No, he did not love her. The night they returned from Asia, just after dinner, they made amazing love that left her soaking in sweat, satisfied, and ready to do anything for this man. But he was talking to her less and less.
ellauri011.html on line 915: Kanin kosto. Tää lovestoori on kahden narsistin nokintakisa. Karla manipuloi Pauloa omiin tarpeisiinsa, Pauli panee vastaan passiivisaggressiivisesti. Kumpikaan ei oikeesti välitä toisesta tuon taivaallista, empatia nolla. Kummallakin on jo oma rakas, nimittäin oma perse. Aika surkeaa.
ellauri011.html on line 918: Meanwhile, she thought to herself: Hmmm, the others must have noticed that I feel different. What a wonderful thing it was, to be able to love. It's what makes us remember our mission on earth, our purpose in life. [A full page follows of this sort of dithyramb. Another solo aria starring Paulo.]
ellauri011.html on line 931: Peas, peas, absolute peas. We are peeing them, heavenly peas. LSD is giving us peas, farewell heebies jeebies, we rest in peas. We are our dreams, in the clouds, they are writing us some sms that we can't read. We bullshit on in love and peas. The italics are here just for effect.
ellauri011.html on line 977: Im certain that my wife, the woman who is to be the love of my life,
ellauri011.html on line 1015: Ilkeä Ahab hylkäsi ilkeän elämänsä ja alkoi kehittää Viskoosin seutua kuin Inkeri Vehmas-Lehto Kouvolaa. Ahab on kyllä jutkunimi eikä arabi. Tää ilkeä Ahab oli kiskuri eli todennäköisemmin jutku. Koronotto on kiellettyä koraanissa, mutta se on jutkujen ja kristittyjen peruskauraa. Se myös soveltaa anteexiantopäivää, mikä on juutalainen kexintö. Siinä annetaan anteexi jahvelle vuoden ilkeilyt. Aloitetaan uusi vuosi molemmin puolin puhtaalta pöydältä, unohdetaan kaunat.
ellauri011.html on line 1033: Piru ja neiti Prym nokittelee sateessa haulikon kanssa metsästäjien pienessä ovelassa muoviteltassa, osoittelee sillä toisiaan pupu housuissa, on pelkureita. Mitähän tää kaikki kanin mukaan osoittaa? Mystistä.
ellauri011.html on line 1090: Ylöspäin puhuminen on kyllä paha merkki, kohta se varmaan alkaa kuulla sieltä ääniä. Kadulla näkee nykyään usein mutiaisia ja karvakäsiä, jotka näyttää puhuvan tyhjälle. Ize asiassa niillä on handsfree puhelimet, joilla ne pitää yhteyttä kohtalotovereihinsa. Muuten niillä oliskin tosi yxinäistä, kantaväestö välttelee niiden kazetta.
ellauri011.html on line 1168: käyttäen jotain ovelampaa keinoa.

ellauri011.html on line 1340: He regarded the latter as of the highest importance because dislike and ill opinion force people to conform in their behaviour to social norms, however he didn't consider public opinion as a suitable influence for governments.
ellauri011.html on line 1342: In his 1672 essay On the Original and Nature of Government, William Temple gave an early formulation of the importance of public opinion. He observed that "when vast numbers of men submit their lives and fortunes absolutely to the will of one, it must be force of custom, or opinion which subjects power to authority".
ellauri011.html on line 1344: Temple disagreed with the prevalent opinion that the basis of government lay in a social contract and thought that government was merely allowed to exist due to the favour of public opinion.
ellauri011.html on line 1356: The success of Julie delighted Rousseau; he took pleasure in narrating a story about how a lady ordered a horse carriage to go to an Opera, and then picked up Julie only to continue reading the book till the next morning. So many women wrote to him offering their love that he speculated there was not a single high society woman with whom he would not have succeeded if he wanted to.
ellauri012.html on line 278: Olen tietoinen että olen jauhanut liian kauan tätä asiaa; pitäisi puhua sulle vähemmän sun onnettomuudesta ja mun kärsimyksistä. Hyvät työt menettää kiiltonsa kun kehuu niistä itse itseään. Se on totta, silti on aika jolloin voi kohtuudella ajaa omaa asiaa; kun asioi sellaisen kanssa jonka kiittämättömyys on tylsistänyt, täytyy nostaa oma häntä itse. Jos sä olet tämmöinen tyyppi, tää olisi sulle opiksi ja ojennukseksi. Mutta koska olen heikkotahtoinen, rakastan sua yhä, vaikka ilman toivoa. Olen hylännyt elämän, riisunut siitä kaiken, mutta tajuun että en ole enkä pysty hylkäämään Abelardia. Vaikka menetin rakastetun, jäi rakkaus. Vitun valat! Vitun luostari! En ole menettänyt ihmisyyttä ankarassa kurissanne! Ette ole muuttaneet mua marmoriksi muuttamalla asua; sydän ei ole kovettunut vankilassa; tunnen vielä mikä mua on koskettanut, vaikka, voi nössö sentään, mun ei pitäisi. (Seuraa tiukka puhuttelu taivaan isälle.)
ellauri012.html on line 291: On totta, että tuntiessani onnettomuudet jotka meitä kohtasivat, ja pannessani merkille, että mitään muutosta tilassamme ei ollut odotettavissa; että nuo menestyken päivät jotka viettelivät meidät olivat nyt ohitse, eikä jäänyt mitään paitsi pyyhkiminen mielistämme töin ja tuskin kaikki merkit ja muistikuvat niistä, olin toivonut löytäväni filosofiasta ja uskonnosta lääkkeen häpeääni; hain turvapaikkaa rakkaudelta. Kokeilin lupausten antamista kovettaakseni sydämeni. Mutta mitä voitan tällä? Himoni on poistettu kirurgisesti, mutta ajatukset juoksee villinä. Lupaan itselleni että unohdan sinut, mutten voi ajatella sitäkään rakastamatta sinua. Rakkauteni ei yhtään vähenny näistä mietteistä joilla koitan vapauttaa itseni. Minua ympäröivä hiljaisuus saa minut herkemmäksi nille, ja aina kun olen työtön, tästä tulee mun lomautuksen yksinomainen harrastus. Kunnes tuhannen hyödyttömän yrityksen jälkeen alan vakuuttua että on turha vaiva koittaa vapauttaa itseni; ja että riittävää viisautta on että salaan kaikilta muilta paitsi sulta miten sekaisin ja heikko olen.
ellauri012.html on line 341: Luin sulta saamani kirjeen kärsimättömästi: kaikista onnettomuuksistani huolimatta toivoin, ettei siinä olisi muuta kuin lohdutuksen sanoja. Mutta kyllä rakastavaiset sitten on ovelia kiduttamaan itseään. Huomaat mun erityisherkkyyden ja mun rakkauden voiman siitä mikä mua heti suretti. Mua häiritsi jo sun kirjeen otsikko: Miks sä laitoit Heloisen nimen Abelardin edelle? Mitä tää tämmönen oikein tarkoittaa? Mä etsin vaan sun nimeä, en omaani, jonka mieluiten vaikka unohtaisin jos voisin, sillä se oli kaiken sun onnettomuuden alkusyy. Säädyllisyys ja sun johtoasema muhun nähden ois vaatinut toista järjestystä, ja jos rakastat mua et ois maininnut mua yhtään; hitsi sä tiesit tän ihan hyvin!
ellauri012.html on line 355: Abelard hyvä, sääli mua! Onko kukaan koskaan ollut näin onneton? Mitä korkeemmalle sä korotit mut muiden naisten yli, jotka kadehti multa sun rakkautta, sitä suuremmin mä kärsin nyt mun menetyksestä. Mut korotettin onnen huipulle vaan että putoisin sitä rajummin. Mun mielihyvät oli vailla vertaa, ja nyt mikään ei vedä vertoja mun kurjuudelle. Kerran mun iloa kadehti mun kilpailijat, mun nykyinen kurjuus säälittää kaikkia ketkä näkee mut. Mun onnenpyörä on aina käynyt ääripäissä, se on kasannut mulle suurimmat lahjat ja sitten suurimmat kärsimykset; ovelana kiduttajana se on tehnyt koettujen ilojen muistosta loppumattoman kyynellähteen, kerran ne oli tosi hieno lahja, nyt pois otettuina sanomaton suru. Siinä sen ilkeys on onnistunut totaalisesti, ja mun nykyiset tuskat on suhteessa yhtä katkerat kuin kokemani hekkuma oli suloinen.
ellauri012.html on line 422: Haluisitko et mä tukehdutan mun pyhän hengen tulen? Pitäiskö mun sua rauhottaaksesi kuivata noi kyyneleet mitkä paha henki panee sut tiristämään - onks tää mun mietintöjen palkinto? Ei, ollaan kovempia meidän päätöksissä; me ei menty luostariin muuten kuin vaan valittamaan syntejä ja päästäksemme lopuksi taivaaseen; annetaan siis olla ja heittäydytään jumalan laskuvarjon varaan.
ellauri012.html on line 426: Yritä siis edes katkoa noi häpeän kettingit jotka pitää sut kiinni lihassa, ja jos insh´allah sulle käy niin hyvin että pystyt siihen, pyydän sua muistamaan mua rukouksissa. Koita kaikin voimin olla taivaan mallikansalainen; se on vaikeaa, sen myönnän, muttei mahdotonta, ja mä uskon sun voittoon koska sä oot niin oppivainen. Jos ekat yritykset lässähtää, elä hellitä, se olisi pelkuruutta; sitä paitsi muista että sun pitää tosissaan pinnistää, sillä sulla on vastassa tosi paha vihollinen, koitat sammuttaa metsäpaloa, kesyttää sun rakkaimmat tunteet. Sun pitää taistella sun omia haluja vastaan, ettei sun mätä luonne paina sua alaspäin. Sulla on ovela vastustaja, joka käyttää kaikki keinot sun viettelyyn; ole aina valppaana. Niin kauan kuin me eletään, meitä kiusataan; siks yks Jansson niminen iso pyhimys kai sanoikin: ihmisen elämä on yhtä kiusausta: piru, joka hain lailla ei nuku koskaan, vaan ui koko ajan meidän keskessä yllättääkseen meidät joltain suunnalta, päästäkseen meidän sisään ja tuhotakseen meidät sisältäkäsin. (Siis vähän niinkuin mä tein sulle.)
ellauri012.html on line 503: For tårer og klager og anden art af sønderknuselse, som vi andre sætter så højt, har de danske i den grad afsky, at man hverken har lov til at græde over sine synder, eller over sine kære afdøde. (Adam af Bremen: De Hamborgske ærkebispers krønike)

