ellauri152.html on line 83: While the work was eventually shown to be a pseudotranslation by Louÿs , initially it has mislead a number of scholars, such as Jean Bertheroy
ellauri153.html on line 267: to some translated editions himself. Emerson, who read Saadi only in translation, compared his writing to the Bible in terms of its wisdom and the beauty of its narrative. Justiinsa niin. Ralph oli taitava kääntäjä English-American suunnassa.
ellauri155.html on line 680: Election and predestination and are both biblical teachings. The English “predestination” is translated from the Greek word proorizo which means 1) to predetermine, decide beforehand; 2) in the NT, of God decreeing from eternity; 3) to foreordain, appoint beforehand. Predestination, then, is the biblical teaching that God predestines certain events and people to accomplish what He so desires. The word proorizo occurs six times in the New Testament, each time demonstrating that God is the one who is foreordaining and bringing about certain events. The word chorizo only occurs in the Mexican translation (not shown here):
ellauri156.html on line 374: Aika hemmetisti kyyhkypaisteja papille, kun jokainen menstruoiva nainen tuo niitä sille 2kpl/kk. Pappi pysyy hyvin selvillä seurakuntalaisten varmoista päivistä. Hmm. Jos Bathsheban kuukkixet oli ohize jo vähintään viikko sitten, kohtahan sillä oli ovulaatio, eikäpä ihme että Taavi-enon mälli teki heti tehtävänsä. Vaikka mä en kyllä usko eze jäi siihen yhteen kertaan. (2) When did this cleansing occur, and when was it completed? Was Bathsheba’s bathing which David witnessed part of her ceremonial cleansing? If so, there may have had to be a delay before the Law permitted intercourse. Otherwise, David would have caused her to violate the Law pertaining to cleansing, since it may not have been complete. The translations which make her cleansing a past, (continued) completed event seem to be suggesting that she was now legally able to engage in intercourse, though certainly not with David. If she was still in the process of her cleansing, David’s sin of adultery is compounded because it was committed at the wrong time, while cleansing was still in process. It is also possible to read the text (as does the NASB) to say that Bathsheba waited at David’s house until she was ceremonially clean from her evening with David. It is interesting that nothing is said of David waiting until he was cleansed. The inference I take from this “cleansing” reference is that Bathsheba was still concerned about keeping the Law of Moses, even if David was not. Big fat hairy diff.
ellauri156.html on line 820: 43 I should also say that other translations don’t seem to follow the NASB in dealing with these words as poetry.
ellauri159.html on line 657: The word used to translate the Greek word agape in most modern English Bibles is love, but in many older translations, agape was translated as “charity” when it was used in a context of one person to another. In a biblical context, this term should not be mistaken for the more modern use of the word to mean only giving to those in need (i.e., “giving to charity”), although this can be a substantial part of what’s meant by the word. A more encompassing definition of the word charity, at least in the context of a modern-day knight, would be to be charitable (or giving) to the rich as well, or even primarily.
ellauri160.html on line 192: Pound käänsi Li Bain runoja japanilaisten avulla. Ei niitä monta tullut, ennenkin se ehti riitaantua apujapanilaisten kaa. Michael Alexander saw Cathay as the most attractive of Pound's work. There is a debate about whether the poems should be viewed primarily as translations or as contributions to Imagism and the modernization of English poetry. English professor Steven Yao argued that Cathay shows that translation does not need a thorough knowledge of the source language.
ellauri160.html on line 193: Pound's translations from Old English, Latin, Italian, French and Chinese were highly disputed. According to Alexander, they made him more unpopular in some circles than the treason charge.
ellauri160.html on line 196: Harriet Monroe, editor of Poetry, published a letter in April 1919 from a professor of Latin, W. G. Hale, who found "about three-score errors" in the text; he said Pound was "incredibly ignorant of Latin", that "much of what he makes his author say is unintelligible", and that "If Mr. Pound were a professor of Latin, there would be nothing left for him but suicide" (adding "I do not counsel this"). Pound replied to Monroe: "Cat-piss and porcupines!! The thing is no more a translation than my 'Altaforte' is a translation, or than Fitzgerald's Omar is a translation."
ellauri160.html on line 488: 6This phrase comes from Dartona's Homeric Hymns. The particular line appears in the "Second Hymn to Aphrodite." Scholars provide a variety of translations for the passage. Kearns's translation reads: "the high places [walls, fortifications] of Cyprus are her appointed realm" (25).
ellauri160.html on line 491: 7The golden bough of Argicida - Formula of address for Hermes. "Argicida" is the Latin translation of the epithet Ἀργειφόντης ("Argeiphontes" - slayer of Argus) which is always applied to him, whereas the golden bough is Hermes´ caduceus, or wand. PL. Hermes has an appearance in the other Hymn to Aphrodite (no. V), printed in the Divus volume. Eli se em. kyrvännäköinen tirso-sauva. It all figures. Mua ärsyttää Dos Vidaxen Tirson musta pässintukka, menis parturiin. Luupää.
