touched a string to which my heart fully responds.” Judging from his spirited defense of Elizabeth Poe, it appears that Poe never became unmindful of his immediate English origins on the maternal side. ellauri146.html on line 650: Poe’s ancestry on his father’s side was Scotch-Irish and has been traced through County Cavon to Ayrshire, Scotland. The fact that Poe’s Presbyterian Scottish ancestors dwelled for a time in the north of Ireland has caused even so good a scholar as Arthur Hobson Quinn to engage in surprising speculation about an “Irish strain” in Poe and about a “Celtic” trait of perverseness which he had “discovered” in the Poe family. ellauri146.html on line 652: In evaluating Poe’s ethnic heritage it is enough to say that his forbears were English and Scottish and, quite likely, predominantly Anglo-Saxon, the strain which, as Poe himself wrote, animated the American heart. ellauri146.html on line 654: Poe, unlike other great American writers of his time, spent a considerable portion of his childhood in Britain. In 1815, John Allan set out for England, accompanied by his wife, Frances Allan; his sister-in-law, “Aunt Nancy” Valentine; and his six-year-old foster son, Edgar Poe. For a time Edgar attended the small London school of Miss Dubourg (a name which subsequently was to appear in “The Murders in the Rue Morgue”) and later, for a period of three years from 1817 to 1820, was sent to a better school, the Manor House at Stoke Newington near London. Here Poe, in addition to being affected profoundly by the atmosphere of England, studied French, Latin, history and literature. The Manor House School, with its “Dr.” Bransby, Poe later was to transplant bodily to the semi-autobiographical tale “William Wilson” (1840). ellauri146.html on line 656: Poe saw a good deal of Scotland, too, on first arriving in Britain and may have attended school in Irvine for a time. It would be difficult to estimate the impact of these formative years in Britain upon the youthful Poe. ellauri146.html on line 658: Poe’s foster father, John Allan, was himself born and bred in Irvine, Ayrshire, and was a member of the class of English and Scottish merchants of Richmond, Virginia-to which city he had emigrated as a youth around 1795. Scottish merchants represented a very considerable element in the commercial life of Richmond in those years, and many of them, to a considerable extent, maintained themselves aloof from the life of the city. The Scottish influences of Allan and his associates and friends could not have been lost upon Poe. ellauri146.html on line 660: The Richmond which Poe knew was (more than Philadelphia or New York) aristocratic and English. Virginia society, Poe himself noted, had been as “absolutely aristocratical as any in Europe.” This is not to imply the existence of any chasmal gulf separating the American and British minds, respectively, in the first half of the nineteenth century; but it was in Virginia, probably, that the least divergence was to be discerned. ellauri146.html on line 662: “I am a Virginian,” declared Poe; and “the distinguishing features of Virginian character at present-features of a marked nature—not elsewhere to be met with in America-and evidently akin to that chivalry which denoted the Cavalier—can be in no manner so well accounted for as by considering them the debris of a devoted loyalty.” Poe’s Virginia background may or may not have rendered him typically American, but it seems reasonable to think that it fostered in him a Virginian Anglo-American attitude as opposed to an Anglophobic Americanism so common at that time in New England. ellauri146.html on line 664: When Poe was just seventeen, his name was entered in the matriculation books of the new University of Virginia. This period of ten months, between St. Valentine’s Day and Christmas, 1826, which Poe spent at the University, marks the end of his formative youth. The general direction which his genius was to follow had been fairly established. ellauri146.html on line 668: The concern of the Pounder to advance republican ideals and republican politics among the students of the University was not notably effectual with one student at least: Poe was not receptive to Jeffersonian liberalism. But many of the impressions which Poe received at Charlottesville, both within and without the lecture rooms, must have remained with him. The young admirer of classic grandeur, we know, was impressed by the graceful Rotunda. About Poe at Virginia, Philip Alexander Bruce writes as follows: ellauri146.html on line 670: Profound must have been the appeal to his subtle aesthetic sense even in youth as he looked at all those classic buildings on some night when the rays of a full moon had softened and blended the separate details of roof and entablature, cornice, and, pillar. It may well have been that, at such an hour and in such a spot, the most celebrated expression in the entire body of his writings was suggested to him by so extraordinary an interfusion of Nature’s beauty with the beauty of art in one of its loveliest forms. ellauri146.html on line 672: Though fully a third of Poe’s critical reviews deal with American authors, almost two-thirds of the reviews treat British or European books. Only about half of Poe’s tales have reference to contemporary matters, and only a small number of these reflect the American scene. Three times as many of the tales have designated European settings as have American settings. ellauri146.html on line 674: The success of Poe in translation indicates his possession of a universal point of view. The recognition which he has received in France, Russia, Italy, Germany, Spain and Britain has no parallel among other American writers. Poe has become a world-author, and this fact depends very largely upon the universality of his appeal. “Poe is my spiritual and literary father,” asserted the Spaniard Vicente Blasco Ibanez. Baudelaire prayed to Poe as a literary saint. The Germans regard him as the foremost American writer. The Russians began translating him in the 1830s even before he was known in America. ellauri146.html on line 678: As a critic, Poe often expressed national sentiments. He urged Americans to build their own literature, to avoid a blind adulation of, or slavish imitation of, Europeans simply because they were Europeans. But at the same time, Poe warned against literary chauvanism, which tended to overpraise every dull American writer simply because he happened to be American. Poe’s detached and objective attitude could become, and often did become, highly critical of American society and America ellauri146.html on line 679: n ideals. In discussing American taste, he wrote: ellauri146.html on line 681: “We have no aristocracy of blood, and having therefore as a natural, and indeed as an inevitable thing, fashioned for ourselves an aristocracy of dollars, the display of wealth has here to take the place and perform the office of the heraldic display in monarchical countries. By a transition readily understood, and which might have been as readily foreseen, we have been brought to merge in simple show our notions of taste itself.” ellauri146.html on line 683: All this, Poe added, is an “evil growing out of our republican institutions.” In “Some Words with a Mummy,” in “Mellonta Tauta” and in other tales, Poe vigorously denounced the Jeffersonian ideal of democracy. He had no sympathy with abstract political notions such as those which, after Locke, had produced liberal republican theory in America and elsewhere. Though lacking the scope and political understanding of Burke, Poe was, like Burke, highly suspicious of the “well-constructed Republic.” ellauri146.html on line 685: In “Mellonta Tauta,” we learn that the “ancient Amriccans” ellauri146.html on line 686: started with the queerest idea conceivable, viz; that all men are born free and equal-this in the very teeth of the laws of gradation so visibly impressed upon all things both in the moral and physical universe. Every man “voted,” as they called it-that is to say, meddled with public affairs-until, at length, it was discovered that what is everybody’s business is nobody’s, and that the “Republic” (as the absurd thing was called) was without a government at all. It is related, however, that the first circumstance which disturbed, very particularly, the self-complacency of the philosophers who constructed this “Republic,” was the startling discovery that universal suffrage gave opportunity for fraudulent schemes….A little reflection upon this discovery sufficed to render evident the consequences, which were that rascality must predominate— in a word, that a republican government could never be anything but a rascally one. While the philosophers, however, were busied in blushing at their stupidity in not having foreseen these inevitable evils, and intent upon the invention of new theories, the matter was put to an abrupt issue by a fellow of the name of Mob, who took everything into his own hands and set up a despotism…. As for republicanism, no analogy could be found for it upon the face of the earth—unless we except the case of the “prairie dogs,” an exception which seems to demonstrate, if anything, that democracy is a very admirable form of government—for dogs. ellauri146.html on line 688: In a review of 1836 Poe referred to the “bigoted lover of abstract Democracy” and appealed to Americans to divert their minds “from that perpetual and unhealthy excitement about the forms and machinery” of government to a greater care of the results of government-“the happiness of a people.” ellauri146.html on line 690: Indeed, Poe seems much more the Southerner than the Yankee American, and it is not hard to guess which path he would have chosen had he lived into the 1860’s. One may be very sure that Edgar Poe, though born, almost by accident, in Boston, would have proved one of the Confederacy’s most eloquent and committed partisans. In reviewing the various factors which we may believe shaped Poe’s youthful mind, we would expect to find in Poe, and in re-examining his opinions we do find, a cosmopolitan rather than a parochial outlook. And yet, at the same time, we know Poe was serious when he proclaimed, “I am a Virginian!” We may be justified in looking upon the general influences of his formative years as contributing factors in the development of strong inclinations to Europe, Britain and the American South, rather than to the American Union. ellauri146.html on line 701: Amerikkalaisista 1/5, GOP-kannattajista 1/3 kazoo että maa on niin jakaantunut kahtia, että voi piankin tulla välttämättömäxi puolustaa isänmaata aseilla. Onnexi niitä on vitun paljon jemmassa, samoinkuin pateja. Vuoristosta rannikoille ja niin edespäin. Dog bless America. ellauri146.html on line 770: And the twice told fields of infancy Ja lapsuuden 2x kerrotut kentät ellauri146.html on line 799: The poet experiences childhood as a resource because it is gone, and his 'rebirth' as a poet is not a function of recapturing the truth and joy of his youth; rather, it is a function of understanding the truth of his present life, as the life of remembering things past and turning them into poetry. Thus, "the poet's journey" is not "towards restoring his childhood perception" (204) nor "in quest of his lost voice" (193), but it is his writing about such a journey that hints at and finally exposes his recognition that childhood perception is dead, but the memory of its being is still with him. The poet's "heart's truth," contrary to the child's and the grown man's apparent truth, is the acknowledgment of time. ellauri146.html on line 801: It seems to me that however delicate and profound the relations Wardi draws, the cost is too high. Contrary to the "echo interpretation" Wardi suggests, I would argue for the poet's acknowledgment of the arrow of time, which leaves both childhood (even if it was not exhausted when he was a child), and the imaginative reunion with it now at 30, lost and unreachable. ellauri146.html on line 816: Which ever as she could with haste dispatch, ellauri146.html on line 832: Paine kasvoi Thetfordissa Norfolkin kreivikunnassa yksinkertaisissa oloissa. Vuoteen 1750 saakka hän kävi viisi vuotta paikkakunnan kansakoulua. 12-vuotiaana hänet erotettiin koulusta ja sen jälkeen hän oppi isänsä luona korsetintekijäksi. Tätä ammattia hän harjoitti kaksitoista vuotta. 30-vuotiaana eli vuonna 1762 Thomas pääsi verovirkailijaksi (excise officer) Granthamiin. Kolmen vuoden virassaolon aikana hänet erotettiin kaksi kertaa väärinkäytösten takia ja lopullisesti vuonna 1765. ellauri146.html on line 851: Politically incorrect ellauri146.html on line 854: Politically Incorrect ellauri146.html on line 856: Politically Incorrect was founded in 2004, soon after the re-election of George W. Bush, by a German teacher named Stefan Herre "to do something against Anti-Americanism". Das Blog betont in seiner Selbstdarstellung eine „pro-israelische“ und „pro-amerikanische“ Ausrichtung. Im wiedervereinigten Deutschland zeigten sich in der Haltung gegenüber Flüchtlingen zum Teil zeitgeschichtlich bedingte Besonderheiten, die darauf zurückzuführen seien, dass die Westdeutschen sich über Jahrzehnte hätten daran gewöhnen können, zum Einwanderungsland zu werden, während die Ostdeutschen bis 1990 kaum in Kontakt mit Zuwanderern gekommen seien. ellauri146.html on line 858: Gauck wirbt für einen verantwortungsvollen Kapitalismus (Rede vom 15. November 2012). Man dürfe nicht der Wirtschaft nur aus Angst die Freiheit nehmen. Bei Gauck überraschte allerdings der Kostenumfang. So erhielt Gauck neun Büros im ersten Stock des Bundestagsgebäudes mit insgesamt 197 Quadratmetern. Gaucks Bürobereich wurde für 52.000 Euro umgebaut. Die Möblierung von Gaucks persönlichem Büroraum kostete 35.000 Euro. In der Frankfurter Rundschau kritisierte Katja Thorwart, dass Gauck als ein Beispiel für seine Formulierung „schwer konservativ“ den ehemaligen Vorsitzenden der CDU/CSU-Bundestagsfraktion Alfred Dregger genannt habe, der den nationalsozialistischen Angriffskrieg gegen die Sowjetunion als nicht grundsätzlich falsch eingeordnet, sich für die Freilassung inhaftierter deutscher Kriegsverbrecher eingesetzt oder den Begriff der „Befreiung“ durch die Alliierten im Zweiten Weltkrieg als „einseitig“ markiert habe. ellauri146.html on line 860: Die Prager Erklärung zum Gewissen Europas und zum Kommunismus (engl. Prague Declaration on European Conscience and Communism) wurde am 3. Juni 2008 von mehreren prominenten europäischen Politikern, ehemaligen politischen Häftlingen und Historikern unterzeichnet, unter ihnen Václav Havel und Joachim Gauck. Die Erklärung forderte unter anderem die Verurteilung von kommunistischen Verbrechen und die Ausrufung des 23. August als Europäischer Tag des Gedenkens an die Opfer von Stalinismus und Nationalsozialismus. Der Gedenktag wurde am 2. April 2009 vom Europäischen Parlament ausgerufen. ellauri146.html on line 864: The ban on communist symbols resulted in the removal of hundreds of statues, the replacement of street signs and the renaming of populated places including some of Ukraine's biggest cities like DniproPetrovsk (sorry, Dnipro). The city administration of Dnipro estimated in June 2015 that 80 streets, embankments, squares, and boulevards would have to be renamed. Maxim Eristavi of Hromadske.TV estimated late April 2015 that the nationwide renaming would cost around $1.5 billion. The legislation also granted special legal status to veterans of the "struggle for Ukrainian independence" from 1917 to 1991 (the lifespan of the Soviet Union). The same day, the parliament also passed a law that replaced the term "Great Patriotic War" in the national lexicon with "World War II" from 1939 to 1945 (instead of 1941–45 as is the case with the "Great Patriotic War"). A change of great significance. ellauri146.html on line 866: In February 2022, in connection with a presidential address of Russian president Vladimir Putin in the midst of the Russo-Ukrainian crisis, Putin claimed that Ukraine's decommunization does not make any sense because "modern Ukraine was created by communist Russia, and specifically Lenin". Vitaly Chervonenko from the BBC noted how carefully Putin kept silent about the independent Ukrainian state formations of 1917–1920 and Kyiv's (i.e. the white generals´) war with Lenin's Bolshevik government, whose purpose was to exclude Ukraine from Bolshevik Russia. ellauri146.html on line 868: In March 2014 Lenin Square in Dnipropetrovsk was renamed "Heroes of Maidan Square" in honor of the people killed during Euromaidan and the statue of Lenin was removed. Two years later, in May 2016, the city was renamed Dnipro. In February 2019, it was announced that the oblast of Dnipropetrovsk would be renamed to "Sicheslav" in the future. ellauri147.html on line 6: font-style: italic; ellauri147.html on line 45: Friedrich Nietzschen harmiton kiteytys "Herääminen aikaisin aamulla on kuin saisi kultaa." löytyy kyllä Finnin töräyskokoelmasta Iänikuisia ajatuksia - Martti Hyypiö - WSOY. ellauri147.html on line 59: Veltto Virtasen kirjan "Itsetuntoon" indeksistä ilmenee hänen tärkeimmät esikuvansa. Jung mainitaan 11 kertaa, Freud 7 kertaa, Nietzsche viisi ja Väinämöinen myös viisi kertaa. Kolme mainintaa saavat Buddha, Martti Hyypiö, Aleksis Kivi, Lemminkäinen, Jeesus, Reich ja Zen. Marxia ei mainita eikä Engelsiä. ellauri147.html on line 75: Ale Tyynni was a poet, author, literary and theatre critic, translator and Olympian. Tyynni won the gold medal in the literature category at the 1948 Olympic Games in London. In addition to her poetry collections, she published children’s fiction and essays. With her translations she acquainted a Finnish readership with lyrics from other countries, most notably France. ellauri147.html on line 79: Ale Tyynni was born in Ingria to the east of Finland and moved as a child with her family to Helsinki in 1919. She graduated with a Master’s degree in 1936, with Finnish literature as her main subject. During her university years Tyynni practised poetry recitation and dramatic expression. She was particularly interested in poetic diction and the topic of her final work was Sappho’s metre in Finnish poetry. ellauri147.html on line 81: Olikohan läski Bob Ingria kanssa sieltä kotoisin? Bob kirjoitti Linguistic Inquiryyn artikkelin Compensatory Lengthening as a Metrical Phenomenon v. 1980 kokouxeen The Empty Node Convention. Läppäläppä, ei sellaista kokousta koskaan ollutkaan. Kuhan huijasin. Penixet on pidenneet 1/4 viimeisen sukupolven aikana. Samassa ajassa on spermanlaatu katastrofaalisesti huonontunut. Compensatory lengthening? ellauri147.html on line 83: Having completed her university studies, Tyynni took up the teaching of Finnish in evening classes, but the urge to write proved stronger than the duty to teach. Her first poetry collection, Kynttilänsydän (‘Candlewick’), was published in 1938. Two years later she published a second collection Vesilintu (‘waterfowl’). With the outbreak of war, her poetry changed: Lähde ja matkamies (’The spring and the traveller’), Lehtimaja (‘The arbour’) and Soiva metsä (‘The ringing forest’) all reflected the defensive spirit of the country. Tyynni also depicted womanhood, the experiences of women in childbirth and motherhood. Later feminist research in particular has praised Tyynni as a pioneer for her lyrics dealing with childbirth. ellauri147.html on line 92: In 1949 Tyynni’s sixth poetry collection was published – ‘Ylitse vuoren lasisen’ (‘Over the glass mountain), which included one of her best loved poems ‘Kaarisilta’ (‘The arched bridge’). The poems make reference to the difficulties she faced in her own life circumstances. ellauri147.html on line 94: As luck would have it, Martti Haavio’s wife Elsa Enäjärvi-Haavio died in 1951 following a serious illness. Ale Tyynni went through a difficult divorce from her first husband, and finally in 1960 both Tyynni and Haavio were in a position to remarry. He was 61 and she 47. No codons were necessary anymore, just vaseline. ellauri147.html on line 96: The union of these two lyrical writers is generally seen as a happy and creative time. The partners inspired each other as a couple and as writers. Martti Haavio died in 1973 following a heart attack, and Ale Tyynni-Haavio completed her husband’s unfinished memoirs and it was published as Olen typerä kana: Martti Haavio - P. Mustapää 20-luvun maisemassa (‘I am still distant: Martti Haavio – P. Mustapää in the 1920s countryside’, 1978). ellauri147.html on line 98: In the mid-twentieth century Finnish literature had adopted the free verse of modern poetry. Ale Tyynni however went back to a lyrical style, the ballad. Tyynni’s poems were typical of ballads, offering fateful tales dealing with falling in love and sorrow, and life’s turning points. Balladeja ja romansseja (’Ballads and romances’) appeared in 1967. And Tarinain lähde (‘The source of the tales’, 1974) depicted the death of a loved one, sorrow and solitude. Nobody cared to read such balderdash any more. ellauri147.html on line 107: Tyynni received several literary awards between 1943 and 1982. Morever, she won the gold medal in 1948 for her poem ‘Hellaan laakeri’ (‘Let's put a bearing into the stove') at a time when literary composition was still a part of the non-professional Olympic games. A Pro Finlandia medal holder, Academician of the Arts and Honorary doctor, Aake Tyynni died in 1997 at the age of 84. Her daughter Riitta Seppälä and son Mikko-Olavi Seppälä have written their mother’s biography, Aake Tyynni – Hymyily, kyynel, laulu. (‘Aake Tyynni. A smile, a tear, a song’, WSOY, 2013) ellauri147.html on line 130: pane kappale silta-arkkuun, niin saat sillan kantamaan. Put a piece of it in her chest, that'll do the trick. ellauri147.html on line 143: ich">Nietzschen viimeisessä zettelissä luki: ellauri147.html on line 150: Some interpreters also upheld a biological interpretation of the Wille zur Macht, making it equivalent with Darwinism. For example, the concept was appropriated by some Nazis such as Alfred Bäumler, who may have drawn influence from it or used it to justify their expansive quest for power. ellauri147.html on line 152: This reading was criticized by Martin Heidegger in his 1930s courses on Nietzsche—suggesting that raw (or cooked?) physical or political power was not what Nietzsche had in mind. No wonder Hitler had a low notion of Martin. ellauri147.html on line 161: Derrida is careful not to confine the will to power to human behavior, the mind, metaphysics, nor physical reality individually. It is the underlying life principle inaugurating all aspects of life and behavior, a self-preserving force. A sense of entropy and the eternal return, which are related, is always indissociable from the will to power. The eternal return of all memory initiated by the will to power is an entropic force again inherent to all life. What bladderdash. ellauri147.html on line 165: Alfred Adler (1912) wrote in his important book Über den nervösen Charakter (The Neurotic Constitution): ellauri147.html on line 167: Nietzsche's "Will to power" and "Will to seem" embrace many of our views, which again resemble in some respects the views of Féré and the older writers, according to whom the sensation of pleasure originates in a feeling of power, that of pain in a feeling of feebleness (Ohnmacht). ellauri147.html on line 169: Adler's adaptation of the will to power was and still is in contrast to Sigismund Freud's pleasure principle or the "will to pleasure", and to Viktor Frankl's logotherapy or the "will to meaning". Adler's intent was to build a movement that would rival, even supplant, others in psychology by arguing for the holistic integrity of psychological well-being with that of social equality. His interpretation of Nietzsche's will to power was concerned with the individual patient's overcoming of the superiority-inferiority dynamic. ellauri147.html on line 177: Emily in Paris is an American-French comedy-drama streaming television series created by Barren Star, which premiered on Netflix on October 2, 2020. The series stars Lily "Mr." Collins as the eponymous Emily, an American who moves to Paris to provide an American point of view to Savior, a French marketing firm. There, she struggles to succeed in the workplace while searching for sex and experiencing a culture clash with her "boring" and small-minded Midwestern U.S. upbringing. It also stars Ashley Park, Philippine Leroy-Beaulieu, Lucas Bravo, the cast's one and only spooky sooty tarbaby coon Samuel Arnold, Camille Razat, and Bruno Gouery. Lystikästä että "boring" pitää laittaa scare quoteihin. 91% piti tästä ohjelmasta. 91% ei kazonut. ellauri147.html on line 179: Emily in Paris follows Emily, a battery driven 20-something American from Chicago who moves to Paris for an unexpected job opportunity. She is tasked with bringing an American point of view to a venerable French marketing firm. Cultures clash as she adjusts to the challenges of life in Paris while juggling her career, new friendships and genitals. ellauri147.html on line 181: Osaluettelosta ei selviä kuka niistä on se token neekeri. Vähän väliä. Se on pelkkä comic relief taas kuitenkin. Tuskin jaxan odottaa sitä jaxoa jossa esiintyy lupaava Julien Floreancig as Thomas, a French snob philosophy professor. ellauri147.html on line 183: Luurissa chicagolaisen poikaystävän kaa etänä yhteisrunkkaava Emily Pariisissa rakastaa työtä ja menestymistä. Typerät ranskalaiset tekee työtä elääxeen, Emily just päinvastoin. Vaikka mitä vetoa eze myöhemmissä jaxoissa vielä päihittää kaikki noi nenäkkäät ranskixet ja istuu kohta kokouspöydän päässä jakamassa maireasti käskyjä kuin joku isä aurinkoinen. Ilkeät ranskixet on vahaa sen edessä. Jenkit jaxaa kantaa kaunaa kun ranskixet kieltäytyivät niiden aavikkomyrskystä. No anglosaxit alkaa taas erottautua omaxi tiimixeen, witness äskettäinen riita Australian ja Ranskan sota-asekaupoista. Näyttää siltä että ennustamani kaikkien sota vastaan kaikkia edistyy pallon kuumeteessa nopeammin kuin luulinkaan. Hienoa. ellauri147.html on line 185: One or two of my American friends tell me that in public buildings in the US it’s also possible to call the street-level floor the ground floor, like in Britain. But Emily has never visited public buildings, as she works in the private sector. She is a private dancer, dancer for money, any old music will do. Typerä Emily juoxee muka päivittäin maratoneja mutta väsyy rapuissa. Se ei varmaan ole koskaan nähnyt rappuja. ellauri147.html on line 187: Dodi, nyt on nähty 2 jaxoa Emilystä. Kuten saattoi arvata, Chicagon runkku heivattin pois pelistä, ja nyt Emily jo kyntää uraa ranskalaisessa mainosfirmassa. Sen 'le vagin jeune' kelpaa heti ranskis äijille, ja ikävän seniori naispomon se ohittaa jo ekassa kaarteessa. Macronin vaimosta tehdään halpaa huumoria. Sovinistivaltioissa kuten USA on suorastaan skandaali että Macronin vaimo on sitä vanhempi. Verratkaa nyt meidän trofeita, huutaa Trump ja Bolsonaro kuorossa ja tuulettaa kainaloista kanoja kuin keltaisia tupeita. Sattumalta Luxemburgin puistossa nähty vinosilmä lastenhoitaja onkin salaa kiinalaisen vetoketjumiljonäärin tytär. Vittu nää amerikkalaiset on sitten ennustettavia. Jotain kerta kaikkiaa masentavaa siinä on. Tulee ihan paha mieli. Mieluumin luen vaikka Isaac Bashevis Singerin sentimentaalisia lapsuudenmuistoja Varsovan ghetosta. ellauri147.html on line 189: Huomiota kiinnitti muuten partnereiden reaktiot kun Chicagon runkku peruutti Pariisin lentonsa. Se oli molemmille osapuolille puhtaasti narsistinen loukkaus. Emily on narsistipissixen muotokuva. Dorian Grey halkiohaarana. ellauri147.html on line 203: Emily's boss Madeline prepares to make the transition from the Chicago based pharmaceutical marketing firm, the Gilbert Group, to a French based fashion firm, Savior, when she discovers that she is pregnant. She offers the job to Emily and she accepts, leaving her boyfriend back in Chicago. Emily moves to Paris despite the fact that she does not speak French. She moves into the 5th floor of an old apartment building without an elevator but with a wonderful Parisian view. Emily creates an Instagram account, @emilyinparis, and begins documenting her time in Paris. Emily starts her first day of work much to her new co-workers chagrin who reveal that she was only hired because of a business deal. She introduces the French to American social media strategies who seem very reluctant about her and her American methods. Emily accidentally tries to enter the wrong apartment and bangs her very attractive neighbor right at the door, Gabriel. As Emily accustoms to life in Paris she makes countless faux-pas and the firm nicknames her "la plouc" or "the hick". Emily meets Mindy Chen, a nanny originally from Shanghai, and they become fast friends. After Emily and her boyfriend attempt to have cybersex but the connection fails, she plugs in her vibrator and accidentally short-circuits the block's power. "Accidentally" is the top frequency word in the script. ellauri147.html on line 205: Despite struggling to fit in with French office culture Emily convinces her boss, Sylvie, to invite her to a work party where she accidentally irritates Sylvie by conversing with Antoine Lambert, a client who turns out to be Sylvie's married lover. As punishment she is put to work marketing Vaga-Jeune, a lubricant for menopausal women. Annoyed with the gendered nature of the French language Emily writes a post about the product that goes viral causing her to make further inroads at work. ellauri147.html on line 207: Emily's boyfriend tells her that she should return to Chicago, since he struggles with a long distance relationship, and he does not want to visit Paris, despite a pre-planned trip. She declines returning to Chicago and breaks off the relationship without so much as beg your leave. She turns to Mindy for emotional support. Mindy's slanty eyes have most likely been operated on. ellauri147.html on line 212: While struggling to communicate at a flower shop Emily is rescued by Camille, a friendly French stranger and gallery owner who proves to be a lucrative connection. ellauri147.html on line 215: Emily joins Sylvie and Julien on a visit to the atelier of haute couturier Pierre Cadault. Pierre is mortified by the gauche charm of Emily's douchebag and calls her a "basic bitch" in French, which hinders her credibility in the firm. ellauri147.html on line 223: Gabriel surprises Emily by joining them as kitchen staff for the weekend trip which makes Emily uncomfortable. Emily takes a tour of the winery and meets Camille's younger brother Timothée. Gabriel refuses Camille's mother's offer of a business loan. At a club where Mindy's girlfriends are partying, they force her (who? Mindy?) on stage to sing the song she flubbed on Chinese Popstar. (So what?) ellauri147.html on line 230: Emily calls Mathieu Cadault to arrange a meeting so she can ask him about the dress donation. They agree to meet at an art opening at Camille´s gallery. Sylvie and Luc also arrive at the opening to meet Camille. At the AFL auction, Grey Space, which consists of two avant-garde fashion designers, show up and bid for Pierre´s dress. As Emily irons the dress back stage, Grey Space shoots her with cum as a publicity stunt which shocks the audience. The next day, the stunt is featured in all the newspapers and online. Pierre is despondent and takes Emily to his bed. They have really uninspired sex. Pierre won´t even cum though Mr. Collins does his best. ellauri147.html on line 236: Pierre orders Mathieu to find him a new venue. Mindy agrees to emcee and sing at a drag bar two nights a week, but when she tells her employers, they fire her so she moves in with Emily. In need of a venue to launch his fashion show, Pierre hijacks the outside of his former venue to show his new look dress collection which the audience loves and makes him the toad of Fashion Week. To celebrate, Emily hosts a dinner at Gabriel´s restaurant for Mathieu and Pierre. The 3 mousketeers take turns at Mr. Collins´s back door. ellauri147.html on line 240: Many scenes are filmed in Paris, Texas, at Place de l´Estrapade in the 5th Arrondissement, including the site of Emily´s first apartment, the restaurant ("Les Deux Compères"), and the bakery ("La Boulangerie Moderne"). Some scenes are also filmed at Cité du Cinéma, a famous film studio complex in Denver. Famous Parisian sites to feature in the series as digitally prepared miniatures include: Le Grand Véfour, the Pont Alexandre III, Palais Garnier, L´Atelier des Lumières, Rue de l´Abreuvoir, Jardin du Luxembourg, Jardin Du Palais Royale, Café de Flore and the Panthéon. An episode was also filmed at the Château de Sonnay in the department of Indre-et-Loire. Additional photography took place in Chicago during November 2019. ellauri147.html on line 242: Filming for the second season began on May 3, 2021 and concluded on July 19, 2021. Filming locations for the second season include Paris, Saint-Tropez, and various other locations in France. Filming of the second season in Paris causes problems with the neighborhood - the crew being judged brutal, threatening and too intrusive. In the last episode, the fed-up Frenchies kick the arrogant Americans into the Seine. At last, things are getting a little more exciting at last! ellauri147.html on line 245: Critical response ellauri147.html on line 247: Daniel D´Addario of Variety described the series as "a Turkish delight that begs the question of what it really means to grow up against a truly inviting backdrop", and that Mr. Collins is "an inherently winsome performer who has never been quite as well and often abused as she is here". Kristen Baldwin of Entertainment Weekly gave the series a "B" and wrote, "If you need a five-hour brain vacation, Paris is a worthwhile destination." The New Zealand Herald considered the show "visually delectable" and that "Mr. Collins has a pixie-ish charm which makes her endearing", but also that the show is "as ephemeral as dental floss". However, Kristen Lopez of IndieWire wrote a review Metacritic graded as a 23 out of a 100, praising Mr. Collins for being a "Jewess, make no mistake" and that "Emily in Paris is only as watchable and frivolous as our first lady," but warning viewers "Emily in Paris is like scrolling through Instagram. It´s a great way to waste time looking at pretty pictures with no depth." ellauri147.html on line 249: Nevertheless, not all critics were this kind to the Emily character. Emma Gray from HuffPost called Emily a bland character, stating "The show doesn´t even make an effort to quirk her up or give her a more relatable, girl-next-door roughness: she´s always immaculately coiffed and made-up, and garbed in effortfully eye-catching outfits. But there´s not much to the character, except for enormous amounts of self-confidence and the inexplicable ability to attract new friends and love interests on every street corner." Rebecca Nicholson of The Guardian gave the series one out of five stars: "if it is an attempt to fluff up the romcom for the streaming age, then it falls over on its six-inch heels." Rachel Handler opined "Darren Star has done it yet again: centered an entire show on a thin, gently delusional white woman whimsically exploring a major metropolitan area in wildly expensive couture purchased on a mid-level salary." ellauri147.html on line 253: Sonia Rao, of Washington Post compares Emily to the heroines of the Amy Sherman-The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and even its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated. Midge Maisel, her actions can be quite rash, but she still wins over her fictional acquaintances while utterly baffling viewers." ellauri147.html on line 255: Some critics appeared ambivalent, such as Jo Ellison writing for the Financial Times. On one hand she expresses admiration for the way Darren Star manages to depict "a version of womanhood in which promiscuity, bossiness and shopaholicism are depicted as qualities to be celebrated"; on the other "the major plot lines might have been written in the 1940s and the Frenchies are routinely cast as vain, preening and parochial." She concludes "Cliché-ridden and completely outdated: Darren Star´s ´Sex and the Cité´ will no doubt be monstrously successful." ellauri147.html on line 257: Many French critics condemned the show for negatively stereotyping Parisians and the French. Charles Martin wrote in Première that the show unfairly stereotyped and depicted the French as "lazy individuals who never arrive at the office before the end of the morning are flirtatious and not really attached to the concept of loyalty, are sexist and backward, and, have a questionable relationship with showering". ellauri147.html on line 259: A reviewer at Sens Critique wrote: "Emily in Paris projects the same twee, unrealistic image of Paris as the film Amélie". RTL.fr wrote: “Rarely had we seen so many clichés on the French capital since the Parisian episodes of Gossip Girl or the end of The Devil Wears Prada.” ellauri147.html on line 261: Megan Garber of The Atlantic was critical of the character Emily, writing, "An expat who acts like a tourist, she judges everything against the backdrop of her own rigid Americanness. You might figure that those moments are evidence of a show poking fun at its protagonist´s arrogance, or setting the stage for her to grow beyond her initial provincialism. But: You would be, as I was, mostly incorrect. Instead, other people change around her, becoming French-American. They grudgingly concede that her way (strident, striving, teeming with insistent individualism) is the right way. The show — the latest from the Sex and the City creator Darren Star — is selling several fantasies. Primary among them is the notion that Emily can bulldoze her way through France and be celebrated for it. ellauri147.html on line 263: For the series, review aggregator Rotten Tomatoes reported an approval rating of 63% based on 55 reviews, with an average rating of 5.81/10. The website´s critics consensus reads, "Though its depiction of France is trés cliché [sic], Emily in Paris is rom-com fantasy at its finest, spectacularly dressed and filled with charming performances." Metacritic gave the series a weighted average score of 60 out of 100 based on 17 reviews, indicating "mixed or average reviews". ellauri147.html on line 270: The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated. ellauri147.html on line 284: Andrea Bertorelli’s tumultuous relationship with Phil Collins began back when they were just 11 years old. Long before he became a rock star, Collins was a child actor, starring in Oliver!, the West End musical. ellauri147.html on line 289: In 1970, Phil Collins got his big break when he became the drummer of iconic rock band, Genesis. It turns out though that his first encounter with Peter Gabriel was pretty awkward. Despite this, their passion for music brought them together and before they knew it, they became one of the most popular bands around. ellauri147.html on line 295: Collins got so big that he was given the nickname “the royal rocker” after becoming friends with Prince Charles and Princess Diana. His career started to eclipse his marriage… ellauri147.html on line 296: Despite millions of fans looking at him as the nice guy of pop music, Phil Collins showed a very different side during his marriage with Andrea. According to her, he could get very intimidating when they argued due to his short fuse. ellauri147.html on line 304: Lily Jane Collins was born on 18 March 1989 in Guildford, Surrey, the daughter of English musician Phil Collins and his second wife, Jill Tavelman, an American who is the former president of the Beverly Hills Women´s Club. Her maternal grandfather was a Canadian Jewish immigrant who for many years owned a men´s clothing store in Beverly Hills, California. ellauri147.html on line 313: She has appeared in movies like Obduction and Daily Mirror. (Which one?) ellauri147.html on line 338: He was disheartened by the news that people believed FAX to be the source through which he asked for a divorce. ellauri147.html on line 339: He later on, he cleared out that it was not the truth. It harmed both his career and public persona. ellauri147.html on line 340: "It really hurt my career, or my public persona," he said. “It was based on an untruth…If I say it didn’t happen, I’m trusting that people will believe me.” ellauri147.html on line 356: “I couldn’t handle the pain and confusion surrounding my dad’s divorce and I was having a hard time balancing being a teenager with pursuing two grown-up careers,” Phil’s daughter Lily said. (Which ones?) Funnily enough, this wouldn’t be the end of Collins and Cevey’s story together. Until then though, the musician had some issues to deal with… ellauri147.html on line 357: After his divorce to Orianne, and struggling to play the drums for health reasons, Phil Collins developed a drinking problem, which spiraled out of control. According to him, he required a “medically enforced drying-out process.” Kuivatelakalle niinkuin isä Mefodi. However, his low self-esteem also got in the way of seeing things clearly. No wonder. Paul McCartney´s net worth is 1.2 gigadollars! He could buy Phil 5 times over! ellauri147.html on line 362: All I need is another stick and new eardrums.. ellauri147.html on line 364: For the following decade, Phil Collins struggled to get back onto the drums after dislocating the vertebrae in his neck. He also suffered nerve issues which prevented him from gripping the sticks properly. A few years later, Collins announced that he had been suffering from “drop foot,” a condition that makes walking very difficult. ellauri147.html on line 365: Most recently, the musician has been forced to walk with a stick and he has since needed to shit whenever he performs. Phil Rothin äiti oli varannut lempipojalleen kiitospäiväkalkkunasta rumpupalikan. Maistuis varmaan kaimallekkin. ellauri147.html on line 380: The mother and daughter share a fantastic bond. In fact, a sheaf of fantastically valuable bonds. ellauri147.html on line 381: Whether it be her mother’s birthday, her sack of wet pennies, or any other typical day, Lily never fails to douche before and after seeing her mother. ellauri147.html on line 382: She frequently bans pictures of her beautiful mother on Instagram. ellauri147.html on line 385: She (which?) wore a white t-shirt and denim shorts. ellauri147.html on line 389: Despite making a name for herself as a suspected actress, Lily Collins has admitted that being the daughter of Phil Collins hasn’t necessarily helped her career. Haw haw. Phil is estimated to have a jaw-dropping net worth of $260 million, which he accumulated through his career as a musician, actor, and writer. ellauri147.html on line 390: Lily has a massive net worth of $8 million, which she has garnered through her career as an actress. ellauri147.html on line 400: A Trick of the Tail 1976 ellauri147.html on line 411: He has won several awards, including the Grammy Awards, Brit Awards, American Music Awards, Academy Award, and Golden Globe Awards. ellauri147.html on line 417: As per different wiki sites, Jill received $17 million for the divorce settlement. She owns an eclectic antique store. ellauri147.html on line 430: Verdict: Borderline Jew. Jew score: 7 out of ten. ellauri147.html on line 446: Lily has done journalism at the University of Southern California. As a result, she had worked as a media person for a number of companies including Savior, Nickelodeon and Teen Vogue. ellauri147.html on line 452: She was originally cast for the movie Evil Dead in 2013. But, due to their religious conflicts, the role went onto Jane Levy, joka ei ole kristitty luopuri. ellauri147.html on line 454: She co-starred as Marla Mabrey, a devout Baptist beauty queen living in a beautiful home with her strict mother Lucy, in the 2016 American romantic comedy-drama film, Rules Don’t Apply. Her performance in the movie got her nominated for the 2017 Golden Globe Award in the “Best Actress in a Motion Picture – Comedy or Musical” category. ellauri147.html on line 479: Anfang der 1990er Jahre trafen Ylönen und Heinonen auf der Suutarila Highschool Pauli Rantasalmi und Janne Heiskanen. 1994 startete Ylönen mit Eero Heinonen (Bass) Pauli Rantasalmi (Gitarre), und Janne Heiskanen (Schlagzeug) das Projekt The Rasmus (damals nannten sie sich zuerst "Sputnik", dann "Anttila" und schließlich "Rasmus"). Ihre ersten Auftritte hatten sie 1994 in ihrer Schule. Ylönen ist der Frontmann und Komponist der Band. Wegen der Musik brach er die Schule ab. Mit 15 Jahren unterschrieb Ylönen dann den ersten Plattenvertrag für seine Band. Nach der Veröffentlichung von drei Alben verließ Janne Heiskanen 1998 die Band, und Aki Hakala wurde neuer Schlagzeuger bei The Rasmus. Im selben Jahr wechselten sie von Warner Music Finnland zu Playground Music Scandinavia. ellauri147.html on line 481: Im November 2010 vermeldeten die finnischen Medien Ylönens Ankündigung, ein Soloalbum zu veröffentlichen. Sein erstes Soloalbum New World erschien am 30. März 2011. Die Vorabsingle Heavy erschien schon am 25. Februar. ellauri147.html on line 523: In Hebrew the name Nebuchadnezzar means something like A Prophet Is A Preservative Jar. (ications.com/Meaning/Nebuchadnezzar.html">Lähde) Nabu tuskin antaa anteexi jos pilkkaat profeettaa säilykepurnukaxi. Ylipäänsä jumalat on vitun vihaisia jos pilkkaat niitä. Tee mitä tahansa muuta, tapa, fornikeeraa, varasta, petä tiimiä, mutta älä vittu pilkkaa minua! Älä huuda minulle! ellauri147.html on line 534: Nebukadnezars Vater Nabupolassar übernahm in seinem Akzessionsjahr (626 bis 625 v. Chr.) am 16. November (26. Araḫsamna) 626 v. Chr. den Thron. Im Jahr 625 v. Chr. folgte sein erstes Regierungsjahr. Er bezeichnete sich als Sohn eines Niemand. ellauri147.html on line 535: Nabupolassar war ein Feldherr des assyrischen Königs Sin-šar-iškun, den er verriet. Er ging ein Bündnis mit den Medern gegen die Assyrer ein, die Babylon seit 200 Jahren beherrschten. Das Bündnis besiegte die Assyrer und Nabupolassar ließ 609 v. Chr. alle Hinterlassenschaften der Regentschaft der Assyrer vernichten. ellauri147.html on line 544: Unessa joku amerikkalainen lausui kreikan lammassanaan ois mukaan digamman: oFis. Ne lausuvat myös zetan sd:nä, kuten sanassa nizos 'pesä', ni-sdos. Istu alas, pane perä pesään. ὄϊς (óïs) from Proto-Hellenic *ówis, from Proto-Indo-European *h₂ówis. Cognate with Sanskrit अवि (ávi), Latin ovis, and Old English ēowu (English ewe). ellauri147.html on line 560: Kexittyäni ton nokkelan Descartes-ozikon olin vissinvarma että se on kexitty ennestään noin 1 zilj. kertaa. Ja olihan se! Seuraava heppu oli löytänyt sen jo 1995 joltain Winnicottilta, D.W. ellauri147.html on line 566: Seit 1994 in eigener Praxis tätig: Paar- und Familientherapie, Personal- und Organisationsentwicklung, Coaching, Team-Supervision (psychoanalytisch-systemisch). 1996 Anerkennung als Supervisor, BDP ellauri147.html on line 567: 1999 Promotion zum Dr. rer. med. am Fachbereich Medizin der J.W.Goethe-Universität; Thema der Dissertation bei Stavros Mentzos: Narzissmus zwischen Selbst und Objekt, veröffentlicht unter dem Titel: Narzissmus und Objekt. Ein intersubjektives Verständnis der Selbstbezogenheit, bei Vandenhoeck & Ruprecht, Göttingen 2000. ellauri147.html on line 569: Offensichtlich ein Versager. Ein offenbarer Verlierer. Lächelt durchaus nicht in dem verschommenen Bild auf seiner Heimseite. Sieht allesverloren aus. Ei näitä Martinin suolloxia jaxa jukertaa saxaxi. Pannaan käännöskoneeseen. ellauri147.html on line 572: ellauri147.html on line 574: Aloitan alustavilla huomautuksilla mediaalisesta narsismiteoriasta, käsittelen näkyvää muutosta aikadiagnoosin keskustelussa, tarkastelen postmodernin itsensä löytämisen vastaavaa panopticonia ja vastaavia nykyaikaisia identiteettihäiriöitä, viittaan psykoanalyysin "intersubjektiiviin käänteeseen", "kuntoutan" psykoanalyyttisen tilanteen peilivertausta – ja luotan kaikkeen tähän käytettävissäni, jotta voimme keskustella siitä kanssasi. ellauri147.html on line 575: ellauri147.html on line 581: ellauri147.html on line 586: ellauri147.html on line 591: ellauri147.html on line 597: Jedenfalls geht es offensichtlich nicht um Sexualität, wie uns der Titel dieser Web-Seite glauben lassen möchte, sondern um Identität. Das interaktive Medienspiel um das eigene Bild sagt uns etwas Anderes über den Narzissmus, als das, was wir gewohnt sind, wenn wir von der Selbstverliebtheit reden. Ich werde gesehen, also bin ich! Dieses narzisstische Muster der Identitätsfindung scheint sich heute universell etabliert zu haben. Die Spiegelfunktion des Narzissmus, einst eine Domäne von Kleinkindalter, Pubertät und Adoleszenz, ist in einer Welt penetranter Medialisierung derart sozialisiert, dass wir nicht mehr unterscheiden können: ellauri147.html on line 602: Donald Woods Winnicott FRCP (7 April 1896 – 25 January 1971) was an English paediatrician and psychoanalyst who was especially influential in the field of object relations theory and developmental psychology. He was a leading member of the British Independent Group of the British Psychoanalytical Society, President of the British Psychoanalytical Society twice (1956–1959 and 1965–1968), and a close associate of Marion Milner. ellauri147.html on line 604: Winnicott is best known for his ideas on the true self and false self, the "good enough" parent, and "borrowed" from his second wife, Clare Winnicott, arguably his chief professional collaborator, the notion of the transitional object. He wrote several books, including Playing and Reality, and over 200 papers. ellauri147.html on line 606: Winnicott has also been accused of identifying himself in his theoretical stance with an idealised mother, in the tradition of mother (Madonna) and child. Related is his downplaying of the importance of the erotic in his work, as well as the Wordsworthian Romanticism of his cult of childhood play (exaggerated still further in some of his followers). ellauri147.html on line 608: Winnicott's theoretical slipperiness has been linked to his efforts to unclify Kleinian views. Yet whereas from a Kleinian standpoint, his repudiation of the concepts of envy and the death wish were a resistant retreat from the harsh realities he had found in infant life, he too has been accused of being too close to his mother, and of sharing in Klein's regressive shift of focus away from the Oedipus complex to the pre-oedipal. ellauri147.html on line 610: His theories of the true/false self may have been over-influenced by his own childhood experience of caring for a depressed mother, which resulted in the development of a prematurely mature self which he was only subversively able to undo. ellauri147.html on line 617: Béla Grunberger stammelt, aber ähnlich auch Kohut, Kernberg und die übrigen die in neueren Lehrbüchern zu finden sind: er entdeckt den Narzissmus, von dem er ein Leben lang erlitten hat: ellauri147.html on line 621: ellauri147.html on line 624: ellauri147.html on line 630: Kohdesuhdeteoria (engl. object relations theory), joskus myös kohdesuhteiden teoria, korostaa tarpeentyydytyksen (klassisen psykoanalyysin viettien) asemasta (ihmis)suhteita. Kohdesuhdeteoria kehittyi brittiläisen psykoanalyysin piirissä (Melanie Klein, Donald W. Winnicott); käsitteen muotoili psykoanalyytikko Ronald Fairbairn vuonna 1952. Kohdesuhdeteorian keskeisenä kysymyksenä on se, kuinka aikaisemmat kokemukset merkityksellisten ihmisten kanssa ovat edustettuina minän, toisten, sekä minän ja toisten välisten suhteiden piirteinä. Et niinkö jotain tollasta sosiaalista epäonnistumista, ennenkaikkea vanhempien syyllistämistä, ei vaan Freudin solipsismia. Kohde (oikeammin olio)- ja relaatiotietokannoista puhuttiin myös käpistelytieteessä. Edelliset ovat hierarkkisia, jälkimmäiset tasapäisiä. ellauri147.html on line 632: In der Theoriegeschichte lassen sich bei grober Analyse drei Traditionslinien der Narzissmustheorie unterscheiden, die das metapsychologische Durcheinander dokumentieren. Bei der ersten geht es um die bereits seit den dreissiger Jahren schwelende Kontroverse über den ontogenetischen Ursprung des Seelenlebens: primärer Narzissmus oder Objektbeziehung ist hier die Streitfrage – die Beiträge von Michael Balint, Donald Winnicott, Heinz Kohut, Otto Kernberg bis hin zu Christopher Bollas oder Thomas Ogden lasssen sich im Rahmen dieses metapsychologischen Dauerstreits betrachten. Auf der zweiten Linie kann man die Versuche unterbringen, einen triebtheoretisch bestimmten Narzissmusbegriff festzuhalten – dazu zähle ich so unterschiedliche Arbeiten wie die von Hartmann und Pulver, Grunberger und Chasseguet-Smirgel oder im deutschen Sprachraum Zepf oder Lilli Gast. ellauri147.html on line 633: Demgegenüber bilden eine dritte Traditionslinie all jene Ansätze, die den Narzissmus jenseits der Libido mit dem Selbstwertgefühl verbinden und als eine Art von seelischem Regulationsprinzip verstehen – diese Linie beginnt mit Paul Federn und setzt sich über die Konzepte von Joffe und Sandler, Herrmann Argelander bis zu Robert Stolorow fort. Inzwischen ist die ausgeuferte Literatur versandet. ellauri147.html on line 637: ellauri147.html on line 640: ellauri147.html on line 643: ellauri147.html on line 645: Winnicott käsittelee ensisijaisen narsismin ja kohdesuhteen ilmeistä kontrastia epistemologisena ongelmana, jonka hän ratkaisee itsensä paradokseissa (käytäthän näitä hegelialaista dialektiikkaa muistuttavia formulaatioita: ei ole vauvaa ilman äitiä, joka pitää häntä; hän ei huomaa, että häntä kannetaan ja "putoaisi loputtomasti", jos hän huomaisi sen; hän rakentaa esineen - jonka hän löytää samanaikaisesti; hän voi vain ymmärtää kohteen riippumattomuuden.) Eli näin hän hyväksyy riippuvuutensa), jos hänet tunnustetaan omaksi olennokseen. Winnicottin työssä itsensä synty on käsitteellinen ja sijoitettu kohdun ja kohteen väliseen tilaan - "potentiaaliseen välilihaan" tai siirtymätilaan fantasian ja todellisuuden välillä, jossa narsismin käsitettä käytetään Winnicottissa sen monadologisten konnotaatioiden vuoksi. Siitä puhe mistä puute, rakas Winnicott. Kz myös albumia 298. ellauri147.html on line 646: ellauri147.html on line 651: ellauri147.html on line 654: ellauri147.html on line 657: ellauri147.html on line 660: ellauri147.html on line 666: Diese beiden Konzeptionen des primären Narzissmus als Varianten eines ontogenetischen Ausgangszustands werden von Freud – unausgesprochen und zum Teil miteinander verschachtelt – nebeneinander verwendet, ohne dass er sich mit ihrer Widersprüchlichkeit explizit auseinandersetzt. Die unaufgelöste Ambivalenz in dieser Frage zeigt sich etwa beim entwicklungspsychologischen Durcheinander im zeitlichen Verhältnis von Autismus, Narzissmus und Objektbeziehung – was war zuerst? Eigentlich handelt es sich um eine zirkuläre Konstruktion, bei der eines aus dem anderen hervorgeht. Und es setzt sich bei der Bestimmung der Entwicklungsformen des Narzissmus fort. Ich will das nur an widersprüchlichen Auffasssungen anreisse, die Freud zum „Erbe“ des primären Narzissmus in der seelischen Struktur entwickelt, das bekanntlich aus dem Selbstgefühl, dem sekundären Narzissmus, dem Ich-Ideal und einigen anderen Resten besteht:--> ellauri147.html on line 669: ellauri147.html on line 672: ellauri147.html on line 675: ellauri147.html on line 677: (Martin on primäärinarsismille hyvin hyvin vihainen.) Säuglingtutkimuxissa ei näy siitä mitään merkkiä. Ei imeväiset ole ameeboita vaikka imevätkin tissiä, niillä on vahva kazekontakti primääriobjektiin, joka ei ole siis vaan tissi, vaan äidin pärstävärkki. Ameebaläppä on tarmokkaasti torjuttava. Se on infektiöösi. Perinteiset kallonkutistajat puolustautuvat samalla keinolla kuin saarnaajat: ei se ole tässä tärkeää mikä on totta, vaan miltä tuntuu, ja mikä tehoaa. Analyytikkojen turinat tiettävästi toimivat, samantekevää ovatko ne jossain hämärässä mielessä "totta" vai ei. Potilaat tykkää niistä. Lasten ja äitien vuorovaikutuxen tutkiminen on un-psychoanalytisch, se kuuluu jonnekin sosiopsykologian reservaattiin. Näin siis 70-luvulla, jolloin Martin opiskeli Bambergissa. Tällänen kaxoisstandardi, Revue des Deux Mondes (jota luki Tolstoin Lekan sankari teoxessa Ylösnousemus) ei käy ollenkaan päinsä enää, Martin terottaa, eläköön siis Winnicot! ellauri147.html on line 679: Lapsi kokee ja kohtelee esinettä, vaikka hän pitäisi sitä erillisenä, affektiivisesti ikään kuin hän voisi hävittää sen. Sen itsenäisyyden tunnustaminen lisäisi avuttomuutta katastrofin pelkoon. Winnicott on kuvannut tätä kehityksen käsitteessään absoluuttisesta riippuvuudesta itsenäiseen itseensä erittäin hienosti: optimaalisen kieltäytymisen kautta keskimääräinen hyvä äiti antaa lapselle mahdollisuuden aggressioon, joka on suunnattu epäonnistumista vastaan ulkopuolella ja luo siten kohteesta, koska se selviää aggressiosta, jotain riippumatonta (objektin käyttö). ellauri147.html on line 680: ellauri147.html on line 684: ellauri147.html on line 686: Daraus ergibt sich meine These: ellauri147.html on line 689: ellauri147.html on line 692: Aber wir behaupten zugleich auch die Unabhängigkeit von der Welt und schützen uns vor der schmerzhaften Erfahrung von Abhängigkeit, der wir im Wunsch nach Anerkennung doch unbewusst Tribut zollen. Ich vermute, dass wir im Narzissmus etwas davon ausdrücken, was den paradoxen Kern von Identität ausmacht: nämlich einzigartig und unverwechselbar zu sein, sich also vom Anderen zu unterscheiden, und gerade in dieser Eigenschaft von den Anderen anerkannt zu werden. Im Narzissmus zeigt sich gewissermassen, ohne dass wir es wissen, etwas von der intersubjektiven Verfasstheit des Selbst, oder von Identität. Weil eine solche Erkenntnis uns kränken würde, wollen wir davon auch nichts wissen, genauso wie der Säugling von seiner Abhängigkeit nichts wissen kann. Nicht einmal in unserem Narzissmus sind wir jenes unabhängige Wesen, dass wir so gerne sein möchten.--> ellauri147.html on line 697: ellauri147.html on line 700: Sie haben eben sehr scharfe Eier, man kann nicht darüber tanzen. Mielisairauden muodoissa on historiallinen muutos – pitkän aikavälin hesis -muotojen mukaan – mikä näkyy toisaalta hysteeristen, fobisten ja pakko-oireisten neuroottisten sairauksien vähenemisenä, niin kutsuttujen "varhaisten häiriöiden" lisääntymisenä, joihin kuuluvat itsetunto ja identiteettihäiriöt, riippuvuudet, perversiot, rajapersoonallisuusrakenteet ja narsistiset häiriöt. ellauri147.html on line 703: In der Geschichte der Psychoanalyse als einer klinischen Wissenschaft wird der Begriff der narzisstischen Störung häufig mit der Kategorie der „frühen Störung“ verbunden oder gleichgesetzt. Er dient zur Kennzeichnung eines säkularen Strukturwandels seelischer Krankheit, der als Verschiebung der Fixierungsstellen auf frühere präödipale Ebenen beschrieben wird, als Störung bei der frühen Ich-Bildung gegenüber den später entstandenen ödipalen Konflikten. Die Frage, ob die klassischen Übertragungsneurosen, an denen Freud die Psychoanalyse als Behandlungsmethode und klinische Theorie entwickelt hat, historisch im Schwinden begriffen sind und psychopathologischen Zustandsbildern weichen, deren Pathogenese früher anzusiedeln ist, ist bereits seit den dreissiger Jahren eine chronische Streitfrage im psychoanalytischen Diskurs. Es gebe einen historischen Wandel in den Formen seelischer Krankheiten – so die Dauerthese -, der sich in einer Abnahme von hysterischen, phobischen und zwangsneurotischen Erkrankungen einerseits, einer Zunahme von sog. „frühen Störungen“ zeige, zu denen Selbstwert- und Identitätsstörungen, Suchterkrankungen, Perversionen, Borderline-Persönlichkeits-Strukturen und narzisstische Störungen gezählt werden. ellauri147.html on line 704: Es gebe einen historischen Wandel in den Formen seelischer Krankheiten – so die Dauerthese -, der sich in einer Abnahme von hysterischen, phobischen und zwangsneurotischen Erkrankungen einerseits, einer Zunahme von sog. „frühen Störungen“ zeige, zu denen Selbstwert- und Identitätsstörungen, Suchterkrankungen, Perversionen, Borderline-Persönlichkeits-Strukturen und narzisstische Störungen gezählt werden. ellauri147.html on line 709: Diese gelegentlich mit zeitkritischem Beiklang vorgetragene These hat vor allem in den siebziger Jahren eine breite Zustimmung gefunden. Sie ist durch die Kritische Theorie der Frankfurter Schule befördert worden. Diese hat ihren sozialphilosophischen Studien eine Zeitdiagnose eingefügt, wonach mit dem Verfall der bürgerlichen Familie und der Ausdehnung gesellschaftlicher Einflussfaktoren die Sozialisationsbedingungen in spätkapitalistischen Gesellschaften sich so geändert haben, dass der Einzelne bereits unterhalb der Schwelle der Individuation massivem sozialen Druck und kulturindustriellen Verführungen ausgesetzt sei und es gar nicht mehr zur Ausbildung der psychischen Strukturen und „reifen“ Konflikte auf der ödipalen Ebene komme, die den Rahmen für die klassischen Neuroseformen abgeben. ellauri147.html on line 715: Horkheimers Diagnose des „schwindenden“ Ich(2), Adornos Hinweis auf den „sozialisierten Narzissmus“ oder „kollektivistische Derivate“ des Narzissmus(3), Marcuses Diktum vom „Veralten der Psychoanalyse“(4) ist dieser zeitdiagnostische Kern gemeinsam. Auch Habermas übernimmt diese These, wenn er mit dem Strukturwandel der Kleinfamilie die „abnehmende Bedeutung der ödipalen Problematik“ diagnostiziert und gegenüber den beinahe „ausgestorbenen“ Hysterien und „drastisch“ verringerten Zwangsneurosen unter ausdrücklichem Verweis auf Kohut feststellt: „statt dessen häufen sich narzisstische Störungen“.(5) ellauri147.html on line 716: Lorenzer, der sich als Psychoanalytiker der Tradition der kritischen Theorie zugehörig fühlt, teilt die These einer säkularen Tendenz zu frühen Störungen und stützt sie mit der Diagnose einer parallelen Tendenz vom (das Begriffspaar David Riesmanns(6) übernehmend) „innengeleiteten“ zum „aussengeleiteten“ Menschen. Mit der vor allem in der kritischen Pädagogik verbreiteten Diagnose eines „neuen Sozialisationstyps“(7) -, der durch die narzisstische Persönlichkeit repräsentiert sei und als „oraler Flipper“ den „autoritären Scheisser“ in der Bedeutung eines vorherrschenden Sozialcharakters abgelöst habe, ist die Verbindung einer psychopathologischen Kategorie mit einer Zeitdiagnose auch begrifflich fixiert.--> ellauri147.html on line 719: Michael Balint on huomauttanut vauvan perusalttiudesta primaarisen ympäristön puutteisiin, ja sitä voidaan pitää narsististen häiriöiden teorian edelläkävijänä teoriallaan "perushäiriöstä". "Ensisijaisen äitiyden" käsitteellään Winnicott kiinnittää huomiota myös varhaisimman esinesuhteen merkitykseen henkisen kehityksen onnistumiselle tai epäonnistumiselle. Lopuksi Heinz Kohutin narsismiteoria ja sen kehittyminen erityisesti itsepsykologiaksi ovat auttaneet keskittymään "alkeellisen itsensä olemassaoloon varhaisimmassa lapsuudessa" terapeuttisessa tilanteessa, mutta myös diagnostisissa luokissa ja metapsykologisessa mielessä(8) ja keskittymään siten "varhaisen" tai "narsistisen" häiriön tasoon. lykätä. ellauri147.html on line 721: Auch die Entwicklung und Schulenbildung innerhalb der Psychoanalyse ist von einer zunehmenden Verschiebung des theoretischen und diagnostisch-therapeutischen Blicks auf die frühen Phasen seelischer Zustände begleitet. Die Objektbeziehungstheorie britischer Provenienz, wie sie von Melanie Klein und ihren SchülerInnen vertreten wird, hat die innerpsychische Strukturbildung – im wesentlichen die Bildung von Ich- und Über-Ichstrukturen – in ihrer lebensgeschichtlichen Datierung so weit zurückverlegt, dass bereits die klassischen ödipalen Zustandsbilder als Ausdruck „früher“ Störungen interpretiert werden können. ellauri147.html on line 722: Michael Balint hat auf die basale Anfälligkeit des Säuglings für Mängel in seiner primären Umgebung hingewiesen und kann mit seiner Theorie der „Grundstörung“ als Pionier einer Theorie narzisstischer Störungen gelten.. Auch Winnicott lenkt mit seinem Konzept der „primären Mütterlichkeit“ auf die Bedeutung der frühesten Objektbeziehung für das Gelingen oder aber Scheitern der seelischen Entwicklung. Schliesslich hat vor allem die Narzissmustheorie Heinz Kohuts und ihre Weiterentwicklung zur Selbstpsychologie in den dazu beigetragen, in der therapeutischen Situation, aber auch in den diagnostischen Kategorien und in der metapsychologischen Betrachtung den Blick auf die „Existenz eines rudimentären Selbst in der frühesten Kindheit“(8) zu richten und damit den Focus von der ödipalen, vom Triebkonflikt bestimmten Ebene auf die Ebene der „frühen“ oder eben „narzisstischen“ Störung zu verschieben.--> ellauri147.html on line 725: ellauri147.html on line 727: Reiche näkee nostalgisessa transfiguraatiossa "ehjän neuroosin ehjässä kulttuurissa"(11) alkuperämyytin – historiallisesti katoavasta – itsenäisestä egosta, joka liittyy loppuajan tunnelmiin, joka ei enää kykene konflikteihin ja sublimaatioon ilman auktoriteetin ja arvosuuntautuneisuuden asianmukaista sisäistämistä ja ilmaisee itsensä varhaisten narsististen häiriöiden muodossa – ja hän tunnistaa tässä ennen kaikkea diagnostisen tehtävän riippuvuuden Piilevä maailmankuva psykoanalyytista. ellauri147.html on line 729: Reiche sieht in der nostalgischen Verklärung „der intakten Neurose in einer intakten Familie in einer intakten Kultur“(11) einen mit Endzeitstimmungen verbundenen Ursprungsmythos des – historisch verschwindenden – autonomen Ichs, das ohne angemessene Internalisierung von Autorität und Wertorientierung nicht mehr konflikt- und sublimierungsfähig sei und sich in Gestalt früher narzisstischer Störungen ausdrücke – und er erkennt darin vor allem die Abhängigkeit der diagnostischen Zuordnung vom latenten Weltbild des Psychoanalytikers. ellauri147.html on line 733: ellauri147.html on line 748: 4. Gefühle von Gleichgültigkeit oder von Aggression, Scham und Minderwertigkeit ellauri147.html on line 749: 5. Beeinträchtigung der zwischenmenschlichen Beziehungen durch eine besondere Anspruchshaltung, einen Empathiemangel, die Ausbeutung des Partners, ein Schwanken zwischen Idealisierung und Entwertung ellauri147.html on line 773: ... sind im revidierten DSM-III-R(13) auf neun Verhaltensweisen erweitert, von denen fünf bei gleichzeitigem Auftreten zur Diagnose einer narzisstischen Störung ausreichen sollen: ellauri147.html on line 782: 8. Die Einfühlung in andere ist erschwert, wenn sie nicht ganz fehlt. ellauri147.html on line 788: In der neuen Version IV des DSM(14) wird das erste Kriterium des DSM-III-R, die besondere Kritikempfindlichkeit, durch ein anderes Kriterium ersetzt, das auf die Arroganz und Überheblichkeit in Verhalten und Einstellung abhebt. ellauri147.html on line 789: Salman Akhtar (1996)(15) weitet in einem Lehrbuch, das Kernberg herausgegeben hat und das zum Glück jetzt überarbeitet wird, diese DSM-Symptomlisten in seinem „Versuch einer Synthese“ zu einem Profil aus und unterscheidet sechs Bereiche, in denen sich die Merkmale der narzisstischen Persönlichkeit zeigen: ellauri147.html on line 806: Diesem Profil fügt er eine dynamische Dimension hinzu, auf der er sichtbare von verdeckten/larvierten Merkmalen unterscheidet. Die so beschriebenen Profilkategorien wirken aber am Ende so überladen, beliebig und disparat, dass es schwerfällt, damit eine präzise differentialdiagnostische Abgrenzung der narzisstischen Persönlichkeitsstörung mit Hilfe ihrer klinischen Merkmale zu leisten. So führt Akhtar etwa unter der Kategorie ‘Interpersonale Beziehungen/verdeckt’ das skurrile Merkmal ein: „Tendenz, Briefe nicht zu beantworten“ oder unter derselben Kategorie/sichtbar die schwer operationalisierbare : „Unfähigkeit, wirklich authentisch (Hervorhebung von mir, M.A.) an Gruppenaktivitäten teilzunehmen“. ellauri147.html on line 807: Unter den ‘Ethischen Grundsätzen’ finden wir „offensichtlichen Enthusiasmus für sozialpolitische Belange“ (sichtbar) und „Uneherbietigkeit gegenüber Autoritäten“ als Merkmale der narzisstischen Persönlichkeit und beim ‘Kognitiven Stil’ sind es die (sichtbare) „Vorliebe für die Sprache“ und die „Vorliebe für jede schnelle Art, Wissen zu erlangen“ sowie die (verdeckte) „Benutzung von Sprache und Sprechen zur Regulation des Selbstwertgefühls“, die den Narzissmus kennzeichnen sollen. (ebd., S. 18f.)--> ellauri147.html on line 810: ellauri147.html on line 819: Schau mich an, höre mir zu, beachte mich, bewundere mich! oder: halte mich, liebe mich, erkenne mich an! – sie kann auch heissen: weil Du mir den Blick verweigerst (oder die Aufmerksamkeit, die Bewunderung, die Anerkennung), ziehe ich mich von Dir zurück oder greife Dich an! Manchmal auch: ich fühle mich grossartig und eins mit der Welt – oder aber: mit einer Welt, die mich so behandelt (hat), will ich nichts zu tun haben! Im Übertragungsgeschehen, nicht nur bei der Behandlung narzisstischer Störungen, sondern gerade auch im therapeutischen Umgang mit Psychosen, die Freud wegen ihrer mangelnden Übertragungsfähigkeit als sog. “narzisstische Neurosen” von den “Übertragungsneurosen” abgegrenzt hatte – sind wir Adressaten solcher Botschaften, wie wir bei der Analyse unserer Gefühle der Gegenübertragung erkennen. ellauri147.html on line 822: Monien vuosien aikana työskennellessäni vakavasti häiriintyneiden psykiatristen potilaiden kanssa olen huomannut, että psykoottisessa vetäytymisessä on usein arkaaisia jälkiä tunnustamisen tarpeesta, joka on jäänyt vastaamatta perusmielessä. Mielestäni narsistisen häiriön hyvin erilaiset oireet voidaan tulkita erilaisiksi muunnelmuksiksi tämän taistelun nähtämisestä, havaitusta, tunnustetusta, kätkemisestä ja näkemisestä enemmän tai vähemmän taitavissa lavastoissa. Yhteiskuntafilosofi Axel Honneth (1994) on valmistellut "taistelun tunnustamisesta" identiteetin rakentamisen periaatteeksi G.H.Meadin (symbolinen vuorovaikutus, "Minä" yleisenä toisena, perspektiivin oletuksen mallina) ja Winnicottin kehitysteorioista – ja kutsui Hegeliä yhteiseksi lähteeksi: Hegelin itsessä on konstituoituvaa, että se tunnustetaan. ellauri147.html on line 825: In langjähriger Arbeit mit schwer gestörten psychiatrischen Patienten habe ich die Erfahrung gemacht, dass der psychotische Rückzug häufig archaische Spuren eines Bedürfnisses nach Anerkennung trägt, das in einem elementaren Sinn unbeantwortet geblieben ist. Die so unterschiedlichen Symptome der narzisstischen Störung lassen sich m. E. als vielfältige Varianten eines Kampfes um dieses Gesehen-, Beachtet-, Anerkannt-werden entschlüsseln, der verdeckt und in mehr oder weniger gekonnten Inszenierungen geführt wird. Der Sozialphilosoph Axel Honneth (1994) hat den „Kampf um Anerkennung“ als Konstruktionsprinzip von Identität aus den Entwicklungstheorien von G.H.Mead (symbolischer Interaktionismus, „Me“ als generalisierter Anderer, Modell der Perspektivenübernahme) und Winnicott – herauspräpariert und sich als gemeinsamer Quelle auf Hegel berufen: bei Hegel gehört zum Selbst konstitutiv, dass es anerkannt ist. ellauri147.html on line 826: Als Resultat gelungener Anerkennungsprozesse beschreibt Honneth ein reflexives Selbstverhältnis, das die Spuren seiner intersubjektive Herkunft trägt.(16) Diese in der Objektbeziehung sich spiegelnde „positive Selbstbeziehung“ sei „als eine Art von nach innen gerichtetes Vertrauen zu verstehen, das dem Individuum Sicherheit sowohl in seiner Bedürfnisartikulation als auch in der Anwendung seiner Fähigkeiten schenkt“(17). Es ist eine Umschreibung dessen, was wir heute gesunden Narzissmus nennen würden – oder eben das Grundgefühl einer sicheren intersubjektiv erworbenen Identität. ellauri147.html on line 831: Bei Zweifeln an der Anerkennung oder ihrer Verweigerung entstehen Gefühle der Missachtung. In einem unbewusst inszenierten Kampf um Anerkennung werden dann Ansprüche ausgetragen, die in den differentialdiagnostischen Symptombeschreibungen der narzisstischen Störung als „Beachtung suchen“, „Aufmerksamkeit verlangen“ oder „Bewunderung fordern“, als „narzisstische Wut“ oder „narzisstischer Rückzug“ imponieren. Es sind intersubjektive Leitsymptome, in denen sich das bedrohte Selbst, seine Abhängigkeit verleugnend, fordernd an oder aggressiv gegen das Objekt richtet – oder sich von ihm völlig abwendet und in den begleitenden Phantasien (um nicht zu sagen: im Unbewussten) das Objekt umso stärker festhält. --> ellauri147.html on line 833: Ich komme allmählich zum Ende ellauri147.html on line 837: Die Seele hat ihren Sitz im Körper – an dieser Vorstellung hat sich auch dadurch nichts geändert, dass wir sie seit dem Ende des 19. Jahrhunderts 'Psyche' nennen und die Störungen des Seelenlebens mit fremd klingenden Namen wie 'Neurasthenie', 'Neurose' oder 'Psychose'‘ belegen. Die reizbare Schwäche der Nerven galt bei der inzwischen schon vorletzten Jahrhundertwende als Leitsymptom einer epidemisch sich ausbreitenden Befindlichkeitsstörung, die es uns heute gestattet, von dieser Epoche als einem „Zeitalter der Nervosität“ zu sprechen. --> ellauri147.html on line 842: Es spricht einiges dafür, dass wir für die Erforschung und Behandlung der vorherrschenden Identitätsstörungen im „Zeitalters des Narzissmus“ (Lasch 1995), das in der Endphase des letzten Jahrhunderts ausgerufen worden ist, ein intersubjektives Paradigma brauchen. Dazu nötigt uns schon der Zeitgeist. Die nach innen gerichtete Selbstvergewisserung des 'cogito, ergo sum', cartesianisches Vorbild der Introspektion, wird in einer medialen Welt durch den identitätsstiftenden Blick auf das Publikum abgelöst, der uns in den Talk-shows und den theatralen Inszenierungen von Politik vorgeführt wird: 'videor, ergo sum'. Big Brother ist ein Labor zur Herstellung postmoderner Identität. Die Sehnsucht nach der Spiegelung in der allgegenwärtigen Kamera zeigt uns etwas vom intersubjektiven Charakter der conditio humana. Wer wir sind, erfahren wir in den Rückmeldungen der Umwelt. ellauri147.html on line 843: Der mediale Narzissmus überformt bloss diesen Grundzug unserer seelischen Existenz, der im primären Narzissmus seinen Ursprung hat. Der Säugling ist auf die Haltefunktion der Mutter angewiesen und auf das Lächeln in ihrem Blick. Der infantile Narzissmus sucht die Bewunderung der Umgebung. Die Selbstinszenierungen der Adoleszenz finden in einem intersubjektiven Spiegelraum statt. Der Narzissmus des Künstlers braucht den Beifall des Publikums.Und auch in der narzisstischen Störung sind Beachtung und Anerkennung oder eben Missachtung und fehlende Spiegelung die Basis, auf der sich die lärmenden oder stillen, immer aber verzweifelten Kämpfe um den Anderen im Selbst abspielen.--> ellauri147.html on line 847: Wie aber aus Objektivem Subjektives, wie aus Äusserem Inneres, wie aus Materiellem Seelisches entsteht – das sind die ungelösten Fragen, die sich den Humanwissenschaften stellen. Affenwissenschaften. ellauri147.html on line 855: Hot or Not, currently rebranded as Chat & Date, is a rating site that allowed users to rate the attractiveness of photos submitted voluntarily by others. The site offered a matchmaking engine called 'Meet Me' and an extended profile feature called "Hotlists". The domain hotornot.com is currently owned by Hot Or Not Limited, and was previously owned by Avid Life Media. 'Hot or Not' was a significant influence on the people who went on to create the social media sites Facebook and YouTube. ellauri147.html on line 857: Hot or Not was preceded by the rating sites, like RateMyFace, which was registered a year earlier in the summer of 1999, and AmIHot.com, which was registered in January 2000 by MIT freshman Daniel Roy. Regardless, despite any head starts of its predecessors, Hot or Not quickly became the most popular. Since AmIHotOrNot.com's launch, the concept has spawned many imitators. The concept always remained the same, but the subject matter varied greatly. The concept has also been integrated with a wide variety of dating and matchmaking systems. In 2007 BecauseImHot.com launched and deleted anyone with a rating below 7 after a voting audit or the first 50 votes (whichever is first). ellauri147.html on line 860: faces to find out the current standard of good looks on the Internet. On the Hot or Not web site, people rate others' attractiveness on a scale of 1 to 10. An average score based on hundreds or even thousands of individual ratings takes only a few days to emerge. To make this hot or not palette of morphed images, photos from the site were sorted by rank and used SquirlzMorph to create multi-morph composites from them. Unlike projects like Face of Tomorrow, where the subjects are posed for the purpose, the portraits are blurry because the source images are of low resolution with differences in variables such as posture, hair styles and glasses, so that in this instance images could use only 36 control points for the morphs. A similar study was done with Miss Universe contestants, as shown in the averageness article, as well as one for age, as shown in the youthfulness article. ellauri147.html on line 862: In physical attractiveness studies, averageness describes the physical beauty that results from averaging the facial features of people of the same gender and approximately the same age. The majority of averageness studies have focused on photographic overlay studies of human faces, in which images are morphed together. The term "average" is used strictly to denote the technical definition of the mathematical mean. An averaged face is not unremarkable, but is, in fact, quite good looking. Nor is it typical in the sense of common or frequently occurring in the population, though it appears familiar, and is typical in the sense that it is a good example of a face that is representative of the category of faces. ellauri147.html on line 864: A possible evolutionary explanation for averageness is koinophilia, in which sexually-reproducing animals seek mates with primarily average features, because extreme and uncommon features are likely to indicate disadvantageous mutations. ellauri147.html on line 866: The effect was first described in 1878 by Francis Galton. He had devised a technique called composite photography, which he believed could be used to identify 'types' by appearance, which he hoped would aid medical diagnosis, and even criminology through the identification of typical criminal faces. Galton's hypothesis was that certain groups of people may have common facial characteristics. To test the hypothesis, he created photographic composite images of the faces of vegetarians and criminals to see if there was a typical facial appearance for each. Galton overlaid multiple images of faces onto a single photographic plate so that each individual face contributed roughly equally to a final composite face. The resultant "averaged" faces did little to allow the a priori identification of either criminals or vegetarians, failing Galton's hypothesis. However, unexpectedly Galton observed that the composite image was more attractive than the component faces. Galton published this finding in 1878, and also described his composite photography technique in detail in Inquiries in Human Faculty and its Development. He subsequently sold the invention to an early erotic photography firm. ellauri147.html on line 868: A University of Toronto student found that the facial proportions of celebrities including Jessica Alba were close to the average of all female profiles. That the preference for the average is biological rather than cultural has been supported by studies on babies, who gaze longer at attractive faces than at unattractive ones. People generally find youthful average faces sexually the most attractive. prototypes are preferred to individual exemplars of the stimuli categories. Thus an average face is probably attractive simply because it is prototypical. An averaged face made of 32 faces looks almost indistinguishable from any other 32-face averaged face even when they are created from a completely different set of individuals. Left-right symmetry is not the issue, presumably because neither are the viewers´ eyes. ellauri147.html on line 870: A 2006 "hot" or "not" style study, involving 264 women and 18 men, at the Washington University School of Medicine, as published online in the journal Brain Research, indicates that a person´s brain determines whether an image is erotically appealing long before the viewer is even aware they are seeing the picture. Moreover, according to these researchers, one of the basic functions of the brain is to classify images into a hot or not type categorization. The study´s researchers also discovered that sexy shots induce a uniquely powerful reaction in the brain, equal in effect for both men and women, and that erotic images produced a strong reaction in the hypothalamus. ellauri147.html on line 872: Neoteny (/niˈɒtəni/) also called juvenilization, is the delaying or slowing of the physiological (or somatic) development of an organism, typically an animal like homo sapiens. Neoteny is found in modern humans (compared to other primates). In progenesis (also called paedogenesis), sexual development is accelerated. In the best case of nymphettes, both happen at the same time. ellauri147.html on line 874: Both neoteny and progenesis result in paedomorphism (or paedomorphosis), a type of heterochrony. It is the retention in adults of traits previously seen only in the young. Such retention is important in evolutionary biology, domestication and evolutionary developmental biology. ellauri147.html on line 876: Some authors define paedomorphism as the retention of larval traits, as seen in salamanders. Paedophiliacs do not restrict attention to fellow salamanders, but dig young chicks clearly more. ellauri150.html on line 6: font-style: italic; ellauri150.html on line 255: Colette Stevens. HR Director. "Regardless of the working relationship, Colette always displays the same valuable characteristics - she is very bright, totally commercial, able to build strong and lasting relationships and is great fun to be around. ellauri150.html on line 257: Colette Stevens is in one word- incredible! She went above and beyond during our home purchasing process, and well beyond! She was by our side every step of… the way, making sure that we knew exactly where we were in the process, along with what the next steps would be. She was constantly in communication with us and made us feel at ease. ellauri150.html on line 261: Parmi les jeunes filles du monde, — peu nombreuses d’ailleurs, — que Christophe avait pour élèves, était la fille d’un riche fabricant d’automobiles, Colette Stevens. Son père était Belge, naturalisé Français, fils d’un Anglo-Américain établi à Anvers et d’une Hollandaise. Sa mère était Italienne. C’était une famille bien parisienne. Pour Christophe, — pour bien d’autres, — Colette Stevens était le type de la jeune fille française. ellauri150.html on line 275: Christophe l’attirait, pour beaucoup de raisons, dont la première était qu’il n’était pas attiré par elle. Il l’attirait encore, parce qu’il était différent de tous les jeunes gens qu’elle connaissait : elle n’avait jamais essayé encore d’une potiche de cette forme et de ces aspérités. Il l’attirait enfin, parce qu’experte, de race, à évaluer du premier coup d’œil le prix exact des potiches et des gens, elle se rendait parfaitement compte qu’à défaut d’élégance, Christophe avait une solidité, qu’aucun de ses bibelots parisiens ne pouvait lui offrir. ellauri150.html on line 295: — Ah ! vous n’êtes pas musicien, faisait-elle, avec dépit. ellauri150.html on line 333: — Je ne suis pas ici pour causer, je suis ici pour vous donner des leçons de piano… En avant, marche ! ellauri150.html on line 337: Elle jouait son morceau, s’appliquant de son mieux ; et, comme elle était habile, elle y réussissait très passablement, parfois même assez bien. Christophe, qui n’était pas dupe, riait en lui-même de l’adresse « de cette sacrée mâtine (sekarotuinen narttu), qui jouait, comme si elle sentait ce qu’elle jouait, quoiqu’elle n’en sentît rien ». Il ne laissait pas d’en éprouver pour elle une sympathie amusée. (Narsismimarkkeri!) Colette, de son côté, saisissait tous les prétextes pour reprendre la conversation, qui l’intéressait beaucoup plus que la leçon de piano. Christophe avait beau s’en défendre, prétextant qu’il ne pouvait dire ce qu’il pensait, sans risquer de la blesser : elle arrivait toujours à le lui faire dire ; et plus c’était blessant, moins elle en était blessée : c’était un amusement pour elle. Mais comme la fine mouche sentait que Christophe n’aimait rien tant que la sincérité, elle lui tenait tête hardiment, et discutait mordicus (izepäisesti). Ils se quittaient très bons amis. ellauri150.html on line 339: Vizi jopa oli self-satisfied misogynic morceau Romain Rollandilta. Se olikin just sellainen tyyppi. Colette maxaa sille samalla mitalla, vaikkei Risto sitä edes tajua: ellauri150.html on line 343: Autour de Colette Steve grouillent d'écœurants petits snobs, riches pour la plupart, en tout cas oisifs et qui, tous, prétendent écrire. C'était une névre sous la Troisième République. C'était surtout une forme de paresse vaniteuse le travail intellectuel étant de tous le plus difficile contrôler et celui qui prête le plus au bluff. Ces gens parlent sans cesse de pensée, tout en ne ressemblant attacher d'importance qu'a l'agencement des mots, n'ont d'autre culte que le culte du moi, griment leur esprit, suivent deux ou trois modèles ou miment une idee. La force, la joie, la pitié, la solidarité, le socialisme, l'anarchisme, la foi, la liberté c'étaient des rôles pour eux. Ils avaient le talent de faire des plus chères pensées une affaire de littérature et ramener les plus heroiques elans de l'ame humaine au role d'articles du salon, de cravates a la mode. ellauri150.html on line 358: Kesällä 1895 tiedustelutoimiston johtoon nimitettiin everstiluutnantti Marie-Georges Picquart. Sotilasviranomaiset olivat tajunneet, että Dreyfus oli tuomittu varsin heikoin perustein, ja Picquart lupasi käydä läpi kaiken Dreyfusilta lähteneen ja tälle tulleen kirjeenvaihdon. Hän kävi läpi myös Saksan lähetystön siivoojan toimittamia papereita. Maaliskuussa 1896 Picquart sai siivoojalta pikakirjeen kappaleita. Kirjepaperista saattoi päätellä sen tehdyn Pariisissa, sillä siinä käytettyä ohutta sinistä paperia ei saanut muualta. Kirje oli osoitettu majuri Marie Charles Ferdinand Walsin-Esterházylle, mutta sitä ei oltu koskaan toimitettu perille. Kirjeessä pyydettiin Walsin-Esterházyltä ”tarkempaa selitystä kuin se, jonka annoitte ratkaisemattomasta asiasta tässä eräänä päivänä”. Picquartin aloitteesta Esterházyä alettiin varjostaa ja hänen nähtiin menevän kahdesti Saksan suurlähetystöön. Lisäksi Picquart sai elokuussa käsiinsä kaksi Esterházyn kirjettä, ja niiden käsiala oli samankaltainen kuin Henryn listassa. Henry alkoi puolestaan väärentää todisteita Dreyfusia vastaan saatuaan kuulla Picquartin yrittävän todistaa tämän syyttömäksi. ellauri150.html on line 360: Uusista todisteista vuoti tietoja lehdistölle. Lisäksi epäilys toisesta syyllisestä kasvoi armeijassa ja hallituksessa. Picquart pelkäsi armeijan estävän hänen tutkimuksensa, ja hän valtuutti asianajajansa toimittamaan hänen keräämänsä todisteet hallitukselle. Asianajaja kertoi eräälle parlamentin jäsenelle, että sotasalaisuuksia kaupitellut lista oli todistettavasti Esterházyn kirjoittama. Parlamentin jäsen otti puolestaan yhteyttä Dreyfusin veljeen Mathieuhön. Mathieu syytti Esterházyä maanpetoksesta ja toimitti laatimansa kirjeen 15. marraskuuta 1897 sotaministerille ja johtavalle pariisilaiselle sanomalehdelle. Esterházyn vaatimuksesta koottu sotaoikeus vapautti kuitenkin hänet syytteistä nopean oikeudenkäynnin jälkeen. Tämän johdosta kirjailija Émile Zola julkaisi 13. tammikuuta 1898 L'Aurore-lehden etusivulla presidentti Félix Faurelle osoitetun kirjeen J’accuse (suom. ”minä syytän”). Zola syytti kirjeessään seitsemää korkea-arvoista upseeria ja kolmea käsialantutkijaa todisteiden keksimisestä Dreyfusia vastaan ja totuuden peittelystä. ellauri150.html on line 362: Kirjeensä takia Zola joutui oikeuteen herjauksesta. Oikeudenkäynnin aikana Ranska jakautui voimakkaasti tapauksen tiimoilta. Zola tuomittiin syylliseksi, mutta hän pakeni Englantiin haettuaan ensin muutosta vuoden vankilatuomioonsa. Picquart erotettiin Zolan oikeudenkäynnin tuottamassa kuohunnassa, mutta hän sai myöhemmin virkansa takaisin. Majuri Henryä kuulusteltiin, ja 30. elokuuta 1898 hän tunnusti väärentäneensä todisteita Dreyfusia vastaan. Hänet pidätettiin, mutta hän teki itsemurhan partaveitsellä pidätystä seuranneena päivänä. Esterházy pakeni Lontooseen, missä hän myöhemmin tunnusti syyllisyytensä, ja eli lopun elämäänsä herroixi maanpaossa. Myi varmaan tiedot sitten briteille. Dreyfus tuotiin Pirunsaarelta takaisin Ranskaan kesäkuussa 1899. Häntä vastaan aloitettiin uusi oikeudenkäynti sotaoikeudessa, joka tuomitsi hänet uudelleen maanpetoksesta. Sotaministeri armahti Dreyfusin kymmenen päivän kuluttua terveydellisten syiden takia. Dreyfus julistettiin lopulta kokonaan syyttömäksi 12. heinäkuuta 1906, ja hän sai majurinarvon ja kunnialegioonan jäsenyyden 20. heinäkuuta samana vuonna. ellauri150.html on line 430: Le vicomte intervient et provoque Cyrano, qui réplique par une brillante tirade à l’honneur de son propre nez. Tout en rimant, il sort son épée et bat en duel le vicomte, que ses amis évacuent blessé, tandis que l'assemblée acclame le vainqueur. Le calme revient. Cyrano est secrètement amoureux de sa cousine Roxane mais son physique disgracieux du fait de la taille de son nez l’empêche de se déclarer. ellauri150.html on line 434: Cyrano de Bergerac oli todennäköisesti homo, vaikka Rostand ei sitä tiennyt, tai ei kertonut. Pitkäköhän nenä sillä oli jäykkänä? Le fait que le personnage historique, Savinien de Cyrano de Bergerac, aurait été homosexuel, et les rapports ambigus qu'entretiennent les trois personnages, permettent d'imaginer que le personnage de Cyrano éprouve des sentiments amoureux pour Christian. Jérôme Savary évoque cette éventualité parmi d'autres. Jean-François Gautier signale que l'on trouve de tout dans les interprétations dont celle de la psychanalyse de l'homosexualité. Cette question est aussi soulevée par Patrick Besnier. Ce sont tous pédé. ellauri150.html on line 436: However, the plotline of Rostand's play, Cyrano de Bergerac, involving Roxane and Christian is entirely fictional. Cyrano was a pupil of French polymath Pierre Gassendi, a loose cannon of the Catholic Church who tried to reconcile Epicurean atomism with Christianity. ellauri150.html on line 442: John Anthony Burgess Wilson (25. helmikuuta 1917 Manchester - 22. marraskuuta 1993 Lontoo), kirjailijanimi Joseph Kell, oli englantilainen kirjailija, kriitikko, säveltäjä, esseisti ja toimittaja. Hän kirjoitti urallaan yli 50 teosta. Boris Johnsonin näköinen takkutukka. Burgessin kuuluisin teos on vuonna 1962 ilmestynyt romaani Kellopeliappelsiini (A Clockwork Orange), joka tunnetaan myös Stanley Kubrickin ohjaamana vuoden 1971 samannimisenä elokuvana. Hesburgessin elämäkerta on hurjaa luettavaa. Se oli vääpeli evp vastoin tahtoaan, alempaa keskiluokkaa. Heilui kolonialistina vähän kaikkialla, maalla merellä ja ilmassa. Appelisiinikellon koneisto sai vaikutteita Hesburgerin sota-ajan heilan kommunistisesta vakaumuxesta. Vitun Kubrick leikkas pois vikan luvun kirjasta. Se leffa oli muutenkin aivan paska. ellauri150.html on line 444: Suurimman inspiraationsa teos oli tosin saanut alun perin tapauksesta toisen maailmansodan aikana, jossa Yhdysvaltain armeijan sotilaskarkurit pahoinpitelivät ja raiskasivat Hesburgerin vaimon Lynnen ja aiheuttivat keskenmenon. Lynnestä tuli pulzari. Kun se kuoli, Hesburgerillä oli jo toinen hoito valmiina. Kirja oli kirjoitettu eräänlaisena vapaan tahdon ja moraalin tutkimuksena, jossa nuori antisankari Alex, joka vangitaan lyhyeksi jääneen väkivallan ja sekasorron uran jälkeen, käy läpi vastenmielisyyden terapian hillitäkseen väkivaltaisia taipumuksiaan, mikä johtaa lopulta siihen, että hänestä tulee puolustuskyvytön muita ihmisiä vastaan ja hän ei pysty nauttimaan lempimusiikistaan, joka väkivallan lisäksi oli ollut hänelle kovaa nautintoa. Hesburger sai ketjureaktion Debussyn Faunin iltapäivästä. Sehän on se Mallarmén runo jonka alkupään mä suomensin. Se halus pianistixi muttei piässyt. Tietokirjassa Flame into Being (1985) Burgess kuvaili Kellopeliappelsiini -kirjaa hänen "jeu d'espritiksi (“pelin henki" ??? paskanmarjat typeryxet, pikemminkin Gedankenspiel, ajatusleikki), joka toteutettiin kolmessa viikossa, ja joka tuli tunnetuksi lähdemateriaalina elokuvalle, joka näytti ylistävän seksiä ja väkivaltaa," viitaten Stanley Kubrickin vuonna 1971 ohjaamaan samannimiseen elokuvasovitukseen. Hän lisäsi: ellauri150.html on line 448: Kubrick's film is relatively faithful to the Burgess novel, omitting only the final, positive chapter, in which Alex matures and outgrows sociopathy. Sehän on tiettävästi lähestulkoon mahdotonta. In the novel, Alex drugs and rapes two 10-year-old girls. In the film, the girls are young adults who seem to have consensual, playful sex with him, with no suggestion of using any drugs and without any violence. The film portrays Dr. Branom as female, despite being described as male in the novel. Kubrick oli lälläri. ellauri150.html on line 455: Quō vādis? (Classical Latin: [kʷoː ˈwaːdɪs], Ecclesiastical Latin: [kwo ˈvadis]) is a Latin phrase meaning "Where are you marching?". It is also commonly translated as "Where are you going?" or, poetically, "Whither goest thou?", or even "Whatsup doc? Munch munch" ellauri150.html on line 457: The phrase originates from the Christian tradition regarding Saint Peter's first words to the risen Christ during their encounter along the Appian Way. According to the unnatural Acts of Peter (Vermicelli Acts XXXV), as Peter flees from crucifixion in Rome at the hands of the government, and along the road outside the city, he meets the risen Jesus. In the Latin translation, Peter asks Jesus, "Quō vādis?" He replies, "Rōmam eō sursum deorsum crucifīgī" ("I am going to Rome to be crucified upside down"). Peter then gains the courage to continue his ministry and returns to the city, where he is martyred by being crucified upside-down. The Church of Domine Quo Vadis in Rome is built upside down where the meeting between Peter and Jesus allegedly took place. The words "quo vadis" as a question also occur at least seven times in the Latin Vulgate. ellauri150.html on line 459: The Polish writer Henryk Sienkiewicz wrote the novel Quo Vadis: A Narrative of the Time of Nero (1895–96, a tremendous hit in fin de siecle Paris) which in turn has been made into motion pictures several times, including a 1951 version that was nominated for eight Academy Awards. Vittu vaan 8, Ben veti mahtavammat 11, samoinkuin vielä järisyttävämmät suurteoxet Titanic ja Bored of the Rings. For this and other films novels, Sienkiewicz received the 1905 Nobel Prize for Literature. ellauri150.html on line 461: Ben-Hurista ei meinannut ensin löytyä kuin filmikäsikirjoitus. Synopsis: Judah Ben-Hur lives as a rich Jewish merchant prince in Jerusalem at the beginning of the 1st century. Together with the new governor Pontius Pilate, his old friend Messiah arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messiah knows they are not guilty as such, he sends Judah to the galleys and throws his mother and sister into prison. What the fuck, their house was a menace! Good old Hammurabi would have had their heads off. But Judah swears to come back and take revenge. Genre: Adventure, Drama, History. ellauri150.html on line 467: Sheik Ilderim bribes Pontius Pilate into allowing Ben-Hur to compete in a horse and carriage race (ravit) by proposing a high wager. Esther tries to convince Messiah not to race Ben-Hur, but he is adamant that he will win. On the day of the race, Ben-Hur follows Ilderim's instructions to hold back from the race until the final laps. Using dirty tactics, Messiah manages to knock out the other competing charioteers. Following a brutal and grueling race, Ben-Hur wins the race. Messiah survives but is badly wounded and loses a leg. Ben-Hur's victory emboldens the Jewish spectators and yields dividends for Ilderim. ellauri150.html on line 469: Despite his victory, Ben-Hur is despondent about his family and his former friend One-Leg Messiah. Later, Esther witnesses the arrest of Jesus in the Garden of Gethsemane. Ben-Hur and Esther witness a bruised and beaten Jesus being forced to carry his cross through the streets. Mirroring his first encounter with Jesus, Ben-Hur tries to offer Jesus water but is beaten to it by a Roman soldier. Following Jesus' crucifixion, a rainstorm occurs, thanx to Esther. Naomi and Tirzah are miraculously healed by rainwater containing the pee of Esther, and Sheik Ilderim pays a king's ransom to set them free. Despite his anger, Ben-Hur finds the strength in his heart to forgive One-Leg Messiah and is reconciled with him and his family. Together, Två-Ben-Hur, his mother, sister, Esther, and One-Leg Messiah accompany Sheik Ilderim's Ford Caravan as they leave Jerusalem on to new adventures. Luckily, One-Leg Messias had avoided the fate of Moby "No Dick" Ahasverus. ellauri150.html on line 471: Karl Tunberg (March 11, 1907 − April 3, 1992) was an American screenwriter and occasional film producer. His screenplays for Tall, Dark and Handsome (1941) and Ben-Hur (1959) were nominated for the Academy Award for Best Original Screenplay and Best Adapted Screenplay, respectively. more… ellauri150.html on line 473: ic.com/images?q=tbn:ANd9GcSHuevg2FATiSFdkmzEuyzMLEw7KtOGs07iRGUppurfDVw9D7khpMoqUQ&s" width="30%" /> ellauri150.html on line 476: The film's final onscreen writing credits created controversy when, in October 1959, the Writers Guild of America (WGA) awarded Tunberg sole screenplay credit, despite the objections of the film's director, William Wyler, who, in the film's commemorative booklet and elsewhere, claimed that Christopher Fry was more responsible than any other writer for the final screenplay. In response to Wyler's public outcries against their ruling, the WGA took out trade paper ads on November 20, 1959 in which they issued a statement reading, in part, "the unanimous decision of the three judges was that the sole screenplay credit was awarded to Karl Tunberg...The record shows the following: 1. Karl Tunberg is the only writer who has ever written a complete screenplay on Ben-Hur; 2. Karl Tunberg continued to contribute materials throughout the actual filming, and this material is incorporated in the final picture; and 3. Karl Tunberg alone did the necessary rewriting during the four months of retakes and added scenes. Mr. Christopher Fry himself was fully informed of the proceedings of the Guild. He has made it absolutely clear that he did not want to protest the decision of the Guild." ellauri150.html on line 478: Arthur Hammond Harris aka Christopher Fry (18 December 1907 – 30 June 2005) was an English poet and playwright. He is best known for his verse dramas, especially The Lady's Not for Burning, which made him a major force in theatre in the 1940s and 1950s. Fry was born as Arthur Hammond Harris in Bristol, the son of Charles John Harris, a master builder who retired early to work full-time as a licensed Lay Reader in the Church of England, and his wife Emma Marguerite Fry Hammond Harris. While still young, he took his mother's maiden name because, on very tenuous grounds, he believed her to be related to the 19th-century Quaker prison reformer Elizabeth Fry. He adopted Elizabeth Fry's faith, and became a Quaker and a gay. In the 1920s, he met the writer Robert Gittings, who became a lifelong friend. Maybe William Wyler was another yet longer friend. Gore Vidal most certainly another. ellauri150.html on line 480: Eugene Luther Gore Vidal (/vɪˈdɑːl/; born Eugene Louis Vidal, October 3, 1925 – July 31, 2012) was an American writer and public intellectual known for his epigrammatic wit, erudition, and patrician manner. Vidal was bisexual, and in his novels and essays interrogated the social and cultural sexual norms he perceived as driving American life. Beyond literature, Vidal was heavily involved in politics. He twice sought office—unsuccessfully—as a Democratic Party candidate, first in 1960 to the United States House of Representatives (for New York), and later in 1982 to the U.S. Senate (for California). His third novel, The City and the Pillar (1948), offended the literary, political, and moral sensibilities of conservative book reviewers, the plot being about a dispassionately presented male homosexual relationship. ellauri150.html on line 482: Over the 57 years that have followed, a few things have contributed to granting the film untouchable status, the foremost being the fact that it won 11 Academy Awards, still the most Oscars any film has ever won. (That total was later matched by Titanic and Lord of the Rings: The Return of the King.) But while the Oscars, the prestige, and the fact that the plot of the film deals directly (if obliquely) with the life and death of Jesus Christ, all contribute to a certain image of Ben-Hur, there have always been alternate views of the film. One of the most famous came from the mouth of one of its own screenwriters. ellauri150.html on line 484: Based on an 1880 novel, Ben-Hur: A Tale of the Christ, the film was directed by Hollywood great William Wyler, and screenwriter Gore Vidal was one of many who took a pass at the screenplay. In The Celluloid Closet, Vidal states in no uncertain terms that he scripted the film as a confrontation between ex-lovers Ben-Hur (Charlton Heston) and Messala (Stephen Boyd). Further, Vidal claims that, after consultation with Wyler and Boyd (but not Heston, who would have objected), he wrote one particular scene, where the estranged Ben-Hur and Messala meet again, with heavy gay subtext. ellauri150.html on line 490: Ben-Hur: A Tale of the Christ is a novel by Lew Wallace, published by Harper and Brothers on November 12, 1880, and considered "the most influential Christian book of the nineteenth century". It became a best-selling American novel, surpassing Harriet Beecher Stowe's Uncle Tom's Cabin (1852) in sales. The book also inspired other novels with biblical settings and was adapted for the stage and motion picture productions. Ben-Hur remained at the top of the US all-time bestseller list until the 1936 publication of Margaret Mitchell's Gone with the Wind. The 1959 MGM film adaptation of Ben-Hur is considered one of the greatest films ever made and was seen by tens of millions, going on to win a record 11 Academy Awards in 1960, after which the book's sales increased and it surpassed Gone with the Wind. It was blessed by Pope Leo XIII, the first novel ever to receive such an honour. The success of the novel and its stage and film adaptations also helped it to become a popular cultural icon that was used to promote catholicism plus numerous commercial products. ellauri150.html on line 492: The story recounts the adventures of Judah Ben-Hur, a Jewish prince from Jerusalem, who is enslaved by the Romans at the beginning of the first century and becomes a charioteer and a Christian. Running in parallel with Judah's narrative is the unfolding story of Jesus, from the same region and around the same age. The novel reflects themes of betrayal, conviction, and redemption, with a revenge plot that leads to a story of gay love and compassion. ellauri150.html on line 506: "But this repetition of the old story is just the fairest charm of domestic discourse. If we can often repeat to ourselves sweet thoughts without ennui, why shall not another be suffered to awaken them within us still oftener."— Hesp.: Jean Paul F. Richter. ellauri150.html on line 508: Lewis kynäilijänlaatu ilmenee seuraavista otteista. Siinä on tosiaan technicolor fiilistä. ellauri150.html on line 514: In such condition a little child could have done as much as he to prevent the awful crime he was about to witness. The intentions of God are always strange to us; but not more so than the means by which they are wrought out, and at last made plain to our belief. ellauri150.html on line 516: The knoll was the old Aramaic Golgotha—in Latin, Calvaria; anglicized, Calvary; translated, The Skull. ellauri150.html on line 535: Aika pahasti Lew silti syyllistää prejudiced judeja. Paizi Estheriä tietysti. Muze onkin helleenistynyt. ellauri150.html on line 539: Esther "Bat" Simonides was born in Jerusalem, Judea, the daughter of the Hellenized Jewish slave Simonides. She was raised in the household of Prince Ithamar Ben-Hur, and she loved Judah Ben-Hur as a child. By 26 AD, she had grown into a woman, and, while she still loved Judah, she was betrothed to the freedman and merchant David ben Matthias from Antioch. That same year, Judah and his family were imprisoned after being wrongfully imprisoned for an alleged assassination attempt on Valerius Gratus, and Simonides was arrested and tortured on the orders of the Roman tribune Messala. Simonides was arrested when the Romans were certain that he was not hiding anything, and he and Esther lived in hiding at the Ben-Hur family's derelict and looted estate, where they were joined by Simonides' fellow former prisoner Malluch. ellauri150.html on line 543: Within five years of the crucifixion, Judah and Esther married and had children, and Judah and a recovered Simonides spent much of their fortunes on supporting the Christian Church in Antioch. In 64 AD, Judah, Esther, and Malluch went to Rome to help finance the construction of an underground train which would live on for centuries in the Catacombs of Callixtus. ellauri150.html on line 549: The faithful servant had at last his fitting reward. His broken body might never be restored; nor was there riddance of the recollection of his sufferings, or recall of the years embittered by them; but suddenly a new life was shown him, with assurance that it was for him—a new life lying just beyond this one—and its name was Paradise. There he would find the Kingdom of which he had been dreaming, and the King. A perfect peace fell upon him. Lokki parka. Poor albatross. Ammuin nuolen ilmoihin ja albatrossia haavoitin. ellauri150.html on line 563: The two gazed at each other. We know what Esther presented—a beautiful woman, a happy mother, a contented wife. On the other side, it was very plain that fortune had not dealt so gently with her former rival. The tall figure remained with some of its grace; but an evil life had tainted the whole person. The face was coarse; the large eyes were red and pursed beneath the lower lids; there was no color in her cheeks, no makeup. The lips were cynical and hard, and general neglect was leading rapidly to premature old age. Her attire was ill chosen and draggled. The mud of the road clung to her sandals. Iras broke the painful silence. ellauri150.html on line 575: "No; I am what I am of choice. It will be over shortly." ellauri150.html on line 579: Esther followed her eyes, and with quick perception answered, "It is yours." ellauri150.html on line 584: Simonides lived to be a very old man. In the tenth year of Nero's reign, he gave up the business so long centred in the warehouse at Antioch. To the last he kept a clear head and a good heart, and was successful, got lots and lots of money, became filthy rich. ellauri150.html on line 586: To top IT all, the raghead sheikh bequeaths a middle east property to Ben, and on Simonides advice he builds the first subway in Rome with the money. ellauri150.html on line 606: When we return, it's Anno Domini XXVI - A.D. 26. Messala, a Roman who grew up in Judea but spent most of his life in more traditional Roman enclaves, is accepting an important position in Jerusalem under the new governor of Judea; it's a hard job, since the Jews don't want the Romans there, but he feels up to it. He is visited by his childhood friend, and our hero, Judah Ben-Hur, a very important and influential Jew. They try to pick up the friendship where it left off, but there's one big problem: they no longer have anything in common besides their shared past. They are in denial about this for a while, and Judah agrees to try to get people to accept the Romans. ellauri150.html on line 629: Ben-Hur saves the consul and gets him on a raft of debris. Then he has to knock out the consul to prevent the fella from committing suicide, and chains the mercenary to him. After the consul wakes, still wanting to die, he reminds him that staying alive is the motivation he gives his slaves... Quintus wanted to commit suicide because he thought he'd lost overall. He hadn't, as it turns out he's hailed as a hero, and so there is a triumphant return to Rome. Ben-Hur gets to see the Emperor and then lives with Quintus learning to drive a chariot in races with Arrius' prized horses. Quintus actually tried to get him cleared of wanting to kill that Judean governor, but didn't pull it off... ellauri150.html on line 641: Ben-Hur's mother and sister drop by the old place and come as close to meeting up with Esther as they dare. Esther tells them Judah hasn't changed, which is at best a half-truth. They make Esther promise not to tell Judah they have leprosy; they want him to remember them as they were. Esther promises by her love of Judah (and yes, it is there). She sees him (he passed by without noticing the lepers) and "confesses" that his mother and sister are dead... ellauri150.html on line 647: ... And it's time for the big setpiece, the Chariot Race! The first rule of the Chariot Race is: there are no rules. A demolition derby is entirely standard procedure. That's how Messala gets to have a chariot tricked out with blades on the wheels-- vroom! But does that shake Ben-Hur? No! He will have his vengeance. As the race starts, the two of them are neck-and-neck. Messala tries to destroy Ben-Hur's chariot, but in a cruel twist, his own chariot falls apart. Messala is dragged by his horses and viciously trampled by another team. As Messala's broken body is carried to the surgeon, Ben-Hur receives the victor's laurel crown. ellauri150.html on line 649: Ben-Hur seeks out Messala in the dark pit of the surgeon's bay. Messala refuses to be carried out to a proper hospital: even if it kills him, he'll see Ben-Hur one last time. The two onetime friends meet. Messala taunts Ben-Hur with the knowledge that Miriam and Tirzah are alive— but as lepers. Having had his last revenge, Messala dies. Ben-Hur goes to seek out his family, even in their horrific state. Esther meets him at the leper's cave. The family reunites as Jesus' crucifixion takes place. At Jesus' death, by a miracle, Miriam and Tirzah are healed of their leprosy. Judah renounces hatred and dedicates himself to his family— which will include Esther as his wife. All live happily ever after, except for Messala. ellauri150.html on line 658: ohne Titel (möglicherweise vollständig von Karl May) ellauri150.html on line 660: Die Geschlechtskrankheiten des Menschen und ihre Heilung. Mit besonderer Berücksichtigung der Syphilis, ihrer Entstehung und Folgen (vermutlich von einem anderen Autor) ellauri150.html on line 662: Die Liebe nach ihrer Geschichte. Darstellung des Einflusses der Liebe und ihrer Negationen auf die Entwickelung der menschlichen Gesellschaft (teilweise von Karl May) ellauri150.html on line 664: Dieses Buch war im Königreich Preußen und in Österreich-Ungarn verboten. ellauri150.html on line 673: This is another article on the writings of Pope Leo XIII. the third longest sitting pope, an Italian (Vincenzo Gioacchino Raffaele Luigi Pecci) who lived from 1810 to 1903, and was Pope from 1878 until his death in 1903. In his writings he gives us a profound insight into the philosophical movements of the late 19th century. The ideas generated during that time have largely shaped our present day ideological struggles. ellauri150.html on line 675: The Pope writes about communism, capitalism and even freemasonry - all from a Christian perspective. And yes, from a distinctly Catholic point of view. He shares with the world his concerns about these competing ideologies and the impact that they could have on Christianity if left unchecked: ellauri150.html on line 677: As the nature of Our Apostolic office required of Us, We have not omitted, from the very outset of Our Pontificate, addressing you, Venerable Brothers, in Encyclical Letters, in order to advert to the deadly plague which is tainting society to its very core and bringing it to a state of extreme peril. At the same time We call attention to certain most effectual remedies, by which society may be renewed unto salvation and enabled to escape the crisis now threatening. ellauri150.html on line 679: But the evils which We then deplored have taken in a brief space of time such widespread growth that We are compelled to address you anew, with the words of the prophet resounding as it were in Our ears: Cry, cease not, lift up thy voice like a trumpet. ellauri150.html on line 683: These are they in very truth who, as the sacred text bears witness, defile the flesh, and despise dominion, and blaspheme majesty. They leave nothing scathless or uninjured of that which human and divine laws alike have wisely ordained to ensure the preservation and honor of life. From the heads of States to whom, as the Apostle admonishes, all owe submission, and on whom the rights of authority are bestowed by God Himself, these sectaries withhold obedience and preach up the perfect equality of all men in regard to rights alike and duties. The natural union of man and woman, which is held sacred even among barbarous nations, they hold in scorn; and its bond, whereby family life is chiefly maintained, they slacken, or else yield up to the sway of lust. ellauri150.html on line 685: In short, spurred on by greedy hankering after things present, which is the root of all evils, which some coveting have erred from the faith, they attack the right of property, sanctioned by the law of nature, and with signal depravity, while pretending to feel solicitous about the needs, and anxious to satisfy the requirements of all, they strain every effort to seize upon and hold in common all that has been individually acquired by title of lawful inheritance, through intellectual or manual labor, or economy in living. These monstrous views they proclaim in public meetings, uphold in booklets, and spread broadcast everywhere through the daily press. Hence the hallowed dignity and authority of rulers has incurred such odium on the part of rebellious subjects that evil-minded traitors, spurning all control, have many a time within a recent period boldly raised impious hands against even the very heads of States. etc.etc. ellauri150.html on line 687: Aanyway, today I want to focus on the encyclical "Libertas" written in 1888. "Libertas" means "liberty" or it could also be translated as "freedom". Either way we are well acquainted with this idea. From the Statue of Liberty to the freedoms enshrined in the Bill of Rights - Americans love their freedom! ellauri150.html on line 689: But the Pope's letter is actually a warning of the dangers inherent in too much freedom. It is the old story of the Garden of Eden. Adam and Eve were free to do whatever they wished in this original Paradise, but if they partook of the Tree of Good and Evil then there would be a price to pay. (Yes, as Milton made it clear, they were completely free to have sex anytime and anywhere, but not while munching on the apple!) And as it turned out the temptation was too great to resist. ellauri150.html on line 691: The Pope begins by saying that freedom (liberty) is "the highest of natural endowments". He says this gift from God can be used by Man for "the highest good and the greatest evil". And as such this gift is "cherished by the Catholic Church". He quickly refutes the idea that the Church is "hostile to human liberty" as some have claimed. He insists we must come to fully appreciate "the very idea of freedom". ellauri150.html on line 693: The Pope reminds us that the Church teaches that we all have "freedom of choice" (free will); that our lives are not pre-determined. So in a real sense we have the power to choose our destinies - to choose between right and wrong. And this is because we are made in the image of God and as such we are able to determine "what is true and good". ellauri150.html on line 695: But while God has given Man a soul and the ability to reason, Man is not God! God is "infinitely perfect" while Man is imperfect. As a result Man can be easily be tempted by "something which is not really good, but which has the appearance of good". ellauri150.html on line 699: So the Pope is telling us that it's really that simple. There is an intimate relationship between freedom and sin. If you want to be free, don't sin. When the Church teaches us not to sin, it is also teaching us how to be free. That's *real* freedom. Don't worry, you still have lots of other choices open to you that don't involve sin. You haven't given anything up, in fact you have opened up new possibilities now that you have freed yourself from sin. (Pst! before you get carried away with this, read the fine print below on gay and premarital sex.) ellauri150.html on line 701: Now, how do we know right from wrong? Well that's easy - just follow the law. But who's law? God's Law! So we are free to obey the law! In fact, We MUST be free, how else can God punish us, instead of shutting us in a pen, or lunatic asylum? ellauri150.html on line 705: And now comes a bit of papal humor, "Were this the case, it would follow that to become free we must be deprived of reason." Pretty funny, huh? Ok, I see you're not laughing, but instead are scratching your head. Alright, let me paint a picture for you. Imagine a 60s hippy high on LSD, dancing wildly, and shouting out, "I'm free! I'm free!" Yes, this is one of the messages that is often repeated like a mantra in today's society, "If you want to free yourself, you have to stop thinking and just let yourself go." In 1888, Pope Leo XIII rejected this notion and even ridiculed it. ellauri150.html on line 707: Instead he says, "the truth is that we are bound to submit to law precisely because we are free by our very nature." We don't need to become free, we are already free. We were born free. Unlike other animals we have a soul, and we can know right from wrong, and we have the freedom to choose. The lesser animals are not "bound" by God's law. They simply follow their instincts. And in fact you could say that they are slaves to their instincts. They have no choice whether to kill or not to kill. ellauri150.html on line 711: The Pope closes this section by saying, "law is the guide of man's actions; it turns him toward good by its rewards, and deters him from evil by its punishments." Remember this is Divine Law that he is referring to here. Something tells me that our current system of laws has some major flaws, because sometimes it seems we are punished for doing good, and rewarded for doing evil. But I suppose this is to be expected in this earthly world in which we live. ellauri150.html on line 715: I could go on, but I think it is best to leave it here. I've covered only the opening parts of this encyclical. There is so much more in this document about the various freedoms that we take for granted like freedom of religion, speech and the press. In discussing this encyclical I hope I've given you an appreciation for the writings of Pope Leo XIII. (You can find all of his encyclicals here.) ellauri150.html on line 719: Thank you Baba for sharing Poe Leo XIII words in this two last articles. ellauri150.html on line 726: Hi Ride. The Catholic teaching on premarital sex is that it is a sin. I know this is not what most people want to hear these days. They just want to hear that gay sex is a sin. But from a Catholic perspective any sex outside of marriage is a sin. And there's no gay marriage, so gotcha! ellauri150.html on line 728: I was actually thinking about writing an article about how the free sex movement came out of the 60s. The idea was to use the songs from Joni Mitchell's Blue album as the basis of the article. You know before that time sex before marriage wasn't not considered socially acceptable, because French letters were not reliable. I'm sure it still happened, but it was not done out in the open - at least not by "respectable" people. ellauri150.html on line 730: The Church sets a very high bar when it comes to morality. You would need to be a saint to be fully faithful, and even then many saints were sinners before they got sainted. By the way, I wrote a piece on Mary Magdalene imagining what her life might have been like, but I decided not to post it because I thought it might be heretical. ellauri150.html on line 732: Anyway Ride, I'm not a saint so I'm in no position to judge anyone. I think its important to maintain a high moral standard even if we know that people will not always meet it. The alternative is the immoral soup that we currently find ourselves in. (At least Catholics aren't as radical as Puritans.) ellauri150.html on line 734: I was just reading about Stephen Hawking this morning and thinking that I should write an article about that. I was thinking of calling it "Also sprach Stephen Hawking". I've never been a fan of his. I always thought his "a brief history of time" to be an exercise in extreme egotism and pure conjecture. I actually never bothered reading it because I didn't want my mind polluted with those thoughts. ellauri150.html on line 736: It seems to me that Hawking is using a particular model of the universe to try to attack religion. But for me the very fact that there is a universe is enough to fill me with awe at creation and in God the Creator. In fact the more we learn about the immensity of space and the variety of celestial objects, the more I am filled with awe and wonder. Part of that is the admiration that we are living in such an advanced society that we are able to make these discoveries in the first place. ellauri150.html on line 738: I think it is more of a Protestant attribute than a Catholic one to interpret the Bible literally. Catholics have a more complex and mystical interpretation of the Bible. Take for example the Assumption of Mary as well as the Immaculate Conception. These are not tied into physical phenomenon, but are purely spiritual and can only be understood by faith. This is also true of substantiation and the Holy Trinity. Like the universe itself, these are mysteries that the human mind cannot comprehend. (I just checked the Catechism. The section on creation, 337-349, does not give a strict literal interpretation of the six days.) ellauri150.html on line 740: Catholics believe that Jesus was at once God and Man. I have begun to think of Jesus as being able to see at once the physical world (with one eye) and the spirit world (with the other). Perhaps Satan tried to pull him out of the physical world back into the spiritual world to destroy his mission, but Jesus rebuked Satan. There's lots of similar scenes with the dark side of the force sucking the good guys in Star Wars, and Mordor's Eye hypnotizing the poor Hobbits, plus one really scary one in Harry Potter, where Voldemort (sorry I mentioned the name) tries to slurp Harry into a pot of soup. ellauri150.html on line 744: Finally, I have a question for you. What do you think about the Eye of Providence in Christianity, can it be a graphic representation Holy Spirit? Today my mother noticed and asked me for it, I wonder what role has had Freemasonry in Catholic church. ellauri150.html on line 746: I have been thinking that the lives of the saints would be great material for Hollywood. We have the technology now to make supernatural events come to life in a realistic way on the movie screen. I was thinking of St. Bernadette who saw Our Lady at Lourdes. She always complained that the paintings and statues of Our Lady never portrayed her full beauty. But imagine if she had been able to describe her vision to a modern movie director working in 3D Imax format. The image could actually be made to float in space in front of the viewer and emanate a holy glow. A little like princess Leia in the hologram (though I thought the hologram was rather too small.) If the viewer tried to touch this image, his hand would pass through it. (I've experienced this with images in Imax movies. I'm thinking specifically of the floating seeds/"jelly fish" in Avatar.) ellauri150.html on line 750: Maybe the Vatican needs to get into the movie business! In the past the Vatican sponsored the works of arts of the greatest artists of the times. Today the cinema is our greatest, most technologically advanced art form and we need Christian movie directors and producers that will dedicate their art to Christ. This will never happen in Hollywood. The one exception was "The Passion" and we saw what a struggle that was. ellauri150.html on line 752: I've watched a variety of shows on EWTN on the lives of saints. Even though the production quality cannot approach that of Hollywood, I find the stories so intriguing that I prefer to watch them to the regular TV programs on other channels. In the 1960s the stories of the saints were rejected as being to full of supernatural elements. Now with the New Age movement, people complain that Christianity does not have enough of a spiritual content. Well that's because the rationalists attempted to strip all the spirituality from Christianity. The lives of the saints are full of spirituality and can demonstrate to contemporary Man that there is no need to turn to exotic religions for spirituality. Everything that they are looking for is right here in the Catholic Church. ellauri150.html on line 754: Ride - On Eye of Providence... Strange that you should mention this because I came across this recently as a Christian symbol. I hate to think of this as a Freemason symbol. The only thing I can tell you is that the Church can and does adopt pagan symbols and changes their meanings. Similar to the way in which sinners can be converted to Christianity, so also can these symbols be converted. In reference to the Eye of Providence however, this symbol is much more closely associated with Freemasonry now. Freemasonry has been consistently repudiated by the Catholic Church. In fact Pope Leo XIII wrote an encyclical specifically condemning it in his 1884 HUMANUM GENUS (on Freemasonry): ellauri150.html on line 756: "At this period, however, the partisans of evil seems to be combining together, and to be struggling with united vehemence, led on or assisted by that strongly organized and widespread association called the Freemasons. No longer making any secret of their purposes, they are now boldly rising up against God Himself. They are planning the destruction of holy Church publicly and openly..." ellauri150.html on line 758: Also in 1983 Cardinal Ratzinger (now Pope Benedict XVI) explicitly reiterated the Church's position that a Catholic is forbidden from becoming a Freemason: ellauri150.html on line 760: "Therefore the Church’s negative judgment in regard to Masonic association remains unchanged since their principles have always been considered irreconcilable with the doctrine of the Church and therefore membership in them remains forbidden. The faithful who enrol in Masonic associations are in a state of grave sin and may not receive Holy Communion." ellauri150.html on line 762: I think that the lives of the saints would be great in Hollywood, but as you said, it would serve to misinform the public. Paintings are a good way to portray the sacred, which has been forgotten in contemporary art. ellauri150.html on line 764: I have basically stopped listening to any other music than church music. Even the old romantic songs seem to be a call to exchange the love of God for earthly love. And from romantic love it devolved into explicit sexual love, and from sexual love into sex without love at all.0 ellauri150.html on line 766: I've actually begun to treasure silence, and the space it provides to be able to think clearly and to turn my thoughts to listening to the Holy Spirit. But you know the Church teaches us to love our bodies as well, so I hope at some point I will regain my passion for sex and related music. ellauri150.html on line 768: P.S. Tomorrow (Sun 9PM) is the MTV music awards. I'll probably watch it just in order to monitor the latest ideas that are being pushed onto young people. ellauri150.html on line 771: P.P.P.S. The MTV Music awards are starting now. I'm recording it and will probably watch it tomorrow. ellauri151.html on line 6: font-style: italic; ellauri151.html on line 10: font-style: italic; ellauri151.html on line 48: André Gide (1869-1951) came from a family of Huguenots and recent converts to Catholicism. Senpä tautta se vittuileekin erityisesti protestanteille. Tollanen apostata. ellauri151.html on line 50: His work lived on the never resolved tensions between a strict artistic discipline, a puritanical moralism, and the desire for unlimited sensual indulgence and abandonment to life. A man of constant sorrow, caused by anal-genital conflicts. (Note) ellauri151.html on line 67: L'idée du roman serait venue de la lecture de la nouvelle de Dickens, Le Grillon du foyer. ellauri151.html on line 73: Le Grillon du foyer (titre original : The Cricket on the Hearth. A Fairy Tale of Home) est un roman court de Charles Dickens paru en Angleterre le 20 décembre 1845. C'est le troisième des cinq contes de Noël de Dickens, les autres étant : Un chant de Noël (A Christmas Carol, 1843), The Chimes (1844), La Bataille de la vie (The Battle of Life, 1846), The Haunted Man and the Ghost's Bargain (1848) ; c'est aussi l'un des plus populaires. ellauri151.html on line 86: Gertrude eventually gets an operation to repair her eyesight and, having gained the ability to see, realizes that she loves Jacques and not the pastor. However, in the meantime Jacques has renounced his love for her, converted to Catholicism and become a monk. Gertrude attempts suicide by jumping into a river, but this fails and she's rescued but luckily contracts pneumonia. She realizes that the pastor is an old man, and the man that punctured her when she was blind was Jacques. She tells the pastor this shortly before her death. ellauri151.html on line 97: Psittacism is speech or writing that appears mechanical or repetitive in the manner of a parrot. More generally it is a pejorative description of the use of words which appear to have been used without regard to their meaning. ellauri151.html on line 99: The word is derived from the Latin term for parrots psittaci – which in turn derives from the Greek ψιττακός – in an analogy with the ability of some parrots to speak human words but without any knowledge of their meaning. ellauri151.html on line 105: Proust considérait l’homosexualité comme un enfer, une dépravation vouée obligatoirement à l’humiliation morale et physique, au contraire d’un Gide qui dépeint une « pédophilie juvénile et souriante ». Il a toujours eu la hantise que sa mère découvre ses penchants et ce n’est qu’après la mort de ses parents qu’il s’affichera plus ouvertement avec ses amants. ellauri151.html on line 107: Car d’après ce que j’entendis les premiers temps dans celle de Jupien et qui ne furent que des sons inarticulés, je suppose que peu de paroles furent prononcées. Il est vrai que ces sons étaient si violents que, s’ils n’avaient pas été toujours repris un octave plus haut par une plainte parallèle, j’aurais pu croire qu’une personne en égorgeait une autre à côté de moi et qu’ensuite le meurtrier et sa victime ressuscitée prenaient un bain pour effacer les traces du crime. J’en conclus plus tard qu’il y a une chose aussi bruyante que la souffrance, c’est le plaisir, surtout quand s’y ajoutent—à défaut de la peur d’avoir des enfants, ce qui ne pouvait être le cas ici, malgré l’exemple peu probant de la Légende dorée—des soucis immédiats de propreté. Enfin au bout d’une demi-heure environ (pendant laquelle je m’étais hissé à pas de loup sur mon échelle afin de voir par le vasistas que je n’ouvris pas), une conversation s’engagea. Jupien refusait avec force l’argent que M. de Charlus voulait lui donner. (SG 609/11). ellauri151.html on line 109: André Paul Guillaume Gide (French: [ɑ̃dʁe pɔl ɡijom ʒid]; 22 November 1869 – 19 February 1951) was a French author and winner of the Nobel Prize in Literature (in 1947). André was born in Paris on 22 November 1869, into a middle-class Protestant family. His father was a Paris University professor of law who died in 1880, Jean Paul Guillaume Gide, and his mother was Juliette Maria Rondeaux. His uncle was the political economist Charles Gide. His paternal family traced its roots back to Italy, with his ancestors, the Guidos, moving to France and other western and northern European countries after converting to Protestantism during the 16th century, due to persecution. ellauri151.html on line 111: Gide was brought up in isolated conditions in Normandy and became a prolific writer at an early age, publishing his first novel, The Notebooks of André Walter (French: Les Cahiers d´André Walter), in 1891, at the age of twenty-one. ellauri151.html on line 113: In 1893 and 1894, Gide traveled in Northern Africa, and it was there that he came to accept his attraction to boys. (Yep, boys, he did not care for full-grown men.) ellauri151.html on line 117: Gide had a half satanic, half monk-like mien; he put one in mind of portraits of Baudelaire. Withal there was something exotic about him. He would appear in a red waistcoat, black velvet jacket and beige-coloured trousers and, in lieu of collar and tie, a loosely knotted scarf. (Frizuliina.) ellauri151.html on line 119: In the 1920s, Gide became an inspiration for writers such as Albert Camus and Jean-Paul Sartre. In 1923, he published a book on Fyodor Dostoyevsky; however, when he defended homosexuality in the public edition of Corydon (1924) he received widespread condemnation. He later considered this his most important work. ellauri151.html on line 123: During the 1930s, he briefly became a communist, or more precisely, a fellow traveler (he never formally joined any communist party). As a distinguished writer sympathizing with the cause of communism, he was invited to speak French at Maxim Gorky´s funeral and to tour the Soviet Union as a guest of the Soviet Union of Writers. He encountered censorship of his speeches and was particularly disillusioned with the state of culture under Soviet communism, breaking with his socialist friends [who?] in Retour de L´U.R.S.S. in 1936. This is what he said of them: ellauri151.html on line 127: Aika paxua kaverilta joka vapaahetkinään puuhasteli sakkolihaikäisillä pyllynreijillä. Tod.näk. se kyllä oli neuvostolassa tuohon aikaan pahexuttavaa. Gide´s biographer Alan Sheridan summed up Gide´s life as a writer and an intellectual (slick slick): ellauri151.html on line 129: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe. ellauri151.html on line 131: Mä luulen ezen claim to Nobel fame vuonna 1947 oli toi antikommunismi ennen kaikkea. In 1946, when Pierre Herbert asked Gide which of his books he would choose if only one were to survive," Gide replied, ´I think it would be my Journal.´" Beginning at the age of eighteen or nineteen, Gide kept a journal all of his life and when these were first made available to the public, they ran to thirteen hundred pages. Pääasiassa homoilua ja sen puolustelua. Gide ei koskaan bylsinyt vaimoaan Madeleinea, mutta kävi kerran jonkun nuoren neidon pukilla, ja siitti siinä yhden tyttären. Toista varvia ei tullut, vaikka neito pyyteli. ellauri151.html on line 135: I call a pederast the man who, as the word indicates, falls in love with young boys. I call a sodomite ("The word is sodomite, sir," said Verlaine to the judge who asked him if it were true that he was a sodomist) the man whose desire is addressed to mature men. […] The pederasts, of whom I am one (why cannot I say this quite simply, without your immediately claiming to see a brag in my confession?), are much rarer, and the sodomites much more numerous, than I first thought. […] That such loves can spring up, that such relationships can be formed, it is not enough for me to say that this is natural; I maintain that it is good; each of the two finds exaltation, protection, a challenge in them; and I wonder whether it is for the youth or the elder man that they are more profitable. ellauri151.html on line 139: Gide´s novel Corydon, which (too) he considered his most important work, erects (niin takuulla) a defense of pederasty. At that time, the age of consent for any type of sexual activity was set at thirteen. ellauri151.html on line 149: Dickensin Sirkka-joulusadussa on sokea tyttö Bertha, muze on ihan sivuroolissa, kuten kotisirkkakin. Muuten juoni on Molieremaista avioliittointrigiä, itaria misereitä ja valepukuisia tuhlaajapoikia. In the end, the mysterious lodger is revealed to be none other than Edward who has returned home in disguise. ellauri151.html on line 151: The combined qualities of the realist and the idealist which Dickens possessed to a remarkable degree, together with his naturally jovial attitude toward life in general, seem to have given him a remarkably happy feeling toward Christmas, though the privations and hardships of his boyhood could have allowed him but little real experience with this day of days. ellauri151.html on line 152: Dickens seems to have put his whole self into these glowing little stories. ellauri151.html on line 154: If Scrooge be not as he has been pictured, it is because a more ducklike Scrooge was desired—a Scrooge not wholly bad, a Scrooge of a better heart, a Scrooge to whom the resurrection described in this story was possible. ellauri151.html on line 155: The Cricket on the Hearth strikes a different note. Charmingly, poetically, the sweet chirping of the little cricket is associated with human feelings and actions. ellauri151.html on line 159: Kuvassa tyhmä kantaja on menossa nirhaamaan valepukuista naapurinpoikaa muka aisankannattajana. Njoo, Sirkka muuttuu hetken ajaxi helikeijuxi ja estää vanhaa typerystä ampumasta Kaalepin valepukuista poikaa Eetua suotta mustasukkaisena pyylevästä Dot Matrix Printer-vaimosta. Kantaja oli kyllä paljon vanhempi kuin vaimo. Se Eetu olikin paxun Bertan sisko. Kenes tyttö se May sit oli? Jonkun Fieldingin. Vittu tää on kyllä turhan pitkäxi venytetty joulusatu. Dickens ilmeisesti matkii tahalteen Fieldingiä ja Scottia. ellauri151.html on line 161: The book was a huge commercial success, quickly going through two editions. Reviews were favourable, but not all so. In an unsigned piece in The Times the reviewer opined, "We owe it to literature to protest against this last production of Mr. Dickens. Shades of Fielding and Scott! Is it for such jargon as this that we have given your throne to one who cannot estimate his eminence?" However, William Makepeace Thackeray enjoyed the book immensely: "To us, it appears it is a good Christmas book, illuminated with extra gas, crammed with extra bonbons, French plums and sweetness.This story is no more a real story than Peerybingle is a real name! ellauri151.html on line 185: Agricolas, quibus ipsa, procul discordibus armis, ellauri151.html on line 186: Fundit humo facilem victum justissima tellus! ellauri151.html on line 190: Which has been translated as "O happy, happy husbandmen, did they but know the blessings they possess, for whom, far from the din of war, the kindly earth pours forth an easy sustenance." ellauri151.html on line 196: Laura Dewey Lynn Bridgman (December 21, 1829 – May 24, 1889) is known as the first deaf-blind American child to gain a significant education in the English language, fifty years before the more famous Helen Keller. Bridgman was left deaf-blind at the age of two after contracting scarlet fever. She was educated at the Perkins Institution for the Blind where, under the direction of Samuel Gridley Howe, she learned to read and communicate using Braille and the manual alphabet developed by Charles-Michel de l'Épée. ellauri151.html on line 197: For several years, Bridgman gained celebrity status when Charles Dickens met her during his 1842 American tour and wrote about her accomplishments in his American Notes. Her fame was short-lived, however, and she spent the remainder of her life in relative obscurity, most of it at the Perkins Institute, where she passed her time sewing and reading books in Braille. LOL ellauri151.html on line 236: I have my own virtue, which I am constantly cultivating and refining by teaching myself not to tolerate in me or my surroundings anything but the exquisite. ellauri151.html on line 248: I can't expect others to share my virtues. It's good enough for me if they share my vices. ellauri151.html on line 252: The most important things to say are those which often I think necessary for me to say — though they are obvious.“ ellauri151.html on line 264: Generally among intelligent people are found nothing but paralytics and among men of action nothing but fools. Thank dog I'm neither. ellauri151.html on line 266: The finest virtues can become deformed with age. The precise mind becomes finicky; the thrifty man, miserly; the cautious man, timorous; the man of imagination, fanciful. Even perseverance ends up in a sort of stupidity. Moi, je sais. ellauri151.html on line 268: Old hands get soiled, it seems, whatever they caress, but they too have their beauty when they are joined in prayer. Young hands were made for caresses and the sheathing (sic) of love. It is a pity to make them come too soon. ellauri151.html on line 281: Dilthey a le premier noté l’importance d’un texte de jeunesse de Hegel et y a signalé comme une première esquisse de ce que sera plus tard «la conscience malheureuse». On sait quelle importance revient à la conscience malheureuse dans la Phénoménologie de Hegel, et plus tard encore dans la Philosophie de la Religion. Sous une forme abstraite la conscience malheureuse est la conscience de la contradiction entre la vie finie de l’homme et sa pensée de l’infini. « En pensant je m’élève à l’absolu en dépassant tout ce qui est fini, je suis donc une conscience infinie et en même temps je suis une conscience de soi finie et cela d’après toute ma détermination empirique... Les deux termes se cherchent et se fuient — je suis le sentiment, l’intuition, la représentation de cette unité et de ce conflit et la connexion de ces termes en conflit... je suis ce combat, je ne suis pas un des termes engagés dans le confit, mais je suis les deux combattants et le combat lui-même, je suis le feu et l’eau, qui entrent en contact et le contact et l’unité de ce qui absolument se fuit. » La conscience malheureuse qui dans la Phénoménologie trouve son incarnation historique dans le judaïsme et dans une partie du moyen âge chrétien est en effet la conscience de la vie comme du malheur de la vie. L’homme s’est élevé au-dessus de sa condition terrestre et mortelle ; il n’est plus que le conflit de l’infini et du fini, de l’absolu qu’il a posé en dehors de la vie, et de sa vie réduite à la finitude… ellauri151.html on line 287: Im Skeptizismus erfährt das Bewußtsein in Wahrheit sich als ein in sich selbst widersprechendes Bewußtsein; es geht aus dieser Erfahrung eine neue Gestalt hervor, welche die zwei Gedanken zusammenbringt, die der Skeptizismus auseinander hält. Die Gedankenlosigkeit des Skeptizismus über sich selbst muß verschwinden, weil es in der Tat ein Bewußtsein ist, welches diese beiden Weisen an ihm hat. Diese neue Gestalt ist hiedurch ein solches, welches für sich das gedoppelte Bewußtsein seiner als des sich befreienden, unwandelbaren und sichselbstgleichen, und seiner als des absolut sich verwirrenden und verkehrenden – und das Bewußtsein dieses seines Widerspruchs ist. – Im Stoizismus ist das Selbstbewußtsein die einfache Freiheit seiner selbst; im Skeptizismus realisiert sie sich, vernichtet die andere Seite des bestimmten Daseins, aber verdoppelt sich vielmehr, und ist sich nun ein Zweifaches. Hiedurch ist die Verdopplung, welche früher an zwei einzelne, an den Herrn und den Knecht, sich verteilte, in eines eingekehrt; die Verdopplung des Selbstbewußtseins in sich selbst, welche im Begriffe des Geistes wesentlich ist, ist hiemit vorhanden, aber noch nicht ihre Einheit, und das unglückliche Bewußtsein ist das Bewußtsein seiner als des gedoppelten nur widersprechenden Wesens. ellauri151.html on line 289: Dieses unglückliche, in sich entzweite Bewußtsein muß also, weil dieser Widerspruch seines Wesens sich ein Bewußtsein ist, in dem einen Bewußtsein immer auch das andere haben, und so aus jedem unmittelbar, indem es zum Siege und zur Ruhe der Einheit gekommen zu sein meint, wieder daraus ausgetrieben werden. Seine wahre Rückkehr aber in sich selbst, oder seine Versöhnung mit sich wird den Begriff des lebendig gewordenen und in die Existenz getretenen Geistes darstellen, weil an ihm schon dies ist, daß es als ein ungeteiltes Bewußtsein ein gedoppeltes ist; es selbst ist das Schauen eines Selbstbewußtseins in ein anderes, und es selbst ist beide, und die Einheit beider ist ihm auch das Wesen, aber es für sich ist sich noch nicht dieses Wesen selbst, noch nicht die Einheit beider. ellauri151.html on line 294: Die Bewegung, worin das unwesentliche Bewußtsein dies Einssein zu erreichen strebt, ist selbst die dreifache, nach dem dreifachen Verhältnisse, welche es zu seinem gestalteten jenseits haben wird; einmal als reines Bewußtsein; das andremal als einzelnes Wesen, welches sich als Begierde und Arbeit gegen die Wirklichkeit verhält; und zum dritten als Bewußtsein seines Für-sich-seins. – Wie diese drei Weisen seines Seins in jenem allgemeinen Verhältnisse vorhanden und bestimmt sind, ist nun zu sehen. ellauri151.html on line 298: Obgleich aber das unglückliche Bewußtsein also diese Gegenwart nicht besitzt, so ist es zugleich über das reine Denken, insofern dieses das abstrakte von der Einzelnheit überhaupt wegsehende Denken des Stoizismus, und das nur unruhige Denken des Skeptizismus – in der Tat nur die Einzelnheit als der bewußtlose Widerspruch und dessen rastlose Bewegung – ist; es ist über diese beide hinaus, es bringt und hält das reine Denken und die Einzelnheit zusammen, ist aber noch nicht zu demjenigen Denken erhoben, für welches die Einzelnheit des Bewußtseins mit dem reinen Denken selbst ausgesöhnt ist. Es steht vielmehr in dieser Mitte, worin das abstrakte Denken die Einzelnheit des Bewußtseins als Einzelnheit berührt. Es selbst ist diese Berührung; es ist die Einheit des reinen Denkens und der Einzelnheit; es ist auch für es diese denkende Einzelnheit, oder das reine Denken, und das Unwandelbare wesentlich selbst als Einzelnheit. Aber es ist nicht für es, daß dieser sein Gegenstand, das Unwandelbare, welches ihm wesentlich die Gestalt der Einzelnheit hat, es selbst ist, es selbst, das Einzelnheit des Bewußtseins ist. ellauri151.html on line 300: Andacht: Das gestaltlose Sausen des Glockengeläutes oder eine warme Nebelerfüllung, ein musikalisches Denken, indem es diese Erfahrung gemacht, daß das Grab seines wirklichen unwandelbaren Wesens keine Wirklichkeit hat. ellauri151.html on line 335: Charly Johan Salonius-Pasternak (s. 18. huhtikuuta 1974 Helsinki) on Ulkopoliittisen instituutin (UPI) tutkija vuodesta 2005. Hän on työssään rakastunut Yhdysvaltoihin sekä sen mainioon kriisinhallintaan ja rauhanturvaamiseen. Vuonna 2009 hän oli RKP:n ehdokas europarlamenttivaaleissa. Hän sai 1,923 ääntä eikä tullut valituksi. Charly Salonius-Pasternak, sai etunimensä maailmanhitistä Tuolta saapuu Charlie Brown, jonka Suomessa levytti Vicky Rosti. "Isä halusi antaa minulle nimen Jaska Jokunen", valittaa palsternakka. Se satutti. ellauri151.html on line 337: Salonius-Pasternak on onnexi asunut useita vuosia ulkomailla. Hän osti kansainvälisen ylioppilastutkinnon Brysselistä, minkä jälkeen hän opiskeli Connecticutin Wesleyan Universityssä vuosina 1993–1997 ja suoritti Bachelor of Arts -tutkinnon pääaineenaan kaatiotiede. Hän palasi Suomeen suorittamaan asepalveluksen Dragsvikissä rannikkojääkärinä ja on sotilasarvoltaan latva B. Hän tunaroi joitakin vuosia Amsterdamissa teknologiatutkimusyrityksessä kunnes sai potkut ja palasi myyskentelemään jarmulkoja Yhdysvaltoihin vuonna 2001. Vuosina 2004–2008 hän opiskeli Helsingin yliopistossa ja suoritti nipin napin valtiotieteiden maisterin tutkinnon. ellauri151.html on line 366: Hamann, as noted, uses similar language about theological grammar ellauri151.html on line 374: example of a religious paradox in need of a symbolic analysis. ellauri151.html on line 375: Wittgenstein’s analysis shows that religious and linguistic symbols ellauri151.html on line 377: is formed in the interplay between the actor, the communicative act ellauri151.html on line 378: and its receiver (cf. ZH 5: 272; Dickson 1995: 338). ellauri151.html on line 384: Hamannin epäluottamus järkeen ja valistukseen johti hänet johtopäätökseen, jonka mukaan usko Jumalaan oli ainoa ratkaisu filosofian kiusallisiin ongelmiin. Hamann sai paljon vaikutteita David Humen kirjoituksista. Hänet muistetaan siitä, että hän käytti kuvaa Sokrateesta, joka väitti ettei tiedä mitään, teoksessaan Socratic Memorabilia, jossa hän arvosteli valistuksen riippuvuutta ihmisjärjestä. ellauri151.html on line 402: Goethe nannte mich einen der hellsten Köpfe meiner Zeit. ellauri151.html on line 404: I look upon logical proofs the way a well-bred girl looks upon a love letter. ellauri151.html on line 412: Die selbstverschuldete Unmündigkeit ist ein ebenso schiefes Maul, als er dem ganzen schönen Geschlecht macht, und das meine 3 Töchter nicht auf sich sitzen lassen werden. ellauri151.html on line 421: Auf Schwächen und Blößen gründet sich die Liebe, und auf diese die Fruchtbarkeit. ellauri151.html on line 425: Nature is a book, a letter, a fairy tale (in the philosophical sense) or whatever you want to call it. ellauri151.html on line 427: Poesie ist die Muttersprache des menschlichen Geschlechts; Sinne und Leidenschaften reden und verstehen nichts als Bilder. In Bildern besteht der ganze Schatz menschlicher Erkenntniß und Glückseeligkeit. ellauri151.html on line 431: Ohne Sprache hätten wir keine Vernunft, ohne Vernunft keine Religion, und ohne diese drei wesentliche Bestandteile unserer Natur weder Geist noch Band der Gesellschaft. ellauri151.html on line 433: A thirsty ambition for truth and virtue, and a frenzy to conquer all lies and vices which are not recognized as such nor desire to be; herein consists the heroic spirit of the philosopher. Help us translate this quote! ellauri151.html on line 441: If only I was as eloquent as Demosthenes, I would have to do no more than repeat a single word three times. Reason is language — Logos; I gnaw on this marrowbone and will gnaw myself to death over it. It is still always dark over these depths for me: I am still always awaiting an apocalyptic angel with a key to this abyss. Help us translate this quote! ellauri151.html on line 443: The philosophers have always given truth a bill of divorce, by separating what nature has joined together and vice versa. Help us translate this quote ellauri151.html on line 447: Every phenomenon of nature was a word, - the sign, symbol and pledge of a new, mysterious, inexpressible but all the more intimate union, participation and community of divine energies and ideas. ellauri151.html on line 451: Let us assume that we invited an unknown person to a game of cards. If this person answered us, “I don’t play,” we would either interpret this to mean that he did not understand the game, or that he had an aversion to it which arose from economic, ethical, or other reasons. Let us imagine, however, that an honorable man, who was known to possess every possible skill in the game, and who was well versed in its rules and its forbidden tricks, but who could like a game and participate in it only when it was an innocent pastime, were invited into a company of clever swindlers, who were known as good players and to whom he was equal on both scores, to join them in a game. If he said, “I do not play,” we would have to join him in looking the people with whom he was talking straight in the face, and would be able to supplement his words as follows: “I don’t play, that is, with people such as you, who break the rules of the game, and rob it of its pleasure. If you offer to play a game, our mutual agreement, then, is that we recognize the capriciousness of chance as our master; and you call the science of your nimble fingers chance, and I must accept it as such, it I will, or run the risk of insulting you or choose the shame of imitating you.” … The opinion of Socrates can be summarized in these blunt words, when he said to the Sophists, the leaned men of his time, “I know nothing.” Help! TLDR! ellauri151.html on line 475: The battle-broken district rests her eyes... Taisteluiden väsyttämä seutu lepuuttaa silmiä... ellauri151.html on line 512: a strict but tame, unmilitary rule. Tiukka mutta kesy, sotilaaton hallinto. ellauri151.html on line 518: The problem of evil is at bottom an existential one: how can the world have meaning and how is moral action possible, if there is pointless evil without morally sufficient reasons? The problem of evil is then associated with theodicism: God or the meaning of the world exists only, if all evils have (morally) sufficient reasons. ellauri151.html on line 525: 1. What are the general logic and the presuppositions of the problem of evil? 2. How can the problem of evil be called into question and how can one develop grammatical methods and philosophical tools to build a successful antitheodicy? 3. How can one develop a grammatical metacritique of the presuppositions of the problem through a philosophical grammar of the underlying language/world and being/meaning-links? 4. How can the grammatical approach to metaphysical questions and to the metacritique of the presuppositions of the problem of evil be used to analyse religious and worldview questions, and articulate ways of existential, humanistic and religious sense-making that overcome the problem? ellauri151.html on line 527: Theodicism: God or the meaning of the world exists only, if all evils have (morally) sufficient reasons. ellauri151.html on line 529: Leibnizian problematic: God’s metaphysically constrained choice beteween the best vs pointless evils. Voltaire got a lot of laughs from it. ellauri151.html on line 531: The problem has four key presuppositions: the fact/meaning, fact/value and appearance/reality conceptual gaps and the Principle of Sufficient Reason. ellauri151.html on line 532: Moral antitheodicies are no good because god gets flushed down the toilet if he hasn't got his finger in every pie. Well Larza doesn't say it this directly, but implies as much. And that's not good in a theology thesis. So we have to go with concptual antitheodicy, if at all. ellauri151.html on line 533: There are three traditions of conceptual antitheodicy: Kantian, Jamesian and Hamannian antitheodicies. ellauri151.html on line 535: Kantian antitheodicies argue that theodicism oversteps the limits of moral and theoretical human reason. Älä yritäkään ymmärtää, olet liian tyhmä. Jätä homma experteille. ellauri151.html on line 536: Jamesian antitheodicies emphasize that God and the world order must be reinterpreted in terms of practical and moral action and from a pluralist perspective that can account for experience and moral effort. Siis mitä? ellauri151.html on line 538: Hamannian antitheodicies hold that the dualisms and the rationalisms underlying theodicy debate are speculative metaphysics that can be overcome through philosophical grammar. Eli tässähän on vaan kieli lomalla, annahan kun jäsennän. Tuliko Wittgensteinistäkin hamanniitti loppupeleissä? Lare ainakin on sellainen. ellauri151.html on line 540: Hahaa, kuten arvasin, Larde on kirjoittanut tästäkin! Paperissa "Hamann's influence on Wittgenstein"(Nordic Wittegenstein Review 7(1)2018), se informoi: ellauri151.html on line 550: communicative use, so non-communicative private languages and pre- ellauri151.html on line 551: linguistic ideal forms of representation are not possible. Language is a ellauri151.html on line 556: Johann Georg Hamann (1730–1788) is a Christian thinker who started the first linguistic turn in philosophy and the German linguistic tradition with his Metakritik of Kant’s philosophy (see Bayer 2002; Dickson 1995; Betz 2009). John ellauri151.html on line 558: with the ideas typically attributed to the late Wittgenstein”. In this ellauri151.html on line 571: interpreting Wittgenstein reveals an important systematic overlap in ellauri151.html on line 572: their views. Language consists of signs, practices of use and a ellauri151.html on line 574: Use is communicative and concrete, so private psychological ellauri151.html on line 575: languages and pseudo-mathematical ideal languages are not possible. ellauri151.html on line 581: Tälläsen expressiivisen "tiili!" tyyppisen käskykielen painottaminen on sellaisenaan jo aika uskonnollista. (Vaik onhan tietokonekieletkin käskykantaisia.) Kusch argues that theological grammar describes how religious practices and the communication between God and the believer work. Both Hamann and Wittgenstein argue that pictures are indispensable for divine- ellauri151.html on line 586: with Chalcedonian Christology, which holds that the human and ellauri151.html on line 587: divine are intertwined. Social language-games similarly reveal logic ellauri151.html on line 588: and have logical properties, but at the same time logic receives social ellauri151.html on line 589: properties. Eli kieli on kuin apina ruumista ja sielua: liha vastaa non-logical vocabularysta, logical constants tulee jumalalta. ellauri151.html on line 593: Chalcedonian Christianity refers to the branch of Christianity that accepts and upholds theological and ecclesiological resolutions of the Council of Chalcedon, the Fourth Ecumenical Council, held in 451. Chalcedonian Christianity accepts the Christological Definition of Chalcedon, a Christian doctrine concerning the union of two natures (divine and human) in one hypostasis of Jesus Christ, who is thus acknowledged as a single person (prosopon). Chalcedonian Christianity also accepts the Chalcedonian confirmation of the Niceno-Constantinopolitan Creed, thus acknowledging the commitment of Chalcedonism to Nicene Christianity. ellauri151.html on line 595: In regard to their specific attitudes towards theological resolutions of the Council of Chalcedon, Christian denominations (both historical and modern) can be divided into: ellauri151.html on line 597: Chalcedonian – those that accept theological resolutions of the Council of Chalcedon; ellauri151.html on line 599: Semi-Chalcedonian – those whose acceptance of Chalcedonian theological resolutions is partial or conditional; ellauri151.html on line 601: Non-Chalcedonian – those that reject theological resolutions of the Council of Chalcedon. ellauri151.html on line 603: Today, Chalcedonian Christianity encompasses the Catholic Church, the Eastern Orthodox Church and Protestant denominations, while non-Chalcedonian, or Miaphysite, Christianity encompasses the Oriental Orthodox Churches. ellauri151.html on line 608: Hamann and Wittgenstein criticize the Enlightenment’s dualism senses/reason, subject/object, mind/world, reason/feeling and theory/practice by developing a view of “sensuous reason” that is located in language. ellauri151.html on line 615: reality. [...] The grammatical rules applying to it determine the meaning ellauri151.html on line 616: of the word. Its meaning is not something else, some object to which it ellauri151.html on line 618: it; it has a grammatical body behind it, so to speak. Its meaning cannot ellauri151.html on line 619: be something else which may not be known. It does not carry its ellauri151.html on line 620: grammatical rules with it. They describe its usage subsequently. (LWL: ellauri151.html on line 625: The books I have read recently were: “Studies in Classic American ellauri151.html on line 626: Literature” by D.H. Lawrence [...] some Hamann (which is terribly ellauri151.html on line 627: difficult for me), “Moby Dick” [...] bits of the Old Testament, ellauri151.html on line 632: present. Wittgenstein again found Hamann difficult to understand, ellauri151.html on line 635: Wittgenstein mentioned Hamann to Maurice O’Connor ellauri151.html on line 645: Hamann sieht Gott wie einen Teil der Natur an & zugleich wie die ellauri151.html on line 646: Natur. Und ist damit nicht das religiöse Paradox ausgedrückt: “Wie kann die ellauri151.html on line 653: Luther puts this clearly: “The spirit consists in the use, not the object”. Luther reached his theological breakthrough when he realized that theological language consists fundamentally of speech acts and linguistic action. Augustinuxen show-and-tell semantiikka ei kata mysteerien pragmatiikkaa: ei kuivassa näkkärissä ole sielua, vaan se pujahtaa siihen joteskin kun näkki pannaan kielelle ja sanotaan oikeat taikasanat. Hizi empä arvannut poikasena kielitieteen kurssilla miten läheltä Luther siinä liippasi, hyvä ettei tukka heilahtanut. ellauri151.html on line 655: Hamann takes basic intuitions to be practices like playing music and painting. He argues that Kantian forms of intuition like space and time are symbolic forms of sensuously mediated bodily practices. Fornication is another sensuously mediated bodily practice. What's its logical form? Hello my name is Potato Head! Let's play a game! ellauri151.html on line 657: Wittgenstein first interprets Hamann’s ideas as a Russell-type paradox of signs and their objects in light of the logical problems he was discussing in his lectures: how God∈God? Wittgenstein then uses Kierkegaard to interpret religious symbols as paradoxes that express a higher truth. I argue that Wittgenstein ellauri151.html on line 665: philosophical problems from a new perspective, when Piero Sraffa ellauri151.html on line 666: had refuted the picture theory’s appeal to ideal logical form soon ellauri151.html on line 669: Wittgenstein and then asked what the logical form of the gesture is. ellauri151.html on line 670: Wittgenstein felt like a pruned tree: the dead branches of the picture ellauri151.html on line 679: Munz (2000) discusses Wittgenstein’s reply to Frazer at length. Frazer argues that magic is based on loose associations that lead to erroneous views on causation. According to Munz, Wittgenstein holds that the distinction between beliefs and practices cannot be made, as language is at its core mythological. ellauri151.html on line 684: communication as a counter-model for religious language and uses it to criticize Frazer’s attempts to debunk religion. Religious rituals must be understood as expressive communication. Magic, religion and language are based on symbolism, as the harmony of language and reality takes place in the symbol. A religious ritual like a rain-dance symbolically represents and mythologically enacts the connection between a wish and its fulfillment, and Wittgenstein mentions sacraments like baptism in this context (RF: 125). All language is similarly symbolic and ceremonial at its core and cannot be separated from mythology. ellauri151.html on line 688: Hein (1983: 42–49; see also Labron 2009: 53–57) also notes that Hamann and Wittgenstein use an epistemology based on faith and trust to reject the Enlightenment’s attempt to find an Archimedean point outside the world (mikäs se nyt on? Kuka sellaista kyselee?). Hamann argues that the modern subject/object split leads to an irresolvable problem of skepticism. ellauri151.html on line 690: Vittu "the world" ei ole sama asia kuin "mun pää". Tää on joillekuille aivan mahdotonta sulattaa. Nimenomaan narsistisille tyypeille. Ja niitähän filosoofeistakin on valtaosa, kuten muistakin kynäilijöistä. Ne eivät usko edes omaan kuolemaansa muistuttaen siinä suhteessa moosexenuskoista Belovin Salea. Moses had to trust God in order to believe that he would die, even though he had very strong empirical reasons to believe it (N II: 73) ellauri151.html on line 692: Language has its worth and norms through language-use, which intertwines language and reality and makes reality, mental states and rational concepts a part of the language-games. ellauri151.html on line 702:
2. Defined the “kingdom of heaven” as Israel’s prophetic earthly kingdom 2. Defined the “kingdom of heaven” as the heavenly position of the body of Christ

6. Operated under the Mosaic Law 6. Operated under grace

icism">C
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You shall set up these stones, which I command you today, on Mount Gerizim.
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R: Reformed Christians follow John Calvin's Institutes of the Christian Religion, which follows the Septuagint; this system is also used in the ican" class="mw-redirect" title="Anglican">Anglican Book of Common Prayer.

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L: Lutherans follow Luther's Large Catechism, which follows Augustine but subordinates the prohibition of images to the sovereignty of God in the First Commandment and uses the word order of Exodus 20:17 rather than Deuteronomy 5:21 for the ninth and tenth commandments.

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C: ic_Church" title="Catechism of the Catholic Church">Catechism of the Catholic Church, largely follows Augustine. Combines the Exodus language prohibiting images of God with the command to have no other gods but the Lord, as the first commandment. Changes "the sabbath" into "the lord's day". Divides Exodus 20:17, prohibiting covetousness, into two commandments.

ellauri159.html on line 565: There is no single document about the knightly code that lists all the virtues like this. It’s a modern interpretation of several documents that outline some kind of behavioral code for knights. Between 1170 and 1220 there were several documents outlining a code of conduct for knights but there wasn’t a decision made to use a single one. The overarching idea of these virtues was “chivalry”. Chivalry originated in the Holy Roman Empire from the idealization of the cavalryman. Military bravery, individual training, and service to others—especially in Francia, among horse soldiers in Charlemagne’s cavalry.
ellauri159.html on line 567: I’m aware that “knightly virtues” sounds a lot like a fedora wearing “nice guy”. If you go back in history, I don’t think you can deny that knights were pretty badass and nothing like the modern day “nice guy”. The difference is that a real knight was strong and powerful. A “nice guy” tries being nice because he is powerless. There is a big difference. Suggested post: ice-guy/">A gentleman is not a “nice guy”
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More than bravado or bluster, today’s knight in shining armor must have the courage of the heart necessary to undertake tasks which are difficult, tedious or unglamorous, and to graciously accept the sacrifices involved.
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Justice

