ellauri001.html on line 210: ce src="fanfaari.mp3" type="audio/mpeg">
ellauri001.html on line 392: ce src="una.mp3" type="audio/mpeg">
ellauri001.html on line 645: ce src="sunnuntaina.mp3" type="audio/mpeg">
ellauri001.html on line 1656: Vice versa
ellauri001.html on line 1740: Quidquid ages, prudenter agas, respice finem.
ellauri001.html on line 2353: Syllables 5-7 of the second pāda must be a ja-gaṇa ("υ – υ") This enforces an iambic cadence.
ellauri001.html on line 2374: on kun -- Doucement! There is a limit!
ellauri002.html on line 23: center;margin-top:0%;margin-bottom:0%">EL COÑO
ellauri002.html on line 24: center;margin-top:0%;margin-bottom:0%">KAUNOKAINEN JA KUOLEMA
ellauri002.html on line 58: Oiskohan Harry ollut iloinen et nää on suomalaisille tärkeimmät faktat siitä? Et se on jutkuluopio, sen nimellä on joku kämä düsseldorfilainen palkinto ja se oli Schubertin sanoittaja? Düsseldorf on Saxan Philadelphia. Ja kokonaan jää mainizematta Kaiserslauternin Heinrich Heine-gymnasium, David Foster Wallacen tennisvalkku Schitin alma mater. Harry kävi kouluja (senverran kuin kävi) Düsseldorfissa.
ellauri002.html on line 68: This article is about the English musician. For the aviator, see John Dowland (RAF officer).
ellauri002.html on line 70: John Dowland (1563 – 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.
ellauri002.html on line 246:
ellauri002.html on line 269: Since pity is fled;
ellauri002.html on line 278: Are my hopes, since hope is gone.
ellauri002.html on line 507: Da mi basia mille, deinde centum,
ellauri002.html on line 508: din mille altera, dein secunda centum,
ellauri002.html on line 509: deinde usque altera mille, deinde centum.
ellauri002.html on line 510: Dein, cum milia multa fecerimus,
ellauri002.html on line 528: (ce">Juice Leskinen)
ellauri002.html on line 643:
ellauri002.html on line 657:
ellauri002.html on line 677:
ellauri002.html on line 749:
ellauri002.html on line 785: center;width:30%;background:red;color:white;font-family:sans-serif;font-size:2em">
ellauri002.html on line 803:
ellauri002.html on line 811: Cum ventitabat quo puella ducebat
ellauri002.html on line 911:
ellauri002.html on line 968: ce Clearwater Revival">Creedence Clearwater Revival: Green River 1969
ellauri002.html on line 1137: center">KJJ Hintikka täytettynä
ellauri002.html on line 1458: Seiskytkolme olin Unkarissa kielikurssilla, pustan reunan tuppukylässä Debrecenissä, vai oliko se Nyiregyházassa, en muista.
ellauri002.html on line 1459: Ainakin laulettiin Debrecenbe kéne menni.
ellauri002.html on line 1468: Toisena kesänä (oisko ollut seitenviis?) tehtiin luokkakaverin kanssa pyöräretki Pariisista etelään. Tour de France siitä piti tulla, mutta mäet oli liian isoja, turnee kääntyi takaisin ennen aikojaan. Loiren linnojen reunustamaa rantaa palattiin. Mulla oli kymmenvaihteinen venäläinen harjoituskilpapyörä Старт Шоссе. Se oli hieno. Niitä möi yrmeä venäläinen Malmilla. (Neukkuajan jälkeen se oisi ollut mamu.) Pyöräkypäriä ei tunnettu. Teltta oli mukana. Vähän pelottavasti selvisi että pyöräveli puhuu ja kulkee unissaan. Bois de Boulognessa sattumalta tavattiin Petteri.
ellauri002.html on line 1505: Seuraava tapaaminen oli sovittu leffaillaksi, mentiin katsomaan Kubrikin Barry Lyndonia, pääosassa Peyton Placen Ryan O'Neil. Tämän kaiken jouduin katsomaan Wikipediasta. Pitkästyttävästä filmistä en muista tuon taivaallista, oli muita asioita mielessä. Leffan jälkeen mentiin Fazerille, tai Kluuvin pubiin, kumpaan, siitä on pientä erimielisyyttä. Parhaiten on jäänyt mieleen, että innoissani puhuessani mitä sylki suuhun tuo onnistuin sylkemään jonkun kakunmurun pienelle kädelle. Hirmu noloa, vaikka kelpaa sitä näin jälkeenpäin nyt naureskella.
ellauri002.html on line 1601: Ye Qing-chen (d. ca. 1051), courtesy name Dao Qing, ranked second in the Metropolitan Examination of 1023 and held a number of high offices. During the Quing Li era (1041-1048) he served as prefect of the city and often visited the spot below the cliff, where he had a pavilion built.
ellauri002.html on line 1663: USA: a great place for hamburgers,
but who'd want to live there.
ellauri002.html on line 2198: Mun lisänimi on "professorn", vähän naureskelee pampaksen pojat ja eteläsuomen sivistyneet kielipuolta vanhaa hurtti ukkoa. Oli siellä liikkiksiä tyyppejä, yks hirmu korsto 57 numeron saappaissa ei mahdu riviin, joko on varpaat tai kantapäät poissa linjasta. Se tykkäs kaivaa poteroita. Sen korsu hiekkamäen kyljessä oli kuin asemasodan bunkkeri, ratapölkyillä tuettu, joita se siirteli kuin korsia. Sit oli se toinen heppu jostain takametsistä, jonka felo oli rikki, "Pedin min je ruku", joka halus koittaa mun kirjoituskonetta. Iso sormi paino varmaan viittä nappia yhtä aikaa, vasarat tarttu toisiinsa. Tulkki tarvittiin, kun etelän alikessu puhutteli pampuscheja. Sit oli jotain etelän herraspoikia, von Konow kuin Ruuneperistä. Därek Breitenstein Venezuelasta, sittemmin osti apelta Eiran yksiön, koppava Eevan mies, jonka lapsi hukkui kalliolta Nauvossa. Mä kirjoittelin muistiin hurrien inttislangia, se vihko on kai jossain vielä tallessa. Ja luin C.S. Whiten kirjaa The Once and Future King. Siinä on hyvä pätkä murkuista, ihan kuin armeija, tai ihmiskunta. Jag tar hommio på det. Myror är idioter.
ellauri002.html on line 2256: P.S. Andreas Scholl (onxe sukua Dr. Schollille tai Johnin ja Miikan Schollylle?) vetää tän Dowlandin piisin hyvin. Se tietää että Dowlandiin ei pidä eläytyä eikä näytellä hikisenä ahistunutta kuin joku vitun David Foster Wallace. Dowlandin musiikki tekee kaiken yxin paremmin.
ellauri003.html on line 21: center;margin-top:0%;margin-bottom:0%">EL LADRO
ellauri003.html on line 22: center;margin-top:0%;margin-bottom:0%">MAZETAN 3 KULTARAHAA
ellauri003.html on line 34: celli_Inferno.jpg" style="width:50%;float:right" />
ellauri003.html on line 108: stretta coi denti verso lor duca per cenno;
ellauri003.html on line 670: Miscellanea
ellauri004.html on line 19: center;margin-top:0%;margin-bottom:0%">AL DENTE
ellauri004.html on line 20: center;margin-top:0%;margin-bottom:0%">LEUKAVASTI LAUKAISTUA
ellauri004.html on line 382: Quelle idée saugrenue de construire des cercles dans l'enfer, d'y faire varier par compartiments l'intensité des flammes et d'y hiérarchiser les tourments! (Cioran
ellauri004.html on line 558: Ipsa quidem virtus sibimet pulcherrima merces.
ellauri004.html on line 664:
ellauri004.html on line 790: Membra quondam dicebant ventri, “Nosne te semper ministerio nostro alemus, dum tu summo otio frueris? Hoc non diutius faciemus.” Dum igitur ventri cibum subducunt, corpus debilitatum est, et membra sero invidiae suae paenituit.
ellauri004.html on line 841: Facebook,
ellauri004.html on line 1506: Eheu fugaces postumi praecoces
ellauri005.html on line 20: center;margin-top:0%;margin-bottom:0%">EL CHURRO
ellauri005.html on line 21: center;margin-top:0%;margin-bottom:0%">TYTTÖ JA JÄLKIRUOKA
ellauri005.html on line 197: seurakunta Facebook-ryhmä
ellauri005.html on line 259: Go, since I needs must die,
ellauri005.html on line 279: Their practice only hate:
ellauri005.html on line 280: And if they once reply,
ellauri005.html on line 305: In tickle points of niceness;
ellauri005.html on line 321: Tell justice of delay:
ellauri005.html on line 675: pace Marx, ei sillään vielä muuta
ellauri005.html on line 1204: Men are so decent, such regular chaps;
ellauri005.html on line 1216: Been hailed as a princess by one and by all;
ellauri006.html on line 20: center;margin-top:0%;margin-bottom:0%">AL CAPONE
ellauri006.html on line 21: center;margin-top:0%;margin-bottom:0%">GANGSTERIKUNINGAS
ellauri006.html on line 76: of justice, religion, truth, and peace,
ellauri006.html on line 418: ce:pre-wrap">
ellauri006.html on line 1405: Aiheesta lisää: Gregorius Magnuxen magnum opus central.com/GregoryMoralia/Book01.html">Magna moralia on 35-osainen kommentaari tähän. Good job Greg! Kurkkasin sitä. Greg märehtii textin jokaikistä sanaa kuin lehmä kustakin neljästä mahasta noussutta märepalaa. Ensin historiallisesti, sitten allegorisesti, sitten moraalisesti. Järisyttävää pilkunnussintaa. Siihen tiedemiesten aika silloin meni. Nyt tähän.
ellauri006.html on line 1426: Epsanjalaisessa saippuassa nilkkimäinen Agustin peukuttaa säätyä, sen pirkkomainen aatelinen rouva sukua, sen poika hulttio kavereita, naisia ja maatilaa, kuikelo tasavaltalainen naisasianainen samaa sukupuolta, mukiloitu nahkalippis puoluetta, jalkapuoli solttu isänmaata, huonosti saxaxi laulava kapakkalintu pimpsaa ja/tai rahaa. Botoxihuuli mirri Mersu ja nousukasmainen Aleksandra kilpailee piipunrassin aatelispojan kikkelistä. Jyrsijännäköinen palvelustyttö haikailee munaa kurjenoloiselta apupojalta. Tää on moraliteetti. Klisheinen pukudraama. Kaikki on ilmeitä myöten rutiinia. Koko porukka on ällöjä. Just tätä onkin moraali. Hyviä tapoja. Meemejä. Bienseance. Raaputa sitä vähän, näät apinoiden irvistyksiä.
ellauri006.html on line 1637:
ellauri006.html on line 1660: And that's to laugh and smile and dance and sing.
ellauri006.html on line 1667: You must always face the curtain with a bow.
ellauri006.html on line 1669: give the audience a grin
ellauri006.html on line 1670: Enjoy it - it's your last chance anyhow.
ellauri006.html on line 1674: Life's a piece of shit
ellauri006.html on line 1766: "The Little Drummer Boy" (originally known as "Carol of the Drum") is a popular Christmas song written by the American classical music composer and teacher Katherine Kennicott Davis in 1941 based upon a traditional Czech song, Tluče bubeníček. First recorded in 1951 by the Trapp Family Singers, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years and the song has been recorded many times since.
ellauri006.html on line 1780:
ellauri007.html on line 19: center;margin-top:0%;margin-bottom:0%">EL TACO
ellauri007.html on line 20: center;margin-top:0%;margin-bottom:0%">KAPINAKENRAALIN TIMANTIT
ellauri007.html on line 467: Eceme
ellauri007.html on line 528: Places where tube is keeping me cold or high temperature
ellauri007.html on line 536: Do not place me in the refrigerator.
ellauri007.html on line 538: Proceed with caution. With nature.
ellauri007.html on line 608: Romances de los Señores, #55.
ellauri007.html on line 634: in ancuahtin amocelo
ellauri007.html on line 800: Into space that is quite economical.
ellauri007.html on line 843: Mormon God's voice from Salt Lake City.
ellauri007.html on line 884: Ecem loved Nuuti, Nuuti Paul,
ellauri007.html on line 885: Paul Ecem. It is over now.
ellauri007.html on line 889: Poor Ecem is shocked for good reason.
ellauri007.html on line 904: Ecem rakasti Nuutia, Nuuti Paulia,
ellauri007.html on line 905: Paul Ecemiä. Se on ohi nyt.
ellauri007.html on line 909: Ecem parka on syystä tyrmistynyt.
ellauri007.html on line 1246: Amazing grace
ellauri007.html on line 1260: Färjan heter Grace.
ellauri007.html on line 1262: Amazing Grace. How sweet the sound
ellauri007.html on line 1270: Välkommen till Viking Grace
ellauri007.html on line 1279:
ellauri007.html on line 1309: Once in a rabid mood
ellauri007.html on line 1323: Got married to one another in a ceremony gay.
ellauri007.html on line 1325: as nice and smart as you could wish
ellauri007.html on line 1326: are celebrating now
ellauri007.html on line 1329: with song and dance and yummy food.
ellauri007.html on line 1368: The tanuki, or "raccoon-dog," is a staple of Japanese folkore. They're known as tricksters, shape-shifters...and as a symbol of good luck. You can find statues of them outside of restaurants throughout Japan. They're considered lucky because their enormous scrotums (which are called "kintama" or "golden balls," in Japanese) are the source of their supernatural powers. Too bad Mario didn't get a nice super-sized sack when he suited up in his "tanooki suit" (as it was spelled for the English language release of the game.)
ellauri008.html on line 20: center;margin-top:0%;margin-bottom:0%">EL PERRO
ellauri008.html on line 21: center;margin-top:0%;margin-bottom:0%">KARAVAANI KULKEE
ellauri008.html on line 38: ... ilmaston muutoksia / Syvä transsi taikka joku muu hurmostila / Se on se D-vitamiinin puutostila / Ja voittajalle lohkeaakin kuutossija / Huumekoirat haukkuu Ja karavaani kulkee / Tamashekit hakkaa tahtia / Käyhän peremmälle, peremmälle, paina puuta / Ajat muuttuu, nyt tulee jotain aivan muuta ... (Paleface)
ellauri008.html on line 466: I found Conrad himself standing at the door of the house ready to receive me. His appearance was really that of a Polish nobleman. His manner was perfect, almost too elaborate; so nervous and sympathetic that every fibre of him seemed electric. He talked English with a strong accent, as if he tasted his words in his mouth before pronouncing them; but he talked extremely well, though he had always the talk and manner of a foreigner. He was dressed very carefully in a blue double-breasted jacket. He talked apparently with great freedom about his life — more ease and freedom indeed than an Englishman would have allowed himself. He spoke of the horrors of the Congo, from the moral and physical shock of which he said he had never recovered.
ellauri008.html on line 468: His wife Jessie seemed a nice and good-looking fat creature, an excellent cook, a good and reposeful mattress for this hypersensitive, nerve-wracked man, who did not ask from his wife high intelligence, only an assuagement of life's vibrations.
ellauri008.html on line 470: He made me feel so natural and very much myself, that I was almost afraid of losing the thrill and wonder of being there, although I was vibrating with intense excitement inside. His eyes under their pent-house lids revealed the suffering and the intensity of his experiences; when he spoke of his work, there came over them a sort of misty, sensuous, dreamy look, but they seemed to hold deep down the ghosts of old adventures and experiences—once or twice there was something in them one almost suspected of being wicked. But then I believe whatever strange wickedness would tempt this super-subtle Pole, he would be held in restraint by an equally delicate sense of honour. In his talk he led me along many paths of his life, but I felt that he did not wish to explore the jungle of emotions that lay dense on either side, and that his apparent frankness had a great reserve.
ellauri008.html on line 475: It was wonderful—I loved him & I think he liked me. He talked a great deal about his work & life & aims, & about sother writers. Then we went for a little walk, & somehow grew very intimate. I plucked up courage to tell him what I find in his work—the boring down into things to get to the very bottom below the apparent facts. He seemed to feel I had understood him; then I stopped & we just looked into each other's eyes for some time, & then he said he had grown to wish he could live on the surface and write differently, that he had grown frightened. His eyes at the moment expressed the inward pain & terror that one feels him always fighting. Then he talked a lot about Poland, & showed me an album of family photographs of the 60's—spoke about how dream-like all that seems, & how he sometimes feels he ought not to have had any children, because they have no roots or traditions or relations.
ellauri008.html on line 477: My first impression was one of surprise. He spoke English with a very strong foreign accent, and nothing in his demeanour in any way suggested the sea. He was an aristocratic Polish gentleman to his fingertips. At our very first meeting, we talked with continually increasing intimacy. We seemed to sink through layer after layer of what was superficial, till gradually both reached the central fire. It was an experience unlike any other I have known. We looked into each other's eyes, half appalled and half intoxicated to find ourselves together in such a region. The emotion was as intense as passionate love, and at the same time all-embracing. I came away bewildered, and hardly able to find my way among ordinary affairs.
ellauri008.html on line 500: Jane Austen tietysti, Charlotte Bronte, ja Thackeray. Virginia Woolf on hieno. Leo Tolstoi, Tsehov, Turgenjev vaik se kirjoittaa liikaa metästyksestä. Kuin myös Trollope, joka on hirmu setämäinen. Ann Tyler on kiva. Alice Munro, Katherine Mansfield tosi hyviä, Anthony Powell ok vaik on sovinisti. Galsworthy on sillä rajalla. Steinbeck myös, vaikea sijottaa, kuten jenkit yleensä, niillä on jenkki"kulttuurista" jo pahat mieslähtöpisteet, iso handicap. Jos ne on kilttejä ne on lällyjä, siirapinlitkutusta yleensä. Fielding ja Sterne saa peukutuksia. Proust on ok, Balzac ihan jees, vaikka melko pitkäveteisiä. Samaa voi sanoa Cervantesista. Onhan se kiva, ja sydän paikallaan, mutta puuduttava.
ellauri008.html on line 745: Marvellous, he repeated, looking up at me. Look! the beauty! but that is nothing - look at the accuracy, the harmony. And so fragile! And so strong! And so exact! This is nature - the balance of colossal forces. Every star is so - and every blade of grass stands so - and the mighty kosmos in perfect equilibrium produces - this. This wonder; this masterpiece of nature - the great artist.
ellauri008.html on line 747: Never heard an entomologist go on like this, I observed, cheerfully. Masterpiece? And what of man?
ellauri008.html on line 749: Man is amazing, but not a masterpiece, he said, keeping his eyes fixed on the glass case. Perhaps the artist was a little mad. Eh? What do you think? Sometimes it seems to me that man is come where he is not wanted, where there is no place for him; for if not, why should he want all the place? Why should he run about here and there making great noise about himself, talking about stars, disturbing the blades of grass? ...
ellauri008.html on line 818: In March 1896 Conrad married an Englishwoman, Jessie George. The couple had two sons, Borys and John. The elder, Borys, proved a disappointment in scholarship and integrity. Jessie was an unsophisticated, working-class girl, sixteen years younger than Conrad. To his friends, she was an inexplicable choice of wife, and the subject of some rather disparaging and unkind remarks. (See Lady Ottoline Morrell's opinion of Jessie in Impressions.)
ellauri008.html on line 820: However, according to other biographers such as Frederick Karl, Jessie provided what Conrad needed, namely a "straightforward, devoted, quite competent" companion. Similarly, Jones remarks that, despite whatever difficulties the marriage endured, "there can be no doubt that the relationship sustained Conrad's career as a writer", which might have been much less successful without her.
ellauri008.html on line 824: Aika törkeetä naisten tuuppimista Wikipediassa tässä kohtaa. Mites successful oli Jessie Georgen elämä? Mix sen pojista tuli pikkurikollisia? Niin voi käydä toisen polven mamuille. No, ketä kiinnostaa.
ellauri008.html on line 842: Stemming from Ernest's treatment as a child, where his overbearing mother put him in dresses (a common practice then, but which his mother took to the extreme, even treating him like a girl), Hemingway had an interesting relationship with gender and his perceptions of it. He probably never engaged in homosexual activity but there can be no doubt that he idolized the male form. There are scenes in almost all of his books but certainly in his major novels where the men are presented in a homerotic manner. Farewell to Arms is kind of an eyebrow raiser. But this is also the man who wrote The Garden of Eden, which was about gender switching. Ernest's 3rd son "ille faciet" Gregory fulfilled his dad's dream. Go read Running With The Bulls. This is written by his son Gregory’s wife Valerie, who had to deal with the fact that her man was a transvestite and died from a botched sex change. Very few people know this.
ellauri008.html on line 873: Kun jenkeissä tehtiin hiljan poliisisarja jossa savunaama oli puikoissa ja paleface sidekickinä, enemmistökatsojat oli shokissa. Sellaisetkin sarjat on vähän kyseenalaisia missä pomona on joku ämmä. Puuttuu vaan et jumala ois musta apinanaaras joka olis vielä mamu, muu tai lesbo. Hintelä ja vanha ja kukkahattu päässä, tai alaikänen läski rättipää vammanen ja ruma. Ei helkkari, ei jumalauta tulis uskonnosta mitään, missä olis pelote? Ketä ihailtas ja toteltas? Hirveydet ja niiden sepitys kysyy palleja, sen tiesi Palle Hirviseppä. Pojat ovat poikia, miehet miehiä. Vähän tyhmempiä, siks voisivatkin alkaa koulun myöhemmin, niin saisivat taas lytätyksi tytöt siinäkin. Sais nenäkkäät tytöt opetuksen. Lisää miesopettajia suosimaan poikia ja bylsimään tyttöjä, ja niille kunnon palkat, munalisä.
ellauri008.html on line 881:
You said that giving your life up to them (them meaning all of mankind with skins brown, yellow or black in colour) was like selling your soul to a brute. You contended that that kind of thing was only endurable and enduring when based on a firm conviction in the truth of ideas racially your own, in whose name are established the order, the morality of an ethical process. We want its strength at our backs, you said. We want a belief in its necessity and its justice, to make a worthy and conscious sacrifice of our lives. In other words, you maintained that we must fight in the ranks or our lives don't count. You should know who came out cleverly without singeing your wings.
ellauri008.html on line 1446: Simone oli kristillistynyt jutku Elsassista, peräisin perheellisestä agnostikkoja. Weil on anagrammi Levistä. Se syntyi samoihin aikoihin kun Wilho pääsi Kiinaan. Kuoli 34 vuotiaana tubiin briteissä toisen maailmansodan loppupeleissä. Sillä oli fiksumpi veli Andre, hyvä matemaatikko. Andre sekoili Suomessa talvisodan aikoihin, epäiltiin vakoilusta lännen hyväksi. Natseja pakeni brasseihin, sit Princetoniin. Tervetuloa lännemmäksi Andrei.
ellauri008.html on line 1568: Stratagem is honourable if it succeeds.
ellauri008.html on line 1574: Success is the only standard of morality
ellauri008.html on line 1591: indolence of the upper classes, and
ellauri008.html on line 1832: niiden dolce vitasta jopa kateita.
ellauri008.html on line 2020: Precis här ligger utmaningen: ett öppet, liberalt överklassvälde värt sitt salt måste tålmodigt utnyttja tolerans med egennyttiga argument och hoppas att liberalt besinnade influencers och eftertänksamma företagare utgår som segrare i formandet av den allmänna opinionen. Censur, stämplingar och förbud är bara en del av svaret. (Torsten Hårfager HBL)
ellauri008.html on line 2166: Kunnon utilitaristi laskee mukaan myös siirron hinnan, se on osa pelin arvoa. Mut se on ajatusvirhe et teon arvo olis pelin arvo. Ei se ole, vaan pelin lopputulos. Hävinnet sankarit ei ole suurmiehiä, vaan voittaneet. Success is the only standard of morality. Sori siitä.
ellauri009.html on line 19: center;margin-top:0%;margin-bottom:0%">EL MONO
ellauri009.html on line 20: center;margin-top:0%;font-style:italic;margin-bottom:0%">LÄNNEN LAKI
ellauri009.html on line 81: ce/serval:BIB_7A2B89BD9CE8.P001/REF">https://serval.unil.ch/resource/serval:BIB_7A2B89BD9CE8.P001/REF
ellauri009.html on line 810: (Pst. Tää on akediaa, joka on pikemminkin välinpitämättömyyttä tai masista, Cioranin indifférence.
ellauri009.html on line 1229: * Make America Pray again. You Only Live Once.
ellauri009.html on line 1502: Myrkyllinen sotahuuto itseään sääliville inceleille,
ellauri011.html on line 19: center;margin-top:0%;margin-bottom:0%">EL PABLO
ellauri011.html on line 20: center;margin-top:0%;margin-bottom:0%">VERTA JA KULTAA
ellauri011.html on line 99: With a most voiceless thought, sheathing it as a sword.
ellauri011.html on line 343: Mystikkäjuicesta juo supervoimia uudet
ellauri011.html on line 505: During the 1970s, he started taking cannabis as he was freed from his family. His theater success was more than his writing career, and his writing failures caused his inclination towards black magic.
ellauri011.html on line 507: In late 1971, he met Gisa, and few weeks after, they got married. When his wife got pregnant, he convinced her to abort the child, that emotionally drained her.
ellauri011.html on line 509: In 1974, he and his wife, Gisa, were arrested in Rio de Janeiro, where they were tortured for few days. Though the couple was released, his wife left him after this incidence as she suffered from Paranoia.
ellauri011.html on line 516: Though he wrote the book so quickly, it took it quite long to taste the first success of the book. Initially, only 900 copies of the book were published in Portuguese, which later went out of print. But he didn’t give up, went to a new publisher, added the beginning sentence “When you want something, the whole universe conspires to help you.” And, the icing on the cake was the 1993 release of its English version which took the novel to new heights. Paulo Coelho - The Alchemist.
ellauri011.html on line 524: • In 2012, he gave a controversial comment about James Joyce's 'Ulysses,' that topped various polls to be named the greatest novel of the 20th century.
ellauri011.html on line 525: Speaking to a Brazilian newspaper, Coelho said "One of the books that caused great harm was James Joyce's Ulysses, which is a pure style. There is nothing there. Stripped down, Ulysses is a twit."
ellauri011.html on line 527: Paulia kismitti, palkinto meni väärälle kirjailijalle. Joyce voi olla tyylin mestari, mut mä oon sisällyksen. Höhöö. Paulo on twit sekä vaatteet päällä että ilman housuja ja henskeleitä. Hessu Hopo, huumehöyryinen puistoalkemisti.
ellauri011.html on line 533: Be present. Make love. Embrace your plant, love it. Make your bed ... someone else's bed. Swim in the ocean. Ask questions. Learn. Know your own worth. Forgive quickly.
ellauri011.html on line 560: His work has been published in more than 170 countries and translated into eighty languages. Together, his books have sold in the hundreds of millions. On 22 December 2016, Coelho was listed by UK-based company Richtopia at number 2 in the list of 200 most influential contemporary authors.
ellauri011.html on line 566: In his central figure, not-quite-Paulo, he has created (I imagine by mistake) a devastating portrait of a man whose stock in trade is spirituality but who is worldly to his very toenails, exquisitely attuned to his own status. He is constantly reminding himself how many books he has sold, how many languages they have been translated into, and that he is 'despite all the adverse reviews, a possible candidate for a major literary prize'. When he takes up with another woman (strictly to dispel the Zahir, of course), he chooses a successful French actress of 35, on the grounds that she was the only candidate to enjoy his status, 'because she too was famous and knew that celebrity counts'. Celebrity is an aphrodisiac. 'It was good for a woman's ego to be with a man and know that he had chosen her even though he had had the pick of many others.' And the man's ego, does that come into it? Not-quite-Paulo is too gallant to reveal his own age, but if he is indeed a refraction of the author then he is 20 years Marie's senior. It's adorable that he should regard himself so solemnly as the trophy in this pairing.
ellauri011.html on line 568: The grotesque climax of this portrait comes at a formal dinner which has no bearing on the plot (but then padding can become second nature). Some of the guests give him a smile of recognition, 'others merely smile and don't recognise me at all, but pretend to know who I am, because to admit otherwise would be to accept that the world they're living in doesn't exist, and that they are failing to keep up with the things that matter'. People can be so shallow sometimes.
ellauri011.html on line 773: Pillerit sai aikaan hippiaatteen, vapautti naiset, mutta sai myös miehet vonkaaman ihan uudella tarmolla: "älä nyt viitti pihdata, ei se siitä kulu" ja sitä rataa. Olkaa yhtä hyviä kuin me miehet, jakorasioita. Make love, not war. Aw, fuck peace, fuck me.
ellauri011.html on line 834: And that night, in September 1970, after being expelled from a bar and humiliated by the police, the people there danced and gave thanks to God for a life that was so captivating, so full of unfamiliar things, so captivating.
ellauri011.html on line 918: Meanwhile, she thought to herself: Hmmm, the others must have noticed that I feel different. What a wonderful thing it was, to be able to love. It's what makes us remember our mission on earth, our purpose in life. [A full page follows of this sort of dithyramb. Another solo aria starring Paulo.]
ellauri011.html on line 943: In 2005, when he was already a world-famous writer, Paulo went to Amsterdam to give an important talk. On the morning o the talk, he was interviewed on one of Holland's principal TV shows at his old hostel - since converted to a hotel for nonsmokers, expensive and with a small and well-regarded high-end restaurant.
ellauri011.html on line 947: He never again heard from Karla. He had a vague hope that Karla, knowing he was in the city [How? From TV of course! Everyone must have seen the show!]
would show up to meet him. During the conference, he told part of the story found in this book. At a certain point, he couldn't help it and asked: Karla, are you here? No one raised a hand.
ellauri011.html on line 958: Clandestino Menéndez, en su libro Cuadernos críticos, hablando sobre El alquimista, hace mención a la falta de sentido del humor del autor y critica el hecho de que Coelho esté convencido de saber verdades.[36]
ellauri011.html on line 977: Im certain that my wife, the woman who is to be the love of my life,
ellauri011.html on line 978: will accept my joy as the greatest blessing a man can give to a woman.
ellauri011.html on line 989: Vintage sale, colour postcards cheap from last century.
ellauri011.html on line 990: A stopped clock shows right time twice a day.
ellauri011.html on line 1336: The emergence of public opinion as a significant force in the political realm can be dated to the late 17th century. However, opinion had been regarded as having singular importance since far earlier. Medieval fama publica or vox et fama communis had great legal and social importance from the 12th and 13th centuries onward. Later, William Shakespeare called public opinion the "mistress of success" and Blaise Pascal thought it was "the queen of the world".
ellauri011.html on line 1338: In his treatise An Essay Concerning Human Understanding, John Locke considered that man was subject to three laws: the divine law, the civil law and most importantly in Locke's judgement, the law of opinion or reputation.
ellauri011.html on line 1340: He regarded the latter as of the highest importance because dislike and ill opinion force people to conform in their behaviour to social norms, however he didn't consider public opinion as a suitable influence for governments.
ellauri011.html on line 1342: In his 1672 essay On the Original and Nature of Government, William Temple gave an early formulation of the importance of public opinion. He observed that "when vast numbers of men submit their lives and fortunes absolutely to the will of one, it must be force of custom, or opinion which subjects power to authority".
ellauri011.html on line 1346: An institution of central importance in the development of public opinion, was the coffee-house, which became widespread throughout Europe in the mid-17th century. Although Charles II later tried to suppress the London coffeehouses as "places where the disaffected met, and spread scandalous reports concerning the conduct of His Majesty and his Ministers", the public flocked to them.