ellauri163.html on line 50: God of Vengeance was published in English-language translation in 1918. In 1922, it was staged in New York City at the Provincetown Theatre in Greenwich Village, and moved to the Apollo Theatre on Broadway on February 19, 1923, with a cast that included the acclaimed Jewish immigrant actor Rudolph Schildkraut. Its run was cut short on March 6, when the entire cast, producer Harry Weinberger, and one of the owners of the theater were indicted for violating the state's Penal Code, and later convicted on charges of obscenity. Weinberger, who was also a prominent attorney, represented the group at the trial. The chief witness against the play was Rabbi Joseph Silberman, who declared in an interview with Forverts: "This play libels the Jewish religion. Even the greatest anti-Semite could not have written such a thing". (You just wait for Philip Roth...) After a protracted battle, the conviction was successfully appealed. In Europe, the play was popular enough to be translated into German, Russian, Polish, Hebrew, Italian, Czech, Romanian and Norwegian. Indecent, the 2015 play written by Paula Vogel, tells of those events and the impact of God of Vengeance. It opened on Broadway at the Cort Theater in April 2017, directed by Rebecca Taichman. Eli ei Asch ihan pasé vielä ole.
ellauri163.html on line 363: Are you using the 1917 JPS that is in public domain? If you are please know that it is a Xian translation with minor modifications.
ellauri163.html on line 365: If you want a Jewish translation online please refer to http://bible.ort.org:
ellauri163.html on line 400: One translation, "until that which is his shall come.", is derived from the Septuagint. Its meaning is: 'The scepter shall not depart from Judah till all that is reserved for him shall have been fulfilled.' Another translation, "Till he come whose it (the kingdom) is.", is based on the Onkelos and Jerusalem Targums, Saadya Ga´on, RASHI, and other Jewish commentators. A modern Jewish commentator, M. Friedlander, renders this as "Till peace cometh.".
ellauri163.html on line 402: All of the Jewish translations (and commentaries) deal with a future time, the messianic era, during which there will be a king, a direct descendant from King David, sitting on the Davidic throne. The closing phrase of the blessing given to Judah defines the role of the expected future Jewish king, Messiah, in the world. Ultimately, his job will be to gather the nations under the banner of the One G-d of peace. If a gathering of the nations for the sake of peace is the first explicit description of the messianic era, it clearly suggests something that is natural, recognizable, and human.
ellauri164.html on line 372: I blew through this novel myself, which in retrospect was somewhat of a grave mistake, as the book alternates between compelling and highly engaging dialogues to unrealistically long monologues which to me resemble a Rimbaud poem in translation than anything else, which is to say: hard to parse. That they got more than what they bargained for is what the ordinary reader will be struck by first when they read this. The complexity of each of the conversations cannot be overstated, which I think will inevitably result in readers just mechanically scanning the sentences rather than internalizing the arguments, with the final result being the great part of the novel sliding off like rain, leaving only vague impressions like it did with me unfortunately, but the parts that did affect me left me very humbled. And chiefly this impression will not be helped by another one of the defining features of the novel, which is its vagueness. It deliberately leaves a lot of key details unheard and leaves a lot to the ability to infer events by the reader. Though sometimes frustrating to a reader like me who reads history and biography, I recognize that it should be so for this novel, for the main conflict in it is a psychological one, so I wouldn't have it any other way.
ellauri164.html on line 379: I wanted to like this book so much more than I did. I actually found it incredibly difficult to understand. Some of it, I think, was that it was poorly translated. I read a 1962 edition that doesn't even cite a translator -- so many of the sentences were so convoluted as to be utterly obtuse. Poor translation or witless reader? I never could figure out why Mlle Chantal was such an angry bitch and why she insisted on tormenting the priest. What was her secret? Was the priest an alcoholic or just terminally sick? Gay? Why did M le Comte come to hate the priest? These are just some of the basic narrative issues I couldn't figure out. Forget the whole spiritual aspect--much of what the priest mused on and felt was incomprehensible to me as he described it. I can't help wondering if I'd have understood it if I had read it in French. Or maybe I'm just so spiritually challenged (in a God believing, Catholic way) that I can't comprehend it when it's described. All of that said, there were profoundly moving passages here and there, but over all I don't begin to know what I read. It's rather embarrassing actually--I feel so simple! (less)
ellauri171.html on line 1061: But there is a greater threat to his honor (aw fuck, stop, you're killing us). Rumor relates that Tamar is pregnant and has obviously been faithless to her obligation to Judah to remain chaste. Judah, as the head of the family, acts swiftly to restore his honor, commanding that she be burnt to death. But Tamar has anticipated this danger. She sends his identifying pledge to him, urging him to recognize that its owner is the father. Realizing what has happened, Judah publicly announces Tamar’s innocence. His cryptic phrase, zadekah mimmeni, is often translated “she is more in the right than I” (Gen 38:26), a recognition not only of her innocence, but also of his wrongdoing in not freeing her or performing the levirate. Another possible translation is “she is innocent—it [the child] is from me.” Judah has now performed the levirate (despite himself) and never cohabits with Tamar again. Once she is pregnant, future sex with a late son’s wife would be incestuous.
ellauri182.html on line 169: Nianfo (Chinese: 念佛; pinyin: niànfó, Japanese: 念仏 (ねんぶつ, nenbutsu), Korean: 염불; RR: yeombul, Vietnamese: niệm Phật, "laula Buddha") is a term commonly seen in Pure Land Buddhism. In the context of Pure Land practice, it generally refers to the repetition of the name of Amitābha. It is a translation of Sanskrit buddhānusmṛti (or, "recollection of the Buddha").
