Some pandemic encouragement from a northern Ontario lake dancer

"I hope the time is coming when not only the artist, but the common, average man, who always ´has the standard of the arts in his power,´ will have also the courage to apply it, and will reject the ideal grasshopper wherever he finds it, in science, in literature, in art, because it is not ´simple, natural, and honest,´ because it is not like a real grasshopper. But I will own that I think the time is yet far off, and that the people who have been brought up on the ideal grasshopper, the heroic grasshopper, the impassioned grasshopper, the self-devoted, adventureful, good old romantic card-board grasshopper, must die out before the simple, honest, and natural grasshopper can have a fair field."
ellauri107.html on line 116: Rojack's journey reflects a seminal theme for Mailer in the importance of growth by confronting serious existential situations with courage. In a 1963 letter, Mailer defines what he means by "existentialism" as "that character can dissolve in one stricken event and re-form in startling new fashion".
ellauri107.html on line 246: Billy Budd provides an implicit indictment of the culture, whether military or civil, that encourages the kind of closet where a Claggart so readily succumbs to his “depravity according to nature.” Captain Vere likewise shows a closed, perhaps also “closeted” mind as ready prey for the phenomenon of evil. In Vere’s presence, as Billy is struck dumb by Claggart’s accusation, Claggart is struck dead by a single blow from Billy’s fist, the only response he can muster to defend himself. Although Vere cherishes Billy as “an angel of God” and knows him to be innocent of Claggart’s charges, he resists any bending of rules to protect him against the harshest of consequences for his act of insubordination. Ruthlessly silencing the dictates of his heart, “sometimes the feminine in man,” Vere effects what Claggart’s malice alone could not -- Billy’s total destruction.
ellauri107.html on line 515: “Oh punk. I don't see what's the use of law-school—or even finishing high school. I don't want to go to college 'specially. Honest, there's lot of fellows that have graduated from colleges that don't begin to make as much money as fellows that went to work early. Old Shimmy Peters, that teaches Latin in the High, he's a what-is-it from Columbia and he sits up all night reading a lot of greasy books and he's always spieling about the 'value of languages,' and the poor soak doesn't make but eighteen hundred a year, and no traveling salesman would think of working for that. I know what I'd like to do. I'd like to be an aviator, or own a corking big garage, or else—a fellow was telling me about it yesterday—I'd like to be one of these fellows that the Standard Oil
ellauri108.html on line 106: During his life, Selassie described himself as a devout Christian. In a 1967 interview, Selassie was asked about the Rasta belief that he was the Second Coming of Jesus, to which he responded: "I have heard of this idea. I also met certain Rastafarians. I told them clearly that I am a man, that I am mortal, and that I will be replaced by the oncoming generation, and that they should never make a mistake in assuming or pretending that a human being is emanated from a deity." His grandson Ermias Sahle Selassie has said that there is "no doubt that Haile Selassie did not encourage the Rastafari movement". Critics of Rastafari have used this as evidence that Rasta theological beliefs are incorrect, although some Rastas take Selassie's denials as evidence that he was indeed the incarnation of God, based on their reading of the Gospel of Luke.
ellauri108.html on line 133: Some Rastas have promoted activism as a means of achieving socio-political reform, while others believe in awaiting change that will be brought about through divine intervention in human affairs. In Jamaica, Rastas typically do not vote, derogatorily dismissing politics as "politricks", and rarely involve themselves in political parties or unions. The Rasta tendency to believe that socio-political change is inevitable opens the religion up to the criticism from the political left that it encourages adherents to do little or nothing to alter the status quo. Other Rastas do engage in political activism; the Ghanaian Rasta singer-songwriter Rocky Dawuni for instance was involved in campaigns promoting democratic elections, while in Grenada, many Rastas joined the People's Revolutionary Government formed in 1979.
ellauri108.html on line 137: Rasta women usually wear clothing that covers their head and hides their body contours. Trousers are usually avoided, in favour of long skirts. Women are expected to cover their head while praying, and in some Rasta groups this is expected of them whenever in public. Rasta discourse insists this female dress code is necessary to prevent women attracting men and presents it as an antidote to the sexual objectification of women in Babylon. Rasta men are permitted to wear whatever they choose. Although men and women took part alongside each other in early Rasta rituals, from the late 1940s and 1950s the Rasta community increasingly encouraged gender segregation for ceremonies. This was legitimised with the explanation that women were impure through menstruation and that their presence at the ceremonies would distract male participants.
ellauri108.html on line 139: As it existed in Jamaica, Rastafari did not promote monogamy. Rasta men are permitted multiple female sex partners, while women are expected to reserve their sexual activity for one male partner. Marriage is not usually formalised through legal ceremonies but is a common-law affair, although many Rastas are legally married. Rasta men refer to their female partners as "queens", or "empresses", while the males in these relationships are known as "kingmen". Rastafari places great importance on family life and the raising of children, with reproduction being encouraged. The religion emphasises the place of men in child-rearing, associating this with the recovery of African manhood. Women often work, sometimes while the man raises the children at home. Rastafari typically rejects feminism, although since the 1970s growing numbers of Rasta women have called for greater gender equity in the movement. The scholar Terisa E. Turner for instance encountered Kenyan feminists who were appropriating Rastafari content to suit their political agenda. Some Rasta women have challenged gender norms by wearing their hair uncovered in public and donning trousers.
ellauri108.html on line 264: Both through travel between the islands, and through reggae's popularity, Rastafari spread across the eastern Caribbean during the 1970s. Here, its ideas complemented the anti-colonial and Afrocentric views prevalent in countries like Trinidad, Grenada, Dominica, and St Vincent. In these countries, the early Rastas often engaged in cultural and political movements to a greater extent than their Jamaican counterparts had. Various Rastas were involved in Grenada's 1979 New Jewel Movement and were given positions in the Grenadine government until it was overthrown and replaced following the U.S. invasion of 1983. Although Fidel Castro's Marxist–Leninist government generally discouraged foreign influences, Rastafari was introduced to Cuba alongside reggae in the 1970s. Foreign Rastas studying in Cuba during the 1990s connected with its reggae scene and helped to further ground it in Rasta beliefs. In Cuba, most Rastas have been male and from the Afro-Cuban population.
ellauri108.html on line 268: Some Rastas in the African diaspora have followed through with their beliefs about resettlement in Africa, with Ghana and Nigeria being particularly favoured. In West Africa, Rastafari has spread largely through the popularity of reggae, gaining a larger presence in Anglophone areas than their Francophone counterparts. Caribbean Rastas arrived in Ghana during the 1960s, encouraged by its first post-independence president, Kwame Nkrumah, while some native Ghanaians also converted to the religion. The largest congregation of Rastas has been in southern parts of Ghana, around Accra, Tema, and the Cape Coast, although Rasta communities also exist in the Muslim-majority area of northern Ghana. The Rasta migrants' wearing of dreadlocks was akin to that of the native fetish priests, which may have assisted the presentation of these Rastas as having authentic African roots in Ghanaian society. However, Ghanaian Rastas have complained of social ostracism and prosecution for cannabis possession, while non-Rastas in Ghana often consider them to be "drop-outs", "too Western", and "not African enough".
ellauri108.html on line 414: Shadrach, Meshach, and Abednego, however, worshipped only the One True God, and they refused to bow down to the false idol. They were brought before Nebuchadnezzar to face their fate but remained courageous in the face of the king's demand to bow down before the golden statue. They said:
ellauri108.html on line 418: Furious, Nebuchadnezzar ordered the furnace to be heated seven times hotter than average. Shadrach, Meshach, and Abednego were bound and cast into the flames. The fiery blast was so hot it killed the soldiers who had escorted them.
ellauri109.html on line 321: The merchant Hans Kohlhase lived in Cölln on the Spree (now incorporated into Berlin) in the Margraviate of Brandenburg in the 16th century. In October 1532 he set out on a trip to the Leipzig Trade Fair in the neighboring Electorate of Saxony. On the way two of his horses were seized, at the command of the Junker von Zaschwitz, as a supposed fee for passage through Saxony. Kohlhase sought redress in the Saxon courts but failed to obtain it. Outraged, he issued a public challenge in 1534 and burned down houses in Wittenberg. Even a letter of admonition from Martin Luther could not dissuade him, and Kohlhase and the band he collected committed further acts of terror. In 1540 he was finally captured and tried, and was publicly broken on the wheel in Berlin on 22 March 1540. From this history Kleist fashioned a novella that dramatized a personal quest for justice in defiance of the claims of the general law and the community.
ellauri109.html on line 438: La réputation de l'ouvrage semble avoir souffert des critiques négatives des Flauberolâtres intéressés à défendre leur idole et répéter ses opinions.
ellauri109.html on line 744: His best-known comedy was Marriage à la Mode (1673). In tragedy, his greatest success was All for Love (1678). Andrew Chesterman thinks he is translators' patron saint.
ellauri109.html on line 758: Strong without rage, without o'erflowing full. Vahva muttei raivokas, eikä tulviva.
ellauri109.html on line 844: She is encouraged by a few cases in which adults in Israel and abroad found out they had been adopted, and managed to trace their Yemenite parents. She is still waiting to find out if there is a match for her.
ellauri111.html on line 263: As Fyodor Mikhailovich spoke, he became quite agitated. His face narrowed and his eyes flashed. At first he had just tapped his fingers intermittently on the arms of his chair but as he went on he started to wave his hands around with increasing energy. Whatever he had seen in the world he now inhabited, it was clear that he was still unreconciled to the outrages that adult human beings inflict on children, who, as he had said in The Brothers Karamazov, hadn’t eaten that fatal apple. I didn’t know the details of the cases he was talking about, but I couldn’t help thinking about a particularly horrifying case that had recently happened here in Scotland. I’ll spare you the details.
ellauri111.html on line 267: “But I repeat,” he continued after a moment, raising his hands dramatically, “I am not demanding the maximum penalty of the law, not even for these torturers. I do not want them imprisoned, beaten, or executed, though I understand the outrage of people who do. Remember, when Ivan asked Alyosha what to do about the general who’d had the little boy torn to pieces by his dogs, even mild, sweet-tempered Alyosha said ‘Shoot him’. But that doesn’t help either. Just because I wrote a novel called Crime and Punishment, people imagine I’m obsessed with punishing. Not at all. All I want is that the guilty are not acquitted. That their guilt is clearly stated. And that they accept it—that’s the most important of all. Let them be found guilty—and let them go free.”
ellauri111.html on line 671: Sing. Learn Christian hymns to encourage you. This is a link to a collection of hymns with the words and the music (free).
ellauri112.html on line 100: August Strindbergin vaikuttava näytelmä oli eilen Kansallisteatteriin koonnut täyden huoneen, joka mielenkiinnolla seurasi sangen huoliteltua esitystä. Suosionosoituksetkin, jotka kasvoivat näytös näytökseltä, olivat lopulta erittäin vilkkaita. »Erik XIV» onkin mieltäkiinnittävä ja vaikuttava näytelmä, ei vähimmin siksi, että Strindberg on voinut siihen mahduttaa niin paljon omituista, aina intohimoista itseään. Hän on siinä ikäänkuin jakanut itsensä kahtia, kahdeksi henkilöksi, joista toinen, onneton Erik-kuningas saa sielukseen kaiken sen syvän heikkouden, epäsoinnun, aina mielipuolisuuden rajoille menevän rikkinäisyyden, jota Strindberg niin runsaasti löysi itsestään; kuninkaan neuvonantaja taas, kuuluisa Göran Persson, on tosin tahto-ihminen kuin kukaan, mutta raudankovan naamarin alla on aito-strindbergiläinen kuolettavasti haavoittuva herkkyys, rakkauden tarve ja sisällinen pakko nähdä elämä alastomuudessaan, paljastaa vaikuttimien epäilyttävät sokkelot. Molempien yhteistä elämää ja toimintaa vainoaa leppymätön kohtalo. Kaikki mitä onneton kuningas tekee on takaperoista ja hullua; hänen neuvonantajansa koettaa uupumattomalla tarmolla hänen jälkiään korjata, mutta kaikki on turhaa. Kuninkaan sisällinen vihlova epäsointu ikäänkuin painaa leimansa kaikkeen mitä hän koskettaa. Miltei pirullisella nautinnolla laskee Strindberg mittaluotinsa tämän ihmiskurjuuden pohjaan saakka, joka on sitä räikeämpi, kun se on niin korkealla, että se näkyy yli maiden. »Erik XIV» on rikkinäisen selän tragedia. Jos tahtoo verrata tätä kuningashahmoa Hamletiin, huomaa heissä ulkonaista yhtäläisyyttä. Molemmilla on pää kädessä, mitääntekemätön pippeli, suuri tehtävä suoritettavana, mutta he eivät siihen pysty, parantumattoman itse-epäilyn ja heikkouden jäytämiä kun ovat. Hamletin epäilyllä on kuitenkin selvät ulkonaiset aiheensa, Erik sensijaan on itse heikkous ja epäily siksi, että hänen sielunsa on pelkkää epäsointua, että hän on tunne-ihminen, jonka tunteet ovat sirpaleina--kuten Strindberg.-- Näytelmään ja sen esitykseen saan tilaisuuden vielä palata. Mainittakoon vain, että hra Jussi Snellman oli Erik-kuninkaassa taas pitkästä ajasta saanut huomattavan osan. On iloista mainita, että hän siitä kaikella kunnialla suoriutui. Hra Puroon Göran Perssonina olisi varmaan Strindberg itse ollut tyytyväinen: se oli erinomainen luoma; esitys kohosi paikoin yli odotuksien. Hra Ahlberg Svante Sturena oli kaunis nähdä, hra Yrjö Somersalmen Peder Welamson ynnä jotkut muutkin esitykset ovat tunnustuksella mainittavat.
ellauri112.html on line 681: Yet to hail the film as a feminist project is to value the representation of the structural co-option of maternity over its interrogation. Tully’s treatment of social reproduction is dangerously simplistic. Cody has spoken in interviews about how her own, financially easier, experience of parenting in L.A. inspired her to explore a narrative in which economic anxieties are combined with the other hardships of parenthood, yet here class and poverty are only fleeting concerns. The transactional system of care that governs child-rearing under capitalism is done away with via Tully’s otherworldliness. Until the revelation of her non-existence, the viewer, although encouraged to believe in her, is never asked to consider her financial reality, and the fact that the service is paid for by Marlo’s wealthy brother is a narrative convenience that reinforces its fairytale quality. Similarly, Tully’s whiteness allows the racial politics of care to be completely overlooked, and the repeated idea that it’s ‘unnatural’ for hired help to bond with your newborn is taken as a given, rather than seen as an impetus for a consideration of the social conditions that require mothers to make that choice.
ellauri112.html on line 683: Marlo, already a mother of two, begins the film heavily, outrageously pregnant: we learn, in rapid succession, that this third pregnancy was unwanted, that her husband does little of the domestic labour, and that her “shitty” upbringing is the reason she’s so committed to her nuclear family unit. Postnatal depression, never named, haunts the narrative: her wealthy brother offers to pay for a night nanny to avoid, in his words, the advent of another “bad time” like the one that followed the birth of her son, Jonah. When the nanny arrives – described by more than one reviewer as a “millennial Mary Poppins” – the panacea seems to be working. Not only does she look after the baby at night but she also operates as a kind of empathy machine, listening to Marlo’s problems, sharing sangria in the garden, and baking the Minions cupcakes that Marlo herself never has the time to make. The postnatal depression, it seems, disperses; Jonah – who has “emotional problems” – finds a place at a school more suited to his needs, family dinners get increasingly wholesome, and Marlo does a passable Stevie Nicks impression at a child’s birthday party. And then comes the twist: after a bender in Brooklyn with Tully, a sleep-deprived Marlo, drunk at the wheel, drives her car off a bridge and ends up in hospital, and we realise there was nobody else in the car. Her maiden name, we learn, was Tully.
ellauri112.html on line 855: “There is no proof that the ‘wine’ at the marriage feast in Cana was fermented. The Greek word for ‘wine’ in this text is oinos, which may refer to a fermented beverage (cf. Eph. 5:18), or it may denote freshly squeezed grape juice (cf. Isa. 16:10 – LXX). Since the word for ‘wine’ is generic, the student has no right to import the concept of an alcoholic beverage into this passage without contextual justification—of which there is none.”
ellauri112.html on line 862: Wines today average 12-18% alcohol due to saccharomyces, a genetically modified yeast that alien scientists developed in the twentieth century. Due to distilling, strong drinks like liquor go over twenty percent. Study for yourself. Mutta ole varovainen, se on DYNAMIITTIA!
ellauri112.html on line 884: Second, Timothy obviously suffered from a stomach ailment which required a medicinal remedy. The water in Asia Minor can be very dangerous, hence the young evangelist was encouraged to take “a little wine” along with his water. The sentence is elliptical: “Be no longer a drinker of water [alone], but [with it] take a little wine” (1 Tim. 5:23).
ellauri112.html on line 895: Yet, in what is surely one of the great tragedies of history, worse than genocide, the sacrament of the Lord’s Supper has become an occasion for confusion and division. For example, even men of good will, professing the Bible to be their guide, have disagreed as to the exact nature of Christ’s presence in the Lord’s Supper. More recently, Christians have differed about the frequency of intercourse and the subjects of intercourse. But we will not consider such matters as these here.
ellauri115.html on line 414: Hume's eyes were on France, in particular, and his reputation as the good David. His first denunciations of Rousseau were made to his friends in Paris; his Concise and Genuine Account of the Dispute between Mr. Hume and Mr. Rousseau would be published there in French, edited by Rousseau's enemies. He studiously avoided communicating with Mme de Boufflers, knowing she would, as she did, urge "generous pity". Hume's descriptions of Rousseau as ferocious, villainous and treacherous ensured joyful coverage in newspapers and discussions in fashionable drawing rooms, clubs and coffee houses. The actor-manager David Garrick wrote to a friend on July 18 that Rousseau had called Hume "noir, black, and a coquin, knave".
ellauri115.html on line 422: A cartoon depicting Rousseau as a Savage Man, a Yahoo, caught in the woods was more to Hume's taste. He described it to her with relish. "I am represented as a farmer, who caresses him and offers him some oats to eat, which he refuses in a rage; Voltaire and D'Alembert are whipping him up behind; and Horace Walpole making him horns of papier maché. The idea is not altogether absurd."
ellauri117.html on line 49: Ce recueil de réflexions et d’observations, sans ordre et presque sans suite, fut commencé pour complaire à une bonne mère qui sait penser. Je n’avais d’abord projeté qu’un mémoire de quelques pages; mon sujet m’entraînant malgré moi, ce mémoire devint insensiblement une espèce d’ouvrage trop gros, sans doute, pour ce qu’il contient, mais trop petit pour la matière qu’il traite. J’ai balancé longtemps à le publier; et souvent il m’a fait sentir, en y travaillant, qu’il ne suffit pas d’avoir écrit quelques brochures pour savoir composer un livre. Après de vains efforts pour mieux faire, je crois devoir le donner tel qu’il est, jugeant qu’il importe de tourner l’attention publique de ce côté-là; et que, quand mes idées seraient mauvaises, si j’en fais naître de bonnes à d’autres, je n’aurai pastout à fait perdu mon temps. Un homme qui, de sa retraite, jette ses feuilles dans le public, sans prôneurs, sans parti qui les défende, sans savoir même ce qu’on en pense ou ce qu’on en dit, ne doit pas craindre que, s’il se trompe, on admette ses erreurs sans examen.
ellauri117.html on line 144: 1906 machte Kafka seinen Abschluß an der Prager Universitet und wandte sich mit Unbehagen dem Versicherungsgeschäft zu. Die Plackerei der Büroarbeit verlangte nach einem Ausgleich, und er nahm jede Gelegenheit wahr, außerhalb der Stadt zu schwinmen, zu rudern oder zu wanken. Aber diese Zerstreuungen waren nur kurze Unterbrechungen der zermürbenden Routine, die er sich gezwungenermaßen als Lebensinhalt gewählt hatte. Tagsüber arbeitete er für die Arbeiter-Unfall-Versicherungs-Anstalt», und
ellauri117.html on line 157: Herrmann Kafka erscheint in den Schriften seines Sohnes als gefühlloses Ungeheuer. Die Art und Weise, in der der Vater seinem Sohn sexuelle Aufklärung zuteil werden ließ, bestätigt zweifellos diese Ansicht. Franz war von seinen heranwachsenden Schulfreunden wegen seiner offensichtlichen Ahnungslosigkeit in sexuellen Fragen geneckt worden. Daher begann er, sich mit Hilfe von Büchern die biologischen Grundlagen der Sexualität anzueignen, und versuchte dann, seinen Vater ganz beiläufig über die
ellauri117.html on line 166: 1912 lernte er in Max Brods Haus Felice Bauer kennen, die die erste große Liebe seine ns werden sollte und mit der er zweimal insgeheim verlobt war, Franz war zu jener Zeit 29 Jahre alt. In den folgenden fünf Jahren bildete Felice das Zentrum seines Lebens, von dem er sich im ständigen Wechsel angezogen und wieder abgestoßen fühlte. Er verwirrte sie mit einer Flut selbstquälerischer Briefe. Diese ambivalente, heftigen Gefühlsschwankungen unterworfene Romanze beflügelte den Schriftsteller in Kafka, doch seine Unentschlossenheit, in welche Richtung sich ihre Beziehung entwickeln sollte, frustrierte Felice. Wie Koalas Onkel, aufzählte der kleine Jude die Vorzüge und Nachteile einer Ehe. Schließlich schickte sie ihre Freundin Grete Bloch, um Kafka nach seinen Absichten zu fragen. Mit der Zeit wurde Grete die Vertraute des Schriftstellers, und Felice hegte den Verdacht, daß dabei sein Fühler tiefer gegangen war, als sie zugeben wollten. Das Verhältnis zwischen Franz und Felice kühlte mehr und mehr ab. Doch 1916 verbrachten sie gemeinsam einen zehntägigen Urlaub. Sie wohnten in zwei neben einanderliegenden Zimmern und spielten offensichtlich Mann und Frau. Wieder beschlossen sie zu heiraten, doch 1917 - ungefähr zur gleichen Zeit, als seine Tuberkulose erkannt wurde - löste Kafka die Verlobung wieder. Was für ein Mistkäfer.
ellauri118.html on line 432: Monika Fludernik (1957-) ist´ne österreichische Flugwirtin, Amerikanistin und Literaturwissenschaftlerin. Fludernik leistete wichtige Beiträge zur Erzähltheorie. Die neuere Erzähltheorie wurde ab 1915 in Ansätzen vom Russischen Formalismus entwickelt und vom Strukturalismus seit den 1950er Jahren weiter ausgearbeitet, wobei Tzvetan Todorov zu den wichtigsten Vermittlern der formalistischen Ansätze in Frankreich gehörte. Der hier entwickelte strukturalistische Ansatz – mit späteren Ergänzungen – ist bis heute maßgeblich, es gab jedoch nie eine einheitliche strukturalistische Erzähltheorie. Wichtige Theoretiker der Narratologie sind Gérard Genette, Claude Lévi-Strauss, Roland Barthes, Roman Jakobson und Paul Ricœur. Die strukturelle (formalistische) Erzähltheorie wird oft durch interdisziplinäre Ansätze ergänzt, so durch die Semiotik ergänzt, wozu insbesondere Juri Lotman beigetragen hat. Im deutschen Sprachraum war Franz Karl Stanzel der erste Vertreter der Erzähltheorie.
ellauri118.html on line 725: In vain th´ enraged Youth assaid Turhaan raivoisa nuorukainen yritti
ellauri118.html on line 1147: I´ve counted exactly three fat women in the six episodes that have aired, two of whom are wives who definitely belong to the category of “small fat,” as they look to be about a size 14-16, which is currently the size of the average American woman. I find it quite strange that I have seen not one handmaid who looks to be the size of the average American woman.
ellauri118.html on line 1164: The amount Peixoto earn in different countries varies greatly. In Peru they earn 6.8% more than the national average, earning S/. 20,704 per year; in South Africa they earn 449.72% more than the national average, earning R 1,306,340 per year; in United States they earn 21.93% more than the national average, earning $52,612 USD per year, but in Canada they earn just 1.53% more than the national average, earning $50,441 CAD per year. Hmm. This must be intentional. It tells us something, but what the heck?
ellauri118.html on line 1166: Shakespeare´s Hamlet, the title character disparages his mother, Gertrude, a widow newly married to her husband´s brother. In disgust at her haste to remarry, Hamlet mutters: "Frailty, thy name is woman".
ellauri119.html on line 141: In the season one episode "Not Yet, He Ain't," Batman and Robin go back to the Batcave to relax with some nice cool milk after surviving an attempt on their lives by the Penguin. What's to love about this exclamation is that Robin is so enraged and yet he's carrying a glass of milk and it just looks adorable instead.
ellauri119.html on line 764: Nathaniel wore carrot-top hair styled like Elvis; he was average height and spoke English with a German accent. His skin was porcelain white and unblemished.
ellauri131.html on line 883: I’ve read quite a few books where the author picks a ‘project’ and runs with it to see what happens. These sorts of books have often been fun and entertaining. This one had the potential for that with some of the advice and activities these books encouraged the author to participate in. But she executed them with such seriousness that that they became cringeworthy to read about.
ellauri132.html on line 163: E.T. Jaaaa, aber nur weil Sie ein Kreuzworträtsel lösen oder eine Atombombe bauen, heißt das nicht, dass Sie Ihren Verstand benutzen. So wie Hunde es lieben, Knochen zu kauen, liebt es der Verstand, seine Zähne in Probleme zu bekommen. Deshalb löst er Kreuzworträtsel und baut Atombomben. An beidem hast du kein Interesse, Knochen oder Bomben. Lassen Sie mich Folgendes fragen: Können Sie Ihren Verstand verlieren, wann immer Sie wollen? Haben Sie den "Aus"-Button gefunden? Den "Toll"- Knopf? Ich habe! Einen "Ein"-Knopf habe ich dagegen nicht gefunden. Vielleicht gibt es keinen.
ellauri132.html on line 197: It was tragic, all right, but George and Hazel couldn’t think about it very hard. Hazel had a perfectly average intelligence, which meant she couldn’t think about anything except in short bursts. And George, while his intelligence was way above normal, had a little mental handicap radio in his ear. He was required by law to wear it at all times. It was tuned to a government transmitter. Every twenty seconds or so, the transmitter would send out some sharp noise to keep people like George from taking unfair advantage of their brains.
ellauri132.html on line 200: Here, Vonnegut is influenced by his early work as a journalist. His sentences are short and easily understood so as to be largely accessible. A dystopian setting enhances his social and political critique by imagining a future world founded on absolute equality through handicaps assigned to various above-average people to counter their natural advantages. A similar subject can be found in L. P. Hartley's dystopian novel Facial Justice from the previous year of 1960.
ellauri132.html on line 644: Tragedia. Tragediassa, sun päähenkilön pitäis kärsiä suurehko onnen muutos — melkein aina hyvästä pahaan, onnellisesta surulliseen. Traagisten hahmojen pitää kärsiä.
ellauri132.html on line 924: Das Mädchen mit heißem Lieben in seinem Herzen getragen; se oli rakastanut tosi kuumasti tätä tyttöä,
ellauri132.html on line 988: (Eihän tää muuten olis tragedia vaan komedia)
ellauri133.html on line 67:

Describing an average day in the life of your character. No, it won’t give us deep insight into her personality, it’s just boring. Start the story where your character’s life gets interesting. Fuck you, only idiots with a boring life want stories apt to tickle striped-ass baboons.

ellauri133.html on line 81:

Interesting fact: the average reader will give up on a boring book by page seventeen. If you’ve wasted any of your precious first pages on boring stuff, you’re likely to join the Page Seventeen club too. TLDR, huh? Your kind better buy Marvel comic magazines. They got a lot of pics to help with the ALL CAPS text in the bubbles, and not much more pages than those 17.

ellauri133.html on line 700: Joseph ”Joss” Hill Whedon (s. 23. heinäkuuta 1964, New York, New York) on yhdysvaltalainen käsikirjoittaja, ohjaaja, tuottaja, sarjakuvakäsikirjoittaja ja joskus myös säveltäjä ja näyttelijä. Hänet tunnetaan luomistaan televisiosarjoista Buffy, vampyyrintappaja (1997–2003), Angel (1999–2004), Buttfly (2002), Doghouse (2009–2010) ja P.A.N.T.Y.S.H.I.E.L.D. Agentit (2013–2020). Lisäksi Whedon on käsikirjoittanut elokuvan Toy Story – iankaikkista elämää (1995), ohjannut ja käsikirjoittanut elokuvan Serendipity (2005), käsikirjoittanut ja tuottanut elokuvan Uncle Tom's Cabin in the Woods (2012) sekä ohjannut ja käsikirjoittanut elokuvat The Averagers (2012) ja Averagers: This is the Age of Aquarius (2015). Näistä olen nähnyt Toy Storyn.
ellauri133.html on line 857: In an era when women were not encouraged to work outside the home, Jackson became the chief breadwinner while also raising the couple's four children.
ellauri133.html on line 870: Jackson´s most famous story, "The Lottery", first published in the New Yorker on June 26, 1948, established her reputation as a master of the horror tale. The story prompted over 300 letters from readers, many of them outraged at its conjuring of a dark aspect of human nature, characterized by, as Jackson put it, "bewilderment, speculation, and just plain old-fashioned abuse".
ellauri140.html on line 178: Wrath (M) – He carries a branding iron and a dagger as he rides a lion. His clothes are ripped and contain blood stains. He acts quickly in fits of rage, but often repents; "Ne car'd for blood in his avengement: / But when the furious fitt was overpast, / His cruel facts he often would repent. Vihan vika ei ole vihaaminen as such, vaan äkkipikasuus, harkinnan puute. Don't get mad, get even. Olkaa viattomia kuin pulut ja kavalia kuin käärmeet.
ellauri140.html on line 222: Das Lied war in der deutschen Version als Hundert Mann und ein Befehl mit dem Text von Ernst Bader und in der von Freddy Quinn gesungenen Version ein Nummer-eins-Hit in Deutschland. Eine von Heidi Brühl gesungene Version erreichte Platz 8 in den deutschen Charts. Der deutsche Text ist aus der Sicht des Soldaten geschrieben und stellt den Sinn des Kriegs in Frage, während der englische Text eine Hymne auf die Spezialeinheit darstellt. Heidi Brühl singt den deutschen Text leicht verändert aus der Sicht eines Mädchens, das auf seinen Freund wartet. Das Lied wurde in dem Film Die grünen Teufel als Titelmusik verwendet.
ellauri140.html on line 250: Und weit von mir ein Mädchen weint Courage take from the Green Beret Rohkeutta ottavat vihreästä vaellushatusta.
ellauri140.html on line 495: Yet kindling rage, her selfe she gathered round, Kuiteskin se raivostu, ja kiertyi keräxi,
ellauri140.html on line 541: Whose corage when the feend perceiv'd to shrinke, Kun vihulainen huomasi sen voiman ehtyvän,
ellauri140.html on line 880: And half enraged at her shamelesse guise, Ja puolixi raivoissaan sen nakusta pyllystä,
ellauri140.html on line 972: Who all in rage to see his skilfull might Se raivostui niin pirusti, ezen taitoja
ellauri140.html on line 1010: The eye of reason was with rage yblent, Meni naruun raivon sokaistessa silmät
ellauri141.html on line 113: In B. C. 17, Augustus celebrated the Ludi Seculares, and Horace was required to write an Ode for the occasion, which he did, and it has been preserved. This circumstance, and the credit it brought him, may have given his mind another leaning to Ode-writing, and have helped him to produce the fourth book, a few pieces in which may have been written at any time. It is said that Augustus particularly desired Horace to publish another book of Odes, in order that those he wrote upon the victories of Drusus and Tiberius (4 and 14) might appear in it. The latter of these Odes was not written, probably, till B. C. 13, when Augustus returned from Gaul. If so, the book was probably published in that year, when Horace was fifty-two. The Odes of the fourth book show no diminution of power, but the reverse. There are none in the first three books that surpass, or perhaps equal, the Ode in honor of Drusus, and few superior to that which is addressed to Lollius. The success of the first three books, and the honor of being chosen to compose the Ode at the Ludi Seculares, seem to have given him encouragement. There are no incidents in his life during the above period recorded or alluded to in his poems. He lived five years after the publication of the fourth book of Odes, if the above date be correct, and during that time, I think it probable, he wrote the Epistles to Augustus and Florus which form the second book; and having conceived the intention of writing a poem on the art and progress of poetry, he wrote as much of it as appears in the Epistle to the Pisones which has been preserved among his works. It seems, from the Epistle to Florus, that Horace at this time had to resist the urgency of friends begging him to write, one in this style and another in that, and that he had no desire to gratify them and to sacrifice his own ease to a pursuit in which it is plain he never took any great delight. He was likely to bring to it less energy as his life was drawing prematurely to a close, through infirmities either contracted or aggravated during his irrational campaigning with Brutus, his inaptitude for which he appears afterwards to have been perfectly aware of. He continued to apply himself to the study of moral philosophy till his death, which took place, according to Eusebius, on the 27th of November, B. C. 8, in the fifty-seventh year of his age, and within a few days of its completion. Mæcenas died the same year, also towards the close of it; a coincidence that has led some to the notion, that Horace hastened his own death that he might not have the pain of surviving his patron. According to Suetonius, his death (which he places after his fifty-ninth year) was so sudden, that he had not time to execute his will, which is opposed to the notion of suicide. The two friends were buried near one another “in extremis Esquiliis,” in the farthest part of the Esquiliæ, that is, probably, without the city walls, on the ground drained and laid out in gardens by Mæcenas.
ellauri141.html on line 460: Tunnettuja Kiplingin runoja ovat Mandalay (1890), Gunga Din (1890), Valkoisen miehen taakka (The White Man’s Burden) (1899) ja Jos– (If–) (1910). Kipling tunnetaan erityisesti englanninkielisessä maailmassa yhtenä lastenkirjallisuuden suurista nimistä ja lahjakkaana tarinankertojana. [Lähde vittuun?] Kiplingin tuotannon keskeisiä teoksia ovat myös Norsunlapsi (The Elephant's Child) ja Meren urhoja (Captains Courageous).
ellauri142.html on line 53: At the opening of the novel, Markku is a young man who has recently returned to Russia to seek a career after completing his education abroad. Although a well-meaning, kind hearted young man, he is awkward and out of place in the Russian high society in whose circles he starts to move. Markku, though intelligent, is not dominated by reason, as his friend Prince Andrei Nikolayevich Balkongsky is. His lack of direction leads him to fall in with a group of profligate young men like Anatole Kuragin and Dolokhov whose pranks and heavy drinking cause mild scandals. After a particularly outrageous escapade in which a policeman is strapped to the back of a bear and thrown into a river, Markku is sent away from St. Petersburg. What happened to the poor bear?
ellauri142.html on line 85: In 1851, after running up heavy gambling debts, he went with his older brother to the Caucasus and joined the army. Tolstoy served as a young artillery officer during the Crimean War and was in Sevastopol during the 11-month-long siege of Sevastopol in 1854–55, including the Battle of the Chernaya. During the war he was recognised for his courage and promoted to lieutenant. He was appalled by the number of tragic deaths involved in warfare, and left the army after the end of the Crimean War.
ellauri142.html on line 1045: Smail wrote several books on the subject of psychotherapy, emphasizing the extent to which society is often responsible for personal distress. Critical of the claims made by psychotherapy, he suggests that it only works to the extent that the therapist becomes a friend of the patient, providing encouragement and support. Much distress, he says, results from current conflicts, not past ones, and in any case, damage done probably cannot be undone, though we may learn to live with it. He doubts whether 'catharsis', the process whereby it is supposed that understanding past events makes them less painful, really works. The assumption that depression, or any other form of mental distress, is caused by something within the person that can be fixed, is he argued, without foundation. He could thus be regarded as part of the 'anti-psychiatry' movement, along with R.D. Laing and Thomas Szasz, but where Laing emphasised family nexus as making psychosis understandable, Smail emphasises 'Interest' and power in relation to more everyday distress. These are integral to Western society, and, he suggests, considered out of bounds by most psychotherapists, who are themselves both constrained and complicit in protecting their own interests.
ellauri143.html on line 632: Courage, a liberal hand, wisdom, and energy: these four