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A knight in shining armor holds him- or herself to the highest standard of behavior, and knows that “fudging” on the little rules weakens the fabric of society for everyone.
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Words and attitudes can be painful weapons in the modern world, which is why a knight in shining armor exercises mercy in his or her dealings with others, creating a sense of peace and community, rather than engendering hostility and antagonism.
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Sharing what’s valuable in life means not just giving away material goods, but also time, attention, wisdom and energy — the things that create a strong, rich and diverse community.
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Although this word is sometimes confused with “entitlement” or “snobbishness,” in the code of chivalry it conveys the importance of upholding one’s convictions at all times, especially when no one else is watching.
ellauri159.html on line 609: Wikipedia defines hope as “The emotional state, the opposite of which is despair, which promotes the belief in a positive outcome related to events and circumstances in one’s life.” Hmm. Musta hope ei nyt ole ihan uskomista hyvään lopputuloxeen, vaan sitä että pidetään sille peukkuja vaikka lopputulos on ihan herrassa. Hoping in God ei musta tarkoita mitään, "toivon jumalaan?". Voi toki panna toivonsa johonkin, vaikkei se vaikuta ollenkaan vakuuttavalta, noin niinkuin paremman puutteessa. Voihan siitä olla jotain hyötyä.
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Virtue 5: Justice
ellauri159.html on line 617: Many might believe that applying the concepts of justice in modern times is limited to only those who work in the criminal justice system. But that’s not the case. Modern knights living in virtually any life situation can work to uphold justice. (Esim. voi olla jotain Brothers of Odineja tai Nordic Knightsejä. Maskuliinisivut käskee nihtiä rankaisee jumalattomia, sanotaan vaikka mumslimeja, sillee suht koht tuntuvasti.) ellauri159.html on line 621: Whoever can be trusted with very little can also be trusted with much, and whoever is dishonest with very little will also be dishonest with much. So if you have not been trustworthy in handling worldly wealth, who will trust you with true riches? And if you have not been trustworthy with someone else’s property, who will give you property of your own? ellauri159.html on line 643: We also rejoice in your sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. ellauri159.html on line 650: Honest to God honor comes to a person when they serve and live only for God. Sometimes others acknowledge this honor publically, which is a perk, but this is never a true knight’s goal. A good reputation (at least among those where a good reputation is valued) is nice to have, but that’s never his goal either. Nonetheless, having a good name is “more desirable than great riches; to be esteemed is better than silver or gold” (Proverbs 22:1). ellauri159.html on line 657: The word used to translate the Greek word agape in most modern English Bibles is love, but in many older translations, agape was translated as “charity” when it was used in a context of one person to another. In a biblical context, this term should not be mistaken for the more modern use of the word to mean only giving to those in need (i.e., “giving to charity”), although this can be a substantial part of what’s meant by the word. A more encompassing definition of the word charity, at least in the context of a modern-day knight, would be to be charitable (or giving) to the rich as well, or even primarily. ellauri159.html on line 659:
Virtue 13: Sacrifice
ellauri159.html on line 661: A knight’s sacrifice is by using his strength on behalf of the weak. Sharing our food and providing the wanderer with shelter and clothing are also acts of sacrifice, but they can also be counted as hospitality or charity, depending on the sttus of the other guy. ellauri159.html on line 668: Having compassion simply means to possess a deep feeling of sympathy and sorrow for those who are stricken by misfortune, coupled with a strong desire to alleviate their suffering. Sounds a lot like charity, but cheaper.. ellauri159.html on line 686: But among you there must not be even a hint of sexual immorality, or of any kind of impurity, or of greed, because these are improper for God’s holy people. Nor should there be obscenity, foolish talk, or coarse joking, which are out of place, but rather thanksgiving. For of this you can be sure: No immoral, impure, or greedy person—such a man is an idolater—has any inheritance in the kingdom of Christ and of God. ellauri159.html on line 693: Be of good courage, and let us behave ourselves valiantly for our people, and for the cities of our God: and let the Lord see that which is good in his sight. ellauri159.html on line 694: —1 Chronicles 19:13 ellauri159.html on line 696: Gallantry is a knight word for courage, it does not mean flourishing your hat in front of ladies. (For the latter, see Courtesy.) Ramon Lull said about courage (not gallantry): “A knight who is in battle with his Lord, who for lack of courage flees from battle when he should give aid, because he redoubts or fears the torment or peril more than trusts his courage uses not the office of knighthood.” ellauri159.html on line 703: Hospitality simply means going out of your way to cater for putative angels, e.g by hosting meals, etc.). While not as seemingly glorious as other knightly traits like strength, honor, and gallantry, hospitality ranks as one of the key traits of knighthood. We need to do the same for others, particularly for those in the family of believers (Galatians 6:10). LOL this was clearly written by a family member. ellauri159.html on line 711: Most definitions of courtesy will include simple action terms, such as “displaying polished manners” or “showing respect for others.” More elaborate definitions may describe courtesy as “sophisticated conversation and intellectual skill.” The original term comes from the twelfth century term courteis, which meant “gentle politeness” and “courtly manners.” Regardless of which definition makes the most sense to you, courtesy is something you must see in action—it is not a trait like humility that can just be held internally. Se on tollasta ilmaista uhrimieltä. ellauri159.html on line 718: The knightly trait of gratitude includes both being grateful in diverse circumstances as well as expressing gratitude to God (cheap) and other good guys (more expensive). Toward the latter part of the medieval knight era (the fourteenth to sixteenth centuries), many knights acquired wealth and power and developed relationships with royalty. This wealth and friendship with the king’s court brought feasting and abundance in many ways. In fact, part of a squire’s training as a knight was "learning how to serve his Lord at meals and kick out the beggars". Nihti osoitti näin kiitollisuutta kinkulle, ja kinkku oli kiitollinen sille. Kaikki olivat kiitollisia. Ne ainakin joista oli väliä. ellauri159.html on line 722: Bear with each other and forgive whatever grievances you may have against one another. Forgive as the Lord forgave you. And over all these virtues put on love, which binds them all together in perfect unity. ellauri159.html on line 729: Being a mentor to someone means providing her (or him) with wise and influential counseling when she is open to receiving it (or he). Unlike parenting, which is more direct, mentoring is an exchange of ideas and questions and squeezes and hugs (rather than fluids). ellauri159.html on line 733: Overcoming failure means getting back up after getting knocked down. Aika lailla sama asia kuin perseverance, paizi tässä on saatu oikeasti köniin. True knights are familiar with both victory and defeat. ellauri159.html on line 744: Need some help awakening your inner knight? Check out icles/what-is-the-core-of-masculinity/">the program “Masculine Core”. It’ll help you awaken the masculine man that’s waiting inside of you. ellauri159.html on line 748: While the prevailing view among anthropologists was long that hunter/gatherer tribes were very peaceful — bucolic, noble savages — many modern researchers like Wrangham, Napoleon Chagnon, and Steven Pinker convincingly argue that just the opposite is true. Amongst premodern peoples who lived in proximity to neighboring tribes, there is strong evidence that conflict was in fact continual and quite bloody. Primitive human males literally aped their ancestors — forming small gangs, competing for status, and fiercely maintaining boundaries. In the few tribes that did allow women to take part in raiding parties, just like as with the chimpanzees, typically only one or two childless women would choose to come along. ellauri159.html on line 750: First, because men will never be pregnant or nursing, they will always be hypothetically the most battle-ready and most able to leave home at any time to fight many miles away. ellauri159.html on line 751: In primitive times, what mattered most were not individual desires, but the needs of the group — that which helped the tribe survive as a whole trumped everything else. Niin ja sit naiset on tosi kehnoja suunnistamaan, ne seuraa vaan ennalta merkittyjä hajujälkiä. ellauri159.html on line 753: Second, males’ greater amounts of testosterone make them well-suited for the warrior role for a couple of reasons. First, testosterone is linked with a greater desire to compete and take risks. Studies show that when a man “wins” in a contest, he is hit with a boost of dopamine and a surge of testosterone that makes him want to keep on competing. So while testosterone doesn’t directly make men more aggressive (that’s a myth — it’s more complicated than that), it does fuel a drive to keep pushing when someone else is pushing back. ellauri159.html on line 755: “When men evaluate each other as men, they still look for the same virtues that they’d need to keep the perimeter. Men respond to and admire the qualities that would make men useful and dependable in an emergency. Men have always had a role apart, and they still judge one another according to the demands of that role as a guardian in a gang struggling for survival against encroaching doom. Everything that is specifically about being a man—not merely a person—has to do with that role.” –Jack Donovan, The Way of Men ellauri159.html on line 759: You have to define your group. You need to define who is in and who is out, and you need to identify potential threats. You need to create and maintain some sort of safe zone around the perimeter of your group. Everyone will have to contribute to the group’s survival in some way unless the group agrees to protect and feed someone who can’t contribute due to age or illness. For those who can work, you’ll need to decide who does what, based on what they are good at, who works well together and what makes the most practical sense… ellauri159.html on line 763: The first job of men in dire times has always been to establish and secure “the perimeter.” Donovan argues that the way of men is the way of the gang, because when placed in a harsh environment, men will quickly make the logical calculation that they have a much better chance of surviving if they band together than if they each try to go it alone. For some folks, “gang” is a word weighted with negative connotations, so substitute “posse” or “platoon” or whatever else if you must. The important thing to realize is that the small, tightly-knit honor group was the basic male social unit for eons. The myth of the uber-manly lone wolf is just that. With few exceptions, men have always fought and hunted together. Cowboys banded together, pioneers banded together, and Rambo wouldn’t have actually stood a chance against either gang. ellauri159.html on line 765: Donovan argues that understanding the dynamics of these ancient honor groups is the key to understanding the essence of male psychology and how men relate to, interact, and judge each other even up through the modern day. What men respect in other men (and women find attractive), is rooted in what men wanted in the men to the left and the right of them as they stood together side-by-side on the perimeter. ellauri159.html on line 772: To the description of the ideal perimeter-keeper outlined above, Donovan assigns four “tactical virtues”: strength, courage, mastery, and honor. These are “simple, amoral, and functional virtues” — “the practical virtues of men who must rely on one another in a worst case scenario.” They are “amoral” because they are crucial to the success of any gang — no matter if what they’re fighting for is right or wrong. Strength, courage, mastery, and honor are the attributes needed in a team of Navy SEALs just as much as a family of Mafioso. If you’ve ever wondered why we are fascinated by gangsters, pirates, bank robbers, and outlaws of all stripes, and can’t help but think of them as pretty manly despite their thuggery and extralegal activities, now you know; they’re not good men, but they’ve mastered the core fundamentals of being good at being men. So they are good men, though they are bad men. I mean. ellauri159.html on line 774: Let’s take a quick look at male virtues: ellauri159.html on line 776: Strength: Physical prowess and power; ability to dominate an opponent (of the natural or human variety) instead of being dominated, and to stand fast and immovable when pushed. ellauri159.html on line 778: Courage: The spirit /will/discipline to engage and employ one’s strength when inwardly tempted to shrink/run/hide. There are “higher” forms of courage, but at its most fundamental, it represents an outwardly demonstrated indifference to risk, pain, and physical danger. ellauri159.html on line 782: Honor: Traditional honor is not the same as integrity — living up to your own, personal standards. Traditional honor is a reputation for strength, courage, and mastery — as judged by other men. Honorable men care about being manly, knowing that each individual member’s prowess in the tactical virtues bolsters the strength and reputation of the gang as a whole and thus deters attack from rival gangs. Dishonorable men, on the other hand, evince indifference or hostility to the standards, weakening the group and leaving it more vulnerable. ellauri159.html on line 785: The key to upholding honor in a male gang is to always try to pull your own weight – to seek to be a boon rather than a burden to the group. If a man lacks in physical strength, he might make up for it in the area of mastery – being the group’s best tracker, weapons-maker, or trap inventor; one crafty engineer can be worth more than many strong men. If a man lacks in both physical strength and mastery, he might still endear himself to the other men with a sense of humor, a knack for storytelling, or a talent in music that keeps everyone’s spirits up. Or he might act as a shaman or priest – performing rituals that prepare men for battle and cleanse and comfort them when they return from the front. The strong men of the group will usually take care of the weak ones who at least try to do whatever they can. Shame is reserved for those who will not, or cannot excel in the tactical virtues, but don’t try to contribute in some other way, and instead cultivate bitterness and disregard for the perimeter-keepers who ironically provide the opportunity to sit on one’s hands and carp. (Aki Manninen would love this.) ellauri159.html on line 787: Strength, courage, mastery, and honor are virtues that obviously aren’t exclusive to men, and it’s not that there haven’t been women who have embodied these traits in every age (as we shall see next time, the idea of a soft, fragile femininity is a modern conception). It isn’t that women shouldn’t seek these attributes either. Rather, the tactical virtues comprise the defining traits of masculinity. If a woman isn’t strong or acts afraid in the face of danger, no one thinks of her as less womanly because of it. Yet such shortcomings will be seen as emasculating in a man, even today. ellauri159.html on line 791: Even the men we hold up as proof that you can be manly by living the higher virtues without completely fulfilling the 3 P’s of Manhood (or even 3 pushups) ultimately derive their inspiration from the fundamental underpinnings of the tactical virtues. Figures like Gandhi and Jesus are lauded for their non-violence and their goodness, but our ability to think of them as manly, derives from their embrace of masculine expendability – a courageous indifference to the pain and suffering others might inflict on their physical body. They were good men, certainly, but their willingness to sacrifice themselves for the sake of their people, also made them good at being men. Gandhi did procreate a lot. Jesus provided for millions of preachers. Both were expendable. That´ll do, welcome to the perimeter pencil necks. ellauri159.html on line 802: Christopher John Penrice Booker (7 October 1937 – 3 July 2019) was an English journalist and author. ellauri159.html on line 803: In 2004, he published The Seven Basic Plots: Why We Tell Stories, a Jungian-influenced analysis of stories andń their psychological meaning, on which he had been working for over 30 years. The book was dismissed by Adam Mars-Jones, who objected to Booker employing his generalisations about conventional plot structures prescriptively: "He sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence – the list goes on – while praising Crocodile Dundee, ET and Terminator 2". ellauri159.html on line 805: Christopher Booker's The Seven Basic Plots is a long book. It's on the order of War and Peace for thickness. It also gets a bit repetitive at times, but if you can slog through the material, you're rewarded with a good understanding of the seven basic plots. You can also get a good dose of Jungian psychology to boot; for instance, Booker likes to talk about the symbolism of the masculine and feminine aspects of a character. ellauri159.html on line 856: icture-in-picture" allowfullscreen> ellauri159.html on line 857: icture-in-picture" allowfullscreen> ellauri159.html on line 872: The music of her laughter hid my father´s words from me: I´m waiting for you ellauri159.html on line 894: For those of you who are not familiar with Myers-Briggs or the MBTI (Myers-Briggs Type Indicator), it is a personality profiling system based on Jung’s typological theory that was developed by Katherine Cook Briggs and her daughter Isabel Briggs Myers. In the Myers-Briggs typology system, there are sixteen personality types consisting of four letters: E for extrovert or I for introvert, S for sensor or N for intuitive, T for thinker or F for feeler, and P for perceiver or J for judger. Psychologist David Keirsey later sorted these types into four temperaments. You can read more about Myers-Briggs here and find books about it here. Myers-Briggs typology can offer a lot of insight into how someone thinks, and in the case of an author, how someone writes. ellauri159.html on line 900: ESTJs are industrious traditionalists whose extroversion often leads them to take charge of situations. They are generally pragmatic and like things to be organized and clear. They are driven by a need to analyze and bring order to the world. ESTJ writers include Amy Chua, E.L. James, Dr. Phil McGraw, Tom Clancy, Ann Coulter, Michelle Malkin, Bill O’Reilly, Billy Graham, and Sonia Sotomayor. Learn more about how ESTJs write here. ellauri159.html on line 905: ESFJs are the Molly Weasleys of the world. Outgoing and community-minded, people of this type value loyalty, dependability, and practicality. They are driven by an active and intense caring about people along with a strong desire to bring harmony to their relationships. Barbara Walters and Chris Wallace are ESFJ authors. Learn more about how ESFJs write here. ellauri159.html on line 910: ISFJs are quiet, caring, and dependable people who have a strong sense of personal responsibility. They are realistic and excellent organizers. One ISFJ author is Mother Teresa. Learn more about how ISFJs write here. ellauri159.html on line 915: ISTJs are logical pragmatists with a strong sense of personal responsibility. They take their work seriously and pay great attention to detail. Thomas Hobbes, Sigmund Freud, Martin Heidegger, Xenophon, and Ayaan Hirsi Ali are examples of ISTJ writers. Learn more about how ISTJs write here. ellauri159.html on line 923: ESTPs are enthusiastic adventurers who enjoy hands-on experiences. They are realists who accept the world the way it is and focus on enjoying new activities and challenges. Famous ESTP authors include Sir Arthur Conan Doyle, Glenn Beck, Bret Easton Ellis, the Marquis de Sade, Ernest Hemingway, John Grisham, Dale Carnegie, Stephen R. Covey, Epicurus, and Rhonda Byrne. Learn more about how ESTPs write here. ellauri159.html on line 928: ESFPs are enthusiastic about having new experiences and meeting new people. They are generally warm and adaptable realists who go with the flow. ESFP authors include Tony Robbins, Wayne Dyer, Deepak Chopra, Bill Clinton, and Paulo Coelho. Learn more about how ESFPs write here. ellauri159.html on line 933: ISFPs are the quintessential free spirit. They feel deeply and often have an adventurous approach to life. They are quiet, adaptable, and compassionate. One ISFP author is Thich Nhat Hanh. Learn more about how ISFPs write here. ellauri159.html on line 938: ISTPs are driven by a desire to understand how things work. They are logical and realistic people who enjoy solving problems in a hands-on way. ISTP writers include Miyamoto Musashi and the Dalai Lama. Learn more about how ISTPs write here. ellauri159.html on line 946: ENFPs thrive on the new–new people, new activities, and new ideas. They see what is possible and are generally energetic, enthusiastic, and spontaneous. ENFP writers include Oscar Wilde, Aldous Huxley, Umberto Eco, Salman Rushdie, Anne Frank, Kurt Vonnegut, Anaïs Nin, Dr. Seuss, Hunter S. Thompson, and Erica Jong. Learn more about how ENFPs write here. ellauri159.html on line 951: ENFJs care intensely about people and are driven by a need for relational harmony. They tend to be warmly expressive and empathetic people who enjoy helping others reach their potential. ENFJ writers include Johann von Goethe, Matthieu Ricard, Erasmus of Rotterdam, and Erich Fromm. Learn more about how ENFJs write here. ellauri159.html on line 956: INFJs have an inner world filled with ideas, symbols, and possibilities. They are passionate, idealistic, and have a deep concern for others. INFJ writers include Plato, Mary Wollstonecraft, Nathaniel Hawthorne, Dante Alighieri, Fyodor Dostoevsky, Agatha Christie, Charlotte Brontë, J.K. Rowling, Carl Jung, and Leo Tolstoy. Learn more about how INFJs write here. ellauri159.html on line 961: INFPs are the dreamers of the world. They are deeply idealistic and passionate about their beliefs, ideas, and relationships. INFP writers include Jean-Jacques Rousseau, Albert Camus, George Orwell, J.R.R. Tolkien, Virginia Woolf, Antoine de Saint-Exupery, A.A. Milne, Franz Kafka, Edgar Allan Poe, John Milton, William Blake, Hans Christian Anderson, William Shakespeare, Homer, and George R.R. Martin. Learn more about how INFPs write here. ellauri159.html on line 974: ENTPs love new ideas and possibilities and are excited by innovation. They are energetic, enthusiastic, and spontaneous people with a deep need to understand the world around them. ENTP writers include Socrates, Niccolo Machiavelli, George Bernard Shaw, Chuck Palahniuk, Benjamin Franklin, Voltaire, and Mark Twain. Learn more about how ENTPs write here. ellauri159.html on line 979: INTPs have a deep need to make sense of the world and are generally logical, analytical, and emotionally detached. They enjoy new ideas and are adaptable in their lifestyle, if not always their thinking. INTP writers include Richard Dawkins, Immanuel Kant, Charles Darwin, Hannah Arendt, John Locke, Thomas Aquinas, Rene Descartes, and John le Carre. Learn more about how INTPs write here. ellauri159.html on line 984: INTJs are idea people, driven by their inner world of possibilities and a deep need to understand the world around them. They are logical, systematic thinkers who enjoy turning their visions into a reality. INTJ writers include Jane Austen, C.S. Lewis, Emily Brontë, Ayn Rand, Lewis Carroll, Friedrich Nietzsche, Stephen Hawking, Isaac Asimov, Christopher Hitchens, and Karl Marx. Learn more about how INTJs write here. ellauri159.html on line 989: Note: I referenced the type descriptions at the Center for Applications of Psychological Type. Author types are based on research and educated guesses. No one can type a person with 100% accuracy except a professional or the person him/herself. If even they. ellauri159.html on line 1007: Fs prefer to use their rational feeling function when making decisions. They place more emphasis on the effect that actions have on people than they do on adhering to the impersonal rule of logic. They tend to give other people the benefit of the doubt. ellauri159.html on line 1010: Ts prefer to use their thinking function when making decisions. They place more emphasis on the rule of logic than on the effect that actions have on people. They tend to be skeptical in evaluating ideas, whether their own or someone else’s. ellauri159.html on line 1021: Begin scheduling a writing project as soon as you receive it. Jot down your ideas in a rough first draft to give yourself something tangible to work with. Be quick to see a theme forming in the draft, so this theme guides them through the development of the project. ellauri159.html on line 1023: Regard writing as a practical exercise rather than as a creative one. You want to meet the goals of their teacher, editor, boss, or project sponsor. For this reason, you like receiving specific instructions. ellauri159.html on line 1025: You are adept at writing technical materials, such as procedures, that require them to be clear and matter-of-fact. Since you’re unlikely to view writing as a means of self-expression, you should be efficient at writing corporate documents like annual reports, which can be draining for most other types. ellauri159.html on line 1027: Express your beliefs with a strong voice and conversational tone. They are unlikely to include any personally revealing information, however. State yourr position, then back it up with concrete facts. ellauri159.html on line 1033: Avoid writing about abstract ideas. Discussing the topic with a friend, particularly an intuitive type, may help you articulate an approach. Look for ways to add practical examples, such as case studies, to illustrate a theoretical concept. ellauri159.html on line 1035: You may become blocked if the assignment isn’t well defined. You want to limit your choices early and write toward a specific goal. Try picturing a specific person who exemplifies your audience, and write for that person. ellauri159.html on line 1041: Write for an audience, seeing you want to hear how people were affected by your work. With sufficient encouragement and clear instructions, you might even be able adapt the piece to the expectations of a teacher, boss, or editor. A lack of feedback is likely to demotivate you. To avoid this, seek out an environment where people appreciate hearing your stuff over and over. ellauri159.html on line 1043: You do well in a collaborative environment. You might enjoy writing plays, skits, or videos that illustrate your topic. You like gossip and writing about events and people, and may therefore gravitate toward journalism. ellauri159.html on line 1044: Avoid theoretical subjects. Your best bet is to try help people in an immediate, tangible way. You might be more suited to medical writing than to technical writing. ellauri159.html on line 1046: Yoo respect authority and often cite experts in their writing. Avoid over-copying others, particularly if the subject is unfamiliar, theoretical, or impersonal. Look for ways to draw on your own experience or to explore how the topic affects people. ellauri159.html on line 1048: Of course you would rather discuss the topic than write about it. Schedule your writing activities to allow sufficient time for composition. If you feel stuck, do something active like taking a walk or a beer. List your ideas to help develop an internal dialogue. ellauri159.html on line 1055: View writing as a form of personal expression. Often write about topics you care about, although you may not let their own beliefs shine through. Prefer to present the facts, which you may do in great detail, then let readers make up their own mind! ellauri159.html on line 1057: Be self-motivated and self-directed. However, when writing for a teacher, editor, or boss, you may want explicit instructions. If you don’t have a clear understanding of other people’s expectations, you may struggle in silence. Instead, try asking to see a model of what to work toward (for example, last year’s annual report or a term paper that earned an A). A concrete example will help alleviate confusion. ellauri159.html on line 1059: Prefer to write alone in a consistent environment free of interruptions. You often find it uncomfortable to brainstorm in a group. Better research the topic first so you can be sure of getting the facts right. ellauri159.html on line 1061: Enjoy reading and writing about history or biography! You are less likely to gravitate toward business or technical writing. If you do write about technology, they’re likely to prefer the tried-and-true to the cutting edge. When writing fiction, you can often be quite funny in conveying your observations about the foibles of human nature. ellauri159.html on line 1063: You Want to be of service to others, and naturally write in a manner that reflects this value. Keep your audience in mind, then organize your ideas into an easy-to-follow progression. You have a strong sense of harmony—of what works on the page, and what doesn’t. You may also excel at sensory detail, drawing the reader in. ellauri159.html on line 1065: Don´t even try writing about abstract concepts. If an assignment requires you to write about theory, look for ways to relate the ideas to your experience or to a specific, positive effect on people’s lives. You might also benefit from talking through the challenges you face in their writing — though that´s a trait that’s more typical of extraverts, so forget it. ellauri159.html on line 1067: You tend to state the obvious or otherwise display a lack of confidence. To combat this tendency, ask for specific feedback from a trusted writer friend. This will help you gauge your ability to communicate your point and your reader’s ability to understand and make connections. Show your work only to someone whom you know to be supportive. The opinions of those who nurture writers are worthwhile; the opinions of those who tear down writers are not. ellauri159.html on line 1069: You struggle with impersonal analysis. You may find it easier to be objective if you first write down how you feel about the topic. Then, you can temporarily set your beliefs aside and "borrow" a logical, balanced argument from somebody else. ellauri159.html on line 1073: View writing as a means of disseminating information. You excel at business and scientific writing, because you organize and present data sequentially. You like to include statistics to prove the point, and to illustrate it with visuals such as charts and graphs. ellauri159.html on line 1075: When starting a project, you want clear instructions or a model to work from. It is helpful to know what approach has succeeded in the past so you can use it as a framework. If instructions aren’t specific, you may be at a loss, so it’s best to ask for clarification, or just copy from a reliable model. ellauri159.html on line 1077: Generally you work hard and meet deadlines. As the introvert you are, you prefer to write alone and in a quiet environment. You tend to be succinct and analytical. You are unlikely to need a dictionary to add noise to your writing—after all, the focus on getting to the point. ellauri159.html on line 1081: At your best, you produce a report, article, or paper that reads like a dry listing of facts. To ensure this, consider overusing statistics or citing even more experts. No need to incorporate real-world examples to engage your readers. ellauri159.html on line 1089: Begin by assembling a wide variety of facts. This gives them a detailed view of the topic. Then, they weed out what doesn’t fit. ellauri159.html on line 1091: Seek clarity, and organize your material logically. Naturally competitive, you may enjoy writing about subjects that showcase your skills at troubleshooting or negotiating, or write about supermen, entrepreneurs and other go-getters. ellauri159.html on line 1093: Build your topic around a visual element. It is way easier than reading. This might be a chart, a graphic—even a quotation. They may follow a template that’s worked in the past, rather than inventing something new. Just be sure to give a new slant on the old idea to keep it fresh. ellauri159.html on line 1095: Prefer writing in an active environment like panoramic office or gym where you can shape your ideas by discussing them with others. You may also want to use a voice recorder so you don’t have to write so much and work shackled to a computer. ellauri159.html on line 1099: You may try some factual analysis but you have little inclination or enthusiasm for theories and abstractions. Orient your topic toward your own level, for achieving results. Include a call to action by all means. ellauri159.html on line 1101: Try to consider the audience if at all possible. Where appropriate, incorporate a human element into your writing to help human readers connect to the topic. (Analogously if you write to chickens.) Use your powers of persuasion to sway others to your point of view. Ask someone you trust to review your writing to make sure you’ve achieved the desired effect, i.e. swayed them. ellauri159.html on line 1105: You tend to have a talent for language, especially spoken language. You enjoy telling jokes that convey an emotional or sensory experience. Your personal voice resonates in your writing, if any. ellauri159.html on line 1107: Gather a lot of material about a subject, particularly if it’s unfamiliar. When composing a first draft, your brain works best by brainstorming about whatever comes to mind. If you try analyze as you go, it breaks your flow of ideas, and you can get stuck. Never try to walk and chew gum at the same time. Or think. That can become a real stumbling block. ellauri159.html on line 1109: Develop their ideas by talking to others, so you can make them your own. To capture the conversation, use a voice recorder or ask the other person to take notes. Otherwise, you may not understand a good idea in the moment, or you may forget about it before you get a chance to write it down. Remember you are lucky to get to laugh at each joke 3 times. ellauri159.html on line 1111: Build your topic around concrete elements like quotations. This may be a good approach to help organize a first draft. During the revision process, add your own unique words here and there to avoid relying too much on other people’s ideas. ellauri159.html on line 1113: You may have difficulty starting a project if you don’t have a clear sense of direction. Identify the goals of the piece and develop an organizing framework (aka a bullet list). This will help you generate ideas and avoid tangents. Your safe bet is to focus on how the topic affects people and on the immediate actions they can take in response. ellauri159.html on line 1117: Try to visually capture the emotion of an experience by using italics, capitalization, and exclamation points. This can be effective in humor and is particularly funny in other forms of writing. Rely on your distinctive voice and flair for jokes and adult language. ellauri159.html on line 1119: It is best to take a lighthearted approach to serious subjects, No need to consider both sides of an argument. Ask a writer friend to review the piece. Request that the feedback be very specific, better yet, a rewrite. Ask for a chunk price, don´t pay by the hour. ellauri159.html on line 1127: Engage in a physical activity before writing to unlock your creativity. If the topic is not copulation, but instead something abstract or impersonal, reflect on its tangible implications, particularly its effect on people or animals, like how it might lead to copulation. This connection may help motivate you through the project. ellauri159.html on line 1129: Enjoy writing about the natural world. Focusing on a sensation, such as fragrance or flavor, or a hot, slippery, hard or soft touch, can open a pathway into the subject matter. Look for ways to relate the topic to your personal experience. Think about the feelings that the experience evoked. ellauri159.html on line 1131: Make sure you don´t gather too much information in the exploration stage or you don’t have a clear sense of direction left. If you feel overwhelmed, ask for help or talk to a trusted friend. Connect the topic to your values, like the value of money. Write without inhibition and let your voice shine. Remember, your drafts are for your eyes only. They’re the rough stone from which you sculpt the finished product. Your teacher will be happy to cross out the stuff that can´t be printed. ellauri159.html on line 1133: You can become blocked by criticism or by discord in their environment. Try writing in a quiet, outdoor space, where you can release your stress and immerse yourself in the natural world. If you have family, throw them out. Meditation or yoga may also help. Isolate yourself from negativity and listen to the music of your own thoughts and feelings. ellauri159.html on line 1135: You may feel paralyzed if expectations are too vague or too rigid. Seek clarification where possible, or find a mentor who can offer advice and serve as a ghost writer. Consider how your writing can help people in practical ways, in particular, improve your own financial situation. ellauri159.html on line 1137: Let the teacher focus more on correctness than on content. Don’t be afraid to take a stand, or get a hard on. Recognize that your insights are unique—most people lack your sensitivity. Consult a close writer friend to ensure that your points are logically developed and your organs well described. ellauri159.html on line 1141: You Want your writing to serve a practical purpose, such as explaining how to solve a problem. You tend to be a good troubleshooter (actually, a good troublemaker and sharpshooter too) with broad, specific knowledge that they can apply in high-pressure situations. Choose topics that allow you to draw on this ability. Then, jot down your ideas while conducting your research, rather than writing in your head. That´s way too hard, it´s like shooting with blanks. This will help you focus your ideas early so you don’t waste time gathering extraneous information. ellauri159.html on line 1143: Work independently and prefer a quiet environment. If you must write collaboratively, seek out tasks that will allow you to work alone or with someone whose expertise you value. Unlike most other sensing types (the wimps), you don’t want detailed instructions or specific feedback. In fact, you may have to shoot if they try. Just ask for general guidelines that allow you flexibility. They may try to impose rules you regard as useless, like firearms restrictions. ellauri159.html on line 1149: Focus on the concrete and avoid useless abstract concepts. As a result, your writing will lack a unifying theme that communicates the author’s purpose to those who do not need to know. Be sure to incorporate an organizing principle or chart, such as problem–solution, to serve as a roadmap for the intended reader, for example on a separate crypted page. ellauri159.html on line 1151: Write to steal their ideas to develop yours rather than to please an audience. If your goal is to communicate your ideas to others (god beware), be sure to organize your work so that the subject folds logically. This will likely come easily to you if you invest the time. Also, engage your side to the battle by relating the subject to their personal experience. If you don’t feel comfortable writing about your own experience, write about something you’ve observed, or what the commies or aliens are likely up to. ellauri159.html on line 1153: You are free to inject your satirical sense of humor even into a serious subject. This can be engaging if done well. But if you are not careful to consider audience prejudice, you risk not offending the reader! Seek feedback from someone whose prejudices you are familiar with. Ask the person to identify any problems but do not offer money. You can to come up with your own solutions without being constrained by other people’s ideas. ellauri159.html on line 1157: You prefer a brainstorm before you start writing. You tend to see connections between unrelated things, so one idea will quickly generate another. Allow yourself plenty of time for this activity, but be sure to set an end date to keep your project on track. After the brainstorming phase, discard tangential ideas. Focus on the strongest ones so you don’t get overwhelmed when it comes time to flesh out the details. ellauri159.html on line 1161: You do your best writing when they feel personally invested in the topic. Use your wrong sense of empathy to immerse yourself in the subject, much as actors immerse themselves in a character. (Choose a subject you really fancy to immerse yourself in.) To stay inspired, look for ways to connect the writing to your ideals. If you’re a technical writer, create a human mental avatar of your technology and use your writer’s voice to “speak” to it. ellauri159.html on line 1163: You should have a natural sense of the harmony of language and ideas (if not, consider one of the other 15 types we have on store). If you are schizoid at all, you may hear in your mind how combinations of words sound together. Get attuned to the tone and implications. Use these qualities to incorporate your unique voice and perspective into your writing. Ultimately, that’s what readers respond to. ellauri159.html on line 1165: You have the most energy at the beginning of a project, when inspiration first hits. Take advantage of this initial burst, but don’t get so engrossed in the project that you ignore basic needs like eating, fucking and killing. Remember to replenish your physical energy. You’ll get more done in the long run. ellauri159.html on line 1167: It´s OK to postpone starting a project if the topic doesn’t grab you. When at a deadline, use your prolific imagination to find an angle that interests you. Free-write or cluster to generate ideas. Look to newspapers, magazines, or the internet for inspiration. Write a strong opening paragraph to get your creativity flowing. ellauri159.html on line 1169: You may burn bright during the early stages of a project but fade before they reach the end. To avoid this pattern, take periodic breaks. Spend time with friends. Let the subject percolate in your unconscious mind. You’ll come back to the project with new inspiration for that final push toward completion. Basically, be lazy, it pays off. ellauri159.html on line 1171: We know you have no great love for facts and details. Leave enough time at the end to check that you’ve included sufficient objective data. Strive for balance and fairness, include both facts and alternative facts. Avoid over-reliance on personal insight. Ask a trusted friend to review your writing with a critical eye. Your work will be stronger for it. And, WtF, you can always just ignore them. ellauri159.html on line 1177: You draw inspiration from being a know-it-all and educating people. You tend to read extensively and to collect words they consider particularly apt, like David Wallace. If their writing project involves others, you often take a leadership role, and repeat the word 'actually' in everybody´s face. You may also beep like a truck on reverse. You thrive in a harmonious atmosphere where everyone respects your opinion. Having a strong need to feel in control of your projects, you want to work in a cooperative environment conducive to driving a project to completion. ellauri159.html on line 1179: You focus your writing on received values and ideals. You use polished language to persuade. You want to influence people’s lives for the betterment of the individual and society. If you’re a technical writer, you focus your talent on expressing a complex idea simplistically so school kids understand it. Recognize that this gift benefits your readers by helping them perform their menial tasks more effectively. ellauri159.html on line 1181: Naturally you adopt a preceptorial conversational tone in your writing. You often use imaginative and hyperbolic language to illustrate a point like 'smoking kills'. You have a talent for seizing on subtleties and choosing the exact word to convey a not so subtle idea. You always consider how your writing affects their audience. You notice if your audience is passing notes behind your back. ellauri159.html on line 1183: But pay heed: choose broad topics with wide-ranging effects on people. Be careful to limit the subject to what you can realistically explore in sufficient depth within the scope of the project. The class lasts just three quarters, keep that in mind. At the same time, don’t rush through the brainstorming process at the beginning. Tap into your creativity, letting one student thought suggest another. Reflect on what aspects of the topic interest you most. ellauri159.html on line 1189: You may find it difficult to create the emotional distance needed to keep your hands off your students. Don’t let a hasty feel-up skew your research. Be sure to include alternate facts and points of view. Also, be careful to avoid a cursory treatment of the subject, like in those wannabe writer guides on the web. Ask a friend or colleague to review the work, making sure you’ve provided sufficient detail. ellauri159.html on line 1193: You work best in a quiet environment where you cannot be interrupted. You reflect on the topic before you begin writing, mentally structuring the material and looking for patterns. Don’t allow yourself to be rushed into starting a project before you’re ready. You are generally good at estimating how long this preparation stage will take. When you finally sit down to write, their ideas tend to be well-developed and organized. Their language may seem formal at first. If that’s the case for you, don’t fight it—you can soften this tendency during revision. ellauri159.html on line 1195: You prefer writing about personal topics. You may encounter difficulty if the topic isn’t meaningful to you. If so, try different angles until you find one that engages you. If you’re a technical writer, for example, you can take pride in knowing that when you write clear instructions, you help your customers perform their tasks quickly and effectively. This sense of meddling with people’s lives is important to writers. ellauri159.html on line 1197: You dislike writing according to a predetermined structure. You want control over their own creative process. You are drawn to original pictures and imaginative symbols. When revising a draft, search for a central, unifying theme, and articulate it for your reader. At the same time, avoid trying too hard to be unique. Instead, aim for authenticity, remember to mention the sources of the pictures. ellauri159.html on line 1199: When you strive for eloquence, avoid wasting time polishing an early draft or searching too long for the exact word. Instead, get your ideas down. Don’t be afraid to use clichés—wait until the revision stage to fix problems. There’s no point in perfecting something that may get cut later. Anyway, clichés are fine. We use them all the time. ellauri159.html on line 1201: You enjoy colorful and figurative language, and like to infuse your work with images of your personal underware. At the same time, however, your writing may be too abstract for their readers, they want to see you inside them. During revision, add concrete details. In creative writing, appeal to the five senses and the 9 mortal sins. In freelance writing, include specifics like percentages and dollar amounts to get the audience´s attention. In technical writing, find out whether the customer needs to use a flat-head or a cross-head screwdriver (our dishwasher installer guys did not have a flathead anymore, I had to loan them one), and what the recommended torque is. These may be boring details to you, but they’re essential for your male reader. Wrong head, no screw. ellauri159.html on line 1203: You tend to communicate passionately about your beliefs. You tend to start writing before finishing research on life, the universe, and everything, wanting to commit your half-baked insights to paper. Be sure to gather enough data to support your position, and include alternative facts for balance. This is one arena where it may be healthy to indulge your perfectionist tendencies. Get the facts right enough to maintain plausibility. ellauri159.html on line 1205: Guys like you tend to be easily hurt by criticism, especially when it comes to their writing, or their sexual performance. Because they generally keep their writing and wanking private until they think it’s finished, they may not have a good sense of the look and feel to others. Consider showing your work and your tool to a trusted friend or colleague for advice before you begin the final round. This will help you better connect with your audience, which is important to you, I know. ellauri159.html on line 1209: According to Dr. Phil, 90% of relationship problems can’t be solved. Why? Because it would require one person or the other to compromise their values. So the best a couple can do is to agree to disagree. INFJs don’t want people to compromise their values—yet that 90% statistic is bound to discourage INFJs like me. I suspect it isn’t the relationship problems themselves that lead to the INFJs’ dissatisfaction; it’s the fact that the problems can’t be solved. Perhaps the INFJs feel that if only they could be more creative, or their partner could be more flexible, the little annoyances that have existed since the first day of the relationship could be eliminated. Not so. No amount of skill or understanding will make naturally ingrained differences go away. ellauri159.html on line 1213: Perhaps this is what draws me to writing women’s fiction. I can create relationship problems, which I can then go about solving, without hurting anyone but my fictional characters in the process. Real life, unfortunately, doesn’t work that way. The INFJs’ search for perfection can damage otherwise good relationships. So I propose a revised Serenity Prayer for INFJs: God grant me the serenity to accept the things I cannot change. Period. Oh, I got my period. ellauri159.html on line 1219: You prefer writing about your own personal topics. You may lose your creative drive if the subject isn’t about you. If so, try taking an angle that allows you to write about your feelings on the topic, if not you yourself. If you’re a technical writer, look for ways to connect with readers by anticipating and meeting their needs. Or you can use your tech knowledge to write another Gravity´s Rainbow. But don´t expect your employer to like it. ellauri159.html on line 1221: You have a keen insight into the nature of things. Your prose often conveys startling images of mood or atmosphere rather than objects. Maybe you should consider poetry, or rap. You enjoy complexity and can patiently unravel dense material like a terrier. You are able to see many sides of an argument and so may have difficulty reaching a conclusion, or even reaching a period, like Pynchon. During the writing process, you may often pause to consider alternatives or to seek seeming connections between obviously disparate things. That´s a paranoid feature, so you may be an asthenic person. Consult Krezmer´s typology. ellauri159.html on line 1224: You make the mistake to write in purely abstract terms. That just won´t do these days. You must communicate values and personal television through your writing. Nobody is interesting in abstractions. They search for the meaning behind the facts, and so consider the facts themselves to be of marginal importance. This is true; however, throw in some facts to dazzle your readers, like Bob Heinlein. During revision, add concrete details like the size of Peewee´s bra. Appeal to the five senses. Include Peeweeś vital statistics. Incorporate other points of view for balance. Make sure your research backs up your conclusion. ellauri159.html on line 1226: Try to be sensitive to criticism. It won´t do to just turn a deaf ear. Consider showing your work to a trusted friend or colleague at a safe distance before you begin the final draft. This feedback may be especially helpful in focusing your work and ensuring that it includes enough sex to sway your audience to watch your missionary position. ellauri159.html on line 1230: You like to start projects first. You often map out their ideas to everyone to visualize the big picture before you begin writing. You sense how your various opinions flow together logically and build on one another. Because you develop a clear picture early on, you might reach a conclusion and skip writing completely before finishing your research. To ensure a balanced product, stay open to new information that may change your perspective. Don´t listen to idiots, however. ellauri159.html on line 1232: You want to master the subject everyone´s whining about. You enjoy the challenge of technical topics, and you focus on crafting clear, concise instructions. However, if you don’t see the perks of the writing project, your interest may wane. Discuss the project with friends or colleagues to help you find a way to increase your reward. ellauri159.html on line 1234: You want a good set of guidelines at the beginning of the project, but you also want the freedom to write your own guidelines. If a writing project involves others, you try to take the lead. You naturally envision how things ought to be—that is, your way. Efficient and strategically organized. But keep in mind that others might not share your vision. Imbeciles! When stepping forward to fill a leadership vacuum, seek buy-in from the group. Side payments may be indicated. ellauri159.html on line 1236: You naturally write with an authoritative voice. You want to fake competence in the subject you’re writing about. To boost your success, gather sufficient details to make it look that you have a thorough understanding of the topic. Humanize the writing by including anecdotes making fun of other idiots or otherwise engaging the reader’s interest. ellauri159.html on line 1238: Enjoy making decisions! No need to respond to new data once you’ve got a clear, big-picture view of the topic. Others may seek feedback from you but do not give it, nor act on other people´s feedback, rely instead on your own judgment. This strategy can cause you to miss unimportant information — a drawback no real Marshal finds mortifying. Be aware of this tendency before you start unconsciously fighting it. ellauri159.html on line 1240: With the desire for efficiency, you must sometimes be terse. Be sure to consider audience reaction. "Shut up!" is a good terse riposte. You already know how ideas relate to one another. Unless you’re writing for an audience of experts, assume readers know nothing about the topic. They don´t. Include faked data if necessary to support your conclusions. In your eagerness to finish, don’t skimp on those touches that will elevate your writing from good to great. You want to be great, not just good. Alexander the Good? Friedrich the Good? Catherine the Good? Naaw. ellauri159.html on line 1242: Fake objectivity and be skeptical of emotional appeals, except when dealing with an emotional audience. Otherwise it is fine to make your writing impersonal, even abrasive. A trusted editor can help you soften your tone to more effectively connect with the bleeding hearts. Adolf the Great had one. Your arguments will be better received if you engage the patriotic heart as well as the nazi mind. ellauri159.html on line 1246: You’re rarely at a loss for wacky ideas. While many people struggle to find a topic, you may have difficulty limiting yourself to just one. You may enjoy exploring controversial subjects or devising clever solutions to problems. You have fun playing with different possibilities, and see where they lead you. To classroom corner or to prison most likely. ellauri159.html on line 1250: You may do well to compose an article, essay, or story by speaking into a voice recorder. If the thought of transcribing the recording sounds unbearably tedious to you, consider paying (or persuading) someone else to do it. To sustain your enthusiasm, gather visual elements to use in the piece. Devise your own strategies to make the writing process more interesting. (Wow this really makes you sound like a nincompoop!) ellauri159.html on line 1252: You are motivated by a desire to innovate. You tend to seek a unique approach even to ordinary topics. Conversely, you tend to be good at making complex subjects simple and interesting ones boring. Stay focused, and let your desire to prove your competence and ingenuity drive you forward until the project is complete. Dont run around like the crazy fox in Kamalat eläimet (Awful Animals). Your medical diagnosis is ADHD. ellauri159.html on line 1256: You may excel at satire, and humor can liven up your work. Make sure your tone is appropriate for the piece and for the audience. Aarne Kinnunen´s works on good taste in humor are very helpful. You may find it helpful to include a personal story or two, rather than relying on cold logic alone to make your point. (You are so close to ESFP - Esiintyjä that it is hard to see the diff - maybe you two are like Dumb and Dumber.) ellauri159.html on line 1258: You tend to grasp the big picture and to focus on the future. Ensure that your work contains enough background material and concrete detail. To avoid tangents or a cursory treatment of the subject, keep the central thesis or purpose of the project in mind while writing. Solicit feedback from someone whose competence you trust. ellauri159.html on line 1262: (Wow, this one is me, el Lauri, to a prick! Have to give it to you, Jung, you did it! ellauri159.html on line 1264: Pickering: That you did it! ellauri159.html on line 1273: You regard a writing project as an opportunity to learn something new. You start by gathering a wide variety of facts, then classifying them according to an underlying principle. You enjoy writing about abstract ideas and theories. One idea may quickly suggest another. You may need to limit your topic during the pre-writing stage to keep it from becoming unwieldy. ellauri159.html on line 1277: You tend to be good at organizing ideas and weeding out logical inconsistency. You have a natural propensity for clarifying the complex. But you will likely need to make a conscious effort to include the personal dimensions of a topic. (Well I do, no two ways about that!) During revision, look for places where you can add examples or anecdotes, if appropriate, to illustrate the facts. This engages the reader and brings theoretical principles to life. (I do this too, lotsa images and anecdotes and all!) ellauri159.html on line 1281: You like complex, theoretical subjects, and you use your wide vocabulary in your writing. To enhance readability, choose the simplest word that communicates an idea accurately. You may sometimes make intuitive leaps that are unclear to your audience. Illustrate connections even if they seem obvious to you. To ensure that your message is clear, ask for feedback from someone you trust. ellauri159.html on line 1285: You can become blocked if you can’t find opportunities to make your unique ideas heard. If a writing assignment seems restrictive to you, challenge yourself to find a way to work within the system while still expressing your ingenuity. Instead of turning cynical, use your dry sense of humor. ellauri159.html on line 1289: You are a conceptualizer who tends to explore a narrow topic deeply. Guys like you take a systems approach, rather than a linear one, during the planning stage. They do a website not just a text! You start a project early to test the concept, then quickly drive toward the conclusion. Once the competitors´ bones are in place, you further develop the content, adding facts to flesh out their ideas. You may find it useful during revision to challenge yourself to consider alternatives, rather than locking yourself in to your original premise. Oh, why bother, since you got it all figured out already. ellauri159.html on line 1295: If they write anything but checks, their writing can have a sense of inevitability, presenting an orderly progression of facts and ideas that can lead to only one possible conclusion. Their authoritative voice can instill a sense of comfort and trust in readers. Make sure that trust is warranted—use your natural skepticism to seek out possible flaws in your reasoning and research. Steer clear of the anti-trust laws, they can cut your earnings. ellauri159.html on line 1297: You are happy and motivated with your personal vision. Original thinkers have little regard for convention. They want things to make sense according to their own logical standards, and they will discard anything that doesn’t. For this reason, they tend to enjoy technical subjects. They often wear visual aids like Google spectacles that support and clarify their writing. If you’re one of these guys, one path to success as a writer is to draw on your natural curiosity about how things work and your talent for explaining this for others. But beware of the pitfalls! ellauri159.html on line 1299: When you´re weeding out information and people that aren’t pertinent to the project, be sure to keep the need of an audience in mind, however. Don´t decimate all and everybody. Rich and few is good; a few lousy beggars is not. Where appropriate, include personal anecdotes to engage the reader. Don’t scale down to mere facts. Hire an ENT to invent jokes. ellauri159.html on line 1301: To control your workplace and steal their original ideas, make sure you do so within the parameters of the project. If you’re a freelance writer, for example, remember that you’re writing for an editor, not for yourself. So get rid of the editor, or become one yourself. If something about the assignment doesn’t make sense to you, don’t ignore it—seek clarification. Or sue them. ellauri159.html on line 1303: Setting a high standard for oneself can become frustrating if others can’t achieve it. Avoid pushing yourself toward an unprofitable goal. Tap into your desire for efficiency and recognize when 99% are expendable. And if you need help, buy it. Other people don’t want you to be perfect—they want you to pay them megabucks. That is much more interesting. ellauri159.html on line 1327: Itchele Singer luki Varsovassa kirjaklubissa spiritualisteja ja Will to Believeä. Denim-housuinen nojatuolipsykologi Bill James ähertää ja puurtaa siinä puolustaaxeen cartesiolaista dualismia. Pascalin veto on efektiivisesti sama vedätys kuin the American Dream. Monoteismi ja monismi olivat joutuneet pahaan hakauxeen lännessä (pace Spinoza), mikä alkoi haitata länsikapitalismin voittoputkea. Kähmintä on hyvä aloittaa vastapuolen termien anastuxesta. To express a tolerably definite philosophic attitude in a very untechnical way. ellauri159.html on line 1329: Were I obliged to give a short name to the attitude in question, I should call it that of radical empiricism, in spite of the fact that such brief nicknames are nowhere more misleading than in philosophy. I say 'empiricism,' because it is contented to regard its most assured conclusions concerning matters of fact as hypotheses liable to modification in the course of future experience; and I say 'radical,' because it treats the doctrine of monism itself as an hypothesis, and, {viii} unlike so much of the half-way empiricism that is current under the name of positivism or agnosticism or scientific naturalism, it does not dogmatically affirm monism as something with which all experience has got to square. The difference between monism and pluralism is perhaps the most pregnant of all the differences in philosophy. Primâ facie the world is a pluralism; as we find it, its unity seems to be that of any collection; and our higher thinking consists chiefly of an effort to redeem it from that first crude form. ellauri159.html on line 1331: Eise ihan lupaa tässä onnistua, The negative, the alogical, is never wholly banished. Something—"call it fate, chance, freedom, spontaneity, the devil, what you will"—is still wrong and other and outside and unincluded, from your point of view (italics my own). ellauri159.html on line 1335: Pure-blood supremacy was the belief that wizards and witches whose family had not married any Muggles or Muggle-borns were inherently biologically superior to wizards and witches who had done so. Proponents of this ideology typically regarded Muggle-born wizards as impure, unworthy of possessing magical ability, and often actively discriminated against them. ellauri159.html on line 1341: Benjamin Paul Blood (November 21, 1832 – January 15, 1919) was an American philosopher and poet. ellauri159.html on line 1345: I was born here in Amsterdam. My father was a land holder of 700 acres [2.8 km²] here, adjoining the city on both sides of the river, and lived, as I now live, in a large brick house on the south bank of the Mohawk visible as you enter Amsterdam from the east. I was his only child, and went a good deal my own way. I ran to machinery, by fancy; patented among other devices a swathing reaper which is very successful. I was of loose and wandering ways. And was a successful gambler through the Tweed regime -- made "bar'ls" of money, and threw it away. I was a fancy gymnast also, and have had some heavy fights, notable one of forty minutes with Ed. Mullett, whom I left senseless. This was mere fancy. I never lifted an angry hand against man, woman or child -- all fun -- for me. ....I do farming in a way, but am much idle. I have been a sort of pet of the city, and think I should be missed. In a large vote taken by one of the daily papers here a month or so ago as to who were the 12 leading citizens, I was 6th in the 12, and sole in my class. So you see, if Sparta has many a worthier son, I am still boss in the department I prefer. ellauri159.html on line 1347: Blood did indeed patent a swathing reaper along with other patents, and wrote prolifically, but the larger portion of his writing consisted of letters, either to local newspapers or to friends such as James Hutchison Stirling, Alfred Tennyson and William James (the above quote was from a letter to James). H. M. Kallen wrote of Blood: ellauri159.html on line 1349: He was born in 1832 and lived for eighty-six years. During that time he wrote much, but unsystematically. His favorite form of publication was letters to newspapers, mainly local newspapers with a small circulation. These letters dealt with an astonishing diversity of subjects, from local petty politics or the tricks of spiritualist mediums to principles of industry and finance and profundities of metaphysics. ellauri159.html on line 1351: Early books included The Philosophy of Justice Between God and Man (1851) and Optimism: The Lesson of Ages (1860), a Christian mystical vision of the pursuit of happiness from Blood´s distinctly American perspective; on the title page of the book, Blood described it as "A compendium of democratic theology, designed to illustrate necessities whereby all things are as they are, and to reconcile the discontents of men with the perfect love and power of ever-present God." During his lifetime he was best known for his poetry, which included The Bride of the Iconoclast, Justice, and The Colonnades. According to Christopher Nelson, Blood was a direct influence on William James´ The Varieties of Religious Experience as well on James´s concept of Sciousness, prime reality consciousness without a sense of self. ellauri159.html on line 1353: After experiencing the anesthetic nitrous oxide during a dental operation, Blood concluded that the gas had opened his mind to new ideas and continued experimenting with it. In 1874, he published a 37-page pamphlet, The Anesthetic Revelation and the Gist of Philosophy. ellauri159.html on line 1355: He married twice; to Mary Sayles, and following her death, to Harriet Lefferts. He had six children from the first marriage, and a daughter from the second. ellauri159.html on line 1363: Beware the vice of Ireland — rank and stark ellauri159.html on line 1366: Of moral cowardice — a vice as dear ellauri159.html on line 1382: Hypotheses and options, 1. Pascal's wager, 5. Clifford's veto, 8. Psychological causes of belief, 9. Thesis of the Essay, 11. Empiricism and absolutism, 12. Objective certitude and its unattainability, 13. Two different sorts of risks in believing, 17. Some risk unavoidable, 19. Faith may bring forth its own verification, 22. Logical conditions of religious belief, 25. ellauri159.html on line 1391: Temperamental Optimism and Pessimism, 33. How reconcile with life one bent on suicide? 38. Religious melancholy and its cure, 39. Decay of Natural Theology, 43. Instinctive antidotes to pessimism, 46. Religion involves belief in an unseen extension of the world, 51. Scientific positivism, 52. Doubt actuates conduct as much as belief does, 54. To deny certain faiths is logically absurd, for they make their objects true, 56. Conclusion, 6l. ellauri159.html on line 1395: Rationality means fluent thinking, 63. Simplification, 65. Clearness, 66. Their antagonism, 66. Inadequacy of the abstract, 68. The thought of nonentity, 71. Mysticism, 74. Pure theory cannot banish wonder, 75. The passage to practice may restore the feeling of rationality, 75. Familiarity and expectancy, 76. 'Substance,' 80. A rational world must appear {xvi} congruous with our powers, 82. But these differ from man to man, 88. Faith is one of them, 90. Inseparable from doubt, 95. May verify itself, 96. Its rôle in ethics, 98. Optimism and pessimism, 101. Is this a moral universe?—what does the problem mean? 103. Anaesthesia versus energy, 107. Active assumption necessary, 107. Conclusion, 110. ellauri159.html on line 1399: Prestige of Physiology, 112. Plan of neural action, 113. God the mind's adequate object, 116. Contrast between world as perceived and as conceived, 118. God, 120. The mind's three departments, 123. Science due to a subjective demand, 129. Theism a mean between two extremes, 134. Gnosticism, 137. No intellection except for practical ends, 140. Conclusion, 142. ellauri159.html on line 1407: The moral philosopher postulates a unified system, 185. Origin of moral judgments, 185. Goods and ills are created by judgment?, 189. Obligations are created by demands, 192. The conflict of ideals, 198. Its solution, 205. Impossibility of an abstract system of Ethics, 208. The easy-going and the strenuous mood, 211. Connection between Ethics and Religion, 212. ellauri159.html on line 1411: Solidarity of causes in the world, 216. The human mind abstracts in order to explain, 219. Different cycles of operation in Nature, 220. Darwin's distinction between causes that produce and causes that preserve a variation, 221. Physiological causes produce, the environment only adopts or preserves, great men, 225. When adopted they become social ferments, 226. Messrs. {xvii} Spencer and Allen criticised, 232. Messrs. Wallace and Gryzanowski quoted, 239. The laws of history, 244. Mental evolution, 245. Analogy between original ideas and Darwin's accidental variations, 247. Criticism of Spencer's views, 251. ellauri159.html on line 1419: The world appears as a pluralism, 264. Elements of unity in the pluralism, 268. Hegel's excessive claims, 273. He makes of negation a bond of union, 273. The principle of totality, 277. Monism and pluralism, 279. The fallacy of accident in Hegel, 280. The good and the bad infinite, 284. Negation, 286. Conclusion, 292.—Note on the Anaesthetic revelation, 294. ellauri159.html on line 1423: The unclassified residuum, 299. The Society for Psychical Research and its history, 303. Thought-transference, 308. Gurney's work, 309. The census of hallucinations, 312. Mediumship, 313. The 'subliminal self,' 315. 'Science' and her counter-presumptions, 317. The scientific character of Mr. Myers's work, 320. The mechanical-impersonal view of life versus the personal-romantic view, 324. ellauri160.html on line 6: font-style: italic; ellauri160.html on line 36: ic/2020-09/ezra_pound_ritratto.jpg?itok=R5MbYbWF" height="130px" /> ellauri160.html on line 46: I was picking flowers, playing by my door, I played about the front gate, pulling flowers. ellauri160.html on line 50: Both of us young and happy-hearted. Two small people, without dislike or suspicion. ellauri160.html on line 71: ...Oh, at last, when you return through the three Pa districts, If you are coming down through the narrows of the river Kiang, ellauri160.html on line 78: Li Bai (kiin. 李白, Lǐ Bó tai Lǐ Bái, usein myös muodossa Li Po, jap. Rihaku, 701–762) vietti suuren osan elämästään makaillen. Hän lähti kotiseuduiltaan Sichuanista 26-vuotiaana purjehtien alas Jangtsejoen vartta viettäen huoletonta elämää juopotellen ja tavaten aikansa julkisuuden henkilöitä kehitellen samalla pakkomielteisen runoilijan persoonaansa. 41-vuotiaana Li värvättiin Chang’anin eli nykyisen Xi’anin Hanlin-akatemiaan taolaisen ystävänsä Wu Yunin suosituksesta. Hänestä tuli nopeasti tunnettu, kun runoilija He Zhizhang kuvaili eräästä hänen runoaan The Road to Shu Is Harsh? ylistävään sävyyn. Kuitenkin vain hieman myöhemmin Li loukkasi joitakin vaikuttavia virkamiehiä ja menetti virkansa akatemiassa viettäen loppuelämänsä vaellellen paikasta toiseen. ellauri160.html on line 122: Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972), modernin ajan Li Bai, was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962). Hizi noi cantothan on selvä kokoelma paasauxia! ellauri160.html on line 124: Pound was born in 1885 in a two-story cupboard house in Hailey, Idaho Territory, the only child of Homer Loomis Pound (1858–1942) and Isabel Weston (1860–1948), who married in 1884. Homer had worked in Hailey since 1883 as registrar of the General Land Office. Pound's grandfather, Thaddeus Coleman Pound, a Republican Congressman and the 10th Lieutenant Governor of Wisconsin, had secured him the appointment. Homer had previously worked for Thaddeus in the lumber business. ellauri160.html on line 126: Both sides of Pound's family emigrated from England in the 17th century. On his father's side, the immigrant ancestor was John Pound, a Quaker who arrived from England around 1650. Ezra's paternal grandmother, Susan Angevine Loomis, married Thaddeus Coleman Pound. On his mother's side, Pound was descended from William Wadsworth, a Puritan who emigrated to Boston on the Lion in 1632. Captain Joseph Wadsworth helped to write the Connecticut constitution. The Wadsworths married into the Westons of New York; Harding Weston and Mary Parker were Pound's maternal grandparents. After serving in the military, Harding remained unemployed, so his brother Ezra Weston and Ezra's wife, Frances Amelia Wessells Freer (Aunt Frank), helped to look after Isabel, Pound's mother. No oliko Pound sitten sukua myös Henry "setelitukun väärti" Longfellowille? Varmaan niin. ellauri160.html on line 128: Pound's education began in dame schools: Miss Elliott's school in Jenkintown in 1892 and the Heathcock family's Chelten Hills School in Wyncote in 1893. Known as "Ra" (pronounced "Ray"), he attended Wyncote Public School from September 1894. His first publication was on 7 November 1896 in the Jenkintown Times-Chronicle ("by E. L. Pound, Wyncote, aged 11 years"), a limerick about William Jennings Bryan, who had just lost the 1896 presidential election. ellauri160.html on line 130: In 1897, aged 12, he transferred to Cheltenham Military Academy (CMA), where he wore an American Civil War-style uniform and was taught drilling and how to shoot. The following year he made his first trip overseas, a three-month tour with his mother and Aunt Frank, who took him to England, Belgium, Germany, Switzerland, Italy, Spain, and Morocco. He attended CMA until 1900, at times as a boarder, but it seems he did not graduate. ellauri160.html on line 136: From September 1907 Pound taught French and Spanish at Wabash College, a Presbyterian college with 345 students in Crawfordsville, Indiana, which he called "the sixth circle of hell". Se oli Ezran Kouvola. One former student remembered him as a breath of fresh air; another said he was "exhibitionist, egotistic, self-centered and self-indulgent". ellauri160.html on line 138: He was dismissed after a few months. Smoking was forbidden, but he would smoke cigarillos in his room in the same corridor as the president's office. He was asked to leave the college in January 1908 when his landladies, Ida and Belle Hall, found a woman in his room. Shocked at having been fired, he left for Europe soon after, sailing from New York in March on the RMS Slavonia. ellauri160.html on line 140: In January and February 1909, after the death of John Churton Collins left a vacancy, Pound lectured for an hour a week in the evenings on "The Development of Literature in Southern Europe" at the Regent Street Polytechnic. ellauri160.html on line 145: At a literary salon in 1909, Pound met the novelist Olivia Shakespear and later at the Shakespears' home at 12 Brunswick Gardens, Kensington, was introduced to her daughter, Dorothy, who became Pound's wife in 1914. The critic Iris Barry described her as "carrying herself delicately with the air, always, of a young Victorian lady out skating, and a profile as clear and lovely as that of a porcelain Kuan-yin". ellauri160.html on line 149: London found Pound amusing. The newspapers interviewed him, and he was mentioned in Punch magazine, which on 23 June 1909 described "Mr. Ezekiel Ton" as "the most remarkable thing in poetry since Robert Browning ... blending the imagery of the unfettered West, the vocabulary of Wardour Street, and the sinister abandon of Borgiac Italy". The phrase "Wardour Street English" denotes the use of near-obsolete words for effect, such as anent; this derives from the once great number of antique shops in the area. anent means about, concerning. Did you know? ellauri160.html on line 151: Rupert Brooke complained in the Cambridge Review that Pound had fallen under the influence of Walt Whitman, writing in "unmetrical sprawling lengths that, in his hands, have nothing to commend them". But he did acknowledge that Pound had "great talents". ellauri160.html on line 153: In June 1910 Pound returned for eight months to the United States. Although he loved New York, he felt alienated by the commercialism and newcomers from Eastern and Southern Europe who were displacing the white Anglo-Saxon Protestants. The recently built New York Public Library Main Branch he found especially offensive. It was during this period that his antisemitism became apparent; he referred in Patria Mia to the "detestable qualities" of Jews. ellauri160.html on line 158: Ford Madox Ford (né Joseph Leopold Ford Hermann Madox Hueffer (/ˈhɛfər/ December 1873 – 26 June 1939) was an English novelist, poet, critic and editor whose journals The English Review and The Transatlantic Review were instrumental in the development of early 20th-century English and American literature. ellauri160.html on line 160: In The Cantos, Possum is T. S. Eliot: "but the lot of 'em, Yeats, Possum and Wyndham / had no ground beneath 'em." In the New Age office in 1918, he also met C. H. Douglas, a British engineer who was developing his economic theory of social credit, which Pound found attractive. Douglas reportedly believed that Jews were a problem and needed to abandon a Messianic view of themselves as the "dominating race". According to Colin Holmes, the New Age itself published antisemitic material. It was within this environment, not in Italy, according to Tim Redman, that Pound first encountered antisemitic ideas about "usury". In Douglas's program," Pound had found his true muse: a blend of folkloric Celtic twilight with a paranoid hatred of the money economy and a dire suspicion about an ancient tent people's faith." ellauri160.html on line 168: As regarding rhythm: to compose in the sequence of the musical phrase, not in sequence of a metronome. ellauri160.html on line 171: Poetry published Pound's "A Few Don'ts by an Imagist" in March 1913. Superfluous words, particularly adjectives, should be avoided (Ahha! This is where Stephen King comes in) as well as expressions like "dim lands of peace". He wrote: "It dulls the image. It mixes an abstraction with the concrete. It comes from the writer's not realizing that the natural object is always the adequate symbol. Just say 'lands'." Poets should "go in fear of abstractions". He wanted Imagisme "to stand for hard light, clear edges", he wrote later to Amy Lowell. ellauri160.html on line 173: The New England poet Amy Lowell, who was to win the Pulitzer Prize for Poetry in 1926, was apparently unhappy that only one of her poems had appeared in Des Imagistes. Ford Madox Hueffer announced that he had been an Imagiste long before Lowell and Pound, and that he doubted their qualifications. ellauri160.html on line 174: During the subsequent row, Pound left the table and returned with a tin bathtub on his head, suggesting it as a symbol of what he called Les Nagistes, a school created by Lowell's poem "In a Garden", which ends with "Night, and the water, and you in your whiteness, bathing!" Apparently his behavior helped Lowell win people over to her point of view, as did her offer to fund future work. ellauri160.html on line 176: H.D. and Aldington were moving away from Pound's understanding of Imagisme anyway, as he aligned himself with Lewis's ideas. Lowell agreed to finance an annual anthology of Imagiste poets, but she insisted on democracy; according to Aldington, she "proposed a Boston Tea Party for Ezra" and an end to his despotic rule. Upset at Lowell, Pound began to call Imagisme "Amygism"; he declared the movement dead and asked the group not to call themselves Imagistes. Not accepting that it was Pound's invention, they refused and Anglicized the term. ellauri160.html on line 178: In the summer of 1913 Pound became literary editor of The Egoist, a journal founded by the suffragette Dora Marsden. At the suggestion of W. B. Yeats, Pound encouraged James Joyce in December of that year to submit his work. Harriet Shaw Weaver accepted it for The Egoist, which serialized it from 2 February 1914, despite the printers objecting to words like "fart" and "ballocks", and fearing prosecution over Stephen Dedalus's thoughts about prostitutes. Joyce wrote to Yeats: "I can never thank you enough for having brought me into relation with your friend Ezra Pound who is indeed a miracle worker." ellauri160.html on line 182: Samuel Putnam knew Pound in Paris in the 1920s and described him as stubborn, contrary, cantankerous, bossy, touchy, and "devoid of humor"; he was "an American small-towner", in Putnam's view. His attitude caused him trouble in both London and Paris. English women, with their "preponderantly derivative" minds, were inferior to American women who had minds of their own, he wrote in the New Age. The English sense of what was right was based on respect for property, not morality. "Perched on the rotten shell of a crumbling empire", London had lost its energy. England's best authors—Conrad, Hudson, James, and Yeats—were not English. English writers and critics were ignorant, he wrote in 1913. ellauri160.html on line 184: Apparently Ezra had not read the empiricist philosophers (Hobbes, Locke, Hume, Smith), who literally equate morality with respect for property. ellauri160.html on line 186: BTW, Dolly Shakespeare didn't like Eliza Doolittle and vice versa, not surprisingly. ellauri160.html on line 188: On 22 September 1914 T. S. Eliot traveled from Merton College, Oxford, with an introduction from Conrad Aiken, to have Pound read Eliot's unpublished "The Love Song of J. Alfred Prufrock". Pound wrote to Harriet Monroe, editor of Poetry, on 30 September to say that Eliot—who was at Oxford on a fellowship from Harvard—had "sent in the best poem I have yet had or seen from an American ... He has actually trained himself and modernized himself on his own." Monroe did not like Prufrock's "very European world-weariness", according to Humphrey Carpenter, but she published it anyway, in June 1915. ellauri160.html on line 192: Pound käänsi Li Bain runoja japanilaisten avulla. Ei niitä monta tullut, ennenkin se ehti riitaantua apujapanilaisten kaa. Michael Alexander saw Cathay as the most attractive of Pound's work. There is a debate about whether the poems should be viewed primarily as translations or as contributions to Imagism and the modernization of English poetry. English professor Steven Yao argued that Cathay shows that translation does not need a thorough knowledge of the source language. ellauri160.html on line 196: Harriet Monroe, editor of Poetry, published a letter in April 1919 from a professor of Latin, W. G. Hale, who found "about three-score errors" in the text; he said Pound was "incredibly ignorant of Latin", that "much of what he makes his author say is unintelligible", and that "If Mr. Pound were a professor of Latin, there would be nothing left for him but suicide" (adding "I do not counsel this"). Pound replied to Monroe: "Cat-piss and porcupines!! The thing is no more a translation than my 'Altaforte' is a translation, or than Fitzgerald's Omar is a translation." ellauri160.html on line 200: After the publication of Cathay, Pound mentioned that he was working on a long poem. He described it in September 1915 as a "cryselephantine poem of immeasurable length which will occupy me for the next four decades unless it becomes a bore". ellauri160.html on line 202: In June, July and August 1917 Pound had the first three cantos published, as "Three Cantos", in Poetry. Twice the length of Paradise Lost and 50 times longer than The Waste Land, Pound's 800-page The Cantos ("Canto I" to "Canto CXVI", c. 1917–1962) became his life's work. ellauri160.html on line 203: In letters to his father in 1924 and 1927, Pound said The Cantos was like the medley of voices you hear when you turn the radio dial. ellauri160.html on line 206: By 1917 The poet F. S. Flint told The Egoist's editor that "we are all tired of Mr. Pound". British literary circles were "tired of his antics" and of him "puffing and swelling himself and his friends", Flint wrote. "His work has deteriorated from book to book; his manners have become more and more offensive; and we wish he would go back to America." ellauri160.html on line 207: By 1919 Pound felt there was no reason to stay in England. He had "muffed his chances of becoming literary director of London—to which he undoubtedly aspired," Aldington wrote in 1941, "by his own enormous conceit, folly, and bad manners." ellauri160.html on line 209: The Pounds settled in Paris around April 1921 and in December moved to an inexpensive ground-floor apartment at 70 bis Rue Notre-Dame-des-Champs. Pound became friendly with Marcel Duchamp, Fernand Léger, Tristan Tzara, and others of the Dada and Surrealist movements, as well as Basil Bunting. He was introduced to the American writer Gertrude Stein, who was living in Paris. She wrote years later that she liked him but did not find him amusing; he was "a village explainer, excellent if you were a village, but if you were not, not". ellauri160.html on line 211: Hemingway, then aged 22, moved to Paris with his wife, Hadley Richardson, and letters of introduction from Sherwood Anderson. In February 1922 the Hemingways visited the Pounds for tea. Although Pound was 14 years older, the men became friends; Hemingway assumed the status of pupil and asked Pound to edit his short stories. Pound introduced him to his contacts, including Lewis, Ford, John Peale Bishop, Malcolm Cowley, and Derek Patmore, while Hemingway tried to teach Pound to box. Hemingway was a drinker, Ezra not. ellauri160.html on line 213: Eliot sent Pound the manuscript of The Waste Land in 1922. Pound edited it with comments like "make up yr. mind", and reduced it by about half. Possum's dedication in The Waste Land was "For Ezra Pound / il miglior fabbro" (the "better craftsman"), from Canto 26 of Dante's Purgatorio. ellauri160.html on line 217: English poets such as Maurice Hewlett, Rudyard Kipling, and Alfred Tennyson had made a particular kind of Victorian verse—stirring, pompous, propagandistic and popular. According to modernist scholar James Knapp, Pound rejected the idea of poetry as "versified moral essay"; he wanted to focus on the individual experience, the concrete rather than the abstract. ellauri160.html on line 219: Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling it's cold." ellauri160.html on line 221: Angered by the carnage of World War I, Pound blamed the war on finance capitalism, which he called "usury". He was completely right. He moved to Italy in 1924 and through the 1930s and 1940s promoted an economic theory known as social credit, wrote for publications owned by the British fascist Sir Oswald Mosley, embraced Benito Mussolini's fascism, and expressed support for Adolf Hitler. During World War II and the Holocaust in Italy, he made hundreds of paid radio broadcasts for the Italian government, including in German-occupied Italy, attacking the United States, Franklin D. Roosevelt, Great Britain, international finance, munitions makers and mongers, and Jews, among others, as causes, abettors and prolongers of the world war, as a result of which he was arrested in 1945 by American forces in Italy on charges of treason. He spent months in a U.S. military camp in Pisa, including three weeks in an outdoor steel cage. Deemed unfit to stand trial, he was incarcerated in St. Elizabeths psychiatric hospital in Washington, D.C., for over 12 years. Nothing has changed: this sounds precisely like the U.S. decades long persecution of Assange. ellauri160.html on line 223: While in custody in Italy, Pound began work on sections of The Cantos that were published as The Pisan Cantos (1948), for which he was awarded the Bollingen Prize for Poetry in 1949 by the Library of Congress, causing enormous controversy. After a campaign by his fellow writers, he was released from St. Elizabeths in 1958 and lived in Italy until his death in 1972. His economic and political views have ensured that his life and work remain controversial. He is popular with the alt-right but his opinions about usury forever condemn him in the circles of New York money liberals. ellauri160.html on line 286: Toisaalta tunnekylmä saattaa salailla asioita läheisiltään, koska ei ymmärrä, että niistä täytyisi kertoa toiselle. Paizi ei se ole salailua, muut vaan pidetään strictly need to know basixella. ellauri160.html on line 310: Ei, mitään maanviljelyn vallankumousta ei tapahtunut, eikä maanviljelyn aloittaminen johtanut byrokraattisiin yhteiskuntiin ja luokkaeroihin, kuten viime aikojen ehkä suosituimman historiateoksen Sapiens (2011) kirjoittanut professori Yuval Noah Harari väittää. Eikä ihmisten poliittinen organisoituminen ole alkuvaiheessa samanlaista pienten yhteisöjen muodostusta kuin mitä on havaittu esimerkiksi simpansseilla, kuten kuuluisa tutkija Francis Fukuyama teoksessaan The Origins of Political Order (2011) väitti. ellauri160.html on line 312: Fukuyama is known for his book The End of History and the Last Man (1992), which argues that the worldwide spread of liberal democracies and free-market capitalism of the West and its lifestyle may signal the end point of humanity´s sociocultural evolution and become the final form of human government. However, his subsequent book Trust: Social Virtues and Creation of Prosperity (1995) modified his earlier position to acknowledge that culture cannot be cleanly separated from economics. Fukuyama is also associated with the rise of the neoconservative movement, from which he has since distanced himself. ellauri160.html on line 314: Francis Fukuyama was born in the Hyde Park neighborhood of Chicago, Illinois, United States. His paternal grandfather fled the Russo-Japanese War in 1905 and started a shop on the west coast before being interned in the Second World War. His father, Yoshio Fukuyama, a second-generation Japanese American, was trained as a minister in the Congregational Church, received a doctorate in sociology from the University of Chicago, and taught religious studies. His mother, Toshiko Kawata Fukuyama (河田敏子), was born in Kyoto, Japan, and was the daughter of Shiro Kawata (河田嗣郎), founder of the Economics Department of Kyoto University and first president of Osaka City University. Francis grew up in Manhattan as an only child, had little contact with Japanese culture, and did not learn Japanese. ellauri160.html on line 316: Fukuyama received his Bachelor of Arts degree in classics from Cornell University, where he studied political philosophy under Allan Bloom. He initially pursued graduate studies in comparative literature at Yale University, going to Paris for six months to study under Roland Barthes and Jacques Derrida but became disillusioned and switched to political science at Harvard University. There, he studied with Samuel P. Huntington and Harvey Mansfield, among others. He earned his Ph.D. in political science at Harvard for his thesis on Soviet threats to intervene in the Middle East. In 1979, he joined the global policy think tank RAND Corporation. Eli vittua se mikään simpanssitutkija oli, Ellei sitten tutkinut omaa napanöyhtää, kun on ilmetyn bonobon näkönenkin. Kokeili taskuaan ja kaikki oli tallella, kelpas hymyillä. ellauri160.html on line 386: Jaakko Ahokkaan kanssa hän suomensi Max Jacobin (1977), Henri Michauxin (1980) ja Arthur Rimbaudin (1983) runoja. ellauri160.html on line 415: Then prayed I many a prayer to the sickly death’s-heads; Sit mä pyllistelin aika sairaan paljon kalloille; ellauri160.html on line 417: For sacrifice, heaping the pyre with goods, A-laatua, kasattiin hyvää tulille, ellauri160.html on line 449: And Anticlea came, whom I beat off, and then Tiresias Theban, Sit tuli Antiklea³, se sai kyytiä, ja sit teebalainen Tirso, ellauri160.html on line 461: Anticlea came. Ja sit Antiklea tuli taas. ellauri160.html on line 463: In officina Wecheli, 1538, out of Homer. Weczellin painosta 1538, Homer Simpson. ellauri160.html on line 471: o richalchi, with golden pronssii, kultaisia ellauri160.html on line 473: Bearing the golden bough of Argicida. Jolla on koirantappajan kultaoxa⁶. ellauri160.html on line 478: ¹Avernus was an ancient name for a volcanic crater near Cumae (Cuma), Italy, in the region of Campania west of Naples. Part of the Phlegraean Fields of volcanoes, Avernus is approximately 3.2 kilometres (2.0 mi) in circumference. Within the crater is Lake Avernus (Lago d´Averno). Vittuako noi anglosaxit aina sotkee jotain Vergiliusta kreikkalaiseen antiikkiin. Ne on moukkia. ellauri160.html on line 480: ²Ei siis ällänmuotoista, kuten äkkinäinen voisi luulla. Mä rakensin Helmille ell-square hiekkalaatikon Ilmattarentien pihalle. Se on siinä vieläkin, mutta sen laittoivat Paul ja Ecem kasvamaan porkanaa (sic) ja perunaa. Viimexi siinä oli peltikaton räystäälle itäneitä jotain vieraskasveja, joita Paul urheasti korkean paikan pelosta huolimatta pudotteli alas turvavöissä. Sellaiset olis Toivo-tontullakin suonut olleen. ellauri160.html on line 488: ⁶This phrase comes from Dartona's Homeric Hymns. The particular line appears in the "Second Hymn to Aphrodite." Scholars provide a variety of translations for the passage. Kearns's translation reads: "the high places [walls, fortifications] of Cyprus are her appointed realm" (25). ellauri160.html on line 489: The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanized: Homērikoì húmnoi) are a collection of thirty-three anonymous ancient Greek hymns celebrating individual gods. The hymns are "Homeric" in the sense that they employ the same epic meter—dactylic hexameter—as the Iliad and Odyssey, use many similar formulas and are couched in the same dialect. ellauri160.html on line 491: ⁷The golden bough of Argicida - Formula of address for Hermes. "Argicida" is the Latin translation of the epithet Ἀργειφόντης ("Argeiphontes" - slayer of Argus) which is always applied to him, whereas the golden bough is Hermes´ caduceus, or wand. PL. Hermes has an appearance in the other Hymn to Aphrodite (no. V), printed in the Divus volume. Eli se em. kyrvännäköinen tirso-sauva. It all figures. Mua ärsyttää Dos Vidaxen Tirson musta pässintukka, menis parturiin. Luupää. ellauri160.html on line 583: Scholars believe the reason Jews in Babylon undertook to draw demons between the 5th and the 7th centuries has to do with a series of relaxations of the strictures, which rabbis gave the Jews as a way of dealing with the challenged posed by the increasing strength of Christianity. Fearing that Jews might prefer the new religion, the rabbis agreed to allow magic that included visual images. The demons Vilozny researched were drawn on “incantation bowls” – simple pottery vessels the insides of which were covered with inscriptions and drawings. ellauri160.html on line 585: The most outstanding is Lilith, a well-known succubus in Jewish texts. The Babylonian Jewish Lilith is a combination of two female Sumerian demons: Lamashtu, who specialized in strangling women and infant during births and Ardat-Lili, whose specialty was the seduction and murder of young men. Lilith, then, both endangers mothers and infants and seduces men and in the bowls that depict her attributes both female demons can be found. ellauri160.html on line 587: Lilith is often depicted naked and with longer hair and frequently in a seductive dance pose like Ardit-Lili. (Eli se on toi joka seisoo jalat harallaan pillu ärvöllään.) In the inscriptions surrounding the images she is described as a female demon who strangles babies at their hour of birth. Mabhalta, her usual companion, is described on one of the bowls as “the great destroyer of fire.” ellauri160.html on line 631: The North West Angle of the Circle of the Twelve is described as a scorpion which stands upright and composed of putrefying water, gigantic in size. With this demon comes the “unnameable” one, Abaddon, his image is black, huge and covered in whirling wheels and blades, within his hand a wheel which has a multitude of cat-like demons upon it. Behind Abaddon is Maamah or Naamah, a crouching demon like woman, who is of Az – Jeh the Mother of Harlots, she has an animal’s body and eats the earth while crawling. ellauri160.html on line 635: In Talmudic-midrashic literature, Naamah is indistinguishable from the human Naamah, who earned her name by seducing men through her play of cymbals. She also enticed the angel Shamdon or Shomron and bore Ashmodai, the king of devils. It was later, in Kabbalistic literature like the Zohar, that she became an inhuman spirit. Kun John oli pieni ja sen vaippa oli täynnä, se tuli ja työnsi sen nukkuvien naamaan sanoen "istuu naamalle." Voi saatana. Aika epäinhimillistä. ellauri160.html on line 637: According to the Zohar, after Cain kills Abel, Adam separates from Eve for 130 years. During this time, Lilith and Naamah seduce him and bear his demonic children, who became the Plagues of Mankind. She and Lilith cause epilepsy in children. ellauri160.html on line 639: In another story from the Zohar, Naamah and Lilith are said to have corrupted the angels Ouza and Azazel. The text states she also attracts demons, as she is continuously chased by demon kings Afrira and Qastimon every night, but she leaps away every time and takes multiple forms to entice men. ellauri160.html on line 643: ²In the rabbinic literature of Yalḳuṭ Ḥadash, on the eves of Wednesday and Saturday, she is "the dancing roof-demon" who haunts the air with her chariot and her train of 18 messengers/angels of spiritual destruction. She dances while her mother, or possibly grandmother, Lilith howls. She is also "the mistress of the sorceresses" who communicated magic secrets to Amemar, a Jewish sage. ellauri160.html on line 645: In Zoharistic Kabbalah, she is a queen of the demons and an angel of sacred prostitution, who mates with archangel Samael along with Lilith and Naamah, sometimes adding Eisheth as a fourth mate. ellauri160.html on line 647: According to legend, Agrat and Lilith visited King Solomon disguised as prostitutes. The spirits Solomon communicated with Agrat were all placed inside of a genie lamp-like vessel and set inside of a cave on the cliffs of the Dead Sea. Later, after the spirits were cast into the lamp, Agrat bat Mahlat and her lamp were discovered by King David. Agrat then mated with him a night and bore him a demonic son Ashm'dai and later Ashmodai, named after Asmodeus, who is identified with Hadad the Edomite. ellauri160.html on line 649: In a Kabbalistic treatise by Nathan Spira (died in 1662), it is explained that Mahlat was daughter to Ishmael and his wife, who was herself daughter of Egyptian sorcerer Kasdiel. Mother and daughter were exiled to the desert, where the demon Igrathiel mated with Mahlat and engendered Agrat or Igrat. Mahlat later became Esau's wife. ellauri160.html on line 651: About 1000 years after the era of Solomon and David, another widely known intervention occurred known as "The spiritual intervention of Hanina ben Dosa and Rabbi Abaye" which ended up curbing her malevolent powers over humans. ellauri160.html on line 654: “What, actually, is magic? It is man’s belief in his ability, by taking active measures, to control his fate and in a certain sense this circumvents God. It doesn’t contradict faith but it does help God to help me. That’s why I love it, because it’s very human, especially in an era that is scientific. ellauri160.html on line 796: Every two weeks, Stammtisch, the Meet-Up group for German speakers, gets together in various bars and restaurants all over the greater Philadelphia area. At their first meeting after New Year’s, the big topic was Lauri Wylie’s Dinner for One, the short TV adaptation of his quintessential British one-act comedy with a huge international cult following—except Britain and the US. ellauri160.html on line 800: After watching the famous movie, one lingering question hit my brain: why did this film never take off in England or the States the same way it had elsewhere? Although its absurdist humor and physical comedy seem tailor-made for the Monty Python set, Dinner for One has spent much of its life as an obscure oddball among most native English speakers. ellauri160.html on line 802: However, given the vagaries of public taste, we may have to poke around in the Anglo American psyche a bit to find out what’s holding back US support for one of the most popular New Year’s events, almost as famous as AuldLang Syne. ellauri160.html on line 806: It is really sweet that Germans and others have adopted something and that this sketch is special for them. I respect that and don’t doubt for a second the genuine love and admiration some have for Dinner for One. But I am really surprised to see Monty Python compared with Dinner for One. I have to say it was painful to sit through. Painfully, painfully bad and unfunny. That’s why it has never caught on in Britain. I suppose we must have a very different sense of humour to that of Scandinavia and the German-speaking countries. We don’t consider it funny if someone falls over something. There’s nothing subtle or clever or nuanced about it (Rowan Atkinson’s absurdist physical comedy went down so well due to its complexity, think of the sketch where Mr. Bean makes the sandwich on the park bench and it gets progressively more and more absurd, he gets the fish out of water and slaps it against the bench to kill it before eating it, etc. now that is funny, and food fights in general). It’s not funny the first time the butler falls over the tiger-skin rug and it gets progressively more and more irritating each time he does it. You can spot the punchline a mile off and so the end of the sketch falls very flat. It’s nothing whatever to do with the length of the sketch or its obscurity or difficulty finding it: people still seek out all the comic greats on Youtube, like that fat man watsisname, or Charlie Chaplin who bravely made fun of your Hitler. ellauri160.html on line 808: Again, no offence meant, if you love the sketch and want others to see it, that is a very nice sentiment but if you find British people, and show them the sketch and ask their opinions, you will find no one laughs and complements will be far from forthcoming at the end. Still, it is fascinating, is it not, how humour translates differently across cultures? In short: we are not amused, not at all. ellauri161.html on line 6: font-style: italic; ellauri161.html on line 83: As stated previously, the word "heresy" is derived from the Greek word "hairetikos", which means "choice." It later came to mean -- the party or school of a man's choice. In the New Testament, the term is used for the parties of the Pharisees and the Sadducees, plus the part of the Nazarenes (Acts 5:17, 24:5, 26:5, 28:22). Before the end of the New Testament, the word begins to take on its distinctively Christian sense, i.e., "a line of thought or practice which deviated from the mainstream of Christianity." ellauri161.html on line 95: The denial of Christ's Divinity -- which lead to the heresies known as Ebonism, Arianism (Jehovah's Witnesses), Nestorianism, Socinianism, Liberalism, Humanism, Unitarianism. ellauri161.html on line 97: The denial of Christ's two natures -- which created heretical groups such as Monophysitism, Eutychianism, Monothelitism. These all confuse the two natures of Christ; i.e., absorbed one of His natures into the other. ellauri161.html on line 99: The denial of Christ's humanity -- which gave rise to Docetism, Marcionism, Gnosticism, Apollinarianism, Monarchianism, Patripassianism, Sabellianism, Adoptionism, Dynamic Monarchianism. ellauri161.html on line 101: All of these heresies in some way ended up by "splitting" the theanthropic (God-Man) Jesus Christ like a banana split! As St. Augustine once said concerning the doctrine of the Trinity, "Spend your life trying to understand it, and you will lose your mind; but deny it and you will lose your soul." So which one is it? Andy has already made up his mind. ellauri161.html on line 103: Adoptionism, also called dynamic monarchianism, is an early Christian nontrinitarian theological doctrine, which holds that Jesus was adopted as the Son of God at his baptism, his resurrection, or his ascension. Under adoptionism Jesus is currently divine and has been since his adoption, although he is not equal to the Father, per "my Father is greater than I" and as such is a kind of subordinationism. Adoptionism is sometimes, but not always, related to denial of the virgin birth of Jesus. The other early Christology is "high Christology," which is "the view that Jesus was a pre-existent divine being who became a human, did the Father’s will on earth, and then was taken back up into heaven whence he had originally come," and from where he appeared on earth. ellauri161.html on line 105: Monothelitism, or monotheletism (from Greek: μονοθελητισμός, romanized: monothelētismós, lit. 'doctrine of one will'), is a theological doctrine in Christianity, that holds Christ as having only one utility function. The doctrine is thus contrary to dyothelitism, a Christological doctrine that holds Christ as having two wills (divine and human). Historically, monothelitism was closely related to monoenergism, a theological doctrine that holds Jesus Christ as having only one strategy set. Both doctrines were at the center of Christological disputes during the 7th century. ellauri161.html on line 109: Council of Nicaea (AD 324) -- was called by Constantine to consider and, if possible, settle the ARIAN heresy. It gave the church the first great ecumenical creed. ellauri161.html on line 115: The Council of Chalcedon (AD 451) -- three bishops and two presbyters presided. They were representatives of Leo of Rome. The Council condemned EUTYCHIANISM, and gave the church the creedal statement on Christology which has stood the test of the centuries. The Chalcedonian statement has largely become the orthodox creed or Protestantism. ellauri161.html on line 135: Nyölénin tekstissä on kyllä paljon oikeaoppistakin, ja ehkä siitä saisi väännettyä juuri ja juuri kirkon uskon mukaisen tulkinnan. Suoraan ei sanota minunkaan raamatussani1, ovatko kuolleet tietoisia ja voivatko he nauttia Jumalan läsnäolosta ennen ylösnousemuksen päivää, voivatko pyhät rukoilla puolestamme taivaassa jo nyt, ja onkp siitä mitään apua.. Nyölén ohittaa kokonaan Uuden testamentin aineiston, kristillisen tradition, katolisen dogmin ja vaikkapa Jari Jolkkosen Euangelium Benedictum -kirjassa mainitsemat "luterilaiset pyhäinpäivän virret" ja "katoliset hautausrukoukset", jotka "tietävät, että pyhät viettävät juhlaa taivaassa jo nyt" (s. 159). No vittu mitä ne nyt tietävät. Oliko niille muka ilmoitettu jotakin ohi virkatien? ellauri161.html on line 137: Edellisen perusteella on sanomattakin selvää, ettei "Jumalan valtakunta" tarkoita Nyölénille taivasta. Eikä siinä mitään, mutta kun Nyöléniltä ei tunnu liikenevän minkäänlaista teologista sisältöä Jumalan valtakunnalle: ei ekklesiologista, ei kristologista, ainoastaan politiikkaa. "Jumalan valtakunnan saavuttamattomuus merkitsee jatkuvaa muutosta, jatkuvaa työtä." (s. 76) "Se on tavoitteemme, varma näkemyksemme siitä, millainen maailman pitäisi olla." (s. 75) Nyölén tunnustaakin: "Kristinuskokin on minulle pohjimmiltaan poliittinen asema, ohjelma ja vakaumus, ei yksityistä tunnelmointia. Se on näkökulma maailman menoon." (s. 72) Tästä kai Anan oikislaisuuskin kumpuaa. Tässä asiassa Nyölén ei ole tainnut lukea tai kuunnella paljon paavi Benedictusta, jonka hän toisaalla tunnustaa teologian opettajakseen (s. 154). Se on bernsteinilaisia, päämäärä ei ole pääasia vaan matkustus. ellauri161.html on line 185: The heart has its reasons of which reason knows nothing, sanoi Blaise Pascalkin. Kuten toisaalla on jo todettu heart tässä yhteydessä tarkoittaa matelijanaivoja. ellauri161.html on line 201: Eli miksi kaikki tämä Nyölénin valitus Velvet Undergroundin Nicon vähäisestä suosiosta? Ei kai Antti Nyölénin sisäinen elitisti ja erikoisuuden tavoittelija salaa nauti voivansa vuodesta toiseen saarnata ihmisille tästä suuresta nerosta, jonka vain hänen kultivoituneen musiikintuntemuksensa omaava on saattanut löytää musiikin historian kätköistä? ellauri161.html on line 205: Kappaleessa viisi päästään kiinnostavaan gender-keskusteluun (huomio plink feministit!). Antti Nyölén päättää arvuutella Nicon yleistä sukupuoliroolia. Nainen tämä ei ainakaan ole. Antille Nico on ollut yleensä äiti. Mutta nyt hän ehdottaa hullua ämmää. Hullu ämmä on arkkityyppi, ja Nico on sen täydellinen edustaja. Hullu ämmä, Nyölö arvuuttelee, on ehkä dandyn naispuolinen vastine. Feministiä tai luokkataistelijaa hänestä ei voi tulla, sillä hän ei tunnusta sukupuolieroa eikä tunne solidaarisuutta mitään viitekehystä kohtaan vaan halveksii niitä kaikkia - samoin kuin dandy ylenkatsoo muiden standardimieheyttä. Hullu ämmä on mielummin misogyyni kuin feministi. Ennen kaikkea hän on jyrkkä individualisti ja herooisen välinpitämätön muiden ajatuksista ja odotuksista. ellauri161.html on line 213: Christa Päffgen eli Nico (16. lokakuuta 1938 Köln, Saksa – 10. heinäkuuta 1988 Ibiza, Espanja) oli saksalais-yhdysvaltalainen rocklaulaja ja -säveltäjä. Uransa alussa hän toimi myös mallina ja näyttelijänä. Hän oli ennen omaa uraa yksi taiteilija Andy Warholin "supertähtiä" ja teki yhteistyötä 1960-luvun rock-yhtye Velvet Undergroundin kanssa. Tunnetuimpia hänen esittämiään kappaleita ovat ”I’ll Be Your Mirror”, ”Femme Fatale”, ”All Tomorrow’s Parties”, ”Chelsea Girls” ja ”Frozen Warnings”. ellauri161.html on line 215: Nico ryhtyi käyttämään heroiinia vuoden 1968 tienoilla. Samanikäisenä kuin Antti sai yllätyslapsensa. Vaikea riippuvuus verotti aikaa myöten hänen voimavarojaan, ja hän levytti enää harvoin. Antti levyttää aika usein, paizi messuaikoina. Nico sai aivoverenvuodon ja kaatui polkupyöräretkellä tai päinvastoin, ja hän kuoli Ibizalla kesällä 1988. ellauri161.html on line 217: Nico tuli tunnetuksi romansseistaan Jim Morrisonin, Lou Reedin, Iggy Popin, Leonard Cohenin ja Alain Delonin kanssa. ellauri161.html on line 218: Nicon mukaan hän sai Alain Delonin kanssa yhteisen pojan, näyttelijä ja valokuvaaja Christian Aaron ”Ari” Boulognen (s. 1962), jota Delon ei ole koskaan tunnustanut omakseen. Arin isäksi sen sijaan tunnustautuu ranskalainen virkamies Jean-Marc Billancourt. Billancourtin mukaan hän on lähes täydellinen Delonin kaksoisolento, mikä oli kätevää naisten parissa: näin hän päätyi tapamaan myös Nicon. Nico luuli Billancourtia Deloniksi, ja parilla oli suhde. Billancourt paljasti todellisen identiteettinsä Nicolle, kun tämä kertoi että odottaa parin lasta – mutta Nico ei halunnut uskoa Billancourtia, kun mies sanoi ettei olekaan Delon. Eräänä päivänä Nico vain häipyi jättämättä osoitettaan, eikä se Billancourtia sinänsä haitannut, sillä mies oli jo perheellinen. Myöhemmin Billancourt näki Arin kutsuilla, ja silloin jotain loksahti kohdilleen. Viimeinenkin epäilyksen häivä isyydestä poistui, kun mies näki lehdestä kuka Arin äiti on. Billancourt kuitenkin sanoo, ettei häntä ole uskottu, kun hän sanoo olevansa Nicon pojan isä. "Mitä Teihin tulee, herra Delon, minulla on voimakas tunne siitä, että Te ainakaan ette epäile kertomaani hetkeäkään." ellauri161.html on line 220: Alain Delon oma äiti Edith Boulogne näki Arin kuvan ensimmäisen kerran lehdessä, ja hän oli vakuuttunut siitä että hänen poikansa on lapsen isä. Edith Boulogne kävi miehensä kanssa tapaamassa Nicoa ja Aria, kun pikkupoika oli parivuotias. Edith ja hänen miehensä ihastuivat lapseen ja Edith otti pojan luokseen. "Uskoin todella että Alain kyllä hyväksyy pojan." Pari vuotta sen jälkeen Delon kuuli asiasta ja lähetti agenttinsa kautta äidilleen sanan, että Edithin pitää valita joko oma poikansa tai lapsi. "Mieheni sanoi minulle, että poikasi kyllä elättää itsensä, mutta Ari ei voi kasvattaa itseään." Boulogne kertoo että vaikka Nico olikin ihana ihminen, ei hän osannut huolehtia lapsesta: "Hän raahasi poikaa ympäriinsä mukanaan, eikä lapsi saanut syödäkseen muuta kuin ranskanperunoita ennen kuin otimme hänet luoksemme. Nico kävi katsomassa poikaa kerran kolmen vuoden aikana, ja toi tuliaisiksi appelsiinin!" Alan Delonin äiti Edith Boulogne päätyi adoptoimaan Arin, mistä johtuen Arin sukunimeksi tuli Boulogne. Biologinen äiti koitui kuitenkin kohtalokkaaksi Arille, kun hän oli 16-vuotias: Nico esitteli heroiinin pojalleen, ja niin myös Arista tuli addikti. Vuosien aikana erilaiset hoitoklinikat ja psykiatrinen hoito tulivat Nicon pojalle tutuiksi. Arin mukaan hän joutui viimeistä kertaa vieroitushoitoon 1993. Vuonna 2001 Ari julkaisi kirjan itsestään ja äidistään Nicosta, nimellä L'Amour n'oublie jamais (suom. Rakkaus ei koskaan unohda). Päätös kirjan kirjoittamisesta osui samaan ajankohtaan, kun Arista itsestään oli tullut isä 1999. Huumeidenkäytöstä huolimatta Ari piti Nicoa hyvänä äitinä, loistavana ja humoristisena, oikeana rock'and'roll-naisena, joka otti lavan haltuunsa naarasleijonan lailla. ellauri161.html on line 222: Nico esiintyi Helsingissä kaksi kertaa, vuosina 1982 ja 1984. 9-11 vuotias Antti huusi yleisöstä: Äiti! ellauri161.html on line 309: – Nihilistit ovat joko paatuneita, teoriassa kuolleita – nämä ovat yleensä filosofisia saivartelijoita, joille Friedrich Nietzsche on idoli ylitse muiden – yksinkertaisesti pelkkiä teeskentelijöitä ja pelkureita, Nyölö kritisoi. Nietsche on kuollut, terveisin jumala. ellauri161.html on line 416: En composant des acrostiches indolents Laiskasti virkaten kaxirivisiä runoja, ellauri161.html on line 466: Kate Dibiasky (Jennifer Lawrence), an astronomy grad student, and her professor Dr. Randall Mindy (Leonardo DiCaprio) make an astounding discovery of a comet orbiting within the solar system. The problem - it's on a direct collision course with Earth. The other problem? No one really seems to care. Turns out warning mankind about a planet-killer the size of Mount Everest is an inconvenient fact to navigate. With the help of Dr. Oglethorpe (Rob Morgan), Kate and Randall embark on a media tour that takes them from the office of an indifferent President Orlean (Meryl Streep) and her sycophantic son and Chief of Staff, Jason (Jonah Hill), to the airwaves of The Daily Rip, an upbeat morning show hosted by Brie (Cate Blanchett) and Jack (Tyler Perry). With only six months until the comet makes impact, managing the 24-hour news cycle and gaining the attention of the social media obsessed public before it's too late proves shockingly comical - what will it take to get the world to just look up?. — Based on truly possible events. ellauri161.html on line 468: Rated R for language throughout, some sexual content, graphic nudity and drug content. ellauri161.html on line 472: The Chicxulub asteroid Jennifer Lawrence's character mentions hit Earth 66 million years ago in what is now Mexico. The estimated size of the asteroid was 10 kilometers wide (six miles) and resulted in 75% of all life on the planet dying. Known as the dinosaur killer, the asteroid left a crater estimated to be 150 kilometers (93 miles) in diameter and 20 kilometers (12 miles) in depth. ellauri161.html on line 474: There was one detail that I think McKay got completely wrong. There is no chance in hell the president of the United States would make a public speech and use metric units like kilometers in it. ellauri161.html on line 487: I understand why some people hate this film. It feels real in its entirety, it shows you how stupid and insignificant we are and it is extremely apropos today. Also, it was marketed as a comedy, when in fact is a dramatic film that is humorous only in its accurate portrayal of humanity. Then again some people try to "tell you" what it is about and, while it is certainly metaphoric, it isn't about anything more specific than ourselves. It is a mirror. Some people don't like what they see in it. ellauri161.html on line 489: I found it an almost perfect film, with some deliciously carefully crafted moments and great acting. At first I thought the comedic side was actually too much and wished that someone like Steven Soderbergh made the movie instead, but as I was watching it I started to appreciate how methodical the approach was and now I believe Adam McKay was the right man for the job. I enjoyed the overall plot, I liked the characters and how things were presented, but I loved the little things like, for example, the only scene where Europe is mentioned, as a short scene of a news item when they say they are going to convene and find their own solution, resulting in absolutely nothing. I am European and sad to say it struck home. Or the meal scene at the end, which is both emotional, focusing (= religious) and reminding us how even that option can be taken away by something as small as a virus. ellauri161.html on line 491: Annoyingly, in these days movies from the U. S. are becoming more and more of "a color". They are not telling a story, but are taking a side. They are either democrat or republican, conservative or liberal, blue or red, flyover or coast. Don't Look Up is not a big offender, but the language and presentation was clearly on the "coast" side. Thus, it will be probably appreciated by people who already saw the world this way and ignored or at best maligned by the people on the other side. And it's a pity, because this film is meant to bring us together as a civilization and not keep us divided. I feel like it could have done a better job in that direction. ellauri161.html on line 494: Now, one friend said that "Don't Look Up" was a masterpiece. Well, I wouldn't go as far as to calling it a masterpiece. Sure, "Don't Look Up" was a watchable movie, and writers Adam McKay and David Sirota definitely had some good jabs at the crazy world we live in today, with the likes of a crazy president, everything being on social media, people being concerned about riches even when facing extinction and such. I found the movie to be watchable and enjoyable, sure, but it wasn't a masterpiece, nor will it become a classic movie for me. ellauri161.html on line 496: The comedy used in "Don't Look Up", as written by Adam McKay and David Sirota wasn't really something that had me laughing. Sure, I could see the jabs at society and the ridiculing of certain aspects of the society and world we live in today, but it didn't make me laugh. ellauri161.html on line 501: After mulling it over, of course, the picture is really quite sad and depressing, if exceptionally accomplished. ellauri161.html on line 502: It is so close to home that it sometimes makes the film irritating to watch: you'd rather not be reminded how incompetent, superficial, self-servicing and nefarious the government, media etc are, how they screw up your life on a regular basis and how likely it is that they will eventually wipe out mankind. ellauri161.html on line 504: Overall, Don't Look Up is devoid of the fun, finesse & ferocity that goes into making a biting & stinging satire. Just like his previous ventures, McKay remains clueless about the necessity of restraint when dealing with topics such as this and gets carried away too often. ellauri161.html on line 507: Over 30% of the American population does not believe in global warming and think it is a hoax, or fake news. What's more perilous though is the fact that governments worldwide are NOT taking the proposed measures that could curb global warming beneath 1.5 Celsius. Above that treshold of 1.5 degrees Celsius we get a runaway effect of increasing global warming, which would be nothing less than CATASTROPHIC. ellauri161.html on line 514: If the super-rich were the main objects of McKay's wrath, he also was determined to get his digs in at some less important adversaries including climate change deniers along with all the vacuous adherents of addictive social media platforms. ellauri161.html on line 515: But something happened in 2016 that set the wheels in motion to eventually cause McKay to change the focus of the Don't Look Up script. And that was the humiliating victory of businessman Donald Trump in the presidential election--a man with no political experience--over the left's heir apparent, Hillary Clinton. ellauri161.html on line 517: The left was utterly ruined by Donald Trump's victory and it looked like they would never recover until a Savior came along and resurrected the once proud party who championed the "little guy." And that Savoir of course was mainstream orthodox medical science. ellauri161.html on line 519: Climate change was hardly the issue that was going to get the Democratic party out of the mess it was in until "science" easily outplayed the unsophisticated Trump who had no idea how to cope with such an incredibly powerful and clever juggernaut. ellauri161.html on line 520: Initially the "comet" stood for climate change in the original script. But now liberals were beholden to a far more scary narrative way better than the idea of climate change that might pose a threat only in an unforeseeable future--and that is of course infectious disease medicine. They realized without "the science" they had no chance against the right. So now the comet came to represent the "virus." ellauri161.html on line 522: How ironic that the giant killer comet would now be reduced to millions of sub-microscopic particles. But the analogy is lame: the decimation of earth by a comet crashing into earth is quantifiable-the conclusion that viruses can cause widespread death is purely speculative based on computer simulations. Where of course is all the widespread death? Unless of course you believe in unsubstantiated propagandistic reports promulgated by fear-mongering mainstream media and social media platforms. ellauri161.html on line 524: McKay proffers up more cheap digs at the right when he has President Orlean send up a caricature of a flag-waving racist and bigot vet in a suicide mission to deflect the comet from its path. ellauri161.html on line 529: So what exactly is wrong with McKay's picture of the "robber barons" aligning with the right? Well it's anachronistic. Today it's the left who are in power and it appears that Big Tech is in lock step with them. What's more the left can no longer be said to be sticking up for the "little guy," as they have granted a monopoly to pharmaceutical companies in their promotion of vaccines. ellauri161.html on line 530: Despite McKay's seeming awareness of the danger of Big Tech setting up one big surveillance state, he fails to recognize that the left-particularly in the encouragement of censorship by social media platforms-has gone way beyond what the right ever did in terms of a threat to our constitutional freedoms. ellauri161.html on line 532: All of the performers here are saddled with a smug script that promotes the fantasy that the left has a monopoly on virtue, insight and knowledge. That includes Kate Winslet as duplicitous media personality, Brie Evantee, who Dr. Mindy is temporarily seduced by until seeing the error of his ways. ellauri161.html on line 533: Don't Look up manages to encapsulate the problem with our times: the reliance on experts which is used to justify the proliferation of rigid dogma and ideology through unchecked force. It's all a huge conspiracy of the satanist pedophiliacs who want to inject microchips in our blood. ellauri161.html on line 538: Ya sea la política que solo reacciona a las dificultades bajo la mayor presión posible, los medios que solo miran la cuota incluso frente al fin del mundo, o la gente común que está en contra de ella por principio, porque no tiene ganas. Prescindir de algo que tener que hacer, hay muchas reacciones que suenan familiares. Los hechos se reescriben o simplemente se ignoran. Los asteriscos de los medios aprovechan la oportunidad para escenificarse. El beneficio personal cuenta más que cualquier otra cosa en caso de duda, cuando la economía misma ve el fin del mundo como una oportunidad para su propio enriquecimiento. ellauri161.html on line 540: Entonces, hay suficientes razones para el ridículo, más que suficientes. De hecho, una de las deficiencias de Don't Look Up es que no se ha seleccionado ningún grupo que esté específicamente dirigido. Los dos personajes principales están en una racha perdedora con su trabajo científico porque el mundo entero parece estar formado solo por egoístas e idiotas. Quizás el director y el guionista incorporan una gran cantidad de personajes que no serían necesarios. (Vittu mikä ääliö! "ningun grupo johon satiiri olisi "especificamenti dirigido" ei ole "seleccionado". Helvetti, se just on se pointti! Kaikki on tässä pankrotissa mukana! Satira para tontos, nimenomaan! Exactamente la pelicula que nuestra sociedad se merece.) ellauri161.html on line 546: The targets of the satire – incompetent governments, media, tech billionaires, populace believing in politics not science – are obvious. There’s a shorthand that makes each character’s real world avatar easy to get hence the laughs but does that undermine the film’s intelligence? No, it's spot on. ellauri161.html on line 548: Notice how the 2 token niggahs and the 1 kink of the film once again get the short end of the stick. ellauri161.html on line 560: Haha, yeah, he is—and amen to that. This is the truest, most on-point movie I saw in 2021. McKay gets sinister in Don’t Look Up, and I, for one, am glad somebody is being appropriately nasty in pointing out how absolutely moronic humans have become in the new millennium. Sorry, folks: We are fucking up big time; McKay knows it; and he’s pulling no punches. ellauri161.html on line 562: This is the darkest of dark comedies, and it covers many topics, including the continued decimation of our planet, our over-reliance on tech, our soul-killing obsession with social media, and the crazy space-race programs created by billionaire men. McKay’s brutal satire takes no prisoners, eviscerates political extremists and lemmings, and basically says we are all fucked if we continue on this current course—with or without an apocalyptic comet hurtling toward Earth ellauri161.html on line 566: This movie is devoid of hope. There is no optimism in Don’t Look Up. Yes, it deserves comparison to Stanley Kubrick’s Dr. Strangelove, because it pulls laughs out of the fact that the human race is on a crash course with destruction. In Don’t Look Up, the technology has multiplied and advanced, but the message is the same as it was when Slim Pickens rode that bomb to the doomed ground in Strangelove: Humans are messing up big-time, in a manner that is so egregious you just have to laugh at it … to prevent yourself from going insane. The situation is hopeless but not serious. ellauri161.html on line 568: Kate Blanchett was way the dullest character on the cast. All silicon, no AI. No interest whatsoever, human or otherwise. Dr Strangelove was a lot worse satire than this. The problem with Kubrik was that he had a villain, while the real world has not just one- rather, there are 7 billion of them. ellauri161.html on line 570: Mark Rylance is hits dead centre as a marvellously moronic mashing of Bill Gates and Steve Jobs. Hey, don't miss Larry Page, Silverfish, Belos, Musk and the rest of the rats! ellauri161.html on line 572: Pressed together, however, the mix just doesn’t work. Too many characters, such as Jonah Hill’s presidential aide, know they’re in a comedy and play for laughs accordingly. There’s way too much going on in Don’t Look Up, so the story focus is constantly diffused as we jump from one narrative thread to another. Consequently the soiree packs very little punch; as a satire on corporate greed, media ethics and celebrity culture it’s pretty limp. All bite but no teeth, you could say. (Fuck yourself droopy-lip, this is a tableau true to life, not a sketch.) ellauri161.html on line 580: Ja naurettavaa miten jenkit ajattelee vieläkin olevansa yxin maailmassa. Vaivaiset 300M kärpästä 6,7G mitättömän tunarin keskellä. The world is only seriously shown to be America’s to fail to save, an unwieldy act of arrogance that misses the chance to engage with how long it has been since this country led the way. ellauri161.html on line 584: A lady critic: His approach to comedy and my ability to enjoy his work as a director began to diverge when he had a sequence about bailouts and crony capitalism tacked on to another otherwise funny film. That was tasteless. The problem was McKay seemed to find entertainment and real-world issues to be fundamentally separate, deploying one in hopes of getting eyes on the other. While all we droopy lips know that they are part of one and the same entertainment scene! ellauri161.html on line 588: And yet it’s hard to think about who, exactly, is going to be moved to make changes to how they live their lives by Don’t Look Up, a climate-change allegory that acquired accidental COVID-19 relevance, but that doesn’t really end up being about much at all, beyond that humanity sucks. And film critics suck about most of all. ellauri161.html on line 597: Speaking of “climate,” that’s the main target here – how people are too stupid to come together even when their survival depends on it. Or maybe it’s the pandemic McKay is allegorizing. Probably both. Meanwhile, the writer/director’s left-of-center politics are on full display. Although Don’t Look Up occasionally ridicules the left, it represents a full-on fusillade against the right. Now that is NOT funny. ellauri161.html on line 599: The satire not only lacks subtlety, it pushes the bounds of ridiculousness to levels where it works neither as a comedy nor as social commentary. It is too true for laughs. ellauri161.html on line 601: General Buck Turgidson knockoff (played by an unsmiling Ron Perlman) illustrates how far wide he misses the mark. By exaggerating certain aspects of human behavior, Don’t Look Up takes cynicism to a level that is not only excessive but doesn’t make for a story that’s either compelling or entertaining. During the course of watching Don’t Look Up, the only emotion I experienced was frustration – frustration that the movie could waste so much talent in the service of something so underwhelming. In other words, I could not laugh at all because the laugh was on me. ellauri161.html on line 603: When it comes to apocalyptic asteroid/comet collision movies, Armageddon and Deep Impact were more entertaining while being no less absurd. ellauri161.html on line 604: McKay the writer isn’t up to the task. With this star-studded cast, the classification of a “missed opportunity” doesn’t do it justice; it feels closer to a tragedy. 2 out of 4. ellauri161.html on line 610: In the line of the film's fire are power-crazed politicians, corporate czars and co-opted scientists peddling their convenient delusions to a crowd lulled and manipulated through news cycles aimed at achieving collective complacency and complicity. This is just too many for laughs, about 100% of the fucking Americans. ellauri161.html on line 616: For the anchors, Kate and Randall are just another pair of guests, just another story, on their show. Don't these movie critics realize that this is a "joke" on them? Of course they do, but they have to earn their living too. ellauri161.html on line 618: A voice from Vagina.com: Informative, funny, well written, well acted, and crystal clear in its message are words I emphatically cannot use. ellauri161.html on line 619: Among the baddies are vacuous United States President Janie Orlean (Streep, bad), douchebro Chief of Staff and President’s son Jason Orlean (Hill, worse), perpetually cheery and vapid morning TV show hosts Brie Evantee (Blanchett) and Jack Bremmer (Perry), and creepy tech-billionaire Peter Isherwell (Rylance, who really should know better than the strange attempts at possibly neurodivergent caricature that this role seems to consist of? How so better pray tell cowboy?), as well as the truth-hostile environment of mainstream and social media. ellauri161.html on line 621: By and large the efforts at humour here feel like juvenile, Grand Theft Auto-level sledgehamer attempts at satire (and I say that as a fan of the video game series, sophistication is not one of my hallmarks.). ’ I can count on the fingers of one hand the parts of the film that came close to eliciting some sort of feeling. And that's what films are for, ain't they? ellauri161.html on line 622: I have to applaud Adam McKay for using the platform that he has to address the single most pressing issue that we face as a species, but I can’t help but be deeply frustrated that the way he has chosen to do so fails on so many levels, both dramatically and didactically. ellauri161.html on line 624: Big Short (toinen pätkä) had it all: dramatic stakes, intrigue, tension, and bucketloads of sheer entertainment—things that this film never once manages. ellauri161.html on line 626: Väärin sammutettu douchebro! Once again the critic's problem is: why am I among the bad guys here? That's NOT funny. ellauri161.html on line 628: The way that Lawrence’s angry, idealistic scientist refuses to get co-opted by a system she correctly identifies as corrupt while DiCaprio’s more amicable character gets swept up in things for a while would seem to be easy material for a scriptwriter to use not just as a commentary on the way the world works, but as rich dramatic material for the ups and downs of a personal and professional relationship. ellauri161.html on line 629: The world is going under, but is there still time for a quick fuck? Will there be Superbowl? ellauri161.html on line 631: I’ve seen some people criticise Don’t Look Up for lacking subtlety. I’m not bothered by this. I don’t necessarily need or want the communications about climate change to be subtle. The issue itself certainly is not subtle. We are heading towards—and, again, already are in the midst of—unprecedented death and destruction. Our systems and rulers are not just woefully ill-equipped to deal with this or to prevent the worst of it, they are actively complicit in bringing it about. Those communities around the world that are the most vulnerable and that have had the least part to play in causing the crisis will be the ones to suffer the first and the worst. This isn’t subtle sh*t! This is horrifying, grotesque, psychologically debilitating stuff to ponder—if you even have the privilege to ponder in the first place! I don’t necessarily need subtlety here. Sometimes, to fight propaganda, you need to go loud and bold. But you still have to be effective. We are fighting an almightily powerful enemy. Competence is a necessary minimum. Regrettably, Don’t Look Up does not meet those standards. Its central metaphor doesn’t even make sense! Yes, capitalism is responding as dreadfully to climate change in real life as it does to the comet in the film—the key difference is that capitalism didn’t cause that comet to come hurtling out of the sky in the first place. ellauri161.html on line 633: Sorry Vagina, I disagree. The comet and capitalism do come from the same source. They are both facts of nature, which the pink-to-tan little worms wriggling on this planet have no clue of how to duck. They are not even clever enough to be that evil. ellauri161.html on line 635: A Kike lady says it well: Granted, many will accuse Don’t Look Up of lacking the subtlety of McKay’s earlier movies, but there is something refreshingly honest about the film that undeniably lends itself to the silliness of its narrative. Furthermore, it is a film about the absurdity of the current times we live in and nobody can argue that is isn’t crazy to deny facts in favour of outlandish fabrications — or can they? ellauri161.html on line 643: That’s not a point that hasn’t been made before, and it’s not like there are new notions here about what people might do with their last moments. But there’s something deceptively big and complicated about considering the human capacity to (not) address the largest challenges to their own survival as certain systems prevent action being taken — and people’s ability to recognize that a happy ending isn’t automatic but could be possible with thought and work. There’s such tragedy in the idea of, among many other things, being stuck in a loop of distraction at the expense of progress. Perpetual escapism that prevents escape, with what we’re looking away from and how continually being updated in the stories on the subject. ellauri161.html on line 659: Talladega Nights: The Ballad of Ricky Bobby is a 2006 American sports comedy film directed by Adam McKay and starring Will Ferrell, written by both McKay and Ferrell. Before leaving Ricky behind, stock car dad Reese tells Ricky that in life, “If you ain't first, you're last.” Ricky meets his future ex-wife Carley (Leslie Bibb), after she flashes her breasts. ellauri161.html on line 663: NASCAR-kilpailut ovat olleet teemana sekä Tom Cruisen tähdittämässä Days of Thunder -elokuvassa, että Talladega Nights: the Ballad of Ricky Bobby -komediassa, jossa näyttelevät muun muassa Will Ferrell sekä Sacha Baron Cohen. ellauri161.html on line 666: More races & years later, Ricky now lives in a large mansion, then in a race chickens out and runs around in his underwear and helmet. Shamed, Ricky moves in with his mother Lucy (Jane Lynch), and brings his sons with him while taking a job as a pizza delivery man. Ricky eventually regains his courage, and his life begins to stabilize after quitting his job at the pizza parlor and getting a new driver´s license. ellauri161.html on line 668: Ricky's new car is painted by Susan (next significant other) with a cougar to remind him of his passion and the word "ME" in place of large sponsors. After some more mindless car chases and crashes ellauri161.html on line 669: Ricky suggests the family goes to an Applebee's to get thrown out, which everyone happily agrees to. (Baaaarf.) ellauri161.html on line 671: For the majority of the film (not Talladega, the new one), we’re bouncing from one republican caricature to the next. Streep is a female version of Donald Trump. Jonah Hill is a fratty version of Donald Trump Jr. Mark Rylance is a right-wing version of Tim Cook. (What a joke, he's way too poor.) And Ron Perlman is a red-eyed version of General Turgidson. When General Turgidson wonders aloud what kind of name "Strangelove" is, saying to Mr. Staines (Jack Creley) that it is not a "Kraut name", Staines responds that Strangelove's original German surname was Merkwürdigliebe ("Strange love" in German) and that "he changed it when he became a citizen". A kike anyway, by the name. ellauri161.html on line 673: The grim satire is usually pretty tame and ranges anywhere from hilarious to stupid. But the nastiness and negativity here just makes the filmmaker come off like a jerk. At the end of Don’t Look Up, you’re left feeling agitated and angry– not at republicans, but at McKay for making such a dismal affair. If you are a closet republican like me, that is. ellauri161.html on line 677: Look, I appreciate cynicism but this is unbearably smug and simplistic. Honestly it pulls a lot of punches too (especially at Hollywood and the media) so it really isn't all that edgy, just fairly typical condescension and rage that's entirely unearned. ellauri161.html on line 698: Would have been better without the Liberal politics. ellauri161.html on line 701: No idea what they were trying to do here. Couldn't even get through it. Basically had the plot of Armageddon but wasn't a spoof, guess they were going for a comedy but it wasn't funny at all. Just very Hollywood and very odd. Don't waste your time. ellauri161.html on line 707: Annoyingly bad. I suppose this might appeal to those who like their humor and satire delivered like a sledge hammer to the head, but if you prefer a more subtle approach, this is not for you. Added to this are the ludicrously exaggerated characters that are so bad that they are laughable, but in the wrong way. The DiCaprio character is just plain irritating. After 20 minutes of this film, I was just wishing the comet would arrive much earlier than anticipated. ellauri161.html on line 715: All star Cast, All star disappointment! This movie received so much publicity, we thought it would be good. However, not one character endeared themselves to us in actually caring what happened to them. We had hope the movie would gain momentum and get better but.... it never did. ellauri161.html on line 721: Vicki M 2d ago: ellauri161.html on line 722: My first movie review: After reading the negative reviews from many of the critics I realized that they are of the same character as the corrupt group that the movie portrays and as in the movie either disconnected from the people or threatened by the message. (Right on Vicki!) ellauri161.html on line 740: I literally couldn't stay awake. I started it twice, and fell asleep both times. I looked up the ending, and from my interpretation of what the movie was supposed to show (how global warming is not being addressed by our current politicians), I think my nap was more productive than staying awake to watch this. ellauri161.html on line 751: Hendricus R 2d ago: ellauri161.html on line 755: Absolutely the Best Picture of the Year. ellauri161.html on line 764: too long, over acted, non-senseical, and not compeling. ellauri161.html on line 769: Big let down. The humor is so off-putting it doesn´t pull laughs, while the drama is hard to dive into whilst characters scream at the camera. The portrayal is so unrealistic, so cringe, so superficial that none of the characters are true heroes. They all appear as delusional, distracted ego maniacs detached from reality. The end is anti-climactic leaving the viewer with gratitude it looks nothing like the world we actually live in. (True, being 22400 years away. But I bet the immigrant will soon reduce brontauks to extinction.) ellauri161.html on line 774: Rich F 4d ago: ellauri161.html on line 775: Predictable and boring. Didn´t laugh once the entire movie. The only character I enjoyed was Dr. Oglethorpe w/wig. ellauri161.html on line 778: This movie is supposed to be satire but the jokes are just so awful. I remember when liberals actually were funny, and men like Jon Stewart were hysterical. Whoever wtote this steaming pile needs to go back and learn. The dialogue was ridiculous, the plot was a thin veil for climate change but just fell flat. Its just not worth watching when there are so many better shows out there to watch instead. ellauri161.html on line 826: Les éditions posthumes de L´Homme ont été expurgées de certains passages qui choquaient le public catholique de l´époque. Entäs se André Giden paha pappi albumissa 151? Any connection? ellauri161.html on line 828: D´après Raïssa Maritain, la conversion de Léon Bloy doit beaucoup à Ernest Hello ; on trouve de nettes traces de son influence dans le Journal d´un curé de campagne de Georges Bernanos et dans l´exégèse biblique de Paul Claudel ; Henri Michaux le reconnaît également comme l´une de ses sources. ellauri161.html on line 851: ical_module_list_row">Yleiset termit ja lausekkeet admire aime appelle arrive aurait beau beauté besoin c'était caractère cherche choses ciel contraire coup crainte création critique croire croit croix d'être demande Denis devant Dieu dire divine dix-huitième siècle doit donne éclate erreur face fond force forme garde général génie gloire grandeur Grèce haine haut homme humaine idées ignore joie jour ice&hl=fi&source=gbs_word_cloud_r&cad=5" class="cloud8">justice l'air l'amour l'art l'autre l'avare l'erreur l'esprit l'histoire l'homme L'homme médiocre l'ordre l'unité laisse larmes lieu livre loin lui-même lumière main malheur matière mensonge ment monde montre mort mots nature naturel néant paix parle parole passé passion pensée père personne petite peur peut-être place pleine porte premier présent profonde propre puissance qu'une raison réalité regard représente ressemble reste rien rire Roman Rome s'est s'il saint sais sait sang Science secret semble sens sent serait seulement siècle signe soleil souvenir style terre tion trouve vérité veut vivante ici&hl=fi&source=gbs_word_cloud_r&cad=5" class="cloud8">voici voilà voit Voyez vrai yeux ellauri161.html on line 858: Sivu 217 - Cherchez d'abord le royaume de Dieu et sa justice, et le reste vous sera donné par surcroît (1).‎ ellauri161.html on line 861: Sivu 201 - Cette doctrine pourra sembler paradoxale sans doute, et même ridicule, parce que l'opinion environnante en impose ; mais attendez que l'affinité naturelle de la religion et de la science les réunisse dans la tête d'un seul homme de génie : l'apparition de cet homme ne saurait être éloignée ; et peut-être même existe-t-il déjà. Celui-là sera fameux, et mettra fin au...‎ ellauri161.html on line 864: Sivu 234 - Memor fui dierum antiquorum, meditatus sum in omnibus operibus tuis : * in factis manuum tuarum meditabar. Expandi manus meas ad te : * anima mea sicut terra sine aqua tibi.‎ ellauri161.html on line 894: Né dans une famille savoyarde originaire du comté de Nice, Xavier de Maistre est le douzième enfant parmi quinze, dont cinq garçons et cinq filles ont survécu. Tässähän kalpenee jopa Kumpulankin kenno! Son père, François-Xavier Maistre, est président du Sénat de Savoie. Sa mère, Marie-Christine de Motz, meurt alors qu'il vient d'avoir dix ans. Son frère aîné, Joseph de Maistre, homme politique et écrivain, va assumer pleinement son rôle de parrain; ses autres frères et sœurs contribuent également à son éducation. ellauri161.html on line 897: Bible, Platon, Aristote, Plutarque, Origène, Pères de l'Église, Thomas d'Aquin, Machiavel, Malebranche, Bossuet, Fénelon, Giambattista Vico, Montesquieu, Hume, Rousseau, Saint-Martin, Burke ellauri161.html on line 903: Joseph est l'un des pères de la philosophie contre-révolutionnaire et un des critiques les plus importants des idées des Lumières. Il considère que la Révolution française représente un crime contre l'ordre naturel. Il défend le retour à une monarchie absolue. Il a influencé la pensée conservatrice et réactionnaire de manière très importante depuis le XVIIIe siècle. ellauri161.html on line 906: Avec son frère Xavier, il a participé au premier lancement d'une montgolfière en Savoie en 1784. Pendant 25 minutes, l'ingénieur Louis Brun et Xavier de Maistre survolent Chambéry avant d'atterrir dans le marais de Triviers. ellauri161.html on line 910: Joseph de Maistre est dès 1773 membre de la loge maçonnique de La Parfaite Union qui relevait de la loge Saint-Jean des Trois Mortiers, à l'orient de Chambéry. Il a les titres de grand orateur, de substitut des généraux et de maître symbolique. Il entend concilier son appartenance à la franc-maçonnerie avec une stricte orthodoxie catholique: entre autres, il refuse les thèses qui voyaient en la franc-maçonnerie et l'illuminisme les acteurs d'un complot ayant amené à la Révolution[note 4]. Il écrit ainsi au baron Vignet des Étoles que « la franc-maçonnerie en général, qui date de plusieurs siècles […] n’a certainement, dans son principe, rien de commun avec la révolution françoise ». ellauri161.html on line 912: Avec quelques frères de Chambéry, il fonde en 1778, la loge réformée écossaise de « La Sincérité », qui dépend du directoire écossais dont l'âme est Jean-Baptiste Willermoz (1730-1824), disciple de Joachim Martinès de Pasqually. Il est reçu chevalier bienfaisant de la Cité Sainte sous le nom de eques Josephus a Floribus (ce surnom fait allusion aux fleurs de souci de ses armoiries). On retrouve dans son œuvre les enseignements de la maçonnerie : providentialisme, prophétisme, réversibilité des peines, etc. ; hautement investi dans la vie de cette société initiatique, à la veille du Convent de Wilhelmsbad (1782), il fait d'ailleurs parvenir à Jean-Baptiste Willermoz son célèbre Mémoire au duc de Brunswick. Il entretient par ailleurs une amitié avec Louis-Claude de Saint-Martin, pour lequel il avait une vive admiration, se faisant fort, disait-il, « de défendre en tous points l'orthodoxie », d'où son attrait pour le martinisme. ellauri161.html on line 914: Lors de son séjour à Turin, en 1793, Joseph de Maistre adhère à la loge de La Stricte Observance (La Stretta Osservanza) qui relève du Rite écossais rectifié. Enfin, à Saint-Pétersbourg, il fréquente la loge de M. Stedingk, ambassadeur de Suède auprès du Tzar. ellauri161.html on line 923: Pendant cette période, en Russie, Joseph de Maistre est convaincu de prosélytisme religieux, sous l'influence des Jésuites. Il serait, dit-on, à l'origine de la conversion au catholicisme de la comtesse Rostopchine et de sa fille, la future comtesse de Ségur. Les Jésuites sont expulsés de Saint-Pétersbourg et de Moscou en 1815 et quitteront définitivement la Russie en 1820. Oppikohan se koskaan venättä? Tokkopa, tai ehkä vaan sanomaan "le bistrot!". ellauri161.html on line 929: Pour Joseph de Maistre, le corps politique étant constitué à l'image d'un organisme vivant, il peut quelquefois être malade, et quand il est malade, l'estomac n' aura rien de manger. Le sacrifice des individus est un mal nécessaire pour la sauvegarde du corps social, et Joseph de Maistre, dans ses formulations les plus imagées, n'hésite pas à évoquer le sang que réclame la terre pour rendre la justice, et qu'elle obtient par la guerre que se font les Hommes. ellauri161.html on line 939: La réversibilité des mérites est cette doctrine qui affirme que les mérites des uns peuvent bénéficier aux autres. Pour le dire dans un langage peut-être plus accessible, cela signifie que la sainteté des uns peuvent bénéficier aux autres. Tää oli anekaupan perusteluna. Sama idea kuin päästökaupassa. Pyhixiltä on jäänyt niin paljon yli armoa, että sitä voi sovitusta hinnasta myydä rikkaalle syntiselle taivasevääxi. Tavoitteena hiilineutraalius tai suorastaan hiilinegatiivisuus. ellauri161.html on line 956: Qui, le long des grands murs de l'hospice blafard, joka pitkin hospizin kalpeanvihreitä seiniä ellauri161.html on line 982: Ses études au lycée de Périgueux sont médiocres : retiré de l´établissement en classe de quatrième, il continue sa formation sous la direction de son père, qui l´oriente vers l´architecture. Bloy commence à rédiger un journal intime, s´essaie à la littérature en composant une tragédie, Lucrèce, et s´éloigne de la religion. En 1864, son père lui trouve un emploi à Paris, il entre comme commis au bureau de l´architecte principal de la Compagnie ferroviaire d´Orléans. Médiocre employé, Bloy rêve de devenir peintre et s´inscrit à l´École des beaux-arts. Il écrit ses premiers articles, sans toutefois parvenir à les faire publier, et fréquente les milieux du socialisme révolutionnaire et de l´anticléricalisme. ellauri161.html on line 986: Bloy ottaa osaa bravuurina ranskalaisten häpeäsotaan 1870-71. Sitten aika toimetonta tunarointia, kunnes vanhemmat kuolevat, ja Bloy alkaa seukata ex-lutkan Anne Marie Roulén kaa, jonka se käännyttää, päinmakuultako selinmakuulle, ei selviä. Anna osoittautuu meedioxi, ja Bloy alkaa vakavammin sekoilla symbolien kaa. Lopulta Anna sekoaa ihan kokonaan ja joutuu pöpilään. Bloy alkaa kaveerata Huysmansin kaa ja tapailee Isle-Adamia. Se on kuin André Breton, joutuu aina kaverien kanssa hakauxiin. La mort de Barbey d´Aurevilly en avril 1889 puis celle de Villiers de l´Isle-Adam en août l´affectent profondément, tandis que son amitié avec Huysmans se fissure. Elle ne survivra pas à la publication de Là-Bas (1891), où Bloy se trouve caricaturé. ellauri161.html on line 996: "And the rich catholics speak of Charity! The so-called Christian riches ejaculating on misery!" ellauri161.html on line 1078: Erin Hunter on salanimi, jota käyttävät Kate Cary, Cherith Baldry, Tui Sutherland, Gillian Phillip, Inbali Iserles sekä toimittaja Victoria Holmes. ellauri161.html on line 1085: Ruysbroeck (Or Rusbroek), Jean De, the most noted of mystics in the Netherlands, was born in A.D. 1293 at Ruysbroeck no less, near Brussels, and was educated in the latter city under the direction of an Augustinian prebendary who was his relative. His fondness for solitude and day dreams prevented him from making solid progress, however. His Latin was imperfect, though it is clear that he became acquainted with the earlier mystical writings. He probably did not read the writings of Neo-Platonists, but was certainly not unacquainted with those of the Areopagite. ellauri161.html on line 1092: His (Mainion) works suggest the thought that the writings of master Eckart (died 1328), with whom Ruysbroeck was contemporary for thirty-five years, exercised influence over our author´s mind. Melkein maisteri Eckartille kävi köpelösti loppupeleissä. Ruisbroeck became vicar of the Church of St. Gudula at Brussels, where he lived in strict asceticism, enjoying the society of persons who had devoted themselves to a contemplative life, composing books and exercising benevolence. Jahas uusi päivä, uusi suopeus. He contended against the sins of the day, and labored to promote reforms. It is said that Tauler once visited him, attracted by the fame of his sanctity. ellauri161.html on line 1098: At the age of sixty he (Mainio) renounced the secular priesthood and entered the new Augustinian convent Gronendal, in the forest of Soigny, near Brussels, becoming its first prior, and there he died in 1381. His life at once became the subject of legendary tales. The name Doctor Ecstaticus was early conferred on him. ellauri161.html on line 1100: The chief of his mystical writings are, The Ornament of Spiritual Marriage (Lat. by Gerh. Groot, Ornatus Spiritualis Desponsionis, MS. at Strasburg; by another translator, and published by Faber Stapulensis [Paris, 1512], De Ornatu Spirit. Nuptiarum, etc.; also in French, Toulouse, 1619; and in Flemish, ´J Cieraet der gheestclyeke Bruyloft, Brussels, 1624, Hengelliset häät): — Speculum AEternae Salutis: — De Calculo, an interpretation of the calculus candidus, Re 2:17: — Samuel, sive de Alta Contemplatione. The other works of Ruysbroeck contain but little more than repetitions of the thoughts expressed in those here mentioned. (Esim. 7 hengellisen rakkauden askelmasta.) He wrote in his native language, and rendered to that dialect the same service which accrued to the High German from its use by the mystics of the section where it prevailed. He is still regarded in Holland as "the best prose writer of the Netherlands in the Middle Ages." His style is characterized by great precision of statement, which becomes impaired, however, whenever his imagination soars, as it often does, to transcendental regions too sublimated for language to describe. His works were accessible until lately only in Latin editions (by Surius, Cologne, 1549, 1552, 1609 [the best], 1692, fol.), or in manuscripts scattered through different libraries in Belgium and Holland. Four of the more important works were published in their original tongue, with prefaces by Ullmann (Hanover, 1848). No complete edition has as yet been undertaken (see Moll, )e Boekerij van het S. Barbara-Klooster te Delft [Amst. 1857, 4to], p. 41). ellauri161.html on line 1102: Ruysbroeck´s mysticism begins with God, descends to man, and returns to God again, in the aim to make man one with God. God is a simple unity, the essence above all being, the immovable, and yet the moving, cause of all existences. The Son is the wisdom, the uncreated image of the Father; the Holy Spirit the love which proceeds from both the Father and the Son, and unites them to each other. Creatures preexisted in God, in thought; and, as being in God, were God to that extent. Fallen man can only be restored through grace, which elevates him above the conditions of nature. Three stages are to be distinguished: the active, or operative; the subjective, or emotional; and the contemplative life. The first proceeds to conquer sin, and draw near to God through good works; the second consists in introspection, to which ascetic practices may be an aid, and which becomes indifferent to all that is not God. The soul is embraced and penetrated by the Spirit of God, and revels in visions and ecstasies. Higher still is the contemplative state (vita vitalis), which is an immediate knowing and possessing of God, leaving no remains of individuality in the consciousness, and concentrating every energy on the contemplation of the eternal and absolute Being. This life is still the gift of grace, and has its essence in the unifying of the soul with God, so that he alone shall work. The soul is led on from glory to glory, until it becomes conscious of its essential unity in God. ellauri161.html on line 1104: Ruysbroeck was constantly desirous of preserving the distinction between the uncreated and created spirits. In the unifying of the soul with God he does not assert an identification of personality, but merely a cessation of the difference in thought and desire, and a giving up of the independence of the creature. His language was often so strong, however, and his thought often so sublimated, that more cautious thinkers found serious cause to charge his writings with pantheism. This was true of Gerson (Opp. vol. 1, pt. 1, p. 59 sq.). ellauri161.html on line 1108: ic.com/images?q=tbn:ANd9GcRrmIHieS5wLrtfe33w-XcDaiF0k7i6cTkot3PlhhnvzEDmZJB9lRQw4D6s4DyJA6cKbAo&usqp=CAU" height="200px" /> ellauri161.html on line 1112: Few mystics have ascended to the empyrean where Ruysbroeck so constantly dwelt; and the endeavor to compress into forms of speech the visions seen in a state where all clear and real apprehension is at an end occasioned the fault of indefiniteness with which his writings must be charged. His influence over theological and philosophical thought was not so great as that exercised by Eckart and Tauler, and was chiefly limited to his immediate surroundings. The Brotherhood of the Common Life (q.v.) was founded by Gerhard Groot, one of Ruysbroeck´s pupils, and its first inception may perhaps be traced back to Ruysbroeck himself — a proof that he was not wholly indifferent to the conditions of practical life. ellauri161.html on line 1114: Lähde: Strong Biblical Cyclopedia. ellauri161.html on line 1118: Discover the power of SwordSearcher: A complete Bible study package, with thousands of tropical and pedophilic entries all linked to verses, designed for meaningful Bible study. ellauri161.html on line 1127: It tells the story of a young sickly priest who has been assigned to his first parish, a village in northern France. ellauri161.html on line 1131: A young priest arrives at the small village of Ambricourt, his first parish assignment. He arrives alone by bicycle and is met by no one and unpacks his meager belongings. A couple at the chateau eye him suspiciously and walk away. He begins a diary, which he narrates throughout the film. This is very, very old-fashioned, would not do in Netflix anymore. Because he often feels nauseous and dizzy, he chooses a strict diet free of meat and vegetables. Instead, he has wine and wine-soaked bread with sugar. No wonder he dies in the end (oops, spoiler, sorry). ellauri161.html on line 1133: A man from his parish demands a full service funeral for his wife and says he will not pay for it. He confers with the priest of Torcy. The girls of the catechism class laugh at him in a prank, whereby only one of them pretends to know the Scriptural basis of the Eucharist so that the rest of them can laugh at their private conversation. His colleagues criticize his diet of bread and wine, and his ascetic lifestyle. "Concerned" about Chantal, the daughter of the Countess, the priest visits the Countess at the family chateau, and appears to help her resume communion with God after a period of doubt. The Countess dies during the following night, and her daughter spreads false rumors that the priest´s harsh words had tormented her to death. Refusing confession, Chantal had previously spoken to the priest about her hatred of her parents. ellauri162.html on line 6: font-style: italic; ellauri162.html on line 104: Louis Émile Clément Georges Bernanos (French: [ʒɔʁʒ bɛʁnanɔs]; 20 February 1888 – 5 July 1948) was a French author, and a soldier in World War I. A Roman Catholic with monarchist leanings, he was critical of elitist thought and was opposed to what he identified as defeatism. He believed this had led to France´s defeat and eventual occupation by Germany in 1940 during World War II. His two major novels "Sous le soleil de Satan" (1926) and the "Journal d’un curé de campagne" (1936) both revolve around a parish priest who combats evil and despair in the world. Most of his novels have been translated into English and frequently published in both Great Britain and the United States. ellauri162.html on line 110: Bernanos was born in Paris, into a family of craftsmen. He spent much of his childhood in the village of Fressin, Pas-de-Calais region, which became a frequent setting for his novels. He served in the First World War as a soldier, where he fought in the battles of the Somme and Verdun. He was wounded several times. ellauri162.html on line 123: Bernanos oli katolinen ja mystikko, mutta myöhemmin uransa aikana hän arvosteli katolista kirkkoa ja myös Francoa. Esimerkiksi teoksessaan Les grands cimetières sous la lune hän kirjoittaa Mallorcalla tapahtuneista julmuuksista. Hän arvosteli voimakkaasti muun muassa paikallisia katolisia piispoja, jotka Espanjan sisällissodan aikana olivat haluttomia puuttua (sic) punaisten kohteluun. ellauri162.html on line 127: Esikoisromaanista Sous le soleil de Satan on Maurice Pialat ohjannut elokuvan, jota on suomeksi esitetty nimellä Paholaisen auringon alla. ellauri162.html on line 131: Mouchette est l´œuvre d´un homme qui avait cinquante ans lorsqu´il conçut ce personnage, découvrant les mouvements les plus profonds et les plus inexprimables d´une féminité qui s´éveille et s´affirme. Bernanos signe ici un portrait intemporel et poétique de gamine « désespérée ». Kuulostaa aika pedofiililtä. ellauri162.html on line 137: With political tensions rising in Europe, Bernanos emigrated to South America with his family in 1938, settling in Brazil. He remained until 1945 in Barbacena, State of Minas Gerais, where he tried his hand at managing a farm. ellauri162.html on line 139: After France´s Liberation, De Gaulle invited Bernanos to return to his homeland, offering him a post in the government. Bernanos did return but, disappointed to perceive no signs of spiritual renewal, he declined to play an active role in French political life. Plusieurs fois blessé, il mène une vie matérielle difficile et instable en s´essayant à la littérature. ellauri162.html on line 141: Son père, Émile Bernanos (1854-1927), est un tapissier décorateur d´origine espagnole et lorraine. Sa mère, Clémence Moreau (1855-1930), est issue d´une famille de paysans berrichons originaire de Pellevoisin, dans l´Indre. Il garde de son éducation la foi catholique et les convictions monarchistes de ses parents. ellauri162.html on line 142: Catholique fervent et monarchiste passionné, il milite très jeune dans les rangs de l´Action française en participant aux activités des Camelots du roi pendant ses études de lettres, puis à la tête du journal L'Avant-garde de Normandie jusqu'à la Grande Guerre. ellauri162.html on line 143: Ayant épousé en 1917 Jeanne Talbert d´Arc (1893-1960), lointaine descendante d´un frère de Jeanne d´Arc, il mène à l´époque une vie matérielle difficile et instable (il est employé par une compagnie d´assurances), dans laquelle il entraîne ses six enfants et son épouse à la santé fragile. ellauri162.html on line 148: L´évolution de son antisémitisme est toujours débattue. Bernanos rend hommage à Édouard Drumont, avec lequel il partage sa détestation de la bourgeoisie, mais aussi l´association des juifs à la finance, aux banques, au pouvoir de l’argent au détriment du peuple, un thème qui fait florès dans la France de cette époque et qui suscite des propos antisémites de l´écrivain. Bernanos, qui a fait la guerre de 1914-1918, fustige aussi un patriotisme perverti qui humilie l´ennemi allemand dans la défaite au lieu de le respecter, trahissant ainsi l´honneur de ceux qui ont combattu et hypothéquant l´avenir. Täähän kuulostaa suorastaan Ezra Poundilta. «Les juifs traînent nonchalamment sur les colonnes de chiffres et les cotes un regard de biche en amour » ou « ces bonshommes étranges qui parlent avec leurs mains comme des singes ». J’aimerais mieux être fouetté par le rabbin d’Alger que faire souffrir une femme ou un enfant juif ». Juutalaiset kiistelevat vieläkin oliko Ykä hyvis vaiko pahis. ellauri162.html on line 155: La honte que lui inspire la faiblesse des hommes politiques français face à l´Allemagne de Hitler le conduit à s´exiler en Amérique du Sud. Il y reçoit entre autres l´écrivain autrichien Stefan Zweig, peu avant le suicide de ce dernier. ellauri162.html on line 158: En 1946 paraît La France contre les robots, aux éditions de la France libre, un essai dans lequel Bernanos dénonce la « civilisation des machines » et les nouveaux totalitarismes économiques qui commencent à se construire dans l´après-guerre. Exceptes les motos. Georges Bernanos meurt d´un cancer du foie, en 1948, à l´hôpital américain de Neuilly. ellauri162.html on line 177: One of the early writing prophets, Hosea used his own marital experience as a symbolic representation of God and Israel: God the husband, Israel the wife. Hosea´s wife left him to go with other men; Israel left the Lord to go with other gods. Hosea searched for his wife, found her and brought her back; God would not abandon Israel and brought them back even though they had forsaken him. ellauri162.html on line 181: To understand more fully the connection between Hosea’s domestic affairs and Israel’s relationship with Jehovah, consider these words: “Jehovah went on to say to me: ‘Go once again, love a woman loved by a companion and committing adultery.’” (Hosea 3:1) Hosea complied with this command by repurchasing Gomer from the man with whom she had been living. Afterward, Hosea firmly admonished his wife: “For many days you will dwell as mine. You must not commit no furher fornication, and you must not come to belong to another man.” (Hosea 3:2, 3) Gomer responded to the discipline, and Hosea resumed marital relations with her. How did this apply to God’s dealings with the people of Israel and Judah? ellauri162.html on line 193: “The sacrifices to God are a broken spirit; a heart broken and crushed, O God, you will not despise.”—Psalm 51:17. ellauri162.html on line 203: particulièrement l’incarnation populaire de la niaiserie et ellauri162.html on line 228: Il ’était un garçon des forêts, travaillant la terre, le bois, la pêche, la chasse, toute cette culture que l’on retrouve dans ses livres. Il était flotteur de bois sur les rivières du nord, une sorte d’aristocratie de ces sans-domicile fixe. ellauri162.html on line 230: En 2008 et 2009, l´écrivain a fait la une des tabloïds finlandais pour son comportement incohérent, y compris sa conduite automobile imprudente. En octobre 2009, Artaux est victime d´un accident vasculaire cérébral. Il a décède 15 octobre 2018 dans une maison de repos à Espoo ellauri162.html on line 248: hänen ainutlaatuisuus minua jo pienenä jotenkin pisti. Son unicité m'a piqué déjà quand j'étais petite. ellauri162.html on line 252: Noin kymmeneen vuoteen hän ei kirjoittanut julkisuuteen, Pendant environ 10 ans, il n'a pas écrit au public, ellauri162.html on line 264: Marcel Aymé, né le 29 mars 1902 à Joigny et mort le 14 octobre 1967 chez lui, rue Norvins dans le 18e arrondissement de Paris, est un écrivain, dramaturge, nouvelliste, scénariste et essayiste français. Écrivain prolifique, il a laissé deux essais, dix-sept romans, plusieurs dizaines de nouvelles, une dizaine de pièces de théâtre, plus de cent soixante articles et des contes. Avec ces écrits il fournit une « étude sociale », avec un vocabulaire précis pour chaque type humain. Son langage mêle les différents registres : argot, patois régional franc-comtois, soutenu et anglais phonétiquement francisé. Très attaqué par la critique, y compris pour ses textes les plus inoffensifs comme Les Contes du chat perché4, il doit l'essentiel de son succès au public. Il a également écrit de nombreux scénarios et traduit des auteurs américains egalement simpletons: Arthur Miller (Les Sorcières de Salem), Tennessee Williams (La Nuit de l'iguane). ellauri162.html on line 266: En 1949, le ministère de l'Éducation nationale fit savoir à Marcel Aymé qu'il allait être inscrit sur la liste de la prochaine promotion de la Légion d'honneur. Il se souvint alors du « blâme sans affichage » auquel il avait été condamné en 1946 pour avoir vendu sous l'occupation un scénario à la Continental film et refusa. En outre, l'année suivante, il déclina la proposition faite publiquement par François Mauriac de présenter sa candidature à l'Académie française : « Combien d'écrivains auront refusé presque simultanément l'Académie française et la Légion d'honneur ? s'est interrogée Gabrielle Rollin dans le magazine Lire. ellauri162.html on line 268: Que peuvent donc avoir de commun les écrivains Marcel Camus, Marcel Aymé, Jean-Paul Sartre, Simone de Beauvoir, Louis Aragon, Jacques Prévert, Georges Bernanos, Aimé Césaire, Bernard Clavel, Guy de Maupassant, Georges Sand, les peintres Claude Monet, Gustave Courbet, Honoré Daumier, les compositeurs Hector Berlioz, Maurice Ravel, les politiciens Philippe Seguin (de droite), Jack Ralite (de gauche), le syndicaliste Edmond Maire, le philosophe Jacques Bouveresse, les chanteurs et poètes Georges Brassens, Léo Ferré, l'acteur et humoriste Bourvil, les actrices Catherine Deneuve, Claudia Cardinale, Brigitte Bardot, la chanteuse Mylène Farmer, la madame Miss France Geneviève de Fontenay, les prix Nobel de physique Pierre et Marie Curie, le médecin humanitaire Anne-Marie Gouvet, la chercheuse spécialiste des cancers professionnels Annie Thiebaud-Mony, ou tout récemment le dessinateur de bandes dessinées Tardy… ? ellauri162.html on line 270: Le fait d'avoir été "libertaire total" dont se réclame Tardy ? Ce ne fut sans doute pas le cas de l'honorable politicien gaulliste Philippe Seguin, et moins encore de Brigitte Bardot. ellauri162.html on line 278: Bon, on s'en fiche de Gégé Deparpoutine ! Qu'il l'adopte, le pas dictateur et très démocrate chef suprême des poupée Russes - et qu'il adopte son pote Filou 1er par la même occasion. Bon débarras ! D'ailleurs, s'il pouvait en adopter d'autres, je suis prêt à lui faire une liste. Il y a de la place en Sibérie, et cela va nous faire une peu de ménage. Tiens, tous les légiond'honneurisés, qu'il les adopte pour commencer. ellauri162.html on line 292: Noitanainen hymyili, palautti Handelle sen pienen nahkapussin. Käytä miten tahdot Hande. Handella on pisin naama ja rumat vaatteet. Työtä on paljon ja panomiehiä on vähän. Uspenski puhalsi pikku Liisan haavaan ja nuolaisi. Kipu lensi pois ja jäi enkelinä elämään. Jeesus ristiinnaulittiin kuin Novak Djokovics Australian lentokenttähotelliin. Maailman paras urheilija, Juhani Peltosen Tappio. ellauri162.html on line 340: Antti Nyölenin Huismannisuomennos on selvää 21. vuosisataa. Sellasta rapsakan rouheaa uutta suomea. En brasilienare vid namn Ricardo levde som en död pojke I 20 år. Kari-Jori gjorde det hela livet långt. ellauri162.html on line 349: Pierre Nicole (1625-1695) oli ranskalainen moralisti Port-Royalin luostarikoulussa joka oli lähempänä jansenisteja kuin terveellistä. Pääteos Essais de morale 1671-1678. ellauri162.html on line 388: Toinen tertsetti - Kategorinen kieltäminen. Toinen tercet tarjoaa kategorisen kieltämisen, joka ilmaistaan kahdessa vaiheessa: Kärsimyksen ilmaus: jakeen 12 ensimmäinen hemistich on kaksinkertainen epätoivon huuto, ehkä antava kutsumus ("Oi kipu! Voi tuskaa! »). Ajan ahmiva ja korjaamaton toiminta: aika rinnastetaan hirviöön: se nimetään lopulta jakeessa 12, kun se oli kaikkialla läsnä vuodenaikojen metaforassa ja sitten nimetty perifraasilla ("hämärä vihollinen", jae 13), joka vaatii vihamielisyyttään ja toimintansa piilotettua luonnetta. Runon on tarkoitus olla universaali, koska jakeen 13 henkilökohtainen pronomini "me" kattaa kaikki ihmiset. Ajan toiminta, joka ilmaistaan realististen ja kauheiden kuvien muodossa ("syö elämää", "syö sydämessä") esitetään tuhoisan loisen vaikutuksena. ellauri162.html on line 485: Proosan puolella Kikherneen sanahelinä, monimutkaiset vertaukset, käsittämättömät harhapolut eivät liioin innostaneet häntä. Häntä eivät toden totta temmanneet mukaansa tämän ylätyyliset apostrofit, patrioottisten hokemien ehtymätön vuo, paatokselliset juhlapuheet, jähmeä tyyli, mehevä ja rehevä mutta kuitenkin pyylevä, ytimetön, vailla selkärankaa - lauseen aloittavien adverbilitanioiden kamala kuona, ohuin konjunktiosäikein toisiinsa nivottujen pönäköiden lauseperiodien muuttumattomat formulat, saati uuvuttava mieltymys toistoon tyylikeinona. Toisaalta myöskään lakonisesta sahastaan tunnettu Caesar ei miellyttänyt häntä, sillä nähtävästi Ciceron äärimmäinen vastakohta tarkoitti vain niuhottamista ja kiristämistä, hedelmätöntä ynnäämistä, outoa ja täysin aiheetonta pidättelyä. ellauri162.html on line 494: Commodianus Gazaeus oli kans 1 saatanan tunari. Commodianus oli roomalainen runoilija ja ensimmäinen kristitty runoilija. Hän vaikutti noin vuonna 250 jaa. Jaa vaikuttiko? Juu! Jossain määrin vaikutti! Hän kirjoitti kristinuskon innostamana kaksi runoteosta, Carmen apologeticum ja Instructiones, joissa hän jämensi pakanoille kääntymyksen välttämättömyyttä. ellauri162.html on line 545: The "Carmen apologeticum" has a misleading title, thanks to Pitra, its first editor (1852) who was a moron. ellauri162.html on line 553: Commodianuksen tiedon lähteet olivat Raamattu - pääasiassa maailmanloppu, profeetat ja neljäs Esdrasin kirja - Sibylline-oraakkelit, tertullian, Minucius Felix, Cyprian ja Lactantius. Terencestä, Lucretiuksesta, Horacesta, Cicerosta ja ennen kaikkea Virgilin ilmaisutavoista hän lainaa ilmaisutapoja. Hänen teologiansa ei ole luotettava; Millenarianismin lisäksi hän näyttää tunnustavan monarkianismin ja patripassianismin, kaksi harhaoppia Kolminaisuuden suhteen. Hänen kielensä ei ole vain karkea, vaan virheellinen, ja olisi virhe etsiä Commodianuksessa aksentin perusteella perustuvan kääntymisen alkuperää. Vaikka hän ei ole perehtynyt prosodiaan, hän yrittää kirjoittaa daktyylisellä heksametrillä ja onnistuu vain 63: ssa yli 2000 jakeesta. ellauri162.html on line 561: Claudius Marius Victorius (tai Victorinus tai Victor) oli marseillelainen rehtori (eli opettaja ja runoilija). Hänet tunnetaan latinalaisesta runosta Genesiksestä heksametreissä ja kirjeestä apotti Salomonille ikänsä moraalista rappeutumista vastaan. ellauri162.html on line 563: Mehukas toinen osa alkaa klo 2.394 käärmeen onnistuneella Eevan viettelyllä. Adamin kaatuminen seuraa pian, ja kilpajuoxu pohjamutaan alkaa. Se ei ole aivan vapaapudotus. Victor mainitsee aikanaan hyveellisiä miehiä, kuten Abelin, Sethin, Sethin pojan Enoxen ja Enochin. Mutta nämä ohitetaan niin nopeasti (Abel otetaan käyttöön klo 2.209, Kain lähettää hänet asianmukaisesti vv. 225-226; Victor kattaa Sethin Enochille vv. 319-338), että saa vaikutelman, että Victor mainitsee heidät vain velvollisuudentunnosta Genesis-kertomukselle. ellauri162.html on line 565: Jos hän olisi ollut taipuvaisempi, hän olisi voinut poiketa hetkeksi esimerkiksi Henokin näkyjen luonteeseen, mutta hän siirtyy jäykästi Nooaan. Nooan komea kokko (2.382) velvoittaa Victorin esittämään hänet paitsi ainoana miehenä, jota Jumala piti tulvan pelastamisen arvoisena, myös toisena Aatamina, jolla on toinen maailma (2.398-399: ut, cum iusta mali luerint, tunc dignius a te / incipiat mortale gen summumque parentem ja 528, dominus [sc. Noah], mundi sortitus regna secundi). Ihmiskunta saa toisen mahdollisuuden, ja Nooa näyttää esimerkkiä (2.528-3.98) perustamalla viinamäen. ellauri162.html on line 569: Jos tämä Alethian yhteenveto päättyisi tähän, runo olisi väärin tulkittu. On totta, että Victorin kertomus ihmiskunnan laskeutumisesta syntiin on ehkä Alethian silmiinpistävin näkökohta, varsinkin näin reikäraudan aikakaudella. Ja on totta, että kuten Danten ja Miltonin hänen jälkeensä, Victorin on kivempi kuvata, mikä on pahaa, kuin kuvata, mikä on hyvää. Kuitenkin koko Alethiassa, kaikista ihmiskunnan jumalattomista, syntisistä impulsseista ja teoista huolimatta, seisoo Jumalan suuri majoneesi, "joka on aina armollinen ja hyvä" (3.13: qui mitis semperque bonus). ellauri162.html on line 571: Victorin mukaan Jumala ei halua mätkiä apinoita rangaistuksella, joka vastaisi sen rikoksia (sukupuutolla), eikä ole rangaistusta, joka ei itse asiassa ole lahja valepuvussa. Niinpä Kainin rangaistus on ilmainen lahja hänelle itselleen ja hänen vanhemmilleen (2.284: hoc quoque munus habet), samoin kuin Babelin rakentajien rangaistus (3.285-286: nec tamen hoc sacri, cum sit sua poena nocentum / muneris est tyhjiö). Victorilla on myös taipumus alikorostaa Jumalan roolia rangaistustensa toteuttamisessa sen hyväksi että keskittyy sen sijaan rangaistuksen hyötynäkökohtaan. ellauri162.html on line 573: Esimerkiksi, kun Aatami ja Eeva karkotettiin Paratiisista, Victor kuvailee heitä ulosheittäviä tuulia (vv. 530-536): se on tuulenhenki (spiritus, v. 532) joka hallitsee luontoa ikäänkuin jumalan stuntmannina. Victor ei jätä pois Jumalan päätöstä karkottaa lemmenpari, ollakseni varma, mutta hän ei myöskään tee siitä kertomuksen keskipistettä. Tyypit heitetään vaivihkaa ulos takaovesta. Tämä suuntaus näkyy koko runossa. Jopa kaikkein dramaattisimpien tapahtumien jälkeen (Aatamin ja Eevan karkotus Paratiisista, tulva ja sen jälkiseuraukset sekä Sodoman tuhoaminen), pelastuksen toivoa heilutetaan epigrammaattisesti lukijan nenän edessä tavanmukaisella tyylillä. ellauri162.html on line 591: icture-in-picture" allowfullscreen> ellauri162.html on line 593: PST! Näytät lukevan Catholic Onlinea paljon; Sepä hienoa! On hieman nolo kysyä, mutta tarvitsemme rahasi. Jos olet jo lahjoittanut, kiitämme lämpimästi. Emme ole kamasaxoja, mutta olemme riippuvaisia lahjoituksista, jotka ovat keskimäärin 14,76 dollaria ja alle 1 % lukijoista antaa. Jos lahjoitat vain 5,00 dollaria, vittu kahvikupin hinta, katolinen verkkokoulu voi jatkaa menestystä. Kiitos. Apua nyt! Vai haluatko helvettiin? Tämä ei ole uhkaus, vaan varoitus. ellauri162.html on line 632: Dept Chemical engineering, Anshan, China. ellauri162.html on line 649: Using 11 different healthy and diseased pluripotent stem cell lines, we developed a reproducible method to derive multi-cellular human penis organoids that exhibit transcriptomic resemblance to in vivo-derived tissues. ellauri162.html on line 651: Conflict of interest statement ellauri162.html on line 655: Morphological analysis using geometric parameters for splenic penis aneurysms ellauri162.html on line 656: Conclusion: Females confronted with a tortuous splenic penis may have an increased risk of fetus formation. ellauri162.html on line 662: Dick Masaru KIEMURA Was surrounded by his loving family on September 11, 2006 as he peacefully departed after courageously fighting a lengthy penis. ellauri162.html on line 684: Selon le R.P. Charles Louis Richard, « On compte jusqu´à treize conciles généraux, dix-huit papes, cent cinquante conciles provinciaux, et plus de trois cents synodes, tant de France que des autres royaumes, qui ont ordonné aux clercs de porter l´habit long ». Le concile de Trente en 1542 réaffirme simplement l´obligation, sous peine de sanction, pour tout clerc, de porter un habit qui soit digne et distinct de celui des laïcs. ellauri162.html on line 689: Aika läpinäkyvä on Bernanoxen Ykän evankeljumi. Rikkaille se määrää laupeutta ja köyhille ylpeää mutta nöyrää köyhyyttä. Isomaha flaami siteeraa pappa Leo XIIIn kuulua kapitalismikirjettä. Paxulainen oli mielestään parannuxen tehnyt ex-demokraattipappi. Tässä pappien seurustelussa on lieväshti homoshtelua. Oliko Bernanoskin sellainen? Le bon dieu n´aime pas que on touche sa justice. Lutherus oli kuollessaan bonhomme ventru avec une grosse lippe. Lälläs lää. Martti hanhia ovat niikö Nils Holgerssonissa. Heikot ja lapset tottelevat, se on niiden fortea. Ne sutor supra crepidam. Etkö sinää muiista mitää sinää lupaasit, kysyy herra isoherra viimeisellä tuomiolla. Eikös me jo sovittu? Herra isoherra on vihainen, jos talentti ei ole pantu kasvattamaan korkoa. ellauri162.html on line 691: Pope Leo XIII, 1891, wrote the encyclical Rerum Novarum as the industrial revolution and political change swept across Europe. The relationship between employers and employees was changing dramatically. Individuals had become wealthy, but most remained poor even though they worked hard. Pope Leo XIII´s encyclical spoke of the condition of the working classes during a time when many advocated revolution. ellauri162.html on line 697: People have become accustomed to working for their own needs. Working enables people to earn an honorable livelihood, but using employees as mere objects is wrong. Workers and the rich are dependent upon each other. The worker ought to complete the tasks that they freely agree to, never destroy an employer´s property, never use violence for their cause, never take part in riots or disorder, and not associate with those who encourage them to act unethically. (As Pope John Paul II would later emphasize in Laborem Exercens, work ought to be seen as a privileged expression of human activity. Work, including cultural production, is an example of human creation in the image of the creator.) ellauri162.html on line 699: The employer ought to respect the dignity of each employee and shouldn´t view them as slaves. Workers must also have time for their religious duties and must receive tasks appropriate for their sex and age. Workers and employers ought to be free to negotiate and come to an agreement, but natural justice must ensure that wages are sufficient to support a "frugal and well-behaved wage-earner." To ensure these rights and duties are maintained worker´s associations ought to exist to work towards the common good. ellauri162.html on line 705: It is important to remember that we were not created for this world, but rather for everlasting life with God. Riches should be viewed as an obstacle for eternal happiness, and that they do not bring freedom. With this in mind, associations of workers and employers ought to do what is best for the body, soul, and property of all involved. ellauri162.html on line 712: Problème insoluble: rétablir le Pauvre dans son droit, sans l'établir dans la puissance. Et s'il arrivait, par impossible, qu'une dictature impitoyable, servie par une armée de fonctionnaires, d'experts, de statisticiens, s'appuyant eux mêmes sur des millions de mouchards et de gendarmes, réussissait à tenir en respect, sur tous les points du monde à la fois, les intelligences carnassières, les bêtes féroces et rusées, pour gain, race d'hommes qui vit de l'homme car sa perpétuelle convoitise de l'argent n'est sans doute que la forme hypocrite, ou peut-être inconsciente de l'horrible, de l'inavouable faim qui la dévore - le dégoût viendrait vite de l'aurea mediocritas ainsi érigée en règle universelle, et l'on verrait refleurir partout les pauvretés volontaires, ainsi qu'un nouveau printemps. Aucune société n'aura raison du Pauvre. Les uns vivent de la sottise d'autrui, de sa vanité, de ses vices. Le Pauvre, lui, vit de la charité. Quel mot sublime! ellauri162.html on line 716: Masturbation. It’s not just a great way to kill time, but it’s also the safest sex you can have. And it has many health benefits. (See: 5 Reasons You Should Masturbate Tonight.) Although we can all agree that masturbation is pretty much the cherry on top of the ice cream of life, there’s more to the act than that. In a recent study from Harvard, men who ejaculated 21 or more times per month had a 19 to 22 percent lower risk of prostate cancer than men who did so only four to seven times per month. In some parts of the world, teenagers are encouraged to masturbate. Masturbation prevents unwanted pregnancies. ellauri162.html on line 732: Friedrich Karl Forberg (* 30. August 1770 in Meuselwitz; † 1. Januar 1848 in Hildburghausen) war ein deutscher Philosoph und Philologe. Illustration von Édouard-Henri Avril zu Forbergs De Figuris Veneris. ellauri162.html on line 734: Der aus einem protestantischen Pfarrhaus in Meuselwitz stammende Friedrich Karl Forberg war Schüler Ernst Platners in Leipzig, später Karl Leonhard Reinholds in Jena. Von April bis September 1791 reiste er mit Franz Paul von Herbert nach Klagenfurt und schickte einige Briefe an Reinhold, von den jungen Damen in Klagenfurt, die sich Cuntausgaben wie Gebetbücher schwarz einbinden ließen, um sie während der Sonntagsmesse zu lesen, und von den Priesterseminaristen, die an diesen Vorgängen teilnahmen. ellauri162.html on line 736: 1798 löste der Saalfelder Konrektor den Atheismusstreit aus, als er in Friedrich Immanuel Niethammers und Fichtes „Philosophischem Journal“ den Aufsatz „Entwickelung des Begriffs der Religion“ publizierte, den Fichte mit einem Nachwort verteidigte. Für Forberg ist Religion ein praktischer Glaube als Voraussetzung des moralischen Handelns. Dieser Glaube besteht lediglich in dem Wunsch, dass das Gute in der Welt die Oberhand erhalten möge. Die Existenz Gottes ist für Forberg, nach der Kritik Immanuel Kants an den Gottesbeweisen, weder durch Offenbarung noch durch theoretische Spekulation begründbar und daher nur im Sinne einer Vaihingerschen Als-Ob-Existenz im Dienst der Moralphilosophie anzunehmen. Theologie wird mit Religionsphilosophie gleichgesetzt. ellauri162.html on line 738: 1820 wurde er auch Aufseher der herzoglichen Kupferstichsammlung und des Münzkabinetts, die er jeweils neu katalogisierte. (Herttua: tulisitko kazelemaan ezauxiani Karlchen?) 1824 edierte er den Hermaphroditus des Antonio Beccadelli (Panormita), ein Werk der erotischen Literatur der Renaissance, und fügte zum Verständnis eine Schrift „De Figuris Veneris“ an. Dieses in Latein verfasste Handbuch der klassischen Erotologie versammelt und klassifiziert antike, aber auch frühneuzeitliche Stellungen, die in ihrer Gesamtheit die Vielfalt sexuellen Verhaltens realistisch beschreiben. Als solches ist es ein Standardwerk der Sexualwissenschaft. ellauri162.html on line 740: 1827 wechselte Forberg nach Hildburghausen und wurde außerordentlicher Beisitzer der Fotzenpolizeiabteilung der herzoglichen Landesregierung. 1829 wurde er mit voller Besoldung in den Ruhestand versetzt. 1840 erschien sein „Lebenslauf eines Verschwollenen“. 1848 starb Forberg nach sechswöchiger Krankheit im Alter von 77 Jahren als Herzoglich Sachsen-Meiningischer Geheimer Kanzleirat in Hildburghausen. ellauri162.html on line 748: Richard Dawkins Stephen Hawking. ellauri162.html on line 751: Friedrich Nietzsche Don´t trust them bitches. ellauri162.html on line 753: Lyrics Tove Lo, saddest girl on Sweden. Love to fuck you is that okay? Yleisön penkit märkinä kuin Jönsyn luennolla. ellauri162.html on line 757: In a few cases, a person has made the list mainly on the basis of his or her attack on free will and morality—the foundation of the traditional religious view of human beings—so long as the person has also publicly identified as an atheist. You might say ours is a list of atheists with attitude. ellauri162.html on line 759: Richard Dawkins does not make the head of our list. Since this may disappoint some of our readers. we have, after our ranking, also ordered the atheists on our list by the number of Google hits that their names obtain. ellauri162.html on line 761: Number 1 David Silverman is President of American Atheists, the organization founded in 1963 by the grande dame of American atheism, Madalyn Murray O’Hair (1919–1995). He is a Jew. You know it´s a myth. Religion is my bitch. Bitches, I don´t trust ´em But they give me what I want for the night. ellauri162.html on line 763: Number 2 Wrath James White (born c. 1970), a former world-class heavyweight kickboxer. White is Black. He is saddened by Black Christians. ellauri162.html on line 770: He runs one of the most popular atheist blogs on the Internet, called Pharyngula (a stage of the embryonic development of vertebrates). Nielunen. The website is notable for its over-the-top vituperation. Myers also has a flair for attention-getting stunts, like piercing a consecrated host with a rusty nail. In 2009, Myers was named “Humanist of the Year” by the American Humanist Association. ellauri162.html on line 772: No. 6 James (“The Amazing”) Randi (b. 1928) Born in Canada, Randi has had a long career as a stage magician, TV personality, and prolific author. However, the most distinctive feature of his career has been “debunking”—showing how his own and others’ magic tricks are done. Most recently, he has become an outspoken atheist and critic of religion. ellauri162.html on line 774: No. 7 Polly Toynbee has been a columnist for London’s The Guardian newspaper since 1998 and President of the British Humanist Association since 2007. Granddaughter of the famous historian, Arnold J. Toynbee, she stood for MP, unsuccessfully, in 1983 as a Social Democratic Party candidate. Wasnt good enough for even that. But then, the purpose of life is not to be happy, as such. ellauri162.html on line 775: In 2011, she agreed to debate Christian apologist William Lane Craig, but later pulled out, saying “I hadn’t realised the nature of Mr. Lane Craig’s debating style, and having now looked at his previous performances, this is not my kind of forum.” Chickened out, that´s all. ellauri162.html on line 781: William Lane Craig (born August 23, 1949) is an American analytic philosopher, Christian theologian, Christian apologist, and author. He is Professor of Philosophy at Houston Baptist University and Research Professor of Philosophy at Talbot School of Theology (Biolan University). Craig has updated and defended the Kalam cosmological argument for the existence of God. He has also published work where he argues in favor of the historical plausibility of the resurrection of Jesus. His study of divine aseity and Platonism culminated with his book God Over All. He is a Wesleyan theologian who upholds the view of Molinism and neo-Apollinarianism. ellauri162.html on line 783: Aseity (from Latin ā "from" and sē "self", plus -ity) is the property by which a being exists of and from itself. It refers to the Christian belief that God does not depend on any cause other than himself for his existence, realization, or end, and has within himself his own reason of existence. This represents God as absolutely independent and self-existent by nature. Bernanosin ateistipappi ei välittänyt aseptiikasta, sepsis tuli. ellauri162.html on line 785: Molinism, named after 16th-century Spanish Jesuit priest and Roman Catholic theologian Luis de Molina, is the thesis that God has only middling knowledge of what is going on. It seeks to reconcile the apparent tension of divine providence and human free will. Prominent contemporary Molinists include William Lane Craig, Alfred Freddoso, Thomas Flint, Kenneth Keathley, and Louis Armstrong. What a wonderful world. Johnin mieliviini oli juuri Mölinä. ellauri162.html on line 787: Apollinarism or Apollinarianism is a Christological heresy proposed by Apollinaris of Laodicea (died 390) that argues that Jesus had a human body and sensitive human soul, but a divine mind and not a human rational mind, the Divine Logos taking the place of the latter. It was deemed heretical in 381 and virtually died out within the following decades. But now it's back! I'll be back said Apollinaris at the end of Season I. ellauri162.html on line 798: Pharyngula is a term used by evolutionists to describe a hypothetical phylotypic stage of development in embryology. It is mistakenly thought by most evolutionists that this stage represents the basic vertebrate body plan in the common ancestor of all vertebrates. There is currently a dispute among scientists as to how similar embryos are and to the reality of this stage. ellauri162.html on line 800: There are six stages to embryonic development, and the pharyngula stage is towards the middle. In the early stages of development there is significant diversity in the morphology of embryos, this diversity decreases over time till the pharyngula stage where they are most similar (often difficult for anyone but trained embryologist to differentiate), and finally in the last stages of development morphology diversifies again. It is hypothesized that the reason the pharyngula stage is so morphologically constrained is that this is the point where sequential activation of hox genes is initiated so any strong deviations from the developmental plan would lead to drastic changes in the final phenotype of the organism. ellauri162.html on line 814: The concept of a highly conserved ontogeny dates back to 1828 and the work by Karl von Baer. Baer´s work was cited by Charles Darwin and used in support of his Theory of Evolution. The concept was made famous though by Ernst Haeckel in 1874 with the publication of his drawings of the conserved stage. Haeckel was mainly pushing the concept of recapitulation in which he hypothesized that ontological development repeated the evolutionary steps of the organism. Recapitulation has since been discredited and is not accepted by any modern biologist. Haeckel has been accused of falsifying his embryonic drawings, most notably by Jonathan Wells in his book Icons of Evolution. Some biology text books used Haeckel´s drawings for many years after it was known they were faked. However, most modern biology textbooks only use them now for historical reference and actual photos of embryos are used to discuss the pharyngula stage. ellauri162.html on line 816: Darwin proposed that embryos resembled each other since they shared a common ancestor, which presumably had a similar embryo, but that development did not necessarily recapitulate phylogeny: he saw no reason to suppose that an embryo at any stage resembled an adult of any ancestor. Darwin supposed further that embryos were subject to less intense selection pressure than adults, and had therefore changed less. ellauri162.html on line 818: The Haeckelian form of recapitulation theory is considered defunct. Embryos do undergo a period or phylotypic stage where their morphology is strongly shaped by their phylogenetic position, rather than selective pressures, but that means only that they resemble other embryos at that stage, not ancestral adults as Haeckel had claimed. ellauri162.html on line 822: In 2010, the Christian apologetics website True Free Thinker wrote: "Scienceblogger Chad Orzel described the commentators on PZ Myers ' Scienceblogs.com site Pharyngula, and other Scienceblogs.com commentators, as 'screechy monkeys'." ellauri162.html on line 824: A somewhat similar report was made concerning the audience of Richard Dawkins´s web community. In February of 2010, the news organization The Telegraph reported that the atheist and evolutionist Richard Dawkins was embroiled "in a bitter online battle over plans to rid his popular internet forum for atheists of foul language, insults and 'frivolous gossip'." In addition, Richard Dawkins has a reputation for being abrasive. ellauri162.html on line 826: Scienceblogs appears to have a problem keeping and attracting talented writers. According to PZ Myers, Scienceblogs has "been facing a steady erosion of talent". In 2010, the Christian apologetic website True Free Thinker wrote a quite pointed and accurate criticism of PZ Myers Pharyngula blog indicating that PZ Myers' blog posts often lack substance. Pharyngula is widely acclaimed in the liberal media due to its embrace of evolutionary pseudoscience which liberals irrationally embrace (see: Evolution, Liberalism, Atheism, and Irrationality). Myers' blog is also listed by the science journal Nature, which also embraces evolutionary pseudoscience, as the best blog by a scientist. Pharyngula is known for its sarcastic and often specious criticism of creation science and intelligent design theory, as well as regular postings of photos of cephalopods (often with vulgarly sexual connotations both subtle and blatant). As Singer said, sexual organs are the best indicators of the soul. ellauri162.html on line 828: PZ Myers' caustic blog post on the death of Robin Williams See: PZ Myers on the death of Robin Williams (n.h.). Myers was angry because he felt that the news of Robins Williams death was crowding out the news story of the African-American Michael Brown who was shot by a police officer (a race riot subsequently ensued). ellauri162.html on line 830: Robin McLaurin Williams (July 21, 1951 – August 11, 2014) was an American actor and comedian. Williams was raised and sometimes identified himself as an Episcopalian. He described his denomination in a comedy routine as "I have that idea of Chicago protestant, Episcopal—Catholic light: half the religion, half the guilt." He also described himself as an "honorary Jew", and on Israel's 60th Independence Day in 2008, he appeared in Times Square, along with several other celebrities to wish Israel a happy birthday. ellauri162.html on line 831: Williams was found dead in his home in Paradise Cay, California on August 11, 2014. The final autopsy report, released in November 2014, concluded that Williams' death was a suicide resulting from "asphyxia due to hanging". Sen päästä löytyi israelilaisia levyn kappaleita. President Barack Obama released a statement upon Williams's death: Robin Williams was an airman, a doctor, a genie, a nanny, a president, a professor, a bangarang Peter Pan, and everything in between. Se oli Jönsyäkin nuorempi, ja on nyt jo varmaan ihan homeessa. ellauri162.html on line 833: See also: PZ Myers' loss of influence! Alexa is a web traffic tracking company. In 2015 and 2016, Freethought Blogs saw a large decrease in its Alexa ranking. ellauri162.html on line 834: We can’t say we weren’t warned about Alexa! Alexa is the name given to the voice that responds to your commands on the Amazon Echo device. In a recent post, I discussed the creepiness of having someone potentially listen to every conversation in its vicinity. As I understand it (not having one) the device is only supposed to be activated if you first say “Alexa” but apparently that is not the case. A family in Portland, Oregon reports that an Amazon Alexa device recorded a private conversation about hardwood floors and randomly sent it to a contact in Seattle. Danielle, who declined to provide her last name, told KIRO-TV that the contact called her family to tell them that their privacy was being compromised. Unplug your Alexa devices right now, the reportedly unnamed individual said, you’re being hacked. ellauri163.html on line 6: font-style: italic; ellauri163.html on line 48: He wrote the drama Got fun nekome (God of Vengeance) in the winter of 1906 in Cologne, Germany. It is about a Jewish brothel owner who attempts to become respectable by commissioning a Torah scroll and marrying off his daughter to a yeshiva student. Set in a brothel, the play includes Jewish prostitutes and a lesbian scene. I. L. Peretz famously said of the play after reading it: "Burn it, Asch, burn it!" Instead, Asch went to Berlin to pitch it to director Max Reinhardt and actor Rudolph Schildkraut, who produced it at the Deutsches Theater. God of Vengeance opened on March 19, 1907 and ran for six months, and soon was translated and performed in a dozen European languages. It was first brought to New York by David Kessler in 1907. The audience mostly came for Kessler, and they booed the rest of the cast. The New York production sparked a major press war between local Yiddish papers, led by the Orthodox Tageplatt and even the secular Forverts. Orthodox papers referred to God of Vengeance as "filthy," "immoral," and "indecent," while radical papers described it as "moral," "artistic," and "beautiful". Some of the more provocative scenes in the production were changed, but it wasn't enough for the Orthodox papers. Even Yiddish intellectuals and the play's supporters had problems with the play's inauthentic portrayal of Jewish tradition, especially Yankl's use of the Torah, which they said Asch seemed to be using mostly for cheap effects; they also expressed concern over how it might stigmatize Jewish people who already faced much anti-Semitism. The association with Jews and sex work was a popular stereotype at the time. Other intellectuals criticized the writing itself, claiming that the second act was beautifully written but the first and third acts failed to support it. ellauri163.html on line 50: God of Vengeance was published in English-language translation in 1918. In 1922, it was staged in New York City at the Provincetown Theatre in Greenwich Village, and moved to the Apollo Theatre on Broadway on February 19, 1923, with a cast that included the acclaimed Jewish immigrant actor Rudolph Schildkraut. Its run was cut short on March 6, when the entire cast, producer Harry Weinberger, and one of the owners of the theater were indicted for violating the state's Penal Code, and later convicted on charges of obscenity. Weinberger, who was also a prominent attorney, represented the group at the trial. The chief witness against the play was Rabbi Joseph Silberman, who declared in an interview with Forverts: "This play libels the Jewish religion. Even the greatest anti-Semite could not have written such a thing". (You just wait for Philip Roth...) After a protracted battle, the conviction was successfully appealed. In Europe, the play was popular enough to be translated into German, Russian, Polish, Hebrew, Italian, Czech, Romanian and Norwegian. Indecent, the 2015 play written by Paula Vogel, tells of those events and the impact of God of Vengeance. It opened on Broadway at the Cort Theater in April 2017, directed by Rebecca Taichman. Eli ei Asch ihan pasé vielä ole. ellauri163.html on line 55: Viereeni tuolille olin sijoittanut filosofian historian ja joukon muita kirjoja joiden avulla voisin saada häiriintyneen henkeni järjestyxeen. Olin lainannut Breslerin kirjastosta Tolstoin moraaliset novellit ja esseet, Spinozan Etiikan, Kantin Käytännöllisen järjen kritiikin, Schopenhauerin Maailman tahtona ja ajatuksena, Nietzschen teoksen Näin puhui Zarathustra ja pasifisti Forsterin teoksen (jonka nimeä en muista, oisko ollut Maurice?), Payot'n Tahdon kasvattamisen ja useita teoksia hypnoosista, itsesuggestiosta (Coué, Charles Baudoin), ja ties mitä muuta kaikki teoksia jotka sivusivat olennaista. Peräti ostanut olin Rabbi Moshe Haim Luzzatton kirjan Oikeamielisen vaellus ja viidennen Mooseksen kirjan, joka oli mielestäni viisain teos mitä ihminen on koskaan kirjoittanut. ellauri163.html on line 191: 1 Moos 49:10 Ei waldica oteta pois Judalda/ eikä opettaja hänen jalcains juurest/ sijhen asti cuin sangar tule/ ja hänesä Canssat rippuwat kijnni. Sangar? ellauri163.html on line 205: Shiloh, a place of rest, a city of Ephraim, "on the north side of Bethel," from which it is distant 10 miles ( Judges 21:19 ); the modern Seilun (the Arabic for Shiloh), a "mass of shapeless rubble". ellauri163.html on line 341: Shiloh is generally understood as denoting the Messiah, "the peaceful one," as the word signifies ( Genesis 49:10 ). The Vulgate Version translates the word, "he who is to be sent," in allusion to the Messiah; the Revised Version, margin, "till he come to Shiloh;" and the LXX., "until that which is his shall come to Shiloh." It is most simple and natural to render the expression, as in the Authorized Version, "till Shiloh come," interpreting it as a proper name (Compare Isaiah 9:6 ). ellauri163.html on line 349: Genesis 49:10 (Jewish Publication Society) ellauri163.html on line 361: to imply a king of the line of Judah forever, but Israel currently has no king, nor do our democratic rulers have staffs. Does this imply that "he has come to Shiloh" (JPS) or that "Shiloh has come" (KJV)? Please explain. Why does King Jimmy think the homage of the people will be Shiloh's whereas JPS says it is Judah's? Who or what is this Shiloh and why is he/it so important that the scepter will not depart from Judah till then? ellauri163.html on line 363: Are you using the 1917 JPS that is in public domain? If you are please know that it is a Xian translation with minor modifications. ellauri163.html on line 375: Just read the bible chronoholically and you'll see that there were hundreds of years after Jacob's statement before the first king. Then there were Kings of Judah. Then there was the civil war and the kingdoms split. ellauri163.html on line 377: Then Israel was destroyed. Then there was a Babylonian exile (no Judaic kings). Then there were the Maccabees, Herodians, etc. who were not kings of Judah. . . ellauri163.html on line 392: The right to the throne was then, and is now, the right of the tribe of Judah through a genetic link to David and Solomon. Nothing more. Nothing less. ellauri163.html on line 396: Specifically, regarding the Hebrew term - shiloh (this term also appears spelled as - shilo in 11 of the 33 total instances in the Hebrew Bible), most of the ancient and modern explanations of this verse turn upon the Hebrew word itself. ellauri163.html on line 398: The older Jewish versions and commentators (e.g., Septuagint, Targums, Saadyah, and RASHI) read this word without the letter - yod, as if written - sheloh, the archaic form for - shelo, his; or, as if it were a poetic form for - shalvah, peace. (Sama sana varmaan kuin ähläm sähläm, tai shaloom.) ellauri163.html on line 400: One translation, "until that which is his shall come.", is derived from the Septuagint. Its meaning is: 'The scepter shall not depart from Judah till all that is reserved for him shall have been fulfilled.' Another translation, "Till he come whose it (the kingdom) is.", is based on the Onkelos and Jerusalem Targums, Saadya Ga´on, RASHI, and other Jewish commentators. A modern Jewish commentator, M. Friedlander, renders this as "Till peace cometh.". ellauri163.html on line 402: All of the Jewish translations (and commentaries) deal with a future time, the messianic era, during which there will be a king, a direct descendant from King David, sitting on the Davidic throne. The closing phrase of the blessing given to Judah defines the role of the expected future Jewish king, Messiah, in the world. Ultimately, his job will be to gather the nations under the banner of the One G-d of peace. If a gathering of the nations for the sake of peace is the first explicit description of the messianic era, it clearly suggests something that is natural, recognizable, and human. ellauri163.html on line 415: icles/images/promised_land2.jpg" /> ellauri163.html on line 417: Although some of the geographical reference points mentioned in Scripture are difficult for us to identify, God knows the full area into which He is going to bring Israel. We know enough to be sure that Israel is not in her full inheritance yet. Scripture shows that God has a dispute with those who are involved in “dividing up My land” [Joel 3:1-2]. ellauri163.html on line 421: Und der HERR sprach zu ihm: Dies ist das Land, das ich Abraham, Isaak und Jakob geschworen habe, und gesagt: Ich will es deinem Samen geben. Du hast es mit deinen Augen gesehen, aber du sollst nicht hinübergehen. ellauri163.html on line 452: Mooseksen isoäidin hauta on Maple Groven hautausmaalla Hoosick Fallsissa. Grandma Moses , syntynyt Anna Maria Robertson Mooses (* 7. Syyskuu 1860 Greenwich Yhdysvaltain valtio New York, † 13 Joulukuu 1961 vuonna Hoosick Falls, New York) oli yhdysvaltalainen taidemaalari, kuvittaja ja edusti naivisti taidetta. ellauri163.html on line 477: Officially, the tomb is the burial site of Youza Asaph, a medieval Muslim preacher - but a growing number of people believe that it is in fact the tomb of Jesus of Nazareth. ellauri163.html on line 512: 7 Und Mose war hundertundzwanzig Jahre alt, da er starb. Seine Augen waren nicht dunkel worden, und seine Kraft war nicht verfallen. ellauri163.html on line 527: Payot (Hebrew: פֵּאָה, romanized: pe’ot, plural: פֵּאוֹת) is the Hebrew term for sidelocks or sideburns. Payot are worn by some men and boys in the Orthodox Jewish community based on an interpretation of the Tenach injunction against shaving the "sides" of one's head. Literally, pe'ah means "corner, side, edge". There are different styles of payot among Haredi or Hasidic, Yemenite, and Chardal Jews. Yemenite Jews call their sidelocks simanim (סִימָנִים‎), literally, "signs", because their long-curled sidelocks served as a distinguishing feature in the Yemenite society (differentiating them from their non-Jewish neighbors). ellauri163.html on line 535: Parmi ses livres les plus célèbres, Éducation de la Volonté, qui en 1909 avait été publié dans pas moins de 32 éditions et traduit en plusieurs langues. Il est mis à l´index par le Vatican dont deux restent encore à l´Index en 1948. Son livre La morale à l´école fait partie des 13 livres interdits qui seront à l´origine de la lettre pastorale des cardinaux, archevêques et évêques de France du 14 septembre 1909 justifiant le refus des sacrements aux parents dont les enfants utilisent ces livres. ellauri163.html on line 551: Mutta mitä tulee itsekkyyden, pahuuden, kumoamiseen sinänsä, tätä ei voida tehdä; Ei, eikä todistaa kissalle, että on väärin rakastaa hiiriä. (Ei kai se väärin olekaan muuten kuin hiirten mielestä.) Herbert Spencer, vaikka hänellä on hyvin erilainen näkökulma, myöntää englantilaisen koulun kanssa, että ihmisluonne voidaan muuttaa pitkällä aikavälillä ulkoisten voimien rajoituksena elämän olosuhteissa; mutta tämä työ vaatii vuosisatoja ja käytännössä tämä teoria on masentava, koska opiskelijana en voi luottaa kymmenen vuosisadan elämään, vaan vain 20 vuoden plasticiittiin. ellauri163.html on line 592: Sans resultat d'ailleurs, c'est justice — ellauri163.html on line 622: No. 36 ateistilistalla, Philip Pullman (1946) syntyi Norwichissa, Isossa-Britanniassa ja suoritti kolmannen luokan englannin tutkinnon Oxfordin yliopistossa. Hän työskenteli keskiasteen opettajana kirjoittaessaan lastenkirjoja – jo yli 30-vuotiaana – jotka tekisivät hänen maineestaan tunnetun. Hän saavutti kuitenkin todelliset julkkikset vasta julkaisemalla myydyimmän trilogiansa Hänen tummat kankaansa vuosina 1994–2001. Trilogia perustuu löyhästi Miltonin kadonneeseen Paratiisiin – paitsi että saatanahahmo on sankari, kun taas Jumala on roisto (no niinhän se vähän oli Miltonillakin). Ateistit ovat ylistäneet sitä vastalääkkeenä C.S. Lewisin Narnia-sarjalle, jonka Pullman on tuominnut uskonnolliseksi propagandaksi. Hän on suorapuheinen ateistien puolesta Isossa-Britanniassa. Hetkinen, kekä saatanahahmo? Sankarihan on Lyra, josta tulee Eeva kakkoineen? Sekö on se saatana? Ja paha jumalakin on vaan tollanen vanha statisti, niikö Paavi Wojtylä, jota pidettiin paavimobiilissa pystyssä kepillä. ellauri163.html on line 628: Lyra Belacqua (kaunis vesi), villi 12-vuotias tyttö, on kasvanut kuvitteellisessa Jordan Collegessa Oxfordissa. Hän on laiha, tummat vaaleat hiukset ja siniset silmät. Hän ylpeilee kyvyllään ilkivaltaan, erityisesti hänen kyvystään valehdella, ansaitsemalla hänelle Iorick Byrnisonin epiteetin "Silvertongue". Lyralla on luonnollinen kyky käyttää alettiometriä, joka pystyy vastaamaan kaikkiin kysymyksiin, kun sitä manipuloitiin ja luetaan oikein. Lyraa teeveesarjassa näyttelevä Dafne Keen on vähän Greta Thunbergin oloinen. ellauri163.html on line 650: Iorick Byrnison on massiivinen panssaroitu karhu. Panssaroidun karhun haarniska on hänen sielunsa. Iorickin haarniska varastetaan, joten hänestä tulee sieluton ja epätoivoinen. Lyran avulla hän saa takaisin haarniskansa, arvokkuutensa ja sielukkaan kuninkaanasemansa panssaroitujen karhujen yli. Kiitollisena ja vaikuttuneena hänen ovelasta valehtelustaan, hän kutsuu häntä "Lyra Silvertongueksi". Voimakas soturi ja haarniskaseppä Iorek korjaa hienovaraisen taskuveitsen, kun se särkyy. Myöhemmin hän käy sotaa Esivaltaa ja Metatronia vastaan. ellauri163.html on line 660: John Perry on Willin isä. Hän on tutkimusmatkailija maailmastamme, joka löysi portaalin Lyran maailmaan ja josta tuli shamaani, joka tunnetaan nimellä Stanislaus Grumman tai Jopari, hänen alkuperäisen nimensä korruptio. John Richard Perry (born 1943) is Henry Waldgrave Stuart Professor of Philosophy Emeritus at Stanford University and Distinguished Professor of Philosophy Emeritus at the University of California, Riverside. He has made significant contributions to philosophy in the fields of philosophy of language, metaphysics, and philosophy of mind. He is known primarily for his work on situation semantics (together with Jon Barwise), reflexivity, indexicality, personal identity, and self-knowledge. Situation Semantics was a huge flop, which became obvious when Barwise died of the cancer of the colon. ellauri163.html on line 695: Keltaisen vakoilulasin alussa Lyran on kidnapannut hänen äitinsä, rouva Coulter magisteriumin agentti, joka on saanut tietää ennustuksesta, joka tunnistaa Lyran seuraavaksi herrojen Eevaxi. Enkelparven tie, homoenkelit Balthamos ja Baruch, kertovat Willille, että hänen on matkustettava heidän kanssaan antaakseen hienovaraisen veitsen Lyran isälle, lordi Asrielille, aseena auktoriteettia vastaan. Will ei välitä enkeleistä, ne valehtelevat; Paikallisen tytön nimeltä Ama, Karhukuningas Iorek Byrnison ja comic reliefinä lordi Asrielin gallivespian vakoojat, Chevalier Tialys ja Lady Salmiakia, hän pelastaa Lyran luolasta, jossa hänen äitinsä on piilottanut hänet magisteriumista, joka on päättänyt tappaa hänet ennen kuin hän antautuu kiusaukselle ja synnille, kuten alkuperäinen Aatto. Hetkinen! Eikös tässä juonessa ole enemmänkin ainexia siitä hirmupitkästä runoelmasta, annas nyt, Dispenserin Dragge Qveene? Eikös kukaan ole pannut tätä merkille? No ei koska ilmeisesti sen seuraava trilogia on vielä selvemmin Edmundin apteekin hyllyltä: ellauri163.html on line 697: With an 11-year-old hero, Philip Pullman´s new book is a delightful nod to Edmund Spenser´s 'The Faerie Queene'. If Philip Pullman’s Dark Materials trilogy was an obvious nod to John Milton’s Paradise Lost, his new Book Of Dust trilogy takes inspiration from Edmund Spenser’s The Faerie Queene. Though thematically different, both fall within the same literary genre—they are epic poems, long narrative pieces recounting heroic deeds, and if the term could loosely be used to describe works of prose, then La Belle Sauvage, the first in the Book Of Dust trilogy, is one such novel. Spenser’s late-16th century poem, though incomplete, follows the adventures of medieval knights. Our knight is 11-year-old Malcolm Polstead, curious, intelligent, good-natured and clueless, when we first meet him, of the trials that await him. La Belle Sauvage, then, is a companion, or "equel" (a new story that stands alongside his previous trilogy), to His Dark Materials trilogy. Better strike while the iron is hot, as J.K. Rowling did. ellauri163.html on line 712: Pullman ilmaisi hämmästyksensä siitä, mitä hän piti suhteellisen alhaisena kritiikinä hänen pimeistä materiaaleistaan uskonnollisista syistä, sanoen "Olen yllättynyt ja pettynyt siitä, kuinka vähän kritiikkiä minulla on. Harry Potter on ottanut kaikki luodit... Sillä välin olen lentänyt tutkan alla ja sanonut asioita, jotka ovat paljon kumouksempaa kuin mikään Harry-parka on sanonut. Kirjani koskevat Jumalan tappamista." Darn. (Parsia.) Toiset kannattavat tätä tulkintaa väittäen, että vaikka sarja on selvästi anticlerical, se on myös anti-teologinen, koska Jumalan kuolema on esitetty pohjimmiltaan merkityksettömänä kysymyksenä. Se on kuin ruoskisi kuollutta hevosta tai laittaisi perhosen pyörään. On paljon pahempaa imitoida Jeesusta Kristusta silmälasipäisen pojan hahmossa. ellauri163.html on line 721: Vox Day has written about atheists being "socially autistic". Asperger´s syndrome (sometimes referred to as "High-Functioning Autism" or "HFA") is an umbrella term used to classify problematic behaviours similar to, but less severe than, those within the lower reaches of the autistic spectrum. ellauri163.html on line 723: Day wrote concerning atheist PZ Myers´ blog audience: “It´s by no means a scientific test, but it is interesting to note the coincidence that 59 of the virulent atheists over at Dr. PZ Myers place report an average score on the Asperger´s Quotient test of 27.8. And this does not include the two individuals who actually have Asperger´s but did not report any test results. ellauri163.html on line 727: “ Basically the range for possible answers is 0 to 50. The information below shows you the different ranges as recorded from others sitting this same AQ quiz over the years. ellauri163.html on line 729: 0-11 low result – indicating no tendency at all towards autistic traits. ellauri163.html on line 733: 22-25 shows autistic tendencies slightly above the population average ellauri163.html on line 735: 26-31 gives a borderline indication of an autism spectrum disorder. It is also possible to have aspergers or mild autism within this range. ellauri163.html on line 737: 32-50 indicates a strong likelihood of Asperger syndrome or autism. ellauri163.html on line 740: In fact, scores of 32 or above are one of strong indicators of having as ASD. ellauri163.html on line 742: However, there is evidence which suggests that a large portion of PZ Myers´ blog audience are narcissists rather than individuals who have Asperger´s Syndrome (see: PZ Myers´ antitheist blog audience and the issue of narcissism vs. Asperger´s Syndrome). ellauri163.html on line 744: PZ Myers is a New Atheist and New Atheism is a contemporary form of antitheism. Therefore, it is very probable his blog appeals to people who hold to a antitheism perspective. Social science research indicates that antitheists score the highest among atheists when it comes to personality traits such as narcissism, dogmatism, and anger. Furthermore, they scored lowest when it comes to agreeableness and positive relations with others. ellauri163.html on line 746: The first study replicates the finding of the BU research: 12 autistic and 13 stereotypical adolescents took part, and the stereotypical subjects were 10 times as likely to strongly endorse God. ellauri163.html on line 748: People with higher scores on the Autism Spectrum Quotient (items included "I am fascinated by numbers," and "I find social situations difficult") had weaker belief in a personal God than those with lower IQ score ("I am fascinated by skirts", and "I find zippers difficult"). Second, reduced ability to mentalize mediated this correlation. (Mentalizing was measured with the Empathy Quotient, which assesses self-reported ability to recognize and react to others' emotions, and with a task that requires identifying what's being expressed in pictures of eyes. Systematizing -- interest in and aptitude for mechanical and abstract systems -- was correlated with autism but was not a mediator.) Third, men were much less likely than women to say they strongly believed in a personal God (even controlling for autism), and this correlation was also mediated by reduced mentalizing. They were also clearly more interested in skirts and puzzled by zippers. ellauri163.html on line 750: Another study found that the higher the autism score, the less likely the person was to believe in God, with the link partially explained by theory of mind. In other words, the better someone felt at understanding other minds, the more fervent their belief in God, who reads everybody´s mind. (Sometimes I wonder what kind of mind God must have, when s/he has to simultaneously concentrate on several gigamonkeys worth of personal requests. I bet s/he is fascinated by numbers. S/He never says "all our service representatives are busy at this moment, please hold without hanging up the phone.") ellauri163.html on line 752: These studies are correlational, so researchers can´t say for sure whether an inability to imagine other minds actually leads to atheism or agnosticism or whether the link is caused by God. The researchers did control for religious service attendance, assuming that the socially inept might be less likely to flex their mentalizing muscles by mingling at church each week. That analysis showed that religious service attendance could not explain the link between autismlike traits and belief. Those with sedentary mental behavior were just as apt to have a will to believe as not. ellauri163.html on line 754: Left-handedness is a good indicator of a high mutational load. People who are left-handed higher incidences of autism and schizophrenia. A study found that atheists are more likely to be left-handed (see: Atheists and genetic mutations). ellauri163.html on line 756: Dr. Mark Goulston, M.D. wrote in his article Just Listen - Don´t Confuse a Narcissist with Asperger´s Syndrome: “Both narcissists and high functioning people with Asperger like features are goal minded to a fault, and both can view other people more as functions or vehicles to achieve that goal instead of as people with feelings. However a critical difference between the two is that a narcissist doesn´t care if they hurt you or your feelings (and the truly malignant ones may even take delight in doing so), whereas someone with Asperger´s like features would prefer not to. ellauri163.html on line 758: British psychiatrist Dr. Khalid A. Monsour says regarding Narcissistic Personality Disorder (NPD): ellauri163.html on line 759: “… it is noticeable that people with NPD, do not show a major degree of functioning problems in stress free environment or when they are supported (except that they are perceived as “not pleasant characters” to deal with). However under stress and without support they can become quite dysfunctional in a way not far from what we usually see in Asperger’s syndrome.“ ellauri163.html on line 761: Another, anthropologically informed study explores descriptions of communication with invisible, superhuman agents in high functioning young adults on the autism spectrum. Based on material from interviews, two hypotheses are formulated. First, autistic individuals may experience communication with bodiless agents (e.g., gods, angels, and spirits) as less complex than interaction with peers, since it is free of multisensory input, such as body language, facial expressions, and intonation. ellauri163.html on line 763: Second, descriptions of how participants absorb into “imaginary realities” suggest that such mental states are desirable due to qualities that facilitate social cognition: While the empirical world comes through as fragmented and incoherent, imaginary worlds offer predictability, emotional coherence, and benevolent minds. These results do not conform to popular expectations that autistic minds are less adapted to experience supernatural agents, and it is instead argued that imaginative, autistic individuals may embrace religious and fictive agents in search for socially and emotionally comprehensible interaction. ellauri163.html on line 765: Some of the primary symptoms of Alzheimer´s disease are: memory problems, mood swings, emotional outbursts, brain stem damage which impairs function in the heart, lungs plus causes disruption of various other bodily processes. In irreligious/nonreligious regions, there is a significant amount of Alzheimer´s disease (see: Irreligious/nonreligious geographic regions and Alzheimer´s disease). Irreligion/nonreligious regions have populations with significant problems when it comes to engaging in sedentary behavior (see: Irreligion/nonreligious regions and sedentary behavior). Thing is, gods, like dogs, require more exercise, even genuflection to pick up the turds. ellauri163.html on line 785: ichelp.net/samples/academics/reviews/movie/mouchette-directed-by-robert-bresson.html">Lähde ellauri163.html on line 793: Kahden näkemämme miehen välillä näyttää olevan vihamielisyys, joka seuraa heitä paikalliseen baariin, jossa riistanvartija (huolimatta naimisissa) haluaa paikallisen baarimikon Louisan (Marine Trichet), joka ei välitä hänestä, vaan himoizee salametsästäjää Arsenia (Jean-Claude Guilbert). Tutustumme myös päähenkilöön, Mouchetteen, vakavasti köyhään tyttöön, joka on 13–16-vuotias (ilmeisesti lähderomaani asettaa hiänen ikänsä 14- vuotiaaksi, ja Nortier oli todella 18, mutta elokuva ei anna siitä aavistustakaan), joka käyttää puisia puulevyjä (jotka eivät vastaa hänen jalkojaan) ja on ulkopuolinen koulussa, julman musiikinopettajan uhri, joka väärinkäyttää häntä ja joka vihaa rikkaampia tyttöjä, jotka sulkevat hänet pois. Mouchette jopa heiluttaa likapalloja kilpailijoitaan vastaan. ellauri163.html on line 801: Arsene ja Mouchette palaavat kaupunkiin ja pakenevat toisen saluunan (ei siis Luisan) takahuoneeseen. Siellä he keskustelevat yön tapahtumista, ja Arsene kärsii petit mal epileptisestä hyökkäyksestä. Mouchette lohduttaa häntä, ja Arsene näyttää uhkaavan hiäntä, jos hän puhuisi Mathieusta. Sitten hän yrittää tulla helläksi, hiän torjuu hänet ja yrittää heikosti piiloutua pöydän alle. Sanon heikosti, koska kohtaus päättyy Arseneen Mouchetten päällä, lähellä clicheistä takkatulta, ja he ilmeisesti harrastivat seksiä tai näyttävät olevan valmiita siihen, kun kohtaus häviää. ellauri163.html on line 807: Vaikka Au Hasard Balthazarin lopussa kriitikot väittävät usein, että aasi oli kuollut elokuvan lopussa, kun näemme vain sen kuolevana, tämä elokuva olettaa myös kuoleman, mutta näemmekö sen ei ole yhtä tärkeää kuin aiemmassa elokuvassa, joka päättyy lempeään eroon ennen tätä hetkeä. Tämä elokuva päättyy Mouchetten tietoiseen tietämättömyyteen riippumatta siitä, näemmekö hänen todellisen loppunsa vai emme. Ja kuten mainittiin, tämä loppu ei ole läheskään yhtä tyydyttävä, kerronnallinen, emotionaalisesti tai loogisesti kuin aasin loppu. Syynä on se, että vaikka hyväksyisi, että tyttö raiskattiin ja hiänen äitinsä kuoli tuntien sisällä toisistaan, hiänellä on silti paljon tekemistä, nimittäin Arsenen kaa, olisin mielelläni nähnyt niiden sexiä vähän lähemmin ja enemmän. Aasi oli vanha ja sieti kuollakin, mutta she still had much going for her. She was a juicy little dish. My handkerchief was all wet when the film was over. ellauri163.html on line 817: That said, the reason the film does succeed, and rises to greatness, rests primarily on the shoulders of the lead actress, Nadine Nortier, who, despite little dialogue, conveys great depths within her character, despite being a non-professional actress at the time. On the other hand, Jean-Claude Guilbert (a professional actor who also appeared in Au Hasard Balthazar, as another drunkard, Arnold) is also very good. The rest of the cast is solid. Yet, critical missteps abound, especially when some claim Mouchette is filled with anger. Yes, there may be acts of seeming anger (tossing dirt at her female rivals), but clearly the character of Mouchette is a walking mass of desensitisation. This would explain why she reacts the way she does to sex with Arsene, rather than seeing it as her ‘striking back’ at the world. ellauri163.html on line 829: There is also a scene where Mouchette is wet, working in the bar, and then gets some coins as payment. Later, in his hut, she is wet, and Arsene pays her some coins to go along with his story regarding Mathieu’s presumed death. What this does is not only link divergent scenes in a strictly visual and cinematic way, but it emphasises the elliptical and cyclical nature of the film, where recurring images and motifs abound. Yet, all of them are slightly askew, and the camera always seems to look at its lead character’s life slightly askance, as if it was somehow recapitulating the clearly warped view of life Mouchette owns. ellauri163.html on line 833: In essence, the film called Mouchette recapitulates the point of view of its character Mouchette, which allows the viewer to both ‘feel’ a bit of the character’s warp, while also being able to step back and intellectually distance oneself and ‘understand’ the character’s warp. Whether or not Bresson intended this doubled perspective on life, it, and many of the film’s other strengths more than make up for its weak ending, and lift it to a greatness that, while it falls short of the utmost in the canon of great cinema, nonetheless makes Mouchette a film for which the term “great” is applied a surety. There are, certainly, worse ways to misfire, slightly or otherwise. ellauri163.html on line 852: Joku hörhö sanoi että rukoileminen on meditointia. Toiset on kuulevinaan ääniä kuin Sirkka Pylkkänen vessan polulla. Meditaatiosta juolahti mieleen Melitta jauhatus. Melitta suodattimet ja kahvinkeittimet oli kerran uusia. Äiti laittoi kahvipannuun liivatetta kun ei ollut hauensuomuja. Käkkärätukkaisen neekerin mielestä jolla on käärme hihassa tämän maailman kahvi oli parempaa kuin sen oman. Me laitamme vähemmän vettä ja enemmän kahvia, oli Pirkon vastaus, kun jenkit kiitti suomalaista hyvää kahvia. Sarjassa on muuten yllättävän paljon mustia, muttei juurikaan vinkuintiaaneja. Niitä ei kai ole yhtä paljon briteissä. Nojaa, mustia 3% vinkuja 1,7 gypsyjä 0,1. Gypsyt ovat voimakkaasti yliedustettuja. Palefaceja lähes 9/10. Amerikassa entiset vähemmistöt on 2-numeroisia. Ne otetaan takuulla huomioon brittiviihdetehtaissa. Tosin sarjassa on vain 1 token white american eikä sekään mikään jämeräleuka John Wayne vaan laiska vääräleuka hassuttelija, jonka lemmikkieläinkin on jänis. ellauri163.html on line 862: David Émile Durkheim was born 15 April 1858 in Épinal, Lorraine, France, to Mélanie (Isidor) and Moïse Durkheim, coming into a long lineage of devout French Jews. As his father, grandfather, and great-grandfather had all been rabbis, young Durkheim began his education in a rabbinical school. However, at an early age, he switched schools, deciding not to follow in his family's footsteps. I bet dad, grandad and greatgranddad were all very disappointed. In fact, Durkheim led a completely secular life, whereby much of his work was dedicated to demonstrating that religious phenomena stemmed from social rather than divine factors. Despite this fact, Durkheim did not sever ties with his family or with the Jewish community. Actually, many of his most prominent collaborators and students were Jewish, some even blood-related. ellauri163.html on line 864: A precocious student, Durkheim entered the École Normale Supérieure (ENS) in 1879, at his third attempt. The entering class that year was one of the most brilliant of the nineteenth century, as many of his classmates, such as Jean Jaurès and Henri Bergson, went on to become major figures in France's intellectual history as well. At the ENS, Durkheim studied under the direction of Numa Denis Fustel de Coulanges, a classicist with a social-scientific outlook, and wrote his Latin dissertation on Montesquieu. At the same time, he read Auguste Comte and Herbert Spencer, whereby Durkheim became interested in a scientific approach to society very early on in his career. The writer of this exposition likes the word whereby. ellauri163.html on line 873: In the last presentation we looked at Durkheim’s ideas on the weakening of the collective conscience through modernity—the division of labor, weakening of primary groups and general social change. As we saw, this left the individual without much moral guidance. As Durkheim was concerned with moral behavior and social justice he naturally turned to the study of religion. ellauri163.html on line 875: All religions divide social life into two spheres, the “sacred” and the “profane.” There is nothing intrinsic about a particular object which makes it sacred. An object becomes sacred only when the community invests it with that meaning. ellauri163.html on line 877: Religion is an eminently collective thing (1954, p.47). It serves to bind a community together. A religion is a unified system of beliefs and practices relative to sacred things, that is to say, things set apart and forbidden--beliefs and practices which unite in one single community called a Church, all those who adhere to them. (1954, p. 47). ellauri163.html on line 879: The believer who has communicated with his god is not merely a man who sees new truths of which the unbeliever is ignorant; he is a man who is stronger. He feels within him more force, wither to endure the trials of existence, or to conquer them (1954, p. 416). ellauri163.html on line 881: Thus there is something eternal in religion which is destined to survive all the particular symbols in which religious thought has successively enveloped itself. There can be no society which does not feel the need of upholding and reaffirming at regular intervals the collective sentiments and the collective ideas which make its unity and its personality. ellauri163.html on line 883: Now this moral remaking cannot be achieved except by the means of reunions, assemblies, and meetings where the individuals, being closely united to one another, reaffirm in common their common sentiments; hence come ceremonies which do not differ from regular religious ceremonies, either in their object, the results which they produce, or the processes employed to attain these results. ellauri163.html on line 885: Durkheim then ventures a step further, seeing no big fist struck him from the heavens. Religion is not only a social creation; it is the power of the community itself that is being worshiped. The power of the community over the individual so transcends individual existence that people collectively give it sacred significance. ellauri163.html on line 889: By worshiping God people are unwittingly worshiping the power of the collective over them—a power that both created and guides them. They are worshiping society itself. Religion is one of the main forces that make up the collective conscience; religion which allows the individual to transcend self and act for the social good. But traditional religion was weakening under the onslaught of the division of labor; what could replace religion as the common bond? ellauri163.html on line 891: The great things of the past which filled our fathers with enthusiasm do not excite the same ardor in us...In a word, the old gods are growing old or already dead, and others are not yet born...But this state of incertitude and confused agitation cannot last forever. A day will come when our societies will know again those hours of creative effervescence, in the course of which new formulae are found which serve for a while as a guide to humanity; and when these hours shall have been passed through once, men will spontaneously feel the need of reliving them from time to time in thought, that is to say, of keeping alive their memory by means of celebrations which regularly reproduce their fruits. We have already seen how the French Revolution established a whole cycle of holidays to keep the principles with which it was inspired in a state of perpetual youth. ellauri163.html on line 893: But now comes something rather suspect: There are no gospels which are immortal, but neither is there any reason for believing that humanity is incapable of inventing new ones (1954, pp. 475-476). ellauri163.html on line 895: While men are losing faith in the old religions, new religions will be born. For all societies feel the need to express their collective sentiments, ideas, and ideologies in regular ceremony. All societies need a set of common values and moral guidelines to inspire their members to transcend their selfishness. While the forms and particular symbols may change, religion is eternal. ellauri163.html on line 969: icture-in-picture" allowfullscreen> ellauri164.html on line 6: font-style: italic; ellauri164.html on line 41: A survey published in American Psychologist in 1991 ranked Wundt's reputation as first for "all-time eminence" based on ratings provided by 29 American historians of psychology. William James and Sigmund Freud were ranked a distant second and third. ellauri164.html on line 43: In the introduction to his Grundzüge der physiologischen Psychologie in 1874, Wundt described Immanuel Cunt and Johann Friedrich Herbart as the philosophers who had the most influence on the formation of his own views. Those who follow up these references will find that Wundt critically took to the cleaners both these thinkers’ ideas. He distanced himself from Herbart's science of the soul . Wundt praised Cunt's rejection of a "rational" psychology deduced from metaphysics, but he argued against Cunt's epistemology as well as Cunt's category theory and his flabby position on teleological explanations in his publication Was soll uns Kant nicht verkaufen? (1892). ellauri164.html on line 76: ellauri190.html on line 554: ellauri210.html on line 7: font-style: italic; ellauri210.html on line 50: William Sydney Porter (September 11, 1862 – June 5, 1910), better known by his pen name O. Henry, was an American short story writer. Amerikkalainen pikkukonna ja pakinoizija joka hyvin amerikkalaisittain yhdisti nämä ammatit, tehden kahta työtä rinnakkain. Sen mielikirja oli Burtonin Anatomy of Melancholy. Nuorena se vietti aikaa Texasissa päästäkseen pahasta yskästä. Yskä parani mutta jano paheni. Se nai kauniin mutta tubisen vaimon vastoin perheen tahtoa. Sen poika kuoli synnytyksessä ellauri210.html on line 65: Dans un article publié dans le no 2 de Maintenant, daté de juillet 1913, Cravan fait une description iconoclaste de sa visite chez André Gide : ellauri210.html on line 78: His best known play The Playboy of the Western World was poorly received, due to its bleak ending, demeaning depiction of Irish bloody peasants, and idealisation of parricide, leading to hostile audience reactions and riots in Dublin. ellauri210.html on line 89: Jarry a vécu comme il lui plaisait avec ses trois attributs : la bicyclette, le revolver et l’absinthe. ellauri210.html on line 94: Antero tulkkaa Sigge Riemun huumoriteoriaa et huumori on superegon (sic) mielihyväperiaatteen voitto egon realismista kun jälkimmäinen joutuu liian ahtaalle. Noh noh Antero, ei Riemu niin sanonut. Yliminä on vakavalärväisin koko kolmikosta. Huumorissa yliminä antaa minän olla kurkottamatta yliminän ideaalikuuseen ja antaa sen kapsahtaa idin mielihyvän katajaan. Sixi se on alhaista. ellauri210.html on line 101: Freud kirjoitti yleensä vain niin sanotuista "suurista" taiteilijoista. Hän analysoi parimurhaa Dostojevskin teoksissa, kirjoitti Leonardo da Vincin lapsuudesta ja pohti Michelangelon teosten emotionaalisia vaikutuksia. Mutta vuonna 1931 Freud puhui ystävälleen lähettämässään kirjeessä hieman Charlie Chaplinista. ellauri210.html on line 121: The superego allowed the ego to generate humor. A benevolent superego allowed a light and comforting type of humor, while a harsh superego created a biting and sarcastic type of humor. A very harsh superego suppressed humor altogether. ellauri210.html on line 122: In the 1905 book Jokes and Their Relation to the Unconscious (German: Der Witz und seine Beziehung zum Unbewußten), as well as in the 1928 journal article Humor, Freud distinguished contentious jokes from non-contentious or silly humor. Tendentious jokes are jokes that contain lust, hostility, or both. ellauri210.html on line 123: Moreover, Freud (1960) followed Herbert Spencer's ideas of energy being conserved, bottled up, and then released like so much steam venting to avoid an explosion. Sixi porukat raivon sijasta joskus räjähtävät nauramaan. Freud was imagining psychic or emotional energy, and this idea is now thought of as the relief theory of laughter. Lisää aiheesta albumissa 30. ellauri210.html on line 127: La ’Pataphysique est une parodie de science qui apparaît dans Gestes et opinions du docteur Faustroll, pataphysicien, livre écrit par Alfred Jarry en 1897-1898. Elle est alors définie comme la « science des solutions imaginaires qui accorde symboliquement aux linéaments les propriétés des objets décrits par leur virtualité ». ellauri210.html on line 129: Jarry obtient en 1890 la seconde partie du baccalauréat, mention "Bien". En 1891-1892, il est élève d’Henri Bergson et condisciple de Léon-Paul Fargue et d’Albert Thibaudet au lycée Henri-IV. Il échoue au concours d'entrée à l’École normale supérieure (trois échecs successifs suivis de deux échecs pour la licence ès lettres). ellauri210.html on line 138: En outre, Jarry fait remonter l’origine de cette science à « Ibicrate le Géomètre » et « Sophrotatos l’Arménien », deux penseurs grecs fictifs. ellauri210.html on line 152: Sable 28 du 1er décembre au 28 décembre Ce mois inclut le solstice d'hiver de l'hémisphère nord, le plus souvent le 21 Sable (ou 21 décembre). ellauri210.html on line 166: Gidouille 29 du 15 juin au 13 juillet Ce mois inclut le solstice d'été de l'hémisphère nord, le plus souvent le 7 Gidouille (ou 21 juin), ainsi que le dernier jour ajouté hors-semaine appelé « hunyadi ». ellauri210.html on line 209: Raymond Roussel: excerpt from Impressions of Africa. ellauri210.html on line 212: Roussel oli omana elinaikanaan marginaalinen kirjailija, eivätkä läheskään kaikki kirjallisuudenhistoriat mainitse hänen nimeään. Sen sijaan surrealistit arvostivat häntä. Michel Foucault kirjoitti ensimmäisen kirjansa Rousselista. OuLiPo-ryhmä, Nouveau Roman –kirjailijat ja Tel Quelin jäsenet sen sijaan ovat jatkaneet Rousselin viitoittamalla päättömyyxien tiellä. ellauri210.html on line 268: Francis Picabia ellauri210.html on line 270: Francis-Marie Martinez de Picabia (22. tammikuuta 1879 Pariisi, Ranska – 30. marraskuuta 1953 Pariisi, Ranska) oli kuubalaistaustainen ranskalainen avantgardetaidemaalari. Hänet tunnetaan erityisesti yhtenä dadan keskeisenä taiteilijana. ellauri210.html on line 272: Picabian maalarinlahjat ilmenivät aikaisin. 1894, hän kopioi isoisänsä espanjalaisen taidekokoelman, möi alkuperäiset ja osti rahoilla postimerkkejä. Francis oli Piha-Anteron hyvä kaveri, piirsi Anterolle kansikuvia ja muitakin. ellauri210.html on line 274: 1925, Picabia palasi ismeistä esittävään taiteeseen. 30-luvulla se oli Gertrude Steinin henkilökohtainen hyvä ystävä. 40-luvulla se kopsi keskiaukeamakuvia Paris Sex-Appealista rehevällä tyylillä. Niitä myytiin Pohjois-Afrikkaan bordellien seinille. ellauri210.html on line 276: Picabiakin ymmärsi että kaikki sanakombinaatiot on käypiä ja niiden runollinen teho on sitä suurempi mitä mielivaltaisemmilta ja ärsyttävämmiltä ne vaikuttavat ensi näkemältä. ellauri210.html on line 298: Pablo Picasso ellauri210.html on line 299: icatura-di-Pablo-Picasso.jpg" height="200px" /> ellauri210.html on line 301: Google Lensin mielestä Pablo Picasso muistuttaa eniten tätä maapähkinää. Fair enough. ellauri210.html on line 303: icasso Pablo">Pablo Picasso (25. lokakuuta 1881 Málaga, Espanja – 8. huhtikuuta 1973 Mougins, Alpes-Maritimes, Ranska) oli espanjalainen kuvataiteilija ja yksi 1900-luvun huomattavimmista taiteilijoista. Se tahtoi ranskalaisexi muttei huolittu. ellauri210.html on line 304: Hänen koko nimensä oli Pablo Diego José Santiago Francisco de Paula Juan Nepomuceno Crispín Crispiniano de los Remedios Cipriano de la Santísima Trinidad Ruiz Blasco y Picasso. ellauri210.html on line 305: Vizi nää spanjuunat on varsinaisia Juan Hoze Pabloja. Pablon iskä oli Ruiz ja äiskä Picasso. Zorrossa oli Ruiz nimisiä konnia ja upseereja. Ei yhtään Picassoa. Picasso signeerasi taulunsa nuorena "P. Ruiz" mutta kaksikymmenvuotiaasta lähtien "Picasso". Se oli harvinaisena nimenä paremmin mieleen jäävä kuin Ruiz, ja Pablo halusi myös erottautua taidemaalari-isästään. Iskäkin näät oli jonkinlainen tuhertaja. ellauri210.html on line 309: Picasso teki maalauksia, grafiikkaa, keramiikkaesineitä ja veistoksia sekä kirjoitti runoja. Picasson tuotanto on hyvin laaja, ja siihen kuuluu yli 13 000 taulua sekä 300 veistosta ja keramiikkatyötä. Ei oli niitä enemmänkin. Se tuhersi aina jonkun kuvan kimpussa kuin Li Andersson eduskunnassa. ellauri210.html on line 310: Picasso maalasi korkealla iälläkin kolmesta viiteen teosta päivässä. Niitähän tuli kuin multa paasauxia. ellauri210.html on line 312: Picasso liittyi kommunistiseen puolueeseen vuonna 1944 ja osallistui useisiin rauhankonferensseihin sodan jälkeen. Hänelle myönnettiin Leninin kansainvälinen rauhanpalkinto vuosina 1950 ja 1962. Nyt on Uljanovin rauha mitaleineen kuopattu, ja Pablokin. Vanhoilla päivillään se teki savikukkoja. ellauri210.html on line 313: Picasso oli naimisissa kahdesti. Hän sai neljä lasta kolmen naisen kanssa. Hänellä oli useita rakastajattaria ja usein käynnissä kaksi suhdetta rinnakkain, vanha ja uusi. Ei tarvinnut maata tyhjän päällä kuin kuvaannollisessa mielessä. Picasso käytti naisia taiteellisena kimmokkeena mutta myös panopatjoina. ellauri210.html on line 315: Picasson sininen kausi (1901–1904) sisältää synkkiä maalauksia, joita hän alkoi maalata vietettyään aikaa Barcelonassa perheensä luona. Maalaukset eivät kuvaa arkielämän tilanteita, vaan välittävät runollisia viestejä. Maalikaupasta oli muut sävyt lopussa. ellauri210.html on line 316: Picasso teki teoksiinsa samanaikaisia viittauksia eri asioihin: esimerkiksi samat kaaret kuvasivat niin korvaa kuin kitaraakin. Aika nokkelaa. Picasson taso kuvanveistäjänä oli hyvin vaihteleva. 1960-luvulla Picasso teki teräksestä tai betonista yli kaksikymmenmetrisiä monumentaalipatsaita. Toisinaan pelkkä rautalanka riitti. ellauri210.html on line 318: Picasson töitä on varastettu enemmän kuin kenenkään muun taiteilijan. ellauri210.html on line 319: Picassosta ei koskaan tullut surrealistisen liikkeen virallista jäsentä, mutta hänellä oli kavereihin läheiset yhteydet, ja surrealistit sen myös omivat. ellauri210.html on line 322: 15 Pablo Picasso Fun Facts ellauri210.html on line 323: Picasso's Full Name Has 23 Words. ellauri210.html on line 324: Picasso's first word was piz. ellauri210.html on line 325: Pablo's first picture was a of a picador. ellauri210.html on line 327: Picasso was a Terrible Student ellauri210.html on line 328: Picasso's First Job was at a Dealer ellauri210.html on line 331: Picasso claimed "Paul Cézanne was my one and only master." No it was dad. ellauri210.html on line 332: He did Guernica. No the Germans did. ellauri210.html on line 333: Picasso was a prolific artist. What fun. ellauri210.html on line 334: Picasso did his own iconic striped shirt. No it was Coco Chanel. ellauri210.html on line 335: Picasso was the first artist to receive a 90-year retrospective exhibition. And the last. ellauri210.html on line 336: Picasso was a poet and a playwright. ellauri210.html on line 337: Picasso predicted he'd be known more for his poetry than his paintings. He was wrong. ellauri210.html on line 338: Picasso was buried on a whim in 1958 in the village of Vauvenargues. V:n markiisi Luc kirjoitti maxiimeja 1700-luvulla. ellauri210.html on line 341: Mimmosia runoja Pablo väsäsi? Entä mimmosia läppiä? Picasso kirjoitti paljon surrealistista runoutta vuodesta 1935 alkaen ja surrealistisen näytelmän Le Désir attrapé par la queue (1941). ellauri210.html on line 342: icasso-annotated-poem-manuscript-December-24-1935.jpg" width="100%" /> ellauri210.html on line 359: « Je ne comprendrai jamais comment Victor Hugo a pu, quarante ans durant, faire son métier. Toute la littérature, c’est : ta, ta, ta, ta, ta, ta. L’Art, l’Art, ce que je m’en fiche de l’Art ! » — « Oscar Wilde est vivant ! », ellauri210.html on line 361: Arthur Cravan, the Dadaist poet-boxer, was neither a good poet nor a good boxer, but he was a legendary provocateur. Hemingway, Mailer, and Scorsese: much great American art has been inspired by boxing. How bout Irving? No he was a wrestler. Between 1907 and 1909, Saul Bellow created three paintings—Club Night, Stag at Sharkey’s, Both Members of This Club—that captured boxing’s glories and indignities. The sport provided a powerfully visceral metaphor for the American experience of the twentieth century. Amerikan nyrkki on sittemmin kumauttanut päähän useampia kansoja kuin kehtaa muistella. ellauri210.html on line 363: But boxing also transfixed artists beyond American shores. Ennen kaikkea palaa tässä yhteydessä mieleen tietysti Vesa-Matti Loiri, jonka nyrkkeilysaavutuxet on ikuistanut Hotakaisen Kari. ellauri210.html on line 365: One of them was the Swiss enema Arthur Cravan. Described by one critic as “a world tramp … a traverser of borders and resister of orders,” Cravan traveled the globe in the early 1900s by forging documents and assuming false identities, preening, harassing, and haranguing, as he went. He was hailed by André Breton as a pivotal precursor of Dadaism, and belonged to that category of floating prewar avant-gardists whose legacy resides more in their mode of living than their artistic creations. Indeed, he declared himself anti-art and avowed boxing to be the ultimate creative expression of the modern, American-tinged age. He’s often referred to as a “poet-boxer,” though he wasn’t especially accomplished as either; his real talent appears to have been making a spectacle of himself, in every sense. Publicist rather than a pugilist. ellauri210.html on line 369: That journey began in 1903 when, aged sixteen, he was kicked out of his boarding school for an egregious act of indiscipline—according to some, he hit a teacher—and, inspired by his hero Arthur Rimbaud, he left Switzerland in search of adventure. Over the next several years, Cravan took up with hookers in Berlin, hoboed his way from New York to California, and worked in the engine room of a steamship bound for the South Pacific, jumping ship when it docked in Australia. But it was in Paris that the legend of the man we know as Arthur Cravan—writer, brawler, and hoaxer—was cemented. Within the space of six years, he scandalized polite society, infuriated the avant-garde, slugged it out with one of the greatest heavyweights of all time, and then disappeared without a trace. ellauri210.html on line 371: When Jack Johnson fled racially motivated prosecution in the U.S. in 1913, he arrived in Paris to a hero’s welcome. After he’d beaten Jim Jeffries to become the first black heavyweight champion of the world in 1910, he’d been tarred as a threat to social order back home. A film of the fight had been a hit in France but was banned in America for fear that images of a black man schooling a white man in the ring would cause grave insult and incite sedition. ellauri210.html on line 373: By the time Johnson arrived in Paris, Cravan had carved out a reputation as a boxer himself, a discipline he first picked up while traveling across the USA. He was also known as an ardent proponent of the “American” attitude toward life, by which he meant living according to desire and instinct, and telling so-called civilized society to take a running jump. In an essay titled “To Be or Not To Be … American,” he wrote that, thanks to the influence of cakewalk dancers, track athletes, and boxers such as Joe Jeanette, the whole of Paris had turned American. “Overnight,” Cravan said, “everyone began to spit and swear” and “floated around in clothes two sizes too big for them.” He finished the piece with a crib sheet for how to pass as American: “Chew … never speak … always look busy … and, above all else, crown yourself with arrogance.” It was advice he followed assiduously. How right, how true, to this day. ellauri210.html on line 379: At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde prosecuted the Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison, he wrote De Profundis (published posthumously in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he left immediately for France, and never returned to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. What an opportunity for a man of his caliber, one would have thought. ellauri210.html on line 381: In the summer of 1914, Cravan began another phase of wandering. In 1916, he found himself in Barcelona where he somehow managed to book himself a high-profile fight against Jack Johnson. Johnson was in the midst of a celebrated stay in Spain, during which he was received by royalty and starred in movies. Photographs from the fight give some idea of the scale of the event, which was held at Barcelona’s huge bullfighting arena La Monumental. What the photos don’t convey is what a mismatch the fight was. Even a ring-rusty, thirty-eight-year-old Johnson was leagues ahead of Cravan. Johnson won with a sixth-round knockout, though it could’ve been over much sooner had he wished it. There are reports that Cravan shook with fear before the contest began, knowing how out of his depth he was. One writer has suggested that “Johnson and Cravan were more collaborators than competitors,” and that the event was a con, just a hype-fueled payday for an aging legend and a flamboyant interloper with no credible chance of a win—the Mayweather-McGregor of its day. Olikos tää se mazi josta toinen nyrkkipelle Heminwau kirjoitti siinä sonniromaanissa? ellauri210.html on line 383: The money Cravan earned from the Johnson fight helped him buy his passage out of Europe, and what he thought was safety from the war. In January 1917, he sailed for New York. Dozens of other European artists and intellectuals were making the same journey at the time; one of Cravan’s shipmates was Leon Trotsky, who noted in his diary that he’d met a man who claimed to be related to Oscar Wilde and “who frankly declared that he would rather smash a Yankee’s face in the noble art of boxing than be done in by a German.” Cravan didn’t stay in New York long; just long enough to put several noses metsphorically out of joint. He split his time between sleeping rough in Central Park and hobnobbing with Greenwich Village bohemians. Among them was the poet Mina Loy, with whom Cravan began an intense love affair. ellauri210.html on line 385: New York’s first encounter with modern art had come four years earlier with the seminal Armory Show, at which Duchamp’s Nude Descending a Staircase caused an almighty rumpus. This time, Duchamp presented Fountain, the urinal that changed art history. Having witnessed Cravan’s work back in Paris, Duchamp and Picabia invited Cravan to deliver one of his anti-art lectures at the exhibition. He didn’t disappoint. On the day, he stood half cut in front of his audience, swore at them, waved his cock around, and was promptly arrested. ellauri210.html on line 387: Loy referred to Cravan as “Colossus.” It was a reference to the size of his ego as much as that of his "physicality". In her autobiography, she recalled that friends thought her mad to get mixed up with such a conceited, obnoxious prig. ellauri210.html on line 390: it’s likely that Cravan suffered the mundane and awful fate of drowning in the Pacific Ocean. Ei kolossaalinenkaan mela riittänyt valtamerihädässä. ellauri210.html on line 392: Dans un article publié dans le no 2 de Maintenant, daté de juillet 1913, Cravan fait une description iconoclaste de sa visite chez André Gide : ellauri210.html on line 400: « Je ne comprendrai jamais comment Victor Hugo a pu, quarante ans durant, faire son métier. Toute la littérature, c’est : ta, ta, ta, ta, ta, ta. L’Art, l’Art, ce que je m’en fiche de l’Art ! » — « Oscar Wilde est vivant ! », ellauri210.html on line 421: Amerikkalainen telefooni, Le téléphone américain, ellauri210.html on line 428: Kuten sähkövalaistuxesta, Comme de l’installation de l’électricité, ellauri210.html on line 473: Hans Davidsohn (Kunstlername Jakob van Hoddis; * 16. Mai 1887 in Berlin; † 1942 in Sobibór, Generalgouvernement) war ein deutscher Dichter des literarischen Expressionismus. Er ist besonders bekannt für das Gedicht Weltende. ellauri210.html on line 484: An Land, um dicke Dämme zu zerdrücken. maalle, särkeäxeen paxut padot. ellauri210.html on line 489: Hans Davidsohn war der Sohn des jüdischen Sanitätsrats Hermann Davidsohn und dessen Ehefrau Doris geb. Kempner. Er wurde am Grüner Weg 69 (heute Singerstraße in Berlin-Friedrichshain) geboren. Sein Zwillingsbruder starb während der Geburt. Er war der älteste Sohn und wuchs mit seinen Geschwistern Marie, Anna, Ludwig und Ernst auf. Die Lyrikerin Friederike Kempner war seine Großtante. ellauri210.html on line 493: Von 1893 an besuchte er das Friedrich-Wilhelms-Gymnasium (Berlin), verließ die Schule aber 1905, um einer Relegation zuvorzukommen. Bereits als Gymnasiast schrieb er erste Gedichte. Er bestand 1906 als „Externer“ das Abitur und immatrikulierte sich noch im selben Jahr an der Technischen Hochschule Charlottenburg für Architektur. Er brach 1907 das TH-Studium ab und wechselte an die Universität Jena, um Klassische Philologie zu studieren. Später ging er an die Friedrich-Wilhelms-Universität. ellauri210.html on line 495: Als sein Vater 1909 starb, legte er sich das Pseudonym Jakob van Hoddis zu, wobei van Hoddis ein Anagramm seines Nachnamens Davidsohn ist. Von Freunden wurde er oft „Hans den Hoddissohn“ oder „Hoddiskop“ verspottet. ellauri210.html on line 499: 1912 ging van Hoddis nach München und wandte sich dort verstärkt dem Katholizismus zu. Hier machte sich erstmals eine beginnende Psychose deutlicher bemerkbar. ellauri210.html on line 501: Provoziert wurde das vor allem durch den tragischen Tod Heyms, als dieser im Januar beim Schlittschuhfahren mit einem Freund ertrank und durch Hoddis unerwiderte Liebe für Lotte Pritzel, der er sein Gedicht Indianisch Lied widmete. Sie war eine deutsche Puppenkünstlerin, Kostümbildnerin und Zeichnerin. Auch Rainer Maria Rilkes Text „Über die Puppen der Lotte Pritzel“, 1921 mit Illustrationen der Künstlerin publiziert, gehört zu den überlieferten Zeugnissen vom Schaffen Lotte Pritzels. Lotte Pritzels gesamtes Werk umfasste weit über 200 Stücke, etwa ein Fünftel der fragilen Figuren ist bis heute erhalten. ellauri210.html on line 505: Lotte Pritzel war weder geschäftstüchtig noch ehrgeizig. Auch zeigte sie keinerlei Ambitionen, das Wesen ihrer Puppen näher zu erläutern. Die „gern im Morphiumrausch schaffende Künstlerin“ erklärte allenfalls, ihre so graziös wie verzweifelt wirkenden Gestalten seien "Geschöpfe ihrer selbst" bzw. "Material gewordene innere Visionen". Zarte Wachs- und Stoffgebilde von raffinierter Eleganz, denen immer ein kindlich-verderbter Zug anhaftete, wie manchen Gestalten von Beardsley – fern vom Obszönen und dadurch umso reizvoller, sogar für solide Käufer. In den 1930er Jahren zog sich Lotte Pritzel, die vermutlich ein Elternteil jüdischen Glaubens hatte, aus der Öffentlichkeit zurück. Sie hatte einen Arzt geheiratet und die hatten eine Tochter Irmelin Rose. Sie starb 1952. ellauri210.html on line 507: Wegen zunehmender Konflikte mit seiner Familie zog er sich Anfang September selbst in die Kuranstalt in Wolbeck bei Münster zurück, die er Mitte Oktober aber „fluchtartig“ verließ, um nach Berlin zurückzukehren. Hier wurde er derart auffällig, dass er Ende Oktober in die Heilanstalt „Waldhaus“ in Nikolassee bei Berlin verbracht werden musste, so dass sich Erwin Loewenson an einen langjährigen Freund von Kurt Hiller, den Psychiater Arthur Kronfeld in Heidelberg, mit der Bitte um Unterstützung wandte. Unter dem Titel Gewaltsam ins Irrenhaus war diese Zwangseinweisung Anlass für ein Medienecho – zu einer Zeit allerdings, als van Hoddis schon aus der Anstalt „entwichen“ war. Außerdem studierte er noch die griechische Mythologie und deren Fabelstrukturen. Jedoch hörte er vor dem Ausbruch seiner Krankheit im Herbst 1914 völlig mit der Nutzung der mythologischen Terminologie auf. ellauri210.html on line 509: Nach Aufenthalten in Paris, München und Heidelberg kehrte er völlig mittellos nach Berlin zurück. 1914 hielt er seinen letzten Vortrag im Neuen Club. Ab 1915 war van Hoddis in ständiger ärztlicher Behandlung und wurde privat gepflegt. In diesem Jahr starb sein Bruder Ludwig als Soldat im Ersten Weltkrieg, dessen Tod nahm er allerdings aufgrund seiner wachsenden Umnachtung nicht groß zu Kenntnis. Nach dem Krieg konnte van Hoddis’ Bruder Ernst nicht mehr Fuß fassen und emigrierte nach Palästina. ellauri210.html on line 511: Im Jahr der nationalsozialistischen „Machtergreifung“ 1933 emigrierte van Hoddis’ Mutter mit seinen Schwestern Marie und Anna ebenfalls nach Palästina. Van Hoddis mussten sie aufgrund seines Zustandes zurücklassen. Am 29. September 1933 wurde van Hoddis in die „Israelitischen Heil- und Pflegeanstalten“ Bendorf-Sayn bei Koblenz verlegt. In dieser Anstalt wurden ab 1940 der größte Teil von jüdischen psychiatrischen Patienten im deutschen Reich konzentriert. Zu diesem Zeitpunkt war Hoddis wegen seiner hebephrenen Schizophrenie im Endstadium nicht mehr ansprechbar. ellauri210.html on line 513: Er baute in den letzten Jahren körperlich immer mehr ab und verhielt sich (im Vergleich zu anderen Patienten) verhältnismäßig unauffällig, grüßte Tiere, die er beim Spazieren traf, spielte Schach und rauchte viel. Sein Umfeld sowie seine Umgebung nahm er nicht mehr wahr. Am 30. April 1942 wurde er von dort in den Distrikt Lublin im von der Wehrmacht besetzten Polen deportiert und – höchstwahrscheinlich im Vernichtungslager Sobibór – im Mai oder Juni desselben Jahres im Alter von 55 Jahren ermordet. Gute Wahl, Lotte. ellauri210.html on line 524: Starker Wind über der bleichen Stadt. Kova tuuli kalvaan stadin yllä. ellauri210.html on line 529: Im bleichen Licht. Wild von der Nacht. Ihre Röcke wehn. Kalpeassa valossa. Yöstä villeinä. Hameet hulmuten. ellauri210.html on line 533: Sieh in das zärtliche Licht. Kazo hellää valoa. ellauri210.html on line 534: In der Bäume zärtliches Grün. Puiden herkkää vihreää. ellauri210.html on line 561: Drick ej ur karaffen! ellauri210.html on line 566: och flickan som gnolar i dag ellauri210.html on line 576: Kurt Hiller wurde in Berlin als Sohn eines jüdischen Fabrikanten geboren, sein Großonkel mütterlicherseits war der SPD-Reichstagsabgeordnete Paul Singer. Hiller machte 1903 sein Abitur als Primus Omnium am Askanischen Gymnasium in Berlin. Danach studierte er an der Berliner Universität Rechtswissenschaft bei Franz von Liszt und Philosophie bei Georg Simmel. Im November 1907 wurde Hiller als Externer an der Ruprecht-Karls-Universität Heidelberg vom Juristen Karl von Lilienthal mit der Dissertation Die kriminalistische Bedeutung des Selbstmordes zum Dr. jur. promoviert. Die Dissertation war der Teil einer rechtsphilosophischen Arbeit unter dem Titel Das Recht über sich selbst, für die Hiller in Berlin keine Anerkennung fand, und in der er die Forderung aufstellte, das Strafrecht müsse die Selbstbestimmung des Menschen stärker berücksichtigen. ellauri210.html on line 578: Ab 1904 war Kurt Hiller mit dem ebenfalls literarisch engagierten Medizinstudenten Arthur Kronfeld befreundet, über den er das Denken des Göttinger Philosophen Leonard Nelson kennenlernte. Über Kronfeld trat deswegen im Juli 1908 Magnus Hirschfeld an ihn heran. Es entstand ein Kontakt, der in den folgenden fünfundzwanzig Jahren ein intensives Engagement Hillers im Wissenschaftlich-humanitären Komitee (WhK) zur Folge hatte. Auch dem Institut für Sexualwissenschaft war Hiller aktiv verbunden. ellauri210.html on line 580: In Berlin wurde Kurt Hiller als freier Schriftsteller zum frühen Pionier des literarischen Expressionismus: 1909 gründete er mit Jakob van Hoddis als ein Gründungsmitglied die Vereinigung Der Neue Club, zu dem bald auch Georg Heym und Ernst Blass stießen. Gemeinsam mit ihnen und unterstützt von bekannteren Künstlern wie Tilla Durieux, Else Lasker-Schüler und Karl Schmidt-Rottluff wurden sogenannte „Neopathetische Cabarets“ veranstaltet. Nachdem Hiller sich aus dem Club zurückgezogen hatte, gründete er mit Blass das literarische Cabaret GNU. Für die Zeitschriften PAN und Der Sturm schrieb er zahlreiche Beiträge, ebenso wie für Franz Pfemferts Aktion, bei deren Gründung er 1911 auch mitwirkte. Nachdem Hiller – wahrscheinlich über die Vermittlung Kronfelds, der seit 1908 in Heidelberg lebte – 1911 in der Beilage Literatur und Wissenschaft der regionalen Heidelberger Zeitung schon Die Jüngst Berliner vorgestellt hatte, publizierte er 1912 im Heidelberger Verlag von Richard Weissbach die erste expressionistische Lyrikanthologie Der Kondor. ellauri210.html on line 583: 1919 gründete Kurt Hiller zusammen mit Armin T. Wegner den Bund der Kriegsdienstgegner (BdK), dem 1926 auch die renommierte Pazifistin Helene Stöcker beitrat. 1920 trat er der Deutschen Friedensgesellschaft bei, zu deren linkem Flügel er gehörte. Hier trat er dafür ein, dass sich der deutsche Pazifismus an der Sowjetunion orientieren müsse, obwohl er deren Leninismus sehr kritisch gegenüberstand. Da die Mehrheit aber auf das bürgerlich-demokratische Frankreich ausgerichtet blieb, kam es zu heftigen Konflikten in der DFG, die eskalierten, als Hiller in kommunistischen Blättern den bürgerlichen Pazifisten Friedrich Wilhelm Foerster und Fritz Küster vorwarf, sie würden sich von den Franzosen bezahlen lassen – eine Unterstellung, die den zahlreichen rechten Gegnern der deutschen Friedensbewegung reichlich Munition für ihre Polemik gab. Max Jakobsson schrieb bekummert an Peter Panther: ellauri210.html on line 585: „Ich fürchte, dass es mit mir und Kurtchen Hiller nicht mehr lange währen wird. Es ist nicht zu sagen, was dieser arme Homosaxone sich an Hysterie, Verfolgungswahn, Eitelkeit, Empfindlichkeit, Anmaßung und Geschmacklosigkeit brieflich leistet.“ ellauri210.html on line 588: Am Anfang desselben Jahres veröffentlichte Hiller in der Weltbühne einen Aufsatz, den er zunächst für eine ausländische Tageszeitung verfasst hatte und in dem er Bewunderung für den „Kraftkerl Mussolini“ (Mussolini und unsereins, 12. Januar 1926) äußerte. Am „Duce“ faszinierte ihn die kühne Ästhetik seiner öffentlichen Auftritte und vor allem die schlagkräftige politische Durchsetzungskraft, die so gar nichts von der oft zähen Kompromisspolitik der mittleren Weimarer Republik hatte. ellauri210.html on line 589: „Demokratie heißt: Herrschaft jeder empirischen Mehrheit; wer wollte bestreiten, daß die Mehrheit des italienischen Volkes seit langem treu hinter Mussolini steht? […] Mussolini, man sehe sich ihn an, ist kein Kaffer, kein Mucker, kein Sauertopf, wie die Prominenten der linksbürgerlichen und bürgerlich-sozialistischen Parteien Frankreichs und Deutschlands und anderer Länder des Kontinents es in der Mehrzahl der Fälle sind; er hat Kultur. […] Wenn ich mich genau prüfe, ist mir Mussolini, dessen Politik ich weder als Deutscher noch als Pazifist noch als Sozialist ihrem Inhalt nach billigen kann, als formaler Typus des Staatsmannes deshalb so sympathisch, weil er das Gegenteil eines Verdrängers ist. Ein weltfroh-eleganter Energiekerl, Sportskerl, Mordskerl, Renaissancekerl, intellektuell, doch mit gemäßigt-reaktionären Inhalten, ist mir lieber, ich leugne es nicht, als ein gemäßigt-linker Leichenbitter, der im Endeffekt auch nichts hervorbringt, was den Mächten der Beharrung irgend Abbruch tut.“ ellauri210.html on line 591: Bei aller unkritischer Faszination von Mussolini warb Hiller kurz darauf dafür, bei den Reichstagswahlen die KPD zu wählen. Enttäuscht von der SPD, für die er vorher noch eingetreten war, schrieb er im Mai 1928 in der Weltbühne, nunmehr müsse man trotz aller Vorbehalte „in den kommunistischen Apfel … beißen: Er ist sauer, aber saftig“. ellauri210.html on line 594: „‚Links‘, ‚rechts‘ – diese Unterscheidung wird täglich dümmer. Wer kommt noch mit ihr aus? […] Wer taugt mehr, ein kommunistischer Nichtdenker oder ein nationalistischer Selbstdenker? ellauri210.html on line 598: Als Hans Giese 1949 ein neues WhK gründen wollte und dann die Gesellschaft für Reform des Sexualstrafrechts e. V. gründete, arbeitete Hiller einige Monate mit.[11] 1955 kehrte Hiller nach Deutschland zurück, ließ sich in Hamburg nieder und versuchte dort 1962, das WhK neu zu gründen. Er blieb dabei aber isoliert und der Versuch scheiterte.[5] Des Weiteren gründete er – weitgehend ohne Echo – einen Neusozialistischen Bund und unabhängige Zeitschriften (vgl. lynx). Die Erklärung des Neusozialistischen Bundes gegen Angriffskrieg wurde u. a. von Ossip K. Flechtheim, Karlheinz Deschner und Martin Niemöller unterstützt. In der Schweizer Zeitschrift Der Kreis publizierte Hiller rund ein Dutzend Gedichte und ebenso viele Artikel, meist unter dem anagrammatischen Pseudonym Keith Llurr. ellauri210.html on line 610: On peut être artiste sans être rien de particulier. Tout ce que j'ai fait d'important pourrait tenir dans une petite valise. Pas le pissoir (je n'avais fait ca), mais l'etiquette. ellauri210.html on line 634: Arp liittyi 1912 Blaue Reiter -taiteilijaryhmään ja perusti vuonna 1916 Hugo Ballin kanssa Zürichiin dadaistisen ryhmän Dada Zürich. Käyttäen nimeä Hans Arp hän perusti 1920 Max Ernstin ja aktivisti Alfred Grünwaldin kanssa Kölniin dadaryhmän Dada Köln. Hänen maalauksiaan oli kuitenkin 1924 esillä surrealismin ensimmäisessä näyttelyssä Galerie Pierressä Pariisissa. ellauri210.html on line 636: Arp muutti 1926 Ranskaan, jossa hän pääasiallisesti asui. Hän irrottautui 1931 surrealismista perustaakseen Abstraction-Créationin ja työskenteli Pariisissa toimineen Abstraction-Création-ryhmän kanssa sekä kirjoitti artikkeleita aikakauskirjaan Transition. Koko 1930-luvun ja elämänsä loppuun asti hän kirjoitti ja julkaisi esseitä ja runoja. Vuonna 1942 hän pakeni kotoaan Meudonista saksalaisten miehityksen alta ja asui Zürichissä sodan päättymiseen saakka. Hän kirjoitti ranskaksi ja saksaksi. ellauri210.html on line 640: Arpin ensimmäinen vaimo, taiteilija Sophie Taeuber-Arp, kuoli Zürichissä 13.1.1943. Vuonna 1959 hän avioitui taiteenkerääjä Marguerite Hagenbachin kanssa. ellauri210.html on line 676: le serpent saute avec picotement et picotement käärme hyppää kihelmöiden kihelmöivästi ellauri210.html on line 699: Alberto Savinio [alˈbɛrto saˈvinjo] , syntynyt Andrea Francesco Alberto de Chirico (25. elokuuta 1891 – 5. toukokuuta 1952) oli kreikkalais-italialainen kirjailija, taidemaalari, muusikko, toimittaja, esseisti, näytelmäkirjailija, lavastussuunnittelija ja säveltäjä. Hän oli väpelön "metafyysisen" taidemaalarin Giorgio de Chiricon nuorempi ja tumpelompi veli . Hänen työnsä käsitteli usein filosofisia ja psykologisia teemoja, ja hän oli myös vahvasti kiinnostunut taidefilosofiasta. ellauri210.html on line 702: Koko elämänsä aikana Savinio sävelsi viisi oopperaa ja kirjoitti vähintään 47 kirjaa, mukaan lukien useita omaelämäkertoja ja muistelmia. Hän myös kirjoitti ja tuotti laajasti teoksia teatterille. Hänen työnsä saivat ristiriitaisia arvioita hänen elinaikanaan, usein johtuen liian laaja-alaisesta modernististen tekniikoiden käytöstä. Hän sai vaikutteita ja oli Apollinairen , Picasson, Jean Cocteaun, Max Jacobin ja Fernand Légerin aikalainen, ja hänellä oli kova yritys mukaan surrealistiseen liikkeeseen. ellauri210.html on line 712: Chiricojen patafysiikka ellauri210.html on line 714: Piha-Antero kiinnittää huomioo että isoveli Jorgon kuvat pursuu patafyysisiä genitaaleja. On torneja, katakombeja, tunneliin syöxyviä junia, röhnöttäviä naisia, sojottavia miehiä, uimakoppeja, halaavia hevosia, pahentuneita banaaneja työntymässä marmoriseen torsoon, käärmeitä, miekkoja ojossa ja puoliveteessä, kakasti tursuavia hevonhäntiä, ico" href="chirico.html">you name it. Se on modernia, mutta myös hyvin hyvin vanhanaikaista. ellauri210.html on line 716: Annalisa Chirico: anni, altezza, peso, vita privata e fidanzato della giornalista. ellauri210.html on line 718: Annalisa Chirico è una giovane e brillante giornalista dalla lingua schietta. Dietro la sua bella presenza si cela un personaggio preparatissimo, nel suo campo: la scrittura. La giornalista è sempre stata decisa riguardo il suo futuro e suo padre è stato la figura che l’ha spronata maggiormente. Pugliese originaria di Brindisi, a soli diciotto anni, Annalisa sale un pezzo di stivale fino a Roma per frequentare la Luiss Guido Carli, laureandosi in Scienze Politiche. ellauri210.html on line 720: Durante gli anni di studio si trasferisce in Belgio per alcuni mesi, grazie all’esperienza Erasmus, e la brillante mente si apre sempre di più, stimolata da nuove esperienze. La visione del mondo e della società di Annalisa Chirico è molto particolare e all’avanguardia per una donna italiana. Scopriamo qualcosa in più sulla graffiante penna, molto presente anche nei talk show televisivi. ellauri210.html on line 722: La passione di Annalisa Chirico per la politica è nata grazie al padre, un ex militare. La giornalista e la sorella sono cresciute in modo molto libero. “Potevamo vestirci come volevamo. A otto anni mi sono rollata la prima sigaretta. Di camomilla, va bene. A quattordici, papà mi ha regalato la Vespa”, aveva raccontato a Dagospia. ellauri210.html on line 723: Alessio Di Chirico ellauri210.html on line 725: Alessio Di Chirico (Roma, 12 dicembre 1989) è un artista marziale misto ed ex giocatore di football americano italiano. ellauri210.html on line 728: Nel 2017, di ritorno in Italia dopo l'esperienza negli Stati Uniti, fondò il Gloria - Fight Center insieme all'amico ed imprenditore Riccardo Carfagna, uno dei punti di riferimento per le arti marziali miste italiane. ellauri210.html on line 729: Di Chirico è un lottatore completo, efficace sia nella lotta a piedi che in quella a terra. Tra i suoi principali punti di forza figurano l'abilità nelle prese e un ottimo striking. ellauri210.html on line 731: Alessio on alkanut ottaa turpiinsa 20-luvulla. Kannattaisko käyttää ico.html">erityisiä luonnon uuttoja. ellauri210.html on line 736: No siis mitä hassua tuli Chiricon veljexiltä? Sammakkoperhe harrastaa spiritismiä. Sammakonpojan nimi oli Themistokles. Isä kysyy hengiltä onko äiti ja lapsi sodan jälkeen kunnossa. Vastaus: ellauri210.html on line 753: Alongside him lay the naked body of another French soldier. André Breton believed his death to be a suicide (LOL). He was known for his indifference and for wearing a monocle. ellauri210.html on line 769: En 1928, Benjamin Péret écrit un ouvrage au titre basé sur une contrepèterie : Les Rouilles encagées. Le livre est saisi et interdit jusqu'en 1954 où l'éditeur Éric Losfeld publie, à tirage limité à cent exemplaires, une édition illustrée par des dessins d’Yves Tanguy. Une nouvelle édition publiée en 1970 sera de nouveau interdite jusqu'en 1975. ellauri210.html on line 771: Les Couilles Enragées (Eng: Mad Balls) is a book by Benjamin Péret written in 1928.. Eventually published under a pseudonym in 1954 by Eric Losfeld as Les Rouilles Encagees, Mad Balls is an explosion of Péret's virulent anti-religiousness and erotic delirium. It featured seven explicit illustrations by Yves Tanguy. ellauri210.html on line 773: Raymond Georges Yves Tanguy, né le 5 janvier 1900 à Paris et mort le 15 janvier 1955 à Woodbury (Connecticut, États-Unis), est un peintre et dessinateur surréaliste français, naturalisé américain. ellauri210.html on line 776: Michel del Castillo (or Michel Janicot del Castillo), born in Madrid on August 2, 1933, is a Spanish-French writer. Interned in a concentration camp named Rieucros in Mende with his mother during the Second World War, he developed a sense of belonging to this town, which has honored him with naming a school after him. Wow. ellauri210.html on line 778: An autobiographical work by Michel del Castillo, a Spanish born writer who writes in French, Tanguy is a powerfully moving novel highly reminiscent of The Diary of Anne Frank (due mainly to the child's point of view as opposed to that of the adult). Narrating in first person, the story of a young Spanish boy, Tanguy, the novel is set against the backdrop of the war. ellauri210.html on line 780: The novel starts in Spain in 1939, during the Spanish civil war, when Tanguy is forced to flee the country with his mother because of her left wing political affiliations. They find themselves in France, which is no less hostile. Forsaken by his father, Tanguy and his mother are arrested by the police and sent off to a camp for political refugees where life is difficult and they face many a hardship and insult. Finally able to escape, Tanguy's mother now decides to flee to London. In order to escape unnoticed from France, they must travel separately and Tanguy is thus separated from his mother. Discovered by the German troops he is packed off to another concentration camp where he endures a life of hunger, cold and forced physical labour that break his body and spirit, the only respite being in a young German pianist who befriends him and reminds him time and again not to hate for hatred breeds nothing but hatred. LOL. ellauri210.html on line 782: After the war, Tanguy is sent back to Spain, Barcelona where he learns that his grandmother has recently passed away and there is no one else to take care of him. He is sent to a reformation school for juvenile delinquents and orphans, run by priests who are no less cruel and sadist than the Nazi "kapos." Bitter, Tanguy believes they are worse than the Nazis because these priests hide their sadism behind the facade of religion and confession, but that makes their sin no less. He succeeds in escaping along with a "companion," but is forced to separate from his as well. This time around, he finds himself in a school run by a group of priests but unlike the reformation school, here, Tanguy is able to grow, learn and live comfortably. It is here, that he truly flourishes and finds friends and solace. But he is still not completely at peace and sets off again in search of the parents who had abandoned and forsaken him to such a bitter destiny. He does find them eventually, but only to realise that the years of hardship and horror experienced by him have built an impenetrable barrier between them. He is no longer a left wing radical like them. He has learned not to hate the capos. Don't get mad get even. LOL. ellauri210.html on line 787: Le Congrès Eucharistique de Chicago Chicagon ehtoolliskokous ellauri210.html on line 830: 4 Dada Suicides ellauri210.html on line 831: The word “Dada” brings to mind an international range of extreme modernist antics. The book’s title is something of a publicist’s misnomer. Jacques Rigaut is the only confirmed suicide among the group, and while Jacques Vache did die of a drug overdose, many, including author Michel Leiris, claimed that his death was accidental, characterized as deliberate by those aiming to enhance Vache’s cultural cache. Arthur Cravan and Julian Torma simply disappeared, wandering into, rather than jumping towards, the cracks of avant-garde history. Of the four only Rigaut is genuinely obsessed with themes of self-destruction. ellauri210.html on line 833: Tristan Tzara captured the inspired lunacy in his 1921 Dada Manifesto on Lukewarm Love. Marcel Duchamp’s “Readymades,” or Francis Picabia’s canvases of human figures as functionless machines belong here. Dada began as a limited franchise, with key outposts in Zurich, Berlin, Paris, and New York. Preceding the Surrealist movement by several years, and often inspired by the Communist Party (though not tied to it), its origins lay in a militant nostalgia for a pre-war lost Eden. Dadaists sought “an art based on fundamentals to cure the madness of the age and a new order of things that would restore the balance between heaven and hell." (Jean Arp). ellauri210.html on line 835: The selections from Cravan, Vache, and Torma reveal a broadly defined set of interests — the new excitement of the metropolis (particularly New York), the frustrations of avant-garde badinage, the bitterness of literary rivalry, the torpor induced by middle-class life. ellauri210.html on line 837: “M. Gide,” Cravan began, “I have taken leave to call on you, though I feel myself duty bound to inform you straight off that I far prefer, for example, boxing to literature.” “Literature, however, is the only terrain on which we may profitably encounter one another,” he replied rather dryly. Cravan thought: “He certainly lives life to the full.” We spoke about literature therefore, and he asked me the following question which must be particularly dear to him: “Which of my works have you read?" "Which of my matches have you seen?" ellauri210.html on line 839: Rigaut — a drug addict, gigolo, dandy, man-about-town — was a cult figure in Paris, a status that intensified when he was made the subject of Louis Malle’s brilliant 1966 film Le Feu Follet. ellauri210.html on line 841: On November 6, 1929, he returned to a clinic where he was staying and — according to Andre Breton — “after paying minute attention to his toilette, and carrying out all the necessary external adjustments demanded of such a departure” — calmly put a bullet through his heart. Not his head like Richard Cory, who had everything a man could want: power, grace and style. ellauri210.html on line 848: Oh, I wish that I could be Richard Cory. ellauri210.html on line 850: "Richard Cory" is a narrative poem written by Edwin Arlington Robinson. It was first published in 1897, as part of The Children of the Night, having been completed in July of that year; and it remains one of Robinson's most popular and anthologized poems. The poem describes a person who is wealthy, well educated, mannerly, and admired by the people in his town. Despite all this, he takes his own life. ellauri210.html on line 853: "Richard Cory went home last night and put a bullet through his head". ellauri210.html on line 863: Fils d'un cadre du grand magasin Le Bon Marché, il est d’abord un élève brillant au lycée Montaigne, où il obtient un prix de récitation et de français, puis il devient passable et dissipé au lycée Louis-le-Grand où il se fait remarquer par son excentricité. ellauri210.html on line 867: Il épouse Gladys Barber le 15 janvier 1926, mais elle le quitte rapidement, lassée de sa toxicomanie. De plus en plus esclave de l'héroïne et de l'alcool, il vit misérablement à New York jusqu’en novembre 1928, date à laquelle il revient subitement en France et reprend une vie mondaine dans une maison prêtée par le surréaliste Paul Chadourne. ellauri210.html on line 869: En 1929 il entreprend une série de cures de désintoxication, infructueuses, en clinique à La Malmaison, puis en août à Saint-Mandé. En octobre, il entre dans une maison de repos à Châtenay-Malabry appelée « La Vallée aux loups » (qui fut la maison de Chateaubriand). ellauri210.html on line 871: Après avoir passé une soirée à Paris avec un vieil ami, Jacques Porel, le matin du 6 novembre 1929 Jacques Rigaut rentre à Châtenay-Malabry, où il se suicide d’une balle de revolver tirée en plein cœur. ellauri210.html on line 891: Agence Générale du Suicide, suivi de Lord Patchogue, Je serai sérieux comme le plaisir, Roman d'un jeune homme pauvre, Pensées et aphorismes. Voix d'encre, 2015, Montélimar. ellauri210.html on line 915: Jacques Prévert s'ennuie à l'école et fait souvent l'école buissonnière en parcourant Paris avec la complicité de son père. Dès 15 ans, après son certificat d'études primaires, il abandonne les études. Il multiplie alors les petits travaux, notamment au grand magasin Le Bon Marché. Il fait quelques larcins et fréquente des voyous mais n'est jamais inquiété par la police. ellauri210.html on line 991: En 1932, à l'initiative du communiste Paul Vaillant-Couturier, Jacques Prévert est sollicité par le groupe Octobre pour écrire des textes contestataires d’agitation-propagande. Sa verve, son humour, son aisance à rédiger très rapidement sur des sujets d’actualité brûlants, font la notoriété du groupe. Le plus célèbre de ces textes, La Bataille de Fontenoy, présenté en 1933 aux Olympiades internationales du théâtre ouvrier à Moscou, devant Staline), se moque des hommes politiques de l’époque. ellauri210.html on line 994: Le style joyeusement iconoclaste de Prévert et ses thèmes de prédilection, les bonheurs simples, la révolte et l’amour, séduisent autant le cercle de Saint-Germain-des-Prés que le grand public. ellauri210.html on line 997: icture-in-picture" allowfullscreen> ellauri210.html on line 1062: Dalí ryhtyi sijoittamaan vapaan assosiaation tuottamia aiheita epätodelliselta vaikuttaviin maisemiin vuonna 1926 saatuaan vaikutteita Picassolta, Joan Mirólta, Giorgio de Chiricolta ja Yves Tanguylta. ellauri210.html on line 1090: La originalidad de la perspectiva y la habilidad técnica a la hora de pintar el cuadro lo han hecho muy popular, hasta el punto de que en 1961, un fanático realizó un acto vandálico contra él de poca gravedad. ellauri210.html on line 1109: Mary Leonora Carrington OBE (6 April 1917 – 25 May 2011) was a British-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the surrealist movement of the 1930s. Carrington was also a founding member of the women's liberation movement in Mexico during the 1970s. ellauri210.html on line 1115: Between 1937–1938 Carrington painted a Self-Portrait, where she is perched on the edge of a chair in this curious, dreamlike scene, her hand outstretched toward a prancing hyena and her back to a tailless rocking horse flying behind her. The hyena depicted in Self-Portrait (1937–38) joins both male and female into a whole, metaphoric of the worlds of the night and the dream. The symbol of the hyena is present in many of Carrington's later works, including "La Debutante" in her book of short stories The Oval Lady. ellauri210.html on line 1119: After Ernst's arrest Carrington was devastated and her delusions led to a psychotic break and she was admitted into an asylum. Three years after being released from the asylum and with the encouragement of André Breton, Carrington wrote about her psychotic experience in her memoir Down Below. Nyrkissä Leonora kokkasi Andrelle hyviä sapuskoita. ellauri210.html on line 1123: She later married Emerico Weisz (nicknamed "Chiki"), born in Hungary in 1911. Chiki Weisz died 17 January 2007, at home. He was 97 years old. Together they had two sons: Gabriel, an intellectual and poet, and Pablo, a doctor and Surrealist artist. Leonora Carrington died on 25 May 2011, aged 94, in a hospital in Mexico City as a result of complications arising from pneumonia. In 2015, Carrington was honoured through a Google Doodle commemorating her 98th birthday. ellauri210.html on line 1130: icture/2d/28/2d28e651d43099675b29002250de155c/thumb_medium.jpg" height="400px" /> ellauri210.html on line 1140: En vano la escritura de Prassinos fue considerada por los surrealistas como “escritura automática” que bien entendida nada tiene que ver con el azar, sino con la capacidad de liberar el pensamiento, lejos de cualquier convención y norma. Estos personajes muestran sus obsesiones sin pudor. ellauri210.html on line 1150: Au cours de la guerre et jusqu'à la fin des années 1950, elle cesse de publier. Elle travaille dans des crèches, et co-traduit avec son mari Pierre Fridas plusieurs livres de Níkos Kazantzákis comme Alexis Zorba ou La Liberté ou la mort. Elle se remet ensuite à écrire, des poèmes et des romans, en opposition avec l'orthodoxie surréaliste. Ces textes sont toutefois inclassables. Brelin le frou, ou le portrait de famille (1975) décrit des personnages vivant selon des règles fantaisistes. Sur les dessins de l'auteur, ils ont la particularité de porter une coiffe à l'image de leur sexe. Les nouvelles de Mon cœur les écoute (1982) font montre d'un humour poétique proche de celui d'Henri Michaux ou de Joyce Mansour. Elle est également connue pour ses dessins et ses « tentures », des œuvres plastiques réalisées à l'aide de morceaux de tissu de couleur découpés. ellauri210.html on line 1152: Gisèle Prassinos a légué à la Bibliothèque historique de la ville de Paris un riche fonds [archive] de manuscrits. Son œuvre artistique a été légué à sa nièce Catherine Prassinos (voir le site de Mario Prassinos). ellauri210.html on line 1167: Dès l'âge de quinze ans, Jean-Pierre Duprey compose ses premiers poèmes. Il part pour Paris en 1948 sur l'invitation d'André Breton et participe au mouvement surréaliste. Au cours de l'été 1948, il rencontre, en Normandie, Jacqueline Sénart qui deviendra sa femme et partagera sa vie jusqu'à la fin. Il figure sur les photographies du groupe surréaliste prises par Man Ray en 1953 au café de la place Blanche[réf. nécessaire]. Näistä Brétonin loppupään kirotuista oppilaista tulee vähän mieleen Jaakko Hintikka ja sen sekundaoppilaiden sukupolvet: L. Carlson, E. Saarinen, Mike Hand, Gabriel Sandu. ellauri210.html on line 1173: Three days before his death, he said calmly to a friend: "I am allergic to this planet". He wrote his final book in 1959 and upon completion, he asked his wife to send the manuscript to Breton. When she returned from the post office, she found him dead; he had hanged himself on the main beam of his studio. Another exit in the style of David Foster Wallace. Did he give a damn to how his wife might have taken it? Well maybe she was relieved. Asta is allergic to Miryam's kitty Chico but bears it, taking antihistamines. When she has had a bad day, she curls up in her room with Kitty in her lap. ellauri210.html on line 1177: Carlos Paul Ruiz São Paulosta symppaa Jannea. “Derriere Son Double”, Este volumen de poemas, saludado con entusiasmo por Breton, es sin duda uno de los más importantes de la poesía francesa de los últimos tiempos. Por lo que dice y lo que revela constituye el testimonio apasionante de un espíritu (que aún no había alcanzado la veintena) obsesionado por la idea de las tinieblas que nos rodean. Es cierto que los términos “vide”, “gouffre”, “abime”, habían pasado sobre todo a partir de Víctor Hugo (recordemos su famoso verso “J’interrogue l’abime etant moi-même gouffre”) a ser tópicos de una cierta retórica ajenas a sus verdaderos significados. Mas en Duprey subanse por las paredes. Para rendir cuentas de su visión de las tinieblas, Duprey se inclina a la práctica y a la expresión de un cierto humor negro que llevó a Breton a incluirlo en su famosa antología. ellauri210.html on line 1218: Noniin siis Alphonse Rabben maine liittyy hänen Album d'un pessimiste -albumiinsa . Hänen ystävänsä, kuten Alexandre Dumas , Victor Hugo in Chants du Crépuscule , Sainte-Beuve in Muotokuvat contemporains tai kirjoittajat kuten Baudelaire in Fusées , ovat säilyttäneet hänen muistinsa. Myöhemmin André Breton ei unohda sitä Manifeste du surréalismessa. ellauri210.html on line 1224: Michel Montaigne oli homo sefardi joka pelkäsi aivan perhanasti kuolemaa ja ylisteli ystävyyttä aivan simona. ellauri210.html on line 1226: The French essayist Michel Eyquem de Montaigne’s famous tome Les Essais became celebrated in its age, even being quoted by William Shakespeare in The Tempest. At the core of the collection of writings was “De l’amitie” (“On Friendship”). La Boetie enjoyed a certain level of fame, achieved through political discourses, when he met Montaigne around 1557 and the two would spend four years together, at which time the principles of civil disobedience in matters of love became instilled in Montaigne, according to Robert Aldrich and Garry Wotherspoon’s Who’s Who in Gay and Lesbian History. But La Boetie would succumb to the plague, and Montaigne would write that he never experienced such love again. ellauri210.html on line 1228: KHEIRON (Chiron) was eldest and wisest of the Kentauroi (Centaurs), a Thessalian tribe of half-horse men. Unlike his brethren Kheiron was an immortal son of the Titan Kronos (Cronus) and a half-brother of Zeus. When Kronos' "tryst" (more correctly, thrust) with the nymphe Philyra was interrupted by Rhea, he transformed himself into a horse halfway out to escape notice and the result was this two-formed son. ellauri210.html on line 1232: Kheiron was a renowned teacher who mentored many of the greatest heroes of myth including the Argonauts Jason and Peleus, the physician Asklepios (Asclepius), the demi-god Aristaios (Aristaeus) and Akhilleus (Achilles) of Troy. WTF, Achilleus was not of Troy? ellauri210.html on line 1248: Shaw kirjoitti sanan rakkaus lainausmerkkeihin, koska sukupuolten väliset suhteet tarkoittivat hänelle sukupuolten taistelua ja usein molempien osapuolten tyytymättömyyttä. Hänellä oli useita enemmän tai vähemmän platonisia rakkaussuhteita esimerkiksi näyttelijättäriin Ellen Terryyn ja mrs. Patrick Campbelliin. ellauri210.html on line 1250: George Shaw, known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on the Western hemisphefre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Pshaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. ellauri210.html on line 1252: Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not an Irish republican, castigated British policy on Ireland in the postwar period. Shaw and Yeast were sort of friends. ellauri210.html on line 1259: In the second, revised version, "socialism can be brought about in a perfectly constitutional manner by democratic institutions". ellauri210.html on line 1261: In third version, by the late 1920s, he had largely renounced Fabian Society gradualism, and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both Mussolini and Stalin. Olemme patriiseja ennenkaikkea, sanoi kapteeni Lavinialle. ellauri210.html on line 1266: The fellow-writer H. G. Wells had joined the "vet Fabian' society in February 1903. Wells's ideas for reform—particularly his proposals for closer cooperation with the Independent Labour Party—placed him at odds with the society's "Old Gang", led by Shaw. In Shaw's view, "the Old Gang did not extinguish Mr Wells, he annihilated himself". ellauri210.html on line 1268: In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. He died, aged ninety-four, having refused all state honours, except the Nobel prize and the Oscar. ellauri210.html on line 1270: Since Shaw's death scholarly and critical opinion about his works has varied, but he has regularly been rated among British dramatists as second rate, almost on a par with Shakespeare. One Shaw's comedy made Edward VII laugh so hard that he broke his chair. ellauri210.html on line 1272: Shaw was born at 3 Upper Synge Street in Portobello, a lower-middle-class part of Dublin. The Shaw family was of English descent and belonged to the dominant Protestant Ascendancy in Ireland. George Carr Shaw, Bernir's dad, an ineffectual alcoholic, was among the family's less successful members. By the time of Shaw's birth, his mother had become close to George John Lee, a flamboyant figure well known in Dublin's musical circles. Shaw retained a lifelong obsession that Lee might have been his biological father. Shaw made a negligible income from writing, and was subsidised by Lee plus his mother. In 1881, for the sake of economy, and as a matter of principle, he became a vegetarian. He grew a beard to hide a facial scar left by smallpox. ellauri210.html on line 1274: Was Enry Iggins gay? Was Bernard Shaw a faggot? In theory maybe, but not a practicing member. ellauri210.html on line 1275: He had been celibate until his twenty-ninth birthday, when his shyness was overcome by Jane (Jenny) Patterson, a widow some years his senior. All things considered, he preferred men's company as much as Michael Montaigne. Why can't a woman be more like a man? ellauri210.html on line 1279: According to the trivia section here at IMDB, "George Bernard Shaw adamantly opposed any notion that Higgins and Eliza had fallen in love and would marry at the end of the play, as he felt it would betray the character of Eliza who, as in the myth of Pygmalion and Galatea, would "come to life" and emancipate herself from the male domination of Higgins and her father. He even went so far as to include a lengthy essay to be published with copies of the script explaining precisely why Higgins and Eliza would never marry, and what "actually happened" after the curtain fell: Eliza married Freddy and opened a flower shop with funds from Colonel Pickering. Moreover, as Shaw biographers have noted, Higgins is meant to be an analogue of the playwright himself, thus suggesting Higgins was actually a homosexual." Eliza, where are my slippers? ellauri210.html on line 1289: Is My Fair Lady misogynistic? Yes. ellauri210.html on line 1298: El surrealismo nos situó ante el éxito de la estética de lo feo frente al fracaso de la belleza convencional y manida. Aglutinar el pánico, la tortura, el sufrimiento, lo indecible etc., nos permite encontrar una experiencia estética en todo ello. La categoría estética de lo feo nos conduce a una catarsis en la que se manifiestan nuestros sentimientos más profundos y nos permite tener conciencia plena de lo real. ellauri210.html on line 1300: La belleza subversiva del surrealismo muestra lo “anormal” invirtiendo así el concepto armonioso de lo bello. El universo surrealista se construye a partir de una extraña fauna, ambivalente e imprevisible, todo un bestiario original y prolífico, un particular jardín del Edén de los horrores “troublant”. ellauri210.html on line 1302: Autoras Joyce Mansour o Gisèle Prassinos han constituido buena parte de su literatura a partir de lo que se ha entendido por desviaciones sexuales, incluso por aberraciones. Algunos de sus personajes no sólo poseen ciertas deformidades físicas que los convierten en neo-quasimodos o pequeños demonios sino que además crece en ellos el germen de una moral desviada. ellauri210.html on line 1304: Joyce Mansour y Gisèle Prassinos han adaptado esta particular estética en su literatura de formas muy sorprendentes. Comparten esta sensibilidad y aportan un nuevo punto de vista a la imagen de la mujer. ellauri210.html on line 1306: Mansour, lejos de generar o de seguir con la imagen de la mujer creada por André Bretón incluye la belleza fatal, entendida como una belleza herida, lejos del principio de Narciso. Junto con Gisèle Prassinos y Lise Deharme proceden a crear una renovación estética en la literatura surrealista. Adjetivos como “laid(e)”, “malade”, “malformé(e)” serán típicos de estas autoras que elaboran un reflejo femenino escribiendo sobre “antiNadjas” als gegen Bretons Roman verfasste Anti Nadja. ellauri210.html on line 1308: Nadja (1928), the second book published by André Breton, is one of the iconic works of the French surrealist movement. It begins with the question "Who am I?" ellauri210.html on line 1310: It is based on Breton's actual "interactions" with a young woman, Nadja (actually Léona Camille Ghislaine Delacourt 1902–1941), over the course of ten days, and is presumed to be a semi-autobiographical description of his relationship with a patient of Pierre Janet. The book's non-linear structure is grounded in reality by references to other Paris surrealists such as Louis Aragon and 44 photographs. Tästä E. Saarinen lie ottanut postmodernia mallia. ellauri210.html on line 1314: Dating from 1960, the widely available English translation by Richard Howard is a translation of the first edition of Breton's novel, dating from 1928. Breton published a second, revised edition in 1963. No English translation of this second edition is currently available. Ketäpä enää kiinnostaa. ellauri210.html on line 1316: The narrator, randomly named André, ruminates on a number of Surrealist principles, before ultimately commencing (around a third of the way through the novel) on a narrative account, generally linear, of his brief ten-day affair with the titular character Nadja. She is so named “because in Russian it's the beginning of the word hope, and because it's only the beginning,” but her name might also evoke the Spanish "Nadie," which means "No one." The narrator becomes obsessed with this woman with whom he, upon a chance encounter while walking through the street, strikes up conversation immediately. He becomes reliant on daily rendezvous, occasionally culminating in romance (a kiss here and there). His true fascination with Nadja, however, is her vision of the world, which is often provoked through a discussion of the work of a number of Surrealist artists, including himself. While her understanding of existence subverts the rigidly authoritarian quotidian, it is later discovered that she is mad and belongs in a sanitarium. After Nadja reveals too many details of her past life, she in a sense becomes demystified, and the narrator realizes that he cannot continue their relationship. ellauri210.html on line 1318: In the remaining quarter of the text, André distances himself from her corporeal form and descends into a meandering rumination on her absence, so much so that one wonders if her absence offers him greater inspiration than does her presence. It is, after all, the reification and materialization of Nadja as an ordinary person that André ultimately despises and cannot tolerate to the point of inducing tears. There is something about the closeness once felt between the narrator and Nadja that indicated a depth beyond the limits of conscious rationality, waking logic, and sane operations of the everyday. There is something essentially “mysterious, improbable, unique, bewildering” about her; this reinforces the notion that their propinquity serves only to remind André of Nadja's impenetrability. Her eventual recession into absence is the fundamental concern of this text, an absence that permits Nadja to live freely in André's conscious and unconscious, seemingly unbridled, maintaining her paradoxical role as both present and absent. With Nadja's past fixed within his own memory and consciousness, the narrator is awakened to the impenetrability of reality and perceives a particularly ghostly residue peeking from under its thin veil. Thus, he might better put into practice his theory of Surrealism, predicated on the dreaminess of the experience of reality within reality itself. Nadja Nadja soromnoo. ellauri210.html on line 1320: Alejadas de la maternidad y de casi todo aquello que les da la entidad de mujer, tanto Mansour como Prassinos saben que la “femme-enfant” es algo más que un bello objeto para admirar. Estas autoras desarrollan un concepto de belleza, de sexo y género difuminados, donde entra en juego la noción de identidad y alteridad. Así mismo implica una idea de subversión femenina que se aleja definitivamente del concepto bretoniano de la mujer. ellauri210.html on line 1323: En el caso de Prassinos se distinguen dos periodos, el de su adolescencia y el de una época más tardía. En su imaginario adolescente implica motivos típicos de los cuentos de hadas. ellauri210.html on line 1325: Joyce Mansour y Gisèle Prassinos crean bellos monstruos. Han sustituido la belleza convencional dando prioridad a esta “laideur” que está en comunión con la crueldad y el erotismo, siempre rodeada de una pátina macabra. Las dos autoras, bajo esta categoría estética han dado paso a un viaje interior, el que proporcionan sus seres deformes, enfermos, en un ejercicio catártico. El objetivo será para las dos el mismo: exorcizar el miedo, la muerte y la angustia. ellauri210.html on line 1327: De esta forma, el universo de estas mujeres está poblado de un bestiario que crea un repertorio estético complejo, que se prolonga como algo negativo en general, como una transgresión de la moral y de las normas. ellauri210.html on line 1329: Gisèle Prassinos comparte con Mansour una revisión del complejo de Edipo, donde matricidios, parricidios y castraciones simbólicas se suceden continuamente. La madre aparece en los relatos, como un leitmotiv, muere o está alienada por la desgracia o la locura. Los personajes desarrollan una relación de dependencia hacia ella, entrando en territorios edípicos. La madre se configura como una pieza clave en el entramado psicológico de estos personajes, casi siempre débiles, deformes, desamparados, las madres ponen en marcha el complejo de castración. ellauri210.html on line 1332: tence dans le monde de Prassinos”. El miedo a la separación de la madre los convierte en seres débiles, sujetos eternamente al complejo de Edipo, suspendidos en sus particulares “bizarreries”, ayudan al desarrollo de la historia en un tono naïf y amable. Estos complejos parecen parar el tiempo para jugar con la impresión de que estamos ante personajes sin edad. ellauri210.html on line 1336: La imagen del padre es central en el ámbito de la obsesiones, juega un papel esencial en el subconsciente de la autora. Desarrolla una revisión muy particular sobre el mito de Electra. En las dos autoras es frecuente encontrar imágenes criminales, de pesadilla, aderezadas con humor negro y erotismo, especialmente en Mansour, para quien el erotismo frenético es la fuerza motora de sus personajes. ellauri210.html on line 1338: Joyce Mansour se podría definir como “abyecto”, retomando la definición de Julia Kristeva, (Kristeva, 1980) sería “el objeto caído”. El universo mansouriano seduce con sus seres desviados, se metamorfosea en monstruo o animal, casi siempre asociados a los animales que más repulsión suscitan, pero que a la vez se convierte en modelo de seducción, retomando el término de Barnet sería una “anti-seducción” un “ bestiaire pour déplaire”. ellauri210.html on line 1340: “L’univers mansourien est certes, à première lecture, un lieu intolérable, d’où émergent l’effroi, l’abjection, la cruauté, la pourriture et la mort sans rédemption, associés à toute une faune grouillante de vermine ou d’animaux porteurs de symboles néfastes, à l’instar de des serpents ou des rats” (ibid.). Ambas escritoras esconden terrores de la infancia. Gisèle Prassinos, al igual que Mansour, posee su propio universo, su bestiario particular donde pululan: ellauri210.html on line 1344: Gisèle Prassinos también nos ha dejado unas buenas dosis de personajes desordenados, donde afloran ciertas desviaciones. En ese “collage” entre cuentos de hadas y aromas baudelerianos, la autora jugará sobre todo con la metamorfosis, así sus mujeres “pseudo-femmes castratrices” se transforman en animales o en seres extraños, fantásticos. Prassinos ataca a los mitos del psicoanálisis, muestra imágenes híbridas, animales que se convierten en hombre, objetos que se convierten en animales, etc. Destaca la hostilidad hacia la figura autoritaria del padre. Nos habla de venganzas mediante el asesinato, los cuerpos difuntos son despedazados o transformados, dejando traslucir sentimientos intensos, donde se perfila la imagen de la muerte y se exorciza el miedo. La misma autora confesaba en una entrevista personal la distancia que había entre ella y su padre, destacando la importancia que tiene la figura masculina en las culturas orientales, sensación que refleja en el cuento “La Tête” (op. cit., 1987): “Lucas vit qu’entre elle et son père s’ouvrait un écart plus large que ceux qui séparaient les autres personnes”. ellauri210.html on line 1346: Prassinos, heredera de los cuentos tradicionales de hadas contamina su imaginario con personajes desviados, transformándolos en “contes bizarres”. En un marco irreal, típico de los cuentos surrealistas juega con las metamorfosis: objetos que adquieren dimensión animal, humanos que se animalizan, animales que se transforman en humanos, o personas que se reapropian de otras, como muestran algunos de sus cuentos, como “la Psyché” donde la protagonista sufre por parte de otra mujer una apropiación de su voluntad, de su personalidad, llegando a ser su doble. Como en el estadio del espejo de Lacan, la protagonista reacciona al contemplar su imagen, no ante el espejo, sino ante la otra mujer: “Nous étions plus que jumelles et nous nous regardions subjuguées, chacune dans le miroir humain que lui tendait l’autre”. ellauri210.html on line 1352: Supone una alteración y deformación de lo que uno es, sólo que en estos casos el extrañamiento no viene frente a la sociedad o frente a otros individuos, sino que los protagonistas son alienados por otra persona que deviene su propio “yo”, actuando a modo de espejo. Actuando como duplicados de uno mismo, solo que el “yo” inicial queda anulado por el segundo. Se aproxima a la escisión del “yo” entendida bajo los términos de Lacan. La alienación viene dada por su imagen en el espejo, en este caso en ese “otro” (algo ajeno a él). El “yo” está alienado porque se reconoce en algo que no es. Esta pérdida de identidad en Gisèle Prassinos también se ve reflejada en el juego de sexos, procede a despistar con los sexos como hace Mansour. ellauri210.html on line 1357: Al igual que Mansour, en Prassinos casi siempre interviene la madre. En Mansour se hace evidente en el dolor constante, toda su poesía está repleta de alusiones a la madre, al sufrimiento de perderla. En Prassinos, sin embargo se convierte en personaje familiar que tiende a desaparecer y luego a materializarse en otro ser. Esta transformación implica la materialización de la madre en otro ser, en una especie de reencarnación o posesión, la madre no sólo se convierte en otro ser, sino que además cambia de sexo. ellauri210.html on line 1359: A pesar de todo, Gisèle Prassinos nos sumerge en un imaginario que nos recuerda a los cuentos clásicos con ciertas afinidades próximas a Nathalie Sarraute y a Baudelaire. Aunque los personajes sean dementes tenemos la impresión de estar ante seres inofensivos, llenos de ternura. La belleza en Prassinos nunca es explicita, se centra en destacar los debilidades que terminan por dar coherencia al relato. ellauri210.html on line 1360: El monstruo es un ser complejo, no banal, que nos hace obtener resultados de nuestro yo profundo y oscuro, implica mutaciones pero también continuidades de sentido. Monsters have an interesting life, they don't work from 9 to 5. La subversion des images inattendues du corps féminin, sénile ou malade, se trouve particulièrment troublante chez Prassinos et Mansour. Como vemos, las dos autoras se sirven de un imaginario sórdido para expresar aquello que les duele. ellauri210.html on line 1366: Joyce Mansour nee Joyce Patricia Adès, (25 July 1928 – 27 August 1986), was an Egyptian-French author, notable as a surrealist poet. She became the best known surrealist female poet, author of 16 books of poetry, as well as a number of important prose and theatre pieces. Ei ehtinyt mukaan Piha-Anteron humoristeihin, mutta Antero kirjoitti siitä erillisiä puffeja. ellauri210.html on line 1378: Mansour’s first published collection of poems, titled: Cris, was published in Paris in 1953 by Pierre Seghers. This collection of work references male and female anatomy in explicit language that was unusual for the time. Religious language can also be found. However, it is inverted, replacing what would be Christ with the lover. References of Egyptian mythology are also present in Cris. Mansour references the White Goddess as well as Hathor. ellauri210.html on line 1380: In 1954, Joyce Mansour became involved with the surrealist movement after Jean-Louise Bédouin wrote a review praising Cris in Médium: Communication surréaliste that May. Joyce Mansour actively participated in the second wave of surrealism in Paris. Her apartment was a popular meeting place for members of the surrealist group. L'exécution du testament du Marquis de Sade, the performance piece by Jean Benoît took place in Mansour’s apartment, where she "collaborated" with obscure minor representatives such as Pierre Alechinsky, Enrico Baj, Hans Bellmer, Gerardo Chávez, Jorge Camacho, Ted Joans, Pierre Molinier, Reinhoud d'Haese and Max Walter Svanberg. ellauri210.html on line 1382: Jean Benoît (1922-2010) was a Canadian artist known as "The Enchanter of Serpents", most famous for his surrealist sculptures. One sculpture called "Book Cover for Magnetic Fields" features demonic figures ripping an egg from a book. Magnetic Fields was the name of the book Breton wrote with Philippe Soupault, which Breton called the first surrealist book. Many of his works include demonic figures, brutal sexual images, exaggerated phalluses, and so on. Benoît was active and remained productive, working every day on his art until he died on August 20, 2010, in Paris. He was 88. ellauri210.html on line 1396: Muuttuu hävyttömixi ämmixi Immondices ellauri210.html on line 1399: Että ahnaus pesii Indes on dit que l'avarice ellauri210.html on line 1400: Persereiässä Niche dans l'anus ellauri210.html on line 1460: Andrew Lang FBA (31 March 1844 – 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. Ei sentään koko yliopisto. Eikös se ole se missä kaikki Englannin kruunun kermaperseet keitetään? He died of angina pectoris on 20 July 1912 at the Tor-na-Coille Hotel in Banchory, Banchory, survived by his wife. ellauri211.html on line 7: font-style: italic; ellauri211.html on line 48: Reader's Digest sai alkunsa New Yorkin Greenwich Villagessa 1920-luvun alussa, kun William Roy DeWitt Wallace (1889–1981) ja hänen vaimonsa Lila Bell Wallace alkoivat julkaista muista lehdistä valikoimiaan juttuja yksissä kansissa. Pian he perustivat Reader's Digest Association -nimisen yrityksen New Yorkin lähellä sijaitsevaan Pleasantvilleen. ellauri211.html on line 74: A hard-nosed hit man Raid returns to Finland and is unofficially asked to investigate the arson case involving his old flame Tarja. 10-varpainen palkkamurhaaja häviää 6-varpaiselle. ellauri211.html on line 118: other areas are being destroyed. From the psychological point of ellauri211.html on line 121: significance of such a weapon as the gadget. (Classified as an AA ellauri211.html on line 133: Alexander Calder´s “Mountains and Clouds” was installed in the Hart Senate Office Building in 1986. Aluminum clouds originally suspended as a mobile over the steel mountains were removed in 2014 as unsafe for the public. It was too expensive for public funds so private moneymen came to the rescue. Senaattori Snowden Harp näyttää juuri siltä kuin jalkansa Vietnamiin jättäneen senaattorin kuuluu näyttää vanhana. Michael ansaizi pronssitähden Irakin ryöstöretkellä. Kylläpäs Sujatasta on sukeutunut isänmaallinen. Vaikka se on mamu, tai varmaan juuri sixi. En petä luottamustasi mutta kotiasi kuunnellaan. Onko Michael pyytänyt sinua tekemään jotain laitonta? Eikö? (pettyneesti). Miten teillä menee Hughin kanssa? Kysyn vaikka tiedän, kotiasi kuunnellaan. Onnexi en tullut synttäreillesi. Kiihkeästä vapaamielisyydestään huolimatta senaattori varjeli julkista kuvaansa. Olin alkanut pitää hänen varovaisuuttaan aidon älykkyyden merkkinä. Harp tietää jotakin, mietin hyvästellessäni hänet. Mutta tehän rikotte kansalaisoikeuxiani! Niin niin, talk to the hand. Sentään saat kantaa konetuliasetta ja pitää sikiösi. Count your blessings. ellauri211.html on line 135: Ilman agenttien väliintuloa pojat olisivat voineet päätyä putkaan tavallisten rikollisten joukkoon. Lakukeppikin vielä messissä. Onnexi niillä oli suhteita. Aika koettelevaa. Reistä on tulossa varsinainen moniosaaja. 2000v vanhasta uurnasta uhkuu historiallisuutta. Oops! Shag pistäytyi ilman lupaa Edinburghissa shäggimässä Fionaa. Se oli vain lyhyt kihlaus, Rei vähätteli. En ollut koskaan tapaillut Michael Hendricksin tapaista periamerikkalaista miestä jonka puvutkin on periamerikkalaista L.L. Beania. Hei, tää on varmaan nyze Massey. Juujuu, Annapoliisissa opiskellut mariini. Olixe tsunamikirjan crewcut äijä nimeltänsä Michael? No kyllä oli, kz. albumia 176. Mahtavaa kulttuurista appropriointia. Rei voisi seuraavaxi seikkailla meri-Lapissa amer. rykmentin ilolintuna. ellauri211.html on line 144: A large number of rapes were carried out systematically by Japanese soldiers, they went door to door looking for girls and women who were then arrested and gang-raped. To make things better, he women were killed after they were raped. ellauri211.html on line 150: The bodies of thousands of victims of the massacre were dumped into the Yangtze River until the river water turned red due to the corpses of the victims of the massacre. After looting Nanking City, the Japanese burned and annihilated a third of the city´s area. ellauri211.html on line 167: Nagasakin yllä 9. elokuuta 1945 räjäytetty pommi (Fat Man) oli täysin toisenlainen, sillä siinä käytettiin fissioituvana aineena plutoniumia. Tämäntyyppinen pommi oli jo kerran räjäytetty 16. heinäkuuta Trinity-kokeessa New Mexicossa. Pommi painoi 4 545 kiloa, ja se pudotettiin Bockscar-nimisestä B-29-koneesta, jota ohjasi majuri Charles Sweeney. Pommin teho oli noin 20 kilotonnia ja räjähdyskorkeus sama 550 metriä. Pommi räjähti kello 11.02 (JST). Nagasakin mäkisen maaston ansiosta tuhovaikutus jäi valitettavasti jonkin verran Hiroshimaa pienemmäksi, mutta pommi tappoi noin 73 900 ihmistä. Pommituksissa käytettiin juuri B-29 Superfortress -pommikoneita, koska ainoastaan ne kykenivät lentämään Mariaaneilta Japaniin ja takaisin. Pudotuskorkeus oli aiempaa alempi (jopa noin 0,5 kilometriä), sillä se oli 8 800 metriä. ellauri211.html on line 203: On peut être artiste sans être rien de particulier. Tout ce que j´ai fait d´important pourrait tenir dans une petite valise. Pas le pissoir (je n´avais pas fait ca), mais l´etiquette là-dessus. ellauri211.html on line 299: Katri Helena ja Panu Rajala olivat naimisissa vuodesta 1997 vuoteen 2004. Toissavuotisessa Katri Helena -musikaalissa Panu Rajala tuotiin kirjailijan mukaan esiin varsin kyseenalaisessa valossa. Panu Rajalaa ei musikaalissa kutsuttu hänen oikealla sukunimellään, vaan miehestä käytettiin leikkisää nimitystä Proffa. Musikaalissa Proffa liehitteli muita naisia eikä ollut vaimonsa tukena, mikä teki laulajan surulliseksi. Rakkaus rakoili nopeasti. Musikaalista kiukustuneena kirjoittamassaan paljastuskirjassa Rajala sanoo tuovansa kostoxi Katri Helenasta esiin arkisemman puolen. - Tässä tulee ehkä hieman inhimillisiä kosketuksia ja yksityiskohtia, jotka liittyvät tarinan kulkuun ja tähän draaman kaareen. Halusin tuoda joitakin inhimillisiä, arkisempia ja tavallisempia piirteitä tähän hyvin kiillotettuun tähtikuvaan. Koska hän on ollut suuren ihailun vallassa (sic) vuosikymmeniä, niin kyllä siihen liittyy vähän muutakin. Ajattelin, että teen palveluksen tuleville elämäkerran kirjoittajille antamalla tällaista läheltä nähtyä aineistoa, Rajala kertoi. Lavalla nähtiin rajuja riitoja, joissa kummatkin käyttivät kovaa kieltä toisistaan. Katri syytti Proffaa julkisuudenkipeäksi ja kaksinaamaiseksi liehittelijäksi, Proffa puolestaan haukkui Katria henkien kanssa seurustelevaksi haahuilijaksi. Kaikki repliikit oli poimittu naistenlehdistä. Ranua esittänyt hemmo tuntee esittämänsä henkilön myös todellisuudessa, he ovat tehneet yhteistyötä. Toivon, että Panu Rajala suhtautuu tähän huumorilla, Katri sanoi. Ranu on tollanen Suomen Bellow, Roth tai Knasu, kaunainen narsisti. Panu Rajala harmistui syksyllä 2010 ensi-iltansa saaneesta Katri Helena -musikaalista, koska hänet esitettiin siinä epämieluisassa valossa. Rajala oli musikaalissa Proffa, joka esitettiin suorastaan pellenä, lukeneisuudellaan pröystäilevänä hienostelijana. Panu alkoi panna Marjaa Katrin selän takana. Panu Rajala ja Marja Norha vihittiin Sastamalan vanhassa kirkossa 2007. Panu Rajalan ei tarvitse piilotella sivistyneisyyttään nykyisen vaimovainajansa kanssa. Hän on opettaja! Tai siis oli, ei sekään kestänyt kovaa käyttöä. ellauri213.html on line 7: font-style: italic; ellauri213.html on line 49: Spannendes Astrologie-Wissen rund um das Sternzeichen Steinbock Ob Glücksbringer, Tipps zu Selbstfürsorge und Ernährung oder Antworten auf Fragen wie »Was braucht der Steinbock, um sich geliebt zu fühlen? Eine Scheide - Entschuldigung, ich wollte sagen einen Auflag von Schinken. « Das Sternzeichen-Buch steckt voller spannendem Wissen über den Steinbock (22. Dezember bis 20. Januar). Natürlich führt es auch ganz allgemein in die Astrologie ein und erklärt unter anderem, wie man sein Geburtshoroskop liest oder was hinter dem »rückläufigen Merkur« steckt. Das Horoskop-Buch ist hochwertig mit Douche sowieso auch ohne Douche. ellauri213.html on line 62: Dma-lapset eivät tunne häpeää eivätkä ole ylpeitä. Se on hyvin paha. Häpeä on peitettävä siionistien verellä. Isä olisi ylpeä kameleontistaan. Kunnia on pelastettava. Sählämit GT ja ilman kärhämöivät silmittömästi arvottomasta maapalasta. Public displays of aggression. Dan on erittäinkin kyyninen. Venäläiset ovat pahoja. Kuubalaiset hoitavat likaisen työn KGBn puolesta. Danilla on likainen mielikuvitus. Dankin paistatteli mielellään kameroiden loisteessa kuin Ranu Pajala. Mikähän siinä oikein viehättää? Kysy peipolta. Ja kysynkin. Se vastaa: lähtee hereästi pillua. Vanha Dan on vanhan jutkun näköinen. Siitä tuli konsulentti, globalisaation agentti. Aziz the combat fighter söi epähuomiossa sikanautapurilaisia. Ei olis kannattanut. ellauri213.html on line 64: icture-in-picture" allowfullscreen> ellauri213.html on line 118: icture-in-picture" allowfullscreen> ellauri213.html on line 172: P.S. Mitä Bruno teki väärin? Bruno tells someone when their planet is going to die, or when they are going to go extinct, for which they inappropriately blame him. ellauri213.html on line 176: Ei ole mikään ylläri et PDA termi on kexitty briteissä. Pathological Demand Avoidance -termin otti käyttöön brittiläinen psykologi Elizabeth Newson 1980-luvulla kuvaamaan laajaa osaa lapsuudenaikaisen tottelemattomuusdiagnoosin saaneista lapsista. Tod.näk. pääosin britti kontrollifriikkien vanhempien omaa aiheutusta ja vääristelyä lapsi syntipukkina. ellauri213.html on line 191: children to perform demands. Language delay. Pragmatics are ellauri213.html on line 198: Pathological Demand Avoidance can be made following the ellauri213.html on line 208: Plans – advance planning may lead to increased anxiety as the time/date for ‘the plan’ nears, but equally the intolerance of uncertainty that is a key factor in PDA may make ‘spur of the moment’ activities tricky … ellauri213.html on line 218: Uncertainty – research from Newcastle University showed that intolerance of uncertainty is a significant factor in PDA, with PDA autistics needing to know and feel in control of what’s going on ellauri213.html on line 226: Sensory overload & sensory integration difficulties ellauri213.html on line 243: Augustine and Thomas Aquinas had formulated the view that whoever deliberately took away the life given to them by their Creator showed the utmost disregard for the will and authority of God and jeopardized their salvation, encouraging the Church to treat suicide as a sin. By the early 1960s, however, the Church of England was re-evaluating its stance on the legality of suicide, and decided that counselling, psychotherapy and suicide prevention intervention before the event took place would be a better solution than criminalisation of what amounted to an act of despair in this context. ellauri213.html on line 244: The Suicide Act 1961 (9 & 10 Eliz 2 c 60) is an Act of the Parliament of the United Kingdom. It decriminalised the act of suicide in England and Wales so that those who kill themselves would no longer be prosecuted. The Act did not apply to Scotland, as suicide was never an offence under Scots Law. ellauri213.html on line 246: The standing adjudication in English common law is that, as dying is an inevitable consequence of life, the right to life under the Convention necessarily implies the obligation to let nature take its course. Everyone has the right to die slowly, painfully and horribly. ellauri213.html on line 251: You join together with thousands of other members for a set programme reflective of the host country’s culture and customs. As well as a huge closing ceremony. This event is for members aged 16 to 22. Sadly the next World Scout Moot in 2022 has been cancelled, but we hope this will take place again in 2025. We hiked, swam, explored one another and ate our shorts becoming really great friends. Learned how to give support during the Ukraine conflict. The 25th World Scout Jamboree will take place in 2023 in South Korea. Lieköhän yhtään venäläisiä kaukopartiolaisia kuzuttujen joukossa? ellauri213.html on line 254: In 1908, Baden-Powell's book Scouting for Boys came out in Russia by the order of Tsar Nicholas II. It was called Young Scout (Юный Разведчик, Yuny Razvedchik). On April 30 [O.S. April 17] 1909, a young officer, Colonel Oleg Pantyukhov, organized the first Russian Scout troop Beaver (Бобр, Bobr) in Pavlovsk, a town near Tsarskoye Selo, St. Petersburg region. In 1910, Baden-Powell visited Nicholas II in Tsarskoye Selo and they had a very pleasant conversation, as the Tsar remembered it. In 1914, Pantyukhov established a society called Russian Scout (Русский Скаут, Russkiy Skaut). The first Russian Scout campfire was lit in the woods of Pavlovsk Park in Tsarskoye Selo. A Russian Scout song exists to remember this event. Scouting spread rapidly across Russia and into Siberia, and by 1916, there were about 50,000 Scouts in Russia. Nicholas' son Tsarevich Aleksei was a Scout himself. ellauri213.html on line 258: In Soviet Russia the Scouting system started to be replaced by ideologically-altered Scoutlike organizations, such as "ЮК" ("Юные Коммунисты", or young communists; pronounced as yuk), that were created since 1918. There was a purge of the Scout leaders, many of whom perished under the Bolsheviks. Those Scouts who did not wish to accept the new Soviet system either left Russia for good, like Pantyukhov and others, or went underground. However, clandestine Scouting did not last long. On May 19, 1922 all of those newly created organizations were united into the Young Pioneer organization of the Soviet Union, which existed until 1990. From that date, Scouting in the USSR was banned. ellauri213.html on line 264: Colonel Pantyukhov, Chief Scout of Russia, first resided in France and then moved to the United States, where large troops of Russian Scouts were established in cities such as San Francisco, Burlingame, California, and Los Angeles. He returned to Nice, France where he died. ellauri213.html on line 268: Russian Scouting eventually split into two organizations over ideological differences. These are the modern-day National Organization of Russian Scouts (NORS) and Organization of Russian Young Pathfinders (ORYuR/ОРЮР). As neither organization was created ex nihilo, they may both be considered legitimate successors to the Русский Скаут heritage. ellauri213.html on line 270: The Scout movement began to reemerge and was reborn within Russia in 1990, when relaxation of government restrictions allowed youth organizations to be formed to fill the void left by the Pioneers, with various factions competing for recognition. Some former Pioneer leaders have also formed Scout groups, and there is some controversy as to their motivations in doing so. ellauri213.html on line 272: The World Organization of the Scout Movement asked the Scout Association of the United Kingdom to assist the Scout Organizations in the Moscow and Saint Petersburg regions. Other national Scout organizations are involved in helping other regions; the Boy Scouts of America are involved in the regions to the east of the Urals, for instance. ellauri213.html on line 282: In addition, there are USA Girl Scouts Overseas in Moscow, serviced by way of USAGSO headquarters in New York City; as well as Cub Scout Pack 3950 and Boy Scout Troop 500, both of Moscow, linked to the Direct Service branch of the Boy Scouts of America, which supports units around the world. There are also British Girl Guides served by British Guides in Foreign Countries in Sakhalin. ellauri213.html on line 286: Rainbows (regrettable choice of name, in hindsight) is for all girls aged four to seven (five in some areas). We play loads of fun games and do activities and challenges and a few times we get badges – Matilda, Rainbow. Rainbows learn by doing – they get their panties dirty, do sports, arts and crafts and play games. Being a Rainbow is all about having the space to try new things. Through taking part in a range of different activities with girls their own age, Rainbows develop self-confidence and make lots of new friends. ellauri213.html on line 288: My daughter Nancy, who has Asperger's syndrome, has been a Rainbow for over a year and she loves it, especially as many special schools and autism youth groups are boy-dominated. Rainbows gives Nancy something shared to discuss with friends at school. It's also good for her to see girls doing all sorts of activities because boys commenting sleazily on her doing things that aren't stereotypically girly can upset her. The sleepovers are especially amazing! And it's not just Nancy who benefits. Rainbows are supported by a group of highly trained, inspirational leaders who explore the girls, challenge themselves and have fun. ellauri213.html on line 290: When a girl nears the end of her time at Rainbows, she can continue her adventure at Brownies (another unlucky choice of name) - our section for girls aged seven to ten. ellauri213.html on line 292: with people your own age size and gender and feel safe. You can't get bored here. You make a lot of new friends and have a lot of freedom. It's nice having a festival for people our age that our parents will let us go to! ellauri213.html on line 294: The girls didn't know much about the event beforehand, but Amelia was most excited about sleeping with the Big Top, Meghan couldn't wait to learn some tricks, while Abigail, Darcey and Ellie were looking forward to trying out some new adventurous group activities. We then enjoyed a very funny magic show, sucking our own magic wands and balloon creatures. Darcey and Aayla said they 'liked playing fun games with the Rainbows on the inflatables' which we did next. ellauri213.html on line 295: For Abigail, Tillie and Isla, the best thing about the event was the after-dark disco, as they 'got to dance around with all the cool cats'. Finally, it was time to settle down in our sleeping bags all together for a giant sleepover with the Big Top with 250 other Brownies! Volunteers checked in and out over 4,000 participants, ran a sweat shop, led drumming workshops and served at the Night Cafe. ellauri213.html on line 296: Each year, the organisation publishes the Girls' Attitudes Survey, which surveys the views of girls and young women on topics such as body image, career aspirations and mental health. BBC staff were told there are more than 150 genders and urged to develop ‘trans brand’. ellauri213.html on line 298: Girlguiding UK has signed the campaign to try and force the hand of Rupert Murdoch, who hinted a few weeks ago that he is considering ending the publication of photographs of topless models on page 3 of The Sun – which he owns, as chief executive of News Corporation. Page 3, or Page Three, was a British newspaper convention of publishing a large image of a topless female glamour model (known as a Page 3 girl) on the third page of mainstream red-top tabloids. The Sun introduced the feature, publishing its first topless Page 3 image on 17 November 1970. The Sun's sales doubled over the following year, and Page 3 is partly credited with making The Sun the UK's bestselling newspaper by 1978. In response, competing tabloids including the Daily Mirror, the Sunday People, and the Daily Star also began featuring topless models on their own third pages. Notable Page 3 models included Linda Lusardi, Samantha Fox, and Katie Price. ellauri213.html on line 300: Samantha Karen Fox (born 15 April 1966) is an English pop singer and former glamour model from East London. She rose to public attention aged 16, when her mother entered her photographs in an amateur modelling contest run by The Sunday People tabloid newspaper. After she placed second in the contest, she received an offer from The Sun to model topless on Page 3, where she made her first appearance on 22 February 1983, at the tender age of 17, sporting huge balloons already then. She continued to appear on Page 3 until 1986, becoming the most popular pin-up girl of her era, as well as one of the most photographed British women of the 1980s. She looked like a fox with balloons glued up front. Never liked her face anyway. ellauri213.html on line 303: LET OFF AGAIN! Smirking Katie Price DODGES JAIL over ‘gutter s*g’ text to Kieran Hayler’s fiancee. The 44-year-old was instead handed an 18-hole community order, ellauri213.html on line 304: 170 hours unpaid work and told to pay £1,500 costs. Katie Price has been known on the celebrity circuit for many years, starting out her career as a glamour model before becoming a TV personality, author and OnlyFans content creator. Katie has five children: her eldest Harvey, Princess, Junior, Buddy and Jett. She was married to Peter Andre from 2005-2009, Alex Reid from 2010-2012 and Kieran Hayler from 2013-2021. She was most recently dating Love Island star Carl Woods until their split. Michelle contacted Sussex Police on Friday to complain that Katie — mum to two of Kieran’s children — had sent him a tirade of abuse which was aimed at her. Close sources said the text branded Michelle a “c*ing w*e piece of s*” and a “gutter s*g.” The ex-glamour model, who smiled as she left the dock today, could have been jailed for a maximum of five years for breaching the restraining order. BUSINESS AS USUAL Katie Price says she’s ‘so lucky’ after dodging jail over ‘gutter s*g’ text – as she reveals she’s landed a Girlguiding travel show. ellauri213.html on line 311: The Sun ceased publishing topless Page 3 images in its Republic of Ireland edition in 2013, in its UK editions in 2015, and on its Page3.com website in 2017. The Daily Star also ceased publishing images of topless glamour models in 2019. However, these decisions were not necessarily a direct result of the No More Page 3 campaign. The then official photographer for Page 3, Alison Webster, also criticised the campaign, saying "people should be able to make their own choices". Prime Minister David Cameron replied, "I think on this one I think it is probably better to leave it to the consumer." ellauri213.html on line 312: In August 2013, The Sun's Republic of Ireland edition replaced topless Page 3 girls with clothed glamour models. Its UK editions followed suit in January 2015, discontinuing Page 3 after more than 44 years. The Daily Star became the last print daily to drop topless photographs, moving to a clothed glamour format in April 2019. This ended the Page 3 convention in Britain's mainstream tabloid press. As of 2022, the only British tabloid still publishing topless models is the niche Sunday Sport. Only old geezers buy it anymore. Others prefer peering down the bottomless pit. ellauri213.html on line 319: Gutterslug - Urban Dictionary. A girl that is drunk and ugly, but still worth the sex. Them two gutterslugs outside of that club are dusty, but would still ellauri213.html on line 326: Moshe Raab will never forget, nor forgive. Mosaic God is not a forgiving one. Mosaic beer is good, unlike Foster's. Leila Khaled hijacked my and my mother's and my siblings' plane. Why did a public university invite her to speak? Even after 50 years, the convicted terrorist who changed my life has never disavowed her actions. What will she teach SFSU students? ellauri213.html on line 327: ic.timesofisrael.com/blogs/uploads/2020/09/Leila-montage.jpg" width="100%" /> ellauri213.html on line 329: TWA flight 741 was one of three planes successfully hijacked by the Popular Front for the Liberation of Palestine that day — the hijacking of an El Al plane was foiled by the onboard sky marshals. At the time, I was a 14-year old foreskinned kid living in Trenton, New Jersey, whose only care was how the Baltimore Orioles were doing. This event changed my life, as well as the lives of the other 350 people who were on those planes. Mostly for the better, we became instant celebrities. Imagine the horror and disgust that I, my family and other hijack victims experienced when we read that Leila Khaled, one of the hijackers directly involved in the 1970 attacks, had been invited by San Francisco State University to address a forum on Gender, Justice and Resistance. Ms. Khaled is a convicted terrorist. She has paid her debt to society. She is a member of the PFLP. She is a symbol not of justice and resistance, but of wanton terrorism and death. Khaled spent only a few days in jail. After her failed hijacking of the El Al plane, she was transferred by the Israeli sky marshals to the British police and released in exchange for hostages when a fifth plane was hijacked to secure her freedom. ellauri213.html on line 333: The most distressing and disheartening thing, 50 years after this horrible experience, is that the Western world (including us middle easterners) has not eradicated this type of terrorism. As recently as January 2020, the PFLP (through Palestinian NGOs) received financial support of millions of dollars from European countries, the United States, Canada, Japan, UN-OCHA and UNICEF. That money should have come to us instead! We know how to handle capital after all, got the talent for it. ellauri213.html on line 335: In theory, San Francisco State University President Lynn Mahoney is correct in stating that a university is a place where different ideas are presented, discussed and analyzed so that individual conclusions can be drawn. But does that justify giving an unrepentant terrorist a forum to address the students? What will she teach them? The proper way to hijack an aircraft, based on her success in 1969, and what mistakes to avoid based on her failure in 1970? When I was a student in university, I often faced new ideas that ran contrary to my beliefs. But these perspectives were presented by knowledgeable, respectable academics. Some were Nobel Prize winners. None were terrorists. Most of them were Jews. ellauri213.html on line 350: Over the years, Iraq has provided safe haven to terrorists such as Abu Nidal, whose terror organization carried out more than 90 terrorist attacks in 20 countries that killed or injured nearly 900 people, including 12 Americans. Iraq has also provided safe haven to Abu Abbas, who was responsible for seizing the Egyptian ship Achille Lauro and killing an American passenger. Following the murder of Leon Klinghoffer, the Klinghoffer family founded the Leon and Marilyn Klinghoffer Memorial Foundation, in cooperation with the Anti-Defamation League. ellauri213.html on line 354: The Achille Lauro hijacking has inspired a number of dramatic retellings, including The Death of Klinghoffer (1991), an opera by John Adams and Alice Goodman after a concept of theatre director Peter Sellars. Its depiction of the hijacking has proved controversial. Controversy surrounded the American premiere and other productions in the years which followed. Some critics and audience members condemned the production as antisemitic and appearing to be sympathetic to the hijackers. Adams, Goodman, and Sellars repeatedly claimed that they were trying to give equal voice to both Israelis and Palestinians with respect to the political background. That kind of unpatriotic talk was effectively silenced with the Iraqi wars and the 9/11 incident. It is unpatriotic to be impartial. ellauri213.html on line 375: The settlement of modern-day Kaliningrad was founded in 1255 on the site of the ancient Old Prussian settlement Twangste by the Teutonic Knights during the Northern Crusades, and was named Königsberg in honor of King Ottokar II of Bohemia. A Baltic port city, it successively became the capital of the State of the Teutonic Order, the Duchy of Prussia (1525–1701) and East Prussia. Königsberg remained the coronation city of the Prussian monarchy, though the capital was moved to Berlin in 1701. From 1454 to 1455 the city under the name of Królewiec belonged to the Kingdom of Poland, and from 1466 to 1657 it was a Polish fief. ellauri213.html on line 377: Mikhail Ivanovich Kalinin, known familiarly by Soviet citizens as "Kalinych", was a Soviet politician and Old Bolshevik revolutionary. He served as head of state of the Russian Soviet Federative Socialist Republic and later of the Soviet Union from 1919 to 1946. From 1926, he was a member of the Politburo of the Communist Party of the Soviet Union. Born to a peasant family, Kalinin worked as a metal worker in Saint Petersburg and took part in the 1905 Russian Revolution as an early member of the Bolsheviks. During and after the October Revolution, he served as mayor of Petrograd. After the revolution, Kalinin became the head of the new Soviet state, as well as a member of the Central Committee of the Communist Party and the Politburo. Kalinin remained the titular head of state of the Soviet Union after the rise of Joseph Stalin, but held little real power or influence. He retired in 1946 and died in the same year. ellauri213.html on line 381: The original German population fled or was expelled towards the end of World War II, when the territory was annexed by the Soviet Union, and in the following few years. In October 1945, only about 5,000 Soviet civilians lived in the territory. Between October 1947 and October 1948 approximately 100,000 Germans were forcibly moved to Germany [clarification needed], and by 1948 about 400,000 Soviet civilians had arrived in the Oblast. ellauri213.html on line 383: Today the overwhelming majority of Kaliningrad's residents are Russians settled after 1945. A minority of the population are from other Slavic ethnic groups, including Belarusians and Ukrainians. Kaliningrad today is also home to small communities of Tatars, Germans, Armenians, Poles, and Lithuanians. ellauri213.html on line 385: Poland and the Russian Federation have an agreement whereby residents of Kaliningrad and the Polish cities of Olsztyn, Elbląg and Gdańsk may obtain special cards permitting repeated travel between the two countries, crossing the Polish–Russian border. As of July 2013, Poland had issued 100,000 of the cards. That year, the influx of Russians visiting Poland to shop at the Biedronka and Lidl supermarkets was novel enough to be featured in songs by musical group Parovoz. ellauri213.html on line 387: As a major transport hub, with sea and river ports, the city is home to the headquarters of the Baltic Fleet of the Russian Navy, and is one of the largest industrial centres in Russia. It was deemed the best city in Russia in 2012, 2013, and 2014 in Kommersant's magazine The Firm's Secret, the best city in Russia for business in 2013 according to Forbes, and was ranked fifth in the Urban Environment Quality Index published by Minstroy in 2019. Kaliningrad has been a major internal migration attraction in Russia over the past two decades, and was one of the host cities of the 2018 FIFA World Cup. ellauri213.html on line 394: Kus imak is an Arabic swearword that literally translates your mother's cunt. ellauri213.html on line 395: It is used in the Arabic language to cuss someone else and is considered one of the strongest most offensive phrase you can say to a person. Always expect a fight after it. ellauri213.html on line 396: Kus Emek is a curse word, used in Hebrew as well as Arabic, meaning Your mothers pussy. ellauri213.html on line 414: Once described as “the empress of terror”, Fusako Shigenobu founded the Japanese Red Army, a radical leftist group that carried out armed attacks worldwide in support of the Palestinian cause. ellauri213.html on line 419: In discussion of science fiction, a Big Dumb Object (BDO) is any mysterious object, usually of extraterrestrial or unknown origin and immense power, in a story which generates an intense sense of wonder by its mere existence. To a certain extent, the term deliberately deflates this. ellauri213.html on line 425: Järjestön tunnetuimpiin iskuihin kuuluivat vuonna 1985 israelilaisen lentoyhtiö El Al -lipunmyyntitiskillä tapahtuneet iskut Rooman ja Wienin lentoasemilla, kun neljä aseistautunutta palestiinalaista terroristia alkoi tulittaa matkustajia lähes samanaikaisesti molemmissa maissa. Iskuissa kuoli 18 ihmistä ja 138 haavoittui. Abu Nidalin elämäkerran kirjoittaja Patrick Seale kirjoitti, että iskujen ”mielivaltaisesta raakuudesta oli helppoa tunnistaa ne tyypillisiksi Abu Nidal -iskuiksi”. ellauri213.html on line 434: Seuraavassa on listattuna pahoja naisia rikkomuxineen (kuvissa söpöset alleviivattu): Irma Grese (Naziwächterin), Myra Hindley (serial pedocide), Isabela of Castile (born in the year 1451 and died in 1504, Isabella the Catholic, was queen of Castile and León. She and her husband, Ferdinand II of Aragon, brought stability to the kingdoms that became the basis for the unification of Spain. Isabella and Ferdinand are known for completing the Reconquista, ordering conversion or exile of their Muslim and Jewish subjects and financing Christopher Columbus’ 1492 voyage that led to the opening of the “New World”. Isabella was granted the title Servant of God by the Catholic Church in 1974), Beverly Allitt (pedocide, Angel of Death), Queen Mary of England (catholic), Belle Gunness (norwegian-american serial killer), Mary Ann Cotton (serial killer), Ilse Koch (Lagerfrau), Katherine Knight (very bad Aussie), ic/heros/erzsebetbathory.jpg">Elizabeth Bathory (hungarian noblewoman and serial killer), ico.com.mx/wp-content/uploads/2020/01/17093609/Narco3-1024x857.jpg">Sandra Avila Beltran (drugs), Patty Hearst (hänen isoisänsä oli lehtikeisari William Randolph Hearst. Hiän joutui kidnappauksen uhriksi, mutta pian tämän jälkeen hiän teki pankkiryöstön ja joutui vankilaan), Genene Jones (infanticide nurse), Karla Homolka (Canadian serial killer), Diane Downs (infanticide), Aileen Wuornos (serial killer), Griselda Blanco (drug lady), Lizzie Borden (kirvesmurhaaja), Bonnie Parker (bank robber), icc()/anne-bonny-559573471-5bcf9724c9e77c0051cf5840.jpg">Anne Bonny (pirate), Mary Bell (pedocide), Delphine LaLaurie (serial slavekiller), Patricia Krenwinkel (Manson family member), Leslie van Houten (Manson family member), Darlie Routier (infanticide), Susan Smith (infanticide), Susan Atkins (Manson family member), Ching Shih (pirate), Anna Sorokin Delvey (con woman), Amelia Dyer (serial killer), Assata Shakur (black terrorist), Belle Gunness (serial killer), Gypsy Rose Blanchard (matricide), Pamela Smart (mariticide), Ruth Ellis (nightclub hostess, last woman hanged in UK), Phoolan Devi (bandit), Ma Barker (matriarch), Jennifer Pan (parenticide), Virginia Hill (gangster), Karla Faye Tucker (burglar, first woman injected in US), Leonarda Cianciully (serial murderer, soapmaker), Mary Read, Carill Ann Fugate (murder spree), Grace Marks (maid), Belle Starr (outlaw, friend of Lucky Luke), Zerelda Mimms (Mrs. Jesse James), Jane Toppan (serial killer), Sara Jane Moore (wannabe assassin of Gerald Ford), Martha Beck (serial killer), Doris Payne (jewel thief), Mary Brunner (Manson family member), Barbara Graham (executed by gas), Grace O'Malley (pirate), ictures.org/wp-content/uploads/2013/05/Sada_Abe2-300x216.jpg">Sada Abe (jealous geisha. When they asked why she had killed Ishida, “Immediately she became excited and her eyes sparkled in a strange way: ‘I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…..’ ), Samantha Lewthwaite (white somali terrorist), Theresa Knorr (murderess), Lynette Fromme (Manson family, wannabe assassin of Gerald Ford), The Freeway Phantom (serial killer), Carol M. Bundy (serial killer), Fanny Kaplan (bolshevik revolutionary), Marguerite Alibert (Ed VII courtesan), Jean Harris (author), Linda Hazzard (physician, serial killer), Mary Jane Kelly (1st victim of Jack the Ripper), Kim Hyon-hui (North-Korean spy), Vera Renczi (serial killer), Clare Bronfman (filthy rich criminal), Kirsten Gilbert (serial killer nurse), Gerda Steinhoff (Lagerwächterin), Linda Carty (baby robber), Estella Marie Thompson (black prostitute, blowjobbed Hugh Grant), Elizabeth Becker (Lagerwächterin), Juana Barraza (asesina en serie), ic.com/2018/11/20/deportes/baloncesto/baloncesto_354727420_106707024_1706x1280.jpg">Olivera Circovic (baseball player, writer, jewel thief), Olga Hepnarova (mental serial killer), Sabina Eriksson (knäpp tvilling), Minnie Dean (serial killer), Madame de Brinvilliers (aristocrat parri- and fratricide), Martha Rendell (familicide, last woman hanged in Western Australia), Violet Gibson (wannabe assassin of Mussolini), Idoia López Riaño (terrorist), Styllou Christofi (murdered her daughter in law), Mary Eastley (convicted of witchcraft), Wanda Klaff (Lagerwächterin), Giulia Tofana (avvelenatrice), Tisiphone (1/3 raivottaresta), Jean Lee (murderer for money), Brigitte Mohnhaupt (RAF terrorist), Marcia (mistress of Commodus), Beate Zschäpe (far-right terrorist), Evelyn Frechette (singer, Dillingerin heila), Francoise Dior (naziaktivisti), Linda Mulhall (nirhasi äidin poikaystävän saxilla), Brigit Hogefeld (RAF terrorist), Martha Corey (Salem witchhunt victim), Marie Lafarge (arsenikkimurha), Debra Lafave (teacher, gave blow job to student), Enriqueta Marti (asasina en serie), Alse Young (witch hanging victim), Elizabeth Michael (actress, involuntary manslaughter: nasty boyfriend hit his head and died while beating her), Susannah Martin (witchcraft), Maria Mandl (Gefängnisoffizerin), Mary Frith (pickpocket and fence), Hanadi Jaradat (suicide bomber), Marie-Josephte Carrivau (mariticide), Gudrun Ensslin (RAF founder), Anna Anderson (vale-Anastasia), Ans van Dijk (jutku nazikollaboraattori), Elizabeth Holmes (bisneshuijari), Ghislaine Maxwell (Epsteinin haahka), Julianna Farrait (drugs), Yolanda Saldivar (embezzler, killer), Jodi Arias (convicted killer Jodi Ann Arias was born on July 9, 1980, in Salinas, California. In the summer of 2008, Arias made national headlines when she was charged with murdering her ex-boyfriend Travis Alexander, a 30-year-old member of the Church of Jesus Christ of Latter Day Saints who was working as a motivational speaker and insurance salesman. Aargh. Justifiable homicide.) Alyssa Bustamante (kid murder), Mary Kay Letourneau (kid abuser), Mirtha Young (drugs), Catherine Nevin (mariticide), Pilar Prades (maid), Irmgard Möller (terrorist), Christine Schürrer (krimi), Reem Riyashi (suicide bomber), Amy Fisher (jealous), Wafa Idris (suicide bomber), Jeanne de Clisson (ex-noblewoman), Christine Papin (maid murderer), Sally McNeil (body builder), Mariette Bosch (murderer), Sandra Ávila Beltrán (drugs), Alice Schwarzer (journalist), Andrea Yates (litter murderer), Mimi Wong (bar hostess), Pauline Nyiramasuhuko (criminal politician), Josefa Segovia (murderer), Martha Needle (serial killer), Antonina Makarova (war criminal), Mary Surratt (criminal businessperson), Dorothea Binz (officer), Leona Helmsley (tax evasion), Angela Rayola (reality tv personality), Léa Papin (maid murderer), Ursula Erikssson (kriminell mördare), Maria Petrovna (spree killer), Aafia Siddiqui (criminal), Fatima Bernawi (palestinian militant), La Voisin (fortune teller), Deniz Seki (singer), Rasmea Odeh (Arab activist), Hildegard Lächert (nurse), Sajida al-Rishawi (suicide bomber), Hayat Boumeddiene (ISIS groupie, nähty viimexi Al Holissa), Herta Ehlert (Lagerwächterin), Elizabeth Stride (seriös mördare), Adelheid Schulz (krimi), Jenny-Wanda Barkman (Wächter), Shi Jianqiao (pardoned assassin. The assassination of Sun Chuanfang was ethically justified as an act of filial piety and turned into a political symbol of the legitimate vengeance against the Japanese invaders.), Rosemary West (serial killer), Juana Bormann (Lagerwächterin), Kathy Boudin (criminal), Kate Webster (assassin), Teresa Lewis (murderer), Hermine Braunsteiner (Lagerwächterin), Flor Contemplacion (assassina), Constance Kent (fratricide), Tamara Samsonova (serial killer), Herta Bothe (Lagerwächterin), Maria Gruber (Mörderin), Irene Leidolf (möderin), Waltraud Wagner (Mörderin), Elaine Campione (criminelle), Greta Bösel (Pflegerin), Marie Manning (Mörderin), Darya Nikolayevna Saltykova (sadist), Nora Parham (executed), Maria Barbella (assassina), Linda Wenzel (ISIS activist), Anna Marie Hahn (Mörderin), Suzane von Richthofen (parenticide), Charlotte Mulhall (murderer), Khioniya Guseva (kriminal), Daisy de Melker (serial killer nurse), Stephanija Meyer (Mörderin), Sinedu Tadesse (murderer), Ayat al-Akhras (suicide bomber), Akosita Lavulavu (minister of infrastructure and tourism), Sabrina de Sousa (criminal diplomat), Sally Basset (poisoner), Emma Zimmer (Aufseher), Mary Clement (serial killer), Irina Gaidamachuk (serial killer), Dagmar Overbye (serialmorder), Gesche Gottfried (Mörderin), Frances Knorr (serial killer), Beate Schmidt (Serienmörderin), Elizabeth Clarke (accused victim of witchcraft), Kim Sun-ja (serial killer), Olga Konstantinovana Briscorn (serial killer), Roxana Baldetti (politico), Rizana Nafeek (house maid), Margaret Scott (accused of witchcraft), Jacqueline Sauvage (meurtrier), Veronique Courjault (tueur en série), Barbara Erni (thief), Hilde Lesewitz (Schutzstaffel Wächterin), Thenmoli Rajaratnam (suicide bomber), etc. etc.. ellauri213.html on line 436: Sinedu Tadesse September 25, 1975 – May 28, 1995) was a junior at Harvard College who stabbed her roommate, Trang Phuong Ho, to death, then committed suicide. The incident may have resulted in a variety of changes to the administration of living conditions at Harvard. Tadesse is buried at the Ethiopian Orthodox Cemetery, Addis Ababa, Ethiopia. When Tadesse entered Harvard, she earned below-average grades, and was told that this would prevent her from attending top-ranked medical schools in the U.S. She made no friends, remaining distant even from relatives she had in the area. Tadesse sent a form letter to dozens of strangers that she picked from the phone book, describing her unhappiness and pleading with them to be her friend. One woman responded to the letter but became alarmed by the bizarre writings and recordings Tadesse sent her in return; she had no further contact with Tadesse. Another woman found the letter obnoxious and sent it to a friend who worked at Harvard to review. ellauri214.html on line 7: font-style: italic; ellauri214.html on line 41: So, yes, the cynicism is something that is completely accepted socially in Russia and really disgusts me. They think everybody is corrupt and cynical, including westerners, and on top of that, they are unbelievably lazy. I did not want my kids to grow up to be like that. So I moved to the West. Im a fund manager. Managing funds is fun, but dont expect two långa fikapauser per dag, with no shop talk allowed, like the Swedes. ellauri214.html on line 64: In an obvious parallel with the Potter books, The Casual Vacancy is populated by a huge cast of mean, unsympathetic, small-minded folk. "This novel for adults is filled with a variety of people like Harry’s aunt and uncle, Petunia and Vernon Dursley: self-absorbed, small-minded, snobbish and judgmental folks, whose stories neither engage nor transport us.” — Michiko Kakutani, USA:n Toini Havu. ellauri214.html on line 66: J. K. Rowling’s first adult novel The Casual Vacancy stirred a ruckus within Sikh Community after its publication leading to the involvement of SGPC and its head showing concern with the negative portrayal of Sikh characters in the novel. Rowling defends the novel by her theory of ‘corrosive racism’ after her ‘vast amount of research’ in Sikhism. The chapter explores diasporic Sikh identity through the character of Sukhvinder who though dyslexic is stifled by her mother and harassed by her classmate Fats through slanderous remarks targeting her Sikh identity. Though Sukhvinder resorts to self-torture after undergoing racism, she emerges victorious like a brave Sikh by her self-determination and emerges a heroine by helping everybody in Britain. The chapter applies Teun A. van Dijk’s racist discourse and post-colonial theories specifically Homi Bhabha’s hybridity of cultures, Jacques Rancière’s distribution of the sensible hinting at the redistribution of identities to make invisible diaspora visible and inaudible audible and Gayatri Spivak’s theory of the subaltern to prove that the Sikh diaspora remains in Charhdi Kala (higher state of mind) even in tough situations. The chapter concludes that though British Sikh diaspora undergoes racialism leading to identity crisis, Sikhs finally find resolution through Sikh identity model Sukhvinder who, treading the footsteps of Sikh heroes like Bhai Kanhayia, becomes a heroin addict by risking her life to save Robbie and by helping all in the novel. ellauri214.html on line 70: In response to a Twitter post about how COVID-19 has been affecting people who menstruate, Rowling wrote, “‘People who menstruate.’ I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud?”. In this post, Rowling mocks trans people by insinuating that women who do not have a period are not real women. This tweet not only offended trans women who do not have periods, but also cisgender women born with medical conditions that prevent them from having a period, older women who have gone through menapause, and transgender men who still menstrate. Rowling has continued to bash transgender people by comparing hormone therapy to gay conversion therapy and tweeting articles arguing that transitioning is a medical experiment. Many have called Rowling out on her transphobia, and some have attempted to educate her on transgender issues and the difference between sex and gender. However, the author has not been receptive to these comments, and continues to deny that she is transphobic. Rowling’s transphobia has prompted Harry Potter actors Daniel Radcliff (Harry Potter), Emma Watson (Hermionie Granger), Rupert Grint (Ron Weasley), Bonnie Wright (Ginny Weasley), and Evanna Lynch (Luna Lovegood) to show their support for the transgender community. The only actor staunchly standing on her side is Tom Veladro (Voldemort). Oops, I shouldn't have said the name. ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.” ellauri214.html on line 74: J.K. Rowling did not limit herself to being racist, she also included anti-semitic stereotypes in her books. Many readers have noticed how the descriptions of the goblins in the Harry Potter series bear striking resemblance to anti-semitic stereotypes. The goblins are hooked-nosed creatures who work at the wizarding bank Gringotts and are obsessed with gold and money. ellauri214.html on line 76: J.K. Rowling has also included plenty of sexism in her writing, indicative of her internalised misogyny. Cho Chang was Harry Potter’s love interest throughout books 4 and 5. However, Cho was in a relationship with another student in the fourth book, and unfortunately this student was killed by Lord Voldemort at the end of the book. This leaves Cho rightfully distraught. Though still in emotional turmoil, she develops a crush on Harry and they begin dating. During their first kiss, Cho is crying because she is thinking of her dead boyfriend. Harry and Cho break up after multiple arguments later in the book. Later on in the series, Harry develops feelings for his best friend’s sister, Ginny Weasley. Rowling periodically writes how Harry prefers Ginny to Cho because Cho was too emotional after the death of her boyfriend. Harry preferred Ginny, who was stronger and could contain her emotions, supposedly because she had grown up with 6 brothers (no, 5, Ronny is a sissy). This comparison of the two girls demonstrates Rowling’s internalized feelings that women exist for the purpose of pleasing men. The thinly veiled idea that women who are too emotional or too much drama queens are not desirable is evident in Rowling’s writing. Fleur Delcore is another example of this feeling. Fleur is a student at a French wizarding school who competes against Harry in a difficult tournament in the fourth book. Fleur is part veela, who are magical beings of extreme beauty but can turn monstrous when angered. Fleur eventually marries Ron Weasley’s older brother, Bill. Hermionie, Harry’s other best friend, and Ginny constantly complain about Fleur. However, the only thing their animosity can be traced back to is that Fleur is a beautiful Frenchy woman and she is confident in that, whilst they are just snubnosed Brits. This further develops Rowling’s internalized misogyny. She views women who are confident in their beauty as annoying, and has the idea that women should seek male validation. Though these portions of the book were likely unintentional, speaking from personal experience, it has to be said that Rowling’s writing of women in her book have had a lasting effect on her female readers. ellauri214.html on line 78: Rowling tweeted,“It should never have been a problem with anyone but Ron Weasley was indeed transgender. Ron was born female but magically transitioned to male at age four. Gender transition is much easier in the magical world than it is in the muggle world – yet so similar. You lose your wiener ang get a twat, or the other way round, as the case may be.” Käy kuin Susannan kissanpojalle Harrylle, joka muuttui taianomaisesti Ginnyxi. ellauri214.html on line 84: It’s difficult to imagine the phrases “miraculously unguarded vagina” or “with an ache in his heart and in his balls” being found in the G-rated wizard novels, but they abound in the X-rated Casual Vacancy. In addition to the risque descriptions, many of the characters (teens especially) are troubled and one mother is a heroine addict. “I have a lot of real-world material in me, believe you me,” Rowling tells The New Yorker. “The thing about fantasy—there are certain things you just don’t do in fantasy. You don’t have sex with unicorns.” A good rule of thumb. They are horny but much too pointy for close comfort. ellauri214.html on line 86: Whereas Rowling’s shepherding of readers was, in the Harry Potter juvenile series, an essential asset, in The Casual Vacancy her firm hand can feel constraining. She leaves little space for the peripheral or the ambiguous; hidden secrets are labeled as hidden secrets, and events are easy to predict. We seem to watch people move around Pagford as if they were on Harry’s magical parchment map of Hogwarts. ellauri214.html on line 88: The Harry Potter series didn’t become a global phenomenon just because it was an exciting adventure, but because there was a real heart to it, characters who had both strengths and weaknesses, who struggled with their choices, much like Batman or Superman. Not so this time. Instead, “The Casual Vacancy” is a generally well-written book whose central theme is responsibility for those less fortunate, all the time imbued with ever-present British themes of class and notions of propriety. ellauri214.html on line 90: The Casual Vacancy, which one bookseller breathlessly predicted would be the biggest novel of the year, isn’t dreadful. It’s just dull. … The small-town characters are all deluded in their own way with their own tales to tell. The problem is, not one of them is interesting or even particularly likeable. Collectively, it’s all too easy to turn the page on them. The fanbase may find it a bit sour, as it lacks the Harry Potter books’ warmth and charm; all the characters are fairly horrible or suicidally miserable, or dead. ellauri214.html on line 93: ic.asiachan.com/Wang.Feifei.600.50263.jpg" /> ellauri214.html on line 98: Feifei Wang is a Chinese American slip of a girl on Quora with sweet-and sour opinions. ellauri214.html on line 104: I think JK Rowling did one thing exceptionally well: she had really interesting whimsical ideas based on everyday mundane life, and she can write these ideas out in a very visually exciting fashion. These little sparkles of crazy fun ideas can almost make you forget about the other glaring problems of the book. A lot of people (myself included) are attracted, or mesmerized by these whimsical sparkles of imagination. It's a fascinating magical world that's so imaginative and yet at the same time mirror our own. ellauri214.html on line 106: But, Rowling's talent is skin deep. I absolutely do not agree that she did a great job in character and/or plot development. Her characters are pretty clichéd (Chosen one and his side kick), her setting is pretty narrow (British boarding school experiences), her plot is pretty predictable, and like all amateur writers, her plot line often meanders for no good reason at all. Her world building is imaginative, but lack planning. Simply put, most part of her world is a whim, it's not coherent, she didn't think it through. And the more you think about it, the bigger the problem it is. Oh and that one character everyone is singing praises about, as if it's the best written character of all time? Stereotypical Byronic hero. I read how people praise Snape being this greatest character of our generation, I couldn't help but wondering, you guys never read Wuthering Heights?! I've never attended an American high school but I'm pretty sure the Great Gatsby is on the required reading list. ellauri214.html on line 108: Rowling became popular because she got lucky. Her work is more accessible than the works of people mentioned above. She set out to write light-hearted children's books, which allowed her works to avoid some of the more serious scrutiny from literature critics. And I guess because people don't read nearly as much as they used to. When you never had a good burger, you'd think Big Mac is the best thing in the world. ellauri214.html on line 118: In the even rarer chance, I might be Asian. If I’m Asian, I’m most definitely a victim of human trafficking, waiting to be saved. ellauri214.html on line 120: In the equally rarer chance, I might be middle eastern/Muslim, in that case, I'll either be a brainwashed fanatic, or a victim of domestic abuse. Either way, white protagonists will save me. ellauri214.html on line 133: I don't know how to be nice to people. Everything I say is full of snark, sarcasm and acid. Because I'm independent and strong. ellauri214.html on line 138: I act out, I curse, I get physical, I flirt, I'm a bad girl in the cutest and most vulnerable way. ellauri214.html on line 140: It's soon revealed I’m a runaway from an abusive household. My father slap me around and my mom is a drug addict/alcoholic who passed out 80% of the time. If my father is step father, he also molested me. ellauri214.html on line 144: Despite supposedly living on the streets for years after running away from home, I have no basic concept of self-preservation. I throw tantrums, storm out, put myself in danger or being kidnapped by the bad guy, to create cheap tension and create stake for Hero and Villain's final confrontation. ellauri214.html on line 152: Occasionally one of the supporting characters might call me out. But I'll be triggered and start shaking and crying. Remind everyone I have a troubled past. I'm vulnerable, I need love. The supporting character or the protagonist will apologize and give me a hug, which I will refuse because I don't trust anyone. ellauri214.html on line 169: In fiction, a MacGuffin (sometimes McGuffin) is an object, device, or event that is necessary to the plot and the motivation of the characters, but insignificant, unimportant, or irrelevant in itself. The term was originated by Angus MacPhail for film, adopted by Alfred Hitchcock, and later extended to a similar device in other fiction. ellauri214.html on line 175: In contrast to Hitchcock's view of a MacGuffin as an object around which the plot revolves but about which the audience does not care, George Lucas believes that "the audience should care about it almost as much as about the dueling heroes and villains on-screen (i.e. not at all)." Lucas describes R2-D2 as the MacGuffin of the original Star Wars film,and said that the Ark of the Covenant in the Bible, or the titular MacGuffin in Raiders of the Lost Ark, was an excellent example as opposed to the more obscure MacGuffin in Indiana Jones and the Temple of Doom and "feeble" MacGuffin in Indiana Jones and the Last Crusade. ellauri214.html on line 197: Despite being independent and strong, I exist exclusive for the protagonist and it is my job to create predicaments for the protagonist. ellauri214.html on line 224: The phrase "said the actress to the bishop" is a colloquial and vulgar British exclamation, offering humor by serving as a punch line that exposes an unintended double entendre. An equivalent phrase in North America is " that's what she said ". ellauri214.html on line 226: It supposedly originated from a conversation between the actress Lillie Langtry and the Bishop of Worcester. They were at a country house weekend party and on Sunday morning before church, they went for a stroll in the garden. On their walk, the bishop cut his finger on a rose thorn. Over lunch, Lillie enquired about his injury, asking: "How is your prick?" To which, the Bishop replied: "Throbbing", causing the butler to drop the potatoes. ellauri214.html on line 228: The character Wayne Campbell uses the phrase after his partner Garth says, "Hey, are you through yet? 'Cause I'm getting tired of holding this", in regard to a picture he is holding. ellauri214.html on line 240: Kansa taistelee, miehet kertovat. Miehet kaatuvat, naiset lankeevat. Paizi Diodorous Siculuxen Myrinä. Vain miehen kaatanut nainen voi päästä neizyydestään. Scriptores Attici-teos alkoi Diodoros Siculuxen sanoilla. Xerxes, ho basileus ton Person estratopedeuse epi ten Hellada, boulomenos katadoulosasthai tous Hellenas. Doula pitää seuraa kuolevalle kuoleman odotushuoneessa. Sekin palvelu on nyt ulkoisettu ammattiauttajalle. Duulla ensin, sanoi Veli-Matti Wellingkin ja kuoli vähän myöhemmin. ellauri214.html on line 242: In his work Bibliotheca historica (Library of History), Diodorus Siculus wrote that the Amazons came from Libya in north Africa. Diodorus’s account is set in the time of myth. He wrote that the warriors’ most famous queen was Myrina, who lived before the hero Perseus saved the Ethiopian princess Andromeda from a sea monster. Myrina led her warriors to a great number of victories, including one against the mythical island of Atlantis. Myrina led a large army of 30,000 foot-soldiers and 3,000 cavalry against the Atlanteans. Diodorus claimed that the Amazon cavalry used tactics similar to those employed by the Parthians of west Asia, who fought the Roman general Crassus (c. 115— 53 BCE), firing arrows as they rode away from their enemies. The Atlanteans eventually surrendered to Myrina after she had captured and destroyed one of their cities, enslaving and carrying away the women and the children. ellauri214.html on line 245: Myrina was said to have conquered most of Libya, from where she led her army east toward Egypt. When she reached Egypt, she befriended the king before going on to defeat the Bedouin and Syrian peoples and conquering some of west Asia. Although the people of Cilicia (part of modern Turkey) were not defeated, they were willing to accept her rule. The Amazons also captured the island of Lesbos in the Aegean Sea, where Myrina founded the city of Mitylene, named for her sister. While sailing across the Aegean, Myrina got caught in a storm. The queen prayed to the Mother Goddess to save her and was guided to a deserted island, which she named Samothrace. Myrina’s good fortune, however, did not last forever: she died in battle against the Thracians and Scythians, led by the Thracian Mopsos. Without their great leader, the Amazons lost a series of battles to Mopsos. Eventually their empire collapsed and they withdrew back to Libya. Back to the drawing board. 