ellauri183.html on line 329: Early research in linguistic formal semantics used Partee's system to achieve a wealth of empirical and conceptual results. Later work by Irene Heim, Angelika Kratzer, Tanya Reinhart, Robert May and others built on Partee's work to further reconcile it with the generative approach to syntax. The resulting framework is known as the Heim and Kratzer system, after the authors of the textbook Semantics in Generative Grammar which first codified and popularized it. The Heim and Kratzer system differs from earlier approaches in that it incorporates a level of syntactic representation called logical form which undergoes semantic interpretation. Thus, this system often includes syntactic representations and operations which were introduced by translation rules in Montague's system. However, work by others such as Gerald Gazdar proposed models of the syntax-semantics interface which stayed closer to Montague's, providing a system of interpretation in which denotations could be computed on the basis of surface structures. These approaches live on in frameworks such as categorial grammar and combinatory categorial grammar.
ellauri184.html on line 646: Jesus was crucified between two other “robbers”. The original Greek texts speak of lestai (Mt, Mk). Lestes is the Greek translation of the Latin latro. Both terms have a similarly broad semantic meaning. What is important in our context is that latro and lestes denote not only a street robber but also a resistance- and guerilla fighter. It is likely that no one perceived Jesus as a guerilla fighter, but the term lestes is even broader than the English terms robber, bandit, or resistance fighter, it includes terrorist.
ellauri190.html on line 524: Selim I, also known as "the Excellent," "the Brave" or the best translation "the Stern", Yavuz in Turkish, the long name is Yavuz Sultan Selim; was the Sultan of the Ottoman Empire from 1512 to 1520. He was also the first Ottoman Sultan to...
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ellauri194.html on line 261: Marco Polo, traveling when the initial terror had subsided, places Gog and Magog among the Tartars in Tenduc, but then claims that the names Gog and Magog are translations of the place-names Ung and Mungul, inhabited by the Ung and Mongols respectively.
ellauri203.html on line 242: Writing in the Los Angeles Times, a professor of Slavic languages praised their Dostoevsky translations, stating "the reason they have succeeded so well in bringing Dostoevsky into English is not just that they have made him sound bumpy or unnatural but that they have managed to capture and differentiate the characters' many bumpy and unnatural voices." A literary critic and essayist, wrote in The Sewanee Review that their Dostoevsky translations "have recaptured the rough and vulgar edge of Dostoevsky's style. This tone of the vulgar that Dostoevsky's writings are full of, so morbidly excessively, they have translated into a vernacular equal to his own." But recently, writing in The New York Review of Books in 2016, a critic argued that Pevear and Volokhonsky have established an industry of taking everything they can get their hands on written in Russian and putting it into flat, awkward English. Other translators have voiced similar criticism, both in Russia and in the English-speaking world. A Slavic studies scholar has written in Commentary that Pevear and Volokhonsky take glorious works and reduce them to awkward and unsightly muddles. Criticism has been focused on the excessive literalness of the couple's translations and the perception that they miss the original tone of the authors.
ellauri210.html on line 1314: Dating from 1960, the widely available English translation by Richard Howard is a translation of the first edition of Breton's novel, dating from 1928. Breton published a second, revised edition in 1963. No English translation of this second edition is currently available. Ketäpä enää kiinnostaa.
ellauri221.html on line 267: The Adventures of Dunno in Flower Town presents a socialist anarchist utopia of Flower town. This society is self sufficient and enjoys a variety of personalities. It raises questions of the role of science and medicine, travel and knowledge, self-subsistence and hierarchy in a simple, humorous and concomitantly lovely style. Margaret Wetlin, an American who had immigrated to Russia during Stalinism, made an excellent translation of this book into English.
ellauri222.html on line 888: The book Les Ruines, ou méditations sur les révolutions des empires (1791) by Constantin François de Chassebœuf, comte de Volney (1757–1820), first published in an English translation as The Ruins, or a Survey of the Revolutions of Empires (London: Joseph Johnson, 1792) by James Marshall, was an influence on Shelley. helley had explored similar themes in his 1813 work Queen Mab. Typically, Shelley published his literary works either anonymously or pseudonymously, under the name "Glirastes", a Graeco-Latin name created by combining the Latin glīs ("dormouse") with the Greek suffix ἐραστής (erastēs, "lover", vitut se on mikään suffixi!); the Glirastes name referred to his wife, Mary Shelley, whom he nicknamed "dormouse". Unikeon köyrijä. Mäuschen, sanoi Percy Marylle niikö Pikin kreikkalainen poikaystävä, setämäinen Kleomenis.
ellauri226.html on line 94: D.H. Lawrence’s foreword to Deledda’s novel The Mother, which appeared in the English editions of the 1920’s, is reprinted in the new edition of M.G. Steegman’s translation La Madre (The Woman and the Priest) or The Mother, edited with an introduction and chronology by Eric Lane. London: Daedalus/Hippocrane, 1987.
ellauri226.html on line 138: A guy named Salvatore took over translation duties, fielding comments from the others, who all seemed to be cousins. It was our own Festival D.H. Lawrence.
ellauri238.html on line 730: "My cup runneth over" is a quotation from the Hebrew Bible (Psalms:23:5) and means "I have more than enough for my needs", though interpretations and usage vary. This phrase, in Hebrew כּוֹסִי רְוָיָה (kōsî rəwāyāh), is translated in the traditionally used King James Version as my cup runneth over. Newer translations of the phrase include "my cup overflows" and "my cup is completely full".