ellauri144.html on line 68: For Aristotle, youth and age represent extremes of excess and deficiency: the young (neoi) are subject to strong but quick-changing desires; they are hot-tempered, competitive, careless about money, simple, trusting, hopeful, lofty-minded; they have courage and a sense of shame; they enjoy friends and laughter; they live by honor, not advantage; they tend to hybris; in short, their failings are those of vehemence and excess. Whereas older men (presbyteroi) past their prime have the diametrically opposite failings, of deficiency: their experience of life makes them uncertain, suspicious, small-minded, ungenerous, worried about money, fearful, cold-tempered, grasping after life, and selfish; they live by the code of advantage; they are shameless and pessimistic; they live mostly in memory, talk about the past, complain a lot; they are slaves to gain; in short, both their desires and their ability to gratify them are weak.
ellauri144.html on line 392: Dylan Marlais Thomas (27 October 1914 – 9 November 1953 = 39v) was a Welsh poet and writer whose works include the poems "Do not go gentle into that good night" (Josta suomenruozalainen leijakirjailija otti "Älä mene yxin yöllä ulos") and "And death shall have no dominion"; the "play for voices" Under Milk Wood; and stories and radio broadcasts such as A Child´s Christmas in Wales and Portrait of the Artist as a Young Dog. He became widely popular in his lifetime and remained so after his death at the age of 39 in New York City. By then he had acquired a reputation, which he had encouraged, as a "roistering, drunken and doomed poet".
ellauri144.html on line 539: Maggin pojalle (josta tulee rekkakuski) se antaa lukemisexi kirjan The Red Badge of Courage. It is a war novel by American author Stephen Crane (1871–1900). Taking place during the American Civil War, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound, a "red badge of courage," to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer, who carries a flag.
ellauri144.html on line 541: The Red Badge of Courage garnered widespread acclaim, what H. G. Wells called "an orgy of praise" shortly after its publication, making Crane an instant celebrity at the age of twenty-four. The novel and its author did have their initial detractors, however, including author and veteran Ambrose Bierce. Adapted several times for the screen, the novel became a bestseller. It has never been out of print and is now thought to be Crane´s most important work and a major American text.
ellauri144.html on line 623: l´étranger. Inversement, elle lui traduit des ouvrages étrangers en français. Elle
ellauri145.html on line 127: Mitähän Aristoteles tarkoitti sillä et tragedia puhaa
ellauri145.html on line 173: Baudelaire: j´ai toujours eu quelque sympathie pour ce malheureux écrivain dont le génie manqué, plein d´ambition et de maladresse, n´a su produire que des ébauches minutieuses, des éclairs orageux, des figures dont quelque chose de trop bizarre… altère la native grandeur.»
ellauri145.html on line 221: Renvoyé du lycée Louis-le-Grand en avril 1839 pour ce qui a passé pour une vétille, mais que son condisciple au lycée, Charles Cousin (1822-1894) a expliqué comme un épisode d´amitié particulière, Baudelaire mène une vie en opposition aux valeurs bourgeoises incarnées par sa famille. Il passe son baccalauréat au lycée Saint-Louis en fin d´année et est reçu in extremis. Jugeant la vie de l´adolescent « scandaleuse » et désirant l´assagir, son beau-père le fait embarquer pour Calcutta. Le Paquebot des Mers du Sud quitte Bordeaux le 9 ou 10 juin 1841. Mais en septembre, un naufrage abrège le périple aux îles Mascareignes (Maurice et La Réunion). On ignore si Baudelaire poursuit son voyage jusqu´aux Indes, de même que la façon dont il est rapatrié.
ellauri145.html on line 262: Le spleen baudelairien désigne une profonde mélancolie née du mal de vivre, que Charles Baudelaire exprime dans plusieurs poèmes de son recueil Les Fleurs du mal. Quoiqu'il l'associe, discrètement, pour qui veut le lire, non pas à un véritable mal mais plutôt à une rage de vivre. Cette frustration colérique d'un Idéal non réalisé, auquel il ne renonce pourtant pas. Il accompagne finalement le titre de l'ouvrage complet : Spleen et Idéal. Ce spleen éveille un espoir, aisément distinguable dans ses textes les plus sombres : « Je suis comme le roi d'un pays pluvieux, riche, mais impuissant » LXXVII.
ellauri145.html on line 551: Although there is certainly a bias toward “masculinity” in Nietzsche’s works, this does not necessarily mean what it is presumed to mean. “Masculinity” is not, for instance a code word for “male”. It does not apply as a broad category to those who have a certain set of genitals. In fact what the term means is having the sort of virtues that one might have typically related to the masculine virtues that were considered admirable at various times in the past. These include courage, transcendence of petty emotional concerns, fearlessness in the face of death, and so on. Intellectual courage was a particular attribute that Nietzsche was trying to encourage in his readers though his appeal to the term, “masculinity”.
ellauri145.html on line 678: Les Chants de Mal Odor. Ce sont un ouvrage poétique en prose de 1869, composé de six parties nommées « chants ». Il s´agit de la première des trois œuvres de l´auteur Isidore Ducasse plus connu sous le pseudonyme de comte de Lautréamont. Le livre ne raconte pas une histoire unique et cohérente, mais est constitué d´une suite d´épisodes dont le seul fil conducteur est la présence de Maldoror, un personnage mystérieux et maléfique. The misanthropic, misotheistic character Maldoror is a figure of evil who has renounced conventional morality. Tulee tosta mieleen että Figura-liivejä mainostettiin ennen lehdissä.
ellauri145.html on line 682: L´ouvrage paraît en 1869, dans un relatif anonymat. Il est rapidement oublié, de même que son auteur, mort quelques années plus tard. Il faut alors attendre la période surréaliste pour voir la popularité de ce livre évoluer. Il a eu une grande influence sur le surréalisme : redécouverte d´abord par Philippe Soupault (en 1917), puis Louis Aragon et André Breton, l´œuvre de Lautréamont ne cessera d´être revendiquée comme livre précurseur du mouvement.
ellauri145.html on line 693: Hän kirjoitti romaaninsa joutohetkinään, minkä niistä kyllä huomaa. Hänen tyylinsä oli ensin äärimmäisen realistinen mutta muuttui myöhemmin mystillis-esoteeriseksi. Tavallinen kehitys oikeistopaskiaisilla. Émil Zola oli alkuun hänen esikuvansa. Hänen naturalistisen kautensa teoksia ovat Le drageoir aux épices (1874), Marthe (1876), Les sœurs Vatard (1879), En ménage (1881) ja A rebours (1884), joista viimemainittuun perustuu hänen maineensa. Vuonna 1887 Huysmansista tuli Zolan katkera vastustaja ja muutenkin aika paskiainen. Myöhemmällä kehityskaudellaan Huysmans muuttui ankaran katoliseksi. Hizi tääkin oikeistolaistumiskehitys on nähty vitun monessa kynäilijässä. Hän kuvaa eri kehitysvaiheitaan teoksissa En Route (1895), La Cathédrale (1898) ja L’Oblat (1903). Huysmans kuoli sentään vuonna 1907 syöpään. Hänet haudattiin perhehautaan Montparnassen hautausmaalle.
ellauri145.html on line 777: Et, si l´on te fait enrager... Ja jos sua provosoidaan...
ellauri145.html on line 778: Enrage ! Provosoidu!
ellauri146.html on line 94: RATTENGIFT. Welche Frage? Die Welt ist der Inbegriff alles Existierenden, vom kleinsten Würmchen bis zu dem ungeheuersten Sonnensystem.
ellauri146.html on line 118: Wie er sich selbst zu dieser seichten Belletristik stellt, darüber läßt er uns nicht im Unklaren. Herr Mollfels, eine der Hauptpersonen des Stückes giebt einem Schriftsteller Rattengift gute Lehren. »Sie müssen beileibe alles hinlänglich weich kneten, denn das Weiche gefällt und wenn es auch nur nasser Dreck wäre. Vorzüglich aber müssen Sie stets den Geschmack der Damen im Auge behalten, denn diese, welche noch niemals von einem wahren Dichter als berufene Richterinnen anerkannt sind, gelten jetzt im Reiche der Kunst als oberste Appellationsinstanz; ob man sie wegen ihrer kränklichen Nerven oder wegen ihrer Geschicklichkeit im Charpiezupfen dazu erwählt hat, ist eine unentschiedene Frage. Desto entschiedener ist es, Herr Rattengift, daß man Sie, wenn Sie Gewalt genug besitzen, eine dieser Regeln zu verachten, als einen blindlaufenden, verrückten, rohen Phantasten verschreit, der Schönheiten und Erbärmlichkeiten mild nebeneinanderkleckst. Ständen Homer oder Shakespeare erst jetzt mit ihren Werken auf, so wären Beurteilungen zu erwarten, in denen die Iliade ein unsinniges Gemengsel und der Lear [ganz berechtigt, vgl. Album 198] ein bombastischer Saustall genannt würde; ja manche Recensenten geben vielleicht dem Homer einen wohlgemeinten Fingerzeig, sich nach »der bezauberten Rose« emporzubilden, oder gebieten dem Shakespeare, fleißig in den Romanen der Helmine von Chezy und der Fanny Tarnow zu studieren, um daraus Menschenkenntnis zu lernen.«
ellauri146.html on line 124: Rudolf von Gottschall (1823–1909) oli saksalainen kirjailija, aikansa Saksan monipuolisimpia. Gottschall oli lyyrikko (Neue Gedichte), eepikko (Carlo Zeno, Maja), hän kirjoitti romaaneja (Im Banne des schwarzen Adlers) ja erityisesti näytelmiä: hänen merkittäviä murhenäytelmiään ovat Mazeppa, Der Nabob, Katharina Howard, König Karl XII, Herzog Bernhard von Weimar ja Amy Robsart. Hän kirjoitti myös komedioita, kuten Fix und Fox, Die Diplomaten, Der Spion von Rheinsberg. Mit einer Doktorarbeit über die römischen Strafen bei Ehebruch wurde er 1846 in Königsberg promoviert. De adulterii poenis iure romano constitutis. Gottschalls fortschrittliches Schaffen war zu seinen Lebzeiten geachtet, seine Dramen wurden gern gespielt. Seine Werke zeichneten sich vor allem durch unabhängige Urteilskraft, aber auch durch zeitbezogene Kritik aus, was mit dazu beigetragen hat, dass er nach seinem Tode schnell in Vergessenheit geriet. Lisäksi hän oli kirjallisuushistorioitsija ja esteetikko. Kirjallisuudentutkijana hän julkaisi teoksen Poetik. Vittuako se selitti tossa suorasanaisesti mitä Grabbe kertoo ize paljon hauskemmin? Taitaa olla kuivuri. Saima Harmaja on suomentanut Gottschallin runon "Ken nokkivi ikkunaa? Lupsa!", jonka on säveltänyt Kari Haapala.
ellauri146.html on line 146: Gottschalls fortschrittliches Schaffen war zu seinen Lebzeiten geachtet, seine Dramen wurden gern gespielt. Seine Werke zeichneten sich vor allem durch unabhängige Urteilskraft, aber auch durch zeitbezogene Kritik aus, was mit dazu beigetragen hat, dass er nach seinem Tode schnell in Vergessenheit geriet.
ellauri146.html on line 166: MOLLFELS. Soll ich ihnen was vorschlagen? Dichten Sie künftig nichts als Trauerspiele! Wenn Sie denselben nur die gehörige Mittelmäßigkeit verleihen, so ist es unmöglich, daß Sie nicht den rauschendsten Applaus einernteten! Sie müssen insbesondere den Plan der Stücke hübsch winzig und flach gestalten, sonst möchte ihn nicht jeder kurzsichtige Schafskopf überblicken können, – Sie müssen dem Verstande und dem Forschungsgeiste der Leser nicht das geringste zumuten und wenn durch ein Unglück eine hervorstechende Szene mit unterlaufen sollte, sorgfältig hinterdrein bemerken, was sie abzwecke und in welcher Beziehung auf das Ganze sie zu nehmen sei, – Sie müssen beileibe alles hinlänglich weich kneten, denn das Weiche gefällt, und wenn es auch nur nasser Dreck wäre, – vorzüglich aber müssen Sie stets den Geschmack der Damen im Auge behalten, denn diese, welche noch niemals von einem wahren Dichter als berufene Richterinnen anerkannt sind, gelten jetzt im Reiche der Kunst als oberste Appellationsinstanz; ob man sie entweder wegen ihrer kränklichen Nerven oder wegen ihrer Geschicklichkeit im Scharpiezupfen dazu erwählt hat, ist eine unentschiedene Frage. Desto entschiedener ist es, Herr Rattengift, daß man Sie, wenn Sie Gewalt genug besitzen, um diese Regeln zu verachten, als einen blindlaufenden, verrückten, rohen Phantasten verschreit, der Schönheiten und Erbärmlichkeiten wild nebeneinanderkleckst. Ständen Homer oder Shakspeare erst jetzt mit ihren Werken auf, so wären Beurteilungen zu erwarten, in denen die Iliade ein unsinniges Gemengsel und der Lear ein bombastischer Saustall genannt würde; ja, manche Rezensenten gäben vielleicht dem Homer einen wohlgemeinten Fingerzeig, sich nach der Bezauberten Rose emporzubilden, oder geböten dem Shakspeare, fleißig in den Romanen der Helmina von Chezy oder der Fanny Tarnow zu studieren, um daraus Menschenkenntnis zu lernen.
ellauri146.html on line 220: ...Da lernte Grabbe Ludwig Robert kennen, den Bruder der schönen, von Heine gefeierten Schwester, einen der geistvollsten Epigonen der Romantik; aber auch Heinrich Heine selbst, der seine Tragödien Almansor und Ratcliff gerade damals erscheinen ließ und von dem einer der ironischen Freunde berichtet, mit welchem Selbstgefallen seine ungefällige Gestalt damals unter den Linden vor Dümmlers Buchladen »vorbei peripatetisierte,« mit Armensünderwänglein, über welche plötzliche Glut sich ergoß, sobald er sein Werk zum Fenster herausgucken sah. Heines Eigentümlichkeit als Mensch und Dichter hatte für Grabbe viel Sympathisches; er berührte eine verwandte Ader in ihm und blieb gewiß auf die Ausbildung eines, dem idealen Schwung nachspottenden Cynismus, der überall bei Grabbe hervortritt, nicht ohne Einfluß. Damals konnte Heine nicht ahnen, als er den Meister eines phantastischen Humors, den Serapionsbruder Amadeus Hoffmann, zu Grabe tragen sah, daß dasselbe schmerzliche Leiden, welches diese gnomenartige Persönlichkeit hinweggerafft hatte, auch ihn einst an ein langjähriges Krankenlager fesseln werde.
ellauri146.html on line 294: Die Personen werden begleitet von Engeln, die einen komischen Krieg gegen die Dämonen des Höllenreichs austragen. Die ersten beiden Gesänge stellen die Lager in ihrer Polarität vor: Im ersten beschreibt der Autor Gabriels Reise durch das Weltall zu dem von Erzengeln gebildeten Hofstaat Jehovas.
ellauri146.html on line 429: Quel pasteur courageux la dressa sur la terre Kukahan rohkea pastori on sen pystyttänyt
ellauri146.html on line 521: Qui n’ont pu me cacher la rage de ses yeux ; Jotka ei ole kätkeneet sen raivoa;
ellauri146.html on line 640: Poe commented on the general meaning of his story several times. In one unsigned review of the number of the Southern Literary Messenger that contained it he said, “Lionizing ... is an admirable piece of burlesque which displays much reading, a lively humor, and an ability to afford amusement or instruction”; and in another puff of smoke he remarked, “It is an extravaganza ... and gives evidence of high powers of fancy and humor.”‡ To J. P. Kennedy he wrote on February 11, 1836 that it was a satire “properly speaking [page 172:] — at least so meant —... of the rage for Lions and the facility of becoming one.”
ellauri146.html on line 686: started with the queerest idea conceivable, viz; that all men are born free and equal-this in the very teeth of the laws of gradation so visibly impressed upon all things both in the moral and physical universe. Every man “voted,” as they called it-that is to say, meddled with public affairs-until, at length, it was discovered that what is everybody’s business is nobody’s, and that the “Republic” (as the absurd thing was called) was without a government at all. It is related, however, that the first circumstance which disturbed, very particularly, the self-complacency of the philosophers who constructed this “Republic,” was the startling discovery that universal suffrage gave opportunity for fraudulent schemes….A little reflection upon this discovery sufficed to render evident the consequences, which were that rascality must predominate— in a word, that a republican government could never be anything but a rascally one. While the philosophers, however, were busied in blushing at their stupidity in not having foreseen these inevitable evils, and intent upon the invention of new theories, the matter was put to an abrupt issue by a fellow of the name of Mob, who took everything into his own hands and set up a despotism…. As for republicanism, no analogy could be found for it upon the face of the earth—unless we except the case of the “prairie dogs,” an exception which seems to demonstrate, if anything, that democracy is a very admirable form of government—for dogs.
ellauri146.html on line 860: Die Prager Erklärung zum Gewissen Europas und zum Kommunismus (engl. Prague Declaration on European Conscience and Communism) wurde am 3. Juni 2008 von mehreren prominenten europäischen Politikern, ehemaligen politischen Häftlingen und Historikern unterzeichnet, unter ihnen Václav Havel und Joachim Gauck. Die Erklärung forderte unter anderem die Verurteilung von kommunistischen Verbrechen und die Ausrufung des 23. August als Europäischer Tag des Gedenkens an die Opfer von Stalinismus und Nationalsozialismus. Der Gedenktag wurde am 2. April 2009 vom Europäischen Parlament ausgerufen.
ellauri147.html on line 211: Mindy offers to throw a dinner party to help Emily meet new people but the party instead turns into a rager. Despite meeting a cute French boy Emily ends up going back to Gabriel's restaurant.
ellauri147.html on line 263: For the series, review aggregator Rotten Tomatoes reported an approval rating of 63% based on 55 reviews, with an average rating of 5.81/10. The website´s critics consensus reads, "Though its depiction of France is trés cliché [sic], Emily in Paris is rom-com fantasy at its finest, spectacularly dressed and filled with charming performances." Metacritic gave the series a weighted average score of 60 out of 100 based on 17 reviews, indicating "mixed or average reviews".
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ellauri147.html on line 592: Die Ratings der anonymen Betrachter und Betrachterinnen – sowohl die eigenen als auch die der mitmachenden Freundinnen und Freunde – geben nun nicht nur die begehrte Rückmeldung aus dem virtuellen Raum, sie bilden auch interessanten Gesprächsstoff in der Clique. Die fotographische Selbstpräsentation zielt nämlich auf eine Antwort gleich in doppelter Weise: unmittelbar zielt sie auf ein Echo des Mediums, mittelbar auf das der peers, denen der geheime Seitenblick mit der Frage gilt: Wie attraktiv bin ich wirklich? Ist das nun Narzissmus, Narzissmus „pur“, wie wir vielleicht abschätzig sagen würden? Oder handelt es sich hier um Beziehung, um eine auf die virtuellen Niederungen medialen feedbacks freilich heruntergekommene Verfallsform einer Beziehung?-->
ellauri147.html on line 632: In der Theoriegeschichte lassen sich bei grober Analyse drei Traditionslinien der Narzissmustheorie unterscheiden, die das metapsychologische Durcheinander dokumentieren. Bei der ersten geht es um die bereits seit den dreissiger Jahren schwelende Kontroverse über den ontogenetischen Ursprung des Seelenlebens: primärer Narzissmus oder Objektbeziehung ist hier die Streitfrage – die Beiträge von Michael Balint, Donald Winnicott, Heinz Kohut, Otto Kernberg bis hin zu Christopher Bollas oder Thomas Ogden lasssen sich im Rahmen dieses metapsychologischen Dauerstreits betrachten. Auf der zweiten Linie kann man die Versuche unterbringen, einen triebtheoretisch bestimmten Narzissmusbegriff festzuhalten – dazu zähle ich so unterschiedliche Arbeiten wie die von Hartmann und Pulver, Grunberger und Chasseguet-Smirgel oder im deutschen Sprachraum Zepf oder Lilli Gast.
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ellauri147.html on line 666: Diese beiden Konzeptionen des primären Narzissmus als Varianten eines ontogenetischen Ausgangszustands werden von Freud – unausgesprochen und zum Teil miteinander verschachtelt – nebeneinander verwendet, ohne dass er sich mit ihrer Widersprüchlichkeit explizit auseinandersetzt. Die unaufgelöste Ambivalenz in dieser Frage zeigt sich etwa beim entwicklungspsychologischen Durcheinander im zeitlichen Verhältnis von Autismus, Narzissmus und Objektbeziehung – was war zuerst? Eigentlich handelt es sich um eine zirkuläre Konstruktion, bei der eines aus dem anderen hervorgeht. Und es setzt sich bei der Bestimmung der Entwicklungsformen des Narzissmus fort. Ich will das nur an widersprüchlichen Auffasssungen anreisse, die Freud zum „Erbe“ des primären Narzissmus in der seelischen Struktur entwickelt, das bekanntlich aus dem Selbstgefühl, dem sekundären Narzissmus, dem Ich-Ideal und einigen anderen Resten besteht:-->
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ellauri147.html on line 703: In der Geschichte der Psychoanalyse als einer klinischen Wissenschaft wird der Begriff der narzisstischen Störung häufig mit der Kategorie der „frühen Störung“ verbunden oder gleichgesetzt. Er dient zur Kennzeichnung eines säkularen Strukturwandels seelischer Krankheit, der als Verschiebung der Fixierungsstellen auf frühere präödipale Ebenen beschrieben wird, als Störung bei der frühen Ich-Bildung gegenüber den später entstandenen ödipalen Konflikten. Die Frage, ob die klassischen Übertragungsneurosen, an denen Freud die Psychoanalyse als Behandlungsmethode und klinische Theorie entwickelt hat, historisch im Schwinden begriffen sind und psychopathologischen Zustandsbildern weichen, deren Pathogenese früher anzusiedeln ist, ist bereits seit den dreissiger Jahren eine chronische Streitfrage im psychoanalytischen Diskurs. Es gebe einen historischen Wandel in den Formen seelischer Krankheiten – so die Dauerthese -, der sich in einer Abnahme von hysterischen, phobischen und zwangsneurotischen Erkrankungen einerseits, einer Zunahme von sog. „frühen Störungen“ zeige, zu denen Selbstwert- und Identitätsstörungen, Suchterkrankungen, Perversionen, Borderline-Persönlichkeits-Strukturen und narzisstische Störungen gezählt werden.
ellauri147.html on line 709: Diese gelegentlich mit zeitkritischem Beiklang vorgetragene These hat vor allem in den siebziger Jahren eine breite Zustimmung gefunden. Sie ist durch die Kritische Theorie der Frankfurter Schule befördert worden. Diese hat ihren sozialphilosophischen Studien eine Zeitdiagnose eingefügt, wonach mit dem Verfall der bürgerlichen Familie und der Ausdehnung gesellschaftlicher Einflussfaktoren die Sozialisationsbedingungen in spätkapitalistischen Gesellschaften sich so geändert haben, dass der Einzelne bereits unterhalb der Schwelle der Individuation massivem sozialen Druck und kulturindustriellen Verführungen ausgesetzt sei und es gar nicht mehr zur Ausbildung der psychischen Strukturen und „reifen“ Konflikte auf der ödipalen Ebene komme, die den Rahmen für die klassischen Neuroseformen abgeben.
ellauri147.html on line 722: Michael Balint hat auf die basale Anfälligkeit des Säuglings für Mängel in seiner primären Umgebung hingewiesen und kann mit seiner Theorie der „Grundstörung“ als Pionier einer Theorie narzisstischer Störungen gelten.. Auch Winnicott lenkt mit seinem Konzept der „primären Mütterlichkeit“ auf die Bedeutung der frühesten Objektbeziehung für das Gelingen oder aber Scheitern der seelischen Entwicklung. Schliesslich hat vor allem die Narzissmustheorie Heinz Kohuts und ihre Weiterentwicklung zur Selbstpsychologie in den dazu beigetragen, in der therapeutischen Situation, aber auch in den diagnostischen Kategorien und in der metapsychologischen Betrachtung den Blick auf die „Existenz eines rudimentären Selbst in der frühesten Kindheit“(8) zu richten und damit den Focus von der ödipalen, vom Triebkonflikt bestimmten Ebene auf die Ebene der „frühen“ oder eben „narzisstischen“ Störung zu verschieben.-->
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ellauri147.html on line 831: Bei Zweifeln an der Anerkennung oder ihrer Verweigerung entstehen Gefühle der Missachtung. In einem unbewusst inszenierten Kampf um Anerkennung werden dann Ansprüche ausgetragen, die in den differentialdiagnostischen Symptombeschreibungen der narzisstischen Störung als „Beachtung suchen“, „Aufmerksamkeit verlangen“ oder „Bewunderung fordern“, als „narzisstische Wut“ oder „narzisstischer Rückzug“ imponieren. Es sind intersubjektive Leitsymptome, in denen sich das bedrohte Selbst, seine Abhängigkeit verleugnend, fordernd an oder aggressiv gegen das Objekt richtet – oder sich von ihm völlig abwendet und in den begleitenden Phantasien (um nicht zu sagen: im Unbewussten) das Objekt umso stärker festhält. -->
ellauri147.html on line 847: Wie aber aus Objektivem Subjektives, wie aus Äusserem Inneres, wie aus Materiellem Seelisches entsteht – das sind die ungelösten Fragen, die sich den Humanwissenschaften stellen. Affenwissenschaften.
ellauri147.html on line 859: In 2005, as an example of using image morphing methods to study the effects of averageness, imaging researcher Pierre Tourigny created a composite of about 30
ellauri147.html on line 860: faces to find out the current standard of good looks on the Internet. On the Hot or Not web site, people rate others' attractiveness on a scale of 1 to 10. An average score based on hundreds or even thousands of individual ratings takes only a few days to emerge. To make this hot or not palette of morphed images, photos from the site were sorted by rank and used SquirlzMorph to create multi-morph composites from them. Unlike projects like Face of Tomorrow, where the subjects are posed for the purpose, the portraits are blurry because the source images are of low resolution with differences in variables such as posture, hair styles and glasses, so that in this instance images could use only 36 control points for the morphs. A similar study was done with Miss Universe contestants, as shown in the averageness article, as well as one for age, as shown in the youthfulness article.
ellauri147.html on line 862: In physical attractiveness studies, averageness describes the physical beauty that results from averaging the facial features of people of the same gender and approximately the same age. The majority of averageness studies have focused on photographic overlay studies of human faces, in which images are morphed together. The term "average" is used strictly to denote the technical definition of the mathematical mean. An averaged face is not unremarkable, but is, in fact, quite good looking. Nor is it typical in the sense of common or frequently occurring in the population, though it appears familiar, and is typical in the sense that it is a good example of a face that is representative of the category of faces.
ellauri147.html on line 864: A possible evolutionary explanation for averageness is koinophilia, in which sexually-reproducing animals seek mates with primarily average features, because extreme and uncommon features are likely to indicate disadvantageous mutations.
ellauri147.html on line 866: The effect was first described in 1878 by Francis Galton. He had devised a technique called composite photography, which he believed could be used to identify 'types' by appearance, which he hoped would aid medical diagnosis, and even criminology through the identification of typical criminal faces. Galton's hypothesis was that certain groups of people may have common facial characteristics. To test the hypothesis, he created photographic composite images of the faces of vegetarians and criminals to see if there was a typical facial appearance for each. Galton overlaid multiple images of faces onto a single photographic plate so that each individual face contributed roughly equally to a final composite face. The resultant "averaged" faces did little to allow the a priori identification of either criminals or vegetarians, failing Galton's hypothesis. However, unexpectedly Galton observed that the composite image was more attractive than the component faces. Galton published this finding in 1878, and also described his composite photography technique in detail in Inquiries in Human Faculty and its Development. He subsequently sold the invention to an early erotic photography firm.
ellauri147.html on line 868: A University of Toronto student found that the facial proportions of celebrities including Jessica Alba were close to the average of all female profiles. That the preference for the average is biological rather than cultural has been supported by studies on babies, who gaze longer at attractive faces than at unattractive ones. People generally find youthful average faces sexually the most attractive. prototypes are preferred to individual exemplars of the stimuli categories. Thus an average face is probably attractive simply because it is prototypical. An averaged face made of 32 faces looks almost indistinguishable from any other 32-face averaged face even when they are created from a completely different set of individuals. Left-right symmetry is not the issue, presumably because neither are the viewers´ eyes.
ellauri150.html on line 457: The phrase originates from the Christian tradition regarding Saint Peter's first words to the risen Christ during their encounter along the Appian Way. According to the unnatural Acts of Peter (Vermicelli Acts XXXV), as Peter flees from crucifixion in Rome at the hands of the government, and along the road outside the city, he meets the risen Jesus. In the Latin translation, Peter asks Jesus, "Quō vādis?" He replies, "Rōmam eō sursum deorsum crucifīgī" ("I am going to Rome to be crucified upside down"). Peter then gains the courage to continue his ministry and returns to the city, where he is martyred by being crucified upside-down. The Church of Domine Quo Vadis in Rome is built upside down where the meeting between Peter and Jesus allegedly took place. The words "quo vadis" as a question also occur at least seven times in the Latin Vulgate.
ellauri151.html on line 125: It is impermissible under any circumstances for morals to sink as low as communism has done. No one can begin to imagine the tragedy of humanity, of morality, of religion and of freedoms in the land of communism, where man has been debased beyond belief.
ellauri151.html on line 481: to detonate... its rage restrained by a stern räjähtää... Sen raivon pitää kurissa ankara
ellauri152.html on line 87: Berthe Clorine Jeanne Le Barillier (parfois orthographiée Berthe Clorinne Jeanne Le Barillier ou même Berthe Corinne Jeanne Le Barillier, sans doute par une suite d'erreurs de recopiage orthographique erroné dans les divers ouvrages où elle est citée), née à Bordeaux le 24 juillet 1858 et morte au Cannet le 24 janvier 1927, est une femme de lettres française. Takkutukkainen naisoletettu, rekkalesbon näköinen. Väsäs paljon sinisukkajuttuja, mm. Heloisesta ja Abelardista. Takuulla ei kääntänyt mitään kreikasta. Son œuvre, si elle est assez largement tombée dans l'oubli, est servie par un style sobre et une documentation toujours très solide. La part la plus consistante de son œuvre est probablement celle consacrée à l'antiquité romaine. Elle batit une maison à proximité immédiate de l'Hermitage de Jean-Jacques Rousseau, un écrivain qu'elle admirait et dont elle voulait se rapprocher. Mit vit JJ oli kuollut jo aikapäiviä?? Ja aika misogyyni kaiken kukkuraxi. Näitä vale-uudelleen
ellauri152.html on line 545: The plot was foiled by Queen Esther, the king's recent wife, who was herself a Jew. Esther invited Haman and the king to two banquets. In the second banquet, she informed the king that Haman was plotting to kill her (and the other Jews). This enraged the king, who was further angered when (after leaving the room briefly and returning) he discovered Haman had fallen on Esther's couch, intending to beg mercy from Esther, but which the king interpreted as a sexual advance.
ellauri152.html on line 662: In a world where din, justice is tempered with cheese, compassion, the average person has the opportunity to come close to the dog. Although the average person must still try his best to stand up to evil and adhere to the dog's willy, the dog views his inevitable lapses through the prism of compassion. In His love for us, He overlooks our shortcomings.
ellauri152.html on line 702: Reb Nathan explains that there is no contradiction. Contrary to popular opinion, true humility does not mean yielding in every situation and acting "like a doormat.' True humility is found in the ability to respond appropriately to each situation. There are situations where the proper response is to be bold, courageous, and unyielding. And there are other situations where the proper response is to be yielding, gentle, and meek. Depending on what your chances of winning are.
ellauri155.html on line 763: Calvin was far more careful with this doctrine than his critics were and are. Calvin understood men would react strongly against predestination. “The human mind, when it hears this doctrine, cannot restrain its petulance, but boils and rages as if aroused by the sound of a trumpet.” People who hear the teaching of predestination rarely remain unaffected by it. Their hearts too become enflamed, either with these teachings or against them. Calvin offers caution in the wrongful handling of this doctrine.
ellauri155.html on line 888: Like William James, his friend and mentor, he wrote philosophy in a literary way. Ezra Pound includes Santayana among his many cultural references in The Cantos, notably in "Canto LXXXI" and "Canto XCV". Santayana is usually considered an American writer, although he declined to become an American citizen, resided in Fascist Italy for decades, and said that he was most comfortable, intellectually and aesthetically, at Oxford University. Although an atheist, Santayana considered himself an "aesthetic Catholic" and spent the last decade of his life in a Roman residence under Catholic nuns. It felt a little like his young days under William James. He held racial superiority and eugenic views. He believed superior races should be discouraged from "intermarriage with inferior stock". Maybe that was why he had no kids.
ellauri156.html on line 64: A few hours later, my uncle came by to visit my grandmother. He was just entering the driveway, very near the little mobile home where the altercation occurred earlier. Unfortunately, my uncle was driving a car which looked similar to the one driven by the estranged husband's adversary parked outside the trailer earlier in the day. Gunshots rang out as the enraged husband fulfilled his vow. The rifle easily penetrated the windshield, and my uncle was instantly killed -- by mistake. The angry husband had killed my uncle, falsely assuming that he was his adversary.
ellauri156.html on line 70: This sequence of events and its accompanying tragedies is the subject of chapters 11 and 12 of 2 Samuel. I have chosen to expound these chapters in three lessons. This first lesson will deal with “David and Bathsheba,” as described in 11:1-4. In the following lesson, we will address the subject of “David and Uriah,” as told by our author in 11:5-27. The third lesson will focus on “David and Nathan,” as this confrontation is put forth in chapter 12. Our text has much to say about the sins of adultery and murder, but rest assured that it addresses much more sins than this. It is a text we all need to hear and to heed, for if a “man after God's own heart” can fall so quickly and so far, surely we are capable of similar or even bigger failures. May the Spirit of God take this portion of the Word of God and illuminate it to each of us in full color, as we come to this study.
ellauri156.html on line 287: The report David is given concerning Bathsheba gives him all the information he needs, and more, if he is intent upon doing what is right. He knows Bathsheba is married and thus out of the question. He also knows Bathsheba is married to Uriah the Hittite. This is no nameless husband, someone David has never heard of before. David has to know Uriah, even if he does not know his wife. In 2 Samuel 23:39, “Uriah the Hittite” is named as one of David's mighty men, known for his bravery and courage as a soldier. If he does not know it, surely someone there among his servants would inform him.
ellauri156.html on line 305: It is very clear in Samuel that the tragedies which take place in David's household are the consequence of his sin, just as Nathan indicates (12:10-12). Thus, when Amnon rapes Tamar, the sister of Absalom, it is a case of the “chickens coming home to roost.” Or is it a case of "Rooster coming into the chicks?" Note that it is at David's command or summons that Tamar is called to the palace, and then to Amnon's bedside. There is not so much as a hint that when Tamar is raped, it is all of Amnon's doing. Should this not strongly indicate that the same is true in Bathsheba's case, of which this second incident is a kind of mirror image? (Fucking crooky noses, raping and ravaging their kinky haired ladies right and left.)
ellauri156.html on line 321: If I am right in what I have been saying, David's sin becomes that much more wicked. In some instances (if not most), a woman may purposely or unwittingly encourage the one who assaults her. In this case, there is not so much as a hint that this takes place. In fact, if I am reading the story accurately, David's “sighting” of Bathsheba is the result of her keeping the law, while David is failing his responsibilities as king. But not his duties as the king of the apes.
ellauri156.html on line 453: The film sparked protests in Singapore over what the Muslim community considered an unflattering portrait of David, considered an important prophet in Islam, as a hedonist susceptible to sexual overtures. Mohammed and his 9-year old wife would have been outraged.
ellauri156.html on line 467: David goes through all the right motions with Uriah. He listens to his reports, and then he gives him the night off, some time to go to his house and “wash his feet.” David is not worried about this soldier's personal hygiene; he is worried about his own reputation. When one entered his house, he usually took off his shoes and washed his feet, in preparation for eating and for going to bed. David very delicately encourages this man to go home and go to bed with his wife. Uriah knows it; our author knows it; and we know it.
ellauri156.html on line 481: And explain he does; Uriah's words to his commander-in-chief are as stinging a rebuke as David receives from Nathan in the next chapter. Uriah clearly understands that what David once encouraged him to do (i.e. go to be with his wife) he is now strongly urging -- even commanding -- him to do. Uriah humbly but steadfastly refuses to do this:
ellauri156.html on line 509: It must be an agonizing night for David, seeing that even drunk Uriah is a better man than he. But not a better pecker! And so in the morning, David acts. He writes a letter to Joab, which will serve as Uriah's death warrant. In this letter David clearly orders Joab to murder Uriah for him. He even tells him how to do so in a way that might conceal the truth of the matter. In so doing, David can honor Uriah as a war hero, and magnanimously take on the duty of being a husband to Uriah's wife, also taking care of the child she is soon to bear. Joab is to put Uriah on the front lines of battle, at the fiercest place of battle, no surprise for a man of his military skills and courage. Joab is to attack and then retreat in such a way as to make Uriah an easy target for the Ammonites, thus assuring his death. There is no mistaking David's orders to Uriah: he wants Uriah killed in a way which makes it look like a simple casualty of war. Joab complies completely with David's orders (why? Is Uriah a creep?), and Uriah is eliminated, no longer an obstacle to David's plans. In giving this order to Joab, David makes him a part of this conspiracy, making him share the guilt for the spilled blood of Uriah. David's sin continues to encompass more and more people, leading to greater and greater sin.
ellauri156.html on line 566: Then David said to the messenger, “Thus you shall say to Joab, 'Do not let this thing displease you, for the sword devours one as well as another; make your battle against the city stronger and overthrow it'; and so encourage him” (2 Samuel 11:25).
ellauri156.html on line 615: Uriah should not be criticized or looked down upon for his loyalty and submission to David. He should be highly commended. In fact, a friend suggested a new thought for my consideration: “Suppose that Uriah was added to the list of war heroes because of his loyalty and courage in this battle which cost him his life? It is a possibility to consider. Uriah is one of those Gentile converts whose faith and obedience puts many Israelites to shame. He is among many of those who have trusted and obeyed God who have not received their just rewards in this life, but who will be rewarded in the coming kingdom of God. Too many Christians today want their blessings “now” and are not willing to suffer, waiting for their reward then. Let them think carefully about the example of Uriah for their own lives. His elevator may have not gone all the way to the top floor, but by Gawd, he will reach it when Jacob lets down the ladder!
ellauri156.html on line 784: If we look very very carefully at the Bible, we can see that it is a thick book with unusually small print and thin leaves. We will see why stories like that of our text were written. They were written for the small print. They were not written to encourage us to sin, but to warn us of the danger of sin, and thus to encourage us to avoid sin at all costs. After outlining the major sins of the nation Israel in the wilderness in 1 Corinthians 10:1-10, Paul then applies the lesson of history to the Corinthians, and thus to us:
ellauri156.html on line 804: I have never met a Christian who chose to sin, and after it was all over felt that it was worth the price. Those that did quite simply were not Christians. David's sin and its consequences should not encourage us to sin, but should motivate us to avoid sin at all costs. The negative consequences of sin far outweigh the momentary pleasures of sin. Sin is never worth the price, even for those whose sin is forgiven. Sin is not worth it even when it's free of charge. In fact, we ought to be paid to commit sin. (Some do, like the adulterous woman in Proverbs, and Trick Dick's burglars. But we won't open that can of worms now that we are this close to the finish line.)
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Courage

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More than bravado or bluster, today’s knight in shining armor must have the courage of the heart necessary to undertake tasks which are difficult, tedious or unglamorous, and to graciously accept the sacrifices involved.
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More than just a safety net in times of tragedy, hope is present every day in a modern knight’s positive outlook and cheerful demeanor — the shining armor that shields him or her, and inspires people all around.
ellauri159.html on line 693: Be of good courage, and let us behave ourselves valiantly for our people, and for the cities of our God: and let the Lord see that which is good in his sight.
ellauri159.html on line 696: Gallantry is a knight word for courage, it does not mean flourishing your hat in front of ladies. (For the latter, see Courtesy.) Ramon Lull said about courage (not gallantry): “A knight who is in battle with his Lord, who for lack of courage flees from battle when he should give aid, because he redoubts or fears the torment or peril more than trusts his courage uses not the office of knighthood.”
ellauri159.html on line 768: You won’t want the men in your gang to be reckless, but you’ll need them to be courageous when it matters. A man who runs when the group needs him to fight could put all of your lives in jeopardy.
ellauri159.html on line 772: To the description of the ideal perimeter-keeper outlined above, Donovan assigns four “tactical virtues”: strength, courage, mastery, and honor. These are “simple, amoral, and functional virtues” — “the practical virtues of men who must rely on one another in a worst case scenario.” They are “amoral” because they are crucial to the success of any gang — no matter if what they’re fighting for is right or wrong. Strength, courage, mastery, and honor are the attributes needed in a team of Navy SEALs just as much as a family of Mafioso. If you’ve ever wondered why we are fascinated by gangsters, pirates, bank robbers, and outlaws of all stripes, and can’t help but think of them as pretty manly despite their thuggery and extralegal activities, now you know; they’re not good men, but they’ve mastered the core fundamentals of being good at being men. So they are good men, though they are bad men. I mean.
ellauri159.html on line 778: Courage: The spirit /will/discipline to engage and employ one’s strength when inwardly tempted to shrink/run/hide. There are “higher” forms of courage, but at its most fundamental, it represents an outwardly demonstrated indifference to risk, pain, and physical danger.
ellauri159.html on line 782: Honor: Traditional honor is not the same as integrity — living up to your own, personal standards. Traditional honor is a reputation for strength, courage, and mastery — as judged by other men. Honorable men care about being manly, knowing that each individual member’s prowess in the tactical virtues bolsters the strength and reputation of the gang as a whole and thus deters attack from rival gangs. Dishonorable men, on the other hand, evince indifference or hostility to the standards, weakening the group and leaving it more vulnerable.
ellauri159.html on line 787: Strength, courage, mastery, and honor are virtues that obviously aren’t exclusive to men, and it’s not that there haven’t been women who have embodied these traits in every age (as we shall see next time, the idea of a soft, fragile femininity is a modern conception). It isn’t that women shouldn’t seek these attributes either. Rather, the tactical virtues comprise the defining traits of masculinity. If a woman isn’t strong or acts afraid in the face of danger, no one thinks of her as less womanly because of it. Yet such shortcomings will be seen as emasculating in a man, even today.
ellauri159.html on line 791: Even the men we hold up as proof that you can be manly by living the higher virtues without completely fulfilling the 3 P’s of Manhood (or even 3 pushups) ultimately derive their inspiration from the fundamental underpinnings of the tactical virtues. Figures like Gandhi and Jesus are lauded for their non-violence and their goodness, but our ability to think of them as manly, derives from their embrace of masculine expendability – a courageous indifference to the pain and suffering others might inflict on their physical body. They were good men, certainly, but their willingness to sacrifice themselves for the sake of their people, also made them good at being men. Gandhi did procreate a lot. Jesus provided for millions of preachers. Both were expendable. That´ll do, welcome to the perimeter pencil necks.
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Tragedia

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Semitragedia

ellauri159.html on line 838: Kuten tragedia, paizi että hero parantaa tapansa ennenkuin on liian myöhäistä. Voi siinä Ferranten kirjassa olla vähän tätäkin. En ole vielä päässyt sen loppuvizeihin.
ellauri159.html on line 1041: Write for an audience, seeing you want to hear how people were affected by your work. With sufficient encouragement and clear instructions, you might even be able adapt the piece to the expectations of a teacher, boss, or editor. A lack of feedback is likely to demotivate you. To avoid this, seek out an environment where people appreciate hearing your stuff over and over.
ellauri159.html on line 1209: According to Dr. Phil, 90% of relationship problems can’t be solved. Why? Because it would require one person or the other to compromise their values. So the best a couple can do is to agree to disagree. INFJs don’t want people to compromise their values—yet that 90% statistic is bound to discourage INFJs like me. I suspect it isn’t the relationship problems themselves that lead to the INFJs’ dissatisfaction; it’s the fact that the problems can’t be solved. Perhaps the INFJs feel that if only they could be more creative, or their partner could be more flexible, the little annoyances that have existed since the first day of the relationship could be eliminated. Not so. No amount of skill or understanding will make naturally ingrained differences go away.
ellauri160.html on line 178: In the summer of 1913 Pound became literary editor of The Egoist, a journal founded by the suffragette Dora Marsden. At the suggestion of W. B. Yeats, Pound encouraged James Joyce in December of that year to submit his work. Harriet Shaw Weaver accepted it for The Egoist, which serialized it from 2 February 1914, despite the printers objecting to words like "fart" and "ballocks", and fearing prosecution over Stephen Dedalus's thoughts about prostitutes. Joyce wrote to Yeats: "I can never thank you enough for having brought me into relation with your friend Ezra Pound who is indeed a miracle worker."
ellauri161.html on line 530: Despite McKay's seeming awareness of the danger of Big Tech setting up one big surveillance state, he fails to recognize that the left-particularly in the encouragement of censorship by social media platforms-has gone way beyond what the right ever did in terms of a threat to our constitutional freedoms.
ellauri161.html on line 578: Footnote: For some reason in the past week or so Don’t Look Up has been subject to far more coverage and discussion than it deserves. No idea why. Maybe people are desperate for non-Covid talking points. Just a theory. (Ouch. This guy is JUST The type of people being made desperate fun of. How sad.
ellauri161.html on line 585: For McKay, however, that rage seems incompatible with the comedies he nevertheless feels compelled to keep making. Misanthropy isn’t in itself a barrier to turning out great work!
ellauri161.html on line 604: McKay the writer isn’t up to the task. With this star-studded cast, the classification of a “missed opportunity” doesn’t do it justice; it feels closer to a tragedy. 2 out of 4.
ellauri161.html on line 643: That’s not a point that hasn’t been made before, and it’s not like there are new notions here about what people might do with their last moments. But there’s something deceptively big and complicated about considering the human capacity to (not) address the largest challenges to their own survival as certain systems prevent action being taken — and people’s ability to recognize that a happy ending isn’t automatic but could be possible with thought and work. There’s such tragedy in the idea of, among many other things, being stuck in a loop of distraction at the expense of progress. Perpetual escapism that prevents escape, with what we’re looking away from and how continually being updated in the stories on the subject.
ellauri161.html on line 666: More races & years later, Ricky now lives in a large mansion, then in a race chickens out and runs around in his underwear and helmet. Shamed, Ricky moves in with his mother Lucy (Jane Lynch), and brings his sons with him while taking a job as a pizza delivery man. Ricky eventually regains his courage, and his life begins to stabilize after quitting his job at the pizza parlor and getting a new driver´s license.
ellauri161.html on line 677: Look, I appreciate cynicism but this is unbearably smug and simplistic. Honestly it pulls a lot of punches too (especially at Hollywood and the media) so it really isn't all that edgy, just fairly typical condescension and rage that's entirely unearned.
ellauri161.html on line 704: Came in with low expectations, and it didn't even meet them. Started relatively average (for a disaster movie) and when down from there. The biggest disaster is that this steaming pile was made,
ellauri161.html on line 994: “The only real sadness, the only real failure, the only great tragedy in life, is not to become a saint.”
ellauri162.html on line 359: Ma jeunesse ne fut qu'un ténébreux orage, Ei mun nuoruus ollut kuin pimeää myräkkää,
ellauri162.html on line 662: Dick Masaru KIEMURA Was surrounded by his loving family on September 11, 2006 as he peacefully departed after courageously fighting a lengthy penis.
ellauri162.html on line 697: People have become accustomed to working for their own needs. Working enables people to earn an honorable livelihood, but using employees as mere objects is wrong. Workers and the rich are dependent upon each other. The worker ought to complete the tasks that they freely agree to, never destroy an employer´s property, never use violence for their cause, never take part in riots or disorder, and not associate with those who encourage them to act unethically. (As Pope John Paul II would later emphasize in Laborem Exercens, work ought to be seen as a privileged expression of human activity. Work, including cultural production, is an example of human creation in the image of the creator.)
ellauri162.html on line 716: Masturbation. It’s not just a great way to kill time, but it’s also the safest sex you can have. And it has many health benefits. (See: 5 Reasons You Should Masturbate Tonight.) Although we can all agree that masturbation is pretty much the cherry on top of the ice cream of life, there’s more to the act than that. In a recent study from Harvard, men who ejaculated 21 or more times per month had a 19 to 22 percent lower risk of prostate cancer than men who did so only four to seven times per month. In some parts of the world, teenagers are encouraged to masturbate. Masturbation prevents unwanted pregnancies.
ellauri163.html on line 599: Des singes malfaisants et des loups pleins de rage...