ellauri012.html on line 504: Ploven og de to sværd. En bog av Ebbe Reich som jeg fandt på hylden til forkastede bøger. Jeg er ploven. Ikke lige skarp, og mindre farlig.
ellauri012.html on line 520: Sillä enkelillä oli joku nuorehko mies. Niillä oli jotkut bileet alkamassa, ovesta lappoi sisään naamioituneita ihmisiä. Oltais päästy muuten vähin äänin tiehemme mut mun sandaalit oli hukkuneet. Olin ottanut ne jalasta sisään tullessa. Etsin niitä joka paikasta, ei löytyneet, eikä ulos kärsi lähteä talvikeliin sukkajalassa. (No tokko ne ois sandaalitkaan olleet paljon paremmat.)
ellauri012.html on line 555: Lapsia voi huijata vaan jos sen tekee tosi taitavasti, ne on ovelia pikku penteleitä, kuten porsaat. Niillä on pieni pehmeä, märkä, ja kuuma pää, siihen jää hitsin helposti muistijälki, väärä yhtä helposti kuin oikea.
ellauri012.html on line 579: Tytöt on luonnostaan kieroja, epäsuoria, etenee ovelasti kuin bordercolliet, huijaa boksereita.
ellauri012.html on line 698: Ei osannut, joutui opettamaan, ajautui professorixi. Tykkäs ymmärtämisestä, muttei useampien kuin yhden opettamisesta kerrallaan. Kärsi Mauno Koiviston aikana, kantoi ovea, ristiinnaulittiin, kuoli ja haudattiin Kouvolan kieli-instituuttiin 15 vuodexi. Me töihis, me Kouvolaan. Ei jättänyt lomia pitämättä.
ellauri014.html on line 26: Täs on mun kaunokirjallisuusopintoja, nousten puuhun perse edellä: luen jotain ja sitten otan selvää kirjailijasta ja ajankohdasta. Tai kääntäen, eli tullen alas puusta kovempi pää edellä.
ellauri014.html on line 36: Lainasin Pamela piukkapepun kirjastosta. Sen esipuhe oli paksulti alleviivattu ja merkitty huutomerkein. Joku on kai lukenut tän tenttiin - vittuako typeryxet alleviivaa kirjaston kirjoja? ei siitä ole mitään apua! Wäinö mainitsee siinä kiittävään sävyyn Paul Bourgetin. Ai kenet, kysyt ehkä, niin minäkin. Katsoin Wikipediasta. Wannabe-julkkistyrkky viisinkertainen melkein-nobelisti, agnostikko, joka palasi katoliseen uskoon romaanissa Le Disciple. Se oli Gladstonen mielikirjoja. Russell pelkäsi Gladstonea pikkupoikana. Ei varmaan ollut Russellin mieleinen kirja. Bourget oli ollut sielun hienoudessa edellä ihailijattariansa, Wäiskin mielestä. Samaa ei voinut sanoa Richardsonista, joka ainakin Fieldingin leirissä kuvattiin pieneksi, punakaksi, turhamaiseksi, arkipuheiseksi pikku mieheksi. Tuntuuko jo pientä narsistisen setämiehen hajua? - Asiasta 3:nteen, kuppainen Kasimir Leino kirjoitti kalikkarunon Gladstonen kunniaxi, verraten sen Irlannin kohtelua suomen sortoaikaan.Sellainen HINOA JOHN -vittuilu Paulille tussilla Johnin oveen. No Pohjois-Irlannin Karjalaa ei sentään antanut Gladstone takaisin. Sattui silmiin, kun koitin löytää tietoa Kasimirin kupasta.
ellauri014.html on line 43: Lisäksi osoittausi suorasanainen esitys ehdottomasti soveliaammaxi uusille aiheille kuin näytelmä tai runous, joiden aihepiiri on luonnostaan jotensakin rajoitettu ylevään ja (huvinäytelmän) naurettavaan, kykenemättä tehoisasti laajentautumaan ihmiskunnan valtavan keski-enemmistön elämän esittämiseen, joskin sitä on meidän päivinämme yritelty. Tätä taasen kaipasi yhä voimistuva kansanvaltaisuuden henki.
ellauri014.html on line 89: Pamela; or, Virtue Rewarded is an epistolary novel by English writer Samuel Richardson, a novel which was first published in 1740. It tells the story of a 16-year-old maidservant named Pamela Andrews, whose employer, Mr. B, a wealthy landowner, makes unwanted and inappropriate advances towards her after the death of his mother. Pamela strives to reconcile her strong religious training with her desire for the approval of her employer in a series of letters and, later, journal entries, addressed to her impoverished parents. After various unsuccessful attempts at seduction, a series of sexual assaults, and an extended period of kidnapping, the rakish Mr. B eventually reforms and makes Pamela a sincere proposal of marriage. In the novel's second part, Pamela marries Mr. B and tries to acclimatize to her new position in upper-class society. The full title, Pamela; or, Virtue Rewarded, makes plain Richardson's moral purpose. A best-seller of its time, Pamela was widely read but was also criticized for its perceived licentiousness and disregard for class barriers.
ellauri014.html on line 131: Uskallettu käänne! Herra B piileskelee naisten komerossa, Pamela riisuutuu alushameisilleen ja mene sulkemaan komeron ovea hatarassa puvussaan - mutta voi kauheata! Ulos hyökkäsi isäntäni kallisarvoisessa silkkisessä hopealla kirjaillussa nutussa jorma ojossa! (No ei sitä ihan noin suoraan sanottu, mutta sapienti sat.)
ellauri014.html on line 156: Henry Fielding riimusti Pamelasta pastissin nimeltä Joseph Andrews, jossa roolit oli vaihtuneet. Joseph oli pyhän kirjan Joosefin kaima ja kohtalotoveri. Sitä ahdisti kiimainen Potifarin vaimo Lady B. Joseph ei kuitenkaan koskaan antanut arvon ladylle, vaan plokkas nuoren resuisen neitokaisen nimeltä Fanny.
ellauri014.html on line 174: Sillä oli 6v vanhempi isoveli joka sittemmin katosi jonnekin Saksaan. Iskä oli niiden kahden välissä Istanbulissa vierastyöläisenä. Ehti just siittää Jannen, äiti kuoli lapsivuodekuumeeseen.
ellauri014.html on line 219: By the way, aika samanlainen sepaluksen raottaja, nyt muistan, oli myös se toinen reikäjuusto, sveitsiläinen panomies, siis tää punanen ja musta, sotilas vai pappi, ei väliä, molemmilla käy naisten suhteen hyvä viuhka. Stendhal eli Marie-Henri Beyle Grenoblesta. Se käytti itestään aina salanimiä. Don Phlegm. Poverino. William Crocodile. Ei tainnut tykätä nimestään. Tai itestään. Olikohan sen vanhemmat odottanu tyttöä, Marja-Siskoa. Orpo enon kasvattama sekin. Niinkuin Konradkin. Kuppanen. Se tykkäs oppilaiden mammoista. Rusoolle kelpas molemmat, äidit sekä tyttäret.
ellauri014.html on line 438: Seuraavassa numerossa Pröö juoppolalli on umpikännissä mökeltänyt Juulialle jotain rivoja, Julle siitä polttaa hihat pahan kerran. Pitää moraalisaarnan vaikka sillä on jo oma lehmä ojassa, tappi poissa kirkkoveneestä.
ellauri014.html on line 448: Julle pelastaa kotiopen pepun pyytämällä proto-Byronilta sille armoa, minkä tämä mielellään Juulialle antaakin, oliskohan soveliaat vastalahjat mielessä. Sapeliveikot taputtelee toisiansa selkään ja jatkaa ryyppyjuhlia. Julkku vihjaa Pröölle ohimennen et siitä saattaa tulla iskä. Hole in one.
ellauri014.html on line 450: Mut ei siinä kaikki! Tyhmä loordi menee omin päin ehdottamaan isäpapalle, et se (loordi) maksaa viulut, jos pappa suostuu Julian ja Pröön avioon. No siitähän ei tule mitään, pappa hurjistuu. Se ei siedä rotinkaisia. Pappa ja loordi kiistelee siitä kummalla on enemmän natsoja ja paremmat vaakunat. Claire kertoo tämän Julialle kuultuaan sen oven takaa.
ellauri014.html on line 521: Alaviitteessä R. väittää että Platon on rakastavaisten filosofi, muut ei voi sitä sietää. Hmh. Miten niin sehän oli homo? Aika sietämätön selittäjä Plato on, ja huumoriton myös. Ei se sietänyt runouttakaan. Mut niin on Rusakkokin, naurattaa enintään tahatta, kuten lajitoverinsa Kani. Ehkä rakkaus on vähän niinkuin uskonto, liian vakava asia naurettavaksi, niille jotka on jo uskossa. Idealisti ei voi sietää realistia, eikä toisinpäin.
ellauri014.html on line 627:

Paksuinta on et just niin kuin ei pitänyt JJ toimi ize, siitti 4-5 au-lasta leipäsuden kaa ja dumppas ne samantien nunnille tai kunnalle, niitä ei jälkeenpäin ees voitu löytää. Hyvä puhumaan, paha pappi mulkero. Tästä heimoveli Voltaire sille vittuili. Mut sehän oli ihan eri asia, tässä on nyt puhe hyveellisten naisten moraalista, ei musta, tää on filosofiaa. Setämiespisteet kilahti tappiin, pajatso tyhjeni. Törkee 2-naamainen Casanova kehtaa vielä sanoa:
ellauri014.html on line 757: Ted palaa meriltä toivottavasti miehistyneenä tai ainakin ahavoituneena. Rusakko joka ei kai ize ole käynyt Englantia pitemmällä, kertoo kauheita silminnäkijän kertomuxia maan ääristä, kuvaa kolonialismin hirmutöitä, mut päästää joukkoon izekin rasistista textiä. Eritoten sättii kiinalaisia. Varmaan ovelasti petkuttaneet Rusoota porsliinikaupassa, myöneet kenties potan ming-vaasina. Orjakauppiaat on pahoja, britit hyviä. Höh, samaa porukkaa, olihan briteilläkin kaikkialla orjia, ja jenkeillä. Sit vasta lopettivat kun eivät enää tarvinneet, teollisuustyöläiset tuli halvemmaxi. Britti ei pelkää muuta kuin nälkää ja ikävystymistä. Semmoinen oli varmaan Rusoo izekin, ainakin se luuli niin, oli aina aatelisten ruokapöydässä ensimmäisenä. Vaikka pelkäsi se myös Mamania.
ellauri014.html on line 915: Vieraita ei paljon näy, eikä ihme; ne on tervetulleita muttei toivottuja. Hahaa, siis jälkimmäisiä. Kuka tonne suin surminkaan haluis mennäkään, missä velvollisuudet on ainoana ilona: työvelvollisuus, aviovelvollisuus. Huoomioo! lähetyssaarnaja-asentoo! lähetyssaarnaajalepoo! Tupiin pstuh!
ellauri014.html on line 936: Koirankasvatuksen taktiikka, selvä keppi ja selvä porkkana. Hurjistunut äiti vastaan äiti aurinkoinen, revi siitä. Kuten koiran kanssa, on lapseen sovellettava selektiivistä kylmyyttä. Parempi aina käyttää arvovaltaa kuin selityxiä, niin sit ei tarvi nolosti valehdella silloinkaan kuin selitys on huono. Sama meisinki kuin armeijassa: tämä on käsky, pussiin pulinat.
ellauri014.html on line 972: Wollen poissa ollessa Julle käyttää uskoa myös ehkäisynä, siveysvyönä estämässä Pröötä työntymästä liian perälle. Täynnä/fullsatt, sanoo taivaan valo oven päällä, pyhä tamponi on jo ylösottanut kaikkein pyhimmän.
ellauri014.html on line 1015: Julle kauppaa Pröötä Clairelle kuin mustalainen autoa. Vähän käytetty, ei paljon ajettu, ollut vaan yhellä omistajalla, huoltokirjat tallella, hyvät kumit, annan talvirenkaat kaupanpäälliseksi. Eihän se mikään mersu oo, tai range rooveri, mut ihan pätevä kauppakassi kuiteskin, ei ruostetta ja siisti sisältä. Äskettäin kazastettu, läpitte meni heittämällä. Tutunkauppaa lähes ilmatteeksi, jokos tehdään luovari? Julie voi toimia puheloisena jos Clairea nolottaa. Tähän parituxeen päättyy tuotantokausi viisi. Lukuunottamatta täysin turhanpäiväistä Henrietten muka-liikuttavaa lässytystä, jossa mainitaan se mystiseksi jäävä mali. Puuh ja lääh.
ellauri014.html on line 1107: It´s very funny --- every time I talk to people, it´s like, "Oh, yeah, definitely quality of life over quantity of life." But when push comes to shove, it´s really quantity of life. "I might be a little more confused, but I´ll take that extra year!"
ellauri014.html on line 1127: Jotain mainintaa on Abelardin harhaoppisesta rukouskäsityxestä. Ei sanota mikä siinä oli vikana. Oisko se ollu se huomio et ei sitä sopotusta kukaan kuuntele, paizi sä ize ja ehkä äiti oven raosta, mut se on kivaa ja tekee hyvää sulle izelles. Joo se kai se on. Stultilogiaa. Pröö on sitä mieltä et Julkun ja muiden pietismiin yms mystiikkaan taipuvaisten virhe on rukoilla ihan liikaa. Siitä vaan suu kuivii ja tulee polvet kipeiksi. Ei sovi odottaa nopeaa pöytiin palvelua eikä tilata menun ohitse jotain ihmettä. Ihmeiden aika on ohi, tekniikan ajan valistuneen jumalan on noudatettava luonnon lakeja ja asetuksia.
ellauri014.html on line 1137: Kirjeet sinkoilevat nahistelun merkeissä. Oravat puhuvat nyt ristiin, Rusakko kommentoi itseään alaviitteessä. Ted ei haluu vaihtaa kakkosruutuun, ettei paalupaikka mene kakkosreijältä. Mieluiten se pitää molempia misukoita varalla. Voihan Wolle liukastua banaaninkuoreen milloin tahansa. Se hyvä puoli oli ennen, kuin ei ollut antibiootteja. Ei pillereitä, kapseleita eikä tabletteja. Vain ruiskeita joita iso Pauli tarjos Lealle. Takaisin luontoon sanon minä. Julle hoveineen lähtee järvenrantaretkelle chillailemaan Chilloniin, jossa kalsa kylpy chillaa Jullen kalmaxi.
ellauri014.html on line 1172: Wolle koittaa toppuutella Julkun puheripulia. Julkku vastaa: älä nyt, tää on mun vika tilaisuus esiintyä kotiyleisölle. Usko tai älä (joo mä tiedän, et usko, sähän olit pakana), mä oon harjotellu tätä sikana. Työhuoneessa oven takana oon usein tehyt mielikuvaharjotuxia ja harjotellut äänenavausta. Viimeset sanat tulee multa vanhalla rutiinilla, helppoa kuin heinänteko. Eikä niitä olekaan ihan vähän. Aameniin on vielä hyvän matkaa.
ellauri014.html on line 1174: Julle vaikuttaa helpottuneelta, melkein iloiselta, mikä luonnollisesti Wolmaria vähän häirizee. Olix mun kanssa noin kamalaa? (Oli.) Wolle heittää porukat ulos päästäxeen vaimon kimppuun kahestaan. Julle heti oven sulkeuduttua: hyvä, mul olikin sulle asiaa. Niin mullakin, sanoo Wolle, abus ensin, turpa rullalle nyt edes hetkexi, et mä saan sanotuxi sen. Olinx mä tosiaan niin sietämätön et sä vaan ilostelet tyyliin good riddance of bad rubbish kun pääset pois?
ellauri014.html on line 1217: Js kyllähän me taas tavataan, Wolmarikaan ei pääse karkuun, me lähetellään sille alakertaan kirjeitä. Pastori on ihmeissään näin iloisesta kuolijasta. Se jää jännäämään, jatkuuko hyvä mieli viimeiseen ysköxeen. Makkarin oven takana lyödään jo vetoa. Tyynen rauhallisena Julle jauhaa teologisia pähkinöitä kuolinvuoteella. Kylläpä tämä kestää, kauemmin kuin keskiverto-oopperassa. Mut täähän onkin saippua-sellainen. Yhdestä exituxesta saa monta episodia, kun osaa venyttää.
ellauri014.html on line 1376: Angel in the house (alluding to Coventry Patmore´s poem of that name). Enkeli talossa, virtahepo sohvalla.
ellauri014.html on line 1391: Love is like candy on a shelf