ellauri249.html on line 82: Though many critics agreed that Brodsky was one of the finest contemporary Russian poets, some felt that the English translations of his poetry are less impressive. One is never quite allowed to forget that one is reading a second-hand version.
ellauri262.html on line 421: Sayers is also credited with coining the slogan "It pays to advertise!" Sayers's translation of the Divine Comedy includes extensive notes at the end of each canto, explaining the theological meaning of what she calls "a great Christian allegory.".
ellauri288.html on line 350: Men in Aida is a homophonic translation of Book One of Homer's Iliad into a farcical bathhouse scenario, perhaps alluding to the homoerotic aspects of ancient Greek culture. It was written in 1983 by the language poet David Melnick, and is an example of poetic postmodernism. In 2015, all three books of the Iliad translated by Melnick were published by independent publishing house Uitgeverij under the title Men in Aïda.
ellauri288.html on line 370: Literal translation:
ellauri346.html on line 306: Titled "Friendship Song," the video in question featured a group of children reportedly singing in a re-recording of an old song originally written by Israeli poet Haim Gouri after the 1948 war that led to the creation of the state of Israel, but with amended lyrics referring to Gaza. David Sheen, an independent filmmaker and writer, translated these new lyrics for The Electronic Intifada into English from Hebrew. Per his translation, the children sang:
ellauri360.html on line 74: “A Sentimental Novel,” the final published work of the novelist and theorist Alain Robbe-Grillet, appeared in France four months before his death, in 2008, and in English translation last spring. The content of the novel contributed to the lag in its translation: “A Sentimental Novel” (reviewed this summer in Briefly Noted) is a compendium of Robbe-Grillet’s sadistic fantasies, which, he said, he had catalogued since adolescence. The work consists of two hundred and thirty-nine numbered paragraphs that form a sort of sadist’s rhapsody about the sexual initiation of a fourteen-year-old girl, Gigi. Gigi’s travails are recounted in exacting detail, against a lushly imagined mise-en-scène, with elaborate furnishings, torture devices, and a proliferation of young companions. Okei siis Robbe liittyy pitkään jonoon kynäilijäpedofiilejä. Ei siinä mitään, kukapa ei pitäisi latuskarintaisista teinitytöistä. Mutta pakkoko niitä on silleen rääkätä?
ellauri360.html on line 488: Anabaptists argued that an informal Christendom exists in America. Even though no particular brand of Christianity or Church is named by the government of the United States (disestablishment), Christians still see their nation as Christian in some sense and see the church as obligated to serve the state, much like a chaplain. American Christians see themselves between the extreme of Anabaptist independence and full-blown Christendom as modeled in Europe. The shift away from the Christendom model, however subtle, is crucial to understanding American Christianity. In the end, it is the voluntary, independent, and businesslike disposition of Western missionaries that left the lasting mark upon the churches of the Global South. Translation holds ample opportunity for Western missionaries to import their own cultural bias. The effect of translation was not only cultural manipulation, but a boost for wearing US made t-shirts, shorts and baseball caps to hide the yummy naked breasts.
ellauri368.html on line 341: It is an unusual book in that it satirizes the language and style of early hasidic rabbis writing in Hebrew, which was not the vernacular of the Jews of its time. To make his work available and accessible to his contemporaries, Perl translated his own work into Yiddish. It is currently in print only in an English translation, by Dov Taylor, published by Westview Press.
ellauri370.html on line 56: Esther and Mordechai were definitely cousins. There was a big age gap between them, seeing as Mordechai took Esther in after she was orphaned. But according to TheTorah.com, some translations suggest he took her in as his wife, not as his ward. The exact phrase is he "took her to him," which one rabbi in Ask The Rabbi notes is only used when referring to marriage. Then why would Esther have passed for virginal woman if she'd been the wife of someone else? It may have been a matter of her age. It's gross, but it's true. This means it's very possible Mordechai never slept with Esther, well, not often anyway. According to the Jewish Women's Archive, Esther's considered not to have committed adultery because she didn't have a choice in marrying King Xerxes.
ellauri381.html on line 591: It will produce the first ever English translations of the author’s autobiography, “The Little Grain,” and the remaining volumes of his opus, “The Red Wheel.” According to Joseph Dresen of the Kennan Institute, the first translations will be completed in late 2015.
ellauri389.html on line 93: When "Old China" appeared in 1823, British porcelain had finally gained supremacy over Chinese porcelain. This revolution in the Sino-British trade imbalance was marked when the British porcelain manufacturer Spode began to furnish the Canton branch of the East India Company with English-manufactured "old blue," to compete in local Chinese markets against domestically manufactured porcelain. The event inverted the previously economically crippling import of porcelain to Britain: by 1826 the flow of silver between the countries ran in Britain's favor. The first translation into Chinese of k the Chinese characters that certified real, Chinese-made porcelain. Haha the irony of it all.
ellauri389.html on line 397: He corresponded in French with Miss Watson, daughter of the Bishop of Llandaff, "the letters on both sides being full of spirit and originality." His principal literary occupation was a translation of Ovid's Metamorphoses, commenced in 1805 and completed in 1811, specimens only of which have been published.