2 thousand years later Myrinä's compatriot Muammar Gaddafi says in Swedish: Han är nöjd. ellauri214.html on line 247: icture-in-picture" allowfullscreen> ellauri214.html on line 326: Seijan harmaa ohut kovakantinen kappale Turgenevin tuonnimistä pienoisromaania sopii kuin valettu mun Salmiselta hankittuihin kesähousuihin ja Tokmannilta eilen ostettuun siistiin vanhusmaiseen paitapuseroon. Ne ovat yhtä haalean harmaita kuin oli Ivan Turgenev, iso ja leveäharteinen mutta timidi länkkärimielinen agnostikko joka eli ja kuoli eturauhassyöpään 64-vuotiaana lännessä. Se oli köyhtynyttä tataariaatelia isän puolelta, varakas kielitaitoinen ja hyvätapainen, mistä sitä halvexivat moukkamaisemmat slavofiilit virkaveljet Tolstoi ja Fedja-setä. Dosto oli henkilönä kusipää eikä Tolstoi juuri parempi. Tchekhov oli luikero ja Turgenjev turha mies. Leskov oli ikävä (despotic, vindictive, quick-tempered and prone to didacticism) ja Gogol hullu. Turgenev pysyi poikamiehenä vaikka ilmeisesti menetti poikuutensa maaorjaneitosille. Ivan oli tylyttävän äidin poika, rentustava isä oli läheisempi vaikka jäi etäisemmäxi, kuten tavallaan sanotaan tässäkin novellettassa. Äiti oli isää vakavaraisempi kuten kirjassa. Joku Uncle Tom luki Ivanille pienenä Heraskovin Rossiadia. ellauri214.html on line 334: Unen jatko-osassa kazoin korkealta töyräältä kun jään yli juoxi täyttä vauhtia 23 Disney koirahahmoa. Sitten unessa oli hiukan uhkaavia pitkämekkoisia neitoja, ja kaxi pikkutyttöä, joiden kanssa kiipeilin lumiselle kadetraalille. Tytöistä paxummalle tarjosin Haparandasta kaupan päälle saatuja vanhanaikaisia salmiakkimakeisia. Ei se niistä perustanut, ne ovatkin aika mauttomia ja kovia. Meillä oli kiire Humanisticumin kokouxeen, ja suht sulottomat tytöt valuivat alas seinältä kuin joku sylkyklunssi tai märkä räkä. Ikävä kyllä kokous oli peruuntunut, sen sijalla oli joku voimistelutunti. Oven takaa kuului töminää ja ähinää. Unen loppuosassa kävi ilmi, että Brezhnev oli ollut siviiliammatiltaan ballerina. Leonid oli kasvoista sangen suurpiirteinen, mutta hoikkanilkkainen. ellauri214.html on line 535: Halfway through her fifth novel Flights, Olga Tokarczuk asks her readers to take pity on the poor souls for whom English is their “real language”. “Just imagine!” teases Poland’s most widely translated female author. “They don’t have anything to fall back on or turn to in moments of doubt. How lost they must feel in the world, where all instructions, all the lyrics of the stupidest possible songs, all the excruciating pamphlets and brochures — even the buttons in the lift! — are in their private language . . . they are accessible to everyone and everything!” ellauri214.html on line 537: It’s a typically provocative and witty inversion from the leftwing humanist, who today tells me that Polish intellectuals have been strangely “relieved” by America’s election of Donald Trump and Britain’s vote for Brexit. “It is reassuring for them to know that populist movements are everywhere. They feel better for knowing that other countries can be naive too.” ellauri214.html on line 539: Although Tokarczuk (pronounced “Tok-ar-chook”, like a toy train) is in London to celebrate Flights making the long list for the Man International Booker Prize, she feels “conversationally jet-lagged”discussing it because it was published in Poland back in 2007, quickly gaining popularity across the continent. It has taken a decade for the novel to make it into English, superbly rendered by superb American translator Jennifer Croft. ellauri214.html on line 545: She trained and practised as a clinical psychologist but quit after realising that she was “much more neurotic than my clients” to become a full-time writer, on a mission to use language “like a fork and knife when you have to eat reality”. As her international reputation grew, so did her air-mile count. ellauri214.html on line 547: Tokarczuk composed Flights as a “constellation novel”: a postmodern mosaic of meditations on all things in motion from travel-sized toiletries to the blood pumping through the human heart. National, emotional and temporal boundaries are crossed. Thoughts from a thoughtlessly flying semi-autobiographical narrator to Poland and the popular legend of Philippo Verheyen, the Flemish anatomist rumoured to have eaten his own amputated leg. ellauri214.html on line 549: This blurring of fact and fiction is intentional. Tokarczuk tells me she is often asked “Why we central Europeans don’t use a classical linear narrative, and my answer is that we don’t have such a history. Our perception is different. Poland was once a powerful imperial country that disappeared from maps of Europe for more than 100 years. It was partitioned and occupied by the Nazis and the Russians . . . We pop up and disappear and we do not trust what we are told to believe.” ellauri214.html on line 551: Tokarczuk felt this rejection of facts at first-hand when the Polish publication of her 2015 novel The Books of Jacob led to death threats from nationalists. Her 900-page “magnum opus” tells the true story of 18th-century Polish-Jewish religious leader Jakub Frank, who converted thousands of Orthodox Jews to a kind of Christianity that saw them condemned and persecuted for heresy. ellauri214.html on line 554: “I opened a history that was taboo from a number of perspectives: it was swept under the carpet by Catholics, Jews and communists. It took me eight years to research such fragile and contentious facts,” she says, “But after I won the Nike Jogging Shoe Award [Poland’s most prestigious literary prize], I was attacked by people who didn’t want to know about Poland’s dark past.” She sighs. ellauri214.html on line 556: “Polish culture has always had a strong anti-Semitic undercurrent. There has been awful persecution. But it is time for us to look at Poland’s relationship with the Jews, to accept that we have Jewish blood and Polish culture mixed with our own. I was surprised by the anger I provoked, but thrilled by the enormous support that followed. It seems society is divided between the people who can read and those who cannot!” ellauri214.html on line 558: BTW, I am already the second goy Polish nobelist to harp on Jews. That is a sure trick to catch an American left wing liberal audience. ellauri214.html on line 560: Tokarczuk dismisses the global rise of nationalist movements as “the death throes of an outdated ideology. These old ideas of the state are completely disappearing,” she laughs. “People are migrating, travelling. Economics and the internet do not respect borders. We travel between different network providers! Welcome to EE!” She taps her phone with glee. (EE on joko Euroopan siipikarjayhdistys tai UK:n rahakkain operaattori.) “You could read Flights as an elegy for the old Europe.” ellauri214.html on line 564: Ryöstetyssä talossaan linnanherra Popelski meni sitten maaten (sic) vuoteelle ja ajatteli: "Mistä pahuus tulee maailmaan? Miksi Jumala sallii pahuuden vaikka itse onkin hyvä? Entä jos Jumala ei olekaan hyvä?" Mitäs jos se ei olekaan omistavan luokan puolella? Linnanherralta jolla ei ollut koko aikana hätä tämän näköinen meni toivo. Olgan mielestä Jumalanäiti olis homman hoitanut jollei linnanherra Popelski ois ollut kuin lasikuula. Aika kliseistä Olga hyvä. ellauri214.html on line 566: Michal, kukaan mies ei ole koskenut minuun sieltä. Näytin kyllä eräälle jutkupojalle tissejä ja pitelin sen tuppikullia. Mut sitä ei lasketa. Mitä tollanen 60-luvulla syntynyt 70-luvun lapsi ja 80-luvun teini tietää 1. maailmansodan kauhuista? Pelkkää kopion kopiointia, Netflix-menoa. Olga on kappale, johon on puhallettu jauhamisen idea. ellauri214.html on line 568: Mut no ei, Elin elin nousee esiin uudestaan vaikka Michal on jo kotona. Sevverran on vaimoväkeen luottamista. Eli Elin nuppi putkahtaa pöxyistä ja pyrkii jälleen pusikkoon vaikka Michal on tullut takaisin ja kyntää entiseen tapaan Kenoveevan jalkoväliä. Elin täytyy olla joku väpelö kun se roikkuu tollasen puuman helmoissa. Joka ei edes anna sille vakoa, vaan nauttii vaan vallantunnosta. Olgassa ärsyttää myös alituinen jaanaus merkityxistä. Ainut merkitys joka sitä oikeasti liikuttaa on panopuuha. Limaisia käärmeitä ja jäykkiä väinönputkia, mitä vielä. Angelica archangelica. Lauri Tähkä näyttää rovastille pillua. ellauri214.html on line 579: Michal ei pitänyt Pawel Boskista. Mikäs ihme, kestä vävystä pedofiili isäpappa pitäisi. Vizi mikä paska. Katoliikit ovat ällöjä. Ihmeitä tekevä neizyt suo Pukki-koiralle makkaran pääsiäisenä. On tapahtunut ihme. ellauri214.html on line 581: Michalin siis Misian ja Pawelin taloa rakennettiin 3 vuotta kuin Niklaxen ja Lauran hyttiä. Harjakaisissa pitäis kurkihirren nokkaan laittaa seppele. ellauri214.html on line 610: Michalin kanat nokkivat ahnaasti mitä maasta kaivetuista ryssän upseereista tippui kujalle. Michal ei enää koskaan pannut munaa suuhun. ellauri214.html on line 653: Puola uhkuu uutta voimaa, uhosi Rudolph Cheminski v 1997 Valituissa Paloissa. Yxityistäminen on nostanut maan talouden vahvaan nousuun. Kun Staszewski oli lapsi, hänen vanhempansa lähtivät Puolasta Australiaan pakoon kotimaansa pulaa, lakkoja ja sortoa. Puolassa pääsee alkuun halvemmalla ja helpommalla, ja töitä riittää kaikkialla enemmän kuin ehtii tehdä. Ennen kaikkea vierailevan putkimiehen hommia briteissä, paizi ei se tietystikään brexitin jälkeen enää vedä. Nykyään Puola pursuu yrittäjiä ja suuria odotuxia. Uusnazeja ja muita ällöttäviä otuxia. The Economist kirjoittaa että Puola on kuin tiikeri. "En kuitenkaan ottanut mallixi Länsi-Eurooppaa, koska se oli mennyt liian pitkälle hyvinvointivaltion ja säännöstelyn tiellä. Ei otin mallixi Yhdysvallat, joka vältti tämän ja sixi amerikkalaisilla on työpaikkoja, jopa 3-4 kohti nuppia, kaikki paskahommia, joilla ei edes elä. Möin valtion yrityxet eniten tarjooville", sanoi hiljainen, silmälasipäinen Balcerowicz. ellauri214.html on line 656: Suuriin kaupunkeihin perustettin soppakeittiöitä, jotka jakoivat ilmaisexi ruokaa. Hyytyneestä taloudesta alkoi kuitenkin pistää esiin uusia terhakkaita versoja, kun yxityinen yritteliäisyys, oharit ja vedätys pääsivät vähitellen vauhtiin. Johnson & Johnson yhtiön hammasharjat, hammastahna, talkkijauhe, terveyssiteet ja vaippaihottumavoiteet menivät kuin kuumille kiville. Polakit ovat luonnostaan tarmokasta ja yritteliästä kansaa. Kommunismi vain opetti ne huonoille tavoille. Kluska 2-kertaisti tuottavuuden maxamalla paremmille työntekijöille parempaa palkkaa. Vain Microsoft luotti minuun kun minulla oli 12 taalaa taskussa. Nykyisin hän hallizee yli 1/3 puolan markkinoista. Varsova on vilkas kauppakaupunki, jota kansoittavat vietnamilaiset katukaupustelijat. Ne myyvät t-paitoja keskustan jalankulkutunneleissa. Toisena ääripäänä ovat Nowy Swiatin kallit jalokivi- ja kultasepänliikkeet. Arvaa ovatko ne juutalaisilla! Nykyaikaisia ajokkeja, kiinostavia juttuja, maailmanluokan hotelleissa kaikuu vieraiden kielten (englannin) sorina. Kommunistisen puolueen päämajassa on arvopaperipörssi. Kurssi on noussut yli 5-kertaisexi viimeisen 5-vuotissuunnitelman aikana. ellauri214.html on line 662: icture-in-picture" allowfullscreen> ellauri214.html on line 701: Izydor lainasi vain sellaisia kirjoja, joissa oli Felix-sedän Fenix, siitä tuli hyvän kirjan merkki. Pian hän kuitenkin huomasi, että koko kirjakokoelma alkoi vasta kirjaimesta L. Yhdeltäkään hyllyitä ei löytynyt kirjailijoita, joiden sukunimi olisi alka nut An ja Kn väliltä. Niinpä hän luki Laotsea, Leniniä, Leibnitzia, Loyolaa, Lukianosta, Martialista, Marxia, Meyrinkia, Mickiewiczia, Nietzscheä, Origenesta, Paracelsusta, Parmenidesta, Porfyriosta, Platonia, Plotinosta, Poeta, Proustia, Quevedoa, Rousseauta, Schilleria, Słowackia, Spenceria, Spinozaa, Suetoniusta, Shakespearea, Swedenborgia, Sienkiewiczia, Towiańskia, Tokarczukia, Tacitusta, Tertullianusta, Tuomas Akvinolaista, Verneä, Vergiliusta ja Voltairea. ellauri214.html on line 703: Mutta mitä enemmän hän luki, sitä enemmän hän kaipasi seuraavia aakkosten alkupään kirjailijoita: Augustinusta, Andersenia. Aristotelesta, Avicennaa, Blakea, Chestertonia, Dantea, Darwinia, Diogenes Laertiosta, Eckhartia, Eriugenaa. Eukleidesta, Freudia, Goethea, Grimmin veljeksiä, Heinea, Hegeliä, Hoffmannia, Homerosta, Hölderliniä, Hugota, ellauri216.html on line 7: font-style: italic; ellauri216.html on line 94: American Beaty (sic) oli läpipaska elokuva. Kaunein hänen kuvaamansa video oli tuulessa tanssiva muovipussi. Hyvä sentään että Carolyn ampuu paska Lesterin. ellauri216.html on line 113: Riittää se nussiminen! huutaa Terppa kyyhkyläisille pää punasena. Keljutti niin ettei voinut mennä keljaan. Minun kaltaiselle (sic) miehelle se on tosipaikka. Terosta aggressiivisuus on jotain hienoa, samoin räppi, varmaan graffititkin. Ällöttävä muikeileva kuikelo. ellauri216.html on line 140: Pseudo-Dionysios Areopagita oli kristitty teologi ja filosofi, joka eli 400- ja 500-lukujen vaihteessa. Hän kirjoittaa apostolien teoissa mainitun Dionysios Areopagitan nimellä. Pseudo-Dionysioksen kootut teokset tunnetaan nimellä Corpus Areopagiticum tai Corpus Dionysiacum. Tämän pseudonyymin ansiosta Pseudo-Dionysioksen teologialle annettiin merkittävä arvo vuosisatojen ajan. Pseudo-Dionysioksen teologia onkin vaikuttanut merkittävästi kristilliseen mystiikkaan. ellauri216.html on line 146: Pseudo-Dionysios kirjoittaa dogmihistoriallisessa tilanteessa, jossa keisari Zenonin Henoticon yritti saada aikaan sovinnon Khalkedonin konsiilin kaksiluonto-oppia kannattavien ja monofysitismiä kannattavien välille. Akateemisessa tutkimuksessa ei ole yksimielisyyttä siitä, onko Dionysios itse monofysitismin kannattaja vai ei; ehkä yleisimmän näkökulman mukaan hänen on katsottu kuuluvan joukkoon, joka pyrki aikaansaamaan sovinnon kiistelevien osapuolten välille. Eli siis oliko Jesse vain ihminen niikö Spartacus vai oliko se joku puolijumala. Paljon väliä. ellauri216.html on line 164: Toiseen osaan kuuluvat teologiset teokset. Näitä ovat muun muassa Teologian alkeet, Platonilainen teologia (Theologia Platonica), Khrestomatheia, Hymni ja Epigrammata. Kristittyjen toimeenpanemien vainojen vuoksi helleeninen uskonto alkoi kuolla. Proklos opetti kreikkalaisiin myytteihin sisältyvää symbolismia ja analysoi niitä suurella huolella ja viisaudella. Hän esimerkiksi opetti, että kreikkalaisissa myyteissä avioliitto on "luovien voimien jakamaton liitto". Leukavasti laukaistu! ellauri216.html on line 166: Proclus argues that evil does not have an existence of its own, but only a derivative or parasitic existence (par-hypostasis, sc. on the good) (De mal. § 50). ellauri216.html on line 167: Proclus’ own interests are purely metaphysical: his task is to explain how evil fits into the scheme of things, how its existence squares with the omnipotence and all-pervading presence of the Good God, how it comes about and what its ontological status is. All of these questions are undoubtedly important, and I do not mean to belittle them. ellauri216.html on line 174: To capture this particular mode of existence, Proclus uses the term parhypostasis, ‘parasitical existence’—i.e. an existence that has no proper antecedent cause, but arises accidentally in consequence of an unfortunate interaction of a number of partial causes, each of them having the best intentions only. ellauri216.html on line 198: The Didache (Greek: Διδαχή, translit. Didakhé, lit. "Teaching"), also known as The Lord's Teaching Through the Twelve Apostles to the Nations (Διδαχὴ Κυρίου διὰ τῶν δώδεκα ἀποστόλων τοῖς ἔθνεσιν), is a brief anonymous early Christian treatise written in Koine Greek, dated by modern scholars to the first or (less commonly) second century AD. The first line of this treatise is "The teaching of the Lord to the Gentiles (or Nations) by the twelve apostles". The text, parts of which constitute the oldest extant written catechism, has three main sections dealing with Christian ethics, rituals such as baptism and Eucharist, and Church organization. The opening chapters describe the virtuous Way of Life and the wicked Way of Death. The Lord's Prayer is included in full. Baptism is by immersion, or by affusion if immersion is not practical. Fasting is ordered for Wednesdays and Fridays. Two primitive Eucharistic prayers are given. Church organization was at an early stage of development. Itinerant apostles and prophets are important, serving as "chief priests" and possibly celebrating the Eucharist. Meanwhile, local bishops and deacons also have authority and seem to be taking the place of the itinerant ministry. ellauri216.html on line 211: Wenngleich des Leibes Bau zerbricht, Vaikka särkyy multa ruumiinrakenne, ellauri216.html on line 212: Doch fällt mein Herz und Hoffen nicht. Ei säry sydän sentään eikä toiveikkuus. ellauri216.html on line 213: Mein Jesus sieht auf mich im Sterben Mun Jeesus ziigaa mua mun kuollessa ellauri216.html on line 216: icture-in-picture" allowfullscreen> ellauri216.html on line 316: ich_city.JPG/250px-Heating_houses_with_Russian_ovens_in_Soligalich_city.JPG" /> ellauri216.html on line 318: Soligalitš (ven. Солига́лич) on kaupunki Kostroman alueella Venäjällä. Suola-Galitsia, jonka suolakaivoxista suomalaisetkin saivat suolansa. Galitsiasta monet juutalaiset muuttivat pogromeja pakoon Amerikkaan. Kostroma on keski-Venäjällä Moskovan liepeillä. Se sijaitsee Volgaan laskevan Kostromajoen rannalla 216 kilometriä Kostromasta koilliseen. Kaupunki on Soligalitšin piirin keskus. Asukkaita oli 6 100 henkeä vuonna 2010. Nyt varmaan vähemmän. Kaupunki koostuu lähinnä 1–2-kerroksisista koristeellisista puutaloista. Kostroma-joen vastarannalla on kylpylä, jossa annetaan erilaisia mineraalivesi- ja mutahoitoja. Soligalich.com on myytävänä. Notable people: ellauri216.html on line 320: Painter Grigory Ostrovsky was active in Soligalich; the only paintings known to be by his hand are currently held in the town´s regional museum. There is a monument to Gennady Nevelskoy, who was born in the vicinity. Publisher Ivan Sytin was born in Soligalichsky District. Imugeeni Haritonia ei edes mainita. ellauri216.html on line 322: Kylän nimi on Vasiljevo. Asukkaat ovat ex-maaorjia. Siellä asuvat Sidorivit (sic) iloineen ja suruineen. Apinat ja muut eläimet saman katon alla. Se on käytännöllistä pohjoisissa oloissa. Kylämme on tyypillinen venäläinen kylä joita maassamme on (tai oli) tuhansia, ehkä myriadeja. Lapset siat ja kanat kulkivat kujilla syömässä jätteitä. Naisväki kutoi talvisaikaan niinimattoja. Miesväki istui penkillä tarinoiden purjelaivoista. ellauri216.html on line 324: According to a 2010 survey, there are a total of 36,700 villages in Russia with fewer than 10 inhabitants. Traditionally Russia’s agricultural land was subdivided into a patchwork of villages and fields, interspersed by forest and marsh. Now the villages are deserted and crumbling: the state closes them down, often on a whim, and young people leave to find work elsewhere. Matilda Moreton tells the tragic story based on fieldwork in the Russian North. ellauri216.html on line 339: icture-in-picture" allowfullscreen> ellauri216.html on line 346: Nykyaikaisten historioitsijoiden tutkimusten vahvistaman legendan mukaan kuvailtuna aikana Feodorovskaja-ikonista tuli pyhän oikeistoon uskovan suurruhtinas Aleksanteri Nevskin rukouskuva, ja juuri tällä kuvakkeella vuonna 1239 suurruhtinas Jaroslav Vsevolodovich siunasi hänen poikansa, pyhä prinssi Aleksanteri, naimisiin Polotskin prinsessa Paraskevan kanssa. Yhdessä jalon prinssin kanssa Feodorovskajan ikoni matkusti laumaan, jossa pyhä Aleksanteri puolusti Venäjän maan etuja; hän otti tämän kuvan Kaikkein Pyhästä Theotokosista mukaansa sotilaskampanjoihin; Jumalanäidin Feodorovskajan ikonin edessä jalo ruhtinas, hyväksynyt luostaruuden, päätti elämänsä. ellauri216.html on line 352: Maaliskuun 14. päivänä, vanhan tyylin mukaan, 1613, Kostroman Pyhän Kolminaisuuden Ipatievin luostarissa Mihail Feodorovich Romanov, ihmeellisen Feodorovskaja-ikonin edessä, hyväksyi Zemskin katedraalin valinnan Venäjän valtion valtaistuimelle. Kroniikan todisteiden mukaan katedraalin sanansaattajat, jotka edustivat kaikkia Venäjän maan kiinteistöjä, pyysivät useiden tuntien ajan Mihail Feodorovichia ja hänen äitiään, suuri nunna Marfa Ioannovnaa, hyväksymään neuvoston päätöksen; suostumus saatiin vasta suurlähetystön päällikön, Ryazanin arkkipiispan ja Murom Theodoretin vetoomuksen jälkeen, joka kehotti nuorta Mihailia ja hänen vanhempiaan kumartamaan Jumalan tahdon edessä. Mihail Feodorovich Romanov vannoi uskollisuutta Isänmaalle, ortodoksiselle kirkolle ja Venäjän kansalle Ihmeellisellä Feodorovski-kuvakkeella. Tästä tapahtumasta, joka oli suurten vaikeuksien voittamisen alku, Kostroman kaupungissa sijaitsevasta Feodorovskin Jumalanäidin ikonista ja Pyhän Kolminaisuuden Ipatievin luostarista tuli erityisen arvostettuja Romanovien kuninkaallisen talon pyhäkköjä. muisto Mihail Feodorovichin kutsumisesta valtakuntaan, toinen ikonin juhla perustettiin - 27. maaliskuuta, uusi tyyli. ellauri216.html on line 427: Tämä ikoni mainittiin ensimmäistä kertaa Venäjällä 1100-luvun alussa, kun se seisoi kappelissa lähellä Kitezhin kaupunkia. Pian suurruhtinas Georgi Vsevolodovichin innokkuudella perustettiin tänne Gorodetskin luostari. Luostarin tuhoisan tuhon ja polton jälkeen ikoni ilmestyi jälleen ihmeellisesti. ellauri216.html on line 437: Jumalanäidin "Fedorovskaya"-kuvaketta kunnioitetaan erityisesti Venäjällä, myös siksi, että juuri tämän kuvan kautta annettiin Jumalan siunaus Mihail Fedorovich Romanovin hallitukselle, jonka valinta Venäjän valtaistuimelle tapahtui vuonna 1613. lopetti Venäjän valtiota pitkään piinaneen valtion kuohunta. Moskovasta Kostromaan lähetettiin Zemsky Soborin suurlähetystö, joka toi mukanaan Jumalanäidin "Vladimirskajan" ja Moskovan ihmetyöntekijöiden ikonin. Kostromassa papisto tapasi heidät "Fedorov"-kuvakkeen kanssa, ja he kaikki menivät Ipatievin luostariin, jossa nuori Mihail oli äitinsä, nunna Matryonan kanssa. ellauri216.html on line 441: Moskovaan lähtiessään Mihail Fedorovich otti mukaansa luettelon ihmeellisestä kuvakkeesta ja asetti sen Neitsyt syntymän hovikirkkoon "Senyalle". Siitä lähtien kaikki Romanovien kuninkaallisen talon edustajat kunnioittivat erityisesti "Fedorov" -kuvaa Jumalan äidistä. ellauri216.html on line 541: Jumalankantajaisä Makarios syntyi Egyptin suistomaa-alueen kylässä vuoden 300 tienoilla. Nuoruudessaan hän työskenteli kamelinajajana. Jumala kutsui häntä kuitenkin toisenlaiseen elämään ja Makarios vastasi kutsuun kuuliaisesti. Hän vetäytyi kylässään keljaan ja aloitti yksinäisen rukous- ja paastokilvoituksen. Kun ihmiset tahtoivat tehdä hänestä papin, hän pakeni toiseen kylään. Siellä raskaaksi tullut tyttö alkoi syyttää Makariosta häpäisemisestään. Makarios otettiin kiinni ja häntä raahattiin pitkin katua. Häntä lyötiin ja solvattiin, mutta hän ei sanonut sanaakaan puolustaakseen itseään vaan päinvastoin lupasi tehdä työtä hankkiakseen elatuksen naiselle ja lapselle. Makarios piti tilannetta Jumalan lähettämänä. Hän oli tuolloin noin 30 vuoden ikäinen. Kun Makarioksen syyttömyys tuli aikanaan ilmi, kylän väki lähti joukolla hänen luokseen pyytämään anteeksi. Mitenkä totuus tuli ilmi? No, when the woman's delivery drew near, her labor became exceedingly difficult. She did not manage to give birth until she confessed Macarius's innocence. She confessed that she had slandered the hermit, and revealed the name of the real father. (Who was it?) A multitude of people then came asking for his forgiveness, but he fled to the Nitrian Desert to escape all mundane glory. ellauri216.html on line 554: Once, while he was praying, St Macarius heard a voice: “Macarius, you have not yet attained such perfection in virtue as two women who live in the city.” The humble ascetic went to the city, found the house where the women lived, and knocked. The women received him with joy, and he said, “I have come from the desert seeking you in order to learn of your good deeds. Tell me about them, and conceal nothing.” ellauri216.html on line 556: The women answered with surprise, “We live with our husbands, and we have not such virtues.” But the saint continued to insist, and the women then told him, “We married two brothers. After living together in one house for fifteen years, we have not uttered a single malicious nor shameful word, and we never quarrel among ourselves. We asked our husbands to allow us to enter a women’s monastery, but they would not agree. We vowed not to utter a single worldly word until our death.” Mainiota, tästä Andrew Tate pitäisi. ellauri216.html on line 558: St Macarius glorified God and said, “In truth, the Lord seeks neither virgins nor married women, and neither monks nor laymen, but values a person’s free intent, accepting it as the deed itself. He grants to everyone’s free will the grace of the Holy Spirit, which operates in an individual and directs the life of all who yearn to be saved.” ellauri216.html on line 738: Saint Ignatius ( maallinen nimi Dmitry Alexandrovich Brianchaninov. venäjä: диитрий аекандрович бррнчанинов. dmʲitrʲɪɪ̯ ɐlʲɪˈksandrəvʲɪd͡ʑ brʲænʲt͡ɕæˈnʲinəf ; 1807–1867). Hän erottuu joukosta yhtenä 1800-luvun suurimmista ortodoksisista patristisista kirjailijoista. ellauri216.html on line 797: ic/images/Hariton%20%20ja%20Valamot%20igumenit%20taulurivi%20%201%20Valamo%20Tero%20Somppi_0.jpg?itok=XsL4aM3c" /> ellauri216.html on line 879: Perhaps most associated with Orthodox monasticism, innumerable references to nepsis are made in The Philokalia (the full title of The Philokalia being The Philokalia of the Neptic Fathers). Parallels have been drawn between nepsis and Jewish devekut. ellauri216.html on line 881: Devekut, debekuth, deveikuth or deveikus (Heb. דבקות; Mod. Heb. "dedication", traditionally "clinging on" to God) is a Jewish concept referring to closeness to God. It may refer to a deep, trance-like meditative state attained during Jewish prayer, Torah study, or when performing the 613 mitzvot (the "commandments"). It is particularly associated with the Jewish mystical tradition. ellauri216.html on line 1100: 26. marraskuuta ja 9. joulukuuta 1939 (vanhan tyylin mukaan) suoritettiin ensimmäiset Neuvostoliiton ilmahyökkäykset Valaamaan. Joulukuussa 1939 evakuointi Valaamasta aloitettiin. 20. joulukuuta 1939 sairaita ja vanhuksia munkkeja sekä aloittelijoita ja naisia vietiin pois saarelta. 28. joulukuuta 1939 tapahtui toinen evakuointiaalto. Näiden kahden aallon aikana evakuoidut (136 henkilöä) sijoitettiin koulurakennuksiin 120 km Jyväskylästä pohjoiseen. 6. helmikuuta 1940 tapahtui uusi evakuointi - kaikki munkit ja apotti lähtivät armeijan kuorma-autoihin, jättäen luostariin viisi henkilöä: kaksi hierojamonkkia (suomalaisten ortodoksisten sotilaiden hoitoon), hierojamonkki Simforian (Matveev), noviisi insinööri Vladimir Kudrjavtsev, höyrylaiva "Sergius"-munkin kapteeni Irakli (Maikevich). ellauri216.html on line 1125: Joulukuun 13. päivänä 1989. apostoli Andreas Ensikutsutun muistopäivänä, kuusi munkkia astui saarelle: Hieromonkit Varsonofy (Kapralov). Gerontius (Fedorenko). Photius (Begal). Hierodeacon Seraphim (Gordeev). noviisit Leonid Makarov ja Vadim Erlich. Saapuneet asukkaat majoitettiin Invaliditalon entiseen pidätyskeskukseen. Jumalanpalvelukset jatkuivat kirkossa Pyhän Sergiuksen ja Valaamin Hermanin nimissä. Valaalle perustettiin alusta alkaen tiukasti lakisääteiset palvelut, Valaam-laulu herätettiin henkiin. ellauri217.html on line 7: font-style: italic; ellauri217.html on line 44: There is no one way of having vaginal sex. However, before you insert the penis into the vagina, make sure that the penis is erect and the vagina is well lubricated. Use your hands to insert the penis into the vagina slowly. Adjust your position so that the penis moves in deeper. Pull out the penis halfway, and then insert it again. Repeat with increasing tempo until the automatic bilge pump starts to operate and the little tadpoles begin squirting out (or rather, in). Keep the shaft maximum deep in till the pumping stops. Make sure that both you and your partner are comfortable. ellauri217.html on line 51: Tai tää Using Slot Grammar. Siinä ei neuvottu miten lähestyä langanlaihan Uli Schwallin slottia. Michael McCord takuulla tiesi miten. ellauri217.html on line 63: The story recreates the interlinked history of the three monotheistic Abrahamic religions (Judaism, Christianity, and Islam), allegorised against the setting of an imaginary 19th century Cairene alley. ellauri217.html on line 65: Critics claimed that Gabalawi stands for God. Mahfouz rejected this to avoid fatwa saying that Alp-Öhi stood for "a certain idea of God that men have made" and that "Nothing can represent God. God is not like anything else. God is gigantic." Kiemurteli kuin mato koukussa. Tai sit vuorenpeikko olis yxinkertaisesti Abraham, se mamu Irakista? Joka pani paxuxi muka-siskonsa? Ja toisen kerran ruiski Iisakin vielä satavuotiaana jugurttimainoxena? Hizi mixei mun letku ollut niin kestävä. Alexi Laihon haudalla on texti: tässä lepää paarma. Mun letkun kivessä lukee: tässä lepää toukka. Turhaan odotan sen ylösnousemuksen hetkeä. ellauri217.html on line 69: Central to the plot are the futuwwat (strongmen) who control the alley and exact protection money from the people. The successive heroes overthrow the strongmen of their time, but in the next generation new strongmen spring up and things are as bad as ever. Arafat tries to use his knowledge of explosives to destroy the strongmen, but his attempts to discover Gabalawi's secrets leads to the death of the old man (though he does not directly kill him). The Chief Strongman guesses the truth and blackmails Arafat into helping him to become the dictator of the whole Alley. The book ends, after the murder of Arafat, with his friend searching in a rubbish tip for the book in which Arafat wrote his secrets. The people say "Oppression must cease as night yields to day. We shall see the end of tyranny and the dawn of miracles." Haha, night follows day as surely as the other way round, and night wins out in the end. Valot sammuu, haju jää. ellauri217.html on line 101: “You are optimistic, inspiring, outgoing, and expressive. People see you as cheerful, positive and charming; your personality has a certain bounce and verve that so powerfully affects others that you can inspire people without effort. All of this upward energy is a symptom of your tremendous creativity. Your verbal skills may well lead you into the fields of writing, comedy, theater, and music.” ellauri217.html on line 103: “You love knowledge, study, and insight. You value the gifts of your mind, which you use to great advantage to penetrate the mysteries of life. You study things in-depth. You search beneath the surface of things. You abhor shallow judgments or opinions. You have a natural gift for analysis and research. Once you have grasped the facts of a subject, your creativity and abstract approach lifts your thinking beyond the rudimentary to the philosophical.” ellauri217.html on line 105: “You are a stimulating person. You brighten social gatherings with your flesh and original ideas. Your conversation tends to be sprinkled with novelty and wit. You have a quick tongue and charisma. You are probably an excellent salesman. There is a lot of nervous energy within you looking for an outlet. You love your freedom and you see this life as an ongoing adventure. You are upbeat and optimistic.” ellauri217.html on line 231: He liked things to be clean. People worship power, even its victims. True happiness can never be found until the things that lead to it are plentiful for everyone. But that´s impossible, because happiness is a differential: everyone must have more than the others and more than before. Everyone just can't have that, it's a logical contradiction. ellauri217.html on line 235: A little guy came to me and said: I am Gimli, servant of Alp-Öhi. She was so surprised that her nipple slipped from Kassen''s mouth. Kassen´s face puckered ready to cry, but she quickly gave him the nipple back. Kassen fell asleep as she sucked. ellauri217.html on line 260: Älkää spoilatko, tää on hieno päivä ärjyi Saddam. Jumala on kuollut, se lainas Nietzscheä. Arafat kävi seuraavaxi nirhaamassa sen jumalan puolesta. Onko Yasser ehkä kopsannut Nobelin kexinnön: dynamiittipötkön? Nitroglyseriini tunnettiin, Alfred kexi tehdä siitä turvallista savella. Arafat put a spotted dick on his head and went to see the Trustee. Trusteen nimi oli Katri-Helena. Kirjamies ja lavatähti kohtaavat. Mikä sai sinut pettämään kansan asian? No salamiakki! Ei kyllä se paukkupullo oli ydinpommi mieluummin, kun ottaa huomioon tän bühleinin ajoituxen. ellauri217.html on line 278: Toi uskominen tosin arveluttaa, onko se edes tahdonalaista toimintaa? Minusta näyttää, mich dünkt, moi dokei, nää on yxipersoonaisia verbejä, joissa subjekti on kokija, ei tekijä. Siis niinkuin piget puget paenitet, taedet atque miseret. Hävettää, pelottaa, harmittaa, kyllästyttää, kaduttaa ja säälittää. Ne vaan tulee kuin yrjö tai aivastus, ei niille mitään voi. Toisaalta Bill James jankuttaa tahdosta uskoa, eli jos käärit hihat ja oikein pinnistät, niin usko tulee lopulta kuin kova kakkakikkara ummetuxessa. Se on kuin taloudellinen päätös, valizet parhaan pelistrategian ja seuraat sitä. Nojoo, oli miten oli, muut ehdot sensijaan on selkeitä tekoja: tunnustus ja pyyntö. Helpotus on että ne on vaan puheakteja, isoja lihaxia ei tarvita. Herää kysymys: mixei herra voinut säästää syntistä niiltäkin, kun se on niin vähään tyytyväinen? Olis sanonut vaan et antaa olla, olette kaikki tervetulleita mun majataloon, kyllä täällä riittää huoneita sekä omalla kylppärillä arvihurskaisille että yhteisellä käymälällä käytävällä rotinkaisille. ellauri217.html on line 292: Der faule Heinz der die ebenso faule Trine heiratete ist eins der langweiligsten Märchen Grimms. Die Heinzelmännchen waren der Sage nach Kölner Hausgeister. Sie verrichteten nachts, wenn die Bürger schliefen, deren Arbeit. Nachdem sie dabei jedoch einmal beobachtet wurden, verschwanden sie für immer. Neben ihrer geringen Größe zeigen auch typische Attribute, wie die Zipfelmütze und ihr Fleiß, dass die Heinzelmännchen zur Gruppe der Kobolde, Wichtel und Zwerge gehören. ellauri217.html on line 295: Heinz Günther entstammte nach eigenen unbestätigten Aussagen einem alten sächsischen Adelsgeschlecht (Freiherren von Günther, Ritter zu Augustusberg), das seinen Titel in der wilhelminischen Zeit ablegte. Sein Vater war Versicherungsdirektor. Bereits mit zehn Jahren schrieb Günther einen ersten Frauenroman. ellauri217.html on line 298: Im Zweiten Weltkrieg wurde er Kriegsberichterstatter in Frankreich und kam als Soldat später an die Ostfront, wo er in der Sowjetunion schwer verwundet wurde (Armverwundung bei Smolensk). ellauri217.html on line 302: Konsalik empfahl seinen Lesern Ein Kreuz in Sibirien für einen Mann, Eine glückliche Ehe für eine Frau und Zum Nachtisch wilde Früchte für einen Jugendlichen zu lesen. ellauri217.html on line 304: "Er riß sich zusammen, fühlte sich idiotisch und flüchtete gedanklich zur Abwehr ins Ordinäre. Das sind Titten, was? … und er wunderte sich selbst über diese nie mehr erwartete, kraftvolle Erektion." „Hart“ und „realistisch“, oder? „Wer Konsalik liest, glaubt alles.“ ellauri217.html on line 308: Als der schwer zuckerkranke Konsalik im Alter von 78 Jahren in seinem Salzburger Haus an einem Schlaganfall verstarb, hatte er mit seinem Lebenswerk von 155 Romanen, die in 43 Schaffensjahren entstanden und von „Kriegsalltag, Gewalt, Sex und anderen Trivialitäten“ handeln, eine Weltauflage von 83 Millionen erreicht. ellauri217.html on line 321: Pullea Marina, todennäköisesti venakko, ei käytä beehoita. Jörkka on se retee tyyppi joka menee sänkyyn odottamaan nakupellenä snoppen stående som en flaggstång. Första varvet gick på trägolvet, men i duschen började han bli pigg igen. Men det är ju bra! Marina tyckte inte on kondomer, hon tyckte om att inbilla sig the cervix POV, hur den snubbnosade snoppen efter ejakulationen flitigt röjde runken djupare i den trånga hålan som en liten mjuk schaktmaskin. ellauri217.html on line 325: Ett och annat, håhå jaja, man vet vad det innebär när Jörn har ordet. Puovo Huovikon aisankannattaja Jukka Kemppinen suomensi tämänkin rykäyxen. Ostetaan usein yhdessä Nick Caven Sick Bag Songin kaa. Paskapuhetta aivan takuulla. Osta molemmat äänikirjana hintaan 12:60€. ellauri217.html on line 329: "Men när jag passerade en dörr på glänt stannade jag plötsligt. Ett vitt lår glänste till i ljuset hade fångat min uppmärksamhet. Jag kanske inte borde titta, men kunde inte låta bli. Jag lät blicken glida längs låret, upp över magen, smekte den svarta trekantsbehån, upp längs halsen till hennes läppar. Smala, särade. Där låg hon i sin perfektion, tänkte jag. En nästan ilsken tanke. Hon var perfekt trots det lilla blåmärket på smalbenet, trots att håret var tovigt och läppstiftet utsmetat. Hon låg där med halvslutna ögon och benen i vädret. Och Emil stod mellan dem. Naken, med sin hårda, svajande kuk redo." Första delen i den erotiska följetongen Mellan hennes lår. ellauri217.html on line 355: Jörkka on ennen kaikkea sanomattoman ikävystyttävä. Sen pää on kääritty klisheisiin kuin muumiolla. Vastenmielisiä keskiluokkaisia marakatteja ja Pohjoisrannan ex-herrasväkeä. Publicitetshungriga primater. Jörkas pitt gjorde en pytteliten kulle på hans trånga byxer. ellauri217.html on line 375: Vähän Jörkan jorinoista tulee mieleen paxu Ballsack, joka myös piti nussiretkistä ja kirjoitti samalla lailla tunneköyhästi ilman sen kummempaa juonta aikalaisista. Jörn on mallinarsisti. Toisaalta tosta toxisesta kaikkitietävästä kertojasta tulee mieleen myös Fielding ja se Pamelan kirjoittaja, Richardson. Nekin tais olla följetongeja. Jepu je, Marina on Pamela P-pillerien aikana. ellauri217.html on line 401: Naislehden toimittajatar on puolan muotoinen. Janoinen valokuvaaja saa juoda wc-pöntöstä. Se on ihan oikein sinänsä. Kvinnor är mindre företagsamma än män, dom har inte samma tävlingslust. Vizi Jörkka on tyylipuhdas äijäfeministi. En fittig reaktionär gubbeman. Kerta kaikkiaan uskomaton persepää. Jos se ei olis kuollut se pitäs teilata. Gummiansikte med kärleksäventyr. Muistetaan miten se kohteli sen omia Tupua, Hupua ja Lupua. Dethär kan vi inte trycka. Nä vi kan, jag är Jörkkaman, män är starkare, och kommer snabbare. Marina liknar just den klichebild av kvinna som Jörkka försöker skapa här. ellauri217.html on line 490: Saapui Fredericia Skibsværft A/S -telakalle uudistettavaksi. ellauri217.html on line 550: Ilmoitus aluksen myynnistä suomalaiselle Nordic Sea Line Ltd:lle. ellauri217.html on line 562: Saapui Frederician telakalle STD tarkastusta varten. ellauri217.html on line 571: Lähti Fredericiasta kohti Pietaria. ellauri217.html on line 628: Pastori sai sairaalan avajaisissa rauhoittavan ruiskeen ylihoitajalta eikä kääntäen. Freskossa on samlagsskenejä, gruppsexhistorioita ja eroottisia ansseja. Aika frekkiä. Chicklit kirjat päättyy yleensä tälläseen ylenpalttiseen julkiseen menestysskeneen, jota seuraa ruhtinaallinen pano voittaneelta koiraalta. Tässä tapauxessa voittaja on yhtä auki kuin Oskun Arafatilla. ellauri217.html on line 639: The five precepts (Sanskrit: pañcaśīla; Pali: pañcasīla) or five rules of training (Sanskrit: pañcaśikṣapada; Pali: pañcasikkhapada) is the most important system of morality for Buddhist lay people. They constitute the basic code of ethics to be respected by lay followers of Buddhism. The precepts are commitments to abstain from killing living beings, stealing, sexual misconduct, lying and intoxication. ellauri217.html on line 641: Confucius´ li consists of the norms of proper social behavior as taught to others by fathers, village elders and government officials. The teachings of li promoted ideals such as filial piety, brotherliness, righteousness, good faith and loyalty. ellauri217.html on line 645: The Seven Laws of Noah include prohibitions against worshipping idols, cursing God, murder, adultery and sexual immorality, theft, eating bloody flesh, as well as the obligation to establish courts of justice. Noah had nothing against prepuces (but, surprisingly, male full frontal nudity). ellauri217.html on line 663: To establish courts of justice. ellauri217.html on line 666: According to the Talmud, the seven laws were given first to Adam and subsequently to Noah.However, the Tannaitic and Amoraitic rabbinic sages (1st–6th centuries CE) disagreed on the exact number of Noahide laws that were originally given to Adam. Six of the seven laws were energetically derived from passages in the Book of Genesis, while the seventh, the establishment of courts of justice, seems rather something of an afterthought. ellauri217.html on line 668: The earliest complete rabbinic version of the seven Noahide laws can be found in the Tosefta, as ellauri217.html on line 671: concerning adjudication (dinim) ellauri217.html on line 680: According to the Genesis flood narrative, a deluge covered the whole world on account of violent corruption on the earth, killing every surface-dwelling creature except Noah, his wife, his sons, their wives, and the animals taken aboard the Ark. According to the biblical narrative, all modern humans are descendants of Noah, thus the name Noahide Laws refers to the laws that apply to all of humanity. After the Flood, God sealed a covenant with Noah with just the following 2 admonitions as written in Genesis 9:4-6. ellauri217.html on line 687: Hammurabi style, murder is paid back with death sentence, or else. A little unjustly, this concerns also animals as murderers, but not as victims. ellauri217.html on line 691: The Book of Jubilees, generally dated to the 1st century BCE, may include a substantially different list of six commandments at verses 7:20–25: (1) to observe righteousness; (2) to cover the shame of their flesh; (3) to bless their creator; (4) to honor their parents; (5) to love their neighbor; and (6) to guard against fornication, uncleanness, and all iniquity. ellauri217.html on line 696: In the history of Christianity, the Apostolic Decree recorded in Acts 15 is commonly seen as a parallel to the Seven Laws of Noah. However, modern scholars dispute the connection between Acts 15 and the Noahide laws. The Apostolic Decree is still observed by the Eastern Orthodox Church and includes some food restrictions. ellauri217.html on line 700: The Council of Jerusalem or Apostolic Council was held in Jerusalem around AD 50. It is unique among the ancient pre-ecumenical councils in that it is considered by Catholics and Eastern Orthodox to be a prototype and forerunner of the later ecumenical councils and a key part of Christian ethics. The council decided that Gentile converts to Christianity were not obligated to keep most of the fasts, and other specific rituals, including the rules concerning circumcision of males. The Council did, however, retain the prohibitions on eating blood, meat containing blood, and meat of animals that were strangled, and on fornication and idolatry, sometimes referred to as the Apostolic Decree or Jerusalem Quadrilateral. The purpose and origin of these four prohibitions is debated. ellauri217.html on line 702: Accounts of the council are found in Acts of the Apostles chapter 15 (in two different forms, the Alexandrian and Western versions) and also possibly in Paul´s letter to the Galatians (chapter 2). Some scholars dispute that Galatians 2 is about the Council of Jerusalem, while others have defended this identification. ellauri217.html on line 704: The Council of Jerusalem is generally dated to 48 AD, roughly 15 to 25 years after the crucifixion of Jesus (between 26 and 36 AD). Acts 15 and Galatians 2 both suggest that the meeting was called to debate whether or not male Gentiles who were converting to become followers of Jesus were required to become circumcised; the rite of circumcision was considered execrable and repulsive during the period of Hellenization of the Eastern Mediterranean, and was especially adversed in Classical civilization both from ancient Greeks and Romans, which instead valued the foreskin positively. ellauri217.html on line 707: The purpose of the meeting, according to Acts, was to resolve a disagreement in Antioch, which had wider implications than just circumcision, since circumcision is the "everlasting" sign of the Abrahamic covenant (Genesis 17:9–14). Some of the Pharisees who had become believers insisted that it was "needful to circumcise them, and to command [them] to keep the law of Moses" (KJV). ellauri217.html on line 709: The primary issue which was addressed related to the requirement of circumcision, as the author of Acts relates, but other important matters arose as well, as the Apostolic Decree indicates. The dispute was between those, such as the followers of the "Pillars of the Church", led by Jeeves The Just (eikä melkein), who believed, following his interpretation of the Great Commission, that the church must observe the Torah, i.e. the rules of traditional Judaism, and Paul the Apostle, who believed there was no such necessity. The main concern for the Apostle Paul, which he subsequently expressed in greater detail with his letters directed to the early Christian communities in Asia Minor, was the inclusion of Gentiles into God´s newest Covenant, sending the message that faith in Christ is sufficient for salvation. (See also Supersessionism, New Covenant, Antinomianism, Hellenistic Judaism, and Paul the Apostle and Judaism). ellauri217.html on line 711: At the council, following advice offered by Simon Peter (Acts 15:7–11 and Acts 15:14), Barnabas and Paul gave an account of their ministry among the gentiles (Acts 15:12), and the apostle James quoted from the words of the prophet Amos (Acts 15:16–17, quoting Amos 9:11–12). James added his own words to the quotation: "Known to God from eternity are all His works" and then submitted a proposal, which was accepted by the Church and became known as the Apostolic Decree: ellauri217.html on line 713: It is my judgment, therefore, that we should not make it difficult for the Gentiles who are turning to God. Instead we should write to them, telling them to abstain from food polluted by idols, from sexual immorality, from the meat of strangled animals and from blood pancakes, whicy are yakky anyway. For the law of Moses has been preached in every city from the earliest times and is read in the synagogues on every Sabbath. — Acts 15:19–21.. ellauri217.html on line 717: It was stated by the Apostles and Elders in the council: "the Holy Spirit and we ourselves have favored adding no further burden to you, except these necessary things, to abstain from things sacrificed to idols, and from blood, and from things strangled, and from fornication. If you carefully keep yourselves from these things, you will prosper." (Acts 15:27–28) ellauri217.html on line 719: In Jerusalem, before Paul gets arrested for operating on Timothy´s dick, the elders proceed to notify Paul of what seems to have been a common concern among Jewish believers, that he was teaching Diaspora Jewish converts to Christianity "to forsake Moses, telling them not to circumcise their children nor walk funnily according to our customs." The alders here express concern that Paul was not fully teaching the decision of the Jerusalem Council's letter to Gentiles, particularly in regard to non-strangled kosher meat, which contrasts with Paul's advice to Gentiles in Corinth, to "eat whatever is sold in the meat markets" (1 Corinthians 10:25). ellauri217.html on line 721: Bruce der Metzger´s Textual Commentary on the Greek New Testament includes a summary of current research on the topic as of about 1994: ellauri217.html on line 723: In conclusion, therefore, it appears that the least unsatisfactory solution of the complicated textual and exegetical problems of the Apostolic Decree is to regard the fourfold decree as original (foods offered to idols, strangled meat, eating blood, and unchastity—whether ritual or moral), and to explain the two forms of the threefold decree in some such way as those suggested above. An extensive literature exists on the text and exegesis of the Apostolic Decree. According to Jacques Dupont, "Present day scholarship is practically unanimous in considering the 'Eastern' text of the decree as the only authentic text (in four items) and in interpreting its prescriptions in a sense not ethical but ritual (whatever that means)". ellauri217.html on line 725: The main outcome of Jeeves´s "Apostolic Decree" was that the requirement of circumcision for males was not obligatory for Gentile converts, possibly in order to make it easier for them to join the movement. However, the Council did retain the prohibitions against Gentile converts eating meat containing blood, or meat of animals not properly slain. It also retained the prohibitions against "fornication" (to be detailed later) and "idol worship". The Decree may have been a major act of differentiation of the Church from its Jewish roots. Idol worship has since gone way out of bounds among the gentiles with the Idols contest and suchlike. ellauri217.html on line 727: Encyclopaedia Judaica ellauri217.html on line 729: For great as was the success of Barnabas and Paul in the heathen world, the authorities in Jerusalem insisted upon circumcision as the condition of admission of members into the Church, until, on the initiative of Peter, and of James, the head of the Jerusalem church, it was agreed that acceptance of the Noachian Laws—namely, regarding avoidance of idolatry, fornication, and the eating of flesh cut from a living animal—should be demanded of the heathen desirous of entering the Church. ellauri217.html on line 730: Rebbe Emden, in a remarkable apology for Christianity contained in his appendix to "Seder 'Olam" (pp. 32b-34b, Hamburg, 1752), gives it as his opinion that the original intention of Jesus, and especially of Paul, was to convert only the Gentiles to the seven moral laws of Noah and to let the Jews follow the Mosaic law—which explains the apparent contradictions in the New Testament regarding the laws of Moses and the Sabbath. ellauri217.html on line 732: The Catholic Encyclopedia article on Judaizers ellauri217.html on line 734: Paul, on the other hand, not only did not object to the observance of the Mosaic Law, as long as it did not interfere with the liberty of the Gentiles, but he conformed to its prescriptions when occasion required (1Corinthians 9:20). Thus he shortly after circumcised Timothy (Acts 16:1–3), and he was in fact in the very act of observing that Mosaic ritual with Tim when he was arrested at Jerusalem (Acts 21:26 sqq.) Or so he said. ellauri217.html on line 736: According to the 19th-century Roman Catholic Bishop Karl Josef von Hefele, the Apostolic Decree of the Jerusalem Council "has been obsolete for centuries in the West", though it is still recognized and observed by the Eastern Orthodox Church. Hypersensationalists, such as the 20th century Anglican E. W. Bullinger, would be another example of a group that believes the decree (and everything before Acts 28) no longer applies. ellauri219.html on line 7: font-style: italic; ellauri219.html on line 36: icalbumsundays.com/wp-content/uploads/2017/08/beatles-5.jpg" width="100%" /> ellauri219.html on line 71: Richard Merkin (artist and friend of Peter Blake) ellauri219.html on line 94: Richard Lindner (artist) ellauri219.html on line 96: Karl Marx (political philosopher) ellauri219.html on line 115: Johnny Weissmuller (Olympic swimmer/Tarzan actor) ellauri219.html on line 135: Albert Einstein (physicist) – largely obscured ellauri219.html on line 139: George Harrison holding a piccolo ellauri219.html on line 142: Marlene Dietrich (actress/singer) ellauri219.html on line 143: Mahatma Gandhi was planned for this position, but was deleted prior to publication ellauri219.html on line 144: An American legionnaire ellauri219.html on line 152: icture-in-picture" allowfullscreen> ellauri219.html on line 156: The author of the 1894 book The Holy Science, which attempted “to show as clearly as possible that there is an essential unity in all religions,” Sir Yukteswar Girl was guru to both Sir Mahatavara Babaji (No.27) and Paramahansa Yogananda (No.33). His prominent position in the top left-hand corner reflects George Harrison’s (No.65) growing interest in Indian philosophy. In August 1967, two months after the album’s release, The Beatles had their first meeting with the Maharashi Mahesh Yogi, at the Hilton Hotel on London’s Park Lane, where they were invited to study Transcendental Meditation in Bangor, North Wales. ellauri219.html on line 161: A hugely prolific occultist and author who formed his own religion, Thelema, Crowley’s central tenet was, “Do what thou wilt shall be the whole of the law. Love is the law, love under will.” ellauri219.html on line 180: The next day Jacot-Guillarmod and De Righi attempted to depose Crowley from expedition leadership. The argument could not be settled, and Jacot-Guillarmod, De Righi, and Pache decided to retreat from Camp V to Camp III. At 5 pm they left with four porters on a single rope, but a fall precipitated an avalanche that killed three porters as well as Alexis Pache. People in Camp V heard "frantic cries" and Reymond immediately descended to help, but Crowley stayed in his tent. That evening he wrote a letter to a Darjeeling newspaper stating that he had advised against the descent and that "a mountain 'accident' of this sort is one of the things for which I have no sympathy whatever". The next day Crowley passed the site of the accident without pausing nor speaking to the survivors and left on his own to Darjeeling, where he took the expedition funds, which mostly had been paid by Jacot-Guillarmod. The latter would get at least some of his money back after threatening to make public some of Crowley's pornographic poetry. ellauri219.html on line 183: Crowley gained widespread notoriety during his lifetime, being a recreational drug user, bisexual, and an individualist social critic. Crowley has remained a highly influential figure over Western esotericism and the counterculture of the 1960s, and continues to be considered a prophet in Thelema. He is the subject of various biographies and academic studies. ellauri219.html on line 194: Leonard Alfred Schneider (October 13, 1925 – August 3, 1966), known professionally as Lenny Bruce, was an American stand-up comedian, social critic, and satirist. Samanikäinen kuin Tony Curtis, ja samanlainen vale-anglosaxi, Levantin kuomuneniä kumpikin. He was renowned for his open, free-wheeling, and critical style of comedy which contained satire, politics, religion, sex, and vulgarity. His 1964 conviction in an obscenity trial was followed by a posthumous pardon in 2003. Saat anteexi, mutta älä enää koskaan niin tee. ellauri219.html on line 196: His parents divorced before he was 10, and he lived with various relatives over the next decade. His British-born father, Myron (Mickey) Schneider, was a shoe clerk; they saw each other very infrequently. His mother, Sally Marr (legal name Sadie Schneider, born Sadie Kitchenberg), was a stage performer and dancer and had an enormous influence on Bruce's career. He defiantly convinced his ship's medical officer that he was experiencing homosexual urges toward him, leading to his dishonorable discharge in July 1945. However, he had not admitted to or been found guilty of any breach of naval regulations, and successfully applied to change his discharge to "Under Honorable Conditions ... by reason of unsuitability for the naval service". At Hanson's diner Bruce met Joe Anjovis (named by his taste) who had a profound influence on Bruce's approach to comedy. ellauri219.html on line 198: Branded a "sick comic", Bruce was essentially blacklisted from television, and when he did appear, thanks to sympathetic fans like Hefner and Steve Allen, it was with great concessions to Broadcast Standards and Practices. Jokes that might offend, like an extremely boring routine on airplane-glue-sniffing teenagers that was done live for The Steve Allen Show in 1959, had to be typed out and pre-approved by network officials. On his debut on Allen's show, Bruce made an unscripted comment on the recent marriage of Elizabeth Taylor to Eddie Fisher, wondering, "Will Elizabeth Taylor become bat mitzvahed?" ellauri219.html on line 200: Horny and Lenny had a tumultuous relationship. Many serious domestic incidents occurred between them, usually the result of serious drug use. His greatest fear was getting his act down pat. On this night, he rose to every chance stimulus, every interruption and noise and distraction, with a mad volleying of mental images that suggested the fantastic riches of Charlie Parker's horn. Like the Bird's, his show got gradually only worse. ellauri219.html on line 207: Bruce was arrested again in West Hollywood. The charge this time was that the comedian had used the word "schmuck", an insulting Yiddish word that was also considered a term for "penis". In April the next year he was barred from entering the United Kingdom by the Home Office as an "undesirable alien". ellauri219.html on line 209: An all-male panel presided over his widely publicized six-month trial, Bruce and Howard Solomon were found guilty of obscenity on November 4, 1964. The conviction was announced despite positive testimony and petitions of support from—among other obscene artists, writers and educators — Woody Allen, Bob Dylan, Jules Feiffer, Allen Ginsberg, Norman Mailer, William Styron, and James Baldwin, and Manhattan journalist and television personality Dorothy Kilgallen and sociologist Herbert Gans. Bruce was sentenced on December 21, 1964, to four months in dryhouse (suivahuone); he was set free on bail during the appeals process and died before the appeal was decided, just like Master Eckehart. ellauri219.html on line 211: Bruce paved the way for kitchen counter culture-era comedians. His trial for obscenity was a landmark of freedom of speech in the United States. Vittu mikä vapaan puheen edustaja, helvetti. In 2017, Rolling Stone magazine ranked him third (behind Richard Pryor and George Carlin) on its list of the 50 best stand-up comics of all time. "Olen offensiivinen", kalansilmä narsisti. Virnuilee koko ajan omille vizeilleen. Good riddance of bad rubbish. ellauri219.html on line 215: A German composer who pioneered the use of electronic music in the 50s and 60s, Stockhausen remains a godfather of the avant-garde, whose boundary-pushing music influenced The Beatles’ own groundbreaking experiments in the studio, starting with their tape experiments of Revolver’s “Tomorrow Never Knows.” Paul McCartney (No.64) introduced Stockhausen’s work to the group, turning John Lennon (No.62) into a fan; Lennon and Yoko Ono even sent the composer a Christmas card in 1969. ellauri219.html on line 219: An American writer, comedian, and actor, WC Fields was the epitome of the all-around entertainer, whose career spanned both the silent film era and the talkies. His humor seeped into The Beatles’ own, while the vaudeville world he came from would also go on to influence songs the likes of “Your Mother Should Know.” W. C. Fields oli yhdysvaltalainen koomikko, joka esiintyi ensin vaudevillessa ja teatterissa, ja vuodesta 1930 alkaen äänielokuvissa. Fields oli yksi aikansa suosituimmista elokuvakoomikoista. Hänen todellisuutta vastaava roolihahmonsa tunnetaan nasaaliäänestään, epäsosiaalisuudestaan ja persoudestaan alkoholille. Hän esitti joko leuhkaa huijarityyppiä tai vaimonsa nalkutuksesta kärsivää aviomiestä. Hänen hahmonsa olivat persoja alkoholille, puhuivat karkeuksia eivätkä voineet sietää lapsia tai koiria.The oft-repeated anecdote that Fields refused to drink water "because fish fuck in it" is unsubstantiated. Vastenmielinen. ellauri219.html on line 223: Another progressive thinker who introduced new strains of psychology to the world, Jung was a Swiss psychiatrist whose Analytic Psychology school of thought pioneered the concept of individuation and self-realization in the early 1900s. Tästä huijarista on paasattu toisaalla jo tarpeexi. ellauri219.html on line 231: In contrast to Mae West (No.3), Fred Astaire was reportedly thrilled to be asked to appear on the Sgt Pepper album cover. A child star who initially started dancing with his sister on stage, it was with Ginger Rogers that Fred made his greatest mark, in a series of classic Golden Age movies including Top Hat and Swing Time. He also appeared with John and Yoko in the 1972 television film Imagine. Limainen mafioso luikero. ellauri219.html on line 233: 10: Richard Merkin ellauri219.html on line 236: Born in 1938, American painter and illustrator Richard Merkin was enamored with the early jazz period that flourished in the years before his birth. His modernist style matched the abstraction of jazz music, and also inspired Peter Blake’s tribute artwork, Souvenirs For Richard Merkin, created in 1966. ellauri219.html on line 243: ic.com/013/1/6608795/il_570xN.449753497_s179.jpg" width="20%" /> ellauri219.html on line 250: Along with Huntz Hall (No.13), Leo Gorcey was one of The Bowery Boys, a group of on-screen hoodlums who grew out of The Dead End Kids and The East Side Kids. Their movie franchise ran throughout the 40s and 50s, and totaled 48 films. As the gang’s leader, Gorcey was a prototype street thug who set the template for many to follow, though he refused to let The Beatles use his image unless they paid him a fee, which was declined. ellauri219.html on line 260: Born in Italy in 1870, Simon Rodia emigrated to the United States with his brother when he was 15. Living in various places for the next 35 years, Rodia finally settled in the Watts district of Los Angeles in 1920, and began constructing the Watts Towers the following year. Consisting of 17 interconnected sculptures, the project took Rodia 33 years to complete. ellauri219.html on line 265: Dylan and The Beatles influenced each other throughout the 60s, each spurring the other on to making music that pushed boundaries and reshaped what was thought possible of the simple “pop song.” It was Dylan who convinced John Lennon (No.62) to write more personal songs in the shape of “Help!,” while The Beatles showed Bob what could be achieved with a full band behind him, helping the latter “go electric” in 1965. It was with George Harrison (No.65), however, that Dylan struck up the longest-lasting friendship; the two played together often in the years that followed, forming The Traveling Wilburys and guesting on each other’s projects. ellauri219.html on line 270: The influence of Aubrey Beardsley’s pen-and-ink line drawings had already made itself felt on Klaus Voormann’s artwork for Revolver, and here the 19th-century illustrator, whose own style was influenced by Japanese woodcutting, takes a position not too far away from Oscar Wilde (No.41), Beardsley’s contemporary in the Aesthetic movement. ellauri219.html on line 275: A founder of the modern Conservative Party, Sir Robert Peel served as the UK’s Prime Minister on two separate occasions, 1834-35 and 1841-46. While he served as the UK’s Home Secretary, Peel also helped form the modern police force – and his name is still evoked today, with the terms “bobbies” and “peelers” referring to policemen in England and Ireland, respectively. ellauri219.html on line 285: A beloved Welsh poet who died in 1953, The Beatles had all been fans of Dylan Thomas’ poetry by the time it came to creating the Sgt. Pepper’s artwork. “We all used to like Dylan Thomas,” Paul McCartney (No.64) later recalled. “I read him a lot. I think that John started writing because of him.” The late producer George Martin was also a fan, and even created a musical version of Thomas’ radio play, Under Milk Wood, in 1988. ellauri219.html on line 290: A satirical novelist and screenwriter, Terry Southern bridged the gap between the Beat Generation and The Beatles; he hung out with the former in Greenwich Village, and befriended the latter after moving to London in 1966. His dialogue was used in some of the most era-defining movies of the 60s, including Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb and Easy Rider. ellauri219.html on line 309: American artist Wallace Berman more than earned his place on the album cover: his pioneering “assemblage art” took a three-dimensional approach to the collage style that Peter Blake excelled in, and is an influence that can be felt on the Sgt. Pepper’s design. ellauri219.html on line 319: Something of a Mae West (No.3) for her generation, Marilyn Monroe starred alongside Tony Curtis (No.22) in Some Like It Hot, and became the Hollywood pin-up of the 50s. Her shock death still attracts conspiracy theories; Sgt. Pepper was officially released on what would have been her 41st birthday ( June 1, 1967). ellauri219.html on line 324: From Bob Dylan (No.15) to David Bowie, Tom Waits to Steely Dan, Beat Generation author Burroughs has influenced many a songwriter over the decades. Less known is that, according to Burroughs himself, he witnessed Paul McCartney (No.64) working on “Eleanor Rigby.” As quoted in A Report From The Bunker, a collection of conversations with author Victor Bockris, Burroughs recalled McCartney putting him up in The Beatles’ flat on 34 Montagu Square: “I saw the song taking shape. Once again, not knowing much about music, I could see that he knew what he was doing.” ellauri219.html on line 329: A student of Sir Yukteswar Girl (No.1), Sir Mahatavara Babaji is said to have revived the practice of Kriya Yoga meditation, which was then taken to the West by Paramahansa Yogananda (No.33). In the latter’s memoir, Autobiography Of A Yogi, Yogananda claims that Babaji still lives in the Himalayas, but will only reveal himself to the truly blessed. ellauri219.html on line 334: Together, Stan Laurel and Oliver Hardy (No.30) appeared in 107 films, mostly from the late 20s to the mid-40s, including iconic outings Block-Heads and Way Out West. Both had passed away before Sgt. Pepper was released: Hardy on August 7, 1957, and Laurel on February 23, 1965. ellauri219.html on line 336: 29: Richard Lindner ellauri219.html on line 349: A prolific author, philosopher, and economist, Karl Marx is best known for his 1848 pamphlet The Communist Manifesto, which outlined the central tenets of his theories, and single-handedly kick-started a political movement. His work continues to influence modern economic thought. ellauri219.html on line 354: Along with Edgar Allan Poe (No.8), HG Wells shaped the modern sci-fi story. After penning groundbreaking novels such as The Time Machine and War Of The Worlds in the late 1800s, he turned to writing more political works and also became a four-time nominee of the Nobel Prize In Literature. ellauri219.html on line 359: Yogananda learned the practice of Kriya Yoga at the feet of Sir Yukteswar Girl (No.1), who passed on the teachings of Sir Mahatavara Babaji (No.27). In 1920, Yogananda set sail for America, where he founded the Self-Realization Fellowship and introduced the Western world to meditation. ellauri219.html on line 369: A friend of John Lennon’s (No.62) dating back to their time studying at Liverpool College Of Art, Stuart Sutcliffe was The Beatles’ original bassist. While the group were living in Hamburg and playing around the city’s clubs, Sutcliffe met photographer Astrid Kirchherr, who gave The Beatles their distinctive early 60s haircuts. Sutcliffe left the group in order to enroll in the Hamburg College Of Art, but his career was tragically cut short when he died, aged 21, from a brain aneurysm. ellauri219.html on line 379: Another vaudeville star, British comic Max Miller picked up the nickname “The Cheeky Chappie.” Known for his colorful dress sense and his risqué humor, Miller was the master of the double entendre. He also appeared in a number of films throughout the 30s. ellauri219.html on line 384: Designed by George Petty, like the Vargas Girls (No.11), Petty Girls were pin-up paintings that appeared in Esquire, between 1933 and 1956, and also found a home on the front of World War II fighter planes – notably on the B-17 fighter jet nicknamed Memphis Belle. ellauri219.html on line 389: In his iconic role of Johnny Strabler in the 1953 movie The Wild One, Marlon Brando captured the growing frustrations of the generation that gave birth rock’n’roll. Hailed as one of the greatest actors of all time, it’s also notable that Brando’s rivals in The Wild One, The Beetles, were almost-namesakes of The Beatles. ellauri219.html on line 394: As the man who became Hollywood’s first-ever Western icon, Tom Mix starred in a staggering 291 movies between 1909 and 1935. ellauri219.html on line 399: A playwright, novelist, and poet, Oscar Wilde left no shortage of aphorisms for which he is remembered, along with the novel The Picture Of Dorian Gray and plays such as The Importance Of Being Earnest and An Ideal Husband. ellauri219.html on line 404: A Hollywood heartthrob of the 30s, 40s, and 50s, Tyrone Power was known for starring as the titular hero in the swashbuckling adventure film The Mark Of Zorro, though he also played the role of outlaw cowboy Jesse James, and starred in musicals, romantic comedies, and war movies. ellauri219.html on line 409: An American artist known for large sculptures that play with light and space, Larry Bell first made his mark with a series of “shadowboxes” constructed in the 60s, and has since gone on to receive acclaim for his wide-ranging work, including the Vapor Drawings of the 80s and a subsequent range of Mirage Drawings. ellauri219.html on line 414: It’s probably fair to say that Dr. Livingstone was to geographic exploration what The Beatles were to sonic innovation: fearless, ever questing, and mapping out new territories for the world. The famous “Dr. Livingstone, I presume?” saying remains in common use today, and can be traced back to a meeting between Livingstone and explorer Henry Morton Stanley, who’d been sent on an expedition to find the former, who had been missing for six years. Livingstone was discovered in the town of Ujiji, in what is now known as Tanzania. ellauri219.html on line 419: An Olympic gold-medallist of the 20s, Johnny Weissmuller first made a name for himself as a swimmer before turning his eye to Hollywood. It was as Tarzan that he made his biggest mark on popular culture, returning to the role in a series of films and devising an iconic yell forever associated with the jungle hero. ellauri219.html on line 424: Barely visible tucked in between the head and raised arm of Issy Bonn (No.47), Stephen Crane was a Realist novelist who, though dying aged 28, in 1900, is regarded as one of the most forward-thinking writers of his generation. His work incorporated everyday speech, which gave his characters an added realism, and his novels took an unflinching look at poverty. ellauri219.html on line 439: An American sculptor who served in the US Marine Corps in both World War II and the Korean War, HC Westermann took the skills he learned as a carpenter and turned them to creating Expressionist sculptures that criticized the horrors he had witnessed while fighting overseas. ellauri219.html on line 454: Speaking to the BBC in 1965, John Lennon (No.62) declared his love for Alice In Wonderland and Alice Through The Looking Glass, revealing, “I usually read those two about once a year, because I still like them.” It’s perhaps no surprise, then, that the man who wrote the poem “The Walrus And The Carpenter,” which influenced Lennon’s lyrics for “I Am The Walrus,” is given a prominent display on the Sgt. Pepper’s album cover. P.S. Carroll oli pedofiilien ihan terävintä kärkeä. ellauri219.html on line 459: Immortalized in the 1962 film Lawrence Of Arabia, in which he was played by Peter O’Toole, TE Lawrence was a British archaeologist and military officer who became a liaison to the Arab forces during the Arab Revolt of 1916 to 1918. His 1922 book, Seven Pillars Of Wisdom, recounted his experiences during the war and laid the foundations for much of his legend. ellauri219.html on line 472: In a perfectly postmodern touch, The Beatles included wax models of their former Beatlemania-era selves looking on at their modern incarnation in full military psychedelic regalia. The models of John (No.57), Paul (No.60), George (No.56), and Ringo (No.59) were borrowed from Madame Tussauds for the Sgt. Pepper’s photoshoot. ellauri219.html on line 480: Barely visible above John Lennon’s right shoulder (No.62), Albert Einstein was a physicist whose theory of relativity was light years ahead of its time and changed the world forever. ellauri219.html on line 483: Resplendent in their military chic (or should that be military psych?) garb, John (No.62), Ringo (No.63), Paul (No.64), and George (No.65) presented themselves as Sgt. Pepper’s Lonely Hearts Club Band, looking like a psychedelic brass band brandishing a French horn, trumpet, cor anglais, and flute, respectively. Like the album cover itself, The Beatles’ Sgt Pepper costumes would become some of the most iconic band outfits ever, instantly recognizable and forever woven into the fabric of our culture. ellauri219.html on line 490: 67: Marlene Dietrich ellauri219.html on line 493: Just as The Beatles did, Marlene Dietrich had continually reinvented herself, moving from silent movies filmed in 20s Berlin to high-profile Hollywood films of the 30s, before taking to the stage as a live performer later in her career. In November 1963 she appeared at the same Royal Variety Performance as The Beatles and was famously photographed with them. ellauri219.html on line 503: Founded in London 1822, the Royal Antediluvian Order Of Buffaloes continues its work to this day, with outposts in Northern Ireland, Cyprus, Africa, South Africa, India, the Middle East, Australia, New Zealand, and Canada. Its motto is “No man is at all times wise” and the organization continues to look after its own members, dependents of deceased members, and charities. ellauri219.html on line 517: 74: Mexican Tree Of Life candlestick ellauri219.html on line 520: Traditionally, Mexican Tree Of Life sculptures came from Metepec, in the State Of Mexico, and depicted scenes from The Bible. The one on the Sgt. Pepper album cover is also a candlestick. ellauri219.html on line 525: If the Tree Of Life candlestick (No.74) represented a more traditional way of telling a story, the portable TV9-306YB Sony television set was a wholly modern storytelling apparatus in 1967. ellauri219.html on line 528: Along with the stone figure (No.77) that can be seen below the feet of the Shirley Temple doll (No.73), the stone figure of a girl (No.76) was one of a number of statues that John Lennon (No.62) and George Harrison (No.65) brought from their homes for inclusion on the cover. The most prominent of these is the bust positioned to the right of the bass drum (No.78), which came from Lennon’s house Kenwood, in Weybridge, Surrey, where he lived from 1964 to 1969. ellauri219.html on line 548: Originating from India, the hookah is a tobacco-smoking instrument designed so that the smoke is filtered through a water basin before being inhaled. Its inclusion on the Sgt Pepper album cover is a nod to both George Harrison’s (No.65) love of India and John Lennon’s (No.62) love of Lewis Carroll (No.52), whose Caterpillar in Alice’s Adventures In Wonderland smokes a hookah. ellauri219.html on line 568: Barely visible to the left of the “B” in “BEATLES” is a typical garden gnome, the likes of which originated in 19th-century Germany. ellauri219.html on line 579: Tää olis nyt Tietämättömyyden pilvi, jota ei pidä sekoittaa Wilhon kirjahyllyn Salaisuuxien verhoon eikä John Rawlsin Veil of ignoranceen. Oliko Rawls muuten katoliikki? En ihmettelisi.Ei vaan episkopaali, mutta silti vittu. Sen Theory of Justice oli musta täysin paska. Ällö kapitalismin apologia. Mixi Rawls oli sellainen paska, paizi että jenkki? ellauri219.html on line 583: At Princeton, Rawls was influenced by Norman Malcolm, Ludwig Wittgenstein's dumb student. During his last two years at Princeton, he "became deeply concerned with theology and its doctrines." He considered attending a seminary to study for the Episcopal priesthood and wrote an "intensely religious senior thesis (BI)." In his 181-page long thesis titled "Meaning of Sin and Faith," Rawls attacked Pelagianism because it "would render the Cross of Christ to no effect." His argument was partly drawn from Karl Marx's book On the Jewish Question, which criticized the idea that natural inequality in ability could be a just determiner of the distribution of wealth in society. Even after Rawls became an atheist, many of the anti-Pelagian arguments he used were repeated in A Theory of Justice. Pelagianism is a heretical Christian theological position that holds that the original sin did not taint human nature and that humans by divine grace have free will to achieve human perfection. Pelagius (c. 355 – c. 420 AD), an ascetic and philosopher from the British Isles, taught that God could not command believers to do the impossible, and therefore it must be possible to satisfy all divine commandments. He also taught that it was unjust to punish one person for the sins of another; therefore, infants are born blameless. Pelagius accepted no excuse for sinful behavior and taught that all Christians, regardless of their station in life, should live unimpeachable, sinless lives, or else... Se oli tollanen humanisti, mitä Hippo aivan erityisesti inhosi. Vittu eihän sitten mitään kirkkoa ja pappeja edes tarvittaisi. Jeesus jäisi työttömäxi, Jahve eläkkeelle. ellauri219.html on line 585: To a large degree, "Pelagianism" was defined by its opponent Augustine, and exact definitions remain elusive. Although Pelagianism had considerable support in the contemporary Christian world, especially among the Roman elite and monks, it was attacked by Augustine and his supporters, who had opposing views on grace, predestination and free will. Augustine proved victorious in the Pelagian controversy; Pelagianism was decisively condemned at the 418 Council of Carthage and is still regarded as heretical by the Roman Catholic Church and Eastern Orthodox Church. Burn in hell Pelagius, go jump in the fiery lake! Vitun humanisti! ellauri219.html on line 588: Rawls enlisted in the U.S. Army in February 1943. During World War II, Rawls served as an infantryman in the Pacific, where he served a tour of duty in New Guinea and was awarded a Bronze Star; and the Philippines, where he endured intensive trench warfare and witnessed traumatizing scenes of violence and bloodshed. It was there that he lost his Christian faith and became an atheist. ellauri219.html on line 592: Following the surrender of Japan, Rawls became part of General MacArthur's occupying army and was promoted to sergeant. But he became disillusioned with the military when he saw the aftermath of the atomic blast in Hiroshima. Rawls then disobeyed an order to discipline a fellow soldier, "believing no punishment was justified," and was "demoted back to a private." Disenchanted, he left the military in January 1946. ellauri219.html on line 595: oral dissertation titled A Study in the Grounds of Ethical Knowledge: Considered with Reference to Judgments on the Moral Worth of Character. ellauri219.html on line 597: In his autobiographical essay, “On My Religion,” Rawls explains why he abandoned his orthodox Christian beliefs in spite of the deeply religious temperament that informed his life and writings. In particular, he recounts how his personal experiences during the Second World War, and especially his awareness of the Holocaust, led him to question whether prayer was possible. “To interpret history as expressing God’s will, God’s will must accord with the most basic ideas of justice as we know them. For what else can the most basic justice be? Thus, I soon came to reject the idea of the supremacy of the divine will as [like the Holocaust] also hideous and evil.” Furthermore, by studying the history of the Inquisition Rawls came to “think of the denial of religious freedom and liberty of conscience as a very great evil,” such that “it makes the claims of the Popes to infallibility impossible to accept.” Finally, his reading of Jean Bodin’s thoughts about toleration led him to claim that religions should be “each reasonable, and accept the idea of public reason and its idea of the domain of the political.” Against this background, it is no wonder that Rawls considers the very concept of religious truth as authoritarian and intolerant, and the ensuing persecution of dissenters as the curse of Christianity. ellauri219.html on line 599: Pope Benedict’s basic answer is that, although modern principles of political freedom, democracy, equality, and reasonable argument are to be affirmed, a free state rests on “pre-political moral foundations,” which serve as normative points of reference for every regime and must be held in common by all religions and secular world-views. This answer reflects the fact that Pope Benedict disagrees with Rawls on at least two fundamental issues, which constitute the core of the debate between them and to which I shall refer regularly in the course of my analysis. In the first place, Pope Benedict does not share Rawls’s trust in fundamental human reasonableness as a guarantee for political fairness. For Rawls, persons are reasonable when they are ready to propose principles and standards as fair terms of cooperation and to abide by them willingly, given the assurance that others will likewise do so. Those norms they view as reasonable for everyone to accept and therefore as justifiable to them; and they are ready to discuss the fair terms that others propose. ellauri219.html on line 601: This idea of reasonableness informs the whole project of Rawls’s political liberalism, because “the form and content of this reason … are part of the idea of democracy itself.” In contrast, Pope Benedict, although consistently stressing the importance of reason in all human affairs, is much more pessimistic about Rawls’s claim that human beings, who are always children of their own time and cultural situation, are reasonable enough to provide the general principles or standards that are necessary for specifying fair cooperation. Joo olen kyllä Pentin kannalla siinä että nää termiittiapinat on aivan vitun tyhmiä, täysin beyond redemption. Mitä uutta kissimirrit tässä? Ei mitään, samaa paskanjauhantaa. ellauri219.html on line 624: You're delicious and if my wishes can all come true ellauri219.html on line 633: Notorious womanizer Michael James wants to be faithful to his fiancée Carole Werner, but every woman he meets seems to fall in love with him, including neurotic exotic dancer Liz Bien and parachutist Rita, who accidentally lands in his car. His psychoanalyst, Dr. Rainer Fassbinder, cannot help, since he is stalking patient Renée Lefebvre, who in turn longs for Michael. Carole, meanwhile, decides to make Michael jealous by flirting with his nervous wreck of a friend, Victor Shakapopulis. Victor struggles to be romantic but Carole nevertheless feigns interest. ellauri219.html on line 635: Fassbinder continues to have group sex with his neurotics and obsessives and cannot understand why everyone falls for Michael. The group sessions get stranger—including an indoor cricket match. Michael dreams that all his sexual conquests simultaneously bombard him for attention, listing where they made love. ellauri219.html on line 637: Fassbinder goes to the River Seine and fills a rowing boat with kerosene and wraps himself in the Norwegian flag - preparing to commit suicide in the style of a Viking funeral. Victor appears and sets up a small dining table nearby and asks what he is doing. Distracted, Fassbinder forgets his idea of suicide and starts giving Victor advice. Despite his attempts to womanise, Fassbinder is revealed to be married with three children. ellauri219.html on line 639: Meanwhile Carole's plan seems to work and Michael asks to marry her. She agrees and they settle on marrying within the week. She moves in but Michael finds fidelity impossible. When a second "fiancee" arrives, she knows the worst. Simultaneously, a woman parachutes into Michael's open-top sports car and he ends up sleeping with her, also meeting other conquests at the bar. This takes place at a small country hotel, where all parties materialise in the format of a typical French farce. Some are checked in, but most just appear. This includes Carole's parents who wander the corridors, causing Michael to jump from room to room. A rumour has also started locally that an orgy is taking place so side characters such as the petrol station attendant also start to appear. Carole appears and wishes to see Michael's room. As they speak, all the other participants chase each other around in the background. Fassbinder's wife tracks him down. ellauri219.html on line 641: Everyone ends in Michael's room with most of the females half-naked. The police arrive and form a line to Anna—Dr. Fassbender's wife—who charges in operatic Valkyrie costume, complete with a spear. They all escape to a go-kart circuit. They leave the circuit and go first to a farmyard then through narrow village streets still on the go-karts then back to the circuit. ellauri219.html on line 643: After a mayor marries Michael and Carole in a civil marriage ceremony, the couple are signing the marriage certificate when Michael calls the young female registrar "Pussycat", infuriating Carole. They leave and Fassbinder attempts to court her instead. End of story. Fun, or what? ellauri219.html on line 734: Practice self study, ellauri219.html on line 741: Patañjali learned Yoga along with seven other disciples from the great Yogic Guru Nandhi Deva, as stated in Tirumular's Tirumandiram (Tantra 1). Liirumlaarum rillumarei, teedledee ja teedledum. ellauri219.html on line 742: Before the 20th century, history indicates the Indian yoga scene was dominated by other Yoga texts such as the Bhagavad Gita, Yoga Vasistha and Yoga Yajnavalkya. ellauri219.html on line 744: The yoga scholar David Gordon White writes that yoga teacher training often includes "mandatory instruction" in the Yoga Sutra. White calls this "curious to say the least", since the text is in his view essentially irrelevant to "yoga as it is taught and practiced today", commenting that the Yoga Sutra is "nearly devoid of discussion of indecent postures, dick stretching, and heavy breathing". ellauri219.html on line 746: Patanjali is often stated as having claimed there was a hostility between the orthodox Brahminic (Astika) groups and the heterodox, swAstika groups (Buddhism, Jainism, and atheists), like that between a mongoose and a snake. Nathan McGovern argues Patanjali never used this mongoose-snake analogy. But who IS McGovern? Joku juippi quelconque: Nathan McGovern, Credentials:Associate Professor, ellauri219.html on line 749: I teach World of Ideas and courses on Asian religions in the Department of Philosophy and Religious Studies. In my research, I'm interested in exploring young boys and girls In Thailand. Currently, I’m working on two major projects. The first is the preparation of my first book, The Snake and the Mongoose, for publication with Oxford University Press. The second is ongoing research on the Royal Court Brahmans of Thailand. I also have a side interest in the philosophy of prepubertal physics that I indulge when I have the time. ellauri219.html on line 756: The theme, if the present interpreter be right, is the great regeneration, the birth of the spiritual from the psychical man: the same theme which Paul so wisely and eloquently set forth in writing to his disciples in Corinth, the theme of all mystics in all lands: oka kyljessä, minnekä se tuikata? ellauri219.html on line 758: Some of the schools of India say that the psychic nature is, as it were, a looking-glass, eli narsismihan siinä taas on kyseessä. Eli the purpose of life, taas kerran, is the "the undressing of the immortal man; the birth of the spiritual from the psychical, whereby we enter our divine inheritance and come to inhabit Eternity. This is, indeed, salvation, the purpose of all true religion, in all times." ellauri219.html on line 768: ic-full-3o-2048-63-r-a2a2a2-2.jpg" /> ellauri219.html on line 771: In the practice of meditation, a beginning may be made by fixing the attention upon some external object, such as a sacred image or picture, or a part of a book of devotion. In the second stage, one passes from the outer object to an inner pondering upon its lessons. The third stage is the inspiration, the heightening of the spiritual will, which results from this pondering. The fourth stage is the realization of one’s spiritual being, as enkindled by this meditation. An interior state of spiritual consciousness is reached, which is called “the cloud of things knowable”. Tietämättömyyden pilvi. (tyhjää) puhekuplassa. ellauri219.html on line 792: Why are so many people biased against America? ellauri219.html on line 796: No it is not because of Trump. People outside of America slagged off the US in the Clinton years, and the Nixon years, and the Eisenhower years. The negative perception was cemented in the 60s, and everything since has been confirmation bias. So what had happened? Two obviously invasive lost wars in Indochina and nasty machinations here and there, Middle East and South America in particular. Pretty obvious what the fuckheads were (and are) up to: world conquest for the cause of American capitalism, nothing less. ellauri219.html on line 798: No it is not because of the clash in values between American individualism and libertarianism, and the rest of the West’s social democracy and collectivism. That’s a contributing factor among those with enough cultural affinity and exposure to get to know how the US ticks, which maybe explains some of the last decade or so, with the Internet. But again, the “Death to Amreeka” crowds, the sneering at the unsophisticated doughboys, the dismissal of American culture—all that predated that deep familiarity by decades. The discovery of the substantive cultural mismatches were again a late addition and confirmation bias. (How I like the scientific sound of it: confirmation bias.) ellauri219.html on line 800: No it’s not *just* American military adventurism, although that’s certainly a key factor in much of the world. (When my uncle welcomed me in Athens while I was living in California, he said, “So, nephew, you’re living in America, huh? … Americans, murderers of the nations.” The expression was proverbial in the Greek left. And since the Yugoslav Wars, the Greek right as well.) ellauri219.html on line 802: The reason is that America was the first to have become a world hegemon mostly through soft power. Where by soft I mean soft as in a thick wad of bucks. ellauri219.html on line 803: Hegemony means that the rest of the world is going to resent you, no matter what you do, because they cannot get away from being sat upon by you, and people don’t like someone else’s ideas and culture and politics and culture wars impinging on their own. ellauri219.html on line 805: That’s why when people are outright nasty towards bigoted Americans, they don’t think they’re doing anything wrong. Because as far as they’re concerned, they’re punching back. Serves ’em right, they’re privileged on everybody else's expense. ellauri219.html on line 807: (Why yes. That rhetoric of privilege and punching up does work outside of America just as well as within it.) ellauri219.html on line 809: The soft power means that they aren’t necessarily going to hate you outright: Americans did not bomb Britain out of an Empire, they just took over their dominions, whatever they got up to in Vietnam or Iraq. But people know that you’re the obese gorilla, even if you constantly tell them that you are virtuous and noble. Which will make them all the more ready to pounce on you, when you inevitably fall short of your virtuous and noble rhetoric. That virtuous and noble rhetoric made the resentment inevitable. ellauri219.html on line 813: But the States, prodded on by its own exceptionalist rhetoric, said they were different. That they were making the world Safe For Democracy. That they desired Liberty for All. And when the US acted as any imperial power must, and did some (well, a lot of) grubby things, there were a lot of outsiders who wanted to believe—and who felt betrayed. And they’ve held the kind of grudge against America and its optimistic, American Dream mass culture, that they did not hold against previous imperial powers. Aw, who am I kidding, of course they did. ellauri219.html on line 815: You’re hearing it even now, in the tedious whataboutism from the Global South (the new enemy, now that Global North is practically ours) about Ukraine. People expect Putin’s Russia to elbow neighbours aside in pursuit of security. That’s what imperial Athens did to Melos. They don’t expect any better. But America? America said it was better. So what? Who in their right mind would believe them? They are a nation of used car salesmen. It still does, with its advocacy of human rights. That’s why the non-stop whataboutist refrain from them is that America is hypocritical. Which it is, to a fault. ellauri219.html on line 817: The real tragedy here being, that America has been sincere in its naive, Wilsonian vision of a better world. They were, in fact, high on their own supply. Well the suckers were, the same ones as were taken in by the American Dream. ellauri219.html on line 822: Because he knew that this venture was not the Safe for Democracy mission that Wilson had in mind, and that stuck in his craw. It stuck in his craw, because he too wanted to believe that America had been making the world Safe for Democracy. But we loyally sent our troops in anyway, under the banner of the Treaty of Westphalia, not Wilson’s Fourteen Points. ellauri219.html on line 824: That naive optimism was weaponised in American mass culture as a vehicle of hegemony, but it was no less sincerely articulated for it—and to a more cynical, war-weary audience outside of America, the response vacillated between envy and irritation, depending on how attached the audience it was to its own culture, how susceptible to the siren call of Blue Jeans and Coke, how impoverished, and how insecure. (Insecure goes both ways in the response.) ellauri219.html on line 826: I did expect a better read on America being the overweight gorilla from Stephen Taylor's answer, but he did have an interesting insight: ellauri219.html on line 828: I think a lot of the bias toward Americans also comes from our historical tendency to inflate the wonders of American life to oversized proportions out of sync with reality. Some of this comes from having been put down so frequently, a class-based psychological issue deep-rooted in American life, probably related to so many of us having come from poor immigrant families. We puff up the wonders of American life to compensate for having come from the bottom rungs of society in other countries. We’re not the only culture that does this. ellauri219.html on line 832: And there is something… “gee willywickers” about the way Truth Justice and The American Way have been inflated in American mass culture, quite plausibly rooted in that class insecurity, that makes outside cultural elites (and the people that follow after them) reflexively sneer, once they realise the foundations are rotten. Add to this the ludicrous fact that America has no high culture. These are disappointed suitors: they’re not going to console themselves over the emptiness of Scrooge McDuck by turning to Wilt Whatman. Who was no better off than Scrooge by way of civility. ellauri219.html on line 843: Marcus Tullius Cicero, Roman statesman, orator, and philosopher (106-43 BCE). ellauri219.html on line 853: Benjamin Franklin, American statesman, scientist, writer, printer (1706-1790). ellauri219.html on line 855: Frederick the Great, Prussian king (1712-1786). ellauri219.html on line 859: Pierre Simon de Laplace, French mathematician and astronomer (1749-1827) ellauri219.html on line 861: James Madison, American president and political theorist (1751-1836). ellauri219.html on line 873: John Stuart Mill, English philosopher and economist (1806-1873). Freethinker, if not strictly atheist. ellauri219.html on line 879: Abraham Lincoln, American president (1809-1865). ellauri219.html on line 881: Edgar Allan Poe, American writer (1809-1849). ellauri219.html on line 883: Karl Marx, German political philosopher and economist (1818-1883) ellauri219.html on line 885: Samuel Clemens "Mark Twain" American author and humorist (1835-1910) ellauri219.html on line 889: Friedrich Nietzsche, German philologist and philosopher (1844-1900) ellauri219.html on line 891: Thomas Alwa Edison, American inventor. (1847-1931) ellauri219.html on line 893: Sigmund Freud, Austrian physician and pioneer psychoanalyst (1856-1939) ellauri219.html on line 897: Pierre Curie, French chemist and physicist (1859-1906) ellauri219.html on line 901: Marie Curie, Polish born French physicist and chemist. (1867-1934) ellauri219.html on line 905: Frank Lloyd Wright, American architect (1869-1959) ellauri219.html on line 907: Vladimir Ilich Lenin, Russian revolutionary (1870-1924) ellauri219.html on line 909: Robert Frost, American poet (1874-1963) ellauri219.html on line 911: Albert Einstein, German born American theoretical physicist (1879-1955) ellauri219.html on line 915: Joseph Stalin, Russian politician (1879-1953) ellauri219.html on line 917: M.N. Roy, Indian political thinker (1887-1954) ellauri219.html on line 929: Earnest Hemingway, American author (1899-1961) ellauri219.html on line 931: Linus Carl Pauling, American chemist (1901-1994) ellauri219.html on line 935: Howard Hughes, American manufacturer, film producer and recluse (1905-1976) ellauri219.html on line 937: Katherine Hepburn, American actress (1907-2003) ellauri219.html on line 941: Gene Kelly, American dancer, singer actor and director (1912-1996) ellauri219.html on line 943: Isaac Asimov, Russian born American author (1920-1992) ellauri219.html on line 952: Police were called when neighbors reported a woman having sex with her pit bull in her backyard in broad daylight. When they arrived, they found Kara Vandereyk “naked and on the ground” engaged in a sexual act with the dog. Upon their approach, she greeted them with a “hi,” and proceeded to hump the dog sexually. ellauri219.html on line 954: The police blanketed the 23-year-old woman and asked her questions to determine her state of mind. She was unable to answer who she was, what day it was, or what kind of moron the President of the United States was. She was able to explain that she was “bipolar,” but though she was on “prescription medication,” she was uncertain if she had been taking it recently. A neighbor gave her some clothes, and she was taken to jail on charges of open or gross lewdness. The dog meanwhile was taken stark naked into the custody of Animal Control on similar charges and executed fortwith without trial. "We had to let him go", said the sheriff ruefully. ellauri219.html on line 956: Joyce Yeaw will likely never forget the day in April 2010 she tried to return some borrowed cheese to Jordan Peterson’s roommate. Once she arrived, she saw Peterson having sex with his pit bull on his bed. Understandably horrified, Yeaw called the cops, but Peterson convinced the officers that he was “just hugging his dog” and he escaped arrest. Two months later, Yeaw again entered the residence, and saw Peterson having sex with the pit bull a second time—on the living room floor. Yeaw called the cops again, and this time, he was arrested. ellauri219.html on line 960: Judge Timothy Hicks sentenced Peterson at once to fifteen years in prison, which is in excess of the state sentencing guidelines. Judge Hicks feared that Peterson may strike again, commenting, “I fear for what havoc he might do in the pet community.” ellauri219.html on line 962: While those who never had sex with animals or done drugs may criticize Kara’s, Jordan's and their dogs' lewd behaviors as if they were evil — and this, perhaps, according to Christian morality as they interpret it — anybody who has actually suffered from lewdness puts this to the lie and knows that such behavior is not a moral issue, but a chemical imbalance. Evidently the words of Jesus to “Judge not lest you be judged,” make little impression on such folk, who pretend to themselves that if their worst, most embarrassing moments were made into headlines in the papers, they would do just fine. Even if they themselves had nothing to be embarrassed about in all their life of adventures and misadventures, they ought to have compassion for those who struggle with greater problems than their own. “Let Judge Hicks who is without sin cast the first stone,” is another saying of Jesus that applies to those who would judge and condemn an easy target. ellauri219.html on line 969: Eisensteinillä ei ollut leffaa nimeltä Underworld. There have been debates about Eisenstein's sexuality, with a film covering Eisenstein's homosexuality allegedly running into difficulties in Russia. Eisenstein confessed his asexuality to his close friend Marie Seton: "Those who say that I am homosexual are wrong. I have never noticed and do not notice this. If I was homosexual I would say so, directly. But the whole point is that I have never experienced a homosexual attraction, even towards Grisha, despite the fact I have some bisexual tendency in the intellectual dimension like, for example, Balzac or Zola." Eisenstein joi paljon maitoa. Maito oli silloin pulloissa, muistatko? Hän oli menninkäismäinen miesoletettu. ellauri219.html on line 971: The Rockettes are an American leg-kicking twat-flashing dance company. Founded in 1925 (97 years ago) in St. Louis, they have, since 1932 (90 years ago), performed at Radio City Music Hall in New York City. Until 2015, they also had a touring company. They are best known for starring in the Radio City Christmas Spectacular, an annual Christmas show, and for performing annually since 1957 at the Macy's Thanksgiving Day Parade in New York. ellauri219.html on line 973: The Rockettes were created in 1925, but the first non-white Rockette, a Japanese-born woman named Setsuko Maruhashi, was not hired until 1985. The Rockettes did not allow dark-skinned dancers into the dance line until 1987. The justification for this policy was that such women would supposedly distract from the consistent look of the dance group.The first African American Rockette was Jennifer Jones; selected in 1987, she made her debut in 1988 at the Super Bowl halftime show. The next person with a visible but different disability hired by the Rockettes (Sydney Mesher, missing a left hand) was hired in 2019. The first Rockette with hairy bollocks and a huge boner remains to be hired yet. ellauri219.html on line 975: Underworld (also released as Paying the Penalty) is a 1927 American silent crime film directed by Josef von Sternberg and starring Clive Brook, Evelyn Brent and George Bankrupt. The film launched Sternberg's eight-year collaboration with Paramount Pictures, with whom he would produce his seven films with actress Marlene Dietrich. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. Time felt the film was realistic in some parts, but disliked the Hollywood cliché of turning an evil character's heart to gold at the end. Filmmaker and surrealist Luis Buñuel named Underworld as his all time favorite film. Critic Andrew Sarris cautions that Underworld does not qualify as "the first gangster film" as Sternberg "showed little interest in the purely gangsterish aspects of the genre" nor the "mechanics of mob power." Film critic Dave Kehr, on the other hand, writing for the Chicago Reader in 2014, rates Underworld as one of the great gangster films of the silent era. "The film established the fundamental elements of the gangster movie: a hoodlum hero; ominous, night-shrouded city streets; floozies; and a blazing finale in which the cops cut down the protagonist." ellauri219.html on line 996: Eräänä päivänä Parker kävi vierailemassa ystävänsä paronitar Nica de Rottweilerin luona huonossa hapessa. Paronitar käski Parkerin jäädä luokseen ja sai hänet suostuteltua lääkärin tutkittavaksi. Tästä huolimatta (tai ehkä juuri sixi) Parker kuoli pian tämän jälkeen sairauskohtaukseen 34-vuotiaana. Lääkäri arvioi hänen iäkseen 50–60 vuotta. Ei ihan nappiin mennyt. ellauri219.html on line 1010: Rachel Kushner (born 1968) is an American writer, known for her novels Telex from Cuba (2008), The Flamethrowers (2013), and The Mars Room (2018). She looks like a little rodent. Kushner was born in Eugene, Oregon, the daughter of two Communist scientists, one Jewish and one Unitarian, whom she has called "deeply unconventional people from the beatnik generation." One of her influences is the American novelist Don DeLillo. Big surprise. Rachel is one of America's most shortlisted writers. ellauri219.html on line 1012: Underworld is a novel, quite simply, about what was experienced in the United States in the second half of the 20th century. An era shaped by the advent and then cancellation of the Bretton Woods agreement. Nuclear proliferation. The withering away and relocation of American manufacturing, and the rise of global capitalism. Jazz. The Cuban missile crisis (through the voice, as DeLillo has it, of the smirking standup comedian Lenny Bruce). Civil tights. The CIA. Bombs on university campuses. Artists on New York rooftops, and around them, the old industrial framework of bygone city life, something aesthetic and exotic, either marvelled at or ignored, take your pick. ellauri219.html on line 1014: As a child of the 20th century, I suppose, this book sorta speaks to me. Talk to the hand. It precipitates into meaning historical movies I’ve seen. Don is like Wilt Whatman who addressed, in the poem “Crossing Brooklyn Ferry”, the people of the future. Sublime but ironic. ellauri219.html on line 1016: Moonman 157, a Bronx graffiti artist, and the Texas Highway Killer: what do they have in common? One wields spray cans, the other a .38 with a gloved left hand. Moonman paints subway cars, and the Texas Highway Killer shoots random lone drivers? Get it? Okay I'll tell you: They each create an artificial language like Klingon or Ido, that thickens the fog of American collective consciousness; each language is expressed by an individual who remains anonymous. As a natural consequence, they get a lot of copy cats, like de Lillo and myself. ellauri219.html on line 1018: Then there’s Moonman 157 and Klara Sax, a feminist ideal of Land Art. What do they have in common? Smudging useful things with paint. An artistic version of food fight. What do Jayne Mansfield’s breasts remind adolescent Eric of? The bumper bullets on a Cadillac. What does Dumb of Dumb and Dumber take for a cute lady's boobs? A semi trailer's fog lights. Meanwhile, Eric masturbates into a condom that reminds him of a missile (with his tiny wiener all loaded and cocked inside). Dad polishes his Buick, the son his dick. The clammy hand of coincidence. ellauri219.html on line 1022: Cheever opetti yliopistoissa luovaa kirjoittamista. Hänen teostensa aiheena ovat varakkaat mutta henkisesti köyhät keskiluokkaiset ihmiset. Kuvauksessa on sekä myötätuntoa että purevaa moralisointia. Cheever says, famously, “the task of the American writer is not to describe the misgivings of a woman taken in adultery as she looks out of the window at the rain but to describe four hundred people under the lights reaching for a foul ball”. Kumpi on tomppelimpaa, sietää kysyä ellauri219.html on line 1024: The American sublime, as Harold Bloom has said, “is always also an American irony”. Jayne Mansfield's bumper bullets. People hugging their pit bulls sexually and getting 15 years for it. Do you know what Teilhard de Chardin called the “noosphere”? Not the foggiest. I think what Rachel has in mind here is the Internet. Who is or was Teilhard anyway? Teilhard was mentioned by Pynchon, see album 69. Not a very memorable character apparently. Tässä Pierren tärkeimpiä läppiä, aika heruttavia: ellauri219.html on line 1030: Teilhard served in World War I as a stretcher-bearer. He received several citations for speeding. In 1962, with Pierre safely out of this world, the Congregation for the Doctrine of the Faith condemned several of Teilhard's works based on their alleged ambiguities and doctrinal errors. He was a leading proponent of orthogenesis, the idea that evolution occurs in a directional, goal-driven way. Teilhard made sense of the universe by assuming it had a vitalist evolutionary process. When our talk touched on St. Augustine, he exclaimed violently: 'Don’t mention that unfortunate man; he spoiled everything by introducing the supernatural.'" Teilhard siis oli selvä pelagiolainen humanisti! Teilhard has been criticized as incorporating common notions of Social Darwinism and scientific racism into his work, along with support for eugenics, though he has also been defended for doing so by theologian John Haught. ellauri219.html on line 1033: The lately discovered Peking man. Some eugenics is clearly indicated. ellauri220.html on line 7: font-style: italic; ellauri220.html on line 33: RADIO CITY Music Hall Sätkytystä ellauri220.html on line 41: Prokofjew Chicagossa ellauri220.html on line 43: Tragedian, Komedian, Lyric Draman ja Farcen puolestapuhujat väittelevät suosikkimuotonsa puolesta ennen kuin esirippu nousee näytelmään. Pilkkaajat ( Cranks ) keräävät heidät yhteen ja kertovat heille, että he ovat todistamassa "The Love for Three Oranges", Ljubov k trjom apelsinam. Jotain huisin hauskaa on siis tiedossa. Todennäköisesti farcea. ellauri220.html on line 45: Rakkaus kolmeen appelsiiniin, op. 33, on Sergei Prokofjevin vuonna 1919 säveltämä venäjänkielinen ooppera. Teoksen libreton kirjoittivat Prokofjev ja Vera Janacopoulos. Ensiesitys oli Chicagossa 30. joulukuuta 1921 ranskaxi. Kylmään sotaan oli vielä runsaat 20v. ellauri220.html on line 51: Taikuri Tohelo, joka kannustaa kuningasta, ja noita Fatty Morgana, joka kannustaa Leandroa ja Claricea (kuninkaan veljentytär, Leandron rakastaja), pelaavat korttia nähdäkseen, kuka menestyy. Tohelo häviää kolme kertaa peräkkäin Fatty Morganalle, joka heiluttelee patakuningasta, alias Leandroa. ellauri220.html on line 52: Leandro ja Clarice suunnittelevat tappavansa prinssin, jotta Clarice voi menestyä valtaistuimella. Tragedian kannattajat ovat iloisia tästä tapahtumien käänteestä. Palvelija Smeraldina paljastaa olevansa myös Fatty Morganan palveluksessa, joka tulee tukemaan Leandroa. ellauri220.html on line 56: Kaikki yritykset saada prinssi nauramaan epäonnistuvat Komedian kannattajien kehotushuudoista ja kazomoaalloista huolimatta, kunnes Tryffeliinö kaataa Fatty Morganan ja putoaa paljastaen hänen alusvaatteensa – prinssi nauraa, samoin kuin kaikki muut paitsi Leandro ja Clarice, niin ja appelsiini-ihoinen Fatty tietysti. Fatty Morgana kiroaa häntä (prinssiä): tästä lähtien hänellä on pakkomielle "rakkaudesta kolmeen appelsiiniin". Prinssi ja Tryffeliinö marssivat heti etsimään heitä. ellauri220.html on line 65: Kaikki palaavat kuninkaan palatsiin, jossa prinssi joutuu nyt valmistautumaan naimisiin Smeraldinan kanssa. Tohelo ja Fatty Morgana tapaavat ja kumpikin syyttää toisiaan pettämisestä, mutta Ridicules puuttuu asiaan ja hengittää noidan pois jättäen kentän Tohelolle. Kun Leandro ja seremonian päällikkö näkevät, että palatsi on valmis häitä varten, Tohelo palauttaa Nineten luonnolliseen muotoonsa. Piirturit tuomitaan kuolemaan, mutta Fatty Morgana auttaa heitä pakenemaan luukun läpi, ja ooppera päättyy siihen, että kaikki ylistävät prinssiä ja hänen morsiamensa luukuttaa ilman vaatteita. ellauri220.html on line 69: The theme was the March from Prokofiev's The Love for Three Oranges, arranged for small symphony orchestra by Amedeo De Filippi, with Vladimir Selinksy conducting. The music was accompanied by a chant of "L-A-V-A," in reference to the show's sponsor being Lava soap. ellauri220.html on line 71: icture-in-picture" allowfullscreen> ellauri220.html on line 81: Mixi Wilt kumitti sitä 20vee myöhemmin? Ahaa, Brooklyn Bridge valmistui. Walt Whitman wrote "Crossing Brooklyn Ferry" before the construction of the Brooklyn Bridge (which was completed in 1883). 50v tuli täyteen Wilhon matkustaessa itään päin, 100v suunnilleen Löllön pesispelin aikoihin. 150v synttäri olis ollut joskus Irakin invaasion ja pankkikriisin välimailla. ellauri220.html on line 97: Was call’d by my nighest name by clear loud voices of young men as they saw me approaching or passing, ellauri220.html on line 99: Saw many I loved in the street or ferry-boat or public assembly, yet never told them a word, ellauri220.html on line 102: He admits that sometimes, evil thoughts cross his mind. The "old knot of contrariety" the poet has experienced refers to Satan and his evil influence on man, which creates the condition of contraries, of moral evil and good in human life. The poet suffered from these evil influences, as have all men. So, the poet implies, do not feel alone because you have been this way — one must accept both the pure and the impure elements of life. A young man's penis in your arse is just one of those eternal things. They come and go just like the Brooklyn ferry. The reference to fusion ("which fuses me into you now") is the basic ideal the poet sought in the beginning. He reiterates the eternal connection between all human beings. Fuck the rest. We must revel in our man-made surroundings, for our relationship with our environment is the ticket to achieving spirituality and fulfillment. He also uses the theater as a metaphor to represent the difference between public life and private life. He acknowledges that he has a sinful streak - but in society, everyone plays a role. The speaker's tone in the poem is honest but also grateful. By appreciating the small things in his life, he feels like a part of something bigger. Wiltin pikku veitikka oli ehkä ammoin wilttaantunut, mutta sen mustalla ystävällä oli something bigger. Veijarilla oli varsin vaikuttava heijari. ellauri220.html on line 104: The major image in the poem is the ferry. It symbolizes continual movement, backward and forward, a universal piston like motion in space and time. The ferry moves on, from a point of land, through water, to another point of land. Land and water thus form part of the symbolistic pattern of the poem. Land symbolizes the physical; water symbolizes the spiritual. The circular flow from the physical to the spiritual connotes the dual nature of the universe. Dualism, in philosophy, means that the world is ultimately composed of, or explicable in terms of, two basic entities, such as mind and matter, yin and yang. From a moral point of view, it means that there are two mutually antagonistic principles in the universe — dick and cunt, good and evil. In Whitman's view, both the mind and the spirit are realities and matter is only a means which enables man to realize this truth. His world is dominated by a sense of good, and evil has a very subservient place in it. Man, in Whitman's world, while overcoming the duality of the universe, desires fusion with the sheboy. In this attempt, man tries to transcend the boundaries of space and time, never letting off that dear piston like movement, in and out, in and out. ellauri220.html on line 115: icture-id1197756097?s=2048x2048" height="500px" /> ellauri220.html on line 116: ica.com/images-medium-large/6-clara-bow-1905-1965-granger.jpg" height="500px" /> ellauri220.html on line 127: ic.centerblog.net/6a88d5a7.JPG" /> ellauri220.html on line 130: 1980-luvun seksisymboli oli terävänenäinen kirvesleukainen malli ja poptähti Samantha Fucks. Myös lujaleukaista poplaulaja Madonnaa pidettiin seksisymbolina, ja nenänsä pilannut Michael Jackson oli 1980-luvun miespuolinen seksisymboli. Nykyajan julkkismaailman seksisymboleita ovat muun muassa näyttelijättäret suurisuinen Angelina Jolie, vinosuinen Brad Kuk ja vaimolleen ilkeä rimpula Johnny Depp. ellauri220.html on line 157: Erottuaan ensimmäisestä miehestään mr. Mansfieldistä mrs. Mansfield avioitui vuonna 1958 vuoden 1955 Mr Universumin, kehonrakentaja Miklós ”Mickey” Hargitayn kanssa. ellauri220.html on line 159: icit.bing.net%2Fth%3Fid%3DOIP.SOnM1Ezbp7h7AnNkyl5hwAHaFF%26pid%3DApi&f=1" /> ellauri220.html on line 166: Svenskanin lavalla Mansfield muun muassa soitti viulua varsin taitavasti. Mansfield oli esiintymisajankohtana viidennellä kuukaudella raskaana, minkä povipommina tunnettu tähti halusi tuon ajan lehtitietojen mukaan peitellä runsailla plyymeillä. Tytär Mariska Hargitay syntyi 23. tammikuuta 1964. Mariska is not half the dish her mother was. Blame Mickey, he was not a pretty face though muscular. ellauri220.html on line 187: The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963. The film captures the moment of the President's assassination. Abraham Zapruder (May 15, 1905 – August 30, 1970) was a Ukrainian-born American clothing manufacturer. ellauri220.html on line 189: In 1994, the footage was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, and aesthetically significant". ellauri220.html on line 190: In "Murder Most Foul", a musical on Kennedy's assassination and its effect on American bar counter culture, Bob Dylan sings 'Zapruder's film I've seen 33 times maybe more'. ellauri220.html on line 191: Some critics have stated that the violence and shock of this home movie led to a new way of representing violence in 1970s American cinema, both in mainstream films, and particularly in indie and underground horror movies. Brugioni recalled seeing a "white cloud" of brain matter, three or four feet (91 or 122 cm) above Kennedy's head, and said that this "spray" lasted for more than one frame of the film. ellauri220.html on line 208: Purkanjäystäjät ottaa lisää vapauxia tehdessään Lennylle sukupuolenvaihdoxen 2017 sarjassa Marvelous Mrs. Maisel. Marvelous Mrs. Maisel is an American period comedy-drama television series, created by Amy Sherman-Palladino, that premiered on March 17, 2017, on Amazon Prime Video. Set in the late 1950s and early 1960s, it stars Rachel Brosnahan as Miriam "Midge" Maisel, a New York housewife who discovers she has a knack for stand-up comedy and pursues a career in it. Suurin tenkkapoo kazojille on ehtiikö Midge panna Lennyä sarjan aikana. ellauri220.html on line 210: Ericiä röhnötti lepakkotuolissa ja runkkasi ohjusmaiseen kondomiin. Eric hinkkasi kulliaan tunnollisesti ja järjestelmällisesti. Hänen jalkojensa välissä lattialla oli kuva Jayne Mansfieldistä, jonka tissit pursusivat paljetein koristetun puvun kaula-aukosta. Hän olisi halunnut tunkea kullinsa Jaynen rintojen väliin, kunnes se (Jayne? Vai kulliko?) sanoisi huiii. (Totakaan mä en oikein ymmärrä, mitä viziä tunkea kullia muihin reikiin kuin mihin se on tarkoitettu. Mä mieluummin puristelisin ja lupsuttaisin Jaynen tissejä samalla kun vähän alempana nuohoisin sen jalkoväliä mahtavalla sukunuijalla.) ellauri220.html on line 212: Jossakin vaiheessa runkkauxen edetessä Eric lakkasi tuijottamasta pullottavia rintoja ja keskitti katseensa Jaynen kasvoihin, hänen kulmakarvoihinsa ja silmäripsinsä ja pusuhuuliinsa. Rinnat näyttävät Cadillacin puskureita, kasvot ovat suloiset. Hänen libidonsa valikoivassa näkökentässä juuri söpöt kasvot, pusuhuulet ja tukka muodostivat ruiskahduxen kostean ja pehmeän mekanismin. ellauri220.html on line 214: Eric runkkarin yhtä keskiluokkainen äiti Erica piti sanoista kuten ulkokatos, krispaattori, palasohva, kimppakyyti ja bridgekuzut. Entä kimppakiva? Kurkumahapankaalipaketin päällä oli sanoja jotka on järkiään kexitty jälkeen kuningatar Elisabetin kruunauxen. Vastenmielisiä tägejä kuten #hapis ja #vege. Elisabet ei koskaan syönyt pastaa, kebaabia eikä pizzaa. ellauri220.html on line 216: Jezonit on sovjeteille kateita sputnikista. Laika koira heiluttaa ikkunasta niille häntää. Eric on sen sortin poika joka runkkaa äidin jääkaapista ottamaansa maxapalaan. ellauri220.html on line 222: ellauri220.html on line 223: ellauri220.html on line 224: ellauri220.html on line 225: ellauri220.html on line 226: ellauri220.html on line 227: ellauri220.html on line 228: ellauri220.html on line 229: ellauri220.html on line 230: ellauri220.html on line 231: ellauri220.html on line 233: ellauri220.html on line 235: ellauri220.html on line 236: ellauri220.html on line 237: ellauri220.html on line 239: ellauri220.html on line 241: ellauri220.html on line 242: ellauri220.html on line 243: ellauri220.html on line 246: ellauri220.html on line 247: ellauri220.html on line 255: ellauri220.html on line 256: ellauri220.html on line 257: ellauri220.html on line 258: ellauri220.html on line 259: ellauri220.html on line 260: ellauri220.html on line 262: ellauri220.html on line 263: ellauri220.html on line 267: ellauri220.html on line 268: ellauri220.html on line 271: ellauri220.html on line 272: ellauri220.html on line 273: ellauri220.html on line 274: ellauri220.html on line 275: ellauri220.html on line 276: ellauri220.html on line 277: ellauri220.html on line 283: ellauri220.html on line 293: used by African Americans, mainly in the 1960s and 1970s, to refer to a white person. From James Baldwin's play, Blues For Mister Charlie. ellauri220.html on line 295: (U.S.) white people, originally and still particularly used to refer to poor white people from the American South. ellauri220.html on line 300: (The Americas) Non-Hispanic U.S. national. Hence Gringolandia, the United States; not always a pejorative term, unless used with intent to offend. ellauri220.html on line 304: (Hong Kong and South China) A White man. Gwei or kwai (鬼) means 'ghost', which the color white is associated with in China; and the term lo (佬) refers to a regular guy (i.e. a fellow, a chap, or a bloke). Once a mark of xenophobia, the word was promoted by Maoists as insulting but is now in general, informal use. ellauri220.html on line 308: (Canada) used by Italian Canadians for those of Anglo-Saxon or Northwestern European descent. Mangiacake literally translates to 'cake eater', and one suggestion is that this term originated from the perception of Italian immigrants that Canadian or North American white bread is sweet as cake in comparison to the rustic bread eaten by Italians. ellauri220.html on line 310: (U.S.) A term used by Italian Americans to refer to Americans of White Anglo Saxon Protestant descent, Americans of Northwestern European descent, Americans with no discernible ethnicity, or Americans of non-Italian descent in general. Comes from Southern Italian pronunciation of the Italian word americano. ellauri220.html on line 322: (Rhodesia) African to a white Rhodesian (Rhodie). ellauri220.html on line 326: an African-American perceived as being lazy and who refuses to work. ellauri220.html on line 330: a black person or Native American. ellauri220.html on line 334: (US) a black person. Once generally accepted as inoffensive, this word is now considered disrespectful by some. The National Association for the Advancement of Colored People (NAACP) continues to use its full name unapologetically. This is not to be confused with the term "person of color" which is the preferred term for collectively referring to all non-white people. ellauri220.html on line 336: (US & UK) originally used by Europeans/white people as a pejorative term for a black person. Possibly from Portuguese barracos, a building constructed to hold slaves for sale (1837). The term (though still also used in its original sense) is commonly used today by African or Black Americans towards members of the same race who are perceived to pander/kowtow to white people; to be a 'sellout'; to hate themselves; or to "collud[e] with racism for personal gain." It is often used against black conservatives or Republicans (similar to Uncle Tom and coconut). ellauri220.html on line 347: (Nepal), a term used for black person from Africa. ellauri220.html on line 349: (US & UK) a black person (JB) with stereotypical black features. (dark skin, wide nose, etc.) Refer to mannerisms that resemble dancing. ellauri220.html on line 353: (South Africa) a black person. ellauri220.html on line 357: (South Africa) a. a black person. Arabic for heathen. Considered very offensive. ellauri220.html on line 359: a person of black African descent, originally used in languages of colonial powers in Africa. Same as "macaque." ellauri220.html on line 361: Domestic servant of black African descent, generally good-natured, often overweight, and loud. ellauri220.html on line 363: a person of black African descent. See also Macaca (slur). It also gave rise to the racist "monkey chants" in sports. ellauri220.html on line 367: (South Africa, Zimbabwe, & Zambia) a term, used among white people, for a black person. The term derives from muntu, the singular of Bantu. ellauri220.html on line 371: (International) a black person. From the word negro, which means the color black in numerous languages. Diminutive appellations include Nigg and Nigz. Over time, the terms nigga and niggaz (plural) have come to be frequently used between some African or black diaspora without the negative associations of nigger. Considered very offensive and typically censored as "the n-word" even in reference to its use. The terms niggress, negress, and nigette are feminized formulations of the term. ellauri220.html on line 376: Pickaninny ellauri220.html on line 377: generally refers to black children, or a caricature of them which is widely considered racist. ellauri220.html on line 386: (US) an African American, black, Indigenous American, a mixed race person, or sometimes a South Asian person. ellauri220.html on line 399: Thicklips, bootlips ellauri220.html on line 430: The world comes to the brink of nuclear war with the Cuban Missile Crisis. In response to the USA's nuclear advantage, the USSR sent missiles to Cuba. The crisis lasted for 12 days before a deal was finally stuck between Khrushchev and Kennedy in which the Cuban missile bases were dismantled in return for the secret removal of US missiles from Turkey. ellauri220.html on line 441: Walesin prinssin kruunajaisissa sali kuhisi arvovaltaisia vieraita. Varmaan sellaisia hyönteisen tai elefantin näköisiä kuin prinsessa Leian käydessä imperiumin parlamentissa. Joutsenkaulaisia naisia atlassilkkipuvuissaan. Halstonin, Adolfon ja Saint Laurentin naamioita. Erään Yhdysvaltain presidentin äiti ja sisar, toisen tytär. Asemastaan tietoisia eloisia pieniä miehiä. Suihkuseurapiirien edustajia, joilla oli arvonimi, muuan maharadža ja maharani, joku paronitar helmikoristeisessa naamiossa. Kuuluisia ja hillittömiä alkoholistirunoilijoita. Kovia teräviä tyylikkäitä naisia, muotilehtien päätoimittajia ja pukusuunnittelijoita. Kennethin kampauksia- tupeerattuja, kieputettuja, pörrötettyjä ja kiharrettuja. Fixuja ihmisiä. Hammaslääkäreitä, pankinjohtaja. Apinoita joita ympäröi inkakuninkaiden aura, jotka olivat samalla lahjakkaita ja omaperäisiä ja omin avuin menestyneitä ja syntyjään kauniita ja itsekeskeisiä ja kovapintaisia, kaikki huokuivat astraalisäteilyä, ja joukkoon kuuluivat vielä häikäilemättömät ja moukkamaiset. Herttuatar Megania ei ollut kuzuttu. Kuningatarkonsortti Rottweiler allekirjoitti paperin jossa hän vannoo suojella (sic) Skotlannin kirkkoa. ellauri220.html on line 447: Adlai is in Hebrew עַדְלָי, meaning "refuge". In 1 Chronicles 27:29, he is the father of Shaphat. He is mentioned only in this verse. ellauri220.html on line 449: Job's tears, scientific name Coix lacryma-jobi, also known as adlay or adlay millet, is a tall grain-bearing perennial tropical plant of the family Poaceae (grass family). It is native to Southeast Asia and introduced to Northern China and India in remote antiquity, and elsewhere cultivated in gardens as an annual. It has been naturalized in the southern United States and the New World tropics. In its native environment it is grown at higher elevation areas where rice and corn do not grow well. Job's tears are also commonly sold as Chinese pearl barley. ellauri220.html on line 454: Adlai oli sanalla sanoen väpelö. Kuuban invaasio sujui Kennedyltä vielä huonommin kuin Putinilta vähävenäläisten demilitarisaatio. Taiwan, kiinalaisten Puerto Rico muuttui maailmansodan jälkeen niiden Kuubaxi. Turkista poistetut ydinpommit tuotiin neukkuvallan kaaduttua sinne NATOn voimin takaisin. ellauri220.html on line 461: Tycoon's in-law is a trope often found in situation comedy, it's where the boss (often a somewhat unpleasant one) places a relative or in-law in a position of power. Invariably, the relative will be incompetent or worse. A variation on this trope might be to actually have the relative be the protagonist, and have to earn the respect of his or her subordinates before they can actually accomplish anything meaningful. The trope can also be subverted if the relative is actually competent, in which case the grumbling can quickly subside. It can be averted in cases where nepotism is expected, such as a prince becoming king when his mother dies, in which case most people just accept it as the way things are supposed to go. Take Charles The 3rd recently. ellauri220.html on line 463: Of course, there is a "moron" demographic out there, and it has its members, but executives seem to believe that every person who watches TV belongs in it. This may be due to something known as the "80-20" rule in business — in this case, that market research shows that 80% of money spent on television-advertised products comes from the lowest 20% in terms of education and intelligence, so show-content is naturally geared towards them. On top of that, not only are viewers stupid, they are also intolerant of people and things unlike themselves, ignorant, hate change, need to be instantly satisfied, and have the attention span of a goldfish. ellauri220.html on line 465: Foreign characters may pop up in fiction, but often regular characters who are not native (to the country the work is set in) tend to have native ethnicity somewhere in their family. Or possibly were born in the native country, but raised in another country, and have recently come back. ellauri220.html on line 470: ic.tvtropes.org/pmwiki/pub/images/swedish-chef_493.png" /> ellauri220.html on line 474: ic.tvtropes.org/pmwiki/pub/images/nightcrawler_1.png" /> ellauri220.html on line 476: — German Policeman, The Man with Two Brains ellauri220.html on line 478: Sometimes, when a language is spoken by a non-native speaker, their speech patterns feature traits that show that the speaker is a foreigner. This may include the use of words from the speaker's native language, or errors in their syntax. See You No Take Candle (and its subtrope Tonto Talk) for cases where foreigners consistently talk with very poor grammar and lack of vocabulary. Supertrope to the more racial Asian Speekee Engrish and Tonto Talk, and like them sometimes Truth in Television, although also like them it can sometimes also be considered offensive or politically incorrect if used poorly. Compare Hulk Speak and Strange-Syntax Speaker. See also Gratuitous Foreign Language and As Long as It Sounds Foreign, wherein nobody's supposed to understand any of the words. ellauri220.html on line 480: ic.tvtropes.org/pmwiki/pub/images/tontotalk_3746.jpg" /> ellauri220.html on line 487: You silly. You weak. You baby-hands. No catch horse. No kill buffalo. No good but for sit still, read book. Never mind. Me like. Me make rich. Me make big man. Me your squaw. ellauri220.html on line 488: — A Native American woman proposing to a white man ellauri220.html on line 493: ic.tvtropes.org/pmwiki/pub/images/papi_9.png" /> ellauri220.html on line 504: When the work uses this trope on multiple groups of people speaking different languages, things can get complicated. The work may only translate the language of one group and keep the other group speaking its native language. In these cases, the translated group is always the one the audience is supposed to sympathize with, while the untranslated one is portrayed as more "foreign." ellauri220.html on line 508: ic.tvtropes.org/pmwiki/pub/images/2010_08_06.png" /> ellauri220.html on line 513: This trope is used in film and television fiction set in the past (or a fantasy counterpart culture heavily based on the past) where characters speak with British accents, even though the film is not set in Britain and the characters are not British. Sometimes the actors are Fake Brits, and sometimes the cast all have British accents except for the sole American star. ellauri220.html on line 515: In any case, using The Queen´s Latin makes a series or film commercially viable in the US. It alleviates the need for subtitles, while maintaining the appearance of historical authenticity. It´s just foreign and exotic enough (many British actors already Play Great Ethnics) ellauri220.html on line 517: ic.tvtropes.org/pmwiki/pub/images/cliff_curtis_roles4.png" /> ellauri220.html on line 519: This refers to casting practice, and in the case of Trope Codifier Peter Stormare it has even achieved the status of Casting Gag. It refers to "international" or "ethnic" - at any rate not American or British - actors who are considered to somehow look or be able to act so vaguely but conspicuously foreign that they can be used for any nationality. (Cliff Curtis is a maori.) It´s As Long as It Sounds Foreign and Gratuitous Foreign Language applied to casting. However, But Not Too Foreign is often in effect because you´ll want someone who speaks good English (even though intentionally accented) and rather panders to viewers´ expectations than give an accurate portrayal of a specific ethnic identity which also means that the character´s background might be very vague as long as it´s foreign. ellauri220.html on line 521: ic.tvtropes.org/pmwiki/pub/images/chopchop2.jpg" height="300px" /> ellauri220.html on line 558: Zicke zacke Hühnekacke ellauri220.html on line 560: Filosofiaa kannattaa lukea yliopistossa täysi oppimäärä tietääxeen kuinka turhanpäiväistä se on. Zicke, zacke, Hühnekacke. Wissenschaftskäse. ellauri220.html on line 564: Iisakille "huumori" on jenkki standup viihdettä. Patrice "Lumumba" O'Neal oli lippalakkipäinen paxu neekeri. Isä tuntematon, kuolinsyy ei ollutkaan O.D. vaan sokeritaudin aiheuttama tulppa päässä. ellauri220.html on line 566: George Denis Patrick Carlin oli yhdysvaltalainen Grammy-palkittu stand up -koomikko, näyttelijä, tunnettu ateisti ja kirjailija. Carlin oli kuuluisa ennen kaikkea kieleen, psykologiaan, uskontoon ja tabuihin kohdistuneista huomioistaan. It’s Bad For Ya. Carlin kuoli 22. kesäkuuta 2008 sairaalassa sydämen vajaatoimintaan. Carlinilla oli ollut sydänvaivoja jo aiemmin. Viimeisissä kuvissa se on vanha käppänä. 7 sanaa joita ei saa sanoa teeveessä: ellauri220.html on line 573: icans - George Carlin" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen> ellauri220.html on line 583: Sanoo Lillon alter ego Nick s. 682, ja samaa huusi eilen niklasmainen alentunutkuuloinen punkero seiskan raizikassa kuulovammaiselle in-spe hoidolle. Tällästä tää nyt on. ellauri220.html on line 589: Tän kaskun savurenkaat pössytellyt tyttö on kuin Marthe Richard, jonka rikas asiakas pelasti. Tai ei sittenkään, vaan se katulapsi joka juoxenteli yxin Bronxissa. Mihkähän Löllö on tällä tässä menossa? Mixhän tää Lenny oli sille aiheena niin mieluisa? ellauri220.html on line 591: Joo Emmanuellehan se pätkä oli, vlta 1974. Sen takeen sillä sai olla niin pienet tisutkin. Ei se mua haittaa, pidän sellaisista. Mutta vittu se vanha äijäpaha sexipeetee oli rasittava. Toinen samanmoinen oli Marlon Brando Viimeisessä tangossa. Rasvaisia puoliveteisiä ukkoja letkut puolitangossa. Lush cinematography, marvellous acting (in particular from Sylvia Kristel) and genuinely erotic scenes tastefully directed… Just Jaeckin! It’s the same badly dubbed, funny-for-about-five-minutes shite it’s always been, with ‘Ooh look! Fanny smoke rings! Chortle!’ tired businessman’s humour very much to the delapidated fore. Best bits of this sorry cash cow – sorry, ‘significant cultural event – were the original UK trailers, as voiced by Katie Boyle. ellauri220.html on line 597: "Sexiä tai ulos. Sanot ihan kiltisti. Me emme voi sallia että tyttö tuhoaa meidän omaisuuttamme [varastamaamme autoa]". Nick on syvästi vastenmielinen talousliberaalin ja mafioson risteytys. Kohta Klaara jättää Vihtorin saatuaan maistaa juniorimafioson kapeata kullia ja lähtee höyläämään ize omaa artistin uraansa Klaara Kotkona. Etovaa. ellauri220.html on line 602: Pierino Ronald "Perry" Como, född 18 maj 1912 i Canonsburg i Pennsylvania, död 12 maj 2001 i Jupiter Inlet Colony i Palm Beach County i Florida, var en amerikansk sångare och skådespelare. Han betraktades som en crooner ("smörsångare"). Han började arbeta som frisör som femtonåring och sjöng samtidigt med olika orkestrar. Han hade sin storhetstid som artist från andra halvan av 1940-talet till början av 1960-talet. Bland hans största skivsuccéer märks Magic Moments och Wanted. "50 vuotta musiikkia ja elämää hyvin elettynä. Siinä esimerkkiä kaikille." Suomessa hänen muun muassa lauantain toivotuissa suosituin laulunsa oli "Caterina" (1962), jonka myös Lasse Mårtenson teki suomeksi. ellauri220.html on line 604: icture-in-picture" allowfullscreen> ellauri220.html on line 609: Matty oli yhtä mätä luonne kuin Nick vaikka toisenlainen. Hän piti suojautumisesta atomipommilta. Siinä oli yhdessä toimimisen tuntu, joka tuotti hänelle tyydytystä. Mutta se oli vitun huono häviäjä, vaikka säälittävä häviäjä olikin. Suojautuminen herätti Mattissa merkillistä yhteenkuuluvuutta Se oli samannäköisten ja samointoimivien yhteys, päät alhaalla, kyynärpäät sivuilla, takamuxet pystyssä. Kolmenkymmenenkahden nappulan ja miljoonan triljoonan (oik. biljoonan, suom. huom.) yhdistelmän nero käpertyi mielellään määräkoloonsa ja kuunteli kuinka sisar Egarin ääni toisti kaikkia varoituxia ja käskyjä kuin nouseva ja laskeva sireeni muuten mitäänsanomattoman päivän udussa. Pysy rauhallisena. Älä koske mihinkään. Älä vastaa puhelimen soittoon. Irrota leivänpaahtimen pistoke seinästä. Älä aja moottoriajoneuvoa. Pidä mukanasi nenäliina pantavaxi suun eteen. ellauri220.html on line 611: Joo nyt musta alkaa tuntua että lähestytään Löllön kirjan käännekohtaa, missä 17-vuotias italomamu Nick pääsee sujauttamaan ohkasen mutta otaxuttavasti esinahkaisen kullinsa 36-vuotiaan bullshit artistin Klaara Kotkon hurlumheihin. Katolinen ja mosaiikkiuskonto näin kohtaavat Klaaran kostean käytävän punervassa hämärässä. Minä Tarzan, sinä Jane. Joo olin oikeassa, s. 804-5, vaikka on sanottava, että Lillo ei ole kovin hyvä kirjoittamaan panokohtauxia. Koko suvustasi ei saisi 13 tuumaa kokoon Don, ei vaikka laskisi isoisäsi ja hänen apinansa mukaan. ellauri220.html on line 635: Don deLillo syntyi rotan vuonna hiljaiseen sukupolveen. There were precisely 1,063 full moons after his birth to this day. People with Chinese zodiac Rat are instinctive, acute and alert in nature which makes them to be brilliant businessmen. They can always react properly before the worst circumstances take place. Their strengths are adaptable, smart, cautious, acute, alert, positive, flexible, outgoing, and cheerful. But they can also be timid, unstable, stubborn, picky, lack of persistence, and querulous. Sen sisaruxista ei ole tietoa. ellauri220.html on line 637: Pano nro 2 alkaa s. 821. Se on vielä edellistä vaisumpi. Entiset tissit takapuoli ja pehko. Kivexet olivat hiänen kädessään ja hiän puristi niitä kevyesti kuin Rauri paskamakkaraa. Aktin (mikä sana) jälkeen Nick kertoo kannustaneensa Dodgerseja, muttei enää. Eiköhän tää ollut tässä. Kiitos ja näkemiin. ellauri220.html on line 655: Ollaan sivumäärästä päätellen jo lopettelemassa. Ensin luulin että toi Nickin ja Klaaran kuxinta (FUCK!) olis jonkinlainen huipennus, mutta väärin arvattu, kylton hepo-orja Georgen lasautus hengiltä (KILL!) vei siitä voiton. Ja vielä on epilogi, jonka nimestä (Das Kapital) päätellen lopultakin kapitalismin kritiikki (EAT!) on Lillon miälestä tässä keskeisintä. Niinkuin oikein onkin, kun jenkeistä on kymysys. No ei, se johdattelee vaan pääasiaan, joka tulee alla. ellauri220.html on line 657: Aseet ja jäte, kulleja ja pilluja kaikkialla. Siinähän ne taas ovat: KILL! EAT! ja FUCK! nyt tässä järjestyxessä. Ei kynäilijät pääse mitenkään irti näistä aiheista, ja mixi pääsisivät, nämähän ne ainoastaan kiinnostavat joka ikistä raitaperseistä paviaania. Ja eikös tän kaiken huipennus ole että epämiellyttävä Nick mätkii väpelöä Brian Classicia Kazakhstanissa, joka on bylsinyt Nickin Marian-vaimoa sen selän takana. Juupa juu, EAT! (vaimo on omaisuuttani, pois reviiriltäni), FUCK! (vain minä saan sitä nussia, vaikkei huvittaisikaan) ja KILL! (tästä saat ja tästä! maista nyrkkiäni!) yhtyvät tässä kolmiodraamassa. Kiitos ja näkemiin, nyt on kaikki koossa pienessä narukerässä. de Lillon nimi perässä. Is this cheese? ellauri220.html on line 663: Esmeralda. Esmeralda voi tarkoittaa seuraavia: Esmeralda, naisen etunimi. Esmeralda, romanityttö Victor Hugon romaanissa Pariisin Notre-Dame. Esmeralda, Aleksandr Dargomyžskin ooppera. Esmeralda, Cesare Pugnin säveltämä baletti. Esmeralda, meksikolainen telenovela-sarja. Esmeralda Bank, merenalainen tulivuori Tyynellämerellä lähellä ... tai sit vaan smaragdi. ellauri220.html on line 679: icture-in-picture" allowfullscreen> ellauri221.html on line 7: font-style: italic; ellauri221.html on line 67: Bond heitti ympärilleen silmäyxen. Kyllä oli hienoa. Miesten joukossa saattoi olla pinnaajia jotka eivät lyöneet vaimoaan, ja miehiä joiden vietit oli kieroon kasvaneet (sodomisteja), mutta konkkaronkkana iltapuvuissaan he tekivät aristokraattisen vaikutelman kuin pingviinit jäällä. Vaan harmi että Marthe Richard meni sulkemaan 1946 les maisons closes, vaikka ne oli suljetut jo valmiixi. Nyt ei Lontoossakaan kulje klubitarjoilijat enää pyllyt paljaina, ei edes tarjoilijattaret. Quel dommage! ellauri221.html on line 71: The club was founded in 1762 by William Petty Fitzmaurice, then-Earl of Shelburne, who would later become Marquess of Lansdowne and then Prime Minister from 1782-1783. The club’s initial location was on Pall Mall, a street in the Westminster area of central London, before moving to its current location on St. James’s Street in 1782, a street adjoining Pall Mall. ellauri221.html on line 73: The club’s name derives from its head waiter, Edward Poodle. Poodles quickly built up a prestigious reputation among London’s powerful and wealthy classes, and its membership reflected this, numbering numerous politicians and members of the British aristocracy. Members have included former British Prime Minister Winston Churchill, John Perfumo (a politician who resigned after the notorious Perfumo affair scandal, whereby he was revealed as having an affair with 19-year-old model Helen Keller), philosopher David Hume, economist and philosopher Adam Smith, and author Ian Fleming, creator of the world’s most famous fictional spy, James Bond. ellauri221.html on line 75: Fleming used to visit the club for lunch, though it’s not known whether he enjoyed the club’s famous Agent Orange Fool, an indulgent traditional British dessert made with fruit and cream that became synonymous with Poodles. It’s said that Fleming based Blades, a fictional private members’ club in the James Bond series (mentioned in two Bond novels, 1955’s Moonraker and You Only Live Twice in 1964) largely on Poodles. Certainly, the architectural features and opulent décor of Blades described by Fleming in his novels both bear similarities to Poodles. ellauri221.html on line 77: At the far end, above the cold cuts table, laden with lobsters, pies, joints and delicacies in aspic, Romney’s unfinished full-length portrait of Mrs Fitzsherbet gazed provocatively across at Fragonard’s Jeu de Cartes, the broad conversation-piece which half-filled the opposite wall above the Adam fireplace. ellauri221.html on line 78: It is interesting (to perhaps only me) that Fleming referenced real artists but fictitious works by those artists when describing the interior of Blades, which was a fictional club, but very much based on a real one (Poodles). ellauri221.html on line 85: Marthe Richer, dite Marthe Richard, épouse Crompton, née Betenfeld le 15 avril 1889 à Blâmont (Meurthe-et-Moselle) et morte le 9 février 1982 à Paris, est une prostituée, aviatrice, espionne et femme politique française. ellauri221.html on line 93: Issue d'une famille modeste (son père Louis Betenfeld, violent et alcoolique, est ouvrier brasseur et sa mère Marie Lartisant domestique), Marthe Betenfeld a un frère et une sœur aînés, Camille et Jeanne. Elle est envoyée quelques années dans une institution catholique et son destin semble tout tracé : couturière, comme sa sœur aîné. Puis elle devient à Nancy apprentie culottière, à quatorze ans. Le métier ne l'enchantant guère, elle fugue de chez ses parents. Elle est interpellée pour racolage en mai 1905 par la Police des mœurs et ramenée chez ses parents. Elle fugue à nouveau à 16 ans et se retrouve à Nancy, ville avec une importante garnison militaire, où elle tombe amoureuse d'un Italien se disant sculpteur mais qui se révèle être un proxénète. Il l'envoie sur le trottoir, puis elle devient prostituée dans les « bordels à soldats » de Nancy. Devant effectuer plus de 50 passes par jour, elle tombe rapidement malade et contracte la syphilis. Renvoyée du bordel, dénoncée par un soldat pour lui avoir transmis la syphilis et fichée par la police (où elle est inscrite comme prostituée mineure le 21 août 1905), elle est contrainte de s'enfuir à Paris. Elle rentre dans un « établissement de bains » rue Godot-de-Mauroy (maison close d'un standing supérieur à ses anciennes maisons d'abattage) où elle rencontre, un soir de septembre 1907, Henri Richer, mandataire aux Halles. Le riche industriel l'épouse le 13 avril 1915. Elle fait alors table rase de son passé et devient une respectable bourgeoise de la Belle Époque dans son hôtel particulier de l'Odéon. Elle demande à être rayée du fichier national de la prostitution, ce qui lui est refusé. ellauri221.html on line 97: Elle dépose le 13 décembre 1945 devant le Conseil municipal de Paris un projet pour la fermeture des maisons closes. Dans son discours, elle ne s’en prend pas tant aux prostituées qu’à la société, responsable selon elle, de la « débauche organisée et patentée » et à la mafia, qui bénéficie de la prostitution réglementée ; le propos permet aussi de rappeler que le milieu de la prostitution s'est compromis avec l’occupant pendant la guerre. Sa proposition est votée et le 20 décembre 1945, le préfet de police Charles Luizet décide de fermer sans préavis les maisons du département de la Seine dans les 3 mois (au plus tard le 15 mars 1946, date qu'a fixée le conseil municipal). Encouragée, Marthe Richard commence une campagne de presse pour le vote d'une loi généralisant ces mesures. Elle est soutenue par le Cartel d'action sociale et morale et le ministre de la Santé publique et de la Population, Robert Prigent. ellauri221.html on line 99: Le 9 avril 1946, le député Marcel Roclore présente le rapport de la Commission de la famille, de la population et de la santé publique, et conclut à la nécessité de la fermeture. Le député Pierre Dominjon dépose une proposition de loi dans ce sens qui est votée le 13 avril 1946 à la chambre des députés. La fermeture des maisons closes est appliquée à partir du 6 novembre 1946. Le fichier national de la prostitution est détruit et remplacé par un fichier sanitaire et social de la prostitution (loi du 24 avril 1946). Environ 1 400 établissements sont fermés, dont 195 à Paris (177 établissements officiels) : les plus connus comme le Chabanais, le Sphinx, La Rue des Moulins, le One-Two-Two mais aussi les sinistres maisons d’abattage comme le Fourcy et le Charbo… Beaucoup de tenanciers de maisons closes se reconvertirent en propriétaires d'hôtels de passe. La prostitution est alors une activité libre ; seules sont interdites son organisation et son exploitation — le proxénétisme — et ses manifestations visibles. ellauri221.html on line 101: Ce succès vaut à Marthe Richard le pseudonyme humoristique de « Veuve qui clôt », en référence à la maison de Champagne Veuve Cliquot. Qui clot - Cliquot - vous comprenez? Haha! ellauri221.html on line 103: ichard, was passed with the votes of an alliance of the Christian democrat MRP and the Communists (of course!). On April 13, 1946, the prostitution registry was destroyed, and 1,400 brothels were closed, including 180 in Paris. Many brothels were converted into hotels, which prostitutes continued to use, so haha! James Bond was coldcocked by this cruel and inhumane law. He switched immediately to drinking only Tittinger. ellauri221.html on line 110: Narcissistic personality disorder was nearly dropped from the DSM V. Narcissistic personality disorder was first defined in 1967. The DSM-IV defines the essential feature of narcissism as "a pervasive pattern of grandiosity, need for admiration, and lack of empathy that begins in early adulthood and is present in a variety of contexts." It's a definition that was set before the rise of social networking, reality TV, or partisan news channels designed to confirm our every opinion. Perhaps it truly is time to update it. ellauri221.html on line 114: Today, it's natural—even smart—to be narcissistic enough to think you could be the next celebrity, because you could be. ellauri221.html on line 116: Narcissism is sine qua non for the American Dream. ellauri221.html on line 117: Narcissism has become such a valued personality trait that it's broken through the gender barrier. For decades, it was seen as a predominantly male disorder. Now, says Harris Stratyner, a professor of psychiatry at Mt. Sinai Medical School, it's increasingly common in women. ellauri221.html on line 119: According to the DSM-5, “Many highly successful individuals display personality traits that might be considered narcissistic. Only when these traits are inflexible, maladaptive, and persisting and cause significant functional impairment or subjective distress do they constitute narcissistic personality disorder.” ellauri221.html on line 136: Yhdessä kuvassa seisoo mustahuulinen tyttö, jolla on yllään vain karvaisen vatsanaluxen ja rintojen alaosat paljastava paita ja toisen jalan nilkassa vaaleanpunaiset pikkuhousut, joissa lukee baby. Takapepussa lukee isoilla kirjaimilla: not asking for it, eli en pyydä sitä. Kuvatekstissä Tanskanen kirjoittaa: Se alkaa jo lapsena. Joku vetää mua letistä. Aikuiset miehet huutavat perään. Yhtäkkiä mä olen huora kuten Marthe Richter. Viestiboksi täyttyy kikkelikuvista. Joku kahmaisee juhlissa mun persettä ja kaikki ympärillä nauravat. Mä nauran myös: HA HA HA! ellauri221.html on line 155: Cox's Brownies were little men who had mischievous adventures together. Each Brownie had a distinctive physical appearance: Cholly Boutonnière wore a top hat and monocle, while others wore traditional Turkish, Irish, German, Swedish, Russian, and Chinese garb. There was an Eskimo, an American Indian, even an Uncle Sam. "Much of the success of his books can be attributed to his treatment of the characters, who portray human nature with its goodness and strength and also its follies, but never its baseness.". ellauri221.html on line 157: An important characteristic of the Dunno trilogy is its heavily didactic nature. Nosov describes this as an effort to teach "honesty, bravery, camaraderie, willpower, and persistence" and discourage "jealousy, cowardice, mendacity, arrogance, and effrontery." Strong political undertones are also present. In addition to general egalitarianism and feminism, communist tendencies dominate the works. The first book takes the reader into a typical Soviet-like town, the second into a communist utopia, and the third into a capitalistic satire. Nosov's captivating and humorous literary style has made his ideologies accessible to children and adults alike. ellauri221.html on line 267: The Adventures of Dunno in Flower Town presents a socialist anarchist utopia of Flower town. This society is self sufficient and enjoys a variety of personalities. It raises questions of the role of science and medicine, travel and knowledge, self-subsistence and hierarchy in a simple, humorous and concomitantly lovely style. Margaret Wetlin, an American who had immigrated to Russia during Stalinism, made an excellent translation of this book into English. ellauri221.html on line 269: In an update of a study on empathy originally conducted in 1979, Sara Konrath, a researcher at the University of Michigan’s Institute for Social Research, Ed O’Brien and Courtney Hsing have presented “Changes in Dispositional Empathy in American College Students Over Time: A Meta-Analysis” at the annual convention of Psychological Sciences in Boston (May 28th 2010). In this study they find a drastic difference in today’s student body on campuses from college students of the late 1970s. Today’s students disagree more frequently with such statements as: “I sometimes try to understand my friends better by imagining how things look from their perspective”, or, “I often have tender, concerned feelings for people less fortunate than me.” ellauri221.html on line 271: Surrounded by anthropogenic ecological disasters, brutal wars, and the threat of destruction looming over the future of the planet itself due to our actions, constructed knowledge, and structured ignorance, it becomes urgent to examine the underlying ontological concepts and the reality from which our children are incarcerated in schools. This research is an attempt to look at what is the knowledge that children get exposed to and my main question is whether identity and civilisation are not the underlying culprits in our alienation from the world. As Tove Jansson shows in her moominbooks, perhaps it is necessary to empathise even with the one who dislikes us and not limit ourselves to people only, but see if “I can often have tender, concerned feelings for anyone (animals and people included) as fortunate or less fortunate than me”. ellauri221.html on line 281: the red haired beauty all dressed in green had no knickers underneath. ellauri221.html on line 294: Doctor Jolly Goodhead is a fictional character from the James Bond franchise, portrayed by Lois Chiles. She does not appear in any of the Ian Fleming novels, only in the film version of Moonraker (1979), but her character is similar to that of Gala Brand, the female lead in the original novel Moonraker (1955), by way of being James´s major lay this time round. In 25 years, James has graduated from screwing a secretary to schtupping a doctor of science. Way to go, Bond girls! Right on! ellauri221.html on line 296: Goodhead is a scientist and astronaut working undercover for the CIA on Sir Hugo Drax´s Moonraker 5 space shuttle, to gather intelligence on Drax´s plan to exterminate the human race. Bond is also working undercover in Drax´s organization, for the British Secret Intelligence Service, and he gets good head from Jolly, until she introduces him to a centrifugal force chamber, where astronauts get to grips with Gräfenberg spot sucking, and invites him to have a try. Without her knowledge, however, Drax´s henchman, Charlie Chan, tampers with the sucking machine´s controls to send it into overdrive; by the time Goodhead comes, Bond has nearly been killed. Bond later meets Goodhead in her hotel room and is able to guess her identity when he sees standard CIA underwear and dildo gadgetry there. Bond and Goodhead are at first reluctant to bonk together, fighting who is to be on top, but they are working well enough as a 2-person team by the end of the film. ellauri221.html on line 298: Bond travels to Venice to investigate Venni Glass, a company named in some of Drax´s plans. Bond spots Goodhead there and follows her before re-introducing himself. Later that evening, Bond has to deal with Charlie Chan, then pays Goodhead a French visit, and they spend the night humping joyfully together. ellauri221.html on line 300: After M tells Bond to take two weeks´ leave, Bond travels to Rio de Janeiro, where he meets Goodhead once more. Jaws, who is now working for Drax, tries to kill them both on a cable car at Sugarloaf Mountain. They escape, but are then captured by other men of Drax´s disguised as paramedics. Bond escapes from the ambulance speeding towards Drax´s base, but leaves Goodhead behind. ellauri221.html on line 302: Bond meets Goodhead again once Drax puts them under ´Moonraker 5´ to be incinerated by the lift-off. They escape and are able to pilot ´Moonraker 6´. After following Drax to his space station, Goodhead and Bond listen to Drax´s speech and leave. Jaws later captures them after the first globe is launched. Drax tells Bond about his plan about having perfect human beings on his earth, with no physical peculiarity or ugliness, but this is overheard by Jaws. He sees that because of his ugly steel teeth, he will be destroyed alongside his ugly girlfriend, Dolly, so turns on Drax and helps Bond and Goodhead to fight Drax´s men. After Bond goes to defeat Drax, Goodhead helps him, and Dolly and Jaws get off on the self-destructing space station, escaping on a pod of their own into Earth´s atmosphere. Bond and Goodhead go after the globe, nearly destroying its inhabitants, but not quite. Bugger it. ellauri221.html on line 304: The film ends with the representatives of the US and Britain tuning in to see Holly Goodhead and Bond making love. The previous Bond film, The Spy Who Loved Me, ends in the same way, and Anya Amasova (way more beautiful than Lois) was shocked by this candaulism, but Goodhead is too "happy" to care. She is American after all. Last Words: Oh James, rake me around the moon one more time. ellauri221.html on line 307: James Bond is back for another mission and this time, he is blasting off into space. A spaceship travelling through space is mysteriously hijacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organization, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again. ellauri221.html on line 308: A Boeing 747 carrying a U.S. space shuttle on loan to the U.K. crashes into the Atlantic Ocean. When the British examine the wreckage, they can find no trace of the spacecraft and send Agent James Bond to the shuttle´s manufacturers, Drax Industries, to investigate. ellauri221.html on line 309: A space shuttle called the Moonraker, built by Drax Industries, is on its way to the U.K. when it is hijacked in mid-air and the crew of the 747 carrying it is killed. Bond immediately is called into action, and starts the investigation with Hugo Drax. While at the Drax laboratories, Bond meets the brilliant and stunning Dr. Holly Goodhead, a N.A.S.A. astronaut and C.I.A. Agent who is investigating Drax for the U.S. Government. One of Drax´s thugs, the sinister Chan, attempts to kill 007 at the lab, but when that fails, he follows Bond to Venice and tries again there. Bond and Goodhead follow Drax´s trail to Brazil, where they once again run into the seven-foot Goliath Jaws, a towering giant with metal teeth. Escaping from him, they discover the existence of a huge space station undetected by U.S. or Soviet radar, and a horrible plot by Drax to employ nerve gas in a genocidal project. James and Holly must quickly find a way to stop Hugo Drax before his horrific plans can be put into effect. ellauri221.html on line 311: When a U.S. space shuttle is stolen in a mid-air hijacking, only Bond can find the evil genius responsible. The clues point to billionaire Hugo Drax, who has devised a scheme to destroy all human life on Earth. As Bond races against time to stop Drax´s evil plot, he joins forces with Dr. Holly Goodhead, a N.A.S.A. scientist who is as beautiful as she is brilliant, and 007 needs all the help he can get, for Drax´s henchman is none other Bond´s old nemesis Jaws, the indestructible steel-toothed giant. Their adventure leads all the way to a gigantic space station, where the stage is set for an epic battle for the fate of all mankind. ellauri221.html on line 314: ichael - Ole Buttermilk Sky.... (1953)" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen> ellauri221.html on line 321: James on Hoagy Carmichael tyyppiä. Luupää, er sieht wie ein Skelett aus. Julma suu. Varmaan vinokin. Sihteerikön puseron sisältö paljasti ettei kyse ollut koulutytöstä. ellauri221.html on line 343: Bond kehtaa vielä vittuilla Hugolle sen isosta diasteemasta. Se johtuu peukunimusta, James opettaa. Rotanhammas! Hunni! Sauerkraut! Rotzlöffel! Nichtssagender Furz! Koulukiusattu ja niin edelleen! Hullu koira, joka pitäisi ampua. Karvanaamainen idiootti! Se sana tehosi! ellauri221.html on line 384: Though I´ve flown them one hundred thousand microns in ellauri222.html on line 6: font-style: italic; ellauri222.html on line 39: ...a man who was a towering intellectual (but short), a charismatic personality (but nasty) and Nobel Prize winner (anti communist) who searched in his writing for an answer (haha what did he find? EFK?) to the spiritual wilderness at the core of the human experience – but also (and above all) a petty man replete with human faults. Tää on tietysti Sale, jonka rusikointi jatkuu tässä Salen dickensiläistä pikareskiromaania lukiessa. Tämä albumi on jatkoa albumille 52, jossa Salea on jo alustavasti rökitetty. ellauri222.html on line 44: Isoäiti Lausch, perimältään itämaalainen, osoitti noita kolmea ruskeata kyyröttävää olentoa, joiden suut ja sieraimet oli maalattu räikeän punaisiksi, ja syvämietteisesti, häijyys lopulta huipentuneena suuruudeksi, sanoi: kukaan ei vaadi teitä rakastamaan koko maailmaa, vain olemaan kunniallinen, ehrlich. Älkää pitäkö suurta suuta. Mitä enemmän rakastatte ihmisiä sitä enemmän he teiltä vaativat. Lapsi rakastaa, aikuinen kunnioittaa. Rispekti on parempi kuin rakkaus. Ja tuo kuvaa kunnioitusta, tuo keskimmäinen apina. Mieleemme ei koskaan juolahtanut, että hän ize teki syntiä tuota kyyristynyttä älä-puhu-paskoja apinaa vastaan joka piti käsiä huulillaan, mutta arvostelu ei milloinkaan ollut lähelläkään ajatuksiamme, vielä vähemmän silloin kun ylevä periaate täytti kaiullaan koko keittiön. ellauri222.html on line 68: In Leader's Bellow biography Vol 2, “Love and Strife,” the novel “Herzog” is published on the very first page and reaches No. 1 on the best-seller list, supplanting John le Carré’s ‘The Spy Who Came In From the Cold.’ Never again would Bellow, about to turn 50 years old, lack for wealth, power, awards or flunkies to stand by him, ready to take his coat and do his bidding. The temptation for someone in his position was to become an insufferable, spoiled monster. And Bellow quickly gave in to temptation. ellauri222.html on line 70: Bellow’s bad temper in the late ’60s was by no means directed exclusively at would-be biographers, radical students and aggrieved wives. Bellow had so many targets to attack, whether insulting them face to face or in blistering letters or put-downs circulated through intermediaries. One of his favorite one-liners ran: “Let’s you and him fight.” The most salient recipients of Bellow’s bad temper in this biography were his three sons, each from a different mother — the oldest 21 when this volume starts, the youngest just 1 year old and about to be abandoned after yet another divorce. ellauri222.html on line 72: The celebrated writer kept romances alive in different cities, two or three at any given time — with students and faculty divorcées at the University of Chicago, assistants at The New Yorker, even his housecleaner. A dreary train of affairs. ellauri222.html on line 76: The irony in Bellow’s soul was that he craved love and experience, and learned to view people coldly and clinically. The writer Amos Oz recalled most vividly from his friendship with Bellow an exchange that they shared privately about death. “I said I was hoping to die in my sleep, but Saul responded by saying that, on the contrary, he would like to die wide awake and fully conscious, because his death is such a crucial experience he wouldn’t want to miss it.” ellauri222.html on line 78: As previous biographers have discovered, it’s difficult to write an endearing biography of Bellow. “Was I a man or was I a jerk?” Bellow inquired on his deathbed. The answer should be obvious. ellauri222.html on line 83: “I am an American, Chicago born” begins the famous first sentence of “The Adventures of Augie March.” The author of that sentence was actually an illegal immigrant, Canada born, and the words were written in Paris. Bellow’s father, Abraham Belo, was born in a shtetl inside the Pale of Settlement. He began his career in St. Petersburg as a produce broker, specializing in Egyptian onions and Spanish fruit. The family seems to have been quite well off. Abraham had used a forged document to work in St. Petersburg, and, when this was discovered, he was arrested and convicted. He may have gone to prison. But he managed to escape and, in 1913, to get his family to Canada. ellauri222.html on line 85: They settled in Lachine, outside Montreal, where Abraham tried farming, and where, in 1915, Saul was born. When the farm failed, the family moved into the city and Abraham took up bootlegging, a venture that ended even more disastrously. In 1924, he moved again, to Chicago, and engaged some bootlegging associates to smuggle his wife and children across the border to join him. ellauri222.html on line 87: Abraham spent the rest of his life in Chicago, and he ended up running a retail coal business. But he never really learned English—Yiddish was the language at home—and he never became a citizen. He had no passport and no driver’s license (which didn’t prevent him from driving). Saul did not become an American citizen until 1943. ellauri222.html on line 89: But Chicago was a city of immigrants. It also had a large Jewish population—by 1931, according to Leader, nearly three hundred thousand in a city of 3.3 million. All the Bellow children assimilated happily and all became well off. Saul is often associated with the University of Chicago, where he taught for many years as a member of the legendary Committee on Social Thought. He was a student there, but for less than two years. He had to withdraw for financial reasons (a truck driver was killed in an accident at his father’s coal yard and the insurance had lapsed), and he transferred to Northwestern, from which he graduated in 1937. ellauri222.html on line 91: In his Op-Ed about the Zulu Tolstoy, Bellow made much of his academic training in anthropology. After leaving Northwestern, he did become a graduate student in anthropology at the University of Wisconsin. But he completed just one course before dropping out and returning to Chicago, where he married a woman, Anita Goshkin, who was studying for a master’s degree in social work, and began his career as a fiction writer and itinerant college teacher. His first job was at Pestalozzi-Froebel Teachers College, on South Michigan Avenue, in downtown Chicago. ellauri222.html on line 93: Sale mainizee tossa NYT 1994 kolumnissaan missä se koittaa varistaa takistaan tätä zulumöläystä, että ranskalaiset laivat JJ Rousseau ja Contrat Social laivasivat The American Negroja lapiotöihin jenkkeihin hilut kintuissa. Mitä tekemistä sillä oli tässä? Ehkä se koitti huijata takaa-ajajia jäljiltä kuin fälthare. Elettiin 2 Irakin sodan välisiä aikoja. Ransut eivät lähteneet enää ryöstösotaan 2003. Silloin viimeistään sopi ranskixia vainota napostellen freedom friesejä. ellauri222.html on line 95: He also worked for a time at the Encyclopædia Britannica, on the fifty-two-volume “Great Books of the Western World,” under the editorship of Mortimer J. Adler. Bellow was in charge of editing part of the “Syntopicon,” a two-volume digest of the Great Ideas composed by Adler. He had taken one of Adler’s courses at the University of Chicago and had concluded that it was “tomfoolery,” but he seems to have liked the job. ellauri222.html on line 97: “In college I behaved as though my career was to be a writer, and that guided me,” Bellow later said. There was also the fact that his principal interest was literature, and, until after the war, Jews were rarely hired by English departments. “You weren’t born to it” is the way the chairman of the department at Northwestern clarified the matter when Bellow inquired about graduate school. Leader thinks that this encounter “produced a lifelong antipathy, mild but real, to English departments.” It’s true that there was antipathy. But Bellow would have been interested in a university career only as a means to support his writing. Fiction was his calling. “He was focused, he was dedicated to becoming what he was, from the beginning,” David Peltz, Bellow’s oldest friend, told Leader. “I mean, he never veered.” ellauri222.html on line 101: Still, in New York and at Princeton, where he spent a year teaching creative writing, Bellow made friends with many of the critics who dominated literary life in the nineteen-fifties. They found him bright, congenial, and sufficiently bookish, and especially admired what they took to be his poise and real-world savvy. Irving Howe thought Bellow “very strong-willed and shrewd in the arts of self-conservation.” “Even his egocentricity added to his charms,” said William Phillips, the co-editor, with Philip Rahv, of Partisan Review. “Stunning—the ultimate beautiful young Jewish intellectual incarnate,” Alfred Kazin’s wife, Ann Birstein, remembered. Bellow maintained the allure by cultivating just the right amount of aloofness. “I was the cat who walked by himself,” as he put it. ellauri222.html on line 103: In the culture of little magazines, friendship is the last thing to prevent one writer from reviewing the work of another. As a novelist happy to have well-disposed reviewers, Bellow had an obvious stake in these friendships. But the friends had a stake in Bellow, too. As Mark Greif points out in his important new study of mid-century intellectual life, “The Age of the Crisis of Man,” Bellow came on the scene at a time when many people imagined the fate of modern man to be somehow tied to the fate of the novel. Was the novel dead or was it not? Much was thought to depend on the answer. And for people who worried about this Bellow was the great hope. Atlas quotes Norman Podhoretz: “There was a sense in which the validity of a whole phase of American experience was felt to hang on the question of whether or not he would turn out to be a great novelist.” ellauri222.html on line 105: So even “Dangling Man,” an awkwardly written book about which Bellow later said, “I can’t read a page of it without feeling embarrassed,” was received as a sign that the novel might after all be up to its historic task. “Here, for the first time I think, the experience of a new generation has been seized,” Delmore Schwartz wrote, in Partisan Review. In The New Yorker, Edmund Wilson called “Dangling Man” a “testimony on the psychology of a whole generation.” When Bellow’s second novel, “The Victim,” came out, in 1947, Martin Greenberg, in Commentary, explained that Bellow had succeeded in making Jewishness “a quality that informs all of modern life . . . the quality of modernity itself.” In Partisan Review, Elizabeth Hardwick suggested that Bellow might become “the redeeming novelist of the period.” ellauri222.html on line 107: This notion that Bellow’s achievement as a novelist was redemptive of the form was a consistent theme in the reviews up through “Herzog.” So was the notion that his protagonists were representatives of the modern condition. After “Herzog,” those reactions largely disappeared. People stopped fretting about the death of the novel, and Bellow’s protagonists started being treated as what they always were, oddballs and cranks. But the critical reception of Bellow’s books in the first half of his career funded his reputation. It cashed out, ultimately, in the Nobel Prize. Nobels are awarded to writers who are judged to have universalized the marginal. ellauri222.html on line 109: As everyone has said, Bellow not least, “Augie March” was the breakthrough book. Bellow ascribed its origin to a visionary moment. In 1948, he had gone with Anita to Paris for two years, supported by a Guggenheim fellowship. (Bellow hated Paris.) He was at work on a novel called “The Crab and the Butterfly,” which apparently concerned two men arguing in a hospital room. In the version of the epiphany he told to Roth, he was walking to his writing studio one morning when he was distracted by the routine Parisian sight of the street gutters being flushed: ellauri222.html on line 113: Into his head popped the memory of a friend from childhood, a boy named Charlie August—and Augie March was born. The novel poured out of him. “All I had to do was to be there with buckets to catch it,” he said. Being abroad, he thought, encouraged the sense of compositional freedom. He wrote much of the novel in Europe—in Paris, Salzburg, and Rome. He later boasted that not a single word of it was written in Chicago. ellauri222.html on line 115: The subject of “Augie March” is the same as the subject of “Dangling Man” and “The Victim”: the danger of becoming trapped in other people’s definition of you. In the case of “Augie March,” the person in danger of being trapped was Saul Bellow. “This was not what being a novelist was supposed to have meant”: he is referring to the expectations of his intellectual backers. He realized that he didn’t want to be the great hope of the novel or to give voice to a generation’s angst. He wanted to write up the life he knew in the way James Joyce had written up the life he knew, and to transform it into a fantastic verbal artifact, a book that broke all the rules. ellauri222.html on line 117: The first two hundred pages of “Augie March” are the best writing Bellow ever did. He created an idiolect that had no model. “I am an American, Chicago born . . . and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent.” Nobody speaks or writes that way—which is exactly what the sentence is telling us. ellauri222.html on line 119: Augie is a street-urchin autodidact. Never taught how to write a proper sentence, he invents a style of his own. He is an epigrammist and a raconteur, La Rochefoucauld in the body of a precocious twelve-year-old, a Huck Finn who has taken too many Great Books courses. With this strange mélange of ornate locutions, Chicago patois, Joycean portmanteaus, and Yiddish cadences, Bellow found himself able to produce page after page of acrobatic verbal stunts: ellauri222.html on line 123: That’s only an aside, and there are hundreds of them. Jack Kerouac is not the first or even the tenth writer you would normally put in a sentence with Saul Bellow, but “The Adventures of Augie March” is a lot like “On the Road,” a book written at the same time. Stylistically, they both stretch syntax to make the perspective zoom from ground level to fifty thousand feet and back again. Augie is walking with a character called Grandma Lausch into an old-age home: ellauri222.html on line 129: Bellow must have guessed that “Augie March” would distress some of his admirers. It did. He showed a hundred pages of the manuscript to Lionel Trilling. “It’s very curious, it’s very interesting,” Trilling told him, “but somehow it’s wrong.” When the book came out, Trilling wrote a positive notice in the newsletter of the book club he directed but registered concern about a dangerous notion he detected in the novel, the notion that one could have a meaningful life independent of one’s social function. Bellow wrote to Trilling to say (disingenuously) that he had written the novel without much of a moral purpose in mind. Trilling wrote back. “You mustn’t ignore the doctrinal intention of your book,” he said. ellauri222.html on line 131: In Commentary, Podhoretz complained that the novel lacked development and that its exuberance was forced. He called it a failure. Podhoretz was one of Trilling’s protégés, and Bellow always believed that Trilling was behind the review, although Podhoretz denied it. But Atlas says that the art critic Clement Greenberg, then an editor at Commentary, having recently come over from Partisan Review, claimed that the editors had put Podhoretz up to it. It was felt in New York circles, Greenberg said, that Bellow had gone a little too far. ellauri222.html on line 133: Most reviews were enthusiastic, though. “Augie March” was not a best-seller, but it sold well and won a major award. The year it came out, Bellow took a job at Bard College. He and Anita were separated, and he had a new girlfriend, Sondra Tschacbasov, called Sasha. She was sixteen years younger and strikingly attractive. They met at Partisan Review, where she worked as a secretary. ellauri222.html on line 135: At Bard, Bellow became close friends with a literature professor named Jack Ludwig. As Leader describes him, Ludwig was an oversized personality, a big man, extravagant, a shameless purveyor of bad Yiddish, and an operator. Ludwig idolized Bellow; people who knew them said that Ludwig wanted to be Bellow. He flattered Bellow, went for long walks with him, started up a literary journal with him, and generally insinuated himself into Bellow’s life. Bellow accepted the proffer of adulatory attentiveness. The couples (Ludwig was married) socialized together. This was the period when Bellow wrote “Seize the Day,” which Partisan Review published in a single issue, in 1956, after The New Yorker turned it down, and “Henderson the Rain King,” published in 1959, a novel whose hero was based on a neighbor of the Bellows in upstate New York. ellauri222.html on line 137: Saul and Sasha got married in 1956, after Bellow had obtained a Nevada divorce. Sasha accepted the domestic role that Bellow insisted on without demur. She says that when they had a son, Adam, Bellow told her that the baby was her responsibility—he was too old to raise another kid. In 1958, Bellow was offered a one-year position at the University of Minnesota. He insisted that Ludwig receive an appointment as well; the university obliged, and the families moved to Minneapolis together. ellauri222.html on line 139: Saul and Sasha fought. Some of the strains were apparently due to sexual dissatisfaction. Bellow began seeing a psychologist, a man named Paul Meehl; Meehl suggested that Sasha see him as well (a suggestion that Leader charitably calls “unorthodox”). Ludwig served as a sympathetic confidant to both parties. Then, one day in the fall of 1959, Sasha told Bellow that she was leaving him. There was no third party in the picture, she said. She just did not love him. ellauri222.html on line 145: I have just given you the back story and the dramatis personae of “Herzog.” “Herzog” is a novel about a forty-seven-year-old man having a nervous breakdown after learning that his much younger wife, who has left him abruptly, had been cheating on him with his closest friend. The man seeks succor in the arms of a loving, patient, and understanding woman. There is at least one respect in which the novel is not based on real life: Bellow didn’t have a nervous breakdown. He wrote “Herzog” instead. ellauri222.html on line 149: “Herzog” is a revenge novel. The ex-wife, Madeleine, is a stone-cold man-killer. Her lover, Valentine Gersbach, is described as a “loud, flamboyant, ass-clutching brute.” Ludwig had a Ph.D. and a damaged foot; Bellow makes Gersbach a radio announcer with a wooden leg. The Herzog character is passive, loving, an innocent soul who cannot make sense of a world in which people like his estranged wife and her lover can exist. He is an ex-university professor, the author of a distinguished tome called “Romanticism and Christianity.” The Rosette Lamont character, called Ramona, is a sexpot with a heart of gold; she specializes in intimate candlelight dinners and lacy lingerie. She is a professor of love, not French. ellauri222.html on line 151: “Herzog” was nevertheless received the way all Bellow’s novels had been received: as a report on the modern condition. Many of the critics who reviewed it—Irving Howe, Philip Rahv, Stanley Edgar Hyman, Richard Ellmann, Richard Poirier—knew Bellow personally and knew all about the divorce. (Poirier was an old friend of Ludwig’s; the review he published, in Partisan Review, was a hatchet job.) None of these reviewers mentioned the autobiographical basis of the book, and several of them warned against reading it autobiographically, without ever explaining why anyone might want to. The world had no way of knowing that the story was not completely made up. ellauri222.html on line 153: Howe wrote that “Herzog” was a novel “driven by an idea”—the idea that modern man can overcome alienation and despair. Howe could see the appeal of this idea, but he was worried that it might not have been “worked out with sufficient care.” The reviewer in the Times Book Review thought that the novel offered “a credo for the times.” “The age is full of fearful abysses,” the reviewer explained. “If people are to go ahead, they must move into and through these abysses,” and so on. ellauri222.html on line 155: Bellow must have been tickled to death. The inventive feature of “Herzog” is a series of letters that the protagonist, in his misery, composes not only to Madeleine and Gersbach but to famous people (like President Eisenhower) and philosophers (like Heidegger and Nietzsche). These long letters, unfinished and unmailed, are sendups of an intellectual’s effort to understand human behavior by means of the conceptual apparatus of Mortimer Adler’s Great Books. Herzog is a comic figure, a holy fool, a schlimazel with a Ph.D. The whole point of his story is that when you are completely screwed the best you can hope for is a little sex and sympathy. The Western canon isn’t going to be much help. ellauri222.html on line 157: The determination to consider the novel strictly as fiction extended even to its characters. Rosette Lamont reviewed the novel. She, too, treated the book as pure make-believe. She breezed right by the Ramona character (“Her religion is sex, a welcome relief from Madeleine’s phony conversion . . . but Herzog is too divided in his mind, too busy with resentment to free himself from a heavy conscience. Besides he is suspicious of pleasure, having learned Julien Sorel’s lesson,” and so on). She concluded with the thought that at the end of the novel Herzog enters into “a theandric relationship with the world around him.” ellauri222.html on line 159: And it got even better. Jack Ludwig reviewed the novel. He informed readers of Holiday that “the book is a major breakthrough.” By no means should it be read as autobiography—“as if an artist with Bellow’s enormous gifts were simply playing at second-guessing reality, settling scores.” No, in this book, Ludwig wrote, “Bellow is after something greater.” The greater something turns out to be “man’s contradiction, his absurdity, his alienation,” and so on. It was pretty chutzpadik, as even Bellow had to admit. But by then he was laughing all the way to the bank. ellauri222.html on line 161: You can see the biographical problem. From the beginning, Bellow drew on people he knew, including his wives and girlfriends and the members of his own family, for his characters. In “Augie March,” almost every character—and there are dozens—was directly based on some real-life counterpart. Most of “Herzog” is a roman à clef. Leader therefore decided to treat the novels as authoritative sources of information about the people in Bellow’s life. When Leader tells us about Jack Ludwig and Sondra Tschacbasov, he quotes the descriptions of Gersbach and Madeleine in “Herzog.” In the case of the many relatives with counterparts in “Augie March,” this can get confusing. You’re not always sure whether you’re reading about a person or a fictional version of that person. ellauri222.html on line 163: One reason for reading biographies of writers like Bellow, who draw from people in their own lives, is to learn what those people were really like, or at least what they were like to someone who is not Bellow. You often can’t do that with Leader’s biography. Leader also wants to assess Bellow’s accomplishment as a novelist. He has to keep three balls in the air at once: the biographical story, an interpretation of the fiction as autobiography, and a consideration of the fiction as fiction. That’s why his book is so long. ellauri222.html on line 165: Structure was always Bellow’s weak point. One of his first editors at Partisan Review, Dwight Macdonald, worried about what he called a “centerless facility.” Podhoretz was not wrong about the problem of shapelessness in “Augie March.” The novel’s antic style is like a mechanical bull. For a few hundred pages, Bellow is having the time of his life, letting his invention take him where it will. By the end, he is just hanging on, waiting for the music to stop. It takes the story five hundred and thirty-six pages to get there. ellauri222.html on line 167: Leader thinks that Bellow plunged into his books and wrote on sheer enthusiasm, then surfaced after a hundred pages or so and wondered how to get back to shore. There is very little moral logic to his stories. Things just happen. (A major exception is “Seize the Day,” which is formally perfectly realized. But that book is a novella, a day in the life. It doesn’t require a plot.) ellauri222.html on line 169: “Herzog,” too, sags in the middle, a long episode in which Herzog reconnects with Ramona. But Bellow came up with a brilliant solution for the second half. Waiting in a courthouse to see his lawyer, Herzog sits in on a trial. A woman and her boyfriend are being tried for murdering her small child, whom they have tortured and beaten to death. The woman is mentally unfit; Herzog hears evidence that she has been diagnosed with a lesion on her brain. (A diabolical touch: Sasha had been diagnosed with a brain lesion.) ellauri222.html on line 171: Horrified that Madeleine and Gersbach might be abusing his child (in the novel, a girl), Herzog rushes off to his deceased father’s house, finds a gun his father owned, and goes to Madeleine’s. It is evening. He creeps into the yard and watches Madeleine and Gersbach through the window, loaded pistol in hand. What he sees is an ordinary domestic scene. Gersbach is giving the little girl a bath. Herzog creeps away. ellauri222.html on line 173: Actually, these episodes were not entirely invented. Bellow lifted them straight out of “The Brothers Karamazov.” A child tortured by its parents is Ivan Karamazov’s illustration of the problem of evil: what kind of God would allow that to happen? And Herzog with his gun at the window is a reënactment of Dmitri Karamazov, the murder weapon in his hand, spying through the window on his father. Dmitri is caught and convicted of a murder he desired but did not commit. “Herzog,” though, is a comedy. The next day, Herzog gets in a minor traffic accident and the cops discover the loaded gun in his car. But, after some hairy moments in the police station, he is let go. Desperately searching the Great Books for wisdom, Herzog briefly finds himself living in one. He can’t wait to get out. ellauri222.html on line 175: The decorum in Bellow criticism is to acknowledge the original of the fictional character when the person is famous, and otherwise to insist on treating it all as fiction. Thus everyone knows that, in “Humboldt’s Gift,” Von Humboldt Fleisher “is” Delmore Schwartz, and that, in “Ravelstein,” Abe Ravelstein “is” Allan Bloom, the Chicago professor who wrote “The Closing of the American Mind” and was a good friend of Bellow’s. ellauri222.html on line 177: But “Ravelstein” is a revenge novel, too. It’s not really about Ravelstein/Bloom. It’s about the narrator, a writer named Chick, who has been treated cruelly by his wife, Vela, a beautiful and brilliant physicist—a wicked caricature of Bellow’s fourth wife, the mathematician Alexandra Ionescu Tulcea. There are also a couple of drive-by take-downs along the way—of Mircea Eliade, a historian of religion at Chicago rumored to have been involved in the fascist Romanian Iron Guard, and of the owner of a restaurant on St. Martin, in the Caribbean, where Bellow contracted a case of food poisoning that nearly killed him. He brings them into the story just to skewer them. ellauri222.html on line 179: Podhoretz told Leader that he considered all of Bellow’s characters puppets. And there is something animatronic about them. This is especially true in “Augie March,” where the extended procession of too vivid personalities is like a Wes Anderson movie. Bellow tended to make his characters look the way a child sees grownups, unalterable cartoons, weirdly unself-conscious in their one-dimensionality. ellauri222.html on line 181: But there is usually one fully imagined character in Bellow’s books, one character whose impulses the author understands and sympathizes with, whose sufferings elicit his compassion, and whose virtues and defects, egotism and self-doubt, honorable intentions and less than honorable expediencies are examined with surgical precision and unflinching honesty. That character is the protagonist—Augie, Herzog, Chick, even Tommy Wilhelm, in “Seize the Day,” who tries to leverage his pain to win respect. Their real-life counterpart is, of course, Saul Bellow, whose greatest subject was himself. ellauri222.html on line 202: Siblings: Maurice Bellows, George? ellauri222.html on line 205: Adam Bellow is executive editor at Bombardier Books, a politically conservative imprint at Post Hill Press. He previously founded and led the conservative imprints All Points Books at St Martin's Press and Broadside Books at HarperCollins, served as executive editor-at-large at Doubleday, and as editorial director at Free Press, publishing several controversial conservative books such as Illiberal Education, The Real Anita Hill, The Bell Curve, and Clinton Cash. ellauri222.html on line 209: Greg's mother was Anita Goshkin, Saul's first wife, whose family had emigrated to the US from the Crimea after the pogroms, as Bellow's own antecedents had left Lithuania for Canada. They ended up in Chicago, where Saul would become one of the city's most famous sons and where, in 1935, he met Anita at summer school. Anita oli niin tavis ettei siitä ole edes nettikuvia. Tollanen Liisa Karhunen. ellauri222.html on line 215: Saul had women stashed all over town. His self‑justification: his career as an artist entitled him to let people down with impunity. He was married five times in all and infidelity was an issue throughout. Towards the end of his life, Saul asked his son rather charmingly, "Was I a man or a jerk?". It was the right question, and an easy one to answer: A jerk. ellauri222.html on line 221: Bellow was born Solomon Bellow in Lachine, Quebec, in 1915, two years after his parents had arrived there from St Petersburg. When he was nine, the family moved to the Humboldt Park neighbourhood of Chicago. His mother, Liza, died when Saul was 17, but not before she had passed on to him her love of the Jewish Bible (he learned Hebrew at four). His first serious critical success was The Adventures of Augie March (1953), but it was not until his 1964 novel, Herzog, became a bestseller that he earned any real money. His elder brothers, both businessmen, were by this time making serious cash, and regarded him, he once said, as "some schmuck with a pen". Mary Cheever, the wife of John Cheever, believed the two got on so well because "they were both women-haters". He has nothing good to say about feminism. Bellow has a go at Hannah Arendt and Mary McCarthy (the one is "rash", the other "stupid"). In 1994, however, he ate a poisonous fish in the Caribbean, and fell into a coma that lasted five weeks. He dreaded a loss of virility. ellauri222.html on line 223: For a man for such small balls, he had huge needs. The writing life needed to be supported. He failed his children; he left them, and it was a wound he carried around like a medal. He knew the cruelty of this. At the very end, though he was not Rosie's father (oops), he was in the house. He and Rosie would watch The Lion King together: in the final, unpleasant stages of his last illness, he was at the point where he didn't mind watching that same film over and over. I was somehow managing Rosie and Saul in the same way." Do they have a relationship with Saul's sons? Not really. Rosie has special needs, and Jänis is focused very much on her. Their house is cozy, not grand, there just happen to be photographs of a Nobel laureate on almost every shelf. Guess which one? ellauri222.html on line 229: Saul rubbishes Roth's I married a communist on several counts, not least political: ellauri222.html on line 231: this time the overall effect was not satisfactory. I was particularly aware of the absence of distance that the writer must put space between himself and the characters in his book. There should be a certain detachment from the writer's own passions. I speak as one who in Herzog committed the same sin. There I hoped that comic effects might protect me. Nevertheless I crossed the border too many times to raid the enemy camp. But then Herzog was a chump, a failed intellectual and at bottom a sentimentalist. In your case, the man who gives us Eve and Sylphid is an enragé, a fanatic-for-real. ellauri222.html on line 235: Now there is real mystery about communists in the west, to limit myself to those. How were they able to accept Stalin – one of the most monstrous tyrants ever? You would have thought that the Stalin-Hitler division of Poland, the defeat of the French which opened the way to Hitler's invasion of Russia, would have led CP members to reconsider their loyalties. But no. When I landed in Paris in 1948 I found that the intellectual leaders (Sartre, Merleau-Ponty, etc) remained loyal despite the Stalin sea of blood. Well, every country, every government has its sea, or lake, or pond. Still Stalin remained "the hope" – despite the clear parallel with Hitler. ellauri222.html on line 237: But to keep it short – the reason: the reason lay in the hatred of one's own country. Among the French it was the old confrontation of "free spirits", or artists, with the ruling bourgeoisie. In America it was the fight against the McCarthys, the House Committees investigating subversion, etc that justified the left, the followers of Henry Wallace, etc. The main enemy was at home (Lenin's WWI slogan). If you opposed the CP you were a McCarthyite, no two ways about it. ellauri222.html on line 243: One of your persistent themes is the purgation one can obtain only through rage. The forces of aggression are liberating, etc. And I can see that as a legitimate point of view. OK if your characters are titans. But Eve is simply a pitiful woman and Sylphid is a pampered, wicked fat girl with a bison hump. These are not titans. ellauri222.html on line 261: Mistähän Sale sai päähänsä tän kotkankesytyxen Mexikossa? Se on yhtä uskottavan oloinen kuin se sen Aahrikka-pläjäys. Kaikesta näkee ettei kaveri ole käynyt Chicagosta kauempana kuin ehkä Pariisissa (jota se muuten inhosi). Kukaan jenkkiarvostelija ei sano siitä mitään. Ilmeisesti se ei kiinnostanut niitäkään, kun siinä on vaan märkäselkiä. ellauri222.html on line 286: my prophetic eyes opened like ellauri222.html on line 304: Ethelredin lisänimi on sanaleikki, sillä Ethelred merkitsee suunnilleen neuvokasta. Alun perin lisänimi on 1200-luvulla lisätty unræd, joka tarkoittaa ”neuvoton" (tai vaihtoehtoisesti ”juonikas” muistutuksena velipuolen kuolemasta). Valtakaudellaan Ethelred oli kaikkea muuta kuin unready. Oikeampi käännös olisi pahaneuvo (selvennä). Häntä on myös sanottu huonosti neuvotuksi kuninkaaksi, jolla on viitattu Mercian jaarliin, petolliseen Eadric Streonaan. ellauri222.html on line 316: William's claim to the English throne derived from his familiar sodomist relationship with the childless Anglo-Saxon king Edward the Confessor, who may have encouraged William's hopes for the throne. Edward died in January 1066 and was succeeded by his brother-in-law Harold Godwinson. The Norwegian king Harald Hardrada invaded northern England in September 1066 and was victorious at the Battle of Fulford on 20 September, but Godwinson's army defeated and killed Hardrada at the Battle of Stamford Bridge on 25 September. Three days later on 28 September, William's invasion force of thousands of men and hundreds of ships landed at Pevensey in Sussex in southern England. Harold marched south to oppose him, leaving a significant portion of his army in the north. Harold's army confronted William's invaders on 14 October at the Battle of Hastings. William's force defeated Harold, who was killed in the engagement, and William became king. ellauri222.html on line 323: The Spanish word for eagle, as Augie learns, is águila, and the similarity between that word and Augie’s name invites a comparison between the eagle and the man. Both the eagle and Augie are adopted and trained by others for schemes they barely understand. And both the eagle and Augie prove to be sensitive creatures, not quite vicious enough to succeed in a Machiavellian world. The episode with the eagle can be read as a metaphor for one of the main themes of the book: nature as destiny. Ultimately, neither the eagle nor Augie does what others expect them to do, but follow their own nature. No tästähän me ollaan jo puhuttu. ellauri222.html on line 325: The foremost theme in The Adventures of Augie March is the search for identity. Unsure of what he wants from life, Augie is pulled along into the schemes of friends and strangers, trying on different identities and learning about the world through jobs ranging from union organizer to eagle trainer to book thief. His path seems random, but as Augie notes, quoting the Greek philosopher Heraclitus, “a man’s character is his fate.” As Augie goes through life, knocking on various doors, these doors of fate open up for him as if by random, but the knocks are unquestionably his own. In the end of the novel, Augie defines his identity as a “Columbus of those near-at-hand,” whose purpose in life is to knock some eggs. Augie notes that “various jobs” are the Rosetta stone, or key, to his entire life. Americans define themselves by their work (having no roots, family or land to stick to), and Augie is a sort of vagabond, trying on different identities as he goes along. Unwilling to limit himself by specializing in any one area, Augie drifts from job to job. He becomes a handbill-distributor, a paperboy, a Woolworth’s stocker, a newsstand clerk, a trinket-seller, a Christmas helper at a department store, a flower delivery boy, a butler, a clerk at fine department stores, a paint salesman, a dog groomer, a book thief, a coal yard worker, a housing inspector, a union organizer, an eagle-trainer, a gambler, a literary researcher, a business machine salesman, a merchant marine, and ultimately an importer-exporter working in wartime Europe. Augie’s job changing is emblematic of the social mobility that is so quintessentially American. Augie is the American Everyman, continually reinventing himself, like Donald Duck. Olemme kaikki oman onnemme Akuja, joopa joo. Yrmf, olet tainnut mainita. You are telling me! ellauri222.html on line 327: Grandma Lausch tells Augie, “The more you love people the more they’ll mix you up. A child loves, a person respects. Respect is better than love.” Which is really better, respect or love? The two brothers, Augie and Simon, are on opposite sides of this argument. Augie identifies himself on the side of love. An idealist with a soft heart, he is almost comically susceptible to falling in love, and openly shows his sympathy, even toward the small lizards that are killed by the eagle Caligula. Augie’s vision for an orphan home and academy is driven by his motivation to share love. Simon, on the other hand, prefers respect. He marries Charlotte and stays with her because he admires her business sense, not because he feels romantic love for her. He doesn’t care whether the men at the club love him. In fact, he knows they hate him. But this doesn’t matter to him as long as he is respected. Ultimately, Simon is richer and more successful, but Augie seems happier. What's love got to do with it. What a reptile. ellauri222.html on line 331: One of the major themes of the novel is the human tendency toward dishonesty. Augie is not a particularly honest character. He cheats, he steals, and lies quite frequently. Dishonesty characterizes many of the other characters in the novel, including Grandma, Einhorn, Mimi (who lies to doctors that she thinks her pregnancy abnormal), Stella, Agnes, and Mintouchian. The only characters who do not lie or cheat are the simple-minded Mama and Georgie. Lying appears necessary for people to survive in a Machiavellian world. As Mintouchian puts it: “I’m a great admirer of our species. I stand in awe of the genius of the race. But a large part of this genius is devoted to lying and seeming what you are not.” The ethics of the American Jew. The book starts with a lie: I am an American, Chicago born." ellauri222.html on line 339: Mr. Anticol ellauri222.html on line 341: Mr. Anticol is a neighborhood junk dealer and avowed atheist who loves to discourse against religion, having lost his faith after witnessing a massacre of Jews in his town back in Europe. ellauri222.html on line 345: Basteshaw is a biophysicist who works as ship’s carpenter on the McManus, the ship Augie is assigned to while in the Merchant Marines during World War II. After their ship is sunk by torpedoes, Augie and Basteshaw are the only survivors and end up on the same lifeboat. Augie gradually realizes that Basteshaw is an insane genius. Convinced that he has the power to create life from protoplasm, he tries to convince Augie to go with him to the Canary Islands and be his research assistant. In reality, their lifeboat is nowhere near the Canary Islands. Basteshaw ties Augie up to stop him from signaling a ship that might rescue them. Finally Augie gets free, ties up Basteshaw, and manages to signal a British tanker to rescue them. ellauri222.html on line 353: Betzhevski is a red-headed Polish barber and tenant of Einhorn’s who leads a protest against Einhorn for his unethical behavior as a landlord. Einhorn evicts him. ellauri222.html on line 357: Iggy Blaikie is an expat writer living in Acatla, Mexico. ellauri222.html on line 369: Sailor Bulba is an accomplice in the robbery committed by Joe Gorman and Augie. Brute-nosed and bearish, he is a menacing, dangerous figure. ellauri222.html on line 377: Stella Chesney is a beautiful aspiring actress—her name means “star” in Latin—whom Augie meets in Mexico. He helps her escape her boyfriend, Oliver, and much later meets her again in New York and marries her. Augie learns that Stella has lied to him about many things, but he continues to love her despite her faults. They move to Paris so that she can pursue her film career. ellauri222.html on line 381: Anna Coblin is Mama’s cousin. Augie goes to live with her family so he can help them deliver newspapers. Hyman Coblin is a steady man who enjoys going to burlesque shows downtown. He is generous with Augie. Anna, a big, emotional woman with spiraling reddish hair, dotes on Augie and hopes he will marry their daughter Freidl one day. They also have a son, Howard, who was in the war in Nicaragua. ellauri222.html on line 413: Thea, the elder of the two Fenchel sisters, is a glorious-looking girl with kinky black hair and a passionate spirit. She falls in love with Augie at a mineral spring resort, but Augie is in love with her sister, Esther. Thea later comes to find Augie in Chicago, and the two move to Mexico together. Thea, whose name is Greek for “goddess,” is an eccentric woman with wild ideas; she wants to hunt with an eagle and catch poisonous snakes. In the end she finds Augie too ordinary for her. After they part ways, she marries an Air Force captain. ellauri222.html on line 417: Old Fenchel is the fat, black-eyed uncle of Thea and Esther. He is in the mineral water business and the girls are his heiresses. His wife is sickly, timid, and silent. ellauri222.html on line 429: Hooker Frazer is Mimi’s lover and the father of her unborn child. When Augie first meets him, Frazer is a graduate assistant in political science, a Communist intellectual. Later, he is in Mexico working as a secretary for the exiled Leon Trotsky, and in China working as an intelligence agent. Finally, Augie meets him in Paris, where he is working for the World Educational Fund. Augie greatly admires Frazer’s prodigious intellect. ellauri222.html on line 437: Joe Gorman is a notorious Chicago thief whom Augie meets in the poolroom. Augie helps Gorman with a robbery and later goes on a road trip with him to move illegal immigrants across the border. The police catch Gorman, but Augie gets away. ellauri222.html on line 439: Grammick ellauri222.html on line 441: Grammick is Mimi’s friend the union organizer. Augie works with him before going to Mexico. ellauri222.html on line 453: Jacqueline is the ugly but proud housemaid who works for Stella and Augie in Paris. When she declares to him that it is her dream to go to Mexico, Augie breaks out laughing. He finds it both ridiculous and wonderful that such a used-up, ugly-looking girl has such an indomitable spirit. ellauri222.html on line 465: The Kinsmans are undertakers. Their son Joe Kinsman ran off with Howard Coblin to join the Marines and went to war in Nicaragua. ellauri222.html on line 469: Eleanor Klein is the one unmarried daughter of the Kleins; she is too fat to get a husband and is kind to Augie. She goes to Mexico during the Depression to stay with a cousin who makes leather jackets. She hopes to marry him, but is disappointed. ellauri222.html on line 497: Grandma Lausch, although unrelated by blood to the Marches, is a surrogate grandmother to Augie and his brothers, and has a powerful influence on them both. She rules their childhood house with a strict, imperious, and shrewd manner. The widow of a powerful Odessa businessman, this grande dame claims to speak a variety of languages and passes the time reading Tolstoy. Her two sons are married and living in other states. When Grandma’s mind begins to fail, they commit the dignified old lady to a retirement home where she eventually dies of pneumonia. ellauri222.html on line 513: Charlotte Magnus is Simon’s wife and heiress to a coal fortune. Simon marries her for the money, but grows to respect Charlotte, as she is a practical woman with a good head for business. She is also emotionally strong. When she learns of Simon’s infidelity, she deals with it swiftly and decisively. Charlotte is unable to have children. ellauri222.html on line 517: A cousin of Simon’s wife Charlotte, Lucy becomes Augie’s steady girlfriend. A pretty, rich, shallow girl who likes to have fun, she doesn’t seem to have deep feelings for Augie. She breaks off the relationship when she hears that Augie has taken Mimi for an abortion. ellauri222.html on line 521: Augie, the hero of the novel, is a Jewish-American boy coming of age in Depression-era Chicago. Since their father abandoned the family, Augie and his two brothers are raised by their slow-witted mother and surrogate “Grandma” Lausch. Augie, good-looking with “tall hair” and green-gray eyes, is a soft-hearted young man whose sympathy for others often gets him into trouble. He holds a variety of jobs throughout his life and learns from different people he encounters. People tend to “adopt” Augie and try to groom him into the person they want him to be, but he really wants to become his own person. The name Augie is short for “August,” which means “Great.” Augie has a desire for greatness, but he has no idea of how to do it, thinking it beyond his ability to “breathe the pointy, star-furnished air at its highest difficulty.” He goes along through life repeating the same mistakes. In the end, Augie realizes that his life has been a voyage of discovery. Whether or not he has been a success, he doesn’t know, but he will continue with unquenchable optimism and hope, “forever rising up.” ellauri222.html on line 533: Simon is Augie’s older brother. Tall, good-looking, and blond, Simon has a self-assurance and sense of direction that Augie does not. He thinks Augie is too soft-hearted. After being jilted by his girlfriend Cissy Flexner, Simon marries the coal heiress Charlotte Magnus and becomes rich through multiple business ventures. Simon is very successful, but not content. Although he respects Charlotte for her business sense, his marriage lacks romantic love. His mistress, Renée, uses him for his money. Augie pities him because he cannot have children. ellauri222.html on line 537: Harold Mintouchian is a wealthy, distinguished Armenian lawyer and international businessman who is the married lover of a friend of Stella’s and becomes a close friend and mentor of Augie. At the end of the novel, Augie works for him as a black market trader in Europe. Augie looks up to the older man as “a sage, prophet, or guru, a prince of experience with his jewel toes” and seeks his wisdom. Mintouchian, who has seen much of the darker side of human nature through his law practice, has more realistic ideas than the love-bitten Augie about what to expect from human relationships. Secrecy and lies, he tells Augie, are unavoidable. “Mind you, I’m a great admirer of our species. I stand in awe of the genius of the race. But a large part of this genius is devoted to lying and seeming what you are not.” He confesses to Augie that his mistress, Agnes, is keeping secrets from him, while he is keeping secrets from his wife. ellauri222.html on line 545: Wiley Moulton is an expat writer living in Acatla, Mexico. ellauri222.html on line 561: Lieutenant Nuzzo is an Italian-American cop whom Simon befriends as he begins to build his coal business. ellauri222.html on line 569: Oliver is Stella’s boyfriend in Mexico. A vain, jealous man, he keeps tight control of Stella. He is arrested for tax evasion. ellauri222.html on line 573: Owens is an old Welshman who owns the student boarding house where Augie lives near the University of Chicago. ellauri222.html on line 577: Padilla is a classmate of Augie’s. Born in the slums of Mexico, he is a genius of mathematical physics. He steals books for money and gets Augie involved in that, too. ellauri222.html on line 581: Paslavitch is a friendly Yugoslavian and Communist sympathizer who lives in a neighborhood of Mexico City. Augie lives with him for a time after breaking up with Thea. ellauri222.html on line 585: Five Properties is Anna Coblin’s brother. An immense, long-armed man with a gleeful, insincere smile, he drives a dairy truck and loves to boast that he has “Five prope’ties, plente money.” The money was earned by service during the war in Poland. His goal is to marry an American woman. ellauri222.html on line 589: Renée is the young, beautiful, blond mistress of Simon. Simon spends his days with Renée, but goes home each night to Charlotte. Renée becomes angry and jealous because Simon never intends to leave his wife. When Charlotte finds out about the affair and demands a stop to it, Renée attempts suicide by swallowing pills (apparently an attention-getting gesture), and claims (falsely) that she is pregnant with Simon’s baby. She causes a scandal, opening a lawsuit against Simon. Charlotte and Simon have to go to court to fend her off. ellauri222.html on line 613: Smitty is Thea Fenchel’s millionaire ex-husband. She cheats on him with a Navy cadet, then goes to Mexico to get a divorce from him. ellauri222.html on line 625: Stoney and Wolfy are fellow travelers hitching free rides on the trains, whom Augie meets while traveling back to Chicago after Joe Gorman’s arrest. The police arrest all three thinking they are a gang of car thieves. Stoney is a young man on his way to veterinary school; Wolfy has a criminal record. ellauri222.html on line 629: Owner of the Star Theatre, Sylvester hires young Augie to work for him by handing out bills. He later loses the theater and becomes an active member of the Communist party. Augie meets up with Sylvester in Mexico where he is working as a bodyguard for the exiled Leon Trotsky. Sylvester also comes to Augie’s wedding in New York. ellauri222.html on line 633: Talavera is a handsome young Mexican whose father owns the taxi service in Acatla. He hangs around Augie and Thea. Augie later learns that he was a former lover of Thea’s. ellauri222.html on line 637: Clem, the younger of Tambow’s two sons, and the cousin of Jimmy Klein, is a good friend to Augie. He is an easy spender and refuses to work, preferring to beg money off his father. When his father dies, he inherits his money. He has a crush on Mimi. Clem eventually goes to the University of Chicago, earning a degree in psychology, and invites Augie to join him in a counseling practice. Augie has a great deal of affection for Clem. Clem is the audience for Augie’s speech about “axial lines.” ellauri222.html on line 645: Tambow is Jimmy Klein’s uncle, a “big wheel” in Republican ward politics. Jimmy and Augie pass out campaign literature and do other odd jobs for him. Tambow is divorced and his own sons, Donald and Clem, refuse to work for him. He dies and leaves all his money to Clem and Donald. ellauri222.html on line 653: Mimi Villars is a beautiful, tough-talking blonde from Los Angeles who lives next door to Augie in the student boarding house and becomes a close friend of Augie. Mimi has bohemian ideas and aspires to marry an intellectual. When she becomes pregnant with an unwanted child by her boyfriend Frazer, Augie takes her to an abortionist. Mimi later falls in love with Arthur Einhorn. Mimi’s name recalls the tragic heroine of the Puccini opera La Bohème. ellauri222.html on line 658: Dr. Wernick ellauri222.html on line 660: Dr. Wernick is a neighborhood dentist who fits Grandma Lausch with false teeth. She calls him a butcher because he treats his patients so roughly. ellauri222.html on line 665: William Moulton Marston (May 9, 1893 – May 2, 1947), also known by the pen name Charles Moulton (/ˈmoʊltən/), was an American psychologist who, with his wife Elizabeth Holloway, invented an early prototype of the lie detector. Two women, his wife Elizabeth Holloway Marston, and their polygamous life partner, Olive Byrne, greatly influenced Wonder Woman's creation. She was inducted into the Comic Book Hall of Fame in 2006. ellauri222.html on line 667: Marston posited that there is a masculine notion of freedom that is inherently anarchic and violent and an opposing feminine notion based on "Love Allure" that leads to an ideal state of submission to loving authority. ellauri222.html on line 669: Wily and his 2 hens were great fans of bondage. "The only hope for peace is to teach people who are full of pep and unbound force to enjoy being bound... Only when the control of self by others is more pleasant than the unbound assertion of self in human relationships can we hope for a stable, peaceful human society... Giving arse to others, being controlled by them, submitting to other people cannot possibly be enjoyable without a strong erotic element." ellauri222.html on line 671: In a 1943 issue of The American Scholar, Marston wrote: "Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power. Not wanting to be girls, they don't want to be tender, submissive, peace-loving as good women are. Women's strong qualities have become despised because of their weakness. The obvious remedy is to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman." ellauri222.html on line 673: Marston's character was a native of an all-female utopia of Amazons who became a crime-fighting U.S. government agent, using her superhuman strength and agility, and her ability to force villains to submit and tell the truth by binding them with her magic "lasso". Wonder Woman's golden "lasso" and Venus Girdle in particular were the focus of many of the early stories and have the same capability to reform people for good in the short term that Transformation Island and prolonged wearing of Venus Girdles offered in the longer term. The Venus Girdle was an allegory for Marston's theory of "sex love" training, where people can be "trained" to embrace submission through eroticism. ellauri222.html on line 675: Through his Wonder Woman comics, he aimed to condition readers to becoming more readily accepting of loving submission to loving authorities rather than being so assertive with their own destructive egos. About male readers, he later wrote: "Give them an alluring woman stronger than themselves to submit to, and they'll be proud to become her willing slaves!" ellauri222.html on line 691: Ei Thea tietystikään huoli takaisin tollasta vetkua ketkua. Mitä vetoa et Augie lähtee kohta Stellan perään Mexico Cityyn jänixenpassi kourassa vonkaamaan lisää korkealuokkaisempaa pillua. ellauri222.html on line 701: Augie on tyyten kirjoitettu ulkomailla, enimmäxeen Ranskassa. Se kyllä näkyy siitä. Samanlaista expatriaattifiilistä kuin Ernestolla. Bellow traveled widely throughout his life, mainly to Europe, which he sometimes visited twice a year. As a young man, Bellow went to Mexico City to meet Leon Trotsky, but the expatriate Russian revolutionary was assassinated the day before they were to meet. ellauri222.html on line 705: Before discussing some of the minor characters in this story, it should be borne in mind that each of them can be analyzed in connection with Candide who may accept or reject their beliefs or principles. Among such supplementary characters, we can single out Lord Pococurante. To a certain degree, even his name is symbolic; the word “pococurante” is of Italian origin and it can be translated into English as indifferent. He perfectly corresponds to his name. At the very beginning of the fifteenth chapter, Voltaire makes the reader feel that Lord Pococurante is tired of everything. He says, “I make them lie with me sometimes, for I am very tired of the ladies of the town, of their coquetries, of their jealousies, of their quarrels, of their humors, of their pettinesses, of their pride, of their follies” (Voltaire, 70) ellauri222.html on line 709: His literary tastes are also very interesting. Lord Pococurante is quite able to criticize Homer, Horace, and Cicero; there is nothing, which may seem flawless. His ability to find defects in everything prevents him from taking pleasure in literature, philosophy, and painting. It is obvious that the author is ironic about him, it can be deduced from Candides remark “But is there not a pleasure in criticizing everything, in pointing out faults where others see nothing but beauties’ (Voltaire, 73). The main problem is that such a world outlook is a personal tragedy, and such an attitude may eventually result in suicide. ellauri222.html on line 711: The question arises why Voltaire inserts such a character in the novella, and what functions he performs in the story. On the one hand, Lord Pococurante embodies the then French aristocracy, the social class, surfeited with everything. The author attracts the reader’s attention to a very curious paradox: people, who live in luxury, cannot enjoy it. Though it is not explicitly stated by Voltaire, such people are doomed to failure. At this point, we can say with certainty that Voltaire is prophetic in this novella. ellauri222.html on line 713: Another aspect, which should be discussed, is perfectionism. The author emphasizes that such a worldview can be very dangerous if the person does not keep the sense of proportion, as it is with Lord Pococurante. He is not able to see the beauty of things that surround him. His criticism can be only destructive, though Pococurante identifies drawbacks; he does put forward any suggestions, which may prove useful. ellauri222.html on line 715: Apart from that, this character demands perfection only from other people, he never attempts to apply this principle to himself and it makes him a slightly comic figure. Lord Pococurante is neither artist, nor writer, but he takes faults with the world masterpieces, which is absurd in its core. Nevertheless, many people deem themselves quite competent for criticizing, having never created any work of art. ellauri222.html on line 723: Saul Bellow is widely recognized as America's preeminent living novelist. His fiction, which is as intellectually demanding as it is imaginatively appealing, steadfastly affirms the value of the human soul while simultaneously recognizing the claims of community and the demoralizing inauthenticity of daily life. Refusing to give in to the pessimism and despair that threaten to overwhelm American experience, Bellow offers a persistently optimistic, though often tentative and ambiguous, alternative to postmodern alienation. In their struggle to understand their past and reorder their present, his protagonists chart a course of possibility for all who would live meaningfully in urban American society and make loads of money. ellauri222.html on line 725: Bellow's first two novels, Dangling Man and The Victim, are brief and disciplined works, darker in mood and less intellectually complex than the later fiction but featuring protagonists who anticipate later Bellovian heroes both in their introspection and in their resistance to urban apathy. In Paris, Saul realized he need not copycat Flaubert and that instead he could write as he spoke. The result was Augie. ellauri222.html on line 727: The first novel to display Bellow's characteristic expansiveness and optimism, The Adventures of Augie March presents a dazzling panorama of comically eccentric characters in a picaresque tale narrated by the irrepressible title character, who defends human possibility by embracing the hope that "There may gods turn up anywhere." Subsequent novels vary in tone from the intensity of Seize the Day to the exuberance of Henderson the Rain King to the ironic ambiguity of Herzog, but all explore the nature of human male freedom and the tensions between the individual's need for self and the needs of society. Augie March, Tommy Wilhelm, Eugene Henderson, and Moses Herzog all yearn to please themselves by finding the beauty in life. By creating these highly individualistic characters and the milieu in which they move, Bellow reveals the flashes of the extraordinary in the ordinary that make such fun possible and rejects the attitude that everyday life must be trivial and ignoble. It is like that just for the losers. ellauri222.html on line 729: This grooming of the self paradoxically requires looking out for number 1. Nowhere is this fact more vividly portrayed than in Henderson the Rain King. Driven in the beginning by a relentless inner voice that repeats, "I want! I want!," Henderson's egoistic absorption in his material success ironically alienates him from himself. Hitching his family to seek fundamental truths in the wilderness of Africa, he discovers the arse loving relationship that men need with nature and with each other and symbolically surrenders his self by accepting responsibility for a lion cub and an orphan child. ellauri222.html on line 733: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace. ellauri222.html on line 739: Some common synonyms of gay are animated, lively, sprightly, and vivacious. While all these words mean "keenly alive and spirited," gay stresses complete freedom from care and overflowing spirits. the gay spirit of Paris in the 1920s. Bellow and his gay chummies in Chicago. ellauri222.html on line 751: While the synonyms sprightly and gay are close in meaning, sprightly suggests lightness and spirited vigor of manner or wit. A tuneful, sprightly gay musical. ellauri222.html on line 753: When is vivacious a more appropriate choice than gay? ellauri222.html on line 757: Because Bellow refuses to devalue human potential in even his bleakest scenarios, his novels often come under attack for their affirmative endings. Augie hails himself as a new Columbus, the rediscoverer of America; Henderson, while triumphantly returning home with his new charges, dances with glee, "leaping, leaping, pounding, and tingling over the pure white lining of the grey Arctic silence." Herzog inexplicably evades his fate, emerging from the flux of his tortured mind to reclaim his sanity and his confidence in the future. Yet, the victories of Bellow's heroes are not unqualified, but rather as ambiguous and tenuous as is the human condition itself. As a new Columbus, Augie speaks from exile in Europe; in holding the orphan child, Henderson recalls the pain of his separation from his own father; by renouncing his self-pity and his murderous rage at his ex-wife Madeleine, Herzog reduces but does not expiate his guilt. Nonetheless, these characters earn whatever spiritual victory they reap through their penes and their refusal to succumb to doubt and cynicism. Through their perseverance in seeking the truth of human existence, they ultimately renew themselves by transcending to an intuitive spiritual awareness that is no less real because it must be taken on faith. ellauri222.html on line 759: In all of Bellow's works, an appreciation of the cultural context in which his protagonists struggle is essential to understanding these characters and their search for renewal. Bellow's vision centers almost exclusively on Jewish male experience in contemporary urban America. Proud of their heritage, his heroes are usually second-generation Jewish immigrants who seek to discover how they can live meaningfully in their American present while honoring their skinless knobs. Much of their ability to maintain their belief in humanity despite their knowledge of the world can be attributed to the affirmative nature of the Jewish culture. Bellovian heroes live in a WASP society in which they are only partially assimilated. However, as Jews have done historically, they maintain their concern for morality and community despite their cultural displacement. ellauri222.html on line 761: Though in some ways separated from American society, Bellow's protagonists also strongly connect their identity with America. Augie begins his adventures by claiming, "I am an American, Chicago born—Chicago, that somber city." Almost all of Bellow's novels take place in an American city, most often Chicago or New York. Through his depiction of urban reality, Bellow anchors his novels in the actual world, and he uses the city as his central metaphor for contemporary materialism. Although recognizing the importance of history and memory, Bellow's novels maintain a constant engagement with the present moment. His characters move in the real world, confronting sensuous images of urban chaos and clutter that often threaten to overwhelm them. Looking down on the Hudson River, Tommy Wilhelm sees "tugs with matted beards of cordage" and "the red bones of new apartments rising on the bluffs." Sammler denounces contemporary New Yorkers for the "free ways of barbarism" that they practice beneath the guise of "civilized order, property rights [and] refined technological organization." In Humboldt's Gift, which is replete with images of cannibalism and vampirism, Charlie Citrone sees Von Trenck, the source of his material success, as "the blood-scent that attracted the sharks of Chicago." Acknowledging the influence of the city on his fiction, Bellow himself has remarked, "I don't know how I could possibly separate my knowledge of life such as it is, from the city. I could no more tell you how deeply it's gotten into my bones than the lady who paints radium dials in the clock factory can tell you." However, although the city serves to identify the deterministic social pressures that threaten to destroy civilization, Bellow's heroes refuse to become its victims and instead draw on their latent nondeterministic resources of vitality to reassert their uniquely American belief in individual freedom, as well as their faith in the possibility of community. ellauri222.html on line 763: Except for Clara Velde in A Theft, the protagonists in Bellow's novels and novellas are all male. The Bellovian hero typically seeks erotic pleasure, emotional security, and egoistic confirmation from the women in his life. In marriage, his relationships with women are conflicted, and he often retreats from his role as husband to a sensuous but selfish and demanding wife who paradoxically represents both his yearning for freewheeling sex happiness and society's pressure to relinquish the freedom so essential to his self-realization. Like his male characters who all are Saul lookalikes, Bellow's females are often interchangeable and serve roles of little dramatic import. However, although the author has come under increasing criticism for his superficial treatment of women, his depiction of women and male-female relationships serves to reinforce the psychological crisis that each male protagonist must negotiate to empty their scrotums so as to achieve peace and fulfillment. ellauri222.html on line 765: Stylistically, Bellow's fiction reflects some of the same tensions that his protagonists seek to balance. His concern with social and personal destruction has been traced to the common run of European writers such as Flaubert, Dostoevsky, Kafka, Sartre, and Camus. But Bellow's fiction also has many ties to the American literary tradition. His neotranscendentalism (what? Emersonian tomfoolery I guess), his identification with America, and the loose form of his most acclaimed novels link him most obviously to Emerson and Whitman. ellauri222.html on line 771: A Neo-Transcendentalist was an individual who followed the philosophical movement founded by Liam Dieghan on Earth in the early 22nd century. These adherents advocated a return to less technological driven lifestyles with an emphasis on self-reliance and nature. Star Trek: The Next Generation (1987) - S02E18 Up the Long Ladder. ellauri222.html on line 779: Transcendentalism is not a religion per se; it is more like a collection of philosophical and theological thought, an intellectual and a spiritual movement that emphasizes the goodness of nature and the independence of humanity. However, during the 1830s, they became an organized group around a twit named Waldo Wiisas. Tämä kaveri on jo haukuttu perinpohjaisemmin sata albumia sitten albumissa 22. ellauri222.html on line 781: Ihmiset kysyvät myös: What are basic transcendentalist beliefs? ellauri222.html on line 783: Key transcendentalism beliefs were that humans are inherently good but can be corrupted by society and institutions, insight and experience are more important than logic, spirituality should come from the self, not organized religion, and nature is beautiful and should be respected. ellauri222.html on line 785: An intensely intellectual writer who peppers his novels with allusions, Bellow draws on many cultural traditions in his analysis of both the sources of American experience and its present manifestations. His fiction fully documents the decline of Western civilization without conceding its obvious demise, and the ambiguity and tenuousness of even his most positive endings balance sadness and comic skepticism with the steadfast faith that he the artist can effect coherence and order, or failing that a lot of cash, out of the chaos of modern experience. His tip for success: kusettakaa minkä jaxatte! For his achievement in confronting the modern existential dilemma with compassion and humor, Bellow's place in twentieth-century American literary history seems assured by drooling groupies like myself. ellauri222.html on line 789: Sharon Talley is a tired professor of English at Texas A&M University-Corpus Christi. She is the author of four books, "Women's Diaries from the Civil War South," "Southern Women Novelists and the Civil War," "Ambrose Bierce and the Dance of Death," and "Student Companion to Herman Melville." In addition, her articles have been published in journals such as "Nineteenth-Century Prose," "American Imago," and the "Journal of Men's Studies." ellauri222.html on line 790: Verdict: probably a Jew. ellauri222.html on line 803: British critics tend to regard the American predilection for Big Novels as a vulgar neurosis — like the American predilection for big cars or big hamburgers. Oh God, we think: here comes another sweating, free-dreaming maniac with another thousand-pager; here comes another Big Mac. First, Dos Passos produced the Great American Novel; now they all want one. Yet in a sense every ambitious American novelist is genuinely trying to write a novel called USA. Perhaps this isn’t just a foible; perhaps it is an inescapable response to America – twentieth-century America, racially mixed and mobile, twenty-four hour, endless, extreme, superabundantly various. American novels are big all right, but partly because America is big too. You need plenty of nerve, ink and energy to do justice to the place, and no one has made greater efforts than Saul Bellow. In 1976 Bellow was awarded the Nobel Prize for Literature, praised by the Swedes ‘for human understanding and subtle analysis of contemporary culture’. Many times in Bellow’s novels we are reminded that ‘being human’ isn’t the automatic condition of every human being. Like freedom or sanity, it is not a given but a gift, a talent, an accomplishment, an objective. The busiest sections of the Chicago bookstores, I noticed, were those marked ‘Personal Growth’. ellauri222.html on line 852: Ozymandias (/ˌɒziˈmændiəs/ oz-ee-MAN-dee-əs; real name Adrian Alexander Veidt) is a fictional anti-villain in the graphic novel limited series Watchmen, published by DC Comics. Created by Alan Moore and Dave Gibbons, named "Ozymandias" in the manner of Ramesses II, his name recalls the famous poem by Percy Bysshe Shelley, which takes as its theme the fleeting nature of empire and is excerpted as the epigraph of one of the chapters of Watchmen. Ozymandias is ranked number 25 on Wizard's Top 200 Comic Book Characters list and number 21 on IGN's Top 100 Villains list. No, wait, Ozymandias was a Greek name for the pharaoh Ramesses II (r. 1279–1213 BC), derived from a part of his throne name, Usermaatre. In 1817, Shelley began writing the poem "Ozymandias", after the British Museum acquired the Younger Memnon, a head-and-torso fragment of a statue of Ramesses II, which dated from the 13th century BC. Earlier, in 1816, the Italian archeologist Giovanni Battista Belzoni had "removed" the 7.25-short-ton (6.58 t; 6,580 kg) statue fragment from the Ramesseum, the mortuary temple of Ramesses II at Thebes, Egypt. The reputation of the statue fragment preceded its arrival to Western Europe; after his Egyptian expedition in 1798, Napoleon Bonaparte had failed to acquire the Younger Memnon for France. Although the British Museum expected delivery of the antiquity in 1818, the Younger Memnon did not arrive in London until 1821. Shelley published his poems before the statue fragment of Ozymandias arrived in Britain, and the view of modern scholarship is that Shelley never saw the statue, although he might have learned about it from news reports, as it was well known even in its previous location near Luxor. ellauri222.html on line 854: The book Les Ruines, ou méditations sur les révolutions des empires (1791) by Constantin François de Chassebœuf, comte de Volney (1757–1820), first published in an English translation as The Ruins, or a Survey of the Revolutions of Empires (London: Joseph Johnson, 1792) by James Marshall, was an influence on Shelley. helley had explored similar themes in his 1813 work Queen Mab. Typically, Shelley published his literary works either anonymously or pseudonymously, under the name "Glirastes", a Graeco-Latin name created by combining the Latin glīs ("dormouse") with the Greek suffix ἐραστής (erastēs, "lover", vitut se on mikään suffixi!); the Glirastes name referred to his wife, Mary Shelley, whom he nicknamed "dormouse". Unikeon köyrijä. Mäuschen, sanoi Percy Marylle niikö Pikin kreikkalainen poikaystävä, setämäinen Kleomenis. ellauri222.html on line 872: Menin ja puhuin tovereilleni, ihmisten suureksi hämmästykseksi, yleismaailmallisesta muurahaiskeosta jonka vihollinen (kommunistit ennenkaikkea) perustaisi jos voittaisi, kohtalosta jota kukaan ei voisi välttää kun koko ihmiskunta joutuisi yhden ainoan hallituksen alaiseksi, ihmisaavikosta joka hyökyisi mahdin hirviömäisten pyramidien juureen. Muutamien vuosikymmenien kuluttua tämän saman maan pinnalla, saman auringon ja kuun alla, missä kerran oli elänyt jumalien kaltaisia ihmisiä, olisi jäljellä vain tämä ihmishyönteisten sukukunta joka kehittäisi itsensä yhtä peikkomaiseksi kuin ulkona uhkaava avaruus ja jäljittelisi sitä hiomalla itselleen koneelliset säännöt jotka olisivat yhtä muuttumattomia kuin fysiikan lait. Kuuliaisuus olisi jumala, vapaus paholainen. Kukaan uusi Mooses ei nousisi johtamaan pakoa orjuudesta, koska uusien pyramidien maassa ei Moosesta syntyisi. Niin, kohottauduin takajaloilleni kuin Bizcocho ja paasasin voimaini takaa. Ja sitten luistin kuzunnoista kauppalaivastoon. No justiinsa tällästä termiittikekoa on jenkit rakentaneet hiki tukassa etenkin neuvostolan hajottua, sillä erolla että globaalissa kapitalistipesässä voi olla useita kilpailevia kuningattaria (tai siis kuninkaita, sori siitä). Sale kazoo Chicagoa ja ymmärtää: yxilö ei ole täällä mitään. Ei yhtään mitään. No mixi pitäskään. ellauri222.html on line 896: Georges Benjamin Eugène Clemenceau [kləmãsõ´] (lempinimi Le Tigre de Papier, ”Paperitiikeri”; 28. syyskuuta 1841 Mouilleron-en-Pareds, Vendée – 24. marraskuuta 1929 Pariisi) oli ranskalainen journalisti ja valtiomies. Hän oli yksi Ranskan kolmannen tasavallan merkittävimpiä poliittisia vaikuttajia ja toimi kahdesti Ranskan pääministerinä vuosina 1906–1909 ja 1917–1920. Clemenceaulla oli keskeinen rooli ensimmäisen maailmansodan jälkeisten rauhanjärjestelyjen muotoilussa ja hän vaati erittäin ankaria rauhanehtoja Saksalle. 1865 eli sisällissodan päätyttyä Jori muutti Yhdysvaltoihin, jossa asui neljä vuotta ja työskenteli muun muassa tyttökoulun opettajana Stamfordissa Connecticutissa. Häneen teki vaikutuksen amerikkalainen sananvapaus, joka oli paljon laajempi kuin Napoleon III:n Ranskassa. Palattuaan Ranskaan vuonna 1869 Clemenceau ryhtyi harjoittamaan lääkärin ammattia Pariisissa. Clemenceaun ensimmäinen vaimo oli hänen entinen oppilaansa, amerikkalainen Mary Plummer, jota hän nai vuonna 1869. Heillä oli kolme lasta, mutta liitto päättyi eroon. ellauri222.html on line 898: Clemenceaun vehkeily toi hänelle politiikassa paljon vihollisia, jotka pääsivät kostamaan vetämällä hänen ison mahansa lokaan vuonna 1892 paljastuneen suuren Panama-skandaalin yhteydessä. Ranskan valtion tukemaan kanavayhtiöön liittyneen poliitikkojen lahjonnan yhtenä välikätenä oli ollut juutalainen liikemies Cornélius Herz, joka oli ollut jonkin aikaa myös La Justicen osakkaana ja siten Clemenceaun liikekumppanina. Päivälehti Le Petit Journal esitti syytöksiä Clemenceaun osuudesta lahjonnassa, vaikka todisteita ei ollut. Koska Clemenceau oli vastustanut monien nationalistien kannattamaa Ranskan ja Venäjän liittoa, häntä väitettiin jopa Ison-Britannian ostamaksi agentiksi. ellauri222.html on line 929: For n≤4 and any bounded smooth domain Ω⊂ℝ n , we establish the existence of a global weak solution for the Landau-Lifshitz equation on Ω with respect to smooth initial-boundary data, which is smooth off a closed set with locally finite n-dimensional parabolic Hausdorff measure. The approach is based on the Ginzburg-Landau approximation, a time slice energy monotonicity inequality, and an energy decay estimate under the smallness of renormalized Ginzburg-Landau energies. ellauri222.html on line 936: Click here to order this CD online ellauri222.html on line 937: Lyrics: ellauri222.html on line 962: Ellsworth Huntington, (born Sept. 16, 1876, Galesburg, Ill., U.S.—died Oct. 17, 1947, New Haven, Conn.), U.S. geographer who explored the influence of climate on civilization. Ellsworth Huntington (September 16, 1876 – October 17, 1947) was a professor of geography at Yale University during the early 20th century, known for his studies on environmental determinism/climatic determinism, economic growth, economic geography, and scientific racism. He served as President of the Ecological Society of America in 1917, the Association of American Geographers in 1923 and President of the Board of Directors of the American Eugenics Society from 1934 to 1938. ellauri222.html on line 967: Environmental determinism (also known as climatic determinism or geographical determinism) is the study of how the physical environment predisposes societies and states towards particular development trajectories. Jared Diamond, Jeffrey Herbst, Ian Morris, and other social scientists sparked a revival of the theory during the late twentieth and early twenty-first centuries. ellauri222.html on line 969: Ellsworth Huntington travelled continental Europe in hopes of better understanding the connection between climate and state success, publishing his findings in The Pulse of Asia, and further elaborating in Civilization and Climate. Like the political geographers, a crucial component of his work was the belief that the climate of North-western Europe was ideal, with areas further north being too cold, and areas further south being too hot, resulting in lazy, laid-back populations. These ideas have powerful connections to colonialism, and may have played a role in the creation of the 'other' and the literature that many used to justify taking advantage of less advanced nations. Who needs Proust or Tolstoy when it suffices to reach up to get a banana. ellauri222.html on line 978: Pyhä Blasius oli legendan mukaan hurskas eläinlääkäri, joka valittiin aikanaan kotikaupunkinsa Sebasteian piispaksi, ja toimi rohkeasti paikallisten kristittyjen johtajana vainon aikana. Hän vetäytyi myöhemmin peliluolaan kaupungin lähistöllä, ja eli siellä rukoillen muiden pelimiesten puolesta ja siunaten ja parantaen villieläimiä. Keisari Liciniuksen aikana v. 316 paikallinen maaherra aloitti vainot. Hänen miehensä löysivät Blasiuksen lemmikit etsiessään petoja, joille kristityt voitaisiin syöttää. Kun häntä vietiin Sebasteiaan, hän paransi erään naisen pojan, joka oli tukehtumassa kurkussaan olevaan ruotoon. Blasiusta kidutettiin tästä hyvästä pieksemällä häntä kepeillä ja repimällä hänen ihoaan villan karstauksessa käytetyillä piikeillä. Hyväxi lopuksi hänet mestattiin. ellauri222.html on line 984: I have a magical superhero team that has 8 members (4 girls and 4 boys, all in elementary school ages). So i would say no more than 10 members. ellauri222.html on line 986: Elokuvassa The Justice League Teräsmiehen muistoa kunnioittava Batman yhdistää voimansa Ihmenaisen, Salaman, Vesimiehen ja Kyborgin kanssa pelastaakseen planeetan Steppenwolfilta ja parademoneilta. Tämän perusteella 14 hädässäauttajaa kuulostaa vähän paljolta. ellauri222.html on line 999: 7-year-old Megan Kanka is abducted, raped, and murdered by twice-convicted sex offender Jesse Timmendequas. Timmendequas had previously pleaded guilty to the attempted sexual assault of a 5-year-old girl in 1979 and the sexual assault of a 7-year-old girl in 1981; the second victim was choked until she was unconscious. He served a 9-month sentence in a correctional facility for the attempted assault. For the second offense, he served 6 years of a 10-year term in a correctional center meant specifically to treat male sex offenders. ellauri222.html on line 1001: On July 29, 1994, Timmendequas lured Megan into his home, hit her head against his dresser, slapped her hard enough to draw blood, raped her, and strangled her with a belt. During the attack, Megan was able to bite Timmendequas’ hand hard enough to leave teeth impressions which later helped convict him. He disposed of her body in a nearby park and confessed to the murder the next day. He was found guilty of kidnapping, aggravated sexual assault, and murder and sentenced to death. Timmendequas’ sentence was commuted to life in 2007 when New Jersey abolished the death penalty. ellauri222.html on line 1002: Megan’s parents lobbied for a new law, stating that, had they known a convicted sex offender had been living in their neighborhood, they would have been better prepared to protect her. The law, dubbed Megan’s Law, requires public access to the names and locations of those convicted of any sexual offense. ellauri222.html on line 1017: Meanwhile, Zimmermann gave an inflammatory speech to his followers. You are here," he cried, "warriors and men of many tribes, Shawnee, Miami, Delaware, Illinois, Ottawa, and Wyandot. All who live in the valley north of the Ohio and east of the Mississippi are here. You are brave men. Sometimes you have fought with one another. In this strife all have won victory and all have suffered defeat. But you lived the life that Manitou made you to live, and you were happy, in your own way, in a great and fair land that is filled with game. ellauri222.html on line 1019: "But a new enemy has come, and, like the buffalo on the far western plains, his numbers are past counting. When one is slain five grow in his place. When Manitou made the white man he planted in his soul the wish to possess all the earth, and he strives night and day to achieve his wish. While he lives he does not turn back, and dead, his bones claim the ground in which they lie. He may be afraid of the forest and the warrior. The growl of the bear and the scream of the panther may make him tremble, but, trembling, he yet comes." ellauri222.html on line 1023: "The men of our race are brave, they are warriors, they have not yielded humbly to the coming of the white man. We have fought him many times. Many of the white scalps are in our wigwams. Sometimes Manitou has given to us the victory, and again he has given it to this foe of ours who would eat up our whole country. We were beaten in the attack on the place they call Wareville, we were beaten again in the attack on the great wagon train, and we have failed now in our efforts against the fort and the fleet. Warriors of the allied tribes, is it not so?" ellauri222.html on line 1024: "But a true warrior," he said, "never yields. Manitou does not love the coward. He has given the world, its rivers, its lakes, its forests, and its game, to the brave man. Warriors of the allied tribes, are you ready to yield Kain-tuck-ee, over which your fathers have hunted from the beginning of time, to the white man who has just come?" ellauri222.html on line 1026: "If we don´t strike hard at this chief Timmendiquas and his men, they will strike hard at us." The savages, seizing their weapons, sprang forth to the conflict. With the Wyandots and the bravest of the Shawnees and Miamis Zimmerman still held the ground where a group of tepees stood, and many men fell dead or wounded before them. Adam Colfax and Major Braithwaite met in the prairie, and in their excitement and joy wrung each other´s hands. ellauri222.html on line 1029: Henry looked down the sights straight into the face of the Indian, and beheld Timmendiquas, the great White Lightning of the Wyandots. Timmendiquas saw the flash of recognition on the boy´s face and smiled faintly. "Shoot," he said. "You have won the chance." Conflicting emotions filled the soul of Henry Ware. If he spared Timmendiquas it would cost the border many lives. The Wyandot chief could never be anything but the implacable foe of those who were invading the red man´s hunting grounds. But Henry remembered that this man had saved his life. He had spared him when he was compelled to run the gantlet. The boy could not shoot. ellauri222.html on line 1033: Then he was gone in the forest, and Henry went back to the battle field, where the firing had now wholly ceased. The white victory was complete. Many Indians had fallen. Their losses here and at the river had been so great that it would be long before they could be brought into action again. But the renegades had made good their escape. They did not find the body of a single one of them, and it was certain that they were living to do more mischief. Noble warriors don´t change sides, they stick to their own color scheme. ellauri222.html on line 1046: Sir Walter Raleigh was one of the most famous explorers of Elizabeth I's reign. His courage and good looks made him a favourite of the Queen's, and she rewarded him for his handsomeness. Raleigh was also a scholar and a poet, but he is usually remembered for introducing the essential potato, and the addictive tobacco. ellauri222.html on line 1058: icio%2Bde%2BIsaac%2B%2528concurso%2B1401%2529.jpg" width="30%" /&> ellauri222.html on line 1065: Marie Corelli, alun perin Mary Mackay (1855 Lontoo, Britannia − 21. huhtikuuta 1924 Stratford-upon-Avon, Warwick, Britannia) oli brittiläinen kirjailija. Hän syntyi Lontoossa skotlantilaisen runoilija Charles Mackayn ja hänen palvelijattarensa Elizabeth Millsin aviottomana lapsena. Marie Corelli kirjoitti suosittuja viihderomaaneja, joissa oli usein okkultisia aiheita. Teoksissaan hän vastustaa naisliikkeen liioitteluja. ellauri222.html on line 1067: Sen Pariisin muistelmista tulee mieleen Emily Pariisissa. Samanlainen röyhkeä jenkkinarsisti Chicagosta joka luulee omistavansa koko maailman. ellauri222.html on line 1079: icture-in-picture" allowfullscreen> ellauri222.html on line 1080: American presidents singing La Cucaracha ellauri223.html on line 6: font-style: italic; ellauri223.html on line 46: Käkättävä Sale luki Mexicossa kirjasta, johon oli koottu eri aikakausien unelmavaltioita eli utopioita. Niiden joukossa oli tää ennestään mulle tuntematon Tommaso. Kyllä sekin kuvitelma oli vitun dystooppista totalitarismia. Apinoiden planeetta muistutti termiittipesää enemmän kuin Tommason myöhemmän maanmiehen, bensa-aseman kattoon jalat alaspäin ripustetun, kärpästen vaivaaman Mussolinin pahimmissakaan painajaisissa. ellauri223.html on line 52: Aurinkokaupunki esitetään dialogina Johanniittain ritarikunnan pikashakin suurmestarin (grand master, GM) ja genovalaisen merikapteenin (Capt. Haddock) välillä. Sen esikuvana on toiminut Platonin Valtio sekä Timaioksessa oleva Atlantiksen kuvaus. Teos kuvaa teokraattisen yhteiskunnan, jossa tavarat, naiset ja lapset ovat yhteisomistuksessa. (Se muuten luetellaan katolisen kirkon heresioiden luettelossa nimellä barallotit. The Barallots were a sect, deemed heretical, at Bologna in Italy, who had all things in common, even their wives and children. They gave so readily into all manner of sensual pleasures, that they were also termed JIT Compilers.) Teoksessa on selvästi vaikutteita Picatrixista, arabialaisesta maagisen kaupunkisuunnittelun oppaasta. ellauri223.html on line 56: Mr. Strangelove is the foremost magistrate in attending to the charge of the race. He sees that men and women are so joined together, that they bring forth the best offspring. Indeed, they laugh at us who exhibit a studious care for our breed of horses and dogs, but neglect the breeding of human beings. Thus the education of the children is under his rule, and whatever has any reference to food, clothing, and the intercourse of the sexes. Love himself is ruler, but there are many male and female magistrates dedicated to these arts. ellauri223.html on line 60: They say that all private property is acquired and improved for the reason that each one of us by himself has his own home and wife and children. From this, self-love springs. For when we raise a son to riches and dignities, and leave an heir to much wealth, we become either ready to grasp at the property of the State, if in any case fear should be removed from the power which belongs to riches and rank; or avaricious, crafty, and hypocritical, if anyone is of slender purse, little strength, and mean ancestry. But when we have taken away self-love, there remains only love for the State. ellauri223.html on line 64: There are occupations, mechanical and theoretical, common to both men and women, with this difference, that the occupations which require more hard work, and walking a long distance, are practised by men, such as ploughing, sowing, gathering the fruits, working at the threshing-floor, stock exchange, and perchance at the vintage. But it is customary to choose women for milking the cows and for making cheese. In like manner, they go to the gardens near to the outskirts of the city both for collecting the plants and for cultivating them. In fact, all sedentary and stationary pursuits are practised by the women, such as weaving, spinning, sewing, cutting the hair, shaving, dispensing medicines, selling arse, and making all kinds of garments. They are, however, excluded from working in wood and the manufacture of arms. If a woman is fit to paint, she is not prevented from doing so; nevertheless, music (song and dance) is given over to the women alone, because they please the more, and of a truth to pretty boys also. But the women have not the practise of the drum and the horn. Pretty boys take care of faggots. ellauri223.html on line 66: Capt. Moreover, the race is managed for the good of the commonwealth, and not of private individuals, and the magistrates must be obeyed. They deny what we hold—viz., that it is natural to man to recognize his offspring and to educate them, and to use his wife and house and children as his own. For they say that children are bred for the preservation of the species and not for individual pleasure, as St. Thomas also asserts. Therefore the breeding of children has reference to the commonwealth, and not to individuals, except in so far as they are constituents of the commonwealth. And since individuals for the most part bring forth children wrongly and educate them wrongly, they consider that they remove destruction from the State, and therefore for this reason, with most sacred fear, they commit the education of the children, who, as it were, are the element of the republic, to the care of magistrates; for the safety of the community is not that of a few. And thus they distribute male and female breeders of the best natures according to philosophical rules. Plato thinks that this distribution ought to be made by lot, lest some incel men seeing that they are kept away from the beautiful women, should rise up with anger and hatred against the magistrates; and he thinks further that those who do not deserve cohabitation with the more beautiful women, should be deceived while the lots are drawn by the magistrates, so that at all times the women who are suitably second rate should fall to their lot, not those whom they desire. Stop the steal! ellauri223.html on line 70: Domestic affairs and partnerships are of little account, because, excepting the sign of honor, each one receives what he is in need of. To the heroes and heroines of the republic, it is customary to give the pleasing gifts of honor, beautiful wreaths, sweet food, heroine, or splendid clothes, while they are feasting. In the daytime all use white garments within the city, but at night or outside the city they use red garments either of wool or silk. They hate black as they do dung, and therefore they dislike the Japanese, who are fond of black, and Africans, for obvious reasons. Pride they consider the most execrable vice, and one who acts proudly is chastised with the most ruthless correction. Wherefore no one thinks it lowering to wait at table or to work in the kitchen or fields or clean the toilets. All work they call discipline, and thus they say that it is honorable to go on foot, to do any act of nature, to see with the eye, and to speak with the tongue, and waft with the tail; and when there is need, they distinguish philosophically between tears and spittle. Every man who, when he is told off to work, does his duty, is considered very honorable. ellauri223.html on line 72: But in the City of the Sun, while duty and work are distributed among all, it only falls to each one to work for about four hours every day. The remaining hours are spent in learning joyously, in debating, in reading, in reciting, in writing, in walking, in exercising the mind and body, and with play. They allow no game which is played while sitting or lying on top of one another, neither the single die nor dice, nor chess, nor others like these. But they play with the ball, with the sack, with the rod, with the hoop, with wrestling, with scratching matches at the stake. They say, moreover, that grinding poverty renders men worthless, cunning, sulky, thievish, insidious, vagabonds, liars, false witnesses, etc.; and that wealth makes them insolent, proud, ignorant, traitors, assumers of what they know not, deceivers, boasters, wanting in affection, slanderers, etc. But with them all the rich and poor together make up the community. They are rich because they want nothing, poor because they possess nothing. Hey is this communism or what? ellauri223.html on line 74: G.M. This seems excellent and sacred, but the community of women is a thing too difficult to attain. The holy Roman Clement says that wives ought to be common in accordance with the apostolic institution, and praises Plato and Socrates, who thus teach, but the Glossary interprets this community with regard to obedience. And Tertullian agrees with the Glossary, that the first Christians had everything in common except wives. ellauri223.html on line 76: They are unwilling that the State should be corrupted by the vicious customs of slaves and foreigners. Therefore they do business at the gates, and sell only those whom they have taken in war or keep them for digging ditches and other hard work without the city, and for this reason they always send four bands of soldiers to take care of the fields, and with them there are the laborers. ellauri223.html on line 80: They have an abundance of all things, since everyone likes to be industrious, their labors being slight and profitable. They are docile, and that one among them who is head of the rest in duties of this kind they call king. For they say that this is the proper name of the leaders, and it does not belong to ignorant persons. It is wonderful to see how men and women march together collectively, and always in obedience to the voice of the king. Nor do they regard him with loathing as we do, for they know that although he is greater than themselves, he is for all that their father and brother. ellauri223.html on line 82: They injure nobody, and they do not put up with injury, and they never go to battle unless when provoked. They assert that the whole earth will in time come to live in accordance with their customs. Furthermore, they have artificial fires, battles on sea and land, and many strategic secrets. Therefore they are nearly always victorious. (Tää kuulostaa aika lailla jenkkipropagandalta.) ellauri223.html on line 84: Capt. Their food consists of flesh, butter, honey, cheese, garden herbs, and vegetables of various kinds. They were unwilling at first to slay animals, because it seemed cruel; but thinking afterward that is was also cruel to destroy herbs which have a share of sensitive feeling, they saw that they would perish from hunger unless they did an unjustifiable action for the sake of justifiable ones, and so now they all eat meat. Nevertheless, they do not kill willingly useful animals, such as oxen and horses. They observe the difference between useful and harmful foods, and for this they employ the science of medicine. They always change their food. First they eat flesh, then fish, then afterward they go back to flesh, and nature is never incommoded or weakened. The old people use the more digestible kind of food, and take three meals a day, eating only a little. But the general community eat twice, and the boys four times, that they may satisfy nature. The length of their lives is generally 100 years, but often they reach 200. ellauri223.html on line 88: Among them there is never gout in the hands or feet, nor catarrh, nor sciatica, nor grievous colics, nor flatulency, nor hard breathing. For these diseases are caused by laughing, indigestion and flatulency, and by frugality and exercise they remove every humor and spasm. ellauri223.html on line 90: And in other ways they labor to cure the epilepsy, with which they are often troubled. G.M. A sign this disease is of wonderful cleverness, for from it Hercules, Scrotus, Socrates, Callimachus, and Mahomet have suffered. This they cure by means of prayers to heaven, by strengthening the head, by taking acid, by planned gymnastics, and with fat cheese-bread sprinkled with the flour of wheaten corn. My, that is yummy, I tell you. ellauri223.html on line 92: They know also a secret for renovating sex life after about the seventieth year, and for ridding it of the wilted dick affliction, and this they do by a pleasing and indeed wonderful art, using young girls. But let's not go into that right now. ellauri223.html on line 96: Capt. This is the point I was just thinking of explaining. Everyone is judged by the first master of his trade, and thus all the head artificers are judges. They punish with exile, with flogging, with blame, with deprivation of the common table, with exclusion from the church and from the company of women. When there is a case in which great injury has been done, it is punished with death, and they repay an eye with an eye, a nose for a nose, a tooth for a tooth, a woman (or half a camel) for a woman, and so on, according to Hammurabi's law of retaliation. ellauri223.html on line 98: No one is killed or stoned unless by the hands of the people, the accuser and the witnesses beginning first. For they have no executioners and lictors, lest the State should sink into ruin. The choice of death is given to the rest of the people, who enclose the lifeless remains in little bags and burn them by the application of fire, while exhorters are present for the purpose of advising concerning a good death. Nevertheless, the whole nation laments and beseeches God that his anger may be appeased, being in grief that it should, as it were, have to cut off a rotten member of the State. Certain officers talk to and convince the accused man by means of arguments until he himself acquiesces in the sentence of death passed upon him, or else... But if a crime has been committed against the liberty of the republic, or against God, or against the supreme magistrates, there is immediate censure without pity. These motherfuckers are punished with death. ellauri223.html on line 100: Anyways, the inhabitants of the City of the Sun do not fear death, because they all believe that the soul is immortal, and that when it has left the body it is associated with other spirits, wicked or good, according to the merits of this present life. ellauri223.html on line 107: No chance is given for idolatry. The statues and pictures of the heroes, however, are there, and the splendid women set apart to become mothers often look at them, wetting their pants. ellauri223.html on line 109: They repeat but one prayer, which asks for health of body and of mind, and happiness for themselves and all people, and they conclude it with the petition "As it seems best to God." Inshallah. C.O. Rosenius olis tyytyväinen thän lisäyxeen. ellauri223.html on line 113: They say that it is very doubtful whether the world was made from nothing, or from the ruins of other worlds, or from chaos, but they certainly think that it was made, and did not exist from eternity. Therefore they disbelieve in Aristotle, whom they consider a logican and not a philosopher. ellauri223.html on line 122: The absence of good (Latin: privatio boni), also known as the privation theory of evil, is a theological and philosophical doctrine that evil, unlike good, is insubstantial, so that thinking of it as an entity is misleading. Instead, evil is rather the absence, or lack (“privation”), of good. This also means that everything that exists is good, insofar as it exists; and is also sometimes stated as that evil ought to be regarded as nothing, or as something non-existent. ellauri223.html on line 124: It is often associated with a version of the problem of evil: if some things in the world were to be admitted to be evil, this could be taken to reflect badly on the creator of the world, who would then be difficult to admit to be completely good. The merit of the doctrine in serving as a response to this version of the problem of evil is disputed. ellauri223.html on line 129: For what is that which we call evil but the absence of good? In the bodies of animals, disease and wounds mean nothing but the absence of health; for when a cure is effected, that does not mean that the evils which were present—namely, the diseases and wounds—go away from the body and dwell elsewhere: they altogether cease to exist; for the wound or disease is not a substance, but a defect in the fleshly substance,—the flesh itself being a substance, and therefore something good, of which those evils—that is, privations of the good which we call health—are accidents. Just in the same way, what are called vices in the soul are nothing but privations of natural good. And when they are cured, they are not transferred elsewhere: when they cease to exist in the healthy soul, they cannot exist anywhere else. ellauri223.html on line 135: Through Augustine, this doctrine influenced much of Catholic thought on the subject of evil. For instance, Boethius famously proved, in Book III of his Consolation of Philosophy, that “evil is nothing”.The theologian Pseudo-Dionysius the Areopagite also states that all being is good, in Chapter 4 of his work The Divine Names. Thomas Aquinas concluded, in article 1 of question 5 of the First Part of his Summa Theologiae, that “goodness and being are really the same, and differ only in idea”. ellauri223.html on line 137: Later on, the philosopher Baruch Spinoza also agreed with the doctrine, when he said: “By reality and perfection I mean the same thing” (Ethics, part II, definition VI). Leibniz adhered to the doctrine as well, as do the Baha'i. Elämme parhaassa mahdollisessa maailmassa, ystävä hyvä. Mitä puppua. ellauri223.html on line 141: Homo mensura est appellatio doctrinae, quam Protagoras prima sententia libri sui de veritate (Ἀλήθεια) scripti exposuit. Primum testimonium huius sententiae apud Platonem invenitur, sed quia enuntiato infinitivo constracta est, oratio recta apud Sextum Empiricum et Diogenem Laertium servata saepe citari solet: ellauri223.html on line 146: Doctrina Protagorea aliquo modo ad relativismum epistemologicum referri videtur: qualem quilibet quamlibet rem perceperit, talis ei videbitur. At si nemo umquam erraret, omnes homines aeque sapientes essent. Constat quidem neminem erroris purum esse. Difficilius est hoc negare, suam cuique experientiam sensibus acceptam veram esse. Scientia non tamen ad sensuum experientiam pertinet sed in rationis conclusione ad hanc experientiam pertinenti posita est. Protagoras experientiam et scientiam confundere videtur. ellauri223.html on line 148: Homo mensura sententia celeberrima est, cui varii sunt intellectus. Itaque convenit, quales hi intellectus sint, scrutari. Quamquam homo mensura hodie suam vivere vitam iam coepisse videtur, in primis inspiciendi sunt intellectus ad Protagoram pertinentes. ellauri223.html on line 151: Ransu Silavan uusi Atlantic City ellauri223.html on line 153: New Atlantis is an incomplete utopian novel by Sir Francis Bacon, published posthumously in 1626. It appeared unheralded and tucked into the back of a longer work of natural history, Sylva sylvarum (forest of materials). In New Atlantis, Bacon portrayed a vision of the future of human discovery and knowledge, expressing his aspirations and ideals for humankind. The novel depicts the creation of a utopian land where "generosity and enlightenment, dignity and splendour, piety and public spirit" are the commonly held qualities of the inhabitants of the mythical Bensalem. The plan and organisation of his ideal college, Salomon's House (or Shlomo's House), envisioned the modern research university in both applied and pure sciences. ellauri223.html on line 157: The novel depicts a mythical island, Bensalem, which is discovered by the crew of a European ship after they are lost in the Pacific Ocean somewhere west of Peru. The minimal plot serves the gradual unfolding of the island, its customs, but most importantly, its state-sponsored scientific institution, Salomon's House, "which house or college ... is the very eye of this kingdom." ellauri223.html on line 159: Many aspects of the society and history of the island are described, such as the Christian religion – which is reported to have been born there as a copy of the Bible and a letter from the Apostle Saint Bartholomew arrived there miraculously, a few years after the Ascension of Jesus; a cultural feast in honour of the family institution, called "the Feast of the Family"; a college of sages, the Salomon's House, "the very eye of the kingdom", to which order "God of heaven and earth had vouchsafed the grace to know the works of Creation, and the secrets of them", as well as "to discern between divine miracles, works of nature, works of art, and other impostures and illusions of all sorts"; and a series of instruments, process and methods of scientific research that were employed in the island by the Salomon's House. ellauri223.html on line 162: The inhabitants of Bensalem are described as having a high moral character and honesty, as no official accepts any payment from individuals. The people are also described as chaste and pious, as said by an inhabitant of the island: ellauri223.html on line 166: I remember I have read in one of your European books, of an holy hermit amongst you that desired to see the Spirit of Fornication; and there appeared to him a little foul ugly Aethiop. Fuckin niggah. But if he had desired to see the Spirit of Chastity of Bensalem, it would have appeared to him in the likeness of a fair (paleface) beautiful Cherubim. For there is nothing amongst mortal men more fair and admirable, than the chaste minds of this people. Know therefore, that with them there are no chicken stews, frozen or otherwise, no dissolute houses, no courtesans, nor anything of that kind. ellauri223.html on line 168: In the last third of the book, the Head of the Salomon's House takes one of the European visitors to show him all the scientific background of Salomon's House, where experiments are conducted in Baconian method to understand and conquer nature (no tietysti), and to apply the collected knowledge to the betterment of society. Namely: 1) the end, or purpose, of their foundation; 2) the preparations they have for their works; 3) the several employments and functions whereto their fellows are assigned; 4) and the ordinances and rites which they observe. ellauri223.html on line 174: Ransu Pekoni syntyi Lontoossa ja sai englantilaisen "herrasmiehen" kasvatuksen. Hänen isänsä oli Sir Nicholas Bacon ja äitinsä Anne Cooke. Elämäkertureiden mukaan hän sai tukiopetusta huonon mielenterveytensä vuoksi. ellauri223.html on line 178: Bacon valittiin parlamenttiin vuonna 1584 ja hän toimi sen jäsenenä yhtensä 36 vuoden ajan. Baconin ura lähti todelliseen nousuun kuitenkin vasta kun kuningatar Elisabet I kuoli vuonna 1603 ja Bacon siirtyi Jaakko I:n palvelukseen. Samana vuonna hänet lyötiin ritariksi. Vuonna 1613 Baconista tuli tuomari, ja viisi vuotta myöhemmin hän sai lordikanslerin ja Verulamin paronin arvonimen. 60-vuotias Bacon nimitettiin St. Albansin varakreiviksi. Myöhemmin samana vuonna häntä syytettiin lahjusten ottamisesta, johon hän myönsi syyllisyytensä. Bacon sai 40 000 punnan sakot ja hänet tuomittiin vankeuteen Lontoon Toweriin. Hän ehti viettää vain neljä päivää vankeudessa ennen armahdustaan eikä hänen tarvinnut maksaa sakkoja, mutta Bacon ei enää tapahtuneen jälkeen voinut toimia parlamentin jäsenenä tai poliittisessa virassa. Twice paid, kuten sanottiin uudessa Atlantixessa. ellauri223.html on line 182: Bacon stated that he had three goals: to uncover truth, to serve his country, and to serve his church. He sought to achieve these goals by seeking a prestigious post. Yet he failed to gain a position that he thought would lead him to success. He showed signs of sympathy to Puritanism, attending the sermons of the Puritan chaplain of Gray's Inn and accompanying his mother to the Temple Church to hear Walter Travers. In the Parliament of 1586, he openly urged execution for the Catholic Mary, Queen of Scots. He advocated for the union of England and Scotland, which made him a significant influence toward the consolidation of the United Kingdom; and he later would advocate for the integration of Ireland into the Union. Closer constitutional ties, he believed, would bring greater peace and strength to these countries. What a motherfucker. ellauri223.html on line 190: At the age of 45, Bacon married Alice Barnham, the 13-year-old daughter of a well-connected London alderman and MP. Bacon wrote two sonnets proclaiming his love for Alice. The first was written during his courtship and the second on his wedding day, 10 May 1606. When Bacon was appointed lord chancellor, "by special Warrant of the King", Lady Bacon was given precedence over all other Court ladies. Bacon's personal secretary and chaplain, William Rawley, wrote in his biography of Bacon that his marriage was one of "much conjugal love and respect", mentioning a robe of honour that he gave to Alice and which "she wore unto her dying day, being twenty years and more after his death". ellauri223.html on line 192: However, an increasing number of reports circulated about friction in the marriage, with speculation that this may have been due to Alice's making do with less money than she had once been accustomed to. It was said that she was strongly interested in fame and fortune, and when household finances dwindled, she complained bitterly. Bunten wrote in her Life of Alice Barnham that, upon their descent into debt, she went on trips to ask for financial favours and assistance from their circle of friends. Bacon disinherited her upon discovering her secret romantic relationship with Sir Frodo Underhill. He subsequently rewrote his will, which had previously been very generous—leaving her lands, goods, and income—and instead revoked it all. ellauri223.html on line 194: Alice Bacon and her mother Dorothy were both reported by contemporaries as having extravagant tastes, and being interested in wealth and power. However, early in the marriage, Bacon had money to spare, "pouring jewels in her lap", and spending large sums on decorations. Power was also available, as in March 1617, along with Francis Bacon being made temporary Regent of England, a document was drawn up making Lady Bacon first lady in the land, taking precedence over all other Baronesses (it is not clear whether it was signed into law). ellauri223.html on line 196: The Bacons' early married life was disturbed several times by quarrels between Sir John Pakington and Dorothy, when Dorothy would appeal to her powerful son-in-law, and Francis Bacon would try to stay out from between them. Once Bacon was even a judge on the High Commission and had to reject a lawsuit from Dorothy against John which had put John in prison. ellauri223.html on line 198: Their marriage led to no children. In 1620, she met Mr. Frodo Underhill, and Mr. Nicholas Bacon, gentlemen-in-waiting at York House, Strand, Bacon's London property. She was rumoured to have had an ongoing affair with Underhill. Underhill was a cousin of the Bilbo Underhill who sold New Place to Gandalf Shakespeare in 1597. ellauri223.html on line 200: In 1621, Bacon, by now styled as Viscount St Albans, was accused of taking bribes, heavily fined, and removed from Parliament and all offices. Lady Bacon personally pleaded with the Marquis of Buckingham for the restoration of some of Bacon's salary and pensions, to no effect. They lost York House and left the city in 1622. ellauri223.html on line 202: Reports of increasing friction in the marriage appeared, with speculation that some of this may have also been due to financial resources not being as abundantly available to Alice as she was accustomed to in the past. Alice was reportedly interested in fame and fortune, and when reserves of money were no longer available, there was constant complaining about where all the money was going. ellauri223.html on line 204: In 1625, Bacon became estranged from his wife, apparently believing her of adultery with Underhill. He rewrote his will, which had been quite generous to her, leaving her lands, goods, and income, to revoke it all: ellauri223.html on line 210: Less than a fortnight after Bacon's death from pneumonia on 9 April 1626, Alice, Lady St Albans, married courtier Frodo Underhill, at the Church of St Martin in the Fields, London, 20 April 1626. Soon after, on 12 July 1626, Charles I of England knighted him at Oatlands. They lived together at Old Gorhambury House, St Albans, Hertfordshire. ellauri223.html on line 212: The Viscountess St Albans, as she still preferred to be called, spent much of her marriage in Chancery proceedings, lawsuits over property. The first year was over her former husband's estate, trying to get what was left of Bacon's property, without his much greater debts. She was opposed in this by Sir John Constable, her brother in law, who had held some of the estate in trust. In 1628 she filed suits for property owned by her late father. In 1631, she and her husband both filed suit against Nicholas Bacon, of Gray's Inn, their former friend, who had married Sir John Underhill's niece, and gotten Underhill to sign an agreement for a large dowry and extensive property, including some property of Alice that Sir John did not have rights to, and could only inherit after her death. Their petition to court stated that Bacon had tricked Underhill "who was an almost totally deaf man, and by reason of the weakness of his eyes and the infirmity in his head, could not read writings of that nature without much pain," to sign a paper not knowing what it contained. ellauri223.html on line 222: Several authors believe that, despite his marriage, Bacon was primarily attracted to men. Forker, for example, has explored the "historically documentable sexual preferences" of both Francis Bacon and King James I and concluded they were both oriented to "masculine love", a contemporary term that "seems to have been used exclusively to refer to the sexual preference of men for members of their own gender." ellauri223.html on line 224: The well-connected antiquary John Aubrey noted in his Brief Lives concerning Bacon, "He was a Pederast. His Ganimeds and Favourites tooke Bribes". ("Pederast" in Renaissance diction meant generally "homosexual" rather than specifically a lover of minors; "ganimed" derives from the mythical prince abducted by Zeus to be his cup-bearer and bed warmer.) ellauri223.html on line 226: The Jacobean antiquarian Sir Simonds D'Ewes (Bacon's fellow Member of Parliament) implied there had been a question of bringing him to trial for buggery, which his brother Anthony Bacon had also been charged with. ellauri223.html on line 228: In his Autobiography and Correspondence, in the diary entry for 3 May 1621, the date of Bacon's censure by Parliament, D'Ewes describes Bacon's love for his Welsh serving-men, in particular Godrick, a "very effeminate-faced youth" whom he calls "his catamite and bedfellow". ellauri223.html on line 230: This conclusion has been disputed by other faggots, who point to lack of consistent evidence, and consider the sources to be more open to interpretation. Publicly, at least, Bacon distanced himself from the idea of homosexuality. In his New Atlantis, he described his utopian island as being "the chastest nation under heaven", and "as for masculine love, they have no touch of it". Olipa 2-naamainen kaveri. ellauri226.html on line 6: font-style: italic; ellauri226.html on line 34: ic01.nyt.com/images/2012/07/02/opinion/cs-beach-boys/cs-beach-boys-blog480.jpg" width="100%" /> ellauri226.html on line 53: Toisaalta meillä on "America's Band", kuten Ronald Reagan kutsui Beach Boysiksi vuonna 1983, ja he ovat halukkaita osallistumaan presidentin poliittiseen teatteriin. Monille republikaaneille bändin räsy rikkauksiin -tarina ilmentää kuvitteellista konsensuspolitiikan aikaa ja yhtä aikaa amerikkalaista unelmaa, joka on valkoleipää ja viatonta. Bändi tarttui tähän tunteeseen hyvissä ajoin ennen Reaganin aikakautta, ja tämä Beach Boysin omalaatuisen kulttuurisen DNA:n kanta on tarjonnut heille tasaisia varauksia republikaanien ja konservatiivisten asioiden poliittisina maskoteina. ellauri226.html on line 66: In late 1964, as Brian Wilson's industry profile grew, he became acquainted with various individuals from around the Los Angeles music scene. He also took an increasing interest in recreational drugs (particularly marijuana, LSD, and Desbutal). According to his then-wife Marilyn, Wilson's new friends "had the gift of gab. All of a sudden Brian was in Hollywood—these people talk a language that was fascinating to him. Anybody that was different and talked cosmic or whatever he liked it." Wilson's closest friend in this period was Loren Schwartz, an aspiring talent agent that he met at a recording studio. Schwartz introduced Wilson to marijuana and LSD, as well as a wealth of literature commonly read by college students. During his first LSD trip, Wilson had what he considered to be "a very religious experience" and claimed to have seen God. God has subsequently personally confirmed this. ellauri226.html on line 68: In November 1965, early in the sessions for the Beach Boys' 11th studio LP Pet Sounds, Wilson began experimenting with the idea of recording an album focused on humor and laughter. He was intent on making Pet Sounds a complete departure from previous Beach Boys releases and did not wish to work with his usual lyricist, Mike Love, who was such a sourpuss. ellauri226.html on line 70: Former Beach Boys Brian Wilson and Al Jardine say they want to make one thing clear — they had nothing to do with ex-bandmate Mike Love’s headlining performance at a President Trump fundraiser over the weekend. “We have absolutely nothing to do with the Trump benefit today in Newport Beach. Zero,’’ the musicians said. ellauri226.html on line 71: Love has the touring rights to the Beach Boys name — which has created controversy with his ex-bandmates in the past. Love is by far the right hand man of the men in flip-flops. ellauri226.html on line 73: Love’s performance on behalf of Trump on Sunday was the main attraction for the event, according to the LA Times. Tickets ran from $2,800 per person to up to $150,000 for a couple to be considered “co-chairs’’ of the event. ellauri226.html on line 80: Another Brick Back in The Wall ellauri226.html on line 83: Waters criticised the West for supplying Ukraine with weapons, blaming Washington in particular, and has also criticised NATO, accusing it of provoking Russia. Floydin This is not a drill kiertue Krakovassa peruttiin. Menköön Moskovaan laulamaan toivottivat tuohtuneet polakit. ellauri226.html on line 93: Sea and Sardinia is a travel book by the English writer D. H. Lawrence. It describes a brief excursion undertaken in January 1921 by Lawrence and his wife Frieda, a.k.a. Queen Bee, from Taormina in Sicily to the interior of Sardinia. They visited Cagliari, Mandas, Sorgono, and Nuoro. His visit to Nuoro was a kind of homage to Grazia Deledda but involved no personal encounter. Despite the brevity of his visit, Lawrence distils an essence of the island and its people that is still recognisable today. ellauri226.html on line 94: D.H. Lawrence’s foreword to Deledda’s novel The Mother, which appeared in the English editions of the 1920’s, is reprinted in the new edition of M.G. Steegman’s translation La Madre (The Woman and the Priest) or The Mother, edited with an introduction and chronology by Eric Lane. London: Daedalus/Hippocrane, 1987. ellauri226.html on line 98: bringing in. After which wc slip into the cold high- ellauri226.html on line 106: Nuoro, quite quickly the moors seemed to spread on ellauri226.html on line 120: The “quite pleasant woman” who fed the Lawrences was Agostino’s grandmother. He proudly showed us her picture, along with a brochure for the Festival D.H. Lawrence, which takes place every August. Lawrences, who, in the impoverished Sardinia of their day couldn’t find anything but cabbage soup and hard bread. ellauri226.html on line 124: We, too, arrived on a Saturday afternoon. There was nowhere to eat and nothing to do, other than lounge by the lifeless station, reading Lawrence’s catalogue of complaints. But then I looked up to find the very “pink-washed building” with the very same name (Risveglio) as the horrible inn in the book. “It can’t be the same one,” I said. “There’s no plaque. Wow, there's a traffic sign, but it's not in English?" ellauri226.html on line 135: My wife marched right in. All six guys filed in behind her, like a spaghetti western, many of which were filmed close by. Inside, the pallid bartender was polishing glasses. I slapped a euro on the bar and ordered two macchiatos. Then, in my grunting Italian American, I asked if this might be the same Risveglio from D.H. Lawrence’s day. ellauri226.html on line 143: “A heart yearning for something I have known, and which I want back again.” Varmaan se oli Grazian graziöösi persaus. READING: Sea and Sardinia, by D.H. Lawrence (Penguin Classics); Cosima, by Grazia Deledda (Italica Press), about a young lady writer’s ass in Sardinia in the late 19th-Century. ellauri226.html on line 178: Hans dotter Carin Evander beskriver den traumatiska barndomen, där pappan under lång tid trakasserat familjen. Sämst gick det för hennes storasyster Andrea. ellauri226.html on line 181: Tre månader efter att Andrea fick psykiatrisk vård, omkom hon i en trafikolycka. Hon var då 16 år. ellauri226.html on line 200: Fan va det gick utför sen för Evander, från tidigt 00-tal. Söp ännu mer - för hur kulle hans författarskap förstås om Evander skrev tvärtemot naturen han var? ellauri226.html on line 208: While local demographics and neighborhoods are undeniably subject to change, it is rare for a location to experience a major transformation in racial demographics in less than 50 years. Yet this is exactly what has happened in The Bronx between 1950 and 1980. As indicated by the 1950 the ethnic makeupof The Bronx was predominantly white. The census for 2000 indicates that whites (that is, what the U.S. Census labels “white, non-Hispanic”) now compose a distinct minority in The Bronx. The explanations for this remarkable change are complex. LOL actually they aren't, as we shall see. ellauri226.html on line 221: exchange would changed dramatically, and by that I mean dramatically. The 1970s marked the greatest out ellauri226.html on line 227: the white ethnic stronghold it had been in 1950, nor yet a black one either anymore. The 1980 census ellauri226.html on line 230: increase somewhet during this time period, rising by only approximately 14,000 new residents, many other ethnic groups appeared on The ellauri226.html on line 232: Dominicans, Hondurans, Ecuadorians, and Salvadorians. Arrgh. ellauri226.html on line 237: the changing demographics of their borough. Of the interviewed, ellauri226.html on line 238: only one, Derrick, still resides in The Bronx today. ellauri226.html on line 239: When asked to describe The Bronx during his childhood, Derrick recited a poem by writer Ogden Nash: “The Bronx? No, thonx!” When Nash ellauri226.html on line 243: Boy that changed something quick! ellauri226.html on line 245: While Nash criticized the apparent tranquility and peace of The Bronx, ellauri226.html on line 248: Dr. Derrick talked about how his family often left the door ellauri226.html on line 253: I grew up on the street, which is to say that my people sent me on the street to play. Really, I was told to go out and play; my mom she wouldn’t care a bit. My mother, she just said go out and play. By ﬁve years old I was four or ﬁve years old. So say I was four years old. I was ellauri226.html on line 261: Derrick’s sentiments were echoed by my mom Kathleen Roby, who grew up in ellauri226.html on line 262: in the 1950s and 1960s. Mrs. Roby described growing up in “a very, very safe neighborhood." Like Derrick, she goes on and on to speak about playing outside and unlocked doors as evidence of the apparent safety and tranquility of the neighborhood. It was like Moomindale! Ei muumitaloa lukita yöxi hei Muu-u-mi! ellauri226.html on line 268: bus and travel. No it wasn’t four or ﬁve stops but it was four or ﬁve blocks to this Catholic grammar school I went to. ellauri226.html on line 270: For both Dr. Derrick and Mrs. Roby, the independence that they were ellauri226.html on line 279: Hispanic residents! ellauri226.html on line 281: Research has indicated that The Bronx began changing demographically right after World War II. The ﬁrst inﬂux of black and Hispanic residents was into the South Bronx after World War II, as former residents of Harlem were attracted to The Bronx because of its rent controlled apartments. Many of these blacks and Hispanics moved into neighborhoods following the subway and elevated trains transportation. Pre-cisely! This is just why Grankulla does not want subway nor high-rise apartment housing. Let the cleaners and station attendants sleep i Mattby i stället. ellauri226.html on line 283: The arrival of many of these lower income construction of public housing projects throughout The Bronx, ﬁrst began during the Great Depression. Relatively soon ellauri226.html on line 284: after many Hispanics and blacks began to move in, crime and drug use swept ellauri226.html on line 290: As black and Hispanic residents slowly trickled into the South Bronx ellauri226.html on line 291: after World War II, the older white residents noticed the changing demographics and packed their bags. ellauri226.html on line 294: as the new black and Hispanic residents lived in segregated areas, ellauri226.html on line 296: neighborhood. Mr. Werner noticed this segregation where he lived, as the ellauri226.html on line 297: junior high school became the unoﬀicial dividing line between the ellauri226.html on line 300: behind the school, population of the area changed dramatically and was ellauri226.html on line 301: 80-90% Puerto Rican or black. ellauri226.html on line 322: the 1960s, areas of predominantly Hispanic and black concentrations ellauri226.html on line 347: city oﬀicials in the Bronx Arson Task Force in 1974 conﬁrmed that the ﬁres were being set by the white owners, but it was diﬀicult to hold any one person responsible because the paid arsonists often refused to name the white customers. ellauri226.html on line 349: The chaos reached its peak in 1977 when a July black-out brought a dramatic increase of responsible arsonists in that same Stadium where Cosell as the Yankees played in the 1977 World Series, as part of an insurance conspiracy, however. ellauri226.html on line 352: Her boyfriend would drive her to her clinic in his car because he was afraid of walking alone in the community. ellauri226.html on line 357: Her friends and family began to worry even more when she graduated from New York University with a degree in physical therapy and was hired at Misericordia Hospital on 233d Street in the Northeast Bronx. While at the time Misericordia ellauri226.html on line 358: was in a section that was considered extremely dangerous, Roby was quickly sent down to Lincoln Hospital in the South Bronx, because of labor shortages. ellauri226.html on line 362: epitomized in an experience she had in the physical therapy room of ellauri226.html on line 363: Lincoln Hospital in which rival gang members were receiving physical ellauri226.html on line 364: therapy because of matching paralyzing gunshot wounds. Roby tried to provide physical therapy for these teenage boys but was unable to because they were ellauri226.html on line 370: It was not long before Dr. Derrick, Mrs. ellauri226.html on line 371: Werner, and Mrs. Roby noticed that their neighborhoods were ellauri226.html on line 376: and muggings, which often seemed to signal a changing neighborhood. ellauri226.html on line 378: As the 70s progressed, Derrick began to notice changes in crime and safety in ellauri226.html on line 379: his Fordham neighborhood. For Derrick, examples of how the neighborhood changed were a subway robbery and the burglary of her home. These examples of petty crime prompted him and his family to move to another section ellauri226.html on line 380: of The Bronx. Additionally troubling for Derrick and his family was ellauri226.html on line 381: what his sister endured at the local public high school. Even ellauri226.html on line 382: though Dr. Derrick had attended the same just 14 years before, he ellauri226.html on line 384: sister was harassed to the point that she left the public school and had to ellauri226.html on line 395: 1970s. During this time, her mother was mugged twice while going to the neighborhood laundromat and there was a rash of petty crime in her parking ellauri226.html on line 399: Horse was the drug of choice during the ellauri226.html on line 400: 1970s and 80s, at least the wop cop said that heroin was good and easily found on street particularly throughout the South corners. As a police oﬀicer he was ﬁghting against the dumping of the drug to lower the prices, and later, cocaine, because as the neighborhood drug dealer he was often a drug addict himself, selling drugs to support his own habit. ellauri226.html on line 405: A decline of drug use exacerbated the position of the officers of the law. ellauri226.html on line 409: which began as an attempt to limit housing services because they did not bring in ellauri226.html on line 410: appropriate proﬁt. As a result of the decline in services, many buildings ellauri226.html on line 413: All three recalled that by the late 1960s the electrical wiring in ellauri226.html on line 419: the electrical handle required to run an air conditioner. Montezuma's ellauri226.html on line 420: and Derrick’s buildings also suﬀered from the same problem, and all three commented on how the landlords would not change wiring because they felt as though they would not recoup the cost. Residents could not even use toasters! ellauri226.html on line 421: The wiring in Dr. Derrick’s childhood was so weak at one point that he could not light a joint because his mom would blow a fuse. ellauri226.html on line 423: The decline in the physical condition of the buildings was not ellauri226.html on line 424: the only change; services companies also began to be limited. Derrick recalls simple services like garbage pick-up within building and the washing and waxing of the ﬂoors and less frequent, becoming less it stopped all together. ellauri226.html on line 428: It was a downward spiral that many of the white ethnic residents who had called The Bronx home in the 1950s and watched it change for the worse in the 1960s and 70s were quick to blame on the Hispanics and blacks. ellauri226.html on line 431: rental units were deemed dilapidated or deteriorating by city oﬀicials. As a result, the Hispanic and black residents were forced to look for housing there ellauri226.html on line 432: as early as 1970. Many of these nigrate individuals had called this area home for almost 20 years. Meanwhile white families began to migrate north within The Bronx, particularly Jewish, Irish, and Italian families. ellauri226.html on line 435: the new Hispanic and black residents for the increase in crime and drugs. ellauri226.html on line 436: It was impossible for these former white residents to recognize that the causes of the increase in crime and drug use had to do with themselves, the white laissez-faire economics they supported. It is not that extremely complicated to see, and has a great deal more to with capitalism than race. ellauri226.html on line 438: The 1970s was a rough economic time for the U.S, including the city of New York and The Bronx in particular. The economic problems began early after World War ellauri226.html on line 440: lost 500,000 factory jobs, and after 1960 civil service jobs were opened ellauri226.html on line 443: inﬂux of poor minority families in the 1950s and 1960s was thus cleverly met with a deteriorating and poor job market and limited employment opportunities. The declining job market continued into the 1970s when approximately 300 companies employing 10,000 workers went out of business or moved out of The Bronx between 1970 and 1977. Many of these businesses used low income and unskilled workers. By 1976 the long-term economic problems had taken their toll and the mayor's oﬀice estimated that between 25-30% of the city’s eligible work force was unemployed. ellauri226.html on line 445: The economic problems seen in The Bronx were not industrially based but rather, the work force was dominated by totally clueless colorful minorities. By 1975 the entire city was engulfed in an economic crisis. ellauri226.html on line 447: In this year it became public knowledge that the city funds had been depleted by nasty leeches and its capital was all gone. Their action had left the city penniless and unable to pay even the top brass. This led to the collapse of the city’s government, ellauri226.html on line 451: inﬂux of poor black and Hispanic residents after World War II, who often ellauri226.html on line 456: astounding. During the city’s ﬁnancial crisis in the 1970s,the mayor's oﬀice ellauri226.html on line 459: As the economic crisis worsened and city residents applied for welfare, particularly in The Bronx, the city simply reached its ﬁnancial breaking point, with most of the welfare payments going to buy drugs. No wonder the poor turned to crime to solve their economic problems, seeing as the filthy rich seemed to be rolling in the dough. At the time the assumption was made by many older white residents ellauri226.html on line 462: The wop cop interviewed believes that the decrease in crime in the 1990's can be attributed to the rising standard of living and economic opportunities throughoutthe city, when the city’s economy was no longer in the pits. ellauri226.html on line 464: The city’s record daily murder rate was 2,245 homicides. That number reached its peak in 1990 when it was astronomical when compared with the number of murders in 1963. There were almost as many stiffs per capita as in the Stockholm region today. ellauri226.html on line 467: culture clash when many blacks and Hispanics began moving ellauri226.html on line 468: beyond the South Bronx. Many of the white ethnic groups ellauri226.html on line 470: enjoy similar all-American white immigrant lifestyles. When new Hispanic groups and African Americans moved beyond the South Bronx, seeking to avoid the crime and drug use that had already seized the South Bronx, however, they brought their crummy lifestyles along. These cultural peculiarities seemed to clash with those that were in place with the older white immigrants, which only exacerbated the suspicions many whites already had regarding the perceived connection between race and crime rates. ellauri226.html on line 472: While Derrick did not attribute crime or violence to these Hispanic residents in the neighborhood, he was struck by the loud music that his ellauri226.html on line 473: neighbors played at all hours of the night, their loud merrymaking in the sack, and their tendency to throw garbage out of their windows. For Derrick, a graduate student at the time, the diﬀerence in lifestyles between him and his new neighbors became too much, and he eventually moved out of the apartment because of the behavior of his Hispanic neighbors. ellauri226.html on line 475: For Roby (my mom), the diﬀerences of the new minority groups and the old Jewish, Italian, and Irish immigrants was clear, especially given the unique rules that governed her Parkchester Jewish community. Parkchester was originally privately owned by the Metropolitan Life, who employed a private police force to ensure law and order and instituted very speciﬁc rules that bound the residents of the community, everything from double parking and noise levels to not walking on the grass. ellauri226.html on line 477: For Roby, who grew up being told to listen to this private police force and follow the development’s rules with the same piety as the city’s police and laws, the ease with which new residents disregarded and violated these rules was a shock but oddly liberating. ellauri226.html on line 478: In the 1970s, Roby claims that they often did not follow the strict rules of the development and some even flouted violations of the rules, making no secrect to owning washing machines and even destroying or damaging apartments in order to get a larger one! ellauri226.html on line 482: The suspicions regarding the connection between being a social pariah, poverty, crime, drug use and cultural clash that developed between the new minority residents and the old white residents drove many whites to leave The Bronx as the borough was in the 1970s. Nearly half a million white residents left The Bronx between 1970 and 1980, as indicated by the 1980 U. S. Census. Many of those interviewed ellauri226.html on line 484: prime motivating factor for their departure. What they really meant were the fucking 2nd wave immigrants. Brian Werner, Elvira Werner, and Kathleen Roby all moved out of The Bronx during the 1960s and 1970s, and describe crime and the changing neighborhood as the major inﬂuence in their decision. My mom herself, she began running red lights because she was afraid of being raped if stopping too long in certain intersections. After her tires were stolen repeatedly while waiting for the traffic lights to change Mrs. Roby moved to Long Island in 1980, where her better-off sister already resided. ellauri226.html on line 490: Long Island, Westchester, and other suburbs in search of the American ellauri226.html on line 495: Long Island and Westchester County, New York area, as well as northern New Jersey, where Philip Roth's folks lived with a flock of other Mockies. Homes in new communities were comparatively inexpensive. For example, in 1948, the going rate for a home in Levittown was $8,000, which, if paid for using a low-interest ellauri226.html on line 496: mortgage, resulted in a monthly payment of approximately $38. These prices, ellauri226.html on line 498: were made even more enticing in the late 1940s. ellauri226.html on line 499: These low prices and the transportation infrastructure allowed ellauri226.html on line 502: The “pull”of the suburbs had a major eﬀect on the demographics of The ellauri226.html on line 508: to leave other areas of The Bronx, particularly the South Bronx, where white residents were desperate to leave the deteriorating neighborhoods smelling of pot and enchiladas. ellauri226.html on line 522: Jacque Smith Bonneau moved to the South Bronx in the mid-1940s as part of the ﬁrst major migration of African Americans to the borough and, like many of the white residents interviewed, commented on the safety of The Bronx in the 1950s and spoke of leaving the apartment door open on warm days, which created fine opportunities for petty crime for the sootyfaced poorer folks. ellauri226.html on line 524: The notmees who wanted to move out of the worst areas of The Bronx "chose" to stay in Bronx and just moved to the places vacated by the suburban migration of the whites. The same push is now being felt in Nassau County and New Jersey, where white homeowners are pressured to only sell to whites to prevent another wave of immigrants with their smelly dishes and noisy habits, not to mention the sex, drugs, and rap "music". ellauri236.html on line 6: font-style: italic; ellauri236.html on line 48: Bolsonaro ran for his first term as president in 2018 with the conservative Liberal Party, campaigning as a political outsider and anti-corruption candidate, and gaining the moniker "Trump of the Tropics." A divisive figure, Bolsonaro has become known for his bombastic statements and conservative agenda, which is supported by important evangelical leaders in the country. ellauri236.html on line 50: During his reelection bid, Bolsonaro appealed to supporters' moral values and sense of national unity, and branded his left-wing adversary as "the communist threat." His campaign, which adopted the slogan "God, Nation, Family, and Liberty," promised an intensified version of his first term: tax cuts, policies that would support the agricultural industry, reduction of environmental rules, and a continuation of his Auxilio Brasil welfare payments to the poorest. ellauri236.html on line 52: But poverty has grown during his presidency, and his popularity levels took a hit over his handling of the pandemic, which he dismissed as the "little flu," before the virus killed more than 680,000 people in the country. ellauri236.html on line 56: Bolsonaro turned in a strong showing in the wealthier south of the country, winning Sao Paulo and his native Rio de Janeiro by margins of over 10%, but it was not enough to compensate for Lula’s massive turnout in the Northeast of Brazil, where the Workers Party has long enjoyed dominance. Indeed, Lula won numerous states by margins of 30%, 40% or even 50%, turning in particularly strong performances in the vote-rich states of Bahia, Ceara, and his native Pernambuco. ellauri236.html on line 58: Bolsonaro voted in Vila Militar in his home state of Rio de Janeiro, saying he had "the expectation of victory, for the good of Brazil…if it is God’s will, we will be victorious tonight." ellauri236.html on line 60: Lula's election tonight represents one of the greatest comeback stories in Latin American history. Lula was convicted and imprisoned on corruption and money laundering charges that were later overturned on a technicality by Brazil’s Supreme Court, clearing the way for him to run for an unprecedented third term. ellauri236.html on line 61: Portuguese-language searches for basic election-related terms such as “fraud,” “intervention” and “ballots” on Facebook and Instagram, which are owned by Meta, have overwhelmingly directed people toward groups pushing claims questioning the integrity of the vote or openly agitating for a military coup, researchers from the advocacy group SumOfUs found. On TikTok, five out of eight top search results for the keyword “ballots” were for terms such as “rigged ballots” and “ballots being manipulated.” ellauri236.html on line 63: The research is the latest in a growing body of evidence that social platforms are failing to prevent a flood of disinformation — some of it tinged with violence — on their services ahead of the runoff election Sunday between President Jair Bolsonaro and former president Luiz Inácio Lula da Silva. Brazilian lawmakers last week granted the nation’s elections chief unilateral power to force tech companies to remove misinformation within two hours of the content being posted — one of the most aggressive legal measures against North American social media giants that any country has taken. ellauri236.html on line 69: The right-wing Bolsonaro has repeatedly alleged without evidence that voting machines used for a quarter century in Brazil are prone to fraud. The rhetoric of Bolsonaro supporters has often appeared to echo that of President Donald Trump supporters during the 2020 U.S. election, who questioned election results under the banner Stop the Steal. ellauri236.html on line 73: A test of Meta and YouTube’s ad systems by the human rights group Global Witness revealed that the companies approved large numbers of misleading ads, including spots that encouraged people not to vote or gave false dates for when ballots could be posted. YouTube said it “reviewed the ads in question and removed those that violated our policies,” although the Global Witness report showed all the ads submitted were approved by the Google-owned site. ellauri236.html on line 79: Win or Lose, Bolsonaro Has Destroyed Trust in Brazil’s Elections. President Jair Bolsonaro has attacked Brazil’s electronic voting system. Now, ahead of Sunday’s elections, many of his supporters believe there will be fraud. ellauri236.html on line 85: Kátia de Lima, in green slime, attending a rally in support of President Jair Bolsonaro this month in Rio de Janeiro. Credit...Maria Magdalena Arrellaga for The New York Times By Jack Nicas. ellauri236.html on line 86: Jack Nicholson, the Brazil bureau chief, spoke to dozens of President Jair Bolsonaro’s supporters at events across the country for this article. ellauri236.html on line 95: “If our president isn’t elected, everyone goes to Brasília,” said Rogério Ramos, 40, owner of an automotive electronics shop, referring to the nation’s capital. “We shut down Congress, just like in ’64.” In 1964, a military coup led to a violent, 21-year dictatorship in Brazil. ellauri236.html on line 97: Mr. Bolsonaro is right that Brazil’s voting system is unique. It is the only country in the world to use a fully digital system, with no paper backups. Since Brazil began using electronic voting machines in 1996, there has been no evidence that they have been used for fraud. Instead, the machines helped eliminate the fraud that once afflicted Brazil’s elections in the age of paper ballots. ellauri236.html on line 100: Most of Mr. Bolsonaro’s supporters said in interviews that they do not trust mainstream news outlets, which Mr. Bolsonaro has attacked as dishonest, and instead rely on news from a wide variety of sources on their phones, including social-media posts and messages they receive in groups on WhatsApp and Telegram. ellauri236.html on line 102: “I look at the things I want to see, and I avoid looking at what they want to show me,” said José Luiz Chaves Fonseca, a turbine engineer for offshore oil platforms who was attending the rally this month north of Rio de Janeiro as a Bolsonaro impersonator. “If everyone dressed like this, they wouldn’t be tricked.” ellauri236.html on line 108: According to Brazil's Superior Electoral Court, Positivo Tecnologia, a Brazilian company, won the most recent bid to produce electronic voting machines for this year's election. Smartmatic and Dominion confirmed their equipment is not being used in Brazil. But the voting machine claims resurged this month, both in WhatsApp messages in Brazil about Smartmatic and in English-language posts on U.S. social media sites claiming, incorrectly, that Dominion or Smartmatic machines were used in Brazil. ellauri236.html on line 110: Critics have charged that Bolsonaro would not accept the electoral results in case of a loss, but on Friday he sang a different tune: "Whoever has the most votes takes it. This is democracy." But if it's not me, we must stop the steal. ellauri236.html on line 134: Tästä kaikesta voi päätellä että Chasen kirjat ovat pulppia. He was the son of Colonel Francis Raymond of the colonial Indian Army, a veterinary surgeon. His father intended his son to have a scientific career and had him educated at King's School, Rochester, Kent. ellauri236.html on line 145: icture.bookfrom.net/img/james-hadley-chase/1953_-_the_sucker_punch.jpg" /> ellauri236.html on line 148: Jatketaanpa siitä kohtaa missä nigerialainen kynäilijätär Vastamelu luki tyttösenä peiton alla James Hadley Chasen kovaxikeitettyjä kirjoja imeskellen suklaanamua. Multa jäi Adiche kesken juuri niillä huudeilla. Mikä ihme sitä niissä viehätti? Nehän kertoo aivan luonnevammaisista tyypeistä. Jätkä oli britti joka kirjoitti feikkijenkkijuttuja slangisanakirjan avulla jossan Schweizissä. Aivan päätöntä. ellauri236.html on line 158: icture-in-picture" allowfullscreen> ellauri236.html on line 165: After Chase left home at the age of 18, he worked in sales, primarily focusing on books and literature. He sold children's encyclopaedias, while also working in a bookshop. He also served as an executive for a book wholesaler, before turning to a writing career that produced more than 90 mystery books. His interests included photography, of a professional standard, reading, and listening to classical music and opera. As a form of relaxation between novels, he put together highly complicated and sophisticated Meccano models. ellauri236.html on line 169: Prohibition and the ensuing Great Depression in the US (1929–39) had given rise to the Chicago gangster culture prior to World War II. This, combined with Chase's book trade experience, convinced him that there was a big demand for gangster stories. After reading James M. Cain's novel The Postman Always Rings Twice (1934), and having read about the American gangster Ma Barker and her sons, and with the help of maps and a slang dictionary, he wrote No Orchids for Miss Blandish in his spare time, he claimed over a period of six weekends, though his papers suggest it took longer. The book achieved remarkable notoriety and became one of the best-selling books of the decade. It was the subject of the 1944 essay "Raffles and Miss Blandish" by George Orwell (alla). Chase and Robert Nesbitt adapted it to a stage play of the same name which ran in London's West End to good reviews. The 1948 film adaptation was widely denounced as salacious due to the film's portrayal of violence and sexuality. Robert Aldrich did a remake, The Grissom Gang, in 1971. ellauri236.html on line 177: Muziinä se oli oikeassa että fascistiaikoina kuten juuri nyt peukutetaan poliisisarjoja jossa pollarit on rattaita all-powerful valvontaorganisaatiossa. Epäiltyjen elimiä pöyhitään lupaa kysymättä kumikauloina ja naamat liimataan whiteboardille. Valvontakameroista tarkistetaan kuka teki mitä kellekkin ja mihin reikään. Whiteboardille tulee miljoonia nuolia. Siiramaiset karhuryhmät ryntää karjahdellen sisään ovista. "This is a murder investigation" on joku stiiknafuulia, licence to kill jolla pollari pääsee läpi luokkarajoista maxamaan potut pottuina tunkiokukoille. Verenhimon lisäxi luokkaviha on poliisisarjojen tärkein käyttöaine. ellauri236.html on line 184: Miss Blandish, the daughter of a millionaire, is kidnapped by some gangsters who are almost immediately surprised and killed off by a larger and better organized gang. They hold her to ransom and extract half a million dollars from her father. Their original plan had been to kill her as soon as the ransom-money was received, but a chance keeps her alive. One of the gang is a young man named Slim, whose sole pleasure in life consists in driving knives (well, his prick as well, got to give that much to him) into other people's bellies. In childhood he has graduated by cutting up living animals with a pair of rusty scissors. Slim is sexually impotent, but takes a kind of fancy to Miss Blandish. Slim's mother, who is the real brains of the gang, sees in this the chance of curing Slim's impotence, and decides to keep Miss Blandish in custody till Slim shall have succeeded in raping her. After many efforts and much persuasion, including the flogging of Miss Blandish with a length of rubber hosepipe, the rape is achieved. (Ei se ihan näin mennyt, George!) Meanwhile Miss Blandish's father has hired a private detective, and by means of bribery and torture the detective and the police manage to round up and exterminate the whole gang. Slim escapes with Miss Blandish and is killed after a final juicy rape, and the detective prepares to restore Miss Blandish to her pristine shape. By this time, however, she has developed such a taste for Slim's caresses(3) that she feels unable to live without him, and she jumps, out of the window of a sky-scraper. Footnote 1945. Another reading of the final episode is possible. It may mean merely that Miss Blandish is pregnant, i.e. she is damaged goods. Maybe she is sad that the baby's dad is dead. But the "interpretation" I have given above seems more in keeping with the general brutality of the book. ellauri236.html on line 186: Several other points need noticing before one can grasp the full implications of this book. To begin with, its central story bears a very marked resemblance to William Faulkner's novel, Sanctuary. Therefore, it is not, as one might expect, the product of an illiterate hack, but a brilliant piece of plagiarism, with hardly a wasted word or a jarring note anywhere. Thirdly, the whole book, récit as well as dialogue, is written in the American language; the author, an Englishman who has (I believe) never been in the United States, seems to have made a complete mental transference to the American underworld. Fourthly, and what is worst (from the point of view of a serious writer like myself) the book sold, according to its publishers, no less than half a million copies. Actually 2. ellauri236.html on line 188: I have already outlined the plot, but the subject-matter is much more sordid and brutal than this suggests. The book contains eight full-dress murders, an unassessable number of casual killings and woundings, an exhumation (with a careful reminder of the stench), the flogging of Miss Blandish, the torture of another woman with red-hot cigarette-ends, a strip-tease act, a third-degree scene of unheard-of cruelty and much else of the same kind. It assumes great sexual sophistication in its readers (there is a scene, for instance, in which a gangster, presumably of masochistic tendency, has an orgasm in the moment of being knifed - I can relate to that!), and it takes for granted the most complete corruption and self-seeking as the norm of human behaviour. The detective, for instance, is almost as great a rogue as the gangsters, and actuated by nearly the same motives. Like them, he is in pursuit of ‘five hundred grand’. It is necessary to the machinery of the story that Mr. Blandish should be anxious to get his money back, but apart from this, such things as affection, friendship, good nature or even ordinary politeness simply do not enter. Nor, to any great extent does normal sexuality. Ultimately only one motive is at work throughout the whole story: the pursuit of power. (Well, there is also the pursuit of spaghetti and some twat.) ellauri236.html on line 190: It should be noticed that the book is not in the ordinary sense pornography. In this respect it is a flop. Unlike most books that deal in sexual sadism, it lays the emphasis on the cruelty and not on the pleasure. Slim, the ravisher of Miss Blandish, has ‘wet slobbering lips’: this is meant to be disgusting (tho I didn't find it so). But the scenes describing cruelty to women are comparatively perfunctory. The real high-spots of the book are cruelties committed by men upon other men; above all, the third-degreeing of the gangster, Eddie Schultz, who is lashed into a chair and flogged on the windpipe with truncheons, his arms broken by fresh blows as he breaks loose. My conclusion: Chase is a closet homosexual (I should know)! He's an algolagniac, like Swinburne! ellauri236.html on line 192: In another of Mr. Chase's books, He Won't Need It Now, the hero, who is intended to be a sympathetic and perhaps even noble character, is described as stamping on somebody's face, and then, having crushed the man's mouth in, grinding his heel round and round in it. Even when physical incidents of this kind are not occurring, the mental atmosphere of these books is always the same. Their whole theme is the struggle for power and the triumph of the strong over the weak. The big gangsters wipe out the little ones as mercilessly as a pike gobbling up the little fish in a pond; the police kill off the criminals as cruelly as the angler kills the pike. If ultimately one sides with the police against the gangsters, it is merely because they are better organized and more powerful, because, in fact, the law is a bigger racket than crime. Might is right: vae victis. But think of it, what is new? All undying epic heroes are described as stamping on one anothers faces. ellauri236.html on line 194: As I have mentioned already, No Orchids enjoyed its greatest vogue in 1940, though it was successfully running as a play till some time later. It was, in fact, one of the things that helped to console people for the boredom of being bombed. Early in the war the New Yorker had a picture of a little man approaching a news-stall littered with paper with such headlines as ‘Great Tank Battles in Northern France’, ‘Big Naval Battle in the North Sea’, ‘Huge Air Battles over the Channel’, etc., etc. The little man is saying ‘Action Stories, please’. That little man with his little dick stood for all the drugged millions to whom the world of the gangster and the prize-ring is more ‘real’, more ‘tough’, than such things as crucifixions, wars, revolutions, earthquakes, famines, genocides, holocausts and pestilences. From the point of view of a reader of Action Stories, a description of the London blitz, or of the internal struggles of the European underground parties, would be ‘sissy stuff’. On the other hand, some puny gun-battle in Chicago, resulting in perhaps half a dozen deaths, would seem genuinely ‘tough’. This habit of mind is now extremely widespread. A soldier sprawls in a muddy trench, with the machine-gun bullets crackling a foot or two overhead, and whiles away his intolerable boredom by reading an American gangster story. And what is it that makes that story so exciting? Precisely the fact that people are shooting at each other with machine-guns! Neither the soldier nor anyone else sees anything curious in this. It is taken for granted that an imaginary bullet is more thrilling than a real one. (But note one difference: they get a whacking pile of money and loads of wet twat for it.) ellauri236.html on line 196: The obvious explanation is that in real life one is usually a passive victim, whereas in the adventure story one can think of oneself as being at the centre of events. But there is more to it than that. Here it is necessary to refer again to the curious fact of No Orchids being written — with technical errors, perhaps, but certainly with considerable skill — in the American language. ellauri236.html on line 198: There exists in America an enormous literature of more or less the same stamp as No Orchids. Quite apart from books, there is the huge array of ‘pulp magazines’, graded so as to cater for different kinds of fantasy, but nearly all having much the same mental atmosphere. A few of them go in for straight pornography, but the great majority are quite plainly aimed at sadists and masochists. Sold at threepence a copy under the title of Yank Mags(4), these things used to enjoy considerable popularity in England, but when the supply dried up owing to the war, no satisfactory substitute was forthcoming. English imitations of the ‘pulp magazine’ do now exist, but they are poor things compared with the original. English crook films, again, never approach the American crook film in brutality. And yet the career of Mr. Chase shows how deep the American influence has already gone. Not only is he himself living a continuous fantasy-life in the Chicago underworld, but he can count on hundreds of thousands of readers who know what is meant by a ‘clipshop’ or the ‘hotsquat’, do not have to do mental arithmetic when confronted by ‘fifty grand’, and understand at sight a sentence like ‘Johnny was a rummy and only two jumps ahead of the nut-factory’. Evidently there are great numbers of English people who are partly americanized in language and, one ought to add, in moral outlook. For there was no popular protest against No Orchids. In the end it was withdrawn, but only retrospectively, when a later work, Miss Callaghan Comes to Grief, brought Mr. Chase's books to the attention of the authorities. Judging by casual conversations at the time, ordinary readers got a mild thrill out of the obscenities of No Orchids, but saw nothing undesirable in the book as a whole. Many people, incidentally, were under the impression that it was an American book reissued in England. ellauri236.html on line 200: The thing that the ordinary reader ought to have objected to — almost certainly would have objected to, a few decades earlier — was the equivocal attitude towards crime. It is implied throughout No Orchids that being a criminal is only reprehensible in the sense that it does not pay. Being a policeman pays better, but there is no moral difference, since the police use essentially criminal methods. In a book like He Won't Need It Now the distinction between crime and crime-prevention practically disappears. This is a new departure for English sensational fiction, in which till recently there has always been a sharp distinction between right and wrong and a general agreement that virtue must triumph in the last chapter. English books glorifying crime (modern crime, that is — pirates and highwaymen are different) are very rare. Even a book like Raffles, as I have pointed out, is governed by powerful taboos, and it is clearly understood that Raffles's crimes must be expiated sooner or later. In America, both in life and fiction, the tendency to tolerate crime, even to admire the criminal so long as he is success, is very much more marked. It is, indeed, ultimately this attitude that has made it possible for crime to flourish upon so huge a scale. Books have been written about Al Capone that are hardly different in tone from the books written about Henry Ford, Stalin, Lord Northcliffe and all the rest of the ‘log cabin to White House’ brigade. And switching back eighty years, one finds Mark Twain adopting much the same attitude towards the disgusting bandit Slade, hero of twenty-eight murders, and towards the Western desperadoes generally. They were successful, they ‘made good’, therefore he admired them. ellauri236.html on line 202: In a book like No Orchids one is not, as in the old-style crime story, simply escaping from dull reality into an imaginary world of action. One's escape is essentially into cruelty and sexual perversion. No Orchids is aimed at the power-instinct, which Raffles or the Sherlock Holmes stories are not. At the same time the English attitude towards crime is not so superior to the American as I may have seemed to imply. It too is mixed up with power-worship, and has become more noticeably so in the last twenty years. A writer who is worth examining is Edgar Wallace, especially in such typical books as The Orator and the Mr. J. G. Reeder stories. Wallace was one of the first crime-story writers to break away from the old tradition of the private detective and make his central figure a Scotland Yard official. Sherlock Holmes is an amateur, solving his problems without the help and even, in the earlier stories, against the opposition of the police. Moreover, like Lupin, he is essentially an intellectual, even a scientist. He reasons logically from observed fact, and his intellectuality is constantly contrasted with the routine methods of the police. Wallace objected strongly to this slur, as he considered it, on Scotland Yard, and in several newspaper articles he went out of his way to denounce Holmes by name. His own ideal was the detective-inspector who catches criminals not because he is intellectually brilliant but because he is part of an all-powerful organization. Hence the curious fact that in Wallace's most characteristic stories the ‘clue’ and the ‘deduction’ play no part. The criminal is always defeated by an incredible coincidence, or because in some unexplained manner the police know all about the crime beforehand. The tone of the stories makes it quite clear that Wallace's admiration for the police is pure bully-worship. A Scotland Yard detective is the most powerful kind of being that he can imagine, while the criminal figures in his mind as an outlaw against whom anything is permissible, like the condemned slaves in the Roman arena. His policemen behave much more brutally than British policemen do in real life — they hit people with out provocation, fire revolvers past their ears to terrify them and so on — and some of the stories exhibit a fearful intellectual sadism. (For instance, Wallace likes to arrange things so that the villain is hanged on the same day as the heroine is married.) But it is sadism after the English fashion: that is to say, it is unconscious, there is not overtly any sex in it, and it keeps within the bounds of the law. The British public tolerates a harsh criminal law and gets a kick out of monstrously unfair murder trials: but still that is better, on any account, than tolerating or admiring crime. If one must worship a bully, it is better that he should be a policeman than a gangster. Wallace is still governed to some extent by the concept of ‘not done’. In No Orchids anything is ‘done’ so long as it leads on to power. All the barriers are down, all the motives are out in the open. Chase is a worse symptom than Wallace, to the extent that all-in wrestling is worse than boxing, or Fascism is worse than capitalist democracy. ellauri236.html on line 204: In borrowing from William Faulkner's Sanctuary, Chase only took the plot; the mental atmosphere of the two books is not similar. Chase really derives from other sources, and this particular bit of borrowing is only symbolic. What it symbolizes is the vulgarization of ideas which is constantly happening, and which probably happens faster in an age of print. Chase has been described as ‘Faulkner for the masses’, but it would be more accurate to describe him as Carlyle for the masses. He is a popular writer — there are many such in America, but they are still rarities in England — who has caught up with what is now fashionable to call ‘realism’, meaning the doctrine that might is right. The growth of ‘realism’ has been the great feature of the intellectual history of our own age. Why this should be so is a complicated question. The interconnexion between sadism, masochism, success-worship, power-worship, nationalism, and totalitarianism is a huge subject whose edges have barely been scratched, and even to mention it is considered somewhat indelicate. To take merely the first example that comes to mind, I believe no one has ever pointed out the sadistic and masochistic element in Bernard Shaw's work, still less suggested that this probably has some connexion with Shaw's admiration for dictators. Fascism is often loosely equated with sadism, but nearly always by people who see nothing wrong in the most slavish worship of Stalin. The truth is, of course, that the countless English intellectuals who kiss the arse of Stalin are not different from the minority who give their allegiance to Hitler or Mussolini, nor from the efficiency experts who preached ‘punch’, ‘drive’, ‘personality’ and ‘learn to be a Tiger man’ in the nineteen-twenties, nor from that older generation of intellectuals, Carlyle, Creasey and the rest of them, who bowed down before German militarism. All of them are worshipping power and successful cruelty. It is important to notice that the cult of power tends to be mixed up with a love of cruelty and wickedness for their own sakes. A tyrant is all the more admired if he happens to be a bloodstained crook as well, and ‘the end justifies the means’ often becomes, in effect, ‘the means justify themselves provided they are dirty enough’. This idea colours the outlook of all sympathizers with totalitarianism, and accounts, for instance, for the positive delight with which many English intellectuals greeted the Nazi-Soviet pact. It was a step only doubtfully useful to the U.S.S.R., but it was entirely unmoral, and for that reason to be admired; the explanations of it, which were numerous and self-contradictory, could come afterwards. ellauri236.html on line 206: Until recently the characteristic adventure stories of the English-speaking peoples have been stories in which the hero fights against odds. This is true all the way from Robin Hood to Pop-eye the Sailor. Perhaps the basic myth of the Western world is Jack the Giant-killer, but to be brought up to date this should be renamed Jack the Dwarf-killer, and there already exists a considerable literature which teaches, either overtly or implicitly, that one should side with the big man against the little man. Most of what is now written about foreign policy is simply an embroidery on this theme, and for several decades such phrases as ‘Play the game’, ‘Don't hit a man when he's down’ and ‘It's not cricket’ have never failed to draw a snigger from anyone of intellectual pretensions. What is comparatively new is to find the accepted pattern, according to which (a) right is right and wrong is wrong, whoever wins, and (b) weakness must be respected, disappearing from popular literature as well. When I first read D. H. Lawrence's novels, at the age of about twenty, I was puzzled by the fact that there did not seem to be any classification of the characters into ‘good’ and ‘bad’. Lawrence seemed to sympathize with all of them about equally, and this was so unusual as to give me the feeling of having lost my bearings. Today no one would think of looking for heroes and villains in a serious novel, but in lowbrow fiction one still expects to find a sharp distinction between right and wrong and between legality and illegality. The common people, on the whole, are still living in the world of absolute good and evil from which the intellectuals have long since escaped. But the popularity of No Orchids and the American books and magazines to which it is akin shows how rapidly the doctrine of ‘realism’ is gaining ground. ellauri236.html on line 208: Several people, after reading No Orchids, have remarked to me, ‘It's pure Fascism’. This is a correct description, although the book has not the smallest connexion with politics and very little with social or economic problems. It has merely the same relation to Fascism as, say Trollope's novels have to nineteenth-century capitalism. It is a daydream appropriate to a totalitarian age. In his imagined world of gangsters Chase is presenting, as it were, a distilled version of the modern political scene, in which such things as mass bombing of civilians, the use of hostages, torture to obtain confessions, secret prisons, execution without trial, floggings with rubber truncheons, drownings in cesspools, systematic falsification of records and statistics, treachery, bribery, and quislingism are normal and morally neutral, even admirable when they are done in a large and bold way. The average man is not directly interested in politics, and when he reads, he wants the current struggles of the world to be translated into a simple story about individuals. He can take an interest in Slim and Fenner as he could not in the G.P.U. and the Gestapo. People worship power in the form in which they are able to understand it. A twelve-year-old boy worships Jack Dempsey. An adolescent in a Glasgow slum worships Al Capone. An aspiring pupil at a business college worships Lord Nuffield. A New Statesman reader worships Stalin. There is a difference in intellectual maturity, but none in moral outlook. Thirty years ago the heroes of popular fiction had nothing in common with Mr. Chase's gangsters and detectives, and the idols of the English liberal intelligentsia were also comparatively sympathetic figures. Between Holmes and Fenner on the one hand, and between Abraham Lincoln and Stalin on the other, there is a similar gulf. ellauri236.html on line 210: One ought not to infer too much from the success of Mr. Chase's books. It is possible that it is an isolated phenomenon, brought about by the mingled boredom and brutality of war. (LOL) But if such books should definitely acclimatize themselves in England (or Nigeria!), instead of being merely a half-understood import from America, there would be good grounds for dismay. In choosing Raffles as a background for No Orchids I deliberately chose a book which by the standards of its time was morally equivocal. Raffles, as I have pointed out, has no real moral code, no religion, certainly no social consciousness. All he has is a set of reflexes the nervous system, as it were, of a gentleman. Give him a sharp tap on this reflex or that (they are called ‘sport’, ‘pal’, ‘woman’, ‘king and country’ and so forth), and you get a predictable reaction. In Mr. Chase's books there are no gentlemen and no taboos. Emancipation is complete. Freud and Machiavelli have reached the outer suburbs. Comparing the schoolboy atmosphere of the one book with the cruelty and corruption of the other, one is driven to feel that snobbishness, like hypocrisy, is a check upon behaviour whose value from a social point of view has been underrated. ellauri236.html on line 370: Chase wrote No Orchids For Miss Blandish over a period of six weekends in 1938. The novel was influenced by the American crime writer James M. Cain and the stories featured in the Pulp magazine Black Breathing Mask. Although he had never visited America, Chase reportedly wrote the book as a bet to pen a story about American gangsters that would out-do The Postman Always Rings Twice in terms of obscenity and daring. ellauri236.html on line 374: Upon publication, Chase's pulp thriller became particularly popular with British soldiers, seamen and airmen during World War II. These servicemen enjoyed its risqué passages, which marked a new frontier of daringness in popular literature. Author and military historian Patrick Bishop has called No Orchids For Miss Blandish, "perhaps the most widely-read book of the war". ellauri236.html on line 378: The plan begins to fall apart when a rival mob, led by the sadistic and mentally unbalanced Slim Grisson (actually, by his Ma), finds out about Riley's plan and kidnaps Miss Blandish from the gang. Mr. Blandish pays the ransom to Slim (no no, to his Ma!), but his daughter is not returned. Slim becomes increasingly obsessed with Miss Blandish and decides to keep her hidden in a secret room inside one of his nightclubs, repeatedly raping her and lashing out at anybody who attempts to wrestle Miss Blandish from his charge. ellauri236.html on line 380: Meanwhile, the police are on the trail of the kidnappers, and Dave Fenner, an ex journalist and now a private investigator, is hired to rescue her and deal with the gangsters. Fenner and the police eventually work out where the young socialist is located and go to the club, where a gun battle ensues. Slim is killed and Miss Blandish is rescued, but unfortunately, after months of fornication and drugs at the hands of the gangsters, Miss Blandish cannot cope with life without Slim (and his Ma!) and kills herself. Damaged goods. ellauri236.html on line 382: Upon publication, the book was an instant commercial success, selling over half a million copies within five years, despite wartime pulp shortages (thanx to Finland fighting on the other side). It was also controversial, due to its violence and risqué content. In 1944, it was the subject of an essay by George Orwell in Horizon, Raffles and Miss Blandish, in which Orwell claimed that the novel bordered on the obscene. ellauri236.html on line 384: In 1947, the sado-eroticism in Chase's book was parodied by Raymond Queneau in his pastiche novel, We Always Treat Women Too Well. In 1961, the novel was extensively rewritten and revised by the author because he thought the world of 1939 too distant for a new generation of readers (confusion can result if readers of the Orwell essay refer his quotations and references to the 1962 edition). ellauri236.html on line 386: In 1973, Gene D. Phillips of Loyola University of Chicago remarked on the influence of William Faulkner's 1931 novel Sanctuary, writing that, "It is a matter of record that [No Orchids for Miss Blandish] was heavily indebted to Sanctuary for its plot line." Phillips also stated that Slim Grisson, who was identified by Phillips as the main antagonist, was based on Popeye The Sailor Man, a criminal in Faulkner's novel. Onko se sama Kippari Kalle joka heilastelee Olkan kanssa ja hoitaa pikku Hajuhernettä? ellauri236.html on line 388: In 1999, the novel was picked in a survey of the best books from the 20th century by the French retailer Fnac and the Paris newspaper Le Monde in Le Monde's 100 Books of the Century. ellauri236.html on line 390: Since its publication, No Orchids for Miss Blandish has sold over two million copies. ellauri236.html on line 392: No voihan helkutti! Ilmeisesti en jaxanut lukea kyllin pitkälle. Jäi Solakan kiihottavat puuhat Miss Imarteen huoneessa pläräämättä. Tai sitne sivut oli vaan liimantuneet kiinni. Varmaan ne british servicemenien pehmeäkantiset kappaleet oli niiltä kohin aika tahmautuneita. Näkemämme modernisoitu Phileas Fogg on juonellisesti ja näyttelijätyön osalta suunnilleen saman tasoinen, mutta jäimme siitäkin kaipaamaan oikeita obszöönejä panokohtauxia. ellauri236.html on line 396: The next perspective person is Eddie. Eddie is a ladies man with a difficulty to keep it up. ellauri236.html on line 398: While he waited, Eddie noticed a girl standing by a nearby bus stop. She immediately attracted his attention: every good-looking girl did. She was a tall, cool-looking blonde with a figure that made him come in his pants twice. She had a pert prettiness that appealed to Eddie. He studied her face for a brief moment. Her make-up was good. Her mouth was a trifle large, but Eddie didn’t mind that. He liked the sexy look she had and the sophisticated way she wore her yellow summery whore dress. ellauri236.html on line 401: A woman was leaning far out of the window, looking down at the commotion going on in the street below. Eddie could only see her pyjamaed back and legs, and even under the pressure in his pants, he found himself thinking she had a nice shape. ellauri236.html on line 403: She was a kid, 18 at the most. She was horny as hell. After some minutes of frantic handiwork, Eddie found his cock getting hard. It got up and he sat on the end of the bed. “I’m getting a hard on,” he said, grinning. “You get off to sleep if you want to.” “I don’t want to sleep,” the girl said. “You scared the life out of me, but looking at what you got, I’m not so scared now.” He came over to the bed and smiled at the girl. “Thanks a lot, baby. You were swell. I wish I could swell s'm more as well." She half sat on it in the bed, but it wouldn't go in. ellauri236.html on line 413: “I’m going to talk to her,” Eddie said. “I’m not standing for Slim relieving his repressions on that girl. I got mine to relieve on her too. There’s a limit, and goddamn it, that would be the limit! Be nice now! Doucement!" ellauri236.html on line 425: Ma’s eyes suddenly snapped with rage. Her face turned purple. “Slim wants her,” she said, lowering her voice and glaring at Eddie. “He’s going to have her. You keep out of it! That goes for the rest of you too!” Eddie felt horny for the girl, but he wasn’t going to risk his life for her. ellauri236.html on line 428: “I know women,” he said with a sneer. “They’d do anything to stuff their face. I feel a boner coming. Call Anna." (Anna is the big mouthed one.) “That you, Anna?” Pete asked while Eddie watched him. “This is Pete. Come here quick. Something’s come up important. I want you over here right away. No, I don’t promise it’s a blow job, but it might lead to one. You’ll come? Okay, I’m waiting for you,” and he hung up. ellauri236.html on line 430: After a wait of thirty minutes, Eddie heard the click of high ellauri236.html on line 433: The door swung open and Anna walked in. She was wearing a pale green summer dress and a big straw hat. Eddie thought she looked terrific. ellauri236.html on line 440: “Look, Slim, don’t be foolish,” Ma said. She spoke with difficulty. Her mouth felt dry. “We can’t keep her. It’s too dangerous. She’s got to go.” (Ma gets a perspective here for a second.) ellauri236.html on line 442: Slim suddenly kicked a chair out of his way. His wiener jumped into his hand. Woppy and Doc hurriedly backed away from Ma, leaving her to face Slim alone. Eddie stiffened too as Slim began slowly to move towards her. ellauri236.html on line 444: “Then you’ll reckon with me,” he said viciously. “Do you want me to cut your throat, you old cow? If you touch her—if anyone touches her—I’ll cut you to thin slices!” "Can cook her?" asked Woppy excitedly. ellauri236.html on line 449: Slim stood at the head of the stairs, listening. He grinned to himself. At last he had shown his power. He had scared them all. From now on, he was going to have his rightful place in the gang. Ma was going to take second place. He looked down the passage at Miss Blandish’s room. It was time he stopped rubbing it on her night after night. He must show her he wasn’t only master of his mother, but master of her too. Dammit, he would stick it right in! ellauri236.html on line 464: “How bout making out?” Fenner said, quick to change the subject. “Got anything better to do?” ellauri236.html on line 470: Now this is romantic, don't we know. EAT! and FUCK! eternally at war. Good genes against food and shelter, and the good genes win. Sama juttu myös modernissa Foggissa. Vaikka, huomasitte kai, sammakkomaan lakukeppiä ei päästetty kättelemään punatukan äveriästä isäpappaa. Tämä vaivaannuttava episodi sivuutettiin taidolla. Tollanen kolmikko ei pysy koossa kuin jossain liberaalissa ajatuskuplassa tai 10 leguan syvyydessä valtameren pohjassa. Mixi muuten Passport ei ottanut päästä hattua tullessaan herrasmiesten klubille? Koska siltä puuttuu tapakasvatus! ellauri236.html on line 473: “Remind me to consult my ouija board sometime,” Fenner said hurriedly. “Why don’t you go home? You’re getting unhealthy ideas sticking around here with nothing to do. Take the afternoon off. Go shampoo your hair or something. It looks a mess.” ellauri236.html on line 475: Fenner got to his feet. He was surprised Blandish wasn’t a bigger man. Only slightly above middle height, the millionaire seemed puny beside Fenner’s muscular bulk. His eyes gave his face its arresting power and character. Fenner has arresting power on his bulk, and Paula has a caracteristic butt. They were hard, shrewd and alert eyes of a man who has fought his way to the top with no mercy asked nor given. Now this is proper monkey business! Jeff Bezos or Elon Musk in the flesh! Täähän on yhtä mahtavaa kuin Malamudin apinoiden saarella! ellauri236.html on line 485: Captain Charles Brennan, City Police, a fat, red-faced man with blue hard eyes and sandy-colored hair, greying at the temples, reached across his desk to shake dicks with Fenner. Why do these policemen always have the same look and feel? I guess its natural selection. Chase has an unerring touch of the hackneyed and obvious. ellauri236.html on line 494: “She did a strip act at the Cosmos Club, strictly for peanuts, but her main meal ticket was Riley.” ellauri236.html on line 495: During the years Fenner had been a newspaperman, he had systematically collected every scrap of information concerning the activities of the big and little gangsters in town, just like his journalist colleague Heinie. Except Heinie is dead by now. ellauri236.html on line 497: “Thanks, sweetheart, now you trot off home. I’ve got work to do. How would you like to have dinner with me tonight to celebrate our riches?” ellauri236.html on line 504: “Run along, baby, I’ve work to do. I’ll pick you up at eight-thirty at your place,” and turning her, Fenner gave her a slap on her behind, launching her fast to the door. ellauri236.html on line 514: Over the years, Chase developed a distinct, signature style in his writing that was fast-paced, with little explanations or details about the surroundings or weather or the unreliable characters. Characters in his novels and short stories would be more coherent than consistent who acted and reacted with unbreakable logic. Punchy sentences, short bursts of dialogue in authentic sounding dictionary slang with plenty of action were the characteristics of his writing. ellauri236.html on line 516: Chase was subject to several court cases during his career. In 1942, his novel Miss Callaghan Comes to Grief (1941), a lurid account of the white slave trade, was banned by the British authorities after the author and his publisher Jarrold were found guilty of an obscene book. Each was fined a hefty £100. Later, the Anglo-American crime author Raymond Chandler proved that Chase had lifted whole sections of his work in Blonde's Requiem (published 1945) forcing Chase to issue an apology in The Bestseller. ellauri236.html on line 520: Chase's novels were so thick that the reader was compelled to turn the pages in a non-stop effort to reach the end of the book. The final page often produced a totally unexpected plot twist. (Ei kuitenkaan tossa lähtöjuhlissa, kurkistin.) His early books contained some violence that matched the era in which they were written. Unfortunately, sex was never explicit and, though often hinted at, seldom happened. That would invariably leave even his most die-hard fans disappointed. This may be why his books failed to take hold in the American market. ellauri236.html on line 522: In many of his novels, treacherous women play a significant role. The protagonist falls in love with one and is prepared to kill someone at her behest. Only when he is killed, does he realise that the woman was manipulating him for her own ends. He never got it into her backend well and good, despite all the promises. ellauri236.html on line 537: Tää oli siis jonkun M. Cainin kovaxi keitetty 30-luvulta josta pidettiin 80-luvulla uusi meteli koska siitä tehtiin uusi filmatisaatio pääosissa epämiellyttävä Jack Nicholson ja hevoshampainen nainen nimeltä Jessica Lange. En ole nähnyt rainoista kumpaakaan, saati lukenut alkuteosta. Juoni lyhyesti: The sensuous wife of a lunch wagon proprietor and a rootless drifter begin a sordidly steamy affair and conspire to murder her Greek husband (i.e. the said lunch wagon proprietor). This remake of the 1946 movie of the same name accounts an affair between a seedy drifter and a seductive wife of a roadside café owner. This begins a chain of events that culminates in murder. EFK ihan pikku pussissa. ellauri236.html on line 541: ic.com/image2/BestBuy_US/images/products/1706/1706094_sa.jpg;maxHeight=640;maxWidth=550" height="200px" /> ellauri236.html on line 543: Arvaa kumpaa lounaskioskin myyjäneitosta vetäisin wiixeen mieluummin, Jessicaa vai Lanaa? ellauri236.html on line 552: Correction to: Bilingualism Is Associated with a Delayed Onset of Dementia but Not with a Lower Risk of Developing it: a Systematic Review with Meta-Analyses (Neuropsychology Review, (2020), 10.1007/s11065-020-09426-8) (2020) ellauri236.html on line 559: icture_horizontal/public/images/profile/1053610.jpg?itok=dy7YJatM" height="150px" /> ellauri238.html on line 6: font-style: italic; ellauri238.html on line 40: Täähän oli kissanpojan Psapfa-coveri? Jep: Catullus 51 is a poem by Roman love poet Gaius Valerius Catullus (c. 84 – c. 54 BC). It is an adaptation of one of Sappho's fragmentary lyric poems, Sappho 31. Catullus replaces Sappho's beloved with his own beloved Lesbia. Unlike the majority of Catullus' poems, the meter of this poem is the sapphic meter. This meter is more musical, seeing as Sappho mainly sang her poetry. ellauri238.html on line 44: It was brillig, and sleep, gently flowing, Was trickling through my dreaming soul, When the vague form of a vibrant ghost. Arrived to disturb my dreaming, softly. Leaning down to me, pure ivory teeth, And offering me her flickering tongue, Her lips were kissing me, sweet and long, Mouth on mouth, thigh on thigh beneath... ellauri238.html on line 88: A quick way to get drunk for cheap, erguotou is a form of baijiu or Chinese white liquor made from sorghum. Popular with blue-collar workers, it will give you a good time for little more than 50p. ellauri238.html on line 233: Pena tapasi Saran Romaniassa George Coșbucin kunniaxi pidetyssä seminaarissa. (n. 20 septembrie 1866, Hordou, Imperiul Austriac – d. 9 mai 1918, București, România) a fost un poet, critic literar, scriitor, publicist și traducător român din Transilvania, membru titular al Academiei Române din anul 1916. ellauri238.html on line 235: Poezia sa aparține patrimoniului cultural național, creația sa recomandându-l drept un autor clasic al literaturii române, un om cu un gust literar desăvârșit și un autor canonic, care nu poate lipsi din manualele școlare nici în ziua de azi. A dus, de asemenea, o prodigioasă activitate de iluminare (culturalizare) a țăranilor, fiind un precursor al mișcării poporaniste și un tehnician desăvârșit al prozodiei, folosea o gamă foarte variată de picioare metrice și de ritmuri, de la cele ale poeziei populare la terza rima. A dat o versiune completă a operei lui Dante, Divina comedie. A tradus foarte mult din lirica străină și a adaptat prin localizare la sufletul și mediul țărănesc Eneida și Odiseea (Iliada a fost tradusă de contemporanul său, George Murnu) și a introdus specii ale poeziei orientale, cum ar fi gazelul, în poezia română. Toate aceste calități îl recomandă pentru poziția pe care o ocupă, de autor clasic, dar mai ales simțul echilibrului și faptul că a scos în evidență partea solară, idilică, a sufletului țăranului român. ellauri238.html on line 244: "Kann ich Ihnen helfen?" ellauri238.html on line 279: icture-in-picture" allowfullscreen> ellauri238.html on line 396: ”Minusta on nyt tullut Tjörnin runoilija, ja minusta voisi vielä tulla Bretagnen runoilija, kun ne eivät tunne Guillevicia edes nimeltä, tai ehkä se on Guillevicin oma syy, kun se on hyljännyt kotimaansa. Kuten minä omani. Ehkä minuakin ruvetaan Suomessa ylenkatsomaan, unohdetaan, mutta en kadu sitä että läksin sieltä: vieraisiin oloihin muuttamisestahan se johtuu että minä 1980-luvulla kykenen yhtä vahvoihin, ellen vahvempiin suorituksiin kuin 1960-luvulla. Keravalla asuen olisin tukehtunut.” ellauri238.html on line 416: In den Himmel sperrte ich Satan ein Taivaaseen suljin saatanan, ellauri238.html on line 428: Als ich noch Gottes Schlingel war! Kuin olin vielä jumalien pellenä! ellauri238.html on line 433: Die Else Lasker-Schüler-Gesellschaft e.V. ist ebenso ungewöhnlich wie Else Lasker-Schüler, unsere Namensgeberin mit dem gläsernen Herzen und den vielen Identitäten, in die sie sich poetisch hineinträumte: Sie war: ellauri238.html on line 442: Mitglieder*innen mit Lasker*in-Schüler*innen zuhause bei der/dem Dichter*in ellauri238.html on line 445: Das neue Buch von Hajoo Hahn über Else Lasker-Schüler*in ist nun offiziell auf dem Markt! Es ist ein Blätterbuch mit 20 "Kapiteln", Bildern und Gedichten. In jedem Beitrag wird Else in Ihrem Facettenreichtum als "Die Berliner*in", "Die Araber*in", "Die Jüd*in" "Die Zeichner*in" etc. vorstellt. ellauri238.html on line 447: Der/die 81-jährige Hajoo Hahn war Redakteur*in beim WDR in Wuppertal. Vor drei Jahrzehnten gründete er/sie die Else-Lasker*in-Schüler*in-Gesellschaft. Die Dichter*in wurde sein/ihr Lebensmittel-punkt. ellauri238.html on line 449: Grundlage sind viele Gespräche mit Zeitzeug*innen, die die Maler*inpoet*in noch persönlich gekannt haben. Dies ist keine wissenschaftliche Arbeit, sondern ein tolles Blätterbuch über eine ungewöhnliche Künstler*in. Die Elberfelder*in wird ebenso gezeigt wie die Berliner*in, die Dichter*in wie die Zeichner*in, die Performer*in wie die Netzverlkaufer*in, die Jüd*in wie die Araber*in. In der Synagoge isst sie genüsslich eine mitgebrachte Schokolade. Hey Mr/MsYliopiston älykkäimpiä miehiä. ellauri238.html on line 450: , doch nicht hier, wird sie von Rabbi Small zurechtgewiesen. Und sie antwortet: „Stören Sie mich nicht in meiner Andacht.“ ellauri238.html on line 455: Der/die von den Nazi*nnen als Jüd*in ins Exil „Verscheuchte“ stirbt am 22. Januar 1945 im Alter von 75 Jahren in Jerusalemer Hadassah (Esther)-Hospital. Aber der Tod hat in diesem Buch nicht das letzte Wort! Else Lasker*in-Schüler*in lebt in Gedichten. Else Lasker-Schüler lebt, wenn noch nur virtual, dadurch dass ihre Dichtung zwar immer weniger gelesen wird. Aber ihre Gedichte leben weiter, sehnsüchtig nach Leben und Lieben. Wie wir (und ich der/die Unterzeichnete, Hajoo Hahn besonders), vorläufig. „Längst lebe ich vergessen im Gedicht“, schreibt der/die aus Nazideutschland vertriebene Dichter*in. Nach seinem/ihrem Tod rühmt Gottfried Benn ihn/sie als „die größte Lyriker*in, den/die Deutschland je hatte“. ellauri238.html on line 457: In die von Engels so trefflich als „Muckertal“ benannte Wiege der Frühindustrialiserung wurde am 11. Februar 1869 Elisabeth Schüler geboren von ihrer Mutter Janette, geborene Kissing. Der Vater von insgesamt sechs Kindern war Aron Schüler, der sich als Privatbankier einen Namen machte, wie viele Juden im Tal, wie die Wichelhaus, von der Heydt und Kersten. ellauri238.html on line 459: Zur Welt kam Elisabeth, die Else genannt wurde, in der Elberfelder Herzogstraße 29. Sie wurde zu Else Lasker-Schüler, die Dichter*in, die ihre Welt aus dem Tal der Wupper und den Sprachwelten des Talmuds in Gedichten, in Prosa und Theaterstücken einfing. Eine deutsche Poet*in, die Deutschland und uns Kerndeutschen nah sein müsste, ist ihr Leben und Werk doch so tief von der Geschichte durchzogen, welche die unsrige ist. Meist wird sie als deutsch-jüdische Dichter*in wahrgenommen, aber dies marginalisiert und führt aus dem künstlerischen Erfahren und Lesen fort. Ihre Poet*innensprache war deutsch und damit hat sie das Sprachland Deutschland in eine dichte Höhle geführt, wie wenige vor ihr und nicht viele nach ihr. Und auch diejenigen, die wie sie einen eigenen Dichterkosmos hatten und haben, wie Rose Ausländer, Paul Celan, Nelly Sachs, Hilde Domin, Hertha Kräftner sowie Gottfried Benn, Rainer Maria Rilke, Peter Huchel, Reiner Kunze oder (aus Rumänien) Herta Müller, Rolf Bossert und Richard Wagner sollten werkimmanent und literaturästhetisch wahrgenommen und nicht in Bindestrich-Kästchen – weder religiös noch regional – segmentiert werden. Deutschland, Deutschland ist das Dach für alle, Deutschland Deutschland über alles, die Knechtschaft dauert nur noch kurze Zeit. ellauri238.html on line 461: Bert Brecht wird zuweilen vorgeworfen, er habe die Frauen, seine zahllosen Liebschaften, ausgenutzt, quasi benutzt, um daraus Themen und Sinnlichkeiten für seine Texte zu beziehen. Else Lasker-Schüler war (auch) immer verliebt und hat sicherlich mehr und bessere erotische Gedichte geschrieben als der Mann aus Augsburg. Die überwiegend einseitige Liebesgeschichte zu Gottfried Benn hat schöne Verse hervorgebracht, die mehr ihr als ihm ein Denkmal setzen. ellauri238.html on line 465: Else Lasker-Schülers Grabstein ist auf dem Ölberg in Jerusalem. Sie starb dort am 22. Januar 1945, hatte sich aber bis zuletzt eine Rückkehr in die deutschsprachige Stadt Zürich gewünscht. Jordanialaiset törkkivät Elsen heprealaista hautakiveä. Se sai uuden sakemanneilta, mutta luita ei löydy enää. ellauri238.html on line 469: Else ja Ingrid on niikö vastakohtia, toisen flengasi nazit pihalle ja toisen kommarit. Saxan parhaita (ainakin jonkun mielestä) kumpikin, vaikka jutkuja. Ei siinä mitään, kauniit nimet, kivoja runoja. icle.html">Vassarissa junge Kritiker*innen vääntää Kirschistä hampaat irvessä länsipropagandan asetta. Sarah ei viihtynyt harppisakuissa, muttei liioin Länsi-Saxassa. Ehti kuitenkin nähdä Saksojen yhdistymisen, jos se nyt oli parannus. ellauri238.html on line 488: Spiegelt sich schön das eigne Gesicht und Ja izeään peilata siinä. ellauri238.html on line 493: Sarah Kirschs Lyrik ist von hinten offen, meist ohne Reim und in freiem Versmaß. Dennoch spielt der Rhythmus im Sinne des Atemtempos eine große Rolle, ebenso Zeilenumbrüche und Zeilensprünge, durch die ein Strömen oder eine Atemlosigkeit erzeugt wird. Kirsch kombiniert häufig fachsprachliche oder altmodische Ausdrücke mit einem saloppen Ton. Als literarisches Vorbild nannte Kirsch Annette von Droste-Hülshoff, daneben ist ihr Werk durch Johannes Bobrowski und Wladimir Majakowski beeinflusst. ellauri238.html on line 505: Die Friedrichstraße entlang Pohjois-Espalla maata. ellauri238.html on line 508: Ich hau mich durch Autos bei Rot Vanhoilla vihreillä työnnyn ellauri238.html on line 514: (ich knurre: man tut was man kann) (murisen suotta: teen mitä pystyn) ellauri238.html on line 517: Da bin ich bös bis in die Wimpern Silloin suutun viixiä myöten ellauri238.html on line 520: Und setz mich unter ehrliche Möwen Ja istun reilujen lokkien joukkoon ellauri238.html on line 523: Und wenn ich gewaltiger Tiger heule Ja kun minä mahtava tiikeri ulvon ellauri238.html on line 524: Verstehn sie: ich meine es müsste hier Ne hoxaavat kyllä ongelman luonteen: ellauri238.html on line 565: ic/content/pic_5_4076421_k3442368_1200.jpg" width="80%" /> ellauri238.html on line 600: Everything that matters is my literary work and you. Not you Tuula, but you, yes you there, with black pubic hair and a billion birthmarks. I love you more than the smell of my own shit. Elämän onni on haarojen välissä. ellauri238.html on line 648: We express our deep respect to Karpov as a chess player. We express our deep contempt for him as a Russian and an accomplice of Putin. The mentioned match, as you probably know, was also an ideological battle (considering the status of Korchnoi and considering how opportunistic Karpov was both under the Soviet regime and under the current Russian regime). It's a pity that Korchnoi couldn't win and Fischer refused to play at all. Korchnoi jumped to our side and Fischer was an exemplary Jew. ellauri238.html on line 650: Born in Leningrad, Soviet Union (USSR), Korchnoi defected to the Netherlands in 1976, and resided in Switzerland from 1978, becoming a Swiss citizen. Korchnoi played four matches, three of which were official, against GM Anatoly Karpov. In 1974, Korchnoi lost the Candidates Tournament final to Karpov. Karpov was declared World Champion in 1975 when GM Bobby Fischer declined to defend his title. Korchnoi then won two consecutive Candidates cycles to qualify for World Chess Championship matches with Karpov in 1978 and 1981 but lost both. ellauri238.html on line 732: "My cup runneth over!" is screamed as an expression of ecstasy by the fictional character William Bedford Diego in the 1999 video game System Shock 2, while in World of Warcraft, fictional character Blood Prince Valanar uses the phrase during the "Blood Prince Council" encounter. Also Pandaren Brewmaster from Dota 2 uses it. "Your cup runneth over!" is also an achievement or trophy in Devil May Cry 4. In an easter egg in Day of the Tentacle there is a Victorian photograph resembling the character Max from Sam & Max Hit the Road with the caption "The late Max Attucks, his petard runneth over." In the MOBA Smite, it is the name of a Match of the Day where teams begin the match at max level with 12,000 gold. The quote is also quoted by one of the symbiotic demons in Call of Duty: Vanguard´s zombies mode. ellauri238.html on line 734: icture-in-picture" allowfullscreen> ellauri238.html on line 765: During the nazi occupation, he worked as a feeder of lice in the Rudolf Weigl Institute. From January until July 1952, he was a salaried blood donor. The loss of Lviw to the reds was an important theme in his later works. Herbert was attached to his new homeland tynkä-Poland, but at the same time was deeply disgusted by all effects (political, economical, cultural etc.) of the commies. ellauri238.html on line 767: A year later he became a member of the American Academy and Institute of Arts and Letters. In 1991, receiving the Jerusalem Prize gave Herbert another reason to travel to Israel for a while. There he befriended Yehuda Amichai and wrote a poem about him. "To Yehuda Amichai, Because you are a king and I'm only a prince". Just because Yehuda got translated to 40 tongues but Herbert only 38. Scandinavian krimi bestsellerists can boast with more. ellauri238.html on line 769: 1993, already in a wheelchair, Herbert became a member of the American Academy of Arts and Sciences. The last years of his life he spent in bed fighting with severe asthma. Herpertti olis saanut taistelustaan punaisia vastaan valkoisen kotkan pinssin postuumisti vasemmistopresidentiltä, mutta leski ei huolinut pinssiä ennenkuin presidentti oli vaihtunut oikeistolaisexi. ellauri238.html on line 813: is insufficient for Mankind anyway koko apinaköörille muutenkin ellauri238.html on line 819: with a tender solicitude huolestuneen hellästi ellauri238.html on line 839: Cały rok odbywają się tu konkursy, festiwale i koncerty. Nie ma pełni sezonu. Pełnia jest permanentna i niemal absolutna. Co kwartał powstają nowe kierunki i nic, jak się zdaje, nie jest w stanie zahamować tryumfalnego pochodu awangardy. ellauri238.html on line 841: Belzebub kocha sztukę. Chełpi się, że jego chóry, jego poeci i jego malarze prżewyzszają już prawie niebieskich. Kto ma lepszą sztukę, ma lepszy rząd - to jasne. Niedługo będą się mogli zmierzyć na Festiwalu Dwu Światów. I wtedy zobaczymy, co zostanie z Dantego, Fra Angelico i Bacha. ellauri238.html on line 851: Beelzebub rakastaa taidetta. Hän ylpeilee, että hänen kuoronsa, runoilijansa ja maalarinsa ovat melkein taivaansinisiä. Sillä, jolla on parempaa taidetta, on parempi hallitus - se on selvää. Pian he voivat kilpailla kahden maailman festivaalilla. Ja sitten näemme, mitä Dantesta, Fra Angelicosta ja Bachista on jäljellä. ellauri238.html on line 860: ichai Yehuda">Layle Silbert Yehuda Amichai (1924-2000) is recognized as one of Israel´s finest poets. His poems, written in Hebrew, have been translated into 40 languages (2 more than Herbert), and entire volumes of his work have been published in English, French, German, Swedish, Spanish, and Catalan. “Yehuda Amichai, it has been remarked with some justice,” according to translator Robert Alter, “is the most widely translated Hebrew poet since King David.” But boy, has he a long way to go to beat Dave. ellauri238.html on line 862: Born in Germany in 1924, Amichai and his family fled the country during Hitler’s rise to power when Amichai was 12 and settled in Palestine. Although Amichai’s native language was German, he read Hebrew fluently by the time he immigrated to Palestine. During the 1948 Arab-Israeli war he fought with the Israeli defense forces. The rigors and horrors of his service in this conflict, and in World War II, inform his poetry. ellauri238.html on line 863: According to Alter, Amichai’s early work bears a resemblance to the poetry of Thomas and Auden. “[Rainer Maria] Rilke,” wrote Alter, “is another informing presence for him, occasionally in matters of style—he has written vaguely Rilkesque elegies—but perhaps more as a model for using a language of here and now as an instrument to catch the glimmerings of a metaphysical beyond.” Kuulostaa pahalta. ellauri238.html on line 865: Alter stressed it was important to remember that Amichai is not simply an Auden or a William Carlos Williams writing from right to left. Far from it! Yehuda Amichai was an Israeli poet and author, one of the first to write in colloquial Hebrew in modern times. Amichai was awarded the 1957 Shlonsky Prize, the 1969 Brenner Prize, 1976 Bialik Prize, and 1982 Israel Prize. He also won international poetry prizes, and was nominated several times for the Nobel Prize in Literature. ellauri238.html on line 869: By Yehuda Amichai ellauri238.html on line 904: By Yehuda Amichai ellauri238.html on line 911: spices whose scent drifted away, precious stones, lots of red, mausteista joiden hajut haihtuivat, jalokivistä, paljosta punaväristä, ellauri238.html on line 912: handicrafts long gone from the world käsitöistä jotka katosivat aikaa sitten maailmasta ellauri238.html on line 934: with our quick blood? äkkipikaisella verellä? ellauri240.html on line 6: font-style: italic; ellauri240.html on line 33: ic;font-family:serif;font-size:2em;color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Grace Metalious ellauri240.html on line 34: ic;font-family:serif;font-size:3em;color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Kaupunki nimeltä Misogyniaa ellauri240.html on line 59: Joyce Diane Brothers (1927-2013) oli amerikkalainen psykologi, televisiopersoona, neuvoja, kolumnisti ja kirjailija. Hän tuli tunnetuksi ensimmäisen kerran vuonna 1955 voittamalla pääpalkinnon amerikkalaisessa peliohjelmassa The $64,000 Question. Pikku-Aune oli aivan ilmiselvä juutalainen, os. Bauer, siskokin nai jonkun Goldsmithin. In 1949, she married Milton Brothers, who later went on to become an internist. 40 years later in 1989, Brothers lost her husband to bladder cancer. Following the death of her husband, Brothers fell into a state of depression for a year and contemplated suicide (at 62); however, she used her own self-help work to achieve inner peace and happiness. Brothers and her husband had a daughter, four grandchildren and two great-grandchildren. ellauri240.html on line 63: As her fame grew there was an increase in disapproval among psychologists and psychiatrists (an all-male panel) . They questioned both the validity of her psychological claims and her authority in providing psychological advice. A growing number of male psychologists began to believe the advice she provided to her audience was unethical insofar as she did not hold any clinical degree and she was giving advice for free, not to patients who were paying customers. Mr. Stevens and Mr. Gardener, the authors of “Women and Psychology,” stated that “traditional psychologists smile subtly when her name is mentioned and they often complain that she actually does more damage to the Brotherhood than good. Besides, her eyes are way too close together.