ellauri011.html on line 1356: The success of Julie delighted Rousseau; he took pleasure in narrating a story about how a lady ordered a horse carriage to go to an Opera, and then picked up Julie only to continue reading the book till the next morning. So many women wrote to him offering their love that he speculated there was not a single high society woman with whom he would not have succeeded if he wanted to.
ellauri011.html on line 1373: My task is done—my song hath ceased—my theme
ellauri012.html on line 19: center;margin-top:0%;margin-bottom:0%">LO SIENTO
ellauri012.html on line 20: center;margin-top:0%;margin-bottom:0%">EI NAISELTA KUNNIASANAA
ellauri012.html on line 181: I´ve grown accustomed to her face
ellauri012.html on line 204: And yet I´ve grown accustomed to the trace
ellauri012.html on line 206: Accustomed to her face
ellauri012.html on line 624: Après ces instructions, qui doivent tenir la première place, je crois qu’il n’est pas inutile de laisser aux filles, selon leurs loisirs et la portée de leur esprit, la lecture des livres profanes qui n’ont rien de dangereux pour les passions : c’est même le moyen de les dégoûter des comédies et des romans. Donnez-leur donc les histoires grecques et romaines ; elles y verront des prodiges de courage et de désintéressement. Ne leur laissez pas ignorer l’histoire de France, qui à aussi ses beautés ; mêlez celles des pays voisins, et les relations des pays éloignés judicieusement écrites. Tout cela sert à agrandir l’esprit, et à élever l’âme à de grands sentiments, pourvu qu’on évite la vanité et l’affectation.
ellauri012.html on line 628: Je leur permettrais aussi, mais avec un grand choix, la lecture des ouvrages d’éloquence et de poésie, si je voyais qu’elles en eussent le goût, et que leur jugement fût assez solide pour se borner au véritable usage des choses ; mais je craindrais d’ébranler trop les imaginations vives, et je voudrais en tout cela une exacte sobriété : tout ce qui peut faire sentir l’amour, plus il est adouci et enveloppé, plus il me paraît dangereux.
ellauri012.html on line 672: « Sur-tout ne vous laissez point ensorceler par les attraits diaboliques de la géométrie. »
ellauri012.html on line 712: Epäuskonnollinen, epäisänmaallinen, kannusti darwinismia ja epikurolaisuutta. Ei herkuttelua, vaan sitä alkuperäistä, cela vitam tyyppistä. Ei palvonut eikä harrastanut mitään. Mutta hyvin läheisriippuvainen. Ei osallistunut mihinkään toimintaan. Paizi kotipeiton alla. Oikeinkin mielellään.
ellauri014.html on line 13: center">Jokainen numero on itsenäinen seikkailu!
ellauri014.html on line 18: center;margin-top:0%;margin-bottom:0%">EL RUSO
ellauri014.html on line 19: center;margin-top:0%;margin-bottom:0%">ANDALUSIAN SINISUKKA
ellauri014.html on line 53: P.S. Oiskohan tää kiva: Le Snobisme Et Les Lettres Francaises De Paul Bourget A Marcel Proust 1884-1914. Siitä vois löytää lisää snobbailtavaa.
ellauri014.html on line 78: The 256th couplet of Tirukkural, which was composed at least 2000 years ago, says that "if people do not consume a product or service, then there will not be anybody to supply that product or service for the sake of price".
ellauri014.html on line 83: Locke addressed the concept of supply and demand as part of a discussion about interest rates in 17th-century England. The phrase "supply and demand" was first used by James Denham-Steuart in his Inquiry into the Principles of Political Economy, published in 1767. Adam Smith used the phrase in his 1776 book The Wealth of Nations.
ellauri014.html on line 89: Pamela; or, Virtue Rewarded is an epistolary novel by English writer Samuel Richardson, a novel which was first published in 1740. It tells the story of a 16-year-old maidservant named Pamela Andrews, whose employer, Mr. B, a wealthy landowner, makes unwanted and inappropriate advances towards her after the death of his mother. Pamela strives to reconcile her strong religious training with her desire for the approval of her employer in a series of letters and, later, journal entries, addressed to her impoverished parents. After various unsuccessful attempts at seduction, a series of sexual assaults, and an extended period of kidnapping, the rakish Mr. B eventually reforms and makes Pamela a sincere proposal of marriage. In the novel's second part, Pamela marries Mr. B and tries to acclimatize to her new position in upper-class society. The full title, Pamela; or, Virtue Rewarded, makes plain Richardson's moral purpose. A best-seller of its time, Pamela was widely read but was also criticized for its perceived licentiousness and disregard for class barriers.
ellauri014.html on line 193: M. Rousseau is of small stature; and would rather be ugly, had he not the finest physiognomy in the world, I mean, the most expressive countenance.
ellauri014.html on line 286: EURA: Patetica und mucho banale avance! Try anders!
ellauri014.html on line 294: EURA: que manque? Ese malado in der cervelle?
ellauri014.html on line 388: No tätä ongelmaa ei oo etäpesäkettä lainaavalla Juulialla ja sen yhtä monisanaisella Roomeolla. Voi hokee tota lausetta yhtä monta kertaa kuin oopperan nk. lihava nainen, ja kyl ne hokeekin. Erityisherkkyys on tosi fataali lahjakkuuden laji, Rousseau toteaa. Lo siento, sanoi humalainen pablo hississä Barcelonassa kun housut putosi.
ellauri014.html on line 424: Fast Showssa hintahtava lordi oli Ralph, sen juro maamies oli Ted. Pröö on siis Ted, tästä eteenpäin. Lucus a non lucendo, ikäänkuin.
ellauri014.html on line 456: Juuliasta tää on vaan liikuttavaa. Isien ei kuulu pyytää anteeksi, vaan antaa. Eihän jumalakaan koskaan pyydä anteeksi. Siksi Douglas Adamsin jumalan viimeiset sanat ihmisille naurattaa: We apologize for the inconvenience.
ellauri014.html on line 503: VI-XII Julie torjuu lordin ehdotuxen lähteä Tedin partnerina loordin tiluksille Yorkkiin pehtoorixi. York, of all places, suunnilleen pahin persläpi koko briteissä, saarivaltakunnan Posio, sekopäisen Grahaminkin kotipesä. In your dreams! Pröö pommittaa mankuvilla preiveillä, Julkku vastaa koleerisilla. Barbaari! kaulin heilahtaa. Kiittämätön! annoin rrunsaasti. (2x kolmen vuoden aikana...) Mulla on paljon kurjempaa kuin sulla! Claire osallistuu haukuntaan. Kovaa rähinää puudeleiden kesken.
ellauri014.html on line 518: A cartoon depicting Rousseau as a Savage Man, a Yahoo, caught in the woods was more to Hume's taste. He described it to her with relish. "I am represented as a farmer, who caresses him and offers him some oats to eat, which he refuses in a rage; Voltaire and D'Alembert are whipping him up behind; and Horace Walpole making him horns of papier maché. The idea is not altogether absurd." (Edmonds/Eidinow, Enlightened enemies, the Guardian 2007)
ellauri014.html on line 622: Chaque fois que deux époux s’unissent par un nœud solennel, il intervient un engagement tacite de tout le genre humain de respecter ce lien sacré, d’honorer en eux l’union conjugale ; et c’est, ce me semble, une raison très forte contre les mariages clandestins, qui, n’offrant nul signe de cette union, exposent des cœurs innocents à brûler d’une flamme adultère. Le public est en quelque sorte garant d’une convention passée en sa présence, et l’on peut dire que l’honneur d’une femme pudique est sous la protection spéciale de tous les gens de bien. Ainsi, quiconque ose la corrompre pèche, premièrement parce qu’il la fait pécher, et qu’on partage toujours les crimes qu’on fait commettre ; il pèche encore directement lui-même, parce qu’il viole la foi publique et sacrée du mariage, sans lequel rien ne peut subsister dans l’ordre légitime des choses humaines.
ellauri014.html on line 624: Quand même ils ne reconnaîtraient pas la présence de la Divinité, comment osent-ils soutenir qu’ils ne font de mal à personne ? Comment prouvent-ils qu’il est indifférent à un père d’avoir des héritiers qui ne soient pas de son sang ; d’être chargé peut-être de plus d’enfants qu’il n’en aurait eu, et forcé de partager ses biens aux gages de son déshonneur sans sentir pour eux des entrailles de père ?
ellauri014.html on line 629: N’est-il pas bien indigne d’un homme de ne pouvoir jamais s’accorder avec lui-même ; d’avoir une règle pour ses actions, une autre pour ses sentiments ; de penser comme s’il était sans corps, d’agir comme s’il était sans âme, et de ne jamais approprier à soi tout entier rien de ce qu’il fait en toute sa vie ?
ellauri014.html on line 659: Älä tapa, sanoo taulukon 1 rivi 5 Moosexen excelissä. Ketäs tää nyt koskee?
ellauri014.html on line 729: Tout homme est utile a l'humanité par cela seul qu'il existe.
ellauri014.html on line 749: No ei kai sil täs vaihees oo kuin 2 poikaa. (Enempää ei tule eikä tilata, spoileri). Marcellin mainitaan nimeltä, pikku Markku, maskuliini Marsista, ei anuxesta. Clairella on tyttö Henriette jonka Julle omii itelleen, yhteensä 3.
ellauri014.html on line 806: Que ceux qui nous exhortent à faire ce qu'ils disent, et non ce qu'ils font, disent une grande absurdité!
ellauri014.html on line 887: Itse asiassa se on pahempi kuin nazi, se on keskiaikainen feodaalirouva. Säätykiertokaan ei ole tarpeen, ei ole fiksua lykkiä koulutielle köyhiä, olkoonkin fiksuja. Valistus ei ole rotinkaista varten. Maalaistolloista 99% eksyy kaupungissa, ja palaa takas maalle varastelemaan ja kerjäämään. Lopuista (paitsi ehkä yhdestä ilmiömäisen kunnollisesta promillesta, jolla silläkin oisi takuulla lepposampaa kuokan varressa) tulee äkkirikkaita kelmejä, jotka keulii vanhaa aatelia lakatuilla vaunuillaan. Eto laskelma, linnanrouvaan exceli.
ellauri014.html on line 1035: Le surlendemain de notre arrivée, je le vis entrer dans ma chambre avec une contenance ferme et grave, et tenant une lettre à la main. Je m’écriai : « La marquise est morte ! ─ Plût à Dieu ! reprit-il froidement, il vaut mieux n’être plus que d’exister pour mal faire. Mais ce n’est pas d’elle que je viens vous parler ; écoutez-moi. » J’attendis en silence.
ellauri014.html on line 1037: « Milord, me dit-il, en me donnant le saint nom d’ami, vous m’apprîtes à le porter. J’ai rempli la fonction dont vous m’avez chargé ; et vous voyant prêt à vous oublier, j’ai dû vous rappeler à vous-même. Vous n’avez pu rompre une chaîne que par une autre. Toutes deux étaient indignes de vous. S’il n’eût été question que d’un mariage inégal, je vous aurais dit : Songez que vous êtes pair d’Angleterre, et renoncez aux honneurs du monde, ou respectez l’opinion. Mais un mariage abject !… vous !… Choisissez mieux votre épouse. Ce n’est pas assez qu’elle soit vertueuse, elle doit être sans tache… La femme d’Edouard Bomston n’est pas facile à
ellauri014.html on line 1038: trouver. Voyez ce que j’ai fait. »
ellauri014.html on line 1040: Alors il me remit la lettre. Elle était de Laure. Je ne l’ouvris pas sans émotion. « L’amour a vaincu, me disait-elle ; vous avez voulu m’épouser ; je suis contente. Votre ami m’a dicté mon devoir ; je le remplis sans regret. En vous déshonorant, j’aurais vécu malheureuse ; en vous laissant votre gloire, je crois la partager. Le sacrifice de tout mon bonheur à un devoir si cruel me fait oublier la honte de ma jeunesse. Adieu, dès cet instant je cesse d’être en votre pouvoir et au mien. Adieu pour jamais. O Edouard ! ne portez pas le désespoir dans ma retraite ; écoutez mon dernier vœu. Ne donnez à nulle autre une place que je n’ai pu remplir. Il fut au monde un cœur fait pour vous, et c’était celui de Laure. »
ellauri014.html on line 1049: Alors, s’approchant avec transport, il me dit en me serrant contre sa poitrine : « Ami, je lis, dans le sort commun que le ciel nous envoie, la loi commune qu’il nous prescrit. Le règne de l’amour est passé, que celui de l’amitié commence ; mon cœur n’entend plus que sa voix sacrée, il ne connaît plus d’autre chaîne que celle qui me lie à toi. Choisis le séjour que tu veux habiter : Clarens, Oxford, Londres, Paris ou Rome ; tout me convient, pourvu que nous y vivions ensemble. Va, viens où tu voudras, cherche un asile en quelque lieu que ce puisse être, je te suivrai partout : j’en fais le serment solennel à la face du Dieu vivant, je ne te quitte plus qu’à la mort. »
ellauri014.html on line 1051: Je fus touché. Le zèle et le feu de cet ardent jeune homme éclataient dans ses yeux. J’oubliai la marquise et Laure. Que peut-on regretter au monde quand on y conserve un ami?
ellauri014.html on line 1072: EURO: Tenleast, achete una copia van "El giournalo van des cefaucheere banquieros"!
ellauri014.html on line 1157: O grand Etre ! Etre éternel, suprême intelligence, source de vie et de félicité, créateur, conservateur, père de l’homme et roi de la nature, Dieu très puissant, très bon, dont je ne doutai jamais un moment, et sous les yeux duquel j’aimai toujours à vivre ! je le sais, je m’en réjouis, je vais paraître devant ton trône.
ellauri014.html on line 1174: Julle vaikuttaa helpottuneelta, melkein iloiselta, mikä luonnollisesti Wolmaria vähän häirizee. Olix mun kanssa noin kamalaa? (Oli.) Wolle heittää porukat ulos päästäxeen vaimon kimppuun kahestaan. Julle heti oven sulkeuduttua: hyvä, mul olikin sulle asiaa. Niin mullakin, sanoo Wolle, abus ensin, turpa rullalle nyt edes hetkexi, et mä saan sanotuxi sen. Olinx mä tosiaan niin sietämätön et sä vaan ilostelet tyyliin good riddance of bad rubbish kun pääset pois?
ellauri014.html on line 1180: Lopux se kiittelee Wolmaria uskollisesta palveluxesta kaikesta huolimatta. Ja kazo, ihme tapahtuu (pace Pröö, joka ei usko niihin), krokotiili kyynelöi! Wolmarilta pääsee pari silmällistä, ekat sitten vauvaiän, ja vikat myös.
ellauri014.html on line 1197: « On ne sait pas, disait-elle, quelle douceur c’est de s’attendrir sur ses propres maux et sur ceux des autres. La sensibilité porte toujours dans l’âme un certain contentement de soi-même indépendant de la fortune et des événements. Que j’ai gémi ! que j’ai versé de larmes ! Eh bien ! s’il fallait renaître aux mêmes conditions, le mal que j’ai commis serait le seul que je voudrais retrancher ; celui que j’ai souffert me serait agréable encore.»
ellauri014.html on line 1206: « Voyez donc, continuait-elle, à quelle félicité je suis parvenue. J’en avais beaucoup ; j’en attendais davantage. La prospérité de ma famille, une bonne éducation pour mes enfants, tout ce qui m’était cher rassemblé autour de moi ou prêt à l’être. Le présent, l’avenir, me flattaient également ; la jouissance et l’espoir se réunissaient pour me rendre heureuse. Mon bonheur monté par degrés était au comble ; il ne pouvait plus que déchoir ; il était venu sans être attendu, il se fût enfui quand je l’aurais cru durable. Qu’eût fait le sort pour me soutenir à ce point ? Un état permanent est-il fait pour l’homme ?
ellauri014.html on line 1207: Non, quand on a tout acquis, il faut perdre, ne fût-ce que le plaisir de la possession qui s’use par elle.
ellauri014.html on line 1508: Chi diede il nome a questa scuola fu GIAMBATTISTI MARINI , napoletano (1569-1625), che fu detto divino, che con la sua fama offuscò tutti i suoi contemporanei e fu l´ idolo di mezza Europa. La sua vita fu agitatissima, piena di trionfi e di dolori. Scacciato dal padre, trova protezione nel principe di Conca; per il ratto d´una fanciulla patisce il carcere; liberato, vi ritorna per aver falsificato alcune carte a favore di un amico; riuscito a fuggire si reca a Roma dove diviene gentiluomo del cardinale Aldobrandini; visita Ravenna; si reca a Torino nel 1608, è nominato da Carlo Emanuele I segretario di corte e cavaliere dei SS. Maurizio e Lazzaro; assalito da GASPARE MURTOLA, ingaggia con lui una fierissima polemica che produce la Murtoleide e la Marineide e finisce con un colpo di pistola; accusato dal duca come autore di una satira contro di lui intitolata la Cuccagna, viene imprigionato; principi, re e regine...
ellauri014.html on line 1511: But an air of mystery surrounds Marino´s life, especially the various times he spent in prison; one of the arrests was due to procuring an abortion for a certain Antonella Testa, daughter of the mayor of Naples, but whether she was pregnant by Marino or one of his friends is unknown; the second conviction (for which he risked a capital sentence) was due to the poet´s forging episcopal bulls in order to save a friend who had been involved in a duel.
ellauri014.html on line 1512: He remained the reference point for Baroque poetry as long as it was in vogue. In the 18th and 19th centuries, while being remembered for historical reasons, he was regarded as the source and exemplar of Baroque "bad taste".
ellauri014.html on line 1524: The two poets had their duel on the Chernaya Rechka using Pushkin-era pistols. On his way to the venue, Voloshin lost one of his galoshes and declared that he would not leave the spot until he found it. The galosh was found, Gumilyov fired his pistol first and missed, while Voloshin’s pistol misfired twice. The two poets patched up relations only 12 years later.
ellauri014.html on line 1531: Tutta l´arte del Marini consiste nella forma, nella pura espressione; la sua poesia è scarsa di pensiero e di sentimento e quel poco che vi si trova è - come osserva il De Sanctis - privo di serietà. Quel ripetere, quel girare e rigirare la medesima idea presentandocela sotto aspetti diversi è una prova della povertà di pensiero cui il poeta supplisce con un calore veramente straordinario d´ immaginazione. Ancor più palese è il difetto del sentimento: egli non sente quel che canta; non ha fede in quel mondo da cui prende i fantasmi dell´arte sua. Vuol esser poeta religioso, patriottico, morale e riesce falso e freddo perchè in lui non vi è il sentimento della religione, della patria e della morale. Solo nel genere erotico eccelle il Marini, ma non sarebbe esatto dire ch´egli abbia il vero sentimento dell´amore. Il suo piuttosto è senso erotico. Non è la donna che suscita i suoi sospiri, ma la femmina; non è Beatrice, non è Laura, che suscitano nell´anima del poeta il fuoco soave di una passione divina, ma è la procace Lilla che con la sua carne odorosa eccita il senso del Marini e gl´ ispira i versi degli Amori notturni e dei Trastulli estivi, ove il naturalismo più crudo è espresso in una forma spirante l´estrema voluttà dei sensi. Le liriche erotiche del nostro autore sono tutto un poema in cui si fa l´apoteosi del piacere sensuale. Il Marini non analizza i suoi sentimenti e non mostra i vari atteggiamenti del suo spirito sotto l´azione d´amore, ma s´indugia nel rappresentarci la bellezza plastica delle sue amanti. I suoi madrigali e i suoi sonetti sono tanti brevissimi inni al pallore, al neo, alle chiome erranti, alla treccia ricamata di perle, ai pendenti, allo specchio, all´ago, alla bocca, al seno, al velo, al guanto, al ventaglio della sua donna; sono tanti quadretti in cui l´amante è sorpresa durante il bagno, dinanzi allo specchio, mentre si pettina, in carrozza, al giunco dei dadi; le sue canzoni sono superbe sinfonie dedicate al bacio e all´amplesso in cui culmina, per un istante, la passione carnale del poeta. La carne e il senso regnano sovrani nell´Adone e fremono di voluttà sotto il velo tenue e mal messo dell´allegoria e sotto l´ipocrisia del fine morale.
ellauri014.html on line 1543: La poesia del Marini è tutta una melodia che, sovente, ha il potere di farci dimenticare i concettini, le immagini, i giochetti di parole e le antitesi così cari a lui. Nei suoi seguaci invece questi artifizi hanno il sopravvento sulla musicalità del verso e superano per audacia e goffaggine quelli del maestro.
ellauri014.html on line 1557: ... But more importantly, these surroundings put Marino in direct contact with the natural philosophy of Della Porta and the philosophical systems of Giordano Bruno and Tommaso Campanella. While Campanella himself was to oppose "Marinism" (though not attacking it directly), this common speculative background should be borne in mind with its important pantheistic (and thus neo-pagan and heterodox) implications, to which Marino would remain true all his life and exploit in his poetry, obtaining great success amongst some of the most conformist thinkers on the one hand while encountering continual difficulties because of the intellectual content of his work on the other.
ellauri014.html on line 1569: The Cambridge History of Italian Literature thought him to be "one of the greatest Italian poets of all time". He is considered the founder of the school of Marinism, later known as Secentismo (17th century) or Marinismo (19th century), characterised by its use of extravagant and excessive conceits.[2] Marino´s conception of poetry, which exaggerated the artificiality of Mannerism, was based on an extensive use of antithesis and a whole range of wordplay, on lavish descriptions and a sensuous musicality of the verse, and enjoyed immense success in his time, comparable to that of Petrarch before him.
ellauri014.html on line 1572: He was widely imitated in Italy, France (where he was the idol of members of the précieux school, such as Georges Scudéry, and the so-called libertins such as Tristan l´Hermite), Spain (where his greatest admirer was Lope de Vega) and other Catholic countries, including Portugal and Poland, as well as Germany, where his closest follower was Christian Hoffmann von Hoffmannswaldau and Holland where Constantijn Huygens was a great admirer. In England he was admired by John Milton and translated by Richard Crashaw.
ellauri014.html on line 1584: But some witnesses, who include both Marino´s detractors (such as Tommaso Stigliani) and defenders (such as the printer and biographer Antonio Bulifoni in a life of the poet which appeared in 1699) have firmly asserted that Marino, much of whose love poetry is heavily ambiguous, had homosexual tendencies. Elsewhere, the reticence of the sources on this subject is obviously due to the persecutions to which "sodomitical practices" were particularly subject during the Counterreformation.
ellauri014.html on line 1607: Marino originated a new, "soft, graceful and attractive" style for a new public, distancing himself from Torquato Tasso and Renaissance Petrarchism as well as any kind of Aristotelian rule.
ellauri014.html on line 1621: In Adone, Marino quotes and rewrites passages from Dante´s Divine Comedy, Ariosto, Tasso and the French literature of the day. The aim of these borrowings is not plagiarism but rather to introduce an erudite game with the reader who must recognise the sources and appreciate the results of the revision. Marino challenges the reader to pick up on the quotations and to enjoy the way in which the material has been reworked, as part of a conception of poetic creation in which everything in the world (including the literature of the past) can become the object of new poetry. In this way, Marino also turns Adone into a kind of poetic encyclopaedia, which collects and modernises all the previous productions of human genius.
ellauri014.html on line 1643: ... interesting and ingenious burlesque compositions such as La Murtoleide (81 satirical sonnets against Gaspare Murtola), the "capitolo" Lo stivale; Il Pupulo alla Pupula (burlesque letters) etc. Many works were announced but never written, including the long poem Le trasformazioni, inspired by Ovid´s Metamorphoses, which was abandoned after Marino turned his attention to Adone.
ellauri014.html on line 1700: Succeeds the keen and frosty night. pakkasyön jälkeisenä aamuna.
ellauri014.html on line 1712: A flower from its cerulean wall. kun olisit sä siitä leikattu.
ellauri014.html on line 1724: And maybe a better one. I am perhaps not the best judge, but it seems to me the gritty upward-way poem is better than the floral lift to heaven. Bryant, however, is a celebrated poet, and Montgomery merely an interesting poet. My personal connection to the upward way and my own struggles to work out my vocation might bias me.
ellauri014.html on line 1726: Niinpä niin. Toiset on menossa ylöspäin, toiset alaspäin, kuin liikkuvissa portaissa entisessä Vekkulassa. Onkohan niillä enää niitä portaita? Jos oli taitava, pystyi hyppäämään portailta toiselle ja etenemään kaxinkertaista vauhtia. Jos mokasi, jalat venyi tolkuttomasti haaroista. Nojoo. Bryant, vanha joulupukki, oli jo matkalla alaspäin. Musta sen gentiana-runo oli puhuttelevampi kuin Montgomeryn, mut mähän meenkin jo vauhdilla alamäkeä. Ei syyttä Cullen ole celebrated ja Montomery merely interesting. Siis runoilijana, Montgomeryn lastenkirjat on omaa luokkaansa.
ellauri014.html on line 1728: But granted these are different poems, we are left with the curious problem of where Montgomery found the Alpine Path poem. Surprisingly, after reading a dozen or so academic articles on Emily of New Moon and Montgomery’s vocation as an author–as well as a couple of good biographies–scholars have not pinned down the reference. After an extensive internet search, it seems to me that blogger Faith Elizabeth Hough may have begun to work it out. She includes the longer version of the poem here:
ellauri014.html on line 1770: Like Bryant’s poem, this verse is about autumnal flowers. With some searching I found this poem in the 1884 New Year’s edition of Godey’s Lady’s Book. “Tam! The Story of a Woman” by Ella Rodman Church and August De Bubna includes this poem. In the story the verses are found in a copy of Bryant’s poetry–hence Montgomery’s connection to the poem–but in the (relatively boring) story they are actually written on a slip of paper that was found in the Bryant book–and written by a woman who tentatively hopes to make a career as a poet in a male’s publishing world. Intriguingly, Montgomery seems to have forgotten the original context of the verse, but herself emulated the desire of “Miss Powell” in the story.
ellauri014.html on line 1772: It seems to me that Montgomery selects out the best bit of the poem, but again you see my bias. I am that “blossom,” I hope–but if all four verses are included it becomes rather silly to press the metaphor. Still, I think Montgomery was on the right track with her idea of “The Alpine Path.” It is a peculiar provenance that brings us this poem, but it has been an interesting journey. Once I found the names of Ella Rodman Church and August De Bubna I found that others have followed my path of curiosity. The Confederation Centre of the Arts in Charlottetown has some of L.M. Montgomery’s scrapbooks, including her copy of the poem. But the search has been interesting, nonetheless.
ellauri014.html on line 1788: Katkerot (Gentiana) on kasvisuku katkerokasvien (Gentianaceae) heimossa. Siihen kuuluu yli 300 ruohovartista kasvilajia, jotka kasvavat usein vuoristoissa. Joukossa on sekä yksi- että monivuotisia kasveja. Niiden varsi on pysty, ja kukat kasvavat yksitellen tai muutaman kukan ryhmänä kasvin latvassa. Kukat ovat sinisiä tai purppuranpunaisia, viisiterälehtisiä ja yleensä suhteellisen suuria.
ellauri014.html on line 1800: She has a voice of gladness, and a smile
ellauri014.html on line 1801: And eloquence of beauty, and she glides
ellauri014.html on line 1813: Comes a still voice—Yet a few days, and thee
ellauri014.html on line 1817: Nor in the embrace of ocean, shall exist
ellauri014.html on line 1820: And, lost each human trace, surrendering up
ellauri014.html on line 1826: Shall send his roots abroad, and pierce thy mould.
ellauri014.html on line 1827: Yet not to thine eternal resting-place
ellauri014.html on line 1829: Couch more magnificent. Thou shalt lie down
ellauri014.html on line 1839: Old Ocean’s gray and melancholy waste,—
ellauri014.html on line 1847: Of morning, pierce the Barcan wilderness,
ellauri014.html on line 1851: And millions in those solitudes, since first
ellauri014.html on line 1855: In silence from the living, and no friend
ellauri015.html on line 21:
center;margin-top:0%;margin-bottom:0%">EL PEDO
ellauri015.html on line 22: center;margin-top:0%;font-style:italic;margin-bottom:0%">KONNAT KUKKIVAT HIRSIPUUSSA
ellauri015.html on line 689: Piti excel taulukkoa tuloxista nimeltä expériences. Kusetusajat, nimet, kusen määrä, jne. Eniten mua asiassa ärsytti se et tää on muka maailmanluokan uutinen, ja etenkin se, et taulukon nimi oli väärin käännetty .
ellauri015.html on line 691: Ei se tässä tarkoita hienoja elämyxiä (vaik olihan ne varmaan sitäkin), vaan tieteellisiä kokeita, eksperimenttejä. Anglisismi taas kerran. Siteeraan Wiktionarysta s.v. expérience:
ellauri015.html on line 695: Un célèbre Académicien a déjà tenté cette expérience , & j'ai lieu de croire que la répétant & opérant avec tout le soin qu'elle exige, nos résultats seront à-peu-près les mêmes. — (Résultat des Expériences & Observations de MM. De Ch… & Cl… sur l'Acier fondu, dans le Journal de physique, de chimie, d'histoire naturelle et des arts, juillet 1788, , vol.33, p.46)
ellauri015.html on line 737: d'Holbachin kirja Système de la Nature veti luonnontieteestä ilmeiset johtopäätöxet ja heivas kuvitteellisen taivaan johtoportaan tienoheen. Siitä tyrmistyivät monet, ml. Rousseau ja Voltaire, jotka oli deistejä, sekä Preussin Friedrich, joka oisi ehkä ollut muuten samaa mieltä mutta oli monarkki. Taikauskoisten alamaisten venettä ei pidä heiluttaa, ettei mene vallan kumoon. Peirce Bysshe Shelley kääntyi siitä hartaaksi ateistixi. Se oli DDR:nkin virallinen linja, mitä sitten Friedrichin alamaisten jälkeläiset lienee ajatelleet tykönään.
ellauri015.html on line 792: Der Schriftsteller Maxim Biller zählte Eilenberger in Die Welt am 16. Februar 2019 dagegen zu den "Linksrechtsdeutschen": Biller warf Eilenberger vor, dass er in Zeit der Zauberer die Sympathien des Philosophen Martin Heidegger zum Nazi-Regime unter den Tisch fallen lasse. Eilenberger, so Biller, "schreibt einen Mega-Bestseller über die vier Philosophen Heidegger, Cassirer, Benjamin und Wittgenstein und schildert darin die für den Aufklärer, Neukantianer und Juden Ernst Cassirer existenzielle Auseinandersetzung mit dem Trachtenjacken-Nazi Martin Heidegger lediglich als eine Art intellektuelles Fußballspiel, mehr nicht, voller Bewunderung für die Technik und Performance des am Ende dann doch irgendwie deutscheren, virileren, vermeintlich tiefgründigeren der beiden Spieler."
ellauri015.html on line 1097: Peyton Place.
ellauri015.html on line 1099: Pride and Prejudice.
ellauri015.html on line 1178: Työkseen Levola on lopettanut kirjoittamista ja toiminut freelancetoimittajana Lukufiilis- ja Satakunnan työ -lehtiin. Hän kuuluu turkulaisen runokustantamo Savukeitaan hallitukseen. Ennen ensimmäistä omaa novellikokoelmaansa hänen kirjoituksiaan on julkaistu Nuoressa Voimassa sekä antologioissa Reviiri 98, Ryhmä 99 ja Arpi. Levola työskenteli toimittajana Turun Sanomien Treffi-liitteessä syksyyn 2009 asti. Levola harrastaa kirjallisuuden lisäksi kuvataiteita ja pinnoitteita.