ellauri389.html on line 401: It was probably about 1811 that Lloyd began to suffer from the distressing auditory illusions so powerfully described by De Quincey, and from the "slight and transient fits of aberration, flying showers from the skirts of the clouds that precede and announce the main storm." A serious illness is mentioned in July 1813. De Quincey seems to intimate that Lloyd undertook his translation of Alfieri as a means of diverting his mind. It appeared in 1815, with a dedication to Southey, who reviewed it in the Quarterly, vol. xiv., and might have spoken with warmer acknowledgment of its homely force and strict accuracy. But didn't.
ellauri421.html on line 115: One of Paz’s best-known works was El laberinto de la soledad, which appeared first in 1950 and in English translation as The Labyrinth of Solitude: Life and Thought in Mexico eleven years later. In it Paz argues that Mexicans are children a rapist Spanish father who abandoned his offspring and a treacherous Indian mother who turned against her own people. The volume is standard reading for students of Latin American history and literature.
xxx/ellauri075.html on line 151: He developed his thinking in a second book on Fyodor Dostoyevsky and Frederich Nietzsche, which increased Shestov's reputation as an original and incisive thinker. In All Things Are Possible (published in 1905) Shestov adopted the aphoristic style of Friedrich Nietzsche to investigate the difference between Russian and European Literature. Although on the surface it is an exploration of numerous intellectual topics, at its base it is a sardonic work of Existentialist philosophy which both criticizes and satirizes our fundamental attitudes towards life situations. D.H. Lawrence, who wrote the Foreword to S.S. Koteliansky's literary translation of the work, summarized Shestov's philosophy with the words: " 'Everything is possible' - this is his really central cry. It is not nihilism. It is only a shaking free of the human psyche from old bonds. The positive central idea is that the human psyche, or soul, really believes in itself, and in nothing else". Shestov deals with key issues such as religion, rationalism, and science in this highly approachable work, topics he would also examine in later writings such as In Job's Balances. Shestov's own key quote from this work is probably the following: "...we need to think that only one assertion has or can have any objective reality: that nothing on earth is impossible. Every time someone wants to force us to admit that there are other, more limited and limiting truths, we must resist with every means we can lay hands on".
xxx/ellauri075.html on line 188: "He was the philosopher of my generation, which didn't succeed in realizing itself spiritually, but remained nostalgic about such a realization. Shestov [...] has played an important role in my life. [...] He thought rightly that the true problems escape the philosophers. What else do they do but obscuring the real torments of life?" (Emil Cioran: Oeuvres, Gallimard, Paris 1995, p. 1740, my translation (kuka oon tää 'mä?')]
xxx/ellauri075.html on line 332: Among Benjamin's best known works are the essays "The Task of the Translator" (1923), "The Work of Art in the Age of Mechanical Reproduction" (1935), and "Theses on the Philosophy of History" (1940). His major work as a literary critic included essays on Baudelaire, Goethe, Kafka, Kraus, Leskov, Proust, Walser, and translation theory. He also made major translations into German of the Tableaux Parisiens section of Baudelaire's Les Fleurs du mal and parts of Proust's À la recherche du temps perdu. In 1940, at the age of 48, Benjamin committed suicide at Portbou on the French–Spanish border while attempting to escape from the invading Wehrmacht. Though popular acclaim eluded him during his life, the decades following his death won his work posthumous renown.
xxx/ellauri075.html on line 338: Benjamin theorizing modernity by bringing together, among other things, Marxist dialectics, Surrealism, snippets of theology, Baudelaire’s poetry (and, most importantly, his theories of the flâneur), Kafka’s novels, the image of Proust, a Klee painting called the Angelus Novus, book-collecting, translation, storytelling, photography and film.
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xxx/ellauri087.html on line 483: "Le char ailé du Temps" (Time's winged chariot) is the French translation (by Bernard Sigaud, 2013) of a short story by Nina Allan (2009), whose original title is just "Time's Chariot".
xxx/ellauri091.html on line 800: *Mr. Jahn delivered this speech in the auditorium of the Nobel Institute in the early afternoon of December 10, 1946. At its conclusion, Mr. Jahn read a message of acceptance from Miss Balch, whose health prevented her from attending the ceremonies, and presented the prize to Mr. Huston of the U.S. Embassy who accepted in her name. This translation is based on the Norwegian text in Les Prix Nobel en 1946, which contains, also, a French translation.
xxx/ellauri113.html on line 93: The Principle of Reason, the text of an important and influential lecture course that Martin Heidegger gave in 1955-56, takes as its focal point Leibniz's principle: nothing is without reason. Heidegger shows here that the principle of reason is in fact a principle of being. Much of his discussion is aimed at bringing his readers to the "leap of thinking," which enables them to grasp the principle of reason as a principle of being. This text presents Heidegger's most extensive reflection on the notion of history and its essence, the Geschick of being, which is considered on of the most important developments in Heidegger's later thought. One of Heidegger's most artfully composed texts, it also contains important discussions of language, translation, reason, objectivity, and technology as well as remarkable readings of Leibniz, Kant, Aristotle, and Goethe, among others. And lots of black-and-white pictures of scantily dressed women.
xxx/ellauri114.html on line 311: »7. Ja nämä ovat heidän johtajiensa nimet: Sêmîazâz, heidän johtajansa, Arâkîba, Râmêêl, Kôkabîêl, Tâmîêl, Râmîêl, Dânêl, Êzêqêêl, Barâqîjâl, Asâêl, Armârôs, Batârêl, Anânêl, Zaqîêl, Samsâpêêl, Satarêl, Tûrêl, Jômjâêl, Sariêl. 8. Nämä ovat heidän kymmenenjohtajansa. » (R. H. Charles translation, The Book of the Weight Watchers, Chapter VI.)