ellauri163.html on line 723: Day wrote concerning atheist PZ Myers´ blog audience: “It´s by no means a scientific test, but it is interesting to note the coincidence that 59 of the virulent atheists over at Dr. PZ Myers place report an average score on the Asperger´s Quotient test of 27.8. And this does not include the two individuals who actually have Asperger´s but did not report any test results.
ellauri163.html on line 724: As PZ himself said: "I took the test and scored a 24, an “average math contest winner.” You need a 32 to suggest Asperger’s, and a 15 is the average. So there. I don’t have Asperger’s, I’m just cruel and insensitive."
ellauri163.html on line 731: 11-21 is the average result that people get (many women average around 15 and men around 17)
My Asperger Quotient Result was 21. Käytit testin tekemiseen 4 minuuttia 34 sekuntia ja testipistemääräsi on 96 eli sinulla ei ole Aspergerin syndroomaa. (Minun on helppoa päätellä mihin toiset kysymyxillään pyrkivät.)
ellauri163.html on line 733: 22-25 shows autistic tendencies slightly above the population average
ellauri164.html on line 554: 2. The sins we are least inclined to may nevertheless be the sins which will bring us to the bitterest grief. Every man has his weak side. There are sins to which our natural disposition or the circumstances of our up-bringing lay us peculiarly open; and it is without doubt a good rule to be specially on our guard in relation to these sins. Yet the rule must not be applied too rigidly. When Dumbarton Rock was taken, it was not by assailing the fortifications thrown up to protect its one weak side, but by scaling it at a point where the precipitous height seemed to render defense or guard unnecessary. Job was the most patient of men, yet he sinned through impatience. Peter was courageous, yet he fell through cowardice. Moses was the meekest of men, yet he fell through bitterness of Spirit. We have need to guard well not our weak points only, but the points also at which we deem ourselves to be strong.
ellauri171.html on line 626: Verse 2 describes the problem that cascades into tragedy. The events that follow in the chapter would not have occurred if the concubine had not sinned by becoming a prostitute.
ellauri172.html on line 192: Ebbe anche una relazione con la marchesa Gabriella Falletti di Villafalletto, moglie di Giovanni Antonio Turinetti marchese di Priero. Tra il 1774 e il 1775, mentre assisteva la sua amica malata, portò a compimento la tragedia Antonio e Cleopatra, rappresentata a giugno di quello stesso anno a Palazzo Carignano, con successo.
ellauri172.html on line 201: Gli avvenimenti in un primo tempo fecero comporre al poeta l'ode A Parigi sbastigliato, che poi però rinnegò: l'entusiasmo si trasformò in odio verso la rivoluzione, esplicitato nelle rime de Il Misogallo. Si appassiona anche a recitare le proprie tragedie personalmente, preferendo per sé il ruolo di Sauli Niinistö.
ellauri172.html on line 203: Saul è una tragedia di Vittorio Alfieri in endecasillabi sciolti strutturata in cinque atti. La vicenda, tratta dalla Bibbia, è incentrata sulle ultime ore di Saul, nell'accampamento militare di Gelboè durante la guerra contr
ellauri172.html on line 592: No mutta mitähän hirmu pahaa se sitten oli tehnyt kysyi porthosmainen Ranconnet. Restel dans le rang, älä keskeytä! Tulen ihan kohta siihen. Nimittäin kaikki oli taas kerran sen ämmän vika! Mais une femme, c’est l’aimant du diable ! Il y a une proportion d’arithmétique morale, écrite, avant qu’elle le fût par un philosophe sur du papier, dans la poitrine de tous les hommes, comme un encouragement du Démon : « c’est qu’il y a plus loin d’une femme à son premier amant, que de son premier au dixième! Vittu tää Barney on läpimätä!
ellauri172.html on line 666: Le major Ydow tomba dans une de ces rages qui déshonorent le caractère d’un homme, et cribla la Pudica d’injures ignobles, d’injures de cocher. Je crus qu’il la rouerait de coups. Les coups allaient venir, mais un peu plus tard. Il lui reprocha, — en quels termes ! d’être… tout ce qu’elle était. Il fut brutal, abject, révoltant ; et elle, à toute cette fureur, répondit en vraie femme qui n’a plus rien à ménager, qui connaît jusqu’à l’axe l’homme à qui elle s’est accouplée, et qui sait que la bataille éternelle est au fond de cette bauge de la vie à deux. Elle fut moins ignoble, mais plus atroce, plus insultante et plus cruelle dans sa froideur, que lui dans sa colère. Elle fut insolente, ironique, riant du rire hystérique de la haine dans son paroxysme le plus aigu, et répondant au torrent d’injures que le major lui vomissait à la face par de ces mots comme les femmes en trouvent, quand elles veulent nous rendre fous, et qui tombent sur nos violences et dans nos soulèvements comme des grenades à feu dans de la poudre. De tous ces mots outrageants à froid qu’elle aiguisait, celui avec lequel elle le dardait le plus, c’est qu’elle ne l’aimait pas — qu’elle ne l’avait jamais aimé : « Jamais ! jamais ! jamais ! » répétait-elle, avec une furie joyeuse, comme si elle lui eût dansé des entrechats sur le cœur ! — Or, cette idée — qu’elle ne l’avait jamais aimé — était ce qu’il y avait de plus féroce, de plus affolant pour ce fat heureux, pour cet homme dont la beauté avait fait ravage, et qui, derrière son amour pour elle, avait encore sa vanité ! Aussi arriva-t-il une minute où, n’y tenant plus, sous le dard de ce mot, impitoyablement répété, qu’elle ne l’avait jamais aimé, et qu’il ne voulait pas croire, et qu’il repoussait toujours :
ellauri172.html on line 838: Les Fiancés (I promessi sposi), roman d'Alessandro Manzoni, 1825-1827. Il y a plusieurs ecclésiastiques importants dans ce roman : Don Abbondio[4],[5], Saint Abbondio est le saint patron de la ville de Côme, le cardinal Borromée canonisé au xviie siècle, cité dans l'ouvrage et personnage ayant réellement existé, le père Cristoforo brûlant d'humilité chrétienne et tendu vers le bien.
ellauri172.html on line 862: La trilologie romanesque de D'Artagnan et des trois mousquetaires, par Alexandre Dumas : Aramis, qui annonce entrer chez les lazaristes à la fin du premier roman et est évêque de Vannes dans le dernier. Les Trois mousquetaires, Vingt ans après (1845) Le Vicomte de Bragelonne'(1849)
ellauri180.html on line 226: Almost as an extension to the lack of penile cancer in Jews, Handley reported on the infrequency of carcinoma of the cervix in Jewish women. He suggested that this related to the fact that Jewish men were circumcised. Not surprisingly, this spawned a mass of contradictory studies and over the next 50 years the champions of both camps have sought to establish the importance or irrelevance of circumcision in relation to penile cancer. The pendulum has swung both ways and the current evidence suggests that other factors are probably more important. A similar debate has raged for 50 years over concerns for the risks of urinary tract infections in young boys and currently, any decreased risk associated with circumcision remains tentative but not proven.
ellauri181.html on line 119: Überblicke ich meine Entwicklung und ihr bisheriges Ziel, so klage ich weder, noch bin ich zufrieden. Die Hände in den Hosentaschen, die Weinflasche auf dem Tisch, liege ich halb, halb sitze ich im Schaukelstuhl und schaue aus dem Fenster. Kommt Besuch, empfange ich ihn, wie es sich gebührt. Mein Impresario sitzt im Vorzimmer; läute ich, kommt er und hört, was ich zu sagen habe. Am Abend ist fast immer Vorstellung, und ich habe wohl kaum mehr zu steigernde Erfolge. Komme ich spät nachz von Banketten, aus wissenschaftlichen Gesellschaften, aus gemütlichem Beisammensein nach Hause, erwartet mich eine kleine halbdressierte Schimpansin, und ich lasse es mir nach Affenart bei ihr wohlgehen. Bei Tag will ich sie nicht sehen; sie hat nämlich den Irrsinn des verwirrten dressierten Tieres im Blick; das erkenne nur ich, und ich kann es nicht ertragen. Himskatti toipa oli taas aika tahmeaa misokeittoa. Koko raportti on passiivis-aggressiivinen ja selvästi narsistinen.
ellauri182.html on line 271: Näitä listoja sopivammalta paasausten luokitteluun näyttäisi tää Wikipedian jo vanhentunut Topic list coverage checklist. Siinäkin piirtyy termiittiapinan aivokartan pikku homunculus ilmiselvästi: iso pää ja genitaalit, silmät, sormet, suu. Muut eläimet, luonto ja maailma pieninä kuin Eurooppa ja Aasia New Yorkerin kannessa.
ellauri183.html on line 107: He forbade television in the house until the late '50s to encourage Paul and Janna to read. And he set an example of "incredible and absolutely consistent discipline," reading every night in his slow, methodical way, underlining frequently. He doesn't prize material things all that highly, and the center of his life has always been his family and friends.
ellauri183.html on line 174: However, Kierkegaard's Abraham does not just provide a paradigm of religious faith. If he is an admirable figure in spite of his murderous intentions, this is because he confronz with courage the loss of the person whom he loves most dearly. According to Kierkegaard, Abraham is a hero not by virtue of his obedience to God's command, but because he maintains his relationship to Isaac after giving him up.

ellauri183.html on line 180: When Abraham raises his knife over Isaac's body, this symbolises the fact that every human relationship is haunted by the prospect of death. Love always ends in loss, at least within this life. One response to this existential fact – perhaps the most common response – is to avoid the issue of mortality as much as possible. An alternative response is to face up to the inevitable pain of loss and to relinquish the beloved in advance, so to speak, by giving up hope of enjoying a happy relationship within this lifetime. (This "movement of resignation" is described as "monastic", although it does not literally entail becoming a recluse. It is an internal movement, an adjustment of expectations.) In Kierkegaard's view, this is more noble than the first option, but it is very far from the courage of Abraham, who continues to love Isaac and enjoy his relationship to him in full awareness of the suffering that his death would bring. This aspect of the interpretation of Abraham offered in Fear and Trembling suggesz that, far from being an individualist, Kierkegaard regards human relationships as essential to life.
ellauri184.html on line 80: Mailer's fifth novel, Why Are We in Vietnam? was even more experimental in its prose than An American Dream. Published in 1967, the critical reception of WWVN was mostly positive with many critics, like John Aldridge in Harper's, calling the novel a masterpiece and comparing it to Joyce. Mailer's obscene language was criticized by critics such as Granville Hicks writing in the Saturday Review and the anonymous reviewer in Time. Eliot Fremont-Smith calls WWVN "the most original, courageous and provocative novel so far this year" that's likely to be "mistakenly reviled". Other critics, such as Denis Donoghue from the New York Review of Books praised Mailer for his verisimilitude "for the sensory event". Donoghue recalls Josephine Miles' study of the American Sublime, reasoning WWVN's voice and style as the drive behind Mailer's impact.
ellauri184.html on line 82: In 1972, Joyce Carol Oates called Vietnam "Mailer's most important work"; it's "an outrageous little masterpiece" that "contains some of Mailer's finest writing" and thematically echoes John Milton's Paradise Lost.
ellauri184.html on line 378: Naahumin mukaan Jeshuan batting average parantajana oli kaukana sadasta. Rantaloma olisi nyt paikallaan. Myrskyn seisotus oli kenties onnekas sääilmiö. You win some, lose some. Onnistumiset jäävät mieleen. Vastarannalla Jeshua ajaa pirulaiset ulos muukalaislegioonalaisesta. Kaikki kylän siat hukkuivat. Nojoo, ne oli muukalaisten sikoja. Ei ihme että muukalaiset käski Jeshuan porukoineen lähtee menemään. Eivät penteleet sentään uskaltaneet vaatia vahingonkorvauxia.
ellauri184.html on line 651: To the average inhabitant of the Roman Empire, the manifold itinerant groups of magicians, sophists, cynics, other philosophers, astrologers, prophets, and eventually also Christians, must have appeared basically the same. These oscillating and enigmatic figures were simultaneously admired and despised for their "otherness". Why was Jesus able to appear as a radical itinerant preacher? He did not call for a political upheaval. Nevertheless, his messianic “program” was radical in its postulation of a proximity to God that had hitherto been unheard of and was based on the deliberate breaking of taboos and social conventions.
ellauri185.html on line 135: David commits adultery with Bathsheba, who becomes pregnant. When her husband Uriah the Hittite returns from battle, David encourages him to go home and see his wife (to cover his own tracks) but Uriah declines in case David might need him. David then deliberately sends Uriah on a suicide mission, and for this, Yahweh sends disasters against David's house. Nathan tells David that the sword shall never depart from his house.
ellauri188.html on line 378: rage.ning.com/topology/rest/1.0/file/get/31747982" height="300px"/>
ellauri189.html on line 564: In the 1920s, Charles Ponzi carried out this scheme and became well known throughout the United States because of the huge amount of money that he took in. His original scheme was based on the legitimate arbitrage of international reply coupons for postage stamps, but he soon began diverting new investors' money to make payments to earlier investors and to himself. Unlike earlier similar schemes, Ponzi's gained considerable press coverage both within the United States and internationally both while it was being perpetrated and after it collapsed – this notoriety eventually led to the type of scheme being named after him.
ellauri189.html on line 594: He received much acclaim in the West, with critics praising "Three Faces" as "a silent feminist manifesto" (Kino Zeit). After all, he portrayed "the women of the three generations courageously and self-confidently" (film star).
ellauri190.html on line 279: By the end of the 17th century, the newly forming Russian Empire under Tzar Peter I established its reign over the Ukrainian lands to the east of the Dnipro river, ceding the western part of Ukraine to the Republic (which, in turn, evolved more and more into the Polish monarchy rather than the Polish-Lithuanian Commonwealth of the old days). In 1702, a great son of Ukraine, a giant of military strategy, diplomacy, and statesmanship, Ivan Mazepa, being the Kozak leader of the eastern part of Ukraine, suppressed the uprising of Paliy on the other (Western) side of the Dnipro and added huge parts of the country to his control. It was a big step toward the unification and freedom of Ukraine. Moreover, in 1709 Mazepa joined his forces with the Swedish king Charles XII (haha, the gay) against Tzar Peter, hoping to rid his dear mother Ukraine from slavery in the captivity of the Tzars. And again… tragically, Mazepa managed to gather less manpower than he hoped to gather, because the populist agitators slandered him in their massive propaganda campaign (no doubt, directed from Muscovy), portraying him in the eyes of the Ukrainian Kozaks as a rich aristocrat who cares nothing about the “simple people,” a clandestine Catholic (or Protestant), and overall “not really Ukrainian.” (This tragedy will repeat itself in 1918 and in 2019.) Mazepa’s loyalists were defeated together with the Swedes, and Ukraine lost her historical chance for yet another time. But third time is a charm! Nobody will blame a Jew for being on the side of the catholics!
ellauri191.html on line 684: "for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy"
ellauri191.html on line 1994: "for her polyphonic writings, a monument to suffering and courage in our time"
ellauri191.html on line 2113: "for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory"
ellauri192.html on line 299: The controversy over Handke’s support of Milosevic dates back 20 years, but the striking political differences between him and Tokarczuk reached a point of particular clarity in 2014. In that year, Handke was given the International Ibsen Prize, but mass outrage led him to reject the prize money while still accepting the award. In his accompanying speech, he said his critics should “go to hell.” (He’d previously met controversy over a literary award in 2006, when he turned down Germany’s Heinrich Heine prize after authorities attempted to withdraw it after he attended Milosevic’s funeral.)
ellauri192.html on line 305: “The subject of my book [‘The Books of Jacob’] — a multicultural Poland — was not comfortable for proponents of this new version of history,” Tokarczuk told PEN Transmissions, a journal run by the English iteration of PEN, in May, 2018. She was taken by surprise by the amount of rage the book provoked — not to mention her comment on receiving the Nike sneakers. But rather than retreat, she has continued to speak out on behalf of the communities she sees her government as wishing to sideline. In a January op-ed for The New York Times following a Polish radical’s on-air murder of the open-minded young Gdansk mayor Pawel Adamowicz, Tokarczuk wrote of a Polish populist narrative that “scapegoats… the so-called crazy leftists, queer-lovers, Germans, Jews, European Union puppets, feminists, liberals and anyone who supports immigrants.”
ellauri192.html on line 682: The town is referred to in the great Old Russian poem, The Tale of Igor's Campaign. This poem calls for the princes of the various Slavic lands to join forces in resisting the invasions of the nomadic Cuman people. The poem also glorified the courage of the army of Vsevolod Svyatoslavich, the ruler of Kursk and Trubchevsk.