ellauri016.html on line 20: center;margin-top:0%;margin-bottom:0%">EL COYOTE
ellauri016.html on line 21: center;margin-top:0%;margin-bottom:0%">LLEGAN LOS COJONES
ellauri016.html on line 451: Swedish Jantelagen, Law of Jante - "Let's better not have a much bigger house or boat than our neighbours". In Sweden, you must not own a gun without license, slap your child or sell your neighbors car without permission.
ellauri016.html on line 465: noble (ennen) = celeb (nyt)
ellauri016.html on line 487: snob fi lakonrikkuri vs nob fi lakkovahti (De Quincey)
ellauri016.html on line 552: Snobbery surfaced more strongly as the structure of the society changed, and the bourgeoisie had the possibility to imitate aristocracy.[citation needed] Snobbery appears when elements of culture are perceived as belonging to an aristocracy or elite, and some people (the snobs) feel that the mere adoption of the fashion and tastes of the elite or aristocracy is sufficient to include someone in the elites, upper classes or aristocracy.[citation needed]
ellauri016.html on line 554: However, a form of snobbery can be adopted by someone not a part of that group; a pseudo-intellectual, a celebrity worshipper, and a poor person idolizing money and the rich are types of snobs who do not base their snobbery on their personal attributes.[citation needed] Such a snob idolizes and imitates, if possible, the manners, worldview, and lifestyle of a classification of people to which they aspire, but do not belong, and to which they may never belong (wealthy, famous, intellectual, beautiful, etc.).[citation needed]
ellauri016.html on line 562: Le snob est aussi bien ce pétit jeune homme hirsute qui applaudit avec une frénesie trop manifeste pour être sincère une pièce d'avant-garde boudée par le grand public, que ce monsieur décoré devant qui se multiplient les courbettes qui vient assister à la première d'une piece promise au succès; il est aussi bien ce petit gandin qui qui cherche à placer un mot dans une conversation entre Altesses que ce gentilhomme à monocle qui, d'un air ennuyé et condescendant, consent à lui addresser quelques paroles indifférentes. Mais ce fluidité meme du mot assura son heureuse developpement.
ellauri016.html on line 564: Snobi on yhtä hyvin tää nuori karvainen pikkumies joka taputtaa liian ilmeisellä innolla ollakseen aitoa avantgardistiselle kappaleelle jota paheksuu suuri yleisö, kuin tää kunniamerkitty herra jonka edessä kaikki pyllistelevät joka saapuu varman menestyskappaleen ensi-iltaan; sitä on yhtä hyvin tää pieni keikari joka koittaa saada sanan väliin ruhtinattarien keskusteluun, kuin tuo monokkelipäinen herrasmies joka ikävystyneen ja alentuvan näköisenä suostuu sanomaan sille pari yhdentekevää sanaa. (Emilien Carassus: Le Snobisme Et Les Lettres Francaises De Paul Bourget A Marcel Proust 1884-1914. 1966, Librairie Armand Colin.)
ellauri016.html on line 568: Read on for a list of 14 of the biggest snobs in the business. These entertainers have long ago lost touch with the average John or Jane Doe and beyond that, have displayed rotten attitudes, selfishness, conceit, and a level of arrogance that almost has to be seen to be believed.
ellauri016.html on line 576: Attitude sociale et intellectuelle de l'homme qui, sous l'effect d'un amor-propre vaniteux et d'une volonté de distinction fiduciaire, renonce à l'être du paraître et, sans se préoccuper de développer une personnalité authentique, reconnaìt une hiérarchie imaginaire dans laquelle il veut progresser, en utilisant autrui et notamment ceux que l'opinion place au sommet de cette hiérarchie comme reference de sa valeur fictive.
ellauri016.html on line 612: Marcel Proust
ellauri016.html on line 691:
ellauri016.html on line 703: Hope so much your race will be all run
ellauri016.html on line 715: Got no place to call your home
ellauri016.html on line 774: Drake's reluctance to perform live or be interviewed contributed to his lack of commercial success. He suffered from depression and insomnia, topics often reflected in his lyrics. After completing Pink Moon in 1972, he withdrew from live performance and recording, retreating to his parents' home in rural Warwickshire. On 25 November 1974, at the age of 26, Drake died from an overdose of amitriptyline, a prescribed antidepressant.
ellauri016.html on line 776: Nick Drake received little critical success during his lifetime, but has since been widely acclaimed. Based on professional rankings of his albums and songs, the aggregate website Acclaimed Music lists him as the 101st most acclaimed recording artist in history.
ellauri016.html on line 778: By the mid-1980s, Drake was being cited as an influence by musicians such as Kate Bush, Paul Weller, the Black Crowes, Peter Buck of R.E.M. and Robert Smith of the Cure. The Cure's name derives from Drake's song "Time Has Told Me" ("a troubled cure for a troubled mind").
ellauri016.html on line 780: In 1999, "Pink Moon" was used in a Volkswagen commercial, boosting Drake's US album sales from about 6,000 copies in 1999 to 74,000 in 2000. The LA Times saw it as an example of how, following the consolidation of US radio stations, previously unknown music was finding audiences through advertising. Fans used the filesharing software Napster to circulate digital copies of Drake's music; according to the Atlantic, "The chronic shyness and mental illness that made it hard for Drake to compete with 1970s showmen like Elton John and David Bowie didn't matter when his songs were being pulled one by one out of the ether and played late at night in a dorm room." In November 2014, Gabrielle Drake published a biography of her brother. Over the following years, Drake's songs appeared in soundtracks of "quirky, youthful" films such as The Royal Tenenbaums, Serendipity and Garden State. Made to Love Magic, an album of outtakes and remixes released by Island Records in 2004, far exceeded Drake's lifetime sales. In 2017, Kele Okereke cited Pink Moon as an influence on his third solo album Fatherland. Other contemporary artists influenced by Drake include José González, Bon Iver, Iron & Wine, Alexi Murdoch and Philip Selway of Radiohead.
ellauri016.html on line 782: Drake recorded his debut album Five Leaves Left later in 1968, with Boyd as producer. He had to skip lectures to travel by train to the sessions in Sound Techniques studio, London. Inspired by John Simon's production of Leonard Cohen's 1967 album Songs of Leonard Cohen, Boyd was keen to record Drake's voice in a similar close and intimate style, "with no shiny pop reverb". He sought to include a string arrangement similar to Simon's, "without overwhelming or sounding cheesy".
ellauri016.html on line 881: Kiskot vievät Juhaa etelään, vastaanottokeskuxet eeku paranoo. Iloisennäköinen pikku kommari, public intellectual (julkkisälykkö?) ja vuoden aikuiskouluttaja kirjoitti vuonna 2011 kirjan Vastaanottokeskus, pienen pamfletin, jonka löysin 50 centillä mustan kaniinin pahvilaatikosta, kun ajoin siitä ohi pyörällä.
ellauri016.html on line 898: Panem et circenses. Panoa ja sirkushuvia. Paljas elämä ilman niitä ei ole kelvollista. Kielitaidottomana ei ymmärrä edes tv-mainoxia. Kelvolliseen kuuluu Juhan mukaan aikuiskoulutus, rakastaminen (reproduktio, ei pelkkä itsetyydytys), työn tekeminen (toimeentuloksi, ei ilmatteexi), poliittinen elämä ja elämäkerturointi (julkinen paasaus, esim pamfletit, ja juoruilu).
ellauri017.html on line 15: center">Minun tuttuja
ellauri017.html on line 20: center;margin-top:0%;margin-bottom:0%">Puovo Lipposen seikkailuja
ellauri017.html on line 21: center;margin-top:0%;margin-bottom:0%">Pellon sulttaani
ellauri017.html on line 178: What made you believe in God? Tell me your experience.
ellauri017.html on line 189: What is the difference between whole numbers and natural numbers?
ellauri017.html on line 206: In my experience, pee comes first, then the crap;
ellauri017.html on line 210: Which perfectly agrees with received theology.
ellauri017.html on line 247: Kuusi puuta, Picea abies.
ellauri017.html on line 393: Kokki Kolmonen. Mercedes Leon.
ellauri017.html on line 462: In October 1922, Mansfield moved to Georges Gurdjieff's Institute for the Harmonious Development of Man in Fontainebleau, France, where she was put under the care of Olgivanna Lazovitch Hinzenburg (who later married Frank Lloyd Wright). As a guest rather than a pupil of Gurdjieff, Mansfield was not required to take part in the rigorous routine of the institute, but she spent much of her time there with her mentor, Alfred Richard Orage, and her last letters inform Murry of her attempts to apply some of Gurdjieff's teachings to her own life. Mansfield suffered a fatal pulmonary haemorrhage in January 1923, after running up a flight of stairs.
ellauri017.html on line 597: In a Cartesian coordinate system, the origin is the point where the axes of the system intersect. The origin divides each of these axes into two halves, a positive and a negative semiaxis. Points can then be located with reference to the origin by giving their numerical coordinates—that is, the positions of their projections along each axis, either in the positive or negative direction. The coordinates of the origin are always all zero, for example (0,0) in two dimensions and (0,0,0) in three.
ellauri017.html on line 609: In Euclidean geometry, the origin may be chosen freely as any convenient point of reference.
Jokainen meistä on oman maailmansa napa, ja voi siihen tuijottaa, se on itsekullakin yhtä onnistunut ja ainutlaatuinen kuin toisilla. Napanöyhtää on jokaiselle sama määrä suotu syntyessä, vaikkei päivä paistakaan yhtä iplakasti joka puosta loppupeleissä.
ellauri017.html on line 679: 42! Katoppa! Gurdijeffin luku! Ja linnunradan liftarissa juuri 42 on maailman, elämän ja kaiken tarkoitus. Tän täytyy merkata nyt jotakin. Ei tää voi mitenkään olla pelkkää sattumaa! Jehova yrittää kertoa meille jotakin. Tää on vastaus ylhäältä. Ikävä kyllä kysymys puuttuu yhä. We apologize for the inconvenience.
ellauri017.html on line 927: No vesi nousee taas, pace Noah, mut muuten oikein: kalat on syöty merestä, se on täynnä nailonverkkoja, muovipusseja, jäteöljyä ja mikromuovia. Ja tulos on on sama:
ellauri018.html on line 20: center;margin-top:0%;margin-bottom:0%">Varokaa heikkoja päitä
ellauri018.html on line 345: We apologize for the inconvenience
.
ellauri018.html on line 451: Est-ce que vous avez des quois de voyage?
ellauri018.html on line 456: Doucement don't overdo it
ellauri018.html on line 457: Be nice now there is a limit
ellauri018.html on line 510: Nyt on suomalaisten mahdollista saada suora kosketus terrorismiin tänään. Alholnaiset kertovat meille tarinan ihmisyydestä eräänlaisessa paketissa jossa lukee " ei white man's burden". Not in my back yard, huutaa Kepu ja persut. Mutta sitten aikanaan straight into the face. (JC)
ellauri018.html on line 521:
ellauri018.html on line 523: The song captures Simone's response to the murder of Medgar Evers in Mississippi; and the 16th Street Baptist Church bombing in Birmingham, Alabama, killing four black children. On the recording she cynically announces the song as "a show tune, but the show hasn't been written for it yet." The song begins jauntily, with a show tune feel, but demonstrates its political focus early on with its refrain "Alabama's got me so upset, Tennessee's made me lose my rest, and everybody knows about Mississippi goddam." In the song she says: "Keep on sayin' 'go slow'...to do things gradually would bring more tragedy. Why don't you see it? Why don't you feel it? I don't know, I don't know. You don't have to live next to me, just give me my equality!"
ellauri018.html on line 630: romance
ellauri018.html on line 719: 632: Muhammad dies. Abu Bakr is chosen as caliph, his successor. A minority favors Ali. They become known as Shiat Ali, or the partisans of Ali.
ellauri018.html on line 721: 656: Ali becomes the fourth caliph after his predecessor is assassinated. Some among the Muslims rebel against him.
ellauri018.html on line 723: 661: Violence and turmoil spread among the Muslims; Ali is assassinated.
ellauri018.html on line 727: 873: The 11th Shiite Imam dies. No one succeeds him.
ellauri018.html on line 864: Sharia-käsikirja "Reliance of the Traveller" luettelelee 74 suurta syntiä. Seuraavassa on niistä esimerkkejä:
ellauri018.html on line 887: Sharia eroaa läntisestä oikeusajattelusta rangaistusten osalta. Ne jaetaan kolmeen ryhmään. Seuraava kuvaus esittää rangaistusten klassisen kuvauksen keskiajan shariakäsikirjassa "Reliance of Traveller" (Umdat al-Salik). Perinteiset ankarimmat käytännöt ovat korkeintaan rajoitetussa käytössä nykyisissä muslimimaissa, vaikka muun muassa Isis, Osiris ja Procol Harum ovat palauttaneet niitä hallitsemilleen alueille vielä nykyäänkin.
ellauri018.html on line 983: Keskiajalta peräisin oleva imaami al-Misrin sharia-lakikirja Reliance of the Traveller kertoo, että väliintulossa on kahdeksan tasoa. Ensimmäinen on rikkomuksen luotettava todistaminen, viides aste on jo käsiksi käyminen esimerkiksi rikkomalla luvattomat musiikki-instrumentit, seitsemäs aste on lyöminen ja potkiminen, ja kahdeksas aste aseiden käyttö, mikä merkitsee synnintekijän tappamista.
ellauri019.html on line 14: center">Sisälmysluetteloon
ellauri019.html on line 19: center;margin-top:0%;margin-bottom:0%">BATTLER BRITTON
ellauri019.html on line 20: center;margin-top:0%;font-style:italic;margin-bottom:0%">HITON HIENO SAVOTTA
ellauri019.html on line 35: Once they're understood as more than just absurdities, these cartoons can be seen clearly as the work of an angry man. And there is, after all, much in this world for a decent man to be angry about. "Look around, read the newspapers,"as Kliban said. "You don't have to stretch out too much to see a little darkness out there."
ellauri019.html on line 36: The objects of Kliban's scorn and loathing were wide-ranging, including politics, militarism, capitalism, the work ethic, consumerism, TV, ignorance, intellectual pretension, the pomposity and mercenary nature of art, and, finally, even humor itself. (Deeper Meanings)
ellauri019.html on line 163: Muiden elämä ei tullut töllöstä, vaan vakoillen ja juoruna. Yhtä mustavalkoisena kylläkin kuin 60-luvun Peyton Place. Kun ei ollut uutta juoruttavaa, kerrattiin vanhoja, seurattiin uusintoina entisiä satuja.
ellauri019.html on line 377: Niiden jeremiaadi on asiallisesti aika sama kuin juutalaisilla, mut siitä puuttuu seemiläinen elämöinti, ählämöinti, itsetärkeys ja kostonhimo. Niiden jumalat nyt vaan päättää menetellä näin. Ei savesta leivotuilla savikukoilla ole siinä mitään jakoa. Ei se ole niiden syy, muttei niiden asiakaan valittaa. Se nyt vaan kävi näin, sori siitä, tai ei oikeastaan sorikaan. Gods don't apologize for the inconvenience. Korkein oikeus on evännyt valitusoikeuden, huumepoliisin linnareissu pysyy.
ellauri019.html on line 1026: The Lega Serie A announced its series of anti-racism initiatives, including a representative from every team and a controversial choice of art works. The presentation had as its centre-piece three pieces from internationally renowned artist Simone Fugazzotto, who uses chimps and apes in motifs throughout all of his paintings.
ellauri019.html on line 1028: The triptych by the Italian artist was presented on Monday at the league's Milan headquarters, along with an anti-racism plan which included the signing of a charter by a player representing each of the 20 Serie A clubs. Italian stadiums are the scene of recurrent racist incidents, including monkey chants aimed at black players.
ellauri019.html on line 1037: The anti-racism organization, Fare, argues that the paintings are a dehumanization of people of African descent. So it seems to them that the anti-racist campaign is essentially racist. In an email to CNN, artist Simone Fugazzotto said she was "completely shocked" by the reaction.
ellauri020.html on line 13: center">Sisälmysluetteloon
ellauri020.html on line 18: center;margin-top:0%;margin-bottom:0%">NALLE PUH
ellauri020.html on line 19: center;margin-top:0%;margin-bottom:0%">Min favoritdag
ellauri020.html on line 176: Kaikki tuntuu nyt järkyttävän vanhanaikaiselta. Ysäri on kokonaisen sukupolven takana. Elektroniikkaa talon täydeltä, isoa ja kömpelöä, analoginapeilla: mikroaaltouuni, stereot ja faksi. Muovintuoxuista rullaantuvaa lämpöpaperia, FedExin kirjekuoria, joita revitään kiireesti auki ja luetaan. Lifesize barbeja ja kenejä. Gulfin sota. Kamomillateepusseja. Laivan kokoisia Mercedes Benzejä. Irkuillakin on pikkumersu nyt.
ellauri020.html on line 190: An only child, used to constant attention, Katrinka did not crave the spotlight so much as assume that it was naturally hers, and when she found herself in it, she accepted the position with a naturalness that was disarming. Outgoing and warm, she liked people and, in return, most people instinctively liked her.
ellauri020.html on line 212: Katrinka was not mercenary by any means, but she knew the value of money.
ellauri020.html on line 238: For Love Alone was packaged like a romance novel—compare to Judith McNaught’s Perfect, for instance—but it’s closer to the great primetime soap operas
ellauri020.html on line 301: Ivana, a Czeck immigrant, met Donald Trump in 1976 while attending a fashion show in New York, according to the New York Post. By the next year, the couple had married, and in short order had had three kids and became steady figures in the New York socialite scene. Trump had been at the bar in Maxwell’s Plum. Maxwell’s Plum is gone now, but the very name evokes the era of frantic singles underneath the Art Nouveau ceiling. It was the place where flight attendants hoped to find bankers, and models looked for dates. Donald met his model, Ivana Zelnickova, visiting from Montreal. She liked to tell the story of how she had gone skiing with Donald, pretending to be a learner like him, and then humiliated him by whizzing past him down the slopes.
ellauri020.html on line 342: “In fifty years Donald and I will be considered old money like the Vanderbilts,” she once told the writer Dominick Dunne. Aku on muka kaikessa ykkönen. Oikea the Don on kärkeä vaan kerskailussa. Akkari lähettää Iinexelle 72 ruusua, "tietenkin" Mynhhenin kalleimmasta kukkakaupasta. Mix se on näille rahantunteville niin "tietenkin", et ne syö ja ostaa izelleen aina kalleinta? Se on se sama killer instinct joka ajaa ne ryöstämään vastustajat, asiakkaat ja alaiset putipuhtaixi. Iivana koittaa selittää ettei 72 kukkaa näytä extravagantilta, mut kun seuraavat 72 tulee, ne on "another extravagant arrangement". Pääpointti on just tää tuhlailu, Aku mezo näyttää koppelolle et sillon kapassiteettiä, niinkuin riikinkukolla. Vittu apinat on eläimellisiä. Mut mixei olis, nehän ON eläimiä.
ellauri020.html on line 364: Palm Beach had been Ivana Trump’s idea. Long ago, Donald had screamed at her, “I want nothing social that you aspire to. If that is what makes you happy, get another husband!” But she had no intention of doing that, for Ivana, like Donald, was living out a fantasy. She had seen that in the Trump life everything and everybody appeared to come with a price, or a marker for future use. Ivana had learned to look through Donald with glazed eyes when he said to close friends, as he had in the early years of their marriage, “I would never buy Ivana any decent jewels or pictures. Why give her negotiable assets?” She had gotten out of Eastern Europe by being tough and highly disciplined, and she had compounded her skills through her husband, the master manipulator. She had learned the lingua franca in a world where everyone seemed to be using everyone else in a relentless drive for power. How was she to know that there was another way to live? Besides, she often told her friends, however cruel Donald could be, she was very much in love with him.
ellauri020.html on line 374: Unlike his last two weddings, Donald Trump´s first marriage to Ivana in 1977 was strangely private; it´s almost impossible to find any photographic evidence of their big day on the internet. But we do know that it took place in the Marble Collegiate Church and that the New York mayor was present, per Vanity Fair.
ellauri020.html on line 391: Trump spoke in a hypnotic, unending torrent of words. Often he appeared to free-associate. He referred to himself in the third person: “Trump says. . . Trump believes.” His phrases skibbled around and doubled back on themselves like fireworks in a summer sky. He reminded me of a carnival barker trying to fill his tent. “I’m more popular now than I was two months ago. There are two publics as far as I’m concerned. The real public and then there’s the New York society horseshit. The real public has always liked Donald Trump. The real public feels that Donald Trump is going through Trump-bashing. When I go out now, forget about it. I’m mobbed. It’s bedlam,” Trump told me. Donald is a believer in the big-lie theory,” his lawyer had told me. “If you say something again and again, people will believe you.” “One of my lawyers said that?” Trump said when I asked him about it. “I think if one of my lawyers said that, I’d like to know who it is, because I’d fire his ass. I’d like to find out who the scumbag is!”
ellauri020.html on line 395: Donald Trump has always viewed his father as a role model. In The Art of the Deal, he wrote, “Fred Trump was born in New Jersey in 1905. His father, who came here from Sweden . . . owned a moderately successful restaurant.” In fact, the Trump family was German and desperately poor. “At one point my mother took in stitching to keep us going,” Trump’s father told me. “For a time, my father owned a restaurant in the Klondike, but he died when I was young.” Donald’s cousin John Walter once wrote out an elaborate family tree. “We shared the same grandfather,” Walter told me, “and he was German. So what?”
ellauri020.html on line 399: For years, Ivana appeared to have studied the public behavior of the royals. Her friends now called this “Ivana’s imperial-couple syndrome,” and they teased her about it, for they knew that Ivana, like Donald, was inventing and reinventing herself all the time. When she had first come to New York, she wore elaborate helmet hairdos and bouffant satin dresses, very Hollywood; her image of rich American women probably came from the movies she had seen as a child. Ivana had now spent years passing through the fine rooms of New York, but she had never seemed to learn the real way of the truly rich, the art of understatement. Instead, she had become regal, filling her houses with the kind of ormolu found in palaces in Eastern Europe. She had taken to waving to friends with tiny hand motions, as if to conserve her energy. At her own charity receptions, she insisted that she and Donald form a receiving line, and she would stand in pinpoint heels, never sinking into the deep grass—such was her control.
ellauri020.html on line 405: Näissä piireissä köyhyyttä on vakavasti otettavan rahan puute. Alexandra on köyhä ja onneton, ei parasta A-ryhmää enää kun Katja sieppas siltä Adamin. Onnetonten tyttöjen silmät täyttyy vedellä ja vuotaa ylize kuin Heppahullussa, kun lempiheppa lähtee vihreemmille laitumille. Täähän on vähän taas kuin La Republica, Aku olis Fernando de la Torre ja Katja Mercedes. No ei ihan nazaa, Katrinka on köyhä mamu, Mersulla on pankki. Samat raaka-aineet, eri resepti, yhtä mautonta.
ellauri020.html on line 414: "Nice place", sanoo Ted Turner tupareissa leveellä etelämurteella. Tuskinpa on enää tervetullut Aku Ankan bileisiin, se on CNN:n perustaja, fake newsien Pelle Peloton. Mut Akukin oli demokraatti ennenkuin se sai kokoon kolmannen biljardinsa. Tedillä on vaan kax, eihän se ole vakavasti otettava rahaläjä vielä. Naurettavan demokraattinen. "Indeed", vastaa Sanelma kaximielisesti. (Huumoria! Bravo Iivana!) Toinen kaamee vieras on Ron Perelman, 49. rikkain jenkki, viekas jutkuketku, jolla on paalua ostaa Aku ja rahaa jää vielä kolmeen veljenpoikaankin. Se viherkiristi izelleen Gilletten partaveizifirman. (Kai sentään eri Gillette kuin Katrinkan uusin heila Jean-Jacques, vai mikä janne se nyt oli. Joku viftailija kumminkin.)
ellauri020.html on line 437: Robert Edward Turner III (born November 19, 1938) is an American entrepreneur, television producer, media proprietor, and philanthropist. As a businessman, he is known as founder of the Cable News Network (CNN), the first 24-hour cable news channel. In addition, he founded WTBS, which pioneered the superstation concept in cable television, which later became TBS (to be sold).
ellauri020.html on line 441: Turner´s media empire began with his father´s billboard business, Turner Outdoor Advertising, which he took over in 1963 after his father´s suicide. It was worth $1 million. His purchase of an Atlanta UHF station in 1970 began the Turner Broadcasting System. CNN revolutionized news media, covering the Space Shuttle Challenger disaster in 1986 and the Persian Gulf War in 1991.
ellauri020.html on line 468: We were walking through the rubble of the Commodore Hotel, which would soon reopen as the Grand Hyatt. Ivana had been given the responsibility of supervising all the decoration; she was hard at it, despite the fact that she was wearing a white wool Thierry Mugler jumpsuit and pale Dior shoes as she picked her way through the sawdust. “I told you never to leave a broom like this in a room!” she screamed at one worker. Screaming at her employees had become part of her hallmark, perhaps her way of feeling power. Later, in Atlantic City, she would become known for her obsession with cleanliness. Determined to bring glamour to Trump Castle, she became famous for her attention to appearances, once moving a pregnant waitress, desperate for big tips, off the casino floor. The woman was placed in a distant lounge and given a clown’s suit to disguise her condition.
ellauri020.html on line 611: Woman of Substance.
ellauri020.html on line 623: Easy Steps to Successful Decorating (Illustrated)
ellauri020.html on line 645: The power couple´s tabloid-worthy marriage came to a screeching halt with a bitter divorce in 1990. The reason is not exactly a shocker: Trump was having an affair.
ellauri020.html on line 646: Beginning in 1987, Trump had a widely-publicized relationship with Marla Maples, a blond model-actress from Georgia who was then 26. The two met in New York City, Newsweek reports, when Trump was throwing a party to celebration the publication of his book, The Art of the Deal. Maples began to frequent Atlantic City, and the affair dominated headlines during the late eighties.
ellauri020.html on line 648: In her new book, Raising Trump, Ivana writes about the time in December 1989 when she was confronted by Maples at a ski resort in Aspen, per AP. "This young blonde woman approached me out of the blue and said ´I´m Marla and I love your husband. Do you?´ I said ´Get lost. I love my husband.´ It was unladylike but I was in shock." Apparently it was in this moment she realized her marriage with Donald was over.
ellauri020.html on line 671: The Donald-Ivana relationship on the whole was oddly transactional. Trump once said of his cutthroat prenup, per Newsweek, "I would never buy Ivana any decent jewels or pictures. Why give her negotiable assets?" Ah, marriage: Such a romantic institution! Their prenup was amended a few times after this; on Christmas Eve of 1987, Trump reportedly asked her to resign an updated agreement, giving her $25 million. In the end, Ivana made out with $14 million, among other perks, after a months-long battle of divorce proceedings that reached a settlement in 1991.
ellauri020.html on line 673: In fact, Trump blamed the divorce in part on the entanglement between Ivana and his business. Trump, early on, brought her in on his real estate empire. She worked at the Trump Organization as a president for his Atlantic City casino, Cosmopolitan reports, and later a manager for the Plaza Hotel, which he bought in 1988, per People.
ellauri020.html on line 674: "I will pay her one dollar a year and all the dresses she can buy!" he said of the arrangement, according to Vanity Fair. Trump later gave Ivana the position of vice president of interior design at the Trump Organization after their marriage, Newsweek reports.
ellauri020.html on line 706: Ivana Trump is a former model and ex-wife of Donald Trump. She and Trump were part of New York City´s social elite during the 1980s. The two split in 1990 and Ivana won a $20 million divorce settlement. She later published The Best Is Yet to Come: Coping With Divorce and Enjoying Life Again. In it, she advised divorcees to "take his wallet to the cleaners."
ellauri020.html on line 712: Enough people went looking for similarities between the real Trump marriage and the fictional Graham marriage that it became a legal scuffle within the larger war that was the ugly Trump divorce, with Donald’s lawyers fighting to preserve a gag order keeping Ivana from talking about their marriage. For her part, Ivana insisted she wasn’t writing about her ex. She told the Los Angeles Times: “There is no way he can prove that he’s Adam because he’s not Adam and I make sure that he’s not Adam,” adding that, “And even I think I have constitutional rights of speech in America. I did not abuse them.”
ellauri020.html on line 721: However unlikely it seemed, Ivana was now considered a tabloid heroine, and her popularity seemed in inverse proportion to the fickle city’s new dislike of her husband. “Ivana is now a media goddess on par with Princess Di, Madonna, and Elizabeth Taylor,” Liz Smith reported. Months earlier, Ivana had undergone cosmetic reconstruction with a California doctor. She emerged unrecognizable to her friends and perhaps her children, as fresh and innocent of face as Heidi of Edelweiss Farms. Although she had negotiated four separate marital-property agreements over the last fourteen years, she was suing her husband for half his assets. Trump was trying to be philosophical. “When a man leaves a woman, especially when it was perceived that he has left for a piece of ass—a good one!—there are 50 percent of the population who will love the woman who was left,” he told me.
ellauri020.html on line 838: "Welcome to a new year at Hogwarts! Before we begin our banquet, I would like to say a few words. And here they are: Nitwit! Blubber! Oddment! Tweak!" ― J.K. Rowling, Harry Potter and the Sorcerer´s Stone
ellauri020.html on line 844: Naisista ei Kundera tajua pätkääkään, ei edes yritä. Kundera on misogyyni, se vihaa naisia kuin rakkikoiria. Jossain kirjassa joku onneton nainen saa pelosta ripulin, ja Kundera saa siitä vaan seisokin. Sehän on kuin James Joyce, koprofiili. Jossain toisessa niteessä on Iivanan tapainen loikkari, jota lopux esitellään nukkumassa jalat harallaan, ja sen poikaystävä tuijottaa sitä kauan "siihen yhteen, surulliseen paikkaan". Aika ilkeää.
ellauri021.html on line 12: center">Sisälmysluetteloon
ellauri021.html on line 17: center;margin-top:0%;margin-bottom:0%">TEX WILLER
ellauri021.html on line 18: center;margin-top:0%;margin-bottom:0%">CARLSON PUUTTUU PELIIN
ellauri021.html on line 73: Lueskelin sieltä täältä tuota His Masters Voicen Kauhajoen kasvistoa. Siinä on alux vanha osa ja lopussa uudempaa mazkua. Kuten monet muut bestseller kirjailijat se ei malta olla tuuppaamatta alkumenestyxen perään heikompaa jatkoa. Näitä on iso liuta muitakin. Jehova, Cervantes, Dumas vanhempi, lavastaja Roy, ja El Lauri, vain tärkeimpiä mainitaxeni.
ellauri021.html on line 121: Gué piccerí' che vène a dí
ellauri021.html on line 128: Nun fá 'o scemo piccerí'... Ja kujan kulmat varjoineen
ellauri021.html on line 134: Tu nun canusce 'e ffemmene, Hän ei ole vuosiltaan
ellauri021.html on line 143: Nun fá 'o scemo piccerí'... Ei pojallensa neuvojaan
ellauri021.html on line 149: Tu nun canusce 'e ffemmene, Oppi kujallansa hän
ellauri021.html on line 158: Nun fá ´o scemo piccerí'...
ellauri021.html on line 525:
ellauri021.html on line 572:
ellauri021.html on line 605:
ellauri021.html on line 612: omnibus placebam.
ellauri021.html on line 624: sed non indecenter,
ellauri021.html on line 629: valde indecenter,
ellauri021.html on line 696: On the track and on the scentus,
ellauri021.html on line 717: Knowing, certe, they will blossom
ellauri021.html on line 738: Ecce pueri dejectum,
ellauri021.html on line 746: Since ista possum is a goner!
ellauri021.html on line 821: just bacon please, hold the lettuce and tomato.
ellauri021.html on line 848: Since I wasn't born perfect like Dad or you
ellauri021.html on line 892: Schlafly argued that the article on the Renaissance does not give sufficient credit to Christianity, that Wikipedia articles apparently prefer to use non-American spellings even though most users are American, that the article on American activities in the Philippines has a distinctly anti-American bias, and that attempts to include pro-Christian or pro-American views are removed very quickly. Schlafly also claimed that Wikipedia´s allowance of both Common Era and Anno Domini notation was anti-Christian bias.
ellauri021.html on line 943: Schlafly is a surname of German-Swiss origin. Not to be confused with Schläfli. Mild-mannered Daniel L. Schlafly Sr., vice president of a family business (bottled water), AKA Dan Schlafly, 47 in 1960, is a Roman Catholic who never attended a public school* and never sent his three children to one. Daniel L. Schafly Jr. spent eight years in Jesuit schools, then went on to graduate work in the US and abroad. He chose history as major. As a twenty-one- year-old student, he was amazed by the result of the Soviet victory in World War II when he crossed the Berlin Wall (still under construction) from free West Berlin with its independent citizens into militarized Communist East Berlin, where everyone was dispirited, everything was shabby. Daniel L. Jr., who supported St. Kolbe´s sainthood, became a staunch anticommunist.
ellauri021.html on line 954: Setback to pro-aborts: "Supreme Court leaves in place Kentucky abortion restriction."