xxx/ellauri114.html on line 630: Overall, both versions appear to be Aramaic rather than Hebrew because of the verb שבק (šbq) "abandon", which is originally Aramaic. The "pure" Biblical Hebrew counterpart to this word, עזב (‘zb) is seen in the second line of Psalm 22, which the saying appears to quote. Thus, Jesus is not quoting the canonical Hebrew version (ēlī ēlī lāmā ‘azabtānī) attributed in some Jewish interpretations to King David cited as Jesus' ancestor in Matthew's Genealogy of Jesus if the Eli, Eli version of Jesus' outcry is taken; he may be quoting the version given in an Aramaic Targum (surviving Aramaic Targums do use šbq in their translations of the Psalm).
xxx/ellauri114.html on line 684: Despite the loss of the additional history of Manasseh and Ephraim, several modern-day groups claim descent from them, with varying levels of academic and rabbinical support. The Yusufzai tribe (literal translation The Sons of Joseph) of the Pashtuns of Afghanistan, India and Pakistan, who collectively refer to themselves as the "Bani Israel", have a long tradition connecting them to the exiled Kingdom of Israel. The Samaritans claim that some of their adherents are descended from these tribes, and many Persian Jews claim to be descendants of Ephraim. Many Samaritans claim descent from the grandchildren of Joseph under four main septs, his grandsons Danfi, Tsedakah, Mafraj and Sarawi Samaritans Museum In northeast India, the Mizo Jews claim descent from Manasseh, and call themselves Bnei Menashe; in 2005 Shlomo Amar, Sephardi Chief Rabbi of Israel, announced that he regarded this claim to be true, which under the Law of Return allows them to migrate to Israel, as long as they formally convert to Israel's Orthodox form of Judaism. Similar traditions are held by the Telugu Jews, in South India, who claim descent from Ephraim, and call themselves Bene Ephraim.
xxx/ellauri114.html on line 720: The Book of Jubilees, in describing how the world was divided between Noah's sons and grandsons, says that Lud received "the mountains of Asshur and all appertaining to them till it reaches the Great Sea, and till it reaches the east of Asshur his brother" (Charles translation). The Ethiopian version reads, more clearly "... until it reaches, toward the east, toward his brother Asshur's portion." Jubilees also says that Japheth's son Javan received islands in front of Lud's portion, and that Tubal received three large peninsulae, beginning with the first peninsula nearest Lud's portion. In all these cases, "Lud's portion" seems to refer to the entire Anatolian peninsula, west of Mesopotamia.
xxx/ellauri128.html on line 524: Robert von Ranke Graves (24 July 1895 – 7 December 1985) was a British poet, historical novelist, critic, and classicist. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology. Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—Good-Bye to All That, and his speculative study of poetic inspiration, The White Goddess, have never been out of print.
xxx/ellauri138.html on line 64: Peppu Colemanin hahmossa, se jutkunekru, oli yxi minuuden pioneereista (italics in the original). Pienuuden minooreista. Minäminä yxilöpaskantelu on Rothin lemppareita. Sen se oli varmaan oppinut Emanuel James Rohnilta. Sen inhokkisanoja oli me (suomexi, enkuxi sen mielisana oli sama) ja setelissäkin lukeva e pluribus unum. Annuit coeptis. Novus ordo saeclorum. The phrase is similar to a Latin translation of a variation of Heraclitus's tenth fragment, "The one is made up of all things, and all things issue from the one" (ἐκ πάντων ἓν καὶ ἐξ ἑνὸς πάντα). But it seems more likely that the phrase refers to Cicero's paraphrase of Pythagoras in his De Officiis, as part of his discussion of basic family and social bonds as the origin of societies and states: "When each person loves the other as much as himself, it makes one out of many (unum fiat ex Pluribus), as Pythagoras wishes things to be in friendship." Mikähän jeesus sekin luuli olevansa. Jenkkien peitesana izekkyydelle on vapaus.
xxx/ellauri148.html on line 161: Tää oli Moshelta hyvä veto sikäli että nää lisäyxet päihittää kristinuskon tärkeimmät vetolaastarit, lunastuskaupan luottokortin ja taivastoivon. Maimonides further explains in his work on the Halakhic code, the Yad haHazaqa (“The Strong Hand”), also known as the Mishne Torah (Second Torah) the view of redemption and the role Messiah will play. Maimonides summarizes the Jewish expectation of the Messiah. But the expectation of Messiah, is not limited to Maimonides comments, quotes from the Talmud, Targum, Midrash, Zohar and other writings give us a vivid picture of the expectation in the Jewish world of the times of Messiah. Messianic expectation in Rabbinic times (A.D.135-1750) and in the time of Yeshua may have changed over the years. For example in the time of Yeshua, The Temple existed and Israel was not scattered abroad as is the case today. In the days of Maimonides, there was no Israel and no Temple, and Jews were persecuted in Europe. Here we quote from Raphael Patai’s work, The Messiah Texts on pages 322-327, his translation of the Mishne Torah, Maimonides writes the following.