ellauri014.html on line 1399: And if you want to prove it´s true

ellauri014.html on line 1404: Just help yourself to the love,

ellauri014.html on line 1413: My heart has love enough for two

ellauri014.html on line 1415: I´m rich with love, a millionaire

ellauri014.html on line 1420: Just help yourself to the love,

ellauri014.html on line 1428: Just help yourself to the love
ellauri014.html on line 1508: Chi diede il nome a questa scuola fu GIAMBATTISTI MARINI , napoletano (1569-1625), che fu detto divino, che con la sua fama offuscò tutti i suoi contemporanei e fu l´ idolo di mezza Europa. La sua vita fu agitatissima, piena di trionfi e di dolori. Scacciato dal padre, trova protezione nel principe di Conca; per il ratto d´una fanciulla patisce il carcere; liberato, vi ritorna per aver falsificato alcune carte a favore di un amico; riuscito a fuggire si reca a Roma dove diviene gentiluomo del cardinale Aldobrandini; visita Ravenna; si reca a Torino nel 1608, è nominato da Carlo Emanuele I segretario di corte e cavaliere dei SS. Maurizio e Lazzaro; assalito da GASPARE MURTOLA, ingaggia con lui una fierissima polemica che produce la Murtoleide e la Marineide e finisce con un colpo di pistola; accusato dal duca come autore di una satira contro di lui intitolata la Cuccagna, viene imprigionato; principi, re e regine...
ellauri014.html on line 1522: Two Russian Silver Age poets, Nikolai Gumilyov and Maximilian Voloshin, fought a duel over another poet, Lilya Dmitriyeva. She had rejected Gumilyov and he made some insulting remarks about her. Voloshin stepped in to defend the lady’s honor.
ellauri014.html on line 1531: Tutta l´arte del Marini consiste nella forma, nella pura espressione; la sua poesia è scarsa di pensiero e di sentimento e quel poco che vi si trova è - come osserva il De Sanctis - privo di serietà. Quel ripetere, quel girare e rigirare la medesima idea presentandocela sotto aspetti diversi è una prova della povertà di pensiero cui il poeta supplisce con un calore veramente straordinario d´ immaginazione. Ancor più palese è il difetto del sentimento: egli non sente quel che canta; non ha fede in quel mondo da cui prende i fantasmi dell´arte sua. Vuol esser poeta religioso, patriottico, morale e riesce falso e freddo perchè in lui non vi è il sentimento della religione, della patria e della morale. Solo nel genere erotico eccelle il Marini, ma non sarebbe esatto dire ch´egli abbia il vero sentimento dell´amore. Il suo piuttosto è senso erotico. Non è la donna che suscita i suoi sospiri, ma la femmina; non è Beatrice, non è Laura, che suscitano nell´anima del poeta il fuoco soave di una passione divina, ma è la procace Lilla che con la sua carne odorosa eccita il senso del Marini e gl´ ispira i versi degli Amori notturni e dei Trastulli estivi, ove il naturalismo più crudo è espresso in una forma spirante l´estrema voluttà dei sensi. Le liriche erotiche del nostro autore sono tutto un poema in cui si fa l´apoteosi del piacere sensuale. Il Marini non analizza i suoi sentimenti e non mostra i vari atteggiamenti del suo spirito sotto l´azione d´amore, ma s´indugia nel rappresentarci la bellezza plastica delle sue amanti. I suoi madrigali e i suoi sonetti sono tanti brevissimi inni al pallore, al neo, alle chiome erranti, alla treccia ricamata di perle, ai pendenti, allo specchio, all´ago, alla bocca, al seno, al velo, al guanto, al ventaglio della sua donna; sono tanti quadretti in cui l´amante è sorpresa durante il bagno, dinanzi allo specchio, mentre si pettina, in carrozza, al giunco dei dadi; le sue canzoni sono superbe sinfonie dedicate al bacio e all´amplesso in cui culmina, per un istante, la passione carnale del poeta. La carne e il senso regnano sovrani nell´Adone e fremono di voluttà sotto il velo tenue e mal messo dell´allegoria e sotto l´ipocrisia del fine morale.
ellauri014.html on line 1543: La poesia del Marini è tutta una melodia che, sovente, ha il potere di farci dimenticare i concettini, le immagini, i giochetti di parole e le antitesi così cari a lui. Nei suoi seguaci invece questi artifizi hanno il sopravvento sulla musicalità del verso e superano per audacia e goffaggine quelli del maestro.
ellauri014.html on line 1578: Sen pahempaa, että Marinosta tuli iso julkkis, ja se sai paljon jäljittelijöitä, siitä tuli maneeri. Milton jo mainittiin. Borgheskin kirjoitti siitä jonkun novellin.
ellauri014.html on line 1584: But some witnesses, who include both Marino´s detractors (such as Tommaso Stigliani) and defenders (such as the printer and biographer Antonio Bulifoni in a life of the poet which appeared in 1699) have firmly asserted that Marino, much of whose love poetry is heavily ambiguous, had homosexual tendencies. Elsewhere, the reticence of the sources on this subject is obviously due to the persecutions to which "sodomitical practices" were particularly subject during the Counterreformation.
ellauri014.html on line 1595: In 1615 he left Turin and moved to Paris, where he remained until 1623, honoured by the court and admired by French literary circles. He returned to Italy in triumph and died in Naples in 1625.[5]
ellauri014.html on line 1675: A female blogger, another wannabe famous poetess or novelist, writes about LM Montgomery as follows:
ellauri014.html on line 1722: So, yeah (the blogger goes on), I know I am not an internationally renowned poetry critic, but it strikes me that this is an entirely different poem. There is a blossom in both poems, and a journey. But there isn’t much else that connects them. I don’t think I am being overly literal when I suggest that either Montgomery has misattributed the original poem, or that her version is a pretty radical interpretation.
ellauri014.html on line 1737: To move my own, for I, too, dream Muakin uneksujaa liikuttaa,
ellauri014.html on line 1772: It seems to me that Montgomery selects out the best bit of the poem, but again you see my bias. I am that “blossom,” I hope–but if all four verses are included it becomes rather silly to press the metaphor. Still, I think Montgomery was on the right track with her idea of “The Alpine Path.” It is a peculiar provenance that brings us this poem, but it has been an interesting journey. Once I found the names of Ella Rodman Church and August De Bubna I found that others have followed my path of curiosity. The Confederation Centre of the Arts in Charlottetown has some of L.M. Montgomery’s scrapbooks, including her copy of the poem. But the search has been interesting, nonetheless.
ellauri014.html on line 1797:

To him who in the love of Nature holds

ellauri014.html on line 1836: The venerable woods—rivers that move

ellauri014.html on line 1870: The innumerable caravan, which moves

ellauri014.html on line 1973:   "Thanatopsis" remains a milestone in American literary history. "Poems" was considered by many to be the first major book of American poetry. Nevertheless, over five years, it earned Bryant only $14.92. Poet and literary critic Thomas Holley Chivers, who often accused other writers of stealing poems, said that the only thing Bryant "ever wrote that may be called Poetry is ´Thanatopsis´,  which he stole line for line from the Spanish."

ellauri015.html on line 495: Toverit ovat kanssasi ja 


ellauri015.html on line 769:   Roolit on Ramilla ja Piukulla kyllä toisinpäin kuin itämökkinaapureilla Pialla ja Wokulla: Woku on asiallinen insinööri, Pia tunnejohtaja. Johtaja on Piukkukin, mutta tunteilu jää Ramin kontolle. Piukku opettaa pian Ramille sen höpötyksiin soveltuvan sanan höpön höpön. Höpötys on Wokunkin suosikkisanoja. Suomalaiset ulosaukeavat ikkunat on höpötysikkunoita. Sen remontoimassa majassa ikkunat aukeavat saksalaisesti sisäänpäin, mikä tekee hyttysverkon kiinnityxestä yhtä helvettiä. Mutta se on tuttu paikka Wokulle, ei se säikähä. Rami yrittää sanoa ettei höpöhöpöä voi kääntää saxaxi. Miten niin, sehän on just sama kuin Quatsch.

ellauri015.html on line 779:   Wokun iso auto alkaa olla vanha, eikä enää tykkää moottoritiestä enempää kuin äiti meetwuastista, se pitää mekkalaa ja kuumenee. Mutta Range Rover on aina hieno, vaikka antiikkinen, ja vanhalla Lahden tiellä sillä pääsee ylinopeutta. Hitaammassa vauhdissa ehtii moikata muita rangekuskeja. Ei käsi kipeydy. 

ellauri015.html on line 811:     Vatsani tekee tenän. Puoliksi pureskeltuja makkaranpaloja purskahtaa pöytäliinan unikkokuosille. Mummi painaa sekuntikelloa ja röhähtää tyytymättömästi. Hän palaa jääkaapilta valkoinen posliinikulho kädessä. Kulhossa on pahanhajuista tummanruskeaa puuroa. Ihan kuin hän olisi käynyt tyhjentämässä ulkovessan ja pannut sitten hiukan maitoa ja sokeria päälle. Se on mämmiä. Se on syntynyt satoja vuosia sitten Suomessa eikä ole koskaan levinnyt maan rajojen ulkopuolelle. Erityisen iso annos. Olen aikeissa nousta, protestoida, mutta tunnen kuinka Raimon vahva käsi laskeutuu uudelleen olalleni.

ellauri015.html on line 833: Nää jätkät ei ymmärrä filosofiasta enempää kuin lehmä lehmihaan veräjästä, ei se avaudu vaikka kuinka nytkyttää. Ohimennen sohastaan sentään nimettömästi pian eläköityvää Eskiä.  Hyödyttömällä sveiziläisellä pikkutohtorin jatkotutkinnolla pärjäilevä izetyöllistyvä pienyrittäjä ja sen ylioppilaaxi jäänyt mainosmies, arvoton kuin vanha Snelmanni, on nähtävästi kateita, et Eski kerää soveltavalla filosofialla päivässä enemmän massia kuin nää kuikat on edes nähneet kerralla.

ellauri015.html on line 1164: Lea Lyytikäinen oli suomalainen kirjailija joka kirjoitti lähinnä lukemistolehtiin. Hän käytti kirjailijanimeä Lea Leksi ja myös nimimerkkiä Anita Nora. Lyytikäinen kirjoitti jännistysnovelleja suomalaisiin lukemistolehtiin jo 1930-luvulla ja hänen kirjallinen uransa jatkui aina 1950-luvulle saakka. Hän kirjoitti myös paljon romanttisia tarinoita. 

ellauri015.html on line 1176: Lauri Levola (s. 1981 Pori) on turkulainen kirjailija ja toimittaja. Hän on kirjailija Kari Levolan poika. Kari Levola (s. 1957 Pori) voitti pari nuorisopalkintoa ja on sittemmin ollut mm Kirjailijaliiton puheenjohtaja ja Turun ja Porin läänin kirjallisuuden läänintaiteilija. Mutta riittäköön tämä Karista, sehän on asian vierestä. Lauri Levola aloitti säännöllisen kirjoittamisen jo ala-asteella voitettuaan kuudennen luokan runokilpailun. Nuori runotyttö. Yläasteella panopiste siirtyi novelleihin. Lukioikäisenä hän kävi kaksi kesää Kokemäen kirjoittajalukiota, jossa hänen isänsä oli rehtorina. Ei vähän nepotismia. Levola opiskelee viestintää, ja on tukenut myös sanataidetta Turun avoimessa yliopistossa ja draamakäsikirjoitusta Taideakatemiassa.

ellauri015.html on line 1178: Työkseen Levola on lopettanut kirjoittamista ja toiminut freelancetoimittajana Lukufiilis- ja Satakunnan työ -lehtiin. Hän kuuluu turkulaisen runokustantamo Savukeitaan hallitukseen. Ennen ensimmäistä omaa novellikokoelmaansa hänen kirjoituksiaan on julkaistu Nuoressa Voimassa sekä antologioissa Reviiri 98, Ryhmä 99 ja Arpi. Levola työskenteli toimittajana Turun Sanomien Treffi-liitteessä syksyyn 2009 asti. Levola harrastaa kirjallisuuden lisäksi kuvataiteita ja pinnoitteita.

ellauri016.html on line 154: Uudemmat kääntäjät ovat samaa maata kuin Mika Waltari, joka huusi vielä mennessään, kun vaimo ja lastenhoitaja on sen perin pohjin nolanneet,  naiset kun ymmärsi vauvajutut  paremmin. "Mutta naisia te kaikki joka tapauxessa olette", mielestään verisen ivallisesti sinkautti ovenraosta. 

ellauri016.html on line 254: In 2019, Luxembourg and Qatar would be the richest economy in nominal and PPP (purchasing power parity), respectively. South Sudan and Burundi would be the poorest economy in nominal and PPP, respectively. In exchange rates methods, per capita wealth of the richest economy Luxembourg would be 9.87x of world average, while poorest economy South Sudan would be over 40 times poorer than world average. In PPP, 1st ranked Qatar would be 7.08 times richer and lowest ranked Central African Republic would be over 25 times poorer compared to global GDP per capita.

ellauri016.html on line 256: In nominal data, only Luxembourg would have gdp per capita of above one lakh (100K) US dollar. There would be 14 economies which would have per capita income above $50,000. 63 economies would have per capita income greater than world's average. Ten economies would be above five times richer than world. 29 poorest would be poorer by over ten times.

ellauri016.html on line 258: In ppp data, Qatar, Macao SAR, Luxembourg and Singapore would have gdp per capita of above one lakh International dollar. Singapore is the latest entrant in this list. There would be 24 economies which have per capita income above Int. $50,000. 77 economies would have per capita income greater than world's average. Four economies would be above five times richer than the world. The 12 poorest would be poorer by more than ten times.

ellauri016.html on line 360: Videolla Jonas saapuu ovesta huoneeseen, kulkee kameraa kohti vakavana ja pysähtyy hetkeksi, kunnes poistuu kuvasta kättään heilauttaen.

ellauri016.html on line 411: Bulgaariassa on arvat kunniassa ja arvot kohdallaan, kun uhkapelifirmat ei ole verovelvollisia. Mitä tämän jälkeen oikeasti maassa tapahtuukin, sitä on mielenkiintoista seurata täältä Suomesta käsin. Vähän kuin tosi-teeveetä. Koko Suomi voi hullaantua vielä tästä. 

ellauri016.html on line 427: Sandemose skrev om arbejderklassen i byen Jante og om en kreds af mennesker med samme sociale position. Senere har janteloven fået ændret betydning: til dem der vil bryde ud af deres sociale lag og nå en højere position i samfundet generelt.