(Lue: Trumpin valizemat tuomarit tekee työtä käskettyä. Onnexi se vitun Montesquieu ei sählää täällä jenkeissä.)
ellauri021.html on line 956: So refreshing: Trump said "we don't want to be politically correct," and criticized how long it took an officer to remove a woman who was disrupting the event.
(Lue: Ihanaa! Turha kainoilu on menneen talven lumia, naisille öykkäröinti on taas poliittisesti korrektia. Eiku niska peffa kii, etenkin peffa.)
ellauri021.html on line 958: The global warming alarmists now have a new category of people they are targeting - pet owners! 67 percent of U.S. households, or about 85 million families, own a pet. Are the global warming alarmists committing political suicide?
ellauri021.html on line 973: The Equal Rights Amendment is dead, the Department of Justice mercifully observes in a legal opinion which the Archivist will follow. Efforts by liberals to revive it 40 years after it died are delusional.
(Lue: Siihen kaatui naisten naurettavat yrityxet keulia. Amendment, piru vie! Asepykälä sentään oli todellinen parannus.)
ellauri022.html on line 12: center">Sisälmysluetteloon
ellauri022.html on line 17:
center;margin-top:0%;margin-bottom:0%">LOUISA M. ALCOTT
ellauri022.html on line 18: center;margin-top:0%;margin-bottom:0%">Pikku naisia
ellauri022.html on line 197: Conduct books or conduct literature is a genre of books that attempt to educate the reader on social norms. As a genre, they began in the mid-to-late Middle Ages, although antecedents such as The Maxims of Ptahhotep (c. 2350 BC) are among the earliest surviving works. Conduct books remained popular through the 18th century, although they gradually declined with the advent of the novel.
ellauri022.html on line 295: She explained her "spinsterhood" in an interview with Louise Chandler Moulton, "I am more than half-persuaded that I am a man's soul put by some freak of nature into a woman's body. … because I have fallen in love with so many pretty girls and never once the least bit with any man."
ellauri022.html on line 314: Who in these latter days are forced
ellauri022.html on line 315: To bid sweet peace farewell;
ellauri022.html on line 345: Except along the hillside path
ellauri022.html on line 348: Channing scarce dares at eventide
ellauri022.html on line 354: Scared the poor hermit from his cell,
ellauri022.html on line 425: The fable was well known in Ancient Greece; Athenaeus records that Hieronymus of Rhodes, in his Historical Notes, quoted an epigram of Sophocles against Euripides that parodied the story of Helios and Boreas.[2] It related how Sophocles had his cloak stolen by a boy to whom he had made love. Euripides joked that he had had that boy too, and it did not cost him anything. Sophocles´ reply satirises the adulteries of Euripides: "It was the Sun, and not a boy, whose heat stripped me naked; as for you, Euripides, when you were kissing someone else´s wife the North Wind screwed you. You are unwise, you who sow in another´s field, to accuse Eros of being a snatch-thief."
ellauri022.html on line 456: It is sometimes used pejoratively, referring to someone whose optimism is excessive to the point of naïveté or refusing to accept the facts of an unfortunate situation. This pejorative use can be heard in the introduction of the 1930 George and Ira Gershwin song "But Not For Me": "I never want to hear from any cheerful pollyannas/who tell me fate supplies a mate/that´s all bananas." (performed by Judy Garland in the 1943 movie Girl Crazy).
ellauri022.html on line 485: Se konsertoi yhä freelancerina 75-vuotiaana.
ellauri022.html on line 492: • Read the book aloud, all the way through, at least once at group time and one-on-one with individual children.
ellauri022.html on line 495: • Discuss the choices the main characters make, whether their reactions are based on facts or fears,
ellauri022.html on line 508: • Relate the main characters’ experiences to those of the children. Make sure the children understand the book’s message and
ellauri022.html on line 684: Self trust is the essence of heroism.
ellauri022.html on line 685: Self trust is the first secret of success.
ellauri022.html on line 703: Emerson julisti jenkit älyllisesti izenäisixi Euroopasta 1837. Lowell, jonka kirjastosta Harvardissa me 80-luvulla löydettiin vanhoja Outsidereitä, piti sitä ennenkuulumattomana. Jonkun pastori Piercen mielestä se oli puhdasta sekoilua.
ellauri022.html on line 707: "It can hardly be true that the difference lies in the attribute of reason. I saw ten, twenty, a hundred large lipped, lowbrowed black men in the streets who, except in the mere matter of language, did not exceed the sagacity of the elephant. Now is it true that these were created superior to this wise animal, and designed to control it? And in comparison with the highest orders of men, the Africans will stand so low as to make the difference which subsists between themselves & the sagacious beasts inconsiderable."
ellauri022.html on line 880: I traced with lonely step the desert wild Yxin erämaata kävin ahkerasti
ellauri022.html on line 983: carved in rock on cliff face in the sacred script of Avestan
ellauri022.html on line 986: these lines of eloquence and of lofty thought
ellauri023.html on line 13: center">Sisälmysluetteloon
ellauri023.html on line 380: josta se on hyvin ylpeä. Sireni-vainajan vanha Mercedes ruostuu pihalla.
ellauri023.html on line 617: Rikkaus ja kauneus on käsikaulakavereita. Midas ja Maecenas.
ellauri023.html on line 728: In 508 BC, during the war between Rome and Clusium, the Clusian king Lars Porsena laid siege to Rome. Gaius Mucius Cordus, with the approval of the Roman Senate, sneaked into the Etruscan camp with the intent of murdering Porsena. Since it was the soldiers' pay day, there were two similarly dressed people, one of whom was the king, on a raised platform speaking to the troops. This caused Mucius to misidentify his target, and he killed Porsena's scribe by mistake. After being captured, he famously declared to Porsena: "I am Gaius Mucius, a citizen of Rome. I came
ellauri023.html on line 732: Mucius thrust his right hand into a fire which was lit for sacrifice and held it there without giving any indication of pain, thereby earning for himself and his descendants the cognomen Scaevola, meaning "left-handed". Porsena was shocked at the youth's bravery, and dismissed him from the Etruscan camp, free to return to Rome, saying "Go back, since you do more harm to yourself than me". At the same time, the king also sent ambassadors to Rome to offer peace.
ellauri023.html on line 736: The story of Mucius inspired a punishment in Rome's Colosseum for condemned prisoners where they would be forced to reenact this tale.
ellauri024.html on line 12: center">Sisälmysluetteloon
ellauri024.html on line 24: Pylkkästen mökkinaapurit Kossut oli Jehovan todistajia. Jehovalaiset ja helluntalaiset on monessa suhteessa ääripäitä Jeesuxen seuraajien joukossa. Se näkyi hyvin niiden tonttien yleisestä kunnosta. Jehovan todistajissa hämmentävää on niiden jenkkiläinen uusasiallisuus. Jeesuskin on kuin äsken parturissa käytetty, komeilee aikansa liikemiehen three piece suitissa: valkoinen nuttu, vihreä huivi ja narusandaalit. Jeesuxella oli samanlaisia omituisuuxia kuin isällään. Jeesus näet apinoi isäänsä minkä pystyi. Kai jehovallakin on sitten valkoinen nuttu ja sandaalit. Suittu tukka ja parta vaikka valkoiset. Se on hyvisten väri.
ellauri024.html on line 366: Arska pohtii silloin tällöin #metoo
kysymyxiä. Sen miälest rättipää miehet sortaa naisia koska ne pelkää niitä. Lännessä on paremmin koska naiset saavat oppia. Arska on samalla lailla kaxijakoinen kun eräät paremmatkin elämäkerturit: järki sanoo yhtä, tunne toista. Arskan ympäristön naisilla oli valtaa, ja he alistivat miehet pilkan ja naurun kohteexi. Ämmät perkele. Post coitum omne animal triste, exceptis muliere et gallo.
Tämmösissä pikkujutuissa joskus alistetun miehen naiskauna paljastuu. Tai tämä:
ellauri024.html on line 418: The New Criticism made the literary work the center of critical attention, and denied, or at least greatly devaluated, the relevance of facts about the origin of literary works, their effects upon individual readers, and their personal, social, and political influence. Close reading is what is required of a critic, not biographical information about the author, a rundown of the state of society at the time the work was written,
ellauri024.html on line 421: All art criticism should attempt to understand how works of art work, and what meanings and aesthetic properties they have; all art criticism should strive for objective and publicly accessible methods and standards to test its pronouncements.
ellauri024.html on line 608: Joo se on totta, mä en juuri jaxa comedy of errors tyyppisiä juttuja, attikalaista komediaa tai the importance of being earnest tyyppisiä jatkettuja koomillisia väärinkäsityxiä ja petkutuxia. Ne on ihan vitun ikävystyttäviä. Arskan hehkuttama Shakespearin Windsorin iloiset rouvat on just sellanen. Huoooooh. Operatiiviset normit on huooooh, juoni on huoooooh. Monimutkainen ihmissuhdeverkosto, huoooooh. Ainoastaan Shakespearen puheenparsi vähän lohduttaa. Miten äkäpussi kesytetään (Arskan vaimo varmaan tiesi) on poissa muodista, liian setämäisenä, sanottiin Hesarissa sattumalta tänään.
ellauri024.html on line 721: ce388a5d0.jpg.webp" />
ellauri024.html on line 1114: Se on kapitalismissakin pääasia. Kasvuräjähdys. Julmienkin velkojien korot maxetaan jezulleen. Heillä kaikilla on oikeus omaansa ja se suoritetaan heille kiitollisesti. Jos paperittomat märkäselkätyöläiset valittavat palkkapetkutuxesta ja jäävät icen haaviin, se on heidän riskinsä. Luonto jakaa luovaa tuhoa.
ellauri024.html on line 1119: Hoblan tv-recensent Malin Slotte, joka muistuttaa
ellauri024.html on line 1224: pitää, hyvä, haluta, ja si vis pacem, para bellum
.
ellauri024.html on line 1290: pilvestä löytyi vaan pari ce=1&isAllowed=y">tietämätöntä osumaa.
ellauri025.html on line 13: center">Sisälmysluetteloon
ellauri025.html on line 18:
center;margin-top:0%;margin-bottom:0%">Hevoshullu
ellauri025.html on line 19: center;margin-top:0%;margin-bottom:0%">16 sivua POLLEA!
ellauri025.html on line 70: Tuomas aloitti varhaiset opintonsa luostarissa viiden vuoden ikäisenä. Vuonna 1236 hän siirtyi Napolin yliopistoon, jossa hän joutui valitettavasti dominikaanisääntökunnan vaikutuksen alle. Hän jätti yliopiston kuusitoistavuotiaana opiskeltuaan siellä kuusi vuotta. Sääntökunnan vaihtaminen ei ilahduttanut hänen perhettään. Matkalla Roomaan hänen veljensä ottivat hänet kiinni ja veivät hänen vanhempiensa eteen San Giovannin linnaan. Häntä pidettiin vankina vuoden tai kaksi, jotta hän luopuisi aikeistaan. Tuomaan varhaisten elämäkertojen mukaan hänen perheensä jopa hankki prostituoidun viettelemään Tuomaan, mutta hän ajoi pian naisen pois. Lopulta paavi Innocentius IV puuttui asiaan. Tuomas liittyi dominikaaneihin seitsemäntoistavuotiaana vuonna 1243 pipu yhä (naisen käsin) koskemattomana.
ellauri025.html on line 74: Tuomas valmistui nipin napin teologian kandidaatiksi. Vuonna 1248 hän palasi Kölniin, jossa hänet nimitettiin toiseksi luennoijaksi ja magister ceremoniarumixi. Tuona vuonna hän aloitti myös kirjallisen tuotantonsa ja julkisen osallistumisensa. Hän pysyi Albert Suuren seurassa useita vuosia ja sai suurimman osan tartunnoistaan häneltä. Tältä hän peri erityisesti kiinnostuksen Aristoteleen tuotantoon, joka oli juuri käännetty latinaksi, sekä elämäntyönsä, Aristoteleen filosofian ja kristillisten oppien yhteen saattamisen. Lopulta hänestä tuli vielä opettajaansakin suurempi filosofi ja teologi.
ellauri025.html on line 93: Arabifilosofien lisäksi Tuomas omaksui ajatuksia juutalaisilta oppineilta. Hänen pääteoksensa Summa theologiae osoittaa, että hän tunsi paitsi nimeltä mainitsemansa Avicebronin (Ibn Gabirol) ajattelua, myös suuren osan muista tuohon aikaan tunnetuista juutalaisen filosofian teoksista.
ellauri025.html on line 102: In distributive justice something is given to a private individual, in so far as what belongs to the whole is due to the part, and in a quantity that is proportionate to the importance of the position of that part in respect of the whole. Consequently in distributive justice a person receives all the more of the common goods, according as he holds a more prominent position in the community.
ellauri025.html on line 108: Thomas Aquinas' Understanding of Creation It seemed to many of Aquinas' contemporaries that there was a fundamental incompatibility between the claim of ancient science that something cannot come from nothing and the affirmation of Christian faith that God produced everything from nothing.
ellauri025.html on line 110: Toward the end of his life, he had a vision that forced him to drop his pen. Though he had experienced visions for years, this was something different. His secretary begged him to start writing again, but Aquinas replied, "I cannot. Such things have been revealed to me that what I have written seems but straw. Another prophet will come after me who is bigger yet, name of Maxim Gorki."
ellauri025.html on line 151: Calvinosta tykkäs Linkku eli laamanni Hannu-Pekka Lindgren kouluaikoina. Linkku tykkäs The Whosta ja Small Faceseista sun muista modseista. Modseilla oli Vespoja. Niin meilläkin. Ja Kinkseistä.
ellauri025.html on line 175: Seasons mushroom sauce / Sesongens sopsås.
ellauri025.html on line 630: Princeltä mä en muista yhtään biisiä. Se ei ole mun ikäpolvea. Princellä on tosiaan biisi nimeltä Time, jossa se sanoo mm.
ellauri025.html on line 687:
ellauri026.html on line 13: center">Sisälmysluetteloon
ellauri026.html on line 18: center;margin-top:0%;margin-bottom:0%">ARIZONA-SARJA
ellauri026.html on line 19: center;margin-top:0%;margin-bottom:0%">PUNAVYÖN VANHAT YSTÄVÄT
ellauri026.html on line 214: I had spent a summer in Greece while in college, travelling with a Greek text of the Odyssey, and I remembered in particular Odysseus’s final journey to Ithaca (the beginning of book 13; well worth revisiting as a specimen of Homeric narrative), the poetic effect of which overwhelmed me. Odysseus climbs aboard the ship and—forgive my literal translation—lies down, “in silence,”
ellauri026.html on line 220: And yet in Wilson’s translation the passage seems reduced, deficient somehow, so trite as to be unnoticeable:
ellauri026.html on line 225: The idea is there, but all the lingering emphasis in the original has been smoothed away. This, too, unfortunately, is typical of the whole. I have said that Wilson’s translation reads easily, and it does, like a modern novel: at shockingly few points does one ever need to stop and think. There are no hard parts; no difficult lines or obscure notions; no aesthetic arrest either; very little that jumps out as unusual or different. Wilson has set out, as she openly confesses, to produce an Odyssey in a “contemporary anglophone speech,” and this results in quite a bit of conceptual pruning. If you wait for the “Homeric tags,” the phrases that contained so much Greek culture they have been quoted over and over again by Greeks ever since—well, you are apt to miss them as they go by. A famous one occurs in book 24, when Odysseus and Telemachus are about to go into battle together: Odysseus tells Telemachus not to disgrace him, and Telemachus boasts that he need not fear. Laertes, Odysseus’s father, exclaims (Wilson’s translation), “Ah, gods! A happy day for me! My son and grandson are arguing about how tough they are!”
ellauri026.html on line 227: This is a famous line, but here it would hardly seem to merit its fame—who cares about people “arguing about how tough they are”? The word here translated as “tough” just happens to be one of the central words of Hellenic thought: arete, “virtue” or “excellence,” that subject of so many subsequent philosophy lectures—whose learnability or unlearnability Plato made the subject of inquiry, and which Aristotle defined as a mean between two vices. The word can be used to mean something like “bravery,” but it is wildly broader and richer than “how tough one is” (there is a queen named Arete in the poem, but Wilson refrains from translating her as “Queen Tough”). The line was quoted over and over again in later days because it was considered the height of happiness for a man to have a son and grandson competing with each other to possess virtue or true excellence. This Wilson suppresses, as a thing irrelevant to contemporary idiom—“toughness” will have to serve in its place.
ellauri026.html on line 270: Later it is coined as the ultimate proof of civility, epitomizing that men are ready to sacrifice their lives (self-love) in order to prove the notion of their own worth (self-liking).
ellauri026.html on line 372: On sellasia pytagoralaisia, joille kaikki on niin yhteistä et ne ottaa mitä vaan messiin mekon alla, ne ei tee siitä isompaa numeroa kuin jos ne olis perintökamoja. Toiset on vaan olevinaan rikkaita, ja tää kuvitelma riittää niille onnexi. Joillakuilla on hienot talot Helsingissä ja sen vuoxi pihistelee mökillä. Jotkut panee menee kaiken samantien, toiset kerää kokoon hyvällä tai pahalla. Yx ährää kerätäxeen julkkismainetta, toinen makaa nokisena uunin takana. A great many undertake endless suits and outvie one another who shall most enrich the dilatory judge or corrupt advocate. One is all for innovations and another for some great he-knows-not-what. Another leaves his wife and children at home and goes to Jerusalem, Rome, or in pilgrimage to St. James´s where he has no business. In short, if a man like Menippus of old could look down from the moon and behold those innumerable rufflings of mankind, he would think he saw a swarm of flies and gnats quarreling among themselves, fighting, laying traps for one another, snatching, playing, wantoning, growing up, falling, and dying. Nor is it to be believed what stir, what broils, this little creature raises, and yet in how short a time it comes to nothing itself; while sometimes war, other times pestilence, sweeps off many thousands of them together.
ellauri026.html on line 434: Mutta olen puhunut ehkä liikaakin, liian röyhkeästi, ylittänyt aikani. Lieventävänä asianhaarana ota huomioon, että olen tyhmä ja sitäpaizi nainen. Niin et älkää ottako tätä liian vakavasti. Vizi vizi. Sanoo Erasmus ja virnistää kuin Eski Saarinen. Quare valete, plaudite, vivite, bibite, Moriae celeberrimi Mystae. (LÄPITTE!)
ellauri026.html on line 455: His activity took many forms; but he was always, whether through classical treatise or encyclopædic collection or satirical dialogue or direct moral appeal—always and everywhere, the preacher of righteousness. His successes were invariably along this line. His failures were caused by his incapacity to perceive at what moment the mere appeal to the moral sense was no longer adequate.
ellauri026.html on line 509: Of more recent biographies, that of R. B. Drummond is, all things considered, the best; careful and serious, but showing the almost universal tendency to take Erasmus at his word, even while admitting his incapacity to tell the truth.
ellauri026.html on line 510: Froude's Life and Letters illustrates the author's familiar qualities,—his remarkable distinctness of view and his complete indifference to accuracy of detail.
ellauri026.html on line 516: ce=gbs_word_cloud_r&cad=5" class="cloud7">absolute cept&dq=Unitarian+Thought&hl=fi&source=gbs_word_cloud_r&cad=5" class="cloud6">accept ce=gbs_word_cloud_r&cad=5" class="cloud7">alleged ce=gbs_word_cloud_r&cad=5" class="cloud8">ancient ce=gbs_word_cloud_r&cad=5" class="cloud3">appeal ce=gbs_word_cloud_r&cad=5" class="cloud7">attitude ce=gbs_word_cloud_r&cad=5" class="cloud7">authority ce=gbs_word_cloud_r&cad=5" class="cloud0">Christian ce=gbs_word_cloud_r&cad=5" class="cloud4">Christian theology ce=gbs_word_cloud_r&cad=5" class="cloud1">Church ce=gbs_word_cloud_r&cad=5" class="cloud8">claim ce=gbs_word_cloud_r&cad=5" class="cloud8">clear ce=gbs_word_cloud_r&cad=5" class="cloud7">common ceived&dq=Unitarian+Thought&hl=fi&source=gbs_word_cloud_r&cad=5" class="cloud9">conceived ception&dq=Unitarian+Thought&hl=fi&source=gbs_word_cloud_r&cad=5" class="cloud8">conception ce=gbs_word_cloud_r&cad=5" class="cloud8">conflict ce=gbs_word_cloud_r&cad=5" 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ce=gbs_word_cloud_r&cad=5" class="cloud6">instinct ce=gbs_word_cloud_r&cad=5" class="cloud1">Jesus ce=gbs_word_cloud_r&cad=5" class="cloud3">lative ce=gbs_word_cloud_r&cad=5" class="cloud7">living ce=gbs_word_cloud_r&cad=5" class="cloud8">man's ce=gbs_word_cloud_r&cad=5" class="cloud3">Manicheism ce=gbs_word_cloud_r&cad=5" class="cloud7">mankind ce=gbs_word_cloud_r&cad=5" class="cloud7">matter ce=gbs_word_cloud_r&cad=5" class="cloud6">means ce=gbs_word_cloud_r&cad=5" class="cloud7">ment ce=gbs_word_cloud_r&cad=5" class="cloud4">mind ce=gbs_word_cloud_r&cad=5" class="cloud1">miracle ce=gbs_word_cloud_r&cad=5" class="cloud3">Montanism ce=gbs_word_cloud_r&cad=5" class="cloud4">Montanistic ce=gbs_word_cloud_r&cad=5" class="cloud7">moral ce=gbs_word_cloud_r&cad=5" class="cloud4">natural law ce=gbs_word_cloud_r&cad=5" class="cloud8">needs ce=gbs_word_cloud_r&cad=5" class="cloud9">never ce=gbs_word_cloud_r&cad=5" class="cloud5">notion ce=gbs_word_cloud_r&cad=5" class="cloud4">occult ce&dq=Unitarian+Thought&hl=fi&source=gbs_word_cloud_r&cad=5" class="cloud8">once ce=gbs_word_cloud_r&cad=5" class="cloud9">organization ce=gbs_word_cloud_r&cad=5" class="cloud9">ourselves ce=gbs_word_cloud_r&cad=5" class="cloud2">Pelagian ce=gbs_word_cloud_r&cad=5" class="cloud8">perfect ce=gbs_word_cloud_r&cad=5" class="cloud4">philosophers ce=gbs_word_cloud_r&cad=5" class="cloud0">polytheism ce=gbs_word_cloud_r&cad=5" class="cloud2">polytheistic ce=gbs_word_cloud_r&cad=5" class="cloud8">possible ce=gbs_word_cloud_r&cad=5" class="cloud8">precisely ce=gbs_word_cloud_r&cad=5" class="cloud9">priesthoods ce=gbs_word_cloud_r&cad=5" class="cloud7">principle ce=gbs_word_cloud_r&cad=5" class="cloud7">prophet ce=gbs_word_cloud_r&cad=5" class="cloud7">Protestant ce=gbs_word_cloud_r&cad=5" class="cloud3">Protestant Reformation ce&dq=Unitarian+Thought&hl=fi&source=gbs_word_cloud_r&cad=5" class="cloud5">race ce=gbs_word_cloud_r&cad=5" class="cloud7">rational ce=gbs_word_cloud_r&cad=5" 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ellauri028.html on line 18: center">Sisälmysluetteloon
ellauri028.html on line 19: center">Names droppings
ellauri028.html on line 23: center;margin-top:0%;margin-bottom:0%">SOVIET UNION
ellauri028.html on line 24: center;margin-top:0%;margin-bottom:0%">Nuoruuteni vuosina
ellauri028.html on line 89: Initially, a surviving one of his daughters, Clara Clemens, objected to its publication in March 1939, probably because of its controversial and iconoclastic views on religion, claiming it presented a "distorted" view of her father. Henry Nash Smith helped change her position in 1960. Clara explained her change of heart in 1962 saying that "Mark Twain belonged to the world" and that public opinion had become more tolerant. (Ehkä se myös tarvizi vähän pätäkkää leivän syrjäxi.) She was also influenced to release the papers by her annoyance with Soviet reports that her father's ideas were being suppressed in the United States. (Ei Laika ole ainut koira radalla. Vuosi 1962 oli Kuuban kriisi, kylmä sota kuumeni. Popovin nuhruista mutta optimistista nuoruutta.) The papers were selected, edited and sequenced for the book in 1939 by Bernard DeVoto. (Sota tuli väliin, jumala piti varmistaa voittajien puolelle. No ainahan se on voittajien puolella. Tai sit se haluu antaa opetuxen tai sillä on joku ovelampi suunnitelma mielessä.)
ellauri028.html on line 108: The Rev. Joseph Twichell, Mark's most intimate friend for over forty years, was pastor of the Asylum Hill Congregational Church of Hartford, which Mark facetiously called the “Church of the Holy Speculators,” because of its wealthy parishioners. Here Mark had first met “Joe” at a social, and their meeting ripened into a glorious, life long friendship. Twichell was a man of about Mark's own age, a profound scholar, a devout Christian, “yet a man with an exuberant sense of humor, and a profound understanding of the frailties of mankind, including Mankind's Huge Cods." Sam Clemens ja pastori naureskeli kaxisteen mezässä miespaneelin valtavia turskia. Bronzed and weatherbeaten son of the West, Mark was a man's man. "Some Remarks on the Science of Onanism.”
ellauri028.html on line 112: It was sometimes a wonderful and fearsome thing to watch Mr. Clemens play billiards,” relates Elizabeth Wallace. “He loved the game, and he loved to win, but he occasionally made a very bad stroke, and then the varied, picturesque, and unorthodox vocabulary, acquired in his more youthful years, was the only thing that gave him comfort. Gently, slowly, with no profane inflexions of voice, but irresistibly as though they had the headwaters of the Mississippi for their source, came this stream of unholy adjectives and choice expletives."
ellauri028.html on line 114: Words vulgar and offensive to other ears were a common language to him. Anyone who ever knew Mark heard him use them freely, forcibly, picturesquely in his unrestrained conversation. Whitman and the Bible are no more obscene than Nature herself—no more obscene than a manure pile, out of which come roses and cherries.
ellauri028.html on line 116: One of these guarded treasures of Kaiser Wilhelm was a volume of grossly indecent verses by Voltaire, addressed to Frederick the Great. “I would blush to remember any of these stanzas except to tell Krafft-Ebing about them when I get to Vienna”, said Mark Twain. "Too much is enough."
ellauri028.html on line 118: “The meaning of the word 'obscene,'” the Justice indicated, “as legally defined by the courts is: tending to stir the sex impulses or to lead to sexually impure and lustful thoughts."
ellauri028.html on line 155: The tale is told, too, of a certain woman who performed an aeolian crepitation at a dinner attended by the witty Monsignieur Dupanloup, Bishop of Orleans, and that when, to cover up her lapse, she began to scrape her feet upon the floor, and to make similar noises, the Bishop said, “Do not trouble to find a rhyme, Madam!”
ellauri028.html on line 168: deceased, not an ounce of life.
ellauri028.html on line 198: Apparently man is a selfish prick that can't think for himself and relies on "outside influences". He is a chameleon. He is nothing but a mere machine. Well, at least according to Twain. Man is a fraud and only lives for himself. He is really driving home this point that everyone is selfish and acts out of selfish needs (big surprise?), even if viewed (publicly and personally) as a self-sacrificing person. My question is; who cares? If the end result is the same, what does the actions matter. Let's say, saving a woman from a burning house. Twain says you do this out of making yourself feel good and avoiding the pain of not saving the woman, nothing else; the woman comes second to your own need of feeling good. But regardless of how it makes you feel, you still saved the woman in the end. The good is still done, even though you did it for yourself. Forget how the action was achieved. What does it matter if we refer to this as "self sacrificing" or "selfishness". Answer me this question, Twain! THE ACTION REMAINS THE SAME!!!.... I feel this must have been written during a time when everyone was going around smugly proclaiming to be self-sacrificing do-gooders and self-proclaimed religious nuts while really being shitty people; which had to be the most annoying thing ever. I guess it feels a bit outdated and I think people who naively go around claiming that they are "self-sacrificing do-gooders" are simply laughed at in our post modern times as smug assholes who need to get off their high horse (high horse? who owns a fucking horse nowadays, anyways?). I feel it is pretty accepted now that those who do good are doing them for their own selfish gains and the view of acceptance by others, at least I think this is the case. I don't know cause I don't know do-gooders, everyone I know (including myself) are dicks and more concerned with their celluar phones and creating social dating websites on the internet in vain attempts to pick up chicks only to drink alone and desperately spend several hours harassing women on social dating sites until one, out of pity, decides to respond to your 50 private messages, which then they foolishly decides to set up a date with you; only for you to be disappointed and stood up; which results in more drinking and paying a "dancer" to give you a hand job behind the goodwill on a Saturday night....
ellauri028.html on line 202: Now he is on this kick about how man never thinks for himself. He is a chameleon conforming to whatever outside influences he puts himself in. This is pretty interesting stuff here. I apologize that these reviews have become rather flat. The amount of times I have used the word "interesting" to describe things in a vague manner is so blindly obvious and so boring, I can't believe I go on writing these things (and you keep reading them?!) Where is this going to get me, doing these shitty reviews? Does anyone care? Do I really care? I think I need a girlfriend (this is a cry for help)...Anyways, the book is psychological and philosophical or some shit... go read the goddamn thing yourself...I need a drink...
ellauri028.html on line 204: Jesus, I am sorry for this whole rant. This is a book review, not a therapy session...I guess I am having a bad day ...Sorry...This is all pathetic, this is all a very sad, sad self centered review...I have lost all my steam, as if I had much to begin with. Where did it all go wrong? When did it start? What has happened to me?
ellauri028.html on line 212: Wow, just wow. Mark Twain is a Taoist? A God??? This book is a religious experience. Unreal?!?! I shit myself from reading it, unbelievable!!! Read these quotes. One of the best, one of the greats! He discusses Adam and Eve, oh, I can't stress how mind blowing this is...This is a turning-point of my life!!!!!!!