xxx/ellauri157.html on line 178: Depending upon the translation used (eg. the Hebrew Transliteration “Eth Cepher”) you may get a clearer view of what actually happened. The Moabites were made to lie down upon the the ground. They were measured. Those measuring one length of cord were spared but the giants - a hybrid breed were executed. This is in keeping with the killing of the charge hybrids Goliath of Gath and his brothers. Please note that Og of Bashan was a giant, as were the Rephaim and the Anakin Skywalker. The Book of Echinococh as recommended by Peter, Paul and Mary explains further who “the sons of God” actually were and really clarifies Genesis 6 and why our Mighty Mouse had to destroy the earth. The “sons of God” were not human and hence their offspring were no longer a scale image of God (who had shrunk a lot like a leaky balloon due to all the emanation) so they could never have salivation. The Eth Cepher gives a much clearer translation of the Hebrew than the English versions and so we see that the decimated gorillas were quite malevolent towards God and His more recently created short order cooks - especially people.
xxx/ellauri165.html on line 135: Matthew was using the Greek version of the Old Testament. In the Greek Old Testament, the original Hebrew word “almah” had been translated as “parthenos”, thence into the Latin Bible as “virgo” and into English as “virgin”. Whereas “almah” means only “young woman”, the Greek word “parthenos” means physically “a virgin intacta”. In short, Mary was said to be a virgin because of an accident of translation when “young woman” became “virgin”. More on this key teratological distinction in album 416.
xxx/ellauri166.html on line 50: The staff is miraculously transformed into a snake and then back into a staff. The staff is thereafter referred to as the "rod of God" or "staff of God" (depending on the translation). And thou shalt take this rod in thine hand, wherewith thou shalt do signs".
xxx/ellauri176.html on line 154: The novel was translated into English by Vizetelly & Co. in the 1880s as Abbé Mouret's Transgression, but this text must be considered faulty due to its many omissions and bowdlerisations, as well as its rendering of Zola's language in one of his most technically complex novels into a prolix and flat style of Victorian English bearing little resemblance to the original text. Two more faithful translations emerged in the 1950s and 1960s under the titles The Sinful Priest and The Sin of Father Mouret.
xxx/ellauri178.html on line 136: Kakutani reviewed Norman Mailer’s 2006 novel The Gospel According to the Sun, a first-person autobiographical retelling of the Bible from the perspective of Jesus himself. She called it “a silly, self-important and at times inadvertently comical book that reads like a combination of Godspell, Nikos Kazantzakis’ Last Temptation of Christ and one of those new, dumbed-down Bible translations”; Mailer, never one to shy away from a writerly squabble, called Kakutani a “one-woman kamikaze”.
xxx/ellauri187.html on line 153: We must understand one another or die. And we will never understand one another if we cannot understand the famous dead, those fragments of the past who sit half buried and gesturing to us on memory's contested shores. But Rilke, as a poet, should have the last word (in Stephen Mitchell's beautiful translation):
xxx/ellauri193.html on line 620: The Days of His Grace: Grandiose, shadowy, fraught. Representative passage: “She turned quickly to the other and met his eyes, feeling a sudden fear of unwillingness—as though he were peering at her through the crack in the door, or through a keyhole. He’s trying to get at me through my eyes, she thought.” As far as one can grasp, given a translation that feels a little stumbly, I give this tone a seven.
xxx/ellauri208.html on line 1034: The Alexander Romance is an account of the life and exploits of Alexander the Great. Although constructed around a historical core, the romance is largely fictional. It was widely copied and translated, accruing legends and fantastical elements at different stages. The original version was composed in the Greek language before 338 AD, when a Latin translation was made. Several late manuscripts attribute the work to Alexander´s court historian Callisthenes, but the historical person died before Alexander and could not have written a full account of his life. The unknown author is still sometimes known as Pseudo-Callisthenes.
xxx/ellauri225.html on line 259: Le Guin once said she was "raised as irreligious as a jackrabbit". She expressed a deep interest in Taoism and Buddhism, saying that Taoism gave her a "handle on how to look at life" during her adolescent years. In 1997, she published a translation of the Tao Te Ching.
xxx/ellauri229.html on line 169: Kandel is perhaps best known for his translations of the works of Stanisław Lem from Polish to English. Recently he has also been translating works of other Polish science fiction authors, such as Jacek Dukaj, Marek Huberath and Andrzej Sapkowski. The quality of his translations is considered to be excellent and is especially notable in the case of Lem´s writing, which makes heavy use of wordplay and other difficult-to-translate devices.
xxx/ellauri229.html on line 757: In Russia, Tyutchev is one of the most memorized and quoted Russian poets. Occasional pieces, translations and political poems constitute about a half of his overall poetical output.
xxx/ellauri237.html on line 134: Among modern Western male heteronormal scholars, Sappho´s sexuality is still debated – André Lardinois has described it as the "Great Sappho Question". Early translators of Sappho sometimes heterosexualised her poetry. Ambrose Philips´ 1711 translation of the Ode to Aphrodite portrayed the object of Sappho´s desire as male, a reading that was followed by virtually every other translator of the poem until the twentieth century, while in 1781 Alessandro Verri interpreted fragment 31 as being about Sappho´s love for a guy named Phaon. Friedrich Gottlieb Welcker argued that Sappho´s feelings for other women were "entirely idealistic and non-sensual", while Karl Otfried Müller wrote that fragment 31 described "nothing but a friendly affection": Glenn Most comments that "one wonders what language Sappho would have used to describe her feelings if they had been ones of sexual excitement", if this theory were correct. By 1970, it would be argued that the same poem contained "proof positive of [Sappho´s] lesbianism".