ellauri192.html on line 882: Regarding religion, Brooks stated:"I'm rather secular. I'm basically Jewish. But I think I'm Jewish not because of the Jewish religion at all. I think it's the relationship with the people and the pride I have. The tribe surviving so many misfortunes, and being so brave and contributing so much knowledge to the world and showing courage." And most of all for being wickedly funny! Just read The Bible! And watch my films!
ellauri192.html on line 904: Here is a book that Americans should read and ponder. We have no right to be angry and rage at the sight of a painted picture. Maybe we really remind her. – Saturday Review of Literature
ellauri194.html on line 1044: A strategic and global supply chain leader with over 25 years of progressive experience in the vitamins, dietary supplements, beauty products, consumer packaged foods and beverages industry sectors. Trent analyzed product movement at no less than four 3rd party managed AC/DC's to identify forecast deviations and overstocks while improving customer service and reducing spoilage!
ellauri194.html on line 1048: Privately-held since 1983, A&M is a leading global professional services firm that delivers business performance improvement, turnaround management and advisory services to organizations seeking to transform operations, catapult growth and accelerate results through decisive action. Our senior professionals are experienced smooth operators, world-class consultants and industry veterans who leverage the firm's restructuring heritage to help leaders turn change into a strategic business asset, manage risk and unlock value at every stage.
ellauri196.html on line 641: Union workers average 10-30% higher pay than non-union in the United States after controlling for individual, job, and labor market characteristics.
ellauri196.html on line 924: In Märchen geht es wiederum um einen männlichen wölfischen Gewaltakt an Kindern. Das Fressen der Geißlein ist wohl wie in Rotkäppchen nicht als Kannibalismus zu bewerten, sondern auch mit einer sexuellen Komponente zu verstehen. Die Referenz auf Dornröschen ist eindeutig. Erst durch den Kuss des Mannes erwacht sie aus dem Koma. Es stellt sich die Frage nicht nur nach den Handlungsmächten und abhängigkeiten, sondern auch nach dem Konsens dieser Handlung.
ellauri196.html on line 926: Die Katze ist ein alltäglicher Synonym der Fotze. Sie kann als Symbol generell und speziell als „Symbol des Weiblichen und der erotisch-sexuellen Anziehung bzw. Gefährdung“, wozu besonders die Nachtaktivität und Wollust der Katze beiträgt. „Gelb“ lese ich hier als stellvertretend für Körperflüssigkeiten wie Urin und Samen. Hier stellt sich die Frage, welcher Saft? Giebel ist Venushügel, was sonst. „Knabenrot“ habe ich schon das männliche Glied beschrieben. Zusätzlich kann das Rot für Blut stehen, ins Besondere als Zitat der Defloration. Tatsächlich gibt es kein Jungfernhäutchen im Sinn einer zu durchtrennenden Folie, jedoch war (und ist leider teilweise nach wie vor) das Blut bei der (ersten) Penetration der Beweis von Jungfräulichkeit. Wenn manche Frauen (beim ersten Mal) bluten, kommt das von (kleinen) Verletzungen in der Vagina. Ich weiss, ich weiss!
ellauri196.html on line 928: Eine Gemeinsamkeit vieler Märchenprotagonistinnen ist ihre Schönheit und Reinheit, die sich vor allem auch durch weiße Haut auszeichnen. Die Aussage, Frauen hätten es nicht anders gewollt, diese Handlungen zu erfahren, da sie so oder so aussehen oder diese und jene Kleidung tragen, wird leider heute noch reproduziert.
ellauri197.html on line 178: Yeats' poem was completed in 1936. Yeats, in an oft quoted letter, describes the gift thus: "Lapis Lazuli carved by some Chinese sculptor into the semblance of a mountain with temple, trees, paths, and an ascetic and pupil about to climb the mountain. Ascetic, pupil, hard stone, eternal theme of the sensual east. The heroic cry in the midst of despair. But no, I am wrong, the east has its solutions always and therefore knows nothing of tragedy. It is we, not the east, that must raise the heroic cry." (Letter to Dorothy Wellesley (as in Wellesley College?) July 6 1935)
ellauri197.html on line 538: Despite this skewed sex ratio, they found that "On education and socioeconomic status, women on average express greater hypergamic selectivity; they prefer mates who are superior to them in these traits, while men express a desire for an analogue of hypergamy based on physical attractiveness; they desire a mate who ranks higher on the physical attractiveness scale than they themselves do."
ellauri197.html on line 647: His father was a well-paid clerk for the Bank of England, earning about £150 per year. Browning's paternal grandfather was a slave owner in Saint Kitts, West Indies, but Browning's father was an abolitionist. Browning's father had been sent to the West Indies to work on a sugar plantation, but due to a slave revolt there, had returned. Browning's mother was the daughter of a German shipowner who had settled in Dundee, Scotland, and his Scottish wife. His paternal grandmother, Margaret Tittle, had inherited a plantation in St Kitts and was rumoured in the family to have a mixed-race ancestry including some Jamaican blood, but author Julia Markus suggests she was Kittitian rather than Jamaican. The evidence is inconclusive. Robert's father, a literary collector, amassed a library of some 6,000 books, many of them rare so that Robert grew up in a household with significant literary resources. His mother, to whom he was close (no tietysti), was a devout nonconformist and a talented musician. His younger sister, Sarianna, also gifted, became her brother's "companion" in his later years, after the death of his wife in 1861. His father encouraged his children's interest in literature and the arts.
ellauri198.html on line 243: The real reason for the defeat in the 1937 Little Steel Strike were the strategies and tactics of the union leaderships. They encouraged their members to have faith in Roosevelt and the Democrats, giving them a false sense of security that they would be protected against violence by their bosses, the police, and the National Guard. Had the workers relied only on their own power in unity, they could have been better prepared.
ellauri198.html on line 300: Initial interest arose via the publicity campaign for Pazder's 1980 book Michelle Remembers, and it was sustained and popularized throughout the decade by coverage of the McMartin preschool trial. Testimonials, symptom lists, rumors, and techniques to investigate or uncover memories of SRA were disseminated through professional, popular, and religious conferences, as well as through talk shows, sustaining and further spreading the moral panic throughout the United States and beyond. In some cases, allegations resulted in criminal trials with varying results; after seven years in court, the McMartin trial resulted in no convictions for any of the accused, while other cases resulted in lengthy sentences, some of which were later reversed. Scholarly interest in the topic slowly built, eventually resulting in the conclusion that the phenomenon was a moral panic, which, as one researcher put it in 2017, "involved hundreds of accusations that devil-worshipping paedophiles were operating America's white middle-class suburban daycare centers."
ellauri198.html on line 712: Bill Sheehan of The Washington Post called the series "a humane, visionary epic and a true magnum opus" that stands as an "imposing example of pure storytelling," "filled with brilliantly rendered set pieces... cataclysmic encounters and moments of desolating tragedy." Erica Noonan of the Boston Globe said, "There's a fascinating world to be discovered in the series" but noted that its epic nature keeps it from being user-friendly.
ellauri198.html on line 720: Beginning where book six left off, Jake Chambers and Father Callahan battle the evil infestation within the Dixie Pig, a vampire lounge in New York City featuring roast human flesh and doors to other worlds. After fighting off and destroying numerous "Low-Men" and Type One Vampires, Callahan sacrifices himself to let Jake survive. In the other world—Fedic—Mia, her body now physically separated from Susannah Dean, gives birth to Mordred Deschain, the biological son of Roland Deschain and Susannah. The Crimson King is also a "co-father" of this prophetic child, so it is not surprising when "baby" Mordred's first act is to shapeshift into a spider-creature and feast on his birth-mother. Susannah shoots but fails to kill Mordred, eliminates other agents of the Crimson King, and escapes to meet up with Jake at the cross-dimensional door beneath the Dixie Pig which connects to Fedic. Maturing at an accelerated rate, Mordred later stalks Roland and the other gunslingers throughout this adventure, shifting from human to spider as the need arises, seething with an instinctive rage toward Roland, his "white daddy."
ellauri198.html on line 784: It requires youth to hope, and youth to recollect, but it requires courage to will repetition.... For hope is an alluring fruit which does not satisfy, recollection is a miserable pittance which does not satisfy, but repetition is the daily bread which satisfies with benediction. When one has circumnavigated existence, it will appear whether one has courage to understand that life is a repetition, and to delight in that very fact. . . . Repetition is reality, and it is the seriousness of life...
ellauri198.html on line 794: Roland is not mediated by his precursors; they do not detach him from history so as to free him in the spirit. The Childe's last act of dauntless courage is to will repetition, to accept his place in the company of the ruined. Roland tells us implicitly that the present is not so much negative and finite as it is willed, though this willing is never the work of an individual consciousness acting by itself. It is caught up in a subject-to-subject dialectic, in which the present moment is sacrificed, not to the energies of art, but to the near-solipsist's tragic victory over himself. Roland's negative moment is neither that of renunciation nor of the loss of self in death or error. It is the negativity that is self-knowledge yielding its power to a doomed love of others, in the recognition that those others like Shelley. more grandly had surrendered knowledge and its powers to love, however illusory. Or, mos simply, Childe Roland dies, if be dies, in the magnificence of a belatedness that can accept itself as such. He ends in strengh because his vision has ceased to break and deform the world, and has begun to turn its dangerous strength upon is own defense. Roland is the Kermit modem version of a poet-as-hero, and his sustained courage to weather his own phantasmagoria and emerge into fire is a presage of the continued survival of strong poetry.
ellauri198.html on line 853: He faced death with a courage that was founded partly on his vague hope for reincarnation. In his proud moods he could speak in the stern voice of his famous epitaph, written within six months of his death, which concludes his poem “Under Ben Bulben”: “Cast a cold eye / On life, on death. / Horseman, pass by!” But the bold sureness of those lines is complicated by the terror-stricken cry that “distracts my thought” at the end of another late poem, “The Man and the Echo,” and also by the poignantly frivolous lust for life in the last lines of “Politics,” the poem that he wanted to close Last Poems: “But O that I were young again / And held them in my arms.”
ellauri203.html on line 121: By means of his novels, articles, and personal correspondence, Dostoevsky warned about the consequences of entering this dangerous path. The tragedy of Rasskolnikov, the main character of the novel Crime and Punishment, shows how easily one can be infatuated with this teaching of “violence for the sake of love.” Violence is only ok for the sake of hate.
ellauri203.html on line 231: To begin with, Dostoevsky only saw practicality in his marriage to Snitkina: he was in need of stability and confidence in the future. As a result, the union began down to head along the same route as his previous relationships. However, the couple’s extended “honeymoon” abroad, which ended up lasting four years, allowed them to escape Russia’s oppressive atmosphere and try to build a family. It began well: Sonya, a little girl, was born a year after their marriage. Tragedy soon struck, however, when Sonya passed away. The pair went on to have three more children, one of whom also died. They were married for 14 years until Dostoevsky’s death, in which time Snitkina experienced a great deal of anguish brought on by Dostoevsky’s difficult character and lifestyle, namely his jealousy and gambling addiction. However, she remained stoically committed to him and did not remarry after his death, when she was just 35.
ellauri203.html on line 277: Uhraaminen on prosessi, jossa syntipukki joutuu yhteisön sisäisen väkivallan purkautumisväyläksi. Esimerkiksi länsimaisessa kulttuuriperinteessä Kuningas Oidipus ja Raamatun evankeliumit ovat Girardin mukaan verhottuja kertomuksia yhteisöväkivallan uhreista. Uhraamisen prosessi on tiedostumaton: uhraamisen hetkellä syntipukin syyllisyys uskotaan todeksi ja ylilyövä väkivalta oikeudenmukaiseksi. Uhri puhdistaa yhteisön sen sisäisistä konflikteista, ja juuri tästä juontuu Girardin mukaan myös tragedian katarttinen vaikutus. Kuollut uhri kohotetaan myyteissä jumalalliseen asemaan; näin peitetään tietoisuudelta yhteisön ja uskontojen keskiössä toimiva väkivaltainen yksiuhrimekanismi.
ellauri203.html on line 505: Näytelmä Torquato Tasso (1833) teki Kukolnikista tunnetun kirjailijan. Siitä kohtuuttomasti innostuneena hän kirjoitti useita taiteilijakohtaloita käsitteleviä draamoja, joita ei pidetty onnistuneina. Kukolnikin historialliset tragediat kuten Ruka Vsevyšnego otetšestvo spasla (”Kaikkivaltiaan käsi pelasti isänmaan”, 1834) vastasivat Nikolai I:n käsityksiä ja ne olivat aikanaan varsin suosittuja. Niissä hallitsija ilmentää kansan tahtoa, kun taas aatelisto edustaa itsekkyyttä, joka usein johtaa petokseen. Kukolnik kirjoitti samassa hengessä etupäässä Pietari I:n aikaan sijoittuvia historiallisia kertomuksia, mutta myöhemmissä teoksissaan hän pyrki välttämään yhteiskunnallisia aiheita.
ellauri204.html on line 56: Nun trug es sich einmal zu, daß die goldene Kugel der Königstochter nicht in ihr Händchen fiel, das sie in die Höhe gehalten hatte, sondern vorbei auf die Erde schlug und geradezu ins Wasser hineinrollte. Die Königstochter folgte ihr mit den Augen nach, aber die Kugel verschwand, und der Brunnen war tief, so tief, daß man keinen Grund sah. Da fing sie an zu weinen und weinte immer lauter und konnte sich gar nicht trösten. Und wie sie so klagte, rief ihr jemand zu: "Was hast du vor, Königstochter, du schreist ja, daß sich ein Stein erbarmen möchte." Sie sah sich um, woher die Stimme käme, da erblickte sie einen Frosch, der seinen dicken, häßlichen Kopf aus dem Wasser streckte. "Ach, du bist's, alter Wasserpatscher," sagte sie, "ich weine über meine goldene Kugel, die mir in den Brunnen hinabgefallen ist." - "Sei still und weine nicht," antwortete der Frosch, "ich kann wohl Rat schaffen, aber was gibst du mir, wenn ich dein Spielwerk wieder heraufhole?" - "Was du haben willst, lieber Frosch," sagte sie; "meine Kleider, meine Perlen und Edelsteine, auch noch die goldene Krone, die ich trage." Der Frosch antwortete: "Deine Kleider, deine Perlen und Edelsteine und deine goldene Krone, die mag ich nicht: aber wenn du mich liebhaben willst, und ich soll dein Geselle und Spielkamerad sein, an deinem Tischlein neben dir sitzen, von deinem goldenen Tellerlein essen, aus deinem Becherlein trinken, in deinem Bettlein schlafen: wenn du mir das versprichst, so will ich hinuntersteigen und dir die goldene Kugel wieder heraufholen." - "Ach ja," sagte sie, "ich verspreche dir alles, was du willst, wenn du mir nur die Kugel wieder bringst." Sie dachte aber: Was der einfältige Frosch schwätzt! Der sitzt im Wasser bei seinesgleichen und quakt und kann keines Menschen Geselle sein.
ellauri204.html on line 300: Während al-Ḫiḍr, das auf Arabisch „der Grüne“ bedeutet, immer nur als ein laqab-Beiname verstanden wurde, gab und gibt es über den wirklichen Namen al-Chidrs und seine Abstammung sehr unterschiedliche Lehrmeinungen. Im mittelalterlichen Maghreb war die Auffassung verbreitet, dass al-Chidr eigentlich Ahmad hieß. Der ägyptische Gelehrte Ibn Hadschar al-ʿAsqalānī (gest. 1449), der eine eigene Abhandlung über al-Chidr verfasst hat, führt dort insgesamt zehn unterschiedliche Auffassungen zur Frage von al-Chidrs Namen auf. Einige muslimische Gelehrte setzten al-Chidr auch mit verschiedenen alttestamentlichen Gestalten gleich, darunter Melchisedek, Jeremia, Elija und Elischa. Hintergrund für diese Gleichsetzungen bildeten verschiedene christliche und jüdische Erzählstoffe, zu denen al-Chidr in der islamischen Tradition in Verbindung gebracht wurde. Diejenige Lehrmeinung, die im Laufe der Zeit am meisten Verbreitung gefunden hat, besagt, dass al-Chidr über seinen Vater Malkān ein Urenkel des biblischen Eber sei und eigentlich Balyā heiße. Sie wird auch an dem Heiligtum von al-Chidr in Kataragama in Sri Lanka propagiert.
ellauri204.html on line 365: Hedwig von Beit vermutet nach Vergleich mit ähnlichen Märchen in Eisenhans einen Lar oder Gibbon, ursprünglichen Seelenbruder, dessen Verzauberung durch eine negative Muttergestalt noch in dem Schlüssel unter ihrem Kopfkissen angedeutet ist. Der alte König fängt ihn seines prophetischen Wissens wegen, wie Midas den Silenos, König Numa die Walddämonen Faunus und Picus, Salomo den Geisterfürsten Aschmodai oder König Rodarchus den Waldmann Merlin. Naturgeister bei Frühlings- und Erntefesten heißen oft wilder Mann, tragen zottelige Schamhaare oder Moospimmel. Im Mittelmeerraum ähneln sie Pan, Silen und Faunus, in Russland Ljeschi. Auch Ulla Wittmann sieht in Held und Eisenhans ein mythologisches Freundespaar, das sich parallel jeweils vierstufig entwickelt, und vergleicht Chadir (18. Koran sure enough).
ellauri204.html on line 680: Sexton suffered from severe bipolar disorder for much of her life, her first manic episode taking place in 1954. After a second episode in 1955 she met Dr. Martin Orne, who became her long-term therapist at the Glenside Hospital. It was Orne who encouraged her to write poetry.
ellauri204.html on line 690: On October 4, 1974, Sexton had lunch with Kumin to revise galleys for Sexton's manuscript of The Awful Rowing Toward God, scheduled for publication in March 1975 (Middlebrook 396). On returning home she put on her mother's old fur coat, removed all her rings, poured herself a glass of vodka, locked herself in her garage, and started the engine of her car, ending her life by carbon monoxide poisoning. Narsistinen pelle.
ellauri204.html on line 745: Ari kirjoitti enimmäkseen Jacques Lacanista ja tragediasta. Tragedia seurasi Aria loppuun asti. 70-lukuteemaisissa vuosijuhlissa Sex Pistols villitsi entisen punk-nuorison niin totaalisesti, että he itsekin säikähtivät aiheuttamaansa kaaosta.
ellauri204.html on line 791: Today, at the New York University Woolworth building, filmmakers, NGO staff, foundation representatives and UN agency workers came together to discuss the problem of poverty porn and the potential power of social media to prevent it. The discussion was conducted privately (in accord with so-called Chatham House rules) in order to protect the identity of the participants and encourage a more honest conversation.
ellauri206.html on line 77: In Book III of his repulsive Republic (c. 373 BC), Plato examines the "style" of "poetry" (the term includes comedy, tragedy, epic and lyric poetry): All types narrate events, he argues, but by differing means. He distinguishes between narration or report (diegesis) and imitation or representation (mimesis). Tragedy and comedy, he goes on to explain, are wholly imitative types; the dithyramb is wholly narrative; and their combination is found in epic poetry. When reporting or narrating, "the poet is speaking in his own person; he never leads us to suppose that he is any one else"; when imitating, the poet produces an "assimilation of himself to another, either by the use of voice or gesture". In dramatic texts, the poet never speaks directly; in narrative texts, the poet speaks as him or herself.
ellauri206.html on line 111: The UN Indian chief ineffectually called for strong regulatory frameworks to change the business models of social media companies which “profit from algorithms that prioritize addiction, outrage and anxiety at the cost of public safety”.
ellauri206.html on line 113: Countries are also encouraged to step up work on lethal autonomous weapons, or “killer robots” or "unmanned drones" as uninformed headline writers may prefer to call them.
ellauri206.html on line 269: Figure majeure du romantisme français, il est essentiellement connu pour ses poèmes et ses nouvelles, notamment son ouvrage Les Filles du feu, recueil de nouvelles (la plus célèbre étant Sylvie), son recueil de sonnets (Les Chimères, dont le célébrissime El Desdichado, placé sous le signe du Soleil noir de la Mélancolie.
ellauri207.html on line 76: Compelling and astonishing in its baroque richness, Nick Cave’s acclaimed first novel is a fantastic journey into a twisted world of Deep Southern Gothic tragedy. Cover illustration by Banksy. Buy.
ellauri210.html on line 769: En 1928, Benjamin Péret écrit un ouvrage au titre basé sur une contrepèterie : Les Rouilles encagées. Le livre est saisi et interdit jusqu'en 1954 où l'éditeur Éric Losfeld publie, à tirage limité à cent exemplaires, une édition illustrée par des dessins d’Yves Tanguy. Une nouvelle édition publiée en 1970 sera de nouveau interdite jusqu'en 1975.
ellauri210.html on line 1111: Educated by governesses, tutors, and nuns, she was expelled from two schools, including New Hall School, Chelmsford, for her rebellious behaviour, until her family sent her to Florence, where she attended Mrs Penrose's Academy of Art. She also, briefly, attended St Mary's convent school in Ascot. In 1927, at the age of ten, she saw her first Surrealist painting in a Left Bank gallery in Paris and later met many Surrealists, including Paul Éluard. Her father opposed her career as an artist, but her mother encouraged her. She returned to England and was presented at Court, but according to her, she brought a copy of Aldous Huxley's Eyeless in Gaza (1936) to read instead.
ellauri210.html on line 1119: After Ernst's arrest Carrington was devastated and her delusions led to a psychotic break and she was admitted into an asylum. Three years after being released from the asylum and with the encouragement of André Breton, Carrington wrote about her psychotic experience in her memoir Down Below. Nyrkissä Leonora kokkasi Andrelle hyviä sapuskoita.
ellauri213.html on line 49: Spannendes Astrologie-Wissen rund um das Sternzeichen Steinbock Ob Glücksbringer, Tipps zu Selbstfürsorge und Ernährung oder Antworten auf Fragen wie »Was braucht der Steinbock, um sich geliebt zu fühlen? Eine Scheide - Entschuldigung, ich wollte sagen einen Auflag von Schinken. « Das Sternzeichen-Buch steckt voller spannendem Wissen über den Steinbock (22. Dezember bis 20. Januar). Natürlich führt es auch ganz allgemein in die Astrologie ein und erklärt unter anderem, wie man sein Geburtshoroskop liest oder was hinter dem »rückläufigen Merkur« steckt. Das Horoskop-Buch ist hochwertig mit Douche sowieso auch ohne Douche.
ellauri213.html on line 436: Sinedu Tadesse September 25, 1975 – May 28, 1995) was a junior at Harvard College who stabbed her roommate, Trang Phuong Ho, to death, then committed suicide. The incident may have resulted in a variety of changes to the administration of living conditions at Harvard. Tadesse is buried at the Ethiopian Orthodox Cemetery, Addis Ababa, Ethiopia. When Tadesse entered Harvard, she earned below-average grades, and was told that this would prevent her from attending top-ranked medical schools in the U.S. She made no friends, remaining distant even from relatives she had in the area. Tadesse sent a form letter to dozens of strangers that she picked from the phone book, describing her unhappiness and pleading with them to be her friend. One woman responded to the letter but became alarmed by the bizarre writings and recordings Tadesse sent her in return; she had no further contact with Tadesse. Another woman found the letter obnoxious and sent it to a friend who worked at Harvard to review.
ellauri214.html on line 720: rage.aptoma.no/users/ksfmedia/images/67551624.jpg?t%5Bquality%5D=80&t%5Bresize%5D%5Bwidth%5D=1200&t%5Bresize%5D%5Bheight%5D=1200&accessToken=5a57905dd631bd7df586c4a97c08db89ff16d6cd6802c1a761f14164722e67d4" width="50%" />
ellauri216.html on line 368: Venäjällä monet bysanttilaista alkuperää olevat ikonit saivat oman historiansa, täynnä ihmeitä, historiallisia voittoja, tragedioita. Tällainen on Feodorovskaya-kuvake, joka kuvan tyypin mukaan viittaa "armolliseen". Hänen suojeluksensa ei rajoitu tiettyihin tapauksiin - se on todella kansallinen pyhäkkö. Häntä käytetään suojelijana vihollisilta, tulisijan suojelijaksi suruissa ja vaikeuksissa.
ellauri219.html on line 409: An American artist known for large sculptures that play with light and space, Larry Bell first made his mark with a series of “shadowboxes” constructed in the 60s, and has since gone on to receive acclaim for his wide-ranging work, including the Vapor Drawings of the 80s and a subsequent range of Mirage Drawings.
ellauri219.html on line 817: The real tragedy here being, that America has been sincere in its naive, Wilsonian vision of a better world. They were, in fact, high on their own supply. Well the suckers were, the same ones as were taken in by the American Dream.
ellauri220.html on line 43: Tragedian, Komedian, Lyric Draman ja Farcen puolestapuhujat väittelevät suosikkimuotonsa puolesta ennen kuin esirippu nousee näytelmään. Pilkkaajat ( Cranks ) keräävät heidät yhteen ja kertovat heille, että he ovat todistamassa "The Love for Three Oranges", Ljubov k trjom apelsinam. Jotain huisin hauskaa on siis tiedossa. Todennäköisesti farcea.
ellauri220.html on line 52: Leandro ja Clarice suunnittelevat tappavansa prinssin, jotta Clarice voi menestyä valtaistuimella. Tragedian kannattajat ovat iloisia tästä tapahtumien käänteestä. Palvelija Smeraldina paljastaa olevansa myös Fatty Morganan palveluksessa, joka tulee tukemaan Leandroa.
ellauri221.html on line 157: An important characteristic of the Dunno trilogy is its heavily didactic nature. Nosov describes this as an effort to teach "honesty, bravery, camaraderie, willpower, and persistence" and discourage "jealousy, cowardice, mendacity, arrogance, and effrontery." Strong political undertones are also present. In addition to general egalitarianism and feminism, communist tendencies dominate the works. The first book takes the reader into a typical Soviet-like town, the second into a communist utopia, and the third into a capitalistic satire. Nosov's captivating and humorous literary style has made his ideologies accessible to children and adults alike.
ellauri222.html on line 113: Into his head popped the memory of a friend from childhood, a boy named Charlie August—and Augie March was born. The novel poured out of him. “All I had to do was to be there with buckets to catch it,” he said. Being abroad, he thought, encouraged the sense of compositional freedom. He wrote much of the novel in Europe—in Paris, Salzburg, and Rome. He later boasted that not a single word of it was written in Chicago.
ellauri222.html on line 181: But there is usually one fully imagined character in Bellow’s books, one character whose impulses the author understands and sympathizes with, whose sufferings elicit his compassion, and whose virtues and defects, egotism and self-doubt, honorable intentions and less than honorable expediencies are examined with surgical precision and unflinching honesty. That character is the protagonist—Augie, Herzog, Chick, even Tommy Wilhelm, in “Seize the Day,” who tries to leverage his pain to win respect. Their real-life counterpart is, of course, Saul Bellow, whose greatest subject was himself.
ellauri222.html on line 243: One of your persistent themes is the purgation one can obtain only through rage. The forces of aggression are liberating, etc. And I can see that as a legitimate point of view. OK if your characters are titans. But Eve is simply a pitiful woman and Sylphid is a pampered, wicked fat girl with a bison hump. These are not titans.
ellauri222.html on line 316: William's claim to the English throne derived from his familiar sodomist relationship with the childless Anglo-Saxon king Edward the Confessor, who may have encouraged William's hopes for the throne. Edward died in January 1066 and was succeeded by his brother-in-law Harold Godwinson. The Norwegian king Harald Hardrada invaded northern England in September 1066 and was victorious at the Battle of Fulford on 20 September, but Godwinson's army defeated and killed Hardrada at the Battle of Stamford Bridge on 25 September. Three days later on 28 September, William's invasion force of thousands of men and hundreds of ships landed at Pevensey in Sussex in southern England. Harold marched south to oppose him, leaving a significant portion of his army in the north. Harold's army confronted William's invaders on 14 October at the Battle of Hastings. William's force defeated Harold, who was killed in the engagement, and William became king.
ellauri222.html on line 557: The daughter of a tailor, Hilda is Augie’s first crush as a schoolboy. He follows her around but never gets the courage to speak to her.
ellauri222.html on line 709: His literary tastes are also very interesting. Lord Pococurante is quite able to criticize Homer, Horace, and Cicero; there is nothing, which may seem flawless. His ability to find defects in everything prevents him from taking pleasure in literature, philosophy, and painting. It is obvious that the author is ironic about him, it can be deduced from Candides remark “But is there not a pleasure in criticizing everything, in pointing out faults where others see nothing but beauties’ (Voltaire, 73). The main problem is that such a world outlook is a personal tragedy, and such an attitude may eventually result in suicide.
ellauri222.html on line 757: Because Bellow refuses to devalue human potential in even his bleakest scenarios, his novels often come under attack for their affirmative endings. Augie hails himself as a new Columbus, the rediscoverer of America; Henderson, while triumphantly returning home with his new charges, dances with glee, "leaping, leaping, pounding, and tingling over the pure white lining of the grey Arctic silence." Herzog inexplicably evades his fate, emerging from the flux of his tortured mind to reclaim his sanity and his confidence in the future. Yet, the victories of Bellow's heroes are not unqualified, but rather as ambiguous and tenuous as is the human condition itself. As a new Columbus, Augie speaks from exile in Europe; in holding the orphan child, Henderson recalls the pain of his separation from his own father; by renouncing his self-pity and his murderous rage at his ex-wife Madeleine, Herzog reduces but does not expiate his guilt. Nonetheless, these characters earn whatever spiritual victory they reap through their penes and their refusal to succumb to doubt and cynicism. Through their perseverance in seeking the truth of human existence, they ultimately renew themselves by transcending to an intuitive spiritual awareness that is no less real because it must be taken on faith.
ellauri222.html on line 1046: Sir Walter Raleigh was one of the most famous explorers of Elizabeth I's reign. His courage and good looks made him a favourite of the Queen's, and she rewarded him for his handsomeness. Raleigh was also a scholar and a poet, but he is usually remembered for introducing the essential potato, and the addictive tobacco.
ellauri222.html on line 1052: "Minulla on tunne elämän perusakseleista joita täytyy noudattaa, muuten kaikki on pelkkää pelleilyä jonka taustalla piilee tragedia. Minulla on täytynyt jo lapsena olla tuo tunne ja halu pysytellä perusakseleillani ja siitä syystä olen itsepäisesti sanonut ei kaikille taivuttelijoille, vain koska nuo akselit ovat iskeytyneet mieleeni, vaikka eivät ole olleet kovinkaan selviä. Viime aikoina olen tuntenut ne sävähdyttävästi jälleen. Kun pyrin pysähtymään tiellä, ne tulevat kuin taivaan lahjat. Makasin tässä vuoteellani ja äkkia ne värisyttivät koko olemustani. Totuus, rakkaus, rauha, avokätisyys, hyödyllisyys, sopusointu. Ja melu ja kahnaukset, vääristyneisyys, rupattelu, epätoivo, ponnistelu, tarpeettomuus, kaikki häipyivät kuin ne olisivat olleet epätodellisia. Ja uskon että kuka tahansa voi koska tahansa palata näille perusakseleille, vaikka olisi kovan onnen äpärä, vain on rauhallinen ja odottaa.
ellauri236.html on line 73: A test of Meta and YouTube’s ad systems by the human rights group Global Witness revealed that the companies approved large numbers of misleading ads, including spots that encouraged people not to vote or gave false dates for when ballots could be posted. YouTube said it “reviewed the ads in question and removed those that violated our policies,” although the Global Witness report showed all the ads submitted were approved by the Google-owned site.
ellauri236.html on line 75: They found that five out of seven of the groups recommended by Facebook under searches for the term “intervention” were pushing for a military intervention in Brazil’s election, while five out of seven of the groups recommended under the search term “fraud” encouraged people to join groups that questioned the election’s integrity. The groups have names such “Intervention to Save Brazil” and “Military intervention already.”
ellauri236.html on line 208: Several people, after reading No Orchids, have remarked to me, ‘It's pure Fascism’. This is a correct description, although the book has not the smallest connexion with politics and very little with social or economic problems. It has merely the same relation to Fascism as, say Trollope's novels have to nineteenth-century capitalism. It is a daydream appropriate to a totalitarian age. In his imagined world of gangsters Chase is presenting, as it were, a distilled version of the modern political scene, in which such things as mass bombing of civilians, the use of hostages, torture to obtain confessions, secret prisons, execution without trial, floggings with rubber truncheons, drownings in cesspools, systematic falsification of records and statistics, treachery, bribery, and quislingism are normal and morally neutral, even admirable when they are done in a large and bold way. The average man is not directly interested in politics, and when he reads, he wants the current struggles of the world to be translated into a simple story about individuals. He can take an interest in Slim and Fenner as he could not in the G.P.U. and the Gestapo. People worship power in the form in which they are able to understand it. A twelve-year-old boy worships Jack Dempsey. An adolescent in a Glasgow slum worships Al Capone. An aspiring pupil at a business college worships Lord Nuffield. A New Statesman reader worships Stalin. There is a difference in intellectual maturity, but none in moral outlook. Thirty years ago the heroes of popular fiction had nothing in common with Mr. Chase's gangsters and detectives, and the idols of the English liberal intelligentsia were also comparatively sympathetic figures. Between Holmes and Fenner on the one hand, and between Abraham Lincoln and Stalin on the other, there is a similar gulf.
ellauri236.html on line 425: Ma’s eyes suddenly snapped with rage. Her face turned purple. “Slim wants her,” she said, lowering her voice and glaring at Eddie. “He’s going to have her. You keep out of it! That goes for the rest of you too!” Eddie felt horny for the girl, but he wasn’t going to risk his life for her.
ellauri240.html on line 209: Peyton Place is the story of a small New England town that, beneath its calm exterior, is filled with scandal and dark secrets. The novel contains sex, suicide, abortion, murder and a subsequent trial, and rape. The citizens of Gilmanton were outraged, certain that Grace Metalious was describing real people in the book and sure that she had brought shame and unwarranted notoriety to their town. After Peyton Place was published, the whole image of the small town in America was forever changed. From then on the very phrase "Peyton Place" was used to describe a town that is rife with deep secrets and rampant sex beneath the veneer of picturesque calm.
ellauri240.html on line 282: Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt Midleton) was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy.
ellauri240.html on line 286: Some Frank refers to Timon of Athens as "a poor relation of the major tragedies." This is the majority view, but the play has many scholarly defenders as well. Nevertheless, and perhaps unsurprisingly due to its subject matter, it has not proven to be among Shakespeare's popular works.
ellauri240.html on line 288: Mutta vittu mitä genreä se on? Kriitikot ovat ymmällään. Soellner (1979) argues that the play is equal parts tragedy and satire, but that neither term can adequately be used as an adjective, for it is first and foremost a tragedy, and it does not satirise tragedy; rather, it satirises its subjects in the manner of Juvenalian satire while simultaneously being a tragedy.
ellauri240.html on line 500: Founded in 2008 by Rainn Wilson et al., SoulPancake was created to encourage open-heart dialogue about what it means to be human. Throughout the years, we created content that explores the ways we all seek connection, hope, truth, identity, and purpose. (What a revolting bunch of buzzwords!)
ellauri241.html on line 1307: Moanings had burst from him; but now that rage