ellauri028.html on line 220: Mark Twain says that man is an automaton, completely stirred by outside influences, but the main motive for his deeds is always that they please himself. That's no free will (hard determinism) and psychological egoism put together. I can't think of a nastier outlook on man. Better read his adventure books for kids. (less)
ellauri028.html on line 334: "Mademoiselle from Armentières" has roots in a tradition of older popular songs; its immediate predecessor seems to be the song "Skiboo" (or "Snapoo"), which was also popular among British soldiers of the Great War. Earlier still, the tune of the song is thought to have been popular in the French Army in the 1830s; at this time the words told of the encounter of an inn-keeper's daughter, named Mademoiselle de Bar le Duc, with two German officers. During the Franco-Prussian War of 1870, the tune was resurrected, and again in 1914 when the British and Allied soldiers got to know it.
ellauri028.html on line 336: The Pittsburgh Post-Gazette of December 4, 1939, reported that the historical inspiration for the song had been a young Frenchwoman named Marie Lecoq (later Marie Marceau), who worked as a waitress at the Café de la Paix in Armentières at the time of the war. Despite the obscenity of many popular versions of the song, it was reportedly quite clean in its original form.
ellauri028.html on line 340: It is also the third part (the first two being "Has Anyone Seen the Colonel?" and "It's a Long Way to Tipperary") of the regimental march of Princess Patricia's Canadian Light Infantry.
ellauri028.html on line 378: You certainly did play hell with me.
ellauri028.html on line 403: Because he had no place to stop.
ellauri028.html on line 429: Un joli sourire de France
ellauri028.html on line 433: Sur son berceau dès sa naissance
ellauri028.html on line 456: Mais un matin ce fut la guerre
ellauri028.html on line 532: grace
ellauri028.html on line 741: An elderly couple is vacationing in the west. Bob always wanted a pair of authentic cowboy boots. Seeing some on sale one day, he buys them, wears them home, walking proudly. He walks into their hotel room and says to his wife, "Notice anything different, Helen?"
ellauri028.html on line 745: Bob says excitedly, "Come on, Helen, take a good look. Notice anything different about me?"
ellauri028.html on line 749: Frustrated, Bob storms off into the bathroom, undresses, and walks back into the room completely naked, except for his boots.
ellauri028.html on line 751: Again, he asks, a little louder this time, "Notice anything DIFFERENT?"
ellauri028.html on line 760: At the airport immigration office:
ellauri028.html on line 769: seksi
rasismi vittuilu En pidä immigration officesta. Pidän arabeista ja kameleista
ellauri028.html on line 922: Grace – 114
ellauri028.html on line 930: Obey / Obedience – 37
ellauri029.html on line 13: center">Sisälmysluetteloon
ellauri029.html on line 14: center">Names droppings
ellauri029.html on line 18: center;margin-top:0%;margin-bottom:0%">ÖÖ MITÄ TARKOITAT
ellauri029.html on line 19: center;margin-top:0%;margin-bottom:0%">PRO-AKATEMIA
ellauri029.html on line 88: Our graduated students are professional team entrepreneurs, who have the best skills and knowledge to face the challenges of the future.
ellauri029.html on line 114: What we learn from the books, we put straight into practice, in example in the dialogues during training sessions or while working in the projects.
ellauri029.html on line 354: Hedonic psychology...is the study of what makes experiences and life pleasant or unpleasant. It is concerned with feelings of pleasure and pain, of interest and boredom, of joy and sorrow, and of satisfaction and dissatisfaction. It is also concerned with the whole range of circumstances, from the biological to the societal, that occasion suffering and enjoyment.
ellauri029.html on line 364: Niinhän se ommutta, inttäisi mummi, onks toi kovinkaan epikurolaista. Minne on ryöminyt se kuuluisa lathe biosas, eliskä cela vitam, kel onni on se onnen kätkeköön? Toihan kuulostaa enempi eskimäiseltä kukoistuxelta. Kahnemann ei epäröinyt heittää jehovaa pöpelikköön eziessään hedoneta useamman naisen perseestä. Eskimäistä tämäkin. Mut eihän kukaan ole menestynyt ellei sillä ole (ainakin ollut) useampia panopuita. Sehän se on elämän tarkoitus, tai yxi kolmesta (muut 2 oli EAT! EAT! KILL! KILL!).
ellauri029.html on line 396: Reference class forecasting
ellauri029.html on line 431: niin lisätäämpä vielä 1 naula arkkuun: Facebookin pääkusipää Silverfish
ellauri029.html on line 908: Answer: Sarcasm is the use of irony (saying one thing while meaning another) or other rhetorical devices in a biting, hurtful way. There is a difference between sarcasm and satire, although they are related. Satire is the use of irony or ridicule to expose foolishness, but without the “bite” of sarcasm. Satire is gentler; sarcasm is more derisive and sneering.
ellauri029.html on line 910: The question is, is satire or sarcasm ever appropriate? This would be easy enough to resolve if not for the fact that God uses satire in several places in Scripture. For example, Paul’s words in this passage:
ellauri029.html on line 928: Recommended Resource: The Quest Study Bible
ellauri030.html on line 12: center">Sisälmysluetteloon
ellauri030.html on line 17: center;margin-top:0%;margin-bottom:0%">UNIVERSITY PROFESSOR
ellauri030.html on line 18: center;margin-top:0%;margin-bottom:0%">NOT SURE IF HOMELESS
ellauri030.html on line 25: cero">Vanhuudesta (lat. Cato maior de senectute, ”Cato vanhempi vanhuudesta”) on Ciceron kirjoittama filosofinen teos, joka käsittelee vanhuutta ja kuolemaa.
ellauri030.html on line 27: Cicero kirjoitti teoksen vuonna 44 eaa., muutama viikko Julius Caesarin murhan jälkeen.
ellauri030.html on line 28: Cicero sai teokseensa paljon vaikutteita varhaisemman kreikkalaisen filosofian dialogeista. Hän jäljittelee Platonin Valtiossa ja Faidonissa käytyjä keskusteluja ja on kääntänyt teokseensa kohtia Ksenofonin dialogista Talouden taito. Muodoltaan ja tyyliltään teos muistuttaa kuitenkin enemmän Aristoteleen dialogeja. Lienee plagioinut Aristonia Khioxelta, stoalaista, jolla oli myös joku valoisa vanhuus- nide, tosin kadonnut. (Siseroko tahallansa hävitti? Pikku pullon hukkasi.)
ellauri030.html on line 32: Vanhuudesta kuuluu Ciceron filosofisista teoksista suosituimpiin. Benjamin Franklin julkaisi teoksesta englanninkielisen käännöksen, jonka oli tehnyt James Logan. Tämä oli ensimmäinen klassisen tekstin käännös uudessa maailmassa. (So what!?)
ellauri030.html on line 55: Ciceron aikaan Kreikan parasta ennen -päivä oli ohize. Jälellä oli neljä koulua, Pro-Akatemia, ympyrää kävelevät, Stoa (ei siis se Itixen takana, jossa on mamuja), ja epikurolaiset. Viimemainitut ei ollenkaan kelvanneet, koska ne peukutti atomeja, mukavaa elämää ja jumalattomuutta. (Hyvä epikurolaiset! Olette voittaneet! huutaa pieni saxalainen judoka hämmästyneenä Asterixille ja Obelixille.)
ellauri030.html on line 59: Cicero, laskelmoiva mies, kannusti Pro-Akatemiaa ja TAMK:ia, vaikka käytännössä heilui jossain sauvakansan ja Stoan persuporukan välillä. Se halus kukkoilla julkkixena, mille stoalaiset nyrpisti, sauvaporukat taas peukutti. Epikurolaisia se ei alkuunkaan sietänyt. Epikuroxesta ja muista kreikkalaisista Cicero luki vaan jotain surkeita esitteitä ja lyhennettyjä käännöxiä. Se oli aika moukka, vaikka olikin kermaperseisistä keskiluokkaisista piireistä. Sen nimi tarkoittaa kikhernettä eli egyptinhernettä, perhe oli rikastunut hernebisnexestä. Se oli yhtä kova keximään latinaan uudissanoja kuin hengenheimolaisensa E.Saarinen. Sillä oli oma kuningatar Pipsakin, Terentia. Paizi että niille tuli ero viisikymppisinä. Sit Cicero otti jonkun nuoren rikkaan typykän voidaxeen maxaa Terentialle erorahat. Se liitto ei kauan kestänyt, kun rahat oli syöty.
ellauri030.html on line 61: Cicero oli kiero julkkisasianajaja, voitti joitakin näkyviä juttuja, rupesi poliitikoxi. Oli Sisiliassa kvestori (yliopistossakin on kvestori, siis rahastonhoitaja), oli kova puhuja, päihitti Hortensiuxen. Keskiluokkainen pyrkyri, kuten eräs suomalainen sykofantti, jonka nimeä E.Saarinen en viizi edes mainita. Koulussa piti lukea Ciceron puhetta in Catilinam: quo usque Catilina abutere patientia nostra. Cicero hommas Catilinalle kuristushuonetuomion, vastoin Caesarin ja muiden lievempiä kantoja. Kazoi ize päältä kun Catilinaa hirtettiin. Oli siitä vielä ylpeä. Koko case in Catilinam saatto olla pelkkä kehystys, Cicero oli ehkä tekaissut todisteet. Et semmonen veitikka.
ellauri030.html on line 63: Cicero oli optimaatti eli kokkare, Catilina ja Caesar sai äänet plebeijeiltä. Konsulixi kivuttuaan Cicero osti lainarahalla ökykämpän Rooman Bulevardilta. Sen vastustaja ja naapuri Clodius takavarikoi kämpän ja hajotti sen maan tasalle, vähän olivat kuin Peter Nygård ja sen miljonääri naapuri Pekoni. Maanpaossa Kreikassa Cicero vänisi ja harkizi jo harakiriä. Pompeius kuzu sen takasin jelppimään diktatuuria. Se tuli ja yritti taas pistellä Caesaria, pieleen meni, minkä jälkeen se alkoi nuolla diktaattoreja.
ellauri030.html on line 65: Myöhemmin se koitti taktikoida diktaattorien välissä, peukutti Pompeiusta ja nälvi Caesaria. Caesarin tultua murhatux Ciceron suurexi iloxi, hernekauppias koitti pelata Antoniusta Octavianusta vastaan. Kompastui omaan nokkeluuteensa, diktaattorit veti herneen nenään, ja tappoi Ciceron yhteisellä sopimuxella. Ärsyttävä perskärpänen. Sen viimeiset sanat (63-vuotiaana) oli: koita solttu edes tappaa mut kunnolla. Varmaan lynkkaaja joteskin tunaroi irrottaessaan Cicerolta päätä. Antoniuxen vaimo Fulvia vielä pisteli irtopäätä kieleen nuppineuloilla, koska se oli puhunut niin rumasti. Se oli kova opportunisti ja perseennuolija, tais tulla nuppineuloihin ruskeata väriä.
ellauri030.html on line 92: Ciceron omistä näkemyxistä ei ota selvää erkkikään, oli se sen verran liukas asiakas, slippery customer, kuten Hintikalla oli tapana sanoa. Mutta se oli sentään eri ylevä, exalted sentiments oli sen vahvuusalue, niinkuin Eskillä. Se kirjotti aika paljon oppaita, izehoito ynnä muita, esim Puhujasta, Valtiosta ja Laeista. Puhumisesta sillä on useitakin tärkeitä oppaita. Onkohan niissä just samoja hengennostatusvinkkejä kuin Eskin niteissä? Lyön vetoa.
ellauri030.html on line 96: Kaikki huusi Cato, se on Mauno Mato! Tän turauxen Cicero kirjoitti 62-vuotiaana vuonna 44 ennen Kristusta. Se plagioi ensi kädessä Xylofonia sekä lättänenän fasistin Valtio-teosta ja sen uskontopläjäystä Faidonia. Saatto sillä olla joku tuntemattomampikin kreikkalainen vanhusten izehoitokirja esikuvana.
ellauri030.html on line 99: Oli Cicerolla siinä poliittinenkin taka-ajatus, se suizutti siinä ohessa taas tasavallan eli yläluokan hallinnoiman repupliikin puolesta. Entisvanhaan oli ylemmällä keskiluokalla ohjat handussa, ei keulineet plebeijit eikä öykkäröineet uusrikkaat diktaattorit.
ellauri030.html on line 101: Isommasta Catosta tuli Ciceron kirjan Mauno Mato, koska se eli vitun vanhaxi ja opetteli kreikkaa vielä oktogenaarina. Vaikkei kyllä enää oppinut. Se ei koskaan tykännyt kreikkalaisista, ne oli epäilyttäviä ja veteliä mamuja. Tää vanhempi Cato eli toista sataa vuotta ennen hernekauppiasta, et sille kirjoittelu on vähän kuin Eski puhuttelemassa Eino Leinoa.
ellauri030.html on line 103: Sithä oli se Cato nuorempi, vanhemman pojanpojanpoika (vanhempi ois niinku rautakauppias jos tää ois mä, herra varjele) uticalaisexi nimetty koska se pisti izensä hengiltä Uticassa välttyäxeen nololta nöyristelyltä Caesarin edessä. Siitähän oli se Addisonin näytelmä jota Rousseau suizutti. Se oli Ciceron kaveri, jelppi sitä Catilinan keississä, ja muutenkin seilaili samoissa piireissä. Tosi oikeistolainen ja izepäinen kuin piru, viinamäen miehiä. Aika ällön tuntuinen kaveri tämäkin.
ellauri030.html on line 105: Tuskulum oli vanhemman porsaan Caton kesäpaikka, ja Ciceronkin, ne oli mökkinaapureita (vaikkei yhtä aikaa, Catojen mökki oli siirtynyt jo Cato nuoremmalle). Sitähän herrasväki vieläkin käyttää huvilan hassuttelunimenä. Siitä tulee lähinnä mieleen Hannu K. Riikonen ("K"! my foot!) ja Pekka "Tuus" Tarkka. Joko kerroin, että kun pääsin Fredin vs. proffaxi, Pekka "Tuus" Tarkka heräsi ja lähetti mulle kirjeen, jossa se pyysi mua arvostelemaan jonkin kirjan Hesariin. Kirje alkoi H.V., joka ei tarkottanut haista vittu (kai), vaan "hyvä veli", ja päättyi "Tuus, Pekka Tarkka". Kirje meni rodeen saman tien. Vitun "Tuus", tosi noloa. H.V., Pekka. Onnen Pekka. Ei ole vielä tuuskahtanut.
ellauri030.html on line 107: Vanha Cato oli sotamiehenä kuulun Fabius Cunctatorin tiimissä. Siinä mies Caton mieleen, ja minun myös. Vitkastelu on kivaa. Scipiosta se ei tykännyt, kun se oli tuhlari. Cato muistutti Roope Ankkaa nuorena. Otti talteen narunpätkätkin. Cato sai läpi jotain lakeja jotka rajotti roomalaisten rankaisemista. Mitähän se ois sanonut Catilinan keissistä? Cato oli ennen kaikkea moraalinvartija, hemmetin sensori. Rajoituxia ja lisää rajoituxia persuille, pätäkkää ja lisää pätäkkää mamuilta. Ja xenofobi, hoki sitä "ceterum censeo" meemiä puunien pään menoxi. Ja menihän se pää lopulta. Suolaa vaan siroteltiin tuhkille. Niinkuin Dresdenissä, Afganistanissa, ja Irakissa nyttemmin.
ellauri030.html on line 113: Koitti opetella kreikkaa seniilinä. Hupaisaa kyllä, Cato inhos mamuista erityisesti kreikkalaisia, ja kreikkalaisista erityisesti Sokratesta, jonka kustannuxella se usein piruili. Cicero panee Caton suuhun kaikenlaisia kreikkalaisia sokraattisia viisauxia. Ei ois varmaan maistunut. Catolta ainoa säilynyt kirjallinen saavutus on joku maamiehen kalenteri.
ellauri030.html on line 119: Nää kolme veteraania, Cato, Scipio ja Lälliys, päivittelee Ciceron puolesta tässä vanhuuden päivistä. Pääosa saarnasta on Caton yxinpuhelua, monotoonista valoisan vanhuuden ylistystä. Cato on tässä yli kahdexankymppinen vauras ukkeli.
ellauri030.html on line 121: Herneenpalko (alla) totee kuivasti, että tää herttainen Cato-ukkeli on kyllä Ciceron aivokummitus. Oikee Cato oli karkea, kova, ankara jä ikävä ex-sensori, ei syyllistynyt enempää hyvään makuun kuin tunteiluun.
ellauri030.html on line 122: Sama kommentaattori toteaa, että Cicero ei noudata omaa oppiaan, ei mene todennäköisimmän vaihtoehdon mukaan, vaan kivimmän. Siitä että vanhuus VOI olla kivaakin, ei seurraa että se yleensä tai erityisesti sun kohdalla on sitä. No way Jose!
ellauri030.html on line 127: Lähetäänpä seuraamaan Ciceron argumentointia. Ekax luetellaan menestyneitä julkkisvanhuxia. Ei niitä monta ole, et jos täs pitäis mennä todennäköisyyxillä, niin ei toi paljon vakuuta. Sit Cato lähtee kumoomaan neljää vanhuuteen kohdistuvaa moitetta:
ellauri030.html on line 134: Cicero, kiero lakimies ja mato puhuja, kumoaa nää pointit kohta kohdalta seuraavasti.
ellauri030.html on line 172: Jotta tää ei jäis vain yleisluontoisexi märinäxi, kumoan Ciceron pointit vastapointeilla kohta kohdalta seuraavasti. Kaikkia ei tarvi kumota, osassa olen samoilla linjoilla.
ellauri030.html on line 213: Vielä parempi juttu on että vanhuxet kuolevat! Onnex vanhoja miehiä on vähän! (No nykyäänhän niitä on niin että päät kolisevat. Apuharvennus olis paikallaan.) Tässä Ciceron argumentit on terveen darwinistisia: vanhat käävät tekee tilaa nuorille, saadaan verexiä voimia kehiin kun vanhat kärrätään luutarhan täytteexi.
ellauri030.html on line 215: Tää olis sellaisenaan jo aivan riittävää, mutta herneenpalon on viran puolesta lisättävä vielä kristillistä puppua koskien Ääretöntä Viisautta ja Eliaa, joka ainoana lähti taivaaseen housut jalassa. Kuoleman voi sen mielestä kohdata tyynen rauhallisena vaan jos se on ovi johkin jatko-osaan, tukijatkoon vyöllä tai ilman vyötä. Ja mixi? Ainakin mulle nimenomaan se on rauhottava ajatus että tässä kaikki, ei tarvize alottaa mitään revohkaa enää alusta. Kikherne sanoo et Cicero uskoi jatkoon vaan koska se halus jatkoa. No miten hernepussin usko eroo siitä? Herneelle pakanoiden pelleusko jatkoon oli hyvää evidenssiä et sen oma usko on oikea. Vähän niin et "close, but no cigar". Mun mielestä se todistaa just päinvastaista. Kaikki uskoo koska haluu uskoa, ihan sama mitä, kunhan vaan ei "tämähän oli nyt tässä, vai mitä?". Niin lujassa on Darwinin kolmas käsky "EAT! EAT!".
ellauri030.html on line 217: Alaviite: (Chaucerin sana guerdon tarkoittaa palkkiota, saksan Widerlohn.)
ellauri030.html on line 242: Cato (eli Cicero sen puolesta) nälvii Flaminiusta, joka halus jakaa Gallian voittomaat rotinkaisille. Nää on tosiaan vanhoja konservatiiveja, läjän päällä kyhjöttäjiä. Aika raskasta lukea tällästä. Vitun Kimmo Koskenniemiä koko porukka.
ellauri030.html on line 246: Etenim, cum complector animo, quattuor reperio causas, cur senectus misera videatur: unam, quod avocet a rebus gerendis; alteram, quod corpus faciat infirmius; tertiam, quod privet fere omnibus voluptatibus; quartam, quod haud procul absit a morte.
ellauri030.html on line 266: Sit on vielä noi puutarhatyöt, jotka on vanhuxelle mieluisia, ainakin ne köykäsimmät, kuten haistelu ja maistelu. Etenkin viinamäki, josta ukko-Nooakin jo osas nauttia. Ja pellolle kannattaa mennä paskallekin, sen tietää Cato, vaikkei Hesiodos kertonut. Ei mitään ilmaisexi, se on periaate Catolla. Hampaikas Curiuskin mieluummin otti rahat samnilaisilta väkisin kuin lahjuxina. Sai ilmaisexi enemmän. Siinä mies Caton mieltä myöten. Cato jatkaa vielä pitkään höpötystä kuinka kivaa rikkaan vanhuxen on höpsästellä ikiomalla farmilla. Pointin sivusta taas Cicero! Ei ollut puhe siitä onko kivaa olla Roope-setä hrahalaarissa, vaan vanhuudesta.
ellauri030.html on line 268: Parasta vanhan hopeäselän elossa on arvovalta! (Jos sitä on - jos ei ole sori vaan, oma moka, olisit ollut aikaisemmin sepompi.) Esim Samuli Rusko-oja, nilkki perustolvana, joka paistatteli loppupäivät ansiottoman arvonnousun valossa. Vähemmän duunia, enemmän auktoriteettia. atque huius extrema aetas hoc beatior quam media, quod auctoritatis habebat plus, laboris minus; apex est autem senectutis auctoritas.
Vanhuus, kun siihen liittyy korkeimmat luottamustehtävät, on niin arvovaltaa täynnä, että se korvaa kaikki nuoruuden nautinnot. Kaikki tottelee sun pelkkää nyökkäystä. Habet senectus, honorata praesertim, tantam auctoritatem, ut ea pluris sit quam omnes adulescentiae voluptates. Non in sententia solum, sed etiam in nutu residet auctoritas.
ellauri030.html on line 272: Siinä on taas Cicero vähän väärässä kun se sanoo ettei auktoriteetti liity hopeaselkäisyteen. Kylläpäs. Se just on tässä tärkeä tekijä, kato vaan jumalaa ja joulupukkia. Periaate on näet se ettei apina taho päästää johtoon ketään izeään nuorempaa tai edes samanikäistä, koska se tarkottas että omat mahixet päästä samalle johtopaikalle on jo ohize. Ne äänestää mieluummin izeään vanhempia vaikka kuinka paskoja. Kato vaan mikäläisiä rahnuxia on kaikki maailman johtopaikat täynnä. Ja nimenomaan hopeaselkiä, vanhat ämmät kelpaa vaan ihan poikkeustapauxessa. Ja nyt tulee jotain oikein paxua:
ellauri030.html on line 274: Haec enim ipsa sunt honorabilia quae videntur levia atque communia, salutari, adpeti, decedi, adsurgi, deduci, reduci, consuli; quae et apud nos et in aliis civitatibus, ut quaeque optime morata est, ita diligentissime observantur. Lysandrum Lacedaemonium, cuius modo feci mentionem, dicere aiunt solitum Lacedaemonem esse honestissimum domicilium senectutis: nusquam enim tantum tribuitur aetati, nusquam est senectus honoratior. Quin etiam memoriae proditum est, cum Athenis ludis quidam in theatrum grandis natu venisset, magno consessu locum nusquam ei datum a suis civibus; cum autem ad Lacedaemonios accessisset, qui legati cum essent, certo in loco consederant, consurrexisse omnes illi dicuntur et senem sessum recepisse.
ellauri030.html on line 278: Ja nyt tulee taas Siiselin tilastollisia harhapäätelmiä. Kuten kaikki tietävät (ja ovat aina tienneet, tiesivät myös Ciceron aikana) vanhuxet ovat suhteellisen nyreitä, hankalia, ärtyisiä, ja saitoja. "Mutta näähän on luonnevikoja, ei johdu iästä". Hemmetti, luonnevikoja, mutta PALJON tavallisempia vanhoilla kuin nuoremmilla. Eikä ihme! Nimittäin! kuten Siiseli izekin toteaa, vanhuxia vähexytään, halvexitaan ja pilkataan, KOSKA ne on käppänöitä, heikkoja, hömelöitä, ja sen lisäxi vielä nyreitä, hankalia, ärtyisiä ja saitoja. Turha marssittaa taas muutamaa hämmästyttävää poikkeusta, nyt puhutaan tilastofaktoista! Cato ei "muka" ymmärrä vanhushappamuutta eikä varsinkaan saituutta, mix säästellä kun on niin vähän matkaa jäljellä? Hyvä kysyä, mutta historia kertoo, että Cato ize ei ainakaan ollut poikkeus, se oli varsinainen hapantelija ja itara kuin piru ihan loppuvihellyxeen asti. Hautas poikansakin kunnan kustannuxella, ja möi vanhat ja sairaat orjat torilla.
ellauri030.html on line 343: Epiktetos on saattanut vähän plagioida Jeesusta. Se mainizeekin galilealaiset kolleegansa jossakin. Tän huomas kirkkoisä Aku, ja aleksandrialainen Klemetti. Ahkerat kädet on sitten löytäneet jopa 200 lainausta, siitä tulis Urkundissa jo aika meteli. Sillä kuten Jessellä on uskonto ja moraali samalla jalustalla, 2 sanaa vaan: don't accept substitutes. On vaan 1 jumala kaikille yhteisesti, vain yxi pelastusovi, yhtä suvaizematon on impulssiostoskin. Ei voi rakastaa jumalaa ja maailmaa, you can't have both, sanoi Naipaulin isäkin. Koita päättää. Mut voi olla rakastamatta kumpaakaan! Mun päätös on jo tehty.
ellauri030.html on line 573: S. ähräsi myös riittävän syyn periaatteen kaa, siis sen Leibnizin nimiin pannun periaatteen et kaikella on syy. Determinismin yx formulaatio. Mikään ei ole sattumaa. Tästä tulee se Perza Rovamonkin laki ettei tyhjästä mitään nyhjästä. Samaa tuumi Anaximandros, Parmenides, Archimedes, Platon, Aristoteles, Cicero, Avicenna, Akvinolaisen Tomi ja Spinoza. Siis aika moni muukin tomppeli. Hmm, voi olla, ellei sit höpsismilläkin ole sormensa pelissä.
ellauri030.html on line 732: Sudden glory, is the passion which makes those grimaces called laughter; and is caused either by some sudden act of their own, that pleases them; or by the apprehension of some deformed thing in another, by comparison whereof they suddenly applaud themselves. And it is incident most to them, that are conscious of the fewest abilities in themselves; who are forced to keep themselves in their own favor by observing the imperfections of other men. And therefore much laughter at the defects of others, is a sign of pusillanimity. For of great minds, one of the proper works is, to help and free others from scorn; and to compare themselves only with the most able.
ellauri030.html on line 740: Joku Francis Hutcheson jo huomautti 1750, että ei tää ole koko tarina. Voihan sitä nauraa muullekin kuin muille ihmisille, ei ole pakko olla aina pahanilkinen. (Vaik kyllä se varmaan naurattaa eniten.) Izellekin voi nauraa olematta pahantahtoinen. No se mun nauruteoria että normit naurattaa, onkin tässä suhteessa parempi. Nokkela toiminta on vielä yx naurun aiheuttaja, eikä siinäkään tarvi olla ketään pahista. Jonkinlaista helpotusta sekin on, kevennystä. Tästä päästäänkin huumorin kevennysteoriaan. Nauru on helpotusta, jonkinlaista hydraulista paineen päästöä. No helpotus kyllä usein naurattaa, ainakin helpottunutta. Ympärillä haistelijat ovat kriittisempiä. Tän selityxen esitti Lordi Shaftesbury 1709, kun höyrykone oli kexitty. Tää oli ensimmäinen essee missä huumori tarkoitti vaan jotain hassua. Jännää miten filosofiat muuttuu tekniikan edistyxen mukana. Spencer ja Freud myöhemmin korvas höyryn hermoenergialla, mutta pointti oli sama. Spencerin “On the Physiology of Laughter” (1911) sano et hermoenergia purskahtaa nauruxi kun tietty jännityskynnys on ylitetty. No oikeestaan vasta sitten kun se jännitys laukee vai mitä? Kun ei enää ole pakko pidättää, ja paineen voi päästää alenemaan. Energia tulee pakkautuneista sopimattomista tunteista. Kuten runossa:
ellauri030.html on line 764: Sen kyllä mainizee antiikkisetkin, esim. Aristoteles, esim komediassa kun sanotaan "tyyppi kävelee jalassa vaan rakot" tulee yllätys, ja mainizee myös sanaleikit. Cicerokin sanoo et tavallisin tyyppi vizejä on jossa odotetaan jotain ja tuleekin jotain toista, ja odotuxen pettyessä nauretaan. Standup-koomikot veistää tästä leivän päälle juustoa. Vizin loppu on epäsuhtainen alun kaa. Eka filosofi joka tästä löi oikein rumpua oli Beattie (1779).
ellauri030.html on line 802: Man is the only animal that laughs and weeps: for he is the only animal that is struck with the difference between what things are, and what they ought to be. We weep at what thwarts or exceeds our desires in serious matters; we laugh at what only disappoints our expectations in trifles… . To explain the nature of laughter and tears, is to account for the condition of human life; for it is in a manner compounded of the two! It is a tragedy or a comedy—sad or merry, as it happens… . Tears may be considered as the natural and involuntary resource of the mind overcome by some sudden and violent emotion, before it has had time to reconcile its feelings to the change of circumstances: while laughter may be defined to be the same sort of convulsive and involuntary movement, occasioned by mere surprise or contrast (in the absence of any more serious emotion), before it has time to reconcile its belief to contrary appearances (Hazlitt 1819, 1).
ellauri030.html on line 818: Normeja joita sanallisessa huumorissa rikotaan on ikivanhat Gricen maximit:
ellauri030.html on line 822: Do not say that for which you lack adequate evidence.
ellauri030.html on line 864: Rank Genre Movies Total Box Office Tickets Share
ellauri030.html on line 876: 12 Concert/Performance 76 $396,337,577 54,011,544 0.17%
ellauri030.html on line 888: Man is a rational animal — so at least I have been told. Throughout a long life, I have looked diligently for evidence in favor of this statement, but so far I have not had the good fortune to come across it, though I have searched in many countries spread over three continents” (1950, 71).
ellauri030.html on line 898: Sigmund Freud noticed that humor, like dreams, can be related to unconscious content. In the 1905 book Jokes and Their Relation to the Unconscious (German: Der Witz und seine Beziehung zum Unbewußten), as well as in the 1928 journal article Humor, Freud distinguished contentious jokes from non-contentious or silly humor.
ellauri030.html on line 906: Moreover, Freud (1960) followed Herbert Spencer's ideas of energy being conserved, bottled up, and then released like so much steam venting to avoid an explosion. Freud was talking about psychic or emotional energy, and this idea is now thought of as the relief theory of laughter.
ellauri030.html on line 910: An analysis of content from business-to-business advertising magazines in the United States, United Kingdom, and Germany found a high (23 percent) overall usage of humor. The highest percentage was found in the British sample at 26 percent. Of the types of humor found by McCullough and Taylor, three categories corresponded with Freud's grouping of tendentious (aggression and sexual) and non-tendentious (nonsense) wit. 20 percent of the humor were accounted for as “aggression” and “sexual.” “Nonsense” was listed at 18 percent.
ellauri030.html on line 914: Misattribution is one of many theories of humor that describes an audience´s inability to identify exactly why they find a joke to be funny. Freud declared people incapable of knowing exactly what it is they find amusing due to the complex nature of their conscious and subconscious minds.
ellauri030.html on line 918: However, Freud believed a mixture of both tendentious and non-tendentious humor is required to keep the tendentious humor from becoming too offensive or demeaning to its victim. The innocent jokework of the innocuous humor would mask the otherwise hostile joke and therefore "bribe" our senses, allowing us to laugh at what would otherwise be socially unacceptable. Therefore, we often think we are laughing at innocuous jokes, but what really makes them funny is their socially unacceptable nature hidden below the surface.
ellauri030.html on line 920: This has been tested experimentally. Audiences predictably enjoyed witnessing the demise of a disliked character. Testing had to be discontinued when the team ran out of subjects.