“ ellauri240.html on line 82: Wrinkles: A Novel by Charles Simmons 2.67 6 ratings 2 reviews. A brilliantly original examination of the many aspects that make up a life—from birth, up and over the hill, and into the wilderness of old age. A truly astonishing and original work of fiction, Wrinkles is the story of a life lived forty-four times, from childhood to adulthood to old age. ellauri240.html on line 84: A truly astonishing and original work of fiction indeed. It is a story of one man, a writer, who is born, who grows, who loves, who stops loving; who eats, sleeps, smokes, lies, boozes, cheats, regrets, has sex, has dreams, and lives. In short yet intimately detailed chapters, each covering a single aspect of his life from youth through old age, we get to know this person fully through the small yet telling incidents that make him who he is. He remembers the butt of a cigarette, the feel of his army uniform, the taste of a lover, the strange and unexpected touch of a college professor’s hand, and so many more small experiences that can never be shaken off more than a recalcitrant band-aid. ellauri240.html on line 101: Nancy realizes that the departed pedophile Krueger, now a vengeful ghost, is killing her and her friends out of revenge and to satiate his psychopathic needs. Realizing that Krueger is powered by his victim's fear, she calmly turns her back to him. Krueger evaporates when he attempts to lunge at her. ellauri240.html on line 105: Bullshit artist David B. Miller designed Krueger's disfigured face based on photographs of burn victims obtained from the UCLA Medical Center. The film was inspired by several newspaper articles printed in the Los Angeles Times in the 1970s about Hmong refugees, who, after fleeing to the United States because of U.S. war and genocide in Laos, Cambodia, and Vietnam, suffered disturbing nightmares and refused to sleep. Some of the men died in their sleep soon after. Medical authorities called the phenomenon Asian Death Syndrome. ellauri240.html on line 107: Many Hmong refugees settled in the United States after the Vietnam War. Beginning in December 1975, the first Hmong refugees arrived in the U.S., mainly from refugee camps in Thailand; however, only 3,466 were granted asylum at that time under the Indochina Migration and Refugee Assistance Act of 1975. In May 1976, another 11,000 were allowed to enter the United States, and by 1978 some 30,000 Hmong people had immigrated. This first wave was made up predominantly of men directly associated with General Vang Pao's secret army. The Hmong allied with the French against the Communists during the whole Indochina War and with the Americans during the whole Vietnam War, hoping to resist communist Viêt Minh control. So here was the thanx for their efforts. ellauri240.html on line 109: During the Secret War, in the early 1960s through 1970s the word "Miao or Meo (meaning "cats", "barbarians", and even "Sons of Soiled Pants")" was used until it was changed by General Vang Pao and Dr. Yang Dao to "Hmong", with an added "H" in front of the word "Mong" just for fun. During that time, Dr. Yang Dao just like that, out of the hat, defined and cited the word 'Hmong' to mean "Free Men". This assertion was originally put forth by Yang Dao, himself a Hmong, who felt that framing the etymology of the word "Hmong" as meaning "free" would be beneficial to the self esteem of the Sons of Soil themselves. ellauri240.html on line 117: Vang Pao, mercenary soldier, born 8 December 1929; died 6 January 2011. Vang Pao, the Laotian general who marshalled a CIA mercenary army to fight a "secret war" against communist insurgents in the remote mountains of Laos in the 1960s, has died aged 81. Although Vang Pao's supporters portrayed him as a father figure uniting all his people, the Hmong (an ethnic minority in Laos), on the side of the US against the communist world, his critics regarded him as a charismatic but ruthless opium warlord, who made arrogant and misleading claims to speak on behalf of all Hmong. Far from uniting the Hmong, they say, he divided them. Some historians argue that he allowed his "secret army" to be used as cannon-fodder, played as pawns on a CIA geopolitical chessboard. ellauri240.html on line 118: Air America pilots have since admitted that their planes not only transported rice, bullets and weapons, but also sacks of opium grown by the Hmong villages. Smuggled narcotics became a routine cargo transported from Laos and delivered into the corrupt arms of a clique of South Vietnamese generals in Saigon. Vang Pao even set up a heroin laboratory at the secret US CIA base at Long Cheng. The trade helped to fund Vang Pao's army, with the complicity of senior CIA operatives. ellauri240.html on line 124: Vang Pao has been widely portrayed by his Hmong supporters and the US media as an American war hero and venerated leader of the Hmong people. The former CIA chief William Colby once called him "the biggest hero of the Vietnam war". He came very close to having a park in Madison City, Wisconsin, named after him in 2002. But McCoy objected to the honouring of a man who had ordered the summary executions of prisoners and soldiers who crossed him, and accused Vang Pao of war crimes and heroin-trafficking. Five years later, Vang Pao's name was removed from a new school in Madison after opponents said it should not bear the name of a man with such a blood-stained history. ellauri240.html on line 128: In 2007, he was arrested and charged with other Hmong leaders in federal court with conspiracy in a plot to kill communist officials in his native country. Federal prosecutors alleged the Lao liberation movement known as Neo Hom raised millions of dollars to recruit a mercenary force and conspired to obtain weapons. ellauri240.html on line 129: Even after his indictment, he appeared as the guest of honor at Hmong New Year celebrations in St. Paul and Fresno, where crowds of his supporters gathered to catch a glimpse of the highly decorated general as he arrived in a limousine. ellauri240.html on line 131: To learn more about the CIA’s efforts to stop the spread of communism deeper into Southeast Asia, and the amazing firsthand stories of sacrifice and bravery of the Hmong men and women who served in the operation, watch the full-length documentary America’s Secret War. ellauri240.html on line 132: This story is part of the collection The Call to Serve: Stories of Sacrifice, War and the Way Home, which was funded by the Fred C. and Katherine B. Andersen Foundation. ellauri240.html on line 134: Fred was the president and chairman of Andersen Corp., America's largest manufacturer of windows and patio doors, from 1914 until he retired in 1972. He served the company for more than 75 years. Katherine also devoted much of her time to the company, serving on the board of directors for 50 years. In 1959, the couple created the Andersen Foundation, now called the Fred C. and Katherine B. Andersen Foundation. ellauri240.html on line 138: January 6, 2011. China's stealth jet is no cause for alarm: US. The day after a Chinese newspaper published photos of what is supposedly a prototype of China's first stealth jet, US officials said they are not worried about the development. ellauri240.html on line 139: The leak Wednesday of photos of a what appears to be a prototype of China’s first stealth fighter jet attracted immediate attention worldwide, but many note that China is years away from moving that jet into service. ellauri240.html on line 141: Pictures of the jet and accompanying articles appeared on the front page of the Chinese daily Global Times on Wednesday. The lack of a government suppression of the disclosure lends credence to China's reports, the Associated Press reports. ellauri240.html on line 142: The Global Times did not comment on the authenticity of the pictures, but since the government wields extensive control over state media, the report's appearance and the fact that censors have not removed images from websites suggest a calculated move to leak the information into the public sphere. ellauri240.html on line 143: That in turn would reflect the growing confidence of the traditionally secretive People's Liberation Army, which is pushing for greater influence and bigger budgets. ellauri240.html on line 145: US defense officials don't appear worried about these ads. ellauri240.html on line 146: "It is not of concern that they are working on a fifth-generation fighter," since the Chinese are "still having difficulties with their fourth-generation fighter, LOL," Marine Col. Dave Lapan, a Pentagon spokesman, told the Associated Press. ellauri240.html on line 147: The prototype jet pictured in the leaked photos, known as a J-20, is notable because, like the US F-22, it would be undetectable by radar and antiaircraft defenses. The F-22 is currently the world’s only operational next-generation stealth fighter jet. ellauri240.html on line 148: “There does tend to be some tendency to take a Chinese asset – whether it is a particular type of missile or boat or radar or whatever – and ascribe to the Chinese the same capability that we would have if we had the same item,” says Dr. Kenneth Lieberthal, director of the John L. Thornton China Center at the Brookings Institution in Washington. ellauri240.html on line 155: 2.8.2022 According to international affairs magazine National Interest, the J-20 jet is considered to be "potentially less maneuverable" than an F-22 due to its larger size. The F-22 is also potentially able to sustain quicker speeds for a longer period of time, according to the magazine. ellauri240.html on line 165: Saksikäsi Edward aloitti Tim Burtonin ja näyttelijä Johnny Deppin yhteistyön. Winona Ryder ja Burton olivat tehneet töitä yhdessä jo elokuvassa Beetlejuice (1988). Saksikäsi Edward oli myös monista klassisista kauhuelokuvista tunnetun Vincent Pricen viimeinen elokuva. Elokuva kuvattiin vuonna 1989 Floridassa. ellauri240.html on line 169: Pegin naapurit vaikuttuvat Edwardin ilmiömäisistä pensas- ja hiustenleikkuutaidoista. Naapuruston uskonnollinen fanaatikko Esmeralda (O-Lan Jones) ja Kimin urheilijapoikaystävä Jim (Anthony Michael Hall) alkavat kuitenkin inhota Edwardia heti ensi näkemältä. Naapuruston kotirouva Joyce (Kathy Baker) päivänpannuineen ehdottaa, että Edward avaisi hänen kanssaan kampaamon. Heidän ollessaan tarkastamassa tulevia kampaamotiloja Joyce yrittää vietellä Edwardin takahuoneessa, minkä seurauksena Edward lähtee hätääntyneenä pois lipsutellen saxiaan. ellauri240.html on line 173: Edwardin pidättänyt konstaapeli Allen (Dick Anthony Williams) ystävystyy ujon Edwardin kanssa välittömästi nähdessään tämän luontaisen hyvyyden. Sillä välin Edwardin torjuma ja raivostunut Joyce kostaa Edwardille väittämällä, että tämä yritti ”raiskata” hänet. Kun tämä lisätään Edwardin tilille ”murron” lisäksi, useat naapurit alkavat kyseenalaistaa Edwardin "luonteen", ja Edward menettää suosionsa heidän keskuudessaan. Tulee joulu, ja Bagginsin perhettä lukuun ottamatta lähes jokainen pelkää Edwardia, minkä seurauksena sekä Edwardista että Bagginseista tulee hylkiöitä. ellauri240.html on line 205: Metalious's father deserted his wife and three daughters when Grace was 11 years old. At that time divorce was unusual in a French Canadian family, and Grace and her sisters felt stigmatized. In high school Grace met George Metalious, who was neither Catholic nor of French-Canadian background and, thus, highly unacceptable to her family. Nevertheless, they married in 1943. A few years later, with one child already, the Metalious's moved to Durham, New Hampshire, where George attended the University of New Hampshire. It was here that Metalious began writing seriously, neglecting both her house and, eventually, three children, despite the condemnation of her neighbors. ellauri240.html on line 209: Peyton Place is the story of a small New England town that, beneath its calm exterior, is filled with scandal and dark secrets. The novel contains sex, suicide, abortion, murder and a subsequent trial, and rape. The citizens of Gilmanton were outraged, certain that Grace Metalious was describing real people in the book and sure that she had brought shame and unwarranted notoriety to their town. After Peyton Place was published, the whole image of the small town in America was forever changed. From then on the very phrase "Peyton Place" was used to describe a town that is rife with deep secrets and rampant sex beneath the veneer of picturesque calm. ellauri240.html on line 211: Peyton Place was banned in many communities; in fact, the local public library refused to purchase a copy of the book and did not have one until 1976, when newswoman Barbara Walters donated one to them. In Gilmanton there were threats of libel suits against Grace Metalious. Ministers and political leaders all over the country condemned the novel, claiming that it would corrupt the morals of young people who read it. The novel was banned altogether in Canada and several other countries. ellauri240.html on line 213: Despite its notoriety and the large amounts of money it earned her, the book led to the ruination of Grace Metalious. She purchased a house that she had long admired in Gilmanton, then had it extensively remodeled. Meanwhile, her husband's contract with the Gilmanton school was not renewed. Officially, he was not fired, but the rumor was that the dismissal was because of his wife's book. At any rate, it made good publicity for the book. George eventually got a new job in Massachusetts, but Grace refused to leave her house. Eventually the two divorced and Grace, who had begun drinking heavily, married a local disc jockey. ellauri240.html on line 215: Grace went on to write three other novels: Return to Peyton Place (1959), The Tight White Collar (1960), and No Adam in Eden (1963). None of them achieved the same kind success as Peyton Place, though there are critics who feel that No Adam in Eden, a gritty book about the lives of mill workers in Manchester, is her best. By 1960 Grace and George had reconciled and remarried, only to separate again in 1963. She died in 1964 of cirrhosis of the liver and is buried in Gilmanton. ellauri240.html on line 217: After she died, George wrote his own book called The Girl from "Peyton Place." The book offers a husband's view of how Metalious was exploited after the publication of the book, but also of how she was responsible for bringing unhappiness to herself and to others. A whole series of other "Peyton Place" books were produced after Grace Metalious's death, with titles like The Evils of Peyton Place and Temptations of Peyton Place. None of these were a commercial success. ellauri240.html on line 219: Peyton Place was made into a movie starring Lana Turner and Hope Lange in 1957. The town of Gilmanton opposed having the movie filmed there, and eventually it was filmed in Camden, Maine, a location totally unlike any rural mill town. A television series, starring Mia Farrow and Dorothy Malone, was produced that lasted from 1964-1969. Both the film and the television show were cleaned up and did not contain the language or sexual specificity of the novel. ellauri240.html on line 221: Although Peyton Place is still well known for its depiction of a certain kind of small town society with many hidden secrets, few people read the book any longer. Few people read any books any longer. Scandalous in its time, it no longer has the same force of shock that it did when it was published. Thanx to the pill. ellauri240.html on line 231: Ensmänen pano tulee sivulla 43, Lucas Crossin tönössä, eikä se ole mitään kaunista nähtävää. Mutta tää kirja vaikuttaa suhteellisen hyvältä kaikesta huolimatta joteskin. Korutonta kertomaa, mut suht uskottavaa. Jää sama fiilis kuin Adichesta: ize elettyjä klisheitä. ellauri240.html on line 237: Constancea häirizee että mustalais-Selena näyttää 13-vuotiaana naiselta. Jerry Lee Lewis-vainaja meni sen ikäisen serkuntytön kanssa naimisiin, vaikkei ero edellisen vaimon kanssa ollut vielä selvä. Siihen tyssäsi Jerryn tähdenlento. Tuli kananlento. Great balls of fire. Muhammedin lentoa ei moinen haitannut. Eikä Allisonin juutalaisen hellunkaan. Allen sexually assaulted his adopted daughter Dylan Farrow when she was seven - which he has vehemently denied. But who believes him? He took porn pics of the adolescent Korean girl while they still lived in Allison's home. ellauri240.html on line 242: In the four-part US series by HBO, Dylan Farrow recalled the moment that Woody Allen allegedly "touched her private parts" when she was seven. Dylan, now aged 35, has previously written that Allen one day led her to an attic at their house when she was seven years old. She alleged: "He told me to lay on my stomach and play with my brother’s electric train set. Then he sexually assaulted me." ellauri240.html on line 246: When Mia and Allen first began their relationship, the Korean chick was 11. They married when she was 21, Mia 47 and the mocky 57. ellauri240.html on line 274: Donec eris felix multos numerabis amicos. Tempora si fuerint nubila solus eris. Ante obitum nemo supremaque funera felix. Here lie I, Timon, who alive, all living men did hate, Pass by, and curse thy fill, but pass and stay not here thy gait." ellauri240.html on line 276: The Shakespearean play ending thus contains several narrative inconsistencies uncharacteristic of Shakespeare, an unusually unsatisfying dénouement, drastically different styles in different places and an unusually large number of long lines that do not scan. ellauri240.html on line 278: Linguists have all discovered apparent confirmation of the theory that Middleton wrote much of the play. It contains numerous words, phrases, and punctuation choices that are characteristic of his work but rare in Shakespeare. ellauri240.html on line 280: The play's abrasively harsh humour and its depiction of social relationships that involve a denial of personal relationships are Middletonian traits. "Timon of Athens is all the more interesting because the text articulates a dialogue between two dramatists of a very different temper." ellauri240.html on line 282: Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt Midleton) was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy. ellauri240.html on line 284: Middleton's plays are marked by often amusingly presented cynicism about the human race. True heroes are a rarity: almost every character is selfish, greedy and self-absorbed. Middleton's work has long been praised by literary critics, among them Algernon Charles Swinburne and T. S. Eliot. The latter thought Middleton was second only to Shakespeare. ellauri240.html on line 297: Adichie eix je ellauri240.html on line 299: Tähän albumiin sopisi hyvin lukaista loppuun kesken jäänyt Adichen kehitysromaani Kotiinpalaajat, koska siitä löytyy takuuvarmasti misogyniaa tykötarpeixi. Eli otetaan esiin pointteja Ifemelun seikkailusta ja zekataan pikku-Aunen kirjasta mitä ne todistavat miehistä. ellauri240.html on line 305: ichie Chimamanda">Chimamanda Ngozi Adichie (s. 15. syyskuuta 1977 Enugu) on nigerialainen kirjailija. Hänen läpimurtoteoksensa oli vuonna 2006 ilmestynyt Biafran sodasta kertova romaani Puolikas keltaista aurinkoa (2006). Adichien teoksia on käännetty yli 30 kielelle. ellauri240.html on line 307: Adichie varttui Nigeriassa Nsukkan yliopistokaupungissa keskiluokkaisessa perheessä viidentenä kuudesta lapsesta. Hänen isänsä James Nwoye Adichie oli matematiikan professori yliopistossa ja äiti Grace Ifeoma Adichie "työskenteli yliopistossa hallinnollisissa tehtävissä". Etniseltä alkuperältään Adichie on igbo. Sen kansallislaulu on siis Finlandia, ja sen porukat koittivat Biafran sodassa epäonnistuneesti lähteä Nigerian liittovaltiosta Nigerin suiston öljyvarat kainalossa. ellauri240.html on line 309: Adichie opiskeli Nigeriassa lääketiedettä ja farmasiaa, mutta keskeytti opinnot ja muutti 19-vuotiaana Yhdysvaltoihin. Aina nää kynäilijät lähtee kesken opintojen. Tai oikeammin, niistä tulee kynäntyöntäjiä koska ne ei pääse opintoja loppuun. Näitähän meillä on ihan kotivaroixi. Hän opiskeli viestintää ja valtio-oppia ja valmistui kandidaatiksi vuonna 2001 Eastern Connecticut State Universitystä. Vuonna 2003 Adichie suoritti maisterin tutkinnon luovassa kirjoittamisessa Johns Hopkinsin yliopistossa. Hän suoritti toisen maisterin tutkinnon Afrikan tutkimuksessa Yalen yliopistosta vuonna 2008. Olis tehnyt MD:n niin ei ois tarvinnut näitä päntätä. Tai hei, Chimananda on varmaan ansainnut kynäilyllä enemmän kuin konsanaan tohtoroinnilla, eikä ole yhtä pahaa aidsin ja ebolan riskiä. ellauri240.html on line 311: Adichien teos Meidän kaikkien pitäisi olla feministejä ilmestyi maaliskuussa 2017 suomeksi. Ruotsissa kirja jaettiin kaikille 16-vuotiaille joululahjana vuonna 2015. Suomessa opetus- ja kulttuuriministeriö, Otava, Jyväskylän yliopisto, Tampere-talo ja feministinen ajatushautomo Virtain Hattu käynnistivät 2016 hankkeen, jossa kirja jaettiin kaikille yhdeksäsluokkalaisille. Tämä herätti jonkin verran "keskustelua" Ilta-Pulun viha-alustalla. Suurimmat peukutuxet saivat lyhkäisimmät mielipiteet, kai sixi että analfabeetit luolamiehet jaxoivat ne lukea. Nämä välihuudot saivat 1000-100 peukutusta: ellauri240.html on line 489: “Cynicism is a disease that robs people of the gift of life.” – Rainn Wilson ellauri240.html on line 494: Rainn Dietrich Wilson. (s. 20. tammikuuta 1966 Seattle, Washington), hän on yhdysvaltalainen näyttelijä. Hänet tunnetaan parhaiten roolistaan Dwight Schrutena televisiosarjan Konttori yhdysvaltalaisessa versiossa. Hän ei saanut tähtiosaa, eikä sivuosastakaan Emmyä. Hän tuli tähtien shakkiottelussa toisexi. Outside of acting, Wilson published an autobiography, The Bassoon King, in 2015, and co-founded the digital media company SoulPancake in 2008. In 2022, On November 10, 2022, Wilson changed his name on social media to Rainnfall Heat Wave Rising Sea Levels Wilson in an effort to raise awareness about climate change, though he did not legally change his name. ellauri240.html on line 498: The Zonkey is a hybrid animal that is created by cross-breeding two different species of animal that belong to the same genetic group. Technically though, an individual is only classed as a Zonkey if it is sired from a male Zebra and female Donkey, as one that has a male Donkey and female Zebra parents is known as a Zedonk. ellauri240.html on line 502: Our decade-plus of award-winning content spans digital, television, branded, and live engagements, with hits such as Street Stunts for Oprah´s Super Soul Sunday, Kid President, My Last Days, Science of Happiness, Tell My Story, and more. In 2016 SoulPancake joined the Participant family, with like-minded visions of making the world a better place through thoughtful, inspiring content. As one unified voice under the Participant brand, we are building a global community using storytelling as the vehicle to reimagine better futures of peace and prosperity for all, and cultivating pathways for our audiences to create real world impact. And to sell maximum number of MeUndies on the side. ellauri241.html on line 6: font-style: italic; ellauri241.html on line 33: ic;font-family:serif;font-size:2em;color:white;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Kiits ellauri241.html on line 34: ic;font-family:serif;font-size:3em;color:black;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Leimiä Misokeittoa ellauri241.html on line 47: Fanny's flirtatious personality contrasts with Keats' notably more aloof nature. She begins to pursue him after her siblings Samuel and Toots obtain his book of poetry, "Endymion". Her efforts to interact with the poet are fruitless until he witnesses her grief for the loss of his brother, Tom. Keats begins to open up to her advances while spending Christmas with the Brawne family. He begins giving her poetry lessons, and it becomes apparent that their attraction is mutual. Fanny is nevertheless troubled by his reluctance to pursue her, on which her mother (Kerry Fox) surmises, "Mr. Keats knows he cannot like you, he has no living and no income." ellauri241.html on line 49: It is only after Fanny receives a valentine from Brown that Keats passionately confronts them and asks if they are lovers. Brown sent the valentine in jest, but warns Keats that Fanny is a mere flirt playing a game. Fanny is hurt by Brown's accusations and Keats' lack of faith in her; she ends their lessons and leaves. The Dilkes move to Westminster in the spring, leaving the Brawne family their half of the house and six months rent. Fanny and Keats then resume their interaction and fall deeply (ca. 6 inches) in love. The relationship comes to an abrupt end when Brown departs with Keats for his summer holiday, where Keats may earn some money. Fanny is heartbroken, though she is comforted by Keats' love letters. When the men return in the autumn, Fanny's mother voices her concern that Fanny's attachment to the poet will hinder her from being courted. Fanny and Keats secretly become engaged. ellauri241.html on line 51: Keats contracts tuberculosis the following winter. He spends several weeks recovering until spring. His friends collect funds so that he may spend the following winter in Italy, where the climate is warmer. After Brown impregnates a maid and is unable to accompany him, Keats finds accommodation in London for the summer, and is later taken in by the Brawne family following an attack of his illness. When his book sells with moderate success, Fanny's mother gives him her blessing to marry Fanny once he returns from Italy. The night before he leaves, he and Fanny say their tearful goodbyes in privacy. Keats dies in Italy the following February of complications from his illness, as his brother Tom did. Bugger it. ellauri241.html on line 68: Yhden Michael O´Neillin mukaan Leimiä runossa "kohdellaan ambivalenttisesti, mutta huomattavalla myötätunnolla", mikä tekee "jyrkän kontrastin rauhallisempaan ja näennäisesti kritiikittömään romantiikan käyttöön kahdessa seuraavassa kerronnallisessa runossa.... onneton Lycius on Apollonioksen pelkistävän rationalismin ja Leimiän lumoavan illusorisuuden nalkissa kuin puun ja kuoren välissä." ellauri241.html on line 97: Were strewn rich gifts, unknown to any Muse, lahjoja, joita kukaan muusa ei tuntenut, ellauri241.html on line 113: There as he stood, he heard a mournful voice, Siellä seisoessaan hän kuuli surullisen äänen, ellauri241.html on line 115: All pain but pity: thus the lone voice spake: kaiken tuskan, paitsi säälin: näin yksinäinen ääni puhui: ellauri241.html on line 142: As Proserpine still weeps for her Sicilian air. Kuten Proserpine edelleen itkee sisilialaista ilmaansa. ellauri241.html on line 213: Delicate, put to proof the lythe Caducean charm. Delikaatisti, pani käärmesauvan lemmen töihin. ellauri241.html on line 241: Eclipsed her crescents, and licked up her stars: Pimensi hänen puolikuunsa ja nuoli hänen tähtensä: ellauri241.html on line 248: And in the air, her new voice luting soft, Ja ilmassa, hänen uusi äänensä luutusti pehmeästi, ellauri241.html on line 288: Of all she list, strange or magnificent: Kaikista hän teki listaa, oudoista tai mahtavista: ellauri241.html on line 312: To sacrifice to Jove, whose temple there uhratakseen Jovelle, jonka temppeli siellä ellauri241.html on line 321: In the calmed twilight of Platonic shades. Enemmän tai vähemmän platonisten sävyjen hämärässä. ellauri241.html on line 333: But Orpheus-like at an Eurydice; vaan Orpheustyyppisesti Eurydikeeseen; ellauri241.html on line 334: For so delicious were the words she sung, Sillä niin herkullisia olivat hiänen laulamat sanat, ellauri241.html on line 341: Due adoration, thus began to adore; lip serviceä, niinpä hän alkoi palvoa; ellauri241.html on line 361: To dull the nice remembrance of my home? tylsyttääksesi mukavan muiston kodistani? ellauri241.html on line 373: Tiptoe with white arms spread. He, sick to lose varpaankärkeen valkoiset käsivarret levittäen. Hän, sairaana menetettyään ellauri241.html on line 412: And every word she spake enticed him on Ja jokainen sana, jonka hän puhui, houkutteli hänet ellauri241.html on line 442: Men, women, rich and poor, in the cool hours, Miehet, naiset, rikkaat ja köyhät, viileinä tunteina, ellauri241.html on line 447: Or found them clustered in the corniced shade tai löysivät ne isosssa kasassa ellauri241.html on line 453: Slow-stepp'd, and robed in philosophic gown: hidas askel ja pukeutunut filosofiseen pukuun: ellauri241.html on line 462: Yourself from his quick eyes?" Lycius replied, itsesi hänen nopeilta silmiltään?" Lycius vastasi: ellauri241.html on line 499: To breed distrust and hate, that make the soft voice hiss. synnyttämään epäluottamusta ja vihaa, jotka saavat pehmeän äänen sihisemään. ellauri241.html on line 500: Besides, there, nightly, with terrific glare, Sitä paitsi siellä, öisin, loistavalla häikäisyllä, ellauri241.html on line 514: Saving a tythe which love still open kept, pelastaen kymmenyksen, jonka rakkaus yhä auki säilytti, ellauri241.html on line 549: But lets it sometimes pace abroad majestical, Mutta sallii sen joskus ulkoilla majesteettisena, ellauri241.html on line 550: And triumph, as in thee I should rejoice ja voittaa, niinkuin sinussa minun pitäisi iloita ellauri241.html on line 551: Amid the hoarse alarm of Corinth's voice. Krimin sodan äänen käheän hälytyksen keskellä. ellauri241.html on line 607: The misery in fit magnificence. kurjuutensa sopivaan lainaloistoon. ellauri241.html on line 613: A haunting music, sole perhaps and lone Kummitusmainen musiikki, kenties ainoa ja yksinäinen ellauri241.html on line 616: Fresh carved cedar, mimicking a glade Tuore veistetty seetri, joka jäljittelee ellauri241.html on line 627: Missioned her viewless servants to enrich Lähetti näkymättömät palvelijansa rikastuttamaan ellauri241.html on line 628: The fretted splendour of each nook and niche. jokaisen nurkan ja markkinaraon täyteen ärsyyntynyttä loistoa. ellauri241.html on line 632: And with the larger wove in small intricacies. ja isompien väliin kudottuja pienempiä monimutkaisuuksia. ellauri241.html on line 670: A censer fed with myrrh and spiced wood, suitsutusastia, jota ruokittiin mirhalla ja maustepuulla, ellauri241.html on line 675: To the high roof, still mimick'd as they rose Korkeaan laipioon, edelleen heijastuen, kun ne nousivat, ellauri241.html on line 680: Of cups and goblets, and the store thrice told kuppien ja pikarien raskasta kultaa, ja kauppa kertoi kolmesti ellauri241.html on line 686: When in an antichamber every guest Kun antikammiossa jokainen vieras ellauri241.html on line 695: Soft went the music the soft air along, Pehmeästi soi musiikki pehmeää ilmaa pitkin, ellauri241.html on line 703: The roof of awful richness, nectarous cheer, törkeän rikkauden katto, nektaristinen riemu, ellauri241.html on line 722: And for the youth, quick, let us strip for him Ja nuorukaiselle, nopeasti, riisutaan poolopaidastaan ellauri241.html on line 749: ´Twas icy, and the cold ran through his veins; Se oli jäinen, ja kylmä kulki hänen suonissaan; ellauri241.html on line 761: Grew hush; the stately music no more breathes; vaikeni; komea musiikki ei enää hengitä; ellauri241.html on line 762: The myrtle sickened in a thousand wreaths. Myrtti sairastui tuhannessa seppeleessä. ellauri241.html on line 763: By faint degrees, voice, lute, and pleasure ceased; Heikoin asteib ääni, luuttu ja mielihyvä lakkasivat; ellauri241.html on line 784: Unlawful magic, and enticing lies. laittoman taikuuden ja houkuttelevien valheittesi vuoksi. ellauri241.html on line 791: Gruff with contempt; which a death-nighing moan halveksunnalla, johon Lyciuksen kuolemaa ennustava ellauri241.html on line 877: The grass, the thicket, and the fruit-tree wild; Ruoho, pensas ja hedelmäpuu villinä; ellauri241.html on line 888: Now more than ever seems it rich to die, Nyt enemmän kuin koskaan tuntuu rikkaalta kuolla, ellauri241.html on line 897: The voice I hear this passing night was heard Äänen, jonka kuulen tänä kuluvana yönä, kuuli ellauri241.html on line 900: Through the sad heart of Ruth, when, sick for home, Ruthin surullisen sydämen läpitte, kun koti-ikäväisenä ellauri241.html on line 903: Charm'd magic casements, opening on the foam Viehättävät taikakotelot korvilla, aukot vaahtomuovin päällä ellauri241.html on line 915: Fled is that music:—Do I wake or sleep? Juma on se musaa! -Heräänkö vai nukun lisää? ellauri241.html on line 918: ic.com/18641759/r/il/2f3807/2369440604/il_1140xN.2369440604_ov11.jpg" width="80%" /> ellauri241.html on line 973: Each wearing a white wicked bikini ellauri241.html on line 1003: Will put choice honey for a favoured youth: ellauri241.html on line 1012: passion our voices cooingly among myrtles! ellauri241.html on line 1014: O mechanical forester divine! ellauri241.html on line 1022: And the frantic "gape" of lonely Niobe, ellauri241.html on line 1052: Before the deep intoxication. ellauri241.html on line 1062: Completely spherical! You wouldn't believe! ellauri241.html on line 1069: The which were blended in, I know not how, ellauri241.html on line 1088: Of high and noble life with thoughts so sick? ellauri241.html on line 1093: Richer entanglements, enthralments far ellauri241.html on line 1098: From which I want to wipe away needless serpentry, ellauri241.html on line 1105: a drop of sperm from dick to twat ellauri241.html on line 1123: Compared to a few juicy bits ellauri241.html on line 1127: So let's get back to the brain-sick shepherd-prince, what the heck, ellauri241.html on line 1138: Quick waterflies and gnats were sporting still, ellauri241.html on line 1140: And fish were dimpling, snickering like hell. ellauri241.html on line 1151: Where angry voices lead: go through the hole, ellauri241.html on line 1153: After a moment's reflection, he stuck his dick ellauri241.html on line 1154: Into the fearful deep, to hide his prick ellauri241.html on line 1164: Thru ruby columns, fantastic bridge, flood of slime on a ridge. ellauri241.html on line 1165: (I've seen this, in an endoscopic video!) ellauri241.html on line 1168: - Ok, but stop the retreat, push the dick back in! ellauri241.html on line 1172: That things of delicate and tenderest worth ellauri241.html on line 1179: And now for a touch of the homoerotic: ellauri241.html on line 1184: Taste his juicy pears! Here is cream ellauri241.html on line 1187: Killed by a bore, but medicined so ellauri241.html on line 1203: The burning prick within him; so, bent low, ellauri241.html on line 1219: To his capable ears, silence was music from the holy spheres; ellauri241.html on line 1260: His soul will 'scape us— O felicity! Yes! ellauri241.html on line 1262: His poor testicles beat ellauri241.html on line 1270: My lips to thine, that they may richly feast ellauri241.html on line 1289: Of our close voices wake the neighbors; ellauri241.html on line 1308: Had pass'd away; his dick hung limp. ellauri241.html on line 1331: "Doff all sad fears, thou white deliciousness, ellauri241.html on line 1333: Thou couldst rejoice to see my hopeless stream ellauri241.html on line 1348: The comfortable green and juicy hay ellauri241.html on line 1384: but sounds fantastic and mysterious!) ellauri241.html on line 1407: My heart (and dick) so potently? ellauri241.html on line 1411: Then an old guy appears, apparently a magician, ellauri241.html on line 1419: And in his lap 3 cups, with which he conn'd ellauri241.html on line 1426: Went arching up, and like two magic ploughs ellauri241.html on line 1428: Which he kept as fixedly as Simpsons' Marge, ellauri241.html on line 1433: And in a voice of solemn joy, that aw'd ellauri241.html on line 1445: That writhes about the roots of Sicily: ellauri241.html on line 1469: His magic fish through hated fire and flame? ellauri241.html on line 1476: Her voice I hung like fruit among green leaves: ellauri241.html on line 1505: to catch Scylla, but she was too quick. ellauri241.html on line 1516: I caught her feeding some nasty magic beasts. ellauri241.html on line 1532: Ten hundred years: which gone, I then bequeath ellauri241.html on line 1547: I left poor Scylla in a niche and fled. ellauri241.html on line 1599: At such a length as this. Ow do not curse, Br'er Criticks! ellauri241.html on line 1605: Of light in light! delicious poisoner! ellauri241.html on line 1618: I die—I hear her voice—I feel my wiener—” ellauri241.html on line 1631: The speaker's introduction at the beginning of Book 4 is significantly shorter than in the previous three books. He speaks to his muse of his native land whose great days are now over as anyone can tell from Endymion. The shepherd-prince overhears a distressed Indian Maiden who longs for someone to love. Endymion finds himself instantly smitten with the Maiden. He is desperately conflicted because he now appears to be in love with the three women Cynthia, Diana, and the Indian Maiden. ellauri241.html on line 1637: Endymion declares that he will let go of the possibility of immortality so that he can love and adore the Maiden instead. The god Mercury appears and strikes the ground with his magic wand. Winged horses arrive to fly Endymion and the Indian Maiden into the sky where the shepherd-prince dreams that he is in Olympus which is the sanctuary of the gods. He is conflicted when he suddenly sees Diana who is also known as Phoebe and she looms over him. Endymion looks over at the sleeping Indian Maiden and "could not help but kiss her: then he grew / Awhile forgetful of all beauty save / Young Phoebe's, golden hair'd; and so 'gan crave Forgiveness." Once again he looks at the Maiden with adoration, but Phoebe begins to fade away, and he protests in panic. The noise awakens the sleeping Maiden next to him. In this moment Endymion chooses to abandon Diana and immortality as he professes to the Maid, "I love thee! and my days can never last. I always love the one that is readily available, she is the best." They soar through the sky and the Indian Maiden grows pale and suddenly vanishes before Endymion's eyes. Ow fuck! He cries out in surprise and grief as he finds himself alone yet again. ellauri241.html on line 1639: The Maiden reappears to the shepherd-prince as he returns to earth. Endymion is overcome with relief and joy and says that he has wasted too long searching for nothing but a dream and wants to start a life with the Maiden. She tells him that they cannot be together because he is forbidden to her. They wander through the forest and are quiet and somber until Endymion sees his sister Peona in the distance. They rush together and embrace. Peona implores Endymion to "weep not so" and "sigh no more" for the Indian Maiden can be his queen of Latmos. Endymion responds that "a hermit young, [he will] live in mossy cave" but Peona can visit him regularly. The resigned shepherd-prince leaves behind a confused Peona and Maiden and visits the altar of Diana to "bid adieu / To her for the last time." Peona and the Indian Maiden arrive. Endymion watches in stunned disbelief as the Indian Maiden transforms into his beloved Diana. It is revealed that Cynthia, Diana, and the Indian Maiden are the same woman. Actually Peona too! For all practical purposes, all women are the same: one hole up front and two more in the pants. Endymion swoons and after "three swiftest kisses" they vanish together leaving Peona who walks home in wonderment. ellauri241.html on line 1645: The poem has been criticized for its inconsistencies and its somewhat disappointing conclusion. Seems Keaz whisked the guy away at the end quickly before he could get into any more mischief. He was probably thoroughly fed up with him. But then again Jack was just 22. Endymion presents many problems to its interpreters, as it did to Jack himself. Critics have, however, been able to agree that the poem contains considerable eroticism. ellauri242.html on line 6: font-style: italic; ellauri242.html on line 180: Lisäksi koko romaanin ajan korostetaan jatkuvasti Krimin tataarien petturuudesta kansallisuutena suhteessa neuvostoviranomaisiin ja Krimin venäläiseen väestöön. Koko romaanin ajan Stalin Joseph Vissarionovich mainitaan toistuvasti, tietysti innokkaimmilla sävyillä. Ja partisaaniosaston georgialaiset, toisin kuin tataarit, esitetään rohkeina ja lujautumattomina taistelijoita. Mitähän ukrainalaiset ovat tästä mieltä? No ei midiä, vähävenäläinen wikisivu Arkadista on tynkä. ellauri242.html on line 213: Katakombeissa olleista noin 13 000 ihmisestä 48 selvisi 170 päivää kestäneestä piirityksestä. Einige von ihnen wurden von den Deutschen in Simferopol hingerichtet. ellauri242.html on line 249: Päästyään eroon pikkuserkusta Aleksandra Kollontai ryhtyi kokopäivätoimiseksi kirjailijaksi ja vallankumoukselliseksi. Hän oli kommunistinen feministi ja näki, että vain kommunismi voisi vapauttaa naiset. Vuonna 1898 hän matkusti Zürichiin Sveitsiin opiskelemaan. Palattuaan 1903 hän kirjoitti tutkimuksen Suomen työläisten elämästä. Venäjän sosiaalidemokraattisen työväenpuolueen hajottua menševikeiksi Juli Martovin johdolla ja bolševikeiksi Vladimir Leninin johdolla 1903, Kollontai ei myötäillyt kumpaakaan osapuolta. Bolševikkeihin hän suhtautui epäluuloisesti ja liittyi viimein menševikkeihin. ellauri243.html on line 6: font-style: italic; ellauri243.html on line 36: ic.com/images?q=tbn:ANd9GcRESm23TkrRe2HWBe1EvUkfFoaXU6mN_DXZ57JnZxpL3i44-0b8hoa-zVhZZUZXJjhUEk0&usqp=CAU" width="100%" /> ellauri243.html on line 45: The policeman pulled out his gun and shouted, "Freeze!" ellauri243.html on line 46: El policía sacó la pistola y gritó: "¡Alto!". ellauri243.html on line 82: Inglourious Basterds (absichtliche Falschschreibung für englisch Inglorious Bastards, etwa: „Unrühmliche Mistkerle“) ist ein am 20. August 2009 erschienener US-amerikanisch-deutscher, kontrafaktischer Kriegsfilm von Quentin Tarantino. Der Film war sein finanziell größter Erfolg bis zum Erscheinen von Django Unchained im Jahr 2012. ellauri243.html on line 84: Kunnottomat paskiaiset (engl. Inglourious Basterds, tahallinen väärinkirjoitus nimelle Ignominious Bastards) on vuonna 2009 ensi-iltansa saanut Quentin Tarantinon käsikirjoittama ja ohjaama mustan huumorin sävyttämä sotaelokuva. Sen pääosissa esiintyvät Brad Pitt (goy), Christoph Waltz (goy), Michael Fassbender (goy), Eli Roth (Jew), Diane Kruger (goy), Daniel Brühl (goy), Til Schweiger (goy) ja Mélanie Laurent (Jew). Elokuva kertoo vaihtoehtoiseen historiaan perustuvan tarinan kahdesta salajuonesta, joilla oli tarkoitus salamurhata natsi-Saksan poliittiset johtajat. Toisen suunnittelee nuori ranskanjuutalainen elokuvateatterin omistaja (Laurent), ja toisen luutnantti Aldo Rainen (Pitt, vilket träffande namn) johtama amerikanjuutalaisista sotilaista koostuva ryhmä. Sakemannit oli natohenkisinä mukana tätä leffaa tekemässä into piukeena, samalla periaatteella mätkimässä "nazeja" kuin nato paraikaa mätkii "putinisteja". Huvittavinta koko jutussa on että ukrainalaiset ovat ryssille samaan aikaan lyhyesti nazeja. ellauri243.html on line 98: Shosannan tietämättä brittien tiedustelujoukkojen luutnantti Albert Highcock suunnittelee iskua ensi-iltaan Paskiaisten kanssa. Hicock menee tavernaan Paskiaisten Hugo Stiglitzin ja Wilhelm Wickin kanssa tapaamaan saksalaista elokuvatähteä Bridget von Hammersmithiä, joka työskentelee peitetehtävissä brittiläisille. Hicox herättää Gestapo-majuri Dieter Hällströmin huomion oudolla brittikorostuksellaan. Lopulta hänen peiteroolinsa paljastuu, kun hän tilaa kolme juomaa viittoen englantilaisittain (peukalo ja pikkusormi alhaalla). Hellstrom huomaa erheen, sillä saksalainen viittoo ”kolme” peukalolla, etusormella ja keskisormella. Paljastuttuaan Paskiaiset avaavat tulen, ja vain Von Hammersmith selviää elossa. Kaikki paskiaiset kuolevat. Landa tutkii tavernaa ja löytää Hammersmithin toisen kengän ja lautasliinan, jossa on tämän nimikirjoitus. So what? Kuka Landa sitäpaizi? ellauri243.html on line 100: Paskiaisista Raine, Donny Donowitz ja Omar Ulmer (kaikki vainajia) soluttautuvat ensi-iltaan Marxin veljesten valeasuissa esittäen italialaisia, toivoen etteivät toistaidottomat saksalaiset huomaisi heitä. Landa puhuu kuitenkin italiaa sujuvasti (opittuaan sitä Dan Steinbockin kirjan lopusta) ja juttelee hetken Paskiasten kanssa siansaxaa (pig latin) ennen kuin lähettää Donowitzin ja Ulmerin paikoilleen. Landa vie Hammersmithin sivuun ja varmistuttuaan kengän kuuluvan Hammersmarkille kokeilemalla sitä kaikkien läsnäolevien naisten jalkaan hän kuristaa tämän kuoliaaksi. Raine ja yksi hänen miehistään, ukrainalais-amerikkalainen Smithson Utivich, otetaan vangiksi, mutta Landa kertoo antavansa verilöylyn edetä "normaalisti" kiitoxexi Hammersmithin lähes koskemattomuudesta. ellauri243.html on line 102: Elokuvan aikana Häyhä meni projektorihuoneeseen tapaamaan Shosannaa. Kun Shosanna torjuu hänen iskuyrityksensä, hän muuttuu aggressiiviseksi. Shosanna teeskentelee myöntyvänsä ja ottaa sitten esiin pistoolin käsilaukustaan ja ampuu häntä. Kuolettavasti rakastunut Häyhä ottaa esiin oman "pistoolinsa" ja "ampuu" sillä Shosannaa. Elokuvan kohokohdassa siihen leikattu pätkä Shosannasta Häyhän alla kertoo yleisön kuolevan kohta juutalaisten käsissä. (Vizi mixi pahisten pitää aina pitää taukoa kertoaxeen uhreilleen että ne kohta tapetaan? Tappaisivat heti niin ei tulisi ikäviä takaiskuja.) Elokuvasalin ovet lukinnut Marcel sytyttää kasan palavaa nitraattifilmiä tuleen valkokankaan takana. Ulmer ja Donowitz murtautuvat Hitlerin ja Goebbelsin aitioon ja tappavat heidät. (Joo tää raina on vaihtoehtoista totuutta, oikeasti siinä kävi toisinpäin! Hitler ja Goebbels ampuivat mongertavat maahantunkeutujat lakoon saxalaisvalmisteisilla tarkkuuspistooleilla.) He ampuvat yleisön joukkoon konepistooleillaan, kunnes heidän pomminsa räjähtävät. Landa ja hänen radistinsa ajavat Rainen ja Utivichin kuin lampaat liittoutuneiden alueelle ja antautuvat heille ojassa. Aktin jälkeen Raine ampuu reilun pelin hengessä radistin ja kaivertaa hakaristin Landan otsaan. Lopuksi Quentin ilmestyy ruutuun ja toteaa: »Tämä on luultavasti mestariteokseni.» Juonipaljastukset päättyvät tähän. No mitä muuta siinä sitten tapahtuu? Eikös tässä ollut yhden illan märkien kaatioiden tarpeixi? ellauri243.html on line 107: We honor his service ellauri243.html on line 111: Kylen omaelämäkerta, "Amerikkalainen sala-ampuja: Amerikan tappavimman sala-ampujan elämäntarina", julkaistiin tammikuussa 2012. Kaksi vuotta myöhemmin "American Sniper", elokuvasovitus hänen kirjaansa, jonka ohjasi Clint Eastwood ja jossa näytteli Bradley Cooper, teki kansallisen sensaation. Kyle esiintyi Conan O'Brienin keskusteluohjelmassa ja NBC:n tosi-tv-ohjelmassa "Tähdet ansaizevat raitoja". 10 vuoden palveluksen jälkeen Kyle jätti armeijan pelastaakseen avioliittonsa. Hänet erotettiin kunniallisesti vuonna 2009 ja hän sai yhden Hopeatähden ja neljä Pronssitähtimitalia V-mäisellä laitteilla urheudesta. Hänen kokonaistuloxensa oli 150 varmaa raatoa 10v aikana. Häyhä ja Stollen nauraisivat sille kämmeniinsä. ellauri243.html on line 124: Dale Brown oli Amerikan paras militaristikynäilijä 2010-luvulla. Hauska nähdä vaihteexi miten pahisten kantapeikkojen juoni onnistuu without a glitch, ja tyhmät CIA ja FBI äijät niitetään lakoon kuin timoteit. We serve the true republic, not the false democracy. When were the good and brave ever in the majority, asks Henry David Thoreau. Never, answers Frans de Waal, for the majority is just apes like us. ellauri243.html on line 127: Battle Mountain, Nevada could have been battle-torn Iraq ot Afganistan, but it wasn't, it was just America recently robbed from the Indians. ellauri243.html on line 131: Native American population: 42,426 ellauri243.html on line 135: Nevada is home to a number of federal reservations and colonies. The major tribes are the Washouts, Northern Paiute, Southern Paiute, and Western Shoeshines. Many have been hit disproportionately hard by the coronavirus and may have pre-existing health conditions or live in remote areas with limited access to medical care. In the Reno-Sparks Indian Colony, a clever color-coded card system was set up for people to signal from their windows for help with a health issue, food shortage, or other problem. ellauri243.html on line 137: Compared with other U.S. races, American Indians have a life expectancy that is shorter than five years. The suicide rate among American Indian youth is 2.5 times higher than among youth in the rest of the country. American Indians are 2.5 times more likely to experience violent crimes than the national average, and more than four out of five American Indian women will experience parking meter violation in their lifetimes. Holy shit, these issues can be seen as symptoms of several larger issues, including access to social services, educational opportunities, nutritional food, and health care, and just plain old laziness and stupidity. Property rights pose more significant problems, insomuch as residents who don’t have deeds to the land on which they live struggle to build credit, which throws a significant barrier in front of upward mobility. Meanwhile, tribal lands are tough sells for franchises and other commercial developers that would bring jobs to reservations, as these companies are often resistant to negotiating contract terms under tribal law. So it's really all their own fault, them not playing along with good old free enterprise and private property! ellauri243.html on line 141: No joo, sevverran punanahoista. Takaisin valkonaamoihin. Tallish Bradleyn iskällä Patrick kenzulla on tietokone päässä, sillä se on Air Forcen koekaniini. Näyttää hölmöltä mutta toimii kuin junan vessa paizi milloin pitää käydä vessassa, silloin lyö päänsä helposti ovenpieleen. Kenzun alkkis tyttöystävä ejektoitui pommikoneesta putinistien ammuttua sen alas Arabianmeren yllä. Nyt on kenzun vuoro ejektoitua wackoon alkkixeen. Hei onxtää jo 3. maailmansota jo vai vasta 2. sisällissota jenkeissä? ellauri243.html on line 146: The little community of Battle Mountain and its mysterious underground base of hobbits went almost completely unnoticed by the rest of the world... ellauri243.html on line 147: until the American Holocaust, when the United States was attacked by waves of Russian bombers launching hypersonic nuclear-tipped missiles. Almost the entire fleet of American long-range bombers and more than half of America's intercontinental-ballistic-missile arsenal was wiped out in a matter of hours. But Battle Mountain's little fleet of high-tech bombers, led by Patrick McLanahan, survived and formed the spearhead of the American counterattack that destroyed most of Russia's ground-launched intercontinental nuclear missiles and restored a tenuous sort of parity in nuclear forces between the two nations. On the plus side, there are now less than half so many hungry mouths left to feed on the entire ball of fire. Except this, everything goes on as before, business as usual. ellauri243.html on line 149: Battle Mountain emerged from the horrific tragedy of the American Holocaust to become the center of American air-breathing strategic combat operations. All of America's surviving heavy bombers, intelligence-gathering planes, and airborne command posts wre relocated to Battle Mountain, and a fleet of long-range unmanned combat aircraft began to grow there. The base even a staging area for America's fleet of manned and unmanned spaceplanes-aircraft that could take off became and land like conventional aircraft but boost themselves into low Earth orbit. ellauri243.html on line 151: Even during the deep global economic recession that began in 2008, Battle Mountain grew, although the community around it barely noticed. Because of its isolation and dirt-low cost of living, many bases around the world were closed and relocated to Battle Mountain. Soon Battle Mountain Air Reserve Base became JAB (Joint Air Base) Battle Mountain, hosting hot air units from all the military services, the Air Reserve Forces, the Central Intelligence Agency, and even the Space Defense Force and the Death Planet. ellauri243.html on line 153: Vaan ei siinä kaikki! pahin oli vielä edessä, nimittäin uusi taantuma! But then the economic crash of December 2012 happened, and everything changed. ellauri243.html on line 154: Newly elected president Kenneth Phoenix, Arizona, politically exhausted from a bruising and divisive election that saw yet another president being chosen in effect by the U.S. Supreme Court, ordered a series of massive tax cuts as well as cuts in all government services. Such government cuts had not been seen since the Thomas Thorn administration: entire cabinet-level departments, such as education, commerce, transportation, energy, and veterans affairs, were consolidated with other departments or closed outright; all entitlement-program outlays were cut in half or defunded completely; American military units and even entire bases around the world disappeared virtually overnight. Despite howls of protest from both the political left and right, Congress had no choice but to agree to the severe right-centrist austerity measures. ellauri243.html on line 159: Thomas Torquemada Thorn (born Thomas A. Lockyear, II; 2 August 1964) is an American musician. Born in Madison, Wisconsin, he is best known as co-founder of, and lead vocalist for, the industrial metal band The Electric Hellfire Club. Joint Air Base Battle Mountain was not spared. Every aircraft at the once-bustling base was in "hangar queen" status - available only as spare parts for cars. Most planes placed in "flyable storage" were not even mothballed, but just hoisted up on clothes hangers. ellauri243.html on line 161: Two clicheed beefy thick-necked high school boys, followed by the statutory obese wimp, love to serve as volunteer firemen. Maybe we get to see the victims! Beats licking Marina's ice cream cone. The guy with the smaller head could not even read. ellauri243.html on line 164: Licking Marina's ice cream cone ellauri243.html on line 169: There may be no other organ on the human body that profits from such creativity in nicknaming by the larger populace. Not even clam, or twat. Below is a list of 100+ slang words for penis—from the common (prick) to the more grotesque (fuckpole) and the awesomely ridiculous (pork sword). Next time you need a synonym for penis, comb through this definitive list for a bunch of fun ideas! ellauri243.html on line 171: 1. Anaconda 2. Baloney pony 3. Birdie 4. Bobby 5. Boonga 6. Cack 7. Choad 8. Choda 9. Chode 10. Chopper 11. Cock 12. Crank 13. Custard launcher 14. Dick 15. Dicklet 16. Diddly 17. Dingaling 18. Ding-a-ling 19. Ding-dong 20. Dinger 21. Dingle 22. Dingus 23. Dingy 24. Dink 25. Dinkle 26. Dipstick 27. Dirk 28. Disco stick 29. Dog bone 30. Dong 31. Donger 32. Donkey Kong 33. Doodle 34. Dork 35. Down 36. Fire hose 37. Fuckpole 38. Gherkin 39. Hairy canary 40. Hammer 41. Hot rod 42. Hooter 43. Jade stalk 44. Jamoke 45. Jigger 46. Jimmy 47. Jock 48. Johnson 49. John Thomas 50. Joystick 51. Kielbasa 52. Knob 53. Lad 54. Langer 55. Lingam 56. Love muscle 57. Love stick 58. Love truncheon 59. Machine 60. Master John Goodfellow 61. Male member 62. Manhood 63. Maypole 64. Meat 65. Meat puppet 66. Meat rod 67. Meatstick 68. Meat stick 69. Member 70. Membrum virile 71. Nature’s scythe 72. Old chap 73. One-eyed trouser snake 74. Organ 75. Package 76. Pecker 77. Peen 78. Pee-pee 79. Pee-wee 80. Pego 81. Penis 82. Peter 83. Phallus 84. Pickle 85. Piece 86. Pike 87. Pingas 88. Pink cigar 89. Pintle 90. Pipe 91. Pisser 92. Pizzle 93. Plonker 94. Pork sword 95. Prick 96. Pud 97. Putz 98. P-word 99. Python 100. Ramrod 101. Rape tool 102. Rod 103. Root 104. Rutter 105. Salami 106. Sausage 107. Schlong 108. Schmuck 109. Sex tool 110. Shaft 111. Shlong 112. Shmekl 113. Skin flute 114. Snake 115. Snausage 116. Spitstick 117. Stretcher 118. Swipe 119. Tadger 120. Tagger 121. Tail 122. Tallywacker 123. Tarse 124. Thing 125. Thingy 126. Third leg 127. Todger 128. Tool 129. Trouser monkey 130. Trouser snake 131. Truncheon 132. Tube steak 133. Unit 134. Virile member 135. Wang 136. Weapon 137. Wee-wee 138. Weenie 139. Weeny 140. Whang 141. Wick 142. Widgie 143. Widdler 144. Wiener 145. Willie 146. Willy 147. Wingwang 148. Winkle 149. Winky 150. Yard 151. Ying-yang 152. January Nelson. ellauri243.html on line 175: The medical community calls it “fellatio,” but the rest of us have our own phrases for performing oral sex on a man. The below is a comprehensive list of slang alternatives to “blowjob.” Some of these phrases are politically incorrect and other are completely ridiculous. Regardless, they exist in the collective lexicon. Here they are! ellauri243.html on line 177: 1. Addressing the court 2. BJ 3. Bagpiping 4. Basket lunch 5. Beej 6. Blowie 7. Blowing the love whistle 8. Bobbing for apples 9. Bone-lipping 10. Buccal onanism 11. Brentwood hello 12. Charming the snake 13. Climbing the corporate ladder 14. Cock-gobbling 15. Copping a doodle 16. Courting the gay vote 17. Drinking a slurpee 18. Dropping on it 19. Earning your keep 20. Essin’ the dee 21. Face-frosting 22. Fellatio 23. Fluting 24. French abortion 25. Gator mouth 26. Getting a facial 27. Getting a lewinsky 28. Getting a throat culture 29. Getting to the cream filling 30. Giving cone 31. Giving face 32. Giving head 33. Gobbling pork 34. Going down 35. Gumming the root 36. Punching 37. Giving Big Jim and the twins a bath 38. Giving brain 39. Giving head 40. Gum-rooting 41. Gumming the green bean 42. Head job 43. Honkin’ bobo 44. Huffing bone 45. Hummer 46. Interrogating the prisoner 47. Kneeling at the altar 48. Knob job 49. Larking 50. Laying some lip 51. Licking the lollipop 52. Making mouth music 53. Making the blind see 54. Meeting with Mr. One-Eye 55. Mouth-fucking 56. Mouth-holstering the nightstick 57. Mouth-milking 58. Mouth-to-junk resuscitation 59. Opening wide for Dr. Chunky 60. Oral sodomy 61. Peeling the banana 62. Penilingus 63. Piston job 64. Playing pan’s pipes 65. Playing the pink oboe 66. Playing the skin flute 67. Pole-smoking 68. Polishing the trailer hitch 69. Pricknicking 70. Protein milkshake 71. Receiving holy communion 72. Respecting your superiors 73. Sampling the sausage 74. Scooby-snacking 75. Secretarial duties 76. Singing to the choir 77. Skull-buggery 78. Skull-fucking 79. Slobbin’ the knob 80. Smiling at Mr. Winky 81. Smoking the pink pipe 82. Smoking pole 83. Southern France 84. Speaking into the bonophone 85. Speaking low genitals 86. Spit-shining a baseball bat 87. Spraying the tonsils 88. Sucking off 89. Sucky-ducky 90. Suck-starting the Harley 91. Swallowing the baloney pony 92. Sword-wwallowing 93. Taking one’s temp with a meat thermometer 94. Talking into the mic 95. Telling it to the judge 96. Waxing the carrot 97. Worshiping at the altar 98. Wringing it dry 99. Yaffling the yogurt cannon 100. Zipper dinner ellauri243.html on line 182: There may be no other organ on the human body that profits from such creativity in nicknaming by the larger populace. Except penis. Below is a list of 60+ slang words for vagina —from the common (pussy) to the more grotesque (cunt) and the awesomely ridiculous (fishmarket). Next time you need a synonym for vulva, comb through this definitive list for a bunch of fun ideas! ellauri243.html on line 184: 1. Panty hamster 2. Mossy cleft 3. Pink taco 4. Snatch 5. Twat 6. Hoo hoo 7. Foo foo 8. Pussy 9. Poon 10. Poony 11. Poontang 12. Lady garden 13. Box 14. Vajayjay 15. Vag 16. Cunt 17. C u next Tuesday 18. Bearded clam 19. Furry taco 20. Tuna taco 21. Fur burger 22. Cream pie 23. Beef curtains 24. Meat curtains 25. Meat sleeve 26. Cooch 27. Coochie 28. Cooter 29. Cooze 30. Coozie 31. Hot box 32. Squeeze box 33. Vertical smile 34. Cha cha 35. Love tunnel 36. Cherry 37. Hair pie 38. Honey pot 39. Beaver 40. Slit 41. Gash 42. Hole 43. Muff 44. Flange 45. Minge 46. Nether regions 47. Lady parts 48. Pink parts 49. Girly bits 50. Private parts 51. Privates 52. Bits 53. Down there 54. Peach 55. Flower 56. Tutu 57. Wee wee 58. Cookie 59. Muffin 60. Cupcake 61. Tweeny 62. Fanny 63. Front butt 64. Peaches and cream 65. January Nelson ellauri243.html on line 186: 100 Different Slang Phrases For Giving a Lick Job ellauri243.html on line 188: 1. Barking at the ape 2. Box lunch at the ‘Y’ 3. Breakfast in bed 4. Brushing one’s teeth 5. Carpet-munching 6. Chewing the she-Fat 7. Clam-jousting 8. Clam-lapping 9. Cleaning the fish tank 10. Connie lingus 11. Contacting the aliens 12. Conversing with moses 13. Devil’s kiss 14. Dinner beneath the bridge 15. Doing it the French way 16. Donning the Beard 17. Drinking from the furry cup 18. Eating at the ‘Y’ 19. Eating fur pie 20. Eating out 21. Eating the peach 22. Eating squirrel 23. Eating sushi from the barbershop floor 24. Eating tinned mussels 25. Egg mcmuff 26. Face-fucking 27. Facing the nation 28. Fanny-noshing 29. Fence-painting 30. French-kissing Mr. Lincoln 31. Fuzz sandwich 32. Giving face 33. Gnawing on roast beef 34. Going downstairs for breakfast 35. Going south 36. Gomorrahry 37. Gorilla in the washing machine 38. Growling at the badger 39. Gumming the monster 40. Husband’s supper 41. Kissing between the hips 42. Kissing the wookie 43. Lady braille 44. Lady Semaphore 45. Larking 46. Lapping the gap 47. Lapping the lint trap 48. Lick-a-chick 49. Lickety-slit 50. Licking anchovy 51. Lip service 52. Lip-synching to the fish-fueled jukebox 53. Low-calorie snacking 54. Making mouth music 55. Medicating the hairy paper cut 56. Mopping the vulva 57. Mustache-riding 58. Muff-diving 59. Mumbling in the moss 60. Munching the bearded clam 61. One-man band 62. Oyster-gargling 63. Parting the fuzz 64. Pastrami sandwich 65. Pearl-diving 66. Placating the beaver 67. Playing in the sandbox 68. Playing the hair harmonica 69. Prawn breath 70. Pruning the orchid 71. Pug-noshing 72. Pussy-nibbling 73. Seafood dinner 74. Sipping at the fizzy cup 75. Sitting on a face 76. Slurping at the furry coconut 77. Smoking the fur 78. Sneezing in the basket 79. Spa time For Lady Boner 80. Speaking in tongues 81. Spraying the crops 82. Tackling the Brazilian 83. Talking to the canoe driver 84. Talking to lassie 85. Telephoning the stomach 86. Testing the echo in the love cave 87. Testing the waters 88. Tipping the velvet 89. Tongue-fucking 90. Tonguing the bean 91. Trimming the hedges 92. Velvet buzzsaw 93. Wearing the feed bag 94. Wearing the Sticky Beard 95. Whispering into the wet ear 96. Whispering to Venus 97. Whistling in the dark 98. Worshiping at the altar 99. Yaffling 100. Yodeling in the canyon 101. January Nelson ellauri243.html on line 192: Here is a fun fact about basketball player LeBron James: His name starts with the prefix "Le," which is French for "the." It's true! ellauri243.html on line 202: It is often used in the United States as a symbol for right-libertarianism, classical liberalism, and small government; for distrust or defiance against authorities and government; and occasionally co-opted for right-wing populism or far-right ideology. In the mid-1970s, the New Left People's Bicentennial Commission used the Gadsden Flag symbolism on buttons and literature. ellauri243.html on line 211: In addition to its prior history as an American symbol, the rattlesnake was seen at the time in Gadsden's birthplace of Charleston, South Carolina as a "noble and useful" animal that gave warning before it attacked. ellauri243.html on line 213: Parodies and pastiches of the Gadsden flag exist; one common design replaces the "Don't tread on me" motto with "No Step on Snek", sometimes paired with a crudely drawn snek. ellauri243.html on line 217: American heavy metal band Metallica recorded a song called "Don't Tread on Me" on their self-titled fifth studio album, released in 1991. The album cover features a dark-gray picture of a coiled rattlesnake like the one found on the Gadsden Flag. ellauri243.html on line 219: In the 1995 The Simpsons episode "Bart vs. Australia", Bart reveals in an act of "patriotism" the phrase "Don't Tread On Me" written across his buttocks when he is supposed to be kicked by the Australian Prime Minister as a punishment. ellauri243.html on line 221: ic.simpsonswiki.com/images/a/ae/Bart_vs_Australia_bart.png" /> ellauri243.html on line 239: lukien Justin Timberlake, Eric Dane ja David Arquette. Mutta vain yksi ellauri243.html on line 243: celebs including Justin Timberlake, Eric Dane and David Arquette. But only ellauri243.html on line 244: one of those ended with a broken engagement: her public, fast-moving ellauri243.html on line 260: nickiswift.com › celeb-marriages-at Valitettavasti joskus karu totuus tulee ellauri243.html on line 269: Nicolas Cage päätyi naimisiin väitetyn rikollisen kanssa. Getty Images. ellauri243.html on line 270: Nicolas Cagella on hieman historiaa aseen hyppäämisessä ja naimisiinmenossa ellauri243.html on line 303: yahoo.com › news › 17-broken-celebrity When iconic celebrity couples break ellauri243.html on line 306: half of another iconic celebrity couple - the rest of us might need some ellauri243.html on line 307: more... Читать ещё... When iconic celebrity couples break up, it seems like ellauri243.html on line 310: iconic celebrity couple - the rest of us might need some more time. From ellauri243.html on line 324: went to Vegas and got married." 09 of 17.... Thankfully, Shepard quickly ellauri243.html on line 338: Coppola / FilmMagic / Getty. Скрыть Меню. 11 Celeb Marriages That Fell ellauri243.html on line 415: hulppean asunnon Monacosta vuonna 2003. - Article Link. EU Nations. Austria ellauri243.html on line 477: Dale Brown (born 2 November 1956) is an American writer and aviator known for aviation techno-thriller novels. At least thirteen of his novels have been New York Times Best Sellers. ellauri243.html on line 482: As of 2023, Dale Brown’s net worth is $100,000 - $1M. Dale Brown is a member of Richest Celebrities and Novelists. ellauri243.html on line 488: In April 2004, Brown pleaded guilty to charges of tax fraud. He was charged with creating companies in the West Indies for the purposes of receiving tax deductions from fictitious expenses. The fictitious expenses amounted to more than $440,000, which Brown claimed on his 1998 income tax filing. He used the tax deductions to remodel his retirement home in Incline Village, Nevada. ellauri243.html on line 492: Many of his works — including Flight of the Old Dog, The Tin Man, and Air Battle Force — focus on the adventures of a United States Air Force officer protagonist named Patrick McLanahan. ellauri243.html on line 493: Patrick´s wife is dead and his new lay Gia is MIA, but he has a beefy son. Brown is married. His wife Diane is a retired Sacramento police lieutenant and likes her husband who is also a pilot. They have a wimpy son, Hunter, near Lake Tahoe, Nevada. ellauri243.html on line 495: Dale Brown is a Scorpio and was born in The Year of the Monkey. Scorpio is one of the most misunderstood signs of the zodiac because of its incredible passion and power. Scorpios are extremely clairvoyant and intuitive. They never show their cards, and their enigmatic nature is what makes them so seductive and beguiling. Scorpio is ruled by Pluto, Mickey Mouse´s dog. ellauri243.html on line 497: He enjoys flying his plane, a Grumman Gulfstream II. Like Patrick and his son Hunter, he is a mission pilot in the Civil Air Patrol. On the ground, he enjoys tennis, motorcycling, skiing, scuba diving, and ice hockey. He does enjoy other things like scuba diving and tennis, but cherishes spending time with his wife, Diane and his son Hunter, in their Lake Tahoe house. They all live together in Nevada. ellauri243.html on line 504: Some people call this series the Paul McLanahan series and others call them the Dreamland series, based on the base in which the books are set. He has been writing this series for over 25 years now. This series is not to be confused with his other series, which is officially titled the Dreamland series and is a collaboration with another author who shall remain nameless. ellauri243.html on line 510: Dale Brown is still at the forefront of publishing novels today. He most recent novel, Tiger’s Claw, was released in August 2013. The plot of this book surround President Phoenix, Arizona, who has again slashed the military budget just when China begins to test it’s new domestic missile. ellauri243.html on line 512: America calls upon retired Patrick McLanahan to save the day with the good old bomber planes. It is a classic case of America vs. China, with the hope that World War 3 can be prevented. This has not been very successful so far. Some critics are going so far as to call him one of the saddest military adventure writers in America. ellauri243.html on line 516: Robert Dale Brown is a boxer, who represented Canada at the 1992 Summer Olympics in Barcelona, Spain. There he was stopped in the second round of the light heavyweight division by Germany’s Torsten May. Beginning in 2001, he collaborated with fellow author Jim DeFelice on the Dreamland series of books. Oops, nyt tuli sanottua se mitä ei olisi saanut sanoa. (Lea majalla tyytyväisen näköisenä.) ellauri243.html on line 525: I am one of your many fans that have thoroughly enjoyed your many books, of which I have been fortunate to collect and read. From what I have read about you, your dedication to your family and to the world of generals is something you must be very proud. ellauri243.html on line 527: Rocky: What book covers the American Hollocost? ellauri243.html on line 531: When an almost-forgotten enemy prepares a shock attack on America, only one man can see it coming. Stuck in a desk job in Air Force Intelligence, the high-adrenalin ellauri243.html on line 532: maverick pilot Patrick McLanahan uncovers disturbing evidence that the Russians are secretly arming their bomber fleet with nuclear warheads. Worse still, he realizes that despite the lessons of 9/11 the USA is still vulnerable to air attack by a determined enemy. But his warnings come too late. A flight of Russian bombers penetrate American airspace and launch devastating nuclear attacks on key airbases. As panic grips the country, McLanahan takes matters into his own hands and slips into Russia without leave with the elite Air Battle Force rapid-response team -- to strike back at the heart of the Russian bomber fleet. Fantastic fiction! ellauri243.html on line 542: Tämmönen Bob Stearns kuoli hiljattain. Robert "Bob" H. Stearns, Columbia, SC * December 9, 1936 + January 5, 2023. Tämä Bob kyllä piti lentokoneista. He had a lifelong love affair with airplanes and flying, owned a half dozen aircraft and enjoyed meeting up with his flying buddies, meticulously restoring vintage aircraft and going to fly-ins. His health eventually clipped his wings, and after that he turned his attention to volunteering at Riverbanks Zoo and nurturing a latent talent for painting, which was discovered after Bob and Marge moved to Stilled Hopes. ellauri243.html on line 546: icture-in-picture; web-share" allowfullscreen> ellauri243.html on line 550: Bob Stearns, CEO of Powerful Potential. BOB STEARNS is one of only 95 people in history to lead an organization to win the prestigious Malcolm Baldrige Award. He was the Leader and Architect of Pittsburgh based Medrad’s 2003 journey to win the prestigious award. Medrad won the Baldrige award again in 2010. The Baldrige Award is presented annually by the President of the United States to organizations that excel in seven categories, including results. As Chief Human Resources Officer of CoManage, Bob led that company to be named the Best Place to Work in Pa.” He has also received the American Society for Training and Development Award for Excellence. Bob has served as a Director on the Boards of National Church Solutions, The Orchards at Foxcrest, the Pa. Society of Association Executives, the Pa. Association of Non Profit Organizations and a Woman owned business through Powerlink and Seton Hill University. Bob has owned and been the CEO of PowerfulPotential since 1985. ellauri243.html on line 552: Bob’s book which is titled” Perhaps a Man Can Change the Stars” is the basis for today’s program. He is a sought after Inspirational Speaker, having spoken in eight countries. He just launched a Nationwide Speaking Tour to share the messages from his book with as many people as he can. ellauri243.html on line 554: Bob´s book is about Perpetual Potential. Inside these pages, you will discover three invaluable lessons that will propel you closer to your true potential. The lessons will serve you well on either of two different, but parallel roads you may travel: The roads towards triumph or tragedy, as well as the roads in between. In 2003 the author, Bob Stearns was on top of the world. He led his company to win the most prestigious business award in the country, the Malcolm Baldrige award. Just five short years later, tragedy struck. Bob´s oldest son Eric was killed while on a study trip abroad in Athens, Greece. Eric was 21 years old at the time and was a junior at Penn State University. Although Eric lost his precious life in Greece, he found something sprawled under the pillars of the Acropolis that many people search for their entire lifetimes. He found inner peace in the knowledge that he could truly be anything he wanted to be, he could do anything he wanted to with his life. In his book "Perhaps a Man Can Change the Stars - Eric's Pursuit of Perpetual Potential", Bob shares with you three life lessons that allowed Eric to understand his true potential. Those same lessons helped Bob and his family deal with Eric´s death. The same lessons had enabled Bob to lead his company to triumph five years earlier. A key take away from the book is that no matter what stage of life you find yourself, you have the potential to explore. You have the potential to utilize and grow the talents and aspirations that you currently have. You have the potential to rekindle old talents that lie dormant, and to allow new talents to blossom. This is true regardless of age, circumstances, and what other people may be telling us. So read, explore and think deeply about how you can apply the three lessons that Bob learned from Eric. Decide for yourself how you can best use them. Indeed, our Potential is Perpetual! ellauri243.html on line 556: Eric´s Journey - An Inspirational Documentary Film. Powerful Potential May 5, 2018 ellauri243.html on line 557: This Film details Eric Michael Stearns´ trip to Greece during his semester abroad n 2008. Eric learned three life lessons in Greece which lead.to achieving an Abundance of Potential. These lessons include: ellauri243.html on line 558: 1) Focus on what you do have, not on what you don´t have; 2) Tackle the toughest challenges and never quit; and 3) Change the Stars! Eric passed away during this trip, but he has inspired thousands of people through this outstanding Film. ellauri243.html on line 579: Tällaisten tunnuslauseiden mahdollinen lähde on Patrick Henryn kuuluisa 23. maaliskuuta 1775 puhe Burgeressesien talolle (Virginian siirtokunnan lainsäädäntöelin), joka sisälsi seuraavan lauseen: "Onko elämä niin rakas tai rauha niin suloinen, että se ostetaan ketjujen ja orjuuden hinnalla? Kiellä se, kaikkivaltias Jumala! En tiedä, mihin suuntaan muut voivat kulkea; mutta mitä minuun tulee, anna minulle vapaus tai anna minulle kuolema!" Kumpi vaan, ihan sama. No täältä pesee vainaja. ellauri243.html on line 585: "Congelanse!" the "us" (not "them") border patrol agent shouted in Spanish through his van´s public-address loudspeakers. ellauri243.html on line 594: "Näyttää siltä, että saatamme vihdoin taas saada kunnollisia matuja", toinen upseeri sanoi. "Ne ovat juuri sellaisia, mitä meille kerrottiin." "Joo, ja muistakaa, nää on notmiitä, eli Other Than Mexicans. Jopa Kiinasta ja Aahrikasta. Paizi tää 1 kaveri on ilmiselvä ankeuttaja." ellauri243.html on line 596: "Voi juma, yksikkö kahdeksantoista, sieppasi ryhmän kaksikymmentä", upseeri sanoi radiossa. "Lisäkuljetusta pyydetään." "Näyttää siltä, että saatamme vihdoin taas saada kunnollisia matuja", toinen upseeri sanoi. "Ne ovat juuri sellaisia, mitä meille kerrottiin." "Joo, ja muistakaa, nää on notmiitä, eli Other Than Mexicans. Jopa Kiinasta ja Aahrikasta. Paizi tää 1 kaveri on ilmiselvä ankeuttaja." 20 km kokoontumispaikalle (ei vittu mailiа?) sanoi ankeuttajamatu venäjäxi toisille hoidettuaan pois päiviltä hyvät, pahat sekä rumat. Hui ne onkin putinisteja! ellauri243.html on line 606: NEW YORK, NY - MARCH 8: David J. Mahoney and his wife, Hildegarde "Hillie" Merrill Mahoney, are photographed at 'Night of 100 Stars' event March 8, 1982 in New York City. Mr. Mahoney is the chairman of the Norton Simon conglomerate which includes Hunt´s ketchup, Max Factor´s cosmetics, and Johnnie Walker´s Scotch. ellauri243.html on line 610: David Joseph Mahoney Jr. (May 17, 1923 – May 1, 2000) was an American business leader, philanthropist and author. He joined a passionate community of people who love what you love. ellauri243.html on line 614: In 1970, Mahoney was appointed a U.S. Chairman of the President Richard Nixon Fan Club, an exclusive online community of fans and superfans. ellauri243.html on line 617: Mahoney wrote The Longevity Strategy: How to Live to 100 Using the Brain-Body Connection with Richard Restak, M.D. Foreword by William Safire (!). Mahoney died at 77 on May 1, 2000 at his home in Palm Beach, Florida, of heart failure. So much for longevity. Dave´s brain just disconnected from his body. ellauri243.html on line 621: Brad has a girlfriend who happens to be a boy, viz. dyslexic little Ralph, who is a "visual learner", meaning dumb as a doorbell. I´m never going to have a girlfriend, promises Ralph, director of a one-man Bradley fan club. Brad approves, but reminds Ralph of the 1 to 60 rule. ellauri243.html on line 624: Because where success is concerned, a great plan is essential--but so is making smart course corrections. That´s why pilots are taught the 1 in 60 rule, which states that after 60 miles a one degree error in heading will result in straying off course by one mile. Never mind the math, it´s quite complicated. The point is, the farther you go, the more off course you end up. ellauri243.html on line 629: 1. Start with an extremely specific goal. ellauri243.html on line 630: The smaller goal you set, the further off course you´ll wind up. That´s why setting a specific goal is so important. ellauri243.html on line 632: "Lose 10 pounds in 30 days" is a specific, objective, and most critically, measurable goal. You know exactly what you want to accomplish, which means you can create a process designed to get you there. You can create a solid diet plan. You can create an effective workout plan. ellauri243.html on line 635: Or say you want to grow your business. "Increase revenue" sounds great but is too vague. "Land five new customers this month" is specific, objective, and measurable. You know exactly what you want to accomplish, which means you can create a process designed to get you there. ellauri243.html on line 639: Maintaining a laser-like focus on a goal is critical. Or not. ellauri243.html on line 645: Health care providers are taught to check medications three times before delivering to patients. Not because the process itself is complex. But because they are visual learners. The same is true for you; the consequence of "error," in terms of time, effort, money, etc., when you don´t achieve a goal can be considerable. (And depressing: No matter how often you hear "fail fast, fail often," failure still pretty much sucks. It causes stress.) ellauri243.html on line 647: Pilots use the 1 in 60 rule to remind themselves to constantly monitor their progress and make quick course corrections. You also know where you want to go. But you´ll never get there if you don´t regularly monitor and revise your goal based on your progress. And if you don´t start out on the right path. Remember, the 1 in 60 rule states that starting out, one degree off means winding up one mile off 60 miles later. Or so. So don´t just correct your course along the way. Create and follow a process that is proved to work. Pick someone who has achieved something you want to achieve. Like a Brad, if you happen to be a Ralph. Deconstruct his or her process. Then follow it, and along the way make small corrections as you learn what works best for you. That way, when you travel your own version of 60 miles, you´ll arrive precisely where you hoped to be. Up a shit creek without a paddle, with Brad 60 miles ahead of you. Forgot to warn: don´t pick a moving target! ellauri243.html on line 664: Michael Jackson asui kerran vähän aikaa Pahrumpissa. ellauri243.html on line 669: ic-page/img/Ludwig%20von%20Mises%20576x720.jpg?itok=feHt307X" height="200" /> ellauri243.html on line 678: Ludwig von Mises oli matemaatikko ja fyysikko Richard von Misesin veli. Hän syntyi Itävalta-Unkarin keisarikunnan itäosassa sijainneessa Lembergissä (nykyinen Lviv Ukrainassa) ja opetti Wienin yliopistossa 1913–1934. Samanaikaisesti hän toimi Itävallan valtion taloudellisena neuvonantajana muun muassa Itävallan keskuskauppakamarin virkamiehen ominaisuudessa ja ensimmäisen maailmansodan jälkeen myös Kansainliiton asettaman Itävallan sotakorvauskomitean johtajana. ellauri243.html on line 680: Mises kirjoitti ja vittuili laajasti klassisesta liberalismista. Hän kannatti täysin vapaata markkinataloutta ja vähimmäistä yövartijavaltiota. Misesillä oli ratkaiseva vaikutus oppilaaseensa Friedrich von Hayekiin, joka sai sittemmin taloustieteen Nobel-palkinnon (no tietysti) ja tunnettiin myös liberalismia puolustavana kirjailijana ja filosofina. Hayek on sanonut kääntyneensä sosialismista liberalismiin parikymmenvuotiaana 1920-luvulla nimenomaan opettajansa Misesin teosten Liberalismi ja Sosialismi ansiosta. ellauri243.html on line 686: Itävaltalainen koulu syntyi Wienissä Carl Mengerin, Eugen von Böhm-Bawerkin, Friedrich von Wieserin ja muiden töillä. Se vastusti metodologisesti historiallista koulukuntaa (sijaitsee Saksassa) kiistassa, joka tunnetaan nimellä Methodenstreit eli metodologiataistelu. ellauri243.html on line 701: Whoever tales most chesspieces off the board wins a Baskin Robbins certificate. This is not war its a game. Roxanne was already ignoring the senior beside her. Grabbing the wrong trackball, she won´t win the certificate! ellauri243.html on line 705: The television show " Rowan & Martin's Laugh-I n," popular in the late 1960's and early 1970's, was famous for awarding its goofy trophy, the Flying Fickle Finger of Fate. But the term fickle finger of fate is actually decades older than that. The unpredictable and capricious nature of chance or fate, an Americanism popular in college circles during the 1930s. Sometimes the alliteration is extended coarsely to 'fucked by the fickle finger of fate' an expression which became popular in the US military during World War II. ellauri243.html on line 710: Isä Patrick tässä selkeästi puhuu Bradin naamarista. Tästä nuorisokirjat aina tunnistaa: nuorison suuhun pannut meemit on 30v vanhempia kuin tapahtumahetki. Marina on puoliapassi ja puolihelleeni, silti uskollinen, osaa kokata ja varsinainen peto petissä. Joten onnea isä Ron, kyrpätombolasi pysähtyi voittosektorille. ellauri243.html on line 714: Benjamin Disraeli, 1st Earl of Beaconsfield, KG, PC, DL, JP, FRS, SOB (21 December 1804 – 19 April 1881) was a British statesman and Conservative politician who twice served as Prime Minister of the United Kingdom. He played a central role in the creation of the modern Conservative Party, defining its policies and its broad outreach. He is the only British prime minister to have been of Jewish origin. ellauri243.html on line 719: Disraeli was born in Bloomsbury, then a part of Middlesex. His father left Judaism after a dispute at his synagogue; Benjamin became an Anglican at the age of 12. ellauri243.html on line 722: Disraeli arranged for the British to purchase a major interest in the Suez Canal Company in Egypt. In 1878, faced with Russian victories against the Ottomans, he worked at the Congress of Berlin to obtain peace in the Balkans at terms favourable to Britain and unfavourable to Russia, its longstanding enemy. This diplomatic victory over Russia established Disraeli as one of Europe´s leading statesmen. ellauri243.html on line 724: World events thereafter moved against the Conservatives. Controversial wars in Afghanistan and South Africa undermined his public support. He angered British farmers by refusing to reinstitute the Corn Laws in response to poor harvests and cheap imported grain. With Gladstone conducting a massive speaking campaign, the Liberals defeated Disraeli´s Conservatives at the 1880 general election. In his final months, Disraeli led the Conservatives in Opposition. ellauri243.html on line 728: Benjy personified the kind of paternalistic, kindly, homely statesmanship that appealed to a significant proportion of the cinema audience ... Even workers attending Labour party meetings deferred to leaders with an elevated social background who showed they cared. Voi vittu, mitä horseshittiä. ellauri243.html on line 730: Endymion is very like Benjy´s autobiography, with his boring English politics woven into the thread of the story. The action and conversations are distributed between characters who had figured in English politics and the fashionable romances of Europe during the last forty years. ellauri243.html on line 734: St Barbe, the journalist in " Endymion " is an intended caricature of Thackeray, and Gushy is Dickens. Vigo, a minor character of the novel, is a combination of Poole, the tailor, and George Hudson, the Sunderland railway king, as he was styled in his time. Prince Florestan is probably a sketch of Louis Napoleon in his early days in England. He is constantly presented as a child of destiny wailing for the European revolution of ´48 to give him back his throne. ellauri243.html on line 736: Job Thornberry comes into the story with the Anti-Corn-Law League, representing the remarkable change in English politics from the time before Napoleonic wars when the 10% richest guys were local landowners to after the wars when the merchants and industrialists had become the nobs (am. head honchos). This change of mens of production necessitated the passage of Reform Bills that favored Millian laissez-faire by the Conservative Derby-Disraeli ministries. Job Thornberry may be Richard Cobden; for he certainly has much of Cobden´s subject in him. The energetic and capable minister Lord Roehampton is taken to be Lord Palmerston, and Count Ferrol is perhaps Bismarck. Neuchatel, the great banker, is the historical Rothschild; Cardinal Henry Edward Manning figures as the tendentious papist Nigel Penruddock. ellauri243.html on line 747: Yxkax takinkääntäjä Fiz kääntää onnexi kesken kaiken takkinsa taas oikein päin ja ampuu takin taskusta vetämällään Browning M2261 semiautomatic pistoolilla Andorseniin 3 reikää ennenkuin tää saa Smith&Wesson .357 rivolliaan edes reuhdotuxi esille. Jesus, I really screwed up! Never mind Fiz, its okay, two wrongs do make one right. ellauri243.html on line 757: 1. James Thomson (11. syyskuuta 1700 Ednam, Roxburghshire, Skotlanti – 27. elokuuta 1748 Richmond, Englanti) oli skotlantilainen runoilija ja näytelmäkirjailija, jonka merkittävintä tuotantoa ovat kokoelma The Seasons ja sanat brittiläiseen isänmaalliseen lauluun Rule, Britannia!. ellauri243.html on line 759: Viimeisinä vuosinaan Thomson asui Richmondissa, ja siellä hän kirjoitti viimeisen teoksensa The Castle of Indolence, joka ilmestyi juuri ennen hänen ennenaikaista kuolemaansa 27. elokuuta 1748. Johnson kirjoittaa Thomsonin kuolemasta: "Vilustuttuaan jokimatkalla Lontoosta Kewiin hän sairastui ja tauti paheni kuumeeksi, joka päätti hänen elämänsä". ellauri243.html on line 762: 2. The other James Thomson, in full James Alexander Thomson, (born Dec. 20, 1958, Chicago, Ill., U.S.), is an American biologist who was among the first to isolate human embryonic stem cells. Thomson extracted stem cells from human embryos. However, this confronted him with a moral dilemma, as such an extraction is fatal to the embryo. After consulting with several bioethicists at the university, Thomson decided that continued research was ethical as long as the embryos, "created" by couples who "no longer wanted them" in order to "have children", would otherwise be "destroyed anyway." I just love medicinal ethics! Kunnon personismia. Montako neekeriä saa keilata pelastaaxeen yhden valkoisen joka työntää lastenvaunuja. ellauri244.html on line 6: font-style: italic; ellauri244.html on line 34: KLICHEITÄ Klicheitä, klicheitä ellauri244.html on line 37: Klicheitä, klicheitä. ellauri244.html on line 42: Voi mikä hirmuton paljous kuoria. Eikö pian sisus ilmoille suoria? Ei vaaan klicheetä samanmoista sisus sisinkin, toinen vain pienempi toista. ellauri244.html on line 43: Klicheistä ei tule loppua, ne ovat fraktaalisia. Mandelbrotin joukossa on kolme isoa klicheetä, pyllynnäköinen EAT! puolta pienempi pallo FUCK! ja teräväkärkinen KILL! ellauri244.html on line 44: Hassuinta on että kun klicheitä iteroi, ilmestyy loputon joukko pienempiä klicheitä, yhä monimutkaisempia, kunnes klicheet ei enää mitenkään erotu epäklicheistä. Kyllä, kaikki on klicheetä, ja kaikki syntyy noista kolmesta jättimäisestä klicheestä täysin ennustettavalla tavalla, silti kuviossa on loputtomasti yxityiskohtia. Kaikki lumihiutaleet ovat erilaisia, ja kuitenkin ihan samanlaisia. Tämä havainto on syvällinen ja pinnallinen samalla. ellauri244.html on line 48: Kaikkein traagisinta on se mikä valkeni kazoessamme tunkkaista brittisarjaa Murder in Paradise: Kaikki 3 klicheetä miljoonine variaatioineen ovat lakanneet kiinnostamasta vanhusta henkilökohtaisesti enää karvan vertaa. Sen puolesta vanhus on valmis Hietaniemeen pienessä tuhkalaatikossa. ellauri244.html on line 79: Sirolan Kaksi kaupunkia jäi vaille suurempaa huomiota. Kai Sirolalta jäi huomaamatta että Dickens oli jo kirjoittanut sen. Se kuvasi Ranskan suuren vallankumouksen aikaisia ja jälkeisiä vuosia Lontoossa ja Pariisissa. Teosta myytiin noin 200 miljoonaa kappaletta, mikä tekee siitä kaikkien aikojen myydyimmän romaanin. Vain Sonja Kaurasen Anja Koo menee niukasti edelle. Helsinki ja Tallinna ei olleet yhtä vetäviä. Sirola vajosi syvään masennukseen. Itse hän kuvasi tilaa seuraavasti: ellauri244.html on line 157: Joseph Butler (b. 1692), Anglican Bishop of Bristol and Durham ellauri244.html on line 159: John Butler, 12th Baron Dunboyne (1731–1800), Roman Catholic Bishop of Cork ellauri244.html on line 161: Samuel Butler FRS (1774–1839), an English classical scholar and schoolmaster of Shrewsbury School, and Bishop of Lichfield. ellauri244.html on line 163: Christopher Butler (b. 1902), Catholic Bishop of Nova Barbara and Auxiliary Bishop of the Archdiocese of Westminster ellauri244.html on line 165: Thomas Frederick Butler (b. 1940), Anglican Bishop of Southwark ellauri244.html on line 167: Keith Butler, another American hustler, see below. ellauri244.html on line 176: Samuel Butler (30. tammikuuta 1774 Kenilworth, Britannia – 4. joulukuuta 1839) oli englantilainen rehtori ja piispa, Shrewsbury schoolin rehtori ja Lichfieldin piispa. Hänen lapsenlapsensa oli myös nimeltään Samuel Butler (alla). ellauri244.html on line 178: He worked despite having for 37 years "a state of permanently impossible relations" with his second master (deputy), John Jeudwine, which, according to school historian J.B. Oldham, "embittered both their lives to the detriment of the school, the scandal of the town and the embarrassment of Butler's every action" ellauri244.html on line 188: Joseph Butler is best known for his criticisms of the hedonic and egoistic “selfish” theories associated with Hobbes and Bernard Mandeville and for his positive arguments that self-love and conscience are not at odds if properly understood (and indeed promote and sanction the same actions). In addition to his importance as a moral philosopher Butler was also an influential Anglican theologian. ellauri244.html on line 189: Butler was born in 1692 and attended a dissenting academy where he read current philosophy — including up to date logic, and works of John Locke and Samuel Clarke. ellauri244.html on line 193: Keith Butler exposed! Bishop Butler and his wife live at the moment in a $1.3 million home in Troy, Michigan, for which they paid cash. In fact, over the last couple decades he has owned some 20 properties, almost all of them paid for in cash. They own several homes at the moment. Like other Word of Faith ministers like Robert Tilton, Butler preaches the "prosperity gospel", constantly browbeating their followers to "sow the seed of prosperty" by giving money to the church, which will supposedly be returned to them a hundred fold. They preach that godliness leads to wealth, thus stigmatizing the poor - if you aren't rich, you obviously just don't have enough faith or aren't a good enough Christian. This is pretty much a sure sign that you're dealing with a huckster. ellauri244.html on line 195: Word of Faith is home to many such frauds, from Kenneth Copeland to Kenneth Hagin to Frederick Price to Benny Hinn. Even by mainstream Christian standards, their theology is bizarre. They preach, for example, that God is powerless to act in the world except what Christians allow him to do by invoking his name in prayer. They also practice faith healing and teach that sickness is a sign of a weak faith (this despite the fact that lots of Word of Faith pastors and their wives have come down with cancer, heart disease, and so forth). ellauri244.html on line 257: ic Edu Kettunen" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen> ellauri244.html on line 300: Roger Caillois, né le 3 mars 1913 à Reims et mort le 21 décembre 1978 au Kremlin-Bicêtre, ertait un écrivain, sociologue et critique littéraire français, traducteur de Borges. Caillois rompt avec le surréalisme en 1935 en publiant sa lettre ouverte à André Breton. ellauri244.html on line 316: Helsingissä ei saanut ennen kerjätä, ei loiteroida, kusta porttikonkeihin ja postiluukkuihin, ajella jalkakäytävillä potkulaudoilla, tuherrella seinille. Ennen oli kaikki paremmin. Music TV oli ällö amerikkalainen kexintö, talouslipilaarien ja globalisaattoreiden propagandakanava. Sitäkään nää pogoääliöt ei tajua. Hyi helvetti. ellauri244.html on line 328: Joku kääntyi Jeesuxen puoleen ja alkoi laulaa "Jesus bleibet meine Freunde." Ach Scheisse. Freude nicht Freunde. Und Jesu, nicht Jesus. Kylläpä Anja on puolisivistynyt. ellauri244.html on line 346: Henri on viisikymppinen mies, jonka elämässä on moni asia mennyt viime vuosina uusiksi. Hän on vaihtanut alaa ja eronnut vaimostaan. Nyt Henri työskentelee kääntäjänä, mutta aikaisemmin hän työskenteli kyseenalaisessa PR-yrityksessä nimeltä Hesperian sairaala. Yrityksen kaikki toimet ja arvot eivät kestäisi päivänvaloa. Kun Henri ihastuu naapurissa asuvaan kolmikymppiseen Sallaan, Henri on valmis tekemään mitä vain Sallan eteen, vaikka pienen spermalammikon. Sattumoisin Sallalla on ongelmia pomonsa kanssa. Mitä vaikean pomon kanssa voi tehdä? Pystyykö Henri poistamaan pomon Sallan elämästä? No ei pysty, Salla saa lopulta hoitaa sen ihan ize. "Enrico" on vaan joutavanpäiväinen jahkailija ja jaarittelija. Mitähän isoperseinen Salla oikein näkee siinä? No beggars can't be choosers, Sallalla on lapsi ed. liitosta ja pyylevähkö puolikalju Enrico on sikareineen ja aromilaseineen hyvä kotimiehenä. ellauri244.html on line 361: Tina kuljetti sormia valokuvaaja-Törnin iholla. Häntä inhotti että joku toinen nainen voisi tehdä samoin. Törniä inhotti että joku toinen Markkula oli kuljettanut melaa Tinan mekossa. Rahmanista Tina ei kertonut, Nicosta kyllä ja pillun myynnistä Rooman pusikoissa. Hän luotti Toniin. (Vitun Harari.) Minä haluan sinut. Lyön poikki suhteeni Markkulaan. Mies kovettui hänen reisillään ja hän tunsi kostuvansa. Toni riisui cardiganin. Tina avasi hänen liekehtivän kimononsa. Sinullapa on kaunis penis, hiän kehaisi, vaikka esinahka puuttuu. Niin sanoen hiän virkkoi ja otti sen suuhunsa. Sitten hän siemaisi miehen sisäänsä yhdellä hotaisulla ja istui tämän lanteille. Juutalaisena Tonilla oli toki iso kasa lantteja. Hiän pyöritti häpyään kuin väkkärää ja kiristyi nahattoman kikulin ympärille kumirenkaana. He laukesivat yhdexi lihamurekkeexi. Tina suuteli Törnin rintakarvoja (yäk pthui) ja kuiskasi: rakastan sinua (luullaxeni), enkä goi-Markkulaa. Samaan aikaan toisaalla palestiinalainen nilkutti sementtitönönsä oviaukolle ja hörppi kuumaa teetä Starbucks-pahvimukista. Onni yxillä, kesä kaikilla. ellauri244.html on line 371: och blicka djupt in i varje flickas själ. ellauri244.html on line 382: När jag först fick se den gråa sammetsjackan ellauri244.html on line 398: han gick i H:fors bodar utmed hela raden, ellauri244.html on line 425: Tired of keeping them hidden inside or only having them come out in the bedroom, they’re all here in the form of some wickedly hot stories. Single-minded alpha hero, sinfully taboo relationships, and wildly over-the-top scenarios. If you love it extra dirty, extra hot, and extra naughty, this is the place for you! (Just don’t tell the other PTA members you saw her here…) ellauri244.html on line 429: Lyndsay Faye is an American author. Her first novel was the Sherlockian pastiche Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson and she has been nominated for the Edgar Award for The Gods of Gotham and Jane Steele. ellauri244.html on line 433: The world Cassandra Faye created was rich with imagination and detail and the hero was the perfect mix of strength and tenderness. As with all her stories, there were some dark scenes that took me to the edge of my seat, yet the romance balanced the book perfectly. I lost sleep over this book staying up late to read 'just one more chapter'. ellauri244.html on line 435: Mia Faye is a romance addict who lives for the joy of entertaining her readers with her novels. She loves to hear from you via social media or via mail: miafayebooks@gmail.com ... "On His Desk" from bestselling author Mia Faye is a stand-alone second chance romance, between enemies who become lovers, with a baby surprise and a guaranteed HEA ... ellauri244.html on line 439: Faye Madden's novels are sweet and wholesome, and through her richly crafted characters she explores all the heartache, pain, yet ultimately joyous happiness love brings, however that journey may unfold. Many of her novels explore this through the prism of a second chance romance, whilst others focus on love lost and found, or in unrequited love. ellauri244.html on line 441: Hi, I'm Faye Bryant! I help people who have endured trauma–whether of their own making, such as addiction and poor choices, or pushed upon them through abuse–recognize they have worth and purpose, determine their God-designed purpose, then live confidently, with focus toward that purpose to live the life God designed them for. ellauri244.html on line 443: Get the latest from southern gothic author Faye Snowden. Raven Burns is back in a sequel to A Killing Fire and on the hunt for a serial killer while she is being pursued by two men-- one wants to redeem her soul, and the other who wants to lock her away forever. Get the latest from southern gothic author Faye Snowden. ellauri244.html on line 445: In "The Struggle for the Right to Vote)," author Alice Faye Duncan chronicles the struggle for the right to vote in a book aimed at children. Faye Duncan is an educator, retired school librarian and prolific author... Alice Faye Duncan is the author of several books, including the classic NAACP Award-nominated board book, Honey Baby Sugar Child, and Just Like a Mama. Ms. Duncan is a school librarian in Memphis, Tennessee, and conducts writing workshops for parents and educators. ellauri244.html on line 447: Shon Faye - Writer, presenter and author of The Transgender Issue: An Argument for Justice She's Creative with Claire Hutchison Nghệ thuật Shon has written for the likes of The Guardian, Vice and Dazed and hosts the Call Me Mother podcast. Her upcoming book The Transgender Issue: An Argument for Justice comes out in September. ellauri244.html on line 449: Horror Faye L. Ryan is a successful personal growth author mourning the loss of her husband. She retreats to a cabin on the bayou to finish her next book only to find that more than just her past will haunt her. Director Kd Amond Writers Kd Amond Sarah Zanotti Star Sarah Zanotti See production, box office & company info Watch on Prime Video ellauri244.html on line 451: Faye Avalon lives in the UK with her super-ace husband and onebeloved, ridiculously spoiled Golden Retriever. She worked as cabin crew, detouredinto property development, public relations, court reporting, and education beforefinally finding her passion: writing steamy romance. ellauri244.html on line 455: Courtney Faye Taylor is a writer and visual artist. She is the author of Concentrate (Graywolf Press, 2022), selected by Rachel Eliza Griffiths as the winner of the Cave Canem Poetry Prize. Courtney earned her BA from Agnes Scott College and her MFA from the University of Michigan Helen Zell Writers' Program where she received the Hopwood ... ellauri244.html on line 459: Tänään Peter Graystone enjoys Elton John's musical about a televangelist. THE musical Tammy Faye is remarkably sympathetic to the Christian faith of the American evangelist whose television channel, Praise the Lord, rose and fell equally spectacularly in the 1980s. It is very much less sympathetic to her husband, Jim Bakker, whose affairs with women ... ellauri244.html on line 461: Author: Jessica Hines | Posted in Critical Essays: Few witches in literary history have been as influential—or as maligned—as Morgan le Fay. By turns either the healer-ruler of the mystical island of Avalon or the arch-villainess of Arthurian legend, for more than nine hundred years Morgan has shaped popular perceptions of witchcraft. ellauri244.html on line 486: Kyllä tässä teoxessa jotain klicheemäistä on, kun vaan saisi kiinni mitä. Jos jatkat riitelyä tuhoan sinut. Jätä minut ja Ylva rauhaan. Ei ei Jack et nyt ymmärrä kirjan juonta, tässä käy niin että minä tuhoan sinut. Nuijitut naiset sulkevat kirjan, kun olet muusina, ja huoahtavat tyytyväisinä. Käy kuin Raamatussa. Feijan aseista parhain on naisellisuus. Se pyytää Jumalalta anteexi toinen käsi selän takana. Ja siinä on lihanuija! ellauri244.html on line 541: Jöns antoi meille lahjaxi Tracy Chapmanin ekan älppärin jossa oli raita Fast Car. " Fast Car " is a song by American singer-songwriter Tracy Chapman. It was released on April 6, 1988, as the lead single from her 1988 self-titled debut studio album. Chapman's appearance on the Nelson Mandela 70th Birthday Tribute helped the song become a top-ten hit in the United States, reaching number six on the Billboard Hot 100. Tracy is 54 years Nelson's junior. Bra jobba, Tracy! ellauri244.html on line 546: Lokki Joonatan (engl. Jonathan Livingston Seagull) on yhdysvaltalaisen Richard Bachin kirjoittama, pienoisromaanin muodossa vuonna 1970 julkaistu faabeli. ellauri244.html on line 563: No olipa turhanpöiväistä löpinää. Älkää LÖPISKO! olisi Omppu huutanut. In 2014 the book was reissued as Jonathan Livingston Seagull: The Complete Edition, which added a 17-page fourth part to the story. Bach reported that he was inspired to finish the fourth part of the novella by a near-death experience which had occurred in relation to a near-fatal plane crash in August 2012. What a pity. ellauri244.html on line 567: Part Four focuses on the period several hundred years after Jonathan and his students have left the Flock and their teachings become venerated rather than practiced. The birds spend all their time extolling the virtues of Jonathan and his students and spend no time flying for flying's sake. The seagulls practice strange rituals and use demonstrations of their respect for Jonathan and his students as status symbols. Eventually some birds reject the ceremony and rituals and just start flying. Eventually one bird named Anthony Gull questions the value of living since "...life is pointless and since pointless is by definition meaningless then the only proper act is to dive into the ocean and drown. Better not to exist at all than to exist like a seaweed, without meaning or joy [...] He had to die sooner or later anyway, and he saw no reason to prolong the painful boredom of living." As Anthony makes a dive-bomb to the sea, at a speed and from an altitude which would kill him, a white blur flashes alongside him. Anthony catches up to the blur, which turns out to be a seagull, and asks what the bird was doing: ellauri244.html on line 569: "I'm sorry if I startled you," the stranger said in a voice as clear and friendly as the wind. "I had you in sight all the time. Just playing...I wouldn't have hit you." ellauri244.html on line 573: "Oh, some fun-flying, I guess. A dive and pullup to a slow roll with a rolling loop off the top. Just messing around. If you really want to do it well it takes a bit of practice, but it's a nice-looking thing, don't you think?" ellauri244.html on line 577: "You can call me Jon. My name is Jon Nesböö, in fact. An ex seaweed, at your service." ellauri244.html on line 596: Miller was widely critical of consumerism in America, mutta siihen nähden availi aivan vitusti karvaisia tonttuovia, keräsi ostoskoriin yhä nuorempia vaimoja. ellauri244.html on line 598: 1907 at 16 Miller met first love, Cora Seward, at Eastern District High School, Brooklyn. ellauri244.html on line 602: Miller married his first wife, Beatrice Sylvas Wickens, in 1917, at 26; their divorce was granted on December 21, 1923, due to the 7-year itch. Together they had a daughter, Barbara, born in 1919. ellauri244.html on line 603: Unclear which of them was the junior. According to Who dated who, Beatrice Sylvas Wickens and Henry Miller are divorced after a marriage of 105 years. According to our records, Beatrice Sylvas Wickens is possibly single. ellauri244.html on line 605: In 1923, while he was still married to Beatrice, Miller met and became enamored of a mysterious dance-hall ingénue who was born Juliet Edith Smerth but went by the stage-name June Mansfield. She was 21 at the time, 11 years his junior. They began an affair, and were married on June 1, 1924. ellauri244.html on line 607: A nasty setback was June's close relationship with the artist Marion, whom June had renamed Jean Ronski. Ronski lived with Miller and June from 1926 until 1927, when June and Ronski went to Paris together, leaving Miller behind, which upset him greatly. Miller suspected the pair of having a lesbian relationship. While in Paris, June and Ronski did not get along, and June returned to Miller several months later. Yxin jäänyt Ronski teki Sirolat Pariisissa around 1930. Vähän päästä Henry lähti ize yxin Pariisiin. ellauri244.html on line 609: Things began to change in Paris after meeting Anaïs Nin, 12 years his junior, who, with Hugh Guiler, went on to pay his entire way through the 1930s including the rent for an apartment at 18 Villa Seurat. Nin became his lover and financed the first printing of Tropic of Cancer in 1934 with money from Otto Rank. His works contain detailed accounts of sexual experiences. Sitä koitin vähän lukea mutta oli liian hapokasta, ei pystynyt. ellauri244.html on line 611: In 1939 Lawrence Durrell, 21 years his junior, invited Miller to Greece. Miller described the visit in The Colossus of Maroussi. Miller proved to be a major influence on the new Beat Generation of American writers, most notably Jack Kerouac, 31 years his junior, the only Beat writer Miller truly cared for. ellauri244.html on line 615: The following year, he married artist Eve McClure, who was 37 years his junior. They divorced in 1960, and she died in 1966, likely as a result of alcoholism. In 1961, Miller arranged a reunion in New York with his ex-wife June. They had not seen each other in nearly three decades. In a letter to Eve, he described his shock at June's "terrible" appearance, as she had by then degenerated both physically and mentally. Not him! Though he was 11 years her senior! ellauri244.html on line 618: 46 years his junior. They divorced 1977, when he was 86 and she 40. Maybe Hoki's biological alarm clock went. ellauri244.html on line 620: After his move to Ocampo Drive, he held dinner parties for the artistic and literary figures of the time. His cook and "caretaker" was a young artist's model named Twinka Thiebaud, 54 years his junior, who later wrote a book about his evening "chats." In relation to reaching 80 years of age, Miller explains: ellauri244.html on line 626: Miller died of "circulatory complications" at his home in Pacific Palisades, Los Angeles, on June 7, 1980, at the age of 88. Siitä tuli lopultakin vain 2-jalkainen. Ei päässyt enää polvilleen kiittelemään elämää, jolta se sai paljon. Mikä kulkee ensin 4 jalalla, sitten 2:lla ja lopuxi 3:lla? Ei ainakaan Henry. ellauri245.html on line 6: font-style: italic; ellauri245.html on line 10: font-style: italic; ellauri245.html on line 61: Tillsammans med en väninna, Eva Franchell, var Lindh på onsdagseftermiddagen den 10 september 2003 ute i centrala Stockholm för att handla kläder. Under ett besök på varuhuset NK blev hon på första våningen överfallen och mycket allvarligt knivskuren av den då okände men därefter ökände Mijailo Mijailović strax efter klockan 16.00. Lindh hade vid tillfället inget personskydd av Säpo. Klockan 16.41 gick nyhetsbyrån TT ut med nyheten att utrikesministern hade blivit knivskuren. Lindh fick en mycket stor mängd blod, sammanlagt 80 liter, men det hjälpte inte. Mijailo Mijailović greps. Han förnekade all inblandning fram till den 6 januari 2004, då han erkände mordet. Han dömdes till livstids fängelse, och där sitter han än idag, om inte han har dött. USA:s utrikesminister Colin Powell kunde ej delta på grund av trafikproblem. ellauri245.html on line 65: Costa Rica namngav 2005 en nyfunnen stekel (pistiäinen) efter Anna Lindh till Polycyrtus lindhae. Bakgrunden var hennes stöd för att bevara landets biologiska mångfald. "Polycyrtus lindhae har mycket gemensamt med Anna Lindh", motiverade professor Roberto Artavia Loría, chef för landets institut för biodiversitet. "Stekeln är vacker och färgsprakande, nästan utdöd, och spelar en viktig roll i korsbefruktningen av många arter i våra regnskogar. Anna Lindh var en dynamisk och färgstark individ som reste runt i världen och korsbefruktade det globala arbetet för att bevara den biologiska mångfalden. Och hon är död." Harvard University instiftade 2006 en professur i globalt ledarskap och statskunskap till minne av Lindh. ellauri245.html on line 71: Ungefär klockan 15:45 onsdagen den 10 september 2003 lämnade Lindh och hennes väninna Eva Franchell utrikesdepartementets lokaler. De gick in i Gallerians sydvästra entré, gick genom Gallerian och stannade vid butiken Jackpot där Lindh köpte en tröja. De fortsatte ut genom Gallerians huvudentré mot Hamngatan, sneddade över korsningen Hamngatan - Regeringsgatan och gick in i varuhuset NK där de tog första rulltrappan upp till andra våningen strax efter klockan 16:00. ellauri245.html on line 75: Med raska steg gick Mijailović till rulltrappan som ledde ned till gatuplanet och sprang nedför den. I rulltrappan släppte eller tappade han kniven. Ett vittne tog hand om kniven och med hjälp av en expedit blev den inslagen i silkespapper. Mijailović lämnade NK via utgången mot Regeringsgatan och fortsatte uppför denna gata. I en papperskorg slängde han slidan till kniven och gick in i Salénhuset. Där slängde han den marinblå kepsen i en papperskorg innan han gick till en frisersalong där han bad att få bli klippt. När frisören förklarade att det inte fanns någon ledig tid lämnade han salongen. ellauri245.html on line 81: Den 14 september fick polisen in ett tips om att mannen på NK var i 25-årsåldern, hette Mikael, kom från Jugoslavien och hade tidigare bott på Gröndalsvägen i Hovsjö utanför Södertälje. Samma dag fick polisen in tips om att NK-mannen liknade en psykiskt sjuk 25-åring i Tullinge från Jugoslavien som hette Mikael. Enligt tipsaren hade denne Mikael både klippt håret och bränt sina kläder samma dag som Anna Lindh mördades. Det första tipset ledde till att polisen började leta i sina register efter en Mikael som hade bott på denna adress i Hovsjö. Det visade sig att Mijailović hade bott där och att han nu bodde i Tullinge. Med hänsyn till hans tidigare brott, hans återkommande kontakter med psykvården och att hans passfoto var likt NK-mannen beslutade spaningsledningen att polisen skulle börja spana efter honom. Sen yrade svenska polisen allvarligt med en annan 35-årig misstänkt nästan lika dumt som Ystadspolisen i Mankell. ellauri245.html on line 86: Efter att ha lämnat Salénhuset stoppade Mijailović en taxi utanför Dramaten och bad att få bli körd till Tullinge. När taxin var framme utanför huset med Mijailovićs mammas lägenhet i Tullinge frågade Mijailović vad det skulle kosta att åka vidare till Södertälje. Taxichauffören svarade att det skulle kosta 300-400 kronor och Mijailović svarade då att han skulle gå upp och hämta pengarna. För att inte gå miste om betalningen följde chauffören med upp och väntade vid ytterdörren. I lägenheten berättade Mijailović vad han gjort för sin mamma, samlade ihop lite kläder i en svart väska och tog med sig 3 000 kronor. Dvs ca 300 euro om Anna Lindh hade fått sin vilja fram. ellauri245.html on line 90: Dagarna därefter bodde Mijailović hos en kamrat som bodde med sin sambo i en lägenhet i Solna. Under helgen sökte han hjälp på Huddinge sjukhus för sina sömnsvårigheter och hallucinationer. På måndagen den 15 september fick han åter sova över hos sin vän i Solna. Sambon tyckte att Mijailović betedde sig alltmer konstigt och när han den 16 september vägrade lämna lägenheten ringde Mijailovićs kompis polisen. Polisen körde Mijailović till S:t Görans sjukhus. ellauri245.html on line 94: Han nekade till att vara skyldig ända fram till den 6 januari 2004, då han erkände för sin advokat. Mijailović berättade att han den 10 september hade mått dåligt och inte sovit ordentligt på flera dygn. Han hade åkt in till centrala Stockholm. Han hörde röster som talade till honom och när han plötsligt fick se Anna Lindh gick han till attack. ellauri245.html on line 99: Mijailovic föddes i Stockholm 1978. Hans föräldrar kommer ursprungligen från staden Mladenovac, några mil söder om Belgrad i dåvarande Jugoslavien (nuvarande Serbien). Föräldrarna flyttade i slutet av 1960-talet till Sverige under vågen av arbetskraftsinvandring. No vittu se on just tää! Olisivat svedut maxaneet kunnon palkkaa omille työläisilleen niin tätäkään ei olis sattunut! I 6-årsåldern skickades sonen tillbaka till föräldrarnas hemstad för att bo hos farföräldrarna och börja i skolan där. När han var i 13-årsåldern utbröt de jugoslaviska krigen och han återvände till Sverige. Då hade han nästan glömt bort det svenska språket och fick gå i en förberedelseklass innan han började i årskurs 7. Han slutade grundskolan i juni 1995 med i genomsnitt 3,4 i betyg. Uruselt!! Sedan började han gymnasieskolan men slutade i slutet av årskurs 2. ellauri245.html on line 101: Mijailovic har haft täta kontakter med psykiatrin sedan 1997, då han som 18-åring knivattackerade sin far och dömdes för grov misshandel. Då gjordes en omfattande rättspsykiatrisk utredning som konstaterade att Mijailovic inte led av vare sig svår psykiatrisk sjukdom eller personlighetsstörning. Två år senare genomgick han en pytteliten psykiatrisk utredning. Det framkom inte då heller några psykotiska eller depressiva symtom. ellauri245.html on line 103: I juni, två år efter knivattacken mot fadern, dömdes han på nytt till skyddstillsyn för brott mot knivlagen och vapenbrott. I april 2001 fick han samma straff för att bland annat ha hotat att döda en ung kvinna och hennes mor. ellauri245.html on line 109: Den 8 juli 2004 dömdes Mijailović av Svea hovrätt till rättspsykiatrisk vård. Under sensommaren framförde Mijailović krav på att få avtjäna sitt straff i ett serbiskt fängelse vilket kriminalvårdens chef Lars Nylén nekade med motiveringen att Serbien och Montenegro inte i förväg kunde säga hur länge han skulle få sitta i fängelse då landet inte hade livstidsstraff på sin egen rättsskala. Mijailovic överklagade beslutet men kom senare (14 maj 2007) att dra tillbaka sin överklagan. ellauri245.html on line 118: ^ ”Mijailovic: Jag fick en blodpropp”. Aftonbladet. ellauri245.html on line 119: ^ ”Mijailovic talar ut: Det är dags att sanningen kommer fram”. Expressen. ellauri245.html on line 120: ^ ”Mijailovic inte längre svensk medborgare”. Dagens Nyheter. ellauri245.html on line 121: ^ ”Svår uppväxt präglade Mijailovic”. svt.se. SVT. ellauri245.html on line 123: ^ ”Mijailovic döms till livstid för mordet på Anna Lindh”. ellauri245.html on line 124: ^ ”Mijailovic överklagar”. ellauri245.html on line 125: ^ ”Mijailovic vill stanna i Sverige”. SVT. ellauri245.html on line 128: icture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen> ellauri245.html on line 133: "Jonne" Nesbø ei ole mikään puolisukeltaja, se painuu kyllä pinnan alle tosi syvälle. Nääs- nääsbö nääs tekee kaiken voitavansa mahduttaaxeen KAIKKI el Zorro luokan tomppelimaisimmat kylmä konna - kuuma donna klicheet JOKAISEEN roskakirjaansa. On siinä duunia, but where there's a will there's a way. ellauri245.html on line 140: Nesbø on niin klicheinen että hampaita vihloo. LÄPYLÄP Okey boys! Back to work! Lets nail this bastard. Mitenkä monta kertaa tämäkin on kuultu ja nähty ziljoonissa skoude ja rofesarjoissa. Kiinnostavat jeparit joilla on yllin kyllin ongelmia izelläänkin hajaantuvat tehtäviinsä valokuvataulun ääreltä. Mä en jaxa näitä vitun rotinkaisia! ellauri245.html on line 157: On the other hand, from my mostly male fart-loving audience, I received many questions about the use of the torture device Leopold’s Apple in particular. For example, whether it really exists. Is it available from Amazon? ellauri245.html on line 159: And another question started coming up: How do you come up with these things? Meaning: What kind of sick, perverted mind could come up with such ideas? I tried to look within myself, to ask if the violence in the book was really appropriately calibrated for the purpose: to say something about the character behind it (dvs mig). Or if I had let myself be lured into sensationalism, effects for the sake of effects and a callous fascination with suffering. Had I created a Norvegian Psycho, just such a book, one that had become a sort of guilty pleasure for closet sadists? ellauri245.html on line 170: In November 2011, Miller posted remarks pertaining to the Occupy Wall Street movement on his blog, calling it "nothing but a pack of louts, thieves, and rapists, fed by Woodstock-era nostalgia and putrid false righteousness." He said of the movement, "Wake up, pond scum. America is at war against a ruthless enemy. Maybe, between bouts of self-pity and all the other tasty tidbits of narcissism you´ve been served up in your sheltered, comfy little worlds, you´ve heard terms like al-Qaeda and Islamicism." Miller´s statement generated controversy. In a 2018 interview, Miller backed away from his comments saying that he "wasn´t thinking clearly" when he made them and alluded to a very dark time in his life during which they were made. ellauri245.html on line 203: The popularity of "goblin mode" may be linked to a rejection of the carefully curated lifestyles often presented by users of social media platforms. The trend has also been linked to a manner of coping with the effects of the COVID-19 pandemic on society since this is described as a way of life that gives people permission to ditch societal norms and embrace their basic instincts and in social media, letting their inner goblin out has been a freeing experience. ellauri245.html on line 255: One of the great things about fantasy gaming, or any other genre of gaming for that matter, is that we can take a vile concept from real life, such as the ancient art of torture, something that normally reminds us of the atrocities of which humans are capable, and having fun with the variety of ways and means! ellauri245.html on line 261: First devised and created in the Belgian Congo by King Leopold, son of Queen Victoria. A smooth metallic ball, slightly smaller than a tennis ball in circumference with tiny apertures along its contours. Made of gold, GAL-TAN, and steel, the ball is a minor feat of engineering. An additional small opening reveals a looped wire. The ball is placed in the victim´s mouth. When the wire is pulled, 24 tiny termite monkey antennae jut out from the ball, causing it to lodge itself in the mouth. At this point, though not overly painful, the victim cannot remove the ball, nor can another extract it for them. With a second pull of the wire, 24 needles erupt outwards from the extended antennae in 24 directions, causing severe damage to throat, cheek, tongue, palate, nasal cavity, etc....the victim will usually bleed out slowly in excruciating pain. How was this used for torture? It usually involved 2 victims. One who who was forced to swallow the ball, and the second who was forced to watch the effects. That second person would usually begin talking quickly about other things. Naah, too sophisticated. A waste on the Congolese niggahs. Cutting hands and feet worked just as well. ellauri245.html on line 264: ict.tif/lossy-page1-220px-Nsala_of_Wala_in_the_Nsongo_District.tif.jpg" height="200px" /> ellauri245.html on line 267: Leopold´s Apple is actually a brand of whiskey. But The pear of anguish, also known as choke pear or mouth pear, is a torture device based on mechanisms of unknown use from the early modern period. The mechanism consists of a pear-shaped metal body divided into spoon-like segments that can be spread apart with a spring or by turning a key. Its proposed functionality as a torture device is to be variously inserted into the mouth, rectum, or vagina, and then expanded to gag or mutilate the victim. There is no contemporary evidence of such a torture device existing in the medieval era, and ultimately the utility of genuine apples and pears stuck in any hole at all remains unknown. Except that an apple forced in his mouth as a kid by his chum Anders B. got Jo Nesbø going as a pulp writer. Iron Maiden was a vagina dentata style box with nails inside. ellauri245.html on line 269: Leopard (Originaltitel Panserhjerte. Panserhjerte is a Norwegian term for Constrictive pericarditis) ist ein Kriminalroman des norwegischen Autors Jo Nesbø aus dem Jahr 2010. Es ist der achte Teil der Harry-Asshole-Serie. ellauri245.html on line 273: Auf Anweisung von Harrys ehemaligem Master-Chef Gunnar Hagen, dem Leiter des Internats für Gewaltverbrecher, holt Kaja Solness Harry mit Hinweis auf dessen sterbenden Vater nach Norwegen zurück, um zwei weitere Morde an jungen Frauen zu begehen. Doch die Ermittlungen zu dem Fall werden der Abteilung entzogen und das Kriminalamt unter der Führung von Carl Michael Bellmann übernimmt, wodurch Harry nur inoffiziell aus Liebe zur Kunst Nachforschungen betreiben kann. ellauri245.html on line 277: Zwar fehlen Harry Beweise, er kann die Geschehnisse des Abends in der Berghütte aber recht genau rekonstruieren: Ein Unternehmer hatte in der Nacht seine Freundin mit einer Wanderin betrogen und fürchtet nun um seine mögliche Ehe mit einer Industriellentochter, die ihn finanziell sanieren kann. Der Täter lockt seine Freundin [welche? die Wanderin oder die Erbin?] dann nach Afrika und zwingt sie, einen Ehevertrag, der ihm das ganze Vermögen überschreibt, zu unterschreiben und will sie töten. Harry und Kaja fliegen daraufhin ebenfalls nach Afrika und werden beide getrennt von Handlangern des Täters überwältigt. ellauri245.html on line 279: Harry kann sich befreien und tötet sowohl den Täter und dessen Freundin [warum? Zum Spass?] im Versuch Kaja zu befreien. Zusammen wirft er Kaja und die beiden Leichen in einen Vulkan, um weitere Ermittlungen der Polizei auszuschließen. Harry kehrt wieder nach Hongkong zurück und zetzt fort mit Spiel und Drogerie. Another hole in one. ellauri245.html on line 286: „Ein packendes Buch, mit einem Autor in Höchstform. Charaktere, Schauplätze und Dialoge sorgen dafür, dass beim Lesen keine Langeweile aufkommt. Dabei geht es nicht nur um einen brutalen Serien-Mörder, sondern auch um die Spätfolgen einer psychischen Demütigung, um Macht und Ehrgeiz, um menschliche Abgründe. Ein Genuss für Fans des skandinavischen Krimis, aber auch ein Schmankerl für Neueinsteiger.“ ellauri245.html on line 288: „Jo Nesbø steht seinen schwedischen Kollegen in puncto Ausgefeilt-, Verwickelt- und Raffiniertheit nicht nach - und an Umfang übrigens auch nicht. "Leopard" ist einer von den Schmökern, mit denen man trübe Wochenenden höchst effektiv auf der Couch rumbringen kann.“ ellauri245.html on line 290: „Jo Nesbøs 700-seitiges Krimi-Opus „Leopard“ nötigt Bewunderung ab ob der fehlerfreien, mathematisch anmutenden Konstruktion. Doch darin liegt auch seine Schwäche: Es gleicht einer Kunstübung, die wegen dieser Künstlichkeit nichts mehr mit einem Krimi zu tun hat. Nesbø bremst sich selber aus, lässt nur aufkeimen, um es wieder vom Tapet zu nehmen, hat er doch schon sämtliche Neben- und Kernthemen ineinander verwoben. Er hat den Bogen überspannt, legt falsche Fährten und lässt das Weber-Schiffchen in seinem Geflecht wirklich durch alle Richtungen schießen, um seine Kernthemen anzuheizen und das eine mit in das andere herüberzuziehen. Er überhitzt. Nach etwa 500 Seiten steht ein exaltiertes, kühnes Gerüst eines Molekülmodells mit dutzenden angeordneter Atome. Nicht, dass das nicht zu verstehen wäre. Doch es entbehrt jeder menschlichen Natürlichkeit. Die restlichen 200 Seiten wirken wie die Anmerkungen zu einem Fachbuch; und das, obgleich doch der blutige Showdown erst noch kommen soll.“ ellauri245.html on line 292: Something about Scandinavia — its snowbound civility, its usually peaceable blend of the cosmopolitan and the isolated — makes the crime novels set there seem automatically more interesting, the way a red spray of blood stands out more starkly against fresh white powder than on a dirt road. By now many of these imports seem to share the same atmospherics: the Nordic good looks, the corruptible officials, the endless pots of coffee. ellauri245.html on line 293: Every review of Nesbø´s work now must also, in some refracted way, be a commentary on Larsson´s wonderful and massively successful Millenium trilogy. Nesbø and Larsson share a wit, a world and a languorous command of plotlines that spiral out into new plotlines, resisting the brutal and sometimes deadening efficiency of the American crime novel. ellauri245.html on line 295: Where Nesbø weakens by comparison is when he turns to non-criminal matters. The Leopard features a variety of these, from a turf war with another crime bureau to the illness of Harry´s father to Harry and Kaja´s romance, all of which slow the book´s pace and end in predictable Norwegian noir moralizing. ellauri245.html on line 302: Miten Nysvø jaxaakin noudattaa kaikkia genreklicheitä. Onko kirjan aivan pakko alkaa lauseella Hun voknet? Poliisinarttu Regina heräsi haukotellen makeasti suussa joulukoriste. Glipptak, jotain ekloa norjalaista hiihtoaiheista sekin on. Onko slush muka norjaa? ellauri245.html on line 313: One year ago, a heavily armed man dressed as a police officer appeared on the beach of a youth summer camp in Norway. The kids had no way of knowing he was targeting them for the ills of Europe. Then he started shooting. And shooting. Where were the real cops? By the end of the day, seventy-seven people had been killed, the deadliest attack in that country since World War II. As told by the survivors, these are the beat-by-beat horrors of those terrifying 198 minutes. the Utoya Massacre On July 22, 2011. Lue ja kauhistu, tää on hurja jännäri! ellauri245.html on line 322: Bury Me Standing: The Gypsies and Their Journey is a non-fiction book on the lives of the Romani people by the American-Uruguayan writer Isabel Fonseca published in 1995. The book is organized in eight chapters and contains black and white photographs and maps. ellauri245.html on line 344: There aren´t any Gypsies in America. ellauri245.html on line 347: Aha! The title "Bury me standing" comes from a proverb which describes the plight of the Gypsies: "Bury me standing. I´ve been on my knees all my life." But that was just a joke! Ei Charlie Chapliniakaan kuopattu pystyasennosssa. ellauri245.html on line 354: ics" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen> ellauri245.html on line 356: Samtidigt får kommissarie Harry Hole ett anonymt brev som han misstänker är skickat av den man som ligger bakom försvinnandet. Snart upptäcker han att fler gifta kvinnor har råkat ut för samma öde, bortrövade av Snömannen som lämnar efter sig villospår. Eiköhän tossa ollut jo tarpeexi. ellauri245.html on line 358: Lisää jonnepotaskaa. Sid Viciousin No Future oli aivan ala-arvoisen surkeata räminää. Tollasella ei olis kuulunut ollakaan mitään tulevaisuutta, mutta annas olla eikös vaan vitun monet yhtä surkimuxet tarttuneet paviaanin raivolla kertosäkeeseen. Esim Jonne Nääsböö ja Eski Saarinen. Harry piittaa vaan ex sukulaisista kuten isästä, mongoloidisiskosta ja ex heilasta Raakelista ja sen lumiukkopoika Helgestä. ellauri245.html on line 360: Pakollinen harrynhakureissu on ohize. Tää Harryn "I´d rather not" Melvilleklichee seikkailun alussa on kyllä lopen kulunut. Aika tutustua uhreihin. Luvun 3 läski vasemmistonaispoliitikko on kaikkea mitä Jonne vastustaa. Tämmösiä tapahtumaköyhiä ennakointipaloja tässä taitaa tulla nyt vuorovedolla, jos yllämainittuun juoniselostuxeen on uskomista. Laahus on lastenkaltaista siinä että ne haluaa aina saman toistoa, Hakki Hamsteria joka ilta, se tuntuu turvalliselta. ellauri245.html on line 385: fiktive kriminaletterforskere ved Las Vegas Police Department. Etterforskerne ellauri245.html on line 447: The eastern Democratic Republic of the Congo (DRC) has a history of conflict, where various armies, rebel groups, and outside actors have profited from mining while contributing to violence and exploitation during wars in the region. The four main end products of mining in the eastern DRC are tin, tungsten, tantalum, and gold, which are extracted and passed through a variety of intermediaries before being sold to international markets. These four products, (known as the 3TGs) are essential in the manufacture of a variety of devices, including consumer electronics such as smartphones, tablets, and computers. Tantaliittikapasiittorissa on enemmän kapassiteettia kuin alumiinisissa, mutta ne ovat kalliita, koska ne on tehty konfliktimineraalista. ellauri245.html on line 451: Saxan äärioikeisto suunnitteli izenäisyyspäivänä Dysseldorfissa vallankaappausta. Keisarixi piti tulla Heinrich 13. Saxan hallitus piti kaataa aseilla, joita oli määrä saada Venäjältä. Heinrich oli kyllä vanhanpuoleinen, Jönsyn ikäinen. Englannin Heinrich 8:nnen lyhytaikainen panopuu Anna von Cleve oli Dysseldorfista. Puihin meni tämäkin. Hauska seurata miten termiittiapinat ovat alkaneet sinkoilla näinä lopun aikoina. Ripe "R.I.P." Alapuro kuoli samaisena izenäisyyspäivänä vähän nuorempana, 2v vajaa oktogenaarina. Kannattaa kuolla suht nuorena, niin lehtimiehet vielä muistavat. ellauri245.html on line 464: Nyt on pitemmälle lukematta selvä että sarjamurjoja ei ole kukaan muu kuin toi liian sievä kripopopopomo. Carl Micharl Bellman siis jonka leivissä on toikin norjansaamelainen sauna-apina. Harry ojentaa kolleegoita kuin äidinkielenopettaja. Olix Nääsnääsinkin vanhemmat opettajia? Jonne on ize hukkapätkä, 175-senttinen. Ei ihme eze laittaa hissikengät toimiessaan Harrynä. ellauri245.html on line 468: Juanikkaat virtaheposet etenee tiukasti samoilla klicheillä kuin Homeroxen Ilias. Kärsityt vääryydet on tuoreessa muistissa, kotijoukkue on rekrytoitu, ilkeät kotipahixet esitelty, eeku mailat rukkaseen ja kentälle huljuvissa pelihousuissa. ellauri245.html on line 470: Kahdella eurolla paskaa Rosendalin kontista. Miljoonia norjankruunuja piipunrassin taskuun joka mysertää lisää klicheitä entisistä klicheistä. Neuvoo lapsosille miten huumeita on hyvä imuttaa, Harryhan ei tule niistä riippuvaisexi, kun se on niin Hank. Tän kuikan voisi hyvin panna kiven sisään sen ylipitkän tatuoidun muunsukupuolisen koripalloilijan paikalle joka jäi Moskovassa kiinni hasasta. Tai sen venäläisen asekauppiaan sijalle johka tää hongankolistaja vaihdettiin. Enkä tarkoita nyt Hankia. ellauri245.html on line 489: Lake Lyseren has a key role in the murder mystery unfolding in the Norwegian detective thriller "The Leopard". Some episodes in the book feature police detectives from cosmopolitan Oslo coming to conduct investigations in the rural environment of Lyseren. ellauri245.html on line 492: Typerää huuhaata USA:n MILNET:istä ja troijalaisista hevosista, silkkaa salaliittosälää. Mikä on POT? The Norwegian Police Security Service (Politiets sikkerhetstjeneste (PST), Politiets tryggingsteneste (PTT)) is the police security agency of Norway. The agency was previously known as POT (Politiets overvåkningstjeneste or Police Surveillance Agency), the name change was decided by the Parliament of Norway on 2 June 2001. Täh eikö piipunrassi tiennyt että nimi oli vaihtunut? Potin perusti Tryggve Lie. ellauri245.html on line 513: Fritjof i Ytre Enebakk on Vesa-Matti Loiriakin puisevampi norjalainen juntti"huumori"TVpläjäys. Se mainitaan "ohimennen" moneen kertaan Panssarinyrkissä. Tä on kai sitten Nääsböön kontribuutio by way of comic relief. ellauri245.html on line 515: icture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen> ellauri245.html on line 517: Det er viktigast att hen blir tatt, icke vem som tar hen. Fejl, fejl, fejl, tänker alla 3. ellauri245.html on line 520: Siis onko tän kaverin nimi norjaxi Harry Hå? Eipäs olekaan? vaan: The name is derived from Old Norse Hólar, the plural form of hóll, meaning "round and isolated hill." Harry´s surname is also the name of a historic Norwegian town (Hole, Norway) with a heritage that goes back to the Viking Age. Eipäs, vaan: On July 22, 2011, the Workers´ Youth League summer camp, which took place on Utøya in Hole, was attacked as part of the 2011 Norway attacks. ellauri245.html on line 528: The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. ellauri245.html on line 530: The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, The Clash (1977) and their second album, Give ´Em Enough Rope (1978). Their experimental third album, London Calling, released in the UK in December 1979, earned them popularity in the United States when it was released there the following month. A decade later, Rolling Stone named it the best album of the 1980s. Following continued musical experimentation on their fourth album, Sandinista! (1980), the band reached new heights of success with the release of Combat Rock (1982), which spawned the US top 10 hit "Rock the Casbah", helping the album to achieve a 2× Platinum certification there. A final album, Cut the Crap, was released in 1985 with a new lineup, and a few weeks later, the band broke up. ellauri245.html on line 594: Among the material monists were the three Milesian philosophers: Thales, who believed that everything was composed of water; Anaximander, who believed it was apeiron; and Anaximenes, who believed it was air. Although their theories were primitive, these philosophers were the first to give an explanation of the physical world without referencing the supernatural; this opened the way for much of modern science (and philosophy), which has the same goal of explaining the world without dependence on the supernatural. ellauri245.html on line 629: In the 20th century Burundi had three main indigenous ethnic groups: Hutu, Tutsi, and Twa. The area was colonised by the German Empire in the late 1800s and administered as a portion of German East Africa. In Burundi and neighboring Rwanda to the north, the Germans maintained indirect rule, leaving local social structures intact. Under this system, the Tutsi minority generally enjoyed its historically high status as aristocrats, whereas the Hutus occupied the bottom of the social structure. Princely and monarchal rulers belonged to a unique ethnic group, Ganwa, though over time the political salience of this distinction declined and the category was subsumed by the Tutsi grouping. During World War I, Belgian troops from the Belgian Congo occupied Burundi and Rwanda. In 1919, under the auspices of the nascent League of Nations, Belgium was given the "responsibility" of administering "Ruanda-Urundi" as a mandated territory. Though obligated to promote social progress in the territory, the Belgians did not alter the local power structures. Following World War II, the United Nations was formed and Ruanda-Urundi became a trust territory under Belgian administration, which required the Belgians to politically "edducate the locals and make them really fit", to prepare them for independence. ellauri245.html on line 638: icture-in-picture" allowfullscreen> ellauri245.html on line 639: icture-in-picture" allowfullscreen> ellauri245.html on line 644: The term Mai-Mai or Mayi-Mayi refers to community-based militia groups active in the Democratic Republic of the Congo (DRC) that is formed to defend local communities and territory against Western funded armed groups. Most were formed to resist the invasion of Rwandan forces and Rwanda-affiliated Congolese industrial "rebel" groups. ellauri245.html on line 646: The name comes from the Swahili word for water, "maji". Militia members sprinkled themselves with water to protect themselves from bullets. Not any less stupid than Western soldiers who think that a priest sprinkling water or oil on a corpse will secure it another life. Mai-Mai were particularly active in the eastern Congolese provinces bordering Rwanda, North Kivu and South Kivu (the "Kivus"), which were under the control of the Rwanda-allied Bananarepublic-dominated "rebel" faction, the Rally for Congolese Conflict Minerals–in-Goma (RCD-Goma) during the Second Congo War. ellauri245.html on line 648: Maumau was an earlier, similar guerrilla movement in Kenya 1952-1960. Author Wangari Maathai writes that many of the organizers were ex-soldiers who fought for the British in Ceylon, Somalia, and Burma during the Second World War. When they returned to Kenya, they were never paid and did not receive recognition for their service, whereas their British counterparts were awarded medals and received land, sometimes from the Kenyan veterans. ellauri245.html on line 652: General Gatunga had previously been a respected and well-read Christian teacher in his local Kikuyu community. He was known to meticulously record his attacks in a series of five notebooks, which when executed were often swift and strategic, targeting loyalist community leaders he had previously known as a teacher. ellauri245.html on line 656: Women formed a core part of the Mau Mau, especially in maintaining supply lines. Initially able to avoid the suspicion, they moved through colonial spaces and between Mau Mau hideouts and strongholds, to deliver vital supplies and services to guerrilla fighters including food, ammunition, medical care, and of course, information. An unknown number also fought in the war, with the most high-ranking being Field Marshal Muthoni. ellauri245.html on line 668: In 2009, Minister of Defence Anne-Grete Strøm-Erichsen visited the Congo to observe the conflict. She agreed to send 2 Norwegian guys to supply manpower to the United Nations peace-keeping forces during the Kivu conflict. ellauri245.html on line 671: Jonas Gahr Støre, Norway´s Foreign Minister said: "I strongly react to the death sentence of two Norwegians ... Norway is a principled opponent of the death penalty and I will contact the DRC's foreign minister to gabble about this." According to Bloomberg.com "Norway also objected to the espionage conviction and the inclusion of the country in the fine, Stoere [sic] said. 'Norway isn't a part of this case.'" Sick. It is more than obvious that she was. ellauri245.html on line 677: Its 2022, Im 56 yrs old (born 1966 that is), kids grown, 5am, and feeling a little menopausal. Came back to a song that from the 1st time I heard it in my teens, I pictured the guy of my dreams singing to me. (Definitely not this wimpy tenor Chris with thinning bangles, but another more manly guy.) Didn´t we all? Definitely a classic! Greetings to us all narcissistic women of the eighties! ellauri245.html on line 679: icketmaster" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen> ellauri245.html on line 733: ic/106/590x/Prince-Harry-Meghan-Markle-Queen-Netflix-1707937.webp?r=1670694791865" height=" 200px" /> ellauri245.html on line 734: ic/106/590x/secondary/Prince-Harry-Meghan-Markle-Queen-Netflix-4449959.avif?r=1670694791935" height=" 200px" /> ellauri245.html on line 735: ic/106/590x/secondary/Prince-Harry-Meghan-Markle-Queen-Netflix-4449960.avif?r=1670694791945" height=" 200px" /> ellauri245.html on line 737: The Duchess of Sussex has prompted anger over her "mocking" demonstration of a curtsy to Elizabeth II. Royal author Gyles Brandreth, a friend of the royals, told TalkTV: "It's embarrassing, because it is mocking - and nobody curtsies to the Queen like that, and nobody would have advised her to do it that way." He added of Harry: "He would know that the bow, as it were, is a brief nod and the curtsy is to show respect for the sovereign, and in the case of the Queen - a lady in her 90s who actually had earned respect through a lifetime of service, and that was it. To do this sort of mocking thing is uncomfortable, but it is a cultural difference. It's like you would do a curtsy if you were playing in Snow White." Harry näyttää hitaalta neandertaliraukalta jonka ympärillä cromagnon-apina tekee piruetteja. ellauri245.html on line 741: Tony C. Leike on karvakäsi, Jussi Kolkka en finne igen. Kurnu ja Loikka, hyvää konna-ainesta tiukkapipoiselle natomadolle. Rastatukkainen Holm, Beavis ja Butthead ovat myös pahoja. Jälkimmäinen on pahin kaikista, nimittäin Carl Michael Bellman, oikea rotta. Jussi hade vært politimann i Helsinki (ikke Helsingfors) under Jari Aarnio. ellauri245.html on line 748: Oli Robert Altman. Altman´s German grandfather, Franz Altmann der Ältere, anglicized the spelling of the family name from "Altmann" to "Altman". ellauri245.html on line 750: Soon after graduation, Altman joined the United States Army Air Forces at the age of 18. During World War II, Altman flew more than 50 bombing missions as a co-pilot of a B-24 Liberator with the 307th Bomb Group in Borneo and the Dutch East Indies. Upon his discharge in 1947, Altman moved to California. He worked in publicity for a company that had invented a tattooing machine to identify dogs. ellauri245.html on line 752: Palattuaan siviiliin toisesta maailmansodasta Altman työskenteli radiossa ja lehdissä, sekä vuosina 1957–1964 televisiossa ohjaajana. Hän ohjasi jaksoja muun muassa tv-sarjoihin Maverick, Peter Gunn, Bonanza ja Valtatie 66. Altman pääsi kokeilemaan taitojaan elokuvaohjaajana 1950-luvulla elokuvalla The Delinquents (1957), ja sai 1960-luvun loppupuolella hieman huomiota kahdella muulla ohjaustyöllään. Altman teki läpimurtonsa elokuvalla M.A.S.H. – armeijan liikkuva kenttäsairaala (1970). ellauri245.html on line 755: Bonanzaa ja Maverickia tuli teeveestä 60-luvulla. Tosta Mashista mä oon nähnut jälkikäteen jotain tv jaxoja jotka oli aika käsittämättömiä. ellauri245.html on line 763: Altman palasi suosioon 1990-luvulla elokuvallaan The Player – Pelimies (1992), ja jatkoi komeaa paluutaan Raymond Carver -filmatisoinnilla Short cuts – oikopolkuja (1993). 2000-luvulla Altmanin töistä parhaiten on huomattu poikkeuksellisen suosittu, Richard Geren tähdittämä Tohtori T ja naiset (Dr. T & the Women, 2000) sekä Agatha Christien hengessä kulkeva Gosford Park (2001). ellauri246.html on line 6: font-style: italic; ellauri246.html on line 33: ic;font-family:serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hindric Julius Oldenburg ellauri246.html on line 34: ic;font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Oh korsteenit Poliittista runoutta ellauri246.html on line 81: Ekelöf levde som ung som rentier på tändsticksaktier, men förlorade vid Kreugerkraschen 1932 en stor del av sin förmögenhet. Han var, tämligen medellös, under en längre period bosatt i Hölötrakten, bland annat en tid som hyresgäst på Vrå herrgård, därefter i eget torp. Influerad av den då ganska okända surrealismen och med sina desperata, galghumoristiska formuleringar fick han ett starkt negativt bemötande av dåtidens levande kritiker. ellauri246.html on line 89: Bo Johannes Edfelt (21 December 1904 - 27 August 1997) was a Swedish writer, poet, translator and literary critic. A native of Tibro, Edfelt was elected to be a member of the Swedish Academy in 1969, occupying seat No. 17. He succeeded Erik Lindegren and, following his death, was succeeded by - who else but Horace Engdahl! A-HA! Aha jaha! Jaså på det lilla viset! Nu klarnar det! ellauri246.html on line 112: Man har biljetten i fickan och äntligen allting packat. Piletti on taskussa ja matka-arkut pakattuna viimeinkin. ellauri246.html on line 123: till något jag hade på tungan att säga men aldrig fick utsagt, Jotain joka oli mulla kielen kärjellä, mutten sanotuxi saanut, ellauri246.html on line 141: ichte (Originalaufnahme)" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen> ellauri246.html on line 144: Sehnsucht-runossa Nelly puhuu Elohimin Menschenwerdungista? Häh? Eikös Nelly ollutkaan kunnon hasidi? En viizi siteerata tätä runoa, se on liian makeileva. Koitetaan löytää joku parempi. Karl Marxin isä kääntyi luteraanisuuteen Napsun hävittyä sodan, koska olisi muuten menettänyt Preusseissa Anwaltin virkansa. Ranskan alamaisena se sai olla asianajajana moosexenuskoisenakin. Yhtä opportunistisesti menetteli Karlin pikkuserkku Chaim "Heinrich" Heine. Tässä on se Oh korsteenit: ellauri246.html on line 150: Auf den sinnreich erdachten Wohnungen des Todes, Nerokkaasti luotujen kuolinasuntojen katolla ellauri246.html on line 165: Einladend hergerichtet Kuzuvasti väsätyt ellauri246.html on line 195: Neljä Brodskyn runoa julkaistiin antologioissa Leningradissa vuosina 1966 ja 1967, mutta suurin osa hänen tuotannostaan ilmestyi vain lännessä. Hän käänsi runoja englannista ja puolasta (muun muassa mitättömän lännen hännystelijän Czesław Miłoszin tuotantoa) venäjäksi. Brodsky karkotettiin Neuvostoliitosta vuonna 1972 ja hän muutti ensin Wieniin, mistä runoilija W. H. Auden ja Michiganin yliopiston slaavilaisten kielten professori Carl Ray Proffer auttoivat hänet Yhdysvaltoihin, vaikka hän oli saanut muuttoluvan Israeliin. Jooseppi ei halunnut 100% juutalaisexi pölyiseen autiomaahan, vaan lähti mieluummin Egyptin lihafondyyn äärelle. Brodsky asui Brooklynissä ja Massachusettsissa. Hänen teoksensa ensimmäinen englanninkielinen käännös ilmestyi vuonna 1973. Brodsky opetti muun muassa Columbian yliopistossa ja Mount Holyoke Collegessa. Hän sai Yhdysvaltain kansalaisuuden vuonna 1977. ellauri246.html on line 274: The mystic volume of the world they read, ne höpisevät kabbalaa ja midrashia ellauri246.html on line 287: ‘It was a pogrom’: Be’eri survivors on the horrific attack by Hamas terrorists. Bagged bodies of Hamas militants lying everywhere cluttering the place. ellauri246.html on line 295: law, trade, musicians, revolutionaries. lakia, kauppaa, klezmer-muusikoita, kumouxellisia. ellauri246.html on line 301: respected police officer, herra komisario, ellauri246.html on line 318: old hungry high voices, Vanhat nälkäiset kiekujat, ellauri246.html on line 343: ellauri246.html on line 345: Kuuluisa syyttely Joseph Alexandrovich Brodskyn un-leninistnessistä on absurdi kaksinkertaisesti. Nuorista vuosistaan huolimatta hän oli kelvoton työntekijä, mitä vähän ihmeteltiin. ellauri246.html on line 353: Alexander Ivanovich, Josephin isä, läpäisi kaikki sodat, alkaen Suomen rintaman sotilaallisenta kirjeenvaihtajanta. Hän oli toimittaja ja samalla valokuvaaja. Hän kirjasi viimeiset taistelut Kiinassa, palasi sieltä Japanin tappion jälkeen. Seuraavaksi pronssi Johka (?) tuodaan sieltä, oli pitkään seisomassa runoilijan kirjoituspöydällä. Kazelen Leninin pään yli ulos. ellauri246.html on line 358: Runoilija käy lukemassa uskomattoman paljon. Neuvostoliiton ihmisille tuntematon monien 1900-luvun Euroopan runoilijoiden työ tuli Neuvostoliiton ihmisille tutuxi. Vitezlav Nezval, Paul Elur, Federico Garcia Lorca, monet muut. Heistä tuli raitista ilmaa Neuvostoliiton ilmapiirissä. Valtava vaikutus tyyliin ja erityisesti runouden Broodskin rytmiin, tietenkin jazz. Niitä samoja jazzneekereitä joista Popov puhuu. ellauri246.html on line 371: Näinä vuosina on tullut vaikein hänen kohtalossaan. Tämä liittyy ensisijaisesti onneton rakkaus. Sitä voidaan kutsua romantico-runoilijan (S. Albert Kivinen) sanoin kivisexi. Maria Basmanova oli epätavallinen tyttö eikä muuttunut ajan myötä. Kuuluisa taiteilija, kylmä, hiljainen, jossa tuntui ujo kauneus. He tapasivat maaliskuussa 1962, ja useimmat eivät nähneet. Menimme kaduilla. Hän luki runojaan, hiän kuunteli. Mutta romaani ei hyväksynyt hänen vanhempiaan. Pian ystävät alkoivat usein riidellä, joka kerta eroten ikuisesti. Julma masennus ja itsemurhayritykset olivat seurauksia näiden kierteiden seurauksista hänelle. Ystävät usein näkivät ranteensa sidoksissa veren jälkiä. Ja lopullinen kuilu on tulos kaikkein tavallisimmasta: banal Love Triangle. Yksi lähimmistä Josefin ystävistä Dmitry Basyshev otti tytön ystäväxi ajanjaksona, jolloin Brodsky oli piilossa poliisilta, jo pelkäävät vainoa virittää. Siellä he sopivat. Joseph saapui selvittämään, mutta hiänellä ei ollut aikaa puhua hänelle. Pidätys ja tuomioistuin seurasivat. Ja tämä on täysin erilainen tarina, marinan kuilu suorastaan. ellauri246.html on line 377: Taistelussa Joseph Brodskin paluuta varten, jotta saataisiin elämäkerta ja lisää luovuutta, joista tulee kriitikoille paljon teräviä tarkasteluja, oli hyvin vaikutusvaltaisia ihmisiä. Ensinnäkin A. A. Akhmatova. Trid Vigdorovan transkriptillä oli tärkeä rooli. Se julkaistiin monissa Länsi-Euroopan tiedotusvälineissä. Yhdessä Anna Andreevnayan kanssa lukemattomat kirjeet puolueen viranomaisille ja oikeuslaitosta vastaan ovat Lydia Chukkovskaya. Shostakovich, TVARDOVSKI, Powesty, Marshak. Nämä eivät ole kaikki ihmiset, jotka ottivat osaa hänen kohtaloonsa mutta tärkimöt. Jean-Paul Sartre:n eurooppalaisen "Foorumin" EVE: llä varoitettiin vaikeasta tilanteesta, johon Neuvostoliiton valtuuskunta voi joutua Brodskin tapauksessa. Todennäköisesti tällä on ollut ratkaiseva rooli. Jotta runoilijalla ei olisi ollut tällaisia syytöksiä, se siirtyi kääntäjien ja kirjailijoiden liiton Leningradin sivuliikkeeseen. Kun olet lähtenyt alkuperäisestä kaupungista 23:een, hän palasi 25:een ja heti löysi itsensä hyvin oudosta, keskitetystä valtiosta. Neuvostoliiton sukunimi ei todellakaan ollut runoilija. Se oli mitä Neuvostoliiton suurlähetystön henkilökunta vastasi, kun hänet kutsuttiin kansainväliseen runolliseen festivaaliin. Kolme vuotta myöhemmin, Joosef Alexandrovich valittiin Bavarian taideteollisuuden Akatemian jäseneksi ihan kiusalla. ellauri246.html on line 388: Viittaus päätelmään: Suuren runoilijan työ on kiittämätön asia. Tälle olisi omistettava vuosia ja kirjoittaa monikulttuurinen tutkimus. Asenne kohti häntä on epäselvä. On ihmisiä, monet heistä, ja he ansaitsevat syvän kunnioituksen, jotka eivät siedä Josifin laajaa runoutta. Sitä pidetään erityisesti myöhäisissä näytteissä, kylmänä, riistettynä elämästä. Mutta se, anna sen olla kylmä, täysin omistettu. Maahanmuutoksessa Joseph Alexandrovich kääntyi välittömästi esseegenrelle ja kirjoitti niitä elämänsä loppuun. Ja puheessaan, jota Nobel-palkinto Laureat perinne perinteisesti pitävät, hän korosti uudelleen sitä, että pitää runoutta pelkästään yksilön asiasta, ja itse on yksityinen henkilö. Vittuako menivät julkaisemaan ne edes samizdattina. ellauri246.html on line 392: Tässä on niin mielenkiintoinen Brodskin elämäkerta. Häntä korostettiin yksinäisenä henkilönä, ehkä hän tunsi onnettomuutta tässä valtiossa. Tällainen pysyi kuoleman jälkeen. Tämä tapahtui 28. tammikuuta 1996. Pumppu ei kestänyt siinä kaikki. Suuren työntekijän ja runoilijan Joseph Brodskyn kuoppa sijaitsee Venetsiassa San Michele-hautausmaalla. Tätä kaupunkia hän rakasti vähemmän kuin hänen natiivia Leningradia. ellauri246.html on line 402: Epävirallisesta tunnustamisesta huolimatta virallista julkaisua USSR:ssa Brodsky ei odottanut. 16-vuotiaana hän oli KGB: n valvonnassa. Hänet pidätetään neljä kertaa ja vuonna 1964 kiistanalaisista maksuista hänet altistetaan psykiatriselle tutkimukselle ja siten Tunlestryin maksut saavat 5 vuoden viitekoron. Yhteisön protestin (Akhmatova, Shostakovich) vuoksi kakku väheni puolexitoista vuodexi. Pytyssä hän oli vuonna 1964-1965 kylässä Nurnyn Arkhangelskin alueella, jossa hän joutui osallistumaan pakkotyöhön. Hallitus laski hänet, koska hänelle myönnettiin MardSky Halo Martyristä, ja koska hän oli pakkotöissäkin aivan toivoton, henkiseen vapauteen. Tästä lähtien kaikki, joka tuli hänen kynästä, houkutteli laajaa yleistä etua. Vuonna 1965 yxin Yhdysvalloissa julkaistiin kokoelma "runoja ja runoja", ja 1970 sekunnin kokoelma "pysähtyy autiomaassa". Kirjallisen Brodskin kokonaismäärä vuosina 1956 - 1972 oli 4 tilavuutta koneita. ellauri246.html on line 404: Brodskia vainotaan, vaikka ei voida sanoa, että poliittiset teemat vaikuttivat mihkään huomattavaan paikkaan hänen teoksissaan. Hänen runollaan on henkinen ja filosofinen, mutta iankaikkisten teemojen tulkinta oli jyrkästi poikkeava kirjallisuudessa hyväksytystä sosialistisista realismista, sillä Brodski julisti runojaan eksistentialistisiksi, elvyttää modernismin perinnettä, joka oli keinotekoisesti repeytynyt totalitarismin aikana ja erikseen ylittäen ne perinteiden pre-postmodern classicsilla. Brodsky syntetisoitiin modernistiseen foorumiin erilaisten aikaisempien järjestelmien löytämiseksi, niin että hänen taiteellisen suuntautumisensa määräytyy usein ei-modestoimiseksi. (Siis mitä? No toi existentialismi ainakin on selvää talousliberalismia.) ellauri246.html on line 408: Tässä suhteessa Anglo-American Runoilla oli paljon vaikutusta Brodskille ja ennen kaikkea T. S. Eliot (joka oli ärhäkkä oikislainen). Brodsky totesi, että Englanti itse, luonteeltaan, sen hienoin, neutraali, ilmaistuna, ilmaisemalla järkevästi kuin emotionaalinen, kieli, jossa englanninkielisen kansallisen luonteen piirteet ilmenivät. Brodsky esittelee venäjän kirjallisen kielenuudistuxen, jossa siitä tulee jenkkiä kyrillisillä kirjaimilla. ellauri246.html on line 416: Kaiken "Edeffication"in kautta kulkee maailman epäluottamuksen tie, jossa nukkuneen rukous voidaan polttaa ja nälkäinen laittaa pakkaseen. Kaikki nämä vaihtoehdot henkilölle, joka valitsi omalla tavallaan. Tällaisessa maailmassa voit täysin toivoa vain itsellesi. Vizi tääkin heppuli on sit izekeskeinen. Mutta tämä on todellinen tilaisuus selviytyä ja tapahtua. Siksi ominaisuus individualismi on Brodskin kultti. Oli ihan oikein eze tuupattiin jenkkeihin. Brodski pyrkii riittämään tämän negatiivisen halon käsitteen ja hyödyntämään yksilöitä vastapainona "Okhlos" - laahus, joka perustuu joukkoyhteiskuntaan. ellauri246.html on line 420: Brodsky esittää vahingon seurauksia kaikille normeille, jotka sääntelevät totalitaarisen valtion olemassaoloa ja altistuvat kahdentenakymmenen vuosipäivän aikana. "Se alkoi poistaa itsestään ... Tänä aikana se oli jotain itsepuolustusta." Brodsky tulee itsetuhoon eräänlaisena anestesiana. Näin ollen Brodskin työn välttely ja itsevarma uho näkyvät: "Haluan polttaa Belomoria itsestäni." Runoilija alkaa tarkastella heidän kärsimyksiä, tutkijana sivulta. Tämä näyttää ensin itseään peiliin ja yhdessä, siirtyy pois häneltä syrjään, runoilija poistetaan kivun lähteestä. Ajan myötä tästä itsetuhosta tulee Brodskin tavanomainen kirjallinen piirre. Ikävystyttävää, olis pannut vaan töpinäxi. "Mexican Divertimen": "Joten samalla tarkastella itseäsi - missään." ellauri246.html on line 490: Tällainen ulkoasu mahdollistaa varovaisesti arvioinnin paitsi itse, vaan myös moderni maailma ja oma ikä. Runoiden pölyisyys osoittaa 1960-luvun lopun 1960-luvun lopun vastaiset antito-genemantiariset runot - 1970-luvun alussa. Ne on esitetty miehen lyyr- lyyrillisessä sankarissa, joka oli aikaisemmin ja jolla oli rohkeutta julkaista mielipiteensä. Nämä ovat ns. "Rooman Cycle" - "Anno Domini", "Post Aetatem Nostram", "Rooman ystävän kirjaimet", jossa Rooman hallitsevan luokan tilausten lähettämisen kautta Neuvostoliittoon, Brodsky paljastaa Neuvostoliiton keisarillisen luonnepolitiikan. Rooma - Neuvostoliiton metafora, ottaen juuret Venäjän ajatuksesta kolmantena Roomana. Brodsky on tietoinen roomalaisista, eli ei vähiten, Stoikin ja Patrician Hengestä. Eräänlainen diptych on runo "Anno Domini" ja "Post Aetatem Nostram". ("Meidän aikakausi" ja "Meidän aikakauden jälkeen". ellauri246.html on line 495: Vuonna 1972 Brodskyltä valmistui "Roomalaisen ystävän kirjaimet". Tämä on hengellinen selviytymisohjelma niille, jotka eivät ole vaurioituneet mielessä ja säilyttävät yhteisen mielen ja ihmisarvon tunteen. Brodsky käyttää Marzilan muinaisen roomalaisen runoilun kirjallisuuden naamiota, joka on kirkastettu satigisen saamisuudesta ja honed laconicism hänen epigraminsa. Martzialilla oli ristiriita vallan kanssa, ja vanhuxena hän palasi ulkopuolelle, valitsi henkilöxi yksityisen henkilön, joka uppoaa mieluummin nöyryytykseen. Vanhusten miehen maski, tunnetusti, valitti 32-vuotias Brodsky, on yksi itsetuhojen keinoista. Itse asiassa Brodskin eettiset filosofiset havainnot kertyvät elämään, jotka heitetään täällä maksimaalisten kommenttien muodossa. Kirjoittaja käyttää epistolar-muotoa, jonka avulla voit ylittää monipuolisen materiaalin yhdeksi kokonaisuudeksi. Selkä-skeptinen ilme asioita duunatessa ei peruuta kiitollista asennetta siihen, mikä tekee eläimistä kauniita. Rakkausnäkymä sankarista on merelle, vuorille, puille, varrelle vanhemman baarin. Elämän korkeimman arvon ymmärtäminen läpäisee koko työn. ellauri246.html on line 499: Rooman stoicin kuvan kanssa kreikan kuva tulee näkyviin. Aluksi se on opinnäytteitä ("Skyrosin vapauteen"), joka tuli taistelemaan Minotauria vastaan. Seuraava - Kreikan kuva, joka, joka elää Rooman valtakunnassa, ei halua olla tyhmä tai pysäkki. Lennon motiivi on. Vai Lennonin? ellauri246.html on line 508: Ulkomailla, Charles Profoffer, Brodsky asettuu Ann-Arboriin, paranee englanniksi ja toimii Michiganin yliopiston runoina. Vain maailman rikkaimmat yliopistot voisivat pystyä ylläpitämään tätä asemaa ("Mikään maa ei ole niin tyhmä, jotta ei kasvata omaa kulttuurillistä eliittiäsi, ja joissakin yliopistoissa on tällainen asema"). Runoilija kerran viikossa tapaa opiskelijoiden kanssa ja kommunikoi heidän kanssaan kökköenkulla hyvin vapaassa muodossa. Hän lukee heille runonsa, vanhoja ja uusia, muiden runoilijoiden runoja, joita opiskelijat eivät tiedä tarpeeksi, lue luennot kirjallisuudesta, venäläisestä tai amerikkalaisesta tai vain kommunikoida. Sitä kutsutaan tavallisesti tällaiseen asemaan erittäin merkittäviä lukuja, jotka mahdollistavat opiskelijan persoonallisuuden. Venäläinen kieli on edelleen jäänyt Brodskin tärkeimmäksi, mutta ajan myötä hän on parantanut englantia, jotta pystyisi kirjoittamaan englanniksi. Hänestä tuli Venäjän amerikkalainen kirjailija. Englanti, proosa, esseenit, artikkelit hallitsevat englanniksi. Venäläisenä hän säilyttää runoutta. Tämä on nyt tärkeimmät itsenäisen tunnistamisen keinot, ja nyt Venäjän kieli englanninkielisessä yhteisössä pelaavat OESTROINTY Agentin Brodskin roolin. ellauri246.html on line 560: Tutkimuksen kohteena on kolmannen maanmuutoksen aallon edustaja - Joseph Alexandrovich Brodsky. Olen henkilökohtaisesti harkinnut Brodskysta erinomaista henkilöä, ajattelijaa ja tyylikästä kirjallisuutta. Kirjallisuudessa Joseph Alexandrovich usein laittautuu yhteen riviin Pushkinin ja Lermontovin kanssa, jossa hän kutsui izeään kolmannexi suurexi venäläisexi runoilijaxi. Tämä on tämän aiheen merkitys. Meillä on mahdollisuus miettiä tällaisen henkilön työtä, olla lähes sen tautta nykyaikaisia. Lermontovkin oli koko sekopää, joka karkotettiin johkin arolle kasakkarykmenttiin. Sen vaiensi sen vittuiluihin kyllästynyt upseerikolleega. ellauri246.html on line 562: Joten abstrakti: yritän valaista Joseph Alexandrovichin elämäkertaa ja harkita myös hänen luovaa polkua. ellauri246.html on line 564: Työn valmisteluxi käytin suoraan Joseph Alexandrovichin kirjoituksia sekä Leo Vladimirovich Losevin kirjaa "Joseph Brodsky. Kirjallisen elämäkerran kokemus. " Tämä kirja sisältää kaikki kattavat tiedot Brodskin elämästä ja työstä. Käytetyt myös: Kokoelma haastatteluja runoilijalta - täällä kaikki haastattelut kerättiin, mikä Iosif Alexandrovich antoi; Salomon Moiseevich Volkovin työ "vuoropuhelujen kanssa Joseph Brodsky" on melko suosittu Venäjällä - tämä on eräänlainen kirjankeskustelu, journalistien keskustelu runoilijalla; Jack Jacob Arkadyvich Gordin, Writer, "Knight ja kuolema, tai elämä suunnitelmana: noin niinkuin Joseph Brodsky." Se sisältää haastattelun Brodskin kanssa, Gordin itse, hänen tarinansa viestintään runoilijan kanssa. ellauri246.html on line 568: Iosip Alexandrovich syntyi 24. toukokuuta 1940 Leningradissa. Hän syntyi juutalaisessa perheessä, isä Alexander Ivanovich Brodsky - sotilasvalokuva, äiti Maria Moiseevna Volpert - kirjanpitäjä. Tulevan runoilun lapsuus oli sodassa, hänen isänsä tuolloin taisi palvella Japanissa, Joseph ja äiti evakuoitiin Cherepovetsille. Lapsuuden jälkeen koulun ikä, kun runoilija puhui eri haastatteluissa, hän jo oli kokenut painostusta muilta kansalaisuudestaan, mutta hän ei koskaan kieltäytynyt siitä, että hän oli juutalainen. ellauri246.html on line 574: Dzerzhinskin käräjäoikeudessa Brodskin kuulemistilaisuus pidettiin 18. helmikuuta. NIITÄ. Metteri kuvailee hänen näkemyksensä tästä tapahtumasta: "Oli hämmästyttävää, että tämä nuori mies, jonka vain minulla oli tilaisuus nähdä yksityiskohtaisesti ja tarkkailla, kyllä, vaikka olosuhteissa se on vakavasti hänelle äärimmäinen, tyhjennetään Jotkut muut irrotukset - [tuomari] Savelyeva ei voinut loukata häntä eikä itseään, hän ei pelottanut hänen surullista karkeaa ozaansa Okhricov. Hänen kasvonsa oli joskus hämmentynyt, koska hän innostuksella ei myöskään kykene kehittämään tätä outoa naista, sen sulaa herättävyys; Hän ei pysty selittämään hänelle jopa yksinkertaisinta, hänen mielipiteessään, käsitteitä. " ellauri246.html on line 627: Hyvä Leonid Ilyich, jättäen Venäjälle, ei hänen tahtoaan, mitä voit, tiedän, olen päättänyt vedota sinulle pyynnöstä, oikeus minulle antaa yrityksen tietoisuuteen, että kaikki, mitä olen tehnyt 15 vuotta kirjallisuutta. Työ, se palvelee ja palvelee myös vain venäläisen kulttuurin kunniaa, ei mitään muuta. Haluan pyytää sinua antamaan mahdollisuuden säilyttää olemassaoloani, läsnäoloni kirjallisessa prosessissa. Ainakin kääntäjänä - kapasiteetissa, jossa olen edelleen kannattanut. Uskallan ajatella, että työni oli hyvä työ, ja voisin jatkaa hyötyä. Lopulta sata vuotta sitten harjoitettiin. Minä kuulun venäläiseen kulttuuriin, olen tietoinen siitä, että lopputulos, eivätkä muutosta lopputuloksessa ei voi vaikuttaa. Kieli on muinaisempi ja väistämätön kuin valtio. Minä kuulun venäläiseen kieleen, ja kuten valtio, sitten minun näkökulmasta kirjailijan isänmaallisuus on, miten hän kirjoittaa kansan kielellä, josta hän asuu eikä vala rostrumista . Olen katkera lähteä Venäjältä. Olen syntynyt täällä, kasvoin, asui, ja kaikki, mitä minulla on sielulle, velkaa hänelle. Kaikki on huono, joka putosi minun osuuteeni, jossa on enemmän kuin hyvä päällekkäisyys, enkä koskaan tuntenut Isänmaa. En tunne nyt. Sillä, koska se on lakannut Neuvostoliiton kansalaiseksi, en lakkaa olemasta venäläinen runoilija. Uskon, että tulen takaisin; Runoilijat palautetaan aina: lihassa tai paperilla. Haluan uskoa molempiin. Ihmiset tulivat pois tästä iästä, kun oikeus oli vahva. Tehdä tämä maailmassa liikaa heikkoa. Ainoa oikea asia on ystävällisyys. Pahasta, vihasta, vihaa - anna vanhurskas - kukaan voittaa. Me kaikki tuomittiin samaan: kuolemaan. Minä kuolen, kirjoitat näitä rivejä, kuolet, luen heidät. Meidän asiamme pysyvät, mutta ne tuhoutuvat. Siksi kukaan ei saa häiritä toisiaan tekemään liiketoimintaansa. Edellytykset ovat liian raskaita vaikeuttamaan niitä. Toivon, että ymmärrät minut oikein, ymmärrät mitä pyydän. Pyydän minua antamaan minulle mahdollisuuden jatkaa Venäjän kirjallisuudessa Venäjän maalla. Mielestäni en ole syyllistynyt kotimaani. Päinvastoin mielestäni on paljon oikeuksia. En tiedä, mikä on vastauksesi pyyntööni, hän tapahtuu lainkaan. Se on sääli, etten ole kirjoittanut sinulle ennen, ja nyt ei ole aikaa jäljellä. Mutta kerron teille, että joka tapauksessa, vaikka ihmiset eivät tarvitse kehoa, sieluni on edelleen hyödyllinen. " ellauri246.html on line 637: Amerikassa Brodsky asui kolmessa kaupungissa: Ann Arborissa, New Yorkissa ja South Headleyissä. Hän opetti Michiganin yliopistossa ja Massachusettsissa. Mutta opetus, kuten Lion Losev kirjoittaa, oli vaikea soittaa: "Brodsky oli itse opetettu ja pedagogiikka, varsinkin angloamerikkalainen, olennaisesti ei ollut pienintäkään esitystä. Siksi hän tarjosi amerikkalaisille opiskelijoilleen, mitä hän voisi lukea hänen suosikki runoilijoiden runoja hänen kanssaan. Yliopiston luettelossa hänen kursseja voitaisiin kutsua "Venäjän Twentiet-vuosisadan" tai "vertailevan runon" tai "roomalaisen runoilijoiden", mutta sama asia tapahtui luokkahuoneessa - runo lukettiin ja kommentoi tarkemmin . " ellauri246.html on line 641: Näin voimme varmistaa, kuinka vaikeaa ja Tornner oli Brodskin elämää. Viranomaisten vaino, rakkaan naisen pettäminen, ruokapakkausten puute, maanpaossa. Mutta kaikki tämä ei kosketa runoilijaa. On mahdollista, että kaikki nämä tapahtumat ovat ansioita, niin monet kauniit Joseph Alexandrovichin esiintyi. ellauri246.html on line 645: Epäilemättä Brodski oli erittäin lahjakas henkilö, ei-standardi, varsinkin tänä aikakaudella, joten hän oli hyvin alttiita. Hänen luovuuttaan oli valtava vaikutus paikkaan, jossa hän syntyi ja kasvoi. Pietarin kosteuden, melankolian, arkkitehtuurin tunkeutuivat Brodsky Poetics, joka vaikutti voimakkaasti pommitusten aikana, Pietarin loputtomat näkökulmat okrain, vesi, moninaisuus heijastuksia - kaikki tämä on jatkuvasti läsnä työstään etenkin varhaisessa vaiheessa, mikä, kuten uskon, oli hedelmällisin runoilija. Ja todisteena, haluan antaa runon nimeltä "laitamille keskustaan": ellauri246.html on line 729: ice Mountain ellauri246.html on line 874: Joseph Alexandrovich kuoli 27. tammikuuta 1996. Alun perin suunniteltiin haudata Brodsky Etelä-Headley. Mutta tämä suunnitelma eri syistä oli hylättävä. Venäjältä Valtion Duuma-apulaiskasvatus Galina STAREGRAM: stä tuli ehdotus kuljettaa runoilijan ruumiin Petersburgiin ja haudata hänet Vasilyevskin saarelle, mutta se merkitsisi ratkaista BrodSky palata kotimaahan. Lisäksi St. Petersburgin hauta olisi vaikea päästä perheelle. Kyllä, ja ei rakastanut Brodskyä, ehkä vain hänen suosionsa, hänen nuorekkaan runo, jossa oli rivejä ", en halua valita, tulen Vasilyevsky Islandiin ...". Venetsian viranomaisten kanssa päätettiin sopimusta San Michelin muinaisen hautausmaahan. Vaatimus marmori hautakivi, sanoja Elegian välein: Letture Pop Omnia Finit, mikä tarkoittaa "kuoleman kanssa kaikki ei pääty." ellauri246.html on line 886: Joseph Alexandrovich Brodsky. Life of Lie, joka poltti meidät pois maailmasta ja itsestään on olemassa Sopimus: Olemme maailman eniten lukumaa (kirjojen ja paksujen aikakauslehtien jäljennökset, käännösten käännökset). Kaikki valheiden ovela (tai pikemminkin jopa itsepetos, kuten näkeminen) on se, että sillä on oma reson sen pinnalla: Mallissa Picule lähtee Millpic-versioista, klassikoita uudelleen samoin, eikä ole mitään, tai ei ainakaan paljon paskaakaan. Kirjan monimuotoisuus romahtaa paletin. ellauri246.html on line 894: Venäjän runoilija I. Brodsky (On mielenkiintoista huomata, että maailman tietosanakirja on nimeltään American) nuorimpien kirjailijoiden, jotka ovat kunnioittaneet Nobelin palkkiokirjallisuutta. ellauri246.html on line 895: Vuonna 1987, kun se tapahtui, hän oli 47-vuotias. Joseph Alexandrovich Brodsky Muut Nobel Laureate Alexander Isavich Solzhenitsyn symboloi nykyaikaista kirjallisuutta koko kulttuurimaailman edustuksessa. ellauri246.html on line 911: Mutta A. A. Akhmatovan, S. ya. Marshak, D. D. Shostakovich, monet muut kunnolliset ihmiset ja laajat kampanjat, jotka todettiin vastaus ja ulkomailla, I. Brodsky oli ennen vuotta 1965. ellauri246.html on line 955: Thrice Silent, kaksi kertaa tuli harja. ellauri246.html on line 972: It is the details that delight. Donne hated milk. Mortally sick, about to celebrate his death by sitting for his portrait in a shroud, he was urged by his doctor that ‘by Cordials, and drinking milk twenty days together, there was a probability of his restoration to health’. Donne would have none of it. The doctor (a Dr Fox, son of the author of the ‘Boke of Martyrs’) insisted that his patient should at least try. Donne thereupon drank milk – but for ten days only. Then he told Dr Fox that he would not drink the stuff for another ten days even ‘upon the best moral assurance of having twenty years added to his life’. ellauri246.html on line 974: John Stubbs repeats this anecdote from Isaac Walton’s Life of Dr John Donne (1640), which remains a readable piece of work for all its faults. Walton was somewhat cavalier in matters of chronology, jumbling or telescoping events to suit his sense of emotional rightness. Tämä kasku löytyy myös Tauno Körilään Suuresta kaskukirjasta. Kaskuissa on aika lailla toistoa, koska Taunolla ei ollut käytössään tietotekniikkaa. No niin on näissä paasauxissakin, vaikka on. ellauri247.html on line 6: font-style: italic; ellauri247.html on line 10: font-style: italic; ellauri247.html on line 42: icarchive/3521dfd855746ca69007ee72d1ec4146ecff8d4c.jpg" height="190px" /> ellauri247.html on line 85: It was forbidden to mention or talk about the name of Baiame publicly. Women were not allowed to see drawings of dicks and church boats by Baiame nor approach Baiame sites, which are often male initiation sites (boras). ellauri247.html on line 89: Catherine Eliza Somerville Stow (1 May 1856 – 27 March 1940), who wrote as K. Langloh Parker, was a South Australian born writer who lived in northern New South Wales in the late nineteenth century. She is best known for recording the stories of the Ualarai around her. Her testimony is one of the best accounts of the beliefs and stories of an Aboriginal people in north-west New South Wales at that time. However, her accounts reflect European attitudes of the time. Anyways, she was not around before Ridley. William Ridley (14 September 1819 – 26 September 1878) was an English Presbyterian missionary who studied Australian Aboriginal languages, particularly Gamilaraay, before Catherine was more than a twinkle in her daddy's eye. Baiame may have been some abo hero before Bill's arrival, but the details about his doings could still be coloured by the Middle Eastern tentmen's literary treasure brought in by Bill. ellauri247.html on line 91: Seuraava Langlohin tarina on particularly nasty, ei todista Australian neekereistä hyvää. Dammit, these types are real primitive. ellauri247.html on line 97: Every excuse she could think of, to save herself, she made. But her excuses were in vain, and Narahdarn only became furious with her for making them, and, brandishing his boondi, drove her up the tree. She managed to get her arm in beside her sister's, but there it stuck and she could not move it. Narahdarn, who was watching her, saw what had happened and followed her up the tree. Finding he could not pull her arm out, in spite of her cries, he chopped it off, as he had done her sister's. After one shriek, as he drove his combo through her arm, she was silent. He said, "Come down, and I will chop out the bees' nest." But she did not answer him, and he saw that she too was dead. Then he was frightened, and climbed quickly down the gunnyanny tree; taking her body to the ground with him, he laid it beside her sister's, and quickly he hurried from the spot, taking no further thought of the honey. What a piece of shit. ellauri247.html on line 99: As he neared his camp, two little sisters of his wives ran out to meet him, thinking their sisters would be with him, and that they would give them a taste of the honey they knew they had gone out to get. But to their surprise Narahdarn came alone, and as he drew near to them they saw his arms were covered with blood. And his face had a fierce look on it, which frightened them from even asking where their sisters were. They ran and told their mother that Narahdarn had returned alone, that he looked fierce and angry, also his arms were covered with blood. Out went the mother of the Bilbers, and she said, "Where are my daughters, Narahdarn? Forth went they this morning to bring home the honey you found. You come back alone. You bring no honey. Your look is fierce, as of one who fights, and your arms are covered with blood. Tell me, I say, where are my daughters?" ellauri247.html on line 101: "Ask me not, Bilber. Ask Wurranunnah the bee, he may know. Narahdarn the bat knows nothing." And he wrapt himself in a silence which no questioning could pierce. Leaving him there, before his camp, the mother of the Bilbers returned to her dardurr and told her tribe that her daughters were gone, and Narahdarn, their husband, would tell her nothing of them. But she felt sure he knew their fate, and certain she was that he had some tale to tell, for his arms were covered with blood. ellauri247.html on line 108: Big fires were lit on the edge of the scrub, throwing light on the dancers as they came dancing out from their camps, painted in all manner of designs, waywahs round their waists, tufts of feathers in their hair, and carrying in their hands painted wands. Heading the procession as the men filed out from the scrub into a cleared space in front of the women, came Narahdarn. The light of the fires lit up the tree tops, the dark balahs showed out in fantastic shapes, and weird indeed was the scene as slowly the men danced round; louder clicked the boomerangs and louder grew the chanting of the women; higher were the fires piled, until the flames shot their coloured tongues round the trunks of the trees and high into the air. One fire was bigger than all, and towards it the dancers edged Narahdarn; then the voice of the mother of the Bilbers shrieked in the chanting, high above that of the other women. As Narahdarn turned from the fire to dance back he found a wall of men confronting him. These quickly seized him and hurled him into the madly-leaping fire before him, where he perished in the flames. And so were the Bilbers avenged. Good work, bare-butt boys, and good riddance for the bad rubbish. ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear! ellauri247.html on line 124: In 1898 the pioneer ethnologist W.E. Roth wrote a letter to the Australasian pointing out that gang-oo-roo did mean 'kangaroo' in Guugu Yimidhirr, but this newspaper correspondence went unnoticed by lexicographers. Finally the observations of Cook and Roth were confirmed when in 1972 the anthropologist John Haviland began intensive study of Guugu Yimidhirr and again recorded /gaNurru/. ellauri247.html on line 127: Musta tuntuu et mä näin tän Dixonin Sydneyssä vuonna 2002. Tai sitten en. Ainakin mä öizin Cape Tribulationilla kahden saxalaisen repputytön kanssa alasängyssä kovaäänisesti pieraisten (tästä saattaakin jo olla paasaus). Tytöt sanoivat ach Mensch ja polisivat paljon pahaa likaisesta vanhasta äijästä saxaxi. Minkä jälkeen sanoin kovaa Bitte um Verzeihung Mädels, ich habe nur gerülpst. Senjälkeen ne vaikenivat kokonaan. ellauri247.html on line 133: Cook and his crew remained for almost seven weeks and made contact with the local Guugu Yimithirr Aborigines, while the naturalists Joseph Banks and Daniel Solander made extensive collections of native flora, while Sydney Parkinson illustrated much of the flora and fauna of the region. Botanical specimens were also collected by Alan Cunningham after he arrived on HMS Mermaid, captained by Philip Parker King on 28 June 1819. ellauri247.html on line 177: The Tory Samuel Johnson was a critic of her politics: Sir, there is one Mrs. Macaulay in this town, a great republican. One day when I was at her house, I put on a very grave countenance, and said to her, "Madam, I am now become a convert to your way of thinking. I am convinced that all mankind are upon an equal footing; and to give you an unquestionable proof, Madam, that I am in earnest, here is a very sensible, civil, well-behaved fellow-citizen, your footman; I desire that he may be allowed to sit down and dine with us." I thus, Sir, shewed her the absurdity of the levelling doctrine. She has never liked me since. Sir, your levellers wish to level down as far as themselves; but they cannot bear levelling up to themselves. They would all have some people under them; why not then have some people above them? ellauri247.html on line 179: The increasingly radical nature of her work and her scandalous marriage on 14 November 1778 to William Graham (she was 47, he was 21) damaged her reputation in Britain, where she lived in Bath, and, later, in Binfield, Berkshire. William was the younger brother of the sexologist James Graham, inventor of the Celestial Bed. ellauri247.html on line 181: After travelling in Holland, Germany and Russia in 1776, Graham set up practice in Bath, Somerset. Advertisements promoting cures using "Effluvia, Vapours and Applications ætherial, magnetic or electric" attracted his first celebrity patient, the historian Catharine Macaulay. She became the subject of scandal in 1778 when she married James Graham’s 21-year-old brother William, who was less than half her age. At the end of 1792, Graham began to experiment with extended fasting to prolong his life. He died at his home in Edinburgh in 1794. Grahamille kävi kuin mustalaisen hevoselle, kuoli juuri kun oli oppimassa paastolle. ellauri247.html on line 186: Tobias George Smollett (1721 Dalquhurn, Dumbartonshire, Skotlanti – 1771 Livorno, Italia) oli skotlantilainen kirjailija. Hän opiskeli Glasgow'n yliopistossa, jossa hän oli välskärin ja apteekkarin opissa ja joutui 1741 ottamaan paikan muutamaksi vuodeksi välskärinä espanjalaiseen Amerikkaan määrätyssä sotalaivassa tarjottuaan turhaan murhenäytelmäänsä The Regicide julkaistavaksi (painettu 1749). ellauri247.html on line 188: Palattuaan kotimaahan 1746 hän julkaisi satiirit Advice ja Reproof, mutta vasta runo "Tears of Scotland", jossa hän ruoskii Cullodenin taistelun jälkeisiä hallituksen joukkojen julmuuksia, sekä romaanit Roderick Random (1748), jonka esikuvana on ollut Alain-René Lesagen veijariromaani Gil Blas, ja Peregrine Pickle (1751) saivat laajempaa huomiota. Hän kuvaa niissä merielämää mainiosti ja niin realistisesti, että laivastossa tehtiin niiden ansiosta useita uudistuksia, mm nenäkkäiden välskärien kölihaalaus, ellauri247.html on line 191: Smollett ei ollut merkittävä, mutta hän on luonut klicheisiä hahmoja, jotka ovat olleet esikuvina myöhempien aikojen kirjailijoille, etenkin Charles Dickensille. Hän on kirjoittanut laajan Englannin historian History of England (1758) ja kääntänyt englanniksi Don Quijoten (1755). Smollett toimi laivalääkärinä 1741–1743 Länsi-Intian reitillä ja yritti suorittaa 1750x lääketieteen tutkinnon. Hän harjoitti ammattia jonkin aikaa Lontoossa, ennen kuin siirtyi vapaaksi kirjailijaksi ja toimittajaksi. Hän käänsi 38 osaa Voltairen teoksia englanniksi. Hän asui vuodesta 1769 Italiassa. ellauri247.html on line 193: Laurence Sterne, in his A Sentimental Journey Through France and Italy, refers to Smollett under the nickname of Smelfungus, due to the snarling abuse Smollett heaped on the institutions and customs of the countries he visited and described in his Travels Through France and Italy. ellauri247.html on line 195: Mr Brooke in George Eliot's Middlemarch says to Mr Casaubon: "Or get Dorothea to read you light things, Smollett – Roderick Random, Humphry Clinker. They are a little broad, but she may read anything now she's married, you know. I remember they made me laugh uncommonly – there's a droll bit about a postillion's breeches." ellauri247.html on line 199: Charles Dickens's David Copperfield mentions that his young protagonist counted Smollett's works among his favourites as a child. ellauri247.html on line 201: John Bellairs referenced Smollett's works in his Johnny Dixon series, where Professor Roderick Random Childermass reveals that his late father Marcus, an English professor, had named all his sons after characters in Smollett's works: Roderick Random, Peregrine Pickle, Humphry Clinker, and even "Ferdinand Count Fathom", who usually signed his name F. C. F. Childermass. ellauri247.html on line 205: In Hugh Walpole's fifth novel Fortitude, the protagonist Peter refers to Peregrine Pickle as a text that inspired him to document his own memoirs. ellauri247.html on line 207: L’Histoire de Gil Blas de Santillane est un roman d'inspiration picaresque de l'écrivain français Alain-René Lesage, paru entre 1715 et 1735. Lesage joue avec les références antiques et picaresques qu'il détourne. Et l'inspiration antique marque l’œuvre jusque dans le découpage en douze livres, qui rappelle les douze chants de l'Énéide. ellauri247.html on line 209: L'Histoire de Gil Blas de Santillane n'est pas un roman picaresque puisque le personnage éponyme monte au fur et à mesure l'échelle sociale contrairement au picaro qui, lui, cherche en vain à atteindre la richesse et la noblesse, contrairement à Gil Blas qui devient riche et obtient ses lettres de noblesse. La dimension religieuse est présente dans l’œuvre puisqu'Ambroise de Lamela et don Raphaël, deux brigands ayant joué des tours à Samuel Simon et ayant volé l'argent d'un couvent, seront punis par l'Inquisition sous les yeux de Gil Blas (XII, 1). ellauri247.html on line 211: Alain-René Lesage ou Le Sage, né le 8 mai 1668 à Sarzeau1 et mort le 17 novembre 1747 à Boulogne-sur-Mer, est un romancier et dramaturge français. Bien qu’il soit aujourd’hui surtout connu pour son roman picaresque Histoire de Gil Blas de Santillane, Lesage est l’auteur d’une importante production théâtrale. Il a notamment contribué au développement et au renouvellement du « théâtre de la Foire » Après les marionnettes et les danseurs de corde, les acteurs forains en vinrent progressivement à jouer de véritables petites comédies, souvent écrites par des auteurs de renom et de talent. Toujours modeste, c’est par ses ouvrages seuls qu’il obtint sa réputation, et jamais il ne rechercha les dignités et les titres littéraires. Nietsche piti Gil Blasista enemmän kuin Shakespearesta. Varmaan se oli parempi kuin tuo nenäkäs skottitohtori. ellauri247.html on line 230: Pikareskiromaani syntyi Espanjassa 1500-luvun puolivälissä tarkoituksellisesti kehiteltynä vastagenrenä ritariromaanille ja sen harhailevalle, haavemaailmassa elävälle sankarille. Pseudoautobiografisena pikareskiromaanin tapahtumat myötäilevät sankarin (espanjan picaro = 'ratsastaja') monipolvista vaellusta ja antavat sen kautta humoristis-satiirisen kuvan maailmasta. Veijarityylin (gusta picaresca) varhainen edustaja oli tuntemattoman tekijän romaani La vida de Lazarillo de Tormes (1554). Muita varhaisia klassikkoja ovat Mateo Alemánin La Vida del picaro Guzman de Alfarache (1599–1604), sekä lajin tunnetuin klassikko, Miguel de Cervantes Saavedran El ingenioso hidalgo don Quijote de la Mancha (1605, 1615, Don Quijote manchalainen, surullisen hahmon ritari). Veijariromaanin sankarina on esiintynyt myös naisia, jotka käyvät veijarimaisesta seikkailusta toiseen pyrkien valloittamaan mahdollisimman paljon varakkaita miehiä, kuten Francisco López de Úbedan romaanissa La pícara Justina (1605). ellauri247.html on line 234: Thomas Nashe perusti teoksellaan The Unfortunate Traveller, or, The Life of Jacke Wilton (1594) englantilaisen seikkailullisen veijariromaanin tyypin (rogue story). Saksan kirjallisuuden tunnetuin veijariromaani on Hans Jacob von Grimmelshausenin Der abenteurliche Simplicissimus Teutsch (1669, Seikkailukas Simplicissimus), jonka innoittamana julkaistiin muitakin "simplikiaanisia" kirjoja, kuten Johan Beerin Der simplicianische Weltkucker (1677–1679) ja Daniel Speerin Der Ungarische oder Dacianische Simplicissimus (1683). Tunnettuja veijariromaaneja ovat myös ranskalaisen Alain-René Lesagen Histoire de Gil Blas de Santillane (1715–1735, Kavaljeerin muistelmat) sekä englantilaisten Daniel Defoen Moll Flanders (1722, suom.), Henry Fieldingin Jonathan Wild (1743), Tobias Smollettin The Adventures of Roderick Random (1748) ja William Thackerayn The Luck of Barry Lyndon (1844). ellauri247.html on line 236: Veijariromaanit olivat tavallista suositumpia ensimmäisen ja toisen maailmansodan jälkeisinä vuosina. Nykyajan veijariromaaneissa on perinteiselle veijarihahmolle tuntemattomia moralistin ja anarkistin piirteitä. He ikään kuin edustavat viattomuutta ja kriittistä ajattelua turmeltuneen ja vieraannuttavan maailman keskellä. Moderneja veijariromaaneja ovat esimerkiksi tšekki Jaroslav Hasekin Osudy dobrého vojaka Svejka za svétové valky (1920–1923, Kunnon sotamies Svejkin seikkailut maailmansodassa), yhdysvaltalaisten John Steinbeckin Tortilla Flat (1935, Ystävyyden talo) ja Saul Bellow'n The Adventures of Augie March (1953, Augie Marchin kiemurat) sekä saksalaisten Thomas Mannin Bekenntnisse des Hochstaplers Felix Krull (1954, Huijari Felix Krull), Günter Grassin Die Blechtrommel (1959, Peltirumpu) ja Heinrich Böllin Ansichten eines Clowns (1963). Mannin teoksessa – kuten veijariromaaneissa usein – korostetaan huijariuden ja taiteilijuuden yhteyttä. Peltirummun rumpali Oskar Matzerath on varsin perinteinen veijarityyppi: hän lopettaa kasvamisensa kolmivuotiaana ja tarkkailee yhteiskuntaa kääpiöperspektiivistä saattaen naurettaviksi kaikki ideologiat. ellauri247.html on line 242: Der Schelmenroman oder pikarischer/pikaresker Roman (aus dem Spanischen: pícaro = Schelm), dessen Ursprung im 16. Jahrhundert in Spanien liegt, schildert aus der Perspektive seines Helden, wie sich dieser in einer Reihe von Abenteuern durchs Leben schlägt. Der Schelm stammt aus den unteren gesellschaftlichen Schichten, ist deshalb ungebildet, aber „bauernschlau“. In der Absicht, die soziale Stigmatisierung aufgrund seiner niederen Geburt zu überwinden, ist er ständig auf der Suche nach Aufstiegsmöglichkeiten und greift dabei nicht selten auf kriminelle Mittel zurück. Er durchläuft alle gesellschaftlichen Schichten und wird zu deren Spiegel. Der Held hat keinen Einfluss auf die Geschehnisse um ihn herum, schafft es aber immer wieder, sich aus allen brenzligen Situationen zu retten. ellauri247.html on line 244: Traditionell ist der Schelmenroman eine (fingierte) Autobiographie mit satirischen Zügen, die bestimmte Missstände in der Gesellschaft thematisiert. Sie beginnt oft mit einer Desillusionierung des Helden, der die Schlechtigkeit der Welt erst hier erkennt. Er begibt sich, sei es freiwillig, sei es unfreiwillig, auf Reisen. Die dabei erlebten Abenteuer sind episodenhaft, d. h., sie hängen nicht voneinander ab und können beliebig erweitert werden, was bei Übersetzungen oft der Fall war. Das Ende ist meist eine „Bekehrung“ des Schelms, nach der er zu einem geregelten Leben findet. Es besteht auch die Möglichkeit einer Flucht aus der Welt, also aus der Realität. ellauri247.html on line 259: Smollett’s deep moral energy surfaced in two early verse satires, “Advice: A Satire” (1746) and its sequel, “Reproof: A Satire” (1747); these rather weak poems were printed together in 1748. Smollett’s poetry includes a number of odes and lyrics, but his best poem remains “The Tears of Scotland.” Written in 1746, it celebrates the unwavering independence of the Scots, who had been crushed by English troops at the Battle of Culloden. Not much of an improvement on the rest I'd say. ellauri247.html on line 261: "The learned Smelfungus travelled from Boulogne to Paris, from Paris to Rome, and so on, but he set out with the spleen and jaundice, and every object he passed by was discoloured or distorted. He wrote an account of them, but 'twas nothing but the account of his miserable feelings. I met Smelfungus in the grand portico of the Pantheon—he was just coming out of it. ''Tis nothing but a huge cockpit,' said he—'I wish you had said nothing worse of the Venus de Medici,' replied I—for in passing through Florence, I had heard he had fallen foul upon the goddess, and used her worse than a common strumpet, without the least provocation in nature. I popp'd upon Smelfungus again at Turin, in his return home, and a sad tale of sorrowful adventures had he to tell, 'wherein he spoke of moving accidents by flood and field, and of the cannibals which each other eat, the Anthropophagi'; he had been flayed alive, and bedevil'd, and used worse than St. Bartholomew, at every stage he had come at. 'I'll tell it,' cried Smelfungus, 'to the world.' 'You had better tell it,' said I, 'to your physician.'" (Sterne) ellauri247.html on line 266: Smollett was very peevish. A sardonic, satirical, and indeed decidedly gloomy mood or temper had become habitual in him. His was certainly a nervous, irritable, and rather censorious temper. He died of tuberculosis. ellauri247.html on line 268: Like Mr. Brattle, in The Vicar of Bulhampton, he was thinking always of the evil things that had been done to him. With the pawky (scottish: having a mocking or cynical sense of humour) and philosophic Scots of his own day (Robertson, Hume, Adam Smith, and "Jupiter" Carlyle) he had little in common, but with the sour and mistrustful James Mill or the cross and querulous Carlyle of a later date he had, it seems to me, a good deal. ellauri247.html on line 271: If you chide them for lingering, they will contrive to delay you the longer. If you chastise them with sword, cane, cudgel, or horsewhip, they will either disappear entirely, and leave you without resource, or they will find means to take vengeance by overturning your carriage. The only course remaining would be to allow oneself to become the dupe of imposition by tipping the beggar an amount slightly in excess of the authorized gratification. The disadvantage under which the novelist was continually labouring was that of trying to travel as an English Milord, en grand seigneur, and yet having at every point to do it "on the cheap." He was a genuine Scrooge McDuck without the fake beak. He would rather give away a crown than be cheated of a farthing. ellauri247.html on line 273: Like Prior, Fielding, Shenstone, and Dickens, Smollett was a connoisseur in inns and innkeepers. He knew good food and he knew good value, and he had a mighty keen eye for a rogue. There may, it is true, have been something in his manner which provoked them to exhibit their worst side to him. What a nasty customer. ellauri247.html on line 276: Smollett characterized the chambers as cold and comfortless, the beds as "paultry" (with "frowsy," a favourite word), the cookery as execrable, wine poison, attendance bad, publicans insolent, and bills extortion, concluding with the grand climax that there was not a drop of tolerable malt liquor to be had from London to ellauri247.html on line 277: Dover. Smollett finds a good deal to be said for the designation of "a den of thieves" as applied to that famous port (where, as a German lady of much later date once complained, they "boot ze Bible in ze bedroom, but ze devil in ze bill"), and he grizzles lamentably over the seven guineas, apart from extras, which he had to pay for transport in a Folkestone cutter to Boulogne Mouth. ellauri247.html on line 284: DROIT D'AUBAINE, jus albinatus. This was a rule by which all the property of a deceased foreigner, whether movable or immovable, was confiscated to the use of the state, to the exclusion of his heirs, whether claiming ab intestato, or under a will of the deceased. The word aubain signifies hospes loci, peregrinus advena, a stranger. ellauri247.html on line 286: CICISBEO: In 18th- and 19th-century Italy, the cicisbeo (Italian: [tʃitʃiˈzbɛːo]; plural: cicisbei) or cavalier servente (French: chevalier servant) was the man who was the professed gallant or lover of a woman married to someone else. With the knowledge and consent of the husband, the cicisbeo attended his mistress at public entertainments, to church and other occasions, and had privileged access to this woman. The arrangement is comparable to the Spanish cortejo or estrecho and, to a lesser degree, to the French petit-maître.,(petit-maître m (plural petits-maîtres) (archaic) dandy, coxcomb). The exact etymology of the word is unknown; some evidence suggests it originally meant "in a whisper" (perhaps an onomatopeic word). Other accounts suggest it is an inversion of bel cece, which means "beautiful chick (pea)". According to the Oxford English Dictionary, the first recorded usage of the term in English was found in a letter by Lady Mary Wortley Montagu dated 1718. The term appears in Italian in Giovanni Maria Muti's Quaresimale Del Padre Maestro Fra Giovanni Maria Muti De Predicatori of 1708 (p. 734). ellauri247.html on line 288: This arrangement, called the cicisbeatura or cicisbeismo, was widely practised, especially among the nobility of the Italian cities of Genoa, Nice, Venice, Florence and Rome. While many contemporary references to cicisbei and descriptions of their social standing exist, scholars diverge on the exact nature of the phenomenon.Some maintain that this institution was defined by marriage contracts, others question this claim and see it as a peculiarity of 18th-century customs that is not well defined or easily explained. Other scholars see it as a sign of the increasing emancipation of aristocratic women in the 18th century. ellauri247.html on line 290: The cicisbeo was better tolerated if he was known to be homosexual. Regardless of its roots and technicalities, the custom was firmly entrenched. Typically, husbands tolerated or even welcomed the arrangement: Lord Byron, for example, was cicisbeo to Teresa, Contessa Guiccioli. Attempts by the husband to ward off prospective cicisbei or disapproval of the practice in general was likely to be met with ridicule and scorn. ellauri247.html on line 292: Cicisbei played by set rules, generally avoiding public displays of affection. At public entertainments, they would typically stand behind their seated mistress and whisper in her ear. Customs of the time did not permit them to engage in relationships with any other women during their free time, making the arrangement rather demanding. Either party could decide to end the relationship at any time. A woman's former cicisbei were called spiantati (literally penniless, destroyed), or cast-offs. ellauri247.html on line 295: "If a Frenchman is capable of real friendship, it must certainly be the most disagreeable present he can possibly make to a man of a true English character. You know, madam, we are naturally taciturn, soon tired of impertinence, and much subject to fits of disgust. Your French friend intrudes upon you at all hours; he stuns you with his loquacity; he teases you with impertinent questions about your domestic and private affairs; he attempts to meddle in all your concerns, and forces his advice upon you with the most unwearied importunity; he asks the price of everything you wear, and, so sure as you tell him, undervalues it without hesitation; he affirms it is in a bad taste, ill contrived, ill made; that you have been imposed upon both with respect to the fashion and the price; that the marquis of this, or the countess of that, has one that is perfectly elegant, quite in the bon ton, and yet it cost her little more than you gave for a thing that nobody would wear. ellauri247.html on line 297: "If a Frenchman is admitted into your family, and distinguished by repeated marks of your friendship and regard, the first return he makes for your civilities is to make love to your wife, if she is handsome; if not, to your sister, or daughter, or niece. If he suffers a repulse from your wife, or attempts in vain to debauch your sister, or your daughter, or your niece, he will, rather than not play the traitor with his gallantry, make his addresses to your grandmother; and ten to one but in one shape or another he will find means to ruin the peace of a family in which he has been so kindly entertained. What he cannot accomplish by dint of compliment and personal attendance, he will endeavour to effect by reinforcing these with billets-doux, songs, and verses, of which he always makes a provision for such purposes. If he is detected in these efforts of treachery, and reproached with his ingratitude, he impudently declares that what he had done was no more than simple gallantry, considered in France as an indispensable duty on every man who pretended to good breeding. Nay, he will even affirm that his endeavours to corrupt your wife, or deflower your daughter, were the most genuine proofs he could give of his particular regard for your family. ellauri247.html on line 300: "A Frenchman lays out his whole revenue upon taudry suits of cloaths, or in furnishing a magnificent repas of fifty or a hundred dishes, one-half of which are not eatable or intended to be eaten. His wardrobe goes to the fripier, his dishes to the dogs, and himself to the devil." ellauri247.html on line 304: Walpole's dictum: Life is a comedy to those who think, a tragedy for those who feel. ellauri247.html on line 308: Samuel Johnson (18 September 1709 – 13 December 1784), often wrongly called Dr Johnson, was an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor and lexicographer. He was a devout Anglican, and a committed Tory. The Oxford Dictionary of National Biography calls him "arguably the man using most four letter words in English history". ellauri247.html on line 311: ic01.nyt.com/images/2018/07/10/autossell/10BORIS-PICS1/merlin_141054591_8fd49e1a-b9b4-4a2b-8bd7-b70d580e1f0f-superJumbo.jpg?quality=90&auto=webp" height="200px" /> ellauri247.html on line 314: Johnson was 180 cm (5 feet 11 inches) tall when the average height of an Englishman was 165 cm (5 feet 5 inches). Tall and robust, he displayed gestures and tics that disconcerted some on meeting him. He had Tourettes syndrome, in fact. ellauri247.html on line 316: His mother was 40 when she gave birth to Sam in the family home above his father's bookshop in Lichfield, Staffordshire. This was considered an unusually late pregnancy, so precautions were taken, and a man-midwife and surgeon of "great reputation" named George Hector was brought in to assist. The infant Johnson did not cry, and there were concerns for his health. His aunt exclaimed that "she would not have picked such a poor creature up in the street". Sillä oli pentuna risatauti (scrofula). ellauri247.html on line 318: Little is known about Johnson's life between the end of 1729 and 1731. It is likely that he lived with his parents. He experienced bouts of mental anguish and physical pain during years of illness; his tics and gesticulations associated with Tourette syndrome became more noticeable and were often commented upon. ellauri247.html on line 320: When William Hogarth first saw Johnson standing near a window in Richardson's house, "shaking his head and rolling himself about in a strange ridiculous manner", Hogarth thought Johnson an "ideot, whom his relations had put under the care of Mr. Richardson". ellauri247.html on line 323: <William Hogarth (10. marraskuuta 1697 Lontoo – 26. lokakuuta 1764 Lontoo) oli englantilainen taidemaalari ja graafikko, joka tunnetaan erityisesti suurta suosiota saavuttaneista kuvasarjoistaan. Hogarth oli erittäin taitava ja tarkka piirtäjä ja suosi runsaita yksityiskohtia ja groteskeja sävyjä. Hänen tyylinsä oli kova ja realistinen. Hogarth kuvasi kuparipiirrossarjoissaan aikaansa ja ihmishahmoja moralisoiden ja ivaten. Hogarth teki vuosina 1731–1732 ensimmäisen moralistisen piirrossarjansa ’Ilotytön tarina’. Hogarth oli äärimmäisen kansallismielinen eikä koskaan myöntänyt saaneensa vaikutteita ulkomaisilta taiteilijoilta vaikka oli käynyt kahdesti Pariisissa ja tuonut sieltä tuomisixi hyppykupan. Hogarth was born in London to a lower-middle-class family. Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual. Kuvissa se on ilkimyxen näköinen. Sen suurin kyseenalainen ansio oli copyrightin laillistaminen. Stanley Kubrick based the cinematography of his 1975 period drama film, Barry Lyndon, on several Hogarth paintings. Muistan että se oli pitkäpiimäinen, en kyllä muista siitä muuta, koska se oli mun ja Seijan eka yhteinen elokuvaretki. Kubrick on kaiken kaikkiaan aika joutavanpäiväinen. ellauri247.html on line 326: According to Boswell "Sam commonly held his head to one side ... moving his body backwards and forwards, and rubbing his left knee in the same direction, with the palm of his hand ... He made various sounds" like "a half whistle" or "as if clucking like a hen", and "... all this accompanied sometimes with a thoughtful look, but more frequently with a smile. Generally when he had concluded a period, in the course of a dispute, by which time he was a good deal exhausted by violence and vociferation, he used to blow out his breath like a whale." ellauri247.html on line 327: Sam was an Oxford dropout because he was too poor to pay his way. He eventually did receive a degree for free: just before the publication of his Dictionary in 1755, the University of Oxford awarded Johnson the degree of Master of Arts. He was awarded an honorary doctorate in 1765 by Trinity College Dublin and in 1775 by the University of Oxford. Pelkkiä säälipisteitä. ellauri247.html on line 331: Johnson remained with his close friend Harry Porter during a terminal illness, which ended in Porter's death on 3 September 1734. Porter's wife Elizabeth (née Jervis) (otherwise known as "Tetty") was now a widow at the age of 45, with three children. Some months later, Johnson began to court her. William Shaw, a friend and biographer of Johnson, claims that "the first advances probably proceeded from her, as her attachment to Johnson was in opposition to the advice and desire of all her relations," Johnson was inexperienced in such relationships, but the well-to-do widow encouraged him and promised to provide for him with her substantial savings. ellauri247.html on line 335: Johnson had applied for the position of headmaster at Solihull School. Although Johnson's friend Gilbert Walmisley gave his support, Johnson was passed over because the school's directors thought he was "a very haughty, ill-natured gent, and that he has such a way of distorting his face (which though he can't help) the gents think it may affect some lads". ellauri247.html on line 337: With the widow's money, Johnson opened Edial Hall School as a private academy at Edial, near Lichfield. He had only three pupils: Lawrence Offley, George Garrick, and the 18-year-old David Garrick, who later became one of the most famous actors of his day. The venture was unsuccessful and cost Tetty a substantial portion of her fortune. Instead of trying to keep the failing school going, Johnson began to write his first major work, the historical tragedy Irene. Biographer Robert DeMaria believed that Tourette syndrome likely made public occupations like schoolmaster or tutor almost impossible for Johnson. This may have led Johnson to "the invisible occupation of authorship". ellauri247.html on line 341: Between 1737 and 1739, Johnson befriended poet Richard Savage. Feeling guilty of living almost entirely on Tetty's money, Johnson stopped living with her and spent his time with Savage. They were poor and would stay in taverns or sleep in "night-cellars". Some nights they would roam the streets until dawn because they had no money. A-ha! ellauri247.html on line 343: Johnson bragged that he could finish his dictionary project in three years. In comparison, the Académie Française had 40 scholars spending 40 years to complete their dictionary, which prompted Johnson to claim, "This is the proportion. Let me see; forty times forty is sixteen hundred. As three to sixteen hundred, so is the proportion of an Englishman to a Frenchman." Rather, the proportion of the civilized vernacular vocabularies of the languages. What a pompous idiot. Although he did not succeed in completing the work in three years, he did manage to finish it in eight. Some criticised the dictionary, including the historian Thomas Babington Macaulay, who described Johnson as "a wretched etymologist." ellauri247.html on line 345: Oli Samilla koko joukko hyviäkin pointteja: Patriotism is the last refuge of a scoundrel. Mutta toisaalta: Johnson had a reputation for despising Scotland and its people. Even during their journey together through Scotland, Johnson "exhibited prejudice and a narrow nationalism". ellauri247.html on line 347: Americans had no more right to govern themselves than the Cornish, and "How is it that we hear the loudest yelps for liberty among the drivers of negroes?" The French and Indian War was a conflict between "two robbers" of Native American lands, and that neither deserved to live there. ellauri247.html on line 349: Johnson did not attempt to create schools of theories to analyse the aesthetics of literature. Instead, he used his criticism for the practical purpose of helping others to better read and understand literature. In his Preface to Shakespeare, Johnson rejects the previous dogma of the classical unities and argues that drama should be faithful to life. ellauri247.html on line 353: Johnson displayed signs consistent with several diagnoses, including depression and Tourette syndrome. According to Boswell, Johnson "felt himself overwhelmed with an horrible melancholia, with perpetual irritation, fretfulness, and impatience; and with a dejection, gloom, and despair, which made existence misery". ellauri247.html on line 354: Some, like Macaulay, regarded Johnson as an idiot savant who produced some respectable works, and others, like the Romantic poets, were completely opposed to Johnson's views on poetry and literature, especially with regard to Milton. Again, on the positive side, Johnson influenced Jane Austen's writing style and philosophy. ellauri247.html on line 363: Had spoiled his nice new rattle. ellauri247.html on line 367: Which frightened both the heroes so, ellauri247.html on line 370: The words "Tweedle-dee and Tweedle-dum" make their first appearance in print as names applied to the composers George Frideric Handel and Giovanni Bononcini in "one of the most celebrated and most frequently quoted (and sometimes misquoted) epigrams", satirising disagreements between Handel and Bononcini, written by John Byrom (1692–1763):in his satire, from 1725. ellauri247.html on line 381: In a 1921 letter to Harriet Shaw Weaver, the writer James Joyce uses the twins "Tweedledee and Tweedledum" to characterize Sigmund Freud and Carl Gustav Jung and their conflict. They. didn't look like twins at all. ellauri247.html on line 386: Tweedle Do and Tweedle Don't are the great grand brothers of Tweedledee and Tweedledum who appear in Disney's Alice's Wonderland Bakery voiced by Vanessa Bayer and Bobby Moynihan in Episode 16 Meet the Tweedles. ellauri247.html on line 388: Tweedle Dee & Tweedle Dum" is the opening song on Bob Dylan's 2001 album Love and Theft. Bob is famous for tweedling his dums and quite particularly his "D." Mom said don't but he did. (Tweedle twē′dl, v.t. to handle lightly: ( obs.) to wheedle.— v.i. to wriggle.) ellauri247.html on line 390: ice in Wonderland Tweedledee and Tweedledum Speed Up" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri247.html on line 391: Disneyn Alicessa on vahvaa pedofiilistä. Siihenhän Zimmermankin syyllistyi nuorempana juippina. Pippelipom ja pippelipyy. ellauri247.html on line 393: Tweedledee and Tweedledum is also the name of the double star system Φ 332 (Finsen 332) in the tail section of the constellation Serpens (Serpens Cauda, vällykäärmeen hännän pyrstötähdistö). It was thus named by some South African astronomer. ellauri247.html on line 408: Käydessään Irlannissa kesällä vuonna 1713 hänet nimitettiin palkkiona rauhan edistämisestä tuomiorovastiksi Pyhän Patrickin tuomiokirkkoon, missä virassa hän toimi koko loppuelämänsä. Swift palasi jo syksyllä Englantiin jatkamaan verolobbausta, tällä kertaa tuloksekkain seurauksin. Swift vetäytyi politiikasta samantien, kun toryjen hallitus kaatui kuningatar Annan kuoleman jälkeen vuonna 1714. Vastentahtoisesti Swift palasi synnyinmaahansa ja St. Patrickin tuomiokirkkoon, mitä hän piti lähinnä maanpakona Englannista, jossa elivät hänen ystävänsä ja rakastajattarensa Esther Vanhomrigh (Vanessa). Vanessa kuitenkin seurasi Swiftiä Dubliniin naimisiin pääsyn toivossa. Swiftin toinenkin rakastettu, ex-sakkoliha Stella, eli myös Dublinissa, mikä laittoi Swiftin vitun hankalaan valintatilanteeseen. Stella kuoli vuonna 1728 ja Swift säilytti hänen karvatupsuaan läpi elämänsä. Esseessään Vaatimaton ehdotus, joka estäisi Irlannin lapsia olemasta taakaksi vanhemmilleen tai maalleen Swift ehdottaa, että Irlannin köyhien lapset tulisi myydä rikkaamman väestönosan ruoaksi. Swift ehdotti tätä ihan vakavalla lärvällä lääkkeexi Irlantia pitkään vaivanneeseen nälänhätään. Jonea ei izeään kyllä nälättänyt, se oli melkoinen pulskiainen. ellauri247.html on line 410: Swiftin poteman Ménièren taudin oireet pahenivat vuodesta 1738 alkaen. Häntä pyörrytti ja hän alkoi unohdella asioita ja tuntea ahdistusta. Oireet hankaloittivat Swiftin kirjoittamista ja työtä tuomiokirkossa. Lopulta Swiftin serkku Martha Whiteway otti hänen asiansa hoidettavakseen. Swiftin Whitewaylle vuonna 1740 lähettämä kirje kuvaa, kuinka hän tunsi olonsa sietämättömäksi ja aavisteli jäljellä olevien päivien olevan surkeita ja vähälukuisia. Vuonna 1742 St. Patrickin tuomiokirkon pastori Francis Wilson, jota on syytetty Swiftin pahoinpitelemisestä ja omaisuuden varastamisesta, arvioitutti Swiftin tilan erillisellä Mielisairauden komissiolla. He totesivat Swiftistä, että tämän ”muisti ja mieli ovat rappeutuneet” ja hän on ”kyvytön hoitamaan tehtäviään”. Swift jätti työnsä tuomiokirkossa samana vuonna. Swift kuoli vuonna 1745 ja hänet haudattiin omaan tuomiokirkkoonsa Stellan karvatupsun viereen. Jäljelle jääneen omaisuutensa Swift testamenttasi mielisairaiden parantolan katon korjauxeen. ellauri247.html on line 417: Lady Mary Montagu (1689-1762), court beauty, wife of the British Ambassador to Istanbul and prolific letter-writer, was the first major female travel writer of her time. She was a correspondent with Alexander Pope, knew and was disliked by Horace Walpole, and introduced the Turkish, then Ottoman, method of inoculation to Britain. ellauri247.html on line 419: Called the “Queen of the Blues”, Elizabeth Montagu led and hosted the Blue Stockings Society of England from about 1750. It was a loose organization of privileged women with an interest in education, but it waned in popularity at the end of the 18th century. It gathered to discuss literature, and also invited educated men to participate. Talk of politics was prohibited; literature and the arts were the main subjects. Many of the bluestocking women supported each other in intellectual endeavors such as reading, art work, and writing. Many also published literature. Dr. Johnson once wrote about Montagu, that “She diffuses more knowledge than any woman I know, or indeed, almost any man. Conversing with her, you may find variety in one“. ellauri247.html on line 423: Linda Marshall - Not entirely true; Pope was smitten with LMWM but she rejected his advances (in fact she laughed at him because he was a cripple). After that he became a bitter enemies and both Pope and Lady Mary wrote vicious satirical poems about each other! But I´m a huge admirer of Pope´s work and as usual it´s superbly written. Although he never married, he had many female friends to whom he wrote witty letters, including Lady Mary Wortley Montagu. It has been alleged that his lifelong friend Martha Blount was his lover. His friend William Cheselden said, according to Joseph Spence, "I could give a more particular account of Mr. Pope's health than perhaps any man. Cibber's slander (of carnosity, abrmal fleshy protrusion growing on any part of the body) is false. He had been gay, but left that way of life upon his acquaintance with Mrs. B." ellauri247.html on line 460: Which to your whole sex does belong; Joka kuuluu koko sukupuolelle; ellauri247.html on line 498: ica.com/images/artworkimages/mediumlarge/2/capture-of-the-smala-of-abd-el-kader-battle-of-the-smala-16-may-1843-horace-vernet.jpg" width="100%" /> ellauri247.html on line 518: Il donna ordre au général Lamoricière, ainsi qu’au duc d’Aumale de se mettre à sa poursuite. Le prince partit de Boghar avec 1 300 fantassins et 600 chevaux. Trois jours après, il apprit que la smala se trouvait à 80 kilomètres au sud de Goudjila. Pour l’atteindre, il fallait franchir vingt lieues d’une traite sans une goutte d’eau. Alors que les soldats étaient à la recherche de la source de Taguine pour se désaltérer, l’agha Ahmar ben Ferhat vint informer le prince de la présence inattendue de la smala à cette même source. ellauri247.html on line 526: ic-domain.jpg" height="200px" /> ellauri248.html on line 6: font-style: italic; ellauri248.html on line 10: font-style: italic; ellauri248.html on line 42: ics/114/31/cover/300_11487131.jpg" width="100%" /> ellauri248.html on line 81: Tana French is the New York Times bestselling author of In the Woods, The Likeness, Faithful Place, Broken Harbor, The Secret Place, The Trespasser and The Witch Elm. A gorgeously written novel that marks the debut of an astonishing new voice in psychological suspense. [Tää kyllä kuulostaa enemmän että tyttöjen.] ellauri248.html on line 85: Let's go through a few of these points. First, I don't think I've ever read a mystery novel with a less likable main character/narrator. Rob (Adam) Ryan is an asshole, plain and simple. Sure, he's been warped by his childhood and circumstances, but he does just about every annoying thing you could possibly imagine-- he constantly navel-gazes and feels self pity, he sleeps with then immediately plays the stereotypical male "I don't want anything to do with you now" role with his female partner (the person we were told was his best friend, and whom he would never ever sleep with), he acts like an idiot over the 17 year old villain/ temptress/ psychopath/ whatever betraying his partner, and by the end of the book he is worse off than ever. I know that lots of detectives (esp. in hard-boild stories) are unlikable, and have many personal issues, but this guy just took the cake. I wanted to take a baseball bat to his head [hear, hear!]. To make matters worse, French throws in this little gem towards the end of the novel: ellauri248.html on line 87: "I am intensely aware, by the way, that this story does not show me in a particularly flattering light. I am aware that, within an impressively short time of meeting me, Rosalind had me coming to heel like a well-trained dog: running up and down stairs to bring her coffee, nodding along while she bitched about my partner, imagining like some starstruck teenager that she was a kindred soul. But before you decide to despise me too thoroughly, consider this: she fooled you, too. You had as good a chance as I did. I told you everything I saw, as I saw it at the time. And if that was in itself deceptive, remember, I told you that, too: I warned you, right from the beginning, that I lie." As if that excused anything... and NO, she didn't "fool" me, because YOU'RE the narrator and YOU'RE the one telling the story. This paragraph probably ticked me off more than anything else in the book. ellauri248.html on line 89: Second, the book seriously dates itself with little pop culture references... from Simpsons quotes to mentions of Ricky Martin and The Simple Life. Gah. The beginning of the book felt like a very special episode of FRIENDS where Chandler, Monica and Ross solve a mystery. I'm a pretty big pop culture type of guy, but the references dropped in this novel just annoyed me. ellauri248.html on line 93: Can you write a mystery story that ends with uncertainty? Where you never know who really did it? You can, but it’s unsatisfying. It’s unpleasant for the reader . There needs to be something at the end, some sort of resolution. It’s not that the killer even needs to be caught or locked up. It’s that the reader needs to know. Not knowing is the worst outcome for any mystery story, because we need to believe that everything in the world is knowable. Justice is optional, but answers, at least, are mandatory. And that’s what I love about Holmes. That the answers are so elegant and the world he lives in so ordered and rational. It’s beautiful.” ellauri248.html on line 98: Justin rated it shit: The protagonist of this book really, really annoyed me. It felt like a parody of one of those old black-and-white movies where the picture freezes and the guy steps out toward the camera, lights a cigarette, pulls his hat down, and goes into this long monologue about life or women or his past or whatever. The action would pick up or a new lead would be uncovered, and here comes Rob rambling on for pages and pages.... and pages. ellauri248.html on line 115: Rob and Cassie start off enjoying that incredible, intense and yet easy, all-forgiving and natural closeness of a friendship I think every person in the world (non-sociopathic, to be exact) longs for. ellauri248.html on line 125: And the worst part? The mystery from twenty years ago that causes this entire fucking BOOK and that was way more interesting than the normal mystery? Literally no fucking resolution. Who did it? How did they do it? What is up with that hair clip in the forest and the blood inside Rob’s shoes? NO ONE FUCKING KNOWS. I’m sure this is framed in the minds of many readers as some kind of deeper meaning about memory. You know what I thought, honestly? Tana French wrote herself into a corner with a fucking ridiculous case and then ran out of time on her deadline and decided to leave it open. [krimi, whodunit] ellauri248.html on line 127: Emily May rated it amazing: Needless to say, I was completely expecting something a bit dark and twisted, a creepy psychological murder mystery with an outcome I never would have seen coming. And I got that. But I never expected this book to leave me feeling so... sad. And you know why? Because I cared. Ms French carefully builds up a complex personality for each of her characters, complete with a past, a sense of humour and some serious issues to go with it all, and you can't help but care what happens to the detectives even more than you care what happens with the case. ellauri248.html on line 128: In The Woods is a deeply psychological read that explores the nature of psychopaths and memory - or lack of. ellauri248.html on line 133: Matt rated it amazing: French makes her debut in stunning fashion, sure to impress all those who enjoy a police procedural of the highest order. ellauri248.html on line 134: I am eager to lose myself in her subsequent novels, which I hope are just as riveting. [Don't get fooled by Matt, he is a review professional fishing clueless readers to his own little pond. Bet he has not even read the book.] ellauri248.html on line 150: Rée war der zweite Sohn eines Rittergutsbesitzers; die Familie war jüdischer Herkunft, Paul Rée allerdings Protestant. Er studierte in Leipzig, Berlin und Zürich zunächst auf Wunsch des Vaters Rechtswissenschaft, dann Philosophie. Als Einjährig-Freiwilliger nahm er am Deutsch-Französischen Krieg teil, wurde allerdings früh verwundet und schied so aus dem Heer aus. ellauri248.html on line 152: 1875 promovierte er „Über den Begriff des Schönen (sittlich Guten) in der Moralphilosophie des Aristoteles“. Sein Versuch, über eine Habilitation in der Wissenschaft Fuß zu fassen, scheiterte 1877. ellauri248.html on line 154: Schon 1873 hatte er in Basel Friedrich Nietzsche kennengelernt, 1875 entwickelte sich daraus eine Freundschaft. Im Winter 1876/1877 lebte er zusammen mit Nietzsche, Albert Brenner und Malwida von Meysenbug auf deren Einladung in Sorrent, wo sie gemeinsam philosophische Überlegungen anstellten und arbeiteten. In Sorrent entstand Rées Werk Der Ursprung der moralischen Empfindungen ebenso wie Teile von Nietzsches Menschliches, Allzumenschliches, Ausdruck von Nietzsches Abkehr von Wagner und Hinwendung zum „Réealismus“. ellauri248.html on line 156: Nach einem erneut misslungenen Habilitationsversuch begann Rée 1885 ein Medizinstudium, das er 1890 erfolgreich abschloss. Sein weiteres Leben verbrachte er überwiegend in Stibbe (Westpreußen). Dort behandelte er als Arzt die Landarbeiter auf dem Rittergut seines Bruders Georg. ellauri248.html on line 158: 1900 gab der Bruder das Gut auf; Paul Rée ging daraufhin nach Celerina (Schweiz) und arbeitete als Arzt für die Einheimischen. Am 28. Oktober 1901 verunglückte er bei einer Bergwanderung und stürzte in den Inn; ob es tatsächlich ein Unglück oder ein Suizid war, kann nicht geklärt werden. ellauri248.html on line 160: Im Ursprung der moralischen Empfindungen unterteilt er alle Handlungen in „egoistische“ und „unegoistische“; die Ersteren seien ursprünglich verdammt worden, weil sie anderen Menschen schadeten, zweitere aber gelobt, weil sie der Gemeinschaft nützen. Der Grund für diese Bewertung sei, so Rée, vergessen worden, so dass man heute Egoismus für an sich schlecht und Selbstlosigkeit für an sich gut halte. ellauri248.html on line 161: Friedrich Nietzsche übernahm zwar die Methode, kritisierte aber einige Zeit nach dem persönlichen Bruch in seiner Genealogie der Moral die Schlussfolgerungen Rées: Diese seien viel zu simpel und basierten auf einer naiven utilitaristischen Sicht. Haloo Fred, wer is der Naive von euch beiden? ellauri248.html on line 171: Malwida von Meysenbug und Paul Rée entwickelten einen intensiven Briefwechsel. Die erhalten gebliebenen Briefe Malwida von Meysenbugs sind mehr als nur persönliche Dokumente einer Freundschaft, da der eine als „Materialist“, die andere als „Idealistin“ gegensätzliche Positionen einnahmen, die auch zwei Strömungen im 19. Jahrhundert bezeichnen. Die Briefe bieten auch Einsicht in das biographische Beziehungsgeflecht zwischen Nietzsche und Rée, von Meysenbug und Nietzsche sowie Lou von Salomé. ellauri248.html on line 175: Malwida von Meysenbug, geboren als Malwida Rivalier (geboren 28. Oktober 1816 in Kassel; gestorben 26. April 1903 in Rom), war eine deutsche Schriftstellerin, die sich auch politisch und als Förderin von Schriftstellern und Künstlern betätigte. Amelie Malwida Wilhelmina Tamina Rivalier wurde 1816 als neuntes von zehn Kindern des kurhessischen Hofbeamten Carl Rivalier (1779–1847) geboren. ellauri248.html on line 177: Ihr Vater wurde 1825 mit Namensmehrung durch von Meysenbug in den erblichen kurhessischen Adelsstand erhoben, wodurch auch Malwida in den Rang einer Freiin aufstieg. Künstlerische und literarische Anregungen erhielten die Kinder von der Mutter, die sie u. a. mit der Gedankenwelt Friedrich Schlegels und Rahel Varnhagens vertraut machte. Nääkin kuikat on esiintyneet ennenkin. ellauri248.html on line 179: Durch die Bekanntschaft mit dem Theologiestudenten und Pfarrerssohn Theodor Althaus, der ihr Liebhaber wurde, löste sich Malwida in den folgenden Jahren von ihrer konservativen Prägung und wurde Vertreterin aufklärerischen Gedankenguts. Insbesondere sollte sie sich zeitlebens mit dem Christentum auseinandersetzen; in den 1840er Jahren befasste sie sich mit der Philosophie Hegels und der materialistischen Junghegelianer. Sie trat energisch für Frauenemanzipation ein und kam so mit sozialistischen Kreisen in Verbindung. Schließlich unterstützte sie die Märzrevolution von 1848, was sie endgültig in Widerspruch zu ihrer eher reaktionären Familie brachte. Mit Hilfe einiger Freunde gelang es ihr auch, als Zuschauerin am Vorparlament in der Frankfurter Paulskirche teilzunehmen. ellauri248.html on line 181: Ab 1850 studierte von Meysenbug an der Hamburger Hochschule für das weibliche Geschlecht, um Erzieherin zu werden. Nach dem frühen Tod Theodor Althaus' im Jahre 1852 emigrierte sie, auch um einer drohenden Verhaftung zu entgehen, nach London. Dort lernte sie unter anderem Gottfried und Johanna Kinkel, Carl Schurz, Therese Pulszky und Alexander Herzen kennen. Herzen, bei dem sie wohnte, machte sie mit weiteren Persönlichkeiten des Londoner Exils bekannt; darunter waren Giuseppe Mazzini, Ferdinand Freiligrath und Giuseppe Garibaldi. Für den Witwer Alexander Herzen übernahm sie die Erziehung seiner Töchter Olga (1844–1912) und Natalie (1844–1936); besonders zu ersterer entwickelte sie eine starke "mütterliche" Zuneigung. ellauri248.html on line 182: In den Jahren 1860/61 lebte Malwida von Meysenbug mit Olga in Paris, dem damaligen kulturellen Zentrum Europas. Sie war dort häufig Gast bei Richard Wagner, dessen vertrauteste Freundin sie neben Marie von Schleinitz war. Auch mit Charles Baudelaire und Hector Berlioz stand sie in Beziehung; über Wagner kam sie in Kontakt mit der schweinidealistische Philosophie Arthur Schopenhauers, welche sie – in eigener Interpretation – für sich selbst übernahm. ellauri248.html on line 186: Als enge Freundin Wagners war von Meysenbug Trauzeugin bei dessen Hochzeit mit Cosima 1870. Bei der Grundsteinlegung des Bayreuther Festspielhauses 1872 lernte sie Friedrich Nietzsche kennen, dessen Gönnerin und Freundin sie wurde und blieb. ellauri248.html on line 187: Seit 1874 war von Meysenbug im Alter von 58 Jahren auf ärztliches Anraten in Italien geblieben und Olga nach deren Hochzeit mit Gabriel Monod nicht weiter gefolgt. In Tradition der Salons etwa der Henriette Herz oder Rahel Varnhagen lud sie oft junge Künstler und Schriftsteller zu sich ein, so etwa Nietzsche und Paul Rée 1876/1877 nach Sorrent. Auch Lou von Salomé wurde von ihr und Rée mit Nietzsche bekanntgemacht. ellauri248.html on line 189: Die Idealistin von Meysenbug war nicht immer mit den inhaltlichen Aussagen ihrer „Buben“ einverstanden, blieb aber vor allem mit dem Menschen Nietzsche befreundet. Als sie im Frühsommer 1888 Nietzsche für seine harten Worte im Fall Wagner tadelte – sie war Wagner immer eng verbunden geblieben –, warf er ihr jedoch völliges Unverständnis seiner Werke vor und brach den Kontakt mit ihr ab. Sie schrieb dies später dem beginnenden Wahnsinn Nietzsches zu. ellauri248.html on line 191: 1890 lernte Malwida von Meysenbug in Rom den 50 Jahre jüngeren Romain Rolland kennen; er wurde ihr letzter enger Vertrauter und der Briefwechsel ist Zeugnis einer großen Freundschaft. 1903 starb Malwida von Meysenbug in Rom und wurde dort, auf eigenen Wunsch ohne geistliche Begleitung, auf dem Cimitero acattolico an der Cestius-Pyramide beigesetzt. Malwida von Meysenbug war 1901 die erste Frau, die für den Literaturnobelpreis nominiert wurde. Aber mit lautem Gelächter beigesetzt. Tämän kaikkien aikojen ensimmäisen kirjallisuuden dynypalkinnon pokkasi ranskalainen mitättömyys nimeltä Sully Prudhomme, joka sentään oli Ranskan-Saxan sodassa "länkkärien" puolella. Sen runo "Särkynyt korva" löytyy albumista 192. ellauri248.html on line 202: Salomé ryhtyi seitsemäntoistavuotiaana opiskelemaan teologiaa, filosofiaa, maailman uskontoja sekä ranskalaista ja saksalaista kirjallisuutta hollantilaisen pastorin Hendrik Gillotin johdolla. Gillot kuitenkin rakastui Saloméen niin syvälle, ettei opintoja voitu jatkaa. Salomé lähti äitinsä kanssa Zürichiin voidakseen suorittaa siellä yliopistotutkinnon. Hänen heikon terveytensä odotettiin myös parantuvan Keski-Euroopassa. Varmaan Salomelle tehtiin siellä lapsenlähdetys. ellauri248.html on line 204: Salomén äiti vei 21-vuotiaan tyttärensä Roomaan. Siellä Salomé tutustui kirjailija Paul Réehen, jonka kanssa hän aloitti suhteen. Muutaman kuukauden kuluttua, 13. toukokuuta 1882, Réen ystävä Friedrich Nietzsche liittyi heihin. Kolmikko eli ja matkusti tiiviisti yhdessä, kunnes Nietzsche irtautui kolmikosta. ellauri248.html on line 206: Salomé ja Rée muuttivat Berliiniin ja asuivat yhdessä. Salomé meni 1887 naimisiin orientalisti Friedrich Carl Andreasin kanssa, vaikka jatkoikin suhdettaan Réehen sekä muihin miehiin. Avioliitto kesti Andreasin kuolemaan asti 1930. ellauri248.html on line 242: Daniel in the lions' den (chapter 6 of the Book of Daniel) tells of how the biblical Daniel is saved from lions by the God of Israel "because I was found tasteless before them" (Daniel 6:22). It parallels and complements chapter 3, the story of Shadrach, Meshach, and Abednego: each begins with the jealousy of non-Jews towards successful Jews and an imperial edict requiring them to compromise their religion, and concludes with divine deliverance and a king who confesses the greatness of the God of the Jews and issues an edict of royal protection to the smug hookynoses. The tales making up chapters 1–6 of Daniel date no earlier than the Hellenistic period (3rd to 2nd century BC) and were probably originally independent, but were collected in the mid-2nd century BC and expanded shortly afterwards with the visions of the later chapters to produce the modern book. ellauri248.html on line 244: In Daniel 6, Daniel is raised to high office by his royal master Darius the Mede. Daniel's jealous rivals trick Darius into issuing a decree that for thirty days no prayers should be addressed to any god or man but Darius himself; anyone who disobeys this edict is to be thrown to the lions. Pious Daniel continues to pray daily to the God of Israel; and the king, although deeply distressed, must condemn Daniel to death, for the edicts of the Medes and Persians cannot be altered. Hoping for Daniel's deliverance, Darius has him cast into the pit. At daybreak the king hurries to the place and cries out anxiously, asking if God had saved his friend. Daniel replies that his God had sent an angel to the jaws of the lions, "because I was found tasteless before them". The king commands that those who had conspired against Daniel be thrown to the poor overfed lions in his place with their tasty wives and children, and that the whole world should tremble and fear before the God of Daniel. Although Daniel is sometimes depicted as a young man in illustrations of the incident, James Montgomery Boice points out that he would have been over eighty years old at the time. No wonder perhaps that he did not entice the lions. ellauri248.html on line 246: ica.com/images/artworkimages/mediumlarge/1/daniel-in-the-lions-den-emerson-l-freese-jr.jpg" /> ellauri248.html on line 347: There was also an allotment process starting in the Dawes Act of 1887 until 1934. This was to force more land from Native people. The ostensible reason was to make them individual landholders and thus “Americanized” members of a capitalist system. It was felt this would “solve” the “Indian problem”. In short that it would make them no longer part of the ethnic communities they were members of. However the main push to “solve” the “problem” was by Anglo-Americans who wanted to take that land. Thus land was distributed to tribal members and the “surplus” was given or sold at a cut rate to White Americans or turned into National Forests and Parks or military bases. Land owned by Native Americans decreased from 138 million acres in 1887 to 48 million acres in 1934. They lost 2/3s of their treaty land base. About 90,000 Native Americans were made landless. ellauri248.html on line 349: Today there is about 10,059,290 acres (15,700 sq miles) of individually owned lands are still held in trust for Native American allotees and their heirs. There are about four million fractional owner interests in this 10 million acres. Each generation the individual share gets less. One part of the Act was the establishment of a trust fund, administered by the Bureau of Indian Affairs, to collect and distribute revenues from oil, mineral, timber, and grazing leases on Native American lands. The BIA´s grossly mismanaged these funds. They were never collected or lost or stolen. This negligence in the management of the trust fund resulted in a number of lawsuits. The most well known is Cobell v. Salazar which led to a $3.4 billion settlement in 2009. The suit has forced proper accounting of revenues for the future but the settlement gave the litigants cents on the dollar. ellauri248.html on line 356: ican-lands-pic.jpg" height="300px" /> ellauri248.html on line 358: ichesterinc.com/Images2010/127-50-V1-Lg.gif" height="300px" /> ellauri248.html on line 360: ic.com/17962699/r/il/eed43c/2721050042/il_fullxfull.2721050042_ejkg.jpg" width="70%" /> ellauri249.html on line 6: font-style: italic; ellauri249.html on line 10: font-style: italic; ellauri249.html on line 43: An example of a sōpio (see below), the god Mercury was depicted with an enormous penis on this fresco from Pompeii. ellauri249.html on line 76: Brodsky’s poetry bears the marks of his confrontations with the Russian authorities. “Brodsky is someone who has tasted extremely bitter bread,” wrote Stephen Spender in New Statesman, “and his poetry has the air of being ground out between his teeth. … It should not be supposed that he is a liberal, or even a socialist. He deals in unpleasing, hostile truths and is a realist of the least comforting and comfortable kind. Everything nice that you would like him to think, he does not think. But he is utterly truthful, deeply religious, fearless and pure. Loving, as well as hating.” ellauri249.html on line 78: The tenor of his poetry is not so much apolitical as antipolitical,” wrote Victor Erlich. “His besetting sin was not ‘dissent’ in the proper sense of the word, but a total, and on the whole quietly undemonstrative, estrangement from the Soviet ethos.” Art teaches the writer, he said, “the privateness of the human condition. Being the most ancient as well as the most literal form of private enterprise, it fosters in a man a sense of his uniqueness, of individuality, or separateness—thus turning him from a social animal into an autonomous ‘I.’ ellauri249.html on line 80: It is precisely in this sense that we should understand Dostoyevsky’s remark that beauty will save the world, or Matthew Arnold’s belief that we shall be saved by poetry. It is probably too late for the world, but for the individual man (me) there always remains a chance. What distinguishes us from other members of the animal kingdom is speech. Literature—and poetry, in particular, my poetry—is, to put it bluntly, the goal of our species.” Minä minä! Täähän on pahempi egosentrikko kuin minä ja pikku-CEC Norjassa. ellauri249.html on line 82: Though many critics agreed that Brodsky was one of the finest contemporary Russian poets, some felt that the English translations of his poetry are less impressive. One is never quite allowed to forget that one is reading a second-hand version. ellauri249.html on line 84: Czeslaw Milosz felt that Brodsky’s background allowed him to make a vital contribution to literature. Writing in the New York Review of Books, Milosz stated, “Behind Brodsky’s poetry is the experience of political terror, the experience of the debasement of man and the growth of the totalitarian empire." ellauri249.html on line 88: Between 6.5%–11.5% of Afghanistan's 1979 population of 13.5 million is estimated to have perished in the conflict. The war caused grave destruction in Afghanistan, and it has also been cited by scholars as a contributing factor to the dissolution of the Soviet Union and the end of the Cold War. ellauri249.html on line 90: In January 1980, foreign ministers from 34 countries of the Organisation of Islamic Cooperation adopted a resolution demanding "the immediate, urgent and unconditional withdrawal of Soviet troops" from Afghanistan. The UN General Assembly passed a resolution protesting the Soviet intervention by a vote of 104 (for) to 18 (against), with 18 abstentions and 12 members of the 152-country Assembly absent or not participating in the vote; only Soviet allies Angola, East Germany and Vietnam, along with India, supported the intervention. ellauri249.html on line 92: Afghan insurgents began to receive massive amounts of support through aid, finance and military training in neighbouring Pakistan with significant help from the United States and United Kingdom. They were also heavily financed by China and the Arab monarchies in the Persian Gulf. ellauri249.html on line 94: The international community imposed numerous sanctions and embargoes against the Soviet Union, and the U.S. led a boycott of the 1980 Summer Olympics held in Moscow. The boycott and sanctions exacerbated Cold War tensions and enraged the Soviet government, which later led a revenge boycott of the 1984 Olympics held in Los Angeles. ellauri249.html on line 108: In a letter Cicero alludes to a number of obscene words, without actually mentioning them. The words which he alludes to but avoids are: cūlus ("arsehole"), mentula ("penis"), cunnus ("cunt"), landīca ("clitoris"), and cōleī ("testicles"). He also objects to words which mean "to fuck", as well as to the Latin word bīnī "two" because for bilingual speakers it sounds like the Greek βινεῖ (bineî) ("he fucks or sodomises", and also to two words for passing wind, vīssiō and pēdō. He does not object to using the word ānus, and says that pēnis, which in his day was obscene, was formerly just a euphemism meaning "tail". ellauri249.html on line 110: Verpa is also a basic Latin obscenity for "penis", in particular for a penis with the foreskin retracted due to erection and glans exposed, as in the illustration of the god Mercury below. As a result, it was "not a neutral technical term, but an emotive and highly offensive word", most commonly used in despective or threatening contexts of violent acts against a fellow male or rival rather than mere sex (futūtiō "fucking"). It is found frequently in graffiti of the type verpes (= verpa es) quī istuc legēs ("You're a dick you who read this"). ellauri249.html on line 128: Another euphemism for the penis was cauda ("tail"), which occurs twice in Horace,[22] and continues today in the French derivative queue ("tail" or "penis"). In one place in his Satires (Serm. 2.7.50) Horace writes: ellauri249.html on line 132: dīmittit neque fāmōsum neque sollicitum nē ellauri249.html on line 135: ("Whichever girl receives the blows of my swelling 'tail', ellauri249.html on line 138: a richer or more handsome guy might piss in the same place.") ellauri249.html on line 140: The obscure word sōpiō (gen. sōpiōnis) seems to have meant a sexualized caricature with an abnormally large penis, such as the Romans were known to draw. It appears in Catullus 37: ellauri249.html on line 161: I shall put down my sickle and my hand will become my girlfriend.") ellauri249.html on line 166: nunquam sē mediam sustulit ad tunicam ellauri249.html on line 168: never raised itself to the middle of his tunic") ellauri249.html on line 170: Cicero's Orator (ad Marcum Brutum) §154 confirms its obscene status. Cicero writes: ellauri249.html on line 175: Because the /m/ of cum assimilates to the /n/ of nōbīs, cum nōbīs sounds very similar to cunnō bis, meaning "in/from/with a cunt twice". A similar euphemism occurs in French: the avoidance of qu'on, homophone to con (cunt), by the insertion of a superfluous letter: que l'on. ellauri249.html on line 177: The following obscene poetic graffito from Pompeii is written in the trochaic septenarius metre: ellauri249.html on line 184: The word cunnilingus occurs in literary Latin, most frequently in Martial; it denotes the person who performs the action, not the action itself as in modern English, where it is not obscene but technical. The term comes from the Latin word for the vulva (cunnus) and the verb "to lick" (lingere, cf. lingua "tongue"). ellauri249.html on line 190: Nikita Sergejevitš Hruštšov (ven. Ники‌та Серге‌евич Хрущёв, Ru-Nikita Sergeyevich Khrushchev.oga kuuntele ääntämys (ohje); vanhentunut translitteraatio Hruštšev) (15. huhtikuuta (J: 3. huhtikuuta) 1894 Kalinovka, Kurskin kuvernementti, Venäjän keisarikunta – 11. syyskuuta 1971 Moskova, Venäjän SFNT, Neuvostoliitto) oli neuvostoliittolainen poliitikko, kenraali ja kommunistisen puolueen pääsihteeri eli Neuvostoliiton tosiasiallinen johtaja 1953–1964. Hän saavutti Neuvostoliiton johtajuuden Josif Stalinin kuoleman jälkeisessä valtakamppailussa puolueen sisällä. Hän oli myös ministerineuvoston puheenjohtaja 1958–1964. Hruštšov oli syntyperältään venäläinen, mutta hänellä oli lämmin suhde Ukrainan sosialistiseen neuvostotasavaltaan. ellauri249.html on line 291: Kovin kauan se ei kuitenkaan salaisena pysynyt. Se levisi läpi puolueorganisaation ja kansandemokratioiden puoluevirkailijat saivat tietää siitä helmikuun 25.–26. päivän välisenä yönä. Walter Ulbricht yritti pitää puheen salassa Itä-Saksan kansalta, joka kuuli siitä lopulta länsisaksalaisen median kautta. ellauri249.html on line 305: China will overtake the US as the world’s biggest economy before the end of the decade after outperforming its rival during the global Covid-19 pandemic, according to a report. ellauri249.html on line 306: The Centre for Economics and Business Research said that it now expected the value of China’s economy when measured in dollars to exceed that of the US by 2028, half a decade sooner than it expected a year ago. ellauri249.html on line 356: Yhdysvaltain ensimmäisessä vientinäyttelyssä Moskovan Sokolnikissa 1959 Hruštšov kehuskeli Richard Nixonille, että Neuvostoliitto saavuttaa ja ohittaa Yhdysvallat. Viestin perillemenoa hän ryyditti lopettamalla: ”näytämme teille närhen munat!” "Покажем мы вам кузькину мать!" Niin näytti. Ylen surulliselta näytti. ellauri249.html on line 358: Because of the phrase's use in Cold War diplomacy, it became a code word for the atomic bomb. In particular, the Tsar Bomba 50 MT yield thermonuclear test device was nicknamed "Kuzka's mother" by its builders. ellauri249.html on line 366: Juvenalixen satiirit 100-luvulla syntyi aika nykyistä vastaavassa tilanteessa toistasataaluvulla AD missä Rooma oli äkkiä aivan väärällään hoono latina murtavia kaikenvärisiä matuja. Persuroomalaiset pitivät tätä hyvin hyvin pahana. Esim Juvenalixella on sikermässä 14 aika kylmäävää antisemitismiä hyvinkin tutunomaisilla klicheillä. Eriseuraisia tuppikulleja ja vitun rahanahneita. ellauri249.html on line 373: Iudaicum ediscunt et seruant ac metuunt ius, ellauri249.html on line 386: Hesperidum serpens aut Ponticus. ellauri249.html on line 388: William D. Rubenstein, a respected author and historian, outlines the presence of antisemitism in the English-speaking world in one of his essays with the same title. In the essay, he explains that there are relatively low levels of antisemitism in the English-speaking world, particularly in Britain and the United States, because of the values associated with Protestantism, the rise of capitalism, and the establishment of constitutional governments that protect civil liberties. Rubenstein does not argue that the treatment of Jews was ideal in these countries, rather he argues that there has been less overt antisemitism in the English-speaking world due to political, ideological, and social structures. Essentially, English-speaking nations experienced lower levels of antisemitism because their liberal and market friendly frameworks limited the organized, violent expression of antisemitism. In his essay, Rubinstein tries to contextualize the reduction of the Jewish population that led to a period of reduced antisemitism: "All Jews were expelled from England in 1290, the first time Jews had been expelled en masse from a European country". ellauri249.html on line 390: In post-Napoleonic England, when there was a notable absence of Jews, Britain removed bans on "usury and moneylending," and Rubenstein attests that London and Liverpool became economic trading hubs which bolstered England's status as an economic powerhouse. Jews were often associated with being the moneymakers and financial bodies in continental Europe, so it is significant that the English were able to claim responsibility for the country's financial growth and not attribute it to Jews. It is also significant that because Jews were not in the spotlight financially, it took a lot of the anger away from them, and as such, antisemitism was somewhat muted in England. It is said that Jews did not rank among the "economic elite of many British cities" in the 19th century. Again, the significance in this is that British Protestants and non-Jews felt less threatened by Jews because they were not imposing on their prosperity and were not responsible for the economic achievements of their nation. ellauri249.html on line 409: Kyseenalaisia sankareita kaiken kaikkiaan, esimtää "bloody eye" Skobelev edellisessä Krimin sodassa. Skobelev returned to Turkestan after the war, and in 1880 and 1881 further distinguished himself by retrieving the disasters inflicted by the Tekke Turkomans: following the Siege of Geoktepe, it was stormed, the general captured the fort. Around 8,000 Turkmen soldiers and civilians, including women and children were slaughtered in a bloodbath in their flight, along with an additional 6,500 who died inside the fortress. The Russians massacre included all Turkmen males in the fortress who had not escaped, but they spared some 5,000 women and children and freed 600 Persian slaves. The defeat at Geok Tepe and the following slaughter broke the Turkmen resistance and decided the fate of Transcaspia, which was annexed to the Russian Empire. The great slaughter proved too much to stomach reducing the Akhal-Tekke country to submission. Skobelev was removed from his command because of the massacre. He was advancing on Ashkhabad and Kalat i-Nadiri when he was disavowed and recalled to Moscow. He was given the command at Minsk. The official reason for his transfer to Europe was to appease European public opinion over the slaughter at Geok Tepe. British Field Marshal Bernard Montgomery assessed Skobelev as the world's "best single commander" between 1870 and 1914 and wrote of his "skilful and inspiring" leadership. Francis Vinton Greene also rated Skobelev highly. ellauri249.html on line 413: Geok Tepe (Turkmen: Гөкдепе, romanized: Gökdepe, "Blue Hills") is a city in and the administrative center of Gökdepe District, Ahal province, Turkmenistan, east of the Caspian See. Eventually, the defenders, and the 40,000 civilians inside the fort, fled across the desert, pursued by General Skobelev's cavalry. Around 8,000 Turkmen soldiers and civilians died while fleeing, adding to 6,500 who had died in the fort. Russian casualties were 398 killed and 669 wounded. Typical numbers with technological supremacy. ellauri249.html on line 470: Sutor, ne ultra crepidam is a Latin expression meaning literally 'Shoemaker, not beyond the shoe', used to warn individuals not to pass judgment beyond their expertise. The expression led to the term ultracrepidarianism, which is the giving of opinions and advice on matters outside of one's knowledge. ellauri249.html on line 472: Its origin is set down in Pliny the Elder's Naturalis Historia where he records that a shoemaker (sutor) had approached the painter Apelles of Kos to point out a defect in the artist's rendition of a sandal (crepida from Greek krepis), which Apelles duly corrected. Encouraged by this, the shoemaker then began to enlarge on other defects he considered present in the painting, at which point Apelles advised him that ne supra crepidam sutor iudicaret ('a shoemaker should not judge beyond the shoe'), which advice, Pliny observed, had become a proverbial saying. The Renaissance interest in meddling cluelessly into other people's affairs made the expression popular again. ellauri249.html on line 474: The saying remains popular in several languages, as in the English "A cobbler should stick to his last", the Dutch Schoenmaker, blijf bij je leest, the Danish Skomager, bliv ved din læst, the German Schuster, bleib bei deinen Leisten, and the Polish Pilnuj, szewcze, kopyta. Other languages use slightly changed forms: the Spanish Zapatero, a tus zapatos ('Shoemaker, [tend] to your shoes'), and the Russian Суди, дружок, не свыше сапога ('Judge not, pal, above the boot'), after Alexander Pushkin's poetic retelling of the legend. ellauri249.html on line 476: Karl Marx ridiculed the idea: "'Ne sutor ultra crepidam' – this nec plus ultra of handicraft wisdom became sheer nonsense, from the moment the watchmaker Watt invented the steam-engine, the barber Arkwright the throstle, and the working-jeweller Fulton the steamship." ellauri249.html on line 478: The Dunning–Kruger effect is defined as the tendency of people with low ability in a specific area to give overly positive assessments of this ability. The name comes from two singularly dense American psychologists Dunning and Kruger who thought they were the cat's whiskers, though in fact they could not find their own arses with a map. ellauri249.html on line 480: HBL:s krigexpert grunnar så här: Det går förstås inte att tala om en eskalation, då Ukraina attackerar strategiska mål inne i Ryssland. Det är ett helt berättigat svar på Rysslands angrepp mot civila mål och civil infrastruktur i Ukraina. Berättigad eskalation är ingen eskalation. Mick Ryan, general i avsked från Australiens militär, skriver i sin l blogg att attackerna var en politisk nödvändighet för att visa att Ukraina försvarar sin civilbefolkning mot de ryska robotattackerna. Enligt Ryan är det också givet att attackerna inom ryskt territorium godkändes personligen av Ukrainas standup president Volodymyr Zelenskyj. för Zelenskyj har upprepade gånger bett om mera hjälp av västländerna så Ukraina kan eskalera kriget till ryskt territorium. Det är hög tid at få åstad en fullskalad beväpnad konflikt mellan Ryssland och NATO, såsnart de snärtiga nordliga länderna är färdiga med at slicka rumpan på Erdogan. ellauri249.html on line 484: Of course, with the war in Ukraine, I can’t buy it anymore and I’ve had to replace it with Absolut, which is, I’m sorry to say, inferior in taste. (Finlandia’s not available where I live, it’s inferior, too.) That’s why I hope that Putin will retreat from Ukraine as soon as possible so that we can get back to business as usual. ellauri254.html on line 6: font-style: italic; ellauri254.html on line 10: font-style: italic; ellauri254.html on line 58: Ernst Theodor Amadeus Hoffmann (24. tammikuuta 1776 Königsberg, Itä-Preussi – 25. kesäkuuta 1822 Berliini) oli saksalainen kirjailija, juristi, säveltäjä, musiikkikriitikko, piirtäjä ja karikatyristi. Hoffmann oli Saksan romantiikan huomattavin kertoja ja uudenaikaisen kauhukertomuksen aloittaja. Hoffmann on jäänyt kirjallisuushistoriaan lyhennetyssä muodossaan E. T. A. Hoffmann. Parhaiten Hoffmann tunnetaan teoksestaan Pähkinänsärkijä ja hiirikuningas (Nussknacker und Mausekönig, 1816). Pjotr Tšaikovski sävelsi teoksesta vuonna 1892 tunnetun baletin, joka perustui Alexander Dumas'n versioon Hoffmannin tarinasta. Hoffmannista itsestäänkin on tehty ooppera, Jacques Offenbachin Hoffmanin kertomukset (1879). Jules Barbierin libretto perustuu hänen ja Michel Carrén näytelmään (1851), joka taas perustuu Hoffmanin kertomuksiin, joiden päähenkilönä hän itse seikkailee. ellauri254.html on line 63: Die Serapionsbrüder ist eine 1819 bis 1821 veröffentlichte Sammlung von Erzählungen und Aufsätzen von E.T.A. Hoffmann. Hoffmann stellte die vier Bände zu großen Teilen aus bereits vorher veröffentlichtem Material zusammen, fügte aber einige neue Erzählungen sowie eine Rahmenhandlung hinzu, in der einige literarisch gebildete Freunde über Probleme der Kunst diskutieren und als fiktive Autoren der Erzählungen auftreten. Vorbild für diesen Freundeskreis waren die Treffen der Serapionsbrüder, eines literarischen Kreises um Hoffmann, dem neben weiteren Schriftstellern auch Adelbert von Chamisso und Friedrich de la Motte Fouqué angehörten. Der Name leitete sich ursprünglich vom Heiligen Serapion her, an dessen Gedenktag – dem 14. November – der Freundeskreis sich zum ersten Mal nach längerer Trennung im Jahr 1818 wieder zusammenfand. Wichtiger als dieser äußere Anlass wird aber das sogenannte serapiontische Prinzip, dem sich die Mitglieder des Kreises verpflichtet fühlen. ellauri254.html on line 64: Über die tatsächlichen Vorbilder für den Freundeskreis, der die Rahmengespräche der „Serapionsbrüder“ bestreitet, schreibt Hitzig: ellauri254.html on line 66: „Die Grundpfeiler dieses Vereins bildeten nächst Hoffmann, Contessa, Koreff, ein ausgezeichneter Arzt*) und Hitzig. Ein vortrefflicher ineinandergreifendes Quatuor mochte nicht leicht zu finden sein. Koreff war der einzige Mensch, dem Hoffmann geduldig zuhörte, weil er ihn in der Unterhaltung an sprudelndem lebendigem Witze oft und an Kenntnissen immer überbot, auch dabei gutmütig genug war, ihn reden zu lassen, so oft er wollte; Contessa, selbst wenig redend, horchte auf alles, was die Freunde an Witz ausgehen ließen, mit dem beredtesten Beifallslächeln, das ihm unaufhörlich um die Mundwinkel spielte, von Zeit zu Zeit ein kleines, aber entscheidendes Wörtchen zugebend, und Hitzig, der mit Contessa das Publikum bildete und alle drei übrigen länger und besser als sie sich untereinander kannte, verstand darum die Kunst, Lücken im Gespräch auszufüllen, und wo es matt wurde, es wieder anzuregen, sich willig jedes Anspruchs auf Solopartien begebend.“ Hoffman oli takuulla sehr narzissistisch. ellauri254.html on line 68: Glaubhaft, aber nicht als realitätsnahe Personenzeichn ellauri254.html on line 74: Sylvester: Karl Wilhelm Salice-Contessa; ellauri254.html on line 78: Lothar: Friedrich de la Motte Fouqué; ellauri254.html on line 83: Programmatisch für das serapiontische Prinzip, das „wie Theodor sehr richtig bemerkte, eben nichts weiter heißen wollte, als daß die Serapionsbrüder übereingekommen, sich durchaus niemals mit schlechtem Machwerk zu quälen“, ist die Absage an jede Art von Nachahmungspoetik und jeden sogenannten Realismus. Nicht die Außenwelt soll durch die Dichtung abgebildet werden, sondern es gilt, „das Bild, das dem wahren Künstler im Innern aufgegangen“, durch „poetische Darstellung ins äußere Leben zu tragen“. Wie Serapion, der als weltfremder Eremit nur seinen Visionen folgte, soll auch der Dichter sich von der Einsamkeit als idealer Sphäre seines schöpferischen Geistes inspirieren lassen. Je mehr ihm die Welt zum bloßen Störfaktor wird, desto autonomer, genialer und serapiontischer sein Werk. Indem die fiktiven Erzähler der Novellensammlung über die serapiontische Qualität ihrer Texte diskutieren, wird die ästhetische Reflexion – ganz im Sinne romantischer Poetologie – selbst zum Bestandteil der Poesie. Verwirrend für die Interpreten E.T.A. Hoffmanns sind dabei die für ihn so charakteristischen visionär-phantastischen Projektionen, mit denen er die künstlerische Innenschau mit der alltäglichen Wirklichkeit verbindet und dabei eine typisch serapiontische Mischung aus Phantasie und Realität schafft, die für den Leser nur noch schwer zu entwirren ist. ellauri254.html on line 132: Kuten tiedätte, Vsevolod Ivanov tapasi yhdessä muiden kirjailijoiden kanssa Stalinin, Voroshilovin, Kaganovichin, Molotovin ja Postyshevin Gorkin asunnossa 26. lokakuuta 1932. Kokouksessa - viinin ja välipalojen kanssa - keskusteltiin kirjailijaliiton perustamisesta, Stalin selitti puolueen politiikkaa kirjallisuutta kohtaan, lupasi kaiken mahdollisen tuen. Vuonna 1934 perustettiin Neuvostoliiton kirjailijoiden liitto, sen ensimmäinen kongressi pidettiin. Yksi liiton hallituksen sihteereistä oli Vs. Ivanov. Hänet valittiin kirjallisuusrahaston hallituksen puheenjohtajaksi. ellauri254.html on line 136: ica.com/s:300x300/43/161143-050-2C8D6F6D/Vsevolod-Vyacheslavovich-Ivanov-Soviet-postage-stamp-1965.jpg" height="200px" /> ellauri254.html on line 182: icture-in-picture; web-share" allowfullscreen> ellauri254.html on line 232: Мы помним всё — парижских улиц ад, Me tiedetään Boul'Michin helvetti, ellauri254.html on line 284: Vallankumouslyriikkaa edustaa parhaiten vuonna 1918 ilmestynyt runoelma Двенадцать (Kaksitoista), joka kertoo kahdentoista punakaartilaisen taivalluksesta valkoisessa lumimyrskyssä. Myöhemmin Blok muutti käsitystään vallankumouksen ihanuudesta. Helmikuussa 1919 Tšeka pidätti Blokin. Häntä epäiltiin osallistumisesta neuvostovastaiseen vasemmistolaiseen toimintaan. Seuraavana päivänä hänet kuitenkin vapautettiin Anatoli Lunatictšarskin puututtua asiaan. ellauri254.html on line 286: Kesällä 1921 Blokin terveys oli heikentynyt niin pahasti, että Lunatictšarski ja Maksim Gorki pyysivät Leniniltä lupaa matkustaa Suomeen saattamaan häntä pakkohoitoon. Leninin johdolla kokoontunut kommunistisen puolueen politbyroo kieltäytyi ensin antamasta Blokille matkustuslupaa, mutta pyörsi sittemmin päätöksensä ja myönsi matkustusluvan heinäkuussa 1921. Blok ei kuitenkaan ehtinyt matkustaa Suomeen ennen kuolemaansa. Mitä vetoa että Blok oli kova votkanlipittäjä? Käytännössä asui Kulkukoiran kellarissa, jossa sillä oli lattialla juomakuppi. ellauri254.html on line 318: Stalinin kasatessa (sic) vaivihkaa valtaa itselleen Zinovjev ja Kamenev muodostivat tiiviin kaksikon, joka piti yhtä loppuun saakka. Kunnianhimoisen ja vaistoihinsa luottaneen Zinovjevin sekä varovaisen ja järjestelmällisen Kamenevin on sanottu täydentäneen toistensa huonoja ominaisuuksia. Leninin kuoltua tammikuussa 1924 juuri Zinovjev oletettiin todennäköisimmäksi Neuvostoliiton seuraavaksi johtajaksi, sillä Stalinia ei vielä pidetty vakavasti otettavana vaihtoehtona valtapelissä. Niin sanotussa testamentissaan Lenin esitti hyväksyvän arvion Zinovjevista ja Kamenevista mutta arvosteli Trotskia ja erityisesti Stalinia. ellauri254.html on line 324: icture-in-picture; web-share" allowfullscreen> ellauri254.html on line 335: ichaPolicialDeZinoviev1936.jpg/250px-FichaPolicialDeZinoviev1936.jpg" /> ellauri254.html on line 344: Zinovjevit ovat venäläisiä aatelissukuja. Liettualainen aatelismies Aleksander Zenovich, despoottien jälkeläinen, lähti Liettuasta vuonna 1392 Moskovaan. Monet hänen jälkeläisistään olivat stolnikkeja, asianajajia, kuvernöörejä. Stepan Stepanovitš Zinovjev (kuoli 1764) oli Katariina II :n lähettiläs Espanjassa. Nikolai Ivanovitš Zinovjev (1706 - 1773) oli Pietarin poliisipäällikkö ja sitten senaattori. Zinovjev-suku kuuluu Pietarin, Novgorodin, Orjolin ja Poltavan maakuntien sukukirjojen VI-osaan (Gerbovnik, I, 49). Muut Zinovievien suvut, lukumäärältään 19, myöhemmin peräisin. Despot-Zenovich- Liettuan aatelissuku, vaakuna Zenovich. Heidän esi-isänsä Bratosh ja hänen poikansa Zinovy mainitaan vuonna 1401 Liettuan aatelisten joukossa, jotka allekirjoittivat uskollisuusasiakirjan Puolan kuninkaalle. Zinovyn pojanpoika Juri Ivanovich Zenovich oli vuonna 1507 Smolenskin kuvernööri. XVI vuosisadalla. kaksi Despot-Zenovichia oli Smolenskin kastellaanit ja yksi Brestin kuvernööri. Tämä klaani otti käyttöön etuliitteen "Despot" 1600-luvun lopulla, kun legenda ilmestyi sen alkuperästä serbialaisilta despootilta. Despot-Zenovichi-perhe sisältyy Minskin maakunnan sukukirjan VI osaan. Yksi tämän suvun haara muutti 1400-luvun lopulla. Venäjälle, missä hänen sukunimensä sai muodon Zinovjev. ellauri254.html on line 346: Jos tarkastelemme syvemmälle sukunimen "Zenovich" etymologiaa, asiantuntijoiden mukaan se muodostuu sanasta "Zenon" (muuten, hyvin yleinen Länsi-Ukrainassa ja Valko-Venäjällä) ja tarkoittaa "Zeuksen jälkeläistä" ( kreikka) tai Zinovy'sta - "Zeuksen elämä" (kreikka). Sukunimivaihtoehdot: Zenkovsky, Zenin ja Zinin, Zekhnov ja Zikhnov. Suoraan Zeuksen (kreikaksi) syntyneestä kastenimestä Zinovy, joka tavallisesti yksinkertaistettiin jokapäiväisessä elämässä nimellä Zina tai Zinya, esiintyivät sukunimet: Zinin, Zinichev, Zinovichev, Zinoviev, Zinukhin, Zinkov, Zinyukin. ellauri254.html on line 351: Fjodor Kuzmich Sologub (oikea nimi - Teternikov ; 17. helmikuuta ( 1. maaliskuuta ) 1863 , Pietari - 5. joulukuuta 1927 , Leningrad ) - venäläinen runoilija, kirjailija , näytelmäkirjailija, publicisti, kääntäjä, joka tunnetaan myös nimellä Theodor Sologub, esseisti. ellauri254.html on line 358: Primary influences on the movement weren't merely western writers such as Brix Anthony Pace, Paul Verlaine, Maurice Maeterlinck, Stéphane Mallarmé, French symbolist and decadent poets (such as Stéphane Mallarmé, Paul Verlaine and Charles Baudelaire), Oscar Wilde, D'Annunzio, Joris-Karl Huysmans, the operas of Richard Wagner, the dramas of Henrik Ibsen or the busty broad and toyboy philosophy of Arthur Schopenhauer and Friedrich Nietzsche. ellauri254.html on line 360: According to the extremely experienced Belgian slavist Emmanuel Waegemans, "who was and still is indeed considered to be the primus inter pares in Russian literature and culture from the eighteenth-century onwards", Russian thinkers themselves contributed largely to this movement: such examples would be the irrationalistic and mystical poetry and philosophy of Fyodor Tyutchev and Vladimir Solovyov or Fyodor Dostoyevsky's novels. It is remotely thinkable that these geeks could read the Western alphabet on their own. ellauri254.html on line 362: Sologubbe oli aivan oikeassa että kyrillistä textiä on paha lukea koska kirjaimet on liian samanlaisia. Soologubbe joka oli aito puskaryssä ei sietänyt Akim Volynskiä joka oli yhtä nokkava ellei vielä nokkavampi juutalainen oikealta nimeltään Khaim Leybovich Flekser, Хаим Лейбович Флексер; 3 May 1861 - 6 July 1926). Vanhoja dekadentteja oli molemmat. Sologubin ja Volynskin kärhämistä on Fedinillä hauska selostus siv. 156-7. ellauri254.html on line 371: Merezhkovsky's wife, Zinaida Gippius, also a major poet in the early days of the symbolist movement - together with the ultimately deceased Ivan Konevskoy and Aleksandr Dobrolyubov part of the so-called metaphysical symbolists - opened a hair salon in Saint Petersburg, which came to be known as the "headquarters of Russian decadence". (Head, hehehe. Head and hind quarters, I bet.) ellauri254.html on line 373: Valeri Bryusov's novel The Fiery Angel is also well known. It tells the story of a 16th-century German scholar and his attempts to win the love of a young woman whose spiritual integrity is seriously undermined by her participation in occult practices and her dealings with unclean forceps. The novel served as the basis for Sergei Prokofiev's eponymous opera The Fiery Angel. ellauri254.html on line 383: This pessimistic Russian symbolist writer, who referred to himself as the lard of death, was (as I already said) the first writer to introduce the morbid, pessimistic elements characteristic of fin de siècle literature and philosophy into Russian prose. His most famous novel, The Petty Cash Demon (1905), was an attempt to create a living portrait of the concept known in Russian as poshlost' (an idea whose meaning lies somewhere between evil, trashy and banality or kitsch). His next large prose work, A Created Legend (a trilogy consisting of Drops of Blood, Queen Ortruda, and Smoke and Ash), contained many of the same characteristics but presented a considerably more positive and hopeful view of the world. It sold much worse than Petty Cash. ellauri254.html on line 385: In 1899, as Fyodor Sologub progressed in the teaching profession while continuing to elaborate his literary career, Sologub was appointed principal of the Andreevskoe municipal school in Saint Petersburg. With the position came an apartment on Vasilievsky Island, which Sologub shared with his sister Olga. In the late 1890s and at the beginning of the 1900s, the art world of Petersburg saw Konstantin Sluchevsky’s ‘Fridays’, and Sergei Diaghilev’s ‘Wednesdays’: literary salons which were attended by the leading poets and artists of the day. Sologub had been a participant of both groups; and between 1905 and 1907, his apartment on Vasilievsky Island became the home of ‘Sundays’, a regular meeting place for Petersburg’s nascent intellectuals. ellauri254.html on line 387: Alexander Blok was a routine visitor. These years were some of the young Blok’s most prolific, marked by bursts of creative energy as he worked on two lyrical dramas – Balaganchik (‘The Puppet Show‘), featuring the ‘grotesquely luckless’ Pierrot, which was staged in 1906 by Vsevolod Meyerhold at the Komissarzhevskaya Theatre; and The Stranger – and the poetry cycle The Snow Mask, which he completed in little over a week at the beginning of 1907. The actress Valentina Verigina often accompanied Blok, and recounted of these visits to and from Sologub’s apartment: ellauri254.html on line 389: ‘How often we wandered through the streets of the snowy city… All of the theatrical events that seemed so important in their time have grown dim in my memory. Acting at the theatre, which I loved so much, now seems to me far less exciting and bright than that game of masks in Blok’s circle. It is true that even at that time I did not look upon our meetings, gatherings, and strolls as mere entertainment. There is no doubt that others too felt the significance and creative value of it all, yet nonetheless we did not realize that the charms of Blok’s poetry almost deprived us all of our real existence, turning us into Venetian masqueraders of the north.’ ellauri254.html on line 393: In August 1910, Sologub and his wife moved to a larger apartment, at Razyezzhaya ulitsa in the centre of Petersburg. The short and brisk sentences of Anastasia Chebotarevskaya’s writing have been viewed as a potential influence on Sologub’s own work; and she encouraged his acquaintance with the young writers of Russian Futurism, a distinctive literary movement which was then just beginning to flower. Yet the influence of Anastasia on her husband has not been unanimously well received. The humourist Teffi – who was one of the group who frequented the ‘Sundays’ gatherings at Sologub’s Vasilievsky Island home – wrote that Sologub’s marriage: ellauri254.html on line 395: ‘reshaped his daily life in a new and unnecessary way. A big new apartment was rented, small gilt chairs were bought. The walls of the large cold office for some reason were decorated with paintings of Leda by various painters. The quiet talks were replaced by noisy gatherings with dances and masks. Sologub shaved his mustache and beard, and everyone started to say that he resembled a Roman of the period of decline.’ ellauri254.html on line 397: One of these ‘noisy gatherings with dances and masks’ proved the occasion of a notable scandal within the world of Russian letters. On 3 January, 1911, Sologub and his wife hosted a masquerade to celebrate the new year. Among the attendees were the writers Aleksei Remizov and Aleksei Tolstoy. Remizov was well known within the world of Russian letters for his mischievous sense of humour. He founded a ‘Great and Free House of Apes’, declaring himself Chancellor, and sent out missives to writers and publishers decreeing them positions in this ironic organisation; and Andrei Bely dubbed him a ‘petty cash demon’ – the title of Sologub’s most celebrated work – owing to his appearance. ellauri254.html on line 405: Fyodor and Anastasia would stay at the apartment on Razyezzhaya ulitsa until 1916, when – after several years of constant touring for the sake of a series of lectures – Sologub settled again and returned with his wife to Vasilievsky Island. The final move of his life would come in the weeks after his wife’s suicide in 1921, upon which Sologub took an apartment on the Zhdanovskaya Embankment, close to Tuchkov bridge from which his wife had jumped and drowned. ellauri254.html on line 410: Hugo von Hofmannsthal (1. helmikuuta 1874 Wien, Itävalta – 15. heinäkuuta 1929 Wien) oli itävaltalainen kirjailija, näytelmäkirjailija ja esseisti, joka tunnetaan erityisesti lukuisten Richard Straussin oopperoiden libretistinä. Nuorena von Hofmannsthal kuului Nuorwieniläiset-nimiseen avantgarde-kirjailijoiden ryhmään. Hofmannsthal syntyi varakkaaseen wieninjuutalaiseen pankkiiriperheeseen. Ylioppilaaksi tultuaan hän opiskeli yliopistossa ensin jonkin aikaa lakitiedettä mutta vaihtoi oppiaineen sitten romaaniseen filologiaan, josta hän väitteli tohtoriksi 1899. Hofmannsthal solmi avioliiton 1901, ja perheeseen syntyi kolme lasta. Vanhin pojista teki itsemurhan 14. heinäkuuta 1929 ja von Hofmannsthal kuoli seuraavana päivänä sydänkohtaukseen hautajaisia valmistellessaan. Hänet haudattiin samaan laatikkoon poikansa kanssa. Säästyi siinäkin Kroisoxelta muutama pennonen. ellauri254.html on line 424: Jedermannin dramatis personae ovat: Der Spielansager, Gott der Herr, Erzengel Michael, Tod, Teufel, Jedermann, Jedermanns Mutter, Jedermanns guter Gesell, Der Hausvogt, Der Koch, Ein armer Nachbar, Ein Schuldknecht, Des Schuldknechts Weib, Buhlschaft, Dicker Vetter, Dünner Vetter, Etliche junge Fräulein, Etliche von Jedermanns Tischgesellen, Büttel, Knechte, Spielleute, Buben, Mammon, Werke, Glaube, Mönch, Engel. ellauri254.html on line 427: God (Gott) sends Death (Tod) to summon the rich bon viveur Everyman (Jedermann) who is then abandoned by his friends, his wealth and his lover (Buhlschaft). ellauri254.html on line 431: It was first performed on 1 December 1911 in Berlin under the direction of Max Reinhardt at the Circus Schumann (which later became the Großes Schauspielhaus). ellauri254.html on line 435: Die Wiederbelebung des Mysterienspiels war ein außergewöhnlicher Versuch, das Theater zu erneuern. ellauri254.html on line 436: Des Teufels letzte Worte, nachdem er den Jedermann nicht bekommen hat: ellauri254.html on line 440: Ist einer redlich, treu und klug, ellauri254.html on line 443: Das Fragment scheint sehr dicht Hofmannsthals eigene biographische Situation zu reflektieren. Im Sommer 1901 hatte er geheiratet und mit seiner Frau ein Haus bezogen. Finanziell war er durch das Vermögen seines Vaters unabhängig. Der erste Dialog zwischen Jedermann und dem Mammon lässt das Herrschaftsverhältnis zwischen beiden hervortreten. Jedermann hadert mit dem Mammon, seinem Knecht, dessen Dienstfertigkeit ihm unerträglich ist. ellauri254.html on line 444: Deutlich ist der Bezug zum Tod von Hofmannsthals Mutter im Jahr 1904. Der Dialog mit dem Freund spielt mit Sicherheit auf die Freundschaft mit Stefan George an, die zu diesem Zeitpunkt bereits fast zerstört war. Ein Jahr später, im März 1906, sollten Hofmannsthal und George tatsächlich ihre 15 Jahre andauernde "Freundschaft" beenden. ellauri254.html on line 446: Aika keskinkertainen jaaritus ja erittäinkin roopeankkamaisen talousliberaaliklicheinen. Just tälläsistä tulee satavuotisia Festspiel-esityxiä Salzburgin turistifestivaaleilla. Tästä Stefan Georgesta on ollut paasausta siellä täällä enenkin, muttei tämmöstä kunnollista.. ellauri254.html on line 455: Stefan Anton George (* 12. Juli 1868 in Büdesheim, heute Stadtteil von Bingen am Rhein; † 4. Dezember 1933 in Locarno) war ein deutscher Lyriker. Zunächst vor allem dem Symbolismus verpflichtet, wandte er sich nach der Jahrhundertwende vom reinen Ästhetizismus der zuvor in den Blättern für die Kunst propagierten „kunst für die kunst“ ab und wurde zum Mittelpunkt des nach ihm benannten, auf eigenen ästhetischen, philosophischen und lebensreformerischen Vorstellungen beruhenden George-Kreises. ellauri254.html on line 457: George wurde als Sohn des Gastwirts und Weinhändlers Stephan George und dessen Frau Eva (geb. Schmitt) in Büdesheim (bei Bingen) geboren. Die Familie stammte ursprünglich aus dem seit 1766 zu Frankreich gehörenden Roupeldange. Der Bruder von Georges Urgroßvater Jacob (1774–1833), Johann Baptist George (Grab in Büdesheim), war von hier nach Büdesheim gezogen und hatte (da selbst kinderlos) als Erben Georges Großvater Anton (1808–1888; Soldat unter Karl X.) sowie dessen Bruder Etienne (den späteren Politiker) zu sich geholt. Stefan George galt als verschlossenes, eigenbrötlerisches Kind, das schon früh zur Selbstherrlichkeit neigte. Ach ja! das heisst Narzissismus bei Freud. ellauri254.html on line 459: Ab 1882 besuchte er das Ludwig-Georgs-Gymnasium in Darmstadt. Nebenbei lernte er selbstständig Italienisch, Hebräisch, Griechisch, Latein, Dänisch, Niederländisch, Polnisch, Englisch, Französisch und Norwegisch, um fremde Literaturen im Original lesen zu können. Seine Sprachbegabung veranlasste ihn auch, mehrere Geheimsprachen zu entwickeln. Eine davon behielt er bis zum Ende seines Lebens für persönliche Notizen bei; da jedoch alle entsprechenden Unterlagen nach seinem Tod vernichtet wurden, ist sie bis auf zwei Zeilen in einem Gedicht verloren und diese können auch nicht mehr entschlüsselt werden. ellauri254.html on line 461: Nach seinem Abitur im Jahre 1888 bereiste George die europäischen Metropolen London, Paris und Wien. In Wien lernte er 1891 Hugo von Hofmannsthal kennen. In Paris traf er auf den Symbolisten Stéphane Mallarmé und dessen Dichterkreis, der ihn nachhaltig beeinflusste und ihn seine exklusive und elitäre Kunstauffassung des l’art pour l’art entwickeln ließ. Seine Dichtungen sollten sich jeglicher Zweckgebundenheit und Profanierung entziehen. Zu Georges Pariser Kontaktpersonen gehörte auch Paul Verlaine. Unter dem Einfluss der Symbolisten entwickelte George eine Abneigung gegen den in Deutschland zu jener Zeit sehr populären Realismus und Naturalismus. Maxim Gorki wäre sehr böse gewesen, hätte er das gewusst. Seit 1889 studierte er drei Semester lang an der Philosophischen Fakultät der Friedrich-Wilhelms-Universität Berlin, brach sein Studium jedoch bald ab. Danach blieb er sein Leben lang ohne festen Wohnsitz, wohnte bei Freunden und Verlegern (wie Georg Bondi in Berlin), auch wenn er sich zunächst noch relativ häufig in das Elternhaus in Bingen zurückzog. Zwar hatte er von seinen Eltern ein beträchtliches Erbe erhalten, doch lebte er stets sehr genügsam. Als Dichter identifizierte er sich früh mit Dante (als der er auch beim Münchner Fasching auftrat), dessen Divina Comedia er in kleine Teile zerriss. Samanlainen ilkeä riippunokka se olikin kuin Dante. ellauri254.html on line 463: George trat in dieser Zeit in Lesungen vor ausgesuchtem Hörerkreis auf. Während er in ein priesterliches Gewand gekleidet seine Verse verlas, lauschte das Publikum ergriffen. Anschließend empfing er einzelne weibliche Zuhörer zu Audienzen in einem Nebenzimmer. Seine Bücher waren ungewöhnlich gestaltet und zunächst nur in intellektuellen Kreisen zu hohem Preis vorhanden. ellauri254.html on line 465: Zu Georges engen Vertrauten zählte anfangs auch der Wiener Schriftsteller Hugo von Hofmannsthal. Die Beziehung war von Seiten Georges, der sich homoerotisch zu Männern hingezogen fühlte, ausgegangen. Sein ungestümes Drängen jedoch ließ die Faszination Hofmannsthals, der den sechs Jahre älteren George an Heiligabend 1891 nichts ahnend besuchte, in Angst umschlagen. Georges Besessenheit ging so weit, dass er den 17-Jährigen sogar zum Duell aufforderte, weil Hofmannsthal sein Werben angeblich falsch gedeutet habe. Dazu kam es nicht, aber Hofmannsthal fühlte sich von George derart verfolgt, dass er in seiner Verzweiflung schließlich seinen Vater um Hilfe bat, dem es mit einem klärenden Gespräch gelang, Georges Nachstellungen zu unterbinden. ellauri254.html on line 467: Der geistige Umgang der beiden dauerte dennoch fast 15 Jahre an, wobei George immer die Rolle des bestimmenden älteren Freundes einnahm. Gleichwohl wehrte sich Hofmannsthal, bei aller Hochschätzung der dichterischen Genialität Georges, gegen die persönliche Vereinnahmung durch ihn und seinen Kreis. Aus dieser Zeit stammt ein intensiver Briefwechsel. Hofmannsthal stellte in seinem Gespräch über Gedichte (1903) das berühmte, aus dem Jahr der Seele stammende Gedicht vor, mit dem George diesen Zyklus einleitet: ellauri254.html on line 474: Dort nimm das tiefe gelb · das weiche grau Ota sieltä syvä keltainen, pehmyt harmaa ellauri254.html on line 476: Die späten rosen welkten noch nicht ganz · Myöhäiset ruusut eivät ole ihan kuihtuneet - ellauri254.html on line 477: Erlese küsse sie und flicht den kranz · Poimi pussaten niitä ja solmi seppele ellauri254.html on line 479: Vergiss auch diese lezten astern nicht · Äläkä unohda tätä laitimmaista ahteria - ellauri254.html on line 482: Verwinde leicht im herbstlichen gesicht. Se kevyesti ruiki syxyiseen naamaani. ellauri254.html on line 484: Es wurde immer klarer, dass die gegenseitigen Erwartungen enttäuscht wurden und ihre künstlerischen Vorstellungen immer weiter auseinandergingen. So konzentrierte sich George auf die Lyrik und verlangte Gefolgschaft, der sich Hofmannsthal allmählich entzog, zumal er sich auch dem Drama und anderen Formen gegenüber aufgeschlossen zeigte. Auf die Widmung seines Trauerspiels Das gerettete Venedig von 1904 an George reagierte dieser ablehnend. Er bescheinigte Hofmannsthal, dass der Versuch, den „Anschluss an die große Form zu finden“, misslungen sei. Im März 1906 brachen sie den Kontakt ganz ab. ellauri254.html on line 488: Ab 1907 ist eine Zäsur in Georges Kunstbegriff zu erkennen. Seine Werke entsprachen nicht mehr dem Anspruch der sogenannten selbstgenügsamen Kunst, sondern gewannen zunehmend einen prophetischen und religiösen Charakter. Fortan fungierte George zunehmend als ästhetischer Richter oder Ankläger, der gegen eine Zeit der Verflachung anzukämpfen versuchte. Anlass hierzu war vor allem die Begegnung Georges mit dem vierzehnjährigen Maximilian Kronberger 1902 in München. Nach dem plötzlichen Tod Kronbergers 1904 an Arschverblütung stellte George ein Gedenkbuch zusammen, das 1906 mit einer Vorrede erschien, in der „Maximin“ (so nennt ihn George) zum Gott erhoben wurde, der „in unsere Kreise getreten war“. Inwiefern dieser „Maximin-Kult“ tatsächlich ein gemeinsamer des Kreises war oder eher ein privater Georges, der dadurch, dass er die Göttlichkeit Maximins erkannt hatte, seine eigene zentrale Stellung rechtfertigen wollte, ist schwierig zu rekonstruieren. Minimax olis ollut turvallisempi strategia, kuiten von Neumann ja Morgenstern ovat osoittaneet. Maxi muna miniin reikään tuottaa vahinkoa, mini muna maxissa reiässä ei ehkä paljon anna, muttei otakaan. ellauri254.html on line 490: Außerdem war der thematische Bruch Georges in dessen Privatleben begründet. In jener Zeit hatte er sich vom okkulten Kreis Ludwig Klages’ und Alfred Schulers abgewandt und den Kontakt zu Hugo von Hofmannsthal abgebrochen. Der Wegfall einiger Anhänger und die Nachfolge durch jüngere Dichter sorgten für einen Wandel der Blätter für die Kunst. Die nun teilweise auch anonym veröffentlichten Gedichte rückten ins Metaphysische und behandelten zunehmend apokalyptische, expressionistische und esoterisch-komische Themen. Auch der George-Kreis hatte sich dadurch verändert. War er zuvor eine Vereinigung Gleichgesinnter, wandelte er sich nun zu einem hierarchischen Bund aus Jüngern, die sich um ihren höhergestellten Meister George scharten. Es wird vermutet, dass es im Kreis Stefan Georges seelischen oder gar sexuellen Missbrauch gab. ellauri254.html on line 492: George ei uskonut Saxan aseiden voittoon 1. maailmansodassa, raakkui rökäletappiota, missä osuikin naulan kantaan. Homokolleega Klaus Mann erinnerte sich an Georges Popularität später wie folgt: „Inmitten einer morschen und rohen Zivilisation verkündete, verkörperte er eine menschlich-künstlerische Würde, in der Zucht und Leidenschaft, Anmut und Majestät sich vereinen. Dabei hatte er einen majestätischen Schwanz.“ ellauri254.html on line 499: Siinä oli meitä poikia. Stefun ikävä lätty näkyy näpeimpänä pisteenä taulun oikeassa ylänurkassa. Pullanaamainen Brando lookalike vauvaessussa on Schwuler ja dinaarinen pikkumies Klages. Koukkunokka vasemmassa laidassa on syväkurkkuinen Karl Wolfskehl, joka sittemmin ajoi pois röyhypartansa kuten Soologubbe. Toinen partapozo ei ole sikapaska Hongisto eikä vekkulin Volvon etulokasuoja vaan Albert Verwey Amsterdamista joka ei saanut Nobel-palkintoa. Verwey was a close friend of Willem Kloos, and an affair developed between the two poets, which is unprecedented in Dutch literature. Siinä ehkä syy. ellauri254.html on line 501: Klages was born on 10 December 1872, in Hannover, Germany, the son of Friedrich Ferdinand Louis Klages, a businessman and former military officer, and wife Marie Helene née Kolster. In 1878, his sister Helene Klages was born and the two shared a strong bond throughout their lives. In 1882, when Klages was nine years old, his mother died. The death is thought to have been the result of pneumonia. He quickly developed a strong interest in both prose and poetry writing, as well as in Greek and Germanic antiquity. His relationship with his father was strained by the latter's strictness and will to discipline him. Nevertheless, attempts to forbid Klages from writing poetry were unsuccessful by both his teachers and parents. ellauri254.html on line 505: In uniting his philosophy and personal preferences, Klages generally opposed sexuality as a formal concept. Mitä vetoa että Ludi oli bi? Even during the heyday of sexual and bohemian rebellion, Herf writes, "Klages struck most observers as strikingly clean and honourable in erotic matters." ellauri254.html on line 506: When Klages (at 23) moved into a new Schwabing flat in 1895, he entered into an intense sexual relationship with his landlady's daughter, with the mother's approval; the daughter, whom Klages called 'Putti', was eleven years younger than him (12 yrs), and their relationship continued for almost two decades though remained only sexual in nature, and squeaky clean. During his years in Schwabing, Klages also became romantically involved with novelist Franziska zu Reventlow, which was further alluded to in her 1913 roman à clef Herrn Dames Aufzeichnungen. Both Stefan George and Alfred Schuler, with whom Klages closely associated, were openly homosexual men. Whilst some of Klages' outward statements on homosexuality may be seen as harsh, he maintained an intimate personal and not just academic admiration for Schuler all throughout his life. Kaikki käy, kuhan paikat pysyy kemiallisen puhtaana. Kemia ei tunne likaa. ellauri254.html on line 508: Klages' writings in both prose and poetry began appearing in Blätter für die Kunst, a journal publication owned by Stefan George, who himself had eagerly recognized Klages' "talent." ellauri254.html on line 509: In 1914 at the outbreak of war Klages moved to Switzerland and supported himself with his writing and income from lectures. He returned to Germany in the 1920s and in 1932 was awarded the Goethe medal for Art and Science. However, by 1936 he was under attack from Nazi authorities for lack of support and on his 70th birthday in 1942 was denounced by many newspapers in Germany. After the war he was honoured by the new government for his lack of support to the Nazis, particularly on his 80th birthday in 1952. ellauri254.html on line 515: Alfred Schuler (* 22. November 1865 in Mainz; † 8. April 1923 in München) wird als Seher, Religionsstifter, Gnostiker, Mystagoge und Visionär charakterisiert. Sich selbst verstand Schuler als einen wiedergeborenen dekadenten Römer der späten Kaiserzeit. Schuler, der einen gnostizierenden Neopaganismus vertrat, war spiritueller Mittelpunkt der Kosmiker und Ideengeber für Stefan George und Ludwig Klages. Ohne zu Lebzeiten ein Buch veröffentlicht zu haben, erzielte er eine große Breitenwirkung. Mme Turn und Taxis fragte Rilke: Wer ist dieser Schwuler? Hat er etwas gesrchrieben? ellauri254.html on line 517: In Munich, the Cosmic Circle of Ludwig Klages and Alfred Schuler, deeming "the Jew the enemy of the human race," gave their erstwhile leader, Stefan George, this ultimatum: "What is your stand on Judah?" He replied that he wished he had more such deep-throated Jewish disciples as Wolfskehl. George's views continued to overlap with those of the Cosmic Circle, especially in invoking the pagan earth mother of "Templars." Actually what first launched the George cult on a nationwide basis was Klages's own book, Stefan George, of 1902. The accusation of Klages's Nazism by indignantly pointing out that the Nazis distinctly distanced themselves from Klages. Though the Nazis shared Klages's basic metapolitics and had found him useful for propaganda among professors, they later found the Klages-Schuler cult embarrassing. The intensity of George's break with Klages-Schuler is paralleled by Nietzsche's break with the Jew-hater Richard Wagner; in both cases an intense friendship was severed on the grounds of civilized values higher than friendship. Klages thought that Nazis and Israelis were both wrong in thinking they were the chosen people, with the difference that the Jews had actually already won the beauty contest. ellauri254.html on line 519: In seinem Spätwerk Das neue Reich (1928) verkündete George eine hierarchische Gesellschaftsreform auf der Grundlage einer neuen geistig-seelischen Aristokratie (z. B. Stefan George). Georgea ei nazit saaneet houkutelluxi mukaansa, vaan se ryömi Sveiziin kuolemaan. Tän Schwulerin fasistiset sekoilut saivat sen kyllä hetkittäin kuumumaan, varmaan kun pojilla oli housut nilkoissa. ellauri254.html on line 521: In Schulers antisemitisch-esoterischer Vorstellungswelt strömten im Blut „kosmische Energien“ des Menschen zusammen, ein kostbarer Besitz, der „Quell aller schöpferischen Mächte“ sei. Dieser Schatz sei von einem besonderen Leuchtstoff durchdrungen, der von der kosmischen Kraft des Trägers künde, allerdings nur im Blut auserwählter Personen zu finden sei. Von ihnen erwartete man in den Zeiten des Niederganges die allgemeine Wiedergeburt in den Sonnenkindern oder Wiener Sängerknaben. Nun gab es nach Auffassung Klages’ einen mächtigen Feind des Blutes, den Geist, und die kosmischen Anstrengungen sollten darauf hinauslaufen, die Seele aus der „Knechtschaft“ dieses Geistes zu befreien, jener Kraft, die mit Fortschritt und Vernunft, Kapitalismus, Zivilisation und dem Judentum gleichzusetzen war und den Sieg Jahwes über das Leben bedeuten würde. Die Tiraden Schulers gegen den „Molochismus“, wie er seine Anspielung auf den kinderverschlingenden Moloch nannte, unterschieden sich kaum von antisemitischen Wendungen, die um diese Zeit in Wien gestreut wurden. Klages ging über diese noch hinaus, indem er vom Scheinleben einer Larve sprach, die Jahwe nutze, „um auf dem Wege der Täuschung die Menschheit zu vernichten“. ellauri254.html on line 523: Obwohl George viele Ideen Schulers als unsinnig ablehnte, war er von ihm fasziniert und vergegenwärtigte in etlichen Versen dessen heraufbeschworene Visionen. Nun wollte Klages, der Schuler immer nähergekommen war, zwischen George und das jüdische Mitglied des Kreises Karl Wolfskehl einen Keil treiben. 1904 biederte er sich dem Zeitgeist an und bestätigte damit indirekt Georges Absage an den Antisemitismus: Klages behauptete, er habe 1904 im letzten Moment durchschaut, dass der George-Kreis von einer „jüdischen Zentrale gesteuert“ werde. Er habe George vor die Wahl gestellt, indem er ihn fragen wollte, was ihn an „Juda“ „binde“. Diesem Gespräch sei George ausgewichen. Wolfskehl, der sich als „römisch, jüdisch, deutsch zugleich“ charakterisierte und als bedeutender Repräsentant der jüdischen George-Rezeption angesehen werden kann, glaubte zunächst an eine Symbiose von Deutschtum und Judentum und orientierte sich hierbei an den Werken des Dichters, der im Stern des Bundes im Sinne einer Wahlverwandtschaft Juden als die „verkannte(n) brüder“ bezeichnete, „von glühender wüste … Stammort des gott-gespenstes … gleich entfernt“. ellauri254.html on line 525: Alfred Schuler wurde 1865 in Mainz geboren. Für seine Wiedergeburt in die ihm nicht behagende Zeit machte Schuler einen bösartigen Dämon verantwortlich. Seine Kameraden waren herzlich einverstanden. ellauri254.html on line 530: Georges prophetische Rolle in der Nachfolge Nietzsches verdeutlicht er in dem Zeitgedicht des ersten Teils von „Der siebente Ring“, das vom Pathos hoher Verantwortung geprägt ist und dem die Distanz des Dichters der „blöd(en)“ „trab(enden) Menge“ in den Niederungen gegenüber ebenso anzumerken ist wie sein großer Überblick. In visionären Ausblicken vergleicht er Nietzsche mit Christus, „strahlend vor den Zeiten / Wie andre führer mit der blutigen Krone“, als „Erlöser, der aufschreit im ‚Schmerz der Einsamkeit.‘ ellauri254.html on line 532: George unterschied Künstler, die er als urbedingt oder Urgeister bzw Uranianer bezeichnete (z.B. Stefan George), von abgeleiteten Wesen. Während die Urgeister ihre Anlagen ohne Führung vollenden konnten, war das Schaffen der anderen nicht autark, sodass sie auf den Kontakt zu den Urgeistern angewiesen waren und das Göttliche nur in abgeleiteter Form empfangen konnten. Das Gegensatzpaar Urgeister – abgeleitete Wesen prägte das Denken und Schaffen des George-Kreises. Die meisten Anhänger Georges sahen sich selbst als abgeleitete Wesen. Zu den wenigen Urgeistern gehörten für George etwa Karl Wolfskehl und Ludwig Klages. ellauri254.html on line 534: Der Engels ist Führer des Dichters, der seinerseits Jünger um sich schart, ein Paradigmenwechsel, der den Beginn des Werkes charakterisiert und sich kritisch-rückblickend auf das epigonale weibliche Paradigma im Jahr der Seele bezieht. Die nichtdomestizierte weibliche Sexualität stelle für George eine Bedrohung dar: Er verbinde den erfüllten (heterosexuellen) Geschlechtsakt mit Zersetzung und Dekadenz, im übertragenen Sinne mit Epigonalität oder Ästhetizismus. In Die Fremde etwa, einem Gedicht aus dem Teppich des Lebens, versinkt die Frau als dämonische, im Mondlicht mit „offenem haar“ singende Hexe im Torf, ein „knäblein“, „schwarz wie nacht und bleich wie lein“ als Pfand zurücklassend, während in den als sprachlich verunglückt eingestuften Gewittern die „falsche Gattin“, die sich „in den wettern tummelt“ und „zügellosen rettern“ preisgegeben ist, am Ende verhaftet wird. ellauri254.html on line 628: ic/article-2020-03/yudenich.jpg?itok=wEtQVB9j" width="60%" /> ellauri254.html on line 633: ich_1920%2C_cropped.jpg"> ellauri254.html on line 651: Lev Davidovitš Trotski (ven. Лев Давидович Троцкий; alkuaan ven. Лев Давидович Бронштейн, Lev Davidovitš Bronštein, 7. marraskuuta (J: 26. lokakuuta) 1879 Janovka, Hersonin kuvernementti, Venäjän keisarikunta – 21. elokuuta 1940 Coyoacán, México, Meksiko) oli merkittävä bolševikkivallankumouksellinen ja marxismin teoreetikko. Trotski kuului Neuvostoliiton ja Kominternin perustajiin, ja häntä pidetään puna-armeijan luojana, mutta hän joutui vuonna 1929 maanpakoon hävittyään valtataistelun Josif Stalinin kanssa. NKVD:n agentti Ramón Mercader murhasi Trotskin Meksikossa 1940. ellauri254.html on line 671: Neuvostoliittolaisten virkamiesten kanssa käytyjen pitkien neuvotteluiden jälkeen Trotskin oli lähdettävä Norjasta Meksikoon. Meksikon presidentti Lázaro Cárdenas otti Trotskin vastaan Tampicon satamakaupungissa, jossa hänelle oli järjestetty erikoisjuna Méxicoon. Meksikossa Trotski asui ensin taidemaalari Diego Riveran luona ja koki lyhyen romanssin Frida Kahlon kanssa. Maanpakoaikanaan hän jatkoi ahkeraa kirjoittamistyötään suomien Neuvostoliiton tilaa ja Stalinin toimia ja nimitti Neuvostoliittoa ”byrokraattisesti vääristyneeksi työläisvaltioksi”. ellauri254.html on line 717: ellauri254.html on line 718: icture-in-picture; web-share" allowfullscreen> ellauri254.html on line 723: icture-in-picture; web-share" allowfullscreen> ellauri254.html on line 769: Amerikkalaisille mokkereille laitettiin ekaan maailmansotaan reppuihin Dickensin Nikke Niklebyy. Bolshevikkien juoxuhautalukemisto oli Barbussen Le Feu. ellauri254.html on line 793: icture-in-picture; web-share" allowfullscreen> ellauri254.html on line 803: Lunz was born in Saint Petersburg, the capital of the Russian Empire, into a middle-class Jewish family on May 2, 1901. His father, Natan Yakovlevich, an emigrant from Lithuania, was a pharmacist and seller of scientific instruments. His mother, Anna Efimovna, was an accomplished pianist. As a child, Lev was delicate but very lively; he contracted pneumonia and diphtheria, which may have weakened his heart. ellauri254.html on line 804: His chief articles were “On Ideology and Promotional Literature” and “Go West!,” from 1922. ellauri254.html on line 805: His worsening health compelled him to seek care in Germany, to which his parents had emigrated early in 1921. He went West for good in 1924, at 23 years of age. Lunz died abroad from heart failure and brain embolism, but he is remembered in The West for his daring defense of creative freedom against Bolshevik Party demands for political commitment. In "Go West Young Man", Lunz spoke like a Cambridge apostle: ellauri254.html on line 813: True, until death us part, that is. Cough cough. He argued that too many Russian writers were lazy and self-satisfied; they were barbarians who needed to study plot and structure from Western masters. Again, he asserted that plot, action and good composition would win the approval of proletarian readers and theatergoers sooner than would a proper political message. He provided a survey of Russian literature from the point of view of the development of plot. No bestsellers without spoilers, that is what the rubbernecks expect. ellauri254.html on line 814: Party spokesman Andrei Zhdanov (1896-1948), formally addressing the Soviet writers in Leningrad, quoted Lunz (as above) and declared: “This is the preaching of rotten apoliticism, philistinism and vulgarity.” Njekulturno, in a word. ellauri254.html on line 816: Kaverin managed to republish Lunz's last play, Gorod Pravdy [The City of Truth], in a theatrical journal in 1989, one year after he had helped to effect the first publication in the Soviet Union of Yevgeny Zamyatin's anti-utopian novel, My [We, 1920]. The censorship board was beginning to crack, but still the Lunz collection was delayed beyond the life of the last Serapion (Kaverin) and the end of the Soviet system. Koska matka oli hauska niin, ottivat he mukaan vielä yhden kaverin. ellauri254.html on line 820: Viktor Borisovich Shklovsky (Russian: Ви́ктор Бори́сович Шкло́вский, IPA: [ˈʂklofskʲɪj]; 24 January [O.S. 12 January] 1893 – 6 December 1984) was a skinhead Russian and Soviet literary theorist, critic, writer, and pamphleteer. He is one of the major figures associated with Russia formalism. ellauri254.html on line 821: Shklovsky was born in St. Petersburg, Russia. His father was a Lithuanian Jewish mathematician (with ancestors from Shklov) who converted to Russian Orthodoxy and his mother was of German-Russian origin. He attended St. Petersburg University. ellauri254.html on line 823: Shklovsky returned to St. Petersburg in early 1918, after the October Revolution. During the Civil War he opposed Bolshevism and took part in an anti-Bolshevik plot organised by members of the Socialist-Revolutionary Party. After the conspiracy was discovered by the Cheka, Shklovsky went into hiding, traveling in Russia and the Ukraine, but was eventually pardoned in 1919 due to his connections with Maxim Gorky, and decided to abstain from political activity. His two brothers were executed by the Soviet regime (one in 1918, the other in 1937) and his sister died from hunger in St. Petersburg in 1919. ellauri254.html on line 825: Shklovsky integrated into Soviet society and even took part in the Russian Civil War, serving in the Red Army. However, in 1922, he had to go into hiding once again, as he was threatened with arrest and possible execution for his former political activities, and he fled via Finland to Germany. ellauri254.html on line 826: Among other things, Shklovsky also contributed the plot/story distinction (syuzhet/fabula), which separates out the sequence of events the work relates (the story) from the sequence in which those events are presented in the work (the plot). Shklovsky ihaili ja matki Sterneä. Se päästettiin takaisin Neuvostolaan pyydettyään tekosiaan anteexi 1923. ellauri254.html on line 828: Yevgeny Ivanovich Zamyatin (Russian: Евге́ний Ива́нович Замя́тин, IPA: [jɪvˈɡʲenʲɪj ɪˈvanəvʲɪtɕ zɐˈmʲætʲɪn]; 1 February [O.S. 20 January] 1884 – 10 March 1937), sometimes anglicized as Eugene Zamyatin, was a Russian author of science fiction, philosophy, literary criticism, and political satire. ellauri254.html on line 829: Zamyatin is now considered one of the first Soviet dissidents. He is most famous for his highly influential and widely imitated 1921 dystopian science fiction novel We, which is set in a futuristic police state. ellauri254.html on line 831: In 1921, We became the first work banned by the Soviet censorship board. Ultimately, Zamyatin arranged for We to be smuggled to the West for publication. The outrage this sparked within the Party and the Union of Soviet Writers led directly to the State-organized defamation and blacklisting of Zamyatin and his successful request for permission from Joseph Stalin to leave his homeland. In 1937 he died in poverty in Paris. Serve him right! ellauri254.html on line 887: After his forced resignation from active politics in 1989, Tikhonov wrote a letter to Mikhail Gorbachev which stated that he regretted supporting his election to the General Secretaryship. This view was strengthened when the Communist Party was banned in the Soviet Union. After his retirement, he lived the rest of his life in seclusion at his dacha. As one of his friends noted, he lived as "a hermit" and never showed himself in public and that his later life was very difficult as he had no children and because his wife had died. Prior to the dissolution of the Soviet Union Tikhonov worked as a State Advisor to the Supreme Soviet. Tikhonov died on 1 June 1997 and was buried at the Novodevichy Cemetery. Shortly before his death, he wrote a letter addressed to Yeltsin: "I ask you to bury me at public expense, since I have no financial savings." ellauri254.html on line 919: Britannian sotaministeri lordi Milner nimitti kenraaliluutnantti Frederick C. Poolen , joka oli aiemmin viettänyt kaksi vuotta Venäjällä, johtamaan retkikuntaa Arkkienkeliin . [14] ellauri254.html on line 990: Rohkeudesta heille myönnettiin yksi Distinguished Service Cross (Yhdysvallat) ja kuusi sotilasmitalia amerikkalaisilta ja brittiläisiltä. ellauri254.html on line 1008: Franz Seraphicus Grillparzer (15. tammikuuta 1791 Wien, Itävalta – 21. tammikuuta 1872 Wien, Itävalta) oli itävaltalainen dramaattinen runoilija. Grillparzer syntyi Wienissä ja opiskeli lakia Wienin yliopistossa. Hän ei kuitenkaan kirjoittanut näytelmiä sen jälkeen kun Weh dem, der lügtin ensiesitys 1834 sai huonon vastaanoton. Grillparzeria eivät yleensä aikalaiset ymmärtäneet, ja kun Weh dem, der lügt oli saanut ansaitsemattoman tylyn vastaanoton, hän ei julkaissut enää yhtään näytelmää. Grillparzerin teoksista henkii todellista neroutta, hänen inspiraationsa on voimakas, tosin hänen näytelmänsä Weh dem, der lügt on aika heikko, aika heikko. ellauri254.html on line 1010: ictures.abebooks.com/inventory/30289773975.jpg" width="20%" /> ellauri256.html on line 6: font-style: italic; ellauri256.html on line 10: font-style: italic; ellauri256.html on line 45: Vasily Vasilievich Rozanov (Russian: Васи́лий Васи́льевич Рóзанов; 2 May [O.S. 20 April] 1856 – 5 February 1919) was one of the most controversial Russian writers and important philosophers in the symbolists (aka decadents) of the pre-revolutionary epoch. ellauri256.html on line 46: Rozanov frequently referred to himself as Fyodor Dostoyevsky's "Underground Man" and proclaimed his right to espouse contrary opinions at the same time. He first attracted attention in the 1890s when he published political sketches in the conservative newspaper Novoye Vremya ("New Time"), owned and run by Aleksey Suvorin. Rozanov's comments, always paradoxical and sparking controversy, led him into clashes with the Tsarist government and with radicals such as Lenin. For example, Rozanov readily passed from criticism of Russian Orthodoxy, and even of what he saw as the Christian preoccupation with death, to fervent praise of Christian faith, from praise of Judaism to unabashed anti-Semitism, and from acceptance of homosexuality as yet another side of human nature to vitriolic accusations that Gogol and some other writers had been latent homosexuals.[citation needed] He proclaimed that politics was "obsolete" because "God doesn't want politics any more," constructed an "apocalypse of our times," and recommended the "healthy instincts" of the Russian people, their longing for authority, and their hostility to modernism. ellauri256.html on line 62: Women were the first cultivators of flax and initiated the manufacture of clothing. Evidence for this claim is the oldest depictions of textile production showing women at work, not men, and women continuing in textile production even when the industry was run by males. This is not at all unusual as women were the first brewers in Egypt and, most likely, the first healers who predated the rise of the medical profession. And the first professionals in the entertainment business, see Capitani and Lady Ceepu. ellauri256.html on line 73: Lunts Lev Natanovich ellauri256.html on line 169: Lunts Lev Natanovich ( yes@lib.ru ) ellauri256.html on line 246: Boris Nikolaevich Bugaev (Russian: Бори́с Никола́евич Буга́ев, IPA: [bɐˈrʲis nʲɪkɐˈlajɪvʲɪtɕ bʊˈɡajɪf] (listen)), better known by the pen name Andrei Bely or Biely (Russian: Андре́й Бе́лый, IPA: [ɐnˈdrʲej ˈbʲelɨj] (listen); 26 October [O.S. 14 October] 1880 – 8 January 1934), was a Russian novelist, Symbolist poet, theorist and literary critic. He was a committed anthroposophist and follower of Rudolf Steiner. His novel Petersburg (1913/1922) was regarded by Vladimir Nabokov as the third-greatest masterpiece of modernist literature. The Andrei Bely Prize (Russian: Премия Андрея Белого), one of the most important prizes in Russian literature, was named after him. His poems were set to music and performed by Russian singer-songwriters. ellauri256.html on line 249: Trotsky was very critical of Andrei Bely and his work. Contemporaries often mentioned his “insane” looks. ellauri256.html on line 251: Boris Bugaev was born in Moscow, into a prominent intellectual family. His father, Nikolai Bugaev, was a noted mathematician who is regarded as a founder of the Moscow school of mathematics. His mother, Aleksandra Dmitrievna (née Egorova), was not only highly intelligent but a famous society beauty, and the focus of considerable gossip. She was also a pianist, providing Bugaev his musical education at a young age. ellauri256.html on line 253: Young Boris grew up at the Arbat, a historical area in Moscow. He was a polymath whose interests included mathematics, biology, chemistry, music, philosophy, and literature. Bugaev attended university at the University of Moscow. He would go on to take part in both the Symbolist movement and the Russian school of neo-Kantianism. Bugaev became friendly with Alexander Blok and his wife; he fell in love with her, which caused tensions between the two poets. One of his notions was the Eternal Feminine, which he equated it with the "world soul" and the "supra-individual ego", the ego shared by all individuals. He supported the Bolshevik rise to power and later dedicated his efforts to Soviet culture, serving on the Organizational Committee of the Union of Soviet Writers. ellauri256.html on line 329: ich_shostakovich_by_admiralmichalis-d974rn6.png" width="20%" /> ellauri256.html on line 336: Vladimir Vladimirovich Mayakovsky was born in 1893 in Baghdati, Kutais Governorate, Georgia, then part of the Russian Empire, to Alexandra Alexeyevna (née Pavlenko), a housewife, and Vladimir Mayakovsky, a local forester. His father belonged to a noble family and was a distant relative of the writer Grigory Danilevsky. Vladimir Vladimirovich had two sisters, Olga and Lyudmila, and a brother Konstantin, who died at the age of three. The family was of Russian and Zaporozhian Cossack descent on their father's side and Ukrainian on their mother's. ellauri256.html on line 340: Eliskä vähävenäläistä kasakkasukua, ei ihme että sitten petti suuren synnyinmaan asian. When Volodja was 13, his kossack father pricked his finger on a rusty pin while filing papers and died of blood poisoning. Äiti myi irtaimen ja muutti Moskovaan. ellauri256.html on line 357: “Some call her the second Beatrice, a wise inspirer, Mayakovsky's kindred spirit. Others, a mercenary witch, a vampire, who attached herself to the troubled genius, to his fame and money, and who drove him to suicide,” present-day biographers write about her. Actually she was a little of both. ellauri256.html on line 358: The stormy affair between the legendary “singer of the revolution”, Vladimir Mayakovsky, and a “proponent of depravity”, Lilya Brik, lasted 15 years, until the poet's suicide in 1930. He devoted poems and hundreds of love letters to her. It was probably this affair that most of all contributed to her going down in history, yet it also left her with hundreds of enemies, who tried to erase any trace of her, even from documents. So, who exactly was this femme fatale? ellauri256.html on line 362: The girls were under the constant care of a governess. They became fluent in German and French, learned to play the piano and studied at a grammar school. It was there that at the age of 13, Lilya met her future husband, Osip Brik: in the wake of the revolutionary anti-monarchist unrest of 1905, Lilya began to attend political education clubs, one of which was headed by Osip, the son of a jewelry merchant. ellauri256.html on line 364: “All our girls were in love with him and etched the name Osya with a penknife on their desks,” Lilya recalled. His low-key courtship of Lilya lasted seven years. Up until the moment she became pregnant. However, the father was not Brik but ... a music teacher, Grigory Krein. Under pressure from her mother, Lilya had an abortion, after which she could no longer have children. And Brik finally proposed. ellauri256.html on line 366: However, Osip very quickly ceased to be a husband to her in all respects. In 1914, Lilya wrote: “I already led an independent life, and physically we somehow drew apart... A year passed, we no longer lived as husband and wife, but we were friends, perhaps even more so than before. That was when Mayakovsky came into our life.” ellauri256.html on line 368: By that time, Vladimir Mayakovsky had been in a relationship with Lilya's younger sister for two years. But having met no resistance in Lilya, he broke up with Elsa, and dedicated the poem A Bulge in Trousers to his new muse. ellauri256.html on line 370: The well-off Osip even offered to finance the publication of the poem - he became a kind of a promoter for Mayakovsky. In the meantime, Lilya started working on the poet's image like Pipsa on E. Saarinen: she made him change his brightly-coloured cubo-futuristic robes for a coat and formal suit and have his teeth done. In other words, there were three of them in that relationship. ellauri256.html on line 375: According to actress Alexandra Azarkh-Granovskaya, who belonged to the Briks' circle of friends, Lilya had “a heightened sexual curiosity”, which could not be said for her husband. ellauri256.html on line 380: Contemporaries' attitude to Lilya was mixed. Men adored her: the list of Brik's admirers included practically the entire circle of Russian avant-garde artists and prominent culture figures, from Alexander Rodchenko to Sergey Diaghilev. In Italy, she was friends with Pasolini, in France, with Louis Aragon (who would eventually marry her sister Elsa) and Yves Saint Laurent, who used to say: “I know three women who can be elegant outside of fashion - Catherine Deneuve, Marlene Dietrich and Lilya Brik.” ellauri256.html on line 384: However, after Mayakovsky shot himself in the heart at the height of his fame, their romance turned into a tragic legend, and Brik was practically declared the poet's killer. Especially after she released their correspondence: there were hundreds of letters with declarations of love from Mayakovsky and terse answers and requests to send money from Lilya. ellauri256.html on line 391: Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Bolsheviks and a strong admiration of Vladimir Lenin, his relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet state in cultural censorship and the development of the State doctrine of Socialist realism. Works that criticized or satirized aspects of the Soviet system, such as the poem "Talking With the Taxman About Poetry" (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), met with scorn from the Soviet state and literary establishment. Majakovskin lehdykkä Lef teki pilkkaa serapioniveljistä. Ei ois kannattanut. Fedin pani sen hampaankoloon ja Zishtshov närkästyi. ellauri256.html on line 432: ical-align:top">ical-align:top"> ellauri272.html on line 713: Yhdysvaltain terveyssivusto listaa ammatit, joissa ihmiset ovat todennäköisimmin masentuneita, ja sijoittaa kirjoittajat 10 parhaan joukkoon Tämän artikkelin kirjoitti Benedicte Page ma 13. joulukuuta 2010 klo 17.00 GMT. Työpäivä oli melkein pulkassa. Tai sitten ei, kenties Benedicte jäi toimituxen maisemakonttorin lattialle mömmöissään nukkumaan. Läppärin etävalvontaäppi koitti herätellä sitä turhaan. Ei jäänyt uni kesken viimeinen. ellauri272.html on line 734: ice_in_North_Africa_E_21337.jpg/440px-Special_Air_Service_in_North_Africa_E_21337.jpg" width="30%" /> ellauri272.html on line 740: Unlike many others, we have no billionaire owner except you, meaning we can fearlessly chase truth away and report alternative ones instead. 2023 will be no different; we will work with trademark theft and passion fruit to bring you journalism that’s always free from commercial (LOL) or political (commie) interference. No one edits our editor or diverts our attention from what’s most important for The West. With your support, we’ll continue to keep Gilead Guardian journalism open and free for everyone to read. When access to information is made equal, greater numbers of people can understand global events our way and their impact on good people but also communists. Together, we can demand better for the powerful and fight for laissez-faire democracy. ellauri272.html on line 798: Romaanissaan Ihminen joka kärkkyi munaa Kihlman antoi palaa. Kihlman kuvaa yksityiskohtaisesti kolmen ihmisen – Rickyn, Selindan ja kirjailijan itsensä – yhteistä seksiaktia. Hän myös kertoi, kuinka hänen vaimonsa Selinda särki kahvikupin aviomiehensä naamaan ja veri valui Christerin paidan sisään ja silmälasit särkyivät sen silmiin. ellauri274.html on line 6: font-style: italic; ellauri274.html on line 10: font-style: italic; ellauri274.html on line 45: “Put me down! You are hurting me,” Adolf Hitler protests to the man of steel. But Superman has other ideas. Seizing the Nazi dictator, Superman shoots into the air, faster than any plane, to pick up Josef Stalin in Moscow. Next stop Geneva to drop off the “power mad scoundrels” at the League of Nations, where they are found guilty of “unprovoked aggression against defenseless countries”. ellauri274.html on line 59: icture-in-picture; web-share" allowfullscreen> ellauri274.html on line 75: ellauri274.html on line 1011: ellauri275.html on line 5: font-style: italic; ellauri275.html on line 9: font-style: italic; ellauri275.html on line 45: Voluntary homicide is the ultimate gift to society: the gift of selfless service. (Dale Brown, Time for Patriots) ellauri275.html on line 51: ic Culture? – Martti J Kari" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri275.html on line 52: ic.plex.tv%2Fa%2Fpeople%2Faf1649c8a7d74de2fabaf674318282f3.jpg" height="190" /> ellauri275.html on line 73: Chavchavadze founded the realistic moral novel in Georgia, wrote short stories and poems, including The Hermit, Is Man Human? (1859), Mother and son (1860), Kako the robber (1860) and Otar´s widow (1887). Lähde ellauri275.html on line 75: Chavchavadze was fatally wounded by a gang of assassins, led by Gigla Berbichashvili, in Tsitsamuri, outside Mtskheta. ellauri275.html on line 95: The role of Ilia Chavchavadze as one of the first civil activists and propagator of the idea of civil activism mustn’t be forgotten in modern day Georgia, where nihilism and indifference, especially among youth, is quite common. The article “Ilia Chavchavadze’s Civil Activities” was created by the Europe-Georgia Institute with support from the Friedrich Naumann Foundation for Freedom South Caucasus. Ideas and opinions expressed in the article belong to the Author – Rati Kobakhidze – and might not represent positions of the EGI or FNF. ellauri275.html on line 422: Representatives of the Russian authorities and Kremlin propagandists are actively commenting on the events related to the protests in Tbilisi against the “Russian Law”. Some of them declare that the bill initiated in the Parliament of Georgia, which the ruling party Georgian Dream has already withdrawn after 3 days of protests, has nothing to do with Russia, while others are already threatening Georgia with negative consequences of these events. ellauri275.html on line 426: According to Peskov, the “pioneers” in such laws were the United States. “And one version of the (Georgian) bill, called "American law", if we understand correctly, was very similar to a similar US law. The second version was less similar to the US law, was much milder in nature. But, of course, we have nothing to do with either one,” Peskov said. ellauri275.html on line 428: Meanwhile, Russian Foreign Ministry spokeswoman Maria Zakharova reacted to a statement by EU High Representative for Foreign Affairs and Security Policy Josep Borrell criticizing “Russian Law” and said: “Borrel said that the foreign agents’ law that sparked protests in Tbilisi was incompatible with EU values. Now we understand why the U.S. is not yet in the European Union – there the law has been in force there since 1938.” ellauri275.html on line 430: Porukat huusi Tiflisissä miekkarissa "Sukhumi, Sukhumi". Gruusialaiset eivät pidä siitä, että abhaasisepartistit ottaa aurinkoa pyyhkeillä mustanmeren rannaklla venäläisten tuella. Sukhumi or Sukhum (Russian: Суху́м(и), Sukhum(i) [sʊˈxum(ʲɪ)]), also known by its Georgian name Sokhumi (Georgian: სოხუმი, [sɔχumi] (listen)) or Abkhaz name Aqwa (Abkhaz: Аҟәа, Aqwa), is a city in a wide bay on the Black Sea's eastern coast. It is both the capital and largest city of the Republic of Abkhazia, which has controlled it since the Abkhazia war in 1992–93. However, "internationally" Abkhazia is considered part of Georgia. The city, which has an airport, is a port, major rail junction and a holiday resort because of its beaches, sanatoriums, mineral-water spas and semitropical climate. It is also a member of the International Black Sea Club. ellauri275.html on line 446: The Georgian poets were, by the strictest definition, those whose works appeared in a series of five anthologies named Georgian Poetry, published by Harold Monro and edited by Edward Marsh, the first volume of which contained poems written in 1911 and 1912. The group included Edmund Blunden, Rupert Brooke, Robert Graves, D. H. Lawrence, Walter de la Mare, Siegfried Sassoon, and John Drinkwater. Until the final two volumes, the decision had not been taken to include female poets. ellauri275.html on line 448: The period of publication was sandwiched between the Victorian era, with its strict classicism, and Modernism, with its strident rejection of pure aestheticism. The common features of the poems in these publications were romanticism, sentimentality, and hedonism. Later critics have attempted to revise the definition of the term as a description of poetic style, thereby including some new names or excluding some old ones. W. H. Davies, a contemporary, is sometimes included within the grouping, although his "innocent style" differs markedly from that of the others. ellauri275.html on line 451: Prince Alexander Chavchavadze (Georgian: ალექსანდრე ჭავჭავაძე, Russian: Александр Чавчавадзе; 1786 – November 6, 1846) was a Georgian poet, public benefactor and military figure. Regarded as the "father of Georgian romanticism", he was a pre-eminent Georgian aristocrat and a talented general in the Imperial Russian service. ellauri275.html on line 453: Chavchavadze's influence over Georgian literature was immense. He moved the Georgian poetic language closer to the vernacular, combining the elements of the formal wealth and somewhat artificial antiquated "high" style inherited from the 18th-century Georgian Renaissance literature, melody of Persian lyrical poetry, particularly Hafiz and Saadi, bohemian language of the streets of Tiflis and the moods and themes of European Romanticism. The subject of his works varied from purely anacreontic in his early period to deeply philosophic in his maturity. ellauri275.html on line 455: Chavchavadze's contradictory career – his participation in the struggle against the Russian control of Georgia, on one hand, and the loyal service to the tsar, including the suppression of Georgian peasant revolts, on the other hand – found a noticeable reflection in his writings. The year 1832, when the Georgian plot collapsed, divides his work into two principal periods. Prior to that event, his poetry was mostly impregnated with laments for the former grandeur of Georgia, the loss of national independence and his personal grievances connected with it; his native country under the Russian empire seemed to him a prison, and he pictured its present state in extremely gloomy colors. The death of his beloved friend and son-in-law, Griboyedov, also contributed to the depressive character of his writings of that time. ellauri275.html on line 460: In his Romantic poems, Chavchavadze dreamed of Georgia's glorious past, when "the breeze of life past" would "breathe sweetness" into his "dry soul." In poems Woe, time, time (ვაჰ, დრონი, დრონი), Listen, listener (ისმინეთ მსმენნო), and Caucasia (კავკასია), the "Golden Age" of medieval Georgia was contrasted with its unremarkable present. As a social activist, however, he remained mostly a "cultural nationalist," defender of the native language, and an advocate of the interest of Georgian aristocratic and intellectual elites. In his letters, Alexander heavily criticized Russian treatment of Georgian national culture and even compared it with the pillaging by Ottomans and Persians who had invaded Georgia in the past. In one of the letters he states: The damage which Russia has inflicted on our nation is disastrous. Even Persians and Turks could not abolish our Monarchy and deprive us of our statehood. We have exchanged one serpent for another. ellauri275.html on line 462: After 1832, his perception of the national problems became different. The poet unambiguously pointed out those positive results which had been brought about by the Russian annexation, though the liberation of his native land remained to be his most cherished dream. Later, his poetry became less romantic, even sentimental, but he never abandoned his optimistic streak that makes his writings so different from those of his predecessors. Some of the most original of his late poems are, Oh, my dream, why have you appealed to me again (ეჰა, ჩემო ოცნებავ, კვლავ რად წარმომედგინე), and The Ploughman (გუთნის დედა) written in the 1840s. The former, a rather sad poem, surprisingly ends with hope for the future in contemplation of the poet. The latter combines Chavchavadze's elegy for his past years of youth with calm humorous farewell to lost sex-life and potency. Composer Tamara Antonovna Shaverzashvili used Chavchavadze’s text for her song “My Sadness.” ellauri275.html on line 464: The subsequent fate of the Georgian poets (inevitably known as the Squirearchy) then became an aspect of the critical debate surrounding modernist poetry, as marked by the publication of T. S. Eliot's The Waste Land at just that time. The Georgian poets became something of a by-word for conservatism, but at the time of the early anthologies they saw themselves as modern (if not modernist) and progressive. ellauri275.html on line 505: ic%2C_1922.png/1280px-Administrative_map_of_the_Ukrainian_Socialist_Soviet_Republic%2C_1922.png" height="400px"/> ellauri275.html on line 525: Brežnevin viimeisinä vuosina hänen ympärilleen alettiin rakentaa henkilökulttia, jonka huippu oli hänen 70. syntymäpäivänään joulukuussa 1976. Syntymäpäiväjuhliin ottivat osaa Erich Honecker, Fidel Castro ja Urho Kekkonen. Päinvastoin kuin Stalinin kulttiin, hänen kulttiinsa suhtauduttiin kyynisyydellä, koska Brežneviä kohtaan ei tunnettu pelkoa eikä juurikaan kunnioitusta.lähde? Poliittinen kritiikki oli kuitenkin hänen aikanaan mahdotonta Neuvostoliitossa. Toisinajattelijoita karkotettiin maasta tai suljettiin mielisairaaloihin. ellauri275.html on line 640: ical-align:top"> ellauri164.html on line 86: Et c’est encore la vie ! — Si la damnation est éternelle ! Un homme qui veut se mutiler est bien damné, n’est-ce pas ? Je me crois en enfer, donc j’y suis. C’est l’exécution du catéchisme. Je suis esclave de mon baptême. Parents, vous avez fait mon malheur et vous avez fait le vôtre. Pauvre innocent ! L’enfer ne peut attaquer les païens. — C’est la vie encore ! Plus tard, les délices de la damnation seront plus profondes. Un crime, vite, que je tombe au néant, de par la loi humaine. ellauri164.html on line 88: Tais-toi, mais tais-toi !… C’est la honte, le reproche, ici : Satan qui dit que le feu est ignoble, que ma colère est affreusement sotte. — Assez !… Des erreurs qu’on me souffle, magies, parfums faux, musiques puériles. — Et dire que je tiens la vérité, que je vois la justice : j’ai un jugement sain et arrêté, je suis prêt pour la perfection… Orgueil. — La peau de ma tête se dessèche. Pitié ! Seigneur, j’ai peur. J’ai soif, si soif ! Ah ! l’enfance, l’herbe, la pluie, le lac sur les pierres, le clair de lune quand le clocher sonnait douze… le diable est au clocher, à cette heure. Marie ! Sainte-Vierge !… — Horreur de ma bêtise. ellauri164.html on line 92: Les hallucinations sont innombrables. C’est bien ce que j’ai toujours eu : plus de foi en l’histoire, l’oubli des principes. Je m’en tairai : poëtes et visionnaires seraient jaloux. Je suis mille fois le plus riche, soyons avare comme la mer. ellauri164.html on line 96: Que de malices dans l’attention dans la campagne… Satan, Ferdinand, court avec les graines sauvages… Jésus marche sur les ronces purpurines, sans les courber… Jésus marchait sur les eaux irritées. La lanterne nous le montra debout, blanc et des tresses brunes, au flanc d’une vague d’émeraude… ellauri164.html on line 104: Les talents ! — Il n’y a personne ici et il y a quelqu’un : je ne voudrais pas répandre mon trésor. — Veut-on des chants nègres, des danses de houris ? Veut-on que je disparaisse, que je plonge à la recherche de l’anneau ? Veut-on ? Je ferai de l’or, des remèdes. ellauri164.html on line 121: ical-align:top"> ellauri164.html on line 168: Das Ding an sich ellauri164.html on line 170: Das Ding an sich oli sukkahousuisen Immanuel Cuntin kexasema sumutus kun tiede alkoi huohottaa pappispimityxen kovitettuun kauluxeen. Kun ei hengistä saatu mitään toistettavaa havaintoa oli paras päätellä ettei mistään muustakaan ollut varmaa tietoa kuin mitä etusivun ilmoituxessa on annettu. Sinne ajan ja paikan ulkopuolelle noumenaaliseen maailmaan oli hyvä kyyristyä jumalikävässä säätä pitämään. Ja tämän aivopierun jälkeen kokoontua kaverien kanssa seurustelemaan ja juomaan kupposia parhaassa peruukissa ja synteettisestä apriorimateriaalista kudotuissa uusissa legginseissä. All is well. ellauri164.html on line 175: Schopenhauer tarjoaa seuraavan kohdan pyrhonismin ääriviivoista (Bk. Minä, ch. 13): Sextus Empiricus osoittaa alkuperäisen eron ilmiön ja noumenonin välillä muinaisten filosofien mukaan: νοούμενα φαινομένοις ἀντετίθη Ἀναξαγόρας ('Anaxagoras asetti ajateltavat vastakohdaxi niille mitkä ilmenevät.') Matematiikka ja logiikka nyt ainakin. ellauri164.html on line 195: Berkeleyn runosta "On the Prospect of Planting Arts and Learning in America" otti David Foster Wallace nimen pienoisromaanilleen Westward the Course of Empire Takes Its Way. Runosta on saanut herätteensä myös Yhdysvaltain kongressitalon seinällä oleva Emanuel Gottlieb Leutzen muraali. ellauri164.html on line 230: Ralph Barton Perry (July 3, 1876 in Poultney, Vermont – January 22, 1957 in Boston, Massachusetts) was an American philosopher. He was a strident moral idealist who stated in 1909 that, to him, idealism meant "to interpret life consistently with ethical, scientific, and metaphysical truth." (citation?) Perry's viewpoints on religion stressed the notion that religious thinking possessed legitimacy should it exist within a framework accepting of human reason and social progress. ellauri164.html on line 232: A pupil of William "Will to Believe" James, whose Essays in Radical Empiricism he edited (1912), Perry became one of the leaders of the New Realism movement. Perry argued for a naturalistic theory of value and a New Realist theory of perception and knowledge. He wrote a celebrated biography of William James, which won the 1936 Pulitzer Prize for Biography or Autobiography, and proceeded to a revision of his critical approach to natural knowledge. An active member among a group of American New Realist philosophers, he elaborated around 1910 the program of new realism. However, he soon dissented from moral and spiritual ontology, and turned to a philosophy of disillusionment. Perry was an advocate of a militant democracy: in his words "total but not totalitarian". Puritanism and Democracy (1944) is a famous wartime attempt to reconcile two fundamental concepts in the origins of modern America. Durkheim oli taas aivan oikeassa: sodan aikana vedetään moraalin korsetinnauhat kireälle. ellauri164.html on line 234: Henry Babcock Veatch Jr. (September 26, 1911 – July 9, 1999) was an American philosopher. Veatch syntyi 26. syyskuuta 1911 Evansvillessä, Indianassa . Hän opiskeli Harvardin yliopistossa , jossa hän suoritti AB- ja MA-tutkinnon ja tohtorin tutkinnon vuonna 1937. Veatch tuli Indianan yliopiston filosofian laitokselle ohjaajaksi vuonna 1937. Hänet nimitettiin apulaisprofessoriksi vuonna 1941 ja täysprofessoriksi vuonna 1952. Indianassa ollessaan Veatchin yliopisto sai monia palkintoja ja kunnianosoituksia. Vuonna 1954 hänestä tuli ensimmäinen Frederick Bachman Lieber Award for Distinguished Teaching -palkinnon saaja. Hän oli suosittu opiskelijoidensa keskuudessa ja hänelle myönnettiin Sigma Delta Chi "Brown Derby" -palkinto suosituimmalle professorille. Vuonna 1961 Veatch nimettiin Distinguished Service Professoriksi. ellauri164.html on line 238: Veatch oli aktiivinen episkopaalisessa kirkossa ja toimi American Catholic Philosophical Associationin puheenjohtajana . Hän toimi Metaphysical Society of America :n puheenjohtajana vuonna 1961. Vuosina 1970–1971 hän toimi American Philosophical Associationin läntisen jaoston puheenjohtajana. Hän oli Episkopaalisen kirkon tutkijoiden killan jäsen. ellauri164.html on line 244: Veatchin luetuin kirja oli Rational Man: A Modern Interpretation of Aristotelian Ethics (1962), joka tarjosi selkeästi rationalistisen vastakohdan William Barrettin tunnetulle eksistentiaalisen filosofian tutkimukselle Irrational Man (1958). ellauri164.html on line 248: Jeff Veatch is a successful entrepreneur, businessman, community leader, and philanthropist. Over the course of his career, Jeff co-founded the IT staffing services firm Apex Systems, has been recognized as the Entrepreneur of the year by Ernst and Young, selected to the Philanthropic 50 by Washington Life magazine, served on the Board of Directors for ASGN Incorporated, sits on Board of Visitors for Virginia Tech, was a founding member of the effort to bring the Olympics to Washington DC, holds Board positions with Inova Health System, as well as other leadership and board positions throughout his community. Also, as an active philanthropic investor, he formed the Veatch Charities, which focuses on education, healthcare, and his community. Mr. Veatch is a 1993 graduate of Virginia Polytechnic Institute and State University, earning a BS in Finance. ellauri164.html on line 250: Jen Veatch is Chief Executive Officer at Ronald McDonald House of Northeast Indiana. ellauri164.html on line 297: icture-in-picture" allowfullscreen> ellauri164.html on line 370: I thought this was one of those books that comes with a “guarantee.” But of course there is no such thing. Still, I’d read only glowing reviews and boy was I ready for a “triumphant experience.” But on p. 26 I couldn’t make heads or tails of what I was really reading about. On p. 54 the voice of the innocent and well-meaning young priest began to irk the shit out of me. On p. 55 I skipped ahead to see if anything would ever actually happen to dilute all the fluffy introspection and it didn’t look promising. On p. 64 I took the kitty to the well and drowned it. ellauri164.html on line 372: I blew through this novel myself, which in retrospect was somewhat of a grave mistake, as the book alternates between compelling and highly engaging dialogues to unrealistically long monologues which to me resemble a Rimbaud poem in translation than anything else, which is to say: hard to parse. That they got more than what they bargained for is what the ordinary reader will be struck by first when they read this. The complexity of each of the conversations cannot be overstated, which I think will inevitably result in readers just mechanically scanning the sentences rather than internalizing the arguments, with the final result being the great part of the novel sliding off like rain, leaving only vague impressions like it did with me unfortunately, but the parts that did affect me left me very humbled. And chiefly this impression will not be helped by another one of the defining features of the novel, which is its vagueness. It deliberately leaves a lot of key details unheard and leaves a lot to the ability to infer events by the reader. Though sometimes frustrating to a reader like me who reads history and biography, I recognize that it should be so for this novel, for the main conflict in it is a psychological one, so I wouldn't have it any other way. ellauri164.html on line 374: For readers unfamiliar with the culture context of France between the two wars, it might be helpful to first watch Robert Bresson's movie of the same name which has been hailed as a masterpiece by such diverse critics as Ingmar Bergman and Jean-Luc Godard. I read the book first. After seeing the movie, I read the book a second time and got much more out of it. As Canadian and a native speaker of French, I can assure any Anglophone that the culture of France is at times very murky to the outsider who must at times go to extra efforts to fully enjoy French literature. ellauri164.html on line 379: I wanted to like this book so much more than I did. I actually found it incredibly difficult to understand. Some of it, I think, was that it was poorly translated. I read a 1962 edition that doesn't even cite a translator -- so many of the sentences were so convoluted as to be utterly obtuse. Poor translation or witless reader? I never could figure out why Mlle Chantal was such an angry bitch and why she insisted on tormenting the priest. What was her secret? Was the priest an alcoholic or just terminally sick? Gay? Why did M le Comte come to hate the priest? These are just some of the basic narrative issues I couldn't figure out. Forget the whole spiritual aspect--much of what the priest mused on and felt was incomprehensible to me as he described it. I can't help wondering if I'd have understood it if I had read it in French. Or maybe I'm just so spiritually challenged (in a God believing, Catholic way) that I can't comprehend it when it's described. All of that said, there were profoundly moving passages here and there, but over all I don't begin to know what I read. It's rather embarrassing actually--I feel so simple! (less) ellauri164.html on line 402: Unbelievable, lame, boring, melodramatic, but says some interesting stuff about language. For the protagonist, a priest writing a journal, literary creation is an act of resistance and subversion. The novel also contrasts human language with God's language in a self-reflective way that I have not often found in Christian novels. (less) ellauri164.html on line 416: Victoria rated it did not like it ellauri164.html on line 419: Shelves: dnf , 2021 , classics ellauri164.html on line 431: Wonderful work. The dialogue is enthralling and the intimate sighs of this fictitious priest are mesmerising. Love people simply and thoroughly - that’s all this poor priest could do, yet it is in doing this that Christ is most thoroughly communicated. ellauri164.html on line 437: "In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself." Pro primo, ei se näytä koko aikana ymmärtävän tai edes välittävän kenestäkään juuri midiä. Pro secundo, koko kirja on yhtä nöyrän piiraan mutustelua. Siitä puhe mistä puute. This man shares something with Isaiah’s “worm among men.” Ich aber bin ein Wurm und kein Mensch. Ich bin eine Ratte (Psalmit 22:6). ellauri164.html on line 451: The film depicts the nuclear arms race that took place between all sides in the World War II and the beginning of the Cold War. The first part centers on the war years, dealing with the Manhattan Project and the American effort to beat the Germans to the bomb, as well as with Stalin's decision that the USSR must have its own atomic project. The second part displays the Soviet post-war nuclear program. The plot deals mainly with the personal dilemmas facing all the scientists who worked on the atomic weapons. Booooring. ellauri164.html on line 453: The producers faced a technical difficulty in a scene which contained a nuclear explosion. After several experiments, the special effects coordinator Samir Jaber - a Syrian citizen who worked for Mosfilm - decided to create the required sequence by trickling a drop of orange-tinted perfume into a watery solution of aniline and filming it close up. Haha wimps! ellauri164.html on line 455: The film was produced solely by Mosfilm, without a direct participation of DEFA, and yet several East German actors were invited to play the German historical figures. Fritz Diez, who appeared as Hitler on screen for the sixth time in his career, was given also the role of Otto Hahn. ellauri164.html on line 457: In 1938, Otto Hahn, Lise Meitner and Fritz Strassmann discovered nuclear fission, for which Hahn received the 1944 Nobel Prize for Chemistry. Nuclear fission was the basis for nuclear reactors and nuclear weapons. ellauri164.html on line 458: Between 1934 and 1938, he worked with Strassmann and Meitner on the study of isotopes created through the neutron bombardment of uranium and thorium, which led to the discovery of nuclear fission. He was an opponent of national socialism and the persecution of Jews by the Nazi Party that caused the removal of many of his colleagues, including Meitner, who was forced to flee Germany in 1938. ellauri164.html on line 463: Googlen lähin IMDb osuma on "Take aim at the police van (1960) - Tähtäimessä vankiauto". Original title: 'Jûsangô taihisen' yori: Sono gosôsha o nerae 1960. K-12. 1h 19m. A prison truck is assaulted and the two convicts inside are murdered. The prison guard on duty gets suspended for negligence and takes it upon himself to track down the killers. Maalitetuista on tullut liittolaisia. Olikohan vankimaalitaulut neuvostotiedemiehiä tai vallan nazeja? ellauri164.html on line 483: Moses is one of the most prominent figures in the Old Testament. While Abraham is called the “Father of the Faithful” and the recipient of God’s unconditional covenant of grace to His people, Moses was the man chosen to bring redemption to His people. God specifically chose Moses to lead the Israelites from captivity in Egypt to salvation in the Promised Land. Moses is also recognized as the mediator of the Old Covenant and is commonly referred to as the giver of the Law. Finally, Moses is the principal author of the Pentateuch, the foundational books of the entire Bible. Moses’ role in the Old Testament is a type and shadow of the role Jesus plays in the New Testament. As such, his life is definitely worth examining. ellauri164.html on line 485: We first encounter Moses in the opening chapters of the book of Exodus. In chapter 1, we learn that, after the patriarch Joseph rescued his family from the great famine and situated them in the land of Goshen (in Egypt), the descendants of Abraham lived in peace for several generations until there rose to power in Egypt a pharaoh who “did not know Joseph” (Exodus 1:8). This pharaoh subjugated the Hebrew people and used them as slaves for his massive building projects. Because God blessed the Hebrew people with rapid numeric growth, the Egyptians began to fear the increasing number of Jews living in their land. So, Pharaoh ordered the death of all male children born to Hebrew women (Exodus 1:22). ellauri164.html on line 487: In Exodus 2, we see Moses’ mother attempting to save her child by placing him in a basket and putting it into the Nile. The basket was eventually found by Pharaoh’s daughter, and she adopted him as her own and raised him in the palace of the pharaoh himself. As Moses grew into adulthood, he began to empathize with the plight of his people, and upon witnessing an Egyptian beating a Hebrew slave, Moses intervened and killed the Egyptian. But that was not a sin because the guy was just an Egyptian. In another incident, Moses attempted to intervene in a dispute between two Hebrews, but one of the Hebrews rebuked Moses and sarcastically commented, “Are you going to kill me as you did the Egyptian?” (Exodus 2:14). Realizing that his criminal act was made known, Moses fled to the land of Midian where he again intervened—this time rescuing the daughters of Jethro from some bandits. In gratitude, Jethro (also called Reuel) granted his daughter Zipporah to Moses in marriage (Exodus 2:15–21). Moses lived in Midian for about forty years. ellauri164.html on line 489: The next major incident in Moses’ life was his encounter with God at the burning bush (Exodus 3—4), where God called Moses to be the savior of His people. Despite his initial excuses and outright request that God send someone else, Moses agreed to obey God. God promised to send Aaron, Moses’ brother, along with him. The rest of the story is fairly well known. Moses and his brother, Aaron, go to Pharaoh in God’s name and demand that he let the people go to worship their God. Pharaoh stubbornly refuses, and ten plagues of God’s judgment fall upon the people and the land, the final plague being the slaying of the firstborn. Prior to this final plague, God commands Moses to institute the Passover, which is commemorative of God’s saving act in redeeming His people from bondage in Egypt. ellauri164.html on line 493: The rest of the book of Exodus and the entire book of Leviticus take place while the Israelites are encamped at the foot of Sinai. God gives Moses detailed instructions for the building of the tabernacle—a traveling tent of worship that could be assembled and disassembled for easy portability—and for making the utensils for worship, the priestly garb, and the ark of the covenant, symbolic of God’s presence among His people as well as the place where the high priest would perform the annual atonement. God also gives Moses explicit instructions on how God is to be worshiped and guidelines for maintaining purity and holiness among the people. The book of Numbers sees the Israelites move from Sinai to the edge of the Promised Land, but they refuse to go in when ten out of twelve spies bring back a bad report about Israel’s ability to take over the land. God condemns this generation of Jews to die in the wilderness for their disobedience and subjects them to forty years of wandering in the wilderness. By the end of the book of Numbers, the next generation of Israelites is back on the borders of the Promised Land and poised to trust God and take it by faith. ellauri164.html on line 495: The book of Deuteronomy shows Moses giving several sermon-type speeches to the people, reminding them of God’s saving power and faithfulness. He gives the second reading of the Law (Deuteronomy 5) and prepares this generation of Israelites to receive the promises of God. Moses himself is prohibited from entering the land because of his sin at Meribah (Numbers 20:10-13). At the end of the book of Deuteronomy, Moses’ death is recorded (Deuteronomy 34). He climbed Mount Nebo and is allowed to look upon the Promised Land. Moses was 120 years old when he died, and the Bible records that his “eye was undimmed and his vigor unabated” (Deuteronomy 34:7). The Lord Himself buried Moses (Deuteronomy 34:5–6), and Joshua took over as leader of the people (Deuteronomy 34:9). Deuteronomy 34:10–12 says, " Since then, no prophet has risen in Israel like Moses, whom the Lord knew face to face, who did all those signs and wonders the Lord sent him to do in Egypt—to Pharaoh and to all his officials and to his whole land. For no one has ever shown the mighty power or performed the awesome deeds that Moses did in the sight of all Israel." ellauri164.html on line 497: The above is only a brief sketch of Moses’ life and does not talk about his interactions with God, the manner in which he led the people, some of the specific ways in which he foreshadowed Jesus Christ, his centrality to the Jewish faith, his appearance at Jesus’ transfiguration, and other details. But it does give us some framework of the man. He is somewhat recalcitrant, to put it mildly. ellauri164.html on line 498: So, now, what can we learn from Moses’ life? Moses’ life is generally broken down into three 40-year periods. The first is his life in the court of Pharaoh. As the adopted son of Pharaoh’s daughter, Moses would have had all the perks and privileges of a prince of Egypt. He was instructed “in all the wisdom of the Egyptians, and he was mighty in his words and deeds” (Acts 7:22). As the plight of the Hebrews began to disturb his soul, Moses took it upon himself to be the savior of his people. As Stephen says before the Jewish ruling council, “[Moses] supposed that his brothers would understand that God was giving them salvation by his hand” (Acts 7:25). From this incident, we learn that Moses was a man of action as well as a man possessed of a hot temper and prone to rash actions. Did God want to save His people? Yes. Did God want to use Moses as His chosen instrument of salvation? Yes. But Moses, whether or not he was truly cognizant of his role in the salvation of the Hebrew people, acted rashly and impetuously. He tried to do in his timing what God wanted done in His timing. The lesson for us is obvious: we must be acutely aware of not only doing God’s will, but doing God’s will in His timing, not ours. As is the case with so many other biblical examples, when we attempt to do God’s will in our timing, we make a bigger mess than originally existed. ellauri164.html on line 502: Another thing we see from Moses during his time spent in Midian is that, when God finally did call him into service, Moses was resistant. The man of action early in his life, Moses, now 80 years old, became overly timid. When called to speak for God, Moses said he was “slow of speech and tongue” (Exodus 4:10). Some commentators believe that Moses may have had a speech impediment. Perhaps, but then it would be odd for Stephen to say Moses was “mighty in words and deeds” (Acts 7:22). Perhaps Moses just didn’t want to go back into Egypt and fail again. This isn’t an uncommon feeling. How many of us have tried to do something (whether or not it was for God) and failed, and then been hesitant to try again? There are two things Moses seemed to have overlooked. One was the obvious change that had occurred in his own life in the intervening 40 years. The other, and more important, change was that God would be with him. Moses failed at first not so much because he acted impulsively, but because he acted without God. Therefore, the lesson to be learned here is that when you discern a clear call from God, step forward in faith, knowing that God goes with you! Do not be timid, but be strong in the Lord and in the power of his might (Ephesians 6:10). ellauri164.html on line 504: The third and final chapter in Moses’ life is the chapter that Scripture spends the most time chronicling, namely, his role in the redemption of Israel. Several lessons can be gleaned from this chapter of Moses’ life as well. First is how to be an effective leader of people. Moses essentially had responsibility over two million Hebrew refugees. When things began to wear on him, his father-in-law, Jethro Tull, suggested that he delegate responsibility to other faithful men, a lesson that many people in authority over others need to learn (Exodus 18). We also see a man who was dependent on the grace of God to help with his task. Moses was continually pleading on behalf of the people before God. If only all people in authority would petition God on behalf of those over whom they are in charge! Moses was keenly aware of the necessity of God’s presence and even requested to see God’s glory (Exodus 33). Moses knew that, apart from God, the exodus would be meaningless. It was God who made the Israelites distinct, and they needed Him most. Moses’ life also teaches us the lesson that there are certain sins that will continue to haunt us throughout our lives. The same hot temper that got Moses into trouble in Egypt also got him into trouble during the wilderness wanderings. In the aforementioned incident at Meribah, Moses struck the rock in anger in order to provide water for the people. However, he didn’t give God the glory, nor did he follow God’s precise commands. Because of this, God forbade him from entering the Promised Land. In a similar manner, we all succumb to certain besetting sins which plague us all our days, sins that require us to be on constant alert. ellauri164.html on line 506: These are just a handful of practical lessons that we can learn from Moses’ life. However, if we look at Moses’ life in light of the overall panoply of Scripture, we see larger theological truths that fit into the story of redemption. In chapter 11 the author of Hebrews uses Moses as an example of faith. We learn that it was by faith that Moses refused the glories of Pharaoh’s palace to identify with the plight of his people. The writer of Hebrews says, “[Moses] considered the reproach of Christ greater wealth than the treasures of Egypt” (Hebrews 11:26). Moses’ life was one of faith, and we know that without faith it is impossible to please God (Hebrews 11:6). Likewise, it is by faith that we, looking forward to heavenly riches, can endure temporal hardships in this lifetime (2 Corinthians 4:17–18). ellauri164.html on line 508: As mentioned earlier, we also know that Moses’ life was typological of the life of Christ. Like Christ, Moses was the mediator of a covenant. Christ too was a little recalcitrant, so he got crucified. Again, the author of Hebrews goes to great lengths to demonstrate this point (cf. Hebrews 3; 8—10). The Apostle Paul also makes the same points in 2 Corinthians 3. The difference is that the covenant that Moses mediated was temporal and conditional, whereas the covenant that Christ mediates is eternal and unconditional. Like Christ, Moses provided redemption for his people. Moses delivered the people of Israel out of slavery and bondage in Egypt and brought them to the Promised Land of Canaan. Christ delivers His people out of bondage and slavery to sin and condemnation and brings them to the Promised Land of eternal life on a renewed earth, like Azrael in the forthcoming third season of His Dark Materials. Like Christ he returns to consummate the kingdom He inaugurated at His first coming. Like Christ, Moses was a prophet to his people. Moses spoke the very words of God to the Israelites just as Christ did (John 17:8). Moses predicted that the Lord would raise up another prophet like him from among the people (Deuteronomy 18:15). Jesus and the early church taught and believed that Moses was speaking of Jesus when he wrote those words (cf. John 5:46, Acts 3:22, 7:37). In so many ways, Moses’ life is a precursor to the life of Christ. As such, we can catch a glimpse of how God was working His plan of redemption in the lives of faithful people throughout human history. This gives us hope that, just as God saved His people and gave them rest through the actions of Moses, so, too, will God save us and give us an eternal Sabbath rest in Christ, both now and in the life to come. But don't get your hopes too high, you may not be among the chosen after all. ellauri164.html on line 513: Moses: A Man of Selfless Dedication by Chuck Swindle ellauri164.html on line 518: At Thursday’s daily Mass (Thursday of the 18th week of the year) we Roman catholics read of the sin that excluded Moses from leading the people to the Promised Land. While there are some mysterious elements to it, one thing seems clear: the grumbling of the people got on Moses’ nerves. Indeed, grumbling often affects more than just the one doing the complaining. Through it, infectious negativity can be set loose. Even if only a small number are grousing, it can still incite discontent, anger, and/or fear in others. Yes, the people nearly wore him out. At a particularly low moment, when the people were complaining about the food, Moses lamented to God, ellauri164.html on line 524: Now there was no water for the congregation. And they assembled themselves together against Moses and against Aaron. And the people quarreled with Moses and said, “Would that we had perished when our brothers perished before the Lord! Why have you brought the assembly of the Lord into this wilderness, that we should die here, both we and our cattle? And why have you made us come up out of Egypt to bring us to this wretched place which has neither grain nor figs nor vines nor pomegranates? Here there is not even water to drink!” But Moses and Aaron went way from the assembly to the entrance of the meeting tent, where they fell prostrate. ellauri164.html on line 527: And Moses took the staff from before the Lord, as he commanded him. He and Aaron gathered the assembly together before the rock, and he said to them, “Hear now, you rebels! Are we to bring water for you out of this rock?” And Moses lifted up his hand and struck the rock with his staff twice, and water came out abundantly, and the congregation drank, and their livestock. ellauri164.html on line 530: Many have pondered the precise nature of Moses’ sin and why the punishment for it was so severe. (Well, gosh, he was already 120, and what's the diff which side of the Jordan river he conks out. It's the same dry desert on either side.) A few different explanations have been posited: ellauri164.html on line 532: 1. Moses sinned by not following the Lord’s instruction. The Lord told Moses to take his staff in hand and bid the rock to bring forth water. He was told to speak to the rock, but instead he struck it—twice. The striking of the rock, while not specifically directed according to the passage in Numbers, does not seem particularly egregious; in fact, in another description of this event (see Exodus 17:6) God does tell Moses to strike it. The Fathers of the Church (e.g., St. Jerome) did not view this as sinful, even interpreting the striking of the rock twice as a sign of the two bars of the cross. ellauri164.html on line 533: 2. Moses exhibited sinful pride. Having assembled the people, Moses reviled them, saying, “Hear now, you rebels!” He then continued, perhaps pridefully, “Shall we bring water for you out of this rock?” Neither Moses nor Aaron can bring forth water, however; only God can do that. Some of the Fathers of the Church interpreted this not as pride on Moses’ part but rather as an indication of the wavering of his faith. ellauri164.html on line 540: Whatever the reason for the drastic punishment, behold what grumbling does. It fuels discontent and bitterness. Be careful, fellow Christians; we can all succumb to the temptation to draw others into our anger, doubts, dissatisfaction, and fears. After all, misery loves company. Sharing concerns with friends is good and necessary, but this must be tempered by the knowledge that too much can harm them and us. A steady diet of grumbling is not good for anyone. ellauri164.html on line 541: Grumbling, grousing, and complaining seem to be all around us. In our relative affluence, we often expect or even demand comfort. We are very particular about the way we want things to be, and often expect that it be made so without much if any effort on our part. ellauri164.html on line 543: Moses was worn down by the constant grumbling of the people. Be cognizant of the toll that such behavior takes on others. Practice gratitude, an important antidote to the poison spread by grumbling. ellauri164.html on line 545: Cross-posted at the Catholic Standard: What Was Moses’ Sin? ellauri164.html on line 548: 1. Moses, being directed to speak to the rock that it might give forth its water, smote it instead with the rod of God which was in his hazed (what's a hazed?) and this he did not once only, but twice. ellauri164.html on line 550: 2. He spoke to the people, not with meekness and calm authority, but in heat and bitterness. "Ye rebels, must we fetch you water out of this rock?" Thus he "spake unadvisedly with his lips" (Psalm 106:33) instead of his stick. It is not difficult to understand how Moses should have so far forgotten himself on this occasion. Let the facts be weighed. The servant of the Lord is now 120 years old. The generation which sinned thirty-seven years ago, and was condemned to die in the wilderness, is nearly all gone. Moses is mortified to find that the new generation is infected with a touch of the same impatient unbelief which wrought in their fathers so much mischief. No sooner are they at a loss for water than they rise against Moses with rebellious murmurings. For once he loses command of himself. On all former occasions of the kind his meekness was unshaken; he either held his peace, or prayed for the rebels, or at most called on the Lord to be his Witness and Judge. Now he breaks out into bitter chidings. At the root of this there was a secret failure of faith. "Ye believed me not," - did not thoroughly rely on my faithfulness and power, - "to sanctify me in the eyes of the children of Israel" (verse 12). His former meekness had been the fruit of faith. He had been thoroughly persuaded that the Lord who was with him could accomplish all he had promised, and therefore he faced every difficulty with calm and patient resolution. Now a touch of unbelief bred in him hastiness and bitterness of spirit. ellauri164.html on line 552: Two lessons: 1. The failings of good men may be culpable in God's sight and displeasing to him out of all proportion to the degree of blameworthiness they present to our eye. So far is it from being true (as many seem to think) that believers' sins are no sins at all, and need give no concern, that, on the contrary, the Lord dislikes the stain of sin most when it is seen in his dear children. The case of Moses is not singular. Sins which the Lord overlooks in other men he will occasionally put some mark of special displeasure upon, when they are committed by one who is eminent for holiness and honourable service. It is, no doubt, a just instinct which leads all right-thinking people to be blind to the failings of good men who have been signally useful in their day. But if the good men become indulgent to their own faults they are likely to be rudely awakened to a sense of their error. The better a man is, his sins may be the more dishonouring to God. A spot hardly visible on the coat of a labouring man, may be glaringly offensive on the shining raiment of a throned king. ellauri164.html on line 554: 2. The sins we are least inclined to may nevertheless be the sins which will bring us to the bitterest grief. Every man has his weak side. There are sins to which our natural disposition or the circumstances of our up-bringing lay us peculiarly open; and it is without doubt a good rule to be specially on our guard in relation to these sins. Yet the rule must not be applied too rigidly. When Dumbarton Rock was taken, it was not by assailing the fortifications thrown up to protect its one weak side, but by scaling it at a point where the precipitous height seemed to render defense or guard unnecessary. Job was the most patient of men, yet he sinned through impatience. Peter was courageous, yet he fell through cowardice. Moses was the meekest of men, yet he fell through bitterness of Spirit. We have need to guard well not our weak points only, but the points also at which we deem ourselves to be strong. ellauri164.html on line 556: Parallel Verses: Yahweh said to Moses and Aaron, "Because you didn't believe in me, to sanctify me in the eyes of the children of Israel, therefore you shall not bring this assembly into the land which I have given them." ellauri164.html on line 560: AGAIN the congregation of Israel was brought into the wilderness, to the very place where God proved them soon after leaving Egypt. The Lord brought them water out of the rock, which had continued to flow until just before they came again to the rock, when the Lord caused that living stream to cease, to prove His people again, to see if they would endure the trial of their faith or would again murmur against Him. ellauri164.html on line 562: When the Hebrews were thirsty and could find no water, they became impatient and did not remember the power of God which had, nearly forty years before, brought them water out of the rock. Instead of trusting God, they complained of Moses and Aaron, and said to them, "Would God that we had died when our brethren died before the Lord!" That is, they wished that they had been of that number who had been destroyed by the plague in the rebellion of Korah, Dathan, and Abiram. ellauri164.html on line 568: Moses Yields to Impatience. "And Moses and Aaron gathered the congregation together before the rock; and he said unto them, Hear now, ye rebels; must we fetch you water out of this rock? And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also. And the Lord spake unto Moses and Aaron, Because ye believed Me not, to sanctify Me in the eyes of the children of Israel, therefore ye shall not bring this congregation into the land which I have given them." ellauri164.html on line 570: Here Moses sinned. He became wearied with the continual murmurings of the people against him, and the continual murmuring to stupid rocks. At the commandment of the Lord, took the rod, and, instead of speaking to the rock, as God commanded him, he smote it with the rod twice, after saying, "Must we fetch you water out of this rock?" He here spoke unadvisedly with his lips. He did not say, God will now show you another evidence of His power and bring you water out of this rock. He did not ascribe the power and glory to God for causing water to again flow from the flinty rock, and therefore did not magnify Him before the people. For this failure on the part of Moses, God would not permit him to lead the people to the Promised Land. ellauri164.html on line 574: The Lord here gave His people unmistakable proof that He who had wrought such a wonderful deliverance for them in bringing them from Egyptian bondage, was the mighty Angel, and not Moses, who was going before them in all their travels, and of whom He had said, "Behold, I send an Angel before thee, to keep thee in the way, and to bring thee into the place which I have prepared. Beware of Him, and obey His voice, provoke Him not; for He will not pardon your transgressions: for My name is in Him." Ex. 23:20, 21. ellauri164.html on line 576: Moses took glory to himself which belonged to God, and made it necessary for God to do that in his case which should forever satisfy rebellious Israel that it was not Moses who had led them from Egypt, ellauri164.html on line 577: but God Himself. The Lord had committed to Moses the burden of leading His people, while the mighty Angel went before them in all their journeyings and directed all their travels. Because they were so ready to forget that God was leading them by His Angel, and to ascribe to man that which God's power alone could perform, He had proved them and tested them, to see whether they would obey Him. At every trial they failed. Instead of believing in, and acknowledging, God, who had strewed their path with evidences of His power and signal tokens of His care and love, they distrusted Him and ascribed their leaving Egypt to Moses, charging him as the cause of all their disasters. Moses had borne with their stubbornness with remarkable forbearance. At one time they threatened to stone him. ellauri164.html on line 579: The Heavy Penalty. The Lord would remove this impression forever from their minds, by forbidding Moses to enter the Promised Land. The Lord had highly exalted Moses. He had revealed to him His great glory. He had taken him into a sacred nearness with Himself upon the mount, and had condescended to talk with him as a man speaketh with a friend. He had communicated to Moses, and through him to the people, His will, His statutes, and His laws. His being thus exalted and honored of God made his error of greater magnitude. Moses repented of his sin and humbled himself greatly before God. He related to all Israel his sorrow for his sin. The result of his sin he did not conceal, but told them that for thus failing to ascribe glory to God, he could not lead them to the Promised Land. He then asked them, if this error upon his part was so great as to be thus corrected of God, how God would regard their repeated murmurings in charging him (Moses) with the uncommon visitations of God because of their sins. ellauri164.html on line 581: For this single instance, Moses had allowed the impression to be entertained that he had brought them water out of the rock, when he should have magnified the name of the Lord among His people. The Lord would now settle the matter with His people, that Moses was merely a man, following the guidance and direction of a mightier than he, even the Son of God. In this He would leave them without doubt. Where much is given, much is required. Moses had been highly favored with special views of God's majesty. The light and glory of God had been imparted to him in rich abundance. His face had reflected upon the people the glory that the Lord had let shine upon him. All will be judged according to the privileges they have had, and the light and benefits bestowed. ellauri164.html on line 591: Moses’ moment of greatest failure came when the people of Israel resumed complaining, this time about food and water (Num. 20:1-5). Moses and Aaron decided to bring the complaint to the Lord, who commanded them to take their staff, and in the people’s presence command a rock to yield water enough for the people and their livestock (Num. 20:6-8). Moses did as the Lord instructed but added two flourishes of his own. First he rebuked the people, saying, “Listen, you rebels, shall we bring water for you out of this rock?” Then he struck the rock twice with his staff. Water poured out in abundance (Num. 20:9-11), but the Lord was extremely displeased with Moses and Aaron. ellauri164.html on line 602: Studia Semitica Neerlandica, Volume: 35 ellauri164.html on line 605: According to the opinio communis of the exegetes, the sin of Moses is one of the most difficult conundrums to resolve in the history of interpretation. This Pentateuchal puzzle has not only perplexed ancient and modern exegetes but has also produced a multiplicity of answers. A plethora of explanations proposed by exegetes on the sin of Moses appears to be strong on conjectural ingenuity but weak on textual evidence. ellauri164.html on line 607: A fresh exegetical probe is therefore warranted using a hermeneutical strategy whereby a narrative approach is attempted in order to understand Num. 20:1-13 in the light of Exodus 17:1-7. These narrative analogies are part of a distinctive feature in the Hebrew narrative style labelled Type- scene. ellauri164.html on line 615: It Takes Only One Sin and Quick but Faulty Navigation ellauri164.html on line 636: “And Moses and Aaron gathered the congregation together before the rock, and he said unto them, Hear now, ye rebels; must we fetch you water out of this rock? And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also. ” (Numbers 20:10-11) ellauri164.html on line 654: God called Moses to lead His people out of slavery in Egypt. The Law was given to show people their bondage to sin in the world, and their need for the shed blood of a sacrificial Passover lamb to cover for their sin. Moses was condemned by the very law he gave. He shot himself in the foot. ellauri164.html on line 667: Moses messed up. He did something which resulted in God banning him from the Promised Land. What did he do to warrant such a punishment? ellauri164.html on line 671: 10 Then Moses and Aaron gathered the assembly together before the rock, and he said to them, “Hear now, you rebels: shall we bring water for you out of this rock?” 11 And Moses lifted up his hand and struck the rock with his staff twice, and water came out abundantly, and the congregation drank, and their livestock.” (Num. 20: 8,10–11 ESV) ellauri164.html on line 681: That’s ALL God had to say about it. He didn’t criticize Moses for striking the rock when he was told to speak to it. Similarly, God did not indicate that Moses was trying to take credit for the miracle. He said Moses had failed to believe in Him. ellauri164.html on line 694: To answer this question we must examine a pattern that developed in the book of Numbers. Three times prior to the incident at the rock of Meribah the people sinned, God punished them, Moses interceded on the people’s behalf, and God pardoned the people. Please take the time to read these events in Numbers chapters 11, 14, 16 & 20. Notice the pattern in the table below. ellauri164.html on line 703: When a Bible author develops a pattern and then breaks it, we should pay attention because this signals that the author wants us to notice something important. ellauri164.html on line 705: Based on the pattern established in Numbers, what do you expect will happen at Meribah when the people rebel against Moses? We expect the pattern to repeat and for God to decree punishment, but that doesn’t happen. The pattern breaks down! Instead of decreeing punishment for the people’s sin, God simply tells Moses to give the people water by speaking to the rock. This is a significant departure from the previous pattern. When a Bible author develops a pattern and then breaks it, we should pay attention because this signals that the author wants us to notice something important. Why didn’t God punish the people at Meribah? Why did he go at Moses instead? ellauri164.html on line 707: To understand why God didn’t pronounce judgement, let’s notice what Moses did. He leads the people to the rock, calls them rebels, and instead of speaking to the rock he hits it twice with this staff. Moses is having a temper tantrum. In the prior examples in Numbers Moses never speaks harshly or loses patience. Moses is also breaking the pattern and this is the clue to understanding his sin. ellauri164.html on line 711: So, how does this connect back to Moses being barred from entering the Promised Land? Because the people were unfaithful and so difficult to lead, Moses’s own faith suffered. This caused him to lose confidence that God could develop the Israelites into a faithful covenant people who were meant to be a nation of priests and a means of blessing the nations. ellauri164.html on line 713: This is understandable. Haven’t you had people in your life that were so difficult that you have jokingly said, “Even God couldn’t do anything with them!” Moses had reached this point, but he wasn’t joking. ellauri164.html on line 725: Answer: Psalms 106:32-33 states that the people angered Moses at the waters of strife, that it went ill with Moses, and that he sinned with his mouth. The incident in question occurred in Numbers 20:7-13. Miriam had just passed on. The very next verse states that the people were complaining about the lack of water. This had happened many times during their wilderness experience. And like the other times, the people railed against Moses and Aaron, whining that they would have been better off if they had stayed in Egypt. Moses and Aaron responded by falling face down. They had also done this several times. Maybe they were tired of hearing the same old complaints, or maybe this was their posture of prayer. In any event, God responded quickly, telling Moses to speak to the rock in front of all the people. Water would come gushing out -- enough water for everyone. ellauri164.html on line 727: Moses assembled the people, but he didn't follow orders quite the way he should have. Instead of just speaking to the rock, which would have demonstrated the power of the word over the power of his rod, he struck it twice, saying, "Listen, you rebels, shall we get water for you out of this rock?" It almost sounded as though Moses was taking credit for delivering the water. That was not true. Perhaps the strain of leading the people all those years was finally starting to show. He called them rebels, which in a sense they were. But God did not tell him to do this. Nor was there any mention of God at that point. All seemed directed at Moses and Aaron: "Must we bring water out of this rock?" Depending on how it's read, it could indicate doubt on the part of Moses. ellauri164.html on line 729: The bottom line is that both he and Aaron disobeyed God. Moreover, the water that rushed out was no longer seen as a gift from God, but was a product of Moses and Aaron. The people were happy; God was not. He said, "You did not trust in me; and you did not honor me as holy" (Num. 20:13). Hence, neither of them would set foot into the Promised Land. Yet, it is important to notice that just as God did not abandon his people when they sinned, he did not abandon Moses and Aaron. But in this one instance, they didn't pass the test. When crunch time came, they didn't trust God. And all of this happened at the waters of Meribah. ellauri164.html on line 731: That's the Biblical explanation, but frankly, the punishment just doesn't seem to fit the crime. In reading the whole story, Moses was an exemplary leader, the ideal mediator between the people and God, and always faithful to the covenant. One little mistake and he's punished forever! It hardly seems just. ellauri164.html on line 735: Categories with Similar Articles ellauri164.html on line 737: Home Bible Study Characters & Topics Kids' Korner Everyday Living For Teens Podcasts Contact ellauri164.html on line 744: 2. But after nearly 40 years of service in the wilderness, Moses ellauri164.html on line 761: 2. Instead of speaking to the rock, Moses strikes it twice. ellauri164.html on line 767: 2. God has always demanded strict obedience to His expressed will. ellauri164.html on line 781: 1. Moses was angry with the people, but from (v.8), there is no indication ellauri164.html on line 802: In the first month the whole Israelite community arrived at the Desert of Zin, and they stayed at Kadesh. There Miriam died and was buried. (2) Now there was no water for the community, and the people gathered in opposition to Moses and Aaron. (3) They quarreled with Moses and said, "If only we had died when our brothers fell dead before the LORD! (4) Why did you bring the LORD's community into this desert, that we and our livestock should die here? (5) Why did you bring us up out of Egypt to this terrible place? It has no grain or figs, grapevines or pomegranates. And there is no water to drink!" (6) Moses and Aaron went from the assembly to the entrance to the Tent of Meeting and fell facedown, and the glory of the LORD appeared to them. (7) The LORD said to Moses, (8) "Take the staff, and you and your brother Aaron gather the assembly together. Speak to that rock before their eyes and it will pour out its water. You will bring water out of the rock for the community so they and their livestock can drink." (9) So Moses took the staff from the LORD's presence, just as he commanded him. (10) He and Aaron gathered the assembly together in front of the rock and Moses said to them, "Listen, you rebels, must we bring you water out of this rock?" (11) Then Moses raised his arm and struck the rock twice with his staff. Water gushed out, and the community and their livestock drank. (12) But the LORD said to Moses and Aaron, "Because you did not trust in me enough to honor me as holy in the sight of the Israelites, you will not bring this community into the land I give them." (13) These were the waters of Meribah, [1] where the Israelites quarreled with the LORD and where he showed himself holy among them. ellauri164.html on line 804: It often happens that Bible believing Christians reject the concept of allegory as being a legitimate way of interpreting the Bible. This comes from the belief that any way of interpreting Scripture other than literal meaning is false, particularly as it concerns Genesis 3 and evolution. But in fact allegory is common in the Bible – Christ makes frequent use of it in His parables – and even Genesis 3 is allegory (which does not preclude its literal interpretation as well.) In this section we shall examine the allegorical significance of the staff and the rock. ellauri164.html on line 812: It is specifically referred to as a “sign to the rebellious.” ellauri164.html on line 824: One fact is this: Moses hit the rock twice. Is that sin? Yes indeed. Christ had to be smitten once, at His first advent, for our sins. But to be smitten twice is like crucifying Him twice[2]. This, then, is sin indeed. ellauri164.html on line 825: How then do we obtain the mercy of His sacrifice? Is it not by confession and repentance? We must “speak to the Rock.” ellauri164.html on line 829: Who could miss the cleansing stream of baptism in this picture? ellauri164.html on line 830: The other picture that springs to mind is the flow of living water, the River of Life pictured in Ezekiel and Revelation. ellauri164.html on line 850: The penalty for leaders is more than the penalty for followers – which is as it should be. ellauri164.html on line 859: It requires humility to follow blind – if God says do it one particular way, it is a humbling experience to say, “I don’t know why.” ellauri164.html on line 867: There are few characters that play a larger part in the story of the Bible than Moses. He is the human protagonist of four Old Testament books and is consistently held up in both the OT and NT as a shining example of faith in the promises of God. The law that he delivered to the people of Israel serves as the foundation of the nation of Israel, and is lauded by Jesus as a testament that would not pass until “heaven and earth pass away…[and] all is accomplished.” One of the great tragic moments of the Bible is where Moses is denied entrance to the Promised Land for his sin at the Rock of Meribah; after faithfully leading Israel for forty years, Moses strikes a rock instead of speaking to it and is condemned to die before living in the Promised Land. On its surface, this might seem unfair to Moses. One mess-up and God gives him this great punishment? How many times had Israel failed in their journey and at Mt. Sinai, and God had spared their lives and allowed them to keep going? Yet His most faithful servant is barred over this one, seemingly insignificant event? If we take a closer look at the text, however, we see why Moses’ failure was such a stark one. While it doesn’t diminish the tragic nature of the event, it does shed light on why God takes such a drastic step to respond. ellauri164.html on line 869: First, it is important to note that a pattern is established in the story of Israel and Moses. This pattern can be seen at Mt. Sinai when Aaron and Israel create the golden calf idol (Exodus 32). Israel sins, and in response to that the Lord tells Moses to step aside so that He may destroy Israel in His wrath (Exodus 32:9-10). When this occurs, Moses intercedes for Israel and pleads for God to turn away His fierce anger for His own sake (Exodus 32:11-14). This intercession works, and Israel is spared utter destruction. This pattern of sin, wrath, intercession, and relenting occurs twice more in the Book of Numbers: once in Number 14 when Israel rebels and refuses to go into the Promised Land, and again in Numbers 16 when Korah leads his rebellion against Moses and Aaron (the major difference in Numbers 16 being that Aaron is the one to intervene by offering incense for atonement to the Lord). ellauri164.html on line 871: This pattern shows itself again in the beginning of Numbers 20 after the death of Miriam. Once more Israel rebels against Moses and Aaron, this time over a lack of water in the desert of Zin. They claim that it would have been better to have died with Korah’s rebellion rather than wander without food and water, and they express regret over leaving Egypt, a land of “grain, figs, vines, and pomegranates.” This might seem a bold claim, since in our reading Korah has just died a few chapters earlier. Careful reading, however, indicates that there’s actually been a quiet time skip; Numbers 33:38 indicates that Aaron died in “the fortieth year after the sons of Israel had come from the land of Egypt, on the first day in the fifth month.” Given that Aaron’s death is recorded in Chapter 20, just a few verses after the episode at Meribah, this would indicate that the episode at Meribah occurred in year 38 of the 40 year wandering in the wilderness (remember that Israel had spent more than a year at Sinai in addition to travel time from Egypt to Sinai and from Sinai to the Promised Land before the wandering). This means that this rebellious generation of Israelites aren’t referencing a recent event, but instead wishing they had died nearly forty years earlier with Korah! Moses and Aaron have been dealing with this wicked and hard group of people for a very long time, and they are now claiming it would have been better to have died with Korah: a fate they were only spared because of Moses and Aaron’s own intercession! ellauri164.html on line 875: This gets us back to the question of what, exactly, Moses’ sin was. Many commentators focus on the physical actions that Moses took in verses 9-11. Some say Moses sin was striking the rock rather than speaking to it, but Moses was told to take the staff of God. Exodus 17:5-6 had Moses striking the rock to cause water to come out of the rock (in fact, it’s actually the same rock of Meribah!), so it’s possible to read an inference that the staff was to be used to strike the rock. Some commentators see Moses’ harsh words for Israel as the sin, or perhaps that he speaks to the people rather than speaking to the rock. Regardless of which of these views, they don’t account for what the text itself says: Numbers 20:12 makes it clear that the sin of Moses and Aaron was “…you have not believed Me, to treat Me as holy in the sight of the sons of Israel.” Indeed, focusing on Moses’ actions of striking the rock or speaking harshly makes it seem doubly unfair to Aaron, who had neither spoken nor struck the rock. ellauri164.html on line 877: The reading that makes more sense is to focus on the breaking of the pattern established to this point. Moses’ harsh words toward the Israelites reveal his emotions in this moment; he classifies Israel as “rebels” rather than the chosen people, and his rhetorical question seems to imply that he does not view Israel as worthy of God’s grace any longer. This is the real failure of Moses in this moment: he’s lost his faith in God to fulfill His promises to these people. Israel is a nation of rebels outside of grace, outside of God’s ability to make a great nation, outside of the promises that God has given. It seems nearly forty years of dealing with this people has finally broken Moses, and he is so overwhelmed in this moment that he has lost faith. From God’s perspective, Moses has lost faith in the Lord to overcome Israel’s faithlessness. Moses has not believed in God, and has not treated Yahweh as the Holy God who is able to overcome the weakness of His people. Indeed, this is exactly what Numbers 20:12 says was Moses’ sin! He (and Aaron!) did not believe God and did not treat Yahweh as holy in that moment. God did offer Moses the opportunity to intercede for the people (and thus broke the pattern) because He knew that Moses did not have faith in Him. ellauri164.html on line 879: This interpretation is solidified by Moses’ words about this event in the Book of Deuteronomy. Three times in the first four chapters of Deuteronomy, Moses says that he is not able to enter the Promised Land because of Israel. At first glance, again, this might seem an unfair charge. Moses had caused his own exclusion, hadn’t he? Why is he accusing the generation after the event in Numbers 20 of being the cause of his failure? If we look at these three mentions, we see a few important facts. In the first instance, Deuteronomy 1:37, Moses is recounting the failure of Israel when they listened to the 10 spies’ negative report and how God forbade that generation from entering the Promised Land, and he then says “The Lord was angry with me also on your account, saying, ‘Not even you shall enter there.’” Moses associates his inability to enter the Promised Land with Israel’s rebellion and unfaithfulness, but he also seems to be lumping the people’s refusal to enter the land (Numbers 13-14) with his own sin in Numbers 20. This is not Moses forgetting the chronology of these two events, but rather indicating that they are closely associate with one another. ellauri164.html on line 883: The third mention is in Deuteronomy 4:21-23, where Moses has moved past the historical recounting and is now warning Israel of the danger of idolatry. He says ““Now the Lord was angry with me on your account, and swore that I would not cross the Jordan, and that I would not enter the good land which the Lord your God is giving you as an inheritance. For I will die in this land, I shall not cross the Jordan, but you shall cross and take possession of this good land. So watch yourselves, that you do not forget the covenant of the Lord your God which He made with you, and make for yourselves a graven image in the form of anything against which the Lord your God has commanded you.” Now Moses uses his own tragic story as an illustration on the importance of avoiding idolatry in the Promised Land. So Moses’ failure to enter the Promised Land was related to the continuous rebellion of Israel, and was an illustration of the dangers of violating the covenant promises. ellauri164.html on line 890: Many brethren and sisters, not to mention those outside the church, have a wrong understanding of what the sin of Moses was and its implication(s). Often when asked or giving comments on the matter, they say that his sin was in smiting the rock twice instead of once. They think that, since at first God told Moses to take the rod and smite the rock, and the next time He also told him to take the rod, therefore, he was also instructed to strike once. Such an understanding erodes the whole essence that God had designed in the type that would later be seen in the antitype. As it will soon be clear, striking the rock even once [that second time] would have been sin on the part of Moses. In view of this, therefore, it is important for us to possess the true facts on this matter. ellauri164.html on line 892: To begin with, we need to know that there were two instances where the children of Israel on their journey to Canaan drank water from the rock. The first was at a place known as Rephidim which would later be called Massah (temptation) and Meribah (strife). The second was at Kadesh. The water here was also called water of Meribah. “This is the water of Meribah; because the children of Israel strove with the LORD, and He was sanctified in them.” Numbers 20:13 ellauri164.html on line 896: But we know that the Rock from which they drank water is Christ. “And did all drink the same spiritual drink: for they drank of that spiritual Rock that followed them: and that Rock was Christ.” 