xxx/ellauri304.html on line 230: What Can You Mach? - S'is America → English translation
xxx/ellauri304.html on line 231: 2 translations (en-ru)
xxx/ellauri354.html on line 261: Mandel takes a brief reference to an anticlerical novel made by one of the characters in A Farewell to Arms and explores the historical and ideological basis for its presence in the novel. In a novel where the Priest is such an important figure, the discussion of the Catholic Church and the way that soldiers would regard religion becomes an important thematic examination. Mandel traces her exploration of this topic, the translation of this obscure novel, and her subsequent revelations, in a way that makes this chapter a study in scholarship and the excavation of an arcane reference.
xxx/ellauri354.html on line 292: Aale Tynni, joka vaikeroi Martti Haavion alla palvelijan huoneessa Elsa Enäjärvi-Haavion tehdessä syöpäkuolemaa yläkerrassa (kz. albumia 147), suomensi yhden Joosen runon paxuun kirjaansa. Googlen suomennos vähän editoituna ei ole paljon Pekkaa pahempi. Mitta lienee joku Horatiuxen aiolibiitti, kz. translations/latin/selections-from-horaces-odes/horatian-meters/">tästä.
xxx/ellauri354.html on line 372: Latin is a common language for the mottos: whether as quotations taken from the Roman writers Ovid, Martial, or Horace, or as translations of time-related sentiments. Mechanick Dialling, a 1769 manual for creating sundials, includes 300 “Latin mottos for dials, with their Meaning in English”, indicative of an expectation that a motto would be added. Margaret Gatty, who wrote the book on sundials (“The Book of Sundials”), collected 1,682 mottos in an appendix to her exhaustive history, taken from instruments all over Europe.
xxx/ellauri376.html on line 103: Juutalaisen lain mukaan, jos olet, kuten Elvis, polveutunut juutalaisesta naisesta katkeamattomassa naislinjassa, sinua pidetään halachically juutalaisena, vaikka et olisi koskaan tunnustautunut juutalaiseksi tai harjoittanut uskontoa. Elvis on myynyt yli miljardi Levyä maailmanlaajuisesti. Presleyt kutsuttiin naapuriin shabbatillalliselle kerran kuukaudessa, mikä sai Elvisin kiintymään challahiin, porkkanatzimmeihin ja matsopallokeittoon. Elvis toimi "shabbasgoyna" Fruchtereille, ei-juutalaispoikana sytyttämässä valot ja vastaavaa sapatin alkamisen jälkeen. Se oli syntiä. Nuori Elvis piti taskussaan kipaa kaiken varalta. Kahdelle Elvixen isoenolle annettiin juutalaiset nimet, Sidney ja Jerome. Sidney on britti paikannimi ja Saint Jerome was responsible for the creation of the Vulgate, the Latin translation of the Bible. St. Elvis oli kelttiläinen piispa. Presley itse osallistui Assembly of God -kirkkoon perheensä kanssa. Baz Luhrmannin Elvis on nyt elokuvateattereissa.
xxx/ellauri376.html on line 460: Ronald Hingley, author of Russians and Society and a specialist in Dostoevsky´s works, thought this novel a bad one, whereas Richard Pevear (in the introduction to his and Larissa Volokhonsky´s 2003 translation of the novel), vigorously said it´s a good one. Herman Hesse, another teenage novelist, liked it too. Ei kyllä Doston paikka oli loukossa, eihän sillä edes parta kasvanut kunnolla. Vitun pedofiili.
xxx/ellauri380.html on line 384: The book is very difficult reading due to the literal translation
xxx/ellauri394.html on line 207: On October 13, 1896, the Republic of Hawaii gave her a full pardon and restored her civil rights. "Upon receiving my full release, I felt greatly inclined to go abroad," Liliʻuokalani wrote in her memoir. From December 1896 through January 1897, she stayed in Brookline, Massachusetts, with her husband's cousins William Lee and Sara White Lee, of the Lee & Shepard publishing house. During this period her long-time friend Julius A. Palmer Jr. became her secretary and stenographer, helping to write every letter, note, or publication. He was her literary support in the 1897 publication of the Kumulipo translation, and helped her in compiling a book of her songs. He assisted her as she wrote her memoir Hawaii's Story by Hawaii´s Queen. Sara Lee edited the book published in 1898 by Lee & Shepard.
xxx/ellauri394.html on line 256: Liliʻuokalani helped preserve key elements of Hawai´i´s traditional poetics while mixing in Western harmonies brought by the missionaries. A compilation of her works, titled The Queen´s Songbook, was published in 1999 by the Queen Liliʻuokalani Trust. Liliʻuokalani used her musical compositions as a way to express her feelings for her people, her country, and what was happening in the political realm in Hawaiʻi. One example of the way her music reflected her political views is her translation of the Kumulipo, the Hawaiian creation chant passed down orally by her great grandmother Alapaiwahine. While under house arrest, Liliʻuokalani feared she would never leave the palace alive, so she translated the Kumulipo in hopes that the history and culture of her people would never be lost. The ancient chants record her family´s genealogy back to the origin story of Hawaiʻi.
xxx/ellauri400.html on line 281: The vulgata translation was
xxx/ellauri410.html on line 769:
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