ellauri030.html on line 921: For example, characters in a working-class family may banter back and forth about paying bills or finding a more respected or higher-paying job. The delivery of dialog may come across as funny for an audience who believes the humor comes from the antagonistic relationship between the two characters. But the real hostile nature of the joke involves class and economic issues that are otherwise not funny.
ellauri030.html on line 922: This sounds like Kim´s Convenience.
ellauri030.html on line 924: Similar analysis can be applied to issues involving racial discrimination, sexual deviance, drug abuse, and other controversial issues. I.e. about all of EAT! FUCK! and KILL!
ellauri030.html on line 985: Senilia is a genus of edible saltwater clams, marine bivalve mollusks in the family Arcidae, the ark shells. Species. Species within the genus Senilia include: Senilia senilis Linnaeus, 1758; References. External links This Arcidae-related article is a stub. You can help ...
ellauri030.html on line 1015: Si deus vult peccata, igitur facit; si non vult, tamen committuntur; erit ergo dicendus improvidus, vel impotens, vel crudelis, cum voti sui compos fieri aut nesciat, aut nequeat, aut neglegat. Näin sanoi joku Julius Caesar Vaninus. Siltä leikattiin ensin kieli ja sitten paistettiin.
ellauri031.html on line 12: center">Sisälmysluetteloon
ellauri031.html on line 17: center;margin-top:0%;margin-bottom:0%">En yrhätta
ellauri031.html on line 18: center;margin-top:0%;margin-bottom:0%">Dikken Zwilgmeyer
ellauri031.html on line 106: Ingenting går på tok förrän hon ska konversera med Axel Borg, hennes kavaljer. Axel är struntviktig, måste man medge. Men ändå går det ganska långt när Y smäller honom helt enkelt en örfil runt öronen. Nu börjar Y med sin vanliga show, och får alla på sin sida, minst 20 blomsterbuketter, och andra pojkar säger till Y att det var bara bra att herr Borg fick ett sittopp, för han var en sån mallig prick. Han dög inte alls till någon sport, om inte kanske till pricksport. Y är princess igen, och det gör en liten narsist glad. Morbror Max höll tal med Y som huvudperson!
ellauri031.html on line 129: Lumpenissa luin Nick Ostlerilta saamaani T.C. Whiten kirjaa Once and Future King, etenkin sitä episodia, missä nuori Artturi exyilee murkkupesässä. Se tuntui siellä aavemaisen tutulta.
ellauri031.html on line 310: Il Duce ryhmäkuvassa toinen vasemmalta.
ellauri031.html on line 327: Mussolinin ulkopolitiikan peruskäsite oli spazio vitale (vital space), se on Lebensraum italiaanoxi, tai päinvastoin oikeestaan, Benito kexi sen jo 1919. Se on sama käsite kuin ympyräsuisen amerikkalaisen ystäväni siteeraama "American vital interests" kaikkialla maapallolla. Elintärkeät edut indeed. Elin irti teiltä, tärkeät edut meille. Rasismikortti viuhui ahkerasti, musta tässä vaiheessa eikä punainen. On luonnonlaki että makaronit pistää päihin alemmalle sloveenirodulle. Uusia uhreja ei pidä pelätä. 500K barbaarislaavia voi kepoon uhrata 50K italiaanolle, sanoi Mussolini 1920. Imperialismi Afrikassa on oikeutettua, koska mehän ollaan uomo superioreja, valkoisia vaikka mustat kesäpaidat päällä, noi vaan mustanahkoja. Aika mustavalkoista. Tää on darwinismia. Kolonialismin seurauxia saadaan nyt koko Euroopassa nauttia, kun mutiaiset soutaa Välimeren yli kumiveneillä. Oikeassa oli Mussolini, tää ON darwinismia. Ovatko mustat ja keltaiset jo ovella? Si, ne on! taas huudetaan saapasmaan rannoilla kuten Beniton loistoaikoina.
ellauri031.html on line 359: snart skrider fram din likprocess
ellauri031.html on line 454: Trollhättan är en tätort i Västergötland och centralort i Trollhättans kommun i Västra Götalands län. En mindre del är belägen i Vänersborgs kommun. Namnet Trollhättan användes ursprungligen endast om Göta älvs fallområde. Trollhättans tätort omfattar idag ett betydligt större område som förr hade andra geografiska namn. Nedan tecknas historiken för det område som idag kallas för Trollhättan.
ellauri031.html on line 458: Dragning av båtar samt utnyttjande av kraften i älven var de första viktiga näringsverksamheterna i staden. Från medeltiden har kvarn- och sågverksamhet bedrivits där stadens centrum nu ligger, och ett samhälle har successivt vuxit fram däromkring.
ellauri031.html on line 541: Facebook Silverfish
ellauri031.html on line 685: Tää muistuttaa aika lailla käännösbisnestä, sitähän se onkin hizi vie. Isot taivaaseen viejät ja monikansalliset yrityxet on maxumiehinä, ne tuppaavat tarpeetonta ylijäämätavaraa kuluttajille. Käännöstoimistoja on lähetysseurat, jotka jakaa hommat läheteille, freelance märkäselille jotka tekee raakaduunin pilkkahinnalla. Koska niidenkin täytyy elää (mixi? kysy Darwinilta), ja koska ne oikeesti rakastaa tätä työtä, kääntämistä ja käännytystä. Ne on viestijöitä kulttuurien välillä. Kääntävät pioneereina sanan miekalla, auroilla sun muilla sädekehillä meemipeltoa kahden reviirin rajalla, raivaavat raiviota varoista välittämättä omalla ja Mairen pentueen riskillä.
ellauri031.html on line 821: Höpsismin eri konsteja on mun paasausten kuluessa tullut vastaan monia, vaikken ole kaikista tehnyt numeroa. Joskus käytetään feikki tieteellistä menettelyä jonka yhteys päätettävään asiaan on suunnilleen yhtä satunnainen kuin rahan tai nopan heitto. Ciceron aikana kazottiin linnun sisälmyxiä (auspicium, suotuisa onkin englannixi auspicious), tai heitettiin jonkun pikkueläimen sopivia luita. Niillekin oli joku nimi jonka olen taas unohtanut. Sit on kiinalaiset oraakkelikilpikonnankuoret eli scrapulimantia, saamelaisten arpaluut, sammakkoprofessorit, pilvet, ouijalaudat, kiromantia, Pythagoraan numerologia, katukivien reunat, kissat, tikapuut, voi vizi eihän näistä tule mitään loppua. Noin tsygologisesti nää on pakko-oireita: on pakko menetellä niin tai noin, pakko kävellä näin, niinkuin se nummelalainen pedofiili lauloi. Uskovaisuuden indikaatioita on optimismi, obsessio ja paranoia, kontraindikaatioita autismi ja pessimismi.
ellauri032.html on line 13: center">Sisälmysluetteloon
ellauri032.html on line 18: center;margin-top:0%;margin-bottom:0%">Eläinystävämme
ellauri032.html on line 19: center;margin-top:0%;margin-bottom:0%">Supikoira
ellauri032.html on line 32: That which perhaps may most offend, are certain Texts of Holy Scripture, alledged by me to other purpose than ordinarily they use to be by others. You may be pleased to excuse your selfe, and say that I am a man that love my own opinions, and think all true I say.
ellauri032.html on line 34: Those persons, that for the most part can give no other proof of being wise than reading other men, take great delight to shew what they think they have read in men, by uncharitable censures of one another behind their backs.
ellauri032.html on line 105: Jansenistit levittivät teorioitaan koulujen välityksellä ja heillä oli kuuluisia oppilaita kuten Jean Racine ja Blaise Pascal, joka vastusti tinkimättömällä tavallaan jesuiittoja, näin eritoten teoksessa Les Provinciales (1656), jossa hän syyttää jesuiittoja älyllisestä korruptiosta. Nämä teesit eivät miellyttäneet paavi Innocentius X:tä ja Ludvig XIV:tä, jotka halusivat yhdistää kristikunnan ja tuomita jansenismin ja protestanttisuuden. Maaliskuussa 1656 Ranskan hallitus määräsi suljettaviksi ns. petites écoles, joissa opinahjoissa jansenismin sanomaa oli levitetty. Kuningas osallistui itse parlamentin istuntoon eli käytti ns. lit de justice -oikeutta hyväkseen 19. joulukuuta 1656 ja hyväksyi tilaisuudessa paavi Aleksanteri VII bullan Ad Sacram, jossa virallisesti tuomittiin jansenistien ajatukset.
ellauri032.html on line 136: Vuonna 1646 Pascalin isä kaatui pahasti jäisellä tiellä Rouenissa, minkä jälkeen häntä hoitaneet lääkärit saattoivat perheen kosketuksiin jansenistisen lahkon kanssa. Samana vuonna koko perhe kääntyi jansenisteiksi. (Näistä jansenisteista tarvittaisiin oma paasaus. Niiden gurusta Hipon Augustinuxesta taitaa mulla jotain jo ollakin.) Lankeemuxesta seurasi parannus. Monet näkevät Pascalin matemaattisen uran alamäen alkaneen tästä hetkestä, mutta Pascal onnistui vielä tekemään matemaattis-luonnontieteellisiä innovaatioita, vaikka hän kärsikin pahenevista ruoansulatushäiriöistä, jotka aiheuttivat hänelle kerran jopa ohimenevän paskahalvauksen. Vuonna 1648 Pascal loi ilmanpaineen luonnonlait tutkittuaan ilmiötä Evangelista Torricellin keksimällä ilmapuntarilla. Enpä tiennyt että sen nimi oli evankelista. Pascalilla oli varmaan pieru exyxissä, siitä tulee maha kipeäxi. Helpotus tulee sitten isolla paineella. Jos tulee, muuten saa istua tuntikaudet paskalla, tulee peräaukkoon paiseita.
ellauri032.html on line 154: L’an de grâce 1654.
ellauri032.html on line 161: Certitude, certitude, sentiment, joie, paix.
ellauri032.html on line 175: Cette est la vie éternelle, qu’ils te connaissent seul vrai Dieu et celui que tu as envoyé J.-C.
ellauri032.html on line 182: Renonciation totale et douce.
ellauri032.html on line 213: Aurinkokuningas lyttäs Port-Royalin jansenistit 1661. Luostari pantiin matalaxi, ei jäänyt kiveäkään kiven päälle. Pascalinkin cacata carta hukku muutossa. Tästä taisi olla puhetta Madame de Sevignen muistelmissa, jota Marcel Proust luki kuin mummu virsikirjaa. Vielä ennen kuolemaansa Pascal kexi bussin. Autopsiassa ilmeni että sillä oli vikaa päässä. Paavi hommaa siitä nyt autuasta. Tais paska sittenkin voittaa vetonsa.
ellauri032.html on line 225: Eliot piti James Joycea arroganttina. Joycesta näät Eliotin runous ei ollut kovin kummosta. Kun ne vakuuttui toistensa julkkislätkistä, niistä tuli Pariisissa henkilökohtaisia hyviä ystäviä, niinkuin paljon myöhemmin Tomista ja Grouchosta pen pälejä.
ellauri032.html on line 231: Oh – Vivienne! Was there ever such a torture since life began! – to bear her on one´s shoulders, biting, wriggling, raving, scratching, unwholesome, powdered, insane, yet sane to the point of insanity, reading his letters, thrusting herself on us, coming in wavering trembling ... This bag of ferrets is what Tom wears round his neck.
ellauri032.html on line 239: Was T.S. Eliot gay? Questions about Eliot´s sexuality have simmered in Eliot studies for decades, coming to a full boil with the recent publication of Carole Seymour-Jones's biography of Eliot's first wife, Vivienne, which claims that the poet was a closet homosexual. Distinguished critics such as Helen Vendler and Louis Menand have rushed to Eliot´s defense, insisting either that he wasn't gay or that we shouldn't even be discussing his sexuality.
ellauri032.html on line 245: To understand the method which Pascal employs, the reader must be prepared to follow the process of the mind of the intelligent believer. The Christian thinker – and I mean the man who is trying consciously and conscientiously to explain to himself the sequence which culminates in faith, rather than the public apologist – proceeds by rejection and elimination. … To the unbeliever, this method seems disingenuous and perverse: for the unbeliever is, as a rule, not so greatly troubled to explain the world to himself, nor so greatly distressed by its disorder; nor is he generally concerned (in modern terms) to ‘preserve values’. He does not consider that if certain emotional states, certain developments of character, and what in the highest sense can be called ‘saintliness’ are inherently and by inspection known to be good, then the satisfactory explanation of the world must be an explanation which will admit the ‘reality’ of these values. Nor does he consider such reasoning admissible; he would, so to speak, trim his values according to his cloth, because to him such values are of no great value. The unbeliever starts from the other end, and as likely as not with the question: Is a case of human parthenogenesis credible? and this he would call going straight to the heart of the matter.
ellauri032.html on line 250: Hmm tästä tulee mieleen se Russellin kritiikki enkelitohtorista, et tämmöset intelligentit uskojat lähtee argumenttiin perse edellä, ne olettaa johtopäätöksen ja etsii sille premissejä. Ongelmax muodostuu usein se, et ne premissit on vielä vähemmän uskottavia kuin johtopäätöxet. Täähän se just on, "arvojen säilytys" on pääasia, sozein ta phainomena, saving appearances (Aristoteles), siihen hintaan myydään vaikka koko maailma, sillä mitä se hyödyttää jos saa omaxensa koko maailman, jos siinä paskantuu elintärkeitä meemejä.
ellauri032.html on line 252: Le coeur a ses raisons que la raison ne connaît point, how often one has heard that quoted, and quoted often to the wrong purpose! For this is by no means an exaltation of the ‘heart’ over the ‘head’, a defence of unreason. The heart, in Pascal’s terminology, is itself truly rational if it is truly the heart. For him, in theological matters which seemed to him much larger, more difficult, and more important than scientific matters, the whole personality is involved.
ellauri032.html on line 294: Piispa John Bramhall, vannoutunut arminianismin kannattaja (ks yllä), julkaisi pienen tutkielman Of Liberty and Necessity joka oli osoitettu Hobbesille. Bramhall oli tavannut Hobbesin aiemmin ja väitellyt tämän kanssa, ja kirjoitti jälkeenpäin näkemyksensä Hobbesin vastattavaksi. Hobbes vastasi, mutta ei julkaistavaksi. Eräs ranskalainen tuttava kuitenkin julkaisi vastauksen. Bramhall julkaisi vuonna 1655 vastaiskuna kaiken kirjeenvaihdon heidän välillään nimellä A Defence of the True Liberty of Human Actions from Antecedent or Extrinsic Necessity. Vuonna 1656 Hobbesilla oli puolestaan valmiina teos Questions concerning Liberty, Necessity and Chance, jolla hän vastasi piispalle voimallisesti. Hobbesin vastaukset olivat merkittäviä vapaan tahdon ongelman historiassa mahdollisesti ensimmäisinä selkeän psykologisen determinismin esityksinä. Piispa vastasi syytöksiin vuonna 1658 teoksella Castigations of Mr Hobbes´s Animadversions, johon oli liitetty laaja liite nimellä The Catching of Leviathan the Great Whale. Hobbes ei koskaan vastannut tähän teokseen.
ellauri032.html on line 347: Musta vale ei ole mikään ongelma, ei toi kielen kuvateoria ole mikään teoria, kuviahan sanalliset kuvauxet tosiasiassa on, morfismin mielessä. Kuva jostain on joko osuva tai se valehtelee. Kuvasta tulee vale kun siinä on caption joka sanoo: ceci n´est pas une pipe. Eli tarvitaan toi indexi, jota vastaan kuva tulkitaan, plus tarvittaessa joku legenda, ellei kuva ole muuten ilmeinen. Plus moodi, josta näkee mihin tarkoituxeen kuvaa käytetään. That´s all.
ellauri032.html on line 402: Jänixen piti kirjottaa oma symbolistimanifesti kun joku koiranleuka oli julassu niin etevän parodian niistä, Les Deliquescences d´Adore Floupette, ettei sitä erottanut oikeesta symbolistit izekään.
ellauri032.html on line 492: HSn arvostelu ilmestyy vasta koronatauolla. Philip tähdentää olevansa riitaisempi henkilö kuin Rikhard. Kirjassa vaan naiset riitelee, Rikhard väistelee lentäviä lautasia. Rikhardin elämä oli jotakuinkin mallillaan. Avioliitossakaan ei ollut mainittavia ongelmia. Aivan selvästi ei romaanissa käy ilmi, mitä vanhassa liitossa oli vikana. Ja mikä vanhassa Paulassa lopulta oli niin kohtalokasta, että elämä pitää panna uusixi. Uuden suhteen auvoa ei kauan kestä. Siivous ja pyykinpesuvuorot tuottavat jo tulisia riitoja. Entisessä liitossa vaimo varmaan teki kaiken. Grels on melkein curling-vanhempi, joka myötäilee 11-vuotiaan poikansa toiveita. Lapseton Paula tykkää pahan äitipuolen roolista. Grels tykkää vänisevän piipunrassin roolista. Ollaan siis parisuhteen ydinongelmien äärellä. Kantakaupungin kermaperseet eivät pysty parempaan kuin stereotyyppinen lähiöperhe. Pahempaan kyllä on eväitä. Grels saa potkut Hoblan kulttuuripäällikön paikalta ("willfully jobless" kuten Clevelandin lakimies) ja heittäytyy (lue heitetään) "vapaaxi kirjailijaxi" eli "freelancerix" eli "yxinyrittäjäx". Rahat menee lapsenruokoissa. Moralisoivaa äitiä sentään pääsee vähän julkisesti lyttäämään, kirjallisten piipunrassien perinteiseen tapaan (Musset, Knasu, Herzog, Roth, Tikkanen ym ym).
ellauri032.html on line 631: Sami oli kakkafetishi Joycen bändäri, kunnes välit viilenivät kun Sammeli ei huolinut Joycen tytärtä Lusijaa koska se oli iskääkin sekopäämpi, täys skizo. Jung sanoi niistä et ne molemmat on uppoomassa jokeen, Joyce sukeltaa mut Lusija vaan vajoaa. Carlos Williams, joka oli Adam Driverin esittämän bussikuski runoilija Patersonin idoli, idolisoi myös Joycea.
ellauri032.html on line 641: Käydessään 1945 kotona äidin huoneessa se tajusi ettei se koskaan voita James Joycea. Tai no, ei kai Joyce saanut Nobelia, for what it´s worth.Tästä ajasta kerrotaan niissä Krappin keloissa, jotka se julkasi 1958. Siis kun se oli 49. Paha ikä, muistan sen.
ellauri033.html on line 12: center">Sisälmysluetteloon
ellauri033.html on line 17: center;margin-top:0%;margin-bottom:0%">Par PAUL BOURGET
de l´Académie Française.
ellauri033.html on line 18: center;margin-top:0%;margin-bottom:0%">VIVE LA DISCIPLINE
ellauri033.html on line 26: PS. Mun arvaus on et se oli sotaa käymättömän sukupolven kärsimättömyyttä päästä särkemään taas kaikki mihkä niitä edeltävä sukupolvi saarnasi. Länsimainen arvojärjestelmä loi nahkansa. (prophylaxis, health services, popular culture, green revolution, air travel, electronics, shift from industrial to service economy). Apinalauman ja kunkin yxityisen aapan olemassaoloa uhkaavat todelliset vaarat oli nähtävästi voitettu, isänmaallisuuden korvaa globaali viihde ja ikävystyminen leviää sitä lyytä aatelista kaikkiin yhteiskuntaluokkiin.
ellauri033.html on line 39: Marcel Proust ja Paul Bourget on fin de siecle snobeja vuosisata ennen mua. Mä oon fin de millenaire snobi. Vähemmän kuin Marcel enemmän kuin Paul.
ellauri033.html on line 42: Marcel on junanlähettäjä. Paul kaiketi normaali antikolmijalka häntyri.
ellauri033.html on line 64: Marcel Proust
ellauri033.html on line 70: Marcel syntyi 1871 ja kuoli 1922, samana vuonna kun äiti Pirkko syntyi. Proust on äidin poika ja isoäidinkin. Eli vaan puoli vuosisataa, yhden vuosisadan lopun ja toisen alkua. Kadonnut aika oli sitä alkupuolta, fin de siecleä. Loppupuoli, vuosisadan alku, oli alamäkeä. Tuntuu tutulta. Sen saattohoitaja Celeste, omempi kuin omaishoitaja, kielsi sen homouden. Muut kaikki myönsivät. Marcel ei kommentoinut.
ellauri033.html on line 72: Marcel kuoli virallisesti hoitamattomaan bronkiittiin. Armeijan lääkärit väitti että mun Moskovassa saama tauti oli bronkiitti. Sinuiitti se oli. Sain turhaan maata viikkokausia. Siitä jäi ikuinen taipumus saada sinuiitteja. Se on yx harvoista asioista jota olen elämässä katunut, että menin kuumeisena lomalta kasarmiin. Ois pitänyt sairastaa kotona, karkuruuden uhalla. Saablarin isänmaalliset pstoalaiset. Fasistit. Fan anamma.
ellauri033.html on line 91: On sait l´existence hasardeuse et vagabonde que menait ce bohémien des
ellauri033.html on line 94: luisant, narine enflée, face camuse ». Qui (lit satyre dit une sorte de
ellauri033.html on line 97:
A cet impulsif, dénué de toute volonté, de tout esprit de suite,
ellauri033.html on line 105: un disciple de Leconte de Lisle et de Banville. Il subit l´influence des
ellauri033.html on line 106: poètes de l´art pour l´art, et, comme eux, s´efforce d´être impassible et marmoréen. Il raille l´ « inspiration », il bafoue la «
ellauri033.html on line 113: de son génie intime, avec ce qu´il a d´étrange, de dissolu, et, parfois,
ellauri033.html on line 114: de déconcertant. On pourrait signaler dans son premier recueil une ou
ellauri033.html on line 115: deux pièces où se trouvent déjà quelques traits de cette poésie vague,
ellauri033.html on line 118: à son inspiration propre, quand les Romances sans paroles et surtout le
ellauri033.html on line 130: s´autorisèrent de sa poétique que pour donner licence à leur verbiage
ellauri033.html on line 132: soit leur ignorance de la langue. Verlaine lui-même ne connut d´autre
ellauri033.html on line 138: proclamé par la « jeunesse littéraire » Prince des poètes français.
ellauri033.html on line 141: pas dérouté par les incertitudes de la pensée et par les gaucheries de
ellauri033.html on line 142: la forme. Beaucoup de pièces sont tout uniment inintelligibles; la
ellauri033.html on line 143: plupart de celles qui se laissent comprendre trouvent le moyen d´être à
ellauri033.html on line 146: sans doute comme celui d´un poète unique, qui, dans un siècle d´artistes
ellauri033.html on line 147: raffinés, a retrouvé l´innocence de la poésie primitive.
ellauri033.html on line 148: Ecoutez la chanson bien douce !
ellauri033.html on line 149: C´est cette douceur ineffable qui fait le charme tout particulier de
ellauri033.html on line 150: Verlaine. La beauté que les ´Parnassiens´ exprimaient dans leurs rythmes précis et stricts avait quelque chose de dur. En quelques pièces exquises, Verlaine a mis la douceur d´une âme tout enfantine.
ellauri033.html on line 153: exemple, ont un accent de dévotion naïve qui les met à part. Il ne
ellauri033.html on line 158: sentiment de pénitence qui les inspire ; ensuite, par la docilité, la
ellauri033.html on line 160: renoncement total de la raison et de la conscience; enfin, par l´accent
ellauri033.html on line 161: inimitable d´un amour ingénu et fervent. Est-ce encore de l´art? Je ne
ellauri033.html on line 166: M. Maurice BARRÉS.
ellauri033.html on line 168: The Cult of the Self: Sous l´oeil des barbares, Un homme libre, and Le jardin de Bérénice (in French) via Project Gutenberg
ellauri033.html on line 170: Né en 1862 à Charmes en Lorraine, Maurice Barrès a huit ans en 1870 et jamais il n´oubliera l´humiliation de la défaite et de l´occupation : « C´est persuasif pour toujours, écrira-t-il vers la fin de sa vie, d´avoir vu dans sa huitième année une troupe prussienne entrant sur un air de fifre dans une petite ville française. »
— suffirait d´elle-même pour leur assurer une place fort enviable. Les
ellauri033.html on line 189: justes, la distinguer avec soin de celles qui ne portent pas leur
ellauri033.html on line 194: cune différence entre l´histoire et le reportage., Edmond se vante
ellauri033.html on line 195: d´avoir inventé et baptisé les documents humains ». Jamais la littérature n´avait accordé tant d´importance au tissu d´une " robe ou à la couleur d´une tapisserie. Bagatelles et colifichets, voilà le plus clair de leurs documents. Ils
ellauri033.html on line 200: aujourd´hui l´intérêt d´un livre que par ce qui, demain, n´aura plus
ellauri033.html on line 205: d´en retracer la changeante figure qu´il n´existe déjà plus. Ils n´ont
ellauri033.html on line 206: cerles pas inventé le modernisme, mais ils y ont tout réduit. Ils
ellauri033.html on line 207: suppriment, ou peu s´en faut, cette part de réalité, foncière et
ellauri033.html on line 209: que ce que la nature et la vie ont de plus fugace. La vérité qu´ils
ellauri033.html on line 212:
S´étant imposé « les devoirs de la science », ils veulent que leurs
ellauri033.html on line 214: à l´homme, à l´homme en général, la science ne l´est pas par rapport à
ellauri033.html on line 221:
Ce qu´il y a de plus vrai dans toute leur œuvre, c´est ce qui relève de
ellauri033.html on line 222: la photographie et de la sténographie. Par exemple, certaines pages du
ellauri033.html on line 226:
A cette vérité mobile, frémissante, que les Goncourt ont attrapée au
ellauri033.html on line 229: et de l´ordre. Le roman tel qu´ils l´entendent est une succession de
ellauri033.html on line 230: tableaux, et chacun de ces tableaux est une juxtaposition de 4notes. Ils
ellauri033.html on line 232: livres ressemblent à leur secrétaire. Même inquiétude dans l´ordonnance
ellauri033.html on line 233: de la phrase que dans celle du volume. Leur phrase n´est jamais faite,
ellauri033.html on line 238: Goncourt supprime le plus possible ce qui est purement logique, redouble
ellauri033.html on line 239: et multiplie ce qui excite les nerfs. Elle fourrage à tort et à travers
ellauri033.html on line 245: Cette écriture-là, toute cahotante et trépidante, déconcerte le lecteur
ellauri033.html on line 250: la grimace. Ils mirent des premiers en vogue l´art chimérique et
ellauri033.html on line 253: n´allons pas dire, avec le roi classique : « Otez-moi de là ces magots
ellauri033.html on line 254: », car le japonisme a dans sa fantaisie je ne sais quelle grâce
ellauri033.html on line 271: rebours, sans excepter sa nourriture; il fait tout à rebours, sans
ellauri033.html on line 272: excepter l´amour même. Après quelques mois de cette parodie délirante,
ellauri033.html on line 273: son médecin lui ordonne de rentrer dans l´existence com- , mune. Plus
ellauri033.html on line 275: grâce divine. « Seigneur, ayez pitié! »
C´est sur cette prière que se termine A rebours. M. Huysmans va-t-il en
ellauri033.html on line 278: concupiscence ne le donnait d´abord au diable. Là-bas est un livre
ellauri033.html on line 279: d´érotomanie satanisante. Nous y voyons Durtal, l´ancien des Esseintes, se livrer avec fureur à de sacrilèges orgies. Mais ne serait-ce pas une étape sur la route du salut? On peut
ellauri033.html on line 283:
« Ce que j´aurais traité de fou, dit le Durtal d´En route, celui qui
ellauri033.html on line 289: ornements sa-cerdotaux une prédilection significative, habillait sa
ellauri033.html on line 291: besoins d´excentricité ne seraient, s´il faut l´en croire, que des élans
ellauri033.html on line 292: vers urne béatitude lointaine. Et Folantin lui-même à ce compte?
ellauri033.html on line 297: Esseintes a des retours de croyance, et ses accès- de mysticisme
ellauri033.html on line 301: deux semaines de ce menu frugal et sain l´ont déjà remis. Mais, si sa
ellauri033.html on line 304: savourer d´avance les chutes inévitables. C´est dommage ; avec un peu de
ellauri033.html on line 305: persévérance, Durtal se rendait semblable à ces grands sainls dont il
ellauri033.html on line 306: célèbre dévotement les grâces miraculeuses. Qui sait? peut-être il eût,
ellauri033.html on line 308: Joseph de Cupertino, sécrété par tous les pores de délicieuses fragrances.