ellauri016.html on line 431:   
Jantelovens 10 bud

ellauri016.html on line 433: Jantelovens 10 bud lyder som følger:

ellauri016.html on line 494: Snob also refers to a person who feels superiority over those from lower social classes, education levels, or other social areas.

ellauri016.html on line 774:     Drake's reluctance to perform live or be interviewed contributed to his lack of commercial success. He suffered from depression and insomnia, topics often reflected in his lyrics. After completing Pink Moon in 1972, he withdrew from live performance and recording, retreating to his parents' home in rural Warwickshire. On 25 November 1974, at the age of 26, Drake died from an overdose of amitriptyline, a prescribed antidepressant.

ellauri016.html on line 780:   In 1999, "Pink Moon" was used in a Volkswagen commercial, boosting Drake's US album sales from about 6,000 copies in 1999 to 74,000 in 2000. The LA Times saw it as an example of how, following the consolidation of US radio stations, previously unknown music was finding audiences through advertising. Fans used the filesharing software Napster to circulate digital copies of Drake's music; according to the Atlantic, "The chronic shyness and mental illness that made it hard for Drake to compete with 1970s showmen like Elton John and David Bowie didn't matter when his songs were being pulled one by one out of the ether and played late at night in a dorm room." In November 2014, Gabrielle Drake published a biography of her brother. Over the following years, Drake's songs appeared in soundtracks of "quirky, youthful" films such as The Royal Tenenbaums, Serendipity and Garden State. Made to Love Magic, an album of outtakes and remixes released by Island Records in 2004, far exceeded Drake's lifetime sales. In 2017, Kele Okereke cited Pink Moon as an influence on his third solo album Fatherland. Other contemporary artists influenced by Drake include José González, Bon Iver, Iron & Wine, Alexi Murdoch and Philip Selway of Radiohead.

ellauri016.html on line 782: Drake recorded his debut album Five Leaves Left later in 1968, with Boyd as producer. He had to skip lectures to travel by train to the sessions in Sound Techniques studio, London. Inspired by John Simon's production of Leonard Cohen's 1967 album Songs of Leonard Cohen, Boyd was keen to record Drake's voice in a similar close and intimate style, "with no shiny pop reverb". He sought to include a string arrangement similar to Simon's, "without overwhelming or sounding cheesy".  

ellauri016.html on line 955: 	Tule ovesta, älä nurkista,

ellauri016.html on line 988: What makes a government translator tick?  

ellauri016.html on line 1034: Sepot eivät lähde työpaikalta pois ollenkaan. Tarraa ovenkarmeihin. 

ellauri016.html on line 1060:   Tarun mitalissa luki Labor omnia vincit. Oikeesti se kuuluis olla labor improbus omnia vincit. Kaiken voittaa oikeen törkee äherrys. Tai sit rikollinen sellainen. Tarulta ei jää mikään kesken. Se on himo hiihtäjä ja kirkkoveneilijä. 7v sitten se pysähty lenkillä tienristiin ja sano turvamiehelle: mä väittelen. Turvelo ei tohdi väittää vastaan, ihan sama mulle. Onhan sillä tv- ja nettifutis. Mut enää se ei anna vaimon pysähtyä lenkillä.   

ellauri016.html on line 1121: Tyttölauma heimoveljen eessä polvillaan

ellauri016.html on line 1195: päästäkseen Ikean kanta-asiakkaana ulos ovesta

ellauri017.html on line 61:   Puovo Lipponen liittäessään Suomi-neidon Euroopan Liittoon '95 toteutti suomalaisten haaveen, mikä siihen asti oli jäänyt sen nimikaiman varaan: suomalainen paksulainen seikkailee maailmalla, sotii maalla, merellä ja ilmassa kuin Battler Britton korkkareissa, panee päihin Euroopan herroille, keekoilee vielä köyhemmissä maissa siirtomaaporhona. Me ei ollakkaan enää pahnanpohjimmaisia, nyt on maailman merillä paljon vielä meitäkin syvemmällä soutavia kirkkoveneitä, ja niissä jopa meitä alempana olevia värivammaisia apinoita. (Siis meidän mielestä. Noi apinat ajattelee just samaa meistä, vähintäänkin yhtä hyvästä syystä.)

ellauri017.html on line 151:   ovelasti kuin Wokun Opa ruokapöydässä. 


ellauri017.html on line 462: In October 1922, Mansfield moved to Georges Gurdjieff's Institute for the Harmonious Development of Man in Fontainebleau, France, where she was put under the care of Olgivanna Lazovitch Hinzenburg (who later married Frank Lloyd Wright). As a guest rather than a pupil of Gurdjieff, Mansfield was not required to take part in the rigorous routine of the institute, but she spent much of her time there with her mentor, Alfred Richard Orage, and her last letters inform Murry of her attempts to apply some of Gurdjieff's teachings to her own life. Mansfield suffered a fatal pulmonary haemorrhage in January 1923, after running up a flight of stairs.

ellauri017.html on line 856: Pakinoizija Ollin ystävällä ja huonetoverilla Kalle Niemeläisellä oli tuttavana yksityisajattelija Manasse Olotilanne, jonka alaa olivat parodiset mietelauseet ja aforismit. Kalle Nieminen oli Callen kaveri, joka sai asbestikeuhkon Suomen Mineraalista ja kuoli syöpään. Sen vaimo oli Maire. Ne ja vanhemmat nauroi kovaa olohuoneessa ja meidän lasten piti olla hiljaa lastenhuoneessa. Kallen kuoltua Mairekin hävis kuvasta. Olikohan se sip ja söp. Tai ehkä kenkä oli toisessa isommassa jalassa, vertaa Sirkka-täti. Kun niiden koiras oli poissa, naarashiiret äänestivät jaloillaan, pakosalle kissan hännän alta. 

ellauri017.html on line 1113: ovela-eksyttaja">http://keskustelu.suomi24.fi/t/14132055/onko-petri-paavola-todella-ovela-eksyttaja

ellauri017.html on line 1160:   Jumalan oikea profeetta Elia voitti ja jäi itse henkiin sekä nousi taivaaseen näkemättä kuolemaa. Pöksyt vain jäi kivelle. Karmel-vuori oli paikka, jossa selvisi, kuka on oikea ja kuka väärä profeetta. Petri Puovolan ankara arvostelun linja on koventunut. Petri Puovola on kutsunut seurakuntien johtajat kamppailuun Karmel-vuorelle.

ellauri017.html on line 1170: Jos saa tähän väliin ehdottaa näin kentiesmiehenä, niin vähän tuntuu et täs sotketaan vanhan ja uuden sopimuksen pykäliä keskenään. Suomen lakikin on ilmatteeksi pilvessä kokonaisena, mut tieto siitä mikä pykälistä on lainvoimainen, on Editan ja jonkun toisen firman copyrightiä. Pyhän kirjan kans on nähtävästi päässyt käymään yhtä ohrasesti. Pykälät on samat kaikille, mut voimassaolosta ja soveltamisesta käydään tiukkaa kädenvääntöä.    

ellauri017.html on line 1288: Meillä naurettiin kun ei osannut jotakin.  TV:stä joka meille ostettiin 60-luvulla, tuli suosittu piirretty sarja Kiviset ja Soraset: Meet the Flintstones, japadapaduu.  Aina samana toistuvassa alkupätkässä Retu heittää kissaa pihalle, kissa säntää takas sisään ja ovi läimähtää kiinni Retun nenän edestä. Retu kiskoo ovea ja huutaa: WIILMAA! Open here! Paitsi ei se huuda niin. Se oli mun eka yritys puhua englantia, sanat sain Pantteriaskin läpästä: avaa tästä. 

ellauri018.html on line 240: neppiautoja, kun runoveljet taistelee.

ellauri018.html on line 281: Kun erakkoravut vaihtaa kuoria, ne haistaa kohtalotovereiden kuolemat: nyt on jossain haistettavasti huoneisto vapaana. Vai onko se maistamista kun haistaa vedessä? Haaskoo, teällä maestuu vaenajalta, tuumaa ilahtunut rapu, jota  liian pieni vanha kämppä ahistaa. Vaenajoo ei ennee ahista. 

ellauri018.html on line 283: Ne ravut kuolee paraikaa sukupuuttoon ahtautuessaan joukolla mereen heitettyihin miljooniin muovipulloihin. Näköala on hieno mutta ne ei löydä enää ovea.  Tää maailma ei elätä enää erakkorapuja eikä muitakaan erakkoja.