ellauri242.html on line 95: Blandt Oehlenschlägers øvrige værker kan nævnes en række kærlighedstragedier: Hakon Jarl hin Rige (1807), Axel og Valborg (1810), Hugo von Rheinberg (1813) og Hagbarth og Signe (1815). I disse bearbejder Oehlenschläger sagnmateriale i sin beskrivelse af den sande kærlighed, der på forskellig vis er under beskydning. De kvindelige heltinder er trofaste over for deres elskede, men kommer ofte i klemme i forhold til virkeligheden. Jaa-a, dä ä dä!
ellauri242.html on line 107: Axel og Valborg er en tragedie i fem akter af Adam Oehlenschläger fra 1810 (skrevet under hans ophold i Paris i 1808) med musik af Carl Braun.
ellauri242.html on line 178: Perventsevin romaanissa "Kunnia nuorelta iältä" (1948) Adzhimushkayn louhosten puolustamisen teema kosketettiin ensimmäisen kerran.. Yksi kirjan hahmoista, Arseniy Afanasiev, kertoo olleensa louhosten puolustajain jäsen. "Toukokuusta kesäkuun viidenteentoista päivään he istuivat. Viisitoista tuhatta ihmistä... He romahtivat meidät kivillä, muurittivat uloskäynnit. Kivet imettiin, vettä ei ollut... Siellä kolme lasten hautausmaata jäi louhoksiin... Ja sitten niistä päästettiin savua ja sitten kaasua... kaasua... Kolmesataa ihmistä lähti, lähti tiehensä. Viidestätoista tuhannesta kolmesataa!" Yksi ensimmäisistä joka mainitsi tämän sodanaikaisen tragedian oli Perventsev.
ellauri243.html on line 137: Compared with other U.S. races, American Indians have a life expectancy that is shorter than five years. The suicide rate among American Indian youth is 2.5 times higher than among youth in the rest of the country. American Indians are 2.5 times more likely to experience violent crimes than the national average, and more than four out of five American Indian women will experience parking meter violation in their lifetimes. Holy shit, these issues can be seen as symptoms of several larger issues, including access to social services, educational opportunities, nutritional food, and health care, and just plain old laziness and stupidity. Property rights pose more significant problems, insomuch as residents who don’t have deeds to the land on which they live struggle to build credit, which throws a significant barrier in front of upward mobility. Meanwhile, tribal lands are tough sells for franchises and other commercial developers that would bring jobs to reservations, as these companies are often resistant to negotiating contract terms under tribal law. So it's really all their own fault, them not playing along with good old free enterprise and private property!
ellauri243.html on line 149: Battle Mountain emerged from the horrific tragedy of the American Holocaust to become the center of American air-breathing strategic combat operations. All of America's surviving heavy bombers, intelligence-gathering planes, and airborne command posts wre relocated to Battle Mountain, and a fleet of long-range unmanned combat aircraft began to grow there. The base even a staging area for America's fleet of manned and unmanned spaceplanes-aircraft that could take off became and land like conventional aircraft but boost themselves into low Earth orbit.
ellauri243.html on line 159: Thomas Torquemada Thorn (born Thomas A. Lockyear, II; 2 August 1964) is an American musician. Born in Madison, Wisconsin, he is best known as co-founder of, and lead vocalist for, the industrial metal band The Electric Hellfire Club. Joint Air Base Battle Mountain was not spared. Every aircraft at the once-bustling base was in "hangar queen" status - available only as spare parts for cars. Most planes placed in "flyable storage" were not even mothballed, but just hoisted up on clothes hangers.
ellauri243.html on line 340: big step for anyone, whether you’re a celeb or the average person. But for
ellauri243.html on line 554: Bob´s book is about Perpetual Potential. Inside these pages, you will discover three invaluable lessons that will propel you closer to your true potential. The lessons will serve you well on either of two different, but parallel roads you may travel: The roads towards triumph or tragedy, as well as the roads in between. In 2003 the author, Bob Stearns was on top of the world. He led his company to win the most prestigious business award in the country, the Malcolm Baldrige award. Just five short years later, tragedy struck. Bob´s oldest son Eric was killed while on a study trip abroad in Athens, Greece. Eric was 21 years old at the time and was a junior at Penn State University. Although Eric lost his precious life in Greece, he found something sprawled under the pillars of the Acropolis that many people search for their entire lifetimes. He found inner peace in the knowledge that he could truly be anything he wanted to be, he could do anything he wanted to with his life. In his book "Perhaps a Man Can Change the Stars - Eric's Pursuit of Perpetual Potential", Bob shares with you three life lessons that allowed Eric to understand his true potential. Those same lessons helped Bob and his family deal with Eric´s death. The same lessons had enabled Bob to lead his company to triumph five years earlier. A key take away from the book is that no matter what stage of life you find yourself, you have the potential to explore. You have the potential to utilize and grow the talents and aspirations that you currently have. You have the potential to rekindle old talents that lie dormant, and to allow new talents to blossom. This is true regardless of age, circumstances, and what other people may be telling us. So read, explore and think deeply about how you can apply the three lessons that Bob learned from Eric. Decide for yourself how you can best use them. Indeed, our Potential is Perpetual!
ellauri243.html on line 758: Hänen ensimmäinen näytelmänsä The Tragedy of Sophonisba (1729) tunnetaan nykyisin lähinnä siitä, että se mainitaan Samuel Johnsonin teoksessa Lives of the English Poets, jossa Johnson kertoo, että teatterin koiranleuat parodioivat sen yhtä riviä "O, Sophonisba, Sophonisba, O!" lausumalla "O, Jemmy Thomson, Jemmy Thomson, O!".
ellauri244.html on line 92: The Serenity Prayer: “God, grant me the grace to accept with serenity the things I cannot change, Courage to change the things I can, And wisdom to know the difference.”
ellauri244.html on line 180: There were shortcomings in the welfare of pupils. Fights between boys were said to average seventy a week and were regarded by Dr Butler "with a blind eye", comfort for boarders was minimal, and complaints about food were continuous, on one occasion leading to a riot. His initials "S.B." over the gateway to the house he built himself next to the school were said to be a sign for "stale bread, sour beer, salt butter, and stinking beef sold by Samuel Butler". He tried to suppress games at Shrewsbury, considering football (pre-FA) as "only fit for butcher boys" and "more fit for farmboys and labourers than for young gentlemen".
ellauri244.html on line 427: Hayley Faye is a brilliant author with more than two dozen releases including 17 full books spanning multiple hit series along with stand alone stories! She proudly boasts a Goodreads author rating of 4.5/5 averaged from over 130 unique ratings! Follow On Twitter Love FayeWorlds? Tell your friends! AUTHOR BIO
ellauri246.html on line 349: Tragedian tila - niin hän havaitsi maailmaa. Näyttää siltä, että se on sieltä kotoisin, ensimmäisen vuoden elämästä. Hän tuskin muisti heitä, mutta ensimmäisen kuukauden väestösuojissa, jonka hän vietti Maria Moisevnan, hänen äitinsä kaa, piiritetyssä kaupungissa. Onneksi oli suuria vaikeuksia, he onnistuivat evakuoimaan. Cherepovovetista tuli tilapäinen asuinpaikka. Ehkä se voidaan pitää kohtalon pilkkana, että äiti, joka tiesi saksan kielen, alkoi työskennellä kääntäjänä leirissä epäonnistuneiden saxalaisten rajamatkustajien kanssa. Hän oli siellä useita kertoja hänen kanssaan. Hän muisti, kuinka vanha mies ja sadetakki siirrettiin veneeseen. Tämä kuva löytyy myös Brodskin myöhäisistä teoksista.
ellauri246.html on line 406: "Elexial Despoirin aihe rikkoi nuoren Brodskin runouden", kirjoittaa Viktor Erofeev ", erottelun, erottelun ja tappioiden aiheen matkan varrella." Tässä runossa oli konkreettinen ajattomattomuus, laajennus, hänessä ei ollut historiallista optimismia kuusikymmentäluvun työhön. Päinvastoin, se on hyvin pessimistinen, dramaattinen ja tragedia muistiinpanoja, joskus pehmennetty ironia. Mutta tämä tragedia ei ole avoimesti, ei pakotettu, vaan ikään kuin alateollisuuden ulkopuolella, ikään kuin tekijä lisäksi ei ole taipuvainen osoittamaan hengellisiä haavojaan, vaan hillizee izensä hyvin runollisten tunteiden ilmaisemiseen ja mieluummin sävy sävyyn.
ellauri246.html on line 422: Joskus Brodsky tarkastelee itseään erittäin korkealla ja erittäin kaukaisella näkökulmalla, esimerkiksi enkelin silmät ("keskustelu ..."). Tämä on täydellinen, erittäin objektiivinen näkökulma. Brodskin itsensä määritelmä ei riitä. Hän asettaa kuoleman ilmiön keskenään ja elämään. Rajojen tragedia on Brodskin käsitystä, joka ylittää kaikki hänen draaman. Jos haluat löytää aukon rakkaastasi, joka jakaa sulle kotona ja auttaa tietoisuutta, kaikki odottavat erottamista maailmasta. Suurempi kauhu päällekkäin ja vähemmän juna-asennossa, joka jossain määrin neutraloi sen ja auttaa kestämään sitä. Kuolema olennaisena osana, jolla on merkittävä paikka Brodskin teoksissa. Työn varhaisessa vaiheessa on ominaista epiteeli "musta". Brodsky antaa kuoleman proosan ulkonäöltään. Itse aika, Brodsky, joka on luotu kuolemalla. "Henkilö on itsensä loppu ja menee pois." Rajojen prisman kautta kuolleisuus arvioi runoilijan ja Brodsky, jossa kuoleman osuus esitellään, jää riman alle. Runko korostaa, että sielu, joka on uupunut kokemuksilla, on kuin langat. Elämän käsitys liikkeeksi kuolemaan asettavat melankolian. Brodskin sävyisä runo on eräistä irrottamista päivittäin. Brodsky pyrkii katsomaan reunaa ja olettaa, että se odottaa meitä kuoleman jälkeen. Aluksi runoilija mahdollistaa mahdollisuuden elää arkussa. "Letter pullossa" (1965): "Kun on vaatimaton alus ... Menen hienosti ehkä." Hänellä on puhtaasti symbolistiset ajatukset elämästä unelmana unessa ja kuolema - ylösnousemuksena toisen valtakunnassa. Vähitellen BrodSky alkaa paljastaa järkeistisen ymmärryksen ja tulkinnan tunnettuja uskonnollisia ja filosofisia käsitteitä. Eli sieltä ne tulee kaikki taantumuxen ainexet kun juutalaista vähän raaputtaa.
ellauri246.html on line 497: Brodskia johtaa ironinen filosofiointi, jossa pyydetään osumaan ystävään, jolle se on osoitettu Martzialan kasvoilta. Tuntuu, että hän ei ole kovin huolissasan siitä, mitä pääkaupungissa tapahtuu, koska hän tietää, mitä Tyras ja heidän ultra-vanhat palvelijat ovat. Itse asiassa runon sankaria huolestuttaa kysymykset kuoleman kynnyksestä. Aluksi nämä perustelut syntyivät tarinaan hautausmaa vierailusta. Sankari yrittää kuvitella, mikä on maailmassa, kun hän kuolee? Kaikki pysyy paikoillaan, vuoristossa, meressä ja puissa ja jopa kirjan välissä. Brodsky paljastaa ihmisen olemassaolon tragedian: väestön kasvun riippumatta siitä, missä henkilö asuu ja kuka hän on. Tunne kaikenlaisesta solidaarisuudesta, joka perustuu yhteiseen tragedian tietoiseen tietoisuuteen, jonka mukaan ihmisen on määrä runoilijana edistää edistymistä maan päällä. Tällä välin tällaista yhtenäisyyttä ei tapahtunut, vaan runoilija opettaa, miten elää olosuhteissa ei-vapaa.
ellauri246.html on line 506: Kirjoittajalle Brodskin mukaan vain yksi isänmaallisuus on mahdollista - sen suhde kieleen. Huono kirjallisuuden luoja tässä mielessä on petturi, ja todellinen runoilija on isänmaallinen. Brodskin artikkelin täydentää lausuntoa, joka muuttaa yhden paikan toiselle, henkilö muuttaa yhdentyyppisen tragedian toiseen.
ellauri246.html on line 535: Vuosien mittaan Brodsky on selvästi tietoinen siitä, että hän omistaa itse asiassa sosiaalista ja historiallista merkitystä. "Lajiemme historiassa kirja - antropologinen ilmiö ... Kirja on keino liikuttaa kokemustilaa, kun sivut käännetään. Siirrä se tulee ... Lento yleisestä nimittäjältä ... henkilön suuntaan, erityisen suuntaan. " Tästä syystä Brodskin asenne kirjallisuudelle eze on lajillemme korkein tavoite, sillä se saisi aikaan henkilökunnan muutosta julkisesta eläimestä henkilökohtaisexi. Ja kasvottoman massan hallitsijana kirjoittaja kontrastoi vapaiden yksilöiden "apoteumista", ihmisen tyhmillistymistä täydellisyydestä. Suurella voimalla ekspressoidaan, suurella voimalla, ihmisen tragedia. Kulttuurin ja taiteen rooli paljastuu itsenäisen kehityksen, itsekäyttämisen, itsensä kehittämisen kannustamiseksi. Aika omaperäistä.
ellauri246.html on line 794: Tällä hetkellä, kun Brodsski pidätti hänelle todellisen tragedian, oli naisen tappio, jonka hän piti vaimonsa ja kaikki muu on vain järjetön olosuhteet, jotka aiheuttavat tätä tragediaa. Ja tämän ajanjakson talvi hänelle kulki rakkauden törmäyksestä eikä hallinnon torjuntaa. Tuolloin hän jatkoi työskennellä "Happy Winterin laulujen lyyrisellä syklillä". Nimi ei ollut ironista - sykli on täynnä rakkauden onnellisen jakson muistoja, talvi 1962/63:
ellauri246.html on line 945: Yksikään edellä mainituista runoilijoista, jotka on listattu hänen suosikki runoilijoissa, aiheutti murtumia runoissaan. Hän osoittautui aikaisin mieluiten valmiiksi runoilijan parannuksiin. Brodskin runollinen järjestelmä, joka puhuu nykyaikaisen analyysin kielellä, tämä on avoin järjestelmä, joka vaikuttaa itsestään hyvin hyödyksi. Readerilla ei ole vimmun runoilijan hyvin rauhallista upottamista vaan melko vaikeaa testiä. Vuosien varrella Joseph on yhä halukas kääntämään runollinen resurssi, päätelmät ja tekniikat naapurimaailmasta, houkuttelee metafyysisen filosofian, teologian, erilaisia taiteita ja tiedettä, ei laiminlyödä ironiaa, sukupuolena ja politiikassa. Universumin tragediamalli, joka mieluummin I. Brodsky Comedy, ei myöskään lieventää lukijan käsityspääsyä. Hän todella pakkaa kieltä mahdollisimman paljon. Tai kielen uuvuttava? Tämä seikka edellyttää lukijoiden leksikaalista valmistelua.
ellauri247.html on line 211: Alain-René Lesage ou Le Sage, né le 8 mai 1668 à Sarzeau1 et mort le 17 novembre 1747 à Boulogne-sur-Mer, est un romancier et dramaturge français. Bien qu’il soit aujourd’hui surtout connu pour son roman picaresque Histoire de Gil Blas de Santillane, Lesage est l’auteur d’une importante production théâtrale. Il a notamment contribué au développement et au renouvellement du « théâtre de la Foire » Après les marionnettes et les danseurs de corde, les acteurs forains en vinrent progressivement à jouer de véritables petites comédies, souvent écrites par des auteurs de renom et de talent. Toujours modeste, c’est par ses ouvrages seuls qu’il obtint sa réputation, et jamais il ne rechercha les dignités et les titres littéraires. Nietsche piti Gil Blasista enemmän kuin Shakespearesta. Varmaan se oli parempi kuin tuo nenäkäs skottitohtori.
ellauri247.html on line 299: "If there were five hundred dishes at table, a Frenchman will eat of all of them, and then complain he has no appetite—this I have several times remarked. A friend of mine gained a considerable wager upon an experiment of this kind; the petit-maitre ate of fourteen different plates, besides the dessert, then disparaged the cook, declaring he was no better than a marmiton, or turnspit."
ellauri247.html on line 304: Walpole's dictum: Life is a comedy to those who think, a tragedy for those who feel.
ellauri247.html on line 314: Johnson was 180 cm (5 feet 11 inches) tall when the average height of an Englishman was 165 cm (5 feet 5 inches). Tall and robust, he displayed gestures and tics that disconcerted some on meeting him. He had Tourettes syndrome, in fact.
ellauri247.html on line 331: Johnson remained with his close friend Harry Porter during a terminal illness, which ended in Porter's death on 3 September 1734. Porter's wife Elizabeth (née Jervis) (otherwise known as "Tetty") was now a widow at the age of 45, with three children. Some months later, Johnson began to court her. William Shaw, a friend and biographer of Johnson, claims that "the first advances probably proceeded from her, as her attachment to Johnson was in opposition to the advice and desire of all her relations," Johnson was inexperienced in such relationships, but the well-to-do widow encouraged him and promised to provide for him with her substantial savings.
ellauri247.html on line 337: With the widow's money, Johnson opened Edial Hall School as a private academy at Edial, near Lichfield. He had only three pupils: Lawrence Offley, George Garrick, and the 18-year-old David Garrick, who later became one of the most famous actors of his day. The venture was unsuccessful and cost Tetty a substantial portion of her fortune. Instead of trying to keep the failing school going, Johnson began to write his first major work, the historical tragedy Irene. Biographer Robert DeMaria believed that Tourette syndrome likely made public occupations like schoolmaster or tutor almost impossible for Johnson. This may have led Johnson to "the invisible occupation of authorship".
ellauri249.html on line 94: The international community imposed numerous sanctions and embargoes against the Soviet Union, and the U.S. led a boycott of the 1980 Summer Olympics held in Moscow. The boycott and sanctions exacerbated Cold War tensions and enraged the Soviet government, which later led a revenge boycott of the 1984 Olympics held in Los Angeles.
ellauri249.html on line 259: Hruštšov näyttää uskoneen vilpittömästi voineensa auttaa ukrainalaisia ja olleensa heidän suosikkinsa. Hänen toimintansa oli kuitenkin sekoitus tragediaa ja farssia; hän vastusti ja hidasti Stalinin määräyksiä, mutta kävi julmaa sotaa Ukrainan kansallismielisiä sissejä (ketäs nämä olivat?) vastaan. Hän auttoi kaikella tarmollaan jälleenrakentamaan taloutta, jonka tehottomuus aiheutti uuden nälänhädän.
ellauri249.html on line 299: Unkarissa asiat etenivät kohti tragediaa. Hruštšovin olisi pitänyt ymmärtää, että uudessa tilanteessa Imre Nagy olisi ollut sopivin johtamaan maata. (Mixi?) Aamulla 24. lokakuuta 1956 neuvostopanssarit vyöryivät Budapestiin tukahduttamaan kansannousua. Kapinointi jatkui ja 30. lokakuuta satoja unkarilaisia ja neuvostosotilaita oli surmattu. Žukov oli valmis vetämään joukot pois koko Unkarista ja Mikojan totesi, että suurempi puuttuminen asioihin pilaisi Neuvostoliiton maineen. Julkilausumassaan neuvostohallitus totesi tehneensä virheitä ja arvostavansa sosialistimaiden itsemääräämisoikeutta. Muutamaa päivää aikaisemmin lausunto olisi rauhoittanut tilanteen. Marraskuun alkupäivinä Hruštšov oli määrännyt neuvostoarmeijan tukahduttamaan kansannousun konsultoituaan ensin Romaniaa, Bulgariaa ja Jugoslaviaa. Kansannousun tukahduttamisessa kuoli 1 500 neuvostosotilasta ja 20 000 unkarilaista. Kyllä piisas noita nazeja.
ellauri249.html on line 472: Its origin is set down in Pliny the Elder's Naturalis Historia where he records that a shoemaker (sutor) had approached the painter Apelles of Kos to point out a defect in the artist's rendition of a sandal (crepida from Greek krepis), which Apelles duly corrected. Encouraged by this, the shoemaker then began to enlarge on other defects he considered present in the painting, at which point Apelles advised him that ne supra crepidam sutor iudicaret ('a shoemaker should not judge beyond the shoe'), which advice, Pliny observed, had become a proverbial saying. The Renaissance interest in meddling cluelessly into other people's affairs made the expression popular again.
ellauri254.html on line 83: Programmatisch für das serapiontische Prinzip, das „wie Theodor sehr richtig bemerkte, eben nichts weiter heißen wollte, als daß die Serapionsbrüder übereingekommen, sich durchaus niemals mit schlechtem Machwerk zu quälen“, ist die Absage an jede Art von Nachahmungspoetik und jeden sogenannten Realismus. Nicht die Außenwelt soll durch die Dichtung abgebildet werden, sondern es gilt, „das Bild, das dem wahren Künstler im Innern aufgegangen“, durch „poetische Darstellung ins äußere Leben zu tragen“. Wie Serapion, der als weltfremder Eremit nur seinen Visionen folgte, soll auch der Dichter sich von der Einsamkeit als idealer Sphäre seines schöpferischen Geistes inspirieren lassen. Je mehr ihm die Welt zum bloßen Störfaktor wird, desto autonomer, genialer und serapiontischer sein Werk. Indem die fiktiven Erzähler der Novellensammlung über die serapiontische Qualität ihrer Texte diskutieren, wird die ästhetische Reflexion – ganz im Sinne romantischer Poetologie – selbst zum Bestandteil der Poesie. Verwirrend für die Interpreten E.T.A. Hoffmanns sind dabei die für ihn so charakteristischen visionär-phantastischen Projektionen, mit denen er die künstlerische Innenschau mit der alltäglichen Wirklichkeit verbindet und dabei eine typisch serapiontische Mischung aus Phantasie und Realität schafft, die für den Leser nur noch schwer zu entwirren ist.
ellauri254.html on line 393: In August 1910, Sologub and his wife moved to a larger apartment, at Razyezzhaya ulitsa in the centre of Petersburg. The short and brisk sentences of Anastasia Chebotarevskaya’s writing have been viewed as a potential influence on Sologub’s own work; and she encouraged his acquaintance with the young writers of Russian Futurism, a distinctive literary movement which was then just beginning to flower. Yet the influence of Anastasia on her husband has not been unanimously well received. The humourist Teffi – who was one of the group who frequented the ‘Sundays’ gatherings at Sologub’s Vasilievsky Island home – wrote that Sologub’s marriage:
ellauri254.html on line 523: Obwohl George viele Ideen Schulers als unsinnig ablehnte, war er von ihm fasziniert und vergegenwärtigte in etlichen Versen dessen heraufbeschworene Visionen. Nun wollte Klages, der Schuler immer nähergekommen war, zwischen George und das jüdische Mitglied des Kreises Karl Wolfskehl einen Keil treiben. 1904 biederte er sich dem Zeitgeist an und bestätigte damit indirekt Georges Absage an den Antisemitismus: Klages behauptete, er habe 1904 im letzten Moment durchschaut, dass der George-Kreis von einer „jüdischen Zentrale gesteuert“ werde. Er habe George vor die Wahl gestellt, indem er ihn fragen wollte, was ihn an „Juda“ „binde“. Diesem Gespräch sei George ausgewichen. Wolfskehl, der sich als „römisch, jüdisch, deutsch zugleich“ charakterisierte und als bedeutender Repräsentant der jüdischen George-Rezeption angesehen werden kann, glaubte zunächst an eine Symbiose von Deutschtum und Judentum und orientierte sich hierbei an den Werken des Dichters, der im Stern des Bundes im Sinne einer Wahlverwandtschaft Juden als die „verkannte(n) brüder“ bezeichnete, „von glühender wüste … Stammort des gott-gespenstes … gleich entfernt“.
ellauri254.html on line 534: Der Engels ist Führer des Dichters, der seinerseits Jünger um sich schart, ein Paradigmenwechsel, der den Beginn des Werkes charakterisiert und sich kritisch-rückblickend auf das epigonale weibliche Paradigma im Jahr der Seele bezieht. Die nichtdomestizierte weibliche Sexualität stelle für George eine Bedrohung dar: Er verbinde den erfüllten (heterosexuellen) Geschlechtsakt mit Zersetzung und Dekadenz, im übertragenen Sinne mit Epigonalität oder Ästhetizismus. In Die Fremde etwa, einem Gedicht aus dem Teppich des Lebens, versinkt die Frau als dämonische, im Mondlicht mit „offenem haar“ singende Hexe im Torf, ein „knäblein“, „schwarz wie nacht und bleich wie lein“ als Pfand zurücklassend, während in den als sprachlich verunglückt eingestuften Gewittern die „falsche Gattin“, die sich „in den wettern tummelt“ und „zügellosen rettern“ preisgegeben ist, am Ende verhaftet wird.
ellauri254.html on line 831: In 1921, We became the first work banned by the Soviet censorship board. Ultimately, Zamyatin arranged for We to be smuggled to the West for publication. The outrage this sparked within the Party and the Union of Soviet Writers led directly to the State-organized defamation and blacklisting of Zamyatin and his successful request for permission from Joseph Stalin to leave his homeland. In 1937 he died in poverty in Paris. Serve him right!
ellauri256.html on line 338: "I was born in the Caucasus, my father was a Cossack, my mother is Ukrainian. My mother tongue is Georgian. Thus three cultures are united in me," he told the Prague newspaper Prager Presse in a 1927 interview.
ellauri256.html on line 373: Osip was not troubled by his wife's affair. All the more so, since the country was living through a sexual revolution - free love became a symbol of the time. “I loved making love to Osya. On those occasions, we locked Volodya in the kitchen. Then he would rage, trying to join us, scratching at the door and crying,” Lilya once told a friend.
ellauri257.html on line 520: What kind of inner, private life did Alma have? Did she tire of years of cooking, cleaning, ironing and sewing for Singer? Was it difficult to be the wife of a public person? How did she cope with his escapades? About these the manuscript remains silent. After all, Alma belonged to a social class where women weren’t encouraged to explore such details. In an interview, she does represent the younger Singer as easy-going and says how much he changed over time. But she ascribes those changes to how much people wanted from him and not the other way around.
ellauri257.html on line 561: Pienenläntä Professori Shrage uskoo spiritismiin ja telepatiaan. Zadok Halperin on tiedeuskovainen. Sen mielestä Lodge, Lombroso ja Conan Doyle oli vitun pellejä. Selvästikin spiritismin suosio edellisen vuosisadan vaihteessa liittyi sähkömagnetismi-ilmiöön, joka tuotti monta tappavaa kexintöä maailmansotiin.
ellauri258.html on line 347: ilman vyötä: molemmat ovat raivoamisen huippua" (latest rage). Kansanperinteen
ellauri260.html on line 292: As a man derives his importance from the fact that he belongs to humanity, all division into classes must cease. The ideal is a class-less social order. This leads to a determination to lessen the differences between men as much as possible, if not to obliterate them altogether. This is done in the life of the State, in education, and in the suffrage. The idea of equality becomes a superior standard of value. It compels us to avoid everything that places one man above another, and so lowers a man, not only in the sight of others, but in his own estimation.
ellauri262.html on line 200: Media coverage of Lewis's death was almost completely overshadowed by news of the assassination of John F. Kennedy, which occurred on the same day (approximately 55 minutes following Lewis's collapse), as did the death of English writer Aldous Huxley, author of Brave New World.
ellauri262.html on line 489: Different ages excelled in different virtues. Other times might have been more courageous or chaste but God was not content with them, so why should he be content with us who fuck and run away.
ellauri263.html on line 314: Over time, Tisha B'Av has come to be a Jewish day of mourning, not only for these events, but also for later tragedies which occurred on or near the 9th of Av. References to some of these events appear in liturgy composed for Tisha B'Av (see below).
ellauri263.html on line 362: Jos maailmassa on 8G giga-apinaa, kohiseeko maapallolla koko ajan lakkaamaton vuolas siemennesteen koski? Kazo populaatiokelloa. Jokainen siinä tikittävä syntymä todistaa onnistunutta ruiskausta ja varmaan tuhansia samanaikaisia suutareita. Yxi ruiskaus on keskim. 3.7 ml, joka tuhannella kerrottuna on 4 litraa. No ei se vielä hirmu koski ole. Koirasapinoita on 4G, mälli saattaa lentää siis noin 1G kertaa päivässä (jos kaikki runkkaavat joka 4. päivä), sekunnissa siis noin 10K ruiskausta. Arvataan siis yhtä mittaa ruiskaistun runkun määräxi varovaisesti 50 l/s. Ei sillä kuuhun mennä. The Amazon River has an average discharge of about 215,000 m³/s. Kymijoen virtaama on 283 m³/s. 1m halkaisijainen putki jonka virtausnopeus on 10 cm/s vetää suunnilleen 50 litraa sekunnissa. On se silti tuhti määrä tahmeasti liikkuvaa runkkua. Kuulkaa kyrpäimme kuiskintaa, jylhien jormien ruiskintaa.
ellauri263.html on line 430: Professori Shrage tuntee olevansa siira ryömiessään 5. Avenuella, amerikkalaiset ovat niin paljon sitä kookkaampia. Se muistaa Kaalepin ja muiden vakoojien retken Kaanaaseen. Ihme, Kaanaan maan vakoojista on justiin ollut puhetta toisaalla, ykkösenä Mishnan vastoinkäymisten luettelossa yllä. Aika sattuma, jos se edes oli sattuma, ehkä se tosiaankin oli ihme. Kaaleppi ja Joosua suhtautuivat Moosexen suunnitelmaan positiivisesti, muut olivat napisevalla kannalla. Tää napina oli ensimmäinen vastoinkäyminen, josta seurasivat muut sitten kostona. Hauska havainto, että v. 1992 käännöxessä Mooses ei einää vakoile vaan tiedustelee, ja kansa ei napise vaan huutaa. Vähän tollasta eufemismia, propagandamaista verbaalista hygieniaa.
ellauri263.html on line 466: Tekohampaaton, turnipsinenäinen musta-ja pienisilmäinen hammaslääkäri Henrietta Clark, prof. Shragen ruokaemäntä, maalasi kuin Pirkko Zilles teosofisia tauluja joissa oli mustia ja pitkäsormisia piruja.
ellauri263.html on line 687: Coined by the Kerista Community in the 1970s. Possibly derived from French compère (“partner”), plus -sion, based on an earlier use of the French compérage to denote the practice of brothers-in-law sharing wives observed among Tupi people of the Brazilian Amazon.
ellauri263.html on line 784: If you´re working on practicing compersion as a couple, make sure you´re addressing any feelings of jealousy that bubble up in either of you with a lot of love and gentleness. Blue says it´s good to encourage the jealous party to talk through their feelings and dig at what underlying fears are actually driving the jealousy.
ellauri263.html on line 789: Encourage each other to make requests, she adds. If your partner´s jealous, ask them: What do they need from you? What does it look like? What requests can they make that you can accommodate so they feel safe and secure again?
ellauri264.html on line 118: Gionet was born in Anchorage, Alaska, to a family of eight. His father is a pharmacist and his mother is a nurse. Both his parents are devout Christians who operate a non-profit organization aimed at promoting Christianity and providing medical supplies to orphanages in eastern Russia. During his formative years, Gionet was actively involved in his parents' charity and went to Russia with them numerous times. Five of his siblings were adopted from Russia. As an adolescent, Gionet spent a year and a half in the Russian city of Petropavlovsk-Kamchatsky. He later said that part of his "chaotic nature" may have stemmed from this experience.
ellauri264.html on line 120: In 2011, Gionet worked for Capitol Records for a short time, before pursuing his own career in rap music with a "wild, redneck, kick-ass" persona. He kept his nickname Baked Alaska as a stage name. His rap songs used a satirical tone and traded on his Alaskan roots, with titles like "I Live on Glaciers" or "I Climb Mountains". In 2013, the Anchorage Daily News published a profile of Baked Alaska, describing him as a "comedy/music video artist". Gionet also posted many humorous videos on Vine where he became known as a prankster, achieving some online popularity. A video of him pouring a gallon of milk on his face attracted several millions of views. He called himself at the time a "cross between Weird Al, Lonely Island, Borat and Jackass".
ellauri264.html on line 260: Professori Shragen saamat viestit Edzeltä rajan takaa ovat takuulla väärennöxiä, koska se ei ole kertaakaan maininnut säilytyslokerosta Varsovan puolalaisessa pankissa. Se ei ole Edzen tapaista.
ellauri264.html on line 268: Prof. Shrage istuu yxinäisenä hiljaa hämärässä lainaten Jeremian valitusvirttä 3. luvun 28. jakeesta:
ellauri266.html on line 170: Priamoksen ja Hekaben nuorin poika, Polydoros lähetettiin kuningas Polymestorin luokse kulta ja jalokivilahjoin, jotta tämä suojelisi Hekaben lapsia Troijan sodan aikana. Kun Troija kukistui, Polymestor heitti Polydoroksen kuolemaan ja otti aarteet. Hekabe kosti lopulta poikansa kuoleman panemalla Polymestorin blenderiin. Tästä kertoo erityisesti Euripideen tragedia Hekabe.
ellauri266.html on line 268: Are people insane? Like honestly. Are the people who reviewed this movie certifiably insane? This movie got 100%?????????? How. Like really, howwwww??? The most boring, slowest, most depressing movies ever. The only movie worse than this was Marley & Me. If this movie was based on a true story, then ok. But this was just a made up sad story? Like why? It does not deserve a 100% score AT ALL! That's just absurd and outrageous. And it now calls every score into question. Simply insane.
ellauri266.html on line 349: The real frustration of women, so well expressed by the lady from Oakland, is their exclusion from the mainstream. It is a frustration that women experience in common with Negroes. The solution to these frustrations lies partly in the re-education of menfolk on the one hand and white folk on the other to enable them to adjust gracefully to the inevitable changes that lie ahead. It also lies in the determination of courageous women and courageous Negroes to fight their way into the mainstream despite all our attempts to keep them in their places.
ellauri266.html on line 449: Satire de l´humanité, de la science et de la guerre, l´ouvrage aborde également les thèmes de l´instinct, de l´évolutionnisme et de la société humaine. La Planète des singes est l´un des romans les plus célèbres de Pierre Boulle et fait l’objet de plusieurs adaptations cinématographiques internationales. L´auteur est même contacté par les producteurs pour rédiger le scénario d´un des films.
ellauri267.html on line 241: Tämä on apinakunnan posliinipäivä, luin ensin tihrusilmilläni. Ei vaan porsliinipäistä oli puhe, kaoliinista valmistetuista superapinoista. Drydenistä on pitkät paasauxet albumissa 109. Kuivan miesluolan mahtavin tragedia Don Sebastian löytyi Gutembergista, Googlen kääntämänä se menee näin.
ellauri267.html on line 274: Yli kaksisataa riviä on leikattu pois tästä tragediasta sen jälkeen, kun se toimitettiin näyttelijöille, erityisesti matkapuhelimen ostaminen neljännen näytöksen alussa. Mutta julkisen viihteen teatterissa ja yksityisen kaapissa lukemisen välillä on suuri ero.
ellauri267.html on line 278: Olen huomannut, että englantilaiset eivät kestä perusteellista tragediaa; mutta iloitsevat siitä, että sitä kevennetään iloisilla alapäillä:
ellauri267.html on line 1345: Suurherttuattaresta on julkaistu vähän kirjoja. Tämä venäläistä, englantilaista ja saksalaista perintöä edustava kirjailija vietti jonkin aikaa Venäjällä ennen ensimmäistä maailmansotaa, ja hänellä oli sukulaisia ​​ja ystäviä, jotka tunsivat suurherttuattaren henkilökohtaisesti. Tämä kirja on elämäkerta, mutta se on muistelman tyylinen ja sisältää monia ensikäden tarinoita. Suurherttuattaren elämä on täynnä onnea, toivoa ja tragediaa, ja nämä henkilökohtaiset tarinat syventävät tarinaa.
ellauri269.html on line 392: Koitin kuikkia kirjan lopusta miten iilimatojätkälle käy loppupeleissä, mutta siellä olikin ihan erinimisiä hahmoja, joku muotoa muuttava kämänen demoni ja naisia, plus jotain uikuttavia hämärähahmoja. Sitten vasta huomasin että se olikin seuraavan osan priikveli, eli World of Warcraft Stormrage! By Richard M. Knaak, no less! Saatavana myös sähkökirjana.