Mais quoi ? Les « noces » ne l´empêcheront peutêtre pas de faire son
ellauri033.html on line 316: excellente pratique de la Vie Purgative. Ensuite, comme le lui prêche
ellauri033.html on line 319: chez certains mystiques, l´ange méprise tellement la bête qu´il ne prend
ellauri033.html on line 336: Charles-Marie-Georges Huysmans (Parijs, 5 februari 1848 – aldaar, 12 mei 1907) was een Frans auteur. Huysmans werd geboren uit een Franse moeder en een Nederlandse vader; zijn grootvader was tekenleraar aan de Militaire Academie in Breda en stamde uit een Zuid-Nederlands geslacht van schilders. Om zijn Nederlandse afkomst te onderstrepen publiceerde de auteur onder de naam Joris-Karl Huysmans.
ellauri033.html on line 340: Hij publiceerde in 1874 in eigen beheer de gedichtenbundel Le drageoir à épices. De heruitgave van het jaar daarop verscheen onder een gewijzigde titel, Le drageoir aux épices. Dankzij zijn artikel over L´Assommoir en een roman, Les Sœurs Vatard (1879), won hij Émile Zola voor zich. Hij leverde een bijdrage aan de bundel Les Soirées de Médan (1880), die het manifest wordt van de naturalistische literatuur. Zijn werken schetsen het beeld van een grijs, banaal en alledaags bestaan, zoals in En ménage (1881) en À vau-l´eau (1882), waarbij hij blijk geeft van pessimisme en van zijn weerzin voor een moderne, door "janhagel en zwakhoofdigen" bevolkte wereld.
ellauri033.html on line 344: In 1891 publiceerde hij de satanische roman Là-bas (Uit de diepte), rond het historische personage Gilles de Rais. Een hoofdpersonage uit deze roman weerspiegelt eveneens Huysmans´ persoonlijke evolutie; een satanische wording, waar occultisme en sensualiteit voorafgaan aan zijn bekering tot het christelijke geloof (La Cathédrale (1898) en L´Oblat, (1903)) waartoe esthetische overdenkingen hem brengen. Vanaf dan zouden alleen nog maar rooms-katholiek geïnspireerde werken verschijnen.
ellauri033.html on line 353: complaisance. Beaucoup de braves jeunes gens qui avaient mal digéré leur
ellauri033.html on line 361:
Le scepticisme intellectuel de M. Bourget s´allia toujours avec un fond
ellauri033.html on line 362: de mysticisme imaginatif. Sa personnalité morale a deux faces; il les
ellauri033.html on line 363: fait miroiter successivement. Depuis quelque (lix années, nous le voyons
ellauri033.html on line 368: a du bon, mais Yalmont aussi. Parfois il les confond, ce qui
ellauri033.html on line 377: ouvrages où nous ne trouvions ce type du sceptique au cœur sec que la
ellauri033.html on line 378: grâce touche quelques pages avant la fin. Un an après, -dans le livre
ellauri033.html on line 379: suivant, le même personnage reparaît sous un autre nom, aussi sceptique
ellauri033.html on line 383: il met telle préface dans laquelle l´exemple de Bonaparte lui sert à
ellauri033.html on line 384: prouver que l´analyse est une « multiplicatrice d´énergie morale ».
ellauri033.html on line 391: cléricalise la vertu. Pour deus ex machina, toujours un prêtre : l´abbé Taconnet dans Mensonges ; dans Un Saint, le Père Griffi. Dans son dernier ouvrage, voici Léon XIII en personne, ce « prisonnier », ce « martyr » — debitricem martyrii fidem,
ellauri033.html on line 394: respire « une splendide rose jaune ». Devant ce spectacle, qui fait
ellauri033.html on line 397: Raison, science, intellect, tout, en un instant, fait banqueroute. M.
ellauri033.html on line 416: Tää erittelyn mestari on liian rehellinen ollaxeen vizikäs. On vaikea sanoa missä kohtaa Hra Bourgetilla puuttuu kepeyttä. Kun se kuvaa don Juania, alta kurkistaa Don Quichotte. Se uhoo, huudahtelee, pahentuu, huokailee, kuzuu avux taivasta ja maata. Aina tulisena ja juhlallisena se pitää traagisena sellaista jota muut ei edes ota vakavasti. Arvoituxet joita se pitää julmina tai jotka aiheuttavat sairasta angstia, on sen lukijattarista vaan hassuja. Muistattexte mitä Claude Larcher sanoi izestään: mua pidetään subtiilina analyytikkona, mä olen kovan luokan tumpelo. Sellasta tumpeloutta sais olla enemmän. Tässä kohtaa Hra Bourget on parempi kuin mondeeni kirjailija, mutta mondeenina kirjailijana se on surkeampi kuin Marcel Prevost.
ellauri033.html on line 428: Pahimmassa tapauxessa tyypit vois olla ihan erilaisia eri luvuissa. No ei Hra Bourget ihan niin pitkälle mene, vaikka pitääkin kovaa melua ponin minän moneudesta. Useimmiten löytyy vaan kaxi minäehdokasta, esim. Robert Greslou, Loup-Garou ihmissusi, ompasusi joka löytää sisästään kaxi eri oliota, yxi selkeä älykäs rehellinen, kova henkisen työn tekijä, ja toinen pimeä, julma, impulsiivinen. Tai toi Rva de Tillieres, jolla on 2 heilaa, Poyanne ja Casai, jotka tyydyttää sen kahta eri jotain (en sentään sano aukkoa). Vaan Rva Moraine kirjassa Mensonges sisältää kolme persoonallisuutta. Siinä on yx joka tykkää luxuxesta, toinen joka tykkää lemmestä, ja kolmas joka haluu huomiota. Odottakaas! Kun Larcher päättelee: se on aika moni poni, abbe Taconnet vastaa doucement kuin Pirkko: Komplisoituko? ... tiedän, te käytätte nitä sanoja välttääxenne yxinkertaisempia. Se on vaan onneton joka on tunteittensa vallassa. Jos appi on oikeassa, mitä jää Hra Bourgetin zygologisista pölinöistä? Oikeassahan appi on, Suzanne on yxinkertainen elukka. Se mistä Hra Bourget tekee ison numeron koko kirjan pituudelta, voidaan tiivistää tähän: siinä kisailee sielu ja ruumis, enkeli ja nauta. Eikä siinä mitään, mut pitääx siitä tehdä tollasta zygologista sanasalaattia.
ellauri033.html on line 445: Oliko Bourget homo? Sen kuolaava kuvaus miehekkäästä kreivi Andresta on homahtava. Ja aii-van,sillä oli kuin olikin jotain homojimbajambaa 18-vuotiaana 15-vuotiaan Maurice Bouchorin kaa, jonka kotiope se oli olevinaan:
ellauri033.html on line 447: L’auteur des Chansons joyeuses était alors amateur de vins et très libre sur le plan des mœurs. Il faut signaler une amitié particulière peu connue qui avait uni Maurice Bouchor et Paul Bourget. Ce dernier écrivait à Bouchor quand il avait 15 ans des lettres enflammées auxquelles l’adolescent n’était pas inseänsible. Bourget à cette époque était son « précepteur ». Il faut savoir que Paul Bourget est présent dans l’Album zutique et qu’il fréquentait le groupe des Vivants auquel on l’associe à tort. Il semble que Bouchor n’ait pas craint dans sa première jeunesse de passer pour un homosexuel, peut-être par provocation.
ellauri033.html on line 489: Marcel on Marcellus, pikku Markku. Sirkkis sanoi vanhuudenhöperönä Max-vauvaa pikku Markuxi. Se tulee aina mieleen Pulkkilanharjulla kun siellä on joku Markku niminen niemi ja tienristi.
ellauri033.html on line 491: Marcus Claudius Marcellus (42 eaa.-23 eaa.) oli Rooman keisari Augustuksen siskon Octavian poika. Marcelluksen isä oli Gaius Claudius Marcellus. Augustus aikoi tehdä Marcelluksesta seuraajansa ja antoi tyttärensä Julian Marcellukselle vaimoksi vuonna 25 eaa. Augustus otti myös hänet mukaan sotaretkelle Hispaniaan samana vuonna. Augustus haki Marcellukselle oikeuden asettua ehdolle konsuliksi kymmenen vuotta ennen lain säätämää ikää. Vuonna 23 eaa. Marcellus oli ediilinä, mutta hän kuoli saman vuoden lopulla. Augustus nimitti Marcelluksen mukaan teatterin ja antoi haudata hänet omaan mausoleumiinsa.
ellauri033.html on line 495: Marcus Claudius Marcellus (n. 268 – 208 eaa. lähellä Venusiaa) oli roomalainen sotapäällikkö ja Hannibalin tärkeä vastustaja. Marcellus valtasi toisessa puunilaissodassa (218–201 eaa.) Syrakusan. Hän toimi konsulina viidesti.
ellauri033.html on line 496: Ensimmäisen konsulikautensa aikana 222 eaa. Marcellus taisteli Insubriassa ja saavutti spolia opiman kolmatta ja viimeistä kertaa Rooman historiassa. (The spolia opima ("rich spoils") were the armour, arms, and other effects that an ancient Roman general stripped from the body of an opposing commander slain in single combat. The spolia opima were regarded as the most honourable of the several kinds of war trophies a commander could obtain, including enemy military standards and the peaks of warships.) Hän vapautti roomalaisen varuskunnan Clasditiumissa ja valtasi Mediolanumin. Vuonna 216 eaa. Rooman hävittyä Cannaessa hän komensi armeijan jäännöksiä Canusiumissa ja pelasti Nolan ja eteläisen Campanian Hannibalilta. Vuosina 214–211 eaa. hän oli konsulina kolmatta kertaa palvellen Sisiliassa. Hän hyökkäsi Leontinoihin ja valtasi Syrakusan kahden vuoden piirityksen jälkeen. Hänen joukkonsa surmasivat tiedemies Arkhimedeen kaupungin valtauksen yhteydessä. (Noli turbare circulos meos.) Marcellius ryösti kaupungin ja toi sen aarteet Roomaan. Hän oli konsulina jälleen 210 eaa. vallaten Salapian Apuliassa, joka oli kapinoinut liittyen Hannibaliin. Vuonna 209 eaa. hän taisteli ratkaisemattomaan päättyneen taistelun Hannibalia vastaan Venusiassa. Hän sai surmansa väijytyksessä viidennellä konsulikaudellaan 208 eaa. ollessaan tiedustelemassa vihollisen asemia.
ellauri033.html on line 685: Filosofien foaf-netissä se on melko iso hämähäkki, se on saanu ja antanu vaikutteita joka puolella. (Täähän on kuin coronan tartuntaverkkoja, meemien leviämistä!) Saamapuolella plussaa on Avicenna, Averroes, Aristoteles, Demokritos, Lucretius, Epikuros, Niccolo Machiavelli, Thomas Hobbes, Giordano Bruno. Miinusta Descartes, stoalaiset.
ellauri033.html on line 815: Lamartine syntyi Burgundin maakunnassa ranskalaiseen aatelisperheeseen. Hänen vanhempansa kasvattivat hänet hartaaksi katolilaiseksi, mutta hän kääntyi myöhemmin panteismiin kirjoittaessaan teoksiaan Jocelyn ja La Chute d´un ange. Vuonna 1847 hän kirjoitti teoksen Histoire des Girondins ylistyksenä girondistien puolueelle.
ellauri033.html on line 844: Regarde ! je viens seul m´asseoir sur cette pierre
ellauri033.html on line 847: Tu mugissais ainsi sous ces roches profondes,
ellauri033.html on line 852: Un soir, t´en souvient-il ? nous voguions en silence ;
ellauri033.html on line 854: Que le bruit des rameurs qui frappaient en cadence
ellauri033.html on line 857: Tout à coup des accents inconnus à la terre
ellauri033.html on line 860: Laissa tomber ces mots :
ellauri033.html on line 862: Ô temps ! suspends ton vol, et vous, heures propices !
ellauri033.html on line 864: Laissez-nous savourer les rapides délices
ellauri033.html on line 874: Je dis à cette nuit : Sois plus lente ; et l´aurore
ellauri033.html on line 882: Temps jaloux, se peut-il que ces moments d´ivresse,
ellauri033.html on line 887: Eh quoi ! n´en pourrons-nous fixer au moins la trace ?
ellauri033.html on line 889: Ce temps qui les donna, ce temps qui les efface,
ellauri033.html on line 894: Parlez : nous rendrez-vous ces extases sublimes
ellauri033.html on line 899: Gardez de cette nuit, gardez, belle nature,
ellauri033.html on line 904: Et dans ces noirs sapins, et dans ces rocs sauvages
ellauri033.html on line 909: Dans l´astre au front d´argent qui blanchit ta surface
ellauri033.html on line 914: Que tout ce qu´on entend, l´on voit ou l´on respire,
ellauri033.html on line 1017: Murmurera toujours celui d’Eléonore ! vuosisadoille aina Eleonooran sitä!
ellauri033.html on line 1022: Il lègue à ce qu’il aime une éternelle vie, se testamenttaa rakkaalle iki-iäkkyyden
ellauri033.html on line 1026: Grâce à des vents plus doux, pouvait surgir au port ? Sulompien tuulten armosta pääsis satamaan?
ellauri033.html on line 1032: Egaler mon audace à l’amour qui m’inspire, Yhtä röyhkeästi kuin mun seisokki,
ellauri033.html on line 1048: Renouvelle en fuyant ce mobile univers ! ja mennen tullen uusintaa mobiilin universumin!
ellauri033.html on line 1049: Dans l’éternel oubli tombe ce qu’il moissonne : Päättymätön amnesia syö sen niittämät:
ellauri033.html on line 1064: Un silence éternel succède à ses amours ; Iänikuinen hiljaisuus seuraa panoa;
ellauri033.html on line 1071: Cynthia oli Sextus Propertiuxen hoito. Sextus Propertius was a Latin elegiac poet of the Augustan age. He was born around 50–45 BC in Assisium and died shortly after 15 BC. Propertius´ surviving work comprises four books of Elegies (Elegiae). He was a friend of the poets Gallus and Virgil and, with them, had as his patron Maecenas and, through Maecenas, the emperor Augustus. Although Propertius was minor in his own time compared to other Latin elegists, today he´s regarded by scholars as a major poet.
ellauri033.html on line 1073: Emile Laure oli II maailmansodan armeijankenraali Vauclusesta, Vichy-luopio, mitäs se puuhaa Lamartinen runossa? Sori my bad, puhe on jostain toisesta Lauresta. No Vauclusessa on myös ravintola Petrarque et Laure, josta jenkkivieraat sanovat: Good food but lousy service. Koska Vauclusessa on Mont Ventoux, jolle Petrarca kipusi jollain wanderungilla: For pleasure alone he climbed Mont Ventoux, which rises to more than six thousand feet, beyond Vaucluse. It was no great feat, of course; but he was the first recorded Alpinist of modern times, the first to climb a mountain merely for the delight of looking from its top. (Or almost the first; for in a high pasture he met an old shepherd, who said that fifty years before he had attained the summit, and had got nothing from it save toil and repentance and torn clothing.) Petrarch was dazed and stirred by the view of the Alps, the mountains around Lyons, the Rhone, the Bay of Marseilles. He took Augustine´s Confessions from his pocket and reflected that his climb was merely an allegory of aspiration toward a better life. Vanha paimen oli tyytyväinen kun joku oli vielä tyhmempi kuin se, niinkuin Roope ezimässä nelikulmaisia munia.
ellauri033.html on line 1075: Eleonora d´Este is best known as the beloved of Italian poet Torquato Tasso (1544-1595). In 1565, Tasso was 21 when he first met the beautiful 28-year-old Eleonora at the court of Alfonso, and he was quickly infatuated. An indiscreet remark made by one of the courtiers regarding the poet´s veneration of the princess caused Tasso to challenge the offender. The courtier, along with his three brothers, attacked Tasso, but others put an end to the duel. Alphonso, incensed by this outburst, sent Tasso away from the court, where he remained subject to the duke´s call.
ellauri033.html on line 1076: According to legend, Tasso wrote verses to his beloved Eleonora that touched her heart. A few years later, at the wedding of one of the Gonzaga family, celebrated at the court of Este, Tasso kissed the princess Eleonora on the cheek. Furious, Alphonso turned coolly to his courtiers and remarked, "What a great pity that the finest genius of the age has become suddenly mad!" The duke had Tasso shut up in the hospital of St. Anna in Ferrara. (In actuality, Tasso had been beset by delusional fears of persecution starting in 1575 and began a series of mad wanderings around 1577.)
ellauri033.html on line 1093: Considérer sa propre destinée comme un corollaire dans cette géometrie vivante qui est la nature, et par suite comme une conséquence inévitable de cet axiome éternel dont le développement indéfini se prolongue à travers le temps et l´espace, tel est le unique principe de l´affranchissement.
ellauri033.html on line 1099: À rebours est un roman de Joris-Karl Huysmans paru en 1884. La particularité de ce roman est qu´il ne s´y passe presque rien : la narration se concentre essentiellement sur le personnage principal, Jean des Esseintes, un antihéros maladif, esthète et excentrique, et constitue une sorte de catalogue de ses goûts et dégoûts.
ellauri033.html on line 1104: Auguste de Villiers de L´Isle-Adam, dit le comte, puis (à partir de 1846) le marquis de Villiers de L´Isle-Adam, est un écrivain français d´origine bretonne, né à Saint-Brieuc, le 7 novembre 1838 et mort à Paris le 18 août 1889. Appelé Mathias par sa famille, simplement Villiers par ses amis, il utilisait le prénom d´Auguste sur la couverture de certains de ses livres.
ellauri033.html on line 1106: Villiers collabore au Figaro à partir d´avril, puis à Gil Blas en août 1884. À cette époque, il se lie avec Léon Bloy et Joris-Karl Huysmans, qui entretient avec lui une correspondance littéraire, et qui publie À rebours, où Villiers apparaît comme l´un des auteurs préférés du héros, des Esseintes.
ellauri033.html on line 1108: Atteint d´un cancer des voies digestives lors de l´hiver 1888-1889, Villiers ne peut plus travailler, et Mallarmé doit ouvrir une « cotisation amicale » parmi ses amis pour subvenir à ses besoins et à ceux de sa famille. Le 12 juillet 1889, il est transféré à la clinique des Frères Saint-Jean-de-Dieu, rue Oudinot, à Paris. Se sentant à l´article de la mort, il rédige, le 12 août, un testament où il reconnaît son fils Victor et épouse in extremis Marie Dantine, le 14 août, afin de légitimer son fils. À noter que, juste avant de mourir, il aurait eu ces derniers mots passés à la postérité : « Eh bien, je m´en souviendrai de cette planète ! »
ellauri033.html on line 1115: Selon sa généalogie, Villiers de L´Isle-Adam appartient à l´ancienne et illustre famille des Villiers, seigneurs de l´Isle-Adam : toutefois, cette généalogie présente des trous qui, de son vivant déjà, ont provoqué des doutes, renforcés en 1928 par un article de Max Prinet paru au Mercure de France. D´après lui, il descend d´une famille de la noblesse de robe parisienne, et son premier ancêtre certain est un Jean de Villiers, procureur des comptes au début du XVIIe siècle. Un autre Jean de Villiers, petit-fils du précédent, s´établit en Bretagne et devient le premier à ajouter à son nom le nom de la terre de « L´Isle-Adam » et à prétendre ainsi à une parenté imaginaire avec les seigneurs de L´Isle-Adam.
ellauri033.html on line 1117: Cependant, il apprend qu´un certain Georges de Villiers de L´Isle-Adam l´accuse d´usurper son nom ; il manque de le provoquer en duel quand il découvre que Louis XVIII, croyant à tort la branche des Villiers de L´Isle-Adam éteinte, avait autorisé un Villiers des Champs à « relever » le nom en 1815.
ellauri033.html on line 1119: Villiers était « un inquiétant mythomane. Il revendiqua le trône de Grèce, poursuivit des critiques pour diffamation, se prétendit Prince du Saint-Empire Romain, unique héritier du grand maître de Rhodes fondateur de l´ordre de Saint-Jean de Jérusalem, Grand d´Espagne depuis Charles Quint, 22 fois comte ».
ellauri033.html on line 1129: Ernest Renan est immédiatement convaincu par les hypothèses de Darwin sur l´évolution des espèces. Il établit un rapport étroit entre les religions et leurs racines ethnico-géographiques.
ellauri033.html on line 1133: Ce n´est pas la philosophie mais la philologie qui finalement éveille le doute chez Renan. Renan apprend l´hebreu et constate à cette époque que la deuxième partie d´Isaïe diffère de la première non seulement quant au style, mais également quant à la date, que la grammaire et l´histoire du Pentateuque sont postérieures à l´époque de Moïse et que le livre de Daniel est manifestement apocryphe.
ellauri033.html on line 1135: Nommé, le 11 janvier 1862, professeur d´hébreu au Collège de France où il succède à Étienne Quatremère, il est suspendu quatre jours après sa leçon inaugurale pour injure à la foi chrétienne et remplacé dans sa chaire d´hébreu le 11 juin 1864 en raison de sa Vie de Jésus, ouvrage sur Jésus de Nazareth jugé sacrilège. L´érudit Salomon Munk lui succède à cette chaire.
ellauri033.html on line 1137: Toi Munk oli nimestään huolimatta (tai juuri sixi) takuulla hebrealaisia. Sittemmin Renan toimi useita vuosia heprean, syyrian ja raamatullisen aramean kielten professorina Collège de Francessa.
ellauri033.html on line 1143: La Vie de Jésus (1863) contient la thèse, alors controversée, selon laquelle la biographie de Jésus doit être comprise comme celle de n´importe quel autre homme, et la Bible comme devant être soumise à un examen critique comme n´importe quel autre document historique. Ceci déclenche des débats passionnés et la colère de l´Église catholique.
ellauri033.html on line 1148: Vuonna 1882 julkaisemassaan kuuluisassa esseessä Qu´est-ce qu´une nation? (Mikä kansakunta on?) joka ilmestyi vihkosena Que sais-je? sarjassa, hän hylkäsi useimpien nationalistien vaaliman ajatuksen kansakuntien ikiaikaisuudesta ja luonnollisuudesta. Hänen mukaansa kansakunta oli sitä vastoin joukko ihmisiä, joita yhdisti solidaarisuus ja vapaaehtoinen halu kuulua yhteen, ”joka päivä uudistettava kansanäänestys”. Ei ihme että snobi protonazi Bourget ja sen hampuusikaveri Barrès karsasti Ernu-setää kuin ruttoa. Renan oli sentään tiedemies eikä mikään pöyhkeilevä pelle.
ellauri033.html on line 1161: Hunsvotti on koiranvittu. Bourgesin hunsvottikavereista puuttuu vielä Maurice Barrès. Se oli hampuusin näkönenkin, ja paha protonazi. Räxytti kuin pikku rakki koiralaumassa.
ellauri033.html on line 1163: Auguste Maurice Barrès (19. elokuuta 1862 Charmes-sur-Moselle – 5. joulukuuta 1923 Pariisi) oli ranskalainen kirjailija, tyhjäntoimittaja ja poliitikko, joka vaikutti ranskalaisen nationalismin pahentumiseen Saxan-Ranskan sodan turpasaunan jäljiltä. Uudestaan olis tullut turpaan Fifille maailmansodissa saxanpaimenkoiralta ellei ois apuun tullut anglosaxiboxeri ja transatlanttinen buldoggi. Räyh räyh! Vuh! Uyyylll! Koirat ärisevät toistensa turkissa.
ellauri033.html on line 1167: Hän julkaisi vuonna 1884 Mustetahrat -nimistä lehteä, joka esiintyi nazirevanshistipoikien äänitorvena. Hän liikkui muun muassa huijarirunoilija Leconte de Lislen ja symbolistipaskiaisten piireissä. Barrès kohosi nopeasti maineeseen sekä keikarimaisilla elämäntavoillaan että varhaisilla teoksillaan, joista useimmat olivat avainromaaneja. Vuosina 1888–1891 ilmestyneessä ensimmäisessä romaanitrilogiassaan Le Culte du moi (”Minän kultti”) Barrès uppoutuu tiiviisti itsetutkiskeluun, ylistää individualismia, ivaa vallitsevia arvoja ja hierarkioita sekä tuo esiin kiinnostuksensa kuoleman ja dekadenssin teemoihin. Mikä perse! Hän sai lempinimen prince de la jeunesse (”nuorison ruhtinas”). Vittu pahan ruhtinas, suoraan Mordorista. Nationalismi korvaa culte du moin culte du moi et mes copainsilla. Yhtä syvältä on molemmat.
ellauri033.html on line 1171: Vuosina 1897–1902 ilmestyneessä toisessa romaanitrilogiassaan Le Roman de l’énergie nationale (”Kansallisen energian romaani”) Barrès käsittelee muun muassa suhdettaan kotiseutuunsa Lothringeniin (Lorraine). Teosten sanoma kuvastaa hänen omaksumaansa nationalistista katsomusta: side synnyinseutuun ja menneisiin sukupolviin muovaa yksilöt, joten kotiseudun hylkääminen johtaa yksilöllisen identiteetin menettämiseen ja kärsimykseen. Barrèsin myöhemmät romaanit Au Service de l’Allemagne (1905) ja Metzin tyttö (Colette Baudoche, 1909) käsittelevät Saksaan liitetyn Elsass-Lothringenin ranskalaisten asukkaiden lojaliteettiristiriitoja. Näitä teoksia käytettiin Ranskassa sotapropagandana ensimmäisen maailmansodan aikana. Meidän yöjuna pysähtyi Metzissä kun oltiin interreilillä. Tyttöjä ei näkynyt. Paizi Helmiä.
ellauri033.html on line 1177: Barrèsin varhaistuotanto innoitti monia nuoremman sukupolven ranskalaisia kirjailijoita, kuten Marcel Proust, André Gide, Henry de Montherlant, Jean Cocteau ja François Mauriac. Ikäviä tyyppejä nääkin valtaosalta. (Kukas se Cocteau taas oli? Sekö pipopäinen sukeltaja? Ei se oli Cousteau. Jean Cocteau oli Georgetten läheinen ystävä, joka oli kirjailija Maurice Leblancin sisar, joka Maurice kirjotti Arsene Lupineja. Niistä oli puhe Maurice Maeterlinckin kohalla.)
ellauri033.html on line 1181: Jean Maurice Eugène Clément Cocteau (5. heinäkuuta 1889 – 11. lokakuuta 1963) oli ranskalainen surrealistinen runoilija, kirjailija, muotoilija ja filmintekijä. Hänellä on monipuolinen ja laaja tuotanto, jossa aiheita on käsitelty uudella tavalla.
ellauri034.html on line 19: center">Sisälmysluetteloon
ellauri034.html on line 24:
contemporary “is a moving ratio of modernity, moving through the recent past and near future in a (non-linear) space.
Eli vähän vanhaa, vähän uutta, vähän lainattua, vähän sinistä. Bravo Polle! Sä teit sen! Mikä pukerrus! Tais peräpukamat olla kovilla!