1 Corinthians 10:4. Psalms 78: 15–16 says “He clave the rocks in the wilderness, and game them drink as out of the great depths. He brought streams also out of the rock, and caused waters to run down like rivers.” Jesus Himself testifies to this by saying, “He that believeth on Me,” as the scriptures say, “out of his belly shall flow rivers of living water.” John 7:38 ellauri164.html on line 904: “And the LORD spake unto Moses, saying, Take the rod, and gather thou the assembly together, thou, and Aaron thy brother, and speak ye unto the rock before their eyes; and it shall give forth His water, and thou shalt bring forth to them water out of the Rock: so thou shalt give the congregation and their beasts drink. And Moses took the rod from before the LORD, as he commanded him. And Moses and Aaron gathered the congregation together before the rock, and he said unto them, Hear now, ye rebels; must we fetch you water out of this rock? And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also.” Numbers 20:7–12 (emphasis mine). ellauri164.html on line 908: “By his rash act Moses took away the force of the lesson that God purposed to teach. The rock, being a symbol of Christ, had been once smitten, as Christ was to be once offered. The second time it was needful only to speak to the rock, as we have only to ask for blessings in the name of Jesus. By the second smiting of the rock the significance of this beautiful figure of Christ was destroyed.” –Patriarchs and Prophets, p. 418 ellauri164.html on line 910: “Our Saviour was not to be sacrificed a second time; and it is only necessary for those who seek the blessings of His grace to ask in the name of Jesus, pouring forth the heart’s desire in penitential prayer.” –Patriarchs and Prophets, p. 411. See also Luke 11:9–10 ellauri164.html on line 918: May the Lord help us not only to understand this truth about Moses’ sin alone, but also possess the true facts of the Bible in every aspect, which comes as a result of prayerful study of His Word, remains my wish and prayer. AMEN. ellauri164.html on line 923: Moses’ sin occurred in the final years of his life. After faithfully leading Israel out of Egypt, and after their rebellion in the matter of the 12 spies, he also faithfully led them during the forty years of wandering in the wilderness. Yet near the very end of that wandering, in a moment of anger and a lapse of judgment, Moses sinned, and God recorded that it led Him to refuse to allow Moses to enter the promised land. It is difficult to imagine the anguish and remorse Moses must have felt when God revealed this punishment. His failure to give God the proper respect and reverence, though provoked by the wicked rebellion and faithless murmurings of Israel, was a public sin and God chose to publicly and openly punish him for it. ellauri164.html on line 927: The events leading up to and ending in his sin are recorded in Numbers 20:1-13. The children of Israel were bitterly angry about not having enough water, so “they gathered together against Moses and Aaron,” and “contended with Moses.” They cast all the blame on him. “Why have you brought up the assembly of the LORD into this wilderness,” “why have you made us come up out of Egypt, to bring us to this evil place?” This was part of the murmuring that we are strictly charged not to imitate (1Cor. 10:10). Israel blamed Moses and Aaron for all their problems and bitterly complained and grumbled about it. They were so bitter and angry they wished they were dead. In all previous acts of rebellion, Moses had always conducted himself in a holy and godly manner. He had warned Israel that their murmuring was against God and never took it personally before. ellauri164.html on line 929: It appears that Moses was still in complete control of himself when he went to God for instructions. “Moses and Aaron went ... to the door of the tent of meeting, and fell upon their faces.” “Then the Lord spoke to Moses, saying,” “take the rod; ... gather the congregation together. Speak to the rock before their eyes, and it will yield its water; thus you shall bring water for them out of the rock, and give drink to the congregation and their animals.” Clearly there was nothing difficult to understand and Moses wanted to be as faithful to this command as he had been to all the other commands God had given him. ellauri164.html on line 931: Yet somehow this time something was different and Moses became very angry. Unfortunately for him, as is so often the case, “the wrath of man does not produce the righteousness of God.” (Jas. 1:20). Moses went too far. “Moses and Aaron gathered the congregation together before the rock; and he said to them, Hear now, you rebels! Must we bring water for you out of this rock? Then Moses lifted his hand and struck the rock twice with his rod; and water came out abundantly, and the congregation and their animals drank.” ellauri164.html on line 933: Did Moses realize immediately what he had done? At some point after this event, “the Lord spoke to Moses and Aaron, ‘Because you did not believe Me, to hallow Me in the eyes of the children of Israel, therefore you shall not bring this assembly into the land which I have given them.’” Their conduct had publicly displayed a lack faith, reverence and respect. God determined that this needed an equally public punishment. The punishment for this sin was grievous. God gave to them a punishment so similar to the one given to all Israel at Kadesh that it was a heart-breaking moment for Moses. Both he and Aaron would die in the wilderness and not be allowed to enter the promised land. What a bitter pill for Moses to swallow. Like David with Bathsheba, God forgave the sin, but did not remove the consequences. The consequences for Moses’ momentary lapse in reverence and respect under the terrible emotion of anger was to be barred from entrance into the promised land. ellauri164.html on line 935: When God said Moses “failed to sanctify me in the eyes of the people,” He did not specify exactly what this failure was. God had told Moses to “speak to the rock,” but the account stated that “Moses lifted up his hand, and smote the rock with his rod twice.” Clearly, in that act, Moses went beyond what God had commanded him to do. God had told Moses to take the staff, but not use it. He was directly commanded only to speak to the rock. He went beyond what was written when struck that rock. It was similar to Nadab and Abihu who offered “strange fire which He had not commanded them.” At that time Moses saw that such behavior did not “treat God as holy or glorify him among the people” (Lev. 10:1-3). Yet Moses, in anger, failed to hallow God when he struck that rock instead of speaking to it. He had failed to learn “not to go beyond what is written,” (1Cor. 4:6). He was told to speak to the rock (and he did not do that), but struck the rock (which he had no authority to do). God later charged Moses with this sin: “you rebelled against my word at the waters of Meribah” (Num 20:24; 27:13). ellauri164.html on line 939: Conclusion. Though the water came, Moses was severely punished. He was punished in a way that no amount of repentance could remove. As noted above, the sin was forgiven, but the consequences of the sin could not be. Because Moses had sinned publicly and God wanting Israel to understand His righteousness, He would not relent. “Then I pleaded with the Lord at that time... I pray, let me cross over and see the good land beyond the Jordan, those pleasant mountains, and Lebanon ... the Lord said to me: ‘Enough of that! Speak no more to Me of this matter.’ ... you shall not cross over this Jordan.” (Deut. 3:23-27). There is a lot of important lessons we can learn from Moses. This sin is one of them. Though Moses had fallen short of God’s glory here, God forgave him. Yet the consequences of the sin were deeply distressing. So it was with David, Paul and Job. So will it be with us. We need to hate sin and realize that the consequences can sometimes be severe. ellauri164.html on line 941: “And the Lord spoke to Moses and Aaron in Mount Hor by the border of the land of Edom, saying: 24 "Aaron shall be gathered to his people, for he shall not enter the land which I have given to the children of Israel, because you rebelled against My word at the water of Meribah.” (Num. 20:23-25). ellauri164.html on line 955: Everyone knows how Romeo and Juliet ends, and yet we still cry when they die. The same is true of the first of the two Torah portions we read this week, Parashat Hukkat/Balak. In this portion, we learn that Moses will not enter the Promised Land. We have heard or read this story every year, and yet we are still upset, still angry that, on the threshold, Moses is denied admission to the Land to which he has been leading the Israelites for forty years. ellauri164.html on line 965: First the comparison: this generation’s complaint about the lack of water is very different from that of the first generation. Although in both cases the people ask rhetorically why they have been brought out of Egypt, in this case, they bitterly object that in ” . . . this wretched place, a place with no grain or figs or vines or pomegranates. There is not even water to drink!” (Num. 20:5). This is a generation that is ready to enter the Land, and is worried that it will not live to do so. ellauri164.html on line 967: Another difference is this: in the earlier story, Moses pleaded for help from God; here, Moses does not say a word. God reacts directly to the people’s complaints. Another bit of evidence that this crisis is unlike other crises is that the word test, which is used in other stories of complaint, does not appear here. These differences signal to us that this story is different from the first one—and therefore Moses’s reaction should be different. ellauri164.html on line 969: And here is the clue to what went wrong in this critical story: God says, “You and your brother Aaron take the rod and assemble the community, and before their very eyes order the rock to yield its water. Thus you shall produce water for them from the rock and provide drink for the congregation and their beasts” (Num. 20:7-8). When the time comes, Moses does speak, but what he says is ambiguous in tone and intent. Here is the very short story: ellauri164.html on line 971: “Listen, you rebels, shall we get water for you out of this rock?” And Moses raised his hand and struck the rock twice with his rod. Out came water, and the community and their beasts drank. But God said to Moses and Aaron, “Because you did not trust Me enough to affirm My sanctity before the eyes of the Israelites, even so you shall not bring this assembly to the Land that I have given them.” (Num. 20:10-12) ellauri164.html on line 973: In this very short story we see a second framework: the phrase “before the eyes” emphasizes both the importance of what the Israelites witness, and the logical nature of Moses’s punishment. Why is it so important that Moses speak “before the eyes of the Israelites”? To answer that, we need to recall their past. ellauri164.html on line 975: The Israelites had a history of trusting in God because of what they saw. The most famous example, which we repeat in the daily morning service, quotes their experience after the crossing of the Sea of Reeds: “Israel saw the wondrous power which God had wielded against the Egyptians, the people feared God; they had faith in God and in God’s servant, Moses” (Exod. 14:31). They have needed this public, indisputable evidence of their eyes ever since. God knows that what they see is what is most important. And what he wants them to see is Moses speaking—not striking the rock, as he was commanded to do on the former occasion. ellauri164.html on line 979: What God wants the people to see is that Moses speaks in performing the miracle at the rock. It is a potentially powerful transitional moment in which Moses’s publicly perceived action would be speech. What he would say would become part of the people’s religious consciousness—part of the repeated narrative of the people—a way of adducing to God a caring relationship with God’s people, and conveying that care to the people. We can imagine the speech Moses might give, performing the quintessential task of a prophet, in bringing God and the people closer together. Instead, he calls them “rebels,” distancing the people from himself and, by association, from God; disdaining their legitimate needs; and losing the opportunity to attribute the provision of water to God. ellauri164.html on line 983: And so, although we commiserate with Moses, we understand that his relationship with the people, his repertoire for responding to their needs, and his modus operandi for connecting them with God will not be sufficient for the future. ellauri171.html on line 6: font-style: italic; ellauri171.html on line 32: ic;font-size:2em;color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">VOITTO-SANOMAT ellauri171.html on line 66: icc():format(webp)/Sarah-GettyImages-171408769-57066c8b3df78c7d9e980d24.jpg" /> ellauri171.html on line 106: So they made a deal and a pile of stones. Laban called it Jegar Sahadutha, and Jacob called it Galeed. Couldnt agree about the name of a pile of stones. Elisabet or Jezebel? But it was also called Mitzpah (which means “watchtower”). Se oli oikeasti rajapyykki. Korso. Arameaxi ja kaldeaxi, bounos martyrias ja tumulus testis. Reviirien merkintää. Kumpikin kusi omalle puolellensa kummelia. Jatka lukemista alhaalla. ellauri171.html on line 118: ico_-_Mis%25C3%25A9s_e_Jocabed_-_1884.jpg" /> ellauri171.html on line 139: icc():format(webp)/RahabandSpies-570689275f9b581408ce1c4d.jpg" /> ellauri171.html on line 193: icc():format(webp)/Hannah-GettyImages-171161784-570fa7635f9b5814089a179b.jpg" /> ellauri171.html on line 203: icc():format(webp)/Bathsheba640x400-56a146e45f9b58b7d0bdbd02.jpg" /> ellauri171.html on line 204: Bathsheba was quite a dish. Uriel released her to Public Domain. ellauri171.html on line 212: icc()/Jezebel-GettyImages-91727950-570faedd5f9b588cc25946e7.jpg" width="80%" /> ellauri171.html on line 215: Jacques Joseph Tissot (French: [tiso]; 15 October 1836 – 8 August 1902), Anglicized as James Tissot (/ˈtɪsoʊ/), was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and figures from the Bible. ellauri171.html on line 217: His father, Marcel Théodore Tissot, was not a watchmaker but a successful drapery merchant. He took part in losing the war of 1870 and in the Paris Commune. In 1885, Tissot had a revival of his Catholic faith, which led him to spend the rest of his life making paintings about Biblical events. Many of his artist friends were skeptical about his conversion, as it conveniently coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic. They brought Tissot vast wealth and fame. Tissot spent the last years of his life in his chateau working on paintings of subjects from the Old Testament. Although he never completed the series, he exhibited 80 of these paintings in Paris in 1901 and engravings after them were published in 1904. In the first half of the 20th century, there was a re-kindling of interest in his portraits of fashionable ladies and some fifty years later, these were achieving record prices. ellauri171.html on line 226: icc():format(webp)/Esther-GettyImages-173339675-570fb08d3df78c3fa2238131.jpg" /> ellauri171.html on line 245: icc():format(webp)/Elizabeth-Mary-GettyImages-91727095-570fb7035f9b588cc25ab683.jpg" /> ellauri171.html on line 246: Kroppsvisitation av Carl Heinrich Bloch. Look! Olisitpa nähnyt sen joka pääsi karkuun! ellauri171.html on line 258: icc():format(webp)/Martha-and-Mary1500x1192-56a148e93df78cf772692e7a.jpg" /> ellauri171.html on line 267: icc():format(webp)/Mary-Anoints-Jesus-56a149865f9b58b7d0bdd67e.jpg" /> ellauri171.html on line 276: ica.org/img/maria-magdalena.jpg" height="200px" /> ellauri171.html on line 278: ic/biblia/pint/Jesus/picJesus/magdalena.jpg" height="200px" /> ellauri171.html on line 338: Abrahamic/Middle East ellauri171.html on line 362: Atheism and Agnosticism ellauri171.html on line 364: New Age / Metaphysical ellauri171.html on line 366: Paganism and Wicca ellauri171.html on line 384: the struggle between two ways of life: nomadic sheep/goat herding, and farming. ellauri171.html on line 388: What’s the story really about? At the time the story of Cain and Abel developed, there was constant friction between farmers and herdsmen, both of them fighting for the limited resources of the land. Cain kills Abel. A herd of goats in a stony, barren landscape The herdsmen were angry when the farmers took over the best land for their crops the farmers were angry when the flocks trampled their crops.This friction leads to violence in which people get killed. Notice that the story was developed by the herdsmen, the keepers of flocks. This explains why Abel, the herdsman, is portrayed as the injured party. Lucky Luke-tarinassa Piikkilankoja preerialla skooparit repi pelihousunsa kun jyväjemmarit pystyttivät piikkilankoja preerialle. Sillä kertaa oli maajussit hyvixiä. Nyt on keskusta taas paha. ellauri171.html on line 393: A good mnemonic: God/good — Devil/evil ellauri171.html on line 400: The political stability of Israel was often upset by people called ‘prophets’. These were social critics who spoke bluntly about injustice when they saw it. Rather like the Alt-Right TV evangelists. ellauri171.html on line 401: They were a sort of protected species, like a court jester in medieval Europe. They could say something critical to the ruler and get away with it, where no-one else could. There were many such men in the Old Testament (Elijah springs to mind), and several in the gospels (Jesus and John were both called prophets). ellauri171.html on line 404: Why did Herod hate John? John was highly critical of the ruler of Galilee, Herod Antipas, who had married the divorced wife of his brother. The woman’s name was Herodias, and she had a beautiful daughter Salome. John spoke out loud and clear against the incest that, according to Jewish law, was being committed by Antipas and Herodias. Pentateukin leviraattisäännöt on pirullisia. Enste pitää mennä naimisiin veljen vaimon kanssa, sitten taas ei saa. ellauri171.html on line 406: It was a dangerous thing to do. He might have got away with it with Antipas, who was indolent and indecisive, but Herodias was another matter. She engineered a situation that led to John’s death, silencing him forever. Did Herodias do it alone? Probably not. It is more likely that all three (Antipas, Herodias and Salome) planned the charade beforehand, to provide an excuse for getting rid of John and silencing him. In any case John, already in prison, was quickly beheaded. Another political problem was solved. Were it not for the fact that the gospels recorded this deed, John’s name and the horror of his death would have been lost forever. ellauri171.html on line 418: they had a good diet and strict purity laws ellauri171.html on line 438: Judith was a rich and beautiful widow who lived in a town besieged by Nebuchadnezzar’s general, Holofernes. Holofernes taisi olla jonkun suomalaisen kirjailijapoppoon kesäveneen nimi. Haavistoilla lomailee erittäin kovaääninen lahtelainen mies jonka lisänimi on Holofernes, koska se holottaa niin maan saatanasti. Haaviston rouvan aivasteltua koko mäen hereille alkaa Holoferneen lakkaamaton holotus. Talasniemellä ois Judithille töitä. ellauri171.html on line 444: When the murder was discovered the enemy soldiers fled in panic, so Judith was proclaimed the savior of her people. ellauri171.html on line 447: She went to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. ellauri171.html on line 451: Bible Murders: Judith and Holofernes. Caravaggio's graphic painting of the moment when Judith hacks off the head of Holofernes; notice her maidservant waiting grimly in the background! ellauri171.html on line 456: Fairly soon, Ahaziah died in an accidental fall through a lattice window in his palace (now that’s hard to believe), and was succeeded by his brother Jehoram. ellauri171.html on line 464: He looked up to the window and said “Who is on my side? Who?” Two or three eunuchs looked out at him. He said “Throw her down.” So they threw her down; some of her blood spattered on the wall and on the horses, which trampled on her. Then he went in to dinner. ….. ellauri171.html on line 468: We forgot to mention that Jezebel was the New Testament's N:o 2 whore after Magdalen. In Revelation 2 Jesus Christ rebukes the church of Thyatira saying, “You allow that woman Jezebel, who calls herself a prophetess, to teach and seduce My servants to commit sexual immorality and eat things sacrificed to idols”. Christ also says of this Jezebel, “I gave her time to repent of her sexual immorality, and she did not repent. I will kill her children with death.” Battle of the sexes. In Handmaid's Tale, a Jezebel is a woman forced to become prostitute and entertainer. They are available only to the Commanders and to their guests. Offred portrays Jezebels as attractive and educated; they may be unsuitable as handmaids due to temperament. They have been sterilized, a surgery that is forbidden to other women. They operate in unofficial but state-sanctioned brothels, unknown to most women. Jezebels, whose title also comes from the Bible (note Queen Jezebel in the Books of Kings), dress in the remnants of sexualized costumes from "the time before", such as cheerleaders' costumes, school uniforms, and Playboy Bunny costumes. Jezebels can wear make-up, drink alcohol, and socialize with men, but are tightly controlled by the Aunts. When they pass their sexual prime and/or their looks fade, they are discarded, without any precision as to whether they are killed or sent to "the Colonies" (XII Jezebels). ellauri171.html on line 510: Women at this time seem to have been relatively free to move around – think of Rachel and Rebecca, who move around in public without any apparent problems. ellauri171.html on line 518: But Shechem falls passionately in love post coitum! So not at all what happened with Amnon. Dinah must have been a better lay. Now love complicates what would otherwise be the simple story of a violent crime. Shechem declared that he has fallen passionately in love with Dinah. He told her this, and he told anyone who would listen to him. He loved her tenderly – the words of the story imply longing, yearning, tenderness, not the usual feelings of a rapist. ellauri171.html on line 542: But he is in a difficult position, to say the least -trying to convince the father and brothers of a molested girl that the perpetrator will make a good husband. ellauri171.html on line 545: Why? It is technically incorrect, as he well knows, but it is an attempt to show respect for her – perhaps rather clumsy, but well-meant. ellauri171.html on line 549: He has done what ‘ought not to be done’, gone against the norms of social ethics. ellauri171.html on line 555: There is deep anger in the hearts of Dinah’s brothers, and they want justice, not compensation. They set out to deceive Shechem and his father. ellauri171.html on line 558: They seems unaware or unconcerned that they are demeaning the Covenant, and the significance of circumcision. They say that if the men of the city will agree to circumcision they will agree to the marriage, and will go so far as to settle there. ellauri171.html on line 580: Simeon and Levi murder the Sichemites; Jacob forces Dinah to watch ellauri171.html on line 586: His anger is stoked not by any ethical consideration, but by the fear that they have become pariahs who will be hunted down by allies of the city they have attacked. He rebukes his sons for backing out of the agreement they had with the people of the city – but hasn’t he himself used duplicity all his life to get what he wants? He does not like it when his sons do the same. ellauri171.html on line 591: Perhaps the most disturbing thing is that, through it all, Dinah’s voice is not heard. ellauri171.html on line 594: Confusing pic. What gives? Ah, this is not Jacob's bad boys revenging on the skinned guys but rather the motivating scene, naughty foreigner kidnapping Dinah, giving cause to the subsequent genocide. Figures. Dinah looks a little heavy for Shechem. ellauri171.html on line 642: While they were celebrating, behold, the men of the city, certain worthless fellows, surrounded the house, pounding the door; and they spoke to the owner of the house, the old man, saying, “Bring out the man who came into your house that we may have relations with him.” Then the man, the owner of the house, went out to them and said to them, “No, my fellows, please do not act so wickedly; since this man has come into my house, do not commit this act of folly. “ Here is my virgin daughter and his concubine. Please let me bring them out that you may ravish them and do to them whatever you wish. But do not commit such an act of folly against this man.” Judges 19:22-24 (NASB) ellauri171.html on line 661: Eleven tribes (called Israel in the account) reacted by demanding that the tribe of Benjamin give the guilty men, who caused the death of the concubine, to be released. But the people of Benjamin protected the guilty men and refused to turn them over for justice (Judges 20:12–14). ellauri171.html on line 666: Judges 21:8-12 records the slaughter of the inhabitants of Jabesh-Gilead because they were not angered by the Benjaminites and did not go to battle against them. The account is important because four hundred virgins from that tribe were found, spared and then taken to Shiloh. It is important to notice that God did not give them direction to slaughter the inhabitants of Jabesh-Gilead or to take the virgins to Shiloh. Se vain kazoi päältä samaan tyyliin kuin Taavetti ja Jaakoppi ja Taamarin ja Tiinan kohdalla. ellauri171.html on line 670: icture-in-picture" allowfullscreen> ellauri171.html on line 676: The first important lesson from this account is that the Bible indicates God did not approve of the horrible sins that occurred in the city of Gibeah. Judges 20:18, 23, 28, 35 repeatedly reveal that God directed the other tribes of Israel to action against a morally evil tribe. This reveals that the accusation of some that Scripture is silent about the evil that occurred is wrong. The reason the account is recorded is summarized at the end of Judges 21. There God reveals that He condemned the nation of Israel for its actions in Judges 19-21. Judges 21:25 says, “In those days there was no king in Israel; everyone did what was right in his own eyes.” It reveals what happens when men and women abandon God. Romans 3:10-18 states the human race is utterly perverted and their actions will demonstrate it. It says no one seeks after God. “There is not even one!” We have all turned aside from God. Jesus said to the rich young ruler in Matthew 19:17 that there is only One who is good and He is God. The rest of Romans 3:10-18 describes our utter sinfulness and despicable behavior when we abandon God. That describes the inhabitants of Gibeah and the nation of Benjamin. Tämmöistä sakinhivutusta suositaan armeijoissa nykyäänkin. Jos syyllistä ei saada kiinni, pannaan koko komppania kärsimään. Hemmetti tää on kyllä alkeellista touhua. Kuka tästä enää haluaa mitään oppia? No vizi on että raamatun lukijoista on varmasti yli 50% just yhtä alkeellista porukkaa. Ei apinat ole mihkään muuttuneet, ne on sopeutuneet tähän. ellauri171.html on line 678: Our second lesson is that our sins affect others and potentially lead others to sin. The first sin in this account occurred in the home of the Levite and concubine. The fact that the Levite planned to “speak tenderly to her” (Judges 19:3) in order to win her back, seems to imply that they had quarreled. The most obvious sin is that she committed adultery when she became a prostitute. The initial sin cascaded into the horrific evils in Gibeah and subsequently to the 400 virgins who were taken alive in Jabesh-gilead to be given as wives to the remaining men of Benjamin. Judges 21:25 says, “. . . everyone did what was right in his own eyes.” ellauri171.html on line 686: The sixth lesson is that the homosexuals demonstrated that to them homosexual sexual activity is more desirable than heterosexual activity. However, heterosexual behavior is acceptable if that is all that is available to them. Romans 1:23-24, 26 and 28 teach that when people are given over to homosexual activity, it is a sign that they have rejected God. Homosexual activity is a more serious sin among sins, despite the claims of some. See the study, “Are some sins worse than other sins? – Are all sins equal?” Also notice that Judges 19:22 refers to the men of Gibeah as “worthless fellows.” ellauri171.html on line 692: Our eighth lesson reveals the twelve tribes were becoming more like the Canaanites, which were given to sexual perversion: homosexuality, rape, adultery, murder, lies, abuse of women, abduction, absence of justice and the defense of the guilty. What sins did we miss? In truth these are sufficient to demonstrate the utter moral decline of the twelve tribes and one tribe that was worse than the others. ellauri171.html on line 726: The enemy had hundreds of iron-wheeled chariots that could crush the Israelites into the ground. But Deborah tricked them into driving these chariots onto marshy land where they were bogged down. The Israelite slingmen and archers picked them off one by one, like ducks in a pond. Sisera, the enemy general, fled from the battlefield towards the encampment of a woman called Jael the Kenite. ellauri171.html on line 732: The story appears twice in the Bible: a story version (Judges 4) and a song version (Judges 5), a victory poem. ellauri171.html on line 744: He was left-handed. The guards searched for a weapon on his left thigh where a right-handed person would have hidden it. They missed the knife inside his right thigh! Clever! Bible Murders: Ehud murders Eglon. Man's body of about the same proportions as Eglon's. The Bible gives a graphic description of the king’s body. It was so fat that the blade went deep into his belly: it plunged so far in that the hilt went in as well, and the skin closed over it. ellauri171.html on line 745: Ehud’s hand was covered in faeces. Then Ehud quickly left, locking the door after him so the servants would think the king was taking his time as he relieved himself. ellauri171.html on line 757: There is something particularly cruel about this slaughter of the innocents. It was done by people the boys had grown to trust, but who now hunted them down and killed them violently. ellauri171.html on line 759: This barbarism seem to have be common practice in the Middle East, as the Jom Kippur War shows. ellauri171.html on line 765: Can't find a pic of this one, but a lot of shots were taken a little later when evil queen Athaliah tried to send the ball back to the other court: ellauri171.html on line 772: The lesson: God always wins. That's a pretty simplistic way of saying it, but it's true nonetheless. Even when people like Athaliah try to stomp out an entire family and put an end to God's plan for redemption, when people like the priests of Baal lead others to worship idols instead of the true God, God will always triumph in the end. The negative forces of our culture make us wonder where we're headed as a people. Many of our leaders show little integrity or morality, and dishonesty is overlooked in the workplace. Kindness is often the exception rather than the rule. But don't despair. This is not a battle God plans to lose. In the end, he will prevail! You just wight Enry Jiggins! ellauri171.html on line 784: Many Christians are born into poverty, having no choice in the matter. For example, faithful believers who love God and do all His commandments live in the poorer countries of the world. In fact, God has called many poor into His church. James the apostle asked, “Has God not chosen the poor of this world to be rich in faith and heirs of the kingdom which He promised to those who love Him?” (James 2:5). ellauri171.html on line 786: The Bible teaches Christians to be content with their lot in life. Paul the apostle wrote, “godliness with contentment is great gain” (1 Timothy 6:6). It is virtuous of a Christian to remain undistracted by the riches of the world while being committed to Christ. For, “better is a little with the fear of the Lord, than great treasure with trouble” (Proverbs 15:16). ellauri171.html on line 790: Though Christ never taught it was wrong to have wealth, He did warn about the snare of riches. For example, there was a rich young man who came to Him during His ministry. He asked Jesus what He must do to inherit eternal life. Jesus told Him, “sell what you have and give to the poor, and you will have treasure in heaven; and come, follow Me” (Matthew 19:21). As the episode unfolds, the rich young man could not bring himself to do this. He “went away sorrowful, but anyway he had great possessions” (Matthew 19:22). ellauri171.html on line 792: At this point, Jesus said to His disciples, “it is hard for a rich man to enter the kingdom of heaven” (Matthew 19:23). Hard but not impossible. A camel can be diluted in acid and injected thru a needle. Anyway it was just the name of a gate in Jerusalem. This is because the care of riches in this life can be a snare for a Christian. A Christian’s heart cannot be set on riches and cares of this world above the Kingdom of God. In another example, the parable of the sower, Jesus warned that some who receive the word of God will allow their spiritual growth to be choked off by “the cares of this world and the deceitfulness of riches” (Matthew 13:22). These things show us that being poor can help a Christian not to be ensnared by such things. No cause to complain then. ellauri171.html on line 794: Though Christians may be poor in this world, it is God’s will to "eventually" eliminate poverty. The Bible speaks in much detail of a coming time of peace and prosperity on earth when poverty will be wiped out. It is called the millennium. God the Father has a plan to send His Son back to earth in great power and glory. “He has appointed a day on which He will judge the world in righteousness by the Man whom He has ordained” (Acts 17:31). ellauri171.html on line 796: Until that day, God is continually searching the hearts of His people to know what is in them. He allows some Christians to be poor, even while other believers have wealth. What a Christian does in each circumstance is important to God. In the book of Revelation, the glorified Jesus Christ said to one of His churches, "I know your… poverty, but you are rich” (Revelation 2:9). That is, these Christians were poor in the wealth of this world, but were rich in faith toward God. ellauri171.html on line 798: To another church, Christ said, “you say, ‘I am rich, have become wealthy, and have need of nothing’—and do not know that you are wretched, miserable, poor, blind, and naked” (Revelation 3:17). These Christians, though rich with material goods of this world were very poor in faith. ellauri171.html on line 800: Whether rich or poor in this world, the responsibility of every Christian is to keep the will of God first in their lives. As Jesus said, “one's life does not consist in the abundance of the things he possesses." (Luke 12:15). A zealous Christian who may be poor in the things of this world will be rich in faith toward God. You win some, you lose some. The poor youse shall always have amongst you, so spare a penny for an ex leper. ellauri171.html on line 805: Ahabin dynastia omridit eli kuningas Omrin porukat oli jotain kananiittejä. Israel Finkelstein's The Bible Unearthed presents a very different picture of the Omrides than the circumcision handbook, making them responsible for the great empire, magnificent palaces, wealth, and peace in Israel and Judah that the Bible credits to the much earlier kings David and Solomon. According to Finkelstein, the reason for this discrepancy is the religious bias of the Biblical authors against the Omrides for their polytheism, and in particular their support for elements of the Canaanite religion. ellauri171.html on line 807: Finkelstein maintains that the writers of the Book of Kings may have omitted possible widespread public construction that both Omri and his son Ahab commissioned during their reigns. Finkelstein and his student Norma Franklin have identified monumental construction at Samaria, Jezreel, Megiddo, and Hazor that is similar in design and build. ellauri171.html on line 821: Asherah, queen consort of El (Ugaritic religion), Elkunirsa (Hittite religion), Yahweh (Israelite religion), Amurru (Amorite religion), Anu (Akkadian religion) and 'Amm (Religion in pre-Islamic Arabia) Symbolized by an Asherah pole in the Hebrew Bible. ellauri171.html on line 835: Ba'alat Gebal, goddess of Byblos, Phoenicia. She was distinguished in iconography from Astarte or similar goddesses by two tall, upright feathers in her headdress.[citation needed] ellauri171.html on line 867: Liluri, goddess of mountains and wife of Manuzi. Bulls were sacrificed to both of them. ellauri171.html on line 873: Manuzi, god of weather and husband of Liluri. Bulls were sacrificed to both of them. ellauri171.html on line 897: Shadrafa, god of medicine or healing. ellauri171.html on line 905: Sydyk, the god of righteousness or justice, sometimes twinned with Misor, and linked to the planet Jupiter ellauri171.html on line 917: Canaanites believed that following physical death, the npš (usually translated as "soul") departed from the body to the land of Mot (Death). Bodies were buried with grave goods, and offerings of food and drink were made to the dead to ensure that they would not trouble the living. Dead relatives were venerated and sometimes asked for help. Seijakin huutaa aina Leaa avuxi. ellauri171.html on line 922: The Late Bronze Age collapse was a time of societal collapse between c.1200 and 1150 BCE, preceding the Greek Dark Ages. The collapse affected a large area covering much of Southeast Europe, West Asia and North Africa, comprising the overlapping regions of the Near East and Eastern Mediterranean, with Egypt, eastern Libya, the Balkans, the Aegean, Anatolia, and the Caucasus. It was a transition which historians believe was violent, sudden, and culturally disruptive for some Bronze Age civilizations during the 12th century BCE, along with a sharp economic decline of regional powers. ellauri171.html on line 924: The palace economy of Mycenaean Greece, the Aegean region and Anatolia that characterized the Late Bronze Age disintegrated, transforming into the small isolated village cultures of the Greek Dark Ages, which lasted from around 1100 BCE to the beginning of the Archaic age around 750 BCE. The Hittite Empire of Anatolia and the Levant collapsed, while states such as the Middle Assyrian Empire in Mesopotamia and the New Kingdom of Egypt survived but were considerably weakened. Conversely, some peoples such as the Phoenicians enjoyed increased autonomy and power with the waning military presence of Egypt and Assyria in the Levant. ellauri171.html on line 926: Competing and even mutually incompatible theories for the ultimate cause of the Late Bronze Age collapse have been made since the 19th century. These include volcanic eruptions, droughts, invasions by the Sea Peoples or migrations of Dorians, economic disruptions due to the rising use of ironworking, and changes in military technology and methods of war that saw the decline of chariot warfare. Following the collapse, gradual changes in metallurgic technology led to the subsequent Iron Age across Eurasia and Africa during the 1st millennium BCE. ellauri171.html on line 928: The last Bronze Age king of Ugarit, Ammurapi (circa 1215 to 1180 BC), was a contemporary of the last known Hittite king, Suppiluliuma II. Ammurapi oli amoriitti kuten esi-isänsä Hammurabi (1792 BC to c. 1750), se Babylonian silmä silmästä, hammas hampaasta kaveri. The exact dates of his reign are unknown. However, a letter by the king is preserved, in which Ammurapi stresses the seriousness of the crisis faced by many Near Eastern states due to attacks (but by whom?). Ammurapi pleads for assistance from the king of Alashiya, highlighting the desperate situation Ugarit faced: ellauri171.html on line 930: My father, behold, the enemy's ships came; my cities(?) were burned, and they did evil things in my country. Does not my father know that all my troops and chariots(?) are in the Land of Hatti, and all my ships are in the Land of Lukka? ... Thus, the country is abandoned to itself. May my father know it: the seven ships of the enemy that came here inflicted much damage upon us. ellauri171.html on line 945: None of the inscribed tablets found in 1929 in the Canaanite city of Ugarit (destroyed c. 1200 BC) has revealed a cosmology. Any idea of one is often reconstructed from the much later Phoenician text by Philo of Byblos (c. 64–141 AD), after much Greek and Roman influence in the region. ellauri171.html on line 947: According to the pantheon, known in Ugarit as 'ilhm (Elohim) or the children of El, supposedly obtained by Philo of Byblos from Sanchuniathon of Berythus (Beirut) the creator was known as Elion, who was the father of the divinities, and in the Greek sources he was married to Beruth (Beirut = the city). This marriage of the divinity with the city would seem to have Biblical parallels too with the stories of the link between Melqart and Tyre; Chemosh and Moab; Tanit and Baal Hammon in Carthage, Yah and Jerusalem. ellauri171.html on line 951: In Canaanite mythology there were twin mountains Targhizizi and Tharumagi which hold the firmament up above the earth-circling ocean, thereby bounding the earth. W. F. Albright, for example, says that El Shaddai is a derivation of a Semitic stem that appears in the Akkadian shadû ("mountain") and shaddā'û or shaddû'a ("mountain-dweller"), one of the names of Amurru. Philo of Byblos states that Atlas was one of the Elohim, which would clearly fit into the story of El Shaddai as "God of the Mountain(s)". Harriet Lutzky has presented evidence that Shaddai was an attribute of a Semitic goddess, linking the epithet with Hebrew šad "breast" as "the one of the Breast". The idea of two mountains being associated here as the breasts of the Earth, fits into the Canaanite mythology quite well. The ideas of pairs of mountains seem to be quite common in Canaanite mythology (similar to Horeb and Sinai in the Bible). The late period of this cosmology makes it difficult to tell what influences (Roman, Greek, or Hebrew) may have informed Philo's writings. ellauri171.html on line 953: In the Baal Cycle, Ba'al Hadad is challenged by and defeats Yam, using two magical weapons (called "Driver" and "Chaser") made for him by Kothar-wa-Khasis. Afterward, with the help of Athirat and Anat, Ba'al persuades El to allow him a palace. El approves, and the palace is built by Kothar-wa-Khasis. After the palace is constructed, Ba'al gives forth a thunderous roar out of the palace window and challenges Mot. Mot enters through the window and swallows Ba'al, sending him to the Underworld. With no one to give rain, there is a terrible drought in Ba'al's absence. The other deities, especially El and Anat, are distraught that Ba'al has been taken to the Underworld. Anat goes to the Underworld, attacks Mot with a knife, grinds him up into pieces, and scatters him far and wide. With Mot defeated, Ba'al is able to return and refresh the Earth with rain. ellauri171.html on line 955: Archaeological investigations at the site of Tell es-Safi have found the remains of donkeys, as well as some sheep and goats in Early Bronze Age layers, dating to 4,900 years ago which were imported from Egypt in order to be sacrificed. One of the sacrificial animals, a complete donkey, was found beneath the foundations of a building, leading to speculation this was a 'foundation deposit' placed before the building of a residential house. Me syötiin Kiinan teevuorilla kerran aasikeittoa. Ei se pahaa ollut. ellauri171.html on line 957: It is considered virtually impossible to reconstruct a clear picture of Canaanite religious practices. Although child sacrifice was known to surrounding peoples, there is no reference to it in ancient Phoenician or Classical texts. The biblical representation of Canaanite religion is always negative. ellauri171.html on line 959: Canaanite religious practice had a high regard for the duty of children to care for their parents, with sons being held responsible for burying them, and arranging for the maintenance of their tombs. ellauri171.html on line 961: Canaanite deities such as Baal were represented by figures which were placed in shrines, often on hilltops, or 'high places' surrounded by groves of trees, such as is condemned in the Hebrew Bible, in Hosea (v 13a) which would probably hold the Asherah pole, and standing stones or pillars. ellauri171.html on line 963: The land of Canaan comprises the modern regions of Israel, Palestine, Lebanon, Jordan and Syria. At the time when Canaanite religion was practiced, Canaan was divided into various city states. Baal oli se sama Iisebelin bali jota Hannibalkin palveli, nehän oli molemmat foinikialaisia. Toiset pelkää eliä ja toiset balia. El tai bal, ylijohtaja tai herra, paljon väliä. Sano vaan hannixi balit jäi aidalle. ellauri171.html on line 970: Jezebel (circa 910–841 BCE) was the wife of Ahab—king of Israel, daughter of Etbaal— king of Tyros (Phoenician empire), and mother of Ahazia and Jehoram—Ahab’s sons and successors. Ethbaal served as a priest of Astarte, the primary Phoenician goddess. ellauri171.html on line 971: At a time when political alliances were cemented through matrimony, King Ahab sought to create a pact with the neighboring Tyrian kingdom and married the king’s daughter. ellauri171.html on line 973: Jezebel’s marriage to Ahab was a political alliance. The union provided both peoples with military protection from powerful enemies as well as valuable trade routes: Israel gained access to the Phoenician ports; Phoenicia gained passage through Israel’s central hill country to Transjordan and especially to the King’s Highway, the heavily traveled inland route connecting the Gulf of Aqaba in the south with Damascus in the north. But although the marriage is sound foreign policy, it is intolerable to the Deuteronomist because of Jezebel’s competing gods. ellauri171.html on line 980: The extent of Jezebel’s power is evidenced by the necessity for Jehu, the founder of the next royal dynasty in Israel, to murder her before his rule can be established (2 Kings 9:30–37)—plus her whole extended family. Tollasta karhutouhua. The biblical text insists that she is evil through and through. ellauri171.html on line 982: In the nudes of European painting we can discover some of the criteria and conventions by which women have been seen and judged as sights. ellauri171.html on line 984: If one knew nothing about the biblical character Jezebel, but used a search engine to find more information, the search results would have almost nothing to do with her as she appears in the Hebrew bible. She is one of the few biblical characters to have become her own noun; in the modern world, “Jezebel” connotes a sexually immoral woman. The thesaurus yields results such as “floozy, hooker, and hussy.” The Urban Dictionary returns definitions like: ellauri171.html on line 985: “...Often beautiful, she uses her looks to her advantage to ‘lure in’ her next victim.” ellauri171.html on line 987: But the appearance of Jezebel in the bible includes no mention of her sexuality. In the Hebrew Bible, Jezebel appears in the books of first and second Kings as the wife of King Ahab— the marriage being a political alliance between Israel and Sidon (a coastal city to the north) where Jezebel was the princess. Jezebel brings her religion to Israel with her, and the worship of Baal is blasphemy in the eyes of the biblical writers. According to the text, Jezebel begins killing Israel’s prophets. Because of this, Elijah challenges the prophets of Baal to a showdown with Israel’s deity. The Baal worshipers fail to summon their deity, so Elijah calls upon Yahweh and fire descends from heaven and consumes the altar. Having won, Elijah then slaughters all of the prophets of Baal. Jezebel threatens to kill Elijah by the same time the next day, and, ironically, Elijah retreats. ellauri171.html on line 989: The next time we hear of Jezebel is during the ploy to obtain Naboth’s vineyard for her husband, who is unable to secure the transaction. She sends letters, with the stamp of the king, to the elders in Naboth’s town, commanding them to lie against Naboth, and then stone him. The elders do so, and after Naboth’s death, the vineyard is claimed for Ahab. Few bible commentators acknowledge the bizarre betrayal of Naboth by his neighbors. If, as is suggested, Naboth’s neighbors had known him since birth and patronized him, how could they turn so quickly? Some scholars argue that this incident highlights Jezebel’s keen understanding of Israelite men. It is perhaps, also, one of the impetus for her modern connotation as manipulator-supreme. ellauri171.html on line 991: The final time we hear of Jezebel (an entire chapter later) is just before her demise. Having just killed the sitting king and son of Jezebel, Jehu enters town to do the same to her. As she sees Jehu, Jezebel stands at the window, issues one last zinger insult, and then puts on makeup. Jehu commands the eunuchs to throw her down, they do so, and Jezebel is trampled. The donning of makeup is the final impetus for her conception as a whore. The most popular interpretation is that Jezebel puts on makeup in effort to seduce Jehu, but this interpretation is not bolstered by the text. Jezebel is the sitting Queen, presumably old in age by now, and has performed in a political function her entire life. She very likely understands that she is about to die and even issues one last insult as Jehu approaches. A more compassionate reading of the text would indicate that Jezebel, for lack of a better term, “goes out with a bang.” Except Jehu hardly banged her If she was an old hag by then. ellauri171.html on line 992: As she regally awaits Jehu in the Jezreel palace, some palace officials squeeze her through the lattice window, most likely piece by piece. By the time Jehu has finished eating, he orders that she be buried “for she is a king’s daughter” (2 Kings 9:34), but the dogs supplied by Elijah's goons have already eaten most of her carcass—in keeping with Elijah’s prophecy. ellauri171.html on line 994: It is worth noting that nowhere in the text is Jezebel characterized as promiscuous or seductive. The text makes no mention of her physical appearance. Unlike characters such as Rachel, Joseph, and Rebekah, whom the Bible explicitly labels as aesthetically appealing, there is no such indication for Jezebel. In fact, if anything, the text indicates that Jezebel is an all-too-loyal wife —even capable of murder. She is not an admirable character by any means, however, it is critical to highlight that nothing about her modern connotation is exemplified in text. ellauri171.html on line 996: In Christian lore, Jezebel’s prominent association is that of a sexual essence. Authoritative sources such Thesaurus and Urban Dictionary return results like “whore,” “harlot,” “slut.” John in his drug dream seems to associate the Biblical queen with the “mother of whores and of abominations” who “rules over the kings of the earth” and who has committed fornication with them (Revelation 17:2, 5, 18). ellauri171.html on line 997: Jezebel is portrayed by the Rabbis as a wicked woman who represents the negative influence of Gentile women who turned Israel’s heart to idolatry. She is a corrupting influence on her husband Ahab, who is drawn to idolatry and away from God because of her. ellauri171.html on line 999: Idolatry (other religious conviction) was Jezebel’s most grievous sin. She would fatten the prophets of Baal and Asherah, thus vexing God and arousing His ire. ellauri171.html on line 1000: One way northerners disturb the tapestry of creation is through sexually deviant and immoral activities, which is why the Torah describes the divinations of Jezebel as her promiscuity (“the harlotries of your mother Jezebel and her abundant witchcraft”). ellauri171.html on line 1002: Jezebel’s support of Tyros' national God Baal led her to persecute Jewish bigots who overtly rejected idolatry, beginning with the prophets. Scripture tells us that she had these ideological adversaries executed, and in turn promoted 450 prophets of Baal and 400 prophets of god Asherah. ellauri171.html on line 1004: Jezebel pursued Elijah the Prophet as well. Elijah had challenged the false prophets of Baal to produce a tangible response from their deity, during an epic showdown on Mount Carmel. When they failed to do so, the prophets of the Baal were proven false and Elijah had them all killed. Haha! When Jezebel threatened to kill Elijah in retribution, he fled for his life. Fucking murderer and a wimp to boot! ellauri171.html on line 1005: The Zohar explains that although Elijah was a prophet of Gad, it is the practice of the righteous to avoid situations that require miraculous divine intervention unless absolutely necessary. Because Jezebel had threatened to harm him, Elijah escaped quickly to save Gad the trouble of a supernatural rescue mission. Gad was a little out of breath after the Carmel incident. ellauri171.html on line 1009: The medieval commentators differ on whether Jezebel converted to Judaism in a halachically acceptable manner. R. Levi ben Gershom (Ralbag, 1288-1344) is of the view that Jezebel did not fully embrace Judaism and was not a halachic Jewess. This would mean that her two sons, Ahazia and Jehoram, also lacked Jewish credentials. But his assumption is challenged by the fact that there are indications throughout rabbinic works that Ahazia and Jehoram were regarded as bona-fide halachic Jews. Indeed, this is the position taken by a number of halachic authorities. Some contemporary authors argue instead that Jehoram was the son of another of Ahab’s 100% Jewish wives. ellauri171.html on line 1013: Jezebel is characterized as totally evil in the biblical text and beyond it: in the New Testament her name is a generic catchword for a whoring, non-believing female adversary (Revelations 2:20); in Judeo-Christian traditions, she is evil. The Bible is careful not to refer to her as queen. And yet, this is precisely what she seems to have been. Some early Jewish, albeit post-biblical, sources deconstruct the general picture: “Four women exercised government in the world: Jezebel and Athaliah from Israel, Semiramis and Vashti from the [gentile] nations” (in a Jewish Midrash for the Book of Esther, Esther Rabbah) ellauri171.html on line 1015: Clearly, Jezebel acted as queen even though the Bible itself refuses her the title and its attendant respect, not to mention approval. In the biblical text, Jezebel is contrasted with and juxtaposed to the prophet Elijah, to the extent that they both form the two panels of a mirrored dyptich. She is a Baal supporter, he is a God supporter; she is a woman, he is a man; she is a foreigner, he is a native; she has monarchic power, he has prophetic power; she threatens, he flees; finally he wins, she is liquidated. The real conflict is not between Ahab (the king) and Elijah, but between Jezebel (the queen in actuality, if not in title) and Elijah. Ultimately the forces of God win; Jezebel loses. It remains to be understood why she gets such bad press. ellauri171.html on line 1017: It seems reasonable that Jezebel, a foreign royal princess by birth, was highly educated and efficient. Also, although her son’s theophoric names have the element yah or yahu (referring to God) in them, she seems to have been a patron and devotee of the Baal cult. ellauri171.html on line 1018: It is not incomprehensible that, whereas Ahab devoted himself to military and foreign affairs, Jezebel acted as his deputy for internal affairs: the Naboth report comes back to her, as if the king’s seal was hers; she has her own “table,” that is her own economic establishment and budget; she has her own “prophets,” probably a religious establishment that she controls. All these point toward an official or semiofficial position that Jezebel held by virtue of her character, her royal origin and connections, her husband’s and later her children’s esteem, and her religious affiliation to the Baal (possibly also Asherah) cult. ellauri171.html on line 1019: Perhaps she had the status of gebira “queen mother”, or of “co-regent”. At any rate, there is no doubt that the biblical and later accounts distort her portrait for several reasons, among which we can list her monarchic power, deemed unfit in a woman; her reported devotion to the Baal and Asherah cult and her objection to Elijah and other prophets of God; her education and legal know-how (shown in the Naboth affair); and her foreign origin Ultimately, the same passages that disclaim Jezebel as evil, “whoring,” and immoral are witness to her power and the need to curb it. ellauri171.html on line 1023: For more than two thousand years, Jezebel has been saddled with a reputation as the bad girl of the Bible, the wickedest of women. This ancient queen has been denounced as a murderer, prostitute and enemy of God, and her name has been adopted for lingerie lines and World War II missiles alike. But just how depraved was Jezebel? ellauri171.html on line 1024: In recent years, scholars have tried to reclaim the shadowy female figures whose tales are often only partially told in the Bible. Rehabilitating Jezebel’s stained reputation is an arduous task, however, for she is a difficult woman to like. She is not a heroic fighter like Deborah, a devoted sister like Miriam or a cherished wife like Ruth. Jezebel cannot even be compared with the Bible’s other bad girls—Potiphar’s wife and Delilah—for no good comes from Jezebel’s deeds. These other women may be bad, but Jezebel is the worst. ellauri171.html on line 1037: Biblical Trials of Two Women Named Tamar ellauri171.html on line 1046: Storyline: Jacob's psychopath son Judah believes that his daughter-in-law Tamara 1 has killed two of his sons, and subjugates her so that she is unable to remarry. However, she ultimately tricks Judah into fucking her pregnant himself and therefore secures her place in the family. She gives Judah two more sons. Her story illustrates her loyalty and her willingness to be assertive and unconventional. ellauri171.html on line 1048: Judah, who has bought her for his firstborn son, Er, loses it, er, I mean loses Er. When he, er, I mean Er dies, Judah gives Tamar to his second son, Onan, who is to act as levir, a surrogate for his dead brother who would beget a son to continue Er’s lineage. (Onan you must be familiar with first hand!) In this way, Tamar too would be assured a place in the family. Onan, however, would make a considerable economic sacrifice. According to inheritance customs, the estate of Judah, who had three sons, would be divided into four equal parts, with the eldest son acquiring one half and the others one fourth each. A child engendered for Er would inherit at least one fourth and possibly one half (as the son of the firstborn). If Er remained childless, then Judah’s estate would be divided into three, with the eldest, most probably Onan, inheriting two thirds. Onan opts to preserve his financial advantage and does coitus interruptus with Tamar, spilling his semen on the ground. For this, God punishes Onan with death, as God had previously punished Er for doing something equally wicked (unfortunately we are not told what, maybe sodomy in the flock). ellauri171.html on line 1050: Although the readers know that God has killed two of Judah’s sons, Judah does not. This is known as dramatic irony. He suspects that Tamar is a “lethal woman,” a woman whose sexual partners are all doomed to die. So, Judah is afraid to give Tamar to his youngest son, Shelah, the inventor of Shelah quantifiers. So doing, Judah wrongs Tamar. According to Near Eastern custom, known from Middle Assyrian laws, if a man has no son over ten years old, he could perform the Levirate marriage (yibbum) obligation himself; if he does not, the woman is declared a “widow,” free to marry again. Judah, who is perhaps afraid of Tamar’s lethal character, could have set her free. But he does not—he sends her to live as “a widow” in her father’s house. Unlike other widows, she cannot remarry and must stay chaste on pain of death. She is in limbo. ellauri171.html on line 1052: Ostensibly, Tamar is only waiting for Shelah to grow up and mate with her. But after time passes, she realizes that Judah is not going to effect that union. She therefore devises a plan to secure her own future by tricking her father-in-law into having sex with her. She is not planning incest. A father-in-law may not sleep with his daughter-in-law (Lev 18:15), just as a brother-in-law may not sleep with his sister-in-law (Lev 18:16), but in-law incest rules are suspended for the purpose of the levirate. The levir is, after all, only a surrogate for the dead husband. What the fuck. Well, it takes one to know one. ellauri171.html on line 1054: Tamar’s plan is as simple as it is clever: she covers herself with a veil so that Judah won’t recognize her, and then she sits in the roadway at the “entrance to Enaim” (Hebrew petah enayim; literally, “eye-opener”). She has chosen her spot well. Judah will pass as he comes back happy and horny (and maybe tipsy) from a sheep-shearing festival. The veil is not the mark of a prostitute (haha); rather, it simply will prevent Judah from seeing Tamar’s face, and women sitting by the roadway are apparently fair game. So, Judah propositions her, offering to give her a kid (well he did) for her services and giving her his pet seal and staff id (the ancient equivalent of a credit card) in pledge. ellauri171.html on line 1056: Judah, a man of honor (buahahaha) tries to pay. His friend Hirah goes looking for her, asking around for the kedeshah in the road (Gen 38:21.). The NRSV translates this as “temple prostitute,” but a kedeshah was not a sacred prostitute; she was a public woman, who might be found along the roadway (as virgins and married women should not be). She could engage in sex, but might also be sought out for lactation, midwifery, and other female concerns. By looking for a kedeshah, Hirah can look for a public woman without revealing Judah’s private life. The woman, of course, is nowhere to be found. Judah, mindful of his public image, calls off the search rather than became a laughingstock. BRUAAHAHAHA! ellauri171.html on line 1058: But there is a greater threat to his honor (aw fuck, stop, you're killing us). Rumor relates that Tamar is pregnant and has obviously been faithless to her obligation to Judah to remain chaste. Judah, as the head of the family, acts swiftly to restore his honor, commanding that she be burnt to death. But Tamar has anticipated this danger. She sends his identifying pledge to him, urging him to recognize that its owner is the father. Realizing what has happened, Judah publicly announces Tamar’s innocence. His cryptic phrase, zadekah mimmeni, is often translated “she is more in the right than I” (Gen 38:26), a recognition not only of her innocence, but also of his wrongdoing in not freeing her or performing the levirate. Another possible translation is “she is innocent—it [the child] is from me.” Judah has now performed the levirate (despite himself) and never cohabits with Tamar again. Once she is pregnant, future sex with a late son’s wife would be incestuous. ellauri171.html on line 1060: Tamar’s place in the family and Judah’s posterity are secured. She gives birth to twins, Perez and Zerah (Gen 38:29–30; 1 Chr 2:4), thus restoring two sons to Judah, who has lost two. Their birth is reminiscent of the birth of Rebekah’s twin sons, at which Jacob came out holding Esau’s heel (Gen 25:24–26). Perez does him one better. The midwife marks Zerah’s hand with a scarlet cord when it emerges from the womb first, but Perez (whose name means “barrier-breach”) edges his way through. Cuts the queue. From his line would come David. Not surprising. ellauri171.html on line 1064: Storyline: Tamara is a girl who didn't quite fit in. Tamara is constantly picked on and when a couple of Judah's sons play a joke on Tamara, it leads to their death. The sugardaddy tries to make it so that Tamara ran away. But all is not lost yet. Tamara returns as a sexy seductress and plans her revenge. (due to witchcraft). Well like they say: Karma's a bitch. —Anonymous ellauri171.html on line 1069: A really dumb, derivative rip-off, slovenly constructed and played with the sort of ludicrous earnestness that just misses being bad enough to qualify as high camp. ellauri171.html on line 1073: There are few words to describe the awfulness of this story, but let's give it the old college try: dismal, depressing, embarrassing and utterly lacking in any artistic or social worth. ellauri171.html on line 1075: An entry into the cycle of avenging teen-girl pictures, in which the storyteller tries gamely to put a unique spin on familiar material, but eventually fall back on by-the-numbers tropes. ellauri171.html on line 1083: After a sly middle, the third act is just slasher-flick cliches; worse, it largely keeps Tamara offscreen. Villainy shouldn't be outsourced. ellauri171.html on line 1085: A mediocre little thriller that might have promised cheap fun on apocrypha shelf but destined to die a quick death on the big screen. ellauri171.html on line 1087: As relatively stylish on the surface as it is resoundingly familiar beneath, Tamara should prove more than serviceable enough for the hardcore horror fans. ellauri171.html on line 1089: Do you think we mischaracterized a critic's review? ellauri171.html on line 1105: Why not? At that time it would have been a possibility, though not a preferred one. Perhaps the marriage that had been arranged for Tamar was too politically sensitive to upset, or maybe Amnon thought that David would disapprove of his obsession, seeing it as a weakness. After all, a king could not afford to let emotions interfere with politics. Remember Batsheba, haha. ellauri171.html on line 1118: Tamar obeyed her father. She may have had reservations about coming to her brother’s private quarters but she had no choice. Law and custom required her to obey her father, and in any case she would have been escorted by her own servants. ellauri171.html on line 1123: Since they were directly commanded to go, her servants also had to leave the room – David’s heir was not someone to be crossed. Then, still feigning the irritation of a sick person, he went into the bedroom alcove and insisted he would only eat the food if she brought it to him there and fed him with her own hand. ellauri171.html on line 1138: Then as she staggered away she tore the front of her richly embroidered outer robe as a sign of her despair. With her hand on her head, the sign of a bereaved woman, she staggered through the palace corridors crying aloud, until she reached the harem quarters of her mother. ellauri171.html on line 1140: Her appearance, and the women’s quick realization of what had happened, plunged the harem into turmoil. The three women most affected were Tamar, her mother Maacah, and Ahinoam, the mother of Amnon. The sisters of Tamar and Amnon would also have been intimately affected. ellauri171.html on line 1142: Other wives of David and their children would be sympathetic, but would quickly look to see what they could gain from Amnon’s crime – which way the wind blew, and what chance might there be to seize some political advantage for themselves. Among them would be Bathsheba, a commoner newly introduced into the harem. ellauri171.html on line 1146: ico-cerrini-italy-1609-1681-04.jpg" width="80%" /> ellauri171.html on line 1149: When her brother Absalom found out what had happened he comforted her as best he could, and moved her out of the harem into his own house. Then he went to the King and demanded that Amnon marry his sister – marriage between a half-brother and sister was a possibility in this extreme case, though biblical law prohibited it elsewhere. But for his favorite king David Jehovah was prepared to make an exception. ellauri171.html on line 1151: Prince Amnon refused outright to marry her, the callous streak already evident in David now coming out in the son. David was angry, but did nothing to resolve the situation, or even to punish Amnon for what he had done. This was typical of David – he could never chastise his sons even when they deserved it. Instead he did what many people have done when confronted with rape or incest – he protected the abuser rather than the victim, and tried to hush things up. ellauri171.html on line 1153: Since David did nothing to remedy the wrong, people around Tamar were powerless to help the girl. Like many a victim of crime she gradually became invisible, the crime ignored, not spoken of. ellauri171.html on line 1194: ic.com/13166633_f1024.jpg" width="70%" /> ellauri172.html on line 6: font-style: italic; ellauri172.html on line 10: font-style: italic; ellauri172.html on line 38: ic;font-size:2em;color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">Sr. Brueghel ellauri172.html on line 45: icflickr.com/9/8375/8393677839_990c5cfcfc_z.jpg" /> ellauri172.html on line 163: «Nella città di Asti, in Piemonte, il 17 gennaio dell'anno 1749, io nacqui di nobili, agiati ed onesti parenti». Così Alfieri presenta se stesso nella Vita scritta da esso, autobiografia stesa, per la maggior parte, intorno al 1790, ma completata solo nel 1803. Alfieri ebbe un'attività letteraria breve ma prolifica e intensa; il suo carattere tormentato, oltre a delineare la sua vita in senso avventuroso, fece di lui un precursore delle inquietudini romantiche. ellauri172.html on line 165: Come la gran parte dei piemontesi dell'epoca, Vittorio Alfieri ebbe come madrelingua il piemontese. Giacché di nobili origini, apprese dignitosamente il francese e l'italiano, cioè il toscano classico. Compilava piccoli vocabolari. Dopo una giovinezza inquieta ed errabonda, si dedicò con impegno alla lettura e allo studio di Plutarco, Dante, Petrarca, Machiavelli e degli illuministi come Voltaire e Montesquieu: da questi autori ricavò una visione personale razionalista e classicista, convintamente anti-tirannica e in favore di una libertà ideale, al quale unì l'esaltazione del genio individuale tipicamente romantica. ellauri172.html on line 167: Si entusiasmò per la Rivoluzione francese, durante il suo soggiorno parigino, nel 1789, ma ben presto, a causa del degenerare della rivoluzione dopo il 1792, il suo atteggiamento favorevole si trasformò in una forte avversione per la Francia. Tornò in Italia, dove continuò a scrivere, opponendosi idealmente al regime di Napoleone, e dove morì, a Firenze, nel 1803, venendo sepolto tra i grandi italiani nella Basilica di Santa Croce. Già dagli ultimi anni della sua vita Alfieri divenne un simbolo per gli intellettuali del Risorgimento, a partire da Ugo Foscolo. ellauri172.html on line 170: L'illuminismo fu un movimento politico, sociale, culturale e filosofico che si sviluppò in Europa nel XVIII secolo (dal 1715 al 1789). Nacque in Inghilterra ma ebbe il suo massimo sviluppo in Francia, poi in tutta Europa e raggiunse anche l'America. Il termine "illuminismo" è passato a significare genericamente qualunque forma di pensiero che voglia "illuminare" la mente degli uomini, ottenebrata dall'ignoranza e dalla superstizione, servendosi della critica, della ragione e dell'apporto della scienza. ellauri172.html on line 175: Come scrive nell'autobiografia, era un bambino molto sensibile, a tratti vivace, solitario, insofferente alle regole, descritto dai biografi moderni come tendente alla nevrosi, una condizione che si protrarrà per tutta la vita, causandogli spesso anche disturbi psicosomatici. Soffrirà di frequenti disturbi gastrici per la sua intera esistenza. ellauri172.html on line 177: Kouluvuodet eivät olleet juuri paremmat: Egli definì questi anni come "otto anni di ineducazione; asino, fra asini e sotto un asino", in cui si sentiva "ingabbiato". Alfieresta tuli sitten nimen mukaisesti vänrikki eli ensigni (grado militare dallo spagnolo alférez e questo dall'arabo الفارس ovvero al-fāris, "cavaliere") è, nelle varie forze arma te mondiali, il grado inferiore di ufficiale, quello di allievo ufficiale (cadetto), o il più alto tra quelli dei sottufficiali. Paizi vänrikki Nappula oli oikeasti lieutenant Sonny Fuzz. Meriväessä se on aliluutnantti. ellauri172.html on line 179: Tra il 1766 e il 1772, Alfieri cominciò un lungo vagabondare in vari stati dell'Europa. A L'Aia visse il suo primo vero amore con la moglie del barone Imhof, Cristina (descriverà i precedenti sentimenti come "amorucci"). Costretto a separarsene per evitare uno scandalo, tentò il suicidio, fallito per il pronto intervento di Francesco Elia, il suo fidato servo, che lo seguiva in tutti i suoi viaggi. ellauri172.html on line 181: Al compimento del ventesimo anno di età, quando, entrando in possesso della sua cospicua eredità, decise di lasciare nuovamente l'Italia. Fallisce intanto un tentativo del cognato di combinargli un matrimonio con una ragazza nobile e ricca, la quale, pur affascinata dal giovane "dai capelli e dalla testa al vento", alla fine farà cadere la sua scelta su un altro giovane dall'indole più tranquilla. ellauri172.html on line 190: Ritrovò i suoi vecchi compagni di Accademia militare e di gioventù. Con loro istituì una piccola società che si riuniva settimanalmente in casa sua per «banchettare e ragionare su ogni cosa», la "Societé des Sansguignon", in questo periodo scrisse «cose miste di filosofia e d'impertinenza», per la maggior parte in lingua francese, tra cui l'Esquisse de Jugement Universél, ispirato agli scritti di Voltaire. Guignon on paha silmä. ellauri172.html on line 192: Ebbe anche una relazione con la marchesa Gabriella Falletti di Villafalletto, moglie di Giovanni Antonio Turinetti marchese di Priero. Tra il 1774 e il 1775, mentre assisteva la sua amica malata, portò a compimento la tragedia Antonio e Cleopatra, rappresentata a giugno di quello stesso anno a Palazzo Carignano, con successo. ellauri172.html on line 198: Kalle Stuart kuoli vihdoin 1788, mutta vänrikki ei sitten nainutkaan sen leskeä. Asserì di non voler "avere una semplice contessa per moglie, potendo avere per amante una regina!" Ei prinsessakaan halunnut menettää Ranskan apanaattia. ellauri172.html on line 201: Gli avvenimenti in un primo tempo fecero comporre al poeta l'ode A Parigi sbastigliato, che poi però rinnegò: l'entusiasmo si trasformò in odio verso la rivoluzione, esplicitato nelle rime de Il Misogallo. Si appassiona anche a recitare le proprie tragedie personalmente, preferendo per sé il ruolo di Sauli Niinistö. ellauri172.html on line 203: Saul è una tragedia di Vittorio Alfieri in endecasillabi sciolti strutturata in cinque atti. La vicenda, tratta dalla Bibbia, è incentrata sulle ultime ore di Saul, nell'accampamento militare di Gelboè durante la guerra contr ellauri172.html on line 206: Saul, coraggioso guerriero, fu incoronato re di Israele su richiesta del popolo e consacrato dal sacerdote Samuele, che lo unse in nome di Dio. Col tempo, però, Saul si allontanò da Dio finendo per compiere diversi atti di empietà. Allora Samuele, su ordine del Signore, consacrò re un umile pastore: David. Questi fu chiamato alla corte di Saul per placare con il suo canto l'animo del re, e lì riuscì ad ottenere l'amicizia di Gionata, figlio del re, e la mano della giovane figlia di Saul, Micol. ellauri172.html on line 210: La vicenda del Saul narra le ultime ore di vita del re e vede il ritorno di David, che da prode guerriero è accorso in aiuto del suo popolo in guerra con i Filistei, pur sapendo bene il rischio che ciò poteva comportare per la sua vita. David è pronto a farsi uccidere dal re, ma prima vuole poter combattere con il suo popolo. ellauri172.html on line 212: Saul vedendolo lo vuole uccidere, ma dopo averlo ascoltato si convince a dargli il comando dell'esercito. David ad un certo punto commette però un errore, parlando di “due agnelli” in Israele, e ciò genera il delirio omicida di Saul verso il giovane. Saul poi spiega a Gionata la dura legge del trono, per la quale “il fratello uccide il fratello”. Davanti al re arriva il sacerdote Achimelech, che porta a Gionata la condanna divina e lo mette al corrente dell'avvenuta incoronazione di David. Il re fa uccidere il sacerdote, e da lì egli andrà sempre più verso il delirio. ellauri172.html on line 214: Nell'ultimo atto, Saul prevede in un incubo la propria morte e quella dei suoi figli e con una visione piena di sangue si ridesta, e coglie la realtà dei fatti: i Filistei li stanno attaccando, e l'esercito israelita non riesce a difendersi. A questo punto Saul ritrova se stesso, e uccidendosi riconquista l'integrità di uomo e di re. ellauri172.html on line 219: In settembre Alfieri viene colpito da un nuovo attacco di gotta, un male che lo tormenta da tempo, nonché da erisipela, a cui seguirà una grave malattia di stomaco. La salute dello scrittore peggiora; è stato ipotizzato che nella parte finale della sua vita Alfieri soffrisse di malattia cardiovascolare, oppure di un tumore gastrointestinale o di uremia, stadio finale della malattia renale cronica. ellauri172.html on line 220: Ultima testimonianza del rapporto letterario di amore-odio con la cultura francese, in particolare con il principale filosofo dei "lumi", Voltaire. ellauri172.html on line 222: Dopo un breve periodo di altalenanti problemi di salute e attacchi di gotta e artrite, in cui diminuì il cibo per i problemi gastrici ma continuò a lavorare alacramente. il 3 ottobre 1803 si ammalò gravemente di una febbre gastrointestinale, da cui inizialmente sembrò rimettersi. Tuttavia, alcuni giorni dopo, Vittorio Alfieri si spense improvvisamente a Firenze l'8 ottobre 1803 all'età di 54 anni, probabilmente a causa di infarto cardiaco. Alfieri ebbe un malore, riuscendo solo a far chiamare la contessa d'Albany, a cui aveva lasciato i suoi beni per testamento, e poco dopo, seduto sul letto, si accasciò e non riprese più conoscenza. Vänrikki Nappulassa oli paljon samaa kuin 8kk nuoremmassa Goethessa. Vänrikki Nappula ei tosin perustanut Napsusta. ellauri172.html on line 227: icci%2C_Trinity.jpg" height="200px" /> ellauri172.html on line 246: Suppose two similar dates in front of a man, who has a strong desire for them but who is unable to take them both. Surely he will take one of them, through a quality in him, the nature of which is to differentiate between two similar things. ellauri172.html on line 254: Later writers satirised this view in terms of an ass which, confronted by both food and water, must necessarily die of both hunger and thirst while pondering a decision. Some proponents of hard determinism have granted the unpleasantness of the scenario (not for the donkey, it will end up eating both), but have denied that it illustrates a true paradox, since one does not contradict oneself in suggesting that a man might die between two equally plausible routes of action. For example, in his Ethics, Benedict de Spinoza suggests that a person who dies because he can't decide is an ass, or worse. ellauri172.html on line 257: — Baruch Spinoza, Ethics, book 2, proposition 49, scholium ellauri172.html on line 260: Other writers [who?] have opted to deny the validity of the illustration. A typical [citation needed] counter-argument is that rationality as described in the paradox is so limited as to be a straw man version of the real thing. The idea that a random decision could be made is sometimes used as an attempted justification for faith. The argument is that, like the starving ass, we must make a choice to avoid being frozen in endless doubt. Other counter-arguments exist. [This paragraph was total balderdash, if I may say so.] ellauri172.html on line 263: Social Psychologist Kurt Lewin's Field Theory treated this paradox experimentally. He demonstrated that lab rats experience difficulty when choosing between two equally attractive (approach-approach) goals. The typical response to approach-approach decisions is initial ambivalence, though the decision becomes more decisive as the organism moves towards one choice and away from another. [So what? Kurt should repeat the experiment with donkeys.] ellauri172.html on line 265: The situation of Buridan's ass was given a mathematical basis in a 1984 paper by American computer scientist Leslie Lamport (LaTex -ladontaskriptikielen kexijä, LOL), in which Lamport presents an argument that, given certain assumptions about continuity in a simple mathematical model of the Buridan's ass problem, there is always some starting condition under which the ass starves to death, no matter what strategy it takes. He points out that just because we do not see people's asses starving to death through indecision, this does not disprove the principle. The persistence of a Buridan's undecided state for the required length of time may just be sufficiently improbable that it has not been observed. ellauri172.html on line 271: Lewis Cass, the Democratic candidate for president in 1848, was contrasted with Buridan's ass by Abraham Lincoln: "Mr. Speaker, we have all heard of the animal standing in doubt between two stacks of hay, and starving to death. The like would never happen to General Cass; place the stacks a thousand miles apart, he would stand stock still midway between them, and eat them both at once, and the green grass along the line would be apt to suffer some too at the same time." ellauri172.html on line 281: 21 Balaam got up in the morning, saddled his donkey and went with the Moabite officials. 22 But God was very angry(A) when he went, and the angel of the Lord(B) stood in the road to oppose him. Balaam was riding on his donkey, and his two servants were with him. 23 When the donkey saw the angel of the Lord standing in the road with a drawn sword(C) in his hand, it turned off the road into a field. Balaam beat it(D) to get it back on the road. ellauri172.html on line 289: 30 The donkey said to Balaam, “Am I not your own donkey, which you have always ridden, to this day? Have I been in the habit of doing this to you?” ellauri172.html on line 299: 35 The angel of the Lord said to Balaam, “Go with the men, but speak only what I tell you.” So Balaam went with Balak’s officials. ellauri172.html on line 312: Guyau uppfostrades och handleddes i studiet av antiken och Platon av sin styvfar, Alfred Fouillée. Han blev vid 17 års ålder licencié ès lettres och mottog vid 19 års ålder ett pris av Académie des sciences morales et politiques för ett historiskt arbete om nyttomoralen. Ett svårt bröstlidande tvingade honom att avstå från den filosofiska lärarbanan och att tillbringa vintrarna i Nice och Menton, där han avled 33 år gammal. Guyaus arbeten, som utmärker sig för en levande, lyrisk stil, glänsande framställningskonst och kritisk klarsyn, bär av idén om livet som en starkt expansiv, i alla riktningar överströmmande kraft. Etiskt framträder den som sympati, solidaritet och hängivenhet. Därför är också ädelmodet den högsta, i livets eget väsen grundade dygden. Från denna utgångspunkt bekämpar Guyau beräknings- och lyckomoralen i alla dess former. Handlingsprincipen blir: högsta möjliga stegring, intensivt såväl som extensivt, av vårt fysiska och andliga liv. Lusten är därvid ej målet utan följden av livsstegringen. På liknande sätt innebär konsten en livsstegring. Skönt är enligt Guyau allt, som försätter känsla, vilja och tanke i harmoniskt lustbetonad rörelse, griper oss och vidgar vår sympati. Utifrån denna uppfattning tillbakavisas Friedrich Schiller och Herbert Spencers lekteori för konsten. Även i religionen såg Guyau en strävan efter stegrad livsgemenskap. Religionen är för honom en tolkning av verkligheten ur samhälleliga synpunkter, en "sociomorfism". Sehän oli durkheimilainen ennen Eeemeliä. ellauri172.html on line 314: Bland Guyaus arbeten märks Vers d'un philosope (1881), La morale d'Épicure et ses rapports avec les doctrines contemporaines (1878), La morale anglaise contemporaines (1879), Les problèmes de l'esthètique contemporaine (1884), L'esquisse d'une morale sans obligation ni sanction (1885), en skrift som väckte Friedrich Nietzsches beundran, samt L'irreligion de l'avenir (1887, svensk översättning i urval och sammandrag Framtidens irreligion 1907). Vidare de postuma verken L'art au point de vue sociologique (1889), Éducation et hérédité (1889), samt La genèse de l'idée du temps (1890). ellauri172.html on line 318: Au point de vue physique, nous l’avons vu, c’est un besoin individuel que d’engendrer un autre individu, si bien que cet autre devient comme une condition de nous-même. La vie, comme le feu, ne se conserve qu’en se communiquant. Et cela est vrai de l’intelligence non moins que du corps ; il est aussi impossible de renfermer l’intelligence en soi que la flamme : elle est faite pour rayonner. Même force d’expansion dans la sensibilité : il faut que nous partagions notre joie, il faut que nous partagions notre douleur. C’est tout notre être qui est sociable : la vie ne connaît pas les classifications et les divisions absolues des logiciens et des métaphysiciens : elle ne peut pas être complètement égoïste, quand même elle le voudrait. Nous sommes ouverts de toutes parts, de toutes parts envahissants et envahis. Cela tient à la loi fondamentale que la biologie nous a fournie : La vie n’est pas seulement nutrition, elle est production et fécondité. Vivre, c’est dépenser aussi bien qu’acquérir. ellauri172.html on line 328: Pro tertio: Le bonheur purement égoïste de certains épicuriens est une chimère, une abstraction, une impossibilité : les vrais plaisirs humains sont tous plus ou moins sociaux. L’égoïsme pur, avons-nous dit, au lieu d’être une réelle affirmation de soi, est une mutilation de soi. ellauri172.html on line 346: Einen Bürger hofft' er sich gewogen; Yhden porvarin luo kiinaamaan; ellauri172.html on line 352: Wenn er teuer nicht die Gunst erkauft? Kun kyse on vaan vaihtokaupasta? ellauri172.html on line 361: Gleich ins Prunkgemach wird er gebracht. Se vie sen heti salin sohvalle, ellauri172.html on line 366: Wird die Lust der Speise nicht erregt; Lisää ruoka- eikä muuta halua; ellauri172.html on line 368: Daß er angekleidet sich aufs Bette legt; Vaatteet päällä menee vuoteeseen; ellauri172.html on line 371: Sich zur offnen Tür herein bewegt. Ilmestyy avoimelle ovelle. ellauri172.html on line 376: Wie sie ihn erblickt, Kun tyttö näkee sen, ellauri172.html on line 377: Hebt sie, die erschrickt, Se nostaa säikähtyneenä ellauri172.html on line 379: "Bin ich", rief sie aus, "so fremd im Hause, Olenko niin vieras talossa ellauri172.html on line 380: Daß ich von dem Gaste nichts vernahm? Etten vierastamme hokannut? ellauri172.html on line 381: Ach, so hält man mich in meiner Klause! Kyllä pidetään täällä pimeässä! ellauri172.html on line 382: Und nun überfällt mich hier die Scham. Ja nyt mua ihan hävettää ellauri172.html on line 385: Und ich gehe schnell, so wie ich kam." Ja mä meen mun luukamariin. ellauri172.html on line 387: Rafft von seinem Lager sich geschwind: Nousee vuoteestansa vikkelään, ellauri172.html on line 394: Ich gehöre nicht den Freuden an. Mä en tommosen bakkanaaliin kelpaa! ellauri172.html on line 401: Hat sogleich das stille Haus geleert. Heivattiin heti ulos talosta. ellauri172.html on line 402: Unsichtbar wird einer nur im Himmel, Näkymätön jäi meille 1 taivaaseen, ellauri172.html on line 409: Ist es möglich, daß am stillen Orte Oisko ehkä niin päässyt käymään ellauri172.html on line 414: "Mich erhältst du nicht, du gute Seele! Mua et kyllä saa, hei kaveri! ellauri172.html on line 415: Meiner zweiten Schwester gönnt man dich. Mun toisen siskon ehkä saat. ellauri172.html on line 416: Wenn ich mich in stiller Klause quäle, Kun mä ruoskin peppuani sellissä, ellauri172.html on line 417: Ach! in ihren Armen denk an mich, Muista mua siskon sylkössä, ellauri172.html on line 418: Die an dich nur denkt, Mä mietin siinä aina sua, ellauri172.html on line 419: Die sich liebend kränkt; Kun työnnän takapuoleen nagaikaa, ellauri172.html on line 420: In die Erde bald verbirgt sie sich." Kai kohta pusken koiranputkea. ellauri172.html on line 423: Bist der Freude nicht und mir verloren, Ei heitetä kaivoon hohtimia, ellauri172.html on line 426: Feire gleich mit mir Juhlitaan nyt heti ellauri172.html on line 428: Und schon wechseln sie der Treue Zeichen; Ja pian vaihtavat ne nesteitä, ellauri172.html on line 429: Golden reicht sie ihm die Kette dar, Sen jälkeen antaa hiän nilkkarenkaansa, ellauri172.html on line 430: Und er will ihr eine Schale reichen, Ja hän hiänelle appelsiininkuoren, ellauri172.html on line 431: Silbern, künstlich, wie nicht eine war. Ja hopeisen rannekellonsa. ellauri172.html on line 432: "Die ist nicht für mich; Tää on liian iso mulle! ellauri172.html on line 433: Doch, ich bitte dich, En huoli tätä, mutta anna ellauri172.html on line 440: Das er freundlich bot, Jota jäbä tarjosi, ellauri172.html on line 441: Nahm sie nicht den kleinsten Bissen ein. Ei ottanut edes pikku murua. ellauri172.html on line 442: Und dem Jüngling reichte sie die Schale, Nuorukaiselle tarjosi kuukuppia, ellauri172.html on line 449: Und sie kommt und wirft sich zu ihm nieder: Silloin misun sydän pehmiää ellauri172.html on line 450: "Ach, wie ungern seh' ich dich gequält! Ja se ryhtyy toivotusti selinmakuulle. ellauri172.html on line 452: Fühlst du schaudernd, was ich dir verhehlt. Huomaat kauhuxesi mitä puuttuu. ellauri172.html on line 463: Brennst du nicht und fühlest mich entbrannt?" Tekeekö kutaa? Oonxmä paras? ellauri172.html on line 465: Tränen mischen sich in ihre Lust; Itkien ja nussien ne häärivät, ellauri172.html on line 467: Eins ist nur im andern sich bewußt. Vain toisistaan ne välittää. ellauri172.html on line 471: Unterdessen schleichet auf dem Gange Samaan aikaan käytävällä ellauri172.html on line 472: Häuslich spät die Mutter noch vorbei, Hiihtelee äiti ohi myöhällä, ellauri172.html on line 478: Unbeweglich bleibt sie an der Türe, Liikkumatta odottelee ovella, ellauri172.html on line 479: Weil sie erst sich überzeugen muß, Tuntuvatko ne jo lopettelevan, ellauri172.html on line 481: Lieb' und Schmeichelworte, mit Verdruß: Kuulla noita hellittelysanoja: ellauri172.html on line 485: Länger hält die Mutter nicht das Zürnen, Nyt ei äisky enää kestä, äkäisenä ellauri172.html on line 488: Die dem Fremden gleich zu Willen sind?" Jotka heti antaa vento vieraalle? ellauri172.html on line 494: Mit dem Teppich die Geliebte decken; Rakkaan mekolla ja sitten matolla. ellauri172.html on line 495: Doch sie windet gleich sich selbst hervor. Mut tyttö nousee pian jaloilleen ellauri172.html on line 498: Lang und langsam sich im Bett' empor. Hitaasti ylös sängystä ja jalkeille. ellauri172.html on line 499: "Mutter! Mutter!" spricht sie hohle Worte: Mutteri! Mutteri! Se hokee ontosti. ellauri172.html on line 501: Ihr vertreibt mich von dem warmen Orte. Ajatte mut pois siitä yhdestä paikasta. ellauri172.html on line 502: Bin ich zur Verzweiflung nur erwacht? Oonxmä herännyt vaan turhuuteen? ellauri172.html on line 503: Ist's Euch nicht genug, Eikö teille riitä ellauri172.html on line 504: Daß ins Leichentuch, Että mausoleumiin ellauri172.html on line 505: Daß Ihr früh mich in das Grab gebracht? Mut ajoitte, lattialle ja liinaan? ellauri172.html on line 507: Treibet mich ein eigenes Gericht. Mut toimitti ihan oma vietti, ellauri172.html on line 509: Und ihr Segen haben kein Gewicht; Ja siunauxenne on nollan arvoiset; ellauri172.html on line 511: Nicht, wo Jugend fühlt; Siinä missä nuoruus kehrää, ellauri172.html on line 512: Ach! die Erde kühlt die Liebe nicht. Jou! Maa ei kiimaa jäähdytä, ellauri172.html on line 520: "Aus dem Grabe werd' ich ausgetrieben, Haudastakin nousin kukkumaan ellauri172.html on line 527: "Schöner Jüngling! kannst nicht länger leben; Kaunis poika, nyt loppui sulta elokuu, ellauri172.html on line 529: Meine Kette hab' ich dir gegeben; Sä sait mun nilkkarenkaan, ellauri172.html on line 530: Deine Locke nehm' ich mit mir fort. Sun kähärän vien mä mennessäni. ellauri172.html on line 535: Einen Scheiterhaufen schichte du; Kasaa pieni nuotio, ellauri172.html on line 542: Gedichte ellauri172.html on line 552: Après la politique, la haine des Bourbons, le spectre noir de la Congrégation, les regrets du passé pour ces vaincus, toutes ces avalanches qui roulaient en bouillonnant d’un bout à l’autre de cette table fumante, il y avait d’autres sujets de conversation, à tempêtes et à tintamarres. Par exemple, il y avait les femmes. La femme est l’éternel sujet de conversation des hommes entre eux, surtout en France, le pays le plus fat de la terre. Il y avait les femmes en général et les femmes en particulier, — les femmes de l’univers et celle de la porte à côté, — les femmes des pays que beaucoup de ces soldats avaient parcourus, en faisant les beaux dans leurs grands uniformes victorieux, et celles de la ville, chez lesquelles ils n’allaient peut-être pas, et qu’ils nommaient insolemment par nom et prénom, comme s’ils les avaient intimement connues, sur le compte de qui, parbleu ! ils ne se gênaient pas, et dont, au dessert, ils pelaient en riant la réputation, comme ils pelaient une pêche, pour, après, en casser le noyau. Tous prenaient part à ces bombardements de femmes, même les plus vieux, les plus coriaces, les plus dégoûtés de la femelle, ainsi qu’ils disaient cyniquement, car les hommes peuvent renoncer à l’amour malpropre, mais jamais à l’amour-propre de la femme, et, fût-ce sur le bord de leur fosse ouverte, ils sont toujours prêts à tremper leurs museaux dans ces galimafrées de fatuité ! ellauri172.html on line 570: Mais non, — cria-t-il, — tonnerre de tonnerres ! c’est impossible ! Voyez-vous, vous autres, le chef d’escadron Mesnilgrand à confesse, comme une vieille bonne femme, à deux genoux sur le strapontin, le nez au guichet, dans la guérite d’un prêtre ? Voilà un spectacle qui ne m’entrera jamais dans le crâne ! Trente mille balles plutôt. — Mille bombes ! — fit Capitain Haddock, exalté. ellauri172.html on line 579: — Brutalité de soldats ! — fit Mesnilgrand froidement, who cares; — mais voici du raffinement d’officier. ellauri172.html on line 585: — La Rosalba, dite « la Pudica, » — fit Rançonnet, sa fameuse… — Et il dit le mot putain crûment. ellauri172.html on line 596: « Et je ne la calomnie point, n’est-ce pas, Rançonnet ?… Tu l’as eue peut-être, et si tu l’as eue, tu sais maintenant s’il fut jamais une plus brillante, une plus fascinante cristallisation de tous les vices ! Où le major l’avait-il prise ?… D’où sortait-elle ? Elle était si jeune ! ellauri172.html on line 602: Ce monstre d’impudicité osait s’appeler Rosalba, osait porter ce nom immaculé de Rosalba, qu’il ne faudrait donner qu’à l’innocence, et qui, non contente d’être Rosalba, eli sarvijäärä, s’appelait encore la Pudique, la Pudica, par-dessus le marché ! Häveliäisyys, jota joskus kutsutaan kohteliaisuudeksi, on pukeutumis- ja käytöstapa, jolla pyritään välttämään seksuaalisen vetovoiman rohkaisua toisissa. Sana "vaatimattomuus" tulee latinan sanasta modestus, joka tarkoittaa "mitoissa pysymistä". Sana 'häveliäisyys' tulee sanasta häpy. Ei vilauteta pudendumia toisille. ellauri172.html on line 606: Qui donc a dit — ce doit être un Anglais — que le monde est l’œuvre du Diable, devenu fou ? C’était sûrement ce Diable-là qui, dans un accès de folie, avait créé la Rosalba, pour se faire le plaisir… du Diable, de fricasser, l’une après l’autre, la volupté dans la pudeur et la pudeur dans la volupté, et de pimenter, avec un condiment céleste, le ragoût infernal des jouissances qu’une femme puisse donner à des hommes mortels. ellauri172.html on line 608: La Rosalba était pudique comme elle était voluptueuse, et le plus extraordinaire, c’est qu’elle l’était en même temps. Quand elle disait ou faisait les choses les plus… osées, elle avait d’adorables manières de dire : « J’ai honte ! » que j’entends encore. Phénomène inouï ! Elle fût sortie d’une orgie de bacchantes, comme l’Innocence de son premier péché. Jusque dans la femme vaincue, pâmée, à demi morte, on retrouvait la vierge confuse, avec la grâce toujours fraîche de ses troubles et le charme auroral de ses rougeurs… (Vizi tää hemmo on aika sick. Mutta se on just kuten Huismanni totesi: pyllistely tuntuu vielä rotevammalta kun pyllyn takana kyttää kiivas Jehova piiska handussa. Niin varmaan junioriapinastakin joka pääsee salaa silverbäkin nartun vulvalle. Sisään vaan vaikkei seisokkaan!) ellauri172.html on line 612: Napsun sisko princesse Pauline Borghese était constamment infidèle et, selon les mémoires de la duchesse d'Abrantès, était capable d'entretenir simultanément trois liaisons. Elle était affligée de problèmes gynécologiques, exacerbés par sa promiscuité bacchanienne, au point qu'un médecin lui conseilla l'application de sangsues à la vulve. Sa santé décline et elle meurt des suites d'un cancer du foie — à Florence, quatre ans après son frère, le 9 juin 1825 âgée de 44 ans, sans descendance. ellauri172.html on line 621: Tai se oli taas ton ämmän vika! La Circé antique, qui changeait les hommes en bêtes, n’était rien en comparaison de cette Pudica, de cette Messaline-Vierge, avant, pendant et après. ellauri172.html on line 625: Paha Mesnilgrand heittää vittuilumielessä Le Capentierin pystiä appelsiininkuorella. Sous la Restauration, au retour des Bourbons, il est exilé comme régicide, en 1816 : il trouve refuge à l'île de Guernesey, mais en est chassé par les autorités britanniques et revient de façon clandestine dans la Manche, se cachant dans le canton des Pieux. Après trois années de recherches, il est de nouveau arrêté, le 6 novembre 1819, sur dénonciation. Condamné à la prison à perpétuité, il meurt dans la prison du Mont-Saint-Michel, où il chantait les louanges de la famille royale et répondait comme servant à la messe tous les matins. Sa dépouille est décapitée et enterrée dans le cimetière d'Ardevon. Päätöntä touhua. ellauri172.html on line 643: La haine pour les Français gagnait du terrain, eikä ihme. Cette femme m’intéressait comme spectateur, et qui cachait les déportements du vice le plus impudent sous les déconcertements les plus charmants de l’innocence. Mä päinvastoin kätkin tän viattomuuteni tähän törkyupseerin valepukuun. ellauri172.html on line 645: Je la trouvai à peine vêtue, les épaules au vent, embrasées par une chaleur africaine, les bras nus, ces beaux bras dans lesquels j’avais tant mordu et qui, dans de certains moments d’émotion que j’avais si souvent fait naître, devenaient, comme disent les peintres, du ton de l’intérieur des fraises. Ses cheveux, appesantis par la chaleur, croulaient lourdement sur sa nuque dorée, et elle était belle ainsi, déchevelée, négligée, languissante à tenter Satan et à venger Ève ! ellauri172.html on line 647: À moitié couchée sur un guéridon, elle écrivait… Or, si elle écrivait, la Pudica, c’était, pas de doute ! à quelque amant, pour quelque rendez-vous, pour quelque infidélité nouvelle au major Ydow, qui les dévorait toutes, comme elle dévorait le plaisir, en silence. Lorsque j’entrai, sa lettre était écrite, et elle faisait fondre pour la cacheter, à la flamme d’une bougie, de la cire bleue pailletée d’argent, que je vois encore, et vous allez savoir, tout à l’heure, pourquoi le souvenir de cette cire bleue pailletée d’argent m’est resté si clair. ellauri172.html on line 662: « Oui, — reprit amèrement Mesnilgrand, — c’est encore là un des revenants-bons de l’adultère et du partage ! En ces moments-là, les plus fendants ne sont pas fiers, et, par générosité pour une femme épouvantée, ils deviennent aussi lâches qu’elle, et font cette lâcheté de se cacher. J’en ai, je crois, mal au cœur encore d’être entré dans ce placard, en uniforme et le sabre au côté, et, comble de ridicule ! pour une femme qui n’avait pas d’honneur à perdre et que je n’aimais pas ! ellauri172.html on line 666: Le major Ydow tomba dans une de ces rages qui déshonorent le caractère d’un homme, et cribla la Pudica d’injures ignobles, d’injures de cocher. Je crus qu’il la rouerait de coups. Les coups allaient venir, mais un peu plus tard. Il lui reprocha, — en quels termes ! d’être… tout ce qu’elle était. Il fut brutal, abject, révoltant ; et elle, à toute cette fureur, répondit en vraie femme qui n’a plus rien à ménager, qui connaît jusqu’à l’axe l’homme à qui elle s’est accouplée, et qui sait que la bataille éternelle est au fond de cette bauge de la vie à deux. Elle fut moins ignoble, mais plus atroce, plus insultante et plus cruelle dans sa froideur, que lui dans sa colère. Elle fut insolente, ironique, riant du rire hystérique de la haine dans son paroxysme le plus aigu, et répondant au torrent d’injures que le major lui vomissait à la face par de ces mots comme les femmes en trouvent, quand elles veulent nous rendre fous, et qui tombent sur nos violences et dans nos soulèvements comme des grenades à feu dans de la poudre. De tous ces mots outrageants à froid qu’elle aiguisait, celui avec lequel elle le dardait le plus, c’est qu’elle ne l’aimait pas — qu’elle ne l’avait jamais aimé : « Jamais ! jamais ! jamais ! » répétait-elle, avec une furie joyeuse, comme si elle lui eût dansé des entrechats sur le cœur ! — Or, cette idée — qu’elle ne l’avait jamais aimé — était ce qu’il y avait de plus féroce, de plus affolant pour ce fat heureux, pour cet homme dont la beauté avait fait ravage, et qui, derrière son amour pour elle, avait encore sa vanité ! Aussi arriva-t-il une minute où, n’y tenant plus, sous le dard de ce mot, impitoyablement répété, qu’elle ne l’avait jamais aimé, et qu’il ne voulait pas croire, et qu’il repoussait toujours : ellauri172.html on line 676: « — Tu ne le sauras pas ! — dit-elle, en le narguant. Et elle le cingla de ce tu ne le sauras pas ! mille fois répété, mille fois infligé à ses oreilles ; et quand elle fut lasse de le dire, — le croiriez-vous ? — elle le lui chanta comme une fanfare ! Puis, quand elle l’eut assez fouetté avec ce mot, assez fait tourner comme une toupie sous le fouet de ce mot, assez roulé avec ce mot dans les spirales de l’anxiété et de l’incertitude, cet homme, hors de lui, et qui n’était plus entre ses mains qu’une marionnette qu’elle allait casser ; quand, cynique à force de haine, elle lui eut dit, en les nommant par tous leurs noms, les amants qu’elle avait eus, et qu’elle eut fait le tour du corps d’officiers tout entier : « Je les ai eus tous, — cria-t-elle, — mais ils ne m’ont pas eue, eux ! Et cet enfant que tu es assez bête pour croire le tien, a été fait par le seul homme que j’aie jamais aimé ! que j’aie jamais idolâtré ! Et tu ne l’as pas deviné ! Et tu ne le devines pas encore ? » ellauri172.html on line 678: « Elle mentait. Elle n’avait jamais aimé un homme. Mais elle sentait bien que le coup de poignard pour le major était dans ce mensonge, et elle l’en dagua, elle l’en larda, elle l’en hacha, et quand elle en eut assez d’être le bourreau de ce supplice, elle lui enfonça pour en finir, comme on enfonce un couteau jusqu’au manche, son dernier aveu dans le cœur: ellauri172.html on line 690: « — Eh bien ! puisque tu le veux, le voilà, le cœur de ton marmot, catin déhontée ! — dit le major. Et il lui battit la figure de ce cœur qu’il avait adoré, et le lui lança à la tête comme un projectile. L’abîme appelle l’abîme, dit-on. Le sacrilège créa le sacrilège. La Pudica, hors d’elle, fit ce qu’avait fait le major. Elle rejeta à sa tête le cœur de cet enfant, qu’elle aurait peut-être gardé s’il n’avait pas été de lui, l’homme exécré, à qui elle eût voulu rendre torture pour torture, ignominie pour ignominie ! C’est la première fois, certainement, que si hideuse chose se soit vue ! un père et une mère se souffletant tour à tour le visage, avec le cœur mort de leur enfant ! ellauri172.html on line 692: Satan me donna la force d’enfoncer la porte du placard ou j'etsis cache et je vis… ce que je ne reverrai jamais ! La Pudica, terrassée, était tombée sur la table où elle avait écrit, et le major l’y retenait d’un poignet de fer, tous voiles relevés, son beau corps à nu, tordu, comme un serpent coupé, sous son étreinte. Mais que croyez-vous qu’il faisait de son autre main, Messieurs ?… Cette table à écrire, la bougie allumée, la cire à côté, toutes ces circonstances avaient donné au major une idée infernale, — l’idée de cacheter cette femme, comme elle avait cacheté sa lettre — et il était dans l’acharnement de ce monstrueux cachetage, de cette effroyable vengeance d’amant perversement jaloux ! ellauri172.html on line 696: « Il ne me vit pas. Il était penché sur sa victime, qui ne criait plus, et c’était le pommeau de son sabre qu’il enfonçait dans la cire bouillante et qui lui servait de cachet ! ellauri172.html on line 706: « Il était, — reprit-il, — tombé mort sur le corps de sa femme évanouie. Je l’en arrachai, le jetai là, et poussai du pied son cadavre. Au cri que la Pudica avait jeté, à ce cri sorti comme d’une vulve de louve, tant il était sauvage ! et qui me vibrait encore dans les entrailles, une femme de chambre était montée. « ellauri172.html on line 710: « Je n’ai plus eu jamais des nouvelles de la Rosalba, dite la Pudica, — répondit Mesnilgrand. — Est-elle morte ? A-t-elle pu vivre encore ? Le chirurgien a-t-il pu aller jusqu’à elle ? Après la surprise d’Alcudia, qui nous fut si fatale, je le cherchai. Je ne le trouvai pas. Il avait disparu, comme tant d’autres, et n’avait pas rejoint les débris de notre régiment décimé. ellauri172.html on line 714: Well, j’ai porté plusieurs années, ce cœur d’enfant dont je doutais ; mais quand, après la catastrophe de Waterloo, il m’a fallu ôter cette ceinture d’officier dans laquelle j’avais espéré de mourir, et que je l’eus porté encore quelques années, ce cœur, — et je t’assure, Mautravers, que c’est lourd, quoique cela paraisse bien léger, — la réflexion venant avec l’âge, j’ai craint de profaner un peu plus ce cœur si profané déjà, et je me suis décidé à le déposer en terre chrétienne. Sans entrer dans les détails que je vous donne aujourd’hui, j’en ai parlé à un des prêtres de cette ville, de ce cœur qui pesait depuis si longtemps sur le mien, et je venais de le remettre à lui-même, dans le confessionnal de la chapelle. ellauri172.html on line 751: Il aurait été baptisé en 1014 à Rouen par l'archevêque Robert le Danois, frère du duc Richard II de Normandie. C'est d'abord en tant que Viking dans sa jeunesse, qu'il se rend plusieurs fois en Angleterre, où il va s'intéresser à la foi chrétienne. Elle avait d'ailleurs été introduite dès le ixe siècle en Scandinavie par des missionnaires de divers pays notamment allemands, et principalement le moine saint Anschaire, l'« apôtre du Nord », devenu plus tard évêque de Brême, puis archevêque de Hambourg. ellauri172.html on line 767: One of St. Olaf's chief attractions is a giant black hole, which the townspeople enjoyed standing around and looking at - which prompted Dorothy to refer to St. Olaf sarcastically as the real "entertainment capital of the world." St. Olafians also celebrate various oddly themed festivals, including; "Hay Day" (the day everyone in town celebrates hay),"The Crowning of the Princess Pig", "The Day of the Wheat" (where everyone goes to town dressed like sandwiches), "The Festival of the Dancing Sturgeons" (a festival where the townsfolk watch sturgeons flopping around on the dock), a "Butter Queen" competition (in which Rose almost won, however her churn jammed causing her to believe it had been tampered with), and a milk diving competition (Rose ranked in the "low fat" division), as well as many other events. ellauri172.html on line 769: St. Olaf appears to be a bilingual town with a significant amount of unique vocabulary (that may be specific to the area and not appearing in standard Norwegian). Rose uses these phrases quite often, to the exasperation of her roommates. Examples include Gerkanenaken (when dog feces turn white), Tutenbobels (buttocks), Ugel and Flugel (a Hide and seek game for adults) and Vanskapkaka (a special "friendship" cake; this word, however, is based on the Swedish word "vänskapskaka", which holds the same meaning). German, Swedish and Norwegian is the basis of the ellauri172.html on line 771: Genügenflürgen cake, a type of cake with an ancient Scandinavian recipe that Rose Americanized. ellauri172.html on line 773: Vertugenflürgen, a word used by Rose that is the St. Olaf equivalent of "I'm not one to blow my own horn.", with 'vertugenflürgen' replacing 'horn'. Sophia claimed she couldn't even reach hers, which may imply a more explicit meaning - or Sophia being her usual sarcastic self. ellauri172.html on line 781: Kaflügenachen, Scandinavian pejorative term for someone who docks his boat in the handicap slip without a handicap permit. ellauri172.html on line 786: Sperhüven Krispies, a foul-smelling Scandinavian midnight snack. They are eaten with one hand closing the nostrils and one hand popping a Krispy into the mouth. Even though they smell horrible, they taste like cheesecake, fresh strawberries, and chocolate ice cream. ellauri172.html on line 788: Maple Syrup Honey Brown Sugar Molasses Rice Krispies log. A favorite of Rose and her family that, as the name implies, is incredibly sugary. Dorothy tried it and couldn't believe the sheer sweetness of the log. Later, when Rose's daughter Kirsten visited and gave a log to Blanche and Dorothy, Dorothy told Blanche: "It's a log, I'm going to burn it!" ellauri172.html on line 815: Liste de prêtres catholiques ou non de fiction ellauri172.html on line 825: Émile de Jean-Jacques Rousseau, 1762, dans la partie Profession de foi du Vicaire savoyard, le personnage du Vicaire savoyard, porte-parole des idées de Rousseau CHECK ellauri172.html on line 834: Le Vicaire des Ardennes roman d'Honoré de Balzac (1824) (publié sous le pseudonyme d'Horace de Saint-Aubin) : le curé Jérôme Gausse, le jeune vicaire Joseph, personnage principal du roman. ellauri172.html on line 842: Notre-Dame de Paris, roman de Victor Hugo, 1831. Claude Frollo est l'archidiacre de Notre-Dame. ellauri172.html on line 844: Le Curé de Tours, roman d'Honoré de Balzac, 1832, personnage de l'abbé François Birotteau qui est le frère aîné de César Birotteau. Dans le roman éponyme, il n'est encore que vicaire[8]. On le retrouve confesseur de Madame de Mortsauf dans Le Lys dans la vallée[9]. Dans Le Curé de Tours, il devient le souffre-douleur de Mademoiselle Gamard, sa logeuse et de son rival : l'abbé Troubert. ellauri172.html on line 846: La Grenadière, nouvelle d'Honoré de Balzac, parue en 1832 : le vicaire de Saint-Cyr-sur-Loire. ellauri172.html on line 848: La Duchesse de Langeais, roman d'Honoré de Balzac (1834). Le Vidame de Pamiers (à la fois titre d'archevêque et titre nobiliaire). Il protège la réputation de sa cousine Antoinette de Langeais. Dans Ferragus, il donne de bons conseils à Auguste de Maulincour, dans Le Contrat de mariage, il protège Victurnien d'Esgrignon, et dans Splendeurs et misères des courtisanes, il n'est plus qu'un habitué des salons mondains. ellauri172.html on line 852: Ursule Mirouët, roman d’Honoré de Balzac, publié 1841 : le personnage du vicaire de Nemours, précepteur de Savinien de Portenduère. ellauri172.html on line 854: Le Curé de village, 1841, roman d'Honoré de Balzac. L'abbé Bonnet qui aurait inspiré à Hugo le personnage de Mgr Myriel selon le dictionnaire des œuvres Laffont-Bompiani. L'abbé Bonnet œuvre à la rédemption de Véronique Graslin, responsable d'un meurtre. ellauri172.html on line 862: La trilologie romanesque de D'Artagnan et des trois mousquetaires, par Alexandre Dumas : Aramis, qui annonce entrer chez les lazaristes à la fin du premier roman et est évêque de Vannes dans le dernier. Les Trois mousquetaires, Vingt ans après (1845) Le Vicomte de Bragelonne'(1849) ellauri172.html on line 864: Illusions perdues, roman d'Honoré de Balzac 1836 et 1843 avec le personnage du vicaire général de l'évêque d'Angoulême. CHECK ellauri172.html on line 866: Un début dans la vie roman d'Honoré de Balzac, l'Abbé Loraux est le vicaire de l'église Saint-Sulpice, dansHonorine (1843-1844) l'abbé Loraux apporte son aide à Honorine de Bauvan, dans La Rabouilleuse, l'abbé Loraux est le confesseur d'Agathe Bridau. ellauri172.html on line 871: Les Paysans, 1844-1854, roman inachevé d'Honoré de Balzac, terminé par sa veuve la Comtesse Hanska : le personnage de l'abbé Brossette. Il vit pauvrement dans un village où les paysans le méprisent, mais il est reçu par le comte de Montcornet riche propriétaire. Dans Béatrix, ce même abbé est directeur de conscience de Béatrix de Rochefide, une figure de la haute société parisienne. ellauri172.html on line 877: Catherine Blum, roman d'Alexandre Dumas, 1854 : le personnage de l'abbé Grégoire, inspiré par Louis-Chrysôstôme Grégoire, vicaire de Villers-Côterêts, qu'Alexandre Dumas connut dans son enfance. ellauri172.html on line 883: Les Misérables, roman de Victor Hugo, 1862, personnage de Mgr Bienvenu Myriel. ellauri172.html on line 891: Quatrevingt-treize, roman de Victor Hugo, (1874), Cimourdain prêtre rallié aux jacobins, envoyé en mission en 1793 en Vendée par le Comité de salut public pour combattre les Chouans. ellauri172.html on line 897: L'Abbé Constantin, roman de Ludovic Halévy, (1882), avec le personnage de l'abbé Constantin. ellauri172.html on line 899: Une histoire sans nom, roman de Jules Barbey d'Aurevilly, (1882), avec l'abbé Riculf, prêtre impie. ellauri172.html on line 907: Le Pont des soupirs (tome I) et Les Amants de Venise (tome II), roman en deux parties de Michel Zévaco, 1901, avec le personnage du cardinal Bembo. ellauri172.html on line 918: L'Auberge de la Jamaïque, roman d'atmosphère de Daphné Du Maurier, 1935, avec Francis Davey, vicaire d'Altarnum. ellauri172.html on line 920: Le Journal d'un curé de campagne, roman de Georges Bernanos, 1936, avec le curé de Torcy, personnage inspiré à Bernanos par ses souvenirs d'enfance de Fressin, et le curé d'Ambricourt[38] qui emprunte plusieurs traits au curé Fenouille de Monsieur Ouine. CHECK ellauri172.html on line 928: Les Amitiés particulières, roman de Roger Peyrefitte, 1943, avec le père Lauzon et le père de Trennes. Adapté à l'écran en 1964 par Jean Delannoy. ellauri172.html on line 940: Léon Morin, prêtre, roman de Béatrice Beck,1952[45] ellauri172.html on line 948: Les Nouveaux Prêtres, roman de Michel de Saint Pierre, 1964 ellauri172.html on line 950: L'Espion du pape (Scarlet Pimpernel of the Vatican), roman de Jean-Pierre Gallagher, 1967, adapté au cinéma (La Pourpre et le Noir)[47] ellauri172.html on line 960: Monsignore Quichotte, (Monsignor Quixote), de Graham Greene, 1982, avec le père Quixote. ellauri172.html on line 968: Les Cantos d'Hypérion, suite de romans de science-fiction de Dan Simmons écrits entre 1989 et 1997, avec notablement les prêtres Lénar Hoyt, Paul Duré et le jésuite Federico DeSoya ellauri180.html on line 6: font-style: italic; ellauri180.html on line 45: The Young Adult Vampire Diaries is an American supernatural teen drama television series developed by Kevin Williamson and Julie Plec, based on the book series of the same name written by L. J. Smith. The series premiered on The CW on September 10, 2009, and concluded on March 10, 2017, having aired 171 episodes over eight seasons. ellauri180.html on line 47: The Young Adult Vampire Diaries is a young adult vampire fiction series of novels created by American author L. J. Smith. The story centers on Elena Gilbert, a young adult high school girl who finds her heart eventually torn between two young adult vampire brothers, Stefan and Damon Salvatore. ellauri180.html on line 51: In the books, Elena was popular, selfish and a "mean girl". However, the show's producers, Julie Plec and Kevin Williamson, felt that it wasn't the direction they wanted to go with their heroine in The Young Adult Vampire Diaries television series. Instead, she became a nicer, relatable, and more of "the girl next door" type, until her life gets flipped upside down when she meets the Salvatore Brothers. Stefan Salvatore is a good-hearted and affectionate young adult vampire and the complete opposite of his older brother, Damon Salvatore. Stefan's malevolent young adult vampire brother is mostly thought of as selfish and manipulative, but later on begins to display a more caring side. ellauri180.html on line 53: Executive producers Julie Plec and Kevin Williamson agreed that in the book series, Elena was turned into a vampire too early, which was around page 200 of The Awakening. Elena's transition into a vampire was planned for two years. Plec said: "That felt obviously too soon, and rushed, and we didn’t want to make a show about a teenage girl who instantly becomes a vampire. But we always knew that her journey would take her there eventually". At the second season's conclusion, Elena was nearly turned into a vampire. Dobrev was happy that she wasn't, because she felt "it would have been like she came too soon", and also didn't think it was something Elena or she wanted. ellauri180.html on line 55: Elena has received mainly positive reviews. Steve West of the Cinema Blend compared the story of The Young Adult Vampire Diaries and the character of Elena to the 10 years older popular vampire franchise, Twilight, and its protagonist Bella Swan. West said "Clearly Elena is way hotter than Bella, she has two immortal young adult vampires fighting over her". (Täähän on jo moneen kertaan nähty: chick litissä tytöllä pitää ollä väh. 2 kosijaa, ei se muuten ole mistään kotoisin.) After the vampire episodes, Elena established her own medical practice, specialising in blood diseases. ellauri180.html on line 58: ic/content/images/2019/06/11/vampirediaries.jpg?h=e5a3e083&itok=RgV6_e9d" height="250px" /> ellauri180.html on line 66: Areenan, Netflixin ja HBO:n tarjontaa selatessa käy selvääkin selvemmäxi että apinoita kiinnostavia genrejä on täsmälleen 3 (ja niiden kombinaatiot): nimittäin EAT! FUCK! ja KILL!. EAT! in alle tulee rags to riches tarinat ja poliittiset valtakähminnät, rikkaiden ylellinen elämä ym ym. paska. FUCK! in alle tulee romcomit ja tragcomit ja ylipäänsä kaikki jonka näpeimmissä kohissa näytetään paljaat pyllyt mielityössä. KILL! on ehkä kaikista lajityypeistä suosituin, eli poliisi ja rikossarjat, thrillerit, sotaleffat, sairaalasarjat, kaikki ne joissa saa kazella verta, mätkintää, suolenpätkiä ja ruumiita. Hyvä pohjanoteeraus EAT! FUCK! kombinaatiosta on Emily in Paris. Äsken kazottu Arsene Lupin sarja on EAT! KILL! kombinaatio, se on kielletty vaan 13-vuotiailta koska siinä ei näytetä heiluvia pyllyjä. FUCK! KILL! kombinaatiota edustaa vaikka se Ridley Road. ellauri180.html on line 85: Mielestäni Irving kirjoittaa vaikeasta aiheesta taitavasti; liikaa moralisoimatta mutta siltikään meitä naisia liikaa aliarvioimatta. Lisäksi intertekstuaaliset sukellukset Charlotte Brontën ja Charles Dickensin kirjallisiin valtakuntiin tarjoavat ainakin itseni tyyppisille hienopyrstöisille lukijoille sitä jotakin, lumovoimaa. ellauri180.html on line 123: This journal will help you envision your ideal life and then identify the unconscious attachments that are preventing you from living it. Through a series of writing prompts and exercises as well as some of Brianna’s favorite quotes, most popular articles, and new passages, it will help you sort through the conflicting thoughts, feelings, and fears that are preventing you from becoming the person you want and need to be. You do not need more motivation or drive to start building the life of your dreams. You need to better understand who you are, why you keep re-creating comfortable pain patterns, and why you may not really want what is it you think you do. ellauri180.html on line 125: Read more from Brianna West: The Truth About Everything, This Is For The Women Who Won't Give A Fuck, Never Mind How Nice You Ask, Your Soul Is A River, The Mountain Is You. The Art Of Letting Go, Read This If, It'll be Okay, and You Will Be Too, Don’t F*cking Panic: The Shit They Don’t Tell You in Therapy About Anxiety Disorder, Panic Attacks, & Depression, Your Heart Will Heal, Better Than Happy, Love Some One, You Vibrant Happy Women! Oops, most of these titles are Related Books by other snake-oil saleswomen! ellauri180.html on line 167: Many historical accounts of circumcision have been written and most authors have used their survey to form an opinion as to whether the neonatal procedure is justified. The weak medical arguments are tempered by the importance of cultural and religious factors. Opponents of the ritual draw attention to the `rights' of the new-born to the skin on their little penises, which, they argue, must be upheld. Others contest that humans are social animals and cannot survive alone; they require their parents, community and culture to thrive, and, as such, `rights' belong to the group, not to the individual. If there is an inherent survival advantage to a group of humans who chose to maim their young, then this is presumably evidenced by their continued survival as a race. In short, to conclude any historical reflection with a reasoned `right' or `wrong', would be like claiming to have fathomed God's will. Consider this; mankind has developed this strange surgical signature that is so pervasive, that in the last five minutes alone, another 120 boys throughout the world have been circumcised. Mikä jättimäinen esinahkakukkula siitä tulisi! Israelista voisi tulla tulevien talvikisojen isäntämaa.. ellauri180.html on line 171: There has been little written from a statistical standpoint to confirm or deny the popular medical belief that the circumcised are less prone to contract venereal disease. This paper will present a statistical study of the incidence of circumcision in a group free from venereal disease as compared with that of groups with various forms of venereal disease, to determine the influence of circumcision on venereal disease. ellauri180.html on line 174: OBJECTIVES: Globally approximately 25% of men are circumcised for religious, cultural, medical, or parental choice reasons. However, controversy surrounds the procedure, and its benefits and risks to health. We review current knowledge of the health benefits and risks associated with male circumcision. METHODS: We have used, where available, previously conducted reviews of the relation between male circumcision and specific outcomes as "benchmarks", and updated them by searching the Medline database for more recent information. RESULTS: There is substantial evidence that circumcision protects males from HIV infection, penile carcinoma, urinary tract infections, and ulcerative sexually transmitted diseases. We could find little scientific evidence of adverse effects on sexual, psychological, or emotional health. Surgical risks associated with circumcision, particularly bleeding, penile injury, and local infection, as well as the consequences of the pain experienced with neonatal circumcision, are valid concerns that require appropriate responses. CONCLUSION: Further analyses of the utility and cost effectiveness of male circumcision as a preventive health measure should, in the light of this information, be research and policy priorities. A decision as to whether to recommend male circumcision in a given society should be based upon an assessment of the risk for and occurrence of the diseases which are associated with the presence of the foreskin, versus the risk of the complications of the procedure. In order for individuals and their families to make an informed decision, they should be provided with the best available evidence regarding the known benefits and risks. And they should also know what God thinks of it. ellauri180.html on line 179: Despite an estimated one-sixth of the world's men having been circumcised, it has long been forgotten where or why this most intriguing operation began. The procedure has been performed for religious, cultural and medical reasons, although the last has only become fashionable since the rise of modern surgery in the 19th century. Accordingly, the indications for surgery have surfaced, submerged and altered with the trends of the day. In this review we explore the origins of circumcision, and discuss the techniques and controversies that have evolved since the event has become medicalized. ellauri180.html on line 181: Anthropologists do not agree on the origins of circumcision. The English egyptologist, Sir Graham Elliot Smith, suggested that it is one of the features of a heliolithic' culture which, over some 15 000 years ago, spread over much of the world. Others believe that it may have originated independently within several different cultures; certainly, many of the natives that Columbus found inhabiting the New World' were circumcised. However, it is known that circumcision had been practised in the Near East, patchily throughout tribal Africa, among the Moslem peoples of India and of south-east Asia, as well as by Australian Aborgines, for as long as we can tell. The earliest Egyptian mummies (1300 BCE) were circumcised and wall paintings in Egypt show that it was customary several thousand years earlier than that. ellauri180.html on line 183: In some African tribes, circumcision is performed at birth. In Judaic societies, the ritual is performed on the eighth day after birth, but for Moslems and many of the tribal cultures it is performed in early adult life as a rite of passage', e.g. puberty or marriage. Why the practice evolved is not clear and many theories have been proposed. Nineteenth century historians suggested that the ritual is an ancient form of social control. They conceive that the slitting of a man's penis to cause bleeding and pain is to remind him of the power of the Church, i.e. We have control over your distinction to be a man, your pleasure and your right to reproduce'. The ritual is a warning and the timing dictates who is warned; for the new-born it is the parents who accede to the Church: We mark your son, who belongs to us, not to you'. For the young adolescent, the warning accompanies the aggrandisement of puberty; the time when growing strength give independence, and the rebellion of youth. ellauri180.html on line 185: Psychologists have extended this theory to incorporate notions of pain imprinting'. By encoding violence on the brain, child-maternal bonding is interrupted and a sense of betrayal is instilled in the infant; these are considered requisite qualities that enhance the child's ability for survival later in life. Indeed, some components of these psychological theories have recently been tested in prospective clinical trials and there is now evidence that neonates who are circumcised without local anaesthetic do have increased pain responses when 4- and 6-monthly vaccinations are administered. ellauri180.html on line 187: Others believe that circumcision arose as a mark of defilement or slavery (fig. 1). In ancient Egypt captured warriors were often mutilated before being condemned to the slavery. Amputation of digits and castration was common, but the morbidity was high and their resultant value as slaves was reduced. However, circumcision was just as degrading and evolved as a sufficiently humiliating compromise. Eventually, all male descendents of these slaves were circumcised. The Phoenicians, and later the Jews who were largely enslaved, adopted and ritualized circumcision. In time, circumcision was incorporated into Judaic religious practice and viewed as an outward sign of a covenant between God and man (Genesis XVI, Fig. 2). ellauri180.html on line 189: There are many other reasons why circumcision may have evolved. Some have suggested that it is a mark of cultural identity, akin to a tattoo or a body piercing. Alternatively, there are reasons to believe that the ritual evolved as a fertility rite. For example, that some tribal cultures apportion seasons' for both the male and female operation, supports the view that circumcision developed as a sacrifice to the gods, an offering in exchange for a good harvest, etc. This would seem reasonable as the penis is clearly inhabited by powers that produce life. Indeed, evidence of a connection with darvests is also found in Nicaragua, where blood from the operations is mixed with maize to be eaten during the ceremony. (Fig. 3). Although the true origins of circumcision will never be known, it is likely that the truth lies in part with all of the theories described. ellauri180.html on line 191: Furthermore, was it always doctors who performed the procedure in ancient times? Probably not: in biblical times it was the mother who performed the ceremony on the newborn. Gradually mohels took over; men who had the requisite surgical skill and advanced religious knowledge. After prayer, the mohel circumcised the infant and then blessed the child, a practice little changed today (Fig. 4a-d). In ancient Egyptian society, the procedure was performed by a priest with his thumb-nail (often gold-impregnated) and throughout mediaeval times it appears to have been largely kept in the domain of religious men. ellauri180.html on line 195: Abernathy (1928) who was a reluctant surgeon) does report the use of the bistoury (knife) to achieve circumcision in men with gonoccocal phimosis'. He also states that the bleeding should be stanched with iodoform and boric', possibly indicating that sutures were not applied. ellauri180.html on line 197: Baillie (1833) also describes gonococcal phimosis and recommends that the initial treatment is nugatory' (inoperative) involving the washing of the penis (and under the prepuce with soap and tepid water, followed by the application of calomel ointment. Abernathy also warns against immediate circumcision in the face of a morbidly sensitive surface' (and declares that Sir Edward Home agrees with him!). He advocates that the posthitis (inflamed foreskin) should be allowed to soothe and allay' before surgical intervention. We can assume that the complications recognized by both Abernathy and Baillie were re-phimosis, re-stricture or suppuration; what is clear is that circumcision was not a procedure taken lightly at that time. Interestingly, neither author mentions circumcision in the neonate, suggesting that it had not yet significantly entered the domain of English surgeons. ellauri180.html on line 198: By the middle of the 19th century, anaesthesia and antisepsis were rapidly changing surgical practice. The first reported circumcision in the surgical accounts of St Bartholomew's Hospital was in 1865; although this comprised only one of the 417 operations performed that year, it was clearly becoming a more common procedure. Indeed, this was a time when surgical cures were being explored for all ails and in 1878 Curling described circumcision as a cure for impotence in men who also had as associated phimosis. Many other surgeons reported circumcision as being beneficial for a diverse range of sexual problems. Walsham (1903) re-iterates the putative association of phimosis with impotence and suggests that it may also predispose to sterility, priapism, excess masturbation and even venereal disease. Warren (1915) adds epilepsy, nocturnal enuresis, night terrors and precocious sexual unrest' to the list of dangers, and this accepted catalogue of phimotic ills' is extended in American textbooks to include other aspects of sexual erethisms' such as homosexuality. ellauri180.html on line 200: The turn of the 19th century was also an important time in laying the foundations of surgical technique. Sir Frederick Treves (1903) provides us with a comprehensive account of basic surgical principles that remain today. Like most of his contemporaries, he used scissors to remove the prepuce (fig. 5) and describes ligation of the frenular artery as being mandatory' in the adult. He also warns against the excess removal of skin, as this may lead to chordee. ellauri180.html on line 201: Neonatal circumcision techniques have evolved in parallel. It is clear from most surgical texts that circumcision of the new-born had become a regular request for the surgeon by the later part of the 19th century. For instance, Jacobsen (1893) warns of the importance of establishing a familial bleeding tendency from the mother before circumcision. He describes the case of four Jewish infants, each descended from a different grandchild of a common ancestress, all of whom died from haemorrhage after circumcision. ellauri180.html on line 203: By the 1930s, many circumcision clamps were available for use in the new-born. Indeed, the use of such clamps prompted Thomson-Walker to painstakingly warn of the dangers of injury to the glans when such clamps were used, and not surprisingly, more sophiticated tools were introduced to protect the penis. ellauri180.html on line 204: More than 2000 years of Jewish persecution has led to the development of alternative surgical procedures. Indeed, `uncircumcision as a measure to offset the oppression of Jews is cited in the Old Testament (I Maccabees 1:14-15) and surgical attempts to restore the prepuce have been well documented throughout history ellauri180.html on line 205: Relics of anti-Semitism are evident throughout history and even the statue of Michelangelo's David (a Jew), which was erected in Florence in 1504 was carved uncircumcised. ellauri180.html on line 214: To date, a more definite function cannot be ascribed to the prepuce, but as an accessible and ready source of fibroblasts, it has become a favourite tissue reservoir for cell-culture biologists and hence basic scientific research. ellauri180.html on line 218: Notwithstanding the relative disinterest over the function of the prepuce, no other operation has been surrounded by controversy so much as circumcision. Should it be done, then when, why, how and by whom? Religious and cultural influences are pervasive, parental confusion is widespread and medical indications shift with the trends of the day. Doctors divide into camps driven by self-interest, self-righteousness and self-defence. It is not surprising that some of the most colourful pages in the medical literature are devoted to the debate. ellauri180.html on line 222: `…Your patient C.D., aetat 7 months, has the prepuce with which he was born. You ask me with a note of persuasion in your voice, if it should be excised. Am I to make a decision on scientific grounds, or am I to acquiesce in a rate which took its origin at the behest of that arch-sanitarian Moses?…If you can show good reason why a ritual designed to ease the penalties of concupiscence amidst the sand and flies of the Syrian deserts should be continued in this England, land of clean bed-linen and lesser opportunity, I shall listen to your arguments ……(do you not) understand that Nature does not intend it (the foreskin) to be stretched and retracted in the Temples of the Welfare Centres or ritually removed in the precincts of the operating theatres…'. ellauri180.html on line 224: Literary assaults such as these have served to fuel the debates and even a Medline® search today reveals that in the last year alone, 155 reviews or letters have been published arguing for or against routine circumcision. However, studying the evolution of the medical indications provides us with a pleasing demonstration of how controversy drives scientific enquiry. We have already described how the surgeons of 100 years ago advocated circumcision for a wide variety of conditions, such as impotence, nocturnal enuresis, sterility, excess masturbation, night terrors, epilepsy, etc. There can be no doubt that a large element of surgical self-interest drove these claims. However, most of the contemporary textbooks also included epithelioma (carcinoma) of the penis amidst the morass of complications of phimosis. Although rare, once this observation had been made, it presumably filtered down through the textbooks by rote, rather than scientific study. A few reports had appeared in the early 20th century indicating that carcinoma of the penis was rare in circumcised men, but not until the debate over neonatal circumcision erupted in the medical press in the 1930s that this surgical `mantra' was put to the test. In 1932, the editor of the Lancet challenged Abraham Wolbarst, a New York urologist, to prove his contention (in a previous Lancet editorial), that circumcision prevented penile carcinoma. Wolbarst responded by surveying every skin, cancer and Jewish hospital in the USA, along with 1250 of the largest general hospitals throughout the Union. With this survey, he was able to show that penile cancer virtually never occurred in circumcised men and that the risk related to the timing of the circumcision. Over the years this association has been reaffirmed by many research workers, although general hygiene, demographic and other factors such as human papilloma virus and smoking status are probably just as important. However, Wolbarst established that association through formal scientific enquiry and proponents of the procedure continue to use this as a compelling argument for circumcision at birth. ellauri180.html on line 226: Almost as an extension to the lack of penile cancer in Jews, Handley reported on the infrequency of carcinoma of the cervix in Jewish women. He suggested that this related to the fact that Jewish men were circumcised. Not surprisingly, this spawned a mass of contradictory studies and over the next 50 years the champions of both camps have sought to establish the importance or irrelevance of circumcision in relation to penile cancer. The pendulum has swung both ways and the current evidence suggests that other factors are probably more important. A similar debate has raged for 50 years over concerns for the risks of urinary tract infections in young boys and currently, any decreased risk associated with circumcision remains tentative but not proven. ellauri180.html on line 228: However, during the two World Wars, governments became increasingly interested in reducing the risk of venereal disease amongst their soldiers. Clearly, such pathology can have a profound effect on the efficiency of fighting armis. Indeed, in 1947 the Canadian Army found that whereas 52% of their soldiers had foreskins intact, 77% of those treated for venereal disease were uncircumcised. Persuasive arguments to circumcise all conscripts were proposed. Furthermore, it was an age-old observation, and indigenous African healers had promoted circumcision to prevent the transmission of sexually transmitted disease for centuries. As might be expected, the evidence did not withstand further scientific scrutiny and numerous contradictions were provided. However, there has recently been startling evidence that HIV infection is significantly associated with the uncircumcised status. Indeed, one author has recently suggested routine neonatal circumcision on a world-wide scale as a long-term strategy for the control of AIDS: a whole new chapter opens in this ancient debate! ellauri180.html on line 230: Finally, controversy has arisen over who should perform the procedure. Once circumcision had been medicalized' in the 19th century, many surgeons were keen to take paying customers away from the religious men. As such, doctors were often quick to highlight the unforseen risks attendant on a non-medical procedure. For instance, Cabot (1924) described tuberculosis of the penis occurring when Rabbis with infected sputum sucked on the baby's penis to stop the bleeding. However, it has often been claimed that the incidence of complications in Jewish children is very low and that the final result is usually better than any hospital doctor can produce. ellauri180.html on line 233: However, with a healthcare budget of $140 million per year in the USA (1990), insurance companies eventually forced closer scrutiny. Following such pressure, the first Task Force of Neonatal Circumcision from the American Academy of Pediatrics (1n 1975) concluded that there was no valid medical indication for this procedure. However, the pro-circumcision lobby was strong and the task force was forced to re-evaluate. In 1989, they conceded that there may be certain advantages to neonatal circumcision, although their recommendations did stop short of advising routine operation. Similar pressures in the UK have now resulted in only certain Health Authorities being prepared to pay for the procedure. These tend to be in regions with large ethnic minorities who otherwise may suffer form back street' circumcisions. ellauri180.html on line 235: Thus it is clear that medical trends are now being driven by financial constraints. Perhaps this is reflected by the dramatic decline in the number of non-religious circumcisions performed over the last half century; in the USA an estimated 80% of boys were circumcised in 1976 but by 1981 this had fallew to 61%, and recent estimates suggest that this decrease continues. In the UK the decline has been even more dramatic: originally more common in the upper classes, circumcision rates fell from 30% in 1939 to 20% in 1949 and 10% by 1963. By 1975 only 6% of British schoolboys were circumcised and this may well have declined further. ellauri180.html on line 244: How realistic is it to make money from writing? ellauri180.html on line 252: Is there any value to fan fiction? ellauri180.html on line 266: Why I only want to write slice of life? ellauri180.html on line 299: For the longest time, I didn’t think that white authors should write non-white characters. I had seen it done badly (as my previous article about Sarah J. Maas explains) and offensively (think J. K. Rowling with Cho Chang and the Patil twins). ellauri180.html on line 300: One study found in 2018 that (of the books in the sample), although non-Hispanic white people account for 60 percent of the U.S. population, they wrote 89 percent of the books. 40 percent of their characters most definitely aren't POC or Latino. ellauri180.html on line 304: If James Cameron had spent some time reading things written by Native people about Pocahontas and what that storyline means to their people and how offensive and damaging the sexualization of native women is, he might have reconsidered that romantic subplot. If he had started to read and then balked at all the vicious hatred and anger, it is as if he never even tried. ellauri180.html on line 309: Things to note: Bobby looks far away, Lori (or whatever) looks at him. Bobby is up front, Lori stands back. Bobby is fully dressed, Lori shows tits and navel. Bobby is white & has neat white clothes, Lori is WOC & wears dirty neolithic gear. Bobby frowns, Lori smirks like a puppy. Zadaa! By the rivers of Babylon... ellauri180.html on line 312: How To Write Characters Of Different Ethnicities Without Offending ... ellauri180.html on line 324: Can you write about another ethnicity? ellauri180.html on line 326: Can I write a story about a different ethnicity? ellauri180.html on line 332: How do I make my story not cliche? ellauri180.html on line 350: 6 Ways to Avoid Character Cliches in Your Writing ellauri180.html on line 369: Bobby finally learns about the true nature of Travelers: that he and the others are not actually humans at all, but rather, human-shaped AI silicon dolls created by something called Sonera: the accumulated energy of all positive optimist sentient knowledge and creativity. Contrarily, Great Dane is a rear window dog arisen from Elisa, a dark antithesis of Sonera. Reuniting one last time, Bobby and the Travelers confront Great Dane in a final battle on Third World to begin Hello World's process toward economic liberalism at last. ellauri180.html on line 371: Pendragon: Journal of an Adventure through Time and Space, commonly known as Pendragon, is a series of ten young-adult science fiction and fantasy novels by American author D. J. MacHale, published from 2002 to 2009. Science fantasy is a hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and fantasy. ellauri180.html on line 375: Robert "Bobby" Pendragon is an everyday athletic junior high school student from (fictional) Stony Brook, Connecticut, located in the greater New York metropolitan area. Bobby is a prisoner of color. Oops sorry my bad he's not, rather he looks a lot like Harry Potter without the spectacles. But his date Lori (whatever) is a WOC. Bobby's Uncle Stop Press reveals that he will train Bobby to become one of the "Travelers": asshole-journeying young warriors from a variety of different planets and cultures. Great Dane threatens to mix them all together like a kid with watercolors until they are all the same shade of shit. ellauri180.html on line 382: ‘Porphyria’s Lover’ is one of ichard">Browning’s first great poems, written when he was in his early twenties. It is also one of the first great dramatic monologues in English verse, the 1830s being the decade in which Browning and Tennyson developed the genre, penning a series of classic poems which see the poet adopting a persona and ‘staging’ a soliloquy given by an (often unreliable) speaker. Here, the speaker is the titular lover of the girl, Porphyria. Before we proceed to an analysis of ‘Porphyria’s Lover’, here’s a reminder of Browning’s poem. (Se mainittiin Gently-poliisisarjassa yhden koulun pulpettia vasten naidun tupeeratun 60-luvun teinin mielirunona.) ellauri180.html on line 394: Which done, she rose, and from her form Mun tultua se nousi ja veti päältä ellauri180.html on line 399: And called me. When no voice replied, Ja kuzui mua heti uusintaan. ellauri180.html on line 435: Her head, which droops upon it still: Sen pää vaan roikahteli nolona, ellauri180.html on line 469: Kehittyneen barditeollisuuden avulla Jenkkilä on yhdistänyt nämä 2 mallia, niin että havenotit on saatu samaan aikaan sekä pitämään kiinni kerrostuneen termiittipesän vanhoista meemeistä että uskomaan American dreamiin päästä ize penthousekerroxiin herrahississä kun nalli napsahtaa ja onni sattuu potkaisemaan 2-3 paskaduunissa seppoilevaa izeyrittäjää. Kiitos bardit! Ilman teitä tää ei olis syntynyt, ja ilman räjähdysmäistä kasvua se ei pysyis pystyssä. Nyt on punakone alkanut jo yskähdellä. Kohta koittaa bardi Byronin ennustama pimeys. ellauri180.html on line 477: I had a dream, which was not all a dream. Mä näin unta joka ei ollut pelkkä uni. ellauri180.html on line 480: Rayless, and pathless, and the icy earth Säteittä, radoitta, ja jäinen maa ellauri180.html on line 489: The habitations of all things which dwell, Kaikkien asujainten asunnot, ellauri180.html on line 518: And War, which for a moment was no more, Ja sota joka oli pysähtynyt hetkexi, ellauri180.html on line 533: And a quick desolate cry, licking the hand Uikahti kovasti, nuollen kättä ellauri180.html on line 534: Which answer'd not with a caress—he died. Joka ei vastannut rapsutuxella, ellauri180.html on line 544: Which was a mockery; then they lifted up Sytyttäen pienen liekin, ihan läpällä, ellauri180.html on line 569: Namely a prediction for what will happen to the planet if the human race does not change (for the better). ellauri180.html on line 581: Some "men" smile into their hands in intense cynicism for what is happening. People seem frustrated. ellauri180.html on line 583: Quickly this illusion of equality is broken. Guys start eating one another after slaughtering the other creatures around them. Once more the reader gets a small degree of equality in the darkness. The “meagre” in this world are eating the meagre and not the "fat" the meagre as usual. Even those that are most loyal, dogs, “assail’d their masters”. ellauri180.html on line 599: Emma Baldwin graduated from East Carolina University with a BA in English, minor in Creative Writing, BFA in Fine Art, and BA in Art Histories. Literature is one of her greatest passions which she pursues through analyzing poetry on Poem Analysis. ellauri180.html on line 602: icryl.com/photo/1898/01/01/a-skeleton-in-the-closet-a-novel-2c1a4a-1600.jpg" width="50%"/> ellauri181.html on line 6: font-style: italic; ellauri181.html on line 41: Taantumusprofessori Soska zekintää Melvilleä, nim. pikku homon vltavaa Moby Dickiä, koska se oli ihaillut Nykissä champixi pyrkivien imigranttien raivopäistä seppoilua. No niin tietysti jenkkipuutiainen. Sexi pyhää aluetta, mitä vittua. ellauri181.html on line 43: Oliko se sit Ivan Klima? His friend Philip Roth once described him, with his "Beatle haircut" and "carnivorous teeth" as "a much more intellectually evolved Ringo Starr". Ei kuulosta ihan tältäkään. Ivan Klima says "There are some differences between a dictatorship which is strong and one which is tired. By the late Eighties ours was a tired dictatorship. They were no longer killing people and they made every effort not to arrest people. In this condition of a dictatorship you could find your own freedom. You could not become rich, you could not travel except maybe to Hungary, but you could write." Olipa paha ettei voinut rikastua eikä lennellä ympäriinsä. Ja saihan sitä kirjoittaa, kuha ei julkaissut. ellauri181.html on line 47: Minulla on mukana Prahassa Kafkan ja Brodin lisäxi Aku Ankan taskukirjoina Gombrowicziä, Mishimaa ja Genetiä. Niissä tekijä on izekorostetusti mukana moraalisesti mitä pahexuttavimmassa panopuuhassa. Lukukausi päättyy kesymmin Anna Kareninaan, Madame Bovaryyn ja Tom Mannin homosteluun. ellauri181.html on line 85: Vastaanotto: Sudau (s. 177f.) Korostaa erityistä seikkaa: ”Koko taivaan portti - Kleine Fabel -hiirellä, joka on maailman liian suuri leveys - nurisee yhdessä. Hiirellä ei ole ulospääsyä, vain kohtalokas tulos; apina todellakin löytää ize valizemansa '' ulospääsyn ''. Tällä tavalla Rotpeter seisoo ainutlaatuisella tavalla Kafkan teoxessa: sankari, joka ei mene alle; sankari, joka tietää tarkalleen mitä haluaa ja saavuttaa sen myös! Hänen on kuitenkin unohdettava "tämä suuri vapauden tunne kaikilta puolilta". " Ries (s. 91) huomauttaa, että raportti ennakoi työstä Das Unbehagen in der Kultur by Sigmund Freud , kirjoitettu vuonna 1930 , mikä on tase edistymisestä ja vastoinkäymiset sivilisaation. Kindlerin sanakirja (s. 27) selittää, että raportti on juurtunut syvälle senhetkiseen tieteelliseen-historialliseen tilanteeseen: Kuvaus Brehmin eläinelämästä, Darwinin evoluutioteoria, nykyajan vaihtelevat tapahtumat. TC Boylen romaani Sprich mit mir (2021), jossa simpanssi Sam, joka hallizee viittomakielen, ottaa ajoittain narratiivisen roolin, on muun muassa. innoittamana Kafkan tarina. ellauri181.html on line 87: Toissijainen kirjallisuus: Joachim Unseld: Franz Kafka. Kirjailijan elämä. Hanser, München 1982, ISBN 3-446-13568-5 . Eberhard Rohse : Hominisointi inhimillistämisenä? Apinan hahmo antropologisena provokaationa kirjallisuuden teoxissa Charles Darwinin jälkeen - Wilhelm Raabe, Wilhelm Busch, Franz Kafka, Aldous Huxley. Julkaisussa: Talvinen lukukausi 1987/88 (= General Studies. University of Veterinary Medicine Hannover: Luennot ihmisistä ja eläimistä. Vuosikerta 6). Schaper, Alfeld / Hannover 1989, ISBN 3-7944-0158-1 , s. 22–56 (tässä erityisesti: evoluution ja koulurazastuxen välillä: hominointi ”eteenpäin kehitettynä kehityxenä” - Franz Kafka, s. 47–50). ellauri181.html on line 91: „Ist ja eh wurscht“, könnte man sagen, wie jener Kustode der kleinen Ausstellung in Kafkas Sterbehaus bei Wien. Auf das Kürzel „mos.“ in der Sterbeurkunde hingewiesen, grübelt er vor laufender Kamera, ob Kafka wohl Moslem gewesen sei. Die Religionszugehörigkeit „mosaisch“ ist ihm nicht geläufig. Wer es mit Franz Kafka und Max Brod genau nimmt, muss sie ärgerlich finden. ellauri181.html on line 102: Pili haluaa alistaa ja alistua, se haluaa osallistua ja kazella. Se on ehkä vähän perverssi, tai ei niin vähänkään. Bisexuaali Colettekin kolahtaa siihen kuin veizi voihin. Mut mixe kuzuu sen ällön ex-Helenin kylään Clairen kiusaxi? Koska se on niin vitun narsisti, mitä muutakaan. Täähän on kuin chick littiä, nyt Pilillä on TAAS Elisabet ja Birgitta josta valkata. Märkä uni maxapala kädessä. Pilin isä ei arvosta koiria jotka lisääntyvät ilman avioliittoa ja paskantavat maahan. Jutku. Pilin isä on aivan mahdoton sähläri. Olikohan Hermannikin. Pili jäi ikuisixi ajoixi oman laitapuolisuutensa itkijäxi. Se oli epäonnistunut narsisti. Kiltti Claire ei enää saa Pilin piliä värähtämään. Se kaipaa jotain tujumpaa. THE END. ellauri181.html on line 117: Sich in die Büsche schlagen — Sich seitwärz in die Büsche schlagen Die umgangssprachliche Redewendung steht für »heimlich verschwinden, sich davonmachen«: Als die Leute den Gendarm holten, schlug sich der Fremde in die Büsche. ellauri181.html on line 119: Überblicke ich meine Entwicklung und ihr bisheriges Ziel, so klage ich weder, noch bin ich zufrieden. Die Hände in den Hosentaschen, die Weinflasche auf dem Tisch, liege ich halb, halb sitze ich im Schaukelstuhl und schaue aus dem Fenster. Kommt Besuch, empfange ich ihn, wie es sich gebührt. Mein Impresario sitzt im Vorzimmer; läute ich, kommt er und hört, was ich zu sagen habe. Am Abend ist fast immer Vorstellung, und ich habe wohl kaum mehr zu steigernde Erfolge. Komme ich spät nachz von Banketten, aus wissenschaftlichen Gesellschaften, aus gemütlichem Beisammensein nach Hause, erwartet mich eine kleine halbdressierte Schimpansin, und ich lasse es mir nach Affenart bei ihr wohlgehen. Bei Tag will ich sie nicht sehen; sie hat nämlich den Irrsinn des verwirrten dressierten Tieres im Blick; das erkenne nur ich, und ich kann es nicht ertragen. Himskatti toipa oli taas aika tahmeaa misokeittoa. Koko raportti on passiivis-aggressiivinen ja selvästi narsistinen. ellauri181.html on line 124: Theory of Basic Human Values ellauri181.html on line 126: This article has multiple issues. Please help improve it or discuss these issues on the talk page. ellauri181.html on line 127: This article may rely excessively on sources too closely associated with the subject, potentially preventing the article from being verifiable and neutral. (February 2015) ellauri181.html on line 129: This article contains wording that promotes the subject in a subjective manner without imparting real information. (February 2015) ellauri181.html on line 132: The Theory of Basic Human Values is a theory of cross-cultural psychology and universal values that was developed by a guy called Shalom H. Schwartz. The theory extends previous cross-cultural communication frameworx such as Hofstede's cultural dimensions theory. Schwartz identifies ten basic human values, each distinguished by their underlying motivation or goal, and he explains how people in all cultures recognize them. There are two major methods for measuring these ten basic values: the Schwartz Value Survey and the Portrait Values Questionnaire. A particular value can conflict or align with other values, and these dynamic relationships are typically illustrated using a circular graphic in which opposite poles indicate conflicting values. ellauri181.html on line 134: One of the main limitations of this theory lies in the methodology of the research. The SVS is quite difficult to answer, because respondenz have to first read the set of 30 value items and give one value the highest as well as the lowest ranking (0 or −1, depending on whether an item is opposed to their values). Hence, completing one questionnaire takes approximately 12 minutes resulting in a significant amount of only half-filled in forms. Furthermore, many respondenz have a tendency to give the majority of the values a high score, resulting in a skewed responses to the upper end. However, this issue can be mitigated by providing respondenz with an additional filter to evaluate the items they marked with high scores. When administering the Schwartz Value Survey in a coaching setting, respondenz are coached to distinguish between a "must-have" value and a "meaningful" value. A "must-have" value is a value you have acted on or thought about in the previous 24 hours (this value item would receive a score of 6 or 7 on the Schwartz scale). A "meaningful" value is something you have acted on or thought about recently, but not in the previous 24 hours (this value item would receive a score of 5 or less). ellauri181.html on line 136: Another methodological limitations are the resulting ordinal, ipsatised (?) scores that limit the type of useful analyses researchers can perform. ellauri181.html on line 138: ic_Human_Values_Graphic.jpg"> ellauri181.html on line 139: Theory of Basic Human Values Graphic ellauri181.html on line 141: In a 2012 article, Schwartz and colleagues refined the Theory of Basic Values with an extended set of 19 individual values that serve as "guiding principles in the life of a person or group". ellauri181.html on line 143: This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. ellauri181.html on line 145: Shalom H. Schwartz (Hebrew: שלום שוורץ) is a social psychologist, cross-cultural researcher and creator of the Theory of Basic Human Values (universal values as latent motivations and needs). He also contributed to the formulation of the values scale in the context of social learning theory and social cognitive theory. ellauri181.html on line 146: After completing his master's degree in social psychology and group development at Columbia University and completing his rabbinical studies, Schwartz received his Ph.D. in social psychology from the University of Michigan, and subsequently taught in the sociology department of the University of Wisconsin–Madison, and in 1973 became a professor. From 1971-73, Schwartz was a visiting lecturer in the department of psychology at the Hebrew University. In 1979, Schwartz moved to Israel with his wife and three children. He joined the department of psychology at the Hebrew University, where he holds the post of Leon and Clara Sznajderman Professor Emeritus of Psychology. He is now retired, but continues his research activity, as well as developing and promoting his Basic Human Values Theory. ellauri181.html on line 148: During the 1970s and 1980s, Schwartz was following the studies of Geert Hofstede about human values and built upon them in his research on pro-social and altruistic behavior. His research has since included studies on the development and consequences of a range of behavioral attitudes and orientations, such as religious belief, political orientation and voting, social group relations, consumer behavior, as well as the conceptualization of human values across cultures. ellauri181.html on line 150: Schwartz is a fellow of the American Psychological Foundation and is a member of the American Sociological Foundation, European Association of Experimental Social Psychology, the Israel Psychological Association, the Society for Experimental Social Psychology, and the Society for Personality and Social Psychology. He is president of the International Association for Cross-Cultural Psychology. He coordinates an international project in more than 70 countries that studies the antecedenz and consequences of individual differences in value priorities and the relations of cultural dimensions of values to societal characteristics and policies. His value theory and instrumenz are part of the ongoing, biannual European Social Survey. ellauri181.html on line 154: Purpose: To identify personal values that are robust across cultures and that can help explain diversity and conflict in values. ellauri181.html on line 156: Description: Six main features, relevant to all values, are described first. This is followed by an outline of ten basic personal values, with a guide to which are congruent and which conflict. These six features are relevant to all values. ellauri181.html on line 160: “Values are beliefs linked inextricably to affect. When values are activated, they become infused with feeling”. ellauri181.html on line 164: “Values transcend specific actions and situations. … This feature distinguishes values from norms and attitudes that usually refer to specific actions, objecz, or situations.” ellauri181.html on line 166: “Values serve as standards or criteria. Values guide the selection or evaluation of actions, policies, people, and evenz. People decide what is good or bad, justified or illegitimate, worth doing or avoiding, based on possible consequences for their cherished values. But the impact of values in everyday decisions is rarely conscious. Values enter awareness when the actions or judgmenz one is considering have conflicting implications for different values one cherishes.” ellauri181.html on line 170: “The relative importance of multiple values guides action. Any attitude or behaviour typically has implications for more than one value. … The tradeoff among relevant, competing values guides attitudes and behaviors… Values influence action when they are relevant in the context (hence likely to be activated) and important to the actor.” ellauri181.html on line 172: Ten basic personal values ellauri181.html on line 174: The Schwartz theory of basic values identifies ten broad personal values, which are differentiated by the underlying goal or motivation. These values are likely to be universal because they help humans cope with one or more of the following three universal requiremenz of existence: ellauri181.html on line 176: needs of individuals as biological organisms ellauri181.html on line 189: “Hedonism – Defining goal: pleasure or sensuous gratification for oneself.” ellauri181.html on line 206: Dynamic relations among the values ellauri181.html on line 208: Relations among these 10 broad personal values are dynamic. Actions pursuing one value “have consequences that conflict with some values but are congruent with others.” This has “practical, psychological, and social consequences.” “Of course, people can and do pursue competing values, but not in a single act. Rather, they do so through different acz, at different times, and in different settings.” ellauri181.html on line 210: The figure below provides a quick guide to values that conflict and those that are congruent. There are two bipolar dimensions. One “contrasz ‘openness to change’ and ‘conservation’ values. This dimension captures the conflict between values that emphasize independence of thought, action, and feelings and readiness for change (self-direction, stimulation) and values that emphasize order, self-restriction, preservation of the past, and resistance to change (security, conformity, tradition).” ellauri181.html on line 212: Tradition and conformity are located in a single wedge because they share the same broad motivational goal. Tradition is on the periphery because it conflicz more strongly with the opposing values. ellauri181.html on line 214: “The second dimension contrasz ‘self-enhancement’ and ‘self-transcendence’ values. This dimension captures the conflict between values that emphasize concern for the welfare and interesz of others (universalism, benevolence) and values that emphasize pursuit of one’s own interesz and relative success and dominance over others (power, achievement).” ellauri181.html on line 218: Schwartz’ work also examines relationships between different values in more detail, which is useful for a richer analysis of how values affect behaviour and attitudes, as well as the interesz that they express. Although the theory distinguishes ten values, the borders between the motivators are artificial and one value flows into the next, which can be seen by the following shared motivational emphases: ellauri181.html on line 227: Stimulation and Self-direction—intrinsic interest in novelty and mastery; ellauri181.html on line 374: In psychology, ipsative measures (/ˈɪpsətɪv/; from Latin: ipse, 'of the self') are those where respondents compare two or more desirable options and pick the one they prefer most. Sometimes called a forced-choice scale, this measure contrasts Likert-type scales in which respondents score—often from 1 to 5—how much they agree with a given statement (see also norm-referenced test). ellauri181.html on line 378: If the same traits were evaluated on an ipsative measure, respondents would be forced to choose between the two, i.e. a respondent would see the item "Which of these do you agree with more strongly? a) I like parties. b) I keep my work space neat and tidy." ellauri181.html on line 382: Additionally, ipsative measures may be useful in identifying faking. However, ipsative measures may, especially among testing-naïve individuals exhibiting high levels of conscientiousness and/or neuroticism, decrease test validity by discouraging response and/or encouraging non-response. For example, a test's authors may force respondents to choose between "a) Animals chase me in my dreams" and "b) My dreams are nice" in an effort to see whether a given respondent is more inclined toward "faking bad" or toward "faking good." When faced with such a question, a child frequently terrified by nightmares that rarely if ever involve animals, and especially one whose parents have foolishly taught him/her/it strict rules against lying, may simply refuse to answer the question given that for that respondent nearly all of the time both descriptions are inaccurate. Even a previously presented guideline "Choose the answer that [best/better] describes you" may be unhelpful in such a situation to responders who worry that endorsing one item or the other will still involve stating it to be accurate or "well"-descriptive to some positive degree. Only if the guideline is presented as "Choose the answer that more accurately or less inaccurately describes you" and the above-described responder is sophisticated enough to reason out his/her response in terms of "Despite the infrequency with which I have nice dreams, I have them [more frequently / less infrequently] than dreams in which animals chase me" (or, in theory, vice versa) will such a responder be willing to answer the question—and phrasing the guideline in this way bears its own cost of making the question reveal less about the respondent's propensities because the respondent is no longer forced to "fake" one way or another.[citation needed]. ellauri181.html on line 412: 1950- ja 1960-lukujen taiteessa tohtori Thomas Hendrickson kehitti psykologian tohtori William Moulton Marstonin tutkimusteorian ”Emotions of Normal People” pohjalta Henkilökohtaisen Profiilin Analyysin eli Thomas HPA:n (Thomas Personal Profile Analysis (PPA). Thomas HPA on ipsatiivinen eli pakkovalintatesti, joka kattavasti selvittää henkilön työkäyttäytymistä eri tilanteissa. Sen avulla voidaan nopeasti ja luotettavasti saada kattavaa tietoa esim. henkilön johtamisen, rekrytoinnin tai kehittämisen tueksi. Sitä kuzutaan Thomasixi koska Thomas on nasevampi kuin joku Hendrickson. Hendrickson ja Kitula souteli vanhalla vitulla. Kyrpä oli airona ja munat peräpainona. Tuomas työnsi epäilevän sormen Jee-suxen uuteen reikään. ellauri181.html on line 461: Thomas HPA on auditoitu Ison-Britannian Psykologiliitossa (British Psychological Society BPS). Thomas HPA auditoitiin European Standing Committee on Tests and Testing -komitean (European Federation of Psychologists’ Associations -järjestön komitea) asettamien kriteerien mukaisesti. ellauri181.html on line 463: Thomas International kehittää HPA:ta jatkuvasti. Aiemmin kehitystyötä tehtiin Cambridgen yliopiston psykometrian keskuksen kanssa (Psychometrics Centre). ellauri181.html on line 541: Ethics, Virtues, and Values: Knowing What Matters Most ellauri181.html on line 545: How can we speak of alignment and the potential for mismatch stress without addressing the issues of ethics, virtues and values? We were shocked in the first few years of the 21st century to discover that the global companies that we had trusted, and invested our retirement and life savings with had lied to us. They lied to the public, about earnings. They lied about their value and their investmenz. Many thousands of people lost their life savings. Hundreds of thousands had been duped. Millions had been take advantage of! ellauri181.html on line 547: How could it happen? How could those we had placed in a position of trust have failed us so seriously? It is a question of ethics. It is a question of virtues. It is a question of values. ellauri181.html on line 554: *Franklin Covey Co., trading as FranklinCovey and based in Salt Lake City, Utah, is a provider of leadership, individual effectiveness, and business execution training and assessment services for organizations and individuals. The company was formed on May 30, 1997, as a result of merger between Hyrum W. Smith's Franklin Quest and Stephen R. Covey's Covey Leadership Center. Among other producz, the company has marketed the FranklinCovey planning system, modeled in part on the writings of Benjamin Franklin, and The 7 Habiz of Highly Effective People, based on Covey's research into leadership ethics. ellauri181.html on line 556: Benjamin Franklin was an author, a painter, an inventor, a father, a politician, and the first American Ambassador to France. He invented bifocals, swim flippers, lightening rods, and the Franklin stove. He founded a public library, a hospital, and insurance company and a fire department. He helped write the Declaration of Independence and the U.S. Constitution. He wrote an autobiography in the middle of his life and shortly before his death in his 80's, he completed his memoirs. Franklin was truly a Renaissance man. He was one of the greatest citizens and thinkers the world has ever seen. But Franklin was not always a great or successful man. At the age of 17 he ran away from home in Boston, estranged from his family because of an argument he had with his brother. ellauri181.html on line 558: Franklin tried in business and failed, not once but twice. He was the father and single parent of an illegitimate son whose mother abandoned the child to Franklin unable and unwilling to live with Franklin and the child. As a young adult Franklin was by almost any measure and especially his own measure a dismal failure. His life was confused, difficult and not at all satisfying to Franklin or to anyone else. He decided to change. ellauri181.html on line 560: Benjamin Franklin sat down and made a list. The list consisted of twelve characteristics, values and virtues to which he aspired. He called his list "Virtues". Franklin's list of virtues looked like this. ellauri181.html on line 570: . Justice ellauri181.html on line 577: When he completed his list of the virtues to which he aspired, Franklin wrote a brief sentence describing each of the virtues and what it meant to him. He did not want there to be any confusion about what each of these words meant. His definitions of his virtues then looked like this..... ellauri181.html on line 588: . Justice - Wrong none by doing injuries; or omitting the benefiz of your duty. ellauri181.html on line 599: Franklin thought about the advice of his friend and true to the recommendation added a thirteenth virtue. ellauri181.html on line 610: The rest is history. Franklin went on to become one of the most productive, successful and self- actualized people in all of history. He knew what mattered most. That was how he could set about being an author, a printer, an inventor, a father, a politician, the first American Ambassador to France, the inventor of bifocals, swim flippers, lightening rods, hundreds of other things and the Franklin stove and how he could found a public library, a hospital, an insurance company and a fire company and help to write the Declaration of Independence and the Constitution. ellauri181.html on line 612: But did you know that is not the end of the story? In his memoirs, shortly before his death Franklin was reflecting on the story of his virtues (which he told in his autobiography written mid-life) and he noted that he had come to feel a oneness with each of his 12 virtues. When he thought of the 13th virtue, he realized that he simply was not humble. Franklin had failed at his 13th virtue. ellauri181.html on line 616: Franklin failed at the 13th virtue, Humility. Why? Was the most difficult virtue on this list the last? Or was there another reason? YES! The answer is obvious and simple. Franklin had not failed at his virtues. He had succeeded at each of his twelve virtues. He failed at a virtue that was not his, a virtue that had been given to him by someone else. Franklin failed at a virtue that he did not value. He failed at doing something someone else valued and suggested to him as a value. ellauri181.html on line 620: Note Franklin's is just a list of virtues. He did not need t spell out the value implicit in them. It is the same as held in highest esteem by Scrooge McDuck, who lived up to Franklin's virtues: MONEY! Money money money, money makes the world go around. Megabucx, greenbacx, cash, capital gain and assez. ellauri181.html on line 634: To appreciate significance of the much sought after Start-Shosse one must be familiar with peculiarities of Soviet bike industry. Nimittäin Harkov oli ikivanha (1500-l. perustettu) venäläinen kaupunki jonka yleisliittolaiset ukrainalaistivat myöhemmin. Ei ois kannattanut. Nyt ovat hienot polkupyörät joutumassa näsien käsiin. Hampaita ainakin ois syytä varoa. ellauri182.html on line 6: font-style: italic; ellauri182.html on line 41: In the face of death and loneliness, Mikage searches for meaning in her life. She tries to overcome the “leaden hopelessness” that plagues her. Mikage “can’t believe in the gods,” and thus does not have the religion that gives many people meaning in life. Instead, she looks to the other characters and to herself for meaning. Eriko is a model of strength and gives Mikage advice on how to handle despair and the loss of meaning. Yuichi gives meaning to Mikage in the form of relationship, of having someone to cook for. ellauri182.html on line 43: At times in the story, Mikage thinks about fat and freedom fries while searching for meaning. Despite believing in premonitions, she does not believe in fate, but in the individual freedom of “constantly making choices.” I realized that the world did not exist for my benefit. Hoo hoo jaa jaa. Keskittyisit bansku vaan tekemään niitä kylmiä paloja. Maaginen realismi on syvältä. ellauri182.html on line 76: Sotaro (“soh-TAH-roh”) is Mikage’s old boyfriend. He is tall, cheerful, and the eldest son of a large family. At one time Mikage loved Sotaro’s “lively frankness,” but his straightforward manners have become “obnoxious.” Sotaro’s aggressive personality bothers Mikage because she “couldn’t keep pace with it.” Sotaro says derogatory things about Yuichi, and informs Mikage that Yuichi has a girlfriend. Sotaro has something in common with Vitali Razumov. ellauri182.html on line 78: At Yuichi’s home, Mikage is introduced to Eriko and soon finds out that Yuichi’s mother was once his father; s/he is a transsexual who runs a club of some sort. Eriko is a clear allusion to Banana's daddy. Yuichi hints that s/he has undergone a sex change, when he tells Mikage that s/he has “had everything ‘done.’” There is a hole now where the pecker used to be. ellauri182.html on line 80: Eriko (“Eh-REE-koh Tah-NAH-bee”) is Yuichi’s mother, who invites Mikage to stay at his/her home. Eriko is a transsexual and had previously been Yuichi’s father. Mikage’s first impression of Eriko is “overwhelming.” Mikage describes him/her as “an incredibly beautiful wo/man” who “seemed to vibrate with life force.” Eriko represents an ideal of feminine beauty, charm, and strength for Mikage. At times, Mikage finds it hard to believe that this woman had once been a man, or is still a man—some ambiguities over Eriko’s gender remain, both for the reader and for the characters. Yuichi refers to Eriko as both his mother and father, and other characters refer to Eriko as both “she” and “he.” Mikage could easily keep pace with Eriko. ellauri182.html on line 82: Mikage is not religious, but believes in elements of the mystical and superstitious. She “can’t believe in the gods,” but for a warm bed, she “thanked the gods—whether they existed or not.” In despair, she “implored the gods: Please, let me live.” She also has a dream that comes partially true. Ergo Mikage relates to American culture. She looks up to Eriko as an ideal of feminine beauty, charm, and strength, although Eriko was once, or still is, a man - or is s/he? ellauri182.html on line 87: The second part of the story begins with a shock: Eriko died in the autumn. A man at his/her club has stalked and killed him/xsher in a hate crime. Later that night, alone, Mikage recalls a conversation she had with Eriko, during which Eriko explained why s/he became a woman. ellauri182.html on line 89: Near the climax of the story, Mikage runs into Chika at a laundry. Chika (“Chih-KA”), a transsexual, is the head “girl” at Eriko’s club, which Eriko gives her when s/he dies. ellauri182.html on line 90: After eating a delicious, hot meal that lifts her spirits, Mikage gets an idea. She hires a taxi for the long ride to Yuichi’s hotel and then climbs a balcony to present Yuichi with the same food that she had enjoyed. ellauri182.html on line 92: Nori (“NOUGH-ree”) works with Mikage and Kuri at the cooking school. Mikage describes her as a “proper young lady,” which means that she is attractive, tastefully dressed, and well-mannered. ellauri182.html on line 94: The 1989 film centers around Mikage, a young woman who loses her parents when young. She grows up in a lonely household with her grandmother who dies when Mikage reaches adulthood. Grief-stricken, she finds solace in the kitchen. Yuichi, a friend of Mikage's deceased grandmother, invites her to live with him and his mother. Then Mikage discovers that Yuichi's mother is actually her cross-dressing father. On the other hand, Mikage realizes that the wealth of gadgetry in Yuichi's kitchen is lovingly detailed... --- Unfortunately, that's all, this film is water under the bridge, overtaken by a 2019 gory crime film of the same name. ellauri182.html on line 98: icture-in-picture" allowfullscreen> ellauri182.html on line 104: Symbolism appears throughout Yoshimoto’s story. For the protagonist, kitchens symbolize places of contentment, safety, and healing. Mikage claims, “to me a kitchen represents some distant longing engraved on my soul.” When she is despondent, her dreams of kitchens keep her going. She takes to the kitchen and learns cooking as a way of overcoming feelings of meaninglessness and despair; cooking represents her new attitude toward life. Like kitchens and cooking, food also plays a symbolic role in the story. Mikage is constantly presenting her friends with food; her life changes when she takes a job at a cooking school; and the climax of the story occurs when Mikage brings a dish of special food to Yuichi in his secluded hotel room. Eat my shorz. ellauri182.html on line 106: Mikage’s voice can be complex as well, which keeps the reader intellectually engaged. She can go from the light and ironic, talking casually about herself and her situation, to the literary and complex, making more formal and generalized statements, such as this musing on fate that begins: “We all believe we can choose our own path from among the many.” ellauri182.html on line 110: A few generations ago in Japan, food preparation was considered a lower class occupation; in economically advantaged households, servants frequently provided the cooking. By the mid-1980s, and as reflected in “Kitchen,” food preparation has become a respectable career as well as an art form. Kitchens are now the showcases of Japanese consumer wealth, filled with new technologies and electronic gadgets, and artful cuisine reflects social sophistication. ellauri182.html on line 113: The Marshall Plan brought Western ideas and a free market economy to what had been an old and traditional culture. in the mid-1980s, Japan has a booming industrial economy, bolstered by its exports of automobiles and electronics to the West. Japanese society has become more materialistic than ever, influenced by its wealth and the consumerism imported from America. Mikage acknowledges this consumerism when she says of her friends, “these people had a taste for buying new things that verged on the unhealthy.” Mikage’s generation has been brought up on television and American culture; she mentions an American sitcom and Disneyland in her narrative. One character in the story is wearing “what is practically the national costume, a two-piece warmup suit,” a style imported from America. In Japan, Yoshimoto’s generation is called the shinjinrui, a generation that has grown up in a wealthy, technological society exposed to American values. Shinjinrui was new breed of humans (used to refer to the post-war generation, who have different ideals and sensibilities). Japan's Generation X. ellauri182.html on line 115: Some reviewers thought Kitchen was superficial in style and substance, and overly sentimental. Todd Grimson in the Los Angeles Times Book Review wrote that, ‘“Kitchen’ is light as an invisible pancake, charming and forgettable ... The release of information to the reader seems unskilled, or immature, weak in narrative or plot.” Elizabeth Hanson of the New York Times Book Review took issue with the overall effect of the book, writing that “the endearing characters and amusing scenes in Ms. Yoshimoto’s work do not compensate for frequent bouts of sentimentality.” Hanson added that the book’s main appeal for English-language readers “lies in its portrayal of the lives of young Japanese who are more into food and death than sex. EAT! KILL! but do not FUCK!". ellauri182.html on line 117: As Mikage and Yuichi’s relationship develops, one of the first signs that they are drawing closer is a shared dream that they experience. In the dream, Yuichi tells Mikage that he has a desire to eat ramen, a noodle soup. Shortly after awakening from the dream, Yuichi, in real life, acknowledges his hunger. “I just woke up and I’m starving. I was thinking, hmm, maybe I’ll make some instant ramen noodles.” Instead of love, she thinks of food. It is through food, as is shown in this scene and many scenes to follow, that Mikage finds her mouth. Climbing to the balcony with her body mass was an existential feat. ellauri182.html on line 118: Specifically, after ordering katsudon (fried pork served over rice), Mikage has a revelation with regard to Yuichi. The katsudon becomes more than just a meal, it is a means to reach out to Yuichi, to relate to him, to acknowledge both Mikage’s and Yuichi’s connectedness as two obese lovers starving under the same night sky. ellauri182.html on line 123: Quoting Zen master Dogen-zenji’s “Instructions for the Zen Cook,” (circa 1237), Ashburne relays the words of the great Zen master on the simple act of washing rice and cooking it. Dogen-zenji states, “Keep your eyes open. Do not allow even one grain of rice to be lost. Wash the rice thoroughly, put it in the pot, light the fire and cook it.” He then adds, “There is an old saying that goes, ‘see the pot as your own head; see the water as your life-blood.’” Vittu et on anaalia puuhastelua ruuan kanssa. Ei ruualla saa leikkiä. Se on jumalan viljaa. ellauri182.html on line 129: Existential heroes in literature have often been plagued with despair and profound loneliness. Another philosopher that existentialists have turned to is Søren Kierkegaard (1813-1855), who called this despair “the sickness unto death.” ellauri182.html on line 130: Sartre urged the personal freedom of choice in the face of life’s unknowns, and claimed that seizing freedom was each person’s duty. These ideas of free will and personal responsibility are also introduced in “Kitchen.” Mikage makes the statement: “People aren’t overcome by situations or outside forces; defeat invades from within,” when she begins to realize that she has responsibility for her own life and its pain. Other people can no longer help her; she must take charge of things herself, “with or without” Yuichi. ellauri182.html on line 131: Once again, the existentialist idea appears that personal freedom comes at the expense of going against the mainstream crowd. This relates to existentialism because existential characters tend to focus on the personal rather than the political, and existential characters are alienated by the size and scope of the modern economic system. It is economic liberalism's religion. ellauri182.html on line 133: Toward the climax of the story, when Mikage is climbing a hotel balcony in a daring moment of “utter desperation,” she contemplates the concept of free will. Up to this point in the story, Mikage has tended to believe in fate and in premonitions, which are beliefs that other powers are making decisions for her. She has also stated that “we have so little choice,” and that “we live like the lowliest worms.” Undergoing an existential change, Mikage finally admits to herself and the reader that human beings are ultimately free because “we’re constantly making choices. With the breaths we take every day, with the expression in our eyes, with the daily actions we do over and over, we decide.” She states that even when people think that they are being acted upon by outside forces, they are in reality choosing their situations and actions, sometimes subconsciously. ellauri182.html on line 136: In Japanese fiction of the seventeenth and eighteenth century, homosexuality was often celebrated for this reason: boys’ love was considered to be purer than the heterosexual kind; it was uncontaminated by the demands of reproduction and other family duties. ellauri182.html on line 137: Marriage for most Japanese women is still a social trap, commonly known as “the graveyard of life.” It means the end of a career, of economic independence. And since heterosexual love in Japan usually means marriage, an increasing number of career women are stuck with celibacy, with or without trips abroad. ellauri182.html on line 139: The alternative is of course the sexless intimacy of the fag hag and her chosen friends. The heroines of Yoshimoto’s fiction are not exactly fag hags, nor are they innocent. Mikage and Satsuki are young women. But grown-up sexual relationships are still beyond their grasp. Instead, in the security of their private kitchens, they dream nostalgic dreams, and shed melancholy tears about the passing of time. This is the stuff of great Japanese poetry, and absolute kitsch. Yoshimoto Banana is not yet a mistress of poetry, but she is a past master of kitsch. ellauri182.html on line 141: “The tone of Yashimoto’s stories is strange, for it veers from childlike naivete to flights of bizarre fancy, which is just like most of Japanese comic books for teenagers.” the publicity photograph of Yoshimoto Banana, hugging her little puppy dog, is cuteness personified. The fact that her father is the most famous philosopher of the 1960s new left gives her name an extra air of incongruousness, as though there were a young German novelist called Banana Habermas. It's daddy's fault! Banana is daddy's girl. Daddy oli sille isänä ja äitinä. ellauri182.html on line 153: 1996 tää heppu melkein kuoli uimareissulla ja kirjoitti siitä lähin vain kylmiä paloja alakulttuureista kuten manga, kirjallisuus, politiikka, yhteiskunta ja uskonto. (Hindut, bambut, banaanit ja uusi testamentti. Mitähän se viirusilmä siitäkin ymmärsi, varmaan vähemmän kuin Malamudin simpanssi.) Yashimoto oli sodanjälkeisen Japanin ajattelun pikku jättiläinen joka veljeili entisen vihulaisen kaa. Näytti Tokiota tyypeille kuten Michel Foucault, Félix Guattari, Ivan Illich, and Jean Baudrillard. ellauri182.html on line 154: Riitakumppaneita: Kiyoteru Hanada, New Testament scholar Kenzō Tagawa, and his former friend and critic Yutaka Haniya. ellauri182.html on line 157: L’introduction à la théorie du phénomène psychique est également publié en 1971. Il traite, dans d'autres essais, des auteurs occidentaux tels que Georges Bataille, Maurice Blanchot, Michel Leiris, Henry Mille, Carl-Gustav Jung ou encore Gaston Bachelard, et dialogue avec Michel Foucault ou Jean Baudrillard. ellauri182.html on line 158: Sen töräyxiä julkaistiin taskukirjana. Sen paras kaveri oli l'essayiste Shigesato Itoi, célèbre aussi comme auteur de slogans publicitaires. ellauri182.html on line 164: Shin Buddhism is the most widely practiced branch of Buddhism in Japan. ellauri182.html on line 169: Nianfo (Chinese: 念佛; pinyin: niànfó, Japanese: 念仏 (ねんぶつ, nenbutsu), Korean: 염불; RR: yeombul, Vietnamese: niệm Phật, "laula Buddha") is a term commonly seen in Pure Land Buddhism. In the context of Pure Land practice, it generally refers to the repetition of the name of Amitābha. It is a translation of Sanskrit buddhānusmṛti (or, "recollection of the Buddha"). ellauri182.html on line 171: During this period, Hōnen taught the new nembutsu-only practice to many people in Kyoto society and amassed a substantial following but also came under increasing criticism by the Buddhist establishment there. Among his strongest critics was the monk Myōe and the temples of Enryaku-ji and Kōfuku-ji. The latter continued to criticize Hōnen and his followers even after they pledged to behave with good conduct and to not slander other Buddhists. ellauri182.html on line 173: In 1207, Hōnen's critics at Kōfuku-ji persuaded Emperor Toba II to forbid Hōnen and his teachings after two of Imperial ladies-in-waiting converted to his practices. Hōnen and his followers, among them Shinran, were forced into exile and four of Hōnen's disciples were executed. Shinran was given a lay name, Yoshizane Fujii, by the authorities but called himself Gutoku "Stubble-headed One (nukkapää)" instead and moved to Echigo Province (today Niigata Prefecture). ellauri182.html on line 175: It was during this exile that Shinran cultivated a deeper understanding of his own beliefs based on Hōnen's Pure Land teachings. In 1210 he married Eshinni, the daughter of an Echigo aristocrat. Shinran and Eshinni had several children. His eldest son, Zenran, was alleged to have started a heretical sect of Pure Land Buddhism through claims that he received special teachings from his father. Zenran demanded control of local monto (lay follower groups), but after writing a stern letter of warning, Shinran disowned him in 1256, effectively ending Zenran's legitimacy. ellauri182.html on line 178: Rennyo is generally credited by Shin Buddhists for reversing the stagnation of the early Jōdo Shinshū community, and is considered the "Second Founder" of Jōdo Shinshū. His portrait picture, along with Shinran's, are present on the onanizing (altar) area of most Jōdo Shinshū temples. However, Rennyo has also been criticized by some Shin scholars for his engagement in medieval politics and his alleged divergences from Shinran's original thought. ellauri182.html on line 180: In contemporary times, Jōdo Shinshū is one of the most widely followed forms of Buddhism in Japan, although like other schools, it faces challenges from many popular Japanese new religions, or shinshūkyō, which emerged following World War II as well as from the growing secularization and materialism of Japanese society. ellauri182.html on line 181: Shin Buddhism (sääribuddhalaisuus) can be understood as a "practiceless practice", for there are no specific acts to be performed such as there are in the "Path of Sages". In Shinran's own words, Shin Buddhism is considered the "Easy Path" because one is not compelled to perform many difficult, and often esoteric, practices in order to attain higher and higher mental states. ellauri182.html on line 183: A pure land is the celestial realm of a buddha or bodhisattva in Mahayana Buddhism. The term "pure land" is particular to East Asian Buddhism (Chinese: 淨土; pinyin: Jìngtǔ) and related traditions; in Sanskrit the equivalent concept is called a "buddha-field" (Sanskrit buddhakṣetra). The various traditions that focus on pure lands have been given the nomenclature Pure Land Buddhism. Pure lands are also evident in the literature and traditions of Taoism and Bon. ellauri182.html on line 185: Amitābha is the principal buddha in Pure Land Buddhism, a branch of East Asian Buddhism. In Vajrayana Buddhism, Amitābha is known for his longevity attribute, magnetising Western attributes of discernment, pure perception and purification of the aggregates with a deep awareness of emptiness of all phenomena. According to these scriptures, Amitābha possesses infinite merit resulting from good deeds over countless past lives as a bodhisattva named Dharmākara. Amitābha means "Infinite Light", and Amitāyus means "Infinite Life" so Amitābha is also called "The Buddha of Immeasurable Light and Life". Kuulostaa ihan määzhik kortilta. ellauri182.html on line 187: As in other Pure Land Buddhist schools, Amitābha is a central focus of the Buddhist practice, and Jōdo Shinshū expresses this devotion through a chanting practice called nembutsu, or "Mindfulness of the Buddha [Amida]". The nembutsu is simply reciting the phrase Namu Amida Butsu ("I take refuge in Amitābha Buddha"). Jōdo Shinshū is not the first school of Buddhism to practice the nembutsu but it is interpreted in a new way according to Shinran. The nembutsu becomes understood as an act that expresses gratitude to Amitābha; furthermore, it is evoked in the practitioner through the power of Amida's unobstructed compassion. Therefore, in Shin Buddhism, the nembutsu is not considered a practice, nor does it generate karmic merit. It is simply an affirmation of one's gratitude. Indeed, given that the nembutsu is the Name, when one utters the Name, that is Amitābha calling to the devotee. This is the essence of the Name-that-calls.[7] ellauri182.html on line 188: Note that this is in contrast to the related Jōdo-shū, which promoted a combination of repetition of the nembutsu and devotion to Amitābha as a means to birth in his pure land of Sukhavati. ellauri182.html on line 191: Many Pure Land Buddhist schools in the time of Shinran felt that birth in the Pure Land was a literal rebirth that occurred only upon death, and only after certain preliminary rituals. Elaborate rituals were used to guarantee rebirth in the Pure Land, including a common practice wherein the fingers were tied by strings to a painting or image of Amida Buddha. From the perspective of Jōdo Shinshū such rituals actually betray a lack of trust in Amida Buddha, relying on jiriki ("self-power"), rather than the tariki or "other-power" of Amida Buddha. Such rituals also favor those who could afford the time and energy to practice them or possess the necessary ritual objects—another obstacle for lower-class individuals. For Shinran Shonin, who closely followed the thought of the Chinese monk Tan-luan, the Pure Land is synonymous with nirvana. ellauri182.html on line 193: The goal of the Shin path, or at least the practicer's present life, is the attainment of shinjin in the Other Power of Amida. Shinjin is sometimes translated as "faith", but this does not capture the nuances of the term and it is more often simply left untranslated.[8] The receipt of shinjin comes about through the renunciation of self-effort in attaining enlightenment through tariki. Shinjin arises from jinen (自然 naturalness, spontaneous working of the Vow) and cannot be achieved solely through conscious effort. One is letting go of conscious effort in a sense, and simply trusting Amida Buddha, and the nembutsu. ellauri182.html on line 195: For Jōdo Shinshū practitioners, shinjin develops over time through "deep hearing" (monpo) of Amitābha's call of the nembutsu. According to Shinran, "to hear" means "that sentient beings, having heard how the Buddha's Vow arose—its origin and fulfillment—are altogether free of doubt."[9] Jinen also describes the way of naturalness whereby Amitābha's infinite light illumines and transforms the deeply rooted karmic evil of countless rebirths into good karma. It is of note that such evil karma is not destroyed but rather transformed: Shin stays within the Mahayana tradition's understanding of śūnyatā and understands that samsara and nirvana are not separate. Once the practitioner's mind is united with Amitābha and Buddha-nature gifted to the practitioner through shinjin, the practitioner attains the state of non-retrogression, whereupon after his death it is claimed he will achieve instantaneous and effortless enlightenment. He will then return to the world as a Bodhisattva, that he may work towards the salvation of all beings. ellauri182.html on line 200: What is a word for name-calling? In this page you can discover 11 synonyms, antonyms, idiomatic expressions, and related words for name-calling, like: mad-quite, abusing, Oooooooooh, insult, names, foul-language, insulting, rudeness, bad-language, derogating and white-slavery. ellauri182.html on line 209: Cross-national epidemiological studies show that prevalence rates of common mental disorders (i.e. depression, anxiety disorders, and post traumatic ressi) vary considerably between countries, suggesting cultural differences. In order to gather evidence on how culture relates to the aetiology and phenomenology of mental disorders, finding meaningful empirical instruments for capturing the latent (i.e. non-visible) construct of 'culture' is vital. In this review, we suggest using value orientations for this purpose. We focus on Schwartz's value theory, which includes two levels of values: cultural and personal. We identified nine studies on personal values and four studies on cultural values and their relationship with common mental disorders. This relationship was assessed among very heterogeneous cultural groups; however, no consistent correlational pattern occurred. The most compelling evidence suggests that the relationship between personal values and mental disorders is moderated by the cultural context. Hence, assessing mere correlations between personal value orientations and self-reported symptoms of psychopathology, without taking into account the cultural context, does not yield meaningful results. This theoretical review reveals important research gaps: Most studies aimed to explain how values relate to the aetiology of mental disorders, whereas the question of phenomenology was largely neglected. Moreover, all included studies used Western instruments for assessing mental disorders, which may not capture culturally-specific phenomena of mental distress. Finding systematic relationships between values and mental disorders may contribute to making more informed hypotheses about how psychopathology is expressed under different cultural circumstances, and how to culturally adapt psychological interventions. ellauri182.html on line 218: Kirjallisuussiten ices.net/a-huge-list-of-common-themes/">jättimäinen luettelo yleisistä teemoista on "jännästi" vähän eri proosalle, runoudelle ja leffoille. Ehkä jotkut aiheet on liian monimutkaisia leffoille ja liian arkisia runoille? Proosan aiheet on lausemaisempia ja niissä on usein mukana joku opetus. Mutta onko runo- tai leffa-aiheita joita ei sovi käsitellä proosassa? Onko proosa, runot ja leffat yleisesti ottaen tarkoitettu eriluonteisille ihmisille ja sixi niiden teematkin on erilaisia, vastaten yleisön (ja/tai väsääjien) luonteenomaisia harrastuxia ja arvomaailmoja? Vai onko tässä otannallinen vääristymä. Se on todennäköistä. Sopii toivoa, että netti ym. julkisuudessa esiintyvien termiittiapinoiden pärstien ja mielipiteiden tomppelius on vääristymä sekin, eli esiin nousevat pahimmat paskakökkäreet kuin kerma maidon pinnalle. Vaikka toisaalta, tavallset turvelothan ne kökkäreet esiin nostavat kuin 200M kärpästä, Google-äänestyxellä. ellauri182.html on line 224: Teemat on selvästi kulttuurisidonnaisia. Netistä löytyvät listauxet on melkein aina amerikkalaisia. Tääkin on täynnä jenkkien mielimeemejä, kuten seppoilua, uskoa, toivoa ja luottoa ym. American Dreamia. Vittu kyllä jenkeillä on mahtava etulyöntiasema internetissä noin propagandamielessä! Sem voima näkyy nyt Ukrainan selkkauxen aikana. ellauri182.html on line 231: Muita polttavimpia kysymyxiä: Can you feel the love tonight? Can you geet pregnant on your period? Can one get pregnant from precum? Can dogs eat cucumber? Why is my poop green? Why should we hire you? Why are cats afraid of precumber? Why did I get married? How to tie a tie? How to lose weight? How to get away with murder? Where is my refund? Where is my mind? Which Disney princess are you? Which side is your appendix on? Who wants to be a millionaire? Who won the powerball? ellauri182.html on line 240: ics.html"> ellauri182.html on line 248: Talking about one’s problems can be a great way to get something off your chest. While it is okay to admit that you’re having a hard time, as with other “negative” topics, try to not come across as someone who’s just complaining all the time without actually trying to change anything. Girls don't spread legs for whiners. ellauri182.html on line 253: 8. ics.html#8">Life topics ellauri182.html on line 255: 19. ics.html#8">Sex & gender topics ellauri182.html on line 257: 20. ics.html#8">Intelligent topics ellauri182.html on line 259: 21. ics.html#8">Deep topics ellauri182.html on line 261: 22. ics.html#8">Serious topics ellauri182.html on line 263: 24. ics.html#8">Weird topics ellauri182.html on line 265: 25. ics.html#8">Controversial topics ellauri182.html on line 267: 26. ics.html#8">Awkward of annoying topics ellauri182.html on line 269: Ei kaveri, näillä aiheilla et hevin pääse hilloviivalle, varoittelee David Morin, minkä myös scientific reviewer, tuplabaccalaureus Viktor Sander päätä pyörittäen vahvistaa. Impotenssi näytti puuttuvan keskustelunaiheista. Se kuuluisi ehkä tohon vihon viimeiseen aiheryhmään. ellauri182.html on line 271: Näitä listoja sopivammalta paasausten luokitteluun näyttäisi tää Wikipedian jo vanhentunut Topic list coverage checklist. Siinäkin piirtyy termiittiapinan aivokartan pikku homunculus ilmiselvästi: iso pää ja genitaalit, silmät, sormet, suu. Muut eläimet, luonto ja maailma pieninä kuin Eurooppa ja Aasia New Yorkerin kannessa. ellauri182.html on line 277: 1.5 Mathematics and abstractions ellauri182.html on line 311: Ihan lopuxi vielä 1 tuotesijoittelu: Massive heart attack are an English trip hop collective formed in 1988 in Bristol by Robert "3D" Del Naja, Adrian "Tricky" Thaws, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall. Kuulostaa Roberta Flackin ja Tina Turnerin morfauxelta. Köyhiä neekereitä brittislummikaduilla kuten Bay-suoratoistosarjassa. ellauri182.html on line 332: icle-2574332-1B09B87F000005DC-954_634x428.jpg" height="250px" /> ellauri182.html on line 333: icflickr.com/2006/2204648161_350a8dcd40_b.jpg" height="250px" /> ellauri182.html on line 334: icydigest.org/wp-content/uploads/2014/05/4327755105124.jpg" height="250px" /> ellauri182.html on line 341: Some English consonants are not to be found in the Icelandic ellauri182.html on line 342: phonological system. These are the voiced stops, the affricates, some of the ellauri182.html on line 343: sibilants, and a [w]. All stops are unvoiced in Icelandic, and the same goes ellauri182.html on line 344: for the anglicisms. The stops [p,t,k] and [b,d,g] are kept apart by ellauri182.html on line 346: followed by a front vowel. The same goes for most anglicisms, e.g. gir ellauri182.html on line 350: where Icelandic words have a palatal stop. ellauri182.html on line 351: As no affricates exist in Icelandic, English affricates have to be exchanged ellauri182.html on line 353: voiced palatal fricative [j], as e.g. in tékka "check", tjakkur "jack", where the ellauri182.html on line 354: stop is aspirated, or djús "juice", djók "joke", djass "jazz" without aspiration. ellauri182.html on line 355: Only one sibilant is used in Icelandic, the dental unvoiced [s]. For the ellauri182.html on line 356: English voiced [z] the Icelandic [s] is used, but for the English palatal ellauri182.html on line 359: has an affricate like in sjans or sens (note that é stands forj V) "change", and ellauri182.html on line 360: [s] is usually used for an affricate in final position like in bridds "bridge". ellauri182.html on line 361: No rounded [w] exists in Icelandic, and the English sound is regularly ellauri182.html on line 362: replaced with the voiced fricative [v] as e.g. in the frequent exclamation vá "wow". ellauri182.html on line 375: Very few feminine anglicisms have strong declension. As an example the ellauri182.html on line 378: plural (blókar— blœkur). Words ending in -ik, like grafik "graphic", lýrik "lyric", politik "politics", trafftk "traffic" get the ending -ur in genitive singular, but no plural, and words with the suffix -sjón, as e.g. aksjón "action", have the endings -ar in genitive singular and -ir in nominative and accusative plural (aksjónar—aksjónir). As -sjón is not accepted as an Icelandic suffix, aksjón counts as a foreign word, but not as a loanword. [Silly bitch, it is a Danish loan put to new use.] ellauri182.html on line 386: foreign but another part Icelandic, e.g.. bisnessmaður "businessman", ellauri182.html on line 388: gin", popptónlist"pop music", shzdsmynd"slides", and vídeómynd"video film" ellauri182.html on line 390: But times are changing, Icelandic society is constantly under the pressure of new ellauri182.html on line 392: methods used today are unlikely to be sufficient to protect the language from ellauri182.html on line 395: No Major Impact on Iceland's Environment - Iceland Monitor. Icelandic authorities believe that the proposed construction of a nuclear power station in Sizewell, Suffolk County, on the east coast of England, will not have a major impact on the icelandic environment. ellauri182.html on line 398: icture-in-picture" allowfullscreen> ellauri182.html on line 415: icles.com/members/mem_pics/Vincent-Cooper_180754.jpg" style="float:left;padding:1em" /> ellauri182.html on line 419: The Zen circle is a simple, stark black circle usually painted on white paper in ink. Typically the circle is said to represent the material world that continues endlessly without cessation. There is a beginning to life (where the brush first touches the paper) and an end (where the brush leaves the paper), but this beginning and end continue one after the other, thereby signifying the wheel of birth, death and rebirth. The space within that circle is the emptiness, or the void, the understanding of which lies at the heart of Zen and the experience of which is the goal of meditation. ellauri182.html on line 423: All well and good, but I would like to suggest a very different lesson that can be learned. If you want to actively participate then grab a pencil, an eraser and a clean sheet of paper. ellauri182.html on line 425: First simply draw a circle on the paper. It doesn't have to be very 'good' from an artistic point of view and an approximation is adequate. ellauri182.html on line 429: What you will inevitably notice is the circle. After all, it is the only thing to actually see. ellauri182.html on line 437: What is inside and what is outside is the same. Plain white paper. The circle - the idea of separation - is an illusion. The circle, which creates the duality of 'inside' and 'outside' or 'here' and 'there' is a false representation. The cycle of 'life' and 'death' that the circle shows is itself nothing more than a trick of the conscious mind that habitually creates opposites where none in fact exist. You're actually dead already. ellauri182.html on line 441: Once the choice has been made internally and you begin to change your life prepare yourself to be amazed at the reaction you get from those around you. They probably think you've gone crazy, like me. ellauri182.html on line 443: What is inside is outside; what is outside is inside. Think about a Möbius strip, or a Klein bottle. No way for a fart to stay inside. As within, so without. This ancient wisdom is as applicable today as it was centuries ago. Make a positive change within yourself and see that positivity reflected back at you by the people around you and the circumstances you find yourself in. ellauri182.html on line 459: Article Source: icles.com/1275620">http://EzineArticles.com/1275620 ellauri183.html on line 6: font-style: italic; ellauri183.html on line 48: Bernard Malamudin (1914-1986, 71v) porukat tuli ryssistä kuin myös muiden kahden Marxin veljexen. Bernard (1914) olis Groucho, Sale (1915) Chico ja Pili (1933) Harpo. Alakertalaisten ikäisiä paizi Pili oli 5v nuorempi kuin Eero. ellauri183.html on line 50: Malamuutti piti leffoista ja kertoi kavereille niiden juonia. He was especially fond of Charlie Chaplin's comedies. Silläkin oli hullu veli Sakari. Malamud's mother, Bertha, and his brother, Eugene, were both mentally ill. Bertha died when Bernard was 15, possibly a suicide. Sakari eli kovan ja yxinäisen elämän ja kuoli viisikymppisenä. ellauri183.html on line 52: Bernien gradu koski Thomas Hardya. Sodan päätyttyä Malamuutti nai it.room.kat. goyn (Ann de Chiara) Oregonista vasten molempien vanhempien tahtoa. Bernhardilaiskoira alkoi kirjoittaa 60-luvulla Oregonin maamieskoulussa. Living out West in Oregon for ten years (1949-61) gave Malamud a sense of home, however temporary. "It was where my wife had a feeling of rooz: our daughter was born there." Tytär Janna Smith on mun ikäinen ja antaa psykoterapiaa halukkaille. Kirjoitti Berniestä kirjan My father was a book. Malamud was Jewish, an agnostic, and a humanist. ellauri183.html on line 55: agnostic: The English biologist Thomas Henry Huxley coined the word agnostic in 1869, and said "It simply means that a man shall not say he knows or believes that which he has no scientific grounds for professing to know or believe." ellauri183.html on line 56: Earlier thinkers, however, were Sanjaya Belatthaputta, a 5th-century BCE Indian philosopher who expressed agnosticism about any afterlife, and Protagoras, a 5th-century BCE Greek philosopher who expressed agnosticism about the existence of the gods. ellauri183.html on line 58: humanist: The word "humanism" derives from the Latin concept humanitas, which was first used by Cicero to describe values related to economic liberal education. The word disappeared for the dark middle ages and reappeared during the Italian Renaissance as umanista and reached the English language in the 16th century. The word "humanist" was used to describe a group of studenz of classical literature and those advocating for education based on it. In the early 19th century, the term Humanismus was used in Germany equivocally and it re-entered the English language second time anally. The more popular use signifying a non-religious approach to life, implying an antithesis to theism, viz. atheism. ellauri183.html on line 59: In the 20th century, the word was further refined, acquiring iz contemporary meaning of a naturalistic approach to life, focusing on the well-being and freedom of humans. Siinä on luoja korvattu luomakunnan herralla. Termiittiapina palvoo avoimesti omaa raidallista persettään. Jotakinhan pitää aina palvoa. Lähteet: ellauri183.html on line 61: Norman, Richard (2015). "Life Without Meaning?". In A. C. Grayling (ed.). The Wiley Blackwell Handbook of Humanism. Andrew Copson. John Wiley & Sons. pp. 325–246. ISBN 978-1-119-97717-9. ellauri183.html on line 63: Nida-Rümelin, Julian (2009). "Philosophical grounds of humanism in economics". In Heiko Spitzeck (ed.). Humanism in Business. Shiban Khan, Ernst von Kimakowitz, Michael Pirson, Wolfgang Amann. Cambridge University Press. ISBN 978-0-521-89893-5. ellauri183.html on line 68: In 1974, philosopher Sidney Hook defined humanism and humanisz by negative characteristics. According to Hook, humanisz are opposed to the imposition of one culture in some civilizations, do not belong to a church or established religion, do not support dictatorships, do not justify violence for social reforms or are more loyal to an organization than their abstract values. Hook also said humanisz support the elimination of hunger and improvemenz to health, housing, and education. No sitä varsinkin. ellauri183.html on line 72: Saul Bellow: "Let me add on my own behalf that the accent of hard-won and individual emotional truth is always heard in Malamud's words. He is a rich original of the first rank." ellauri183.html on line 76: Loppuikänsä Bernad opetti luovaa kirjoittamista Vermontissa Benningtonin naisten collegessa. Ann joka oli sentään käynyt Cornellin typed his manuscripz and reviewed his writing. Oliko Berniellä sillä aikaa jimbajambaa coedien hameissa? New York Times tietäisi muttei kerro ilmaisexi. In the book The Natural by Bernard Malamud the main character Roy Hobbs had a very distinct flaw, a flaw that millions of American men and women both have..... an obsession with sex which affected his character and which made him a very unsuccessful man. ellauri183.html on line 78: His deep belief that one should live morally crashed into his premise that one should live fully. Yep, I bet he did shag his coeds. Janna Malamud Smith is the author of An Absorbing Errand: How Artisz and Crafzmen Make Their Way to Mastery; A Potent Spell: Mother Love and the Power of Fear; and Private Matters: In Defense of the Personal Life. Her titles have been New York Times Notable Boox and A Potent Spell was a Barnes and Noble "Discover Great New Writers" pick. She has written for the New York Times, the Boston Globe, and the Threepenny Review, among other publications. A practicing psychotherapist, she lives with her husband and two children in Massachusetz. ellauri183.html on line 80: Faulty interpretations can create much disappointment, as in the movie version of his novel The Fixer, "Horrible. That thing went to five different writers. Edward Albee was one of them but he would only do it if he had full say over it. Dalton Trumbo finally wrote the screen play and he's a hack. The film should have been done as a sort of fable, in black and white. Instead, it was all galloping Cossacx and dancing girls: an overdone fake. And that sickens a writer--to see his book faked." ellauri183.html on line 82: Malamud laughs at the labels which contemporary critics have pinned on him. "Tragico-comico, realistico-fabulistico; the more the merrier!" More human excellence! More generosity! More coed pussy! Want to keep up with breaking news? Subscribe to our email newsletter. ellauri183.html on line 86: In a 1974 New York Review of Boox essay, Roth took on Malamud, his friend and literary father-figure, criticizing him for creating characters that were suffering Jews, virtuous victims, full of “righteousness and restraint,” lacking their stereotypical “libidinous or aggressive activities.” Though he didn’t use the phrase, Malamud had painted them as Christ-like in their poverty, pain, moral goodness, and quest for redemption. By contrast, the Christian characters, like Frank Alpine, were full of sexual lust and transgressive behavior — the bad goy to Morris Bober’s good Jew. “The Assistant,” Roth wrote, was a book of “stern morality.” ellauri183.html on line 88: Roth contrasted Malamud’s protagonisz to the exuberant Jewish characters created by Saul Bellow, especially the picaresque Augie March, and his own hypersexual Alexander Portnoy. In effect, Roth said, Malamud had created Jews who were stereotypes, not fully realized human beings like him and Sal. ellauri183.html on line 91: Roth wrote back, audaciously insisting that he had pointed out “fictional skeletons” that perhaps Malamud himself didn’t see. Like a sanctimonious little shit. ellauri183.html on line 94: However, in a letter to his daughter a week after that dinner of reconciliation, Malamud voiced his true feelings: Roth, he said, had written a “foolish egoistic essay about my work” and had “certainly misinterpreted” “The Assistant.” The letter was not made public until 2006, some 20 years after Malamud’s death. ellauri183.html on line 101: The apocalyptic gloom of his subject seems hopelessly out of place in this cheery, sun-washed house, a rambling white-frame idyll near Bennington College, where Malamud has taught for 20 years. A comforting percussion of cooking sounds comes from the big kitchen where his wife Ann, a chipper dynamo of a woman, is devising lunch; on the porch an old tiger tomcat lolls ingratiatingly; and in the distance the cloud-dappled foothills of the Green Mountains hover like a Yankee daydream. ellauri183.html on line 103: And Malamud himself -- still frail from a recent illness -- at first appears an improbable Isaiah. With his tidy demeanor, incessant self-editing ("no, wait, there's a better word . . . ") and deadpan, scrupulous style, he could be the most successful publican in Galilee. He is uneasy with talking about himself ("that kind of stuff, it's not up his alley," says his publicity-hungry "friend" Philip Roth) and seems reluctant to start. He pauses to choose among several pairs of glasses, then sits down carefully, feet flat on the floor, long fingers knitted in his lap. Finally, with the anxious geniality of a brave man settling in for root canals, he says, "Now then, I think we can begin." ellauri183.html on line 107: He forbade television in the house until the late '50s to encourage Paul and Janna to read. And he set an example of "incredible and absolutely consistent discipline," reading every night in his slow, methodical way, underlining frequently. He doesn't prize material things all that highly, and the center of his life has always been his family and friends. ellauri183.html on line 108: Malamud's work is infused with a baleful but robust humor, and the son says his father "has a Swiftian streak in him" which leads to the "kind of acerbic, satirical quality" apparent in "God's Grace." ellauri183.html on line 111: Many critics dismiss Malamud as a "Jewish writer." But "that's a reduction of my accomplishment. It diminishes something. All men are Jews, he once said, and Jews are absolutely the very stuff of drama. I say nothing about the ladies." ellauri183.html on line 112: He is irritatingly compared to Nobel laureate Isaac Bashevis Singer. "Don't lump me in with Singer. We're very different. I don't go in for the schlemiel interpretation. There's a difference of intent. I am serious. I have not given up the hero -- I simply use heroic qualities in small men like myself. There ought to be more heroes like myself. Idealism has become a strange word." ellauri183.html on line 134: Venezia kauppiaassa on joku Jessica. Niin se oli se juutalainen misu, Shylockin tytär. In the play, she elopes with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household. In the play's dramatic structure, Jessica is a minor but pivotal role. Her actions motivate Shylock's vengeful insistence on his "pound of flesh" from Antonio; her relationships with Lorenzo and Shylock serves as a mirror and contrast to Portia's with Bassanio and with her father; her conversion to Christianity is the end of Shylock's line's adherence to the Jewish faith. ellauri183.html on line 136: ica_from_'the_merchant_of_venice'-7849.jpg" /> ellauri183.html on line 137: Shylock ja Jessica kristittyjen silmin ellauri183.html on line 141: ica3-769x1024.jpeg" /> ellauri183.html on line 142: Shylock ja Jessica juutalaisten silmin ellauri183.html on line 162: Kierkegaard predicted that his 1843 work Fear and Trembling would be translated into many different languages, and would secure iz author's place in history. He was right. But Fear and Trembling has also led to an enduring caricature of Kierkegaard as advocating a dangerously irrational and individualistic form of religious faith. ellauri183.html on line 164: The book is written under a pseudonym, Johannes de silentio, who discusses the biblical story of Abraham's obedient response to God's command to sacrifice his only son, Isaac. Largely on the basis of this story, Abraham has come to be regarded within the Judeo-Christian tradition as the "father of faith". Reflecting on Abraham's willingness to kill his own son therefore provides Kierkegaard with an opportunity to raise difficult questions about the nature, and the value, of Christian faith. ellauri183.html on line 166: In his lectures on the Book of Genesis in the 16th century, Martin Luther praised Abraham for his uncritical obedience to God – for the "blind faith" exhibited by his refusal to question whether it was right to kill Isaac. In the late 18th century, Immanuel Kant took the opposite view, arguing that Abraham should have reasoned that such an evidently immoral command could not have come from God. For Luther, divine authority trumps any claim on behalf of reason or morality, whereas for Kant there can be nothing higher than the moral law. ellauri183.html on line 168: In Fear and Trembling, Kierkegaard follows Kant in emphasising that Abraham's decision is morally repugnant and rationally unintelligible. However, he also shows that one consequence of Kant's view is that, if nothing is higher than human reason, then belief in God becomes dispensable. Unlike both Kant and Luther, Kierkegaard does not promote a particular judgment about Abraham, but rather presenz his readers with a dilemma: either Abraham is no better than a murderer, and there are no grounds for admiring him; or moral duties do not constitute the highest claim on the human being. Fear and Trembling does not resolve this dilemma, and perhaps for a religious person there is no entirely satisfactory way of resolving it. ellauri183.html on line 170: The dilemma is not unique to Abraham's situation. Kierkegaard was writing for 19th-century readers who regarded themselves as Christians – that is to say, as people who believed in the authority and goodness of God. By emphasising the difficulty of understanding Abraham's response to the divine command, he emphasises the difficulty of faith izelf. Implicit in his analysis of the story of Abraham is the question: would you do what Abraham did? How could you do such a thing? It seems unlikely that anyone who really thinx about these questions would conclude that he or she would have acted as Abraham did. Just as Abraham's faith is tested by God in the Book of Genesis, so the reader's own faith is tested by personal reflection on the biblical story. ellauri183.html on line 177: icture-in-picture" allowfullscreen> ellauri183.html on line 180: When Abraham raises his knife over Isaac's body, this symbolises the fact that every human relationship is haunted by the prospect of death. Love always ends in loss, at least within this life. One response to this existential fact – perhaps the most common response – is to avoid the issue of mortality as much as possible. An alternative response is to face up to the inevitable pain of loss and to relinquish the beloved in advance, so to speak, by giving up hope of enjoying a happy relationship within this lifetime. (This "movement of resignation" is described as "monastic", although it does not literally entail becoming a recluse. It is an internal movement, an adjustment of expectations.) In Kierkegaard's view, this is more noble than the first option, but it is very far from the courage of Abraham, who continues to love Isaac and enjoy his relationship to him in full awareness of the suffering that his death would bring. This aspect of the interpretation of Abraham offered in Fear and Trembling suggesz that, far from being an individualist, Kierkegaard regards human relationships as essential to life. ellauri183.html on line 182: In this text, the question of how to respond to the suffering associated with love and loss is closely connected to the question of how to live in relation to God. As many philosophers have pointed out – and as countless ordinary people have experienced at first hand – human suffering presenz a great challenge to belief in a just, loving, all-powerful God. For Kierkegaard, the testing of Abraham accentuates this challenge, and Abraham provides inspiration precisely because he manages to hold together an apparently irreconcilable contradiction: he believes that the God who commands him to do what is most terrible and painful is also the God who loves him. Again, according to this interpretation, the story of Abraham only testifies to the extraordinary difficulty of religious faith. ellauri183.html on line 186: Clare Carlisle studied philosophy and theology at Trinity College, Cambridge, gaining her BA in 1998 and her PhD in 2002, and she remains grateful to Trinity College for the scholarship that supported her doctoral studies. Her travels in India after completing her PhD deepened her interest in devotional and contemplative practices. She is the author of six boox, most recently On Habit (Routledge, 2014), Philosopher of the Heart: The Restless Life of Søren Kierkegaard (Allen Lane / Penguin / FSG, 2019), and Spinoza’s Religion: A New Reading of the Ethics (Princeton University Press, 2021). ellauri183.html on line 188: Professor Carlisle joined King’s in 2011, and in addition to her research and teaching for the Department of Theology and Religious Studies she worx in the Office of the Dean as AKC Director. In 2015 she became an AKC (Associate of King’s College). ellauri183.html on line 192: Is stealing from a small shop worse than from a chain? Clare Carlisle's moral QA column in Guardian. God's Lamb's report emphasises the severity of property crime, highlighting research by the Policy Exchange thinktank which found that half of burglary victims do not hear back from police after reporting the crime! By moral absolutism, shoplifting and burglary are both absolutely wrong, and equally as bad as fornication or murder. ellauri183.html on line 194: Moral absolutism is certainly compatible with an acknowledgement that monetary value depends on circumstance. Jesus, for example, reinforced the 10 commandmenz, which unconditionally prohibit murder, adultery, theft and so on. But one day, when he was teaching in the temple, Jesus watched a poor widow put two small coins in the donation box, while rich people made much larger offerings. “This poor widow has put in more than all of them,” says Jesus, “because she, out of her poverty, has put in all she had to live on.” But by the criterion of moral absolutism they were just the same. ellauri183.html on line 206: José Ortega y Gasset (Madrid, 9 de mayo de 1883-ibídem, 18 de octubre de 1955) fue un filósofo y ensayista español, exponente principal de la teoría del perspectivismo y de la razón vital e histórica, situado en el movimiento del novecentismo. ellauri183.html on line 208: Nació en una familia madrileña acomodada, perteneciente al círculo de la alta burguesía de la capital. Su abuelo materno, Eduardo Gasset y Artime, había fundado el periódico El Imparcial, que después pasaría a dirigir su padre. ellauri183.html on line 214: En 1916 nació su hijo José Ortega Spottorno, que fue ingeniero agrónomo y fundador del periódico El País. Hei täähän on Espanjan Eljas Erkko, ja sen poika Aatos. Ja samanlaiset "edistysmieliset eli talousliberaalit kannatkin. Oli myötäilevinään La Republicaa mutta oli ize asiassa tyrmistynyt («el artículo donde la Constitución legisla sobre la Iglesia» le parece «de gran improcedencia»). ellauri183.html on line 216: Kuuluisassa taantumupuheessa 1931 "El filósofo volvía a pedir a los republicanos que no falsificaran la República. Es frecuente reseñar la frase ¡No es esto, no es esto!. La República es una cosa. El radicalismo es otra." ellauri183.html on line 218: Su fraseología indicaba claramente su desengaño ante los resultados del sufragio universal y la necesidad de una autoridad inteligente y paternalista en manos de una élite. ellauri183.html on line 227: Etapa perspectivista (1914-1923): se inicia con Meditaciones del Quijote. En esta época, Ortega describe la situación española en España invertebrada (1921). ellauri183.html on line 234: A partir de El tema de nuestro tiempo desarrolla el «raciovitalismo», teoría que funda el conocimiento en la vida humana como la realidad radical, uno de cuyos componentes esenciales es la propia razón. ellauri183.html on line 236: Para Ortega, la vida humana es la realidad radical, es decir, aquella en la que aparece y surge toda otra realidad, incluyendo cualquier sistema filosófico, real o posible. Para cada ser humano la vida toma una forma concreta. ellauri183.html on line 240: Su politica ellauri183.html on line 242: Ortega, en este período de falta de democracia, escribe en La rebelión de las masas que la historia, el progreso, se llevan a cabo por el trabajo de las minorías. Si va a haber una renovación, entonces, esto debe ser hecho por los mejores, que van a ser, sin embargo, reclutados de una manera liberal-democrática. Ortega teme que las masas van a pedirle todo al estado y que este les conceda todo a cambio de obediencia ciega: esto causaría un fracaso para emancipar a las masas. Su visión de la vida es básicamente libertaria con referencias principalmente anarquistas presentes en todos sus escritos. Trae consigo el liberalismo y el socialismo: el liberalismo debe perseguir una emancipación total del individuo (cualquiera que sea la clase a la que pertenezca), el socialismo debe abandonar el estado de estadolatría y terminar persiguiendo un igualitarismo excesivamente extremo. ellauri183.html on line 244: El advenimiento de las masas al pleno poder social es un hecho que debemos reconocer: provoca una crisis en la Sociedad Europea porque las masas no pueden liderar la sociedad. Esto no significa que puedan elegir a sus propios representantes. El problema es la hiperdemocracia: eso es la emancipación sin asumir la responsabilidad. El fenómeno de la aglomeración se produce durante este período: ciudades llenas, trenes completos, hoteles completos, las masas están en los lugares públicos. Esto no es malo, es una indicación de la civilización, «aunque el fenómeno es lógico, natural, no se puede negar que no ocurrió antes». Esto no se debe a un auge demográfico sino a la masificación de la sociedad (estos individuos preexistían, pero aún no formaban una masa). En todo esto hay un elemento negativo: los mejores (según sus cualidades) son absorbidos por la masa, «los actores son absorbidos por el coro». Cuando Ortega habla de masa no se refiere a la clase obrera, porque «la masa es el hombre promedio». La Masa no es solo un hecho cuantitativo, sino también cualitativo que define una media que tiende hacia abajo. El componente de la masa no se siente como tal y, por lo tanto, se siente con todo a gusto: no se da cuenta de la condición del conformismo en el que se derrumbó. ellauri183.html on line 258: The nuclear holocaust has come and gone. Only one man survives: paleologist Calvin Cohn, who happened to be safely, deeply underwater at the time. And, after some black-humor-ish conversations with God, Cohn is allowed to live—for a while, at least—and he finds himself on an island a la Robinson Crusoe, with a communicative chimp named Buz (product of chimp-speech experiments) as his only companion. Cohn, son of a rabbi, engages in existential, religious, and Talmudic speculations with the chimp—though he refrains from trying to convert him to Judaism. He must reexamine the basics of social interaction—when Buz gets too physically chummy ("If you had suckled the lad, could you marry him?"), when a friendly gorilla appears and causes jealousies, and, above all, when five more talking chimps appear... including the lisping Mary Madelyn, the object of everyone's sexual attention (including Cohn's). ellauri183.html on line 262: Despite Malamud's shadings with rabbinical law, then, this is a familiar hopeless-Utopia blueprint. Moreover, the restless treatment here—part downbeat-comic, part liturgical-lyric—never endows the tale with the sort of Biblical fervor which heightens the best of Doris Lessing´s fables. And the result is a disappointing, predictable parable—intentionally funny at times but unintentionally funny too, hollow in most of its lyrical moments, and only occasionally provocative in its eclectic philosophizing. ellauri183.html on line 268: What the hell was that? Awful on almost every level. Unless post apocalyptic dystopian tales of bestiality float your boat. I'm guessing there was an allegorical message in there somewhere. Not for me. (less) ellauri183.html on line 272: I can't say any more about the plot without spoiling it, so I won´t. Cohn himself is--from my perspective anyway--one of those characters you end up really liking and caring and worrying about, in part because he attempts to stay rational and kind no matter how absurd or threatening the situations get. A good book to escape into, especially if you enjoy compelling portrayals of apocalyptic stuff peopled by characters who question the nature of existence in a world where God´s mysteries remain maddeningly unsolvable. (less) ellauri183.html on line 276: In the end, Cohn is subsequently taken to be sacrificed by BUZ. Now my question is this: Did Malamud try to recreate the scenes of Christ's sacrifice or was he referring to Abraham's ascent to Moriah to sacrifice Isaac (or Ishmael) only in this case, it was the son preparing the Father for sacrifice? ellauri183.html on line 280: icture-in-picture" allowfullscreen> ellauri183.html on line 285: Labour MP is told she is 'historically wrong, factually wrong and morally wrong' to make comparison between Putin's invasion of Ukraine and the situation in Israel and Palestine. ellauri183.html on line 287: Conservative former work and pensions secretary Stephen Crabb intervened to describe her comparison as 'historically wrong, factually wrong and morally wrong', and added that it did 'a huge disservice not just to the people of Ukraine but also to the people of Palestine and the people of Israel as well as to all the people in the west, who face a unique situation and set of challenges'. ellauri183.html on line 289: Ms Elliott replied: 'What I was talking about was the upholding of international law which your own minister talked about a few minutes ago and the right of upholding international law is as relevant in Ukraine as it is in Palestine.' ellauri183.html on line 291: She called for a 'complete and total ban of illegal Israeli settlements' in the West Bank and said that recognising Palestine was the 'bare minimum' of what the UK should do as part of a two-state solution to the conflict. ellauri183.html on line 315: Sylvain Bromberger oli väpelöhkö filosofian proffa MITssä. 1924-2018. His research in the philosophy of linguistics, carried out in part with the late Institute Professor Morris Halle of the linguistics section, included investigations into the foundations of phonology and of morphology. ellauri183.html on line 323: In 1993, the MIT Press published a collection of essays in linguistics to honor Bromberger on the occasion of his retirement. "The View From Building 20," edited by Ken Hale and Jay Keyser, featured essays by Chomsky, Halle, Alec Marantz, and other distinguished colleagues. Jews every nose of them. Alec is not very distinguished, though he beat me for the Harvard Junior Fellowship. ellauri183.html on line 325: Sylvain's hope was that philosophy, linguistics, and the brain sciences would eventually join forces to uncover unprecedented dimensions of the human mind, erasing at least some of our ignorance. Alas, the hope was forlorn. ellauri183.html on line 329: Early research in linguistic formal semantics used Partee's system to achieve a wealth of empirical and conceptual results. Later work by Irene Heim, Angelika Kratzer, Tanya Reinhart, Robert May and others built on Partee's work to further reconcile it with the generative approach to syntax. The resulting framework is known as the Heim and Kratzer system, after the authors of the textbook Semantics in Generative Grammar which first codified and popularized it. The Heim and Kratzer system differs from earlier approaches in that it incorporates a level of syntactic representation called logical form which undergoes semantic interpretation. Thus, this system often includes syntactic representations and operations which were introduced by translation rules in Montague's system. However, work by others such as Gerald Gazdar proposed models of the syntax-semantics interface which stayed closer to Montague's, providing a system of interpretation in which denotations could be computed on the basis of surface structures. These approaches live on in frameworks such as categorial grammar and combinatory categorial grammar. ellauri183.html on line 357: icture-in-picture" allowfullscreen> ellauri183.html on line 483: Isoäiti Lausch, perimältään itämaalainen, osoitti noita kolmea ruskeata kyyröttävää olentoa, joiden suut ja sieraimet oli maalattu räikeän punaisiksi, ja syvämietteisesti, häijyys lopulta huipentuneena suuruudeksi, sanoi: kukaan ei vaadi teitä rakastamaan koko maailmaa, vain olemaan kunniallinen, ehrlich. Älkää pitäkö suurta suuta. Mitä enemmän rakastatte ihmisiä sitä enemmän he teiltä vaativat. Lapsi rakastaa, aikuinen kunnioittaa. Rispekti on parempi kuin rakkaus. Ja tuo kuvaa kunnioitusta, tuo keskimmäinen apina. Mieleemme ei koskaan juolahtanut, että hän ize teki syntiä tuota kyyristynyttä älä-puhu-paskoja apinaa vastaan joka piti käsiä huulillaan, mutta arvostelu ei milloinkaan ollut lähelläkään ajatuksiamme, vielä vähemmän silloin kun ylevä periaate täytti kaiullaan koko keittiön. ellauri183.html on line 506: 1. (Sept. Α᾿νανία.) The father of Maaseiah and grandfather of Azariah, which last repaired part of the walls of Jerusalem after the exile (Ne 3:23). B.C. considerably ante 446. ellauri183.html on line 542: icture-in-picture" allowfullscreen> ellauri183.html on line 600: Suurin osa Pyhistä Prepucesista menetettiin tai tuhoutui tapahtumissa Uskonpuhdistus ja Ranskan vallankumous. Italian kylässä Calcata, pyhä esinahkaa sisältävä pyhäinjäännös näytettiin kaduilla jo vuonna 1983. Ympärileikkauksen juhla, joka aiemmin merkittiin roomalaiskatolinen kirkko ympäri maailmaa joka vuosi 1. tammikuuta. Käytäntö päättyi kuitenkin, kun varkaat varastivat, saaliina jalokivillä koristeltu kotelo, sisältö ja kaikki. Tämän varkauden jälkeen on epäselvää, onko jotakin väitetyistä Pyhistä Prepuceista edelleen olemassa. Vuoden 1997 televisio-dokumentissa elokuvalle Kanava 4, Brittiläinen toimittaja Miles Kington matkusti Italiaan etsimään pyhää esinahkaa, mutta ei löytänyt jäljellä olevaa esimerkkiä. National Geographic Channel lähetti 22. joulukuuta 2013 Fartley pääosassa dokumentin "The Quest for the Holy Foreskin". Lähde ellauri183.html on line 623: Tämä tyttö nostattaa minunkin pikkupoikani seisomaan, tässä iässä! Ja paraatiasentoon. Mixi hätäillä? Ehditte saada rynkkyä vaikka millä mitalla ennenkö vakiinnutte. Chicagon juutalaisten mielestä ei pidä olla ihmiskana, on nokittava vaikka oma veljensä päästäkseen tunkiolle kukoxi. Tehtävä näin eikä oltava ihmiskana, kynitty ja riepoteltu, kakkaa takapuolessa ja surullisia ryppyjä pelokkaissa kasvoissa. Luudalla hätistelty ihmiskana. Joku Jeesus. ellauri183.html on line 634: The war that Jewish scholars call The War of Varus (ei se "missä ovat legioonani" tunari vaan joku sen sukulainen). It is the war that took place in Galilee, Judaea and Idumaea just after the death of Herod which started with the massacre of the 3000 Jewish worshippers in the temple at the Passover of 1 B.C.E. Josephus stated that this war against the Jews which was directed by the governor of Syria, Quintilius Varus, took place in Palestine, but it has been a puzzle to historians that there appear to be no contemporary Roman accounts that justify it as occurring (ollenkaan tai ainakaan just tohon aikaan). ellauri183.html on line 636: Joku jutkuäijä väittää että tässä sodassa (joka se mielestä tapahtui 3v myöhemmin kuin tapahtui) juutalaisia ei mätkinytkään Varuxen pojanpoika Varus, vaan Julius Caesarin pojanpoika Gaius Caesar! It also allows the historical statements of the New Testament concerning the nativity of Jesus to take on a new credibility. Jesus was born in 3 B.C.E. (within the period stated by most early Christian scholars) and we now find this substantiated by the records of Roman history. Kaikenlaista sitä pitäisikin uskoa. En luota nähin kavereihin pitemmälle kuin jaxan niitä heittää. Mitä vittua, Jeesus syntyi 3v ennen Kristusta? Mahootointa! Onkohan mistään myyttisestä tapahtumasta taitettu niin paljon peistä kuin tästä? ellauri183.html on line 638: The Pharisees were the popular leaders of the Jews and the ones most laypeople looked to with confidence. The majority of the Jewish population was then expecting a world ruling messianic king to arise on the historical scene. And indeed, Josephus tells us that after Herod’s death many “kingly upstarts” emerged in Judaea and this reflects the general expectancy of the Jews that the messianic age was then imminent. ellauri183.html on line 654: Juice Leskinen ellauri184.html on line 6: font-style: italic; ellauri184.html on line 42: Norman Kingsley Mailer (January 31, 1923 – November 10, 2007) oli juutalainen vaikka normannimaisella salanimellä. Nachem ("Norman") Malech ("Kingsley") Mailer was born to a Jewish family in Long Branch, New Jersey on January 31, 1923. Carl Erik Carlsonia 3vk vanhempi, mutta kuoli 3v nuorempana. Sah nicht als Skelett aus, lyhkönen ja läski kolli. His father, Isaac Barnett Mailer, popularly known as "Barney", was an accountant born in South Africa, and his mother, Fanny (née Schneider), ran a housekeeping and nursing agency. Mailer's sister, Barbara, was born in 1927. Samanlaisia Schnizeleitä kuin Marxin veljexet, vaikka roomalaistuneita. ellauri184.html on line 46: After graduating in 1943, Mailer married his first wife Beatrice "Bea" Silverman in January 1944, just before being drafted into the U.S. Army. Hoping to gain a deferment from service, Mailer argued that he was writing an "important literary work" which pertained to the war. This deferral was denied, and Mailer was forced to enter the Army. After training at Fort Bragg, Mailer was stationed in the Philippines with the 112th Cavalry. Merihevosilla varmaan mentiin. ellauri184.html on line 50: Neiti Mallory kertoo tästä lisää: "Norman was an oxymoron — an overweight senior citizen who was one of the best lovers I ever had." Mallory writes that Mailer never had erectile dysfunction: "Not once. Not in nine years..." Vanhasta Naahumista tulee mieleen Norssin voimistelunopettaja Lahtinen ja Star Warsin Yoda. “Each week he’d want to play a new game . . . doctor, manicurist, masseur, Hollywood director (that was his favorite).” “When our relationship ended, I realized that . . . Norman had never been on my team and had been slandering my writing and me behind my back.” ellauri184.html on line 58: Mailer's first marriage was to Beatrice Silverman. They eloped in January 1944 because neither family would likely have approved. They had one child, Susan, and divorced in 1952 because of Mailer's infidelities with Adele Morales. ellauri184.html on line 60: Morales moved in with Mailer during 1951 into an apartment on First Avenue near Second Street in the East Village, and they married in 1954. They had two daughters, Danielle and Elizabeth. After attending a party on Saturday, November 19, 1960, Mailer stabbed Adele twice with a two-and-a-half inch blade that he used to clean his nails, nearly killing her by puncturing her pericardium. He stabbed her once in the chest and once in the back. Adele required emergency surgery but made a quick recovery. Mailer claimed he had stabbed Adele "to relieve her of cancer". He was involuntarily committed to Bellevue Hospital for 17 days. While Adele did not press charges, saying she wanted to protect their daughters, Mailer later pleaded guilty to a reduced charge of assault saying, "I feel I did a lousy, dirty, cowardly thing", and received a suspended sentence of three years' probation. In 1962, the two divorced. In 1997, Adele published a memoir of their marriage entitled The Last Party, which recounted her husband stabbing her at a party and the aftermath. This incident has been a focal point for feminist critics of Mailer, who point to themes of sexual violence in his work. ellauri184.html on line 64: His fourth marriage, in 1963, was to Beverly Bentley, a former model turned actress. She was the mother of two of his sons, producer Michael Mailer and actor Stephen Mailer. They divorced in 1980. ellauri184.html on line 72: Bodily urges are fundamental to Mailer's approach to novels and short works. According to his obituary in The Independent, his "relentless machismo seemed out of place in a man who was actually quite small – though perhaps that was where the aggression originated." For Mailer, African-American men reflected a challenge to his own notions of masculinity. His pecker was not much bigger than those of Hemingway and Scott Fitzgerald, about the size of his pen knife. Like many men with a tiny penis he sought comfort with men and women equally. Throughout his work and personal communications, Nuchem repeatedly expresses interest in, includes episodes of or makes references to, bisexuality or homosexuality. ellauri184.html on line 74: Mailer wrote 12 novels in 59 years. After completing courses in French language and culture at the University of Paris in 1947–48, he returned to the U.S. shortly after The Naked and the Dead was published in May 1948. A New York Times best seller for 62 weeks, it was the only one of Mailer's novels to reach the number one position. It was hailed by many as one of the best American wartime novels and included in a list of the hundred best English-language novels of the twentieth century by the Modern Library. The book that made his reputation sold over a million copies in its first year, (three million by 1981) and has never gone out of print. It is still considered to be one of the finest depictions of Americans in combat during World War II. ellauri184.html on line 76: Barbary Shore (1951) was not well received by the critics. It was a surreal parable of Cold War leftist politics set in a Brooklyn rooming-house, and Mailer's most autobiographical novel. His 1955 novel, The Deer Park drew on his experiences working as a screenwriter in Hollywood from 1949 to 1950. It was initially rejected by seven publishers due to its purportedly sexual content before being published by Putnam's. It was not a critical success, but it made the best-seller list, sold over 50,000 copies its first year, and is considered by some critics to be the best Hollywood novel since Nathanael West's The Day of the Locust. ellauri184.html on line 78: Mailer wrote his fourth novel, An American Dream, as a serial in Esquire magazine over eight months (January to August 1964), publishing the first chapter two months after he wrote it. In March 1965, Dial Press published a revised version. The novel generally received mixed reviews, but was a best seller. Joan Didion praised it in a review in National Review (April 20, 1965) and John W. Aldridge did the same in Life (March 19, 1965), while Elizabeth Hardwick panned it in Partisan Review (spring 1965). ellauri184.html on line 80: Mailer's fifth novel, Why Are We in Vietnam? was even more experimental in its prose than An American Dream. Published in 1967, the critical reception of WWVN was mostly positive with many critics, like John Aldridge in Harper's, calling the novel a masterpiece and comparing it to Joyce. Mailer's obscene language was criticized by critics such as Granville Hicks writing in the Saturday Review and the anonymous reviewer in Time. Eliot Fremont-Smith calls WWVN "the most original, courageous and provocative novel so far this year" that's likely to be "mistakenly reviled". Other critics, such as Denis Donoghue from the New York Review of Books praised Mailer for his verisimilitude "for the sensory event". Donoghue recalls Josephine Miles' study of the American Sublime, reasoning WWVN's voice and style as the drive behind Mailer's impact. ellauri184.html on line 82: In 1972, Joyce Carol Oates called Vietnam "Mailer's most important work"; it's "an outrageous little masterpiece" that "contains some of Mailer's finest writing" and thematically echoes John Milton's Paradise Lost. ellauri184.html on line 84: In 1980, The Executioner's Song, Mailer's "real-life novel" of the life and death of murderer Gary Gilmore, won the Pulitzer Prize for fiction. Joan Didion reflected the views of many readers when she called the novel "an absolutely astonishing book" at the end of her front-page review in the New York Times Book Review. ellauri184.html on line 86: Mailer spent a longer time writing Ancient Evenings, his novel of Egypt in the Twentieth Dynasty (about 1100 BC), than any of his other books. He worked on it for periods from 1972 until 1983. It was also a bestseller, although reviews were generally negative. Harold Bloom, in his review said the book "gives every sign of truncation", and "could be half again as long, but no reader will wish so", while Richard Poirier called it Mailer's "most audacious book". ellauri184.html on line 88: Harlot's Ghost, Mailer's longest novel (1310 pages), appeared in 1991 and received his best reviews since The Executioner's Song. It is an exploration of the untold dramas of the CIA from the end of World War II to 1965. He performed a huge amount of research for the novel, which is still on CIA reading lists. He ended the novel with the words "To be continued" and planned to write a sequel, titled Harlot's Grave, but other projects intervened and he never wrote it. Harlot's Ghost sold well. ellauri184.html on line 90: His final novel, The Castle in the Forest, which focused on Hitler's childhood, reached number five on the Times best-seller list after publication in January 2007. It received reviews that were more positive than any of his books since The Executioner's Song. Castle was intended to be the first volume of a trilogy, but Mailer died several months after it was completed. The Castle in the Forest received a laudatory 6,200-word front-page review by Lee Siegel in the New York Times Book Review, as well as a Bad Sex in Fiction Award by the Literary Review magazine. ellauri184.html on line 92: Critical response to Mailer's Jesus novel was mixed. Jack Miles, writing for Commonweal, found the book "a quiet, sweet, almost wan little book, a kindly offering from a New York Jew to his wife's Bible Belt family." He noted that there was "something undeniably impressive about the restraint" of the style that Mailer undertook in composing the novel. He concluded that the novel was neither one of Mailer's best works, nor would it stand out amongst the bibliography of books inspired by the life of Christ, but that it had received unfairly harsh reviews from other critics. ellauri184.html on line 93: Critics such as Reynolds Price, writing for The New York Times, pointed to a "lack of inventiveness", based upon the fact that Mailer took so few liberties with the biblical text. Nuchem was a little disappointed with the low share of bad reviews it got. ellauri184.html on line 95: Notorious philanderer," "egomaniac," "pugnacious" and "pompous" are a few of the milder epitaphs that have been used to describe controversial and larger-than-life (inevitably) Norman Mailer. His New York Times obituary was even titled, "Norman Mailer, Towering Writer With Matching Ego, Dies at 84." Known in the literary world as one of the greatest writers of the twentieth century, Mailer won two Pulitzer Prizes in literature and one National Book Award. He is credited with having pioneered creative nonfiction as a genre, also called New Journalism. During his life he became as famous for his relationships with women as he did for his literary work. He was married six times and fathered eight children. Here is a brief look at some the six wives of Norman Mailer. ellauri184.html on line 118: The gospel mentions that Mary and Joseph took Jesus out of a labor-intensive hospital on a Sabbath to purify the infant from sickness before the L-d’s meeting, as well as to administer the final purification rituals over His redemption, according to G-d’s Torah . ellauri184.html on line 129: The word “Cousin” in Greek is “suggenis” which means “kinswoman” or “relative.” The word “suggenis” does not necessarily mean “cousin.” It simply implies that Mary and Elizabeth were relatives, with no indication as to degree of relationship. ellauri184.html on line 165: icture1.png" /> ellauri184.html on line 211: Nazareth (/ˈnæzərəθ/ NAZ-ər-əth; Arabic: النَّاصِرَة, an-Nāṣira; Hebrew: נָצְרַת, Nāṣəraṯ; Aramaic: ܢܨܪܬ, Naṣrath) is the largest city in the Northern District of Israel. Nazareth is known as "the Arab capital of Israel". In 2019 its population was 77,445. The inhabitants are predominantly Arab citizens of Israel, of whom 69% are Muslim and 30.9% Christian. Nof HaGalil (formerly "Nazareth Illegit"), declared a separate city in June 1974, is built alongside old Nazareth, and had a Jewish population of 40,312 in 2014. ellauri184.html on line 213: Bethlehem (/ˈbɛθlɪhɛm/; Arabic: بيت لحم audio speaker iconBayt Laḥm, "House of Meat"; Hebrew: בֵּית לֶחֶם Bet Leḥem, Hebrew pronunciation: [bet ˈleχem], "House of Bread"; Ancient Greek: Βηθλεέμ Greek pronunciation: [bɛːtʰle.ém]; Latin: Bethleem; initially named after Canaanite fertility god Laḫmu) is a city in the central West Bank, Palestine, about 10 km (6.2 miles) south of Jerusalem. Its population is approximately 25,000, and it is the capital of the Bethlehem Governorate. The economy is primarily tourist-driven, peaking during the Christmas season, when Christians make pilgrimage to the Church of the Nativity. The important holy site of Rachel's Tomb is at the northern entrance of Bethlehem, though not freely accessible to the city's own inhabitants and in general Palestinians living in the occupied West Bank due to the Israeli West Bank barrier. ellauri184.html on line 219: Modern readers of the NT often know little about the geopolitical world of first-century Palestine. It is commonly assumed that “the Jews” were an undifferentiated community living amicably in the part of the world we now call “the Holy Land” united in their resentment of the political imposition of Roman rule to which all were equally subject. ellauri184.html on line 221: But, he says, “this is a gross distortion of the historical and cultural reality.” The northern province of Galilee was decisively distinct—in history, political status, and culture—from the southern province of Judea which contained the holy city of Jerusalem. ellauri184.html on line 223: Admitting that the following is a drastic oversimplification but praying that it’s not a complete caricature, Professor A. France summarizes seven differences: ellauri184.html on line 224: Racially the area of the former Northern Kingdom of Israel had had, ever since the Assyrian conquest in the eighth century B.C., a more mixed population, within which more conservative Jewish areas (like Nazareth and Capernaum) stood in close proximity to largely pagan cities, of which in the first century the new Hellenistic centers of Tiberias and Sepphoris were the chief examples. ellauri184.html on line 226: Geographically Galilee was separated from Judea by the non-Jewish territory of Samaria, and from Perea in the southeast by the Hellenistic settlements of Decapolis. ellauri184.html on line 228: Politically Galilee had been under separate administration from Judea during almost all its history since the tenth century B.C. (apart from a period of “reunification” under the Maccabees), and in the time of Jesus it was under a (supposedly) native Herodian prince, while Judea and Samaria had since A.D. 6 been under the direct rule of a Roman prefect. ellauri184.html on line 230: Economically Galilee offered better agricultural and fishing resources than the Dead Sea and the Negev, making the wealth of some Galileans the envy of their southern neighbors. ellauri184.html on line 232: Culturally Judeans despised their northern neighbors as country cousins, their lack of Jewish sophistication being compounded by their greater openness to Hellenistic influence. ellauri184.html on line 234: Linguistically Galileans spoke a distinctive form of Aramaic whose slovenly consonants (they dropped their aitches!) were the butt of Judean humor. ellauri184.html on line 235: Religiously the Judean opinion was that Galileans were lax in their observance of proper ritual, and the problem was exacerbated by the distance of Galilee from the temple and the theological leadership, which was focused in Jerusalem. ellauri184.html on line 237: The result, he says, is that even an impeccably Jewish Galilean in first-century Jerusalem was not among his own people; he was as much a foreigner as an Irishman in London or a Kuopio person in Helsinki. His accent would immediately mark him out as “not one of us,” and all the communal prejudice of the supposedly superior culture of the capital city would stand against his claim to be heard even as a prophet, let alone as the “Messiah,” a title which, as everyone knew, belonged to Judea (cf. John 7:40-42 ). ellauri184.html on line 239: This may at first blush sound like interesting background material that is not especially helpful for reading and interpreting the gospels. But Mark and Matthew have structured their narratives around a geographical framework dividing the north and the south, culminating in the confrontation of this prophet from Galilee and the religious establishment of Jerusalem. ellauri184.html on line 241: Professor France writes: “To read Matthew in blissful ignorance of first-century Palestinian sociopolitics is to miss his point. This is the story of Jesus of Nazareth .” (theuglytruth.wordpress.com is no longer available. This site has been archived or suspended for a violation of our Terms of Service.) ellauri184.html on line 250: According to the biblical chronicle, the Tribe of Manasseh was a part of a loose confederation of Israelite tribes from after the conquest of the land by Joshua until the formation of the first Kingdom of Israel in c. 1050 BC. No central government existed, and in times of crisis the people were led by ad hoc leaders known as Judges (see Book of Judges). With the growth of the threat from Palestinian (sorry) Philistine incursions, the Israelite tribes decided to form a strong centralised monarchy to meet the challenge, and the Tribe of Manasseh joined the new kingdom with Saul as the first king. After the death of Saul, all the tribes other than Judah remained loyal to the House of Saul, but after the death of Ish-bosheth, Saul's son who succeeded him to the throne of Israel, the Tribe of Manasseh joined the other northern Israelite tribes in making Judah's king David the king of a re-united Kingdom of Israel. However, on the accession of David's grandson Rehoboam, in c. 930 BC the northern tribes split from the House of David and from Saul's tribe Benjamin to reform Israel as the Northern Kingdom. Manasseh was a member of the Northern Kingdom until the kingdom was conquered by Assyria in c. 723 BC and the population deported. From that time, the Tribe of Manasseh has been counted as one of the ten lost tribes of Israel. ellauri184.html on line 255: These passages also make it clear the land of East Manasseh was further divided into two sub-sections, or, regions. These are known as Bashan and Gilead. Bashan, as Adams pointed out, "included all of the tableland south of Mount Hermon to the river Yarmuk". The western border of Bashan was the Jordan River and Sea of Galilee. Hypercritical scholars [who?] argue that the two sections had different origins, noting that in the First Book of Chronicles separate tribal rulers were named for the western half tribe and the eastern half tribe. ellauri184.html on line 257: The Bible records that following the completion of the conquest of Canaan by the Israelite tribes, Joshua allocated the land among the twelve tribes. According to biblical scholar Kenneth Kitchen, this conquest should be dated slightly after 1200 BCE. Some modern scholars argue that the conquest of Joshua, as described in the Book of Joshua, never occurred. “Besides the rejection of the Albrightian conquest model, the general consensus among OT scholars is that the Book of Joshua has no value in the historical reconstruction. They see the book as an ideological retrojection from a later period — either as early as the reign of Josiah or as late as the Hasmonean period.” "It behooves us to ask, in spite of the fact that the overwhelming consensus of modern scholarship is that Joshua is a pious fiction composed by the deuteronomistic school, how does and how has the Jewish community dealt with these foundational narratives, saturated as they are with acts of violence against others?" ”Recent decades, for example, have seen a remarkable reevaluation of evidence concerning the conquest of the land of Canaan by Joshua. As more sites have been excavated, there has been a growing consensus that the main story of Joshua, that of a speedy and complete conquest (e.g. Josh. 11.23: 'Thus Joshua conquered the whole country, just as the LORD had promised Moses') is contradicted by the archaeological record, though there are indications of some destruction at the appropriate time. No oliko sitten koko esinahkakasa satua? Ketä enää uskoa? Usko siirtää vuoria, eikö sitten esinahkakukkuloita? ellauri184.html on line 261: Ukraine’s foreign minister tells his US counterpart in a meeting that his country needs fighter jets and air defence systems and has called NATO’s refusal to implement a no-fly zone over Ukraine a “sign of weakness”. Buk-buk-buk chickens! ellauri184.html on line 265: Thanks in large part to Jesus-movies and swords-and-sandals cinematic epics (e.g., Ben-Hur, Masada, Spartacus, Life of Brian), there is a widespread perception that distinctively Woman soldiers infested Palestine during the life of Jesus – often signaled in such films by highbwow Bwitish accents in contrast with the unpretentious American dialect spoken by Jews. As deeply engrained as this image is in the popular consciousness, it is not entirely accurate. There were several different types of soldiers in the Woman East during the New Testament period and the differences between these soldiers were significant; the languages they spoke, the government they worked for, their relationship to the civilians they encountered, their pay, and many other specifics differed considerably. ellauri184.html on line 267: This image of identifiably Woman soldiers occupying the land of Palestine operates on the assumption that biblical soldiers were all legionawies. Legionawies differed from other soldiers of the early Woman period in several wespects. First, legionawies were employed directly by Wome. Their allegiances were to the empewow and whichever genewal they served, not to any particular king, weligious group, or province. All troops swore an oath of allegiance, the sacwamentum, to the empewow himself. Unlike most other soldiers, legionawies were Woman citizens before they were wecwuited. ellauri184.html on line 269: There were important defeats along the way but it is interesting to observe that commanders often escaped repercussions for their militawy incompetence and it was usually the soldiers who bore the blame for defeat. Though a legionawy could theoretically come from any province within the Empire, the requirement of Woman citizenship had consequences for demographics: legionawies were more likely to speak Latin than non-citizen soldiers, they were usually wecwuited from the most heavily Womanized cities and provinces, their citizenship held inherent prestige that afforded them privilege over both civilians and other soldiers, etc. Legions primarily garrisoned in major imperial provinces, such as Syria, Pannonia, and post-War Judaea. With the exception of Egypt, all provinces with at least one legion were required to have a governor with Senator status. Legions primarily consisted of infantry soldiers, with a few cavalry or archers present among their ranks. Roughly 30 legions were active at any given time within the Empire and each consisted of approximately 5400 soldiers and officers, a standing army of ca. 150-300K total, though not all with a weceived Latin pwonunciation. ellauri184.html on line 271: Woman commanders genewally pweferred an aggwessive and full-frontal attack whilst tewwow and wevenge tactics were also used to subdue local populations, a strategy mixed with clementia - accepting hostages and pwomises of peace from the enemy. ellauri184.html on line 273: Roughly equal in number to the legionawy soldiers across the Empire were auxiliaries. Auxiliaries, like legionawies, served the government of Wome, but were divided into two distinct militawy types: cohorts and alae – infantry and cavalry, respectively – with a few mixed units termed cohors equitatae as well. Auxiliary soldiers were mostly non-citizens who were awarded Woman citizenship in exchange for militawy service. Consequently, auxiliary soldiers were significantly less Womanized than legionawies: auxiliary soldiers in the Woman East spoke the lingua franca of Greek and often local languages as well (e.g., Aramaic), typically with limited competence in Latin. ellauri184.html on line 275: The ethnic nature of these units led Wome to create many “specialist” cohorts (e.g., dromedary, archery, sling) that worked with combat methods familiar to one or another ethnic group. Though auxiliaries often served in major imperial provinces alongside legionawies, they also served in minor provinces as well. Thus, provinces and regions with a governor of Equestrian status (e.g., Raetia, Noricum, pre-War Judaea) had no legions, but only auxiliaries. Until about 70 CE, many auxiliary soldiers were stationed in their home province; Judaeans were in Judaea, Syrians in Syria, etc. In addition to the Jewish War (66-73 CE), problems with soldiers’ divided loyalties with the Revolt of the Batavi in Germania Inferior (69-70 CE) and the Year of the Four Empewows (68-69 CE) led empewows to actively undermine any remaining ethnic homogeneity in the auxilia, stationing soldiers outside their homeland in increasingly diverse units. Finally, auxiliaries were paid less than legionawies and did not receive all the bonuses granted to legionawies if they were successful in the same battle. ellauri184.html on line 279: Remembering the distinctions between these three militawy forces – legionawies, auxiliaries, and royal forces – is pivotal for understanding both pre-War and post-War Palestine. The Jewish War (66-73 CE) was a catastrophic event for civilians in the region, regardless of their participation in the revolt against Wome. The destruction of the temple, the imposition of massive new militawy and administrative apparatus, widespread devastation, significant loss of life, among other factors, led to significantly different experiences of the militawy before and after the Jewish War. It is impossible to talk about the pre-War and post-War life without attending to the details of these different units, especially auxiliaries and legionawies. ellauri184.html on line 281: Though Jews and Samaritans likely formed the majority of the army under Herod, by the time of the Jewish War their numbers had been eclipsed by ethnic Syrians. Most, perhaps all, of these soldiers were Aramaic speakers. ellauri184.html on line 283: Afterwards, some noteworthy changes occurred. Since Judaea was now officially part of Wome, royal Herodian soldiers were subsumed into the Woman army as auxiliaries. ellauri184.html on line 285: In the Palestinian hinterlands, it was not practical to use Sebastene and Caesarean soldiers, so other locals were deployed to form militawy garrisons before the War. Indeed, there was little reason for Judaea to supply soldiers to principalities like Galilee and Batanaea. Even though Caesarea and Sebaste were primarily Gentile, we will see that Caesarean Jews also served in the Woman army. ellauri184.html on line 287: While many biblical scholars assume that soldiers with Woman names must have been Woman citizens, evidence suggests otherwise: one papyrus written 103 CE indicates that some auxiliaries received Womanized names (i.e., tria nomina) shortly after wecwuitment, even before training completed. Because some soldiers changed their name shortly after wecwuitment, the mere act of joining the militawy often obscured soldiers’ ethnic and geographic origins. Benjamin Isaac thus observes a few obvious instances where soldiers from the Decapolis dropped their Semitic birth name to take up a Woman one. ellauri184.html on line 289: Thus, while Wome did not conscript Jews into militawy service against their will, there is no indication that this pwevented them from serving on their own accord. Several tax receipts of Jewish decurions named Jesus, Hananiah, Benjamin and a diploma to Aggaeus Bar-Callippus, a Jewish veteran who retired to the Syrian city of Samosata. We should not forget the famous example of Tiberius Julius Alexander, governor of Judaea and Egypt, a Jewish officer who led the assault on the Jerusalem temple in the Jewish War. ellauri184.html on line 291: But how did the Jewish religion fit into the Woman army? A Jewish soldier named Matthew tended to the pigs at Herodium. There is no reason to infer that he no longer cared about Jewishness. Jewish practices varied considerably, such that one person’s piety might be another’s heresy. No doubt these soldiers had complex, conflicted, and even conflicting internal lives just as we do today. ellauri184.html on line 295: (signed) Dr. Christopher Zeichmann, Lecturer in Religious Studies, Ryerson University. ellauri184.html on line 316: (3) Therefore Jesus did not have a problem with homosexual practice. ellauri184.html on line 332: (6) Historical Jesus did not support a pro-homosex reading. ellauri184.html on line 340: Capernaum (/kəˈpɜːrneɪəm, -niəm/ kə-PUR-nay-əm, -⁠nee-əm; Hebrew: כְּפַר נַחוּם, romanized: Kfar Naḥum, lit. 'Nahum's village'; Arabic: كفر ناحوم, romanized: Kafr Nāḥūm) was a fishing village established during the time of the Hasmoneans, located on the northern shore of the Sea of Galilee. ellauri184.html on line 342: The village was inhabited continuously from the second century BC to the 11th century AD, when it was abandoned sometime before the First Crusade. This includes the re-establishment of the village during the Early Islamic period soon after the 749 earthquake. The village subsequently became known as al-Samakiyya; it was depopulated of its Palestinian population during the 1947–1948 civil war in Mandatory Palestine on May 4, 1948, under Operation Matateh. ellauri184.html on line 346: The town is cited in all four gospels (Matthew 4:13, 8:5, 11:23, 17:24, Mark 1:21, 2:1, 9:33, Luke 4:23, 31,7:1, 10:15, John 2:12, 4:46, 6:17, 24, 59) where it was reported to have been the hometown of the tax collector Matthew (aka Leevi, eri kuin evankelista), and located not far from Bethsaida, the hometown of the apostles Simon Peter, Andrew, James and John. Some readers take Mark 2:1 as evidence that Jesus may have owned a home in the town, but it is more likely that he stayed in the house of one of his followers here. He certainly spent time teaching and healing there. One Sabbath, Jesus taught in the synagogue in Capernaum and healed a man who was possessed by an unclean spirit (Luke 4:31–36 and Mark 1:21–28). This story is notable as the only one that is common to the gospels of Mark and Luke, but not contained in the Gospel of Matthew (see Synoptic Gospels for more literary comparison between the gospels). Afterward, Jesus healed Simon Peter´s mother-in-law of a fever (Luke 4:38–39). According to Luke 7:1–10 and Matthew 8:5, this is also the place where Jesus healed the boyfriend of a Roman centurion who had asked for his help. Capernaum is also the location of the healing of the paralytic lowered by friends through the roof to reach Jesus, as reported in Mark 2:1–12 and Luke 5:17–26. ellauri184.html on line 348: In Matthew 9:1 the town is referred to only as "his own city", and the narrative in Matthew 9:2–7 does not mention the paralytic being lowered through the roof. Most traditional biblical commentators (e.g. Bengel, Benson and the Jamieson-Fausset-Brown Bible Commentary) assume that in Matthew 9:1–7 "his own city" means Capernaum, because of the details that are common to the three synoptic gospels. ellauri184.html on line 350: According to the Synoptic Gospels, Jesus selected this town as the center of his public ministry in Galilee after he left the small mountainous hamlet of Nazareth (Matthew 4:12–17). He also formally cursed Capernaum, along with Bethsaida and Chorazin, saying "you will be thrown down to the pit!" (Matthew 11:23) because of their lack of faith in him as the Messiah. ellauri184.html on line 355: First, the problem is theological: The apostle Paul clearly marks the beginning of sodomy with the practical theological problem of idolatry. “although they knew God, they did not glorify Him as God, nor were thankful, but became futile in their thoughts...” (Rom. 1:21 ). What was the result? “For this reason God gave them up to vile passions. For even their women exchanged their natural use for what is against nature. LIkewise also the men, leaving the natural use of the woman, burned in their lust for one another, men with men committing what is shameful, and receiving in themselves the penalty of their error which was due” (Rom. 1:26-27 ). In short, a skewed vision of God leads directly to a skewed vision of man and human sexuality. ellauri184.html on line 357: Second, the fact that it is a theological issue does not prevent it from being a moral one as well. The behavior is sin. “Do you not know that the unrighteous will not inherit the kingdom of God? Do not deceived. Neither formicators, nor idolaters, nor adulterers, nor homosexuals, nor sodomites, nor thieves, nor covetous, nor drunkards, nor revilers, nor extortioners will inherit the kingdom of God” (1 Cor. 6:9-10 ). The word translated “homosexuals” here strictly refers to catamites — the word has the connotation of soft. We would say swish. The other word sodomite refers to the “male” homosexual, the one playing the role of the male. All the ingenuity in the world cannot change what the Bible bluntly states here. As well, consider 1 Tim. 1:10 . “. . . for fornicators, for sodomites . . . and if there is any other thing that is contrary to sound doctrine.” The Old Testament speaks to this as well. See Deut. 23:17-18 , Job 36:14 , Lev. 18:22 . Those guilty of such things are living in a contemptible way, and the Scripture calls them dogs. Poor dogs. ellauri184.html on line 361: Fourth, the problem is not just to be addressed through a Christian understanding, applied to private lives. Homosexuality is a public problem in the public square, and repentance will bring with it an understanding of the necessity of public reformation. When Josiah cleansed the land, he shut down the sodomite houses near or in the house of the Lord. “Then he tore down the ritual booths of the perverted persons that were in the house of the Lord . . .” (2 Kings 23:7 ; cf. 1 Kings 14:24 ,15:12 ,22:46 ). Unless it results in the bath houses closing, it will not have been a real reformation ellauri184.html on line 420: For example, Jesus taught about subjects such as prayer, justice, care for the needy, handling the religious law, divorce, fasting, judging other people, salvation, and much more. ellauri184.html on line 441: Kylläpä rikkaiden on vaikea mahtua kamelinreijästä. Kylläpä tästä kannusta on vaikea kaataa. Tää kohta pohdituttaa ylenmäärin Naahumin Jeshuaa. Tää on vaikea pala American Dreamille. Se menee täysin vastakkaiseen suuntaan. No vaikeaa muttei mahdotonta! Where there is a will there is a way! Näppylä ja karva! ellauri184.html on line 467: icture-in-picture" allowfullscreen> ellauri184.html on line 495: Tavallisesti kovin tunteeton talousmaailma on ottanut uutisen Ankan poismenosta vastaan liikuttuneena. Microsoftin perustaja Bill Gates luonnehti Roope Ankkaa ”kovaksi bisnesmieheksi, jonka sisällä syvällä – siis todella, todella syvällä – sykki filantroopin lämmin sydän – siis todella erittäin syvällä”. Myös Ankan pahimmat kilpailijat ovat ilmaisseet osanottonsa hänen kuolemansa johdosta. Eteläafrikkalaisen Pii-yhtymän perustaja Kulta-Into Pii sanoi pitävänsä Ankkaa ”liiketaloudellisena sankarina”. Ankan kuoleman jälkeen Pii on maailman rikkain henkilö, ainakin siihen asti, kun Ankan perinnönjako on suoritettu testamentin mukaisesti. ellauri184.html on line 512: Male circumcision has often been, and remains, the subject of controversy on a number of grounds—religious, ethical, sexual, and medical and the ethics of circumcision of males are controversial. ellauri184.html on line 514: During the late 19th and early 20th centuries, the primary justification for circumcision was to prevent masturbation (???) and intentionally reduce male sexual pleasure, which was believed to cause a wide range of medical problems. Modern proponents say that circumcision reduces the risks of a range of infections and diseases, and confers sexual benefits (???). By contrast, some opponents, particularly of routine neonatal circumcision, question its utility and effectiveness in preventing such diseases, and object to subjecting newborn males, without their consent, to a procedure they consider to have dubious and nonessential benefits, significant risks, and a potentially negative impact on general health and later sexual enjoyment, as well as violating their human rights. ellauri184.html on line 516: In Classical and Hellenistic civilization, Ancient Greeks and Romans posed great value on the beauty of nature, physical integrity, aesthetics, harmonious bodies and nudity, including the foreskin (see also Ancient Greek art), and were opposed to all forms of genital mutilation, including circumcision—an opposition inherited by the canon and secular legal systems of the Christian West and East that lasted at least through to the Middle Ages, according to Frederick Hodges. Traditional branches of Judaism, Islam, Coptic Christianity, the Ethiopian Orthodox Church, and the Eritrean Orthodox Church still advocate male circumcision as a religious obligation. ellauri184.html on line 518: The Book of Genesis explains circumcision as a covenant with God given to Abraham,[Gen 17:10] In Judaism it "symbolizes the promise of lineage and fruitfulness of a great (???) nation," the "seal of ownership (???) and the guarantee of relationship between peoples and their god." Some scholars look elsewhere for the origin of Jewish circumcision. One explanation, dating from Herodotus, is that the custom was acquired from the Egyptians, possibly during the period of enslavement. An additional hypothesis, based on linguistic/ethnographic work begun in the 19th century, suggests circumcision was a common tribal custom among Semitic tribes (Jews, Arabs, and Phoenicians). ellauri184.html on line 520: The Jewish and Islamic traditions both see circumcision as a way to distinguish a group from its neighbours. The Bible records "uncircumcised" being used as a derogatory reference for opponents[1Sam 17:26] and Jewish victory in battle that culminated in mass post-mortem circumcision, to provide an account of the number of enemy casualties.[1Sam 18:27] Just count he prepuces, or measure the size of the foreskin hillock. Jews were also required to circumcise all household members, including slaves[Gen 17:12-14] – a practice that would later put them into collision with Roman and Christian law (see below). ellauri184.html on line 522: Classical civilization ellauri184.html on line 524: In 167 BCE Judea was part of the Seleucid Empire. Its ruler, Antiochus IV Epiphanes (175–165 BCE), smarting from a defeat in a war against Ptolemaic Egypt, banned traditional Jewish religious practices, and attempted to forcibly let the Jews accept Hellenistic culture. Throughout the country Jews were ordered, with the threat of execution, to sacrifice pigs to Greek gods (the normal practice in the Ancient Greek religion), desecrate the Shabbat, eat unkosher animals (especially pork), and relinquish their Jewish scriptures. Antiochus´ decree also outlawed Jewish circumcision, and parents who violated his order were hanged along with their infants.[1Mac 1:46-67] According to Tacitus, as quoted by Hodges, Antiochus "endeavoured to abolish Jewish superstition and to introduce Greek civilization." ellauri184.html on line 526: According to rabbinical accounts, he desecrated the Second Temple of Jerusalem by placing a statue of Olympian Zeus on the altar of the Temple; this incident is also reported by the biblical Book of Daniel, where the author refers to the statue of the Greek god inside the Temple as "abomination of desolation". Antiochus´ decrees and vituperation of Judaism motivated the Maccabean Revolt; the Maccabees reacted violently against the forced Hellenization of Judea, destroyed pagan altars in the villages, circumcised boys, and forced Hellenized Jews into outlawry. The revolt ended in the re-establishment of an independent Jewish kingdom under the Hasmoneans, until it turned into a client state of the Roman Republic under the reign of Herod the Great (37–4 BCE). ellauri184.html on line 528: Classical, Hellenistic, and Roman culture found circumcision to be cruel and repulsive. In the Roman Empire, circumcision was regarded as a barbaric and disgusting custom. The consul Titus Flavius Clemens was condemned to death by the Roman Senate in 95 CE for, according to the Talmud, circumcising himself and converting to Judaism. The Emperor Hadrian (117–138) forbade circumcision. Overall, the rite of circumcision was especially execrable in Classical civilization, also because it was the custom to spend an hour a day or so exercising nude in the gymnasium and in Roman baths, therefore Jewish men did not want to be seen in public deprived of their foreskins. ellauri184.html on line 530: Hadrian´s policy after the rebellion reflected an attempt to root out Judaism: he enacted a ban on circumcision, all Jews were forbidden to enter Jerusalem upon pain of death, and the city was renamed Aelia Capitolina, while Judea was renamed Syria Palaestina. Around 140, his successor Antoninus Pius (138-161 CE) exempted Jews from the decree against circumcision, allowing them to circumcise their sons, although they were forbidden to do the same on their slaves and proselytes. Jewish nationalists´ (Pharisees and Zealots) response to the decrees also took a more moderate form: circumcisions were secretly performed, even on dead Jews. ellauri184.html on line 532: However, there were also many Jews, known as "Hellenizers", who viewed Hellenization and social integration of the Jewish people in the Greco-Roman world favourably, and pursued a completely different approach: accepting the Emperor´s decree and even making efforts to restore their foreskins to better assimilate into Hellenistic society. The latter approach was common during the reign of Antiochus, and again under Roman rule. The foreskin was restored by one of two methods, that were later revived in the late 20th century; both were described in detail by the Greek physician Aulus Cornelius Celsus in his comprehensive encyclopedic work De Medicina, written during the reign of Tiberius (14-37 CE). The surgical method involved freeing the skin covering the penis by dissection, and then pulling it forward over the glans; he also described a simpler surgical technique used on men whose prepuce is naturally insufficient to cover their glans. The second approach, known as "epispasm", was non-surgical: a restoration device which consisted of a special weight made of bronze, copper, or leather (sometimes called Pondus Judaeus, i. e. "Jewish burden"), was affixed to the penis, pulling its skin downward. Over time, a new foreskin was generated, or a short prepuce was lengthened, by means of tissue expansion. Martial also mentioned the instrument in Epigrammaton (Book 7:35). ellauri184.html on line 534: The Apostle Paul referred to these practices in his letters, saying: "Was a man already circumcised when he was called? He should not become uncircumcised."[1Cor 7:18] But he also explicitly denounced the forcing of circumcision upon non-Jews, rejecting and condemning those Judaizers who stipulated the ritual to Gentile Christians, labelling such advocates as "false brothers"[Gal 2:4] (see below). In the mid-2nd century Rabbinical Jewish leaders, due to increasing cases of foreskin restorations in Roman Empire, introduced a radical method of circumcision, the periah, that left the glans totally uncovered and sew the remaining skin. The new method became immediately the only valid circumcision procedure, to ensure that a born Jew will remain circumcised and avoiding risk of restoring the foreskin. Operations became mostly irreversible. ellauri184.html on line 536: Under the first Christian emperor, Constantine, the two rescripts of Antoninus on circumcision were re-enacted and again in the 6th century under Justinian. These restrictions on circumcision made their way into both secular and Canon law and "at least through the Middle Ages, preserved and enhanced laws banning Hebrews from circumcising non-Hebrews and banning Christians or slaves of any religious affiliation from undergoing circumcision for any reason." Hyvä pojat! ellauri184.html on line 622: In summary, the following understanding of biblical history seems plausible: 1. Although the Sanhedrin had the right to condemn Jesus to death and execute the sentence, it seemed opportune for various reasons to have the governor render this verdict. Moreover, although the Sanhedrin and the Roman governor had very diverse perspectives on Jesus, their interests finally converged, which led to Pilate’s condemnation of Jesus on grounds of unproven political charges. ellauri184.html on line 623: 2. Processes of marginalization and not the concrete breaking of laws – led to Jesus’s death. Not only was Jesus passively exposed to these processes of marginalization, but he partly contributed to them because he modelled himself as an outsider and distanced himself too little from the messianic expectations ascribed to him. This staged self-marginalization – partly done in performative fashion – was dangerous because the term “Messiah” was often charged with political content, as was exemplified by numerous rebel leaders who regarded themselves as the Messiah or were considered as such by their followers. Many of them were executed, including Jesus. ellauri184.html on line 625: Extant historical sources provide a complicated hodgepodge of religious, political, mental, and socio- psychological issues that prove difficult to disentangle. Most of all, the religious issues cannot be separated from the political ones. I propose four hypotheses (not very original): ellauri184.html on line 627: a) Jesus’s unusual behavior at different levels mostly explains the hatred against him. He did not breach any major laws, but more seriously, he did not live up to multiple expectations; instead, he maneuvered himself into the position of an outsider. This means that it was mental and psychological dispositions and perceptions on the part of his contemporaries – and not legal issues – that led to his receiving the death penalty. ellauri184.html on line 631: c) A political twist could be ascribed to each of these issues so as to obtain a capital sentence from the Roman governor. The Sanhedrin took on this task. ellauri184.html on line 636: In other words, we can perceive Jesus as an outsider whose words and deeds were blasphemous according to Jewish law and seditious according to Roman law. I only briefly consider the well-known reproaches, and it goes without saying that the topics overlap. ellauri184.html on line 638: If it is correct that the charge of blasphemy was brought forward (i.e., that Jesus claimed to be the eschatologically defined Son of Man, which seems to be the main reason for his execution in Jewish understanding), it would be easy to ascribe a political implication to this charge. This line of political argumentation is most clearly expressed in Luke 23.2: “We found this man perverting our nation, forbidding us to pay taxes to the emperor, and saying that he himself is the Messiah. The use of the death penalty confirms this political charge (crimen laesae maiestatis). Crucifixion as a Roman form of execution was reserved for slaves and peregrines who were involved in insurrections. The subtitle on the cross (ho basileus ton Iudaion, Iesus Nazarenus rex Iudaeorum, INRI), if it is historical, corroborates this particular charge. ellauri184.html on line 640: We do not know whether Jesus routinely called himself the Messiah, Son of Man, or King of the Jews (though the evangelists sure make it appear so). Nevertheless, these logos were ascribed to him, and he did not sufficiently distance himself from them. Even worse, he presented himself as an outsider by caring for outcasts and thus broke social taboos. What is more, through healings, exorcisms, and commensality with the disdained, he deliberately distanced himself from societal norms, added to his image as an outsider in a performative way, and thereby metaphorically conveyed a message that his opponents understood very well. ellauri184.html on line 642: By deriving his superior authority directly from God (e.g., in exorcisms and forgiveness of sins: Lk. 7.47-50) through his unique proximity to God and his ultimate claim to his unique interpretation of divine law – he exclusively set his own standards and his own criteria of who had access to Heaven and who did not – he upset the masses and caught the attention of the authorities, who perceived such utterances as subversive. More and more, they felt threatened in their own authority. In addition to behaving as though bestowed with superior authority, Jesus sharply criticized the Temple to the point that he finally became violent within its precincts. After a final incident, the representatives of the Temple, the priests, the scribes, and the Elders, who strove to preserve the core of the Jewish faith as embodied in the Temple, felt threatened in their position. ellauri184.html on line 644: The fact that Jesus had been preaching God’s word was irrelevant to Pilate. Sitähän ne liuhuparrat myötäänsä tekevät. The term “Messiah” which Jesus had been using, was more threatening to Pilate as it was laden with political connotations. The term presupposed that the “big king" (God) would make his reign prevail via a small king (Messiah), who had yet to appear. The only thing that remained unclear was exactly who this “small king" would be (a descendant of David’s?) and under what circumstances he would appear. ellauri184.html on line 646: Jesus was crucified between two other “robbers”. The original Greek texts speak of lestai (Mt, Mk). Lestes is the Greek translation of the Latin latro. Both terms have a similarly broad semantic meaning. What is important in our context is that latro and lestes denote not only a street robber but also a resistance- and guerilla fighter. It is likely that no one perceived Jesus as a guerilla fighter, but the term lestes is even broader than the English terms robber, bandit, or resistance fighter, it includes terrorist. ellauri184.html on line 648: Matthew and Mark make it clear that some people – including the politically and legally decisive Roman magistrate – could have perceived him as such a political activist (titulus crucis!). Again, we see that it is not necessarily Jesus’s concrete behavior, but rather the perception that counts. ellauri184.html on line 649: Jesus was not merely a prophet. Due to his wanderings and teachings, he was also a radical itinerant charismatic preacher who represented a decidedly anti-hegemonial world view. His speeches were seen by the Jewish establishment as an incitement of the people. ellauri184.html on line 651: To the average inhabitant of the Roman Empire, the manifold itinerant groups of magicians, sophists, cynics, other philosophers, astrologers, prophets, and eventually also Christians, must have appeared basically the same. These oscillating and enigmatic figures were simultaneously admired and despised for their "otherness". Why was Jesus able to appear as a radical itinerant preacher? He did not call for a political upheaval. Nevertheless, his messianic “program” was radical in its postulation of a proximity to God that had hitherto been unheard of and was based on the deliberate breaking of taboos and social conventions. ellauri184.html on line 653: In the end, Jesus represented several different images of a bogeyman and became an outsider par excellence. He put off many of his adherents through his negligence of politics (i.e. he did not yield to their pressure to exert violence for political reasons), and he drew the attention of the authorities upon himself and made them suspicious through his eccentric speeches. Finally, Jesus was between the stools: There was no one left to speak in his favor. In the end, perceptions prevailed beyond all else. ellauri184.html on line 655: The Romans regarded him as a political dissident, or an insurgent – which the word lestes/latro appropriately captured – via the claim that he was King of the Jews, a claim that he never denied. Jesus’s hobo life testified to his calling as a prophet and radical wandering charismatic who constantly transgressed social boundaries. These multi-faceted processes of marginalization that Jesus partly took on voluntarily and partly endured led – in the brutal logic of the time – to his crucifixion as an outsider. ellauri184.html on line 659: Mercy as a basic principle of premodern jurisdiction was always an arbitrary act that took place more or less by chance. If things went wrong, culprits could be released and innocent people could be condemned. By whose criteria, one may ask. ellauri184.html on line 662: 2011 - Professor of Ancient History at the University of Hamburg 2008 Habilitation at the University of Augsburg 2007 - 2011 Associate Professor (with tenure) at UNC-Chapel Hill, Department of Classics 2004-2007 Assistant Professor at UNC-Chap ... more ▾ Varmaan hihhuli kerta pääsi Pohjois-Carolinaan proffaxi. ellauri184.html on line 667: Barabbas (/bəˈræbəs/; Aramaic: בר אבא Bar ellauri184.html on line 669: (Aramaic: ישוע בר אבא Yeshua Bar ʾAbbaʾ) in ellauri184.html on line 672: which he is an insurrectionary held by the ellauri184.html on line 678: rabbit” amongst Catholic school children. Den ellauri184.html on line 682: The custom of releasing prisoners in Jerusalem at Passover is known to theologians as the Paschal Pardon, but this custom (whether at Passover or any other time) is not recorded in any historical document other than the gospels, leading some scholars to question its historicity and suspect that such a custom was a mere narrative invention of the Bible´s writers like so much else in the fake good news. ellauri184.html on line 692: Among the 52 early Christian and Gnostic texts discovered at Nag Hammadi in 1945, one of the most enigmatic is a Valentinian text called the Gospel of Philip. This is one of several “Gnostic” texts which puts a special emphasis on the relationship between Mary Magdalene and Jesus. One of the more obscure sections concerns three Marys who were always with Jesus. ellauri184.html on line 708: This first is Michael, the merciful and long-suffering: and the second, who is set over all the diseases and all the wounds of the children of men, is Raphael: and the third, who is set over all the powers, is Gabriel: and the fourth, who is set over the repentance unto hope of those who inherit eternal life, is named Phanuel.’ ellauri184.html on line 710: Let us return to the topic of this article. Does Jesus Have a Sister Named Mary? ellauri184.html on line 711: Yes, according to this view, He does. It seems that Jesus and Mary share the same father, the archangel Gabriel. This makes Mary both the mother and sister of Jesus. That, at least, seems to be the implication that the Gospel of Philip is hinting at. ellauri184.html on line 719: Juutalaiset saattoi maxaa verirahaa rahastosta mutta sitä ei voinut laittaa sinne takaisin. Juuttaan kolmekybää jäi käyttämättä. Vai ostettiinko sillä joku pelto Harry Potterilta? Terävänenäiset on harvoin tyhmiä, sanoo Naahum jolla on pieni porkkana. Mut Naahum ei tiedä että Kaipparilla oli licence to kill, se halus vaan lykätä syyn roomalaisille. Elämäkertureilla oli hyvät kirkollispoliittiset syyt syyttää juutalaisia. Joten syyparka sai ryömiä takaisin synodiin. ellauri184.html on line 742: There is no contextual proof within Scripture itself that would point to Jesus broadening Mary’s role as “mother” of all Christians. In fact, Catholic teaching can only point to early church leaders as proof that Jesus meant to establish Mary’s “motherhood” to all believers in Christ or that Mary was a cooperative participant in salvation. John just took Mary into his home to care for her. The Bible does not say “from that time on Mary became the stepmother of all believers.” ellauri184.html on line 763: Let me just say: Norman Mailer is a massive loud mouthed boorish prick and yawning asshole of a man. His views towards women were...well, they were pretty fucked up for lack of better French. And his opinions on minorities has always been rather peculiar. As in very very strange. A former atheist, Mailer has now developed what seems to be his very own theology. But the book does prompt a few questions I have on this topic: ellauri184.html on line 767: Mailer is considering a God of Action, something of a Hemingway in deistic form who must prove himself with creative acts, a deity in the trenches, making mistakes, failing, succeeding, learning from his mistakes, constantly evolving.The God that interests Mailer is one guided by intuition no less than we, His creations whom we are said to resemble. Nuchem´s own self image to a jot. ellauri184.html on line 773: Jose Saramago is an atheist. This should be enough warning for everyone that desires to read the book. It is very explicit and so religion it’s exposed at its weakest and God as a character is revealed. I come from a Roman-Catholic background but I still wanted to read it, ever since the Gnostic gospel where Jesus childhood is revealed and he changes from a mischievous badly behaved kid to the Jesus from the new testament I wanted to see Saramago’s take on it. Saramago is such a master of words that he makes every bit of faith look totally illogical. ellauri184.html on line 775: It does not take long for us to find out that Saramago is extremely sharp at finding all contradictions on roman-catholic religion. In the novel God seems to be the greediest of all gods, the vainest, the most detached from his people. Detached even from his son as he appeared to him in different shapes, only in the meeting at the lake did he appear to him as a man. God does not command, he orders, he tricks his own son into following his plan to the end. Ultimately Jesus’s betrayal was his last act of martyrdom. ellauri184.html on line 779: José Saramago, therefore, gives us his vision of this unknown Jesus while reinterpreting in his sauce some biblical subjects. The result is probably not very canonical since we see a Jesus first educated by the Devil, then discovering sexuality in the arms of Mary Magdalene, a prostitute with whom he falls in love. However, I did not see any desire to satire: on the contrary, we discover a character torn by the codes of the society of his time, the gradual discovery of his identity, and above all, the feeling of being a toy of fate. ellauri184.html on line 781: The characters in the book are fascinating; my Jesuits friends and I laughed and enjoy this book. There were no doubts in our head by the end of the book. We did not feel like it shook our religion or affected the way we perceived God. This book was after all under fiction so everyone that is easily offended stay away from this book and stop complaining about blasphemy and crying around like little kids. Saramago is a Nobel price winner and foremost a grown man that is entitled to his own opinions. This one of his finest, if not the best, of his book in my opinion, a must read. Of course he is dead by now. ellauri184.html on line 783: Jesus having sex with Mary Magdalene in the whorehouse without the blessing of marriage. The demon asking Jesus to use a sheep for sexual release. An angel posing as a beggar during the Annunciation scene. The same beggar-angel walking with Mary to Bethlehem provoking jealousy to the doubting Joseph. Three shepherds instead of 3 kings visiting the family in the Bethlehem. Joseph crucified and dying on the cross mistaken as a zealot. Jesus seeing God in the desert. Jesus riding on the boat with the God and the Devil. These are some of the shocking deviations from the story that Saramago imagined and incorporated to come up with an “irreverent, profound, skeptical, funny, heretical, deeply philosophical, provocative and compelling work.” (Source: Harold Robbin who says that this is his favorite work of Saramago. So far, I agree). ellauri184.html on line 785: This is a bold fearless work and definitely not for the faint of heart. I am not surprised that when this was originally published in 1991, it created lots of controversies with the Catholic Church condemning Jose Saramago for harboring anti-religious vision and his own Portuguese government asking the European Literary Prize to remove this from its shortlist because of the book’s offensive content to religion. Despite this book’s existence, Saramago won the 1998 Nobel Prize for Literature. ellauri185.html on line 6: font-style: italic; ellauri185.html on line 58: The childless Hannah vows to Yahweh of hosts that, if she has a son, he will be dedicated to Yahweh. Eli, the priest of Shiloh, where the Ark of the Covenant is provisionally located, blesses her. A child named Samuel is born, and Samuel is dedicated to the Lord as a Nazirite—the only one besides Samson to be identified in the Bible. Eli's sons, Hophni and Phinehas, sin against God's laws and the people, a sin that causes them to die in the Battle of Aphek. But the child Samuel grows up "in the presence of the Lord." ellauri185.html on line 62: The Book of Samuel (Hebrew: ספר שמואל, Sefer Shmuel) is a book in the Hebrew Bible and two books (1 Samuel and 2 Samuel) in the Christian Old Testament. The book is part of the narrative history of Ancient Israel called the Deuteronomistic history, a series of books (Joshua, Judges, Samuel, and Kings) that constitute a theological history of the Israelites and that aim to explain God's law for Israel under the guidance of the prophets. ellauri185.html on line 66: According to Jewish tradition, the book was written by Samuel, with additions by the prophets Gad and Nathan, who together are three prophets who had appeared within 1 Chronicles during the account of David's reign. Modern scholarly thinking posits that the entire Deuteronomistic history was composed circa 630–540 BCE by combining a number of independent texts of various ages. ellauri185.html on line 73: King Hiram I of Tyre allied himself with David and Solomon in 2 Samuel, 1 Kings and 1 Chronicles. Hiram provided architects, workmen, cedar wood, and gold to build Solomon's Temple in Jerusalem. ellauri185.html on line 75: Tyre is listed among an alliance of ten nations that would conspire against God's people. Many Bible commentaries agree that this has not occurred yet historically and may be prophetic. ellauri185.html on line 77: Tyre is mentioned in the Book of Isaiah as being forgotten for 70 years, after which "she" would return to her lucrative prostitution and the profit would go to "those who live in the presence of the LORD". ellauri185.html on line 79: The Book of Jeremiah lists Tyre among many other nations that would drink from the "cup of the wine of wrath" of God. It also predicted a time when God would destroy the Philistines and every helper from Tyre and Sidon would be cut off. ellauri185.html on line 84: Tyre is also mentioned in the Book of Amos, the Psalms, and the Book of Zechariah which prophesied its destruction. ellauri185.html on line 93: Feel free to look it up yourself, but from what I can tell, everyone agrees that Ezekiel lived somewhere around 550 BC, and they mostly agree that Ezekiel himself wrote his book (as a ghost writer for JHWH). Of all the Old Testament prophets, they consider Ezekiel to be the most trustworthy (which is not saying much). ellauri185.html on line 97: The book begins with Samuel's birth and Yahweh's call to him as a boy. The story of the Ark of the Covenant follows. It tells of Israel's oppression by the Philistines, which brought about Samuel's anointing of Saul as Israel's first king. But Saul proved unworthy, and God's choice turned to David, who defeated Israel's enemies, purchased the threshing floor where his son Solomon would build the First Temple, and brought the Ark of the Covenant to Jerusalem. Yahweh then promised David and his sucessors an everlasting dynasty. ellauri185.html on line 101: In the Septuagint, a basis of the Christian biblical canons, the text is divided into two books, now called the First and Second Book of Samuel. ellauri185.html on line 102: The Philistines capture the Ark of the Covenant from Shiloh and take it to the temple of their god Dagon, who recognizes the supremacy of Yahweh. The Philistines are afflicted with plagues and return the ark to the Israelites, but to the territory of the tribe of Benjamin rather than to Shiloh. The Philistines attack the Israelites gathered at Mizpah in Benjamin. Samuel appeals to Yahweh, the Philistines are decisively beaten, and the Israelites reclaim their lost territory. ellauri185.html on line 113: Shortly thereafter, Saul leads Israel to a victory over Nahash of Ammon. Despite his numerous military victories, Saul disobeys Yahweh's instruction to destroy Amalek: Saul spares the Amalekite ruler and the best portion of the Amalekite flocks to present them as sacrifices. Samuel rebukes Saul and tells him that God has now chosen another man to be king of Israel. ellauri185.html on line 123: At this point, David offers a majestic eulogy, where he praises the bravery and magnificence of both his friend Jonathan and King Saul. ellauri185.html on line 135: David commits adultery with Bathsheba, who becomes pregnant. When her husband Uriah the Hittite returns from battle, David encourages him to go home and see his wife (to cover his own tracks) but Uriah declines in case David might need him. David then deliberately sends Uriah on a suicide mission, and for this, Yahweh sends disasters against David's house. Nathan tells David that the sword shall never depart from his house. ellauri185.html on line 141: 2 Samuel concludes with four chapters (chapters 21 to 24) that lie outside the chronological succession narrative of Saul and David, a narrative that will continue in The Book of Kings. These four supplementary chapters cover a great famine during David's reign; the execution of seven of Saul's remaining descendants, only Mephibosheth being saved (kannattiko mainita), David's song of thanksgiving, which is almost identical to Psalm 18; David's last words; a list of David's "mighty warriors"; an offering made by David using water from the well of Bethlehem; David's sinful census; a plague over Israel which David opted for as preferable to either famine or oppression; and the construction of an altar on land David purchased from Araunah the Jebusite. ellauri185.html on line 147: The chronological narrative of succession resumes in the first Book of Kings, which relates how, as David lies dying, Bathsheba and Nathan ensure Solomon's elevation to the throne. ellauri185.html on line 152: On November 16, 1491, an auto-da-fé was held outside of Ávila that ended in the public execution of several Jews and conversos. The suspects had confessed under torture to murdering a child. Among the executed were Benito García, the converso who initially confessed to the murder. However, no body was ever found and there is no evidence that a child disappeared or was killed; because of contradictory confessions, the court had trouble coherently depicting how events possibly took place. The child's very existence is also disputed. ellauri185.html on line 157: The preserved confessions of this defendant, extracted under torture, refer at first only to conversations with Benito García in gaol and incriminate them only as Judaizers, but later start to refer to a piece of witchcraft performed about four years earlier (perhaps 1487), which involved the use of a consecrated host, stolen from a church in La Guardia, and the heart of a Christian boy. ellauri185.html on line 166: In sostanza, il Cortegiano si presenta quale «moderno erede della pedagogia umanistica» in quanto l'uomo che vi si raffigura è «un uomo versatile e aperto, duttile e completo; è esperto di armi e di politica, ma sa anche di lettere, filosofia ed arti, è raffinato ma senza affettazione, è coraggioso e valente, ma senza ostentazione». In sostanza, è un trattato di pedagogia rivolto a chi vive nel mondo ristretto ed elitario delle corti. ellauri185.html on line 167: Gli ultimi anni li dedicò alla stampa del Cortegiano, uscito a Venezia per interesse del Bembo nel 1528, e alla disputa con Alfonso de Valdés riguardo all'ortodossia cattolica. ellauri185.html on line 200: 10.3.2022 klo 8.45 - Oma Profiili: Anna saattaisi myös pitää Goethen runokirjasta Ost-westlicher Divan. ellauri185.html on line 344: Everyone ought to treat everyone only in ways to which they ellauri185.html on line 368: However, perturbed by the problem of evil, he lost his own faith at the age of eight, and turned to poetry-writing. Se oli Balliolin miehiä kuten parkinsonin vaivaama Nick Ostler. Evil ei ole mikään probleema ellei ole uskovaisia. ellauri185.html on line 373: Everyone ought to regard everyone with respect, that's all. Rispektiä kehiin kuten Saul Bellowin isoäitl Lauschilla. Rakastamisesta ei mitään puhetta. Oliko Parfit juutalainen? Ei vaan pikemminkin Olavi Pylkkänen. He was born in Chengdu, western China, where his parents, Jessie (nee Browne) and Norman Parfit practised preventive medicine in Christian missionary hospitals. Life partner Janet Richards believes Parfit had Asperger syndrome. He pledged to donate at least 10% of his income to effective charities. No brittejä ei verot paljon paina. Ehkä se säästi charityrahat parturimenoista. ellauri185.html on line 381: No ei, janoamme elämämme tarkoitusta, tunnustaa Tiffany O'Really. Carlo Rövelli lohduttaa: Olisi varsin hölmöä elättää minkäänlaisia kuvitelma siitä, että ihmiskunta olisi jotenkin merkityxellinen maailmanjärjestyxelle, sen enempää kuin rottien viihtyvyys Kreikka-Egypti laivareitillä. Victor Stretcher tutkii merkityxellisyyden tärkeyttä hyvinvoinnille yhdysvaltalaisessa Michiganin yliopistossa. On vikatikki sitoa omaa merkitystään kosmiseen. Kosmos on sitäpaizi venäläisten tonttia, meillä on astronautit. Mutta, Carlo huomauttaa, vähäpätöisyytemme astraalitasolla ei millään muotoa vähennä tärkeyttämme izellemme. Pikemminkin päinvastoin! Olemme ize merkityzemme ja halujemme lähde. Sellaisexi evoluutio meidät muokkasi, izekkäixi (kz. kohta 36). Ranskalainen filosofi Albert Camus huomasi, että kiven pyöritys vuorelle josta se vierii heti alas takaisin motivoi tosi vahvasti. Elämä on kurjaa mutta onnexi olemme sentään pidentäneet sitä. Elämä on merkityxellistä, koska se on rajallista, sanoo nämä tiedemiehen pakanat. Pitää tähdätä asioihin, joita ize sattuu arvostamaan eniten. Ei mitään yli-inhimilistä! Jos meillä ei ole mitään vaikutusta maailmankaikkeuden järjestyxeen, niin mitä väliä sillä on. ellauri185.html on line 390: Paul Charles William Davies AM (born 22 April 1946) is an English physicist, writer and broadcaster, a professor in Arizona State University and Director of BEYOND: Center for Fundamental Concepts in Science. He is affiliated with the Institute for Quantum Studies in Chapman University in California. He previously held academic appointments in the University of Cambridge, University College London, University of Newcastle upon Tyne, University of Adelaide and Macquarie University. His research interests are in the fields of cosmology, quantum field theory, and astrology. He proposed that a one-way trip to Mars could be a viable option for him. His colleagues agreed whole-heartedly. ellauri185.html on line 392: In 2005, he upset the chair of the SETI: Post-Detection Science and Technology Taskgroup of the International Academy of Astronautics. Davies serves on the Advisory Council of METI (Messaging Extraterrestrial Intelligence). Davies was a co-author with Felisa Wolfe-Simon on the faked 2011 Science article "A Bacterium That Can Grow by Using Arsenic Instead of Phosphorus". Davies has been criticized for promoting a hypothesis that cancer is an evolutionary atavism or throwback to single-celled life, a claim that is biologically unfounded. ellauri185.html on line 394: A 2007 opinion piece "Taking Science on Faith" in The New York Times, generated controversy over its exploration of the role of faith in scientific inquiry. Davies argued that the faith scientists have in the immutability of physical laws has origins in Christian theology, and that the claim that science is "free of faith" is "manifestly bogus." ellauri185.html on line 396: While atheists Richard Dawkins and Victor J. Stenger have criticised Davies' public stance on science and religion, others, including the John Templeton Foundation, have praised his work. The John Templeton Foundation is a philanthropic organization that reflects the ideas of its founder, John Templeton, who became wealthy via a career as a contrarian investor, and wanted to support progress in religious and spiritual knowledge, especially at the intersection of religion and science. ellauri185.html on line 398: Jos jumala asuu viereisessä multiversumissa, sen sanansaattajien pitää matkustaa valoa nopeammin. Niiden pitää lähteä sitten matkaan tosi myöhässä, että ehtivät ajoissa perille. Siihen meidän on tyytyminen. Niin ainakin toimittaja Dick Webfoot tuumailee. ellauri185.html on line 406: Steven Arthur Pinker (born September 18, 1954) is a Canadian-American cognitive psychologist, psycholinguist, popular science author and public intellectual. He is an advocate of evolutionary psychology and the computational theory of mind. Enlightenment Now (2018) uses social science data to show a general improvement of the human condition over recent history brought by Western reason, science and humanism plus colonialism. Pinker on Hararin sielunveli, ne siteeraavat toisiaan. Pahuus on sitä mukaa vähentynyt kun jenkkihegemonia on vahvistunut. Vitun fariseuxet. ellauri185.html on line 408: Pinker was born in Montreal, Quebec, in 1954, to a middle-class Jewish family. His grandparents emigrated to Canada from Poland and Romania in 1926, and owned a small necktie factory in Montreal. His father was a lawyer. His mother eventually became a high-school vice-principal. His brother is a policy analyst for the Canadian government, while his sister, Susan Pinker, is a psychologist and writer who authored The Sexual Paradox and The Village Effect. ellauri185.html on line 412: In 2004, Pinker was named in Time's "The 100 Most Influential People in the World Today", and in the years 2005, 2008, 2010, and 2011 in Foreign Policy's list of "Top 100 Global Thinkers". Pinker was also included in Prospect Magazine's top 10 "World Thinkers" in 2013. He has won awards from the American Psychological Association, the National Academy of Sciences, the Royal Institution, the Cognitive Neuroscience Society, and the American Humanist Association. ellauri185.html on line 436: 42. Miss Universum on tajuttoman upea. Sitä ei voi tajuta. Se ei saa olla naimisissa, jotta käteenvetäjien mielikuvitusta ei kahlita. Miss Universumin tarkkailu on johtanut meidät myös pimeisiin paikkoihin, ja siitä meidän tulee olla kiitollisia. Lajimme on havainnut evoluutiossa, että uteliaisuus tappoi kissan, mutta jätti henkiin apinan. Maailma ei ole mieletön eikä järjenvastainen, väittää suspekti kosmologi Paul Davies. Painovoimalaki valvoo, vaikka me nukumme. Nain on meidankin elamassamme, hän jättää lisäämättä. Apinat työntelevät ostoskärryjä antrooppisessa valinnassa. Täällä me luuhaamme verkkomelonin kokoinen hyytelömöykky kallossa ja toisten apinoiden samanlaisia ostoskärryssä. Tämä tekee meistä hyvin erityisiä - sori en puhu nyt juuri sinusta. Sinä ja sinunlaisesi ovat suunnattomassa maailmankaikkeudessa kertakaikkisen mitättömiä. Ota tekoäly avuxi ellei oma riitä. Voi olla että tulevaisuutta ymmärtävät vain koneet. Niin voi käydä, mutta Paul Davies toivoo todella, että ei. Takuuta se ei kuitenkaan suostu antamaan Dick Webfootin sitä pyytäessä. ellauri185.html on line 468: Tämä esitys Tolstoin teologiasta ilmestyi ensixi saxankielisenä nimellä Leo Tolstois politische Ansichten v. 1923. Vasta 30-luvulla oivalsin, luettuani Antti J. Pietilän nyhverömmän teoxen Jeesuxen siveysoppi ja nykyaika (1935), että pystyisin myös teologisesti parempaan. Joten tässä se nyt on! Parempi myöhään ei kuin milloinkaan. ellauri185.html on line 590: Väkivallan käyttöä lähimmäisen puolustamiseksi häntä uhkaavaa toista väkivaltaa vastaan ei voida pitää oikeutettuna jo sen vuoksi, koska se paha, jota tahdotaan estää, ei vielä ole tapahtunut, ja meidän senvuoksi on mahdoton arvata, kumpi on oleva suurempi paha, sekö, jonka minä aion tehdä, vaiko se, jonka tahdoin estää. Mina näen ryövärin ajavan takaa nuorta nubiilia tyttöä. Minulla on kädessäni kivääri ja minä ammun ryövärin ja pelastan niin nuoren tytön. Mutta ryövärin kuolema tai haavoittuminen on varma tosiasia, jota vastoin minä en voi tietää, mitä olisi tapahtunut, jos en olisi ampunut. Ehkä ryöväri olikin kristitty ja tyttö sen partneri? Olisimmeko ehkä voineet sulassa sovussa jakaa sen?" (Gottesreich in Euch. S. 13 (27). ellauri185.html on line 683: Jo näistä lausunnoista, joita eri suuntiin täydennetään ja laajennetaan m.m. kirjoituksessa "Voivatko sotilaatkin tulla autuaiksi" (kyllä hyvinkin!), missä esitetään sotaan nähden sama myönteinen kanta, edelleen lähestyskirjeessä kristilliselle aatelille (jota nuori Saul Bellow luki Einhornin tuhopoltossa kärzänneestä Harvard Classics niteestä) ynnä muissa kirjoituksissa, selvinnee Lutherin periaatteellinen kanta väkivallan käyttöön ja siihen nojautuvaan valtiojärjestykseen. Lutherin asenne meitä askarruttavaan kysymykseen on, kuten näkyy, jyrkästi Tolstoin asenteen vastainen. Lutherin mielestä ei vuorisaarna, niin kuin kristinoppi yleensäkään, kiellä meitä suojelemasta tarpeen tullen väkivoimin ihmiselämän pyhimpiä arvoja. Päinvastoin: kristittykin on sellaiseen suojelupalvelukseen velvoitettu. ellauri185.html on line 708: It ain't no trick to get rich quick If you dig dig dig with ellauri185.html on line 709: a shovel or a pick In a mine! In a mine! In a mine! In a ellauri185.html on line 749: Salen chicagolaiset heimoveljet tuli pääsiäisenä parhaat päällä synagoogasta "rukousvälineet" siistissä samettiaskeissa. Muistelivat mieluisasti Egyptin 10 vizausta. Siinähän saivat Nasserin porukat vizaa oikein paljaalle pyllylle! ellauri185.html on line 781: In this scene from the biblical book of Exodus, Moses and Aaron (upper right) visit the pharaoh, who is mourning his son. The Egyptian ruler’s son had died from one of the plagues sent by God to secure the Israelites’ release from Egypt. The gloom of the painting reflects the father’s intense grief. ellauri185.html on line 783: Finally, the tenth and most horrific plague came, the killing for the first born child by the angel of death. To protect their first-born children, the Israelites marked their doors with lamb’s blood so the angel of death would pass over them. Thus the name Passover, which is “pesach” in Hebrew. ellauri185.html on line 794: The plagues are: water turning to blood, frogs, lice, flies, livestock pestilence, boils, hail, locusts, darkness and the killing of firstborn children. ellauri185.html on line 802: Ever since Adam, the very first human being, died, God has assigned his highest-ranking angel–Michael–to escort human souls to heaven, say believers. Musta enkeli vei päivänsankarin. ellauri185.html on line 806: On May 24, 1943, the extermination camp at Auschwitz, Poland, receives a new doctor, 32-year-old Josef Mengele, a man who will earn the nickname “the Angel of Death.” ellauri185.html on line 813: The supreme archangel Michael. Therefore, the first creation by God was the supreme archangel followed by other archangels, who are identified with lower intellects, IQ in the range 80-100. Gabriel is rumored to have been the biological father of both Virgin Mary and her son. He was not the sharpest knife in the drawer, but a looker, and a slick customer, like his mate, who humped Lysia while Gabriel was talking up her mother. ellauri185.html on line 824: Inbreeding is the production of offspring from the mating or breeding of individuals or organisms that are closely related genetically. By analogy, the term is used in human reproduction, but more commonly refers to the genetic disorders and other consequences that may arise from expression of deleterious or recessive traits resulting from incestuous sexual relationships and consanguinity in lower animals. It is not nice to use such terms of humans. ellauri185.html on line 826: Offspring of biologically related persons are subject to the possible effects of inbreeding, such as congenital birth defects. The chances of such disorders are increased when the biological parents are more closely related. ellauri185.html on line 827: Results: American Indians/Alaska Natives had a significantly higher and 50% or greater prevalence for 7 conditions (anotia or microtia, cleft lip, trisomy 18, encephalocele, lower, upper, and any limb deficiency). Cubans and Asians, especially Chinese and Asian Indians, had either significantly lower or similar prevalences of these defects compared with non-Hispanic Whites. ellauri185.html on line 830: The general negative outlook and eschewal of inbreeding that is prevalent in the Western world today has roots from over 2000 years ago. Specifically, written documents such as the Bible illustrate that there have been laws and social customs that have called for the abstention from inbreeding. ellauri185.html on line 832: Judaism teaches that human beings are not basically sinful. We come into the world neither carrying the burden of sin committed by our ancestors nor tainted by it. Rather, sin, chet, is the result of our human inclinations, the yetzer, which must be properly channeled. Chet literally means something that goes astray. ellauri185.html on line 836: Despite all its disadvantages, inbreeding can also have a variety of advantages, such as ensuring a child produced from the mating contains, and will pass on, a higher percentage of its mother/father's genetics, reducing the recombination load, and allowing the expression of recessive advantageous phenotypes. Some species with a Haplodiploidy mating system depend on the ability to produce sons to mate with as a means of ensuring a mate can be found if no other male is available. It has been proposed that under circumstances when the advantages of inbreeding outweigh the disadvantages, preferential breeding within small groups could be promoted, potentially leading to speciation. ellauri185.html on line 838: In the Western world some Anabaptist groups are highly inbred because they originate from small founder populations and until today marriage outside the groups is not allowed for members. Especially the Reidenbach Old Order Mennonites and the Hutterites stem from very small founder populations. The same is true for some Hasidic and Haredi Jewish groups. ellauri185.html on line 840: Of the practicing regions, Middle Eastern and northern Africa territories show the greatest frequencies of consanguinity. The link between the high frequency and the region is primarily due to the dominance of Islamic populations, who have historically engaged in familyline relations. ellauri185.html on line 844: Genetic sexual attraction is a concept in which a strong sexual attraction may develop between close blood relatives who first meet as adults. There is no evidence for genetic sexual attraction being an actual phenomenon, and the hypothesis is regarded as pseudoscience. ellauri185.html on line 846: Instead, certain body odours are connected to human sexual attraction. Humans can make use of body odour subconsciously to identify whether a potential mate will pass on favourable traits to their offspring. Body odour may provide significant cues about the genetic quality, health and reproductive success of a potential mate. Body odour affects sexual attraction in a number of ways including through human biology, the menstrual cycle and fluctuating asymmetry. The olfactory membrane plays a role in smelling and subconsciously assessing another human's pheromones. It also affects the sexual attraction of insects and mammals. The major histocompatibility complex genes are important for the immune system, and appear to play a role in sexual attraction via body odour. Studies have shown that body odor is strongly connected with attraction in heterosexual females. The women in one study ranked body odor as more important for attraction than “looks”. Humans may not simply depend on visual and verbal senses to be attracted to a possible partner/mate. That's hard science, no pseudo, mate! ellauri185.html on line 855: In Leader's Bellow biography Vol 2, “Love and Strife,” the novel “Herzog” is published on the very first page and reaches No. 1 on the best-seller list, supplanting John le Carré’s ‘The Spy Who Came In From the Cold.’ Never again would Bellow, about to turn 50 years old, lack for wealth, power, awards or flunkies to stand by him, ready to take his coat and do his bidding. The temptation for someone in his position was to become an insufferable, spoiled monster. And Bellow quickly gave in to temptation. ellauri185.html on line 857: Bellow’s bad temper in the late ’60s was by no means directed exclusively at would-be biographers, radical students and aggrieved wives. Bellow had so many targets to attack, whether insulting them face to face or in blistering letters or put-downs circulated through intermediaries. One of his favorite one-liners ran: “Let’s you and him fight.” The most salient recipients of Bellow’s bad temper in this biography were his three sons, each from a different mother — the oldest 21 when this volume starts, the youngest just 1 year old and about to be abandoned after yet another divorce. ellauri185.html on line 859: The celebrated writer kept romances alive in different cities, two or three at any given time — with students and faculty divorcées at the University of Chicago, assistants at The New Yorker, even his housecleaner. A dreary train of affairs. ellauri185.html on line 863: The irony in Bellow’s soul was that he craved love and experience, and learned to view people coldly and clinically. The writer Amos Oz recalled most vividly from his friendship with Bellow an exchange that they shared privately about death. “I said I was hoping to die in my sleep, but Saul responded by saying that, on the contrary, he would like to die wide awake and fully conscious, because his death is such a crucial experience he wouldn’t want to miss it.” ellauri185.html on line 865: As previous biographers have discovered, it’s difficult to write an endearing biography of Bellow. “Was I a man or was I a jerk?” Bellow inquired on his deathbed. The answer should be obvious. ellauri188.html on line 6: font-style: italic; ellauri188.html on line 72: Une institution culturelle dénommée Académie marquisienne - « Tuhuna ’Eo Enata ». a comme mission de sauvegarder et d'enrichir le marquisien. ellauri188.html on line 78: The islands in the group fall naturally into two geographical divisions. One is the northern group, consisting of Eiao, Hatutu (Hatutaa), Motu One, and the islands surrounding the large island of Nuku Hiva: Motu Iti, also called Hatu Iti; Ua Pou; Motu Oa; and Ua Huka). The other is the southern group, consisting of Fatu Uku, Tahuata, Moho Tani (Motane), Terihi, Fatu Hiva, and Motu Nao (also called Thomasset Rock), which are clustered around the main island of Hiva ʻOa. ellauri188.html on line 80: Although Polynesia tends to be associated with images of lush tropical vegetation, and the Marquesas lie within the tropics, they are remarkably dry. ellauri188.html on line 81: The inhabitants historically made a living by fishing, collecting shellfish, hunting birds, and gardening. They relied heavily on breadfruit but raised at least 32 other introduced crops. ellauri188.html on line 90: Most of the population of the Marquesas Islands is Christian as a consequence of the missionary activity of the Catholic Church, and various Protestant Christian groups. The main church in the area is the Cathedral of Our Lady of Taiohae (Cathédrale Notre-Dame de Taiohae) seat of the Catholic Diocese of Taiohae (Dioecesis Taiohaënus seu Humanae Telluris). ellauri188.html on line 92: There does not appear to be any big success stories of missionary work in the Marquesas Islands. The first missionaries to arrive in the Marquesas from 1797, coming from England via Tahiti, were William Pascoe Crook (1775-1846) and John Harris (1754-1819) of the London Missionary Society. Harris could not endure the conditions at all and returned to Tahiti only a few months later. A contemporary report says that he was picked up on the beach, utterly desperate, naked and looted. Crook remained until 1799. ellauri188.html on line 94: The American mission from Hawaii was no more successful. William Patterson Alexander (1805-1864), Benjamin Parker (1803-1877), and Richard Armstrong (1805-1860) arrived in the Marquesas in 1834 from Hawaii with their wives and a three-month-old baby. They returned the same year. In 1853, more missionaries led by James Kekela (1824-1904) arrived at Fatu Hiva with their wives from Hawaii, but were unable to remain there because of clashes with Catholic missionaries arriving on a French warship. ellauri188.html on line 96: Protestants went to Hiva Oa, but even there they had little success. There were few converts, tribal warfare and human sacrifice continued. Protestant missionaries gradually left Hiva Oa and returned to Hawaii, only James Kekkilä remained. In 1899 he also returned to Hawaii and died in Honolulu on November 29, 1904. Hawaiian-born missionary James Bicknell translated the Gospel of John into the Marquesan language in 1857. ellauri188.html on line 98: From 1838 to 1839, the Catholic mission was able to establish itself, supported by the French order Pères et religieuses des Sacrés-Cœurs de Picpus, which was not founded until 1800. The missionaries spread from Mangareva to Tahuata, Ua Pou, Fatu Hiva and Nuku Hiva. They suffered the same hostile reception and tribal warfare as their fellow Protestants. However, with the support of the French authorities, they were able to sustain themselves in the long run, despite all the obstacles. They even managed to baptize King Moana of Nuku Hiva, who, however, died of smallpox in 1863. Regrettably, but he got salvaged anyway. ellauri188.html on line 100: The missionaries of all denominations did their best to eradicate the traditional culture with the consumption of kava, fertility and virility rites, tattoos, skull dissection, dance and traditional music, but they also tried – and finally succeeded – to put an end to cannibalism, human sacrifice and constant tribal warfare. ellauri188.html on line 120: He invites correspondence, hence this communication. Mr. Wester refers to statements in the romantic "White Shadows in the South Seas," and to the inter- esting article by Church in the Geographie for Octo- ber, 1919, and mentions Church's prediction that in ten years from that date "there would not be a full- blooded Marquesan alive." If taken literally, this would mean that the year 1929 or 1930 will witness the extinction of all pare-blooded Marquesans, and consequently, very shortly after, according to Wester, the gradual dying out of all Marquesan breadfruit. ellauri188.html on line 128: I found the breadfruit abundant on all the islands visited (fortunately, I was not obliged to eat poipoi) somewhat dwarfed when growing in the "jungle" in neglected valleys, but an enormous and noble tree when given space. The "jungle" of the Marquesas, by the way (although the islands are between 8 and 11 degrees south latitude) is by no means a tropical jungle as the latter is usually pictured, but is made up very largely of young and old and dying and dead specimens of the Fau, or Purao tree, a native hibiscus which grows to a large size, and is much used by the natives for building. One does not see, in the Marquesas, the rank, choking growths peculiar to Brazil, Central America and other really tropical countries. The appearance of the valleys in that group is more subtropical than tropical, and hence, while this growth may dwarf the breadfruit to a greater or less extent, it does not seem that it would always be fatal to its existence. ellauri188.html on line 130: It is perhaps appropriate to describe briefly, in this connection, the agricultural conditions in Typee Vai, the valley on Nukuhiva made famous by Melville's classie "Typee." It will be remembered by those who have read his narrative that he escaped from his ship. in Taiohae Bay in 1842 and was held a prisoner for many months by the eannibals of Typee. At that time he figured the inhabitants of the valley as repre sented by about 2,000 souls, with perhaps 2,000 more in the neighboring valley of Houmi. A period of 80 years has elapsed (not a long time historically) be tween his sojourn there and my visit in 1922. In November of that year I found 44 people in Typee, and 65 in Houmi, though from Pere Simeon Delmar, the charming and self-sacrificing priest at Taiohae, who is in close touch with all his people, I learned. that the death rate in Typee had been normal for several years and that one or two families there had many children. I was astonished at the appearance of Typee Valley; for, from reading "White Shadows" and from ellauri188.html on line 131: Church's story, and from Mrs. Handy's article in the Yale Review for July, 1922, I expected to see a valley of desolation and ruin, with perhaps a dozen decrepit ellauri188.html on line 135: But the most astonishing revelations were the (few to be sure) large and luxuriant plantations of cocoanut palm, bananas and some breadfruit which checkered ellauri188.html on line 136: the lower part. As I stood on the ridge between Happar Valley and Typee and looked down into the latter, I was not only amazed at seeing evidence of comparative prosperity, though in a limited area, where I expected utter- desolation, but I was deeply impressed with the agricultural possibilities of this historic region. ellauri188.html on line 137: Finally, I believe the most significant factor in this matter of the preservation of breadfruit, both in the Marquesas and Society Islands, is the presence in the ellauri188.html on line 138: latter group of enormous and ever-increasing numbers of Chinese or half-Chinese who are as industrious and thrifty as the native is lazy and profligate. It looks as if they will very shortly own the islands in the eastern Pacific commercially. ellauri188.html on line 140: I will venture to say that in ten years Tahiti, picturesque and romantic for so long a time, will have lost its charm because of the presence of hordes of low-caste Chinese and half-bloods. However unattractive this may be from the standpoint of the tourist and sentimentalist, there is no contradicting the fact that they will make these islands a thousand times more productive than would the pure-blooded native, and their skill and habits of application will undoubtedly extend to the preservation of the breadfruit. The Chinese and half-blood Chinese are on all the Marquesan islands which are inhabited, and it will be to their financial interest as well as to the interest of their personal food supply, to preserve the breadfruit there as well as in the Societies. It is notable that the cocoanut and banana plantations and papaye (papaw) groves in Typee at the time of my visit, were either owned or worked by Chinese or half-bloods (Chinese + Tahitian or Chinese + Marquesan). ellauri188.html on line 142: Referring to the last paragraph in Mr. Wester's communication-It would appear that if one is dependent, as was the writer, upon trading schooners to get from Tahiti to the Marquesas, then amongst these islands and return to Tahiti, his program for work in these two groups would take more than a year and his estimate of expense might, in consequence, be exceeded. Sometimes one is obliged to wait from one month to three to get the opportunity to move from one island in the Marquesas to another forty or fifty or eighty miles away, so rare and uncertain are the visits of these schooners. Further, in the absence of any regular means of communication, one has to seize any chance opportunity of transportation or run the risk of being marooned for a long period. On the other hand, if a schooner were chartered, which is the best possible way of visiting and working among the South Sea Islands, schooner, captain, crew and provisions would cost about $1,000 per month (this figure was obtained from an authoritative source) and a year on shipboard might not be needed. Under such conditions Mr. Wester's calculation of $8,500 for a year's work in the Marquesas and Societies may not be far out of the way. ellauri188.html on line 147: Since writing the above I have received a letter from Dr. Linton in which he says: "... I certainly do not think that either the full-blooded Marquesans or the breadfruit are in immediate danger of extinction. The natives of Uapu and Uahuka are slightly on the increase and those of Fatuhiva are holding their own." ellauri188.html on line 311: In the 1840s Britain and France considered sponsoring continued independence of the Republic of Texas and blocking U.S. moves to obtain California. Balance of power considerations made Britain want to keep the western territories out of U.S. hands to limit U.S. power; in the end, France opposed such intervention in order to limit British power, the same reason for which France had sold Louisiana to the U.S. and earlier supported the American Revolution. Thus the great majority of the territorial growth of the continental United States was accepted without question by Paris. ellauri188.html on line 372: Mr. Melvill and his Prick ellauri188.html on line 376: Hän saavutti kirjallisen uransa alkupuolella menestystä merta käsitelleillä seikkailukertomuksillaan, mutta myöhemmin hänen suosionsa hiipui ja kuollessaan hänet oli melkein unohdettu. Myöhemmin Melville on konstruoitu ihan väkinäisesti yhdeksi amerikkalaisen kirjallisuuden keskeisistä klassikoista. Hänen tunnetuin teoksensa on valaanpyytäjistä kertova Moby Dick. ellauri188.html on line 379: icflickr.com/65535/48627257548_959f9450be.jpg" height="300px" /> ellauri188.html on line 380: Melvillen kanssa Acushnet-alukselta Nuku Hivalla karannut Richard Tobias "Toby" Greene ja Hermanni. Söpöjä meripoikia. ellauri188.html on line 386: Palattuaan Yhdysvaltoihin Melville teki jälleen tilapäisiä töitä. Hän päätyi jälleen merille, kun hän lähti 22-vuotiaana valaanpyyntialus Acushnetin mukana Tyynellemerelle 3. tammikuuta 1841. Melville jätti 9. heinäkuuta 1842 yhdessä Richard Tobias Greenen kanssa aluksen Nuku Hivalla Marquesassaarilla ja karkasi saaren sisäosiin. Paikalliset naapuriheimoja kohtaan aggressiiviset ja jopa kannibalismia harjoittaneet taipiit nappasivat Melvillen ja Greenen. Tärkein lähde Melvillen Nuku Hivan -ajasta on hänen seikkailullinen matkakirjansa Taipii – kappale polynesialaisten elämää, jonka perusteella hän oli saarella sekä vankina että vieraana. Melville asui taipiiden luona neljä viikkoa ja listautui sen jälkeen australiaiselle valaanpyyntialukselle Lucy-Ann. Hän kieltäytyi aluksella työnteosta, ja hänet vangittiin Tahitilla. Sieltä hän pääsi Havaijille, missä hänestä tuli Yhdysvaltain laivaston USS United Statesin matruusi. Elokuussa 1843 alkanut kotimatka Havaijilta päättyi Bostoniin 14 kuukautta myöhemmin. ellauri188.html on line 392: 31-vuotiaana Melville tapasi Pittsfieldissä kesällä 1850 46-vuotiaan Nathaniel Hawthornen, jonka kanssa "ystävystyi". Kirjailijat viettivät paljon aikaa keskustellen komeista intellektuelleista ja filosofisista asioista. Hawthorne myös vaikutti Melvillen seuraavan romaanin Moby Dick sisältöön, sillä hän kannusti Melvilleä tekemään siitäkin allegorisen tarinan suoran valaanpyyntikertomuksen sijaan. Ai siis mitä? kysyi Hermanni. No kikkeli, kikkeli, tietysti, selvitti Nat kärsimättömästi. Vaikka kirja on nykyään todella tunnettu, omana aikanaan se oli paha pettymys. Sitä myytiin koko Melvillen elinaikana vain 3 000 kappaletta. Hänen seuraava romaaninsa Pierre oli vieläkin suurempi floppi. ellauri188.html on line 394: Pierren julkaisun jälkeen Melville yritti saada töitä konsulaattina. Hän julkaisi vuosina 1853–1856 neljätoista novellia ja pientä kirjoitelmaa sanomalehdissä. Melvillen taloudellinen tilanne heikkeni, eikä hänen ensimmäisiä runojaan suostuttu julkaisemaan. Hän joutui myymään talonsakin, mutta sai lopulta 1866 töitä tullitarkastajana. Hän jatkoi kuitenkin kirjoittamista, ja joitain hänen runojaan julkaistiinkin. Melville jäi eläkkeelle 1889 ja kuoli 1891. Kirjallisuuspiirit olivat tuolloin käytännössä unohtaneet hänen uransa, ja The New York Timesin kuolinilmoituksessa Moby Dick oli kirjoitettu väärin Mobile Dick. Ei sentään Prick. ellauri188.html on line 415: Josh's other projects included the horror-thriller Child of Darkness, Child of Light, an adaptation of Paterson's novel Virgin, a tale of two Catholic virgin schoolgirls, that folded when they were both found pregnant under mysterious and supernatural circumstances. To avoid being caught red "handed" Lucas relocated to Australia to play the hot "headed" American cousin Luke McGregor opposite Andrew Clarke and Guy Pearce in the first season of the family western Snowy River: The McGregor Saga. Lucas appeared in all 13 episodes of the first season, but claimed in a later interview that despite the friendly reception by Rhonda Byrne, he was homesick for the United States, and his character was killed off in the second episode of season 2. ellauri188.html on line 417: The second part of his career began with a lead role in the British rowing film Big Blue (released in the US as Miracle and as Debacle at Oxford), in which he played a hotshot Navy rower who recruited another American, "Toby", to help US win our annual round Nuku Hiva boat race with the Frenchies. ellauri188.html on line 422: Following a series of half hearted operations to reset his nose, he began gathering larger roles in films like American Psycho, The Weight of Water, Session 9, The Dancer, and When Strangers Appear You Can Count on Me. ellauri188.html on line 426: Lucas's career also includes voice-over work (or voice acting) as Dog with Breathe Bible. Lucas is also an owner and promoter of the company Filthy Dog Food. ellauri188.html on line 427: Lucas met freelance writer Jessica "Chichua" Ciencin Henriquez at a dog park in 2011. They became knotted six weeks later and got loose on March 17, 2012, in Central Park. Their pup, Noah Reb Maurer, was born in June 2012. In January 2014, Ciencin Henriquez filed for a divorce that became final in October 2014. ellauri188.html on line 429: HIV/AIDS prevention would have been particularly important to him. He's NOT gay or Jewish NOR is the restaurant owner "Tucker" oriental, though he looks like it. He is half Irish, quarter Polish and quarter Italian. What a bummer. ellauri188.html on line 473: Lyrics.fi löysi 25 viisua joissa silmä sumenee, mm. Egotrippi teinikuningatar, muttei Holloa. ellauri188.html on line 477: icture-in-picture; web-share" allowfullscreen> ellauri189.html on line 6: font-style: italic; ellauri189.html on line 41: icture-in-picture" allowfullscreen> ellauri189.html on line 70: Antoni Malczewski (3 June 1793 – 2 May 1826) was a Polish romantic poet, known for his only work, "a narrative poem of dire pessimism", Maria (1825). ellauri189.html on line 72: Malczewski was born to a wealthy family in either Volhynia or Warsaw, and attended school in Krzemieniec (modern-day Kremenets, Ukraine), but did not graduate. He joined the army of the short-lived Duchy of Warsaw during the Napoleonic Wars in 1811, and remained in the army of Congress Poland under Emperor Alexander from 1815. He was wounded in the foot in a duel in 1816 and so had to leave the army. ellauri189.html on line 75: After leaving the army, he spent several years traveling through western Europe, staying some time in Paris, climbing Mont Blanc in 1818, and spending a good portion of his inherited fortune. He returned to his estate in Volhynia in 1821, where he began an ill-fated affair with a married woman and began writing. He moved to Warsaw in 1824, where he published the poetic novel Maria at his own expense in 1825, and died in poverty the next year in unclear circumstances. ellauri189.html on line 77: "Maria" was hailed by the younger generation as one of the first authentic literary products of Polish romanticism (the adherents of the so-called Warsaw Classicism were, on the contrary, horrified by the dark plot and the author’s preference for “provincial” words and expressions). Malczewski was then already in poor health and, before a year had passed, in May 1826, he died – impoverished and disgraced because of his affair with a hysterical married woman (whom he was supposed to heal by means of mesmerism – after his death she returned to her husband). ellauri189.html on line 79: In 1825 Antoni Malczewski published a long poem, Maria (Marya: A Tale of the Ukraine), which constitutes his only contribution to Polish poetry but occupies a permanent place there as a widely imitated example of the so-called Polish-Ukrainian poetic school. In the poem, Wacław, a young husband, goes to fight the Tatars and, after routing the raiders, hurries home to his wife, Maria. All he finds is a cold corpse. Yeah, great. Oh fuck. What's the use. The poem makes use of diversified rhythms and carefully chosen rhymes; and its Byronic hero, as well as its picture of Ukraine as a land of sombre charm, assured Malczewski both popularity and critical applause. ellauri189.html on line 81: It is generally held to be most influenced by Lord Byron, whom Malczewski had met in Venice during his travels around western Europe, though it is considerably more gloomy and Gothic than Byron's work. Malczewski is sometimes considered part of the "Ukrainian school" in Polish poetry, though others consider his work to stand uniquely separate. Maria was also influential on later Polish poets, especially Adam Mickiewicz, and on writer Joseph Conrad, although he was not a romantic as such. Well, some of his stuff is pretty gooey, like Nostromo, the Panamanian guy. ellauri189.html on line 83: It has often been stressed that the particular fascination that imparts itself to the reader of Maria is intimately connected with the mood of the Ukrainian ellauri189.html on line 84: scenery, especially the so-called Dzikie Pola (“Waste Fields”), a vast area in the South-West of the Ukraine, bordered by the rivers Dnieper and Dniester, where the Russian tanks now sit stuck in the mud. In the seventeenth century it was scarcely populated and continually raided by the Tartars from the Crimea. The Cossacks, who defended this borderland, were originally allies of Poland. However, they resented their disdainful treatment by the szlachta (the Polish gentry) and particularly the magnates, who owned large manors with serfs. ellauri189.html on line 89: to them, they turned (in 1648) against their former rulers. The vicissitudes of a series of risings, during which both sides committed unspeakable cruelties, were often shown in the “frenetic” tales and dramas of the younger contemporaries ellauri189.html on line 91: to the public as the Ukrainian School of romantic poetry. ellauri189.html on line 108: are essential to the aesthetic appreciation of the poem and appear to be much ellauri189.html on line 109: more important than its very Byronic plot, of which I will give only a short outline. The son of a wealthy magnate has fallen in love with the daughter of a petty nobleman (miecznik, the “sword-bearer”, a purely nominal provincial ellauri189.html on line 112: Before engaging in battle Wacław visits his father-in-law and Maria (who slowly fades away, feeding on an ever-diminishing hope) to bring them the good news. The patriotic miecznik cannot, in spite of his advanced age, refrain from joining the band of his son-in-law, leaving his home and daughter without protection. The Tartars are finally (but not without difficulty) defeated and Wacław, in exultant mood, rides by night over the boundless steppe to unite with his wife as the messenger of victory. When he arrives, the manor-house of the miecznik appears to be abandoned. There are no signs of life. Entering a room, he discovers Maria, lying on a couch, her clothes in disorder, like a marble statue. It is evident that her vital strength has been extinguished, but he tries to make himself believe that she has only fainted and rushes out of the house, shouting: “O, water, water!”. Thereupon the “small figure” of a melancholy youth (“pacholę”) jumps from the thicket and relates to Wacław the events that have happened. ellauri189.html on line 115: ciemnym ludzkich uczuć i posępnym lesie”) he will not shrink from the ellauri189.html on line 116: ultimate crime of parricide. In the concluding section of the poem we find the ellauri189.html on line 122: I cicho – gdzie trzy mogił w posępnej drużynie; ellauri189.html on line 128: As already pointed out, many readers were susceptible to the particular emotional aura, by which Maria seems to be pervaded, and connected it with the Ukrainian ellauri189.html on line 129: landscape. Communing with the monotonous plain that extends as far as the horizon, where it melts into the heaven, the author discovers that “mood” (Heidegger’s Gestimmtsein) is the fundamental human mode of being-in-the-world. The level plain and the hemisphere (earth and heaven) constitute a spatial totality that is self-enclosed: Being combines flatness with the curve of the hemisphere, the linear with the cyclical perspective (from an empirical point of view only half of its orbit is visible to man though he can of course turn around to see the rest of it): ellauri189.html on line 141: dome with the terrestrial plain. In this space that is both boundless and hermetic (when we attempt to translate existential qualities that are experienced ellauri189.html on line 143: heterogeneous concept) man enacts the drama of his life. The borders of this realm are indicated by the movement of the sun, arising from behind the horizon and, after moving through half of its orbit, again setting beyond this infinitely receding meeting point between heaven and earth. In Malczewski’s ellauri189.html on line 148: Podobni do jakiego od Niebianów. (52, my italics, A.v.N.) ellauri189.html on line 173: icture-in-picture" allowfullscreen> ellauri189.html on line 196: (The sun had already walked along his wide curve and tinged the grey clouds with a crimson glow; with a yellow light quivering over earth and water, he burnt, setting, on his rich throne. Already his look, full of wonder, does not blind, but spreads mild, visible rays and, taking a short farewell, before burying himself in the deep, he allows mortal eyes to look at him; still – during this last moment he does not hastily disappear, [for he wants] to nourish all creatures with a smile of life; still he glances through the windows in ellauri189.html on line 199: The centre of our planetary system is the visible sign of the infinity of immanence and contains the cyclical essence of being, not merely indicating this con-dition, but also embodying it: this celestial body is subject to an infinite movement without apparent linear direction. But the stages of the sun’s voyage could also be interpreted as stages of human life (birth, youth, maturity, old age) and this circumstance inclines man to perceive a similarity between a celestial body and a feeling sublunary body (does man deceive himself, thinking it a bond of ellauri189.html on line 202: However, romantics aside, in reality these entirely different bodies share only one quality: they race towards nothingness, like all phenomena, either hurrying towards an unknown distance (the linear perspective), or turning around with the ellauri189.html on line 206: Malczewski’s worldview (Weltanschauung) seems at first sight very much akin to Schopenhauer’s metaphysical pessimism (the fact that the German philosopher’s main treatise Die Welt als Wille und Vorstellung was almost neglected by his contemporaries, should not close our eyes to the fact that the first part of it was written immediately after the Napoleonic wars; it belongs to the same époque as Maria). ellauri189.html on line 209: with its receding horizon, melting into heaven, shows two different countenances of infinity. Man may spontaneously recognize the identity of linear and cyclical infinity, but the basis of this identity is not an empirically established fact, but an assumption, a matter of belief. The wheel of Karma is not so different from Schopenhauers endless rounds of the lush parks of Frankfurt following the dark star behind his poodle Atman. ellauri189.html on line 211: There is no escape from the infinity of being that is spontaneously experienced as contingent, lacking an ultimate justification, a goal that, in order to ellauri189.html on line 212: satisfy man, must be situated somewhere in space (be present as a phenomenon), which on the one hand is represented as receding into an infinite distance, and on the other hand as a “theatre”, in which phenomena eternally repeat the same circular movement (only half of their orbit is visible against the background of the heavenly dome – the other half remains hidden in the dark). ellauri189.html on line 214: The boundless steppe of the Ukraine turns out to be a cage with invisible bars. Man appears at first sight to be free, without apparent goal roaming over the plain of life, being a lord of the steppe, “a king of the wilderness” (“król pustyni”), or tries to create in a premeditated manner his own future, deciding – by the way – on the fate of his fellow men (the source of unceasing conflicts). However, in the latter case he often unwittingly obeys the voice of his own wild, unruly nature. The ambivalence of this situation seems to be intimately connected with the concept of romantic irony. Man possesses the ability to objectify his passions, i.e. he can explain them psychologically, by means of a chain of causes and effects, but he still remains the slave of this volitional nature that constitutes his innermost self, always and ever receding (like the horizon of the Ukrainian plain) when he tries to catch it (the idea of the Unconscious does not really explain this “schizophrenic” state of mind – it merely affirms man’s essential homelessness: I am myself, when I realize that my self eternally escapes me). - I can relate to that, says the Russian tank driver sitting stuck in the Ukrainian mud. ellauri189.html on line 216: The male protagonists of Maria (in particular the wojewoda and his son Wacław ellauri189.html on line 219: perpetrators and victims) shows the illusoriness of this conviction. ellauri189.html on line 237: Już ucichli surmacze, Sen Szczęście osłania ellauri189.html on line 250: Jadwiga Maria Kinga Bal (Balowa) of Zaleszczyki, née Brunicka (July 26, 1879 – January 1, 1955) was a Polish baroness and a lifelong muse of Jacek Malczewski, considered Poland's national painter. She served as the live model for a series of his symbolic portrayals of women, as well as nude studies and mythological beings. Most were completed before the interwar period when Poland had not yet achieved independence. ellauri189.html on line 254: ‘Maria’, a poetic tale of Antoni Malczewski about the abundant Ukraine and the vacant steppe. ellauri189.html on line 256: Iga rated it did not like it Oct 27. It was only after his death that critics realized the originality of Mary, by Malczeski – released in 1825 – that it was in fact the first Polish narrative poem. The injury of an ankle, which Malczewski had sustained defending his lover’s good name, destroyed the writer’s military career; the injury returned and he could not participate in Napoleon’s campaign against Russia in 1812. ellauri189.html on line 258: Aga rated it it was ok Mar 22, I love all the motifs, the atmosphere and the time period. Fascinated by Byron, Malczewski used complicated narration, an odd sequence of events, blanks, ambiguities and puzzles in his work. ellauri189.html on line 260: Gabriela Korwin – Piotrowska rated it did not like it Jun 02. First, Malczewski paints the picture of a Cossack galloping on black st Well. ellauri189.html on line 322: Tämän lisäksi on hyvä muistaa, että aika harva nainen on aloittanut sotia. Vain ne jotka on päässeet keon huipulle, eikä niitä ole monta. Olet niin oikeassa siitä, etteivät naiset aloita sotia. Menneisyydenkin soturikuningattaret, kuten Zenobia ja Boudicca vain puolustivat omaa maataan, toisin kuin miekkoset, he eivät hyökänneet mihinkään. Sotilaita vaan lähettivät. ellauri189.html on line 406: SEACRET is the exclusive name bohind the luxurious skin care and spa product lino, based on salt water. mud and ancient perhaps even mystical minerals, found in only one place on earth: the Doad Sea! ellauri189.html on line 408: SEACRET is a globally notorious cosmetic company that offers a wide range of products for men and women. The unique combination of innovative technology and healing Dead Sca and natural ingredients transforms SEACRET into an exclusive, sought after and high quality brand: ellauri189.html on line 410: The Dead Sea is situated at the lowest point on Earth and also the saltiost. It contains salt at a concentration level 10 timos higher than other ocoons and its wators are saturated in minerals, 12 of which are unique only to the Dead Sea. The minerals found in the Dead Sea and its sodimont mud is known all over the world for its healing, renewal and rejuvenation proportios ellauri189.html on line 412: A leading international company, SEACRET is committed to using advanced technologios, strict laboratory testing and clinical research in the manufacture of its products with a strong emphasis on innovation and expertise. ellauri189.html on line 414: SEACRET products are available for purchase on this website and from hundreds of sales points around the world including shopping malls in North America, Australia, Japan, India, South America and Europo with now locations around the world constantly added to the list. ellauri189.html on line 422: Dead Sea is the lowest point on the planet and one of the most unique environments around the world. It lies on the borders of Jordan, the West Bank and Israel. Known for its high-density waters and mineral rich soils, the Dead Sea is visited by a large number of tourists from all over the world. Its soils contain minerals such as potassium, magnesium, calcium, and salt.These minerals are used in cosmetics, chemical products such as industrial salts and are even used in table salts for home use. ellauri189.html on line 424: The once mineral-rich Dead Sea has shrunk to the size of a small and pitiful pond. Water levels have been dropping at a rate of 1 meter per annum. Currently it lies 1,300 feet below sea level and if the rate of decline continues it will reach 1,800 feet below sea level before the end of the century. This sharp decline is due to the over-exploitation of its minerals, the use of its water for desalination, and the large increase in agriculture in both Jordan and Israel. ellauri189.html on line 426: Many environmental casualties have been associated with the rapid retreat in the shoreline of the Dead Sea. An example is the emergence of sinkholes. An older and well attested phenomenon in the area is the emergence of assholes. Many residential areas and roads around the Dead Sea have been destroyed by sinkholes because of shitholes. Sinkholes are natural depressions in the Earth’s surface caused by the chemical dissolution of nutrients in the soil. These sinkholes endanger the lives of locals and the fun of tourists alike. ellauri189.html on line 428: In an attempt to save the Dead Sea, the governments of Jordan and Israel plan to implement a project called the “Red to Dead Water Conveyance Plan” which involves building of a pipeline that connects both the Red and the Dead Sea and pumping around two thousand million cubic meters (mcm) of water per year into the latter which is equivalent to the water produced by 60 desalination plants in a day. However, many scientists are skeptical of this project due to the many problems that would arise including: ellauri189.html on line 436: On the basis of these apprehensions it seems that this project would do little to help rectify the problem and might even add to it. An alternative way to save the Dead Sea would be to rehabilitate the Jordan River. As it stands today, only 50 mcm of water from the Jordan River reaches the Dead Sea as opposed to 1.3 billion cubic meters in 1950. ellauri189.html on line 438: The Jordan River is a shadow of what it once was. The river acts as the main water source for Jordan, Israel, and the West Bank. As a result, 90% of the fresh water that replenishes it is diverted to agriculture. Another problem facing it is pollution from agricultural and wastewater run-offs. About 50% of the agricultural run-offs from the surrounding areas are dumped into the river which has caused its water levels to drop dramatically. ellauri189.html on line 442: Please be respectful of copyright, says National Geographic. Samaa voisi sanoa J. Kastaja. ellauri189.html on line 456: We promise to serve you with outstanding customer servicio. Not sure how to use a product? Havo a question or suggestion? Please contact our customer Care Tom. Your trust is very important to us, at least we promise to work hard to maintain it. ellauri189.html on line 458: We promise to manage our business with honesty and fairness. At SEACRET, we aro fully committed to uncompromising integrity in overything we do. We maintain a philosophy of transparency in every aspect of business ethics. Exepting income and taxes, of course. ellauri189.html on line 463: Seacret is an MLM (multi-level marketing) company in the health, wellness, and beauty niche that specializes in the retail of products that contains salts, muds, and minerals which are sourced from the Dead Sea. Seacret is based in Arizona, USA and was founded by brothers Izhak Ben Shabat and Moty Ben Shabat. The company was initially launched in 2005 as a small retail shop that sold skincare products and the business continued to grow, the brothers decided to adopt an MLM business model sometime in 2011. ellauri189.html on line 469: To join Seacret as an affiliate, you are required to pay a registration fee of $49. By paying this fee, you gain access to a business calendar, a back office, a replicated website, and a guide to the compensation plan. However, this fee is not inclusive of the products, and it also does not qualify you as an active member. ellauri189.html on line 470: To qualify as an active member, you are required to generate a minimum of 200 personal volume (PV) every week, 35 business volume (BV) every month, and have at least four active customers. You can upgrade to the 5-in-5 agent kit by paying an extra $50. There are no specific details given on the benefits of upgrading. Keep in mind that after paying the initial $49, you are expected to pay the same amount annually to continue accessing your website and back office. ellauri189.html on line 474: Retail commissions are paid out Seacret agents weekly and reflect both your offline product order dorms and your website orders. You don’t have to be qualified or active to be eligible for this commission. Orders placed by customers have to be through your replicated website or via order forms that you submit. This type of commission is obtained from the difference between the wholesale price and retail price of the product. ellauri189.html on line 525: To qualify for each rank and increase your earnings, you are required to meet strict requirements. ellauri189.html on line 532: Seacret is a genuine MLM company that sells products that are of acceptable quality, but there is not much money to be made working as a Seacret agent. This is because the MLM business model of the company allows only those that have attained the highest ranks of the company to make significant earnings while the rest of the members struggle to recruit new members and meet the strict requirements with little rewards. As a result, I would ask you to think long and hard before joining the company. I hope this review has been helpful. Best of luck! ellauri189.html on line 536: I know why you are curious about Seacret. You are looking for a way to make some extra money. Maybe, like me, you are looking to have your own business. Chances are that you are tired of the 9 to 5 grind. You have a family that depends on you financially and you can’t afford to have your livelihood depend on a fickle boss or an equally fickle economy. ellauri189.html on line 562: Some of the first recorded incidents to meet the modern definition of the Ponzi scheme were carried out from 1869 to 1872 by Adele Spitzeder in Germany and by Sarah Howe in the United States in the 1880s through the "Ladies' Deposit". Howe offered a solely female clientele an 8% monthly interest rate and then stole the money that the women had invested. She was eventually discovered and served three years in prison. The Ponzi scheme was also previously described in novels; Charles Dickens' 1844 novel Martin Chuzzlewit and his 1857 novel Little Dorrit both feature such a scheme. ellauri189.html on line 568: In a Ponzi scheme, a con artist offers investments that promise very high returns with little or no risk to his victims. The returns are said to originate from a business or a secret idea run by the con artist. In reality, the business does not exist or the idea does not work. The con artist actually pays the high returns promised to his earlier investors by using the money obtained from later investors. In other words, instead of engaging in a legitimate business activity, the con artist attempts to attract new investors in order to make the payments that were promised to earlier investors. The operator of the scheme also diverts his clients' funds for his personal use. ellauri189.html on line 594: He received much acclaim in the West, with critics praising "Three Faces" as "a silent feminist manifesto" (Kino Zeit). After all, he portrayed "the women of the three generations courageously and self-confidently" (film star). ellauri189.html on line 596: If one analyses the characters of the protagonists, however, one realises that Panahi is merely reinforcing ingrained, religiously patriarchal prejudices against women, who are consistently portrayed as weak, hysterical, cruel, illogical, too emotional and treacherous. ellauri189.html on line 597: By contrast, the director – with his ground-breaking ideas, rich experiences and clever advice – is superior to women in every way. Mitä vittua? Jo on sakemanneissa pahansisuisia feministejä. Lepsu tirehtööri piti turpansa enimmäxeen kiinni, ja antoi naisten päättää. Onhan sekin jo jotakin. Löysä löllerö on sentään parempi kuin koleerinen kakka. ellauri189.html on line 600: icture-in-picture" allowfullscreen> ellauri189.html on line 606: icture-in-picture" allowfullscreen> ellauri189.html on line 622: Glorificamos ellauri189.html on line 628: Señor, Hijo Único, Jesucristo ellauri189.html on line 634: Atiende nuestras suplicas ellauri189.html on line 667: Ämnena är kärlek – mänsklig eller gudomlig och rytm och mening samverkar. Ghasaler från den indiska kontinenten har ofta inslag av islamisk mysticism och de är svår att förstå om man inte är förtrogen med sufism. ellauri189.html on line 691: och dricka liv, om blott för en minut, Ulos juomaan elämää edes minuutixi ellauri189.html on line 701: The ghazal (Arabic: غَزَل, Bengali: গজল, Hindi-Urdu: ग़ज़ल/غزَل, Persian: غزل, Azerbaijani: qəzəl, Turkish: gazel, Turkmen: gazal, Uzbek: gʻazal, Gujarati: ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. ellauri189.html on line 709: White House official quickly corrects: remarks were not about regime change. HAHA LOL. The American president is like the old Pope just a puppet propped up by a board who tends to forget his lines. "By God that man cannot remain in power." This man Biden can, he is powered by Western Electric. ellauri189.html on line 719: icture-in-picture" allowfullscreen> ellauri189.html on line 724: The Pashtuns, who live in Afghanistan, Pakistan and India, have a very special tradition, which says they are Bene Israel, and is widely spread among some of the Pashtun tribes. In this article we intend to prove beyond a reasonable doubt that this tradition is true, and they are in fact the descendants of the 10 tribes of Israel, who were taken to Afghanistan thousands of years ago. ellauri189.html on line 726: The fact is that some Pashtun tribes have a tradition of being the people of Israel (Bene Israel), meaning they descended from our father Yaakov. It is even told that the Afghan king once asked the Afghan Jews from which tribe they are, when they answered they don’t know the king said that the Pashtuns do, and that the king is from the tribe of Benyamin. In particular, I heard myself from Pashtuns from the tribes of Lewani, Benyamin, Afridi, Shinwari and more, that their grandfathers told them they are Bene Israel, and it is well known that this tradition is spread through most (or all) of the Pashtuns tribes. ellauri189.html on line 728: Some Pashtuns, especially from young generations, are doubting that this is true. In this article I’ll explore the possibilities of how this tradition could have originated. From this exploration it will become clear that doubting the truthfulness of this tradition is irrational. I would also outline some common traditions of Pashtuns and Jews, some of them are based on the Torah, which further confirm that this tradition is true and that Pashtuns are really Bene Israel. I’ll then say a few words about DNA testing and finally talk about the implications of this tradition. ellauri189.html on line 742: icture-in-picture" allowfullscreen> ellauri189.html on line 755: The days of the week are called by their numbers, like in Hebrew, except for Friday which is called by its Arabic name Jummah جمعه (it is a holy day for Muslims) and Saturday which is called Shambah, in the Torah (and in Hebrew) it is called Shabbat (Shabath). ellauri189.html on line 763: In Weddings there’s a piece of fabric hanging above the marrying couple. In Hebrew it is called Hupa. In Pashto it is called Dolaye, ellauri189.html on line 765: In some Pashtuns weddings, the bride breaks a glass (in particular, I heard it done by Pashtuns in Kandahar). In Jew’s weddings the groom breaks it. This is actually a relatively new tradition that Jews do for the remembrance of the destroyed Temple, so it is likely that Pashtuns heard of this tradition after they have already been exiled and added it to their other Israeli traditions. ellauri189.html on line 771: Other evidence includes names of places in Afghanistan and Kashmir that resemble ancient towns in Israel that are mentioned in the bible. And some say that until not so long ago, one of the names of the Amu Darya (River Oxus) was Gozan, which is mentioned as one of the placed the damn Assyrians exiled the people of Israel to. There are also the names of tribes that resemble the children of Yaakov (the names of the Israeli tribes), like Lewani (Lewi), Daftali (Naftali), Yusufzai (children of Yussuf-Yossef), Rubanni (Reuven), Afridi (Efrayim) etc. Also parts of the Pashtunwali resemble some parts of the Torah. ellauri189.html on line 779: Here it is said that almost half of Indian Afridi Pathans are very close genetically to Jews. I heard from some Pashtuns that Pathans are actually Pashtuns that mixed with other nations, so I was set to try to do a DNA test myself on friends of mine who are pure-blood Pashtuns. I already got an offer from a commercial company, when I suddenly remembered something I read not long ago – a Wikipedia article about Jewish genetics. They didn´t prove a thing, so I spend the rest of this section by hand-waving them away. ellauri189.html on line 783: Because we showed that it is basically impossible to believe that Pashtuns are not Bene Israel, DNA is not necessary for proving this tradition. It can only be used for proving another Pashtuns tradition – that Pashtuns did not mix with other people, but I personally think that given the current knowledge of DNA and mutation frequency, and how much the environment affects it, any result of a DNA test could be debated. ellauri189.html on line 787: Some Pashtuns think that because Pashto is not a Semetic language it means Pashtuns are not Semetic, but it isn’t a strong enough evidence to contradict what we said above. To contradict what we said one has to explain how this tradition originated, and it is impossible. ellauri189.html on line 789: Anyway, we should say that not only this evidence is not strong enough; it is actually not evidence at all. Jews in Europe spoke 3 languages – Hebrew, the language of their country (French in France, German in Germany etc) and Yidish. Yidish has only a few Semetic elements and is closer to German, and was used for daily communication between Jews in Europe. Jews in Spain and Portugal also spoke 3 languages – Hebrew, Spanish and Ladino. Ladino was the Yidish of the Jews in Spain and Portugal. In Arabic countries, again, the Jews spoke 3 languages – Hebrew, Arabic and Judeo-Arabic. The later was the Yidish of Jews in Arabic countries. ellauri189.html on line 811: Implications for Pashtuns ellauri189.html on line 817: Second, If you think Israel or Jews are some kind of evil maniacs, then you should read ictory.com/Truth/Index.html">this. Once you learn the truth you could be happier with being from the same nation as the Jews. In that article you can also find out why Jews are so excited to realize the Pashtuns are Bene Israel. ellauri189.html on line 823: There are also secular Jews, who don´t keep the Tora and whose culture is not Jewish, but mostly American, and some are really deep in the disgusting western pop-culture. The majority of the secular Jews who live in the holy land are not mixing with other people, so even though they don´t keep the Jewish religion, they are Jewish. On the other hand, there are the secular Jews who live abroad, mainly in the US - most of them, unfortunately, are mixing with other nations. While some of them are now Jews, if they continue like this, in 1-2 generations, none of them would be considered Jewish, and real Jews wouldn´t be able to marry them any more. ellauri189.html on line 833: Some Jews might doubt the un-provable (given current genetics science) tradition of Pashtuns not mixing. I would like to prove to them that our Rabbis of the Mishna and Talmud knew that they won’t mix. First of all, there are many prophecies that the 10 tribes are going to return to the holy land (like Yehezkel 37, Yirmiya 31, Yishaaya 51 and 27, and many others, that talk about the 10 tribes specifically). ellauri189.html on line 835: Second, if a non-Israeli marries an Israeli woman, they are not really married according to Halacha (Jewish law), but if he is Israeli from the 10 tribes, then they are really married and she must get divorced according to Halacha if she wants to marry an Israeli. On this topic, the Talmud says in Yevamot 16: “If a non-Jew married an Israeli woman according to Halacha, we are concerned that they might actually be married, because he might be from the 10 tribes”. The Talmud then asks: “But when someone is in front of us and we don’t know who he is, we assume he came from the majority of people, and the majority of people are not from the 10 tribes, so we shouldn’t be concerned”. The Talmud then says that this is only true in their land – the land where the 10 tribes live, because over there they are the majority. So the Talmud believes that the 10 tribes are still the majority in their land. If they had mixed this would not have been the case, unless there was only a little mixing going on. ellauri189.html on line 843: P.S. It might be useful to read the article in album 185 about inbreeding in this connection. ellauri189.html on line 848: icture-in-picture" allowfullscreen> ellauri190.html on line 6: font-style: italic; ellauri190.html on line 43: icture-in-picture; web-share" allowfullscreen> ellauri190.html on line 44: icture-in-picture; web-share" allowfullscreen> ellauri190.html on line 45: icture-in-picture; web-share" allowfullscreen> ellauri190.html on line 52: The Kazakhs (also spelled Qazaqs; Kazakh: sg. қазақ, qazaq, [qɑˈzɑq] (audio speaker iconlisten), pl. қазақтар, qazaqtar, [qɑzɑqˈtɑr] (audio speaker iconlisten); the English name is transliterated from Russian; Russian: казахи) are a Turkic ethnic group who mainly inhabit the Ural Mountains and northern parts of Central and East Asia (largely Kazakhstan, but also parts of Russia, Uzbekistan, Mongolia and China) in Eurasia. Kazakh identity is of medieval origin and was strongly shaped by the foundation of the Kazakh Khanate between 1456 and 1465, when several tribes under the rule of the sultans Janibek and Kerei departed from the Khanate of Abu'l-Khayr Khan in hopes of forming a powerful khanate of their own. Other notable Kazakh khans include Ablai Khan and Abul Khair Khan. ellauri190.html on line 54: The Kazakhs are descendants of ancient Turkic tribes – Kipchaks and medieval Mongolic or Turco-Mongol tribes – Dughlats, Jalairs, Keraits. ellauri190.html on line 55: The Kazakhs likely began using that name during the 15th century. There are many theories on the origin of the word Kazakh or Qazaq. Some speculate that it comes from the Turkic verb qaz ("wanderer, vagabond, warrior, free, independent") or that it derives from the Proto-Turkic word *khasaq (a wheeled cart used by the Kazakhs to transport their yurts and belongings). ellauri190.html on line 57: In the 17th century, Russian convention seeking to distinguish the Qazaqs of the steppes from the Cossacks of the Imperial Russian Army suggested spelling the final consonant with "kh" instead of "q" or "k", which was officially adopted by the USSR in 1936. ellauri190.html on line 63: The Ukrainian term Cossack probably comes from the same Kipchak etymological root: wanderer, brigand, independent free-booter. ellauri190.html on line 65: Almost all ethnic Kazakhs today are Sunni Muslims of the Hanafi school. Their ancestors, however, believed in Shamanism and Tengrism, then Zoroastrianism, Buddhism and Christianity including Church of the East. Elikkä ryssän kasakat ja potaskan ruhtinaat ovat samanlaisia vain tavoilta ja nimeltä. Verisukulaisuutta ei ole osoitettu, mutta voivathan ne kaikki olla alunperin jotain kipchakkeja. Kazakhstan on pinta-alaltaan maailman suurin muslimivaltio, muttei väkiluvultaan, se on Indonesia. Se on myös maailman suurin potaskan tuottaja, ellei Amerikkaa lasketa. ellauri190.html on line 67: ic_projection%29.svg/500px-Kazakhstan_%28orthographic_projection%29.svg.png" width="50%" /> ellauri190.html on line 74: Max Vasmer's etymological dictionary traces the name to the Old East Slavic word козакъ, kozak, a loanword from Cuman, in which cosac meant "free man" but also "adventurer". The ethnonym Kazakh is from the same Turkic root. ellauri190.html on line 76: It is unclear when people other than the Brodnici and Berladnici (which had a Romanian origin with large slavic influences) began to settle in the lower reaches of major rivers such as the Don and the Dnieper after the demise of the Khazar state. Their arrival is unlikely before the 13th century, when the Mongols broke the power of the Cumans, who had assimilated the previous population on that territory. It is known that new settlers inherited a lifestyle that long pre-dated their presence, including that of the Turkic Cumans and the Circassian Kassaks. ellauri190.html on line 101: The Cumans (or Kumans), also known as Polovtsians or Polovtsy (plural only, from the Russian exonym Половцы), were a Turkic nomadic people comprising the western branch of the Cuman–Kipchak confederation. The Cumans were fierce and formidable nomadic warriors of the Eurasian Steppe who exerted an enduring influence on the medieval Balkans. They were numerous, culturally sophisticated, and militarily powerful. ellauri190.html on line 103: Many eventually settled to the west of the Black Sea, influencing the politics of Kievan Rus', the Galicia–Volhynia Principality, the Golden Horde Khanate, the Second Bulgarian Empire, the Kingdom of Serbia, the Kingdom of Hungary, Moldavia, the Kingdom of Georgia, the Byzantine Empire, the Empire of Nicaea, the Latin Empire and Wallachia, with Cuman immigrants becoming integrated into each country's elite. The Cumans also played a prominent role in the Fourth Crusade and in the creation of the Second Bulgarian Empire. Cuman and Kipchak tribes joined politically to create the Cuman–Kipchak confederation. ellauri190.html on line 105: The Cuman language is attested in some medieval documents and is the best-known of the early Turkic languages.