ellauri269.html on line 528: Just as Judaism (besides the incredibly tiny Karaite sect) is Rabbinic in nature (teachers of the scripture interpret matters, debate is common and encouraged), Draenei worship of the Light is heavily based on discussion and interpretation, and different Exarchs will interpret the word of a Naaru in a certain manner. Dogmatism is heavily discouraged, and worshippers are encouraged to find their own truths in the scripture (this is specifically non-Orthodox, but Draenei don’t seem Orthodox to me).
ellauri270.html on line 357: Snap shots of village life, like the conversation between Mrs. Delacroix and Mrs. Graves, develop the humanity of the characters and makes this seem just like any other small town where everyone knows each other. The small talk juxtaposed against murder (oops now I let the cat out of the bag, sorry) is what makes the story so powerful. Janey is taking on a “man’s role,” so she is assumed to need encouragement and support.
ellauri270.html on line 576: Der Wert des Stiftungsvermögens der Universität lag 2021 bei 1,286 Mrd. US-Dollar und damit 19,8 % höher als im Jahr 2020, in dem es 1,074 Mrd. US-Dollar betragen hatte. 2008 waren es rund 770 Mio. US-Dollar gewesen. Rahantuloa ei voi ees-täää! Brandeis on #44, tuition 65K, endowment 1,3G. Harvartd on #1, tuition 52K, endowment 53G. Kyltää Brandeis jonkinlainen jenkkien Tehtaanpuiston yhteiskoulu on.
ellauri274.html on line 175: 1:27:31 забыл и не забудет с советскими жертвами и трагедиями никто из них не считается потому что на кону 1:27:31 Unohtui eivätkä unohda Neuvostoliiton uhrien ja tragedioiden kanssa, yhtäkään niistä ei pidetä vaakalaudalla
ellauri276.html on line 921: Charles Wharton Stork [1881-1971] syntyi Philadelphiassa, Pa., 12. helmikuuta 1881. Suoritti AB-tutkinnon Haverford Collegessa 1902; AM Harvardissa, 1903, ja Ph.D. Pennsylvanian yliopistossa erään Schellingin neuvosta 1905. "Kaikki on himon menettämä (Lust on menettänyt kaiken), William Rowleyn tragedia, 1633" All´s Lost by Lust on William Rowleyn jakobinen tragedia, takakannen mukaan "Herkittävän rehellisen ja tehokkaan tragedia", "raaka ja raju", se kirjoitettiin vuosina 1618-1620.
ellauri276.html on line 923: Kuten monet englantilaiset renessanssinäytelmät, Rowleyn tragedia mukautettiin myöhempiä tuotantoja varten. Yksi "W.C." oli vastuussa versiosta nimeltä The Rape Reveng´d tai Espanjan vallankumous vuonna 1690. Vuonna 1705 tehty sovitus nimeltä The Conquest of Spain on Mary Pixin ansiota. Sen jälkeen teos on menettänyt suosion, eikä sitä ole herätetty henkiin.
ellauri277.html on line 43: After the fire, Zachary Taylor Kivett came to visit and found Campbell "in bed discouraged to the limit." Kivett said, "Why are you in bed? You're a Campbell. Get a hump on you."
ellauri277.html on line 229: In November 1902 Gibran wrote to Peabody, and she invited him to a party held at her house two weeks later. An intense platonic relationship resulted, though Gibran seems to have wanted it to progress to a sexual one. He visited her regularly; they went to musical and artistic events together; they wrote to each other often; and she encouraged his writing and his art. She gave him the nickname that he later used as the title of his most famous book: “the Prophet.” In October 1903 Gibran wrote something in a letter to Peabody that angered her, and their relationship cooled.
ellauri278.html on line 380: Kuten vuonna 2012 salatut asiakirjat osoittavat, Valkoinen talo oli alusta alkaen varma Neuvostoliiton syyllisyydestä Katynin tragediaan, mutta ei tehnyt mitään poliittisista syistä.
ellauri278.html on line 384: Gorbazovin porukat myönsivät viime tingassa ennen Neuvostolan purkua että "paljastuneiden arkistomateriaalien kokonaisuutena voidaan päätellä, että Beria, Merkulov ja heidän kätyrinsä olivat henk.koht. vastuussa Katynin metsän julmuuksista. Neuvostopuoli, joka ilmaisee syvän pahoittelunsa Katynin tragediasta, julistaa, että se edustaa yhtä stalinismin vakavista rikoksista."
ellauri279.html on line 293: Mitali "For Courage", 24. elokuuta 1949
ellauri279.html on line 384: Kommunistisen puolueen johtaja Gennadi Zjuganov totesi, "että hän [Solzhenitsyn] oli neuvostoaikaa arvioidessaan äärimmäisen suuntaa antava ja yksipuolinen. Luonnollisesti hänen henkilökohtainen tragediansa kerrostunut näihin arvioihin. Mutta koko kansan elämään ja tekoihin, koko suuren maan luovaan potentiaaliin, et voi siirtää henkilökohtaisia ​​ongelmiasi ja vaikeuksiasi".
ellauri281.html on line 379: Kuten vuonna 2012 salatut asiakirjat osoittavat, Valkoinen talo oli alusta alkaen varma Neuvostoliiton syyllisyydestä Katynin tragediaan, mutta ei tehnyt mitään poliittisista syistä.
ellauri281.html on line 383: Gorbazovin porukat myönsivät viime tingassa ennen Neuvostolan purkua että "paljastuneiden arkistomateriaalien kokonaisuutena voidaan päätellä, että Beria, Merkulov ja heidän kätyrinsä olivat henk.koht. vastuussa Katynin metsän julmuuksista. Neuvostopuoli, joka ilmaisee syvän pahoittelunsa Katynin tragediasta, julistaa, että se edustaa yhtä stalinismin vakavista rikoksista."
ellauri282.html on line 553: Suoraan sanoen kreikkalaisten ongelmat ei pahemmin kiinnosta. Kaverini takapuoleen tarttui peruna uskalletun sexileikin aikana. Olisiko siinä ainesta tragediaan? Eikö?
ellauri283.html on line 108: Äußerlich scheint die Familie noch völlig intakt zu sein, aber seit sein älterer Bruder vor einigen Jahren verschwunden ist, sind die Eltern des zwölfjährigen Oliver (Nathan Gamble) völlig auf den verlorenen Sohn fixiert. Seine Mutter Joan (Dendrie Taylor) verfiel in Depressionen und sein Vater Gus (Corbin Bernsen) war nur noch am arbeiten. Jetzt zweifelt Oliver an dem Sinn seines Lebens. Die Frage, ob der Glaube an Gott oder der Glaube an die Wissenschaft richtig ist, oder beide, oder keiner von den beiden, beschäftigt ihn. Da seine Eltern ihm auf seine Fragen keine Antwort geben können, sucht er Rat bei seinem Biologie-Lehrer, in Fachbüchern und in der Kirche. Doch niemand scheint ihm seine ersehnte Erkenntnis liefern zu können. Als Oliver schon die Hoffnung aufgeben will, naht eine unerwartete Erlösung. Als auch ihr zweiter Sohn verschwindet, verstehen seine Eltern endlich, was ihn beschäftigt: ein schwarzer Engel, der auf einer Rakete reitet.
ellauri284.html on line 666: Alexandra Wrage, the president of Trace International, a firm that advises businesses on assessing foreign partners, says that American companies need to carefully vet foreign partners to avoid violating the Foreign Corrupt Practices Act, a law that prohibits bribery of foreign officials.
ellauri284.html on line 668: Speaking generally, Wrage said that an Indian citizen bribing an Indian official does not violate the U.S. act but does indicate “shoddy business ethics and a willingness to violate the law. This is the clearest sort of red flag. If a company will bribe in one situation, you’re on notice that they’re likely to bribe again.”
ellauri284.html on line 669: Most companies seeking to minimize their legal risk would find such red flags “insurmountable,” Wrage said.
ellauri284.html on line 692: Jaarli Roberts, Kandaharista Afganistanista ja Pretoriasta Transvaalin siirtokunnasta ja Waterfordin kaupungista, oli arvonimi Yhdistyneen kuningaskunnan Peeragessa. Se luotiin vuonna 1901 kenttämarsalkka Frederick Robertsille, 1. Baron Robertsille . Hänet luotiin jo paroni Robertsiksi Afganistanin Kandaharista ja Waterfordin kaupungista vuonna 1892, ja hänestä tehtiin varakreivi St Pierre samaan aikaan kun hänelle annettiin jaarlin asema.
ellauri284.html on line 780: Waterfordin markiisi (ei sukua Waterfordin jaarlille) Irlannin Peeragessa omistaa maata eri puolilla Irlantia, mukaan lukien lähes 40 000 eekkeriä Waterfordin kreivikunnassa, 26 000 eekkeriä Wicklow'n kreivikunnassa ja yli 4 500 eekkeriä Leitrimin kreivikunnassa. Perhe on edelleen yksi suurimmista maanomistajista koko Irlannissa.
ellauri285.html on line 412: „Ich war als Deutschdenkender und Naturwissenschaftler selbstverständlich immer Nationalsozialist und aus weltanschaulichen Gründen erbitterter Feind des schwarzen Regimes (nie gespendet oder geflaggt) und hatte wegen dieser auch aus meinen Arbeiten hervorgehenden Einstellung Schwierigkeiten mit der Erlangung der Dozentur. Ich habe unter Wissenschaftlern und vor allem Studenten eine wirklich erfolgreiche Werbetätigkeit entfaltet, schon lange vor dem Umbruch war es mir gelungen, sozialistischen Studenten die biologische Unmöglichkeit des Marxismus zu beweisen und sie zum Nationalsozialismus zu bekehren. Auf meinen vielen Kongreß- und Vortragsreisen habe ich immer und überall mit aller Macht getrachtet, den Lügen der jüdisch-internationalen Presse über die angebliche Beliebtheit Schuschniggs und über die angebliche Vergewaltigung Österreichs durch den Nationalsozialismus mit zwingenden Beweisen entgegenzutreten. Dasselbe habe ich allen ausländischen Arbeitsgästen auf meiner Forschungsstelle in Altenberg gegenüber getan. Schließlich darf ich wohl sagen, daß meine ganze wissenschaftliche Lebensarbeit, in der stammesgeschichtliche, rassenkundliche und sozialpsychologische Fragen im Vordergrund stehen, im Dienste Nationalsozialistischen Denkens steht!
ellauri288.html on line 136: "Tila ei ollut suuri, mutta tila kuitenkin. Skafferikin oli. Ei oltu rotinkaisia." Viron metsäveljet armahdettiin Josif Stalinin kuoleman jälkeen 1952. Itsepäisestä maanviljelijästä tuli kolhoosilainen. ”Oli varmasti raskasta palata, kun omaisuus oli menetetty. Elämä alkoi ikään kuin nollasta.” "Virolaisen sukuni tragediaan kuuluu se, että isoisäni vanhempi veli värvättiin puna-armeijaan ja hänestä tuli neuvostosotilas, suuren isänmaallisen sodan sankari." Sofi Oksanen vierasti isosetäänsä lapsena.”Hän ei ollut mikään miellyttävä tyyppi. Hän oli juoppo. Ja punikki. Lapset vierastavat niitä."
ellauri297.html on line 137: kansallinen tragedia kansan juopumuksen tähden
ellauri297.html on line 595: Flera ryska journalister tackar Kaurismäki för att ha tagit in deras tragedi i filmhistorien och för att han påminner publiken om den ukrainska aggressionen, när krigströtthet verkar breda ut sig i Europa.
ellauri297.html on line 621: Hän oli sosialisti, joka puolusti suffragette-liikettä, mutta käytti näytelmissään usein Schopenhauerin ja Nietzschen naisvihkon sanastoa ja kuvaili naista saalistuseläimenä, joka aikoi vangita urossaaliinsa. Hän väitti, että hän oli aina "puolustellut naisten älyllistä kapasiteettia", mutta kuitenkin antanut hedelmällisyyden voiman "äitinaiselle", samalla kun hän on varannut luovuuden "taiteilijamiehelle". Ja omassa elämässään hän halveksi seksuaalisuutta - hän ei onnistunut saamaan päätökseen omaa avioliittoaan - mutta vaali korkealentoista romantiikkaa harjoittaen tulista romanssia joidenkin päivän johtavien näyttelijöiden kanssa.
ellauri297.html on line 627: Epäilemättä hänen viileäkkyytensä oli peritty hänen äidiltään. Elämäkertakirjoittajien mukaan rouva Shaw - herttaisen perheen tytär, joka päätyi naimisiin tehottoman humalaisen kanssa - tunsi vain halveksuntaa miestään kohtaan ja hän piti seksiä karkoittavana. Shaw asui hänen kanssaan naimisiinmenoon asti 42-vuotiaana. Nainen, jonka kanssa Shaw meni naimisiin, oli yhtä epämiellyttävä. Fabian-kaveri nimeltä Charlotte Frances Payne-Townshend, hän oli varakkaan irlantilaisen asianajajan tytär ja hänen uuden naisensa malli. ''Hänellä ei ollut mitään niistä naisellisista piirteistä, joita olin odottanut, ja kaikkia inhimillisiä ominaisuuksia, joita olin vain toivonut'', Shaw huomautti tavattaessa häntä, ja hän alkoi pian kutsua häntä "suffragetteiksi" ja "rouvaksi". Arvokkuus.''
ellauri299.html on line 536: Income and wealth inequality bears significantly on poverty. Economist Jared Bernstein and Elise Gould of the Economic Policy Institute suggest that poverty could have decreased significantly if inequality had not increased over the last few decades. Economist Larry Summers estimated that at 1979 levels of income inequality, the bottom 80% of families would have an average of $11,000 more per year in income in 2014.
ellauri300.html on line 533: My hands were clenched in fists of rage
ellauri300.html on line 647: Conduct for the congregants (Titus 2:1-10, 3:1-11). Older women are encouraged to avoid slander or excessive drinking and must encourage younger women to be good wives and mothers. Slaves are exhorted to be trustworthy and obedient. The church as a whole is exhorted to submit to authorities and avoid fighting and “foolish discussions” (Titus 3:9).
ellauri301.html on line 230: Khoekhoen (singular Khoekhoe) (or Khoikhoi in the former orthography; formerly also Hottentots) are the traditionally nomadic pastoralist indigenous population of southwestern Africa. They are often grouped with the hunter-gatherer San (literally "Foragers") peoples. The designation "Khoekhoe" is actually a kare or praise address, not an ethnic endonym, but it has been used in the literature as an ethnic term for Khoe-speaking peoples of Southern Africa, particularly pastoralist groups, such as the !Ora, !Gona, Nama, Xiri and ǂNūkhoe nations. Noi huutomerkit ym ovat naxautusäänteitä, joita meille opetti svartskalle kielitieteen assari, musta Lumikki. Nyt sekin saattaa olla vitskalle pikemminkin.
ellauri301.html on line 250: Frederik Willem de Klerk (/də ˈklɜːrk, də ˈklɛərk/, Afrikaans: [ˈfriədərək ˈvələm də ˈklɛrk], 18 March 1936 – 11 November 2021) was a South African politician who served as state president of South Africa from 1989 to 1994 and as deputy president from 1994 to 1996 in the democratic government. As South Africa´s last head of state from the era of white-minority rule, he and his government dismantled the apartheid system and introduced universal suffrage. Ideologically a conservative and an economic liberal, he led the National Party (NP) from 1989 to 1997.
ellauri301.html on line 254: Amid this violence, the state security forces committed widespread human rights abuses and encouraged violence between the Xhosa and Zulu people, although de Klerk later denied sanctioning such actions. He permitted anti-apartheid marches to take place, legalised a range of previously banned anti-apartheid political parties, and freed imprisoned anti-apartheid activists such as Nelson Mandela. He also dismantled South Africa´s nuclear weapons program.
ellauri301.html on line 263: De Klerk was a controversial figure among many sections of South African society, all for different reasons. He received many awards, including the Nobel Peace Prize for dismantling apartheid and bringing universal suffrage to South Africa. Conversely, he received criticism from anti-apartheid activists for offering only a qualified apology for apartheid, and for ignoring the human rights abuses by state security forces. He was also condemned by South Africa´s Afrikaner nationalists, who contended that by abandoning apartheid, he betrayed the interests of the country´s Afrikaner minority. South Africa´s Conservative Party came to regard him as its most hated adversary.
ellauri302.html on line 62: It is interesting to consider Ash's 'The God of Vengeance" in connection with a play like ''Mrs. Warren's Profession." To be sure, there is no technical resemblance between the two dramas; nor, despite an external similarity in backgrounds, is there any real identity of purpose. Shaw's play is essentially sociological, and is a drama of disillusionment. Ash's piece glows with poetic realism and recounts an individual tragedy not without symbolic power. Mikä molemmisssa on mukavaa on että niissä on paljon prostituutteja!
ellauri302.html on line 205: A fine business! It has to rain! (Suddenly noticing Rifkele, he explodes with rage.) What! You here! (Seizes her hy the collar and shakes her, clinching his teeth.) What are you doing here?
ellauri310.html on line 708: Prager Frühling, 1968
ellauri313.html on line 606: Mendelssohns Ruf wurde von den Nazis noch weiter untergraben, die seine Musik verboten und alle Statuen mit seinem Konterfei abrissen. In einem komischen Vorfall befahl Hitler, die Mendelssohn-Statue vom Dach des Prager Opernhauses zu entfernen, aber die Arbeiter entfernten fälschlicherweise die Statue von Richard Wagner, den sie wegen der Größe seiner Nase für einen Juden hielten.
ellauri315.html on line 99: Ich trage, wo ich gehe, stets eine Uhr bei mir;
ellauri317.html on line 80: Завзятіший од всіх бурлак. While courage above all he had. Pilantekoon sangen nasakka.
ellauri317.html on line 667: Aleksandrovitsin claim to fame oli SR:n agraarisosialismin ja Chekan pettämisen lisäxi veto-oikeus 3 hengen lautamiesoikeuxissa jotka ammuttivat vastavallankumouxellisia. Keväällä 1915 Aleksandrovich pakeni maanpaosta maanpakoon ja muutti Norjaan. Asui Christianiassa (Oslossa), jossa hän työskenteli paikallisessa kalaöljytehtaassa. Ulkomailla Vjatšeslav Aleksandrovitš liittyi sosialistis-vallankumouksellisten internationalistien ryhmään, jonka keskus oli sanomalehti Mysl. Näinä vuosina hän julkaisi vallankumouksellisissa julkaisuissa salanimellä (puolueen lempinimi) "Pierre Orage". Pian Venäjän valtakunnasta pakenemisen jälkeen, syyskuussa 1915, Aleksandrovitš kääntyi sosialistisen vallankumouspuolueen (SRP) vasemmistolaisten puoleen vaatien autonomisen "populistisen" ryhmän luomista: hän näki pääsyyn erillisen puolueen luomiseen organisaation poikkeamisessa "oikeistolaisuuteen" keskuskomitean asenteessa hallitukseen ensimmäisen maailmansodan aikana.
ellauri321.html on line 131: Yet when young I entertained some thoughts of selling my farm. I thought it afforded but a dull repetition of the same labours and pleasures. I thought the former tedious and heavy, the latter few and insipid; but when I came to consider myself as divested of my farm, I then found the world so wide, and every place so full, that I began to fear lest there would be no room for me. My farm, my house, my barn, presented to my imagination, objects from which I adduced quite new ideas; they were more forcible than before. Why should not I find myself happy, said I, where my father was before? He left me no good books it is true, he gave me no other education than the art of reading and writing; but he left me a good farm, and his experience; he left me free from debts, and no kind of difficulties to struggle with 24 with.—I married, and this perfectly reconciled me to my situation; my wife rendered my house all at once chearful and pleasing; it no longer appeared gloomy and solitary as before; when I went to work in my fields I worked with more alacrity and sprightliness; I felt that I did not work for myself alone, and this encouraged me much. My wife would often come with her kitting in her hand, and sit under the shady trees, praising the straightness of my furrows, and the docility of my horses; this swelled my heart and made every thing light and pleasant, and I regretted that I had not married before. I felt myself happy in my new situation, and where is that station which can confer a more substantial system of felicity than that of an American farmer, possessing freedom of action, freedom of thoughts, ruled by a mode of government which requires but little from us? Every year I kill from 1500 to 2,000 weight of pork, 1,200 of beef, half a dozen of good wethers in harvest: of fowls my wife has always a great stock: what can I wish more?
ellauri321.html on line 137: Whenever I go abroad it is always involuntary. I never return home without feeling some pleasing emotion, which I often suppress as useless and foolish. The instant I enter on my own land, the bright idea of property, of exclusive right, of independence exalt my mind. Precious soil, I say to myself, by what singular custom of law is it that thou wast made to constitute the riches of the freeholder? What should we American farmers be without the distinct possession of that soil? It feeds, it clothes us, from it we draw even a great exuberancy, our best meat, our richest drink, the very honey of our bees comes from this privileged spot. No wonder we should thus cherish its possession, no wonder that so many Europeans who have never been able to say that such portion of land was theirs, cross the Atlantic to realize that happiness. this is what may be called the true and the only philosophy of an American farmer. He is like a cock perhaps, arrayed with the most majestic plumes, tender to its mate, bold, courageous, endowed with an astonishing instinct to fuck, with thoughts, with memory, and every distinguishing characteristic of the reason of man. I really enjoy killing all my animals, like doves, my record is fourteen dozen.
ellauri321.html on line 188: He looks around, and sees many a prosperous person, who but a few years before was as poor as himself. This encourages him much, he begins to form some little scheme, the first, alas, he ever formed in his life. If he is wise he thus spends in a tent on the street two or three score years, in which time he acquires knowledge, the use of tools, the modes of working the lands, felling trees, &c. This prepares the foundation of a good name, the most useful acquisition he can make. He is encouraged, he has gained friends;
ellauri322.html on line 82: Excess and inequality of taxation, however disguised in the means, never fail to appear in their effects. As a great mass of the community are thrown thereby into poverty and discontent, they are constantly on the brink of commotion; and deprived, as they unfortunately are, of the means of information, are easily heated to outrage. Tupla hah.
ellauri322.html on line 306: rage.canalblog.com/42/55/119589/93316085_o.jpg" width="90%" />
ellauri322.html on line 334: It would, I think, be a great advantage to the English, if feats of activity (I do not include boxing matches) were encouraged on a Sunday, as it might stop the progress of Methodism. Aristocracy and fanaticism seem equally to be gaining ground in England, particularly in the North.
ellauri322.html on line 458: From what I have seen throughout my journey, I do not think the situation of the poor in England is much, if at all, superior to that of the same class in different parts of the world; and in Ireland I am sure it is much inferior. I allude to the former state of England; for at present the accumulation of national wealth only increases the cares of the poor, and hardens the hearts of the rich, in spite of the highly extolled rage for almsgiving.
ellauri326.html on line 78: Joskus esitetään vääriä argumentteja, että vuonna 1931 "Masaryk ampui työläiset". Santarmit ampuivat vaivaiset neljä lakkoilevaa työntekijää lähellä Duchcovaa. Paikka, jossa tragedia tapahtui, eli Ústí nad Labemin ja Chomutovin välisellä linjalla oleva teräsbetoninen rautatiesilta, joka rakennettiin alkuperäisen kivikaarisillan paikalle, julistettiin kulttuurimuistomerkiksi kommarien helmikuun voiton 1948 jälkeen, ja siitä tuli virallisen muistomerkin paikka. Lähelle pystytettiin vuonna 1954 pronssilevyillä ja veistoksellisilla koristeilla varustettu monumentti akateemisen kuvanveistäjä Karel Lerchin toimesta (Duchcovan alikulkutunnelin monumentti). Muistomerkki sijaitsi täällä vuoteen 1989 asti, kunnes "kivihiilen louhinnan laajentumisen vuoksi" se siirrettiin nykyiselle paikalle linnan puutarhaan hyyskän taaxe, noin 1 km onnettomuuspaikalta. Vuonna 1995 alikulkusillalta poistettiin kansallismonumentin asema. Näet vuoden 1990 jälkeen helmikuun tapahtumia pidetään siirtymänä ulkoisesta demokratiasta totalitarismiin, mikä johti Tšekkoslovakian liittämiseen Neuvostoliiton valtablokkiin, ennakoi huomattavan tšekkiläisen ja slovakilaisen yhteiskunnan myöhemmän sorron, ja siitä tuli syy maan talouden laskuun ja valtavaan talousliberaalin väestön muuttoaaltoon.
ellauri326.html on line 247: A: Hän ei tarvinnut sitä, Stalin kielsi sen. Mutta oli länsi, oli Amerikka ja Amerikassa oli rauhan kannattajien kongressi. Oli pakko lähettää joku. Ja sitten he muistavat, että meillä on Šostakovitš! He sallivat hänen musiikkinsa, lähettävät hänet, ja Šostakovitš lentää sinne stalinistisen hallinnon kasvoina. Tämä on venäläisen kulttuurin tragedia, koska sen päävihollinen haluaisi tuhota kaikki runoilijat, kaikki taiteilijat. Mutta siellä oli länsi, joten oli välttämätöntä jollakin tavalla säilyttää ihmiskasvot. Tolstoille oli pystytettävä monumentteja, vaikka hänet olisi ammuttu ensin, jos hän olisi pysynyt hengissä. Koska näyttää siltä, ​​että me palvoimme Tolstoita, ja Tolstoi pyhitti meidät sillä tosiasialla, että palvoimme häntä. Ihan kuin hän sanoisi – oikein, hyvin tehty, 1937, ammu kaikki! Tämän minä, Tolstoi, kerron sinulle.
ellauri327.html on line 55: ragenial.com/es/imagenes/cartel-no-pasaran-madrid-cke.jpg" height="200px" />
ellauri327.html on line 413: On the first day, journalist Simon Schuster asked a person from Zelensky’s entourage how the president was feeling. “Evil,” they answered him.
ellauri328.html on line 344: Da mag das Ross mich tragen Voin sulle olla siipirazuna
ellauri331.html on line 314: Lokakuussa 2014 The Moscow Times päätti keskeyttää tilapäisesti verkkokommentit, koska loukkaava ja liiallinen Venäjä-mielinen trollaus on lisääntynyt. 2015 Sanoma Oy möi Moscow Times LLC:n Damyan Kurjatseville viime hetkellä. Lehti lopetettiin 2107. No ei, kyllä se kituuttaa vieläkin entisellä omistuspohjalla. SDerk Sauerilla on 19% osakkeista, mutta Jao on vain bulvaani. Following the passage of a law restricting coverage of the Russian invasion of Ukraine in March 2022, the newspaper moved its main editors to Amsterdam. Eli ei tämäkään enää kuulu tänne.
ellauri332.html on line 324: Monia elokuvia on arvosteltu huonon käytöksen ylistämisestä, mutta Oliver Stonen "Natural Born Killers" on pohjimmainen esimerkki. Elokuva keskittyy (väistämättä erittäin siistiin) rakastettuun pariin, josta tuli joukkorikollisia. Elokuvan sekoituksen romantiikkaa ja väkivaltaa on sanottu inspiroineen useita "kopiorikoksia", mukaan lukien kauhistuttava Columbinen lukion tragedia.
ellauri333.html on line 123: Using figures for assumed average annual growth, Patna is the 21st fastest growing city in the world and 5th fastest growing city in India according to a study by the City Mayors Foundation. Patna registered an average annual growth of 3.72% during 2006–2010. As of 2011-12, the GDP per capita of Patna is ₹1,08,657, and its GDP growth rate is 7.29 percent. In June 2009, the World Bank ranked Patna second in India (after Delhi) for ease of starting a business
ellauri333.html on line 221: During a period of religious turmoil and Islamic rule of the Indian subcontinent, the Bhakti movement (https://en.m.wikipedia.org/wiki/Bhakti_movement) and devotionalism-oriented Bhakti yoga (https://en.m.wikipedia.org/wiki/Bhakti_yoga) had emerged as a major trend in Hindu culture by the 16th-century, and the Ramcharitmanas presented Rama (https://en.m.wikipedia.org/wiki/Rama) as a Vishnu avatar, supreme being and a personal god worthy of devotion, with Hanuman as the ideal loving devotee with legendary courage, strength and powers.
ellauri333.html on line 250: But despite his gifts of flying and great physical stamina, Hanuman seems to harbour many childhood anxieties and a deep sense of insecurity as a son alienated from his father. He remains celibate and content to follow his band of simian brothers into the forests. It is his mentors Angad, Jamvant and ultimately Ram who restore his self-esteem and awaken him to his real powers. Tulsidas’ Ramcharit Manas portrays Hanuman as a gentle giant who rose to be a reliable, selfless and humble devotee and ally to his lord. He risks life and limb to cross the seas to Sri Lanka to bring Ram news of his wife being held captive there. As the battle rages in Lanka, he helps fetch a magic herb from the Himalayas to save the life of Lakshmana, and curls up with embarrassment when praised. Aggression is thus excised from the image by Tulsidas to focus on a Bhakt’s principled defence of the just cause and during that course, demolishing a predatory beast.
ellauri333.html on line 256: Among the military fraternities of ancient tribes, all young males were initiated into the art of killing anyone perceived as a threat to the tribe. Such ceremonies followed rituals whereby the young men stripped and dressed in animal skin (often also donning a fierce animal mask) and worked themselves into a bestial rage. Rage removes inhibitions. Rage alone makes the gentle, genial young man next door who listens to film songs all day suddenly go berserk and join a mob as killer of the perceived enemy. Bearskin and Berserk, the two words incidentally are synonymous in German. The question is, how do you awaken the killer instinct in a male turning even a laid-back herbivore into a blood thirsty predator? Well here's how:
ellauri339.html on line 531: Yuliia Paievska International Women of Courage -palkinnolla 2023
ellauri339.html on line 545: Kansainvälinen Women of Courage -palkinto
ellauri341.html on line 334: Verluste brachten Ausgleichszahlungen, um die Exportpreise zu verbilligen, die aufgrund der Nicht-Abwertung der Reichsmark sonst zu hoch gewesen wären. Außerdem gab es ab 1937 Negativ-Listen für Waren mit hohem Anteil von Auslandsrohstoffen, wofür ein Ausgleich gezahlt werden musste. Weiter gab es in Palästina auf Druck von palästinensischen Arabern und der Tempelgesellschaft Positiv-Listen, die die eingeführten Waren auf solche einschränkten, die in anderen Ländern nur mit Exportförderung absetzbar waren. Um dennoch mehr Waren abzusetzen, gründete die Haʿavara eine Tochtergesellschaft NEMICO für den Absatz von Waren in Ägypten, Mandats-Syrien und dem Irak. Auf Drängen des britischen Kolonialministeriums musste die Haʿavara in den Fällen, in denen ein britisches Unternehmen Interesse bekundete von der Bewerbung um Aufträge absehen. Innerhalb der internationalen zionistischen Bewegung stieß das Abkommen insbesondere in Amerika auf heftigen Widerstand. Auf dem 19. Zionistenkongress in Luzern 1935 setzten sich die Befürworter der Haʿavara durch. Allerdings wurden einige Einschränkungen beschlossen (Begrenzung auf Palästina) und die Aktien der Haʿavara wurden von der Anglo-Palestine Bank auf die Jewish Agency übertragen.
ellauri341.html on line 336: Am 5. November 1933 wurde die Trust and Transfer Office Haʿavara Ltd. eingetragen, quasi als privates Unternehmen. Die Zionistische Weltorganisation billigte auf ihrer Konferenz am 20. August 1935 in Luzern mit Mehrheit den Haʿavara-Abschluss und nahm sogar deren ganze Tätigkeit in eigene Regie.
ellauri341.html on line 340: Das Haʿavara-Abkommen ermöglichte den Betroffenen, einen Teil ihres Vermögens nach Palästina zu transferieren, während ein bestimmter Prozentsatz des zu übertragenden Vermögens als Reichsfluchtsteuer vom deutschen Fiskus einbehalten wurde. Anfangs betrug dieser Steuersatz 25 %; er wurde im Zuge der verstärkten staatlich gelenkten Abpressung des Vermögens von Juden sukzessive erhöht. Verglichen mit anderen Exilländern erhob der deutsche Fiskus auf Transfers nach Palästina einen geringeren Satz der Reichsfluchtsteuer. Anders gesagt, deutschen Flüchtlingen auf dem Weg nach Palästina knöpfte der Fiskus beim Versuch, zumindest Teile ihres Vermögen mitzuretten, weniger Reichsfluchtsteuer ab als ihresgleichen bei der Flucht in andere Exilländer. Jüdische deutsche Auswanderer zahlten in Reichsmark eine Summe auf ein deutsches Konto des Transfer Office ein und beglichen parallel den darauf anfallenden Betrag an Reichsfluchtsteuer auf ein Konto des Fiskus.
ellauri342.html on line 399: The history of International Moment of Laughter Day dates back to 1997 when a humor consultant and psychologist, Izzy Gesell, invited the whole world to join in this day and do some fun activities to encourage everyone to laugh. It makes a person positive! International Moment of Laughter Day is all about celebrating joy and happiness. This day focuses on shifting a person's view of life from pessimistic to optimistic.
ellauri342.html on line 415: Why We Love Wear a Plunger on Your Head Day?It’s funny! Wear a Plunger on Your Head Day is a funny holiday. It’s a light-hearted celebration that encourages us to let loose.
ellauri345.html on line 56: Tuomio rouva von Staёlin teoksessa "De l'Allemagne" on sattuva. Siinä lukee: »On ne saurait nier qu'il n'y ait dans ce livre une profonde connaissance du coeur humain, mais une connaissance decourageante; La vie y est representee comme une chose assez indifferente, de quelque manière qu'on la passe; triste quand on l'approfondit, assez agreable quand on l'esquive, susceptible de maladies morales qu'il faut guerir si l'on peut, et dont il faut mourir si l'on n'en peut guerir."
ellauri345.html on line 450: Während des Weltkrieges habe Borchardt blutrünstige Kriegshetze und Kriegspropaganda betrieben, zur Vernichtung der europäischen Zivilisation aufgerufen und das Volk verhöhnt. Er habe deutsche Kriegsziele propagiert, die „weit grausamer, unmenschlicher, tückischer waren als die schlimmsten Sätze des Versailler Vertrages“. Borchardt sei der erste deutsche Schriftsteller, „der Bücherverbrennungen, Prügel und Martern und all die unaussagbare Rohheit des Faschismus“ vor dessen Machtantritt empfohlen habe. Nachdem sich in Deutschland die Vorstellungen Borchardts verwirklicht hätten, könne seine eigene Literatur dort nicht mehr erscheinen, was ein Unrecht sei, „denn vor solchem Verdienst hätten sich die regierenden Faschisten beugen müssen“. Sein Roman verkündete einen „aristokratischen Faschismus“.
ellauri347.html on line 41: Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light.
ellauri348.html on line 361: Santeri Paavin oma alkuperäinen harjoitus tässä genressä on saanut inspiraationsa 1100-luvun tarinasta Héloïse d'Argenteuilin luvattomasta rakkaudesta opettajaansa Peter Abelardiin , joka oli häntä parikymmentä vuotta vanhempi kuuluisa pariisilainen filosofi, ja salavuoteudessa hänen kanssaan. Heidän suhteensa ja vällyissä piehtarointinsa jälkeen hänen perheensä kosti Abelardille raa’asti ja kastroi tämän, minkä jälkeen hän meni luostariin ja pakotti Héloïsenkin nunnaksi. Molemmat johtivat sitten suhteellisen menestyksekästä luostariuraa. Vuosia myöhemmin Abelard sai valmiiksi ystävälleen lohdutukseksi lähetetyn Historia Calamitatumin (Takaiskujen historian). Kun se joutui Heloisen käsiin, hiänen intohimonsa häntä kohtaan heräsi uudelleen ja heidän välillään oli neljä kirjettä, jotka oli kirjoitettu koristeellisella latinalaisella tyylillä. Yrittääkseen ymmärtää henkilökohtaisen tragediansa, he tutkivat inhimillisen ja jumalallisen rakkauden luonnetta. Kuitenkin heidän yhteensopimattomat munattoman miehen ja munasarjaisen naisen näkökulmat tekivät dialogista tuskallisen molemmille.
ellauri349.html on line 484: Aaron oli takuulla juutalainen! Se oli Sartreakin porvarillisempi. D'abord ami et condisciple de Jean-Paul Sartre et Paul Nizan à l'École normale supérieure, il devient lors de la montée des totalitarismes un ardent promoteur du libéralisme, à contre-courant du milieu intellectuel pacifiste et de gauche qui dominait. Il dénonce ainsi dans son ouvrage le plus célèbre L'Opium des intellectuels l'aveuglement et la bienveillance des intellectuels à l'égard des régimes communistes.
ellauri351.html on line 663:

Cold and fresh Beverage

ellauri351.html on line 672: Hänen lapsuutensa oli kovaa työtä ja työtä. Hänet tunnettiin vakuuttavana puhujana, joka piti puheita, jotka tukivat Yhdysvaltojen alueellista laajentumista ja lisäsivät liittovaltion valtaa. Beveridge oli vapaamuurari ja Kivisen ja Sorasen lodgen jäsen. Vanhuxena big governmentia kannattanut Beverage tuli katumapäälle ja siirtyi kannattamaan lean rightiä.
ellauri351.html on line 715: Gustave Le Bon propose dans cet ouvrage que, lorsque des individus sont réunis, ils ne raisonnent pas de la même manière que s'ils étaient seuls, expliquant ainsi les comportements irraisonnés des foules.
ellauri352.html on line 47: Pinocchio oli puinen sätkyukko. Mäntysilmä (oxankohta laudassa?) tai männynsiemen toskanaxi, jonka nenä veny valhetellessa kuin penis erektiivisenä. These aspects are consistent across all adaptations: Pinocchio is an animated sentient puppet, Pinocchio's maker is Geppetto and Pinocchio's nose grows when he lies. Pinocchio's bad behavior, rather than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in June 1881 in the children's magazine Il Corriere dei Piccoli, to be a tragedy. It concluded with the puppet's execution. Kettu ja kissa jotka vievät Disneyn Pinocchion "teeatteriin" hirttävät hänet lähimpään puuhun, joka sattui olemaan tammi eikä mänty.
ellauri352.html on line 86: Texasin paskiainen re-bublikaanikuvernööri armeijoineen tappaa märkäselkiä rajajokeen tieten tahtoen. HS selvitti ensin ideologisesti oikein mutta faktisesti väärin että syypäät oli mexikaanoja, mutta joutui pian pyörtämään puheensa. Oikaisu 14.1. kello 10.59: Jutussa luki aiemmin virheellisesti, että meksikolaissotilaat olisivat yrittäneet estää Yhdysvaltain rajaviranomaisia auttamasta siirtolaisia. Tosiasiassa texasilaissotilaat estivät siirtolaisten auttamisen. Kello 11.06: Jutussa kerrottiin aiemmin Meksikon muun muassa pystyttäneen rajalle aitaa. Tosiasiassa esteet pystytti Texas. Kello 20.15: Muokattu Henry Cuellarin sitaattia muodosta ”Tämä on tragedia, josta Yhdysvallat kantaa vastuun” muotoon ”Tämä on tragedia, josta osavaltio kantaa vastuun”. Lisäksi muokattu kohtaa, jossa kerrottiin, että ”esteiden avulla Texas haluaa estää Yhdysvaltojen rajahenkilökuntaa pääsemästä rampille, jota veneet käyttävät päästääkseen Rio Grande -joelle”. Kyse oli hallinnon kannasta asiaan.
ellauri353.html on line 333: Jacob Weisberg's "The Bush Tragedy"
ellauri359.html on line 148: Blake haudattiin joukkohautaan toisinajattelijoiden hautausmaalle Bunhill Fieldsissä. Hänen kuoltuaan pitkäaikainen tuttava Frederick Tatham otti Blaken teokset haltuunsa ja jatkoi niiden myyntiä. Myöhemmin Tatham liittyi fundamentalistiseen irvingiläiseen kirkkoon ja poltti tämän kirkon konservatiivisten jäsenten vaikutuksen alaisena harhaoppisina pitämiään käsikirjoituksia. Tuhottujen käsikirjoitusten tarkkaa määrää ei tiedetä, mutta vähän ennen kuolemaansa Blake kertoi ystävälleen kirjoittaneensa "kaksikymmentä tragediaa yhtä pitkiä kuin Macbeth ", joista yksikään ei ole säilynyt. Toinen tuttava, William Michael Rossetti, poltti myös Blaken teoksia, jotka hänen mielestään olivat puutteellisia, ja John Linnell kumitti seksuaaliset kuvat useista Blaken piirustuksista.
ellauri365.html on line 459: Hans makor voro Emilia Uggla (1880–1893), Olga Wiberg (1896–1903) och Greta Sjöberg (1903–1906) samt övriga "partners" Ellen Belfrage och Kate Bang. He liked to bang nymphettes like so many of his colleagues.
ellauri365.html on line 520: Heidenstam hade svårt att behålla relationen till de kvinnor han förälskade sig i och var gift tre gånger trots att han, främst av ekonomiska skäl, inte ville binda sig i äktenskap. Första äktenskapet ingicks 1880 med Emilia Uggla och efter det följde Olga Wiberg och Greta Sjöberg. Utöver dessa förhållanden hade han ett längre förhållande med Ellen Belfrage som han knullade gravid, inte beredd att ta något ansvar utöver att betala 500 spänn per år för sonen Nils, som dog barnalös, samt med Kate Bang, med vilken han delade sina sista 20 år.
ellauri365.html on line 527: Under åren därefter levde Heidenstam och Olga på olika slott och herresäten runt om i Sverige. Denna period blev också Heidenstams mest kreativa med böcker som Dikter, Karolinerna, Sankt Göran och draken, Heliga Birgittas pilgrimsfärd, Ett folk och Skogen susar. Paret deltog i Stockholms sällskapsliv och Heidenstam engagerade sig i Frisinnade klubben och Utile Dulci. I juli 1899 köpte han en pampig villa i italiensk stil i Djursholm utanför Stockholm (vid nuvarande Björkebergavägen). Där levde de ett par år fram till 1901 när något hände mellan de två som gjorde Heidenstam sårad och hämndlysten. Förmodligen blev Heidenstam vara bedragen av sin yngre hustru och de två separerade. Han skrev en hämndpjäs, Spinnrocken, som inspirerades av de verkliga händelserna men hans förläggare, Karl Otto Bonnier, refuserade stycket.
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ellauri369.html on line 366: Hofrath: Hofrath Heuschrecke (i. e. State-Councillor Grasshopper) is a loose, zigzag figure, a blind admirer of Teufelsdröckh´s, an incarnation of distraction distracted, and the only one who advises the editor and encourages him in his work; a victim to timidity and preyed on by an uncomfortable sense of mere physical cold, such as the majority of the state-counsellors of the day were. Sounds a lot like Waldo Emerson.
ellauri370.html on line 72: D) Right after WWI, the Ukrainian nationalists killed 100,000 Jews in terrible massacres. This is a forgotten tragedy. Another wave of desperate Russian Jews then immigrated to USA, till the Communists sealed the Soviet borders in 1922.
ellauri370.html on line 404: 1881 erschien Dührings Kampfschrift Die Judenfrage als Racen-, Sitten- und Culturfrage. Mit einer weltgeschichtlichen Antwort. Sie war ein pseudowissenschaftlicher Versuch, dem Antisemitismus als politischer Bewegung ein biologisches, historisches und philosophisches Fundament zu geben.
ellauri370.html on line 412: Daher sei nur eine internationale Lösung der Judenfrage dauerhaft. Die Vertreibung aller Philistiner sei vorerst undurchführbar und würde das Problem nur an andere Orte verlagern, wo es alsbald neu auftreten werde. 1900 forderte er direkt die „Vernichtung des Judenvolkes“.
ellauri371.html on line 452: Yliopistojen neutralointi. Tavoitteena tuhota muiden kuin meidän kollektiivisten voimien avioliitto, olemme neutraloineet kollektivismin ensimmäisen vaiheen – yhtenäisyyden. Yliopistoja pitää kouluttaa uuteen suuntaan. Heidän esimiehensä ja professorinsa valmistetaan yrityksellesi yksityiskohtaisilla salaohjelmilla toimia, joista he eivät peräänny rankaisematta, ei hiukkasenkaan. Niitä määrätään erityistä varovaisuutta noudattaen itsenäisyyteen ja annetaan täydelliseen itsenäisyyteen eväät hallitukselta. Jätämme opetuksen ulkopuolelle valtion lakinilkit evp, kuten kaikki, mikä koskee poliittisia tic-kysymyxiä. Näitä aineita opetetaan muutamalle kymmenelle ilmatteexi antamisen mukaan valitulle henkilölle, joilla on parhaat Xia-kyvyt vihittyjen joukosta. Univer- siis yliopistokaupunkien ei pitäisi päästää nuoria ulos muureistaan. Lomonosov suunnittelee perustuslakia komediana tapahtumia tai tragedioita, jotka käsittelevät poliittisia kysymyksiä, joiden isät eivät koskaan ymmärtäneet mitään. Huonosti kohdennettu tietoisuus ilmenee useimmille ihmisille politiikan kysymyksinä, luo utopiaa ja pahaa abeista, kuten itse voit nähdä yleissivistävän mittarin sojottaessa tähän suuntaan. Meidän täytyi tuoda kaikki nuo heidän koulutukseensa; hyvä alku, joka rikkoi heidät niin loistavasti, sille sopii rakentaa. Kun olemme vallassa, poistamme kaikenlaisia ​​kiusallisia aiheita koulutuksesta ja näytämme opiskelijoille ■■■ niin niistä tulee nuoruudesta asti kuuliaisia ​​vallan lapsia, rakastavia hallitsijan rauhan ja tyyneyden toivona.
ellauri372.html on line 32: Odes 3.5. Courage and decadence: the Regulus ode

ellauri372.html on line 102: Regulus was a famously principled and courageous fictional figure from the Punic wars 2 centuries earlier. Captured by the Carthaginians with others during the Punic wars, he was sent to Rome, under an oath to return, to pass on peace proposals and a request for exchange of prisoners. According to legend, as described by Horace here, he advised the Senate not to accept, and returned to Carthage to a certain and painful death, keeping his oath. There is a clear echo of the campaign that Augustus was waging to restore traditional Roman and family values. Like the rock-hard Regulus, “proper” Romans should be prepared to face death and spit in its eye, rather than take a safe but dishonourable way out. The gulf between these traditions and the contemporary Romans partying and fornicating away in writers like Ovid and Propertius could not be deeper.
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ellauri373.html on line 73: dein Joch ist schwer / drümb kan ichs nicht mehr tragen / Ikeesi on raskas / en saata sitä enää kantaa /
ellauri373.html on line 113: Si suicidò prima della morte di Bruto alla battaglia di Filippi, si dice inghiottendo carbone acceso. Nella tragedia di Shakespeare Giulio Cesare, il nome è scritto come Portia e viene fatta morire inghiottendo del fuoco (nielemällä kuumia hiiliä). Eräs suosittu spekulaatio on, että Porcia riisti henkensä polttamalla hiiltä tuulettamattomassa huoneessa, jolloin hän sai häkämyrkytyksen. Lei e Bruto ebbero un figlio, che morì ancora infante nel 43 a.C.
ellauri373.html on line 147: continent, and they elect their successors from their entourage.
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