Samländisch Niederdeutsch | ||||
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kuivurrri | Bourget, Byron, Cato Sr., cero M.T.">Cicero, Coelho, Conrad, Jörkkä Donner, Hämeen-Anttilat, Fred Karlsson, Kimmo Koskenniemi, Platon, Rousseau, Heka Tikkanen | Epiktetos, Hamsun, Hitler, Knasu, Syväntö | Cato Jr, Melville, Nietzsche, Peeveli | Jari Ehrnrooth |
märrrsyrrri | Diderot, Epikuros, Russell, Stendhal | Erasmus, pikku-Make, Fontane, Marx, cel">Proust, Spinoza | Busch, Stenvall |
center;margin-top:0%;margin-bottom:0%">Kornei Tšukovski
ellauri041.html on line 26: center;margin-top:0%;margin-bottom:0%">NORSU LUKEEellauri041.html on line 272: Nyt te olette mies ja vaimo, Lettore ja Lettrice. Suuur aviovuode majoittaa teidän lukukinkereitanne. Seija sulkee kirjansa, sammuttaa lamppunsa, painaa päänsä tyynyille ja sanoo: sammuta sinäkin. Etkö ole väsynyt lukemaan? Ja sinä: hetki vielä. Olen lopettelemassa Italo Calvinon romaania Jos talviyönä matkamies. ellauri041.html on line 295: Yx ei alotakkaan, lukee vaan kirjan nimiä selkämyxistä. Yx lukee vain loppuja. Yx lukee jokaisen kirjan erixeen huolella sekoittamatta mitään, nyt pohditaan. (Tää on varmaan Linkkujen tai Kimmon tapa toimia?) Mut cetera iam fabulosa, Tacitusta lainataxeni. Jo riittää suljen tämän viidakon. Longum est omnia enumerari. Nää lukijatyypit vielä hälisee vähän keskenään ja muistelee jotain 1002. yön tarinaa: Harun el Pullah lähtee yöseikkailulle ja tapaa upeen naisen herraseurassa. Tehtävä on vetää helmikuula hatusta. Mustan kuulan vetäjän on tapettava hyvä kalifi Harun el Pullah. No tietysti Harun vetää sen. Ok se sanoo, mut saisinko ensin kuulla miten tää satu päättyy? ellauri041.html on line 336: Uneliaassa pikkukaupungissa lähellä Pariisia Joel Ranto ystävystyy huolintaliikkeen omistavaan Marcel Daignaultiin, joka on entinen historian lehtori. Vaimonsa traagisesti menettänyt Marcel on palannut pikku pullon hukanneena Pariisista takaisin synnyinkaupunkiinsa - ja isänsä firmaan. ellauri041.html on line 340: Tässä mielessä Ranskalainen ystävä korostaa, että nykyhetkeä ei kuitenkaan pääse pakoon. Idyllisen paikkakunnan näennäinen rauha on vain silmänlumetta. Rauha on ihmisessä itsessään tai sitten ei - ilmaistakseni kliseisen romaanin yhden teeman yhtä kliseisesti. Päähenkilölle romaanin nimeksi nostettu elintärkeä ranskalainen ystävä on yhtä hyvin Marcel Daignault kuin Gustave Flaubert. Yksi sitoo hänet sängynpäätyyn, toinen mahdollistaa silmien ummistamisen koko jutulta. ellauri041.html on line 344: Se on kuitenkin vain puolet totuudesta, koska Tommi Melender tarjoaa monia riemastuttavia ja karmivia hetkiä. "Marcelia huvitti ajatus, että häntä varten koottaisiin itsemurhien estämiseen erikoistunut iskuryhmä. Se murtaisi oven ja ryntäisi hänen asuntoonsa kuin terroristisolun tukikohtaan. Parhaassa tapauksessa hän tulisi siinä tohinassa ammutuksi." (Huoh, huoh, huoh. Olipa riemastuttavaa. Ammutuxi saisi tulla Tommin mukana myös karmiva Jukka Petäjä.) ellauri041.html on line 1935: Spearman congratulates Netflix for picking up the show as it contributes to "telling international stories from places Americans don't consider"; Jonathon Wilson of Ready Steady Cut says that it is "another solid piece of overseas programming". ellauri041.html on line 1937: It’s difficult to reconcile corpse disposal with typical teen awkward-boner gags. In American lamestream programming, they belong to different genres. That’s where the “dark” half of the comedy comes from, and it’s not a mode that necessarily suits the show – at least not all of the time. ellauri041.html on line 1941: Reviewing season two for El País, Delclós suggests that the necessary suspension of disbelief is harder to cover up with comedy. ellauri041.html on line 1945: The non-English origins shouldn’t be off-putting, as Netflix’s usual wide array of language options includes both the original, subtitled Catalan, as well as several voiceovers. ellauri041.html on line 1957: Ja koko ajan taloutta pyörittää kasvava kuluttajien armeija leikkimässä joutavia leikkejä, panem et circenses. Mix vitussa kapitalistit ei tyydy vaan tuottamaan hyvää izelleen ja nakkaa rodeen koko laahusta? No eihän kapitalistit tuota mitään, ne ei omista edes tuotantovälineitä, ne omistaa vaan luottoa, osakkeita eli rahaa. Ne istuu lehdellä kuin kirvat imemässä sokeria ja kastetta. Ne on loisia. Niillä pitää olla noi kuluttajat koko ajan töissä että olis mistä imeä sitä siivua. Lisää porukoita, lisää tuotantoa, lisää asuntoja, lisää työtä, lisää rahaa työtätekevien selkänahasta. Ja luonnosta. Nimenomaan lisää, sillä se sokeri, se luotto, tulee korkoa korolle kasvusta. Näin se pelittää. Kuluttaja on aina oikeassa, ja tuottaja on aina poliittisesti oikealla. ellauri041.html on line 1968: Is Finland a country? Do they have cars in Finland? How is Germany for Indians? Varmaan parempi kuin jenkkilä, jossa ainoot hyvät intiaanit on kuolleita. Why are Swedes so successful? Which countries don't like Finland? Nää on jenkkiläisen Quora sivuston ozikoita. ellauri041.html on line 1980: Moni ruozalainen suhtautuu koronarajoituxiin kuin terrorismiin. He eivät suostu neuvottelemaan näkymättömän uhkan kanssa. Ruozin koronapolitiikassa tiivistyy ruozalainen exceptionalismi: me ollaan jotain ihan extra, ylivertaisia ruozalaisia. Vaikka muu maailma toimii koronassa yhtenäisesti, Ruozin ei tarvize. Ruozin koronatilastoissa ovat yliedustettuina sairaat vanhuxet ja ulkomailla syntyneet, ja se vahvistaa vain käsitystä, että arjalainen perusstommi on koronalle immuuneja, ja että kuolintilastot vaan kohentavat taloutta. ellauri042.html on line 8: @font-face { ellauri042.html on line 17: center">Sisälmysluetteloon ellauri042.html on line 22: center;margin-top:0%;margin-bottom:0%">J. Agusta - Z. Burian
ellauri042.html on line 23: center;margin-top:0%;margin-bottom:0%">MUINAISAJAN ELÄIMIÄellauri042.html on line 68: back in the late Cretaceous, oli lopuillaan, eli tyrannosauri, ellauri042.html on line 73: He epitomized the concept of Ravintoverkossa sen voittajaa ellauri042.html on line 79: for quick eviscerations! saaliin, joka pahaa-aavistamatta jaloittelee ellauri042.html on line 107: At last the menace ate his fill, Tyrannosauri sai kerrankin kylläxeen. ellauri042.html on line 113: are certainly still around. eivät ne sentään ole tarumaisia. ellauri042.html on line 123: Recess! A school day break Välitunti! tauko, joka on tarkoitettu ellauri042.html on line 214: Yet despite our small biomass among animals, we’ve had an overwhelmingly huge impact on the planet. The chart above represents a massive amount of life. But it doesn’t show what’s gone missing since the human population took off. ellauri042.html on line 218: And though plants are still the dominant form of life on Earth, the scientists suspect there used to be approximately twice as many of them — before humanity started clearing forests to make way for agriculture and our civilization. ellauri042.html on line 220: The census in the PNAS paper isn’t perfect. Though remote sensing, satellites, and huge efforts to study the distribution of life in the ocean make it easier than ever to come up with estimates, the authors admit there’s still a lot of uncertainty. But we do need a baseline understanding of the distribution of life on Earth. Millions of acres of forests are still lost every year. Animals are going extinct 1,000 to 10,000 faster than you’d expect if no humans lived on Earth. Sixty percent of primate species, our closest relatives on the tree of life, are threatened with extinction. ellauri042.html on line 465: I korte, enkeltstående scener følger romanen familien fra den ruller flyttevognen – med den lille Jens sovende i en kommodeskuffe på ladet – ind ved villaen i Risskov, til faren til sidst dør af kræft, og de fire voksne sønner samles til en fælles afsked. Det er med stor sans for det mundrette sprog og for det humoristiske og komiske, at Blendstrup skildrer faren, også i de mest usympatiske situationer, når han tager livet af en kat med en brevkniv, når han lader sin hund rasere en nabos hønsehus, når hans næver sidder løst, og familien gemmer sig bag låste døre og under gamle sofaer, når han planter sine drømme om jordomrejse til havs i sine sønners hoveder, men ender med at drikke pengene op. ellauri042.html on line 467: Ved at hjælp af det enkle og effektfulde greb at erstatte substantivet ’far’ med det overjordiske og almægtige ’Gud’ får Blendstrup den distance, der skal til for at kunne skrive et uforbeholdent og umiddelbart portræt af sin forgudede far. Samtidig skaber referencen til de højere magter en finurlig humoristisk effekt: ellauri042.html on line 475: Blendstrups sprogsnilde og nænsomme registreringer gør Gud taler ud til en latterforløsende beretning om et svigefuldt, grænseoverskridende overmenneske, som dog også leverer et stort engagement og nærvær i livet og sin familie. Og kan bogen ikke læses som et opgør eller en forsoning, kan den i stedet forstås som et forsøg på at videreføre arven efter faren eller måske endda at levendegøre ham post mortem ved at lade ham låne sønnens stemme. I en af romanens afsluttende scener, hvor faderen som en følge af sygdommen har mistet stemmen, assisterer sønnen Jens ham ved at lade ham låne sin egen. Faren har skrevet en tale til en familiefest, og Jens stiller sig bag ham med et lagen over hovedet og læser talen højt, imiterende farens stemme, og imens sidder faren på sin stol og mimer med. Romanen ligner en videreførelse af dette eksperiment, hvor Jens iklæder sig nogle sproglige gevandter, der tillader ham at agere sin fars stemme. Og arven efter faren kommer stærkt til udtryk i Jens’ finurlige fikumdikken rundt med sproget. ellauri042.html on line 477: Romanen blev et gennembrud for Blendstrup, der før Gud taler ud skrev i kortere genrer. Han debuterede med novellesamlingen Mennesker i en mistbænk i 1994. Blendstrups tone er bramfri, men blandet med en fin følsomhed over for det nære. Humoren, det groteske og det surrealistiske går igen i Blendstrups forfatterskab. Jens Blendstrup har siden Gud taler ud skrevet både noveller, romaner, dramatik og tekster til Frodegruppen 40, som han også er forsanger i. Han tager den selvbiografiske fortælling op igen med romanen Bombaygryde fra 2010. Sammen med litteraturkritikeren Lars Bukdahl optræder Blendstrup med den unikke genre ’litterær hypnose’, som er en blanding af dilettantkomedie, oplæsning og dans. Blendstrup er blevet kaldt litteraturens pølsemand, og som en del af forfatterskabets eksistentielle komik står han ikke tilbage for at læse sine tekster højt med en tehætte på hovedet. Men med Gud taler ud står Jens Blendstrup også tydeligt frem som villavejsvidne, hvor det almindelige skildres i dets mange facetter, og det, der på overfladen ligner et almindeligt, rutinepræget liv i et almindeligt, rutinepræget forstadskvarter, viser sig at rumme både små og store særheder. ellauri042.html on line 481: Gud taler ud er filmatiseringen er Jens Blendstrups selvbiografiske bestseller af samme navn fra 2004 og er en skæv, sjov og rørende film af den prisbelønnede instruktør Henrik Ruben Genz med Søren Malling i sit livs rolle som Uffe/Gud.I 80´erne vokser Jens og hans brødre op i et parcelhus i Risskov. Her regerer familiens overhoved, Uffe - Psykolog og selvbestaltet Gud i slåbrok ... ellauri042.html on line 488: This is by far the very worst movie I have ever seen. I took a chance and gave it a try at the cinema back in 2017. 5-7 persons left the cinema in anger of how bad it was. I only made this account to make this review. ellauri042.html on line 494: TrTm31614 December 2019 ellauri042.html on line 500: Despite references to the family patriarch as "God", this isn't a fantasy story. Word of God is set very much in the real world. It's a vignette rather than a plot-driven story, a tale of a cranky man and how his wife and three sons deal with him while trying to maintain their dignity and sanity. ellauri042.html on line 502: The youngest son narrates the tale. He, his brothers, and his mother are all sympathetic characters, relatively normal people, though each has their own beliefs, quirks, and problems. The failure of my-way-or-the-highway Dad to show respect or even empathy for those who disagree drives the story. He could have been portrayed as an easy person to hate, but even with his limitations, it's obvious he is still trying to do good. To that extent, this film succeeds. ellauri042.html on line 504: Vignettes are usually less than totally satisfying, lacking resolutions commensurate with their conflicts. But this story, despite its interesting situation and fine production, feels emptier than most, because the resolution is largely driven not by action but by happenstance. Since Word of God is an autobiographical piece, I can't argue with what it shows, but the result seems to lack impact or message. ellauri042.html on line 527: Mikä pahinta, ei ollut sanomaa. Gods last message to mankind: we apologize for the inconvenience. Se on voi, elämä ei ole pelkkää voittosanomaa. Sen on jenkit saaneet hiljan nahoissansa tuntea. ellauri042.html on line 570: Vuonna 1965 Sacks nimitettiin Albert Einstein College of Medicinen kliinisen neurologian professoriksi. Tutkiessaan migreeniä hän tapasi New Yorkin Bronxissa olevassa Beth Abraham -sairaalassa potilaita, jotka olivat eläneet jo noin 40 vuotta täysin jähmettyneessä tilassa. He olivat selvinneet hengissä vuosina 1916–27 riehuneesta maailmanlaajuisesta unitautiepidemiasta (kyseessä oli ns. eurooppalainen unitauti eli encephalitis lethargica). Saatuaan migreenitutkimuksen valmiiksi Sacks omistautui tämän potilasryhmän tutkimiseen. Nekin oli varmaan varakkaita juutalaisia. ellauri042.html on line 596: The French novelist Alphonse Daudet kept a journal of the pain he experienced from this condition which was posthumously published as La Doulou (1930) and translated into English as In the Land of Pain (2002) by Julian Barnes. ellauri042.html on line 598: Poet Charles Baudelaire contracted syphilis in 1839 and resorted to opium to help alleviate the pain of tabes dorsalis ascending his spine. ellauri042.html on line 637: Tällästä on Saxen mukaan hebefrenia. Sakulla sanottiin olevan juuri se. Ei se kyllä ollut yhtään tollanen. Saxi siteeraa tässä kohen Popen Dunciadia. Kai sekin sitten pitää lukea. Pope oli kyllä izekin aika dunce. ellauri042.html on line 644: Part of Pope's bitter inspiration for the characters in the book come from his soured relationship with the royal court. The Princess of Wales Caroline of Ansbach, wife of George II, had supported Pope in her patronage of the arts. When she and her husband came to the throne in 1727 she had a much busier schedule and thus had less time for Pope who saw this oversight as a personal slight against him. When planning the Dunciad he based the character Dulness on Queen Caroline, as the fat, lazy and dull wife. Pope's bitterness against Caroline was a typical trait of his brilliant but unstable character. The King of the Dunces as the wife of Dulness was based on George II. Pope makes his views on the first two Georgian kings very clear in the Dunciad when he writes 'Still Dunce the second reigns like Dunce the first'. ellauri042.html on line 648: The plot of the poem is simple. Dulness, the goddess, appears at a Lord Mayor's Day in 1724 and notes that her king, Elkannah Settle, has died. She chooses Lewis Theobald as his successor. In honour of his coronation, she holds heroic games. He is then transported to the Temple of Dulness, where he has visions of the future. The poem has a consistent setting and time, as well. Book I covers the night after the Lord Mayor's Day, Book II the morning to dusk, and Book III the darkest night. Furthermore, the poem begins at the end of the Lord Mayor's procession, goes in Book II to the Strand, then to Fleet Street (where booksellers were), down by Bridewell Prison to the Fleet ditch, then to Ludgate at the end of Book II; in Book III, Dulness goes through Ludgate to the City of London to her temple. ellauri042.html on line 652: Pope's choice of new 'hero' for the revised Dunciad, Colley Cibber, the pioneer of sentimental drama and celebrated comic actor, was the outcome of a long public squabble that originated in 1717, when Cibber introduced jokes onstage at the expense of a poorly received farce, Three Hours After Marriage, written by Pope with John Arbuthnot and John Gay. Pope was in the audience and naturally infuriated, as was Gay, who got into a physical fight with Cibber on a subsequent visit to the theatre. Pope published a pamphlet satirising Cibber, and continued his literary assault until his death, the situation escalating following Cibber's politically motivated appointment to the post of poet laureate in 1730. ellauri042.html on line 657: An anecdote in "A Letter from Mr. Cibber, to Mr. Pope", published in 1742, recounts their trip to a brothel organised by Pope's own patron, who apparently intended to stage a cruel joke at the expense of the poet. Since Pope was only about 4' tall, with a hunchback, due to a childhood tubercular infection of the spine, and the prostitute specially chosen as Pope's 'treat' was the fattest and largest on the premises, the tone of the event is fairly self-apparent. Cibber describes his 'heroic' role in snatching Pope off of the prostitute's body, where he was precariously perched like a tom-tit, while Pope's patron looked on, sniggering, thereby saving English poetry. While Cibber's elevation to laureateship in 1730 had further inflamed Pope against him, there is little speculation involved in suggesting that Cibber's anecdote, with particular reference to Pope´s "little-tiny manhood", motivated the revision of hero. ellauri042.html on line 665: All the transports described in this section do have more or less clear organic determinants (though it was not evident to begin with, but required careful investigation to bring out). This does not detract in the least from their spiritual significance. If God, or the Devil, or the eternal order EAT! EAT! FUCK! FUCK! KILL! KILL!, was revealed to Dostoievski in seizures, why should not other organic conditions serve as 'portals' to the beyond or the unknown? In a tongue in cheek sense, this section is a study of such portals. ellauri042.html on line 669: Kuuntelin Easter Paradea starrin Judy Garland ja Fred Astaire. Kyllä se olikin syvältä perseestä. Hanurimusiikkia Jenkeistä. Fred on niin homon näköinen et on vaikee uskoa. Fred Astaire may have married twice and had children, but Gore Vidal told his nephew he shafted the famous dancer and actor in Hollywood. Olen pederasti, sanoi Vidal toimittajalle. Have a nice day! sanoi taxikuski Vidalille. No, I have other plans for the day, Vidal läppäsi. Se kävi paljon Bangkokissa. Harri Jäppinen kävi Indonesiassa. ellauri042.html on line 674: Käsineidon tarina on Margaret Atwoodin kirjoittama kirja 80-luvulta, HBO:n filmatisoima 2020, Gileadin eli ex-USA:n historia. Saastuneen ja lämmenneen maailman suurin ongelma on että naiset ei enää saa lapsia. Hyvin masentava ajatus. Masentavinta siinä on että se on dystopia. Kun Gileadin pojat räjäyttää Washington DC:n suon ja pääsee kasan pinnalle, ne välittömästi palauttaa patriarkaatin ja panee naiset takaisin naisten paikalle. A Woman´s Place on huippulaihan komendantittaren pamfletti, johon ei enää tule jatkoa, koska eka osa on just toteutettu. Oops, olikohan tää nyt tarkoitus, miettii komendöörskän kuikelo. ellauri042.html on line 680: Margaret Eleanor Atwood CC OOnt CH FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, teacher, environmental activist, and inventor. Since 1961, she has published 18 books of poetry, 18 novels, 11 books of non-fiction, nine collections of short fiction, eight children's books, and two graphic novels, as well as a number of small press editions of both poetry and fiction. Atwood has won numerous awards and honors for her writing, including the Booker Prize (twice), Arthur C. Clarke Award, Governor General's Award, Franz Kafka Prize, Princess of Asturias Awards, and the National Book Critics and PEN Center USA Lifetime Achievement Awards. A number of her works have been adapted for film and television. ellauri042.html on line 684: In 1968, Atwood married Jim Polk, an American writer; they divorced in 1973 without issue. Maybe they ought to have bought a handmaid. She formed a relationship with fellow novelist Graeme Gibson soon afterward and moved to a farm near Alliston, Ontario, where their daughter, Eleanor Jess Atwood Gibson, was born in 1976. The family returned to Toronto in 1980. Atwood and Gibson were together until September 18, 2019, when Gibson died after suffering from dementia. She wrote about Gibson in the poem Dearly and in an accompanying essay on grief and poetry published in The Guardian in 2020. ellauri042.html on line 690: Elävän leskestä tuli leipäsusi kunnes susikoira kellahti. Gibson oli sellainen koira joka jokaisen kirjailijattaren pitäisi valita. Ei todellakaan mikään komendantti. Oktogenaari taitaa olla vähän jo liian senior fellow ehtiäxeen saada noobelin. Ja liian feministi, tollanen niinko riitasa. Ei sellaisesta Ruozin Akatemiassa pidetä. Sitäpaizi Alice Munrohan juuri palkittiin, kanadalaiset naiset on syöneet jäätelönsä. ellauri042.html on line 697: Dostoevsky´s literary work has strong autobiographical elements. We know from him that he suffered from hallucinations already in early childhood. He presented idiotic characters with confused views about freedom of choice, religion, socialism, atheism, good and evil. Many of his characters suffered – like the author himself – from epilepsy. Other famous people also suffered from epilepsy (Alexander the Great, Caesar, Gustave Flaubert, and Lord Byron). Flaubert had religiously tinted visions. The first 2 guys thought they were gods. ellauri042.html on line 699: Maria Fyodorovna Nechayeva, his mother, was descended from a conservative Moscow merchant family. Dostoevsky was educated at home and at a private school. The family lived in a very small apartment, which his father also used as a doctor´s practice. The patriarchal and avaricious character of his father was seminal for the personal and the artistic development of Fyodor. ellauri042.html on line 703: In 1847, Dostoevsky participated in a revolutionary group around Petrashevsky. He was arrested and sentenced to death in 1849, during a reading of a radical letter. On December 22nd, 1849 he experienced mock execution while he was expecting death during some minutes quite seriously. However, the sentence was commuted to Katorga, a penal camp in Siberia. Served him right. ellauri042.html on line 708: During repeated trips to many European cities in the years 1862–1865, Dostoevsky got to know the complacence and arrogance of the aristocratic European ‘Bourgeoisie’. These experiences strengthened his slavophilic attitude and explain his xenophilia. ellauri042.html on line 717: Dostoevsky´s illness influenced some peculiarities of his writing, his language and style. Dostoevsky´s bad memory was well known; he had to take notes for everything His language is nervous, tense and impulsive. His phrases are sometimes long and complicated, containing a fanciful conglomeration of colloquial words and expressions, official, journalistic and scientific terms, and slips of the tongue, foreign words, names and quotations. But now and then we can see here very short, elliptic phrases. ellauri042.html on line 719: Dostoevsky´s favorite word was “vdrug” (“suddenly”). A lot of events in Dostoevsky´s novels begin suddenly, without preparations and explanation – like seizures. (But he did at times have a manic aura just before.) Dostoevsky also used frequent repetitions of the same word with different intonations. It made an impression of convulsions and shocked the literary critics. He wrote in a meticulous manner, using every empty space of a sheet (see Fig. 2). His style showed a tendency toward extensive and in some cases compulsive writing, and the writings were often concerned with moral, ethical, or religious issues. This may reflect a syndrome of interictal behavior changes that was described in temporal lobe epilepsy by Waxman and Geschwind. ellauri042.html on line 726: Interictal (kohtausten välinen) behaviour abnormalities in temporal lobe epilepsy have been discussed by many authors. There is clear evidence of a temporal lobe epilepsy personality syndrome including a deepening of emotionality with a serious, highly ethical, and spiritual demeanour and an interictal dysphoric disorder. ellauri042.html on line 734: Source: cedirect.com/science/article/pii/S105913110500066X">https://www.sciencedirect.com/science/article/pii/S105913110500066X ellauri042.html on line 774: Josef Mengele ([ˈjoːzɛf ˈmɛŋələ] ( lyssna)), även känd som Dödsängeln (tyska Todesengel) och Den vita ängeln (tyska Der weiße Engel), född 16 mars 1911 i Günzburg, död 7 februari 1979 i Bertioga i delstaten São Paulo i Brasilien, var en tysk nazistisk läkare, humangenetiker och människorättsbrottsling. Mengele är mest känd för sin verksamhet i koncentrations- och förintelselägret Auschwitz-Birkenau, där han företog pseudovetenskapliga experiment på bland annat tvillingar och dvärgväxta. ellauri042.html on line 776: Josef Mengele var stationerad i koncentrationslägret Auschwitz från den 30 maj 1943 till den 18 januari 1945, där han var chefsläkare. Han utförde hänsynslösa och för medicinvetenskapen tvivelaktiga experiment på lägerfångar, med full licens för att lemlästa eller döda dem. Han valde även ut vilka judar som skulle föras till gaskamrarna vid ankomst till lägret. Främst valde han att experimentera på dvärgar och enäggstvillingar, som kom att benämnas "Mengeles tvillingar". Även vivisektion utfördes på fångarna. Vidare utfördes experiment på ögon där Mengele genom olika metoder försökte ändra ögonfärg på fångar från brun till blå, bland annat med bläckinjektioner vilket kunde leda till blindhet, smärta och infektioner. Han utförde operationer där han plockade ut olika delar ur kropparna. Mengele injicerade också till exempel kloroform direkt in i hjärtat på offren, för att kunna utföra försök med färska lik. Många operationer och experiment utfördes dessutom utan bedövning. Många av dem som överlevde Mengeles experiment blev svårt skadade och led av invalidiserande skador efter kriget. Vid ett tillfälle övervakade Mengele två romska barn när de syddes ihop i syfte att skapa siamesiska tvillingar. ellauri042.html on line 785: En ny rapport, publicerad av den internationella organisationen OECD, visar att Sverige är sämst av alla analyserade länder på att minska smittspridningen på flera olika punkter. ellauri042.html on line 800: Mutta ei. Ne on vaan korvamatoja, samoja mitä niiden on pitänyt muutenkin tahtomattaan hyräillä. Olli on romantikko. Romantikot tuppaa olemaan porvarillisia vakavikkoja. Yhden ictal pleasure on toisen profound joy. Olli pitää kiinni mieluusti joystickistä. Lapsuudenmuistot ei ole sille vaan kivoja vaan pyhiä. Fedja-setä ja Marcel Proust raahataan taas framille. ellauri042.html on line 804: Euclid’s fifth proposition in the first book of his Elements (that the base angles in an isosceles triangle are equal) may have been named the Bridge of Asses (Latin: Pons Asinorum) for medieval students who, clearly not destined to cross over into more abstract mathematics, had difficulty understanding the proof—or even the need for the proof. An alternative name for this famous theorem was Elefuga, which Roger Bacon, writing circa ad 1250, derived from Greek words indicating “escape from misery.” Medieval schoolboys did not usually go beyond the Bridge of Asses, which thus marked their last obstruction before liberation from the Elements. ellauri042.html on line 813: In the meantime Ollie had published not one but two memoirs, with an exhaustive range of anecdotes, full of enchantment and anguish, covering everything from his all-consuming childhood obsession with the properties of metals to the abuse he endured at boarding school to his feeling, amphibian-like, more at home in water than on land to his mother’s reaction when she discovered his sexual orientation. “You are an abomination,” Ollie recounted her telling him when he was 18. “I wish you had never been born.” Nor had Ollie kept anything hidden. He described his first orgasm — reached spontaneously while floating in a swimming pool — and, in deft yet fairly pornographic detail, an agonized, inadvertent climax experienced much later while giving a massage to a man who shunned Ollie’s love. ellauri042.html on line 815: What had Sacks left to Weschler? What did his gift, his command, amount to beyond the dying wish of a magnificent and, by some accounts, paradoxically self-effacing and narcissistic doctor to have yet another book, beyond the 13 he himself had written (three more would come posthumously), to help ensure his immortality? Maybe this: ellauri042.html on line 817: His moronic patients called him “deeply eccentric” and described him as “huge, a full beard, black leather jacket covering T-shirts riddled with holes, huge shoes, his trousers looking like they were going to slide off his body.” A friend from Sacks’s days as a medical resident remembers him as a “big, free-ranging animal” who one day “drank some blood … chasing it with milk. There was something about his need to cross taboos. Back in those days, in the early ’60s, he was heavily into drugs, downing whole handfuls of them, especially speed and LSD.” ellauri042.html on line 830: Sacksin romantisoima "personal centre" on vaan jättimäinen narsistinen pyyhekumi jolla me-first apina pyyhkii mielestään kaiken millä ei ole relevanssia omalle evolutiiviselle menestyxelle. Toisin Sir Herbert Oakley: ellauri042.html on line 832: It is recorded of Sir Herbert Oakley, the nineteenth-century Edinburgh professor of music, that once, taken to a farm, he heard a pig squeak and instantly cried "G sharp!" Someone ran to the piano, and G sharp it was. ellauri042.html on line 842: G.K. Chesterton (29 May 1874 – 14 June 1936) oli konservatiivinen ja uskonnollinen kuten Olli Saxi. Paradoxin The Prince. Tunnetaan sitaateista, joita löytää muiden kirjailijoiden alkulehdiltä. Kova antisemitisti. Ize se sanoi izeänsä semitistixi, koska se halus pukee länsimaiset jutkut rättipäixi ja kuskata ne takas Palestiinaan. Niinkuin britit sitten tekivätkin sen jo kuoltua. ellauri042.html on line 844: From the early 20th century, his fictional work included caricatures of Jews, stereotyping them as greedy, cowardly, disloyal and communists. ellauri042.html on line 877: No man is an Iland, intire of it selfe; every man is a peece of the Continent, a part of the maine; if a Clod bee washed away by the Sea, Europe is the lesse, as well as if a Promontorie were, as well as if a Mannor of thy friends or of thine owne were; any mans death diminishes me, because I am involved in Mankinde; And therefore never send to know for whom the bell tolls; It tolls for thee. [Donne´s original spelling and underlining] ellauri042.html on line 885: Devotions upon Emergent Occasions, or in full Devotions Upon Emergent Occasions, and severall steps in my Sicknes, is a prose work by the English metaphysical poet and cleric in the Church of England John Donne (22 January 1572 - 31 March 1631) , published in 1624. It covers death, rebirth and the Elizabethan concept of sickness as a French visit from God, reflecting internal sinfulness. The Devotions were written in December 1623 as Donne recovered from a serious but unknown illness – believed to be relapsing fever or typhus. Having come close to death, he described the illness he had suffered from and his thoughts throughout his recovery with "near super-human speed and concentration". Registered by 9 January, and published soon after, the Devotions is one of only seven works attributed to Donne which were printed during his lifetime. ellauri042.html on line 887: The Devotions is divided into 23 parts, each consisting of 3 sub-sections, called the 'meditation', the 'expostulation' and a prayer. The 23 sections are chronologically ordered, each covering his thoughts and reflections on a single day of the illness. The work as a whole is considered similar to 17th-century devotional writing generally, and particularly to Donne´s Holy Sonnets. Some academics have also identified political strands running through the work, possibly from a polemic Arminian denunciation of Puritanism to advise the young Prince Charles. ellauri042.html on line 889: Tää on se aikaisempi Prince Charles, ei tää nykyinen kaljuhead jonka eka puoliso oli Lady Di ja toinen rottweileri. Jolla on se helvetin tyhmä poika Harry ja sillä vielä tomppelimpi musta morsian. Arminiuxesta on jo aikaisempi paasaus. Oliko Donnesta? Nähtävästi ei. Jörn Donnerista on useampia. ellauri042.html on line 905: Late school boys and sour prentices, koululaisia ja amiswiixiä, ellauri042.html on line 907: Call country ants to harvest offices, Lantasaappaille poroelosta, ellauri042.html on line 919: Whether both th´ Indias of spice and mine Onko molemmat mausteiset Intiat ja mun ellauri042.html on line 923: She's all states, and all princes, I, Hiän on kaikki valtiot ja mä kaikki ruhtinaat, ellauri042.html on line 926: Princes do but play us; compared to this, Prinssit ei oo mitään tähän verrattuna, ellauri042.html on line 930: Thine age asks ease, and since thy duties be Sun pitää ottaa iisisti jo iän puolesta, ellauri042.html on line 934: This bed thy center is, these walls, thy sphere. Tää peti on sun keskipiste, nää seinät kiertorata. ellauri042.html on line 937: John Donne is most commonly known for being part of the ‘metaphysical poets’, a group of poets who wrote about love and religion using complex metaphors called conceits. These poets didn’t know each other, and this name was given by literary critics some years later. Nevertheless, John Donne is considered to be one of the best metaphysical poets. John Donne converted to Anglicanism later in his life. By 1615 he became a priest because King James I ordered him to do so. Donne was a member of Parliament in 1601 and in 1614. He also spent a short time in prison because he married his wife, Anne More, without permission. They had twelve children and Anne died while extruding the XIIth. ellauri042.html on line 939: Donne was born in London in 1571 or 1572, into a recusant Roman Catholic family when practice of that religion was illegal in England.[7] Donne was the third of six children. His father, also named John Donne, married to one Elizabeth Heywood, was of Welsh descent and a warden of the Ironmongers Company in the City of London. However, he avoided unwelcome government attention out of fear of persecution. ellauri042.html on line 941: His father died in 1576, when Donne was four years old, leaving his mother, Elizabeth, with the responsibility of raising the children alone.[2] Heywood was also from a recusant Roman Catholic family, the daughter of John Heywood, the playwright, and sister of the Reverend Jasper Heywood, a Jesuit priest and translator.[2] She was also a great-niece of Thomas More. A few months after her husband died, Donne's mother married Dr. John Syminges, a wealthy widower with three children of his own. ellauri042.html on line 943: Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne´s poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits. ellauri042.html on line 947: During the next four years, Donne fell in love with Egerton´s niece Anne More, and they were secretly married just before Christmas in 1601, against the wishes of both Egerton and Anne's father George More, who was Lieutenant of the Tower. Upon discovery, this wedding ruined Donne's career, getting him dismissed and put in Fleet Prison, along with the Church of England priest Samuel Brooke, who married them,[13] and his brother Chistopher, who stood in in the absence of George More to give Anne away. Donne was released shortly thereafter when the marriage was proved to be valid, and he soon secured the release of the other two. Walton tells us that when Donne wrote to his wife to tell her about losing his post, he wrote after his name: John Donne, Anne Donne, Un-done.[14] It was not until 1609 that Donne was reconciled with his father-in-law and received his wife´s dowry, ellauri042.html on line 949: After his release, Donne had to accept a retired country life in a small house in Pyrford, Surrey, owned by Anne´s cousin, Sir Francis Wooley, where they resided until the end of 1604. In spring 1605 they moved to another small house in Mitcham, London, where he scraped a meager living as a lawyer, while Anne Donne bore a new baby almost every year. Though he also worked as an assistant pamphleteer to Thomas Morton writing anti-Catholic pamphlets, Donne was in a constant state of financial insecurity. ellauri042.html on line 951: Although King James was pleased with Donne's work, he refused to reinstate him at court and instead urged him to take holy orders. At length, Donne acceded to the king's wishes, and in 1615 was ordained priest in the Church of England. In late November and early December 1623 he suffered a nearly fatal illness, thought to be either typhus or a combination of a cold followed by a period of fever. During his convalescence he wrote a series of meditations and prayers on health, pain, and sickness that were published as a book in 1624 under the title of Devotions upon Emergent Occasions. One of these meditations, Meditation XVII, contains the well known phrases "No man is an Iland" (often modernised as "No man is an island") and "...for whom the bell tolls". ellauri042.html on line 953: Anne gave birth to twelve children in sixteen years of marriage, (including two stillbirths—their eighth and then, in 1617, their last child); indeed, she spent most of her married life either pregnant or nursing. The ten surviving children were Constance, John, George, Francis, Lucy (named after Donne´s patroness Lucy, Countess of Bedford, her godmother), Bridget, Mary, Nicholas, Margaret, and Elizabeth. Three (Francis, Nicholas, and Mary) died before they were ten. In a state of despair that almost drove him to kill himself, Donne noted that the death of a child would mean one mouth fewer to feed, but he could not afford the burial expenses. During this time, Donne wrote but did not publish Biathanatos, his defense of suicide. Anne died on 15 August 1617, five days after giving birth to their twelfth child, a still-born baby. Donne mourned her deeply, and wrote of his love and loss in his 17th Holy Sonnet. ellauri042.html on line 959: Since she whom I loved hath paid her last debt Koska hiän jota rakastin heitti kuitin ellauri042.html on line 975: The last sestet presents a turn, commonly referred as volta, in the poem. The lyrical voice presents god God as a jealous lover who fears that he/she will be tempted away by someone or something else. The ninth line questions this figure (“But why should I beg more love, whenas thou”). Furthermore, there is a romantic imagery to express how the lyrical voice feels about the figure of God (“whenas thou/Dost woo my soul”). God’s interest in the lyrical voice is referred as a “fear” and as “tender” because of the possibility of the lyrical voice being tempted by the “devil” or by “flesh”. ellauri043.html on line 13: center">Sisälmysluetteloon ellauri043.html on line 18: center;margin-top:0%;margin-bottom:0%">Bosch / Brueghel / Flaubert
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According to ancient belief, the androdamas is a stone resembling the diamond, said to be found in the sands of the Red Sea, in squares or dies. Its name denotes the virtue belonging to it, namely, to restrain anger, mitigate lunacy, and lessen the gravity of the body. Source for information on Androdamas: Encyclopedia of Occultism and Parapsychology dictionary.
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Se on nuori, parraton, kauniimpi kuin tyttö ja läpikuultavien huntujen peitossa. Sen tiaran helmet loistavat doucement kuin kuut, tähtiketju tekee monta kierrosta sen rinnann ympäri - ja toinen käsi pään alla se lepää uneksuvan ja humaltuneen oloisena.
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Coucoupha est employé comme nom masculin singulier. Employé comme nom. 1. dans l'Antiquité, en Égypte, animal mythique à longue oreilles figurant sur les sceptres des souverains. Quelques mots au hasard. Lisää henkiolentoja. In old pharmacy, a cucupha or cucufa was a cap, or cover for the head, with cephalic spices quilted in it, worn for certain nervous distempers, particularly those affecting the head. Saint Cucuphas is a martyr of Spain. His feast day is 25 July but in some areas it is celebrated on 27 July to avoid conflict with the important feast day of Santiago, the patron saint of Spain. His name is said to be of Phoenician origin with the meaning of "he who jokes, he who likes to joke."
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