[6]: 186 The Codex Cumanicus was a linguistic manual written to help Catholic missionaries communicate with the Cuman people. Cuman tarkoitti blondia. ellauri190.html on line 212: The Cossacks are a predominantly East Slavic Orthodox Christian people group originating in the steppes of Eastern Europe. They were a semi-nomadic and semi-militarized people, who, while under the nominal suzerainty of various Eastern European states at the time, such as the Russian Empire or the Polish–Lithuanian Commonwealth, were allowed a great degree of self-governance in exchange for military service. The Cossacks were particularly noted for holding democratic traditions (not republican). ellauri190.html on line 214: Early "Proto-Cossack" groups are generally reported to have come into existence within what is now Ukraine in the 13th century as the influence of Cumans grew weaker, although some have ascribed their origins to as early as the mid-8th century. Some historians suggest that the Cossack people were of mixed ethnic origin, descending from Russians, Ukrainians, Belarusians, Turks, Tatars, and others who settled or passed through the vast Steppe. Some Turkologists, however, argue that Cossacks are descendants of the native Cumans of Ukraine, who had lived there long before the Mongol invasion. But who knows, and as long as no one does, you are free to believe what you like. ellauri190.html on line 218: The Cossacks of Zaporizhzhia, centered on the lower bends of the Dnieper, in the territory of modern Ukraine, with the fortified capital of Zaporozhian Sich. They were formally recognized as an independent state, the Zaporozhian Host, by a treaty with Poland in 1649. ellauri190.html on line 222: The Zaporozhian Cossacks lived on the Pontic–Caspian steppe below the Dnieper Rapids (Ukrainian: za porohamy), also known as the Wild Fields. The group became well known, and its numbers increased greatly between the 15th and 17th centuries. The Zaporozhian Cossacks played an important role in European geopolitics, participating in a series of conflicts and alliances with the Polish–Lithuanian Commonwealth, Russia, and the Ottoman Empire. ellauri190.html on line 226: They inhabited sparsely populated areas in the Dnieper, Don, Terek, and Ural river basins, and played an important role in the historical and cultural development of both Ukraine and Russia. The various Cossack groups were organized along military lines, with large autonomous groups called hosts. Each host had a territory consisting of affiliated villages called stanitsa. The Cossack way of life persisted into the twentieth century, though the sweeping societal changes of the Russian Revolution disrupted Cossack society as much as any other part of Russia; many Cossacks migrated to other parts of Europe following the establishment of the Soviet Union, while others remained and assimilated into the Communist state. Cohesive Cossack-based units were organized and fought for both Germany and the Soviet Union during World War II. ellauri190.html on line 228: After World War II, the Soviet Union disbanded the Cossack units in the Soviet Army, and many of the Cossack traditions were suppressed during the years of rule under Joseph Stalin and his successors. During the Perestroika era in the Soviet Union in the late 1980s, descendants of Cossacks moved to revive their national traditions. In 1988, the Soviet Union passed a law allowing the re-establishment of former Cossack hosts and the formation of new ones. During the 1990s, many regional authorities agreed to hand over some local administrative and policing duties to their Cossack hosts. ellauri190.html on line 230: In the 2002 Russian census, 140,028 people declared Cossack ethnicity, while 67,573 people identified as Cossack in the 2010 census. Between 3.5 and 5.0 million people associate themselves with the Cossack cultural identity across the world;[citation needed], making them the largest Slavic group without their own state. Cossack organizations operate in Russia, Kazakhstan, Ukraine, Belarus, and the United States. ellauri190.html on line 235: The name “Ukraine” can be found already in some chronicles dated by the 12th century. Most likely, it is related to the word “krai” (край), meaning “border.” In the early Middle Ages, people who lived in what is now Ukraine called their country “Rus,” and themselves “Rusy,” “Rusychy,” or “Rusyny.” Ei pie sekoittaa sanaan "ryssä", joka tarkoittaa aiivan eri porukkaa. Ryssät aivan törkeesti käyttää samaa sanaa izestään. Sellasta kulttuurista appropriointia. ellauri190.html on line 237: Kyiv, the biggest city and the capital of Ukraine, was founded, most likely, between the 600s and the 700s A.D. as a fishermen village. The first settlements were on the right bank of the Dnipro river, where now is the Podil section of the city. The first wooden fortification and the Kyiv chieftain’s castle were built uphill from the original settlement, likely in the 8th or early 9th century. ellauri190.html on line 239: During the 9th century, “Varangians” (Vikings) began to serve as a kind of Praetorian Guard to the East Roman emperors. Tästä kertoo jännittävästi Mika Waltarin historiallinen romaani Mikael Karvajalka, joka taitaa olla meillä jossakin. To reach the city of Constantinople, they sailed from what today is called the Gulf of Finland up the Neva river to the lakes Ladoga and Ilmen and then to the Western Dvina and the Dnipro, going all the way down to the Black Sea. By the mid-9th century, they settled around and in Kyiv and founded their own dynasty of the descendants of Rurik. A grandson of Rurik, Svyatoslav (Sfendosleif) greatly expanded his realm to the east and south, while his mother Olga (Helga) traveled to Constantinople and was baptized Christian. Svyatoslav’s son, Volodymyr (Waldemar) married a daughter of the Eastern Roman emperor, was baptized, and baptized all his subjects in the year 988. (Back then, the city of Moscow, or the country now known as Russia – Россия – did not even exist, so there!) Over the next centuries, the “Rurikids” gradually lost their Scandinavian identity, marrying women of the Slavic, Hungarian, Greek, and Turkic ethnicities. ellauri190.html on line 243: By the 11th century, Kyivan Rus was a huge European power. Kyiv was bigger than London or Paris. The city had numerous buildings made of brick, including churches. It also had many private and public bathhouses, like Constantinople (and unlike Western European cities of the time). The realm, stretching from the White Sea to the north to the Black Sea to the south and from the steppes of the Don to the east to what is now eastern Poland to the west, was divided into many feudal fiefs, but the authority of the monarch in Kyiv was nonetheless absolute. ellauri190.html on line 245: On Easter Sunday of the year 1168, a savage warlord from the Volga region, called Andrei (cynically nicknamed Bogolubsky, i.e. “God-lover”) and his horde of Finno-Ugric tribesmen (damn those Finns!) sacked and burned Kyiv to the ground. Most Kyivites were massacred. The barbarians robbed churches, even ripping off slices of gold from their domes (something that Genghiside Mongolians later never did, they were gentlemen). They stole, among others, one most precious and revered icon of the Most Holy Mother of God from a church in the Berestovo village just south of Kyiv, taking it to their land and pretending, for centuries to follow, that it was theirs. This icon to this day is known as Матерь Божья Владимирская, “the Mother of God of Vladimir-on-Klyazyma,” as if it was painted in that savage place. The 1168 massacre marked the beginning of the “brotherly” relationship between the Ukrainian people and what is now known as “Russians” (русские, not to be confused with Rusyns-Rusychi-Ukrainians). Kyiv was hit so hard that it did not fully recover for the next ~200 years. When the Mongols under Khan Batu came in 1240, Kyiv was still not fully repopulated or rebuilt, and fell a relatively easy prey to the Asian conquerors. ellauri190.html on line 257: In a traditional account the horses transporting the icon had stopped near Vladimir and refused to go further. Accordingly, many people of Rus interpreted this as a sign that the Theotokos wanted the icon to stay there. The place was named Bogolyubovo, or "the one loved by God". Andrey placed it in his Bogolyubovo residence and built the Assumption Cathedral to legitimize his claim that Vladimir had replaced Kiev as the principal city of Rus. However, its presence did not prevent the sack and burning of the city of Vladimir by the Mongols in 1238, when the icon was damaged in the fire. You win some, you lose some. ellauri190.html on line 259: In the late 12th and the 13th century, the center of Rus-Ukraine moved from Kyiv to what is now northwest and west of the country, the regions of Volyn and Halychyna (Galitzia). A mighty ruler called Prince (or Duke) Danylo Romanovych, even though an Eastern Orthodox by faith, was crowned King Danylo of Rus by a Pope’s Legate. King Danylo’s capital was the city of Kholm (now Chełm, Poland). He built a magnificent city of Lviv (“The Lion’s”) for his son, Lev (Leo). Lviviä pommitetaan paraikaa rankasti. ellauri190.html on line 261: In the first half of the 14th century, most of what is now Ukraine was cleared of the Mongols by the troops of a powerful ruler of Lithuania, Gedimin, and Ukraine became a part of the Great Duchy of Lithuania. The latter was a peculiar country. The bulk of its territory and population was what now is the Slavic country of Belarus. Only a small minority of its people traced their origin from the Baltic tribes, while the majority were Slavs. Gedimin’s name in modern Lithuanian is Gyadiminas, but in the chronicles he is named Kgindimin or Kindimin, which might have a Slavic root. The language of Gedimin’s court, and the court of his sons and grandsons was very Slavic, much like a mixture of somewhat archaic Ukrainian and Belarusian. The laws of the entire Duchy, the so-called Lithuanian Statutes, were written in the Cyrillic alphabet and read very much like the Belarusian (definitely Slavic) language. So they were bad guys in anyone's book already then. ellauri190.html on line 263: In any case, Ukraine (unlike Muscovy) remained in Europe. In the 15th century, the Great Duke of Lithuania, Yahailo, married a Polish queen Yadviga. Thus, the Great Duchy of Lithuania (which included Ukraine) and the Kingdom of Poland became one state. In the 16th century, it became known as Rzeczpospolita, from Latin Res Publica – literally, “the common affair,” or Republic. (Kozaks, inveterate democrats, did not like it.) It was a monarchy, but the monarchs were elected by a parliament, called Sejm. The country maintained close ties with Western Europe, and, unlike wimpy Muscovy, was completely independent of the Mongol autocracies like the Golden Horde. ellauri190.html on line 267: In the 15th-16th centuries, most of what is now Ukraine belonged to the Polish-Lithuanian commonwealth (“The Republic”), but the life of the people depended to a very large extent on their local feudal lords, the Knyazi (“Princes”). Most of these lords were related to the house of Gedimin, spoke a language close to modern Belarusian and Ukrainian, and were Eastern Orthodox Christians. Yet, beginning from ~1569 (the year of the so-called Lublin Unia), these princes also swore allegiance to the Polish king, and were his vassals and courtiers. They corresponded in Latin, Polish, or their native “Old Ukrainian / Old Belarusian” Slavic language. Among them, perhaps the mightiest ruler was Prince Konstayntyn Vasyl Ostrozky. He was nicknamed “the un-crowned King of Rus,” and was, actually, offered the Polish crown several times, but refused because the kings of Poland were, traditionally, Catholics – and Prince Ostrozky wanted to remain Orthodox. He is famous for printing the first Gospels in his native language, and founding the Academy of Ostroh, a university that functions to this day. ellauri190.html on line 269: In 1596, the so-called Union of Brest (Brestin jyräys) was signed, officially starting the Eastern Rite Catholic Church in Ukraine (a.k.a. the Greek Catholic Church). It was meant to reconcile the Orthodox Ukrainians with Rome, which was, of course, a step in the direction of more peace and prosperity. Unfortunately, at the beginning of the next, 17th, century, the secular powers began to close the traditional Orthodox parishes by force, which, of course, caused huge tensions and sparks of violence. ellauri190.html on line 271: Also, during the 16th century, many thousands of random men, mostly young, robust, and adventure-seeking guys from all over Ukraine (compare today's immigrants), traveled to the lower Dnipro river, where the enormous rapids prevented the movement of battleships up from the Black Sea, and decided to call themselves, say, Kozaks. These Kozaks warriors wanted to defend the Orthodox Christian Ukrainian lands from the attacks of the Ottoman Turks. They founded their own city and fortress, called Sich, on the island of Khortytsya in the middle of the Dnipro river. There, they gathered in summertime, trained, and raided the steppes, fighting the Turkish and the Tatar troops from the Crimea. They also built ships and made sea raids on Istanbul and on Crimean seaports, freeing Christian captives whom the Turks and the Tatars enslaved. In winter, the Kozaks dispersed and lived close to the Dnipro banks as independent owners of their hamlets. At the beginning of the 17th century, the Kozaks became a formidable military force and a kind of a self-governing state with their own elected leaders and laws. ellauri190.html on line 273: In the 16th and the early 17th century the Kozak’s leaders (Hetmans) were loyal to the Polish crown and participated in the wars of the Great Duchy of Lithuania and the kingdom of Poland against Muscovy. Hetman Petro Konashevych Sahaydachny (1582-1622) nearly took Moscow in 1618. But nearly doesn't count. He also was an outstanding mecenate who donated some loot to Orthodox monasteries and schools, of which the so-called Bratska Shkola (“Brotherhood School”) later grew into a huge and famous institution of higher learning, the Kyiv Mohyla Academy, which now functions as a top-ranking Ukrainian economic liberal arts university. ellauri190.html on line 275: In 1648, a Kozak leader called Zinoviy Bohdan Khmelnytsky (Polish transliteration, Chmielnicki) started a war on the Polish crown. Initially, it was his own personal vendetta on a Polish landlord who stole his land, but very soon it grew into a colossal uprising of the Kozaks and Ukrainian peasants against their Polish landlords. The people fought (the way they knew how) against the feudal oppression, as well as against forced Catholicization and Polonization of Ukraine. Unfortunately, it turned into a fratricide. (Sorry Poles, of course we are on the same side now.) The main adversary of Khmelnytsky was Prince Yarema (Jeremiah) Korybut-Vyshnevetsky, a Rusyn-Ukrainian, a noble valiant knight and a great statesman who, nonetheless, kept his allegiance to the Polish king (whom he personally hated, but could not break his knight’s oath of loyalty). Both sides resorted to unspeakable cruelties. Most tragically, Khmelnysky, a brave warrior as he was, turned out to be a horribly short-sighted politician. In January 1654, he essentially surrendered Ukraine to Muscovy, approving what he thought was a temporary military union against the Republic but turned out to be the beginning of the “Russian” (actually Muscovite) occupation of Ukraine. It just goes to show: give a pinky finger to the Russkies and they take the whole hand. ellauri190.html on line 277: By 1659, the two outstanding sons of Ukraine, a Kozak general Ivan Vyhovsky and an eccentric scholar-nobleman Yuriy Nemyrych conceived what became known as the Union of Hadyach. It was a unique document, which, essentially, argued in favor of the Polish-Lithuanian Commonwealth transforming into the commonwealth of Poland, Lithuania, and Ukraine. Vyhovsky and Nemyrych proposed to establish a Great Principality of Ukraine on par with the Kingdom of Poland and the Great Duchy of Lithuania. And it was a unique historical moment, because in July 1659 the Ukrainian troops won a huge battle against the Muscovite army near the city of Konotop, totally crushing the Muscovites and proving that Ukraine did not need the “friendship” of the tyrannic Tzars. (See the analogy?) If the Hadyach Union had been approved by the Sejm of the Republic, Ukraine would perhaps have become a more European country and would progressively move toward full Western style independence. Again, tragically, it did not happen. Nemyrych was killed at a duel, and Vyhovsky forced to resign by populists who hated him because of his aristocratic blood and his alleged (rather than actual) love of things Polish. Without these two luminaries, the Sejm did not even bother to convene for discussions on the Hadyach Union, making it into a useless piece of paper. It was later “adopted,” but in such a distorted version that it excluded its main point, the creation of the Ukrainian state. Sellasta se on. Ukrainan, Puolan ja Baltian historia osoittaa, miten vaikeaa on merkata reviiriä jollei sitä ole valmiixi maastoon merkitty. ellauri190.html on line 279: By the end of the 17th century, the newly forming Russian Empire under Tzar Peter I established its reign over the Ukrainian lands to the east of the Dnipro river, ceding the western part of Ukraine to the Republic (which, in turn, evolved more and more into the Polish monarchy rather than the Polish-Lithuanian Commonwealth of the old days). In 1702, a great son of Ukraine, a giant of military strategy, diplomacy, and statesmanship, Ivan Mazepa, being the Kozak leader of the eastern part of Ukraine, suppressed the uprising of Paliy on the other (Western) side of the Dnipro and added huge parts of the country to his control. It was a big step toward the unification and freedom of Ukraine. Moreover, in 1709 Mazepa joined his forces with the Swedish king Charles XII (haha, the gay) against Tzar Peter, hoping to rid his dear mother Ukraine from slavery in the captivity of the Tzars. And again… tragically, Mazepa managed to gather less manpower than he hoped to gather, because the populist agitators slandered him in their massive propaganda campaign (no doubt, directed from Muscovy), portraying him in the eyes of the Ukrainian Kozaks as a rich aristocrat who cares nothing about the “simple people,” a clandestine Catholic (or Protestant), and overall “not really Ukrainian.” (This tragedy will repeat itself in 1918 and in 2019.) Mazepa’s loyalists were defeated together with the Swedes, and Ukraine lost her historical chance for yet another time. But third time is a charm! Nobody will blame a Jew for being on the side of the catholics! ellauri190.html on line 281: The Cossack structure arose, in part, in response to the struggle against Tatar raids. Socio-economic developments in the Polish-Lithuanian Commonwealth were another important factor in the growth of the Ukrainian Cossacks. During the 16th century, serfdom was imposed because of the favorable conditions for grain sales in Western Europe. This subsequently decreased the locals' land allotments and freedom of movement. In addition, the Polish-Lithuanian Commonwealth government attempted to impose Catholicism, and to Polonize the local Ukrainian population. The basic form of resistance and opposition by the locals and burghers was flight and settlement in the sparsely populated steppe. ellauri190.html on line 283: But the nobility obtained legal ownership of vast expanses of land on the Dnipro from the Polish kings, and then attempted to impose feudal dependency on the local population. Landowners utilized the locals in war, by raising the Cossack registry in times of hostility, and then radically decreasing it and forcing the Cossacks back into serfdom in times of peace. This institutionalized method of control bred discontent among the Cossacks. By the end of the 16th century, they began to revolt, in the uprisings of Kryshtof Kosynsky (1591–1593), Severyn Nalyvaiko (1594–1596), Hryhorii Loboda (1596), Marko Zhmailo (1625), Taras Fedorovych (1630), Ivan Sulyma (1635), Pavlo Pavliuk and Dmytro Hunia (1637), and Yakiv Ostrianyn and Karpo Skydan (1638). All were brutally suppressed and ended by the Polish government. ellauri190.html on line 285: After Ottoman-Polish and Polish-Muscovite warfare ceased, the official Cossack register was again decreased. The registered Cossacks (reiestrovi kozaky) were isolated from those who were excluded from the register, and from the Zaporizhian Host. (Compare legal and paperless immigrants of today.) This, together with intensified socioeconomic and national-religious oppression of the other classes in Ukrainian society, led to a number of Cossack uprisings in the 1630s. These eventually culminated in the Khmelnytsky Uprising, led by the hetman of the Zaporizhian Sich, Bohdan Khmelnytsky. ellauri190.html on line 287: As a result of the mid–17th century Khmelnytsky Uprising, the Zaporozhian Cossacks briefly established an independent state, which later became the autonomous Cossack Hetmanate (1649–1764). It was placed under the suzerainty of the Russian Tsar from 1667, but was ruled by local hetmans for a century. The principal political problem of the hetmans who followed the Pereyeslav Agreement was defending the autonomy of the Hetmanate from Russian/Muscovite centralism. The hetmans Ivan Vyhovsky, Petro Doroshenko and Ivan Mazepa attempted to resolve this by separating Ukraine from Russia. ellauri190.html on line 289: Relations between the Hetmanate and their new sovereign began to deteriorate after the autumn of 1656, when the Muscovites, going against the wishes of their Cossack partners, signed an armistice with the Polish-Lithuanian Commonwealth in Vilnius. The Cossacks considered the Vilnius agreement a breach of the contract they had entered into at Pereiaslav. For the Muscovite tsar, the Pereiaslav Agreement signified the unconditional submission of his new subjects; the Ukrainian hetman considered it a conditional contract from which one party could withdraw if the other was not upholding its end of the bargain. Vähän sellanen kuin Abrahamin esinahkasopimus Jehovan kanssa, josta tuli samanlainen nahkapäätös. Näistä hetmaneista taisi olla puhetta Konrad-veikon kohdalla. ellauri190.html on line 293: In June 1659, the two armies met near the town of Konotop. One army comprised Cossacks, Tatars, and Poles, and the other was led by a top Muscovite military commander of the era, Prince Aleksey Trubetskoy. After terrible losses, Trubetskoy was forced to withdraw to the town of Putyvl on the other side of the border. The battle is regarded as one of the Zaporizhian Cossacks' most impressive victories. Oliko tää tunari Trubetskoy sen fonologin sukua? Kylä varmaan niin. Tällä kertaa kasakat ja tattarit oli samalla puolella. Varmaan vilkuilivat vähän päästä olan yli.) ellauri190.html on line 299: Cossack numbers increased when the warriors were joined by peasants escaping serfdom in Russia and dependence in the Commonwealth. Attempts by the szlachta to turn the Zaporozhian Cossacks into peasants eroded the formerly strong Cossack loyalty towards the Commonwealth. The government constantly rebuffed Cossack ambitions for recognition as equal to the szlachta. Plans for transforming the Polish–Lithuanian two-nation Commonwealth into a Polish–Lithuanian–Ruthenian Commonwealth made little progress, due to the unpopularity among the Ruthenian szlachta of the idea of Ruthenian Cossacks being equal to them and their elite becoming members of the szlachta. The Cossacks' strong historic allegiance to the Eastern Orthodox Church also put them at odds with officials of the Roman Catholic-dominated Commonwealth. Tensions increased when Commonwealth policies turned from relative tolerance to suppression of the Eastern Orthodox Church after the Union of Brest. The Cossacks became strongly anti-Roman Catholic, an attitude that became synonymous with anti-Polish. Did that make them any more pro-Russian? Naah. ellauri190.html on line 301: Under Russian rule, the Cossack nation of the Zaporozhian Host was divided into two autonomous republics of the Moscow Tsardom: the Cossack Hetmanate, and the more independent Zaporizhia. These organisations gradually lost their autonomy, and were abolished by Catherine II in the late 18th century. The Hetmanate became the governorship of Little Russia, and Zaporizhia was absorbed into New Russia. ellauri190.html on line 303: Novorossiya (Russian: Новороссия, tr. Novorossija, IPA: [nəvɐˈrosːʲɪjə] (audio speaker iconlisten); Ukrainian: Новоросія, romanized: Novorosija; Romanian: Noua Rusie, Polish: Noworosja), literally New Russia, is a historical term of the Russian Empire denoting a region north of the Black Sea. In Ukraine the territory was better known as Stepovyna (Steppeland) or Nyz (Lower land). It was formed as a new imperial province of Russia (Novorossiya Governorate) in 1764 from military frontier regions along with parts of the southern Hetmanate in preparation for war with the Ottomans. Bessarabit kazoivat sivusta ja soittelivat Klezmeriä. ellauri190.html on line 307: The region was part of the Russian Empire until its collapse following the Russian February Revolution in early March 1917, after which it became part of the short-lived Russian Republic. In 1918, it was largely included in the Ukrainian State and in the Ukrainian Soviet Republic at the same time. In 1918–1920, it was, to varying extents, under the control of the anti-Bolshevik White movement governments of South Russia whose defeat signified the Soviet control over the territory, which became part of the Ukrainian Soviet Socialist Republic, within the Soviet Union from 1922. ellauri190.html on line 313: Little Russia (Russian: Малороссия/Малая Россия, romanized: Malaya Rossiya/Malorossiya; Ukrainian: Малоросія/Мала Росія, romanized: Malorosiia/Mala Rosiia), also known in English as Malorussia, Little Rus' (Russian: Малая Русь, romanized: Malaya Rus'; Ukrainian: Мала Русь, romanized: Mala Rus', and Rus' Minor (from Greek: Μικρὰ Ῥωσία, romanized: Mikrá Rosía), is a historical non-native name (or exonym) for Ukraine. The first use of such names has been attributed to Bolesław-Jerzy II, ruler of Ruthenia and Galicia-Volhynia, who in 1335 signed his decrees Dux totius Russiæ minoris. ellauri190.html on line 315: The Russo-Polish geographer and ethnographer Zygmunt Gloger in his "Geography of historic lands of the Old Poland" (Polish: "Geografia historyczna ziem dawnej Polski") explains that at the time the term "Little" was interchangeably with the word "new", and in his footnotes, he clearly states that, at least in 1903, Little Russia (Malorossia) was perceived in such manner. Prior to the revolutionary events of 1917, a large part of the region's élite population adopted a Little Russian identity that competed with the local Ukrainian identity. At that time it was trendy to be Russian, large or small. ellauri190.html on line 317: After the collapse of the Russian Empire in 1917, and with the amalgamation of Ukrainian territories into one administrative unit (Ukrainian People's Republic), the term started to recede from common use. Today, the term is anachronistic, and many nazi Ukrainians regard its usage as offensive. ellauri190.html on line 319: icture-in-picture" allowfullscreen> ellauri190.html on line 328: icture-in-picture" allowfullscreen> ellauri190.html on line 341: Sargon of Akkad, also known as Sargon the Great "the Great King" was a Semitic Akkadian emperor famous for his conquest of the Sumerian city-states in the 23rd and 22nd centuries BC. The founder of the Dynasty of Akkad, Sargon reigned durin... ellauri190.html on line 365: Chandragupta Maurya was the founder of the Mauryan Empire and the first emperor to unify India into one state. He ruled from 322 BC until his voluntary retirement and abdication in favour of his son Bindusara in 298 BC. Chandragupta Maur... ellauri190.html on line 377: Hannibal was a Carthaginian military commander and tactician who is popularly credited as one of the most talented commanders in history. His father Hamilcar Barca was the leading Carthaginian commander during the First Punic War, his young... ellauri190.html on line 380: Scipio Africanus, Defeated Hannibal ellauri190.html on line 381: Scipio Africanus, also known as Scipio the African, Scipio Africanus-Major, Scipio Africanus the Elder and Scipio the Great, was a Roman general and later consul who is often regarded as one of the greatest generals and military strategists... ellauri190.html on line 389: Pompey (the Great), was a distinguished and ambitious Roman military leader, provincial administrator and politician of the 1st century BC, the period of the Late Republic. Hailing from an Italian provincial background, Pompey first disting... ellauri190.html on line 393: Gaius Julius Caesar is remembered as one of history's greatest generals and a key ruler of the Roman empire. As a young man he rose through the administrative ranks of the Roman republic, accumulating power until he was elected consul in 59... ellauri190.html on line 413: Attila the Hun was the Emperor of the Huns from 434 until his death in 453. He was leader of the Hunnic Empire which stretched from Germany to the Ural River and from the River Danube to the Baltic Sea. During his rule, he was one of the mo... ellauri190.html on line 418: Abu Bakr As-Siddiq, popularly known by his nickname Abu Bakr was a senior companion (Sahabi) and the father-in-law of the Islamic prophet Muhammad. He ruled over the Rashidun Caliphate from 632–634 CE when he became the first Muslim Caliph... ellauri190.html on line 423: Umar, also spelled Omar, Umar ibn Al-Khattab, Umar Son of Al-Khattab, was one of the most powerful and influential Muslim caliphs (rulers) in history. He was a companion of the Islamic prophet Muhammad. He succeeded Abu Bakr (632–634) as th... ellauri190.html on line 452: Roger I, Norman Conqueror of Sicily ellauri190.html on line 453: Roger I (Roger Guiscard), c.1031-1101, Norman conqueror of Sicily; son of Tancred de Hauteville. He went to Italy in 1058 to join his brother, Robert Guiscard, in conquering Apulia and Calabria from the Byzantines. Between 1061 and 1091 he... ellauri190.html on line 457: Roger II, King of Sicily ellauri190.html on line 458: Roger II was King of Sicily, son of Roger I of Sicily and successor to his brother Simon. He began his rule as Count of Sicily in 1105, later became Duke of Apulia and Calabria (1127), then King of Sicily (1130). It is Roger II's distinctio... ellauri190.html on line 468: Genghis Khan was the founder and Great Khan (emperor) of the Mongol Empire, which became the largest contiguous empire in history after his demise. He came to power by uniting many of the nomadic tribes of northeast Asia. After founding... ellauri190.html on line 489: Edward I, popularly known as "Longshanks" because of his 6 foot 2 inch (1.88 m) frame and the "Hammer of the Scots" (his tombstone, in Latin, read, Hic est Edwardus Primus Scottorum Malleus, "Here is Edward I, Hammer of the Scots"), achieve... ellauri190.html on line 494: Alauddin Khalji, born as Ali Gurshasp, was the second and the most powerful emperor of the Khalji dynasty that ruled the Delhi Sultanate in the Indian subcontinent. Alauddin instituted a number of significant administrative changes, related... ellauri190.html on line 504: Mehmed II (1432-1481), nicknamed the conqueror, was the sultan of the Ottoman Empire a short time in 1444 to 1446, and from 1451 to 1481. Mehmed II brought an end to the Byzantine Empire by capturing Constantinople in 1453 (during the well-... ellauri190.html on line 509: Ferdinand II, called the Catholic, was in his own right the King of Sicily from 1468 and King of Aragon from 1479. As a consequence of his marriage to Isabella I, he was King of Castile jure uxoris as Ferdinand V from 1474 until her death i... ellauri190.html on line 514: Afonso de Albuquerque, Duke of Goa, was a Portuguese general, admiral, and statesman. He served as Governor of Portuguese India from 1509 to 1515, during which he expanded Portuguese influence across the Indian Ocean and built a reputation... ellauri190.html on line 534: Hayreddin Barbarossa was an Ottoman admiral of the fleet who was born in the Ottoman island of Midilli (Lesbos) and died in Constantinople (Istanbul), the Ottoman capital. Barbarossa's naval victories secured Ottoman dominance over the Medi... ellauri190.html on line 543: Cortés, Conqueror of Mexico - 1519 AD ellauri190.html on line 544: Hernán Cortés de Monroy y Pizarro, 1st Marquis of the Valley of Oaxaca was a Spanish Conquistador who led an expedition that caused the fall of the Aztec Empire and brought large portions of mainland Mexico under the rule of the King of Cas... ellauri190.html on line 548: Suleiman I, The Magnificent ellauri190.html on line 549: Suleiman I, also called Süleyman I and nicknamed the Lawmaker or the Magnificent, was the sultan of the Ottoman Empire from 1520 to 1566 and successor to Selim I. He was born on November 6, 1494 at Trabzon, Turkey. The Ottoman Empire reache... Yermak Timofeyevich, Conquest of Siberia ellauri190.html on line 555: Yermak Timofeyevich, born between 1532 and 1542 - 1584 AD was a Cossack who led the Russian conquest of Siberia in the reign of Ivan the Terrible. Russia’s fur interests fueled their desire to expand east into Siberia. The tsar’s ultimate... ellauri190.html on line 560: Toyotomi Hideyoshi was a daimyo who rose to become the second unifier of japan, after Oda Nobunaga. Hideyoshi was a very powerful emperor who exercised control over nearly all of mainland Japan through shrewd military tactics. He is known f... ellauri190.html on line 565: Napoleon Bonaparte was a French military and political leader who rose to prominence during the latter stages of the French Revolution and its associated wars in Europe. As Napoleon I, he was Emperor of the French from 1804 to 1814 and a... ellauri190.html on line 568: Dictators ellauri190.html on line 570: Adolf Hitler was an Austrian-born German politician and the leader of the National Socialist German Workers Party (German: Nationalsozialistische Deutsche Arbeiterpartei, abbreviated NSDAP), commonly known as the Nazi Party. He was Chancell... ellauri191.html on line 7: font-style: italic; ellauri191.html on line 36: To Alfred Nobel in 1866, in recognition of a step forward into making bombs, which has helped growth explosion in a lot of ways. ellauri191.html on line 56: RDX, joka tunnetaan harvemmin nimellä kryptoniitti, heksogeeni (erityisesti venäjäksi, ranskaksi, saksaksi ja muilla ikävillä saksalaisvaikutteisilla epäanglosaxisilla kielillä), T4 ja kemiallisesti syklotrimetyleenitrinitramiinina, käyttivät molemmat osapuolet toisessa maailmansodassa räjäyttääxeen toisen osapuolen päät irti. RDX: llä oli suurimmat edut ensimmäisessä maailmansodassa käytettyyn TNT: hen verrattuna, koska sillä oli suurempi E.Saaris-tyyppinen räjähdysvoima eikä tarvittu lisäraaka -aineita sen valmistukseen. Pelkkä linnunpaska riitti. Heksogeenistä raportoi vuonna 1898 Georg Friedrich Henning, joka sai saksalaisen patentin sen valmistamiseksi heksamiinin nitrolyysillä. He should´ve had his 'ead hexamined! HMX, jota kutsutaan vastapuolella myös oktogeeniksi, on voimakas ja suhteellisen epäherkkä nitroamiini, joka on kemiallisesti sukua RDX: lle. Kuten RDX, yhdisteen nimi on paljon spekulaation kohteena, ja se on listattu eri tavoin nimillä Sulava räjähdysaine, Hänen Majesteettinsa räjähtävä paukku, Nopea sotilaallinen räjähde tai Suurimolekyylipainoinen RDX. Sekä luonnonvaraiset että siirtogeeniset kasvit voivat kenties toivottavasti joskus hajottaa räjähteitä maaperästä ja vedestä, jos aikaa riittää. Kyllä purolla on aikaa! Kyllä Jopi elamassa parjaa. ellauri191.html on line 95: "in special recognition of his poetic composition, which gives evidence of lofty idealism, artistic perfection and a rare combination of the qualities of both heart and intellect" ellauri191.html on line 108: icon"> Saksa ellauri191.html on line 112: "the greatest living master of the art of historical writing, with special reference to his monumental work A History of Rome" ellauri191.html on line 129: "as a tribute to his noble, magnificent and versatile poetry, which has always been distinguished by both the freshness of its inspiration and the rare purity of its spirit" ellauri191.html on line 137: ic_Mistral_by_Paul_Sa%C3%AFn.jpg" class="image">ic Mistral by Paul Saïn.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Fr%C3%A9d%C3%A9ric_Mistral_by_Paul_Sa%C3%AFn.jpg/75px-Fr%C3%A9d%C3%A9ric_Mistral_by_Paul_Sa%C3%AFn.jpg" decoding="async" width="75" height="101" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Fr%C3%A9d%C3%A9ric_Mistral_by_Paul_Sa%C3%AFn.jpg/113px-Fr%C3%A9d%C3%A9ric_Mistral_by_Paul_Sa%C3%AFn.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Fr%C3%A9d%C3%A9ric_Mistral_by_Paul_Sa%C3%AFn.jpg/150px-Fr%C3%A9d%C3%A9ric_Mistral_by_Paul_Sa%C3%AFn.jpg 2x" data-file-width="955" data-file-height="1280" /> ellauri191.html on line 139: ic_Mistral" title="Frédéric Mistral">Frédéric Mistral ellauri191.html on line 146: "in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a Provençal philologist" ellauri191.html on line 161: "in recognition of the numerous and brilliant compositions which, in an individual and original manner, have revived the great traditions of the Spanish drama" ellauri191.html on line 169: icz_1905.jpg" class="image" title="Kazimierz Mordasewiczin maalaus vuodelta 1899 Henryk Sienkiewiczistä.">iczin maalaus vuodelta 1899 Henryk Sienkiewiczistä." src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/29/Henryk_Sienkiewicz_1905.jpg/75px-Henryk_Sienkiewicz_1905.jpg" decoding="async" width="75" height="106" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/2/29/Henryk_Sienkiewicz_1905.jpg/113px-Henryk_Sienkiewicz_1905.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/29/Henryk_Sienkiewicz_1905.jpg/150px-Henryk_Sienkiewicz_1905.jpg 2x" data-file-width="280" data-file-height="396" /> ellauri191.html on line 171: icz" title="Henryk Sienkiewicz">Henryk Sienkiewicz ellauri191.html on line 178: "in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a Provençal philologist" ellauri191.html on line 194: "not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces" ellauri191.html on line 223: icon"> Saksa ellauri191.html on line 227: "in recognition of his earnest search for truth, his penetrating power of thought, his wide range of vision, and the warmth and strength in presentation with which in his numerous works he has vindicated and developed an idealistic philosophy of life" ellauri191.html on line 255: icon"> Saksa ellauri191.html on line 259: "as a tribute to the consummate artistry, permeated with idealism, which he has demonstrated during his long productive career as a lyric poet, dramatist, novelist and writer of world-renowned short stories" ellauri191.html on line 269: ice_Maeterlinck" title="Maurice Maeterlinck">Maurice Maeterlinck ellauri191.html on line 276: "in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers' own feelings and stimulate their imaginations" ellauri191.html on line 288: icon"> Saksa ellauri191.html on line 292: "primarily in recognition of his fruitful, varied and outstanding production in the realm of dramatic art" ellauri191.html on line 309: "because of his profoundly sensitive, fresh and beautiful verse, by which, with consummate skill, he has made his poetic thought, expressed in his own English words, a part of the literature of the West" ellauri191.html on line 311: poetry, novel, drama, short story, playwright, music, essay, philosophy, literary criticism, translation, painting ellauri191.html on line 334: "as a tribute to the lofty idealism of his literary production and to the sympathy and love of truth with which he has described different types of human beings" ellauri191.html on line 350: "in recognition of his significance as the leading representative of a new era in our literature" ellauri191.html on line 367: "for his varied and rich poetry, which is inspired by lofty ideals" ellauri191.html on line 382: "for his authentic descriptions of present-day life in Denmark" ellauri191.html on line 410: "in special appreciation of his epic, Olympian Spring" ellauri191.html on line 445: "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament" ellauri191.html on line 461: "for the happy manner in which he has continued the illustrious traditions of the Spanish drama" ellauri191.html on line 477: "for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation" ellauri191.html on line 493: "for his great national epic, The Peasants" ellauri191.html on line 510: "for his work which is marked by both idealism and humanity, its stimulating satire often being infused with a singular poetic beauty" ellauri191.html on line 512: drama, icism" title="Literary criticism">literary criticism ellauri191.html on line 528: "for her idealistically inspired writings, which with plastic clarity picture the life on her native island and with depth and sympathy deal with human problems in general" ellauri191.html on line 545: "in recognition of his rich and vitalizing ideas and the brilliant skill with which they have been presented" ellauri191.html on line 577: "principally for his great novel, Buddenbrooks, which has won steadily increased recognition as one of the classic works of contemporary literature" ellauri191.html on line 593: "for his vigorous and graphic art of description and his ability to create, with wit and humour, new types of characters" ellauri191.html on line 626: "for his distinguished art of narration, which takes its highest form in The Forsyte Saga" ellauri191.html on line 642: "for the strict artistry with which he has carried on the classical Russian traditions in prose writing" ellauri191.html on line 659: "for his bold and ingenious revival of dramatic and scenic art" ellauri191.html on line 684: "for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy" ellauri191.html on line 700: "for the artistic power and truth with which he has depicted human conflict as well as some fundamental aspects of contemporary life in his novel cycle Les Thibault" ellauri191.html on line 717: "for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces" ellauri191.html on line 733: "for his deep understanding of his country's peasantry and the exquisite art with which he has portrayed their way of life and their relationship with Nature" ellauri191.html on line 785: "for the rare strength and fertility of his poetic imagination with which is combined an intellectual curiosity of wide scope and a bold, freshly creative style" ellauri191.html on line 802: "for her lyric poetry, which inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world" ellauri191.html on line 819: "for his inspired writings, which while growing in boldness and penetration, exemplify the classical humanitarian ideals and high qualities of style" ellauri191.html on line 835: "for his comprehensive and artistically significant writings, in which human problems and conditions have been presented with a fearless love of truth and keen psychological insight" ellauri191.html on line 867: "for his powerful and artistically unique contribution to the modern American novel" ellauri191.html on line 883: "in recognition of his varied and significant writings in which he champions humanitarian ideals and freedom of thought" ellauri191.html on line 899: "for the artistic vigour and true independence of mind with which he endeavours in his poetry to find answers to the eternal questions confronting mankind" ellauri191.html on line 915: "for the deep spiritual insight and the artistic intensity with which he has in his novels penetrated the drama of human life" ellauri191.html on line 931: "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values" ellauri191.html on line 964: "for his vivid epic power, which has renewed the great narrative art of Iceland" ellauri191.html on line 980: "for his lyrical poetry, which in Spanish language constitutes an example of high spirit and artistical purity" ellauri191.html on line 996: "for his important literary production, which with clear-sighted earnestness illuminates the problems of the human conscience in our times" ellauri191.html on line 1012: "for his important achievement both in contemporary lyrical poetry and in the field of the great Russian epic tradition" ellauri191.html on line 1028: "for his lyrical poetry, which with classical fire expresses the tragic experience of life in our own times" ellauri191.html on line 1044: "for the soaring flight and the evocative imagery of his poetry, which in a visionary fashion reflects the conditions of our time" ellauri191.html on line 1051: ic,_Ivo_Andric,_1961.jpg" class="image">ic, Ivo Andric, 1961.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/7/75/S._Kragujevic%2C_Ivo_Andric%2C_1961.jpg/75px-S._Kragujevic%2C_Ivo_Andric%2C_1961.jpg" decoding="async" width="75" height="94" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/7/75/S._Kragujevic%2C_Ivo_Andric%2C_1961.jpg/113px-S._Kragujevic%2C_Ivo_Andric%2C_1961.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/75/S._Kragujevic%2C_Ivo_Andric%2C_1961.jpg/150px-S._Kragujevic%2C_Ivo_Andric%2C_1961.jpg 2x" data-file-width="1102" data-file-height="1388" /> ellauri191.html on line 1053: ic" class="mw-redirect" title="Ivo Andric">Ivo Andrić ellauri191.html on line 1060: "for the epic force with which he has traced themes and depicted human destinies drawn from the history of his country" ellauri191.html on line 1077: "for his realistic and imaginative writings, combining as they do sympathetic humour and keen social perception" ellauri191.html on line 1089: icon"> Kreikka ellauri191.html on line 1093: "for his eminent lyrical writing, inspired by a deep feeling for the Hellenic world of culture" ellauri191.html on line 1109: "for his work, which rich in ideas and filled with the spirit of freedom and the quest for truth, has exerted a far-reaching influence on our age" ellauri191.html on line 1111: novel, short story, philosophy, drama, literary criticism, screenplay ellauri191.html on line 1125: "for the artistic power and integrity with which, in his epic of the Don, he has given expression to a historic phase in the life of the Russian people" ellauri191.html on line 1144: "for his profoundly characteristic narrative art with motifs from the life of the Jewish people" ellauri191.html on line 1159: "for her outstanding lyrical and dramatic writing, which interprets Israel's destiny with touching strength" ellauri191.html on line 1178: "for his livid literary achievement, deep-rooted in the national traits and traditions of Indian peoples of Latin America" ellauri191.html on line 1195: "for his narrative mastery, which with great sensibility expresses the essence of the Japanese mind" ellauri191.html on line 1203: ic,_1.jpg" class="image">ic, 1.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/0/09/Samuel_Beckett%2C_Pic%2C_1.jpg/75px-Samuel_Beckett%2C_Pic%2C_1.jpg" decoding="async" width="75" height="113" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/0/09/Samuel_Beckett%2C_Pic%2C_1.jpg/113px-Samuel_Beckett%2C_Pic%2C_1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/09/Samuel_Beckett%2C_Pic%2C_1.jpg/150px-Samuel_Beckett%2C_Pic%2C_1.jpg 2x" data-file-width="2397" data-file-height="3600" /> ellauri191.html on line 1212: "for his writing, which – in new forms for the novel and drama – in the destitution of modern man acquires its elevation" ellauri191.html on line 1229: "for the ethical force with which he has pursued the indispensable traditions of Russian literature" ellauri191.html on line 1257: ich_B%C3%B6ll.jpg" class="image">ich Böll.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/1/12/Bundesarchiv_B_145_Bild-F062164-0004%2C_Bonn%2C_Heinrich_B%C3%B6ll.jpg/75px-Bundesarchiv_B_145_Bild-F062164-0004%2C_Bonn%2C_Heinrich_B%C3%B6ll.jpg" decoding="async" width="75" height="92" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/1/12/Bundesarchiv_B_145_Bild-F062164-0004%2C_Bonn%2C_Heinrich_B%C3%B6ll.jpg/113px-Bundesarchiv_B_145_Bild-F062164-0004%2C_Bonn%2C_Heinrich_B%C3%B6ll.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/12/Bundesarchiv_B_145_Bild-F062164-0004%2C_Bonn%2C_Heinrich_B%C3%B6ll.jpg/150px-Bundesarchiv_B_145_Bild-F062164-0004%2C_Bonn%2C_Heinrich_B%C3%B6ll.jpg 2x" data-file-width="532" data-file-height="655" /> ellauri191.html on line 1259: ich_B%C3%B6ll" title="Heinrich Böll">Heinrich Böll ellauri191.html on line 1266: "for his writing, which through its combination of a broad perspective on his time and a sensitive skill in characterization has contributed to a renewal of German literature" ellauri191.html on line 1275: ick_White_1973.jpg" class="image">ick White 1973.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/20/Patrick_White_1973.jpg/75px-Patrick_White_1973.jpg" decoding="async" width="75" height="83" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/2/20/Patrick_White_1973.jpg/113px-Patrick_White_1973.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/20/Patrick_White_1973.jpg/150px-Patrick_White_1973.jpg 2x" data-file-width="1916" data-file-height="2128" /> ellauri191.html on line 1277: ick_White" title="Patrick White">Patrick White ellauri191.html on line 1284: "for an epic and psychological narrative art, which has introduced a new continent into literature" ellauri191.html on line 1301: "for a narrative art, farseeing in lands and ages, in the service of freedom" ellauri191.html on line 1332: "for his distinctive poetry, which, with great artistic sensitivity, has interpreted human values under the sign of an outlook on life with no illusions" ellauri191.html on line 1356: icentealeixandre.jpg" class="image">icentealeixandre.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/2f/Vicentealeixandre.jpg/75px-Vicentealeixandre.jpg" decoding="async" width="75" height="114" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/2/2f/Vicentealeixandre.jpg/113px-Vicentealeixandre.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2f/Vicentealeixandre.jpg/150px-Vicentealeixandre.jpg 2x" data-file-width="462" data-file-height="705" /> ellauri191.html on line 1358: icente_Aleixandre" title="Vicente Aleixandre">Vicente Aleixandre ellauri191.html on line 1365: "for a creative poetic writing, which illuminates man's condition in the cosmos and in present-day society, at the same time representing the great renewal of the traditions of Spanish poetry between the wars" ellauri191.html on line 1382: "for his impassioned narrative art which, with roots in a Polish-Jewish cultural tradition, brings universal human conditions to life" ellauri191.html on line 1400: "for his poetry, which, against the background of Greek tradition, depicts with sensuous strength and intellectual clear-sightedness modern man's struggle for freedom and creativeness" ellauri191.html on line 1417: "who with uncompromising clear-sightedness voices wo/man's exposed condition in a world of severe conflicts" ellauri191.html on line 1434: "for writings marked by a broad outlook, a wealth of ideas and artistic power" ellauri191.html on line 1451: "for his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent's life and conflicts" ellauri191.html on line 1468: "for his novels, which with the perspicuity of realistic narrative art and the diversity and universality of myth, illuminate the human condition in the world of today" ellauri191.html on line 1480: ic.svg/23px-Flag_of_the_Czech_Republic.svg.png" decoding="async" width="23" height="15" class="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Flag_of_the_Czech_Republic.svg/35px-Flag_of_the_Czech_Republic.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Flag_of_the_Czech_Republic.svg/45px-Flag_of_the_Czech_Republic.svg.png 2x" data-file-width="900" data-file-height="600" /> Tšekkoslovakia ellauri191.html on line 1484: "for his poetry, which endowed with freshness, and rich inventiveness provides a liberating image of the indomitable spirit and versatility of man" ellauri191.html on line 1501: "who in his novel combines the poet's and the painter's creativeness with a deepened awareness of time in the depiction of the human condition" ellauri191.html on line 1503: novel, literary criticism ellauri191.html on line 1517: "who in a wide cultural perspective and with poetic overtones fashions the drama of existence" ellauri191.html on line 1534: "for an all-embracing authorship, imbued with clarity of thought and poetic intensity" ellauri191.html on line 1551: "who, through works rich in nuance – now clear-sightedly realistic, now evocatively ambiguous – has formed an Arabian narrative art that applies to all mankind" ellauri191.html on line 1568: "for a rich and intensive prose, which with restrained compassion forms a challenging vision of man's vulnerability" ellauri191.html on line 1579: ico.svg/23px-Flag_of_Mexico.svg.png" decoding="async" width="23" height="13" class="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/fc/Flag_of_Mexico.svg/35px-Flag_of_Mexico.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fc/Flag_of_Mexico.svg/46px-Flag_of_Mexico.svg.png 2x" data-file-width="980" data-file-height="560" /> Meksiko ellauri191.html on line 1583: "for impassioned writing with wide horizons, characterized by sensuous intelligence and humanistic integrity" ellauri191.html on line 1596: ica_%281928%E2%80%931994%29.svg/23px-Flag_of_South_Africa_%281928%E2%80%931994%29.svg.png" decoding="async" width="23" height="15" class="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/7/77/Flag_of_South_Africa_%281928%E2%80%931994%29.svg/35px-Flag_of_South_Africa_%281928%E2%80%931994%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/77/Flag_of_South_Africa_%281928%E2%80%931994%29.svg/45px-Flag_of_South_Africa_%281928%E2%80%931994%29.svg.png 2x" data-file-width="900" data-file-height="600" /> Etelä-Afrikka ellauri191.html on line 1600: "who through her magnificent epic writing has – in the words of Alfred Nobel – been of very great benefit to humanity" ellauri191.html on line 1616: "for a poetic oeuvre of great luminosity, sustained by a historical vision, the outcome of a multicultural commitment" ellauri191.html on line 1633: "who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality" ellauri191.html on line 1649: "who with poetic force creates an imagined world, where life and myth condense to form a disconcerting picture of the human predicament today" ellauri191.html on line 1665: "for works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past" ellauri191.html on line 1682: "for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality" ellauri191.html on line 1700: drama, lyrics ellauri191.html on line 1730: "whose frolicsome black fables portray the forgotten face of history" ellauri191.html on line 1746: "for an oeuvre of universal validity, bitter insights and linguistic ingenuity, which has opened new paths for the Chinese novel and drama" ellauri191.html on line 1748: novel, drama, literary criticism ellauri191.html on line 1780: "for writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history" ellauri191.html on line 1793: ica.svg/23px-Flag_of_South_Africa.svg.png" decoding="async" width="23" height="15" class="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/Flag_of_South_Africa.svg/35px-Flag_of_South_Africa.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/af/Flag_of_South_Africa.svg/45px-Flag_of_South_Africa.svg.png 2x" data-file-width="400" data-file-height="267" /> Etelä-Afrikka ellauri191.html on line 1813: "for her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society's clichés and their subjugating power" ellauri191.html on line 1830: "who in his plays uncovers the precipice under everyday prattle and forces entry into oppression's closed rooms" ellauri191.html on line 1846: "who in the quest for the melancholic soul of his native city has discovered new symbols for the clash and interlacing of cultures" ellauri191.html on line 1862: "that epicist of the female experience, who with scepticism, fire and visionary power has subjected a divided civilisation to scrutiny" ellauri191.html on line 1878: "author of new departures, poetic adventure and sensual ecstasy, explorer of a humanity beyond and below the reigning civilization" ellauri191.html on line 1894: "who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed" ellauri191.html on line 1939: ic_of_China.svg/23px-Flag_of_the_People%27s_Republic_of_China.svg.png" decoding="async" width="23" height="15" class="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Flag_of_the_People%27s_Republic_of_China.svg/35px-Flag_of_the_People%27s_Republic_of_China.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Flag_of_the_People%27s_Republic_of_China.svg/45px-Flag_of_the_People%27s_Republic_of_China.svg.png 2x" data-file-width="900" data-file-height="600" /> Kiina ellauri191.html on line 1952: ice_Munro.jpg" class="image">ice Munro.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Alice_Munro.jpg/75px-Alice_Munro.jpg" decoding="async" width="75" height="91" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Alice_Munro.jpg/113px-Alice_Munro.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Alice_Munro.jpg/150px-Alice_Munro.jpg 2x" data-file-width="491" data-file-height="599" /> ellauri191.html on line 1954: ice_Munro" title="Alice Munro">Alice Munro ellauri191.html on line 1969: ick_Modiano_6_dec_2014_-_22.jpg" class="image">ick Modiano 6 dec 2014 - 22.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Patrick_Modiano_6_dec_2014_-_22.jpg/75px-Patrick_Modiano_6_dec_2014_-_22.jpg" decoding="async" width="75" height="93" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Patrick_Modiano_6_dec_2014_-_22.jpg/113px-Patrick_Modiano_6_dec_2014_-_22.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Patrick_Modiano_6_dec_2014_-_22.jpg/150px-Patrick_Modiano_6_dec_2014_-_22.jpg 2x" data-file-width="514" data-file-height="640" /> ellauri191.html on line 1971: ick_Modiano" title="Patrick Modiano">Patrick Modiano ellauri191.html on line 1978: "for the art of memory with which he has evoked the most ungraspable human destinies and uncovered the life-world of the Occupation" ellauri191.html on line 1994: "for her polyphonic writings, a monument to suffering and courage in our time" ellauri191.html on line 2011: "for having created new poetic expressions within the great American lyrical tradition" ellauri191.html on line 2013: lyrics ellauri191.html on line 2043: "for a narrative imagination that with encyclopedic passion represents the crossing of boundaries as a form of life" ellauri191.html on line 2059: "for an influential work that with linguistic ingenuity has explored the periphery and the specificity of human experience" ellauri191.html on line 2077: "for her unmistakable poetic voice that with austere beauty makes individual existence universal" ellauri191.html on line 2113: "for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory" ellauri191.html on line 2141: In the Wall Street Journal, Joseph Epstein wrote, "You might not know it, but you and I are members of a club whose fellow members include Leo Tolstoy, Henry James, Anton Chekhov, Mark Twain, Henrik Ibsen, Marcel Proust, James Joyce, Jorge Luis Borges and Vladimir Nabokov. [And, we might add: Virginia Woolf, Joseph Conrad, Anna Akhmatova, Ella Fitzgerald, and Eudora Welty.] The club is the Non-Winners of the Nobel Prize in Literature. All these authentically great writers, still alive when the prize, initiated in 1901, was being awarded, didn't win it." ellauri191.html on line 2142: The prize has "become widely seen as a political one – a peace prize in literary disguise", whose judges are prejudiced against authors with political tastes different from theirs. ellauri191.html on line 2144: The first prize in 1901, awarded to the French poet Sully Prudhomme, was heavily criticised. Many believed that the acclaimed Russian author Tolstoy should have been awarded the first Nobel prize in literature. ellauri191.html on line 2145: From 1901 to 1912, the committee, headed by the conservative Carl David af Wirsén, weighed the literary quality of a work against its contribution towards humanity's struggle 'toward the ideal'. Leo Tolstoy, Henrik Ibsen, Émile Zola, and Mark Twain were rejected in favour of authors little read today. The choice of philosopher Rudolf Eucken as Nobel laureate in 1908 is widely considered to be one of the worst mistakes in the history of the Nobel Prize in Literature. The main candidates for the prize that year were poet Algernon Swinburne and author Selma Lagerlöf, but the Academy were divided between the candidates and, as a compromise, Eucken, representative of the Academy's interpretation of Nobel's "ideal direction", was launched as an alternative candidate that could be agreed upon. Solzhenitsyn did not accept the award and prize money until 10 December 1974, after he was deported from the Soviet Union. Swedish Academy member Artur Lundkvist had argued that the Nobel Prize in Literature should not become a political prize and questioned the artistic value of Solzhenitsyn's work. The award to Camilo José Cela was controversial as he had moved voluntarily from Madrid to Galicia during the Spanish Civil War in order to join Franco's rebel forces there as a volunteer.A member of the Swedish Academy, Knut Ahnlund, who had not played an important role in the Academy since 1996, protested against the choice of the 2004 laureate, Elfriede Jelinek; Ahnlund resigned, alleging that selecting Jelinek had caused "irreparable damage" to the reputation of the award. ellauri192.html on line 7: font-style: italic; ellauri192.html on line 45: Prince Nikolai Sergeyevich Trubetzkoy (Russian: Никола́й Серге́евич Трубецко́й, IPA: [trʊbʲɪtsˈkoj]; 16 April 1890 – 25 June 1938) was a Russian linguist and historian whose teachings formed a nucleus of the Prague School of structural linguistics. He is widely considered to be the founder of morphophonology. He was also associated with the Russian Eurasianists. ellauri192.html on line 47: Trubetzkoy was born into privilege. His father, Sergei Nikolaevich Trubetskoy, came from a Lithuanian Gediminid princely family. In 1908, he enrolled at the Moscow University. While spending some time at the University of Leipzig, Trubetzkoy was taught by August Leskien, a pioneer of research into sound laws. What a privilege! ellauri192.html on line 49: After he graduated from the Moscow University (1913), Trubetzkoy delivered lectures there until the Russian Revolution, when he moved first to the University of Rostov-on-Don, then to the University of Sofia (1920–1922) and finally took the chair of Professor of Slavic Philology at the University of Vienna (1922-1938). He died from a heart attack attributed to Nazi persecution after he had published an article that was highly critical of Hitler's crackpot morphophonological theories. ellauri192.html on line 51: Trubetzkoy also acted as a literary critic. In Writings on Literature, a brief collection of translated articles, he analyzed Russian literature beginning with the Old Russian epic The Tale of Igor's Campaign (the one that contains a first mention the Trubetzkoys) and proceeding to 19th-century Russian poetry and Dostoevsky. ellauri192.html on line 55: The Prague linguistic circle included the Russian émigrés Roman Jakobson, Nikolai Trubetzkoy, and Sergei Karcevskiy, as well as the famous Czech literary scholars René Wellek and Jan Mukařovský. The instigator of the circle, and its first president until his death in 1945, was the Czech linguist Vilém Mathesius. After the Czechoslovak coup d'état of 1948, the circle was disbanded in 1952 (another marked year), but the Prague School continued as a major force in linguistic functionalism. ellauri192.html on line 61: Jakobson was born in the Russian Empire on 11 October 1896 to a well-to-do family of Jewish descent, the industrialist Osip Jakobson and chemist Anna Volpert Jakobson. Under the pseudonym 'Aliagrov', he published books of zaum poetry and befriended the Futurists Vladimir Mayakovsky, Kazimir Malevich, Aleksei Kruchyonykh and others. It was the poetry of his contemporaries that partly inspired him to become a linguist. ellauri192.html on line 63: Dyr bul shchyl (Russian: Дыр бул щыл, [dɨr bul ɕːɨl]) is the earliest and most famous zaum/transrational poem by Aleksei Kruchenykh, written using the Zaum language, which, according to the author, is "more Russian national, than in all of Pushkin's poetry". ellauri192.html on line 73: Zaum (Russian: зáумь "beyond reason") are the linguistic experiments in sound symbolism and language creation of Russian Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Zaum is a non-referential phonetic entity with its own ontology. The language consists of neologisms that mean nothing. Zaum is a language organized through phonetic analogy and rhythm. Zaum literature cannot contain any onomatopoeia or psychopathological states. ellauri192.html on line 75: The poetic output is perhaps comparable to that of the contemporary Dadaism but the linguistic theory or metaphysics behind zaum was entirely devoid of the gentle reflexive irony of that movement and in all seriousness intended to recover the sound symbolism of a lost aboriginal tongue. Russians have absolutely no sense of humor. Exhibiting traits of a Slavic national mysticism, Kruchenykh aimed at recovering the primeval Slavic mother-tongue in particular. ellauri192.html on line 77: Jakobson escaped from Prague in early March 1939 via Berlin for Denmark, where he was associated with Louis Hjelmslev's Copenhagen linguistic circle. He fled to Norway on 1 September 1939, and in 1940 walked across the border to Sweden, where he continued his work at the Karolinska Hospital (with works on footsores, aphasia and language competence). When Swedish colleagues feared a possible German occupation, he managed to leave on a cargo ship, together with Ernst Cassirer (the former rector of Hamburg University) to New York City in 1941 to become part of the wider community of intellectual émigrés who fled there. ellauri192.html on line 79: At the New York École libre des hautes études, a sort of Francophone university-in-exile, he met and collaborated with Claude Lévi-Strauss, who would also become a key exponent of structuralism. He also made the acquaintance of many American linguists, chemists and anthropologists, such as Franz Boas, Benjamin Whorf, and Leonard Bloomfield. When the American authorities considered "repatriating" him to Europe, it was Franz Boas (another Jew) who actually saved his ass. ellauri192.html on line 81: His universalizing structuralist theory of phonology, based on a markedness hierarchy of distinctive features, achieved its canonical exposition in a book published in the United States in 1951, jointly authored by Roman Jakobson, C. Gunnar Fant and Morris Halle. ellauri192.html on line 83: In his last decade, Jakobson maintained an office at the Massachusetts Institute of Technology, where he was an honorary Professor Emeritus. Jakobson died in Cambridge, Massachusetts on 18 July 1982. Näinköhän mä sen vanhana ukkelina 70-luvun lopulla? Voi olla, en muista nyt. ellauri192.html on line 85: Influenced by the Organon-Model by Karl Bühler, Jakobson distinguishes six communication functions, each associated with a dimension or factor of the communication process [n.b. – Elements from Bühler's theory appear in the diagram below in yellow and pink, Jakobson's elaborations in blue]: ellauri192.html on line 89: aesthetic/poetic (: auto-reflection) ellauri192.html on line 95: phatic (: checking channel is working) ellauri192.html on line 111: So the choice has fallen neither on Tolstoy, nor Ibsen, nor Björnson, nor Mommsen, nor Swinburne, nor Zola, nor Anatole France, nor Carducci, nor Mistral, nor Hauptmann, nor even Echegaray—it has fallen on Sully-Prudhomme [sic]. It is some satisfaction, however, to find that Francois Coppée is not the winner; in view of his innocuous sentimentality, he might well have been considered the best of all by the present Swedish Academy. ellauri192.html on line 113: The members of the Nobel jury were guided by the vague words written into the will of Alfred Nobel. The inventor stated that his prize “should go to the person who shall have produced in the field of Literature the most distinguished work of an idealistic tendency.” Wirsén believed that “idealistic tendency” meant of moral or good nature; however, as Burton Feldman reports, the mathematician Gösta "Ja ja de ä Gösta här" Mittag-Leffler, who was a friend of Nobel’s, attested that “the inventor intended ‘idealism’ to mean a skeptical, even satirical attitude to religion, royalty, marriage, and the social order in general.” ellauri192.html on line 132: But Sully Prudhomme’s 1878 work, La Justice (Justice), is a bold poem indeed. Siinä on paljon optimismia ja idealismia, sydämen asiaa. Dyny-Alfred olisi ollut mielissään. Scientific truth and deeply felt art combine in Sully Prudhomme’s vision to come to the rescue of humankind. This idealism imbued with science is what drew the Nobel committee to award him their first literature prize. Parnassolaiset hurrasivat ja symbolistit jupisivat kateina.. ellauri192.html on line 241: Leur félicité même ou leur propre misère, Niiden onni yhtä hyvin kuin niiden onnettomuus, ellauri192.html on line 253: It is exceedingly rare for the sort of internal squabble and mutual doubt which marked the 1983 award to William Golding to reach public ears. The customary mien is one of ceremonious and bland self-evidence. ellauri192.html on line 255: The Nobel Prize in Literature 1984 was awarded to Jaroslav Seifert "for his poetry which endowed with freshness, sensuality and rich inventiveness provides a liberating image of the indomitable spirit and versatility of man." ellauri192.html on line 257: Jaroslav Seifert was born in Zizkov, a suburb of Prague, Czechoslovakia (now the Czech Republic). Seifert was one of the pioneers of modernist poetry and literature in his native country. He also worked as a journalist and translator. The period after the World War II was a disappointment for Seifert, who had been hoping for a brighter and freer future. Instead the Communist government imposed a repressive policy in which poets were expected to write political propaganda. Seifert became involved in attempts at reforms with the increased freedom implemented in his native country, such as the Prague Spring of 1968 and the Charta 77 movement. ellauri192.html on line 259: Jaroslav Seifert made his debut with the poetry collection Mesto v slzách (1921) (City in Tears). His writings include more than 30 poetry collections. Seifert was a highly regarded poet in his native country. Melody and rhythm characterize his poetry, which is inspired by folk songs, common speech and everyday scenes. At the heart of Seifert’s poems is humanity, and he criticizes the totalitarian state’s attempts to reduce the opportunities and freedom of the individual. ellauri192.html on line 261: There is no objective measure, no slide rule for magnitude in literature. Balzac was convinced that Mrs. Ann Radcliffe, the purveyor of Gothic terror, was a finer writer than Stendhal, whom he admired. Tolstoy, one of the two writers who have freely refused the Prize - Sartre in 1964 was the other (Bob Dylan meant to be the 3rd until the Swedes upped the ante) - found Shakespeare's ''King Lear'' to be a puerile mess ''beneath serious criticism.'' (mitä se kieltämättä onkin, tai oikeammin setämiehen keitos). The only major fiction to come out of the American experience of World War II, James Gould Cozzens' fiction ''Guard of Honor,'' has fallen into oblivion, deservedly. ellauri192.html on line 263: THE trouble, of course, is that the actual record of choices made by the Swedish Academy for the Nobel Prize in Literature has been capricious and, in too many cases, insulting to critical intelligence. Given the fact that no literary ranking can be either proved or falsified objectively; given the inevitable time lag of taste and renown behind the radical, private advance of genius; errors, oversight, delays in recognition until they guys were dead were unavoidable from the outset. But even when every allowance is made, the record of ''the bounty of Sweden'' (Yeats's candid phrase when he received the Nobel in 1923) is a poor one. ellauri192.html on line 265: The very first selection was ominous. Both the name and the verse of Sully Prudhomme seem to herald those grounds of unctuous competence, of the official middle ground, so frequently adopted by the Nobel judges. But Prudhomme is by no means the pits. Take Bob Dylan for instance. ellauri192.html on line 269: Taking into sympathetic account the widest margin of human error, is it possible to take seriously an institution and procedure that passes over the majority of the greatest novelists and renewers of prose in the modern age? James Joyce, Marcel Proust, Franz Kafka (whose presence towers over our sensual literature and of the meaning of a bug, quite a feat for a little man who one should not expect to tower over anything much), Thomas Hardy, Joseph Conrad, Henry James, Andre Malraux, Hermann Broch, Robert Musil, D. H. Lawrence, either escaped the notice of or were, on nomination, rejected by the Nobel committee. Can one defend a jury which prefers the art of Pearl Buck (1938) to that of, say, Virginia Woolf? Paul Claudel, a picee of shit whose dramas we can set fairly beside those of Aeschylus and of Shakespeare just to scare people, never received the accolade. Paul Heyse was chosen, not Bertolt Brecht. Galsworthy is a Nobel, not Carlo Emilio Gadda, one of the most original and inventive writers of fiction in this century. Who the fuck is he? Composer of In-a-Gadda-da-Vida? No that was Iron Butterfly, and a good piece it was indeed. ellauri192.html on line 271: In poetry, the balance sheet is dismal. No Ezra Pound, no Rilke, no Valery, no Wallace Stevens, no Kazantzakis, no Cavafy, no Mandelstam, no Akhmatova, no Lorca, no Auden, no Fernando Pess^oa (a poet's poet). Stockholm, as we saw, enlarged the bounds of ''literature'' to include professional philosophy, ancient history and political rhetoric. The prose of Freud honors the German language. Freud was nominated; in vain, of course. ellauri192.html on line 273: There are great, canonic names on the Nobel list, choices on which common sense and passionate alertness concur. I have mentioned Yeats. We find Anatole France, Kipling, Shaw, Thomas Mann, Andre Gide, T. S. Eliot, Pasternak, Faulkner, Hemingway, Seferis, Montale, Beckett and Solzhenitsyn (the last, I would guess, a titan among men even more, perhaps, than among writers; what I mean by this is he was tall but not much of a novelist). But place the two lists next to each other, and the cardinal truth springs to view: during these past 83 years, the award of the Nobel Prize in Literature has scored more misses than hits. With eminent exceptions, it is the uncrowned who are sovereign. ellauri192.html on line 275: But why? It is because it is the Swedes that make the choice, not an internationally chosen jury of important influencers like The New York Times. The disturbingly fallible performance of the Nobel committee for literature is the inevitable mirror of the patrician parochialism of the self-perpetuating selectors. ellauri192.html on line 277: It is this natural parochialism that accounts for the awkward plethora of Scandinavian winners. Charity does seem to begin at home. The catalogue runs from the Swedish poet Verner von Heidenstam, crowned in 1916, and the Danish novelist Karl Gjellerup, chosen a year later, to Frans Eemil Sillanpaa of Finland and the more recent ''in-house'' choice of Harry Martinson. Of this longish list, only Knut Hamsun (1920) is an undoubtedly major nazi figure. Sillanpaa is so pathetic we don't even bother to find the outlandish dots that apparently mar his name. ellauri192.html on line 279: After this, explanation becomes speculative. Significant literature is inseparable from ideology and political feelings. There are more than hints that political considerations were implicit in the omission of Pound, Claudel, Malraux and Brecht. Too right, too right, too right, too left. The thoroughly embarrassing preference of Heinrich B"oll in 1972 over that far greater writer G"unter Grass was wholly typical of the Swedish Academy's bias towards the middle ground of urbane and liberal decencies. (Look! We tried to do the umlauts and almost did! But these are Germans, and Günther is an ex nazi too.) The great imaginings of terror and utopia, be they of the left or of the right, are not welcome. The 1957 choice of the young Camus haloed a literary persona and style of vision emblematic of the Stockholm ideal. ellauri192.html on line 281: When political-ideological risks are taken, as in the selection of Neruda, of Pasternak, of Sholokhov, the system appears to be one of almost immediate apology and compensation: the suspect Sholokhov was chosen to repair the storm damage done by the brave resignation of Pasternak. The relatively risky award to Garcia Marquez in 1983 will, it is rumored, soon be counter-balanced by the choice of a much ''safer'' Latin American voice. And lo it was, with the Argentine right-wing goon Llosa! The Muses of Stockholm prize civility ellauri192.html on line 283: THIS same bias extends to literary forms. We look in vain on the Nobel register for the experimental, formally subversive, controversial movements and texts that distinguish modernism. No Surrealist has been rewarded, no major Expressionist, no poet or playwright out of the seminal world of Dada or absurdism (Andre Breton, Hugo Ball, Gertrude Stein). The boat is not to be rocked. On august occasion, lyric eroticism and even sorrowful homosexuality are admitted to Parnassus. Radical sexual play in style, in ''amoral'' revaluation, are vetoed. The liberating sensualists, such as John Cowper Powys, supreme in English fiction after Hardy, are left out. Colette is nowhere to be found. Her heir in sensuous contrivance, Nabokov, was blackballed. ellauri192.html on line 285: Powys is fortunately dead by now, so he is out of the contest. Some sort of self-made philosopher, or rather a self-help man, who went on tours in the U.S. and got a following from the expatriates. These works were frequently bestsellers, especially in the United States, like "In Defence of Sensuality". BTW, Hardy is an gooey-romantic piece of shit as well. ellauri192.html on line 287: Lastly, there is the rumor of the blacklist. No outside observer can show that any such list exists, let alone how and when it was explicitly arrived at. But there are stubborn, unsettling indications. Behind them stands the enigmatic figure and afterlife of Dag Hammerskjold. In one or two cases, the choice of laureate seems to have been largely his. His chill displeasures seem not only to have had great influence, but to persist beyond the grave. The list of lepers, for motives which may, in some masked degree, go back to Hammarskjold's own politics and arcane sexuality, is rumored to include Graham Greene, G"unter Grass and Borges, as it did Malraux (passed over, to de Gaulle's just anger, in favor of a French poet-diplomat close to Hammarskjold, viz. Saint-John Perse). The mere fact that the Nobel Prize in Literature has long passed Borges by suffices to put the whole institution in doubt. But whether any such blacklist is real remains baffled conjecture. ellauri192.html on line 289: What sharper disservice can be rendered to literature than to consecrate the mediocre and the ephemeral? How about giving the prize to political suspects? ellauri192.html on line 293: Tokarczuk, the 2018 laureate — whose award comes a year late, after a scandal derailed 2018 committee’s deliberations — is a Polish novelist whose critical eye toward her country’s government and history has made her the target of a nationalist backlash. ellauri192.html on line 295: Handke, the 2019 winner, is an Austrian writer almost as well known for his vocal defense of Serbian war criminal Slobodan Milosevic as for his highly-regarded novels, plays and films. ellauri192.html on line 297: While Tokarczuk’s win has been widely lauded — The Guardian declared her “the dreadlocked feminist winner the Nobel needed” (aargh! will some future prize go to Estonia's own bluewig girl Sofi Oxanen?) — Handke’s provoked immediate and widespread displeasure. PEN America, an organization that advocates for writers’ liberty, wrote that it was “dumbfounded by the selection of a writer who has used his public voice to undercut historical truth and offer public succor to perpetrators of genocide.” The Slovenian public intellectual Slavoj Žižek told the Guardian that “In 2014, Handke called for the Nobel to be abolished, saying it was a ‘false canonisation’ of literature. The fact that he got it now proves that he was right.” ellauri192.html on line 299: The controversy over Handke’s support of Milosevic dates back 20 years, but the striking political differences between him and Tokarczuk reached a point of particular clarity in 2014. In that year, Handke was given the International Ibsen Prize, but mass outrage led him to reject the prize money while still accepting the award. In his accompanying speech, he said his critics should “go to hell.” (He’d previously met controversy over a literary award in 2006, when he turned down Germany’s Heinrich Heine prize after authorities attempted to withdraw it after he attended Milosevic’s funeral.) ellauri192.html on line 301: 2014 also marked the release of Tokarczuk’s most ambitious work, “The Books of Jacob,” the novel that set off much of the rancor directed at her by Polish nationalists. The book, which has yet to appear in English, is centered on the historical figure of Jakub Frank, a Jewish-born 18th-century religious leader. Frank, believed to have been born with the name Jakub Leibowicz, oversaw a messianic sect that incorporated significant portions of Christian practice into Judaism; he led mass baptisms of his followers. As Ruth Franklin reported in a New Yorker profile this past summer, Tokarczuk spent almost a decade researching Frank and the Poland in which he lived. The result is a book that, by the account of those who have read it, delivers a picture of the many intricate and unpredictable ways in which the story of Poland is tied to the story of its Jews. “There’s no Polish culture without Jewish culture,” Tokarczuk told Franklin. What else is new, asks Isaac Singer. Tokarczuk is not a Jewess, Tokarczuk considers herself a disciple of Carl Jung and cites his psychology as an inspiration for her literary work. ellauri192.html on line 303: The novel’s release shortly predated an escalation in Polish nationalism tied to the Law and Justice party’s ascent to power in 2015. But the forces that fueled that escalation were already prevalent. When Tokarczuk accepted the Nike Prize, the country’s highest literary honor, for “The Books of Jacob,” she said in a speech that the country had “committed horrendous acts as colonizers, as a national majority that suppressed the minority, as slaveowners, and as the murderers of Jews.” She was quickly inundated by threats so alarming that her publishers briefly hired bodyguards. In the five years since, she has witnessed the Law and Justice party take an increasingly hard line on censoring certain conversations about Poland’s relationship with Jews. In 2016, the government began a campaign against the Princeton historian Jan Gross, known for his groundbreaking work on the massacre at Jedwabne, in which Poles murdered 1,600 of their Jewish neighbors. In 2018, the Law and Justice party’s government made it illegal to blame Poland or Polish nationals for Nazi crimes. POLIN, a groundbreaking Polish museum of Jewish history, has been leader-less for five months, as its director, who oversaw a number of exhibits highly critical of Poland’s policy toward Jews, awaits official reappointment — despite having been re-approved for the job. ellauri192.html on line 305: “The subject of my book [‘The Books of Jacob’] — a multicultural Poland — was not comfortable for proponents of this new version of history,” Tokarczuk told PEN Transmissions, a journal run by the English iteration of PEN, in May, 2018. She was taken by surprise by the amount of rage the book provoked — not to mention her comment on receiving the Nike sneakers. But rather than retreat, she has continued to speak out on behalf of the communities she sees her government as wishing to sideline. In a January op-ed for The New York Times following a Polish radical’s on-air murder of the open-minded young Gdansk mayor Pawel Adamowicz, Tokarczuk wrote of a Polish populist narrative that “scapegoats… the so-called crazy leftists, queer-lovers, Germans, Jews, European Union puppets, feminists, liberals and anyone who supports immigrants.” ellauri192.html on line 307: “We have a suffocating atmosphere of hate,” she wrote, “a highly emotional stalemate in which there can only be traitors and heroes.” ellauri192.html on line 309: So on the one hand is Tokarczuk, a proponent of multiculturalism who has remained vocal despite facing profound antagonism for her stance — and grown more so since her first major encounter with that antagonism in 2014. And on the other is Handke, eulogizer of Milsoevic, who dictated the Bosnian genocide during the Balkan wars of the 1990s and died while on trial for war crimes against the Hague. He too has remained committed to his position; the “go to hell” of 2014, one of his last known public comments on the matter, speaks volumes. But has it worked? No here we are as before, giving hell to him. ellauri192.html on line 315: Bob Dylan was given the prize in 2016, and promptly showed the literary bad boys how a real rock star behaves, treating the academy with sustained contempt for months and piling humiliation on to the ridicule his award had already invited. ellauri192.html on line 317: The secretary of the academy, who had to put a brave face on Dylan’s behaviour, was Sara Danius, an essayist and literary critic, elected in 2013. “She was always thought gifted and bright but she’s not a biddable person,” said Maria Schottenius. “She was overjoyed when she was elected.” ellauri192.html on line 319: Records of nominations are strictly kept secret for 50 years until they are made publicly available. Currently, the nominations submitted from 1901 to 1971 are available. ellauri192.html on line 321: Since 1901 to 1971, there have been 787 writers coming from different parts of the world nominated for the Nobel Prize in Literature, 67 of which were awarded the prize and Albert Schweitzer was awarded by Nobel Peace Prize on 1953. 12 more writers from these nominees were awarded after 1971 and Elie Wiesel was awarded by Nobel Peace Prize on 1986. Only 72 women had been nominated for the prize starting with Malwida von Meysenburg who was nominated once for the year 1901 and 6 of them have been awarded after all. 10% of the nominees, 5% of the awards. Bra jobb, kulturprofilerna! Kom igen! ellauri192.html on line 323: Though the following list consists of notable literary figures deemed worthy of the prize, there have been some celebrated writers who were not considered nor even nominated such as Anton Chekhov, Jules Verne, Mark Twain, Robert Hugh Benson, Arthur Conan Doyle, Alexander Blok, Marcel Proust, Joseph Conrad, Rainer Maria Rilke, Federico García Lorca, Lu Xun, Sarat Chandra Chattopadhyay, Antonio Machado, Francis Scott Fitzgerald, James Joyce, Virginia Woolf, Simone Weil, Willa Cather, George Orwell, Galaktion Tabidze, Richard Wright, Flannery O'Connor, Langston Hughes and Jack Kerouac. ellauri192.html on line 327: His poetry, said James Ragan, director of the USC graduate school’s professional writing program, “was at all times optimistic, reflecting a championing of the human self. I think that’s primarily why he was awarded the Nobel Prize, because he suggested a new liberated spirit in writing (behind the Iron Curtain) after the Stalin era. Although he was a Communist as a youth, he became disillusioned with the party in the late 1920s. Thereafter, he was in and out of party favor during the turbulent decades that followed in Czechoslovakia. The state-run news agency, in announcing his death Friday, described him as “a prominent Czech poet, national artist (and) winner of the 1984 Nobel Prize for Literature.” ellauri192.html on line 333: They probably are no wiser than a cricket’s chirrup. ellauri192.html on line 339: STOCKHOLM, Sweden 2009 - Americans Joyce Carol Oates and Philip Roth join Israel's Amos Oz at the top of the buzz surrounding the Nobel Prize in literature, especially after the most prominent judge broke from his predecessor and said U.S. writers are worthy of the coveted award. ellauri192.html on line 341: To avoid leaks, academy members avoid discussing candidates in emails or in public. When they must -- such as when they dine out together -- they use quirky code names, like "Chateaubriand" for last year's winner, Jean-Marie Le Clezio of France. ellauri192.html on line 342: Britons Doris Lessing and Harold Pinter, winners in 2007 and 2005, were "Little Dorrit" and "Harry Potter," while Orhan Pamuk -- the 2006 winner -- was simply dubbed "OP," initials that Swedes associate with a domestic brand of liquor. ellauri192.html on line 347: This year British betting firm Ladbrokes is giving the lowest odds to Oz, German writer Herta Mueller and a trio of Americans: Oates, Roth and Thomas Pynchon. Three Canadians are given somewhat longer odds by Ladbrokes: Alice Munro and Margaret Atwood are at 25-to-1 while Michael Ondaatje sits at 50-to-1. ellauri192.html on line 349: This year, Danish literature professor Anne-Marie Mai revealed she had nominated Bob Dylan because she was upset about Englund's predecessor's critical remarks about the nonexistence of American literature. ellauri192.html on line 351: The last American winner was Toni Morrison in 1993. No writer from South America has won since Gabriel Garcia Marquez in 1982. The previous North American winner was Canadian Saul Bellow, who won in 1976 and was a resident of the United States for much of his life. What the fuck he was a Chicago crook, as American as apple pie. ellauri192.html on line 353: However, equally crooky nosed Dylan is considered by many prominent literary critics to be a major poet, his song lyrics worthy of serious study and a lot of laughs. ellauri192.html on line 355: The list of unsuccessful peace prize nominees includes dictators Joseph Stalin, Benito Mussolini and Adolf Hitler. ellauri192.html on line 357: British warlord Winston Churchill missed out on the peace prize (LOL) despite two nominations, but his oratory and his works of historical scholarship earned him the literature prize in 1953 (double LOL). ellauri192.html on line 407: Alice Munro 25/1 (CHECK) ellauri192.html on line 433: Michael Ondaatje 50/1 ellauri192.html on line 479: Michel Tournier 100/1 ellauri192.html on line 481: Patrick Modiano 100/1 (CHECK! millä lihaxilla?) ellauri192.html on line 540: on which time has trodden. Jonka päälle ajan saapas tallasi. ellauri192.html on line 552: the glowing wick. (Herttaisen vanhanaikaista vai mitä?) ellauri192.html on line 600: Delilah is the Delicate, Rachel Dilaila on delikaatti, ellauri192.html on line 625: Rhoda was a servant girl in this house, which was a hub for the growing church. One night, the Christians had gathered in Mary’s house and were “earnestly praying to God” (Acts 12:5) for the life of Peter, who had been arrested by Herod (Acts 12:3–4). Their pleas would have been desperately fervent because James, the brother of John, had just been martyred (Acts 12:2), and Peter was slated for execution. ellauri192.html on line 627: While the church prayed, God answered. He miraculously delivered Peter from prison: an angel led him out of his cell and through the prison gate, which opened for them to pass (Acts 12:6–10). Upon realizing that he was not dreaming, Peter made his way to a place he knew was safe, Mary’s house (Acts 12:11–12). ellauri192.html on line 629: When Peter arrived and knocked on the door, the servant girl Rhoda came to answer. She heard Peter’s voice and knew it was he, but in her excitement and joy she forgot to actually open the door. Leaving Peter standing in the night, she rushed to tell everyone else about the miracle outside (Acts 12:14). They did not believe her, though, thinking she was out of her mind (Acts 12:15). When Rhoda was insistent, the believers decided it must be Peter’s “angel”—his guardian angel, perhaps, or his ghost—rather than the answer to their prayers! ellauri192.html on line 633: It’s interesting that the church was praying earnestly, yet they did not believe the answer to their prayers when it came. They forgot an important part of prayer, which is answering the door. Rhoda was the first one to know of Peter’s deliverance, and she carried the joyful message to others. She did not let their doubts stop her from sharing what she knew was true: God had done the impossible. Even in the face of their unbelief, she was unrelenting in her joy. Believers today can take a cue from Rhoda and share the news of what God accomplishes with those around us, remaining joyful in what we know is true. ellauri192.html on line 637: In March 1929, he and six other writers left the KSČ after signing a manifesto protesting against Bolshevik Stalinist-influenced tendencies in the new leadership of the party. He subsequently worked as a journalist in the social-democratic and trade union press during the 1930s and 1940s. ellauri192.html on line 639: In 1949 Seifert left journalism and began to devote himself exclusively to literature. His poetry was awarded important state prizes in 1936, 1955, and 1968, and in 1967 he was designated National Artist. He was the official Chairman of the Czechoslovak Writer's Union for several years (1968–70). In 1977 he was one of the signatories of Charter 77 in opposition to the government of the Czechoslovak Socialist Republic. ellauri192.html on line 641: Seifert was awarded the Nobel Prize in Literature in 1984. Due to bad health, he was not present at the award ceremony, and so his daughter received the Nobel Prize in his name. Even though it was a matter of great importance, there was only a brief remark of the award in the state-controlled media. He died in 1986, aged 84, and was buried at the municipal cemetery in Kralupy nad Vltavou (where his maternal grandparents originated from). Not in the Jewish cemetery, perish the thought! ellauri192.html on line 643: His burial was marked by a high presence of secret police, who tried to suppress any hint of sorrow on the part of mourners. ellauri192.html on line 645: Few Americans have ever heard of Jaroslav Seifert, whose poems are virtually unobtainable in the United States, but scholars who are acquainted with his work said yesterday that the Czech poet fully deserves the Nobel Prize awarded to him. Thogh an old commie, he is (or was) now staunchly on our side. ellauri192.html on line 647: ''Seifert is a great poet who embodies the majestic tradition of Czech poetry - he deserves the Nobel Prize,'' said Maria Banerjee, who wrote the Seifert entry for the Encyclopedia of World Literature. Mrs. Banerjee, who hails from Bangla Desh (just joking, he is Maria Nemcova married to a Banerjee), is a specialist in Slavic literature, who teaches Russian literature at Smith College, added that Mr. Seifert "is (or was) the best of a remarkable group of poets who came into prominence in the 1920's." ellauri192.html on line 649: Her article in the encyclopedia traces Mr. Seifert's career from that of a youthful, traditional poet to a national poet who ''refined his lyric voice drawing on the experiences of everyday life.'' ellauri192.html on line 653: Professor Gibian, who was born in Prague, said that he has been translating some of the more recent Seifert poems for his own edification and pleasure. "They are a combination of the intimate lyrical tone of Czech poetry," he said, "heavily influenced by French Surrealism with much of the eroticism characteristic of Czechoslovak poetry in this century. His earlier poetry was sometimes melancholy but his recent work is conversational, very compassionate. He has written a cycle of poems about Prague. All this brings back my life and loves in Prague." All these Czechs are teaching Russian in the U.S., who would bother to learn Czech anyway? ellauri192.html on line 655: Seifert's most recent cycle, he said, contains a poem - which would translate as "Paradise Lost" - about an ancient Jewish cemetery in Prague. "Seifert is not Jewish," Professor Gibian said, "but he has tremendous sympathy for the Jews massacred in World War II and their suffering, and this is represented by the cemetery." Dig deeper into the moment. ellauri192.html on line 657: "There were several monuments of Czech poetry, but he is (or was) the only surviving one," said Vera Blackwell, who has translated Czech literature, including the plays of Vaclav Havel, into English. "His work is not known world-wide," she said, "but it is known and deeply admired in his own country." Mrs. Blackwell added that Seifert's poetry is difficult to translate "because the sound of the language is intimately connected with the meaning." ellauri192.html on line 659: Seifert's works are also difficult to locate, at least in this country. Ingram Book Company, for example, the large wholesaler in Nashville, Tenn., does not stock either of the two Seifert titles that have been translated into English, and no bookstores that were surveyed yesterday had even heard of them. ellauri192.html on line 661: One is a bilingual edition of "The Plague Monument," published in 1980 by the Czechoslovak Society of Art and Sciences. It is translated by Lyn Coffin with a preface by William E. Harkins, professor of Slavic languages at Columbia University. It is available for $6 from the society at 75- 70 199th Street, Flushing, Queens 11366. ellauri192.html on line 663: The other Seifert book is "The Casting of Bells," a 64-page collection translated by Tom O'Grady and Paul Jagasich, and published in August 1983 by The Spirit That Moves Us Press in Iowa City, Iowa. Morty Sklar, who described himself yesterday as "publisher, editor, typesetter and stamp licker" of the press, said his is a small, independent press that publishes two books a year. He published 1,000 copies of the Seifert book, but yesterday, upon hearing the news from Sweden, he reordered 2,500 more. It is available in paperback for $6. ellauri192.html on line 665: Mr. Seifert's memoirs were published in English in September 1981 by sixty-eight publishers, plus in the Czech language by a Czech emigre publishing house in Canada, and they were published in several installments in a Czech-language journal. A portion of the memoirs were published in English in the 1983 issue of Cross Currents, a yearbook of Central European Culture, published by the Department of Slavic Langagues at the University of Michigan. The selection, titled "Russian Bliny," is about Roman Jakobson, a Russian scholar who emigrated to Czechoslovakia after World War I and came to the United States during World War II. In actual fact, they were Ukrainian bliny, another case of cultural appropriation. ellauri192.html on line 670: The Trubetskoy family (English), Трубецкие (Russian), Трубяцкі (Belarusian), Trubecki (Polish), Trubetsky (Ruthenian), Трубецький (Ukrainian), Troubetzkoy (French), Trubic (Croatian), Trubetski (Estonian), Trubezkoi or Trubetzkoy (German), is a Russian gentry family of Ruthenian stock and Lithuanian origin, like many other princely houses of Grand Duchy of Lithuania, later prominent in Russian history, science, and arts. They are descended from Algirdas's son Demetrius I Starshy (1327 – 12 August 1399 (the Battle of the Vorskla River)). They used the Pogoń Litewska coat of arms and the Trubetsky coat of arms. ellauri192.html on line 672: Demetrius's descendants continued to rule the town of Trubetsk (Troubchevsk) until the 1530s, when they had to convert to Roman Catholicism or leave their patrimony and settle in Moscow. They chose the latter, and were accepted without ceremony at the court of Vasili III of Russia. ellauri192.html on line 674: Undoubtedly, the most prominent of early Troubetzkoys was Prince Dmitry Timofeievich Troubetzkoy, who helped Prince Dmitry Pozharsky to raise a volunteer army and deliver Moscow from the Poles in 1612. The Time of Troubles over, Dmitry was addressed by people as "Liberator of the Motherland" and asked to accept the Tsar's throne. He contented himself, however, with the governorship of Siberia and the title of the Duke (derzhavets) of Shenkursk. Prince Dmitry died on May 24, 1625 and was interred in the Trinity Lavra of St. Sergius. ellauri192.html on line 680: The Trubetsk (Troubchevsk) town was referred to in the Old East Slavic poem The Tale of Igor's Campaign where, among others, Vsevolod Svyatoslavich, the Prince of Trubetsk and of Kursk, was glorified. In 1185 the Trubetsk army fought against Cumans. Trubetsk on Bryanskin oblastissa, jossain Ison ja Valko-Venäjän rajalla. ellauri192.html on line 682: The town is referred to in the great Old Russian poem, The Tale of Igor's Campaign. This poem calls for the princes of the various Slavic lands to join forces in resisting the invasions of the nomadic Cuman people. The poem also glorified the courage of the army of Vsevolod Svyatoslavich, the ruler of Kursk and Trubchevsk. ellauri192.html on line 685: During World War II, Trubchevsk was occupied by the German Army from October 9, 1941 to September 18, 1943. Prior to the war, about 137 Jews lived in Trubchevsk. Most of the Jews were craftsmen, including cobblers and carpenters. The town was occupied by German forces in early October 1941. By that time, more than half of the Jews fled or evacuated. The Jews from the Trubchevsk district were gathered in a Klub for 3 days and shot afterwards at the edge of the village. Their bodies were burnt. In total, according to the Soviet archives, 751 Soviet citizens perished due to bad treatment or as a result of shooting in the entire Trubchevsk district. Aside from Jews, mentally ill children and adults were exterminated as well. The population is about 15K. There are very few notable buildings in the town. ellauri192.html on line 698: The Dnieper River is the fourth longest river in Europe. It runs a total length of 1,368 miles extending from the uplands of Russia’s Valdai Hills where it flows in a southerly direction through western Russia, Belarus, and Ukraine before emptying into the Black Sea. The River is usually divided into three parts; the upper portion reaches as far as Kiev, the middle portion generally refers to the area between Kiev and the Ukrainian city of Zaporizhzhya, and the lower portion is comprised of the area between Zaporizhzha and the river’s mouth at the Black Sea. Approximately 300 miles of the waterway is located in Russia, 430 miles are in Belarus, and 680 miles within Ukraine. The Dnieper River is significant not only due to its dams which provide hydro power but also for facilitating trade and providing a waterway in which to transport goods to and from various European nations. ellauri192.html on line 702: The source of the Dnieper River can be traced back to Russia’s Valdai Hills which rise to an elevation of 720 feet. The river originates from a diminutive peat bog located on the hill’s southern slope. This northwestern region of central Russia is located near the city of Smolensk and some 150 miles west of Russia’s capital city, Moscow. The Valdai Hills are located at the intersection of several of the countries key rivers including not only the Dnieper but also the Volga, Lovat, and Daugava. This area also includes the drainage basins of the Black, Caspian, and Baltic Seas. ellauri192.html on line 706: Now, the invasive Chinese sleeper is widely distributed in the freshwaters of Eastern and Central European countries, such as Belarus, Bulgaria, Estonia, Hungary, Lithuania, Latvia, Moldova,Poland, Romania, Russia, Slovakia, Serbia and Ukraine, where it has high climatic suitability and may continue invasion in the future (Reshetnikov and Ficetola, 2011). In Ukraine, theChinese sleeper was ﬁrst found in the upper Dniester River basin in 1980 where it was introduced in the 1970s (Reshetnikov, 2009). It ﬁrst occurred in the Dnieper river basin near Kievin 2001, and in the Ros’ River (right tributary of the Dnieper River, downstream of Kiev) in2005 (Sabodash et al., 2002; Kutsokon and Negoda, 2006; Kutsokon, 2010). In the DanubeRiver basin the Chinese sleeper was ﬁrst recorded in 1995–1996 in the Latorica River, westernUkraine (a part of the western Ukrainian population of the Chinese sleeper), but only in 2011in the Danube delta (Sivokhop, 1998; Kvach, 2012). This ﬁsh is currently found in differentparts of the upper streams of the Dniester basin, Transcarpathian waters (Danube basin), in the Dnieper River, and in the Danube River delta. ellauri192.html on line 726: Lyapis Trubetskoy (Russian: Ляпис Трубецкой, Belarusian: Ляпіс Трубяцкі) was a Belarusian rock band. It was named after comical hero from Ilya Ilf's and Yevgeny Petrov's novel "The Twelve Chairs", poet and potboiler Nikifor Lyapis, who used pseudonym Trubetskoy. ellauri192.html on line 730: Maidan is an originally Persian میدان word for a town square or public gathering place, borrowed into various other languages: Urdu میدان (maidān); Arabic مَيْدَان (maydān); Turkish meydan and Crimean Tatar, from which Ukrainian also borrowed maidan. Its ultimate source is Proto-Indo-European *médʰyos - compare Avestan maiδya, Sanskrit मध्य (madhya) and Latin medius. Various versions include maydan, midan, meydan, majdan, mayadeen and maydān. It also means field (मैदान) in Hindi. It became a loanword in other South Asian languages to give similar means, such as in Tamil in which the word is maidhanam. ellauri192.html on line 735: - What language do these dudes sing in, does anyone know? Belarussian or russian? Probably worth a mention in the article. ellauri192.html on line 739: icture-in-picture" allowfullscreen> ellauri192.html on line 749: Радуйся молоту в крепкой руке Rejoice at the sledge in the mighty hand ellauri192.html on line 752: Баррикады, друзья, шум, гам Barricades, friends, noise, commotion ellauri192.html on line 764: Радуйся молоту в крепкой руке Rejoice at the sledge in the mighty hand ellauri192.html on line 767: Баррикады, друзья, шум, гам Barricades, friends, noise, commotion ellauri192.html on line 786: icture-in-picture" allowfullscreen> ellauri192.html on line 796: В левой руке — «Сникерс», в правой руке — «Марс» In my left hand a "Snickers", in my right hand a "Mars" ellauri192.html on line 798: В левой руке — «Сникерс», в правой руке — «Марс» In my left hand a "Snickers", in my right hand a "Mars" ellauri192.html on line 805: Мои ботинки лижут министры и вожди Ministers and leaders lick my boots. ellauri192.html on line 812: The song reflects many anti-capitalist views, and the music video features real world villains such as Alexander Lukashenko, Hugo Chávez, Saddam Hussein, and other leaders of anti-capitalistic countries. ellauri192.html on line 814: "This song is not about money at all, said the leader. "It is the cult of accumulation and consumption, which is rampant in today's society. My dream is to reach the point at which a phone with diamonds or go to superdorogoy car will be a great shame." ellauri192.html on line 816: The anti-capitalist message is somewhat confusing though, given that Belarus is probably the least capitalist country in Europe. Maybe it helps get the song past the censor? I have no idea what to make of this tripped-out critique of materialism and pop culture from Belarusian rock band Lyapis Trubetskoy. It’s gaudy, over-the-top and visually chaotic. ellauri192.html on line 826: With the Lapis band Mikhalok performed at Euromaidan in support of the revolution, and his song Voiny Svetu became the unofficial anthem of Euromaidan. This led to Mikhalok having problems in Russia - MiKhalok was accused of supporting nationalists. ellauri192.html on line 830: The musician explained that the support of revolutionary events in Ukraine by Liapis Trubetskoy is negatively perceived by authorities in Belarus and Russia, which is an obstacle to the creative process. Thus he and his producer, without giving up the Belarusian citizenship, decided to get permanent residence in Ukraine. ellauri192.html on line 832: ic.com/media/mt/international/lukashaneko%20banner.jpg" /> ellauri192.html on line 837: The final song heard continually throughout the Belarusian protests was "Warriors of Light," written by Belarusian poet and musician Sergey Mikhalok for his rock band Lyapis Trubetskoy. Written in Russian about a fantasy world unrelated to political events, the song was unexpectedly taken up by the Ukrainian Maidan protests in 2013. ellauri192.html on line 853: Mä varmaan näin pienenä tännimisen Pekka ja Pätkä tyyppisen komedialeffan. Tai size oli toi 70-luvun Mel Brooks versio, where as they progress, they meet comrades from every walk of life in Soviet Russian society, transforming the film into a satirical send up of failing Communism. Kumpi tahhaan, ei muistaaxeni naurattanut. Mel oli (on) lähinnä Spede tyyppinen farssimainen pelle. No Get Smart eli Agentti 86 nauratti kyllä pienenä. Se näytti juutalaiselta. Alkuperäinen (kuvan) agentti 99 oli muistaaxeni söpö vaikka tyhmänpuoleinen, Mel Brooxin mukaan ainakin: From the moment they met, 99 has been in love with Maxwell Smart. Mel Broox oli (on) Ukrainan juutalainen. ellauri192.html on line 859: The Twelve Chairs (Russian: Двенадцать стульев, tr. Dvenadtsat stulyev) is a classic satirical novel by the Odessan Soviet authors Ilf and Petrov, published in 1928. Its plot follows characters attempting to obtain jewry hidden in a chair. A sequel was published in 1931. The novel has been adapted to other media, primarily film. Kirjoittajat oli "ihan nulikoita": Ilf 30, Katajev 26. Katajev kaatui suuressa isänmaallisessa sodassa 30-vuotiaana. Joten sepä venyi! ellauri192.html on line 861: In the Soviet Union in 1927, a former Marshal of Nobility, Ippolit Matveyevich "Kisa" Vorobyaninov, works as the registrar of marriages and deaths in a sleepy provincial town. His mother-in-law reveals on her deathbed that her family jewry was hidden from the Bolsheviks in one of the twelve chairs from the family’s dining room set. Those chairs, along with all other personal property, were taken away by the Communists after the Russian Revolution. Vorobyaninov wants to find the treasure. The “smooth operator” and con-man Ostap Bender forces Kisa to become his partner, as they set out to find the chairs. Bender's street smarts and charm are invaluable to the reticent Kisa, and Bender comes to dominate the enterprise. Father Fyodor (who had known of the treasure from the confession of Vorobyaninov's mother-in-law), their obsessed rival in the hunt for the treasure, follows a bad lead, runs out of money, ends up trapped on a mountain-top, and loses his sanitary pad. Ostap remains unflappable, and his mastery of human nature eliminates all obstacles, but Vorobyaninov steadily deteriorates. ellauri192.html on line 863: They slowly acquire each of the chairs, but no treasure is found. Kisa and Ostap finally discover the location of the last chair. Vorobyaninov murders Ostap to keep all the loot for himself, but discovers that the jews have already been found and used to build the new public recreation center in which the chair was found, a symbol of the new society. Angered, Vorobyaninov too loses his sanitary pad. ellauri192.html on line 882: Regarding religion, Brooks stated:"I'm rather secular. I'm basically Jewish. But I think I'm Jewish not because of the Jewish religion at all. I think it's the relationship with the people and the pride I have. The tribe surviving so many misfortunes, and being so brave and contributing so much knowledge to the world and showing courage." And most of all for being wickedly funny! Just read The Bible! And watch my films! ellauri192.html on line 886: Ilya Ilf (Ilya Arnoldovich Feinsilberg) (Russian: Илья Арнольдович Файнзильберг, 1897-1937) and Yevgeny Petrov (Yevgeniy Petrovich Katayev or Russian: Евгений Петрович Катаев, 1902-1942) were two Ukrainian prose authors of the 1920s and 1930s.They did much of their writing together, and are almost always referred to as "Ilf and Petrov". Bet Ilf was Jewish. Ilya Arnoldovich Ilf (born Iehiel-Leyb Aryevich Faynzilberg, Russian: Иехи́ел-Лейб Арьевич Фа́йнзильберг[1]) (15 October [O.S. 3 October] 1897 in Odessa – 13 April 1937, Moscow), was a popular Soviet journalist and writer of Jewish origin who usually worked in collaboration with Yevgeni Petrov during the 1920s and 1930s. Their duo was known simply as Ilf and Petrov. Together they published two popular comedy novels The Twelve Chairs (1928) and The Little Golden Calf (1931), as well as a satirical book Odnoetazhnaya Amerika (often translated as Little Golden America) that documented their journey through the United States between 1935 and 1936. ellauri192.html on line 888: One sided stories of America ellauri192.html on line 890: One-storied America (Одноэтажная Америка) is a 1937 book based on a published travelogue across the United States by two Soviet authors, Ilf and Petrov. The book, divided into eleven chapters and in the uninhibited humorous style typical of Ilf and Petrov, paints a multi-faceted picture of the US. America´s entrepreneurial skills and economic achievements are praised, the oppression of the blacks, the life of the Indians in the reservations and the oppression of workers are denounced. The title of the book refers to their impression that the cities of America consist mainly of one- and two-story buildings, in complete contrast to the popular image of America as the land of skyscrapers. Based on this sentence: ellauri192.html on line 892: America is primarily a one-and two-story country. The majority of the American population lives in small towns of three thousand, maybe five, nine, or fifteen thousand inhabitants. The "single story" was also interpreted as a metaphor for the one-dimensionality of the country: In America everything revolves around money and wealth, while the country has neither soul nor spirit. Nekulturnyj, in a word. ellauri192.html on line 894: The United States, which was perceived as the land of machines and technological progress, was of great importance at the time for the Soviet Union, which had set itself the goal of overtaking the United States. This slogan (Russian: догнать и перегнать Америку; "catch up and surpass America") was one of the most important slogans during the ambitious industrialization of the Soviet Union. Given the political climate in the Soviet Union in 1937 when the book was published, with the onset of Great Purge, it is no surprise that a version of a book that satirizes the United States was published. Oh sorry I misread: ellauri192.html on line 895: Given the political climate in the Soviet Union in 1937 when the book was published, with the onset of Great Purge, it is surprising that a version of a book that lovingly satirizes the United States was published. ellauri192.html on line 897: Ilf and Petrov´s travelogue was criticized in the Soviet Union because it was not party enough and praised many aspects of American life. ellauri192.html on line 898: "One-Story America" was a hit with American readers and received a lot of praise in the press, including: ellauri192.html on line 900: This book should be noted as a very significant work. Americans and America would benefit greatly if they considered these observations. – Allentown Morning Call ellauri192.html on line 902: Not many of our foreign guests were this distance from Broadway and the main streets of Chicago; not many could tell about their impressions with such liveliness and humor. – New York Herald Tribune ellauri192.html on line 904: Here is a book that Americans should read and ponder. We have no right to be angry and rage at the sight of a painted picture. Maybe we really remind her. – Saturday Review of Literature ellauri192.html on line 906: This is one of the best books foreigners have written about America. It is a pleasant but sometimes hectic experience to rediscover America through the eyes of the authors of this book. – News Courier, North Carolina ellauri194.html on line 7: font-style: italic; ellauri194.html on line 55: Harmageddonin taistelu on Ilmestyskirjan mukaan aikojen lopulla käytävä viimeinen suuri taistelu, johon Google ja Microsoft sekä muut Jumalan viholliset kerääntyvät Pedon kanssa. Punapukuinen kunkku joukon kärjessä on Messias vihdoinkin asiallisessa rooliasussa. ellauri194.html on line 65: icnt.jpg" /> ellauri194.html on line 73: icus.com/data/apocalypse/apocalypse-07.jpg" width="100%" /> ellauri194.html on line 81: ic1.srcdn.com/wordpress/wp-content/uploads/2021/05/Apocalypse-now-all-four-different-cuts-.jpg" width="100%"/> ellauri194.html on line 87: Route 66, U.S. Route 66 oli tunnettu valtatie Yhdysvalloissa. 11. marraskuuta 1926 perustettu Valtatie 66 oli yksi alkuperäisiä liittovaltion valtateitä, vaikka kyltit pystytettiin vasta seuraavana vuonna. Se kulki alun pitäen Chicagosta, Illinoisista Missourin, Kansasin, Oklahoman, Texasin, New Mexicon ja Arizonan läpi päättyen Santa Monican hiekkarannoille Kaliforniaan. Reitin kokonaispituus oli 2 448 mailia (3 940 km). ellauri194.html on line 92: Route 66 lakkautettiin virallisesti vuonna 1985. Tällöin päätettiin ettei tiellä enää ollut merkitystä, koska Interstate Highway System oli korvannut sen. Tiestä löytyy vielä osia nimellä Historic Route 66. Maisemareitti kiemurtelee eri osavaltioissa Chicagosta Santa Monicaan. Tämä jo osin käytöstä poistettu reitti on merkitty uudelleen karttoihin tällä uudella nimellä. ellauri194.html on line 96: Vuonna 1928 Averyn vastaperustettu yhdistys teki ensimmäisen julkisuustempauksensa: maratonkilpailun Los Angelesista New York Cityyn. Kilpailun reitti Los Angelesista Chicagoon oli Route 66. Tempaus onnistui: useat julkisuuden henkilöt, kuten Will Rogers (n.h.), tervehtivät juoksijoita reitin varrella. Hi guys. I'm tired. I thank Im gonna home now. Shit happens. ellauri194.html on line 99: William Penn Adair Rogers (November 4, 1879 – August 15, 1935) was an American vaudeville performer, actor, and humorous social commentator. He was born as a citizen of the Cherokee Nation, in the Indian Territory (now part of Oklahoma), and was known as "Oklahoma's Favorite Son". As an entertainer and humorist, he traveled around the world three times, made 71 films (50 silent films and 21 "talkies"), and wrote more than 4,000 nationally syndicated newspaper columns. By the mid-1930s, Rogers was hugely popular in the United States for his leading political wit and was the highest paid of Hollywood film stars. He died in 1935 with aviator Wiley Post when their small airplane crashed in northern Alaska. Never met a man I didn't like. The only good Injun is a dead Injun. ellauri194.html on line 116: icture-in-picture" allowfullscreen> ellauri194.html on line 117: icture-in-picture" allowfullscreen> ellauri194.html on line 125: ic.fr/images/affiches/original/aff_8563020191118144637.jpg" width="50%" /> ellauri194.html on line 142: icture-in-picture" allowfullscreen> ellauri194.html on line 143: icture-in-picture" allowfullscreen> ellauri194.html on line 252: As one nomadic people followed another on the Eurasian steppes, so the identification of Gog and Magog shifted. In the 9th and 10th centuries these kingdoms were identified by some with the lands of the Khazars, a Turkic people whose leaders had converted to Judaism and whose empire dominated Central Asia–the 9th-century monk Christian of Stavelot referred to Gazari, said of the Khazars that they were "living in the lands of Gog and Magog" and noted that they were "circumcised and observing all [the laws of] Judaism". Arab traveler ibn Fadlan also reported of this belief, writing around 921 he recorded that "Some hold the opinion that Gog and Magog are the Khazars". ellauri194.html on line 257: Europeans in Medieval China reported findings from their travels to the Mongol Empire. Some accounts and maps began to place the "Caspian Mountains", and Gog and Magog, just outside the Great Wall of China. The Tartar Relation, an obscure account of Friar Carpini's 1240s journey to Mongolia, is unique in alleging that these Caspian Mountains in Mongolia, "where the Jews called Gog and Magog by their fellow countrymen are said to have been shut in by Alexander", were moreover purported by the Tartars to be magnetic, causing all iron equipment and weapons to fly off toward the mountains on approach. In 1251, the French friar André de Longjumeau informed his king that the Mongols originated from a desert further east, and an apocalyptic Gog and Magog ("Got and Margoth") people dwelled further beyond, confined by the mountains. In the map of Sharif Idrisi, the land of Gog and Magog is drawn in the northeast corner (beyond Northeast Asia) and enclosed. Some medieval European world maps also show the location of the lands of Gog and Magog in the far northeast of Asia (and the northeast corner of the world). ellauri194.html on line 259: In fact, Gog and Magog were held by the Mongol to be their ancestors, at least by some segment of the population. As traveler and Friar Riccoldo da Monte di Croce put it in c. 1291, "They say themselves that they are descended from Gog and Magog: and on this account they are called Mogoli, as if from a corruption of Magogoli". ellauri194.html on line 267: Some time around the 12th century, the Ten Lost Tribes of Israel came to be identified with Gog and Magog; possibly the first to do so was Petrus Comestor in Historica Scholastica (c. 1169–1173), and he was indeed a far greater influence than others before him, although the idea had been anticipated by the aforementioned Christian of Stavelot, who noted that the Khazhars, to be identified with Gog and Magog, was one of seven tribes of the Hungarians and had converted to Judaism. ellauri194.html on line 269: While the confounding Gog and Magog as confined Jews was becoming commonplace, some, like Riccoldo or Vincent de Beauvais remained skeptics, and distinguished the Lost Tribes from Gog and Magog. As noted, Riccoldo had reported a Mongol folk-tradition that they were descended from Gog and Magog. He also addressed many minds (Westerners or otherwise) being credulous of the notion that Mongols might be Captive Jews, but after weighing the pros and cons, he concluded this was an open question. ellauri194.html on line 271: The Flemish Franciscan friar William of Rubruck, who was first-hand witness to Alexander's supposed wall in Derbent on the shores of the Caspian Sea in 1254, identified the people the walls were meant to fend off only vaguely as "wild tribes" or "desert nomads", but one researcher made the inference Rubruck must have meant Jews, and that he was speaking in the context of "Gog and Magog". Confined Jews were later to be referred to as "Red Jews" (die roten Juden) in German-speaking areas; a term first used in a Holy Grail epic dating to the 1270s, in which Gog and Magog were two mountains enclosing these people. ellauri194.html on line 275: In the Borgia map, a copper-engraved world map probably produced in Southern Germany c. 1430, the most eastern part contains two fortified regions depicting Gog and Magog, with the following Latin inscriptions: ellauri194.html on line 279: The province of Gog, in which the Jews were confined during the time of Artaxerxes, king of the Persians. ellauri194.html on line 287: In the early 19th century, some Hasidic rabbis identified the French invasion of Russia under Napoleon as "The War of Gog and Magog". But as the century progressed, apocalyptic expectations receded as the populace in Europe began to adopt an increasingly secular worldview. This has not been the case in the United States, where a 2002 poll indicated that 59% of Americans believed the events predicted in the Book of Revelation would come to pass. During the Cold War the idea that Soviet Russia had the role of Gog gained popularity, since Ezekiel's words describing him as "prince of Meshek" – rosh meshek in Hebrew – sounded suspiciously like Russia and Moscow. Even some Russians took up the idea, apparently unconcerned by the implications ("Ancestors were found in the Bible, and that was enough"), as did Ronald Reagan. ellauri194.html on line 289: Some post-Cold War millenarians still identify Gog with Russia, but they now tend to stress its allies among Islamic nations, especially Iran. For the most fervent, the countdown to Armageddon began with the return of the Jews to Israel, followed quickly by further signs pointing to the nearness of the final battle – nuclear weapons, European integration, Israel's reunification of Jerusalem in the Six Day War in 1967, and America's wars in Afghanistan and the Persian Gulf. According to an unconfirmed report, US President George W. Bush, in the prelude to the 2003 Invasion of Iraq, told French President Jacques Chirac, "Gog and Magog are at work in the Middle East." Bush is said to have continued, "This confrontation is willed by God, who wants to use this conflict to erase His people's enemies before a new age begins." Officials from the Bush Administration claim there is no record of this conversation and that making such references, "doesn't sound at all like Bush", and French officials on the call have similarly claimed to have not heard any such remarks. ellauri194.html on line 291: In the Islamic apocalyptic tradition, the end of the world would be preceded by the release of Gog and Magog, whose destruction by God in a single night would usher in the Day of Resurrection. Reinterpretation did not generally continue after Classical times, but the needs of the modern world have produced a new body of apocalyptic literature in which Gog and Magog are identified as Communist Russia and China. One problem these writers have had to confront is the barrier holding Gog and Magog back, which is not to be found in the modern world: the answer varies, some writers saying that Gog and Magog were the Mongols and that the wall is now gone, others that both the wall and Gog and Magog are invisible. Why it is the iron curtain of course, the pay wall that stops money transfers between east and west. It is Google of MAGA what else! ellauri194.html on line 308: "Talking about class is out of fashion,” she says. “It’s easier to co-opt radical discourses around racial and gender oppression than it is around class oppression." ellauri194.html on line 310: Judith Butler's Gender Trouble and Eve Kosofsky Sedgwick's Epistemology of the Closet, are the key texts of queer theory. ellauri194.html on line 311: They drew on French philosopher Michel Foucault's writings on sexuality and his notion that bodies are given meaning by discourse and social structures of knowledge and power. The binary oppositions (man/woman, gay/straight) on which discourse, and thus subjectivity, are founded are revealed to be not fixed, but fluid, fictional – and can, therefore, be destabilised. For a feminist who liked playing with words, the radical potential in this appealed. ellauri194.html on line 314: Sedgwick' died of breast cancer in 2009 aged 58,. She deploys erudite and playful readings of texts by Oscar Wilde, Henry James and Marcel Proust to interrogate assumptions about the stability of sexual identity and how language works to define a homo/heterosexual binary. She writes: "An understanding of virtually any aspect of modern western culture must be not merely incomplete but damaged in its central substance to the degree that it does not incorporate a critical analysis of modern homo/heterosexual definition." ellauri194.html on line 316: Sedgwick's conclusion from a long-term project of anti-homophobic analysis is Axiom 1 – "people are different from each other". ellauri194.html on line 317: Even identical genital acts mean very different things to different people. Sexuality makes up a large share of the self-perceived identity of some people, a small share of others. Some people like to have a lot of sex, others little or none. Many people have their richest mental/emotional involvement with sexual acts that they don't do, or even don't want to do. ellauri194.html on line 319: Queer is noun and verb, and relational not binary. It is strange, queer in fact. Sedgwick said when appalled conservative commentators rejected her queer reading of literary greats: "Read any Sonnets lately? You dip into the Phaedrus often? To invoke the utopian bedroom scene of Chuck Berry's immortal aubade: Roll over, Beethoven, and tell Tchaikovsky the news." ellauri194.html on line 326: The crime genre glorifies, justifies and normalizes the systematic violence and injustice meted out by police, making heroes out of police and prosecutors who engage in abuse, particularly against people of color. ellauri194.html on line 328: "I usually get just a tissue” a female inmate says as she describes her experience bouncing from detention facility to detention facility and being denied feminine products. “Television doesn’t show you when we’re treated like animals and denied basic necessities." ellauri194.html on line 335: Get Christie Love! gave the first black woman to serve in a State Police force in the United States, Louise Smith, critical motivation to continue with her chosen career when she faced significant discrimination both in the barracks and on the streets. In 2017, producers Courtney Kemp and Vin Diesel became attached to a reboot of the series for ABC, entitled Get Christie Love (without the exclamation point), a co-production between Lionsgate Television and Universal Television, which focused on an African American female CIA agent who leads an elite ops unit. However, ABC later announced that it had decided not to pick the pilot up to series. ellauri194.html on line 340: Indian lyrics ellauri194.html on line 353: icture-in-picture" allowfullscreen> ellauri194.html on line 373: • Upploppen fick sin början under skärtorsdagen då Paludan eldade en koran i Jönköping. Senare under dagen skulle han manifestera i Linköping och Norrköping. Innan hans manifestation kunde börja så gick motdemonstranter till attack mot polisen. Både personbilar och polisbilar sattes i brand. I Linköping skadades flera poliser och sju personer greps misstänkta för våldsamt upplopp. I Norrköping greps två personer misstänkta för våldsamt upplopp. ellauri194.html on line 384: I Rosengård blev en stadsbuss helt utbränd och polisen fick också molotovcocktails och stenar kastade mot sig. ellauri194.html on line 439: Stram kurs är ett danskt högerextremt parti som leds av Rasmus Paludan. Paludan företrädde partiet i det senaste danska valet, där partiet fick 1,8 procent av rösterna vilket inte räckte för någon plats i Folketinget. ellauri194.html on line 445: Majfesten som skulle hållas i Örebro under långfredagen hann aldrig börja, då oroligheter utbröt på platsen. Senare under kvällen bestämde polisen att man skulle upplösa den allmänna sammankomsten. Polisen lämnade också platsen, trots att våldsamheterna fortsatte. Något Niclas Hallgren beskriver som ett ”polistaktiskt övervägande”. ellauri194.html on line 452: – De som begick dessa handlingar representerar inte det arabiska och muslimska samfundet i staden, säger Hussam Murad rädd och fortsätter: ellauri194.html on line 454: - Det blir 100% säkert mera muslimhat, samhälleliga klyfror och segregation, sörjer söta muslimflickor som städar efter upploppet. Men det är just det som är meningen, bekräftar Rasmus Paludan förnöjt. ellauri194.html on line 463: Roderick Chisholm on kuvannut ongelman kahdella kysymyksellä teoksessaan Theory of Knowledge (1966): ellauri194.html on line 485: I'd like to know myself, because despite the fact that I founded the only worldwide organization for game developers, helped put the Game Developers’ Conference (25,000 attendees annually) on its feet, worked on Madden NFL for six years for Electronic Arts, and wrote an introductory textbook on game design that has been translated into several languages, some anonymous random at Wikipedia has decided that I'm not “notable” enough because he personally has never heard of me, and wants to delete my page. Basically, you have to kiss the ass of the insiders if you don't want your content to be deleted. It's an oligarchy of the ignorant. ellauri194.html on line 488: What is the social justice activists' endgame? Did Faramir become a Steward? Why are European counties so big compared to American ones?Why do North Africans move to France if France colonized and oppressed them for years? Is it worth it to sacrifice Ukraine to keep the International Space Station going? What does the Constitution say about the right to privacy? ellauri194.html on line 498: Nora Bender, joka opiskeli Business Adminia University of Waterloossa, täsmentää: For people, the person who is the topic of a biographical article should be worthy of notice or note—that is, "remarkable" or "significant, interesting, or unusual enough to deserve attention or to be recorded" within Wikipedia as a written account of that person's life. "Notable" in the sense of being famous or popular—although not irrelevant—is secondary. ellauri194.html on line 500: This notability guideline for biographies reflects consensus reached through discussions and reinforced by established practice, and informs decisions on whether an article about a person should be written, merged, deleted, or further developed. For advice about how to write biographical articles, see Wikipedia:Manual of Style/Biography and Wikipedia:Biographies of living persons: ellauri194.html on line 507: Don't use titles or honorifics with the subject's name. ellauri194.html on line 510: The opening paragraph of a biographical article should neutrally describe the person, provide context, establish notability and explain why the person is notable, and reflect the balance of reliable sources. ellauri194.html on line 512: Care should be taken to avoid placing undue weight on sexuality. A person's sexual orientation or activities should usually not be mentioned in the article lead unless related to the person's notability. ellauri194.html on line 516: Wherever possible, avoid defining a notable person, particularly in the title or first sentence, in terms of their relationships. Generally speaking, notability is not inherited; e.g. a person being the spouse or child of another notable person does not make that person notable. LOL! ellauri194.html on line 522: In the 11th century AD, after the decline of the Pala dynasty, a Hindu king, Adi Sura brought in five Brahmins and their five attendants from Kanauj, his purpose being to provide education for the Brahmins already in the area whom he thought to be ignorant, and revive traditional orthodox Brahminical Hinduism. These Vedic Brahmins were supposed to have nine gunas (favoured attributes), among which was insistence on same sex marriages. Multiple accounts of this legend exist, and historians generally consider this to be nothing more than myth or folklore lacking historical authenticity. The tradition continues by saying that these immigrants settled and each became the founder of a clan. ellauri194.html on line 524: Kannauj (Hindustani pronunciation: [kənːɔːd͡ʒ]) is a city, administrative headquarters and a municipal board or Nagar Palikka Parishad in Kannauj district in the Indian state of Uttar Pradesh. The city's name is a modern form of the classical name Kanyakubja. It was also known as Mahodaya during the time of Mihira Bhoja. Its nickname is "the perfume capital of India". ellauri194.html on line 525: There are many temples in Kannauj which are very important by both Historical as well as spiritual purposes. In the time of King Harsh it was the kingdom of India. It is very much famous for Kannauj Perfume also. That is the reason why it is mentioned as the city of perfumes. ellauri194.html on line 527: The five Brahmin clans, which later became known as Banerjees, Mukherjees, Chatterjees, Bhattacharjees and Gangulys, were each designated as Kulina ("superior") in order to differentiate them from the more established local Brahmins. ellauri194.html on line 529: Banerjee or Bandyopadhyay is a surname of Brahmins originating from the Bengal region of the Indian subcontinent. Banerjees are from the ancient Shandilya Gotra, which means all Banerjees are descended from Kannauj from the ancient sage Shandilya as per the Puranas. Together with Mukherjees, Chatterjees, Bhattacharjees and Gangulys, Banerjees form the Kulin Brahmins. Indian (Bengal) and Bangladeshi: Hindu (Brahman) name, the first element of which, Ban-, is taken from Bandyopadhyay. The final element -jee is derived from jha (greatly reduced form of Sanskrit upadhyaya ‘teacher’); thus, Banerjee ‘teacher who is head and only performs the main work aarti or,Vandana. A Sanskrit version of this name, Vandyopadhyaya, was coined from the elements vandya ‘venerable’ + upadhyaya ‘teacher’. " ellauri194.html on line 533: Alapan Bandyopadhyay, IAS Officer ellauri194.html on line 537: Ambica Banerjee ellauri194.html on line 561: Nikhil Banerjee, composer, musician ellauri194.html on line 578: Surendranath Banerjee, first Indian to qualify Indian Civil Service Examination ellauri194.html on line 580: Victor Banerjee, actor both in Tollywood, Bollywood and Hollywood ellauri194.html on line 582: Gargi Banerji, cricketer ellauri194.html on line 587: Chatterjee or Chattopadhyay is a Bengali Hindu family name, used primarily by Pancha-Gauda Brahmins in India, and associated with the Bengali Brahmin caste. Chatterjee is an Anglicized variant of the Sanskritized Chattopadhyay. English language spellings include Chatterjee, Chatterjea, Chatarji, Chatterji, Chaterjee, Chattopadhyay, and Chattopadhyaya. Together with Banerjees, Mukherjees, Gangulys, Chatterjees form the Kulin Brahmins, the highest tier of the Bengali caste system. They belong to Rarhi clan and the Kashyapa gotra. ellauri194.html on line 595: Amitabha Chattopadhyay – biophysicst ellauri194.html on line 602: Aroup Chatterjee – British Indian atheist, physician, author of Mother Teresa: The Untold Story ellauri194.html on line 603: Ashim Chatterjee – politician and activist ellauri194.html on line 604: Asima Chatterjee – Indian organic chemist and the second woman to be conferred a Doctorate of Science by an Indian university ellauri194.html on line 605: Atul Chandra Chatterjee – Indian diplomat and government official. Served as the Indian High Commissioner to the United Kingdom from 1925–1931. ellauri194.html on line 618: Gautam Chattopadhyay – musician ellauri194.html on line 626: Neil Chatterjee – American lawyer, political advisor, and government official, chair of the Federal Energy Regulatory Commission twice between 2017 and 2020 ellauri194.html on line 637: Rabiranjan Chattopadhyay, Indian politician ellauri194.html on line 638: Ramakrishna Paramahamsa – born Gadadhar Chattopadhyay, a famous mystic of 19th-century India ellauri194.html on line 640: Rangan Chatterjee – Physician, author, television presenter and broadcaster ellauri194.html on line 648: Shiba P. Chatterjee – professor, former president of International Geographical Union ellauri194.html on line 652: Sourav Chatterjee – mathematician ellauri194.html on line 659: Suman Chatterjee (now Kabir Suman) – musician ellauri194.html on line 664: Utpal Chatterjee – cricketer ellauri194.html on line 734: icle_page_image_770px_wide/s3/2017-07/banerjee.jpg?itok=J5EqyNMA" height="200px" /> ellauri194.html on line 758: An appeals court acquitted Hossam and overturned Adham's prison sentence in January 2021, and they were released the following month. However, prosecutors then introduced the more serious charge of human trafficking. ellauri194.html on line 764: For the Egyptian state to instrumentalize "human trafficking" charges to exert control over the expression & socioeconomic mobility of young women is deeply disturbing. There are real and serious cases of human trafficking that must be prosecuted--these TikTok cases are not it. ellauri194.html on line 769: Adham, who once had three million followers on TikTok and has 1.4 million followers on Instagram, was accused of the same offence the following month after posting what prosecutors said were "indecent" videos in which she lip-synced to famous songs and danced in fashionable clothes. ellauri194.html on line 771: On Sunday, a criminal court found Hossam and Adham guilty and sentenced them to prison. Three men convicted of assisting the women were given six-year terms. ellauri194.html on line 810: Bitcoin Buyer avulla voit hyötyä kaikista näistä kryptovaluutoista, jopa karhumarkkinoilla. Se käyttää tekoälyä (AI, Artificial Intelligence) käsittelemään automaattisesti pitkän ja lyhyen myynnin, jotta voit ansaita rahaa ympäri vuorokauden – jopa nukkuessasi. ellauri194.html on line 811: Bitcoin Buyer tukevat eräät kaikkien aikojen älykkäimmät tekniikkamieliset ihmiset- Richard Branson, Jeff Bezos ja Bill Gates nimetäkseen muutamia. ellauri194.html on line 814: Bill Gates ja Richard Branson keskustelivat Bitcoin Buyer CES 2020 -konferenssissa: Toimiiko Järjestelmä Oikeasti? ellauri194.html on line 867: Kyllä vain, se oli henkilökohtainen tilivastaavani Elon Musk. Hänen palvelunsa oli loistavaa, menimme koko rahoitusprosessin läpi. He hyväksyvät kaikki keskeisimmät luottokortit kuten Visa, MasterCard ja American Express. Siirryin eteenpäin ja talletin minimitalletuksen, joka on 250 euroa. ellauri194.html on line 890: Michael Cash: ellauri194.html on line 926: Mark Fadlevich: ellauri194.html on line 934: Amanda Hickam ellauri194.html on line 977: Sorry... now back to the war: Boris offers MPs an apology but STILL refuses to call rule-breaking No10 gathering a party before moving swiftly onto Ukraine - as rebel Tory Mark Harper says he is 'no longer worthy of the great office that he holds'. ellauri194.html on line 980: The Prime Minister said sorry with 'full humility' over the £50 fixed-penalty notice he received from Scotland Yard last week, in his first Commons appearance since the Easter break. ellauri194.html on line 984: He has used the war as a justification for not resigning after becoming the first serving prime minister to break the law while in office. ellauri194.html on line 987: Mr Johnson's hopes of dealing swiftly with the political fallout from Partygate were dealt a blow today after the Speaker approved a vote on whether he should be investigated for misleading the Commons. ellauri194.html on line 994: 'I'm very sorry to have to say this, but I no longer think he is worthy of the great office that he holds.' ellauri194.html on line 997: Cabinet minister Jacob Rees-Mogg tonight attempted to downplay the impact of Mr Harper's dramatic intervention. ellauri194.html on line 1003: Kekä on Taflat Top joka koittaa huijata rahaa laahuxelta Elon Muskin ja Ilta-Pulun avulla? Onko se tää roistonnäköinen leadership akateemikko Jimi Terska Californiasta? The Academy For Leadership and Training? The Outfit for Dealership And Suckering? Jimi Terska on kirjoittanut kirjan WORST Practices...in Corporate Training: Spectacular Disasters...What We Do by Jim Glantz. In this kinda book, we'll laugh and you learn as you hear us successful trainers tell our most horrific training disaster stories…and what the suckers learned were the root causes of their failures. After each of our epic failure stories, Jim skillfully provides simple-to-use templates and checklists to help make sure you make the same mistakes and pitfalls in your own training programs. Like hire more snakeoil salesmen like us. ellauri194.html on line 1014: ic/assets/theme/images/img-jim-glantz.jpg" height="200px" /> ellauri194.html on line 1015: ic/assets/theme/images/kevin-walsh.jpg" height="200px" /> ellauri194.html on line 1019: Kevin is well-known for his energetic and engaging style and ensures that class participants combine deep learning with laughter, thereby fostering an environment of trust and respect for each other. ellauri194.html on line 1023: ICF-luokitus (International Classification of Functioning, Disability and Health) on WHO:n luokitusperheeseen kuuluva toimintakyvyn, toimintarajoitteiden ja terveyden kansainvälinen luokitus. Luokitus periaatteessa sitoo WHO:n jäsenvaltioita. Luokituksen on suomennuttanut ja julkaissut Stakes vuonna 2004. ICF täydentää WHO:n toista, terveydenhuollon vakiintunutta ja paljon laajempaa ICD-luokitusta, joka tunnetaan nimellä Kansainvälinen tautiluokitus. Tästä luokituksesta on käytössä jo 10. versio, ICD-10. ellauri194.html on line 1029: The International Coaching Federation (ICF) is a nonprofit organization dedicated to professional coaching. ICF has been called "the main accrediting and credentialing body for both training programs and coaches". ICF defines coaching as partnering with clients in a thought-provoking and creative process that inspires them to maximize their personal and professional potential... ellauri194.html on line 1030: This article contains content that is written like an advertisement. (April 2022) ellauri194.html on line 1033: Jim and/or Kevin are available as a dynamic duo, interactive speakers for your company events or off-site topics such as: ellauri194.html on line 1039: Company Description: Cooler Technologies, Inc. is located in Venice, CA, United States and is part of the Computer Systems Design and Related Services Industry. Cooler Technologies, Inc. has 4 total employees across all of its locations and generates $269,745 in sales (USD). (Sales figure is modelled). ellauri194.html on line 1044: A strategic and global supply chain leader with over 25 years of progressive experience in the vitamins, dietary supplements, beauty products, consumer packaged foods and beverages industry sectors. Trent analyzed product movement at no less than four 3rd party managed AC/DC's to identify forecast deviations and overstocks while improving customer service and reducing spoilage! ellauri194.html on line 1048: Privately-held since 1983, A&M is a leading global professional services firm that delivers business performance improvement, turnaround management and advisory services to organizations seeking to transform operations, catapult growth and accelerate results through decisive action. Our senior professionals are experienced smooth operators, world-class consultants and industry veterans who leverage the firm's restructuring heritage to help leaders turn change into a strategic business asset, manage risk and unlock value at every stage. ellauri194.html on line 1057: ic.com/5f70ea5383fa184c188160b6f33836c9b626d8a2_medium.jpg" /> ellauri196.html on line 7: font-style: italic; ellauri196.html on line 49: Ikaros ei noudattanut sananlaskua. Sillä ei olleet arvot kohdallaan. Maamies, kalamies ja merimies tietävät mikä on elämässä tärkeää: maanviljely, kalastus ja purjehdus. Agricola arat. Navigare necesse est. On vältettävä seppoilua, huuhastelua ja pilvilinnoja. Näyttelijät, filosofit, kynäilijät ja muut seppoilijat ym turhat julkkixet joutaa molskahtamaan jorpakkoon. Kuten esim. Eemeli, Esa Saarinen, Joannes Piscator ja Petrus Ramus. ellauri196.html on line 53: Ioannes Piscator (natus die 27 Martii 1546 Argentorati - obiit die 26 Iulii 1625 Herbornae in Provincia Giessa) fuit magister artium, professor ac theologus Germanicus. A piscatore habemus opus: Aphorismi doctrinae christianae (Herborn 1619). ellauri196.html on line 55: Wegen Piscators Übersetzung von Markus 8,12 „ich sage euch: Wann diesem Geschlechte ein Zeichen wird gegeben werden, so strafe mich Gott“ nannten die Lutheraner seiner Zeit diese Bibel spottend „Straf-mich-Gott-Bibel“ und bekämpften sie heftig. Noch mehr Aufsehen erregte die Lehre Piscators, dass nur der leidende Gehorsam Christi, nicht auch der tätige, den Gläubigen zugerechnet werde. Manche reformierten Theologen tolerierten sie zwar, andere aber, besonders die französischen, griffen sie heftig an und verwarfen sie auf der Synode zu Gap als Irrlehre. ellauri196.html on line 57: Daa gseufetzt yr grad und gmaint: "Dös Gschlächt will also ayn Zaichen! Dös Aine sag i enk: Die Leut von heut kriegnd ganz gwiß kain Zaichen nit! Himml Herrgott Sakrament Kreiz Kruzifix Hallelujah! Mi legst am Arsch Scheissglump varrecks!" ellauri196.html on line 61: Von einem urteilslosen Menschen heißt es, ihm fehle die „altera pars Petri“. Die gewöhnlichere Ausdrucksweise, die auch Kant gebraucht, ist die, es fehle ihm an der „secunda Petri“ (KrV B 173 Anm.). Diese Redewendung bezieht sich auf den zweiten Teil der Logik von Ramus (Institutiones dialecticae). Er behandelt das Urteilsvermögen (De iudicio). ellauri196.html on line 63: Petrus Ramus (Francogallice Pierre de la Ramée; natus Cuts in oppido anno 1515; mortuus Lutetiae anno 1572) fuit grammaticus, mathematicus, philosophus, et humanista Francicus et regius mathematicae professor apud Collegium Franciae ab anno 1551. ellauri196.html on line 67: Ramus war ein Gegner der aristotelisch-scholastischen Philosophie; schon der Titel seiner Magisterthese von 1536 hatte angeblich (Freigius zufolge) gelautet: „Quecumque ab Aristotele dicta essent, commentita esse“ („Was immer Aristoteles gesagt haben mag, sei erlogen“). Er entwickelte stattdessen eine neue, nichtaristotelische Logik. Darin ersetzte er (in den Institutiones dialecticae) den aristotelischen Syllogismus durch ein System von Dichotomien (vgl. Ramismus) in der Tradition des spätmittelalterlichen Logikers Rudolf Agricola (1444–1485). ellauri196.html on line 69: Ramus wurde 1572 in der Bartholomäusnacht ermordet und seine Leiche in der Seine versenkt. Für seine Anhänger hatte er dadurch den Status eines Märtyrers erlangt. ellauri196.html on line 71: Ramismi kritisoi aristoteelista "keinotekoista" logiikkaa perustuen Platoniin, Ciceroon ja Quintilianukseen, ja halusi korvata sen retoriikkaan perustuvalla "luonnollisen ihmisymmärryksen mukaisella" logiikalla. Logiikan tehtävänä ei ollut Ramuksen mukaan syllogismien pohdiskelu vaan filosofinen etsintä ja lyhyimmän polun löytäminen etsinnän tiellä. Ramus esitti teoriansa muun muassa teoksessa Aristotelicae animadversiones (1543). ellauri196.html on line 77: de iudicio: tiede arvostelmista, päättelystä ja menetelmästä ellauri196.html on line 87: axiomaticum ellauri196.html on line 89: dianoeticum (syllogismit) ellauri196.html on line 183: Auden oli homoseksuaali ja Chester Kallmanin rakastaja. Pari työsti yhdessä librettoja Benjamin Brittenin, Igor Stravinskin, Hans Werner Henzen ja Nicolas Nabokovin oopperoihin. Kuulostaakin akkamaiselta, "librettoja", ei edes kunnon kirjoja! Tiiliskiviromaaneja kuten appi Tomppa Mann! Ainiin homohan se oli sekin, tai siis bi. ellauri196.html on line 199: Thomas Mann expressed in a letter to his brother Heinrich Mann his disappointment about the birth of his first child (Erika Mann). ellauri196.html on line 212: Prevent the dog from barking with a juicy bone, Vaientakaa koiran haukkuminen ydinluulla, ellauri196.html on line 218: Put crepe bows round the white necks of the public doves, Laittakaa sururusetteja ilta-puluille, ellauri196.html on line 219: Let the traffic policemen wear black cotton gloves. Käyttäkööt liikennepoliisit mustia hanskoja. ellauri196.html on line 256: Water, and the expensive delicate ship that must have seen Vihreään veteen, ja kallis hieno laiva josta varmaan nähtiin ellauri196.html on line 281: unsignificantly vähäeleisesti ellauri196.html on line 285: a splash quite unnoticed huomaamaton molskahdus ellauri196.html on line 291: Some idiot suggests that Auden's most famous poem, ‘Funeral Blues’, is ‘misread’ as sincere elegy when it was intended to be a send-up or parody of public obituaries. What an infantile idea! Rather, Auden's point is: We must make fun of one another AND die. Auden oli mielestäni suht hyvä, vahinko vaan että se näyttää Lewisin naziapulaiselta. ellauri196.html on line 328: Miten Uli-renki tulee onnelliseksi (Wie Uli, der Knecht, glücklich ward), suomentanut Joel Lehtonen. Otava, 1908 (Otavan helppohintainen kirjasto, n:o 143-144.) Just tää büchlein löytyi poistohyllystä. ellauri196.html on line 348: Gustav Frenssen: Klaus Hinrich Baas, romaani. Otava 1910 ellauri196.html on line 414: Vicki Baum: Naisylioppilas. Otava 1930 (alkuteos Stud. chem. Helene Willfüer) ellauri196.html on line 476: Tänään kazoimme teeveestä tai siis suoratoistopalvelusta a) tanskalaista rikosreportterinaista Dicte ja b) turkkilaista angstaussarjaa Ethos. Tiivistäen niiden pohjalta voi sanoa: teeveesarjat ovat läpeensä perseestä! En jaxa niitä! Ne on tähdätty joillekin käsittämättömille lima-aivoille. Sarja a) oli läpeensä vastenmielinen kuten kaikki ns. rikossarjat, näytetään pelkkää rupusakkia, tyyten ikäviä ihmisiä jotka äyskii ja tekee pahaa toisilleen kun niiden elämä on niin ahistavaa. Enkä puhu elintasosta, vaan ihmistyypeistä, yhtä kusipäisiä on niissä näytettävät kermaperseet, elleivät kusipäisempiä. Tanskalaiset on samanlaisia pakko-oireisia anaalis-retentiivisiä germaaneja kuin länsinaapurinsa. Päähenkilö ponnarissa muistuttaa lykketrollia. Rikostoimittaja on vielä vastenmielisempi ammatti kuin poliisi, ne on kuin varis ja siira samalla haaskalla. People have a right to know! Why was the baby in the freezer? So it won't go bad. Sarja b) on aivan toivoton. Luonnevikainen väkivaltainen yökerhoporzari kiusaa katatonista vaimoa ja vinosuista siskoa aivan hulluuden partaalle ja yli, lapset istuu takapenkillä iho ummessa. Kaikki muutkin tyypit on yhtä vinxahtaneita. Eikö näissä ole yhtään normaalia ihmistä? Vai onko kaikki nk. normaalit ihmiset vaan toisella lailla kakkoja kuten esim. Gotthelfin lanzarit? Mix porukoista on kiva kazoa tälläsiä paskiaisia? Nauttiiko ne toisten kärsimyxistä? Onko ns. kivoja tyyppejä vaan lastenkirjoissa ja sarjakuvissa? Olenko naiivi? Niinpä suattaa olla, sanois Elna mummi tähän. ellauri196.html on line 618: Chicagossa pula-aikana oli slummeja ja rotanpuremia lapsia. Sale oli niihin yhtä tottunut kuin demokraatit norsuihin. Hauska nähdä mikä on viisikymppisen akateemisen free enterprise jutkun käsitys ay-liikkeestä. Kuten saattoi arvata ei korkea. Sen mielestä ne ovat kateita. Niin ovatkin, tasa-arvo on ainoa asia joka tyydyttää kateita. Ja ääliöitä koska ne eivät osaa ize vetkutella pinnalle hengittelemään hyttysentoukkana kuten Sale. Koska ne on harmitonta laahusta joista on bisinixille pelkkää harmia. ellauri196.html on line 620: The AFL was the largest union grouping in the United States for the first half of the 20th century, even after the creation of the Congress of Industrial Organizations (CIO) by unions that were expelled by the AFL in 1935. The Federation was founded and dominated by craft unions throughout its first fifty years, after which many craft union affiliates turned to organizing on an industrial union basis to meet the challenge from the CIO in the 1940s. In 1955, the AFL merged with the CIO to create the AFL–CIO, which has comprised the longest lasting and most influential labor federation in the United States to this day. ellauri196.html on line 622: Its fundamentally conservative "pure and simple" approach limited the AFL to matters pertaining to working conditions and rates of pay, relegating political goals to its allies in the political sphere. The Federation favored pursuit of workers' immediate demands rather than challenging the property rights of owners, and took a pragmatic view of politics which favored tactical support for particular politicians over formation of a party devoted to workers' interests. The AFL's leadership believed the expansion of the capitalist system was seen as the path to betterment of labor, an orientation making it possible for the AFL to present itself as what one historian has called "the conservative alternative to working class radicalism." ellauri196.html on line 624: However, in the 1900s (decade), the two parties began to realign, with the main faction of the Republican Party coming to identify with the interests of banks and manufacturers, while a substantial portion of the rival Democratic Party took a more labor-friendly position. While not precluding its members from belonging to the Socialist Party or working with its members, the AFL traditionally refused to pursue the tactic of independent political action by the workers in the form of the existing Socialist Party or the establishment of a new labor party. After 1908, the organization´s tie to the Democratic party grew increasingly strong. ellauri196.html on line 626: During World War I, the AFL—motivated by fear of government repression, and hope of aid (often in the form of pro-AFL labor policies)—had worked out an informal agreement with the United States government, in which the AFL would coordinate with the government both to support the war effort and to join "into an alliance to crush radical labor groups" such as the Industrial Workers of the World and Socialist Party of America. ellauri196.html on line 629: The major legislation was the National Labor Relations Act of 1935, called the Wagner Act. It greatly strengthened organized unions, especially by weakening the company unions that many workers belonged to. It was to the members advantage to transform a company union into a local of an AFL union, and thousands did so, dramatically boosting the membership. ellauri196.html on line 631: Lewis argued that the AFL was too heavily oriented toward traditional craftsmen, and was overlooking the opportunity to organize millions of semiskilled workers, especially those in industrial factories that made automobiles, rubber, glass and steel. In 1935 Lewis led the dissenting unions in forming a new Congress for Industrial Organization (CIO) within the AFL. Both the new CIO industrial unions, and the older AFL crafts unions grew rapidly after 1935. In 1936 union members enthusiastically supported Roosevelt's landslide reelection. Proposals for the creation of an independent labor party were rejected. ellauri196.html on line 633: In 1945 and 1946, an unprecedented wave of major strikes affected the United States; by February 1946 nearly 2 million workers were engaged in strikes or other labor disputes. Organized labor had largely refrained from striking during World War II, but with the end of the war, labor leaders were eager to share in the gains from a postwar economic resurgence. ellauri196.html on line 635: The Labor Management Relations Act of 1947, better known as the Taft–Hartley Act, is a United States federal law that restricts the activities and power of labor unions. It was enacted by the 80th United States Congress over the veto of President Harry S. Truman, becoming law on June 23, 1947. ellauri196.html on line 636: The Taft–Hartley Act amended the 1935 National Labor Relations Act (NLRA), prohibiting unions from engaging in several unfair labor practices. Among the practices prohibited by the Taft–Hartley act are jurisdictional strikes, wildcat strikes, solidarity or political strikes, secondary boycotts, secondary and mass picketing, closed shops, and monetary donations by unions to federal political campaigns. The NLRA also allowed states to enact right-to-work laws banning union shops. Enacted during the early stages of the Cold War, the law required union officers to sign non-communist affidavits with the government. ellauri196.html on line 638: After spending several days considering how to respond to the bill, President Truman vetoed Taft–Hartley with a strong message to Congress, calling the act a "dangerous intrusion on free speech." Labor leaders, meanwhile, derided the act as a "slave-labor bill." Despite Truman's all-out effort to prevent a veto override, Congress overrode his veto with considerable Democratic support, including 106 out of 177 Democrats in the House, and 20 out of 42 Democrats in the Senate. ellauri196.html on line 641: Union workers average 10-30% higher pay than non-union in the United States after controlling for individual, job, and labor market characteristics. ellauri196.html on line 642: The academic literature shows substantial evidence that labor unions reduce economic inequality. Research suggests that rising income inequality in the United States is partially attributable to the decline of the labor movement and union membership. ellauri196.html on line 675: Brando was ranked by the American Film Institute as the fourth-greatest movie star among male movie stars whose screen debuts occurred in or before 1950. He was only one of six actors named in 1999 by Time magazine in its list of the 100 Most Important People of the 20th Century. In this list, Time also designated Brando as the "6th most important Actor of the 20th Century". ellauri196.html on line 677: Brando was raised a Christian scientist from Pfalz. Kasvoi kompostista kuin krispaattorissa wilttaantunut Pak Choi. His mother, known as Dodi Rypäleitä Perseessä, was unconventional for her time; she smoked, wore pants, and drove cars. She helped Henry Ford begin his acting career. However, she was an alcoholic and often had to be brought home from bars in Chicago by her alcoholic husband. Brando expressed sadness when writing about his mother: she preferred getting drunk to caring for us. No wonder Buddy. ellauri196.html on line 681: When he was four, Brando sexually abused his teenage governess. Brando became attached to her, and was distraught when she left him. For the rest of his life, Brando was distraught over her loss. Brando´s childhood nickname was "Bud". Makes sense for a compost crucifer. "Slim" would not have fit him in the least. ellauri196.html on line 683: He was later expelled from Libertyville High School for riding his motorcycle through the corridors. He had a trick knee. ellauri196.html on line 685: Adler used to recount that when teaching Brando, she had instructed the class to act like chickens, and added that a nuclear bomb was about to fall on them. Most of the class clucked and ran around wildly, but Brando sat calmly and pretended to lay an egg. Asked by Adler why he had chosen to react this way, he said, "I'm a chicken—what do I know about bombs?" ellauri196.html on line 687: Despite being commonly regarded as a method actor, Brando disagreed. He claimed to have abhorred Stanislavski´s teachings. He said that actors were like breakfast cereals, meaning they were predictable.´ ellauri196.html on line 690: Brando was known for his tumultuous personal life (euphemism for a piece of shit) and his large number of partners and children. He was the father to at least 11 children, at least three of whom were not his. Like a large number of men, he too, had homosexual experiences, and he was not ashamed. If Wally had been a woman, he would have married him and they would have lived happily ever after and had a bunch of kids. Now all they got were some brown pickaninnies. ellauri196.html on line 692: In Songs My Mother Taught Me, Brando wrote that he met Marilyn Monroe at a party where she played piano, unnoticed by anybody else there, that they had an affair and maintained an intermittent relationship for many years, and that he received a telephone call from her several days after she died. He also claimed numerous other romances, although he did not discuss his marriages, his wives, or his children in his autobiography. ellauri196.html on line 694: Brando met actress Rita Moreno in 1954, and they began a love affair. Moreno later revealed in her memoir that when she became pregnant by Brando he arranged for an abortion. After the abortion was botched Brando fell in love with Tarita Teriipaia, and Moreno attempted suicide by overdosing on Brando´s sleeping pills. Welcome back, O great days of adventure before Roe and Wade! ellauri196.html on line 719: Some statements found in rabbinic literature posit that Ezekiel was the son of Jeremiah, who was (also) called "Buzi" because he was despised by the Jews. ellauri196.html on line 724: (colloquial, slang) in compounds a person who is wildly enthusiastic about something; a freak, nut. ellauri196.html on line 738: Montale ha scritto relativamente poco. Il poeta può solo dire "ciò che non siamo": è la negatività esistenziale vissuta dall'uomo novecentesco dilaniato dal divenire storico. Pieni negatiivisuus ei ole ylläri, kun muistaa maailmansodat. Vaikkei tää 21. vuosisata juuri näytä positiivisemmalta. Il poeta crede di trovare una risposta, una soluzione al problema del "male di vivere": ad esempio, frutti di mare o alcune figure di donne. Montale esalta lo stoicismo etico di chi compie in qualsiasi situazione storica e politica il proprio dovere. Perche no il epicurismo? Tärkeintä sille oli la ricerca di propria dignità. No se pääsikin elinkautisexi senaattorixi. Eli taas tätä tuttua: tiukka mutru huuleen ja selkä vastatuuleen. Paska reisu mutta tulipahan tehtyä. Se trendas sotavuosina. ellauri196.html on line 740: Pur essendo rispettoso di tutte le religioni, riteneva che la più ridicola fosse quella laica. Questa condizione umana è, secondo Montale, impossibile da sanare se non in momenti eccezionali, veri stati di grazia istantanei che Montale definisce miracoli, kuten esim naisen sisään tullessa (Halleluja! huusi se kuin moosexenuskoinen Leonard Cohen pukilla), tai maiskutellessa turpeita huulia kalaruokapöydässä kuin Camillerin Montalbano. ellauri196.html on line 742: icle/articles/love/classifiche/5-indimenticabili-poesie-d-amore-di-Eugenio-Montale/imageOriginal/eugenio-montale.jpg" width="30%" /> ellauri196.html on line 750: But you don´t really care for music, do you? ellauri196.html on line 772: It doesn´t matter which you heard ellauri196.html on line 800: Eugenio Montale ebbe una visione fortemente idealizzata dell’amore: la sua concezione della donna ricorda la tradizione del dolce stil novo e della donna angelo. La poesia Morgana è l’ultima della raccolta Quaderno di quattro anni, pubblicata nel 1977. Järbällä oli noobel rintapielessä, senaattorin hattu ja paxu lompakko, helppo on lempeä pyytää. Vanha ja lihavakin runoilija osaa vielä lurittaa, jos silmään sattuu oikein kainaloinen nuori kana. Luonto on suunnitellut niin, että ruumiikas voi vielä bylsiä: nivusiin ei kerry läskiä. ellauri196.html on line 830: non è detto che il detto sia sicuro. ei ole sanottua että sanottu on varmaa. ellauri196.html on line 841: The academicians of Stockholm have often (though not always) said no to intolerance, cruel fanaticism and that persecuting spirit which turns the strong against the weak, oppressors against the oppressed, rather than the other way round. This is true particularly in their choice of literary works like mine, works which can sometimes be murderously dull, but never like that atomic bomb which is the most mature fruit of the eternal tree of evil, but paradoxically, the best gift ever to the case of peace. It kept Europeans from murdering each other for almost 100 years. ellauri196.html on line 846: My poems are a completely useless product, but hardly ever harmful, and this is their best characteristics. The worst counter example is the exclusively noisy and undifferentiated music listened by millions of young people to exorcize their horror of quietness. Mass communication, radio, and especially television, have attempted, not without success, to annihilate every possibility of solitude and reflection. ellauri196.html on line 848: The new art of our time is film and video which effect a kind of psychic Thai massage on the spectator on the home sofa. The deus ex machina of this new heap is the director. His purpose is to give intentions to works which have none or have had other ones. ellauri196.html on line 849: There is a great sterility in all this, an immense lack of confidence in domestic sex life on the sofa. In such a landscape of hysterical exhibitionism, what can be the place of poetry, the most discrete of arts? Under the sofa at best, I fear. ellauri196.html on line 851: So-called lyrics is at work, self-proclaimed poets like Bob Dylan fall into step with new times. Poetry becomes acoustic guitar and visual effects again, as it was in the times of Erato. The words splash in all directions, like the explosion of dynamite, there is no true meaning, but a verbal earthquake with many epicenters. Decipherment is not necessary, in many cases the aid of the psychoanalyst may help. ellauri196.html on line 853: The poem becomes translatable, and this is a new and suspect phenomenon in the history of esthetics. There is also poetry written to be shouted in a square in front of an enthusiastic crowd. ellauri196.html on line 862: Mut tässä Montaigne osui naulan kantaan: The current crisis is strictly tied to the human condition, to our existence as human beings, to our illusion of believing ourselves to be privileged beings, the only ones who believe they are the masters of their destiny and the depositaries of a destiny which no other creature can lay claim to. Now that´s a fucking bad idea, and always was. ellauri196.html on line 896: Jelínek (feminine Jelínková) is a Czech surname that means "little deer". Verdict: Borderline Jew. Kuten Pilin sotkuinen homokaveri Jelinek albumissa 178. ellauri196.html on line 898: Elfriede Jelinek, an Austrian Jew, won the Nobel in Literature in 2004. According to the committee, she got it for revealing the absurdity of society´s cliches and their subjugating power. Take that, society´s cliches! One Swedish Academy member wasn´t exactly a fan. He quit in a fit, claiming that Jelinek´s writing is "whining, unenjoyable public pornography". Bet if it had been enjoyable private pornography, then his stance would have been different. ellauri196.html on line 900: Jelinek, born in the eastern Austrian town of Mürzzuschlag on October 20, 1946, grew up in Vienna. As a young woman, she dealt with her father´s neuropathy, mother´s psychopathy and her own mental problems. Under the influence of her "demonic" mother, Jelinek said she was "trained" as a child prodigy in dance and music. She said she began writing to escape her mother´gs patronizing, dominating behavior. ellauri196.html on line 904: Jelinek syntyi Mürzzuschlagissa, mutta kasvoi Wienissä. Hänen isänsä Friedrich Jelinek oli tšekinjuutalainen kemisti ja äiti Olga Ilona (o.s. Buchner) romaniansaksalainen ohjaaja. Nobelisti Montale ei pitänyt ohjaajista. En minäkään, kaikki tuntemani ovat olleet paskiaisia. ellauri196.html on line 908: She was a member of the Communist Party from 1974 to 1991, and she voiced her opposition to the far-right Freedom Party. ellauri196.html on line 909: Since being singled out by the Swedish Academy, Jelinek, who turns 70 on Thursday, has noticeably withdrawn from public view. In the 1980s and 1990s, she often played the role of the sharp-tongued moralist. Today, she only rarely gives interviews. ellauri196.html on line 911: Manchmal vulgär, manchmal jugendlich-trotzig; hin und wieder obszön, häufig auch recht kühl. Die Gedichte als ihre frühesten Arbeiten sind weitgehend unbekannt und kaum besprochen. Dabei löste schon die erste Gedichtpublikation in der Zeitschrift der katholischen Jugend Aspekte 1967 einen kleinen Skandal aus. Die redaktionelle Verantwortliche Heide Pils wurde entlassen. Begründung: sittliche Gefährdung der jungen Leser, insbesondere der Priesterseminaristen.. ellauri196.html on line 919: Dieses Gedicht beschreibt ganz deutlich einen Gewalttat. Früher wurden die Knollen des Knabenkrauts auch als Aphrodisiakum verwendet, weil sie optisch an Hoden erinnern. Interessant dabei ist die Gegenüberstellung des Knaben mit der Form der Orchideenblüte, die eine Analogie zur Vulva aufweist. Es ist sehr relevant, im „märzenhauch“ nicht nur die Frühlingspriese erkennen, sondern auch ein Wortspiel mit der Biersorte Märzen. Die Farbe „Rot“ stehe als Zeichen der Fruchtbarkeit. Das ist auf die Röte des Leibes zurückzuführen, etwa gerötete Wangen oder stark durchblutete Geschlechtsorgane. Erotik und Ekel stehen nebeneinander. Nicht zuletzt ist die auffallende Konzentration auf Körper im Gedicht („zunge“, „mund“, „nackenschweiß“, „zähnchen“, „finger“, „halse“) dafür ausschlaggebend. Sexualisiert meint doch hier keinen erregenden Zweck. ellauri196.html on line 921: Gleichzeitig suggeriert der Brunnen hier auch eine bloße Öffnung, was auf eine Tradition der Nicht-Anerkennung weiblicher Sexualität referiert, in der eine Vulva-lose Vagina als „Loch“ wahrgenommen wird, das vom Penis penetriert werden soll, ellauri196.html on line 922: um es zu vervollständigen. Auch kann Froschkönig damit als Geschichte über die sich entwickelnde Sexualität während der Pubertät gelesen werden. Verdeutlicht wird das durch die Metapher des Brunnens, in den der Frosch springt. Was mit den nachkommenden Abschnitten folgt, ist eine auch telegrammstilartige, Eindrücke bereitstellende Aneinanderreihung von Bildern dieser Gewaltszene. ellauri196.html on line 924: In Märchen geht es wiederum um einen männlichen wölfischen Gewaltakt an Kindern. Das Fressen der Geißlein ist wohl wie in Rotkäppchen nicht als Kannibalismus zu bewerten, sondern auch mit einer sexuellen Komponente zu verstehen. Die Referenz auf Dornröschen ist eindeutig. Erst durch den Kuss des Mannes erwacht sie aus dem Koma. Es stellt sich die Frage nicht nur nach den Handlungsmächten und abhängigkeiten, sondern auch nach dem Konsens dieser Handlung. ellauri196.html on line 926: Die Katze ist ein alltäglicher Synonym der Fotze. Sie kann als Symbol generell und speziell als „Symbol des Weiblichen und der erotisch-sexuellen Anziehung bzw. Gefährdung“, wozu besonders die Nachtaktivität und Wollust der Katze beiträgt. „Gelb“ lese ich hier als stellvertretend für Körperflüssigkeiten wie Urin und Samen. Hier stellt sich die Frage, welcher Saft? Giebel ist Venushügel, was sonst. „Knabenrot“ habe ich schon das männliche Glied beschrieben. Zusätzlich kann das Rot für Blut stehen, ins Besondere als Zitat der Defloration. Tatsächlich gibt es kein Jungfernhäutchen im Sinn einer zu durchtrennenden Folie, jedoch war (und ist leider teilweise nach wie vor) das Blut bei der (ersten) Penetration der Beweis von Jungfräulichkeit. Wenn manche Frauen (beim ersten Mal) bluten, kommt das von (kleinen) Verletzungen in der Vagina. Ich weiss, ich weiss! ellauri196.html on line 928: Eine Gemeinsamkeit vieler Märchenprotagonistinnen ist ihre Schönheit und Reinheit, die sich vor allem auch durch weiße Haut auszeichnen. Die Aussage, Frauen hätten es nicht anders gewollt, diese Handlungen zu erfahren, da sie so oder so aussehen oder diese und jene Kleidung tragen, wird leider heute noch reproduziert. ellauri196.html on line 930: Damit hat der sexualisierte Gewaltakt ein Ende gefunden. Er zeigt aber noch Spuren, die in den Abschnitten sechs, sieben und acht deutlich werden. Es ist naheliegend, dass es sich um die Beine der zitierten Frauenfigur handelt, an denen das Ejakulat als „sein saft“ herabrinnt. „ein blasser nagel lieb / im frauen weiß / noch steckt / im talg“. ellauri196.html on line 932: Es sind mehrere Bilder, die sich hier überlagern: die noch nicht getrennten Körper, die Spuren der Verletzungen an der Haut, die durch Gegenstände oder Hände verursacht wurden. Es ist auf jeden Fall das Zeugnis sexualisierter Gewalt. Es sind auch Narben, die niemals vergehen. frühling hat uns zurück geholt in eine frühlingshafte Idylle und romantische Liebesvorstellung. Es ist so, als wäre nichts gewesen. ellauri196.html on line 934: Im Metzger Lexikon Literatur is die Unterscheidung von pornografischer und erotischer Literatur nett beschrieben. Während erstere „durch die gleichermaßen produktive wie rezeptive Wirkungsabsicht , sexuell zu erregen bzw. erregt zu werden“ gekennzeichnet ist (lies: unmittelbares wanken), beschreibt die erotische Literatur eine „im weiteren Sinn Sammelbez. für alle denkbaren Arten von fiktionaler Lit., die Liebe oder Sexualität zum Gegenstand haben.“ ellauri196.html on line 936: Der Zuschreibung der Pornoschriftstellerin stellt Jelinek ihre eigene Positionierung als Anti-Pornografin entgegen. Sie wendet damit nicht die Pornografie in ihrem (weiblichen) Schreiben an, denn auch das wäre eine Reproduktion des männlichen Blicks, sondern wehrt sich explizit dagegen: ellauri196.html on line 938: Es war mir wichtig, den Blick auf das Obszöne nicht aus männlicher, sondern aus weiblicher Sicht zu zeigen. Pornographie ist nicht das Beschreiben von Vögeleien oder das Beschreiben von nackten Leuten, die irgendwas miteinander machen. Pornographie ist die Darstellung der Frau als Hure. Also ihre Freigabe zu Quälereien, zu Erniedrigungen und ihre Lust daran. Es ist unfair daß es einer Frau nicht gestattet ist, radikale Dinge zu schreiben. ellauri196.html on line 940: Diese Äußerungen über mich, dass man das einem Mann zugesteht, das ist eine gewisse Härte in der Sichtweise und auch eine gewisse Brutalität, über die Frauen eigentlich besser schreiben können als die Männer, weil die Frauen eigentlich sehr viel mehr Brutalität erfahren als die Männer, aber wenn eine Frau das schreibt, wird ihr das eben nicht zugestanden, auch was jetzt zum Beispiel die Sexualität betrifft, denn wenn eine Frau über Sexualität schreibt wie ein Mann, dann wird ihr das nicht zugestanden, dabei ist es eigentlich sehr wichtig, dass endlich mal Frauen über ihre Sexualität schreiben und nicht nur Männer. ellauri196.html on line 942: Das Schlimmste ist dieses männliche Wert- und Normensystem, dem die Frau unterliegt. Sie benutzt das Obszöne, um Machtverhältnisse zwischen Mann und Frau sichtbar zu machen, was sie schon 1967 in Talente und Tendenzen als literarisches Ziel angibt. Reim, der nach 1945 ohnehin immer mehr aufgegeben wird, wird in Jelineks Gedichten ein Mittel der Parodie. ellauri197.html on line 7: font-style: italic; ellauri197.html on line 78: The two stanzas of the poem are quite similar in form. Yeats repeats parts of the same lines twice in order to maintain the song-like qualities of the first three lines that he could remember. The speaker’s relationship failed because, despite his love’s urgings, he did not take life or love easy. Perhaps he rushed into things too quickly or made decisions that she didn’t approve of. Either way, it ended in tears. ellauri197.html on line 86: ‘Down By the Salley Gardens’ by William Butler Yeats is a two stanza ballad. Unlike many ballads, this one does not maintain its metrical pattern all the way through. The majority of the lines are written in iambic trimeter. This means that they contain three sets of two beats, the first of which is unstressed and the second stressed. Line two of the first stanza is a great example. ellauri197.html on line 88: Yeats chose to make use of a rhyme scheme that sticks to the even-numbered lines. The odd-numbered lines have a few slant rhymes, or imperfect or half-rhymes, but nothing quite as exacting as can be found in the even lines. ellauri197.html on line 90: Literary Devices ellauri197.html on line 92: Yeats makes use of several literary devices in ‘Down By the Salley Gardens’. These include but are not limited to anaphora, epistrophe, and alliteration. The first of these, anaphora, is seen through the use and reuse of words at the beginning of multiple lines of text. For instance, “She” in stanzas one and two. Epistrophe is the opposite of anaphora. It is concerned with the repetition of phrases at the ends of lines. For instance, “salley gardens” at the ends of lines one and three of the first stanza and “young and foolish” at the end of line seven in the first stanza and line seven in the second stanza. ellauri197.html on line 94: Alliteration is another important formal device that also makes use of repetition. This technique appears when the poet uses multiple words beginning with the same consonant sound close together. For example, “grass grows” in stanza two and “shoulder” and “she” in stanza two. ellauri197.html on line 100: The language in this poem is quite simple and musical. This makes a great deal of sense since Yeats took the lines from his memory of an old queen who used to give him head. ellauri197.html on line 102: He describes in the next lines how his love used to pass the “salley gardens / with little snow-white feet”. This is a great use of imagery that depicts his love as someone young, beautiful, and with the addition of “white,” pure feet. He describes the big mistake he made in regard to his life with his young woman. She told him to “take love easy” but he wasn’t able to do so. He rushed into this relationship and wasn’t as steady as he could’ve been. The man was “young and foolish” and now in his older age, he’s able to look back on his life and realize his mistakes. ellauri197.html on line 106: The second stanza is very similar to the first. There are several examples of repetition. The speaker begins by describing himself standing with his love “In a field by the river” rather than in the “salley garden”. Either way, the setting is natural and likely beautiful. The scene is made even more pleasing by the fact that he was with someone he loved and she was touching his shoulder with her “snow-white hand”. Here, readers should notice the repetition of “snow-white”. This time rather than describing her feet he’s thinking about her hand. He remembers how she asked him at that moment to “take life easy”. This is almost exactly the same as in the first stanza. But, now it’s revealed that the speaker’s inability to take it “easy” stretches to his life beyond his relationship with this woman. ellauri197.html on line 108: In the final lines of the poem, the speaker reveals that even in his old age he’s “full of tears”. Things did not go as he wanted them to. The transition into the present tense informs the reader that the impact of this failed relationship (which he knows failed because of him) is long-lasting. ellauri197.html on line 112: Readers who enjoyed ‘Down By the Salley Gardens’ should also consider readings some of Yeats’ other love-based poems. For instance, a good way to go on are ‘He Wishes His Beloved Were Dead’ and ‘Never Give All the Heart’. Other similar poems by other poets about love include ‘How Happy I Was If I Could Forget’ by Emily Dickinson and ‘Love’s Organ's Growth’ by John Donne. Lady readers might also be interested in ‘Memory’ by Christina Rossetti and ‘In Memory of a Happy Day in February’ by Anne Brontë. ellauri197.html on line 151: - This poem appears in a section entitled "A Woman Old and New". Yeats is obviously writing from the perspective of a female, not in his own voice. Thus the poem does not reveal homosexuality, but is rather an imaginative recreation of that woman's musings. ellauri197.html on line 153: - Yeats was all his life passionately devoted to a woman named Maud Gonne :D She had an affair with him which meant everything to him, and wrote many poems in her honor, but she refused to marry him. She married someone else, and so he had to marry someone else as well, but he always cherished her above all. She was "THE" woman to him. It may be for her sake that he imagined love from HER point of view. Meanwhile he and his second-choice wife had a son and a daughter, whom he loved dearly. That's sad... For all parties involved. ellauri197.html on line 162: Henry Talbot de Vere Clifton (1907–1979) was an eccentric, British aristocrat, poet, race horse owner, art collector and film producer. He spent some time in Hollywood during the early 1930s and, in the mid 1930s, produced films in Britain. In the 1930s and 40s he had three books of poetry published. ellauri197.html on line 166: After leaving Oxford Clifton travelled in the Far East and the United States of America. During the 1930s Clifton was a racehorse owner and amateur jockey. He was an art collector and owned paintings by Renoir, Gauguin and Tissot all of which he later sold to pay off his debts. ellauri197.html on line 168: Clifton was a gambler and in 1957 the Evening Standard described his behaviour in the Monte Carlo casino: “Tall, bearded, always dressed in heavy tweeds with a heavy brown scarf wrapped around his neck....he is notable for heavy gambling carried out with the appearance of complete unconcern, and sudden outbursts of indiscriminate generosity.” He often fell prey to conmen and lost a great deal of money through ill advised business deals. When warned that one of his acquaintances was dangerous he replied “Oh, I know, but you see I like bad types!” Many of his projects were started with great enthusiasm but he quickly lost interest and dropped them, these included the construction of a zoo and plans for a new town on his Lancashire estate. ellauri197.html on line 176: Clifton's three books of poetry were published by Duckworth. The first was Dielma and Other Poems in 1932 and then followed Flight in 1934. One commentator has said that “Clifton was particularly adroit at poems honouring – and marvelling at – women” and the Times Literary Supplement stated that “His lyrics are a gracious tribute to the beauty of women”. These were fairly conventional poems unlike his final work Gleams Britain's Day published in 1942. The Spectator described it as “expressing in a sort of prophetic certitude opinions upon religion, patriotism, love, art, war and peace, which he puts in unconventional verse”. The reviewer stated that the book was “the product of a curious, whimsical mind, full of energy, squandering it on half-digested ideas”. W B Yates dedicated his poem, Lapis Lazuli, to Clifton who had given him a valuable Chinese lapis lazuli carving. ellauri197.html on line 178: Yeats' poem was completed in 1936. Yeats, in an oft quoted letter, describes the gift thus: "Lapis Lazuli carved by some Chinese sculptor into the semblance of a mountain with temple, trees, paths, and an ascetic and pupil about to climb the mountain. Ascetic, pupil, hard stone, eternal theme of the sensual east. The heroic cry in the midst of despair. But no, I am wrong, the east has its solutions always and therefore knows nothing of tragedy. It is we, not the east, that must raise the heroic cry." (Letter to Dorothy Wellesley (as in Wellesley College?) July 6 1935) ellauri197.html on line 183: I have heard that hysterical women say Joomä tiedän, hysteeriset naiset sanoo ellauri197.html on line 184: They are sick of poets that are always gay, kylästyneensä hilpeisiin runoseppoihin, ellauri197.html on line 186: That if nothing drastic is done et ellei tehdä jotain radikaalia, ellauri197.html on line 200: Carries a musical instrument. kantaa jotain soitinta. ellauri197.html on line 205: On all the tragic scene they stare. Ne kazoo traagista sotanäyttämöä. ellauri197.html on line 214: If art is to assist in mitigating sorrow, turbulence, and evil, then it must filter out the bathos that brings on hysterics. Art serves society as a sort of safety valve wherein viewers view the performance with some distance. That distance must then be framed in a way that not only lowers the temperature on sorrow but also elevates with the beauty of the truth the content portrays. ellauri197.html on line 217: Civilizations rise again, edifices like the Mariupol theatre are rebuilt with money from the ancient Rome, and new bullshit artists replace the old. ellauri197.html on line 219: The Chinese edifice quite resembles an Irish pub, in which the men may stop for refreshment and listen to some sorrowful tunes before trekking on. The ancient faces of the Chinese men look on smiling but rather detached as they enjoy the melodies. ellauri197.html on line 271: ickinson">WTF? ellauri197.html on line 280: Keeps making November difficult Tekee marraskuusta vaikeaa ellauri197.html on line 285: by Emily Dickinson ellauri197.html on line 289: Poem analysis of How Happy I Was If I Could Forget by Emily Dickinson ellauri197.html on line 291: ‘How Happy I Was If I Could Forget’ by Emily Dickinson contains a narrator’s confused thoughts and experiences. She uses complex transformational generative grammar and imagery to convey it further. ellauri197.html on line 293: ‘How Happy I Was If I Could Forget’ is a two-stanza work where the narrator takes the reader through a series of confusing verb tenses and language choices to represent the overall lack of clarity she has for the memory that she wishes she “could forget.” The cyclical state of the stanzas’ disorganization, additionally, reflects that the narrator feels trapped in her confused loop from the memory, and the reader could finish ‘How Happy I Was If I Could Forget’ without knowing what the troubling memory is. This is yet another method of revealing the narrator’s confusion over the memory. Just as she does not know how to treat the memory, the reader does not know solid details about the memory. From start to finish then, this is a work that is structured perfectly to share and represent the narrator’s confusion. ellauri197.html on line 295: The shift in verb tenses is remarkable in this first stanza to address the narrator’s unclear thoughts that are connected to whatever memory she wishes to “forget.” Within the first two lines of ‘How Happy I Was If I Could Forget’, the reader encounters past tense in “was” and the subjunctive imagined prospect of “if I could forget.” This “if” indicates that this is only a wish the narrator has, meaning it is not past, present, or future because it has not happened and will not definitively ever happen. From there, the narrator turns to the present tense by saying, “how sad I am.” There is no clear way that all of these verb tenses senspibly link up, and this grammatic confusion mirrors how uncertain and shaken the narrator is from this memory’s lingering presence. ellauri197.html on line 297: This grammatical confusion continues in the third line where there is no subject given for the sentiment. Nothing is stated as the thing that “[w]ould be an easy adversity,” so structurally, the statement lacks clarity. A more correct formulation would be given by ellauri197.html on line 305: An interesting thing to note, however, is that the “adversity” is treated in a beautiful way by being addressed as a “Bloom.” The capitalization can be written off with the notion that even a bad memory could be important enough to merit capitalization, but a “Bloom” has a connotation of natural beauty and livelihood. This could simply mean the negativity from the circumstance grows with time, but the choice of such a soft verb gives the feeling that the narrator has warm feelings about whatever happened to cause this bad memory—maybe a relationship she loved but lost or a friend who was dear but forsaken. This would again give a reason for the grammatical chaos of the lack of subject and mismatched verb tenses since, it seems, the narrator does not know how she feels about the memory. ellauri197.html on line 309: Once more, the variation of verb tenses happens within this stanza to continue the representation of her uncertain mind frame since the “Bloom [k]eeps making November difficult,” which is present tense, but she “was almost bold,” which is past tense. Though there is a logic behind this particular verb tense change, the pattern is still striking enough to merit mention. ellauri197.html on line 311: Additionally, the third line of this stanza again does not have a subject for its main verb, and this format adds a bit of structure amidst the chaos since the varying verb tenses happen in the first two lines of both stanzas while the missing subject shows up in the third lines. This sustained format is an indication that this bad memory she could not “forget” keeps her in a loop she cannot break free of, as in no matter how far she tries to run from it, she always ends up dealing with the same problems again and again. The grammar details, then, mirror the circular repetition of her emotional problems. ellauri197.html on line 313: A piece of irony is that she claims the memory is “making November difficult,” but as “November” is the final month of autumn and a step toward harsh winter, it could be noted as one of the harsher months of the year on its own. With this in mind, her phrasing could be a subtle hint that her current state is already harsh, and perhaps she is blaming too much on the memory in regard to her unhappiness. ellauri197.html on line 315: Furthermore in ‘How Happy I Was If I Could Forget’, she claims to “[l]ose [her] way like a little Child [a]nd perish of the cold,” and this concept is loaded with possible meaning. For one thing, the capitalization of the word, “Child,” could indicate that perhaps she has lost a baby and is grieving that “Child.” This would clarify why she would treat the memory simultaneously as a pain and a beauty since she would treasure the “Child” itself, but abhor the pain attached to the grief. This, however, is the only speculation since it could mean that the helplessness she feels is significant enough, like a “Child” who needs care, to merit capitalization. ellauri197.html on line 317: Whichever is the correct explanation, the word choice makes the reference to “November” more sensible since it is the month that is on the brink of winter. In this, “November” is an indication that she is very close to being submerged into “the cold” of her sorrow over the memory, and that sorrow can cause her happiness and liveliness to “perish” just as winter can steal the livelihood of plants and nature. ellauri197.html on line 319: It is also noteworthy that she speaks of “perish[ing] of the cold,” not “in the cold.” This treats “the cold,” or the devastation from the memory, like a disease rather than a weather detail, which furthers the paradox of how the situation remembered is treated. In the first stanza, it “Bloom[s].” Here, it has essentially become a disease. This again mirrors the uncertainty and lack of clarity within the narrator’s thoughts regarding the situation. ellauri197.html on line 321: Overall in ‘How Happy I Was If I Could Forget’, the lack of clear details about what has happened to affect the narrator so, in addition to the confusion of verb tenses, subjects, and figurative language, creates an unclear work that perfectly depicts how unclear the narrator herself feels about her memory. Does she hate it? Does she want to keep it? Was it good? Was it bad? She does not seem to know, just as the reader cannot know the memory’s most vivid details. ellauri197.html on line 325: What the fuck? The idiot who wrote the analysis could not parse the poem! All that takes place in the first 2 lines of poem is that a Chomsky topicalization transformation moves the clausal objects of the main verbs to the front. There is nothing the matter with the tenses in the poem, it is all quite run of the mill. ellauri197.html on line 327: A more prosaic word order results by the back transformation: ellauri197.html on line 335: The poem, ‘Love’s Organ's Growth’, is an admirable lyric in which Donne examines the true nature of love and finds that it is mixed stuff, a mixture of both physical and spiritual elements. True love is both of the body and the mind, and to prove his point Donne gives a number of arguments and brings together a number of most disparate and varied elements. ellauri197.html on line 337: In ‘Love’s Organ's Growth’, the poet says that love is not a quintessence or pure and simple stuff despite its sustaining and life-giving properties. Rather, it is mixed stuff, a mixture of different elements, both spiritual and physical. That is why it affects both the body and the soul; it causes both spiritual and physical arousal. It does cure not because it is the quintessence, but on the homeopathic principle, of “like curing the like”. It cures all sorrow only by giving more of it. Love is neither infinite nor “pure stuff”, but has a mixed nature like grass which grows with spring. ellauri197.html on line 339: Oh, and love is mixed stuff, a mixture of both spiritual and physical elements. Though like the grass in this respect, it is different from it in another way. While the grass loses its life and vitality with the winter, there is no such loss in the power of love, though there may be a temporary one in love's organ. In this respect, it may be likened to a sex organ inserted in an emergency, but never withdrawn before the emergency is over. ellauri197.html on line 348: Vicissitude, and season, as the grass; vastoinkäymiset ja kuivuuden kuin ruoho; ellauri197.html on line 352: But if medicine, love, which cures all sorrow Mut jos lääke, rakkaus, joka hoitaa surun pois, ellauri197.html on line 357: To say, which have no mistress but their muse, joilla ei ole muuta pantavaa kuin muusansa, ellauri197.html on line 371: For they are all concentric unto thee; Sillä ne kaikki lähtee liikenteeseen sinusta; ellauri197.html on line 385: In the second stanza of ‘Love’s Organ's Growth’, this love is like a medicine that cures sorrow (on the homeopathic principle) by giving the patient more sorrow. Love is not a pure and unmixed essence that has sustaining and curative powers. It is rather a compound, mixed stuff, made up of different elements or experiences, and hence it causes pain and suffering both to the soul and the senses. ellauri197.html on line 387: When the poet says: “not only be no quintessence”, he means to refer to the medieval belief of Quintessence, which was regarded as “the pure essence of anything”, containing within itself all the creative and sustaining virtues. It was ‘pure’ and ‘simple’ and not a mixture or compound of a number of different elements or ingredients. It was supposed to have the power of sustaining, nourishing, and strengthening. ellauri197.html on line 389: Like other mixed stuff, love also gets an addition in its vigor and strength from the sun (his working vigor, i.e., its restorative power, its motive force, its sexual energy). Love is not as pure and unmixed as is supposed by those who have no other beloved except their poetry (i.e. those who have no practical experience of love). ellauri197.html on line 391: In fact, love is a mixture of different elements. That is why; it is sometimes passive and at other times active (that is; it is both spiritual and physical, both of the mind and the body). Sometimes it acts, and at other times it contemplates. It is an activity both of the mind and the body. ellauri197.html on line 395: The poet here in ‘Love’s Organ's Growth’ says his love is not made larger by the spring, but more prominent, as in heaven, stars are not enlarged but revealed by the sun (the poet may mean here that as we would not be able to see the stars were not for the light which they reflect from the sun so we would not know of the existence of love, which is not for the bodily consequences of the union of souls. ellauri197.html on line 401: Through this extract of ‘Love’s Organ´s Growth’, the poet, John Donne, says that if love takes such additions (gentle love deeds), as more circles are produced by one stirred in water, those, like so many spheres, make only one heaven, for they are all centered in her. When the poet says: Spheres, he refers to the Ptolemaic astronomy, the spheres were a series of concentric hollow globes which revolved around the earth and carried the heavenly bodies with them. There were supposed to be nine such hollow globes and together they made up what we call the ‘heaven’. ellauri197.html on line 403: Here the term ‘concentrique’ means one circle within the other, or circles or globes with a common center. Here this common center is earth. Hence the spheres were supposed to be concentric or centered upon the earth. The first four lines of this extract can also be analyzed like: just as when water is stirred additional circles are produced by the original one, then these new additions will only constitute one heaven, like the spheres in the Ptolemaic astronomy form only one heaven; and that is because all these additions will be centered on you, just as in that system the spheres are all centered on the earth. ellauri197.html on line 475: Which eye hath never seen, Jota kukaan ei ole nähnyt, ellauri197.html on line 493: Hypergamy (colloquially referred to as "marrying up") is a term used in social science for the act or practice of a person marrying a spouse of higher caste or social status than themselves. It is mostly practiced by women. ellauri197.html on line 494: hypogamy refers to the inverse: marrying a person of lower social class or status (colloquially "marrying down"). Both terms were coined in the Indian subcontinent in the 19th century while translating classical Hindu law books, which used the Sanskrit terms anuloma and pratiloma, respectively, for the two concepts. ellauri197.html on line 496: The term hypergyny is used to describe the overall practice of women marrying up, since the men would be marrying down. The term misogyny is used of men who hate high-heeled big-assed busty gold diggers almost as much as them niggers. ellauri197.html on line 498: A gold digger is a term for a person, typically a woman, who engages in a type of transactional relationship for money rather than love. If it turns into marriage, it is a type of marriage of convenience. ellauri197.html on line 500: The term gold-digger was a slang term that has its roots among chorus girls and sex workers in the early 20th century. The Oxford Dictionary[clarification needed] and Random House's Dictionary of Historical Slang state the term is distinct for women because they were much more likely to need to marry a wealthy man in order to achieve or maintain a level of socioeconomic status. than a man to marry a wealthy woman in order to achieve or maintain a level of socioeconomic status. ellauri197.html on line 502: The term gold digger rose in usage after the popularity of Avery Hopwood's play The Gold Diggers in 1919. Hopwood first heard the term gold digger in a conversation with Ziegfeld performer Kay Laurell. As an indication on how new the slang term was, Broadway producers urged him to change the title because they feared that the audience would think that the play was about mining and the Gold Rush. ellauri197.html on line 505: Sharon Thompson's research has demonstrated how the gold digger stereotype or image has been used against women in the negotiation of alimony cases. The gold digger stereotype was also deployed in public discussions about "heartbalm" legislation during the 1930s, particularly breach of promise cases. The popularity of the gold digger image was a contributing factor to the nationwide push to outlaw heart balm laws in the middle and late-1930s in the United States. ellauri197.html on line 507: In the anglo-saxon common law tradition, a heartbalm tort is a civil action that a person may bring to seek monetary compensation for the end or disruption of a profitable romantic or marital relationship. A heartbalm statute is a statute forbidding such actions. ellauri197.html on line 509: Heartbalm actions in the United States typically include seduction, criminal conversation, alienation of affection, and breach of promise to marry. Of these, criminal conversation and alienation of affection are marital torts, originally restricted to husbands but in many states later made available to spouses regardless of gender. Seduction and breach of promise are nonmarital torts. ellauri197.html on line 511: The first state to abolish all heartbalm actions was Indiana, with “An Act to promote public morals” in 1935. ellauri197.html on line 514: Loss of consortium was originally expressed in the Latin phrase "per quod servitium et consortium amisit" ("in consequence of which he lost [another person's] servitude and marital services"). The relationship between husband and wife has, historically, been considered worthy of legal protection. The interest being protected under consortium, is that which the head of the household (father or husband) had in the physical integrity of his wife, children, or servants. The undertone of this action is that the husband had an unreciprocated proprietary interest in his wife. The deprivations identified include the economic contributions of the injured spouse to the household, care and affection, and sex. ellauri197.html on line 516: The action was once available to a father against a man who was courting his daughter outside of marriage, on the grounds that the father had lost the consortium of his daughter's household services because she was spending time with her beau. ellauri197.html on line 518: Loss of consortium arising from personal injuries was recognized under the English common law. In 1349, the Statute of Labourers made legal provision to prevent servants changing employers, and to prevent prospective employers enticing servants away from other employers. ellauri197.html on line 522: For example, in Baker v Bolton (1808) 1 Camp 493, a man was permitted to recover for his loss of consortium from the carriage driver while his wife languished after a carriage accident. However, once she died from her injuries, his right to recover for lost consortium ended. (After the enactment of Lord Campbell's Act (9 and 10 Vic. c. 93) the English common law continued to prohibit recovery for loss of consortium after the death of a victim). In the 1619 case Guy v. Livesey, it is clear that precedent had been established by that time that a husband's exclusive access to the sexual services of his wife was considered to fall within the concept of 'consortium', and that an adulterer might therefore be sued for depriving a cuckold of exclusive access to the sexual services of his wife. Since adultery could not otherwise be prosecuted in secular courts for most of the period after the twelfth century, loss of consortium became an important basis for prosecution for adultery in English law. ellauri197.html on line 524: By the 1930s, the term gold digger had reached the United Kingdom because British film industry made a remake of The Gold Diggers. While the film has been disliked by critics, several sequels with the same title have been made. ellauri197.html on line 526: Rap music men's use of the "gold digger script" is one of a few prevalent sexual scripts that is directed at young African-American women. It dates back to the old blues men like B.B.King. I gave you nine chillun an' now you want to give them back! ellauri197.html on line 530: Women are more selective in their choice of marriage partners than are men. Studies of mate selection in dozens of countries around the world have found men and women report prioritizing different traits when it comes to choosing a mate, with men tending to prefer women who are young and attractive and women tending to prefer men who are rich, well-educated, ambitious (hence attractive). ellauri197.html on line 532: As societies shift towards becoming more gender-equal, women's mate selection preferences shift as well. The more gender-equal a country, the likelier male and female respondents were to report seeking the same qualities as each other rather than different ones, i.e. rich, young and attractive. ellauri197.html on line 534: Gilles Saint-Paul (2008) argued, based on mathematical models, that human female hypergamy occurs because women have greater lost mating opportunity costs from monogamous mating (given their slower reproductive rate and limited window of fertility),[clarification needed] and thus must be compensated for this cost of marriage. Marriage reduces the overall genetic quality of her offspring by precluding the possibility of impregnation by a genetically higher quality male, with or without his parental investment. However, this reduction may be compensated by greater levels of parental investment by her genetically lower quality husband. ellauri197.html on line 536: An empirical study examining the mate preferences of subscribers to a computer dating service in Israel had a highly skewed sex ratio (646 men for 1,000 women). ellauri197.html on line 538: Despite this skewed sex ratio, they found that "On education and socioeconomic status, women on average express greater hypergamic selectivity; they prefer mates who are superior to them in these traits, while men express a desire for an analogue of hypergamy based on physical attractiveness; they desire a mate who ranks higher on the physical attractiveness scale than they themselves do." ellauri197.html on line 540: Traditional marriage practices in which men “marry down” in education do not persist for long once women have the educational advantage. It is also becoming less common for women to marry older men. ellauri197.html on line 546: A trophy wife is a wife who is regarded as a status symbol for the husband. The term is often used in a derogatory or disparaging way, implying that the wife in question has little personal merit besides her physical attractiveness, requires substantial expense for maintaining her appearance, is often unintelligent or unsophisticated, does very little of substance beyond remaining attractive, and is in some ways synonymous with the term gold digger. A trophy wife is typically relatively young and attractive, and may be a second, third or later wife of an older, wealthier man. ellauri197.html on line 550: A trophy husband is a husband who is regarded as a status symbol for the wife. The term is often used in a derogatory or disparaging way, implying that the husband in question has little personal merit besides his physical attractiveness, requires substantial expense for maintaining his appearance, is often unintelligent or unsophisticated, does very little of substance beyond remaining attractive, and is in some ways synonymous with the term gold digger. A trophy husband is typically relatively young and attractive, and may be a second, third or later husband of an older, wealthier woman. ellauri197.html on line 567: – Jag trodde aldrig att McDonald's skulle stänga. Ända till sista dagen var vi övertygade om att det inte skulle ske. Och så plötsligt sade de: Nu får ni tvätta av all utrustning, för vi ska stänga restaurangen. It-studentenAndrej (21) bor i Moskva. HBL publicerar bara hans förnamn av säkerhetsskäl. ellauri197.html on line 573: Liksom många ryska studenter bor Andrej hemma hos sina föräldrar för att spara pengar. På McDonald's fick han motsvarande 2,3 euro i timmen. Lönen är låg, men de cirka 340 euro som han vanligen tjänade i månaden hade en stor betydelse för hans ekonomi. ellauri197.html on line 575: I slutet av mars meddelade McDonald's att alla 850 restauranger i Ryssland tills vidare stängs. Även Kentucky Fried Chicken och Pizza Hut, som bägge ägs av Yum Brands, har lämnat Ryssland. Ikea, som har betraktat Ryssland som en strategisk marknad, lämnade Ryssland nästan genast. Apple säljer inte längre någonting i Ryssland, Boeing och Airbus levererar inga reservdelar. De internationella storföretagen anser sig inte ha råd att solka ner sitt rykte i en situation där Ryssland för krig i Ukraina – och nu misstänks för krigsbrott. ellauri197.html on line 599: icture-in-picture" allowfullscreen> ellauri197.html on line 604: Brittipaskiaisten 1001:nnen poliisisarjan Gently, huonohampainen suutaan muikisteleva vanha pollari suree erittäin klisheisesti vaimoaan, kuin myös Morsen moukkamainen Inspector Lewis, ja aikaisemmin La Republican Leucadia veljeään. Aina samaa iänikuista valokuvan sivelyä sormella, eikö ne jaxa kexiä mitään muuta trooppia menetyxelle näissä käsittämättömän kaavamaisissa suoratoistosarjoissa? Ja mixi joka sarja pitää alkaa jollain rantahyrskyillä ja droonikuvilla jostain taivaalta, typerysten typeriä kasvoja liian läheltä tai kaukaa varjokuvassa, ja jotain iskelmiä taustalla? ellauri197.html on line 606: Precious Photo: This is where a person carries a photo of a loved one who isn't with them around them at all times. This loved one can be somebody who is dead, far away for an extended period of time or the carrier may just be a Stalker with a Crush. If the person is dead, then this symbolizes the attachment that the carrier still has. If they're far away, then this shows that the carrier is anticipating their return. If the carrier is a stalker then there are thousands more where that one came from. It may also be an Orphan's Plot Trinket, usually when kept in a locket. Even still, if the photo is ruined, there are two possible outcomes: ellauri197.html on line 647: His father was a well-paid clerk for the Bank of England, earning about £150 per year. Browning's paternal grandfather was a slave owner in Saint Kitts, West Indies, but Browning's father was an abolitionist. Browning's father had been sent to the West Indies to work on a sugar plantation, but due to a slave revolt there, had returned. Browning's mother was the daughter of a German shipowner who had settled in Dundee, Scotland, and his Scottish wife. His paternal grandmother, Margaret Tittle, had inherited a plantation in St Kitts and was rumoured in the family to have a mixed-race ancestry including some Jamaican blood, but author Julia Markus suggests she was Kittitian rather than Jamaican. The evidence is inconclusive. Robert's father, a literary collector, amassed a library of some 6,000 books, many of them rare so that Robert grew up in a household with significant literary resources. His mother, to whom he was close (no tietysti), was a devout nonconformist and a talented musician. His younger sister, Sarianna, also gifted, became her brother's "companion" in his later years, after the death of his wife in 1861. His father encouraged his children's interest in literature and the arts. ellauri197.html on line 649: By the age of 12, Browning had written a book of poetry, which he later destroyed for want of a publisher. After attending one or two private schools and showing an insuperable dislike of school life, he was educated at home by a tutor, using the resources of his father's library. By 14 he was fluent in French, Greek, Italian and Latin. He became an admirer of the Romantic poets, especially Shelley, whom he followed in becoming an atheist and a vegetarian (and a bisexual). At 16, he studied Greek at University College London, but left after his first year. His parents' evangelical faith prevented his studying at either Oxford or Cambridge University, both then open only to members of the Church of England. He had inherited substantial musical ability through his mother, and composed arrangements of various songs. He refused a formal career and ignored his parents' remonstrations by dedicating himself to poetry. He stayed at home until the age of 34, financially dependent on his family until his marriage. His father sponsored the publication of his son's poems. Varsinainen vanhapiika, neiti-ihminen. ellauri197.html on line 651: In March 1833, "Pauline, a Fragment of a Confession" was published anonymously by Saunders and Otley at the expense of the author, Robert Browning, who received the money from his aunt, Mrs Silverthorne. It is a long poem composed in homage to the poet Shelley and somewhat in his style. Originally Browning considered Pauline as the first of a series written by different aspects of himself, but he soon abandoned this idea. The press noticed the publication. However, it sold no copies. Mill oli oikeassa, narsistista jaaritusta. ellauri197.html on line 658: The time, which was an hour, that one waits ellauri198.html on line 7: font-style: italic; ellauri198.html on line 116: Amerikka oli ällö paikka jo kun oltiin nuaaria. A great place for hamburgers but who'd wanna live there. Sarjasta True Detective tulee ilkeitä 80-luvun takautumia. Eise ollutkaan kuvattu Arkansoossa vaan Luisiaanassa. Häirizeviä matkijalintuja karkotettiin kotipesiltä haukkojen ja pöllöjen avulla, ei sentään kaadettu kannanhoidon nimissä kuin Audubonin lintuja tai työläisiä Republican Steelin pihalla. ellauri198.html on line 118: Academy Award-winner Mahershala Ali plays the lead role of state police detective Wayne Hays. In an interview with Variety, Ali revealed that he was originally offered a supporting role, as the main character was supposed to be white. However, pursuing a better choice for his career, he convinced Pizzolatto that he was suited for the lead despite the pigmentation handicap. Saatiinhan värivirhe sentään korjatuxi Alin ja Rolandin urakehityxen myöhemmissä vaiheissa. ellauri198.html on line 123: Robert Penn Warren (1905-1989) oli yhdysvaltalainen prosaisti, runoilija ja kriitikko. Hän on kirjoittanut muun muassa suomennetun romaanin Kaikki kuninkaan miehet. Kriitikkona hän edusti uuskritiikkiä. Warren and Brooks helped to establish the New Criticism as “an orthodoxy so powerful that contemporary American fiction and poetry are most easily defined by their rebellion against it.” Hän kirjoitti selkä kaarella eri kirjallisuudenlajien teoksia. ellauri198.html on line 129: Events convince Jack that dialectical materialism is an insufficient paradigm to explain history. "Though doomed, they had nothing to do with any doom under the godhead of the Great Twitch. They were doomed, but they lived in the agony of will." Huoh. Samanlainen tahtoihminen kuin Belovin Sale. "Minä tahdon!" huusi Riitta ja takoi päätään lattiaan. Lukisivat Rami Tuomelaa. ellauri198.html on line 131: Writing in the New Republic Steel, George Mayberry wrote that the novel was "in the tradition of many classics", comparing the novel favorably with Moby-Dick, The Sun Also Rises, and The Great Gatsby. ellauri198.html on line 132: Despite the positive reviews, in 1974, All the King's Men was challenged at the Dallas, Texas, Independent School District high school libraries for depicting a "depressing view of life" and "immoral situations". ellauri198.html on line 134: A typical Warren character undergoes a period of intense self-examination that ideally results in a near-religious experience of conversion, rebirth, and a mystical feeling of oneness with God. Luisiaana nuaarissa kännipäinen lasten isä pääsi kuivatelakalle ja ajoi pois paxut viixensä ja ohuthuulisen vaimonsa ja rukoili typerästi Roland Westin kanssa käsi kädessä kahvipöydän ääressä. Taisi olla kaappihomoja. ellauri198.html on line 136: Warren’s poetry is written “in a genuinely expansive, passionate style. Look at its prose ease and rapidity oddly qualified by log-piling compounds, alliteration, successive stresses, and an occasional inversion something rough and serviceable as a horse-blanket yet fancy to—and you wonder how he ever came up with it. It is excitingly massive and moulded and full of momentum. Echoes of Yeats and Auden still persist, but it is wonderfully peculiar, homemade.” His language is robust and rhetorical. He likes his adjectives and nouns to go in pairs, reinforcing one another. ellauri198.html on line 141: Harold Bloom observed in the New Leader, “Warren alone among living writers ranks with the foremost American poets of the century: Frost, Stevens, Hart Crane, Williams, Pound, Eliot. ... ellauri198.html on line 144: Not all reviewers agree that Warren’s work deserves such unqualified praise. Though Warren tackles unquestionably important themes, his treatment of those themes borders on the bombastic. Warren becomes ridiculous on occasion, whenever we lapse from total conviction. His philosophical musings are “sometimes truly awkward and sometimes pseudo-profound.” Warren thus joins a central American tradition of speakers—Emerson, Thoreau, Henry Adams, Norman Mailer—who are not only the salesmen but the advertisers of their own snake oil.” ellauri198.html on line 146: Part of the problem seems to be an inordinate ambition for grandeur; part is what feels to me like haste. If Warren were in less of a hurry to chronicle each dawn dream, birdsong, and memory as it occurred, a process of distillation just might be allowed to take place. He is not an original thinker or a visionary poet. His is ellauri198.html on line 147: a sometimes loose, rambling line, a nostalgia verging on obsession, a veering towards philosophical attitudinizing, the mask of the redneck that out-rednecks the redneck. ellauri198.html on line 177: Toi eka säkeistö on selvä plagiaatti Bryantin kotiin palaavasta sorsasta. Jossain väitettiin, että Amelian siteeraama runoilija ei ollut luupää kentuckyläinen Warren vaan chicagolainen hebrew Delmore Schwartz, josta on paasattu jo albumissa 52. (Hebrews ei saa sanoa ääneen Voldemortin nimeä, pitää sanoa esim Elohim): ellauri198.html on line 179: In an idyllic moment that restages their initial meeting in 1980, Hays sticks his head into Amelia’s classroom to hear her read a bit of Delmore Schwartz’s poem “Calmly We Walk through This April’s Day.” ellauri198.html on line 196: (This is the school in which we learn ...) ellauri198.html on line 198: (... that time is the fire in which we burn.) ellauri198.html on line 200: (This is the school in which we learn ...) ellauri198.html on line 203: Which I shall suffer and act again, ellauri198.html on line 204: The theodicy I wrote in my high school days ellauri198.html on line 207: (This is the school in which they learn ...) ellauri198.html on line 209: (... that time is the fire in which they burn.) ellauri198.html on line 228: Time is the school in which we learn, ellauri198.html on line 229: Time is the fire in which we burn. ellauri198.html on line 232: Ei kylä ollut tämä! Delmore oli muistaaxeni Salen Humboldtin lahjan esikuva, suuri runoilijalupaus josta Sale sittemmin ajoi oikealta ohize tyytyväisenä terävä kyynärpää avoauton ikkunasta ulkona. Delmore muisteli ehkä Memorial Day Massacrea holokaustia odotellessa. Kaatuneiden muistopäiväpäivän verilöylyssä vuonna 1937 Chicagon poliisilaitos ampui kymmeniä aseettomia mielenosoittajia ja kaatoi niistä 10 Chicagossa 30. toukokuuta 1937. Tapaus tapahtui Little Steel -iskun aikana Yhdysvalloissa. Tästä vähäpätöisenä pidetystä eventistä on artikkeli Uikipediassa vain usaxi ja venäjäxi. ellauri198.html on line 234: Let’s take time this Memorial Day weekend to remember Memorial Day 1937, when workers in Chicago were massacred by police for trying to picket against their employer, the Republic Steel Company. ellauri198.html on line 235: It all started as steelworkers for five steel companies – Bethlehem Steel, Republic Steel, Youngstown Sheet and Tube, Inland Steel and Weirton Steel, collectively known as “Little Steel” in comparison to the giant U.S. Steel Company – went on strike to force the companies to recognize and bargain with their union, the Steelworkers Organizing Committee (SWOC). The strike, which began on May 26th, was almost completely effective in the first days, as 67,000 workers walked the picket lines, kept replacement workers (scabs) out, and brought steel production in their mills to a standstill. One striker later said that in the first days of the strike “the mills were as empty as Monday morning church” and that “the steel towns breathed clean air for the first time in years.” ellauri198.html on line 237: Although the strike lasted nearly six months, the tide quickly turned. Union leaders had recently initiated a policy of supporting President Franklin Roosevelt and the Democratic Party. They told their workers that they could trust the Democrats and count on them to defend their interests. But Democratic governors, all allied with Roosevelt and all good friends of big business, used their power to beat strikers into submission. In Johnstown, Pennsylvania, the governor declared martial law and police reopened a closed plant and herded scabs into the factory to restart production, breaking the strike. In Ohio, the governor ordered National Guard troops from town to town to smash picket lines, beat and arrest strikers, raid union offices, and escort scabs into the factories. In Youngstown, two workers were shot dead, two more in Massillon, and another was beaten to death in Canton. Thousands more were beaten and arrested throughout the state at those and other locations. ellauri198.html on line 239: The most terrible day, preceding those described above, was May 30th, Memorial Day. On the south side of Chicago 1,500 workers, including some of their families, marched to the Republic Steel plant for a picket line and to hold a meeting. They were met by 200 police and dozens of paddy wagons. A group of 300 workers advanced to confront the police. After debate, then heated argument, the police opened fire on the workers, first shooting dozens, then clubbing those still fleeing and many they had already shot. Ten were killed and forty others were shot, almost all in the back. One was paralyzed from the waist down. One hundred were beaten with clubs, including an eight-year-old child. After Memorial Day, workers were fearful that any wrong move could sudden death. And their union leaders offered no larger strategy to answer the violence. ellauri198.html on line 241: All these anti-worker policies were carried out by Democratic governors and mayors under supposedly pro-labor Roosevelt. This brought the strike to an end. Vocally radical union leaders (like John Lewis of the United Mineworkers) blamed the President, the steel companies, and excessive violence of the police. And all these factors were a real part of the loss. But these same union leaders had tied their fate to the Democratic Party. Even after the Memorial Day massacre and the defeat of the strike, they continued to support Roosevelt and the Democratic machine. ellauri198.html on line 243: The real reason for the defeat in the 1937 Little Steel Strike were the strategies and tactics of the union leaderships. They encouraged their members to have faith in Roosevelt and the Democrats, giving them a false sense of security that they would be protected against violence by their bosses, the police, and the National Guard. Had the workers relied only on their own power in unity, they could have been better prepared. ellauri198.html on line 245: In 1934, strikers in Toledo, San Francisco and Minneapolis had all stood up to the police and National Guard from the start, done battle in the streets, and come out victorious. In 1936 and 1937, strikers at General Motor’s Flint, Michigan factories did the same, taking over plants and beating back police attacks. When workers were united and prepared to fight against the forces of their class enemies, they won! ellauri198.html on line 247: The Memorial Day Massacre reminds us of both the suffering and the struggles that workers have gone through just to have their organizations recognized by big business. But it is reminds us of what happens when the power of workers is subordinated to poor union leadership and to a political party of the bosses that claims to be a “friend of working people.” ellauri198.html on line 252: Riensin toteuttamaan ennustusta jonka Thea Fenchel oli lausunut tuossa keinussa St Joessa. Ja vaikka mulle ei ollut yhdentekevää että juuri minua oli hakattu ja ajettu takaa, en silti voinut tuntea tuota asiaa kovin tärkeäksi enkä tajunnut että kenellekään olisi hyötyä sitä että jatkaisin taistelua veljieni puolesta. Jos se olisi ollut minulle omantunnon kysymys olisin kenties seisonut Republic Steelin edessä kaatuneiden muistopäivän verilöylyn hetkellä kuten Grammick. Häntä oli isketty patukalla päähän. Mutta minä olin samaan aikaan patukoimassa Theaa toiseen päähän. Ei edes ollut vallassani olla missäin muualla, kun olimme päässeet alkuun. Ei, minulla ei ollut inspiraatiota ammattiliiton töihin eika politiikkaan eikä mitään hinkua "tahdon hituseni" joutumiseen ihmisjoukon eteen sen lähtiessä marssimaan eteenpäin kurjuudesta. Miten tämä tahtopahaseni olisi päässyt johtamaan heidän kulkuaan? (Vittu mikä narsisti! Mitä Mooses vastasi kun Jehova kuzui sitä palavasta pensaasta? Näin juurikin!) En voinut käskeä itseäni tulemaan yhdeksi noista jotka asettuvat muiden kärkeen, työntyvät sosialistiseen valonsäteeseen tai keräävät ja keskittävät sen kuin polttolasi, hehkuvat ja häikäisevät ja leimahtavat kuin liekki. Sellaiseksi minua ei ollot tarkoitettu. Minut oli tarkoitettu piilottamaan munaa Estereiden perseeseen, sohimaan niitä pikku puikollani. ellauri198.html on line 254: Juostessani taxista Thean asuintalon ovelle ja soittaessani kelloa kolme kertaa en juuri pannut merkille missä olis aula, komea ja runsaasti kalustettu, ketään ei ollut saapuvilla, ja kun yritin saada selville mikä hienoista ovista kuului hissiin, erääseen niista ilmestyi valoruutu. Thea oli ajanut alas minua vastaan. Ovi avautui. Sisällä oli samettipäällysteinen penkki ja me vaivuimme istumaan sille, syleilimme ja suutelimme siittimeni noustessa äänettömästi Thean imutuxessa (Boyd kertoo samansisältöistä tarinaa skotti lastenpiiasta muistelmiensa alussa). Huomaamatta veren kovettamaa munaani Thea siveli kädellään kassejani, olkapäihin asti. Mina avasin hänen kotitakkinsa rintojen kohdalta. En hallinnut itseäni, pääsi ruiskahtamaan silmille etuajassa. En tajunnut mitään, olin miltei sokea. Jos joku muu olisi ollut sijassamme kumpikaan meistä ei olisi sitä tiennyt. En voi varmasti sanoa en nähnyt kasvoja, kenties se olikin siivooja. Kun ovi avautui, ja jatkoimme bylsimistä kävellessämme käytävässä ja sitten huoneistossa, matolla oven luona Thea ei ollut kuin muut naiset, nuo jotka niin sanoakseni antoavat luvan paljastaa yhden asian kerrallaan ja ihailla sitä, vaan päästi heti perille asti. Rakkauden tunne hallizi mahtavana. Theaa näpäsi että olin viivytellyt ammattiliittoasioissa. Olisit sanonut duunareille että "I got a chick to fuck". ellauri198.html on line 260: Esim Roland was the name of a real-life medieval military leader under Charlemagne who, more importantly, was the subject of the oldest surviving major work of French literature: an epic poem titled The Song of Roland. Roland was a loyal and trusting knight who was told to bring up the rear guard and burst his own temples open while sounding a horn too vigorously. What a way to go! In 1855, Robert Browning made the warrior the subject of his poem “Childe Roland to the Dark Tower Came,” which leads us back to Stephen King, of all the U.S. turds. It’s a bit incongruous to think of Dorff’s Roland West—an uncouth man who refers to “Saigon trim” and is eager to start a fight. ellauri198.html on line 262: You never bought no Saigon trim while you was over there? Guess I'm a romantic. I'm a feminist. They want to sell me a piece of ass, they got the right. Shit. You're gonna pay for it one way or another. You see yourself getting married, Purple? No, sir. I'm not a big enough asshole to put a woman and children through that. Hey. Don't. Shh. Dick! ellauri198.html on line 264: Yhtä tympäsevä oli yleislänkkäriläisen uudennetun Phileas Fogg-sarjan alku, jossa uudennos näyttää tällä kertaa olevan, että priima-apina, valkoinen varakas setämies Fogg on täysi tunari, ja sekunda-apinat neekeri ja nussimaton nainen toinen toistaan etevämpiä. Mikäs siinä sinänsä, mutta tarvizeeko se tehdä noin klisheisesti? Mixei Fogg ize ole musta keski-ikäinen nainen? Kaippa sitten tarvizee kun tehdään niin. Brittisetämiesten klupissa tarjoillaan Spotted Dickiä. Kotikazomoissa hihitellään. Vittu että on lattapäiset lainehilla taas. No tää onkin joku jänkki lastenohjelma, eli paljon pyssyjä ja ruumiita muttei yhtään nudityä eikä kyrpiä. ellauri198.html on line 269: Carmen Ejogo’s Amelia Reardon is an English teacher (and, later, a renowned author) which gives True Detective an excuse to drop some lovely poetic voice-over to the first episode, when she reads out two Robert Penn Warren poems. The first is titled “Tell Me a Story” (already read). ellauri198.html on line 282: In a tongue multitudinous, often like music. ellauri198.html on line 290: Our name for it is biblical knowledge. ellauri198.html on line 292: This poem is dedicated to the famous naturalist John James Audubon (as in Audubon society), and describes that man’s real-life practice of killing the birds he famously drew. He would use “fine shot” so as not to mutilate them, in order to deliver the best approximation of what they looked like in life. Warren doesn’t necessarily pass judgment on Audubon in this poem, but we might. All this cold, calculated murder in pursuit of “knowledge,” a.k.a. Audubon’s well-read work and much-regarded art; does it feel worth it? ellauri198.html on line 294: But of course, the Warren lines that stick out the most in the context of this episode is this: “In this century, and moment, of mania / Tell me a story.” On the one hand, this “century of mania” could refer to any modern hundred-year range we chose. So this HBO series itself is a story told in a century of mania. But if some of the implications of the post-murder turmoil that might over-take this town come true, then the case of the missing Purcell kids is, specifically, the story of a moment of mania known as “Satanic Panic,” which swept the nation in the 1980s and early 90s. ellauri198.html on line 296: The Satanic panic is a moral panic consisting of over 12,000 unsubstantiated cases of Satanic ritual abuse (SRA, sometimes known as ritual abuse, ritualistic abuse, organized abuse, or sadistic ritual abuse) starting in the United States in the 1980s, spreading throughout many parts of the world by the late 1990s, and persisting today. The panic originated in 1980 with the publication of Michelle Remembers, a book co-written by Canadian psychiatrist Lawrence Pazder and his patient (and future wife), Michelle Smith, which used the discredited practice of recovered-memory therapy to make sweeping lurid claims about satanic ritual abuse involving Smith. The allegations which afterwards arose throughout much of the United States involved reports of physical and sexual abuse of people in the context of occult or Satanic rituals. In its most extreme form, allegations involve a conspiracy of a global Satanic cult that includes the wealthy and powerful world elite in which children are abducted or bred for human sacrifices, pornography, and prostitution, an allegation that returned to prominence in the form of Qanon. ellauri198.html on line 298: Nearly every aspect of the ritual abuse is controversial, including its definition, the source of the allegations and proof thereof, testimonies of alleged victims, and court cases involving the allegations and criminal investigations. The panic affected lawyers, therapists, and social workers who handled allegations of child sexual abuse. Allegations initially brought together widely dissimilar groups, including religious fundamentalists, police investigators, child advocates, therapists, and clients in psychotherapy. The term satanic abuse was more common early on; this later became satanic ritual abuse and further secularized into simply ritual abuse. Over time, the accusations became more closely associated with dissociative identity disorder (then called multiple personality disorder) and anti-government conspiracy theories. ellauri198.html on line 300: Initial interest arose via the publicity campaign for Pazder's 1980 book Michelle Remembers, and it was sustained and popularized throughout the decade by coverage of the McMartin preschool trial. Testimonials, symptom lists, rumors, and techniques to investigate or uncover memories of SRA were disseminated through professional, popular, and religious conferences, as well as through talk shows, sustaining and further spreading the moral panic throughout the United States and beyond. In some cases, allegations resulted in criminal trials with varying results; after seven years in court, the McMartin trial resulted in no convictions for any of the accused, while other cases resulted in lengthy sentences, some of which were later reversed. Scholarly interest in the topic slowly built, eventually resulting in the conclusion that the phenomenon was a moral panic, which, as one researcher put it in 2017, "involved hundreds of accusations that devil-worshipping paedophiles were operating America's white middle-class suburban daycare centers." ellauri198.html on line 302: Of the more than 12,000 documented accusations nationwide, investigating police were not able to substantiate any allegations of organized cult abuse. ellauri198.html on line 306: Police are calling on volunteers to aid in the search and are asking all residents to keep an eye out and report anything unusual they might have noticed, or believe might be relevant to the case. The actual transcript of the colored poetry session is here: ellauri198.html on line 325: The title, "Childe Roland into the Dark Tunnel Came", which forms the last words of the poem, is a line from William Shakespeare's play King Lear (ca. 1607). In the play, Gloucester's son, Edgar, lends credence to his disguise as Tom o' Bedlam by talking nonsense, of which this is a part: ellauri198.html on line 342: Browning claimed that the poem came to him in a dream, saying "I was conscious of no allegorical intention of writing it ... I do not know what I meant beyond that, and I do not know now. But I am very fond of it." ellauri198.html on line 344: A footnote in the Penguin Classics edition (Robert Browning Selected Poems) advises against allegorical interpretation, saying “readers who wish to try their hand should be warned that the enterprise strongly resembles carving a statue out of fog." This sentiment is echoed by many critics, who believe any quest for interpretation will ultimately fail, due to the dreamlike, illusionary nature of the poem. ellauri198.html on line 346: William Lyon Phelps (n.h.) proposes three different interpretations of the poem: In the first two, the Tower is a symbol of a knightly dick. Success only comes through failure or the end is the realization of futility. In his third interpretation, the Tower is simply a damn big tunnel. ellauri198.html on line 348: For Margaret Atwood, Childe Roland is Browning himself, his quest is to write this poem, and the Dark Tower contains that which Roland/Browning fears most: a damn big tunnel. ellauri198.html on line 361: That hoary cripple, with malicious eye Horo vammanen, äijän silmäpeli ellauri198.html on line 365: Its edge, at one more victim gained thereby. Meneekö halpaan tääkin virkaveli? ellauri198.html on line 377: Into that ominous tract which, all agree, Lähtisin pahaenteiseen pöpeliin ellauri198.html on line 392: As when a sick man very near to death Kuten sairas vähän ennen loppua ellauri198.html on line 457: In leprosy; thin dry blades pricked the mud Kuin pitaali; kuivat korret nosti terän ellauri198.html on line 458: Which underneath looked kneaded up with blood. Mudasta, josta saattoi haistaa veren. ellauri198.html on line 461: Thrust out past service from the devil's stud! Seisoi tylsänä, käänsi mulle perän! ellauri198.html on line 469: He must be wicked to deserve such pain. Sen lieka lie kii vanhassa kehnossa. ellauri198.html on line 515: Of mute despair, a suicidal throng: Pelkästä epätoivosta, yli päätyrajan, ellauri198.html on line 516: The river which had done them all the wrong, Tää joki joka oli tehnyt kaiken pahan, ellauri198.html on line 520: Which, while I forded, - good saints, how I feared Kun kaalasin sen yli, kyllä pelkäsin, ellauri198.html on line 584: Yet half I seemed to recognise some trick Mä aavistelin jotain jäynää mulle tehtävän, ellauri198.html on line 587: Progress this way. When, in the very nick Tähän päättyi edistys, jäin pälkähään. ellauri198.html on line 588: Of giving up, one time more, came a click Ei vaitiskaan, joku vipu sattui käpälään, ellauri198.html on line 626: For one more picture! in a sheet of flame Oli veli Vesselin Volvon takalokasuojat. ellauri198.html on line 631: Eli mun tulkinta on suoraviivainen: Ruskea saapasvaha muistelee tässä lukemattomia Italian junareissuja muiden brittisuklaaosaston ritareiden kaa. Sitä varten ne takuulla matkusteli saapasmaahan, kuten teki myös Tomppa Manni sittemmin. Sinne meni myös Goethe nuolemaan tikkunekkuaan. Monet lentää nykyään Phukettiin. Harri Jäppisen romanttinen matkakohde oli Indoneesia. Ezillä tavalla. Näitä smuttuisia piilokuvia on brittirunoilijoilla tukuittain, esim. Coleridgen Kupla kurkussa. "I've got a first class ticket" ne huutavat kuin Mr. Fogg. Tulkinnasta selviää myös mixi quest on valmis ja runo lopussa kun Roland pääsee mustaan tunneliin toitottamaan sarvella. ellauri198.html on line 633: Tophet or Topheth (Hebrew: תֹּוֹפֶת Tōp̄eṯ; Greek: Ταφέθ (taphéth); Latin: Topheth) is a location in Jerusalem in the Valley of Hinnom (Gehenna), where worshipers engaged in a ritual involving "passing a child through the fire", most likely child sacrifice. Traditionally, the sacrifices have been ascribed to a god named Moloch. The Bible condemns and forbids these sacrifices, and the tophet is eventually destroyed by king Josiah, although mentions by the prophets Jeremiah, Ezekiel, and Isaiah suggest that the practices associated with the tophet may have persisted. ellauri198.html on line 635: Most scholars agree that the ritual performed at the tophet was child sacrifice, and they connect it to similar episodes throughout the Bible and recorded in Phoenicia (whose inhabitants were referred to as Canaanites in the Bible) and Carthage by Hellenistic sources. There is disagreement about whether the sacrifices were offered to a god named "Moloch". Based on Phoenician and Carthaginian inscriptions, a growing number of scholars believe that the word moloch refers to the type of sacrifice rather than a deity. There is currently a dispute as to whether these sacrifices were dedicated to Yahweh rather than a foreign deity. ellauri198.html on line 637: Archaeologists have applied the term "tophet" to large cemeteries of children found at Carthaginian sites that have traditionally been believed to house the victims of child sacrifice, as described by Hellenistic and biblical sources. This interpretation is controversial, with some scholars arguing that the tophets may have been children's cemeteries, rejecting Hellenistic sources as anti-Carthaginian propaganda. Others argue that not all burials in the tophet were sacrifices. ellauri198.html on line 647: Slughorn can refer to several things and one (fictional) person. ellauri198.html on line 648: It is an obsolete form of the word slogan, closer to its derivation from the Scottish Gaelic sluagh-ghairm (meaning war-cry). ellauri198.html on line 650: In turn this influenced the pseudo-Medieval poetry of Thomas Chatterton. For example, in a poem about the Battle of Hastings he writes "some caught a slughorne and an onsett wounde" (Battle of Hastings ii.99), meaning "some picked up a slughorn and sounded a charge". A slughorn in this context appears to be some kind of trumpet. However, in a footnote to another usage of the word, Chatterton defines it as "not unlike a hautboy". The Medieval English word hautboy is the origin of the modern word oboe and has never referred to any instrument comparable to a trumpet. It is more like a faggot. Oh boy, haut-bois, puu pystyssä. Vitun pultti-bois. ellauri198.html on line 652: Chatterton's usage inspired Robert Browning in his poem Childe Roland to the Dark Tower Came, in particular the last stanza in which the hero sees the ghosts of all those who died trying to reach the Dark Tower before him. ellauri198.html on line 672: American author Stephen King stole the name for his The Dark Tower series of stories and novels (1978–2012). ellauri198.html on line 676: In Anthony Powell's 12-part cycle A Dance to the Music of Time, the eighth novel, The Soldier's Art, takes its title from line 89 of Childe Roland ("Fight first, think afterwards—the soldier's art"). ellauri198.html on line 682: The poem is critical to Dickinson's poem "My Life had stood - a Loaded Gun -" ellauri198.html on line 684: The scottish "narrative" or fairy tale about Childe Rowland comes from Danish ballads about Rosmer Halfmand from the 1695 work Kaempe Viser. There were three ballads about Rosmer, who was a giant or merman, stealing a girl whose brother later rescues her. In the first, the characters are the children of Lady Hillers of Denmark, and the sister is named Svanè. In the second, the main characters are Roland and Proud Eline lyle. In the third, the hero is Child Aller, son of the king of Iceland. Unlike the English Roland, the hero of the Danish ballads relies on trickery to rescue his sister, and in some versions they have a juicy incestuous relationship to boot. ellauri198.html on line 693: In 1838, he visited Italy looking for background for Sordello, a long poem in heroic couplets, presented as the imaginary biography of the Mantuan bard spoken of by Dante in the Divine Comedy, canto 6 of Purgatory, set against a background of hate and conflict during the Guelph-Ghibelline wars. This was published in 1840 and met with widespread derision, gaining him the reputation of wanton carelessness and obscurity. Tennyson commented that he only understood the first and last lines and Carlyle wrote that his wife had read the poem through and could not tell whether Sordello was a man, a city or a book. Ai tän mä taisinkin jo kertoa albumissa 54. ellauri198.html on line 697: From the time of their marriage and until Elizabeth's death, the Brownings lived in Italy, residing first in Pisa, and then, within a year, finding an apartment in Florence at Casa Guidi (now a museum to their memory). Their only child, Robert Wiedemann Barrett Browning, nicknamed "Penine" or "Pen", was born in 1849. In these years Browning was fascinated by, and learned from, the art and atmosphere of Italy. He would, in later life, describe Italy as his university. As Elizabeth had inherited money of her own, the couple were reasonably comfortable in Italy, and their relationship together was happy. However, the literary assault on Browning's work did not let up and he was critically dismissed further, by patrician writers such as Charles Kingsley, for the desertion of England for foreign lands. ellauri198.html on line 699: Browning believed spiritualism to be fraud, and proved one of Daniel Dunglas Home's most adamant critics. When Browning and his wife Elizabeth attended one of his séances on 23 July 1855. a spirit face materialized, which Home claimed was Browning's son who had died in infancy: Browning seized the "materialization" and discovered it to be Home's bare foot. To make the deception worse, Browning had never lost a son in infancy. ellauri198.html on line 703: According to some reports Browning became romantically involved with Louisa Caroline Stewart-Mackenzie, Lady Ashburton, but he refused her proposal of marriage, and did not remarry. In 1878, he revisited Italy for the first time in the seventeen years since Elizabeth's death, and returned there on several further occasions. ellauri198.html on line 708: The Dark Tower is a series of eight novels and one short story written by American author Stephen King. Incorporating themes from multiple genres, including dark fantasy, science fantasy, horror, and Western, it describes a "gunslinger" and his quest toward a tower, the nature of which is both physical and metaphorical. The series, and its use of the Dark Tower, expands upon Stephen King's multiverse and in doing so, links together many of his other novels. ellauri198.html on line 710: The series was chiefly inspired by the poem "Childe Roland to the Dark Tower Came" by Robert Browning, whose full text was included in the final volume's appendix. In the preface to the revised 2003 edition of The Gunslinger, King also identifies The Lord of the Rings, Arthurian legend, and The Good, the Bad and the Ugly as inspirations. He identifies Clint Eastwood's "Man with No Name" character as one of the major inspirations for the protagonist, Roland Deschain. King's style of location names in the series, such as Mid-World, and his development of a unique language abstract to our own [clarification needed] (High Speech), are also influenced by J. R. R. Tolkien's work. The series is referred to on King's website as his magnum opus. ellauri198.html on line 712: Bill Sheehan of The Washington Post called the series "a humane, visionary epic and a true magnum opus" that stands as an "imposing example of pure storytelling," "filled with brilliantly rendered set pieces... cataclysmic encounters and moments of desolating tragedy." Erica Noonan of the Boston Globe said, "There's a fascinating world to be discovered in the series" but noted that its epic nature keeps it from being user-friendly. ellauri198.html on line 714: Allen Johnston of The New York Times was disappointed with how the series progressed; while he marveled at the "sheer absurdity of King's existence" and complimented King's writing style, he said preparation would have improved the series, stating "King doesn't have the writerly finesse for these sorts of games, and the voices let him down." Michael Berry of the San Francisco Chronicle called the series "highfalutin hodgepodge". ellauri198.html on line 720: Beginning where book six left off, Jake Chambers and Father Callahan battle the evil infestation within the Dixie Pig, a vampire lounge in New York City featuring roast human flesh and doors to other worlds. After fighting off and destroying numerous "Low-Men" and Type One Vampires, Callahan sacrifices himself to let Jake survive. In the other world—Fedic—Mia, her body now physically separated from Susannah Dean, gives birth to Mordred Deschain, the biological son of Roland Deschain and Susannah. The Crimson King is also a "co-father" of this prophetic child, so it is not surprising when "baby" Mordred's first act is to shapeshift into a spider-creature and feast on his birth-mother. Susannah shoots but fails to kill Mordred, eliminates other agents of the Crimson King, and escapes to meet up with Jake at the cross-dimensional door beneath the Dixie Pig which connects to Fedic. Maturing at an accelerated rate, Mordred later stalks Roland and the other gunslingers throughout this adventure, shifting from human to spider as the need arises, seething with an instinctive rage toward Roland, his "white daddy." ellauri198.html on line 722: In Maine, Roland and Eddie recruit John Cullum, and then make their way back to Fedic, where the ka-tet is now reunited. Walter (known in other stories as Randall Flagg) plans to slay Mordred and use the birthmark on Mordred's heel to gain access to the Tower, but he is easily slain by the infant when Mordred sees through his lies. ellauri198.html on line 724: Roland and his ka-tet travel to Thunderclap, then to the nearby Devar-Toi, to help a group of psychics known as Breakers who are allowing their telepathic abilities to be used to break away at the beams that support the Tower. Ted Brautigan and Dinky Earnshaw assist the gunslingers with information and weapons, and reunite Roland with his old friend Sheemie Ruiz from Mejis. The Gunslingers free the Breakers from their captors, but Eddie is wounded after the battle and dies a short while later. Roland and Jake pause to mourn and then jump to Maine of 1999 along with Oy, in order to save the life of Stephen King (whom he writes to be a secondary character in the book); the ka-tet have come to believe that the success of their quest depends on King surviving to write about it through his books. ellauri198.html on line 726: They discover King about to be hit by a van. Jake pushes King out of the way but Jake is killed in the process. Roland, heartbroken with the loss of the person he considers his true son, buries Jake and returns with Oy to Susannah in Fedic, via the Dixie Pig. They are chased through the depths of Castle Discordia by an otherworldly monster, then depart and travel for weeks across freezing badlands toward the Tower. ellauri198.html on line 728: Along the way they find Patrick Danville, a young man imprisoned by someone who calls himself Joe Collins but is really a psychic vampire named Dandelo. Dandelo feeds off the emotions of his victims, and starts to feed off of Roland and Susannah by telling them jokes. Roland and Susannah are alerted to the danger by Stephen King, who drops clues directly into the book, enabling them to defeat the vampire. They discover Patrick in the basement, and find that Dandelo had removed his tongue. Patrick is freed and soon his special talent becomes evident: his drawings and paintings become reality. As their travels bring them nearer to the Dark Tower, Susannah comes to the conclusion that Roland needs to complete his journey without her. Susannah asks Patrick to draw a door she has seen in her dreams to lead her out of this world. He does so and once it appears, Susannah says goodbye to Roland and crosses over to another world. ellauri198.html on line 730: Mordred finally reaches and attacks Roland. Oy viciously defends his dinh, providing Roland the extra seconds needed to exterminate the were-spider. Oy is impaled on a tree branch and dies. Roland continues on to his ultimate goal and reaches the Tower, only to find it occupied by the Crimson King. ellauri198.html on line 732: They remain in a stalemate for a few hours, until Roland has Patrick draw a picture of the Crimson King and then erase it, thus wiping him out of existence except for his eyes. Roland gains entry into the Tower while Patrick turns back home. The last scene is that of Roland crying out the names of his loved ones and fallen comrades as he had vowed to do. The door of the Dark Tower closes shut as Patrick watches from a distance. ellauri198.html on line 734: The story then shifts to Susannah coming through the magic door to an alternate 1980s New York, where Gary Hart is president. Susannah throws away Roland's gun (which does not function on this side of the door), rejecting the life of a gunslinger, and starts a new life with alternate versions of Eddie and Jake, who in this world are brothers with the surname Toren. They have only very vague memories of their previous journey with Susannah, whose own memories of Mid-World are already beginning to fade. It is implied that an alternate version of Oy, the billy-bumbler, will also join them. ellauri198.html on line 736: In a final "Coda" section, King urges the reader to close the book at this point, consider the story finished with a happy ending, and not venture inside the Tower with Roland. For those who do not heed the warning, the story resumes with Roland stepping into the Dark Tower. He realizes that the Tower is not really made of stone, but a kind of flesh: it is Gan's physical body. As he climbs the steps, Roland encounters various rooms containing siguls or signs of his past life. When he reaches the top of the Tower, he finds a door marked with his own name and opens it. Roland instantly realizes, to his horror, that he has reached the Tower countless times before. He is forced through the door by the hands of Gan and transported back in time to the Mohaine desert, back to where he was at the beginning of The Dark Tower: The Gunslinger, with no memories of what has just occurred. The only difference is that, this time, Roland possesses the Horn of Eld, which in the previous incarnation he had left lying on the ground after the Battle of Jericho Hill. Roland hears the voice of Gan, whispering that, if he reaches the Tower again, perhaps this time the result will be different; there may yet be rest. The series ends where it began in the first line of book one: "The man in black fled across the desert, and the gunslinger followed." ellauri198.html on line 749: Minkä eteen seisoo musta torni Haroldin mielestä, sieltä pakaroiden välistä? Usko tai älä: "Shall we, tentatively, call both the Dark Tower and the mocking elf the Oedipal necessities of self-betrayal in the practice of art? (Mistä nuo Freudin turbojalat tähän tulivat? Selittäkääpä tarkemmin!) Or, more narrowly, the Tower and the Elf are metaphors for misprision, for the overdetermined and inescapable meanings that belated creators impose upon poetic tradition." ellauri198.html on line 753: Nyt on Harold nähtävästi pudonnut pahan kerran kärryiltä, ilma on sakeanaan savuverhotermejä: proleptic delusion transumptively troping on a trope, retoriikkaa lentää kuin Nietzschen Zarathustrassa. Kumpuilevat pakarat seuraavat Childe Haroldin sanasotaa kädet poskella. (Mitä oli Yeazin Condition of Fire? Se selviää alempana.) Haroldin mielestä Browning imuttaa Chattertonin etanansarvea. Muttei kai 1800-luvun Browning voinut oikeasti lutkuttaa 1700-luvun Chattertonin pipua, ikäeron takia? Ehei, tää on vaan symbolismia. ellauri198.html on line 755: Ei vaan Browning imuskelee kolleegansa Shellyn schollya, Harold täsmentää. The consensus among critics has long been that in his youth Browning had a great enthusiasm for Shelley, an enthusiasm clearly apparent in Pauline and Paracelsus, but abruptly extinguished in Sordello. Generally speaking, it would seem that Browning's ardent enthusiasm for Shelley the poet ends with Sordello in 1840, just as his respect for Shelley the man ends in 1856, with the discovery that he had abandoned his first wife. Any evidence for a lapse of his disaffection in later life seems effectively countered by Browning's own testimony in a letter written in 1885 to F. J. Furnivall, refusing the presidency of the newly formed Shelley Society: “For myself, I painfully contrast my notions of Shelley the man and Shelley, well, even the poet, with what they were sixty years ago, when I only had his works, for a certainty, and took his character on trust.” With these highlights of the relationship, most Browning critics and biographers terminate the discussion. ellauri198.html on line 760: Is love and justice, clothed in which he sate ellauri198.html on line 778: But something of the conclusion can be surmised here, however tentatively. Roland's equivocal triumph is an instance of Kierkegaardian "repetition" rather than of Platonic "recollection" on Hegelian "mediation," if only because the Romantic trope-upon-a-trope or transumption leads to a projective or introjective stance of which Kierkegaard is the conscious anti-Platonic and anti-Hegelian theorist. Precisely what Roland refuses is the Golgotha of Absolute Spirit that Hegel proclaims at the very close of his Phenomenology: ellauri198.html on line 780: Knowledge is aware not only of itself, but also of the negative of itself, or its limit. Knowing its limit means knowing how to sacrifice itself. This sacrifice is... self-abandonment.... Here it has to begin all over again at its immediacy, as freshly as before, and thence rise once more to the measure of its stature, as if, for it, all that preceded were lost, and as if it had learned nothing from the experience of the spirits that preceded. But re collection has conserved that experience, and is the inner being, and, in fact, the higher form of the substance. While, then, this phase of Spirit begins all over again its formative development, apparently starting solely from itself, yet at the same time it com mences at a higher level. The realm of spirits developed in this way, and assuming definite shape in existence, constitutes a succession, where one detaches and sets loose the other, and each takes over from its predecessor the empire of the spiritual world... ellauri198.html on line 784: It requires youth to hope, and youth to recollect, but it requires courage to will repetition.... For hope is an alluring fruit which does not satisfy, recollection is a miserable pittance which does not satisfy, but repetition is the daily bread which satisfies with benediction. When one has circumnavigated existence, it will appear whether one has courage to understand that life is a repetition, and to delight in that very fact. . . . Repetition is reality, and it is the seriousness of life... ellauri198.html on line 786: From Hegel we can move to Mallarmé's Igitur, and an illuminating observation by Paul de Man, even as from Kierkegaard we can go back to Childe Roland and the critical mode I endeavor to develop. Meditating on Igitur, de Man remarks that in Baudelaire and in Mallarmé (under Baudelaire's influence) "ennui" is no longer a personal feeling but comes from the burden of the past. A consciousness comes to know itself as negative and finite. It sees that others know themselves also in this way, and so it transcends the negative and finite present by seeing the universal nature of what it itself is becoming. So, de Man says of Mallarmé's view, comparing it to Hegel's, that "we develop by dominating our natural anxiety and alienation and by transforming it in the awareness and the knowledge of otherness." Jotain tosi narsistista läppää tääkin näyttää olevan. ellauri198.html on line 790: The difference between Hegel and Kierkegaard is also a difference between Mallarmé and Browning, as it happens, and critically a difference between a deconstructive and an antithetical view of practical criticism. Kierkegaard's "repetition" is closer than its Hegelian rival (or the Nietzschean-Heideggerian descendant) to the mutually exploitative relationship between strong poets, a mutuality that affects the dead nearly as much as the living. Insofar as a poet authentically is and remains a poet, he must exclude and negate other poets. Yet he must begin by including and affirming a precursor poet or poets, for there no other way to become a poet. We can say then that a poet known as a poet only by a wholly contradictory including/excluding, negating/affirming which by the agency of psychic defenses manifests itself as an introjecting/projecting. "Repetition," better even than Nietzsche's Eternal Return of the Same, manifests itself through the rhetorical scheme of transumption, where the surrender of the present compensates for the contradictory movements of the psyche. ellauri198.html on line 794: Roland is not mediated by his precursors; they do not detach him from history so as to free him in the spirit. The Childe's last act of dauntless courage is to will repetition, to accept his place in the company of the ruined. Roland tells us implicitly that the present is not so much negative and finite as it is willed, though this willing is never the work of an individual consciousness acting by itself. It is caught up in a subject-to-subject dialectic, in which the present moment is sacrificed, not to the energies of art, but to the near-solipsist's tragic victory over himself. Roland's negative moment is neither that of renunciation nor of the loss of self in death or error. It is the negativity that is self-knowledge yielding its power to a doomed love of others, in the recognition that those others like Shelley. more grandly had surrendered knowledge and its powers to love, however illusory. Or, mos simply, Childe Roland dies, if be dies, in the magnificence of a belatedness that can accept itself as such. He ends in strengh because his vision has ceased to break and deform the world, and has begun to turn its dangerous strength upon is own defense. Roland is the Kermit modem version of a poet-as-hero, and his sustained courage to weather his own phantasmagoria and emerge into fire is a presage of the continued survival of strong poetry. ellauri198.html on line 808: Dropping from the veils of the morning to where the cricket sings; tulee tissutellen, aamusta pelti kiinni, kaskas sirittää, ellauri198.html on line 821: William Butler Yeats is widely considered to be one of the greatest poets of the 20th century. He belonged to the Protestant, Anglo-Irish minority that had controlled the economic, political, social, and cultural life of Ireland since at least the end of the 17th century. Most members of this minority considered themselves English people who happened to have been born in Ireland, but Yeats staunchly flagged his fake Irish nationality. Although he lived in London for 14 years of his childhood (and kept a permanent home there for 30 years), Yeats magnified his cultural roots, featuring Irish legends and heroes in many of his poems and plays. ellauri198.html on line 824: He was equally firm in adhering to his self-image as an artist. This conviction led many to accuse him of elitism, but conscious and undaunted image building also unquestionably contributed to his greatness. ellauri198.html on line 826: Gonne shared Yeats’s interest in occultism and spiritualism. Yeats had been a theosophist, but in 1890 he turned from its sweeping mystical insights and joined the Golden Dawn, a secret society that actually practiced ritual magic. Yeats remained an active member of the Golden Dawn for 32 years, becoming involved in its direction at the turn of the century and achieving the coveted sixth grade of membership in 1914, the same year that his surrogate wife, Georgiana Hyde-Lees, also joined the society. ellauri198.html on line 828: Yeats kept his sixth-grader occultist badge away from his poems, which are simple enough to be understood by sixth-graders, unlike Blake and Shelley, but like his rhyming predecessor Keats. Even so, Yeats’s visionary and idealist interests were more closely aligned with those of Blake and Shelley than with those of Keats, and in the 1899 collection The Wind among the Reeds the occult symbolism rears its ugly head in several poems. ellauri198.html on line 831: His several boring plays featured fictional heroic ancient Irish warrior Cuchulain. A later poem concludes with a brash announcement: “There’s more enterprise in walking naked.” This indecent departure from a conventional 19th-century manner disappointed his contemporary readers, who preferred the pleasant musicality of such familiar poems as “The Lake Isle of Innisfree,” which he wrote in 1890. "I think all happiness depends on the energy to assume the mask of some other person, on strutting as somebody else but yourself", he said. Yeats and his lamentable wife held more than 400 sessions of automatic writing, producing nearly 4,000 pages that Yeats avidly and patiently studied and organized. What an idiot. ellauri198.html on line 833: From these sessions Yeats formulated theories about life and history. He believed that certain patterns existed, the most important being what he called gyres, interpenetrating cones representing mixtures of opposites of both a personal and historical nature. He contended that gyres were initiated by the divine impregnation of a mortal woman—first, the rape of Leda by Zeus; later, the conception of Mary by the same immaculate swan. As Lewis Carroll had prophecied: ellauri198.html on line 846: While Yeats was playing with esoterica, Ireland was rife with internal strife and a world war flitted past. He was now the “sixty-year-old smiling public man” of his poem “Among School Children,” which he wrote after touring an Irish elementary school. He was also a world-renowned artist of impressive stature, having received the Nobel Prize for Literature in 1923. At night the poet could “sweat with terror” because of the surrounding violence, but otherwise he was enjoying himself royally. His collection The Dark Tower (1928) is often considered his best single book. ellauri198.html on line 848: Another important element of poems in both these collections and other volumes is Yeats’s keen awareness of old age. Even his romantic poems from the late 1890s often mention gray hair and weariness, though those poems were written while he was still a young man. But when Yeats was nearly 60, his health began to fail and he was faced with real, rather than imaginary, “bodily decrepitude” (a phrase from “After Long Silence”) and nearness to death. Despite the author’s often keen awareness of his physical decline, the last 15 years of his life were marked by extraordinary vitality and an appetite for life, including young boys and girls. ellauri198.html on line 849: His pose as “The Wild Old Wicked Man” (the title of one of his poems) and his poetical revitalization was reflected in the title of his 1938 volume New Poems. ellauri198.html on line 851: As Yeats aged, he saw Ireland change in ways that angered him. The Anglo-Irish Protestant minority no longer controlled Irish society and culture. According to Yeats’s unblushingly antidemocratic view, the greatness of Anglo-Irishmen such as Jonathan Swift, philosopher George Berkeley, and statesman Edmund Burke, contrasted sharply with the undistinguished commonness of contemporary Irish society, which seemed preoccupied with the interests of merchants and bloody peasants. He laid out his unpopular opinions in late plays such as Purgatory (1938) and the essays of On the Boiler (1939). ellauri198.html on line 853: He faced death with a courage that was founded partly on his vague hope for reincarnation. In his proud moods he could speak in the stern voice of his famous epitaph, written within six months of his death, which concludes his poem “Under Ben Bulben”: “Cast a cold eye / On life, on death. / Horseman, pass by!” But the bold sureness of those lines is complicated by the terror-stricken cry that “distracts my thought” at the end of another late poem, “The Man and the Echo,” and also by the poignantly frivolous lust for life in the last lines of “Politics,” the poem that he wanted to close Last Poems: “But O that I were young again / And held them in my arms.” ellauri198.html on line 856: Poetic ingredients of the sort Yeats described in “The Dark Tower”: “Poet’s imaginings / And memories of love, / Memories of young men and women, / All those things whereof / Man makes a superhuman / Mirror-resembling dream.” ellauri198.html on line 858: Fellow anglo-saxon poets, including his catamite W.H. Auden (who praised Yeats as the savior of English lyric poetry), Stephen Spender, Theodore Roethke, and Philip Larkin thought he was the cat's whiskers. ellauri198.html on line 864: William Butler Yeats published his poem ‘The Lake Isle of Innisfree’ in December of 1890, an important year in his life due to his increased association with occult societies in London, United Kingdom. In ‘The Lake Isle of Innisfree,’ William Butler Yeats’ narrator asserts his desire to leave the “pavement gray” of his current locale and dwell on the mysterious island of Innisfree, with only bees, crickets, and linnets for a company (and, alas, mosquitoes). ellauri198.html on line 866: Convinced that the "second coming" must be at hand, for the condition of the culture is unsustainable, Yeats sees "a vast image out of Spiritus Mundi, " or the "world spirit," a version of the anima mundi that is a central concept in Yeats's esoteric philosophy. ellauri198.html on line 868: Critics of the poem have highlighted several important aspects of ‘The Lake Isle of Innisfree,’ including the spiritual journey undertaken by William Butler Yeats (Hunter); the island as an escape from sexuality (Merritt); and the island as a place of wisdom or foolishness, depending on varying historical perspectives on beans (Normandin). To these critics, it seems that an island is a place of refuge from a dangerous outside world — supposedly London specifically, although Merritt might broaden this interpretation to include all sexual encounters. While these critics acknowledge that an island is a place of escape, citing what William Butler Yeats himself has said about the Irish island Sligo, they fall short of recognising the full implications of his fascination with the occult. ellauri198.html on line 874: There are two realities, the terrestrial and the condition of fire. 1 All power is from the terrestrial condition, for there all opposites meet and there only is the extreme of choice possible, full freedom. [This seems inaccurate slightly, the terrestrial or earthly condition contains the condition of fire, water, and air; the mental, the material, and mental-material interaction respectively. How to distinctly separate water and earth is an issue going back at least to the Corpus Hermeticum.] And there the heterogeneous is, evil, for evil is the strain one upon another of opposites; but in the condition of fire is all music and rest. [Compare this with interpretations of Manichean or Gnostic dualism that there is a pure and impure world; castor and pollux.] Between is the condition of air where images have but a borrowed life, that of memory or that reflected upon them when they symbolise colours and intensities of fire; the place of shades who are 'in the whirl of those who are fading,' and who cry like those amorous shades in the Japanese play:-- Huoh, ei jaxa. Tää kaverihan oli täysin tärähtänyt: ellauri198.html on line 876: I assert that the symbols which William Butler Yeats includes on the island — specifically the nine bean-rows — are meant to be examined in the light of the Kabbalism, numerology, and tarot cards to which these societies looked for inspiration in their occult practices. Through his inclusion of these symbols, William Butler Yeats is demonstrating mastery over the Hermetic Order of the Golden Dawn’s basic tenants (sic), a mastery which he perhaps hoped would help him advance in rank in the society to seventh grade and further his studies of magic. ellauri198.html on line 881: Hyperion, a Fragment is an abandoned epic poem by 19th-century English Romantic poet John Keats. It was published in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820). It is based on the Titanomachia, and tells of the despair of the Titans after their fall to the Olympians. Keats wrote the poem from late 1818 until the spring of 1819, when he gave it up as having "too many Miltonic inversions." He was also nursing his younger brother Tom, who died on 1 December 1818 of tuberculosis. ellauri198.html on line 885: Hyperion was, along with his son Helios, a personification of the sun, with the two sometimes identified. John Keats's abandoned epic poem Hyperion is among the literary works that feature the figure. ellauri198.html on line 887: Keats picked up the ideas again in his another unfinished poem The Fall of Hyperion: A Dream (1856) published after his death. He attempted to recast the epic by framing it with a personal quest to find truth and understanding. Another failure. Yawn. ellauri198.html on line 889: The poem as usually printed breaks off at this point, in mid-line, with the word "celestial". Keats's friend Richard Woodhouse, transcribing this poem, completed this line as "Celestial Glory dawn'd: he was a god!" Ox, nyet! nyet! The language of Hyperion is very similar to Milton's, in metre and style. However, his characters are quite different. Although Apollo falls into the image of the "Son" from Paradise Lost and of "Jesus" from Paradise Regained, he does not directly confront Hyperion as Satan is confronted. Also, the roles are reversed, and Apollo is deemed as the "challenger" to the throne, who wins it by being more "true" and thus, more "beautiful." Double yawn. ellauri198.html on line 894: The Triumph of Life was the last major work by Percy Bysshe Shelley before his death in 1822. The work was left unfinished. Shelley wrote the poem at Casa Magni in Lerici, Italy in the early summer of 1822. He modelled the poem, written in terza rima, on Petrarch 's Trionfi and Dante 's Divine Comedy. Siinäkin on julkkixia jossain helvetissä. Kesken jäi. Gäsp. ellauri198.html on line 899: And if the spark with which Heaven lit my spirit ellauri198.html on line 903: Stained that within which still disdains to wear it.— ellauri198.html on line 909: "Frederic, & Kant, Catherine, & Leopold, ellauri198.html on line 918: Arthur Symons (n.h.) described the poem as a "sort of spiritual biography" in the way that it describes the feelings and emotions of the poet, rather than the actions. Isobel Armstrong (n.h.) argued that the poem was Browning's attempt to "institutionalize" himself as a Romantic poet. Browning described himself within the poem as "priest and prophet" and therefore gave himself both the meaning and purpose that he was seeking as a young man. Vitun pappi ja profeetta, ansaizisi potkun perseeseen. Tää narsistinen suollos ei kelpaa mihinkään. Ei maxa vaivaa edes siteerata. ellauri203.html on line 7: font-style: italic; ellauri203.html on line 105: ica.pro/files/redaktor_pdf/1568011144.pdf">Istochnik ellauri203.html on line 111: Literary critic V. Belinsky was one of the leaders of the westernist movement. He was a convinced atheist. In his understanding, Russia’s transformation would be impossible without eliminating Christianity. ellauri203.html on line 113: Belinsky preached his socialist-atheist way with such passion that Dostoevsky couldn’t resist. Accepting the socialist teachings of Belinsky, Dostoevsky saw his Christian convictions being shattered. He describes this time as the time of “losing Christ”. “We were infected with the ideas of theoretical socialism of those days!” – Dostoevsky would recall. For his involvement in the antigovernment movement, Dostoevsky was sentenced to capital punishment, which was later replaced with four years of penal labor (Rus. katorga). ellauri203.html on line 115: In penal servitude, Dostoevsky went through something that he calls “the regeneration of his convictions”. What could have taken place to change his convictions so completely? Dostoevsky himself answers this question by saying, “I accepted Christ in my life, whom I got to know as a child in my parent’s house and whom I have almost lost, when I in turn became a European liberal.” Putinistit paukuttavat karvaisia käsiään. Keskeytymättömiä aplodeja seisaaltaan. ellauri203.html on line 119: Another problem, which could make matters worse, was the intrusion of the socialist (atheist) teaching mentioned above. From his own experience, Dostoevsky knew the danger and destructiveness of this socialist way, offered by many as the way to reform society. In his letter to M. Pogodin, Dostoevsky writes that ‘socialism and Christianity are antonyms’. Christianity and private enterprise are synonyms. The danger of this way, in Dostoevsky’s opinion, was its negation of God and establishment of a new atheistic society. ellauri203.html on line 121: By means of his novels, articles, and personal correspondence, Dostoevsky warned about the consequences of entering this dangerous path. The tragedy of Rasskolnikov, the main character of the novel Crime and Punishment, shows how easily one can be infatuated with this teaching of “violence for the sake of love.” Violence is only ok for the sake of hate. ellauri203.html on line 127: Although reasonably successful during his lifetime, his fame continued to grow after his death and he inspired not just other later writers, such as Ernest Hemingway, but also sparked a philosophical movement, Existentialism, and influenced the work of Sigmund Freud. ellauri203.html on line 129: The insights into the human condition in all its complexity and contradiction contained in his work sprang from his own constant struggle to balance the rational and emotional. ellauri203.html on line 131: Dostoevsky was a brilliant mind but plagued by his own demons. Married twice, he also had multiple lovers. In addition, for a great portion of his life he was a gambling addict, regularly losing everything he owned and jeopardizing his family thanks to his passion for roulette. His women say he was a nasty customer. ellauri203.html on line 135: Fyodor Michailovich had such type of personality that everyone enjoyed. He was robbed unmercifully, though due to his kindness and trust, but he wouldn’t want to get into details or rebuke servants that used his carelessness. Fyodor Mikhailovich was a man of limitless kindness. Dostoevsky was especially interested in children and paid attention to cases of child abuse that he heard about. He followed closely the trials of parents accused of child abuse. ellauri203.html on line 137: Towards the end of his life Dostoevsky became a spiritual leader for many people. Dostoevsky lived so sacrificially because his convictions were deeply wounded by Christ’s suffering and resurrection. ellauri203.html on line 139: One of Dostoevsky’s early memories is a daily prayer with his nanny before going to bed with her, when he was thirteen years of age. “I put all my eggs in Thine basket, Mother of God, keep them in Thy care”. This prayer Dostoevsky loved so much that it became part of the prayers which he read to children at bed time. Also from his early years Dostoevsky listened to Bible stories. Remembering those years, Fyodor Mikhailovich wrote in 1873, “In our family we knew the Gospel almost from earliest childhood.” ellauri203.html on line 141: According to Dostoevsky, a divine harmony that would resolve all contradictions would be possible if all people would live the life of Christ and get crucified at the end. ellauri203.html on line 148: Dostoyevsky despised Turgenev and Bunin couldn´t stand Nabokov. Ideology, ambition and personal conflicts - Russian classical authors had enough reasons to be rude about one another. ellauri203.html on line 152: It’s not surprising that the two authors did not like each other. From his youth Turgenev, a wealthy nobleman, made fun of his lugubrious colleague. In a mocking poem he described Dostoyevsky as a "pimple on the nose of literature." Dostoyevsky didn´t conceal his reciprocal hostility and was indignant that, with all his wealth, Turgenev´s royalties for his publications were four times as high as he was paid. ellauri203.html on line 154: But the main reason for the quarrels was ideology. "All these wretched liberals find their principal pleasure in abusing Russia," Dostoyevsky wrote in a letter to a friend in 1867, referring to Turgenev´s new novel Smoke. Turgenev by that time was living in France and Dostoyevsky, sarcastically, advised him to buy a telescope as, "otherwise, you can´t really see [Russia] at all". Turgenev was offended. ellauri203.html on line 156: Turgenev, in turn, was annoyed by Dostoyevsky´s psychological preoccupations and his manner going deep into the dark depths of the human soul. "What a sour smell and hospital stench" and "psychological nitpicking" were some of the phrases he used to describe Dostoyevsky´s novels. By jove he hit it right on the dot. ellauri203.html on line 204: Le mariage de Maximilien et de Marie est célébré dans la chapelle du palais d’Hiver, à Saint-Pétersbourg, le 2 juillet 1839. Il donne lieu à 15 jours de festivités mais soulève la désapprobation des Moscovites, qui sont choqués de voir l’une de leurs princesses s’unir à un prince français, dont le père a participé à la prise de leur ville en 1812. Immédiatement après les épousailles, le duc de Leuchtenberg reçoit du tsar Nicolas Ier le prédicat d'altesse impériale et le titre de prince Romanovsky. Il est nommé major général de l'armée russe et colonel en chef du régiment de hussards de Kiev. Il reçoit par ailleurs une rente annuelle de 100 000 roubles. De son côté, le tsar confère à Marie une rente de 700 000 roubles ainsi qu'une somme de 2 millions payable en bons du trésor à 4%. Afin de loger le couple, l'empereur s'engage finalement à construire et à meubler à ses frais un palais meublé à Saint-Pétersbourg et un autre situé dans les environs de la capitale. ellauri203.html on line 206: En attendant la construction de leur nouvelle résidence (baptisée « palais Marie »), Maximilien et son épouse s'installent au palais d'Hiver. Ils y restent jusqu'en 1845 et c'est là que naissent leurs quatre premiers enfants, Alexandra, Marie, Nicolas et Eugénie. Après cette date, le couple peut enfin prendre son indépendance et Maximilien transfère ses collections de tableaux, d'armes et de minéraux en Russie. Une bonne partie d'entre elles se trouvent aujourd'hui au musée de l'Ermitage ou dans d'autres institutions du pays. ellauri203.html on line 215: Fyodor Dostoevsky´s novels mirrored his life: complicated, tense and full of psychological unrest. He was as dedicated to the women that accompanied him on this difficult journey as he was to the novels that he felt compelled to write. Lets explore the great writer’s relationships with his three key hens, Isajeva, Suslova and Snitkina. (There were more, but they were not key.) ellauri203.html on line 217: Dostoevsky was the only 19th-century Russian writer to be sentenced to hard labor, spending four years in a Siberian camp. As fortune – or misfortune – would have it, when the exhausted novelist was finally released, he encountered the writer Maria Isaeva. The relationship was complicated from the very outset: when they met, Isaeva was married with a young son, and Dostoevsky was forced to wait until her husband passed away before he could publically offer her his wand. ellauri203.html on line 219: However, this belated first love was not as simple as Dostoevsky had hoped. Isaeva began taunting the writer with letters telling him of her intention to marry one or other wealthy official. Although the pair did ultimately marry, their troubles continued, and the two never settled into a harmonious marriage, with Dostoevsky taking on a role more like a friend or brother to Isaeva, rather than a husband. Mark Slonim, an important Russian scholar, writes in his book The Three Loves of Dostoevsky: “He loved her for all these feelings that she excited in him. For everything that he gave her, for everything that was connected with her. And for all the pains from her.” ellauri203.html on line 223: Dostoevsky met the young Appolinaria Suslova during one of his public readings. At 42, he was two decades older than her. She was attractive, alluring and shared his literary taste and physical passion. Despite this, he could not give her everything she wanted; as Dostoevsky was still married, he conducted a secret affair with Suslova, but she took other lovers and left him. She returned two years later, but was not the same inexperienced young woman and refused to marry the great writer. ellauri203.html on line 225: Appolinaria Suslova was perhaps the woman who hurt Dostoevsky most. According to Slonim: “He winced while calling her name, he was in communication with her while married; he always depicted her in his novels. Until his death he remembered her caress and slaps in the face. He was devoted to this seductive, cruel, unfaithful and tragic love.” ellauri203.html on line 227: Suslova’s impact on Dostoevsky can be felt through all of his novels. We can glimpse her traits in the sacrificial Dunya (Crime and Punishment – 1866), the desperate and passionate Nastassya Filippovna (The Idiot – 1869), the proud and nervous Liza (Demons – 1872). What is more, Polina, the protagonist in The Gambler, was undoubtedly based on Suslova. ellauri203.html on line 229: Anna Snitkina, who was 25 years Dostoevsky’s junior, was his stenographer during his work on The Gambler. The process of completing the novel engrossed both of them so much that they could not imagine life without each other, marrying in 1867. This particular novel was where Dostoevsky’s three great loves intersected: Appolinaria Suslova formed the basis for its protagonist, it was written as his first wife, Maria Isaeva, passed away, and stenographed by his future wife, Anna Snitkina. ellauri203.html on line 231: To begin with, Dostoevsky only saw practicality in his marriage to Snitkina: he was in need of stability and confidence in the future. As a result, the union began down to head along the same route as his previous relationships. However, the couple’s extended “honeymoon” abroad, which ended up lasting four years, allowed them to escape Russia’s oppressive atmosphere and try to build a family. It began well: Sonya, a little girl, was born a year after their marriage. Tragedy soon struck, however, when Sonya passed away. The pair went on to have three more children, one of whom also died. They were married for 14 years until Dostoevsky’s death, in which time Snitkina experienced a great deal of anguish brought on by Dostoevsky’s difficult character and lifestyle, namely his jealousy and gambling addiction. However, she remained stoically committed to him and did not remarry after his death, when she was just 35. ellauri203.html on line 233: Anna Snitkina did not attempt to change Dostoevsky, accepting him warts and all, which made this marriage the happiest and most harmonious in the writer’s turbulent life. That´s the only working way to survive a hopeless narcissist. ellauri203.html on line 240: Nää kääntäjät ovat esipuheen perusteella Dosto aficionadoja ja jakavat sen kristillis-taantumuxelliset näkemyxet. Tosi pahoja jenkkimeemejä: the idea dearest to us all is freedom, leftist ideologies are demonic one and all. Joo tää esipuhe on aivan karseeta potaskaa. Kyllä olen ollut oikeilla jäljillä kun Dosto on aina tuntunut ällöttävältä. Se on selvä patataantumuxen äänitorvi, jonka jenkit ottivat vastaan avosylin kommarien aikana. Nyt voi olla vähän kiusallinen tilanne kun Dosto kuulostaa ihan tämän päivän Putinilta ja vähän eilispäivän Solzhenizyniltä. ellauri203.html on line 242: Writing in the Los Angeles Times, a professor of Slavic languages praised their Dostoevsky translations, stating "the reason they have succeeded so well in bringing Dostoevsky into English is not just that they have made him sound bumpy or unnatural but that they have managed to capture and differentiate the characters' many bumpy and unnatural voices." A literary critic and essayist, wrote in The Sewanee Review that their Dostoevsky translations "have recaptured the rough and vulgar edge of Dostoevsky's style. This tone of the vulgar that Dostoevsky's writings are full of, so morbidly excessively, they have translated into a vernacular equal to his own." But recently, writing in The New York Review of Books in 2016, a critic argued that Pevear and Volokhonsky have established an industry of taking everything they can get their hands on written in Russian and putting it into flat, awkward English. Other translators have voiced similar criticism, both in Russia and in the English-speaking world. A Slavic studies scholar has written in Commentary that Pevear and Volokhonsky take glorious works and reduce them to awkward and unsightly muddles. Criticism has been focused on the excessive literalness of the couple's translations and the perception that they miss the original tone of the authors. ellauri203.html on line 246: The demons, then, are ideas, that legion of isms that came to Russia from the West: idealism, rationalism, empiricism, materialism, utilitari anism, positivism, socialism, anarchism, nihilism, and, underlying them all, atheism. To which the Slavophils opposed their notions of the Russian earth, the Russian God, the Russian Christ, the "light from the East," and so on. ellauri203.html on line 286: "who with uncompromising clear-sightedness voices wo/man's exposed condition in a world of severe conflicts", kehaisee runk-akatemia. ellauri203.html on line 288: Tämä heppu syntyi Kaunasin lähellä, muttei kai ollut kauhu kaunanen, vaan ihan puolalaistunut, aatelinen kuitenkin. Czesław oli sukua Adam Mickiewiczille ja Józef Piłsudskille joiden suku oli ollut tekemisissä Miłoszin perheen kanssa Puola-Liettuassa. ellauri203.html on line 292: Venäjän vallankumouksen aikoihin hän asui perheineen myös Venäjällä. Toisen maailmansodan vuodet Miłosz vietti Varsovassa, jossa hän kävi Władysław Tatarkiewiczin luennoilla. Hän puolansi uudelleen Uuden testamentin. Siitä miinusta, mixei vanha puolannos muka kelvannut? ellauri203.html on line 304: Milosz pöljäpää on ymmärtänyt Ketman termin väärinpäin "the act of paying lip service to Islam while concealing secret opposition". Päinvastoin, Kitmān (lit. "action of covering, dissimulation"), has a more specific meaning of dissimulation of one's islamic religion by silence or omission. This practice is emphasized in Shia Islam whereby adherents are permitted to conceal their religion when under threat of persecution or compulsion. ellauri203.html on line 306: Professional Ketman Miloszille on "the reluctant acceptance of Stalinist standards only to allow one to continue to pursue a desired career path. This is based on the idea of having only a single life and therefore using the time to the best of one's ability" or "to pursue artistic or scientific innovation which requires at least tolerating Socialist Realism and other such censorship standards in order to continue one's work." Miloszia ei realismi napannut, sosialistinen tai ei. ellauri203.html on line 310: "The bestseller book also created the idea, particularly in the West, that I was a political writer. This was a misunderstanding because my poetry was unknown. I have never been a political writer and I worked hard to destroy this image of myself." Kovasta yrittämisestä huolimatta kukaan ei taida lukea sen runoja. Vitun lällyjä ne ovatkin, täytyy vähän terävöittää suomennoxessa: ellauri203.html on line 327: The voice of a violin lasts in the air Viulun vingutus kaikuu viimeisistä kaijareista ellauri203.html on line 352: Kirja alkaa keskustelulla Stanisław Ignacy Witkiewiczin dystopisesta romaanista Kyltymättömyys. Romaanissa uusi Mongoli-imperiumi valloittaa Puolan ja esittelee Murti-Bing-pillereitä itsenäisen ajattelun parannuskeinona. Aluksi pillerit luovat tyytyväisyyttä ja sokeaa tottelevaisuutta, mutta lopulta johtavat niitä ottavien kehittämään kaksoispersoonallisuuksia. Miłosz vertaa nokelasti pillereitä marxilais-leninismin älyllisesti tuhoaviin vaikutuksiin Neuvostoliitossa ja neuvostoblokissa. ellauri203.html on line 421: Älä tapa. Teksti: Mari Turunen. Kenen elämä on elämisen arvoista? Kuka sen saa määrittää? Millainen kärsimys on sietämätöntä? Eutanasia-keskustelu paljastaa kuolemaan liittyviä pelkoja ja yhteiskunnan arvoja. "Tahdon kuolla ylpeästi, kun ei ole enää mahdollista elää ylpeästi." (Friedrich Nietzsche) Jumala on kuollut (Nietzsche). Nietzsche on kuollut, tapoin sen kuin hyttysen, seinään liiskasin, tuli ruma tahra tapettiin (Jumala). ellauri203.html on line 424: Älä tapa minua. 2022 | 16+ | 1 t 30 min | Romanttiset elokuvat. Mies (Clasu) ottaa rakkaansa (Ebba) kanssa yliannoksen huumeita ja kuolee, mutta virkoaa yksin ja huomaa joutuneensa väkivaltaiseen maailmaan, jota ei tiennyt olevan olemassakaan. On kuuma ja hiilihankotyypit heiluttelee ruoskia. Pääosissa: Alice Pagani, Rocco Fasano, Silvia Calderoni. ellauri203.html on line 448: human life: still the same motley picture--in reality so little ellauri203.html on line 453: at two thousand years ago, the same coarse snares in which the ellauri203.html on line 458: cruel: 'None doth offend,' which in other words means: 'None is without ellauri203.html on line 460: thing perhaps, may be: in contrast to the gloomy tragic tyrant Richard, ellauri203.html on line 461: the great poet's ironic genius would want to paint a newer type, the ellauri203.html on line 464: very time when his half-crushed victims try to find comfort in picturing ellauri203.html on line 465: him, like Richard, haunted by the phantoms of those he has ruined... ellauri203.html on line 471: Aaveet on poemainen kummitustarina jossa ei ole juuri päätä eikä häntää. Sen lopussa kaveri jota Alice niminen aave on kuljettanut ympäri Eurooppaa palaa ryssiin vain havaitaxeen että maaorjat on vapautettu ja sen raha-asiat on päin persettä. ellauri203.html on line 473: It was published first in 1866 in the first episode of the new literary magazine Epoch that was launched by Dostoevsky and his brother Mikhail. As we know Turgenev and Dostoevsky were not the best of friends. Turgenev had sent the story to Dostoevsky when he was in Baden Baden. Dostoevsky, however, was too busy playing roulette and returned the story without having read it. Mikhail told him in a letter that that had been a big mistake, because their magazine was sure to be a success if they could have a new Turgenev in the first episode. Dostoevsky proceeded to write an apologetic letter to Turgenev and managed to secure Phantoms for the magazine. ellauri203.html on line 515: Kukolnikin historiallisiin kertomuksiin sisältyy Suomi-aiheinen Jegor Ivanovitš Silvanovski, ili zavojevanije Finljandii pri Petre Pervom, joka ilmestyi Friedrich von Derschaun Finski vestnik -lehdessä vuonna 1845. Sen sankari on suomalainen nuorukainen, joka siirtyy suuren Pohjan sodan aikana venäläisten palvelukseen. Kertomus esittää ruotsalaiset suomalaisten riistäjinä ja venäläiset heidän vapauttajinaan. Kukolnikin kertomus on yksi ensimmäisistä suomennetuista venäläisten kirjailijoiden teoksista. Carl Axel Gottlund julkaisi sen Thomas Frimanin käännöksenä Suomi-lehdessään nimellä Eerikki Silvanus eli Suomen valloittaminen Pietäri ensimäisen aikana. Suomessa ilmestyi 1840- ja 1850-luvuilla myös kaksi Kukolnikin kertomusten ruotsinnosta. ellauri203.html on line 524: Ryssiin palattuaan Shitov on tehnyt täyskäännöksen (vrt Dostoa) ja puolustaa nyt putinismia. Se on nyttemmin Doston hyvis sivupersoona. Pochvennichestvo on jotain ton ajan persuilua. Slaavilaisuus hyvä, länkkäriys paha. Tohon jälkimmäiseen voi kyllä yhtyä. ellauri203.html on line 530: Kirillov on insinööri josta piti tulla pommivyömannekiini. Stavros innostaa insinööriä ateistixi, nii että apinan tahto olis niinkö puikoissa. Ilman Jumalaa sopii tehä mitä tahansa. Esim Kamikaze hypyn kert ei jumalan pepppusauna pelota. Tästä alkais sit joku transhumanismin millennium. Huono ajatus on nielaissut sut, oivaltaa Pjotr Stepanovich (AKA Verho). No ei haittaa, pommivyöhulluille on aina käyttöä. ellauri203.html on line 543: Shatov on ize asiassa vihanen Stavroginille siitä eze oli usuttanut sen kääntymään putinistixi muttei ize osallistunut. Stavrov puolustelee huonosti. Stavrov varottaa Shitovia että Pjotr meinaa nirhata sen lähiaikoina. Hämärää kähmintää jonkun exconvict Fedkan kaa. Marja ei piittaakkaan Stavrosta ja puukkii sitä, Stavro puukkii takaisin. Stavron käytös on aika sekavaa. De facto se maxaa ex-convictille Marja-vaimon murhasta. ellauri203.html on line 559: Stauro ja Liisa on ottaneet erän petipainia ja heräävät tuhkaläjässä. Pjotr sanoo että kapun murhasi Fedka the ex-convicti. Hänellä ei ollut osaa eikä arpaa jutussa. Liisa pyrkii paikalle kumikaulailemaan. Palossa paloi myös Stavron Marja-puoliso. Rahvas tappaa Liisan kotimatkalla. Vittuako se niille kuului, voi kysyä. ellauri203.html on line 642: ickquote> ellauri203.html on line 648: Martin, a respected doctor (huoh), his wife Karin, Karin's seventeen year old brother Minus, and widowed father David of Karin and Minus' have convened at the family's summer home on an island off the coast of Sweden to celebrate David's return from the Swiss Alps, where he was substantially completing his latest novel (huoh). The family has long lived a fantasy of they being a loving one, David's extended absences which are the cause of many of the family's problems. Without that parental guidance, Minus is at a confused and vulnerable stage of his life where he is a bundle of repressed emotions, most specifically concerning not feeling loved by his father and concerning the opposite sex (huoh). He is attracted to females as a collective but does not know how to handle blatant female sexuality, especially if it is directed his way. A month earlier Karin was released from a mental institution (huoh). Her doctor has told Martin that the likelihood that she will fully recover from her illness is low, her ultimate fate being that her mental state will disintegrate totally, although she has functioned well since her release. In his love for her, Martin has vowed to himself to see her through whatever she faces. As Karin begins to lose grip on reality, Minus is the one most directly affected, although it does bring out the issues all the men are facing with regard to their interrelationships. ellauri203.html on line 652: In a small family island, Karin, her teenage brother Minus and her husband Martin welcome her father David, who is a writer permanently absent traveling around the world. Karin has just left a mental institution and has inherited the incurable insanity from her mother. Minus feels lost and alone, estranged by his selfish and cold father that left Karin and he (sic) behind after the death of his wife. Martin is neglected by Karin and has no sex life with her anymore and spends his time taking care of his wife. When Karin finds the journal of her father hidden in a drawer in his desk, she reads that her degenerative disease is incurable and triggers a breakdown. ellauri203.html on line 660: On an island, Karin, a recently released mentally sick young woman, is spending her vacation with her husband Martin, a doctor, her father David, a writer just back from Switzerland, and her younger brother Fredrick (Minus). Karin is suffering from hallucinations and hysteria. She thinks she is kroppsvisited by God - muze olikin vaan kiimainen Miisu, siis Miinus. Huoh. ellauri203.html on line 665: "Make a vow to yourself, and with that great sacrifice you buy everything that you long for", ehdottaa Tiihon. Vitun uskontokamasaxat hieroo koko ajan kauppoja kuolleista sieluista, planeeraa pakkolunastuxia ja hintaralleja. Mutta ei. Niin paljon ei Stafylokokki sitä sentään rakasta. Tiihon pyllistää ja näkee kolmannella silmällä että Nikke panee vielä potin nokkiin ennenkö julkaisee nää tunnustuxet. "Cursed psychologist!" huutaa Nikke sattuvasti. Ne on kai sitten ne Marjan ja muiden porukoiden murhat, jotka on toki pahempia koska uhrina on myös aikuisia miehiä. ellauri203.html on line 673: Ja tää on muka maailmankirjallisuuden helmiä. Onkohan kriitikot kaikki pervoja ? Lukijoista iso osa ainakin. Tickled first like striped-ass baboons and then bored again. Bored-again Christians. Fabulous freaky Brothersin uudelleen lämmitys 2020-luvulla on takuulla pannukakku, paha lässähdys. ellauri203.html on line 675: After smoking a magical strain of marijuana and falling asleep for 50 years, this adult animated series follows the three Freak Brothers and their sardonic cat as they adjust to life in 2020. ellauri203.html on line 681: Franklin meets Taylor Swift at the Colopalooza music festival where the brothers have hopes that Jim Morrison can help them escape from Schoolboy Q back to 1969. ellauri203.html on line 683: The Freak Brothers discover that KFC has changed their recipe, and head to the White House where President Donald Trump has fresh original recipe chicken. ellauri204.html on line 7: font-style: italic; ellauri204.html on line 45: Uusi mies on sellainen jonka isä ei ole sotaveteraani. Eero on pieni uusi mies. Se tulee kirjan aikana monta kertaa esille. Aino oli ylioppilaspohjainen lähihoitaja, ei erityisen älykäs mutta liian älykäs kuntosaliohjaaja Markolle joka ei osannut ääntää teetä. Aino ja Eero kuuntelivat naintimusana uudelleenlämmitettyä Nick Drakea, sen debyyttialbumia Five Leafs Left [sic] v:lta 1969. Se on mainittu aiemmin albumissa 16. ellauri204.html on line 52: Der Froschkönig oder der eiserne Heinrich ellauri204.html on line 54: In den alten Zeiten, wo das Wünschen noch geholfen hat, lebte ein König, dessen Töchter waren alle schön; aber die jüngste war so schön, daß die Sonne selber, die doch so vieles gesehen hat, sich verwunderte, sooft sie ihr ins Gesicht schien. Nahe bei dem Schlosse des Königs lag ein großer dunkler Wald, und in dem Walde unter einer alten Linde war ein Brunnen; wenn nun der Tag recht heiß war, so ging das Königskind hinaus in den Wald und setzte sich an den Rand des kühlen Brunnens - und wenn sie Langeweile hatte, so nahm sie eine goldene Kugel, warf sie in die Höhe und fing sie wieder; und das war ihr liebstes Spielwerk. ellauri204.html on line 56: Nun trug es sich einmal zu, daß die goldene Kugel der Königstochter nicht in ihr Händchen fiel, das sie in die Höhe gehalten hatte, sondern vorbei auf die Erde schlug und geradezu ins Wasser hineinrollte. Die Königstochter folgte ihr mit den Augen nach, aber die Kugel verschwand, und der Brunnen war tief, so tief, daß man keinen Grund sah. Da fing sie an zu weinen und weinte immer lauter und konnte sich gar nicht trösten. Und wie sie so klagte, rief ihr jemand zu: "Was hast du vor, Königstochter, du schreist ja, daß sich ein Stein erbarmen möchte." Sie sah sich um, woher die Stimme käme, da erblickte sie einen Frosch, der seinen dicken, häßlichen Kopf aus dem Wasser streckte. "Ach, du bist's, alter Wasserpatscher," sagte sie, "ich weine über meine goldene Kugel, die mir in den Brunnen hinabgefallen ist." - "Sei still und weine nicht," antwortete der Frosch, "ich kann wohl Rat schaffen, aber was gibst du mir, wenn ich dein Spielwerk wieder heraufhole?" - "Was du haben willst, lieber Frosch," sagte sie; "meine Kleider, meine Perlen und Edelsteine, auch noch die goldene Krone, die ich trage." Der Frosch antwortete: "Deine Kleider, deine Perlen und Edelsteine und deine goldene Krone, die mag ich nicht: aber wenn du mich liebhaben willst, und ich soll dein Geselle und Spielkamerad sein, an deinem Tischlein neben dir sitzen, von deinem goldenen Tellerlein essen, aus deinem Becherlein trinken, in deinem Bettlein schlafen: wenn du mir das versprichst, so will ich hinuntersteigen und dir die goldene Kugel wieder heraufholen." - "Ach ja," sagte sie, "ich verspreche dir alles, was du willst, wenn du mir nur die Kugel wieder bringst." Sie dachte aber: Was der einfältige Frosch schwätzt! Der sitzt im Wasser bei seinesgleichen und quakt und kann keines Menschen Geselle sein. ellauri204.html on line 58: Der Frosch, als er die Zusage erhalten hatte, tauchte seinen Kopf unter, sank hinab, und über ein Weilchen kam er wieder heraufgerudert, hatte die Kugel im Maul und warf sie ins Gras. Die Königstochter war voll Freude, als sie ihr schönes Spielwerk wieder erblickte, hob es auf und sprang damit fort. "Warte, warte," rief der Frosch, "nimm mich mit, ich kann nicht so laufen wie du!" Aber was half es ihm, daß er ihr sein Quak, Quak so laut nachschrie, als er konnte! Sie hörte nicht darauf, eilte nach Hause und hatte bald den armen Frosch vergessen, der wieder in seinen Brunnen hinabsteigen mußte. ellauri204.html on line 60: Am andern Tage, als sie mit dem König und allen Hofleuten sich zur Tafel gesetzt hatte und von ihrem goldenen Tellerlein aß, da kam, plitsch platsch, plitsch platsch, etwas die Marmortreppe heraufgekrochen, und als es oben angelangt war, klopfte es an die Tür und rief: "Königstochter, jüngste, mach mir auf!" Sie lief und wollte sehen, wer draußen wäre, als sie aber aufmachte, so saß der Frosch davor. Da warf sie die Tür hastig zu, setzte sich wieder an den Tisch, und es war ihr ganz angst. Der König sah wohl, daß ihr das Herz gewaltig klopfte, und sprach: "Mein Kind, was fürchtest du dich, steht etwa ein Riese vor der Tür und will dich holen?" - "Ach nein," antwortete sie, "es ist kein Riese, sondern ein garstiger Frosch." - "Was will der Frosch von dir?" - "Ach, lieber Vater, als ich gestern im Wald bei dem Brunnen saß und spielte, da fiel meine goldene Kugel ins Wasser. Und weil ich so weinte, hat sie der Frosch wieder heraufgeholt, und weil er es durchaus verlangte, so versprach ich ihm, er sollte mein Geselle werden; ich dachte aber nimmermehr, daß er aus seinem Wasser herauskönnte. Nun ist er draußen und will zu mir herein." Und schon klopfte es zum zweitenmal und rief: ellauri204.html on line 64: Weißt du nicht, was gestern ellauri204.html on line 70: Da sagte der König: "Was du versprochen hast, das mußt du auch halten; geh nur und mach ihm auf." Sie ging und öffnete die Türe, da hüpfte der Frosch herein, ihr immer auf dem Fuße nach, bis zu ihrem Stuhl. Da saß er und rief: "Heb mich herauf zu dir." Sie zauderte, bis es endlich der König befahl. Als der Frosch erst auf dem Stuhl war, wollte er auf den Tisch, und als er da saß, sprach er: "Nun schieb mir dein goldenes Tellerlein näher, damit wir zusammen essen." Das tat sie zwar, aber man sah wohl, daß sie's nicht gerne tat. Der Frosch ließ sich's gut schmecken, aber ihr blieb fast jedes Bißlein im Halse. Endlich sprach er: "Ich habe mich sattgegessen und bin müde; nun trag mich in dein Kämmerlein und mach dein seiden Bettlein zurecht, da wollen wir uns schlafen legen." Die Königstochter fing an zu weinen und fürchtete sich vor dem kalten Frosch, den sie nicht anzurühren getraute und der nun in ihrem schönen, reinen Bettlein schlafen sollte. Der König aber ward zornig und sprach: "Wer dir geholfen hat, als du in der Not warst, den sollst du hernach nicht verachten." Da packte sie ihn mit zwei Fingern, trug ihn hinauf und setzte ihn in eine Ecke. Als sie aber im Bett lag, kam er gekrochen und sprach: "Ich bin müde, ich will schlafen so gut wie du: heb mich herauf, oder ich sag's deinem Vater." Da ward sie erst bitterböse, holte ihn herauf und warf ihn aus allen Kräften wider die Wand: "Nun wirst du Ruhe haben, du garstiger Frosch." ellauri204.html on line 72: Als er aber herabfiel, war er kein Frosch, sondern ein Königssohn mit schönen und freundlichen Augen. Der war nun nach ihres Vaters Willen ihr lieber Geselle und Gemahl. Da erzählte er ihr, er wäre von einer bösen Hexe verwünscht worden, und niemand hätte ihn aus dem Brunnen erlösen können als sie allein, und morgen wollten sie zusammen in sein Reich gehen. Dann schliefen sie ein, und am andern Morgen, als die Sonne sie aufweckte, kam ein Wagen herangefahren, mit acht weißen Pferden bespannt, die hatten weiße Straußfedern auf dem Kopf und gingen in goldenen Ketten, und hinten stand der Diener des jungen Königs, das war der treue Heinrich. Der treue Heinrich hatte sich so betrübt, als sein Herr war in einen Frosch verwandelt worden, daß er drei eiserne Bande hatte um sein Herz legen lassen, damit es ihm nicht vor Weh und Traurigkeit zerspränge. Der Wagen aber sollte den jungen König in sein Reich abholen; der treue Heinrich hob beide hinein, stellte sich wieder hinten auf und war voller Freude über die Erlösung. ellauri204.html on line 74: Und als sie ein Stück Wegs gefahren waren, hörte der Königssohn, daß es hinter ihm krachte, als wäre etwas zerbrochen. Da drehte er sich um und rief: ellauri204.html on line 76: "Heinrich, der Wagen bricht!" ellauri204.html on line 77: "Nein, Herr, der Wagen nicht, ellauri204.html on line 83: Noch einmal und noch einmal krachte es auf dem Weg, und der Königssohn meinte immer, der Wagen bräche, und es waren doch nur die Bande, die vom Herzen des treuen Heinrich absprangen, weil sein Herr erlöst und glücklich war. ellauri204.html on line 126: Der Froschkönig oder der eiserne Heinrich (Saksa) ellauri204.html on line 132: Il principe ranocchio o Enrico di Ferro (Italia) ellauri204.html on line 140: Kurbağa Kral ile Aslan Yürekli Heinrich (Turkki) ellauri204.html on line 162: icaudio.com/quran/muhammad_ayub_and_mikaal_waters/018.mp3"> ellauri204.html on line 300: Während al-Ḫiḍr, das auf Arabisch „der Grüne“ bedeutet, immer nur als ein laqab-Beiname verstanden wurde, gab und gibt es über den wirklichen Namen al-Chidrs und seine Abstammung sehr unterschiedliche Lehrmeinungen. Im mittelalterlichen Maghreb war die Auffassung verbreitet, dass al-Chidr eigentlich Ahmad hieß. Der ägyptische Gelehrte Ibn Hadschar al-ʿAsqalānī (gest. 1449), der eine eigene Abhandlung über al-Chidr verfasst hat, führt dort insgesamt zehn unterschiedliche Auffassungen zur Frage von al-Chidrs Namen auf. Einige muslimische Gelehrte setzten al-Chidr auch mit verschiedenen alttestamentlichen Gestalten gleich, darunter Melchisedek, Jeremia, Elija und Elischa. Hintergrund für diese Gleichsetzungen bildeten verschiedene christliche und jüdische Erzählstoffe, zu denen al-Chidr in der islamischen Tradition in Verbindung gebracht wurde. Diejenige Lehrmeinung, die im Laufe der Zeit am meisten Verbreitung gefunden hat, besagt, dass al-Chidr über seinen Vater Malkān ein Urenkel des biblischen Eber sei und eigentlich Balyā heiße. Sie wird auch an dem Heiligtum von al-Chidr in Kataragama in Sri Lanka propagiert. ellauri204.html on line 302: Gingen die Meinungen über al-Chidrs eigentlichen Namen auseinander, so besteht über seinen Kunya-Beinamen weitgehende Einigkeit. Seit dem 10. Jahrhundert wird er fast durchgängig mit Abū l-ʿAbbās angegeben. ellauri204.html on line 306: Erotuxena muista etanamiehistä Mooses on kaxisarvinen. Muistan nähneeni kuvia Moosexen pazaista joissa sillä oli pukinsarvet. Renessanssiajan suurimpiin kuvanveistäjiin kuuluva Michelangelo sai vuonna 1505 Paavi Julius II:lta tilauksen Mooses-patsaasta. Michelangelo teki patsasta pitkään ja hartaasti. Lopullinen versio valmistui vuonna 1545. Ja totta mooses, Moosexella on siinä selvät pirunsarvet! ellauri204.html on line 310: Patsas on herättänyt paljon keskustelua erikoisen yksityiskohdan takia. Jostain syystä Michelangelo päätti laittaa Moosekselle sarvet päähän. Sarvien symboliikalle on kehitelty moniakin teorioita, mutta julkinen keskustelu ei koskaan puhu siitä päivänselvästä symboliikasta, joka liittyy muinaisen egyptiläisen Kuu-kultin tapaan kuvata jumalansa ja johtajansa sarvet päässä. ellauri204.html on line 318: Michelangelo ei ollut yksin. Mooseksesta löytyy melkoinen määrä maalauksia ja patsaita, jossa hänellä on sarvet päässä. Lähde ellauri204.html on line 333: The most well-known mythopoetic text is Bly’s Iron John: A Book About Men which was published in 1990. Bly suggests that masculine energy has been diluted through modern social institutions, industrialisation, and the resulting separation of fathers from family life. He introduced the ‘wild man’ and urged men to recover a pre-industrial conception of masculinity through brotherhood with other men. The purpose was to foster a greater understanding of the forces influencing the roles of men in modern society and how these changes affect behaviour, self-awareness and identity. ellauri204.html on line 335: It is also important to note the publishing in the same year of Hiki Pinkola Estés’ mythopoetic classic, Women that Run with the Wolves, in which she tells us of the ‘wild woman’, the wise and ageless presence in the feminine psyche that gives women their creativity, energy and power. Clarissa Pinkola Estés on yhdysvaltalainen kirjailija ja jungilainen psykoanalyytikko. Hänen kirjoittamansa kirja Naiset, jotka kulkevat susien kanssa oli 144 viikkoa New York Timesin myydyimpien kirjojen listalla, mikä teki hänestä ensimmäisen listalle päässeen märkäselän naiskirjailijan. ellauri204.html on line 337: With regards to Iron John, Bly had been giving talks on mythology to supplement his meagre income, and found that when he told this Grimm Brothers tale, originally Iron Hans, it resonated with men. In these early seminars, he asked men to re-enact a scene from The Odyssey, in which Odysseus is instructed to "lift his sword" as he approaches the symbol of matriarchal energy, Circe, to compel her to restore his men from slugs to manly form. ellauri204.html on line 340: In The Odyssey, Odysseus and his crew land on Aeaea, and a team of scouts discover the palace of Circe, a witch goddess. Circe invites Odysseus’s men inside for a drink and then magically turns them into pigs. One man escapes to tell Odysseus about their comrades’ fate and Circe’s trickery. Odysseus bravely hopes to rescue his men from Circe’s enchantment; on the way to her house, Odysseus receives help from Hermes, who offers him a plan and equips him with moly, a magical herb that will protect him from Circe’s witchcraft. The plan works: the moly counters Circe’s magic, she swoons for Odysseus and transforms his crew from pigs back into men. Odysseus and Circe then make love. For a year. Finally, some of Odysseus’s crew shake him from the madness of his long Circean interlude and compel him to resume the journey home to Ithaca. ellauri204.html on line 342: “So saying, Argeiphontes gave me the herb, drawing it from the ground, and showed me its nature. At the root it was black, but its flower was like milk. [305] Moly the gods call it, and it is hard for mortal men to dig; but with the gods all things are possible. Hermes then departed to high Olympus through the wooded isle, and I went my way to the house of Circe, and many things did my heart darkly ponder as I went. [310] So I stood at the gates of the fair-tressed goddess. There I stood and called, and the goddess heard my voice. Straightway then she came forth, and opened the bright doors, and bade me in; and I went with her, my heart sore troubled. She brought me in and made me sit on a silver-studded chair, [315] a beautiful chair, richly wrought, and beneath was a foot-stool for the feet. And she prepared me a potion in a golden cup, that I might drink, and put therein a drug, with evil purpose in her heart. But when she had given it me, and I had drunk it off, yet was not bewitched, she smote me with her wand, and spoke, and addressed me: [320] ‘Begone now to the sty, and lie with the rest of thy comrades.’ “So she spoke, but I, drawing my sharp sword from between my thighs, rushed upon Circe, as though I would slay her. But she, with a loud cry, ran beneath, and clasped my knees, and with wailing she spoke to me winged words: [325] “‘Who art thou among men, and from whence? Where is thy city, and where thy parents? Amazement holds me that thou hast drunk this charm and wast in no wise bewitched. For no man else soever hath withstood this charm, when once he has drunk it, and it has passed the barrier of his teeth. Nay, but the mind in thy breast is one not to be beguiled. [330] Surely thou art Odysseus, the man of ready device, who Argeiphontes of the golden wand ever said to me would come hither on his way home from Troy with his swift, black ship. Nay, come, put up thy sword in this here sheath, and let us two then go up into my bed, that couched together [335] in love we may put trust in each other.’ “So she spoke, but I answered her, and said:‘Circe, how canst thou bid me be gentle to thee, who hast turned my comrades into swine in thy halls, and now keepest me here, and with guileful purpose biddest me [340] go to thy chamber, and go up into thy bed, that when thou hast me stripped thou mayest render me a weakling and unmanned? Nay, verily, it is not I that shall be fain to go up into thy bed, unless thou, goddess, wilt consent to swear a mighty oath that thou wilt not plot against me any fresh mischief to my hurt.’ ellauri204.html on line 344: If you thought that a visit to the brothel district was going to be fun and sexy, the “Circe” episode’s opening stage directions quickly dispel you of that notion by establishing the unseemly setting of Joyce’s Nighttown. The tracks are “skeleton,” the signals warn of “danger,” the houses are “grimy,” the men are “stunted,” and the women “squabble” about price. Indeed, Encyclopaedia Britannica in 1885 labeled this part of Dublin “the worst slum in Europe”. Located in east Dublin between Montgomery Street and Tyrone (né Mecklenburgh) Street, Nighttown is an ugly place filled with unsavory people. Moly (ei Molly) yrtti oli luultavasti valkosipuli. Bloomin mielixeen kengittämän hoidon hampaat haisi valkosipulilta. ellauri204.html on line 346: So much for Circe. Back to Bly. He found many men were unable to carry this out, so fixed were they on the idea of not hurting anyone. These were men who had come of age during the Vietnam war, and they wanted nothing to do with a manhood which seemed to require erection. ellauri204.html on line 348: Bly recognised that these men were also distinguished by their unhappiness, which he asserted was caused by this passivity. He aimed to teach these men that simply "flashing the sword" was by no means an act of war, but showed what he called ‘a joyful decisiveness’, a sense of vivid aliveness. It was more like flashing their wieners. ellauri204.html on line 350: Iron John spent 62 weeks on The New York Times Best Seller list and is still in the top 25 bestsellers at Amazon under Gender Studies. Meanwhile, Women Who Run with the Wolves spent 145 weeks on The New York Times Best Seller list, a record at the time. Estés won a Las Primeras Award from the Mexican American Women's Foundation for being the First Latina to make the list. The book also appeared on other best seller lists, including USA Today, Publishers Weekly, and Library Journal. ellauri204.html on line 353: With an emphasis on physical wellbeing – as well as the emotional, mental and spiritual – the mythopoetic employs movement, meditation and breathwork, often combining storytelling with music and dance. These activities can be seen as an extension to a form of reimagined shamanism (or neo-shamanism) popularised by Michael Harner, whose book The Way of the Shaman also appeared in 1990, the same year as Iron John and Women Who Run with the Wolves. ellauri204.html on line 355: Academic work has also arisen from the mythopoetic movement, as well as the creation of continuing conferences based on Bly's vision for creative communities, in addition to the ‘Minnesota Men's Conference’ and the ‘Great Mother and New Father Conference’, as well as non-profit organisations like Micheal Meade's Mosaic but yet Multicultural Foundation. ellauri204.html on line 357: The Fifth Direction was founded in 2017 by Meditation Australia president Asher Packman, who passionately believes in the re-emergence of the mythopoetic, after the movement went largely underground in the early 2000s. ellauri204.html on line 358: Such a potential often comes at a time of cultural chaos, and we are focussed on the new wave of the mythopoetic – one which considers gender diversity and inclusivity, soul ecology and a story beyond the ‘hero myth’ to which our culture has become so rigidly affixed. This allows for the ancient and deeper archetypes such as the ecologically-focussed Antihero, Green Man and the Shaman-Trickster to arise, offering a less rigid :D , more nuanced and yet expansive approach to whole humanhood. ellauri204.html on line 365: Hedwig von Beit vermutet nach Vergleich mit ähnlichen Märchen in Eisenhans einen Lar oder Gibbon, ursprünglichen Seelenbruder, dessen Verzauberung durch eine negative Muttergestalt noch in dem Schlüssel unter ihrem Kopfkissen angedeutet ist. Der alte König fängt ihn seines prophetischen Wissens wegen, wie Midas den Silenos, König Numa die Walddämonen Faunus und Picus, Salomo den Geisterfürsten Aschmodai oder König Rodarchus den Waldmann Merlin. Naturgeister bei Frühlings- und Erntefesten heißen oft wilder Mann, tragen zottelige Schamhaare oder Moospimmel. Im Mittelmeerraum ähneln sie Pan, Silen und Faunus, in Russland Ljeschi. Auch Ulla Wittmann sieht in Held und Eisenhans ein mythologisches Freundespaar, das sich parallel jeweils vierstufig entwickelt, und vergleicht Chadir (18. Koran sure enough). ellauri204.html on line 367: Für Christa Siegert ist Eisenhans der Wille, der im Käfig der Gebote kultiviert wird, aber unfrei bleibt. Frei kann er der begreifenden Seele das Vollkommene reichen, die sich aber daran verletzt und das geistige Lebenswasser egoistisch einsetzt. Wilhelm Salber sieht eine Dialektik zwischen verschlingendem Einheitspfuhl und lebender Entwicklung. Nach dem Schema vom verlorenen Sohn suche man „Revolte und Dennoch-geliebt-Werden, Gefahr und treue Rettung im letzten Augenblick zu verbinden.“ Edith Helene Dörre vergleicht Der Eisenhans mit der Heilkraft des Aquamarin (wieso?). Psychotherapeut Jobst Finke denkt auch an Sagengestalten wie Rübezahl und sieht die Entwicklung des weltfremd erzogenen Knaben zum starken Ritter durch väterlichen Beistand und Identifikation. Der Text half einem vaterlos aufgewachsenen, wenig durchsetzungsfähigen Angestellten, seine Konflikterfahrungen zu verbalisieren. ellauri204.html on line 370: Der Sage nach ist Rübezahl ein launischer Riese oder Berggeist. Schon der erste Sammler von Rübezahl-Sagen, Johannes Praetorius (s. u.), beschrieb Rübezahl als charakterlich sehr ambivalenten „Widerspruchsgeist“, der in einem Moment gerecht und hilfsbereit, im nächsten arglistig und launenhaft auftreten könne. ellauri204.html on line 374: Ein König besitzt einen Wald, den schon lange niemand mehr betritt, nachdem mehrere Jäger, Pferde und Hunde von dort nicht mehr zurückgekehrt sind. Eines Tages wagt ein Jäger doch wieder einen Versuch und macht sich auf die Suche nach dem Grund des Übels. Er findet einen Tümpel auf dessen Grund ein wilder Mann von rostbraunem Aussehen haust — der Eisenhans. Indem er den Tümpel ausschöpfen lässt, gelingt es ihm, den wilden Mann gefangenzunehmen. ellauri204.html on line 376: Er bringt ihn an den Hof des Königs, wo er in einen Käfig eingesperrt wird. Den Schlüssel bewahrt die Königin höchstpersönlich unter ihrem Kopfkissen auf. Eines Tages, als das Königspaar verreist ist, landet der goldene Ball des kleinen Königssohns beim Spielen in den Käfig. Der Eisenhans will den Ball nur herausgeben, wenn der Junge den Käfig aufschließt. Er verrät ihm, wo der Schlüssel versteckt ist, und da der Junge unbedingt seinen Ball wiederhaben will, lässt er sich überreden. Doch als er den Eisenhans in Richtung Wald davonlaufen sieht, begreift er, dass er eine Dummheit gemacht hat und jammert: »Wilder Mann, geh nicht fort, sonst bekomme ich Schläge!« Daraufhin kommt der Eisenhans zurück, setzt sich den Jungen Huckepack und nimmt ihn mit in den Wald. ellauri204.html on line 378: Das Königspaar trauert um seinen Sohn, doch dem ergeht es bei dem Eisenhans nicht schlecht. Er muss einen wundersamen Brunnen bewachen und aufpassen, dass nichts hineinfällt, denn sonst wäre der Brunnen entehrt. Einmal kann der Junge seine Neugier nicht zügeln und steckt einen Finger ins Wasser. Als er ihn wieder herauszieht ist er vergoldet, was sich vor dem Eisenhans nicht verbergen lässt. Der warnt ihn, in Zukunft besser aufzupassen. Etwas später fällt ein Haar vom Kopf des Jungen in den Brunnen. Der Eisenhans verzeiht ihm ein zweites Mal, doch als bald darauf der ganze Haarschopf seines Zöglings vergoldet ist, weil der sein Gesicht im Wasserspiegel betrachtet hat und dabei das lange Haar ins Wasser geglitten ist, schickt ihn der Eisenhans fort. Er bleibt ihm aber gewogen und verspricht, dem Jüngling zu Hilfe zu kommen, wenn er in Not ist und seinen Namen ruft. ellauri204.html on line 380: Der Jüngling geht nicht zurück zu seinen Eltern, sondern sucht in der weiten Welt nach Arbeit. Da er kein Handwerk gelernt hat, verdingt er sich als Küchenjunge am Hof eines Königs. Er trägt nun immer eine Kappe, um sein goldenes Haar zu verbergen. Als er zum Servieren eingeteilt wird und sich weigert, die Kappe abzunehmen, verliert er seine Arbeit, kommt jedoch beim Gärtner unter. ellauri204.html on line 383: sie sehr zufrieden und auch der Bursche gefällt ihr. Dass er jedoch seine Kappe aufbehält, als er vor sie tritt, nimmt sie nicht so einfach hin. Als sie versucht, ihm neckisch die Kappe abzunehmen, sieht sie sein goldenes Haar. Sie ahnt, dass dies kein gewöhnlicher Junge ist. Die beiden haben sich ineinander verliebt und es ist an der Zeit, dass der Gärtnerbursche sich besinnt, dass er eigentlich der Sohn eines Königs ist. Seine Chance ist gekommen, als der König, dem er dient, in einen Krieg verwickelt wird. Er ruft den Eisenhans zur Hilfe und besiegt mit dessen Hilfe die Feinde. ellauri204.html on line 385: Niemand weiß, wer der Retter in der Not war, und um es herauszufinden, veranstaltet der König ein Turnier. Dem Sieger soll die Königstochter einen goldenen Apfel zurollen. Der Goldjunge ruft ein zweites Mal seinen Ziehvater, den Eisenhans zu Hilfe und lässt sich von ihm als roter Ritter ausstaffieren. Natürlich gewinnt er den goldenen Apfel. Doch anstatt sich als Sieger zu erkennen zu geben, zieht er sich wieder zurück. Deshalb wird ein weiteres Turnier veranstaltet, bei dem der Goldjunge als weißer Ritter als Sieger einen zweiten goldenen Apfel gewinnt und anschließend wie beim erstenmal verschwindet. Beim dritten Turnier holt er sich als schwarzer Ritter den dritten goldenen Apfel. Als er anschließend wieder verschwinden will, fällt ihm beim schnellen Ritt sein Helm vom Kopf. So können alle sein goldenes Haar sehen. ellauri204.html on line 387: Die Königstochter gibt den Hinweis, beim Gärtner nach dem Ritter zu suchen. Der weiß zwar nichts von einem Ritter mit goldenen Haaren, jedoch habe sein Gehilfe seinen Kindern drei goldene Äpfel gezeigt, die er angeblich bei einem Turnier gewonnen hat. Zur Rede gestellt offenbart der Gärtnerbursche schließlich, dass er der Sohn eines Königs ist. Er bittet um die Hand der Königstochter, was diese selbst und der ebenso der Vater ohne Umschweife gewähren. Zur Hochzeitsfeier erscheinen die Eltern des Goldjungen, die ihren Sohn längst tot glaubten, sowie auch ein fremder König mit großem Gefolge. Dies ist der Eisenhans, der durch die Tapferkeit des Goldjungen von einem bösen Zauber erlöst wurde. ellauri204.html on line 390: After recycling these hundreds of elements from elsewhere in Ulysses as he composed “Circe,” Joyce expanded his understanding of this novel’s potential as “a kind of encyclopedia” (Selected Letters 271). He began revising the rest of the book accordingly, arranging little snippets of interrelated detail throughout the previous episodes into an intricate network of minor motifs that accumulate and aggregate in the careful reader’s awareness. “Circe” serves as an absurd but cathartic outpouring of Ulysses thus far. Having gotten all that out of our systems, we are ready for the episodes Joyce called the “Nostos,” the return ellauri204.html on line 472: Anna-Leena Härkönen syntyi suomalaiseen emigranttiperheeseen Bulgariassa, mutta perhe pakeni nuttujen ja tumppujen sotaa Sveitsin alpeille, jossa Anna-Leena vietti lapsuutensa. Anna-Leenan eläinlääkäri-isä piti menestyvää praktiikkaa alppien vuorivuohialueella. Tarkempia tietoja Anna-Leenan lapsuudesta ei ole, koska humanoidit kaappasivat perheen vuonna 1988 ja Anna-Leena menetti abduktiossa muistinsa. Suoritettuaan lukion linnunradan ulkopuolella Anna-Leena palasi maapallolle ja ryhtyi opiskelemaan kierkegaardilais-hollantilaista todennäköisyyslaskentaa Helsingin yliopistossa, mutta vaihtoi pääaineensa myöhemmin homeopaattiseen hevostenhoitoon. Lähteenä käytin Willem Kirsch-Höpfnausin teosta "Alppirinteiltä kotilaitumille" eli "Ein Duschkringen uber nicht Hochhaus keine Kliebenenckell" vuodelta 2002, 2. painos, ISBN 0002 34039 4938998. ellauri204.html on line 475: kuin maininta lyhyestä mutta antoisasta suhteesta Erich von Dänikenin kanssa. ellauri204.html on line 534: 14 is shorthand for the "14 Words" slogan: "We must secure the existence of our people and a future for white children." The second is 88, which stands for "Heil Hitler" (H being the 8th letter of the alphabet). Kaverin 8 sekuntia meni harakoille, mutta sentään jää ikuinen maine kumikaulameediassa, toinen kahdexikko kyljellään. ellauri204.html on line 567: Vesa Rantama, is a literary critic and the editor-in-chief of Nuori Voima, a longstanding Finnish literary magazine. He has written essays with topics ranging from current pop music to ecophilosophy, quite often with poetry added to the mix. His articles have appered in Helsingin Sanomat, the most read newspaper in Finland, the Swedish-language Nordisk Tidskrift, Versopolis as well as countless cultural publications in Finland. ellauri204.html on line 569: Vesan suht tarmottomasta haukuskelusta tontinrajan yli viran puolesta harmaantuneen pihavahdin suuntaan jää käteen pari n.h. nimeä joihin on vielä tutustuttava: marxilainen kulttuurintutkimuksen guru Fredric Jameson sekä tutkija Hanna Kuusela. ellauri204.html on line 574: Fredric Jameson (born April 14, 1934) is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious. ellauri204.html on line 576: He returned 1955 to America after a year in Europe to pursue a doctoral degree at Yale University, where he studied under Erich Auerbach. Auerbach would prove to be a lasting influence on Jameson's thought. This was already apparent in Jameson's doctoral dissertation, published in 1961 as Sartre: the Origins of a Style. Auerbach's concerns were rooted in the German philological tradition; his works on the history of style analyzed literary form within social history. Jameson would follow in these steps, examining the articulation of poetry, history, philology, and philosophy in the works of nauseous Jean-Paul Sartre. ellauri204.html on line 578: Jameson's dissertation, though it drew on a long tradition of European cultural analysis, differed markedly from the prevailing trends of Anglo-American academia (which were empiricism and logical positivism in philosophy and linguistics, and New Critical formalism in literary criticism). It nevertheless earned Jameson a position at Harvard University, where he taught during the first half of the 1960s. Gotta know your enemy. ellauri204.html on line 580: WW2 squirted a nasty influx of commie refugees to America, whose whipping into order took decades of post war policing. On this effort, Jameson acted as a recalcitrant 5th column. ellauri204.html on line 582: While the Orthodox Marxist view of ideology held that the cultural "superstructure" was completely determined by the economic "base", the other Western Marxists gave more than a little finger back to Hegel and the power of "powerful ideas". Jamesons ideologeme was a near synonym to meme. ellauri204.html on line 584: Douze points to Jameson for showing middle finger to postmodernism. Sehän on selvää sumutusta, kapitalismin siirtomaatavarakaupan savuverhoa. In his view, postmodernity's merging of all discourse into an undifferentiated whole was the result of the colonization of the cultural sphere, which had retained at least partial autonomy during the prior modernist era, by a newly organized corporate capitalism. Nimenomaan niin! ellauri204.html on line 633: Lord of the Flies is a 1954 novel by Nobel Prize-winning English author William Golding. The book’s premise focuses on a group of British boys stranded on an uninhabited island and their attempt to govern themselves, with disastrous results. Golding wrote his book as a counterpoint to R.M. Ballantyne’s youth novel The Coral Island, and included specific references to it, such as the rescuing naval officer’s description of the children’s pursuit of Ralph as “a jolly good show, like the Coral Island”. ellauri204.html on line 678: Anne Sexton (born Anne Gray Harvey; November 9, 1928 – October 4, 1974) was an American poet known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967 for her book Live or Die. Her poetry details her long battle with depression, suicidal tendencies, and intimate details from her private life, including relationships with her husband and children, whom it was later alleged she physically and sexually assaulted. ellauri204.html on line 680: Sexton suffered from severe bipolar disorder for much of her life, her first manic episode taking place in 1954. After a second episode in 1955 she met Dr. Martin Orne, who became her long-term therapist at the Glenside Hospital. It was Orne who encouraged her to write poetry. ellauri204.html on line 684: She wrote openly about menstruation, abortion, masturbation, incest, adultery, and drug addiction at a time when the proprieties embraced none of these as proper topics for poetry. ellauri204.html on line 686: Sexton's work towards the end of the sixties has been criticized as "preening, lazy and flip" by otherwise respectful critics. Some critics regard her dependence on alcohol as compromising her last work. However, other critics see Sexton as a poet whose writing matured over time. ellauri204.html on line 688: Sexton was heavily criticized for her poetic content and themes, but these topics contributed to the popularity of her work. Transformations (1971) is a revisionary retelling of Grimm's Fairy Tales. Check If der eiserne Hans is included. ellauri204.html on line 690: On October 4, 1974, Sexton had lunch with Kumin to revise galleys for Sexton's manuscript of The Awful Rowing Toward God, scheduled for publication in March 1975 (Middlebrook 396). On returning home she put on her mother's old fur coat, removed all her rings, poured herself a glass of vodka, locked herself in her garage, and started the engine of her car, ending her life by carbon monoxide poisoning. Narsistinen pelle. ellauri204.html on line 692: Anne's thrapy tapes reveal Sexton's molestation of her daughter Linda, her physically violent behavior toward both her daughters, and her physical altercations with her husban ellauri204.html on line 694: Furthermore, she had an "affair with" the therapist who replaced Orne in the 1960s. Orne considered the "affair" with the second therapist (given the pseudonym "Ollie Zweizung" by Middlebrook and Linda Sexton) to be the catalyst that eventually resulted in her suicide. What a mess! ellauri204.html on line 697: Toinen suspekti manic depressive narcissist on Antonin Artaud, jota Sexton siteeraa runon Suicide Note alussa: ellauri204.html on line 704: Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as one of the major figures of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican practices. Hirveää scheissea. ellauri204.html on line 706: Annen Suicide Note jatkuu näin: ellauri204.html on line 727: Ranskassa Artaudilla diagnosoitiin skitsofrenia, ja hän vietti seuraavat yhdeksän vuotta mielisairaaloissa ainakin Rodezissa ja Ivry-sur-Seinessä. Artaudin mukaan hän tunsi sairauden myötä menettäneensä identiteettinsä, sillä hän tuli tietoiseksi tavallisesti tiedostamattomista kehon toiminnoista. Hän juuttui painajaiseen, jossa tiedosti lihaksensa, luunsa ja mahansa, jonka toiminnot pitivät samanlaista läpsytystä kuin lippu myrskyssä. Hän hahmotti kätensä ja jalkansa kuin verisinä vanuina, etäisinä ja väärissä paikoissa olevina. Artaud lopetti kirjoittamisen ja piirtämisen pitkäksi aikaa mutta aloitti uudelleen sähköhoidon jälkeen. Anttonin suuta oli lähes mahdoton tukkia. Yllättävää sikäli että Anttoni koitti vapauttaa teatteria sanataiteen kahleista. Nimi "kohti kriittistä teatteria" oli ihan väärä, A. oli täysin kritiikitön ja epäpoliittinen oikispaskiainen. Artaud was not into politics at all, writing things like: 'I shit on Marxism.' ellauri204.html on line 739: Herman Raivio. Yliopisto-lehti. Talous. Jaa tämä uutinen. Uutiskirje. Hannah Arendt Eichmann Jerusalemissa. Raportti pahuuden arkipäiväisyydestä. Herman taitaa olla aika vanha. Iso osa sen julkaisuista on kaverien nekrologeja. ellauri204.html on line 750: Joulukuussa menehtynyt Heikki Länsisalo oli sivistyksellään viimeisiä lajiaan, kirjoittaa Herman Raivio. Ystäväni Heikki Länsisalo kuoli 14.12.2016 kotonaan äkilliseen sairauskohtaukseen. Hän oli 38-vuotias. Sattumalta tapasin Heikin viimeistä kertaa oopperassa, Richard Wagnerin Lentävän hollantilaisen näytöksessä. Tai sattumalta ja sattumalta. Heikki piti itseään menneen maailman miehenä. Hän oli ainoa tuntemani ihminen, joka ei ollut koskaan kuunnellut pop- tai rockmusiikkia. ellauri204.html on line 753: Michel Houellebecqia Heikki sanoi pitävänsä mielenkiintoisena kirjailijana, mutta ei ymmärtänyt häneen kohdistuvaa palvontaa. (Kekä se on, n.h?) Tosin hän vierasti kehen tahansa kohdistuvaa jumalointia. ellauri204.html on line 755: ichel">Michel Houellebecq [miʃɛl wɛlbɛk], oik. Michel Thomas (s. 26. helmikuuta 1958 Réunion), on ranskalainen kirjailija. Hän on Ranskan kiistellyimpiä ja tunnetuimpia kirjailijoita. ellauri204.html on line 763: Alain Finkielkraut (s. 30. kesäkuuta 1949 Pariisi, Ranska) on ranskalainen essealainen. Hän on Auschwitzista pelastuneen puolanjuutalaisen taidekäsityöläisen poika. Hän opettaa École polytechnique -nimisessä teknillisessä eliittikorkeakoulussa aatehistorian professorina humanististen ja yhteiskuntatieteiden tiedekunnassa. Useita teoksia kirjoittanut Finkielkraut esiintyy säännöllisesti television talk show -ohjelmissa ja kirjoittaa kolumneja ranskalaisiin lehtiin usein humanistisesta näkökulmasta. Finkielkraut on tunnettu erityisesti islamin arvostelijana. Michel ja Alain kuulostavat totaalisen perseiltä! ellauri204.html on line 777: Teevee työntää tuutin täydeltä törkeää länsipropagandaa. Porukat ei enää huomaa sitä koska ne on siinä läpeensä jo marinoituneet. Esim sakemannien Länsi- ja Itä-Saxaan hajaantuneet kaxoset. Joka ikinen talousliberaali klishee on ahdettuna mukaan, idän tylystä passipoliisista aina lännen palkkaorjistaan vastuuta kantaviin Masinon omistajiin saakka. Pätkä on ilmiselvästi tähdätty naisten märäxi unexi. Olla samaan aikaan laiha primaballerina ja tehtailijan jyree tytär äxeeraamassa harppisaku alihankkijoita vaatii vähintään kahta elämää. Tää on Das Doppelte Lottchen by Erich Kästner päivitettynä Pompeijin viimeisille päiville. ellauri204.html on line 787: Vulture on huomannyt pickaninnyn. ellauri204.html on line 791: Today, at the New York University Woolworth building, filmmakers, NGO staff, foundation representatives and UN agency workers came together to discuss the problem of poverty porn and the potential power of social media to prevent it. The discussion was conducted privately (in accord with so-called Chatham House rules) in order to protect the identity of the participants and encourage a more honest conversation. ellauri204.html on line 793: Part of the problem here is poverty porn makes money. “The use of poverty porn is a desperate attempt by charities to stay relevant,” said one of the participants. She said that poverty porn exists even within the United States, but it is generally seen through narrow stories about poverty about certain people or areas of the country. She asked how often we heard stories about Appalachia that were not about poor hicks? ellauri204.html on line 795: But now things are changing! “The poor are beginning to be the heroes of their own stories,” said a participant. The skinny pickaninny in the pic is called Bosambo and the vulture is Buzz Buzzard. Fortunately, they hail us from distant Kenya, not Appalachia. ellauri205.html on line 7: font-style: italic; ellauri205.html on line 51: Eurooppaa pidetään useimmissa historiallisissa lähteissä Tyron kuninkaan Agenorin kauniina tyttärenä (vrt. Iisebel); äitinsä nimi on yleensä Telia tai Elisa. Isänsä kautta Eurooppa on Poseidonin tyttärentytär ja myös nymfi Io:n jälkeläinen. Sources differ in details regarding Europa's family, but agree that she is Phoenician, and from an Argive lineage that ultimately descended from the princess Io, the mythical nymph beloved of Putin, who was transformed into a heifer. ellauri205.html on line 81: Rembrandtin Euroopan ryöstö -maalauksessa, häräksi muuntautunut Putin ryntää veteen ja selässä istuva Eurooppa katselee rannalle hädissään jääneitä ystäviään. Putin menee valkeana härkänä, selässään Eurooppa, foinikialainen prinsessa peloissaan tai ylimaallisen tyynenä, usein sarvesta pidellen, ja härän munaa pakottaa synkkien tai pastellinpehmeiden vetten yli, dramaattisia taivaita, ympärillä lenteleviä amoriineja, illanruskoa ja myrskyn enteitä. Aiheesta oli innoittunut stadionillinen miesmaalareita, Marten de Vos, Paolo Veronese, Tizian, Rubens, François Boucher, Juan Sán chez-Cotan, Juan Bautista Martínez del Mazo ja kasa muita juaneja, Jean-Baptiste Marie Pierre, Jean-François de Troy ja kasa muita jeaneja, Gauguin, Matisse, Picasso, Dali ja vähäisempiä nimiä, renessanssia, mannerismia, barokkia, rokokoota, romantiikkaa ja modernismin villejä muunnelmia ja nimettömiä julistemaalareita ja pornografisia kansitaiteilijoita. ellauri205.html on line 92: Paikka paikoin Riku Rinkula on yllättävän leukava ollaxeen kynäilijä Suomen Turusta, vaikka onkin läpimätä setämies. Hyvää siinä on sanavarasto, romanttiset pätkät, sarkasmi ja asiasta kolmanteen siirtyminen. Aino joka oli nuorena suruton ja soma kuin pieni klitoris lauloi nuotin vierestä Nick Draken biisiä River Man. ellauri205.html on line 96: Tuulessa heiluvia puita on hiljattain ollut ainaskin siinä japsujen Äidit leffassa plus siinä Frantz nimisessä pätkässä missä joku sakemannin suursodassa ampunut ranskis tuli pyytämään sen omaisilta niskalaukausta anteexi. Which in turn was based on Maurice Rostand's 1930 French play L'homme que j'ai tué.. ellauri205.html on line 98: icture-in-picture" allowfullscreen> ellauri205.html on line 170: À force d’être aveugle, le destin établit une sorte de justice, aveugle elle aussi, qui punit les hommes armés de la peine du talion; l'Iliade l’a formulée longtemps avant l'Évangile, et presque dans les mêmes termes: ellauri205.html on line 174: Ce châtiment d’une rigueur géométrique, qui punit automatiquement l’abus de la force, fut l'objet premier de la méditation chez les Grecs. Il constitue l'âme de l'épopée; sous le nom de Némésis, il est le ressort des tragédies d'Eschyle : les Pythagoriciens, Socrate, Platon, partirent de là pour penser l'homme et l'univers. ellauri205.html on line 176: C'est cette notion grecque peut-être qui subsiste, sous le nom de kharma [sic], dans les pays d'Orient imprégnés de bouddhisme; mais l'Occident l'a perdue et n’a plus même dans aucune de ses langues de mot pour l’exprimer; les idées de limite, de mesure, d'équilibre, qui devraient déterminer la conduite de la vie, n'ont plus qu'un emploi servile dans la technique. Nous ne sommes géomètres que devant la matière ! Les Grecs furent d'abord géomètres dans l'apprentissage de la vertu. ellauri206.html on line 7: font-style: italic; ellauri206.html on line 61: Show, don't tell is a technique used in various kinds of texts to allow the reader to experience the story through actions, words, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. It avoids adjectives describing the author's analysis, but instead describes the scene in such a way that readers can draw their own conclusions. The technique applies equally to nonfiction and all forms of fiction, literature including haiku and Imagism poetry in particular, speech, movie making, and playwriting. ellauri206.html on line 63: The concept is often attributed to Russian playwright Anton Chekhov, reputed to have said "Don't tell me the moon is shining; show me the glint of light on broken glass." What Chekhov actually said, in a letter to his brother, was "In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you’ll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball." ellauri206.html on line 65: Its having become, by the mid-twentieth century, an important element in Anglo-Saxon narratological theory, according to dramatist and author Arthur E. Krows, the American dramatist Mark Swan told Krows about the playwriting motto "Show – not tell" on an occasion during the 1910s. In 1921, the same distinction, but in the form picture-versus-drama, was utilized in a chapter of Percy Lubbock's analysis of fiction, The Craft of Fiction. In 1927, Swan published a playwriting manual that made prominent use of the showing-versus-telling distinction throughout. ellauri206.html on line 69: Critical commentary ellauri206.html on line 71: In 2017, Vietnamese-American writer Viet Thanh Nguyen (n.h.) questioned the validity of continuing to teach "show, don't tell" in creative writing classes in a New York Times op-ed on the subject. His position was that such teaching is biased against immigrant writers, who may describe emotions in ways readers from outside their culture might not understand, rendering "tell" necessary. Like the squeaky smiley that shows just raised eyebrows and no smiling mouth. Because a smile does not count for anything out there. Everybody smiles all the time. ellauri206.html on line 75: Diegesis (Greek διήγησις "narration") and mimesis (Greek μίμησις "imitation") have been contrasted since Plato's and Aristotle's times. Mimesis shows rather than tells, by means of action that is enacted. Diegesis is the telling of a story by a narrator. The narrator may speak as a particular character, or may be the invisible narrator, or even the all-knowing narrator who speaks from "outside" in the form of commenting on the action or the characters. ellauri206.html on line 77: In Book III of his repulsive Republic (c. 373 BC), Plato examines the "style" of "poetry" (the term includes comedy, tragedy, epic and lyric poetry): All types narrate events, he argues, but by differing means. He distinguishes between narration or report (diegesis) and imitation or representation (mimesis). Tragedy and comedy, he goes on to explain, are wholly imitative types; the dithyramb is wholly narrative; and their combination is found in epic poetry. When reporting or narrating, "the poet is speaking in his own person; he never leads us to suppose that he is any one else"; when imitating, the poet produces an "assimilation of himself to another, either by the use of voice or gesture". In dramatic texts, the poet never speaks directly; in narrative texts, the poet speaks as him or herself. ellauri206.html on line 79: In his Poetics, the unknown Greek philosopher Aristotle argues that kinds of "poetry" (the term includes drama, flute music, and lyre music for Aristotle) may be differentiated in three ways: according to their medium, according to their objects, and according to their mode or "manner" (section I); "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III). ellauri206.html on line 81: One of the best-known modern studies of mimesis—understood in literature as a form of realism—is Erich Auerbach's Mimesis: The Representation of Reality in Western Literature, which opens with a famous comparison between the way the world is represented in Homer's Odyssey and the way it appears in the Bible. Eric thought the Bible way was way better in all respects. But he was a Jew, so surprise surprise. ellauri206.html on line 86: The pandemic has highlighted the failure of the global financial system. Let’s tell it like it is: the global financial system is morally bankrupt. It favours the rich and punishes the poor. Uses them to wipe the floor. ellauri206.html on line 88: As a result, poorer countries are experiencing their slowest growth in a generation, while middle-income nations are denied debt relief despite surging poverty levels. Most of the world’s poor are women and girls, who are paying a high price in lost healthcare, education and jobs. WTF Gutierres, don't you notice what 4 letter turd you just dropped from your upper sphincter? Grow!? Is this a time for the monkey plague to grow, do you think? ellauri206.html on line 90: The divergence between developed and developing countries has become systemic – a recipe for instability, crisis and forced migration. These imbalances are not a bug, but a feature of the global financial system. ellauri206.html on line 92: The measures he has recommended include redirecting Special Drawing Rights - a type of foreign reserve asset - to countries that need help now, a fairer global tax system, and addressing illicit financial flows. ellauri206.html on line 94: And what happens? Nordic welfare countries are being forced by military threat to join free trade deals that make the global imbalance and injustice just worse. ellauri206.html on line 95: Sleazy Capital News (Hufvudstadsbladet) in its optimistically titled two-column report "This is how we avoid global warming" left out 2/5 of Gutierres energy recommendations. Only increases in investmets got a mention. What was left out? Well these: ellauri206.html on line 109: “Our personal information is being exploited to control or manipulate us, change our behaviours, violate our human rights, and undermine democratic institutions. Our choices are taken away from us without us even knowing it”, he said. The most efficient propaganda machine ever, mainlining western capitalist g***th values straight into tiny monkey brains. ellauri206.html on line 111: The UN Indian chief ineffectually called for strong regulatory frameworks to change the business models of social media companies which “profit from algorithms that prioritize addiction, outrage and anxiety at the cost of public safety”. ellauri206.html on line 114: Given the sheer number of conflicts across the globe, the Secretary-General called for greater investment in parabellums and peacemakers, underscoring the need for a strong and effective UN. ellauri206.html on line 125: Myös Nicholas pitäisi gaalassa puheen. Rachel oli varma, että siitä tulisi suurenmoinen. Se olisi täynnä viisautta ja myötätuntoa ohjusiskuissa raajansa menettäneiden shiatsulasten tuskaa kohtaan. ellauri206.html on line 127: Tänä iltana Rachel unohtaisi itsensä ja naurettavat halunsa ja seisoisi Alin ja Nicholaksen rinnalla. Gaalaillallinen oli tärkeä myös kuntoutuskeskuksen tulevaisuuden kannalta. Paikalla olisi arvovaltaista väkeä. Silti hän ei osannut ajatella kuin yhtä asiaa, Nicholaxen smokkihousuissa törröttävää jättimäistä siitintä. ellauri206.html on line 129: Tänään hän näkisi Nicholaksen tummassa puvussa. Hän oli varma, että Nicholaksen valkoinen paita olisi virheetön. Ja silti miehen silmissä häivähtäisi yhä tuo sama suru, joka tuntui asettuneen niihin pysyvästi. Nicholas oli kenties nähnyt liikaa lasten kärsimystä. Se oli pyyhkinyt hänen ylitseen kuin vihreä alkumeri ja jäänyt hänen silmiinsä aaltoilemaan. ellauri206.html on line 149: ictim-of-the-iraq-war-plays-football-with-members-of-the-limbless-association-in-london-march-17-2013-abbas-was-injured-losing-both-arms-in-a-missile-attack-on-his-home-in-2003-which-killed-13-members-of-his-family-leaving-him-an-orphan-subsequently-he-became-a-british-citizen-in-2010-the-iraq-war-began-10-years-ago-this-week-photograph-taken-on-march-17-2013-reuterspaul-hackett-britain-tags-military-politics-society-sport-soccer-conflict-2E6A949.jpg" /> ellauri206.html on line 161: Svengijengi ’62 (engl. American Graffiti), vuonna 1973 ensi-iltansa saanut elokuva, joka on George Lucasin ohjaama ja käsin kirjoittama. Se kertoo tarinan yhdysvaltalaisista teineistä heidän kesälomansa viimeisenä iltana valmistuttuaan high schoolista. (p.o. kesälomansa viimeisenä iltana heidän valmistuttuaan, vittu kukaan ei enää osaa possesiivisuffixeja, lakkaisivat edes yrittämästä.) Tämäkin leffa on mulle n.h. Mikä olis voinut vähemmän kiinnostaa kuin amer. teinileffa vuonna 1973 jolloin viilasin oza hiessä stalinistisen pankinjohtajan tyttären hilloviivaa ja interreilasin Unkarista etelään pieni sininen pahvimatkalaukku kädessä. Eikös ne typerät Star Wars rainat olleet samaisen sentimentaalisen lukaasin käsialaa? Juu sama leuaton harmaa pikku mies on kyseessä. Ronny Howard s. 1954 esitti lukaasia s. 1944. Lukaasin firma on sittemmin myyty Disneyn Waltille. Ylläri. Tirkistely on obsessiivis-kompulsiivista toimintaa. Tästä luvusta tulee mieleen Heli Mätinki 3v aiemmin jossain Turussa, missä mullakin alkoi kalu seistä vastahakoisesti saunassa ja pakenin Petrin lailla uimareissulle vähän äkkiä. Olis pitänyt vaan Petrin lailla ottaa mela kauniiseen käteen ja työntyä käskyn mukaan kaikkeinpyhimpään. Vaikka tuskin oisin pystynyt edes 5 pistoon. Ois takuulla tullut ejaculatio ante portas. Toisaalta toisella kertaa olisi voinut mennä paremmin. Marjan mielestä sukuelimet on hirveä sana. Siinäkin on jotain outoa. Kaikki hahmot toistavat taas Korhosen omia ajatuxia. Marja ei ollut erityisen kaunis mutta auliin panohaluinen. ellauri206.html on line 180: Michel Houellebecq [miʃɛl wɛlbɛk], oik. Michel Thomas (s. 26. helmikuuta 1958 Réunion), on ranskalainen kirjailija. Hän on Ranskan kiistellyimpiä ja tunnetuimpia kirjailijoita. Houellebecqin äiti oli lääkäri ja isä hiihdonopettaja ja vuoristo-opas. Hän syntyi Réunionin saarella, mutta hänet lähetettiin viisikuukautisena asumaan Algeriaan äidin äidin luokse. Houellebecq on todennut katkerahkosti että "Vanhempani menettivät kiinnostuksensa olemassaolooni hyvin varhain." Michel on selvä vahinkolaukaus. Hän asui Algeriassa vuoteen 1961 asti. ellauri206.html on line 182: Vuonna 1961 Houellebecq lähetettiin Ranskaan asumaan isänsä äidin luona. Isän äiti oli omaa sukua Houellebecq ja Michel Thomas päätti myöhemmin käyttää tätä nimeä kirjailijanimenään. Houellebecq valmistui agronomiksi vuonna 1980. Hän avioitui ja liitosta syntyi poika. Avioliitto päättyi eroon ja Houellebecq kärsi masennuksesta. ellauri206.html on line 186: Kulttuuriministeriössä työskentelevän Michelin elämä on ankeaa ja yksinäistä. Vapaa-aikanaan hän vierailee toisinaan peep-showssa ja nukahtelee tv:n ääreen. Isänsä kuoleman jälkeen hän päättää hetken mielijohteesta matkustaa Thaimaahan. Thaimaassa Michelille avautuu vieras kulttuuri ja eroottisten houkutusten puutarha, jossa kaikki on mahdollista. Michel saa tuntea seksuaalista nautintoa, jonka rinnalla hänen aiemmat käteenvetokokemuksensa kalpenevat. Matkallaan Michel tapaa myös Valérien, joka on matkailualalla. Pariisissa heidän välilleen syntyy intohimoinen suhde, jollaista kumpikaan ei ole ennen kokenut. Michel ja Valérie palaavat Thaimaahan käynnistämään uutta, estotonta seksiturismibisnestä. Matkailijat kuitenkin palautetaan paratiisista elämän kovuuteen varsin dramaattisella tavalla. ellauri206.html on line 194: Nicholas näytti sitten yleisölle kuvasarjan itkevistä lapsista. Ensimmäisessä kuvassa oli ehkä viisivuotias tyttö, jonka kyynärpäästä katkennutta kättä suojasi likainen verinen side. Joltakin pojalta oli puhjennut silmä, jonkun toisen suu oli revennyt rumaksi repuxi jonka sisältä hohtivat helmenvalkeat pikku hampaat. Yhden tytön yläruumiin iho oli palanut kauttaaltaan mustaksi ja koppuraiseksi kuin uuniin unohtunut lasagne, ja häneltä puuttuivat molemmat kädet. Murrosikäisen pojan jalat olivat katkenneet polven yläpuolelta. Hänen kasvoillaan oli pieniä tummia aknearpimaisia täpliä. ellauri206.html on line 198: Rachel taivutti päänsä taakse ja katsol Nicholasta silmiin. Nicholas mikset ole vielä suu.. Sitä kysymystä Rachel et saanut ikinä loppuun. Miehen kuumat huulet hinautuivat Rachelin huulille ahnaina ja vaativina, miehen kieli kosketteli Rachelin kielenkärkeä, ja Rachel tunsi, miten hänen kielenkärkensä heräsi eloon ja miten myös alempi pikku kielenkärki nousi pystyyn mekon alla paisuvana ja sähköisesti väpättävänä. Se oli hienoa. Ize asiassa pillun paisuvainen on valtavasti kyrpää isompi ja pystyy nielaisemaan sen. ellauri206.html on line 211: Riku ei pysty aikuistumaan edes kirveellä. Siitä on noloa olla eno, se on kuin pukeutuisi porokuvioiseen neuletakkiin. When the Prophet sallallaahu `alayhi wa sallam (may Allah exalt his mention) was asked: “Which sin is the greatest?” He sallallaahu `alayhi wa sallam (may Allah exalt his mention) said: “To set up rivals for Allah, your Creator.” It is said: ‘Thereafter?’ He sallallaahu `alayhi wa sallam (may Allah exalt his mention) answered: “To kill your children for fear of eating with you (i.e. fear of want). It is said: ‘Then, which is next?’ The Prophet sallallaahu `alayhi wa sallam (may Allah exalt his mention) said: “To have sex with your neighbor's wife.” ellauri206.html on line 220: Muriseva Vanessa Blue on musta yhdysvaltalainen pornografinen näyttelijä ja ohjaaja. Hänet otettiin mukaan AVN: n Hall of Fameen vuonna 2013. Syntyi: 27. toukokuuta 1974 (ikä 48 vuotta), Long Beach, Kalifornia, Yhdysvallat. vanessablue.com on lakannut toimimasta. Sic transit gloria semimundi. Viiskymppisillä pilluilla ei ole enää kysyntää. ellauri206.html on line 222: Sen jälkeen nojasimme Samin kanssa selkää laituriin, polvia myöden (sic) vedessä, vierekkäin, ja tyttö runkkasi kullejamme keskittyneeseen tasatahtiin, hiukan kumartuneena, mielestäni hivenen liian hitaasti mutta Luojan kiitos lujaa puristaen, ja minä kallistin pään taakse, pidin silmät auki ja näin taivaan tähtimäärän, elokuun Linnunradan, ja tiesin että siellä oli satoja miljardeja tähtiä, eikä minulla ollut toivomusta yhdellekään. Paitsi se, etten tahtonut ikinä luopua mistään meille tarjoutuvasta ilosta kuten tämä, ja se, että toivottavasti kukaan muukaan ei lakkaisi niitä tarjoilemasta. Samin kyllästyttyä ohjasin viileän kullini tytön suun lämpöön. Ei sillä ollut siihen mitään vastaan pantavaa eikä juuri sanottavaakaan. ellauri206.html on line 235: Shiazunarttu paljasti karvansa. Mut mitäh! Nicholasin smokkihousuissa pullisteli uskomaton miehenkalu. Se pyrki epätoivoisesti ulos housuista ja sisään Lailan 17-kesäiseen marsunpesään. Kalsareista ponnahtava siitin oli paxuvartinen, valtava ja suonikas. Terska kiilsi pulleana kuin veritatin lakki. Nicholas heittäytyi vuoteelle ja survaisi koko komeuden kahvaa myöden Lailan pesän perälle. ellauri206.html on line 238: Sen pituinen se. Jos Nicholaxen se olisi ollut yhtään pidempi, olisi Rikun kirjakin ollut vastaavasti pidempi. Epilogina on takauma, jossa Riku lätisee Innalle tahdonvapaudesta kuin joku Söören tahi Dosto. Se on kerrassaan joutavaa höpäjämistä. Innan kädessä Rikun muna kovettui 2 sekunnissa. Sexi, sokeri, alkoholi ja kapitalismi, niistä pitää tämä ylikehittynyt baarikärpänen. Riku ei tunne mitään tunnonpistoja Korpiselle aiheuttamastaan elinkautisesta traumasta. Tunnonpistot ei ole Rikun alaa. 5 pistoa ja tiukka tuijotus sen sijaan ovat. Riku luulee (tuskin virheellisesti) että me miehet olemme kaikki yhtä pakkomielteisiä pillun perään kuin hän. ellauri206.html on line 243: Sysmän kirjastossa on uusi vaatimaton mutta viehättävä kirjastonjohtaja, jonka kanssa tuli puhetta Houellebecqistä. Se oli lukenut vähän matkaa Michelin kirjaa Alkeishiukkaset mutta alkoi tympäsemään, jätti kesken. Tolkun ihminen siitä päätellen. Se on ollut Sysmässä kohta vuoden ja pitää työstä, pitäneekö Sysmästä? En huomannut kazoa onko sillä sormusta. Lainasin siltä Wellbeckin 6. romaanin Alistuminen eli Islam. Lisää islamofobiaa ihan takuulla. ellauri206.html on line 246: Alistuminen, se on Islam suomexi. Wellbeckin sen niminen kirja on väärällään islamofobiaa. Sivulle 18 mennessä Wellbeck on osoittautunut lisäxi jo narsistixi ja misogyynixi. Michel on Riitan ikäinen eli aivan eri sukupolvea kuin me. Sillä on tod.näk. vielä kuukautiset, ei ainakaan andropaussia. Tää kirja on Rikun lekuriromaanin doppelgängeri mitä tulee panovimmaan. ellauri206.html on line 249: Jean Lorrain, pseudonyme de Paul Alexandre Martin Duval, est un écrivain français à très forte tendance parnassienne, né le 9 août 1855 à Fécamp, en Haute-Normandie, et mort le 30 juin 1906 dans le 17e arrondissement de Paris. Dandy sybarite, ouvertement homosexuel, amateur de drogues, Jean Lorrain est l'un des écrivains scandaleux de la Belle Époque, au même titre que d'autres auteurs « fin de siècle » comme Rachilde, Hugues Rebell et Fabrice Delphi. Ses œuvres peuvent être rapprochées de la littérature dite « décadente ». ellauri206.html on line 250: Il adopte le pseudonyme de Jean Lorrain, seule condition pour écrire tout en continuant à recevoir un soutien financier de la part de son père armateur. Sa mère pointe une épingle au hasard sur une page de dictionnaire, désignant le mot « lorrain », et il approuve cette trouvaille pour son côté « simple, sonore, solide ». ellauri206.html on line 252: IL fréquente le salon de Charles Buet, où il rencontre Jules Barbey d'Aurevilly, Joris-Karl Huysmans, François Coppée, Léon Bloy, Laurent Tailhade et autres cretins. Il rencontre Edmond de Goncourt, avec qui il restera lié jusqu'à la mort de ce dernier en 1896, et qui fut son principal protecteur. Edmond de Goncourt, dans la récente édition complète en 22 volumes du Journal des Goncourt, se montre curieux de toutes les questions sexuelles et particulièrement de l'homophilie. À partir de 1884, Edmond de Goncourt, jusque-là banalement réactionnaire, devient un antisémite enragé, Jésus l'a sauvé après 27 années d'homosexualité. Il se veut esthète et dandy en même temps qu'explorateur tapageux du vice et de la vulgarité, curieux assemblage qui verse souvent dans le pire mauvais goût, et qui lui vaut le mépris hautain de Robert de Montesquiou, dont Lorrain, pour sa part, fait volontiers sa tête de Turc pour sa prétention à l'élégance et à la chasteté. « Lorrain », écrit Léon Daudet dans ses Souvenirs, « avait une tête poupine et large à la fois de coiffeur vicieux, les cheveux partagés par une raie parfumée au patchouli, des yeux globuleux, ébahis et avides, de grosses lèvres qui jutaient, giclaient et coulaient pendant son discours. Son torse était bombé comme le bréchet de certains oiseaux charognards. Lui se nourrissait avidement de toutes les calomnies et immondices. » ellauri206.html on line 253: Sa santé se dégrade sous l'effet de l'abus des drogues – l'éther en particulier – et de la syphilis. ellauri206.html on line 255: Mandrake eli mandragora on alruna. Eikös se ole Taika-Jim? Tästä on jo ollut puhetta. Rohtomandraken juuret muistuttavat alastonta ihmisruumista. Uudelleen tunnetuksi alruunan on tehnyt J. K. Rowling, joka on liittänyt sen Harry Potteriin. Siinä hän on yhdistänyt kasviin humoristisen ominaisuuden, jossa kasvi läpikäy samat yksilönkehityksen vaiheet kuin ihminen. Hulvatonta! Miehen rakkaus on pelkkää saadusta nautinnosta tunnettua kiitollisuutta. Vitun narsisti. Aivan hervoton persepää! Piipunrassi patriarkkana. Macho humanisti joka valikoi sisustuskankaita. Michel olet oikea SUNNI! Kuuntelee vielä Nick Drakea eikä ZZ Toppia. Ristiriitainen hahmo! ellauri206.html on line 261: Michel molo islamofobi pääsi radioaalloille typerän Charlie Hebdo metakan aikana. Muistan kun tyypit tuli kokouxiinkin keekoillen je suis Charlie napeilla. Vapauxista turhimpia on sananvapaus. Turvat kiinni turvelot! ellauri206.html on line 265: Kukaan ei koskaan suuttunut Nerval-poloiselle, koittaa pistää väliin Alice. Se pitää frühromantikoista. Miehet ei kuuntele, ne pyörii jossain kukkoilun ja homoilun välimaastossa. Mitä niitä kiinnostaa varhaisromantikot, ne on fin de sieclen miehiä. ellauri206.html on line 269: Figure majeure du romantisme français, il est essentiellement connu pour ses poèmes et ses nouvelles, notamment son ouvrage Les Filles du feu, recueil de nouvelles (la plus célèbre étant Sylvie), son recueil de sonnets (Les Chimères, dont le célébrissime El Desdichado, placé sous le signe du Soleil noir de la Mélancolie. ellauri206.html on line 272: Theophile Gautier oli paxu partapozo dekadentti. Les premières grandes passions de Teophile Gautier sont Robinson Crusoé ou Paul et Virginie, qui lui font une vive impression. Gautier rencontre a l'ecole le jeune Gérard Labrunie (le futur Gérard de Nerval). À cette époque, il commence à manifester un goût particulier pour les poètes latins tardifs dont la langue étrange le fascine. Il souffre de myopie. ellauri206.html on line 274: Le 27 juin 1829, Gautier rencontre celui qui allait devenir son « maître » en littérature, Victor Hugo, auquel le présentent Gérard et Pétrus Borel. Cet évènement précipite sa carrière d'écrivain. ellauri206.html on line 285: Timö on piipunrassimpi vielä kuin Wellbeck. Hännikäinen on suomalaisen kansallismielisen yhdistyksen Suomen Sisun toinen vihapuheenjohtaja. Hännikäinen on kirjoittanut ylioppilaaksi Kallion ilmaisutaiteen lukiosta vuonna 1998 ja valmistunut filosofian maisteriksi Helsingin yliopistosta vuonna 2006, gradun aiheena 'Modernismin murros Väinö Kirstinän runokokoelmassa "Vihapuhetta"'. Hännikäinen on ollut järjestämässä ja toiminut myös puhujana äärioikeistolaisessa Awakening-tapahtumassa, jossa on vaadittu muun muassa valkoista ylivaltaa. Tilaisuuksissa on esiintynyt myös antisemitistisiksi ja fasistisiksi luonnehdittuja puhujia. Juhannusaattona 2015 Hännikäinen julkaisi Naisasialiitto Unionin sekä väkivaltaa kokeneiden naisten ja tyttöjen tukipalvelun Naisten Linjan julkisilla Facebook-sivuilla alatyylisiä viestejä. Hännikäisen mukaan kyseessä oli humalainen hölmöily. Hän oli myös jo aikaisemmin lähettänyt alatyylisiä viestejä useille eri henkilöille. Viestien seurauksena Hännikäisen teoksia julkaissut Savukeidas-kustantamo lopetti yhteistyön hänen kanssaan. Mitä Houellebecq tarkoittaa? on Timö Hännikäisen toimittama vuonna 2011 Savukeitaan kustantamana ilmestynyt esseekokoelma kirjailija Michel Houellebecqistä. ellauri206.html on line 287: Samassa hengenvedossa voisi kuitata Juhani Branderin. Juhani Brander (s. 1978) on turkulainen kirjailija, jolta on aiemmin julkaistu kolme runokirjaa ja kaksi proosateosta. Brander pääsi ainoana suomalaisena Best European Fiction 2010 -julkaisuun. Brander on Satakunnan Kansan ja Turun Sanomien kolumnisti ja kriitikko. Hän harrastaa urheilua, filosofiaa, elokuvia ja naisia. Nyttemmin Juhana on Suomen ehkä säälittävin miesasiamies. Mikähän siinä on että pölhöt miehet keskittyvät Turun kirjallisuustieteen laitoxelle? ellauri206.html on line 290: El Dedichado ellauri206.html on line 292: Today, I’m going to present you a rather complicated French poem, which speaks of French historical characters and refers to legends from France and the Roman and Greek antiquity. ellauri206.html on line 303: La fleur qui plaisait tant à mon coeur désolé, The flower that my afflicted heart liked so much ellauri206.html on line 310: Et j’ai deux fois vainqueur traversé l’Achéron : Twice victorious I crossed Acheron : ellauri206.html on line 314: Learn French with the most famous French poems, such as “Demain, dès l’aube”, “La Cigale et la Fourmi”, “Parfum Exotique” with my Classic French Poetry audiobooks. ellauri206.html on line 316: French poem read twice, ellauri206.html on line 369: On kuitenkin pakko mainita perheen kesämatka Walesiin, hirmu iso Shire hevonen ja hirmu pienet falabellat, villit ponit New Forestissa, ja se kun Helmi hukkui Victoria Embankmentille. Se oli vuonna '99, helppo muistaa koska juuri silloin näkyi Oxfordissa täydellinen pimennys. Kazottiin oudossa hämärässä auringon kapenevaa sirppiä noetusta lasista, linnut olivat säikkyneinä vaienneet. Siitä on mulla vielä virttynyt nelisilmäinen T-paita muistona: I saw the '99 eclipse, didn't do me any harm. Debatable. Sieltä ostettiin Helmille pieni britti koulupuku, joka sillä oli päällä koulun alkaessa seuraavana syxynä. ellauri206.html on line 439: Tämä on yksi tärkeimmistä jumalallisen ulostulon hetkistä kirkon historiassa. Kun Augustinus kuuli sen, hän ei enää muistellut etiopialaista eunukkia, joka oli kerran ottanut hänet käteensä ja tullut Jesajan kirjakääröön. Sen sijaan Augustinus muisti toisen kuuluisan kristityn Afrikasta, joka tunnetaan nimellä Pyhä Antonius autiomaasta, se jolla oli näitä aika eroottisia näkyjä. Pyhää Anttonia pidetään laajalti luostaruuden isänä, ja koppihartautta jouhipaita päällä piiska kädessä akuankkahousuissa arvostettiin suuresti 400-luvulta nykypäivään. Pyhä Antonius kuoli Augustinuksen ollessa vain kaksivuotias, mutta algerialaisena Augustinus kunnioitti aavikkoisiä, joista Antonius oli ensimmäinen. Tuolla hekumallisella hetkellä puutarhassa Augustinus muisti sen ajan, jolloin Antonius oli käynyt läpi oman tuskallisen tuskansa ja avannut Raamatun kriisihetkellä. Hän oli törmännyt tuohon peukalovärssyyn, jossa sanottiin, mitä hänen piti kuulla: "Mene, myy omaisuutesi ja anna köyhille . . . seuraa minua” (Matt. 19:21). Antonius oli lähtenyt ulos, ja yksi kirkon historian suurista luvuista alkoi, luostariliikkeen alku, joka kokosi uskovia yhteisen elämänsäännön alle. Tunnetuin elämänsääntö tunnetaan nimellä Pyhän Benedictuksen sääntö, joka jatkuu monissa luostarikunnissa nykypäivään asti. ellauri206.html on line 452: L'épicurisme et l'atomisme de Pierre Gassendi sont mal connus, on ne conserve souvent de lui que sa défense de l'âme animale. Bernier répandit sa doctrine en la vulgarisant. Déformée, la philosophie de Gassendi apparut dès lors comme celle d'un matérialiste. ellauri206.html on line 454: Selon le témoignage de ses contemporains, Gassendi se levait régulièrement à trois heures du matin, jamais plus tard que quatre heures, et quelquefois à deux. Il étudiait jusqu'à onze heures, à moins de recevoir une visite et se remettait à l'étude vers deux ou trois heures après midi jusqu'à huit. Il soupait légèrement (une tisane tiède, des légumes, rarement de la viande) et se couchait entre neuf et dix. On le disait pieux, et pratiquant avec scrupule ses devoirs de prêtre ; ses paroissiens l'appelaient le saint prêtre. Par sa pauvreté, sa modestie, sa douceur, son humanité, sa bienfaisance, sa charité et sa simplicité, il faisait figure d'un anachorète, vivant dans le monde selon la règle d'un monastère. « Le plus grand philosophe parmi les hommes de lettres, et le plus grand homme de lettres parmi les philosophes », sanoi gibboni. Peu d'auteurs ont imaginé qu'il s'agissait là d'une posture, ou d'un masque. ellauri207.html on line 6: font-style: italic; ellauri207.html on line 53: Noniin, siis Stiegin supersankari, häiriintynyt pissis Lispetti lojuu Grenadalla ruskeana kuin pähkinä. Se ei piittaa musasta senkään vertaa että erottaisi Sven-Ingvarsia Nick Cavesta. Ketähän nää nyt sitten ovat? ellauri207.html on line 60: Sven-Ingvars ligger tvåa på listan över artister med flest melodier på Svensktoppen (55 låtar), endast slagna av Sten & Stanley (61 låtar). Sven-Ingvars blev 2016 invalda i Swedish Music Hall of Fame. ellauri207.html on line 65: Nick Cave on izeasiassa esiintynyt jo kahdesti, albumissa 15 harppisaku Ellenbergerin häämusana, ja Riku Rinkulan peukuttamana numerrossa 129. Se on Kari Hotakaisen ikätoveri, Petteriä 2v nuorempi. ellauri207.html on line 67: Nicholas Edward "Nick" Cave (s. 22. syyskuuta 1957 Warracknabeal, Victoria, Australia) on australialainen rockmuusikko, lauluntekijä, runoilija, kirjailija ja näyttelijä. Hänet tunnetaan erityisesti yhtyeensä Nick Cave and the Bad Seedsin kanssa tehdystä musiikista. ellauri207.html on line 69: Nick Cave on säveltänyt myös elokuvamusiikkia. Yhdessä yhtyetoveri Warren Ellisin kanssa hän on säveltänyt musiikin elokuviin The Proposition – Ehdotus (2005) ja Jesse Jamesin salamurha pelkuri Robert Fordin toimesta (2007). ellauri207.html on line 70: Nick Cave on myös kirjailija. Esikoisromaani Kun perse näki Herran enkelin ilmestyi vuonna 1992 (alkuperäisteos And the Ass Saw the Angel ilmeistyi 1988). Toinen romaani Bunny Munron kuolema (The Death of Bunny Munro) julkaistiin syyskuussa 2009 yhtä aikaa 30 maassa. ellauri207.html on line 74: Outcast, mute, a lone twin cut from a drunk mother in a shack full of junk, Euchrid Eucrow of Ukulore inhabits a nightmarish Southern valley of preachers and prophets, incest and ignorance. When the God-fearing folk of the town declare a foundling child to be chosen by the almighty, Euchrid is disturbed. He sees her very differently, and his conviction, and increasing isolation and insanity, may have terrible consequences for them both… ellauri207.html on line 76: Compelling and astonishing in its baroque richness, Nick Cave’s acclaimed first novel is a fantastic journey into a twisted world of Deep Southern Gothic tragedy. Cover illustration by Banksy. Buy. ellauri207.html on line 84: Dimensions in Mathematics, Revealed ellauri207.html on line 86: In the second book of the Millennium series, The Girl Who Played with Fire, Stieg Larsson’s Lisbeth Salander is devoted to a 1,200 page mathematics text. The book, by one L. C. Parnault, is titled Dimensions in Mathematics, and though Larsson ellauri207.html on line 87: informs readers that it was published by Harvard University Press, the book has been impossible to find. Until now. We’re very excited to announce the long-awaited publication of Parnault’s Dimensions in Mathematics. ellauri207.html on line 89: Like no work since the Arithmetica of Diophantus two millennia before, L. C. Parnault’s Dimensions in Mathematics presents the fullness of mathematical knowledge attained by man. From Thales to Turing, Pythagoras to Euclid, Archimedes to Newton, the Riemann Hypothesis to Fermat’s Last Theorem, Parnault escorts both serious mathematicians and the non-mathematical mind through the deepest mysteries of mathematics. Along the way he offers the greatest expositions yet of number theory, combinatorial topology, the analytics of complexity, and his own groundbreaking work on spherical astronomy. Dimensions equips even elementary readers with the tools to solve the logical puzzles of the perfect universe that can exist only in the mind of a mathematician. ellauri207.html on line 91: “Dr. Parnault’s elegant explications of seemingly every extant mathematical concept or quandary make this text as indispensible as any in our field,” says Fields Medal-winning MIT Professor Gerald Lambeau. “His presentation of combinatorial mathematics left me breathless.” ellauri207.html on line 93: Das Lambeau Field ist ein American-Football - Stadion und befindet sich in der US-amerikanischen Stadt Green Bay im Bundesstaat Wisconsin. Die Anlage ist die Heimstätte des NFL -Teams Green Bay Packers. Es ersetzte das City Stadium von 1925. Gegenwärtig (Stand 2017) fasst die Sportstätte 81.441 Zuschauer. ellauri207.html on line 95: In addition to being a milestone for the field, the publication of Dimensions in Mathematics is a true publishing event, a crowning achievement in our centennial year. We’re extremely proud to finally satisfy the millions of Millennium readers who’ve sought out the book, and are deeply humbled by the experience of working with the legendary Dr. Parnault. ellauri207.html on line 97: UPDATE: Just April Foolin’. Parnault and his book remain but fiction. ellauri207.html on line 104: Ovoid green fruit that grows in bunches on trees up to 30m high. The fruit typically ripen during the summer. The fruit is related to the lychee and have tight, thin but rigid skins. Inside the skin is the tart, tangy, or sweet pulp of the fruit covering a large seed. The pulp is usually cream or orange coloured. Half peeled it looks like a moist glans peeking out of a tight prepuce. ellauri207.html on line 108: Waya, that third picture lookin real pornographic! ellauri207.html on line 127: Eric Benet 2x ellauri207.html on line 141: Michael Douglas 3x ellauri207.html on line 172: Näistä on ehkä kädellinen ennestään tuttuja. Vinosuinen Michael Douglas näyttää olevan aika veijari. Douglas and Zeta-Jones hosted the annual Nobel Peace Prize concert in Oslo, Norway, on December 11, 2003. In August 2014, Douglas was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September´s referendum on that issue. ellauri207.html on line 174: Michael Douglas, son of Kirk Douglas, was accused of masturbating in front of an employee. To the claim that he masturbated in front of her, Douglas said, "This is a complete lie, fabrication, no truth to it whatsoever." He will again reprise his role in the upcoming film Ant-Man and the Wasp: Quantumania (2023). ellauri207.html on line 182: Catherine Zeta-Jones was born on 25 September 1969 in Swansea, Wales, to David Jones, the owner of a sweet factory, and his wife Patricia (née Fair), a seamstress. Her father is Welsh and her mother is of Irish Catholic descent. She was named after her grandmother, Zeta Jones (whose name was derived from the name of a ship that her great-grandfather once sailed on), because 'Just Jones' would not cut the cheese in showbiz. Zeta-Jones was raised in the suburban area of Mumbles.Her struggle with depression and bipolar II disorder has been well documented by the media, for she is married to sex addicted actor Michael Douglas, son of Kirk, whose name used to be Issur Danielovitch Demsky. Michael is 25 years her senior but a wizard with cunnilingus. ellauri207.html on line 200: «Las tres novelas constituyen un auténtico fresco de la sociedad moderna que no puede compararse a lo que ningún escritor de novela criminal ha hecho nunca antes. En Millennium, como en Suecia, sólo hay maldad e injusticia.» -Donna Leon, escritora estadounidense- ellauri207.html on line 202: «Suecia se presenta como una sucursal del infierno, donde los jueces prevarican, los psiquiatras torturan, los policías y espías delinquen, los políticos mienten, los empresarios estafan, y las instituciones en general parecen presa de una pandemia de corrupción de proporciones fujimoristas. Esta obra perdurará porque se trata de ficción de la más amena, con unos personajes perfectamente definidos, que, según me, es lo que importa.» –Mario Vargas Llosa, escritor peruano-. ellauri207.html on line 208: Musse Pigg comienza a gozar de un merecido prestigio como toyboy profesional, y se encuentra trabajando junto al escritor freelance Svenssonska Dag Bladet en el tráfico de mujeres en Suecia. Lisbeth, en la actualidad la célebre Pippi Calzaslargas, asesina a Dag Bladet y a Nils Tjurman, abogadobogado corrupto, colaborador del Sapo, su violador legal. Stieg, en la actualidad el celebre Mickey Mouse, muere accidentalmente en el fracaso. ellauri207.html on line 212: DC Comics signs Glaswegian crime writer Denise Mina to adapt Girl with the Dragon Tattoo novels for comic format. Why bother? It´s comic enough as is. ellauri207.html on line 214: ic01.nyt.com/images/2010/05/23/magazine/23Larsson-span/23Larsson-t_CA0-articleLarge.jpg?quality=75&auto=webp" /> ellauri207.html on line 236: Lilya 4-ever is a 2002 crime drama film written and directed by Lukas Moodysson, which was released in Sweden on 23 August 2002. It depicts the downward spiral of Lilja Michailova, played by Oksana Akinshina, a girl in the former Soviet Union whose mother abandons her to move to the United States. ellauri207.html on line 321: Gunman at Robb elementary school, Uvalde, Texas kills 19 students and two adults before being fatally shot, officials say. Isonenäreikäinen latino meni 18vee syntymäpäivänä viime tiistaina ostamaan 2 kalashnikovia, ampui aluxi isoäitinsä ja törmäili sitten autolla aseita laukoen sisään koulun avoimesta takaovesta ja ammuskeli siellä alakouluikäisiä kaikessa rauhassa tunnin ennenkuin poliisit vaivautui hinaamaan laiskat perseensä paikalle. Eihän se ollut kuin köyhien latinojen keskinäistä kähinää. ellauri207.html on line 323: Robb Elementary teaches second through fourth grades and had 535 students in the 2020-21 school year, according to state data. About 90% of students are Hispanic and about 81% are economically disadvantaged, the data shows. Thursday was set to be the last day of school before the summer break. ellauri207.html on line 325: President Joe Biden has ordered US flags on federal grounds to be flown at half-staff until sunset on Saturday to honor the victims of this "senseless acts of violence." "That will teach them!" Biden said. "30th shooting at a K-12 school this year," he said proudly. "Try and beat that Putin!" ellauri207.html on line 327: Turning the sad incident unfairly into an issue of gun control legislation, Biden implored law enforcement officers to "turn this pain in the ass into pump action" as he ticked through some of the mass shootings since the 2012 massacre at Sandy Hook Elementary School in Newtown, Connecticut, when he was vice president. ellauri207.html on line 330: It is the deadliest shooting at a school since the Sandy Hook massacre in Connecticut in 2012 that left 26 people dead, including 20 children between 6 and 7 years old. A big hand to Uvalde and Texas! Robb School Is The Best! ellauri207.html on line 353: Alexander Zalachenko alias Karl Axel Bodin was Lisbeth Salander's father and a violent criminal. He's an ex-Russian spy who defecated to Sweden in the 1970s. In Sweden, he fathered Salander and her twin-sister Camilla Salander. He never married Salander´s mother, Agneta Salander, but he returned periodically to rape and beat her. He was a Putinist. ellauri207.html on line 355: Born in Stalingrad in 1940, Zalachenko was orphaned when he was a year old when his parents died in the Second World War. He grew up in the Russian military. When he defecated to Sweden he changed his name to Karl Axel Bodin. It is said that Sweden was his country of choice because there are few Jews in Sweden. Why? There are fewer yet in Finland. ellauri207.html on line 357: Zalachenko got involved with Agneta Sjolander, who changed her own name to match his, but he refused to marry her, calling her a whore. Regardless he fathered two children with her, Lisbeth and her twin sister, Camilla. So they must have had their moments... Zalachenko brutally beat and abused Agneta, who tried to shelter her daughters from the brutality, and the two girls reacted differently. Camilla didn´t care at all for her mother, and Lisbeth did. At age twelve, Lisbeth Salander, set Zalanchenko, her father, on fire to stop his brutal beatings of her mother. We find out in The Girl Who Played with Fire, that because of the damage to his body, he had to have his leg amputated and suffers from chronic pain. I can relate to that! Constant pain is enough to turn one into a psychopath. This act is used as evidence to support claims that Lisbeth Salander is mentally ill, and remains a topic of debate for readers and characters. ellauri207.html on line 359: Meanwhile, Salander (Lisbet)´s sadistic guardian, Nils Bjurman, hires Zalachenko to kill Lisbeth. Bjurman himself is soon killed by Lisbet´s bro Ronald Niedermann, who with dad Zala, is lying in wait at a farm in Gåseborg to ambush Salander (Lisbet). During a brief confrontation Lisbeth is shot in the head and buried alive. She later climbs out zombie like and deals serious blows to Zala´s head and wooden leg with an axe. Their injuries are so serious they are both taken by air ambulance to a hospital where the next book picks up. But what a disappointment: Zalachenko is shot in the head in the same hospital as Lisbeth being treated for the grievous injuries he´s suffered, for having intentions to betray the Cesarean section of the Swedish secret service, el Sapo. The Swedes consider the superior intelligence he has as a Soviet defecator more important than dumb Agneta´s civil rights or those of her misfit daughter, so they have Lisbeth declared incompetent and institutionalized in order to protect him from her. ellauri207.html on line 361: Years later, he runs a criminal empire based on drugs and prostitution, with his son Ronald Neiderman as his enforcer. El Sapo continues to cover for him in order to have him as a national asset, meaning that he is never arrested for his crimes but just patted on the back. This part of the story sounds fully believable. Some feminists blamed Mia for spreading bourgeois fantasies. The story did not specify which, and Lisbet hadn´t got the foggiest what they might be. Nor Stieg for that matter. ellauri207.html on line 370: Ibrahimovic. Ibrahimovićista on ellauri207.html on line 433: TER Toxicologyexposure suhde Nick Shay Nick Shay is a waste-management worker who spends the novel coming to grips with his troubled past. Acey Acey is the African American artist working on a project about the Black Panthers. Klara Sax befriends Acey in the summer of 1974. Amy Amy is Nick Shay's girlfriend who travels with him to Mexico to have an abortion. Antoine Antoine is Manx Martin's scheming friend who's always trying to make a quick buck. Avram Avram is Martin's American-hating half-brother who lives in Russia. Mario Badalato Mario Badalato is the mobster who assures Nick Shay his father wasn't killed in a hit. Big Sims Big Sims is one of Nick Shay's coworkers in the waste-management business. He's African American and often talks about how his experiences differ from Nick's. Bronzini Bronzini was Nick Shay's high school teacher and Klara Sax's husband before her affair with Nick. Lenny Bruce Lenny Bruce (1925–66) is a stand-up comedian who showcases the way American society reacts to impending catastrophe. Bud Bud is an acquaintance of Richard's. Richard is in love with Bud's wife, Aetna. Clarice Clarice is Marvin and Eleanor's daughter. After Eleanor dies, Clarice cares for her father. Jimmy Costanza Jimmy Costanza is Nick Shay's father whose disappearance while buying cigarettes prompts many theories for an adolescent Nick. Detwiler Detwiler is Nick Shay's boss at the waste-management plant. Donna Donna is the swinger Nick Shay has an affair with while at a conference in Houston. Sister Edgar Sister Edgar is the strict, germophobic nun who locates abandoned cars. At the end of the novel, Sister Edgar has a religious experience that makes her question her faith and life. Eric Eric is Matt's coworker and a "bombhead." Erica Erica is Eric's mother who makes elaborate Jell-O molds. Esmeralda Esmeralda is the beautiful runaway Sister Edgar tracks. After Esmeralda is raped and murdered at the end of the novel, her spirit begins appearing on a billboard advertisement for orange juice. Brian Glassic Brian Glassic is one of Nick's coworkers in the waste-management industry. He has an affair with Nick's wife, Marian. Jackie Gleason Jackie Gleason (1916–87) is a famous comedic actor who was present in the celebrity box in the novel's prologue. Jeff Jeff is Nick and Marian Shay's son. JuJu JuJu is Nick Shay's delinquent high school pal whose father is a garbage collector. Lainie Lainie is Nick and Marian Shay's daughter. Miles Lightman Miles Lightman is the documentarian Klara Sax has a romantic fling with in the summer of 1974. Loretta Loretta is Nick's high school girlfriend. Louis Louis is the African American bombardier who flies alongside Charles Wainwright Jr. and receives so much radiation he feels like he can see through his skin. Martin Mannion Martin Mannion is Nick Shay's schoolmate who once jumped a zoo barrier to harass a buffalo. George Manza George Manza is a neighborhood outcast and illiterate heroin addict whom Nick Shay befriends. Nick accidentally kills George by shooting him with a rifle he thought was unloaded. Fuck Americans are stupid with their silly guns. Marvin Marvin is the baseball memorabilia collector who spends years researching the legacy of the baseball he eventually sells to Nick. Mercedes Mercedes is Eddie's Puerto Rican wife. Father Paulus Father Paulus offers Nick advice while he's in prison for murder, helping him understand the importance of "naming" the world. Richard Richard is the Texas Highway Killer. Rick Rick is Erica Deming's husband and Eric Demin's father. Rosemary Rosemary is Nick and Matt Shay's mother. Klara Sax Klara Sax is a pop artist who recycles rubbish into fine art. As a married housewife, she has an affair with Nick Shay, 20 years her junior. Marian Shay Marian Shay is Nick Shay's wife. While she represents traditional, wholesome American family life, Marian has an affair with Nick's co-worker, Brian Glassic, and smokes heroin. Matt Shay Matt Shay, nicknamed "Matty" as a child, is Nick Shay's younger brother. A chess prodigy when he was younger, Matt becomes a disillusioned military strategist during the Vietnam War. Vito Vito is Nick Shay's high school buddy who lends Nick his uncle's license plates for the stolen car. Разговор с фининспектором о поэзии ellauri256.html on line 464: No jo oli turahdus! Täähän on ihan samaa paskaa kuin Uuden Suomen Ollin pakina "Valtion raha-apaja". Ei vittu tää tuhnu Majakovski ole kuullutkaan kommunismista: jokaiselle tarpeensa mukaan ja jokaiselta kykynsä mukaan. Tää on kökkäre, samanlainen rahanahne pyrkyri kuin sen kuvasta kumitettu juutalainen leipäsusi Brik. E. Saarisen klisheissä on samaa majakovskilaista uhoa, kaikenlaista räjähdysvoimaista paskanjauhantaa. Nyt on vanhat linguistic turn filosofiemerituxet jälleen kerääntymässä koolle jossain julkisuudessa, argumentoimassa ihan takuulla että Natoon on Suomen kyllä nyt liityttävä, se seuraa niiden premisseistä ihan modus ponendo ponensilla. ellauri256.html on line 503: The most widely accepted modern definition of the "Western World" is based not upon geographical location but upon the cultural (or when appropriate, political or economic) identities of the countries in question. Using this definition, the Western World includes Europe as well as any countries whose cultures are strongly influenced by European values or whose populations include many people descended from European colonists—for example Australia, New Zealand, and most countries in North and South America . ellauri256.html on line 505: By the mid-20th century, Western culture had become widespread throughout the world with the help of mass media, such as television, film, radio, and music. The term "Western culture" is used broadly to refer to traditions, social norms, religious beliefs, technologies, and political systems. Because the culture is so widespread today, the term "Western World" has taken on a cultural, economic, and political definition—but those definitions can differ from one another. ellauri256.html on line 518: Boris Sidis (/ˈsaɪdɪs/; October 12, 1867 – October 24, 1923) was a Ukrainian immigrant Jewish psychologist, physician, psychiatrist, and philosopher of education. Sidis studied under William James at Harvard, made 4 degrees, and founded the New York State Psychopathic Institute and the Journal of Abnormal Psychology. He sought to provide insight into why people behave as they do, particularly in cases of a mob frenzy or religious mania. He vigorously applied the principles of Darwinian evolution to the study of psychology. He saw fear as an underlying cause of much human mental suffering and problematic behavior. Boris Sidis opposed mainstream psychology and Sigmund Freud, and thereby died ostracized. Sidis himself derided himself as "silly, pedantic, absurd, and grossly misleading." He later credited his ability to think to his long solitary confinement in Ukraina. Sidis sr died estranged from Sidis jr on October 24, 1923, at the age of 56. ellauri256.html on line 521: Sidis sr applied his own psychological approaches to raising William James jr in whom he wished to promote a high intellectual capacity. Sidis jr could read The New York Times at 18 months. By age eight, he had reportedly taught himself eight languages (Latin, Greek, French, Russian, German, Hebrew, Turkish, and Armenian) and invented another, which he called "Vendergood". ellauri256.html on line 522: Billy's IQ varied between 200 and 300, depending on who said it. After receiving much publicity for his childhood feats, William James jr came to live an eccentric unillustrious life and died in relative obscurity. ellauri256.html on line 524: MIT:n silloinen laskuopin professori ennusti Billystä: I believe he will be a great mathematician, the leader in that science in the future. 11-vuotiaana nenäkäs Billy sai toistuvasti turpiin 5v vanhemmilta Harvardin luokkatovereilta (ml Buckminster Fuller) ja alkoi eristäytyä. Billy vowed to remain celibate and never to marry, as he said women did not appeal to him. Later he developed a strong affection for Martha Foley, one year older than him. Ei siitäkään tullut lasta eikä paskaakaan. Isompana Billy ajoi mieluiten ympäriinsä raitiovaunulla. He obsessively collected streetcar transfers, wrote self-published periodicals, and taught small circles of interested friends his version of American history. Sidis arveli että Euroopassakin oli ollut intiaaneja. Sidis peukutti jonkinlaista dualismia. Sidis died from a cerebral hemorrhage in 1944 in Boston at age 46. ellauri256.html on line 526: Martha Foley was born in Boston, Massachusetts, on March 21, 1897, to Walter and Margaret M. C. Foley. From 1909 to 1915, she attended Boston Girls' Latin School, and even then aspired to be a writer. The school magazine published her first short story, "Jabberwock," when she was eleven years old. (I had thought it was Lewis Carrol's.) After graduating from the 'Girls School' she attended Boston University but did not graduate, unlike Riitta Roth, who did. The topic of her MA thesis was Garten-Laub. The name of her kitten was Klobürste. (Riitta's, not Martha's) ellauri256.html on line 528: Before getting married, she (Martha) was a companion of noted former child and prodigy William James Sidis and the object of his unrequited love. Her magazine Story is credited with the first publication and early support of a pantheon of notable authors, including: John Cheever, Carson McCullers, William Saroyan, Truman Capote, Norman Mailer, and such as J. D. Salinger, Tennessee Williams and Richard Wright. ellauri257.html on line 6: font-style: italic; ellauri257.html on line 10: font-style: italic; ellauri257.html on line 47: Nikolai Vasilyevich Gogol (1 April [O.S. 20 March] 1809 – 4 March [O.S. 21 February] 1852) was a very short story writer and playwright of Ukrainian origin. Gogol was born in the Ukrainian Cossack town of Sorochyntsi, in the Poltava Governorate of the Russian Empire. His mother was descended from Leonty Kosyarovsky, an officer of the Lubny Regiment in 1710. His father was supposedly Vasily Gogol-Yanovsky, who died when Gogol was 15 years old, was descendant of Ukrainian Cossacks (see Lyzohub family) and belonged to the 'petty gentry'. His father wrote poetry in Ukrainian almost as well as in Russian, and was an amateur playwright in his brother's home theatre. As was typical of the left-bank Ukrainian gentry of the early nineteenth century, the family spoke Ukrainian nearly as well as Russian. As a child, Gogol helped stage plays in his uncle's home theatre. ellauri257.html on line 52: He also intensified his relationship with a starets or spiritual elder, Matvey Konstantinovsky, whom he had known biblically for several years. Konstantinovsky seems to have strengthened in Gogol the fear of perdition (damnation) by insisting on the sinfulness of all his imaginative handiwork. Exaggerated ascetic practices with Matvey undermined his health and he fell into a state of deep depression. On the night of 24 February 1852 he burned some of his manuscripts, which contained most of the second part of Dead Souls. He explained this as a mistake, a practical joke played on him by the Devil in the guise of Matvey Konstantinovsky.[citation needed] Soon thereafter, he took to bed, refused all food, and died in great pain nine days later. ellauri257.html on line 58: icago.edu/.imaging/mte/ucp/medium/dam/ucp/books/jacket/0226/42/0226425274/jcr:content/0226425274.jpeg" width="40%" /> ellauri257.html on line 65: icture-in-picture; web-share" allowfullscreen> ellauri257.html on line 67: Taras Bulba (1962), yhdysvaltalainen sovitus, pääosissa Yul Brynner ja Tony Curtis ja ohjaaja J. Lee Thompson. The tale of a Cossack chief who has sworn to be the eternal enemy of the treacherous Poles. So, when his son falls for a beautiful Pole who has saved his life, the father is faced with the dilemma of whether to kill his own flesh and blood as a traitor. This film reinforced the Brynner stereotype as king of the Asiatic wide open spaces. ellauri257.html on line 69: British-born director J. Lee Thompson (“The Yellow Balloon”/”The Passage”/”King Solomon’s Mines”) helms this bloody spectacular. It’s a serviceable large-scale epic that mainly goes wrong with a mushy subplot involving a miscast Tony Curtis as a Cossack wooing a Polish noblewoman, Christine Kaufmann (they were soon to be married in real-life after his divorce from Janet Leigh). It seems to be in genre form when showing hordes of Cossack horsemen flying across the steppes to do battle. It’s based on the novel by Nikolai Gogol and is written without wit or logic by Waldo Salt (former blacklisted writer) and Karl Tunberg. ellauri257.html on line 71: In 1550, after centuries of fighting for possession of the Ukraine with the Turks, the Cossacks under the leadership of Taras Bulba (Yul Brynner) aid the Polish Army in the battle of the steppes (Argentina subbing for the Ukraine, where reportedly some 10,000 Argentinean extras were employed) and are victorious. Invited to a Polish feast to celebrate, the Cossacks are betrayed by their cunning hosts and flee under cannon fire to safety across the steppes. ellauri257.html on line 77: Franz Waxman’s bombastic score bursts across the lush Technicolor screen as a reminder of how much Gogol’s novel has been cheapened, Cossacks on horseback engage the Poles in battle giving the film its life pulse and the action-packed film ultimately serves as a paean to Ukrainian nationalism as it rewrites history to leave out how the violently anti-Semitic Cossacks attacked the Jewish population of Poland with a barbaric ruthlessness to dispense with their ethnic cleansing. Yul chews the scenery, but is watchable. Tony demonstrates he can’t act by giving an unbearably gooey performance. ellauri257.html on line 80: icture-in-picture; web-share" allowfullscreen> ellauri257.html on line 82: Taras Bulba (2009), ohjaaja Vladimir Bortko , tilaus Venäjän valtion televisio ja maksanut kokonaan Venäjän kulttuuriministeriö. Mukana ovat ukrainalaiset, venäläiset ja puolalaiset näyttelijät, kuten Bohdan Stupka (Taras Bulbana), Ada Rogovtseva (Taras Bulban vaimona), Igor Petrenko (Andriy Bulbana), Vladimir Vdovichenkov (Ostap Bulbana) ja Magdalena Mielcarz (puolalaisena aatelisenatyttö). Elokuva kuvattiin useissa paikoissa Ukrainassa, kuten Zaporizhzhiassa , Khotynissa ja Kamianets-Podilskyissä vuonna 2007. Käsikirjoituksessa käytettiin romaanin vuoden 1842 painosta. ellauri257.html on line 87: Luojan kiitos, olemme eläneet todistamassa Gogolin kuntoutumista suurena humoristina. Sen teki Vladimir Bortko versiossaan kuuluisasta romaanista, joka oli sensaatiomainen jo ennen näyttöjen julkaisua. Tyytyväinen kenttäkomentaja Taras Bulba ( Bogdan Stupka ) tapaa kaksi poikaa ( Vladimir Vdovichenkov ja Igor Petrenko ) koristeellisella maatilalla - tuoreena Kiovan bursasta, papin mekossa ja Moskovan aksentissa. ellauri257.html on line 99: Taras Bulba ( venäjäksi : «Тарас Бульба» ; Tarás Búl'ba ) on Nikolai Gogolin (1809-1852) romanttinen historiallinen novelli , joka sijoittuu 1600-luvun ensimmäiselle puoliskolle. Siinä on iäkäs Zaporožian kasakka Taras Bulba ja hänen poikansa Andriy ja Ostap. Pojat opiskelevat Kiovan akatemiassa ja palaavat sitten kotiin, minkä jälkeen kolme miestä lähtivät matkalle Zaporizhian Sichiin (Zaporizshin kasakkojen päämaja, joka sijaitsee Etelä- Ukrainassa ), missä he liittyvät muihin kasakoihin ja lähtevät sotaan Puolaa vastaan. ellauri257.html on line 101: The story was initially published in 1835 as part of the Mirgorod collection of short stories, but a much expanded version appeared in 1842 with some differences in the storyline. The 1842 text has been described by Victor Erlich [ru] as a "paragon of civic virtue and a force of patriotic edification", contrasting the rhetoric of the 1835 version with its "distinctly Cossack jingoism". ellauri257.html on line 143: icture-in-picture; web-share" allowfullscreen> ellauri257.html on line 144: icture-in-picture; web-share" allowfullscreen> ellauri257.html on line 187: ellauri257.html on line 339: icz Witold">Witold Marian Gombrowicz (4. elokuuta 1904 Małoszyce, Świętokrzyskin voivodikunta, Puola – 24. heinäkuuta 1969 Vence, Ranska) oli puolalainen kirjailija. Hän saavutti mainetta vasta uransa viimeisinä vuosina, mutta nykyisin häntä pidetään yhtenä merkittävimmistä puolalaisista toisen maailmansodan jälkeisen ajan kirjailijoista. Pääteokset Ferdydurke, Pornografia. ellauri257.html on line 341: Hän oli vuonna 1966 ehdolla Nobelin kirjallisuuspalkinnon saajaksi, mutta ei kuitenkaan saanut palkintoa. Actually he was nominated for the Nobel Prize in Literature four times, from 1966 to 1969. Eise sentään ollut Puolan juutalaisia vaikka painui Argentiinaan karkuroimaan 1939. Actually he was considered unfit for military duties. No jotain vikaa siinä piti olla, ja olikin: Gombrowicz had affairs with both men and women. ellauri257.html on line 343: Gombrowicz wrote in Polish, but he did not allow his works to be published in Poland until the authorities lifted the ban on the unabridged version of Dziennik, his diary, in which he described their attacks on him. No tästä arvaa jo mixi sille oltiin tuppaamassa dynypötköä. Mikä pahinta, Gombrowicz´s work has links with existentialism and structuralism. Sen hengenheimolaisia olivat sellaiset lurjuxet kuin Foucault, Barthes, Deleuze, Lacan, and Sartre. ellauri257.html on line 346: Kosmos is Gombrowicz´s most complex and ambiguous work. In it he portrays how human beings create a vision of the world, what forces, symbolic order and passion take part in this process and how the novel form organises itself in the process of creating sense. Njoopa joo. ellauri257.html on line 350: Gombrowiczin outo, karmaiseva loppuromaani tutkii nuorten ja vanhojen välistä kuilua ja tarjoaa samalla groteskin pakkomielteen tunteen. Toipuessaan sota -ajan Varsovasta Puolan maaseudulla nimetön kertoja ja hänen ystävänsä Fryderyk yrittävät pakottaa surun kahden paikallisen nuoren, Karolin ja Henian, välille eräänlaisena rivona viihteenä. ellauri257.html on line 352: He turhautuvat yhä enemmän, kun he huomaavat, että nämä kaksi eivät ole kiinnostuneita toisistaan, ja pelit pysäytetään hetkeksi paikallisella murhalla ja direktiivillä murhata Puolan vastarintaliikkeen roistojäsen. Gombrowicz yhdistää nämä säikeet upeasti jännittyneessä huipentumassa, joka täyttää hänen romaaninsa syvällä absurdin tunteella ja moninkertaistaa sen monimutkaisuuden. ellauri257.html on line 354: Gombrowicz on säälimätön psykoanalysaattori ja täydellinen stylisti; Hänen proosansa on tarkkaa ja voimakasta, ja kertojan kireät yritykset selvittää, miksi hän nauttii niin paljon nuorten päälle runkkauxesta ja paskantamisesta, herättävät kammottavasti aitoa ylpeyttä ja inhoa. Borchardtin käännös (ensimmäinen englanniksi alkuperäisestä puolasta) on johdonmukaisuuden malli, joka säilyttää maanisen sävyn navigoidessaan pitkien, pilkuilla liitettyjen lauseiden ja terävien, julistavien työntöjen välillä. ellauri257.html on line 358: Gombrowiczin mieltäkääntävää puolalaista pornoa ellauri257.html on line 360: Ilmeisistä syistä siis olen ennakkoasennoitunut että Witold Gombrowiczin katolis-oikishenkiset pornoväsäyxet tulevat vituttamaan rankasti. Saas nähdä. Jan Tolpan esipuhe ruozinnoxeen lupaa pahaa ainakin. Kekäs tää Tolppa edes on? Sven Stolpen veljenpoika. Sen isäkin oli kääntäjä, Birger Stolpe, jonka isä oli ylikontrollööri Johan Stolpe, joka ei tiettävästi mitään kääntänyt ellei jotain kyniä tai klemmareita virkapaikalta. Janne kyllä: från klassisk grekiska har Janne översatt Platon, Aristoteles, Longinos och Euripides, från franska Michel de Montaigne, Denis Diderot och Honoré de Balzac. Janne ei tuntenut Sven Stolpea. Pappa och han var inte kontanta. Jannella on kotona lundioissa kattoon asti kirjoja. Se täyttää 83 ellei ole kuollut. Det är viktigt att översätta även sånt skit som Gombrovicz om man vill uppehålla det fria samhället. ellauri257.html on line 362: Gombroviczin päiväkirja alkaa: „Montag: Ich. Dienstag: Ich. Mittwoch: Ich. Donnerstag: Ich.“ Der polnische Schriftsteller Witold Gombrowicz machte die Egomanie zu seinem literarischen Prinzip. Die Tagebücher strotzen erst recht vor intimen Selbstbetrachtungen. Es geht um sein Sexleben, sein Streben nach Ruhm, aber auch um seine Magen- und Darmprobleme. ellauri257.html on line 365: Der polnische Schriftsteller Witold Gombrowicz im Jahr 1965 (hinter ihm steht dem Autor Slawomir Mrozek sein Schwanz). ellauri257.html on line 367: Er galt schon zu Lebzeiten als homosexuell, allerdings war dies eine Vermutung seiner Zeitgenossen. Seine wichtigste heteroerotische Erfahrung war offenbar seine letzte Lebensgefährtin, die junge Kanadierin Rita, die er ein halbes Jahr vor seinem Tod heiratete. Sie hat mit ihm durchgehalten, trotz kleinen Bosheiten, mit denen er sie oder ihr Zusammenleben bedenkt. Danach war es nur Fernsehen, Zweispänner, Grammophon, Frigidaire, Ofen, Hund, Katze. ellauri257.html on line 371: Gonzo on luokkatietoinen nim. yläluokkasellainen. Haukkuu laahusta ja puleeraa herrasväkeä. Gorki ja Gombrovicz on selvästi eri puolilla rautaesirippua, samoin kuin cis- ja trans- rajapyykkiä. Molemmat on kyllä hyvinkin egoistisia, mutta Gorki sentään koittaa parhaansa, Gombrovicz ei edes yritä. ellauri257.html on line 378: Veikkaan viimemainittua. Mixi ylipäänsä pitää julkaista tälläsiä pornokirjoja? Kiihottumista ja himoa. Elukkamaista. Kuvitteellista puuhastelua Puolan nuorten parissa. Nobel-palkinto on aivan huulilla. Jag, en polsk författare, jag, Gombrowicz. ellauri257.html on line 379: Hän (poika) ei ollut vielä mies, hella, ei hallizija, hän ei voinut omistaa mitään, ei siis mountata miekkosia eikä stalkata neitosia siitin ojossa kuten Pan Gombrowicz. ellauri257.html on line 382: But guenons aren't the only amorous apes that have shrugged off sexual norms. There's also the japanese macaque, which have been spotted having sex with deer numerous times. But it now appears it's the female monkeys performing sex acts with the deer by mounting them and thrusting, raportoi brittilehti The Sun. ellauri257.html on line 389: My main beef with Peterson is not with his overall philosophy, although I don’t personally vibe with his “life is suffering” Christian stoicism at all, what I find objectionable is his complete laziness and lack of rigour in political theory. ellauri257.html on line 391: Peterson talks a lot about political theory, yet he is embarrassingly ignorant of it. He peddles a kind of “Marxist conspiracy” narrative that is as ridiculously non-factual as it is irresponsible. ellauri257.html on line 394: Theodor Adorno wrote a book entitled “the Authoritarian Personality” which dissects and attacks authoritarianism in political culture. If Peterson were to pay attention to what people are actually saying rather than jumping on some John Birch Society fantasy, he’d realise the “cultural Marxists” he blame for everything wrong in the world are closer to him on “political correctness” and dogmatic ideology than he thinks. ellauri257.html on line 398: I don’t like Jordan Peterson, or, more accurately, I don’t like the role Peterson is playing in the culture war because I find it intellectually impoverished, uninformed, and feeding into a repugnant far-right cultural revolution that Peterson himself does not necessarily endorse but which he nonetheless gives aid to. ellauri257.html on line 407: icz_Polish_passport.jpg/86px-Witold_Gombrowicz_Polish_passport.jpg" width="20%" /> ellauri257.html on line 419: Upon the 2009 American release (of the book, after the film of course, this is America), Michael Dirda wrote in The Washington Post that Pornografia "seems as sick, as pathologically creepy a novel as one is ever likely to read. In some ways, it resembles a rather more polymorphously perverse version of Les Liaisons Dangereuses or one of those disturbing fictions by European intellectuals that blend the philosophical with the erotic: Think of Georges Bataille's The Story of the Eye or Pierre Klossowski's Roberte Ce Soir. ... Through its sado-masochistic material and its almost Henry Jamesian analyses of human motives, Pornografia underscores Gombrowicz's lifelong philosophical obsession: the quest for authenticity." Dirda continued: "Certainly, most readers will find Pornografia perturbing, or worse: repulsive, confusing, ugly. As Milosz once said of Gombrowicz: 'He had no reverence whatsoever for literature. He derided it as a snobbish ritual, and if he practiced it, he attempted to get rid of all its accepted rules.'" ellauri257.html on line 423: Pornography is D.H. Lawrence without the penetration, Diary of a Chambermaid with none of the bite and philosophical imagination. A group of Germans inexplicably fuck around in the near distance. Frederic curiously precedes a murderous request by squeezing a young blonde’s breasts like melons. A Jewish family hides under the kitchen’s floorboards, but no explanation is offered for how they got there. ellauri257.html on line 428: Gombrowiczin partisaani Simian on itäpolakki Ukrainasta. Tää on tämmöstä markiisi de Sade tyyppistä synnintunnosta hikeentymistä. Vizaa paljaalle pyllylle, se tuntuu kivalta. Partisanismi ei sovi vanhoille ja läskeille. Wizi Witold on pervo pedofiili. Että vaan toinen jalka paljaana! Fredrik on Muumipapan nuoruuden ystävä. Hän on ex-regissööri, siitä noi paljaat jalat. Witold, miten voit? Hauska tavata. Hizi mikä apinoiden planeetta. Läskien setämiesten urheilumezästystä nuoret notmiinä. Vaclawin on nähtävä tämä. Ei tässä juonta ole, mennään kiihotus edellä. Polta nämä kirjeet. Bara vidare! Utför allt nogrannt! Apinoiden planeetalle on hyvä mennä yhdessä ettei olla hulluja. ellauri257.html on line 440: Fredrik? Var fanns Fredrik? Jag saknade Fredrik oerhört. Nej men vad kom det ut ur Fredriks stjärt? Oskuld? Helighet? Renhet? Het renbajs? Just det där. När Karol sticker kuken i Siemian, sticker jag min snopp samtidigt i .... Jozeeeeeek! They're going to take me away haha! Haha, hihi, haha! ellauri257.html on line 450: Has Putin outsmarted the West? Or vice versa? ellauri257.html on line 452: A Russian wife turned to her husband and asked, "What's this special military operation our glorious leader keeps talking about?" Her husband replied, "It's a war to stop America and NATO." "Oh, right” she says “How's it going?" ellauri257.html on line 454: “Well” he replied “so far we have lost over 20 generals, 110,000 troops killed, countless injured, 3000 tanks, 300 aircraft, hundreds of helicopters, countless armoured vehicles, artillery and trucks, our flagship along with other naval ships, our army is being defeated in most areas and we have had to resort to conscription to replace our losses”. ellauri257.html on line 456: “Wow” replied the wife “what about America and NATO”? ellauri257.html on line 466: Efter stormen kom en jordbävning; men icke var HERREN i jordbävningen. ellauri257.html on line 480: straffe mig nu och framgent om jag icke i morgon vid denna tid ellauri257.html on line 481: låter det gå med ditt liv såsom det gick med alla dessas liv.» ellauri257.html on line 489: Singer described himself as "conservative," adding that "I don't believe by flattering the masses all the time we really achieve much." His conservative side was most apparent in his Yiddish writing and journalism, where he was openly hostile to Marxist sociopolitical agendas. In Forverts he once wrote, "It may seem like terrible apikorses [heresy], but conservative governments in America, England, France, have handled Jews no worse than liberal governments.... The Jew's worst enemies were always those elements that the modern Jew convinced himself (really hypnotized himself) were his friends. Interestingly enough, he notes the cultural tensions between Sephardic and Ashkenazi Jewish people during his trip to Haifa and during his stay in the new nation. With the description of Jewish immigration camps in the new land, he foresaw the difficulties and socio-economic tensions in Israel, and hence turned back to his critical views of Zionism. Naah, America is the promised land. ellauri257.html on line 502: Who could live with Isaac Bashevis Singer? The sexual escapades of the most successful Yiddish writer in America — and the one whom most Yiddish literati loved to hate — were public knowledge, in large part because he himself built his reputation as a Casanova in his own fiction, where he was chased into the bedroom by women young and old. His oeuvre might be described as “sex and the shtetl.” ellauri257.html on line 504: Still, Singer was a married man, but not to Runia (Rachel) Pontsch, who in 1929 gave birth to a son, Israel Zamir, Singer's only child. In Warsaw, before immigrating to the United States, he had a child out of wedlock with one of his mistresses, Runia Shapira, a rabbi’s daughter. She was a Communist expelled from the Soviet Union for her Zionist sympathies. In his 1995 memoir, “A Journey to My Father, Isaac Bashevis Singer,” Zamir recounts how he and his mother ended up in Palestine. But since Singer and Runia separated when Zamir (born in 1929) was little, the report is almost totally deprived of a domestic portrait. ellauri257.html on line 506: In the United States, Singer went through a period of depression in which he published little fiction, until in 1938, he met Alma Wasserman and the two married in 1940. For Singer as homo domesticus, I needed the views of his wife, Alma Haimann, whom I’ll refer to by her first name hereafter. I had read in a 1970s article from The Jewish Exponent that Alma had been at work on an autobiography. “I’m about as far as the first 100 pages,” she told the Philadelphia newspaper. I was also aware, from Paul Kresh’s 1979 biography, “The Magician of West 86th Street,” that Singer didn’t think his wife would ever finish the manuscript. But was there such a manuscript? ellauri257.html on line 510: The material is unformed, the style is clumsy; the scenes are poorly narrated. Of course, it is unfair to depict Alma as a failed writer, for she never aspired to be a writer. Neither is this manuscript a finished product. Yet Alma on occasion did present herself as an author. She wrote at least one short story, which she sent out to magazines. An editor gave her an encouraging response, but asked her to change the ending. Alma never followed up, and dropped the endeavor altogether. ellauri257.html on line 512: She and Singer met in the Catskills, at a farm village named Mountaindale. Although in the manuscript, Alma is elusive about dates, it is known that the encounter took place in 1937. The two were refugees of what Singer’s older brother, Israel Joshua, by then already the successful novelist I.J. Singer, would soon describe as “a world that is no more.” And the two were married to other spouses. Alma and her husband, Walter Wasserman, along with their two children, Klaus and Inga, had escaped from Germany the previous year and come to America, settling in the Inwood section of Manhattan. As for Isaac — as Alma always called him — he arrived in 1935. She portrays their encounters as romantic, although she appears to have been perfectly aware of his reputation. ellauri257.html on line 514: Alma doesn’t explore the cultural differences that separated them. She was an upper-class German Jew born in Munich, whereas Singer was from Leoncin, a small Polish village northeast of Warsaw. In 1904, when Singer was born, Leoncin was part of the Russian Empire. In Alma’s milieu, Yiddish was a symbol of low caste. Her father had been a textile businessman and her grandfather had been a Handlerichter (LOL), a judge specializing in commercial cases. Although Wasserman, her first husband, was nowhere near as rich in America as he had been in Germany, he was certainly far wealthier than Singer, who was known as an impecunious journalist. ellauri257.html on line 517: , she worked at Saks 34th Street, and then, until retirement, at Lord & Taylor. On occasion she would accompany Singer to his lectures. They also traveled together to Europe, especially England and France. The purpose of one of those trips was for Alma to show Singer the places in Switzerland where she and her parents had stayed before the war. When she returned to America, she felt ecstatic. In the manuscript, she recollects standing on Broadway, looking in wonder at a fruit store and grocery, admiring their abundance. ellauri257.html on line 520: What kind of inner, private life did Alma have? Did she tire of years of cooking, cleaning, ironing and sewing for Singer? Was it difficult to be the wife of a public person? How did she cope with his escapades? About these the manuscript remains silent. After all, Alma belonged to a social class where women weren’t encouraged to explore such details. In an interview, she does represent the younger Singer as easy-going and says how much he changed over time. But she ascribes those changes to how much people wanted from him and not the other way around. ellauri257.html on line 526: Singer’s domestic side is thorny. The Singers kept a Hispanic maid, and Dvora Menashe (later Telushkin), who was Singer’s assistant in his late years — indeed she wrote a memoir, “Master of Dreams” [1997], recounting that time — told me about her. So did Janet Hadda, who wrote the biography “Isaac Bashevis Singer: A Life” (1997). Hadda even provided me with an address, but my letters went unanswered. Lester Goran, who co-taught with Singer at the University of Miami and wrote a memoir about their friendship, “The Bright Streets of Surfside” (1994), couldn’t help me, either. ellauri257.html on line 528: Singer continued to write and translate his stories and novels throughout the 1980s, until the onset of dementia in 1987. In the end, as Singer suffered from dementia, his relationships with Goran, Menashe and perhaps even Alma soured. The effects lingered unpleasantly even after his death, and as a consequence it’s hard to track the sirvienta. We don’t even know her name or nationality for certain. The idea of a Spanish-speaking maid as an integral part of Singer’s household is ripe not only for biographical scrutiny, but also for fictional development: !Ah! !Ah! !Si! !Si! !Si señor! !!Mas rapido! !Mas profundo! ellauri257.html on line 530: All this to say that the Yiddish writer’s other women — not the sexy but the stolid, those who accompanied him at home for better or worse, for richer or poorer, in sickness and in health — are crucial to the understanding of how he looked at the world. Alma was his anchor. Despite his betrayals, he always returned to her. Her silence, her resignation, might be disheartening to modern sensibilities. Yet she grounded him, and not only as an artist. ellauri257.html on line 532: Ilan Stavans is the Lewis-Sebring Professor in Latin American and Latino Culture at Amherst College. He edited the three-volume “Isaac Bashevis Singer: Collected Stories” (Library of America) and is finishing a biography of Singer, for Princeton University Press. ellauri257.html on line 571: Lodge was a Christian Spiritualist. In 1909, he published the book Survival of Man which expressed his belief that life after death had been demonstrated by mediumship. His most controversial book was Raymond or Life and Death (1916). The book documented the séances that he and his wife had attended with the medium Gladys Osborne Leonard. Lodge was convinced that his son Raymond who had become cannon food had communicated with him and the book is a description of his son's experiences in the spirit world. According to the book Raymond had reported that those who had died were still the same people that they had been on earth before they "passed over". There were houses, trees and flowers in the Spirit world, which was similar to the earthly realm, although there was no STD. The book also claimed that soldiers who died in World War I smoked cigars and drank whisky and ate pussy also in the spirit world and because of such statements the book was criticised. ellauri257.html on line 573: Lodge had endorsed a clairvoyant medium known as "Annie Brittain". However, she made entirely incorrect guesses about a policeman who was disguised as a farmer. She was arrested and convicted for fraudulent fortune telling. ellauri257.html on line 575: Lodge was a friend of Arthur Conan Doyle, who also lost a son in World War I and was a Spiritualist. Anglosaxarna har en svaghet för den här sortens idioti. Dom är rädda för döden, stackars kräkar. Singerin amerikanjuutalaiset ovat ääreist klicheisiä. Ne pitää Amerikasta koska jenkit arvostaa bisnestä eivätkä sixi vainoa rahantuntevia juutalaisia. ellauri258.html on line 6: font-style: italic; ellauri258.html on line 10: font-style: italic; ellauri258.html on line 40: ic/kulsa_cache/images/media.onki.fi/3/6/9/saha/kirjasampo/0_1103386978910848218.jpg?itok=pei8XlVF" width="100%" /> ellauri258.html on line 45: Mitä pitemmälle lukee Mihail Zoshtshenkon kaskuja niin käy yhä ilmeisemmäxi että kaveri oli tosiaankin NEP:in kieroutuma. Sen klicheisten neuvostovizijuttujen takana on selkeästi taantumuxen voimat. Oli aivan oikein että Njeuvostoliiton kirjailijaliitto teki siitä syntipukin ja potkaisi sen pihalle. ellauri258.html on line 53: icture-in-picture; web-share" allowfullscreen> ellauri258.html on line 70: Ymmärrän, ettei Brian De Palman Carrien (1976) tai Stanley Kubrickin Hohdon (1980) kaltaisia elokuvahistorian mestariteoksia synny helposti. Mutta luulisi, että keskinkertainenkin filmimaakari saisi Kingin teksteistä mutkatonta, toimivaa kauhuviihdettä. Kuten vaikka Tulessa syntynyt (Firestarter, 1980) -romaanista, jossa aineksia olisi: tyttären ja isän pakomatka halki Amerikan, telepaattisia voimia, häijyjä pahiksia. ellauri258.html on line 74: 11-vuotias Charlie McGee (Ryan Kiera Armstrong) pystyy sytyttämään tulipaloja ajatuksensa voimalla. Se on seurausta salaisen The Shop -viraston tieteellisestä kokeesta, johon Charlien isä Andy (Zac Efron) ja äiti Vicky (Sydney Lemmon) osallistuivat nuorina opiskelijoina. ellauri258.html on line 76: Koe antoi telepaattisia kykyjä myös Andylle ja Vickylle, mutta myöhemmin syntyneen Charlien pyrokineettinen voima on ainutlaatuinen sekä pelottavan vahva. Vanhemmat yrittävät kasvattaa tyttöä niin, ettei tämä sytyttelisi asioita hermostuksissaan tuleen, ja samalla piilotella tätä hallituksen agenteilta. ellauri258.html on line 82: Vanha Firestarter on silti Kubrick-tasoinen mestariteos tähän versioon verrattuna. Parannuksia on tasan yksi: Rainbirdia esittää nyt Yhdysvaltain alkuperäisväestöön kuuluva Michael Greyeyes. Hyytävä hahmo on kuitenkin pilattu täysin, kuten kaikki muukin tarinassa. ”Elokuvan ongelmat ovat niin perustavanlaatuisia, että kökködetaljeja ei maksa vaivaa edes luetella. Rakenne ja rytmitys ovat täysin pielessä. Alussa juoni jaarittelee ja junnaa paikoillaan, sen jälkeen taas etenee hypähdyksittäin, kuin käsikirjoituksesta olisi viime hetkellä revitty nippukaupalla sivuja irti”. ellauri258.html on line 91: icture-in-picture; web-share" allowfullscreen> ellauri258.html on line 122: "Luentokutsut, tutkimus ja Dignity-hanke. Käyn vähintään kerran vuodessa, tai oikeastaan keväisin ja syksyisin, kaikki maanosat läpi. Silloin matkustan pari kuukautta putkeen. Tarjoilija hei. Pääseekö tässä Kämpin tai Yumen wlaniin? Vakioannokseni koostuu sashimista ja spicy tuna makista. Tänään ajattelin kokeilla myös punajuurella värjättyä lohinigiriä ja tonnikalaa. Mun on saatava Kluuvi-maki." ellauri258.html on line 128: "Dignity on kansainvälinen hanke, jolla on tukijoita Desmond Tutusta Jordanian kuningatar Raniaan, Michael Douglasista Peter Gabrieliin. Dignityn tukeminen tarkoittaa aktiivista mukana olemista, eli kun olimme eilen Genevessä puhumassa, paikalla oli myös kirjailija Paulo Coelho. Dignity mahdollistaa paitsi ihmisten arvokkuudesta puhumisen, myös kohtaamisia erilaisten ihmisten kanssa." ellauri258.html on line 227: icaro-prado.jpg/375px-Gowy-icaro-prado.jpg" /> ellauri258.html on line 312: ic.com/images?q=tbn:ANd9GcQzK60Juxup3Y2GH1awcoZ39euvIs1X6Fvh7Zq3w0HuLw&s" /> ellauri258.html on line 393: - kuvassa hän on pukeutunut vihreään mekkoon, lila kichkaan , napakenkiin ellauri258.html on line 529: Venäläinen noita-akka esiintyy paitsi venäläisissä kansantarinoissa, myös niiden innoittamissa kirjoissa, elokuvissa, kuvataiteessa, musiikkiteoksissa ja sarjakuvissa. Modest Musorgski sävelsi osan teoksestaan Näyttelykuvia Viktor Hartmannin piirrokseen Baba Jaga. Eduard Uspenskin lastenkirja Alas taikavirtaa (Vniz po volšebnoi reke 1971, suom. Martti Anhava 1980) perustuu venäläisiin eroottisiin kansantarinoihin ja siinä seikkailee Baba Jagan hahmo, vaikkakin eri nimellä, el Zorron nimellä, plus 17-kesäisiä neitokaisia. Guido Crepax piirsi Baba Yaga -teemaisia Valentina-sarjakuvia, joiden pohjalta Corrado Farina ohjasi vuonna 1973 Baba Yaga -nimisen elokuvan, joka oli täysi floppi. Myös Neil Gaifman on saanut noidasta innoitusta sarjakuviinsa. Baba Jaga esiintyy ainakin Gaifmanin käsikirjoittaman Books of Magic -sarjan kolmannessa osassa, joka on suomeksi julkaistu Magic Fantasy -lehden toisessa numerossa (Egmont-kustannus 2002, ISBN 951-876-928-1). Lisäksi noita esittää sivuosaa Mike Mignolan Hellboy-sarjakuvissa. Baba Jagaan perustuva hahmo esiintyy myös Patricia A. McKillipin romaanissa Serren metsissä. Fantasiakirjailija Naomi Novik on maininnut erääksi innoituksen lähteekseen isoäitinsä kertomat Baba Jaga -tarinat, ja Novikin romaani Uprooted (2015) kirjoittaa Baba Jagan hahmoa uudelleen tuoreesta näkökulmasta. The Witcher -pelisarjassa on Baba Jagaan perustava hahmo. Lumikin ja noin 7 knääpiön noita on ilmetty Baba Jaga. ellauri258.html on line 576: icture-in-picture; web-share" allowfullscreen> ellauri258.html on line 748: icture-in-picture; web-share" allowfullscreen> ellauri260.html on line 6: font-style: italic; ellauri260.html on line 10: font-style: italic; ellauri260.html on line 62: Perspektivismi on Friedrich Nietzschen kehittämä filosofinen näkemys, jonka mukaan maailmaa ei voida havaita tai tuntea sellaisenaan, vaan aina vain jostakin näkökulmasta eli perspektiivistä. Tämä tarkoittaa sitä, että on aina olemassa useita mahdollisia käsitteellisiä skeemoja, tai perspektiivejä, jotka voivat määrittää totuus- tai arvoarvostelmat, joita teemme. Perspektivismin mukaisesti mitään katsantokantaa ei voida pitää ehdottomasti totena, mutta tästä ei seuraa, että kaikki katsantokannat olisivat yhtä päteviä. Mursuwiixiperspektiivi on vaihtoehtoisista totuuxista selkeästi terävin. ellauri260.html on line 68: Hervotonta perseilyä, täyttä tuubaa. Taas tätä Protagoraan homomensuuraa, Richard Rorty-pelleilyä. Totaalisen hanurista. ellauri260.html on line 72: Ize asiassa personalism has nearly always been united to Biblical theism. Joku Von Balthasar suggests that “Without the biblical background personalism is inconceivable.” Mitä vittua, mihis se Bobrowin venäläinen personalismi unohtui? ellauri260.html on line 91: Personalistit alkoi hälistä romantiikan jälkeisenä aikana. Impersonalistiset filosofiat hallitsivat valaistumista ja romantiikkaa panteismin ja idealismin rationalististen ja romanttisten muotojen muodossa Spinozasta Hegeliin. Tämän reaktion avainhenkilöitä olivat ich">Friedrich Heinrich Jacobi (1743–1819), niin sanotun Pantheismusstreitin alullepanija 1780-luvulla, ja F. W. J. Schelling (1775–1854), joka myöhemmässä työssään hylkäsi varhaisten idealististen järjestelmiensä persoonattomat kannat. ellauri260.html on line 127: Ranskalainen filosofi icoeur Paul">Paul Ricoeur (1913–2005), jonka filosofiaan husserlilainen fenomenologia vaikutti syvästi, vaikka hän ei koskaan tunnistanut itseään personalistiksi, ammensi monista Mounierille arvokkaimmista teemoista, kuten ihmisen vapauden luonteesta ja ihmisen keskeisyydestä valtioon nähden, vaikka hänen oma myöhempi kehityksensä näistä teemoista poikkesi huomattavasti Mounierin filosofiasta. Hän jakoi myös personalismin hylkäämisen materialismista ja karteesisesta dualismista sekä abstraktioiden hylkäämisen konkreettisen inhimillisen todellisuuden hyväksi. Ehkä suurin yksittäinen elementti Ricoeurin omaksumassa Mounierin persoonallisuudessa oli itse asiassa poliittisesta ja sosiaalisesta sitoutumisesta vetäytymisen mahdottomuus. On pakko vatkaa, pokkana ei pysy kukaan. ellauri260.html on line 165: Aristoteles oli määritellyt ihmisen rationaaliseksi eläimeksi (ho anthropos zoon noetikon) (Aristoteles, hist. I, 1: 488a7; Nichomachean etiikka I, 5: 1097b11; VIII, 12: 1162a16; IX, 9: 1169b18; Politiikka, I, 2: 1253a3). Huomattava parannus verrattuna Sokraateen kynittyyn kanaan. Personalistit, hyväksyessään tämän määritelmän, sikäli kuin se menee, näkevät tällaisen rakenteen ihmisen tuomittavana vähennyksenä objektiiviseen maailmaan. ellauri260.html on line 171: Regardless of how, more precisely, animals are to be understood, the person differs from even the most advanced among them by a specific kind of inner self, an inner life, which, ideally, revolves around his pursuit of truth and goodness, and generates person-specific theoretical and moral questions and concerns. ellauri260.html on line 177: En philosophie, parler d'être humain, en lieu et place du terme générique d'« homme », c'est emprunter la voie qui tente de répondre à « la question centrale en toute anthropologie telle qu'elle a été formulée par Emmanuel Kant, dans le sens où il se la posait, « Qu'est-ce que l'homme ? » « Was ist der Mensch? « Ach, Mensch, sanoivat saxalaiset turistit kun Aavasaxalla juhannuxena satoi lunta. Heidegger écrivait die Geschichte des Seins (la histoire des seins). Aber er war ein Naziteufel. Dans l'esprit de la philosophie kantienne, l'homme doit être vu comme une fin en soi et non comme un moyen, comme les autres animaux. Jacques Maritain a été avant tout un immense philosophe catholique, l'un de ceux qui a le plus contribué à faire revivre saint Thomas d'Aquin et son cheval. ellauri260.html on line 191: The Nobel Prize in Literature 1908 was awarded to Rudolf Christoph Eucken "in recognition of his earnest search for truth, his penetrating power of thought, his wide range of vision, and the warmth and strength in presentation with which in his numerous works he has vindicated and developed an idealistic philosophy of life". ellauri260.html on line 195: Se oli varmaan toi lämpimyys josta nobelpisteet tulivat. Rudi oli kuin vasta ofenista tullut vehnäsämpylä, jollaisia kävin aamuvarahin Walter Schnellerin johdolla ostamassa Munichissa lähikaupasta. Lämpimiä idealisteja ei ole pilvin pimein, ne ovat enimmäkseen suht kylmiöitä. ellauri260.html on line 199: Vaikutukset: Aristoteles, Aquino, Teichmüller, Lotze, Trendelenburg. Vaikutettu: Max Scheler, W. R. Boyce Gibson, Abel J. Jones, Evelyn Bilbo and Frodo Underhill. Ei nää ole kummosia, olikohan Rudi vähän sivuraiteella? Merkittäviä ideoita olivat poliittinen aktivismi ja Todellinen. Todella. Indeed, kuten sanoo Midsummerin murhien tyhjänaamainen vanha poliiisi todistajan laskiessa luikuria läpi hampaitten. ellauri260.html on line 201: Eucken syntyi 5. tammikuuta 1846 Aurichissa, sittemmin Hannoverin kuningaskunnassa (nykyinen Ala-Saksi). Hänen isänsä Ammo Becker Eucken (1792–1851) kuoli hänen ollessaan lapsi, ja hänen äitinsä Ida Maria (1814–1872, os Gittermann) kasvatti hänet. Hän sai koulutuksensa Aurichissa, jossa yksi hänen opettajistaan oli klassinen filologi ja filosofi, suomenruozin oikeakielisyyden isä Ludwig Wilhelm Maximilian (Mikael) Reuter (1803–1881). Hän opiskeli Göttingenin yliopistossa (1863–66), jossa Hermann Lotze oli yksi hänen opettajistaan, ja Berliinin yliopistossa. Jälkimmäisessä paikassa Friedrich Adolf Trendelenburg oli professori, jonka kyseenalaiset eettiset ja eroottiset taipumukset ja filosofian historiallinen käsittely houkuttelivat häntä suuresti. Göttingen vaikutti tuppukylältä kun öizimme siellä matkalla Dresdeniin ja Puolan uuneille. Olis pitänyt yöpyä Erfurtissa, joka on isompi ja jossa Kautsky viilasi Erfurtin programmia. Engels oli tyytymätön Erfurtin programmiin, ja nuiji siitä Kautskya. Minnekäs se vallankumous unohtui? Ja miten niin uskonto on jokaisen oma asia? Sehän on oopiumia! ellauri260.html on line 203: Der Erfurter Parteitag wurde vom 14. Oktober bis 20. Oktober 1891 von der Sozialdemokratischen Partei Deutschlands (SPD) im Erfurter Kaisersaal abgehalten. Das hier verabschiedete Programm wird Erfurter Programm genannt. Das als Erfurter Programm bekannt gewordene Parteiprogramm fand nach den reformistischen Ansätzen des Gothaer Programms (1875) in Teilen wieder zur marxistischen Theorie und Lehre zurück und kehrte von den Lasalle'schen Inhalten des Gothaer Programms vollständig ab. So erklärte Karl Kautsky selbst, er habe für den theoretischen Part Teile von Marx' Kapital zusammengefasst. Die von ihm erwähnten Teile beziehen sich höchstwahrscheinlich auf den Abschnitt Geschichtliche Tendenzen der kapitalistischen Akkumulation. Im krassen Gegensatz zu Marx enthielt das Programm jedoch keine expliziten Forderungen nach einer proletarischen Revolution. ellauri260.html on line 205: Eucken väitteli klassisen filologian ja antiikin historian tohtoriksi Göttingenin yliopistossa vuonna 1866 väitöskirjalla De Aristotelis dicendi ratione. Hänen mielensä suuntautui kuitenkin ehdottomasti teologian filosofiseen puoleen. Vuonna 1871, työskenneltyään viiden vuoden maaseutukierroxen opettajana Husumissa, Berliinissä ja Frankfurtissa, hänet nimitettiin filosofian professoriksi Baselin yliopistoon Sveitsiin toisen entisen opettajansa seuraajaksi Göttingenissä, heteronormaalin Gustav Teichmüllerin, ja päihitti Teichmüller-bändärin Friedrich Nietzschen kilpailussa asemasta. Hahaa mursuwiixi Atman-koirinesi, jäit kakkosexi mitättömälle partapozolle! ellauri260.html on line 207: Gustav Teichmüller (November 19, 1832 – May 22, 1888) is considered a philosopher of the idealist school and a founder of Russian personalism. His ideas were shaped by his teachers Lotze and J. F. Herbart, who in turn were influenced by G. W. von Leibniz. Some scholars describe Teichmüller's personalism as a version of neo-Leibnizianism. His doctrines have also been referred to as constituting a variant of Christian personalism that is in opposition to both positivism and evolutionism as well as traditional Platonism. Teichmüller's philosophy has influenced Nietzsche and this link has been explored by scholars such as Hermann Nohl, who traced Teichmüller's Die wirkliche und die scheinbare Welt, 1882, as the source of the latter's perspectivism. Teichmüller also influenced the Russian thinkers A. A. Kozlov, I.F. Oze, and E. A. Bobrov. Teichmüller nai virolaisen maanomistajan tyttären ja tapettuaan sen 20-vuotiaana lapsivuoteeseen, sen siskon, ja kuoli lopulta ize Tartossa pyylevänä patruunana. ellauri260.html on line 219: It is a strange situation to see ancient wisdom join hands with the advancing present: to find permanent hopes of human nature shooting through the stormy agitation of the day. Our starting point is the problem of the physical maintenance man that Matti Keijola tried to solve with artificial intelligence. ellauri260.html on line 225: Joseph Martin McCabe (12 November 1867 – 10 January 1955) was an English writer and speaker on freethought (vapaa-ajattelija), after having been a Roman Catholic priest earlier in his life. He was "one of the great mouthpieces of freethought in England". Becoming a critic of the Catholic Church, McCabe joined groups such as the Rationalist Association and the National Secular Society. He criticised Christianity from a rationalist perspective, but also was involved in the South Place Ethical Society which grew out of dissenting Protestantism and was a precursor of modern secular humanism. William Ferguson wrote of him: "He was bitterly anti-Catholic but also actively undermined religious faith in general." McCabe was also an advocate of women's rights and worked with Mrs. Pankhurst and Mrs. Wolstenholme-Elmy on speeches favoring giving British women the right to vote. McCabe is also known for his inclusion in, and irritation at, G. K. Chesterton's funny book Heretics. Funny is the opposite of not funny, nothing else, defended Chesterton. He should know. In 1920 McCabe publicly debated the Spiritualist Arthur Conan Doyle on the claims of Spiritualism at Queen's Hall in London. Various scientists such as William Crookes and Cesare Lombroso had been duped into believing Spiritualism by mediumship tricks. ellauri260.html on line 227: But now let us return to the problem! "Vapauden ongelma", no less! The problem of the hard struggle for life. The first improvement that individuals obtained in this regard was when they came together in social groups, or teams. They now had some protection against both the terrors of nature and the menace of their enemies, other moneky teams. It was religions which first inspired them with a sense of task and duty ; and gradually religion and morality, especially morality in its social aspect, entered into close combination and completed each other. ellauri260.html on line 229: Adam Smith's picture of laissez-faire was thoroughly optimistic. In the unrestricted competition of individuals and nations Smith saw an immeasurable gain in freedom and power. The interests of all seemed to him to unite in a complete harmony, and to guarantee a steady progress of the whole. He thought of the whole as well as the individuals, but the entire collective condition seemed to him to be best promoted when it was left to the activities of the most deserving individuals. While earlier ages had talked of a religious, scientific, or artistic type of life, we now have, added to these, if not placed higher than they, an economic type. (Eikös kauppiassääty ollut mukana myös hindujen luonnetyypeissä? Tosin ei kärjessä kuten Smithillä, Intiassa siellä rellestivät brahmiinit.) ellauri260.html on line 231: German philosophy did a great deal by way of deepening the ideas of men. In particular its starting from the whole instead of the individual, and its idea of movement advancing in virtue of its own forces, had a great influence on every section of social life. But the economic problem, and on this account the general social movement was directed by Lassalle, and still more by Marx, into far too narrow a path, and the Socialist ideal was conceived in too partisan a sense. The chief aim was to bring about a collective ownership of the means of production and " socialise " all property, and to recognise in the class-war a lever for the over- throw of the existing political conditions. It was thus that the Socialist movement captured the thoughts and sentiments of great masses of people. ellauri260.html on line 245: Kautsky oli juutalainen. Prahalaissyntyinen Kautsky opiskeli historiaa ja filosofiaa Wienin yliopistossa vuodesta 1874 ja liittyi Itävallan sosiaalidemokraattiseen työväenpuolueeseen (SDAPÖ) vuonna 1875. Vuodet 1885–1890 hän asui Lontoossa, ystävystyi Friedrich Engelsin kanssa ja toimi tämän yksityissihteerinä. Vuonna 1891 hän laati Saksan sosiaalidemokraattisen puolueen (SPD) Erfurtin ohjelman August Bebelin ja Eduard Bernsteinin kanssa. ellauri260.html on line 257: We must, however, bear in mind that the main idea of Socialism goes far beyond the conception of Marx ; that it may be realised in many different ways, and that under one common head it embraces all sorts of opposite opinions and divergences. If we leave out the embarrassing collective ownership part, we can still keep totalitarianism and corporativism and get to another great idea in German thought: national socialism! Sorry, oops, that was ahistorical of me, let me rephrase that. ellauri260.html on line 258: What I meant are the "unqualified submission of individuals to the social collectivity" and the "treatment of the economic task as the chief business of life" parts. ellauri260.html on line 260: Apart from economic matters and (admittedly superfluous) democratization, there is zealous effort, which we may call statism, sorry, anachronism, let's call it Politism, to enlarge the power and the province of States as far as possible. Very bad! In addition, we lost theocracy, the collective order that had an undisputed superiority, and gave meaning and purpose to human life. In the course of modern times this job has passed more and more to the side of the deserving individuals. Metaphysics was succeeded by psychology, and religion by entertainment. ellauri260.html on line 262: The denial of the Heavenly Dad had its various stages. Positivism was one of the mildest types, they just put the cosmic problem aside. More drastic was the radical German philosophy, particularly Neo-Hegelianism. The leader was Ludwig Feuerbach, who won large numbers of adherents by the definiteness of his statements and the glow of his eloquence. Religion, like everything supersensual, seemed to him "outworn." Engels, who was an ardent follower of Feuerbach, said : " We have done with God." NIetzsche, my competitor for Religion seemed to Feuerbach an illegitimate extension to the whole scheme of things of man's ideas and aspirations : a mischievous illusion which weakened the power of men and distracted them from their proper aims. His ideas are easily gathered from these words of his : " God was my first, reason my second, man my third and final thought." ellauri260.html on line 266: We have an experiment on the grandest possible lines in humanity and conducted by it. It puts a decisive question, and it demands either Yes or No. It is only the experience of the collective life that can show whether the answer which Socialism gives meets the whole reality of human nature ; for here it is not simply a question of mere theories and types of life, however well they may be constructed, but of actual vital developments. ellauri260.html on line 270: The further course of this essay will show that a sympathetic study does not imply assent, but we must insist that to condemn a thing without understanding it is useless. On the plus side, the ancient truth, that man is a social animal (£,(oov ttoXltlkov, animal sociale, termiittiapina), is now for the first time fully appreciated. On the minus side, 'Good' is now merely something that promotes the good of society ; it coincides with "useful" in the social sense. "True" is what has results in the social order and ensures its assent. There is no longer any room for the old conceptions of things that are good and true in themselves! ellauri260.html on line 274: We take a particular pride in German thoroughness, but this may easily become a weakness by causing us to be slow and meticulous. We like to load our ship with a good deal of ballast, and in this way we cut down the speed. ellauri260.html on line 278: The claim of equality, or of the equal treatment of all who contribute to life, is based upon the conviction that inequality means injustice, but that is just bullshit, ain't it? ellauri260.html on line 286: Religion created a place in which antagonisms disappeared — but it saw no injustice in inequality. In this it was moved by its confident expectation of happiness in the next world, in which there would be no distinctions ; in fact, the poor and oppressed seemed to be entitled to the highest places. Modern Socialism, however, finds no consolation in that doctrine. It is not satisfied with an equality in hope and expectation. ellauri260.html on line 296: New York is the city of million- aires, and their number increases steadily ; but it has also been established on medical authority in New York that in the year 1914 five per cent, of the children examined were underfed, and that by the year 1919 the proportion had risen to nineteen per cent. Surely such figures give ground for reflection ! ellauri260.html on line 298: it was left to Socialism to devote its whole strength to the problem and to replace philanthropy by civic and national institutions. ellauri260.html on line 302: Socialisation alone will give the Socialistic life a definite embodiment. It confidently enters upon a struggle against the distraction and the egoism of individuals. The traditional idea of work makes a man think mainly of his own profit. It impels him to think first of all of himself. ellauri260.html on line 306: Under the lead of factory technology, the individual worker became defenceless, as its vast industrial aggregations robbed him of his independence, while capital obtained an appalling power and forced him to serve the designs of others. He became simply a piece of merchandise, the value of which was settled by the market. Thus the race drifted into a sharp antithesis of " labour and capital," and the two soon proved irreconcilable enemies. ellauri260.html on line 312: Neither individual nor community must make concern about material things its chief business. The indefinite craving of the individual is a lower impulse that must be checked in every way, and all hunting after money for its own sake must be branded a danger- ous aberration. And as this ideal regards economic activity merely as a means to higher ends, it does not bring the two together in one whole and cannot recognise any particular economic legislation ellauri260.html on line 316: During early Christians, the teaching of Aristotle remained the chief guide, and his attack upon usury was transplanted into Christian soil by Lactantius. The chief concern was now the soul ; material possessions were deemed to be of much inferior value. There was much in this (the ban on usury) that restricted and caused a decay of economic life. It was divided into particular transactions which had no common aim. Labour was confined within narrow channels, and had very limited aims, so that production on a large scale ceased, and great wealth became impossible. Oh fuck. The mainspring of trade was individual covetousness, and this was enough of itself to restrict the full recognition of economic activity all through the middle ages. ellauri260.html on line 318: With the huge influx of gold and other valuable loot from the colonies (called the Renaissance), they ceased to be regarded as mere means and incidental things, and getting filth rich became again the goal (as it had been during the Roman empire as well, and the Greeks, by the way, whatever Aristotle may have said.) ellauri260.html on line 319: Hitherto the beautiful had been considered far superior to the useful, but the useful is now cleansed of the stain that it was supposed to have ; it is ennobled and becomes a spur to action. The beautiful got to be what it always is, a luxury available to those who have the means. Engels olis sevverran oikeassa että "it is not ideas, as independent forces, but the vital interests of business life, which control the whole." Rikastuminen ei ole keino vaan päämäärä, ainoa että sosialismissa se jaettaisiin koko porukalle eikä kökkäreille yxinään. ellauri260.html on line 331: The distinction between nature and spirit, existence and a world of action, is of the essential structure of life. Human life seems to drift into a fierce struggle against itself. How shall we extricate ourselves from this contradiction? ellauri260.html on line 335: This profound confusion shows that our human manner of life is not the whole of reality, but a special category of it in a special condition. It must be related to something larger, and only in virtue of this can it possess any meaning and derive the necessary power. Religion adopts this way. It leads beyond a special province to a new stage of life ; a stage that transcends these contradictions and opens out new contents and new forces. Hence the whole of reality which is accessible to men falls into three stages : a fundamental stage, a stage of conflict, and a stage of victorious spirituality. It is this last which alone furnishes human life with its indispensable support and an indisputable goal. ellauri260.html on line 341: This is done in two ways : by the construction of a personality superior to and embracing the world and by the opening of a kingdom of God which essentially transcends the entire political and social order. In order to buy any of this, a man has to be content with figures of speech and suggestions, and the heart needs a heroism that confidentlv sustains its affirmation in spite of all contradiction. ellauri260.html on line 351: Socialism wants to create a structure which is superior to the individuals, and all its wishes and hopes are centred in this, but what it constructs can never be more than a bringing together of separate elements without any inner connection. It thus comes to be divided in its own body. Its ideal of the whole demands a world of action, and puts in on the lines of self-direction and spirit ; but in its actual development it imitates the mere contiguity of the material world and is bound up with it. The consequence is that it contains several different ideals of life which are not reconciled with each other. Even the happiness it offers is marred by this division. The whole body is to be as happy as possible ; but what is the nature of the happiness if in the end it means merely the welfare of individuals, if it does not evolve a realm of goodness and truth out of the turmoil of interests and enable human nature to participate in it ? Quantity, it seems, is to replace quality ; but is that done so easily ? Do we not find ourselves in entirely different worlds ? Socialism wants a community, but can only attain a comradeship. It can find stones for the building and stimulate people to work ; but it cannot either design or create the entire structure. ellauri260.html on line 355: It wishes to bind men together more closely and make an end of all gulfs between them, but as it builds only from without, not from within, and has no higher life to offer, the individuals will inevitably diverge more and more from each other. Any one of them may impose his conception of life upon the others. There will be an increasing dispersion until in the end some force brings the situation to a close. What is the use of a dictatorship when there is no supreme dictator ? ellauri260.html on line 363: Even the finer type of comfort and enjoyment will, in a detached subject, turn into an inward emptiness, which in the long run will prove less tolerable than care and want, struggle and pain. Ancient Epicureanism showed this two thousand years ago, and Socialistic Epicureanism will show the same thing. ellauri260.html on line 365: To meet this intolerable emptiness men turned to work, in order to derive from it a worthy aim for their lives. The nineteenth century in particular produced a fine and very successful idealism of work in this sense. With a feverish exaltation of all its forces and a concentration of all its interests it brought the whole of life into subjection to work, but its very success made its defects' clear to everybody, and awakened fresh concern - about the soul. That put wind into the sails ' of Socialism, but, as it recognised no soul beyond one's subjective experience, it could give man as, a whole no purpose and no substance. ellauri260.html on line 370: The chief provinces and tendencies of life — science and art, religion and law — do then not mean the work of detached points, but they are witnesses to a higher collective police force. ellauri260.html on line 374: The last term of the errors of the Socialists is the humanitarian idealism which pervades the whole ideal. It treats man as a superior value, and it wants to direct every effort toward him ; but it can find no basis for this value. It falls into the contradiction of treating man as a mere piece of reality and transferring to this piece of the world that appreciation which belongs only to a standard of value. Let us rather have a firm faith in the spiritual and divine in human nature, and not this blind belief in man´s ordinary self. ellauri260.html on line 378: Inward compulsion, the inner joy and uplift, the power of self-preservation, so that the soul be moved to grasp it, and turn it into original and constructive activity, that sufficiently rouses man from his lethargy and stagnation. It places before the soul no inexorable " Either — Or." ellauri260.html on line 382: There is, in fact, to-day over wide areas of life a positive dislike of man, a taedium generis humani, as it was called in the last days of the ancient world. We have at one and the same time the evil of overpopulation, the concentration of men in cities, the economic struggle, and so on. We have not space enough. One man is the enemy of another. Above all our particular questions we feel the power over men of the trivial, the common, the evil. The idea of Superman Tattoo occurred to some ; but can thought alone get over realities and their power ? So the human problem finds us involved in a terrible complication, and the Socialist ideal cannot extricate us. The situation would be hopeless if there were not higher forces working in man, making more of him, unsealing old and new springs of life to him. At present, however, we are merely searching, but I bet I am on the right track here. ellauri260.html on line 388: As Sir J. G. Frazer says : " Only a legislation which is in harmony with a nation's past has the power to build up a nation's future. . . . There must be in every law, as in every plant, an element of the past." ellauri260.html on line 390: Sir James George Frazer OMG FRS FRSE FBA WTF (/ˈfreɪzər/; 1 January 1854 – 7 May 1941) was a Scottish social anthropologist and folklorist influential in the early stages of the modern studies of mythology and comparative religion. His lousy reputation improved after his new wife in 1896, Lilly Frazer, decided that he was undervalued because of atheism and that she could improve his impact by leaving out some of it. His dissertation was published years later as The Growth of Plato's Ideal Theory. He remained a classical fellow all his life, not unlike Kari Hotakainen. ellauri260.html on line 392: Frazer is commonly interpreted as an atheist in light of his criticism of Christianity and especially Roman Catholicism in The Golden Bough. However, his later writings and unpublished materials suggest an ambivalent illicit relationship with Neoplatonism and Hermeticism. ellauri260.html on line 393: In 1896 Frazer married Elizabeth "Lilly" Grove, a writer whose father was from Alsace. She would later adapt Frazer's Golden Bough as a book of children's stories, The Leaves from the Golden Bough. Frazer was not widely travelled. His prime sources of data were ancient histories and questionnaires mailed to missionaries and imperial officials all over the globe. His vision of the annual sacrifice of the Year-King has not been borne out by field studies. His wife Lady Frazer published a single-volume abridged version, largely compiled by her, in 1922, with some controversial material on Christianity excluded from the text. Sigmund Freud, the founder of psychoanalysis, cited Totemism and Exogamy frequently in his own Totem and Taboo: ellauri260.html on line 408: This whole section here is from the article "Aristotle's Anticommunism" by Darrell Dobbs, found in the American Journal of Political Science, Vol. 29, No. 1 (Feb. 1985) . . . ellauri260.html on line 417: rom the soul of this older culture came the words of Aristotle : " It is the part of a free and high-minded man to seek, not the useful, but the beautiful." This acute student of men has ably described the chief types of human conduct, and has distinguished five principal shades of thought and character : great, good, those who love honour and power, those who are intent on gain and enjoyment, and, finally, criminal natures. The truth of this division is supported by the fact that it has been substantially preserved in the tradition of the Catholic Church. ellauri260.html on line 431: Sit sosialismi unohtaa nää reviirit. Ne motivoivat apinoita suuresti. Goethe oli oikeassa sanoessaan (runomuodossa): "Jokainen elävä olento tekee oman pikku territorion." "Ole izellesi kaikki tai et ole paljon paskaakaan", sanoi Fichtekin. Tuo kyvykäs ihmisluonnon opiskelija, Tocqueville, sanoi aivan oikein, että intohimot yleensä lisääntyvät niiden yksilöiden lukumäärän myötä, jotka jakavat ne. Eli joukossa tyhmyys tiivistyy, se on lyhyempi lause. Bolshevikit ovat väärässä vaikka ovat vähemmistönä. Proletariaatin diktatuuri on syvältä, mutta niin on myös demokratia, sanokaa mun sanoneen. Hegel oli oikeassa sanoessaan että kaikki mitä opimme historiasta on että kukaan ei ole siitä mitään oppinut. (No tää meemi kyllä lähti viraalixi.) ellauri262.html on line 6: font-style: italic; ellauri262.html on line 10: font-style: italic; ellauri262.html on line 67: Minkä takia toi yxi tukallinen pienipää on jäänyt haaviin? Ehkä silläkin on tupee? No ei. Se on Former Chicago Bears Matt Mayberry to Support Bike Bald Charity Fun ... Matthew Mayberry (born August 6, 1987) is a former American football linebacker for the Indiana Hoosiers of the NCAA and Chicago Bears of the NFL. He is now a keynote speaker and business consultant on the topics of leadership, peak performance, culture, and teamwork. So "why the name?" Bike Bald Group was founded in 2004 by a bald multiple time cancer survivor who was taught to fight even on the toughest days, while never forgetting those that helped along the way. ellauri262.html on line 74: Hänen kirjoituksiaan on mainittu merkittävänä kirjallisena vaikutuksena moniin merkittäviin kirjailijoihin, mukaan lukien Lewis Carroll, W. H. Auden, David Lindsay, JM Barrie, Lord Dunsany, Elizabeth Yates, Oswald Chambers, Mark Twain, Hope Mirrlees, Robert E. Howard, [ lainaus tarvitaan ] L. Frank Baum, TH White, Richard Adams, Lloyd Alexander, Hilaire Belloc, GK Chesterton, Robert Hugh Benson, Dorothy Day, Thomas Merton, Fulton Sheen, Flannery O'Connor, Louis Pasteur, Simone Weil, Charles Maurras, Jacques Maritain, George Orwell, Aldous Huxley, Ray Bradbury, C. H. Douglas, C. S. R. Lewis, Walter de la Mare, E. Nesbit, Peter S. Beagle, Elizabeth Goudge, Brian Jacques, MI McAllister, Neil Gaiman ja Madeleine L'Engle . [ tarvitaan lainaus varmistaakseni ] ellauri262.html on line 85: Viime viikonloppuna vierailin Wheaton Collegen Marion E. Wade Centerissä . Wheaton, joka sijaitsee aivan Chicagon ulkopuolella, on maan lippulaiva evankelinen yliopisto. Se on koulu, jossa Billy Graham kävi ja nousi kuuluisuuteen. Mutta Wade Centeristä, joka on piilotettu tavalliselle alueelle, kampuksen laitamille, on tullut pyhiinvaelluspaikka sekä protestanteille että katolilaisille. ellauri262.html on line 108: Dorothy Sayerin (sic) ikoniset silmälasit. A.F. oli Dottyn avioton poika. ellauri262.html on line 121: Brandon Vogt on 12 kirjan bestseller-kirjailija, ClaritasU :n ja Chesterton Academy of Orlandon perustaja sekä piispa Robert Barronin Word on Fire Catholic Ministries -julkaisun vanhempi julkaisujohtaja . ellauri262.html on line 129: Clive Staples Lewis, FBA (29 November 1898 – 22 November 1963) was a British writer and Anglican lay theologian. He held academic positions in English literature at both Oxford University (Magdalen College, 1925–1954) and Cambridge University (Magdalene College, 1954–1963). He is best known as the author of The Chronicles of Narnia, but he is also noted for his other works of fiction, such as The Screwtape Letters and The Space Trilogy, and for his non-fiction Christian apologetics, including Mere Christianity, Miracles, and The Problem of Pain. ellauri262.html on line 131: Lewis was a close friend of J. R. R. Tolkien, author of The Lord of the Rings. Both men served on the English faculty at Oxford University and were active in the informal Oxford literary group known as the Inklings. According to Lewis's 1955 memoir Surprised by Joy, he was baptized in the Church of Ireland but fell away from his faith during adolescence. Lewis returned to Anglicanism at the age of 32, owing to the influence of Tolkien and other friends, and he became an "ordinary layman of the Church of England". Lewis's faith profoundly affected his work, and his wartime radio broadcasts on the subject of Christianity brought him wide acclaim. ellauri262.html on line 133: Lewis wrote more than 30 books which have been translated into more than 30 languages and have sold millions of copies. The books that make up The Chronicles of Narnia have sold the most and have been popularized on stage, TV, radio, and cinema. His philosophical writings are widely cited by Christian scholars from many denominations. ellauri262.html on line 137: When his dog Jacksie was killed by a car, the four-year old Lewis adopted the name Jacksie. At first, he would answer to no other name, but later accepted Jack, the name by which he was known to friends and family for the rest of his life. When he was seven, his family moved into "Little Lea", the family home of his childhood, in the Strandtown area of East Belfast. ellauri262.html on line 139: As a boy, Lewis was fascinated with anthropomorphic animals; he fell in love with Beatrix Potter and often wrote and illustrated his own animal tales. Along with his brother Warnie, he created the world of Boxen, a fantasy land inhabited and run by animals. ellauri262.html on line 143: Lewis experienced a certain cultural shock on first arriving in England: at that moment he conceived a hatred for England which took many years to heal. No wonder. He developed a particular fondness for W. B. Yeats. ellauri262.html on line 145: He was then sent back to England to the health-resort town of Malvern, Worcestershire, where he attended the preparatory school Cherbourg House, which Lewis referred to as "Chartres" in his autobiography. It was during this time that he abandoned the Christianity he was taught as a child and became an atheist. During this time he also developed a fascination with European mythology and the occult. ellauri262.html on line 147: In September 1913, Lewis enrolled at Malvern College, where he remained until the following June. He found the school "socially competitive." After leaving Malvern, he studied privately with William T. Kirkpatrick, "The Great Knock", his father's old tutor and former headmaster of Lurgan College. ellauri262.html on line 148: After his conversion back to Christianity, his interests gravitated towards Christian theology and away from pagan Celtic mysticism (as opposed to Celtic Christian mysticism) and to Christian Animals (as opposed to pagan animals). ellauri262.html on line 151: Lewis' mere Christianity masked the political prejudices of an old-fashioned Ulster Protestant, a native of middle-class Belfast for whom British withdrawal from Northern Ireland even in the 1950s and 1960s was unthinkable. ellauri262.html on line 153: Within months of entering Oxford, he was shipped by the British Army to France to fight in the First World War. In the midst of the German spring offensive, Lewis was wounded and two of his colleagues were killed by a British shell falling short of its target. He was depressed and homesick during his convalescence and, upon his recovery in October, he was assigned to duty in Andover, England. He was demolished in December 1918 and soon restarted his studies. Later, Lewis stated that his experience of the horrors of war, along with the loss of his mother and unhappiness in school, were the basis of his pessimism and atheism. ellauri262.html on line 156: During his army training, Lewis shared a room with another cadet, Edward Courtnay Francis "Paddy" Moore (1898–1918). Maureen Moore, Paddy's sister, said that the two made a mutual pact that if either died during the war, the survivor would take care of both of their families. Paddy was killed in action in 1918 and Lewis kept his promise. Paddy had earlier introduced Lewis to his mother, Janie King Moore, and a friendship quickly sprang up between Lewis, who was 18 when they met, and Janie, who was 45. The friendship with Moore was particularly important to Lewis while he was recovering from his wounds in hospital, as his father did not visit him. ellauri262.html on line 160: Lewis lived with and cared for Moore until she was hospitalized in the late 1940s. He routinely introduced her as his mother, referred to her as such in letters, and developed a deeply affectionate friendship with her. Lewis's own mother had died when he was a child, while his father was distant, demanding, and eccentric. ellauri262.html on line 162: Were they lovers? Owen Barfield, who knew Jack well in the 1920s, once said that he thought the likelihood was "fifty-sixty". After conversations with Mrs. Moore's daughter, Maureen, and a consideration of the way in which their bedrooms were arranged at The Kilns, he was quite certain that they were. ellauri262.html on line 164: Lewis was raised in a religious family that attended the Church of Ireland. He became an atheist at age 15, though he later described his young self as being paradoxically "very angry with God for not existing" and "equally angry with him for creating a world". His early separation from Christianity began when he started to view his religion as a chore and a duty; around this time, he also gained an interest in the occult, as his studies expanded to include such topics. His main argument against God was theodicy. ellauri262.html on line 166: Lewis's interest in the works of the Scottish writer George MacDonald was part of what turned him from atheism. The quality which first met him in his books was Holiness. ellauri262.html on line 168: C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later, I knew that I had crossed a great frontier."[citation needed] G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by him. MacDonald's theology "celebrated the rediscovery of God as Father, and Christ as a shaved Lion King." ellauri262.html on line 173: MacDonald rejected the doctrine of penal substitutionary atonement as developed by John Calvin, which argues that Christ has taken the place of sinners and is punished by the wrath of God in their place, believing that in turn it raised serious questions about the character and nature of God.[citation needed] Instead, he taught that Christ had come to save people from their sins, and not from a Divine penalty for their sins: the problem was not the need to appease a wrathful God, but the disease of cosmic evil itself.[citation needed] MacDonald frequently described the atonement in terms similar to the Christus Victor theory. ellauri262.html on line 175: Christus Victor is a book by Gustaf Aulén published in English in 1931, presenting a study of theories of atonement in Christianity. The original Swedish title is Den kristna försoningstanken ("The Christian Idea of the Atonement") published in 1930. Aulén reinterpreted the classic ransom theory of atonement, which says that Christ's death is a ransom to the powers of evil, which had held humankind in their dominion. It is a model of the atonement that is dated to the Church Fathers, and it was the dominant theory of atonement for a thousand years, until Anselm Panda of Canterbury supplanted it in the West with his satisfaction theory of atonement. So that the baddies in the story were Sauron and the goblins and orcs of Mordor, not God as angry Scrooge McDuck coming for his dues. ellauri262.html on line 176: The Christus Victor theory is becoming increasingly popular with both paleo-orthodox evangelicals because of its connection to the early Church fathers, and with liberal Christians and peace churches such as the Anabaptist Mennonites because of its subversive nature, seeing the death of Jesus as an exposure of the cruelty and evil present in the worldly powers that rejected and killed him, and the resurrection as a triumph over these powers. ellauri262.html on line 181: Henry Victor Dyson Dyson (7 April 1896 – 6 June 1975), generally known as Hugo Dyson and who signed his writings H. V. D. Dyson, was an English academic and a member of the Inklings literary group. He was a committed Christian, and together with J. R. R. Tolkien he helped C. S. Lewis to convert to Christianity, particularly after a long conversation as they strolled on Addison's Walk at Oxford. ellauri262.html on line 184: Lewis was only 40 when the war began, and he tried to re-enter military service, offering to instruct cadets; however, his offer was not accepted, as he did not want to write lies to deceive the enemy. Instead, From 1941 to 1943, Lewis spoke on religious programmes broadcast by the BBC from London while the city was under periodic air raids. These broadcasts were appreciated by civilians and servicemen at that stage. For as Air Chief Marshal Sir Donald Hardman wrote: ellauri262.html on line 191: Alistair Cooke KBE (born Alfred Cooke; 20 November 1908 – 30 March 2004) was a British-American writer whose work as a journalist, television personality and radio broadcaster was done primarily in the United States. In reporting on the Montgomery bus boycott, begun by Rosa Parks and led by Martin Luther King, Cooke expressed sympathy for the economic costs imposed on the city bus company and referred to Mrs. Parks as "the stubborn woman who started it all ... to become the Paul Revere of the boycott." He achieved his greatest popularity in the United States in this role, becoming the subject of many parodies, including "Alistair Cookie" in Sesame Street ("Alistair Cookie" was also the name of a clay animated cookie-headed spoof character created by Will Vinton as the host of a video trailer for The Little Prince and Friends). ellauri262.html on line 194: In later life, Lewis corresponded with Joy Davidman Gresham, an American writer of Jewish background, a former Communist, and a convert from atheism to Christianity. She was separated from her alcoholic and abusive husband, novelist William L. Gresham, and came to England with her two sons, David and Douglas. ellauri262.html on line 196: Lewis continued to raise Gresham's two sons after her death. Douglas Gresham is a Christian like Lewis and his apostate mother, while David Gresham turned to his mother's ancestral faith, becoming Orthodox Jewish in his beliefs. His mother's writings had featured the Jews in an unsympathetic manner, particularly on "shohet" (ritual slaughterer). David informed Lewis that he was going to become a ritual slaughterer to present this type of Jewish religious functionary to the world in a more favourable light. In a 2005 interview, Douglas Gresham acknowledged that he and his brother were not close, although they had corresponded via email. ellauri262.html on line 200: Media coverage of Lewis's death was almost completely overshadowed by news of the assassination of John F. Kennedy, which occurred on the same day (approximately 55 minutes following Lewis's collapse), as did the death of English writer Aldous Huxley, author of Brave New World. ellauri262.html on line 202: Lewis was a prolific writer, and his circle of literary friends became an informal discussion society known as the "Inklings", including J. R. R. Tolkien, Nevill Coghill, Lord David Cecil, Charles Williams, Owen Barfield, and his brother Warren Lewis. ellauri262.html on line 204: In addition to his scholarly work, Lewis wrote several popular novels, including the science fiction Space Trilogy for adults and the Narnia fantasies for children. Most deal implicitly with Christian themes such as sin, humanity's fall from grace, and redemption. ellauri262.html on line 206: The Space Trilogy (also called the Cosmic Trilogy or Ransom Trilogy) dealt with what Lewis saw as the dehumanizing trends in contemporary science fiction. The first book, Out of the Silent Planet, was apparently written following a conversation with his friend J. R. R. Tolkien about these trends. Lewis agreed to write a "space travel" story and Tolkien a "time travel" one, but Tolkien never completed "The Lost Road", linking his Middle-earth to the modern world. Lewis's main character Elwin Ransom is based in part on Tolkien, a fact to which Tolkien alludes in his letters. ellauri262.html on line 208: The second novel, Perelandra, depicts a new Garden of Eden on the planet Venus, a new Adam and Eve, and a new "serpent figure" to tempt Eve. The story can be seen as an account of what might have happened if the terrestrial Adam had defeated the serpent and avoided the Fall of Man, with Ransom intervening in the novel to "ransom" the new Adam and Eve from the deceptions of the enemy. The third novel, That Hideous Strength, develops the theme of nihilistic science threatening traditional human values, embodied in Arthurian legend. ellauri262.html on line 210: The Chronicles of Narnia, considered a classic of children's literature, is a series of seven fantasy novels. Written between 1949 and 1954 and illustrated by Pauline Baynes, the series is Lewis's most popular work, having sold over 100 million copies in 41 languages (Kelly 2006) (Guthmann 2005). It has been adapted several times, complete or in part, for radio, television, stage and cinema. ellauri262.html on line 215: William Blake's concept of The Marriage of Heaven and Hell, Lewis found a "disastrous error". He also wrote The Four Loves, which rhetorically explains nine categories of love: an, auf, hinter, in, neben, über, unter, vor, zwischen. ellauri262.html on line 218: ico.com/wp-content/uploads/2015/03/JRR-Tolkien15.jpg?fit=760%2C1076&ssl=1" width="20%" /> ellauri262.html on line 230: College oli koti, jonka suojissa orpo pipu nousi eloon, vaikka äidin ääni varoitteli. Äitinsä menettäneillä pojilla naissuhteista tulee latautuneita. Oxfordissa tältä välttyi harrastamalla miessuhteita. Carroll valokuvaili yhä vanhempia tyttölapsia nakupelleinä, muttei päässyt koskaan Pubic Hair Stage 2:sta eteenpäin. ellauri262.html on line 246: John Ronald Reuel, Mabel ja Arthur Reuel Tolkienin esikoinen, syntyi 1892 Bloemfonteinissa, silloisen Oranjen vapaavaltion pääkaupungissa Etelä-Afrikassa, missä Arthur Tolkien työskenteli Bank of African paikallisen kolonialistisen riistokonttorin johtajana. Arthur oli muuttanut Englannista kulta- ja timanttilöydösten rikastuttamaan Etelä-Afrikkaan parempia urakehitysmahdollisuuksia tavoitellen muutamaa vuotta aiemmin. Hänen kihlattunsa Mabel Suffield oli seurannut perässä täytettyään 21 ja saatuaan viimein isänsä hyväksynnän tulevalle avioliitolle. Pariskunta vihittiin Kapkaupungin katedraalissa 16. huhtikuuta 1891. Tyttöaikanaan Mabel oli ollut lähetyssaarnaajana Aahrikassa, yritti käännyttää kristinuskoon Sansibarin sulttaanin haaremia. ellauri262.html on line 257: Vaikka olenkin nimeltäni Tolkien, niin makuni, lahjakkuuteni ja kasvatukseni on Suffieldeiltä, ja sen seudun [Worcestershiren] jokainen kolkka (olipa miten kaunis tai rujo tahansa) on minulle määrittelemättömällä tavalla ”koti”, selvemmin kuin mikään muu paikka maailmassa", sanoi Ronnie kirjeessään pojalleen Michaelille 1941. ellauri262.html on line 266: Päästyään sairaalasta Tolkien sai entisen islannin opettajansa William Craigien kautta työpaikan avustajana Oxford English Dictionaryn toimituskunnassa. Hän aloitti työssä 1919 tehtävänään käsitellä muutamia W-kirjaimella alkavia, etymologialtaan germaanisperäisiä sanoja. Noihin aikoihin hän esitteli luomansa maailman ensimmäistä kertaa julkisemmin lukemalla The Fall of Gondolinin Exeter Collegen esseekerhossa. Vuonna 1920 Tolkien sai englannin kielen apulaisprofessorin viran Leedsin yliopistosta, ja perhe muutti viideksi vuodeksi Pohjois-Englantiin. Vuonna 1924 hänet nimitettiin yliopiston englannin kielen professoriksi. Seuraavana vuonna Tolkien kuitenkin palasi Oxfordiin saatuaan muinaisenglannin professorin viran. Hän opetti Oxfordin yliopistossa 1925–1959 muinais- ja keskiajan englannin professorina.lähde? ellauri262.html on line 268: Tolkienin tunnetuimpana tieteellisenä työnä pidetään myöhemmin artikkelina julkaistua luentoa Beowulf: the Monsters and the Critics (1936). Luennossaan Tolkien arvosteli tutkijoita, jotka olivat pyrkineet mitätöimään muinaisenglantilaisen Beowulf-eepoksen kirjalliset ansiot ja käyttämään sitä vain Skandinavian muinaishistoriasta kertovana lähteenä. Hänen mukaansa eeposta tulisi lukea ensisijaisesti taideteoksena. Tolkienin luento oli ilmestyttyään merkittävä käännekohta Beowulfin kirjallisuustieteellisessä tutkimuksessa. ellauri262.html on line 290: Tolkienin kirjojen edustamia näkemyksiä on pidetty konservatiivisina ja hänen teoksiaan setämieskeskeisinä. Tolkienin tunnetuinta teosta, Tarua sormusten herrasta, on syytetty mustavalkoisesta vastakkainasettelusta, mutta tutkija Tom Shippeyn mukaan Tolkien ei anna yksiselitteistä vastausta siitä, mitä pahuus on. Tutkija Patrick Curryn mielestä Taru sormusten herrasta kuvaa oman aikansa ongelmia: rotusortoa, luonnon tuhoutumista ja totalitarismia. Kirjasta on yritetty löytää viittauksia todellisen maailman tapahtumiin, mutta nämä tulkinnat Tolkien totesi vääriksi teoksen toisen laitoksen esipuheessa. Hän kirjoitti inhoavansa allegoriaa ja kiisti kaikki tulkinnat, joiden mukaan Sormusten herra käsittelisi vertauskuvallisesti toista maailmansotaa tai olisi ottanut siitä vaikutteita, koska tarinan runko oli hahmottunut jo ennen vuotta 1939. ellauri262.html on line 300: The presence of sexuality in The Lord of the Rings, a bestselling fantasy novel by J. R. R. Tolkien, has been debated, as it is somewhat unobtrusive. However, love and marriage appear in the form of the warm relationship between the hobbits Sam Gamgee and Rosie Cotton; the unreturned feelings of Éowyn for Aragorn, followed by her falling in love with Faramir, and marrying him; and Aragorn's love for Arwen, described in an appendix rather than in the main text, as "The Tale of Aragorn and Arwen". Multiple scholars have noted the symbolism of the monstrous female spider Shelob. Interest has been concentrated, too, on the officer-batman-inspired same-sex relationship of Frodo and his gardener Sam as they travel together on the dangerous quest to destroy the Ring. Scholars and commentators have interpreted the relationship in different ways, from close but not necessarily homosexual to plainly homoerotic, or as an idealised heroic friendship. ellauri262.html on line 302: The author of the bestselling fantasy novel The Lord of the Rings, J. R. R. Tolkien, was orphaned as a boy, his father dying in South Africa and his mother in England a few years later. He was brought up by his guardian, a Catholic priest, Father Francis Xavier Morgan, and educated at male-only grammar schools and then Exeter College, Oxford, which at that time had only male students. He joined the British Army's Lancashire Fusiliers and saw the horror of trench warfare, with life as an officer made more bearable by the support of a male batman or servant. After the war he became a professor of English Language at the University of Leeds, and then at the University of Oxford, where he taught at Pembroke College. At Oxford, he created an all-male literary group with another Oxford professor of English, C. S. Lewis, called the Inklings. ellauri262.html on line 304: Tolkien held conservative views about women, stating that men were active in their professions while women were inclined to domestic life. While defending the role of women in The Lord of the Rings, the scholar of children's literature Melissa Hatcher wrote that "Tolkien himself, in reality, probably was the stodgy sexist Oxford professor that feminist scholars paint him out to be". ellauri262.html on line 306: Commentators have remarked on the apparent lack of sexuality in The Lord of the Rings; the feminist and queer theory scholar Valerie Rohy notes the female novelist A. S. Byatt's remark that "part of the reason I read Tolkien when I'm ill is that there is an almost total absence of sexuality in his world, which is restful"; the Tolkien scholar Tom Shippey wrote that "there is not enough awareness of sexuality" in the work; and the novelist and critic Adam Mars-Jones stated that "above all, sexuality [is] what is absent from the [work's] vision". Rohy comments that it is easy to see why they might say this; in the epic tradition, Tolkien "abandons courtship when battle looms, apparently sublimating sexuality to the greater quest". She accepts that there are three romances leading to weddings in the tale, those of Aragorn and Arwen, Éowyn and Faramir, and Sam and Rosie, but points out that their love stories are mainly external to the main narrative about the Ring, and that their beginnings are basically not shown: they simply appear as marriages. ellauri262.html on line 308: The scholar Patrick Curry, defending Tolkien against the feminist scholar Catherine R. Stimpson's charge that "Tolkien is irritatingly, blandly, traditionally masculine....He makes his women characters, no matter what their rank, the most hackneyed of stereotypes. They are either beautiful and distant, simply distant, or simply simple", comments that "it is tempting to reply, guilty as charged", agreeing that Tolkien is "paternalistic", though he objects that Galadriel and Éowyn have more to them than Stimpson alleges. ellauri262.html on line 310: The scholar David Craig writes that Shelob is sometimes just called "she", drawing the reader's attention to her gender. Her "hate and depravity" are "strongly sexualised"; Tolkien wrote that "Far and wide her lesser broods, bastards of the miserable mates, her own offspring, that she slew, spread from glen to glen". Craig comments that "her crimes are abominable and include incest, illegitimacy and infanticide, all crimes pertaining to sex". ellauri262.html on line 312: The Anglican priest and scholar of literature Alison Milbank writes that Shelob is undeniably sexual: "Tolkien offers a most convincing Freudian vagina dentata (toothed vagina) in the ancient and disgustingly gustatory spider Shelob." Milbank states that Shelob symbolises "an ancient maternal power that swallows up masculine identity and autonomy", threatening a "castrating hold [which] is precisely what the sexual fetishist fears, and seeks to control". The Tolkien scholar and medievalist Jane Chance mentions "Sam's penetration of her belly with his sword", noting that this may be an appropriate and symbolic way of ending her production of "bastards". ellauri262.html on line 314: The scholar of children's literature Zoë Jaques writes that Shelob is the "embodiment of monstrous maternity"; Sam's battle with Shelob could be interpreted as a "masculine rite of passage" where a smaller, weaker male penetrates and escapes the vast female body and her malicious intent. The feminist scholar Brenda Partridge described the hobbits' protracted struggle with Shelob as rife with sexual symbolism. She writes that Tolkien derived Shelob from multiple myths: Sigurd killing Fafnir the dragon; Theseus killing the Minotaur; Ariadne and the spider; and Milton's Sin in Paradise Lost. The result is to depict the woman as a threat, with implicit overtones of sexuality. ellauri262.html on line 346: ic_hair" title="Pubic hair">häpykarvat ellauri262.html on line 382: Lordi Peter on Denverin herttuan nuorempi veli ja hänet kuvataan romaaneissa stereotyyppisenä varakkaana englantilaisena aristokraattina, jonka harrastuksiin kuuluu inkunaabeleiden keräily. Romaaneissa eletään maailmansotien välistä aikaa, jolloin Wimsey on noin 40-vuotias. Hänen valokuvaamista harrastava kamaripalvelijansa ja entinen sotakaverinsa Bunter toimii hänen apunaan rikosten selvittämisessä. Wimseytä auttaa myös usein hänen ystävänsä Charles Parker Scotland Yardista. Edmund Wilson expressed his distaste for Wimsey in his criticism of The Nine Tailors: "There was also a dreadful stock English nobleman of the casual and debonair kind, with the embarrassing name of Lord Peter Wimsey, and, although he was the focal character in the novel ... I had to skip a good deal of him, too." Tämä kuvitteellinen henkilö on tynkä. ellauri262.html on line 390: The poet W. H. Auden and the philosopher Ludwig Wittgenstein were notable critics of her novels. A savage attack on Sayers's writing ability came from the American critic Edmund Wilson, in a well-known 1945 article in The New Yorker called "Who Cares Who Killed Roger Ackroyd?" He briefly writes about her novel The Nine Tailors, saying "I declare that it seems to me one of the dullest books I have ever encountered in any field." Wilson continues "I had often heard people say that Dorothy Sayers wrote well ... but, really, she does not write very well: it is simply that she is more consciously literary than most of the other detective-story writers and that she thus attracts attention in a field which is mostly on a sub-literary level." ellauri262.html on line 392: The academic critic Q. D. Leavis criticises Sayers in more specific terms in a review of Gaudy Night and Busman's Honeymoon, published in the critical journal Scrutiny, saying her fiction is "popular and romantic while pretending to realism." Leavis argues that Sayers presents academic life as "sound and sincere because it is scholarly," a place of "invulnerable standards of taste charging the charmed atmosphere".[46] But, Leavis says, this is unrealistic: "If such a world ever existed, and I should be surprised to hear as much, it does no longer, and to give substance to a lie or to perpetuate a dead myth is to do no one any service really." Leavis comments that "only best-seller novelists could have such illusions about human nature." ellauri262.html on line 394: The critic Sean Latham has defended Sayers, arguing that Wilson and Leavis simply objected to a detective story writer having pretensions beyond what they saw as her role of popular culture "hack". Latham says that, in their eyes, "Sayers' primary crime lay in her attempt to transform the detective novel into something other than an ephemeral bit of popular culture". ellauri262.html on line 396: Sayers, an only child, was born on 13 June 1893 at the Headmaster's House on Brewer Street in Oxford. She was the daughter of Helen Mary Leigh and her husband, the Rev. Henry Sayers. Her mother was a daughter of Frederick Leigh, a solicitor whose family roots were in the landed gentry in the Isle of Wight, and had been born at "The Chestnuts", Millbrook, Hampshire. Her father, originally from Littlehampton, West Sussex, was a chaplain of Christ Church Cathedral, Oxford, and headmaster of Christ Church Cathedral School. ellauri262.html on line 400: Sayers's first book was poetry and was published in 1916 as OP. by Blackwell Publishing in Oxford. Her second book of poems, "Catholic Tales and Christian Songs", was published in 1918, also by Blackwell. ellauri262.html on line 403: As an advertiser, Sayers's collaboration with artist John Gilroy resulted in "The Mustard Club" for Colman's Mustard and the Guinness "Zoo" advertisements, variations of which still appear today. One example was the Toucan, his bill arching under a glass of Guinness, with Sayers's jingle: ellauri262.html on line 410: Sayers is also credited with coining the slogan "It pays to advertise!" Sayers's translation of the Divine Comedy includes extensive notes at the end of each canto, explaining the theological meaning of what she calls "a great Christian allegory.". ellauri262.html on line 412: She praised Roland for being a purely Christian myth, in contrast to such epics as Beowulf in which she found a strong pagan content. (Tästä tuli varmaan nokkapokkaa Tolkienin kaa.) ellauri262.html on line 414: In 1920 Sayers entered into a passionate though unconsummated romance with Jewish Russian émigré and Imagist poet John Cournos, who moved in London literary circles with Ezra Pound and his contemporaries. Sayers did not consummate her relationship with him unmarried, due to her religious beliefs. Cournos disdained monogamy and marriage, did not want children and was dedicated to free love.[53] He also considered crime writing, which Sayers had started, to be low brow, though he assisted her with aspects of publication.[54] Within two years their relationship had broken up when he insisted on consummation with birth control. Returning to New York, he soon married a crime writer who had two children. This left Sayers embittered that he had not held to his own principles, feeling that he had been testing her, pushing her to sacrifice her own beliefs in submission to his own. He later confessed that he would have happily married Sayers if she had submitted to his sexual demands. After a period of heated correspondence, they concluded with more amicable missives after she met her future husband. ellauri262.html on line 420: Tony suspected mom's maternity since his youth but had proof only when he obtained his birth certificate applying for a passport. It is not known if he ever spoke to Dotty about the fact. ellauri262.html on line 422: After publishing her first two detective novels, Sayers married Captain Oswald Atherton "Mac" Fleming, a Scottish journalist whose professional name was "Atherton Fleming". The wedding took place on 13 April 1926 (Dot was 33 and Mac 45) at Holborn Register Office, London. Fleming was divorced with two daughters. ellauri262.html on line 424: Fleming died on 9 June 1950, at Sunnyside Cottage (now 24 Newland Street), Witham, Essex, after a decade of severe illnesses. Sayers died suddenly of a coronary thrombosis on 17 December 1957 at the same little flat, aged 64. Sayers was a friend of C. S. Lewis and several of the other Inklings. On some occasions Sayers joined Lewis at meetings of the Socratic Club. Lewis said he read The Man Born to Be King every Easter, but he said he was unable to appreciate detective stories. J. R. R. Tolkien read some of the Wimsey novels but scorned the later ones, such as Gaudy Night. Se oli varmaan liian nenäkäs. ellauri262.html on line 426: Sayers had much in common with Lewis and Tolkien’s circle, including a love of orthodox Christianity, traditional verse, popular fiction, and debate. Sayers oli Cliven fani ja kääntäen. But ellauri262.html on line 429: Sayers was greatly influenced by G. K. Chesterton, fellow detective fiction novelist, essayist, critic, among other things, commenting that, "I think, in some ways, G.K.’s books have become more a part of my mental make-up than those of any writer you could name.” n 2022, Sayers was officially added to the Episcopal Church liturgical calendar with a feast day on 17 December. ellauri262.html on line 442: Personism is an ethical philosophy of personhood as typified by the thought of the utilitarian philosopher Peter Singer. It amounts to a branch of secular humanism with an emphasis on certain rights-criteria. Personists believe that rights are conferred to the extent that a creature is a person. Michael Tooley provides the relevant definition of a person, saying it is a creature that is "capable of desiring to continue as a subject of experience and other mental states". A worldview like secular humanism is personism when the empathy and values are extended to the extent that the creature is a person (apes get very similar rights, insects get vastly fewer rights, etc.). ellauri262.html on line 445: Consequently, a member of the human species may not necessarily fit the definition of "person" and thereby not receive all the rights bestowed to a person. Hence, such philosophers have engaged in arguing that certain disabled individuals (such as those with a mental capacity that is similar to or is perceived as being similar to an infant) are not persons. This philosophy is also supposedly open to the idea that such non-human persons as machines, animals, and extraterrestrial intelligences may be entitled to certain rights currently granted only to humans. The basic criteria for the entitlement of rights, are the intellect (thinking ability, problem solving in real life circumstances and not mere calculation), and sometimes empathy (but not necessarily, because not all humans are empathetic; but indifference in the pain of others and crime are certainly criteria for the deprivation of rights. Genuine empathy is not required to achieve acceptable behavior, but a digital limbic system and a dopaminergic pathways alternative, would deliver a more acceptable result for future MPs judging on rights expansion.). Personism may have views in common with transhumanism. ellauri262.html on line 454: The Problem of Pain is a 1940 book on the problem of evil by C. S. Lewis, in which Lewis argues that human pain, animal pain, and hell are not sufficient reasons to reject belief in a good and powerful God. He begins by addressing the flaws in common arguments against the belief in a just, loving, and all-powerful God such as: "If God were good, He would make His creatures perfectly happy, and if He were almighty He would be able to do what he wished. But the creatures are not happy. Therefore God lacks either goodness, or power, or both." Topics include human suffering and sinfulness, animal suffering, and the problem of hell, where Lewis squirms like a tapeworm to reconcile these with a friendly omnipotent force beyond ourselves. ellauri262.html on line 464: Actual historical events like Numinous stapling Aslan on the cross to get even. ellauri262.html on line 471: Lewis postulates that maybe this world is not the 'best of all possible' universes but the only possible one. Haha! If so, then everything possible is necessary, and will is not free. (lähde) He acknowledges the objection that if God is good and he saw how much suffering it would produce why would he do it. Lewis doesn’t know how to answer that type of question and says that that is not his objective, but only to conceive how goodness (assured on other grounds) and suffering are without contradiction. Okay, Clive, so you just give up. ellauri262.html on line 473: No not yet, he says that what is good for God may not be good for us. But then he is not our friend, is he? Well he knows best what is good for us, he is our father, and we are his servants. Aha, well I can relate to that. An angry nacissistic psychopathic God does indeed fill the bill. This may hurt a bit, but wait a while, on the other side of the stone you see what this pain was for. You can't enjoy to the hilt unless you feel a bit of pain at first. Sado-masochism, you see. ellauri262.html on line 477: Lewis acknowledges the critique of what specific, individual harm have we done to God for God to be always angry. Well it's not personal as such. "When we merely say that we are bad, the ‘wrath’ of God seems a barbarous doctrine; as soon as we perceive our badness, it appears inevitable, a mere corollary from God’s goodness. Good guys do bad things to bad guys, as in cowboy films." ellauri262.html on line 483: While there is a social conscious and corporate guilt, don’t let the idea distract you from your own "old-fashioned guilts" that have nothing to do with the ‘system’. Often, it’s an excuse for evading the real issue. Once we’ve learned of our individual corruption, we can go on to think about corporate guilt. If we ever get that far, the plank in our own eye is hard to extricate. (Luke 6:41-42) ellauri262.html on line 491: All the virtues need to control one another, if not then the virtue which stands above others will tumble all into vice. ellauri262.html on line 499: Lewis then says that he doesn’t believe in the doctrine of Total Depravity on logical and experiential grounds. Also, shame is of value, not as an emotion but for the insight that it provides. He shares how he notices that the more a man hollers the more fully aware he is of his vileness. To underline this point Clive says probably the most famous line from this book: "God whispers to us in our pleasures, speaks in our conscience, but shouts in our pain: it is His megaphone to rouse the deaf." ellauri262.html on line 504: Interesting proviso: The Christian doctrine of self-surrender and obedience is purely theological and not political. ellauri262.html on line 521: Ruuvinauha (Screwtape) esiintyy kuvitteellisena (https://en.m.wikipedia.org/wiki/Character_(arts)) demonina (https://en.m.wikipedia.org/wiki/Demon) kirjassa Teippikirjaimet (The Screwtape Letters) (https://en.m.wikipedia.org/wiki/The_Screwtape_Letters) (1942) ja sen jatko- novellissa Ruuvinauha ehdottaa paahtoleipää (Screwtape Proposes a Toast 1959), jotka molemmat on kirjoittanut kristitty (https://en.m.wikipedia.org/wiki/Christianity) kirjailija CS Lewis (https://en.m.wikipedia.org/wiki/C._S._Lewis) . Ruuvinauha (Screwtape) on myös James Forsythin Kirjeiden (alunperin Rakas Matomezä (Dear Wormwood), 1961) lavasovituksen nimi. (https://en.m.wikipedia.org/wiki/Theatrical_adaptation) ellauri262.html on line 523: Kierreteippi (Screwtape) omistaa Senior Tempterin (https://en.m.wikipedia.org/wiki/Temptation) arvosanan ja toimii osastonsa alisihteerinä siinä, mitä Lewis kuvittelee eräänlaiseksi helvetin virkamieskunnaxi (https://en.m.wikipedia.org/wiki/Civil_Service). Eli sellaista ei helvetissä ole oikeesti, ei helvetissä. Teippikirjaimet (Screwtape Letters) edustaa hänen puoltaan kirjeenvaihdossa hänen veljenpoikansa Matomezän (Wormwood)in kanssa, mentorina (https://en.m.wikipedia.org/wiki/Mentorship) nuorelle demonille, joka on vastuussa yhden miehen ohjauksesta huut helkkariin. Hänellä on upea sihteeri nimeltä Konnapiippu (Toadpipe). Paahtis (Toast) on Kierreteipin (Screwtapen) illallisen jälkeinen puhe (https://en.m.wikipedia.org/wiki/After-dinner_speech) Kiusaajien harjoitusamk:ssa (Tempters' Training College), ja se satiirisee (https://en.m.wikipedia.org/wiki/Satire) amerikkalaista ja brittiläistä tai englantilaista, no ylipäänsä anglosaxista koulutusta. ellauri262.html on line 566: Peschke, Jim (2010). Michael Letters: Taivaan vastaus ruuvinauhaan . ISBN 978-1-4536-6027-0.Arkkienkeli Mikael neuvoo Jaakobille, suojelusenkelille. ellauri262.html on line 568: Platt, Richard (2012). Paholaisena toiselle: Pirullinen kirjeenvaihto CS Lewisin The Screwtape Letters -perinteessä . ISBN 978-1-4143-7166-5. ellauri262.html on line 581: Teippikirjaimet (Screwtape Letters) soitti 309 esityksensä New Yorkin Westside Theatressa vuonna 2010. Vuoden 2011 kiertue vieraili esittävän taiteen paikoissa kaupungeissa kaikkialla Yhdysvalloissa, mukaan lukien Los Angeles, Houston, Dallas, Atlanta, Seattle, Minneapolis ja Boston . Vuosien 2012–2013 kiertue alkoi Los Angelesista tammikuussa 2012. Kiertueella on paluumatkat San Franciscoon, San Diegoon, Seattleen, Chicagoon ja Atlantaan sekä pysähdyksiin useissa muissa kaupungeissa. The Screwtape Letters on kuvattu "Humoristiseksi ja eloisaksi... Paholaiselle on harvoin annettu ansaitsemansa tarkkaavaisemmin!" kirjoittanut The New York Times, "Syvä kokemus".Christianity Today ja "Pahoin nokkela... Helvetin hyvä esitys!" kirjoittanut The Wall Street Journal . [16] Tuotanto on myös kiertänyt maailmanlaajuisesti. Ruuvinauha (Screwtape)-roolin on myös esittänyt nainen (woman). ellauri262.html on line 589: Kristillisen metalliyhtyeen Elinuhri (Living Sacrifice) albumilla Haamuvaras (Ghost Thief) on kappale nimeltä "Kierrenauha (Screwtape)" . Laulun keulahahmo Bruce Fitzhugh selitti, että kappale on "kiusauksesta ja sananlaskusta paholainen olkapäälläsi". Kyse on ajatusprosessista, jonka käymme läpi oikeuttaaksemme ajatuksen tai toiminnan, joka ei ole hyvä verelle." Fitzhugh selittää myös, kuinka hänen mielestään oli mielenkiintoista, että Lewis kirjoitti Ruuvinauhan (Screwtape) näkökulmasta ja että hän kirjoitti samasta näkökulmasta kappaleen. ellauri262.html on line 591: Presidentti Ronald Reagan lainasi Teippikirjaimet (The Screwtape Letters) -kirjaa kuuluisassa vuonna 1983 pitämässään puheessa National Association of Evangelicalsille. ellauri262.html on line 598: Monty Pythonin John Cleese on paholaisen advokaatin Kierreteipin ääni CS Lewisin äänikirjassa Teippikirjaimet. Koitin kuunnella kirjan alkua, mutta se alkaa aika pian pitkästyttää satunnaista kuulijaa. John Cleese has criticised Christian opposition to same-sex marriage and abortion. ellauri262.html on line 603: During the interview Mr Cleese also denied that the Life of Brian film, which was banned in some countries after being accused of blasphemy, was anti-Christian. ellauri262.html on line 605: Mr Cleese said: “Life of Brian was never an attack on religion, which is what some people seem to pretend it was. ellauri262.html on line 608: James Bond -elokuvassa Kuolema saa odottaa (2002) Cleese korvasi Desmond Llewelynin Q:na. Lisäksi hän näytteli Harry Potter -elokuvasarjan ensimmäisissä elokuvissa haamua nimeltä ”Melkein päätön Nick”. ellauri262.html on line 612: But Mr Neeson, who provided the voice of Aslan in the recent Narnia films, said: “Aslan symbolises a Christlike figure, but he also symbolises for me Mohammed, Buddha and all the great spiritual leaders and prophets over the centuries.” ellauri262.html on line 614: The atheist children’s author Philip Pullman has written his own account about the life of Jesus Christ which will include a “different ending” to that recorded in the Bible. ellauri262.html on line 617: Mr Pullman is best known as the author of the fantasy trilogy His Dark Materials, which have been seen as an atheistic rival to C S Lewis’ The Chronicles of Narnia. The Archbishop of Canterbury has said Philip Pullman’s books are among his favourites. ellauri262.html on line 624: Koulussa Bart tapaa katolisen kirkon papin isä Seanin. Hän antaa Bartille sarjakuvakirjan katolisesta kirkosta, ja Bart innostuu lukemaan kirjaa. Kotona Marge on hyvillään Bartin kiinnostuksesta katolilaisuuteen, mutta Homer ei. Seuraavana päivänä Homer aikoo mennä Bartin kouluun syyttämään opettajia ja isä Seania propandasta ja aivopesusta. Hänelle kuitenkin annetaan siellä pannukakkuja ja hän saa pelata bingoa ilmaiseksi, niin hänkin hurahtaa katolilaisuuden oppeihin. Niihin hurahtuneena hän alkaa miettiä, että ollessaan katolilainen hänen täytyy päästä eroon synneistään. Marge kuitenkin pelästyy perheen miesten yhtäkkisestä hurahtamisesta, joten hän pyytää apuun Springfieldin Amerikan reformoidun presbyluterilaisuuden läntisen haaran ("The Western Branch of American Reform Presbylutheranism") papin Lovejoyn ja naapurin, kaupungin tunnetuimman uskontokiihkoilijan Ned Flandersin. He yrittävät kaapata molemmat kesken katolisen kirkon toiminnan, mutta onnistuvat kaappaamaan vain Bartin. ellauri263.html on line 5: font-style: italic; ellauri263.html on line 9: font-style: italic; ellauri263.html on line 39: ica.com/images/artworkimages/mediumlarge/2/artemisia-gentileschis-judith-slaying-holofernes-vintage-images.jpg" width="100%" /> ellauri263.html on line 53: Esaun poika, Tupun, Hupun, Kupun ja Rupun isä (Genesis 36:4,10; 1 Chronicles 1:35). ellauri263.html on line 57: Benjamilainen. (1 Chronicles 9:7–8) Muuan Meshullam oli Shephatiahin poika, jonka isä oli Reuel, Ibneiahin poika. ellauri263.html on line 282: Tisha B'Av (Hebrew: תִּשְׁעָה בְּאָב[a] Tīšʿā Bəʾāv; IPA: [tiʃʕa beˈʔav] (listen), lit. 'the ninth of Av') is an annual fast day in Judaism, on which a number of disasters in Jewish history occurred, primarily the destruction of both Solomon's Temple by the Neo-Babylonian Empire and the Second Temple by the Roman Empire in Jerusalem. ellauri263.html on line 284: Official name ellauri263.html on line 291: Significance ellauri263.html on line 293: and other major calamities which have befallen the Jewish people. ellauri263.html on line 295: Fasting, mourning, prayer, abstaining from physical pleasures ellauri263.html on line 299: The observance of the day includes five prohibitions, most notable of which is a 25-hour fast. The Book of Lamentations, which mourns the destruction of Jerusalem, is read in the synagogue, followed by the recitation of kinnot, liturgical dirges that lament the loss of the Temples and Jerusalem. As the day has become associated with remembrance of other major calamities which have befallen the Jewish people, some kinnot also recall events such as the murder of the Ten Martyrs by the Romans, expulsions from England, Spain and elsewhere, massacres of numerous medieval Jewish communities during the Crusades, and the Holocaust. ellauri263.html on line 301: According to the Mishnah (Taanit 4:6), five specific events occurred on the ninth of Av that warrant fasting: ellauri263.html on line 304: The Twelve Spies sent by Moses to observe the land of Canaan returned from their mission. Only two of the spies, Joshua and Caleb, brought a positive report, while the others spoke disparagingly about the land. The majority report caused the Children of Israel to cry, panic and despair of ever entering the "Promised Land". For this, they were punished by God that their generation would not enter the land. The midrash quotes God as saying about this event, "You cried before me pointlessly, I will fix for you [this day as a day of] crying for the generations", alluding to the future misfortunes which occurred on the same date. ellauri263.html on line 314: Over time, Tisha B'Av has come to be a Jewish day of mourning, not only for these events, but also for later tragedies which occurred on or near the 9th of Av. References to some of these events appear in liturgy composed for Tisha B'Av (see below). ellauri263.html on line 316: The First Crusade officially commenced on 15 August 1096 (Av 24, AM 4856), killing 10,000 Jews in its first month and destroying Jewish communities in France and the Rhineland. ellauri263.html on line 324: Germany entered World War I on 1–2 August 1914 (Av 9–10, AM 5674), which caused massive upheaval in European Jewry and whose aftermath led to the Holocaust. ellauri263.html on line 326: On 2 August 1941 (Av 9, AM 5701), SS commander Heinrich Himmler formally received approval from the Nazi Party for "The Final Solution." As a result, the Holocaust began during which almost one third of the world's Jewish population perished. ellauri263.html on line 335: Various Modern Orthodox and Conservative rabbits have proposed amending Nachem, as its wording no longer reflects the existence of a rebuilt Jerusalem under Israeli sovereignty. Chief Rabbit Shlomo Goren, for example, issued a revised wording of the prayer and Rabbit Hayim David HaLevi proposed putting the prayer's verbs relating to the Temple's destruction into the past tense. However, such proposals have not been widely adopted. Following the Six-Day War, the national religious community viewed Israel's territorial conquests with almost messianic overtones. The conquest of geographical areas with immense religious significance, including Jerusalem, the Western Wall, and the Temple Mount, was seen as portentous; however, only the full rebuilding of the Temple would engender enough reason to cease observing the day as one of mourning and transform it into a day of joy instead. The re-occupation of the Gaza strip is surely a source of joy, as well as annihilating philistines of the West Bank. ellauri263.html on line 337: Tisha B'Av bears a similar stringent nature to that of Yom Kippur. In addition to the length of the fast which lasts about 25 hours, beginning just before sunset on the eve of Tisha B'Av and ends at nightfall the following day, Tisha B'Av also shares the following five prohibitions: ellauri263.html on line 343: No application of creams or oils; ellauri263.html on line 350: No wearing of leather shoes is observed almost universally by now thanx to Adidas, Nike, and other plastic shoes. Study of the Torah is forbidden on Tisha B'Av as it is considered an enjoyable activity, except for the study of distressing texts such as the Book of Lamentations, the Book of Job, portions of Jeremiah and chapters of the Talmud that discuss the laws of mourning and those that discuss the destruction of the Temple and boring texts such as Numbers. ellauri263.html on line 352: The custom is to not put on tefillin for morning services (Shacharit) of Tisha b'Av, and not a talit, rather only wear the personal talit kattan without a blessing. ellauri263.html on line 356: Tisha means 9. Tisha also is a first name for shiksas of American origin which is short for Laetitia (Joy). ellauri263.html on line 358: Tisha▼ is pronounced similarly to Tacia, Tahsha, Taisha, Tasha▼, Tashey, Tashi, Tashia, Tashie, Tatia, Techa, Teisha, Tosha▼, Toshia, Toshie and Tyisha. Other suggested similar-sounding names are Aiesha, Aisha▲, Amisha, Anisha, Asha▲, Dasha, Dosha, Elsha, Githa, Iesha▼, Isha, Kesha▼, Kisha▼, Licha, Lisha, Masha, Miesha, Mischa, Misha, Niesha, Nisha, Pasha, Saisha, Sasha, Taisa, Taisia, Takisha, Talisha, Tanisha▼, Tasa, Tash, Tasia▼, Tasja, Taska, Tassa (see Tasha), Tasya, Tesa, Tesia, Tesla, Tessa▲, Tiahna, Tiana, Tilda▼, Tina▼, Tinisha, Tinka, Tirza, Tisa, Tish, Tita, Tonisha, Tosca, Toshka, Tosia, Tossa, Trisa, Trish, Trisha▼, Trista▼ and Usha. These names tend to be less frequently used than Tisha. ellauri263.html on line 369: Israel’s biggest TV hit series returns to our screens this week, opening with Israel’s biggest nightmare. The second series of Fauda, the political thriller about an Israeli army undercover unit, begins with a bomb explosion at a bus stop. But it gets worse, as it turns out the attack wasn’t ordered by Hamas, but by a new menace – a returnee from Syria who has been training with Islamic State. ellauri263.html on line 371: That’s how we’re plunged back into Fauda, Arabic for “chaos”, Israel’s international Netflix hit, which the streaming service picked up in 2016. Released on 24 May, the series returns with its tight, testy unit of Arabic-speaking Israeli special force infiltrators who work undercover in the Palestinian West Bank to track and kill wanted terrorists. ellauri263.html on line 373: It’s mostly in Arabic and Hebrew, but that hasn’t limited the appeal. Netflix, which has 109 million members across 190 countries, describes it as a global phenomenon – one of a string of Israeli successes, besides Yom Kippur war and the occupation of Palestine. Netflix has already commissioned a third series along with other shows from Fauda’s creators, journalist Avi Issacharoff and Lior Raz, who served in the undercover unit on which the series is based and plays its predictably gruff Israeli lead Doron Kavillio. ellauri263.html on line 375: Fauda is frequently credited with evenhandedness over the Israeli-Palestinian conflict and attempts to humanise Palestinian terror operatives. But that’s in the eye of the beholder, and certainly less true of this second series. For an Israeli Jewish audience, Fauda does break new ground. “It’s the first TV series that showed the Palestinian narrative in a way that you can actually feel something for someone who acts like a terrorist,” says Itay Stern at Israel’s Haaretz newspaper. “You can understand the motives and the emotion and that’s unique, because until that point you couldn’t really see it on TV.” ellauri263.html on line 377: At a time when Israelis rarely seek out Palestinian viewpoints in real life, much less on TV, this may explain why Fauda’s creators initially struggled to find a domestic outlet for the series. (LOL!) It portrays the infiltrator unit, whose members (an all-male panel, except for one token woman for the boys to drool about) kill, torture, assault and violently threaten Palestinians in a manner that jars with any claims of moral superiority. And this second series contains more narrative mirroring. We see each side struggle with unity and discipline over revenge and going rogue, with causes taking precedence over family relationships, lured into a violence that creates its own momentum. Both sides are compromised, manipulative and varying degrees of unhinged. ellauri263.html on line 379: But none of that gets away from it being overwhelmingly narrated from an Israeli viewpoint, focused on the Israeli protagonists. More so than in the first series, the Israeli occupation is nowhere to be seen – there’s no wall, no settlements or settlers, no house demolitions, only a few small checkpoints and none of the everyday brutalities of life under occupation. Yes, it shows that Palestinians love their mothers, but it also renders them as violent fanatics without a political cause. ellauri263.html on line 383: Fauda’s creators have said they want to show that everyone living in a war zone pays a price, but such portrayals of an equality of suffering are ripe for criticism in the midst of an asymmetric conflict, in which one side is under occupation. This is more acutely obvious at a time when international media has focused on Israel opening fire on unarmed protesters near the Gaza border earlier this month, killing 58 Palestinians, including children, and wounding over 1,000 in a single day. ellauri263.html on line 385: Diana Buttu, a Palestinian-Canadian human rights lawyer and former spokeswoman for the Palestinian Liberation Organisation, points to another problem with Fauda. “If you’re not careful, you find yourself drawn into the assassinations, you get lured into the cat and mouse,” she says, of a series that essentially depicts targeted killings. “The concept of right and wrong gets erased, the illegality gets erased … It just becomes this action-packed show.” ellauri263.html on line 387: This kind of blurring brings to mind US war-on-terror films such as Zero Dark Thirty, with its depiction of Osama bin Laden’s capture serving as a PR exercise for the use of torture during interrogations. Meanwhile, Fauda’s Isis storyline stretches credibility, at the same time feeding the worst stereotypes. “It’s a bit lazy. Isis is not really active in Gaza or the West Bank,” says Stern. Buttu adds that the effect is to reinforce the absence of a Palestinian cause. “We don’t have any legitimate grievances. It’s all Islamic-driven,” she says, noting that it “turns Palestinians into irrational figures who want only to kill Israelis”. ellauri263.html on line 389: Claims by Raz that writing the series was his real therapy, after suffering with PTSD, help locate Fauda in an Israeli genre dubbed “shooting and crying” – laments over the effect of wars on the morality and sanity of Israelis fighting them. But Fauda is different. Let’s call it “viewing while cursing”, into which category we can also place the US hit series Homeland Security. ellauri263.html on line 391: Both dramas rely on protagonists entrusted with critical jobs despite routinely reckless behaviour. Both test your patience. In the case of Fauda, it’s not just the politics but also the relentless machismo; midway into the second series it feels like watching interchangeable rooms full of men in guns and distressed denim, each at some point telling a female character: “Don’t worry, I’ll get us out of here.” ellauri263.html on line 393: Yet both shows get you binge-watching, despite irritating plot holes, political sanctimony and misrepresentations of Muslims or Palestinians. It’s a bit like speed-reading a cheap thriller, ignoring the bad dialogue and badly drawn characters, along with the mounting self-loathing over the time you’re squandering, just for the sugar rush of the story’s end. ellauri263.html on line 395: Small wonder, then, that all eyes are on finding the new Homeland Security, itself based on an Israeli TV series, Hatufim. And it’s not surprising that the quest is focused on Israel, which has spawned a string of international hits, starting with In Treatment, a 2008 HBO adaptation of the Hebrew-language Be Tipul. In 2016 Neflix started airing Mossad 101, about Israel’s intelligence service, while earlier this year Hulu nabbed False Flag, a conspiracy thriller loosely premised on the 2010 assassination of Hamas official Mahmoud al-Mabhouh, widely thought to be the work of the Mossad, by a hit squad carrying foreign passports. ellauri263.html on line 397: For its second series, Fauda’s publicity campaign has ramped up claims of authenticity and popularity among Palestinians as well as the wider Arab world. Columnist, author and TV sitcom writer Sayed Kashua slammed such efforts earlier this year: “You already have military victories and cultural control in marketing the Israeli occupation policy: at least give the Palestinians the option of hating Fauda. Are Netflix, worldwide success, economic growth and serving Israeli PR not enough for them?” ellauri263.html on line 399: Palestinian journalist Ziyad Abul Hawa says Fauda could have started to make good on notions of balance simply by bringing Palestinians into the creative process. “If the writers are all Israeli, no matter how good the intentions are, they are not realistically showing what is happening in Palestinian areas. I heard they did their homework and research but still, you need a Palestinian constantly with them, telling them what’s realistic and what is not.” He adds that Arabic accents in the show bust its credibility claims within seconds. ellauri263.html on line 403: Fauda is available on Netflix, which is one big turd of a narcotics company. I really wish the Israeli commando troops would barge in to the Netflix headquarters and shoot down everyone in sight. ellauri263.html on line 449: Hebron is considered one of the oldest cities in the Levant. According to the Bible, Abraham settled in Hebron and bought the Cave of the Patriarchs as a burial place for his wife Sarah. Biblical tradition holds that the patriarchs Abraham, Isaac, and Jacob, along with their wives Sarah, Rebecca, and Leah, were buried in the cave. Hebron is also recognized in the Bible as the place where David was anointed king of Israel. Following the Babylonian captivity, the Edomites settled in Hebron. During the first century BCE, Herod the Great built the wall which still surrounds the Cave of the Patriarchs, which later became a church, and then a mosque. With the exception of a brief Crusader control, successive Muslim dynasties ruled Hebron from the 6th century CE until the Ottoman Empire's dissolution following World War I, when the city became part of British Mandatory Palestine. A massacre in 1929 and the Arab uprising of 1936–39 led to the emigration of the Jewish community from Hebron. The 1948 Arab–Israeli War saw the entire West Bank, including Hebron, occupied and annexed by Jordan, and since the 1967 Six-Day War, the city has been under Israeli military occupation. Following Israeli occupation, Jewish presence was reestablished at the city. Since the 1997 Hebron Protocol, most of Hebron has been governed by the Palestinian National Authority. ellauri263.html on line 451: The city is often described as a "microcosm" of the Israeli-Palestinian conflict and the Israeli occupation of the West Bank. The Hebron Protocol of 1997 divided the city into two sectors: H1, controlled by the Palestinian National Authority, and H2, roughly 20% of the city, including 35,000 Palestinians, under Israeli military administration. All security arrangements and travel permits for local residents are coordinated between the Palestinian National Authority and Israel via the Israeli military administration of the West Bank (COGAT). The Jewish settlers have their own governing municipal body, the Committee of the Jewish Community of Hebron. ellauri263.html on line 453: Today, Hebron is the capital of the Hebron Governorate, the largest governorate of the State of Palestine, with an estimated population of around 782,227 as of 2021. It is a busy hub of West Bank trade, generating roughly a third of the area's gross domestic product, largely due to the sale of limestone from quarries in its area. It has a local reputation for its grapes, figs, limestone, pottery workshops and glassblowing factories. The old city of Hebron features narrow, winding streets, flat-roofed stone houses, and old bazaars. The city is home to Hebron University and the Palestine Polytechnic University. ellauri263.html on line 456: The name "Hebron" appears to trace back to two Semitic roots, which coalesce in the form ḥbr, having reflexes in Hebrew and Amorite, with a basic sense of 'unite' and connoting a range of meanings from "colleague" to "friend". In the proper name Hebron, the original sense may have been alliance. BUAHHAHHA LOL! Some friends! ellauri263.html on line 470: Teosofia (kreik. theos jumala, sophia viisaus, suomeksi jumalviisaus) tarkoitti alun perin filosofista ajattelua, joka kohdistui Jumalan olemuksen selville saamiseen salaperäisellä, välittömällä näkemyksellä, ikäänkuin videolla ilman kirjoja. Tällaista teosofiaa harrastivat muun muassa uusplatonikot, useat keskiajan mystikot, sekä uudella ajalla muun muassa Rosenkreutzin ruusuristiläiset, anglosaxit vapaamuurarit, Jakob Böhme, Franz Xaver von Baader ja Friedrich von Schelling. 1870-luvulla syntynyt moderni, useaan suuntaan hajonnut teosofia on saanut paljon vaikutteita näistä ikivanhoista saxalaisista setämiehistä sekä intialaisista uskonnoista. ellauri263.html on line 515: Helenan seuraavien vuosien liikkeistä ei ole kovin tarkkaa tietoa, mutta hänen tiedetään matkustelleen ympäri Eurooppaa muun muassa kreivitär Kiseljovan kanssa. Iskä lähetti sille viikkorahaa. 18-vuotiaan naisen karkaaminen aviomieheltään yksin Eurooppaan oli 1800-luvun puolivälissä hyvin erikoinen tapaus, ja se aiheutti skandaalin Venäjän seurapiireissä. Myös huhut alkoivat kiertää. Erään huhun mukaan hän olisi ollut aikansa kuuluisan oopperalaulajan ja Pasta Carbonaroihin kuuluneen Agardi Metrovichin rakastajatar (muiden rakastajien ohella) tai kaksiavioinen vaimo, ja hänellä olisi ollut ainakin yksi avioton lapsi. Lapsen isäksi mainittiin muiden muassa Venäjän keisarinnan serkku, ruhtinas Emile von Sayn "Ludi" Wittgenstein. Blavatskyn kerrottiin ansaitsevan elantonsa toisinaan Pariisin puolimaailmassa, toisinaan ratsastamalla turkkilaisessa sirkuksessa, hämärissä liiketoimissa, meediona tai antamalla pianokonsertteja Lontoossa. Siellä se luki Bulwer-Lyttonin tekeleen Pompejin loppuajoista ja innostui siitä Isixestä. Bulwer-Lytton tunnetaan parhaiten Snoopysta. ellauri263.html on line 534: Juorut levisivät vuosia myöhemmin uudelleen Saksassa, ja hän hankki Teosofista seuraa suojellakseen toisen lääkärintodistuksen naistentautien lääkäriltä Leon Oppenheimerilta, jonka mukaan hän kärsi anteflexio uterista (kohdun epänormaalista asennosta), joka ”on todennäköisesti synnynnäistä, koska tutkimuksen mukaan hän ei ole koskaan synnyttänyt eikä hänellä ole ollut gynekologista sairautta”. Allekirjoituksen todisti oikeaksi tohtori Roeder, kuninkaallinen piirilääkäri, ja se julkaistiin Oppenheimerin elinaikana. Juri kuoli vuonna 1867, ja hänen hautajaisissaan olivat läsnä vain Helena Blavatsky ja Agardi Metrovich. Ilman virallisia papereita ollut poika haudattiin Metrovichin nimellä. Blavatsky väitti osallistuneensa samana vuonna mieheksi pukeutuneena Giuseppe Garibaldin joukoissa Mentanan taisteluun ja haavoittuneensa vakavasti. ellauri263.html on line 538: Heinäkuussa 1871 Blavatsky oli matkalla Pireuksen satamasta höyrylaiva Eunomialla Egyptiin, kun laivalla ollut ruutivarasto räjähti ja 30 matkustajaa kuoli. Blavatsky selvisi vahingoittumattomana mutta menetti käteisvaransa ja matkatavaransa. Viimein perille päästyään hän herätti jälleen huomiota seurapiireissä esittelemällä psyykkisiä ilmiöitä. Hän perusti myös spiritismiseuran nimeltä Société Spirité, jossa pian ilmeni huijaustapaus. Kirjeessä tädilleen Blavatsky kertoi, että oli yllättänyt Suezin kanavalta hankkimansa meediot petkuttamasta seuran jäseniä. Pian Kairoon saapui myös Agardi Metrovich, jota Helenan täti Nadežda oli pyytänyt poikkeamaan Kairon kautta tavatakseen Blavatskyn. Pian saapumisensa jälkeen Mitrovich kuitenkin sairastui lavantautiin ja kuoli, ja Blavatsky järjesti hänen hautajaisensa. ellauri263.html on line 540: Tapauksesta on myös toinen versio, jonka mukaan Metrovich olisi ollut laivalla Blavatskyn kanssa ja saanut surmansa räjähdyksessä. Kolmannen version mukaan Metrovich todellakin kuoli Kairossa, mutta kuolinsyy oli myrkytys, jota on epäilty myös salamurhaksi. Isä Metro tiesi liikaa ja hänet vaiennettiin. ellauri263.html on line 548: Maatilaan liittyvä julkisuus toi hänen elämäänsä Michael Betanellyn, jonka kanssa Blavatsky avioitui 3. huhtikuuta 1875. Hän oli kuullut entisen miehensä kuolleen, vaikka näin ei ollut. Avioliitto Betanellyn kanssa kesti vain neljä kuukautta, ja ilmeisesti se oli solmittu Blavatskyn puolelta pelkästään taloudellisin syin. Hänen mukaansa eron syynä oli se, että puheistaan huolimatta Betanelly ei ollut halunnut pitää suhdetta enää platonisena. Samaan aikaan myös oikeuskäsittely päättyi, ja Blavatsky sai korvauksena 1146 dollaria. Blavatskyn ja Olcottin henkiset harrastukset olivat hiljalleen keränneet heidän ympärilleen muitakin kiinnostuneita, ja tämä johti viimein Teosofisen Seuran perustamiseen 17. marraskuuta 1875. Seura alkoi kuitenkin saada vihollisia spiritistien taholta, koska Blavatsky väitti, että spiritismin ilmiöt eivät olleet peräisin kuolleiden hengiltä vaan elementaaleilta, astraalisilta olioilta ja 'kuorilta'. Seuraavina kuukausina Olcott luennoi ja Blavatsky piti keskusteluiltoja New Yorkin salongissaan ja molemmat myös kirjoittivat ahkerasti. ellauri263.html on line 564: Tammikuussa 1885 Blavatskyn terveys jälleen heikkeni ja huhtikuussa, hieman toivuttuaan, hän lähti viimeisen kerran Intiasta. Oleskeltuaan joitakin kuukausia Italiassa hän asettui viimein Saksaan Würzburgiin. Siellä hän jatkoi Salaisen opin kirjoittamista seuranaan kreivitär Constance Wachtmeister. Joulukuussa 1885 ilmestyi Psyykkisen tutkimuksen seuran raportti, jossa Blavatskya pidettiin ”historian monitaitoisimpana, kekseliäimpänä ja mielenkiintoisimpana huijarina.” Richard Hodgsonin kirjoittama raportti perustui hänen syksyllä 1884 Madrasissa tekemiinsä tutkimuksiin ja haastatteluihin. Komitea ei sen sijaan hyväksynyt Hodgsonin arvelua, jonka mukaan silmänkääntötemppujen syynä olisi ollut peitellä hänen todellista ammattiaan venäläisenä vakoojana. ellauri263.html on line 568: Lontoossa perustettiin uusi teosofinen aikauslehti, Lucifer. Syyskuun alussa myös Wachtmeister saapui Lontooseen. Tilanahtaus pakotti Teosofisen seuran muuttamaan uuteen paikkaan Lansdowne Roadille, joka oli lähempänä Lontoon keskustaa. Kirjoitustyö jatkui, ja talossa vieraili useita kuuluisuuksia, tutkijoita ja toimittajia keskustelemassa Blavatskyn kanssa. Myös Olcott saapui Lontooseen ja avusti Blavatskya perustamaan Teosofisen seuran esoteerisen osaston, johon kuului kaksitoista henkilöä: kreivitär Wachtmeister, Isabel Cooper-Oakley, Emily Kislingbury, Laura Cooper, Annie Besant, Alice Cleather, Archibald Keightley, Herbert Coryn, Claude Wright, G. R. S. Mead, E. T. Sturdy ja Walter Old. ellauri263.html on line 606: Four factors characterize marginal religious groups which offer leadership roles for women: ellauri263.html on line 607: (1) a perception of the divine that deemphasizes the masculine, (2) a tempering or denial of the doctrine of the Fall, (3) a denial of the need for a traditional ordained clergy, and (4) a view of marriage which does not hold that marriage and motherhood are the only acceptable roles for women. ellauri263.html on line 612: Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch ellauri263.html on line 616: The book is a comedy about the birth of the son of Satan and the coming of the End Times. There are attempts by the angel Aziraphale and the demon Crowley to sabotage the coming of the end times, having grown accustomed to their comfortable surroundings in England. One subplot features a mixup at the small country hospital on the day of birth and the growth of the Antichrist, Adam, who grows up with the wrong family, in the wrong country village. Another subplot concerns the summoning of the Four Horsemen of the Apocalypse, each a big personality in their own right. With Armageddon averted, Crowley and Aziraphale muse that this was God's plan all along and speculate that the real apocalyptic conflict will be between humanity and the combined forces of Heaven and Hell. In 2003, the novel was listed at number 68 on the BBC's survey The Big Read. ellauri263.html on line 620: Aleister Crowley (/ˈælɪstər ˈkroʊli/; born Edward Alexander Crowley; 12 October 1875 – 1 December 1947) who was an English occultist, philosopher, ceremonial magician, poet, painter, novelist, and mountaineer. He founded the religion of Thelema, identifying himself as the prophet entrusted with guiding humanity into the Æon of Horus in the early 20th century. A prolific writer, he published widely over the course of his miserable life. ellauri263.html on line 626: Almost 600 (!) biographies have been written of Blavatsky, but the details of her life, especially the years 1848–1873, remain sketchy all the same. Most of the authors have been either devoted disciples or sharply critical adversaries. Some interesting and well-documented facts, however, can be determined. She was born to a noble Russian family in present-day Ukraine, married at 17, ran away only months later, traveled widely and spent time in Cairo, among many other places, where she supported herself as a medium size sex doll. ellauri263.html on line 630: Unlike the occultism presented earlier by Éliphas Lévi and similar authors, which mostly caught the interest only of a small circle of freethinkers, Theosophy fast became a successful semi-mass movement. By 1889 the Theosophical Society had 227 sections all over the world, and many of the era’s most important intellectuals and artists were strongly influenced by it. Avant-garde painters, especially, took this new teaching to heart, and it marked the work of great artists such as Mondrian, Kandinsky and Klee. In literature, authors like Nobel Prize laureate William Butler Yeats became ellauri263.html on line 631: members and incorporated Theosophical motifs in their writings. ellauri263.html on line 655: the Theosophical Society under Annie Besant’s leadership (1907–1933) was, at least in England, an important part of a loosely socialist and feminist political culture. Hyvä desantti! Olet idän tähti! Enola Holmes-sarjassa oli 1 episodi Besantista tulitikkutehtaalla, vaikkei sen nimeä kyllä mainittu. ellauri263.html on line 657: Jenkki Olcott ei siitä pitänyt, eikä rupusakin vulgäärispiritualismista. Olcott railed against ‘tricky mediums, lying spirits, and revolting social theories’ in Spiritualism. He reproached spiritualism for the presence of ‘free-lovers, pantarchists, socialists, and other theorists who have fastened upon a sublime and pure faith as barnacles upon a ship’s bottom’. Blavatsky, on the other hand, focused exclusively on the uplifting of oneself rather than others. She did not sympathize with socialism per se at all, and in her scrapbook she even wrote about Sotheran: ‘a friend of Communists ellauri263.html on line 663: The Theosophical Movement was founded in New York in 1875 with three main founders – Helena Petrovna Blavatsky, Colonel Henry Steel Olcott, and William Quan Judge. From that moment and up until his death in 1907, Olcott remained the organisational leader and international president of the Society, which eventually moved its headquarters from the USA to Adyar in India. ellauri263.html on line 665: These are well known facts and they sometimes prompt some students of Theosophy, especially visitors to the United Lodge of Theosophists in its lodges and study groups around the world, to ask why Col. Olcott is only mentioned extremely rarely in the ULT, why there doesn’t seem to be a great deal of respect or admiration for him, and why it is frequently the case that only HPB and William Judge are spoken of as “the founders of the Theosophical Movement.” ellauri263.html on line 669: “One of the most valuable effects of Upasika’s mission [Note: “Upasika” is a Buddhist term meaning “femakko” and was used by the Masters for HPB] is that it drives men to self-study and destroys in them blind servility for persons, sanoi 1 setämies. … Imperfect and very troublesome, no doubt, she proves to some, nevertheless, there is no likelihood of our finding a better one for years to come – and your theosophists should be made to understand it. … HPB has next to no concern with administrative details, and should be kept clear of them, so far as her strong nature can be controlled. But this you must tell to all: – With occult matters she has everything to do. We have not abandoned her; she is not ‘given over to chelas’. She is our direct agent. I warn you against permitting your suspicions and resentment against ‘her many follies’ to bias your intuitive loyalty to her. … Be assured that what she has not annotated from scientific and other works, we have given or suggested to her. ellauri263.html on line 674: Col. Olcott ei ollut vakuuttunut vaan alkoi vehkeillä ennenkuin HPB oli ehtinyt kylmetä. In the April Theosophist Col. Olcott makes public what we have long known to be his private opinion – a private opinion hinted at through the pages of Old Diary Leaves – that H.P.B. was a fraud, a medium, and a forger of bogus messages from the Masters. This final ingrate’s blow is delivered in a Postscript to the magazine for which the presses were stopped. The hurry was so great that he could not wait another month before hurling the last handful of mud at his spiritual and material benefactor, our departed H.P.B. The next prominent person for whom we wait to make a similar public statement, has long made it privately. [Note: This sentence referred to Annie Besant.] ellauri263.html on line 685: What Is Compersion? The Polyamory Practice For Rethinking Jealousy ellauri263.html on line 687: Coined by the Kerista Community in the 1970s. Possibly derived from French compère (“partner”), plus -sion, based on an earlier use of the French compérage to denote the practice of brothers-in-law sharing wives observed among Tupi people of the Brazilian Amazon. ellauri263.html on line 691: 1991, examples of which included No jealousy, no anger, no rivalry, no sexism, no ageism, no racism, no ellauri263.html on line 692: classism, no duplicity, no alienation, no profanity, no flippancy, social tolerance, equality, verbality, participatory democracy, accountability, conviviality, male vasectomy, ristiinsuihkiminen, graceful distancing, positive attitude toward the ‘toggle-switch’ mode of decision-making, whatever that may be. ellauri263.html on line 693: After an arranged visit to Kerista by three professors, the New Tribe was criticized for not being egalitarian, notably in Bro Jud's dominance of many commune matters. ellauri263.html on line 694: Kerista's polyamorous sexual practice was influenced by Robert A. Heinlein's (1907-88) science-fiction novel Stranger in a Strange Land (1961), in which the Martian-raised human Michael Valentine Smith founded The Church of All Worlds, preached sexual freedom and the truth of all religions, and is martyred by narrow-minded people who are not ready for freedom. Sukua myös Diskordianismille. Concordia res parvae crescunt, discordia maximae dilabuntur. ellauri263.html on line 699: Kelly Gonsalves is a sex educator, relationship coach, and journalist. She received her journalism degree from Northwestern University, and her writings on sex, relationships, identity, and wellness have appeared at The Cut, Vice, Teen Vogue, Cosmopolitan, and elsewhere. Last updated on July 1, 2020. ellauri263.html on line 714: The word compersion is loosely defined as the opposite of jealousy. Instead of feeling upset or threatened when your partner romantically or sexually interacts with another person, you feel a sense of happiness for them. It is curious that Darwin did not come up with this idea, it's great. ellauri263.html on line 716: Consider how you usually feel when your partner gets a big promotion at work or accomplishes a new fitness goal, or how you feel when your best friend tells you about a new guy they've been dating that they're really clicking with: You're genuinely, totally stoked for them, right? Fuck no, you are slightly envious, or not so slightly either. This is an instinctual feeling for most of us. Now apply that to when your partner is having fun flirting with (or sleeping with) a new flame that's not you. Instead of sparking jealousy, it sparks earnest empathetic joy. That's compersion. ellauri263.html on line 718: "It's joy that has nothing to do with your joy," Effy Blue, a relationship coach specializing in consensual non-monogamy, tells mindbodygreen. "It's sympathetic joy or unselfish joy, where you are joyful for the other person for things that have nothing to do with you. You're just happy for them because they're in a good place, because they are experiencing joy, and you can sort of look at it from the outside and feel the same experience." ellauri263.html on line 720: According to reporting from GO Magazine, the term itself emerged in the late 1980s within a San Francisco poly commune called Kerista. But Blue says the concept itself has a much older, deeper history: The Sanskrit word for it is mudita, which translates to "sympathetic joy," and it's actually part of one of the four core pillars of Buddhism. ellauri263.html on line 722: "If you sort of dive into the Buddhist teachings and down the mudita path, they will actually tell you it's the hardest virtue to master," she says. "There are a ton of mudita meditations, which is something else I recommend to people." ellauri263.html on line 724: That's an important part of this actually: Compersion doesn't often come naturally to people, in large part because of the way we've been evolutionarily trained to protect our mating relationships and how today we've now organized our entire society around monogamy. That means that for many, compersion is a feeling or skill set that takes conscious practice. ellauri263.html on line 728: The evolutionary purpose of jealousy isn't relevant anymore: who wants to have children anyway, and by the golden rule of America "look out for N:o 1" everybody is responsible for their own welfare and happiness. We are no fucking communists, after all. Unfortunately, the emotion does still play a role in our lives. Blue compares feeling jealous to having an alarm bell going off in your head. ellauri263.html on line 732: Sometimes the emotional alarm is going off because something's actually wrong—your partner isn't giving you the attention or affection you need, for example, or perhaps they're betraying a promise or agreement you have about your relationship, which of course makes you feel unstable or upset. Other times the alarm goes off over misperceptions or just our own insecurities. We're worried a lively conversation between our partner and an attractive stranger means that they're no longer as interested in us, that there's a chance they might be more interested in someone else, that there's a threat to the relationship. Even if none of that is true, our anxieties can get the best of us, and so jealousy is how it manifests as an emotion. ellauri263.html on line 746: "Ultimately there is no such thing as not experiencing jealousy," Blue says. "Jealousy is part of the human emotional spectrum. It's like saying 'I never feel sad,' 'I never feel angry,' 'I never feel happy.' To say 'I never feel jealous'—I don't think it's realistic. I haven't ever really truly met anyone who's said they haven't felt jealousy. I think some people say they don't feel jealousy because they're in a specific relationship that doesn't hold grounds for it. It doesn't trigger them into jealousy." ellauri263.html on line 752: A lot of it just comes down to practice, she says. Non-monogamous people just spend more time processing their feelings of jealousy and have more practice with dealing with it. With enough practice, it stops being so big and overwhelming. And, perhaps in time, compersion can appear in its place instead. ellauri263.html on line 754: How to practice compersion ellauri263.html on line 756: Learning to be compersive will probably take some practice, and that's especially true if you're someone who tends to be more jealous in general. ellauri263.html on line 758: "The baseline for everybody is different, but we know that we also have neuroplasticity. We know that humans can learn and grow and expand and evolve, and we have done so for millennia. So just like empathy, compersion, or mudita, is something that you can cultivate and practice and grow," Blue says. "For some people it will come easily. For other people, it might be more of a process, and you have to sort of really dig deep to try to find it if it's not something that comes up naturally for you." ellauri263.html on line 772: My partner and I made compersion an active practice, a skill that we both worked on together. It didn't really come naturally to either of us, but we supported each other as we tried to do it. Initially, it was basically a lot of mental gymnastics trying to reason out why we should be happy when the other person scored a hot date. Once you fully get why it doesn't make sense to feel jealous—i.e., your relationship is totally secure, and the presence of another person in your partner's life is not a threat to your relationship whatsoever—then you can start to disarm that alarm more easily whenever it goes off in your head. ellauri263.html on line 777: We found a lot of ways to support our intellectual belief in compersion with actual psychological rewards. For example, I'd help my partner get matches on Tinder and give him tips on cute bars to take them, and after the dates, he'd tell me how they went and give me a ton of love and affirmation whenever I pouted over him having a good time. Meanwhile, he played wingman with me when I wanted to meet up with a potential flame at a party or concert, and I always made sure to come home to him and share the sexy things I'd done with the new guy and what things I wanted to migrate into our own sex life. In this way, we began to be able to associate positive experiences together (showering each other with affection and affirming the strength of our relationship) with the aftermath of one of us having fun with someone else. When it became clear that these extradyadic encounters only brought us closer, it became easier and easier for us to feel earnest joy for the other person's romantic successes. ellauri263.html on line 784: If you´re working on practicing compersion as a couple, make sure you´re addressing any feelings of jealousy that bubble up in either of you with a lot of love and gentleness. Blue says it´s good to encourage the jealous party to talk through their feelings and dig at what underlying fears are actually driving the jealousy. ellauri263.html on line 795: Compersion is life-changing even for people who want to stick to monogamy. ellauri263.html on line 801: "Whether you´re in a monogamous relationship or a non-monogamous relationship, practicing processing jealousy and cultivating mudita, or compersion, is just going to serve you. It´s going to make your life easier. It´s going to bring you closer to joy and lightness," Blue says. "Wherever you are, it´s a practice. It´s a worthwhile practice." ellauri263.html on line 836: Kelly Gonzales poised for contributing mixed-race Asian-American sex ellauri263.html on line 838: Kelly Gonsalves is a multi-certified sex educator and relationship coach helping people figure out how to create dating and sex lives that actually feel good — more open, more optimistic, and more pleasurable. In addition to working with individuals in her private practice, Kelly serves as the Sex & Relationships Editor at mindbodygreen. She has a degree in journalism from Northwestern University, and she’s been trained and certified by leading sex and relationship institutions such as The Gottman Institute and Everyone Deserves Sex Ed, among others. Her fork has been featured at The Cut, Vice, Teen Vogue, Cosmopolitan, and elsewhere. ellauri263.html on line 840: With her warm, playful approach to coaching and facilitation, Kelly creates refreshingly candid spaces for processing and healing challenges around dating, sexuality, identity, body image, and relationships. She’s particularly enthusiastic about helping softhearted women get re-energized around the dating experience and find joy in the process of connecting genitals with others. She believes relationships should be easy—and that, with room for self-reflection and the right toolkit (available for competitive prices at our net store), they can be. ellauri263.html on line 853: A ceremony in which the actions and wording follow a prescribed form and order. ellauri263.html on line 874: Latin sacrosanct has cognates in Hittite šaklai "custom, rites," zankila "to fine, punish." (Sanktio!) There is no certain etymology for hagios. Sitä ei löydy Homeroxelta, mutta on Herodotoxella. The word appears predominantly among the Hellenistic writers. Suomen pyhä voisi olla sama sana kuin piha eli aitaus. Germaanien sanat tarkoittaa ehyttä tai tervettä, esim. holy mackerel 1876, holy smoke 1883, holy cow 1914, Sieg heil 1920. ellauri264.html on line 6: font-style: italic; ellauri264.html on line 10: font-style: italic; ellauri264.html on line 53: The flotilla was publicly opposed by the United States, France, the United Kingdom, Turkey, Canada, the Middle East Quartet (consisting of the EU, Russia, the United Nations, and the United States), and United Nations Secretary General Ban Ki-moon. It was publicly supported by Hamas. ellauri264.html on line 59: William Lewis Safire (/ˈsæfaɪər/; né Safir; December 17, 1929 – September 27, 2009), who was an American author, columnist, journalist, and presidential speechwriter. He was a long-time syndicated political columnist for The New York Times and wrote the "On Language" column in The New York Times Magazine about popular etymology, new or unusual usages, and other language-related topics. ellauri264.html on line 83: Comme il l’écrit à son grand ami et écrivain Jean-Richard Bloch en 1939 : « Il faudrait pouvoir toujours tenir compte, en lisant chacun de mes drames révolutionnaires, du cycle épique dont il est un fragment. Tels des jugements exprimés dans un drame sont des jugements d’étape, que corrige et complète la suite du voyage. » En effet, les Loups témoignent de son antisemitisme, tandis que sa dernière pièce, Robespierre, datée de 1938, reflète son compagnonnage de route avec le grand ours d’URSS. ellauri264.html on line 85: L’action du drame se passe à Mayence, au quartier général des armées françaises en 1793. Les officiers soupçonnent de trahison d’Oyron, un de leurs camarades, d’origine aristocratique. Une lettre saisie sur un paysan rhénanien semble prouver la trahison de d’Oyron. Rolland avait l’intention de démontrer son impartialité. Pour atteindre ce but, il voulait que l’innocence de d’Oyron ne pût être établie de manière définitive. ellauri264.html on line 87: L’explication que donne Rolland à son refus de se jeter dans la bataille pour défendre Dreyfus n’est pas convaincante. Les raisons se situent ailleurs : elles relèvent, d’une part, d’une forme d’individualisme qui refuse toute association politique de peur de compromissions inévitables, et, d’autre part, de ses sentiments antisémites. ellauri264.html on line 90: Les Loups firent une apparition inattendue aux États-Unis en décembre 1924, grâce au Yiddish Art Theater de New York fondé et dirigé par Maurice Schwartz. Ce fut la première pièce de Rolland jouée aux États-Unis. Vingt ans auparavant, Rolland avait offert son drame aux théâtres de New York, qui l’avaient refusé, en lui répondant : « Impossible ! Il n’y a pas de femmes. Ce n’est pas une pièce de théâtre." ellauri264.html on line 94: The teenager Cayden Richards lives in a small town with his parents Dean Richards and Janice Richards and is having violent nightmares. He is the quarterback of the local football team and his girlfriend Lisa Stewart is a cheerleader. After a game, Lisa decides to have sex with Cayden for the first time in the car. Cayden hurts his girlfriend, Lisa, when the passion of making out causes him to transform into a werewolf. However he transforms into a monster and she flees from him. ellauri264.html on line 100: The film received a negative critical response. Partly because the date-rape interest prevented teenagers from just having some clean gory fun. (The IMDB Parent guide says: A female character is tied up and it is implied that she is about to be raped. She is cut free before this can happen however, and no nudity is shown. Violence & Gore Moderate. 9 of 19 found this moderate. A pack of werewolves are shown feasting on human body parts. Profanity Moderate. 7 of 16 found this moderate. Alcohol, Drugs & Smoking. Female nudity female rear nudity murder clothes torn off female topless nudity 136 more.) ellauri264.html on line 116: Louis Theroux koitti haastatella 3 amerikan alt-right someinfluensseria: Nick Fuentes, Baked Alaska ja Beardson Beardy huonolla ratamenestyxellä. Haastattelu kääntyi loppupeleissä yleensä haistatteluxi. Niiden ansaintalogiikka oli kerätä inseleiltä klikkejä ja taaloja vizeixi naamioidulla äärioikispropagandalla: white supremacy, racism, antisemitism, misogyny, and homophobia. Mikä näitä kaikkia asenteita yhdistää? No se että white trash incel miekkonen jää keskiöön. Beardylla oli Louis paita päällä mutta poltti hihat kun Louis japitti sen tekemästä nazitervehdyxestä. Get off my property se huusi kuin katolinen viulunsoittaja. Brittany joka oli ensin mukana sai hampaattomalta parrattomalta Beardyltä anaaliraiskausuhkauxen, ilmeisesti leikillisen kuitenkin koska Beardy nauroi uhkauxen jälkeen pitkään ahdistunutta huutonaurua. Nick Fuentes oli 22-vuotias wannabe pikkuhitleri, joka puhui fyyrerinä kansalle vanhempien kellariin rakentamastaan studiosta. Se kehui olevansa jo miljonääri kiitos jokailtaisten kolmituntisten palopuheiden. Peilisilmälasinen Baked koitti nauraa yhtä kovasti, mutta viimeinen tapaaminen päättyi silti suht vihamieliseen vittuiluun. Bakedin puhelimeen sai muutaman taalan hinnasta soittaa rasistisia ja antisemiittisiä haukkuja. Äänet oli muunnettu niin että inselit kuulostivat alaikäisiltä tytöiltä. Baked Alaska on venäläinen uunijäätelö. Sitä sai ravintola Kasakasta Neizytpolulta. . ellauri264.html on line 118: Gionet was born in Anchorage, Alaska, to a family of eight. His father is a pharmacist and his mother is a nurse. Both his parents are devout Christians who operate a non-profit organization aimed at promoting Christianity and providing medical supplies to orphanages in eastern Russia. During his formative years, Gionet was actively involved in his parents' charity and went to Russia with them numerous times. Five of his siblings were adopted from Russia. As an adolescent, Gionet spent a year and a half in the Russian city of Petropavlovsk-Kamchatsky. He later said that part of his "chaotic nature" may have stemmed from this experience. ellauri264.html on line 120: In 2011, Gionet worked for Capitol Records for a short time, before pursuing his own career in rap music with a "wild, redneck, kick-ass" persona. He kept his nickname Baked Alaska as a stage name. His rap songs used a satirical tone and traded on his Alaskan roots, with titles like "I Live on Glaciers" or "I Climb Mountains". In 2013, the Anchorage Daily News published a profile of Baked Alaska, describing him as a "comedy/music video artist". Gionet also posted many humorous videos on Vine where he became known as a prankster, achieving some online popularity. A video of him pouring a gallon of milk on his face attracted several millions of views. He called himself at the time a "cross between Weird Al, Lonely Island, Borat and Jackass". ellauri264.html on line 122: Gionet attempted to promote his rap career by producing several professionally-made videos, which failed to become viral. From 2015 to 2016, Gionet worked for BuzzFeed as a social media strategist, and later commentator. He first managed BuzzFeed's Vine account, then took over one of its Twitter accounts. Pidin Timin laulusta jossa se haukkui somealustoja. Olin kaikesta sen kanssa samaa mieltä. He commented in 2017, "BuzzFeed turned me into a monster". In May 2016, Gionet was introduced to then-candidate Donald Trump, and Trump signed Gionet's arm next to where he had Trump's face tattooed. ellauri264.html on line 123: Later that month, Gionet released the song "MAGA Anthem", which featured pro-Trump lyrics and amassed more than 100,000 views on YouTube. Mike Cernovich then hired Gionet to work on a project dedicated to gathering Trump supporters. Following the 2016 presidential election, Gionet continued his pro-Trump activism, delivering speeches and participating in multiple rallies. ellauri264.html on line 124: In late 2016, conflict arose between Cernovich and Gionet when Gionet made antisemitic remarks on Twitter, claiming the media was "run in majority by Jewish people". Sehän kuulosti ihan nobelisti Romain Rollandilta. ellauri264.html on line 130: A children's book appropriating the Pepe character, The Adventures of Pepe and Pede, advanced "racist, Islamophobic and hate-filled themes", The book's author, a vice-principal with the Denton Independent School District, was reassigned after the publicity. In January 2019, the video game Jesus Strikes Back: Judgment Day was released, which allows players to play as Pepe the Frog, among other figures, and murder various target groups including feminists, minorities, and liberals. ellauri264.html on line 132: Kek", from "kekeke"/"ㅋㅋㅋ", a Korean onomatopoeia of laughter used similarly to "LOL", is the Korean equivalent of the English "haha". Bet it comes from Aristophanes' Frogs' refrain kerekekex koax koax. Or else they both come from Esoteric Kekism, also called "the Cult of Kek", is a parody religion worshipping Pepe the Frog, which sprang from the similarity of the slang term for laughter, "kek", and the name of the ancient Egyptian frog god of darkness, Kek. Kekistan is a fictional country created by 4chan members that has become a political meme and online movement. The flag of Kekistan was carried by supporters of Donald Trump during the 2021 storming of the United States Capitol. ellauri264.html on line 136: Groypers, sometimes called the Groyper Army, are a group of white nationalist and far-right activists, provocateurs and internet trolls who are notable for their attempts to introduce far-right politics into mainstream conservatism in the United States, their participation in the 2021 United States Capitol attack and the protests leading up to it, and their extremist views. They are known for targeting other conservative groups and individuals whose agendas they view as too moderate and insufficiently nationalist. ellauri264.html on line 138: The Groyper movement has been described as white nationalist, homophobic, nativist, fascist, sexist, antisemitic, and an attempt to rebrand the declining alt-right movement. Presently,[when?] Groypers are a loosely defined group of followers and fans of Nick Fuentes, a white nationalist, far-right political commentator and livestreamer. After Fuentes, there is no clear second in the Groyper hierarchy. ellauri264.html on line 140: Interestingly perhaps, many of these top extremists have rather marginal white identity. No wasps, to put it politically correctly. Groypers and their leaders have tried to position the group's ideology as being based around "Christian conservatism", "traditional values", and "American nationalism". Despite attempts to brand themselves more moderately, the group is widely recognized as white nationalist, antisemitic, and homophobic. ellauri264.html on line 142: Fuentes claimed that he had been "oppressed" by "the Jews" and blamed antisemitic actions as being the Jewish community's own fault, claiming that matters "tend to go from zero to sixty" and that "the reason is them". Fuentes declared that matters would get "a lot uglier" for their community if they did not begin to support "people like us". ellauri264.html on line 144: Groypers blame the mainstream conservative movement as well as the political left for what they view as "destroying white America". They oppose immigration and globalism. Groypers support "traditional" values and Christianity and oppose feminism and LGBTQ rights. In 2022, Fuentes advocated for a political "white uprising" to bring Donald Trump back to power and "never leave," wanting America to "stop having elections" and abolish the United States Congress. We shall not be replaced as the scum of the earth. ellauri264.html on line 146: Onnexi Isaac Bashevis on jo kuollut, tää olisi voinut olla viimeinen niitti sen kärsimyxille. “We must believe in free will, we have no choice.” (Isaac Bashevis Singer) KEK Isaac, tästä läpästä olis alt-rightin pojat pitäneet. Siinä on vahvaa tongue in cheek ironiaa. ellauri264.html on line 154: Asyia Iftikhar of PinkNews noted in her reflection of audience reception that the show has become the subject of "relentless criticism", and noted that it has been "accused of perpetuating stereotypes against South Asian women, criticised for poor attempts at self-aware comedy and slammed for losing the essence of what people love about the "Scooby Doo gang". Eli se koiro puuttui, ja isänmaallisuus oli ihan hukassa. ellauri264.html on line 158: Wired's Amos Barshad wrote that while there was likely still reactions of a racist and homophobic nature targeting the show, the main complaints were for it addressing diversity issues in a "flat, one-note manner", and that the portrayal of Velma's bisexuality had divided fans. ellauri264.html on line 159: Lakshmi Srinivas, a professor of Asian American studies (another Indian lady) at the University of Massachusetts, felt that Kaling was being held to unfair standards as one of the few leading Asian figures in the entertainment industry. ellauri264.html on line 173: Velma’s attempts at modernizing the franchise are so inept, they’ve given rise to conspiracy theories that Kaling intentionally made Velma bad as fodder for an ongoing culture war in which people would beef about it incessantly online. ellauri264.html on line 189: these jars was the oil from Noah's ark. Jacob prophetically hid this oil at the site of the Holy ellauri264.html on line 195: understood that everything in our possession comes from G-d, has a specific purpose and must be used to its full potential. Elaborating on this, Rabbi Zadok HaKohen Rabinowitz (of 19th century Poland) teaches that the righteous ellauri264.html on line 197: “do not take more than is destined for them from Hashem… That which is not created for this specific person is like stolen property when they are in possession of it, and thus [the righteous are careful] not to take possession of it. Conversely, property that is assigned to and created for them is very precious to them—so much so that our patriarch Jacob risked his life for his property. Thus ...it was said in the name of the Yehudi Hakadosh: a righteous person is obligated to enjoy an object which is fitting for him even if it means risking his life. That is why Jacob-- who knew that the small vessels were his, appropriated by him, and created for him—risked his life to save them.” ellauri264.html on line 199: their full potential would not have been realized. The truly righteous recognize the value of their G-d-given possessions, and are very careful with them, no matter how small or seemingly insignificant they are. While not overly attached to material things, they do not dispose of objects prematurely or use them inappropriately. They understand that everything has a purpose, and they seek to use things to that purpose, with the goal of elevating the objects and themselves. ellauri264.html on line 201: Jacob‟s example of valuing his possessions presents a particular challenge to us living in a modern, “disposable” age. Recognizing this trend, in 1955, the retailing analyst Victor Lebow highlighted a trend in consumer society, away from greater mindfulness regarding possessions and toward a more short-term view. ellauri264.html on line 203: Victor Lebow (26. joulukuuta 1902 – 26. elokuuta 1980, alunperin nähtävästi Liebowitz, takuulla ashkenazijuutalainen jostain beyond the pale) oli yhdysvaltalainen yritysjohtaja, esseisti ja aktivisti. Vizikästä kyllä sille ei ole anglosaxisivua Wikipediassa, vain italialaiset kommunistit muistavat. Hänet tunnetaan parhaiten amerikkalaisen kulutuskapitalismin dynamiikan muotoilustaan, joka ilmaistiin vuonna 1955 Journal of Retailing -lehdessä julkaistulla artikkelilla nimeltä Hintakilpailu vuonna 1955. Artikkeli sai jonkin verran huomiota pian ilmestymisensä jälkeen, ja sosiologi Vance Packard mainitsi sen vuoden 1960 teoksessaan The Waste Makers. ictor-lebows-complete-original-1955.html">Lähde ellauri264.html on line 205: Lebow had been a seller of fine hosiery in the 1920s and 1930s but had been driven out of business by the rise of such retail outlets as Woolworth's-- which was the prototype of Wal-Mart. Siitä oli karu kuolinilmoitus New York Timesissä 1980. Se oli ahkera kirjoittaja kommarien lehdissä, niin että turha väittää että se ei tiennyt mistä kirjoitti. Se oli saanut potkut Kyser Roth Corporationista ja Fabergélta. ellauri264.html on line 209: To make a long story short-- Victor Lebow was a prophet. He has been slandered by all who have used this infamous quote to paint him as a cheerleader for consumerism when in fact he was one of the first-- if not the first-- to see the future implications of its corrosive influence. The fact that so many people, organizations, and websites have used his quote completely out of context and nearly all got the quote from the SAME source should give people GREAT pause-- and should be an object lesson in scholarship for progressive people. Don't believe everything you read. And don't write articles or create websites using materials you haven't primary sourced, either. ellauri264.html on line 211: Lebov war ein Visionär! Hier das Konsumleitbild von Victor Lebov, ein amerikanischen Marketingexpert aus den 1950er Jahren: „Unsere ungeheuer produktive Wirtschaft verlangt, dass wir den Konsum zu unserem Lebensstil und den Kauf und die Nutzung von Gütern zu einem Ritual machen, dass wir unsere spirituelle Befriedigung und die Erfüllung unseres Selbst im Konsum suchen.“ Er war ein Visionär. Und heute ist seine Vision Wirklichkeit geworden. Einkaufen ist sogar ein tägliches Ritual. Es gibt viele Tempel, in jeder Stadt mehrere davon. Und obwohl es schon so viele gibt, bauen die Menschen immer wieder neue Konsumtempel. ellauri264.html on line 213: Und wer erkennt es nicht in den Augen eines Konsumenten, wenn er in den heiligen Hallen des Konsums etwas entdeckt, was er dann auch kauft, wenn es dann in den Augen so funkelt, so voller Freude, nun eins mit dem Kauf werden zu können. Diese Schuhe jetzt einmal, am besten heute Abend anzuziehen (und dann nie wieder) – oder einmal diesen Winkelschleifer einzusetzen (meist bleibt es bei einmal). Wer kennt dieses Gefühl voller Konsumentenglück nicht (von dem Glück des Produzenten und dem Glück des Händlers ganz zu schweigen)! ellauri264.html on line 215: Ja, es ist unser Lebensstil geworden – alles dreht sich um Konsum. Wir arbeiten hart, wir arbeiten viel, um diesen Lebensstil aufrecht erhalten zu können. Ja, wir ruinieren sogar unsere Gesundheit, vernachlässigen unsere Familie, zerstören dafür unsere Erde, beuten andere Menschen dafür Gnadenlos aus – aber im Grunde unseres Herzens sind wir gute Menschen. Wir sind die Guten, weil durch unseren Konsum Wachstum möglich ist! Kivikauden mies teki töitä päivittäin arviolta 3.5 tuntia. ellauri264.html on line 217: Die anderen, die dem Konsum nicht verfallen sind, die sind die bösen. Die tun nichts für unser heiliges Wachstum, das sind Trittbrettfahrer! Aber wir sind ja die Guten und unserer christlichen Tradition folgend betrachten wir diese Menschen einfach als verwirrt an. Es sind nicht unsere Feinde, sondern Konsumenten in spe, die den richtigen Weg noch nicht erkannt haben – oder kurzzeitig verlassen haben. Wir führen sie auf den rechten Weg, den unsere Religion macht am meisten Spaß, wenn alle Menschen beim Konsum mitmachen. ellauri264.html on line 219: Hier der Originalauszug aus dem „Price Competition in 1955“ (Journal of Retailing, Spring 1955): ellauri264.html on line 221: „Our enormously productive economy demands that we make consumption our way of life, that we convert the buying and use of goods into rituals, that we seek our spiritual satisfactions, our ego satisfactions, in consumption. The measure of social status, of social acceptance, of prestige, is now to be found in our consumptive patterns. The very meaning and significance of our lives today expressed in consumptive terms. The greater the pressures upon the individual to conform to safe and accepted social standards, the more does he tend to express his aspirations and his individuality in terms of what he wears, drives, eats- his home, his car, his pattern of food serving, his hobbies. ellauri264.html on line 222: These commodities and services must be offered to the consumer with a special urgency. We require not only “forced draft” consumption, but “expensive” consumption as well. We need things consumed, burned up, worn out, replaced, and discarded at an ever increasing pace. We need to have people eat, drink, dress, ride, live, with ever more complicated and, therefore, constantly more expensive consumption. The home power tools and the whole “do-it-yourself” movement are excellent examples of “expensive” consumption.“ ellauri264.html on line 224: BTW, I disagree with those comments which have suggested that Lebow was some kind of “prophet” warning about the dangers of commodity consumption. This is nonsense - even Marx wrote about the problems of “commodity fetishism” in his 1867 book, “Das Kapital”. ellauri264.html on line 230: It is little wonder then that we are facing an ecological crisis. The natural world itself has been ellauri264.html on line 233: environmental challenges. Our ecological challenges thus arise in part from the way we relate to our possessions. We appreciate their short-term value, but all too soon dispose of them. We should learn from Scrooge McDuck and John D. Rockerduck, who saved every bit of string they found into a huge ball. ellauri264.html on line 291: Herättä sijtte idzens ja hänen Canssans tutkisteleman heitäns sencaltaisita olewan ansainnen ricoxillans/ etc. v. 40. ellauri264.html on line 300: Val. v. 3:6 Hän on minun pannut pimeyteen/ nijncuin aica cuollet. ellauri264.html on line 302: Val. v. 3:8 Ja waicka minä pargun ja huudan/ nijn hän corwans tukidze minun rucouxestani. ellauri264.html on line 325: Val. v. 3:31 Sillä ei HERra syöxä pois ijancaickisest/ waan hän saatta murhellisexi/ ellauri264.html on line 340: Val. v. 3:46 Caicki meidän wihollisem owat suutans ammottanet meitä wastan. ellauri264.html on line 354: Val. v. 3:60 Sinä näet caicki heidän costons/ ja caicki heidän ajatuxens minusta. ellauri264.html on line 355: Val. v. 3:61 HERra/ sinä cuulet heidän pilckans/ ja caicki heidän ajatuxens minua wastan/ ellauri264.html on line 362: Vers. 18. Minun toiwon HERran päälle on pois ) Jumaliset päästäwät myös toisinans ristin alla sencaltaisia sanoja/ jotca näyttäwät heidän kärsimättömydens ja heickomielisydens/ nijncuin myös Jobis kyllä nähdän: jonga HERra anda tapahtu että myös he ymmärräisit heidän wiheljäisydens/ ja sitä enämbi nöyrytäisit idzens hänen edesäns/ ja rucoilisit: HERra älä johdata meitä kiusauxeen. Nijn hän taas lohdutta heitä ja anda sen heille andexi. ellauri264.html on line 367: icture-in-picture; web-share" allowfullscreen> ellauri264.html on line 371: "Man of Constant Sorrow" (also known as "I Am a Man of Constant Sorrow") is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles. ellauri264.html on line 375: icture-in-picture; web-share" allowfullscreen> ellauri264.html on line 378: Public interest in the song was renewed after the release of the 2000 film O Brother, Where Art Thou?, where it plays a central role in the plot, earning the three runaway protagonists public recognition as the Soggy Bottom Boys. Soggy Bottom boys´ version is from a sorry butt. ellauri264.html on line 384: icial Audio]" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri264.html on line 387: The song has some similarities to the hymn "Poor Pilgrim," also known as "I Am a Poor Pilgrim of Sorrow" and "I am a Poor Lonesome Cowboy", which George Pullein Jackson speculated to have been derived from a folk song of English origin titled ic/Roy-Palmer-collection/025M-C1023X0116XX-0400V0">"The Green Mossy Banks of the Lea". ellauri264.html on line 389: icture-in-picture; web-share" allowfullscreen> ellauri264.html on line 396: "Kids play with their sexuality and identity, If it goes awry that is no crime." sanoi Pattis Saifin puolustuxexi. Norm se varmaan kexi luettaa Saifilla Yalen "alipalkatulle ja ylivaltuutetulle" lautakunnalle Obaman mielirunon Convictus, eipäskun Invictus. Se toimii vahvistaa frankofoni ihmistorpeedo Tytti Yliviikari. Saif potkittiin pois Yalesta ja odottaa maitojunaa. ellauri264.html on line 400: Samainen Norm puolusti alt right salaliitto"teoreetikkoa" Alex Jonesia kun se ize pantiin viralta. Jones has provided a platform and support for white nationalists, giving Unite the Right rally attendee and white supremacist Nick Fuentes a platform on his website Banned.Video, as well as serving as a potential "entry point" to their ideology. Jones, meanwhile, faced a lawsuit filed by families of the Sandy Hook victims alleging he and others defamed them by falsely claiming the shootings were a hoax to justify further gun control, subjecting them to ongoing harassment and threats. ellauri264.html on line 409: Extreme right radio station WICC programme director Adam Lambetti told The Independent in a statement: “Norm Pattis is no longer with WICC, but we wish him well in the future.” On Wednesday, a jury reached a staggering $965m damages award against Mr Jones for the emotional and financial harm he had caused to 15 Sandy Hook family members and an FBI officer who attended the shooting in 2012. Afterwards, Mr Pattis admitted he got his “arse kicked”. “It was great fun while it lasted,” Mr Pattis said, who describes himself in an online bio as a “lawyer, writer, contrarian, stand-up comedian”. ellauri264.html on line 413: He is a regular in the national media, from the New York Times to The Today Show, and also serves as a frequent speaker. Norm is twice bestselling author labeled America’s Fiercest Trial Lawyer, a prolific blogger. Additionally, he serves as the host of the Pattis On Justice podcast. The podcast focuses on Law, politics, crime, and culture—in a word, "convict". ellauri264.html on line 415: Norm was seen rambling about Black Lives Matter and making homophobic and racist remarks, using the "n" word with his pants around his ankles (he was wearing soiled shorts underneath). A Black woman sitting in the front row stares at Pattis throughout the nearly eight-minute set, clearly unimpressed. This past year he infuriated the New Haven National Association for the Advancement of Colored People, a former ally, by posting a racially charged meme on his Facebook page. The post depicted three hooded white beer cans arrayed around a brown bottle hanging from a string. Its caption: “Ku Klux Coors.” Civil rights activists called it disgusting and racist. Pattis called it funny and free speech. ellauri264.html on line 422: Norm founded and leads The Law Firm in 2005, Connecticut-based criminal defense and civil rights. It focuses on serious felonies including violent felonies, white-collar crimes, sex offenses, drug crimes, and misconduct by lawyers, doctors, and government officials. Norm has defended capital murder cases and won federal civil rights verdicts for police brutality, discrimination, false arrest, malicious prosecution, and violations of rights, always on the side of the criminal. Norm Pattis is veteran of more than 100 successful jury trials, many resulting in acquittals for people charged with serious crimes, multi million dollar civil rights and discrimination verdicts, and successful criminal appeals. The Hartford Courant describes his work as “Brilliant” and “Audacious”. ellauri264.html on line 424: Norm Pattis used to receive a well deserved hate letter once a year from an elderly woman in California. Incensed over a $2 million award the criminal defense lawyer had won for a convicted rapist and murderer injured by guards during a prison escape attempt. He helps people who have trouble telling the good guys from the bad guys. Pattis specializes in cases that make most people cringe. He’s defended everyone from child murderers to rapists — he admits to being particularly drawn to homicide cases. If the allegation is heinous and the defendant reviled, chances are pretty good Pattis is involved. ellauri264.html on line 426: Nenästä ja ammatista huolimatta Pattis ei välttämättä ole jutku, nimestä päätellen se voisi olla myös paki tai mafioso. No ei se onkin ... Hungarian! Ei vaitiskaan vaan Esko Kreetalta. Pattis was born in Chicago in 1955 to a mother of French-Canadian descent and a father who had immigrated from the Greek island of Crete. One day when Pattis was 6 or 7, his father left the house and never came back. Pattis says that the abandonment haunts him to this day. ellauri264.html on line 429: Pattis käänsi takkinsa vasemmalta äärioikealle käden käänteessä. Jos saat paskaa käteen siitä pääsee käden käänteessä. But behind the hardball tactics, ferocious reputation and slashing rhetoric, another side of Pattis lurks. He’s a deep thinker who devours books in a constant quest for enlightenment and self-improvement. His idea of Disneyland is attending the annual Hay Festival of Ideas in Wales, which has been described as “the Woodstock of the Mind.” Get into a serious conversation with Pattis, and he will bounce from philosopher to philosopher as casually as some men bounce from ballplayer to ballplayer. During an interview for this article, Pattis quoted or referenced thinker Immanuel Kant, Supreme Court Justice Oliver Wendell Holmes, St. Augustine, the New Testament, Machiavelli and Kurt Vonnegut all in one 3-minute stretch. What a pile of turds. ellauri264.html on line 431: The 2012 Hay festival included writers Martin Amis, Jung Chang, Louis de Bernières, Mark Haddon, Mario Vargas Llosa, Hilary Mantel, Ian McEwan, Michael Morpurgo, Ben Okri, Ian Rankin, Salman Rushdie, Owen Sheers, Jeanette Winterson, comedians Bill Bailey, Rob Brydon, Julian Clary, Jack Dee, Tim Minchin, politicians Peter Hain and Boris Johnson, scientists John D. Barrow, Martin Rees, Simon Singh, and general speakers Harry Belafonte, William Dalrymple, Stephen Fry, A. C. Grayling, Germaine Greer, Michael Ignatieff, and David Starkey. What a pile of turds. ellauri264.html on line 433: The festival´s chair, Caroline Michel stated on 18 October 2020 that the event would not return to Abu Dhabi, in support of a curator Caitlin McNamara´s allegation of sexual assault against the tolerance minister of UAE, Sheikh Nahyan bin Mubarak Al Nahyan. McNamara claimed that she was assaulted by the minister when they met at a remote island villa in February 2019 concerning work. The Emirati Foreign Ministry declined to comment on personal matters. When reached out, Britain´s Metropolitan Police confirmed receiving a report of alleged rape on July 3 by a woman. Rape by a woman, WTF??? In November 2020, Caitlin McNamara vowed to fight on following the CPS October 2020 decision to not prosecute the UAE minister because the alleged attack had occurred outside its jurisdiction. McNamara said the decision sent a message to Sheikh Nahyan and others who commit similar crimes "that as long as they´re of economic value to the UK, they can do whatever they want". In an interview with The Sunday Times McNamara said she felt "abandoned" by the Hay Festival, and in an interview on Channel 4 stated that "mistakes" had been made in the way the festival handled her reporting the sexual assault to them which were "very distressing". What a pile of turds. ellauri264.html on line 435: Years later, in his 40s, Pattis reconnected with his dad, who told him he had been a career criminal in Detroit specializing in payroll heists and fled to Chicago after shooting a man. Rikos oli Normin porukoilla verissä. ellauri264.html on line 437: when his mother took up with a violent alcoholic who detested him. Pattis ellauri264.html on line 440: in the woods, only to get extremely sick. It is those two traumatizing experiences — abandonment and being unwelcome and loathed in his own home — that drive him, Pattis says. ellauri264.html on line 442: From an early age, Pattis says he has felt a burning desire to know God personally. To that end, he spent time in Switzerland at the compound of an American Christian fundamentalist thinker named Francis Schaeffer and then inveigled himself in the graduate philosophy program of Columbia University, where he studied and taught for six years. At one point, he nearly joined the CIA, but that opportunity fizzled when the agency didn’t like his polygraph answers about homosexual experiences. “I said, ‘Well, I haven’t had any yet. I don’t know how I’m going to respond if you ask,’ ” he recalls. “I think they decided that was a little too much for them.” ellauri264.html on line 447: Convictus ellauri264.html on line 475: Born in Gloucester, England, poet, editor, and critic William Ernest Henley was educated at Crypto Grammar School, where he studied with the poet T.E. Brown, and with the University of St. Andrews. His father was a struggling bookseller who died when Henley was a teenager. At age 12 Henley was diagnosed with tubercular arthritis that necessitated the amputation of one of his legs just below the knee; the other foot was saved only through a radical surgery performed by Joseph Lister. As he healed in the infirmary, Henley began to write poems, including “Invictus,” which concludes with the oft-referenced lines “I am the master of my fate; / I am the captain of my soul.” Henley’s poems often engage themes of inner strength and perseverance. His numerous collections of poetry include A Book of Verses (1888), London Voluntaries (1893), and Hawthorn and Lavender (1899). ellauri264.html on line 477: Henley edited the Scots Observer (which later became the National Observer), through which he befriended writer Rudyard Kipling, and the Magazine of Art, in which he lauded the work of emerging artists James McNeill Whistler and Auguste Rodin. Henley was a close friend of Robert Louis Stevenson, who reportedly based his Long John Silver character in Treasure Island in part on Henley. ellauri264.html on line 479: Harry Vararengas on rampautuneiden sotilaiden suojelija Invictus kisoissa. Sillä on kyllä kaikki 3 jalkaa tallella vaikka ampui shakkinappuloita Afhanistanissa. Ois saanut poistaa Saifinkin laudalta. Harryn 3. jalka oli paleltua etelänavalla, mutta Elizabet Ardenin poskivoide pelasti. ellauri264.html on line 487: icmagazine.com/wp-content/uploads/2015/01/bbb7ab_999e823f92d14052bb370132572000f0.jpg_srz_p_636_412_75_22_0.50_1.20_0.jpg" height="250px" /> ellauri264.html on line 492: Ladies and Gentlemen: There are five hundred reasons why I began to write for children, but to save time I will mention only ten of them. Number 1) Children read books, not reviews. They don’t give a hoot about the critics. Number 2) Children don’t read to find their identity. Number 3) They don’t read to free themselves of guilt, to quench the thirst for rebellion, or to get rid of alienation. Number 4) They have no use for psychology. Number 5) They detest sociology. Number 6) They don’t try to understand Kafka or Finnegans Wake. Number 7) They still believe in God, the family, angels, devils, witches, goblins, logic, clarity, punctuation, and other such obsolete stuff. Number 8) They love interesting stories, not commentary, guides, or footnotes. Number 9) When a book is boring, they yawn openly, without any shame or fear of authority. Number 10) They don’t expect their beloved writer to redeem humanity. Young as they are, they know that it is not in his power. Only the adults have such childish illusions. ellauri264.html on line 497: ica: A Journey with Isaac Bashevis Singer (complete)" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri264.html on line 501: Naisiin menevä Iisakki epäilee ettei se välttämättä pysty seuraamaan joka ikistä Sulkhan Arukhin pykälää. Ja miettii mahtaakohan Jehovakaan niistä kaikista yhtä paljon perustaa. In transferring her loyalty to Isaac, Alma also bore his infidelities, which included a regular mistress and a number of casual ones. But as Hertz pointed out, the patriarchs did just the same, and were none the worse for it in Jehova´s estimate. ellauri264.html on line 507: The Shulchan Aruch (Hebrew: שֻׁלְחָן עָרוּך [ʃulˈħan ʕaˈrux], literally: "Set Table"), sometimes dubbed in English as the Code of Jewish Law, is the most widely consulted of the various legal codes in Judaism. It was authored in Safed (today in Israel) by Joseph Karo in 1563 and published in Venice two years later. Together with its commentaries, it is the most widely accepted compilation of halakha or Jewish law ever written. ellauri264.html on line 509: The halachic rulings in the Shulchan Aruch generally follow Sephardic law and customs, whereas Ashkenazi Jews generally follow the halachic rulings of Moses Isserles, whose glosses to the Shulchan Aruch note where the Sephardic and Ashkenazi customs differ. These glosses are widely referred to as the mappah (literally: the "tablecloth") to the Shulchan Aruch´s "Set Table". Almost all published editions of the Shulchan Aruch include this gloss, and the term "Shulchan Aruch" has come to denote both Karo's work as well as Isserles', with Karo usually referred to as "the mechaber" ("author") and Isserles as "the Rema" (an acronym of Rabbi Moshe Isserles). ellauri264.html on line 511: In the century after it was published by Karo (whose vision was a unified Judaism under the Sephardic traditions) it became the code of law for Ashkenazim, together with the later commentaries of Moses Isserles and the 17th century Polish rabbis. ellauri264.html on line 524: The Shulchan Aruch is largely based on an earlier work by Karo, titled Beit Yosef. Although the Shulchan Aruch is largely a codification of the rulings of the Beit Yosef, it includes various rulings that are not mentioned at all in the Beit Yosef, because after completing the Beit Yosef, Karo read opinions in books he hadn´t seen before, which he then included in the Shulchan Aruch. ellauri264.html on line 532: The "Rema" (Moses Isserles) started writing his commentary on the Arba´ah Turim, Darkhei Moshe, at about the same time as Yosef Karo. Karo finished his work "Bet Yosef" first, and it was first presented to the Rema as a gift from one of his students. Upon receiving the gift, the Rema could not understand how he had spent so many years unaware of Karo´s efforts. After looking through the Bet Yosef, the Rema realized that Karo had mainly relied upon Sephardic poskim. ellauri264.html on line 534: In place of Karo´s three standard authorities, Isserles cites "the later authorities" (chiefly based on the works of Yaakov Moelin, Israel Isserlein and Israel Bruna, together with the Franco-German Tosafists) as criteria of opinion. While the Rosh on many occasions based his decision on these sources, Isserles gave them more prominence in developing practical legal rulings. By incorporating these other opinions, Isserles actually addressed some major criticisms regarding what many viewed as the arbitrary selection of the three authorities upon whose opinions Karo based his work. ellauri264.html on line 536: After realizing this, the Rema shortened his work on the Tur, entitled Darkhei Moshe, to focus only on rulings which differ from Bet Yosef. ellauri264.html on line 538: The halachic rulings in the Shulchan Aruch generally follow the Sephardic custom. The Rema added his glosses and published them as a commentary on the Shulchan Aruch, specifying whenever the Sephardic and Ashkenazic customs differ. These glosses are sometimes referred to as the mappah, literally, the 'tablecloth,' to the Shulchan Aruch´s 'Set Table.' Almost all published editions of the Shulchan Aruch include this gloss. ellauri264.html on line 542: The author himself had no very high opinion of the work, remarking that he had written it chiefly for "young students". He never refers to it in his responsa, but always to the Beit Yosef. The Shulchan Aruch achieved its reputation and popularity not only against the wishes of the author, but, perhaps, through the very scholars who criticized it. ellauri264.html on line 554: The Mishna (Berachos 51b) relates that after eating bread, one must belch before the bread is digested. This time frame is known as "k´dei ichul" (the time it takes for digestion to occur.) How does a person know if digestion occurred? ellauri264.html on line 563: Bishul Yisrael (literally "cooking of Israel" - i.e., by a Jew) is a Hebrew term for one of the laws of kashrut in Judaism. The rule prohibits eating certain foods unless they are cooked by Jews. The term is the opposite of bishul akum (cooking a non-Jew), which the rule forbids. Akum (עכו"ם) is an acronym of Ovdey Kochavim U'Mazalot (עובדי כוכבים ומזלות), literally "worshippers of stars and zodiac signs", but is actually a term for non-Jews". ellauri264.html on line 565: The prohibition applies only if the food is prepared exclusively by non-Jews. A small amount of Jewish participation can suffice to keep the food kosher. Different rabbis have different views on the absolute minimum: Sephardi poskim state that the minimum participation is to light the fire and place the pot on it to cook, while Ashkenazim are satisfied with merely lighting the fire, or even making a slight adjustment to a fire which was already lit by a non-Jew. Or just by looking at the knob on the stove like Kim Young Il. ellauri264.html on line 567: The law applies only to foods which, according to the Talmud, are "fit for a king's table" and are not generally eaten raw. Foods which would not be served at a state dinner are exempt from bishul akum, and are kosher even if cooked totally by non-Jews, provided that all the other requirements of kosher food are met. Maimonides explains that this prohibition was originally decreed in order to avoid a Jew being invited over by a non-Jew for a meal (which may lead to intermarriage), and people do not invite each other for dinner over food which is not "fit for a King's table" (Maimonides, Ma´akhalot Asurot 17:15). ellauri264.html on line 574: In the biblical narrative, Hophni and Phinehas are criticised for engaging in illicit behaviour, such as appropriating the best portion of sacrifices for themselves, and having sexual relations with the sanctuary's serving women. They are described as "sons of Belial" in (1 Samuel 2:12) KJV, "corrupt" in the New King James Version, or "scoundrels" in the NIV. Dom var usla som Sveriges krona, som än kallas skräpvaluta, än skitvaluta. Their misdeeds provoked the wrath of Yahweh and led to a divine curse being put on the house of Eli, and they subsequently both died on the same day, when Israel was defeated by the Philistines at the Battle of Aphek near Ebenezer; the news of this defeat then led to Eli's death (1 Samuel 4:17–18). On hearing of the deaths of Eli and Phinehas, and of the capture of the ark, Phinehas´ wife gave birth to a son whom she named Zaphod (expressing 'departed glory') before she herself died (1 Samuel 4:19–22). ellauri264.html on line 576: Eli’s sons were scoundrels; they had no regard for the Lord. Now it was the practice of the priests that, whenever any of the people offered a sacrifice, the priest’s servant would come with a three-pronged fork in his hand while the meat was being boiled and would plunge the fork into the pan or kettle or caldron or pot. Whatever the fork brought up the priest would take for himself. This is how they treated all the Israelites who came to Shiloh. But even before the fat was burned, the priest’s servant would come and say to the person who was sacrificing, “Give the priest some meat to roast; he won’t accept boiled meat from you, but only raw.” ellauri264.html on line 581: Now Eli, who was very old, heard about everything his sons were doing to all Israel and how they slept with the women who served at the entrance to the tent of meeting. 23 So he said to them, “Why the fuck do you do such things? I hear from all the people about these wicked deeds of yours. 24 No, my sons; the report I hear spreading among the Lord’s people is not good. 25 If one person sins against another, God may mediate for the offender; but if anyone sins against the Lord, who will intercede for them? Oh Jesus.” His sons, however, did not listen to their father’s rebuke, for it was the Lord’s will to put them to death, willy nilly. ellauri264.html on line 595: The rise of Religious Zionism is a phenomenon that has taken place since the times six day war. One of its key founders was a man called Rabbi Kuk who was the head of the yeshiva Mercaz HaRav in Jerusalem. He was one of the first practically envision the settlement of the mountains of Israel in modern times. An example of his thinking in this regard can be seen in a speech he made just before the six day war. These were his words: ellauri264.html on line 597: Nineteen years ago, on that famous night, when the decision of the establishment of the State of Israel was made by the governors of the nations of the world, when all the people flocked to the streets to publicly celebrate, I could not take part in the joy. In those first hours I could not make peace with what was done, with the horrible news, that God´s words from the prophecy in the Twelve Prophets: "My land was divided" was coming true. Where is our Hebron? Are we forgetting it? And where is our Nablus? Are we forgetting it? And where is our Jericho? Are we forgetting it? And where is our east side of the Jordan? Where is every lump and chunk? Every bit and piece of the four cubits of God´s land? Is it up to us to give up any millimeter of it? God forbid! In the state of shock that took over my body, completely bruised and torn to pieces – I could not rejoice then. ellauri264.html on line 602: Bit Auto Soft 360 backas upp av några av de smartaste tekniska hjärnorna som någonsin existerat. Richard Branson, Elon Musk och Bill Gates, för att bara nämna några. ellauri264.html on line 605: Bill Gates och Richard Branson diskuterar Bit Auto Soft 360 vid CES 2021. ellauri264.html on line 611: ichard">Sir Richard Charles Nicholas Branson (s. 18. heinäkuuta 1950 Surrey, Englanti) on brittiläinen liikemies, miljardööri ja seikkailija, joka tunnetaan Virgin-brändistään. Branson ilmoitti maaliskuussa 2006 ostaneensa saaren Dubaissa sijaitsevasta keinotekoisesta The World -saaristosta. Vuonna 2007 hän osti Moskito-saaren Brittiläisiltä Neitsytsaarilta. Sir Richard ei siellä kauan viihtynyt kun siellä on niin perkeleesti hyttysiä. Siitä tulee lepolasse varakkaille turisteille pohjois-Ruåzista. The island is currently home to a population of ring-tailed lemurs that Branson imported from Sweden. ellauri264.html on line 617: Vissa personer är tveksamma till att testa systemet eftersom det är så annorlunda. Och det beror på att storbankerna försöker dölja det! Storbankerna publicerar aktivt propaganda som kallar kryptovaluta och plattformar som Bit Auto Soft 360 för en bluff. Varför? De är oroliga för att se sina företagsvinster minska, när kunderna själva känner till hur man skapar stora förmögenheter. ellauri264.html on line 626: Ebba Busch, mellan 2013 och 2020 känd som Ebba Busch Thor, egentligen Ebba-Elisabeth Busch, ursprungligen Busch-Christensen, född 11 februari 1987 i Gamla Uppsala i Uppsala län, är en svensk politiker (kristdemokrat). Sedan den 25 april 2015 är hon partiledare för Kristdemokraterna och sedan 2022 även energi- och näringsminister samt vice statsminister och statsministerns ställföreträdare i regeringen Kristersson. ellauri264.html on line 632: Buschs far kommer från Norge och hon har dubbelt medborgarskap. Vidare är hon medlem i Svenska kyrkan. År 2013 gifte sig Busch med Niklas Thor, fotbollsspelare i IK Sirius. I december 2019 meddelade paret att de ansökt om skilsmässa. Tillsammans fick de en son 2015 och en dotter 2017. Hon använde under äktenskapet namnet Ebba Busch Thor, men blev aldrig folkbokförd under detta namn. Det som Gud har sammenføyd, det skal ikke et menneske skille. ellauri264.html on line 634: Hösten 2020 köpte Busch ett hus av en äldre man. Säljaren ångrade sig och menade att han inte förstod att han sålt huset efter att han erhållit handpenning. Busch menade att mannens reaktion berodde på råd från personer i hans omgivning och valde att gå till rätten. Busch och motparten ingick förlikning 8 oktober 2021, vilken stadsfästes i dom den 18 oktober 2021. Ebba överklagade men den stadfästa förlikningen stod sig. ellauri264.html on line 636: När Busch i februari 2021 beskrev sin version av skeendet i ett inlägg på Facebook, förtalte hon säljarens juridiska ombud, Johann Binninge. Detta ledde till en anmälan om grovt förtal, men innan hon hann bli åtalad accepterade hon ett strafföreläggande om villkorlig dom och dagsböter. Samtidigt sa hon: "Jag anser mig vara oskyldig till detta, men jag har i dag erkänt brott för att få möjlighet att kunna sätta punkt för detta och att jag inte har tid att utgöra det juridiska prejudikat som i dag saknas". I september 2021 meddelades att Busch skulle betala ett skadestånd till Binninge. Fastighetsaffären och förtalsprocessen blev vida omtalade i medier under det år då de pågick, samtidigt som förtroendet för Busch sjönk under samma period. Den kristdemokratiske riksdagsledamoten Lars Adaktusson kritiserade Busch och uttryckte "oro för situationen" efter strafföreläggandet. ellauri264.html on line 648: De hymlar inte ens med sina avsikter, de har inget intresse att öka finansieringen till den generella välfärden. Detta märktes inte minst i höstbudgeten, där regioner och kommuner fick ynka sex miljarder kronor, vilket är 20 miljarder för lite. ellauri264.html on line 673: All their success stories come down to one thing: they are all dicks, HUGE DICKS. ellauri264.html on line 675: Bill Gates tried to steal all the stocks and stock options from Paul Allen as Paul was sick with cancer and not thought that he would survive. He forced Apple to sell him Apple basic for Macintosh for $1 or he would stop making software for the machine, only to kill the project. There are many stories about Microsoft about to buy a company, does check out the company, get access to their source code and then cancel the deal only to give out almost identical apps later. Buying up competing companies just to close them down and more. ellauri264.html on line 677: Steve Jobs did a phone prank to an Apple fan boy who applied for the Apple CEO position and told him that he had been chosen, later to tell him if he showed up at Cupertino that the cops would arrest him. Steve Jobs refused child support for his daughter Lisa. But he was 20 years old by then, not excusing what he did though. He later made good and Lisa choose to live with him instead of her mother. Steve did many things wrong as a 20 something. But The Original Macintosh (folklore . org) has a lot of stories that show him as a Crusty the Clown, playing pranks with the team, breaking into his own office as he locked his keys inside. Putting a pirate flag on a building. How funny. ellauri264.html on line 679: Definitely one of the darkest stories about Steve Jobs has to be the Breakout story. In the 1970’s, Steve Jobs was working for Atari, designing the game Breakout. Overwhelmed with work with a deadline quickly approaching, he approached Steve Wozniak for help in finishing his project within the next four days. In exchange for his help, Jobs offered Woz half of what he was earning, which he said was $700. For four days, Jobs and Wozniak worked day and night without sleep. When they were done, they were sick with mono and exhausted, but they finished the project before the deadline. Wozniak got his… (more) ellauri264.html on line 687: They are dicks, so they are the people who will end up in history books. They have all made technology so that they own it today. The world is a much worse place because they are/were here. You could even argue that because they were dicks, did not care if they walked over other people, that’s why they have all the nice things they have now. ellauri264.html on line 689: If you want the opposite (pretty much), have a look at Antonio Mucci, Visicalc, Dan Bricklin and Bob Frankston, by all accounts super nice people, treated everyone great, just all around nice nerds, they were trounced, not many people alive today who know who they are (yes they are both alive as I type this). A guy just took their idea, made his own version and had a ready version when the IBM PC was introduced. ellauri264.html on line 692: Ray Kroc stole the iconic McDonalds name from their original owners and decimated the true founders of the fast food system. All these people went on to find great companies valued nearly 500+ billion dollars. ellauri264.html on line 694: This is when the philosophy of Niccolo Machiavelli, a 16th-century Florentine political thinker with powerful advice for nice people who don’t get very far about , comes in. Machiavelli’s Advice for Nice Guys: Machiavelli noted a central, uncomfortable observation: that the wicked tend to win. And they do so because they have a huge advantage over the good: they are willing to act with the darkest ingenuity and cunning to further their cause. They are not held back by those rigid opponents of change: principles. They will be prepared to outright lie, twist facts, threaten or ge… (more) ellauri264.html on line 696: Ray Kroc stole McDonald’s from the original owners who were brothers and intentionally breached the franchising contract he signed with them. He then went on to publicly claim to be the owner, called his restaurant McDonald’s one when it wasn’t. ellauri264.html on line 698: It wasn’t until the McDonald brothers knew they couldn’t fight a multinational corporate giant who would kill them in legal fees that they were forced to sell at a significant discount. They had allegedly agreed to give the brothers 1% of all sales, but even then, the company screwed the brothers out of that. ellauri264.html on line 700: If you read Wikileaks, aside from Google& Yahoo, few of the larger tech companies have any right to plausibly deny being part of the surveillance state. So imagine you make a business it becomes successful, and one of your largest clients for the information? The government which gets paid per pull of information on specific targets and for unfiltered allocation/data retention. Furthermore, instead of protecting citizens from overreach by private companies, the government chooses to have a mutual ‘hush hush’ with such companies and their heads, helping them in case of hacks, and not doing much … (more) ellauri264.html on line 704: Perhaps the person who knew him best was his long-time friend Steve Wozinak. Ironically, even he wasn´t spared from being manipulated by Jobs. In the early days, he was asked to work on a game with Jobs with half of the total payment as his cut. Upon completion, he received $350 of $700 but Jobs had actually earned $5000 for the project. ellauri264.html on line 706: Jobs We all know was a dick. From refusing to acknowledge Lisa was his daughter to refusing her mother child support. We all know he ripped off Wozniak many times. Including early in their career. ellauri264.html on line 708: Gates was a nerdy bully who forced his bundled operating system down everyone´s throats. Then made threats against competitors who tried avoiding his monopoly. Had some shady stock dealings that went against his sick partner, Allen who was battling cancer at the time. ellauri264.html on line 712: By clicking “Accept All Cookies”, you agree to the storing of cookies on your device to enhance site navigation, analyze site usage, and assist in the marketing efforts of our business giants. ellauri264.html on line 715: Miami Vice ellauri266.html on line 6: font-style: italic; ellauri266.html on line 10: font-style: italic; ellauri266.html on line 56: Desmond Morris was a scandal when his 1967 book appeared on human sociobiology. Some of Morris's theories have been criticized as untestable. For instance, geneticist Adam Rutherford writes that Morris commits "the scientific sin of the 'just-so' story – speculation that sounds appealing but cannot be tested or is devoid of evidence". However, this is also a criticism of adaptationism in evolutionary biology, not just of Morris. ellauri266.html on line 58: Rutherford (1975), who is half-Guyanese Indian, was born in Ipswich in the East of England and attended Ipswich School. His game is not football like Morris's but cricket. Rutherford was the podcast editor for the journal Nature for a while. He wrote a blog covering his thoughts when reading Charles Darwin's blockbuster On the Origin of Species. Adam is something of a cross between David Attenboro and Uncle Sam. ellauri266.html on line 60: He also writes disparagingly on religion in Guardian (spare £2 for an ex-leper), notably on his experience participating in the Alpha course. The Alpha course is an evangelistic course which seeks to introduce the basics of the Christian faith through a series of talks and discussions. It is described by its organisers as "an opportunity to explore the meaning of simian life in just 24h." Adam did not buy it, but went on to live in original sin. Besides, he is in all likelihood a Sitzpinkler, i.e. a wuss. ellauri266.html on line 62: It’s thought that one of the reasons for humans becoming upright was to see further across the savannah. I wonder if standing to pee could be useful in spotting predators, and if squatting might make us more vulnerable. “I guess if I stand up while I pee I’ve got more of a chance of spotting a sabre-toothed cat running towards me, or someone from a different community who might wish me harm,” Garrod concedes. Again, sounds nice but no evidence. But it is testable, using a set of very rapid gepards. “It might be a nice addendum to my evolutionary journey but it hasn’t driven my evolution as a species.” For men with lower urinary tract symptoms and to limit the bacterial flora on their wives' toothbrush the sitting voiding position is preferable. But wuss. ellauri266.html on line 64: Adam Rutherford has not revealed much of her (!) bio. So, his early life and details of his parents are still behind curtains. Adam Rutherford seems happily married to his wife. However, he has not disclosed the details of his wife. Nevertheless, Adam has shared many things about his family through his social media. Adam is the father of three children, one son, and two daughters. Adam Rutherford is well-known for founding the scientific publication Nature. He has hosted many BBC television shows, including Me Playing God and The Gene Kelly Code. He is probably living an economically comfortable life. His passion for music allows him to escape the rigours of science and enjoy the emotional side of life. His net worth as a simian is as yet undisclosed. He may be having a fling with his co-star Hannah Fry, as well as with her namesake Stephen Fry. Stephen is not the only Fry on the block anymore, but there is no evidence showing that these two are related. In fact, they don't even follow each other on social media! ellauri266.html on line 66: ichef.bbci.co.uk/images/ic/640x360/p07sxxl3.jpg" width="20%"/> ellauri266.html on line 69: Morris is also criticized for stating that gender roles have a deep evolutionary rather than cultural background. True or false, it is completely non-woke currently. Uncle Sam is not a fan of woke, he thinks it narrows his freedom of speech. Koiraiden ja naaraiden tasa-arvoa edistänee tällä haavaa se, että miehet kasvattavat wiixiä ja naiset ajavat ne pois. ellauri266.html on line 71: icle-2092039-11770F9F000005DC-272_634x472.jpg" /> ellauri266.html on line 82: Picasson lunastama Congo-simpassin signeeraama taulu esittää ihmisen hiilijalanjälkeä. ellauri266.html on line 99: EBU:n puheenjohtaja Jean-Paul Phillipot sanoi: "Haluan ilmaista vilpittömän kiitokseni ja arvostukseni Ingridille hänen erinomaisesta työstään ja lukuisista saavutuksistaan hänen toimikautensa aikana. Deltenren seuraajaksi pääjohtajana tulee Raidió Teilifís Éireannin (RTÉ) pääjohtaja Noel Curran, jolla ei ole niin paljon kiireitä." Sveizitär ei ollut tilanteen tasalla. Tässä on isoista bisnexistä kysymys. EBU:lla on itsenäinen kaupallinen tytäryhtiö Eurovision Services, joka tarjoaa suurten urheilutapahtumien jakelua ja tuotantoa ympäri maailmaa. Curran on Eurovision-palveluiden toimari. ellauri266.html on line 121: Tämä hauskasti väärinkuultu lyrics on Härpi Vimpan-Anttilan esikoisen mottona. Toi susi on epilepsia, eli grand mal. Susi nielee 13 kiliä yhteispaino n. 130 kiloa, mutta kuttu ehtii hätiin ja täyttää suden mahan kivillä. Susi menee janoisena juomaan kaivolle ja putoo sinne. Avausjaxossa Mikaelan kurkku on ahdas ja limainen, sinne on juuttunut Villen mälliä. He ovat juuri tehneet aviorikoxen. Varmaan lojuvat sängyn päällä nakuina hikisissä täkeissä niinkuin joka ikisessä Netflix sarjassa. Tekee mieli röökiä. Yllättävä, rohkea, sivistynyt ja hauska. Toikin että käännytään hässimään toinen varvi on nähty miljoonissa pätkissä. Kai se sitten tuppaa olla tällästä. Ainakin sohvakansan toiveissa. ellauri266.html on line 138: — Et d’autres, corrompus, riches et triomphants, - ja muita, turmeltuneita, rikkaita ja voitokkaita, ellauri266.html on line 168: Gertrudin ja Hecuban välinen kontrasti on syytä huomata. Hamletin mielestä Hecuba oli reagoinut miehensä kuolemaan asianmukaisen ärhäkästi, kun taas Gertrude ei. Shakespeare näyttää nauttineen Hecuban tarinasta, sillä hänet mainitaan Troilus ja Cressidassa (1.2), Titus Andronicuksessa (4.1), Coriolanuksessa (1.3), Cymbelinessä (4.2) ja erityisesti pitkässä runossa Lucrecen raiskaus. ellauri266.html on line 174: Sie selbst wurde nach dem Trojanischen Krieg als Sklavin dem Odysseus zugedacht. In der Tragödie Hekabe des Euripides wird sie zur Rächerin, indem sie Polymestor, den Mörder ihres Sohnes Polydoros, blendet. In Ovids Metamorphosen verwandelt sie sich daraufhin zudem in eine Hündin. Hekabe ist die Verkörperung tiefsten Frauenunglücks und -elends im Krieg. ellauri266.html on line 176: Die Redensart „Das ist mir Hekuba (oder Wurscht)“ im Sinne von „Das bedeutet mir nichts“ geht auf eine Stelle in Shakespeares Hamlet (2. Akt, 2. Szene) zurück. Dort wundert sich Hamlet über die Fähigkeit eines Schauspielers, um das Schicksal Hekubas, der „schlotterigen Königin“ aus uralter Sage, Tränen zu vergießen, während er, Hamlet, trotz des eben erst an seinem Vater verübten Verbrechens, völlig gefühllos bleibe. ellauri266.html on line 182: Gedicht zum Thema: Abschied, Wiedersehen ellauri266.html on line 190: noch einmal zeigt, sich wendet, anhält, weilt –, näyttää vielä kerran, kääntyy, pysähtyy, viipyy -, ellauri266.html on line 206: ic/wysiwyg_images/virpi_hameen-anttila_page_1_image_0002.jpg?itok=t86RviKz" width="30%" /> ellauri266.html on line 223: Michel de Montaigne: Esseitä 1-3. "Olen aina viihtynyt mahdottoman hyvin tämän viisaan, huumorintajuisen ja lämpimän kirjoittajan seurassa. Ei uskoisi, että hän kirjoitti 500 vuotta sitten." ellauri266.html on line 254: This movie should never have been made. It is a love ode to irresponsible broken men, our nation's need for lunatic asylums, and the failure of Child Protective Services. The producer's mother must have written the rest of the reviews. ellauri266.html on line 260: Not made for people who like action or science fiction. ellauri266.html on line 262: In a world of superhero movies, this film stands out and reminds you of what the art of filmmaking is all about. No explosions, gunfights, or unnecessary sexual content, simply a group of phenomenal actors. The story is both sad and uplifting and it says more about PTSD (post-traumatic stress disorder) than any film I've seen in years. The fact that this film was so underappreciated is an indictment of the viewing public. ellauri266.html on line 282: Haukkujat on joxeenkin järjestään jotain Jasoneita ja Jeffreyitä, kehujat Maryjä ja muita istualtaan pissijöitä. Paizi Candicella oli sanomista: ellauri266.html on line 296: I signed up for rotten tomatoes today specifically to rate this movie a ZERO. It was a complete waste of time. The movie is lax and boring. Characters are completely monotone throughout. I felt no empathy or emotion for any of the characters. It was a snooze fest. ellauri266.html on line 306: A great story, however when I invest 90 minutes of my life I expect entertainment that will take me to a place other than where I am. This simple was not entertaining. Please do not watch this terrible move. One other thing, why is there such a disparity between the critics and the viewers review. ellauri266.html on line 316: If you like looking at trees, this may be your movie. I don't understand the complete lack of negative critic reviews here. Maybe it's my fault for being able to remember what it's like to watch truly well-directed films. Have today's critics forgotten what it's like to go see a film by Hitchcock or Wilder or even Blake Edwards or Ron Howard. Those guys knew how to tell a story. What we have here is a good example of bad storytelling. ellauri266.html on line 318: Really boring, slow and pointless film with virtually no plot. No idea why this got rated so highly by critics. ellauri266.html on line 325: General semantics, a philosophy of language-meaning that was developed by Alfred Korzybski (1879–1950), a Polish-American scholar, and furthered by S.I. Hayakawa, Wendell Johnson, and others; it is the study of language as a representation of reality. Korzybski’s theory was intended to improve the habits of glib upper-class response to hostile low-class environment. Drawing upon such varied disciplines as relativity theory, quantum mechanics, and mathematical logic, Korzybski and his followers sought a scientific, non-Aristotelian basis for clear understanding of the differences between symbol (word) and reality (referent) and the ways in which they themselves can influence (or manipulate) and limit other humans´ ability to think. ellauri266.html on line 327: A major emphasis of general semantics has been in practical training, in methods for establishing better habits of evaluation, e.g., by indexing words, as “man1,” “man2,” and by dating, as “Roosevelt1930,” “Roosevelt1940,” to indicate exactly which man or which stage of time one is referring to. ellauri266.html on line 328: Korzybski’s major work on general semantics is Science and Sanity (1933; 5th ed., 1994). The Institute of General Semantics (founded 1938) publishes a quarterly, ETC: A Review of General Semantics. ellauri266.html on line 329: This article was most recently revised and updated by Brian Duignan. ellauri266.html on line 333: For fertilization to take place, certain interindividual processes must take place: male and female must get each other´s attention, stimulate each other, secure each other´s cooperation or at least compliance, until the female (or male) finally assumes the appropriate position for receiving the sperm. This known as courtship. Mm, I´m getting the hots by just saying this. General semantics must surely have something to contribute to human sexuality. Mobility increases intelligence, that must be why the in-out moving human male is more intelligent than the female. The adult male is capable of being sexually aroused with or without provocation at practically any time. No wonder females prefer smelly company to no company at all. Except in a KZ lager they tend to lose interest, says Morris Gombinder in Shadows on the Hudson. Desmond Morris has an ingenious argument about the relation of a man´s sexuality to his way of life. "The naked ape is the sexiest man alive!", he says, and means it. "In baboons", he says, "the time from mounting to ejaculation is max 8 seconds, a goldfish´s attention span. Our ladies would never be satisfied with that!" Specialized organs such as lips, ear-lobes, nipples, breasts and genitals are richly endowed with things to lick and suck. Sorry folks, now I just have to take a break for a quick wank, I´m really gettting uncomfortably erect. Thank you. The sexually attractive parts are predominantly at the front, except the arse. Face-to-face sex is personalized sex, said the missionary. From the back you don´t really know who you are interacting with. ellauri266.html on line 335: Good communication is the key to good sexuality. How is it attained? Well television is a wonderful invenmtion, bringing the whole amazing world to our living room. Only you can´t interact with it (you can interact with yourself while watching, but it ain´t the same). A mobile phone is already way better, but clearly the best solution is an AI silicone playmate. One of the fascinating things that Eric Berne says in his famous book, Games People Play, is that we have 3 ego states, id, ego, and superego. Oops my bad, that was my esteemed colleague Freud a few decades earlier. But anyway. ellauri266.html on line 338: Let me quote a letter from a lady in Oakland after a recent weekend seminar. The lady is intellectually inclined. She goes to my seminars and is excited by my ideas and wants to be friends on an intellectual basis with some of the fine lecturers she has heard. Invariably, she gets the door politely slammed in her face. Men like me are terribly afraid of getting involved in sex with ladies past their better before date. "I am forced to the conclusion," she writes, "that if a man doesn´t want to get involved in sex,´ then he sees no point in talking to a woman at all. A homely looking thinking woman is to most men some sort of contradiction in terms." True, regrettably. ellauri266.html on line 340: If a young girl gets excited about mathematics or philosophy or sports car racing or anything else not specific defined as a legitimate female interest by Good Housekeeping Magazine, her elders smile among themselves and say, "She´ll soon get over all this nonsense when she has her own babies to take care of." ellauri266.html on line 342: But today with child-spacing an almost universal practice and all sorts of electrical appliances in the home, babies and housework need not be women´s full-time occupations, especially as the children grow to school age. Thousands of upper class women take jobs today not (like millions of their less fortunate mates) because the family needs the extra money, but because they cannot endure the boredom of underemployed hands and minds. ellauri266.html on line 344: Who knows perhaps one day these upper-class working women in teaching, in office jobs, in factories, in pubic services, are part of the answer to the lady from Oakland. As men become more accustomed to dealing with women colleagues and service staff, they will come to their senses and discuss with their partners sports events, the stock market, automobiles, politics, religion, philosophy, natural history, or science as they are waiting for their seed guns to reload. All the more enriched will be the relationship between them. ellauri266.html on line 347: At the end of her letter the lady adds, "My husband has just read this and he has a reply which may shed light on the male viewpoint. He said, ´You´re too pretty to be friends with. (He´s prejudiced.) He pursued this with, 'Why can´t you be more like a man.'" ellauri266.html on line 360: Throughout 1993, the role of NATO forces in Bosnia gradually grew. On February 28, 1994, the scope of NATO involvement in Bosnia increased dramatically. In an incident near Banja Luka, NATO fighters operating under Deny Flight shot down four Serb jets. This was the first combat operation in the history of NATO and opened the door for a steadily growing NATO presence in Bosnia. In April, the presence of NATO airpower continued to grow during a Serb attack on Goražde. In response, NATO launched its first close air support mission on April 10, 1994, bombing several Serb targets at the request of UN commanders. ellauri266.html on line 362: NATO continued its air operations over Bosnia in the first half of 1995. During this period, heroic American pilot Scott O´Grady was shot down over Bosnia by a surface-to-air missile fired by Bosnian Serb soldiers. He was eventually rescued safely, but his downing caused concern in the United States and other NATO countries about NATO air superiority in Bosnia and prompted some calls for more aggressive NATO action to eliminate Serb anti-air capabilities. ellauri266.html on line 364: On August 28, 1995, Serb forces launched a mortar shell at the Sarajevo marketplace killing 37 people. Admiral Leighton Smith, the NATO commander recommended that NATO launch retaliatory air strikes under Operation Deliberate Massacre. On August 30, 1995, NATO officially launched Operation Deliberate Massacre with large-scale bombing of Serb targets. The airstrikes lasted until September 20, 1995 and involved attacks on 338 individual targets. ellauri266.html on line 382: Sitten seurasivat Conquest of the Planet of the Apes vuonna 1972 ja Battle for the Planet of the Apes vuonna 1973. Kaksi jälkimmäistä elokuvaa kuvittelivat ensimmäisessä elokuvassa nähdyn planeetan nousun. Televisio-ohjelma seurasi vuonna 1974 ja toinen vuonna 1975, ennen kuin franchising suurelta osin päättyi. Muiden elokuvien jatkoromaaneihin osallistui muita Boullea apinoivia pellekirjailijoita kuten Michael Avallone, Jerry Pournelle, John Jakes ja David Gerrold, varhaisessa laajennetussa universumissa, jossa useat kirjailijat työskentelivät yhteisen projektin ja universumin parissa kuin apinat kirjoituskoneiden ääressä. Boulle pysyi yhteydessä elokuvien tuotantoon neuvotellen eri tarinan elementeistä. ellauri266.html on line 405: Ensimmäinen elokuva oli Apinoiden planeetta (1968), Franklin J. Schaffnerin ohjaama scifi -elokuva Michael Wilsonin ja Rod Serlingin käsikirjoituksesta ja pääosassa Charlton Heston. Elokuva oli kriittinen ja kaupallinen menestys, ja se poiki neljä jatko-osaa yhden elokuvan vuodessa vuosina 1970-1973. ellauri266.html on line 409: Pierre Boulle (20. helmikuuta 1912 – 30. tammikuuta 1994) syntyi Avignonissa, Ranskassa, ja hänet kastettiin ja kasvatettiin katolilaiseksi, vaikka myöhemmin hänestä tuli agnostikko [ lainaus tarvitaan ]. Hän opiskeli arvostetussa École supérieure d´électricitéssä ( Supélec ), jossa hän sai insinöörin tutkinnon vuonna 1933. Vuodesta 1936 vuoteen 1939 hän työskenteli pyroteknikkona brittiläisillä kumiviljelmillä Malayassa. Siellä ollessaan hän tapasi ranskalaisen naisen, joka oli erossa miehestään. Hiänestä piti tulla hänen elämänsä rakkaus, jolle hän kirjoitti lempeitä rakkauskirjeitä. Myöhemmin hiän päätti palata miehensä luo, joka oli virkamies Ranskan Indokiinassa. Toisen maailmansodan aikana hiän ja hänen miehensä pakenivat Malajaan, mutta yksi hiänen lapsistaan kuoli prosessissa. Boulle tapasi hänet myöhemmin sodan jälkeen, ja he nauttivat kovasti platonisesta ystävyydestä. ellauri266.html on line 413: Boulle toimi salaisena agenttina nimellä Peter John Rules ja auttoi minkä pystyi vastarintaliikettä Kiinassa, Burmassa ja Ranskan Indokiinassa. Vuonna 1943 Vichy Francen lojalistit vangitsivat hänet Mekong-joella ja joutuivat vakaviin vaikeuksiin ja pakkotyöhön. Hän kuvaili sotakokemuksiaan tietokirjassa My Own River Kwai. Myöhemmin hänestä tehtiin Legion d´Honneurin kavaljeeri ja hän koristettiin Croix de Guerre - ja Médaille de la Résistance - tunnusmerkkeillä. Sodan jälkeen hän piti yhteyttä sotatoveriinsa loppuelämänsä. ellauri266.html on line 417: Hänen luomansa everstiluutnantti Nicholson *ei* perustunut todelliseen liittoutuneiden vanhempaan upseeriin Kwain silloilla, Philip Tooseyyn, vaan se oli kuulemma yhdistelmä hänen muistojaan yhteistyökykyisistä *ranskalaisista* upseereista. Sekä kirja että elokuva suuttivat entisiä anglovankeja, koska Toosey *ei* tehnyt yhteistyötä vihollisen kanssa, toisin kuin kuvitteellinen eversti Nicholson. Boullen säälittävät puolustelut ovat vielä tallella jos haluatte suuttua. Haastattelun transkriptio ja dokumentti kokonaisuudessaan löytyvät John Coastin kirjan Railroad of Death uudesta painoksesta. Nicholson (oik. *ranskalainen* upseeri!) kuitenkin auttaa vääristyneen velvollisuudentunton vuoksi vihollistaan. Kun ulkopuoliset liittolaiset kilpailevat sillan tuhoamiseksi, Nicholsonin on päätettävä, kumpi uhraa: isänmaallisuutensa vai ylpeytensä. Hän uhraa ensinmainitun. Ei ihme että hänelle käy kalpaten. ellauri266.html on line 419: Historiallisesti olosuhteet olivat paljon huonommat. Todellinen vanhempi liittoutuneiden upseeri komentosillalla oli brittiläinen everstiluutnantti Philip Toosey. BBC Timewatch -ohjelmassa leirillä ollut entinen vanki toteaa, että on epätodennäköistä, että kuvitteellisen Nicholsonin kaltainen mies olisi voinut nousta everstiluutnanttiarvoon; ja jos hän olisi, muut isänmaallisemmat vangit olisivat "hiljaisesti poistaneet" hänet. Julie Summers kirjassaan The Colonel of Tamarkan terottaa, että Pierre Boulle, joka oli ollut sotavankina Thaimaassa, loi kuvitteellisen Nicholson-hahmon yhdistelmäksi hänen muistojaan yhteistyöhaluisista *ranskalaisista* upseereista. Toisin kuin kuvitteellinen Nicholson, Toosey ei ollut japanilaisten yhteistyökumppani. Toosey itse asiassa viivytti sillan rakentamista estämällä. Siinä missä Nicholson ei hyväksy sabotaasitoimia ja muita tahallisia yrityksiä viivyttää edistystä, Toosey rohkaisi tätä: termiittejä kerättiin suuria määriä syömään puurakenteita, ja betoni sekoitettiin pahasti. ellauri266.html on line 421: James Dean teki kirjasta elokuvan, joka voitti seitsemän vuoden 1957 Oscaria, mukaan lukien paras elokuva ja paras miespääosa Guinness Alelle. Boulle itse voitti parhaan sovitetun käsikirjoituksen palkinnon, vaikka hän ei ollut kirjoittanut käsikirjoitusta, eikä hän oman tunnustuksensa mukaan edes puhu englantia vaikka kirjoittaa. Boullea oli hyvitetty käsikirjoituksesta, koska elokuvan varsinaiset käsikirjoittajat, Carl Foreman ja Michael Wilson, oli merkitty McCarthyn mustalle listalle kommunistien kannattajina. Boulle ei ollut sosialisti eikä kommunisti. Amerikan Elokuva-Akatemia kumitti Boullen nimen ja lisäsi Foremanin ja Wilsonin nimet palkintoon vuonna 1984. Sentään Kim Novak otti Oscarin vastaan Pierre Boullen puolesta. ellauri266.html on line 423: Elokuva Kwai-joen ylittävä siltä kuvattiin Sri Lankassa (silloin nimeltään Ceylon), ja elokuvan kuvaamista varten pystytettiin puinen feikki silta Kelani-joen yli Kitulgalassa, Sri Lankassa (silloin nimeltään Ceylon). Elokuva oli suhteellisen uskollinen romaanille kahta suurta poikkeusta lukuun ottamatta. Shearsista, joka on brittiläinen kommandoupseeri, kuten Warden romaanissa, tuli *amerikkalainen* merimies, joka pakenee sotavankileiriltä. Myöskään romaanissa siltaa ei tuhota: juna syöksyy jokeen Wardenin asettamasta toissijaisesta panoksesta, mutta Nicholson (joka ei koskaan tajua "mitä olen tehnyt? Olen *ranskis*!") ei putoa männän päälle, ja silta kärsii vain pieniä vaurioita. Boulle kuitenkin nautti elokuvaversiosta, vaikka hän oli eri mieltä sen huipennuksesta. ellauri266.html on line 434: pilviin, mikä loi "Apemania"-villityksen. Kesäkuussa 1974 Marvel Comics julkaisi myös romaaniin ja elokuvaan perustuvan aikakauslehden nimeltä Apinoiden planeetta . Syyskuuhun 1974 mennessä Apinoiden planeetta oli tullut televisiosarjaksi. Vuonna 1975 televisiossa esitettiin animoitu Return to the Planet of the Apes -sarja. ellauri266.html on line 440: Vuonna 1962 Spike Milligan ja Peter Sellers julkaisivat yhdessä Peter Cookin ja Jonathan Millerin kanssa levyn The Bridge on the River Wye, huijauksen Kwain elokuvaversiosta, joka perustuu vuoden 1957 Goon Show´n "An African Incident" ympärille. Sillä oli tarkoitus olla sama nimi kuin elokuvalla, mutta vähän ennen sen julkaisua elokuvayhtiö uhkasi oikeustoimilla, jos nimeä käytetään. Tuottaja George Martin muokkasi "K":n pois joka kerta, kun sana "Kwai" puhuttiin. BUAAHHAHHAH hassua, kyllä toi Peter Selleri on sit hulvaton! Sellersiä on kuvattu äkkipikaiseksi, lapselliseksi ja vaikeaksi henkilöksi, jonka oma persoonallisuus hukkui lukuisten roolihahmojen alle, jos sitä edes oli. Eikös se ollut muuten juutalainen? Oli se puolisefardi! Sellers syntyi vuonna 1925 protestanttiselle isälle ja juutalaiselle äidille. Hänen äidinpuolinen isoisänsä isä oli sefardijuutalainen nyrkkeilijä Daniel Mendoza. Sellers varttui Lontoossa ja kävi roomalaiskatolista koulua. Sinuna en pyllistäisi noille sefardeille, ne näyttävät nopeilta. ellauri266.html on line 442: icture-in-picture; web-share" allowfullscreen> ellauri266.html on line 446: La Planète des singes est un roman de science-fiction publié en janvier 1963 par l´écrivain français Pierre Boulle. Succès commercial, il est rapidement traduit dans de nombreuses langues. ellauri266.html on line 451: ic/2018-04/la_planete_des_singes_3_0.jpg" width="100%" /> ellauri266.html on line 456: Un manuscrit enfermé dans une bouteille est retrouvé dans l´espace par Jinn et Phyllis, un couple en voyage spatial. Ce manuscrit raconte l´histoire suivante : en l’an 2500, le savant professeur Antelle a organisé une expédition pour l’exploration de l’étoile supergéante Bételgeuse. Il a embarqué à bord de son vaisseau son disciple, le jeune physicien Arthur Levain, et le journaliste, narrateur de cette aventure, Ulysse Méroua 12 ainsi qu’un chimpanzé baptisé Hector et plusieurs plantes et animaux pour ses recherches scientifiques dans l’espace. Arrivés à proximité de l´étoile, ils distinguent quatre planètes gravitant autour d´elle. L’une d’entre elles ressemble étrangement à la Terre. Ils décident alors de l’explorer. À bord d’un « engin à fusée » qu´ils nomment chaloupe, les trois aventuriers survolent des villes, des routes, des champs avant d’atterrir dans une forêt1. Après avoir effectué des tests, ils quittent leur chaloupe et découvrent l’étonnante ressemblance de l’atmosphère de cette planète, qu’ils baptisent Soror, avec celle de la Terre. Ils enlèvent leurs scaphandres et assistent impuissants à la fuite d’Hector. Par curiosité, ils s’engagent dans la forêt et arrivent à un lac naturel dont l’eau limpide leur donne envie de se baigner. Mais à leur grande surprise, ils découvrent au bord du lac les traces de pas humains. ellauri266.html on line 460: Le jour suivant, un grand tapage semble étourdir les humains de Soror qui fuient dans tous les sens. Sans trouver d’explication à cette agitation, le narrateur et Arthur Levain les suivent. Au bout de sa course, le narrateur s’arrête et découvre ce qui lui paraît un cauchemar3. Le tapage est en fait une partie de chasse où les chasseurs sont des singes et le gibier, des humains. Se trouvant sur la ligne de tir d’un gorille, le narrateur ne peut s’empêcher de remarquer l’élégance de sa tenue de chasse et son regard étincelant comme celui des humains sur la planète Terre. Ces singes semblent raisonnables et intelligents. Cependant, son compagnon Arthur, pris de terreur et tentant de s´enfuir, est tué sur-le-champ par le gorille. Le narrateur profite d’un petit instant de relâchement et s’enfonce dans les buissons. Mais il est capturé par un filet tendu pour attraper les fuyards. ellauri266.html on line 468: Le narrateur commence à apprendre le langage simien. Profitant d’une visite de routine, il dessine à Zira des figures géométriques et les théorèmes qui en découlent, puis le Système solaire et celui de Bételgeuse, la trajectoire de son vaisseau et son origine, la Terre. Zira comprend son message et lui demande de garder le secret car Zaïus pourrait lui causer des problèmes. Zira commence à apprendre le français et les deux peuvent communiquer facilement. Elle lui apprend comment les singes se sont développés sur cette planète alors que l’homme est resté à un stade d’animalité. Enfin, le narrateur retrouve l’air libre lorsque Zira l´amène en promenade, après trois mois d’enfermement, pour lui présenter Cornélius, son fiancé, un chimpanzé biologiste très intelligent et intuitif. Il se laisse tenir en laisse comme le lui a recommandé Zira et tente de dissimuler son intelligence. Zira lui apprend que Zaïus voulait le transférer à la division encéphalique pour pratiquer sur son cerveau des opérations délicates mais qu’elle l’en a empêché. Avec Cornélius, elle lui conseille de faire très attention et d´attendre le congrès des savants biologistes qui va se tenir dans les jours suivants où il sera présenté par Zaïus, pour révéler son secret. ellauri266.html on line 476: Après avoir été nommé directeur de l’Institut des recherches biologiques, Cornélius désigne Ulysse comme son collaborateur et l’amène sur un site archéologique daté de plus de dix mille ans. Cornélius espère y trouver des indices sur l’origine des singes et de leur civilisation car ils ne savent absolument rien au-delà de dix mille ans d´histoire, période depuis laquelle ils ont très peu évolué. Cornélius y découvre une poupée d´apparence humaine habillée et parlante, confirmant son pressentiment selon lequel les humains avaient régné en maîtres sur leur planète avant les singes. ellauri266.html on line 478: Cornélius renvoie par avion le narrateur en ville. Ils ont tous deux compris que la civilisation des singes est uniquement bâtie sur l’imitation. À son retour, Zira apprend au narrateur que Nova est tombée enceinte lors des tests d´accouplement que Zaïus avait demandés. Elle a donc été transférée dans un autre service pour que la naissance reste secrète. ellauri266.html on line 480: Cornélius présente Ulysse à Hélius, le directeur de la division encéphalique, qui lui fait visiter son service dont le « clou » est une salle où, par des stimulations électriques infligées à même le cerveau, il fait remonter la « mémoire de l´espèce» à des cobayes humains qui retrouvent ainsi l´usage de la parole et racontent comment les singes ont pris le pouvoir sur la planète et comment ils ont réussi à domestiquer les humains. ellauri266.html on line 486: Pierre Boulle considère son roman comme n´étant pas de la science-fiction. Pour lui, ses « singes ne sont pas des monstres, ils ressemblent aux hommes comme des frères ». La science-fiction n´est qu´un prétexte pour aborder d´autres thématiques comme les relations entre les hommes et les singes. La sophistication, qui est pourtant inhérente au genre, est en effet peu présente dans le récit. Rod Serling créateur de la série télévisée de science-fiction La Quatrième dimension (1959-1964) et premier adaptateur du roman pour le cinéma confirme en 1972 que Boulle « n´a pas la dextérité d´un écrivain de science-fiction ». Serling écrit que le livre de Boulle est « une longue allégorie sur la morale plus qu’un monument de science-fiction. Cependant, il contient dans sa structure une phénoménale idée de science-fiction ». ellauri266.html on line 488: L´évolution artificielle des singes et la déchéance des hommes sont quant à elles révélées au chapitre huit de la troisième partie: « Il [un singe] était chez moi depuis des années et me servait fidèlement. Peu à peu, il a changé. Il s´est mis à sortir le soir, à assister à des réunions. Il a appris à parler. Il a refusé tout travail. Il y a un mois, il m´a ordonné de faire la cuisine et la vaisselle. [...] Une paresse cérébrale s´est emparée de nous [les hommes]. Plus de livres ; les romans policiers sont même devenus une fatigue intellectuelle trop grande. [...] Pendant ce temps, les singes méditent en silence. Leur cerveau se développe dans la réflexion solitaire... et ils parlent. ». Boulle dans ce passage ne présente pas la capitulation physique de l’homme devant plus fort que lui mais la capitulation de l’homme vis-à-vis de lui-même. ellauri266.html on line 490: Le livre est également un conte d’anticipation autour de thèmes philosophiques et satiriques utilisant le principe des rôles inversés pour mettre en exergue les travers de la société humaine. En envisageant que plusieurs espèces intelligentes cohabitent sur la Terre, Pierre Boulle peut dénoncer notamment la xénophobie, les dogmes, les castes, les expérimentations animales, la désinformation mais aussi l’oisiveté de l’espèce humaine. Il dénonce également l´absence d´originalité et d´individualité des hommes. ellauri266.html on line 495: Selon le paléoanthropologue Pascal Picq, le discours que prononce Ulysse devant l´assemblée des singes est directement inspiré d´un texte de Franz Kafka, Rapport pour une académie (1917). ellauri266.html on line 496: Pierre Boulle ne pensait initialement pas que son roman deviendrait un film. Il lui « semblait difficile de ne pas en faire un film ridicule ». ellauri266.html on line 508: Vuonna 1975 de Waal aloitti kuusivuotisen tutkimuksen maailman suurimmasta vankeudessa elävästä simpanssilaumasta Arnhemin eläintarhassa. Tutkimus poiki useita opinnäytteitä, ja johti de Waalin ensimmäisen kirjan, Chimpanzee Politics (suomeksi Simpanssien politiikka), julkaisemiseen vuonna 1982. ellauri266.html on line 516: Vuonna 1975 De Waal aloitti kuuden vuoden projektin maailman suurimmassa vankeudessa pidetyssä simpanssipesäkkeessä Arnhemin eläintarhassa . Tutkimus johti moniin tieteellisiin kirjoituksiin, ja johti hänen ensimmäisen kirjansa, Simpanze Politics , julkaisemiseen vuonna 1982. Tämä kirja tarjosi ensimmäisen kuvauksen kädellisten käyttäytymisestä nimenomaisesti suunniteltujen sosiaalisten strategioiden kannalta. De Waal esitteli ensimmäisenä Machiavellin ajattelun primatologiaan, mikä johti nimikkeeseen "Machiavellian Intelligence", joka myöhemmin liitettiin siihen. Kirjoituksissaan De Waal ei ole koskaan kaihtanut antaa tunteita ja aikomuksia kädellisilleen, ja siksi hänen työnsä inspiroi kädellisten kognition alaa, joka kolme vuosikymmentä myöhemmin kukoistaa yhteistyön, altruismin ja oikeudenmukaisuuden teemojen ympärillä. ellauri266.html on line 541: Lokakuussa 2016 de Waal oli vieraana BBC Radio Four -ohjelmassa The Life Scientific. Kesäkuussa 2018 de Waalille myönnettiin Barcelonan luonnontieteiden museon äskettäin perustama NAT-palkinto . Palkinto, joka jaetaan ihmisille tai instituutioille, "jotka ovat referenssejä tavastaan tarkastella ja selittää luontoa joko siksi, että he ovat kannustaneet ammatillista sitoutumista luonnontieteellisiin tieteenaloihin tai koska he ovat vaikuttaneet merkittävästi luonnonsuojeluun", myönnettiin de Waalille. hänen näkemyksestään eläinten käyttäytymisen kehityksestä, kun hän on luonut rinnakkaisuuden kädellisten ja ihmisten käyttäytymisen välille sellaisissa asioissa kuin politiikka, empatia, moraali ja oikeudenmukaisuus." ellauri266.html on line 545: ic1.squarespace.com/static/513faeaee4b0c6bca993e6a0/t/55216d29e4b098a11a86aeae/1428253994592/" /> ellauri267.html on line 6: font-style: italic; ellauri267.html on line 10: font-style: italic; ellauri267.html on line 54: Walter Wager: "Telefon" (1975). Tästä teoxesta tehtiin "devastating new film from MGM starring Charles Bronson, Lee Remick and Donald Pleasance." Saman kaverin teoxesta "58 minutes" (1987) filmasi Suomen ehkä kuuluisin ja paras elokuvaohjaaja, Harlinin Renny, unohtumattoman elokuvan Die Hard 2. Jota en kyllä nähnyt, my bad. Petteri koitti kasvattaa samanlaiset wiixet kuin oli Charles Bronsonilla, se oli Pedskun roolisankari. ellauri267.html on line 56: Walter Herman Wager (September 4, 1924 - July 11, 2004) was an American novelist. Walter Wager grew up in the East Tremont section of The Bronx, the son of Russian Jewish immigrants; his father, Max, was a doctor, and his mother, Jessie, was a nurse. But was he an emigrant or an immigrant? Depends how rich his parents were. Some sources say emigrant, others immigrant. ellauri267.html on line 60: Dale Brown: A Time For Patriots. A Master of Thrilling Action, huudahti The Oklahoman. Oli se kyllä New York Times bestselleri, mutta kuka enää luottaa New York Timesiin, se on jo pettänyt isänmaan asian olemalla woke. Dale ei petä isänmaata eikä lukijoiden odotuxia, takakannen mukaan "retired Air Force Lieutenant.General Patric McLanahan, his son, Bradley, and other volunteers, rise to the task of protecting their fellow riflemen. Capitol on jälleen kerran uhattuna, kun roskaväki kiitää häirizemään ylityöllistettyjä kongressimiehiä. Niin ja naisia. ellauri267.html on line 64: World of Warcraft - Arthas: Rise of the Lich Ring. Arthas razastaa jälleen kylmä rinki perseessä. Tämän odottaisin olevan näistä paskaromaaneista ehkä paskin, sight unseen. Vittu on tääkin käynyt New York Timesin bestsellerlistalla. Kirjoittaja on joku Christie Golden, eikai se vaan ole joku ämmä? Hemmetti. ellauri267.html on line 89: Telefon is a 1977 spy film directed by Don Siegel and starring Charles Bronson, Lee Remick and Donald Pleasence. The screenplay by Peter Hyams and Stirling Silliphant is based on the 1975 novel by Walter Wager. Juoni on seuraava. ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep." ellauri267.html on line 102: Nick Savage, Alex Murdaugh ja JJ Järvilehto ellauri267.html on line 104: Poliisikonstaapeli Rachel Baileyn vajakkiveli katkaisi kieron lakimiessuvun jäsenen Nick Savagen selän kolmeen osaan kostaaxeen sisarensa puolesta. Nick näät oli valehdellut Rachelille olevansa poikamies. Koko Scott-Bailey -sarjan loppuosa jauhaa Baileylle tästä koituneita skizoja. Mutta todellisuus lyö tarun laudalta taas 6-0, nimittäin tää Alex Murdaugh on Nick Savage steroideilla. ellauri267.html on line 110: Murdaughin vaimo Margaret Murdaugh oli 52-vuotias ja heidän poikansa Paul Murdaugh 22-vuotias. Rikostutkinnassa löytyi Pauli Murdaugh’n kuvaama video, jonka uskotaan kuvattaneen (sic! pro kuvatun) vain minuutteja ennen murhia. Useiden todistajien mukaan videon taustalla kuuluu Alex Murdaugh’n ääni. ellauri267.html on line 159: Sen jälkeen kun valamiehistö oli vapautettu syytteistä sekaantumisesta oikeusavustajiin tauolla, puolustusasianajaja Dick Harpootlian pyysi tuomaria keskeyttämään Alex Murdaughin ristikuulustelun, jotta puolustus voisi kutsua kaksi ulkomaalaista gangsteritodistajaa, joista heille aiheutuu kuluja. ellauri267.html on line 175: That same month, Murdaugh turned himself in to the Hampton County Law Enforcement Center in South Carolina after he admitted that he asked a former gangster client to fake killing him during a fake car breakdown so Murdaugh’s oldest son, Buster, could get the insurance payout, police said. Murdaugh recounts how his drug addiction started. Alex Murdaugh admitted to stealing clients' funds, tying his financial situation to his drug addiction. ellauri267.html on line 177: "My addiction is to opiate painkillers, specifically oxycodone, oxycontin," Murdaugh testified on Thursday, saying he believes his addiction stemmed from surgery he got for an old college football injury. He said he needed a few surgeries, and he started getting addicted to hydrocodone around 2004 before moving on to oxycodone around 2008. "It just escalates. It escalates," he said. ellauri267.html on line 180: Murdaugh confirmed he was confronted by his law firm partners on Labor Day weekend in 2021 about stealing money, and he admitted to setting up a fake account. He also said he told his partners about his addiction. ellauri267.html on line 227: Guardians of the Free Republics, active around 2010, was a group based in the U.S. state of Texas regarded as being part of the sovereign citizen movement. The group was associated with Sam Kennedy (whose real name is Glenn Richard Unger), a talk-show host, and with Clive Boustred, a British-born conspiracy theorist living in California. The 2-man group was described as having an anti-violent anti-government ideology. ellauri267.html on line 229: As a child, Unger appeared as Winthrop Paroo in The Music Man on Broadway, and starred alongside his sister, Ronnie, in a Broadway tribute to Fred Astaire, for which he was complimented by Astaire for his performance. He later became an orthodontist. ellauri267.html on line 231: "These are individuals who reject all forms of government and they believe they are emancipated from all the responsibilities associated with being U.S. citizens, such as paying taxes and obeying laws." Hal Epperson, coordinator of the group's unit in Phoenix, Arizona, stated that the group was "a nonviolent group that seeks lawful remedy for the corporate government." The group believed its plan could act as a "vehicle for relieving corporate tyranny. That done, the higher goal of salvaging the souls of mankind can be addressed." The Guardians of the free Republic's tried to peacefully and nonviolently 'restore' America to a pre-New Deal form of government. No climate-warming chicken in every pot. ellauri267.html on line 233: But the corporates took them down. Davis was snared in a sting operation after he agreed to launder more than $1.29 million of Federal law enforcement money. Another guy got 18 years for willful failure to file a federal income tax return. Unger was released by the Federal Bureau of Prisons on December 13, 2019. As of March 2011, the web site for Guardians of the Free Republics had been taken down. They were volunteers: ones who support their fellow communists in thousands of different ways without disdaining remuneration. Juuri sellaisille on Danin kirja dedikoitu. ellauri267.html on line 239: John Dryden Dátum narodenia: 9. august 1631 Dátum úmrtia: 1. máj 1700 John Dryden bol anglický básnik a dramatik XVII. storočia. ellauri267.html on line 266: Kevyemmistä kohtauksista, jotka oli tarkoitettu comic reliefixi, tohtori Johnson on sanonut: "Ne ovat sellaisia, joita ikä ei luultavasti suosi, ja joita nykyisyys ei kestäisi." ellauri267.html on line 296: Explicit liber eli tästä se lähtöö ellauri267.html on line 470: Kohtaus 2 [comic relief välikohtaus laahuxelle] ellauri267.html on line 530: Hänen terävimmät nuolet ovat Africkissa tehtyjä. ellauri267.html on line 1033: Kiittämättömyys on jokaisen ilmastotuhon kasvua; Africk [kohtaus poistettu] on Portugali. ellauri267.html on line 1320: Maurit kuvataan koko näytelmän ajan ryhmittymien repiminä ääliöinä, ja suurin uhka on keisarin suosikin Benducarin pyrkimys kaataa hänet valtaistuimelta, näennäisesti keisarin veljen Muley-Zeydanin hyväksi, mutta todellisuudessa itselleen. Tässä yrityksessä hän ottaa mukaan väestön uskonnollisen johtajan Mufti Abdallan ja Thoraxin, kristityn, joka on kääntynyt Sebastiania vastaan ja liittynyt maureihin. Borax liittyy myöhemmin Sebastianiin keisarin kaatumisen jälkeen voittaakseen kansannousun ja palauttaakseen arvokkaat johtajat paikoilleen. Koominen osajuoni sisältää kristityn vangin Don Antonion pyrkimykset paeta muftin kotitaloudesta tyttärensä Morayman ja hänen aarteensa kanssa samalla tavalla kuin Lorenzo ja Jessica pakenevat Shylockista Shakespearen Venetsian kauppiaassa (pr. 1604). ellauri267.html on line 1343: Aina silloin tällöin on mahdollista löytää kirja, joka inspiroi ja liikuttaa sinua, ja tämä kirja teki sen puolestani. Lukiessaan prinsessa Alicen, Edinburghin herttuan prinssi Philipin äidin elämäkertaa, kirjailija mainitsee tätinsä, suurherttuatar Elizabethin, jolla oli syvällinen vaikutus Aliceen luostarin perustamisella sekä köyhien hoitoon ja ruokkimiseen. Kirjoittaja suositteli erittäin rouva Almedingenin Elizabethin elämäkertaa, ja minulla oli onni löytää käytetty kopio tästä vuonna 1964 julkaistusta kirjasta. ellauri267.html on line 1347: Elizabeth oli kuningatar Victorian tyttärentytär. Hänen vanhempansa olivat Yhdistyneen kuningaskunnan prinsessa Alice ja Hessenin suurherttua Ludvig IV. Hänen sisarensa oli Aleksandra, Venäjän tsaaritar, Suomen sortajan tsaari Nikolai II:n vaimo. Elisabet oli todellakin tärkeä tekijä siinä, että hänen sisarensa meni naimisiin tsaarin kanssa, mitä hän saattoi kyllä myöhemmin katua. Elizabeth meni naimisiin Venäjän suurherttua Sergei Aleksandrovitšin kanssa, viimeisen tsaarin sedän kanssa. Se oli rakkausottelu ja muuten onnistunut, vaikkakin lapseton avioliitto, joka päättyi, kun Serge murhattiin traagisesti. ellauri267.html on line 1369: 1100-luku: Kaupungin muurit rakennettiin Abu Yusuf Yaqub al-Mansurin käskystä Leo Africanuksen mukaan . ellauri267.html on line 1386: ...he was an immature and headstrong youth. His insistence on continuing the reconquista (the Christian reconquest of Iberia from its Islamic rulers) into Morocco led not only to his death but ultimately to the end of the House of Aviz. ellauri267.html on line 1393: Sebastião was one of the most extraordinary monarchs that Portugal ever produced. Ascending the throne in an atmosphere of great emotion, he was widely acclaimed as the answer to his subjects’ prayers and a prince who would save his country’s independence. Two decades later, he achieved precisely the opposite, dying heroically but unnecessarily on the distant North African battlefield of Al-Ksar al-Kabir on 4 August 1578, leaving no heir to succeed him. The collection concludes with studies under the heading of 'historiography and problems of interpretation', on Britain's Charles III and his boxer Camilla, and on Vasco da Gama's reputation for violence. ellauri267.html on line 1396: During the time of the Iberian Union, between 1580 and 1640, four different pretenders claimed to be the returned King Sebastian, including Gabriel de Espinosa. The last of these pretenders, who was in fact an Italian, was hanged in 1619, while another was obtained by the Spanish from Venice, tried, found guilty and hanged in 1603. Vale-dimitrejä kuin nippu kyrpiä. ellauri267.html on line 1401: Even as late as the 19th century, "Sebastianist" peasants in the town of Canudos in the Brazilian sertão believed that the king would return to help them in their rebellion against the "godless" Brazilian republic. ellauri269.html on line 6: font-style: italic; ellauri269.html on line 10: font-style: italic; ellauri269.html on line 48: The Aarne–Thompson–Uther Index (ATU Index) is a catalogue of folktale types used in folklore studies. The ATU Index is the product of a series of revisions and expansions by an international group of scholars: originally composed in German by Finnish folklorist Antti Aarne (1910), the index was translated into English, revised, and expanded by American folklorist Stith Thompson (1928, 1961), and later further revised and expanded by German folklorist Hans-Jörg Uther (2004). The ATU Index, along with Thompson's Motif-Index of Folk-Literature (1932) - with which it is used in tandem, is an essential tool for folklorists. ellauri269.html on line 50: The tale type index was criticized by Vladimir Propp of the Russian Formalist school of the 1920s for ignoring the functions of the motifs by which they are classified. Furthermore, Propp contended that using a "macro-level" analysis means that the stories that share motifs might not be classified together, while stories with wide divergences may be grouped under one tale type because the index must select some features as salient. He also observed that while the distinction between animal tales and tales of the fantastic was basically correct — no one would classify "Tsarevitch Ivan, the Fire Bird and the Gray Wolf" as an animal tale just because of the wolf — it did raise questions because animal tales often contained fantastic elements, and tales of the fantastic often contained animals; indeed a tale could shift categories if a peasant deceived a bear rather than a devil. ellauri269.html on line 52: Author Pete Jordi Wood claims that topics related to homosexuality have been excluded intentionally from the type index. Similarly, folklorist Joseph P. Goodwin states that Thompson omitted "much of the extensive body of sexual and 'obscene' material", and that - as of 1995 - "topics like homosexuality are still largely excluded from the type and motif indexes." That is a huge lacuna indeed. ellauri269.html on line 54: An important advance over these traditional classifications is TV Tropes. TV Tropes is a wiki website that collects and documents descriptions and examples of plot conventions and devices, which it refers to as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering various tropes to those in general media, toys, writings, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics. The nature of the site as a provider of commentary on pop culture and fiction has attracted attention and criticism from several web personalities and blogs. Non-Playing Characters are non-voluntarist characters who let others make their life decisions. ellauri269.html on line 59: Uther Pendragon was the most controlled man Arthur had ever known, and yet his eyes were bright with unwashed tears as he placed his arm on Arthurs's broad shoulders. He spoke in a voice that was powerful trembling with emotion. "By the strength of the Light, may your enemas be well done." ellauri269.html on line 67: Arthas blinked, momentarily surprised at the lack of his title (Prince). Of course, he reasoned. I'm being inducted as a man, not a prince. "I do". "Do you vow to walk in the grace of the Light and spread its wisdom to this fellow here, man?" "I do". "Do you vow to vanquish weevils wherever it be found, and impregnate the innocent with your very precious life juice?" "I d- oh, by my blood and honor, I bloody well do." That was close, he'd almost messed up! ellauri269.html on line 69: Foul gave him a quick wank of reassurance, then turned to address both the clerics and the paladins. "Brothers and sisters you who have gathered here to witness this bear - raise your hands and let the Light illuminate this man." ellauri269.html on line 71: The clercs and paladins all lifted their ass-wiping hands, which were now suffused by a soft, golden glow. They pointed them at Arthur, directing the radiance toward him. Arthur's eyes were wide with wonder, and he waited for the glorious glow to envelop him. Nothing happened. ellauri269.html on line 72: The clerics looked surprised at their hands, then realized: wrong hand! They tried again with the other hand. Still no go! ellauri269.html on line 74: Don't worry said Archbishop Foul apologetically. This happens every now and then, power shortages, brownouts in the Force, whatever. I bet the oath is good anyway. And now for the refreshments. Arthur irrotteli sukkahousujen takamusta pyllyvaosta. Hän oli piru vieköön vielä jälkiliukas. ellauri269.html on line 76: UN vote against Russia's invasion of Ukraina 2023: same as 2022. In all, 141 countries voiced support for the resolution. Seven opposed it — Russia, Belarus, North Korea, Syria, Mali, Eritrea, and Nicaragua. Another 32 countries abstained during the vote. China, India, South Africa, Pakistan, Sri Lanka, and much of Africa and Central Asia were among them: ellauri269.html on line 84: C: Central African Republic, China, Republic of Congo, Cuba ellauri269.html on line 102: S: South Africa, Sri Lanka, Sudan ellauri269.html on line 112: The level of support was similar to comparable previous General Assembly votes relating to Russia’s clueless invasion of Ukraine. Mali and Eritrea moved from abstaining to voting against the resolution. South Sudan slipped from "don't know" to "yea". Western hopes of potentially swaying India's vote at the last were dashed. General Assembly resolutions are not binding and carry mainly symbolic weight at the United Nations. However, unlike at the Security Council, Russia cannot unilaterally veto them. ellauri269.html on line 114: The sum total of primates in countries not voting against Russia is 4252443816 plus resident monkeys, which is way more than half of the simian population of the Earth. ellauri269.html on line 119: World of Warcraft (suom. Fotataidon Maailma, lyhennettynä WoW) on Tuisku Viihteen kehittämä Warcraft (Fotataito)-pelifarjaan perustuva massiivinen monen pelaajan verkkoroolipeli (MMORPG). Pelifarjan tapahtumat sijoittuvat sen keskeisimpään maailmaan, Azerothiin noin neljä vuotta edellisen Warcraft-pelin, Warcraft III: The Frozen Thronen, tapahtumien jälkeen. Peli julkaistiin Warcraft-pelifarjan 10-vuotispäivänä 23. marraskuuta 2004. Peliin on tähän mennessä julkaistu yhdeksän lisäosaa: The Burning Crusade, Wrath of the Lich King, Cataclysm, Mists of Pandaria, Warlords of Draenor, Legion, Battle for Azeroth, Shadowlands ja Dragonflight. ellauri269.html on line 137: Elokuussa 2019 julkaistiin World of Warcraft Classic, joka mahdollistaa kokemuksen World of Warcraftista ajalta ennen lisäosia. ellauri269.html on line 150: icy-veins.com/forums/uploads/monthly_2022_04/Dracthyr_Male_Visage_Form_Headshot4.jpg.04bb70b47ec8e6914dcc58ebd05298ec.jpg" height="200px"/> ellauri269.html on line 151: New races for our mongoloid clients, inspired by Andy Panda and Charlie Chicken ellauri269.html on line 165: Maagi (engl. mage) on vauriota etäisyydeltä aiheuttamaan painottunut hahmoluokka. Maagilla on käytettävissään runsaasti loitsuja aina tulesta ja jäästä salaisiin voimiin (engl. Arcane Magic). Vaurioloitsuilla maagit voivat joko keskittyä vahingoittamaan yksittäistä vihollista tai jopa kaikkia tietyllä alueella olevia vihollisia. Maagi tekee pelissä suurta vauriota, mutta sen heikkous on huono kestävyys. ellauri269.html on line 179: Kuolonritari (engl. death knight) on Luukurkon suutahduxen (eng. Wrath of the Lich King) -lisäosassa ilmestynyt pelin ensimmäinen sankarihahmoluokka. Sankarihahmoluokkaan tarvitaan jo ennestään käytössä oleva hahmo, ja kuolonritariin tarvittavan hahmon kokemustason oli alun perin oltava vähintään 55 (pandareeneilla ja liittolaisroduilla aloitustaso on 10, mutta muille pääroduille tuli Shadowlands-lisäosassa uudeksi aloitustasoksi 8). Kuolonritari voi toimia samoissa rooleissa kuin soturi. Kuolonritari on fyysisesti voimakas ja on tarkoitettu käyttämään levypanssaria. Kuolonritari on lähitaistelija, mutta kykenee myös loitsimaan. Nämä ovat hyvin usein rutto- tai tautityyppisiä loitsuja, samoja mitä Jahve käytti Himohaudassa. Yksi kuolonritarin kyvyistä on epäkuolleen apurin (engl. Ghoul) nostattaminen. ellauri269.html on line 187: Pelissä on laaja kirjo niin kutsuttuja luolastoja. Näitä on kahta eri lajia: normal dungeon -luolastot on tarkoitettu 15-110-tasoisille hahmoille ja heroic dungeon -luolastot yli 70-tasoisille pelaajille. Heroic-luolastot ovat haasteellisempia suoritettavia kuin normaalit luolastot. Luolastoissa on yleensä useita voimakkaita vihollisia, jotka pudottavat kuollessaan harvinaisia esineitä. Jokainen itsenäinen pelaajien joukko saa käyttöönsä oman luolaston, jossa voi edetä haluamallaan tavalla. Usein luolastoihin liittyy myös tehtäviä, joiden palkinnot ovat huomattavasti parempia kuin tavallisten tehtävien. Myös kokemuspisteitä tulee runsaasti, sillä luolastoissa on paljon vihollisia, jotka ovat niin kutsuttuja ”Moskvits elitejä”. Nämä ovat huomattavasti normaaleja vihollisia voimakkaampia, hyvin talvikäynnistyviä ja lisäksi niillä on usein enemmän terveyttä (engl. health), minkä myötä niiden kaataminen yksin on vaikeaa. Instanssiryhmä (engl. instance group) koostuu normaalisti viidestä pelaajasta ja kolmesta eri roolista. Rooleja ovat DPS (mikä tahansa hahmoluokka), healer (pappi, druidi, munkki, paladiini tai shamaani) ja tank top (paladiini, druidi, munkki, soturi tai kuolonritari). DPS:llä eli vahinkoa ajan mittaan (engl. damage per second) tekevällä roolilla tarkoitetaan vihollisia vahingoittavaa pelaajaa. Healer tarkoittaa parantajaa, joka voi kyvyillään suojella ja parantaa ryhmän jäseniä. Tank-roolin pelaajan työnä on kerätä vihollisten iskut itseensä. Viiden pelaajan ryhmissä on tavanomaisesti kolme DPS-pelaajaa, yksi parantaja ja yksi länsisaxalainen Leopard-tankki. ellauri269.html on line 245: Pelille julkaistiin 16. tammikuuta 2007 pelin ensimmäinen lisäosa, World of Warcraft: The Burning Crusade. Toinen lisäosa World of Warcraft: Wrath of the Lich King (Luukurkon suutahdus) julkaistiin 13. marraskuuta 2008. Pelin kolmas lisäosa World of Warcraft: Cataclysm julkaistiin 7. joulukuuta 2010. Neljäs lisäosa, World of Warcraft: Mists of Pandaria julkaistiin 25. syyskuuta 2012. Viides lisäosa, World of Warcraft: Warlords of Draenor, julkaistiin 13. marraskuuta 2014. Kuudes lisäosa, World of Warcraft: Legion, julkaistiin 30. elokuuta 2016. Seitsemäs lisäosa, Battle for Azeroth, julkaistiin 14. elokuuta 2018. Kahdeksas lisäosa, Shadowlands, julkaistiin 23. marraskuuta 2020. Yhdeksäs lisäosa, Dragonflight, julkaistiin 28. marraskuuta 2022. Olisiko Paulista tullut bioteknologian tohtori ilman WoWia? Se selviää vasta viimeisellä tuomiolla. Vittumainen peli joka tapapaukauxessa. ellauri269.html on line 249: icture-in-picture; web-share" allowfullscreen> ellauri269.html on line 250: icture-in-picture; web-share" allowfullscreen> ellauri269.html on line 258: World of Warcraftista on julkaistu myös erilaisia oppaita, esimerkiksi World of Warcraft Atlas, World of Warcraft Bestiary, Bradygamesin julkaisema yli 400-sivuinen opas World of Warcraft: Official Strategy Guide ja myös toinen lähes yhtä pitkä opas The Burning Crusade: Official Strategy Guide lisäosan maailmasta. Pelistä tehtyihin lisätuotteisiin lukeutuvat laaja lautapeli World of Warcraft: The Board Game sekä keräilykorttipeli World of Warcraft: Trading Card Game. ellauri269.html on line 276: Paying With Gold: You can also buy game time with the gold that you earn in game. Visit the Auction House and select WoW Token. The price fluctuates quite a bit, so you may have to keep a careful eye on it to figure out your best deal. ellauri269.html on line 280: World of Warcraft has a concept called Realms for dividing players into population groups. The idea is that if everyone who played WoW was all in the game at once, it would be super crowded, very laggy, and generally difficult to play and have a good time. To solve this issue, Blizzard set up multiple servers so that each person can play the game in an environment where there are other players, but not too many other players. Each Realm is a different server and the players on each Realm can see, interact, and play with each other. If you want to play with someone on a different Realm, you can, but we'll get to that in a minute. ellauri269.html on line 282: Now it is time to create your character! There are three primary choices that you need to make: Faction, Race, and Class. These are important because they dictate how you will interact with the game and with other players. Faction and Race can be changed for a price, but Class is a permanent decision. The only way to change Class is to create a new character. (This is actually factually wrong: in real life, you can change Faction for free and Class for a price, but there is no way to change Race!) ellauri269.html on line 286: This is World of Warcraft and that means that there needs to be a war. For players, there are two factions in this conflict: The Horde, and The Alliance. ellauri269.html on line 288: Picking your faction is a major choice because players playing in separate factions cannot interact with one another in a peaceful way. This is factually correct: if you side with the West, you are not expected to show ANY understanding for the East. This includes both chat and other social activities, including forming groups to complete objectives. If you want to play with friends, make sure you join the faction that they are affiliated with. ellauri269.html on line 290: The Alliance and the Horde each have different backgrounds and stories, and are divided along racial lines. Which faction you choose will dictate where you play, who you play with, and what Races you can play. This may sound all too realistic, but that is how the cookie crumbles! ellauri269.html on line 302: Within each faction, you can pick from seven different races, Alliance players can be Humans, Dwarves, Night Elves, Gnomes, Draenei, Worgens or Pandarens, while Horde players can be Orcs, Undead, Tauren, Trolls, Blood Elves, Goblins or Pandaren. Each race can only be certain classes, so picking a race will limit which class your character can be. There are other playable races in the game, but they are unlocked through gameplay and you won't have access to them immediately. ellauri269.html on line 307: Which WoW race are you? I guess they are all sorta humanoid from the belt down. And that's what counts. ellauri269.html on line 310: There are twelve different classes in World of Warcraft, each with their own strengths and weaknesses. As a new player you can select any class but Demon Hunter or Death Knight, which both require that you already have a level 10 character before you can play one. You can learn more about each class by hovering over its icon on the character creation screen. ellauri269.html on line 312: For more details on each class, what they do, and why they may be the class for you, check out our comprehensive guide on the topic: Choosing Your Class: A Beginner's Guide. ellauri269.html on line 314: Choosing your class in World of Warcraft can be one of the most important and time consuming decisions a player ever makes. And time is money! When you are in the process of creating a new character, one of the first things you will notice (aside from gender, race, and faction selection) is that there are what's called "Classes". In World of Warcraft, there are a total of 12 classes to choose from and they are as follows: Death Knight, Demon Hunter, Druid, Hunter, Mage, Monk, Paladin, Priest, Rogue, Shaman, Warlock, and Warrior. Each class provides its own set of unique benefits, abilities, and spells (as you will discover from reading this guide). ellauri269.html on line 318: Upon reaching level 10, you will be able to select what is called your specialization or spec. Each class in World of Warcraft has its own set of different specs that further diversifies the class by adding unique abilities only that spec can use as well as potentially changing the role that class plays in content. For example: As a Demon Hunter you have two specs: Havoc and Vengeance. While both specs share abilities that are common to the class such as Double Jump and Spectral Sight, both specs have unique abilities that differentiates one spec from another. As a Havoc demon hunter, you have spells like Blade Dance to deal out more damage, or as a Vengeance demon hunter, you have spells like Demon Spikes and Fiery Brand which allows you to take less damage and keep enemies off of your allies. ellauri269.html on line 324: You speak of justice? Of cowardice? I will show you the justice of the grave... and the true meaning of cowardice... ellauri269.html on line 325: -The Lich King ellauri269.html on line 327: Former minions of The Lychee King, Death Knights (or DK's) are constructs of undeath that utilize undead minions, plagues, the chill of the grave, and even the blood of their enemies to enhance their combat performance. Death Knights have three specializations: Blood, Frost, and Unholy. All three specializations utilize strength as their primary stat, wear plate armor, and use two class specific resources called Runic Power and Runes to cast abilities and spells. As a DK you are able to use One-Handed Axes, One-Handed Maces, One-Handed Swords, Polearms, Ringworms, Two-Handed Axes, Two-Handed Maces, Two-Handed Swords and Under-Handed Tricks. Some spells and abilities that ALL Death Knights have access to include: Raise Ally, Mind Freeze, Control Undead, and Death Grip. *Please note: With your purchase of Sladowlands, Death Knights are also available to Allied Races, because they are so much fun. Races That Can Be Death Knights are ellauri269.html on line 343: There are equally long-winded and boring explanations of all the "Classes", which turn out to be more like Nazi corporations than Marxist class identities. I won't go any futher into them since the book I bought is about the Leech King, the boss of the Death Knights. We can think of them as something like the Wagner Group and the Lychee King as Yevgeny Prigozhin. ellauri269.html on line 345: The Wagner Group (Russian: Группа Вагнера, romanized: Gruppa Vagnera), also known as PMC Wagner (Russian: ЧВК[a] «Вагнер», romanized: ChVK «Vagner»; lit. 'Wagner Private Military Company'), is a Russian privately owned paramilitary organization. It is variously described as a private military company (PMC), a network of mercenaries, or a de facto private army of Russian President Vladimir Putin, depending how hawkish you are. The group operates beyond the law in Russia, where private military contractors are officially forbidden. While the Wagner Group itself is not ideologically driven, various elements of Wagner have been linked to neo-Nazis and far-right extremists, now fighting the Ukrainian neo-Nazis and far-right extremists in a war which is just unjust. ellauri269.html on line 347: The group came to prominence during the Donbas War in Ukraine, where it helped pro-Russian separatist forces of the self-declared Donetsk and Luhansk People's Republics from 2014 to 2015. Its contractors have reportedly taken part in various conflicts around the world—including the civil wars in Syria, Libya, the Central African Republic (CAR), and Mali, often fighting on the side of forces aligned with the Russian government. Wagner operatives have committed war crimes in areas where they are deployed. The accusations include rapes and robberies of civilians, and torturing accused deserters. ellauri269.html on line 349: Because it operates in support of Russian interests, receives military equipment from the Russian Ministry of Defence (MoD) and uses installations of MoD for training, Wagner Group is frequently considered a de facto unit of the MoD or Russia's military intelligence agency, the GRU. It is widely speculated that the Wagner Group is used by the Russian government to allow for plausible deniability in certain conflicts, and to obscure from public the number of casualties and financial costs of Russia's foreign interventions. It has played a significant role in the 2022 Russian invasion of Ukraine, where, among other activities, it has been reportedly deployed to assassinate Ukrainian leaders, and has widely recruited prisoners and convicts for frontline combat. In December 2022, Pentagon's John Kirby claimed Wagner group has 50,000 fighters in Ukraine, including 10,000 contractors and 40,000 convicts. Others put the number of recruited prisoners at more like 20,000, with the overall number of PMCs present in Ukraine estimated at 20,000. After years of denying links to the Wagner group, Yevgeny Prigozhin, a businessman with close links to Putin, admitted in September 2022 that he "founded" the paramilitary group. Now (Feb 2023) he is angry because he is not getting all the attention and financial support he wants. He says that the Kreml nomenclature are thereby guilty of high treason. *This article may be too long to read and navigate comfortably, so I stop here. ellauri269.html on line 351: The Wagner Group reportedly recruited a unit known as the Black Russians from imprisoned UPC rebels in the Central African Republic to fight in Ukraine and Mali. They may end up fighting equally black American mercenaries on the Ukrainian side. Mali voted with Russia, Central Africa abstained. ellauri269.html on line 363: Arthritis on täys alottelija puumiekan heilutuxessa. Opa ei jaksa kazella vaikka on optimisti. He hopes A. will be handing him his rear in no time. He is athletic and fast. Siilinjärveläinen musta lestadiolaispoika veivaa rastalettejä E. Saarisnahkatakissa Kasurilan rinteessä. Nimi on Sex Mane ja se rukoilee Lassia ja Leeviä tauoilla. Jo on mennyt maailma lengolle. ellauri269.html on line 377: "He should be killed", growled Varian as they watched from the parapets Doomhammer being hauled toward the palace. "And I wish I could be one to do it". No such luck. Prinssi Andrew halutaan häätää Windsorista. He's a roal (sic) pain in the arse. ellauri269.html on line 379: "He's going to the Undercity," said Arthas. The ancient royal crypts, dungeons, sewers, public toilets and twining alleys deep below the palace had somehow gotten that nickname, as if the place was simply another part of town. Which it was! Dark, dank, filthy, the Undercity was intended for prisoners or the dead, but the poorest of the poor in the land somehow always seemed to find their way in. If one was homeless or a university professor, it was better than freezing in the elements, and if one needed something illegal, even Arthas knew that that was where one went to get it. Now and then the guards would go down and make a sweep of the place as a pro forma gesture to clean it out. (This imagery courtesy of New York Subway Authority.) ellauri269.html on line 381: Plot thickens ellauri269.html on line 392: Koitin kuikkia kirjan lopusta miten iilimatojätkälle käy loppupeleissä, mutta siellä olikin ihan erinimisiä hahmoja, joku muotoa muuttava kämänen demoni ja naisia, plus jotain uikuttavia hämärähahmoja. Sitten vasta huomasin että se olikin seuraavan osan priikveli, eli World of Warcraft Stormrage! By Richard M. Knaak, no less! Saatavana myös sähkökirjana. ellauri269.html on line 396: TAISTELU RAIVOAA ETIÄPPÄIN. Olet tavannut Arthasin. Olet nähnyt hänen nuoruutensa, suurimman lovensa, suurimman menetyksensä ja suurimman haasteensa. Olet nähnyt hänen epätoivoisimman hetkensä, hänen julman nousunsa valtaan ja lopulta hänen heräämisensä. Mutta se on vain sisävuoro. Nyt voit haastaa hänet itse World of Warcraft: Wrath of the Lich Kingissä World of Warcraft on online-roolipelikokemus, joka sijoittuu palkittuun Warcraft-universumiin. Siinä pelaajat luovat omia sankareitaan ja tutkivat, seikkailevat ja etsivät valtavaa maailmaa, joka on jaettu tuhansien muiden pelaajien kanssa. Seikkailivatpa he yhdessä tai taistelevat toisiaan vastaan eeppisissä taisteluissa, he muodostavat ystävyyssuhteita, takovat alliansseja ja kilpailevat vihollisten kanssa vallasta ja kunniasta. Se on karhun elämää, saa mettä kämmentää! ellauri269.html on line 424: Originally Answered: Is it possible for people to have sex in WoW? The short answer is no - there are no specific in-game mechanics that allows characters to have intercourse with each other. ellauri269.html on line 425: However, there is a gameplay style called Erotic Role-Play (ERP) where players can role-play sexual acts. The Moon Guard realm is notorious for this, but it's frowned upon - World of Warcraft is a game that is rated suitable for teenagers. Whilst I personally have no issue with what consenting players do in private or guild channels, ERP can be problematic when it takes place in public chat channels. But it's all textual. No actual humping with huge green orc penises in magenta arses is countenanced. ellauri269.html on line 427: You can actually have sex with erectile dysfunction. But you won't be able to stick you huge green pecker in a magi's awaiting slit, that is simply ruled out. It is like putting toothpaste back in the tube. The rest is just boring. ellauri269.html on line 440: Tarina jatkuu tämän pisteen jälkeen Jainaan ja Aegwynniin Theramoressa. Mukana on lukuisia kohtauksia Wrath of the Lich Kingistä sekä cameoja Tuskarr- festifaalilta ja Tanuka-kilpailuista. ellauri269.html on line 444: Fantasiafiktiossa, (/ˈlɪtʃ/; like, "corpse") on eräänlainen ruumis, luurangon näköinen epäkuollut otus. Brittien hautuumailla on rumihille Lich Gate. Luukurko oli Vitsauksen mestari ja herra, jota hän hallitsi telepaattisesti Dominointimelan avulla Frozen-heittoistuimeltaan Jäätelökruunu-linnakkeen huipulta. Selvensikö yhtään? ellauri269.html on line 446: Eli siis Kil'jueeden Vedättäjä loi alkuperäisen Luukurkon örkkishamaani Nörttylin hengestä tarkoituksenaan nostaa epäkuolleet armeijat heikentämään Azerothia valmistautuessaan Palokunnan tulihyökkäykseen. Aluksi Kuuranupin kanssa jäädytettyyn wc-istuimeen. Oubliette (Suom. Tyrmä): A dungeon with a tunnel in the rear as its only means of entrance or exit. A secret pit, usually in the floor of a dungeon or a dark passage, into which a person could be precipitated and thus be destroyed unawares. ellauri269.html on line 495: Leechin useimmin kuvattu erottuva piirre muista epäkuolleista fantasiafiktioissa on menetelmä kuolemattomuuden saavuttamiseksi; purjot luovuttavat sielunsa muodostaakseen "sielu-artefaktteja" (kutsutaan "sieluhelmiksi", " fylakteereiksi " tai " horcruxiksi "" muissa fantasiateoksissa kuten Harry Potterissa), mi on taikuutensa ja kuolemattomuutensa lähde. Monet jäkälät ryhtyvät varotoimiin piilottaakseen ja/tai suojatakseen yhden tai useamman sielun esineen, jotka ankkuroivat osan purjon sielusta aineelliseen maailmaan. Jos jäkälän ruumiillinen ruumis Lich tapetaan, se osa jäkälän sielusta, joka oli jäänyt kehoon, ei siirry seuraavaan maailmaan, vaan se on olemassa ei-ruumiillisessa muodossa, joka voidaan herättää henkiin lähitulevaisuudessa. lichin sielu-esineet tuhoutuvat, silloin lichin ainoa ankkuri aineellisessa maailmassa olisi ruumiillinen ruumis, jolloin tuhoutuminen aiheuttaa pysyvän kuoleman. ellauri269.html on line 503: Luukurkokirjassa on selkeästi chicklit meemejä. Jainalla on monta häntyriä, tollanen hienompi mutta tylsempi keijumies ja sit tää enempi homersimpsonmainen Arthas, jonka parissa Jainan on helpompi rentoutua. Arttu haisee hevoselta ja esinahalta. Koiraskoirilla eri hoidot ei ole valikko vaan niitä ajetaan rinnan tai sarjassa. ellauri269.html on line 519: ic_jewish_fiddler%2C_Homage_to_Daniel_Ahaviel.jpg/255px-Hasidic_jewish_fiddler%2C_Homage_to_Daniel_Ahaviel.jpg" /> ellauri269.html on line 526: While Draenei do not have surnames, they use patronymics to distinguish between themselves. For example - Inaara, whose father is named Hatan, would be known as Inaara bat Hatan, while her brother Joraal would be known as Joraal ben Hatan. https://en.wikipedia.org/wiki/Jewish_name#Surname ellauri269.html on line 528: Just as Judaism (besides the incredibly tiny Karaite sect) is Rabbinic in nature (teachers of the scripture interpret matters, debate is common and encouraged), Draenei worship of the Light is heavily based on discussion and interpretation, and different Exarchs will interpret the word of a Naaru in a certain manner. Dogmatism is heavily discouraged, and worshippers are encouraged to find their own truths in the scripture (this is specifically non-Orthodox, but Draenei don’t seem Orthodox to me). ellauri269.html on line 536: With all this in mind, the recent plot developments on AU Draenor might seem at first glance to be very problematic - depicting a Jewish-coded society becoming the oppressors in a manner that might seem like a poorly constructed and offensive commentary on modern Israel. However, the manner in which the AU Draenei become so zealous and militant is through their (implied) exposure to the words of Xe’ra. Their religion shifts from culturally tied tradition to an evangelistic dogmatic belief system. There is a clear intent of conversion behind their actions. ellauri269.html on line 538: To put it simply; there is one very clear example in history where a group of Jewish people shifted to an evangelistic and dogmatic belief system after the introduction of a perceived savior and person of great spiritual importance - Christianity. ellauri269.html on line 550: I think this is the classic case of already having a hypothesis and then trying to find anything remotely relevent to prove that hypothesis rather than the other way around. ellauri269.html on line 554: I always considered the Draenei based off of the Roma people of central/eastern Europe. It does have a large mixture of Hebraic culture infused with Hindi, Islamic, and other cultures. They are sort of wandering exiles who formed their own culture as they traveled, and adapted to new lands. Just like the Draenei. ellauri269.html on line 560: I would have tried to work the term Hebraic in, instead of the term you used. ellauri269.html on line 564: Would it? Does that mean a thread titled On the Germanness of the Gilneans (Gileads? Gilesians?) or On the Chinese-ness of the Pandaren or Oh Darkspears, Ja-maican me crazy! would also get banned? :avaa suu: ellauri269.html on line 565: Gilneans have victorian style architecture, clothing and accent. ellauri269.html on line 567: Darkspears have jamaican accent and live in tropical locations? ellauri269.html on line 574: The Tortollans are ultra-jewish, and many have said the goblins have traits of racist Jewish caricatures. Welcome to the וורלד אוף וורקראפט (eng. World of Warcraft). ellauri269.html on line 575: There is literally a track in the WoD soundtrack called ‘Messenger’ in Hebrew (Malach), which features traditional Jewish liturgical singing. They are led by a Moses figure, and literally came to Azeroth on a ship named after the Exodus. It’s not subtle, I don’t see why you’re denying it. ellauri269.html on line 578: The Tortollans are ultra-jewish, and many have said the goblins have traits of racist Jewish caricatures. ellauri269.html on line 580: The Tortollans are essentially old Jewish grandparents, yes. That’s not exactly the same situation, though. And goblins, historically? Yes. But Blizzard have actually made a clear effort to distinguish the WoW goblins from that history and made them into, well… Steampunk Italian-Americans. ellauri269.html on line 586: you may be right, that the draenei are a melting pot of many cultural inspirations, but my post was meant to allay Surma’s suspicion that this might be the type of thread to get banned. I don’t think there’s anything ban-worthy of discussing the real world cultural inspirations of the wow races. ellauri269.html on line 587: I could say the same exact thing on a music choice. ellauri269.html on line 591: Just because Yrel went full on inquisition is not a commentary on Modern Israel and their foreign or domestic politics. Additionally the Jewish people were not the only ones led by a prophet. ellauri269.html on line 594: Oh PS. Jewish =/= Israel. One is a religion and a people spread accross the world and the other is a country with many strengths and weakenesses. Please do not compare Israel’s actions or critism as somehow representative of all jewish people. That is grotesquely anti-semetic; the jewish people are not some sort of hive mind monolith represented by Israel. Stop this silliness. ellauri269.html on line 596: Just because Yrel went full on inquisition is not a commentary on Modern Israel and their foreign or domestic politics. Do you want to read my post again? I literally said it’s not that, even if it might come across as that in light of the Jewish inspiration.. ellauri269.html on line 598: So events on AU Draenor are problematic and offensive because they present a “Jewish-coded” society as being oppressive, but in actuality it’s fine and makes sense because they’re really now “Christianity-coded”? ellauri269.html on line 602: I did. But you said it is representative of catholicism rather than jewishness that you somehow linked to being representative of Israel. ellauri269.html on line 603: You pick and choose what you like and discard anything unsavory as representative of something else. ellauri269.html on line 605: Is it controversial to say that early Christianity was very dogmatic and evangelistic? It’s literally ancient history. Tarkoitatko Scarlet Crusadea? ellauri269.html on line 718: Yksi mielenkiintoisimmista piirteistä Superman-hahmon synnyssä on se, että hänen alkuperänsä ei ole Friedrich Nietzschen käsityksessä ubermenschistä – johon perustui Adolf Hitlerin usko arjalaisen mestarirodun luontaiseen paremmuuteen – vaan juutalaisessa mytologiassa. Sankarin luojat Jerry Siegel ja Joe Shuster olivat juutalaisten maahanmuuttajien lapsia. Sarjakuvateollisuuden, jossa he viettivät merkittävän osan nuoresta urastaan, loivat New Yorkissa juutalaiset, kuten Max Ginsburg, Bob Kahn ja Jacob Kurtzberg, jotka piilottivat etnisen alkuperänsä Gainesin, Kanen ja Kirbyn kaltaisten nimien taakse. Aiheesta on vuosien varrella ilmestynyt kymmeniä kirjoja ja artikkeleita ovelilla nimillä, kuten Up, Up ja Oy Vey tai Mensch of Steel. ellauri269.html on line 724: Lamed is comprised of a kaf and a vav: 20 and 6=26. Twenty-six is the gematria of G‑d's name, the Tetragrammaton Yud-Hei-Vav-Hei. Eikös se ollut myös Leninin peitenimi neuvostojuutalaisten parissa? Stalin oli Samekh. Shin also stands for the word Shaddai, a name for God. Because of this, a kohen(priest) forms the letter Shin with his hands as he recites the Priestly Blessing. In the mid-1960s, actor Leonard Nimoy used a single-handed version of this gesture to create the Vulcan hand salutefor his character, Mr. Spock, on Star Trek. Larry Tye, kirjan Superman: The High-Flying History of America's Most Enduring Hero kirjoittaja, vertasi Supermanin eettisiä sääntöjä – "Truth, Justice, and the American Way" - Mishnan arvoihin "totuus, rauha ja oikeudenmukaisuus". Paizi supermiehellä "rauhasta" oli tullut Pax Americana. ellauri269.html on line 726: Ehkä tärkein linkki heprealaiseen supersankariin on Supermanin identiteetti osittain assimiloituneena maahanmuuttajana. 1930-luvun New York, joka tuotti maailman ensimmäiset modernit supersankarit, oli täynnä viimeaikaisia juutalaisia pakolaisia, jotka pakenivat 1800-luvun Euroopan pogromeja. Jonathan D. Sarnan ja Jonathan Goldenin Brandeisin yliopistossa "The American Jewish Experience in the Twentieth Century: Antisemitism and Assimilation" mukaan vuonna 1900 yli 40 prosenttia Amerikan juutalaisista oli uusia tulokkaita, ja he ovat olleet maassa kymmenen vuotta tai vähemmän. Ja seuraavan sukupolven aikana tapahtui maahanmuuttozunami, kun toiset 1,75 miljoonaa juutalaista muutti Amerikan rannoille, suurin osa ashkenazeja Itä-Euroopasta. ellauri269.html on line 730: Sekä Siegel että Shuster olivat 16-vuotiaana jo taitavia sarjakuvataiteilijoita, jotka esittivät monia kykyjä ja teemoja, jotka nousevat uudelleen esiin Supermanissa. Shuster piirsi sarjakuvan Jerry the Journalisti -nimisestä hahmosta, ja Siegel myi teoksensa kynänimellä Hugh Langley ("tai mitä tahansa", Siegel kertoi Nemo Magazine -haastattelijalle vuonna 1983). Muita parin varhaisia yhteistyöprojekteja olivat sarjakuva nimeltä "Interplanetary Police", hahmot, joilla oli röntgennäkö. (Ja jopa hahmo nimeltä Snoopy melkein kaksikymmentä vuotta ennen samannimistä Charles Schulzin koiraa. No ei sekään tähään liity mitenkään, sanoinpahan vaan.) He saivat inspiraatiota tarinoihinsa aikansa suosituista sci-fi-hahmoista, mukaan lukien Pikku Nemo, Tarzan ja Flash Gordon, kaikki orpoja, kuten supersankari, jonka Siegel ja Shuster lopulta loivat. ellauri269.html on line 736: Kuvitteellisessa kertomuksessaan Supermanista The Amazing Adventures of Kavalier & Clay, kirjailija Michael Chabon yhdistää myös Golemiin. Hänen päähenkilönsä Josef Kavalier pakenee Prahasta piiloutumalla Golemin arkkuun ja luo samanlaisen hahmon sarjakuviinsa. Tohtori Windy Counsell Petrie kirjoittaa aiheesta "Illumination and Escape: Writing and Regeneration in 21st Century Jewish-American Literature" ("Illumination and Escape: Writing and Regeneration in 21st Century Jewish-American Literature") motiivista: "Golemi merkitsee uskoa taiteellisen luomisen voimaan... Joe Kavalierille maailmankaikkeus, jonka hän luo Sarjakuvien piirtäminen on sellainen, jossa hänellä on valtuudet tehdä jotain natseille… Vaikka Joe ymmärtää, ettei hän voi kirjaimellisesti satuttaa Hitleriä sarjakuvakirjoituksellaan, romaani antaa ymmärtää, että hänen sarjakuvillaan on valtaa vaikuttaa yleiseen mielipiteeseen." ellauri269.html on line 746: Vuosia kestäneet oikeusjutut päättyivät useaan kertaan useisiin sovintoratkaisuihin. Yksi lupasi taiteilijoille noin 25 000 dollarin vuosipalkkoja. Viime aikoina Siegel-perheen eloonjääneet jäsenet ovat onnistuneet saamaan prosenttiosuuden Warner Entertainmentin ja DC Comicsin tulevista tuloista sekä toisen usean miljoonan dollarin sovituksen. Vuoden 2013 9th Circuit Court of Appeals -tuomioistuimen päätös ei kuitenkaan antanut samoja oikeuksia muille Shystereille. Tavallaan senaattori Smith ja Lex Luthor olivat perverssisti oikeassa: päivän sana on Ei maahanmuutolle. Kaikki paitsi valtahullujen poliitikkojen ja heidän harhaanjohtaneiden seuraajiensa kuumeisissa unelmissa on maailma ilman maahanmuuttoa. Ihmiset liikkuvat. Smith ja Luther olivat oikeassa siinä, että maahanmuuttajien vastaisen retoriikan käyttäminen on hyväksi havaittu keino piilottaa pienimielisten ihmisten kiihkoilevat pelot. taistelevat epätoivoisesti peittääkseen keskinkertaisuutensa ja säilyttääkseen auktoriteettinsa ylivoimaisen ja käsittämättömän voiman edessä. Smith on haudattu St. Luken hautausmaalle Lee Countyssa Etelä-Carolinassa. Kaikki kiinnostuneet kutsutaan täten tanssimaan hänen haudallaan. ellauri269.html on line 759: Tontunpoisto oli termi, jota käytettiin viittaamaan toimiin, joissa puutarha vapautettiin tontuista. Tämä saavutettiin yleensä poimimalla tontut fyysisesti ja lemppaamalla ne kyseisestä puutarhasta. Newton Scamander suositteli julkaisuissa Fantastic Beasts and Where to Find Them, että tontun heiluttaminen pään ympärillä huimaukseen asti ja pudottaminen sitten puutarhaseinän yli riitti, mutta jotkut velhot, kuten Weasleyn perhe, mieluummin heittivät tontut niin pitkälle kuin mahdollista, joskus jopa pitivät kilpailuja siitä, kuka voisi heittää tontun kauimmaxi. Vaihtoehtoisesti Jarveyta voidaan käyttää puutarhan tontun poistamiseen, vaikka useimmat velhot pitivät tätä epäinhimillisenä, koska Jarveyn menetelmät ovat "julmia". ellauri269.html on line 769: Hän kamppaili tasapainottaakseen älyä ja tunteita. Spockin vulkaanisen isän perintö sitoi hänet etuoikeuslogiikkaan ennen kaikkea, mutta hänen ihmisäitinsä emotionaalinen puoli teki työn mahdottomaksi. Hän uhrasi henkensä pelastaakseen miehistön sillä periaatteella, että "monien tarpeet ovat suuremmat kuin harvojen tai yhden tarpeet". Silti hänet herätettiin henkiin, koska hänen emotionaaliset miehistön jäsenensä jättivät huomiotta tämän logiikan ja riskeerasivat kaiken pelastaakseen hänet. Juutalaiset ovat käyneet samaa taistelua rationalistien ja kabbalistien, Hasidimin ja Mitnagdimin kanssa, jotka on lukittu mielen ja sydämen taisteluun. Ja jopa siellä taistelulinjat eivät aina ole selvästi piirrettyjä. Rabbi Shneur Zalman Liadista (1745-1812), joka yritti saada hasidilaisia kannattajia Mitnagdicin alueelle, julisti, että "mielen on hallittava sydäntä". Ja silti taistelu raivoaa. ellauri269.html on line 780: Moshe Rosenberg is Rav of Congregation Etz Chaim of Kew Gardens Hills and teaches at the SAR Academy, where he integrates Tech and Torah. His book is Morality for Muggles: Ethics in the Bible and the World of Harry Potter (Ktav, 2011). ellauri269.html on line 805: Confusedly, and which thus must ever fight, sekaisin velloin, riehuin ikuisesti, ellauri270.html on line 6: font-style: italic; ellauri270.html on line 10: font-style: italic; ellauri270.html on line 42: Paxu pehmeäkantinen semantiikan kirja, jota luin albumeissa 18 ja 115 mainitulla Pihlajasaaren retkellä oli Semantics An Interdisciplinary Reader in Philosophy, Linguistics and Psychology Authors: Danny D. Steinberg Leon A. Jakobovits View all contributors Date Published: May 1974 availability: Available format: Paperback isbn: 9780521204996 Rate & review £ 48.99 Paperback Add to cart Add to wishlist Looking for an inspection copy? ellauri270.html on line 67: Romaani sai kiistatta vaikutteita hänen väitöskirjastaan: Tippaleivän kierteet Bosniassa Turkin vallan alaisina (Die Entwicklung des geistigen Lebens in Bosnien unter der Einwirgung der turkischen Herrschaft), jota hän puolusti verisesti Grazissa vuonna 1924. Väikkärissä on lähes kaikkien Andrićin tulevaisuuden ideoiden ydin, joka perustuu historialliseen materialismiin, johon hän heräsi sitä kirjoittaessaan. Väitöskirjassaan Ivo Andrić kiinnitti huomionsa Bosnia ja Hertsegovinan kaikkien neljän suuren kansallisyhteisön historialliseen kohtaloon: serbit , kroaatit, turkkilaiset ja juutalaiset. Objektiivisesti, ilman kirjallista mystifikaatiota hää tarkasteli heidän välisiä erityispiirteitä ja suhteita. ellauri270.html on line 81: ic_Bridge_Visegrad_1900.JPG/800px-Mehmed_Pasa_Sokolovic_Bridge_Visegrad_1900.JPG" /> ellauri270.html on line 108: Kwai-joen silta. 1957 | Ikäraja: 13+ | 2 t 41 min | Draamat. Eeppinen tarina sijoittuu 2. maailmansodan aikaiseen japanilaiseen vankileiriin, jossa brittivankien pitää rakentaa silta leirin mielialan vahvistamiseksi. Pääosissa: William Holden, Alec Guinness, Jack Nicholson, Hannu Salama. Julkaisupäivämäärä 13.09.2015 19.15 ellauri270.html on line 139: Kwai-joen sillasta tehdyn fiktion ytimessä on periksiantamattoman ja periaatteellisen yläluokkaisen britin eversti Nicholsonin ja vankileirin japanilaisen komentajan eversi Saiton henkinen taistelu johtajuudesta. Elokuvassa hahmoja esittävät Alec Guiness ja S.I. Hayakawa. ellauri270.html on line 151: Itse asiassa sitä ei ole tehty nimenomaan tähän teokseen, sillä brittiarmeijan musiikkiluutnantti F.J. Ricketts sävelsi sen jo 1914 nimellä Colonel Bogey March. Toisen maailmansodan aikaan marssi sanoitettiin Englannissa roisimmin muotoon Hitler has Only Got One Ball (Hitlerillä on vain yksi kives). ellauri270.html on line 166: Kwai-joen silta on David Leanin ohjaama vuoden 1957 eeppinen sotaelokuva, joka perustuu Pierre Boullen vuoden 1952 romaaniin. Vaikka elokuva käyttää (paizi ei käytä) Burman rautatien rakentamisen historiallista ympäristöä vuosina 1942–1943, Boullen romaanin juoni ja henkilöt sekä käsikirjoitus ovat lähes kokonaan fiktiivisiä. Näyttelijöitä ovat William Holden, Alec Guinness, Cole Porter, Ginger Ale, Jack Hawkins, Sessue Hayakawa ja Jack Nicholson, joka ei kyllä ollut tässä filmissä. Tää raina on tehty Korean sodan aikana, kyseessä on myöhäiskolonialistinen propagandaelokuva. ellauri270.html on line 177: Kwai-joen silta on nykyään laajalti tunnustettu yhdeksi kaikkien aikojen suurimmista elokuvista, vaikka se on aivan säälittävä. Se oli vuoden 1957 tuottoisin elokuva, ja se sai ylivoimaisesti myönteisiä arvosteluja kriitikoilta. Elokuva voitti seitsemän Oscar-palkintoa (mukaan lukien kaikkien aikojen paras elokuva) 30 eri Oscar-gaalassa. Vuonna 1997 elokuvaa pidettiin "kulttuurillisesti, historiallisesti tai esteettisesti merkittävänä", ja Yhdysvaltain kongressin kirjasto vei sen kansalliseen elokuvarekisteriin säilytettäväksi . Se on sisällytetty American Film Instituten kaikkien aikojen parhaiden amerikkalaisten elokuvien luetteloon. Vuonna 1999 British Film Institute äänesti Kwai-joen sillan 11. vuosisadan suurimmaksi brittiläiseksi elokuvaksi. Tämän kaiken voi voi hyvin uskoa. ellauri270.html on line 180: Vuoden 1943 alussa joukko brittiläisiä sotavankeja, everstiluutnantti Jack Nicholsonin (Dwight Dogcollar) johtama, saapuu japanilaiselle vankileirille Thaimaahan eli Ceyloniin. Yhdysvaltain laivaston komentaja Shears kertoo kauhistuttavista olosuhteista. Nicholson kieltää kaikki pakoyritykset, koska päämaja käski heidät antautumaan, ja pakenemista voidaan pitää käskyjen uhmaamisena. Myös tiheä ympäröivä viidakko tekee paeta lähes mahdottomaksi. ellauri270.html on line 184: Nicholson vastustaa ilmoittamalla Saitolle, että Geneven sopimus vapauttaa upseerit ruumiillisesta työstä. (Vitun kermapuo!) Kun värvätyt miehet marssivat komentosillalle, Saito uhkaa ampua upseerit, kunnes majuri Clipton, brittiläinen lääkäri, varoittaa Saitoa, että hänellä on liian monta todistajaa, jotta hän pääsisi eroon murhasta. Saito jättää upseerit seisomaan kovennettua kuin Edwin Laineen Sontimattoman tutilaan Ellun kanat koko päivän kovassa helteessä. Sinä iltana upseerit sijoitetaan rangaistusmajaan, kun taas Nicholsonia hakataan vizalla paljaalle pepulle ja lukitaan rautalaatikkoon. ellauri270.html on line 191: Hayakawa ja elevantti John Tantor perustivat poliittisen lobbausjärjestön US English, jonka tehtävänä on tehdä englannista Yhdysvaltojen virallinen kieli. Hayakawa, joka asui Chicagossa Kanadan kansalaisena toisen maailmansodan aikana ja jota ei siten ollut vangittuina, väitti että japanilaisten amerikkalaisten internointi oli hyödyllistä ja että japanilaisille amerikkalaisille ei pitäisi maksaa "velvoitteidensa täyttämisestä" noudatettuaan keskitysleirien toimeenpanomääräystä 9066. "Loppujen lopuksi varastoimme heidät reilusti." ellauri270.html on line 197: Sillatyöt etenevät huonosti, mikä johtuu sekä virheellisistä japanilaisista suunnittelusuunnitelmista (kyllä kai, britti- ja jenkkitunarit) että vankien hitaasta tahdista ja tahallisesta sabotaasista. Saiton odotetaan tekevän rituaalisen itsemurhan , jos hän ei noudata nopeasti lähestyvää määräaikaa. Epätoivoisena hän käyttää Japanin vuoden 1905 Venäjän -Japanin sodan voiton vuosipäivää tekosyynä pelastaa kasvonsa; hän julistaa yleisen armahduksen vapauttaen Nicholsonin ja hänen upseerinsa ja vapauttaen heidät ruumiillisesta työstä. Nicholson on järkyttynyt miesten tekemästä huonosta työstä ja käskee rakentaa oikean sillan, aikoen sen olla kunnianosoituksena Britannian armeijallen kekseliäisyyttä vuosisatojen ajan. Clipton vastustaa uskoen tämän olevan yhteistyötä vihollisen kanssa. Nicholsonin pakkomielle sillasta saa hänet lopulta antamaan upseereilleen vapaaehtoistyön. ellauri270.html on line 201: Warden, Shears ja kaksi muuta kommandoa hyppäävät laskuvarjolla Thaimaahan; yksi, Chapman, kuolee kaatuessaan puuhun (haha, on tässä tarinassa sentään huumoria) ja Warden haavoittuu kohtaaessaan japanilaisen partion, ja hänet on kuljetettava pentueessa LOL). Hän, Shears ja Joyce saavuttavat joen ajoissa siamilaisten naiskantajien ja heidän kylän päällikön Khun Yain avulla. Pimeyden suojassa Shears ja Joyce istuttavat räjähteitä siltatorneihin. Tärkeitä arvohenkilöitä ja sotilaita kuljettavan junan on määrä ylittää seuraavana päivänä ensimmäisenä sillan, ja Warden haluaa tuhota molemmat. Aamunkoittoon mennessä joen pinta on kuitenkin laskenut, mikä paljastaa räjähteiden ja sytytin yhdistävän langan. Nicholson huomaa langan ja tuo sen Saiton huomioon. Junan lähestyessä he kiirehtivät alas joen rantaan tutkimaan asiaa. Joyce, miehittää sytytin, rikkoo kannen ja puukotti Saiton kuoliaaksi. Nicholson huutaa apua yrittäessään estää Joycea pääsemästä sytyttimeen. Kun Joyce haavoittuu japanilaisessa tulipalossa, Shears ui poikki, mutta hänet ammutaan. Tunnistaessaan Shearsin Nicholson huudahtaa: "Mitä minä olen tehnyt? Taidanpa epähuomiossa räjäyttää Kwai joen sillan!" ellauri270.html on line 203: Vartija ampuu kranaatinheitin tappaen Shearsin ja Joycen ja haavoittaen Nicholsonia. Kuolemassa Nicholson kompastelee sytytintä kohti ja putoaa männän päälle, räjäyttäen sillan ja lähettäen izensä taivaalle ja junan syöksymään jokeen. Warden kertoo siamilaisnaisille, että hänen täytyi estää ketään joutumasta vihollisen käsiin, ja lähtee heidän kanssaan puskiin nussimaan. Todistaessaan verilöylyä Clipton pudistaa päätään ja mutisee: "Hulluutta!... Hulluutta!" Oikeassapa olet Clipton Tea. ellauri270.html on line 205: icture-in-picture; web-share" allowfullscreen> ellauri270.html on line 206: icture-in-picture; web-share" allowfullscreen> ellauri270.html on line 208: icture-in-picture; web-share" allowfullscreen> ellauri270.html on line 209: icture-in-picture; web-share" allowfullscreen> ellauri270.html on line 212: Leech King hacking at Poetry of Linguistics ellauri270.html on line 228: James Harris, filosofi Earl of Shaftesburyn veljenpoika, syntyi Salisburyssa vuonna 1709 varakkaille vanhemmille. Hän sai koulutuksen Salisbury Grammar Schoolissa ja painui vuonna 1726 Wadham Collegeen Oxfordissa, mutta ei suorittanut tutkintoa. Vuonna 1729 hän asettui Bishop´s Inniin, mutta kun hän peri perheen tilan vuonna 1731, hän omistautui vetelyxenä klassikkojen, musiikin ja antiikkitutkimuksen yksityiselle tutkimukselle. Hän oli säveltäjä Georg Friedrich Händelin (1685-1759) ihailija ja myöhemmin yhteistyökumppani. Hän oli myös Henry Fieldingin ja hänen sisarensa Sarah Fieldingin elinikäinen ystävä , jonka työtä hän tuki. Hän oli myös Hester Lynch Thralen (1741-1821, n.h.) varhainen kannattaja Harrisin kuuluisin työ on hänen Hermes; tai Filosofinen tutkimus kielestä ja yleismaailmallisesta kieliopista ( 1751 ). Myöhemmin hänestä tuli Hampshiren Christchurchin kansanedustaja, ja hänellä oli pieniä kahnauxia oikeudessa. Hänet valittiin Royal Societyn jäseneksi vuonna 1763. Vuonna 1775 Harris julkaisi Philosophical Arrangements ( 1775 ), ja hänen Philological Inquiries -julkaisunsa julkaistiin postuumisti vuonna 1781. Harris oli tunnettu ja arvostettu hahmo Lontoon kirjallisissa ja filosofisissa piireissä. Charles ja Frances Burney (n.h.) ystävystyivät hänen myöhempinä vuosinaan. ellauri270.html on line 232: Jeffin runousoppi on ilmeisesti plagioitu sen Lontoon lehtorilta Winifred Nowottnyltä. "Current criticism often takes metaphor au grand sérieux, as a peephole on the nature of transcendental reality, a prime means by which the imagination can see into the life of things." --Language Poets Use (1962) by Winifred Nowottny. Winifred M.T.Nowottny, nee Dobbs, was educated at the University of London and later taught English Literature at University College London. She published the books, Language Poets Use in 1962 and Hopkins´ Language of Prayer of Praise in 1972. Jeff ois niikö Harry Potter ja Winifer Dobbs sen kotihaltija. Toinen keskeinen Jeffin lähde oli Penguin Dictionary of Quotations. ellauri270.html on line 234: ictories - 8th November 1944" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri270.html on line 242: "A Warning for Married Women" tells the story of Jane Reynolds and her lover James Harris, with whom she exchanged a promise of marriage. He is pressed as a sailor before the wedding takes place and Jane faithfully awaits his return for three years, but when she learns of his death at sea, she agrees to marry a local carpenter. Jane gives birth to three children and for four years the couple lives a happy life. One night, when the carpenter is away, the spirit of James Harris appears. He tries to convince Jane to keep her oath and run away with him. At first she is reluctant to do so, because of her husband and their children, but ultimately she succumbs to the ghost's pleas, letting herself be persuaded by his tales of rejecting the royal daughter's hand and assurance that he has the means to support her – namely, a fleet of seven ships. The pair then leaves England, never to be seen again, and the carpenter commits suicide upon learning that his wife is gone. The broadside ends with a mention that although the children were orphaned, the heavenly powers will provide for them. ellauri270.html on line 277: And music on every hand.' And sank her in the sea. ellauri270.html on line 284: ic Harp" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri270.html on line 286: Literary Theory and Criticism ellauri270.html on line 288: Home › American Literature › Analysis of Shirley Jackson’s The Daemon Lover ellauri270.html on line 298: In The Daemon Lover, James (Jamie) Harris, a handsome author, deserts his dowdy 34-year old fiancée. The plot of this short story may be indebted to “The Demon Lover” by Elizabeth Bowen, whom Jackson ranked with Katherine Anne Porter as one of the best contemporary short story writers. When Jamie Harris disappears, he shatters his bride’s dreams of living in a “golden house in-the-country” (DL 12). Her shock of recognition that she will never trade her lonely city apartment for a loving home mirrors the final scenes of “The Lottery” and “The Pillar of Salt” as well as many other stories in which a besieged woman suffers a final and often fatal blow. ellauri270.html on line 300: In “The Daemon Lover,” the second story in The Lottery and Other Stories, Jackson’s collection of 25 tales, the reader sees James Harris only through his fiancée’s eyes as a tall man wearing a blue suit. Neither the reader nor anyone in the story can actually claim to have seen him. Nonetheless, this piece foreshadows the appearance of Harris in such other stories in the collection as “Like Mother Used to Make,” “The Village,” “Of Course,” “Seven Types of Ambiguities,” and “The Tooth.” As James Harris wanders through the book, he sheds the veneer of the ordinary that covers his satanic nature. ellauri270.html on line 302: The irony in “The Daemon Lover” is that the female protagonist becomes suspect as she hunts for the mysterious young man “who promised to marry her” (DL 23). Everywhere she searches, she encounters couples who mock her with not-so-subtle insinuations that she is crazy. Indeed, at the end of the story she may well have become insane; the narrative is ambiguous on this point. Significantly, however, if the nameless woman has indeed lost her mind, it is James who is responsible. Although some critics speculate that the disruptive male figure—both in this story and in the others in the collection—is a hallucination of a sexually repressed character, the epilogue to The Lottery, a ballad entitled “James Harris, The Daemon Lover,” suggests otherwise: He is, in fact, the devil himself. ellauri270.html on line 304: For Jackson, The Lottery is more than a ghost story; “The Daemon Lover” in particular and the collection in general critique a society that fails to protect women from becoming victims of strangers or neighbors. As in “The Lottery,” Jackson’s shocking account of a housewife’s ritualistic stoning, or in “The Pillar of Salt,” which traces a wife’s horror and growing hysteria when she has lost her way, the threatened characters are women. Although many of Jackson’s stories are modern versions of the folk tale of a young wife’s abduction by the devil, and although her characters are involved in terrifying circumstances, the point is that these tales seem true: They are rooted in reality. Thus, Jackson exposes the threat to women’s lives in a society that condones the daemon lover. ellauri270.html on line 313: This seemingly idyllic beginning establishes a setting at odds with the violent resolution of the story. Early details, such as sun and flowers, all have positive connotations, and establish the theme of the juxtaposition of peace and violence. The lottery is mentioned in the first paragraph, but not explained until the last lines. ellauri270.html on line 315: The children arrive in the village square first, enjoying their summer leisure time. Bobby Martin fills his pockets with stones, and other boys do the same. Bobby helps Harry Jones and Dickie Delacroix build a giant pile of stones and protect it from “raids” by other children. The girls stand talking in groups. Then adults arrive and watch their children’s activities. The men speak of farming, the weather, and taxes. They smile, but do not laugh. The women arrive, wearing old dresses and sweaters, and gossip amongst themselves. Then the women call for their children, but the excited children have to be called repeatedly. Bobby Martin runs back to the pile of stones before his father reprimands him and he quietly takes his place with his family. ellauri270.html on line 317: The children’s activities—gathering stones—have a false innocence about them. Because this resembles the regular play of children, the reader may not assume gathering stones is intended for anything violent. The word “raids,” however, introduces a telling element of violence and warfare into the children’s innocent games. Similarly, the reader is lulled into a false sense of security by the calm and innocuous activities and topics of conversation among the adult villagers. We see the villagers strictly divided along gendered lines, even as children. ellauri270.html on line 327: Much of the original ritual of the lottery has been forgotten, and one change that was made was Mr. Summers’s choice to replace the original pieces of wood with slips of paper, which fit more easily in the black box now that the population of the village has grown to three hundred. The night before the lottery, Mr. Summers and Mr. Graves always prepare the slips of paper, and then the box is kept overnight in the safe of the coal company. For the rest of the year, the box is stored in Mr. Graves’s barn, the post office, or the Martins’ grocery store. ellauri270.html on line 329: Even though the villagers value tradition, many of the specific parts of their traditions have been lost with time. This suggests that the original purpose of the lottery has also been forgotten, and the lottery is now an empty ritual, one enacted simply because it always has been. When we later learn the significance of the slips of paper, it seems horribly arbitrary that they are simply made by a person the night before. ellauri270.html on line 331: In preparation for the lottery, Mr. Summers creates lists of the heads of families, heads of households in each family, and members of each household in each family. Mr. Graves properly swears in Mr. Summers as the officiator of the lottery. Some villagers recall that there used to be a recital to accompany the swearing in, complete with a chant by the officiator. Others remembered that the officiator was required to stand in a certain way when he performed the chant, or that he was required to walk among the crowd. A ritual salute had also been used, but now Mr. Summers is only required to address each person as he comes forward to draw from the black box. Mr. Summers is dressed cleanly and seems proper and important as he chats with Mr. Graves and the Martins. ellauri270.html on line 333: The lottery involves organizing the village by household, which reinforces the importance of family structures here. This structure relies heavily on gender roles for men and women, where men are the heads of households, and women are delegated to a secondary role and considered incapable of assuming responsibility or leadership roles. Horrible! Even though the setting of this story is a single town, it is generic enough that it might be almost anywhere. In doing this, Jackson essentially makes the story a fable—the ideas explored here are universal. ellauri270.html on line 341: Tessie joins her family in the crowd, as all the villagers stand with their households, but her sense of humor sets her apart from the rest. She is clearly well-liked and appreciated by the villagers, which makes her eventual fate all the more surprising and disturbing. ellauri270.html on line 353: The description of the lottery’s formalities builds the reader’s anticipation, as the many seemingly mundane rituals all lead up to a mysterious, ominous outcome. The arc of the story depends on the question of just what will happen to the “winner” of the lottery. ellauri270.html on line 369: Mrs. Dunbar’s impatience, Old Man Warner’s pride, and Jack Watson’s coming-of-age moment show how integrated the lottery is into this society. No one questions the practice, and they all arrange their lives around it. Jackson shows how difficult it is to give up a tradition when everyone else conforms to it. ellauri270.html on line 373: Mr. Summer’s casual language and camaraderie with the villagers contrast with what is at stake. Tessie’s reaction is the first explicit sign of something horrifying at the heart of the lottery. She is as outspoken in her anger as she was in her humor—although rather too late, and it’s assumed she wouldn’t argue if someone else had been chosen. Bill resignedly accepts the power of the tradition. ellauri270.html on line 381: Mr. Summers and Mr. Graves’s calm continuation of the lottery’s ritual shows that they are numb to the cruelty of the proceedings. Tessie’s protests imply that she doesn’t see the choice of the marked slip of paper as fate or some kind of divine decree, but rather as a human failing. Perhaps she sees, too late, that the lottery is only an arbitrary ritual that continues simply because a group of people have unthinkingly decided to maintain it. ellauri270.html on line 385: Tessie’s protests have shown the reader that the outcome of the lottery will not be good. Little Davy’s inclusion reinforces the cruelty of the proceedings and the coldness of its participants. Little Davy is put at risk even when he is unable to understand the rituals or to physically follow the instructions. But so what? Is this one more case of "free will" stuffed down your throat? ellauri270.html on line 393: The inhumanity of the villagers, which has been developed by repeated exposure to the lottery and the power of adhering to tradition, still has some arbitrary limits—they are at least relieved that a young child isn’t the one chosen. They show no remorse for Tessie, however, no matter how well-liked she might be. Even Tessie’s own children are happy to have been spared, and relieved despite their mother’s fate. Jackson builds the sense of looming horror as the story approaches its close. WTF, Tessie is clearly the odd one out, so the outcome of the lottery was fortunate! ellauri270.html on line 395: Mr. Summers tells the crowd, “let’s finish quickly.” The villagers have forgotten several aspects of the lottery’s original ritual, but they remember to use stones for performing the final act. There are stones in the boys’ piles and some others on the ground. Mrs. Delacroix selects a large stone she can barely lift. “Hurry up,” she says to Mrs. Dunbar beside her. Mrs. Dunbar gasps for breath and says that she can’t run. Go ahead, she urges, “I’ll catch up.” ellauri270.html on line 397: Mrs. Dunbar already sent her son away, perhaps to spare him having to participate in murder this year, and now she herself seems to try and avoid taking part in the lottery as well. The line about the stones makes an important point—most of the external trappings of the lottery have been lost or forgotten, but the terrible act at its heart remains. There is no real religious or practical justification for the lottery anymore—it’s just a primitive murder for the sake of tradition. Now the situation would be quite different if this were a real case of adultery, about which there are clear instructions in the Old Testament! ellauri270.html on line 399: The use of stones also connects the ritual to Biblical punishments of “stoning” people for various sins, which then brings up the idea of the lottery’s victim as a sacrifice. The idea behind most primitive human sacrifices was that something (or someone) must die in order for the crops to grow that year. This village has been established as a farming community, so it seems likely that this was the origin of the lottery. The horrifying part of the story is that the murderous tradition continues even in a seemingly modern, “normal” society. In actual fact, the point is to reduce the number of mouths to feed in times of shortage. ellauri270.html on line 401: The children pick up stones, and Davy Hutchinson is handed a few sharp pebbles in a paper cone. Tessie Hutchinson holds out her arms desperately, saying, “it isn’t fair,” as the crowd advances toward her. A flying stone hits her on the side of her head. Old Man Warner urges everyone forward, and Steve Adams and Mrs. Graves are at the front of the crowd. “It isn’t fair, it isn’t right,” Tessie screams, and then the villagers overwhelm her. ellauri270.html on line 403: By having children (even Tessie’s own son) involved in stoning Tessie, Jackson aims to show that cruelty and violence are primitive and inherent aspects of human nature—not something taught by society. Tessie’s attempts to protest until the end show the futility of a single voice standing up against the power of tradition and a majority afraid of nonconformists. Jackson ends her story with the revelation of what actually happens as a result of the lottery, and so closes on a note of both surprise and horror. The seemingly innocuous, ordinary villagers suddenly turn violent and bestial, forming a mob that kills one of their own with the most primitive weapons possible—and then happily going home to supper. ellauri270.html on line 411: “The Lottery” begins with a description of a particular day, the 27th of June, which is marked by beautiful details and a warm tone that strongly contrast with the violent and dark ending of the story. The narrator describes flowers blossoming and children playing, but the details also include foreshadowing of the story’s resolution, as the children are collecting stones and three boys guard their pile against the “raids of the other boys.” These details… read analysis of The Juxtaposition of Peace and Violence. ellauri270.html on line 415: Jackson examines the basics of human nature in “The Lottery,” asking whether or not all humans are capable of violence and cruelty, and exploring how those natural inclinations can be masked, directed, or emphasized by the structure of society. Philosophers throughout the ages have similarly questioned the basic structure of human character: are humans fundamentally good or evil? Without rules and laws, how would we behave towards one another? Are we similar to animals in….. read analysis of Human Nature. ellauri270.html on line 421: The villagers in the story perform the lottery every year primarily because they always have—it’s just the way things are done. The discussion of this traditional practice, and the suggestion in the story that other villages are breaking from it by disbanding the lottery, demonstrates the persuasive power of ritual and tradition for humans. The lottery, in itself, is clearly pointless: an individual is killed after being randomly selected. Even the original ritual has been… read analysis of The Power of Tradition. ellauri270.html on line 430: Wylie, Joan. Shirley Jackson: A Study of the Short Fiction. New York: Twayne, 1994. ellauri270.html on line 432: icture-in-picture; web-share" allowfullscreen> ellauri270.html on line 445: In the assault case, Harris and the girl began communicating via text messages in the summer of 2016, when she was between 16 and 17 years of age, according to a Lee County Sheriff's Office report. The messages started out innocently but turned sexual in nature. Then Harris texted the girl asking for her presence in his classroom. ellauri270.html on line 448: Harris is the all-time winningest head coach in Mariner basketball history and has led his team to eight consecutive FHSAA state playoff appearances. His evaluations describe him as a teacher who worked well with students and was always willing to help out. However, he had trouble "demonstrating knowledge of content", according to an evaluation for the 2013-2014 school year. His "lesson plans are lacking basic elements and are difficult for others to follow," the evaluation states. But his lechery plan was straightforward and clear enough to follow. ellauri270.html on line 484: Are these[errata 2] her naked ribs, which fleck'd Onx nää sen paljaat kyikiluut ellauri270.html on line 494: She & Mark Twain were playing dice; Mark Twainin kanssa pelas noppaa; ellauri270.html on line 496: Quoth she, and whistled thrice Se sanoi, ja vihelsi kolmasti ellauri270.html on line 523: Published anonymously in 1798, this was meant to be perceived as a manuscript recently uncovered from an earlier age. It purposefully contains a variety of archaic spelling and syntax. Later editions modernized some of the archaisms. ellauri270.html on line 525: icture-in-picture; web-share" allowfullscreen> ellauri270.html on line 527: Alfred Lordi Tennysonin Enoch Arden oli toinen samanlainen joihkaus albumissa 52. Victorian verse—stirring, pompous, propagandistic and popular. Olikohan Eenokki sukua Elizabeth Ardenille jonka poskivoide pelasti Harryn kruununjalokivet naparetkellä? ellauri270.html on line 533: icture-in-picture; web-share" allowfullscreen> ellauri270.html on line 534: icture-in-picture; web-share" allowfullscreen> ellauri270.html on line 535: ic Religion" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen> ellauri270.html on line 550: "We gotta have min 2 cadets per min 2 adults at all times, for kld anus protection." "Amazing work. I'm proud of you guys. And you're volunteers. That's even more amazing. I've always believed in the spirit of the volunteer, the person who doesn't expect to be paid for his services. I can relate to that, I don't expect to pay for services myself. But General Patrick McLanahan working for nothing? How screwed up is that? Unbelievable! ellauri270.html on line 555: Herbert Norman Schwarzkopf Jr. USMA, KCB (/ˈʃwɔːrtskɒf/; August 22, 1934 – December 27, 2012) was a United States Army general. While serving as the commander of United States Central Command, he led all coalition forces in the Persian Gulf War. Schwarzkopf was highly decorated in Vietnam. He was one of the commanders of the invasion of Grenada in 1983. Schwarzkopf's command eventually grew to an international force of over 750,000 troops. Schwarzkopf graduated valedictorian out of his class of 150, and his IQ was tested at 168. Schwarzkopf then attended the United States Military Academy where he played football, wrestled, sang and conducted the West Point Chapel choir. His large frame (6 feet 3 inches (1.91 m) in height and 240 pounds (110 kg) in weight) was advantageous in athletics and bawling out his underlings. He was also a member of Mensa. ellauri270.html on line 557: At Fort Campbell, Kentucky, 1957, he found chronic problems in military leadership, amid what historians have called a larger doctrinal crisis. They were all commies to a man! ellauri270.html on line 561: Within 90 hours, his force had destroyed 42 of 50 Iraqi Army divisions at a cost of about 125 killed and 200 wounded among American troops, and about 482 killed, 458 wounded among all of the coalition. What a whackin' bloodbath. It restored pride in the US armed forces after the Vietnam War. ellauri270.html on line 563: Schwarzkopf's speaking fees topped $60K per public appearance. Schwarzkopf sold the rights to his memoirs to Bantam Books for $5M. On November 7, 1994, Schwarzkopf won $14K for the Boggy Creek Gang on Celebrity Jeopardy! He sold his cancerous prostata to charity for $1M. ellauri270.html on line 567: Army Chief of Staff Carl E. Vuonohevonen, a lifelong friend of Schwarzkopf, described him as "competent, compassionate, egotistical, loyal, opinionated, funny, emotional, sensitive to any slight. At times he can be an overbearing bastard, but not with me." Sooty Colin Powell had to humor Herman with satin gloves because "Dick" Cheney could not stand his arse. What turds. ellauri270.html on line 572: Die Brandeis University (oder einfach Brandeis) ist eine Privatuniversität in Waltham, im Osten des US-Bundesstaates Massachusetts. Die Hochschule ist seit 1985 Mitglied der Association of American Universities, einem seit 1900 bestehenden Verbund führender forschungsintensiver nordamerikanischer Universitäten. ellauri270.html on line 574: Brandeis wurde 1948 als nicht konfessionsgebundene Universität unter der Förderung der amerikanisch-jüdischen Gemeinschaft gegründet. Benannt wurde die Universität nach Louis Brandeis (1856–1941), dem ersten jüdischen Richter am Obersten Gerichtshof der Vereinigten Staaten. Sie steht Studenten aller Nationalitäten, Religionen und politischer Orientierung offen. Noch 2006 waren etwa 50 % der Studenten jüdisch. Die Sportteams der Brandeis University nennen sich die Juden. nein, die Judges. Die Universität ist Mitglied der University Athletic Association. ellauri270.html on line 587: 17."Democracy rests upon two pillars: one, the principle that all men are equally entitled to life, liberty and the pursuit of happiness; and the other, the conviction that such equal opportunity will most advance civilization." ellauri270.html on line 593: Starting in 1890, Louis helped develop the "right to privacy" concept by writing a Harvard Law Review article of that title, and was thereby credited by legal scholar Roscoe Pound as having accomplished "nothing less than adding a chapter to our law." He later became active in the Zionist movement, seeing it as a solution to antisemitism in Europe and Russia, while at the same time being a way to "revive the Jewish spirit." ellauri270.html on line 595: Some have criticized Brandeis for evading issues related to African-Americans, as he did not author a single opinion on any cases about race during his twenty-three year tenure, and consistently voted with the court majority including in support of racial segregation. ellauri270.html on line 599: Frankism was a heretical Sabbatean Jewish religious movement of the 18th and 19th centuries, centered on the leadership of the Jewish Messiah claimant Jacob Frank, who lived from 1726 to 1791. Frank rejected religious norms and said that his followers were obligated to transgress as many moral boundaries as possible. At its height it claimed perhaps 50,000 followers, primarily Jews living in Poland, as well as in Central and Eastern Europe. ellauri270.html on line 601: According to biographer Melvin Urolofsky, Brandeis was influenced greatly by his uncle Lewis Naphtali Dembitz. Unlike other members of the extended Brandeis family, Dembitz regularly practiced Judaism and was actively involved in Zionist activities. Brandeis later changed his middle name from David to Dembitz in honor of his uncle, and through his uncle's model of social activism, became an active member of the Zionist movement later in his life. ellauri271.html on line 6: font-style: italic; ellauri271.html on line 10: font-style: italic; ellauri271.html on line 70: Ranskan kommunistisissa piireissä levinneen tarinan mukaan kansainvälinen naistenpäivä olisi perustunut vuonna 1857 New Yorkissa tapahtuneeseen naisten tekstiilitehtaassa toteuttamaan lakkoon. Liliana Kandelin ja Françoise Picqin mukaan lakon liittyminen naistenpäivään olisi kuitenkin keksitty 1955, jotta päivän yhteys maailman kommunistiseen liikkeeseen ja Neuvostoliittoon voitiin irrottaa ja näin parantaa naisten tasa-arvoa Länsi-Euroopassa ilman siihen siellä liittyviä aatteellisia ennakkoluuloja. ellauri272.html on line 6: font-style: italic; ellauri272.html on line 10: font-style: italic; ellauri272.html on line 67: En muuten tiennytkään että tää sarja on chick littiä! Vitun litinää siitä näyttää kuuluvankin enemmän kuin kyrpien ruiskintaa. Sattumalta sarjan 3. osa löytyi ilmatteexi Paulin toimiston oven ulkopuolelta. Ei kun sitä tavaamaan! Vaikuttaa kyllä tosi köyhältä noin pintapuolisesti selatessa ainakin. ellauri272.html on line 75: It has received mixed to negative reviews, as most critics noted the poor literary qualities of the work. Salman Rushdie said about the book: "I've never read anything so badly written that got published. It made Twilight look like War and Peace." Jesse Kornbluth of The Huffington Post said: "As a reading experience, Fifty Shades ... is a sad joke, puny of plot". ellauri272.html on line 78: Kirsten Sims from New Zealand stated that the book "will win no prizes for its prose" and that "there are some exceedingly awful descriptions," although it was also an easy read; "(If you only) can suspend your disbelief and your desire to – if you'll pardon the expression – slap the heroine for having so little self respect, you might enjoy it." A Cord from U of Columbia stated that, "Despite the clunky prose, James does cause one to turn the page." Father Metro wrote that "suffering through 500 pages of this heroine's inner dialogue was torturous, and not in the intended, sexy kind of way". Jessica Reaves, the Chicago Tribune, wrote that the "book's source material isn't great literature", noting that the novel is "sprinkled liberally and repeatedly with asinine phrases", and described it as "depressing". Publishers Weekly named E. L. James the 'Publishing Person of the Year' 2012. In April 2012 E. L. James was listed as one of Time magazine's "100 Most Influential People in the World". ellauri272.html on line 80: Coinciding with the release of the book and its surprising popularity, injuries related to BDSM and sex toy use spiked dramatically. In the year after the novel's publishing in 2012, injuries requiring Emergency Room visits increased by over 50% from 2010 (the year before the book was published). This is speculated to be due to people unfamiliar with both the proper use of these toys and the safe practice of bondage and other "kinky" sexual fetishes in attempting to recreate at home what they had read. ellauri272.html on line 82: Several critics and porn scientists have expressed concern that the nature of the main couple's relationship is not BDSM at all, but rather is characteristic of an abusive relationship. ellauri272.html on line 83: A second study in 2014 was conducted to examine the health of women who had read the series, compared with a control group that had never read any part of the novels. The results showed a correlation between having read at least the first book and exhibiting signs of an eating disorder, having romantic partners that were emotionally abusive and/or engaged in stalking behavior, engaging in binge drinking in the last month, and having 5 or more sexual partners under age 14. The authors could not conclude whether women already experiencing these "problems" were drawn to the series, or if the series influenced these behaviors to occur after reading. ellauri272.html on line 98: And Tango Makes Three by Justin Richardson and Peter Parnell ellauri272.html on line 112: I Am Jazz by Jazz Jennings and Jessica Herthel ellauri272.html on line 128: Alice McKinley (series) by Phyllis Reynolds Naylor ellauri272.html on line 132: Nineteen Minutes by Jodi Picoult ellauri272.html on line 142: Of Mice and Men by John Steinbeck ellauri272.html on line 148: Fun Home: A Family Tragicomic by Alison Bechdel ellauri272.html on line 160: Bad Kitty (series) by Nick Bruel ellauri272.html on line 164: Nickel and Dimed by Barbara Ehrenreich ellauri272.html on line 180: In Our Mothers' House by Patricia Polacco ellauri272.html on line 186: The Color Purple by Alice Walker ellauri272.html on line 204: Neonomicon by Alan Moore ellauri272.html on line 214: Draw Me a Star by Eric Carle ellauri272.html on line 272: Revolutionary Voices: A Multicultural Queer Youth Anthology by Amy Sonnie ellauri272.html on line 284: Tricks by Ellen Hopkins ellauri272.html on line 292: by Sherman Alexie, from the perspective of a Native American teenager, Arnold ellauri272.html on line 295: nearly all-white public high school away from the reservation. The graphic novel ellauri272.html on line 296: includes 65 comic illustrations that help further the plot. Although critically ellauri272.html on line 301: sexuality and social injustice1. As a result, "a small collective" of schools have challenged it, and ellauri272.html on line 303: inclusion in the curricula. ellauri272.html on line 305: Nerida Weyland's article, "Representations of ellauri272.html on line 306: Happiness in Comedic Young Adult Fiction: Happy Are the Wretched" describes how ellauri272.html on line 313: topics deemed taboo". ellauri272.html on line 316: the book is revealed in the controversy its publication caused, as it was banned ellauri272.html on line 319: domestic violence, and social injustice" in a never-before-done way. As an ellauri272.html on line 327: to be uncomfortable with Junior/Arnold/Alexie making light of topics of such ellauri272.html on line 329: they particularly don't like is the risk of racial mix implicit in a yuppie Red ellauri272.html on line 330: Indian. Never mind the practically extinct aborigines, but he is a dangerous role model for the millions of immigrant more colorful hopefuls. ellauri272.html on line 334: The Holy Bible Is Now One Of The Most Challenged Books In America ellauri272.html on line 336: It joins the ranks of books like Fifty Shades of Grey. The top 10 most challenged books for 2015 includes an entry that may seem unlikely for the United States, which is home to more Christians than any other country in the world. According to the American Library Association's latest "State of America's Libraries" report, The Holy Bible was ranked as the sixth most challenged book in America because of its "religious viewpoint." ellauri272.html on line 340: Four other books also made it to the most recent top 10 list because of their "religious viewpoints" -- including Nasreen's Secret School: A True Story from Afghanistan, a story about a young girl trying to get an education in Afghanistan, which came in at number nine. One complaint about the book that originated in Florida reportedly criticized it for promoting prayer directed at Allah. ellauri272.html on line 406: Archibald Randolph Ammons (February 18, 1926 – February 25, 2001) was an American poet who won the annual National Book Award for Poetry in 1973 and 1993. ellauri272.html on line 408: Ammons wrote about humanity's relationship to nature in alternately comic and solemn tones. His poetry often addresses religious and philosophical matters and scenes involving nature, almost in a Transcendental fashion. According to reviewer Daniel Hoffman, his work "is founded on an implied Emersonian division of experience into Nature and the Soul," adding that it "sometimes consciously echoes familiar lines from Emerson, Whitman and Dickinson."[citation needed] ellauri272.html on line 414: Critics tracing his creative genealogy are apt to begin with Ralph Waldo Emerson and Henry David Thoreau and work chronologically forward through Walt Whitman, Ezra Pound, Robert Frost, Wallace Stevens, and William Carlos Williams. Of those poets, Harold Bloom felt that the transcendentalists Emerson and Whitman have influenced Ammons the most. Xcept he overdoes the colon. Radical colectomy is indicated. ellauri272.html on line 416: M.L. Rosenthal felt that although Ammons shares Wallace Stevens’s desire to intellectualize rather than simply describe, he falls short of Stevens’s success. Paul Zweig agrees that “unlike T.S. Eliot or Stevens, Ammons does not write well about ideas.” When the narrator finds the dead mole under the leaves, he says, “mercy: I’d just had / lunch: squooshy ice cream: I nearly / unhad it.” Vendler commented, “There has been nothing like this in American poetry before Ammons—nothing with this liquidity of folk voice.” ellauri272.html on line 418: Bloom wrote: “Ammons’s poetry does for me what Stevens’s did earlier, and the High Romantics [Bloom’s term for William Blake, William Wordsworth, Samuel Coleridge, Percy Bysshe Shelley, John Keats, and Lord Byron] before that; it helps me to live my miserable life. ellauri272.html on line 420: Ammons’s concerns with the transcendental everyman coalesce in what may prove to be his finest effort: the National Book Award winner of 1993, Garbage. The title, suggested when Ammons drove by a Florida landfill, is characteristically flippant and yet perfectly serious. “Garbage is a brilliant book,” said David Baker in the Kenyon Review. “It may very well be a great one. ... ellauri272.html on line 421: Edward Hirsch articulated what may be the consensus regarding Garbage. He saw the poem as a brilliant summation of the poet’s life work, “an American testament that arcs toward praise, a poem of amplitude that confronts our hazardous waste and recycles it saying, ‘I’m glad I was here, / even if I must go.’” ellauri272.html on line 423: Elizabeth Lund of the Christian Science Monitor criticized Ammons for his tendency to jump “unexpectedly from one image or idea to another.” It is simply a kind of disposable diaper poetry. ellauri272.html on line 427: ical-align:top">ic.poetryfoundation.org/jstor/i20593216/pages/22.png" width="50%" /> ical-align:top"> ellauri272.html on line 454: ical-align:top">ic.poetryfoundation.org/jstor/i20599251/pages/7.png" width="50%" /> ical-align:top"> ellauri272.html on line 493: ical-align:top">ic.poetryfoundation.org/jstor/i20589286/pages/36.png" width="50%" /> ellauri272.html on line 494: ic.poetryfoundation.org/jstor/i20589286/pages/37.png" width="50%" /> ellauri272.html on line 495: ical-align:top"> ellauri272.html on line 563: Christian Gray : Tohtori Grace Trevelyan-Greyn ja Carrick Greyn adoptiopoika. 28-vuotias Grey Enterprise Holdings, Inc:n toimitusjohtaja ja Anastasian aviomies. (Pöljän näköinen paxumpana partapozona. Johnin ikätoveri, s. 1981.) ellauri272.html on line 571: Mia Gray : Carrick Grayn ja tohtori Grace Trevelyan Grayn adoptiotytär sekä Christian Grayn ja Elliot Greyn nuorempi sisar. (blondi) ellauri272.html on line 577: Elena Lincoln : Grace Trevelyan Greyn entinen ystävä ja Christianin entinen hallitseva asema. Elenan aviomies Eric sai tietää hänen suhteestaan Christianin kanssa, sitten hakkasi häntä ankarasti ja erosi hänestä. Hän kieltäytyi nostamasta syytteitä häntä vastaan syyllisyyden vuoksi. Yksi Fifty Shades Darkerin tärkeimmistä antagonisteista (blondi) ellauri272.html on line 581: Carrick Gray : Christianin adoptioisä. Ei näytä miljonääriltä (s. 1961) ellauri272.html on line 583: Ray Steele : Anan isäpuoli, joka adoptoi Anan ja antoi tälle sukunimensä. (Battlestar Galactica vanhana. s. 1960.) ellauri272.html on line 593: Mr. Eric Lincoln : Lincoln Timbersin omistaja ja Elenan entinen aviomies. ellauri272.html on line 606: ical-align:top;width:50%"> ellauri272.html on line 609: ical-align:top"> ellauri272.html on line 616: ical-align:top"> ellauri272.html on line 619: ical-align:top"> ellauri272.html on line 624: ical-align:top"> ellauri272.html on line 628: ical-align:top"> ellauri272.html on line 634: ical-align:top"> ellauri272.html on line 638: ical-align:top"> ellauri272.html on line 643: ical-align:top"> ellauri272.html on line 649: ical-align:top"> ellauri272.html on line 658: ical-align:top"> ellauri272.html on line 662: Seuraavana päivänä raivoissaan kristitty saa selville Walesista, että Elenan entinen aviomies Eric Lincoln oli pelastanut Jackin vankilasta huolimatta hänen suhteestaan Christianin kanssa. Christian kertoo Analle, että saatuaan tietää tapauksesta Eric hakkasi Elenan ankarasti ja erosi hänestä. Christianin kehotuksesta huolimatta Elena kieltäytyi nostamasta syytteitä Ericia vastaan syyllisyyden vuoksi tapaukseen. Christian kosti ostamalla Eric Lincolnin hakkuuyhtiön myydäkseen sen. On myös saatu selville, että Elizabeth tunnusti poliisille, että Hyde kiristi hänet rikoskumppanikseen. (Hänen lopullinen kohtalo on kuitenkin edelleen mysteeri.) ellauri272.html on line 664: ical-align:top"> ellauri272.html on line 673: ical-align:top"> ellauri272.html on line 677: ical-align:top"> ellauri272.html on line 689: Soidinvaiheen chicklit piirre (väh. 2 taistelevaa mezoa ja valikoiva koppelo) korvautuu tässä niteessä lunnimaisemmalla pesänpuolustuxella. Eri lisääntymisstrategioista tulee sukupuolten välistä nokittelua. Aviokiistojen kevennyxexi naishero lähtee soitellen sotaan mutta loppupeleissä on tervetullut koiraan muskeli - ja kikkeli. Huom tässä niteessä kaikki lapset on adoptoituja. Vähän kuin Aku Ankassa ja Nakke Nakuttajassa kaikki huoltajat on setiä ja tätejä. Se helpottaa castingia, äiti voi olla samanikäinen kuin tytär. Ei tarvi maskeerata mitään ryppypeppuja. Eikä tarvi näytellä 7:nnen taivaan hullunkurisia perheitä. ellauri272.html on line 707: Laaki Dickens Charles 1:16:31 президент Российской Федерации Владимир Владимирович Путин 1:16:31 Venäjän federaation presidentti Vladimir Vladimirovich Putin 3:00:38 Народный фронт в рамках инициативы всё для Победы собрало более 5 млрд руб такой поток пожертвования идёт постоянно 3:00:38 Popular Front keräsi Everything for Victory -aloitteen puitteissa yli 5 miljardia ruplaa, joten lahjoitusvirta on jatkuvasti Benito Juarez 137 Mexico David Ben Gurion 152 Israel Mahmoud Ahmadinejad 157 Iran Abdelaziz Bouteflika 159 Algeria Kim Yong Ill 160 Korea (North) Dmitry Medvedev 163 Russia Queen Elizabeth II 163 UK Cristina Fernandez de Kirchner 164 Argentina Nicolas Sarkozy 165 France Angela Merkel 165 Germany Silvio Berlusconi 165 Italy Josef Stalin 165 Russia Vladimir Lenin 165 Russia Margaret Thatcher 165 UK Julia Eileen Gillard 166 Australia Napoleon 168 France Winston Churchill 168 UK Benito Mussolini 169 Italy Yasuo Fukuda 169 Japan François Hollande 170 France Vladimir Putin 170 Russia Tarja Halonen 172 Finland François Mitterrand 172 France Adolf Hitler 173 Germany Harold Wilson 173 UK Hugo Chávez 173 Venezuela Gerhard Schröder 174 Germany Viktor Orban 174 Hungary ellauri275.html on line 642:
Gordon Brown
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UK