ellauri018.html on line 308: iso puolikenkä oven välissä.  


ellauri018.html on line 349: 
Hölmö heimoveli

ellauri018.html on line 456: Doucement don't overdo it

ellauri018.html on line 732: 940: The Greater Occultation of the 12th or Hidden Imam begins. No imam or representative presides over the Shiite faithful.

ellauri018.html on line 803:     Ota tästä selvää. Loppumatonta rähinää rätit päässä, wiixet muotoiltuna ja karvakädet nyrkit pystyssä. Naiset ululoivat taustalla. Lapset kazoo orpoina peukku suussa teltan ovesta. Jocos piscuiset paiscattaneen kiwiin? 

ellauri018.html on line 807: Koska Jumalan laki on ikuinen ja muuttumaton, mitään uutta lainsäädäntöä ei voi olla. Lain soveltaminen vaatii silti aina tulkintaa. Tulkinta oli sharian osalta tarpeen senkin takia, että hadith-perinne on itsessäänkin ristiriitaista ja sisältää keskenään yhteensopimattomia ohjeita. Kuulostaa tutulta, vai mitä jutkut ja kristityt? Lain tulkinta on tafsir, tafsausta. Uskonnollinen papisto eli ulama ulahtelee. Fatwa-neuvostot palvelevat neuvotonta netissä. Allah tietää parhaiten. 

ellauri018.html on line 894: Tuomarilla ei ole oikeutta armahtaa hudud-rikokseen syyllistynyttä henkilöä, kuten muissa rikoksissa. Rangaistukset ovat ruumiillisia ja vaihtelevat raipaniskuista amputaatioon ja kuolemantuomioon. Koska ne ovat ankaria, hudud-rikosten määrittely ja todistustaakka ovat myös tiukkoja. Tuomitseminen vaatii joko syyllisen tunnustuksen tai selkeän silminnäkijöiden todistuksen. Rangaistusta ei määrätä, jos syyllinen oli pakotettu tekemään rikoksen, esimerkiksi varastamaan ruokaa nälkäisenä. Hudud-rangaistuksia ei sovelleta lapsiin. 

ellauri018.html on line 961: Sharian yleisimmin nykyaikana sovellettu alue on perheoikeus, josta tiettyjä osia on otettu käyttöön myös esimerkiksi Britanniassa. Avioliitto solmitaan sopimuksella, jota edeltää avioliittotarjous (Ííájáb). Naisen on saatava suostumus liittoon holhoojaltaan, joka on hänen isänsä, veljensä tai muu läheisin miespuolinen muslimisukulainen.

ellauri018.html on line 981: Asia ei kuitenkaan ole yksiselitteinen, sillä islamiin kuuluu myös Koraanin ilmaisema hyvään kehottamisen ja pahan kieltämisen periaate. (Koraani 3:104). Se avaa ovet oman käden oikeudelle, sillä periaatteen mukaan jokainen muslimi on velvollinen puuttumaan asiaan, jos sharia-lakia rikotaan.

ellauri018.html on line 996: Naisen tulisi pestä koko vartalo aina yhdynnän, kuukautisten tai synnytyksen jälkeen. Muutoin riittää pieni alapesu. Yleensä kuukautiset ovat tabu, ja niiden alkaminen saattaa olla järkytys nuorelle tytölle. Nyt saavat sedät ja heimoveljet siitä vainun.

ellauri018.html on line 1140: Somalit bunkkaa kuin syrjäytyneet vaikkei ole sitä, nehän tulee vielä syrjempää, ihan pihalta. Ei laita oveen nimeä, eivät uskalla. Jospa siihen laittaisi vaikka Virtanen. Mutta Virtasilta ei tulisi suitsukkeen ja curryn hajua. Ovia pidetään takalukossa että ehtii vetää huivin päähän jos tulee tuntemattomia.

ellauri019.html on line 140:   Homotransu epäkarski marski Mannergeim, punakapinan valkokarvalakki valkokenraali ja lahtari, pyysi punaisella kuuman linjan puhelimella sinkoja hyppelehtivältä pikkuwiixi roimahousu koppalakki Hitleriltä kun hätä oli rintamalla suurin. Matsin jälkeen Calle Kustaa Eemeli teki heti erillisen rauhan ryssän kanssa Aatun selän takana. Siinä kiitos komealta aseveljeltä, selkään puukotus. Urhee Suomi soti omaa sotaansa. Onnex kärmistyneet sakut sentään poistu takaovesta, poltteli vaan nunnukoiden arvotonta Lappia.

ellauri019.html on line 189: hiljaa pannut oven kiinni 


ellauri019.html on line 308: Toisaalta vaikuttaa vahvasti siltä, että yksi Jobin kolmesta ”toverista”, jotka kävivät arvostelemassa häntä hänen sairautensa aikana, oli edomilainen, nimittäin temanilainen Elifas (Job 2:11; vrt. 1Mo 36:11, 34). Jeremian 49:7:ssä Temanin esitetään olevan edomilaisen viisauden keskus; ehkäpä edomilaiset olivat viisaan maineessa, koska he olivat säännöllisesti kosketuksissa ja yhteydessä itämailta tulleisiin matkalaisiin.

ellauri019.html on line 326: Edomilaisten itsensä kirjoittamia asiakirjoja ei ole löydetty. Muiden kansakuntien maallinen historia kuitenkin mainitsee heidät. Eräässä egyptiläisessä papyruksessa, jonka otaksutaan olevan peräisin toiselta vuosituhannelta eaa., kerrotaan edomilaisten beduiiniheimojen tulleen Niilin suistoon etsimään laidunmaata karjalleen. Faraot Merenptah ja Ramses III väittivät hallinneensa Edomia, samoin kuin Assyrian monarkki Adadnirari III. Jolloinkin tämän viimeksi mainitun kuninkaan jälkeen Tiglat-Pileser III (Ahasin aikalainen) kehuskelee saaneensa pakkoveroa ”Edomin Kaušmalakulta”, kun taas Sanheribin seuraaja Assarhaddon mainitsee ”Qaušgabrin” edomilaisten vasallikuninkaiden luettelossa (Ancient Near Eastern Texts, toim. J. Pritchard, 1974, s. 282, 291).

ellauri019.html on line 396: Eino Poutiainen. Suomalainen pienviljelijä Kiihtelysvaarasta. Isän maan mies jos kuka.  Syntyi samana vuonna kuin Suomen tasavalta. Lean ikätoveri.  Suoritti kanta-aliupseerikoulun jatkosodan aikana. Huonoissa väleissä unohtuneen kansan johtajaan Veikko Vennamoon. Jos oisi hengissä, oisko persu, hengaisiko linnan juhlissa.

ellauri019.html on line 419: No need to be complainin', my objections overruled 


ellauri019.html on line 498:   Paljon ne on saavuttaneet, paljon ottaneet myös turpiin. Tärkeiljöinä eivät tajunneet talmudin ja tooran kaupallista potentiaalia. Paitsi Pave, sehän on ex-jutku. Se ymmärsi, että pakkauxeen kanzii panna texti "uusi, parannettu formula", ja antaa ilmaisia näytteitä, kaupata tietosanakirjaa ovelta ovelle kuin Dortmunder, esitellä ihmeitä kuin imureita. Asiakaskunta innostui, liikevaihto kasvoi kohisten. Muut fariseuxet kateudesta vihreinä seuras vierestä.    

ellauri019.html on line 650: Lueskelin aikani kuluksi erästä jenkkisivua, missä pohdittiin joulupukin olemassaoloa. Joulupukin englanninkielinen nimihän on santa, kun muuttaa kirjaimien järjestystä saa sanan satan. Onko joulupukki saatanan ovela suunnitelma vääristää joulun sanoma? Joulupukki kaiken lisäksi tulee yllättäen… varkain ja tuo "yllätyslahjoja". Hän on myös odotettu ja kaivattu vieras! Vanhemmat valehtelevat lapsilleen että joulupukki on olemassa ja tuo lahjoja kilteille lapsille. Kun lapset kasvavat, he tajuavat karun totuuden… kaikki oli valhetta! Joulupukki yhdistetään jouluun ja kenen syntymää juhlimmekaan jouluna!? Pettyneet lapset ajattelevat, että kaikki joulussa oli valhetta, tätä kautta myös sanoma Jeesuksesta himmenee! Ei huono taktiikka saatanalla, täytyy sanoa!

ellauri019.html on line 822: Pelitoverit kapaloizi sen ja pani seimeen lepäämään. 