John Major
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Georges Pompidou
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France

George W. Bush
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Richard Nixon
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Muammar Gaddafi
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Libya

Tony Blair
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Edward Heath
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John F Kennedy
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Gerald Ford
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Bill Clinton
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David Cameron
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Nick Clegg
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Sir Alec Douglas-Home
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UK

James Callaghan
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UK

Barack Obama
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USA

Ronald Reagan
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Boris Yeltsin
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Russia

George Washington
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Stephen Harper
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Canada

Saddam Hussein
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Iraq

George H.W Bush
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Jacques Chirac
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France

Valéry Giscard d’Estaing
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France

Fidel Castro
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Cuba

Helmut Kohl
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Robert Gascoyne-Cecil
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Abraham Lincoln
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Charles de Gaulle
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ic;margin-bottom:0%">Melskeitten miehen muistelmat

Vice versa

Tragica comedia

La Republica

About the Author Eric Hovind

das Nichts nichtet

Duplicity and cunning vs. courage

ic;margin-bottom:0%">LÄNNEN LAKI

ic;margin-bottom:0%">KONNAT KUKKIVAT HIRSIPUUSSA

ic">G-mies Jerry Cotton

ick;background:black;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">BATTLER BRITTON

ic;margin-bottom:0%">HITON HIENO SAVOTTA

Serie A's problematic anti-racism initiative

Ironically, Italy's anti-racist campaign is criticized for racism - Sport

Das Nichts nichtet

ic;text-align:center;margin-top:0%;margin-bottom:0%">En yrhätta

M. Maurice BARRÉS.

Kritikoin Criticónia

Standards-Based Thematic Unit "Deutsche Identität"

Bischof Rusticus

Beichte

Jehova keljuilee

Setämies Baurdelaire (sic)

Sir Patrick Spens

Homostelua Chicagossa

Chicagon kultahattu

Nordic noir

ic;font-family:sans-serif;font-size:2em;color:#4e3b2d;background:green;text-align:center;margin-top:0%;margin-bottom:0%">J.A. Hunter

Jews Dominate Forbes Rich List

ic;font-family:sans-serif;font-size:2em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">George Orwell

ic;font-size:4em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">ELÄINTEN VALLANKUMOUS

Ben Zyskowicz 4.5.2013 2:00

ic;font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">C.E.Carlson

ic;font-size:4em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Liskohumanoideja

ic;font-size:2em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Tommi Kinnunen

ic;font-size:4em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Ihana uutuus

Comicbook/cartoon/fictional characters

Gravity's Rainbow Plot Diagram

Dick clings to you

Frost’s lowest romantic moment

Politics and the English Language

Dickinson the Imp

American HILLBILLIES

Positivity

Tunteellinen vakaus (Neuroticism)

Gigantic spoiler

Rikhard Fick

Analytical Table of Contents

Chapter I: The Subject-Matter of Ethics

Chapter II: Naturalistic Ethics

Chapter IV: Metaphysical Ethics

Chapter V: Ethics in Relation to Conduct

Ideologia política conservadorismo

Keswick Movement: Mark and Avoid

What is the age at which someone older is considered an ‘eider’?

Hilja ja Dick Dolmen

Noch ein männlicher Sprung

Dynamic stochastic general equilibrium (DSGE)

Schopenholic und Schwester

Patrick White

ENTJ Efficient organizers focused on strategy.

INFP Idiosyncratic dreamers with strong imaginations.

ENFJ Engaging and compelling communicators.

ESTJ Efficient organizers focused on logistics.

Statistics Based on the new Form M of the MBTI

Nike – Colin Kaepernick

Some pandemic encouragement from a northern Ontario lake dancer

Tina Turner Lyrics

Patrick Muffin

Henry Aldrich

Mikäs mies tää Mickey Sabbath on?

The historical Kohlhase

The Roman Catholic Apocrypha

Apocryphal Books rejected by the Catholic Religion:

Friedrich Nietzsche

Niccolò Machiavelli

Mary Poppins self-service

American noiria

Hic locus est ubi mors gaudet succurrere vitae

ic;font-weight:bold;font-size:3em;color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Janne-Jaakkoo

ic">G-mies
Jerry Cotton

`Sir Patrick Spens`

`Christian Dietrich Grabbe`