ellauri019.html on line 1026: The Lega Serie A announced its series of anti-racism initiatives, including a representative from every team and a controversial choice of art works. The presentation had as its centre-piece three pieces from internationally renowned artist Simone Fugazzotto, who uses chimps and apes in motifs throughout all of his paintings.

ellauri020.html on line 159: Iivana Trump (1992) : For love alone

ellauri020.html on line 161: on antoisa nide. Siitä selviää tuiki tarkasti, mikä oli  ysärillä kukoistaneen jenkkimamunaisen suurin kuviteltavissa oleva onni maailmassa. Ikäänkuin paratiisi maan päällä. Sitä on soma peilata vaikka suomalaisten somalinaisten arkeen samaan aikaan. Iivana oli täyttänyt 40 kun Trump sen dumppasi. Forty-love! Game, set and match to Donald Duck. Iivana on Kristina tädin ikätoveri, vsk 1949. Donald on Fred Karlssonin ikäinen, s. 1946. 

ellauri020.html on line 206: Ota Cherny -setä oli kovempi ja jäykempi Iivanalle kuin muille hiihtotytöille. Otan ruma Olga on siitä mustasukkainen. Olgalle oli tehty abortti, se on syntiä. Sixi se ei saanut niin ihanaa tytärtä kuin Iivana. Ota setä sen sijaan sai Katrinkasta paljon iloa. Ei kuitenkaan päässyt viivalle, vaikka mieli teki.

ellauri020.html on line 238:       For Love Alone was packaged like a romance novel—compare to Judith McNaught’s Perfect, for instance—but it’s closer to the great primetime soap operas

ellauri020.html on line 321:       Aku ehättää Iinexen ovelle fölissä kukkapuska ja kuohari. Iines päästää sen heti peremmälle ahtaisiin sisätiloihin. Iines on kuin asuntonsa sisustus, yxinkertainen ja kuzuva. Alusta ahdas, syvältä kuin Inarinjärvi. Akun päähöyhenet ovatkin nyt tummat. Continuity girlille on tullut lipsahdus. Ei ihme, puolentuhatta sivua saippuaa ja liukasta keliä. Quandoque dormitat ipse Homerus. Homeerinen torkahdus.

ellauri020.html on line 364:     Palm Beach had been Ivana Trump’s idea. Long ago, Donald had screamed at her, “I want nothing social that you aspire to. If that is what makes you happy, get another husband!” But she had no intention of doing that, for Ivana, like Donald, was living out a fantasy. She had seen that in the Trump life everything and everybody appeared to come with a price, or a marker for future use. Ivana had learned to look through Donald with glazed eyes when he said to close friends, as he had in the early years of their marriage, “I would never buy Ivana any decent jewels or pictures. Why give her negotiable assets?” She had gotten out of Eastern Europe by being tough and highly disciplined, and she had compounded her skills through her husband, the master manipulator. She had learned the lingua franca in a world where everyone seemed to be using everyone else in a relentless drive for power. How was she to know that there was another way to live? Besides, she often told her friends, however cruel Donald could be, she was very much in love with him.

ellauri020.html on line 389:       Akun politiikka on tavanomaista jenkkiulostetta. Free enterprise seppoilua: köyhyys on oma häpeä, kärsikööt tyhmät ja laiskat ansionsa mukaan. Heikot sortuu elon tiellä, jätkä senkun porskuttaa. Sellaista sosiaalidarwinismia edusti sen ikätoveri Fred Karlssonkin, kunnes sai tyttärexi geneettisen epäluoman, kääpiön. Siihen loppui sen uhoilu. Muistan kuinka se nieleskeli, kun se kertoi takaiskusta tutkimusyxikössä, lupasi tuoda vammasen lapsen usein työpaikalle. Ei muuten tuonut, ei kertaakaan. Toinen särö sen julmaan maailmankuvaan tuli kun se putosi kuistin katolta ja siitä tuli klenkka loppuiäxi. Entisestä Åbo IFK:n kiekkoatleetista tuli nilkku nilkki. LOL. Katkeruuttaanko vaiko vaan laskelmoivana kylmiönä koitti sitten potkia mut ja Kimmon virasta. Sekin failasi. Nyt se on kuulemma palannut Turkuun ja hautautunut mökille Nauvon saarelle. Terve menoa.

ellauri020.html on line 428:       Näiden pullasorsien kauhein painajainen on, että paxu rahamassi exyy epähuomiossa väärälle keitaalle, kaivelee jonkun solakamman pikkumustan etumustaa, takamustakin jos oikein ohrasesti käy. Daisyn vaisu Elliott läxi juuri sillä lailla laukalle, aisoissa monen kuulummankin ohjastajan, mm. prinssi Andrewin ja Rod Stewart-vainajan läpirazastama ravikuningatar, pornoleffan tähtönen, pien sokerpala vain. Sokru on Elliottille kuin nuoruudenlähde, ikämiehen veteraanipippeli herää takas aktiivipalveluxeen Sokrun taikakosketuxesta. Ainaskin ajoittain."Sori siitä Daisy, but I love her, and I want to marry her." Kolme kertaa ympäri ja "eroan sinusta". Rikkaat naiset on muslimien veneessä. Somalinaisetkin pahexuvat moniavioisuutta. Mut menestyneen miehen on ihan pakko vaihtaa hevosta. Siitä just näkee miten menestynyt se on. Iines miettii ohimennen, mitä eroa on sillä, Santralla ja Sokrulla. Naah, ei muuta kun et ne on ne ja mä oon mä. Turha skizoilla.

ellauri020.html on line 430:       Iivana imitoi tshekkiläisen englantia panemalla do-verbin joka lauseseen. Se alkaa pikkuhiljaa käydä hermoille. Tyttökaveruxet tuntee kylmän ringin designermekon perseessä Elliotin laukkapätkästä: mitä jos Neil, Ted, Jean-Claude ja Aku kexii kokeilla samaa? Aku päättää ettei nelikymppinen tshekki olekaan enää exoottinen, ja vaihtaa muhkeampaan ja murteellisempaan nuoreen sloveeniin? No niinhän siinä nimenomaan kävikin. Välissä oli kyllä joku jenkki, joka ei kestänyt monta kierrosta. Samixia liinaharjoja polleja ne on kaikki kolme. Kun vielä kolme sais niin oisi hieno valjakko vetämään Aku Ankan ruumisvaunuja. Tshingis kaanilla oli valkoisia tammoja 3000. Ja tuore nuori tyttö alla kerran viikossa. Revi siitä tupeepää, et millään ehi enää ihan samaan.

ellauri020.html on line 437: Robert Edward Turner III (born November 19, 1938) is an American entrepreneur, television producer, media proprietor, and philanthropist. As a businessman, he is known as founder of the Cable News Network (CNN), the first 24-hour cable news channel. In addition, he founded WTBS, which pioneered the superstation concept in cable television, which later became TBS (to be sold).

ellauri020.html on line 441: Turner´s media empire began with his father´s billboard business, Turner Outdoor Advertising, which he took over in 1963 after his father´s suicide. It was worth $1 million. His purchase of an Atlanta UHF station in 1970 began the Turner Broadcasting System. CNN revolutionized news media, covering the Space Shuttle Challenger disaster in 1986 and the Persian Gulf War in 1991. 

ellauri020.html on line 443: Turner´s penchant for controversial statements earned him the nicknames "The Mouth of the South" and "Captain Outrageous". He was the largest private landowner in the United States until John C. Malone surpassed him in 2011. He uses much of his land for ranches to re-popularize bison meat (for his Ted´s Montana Grill chain), amassing the largest herd in the world. He also created the environmental-themed animated series Captain Planet and the Planeteers.

ellauri020.html on line 445: Ted Turner voitti oikeesti jonkun huvijahtikisan 1979 myrskyssä. Mä taisin olla silloin intissä jäähyllä kotisuomessa. Aku, poliittinen takinkääntäjä ei ollu mukana, ennenku 40v myöhemmin hukkuneiden muistopäivänä. Iivanan sadussa se on joku Rodney Harringtonin ja Hjallis Hjarkimon ristisiitos. Ruskettunut sorsa huvijahdissa blondattu tukka pörrössä. Muut sanoo sitä armottomaxi konnaxi, mutta ei Iines. Iinexestä se on vain 
määrätietoinen
fixu
ovela


ellauri020.html on line 574:   Täs kohtaa on ihan törkeää rikumaista huonosti salattua vahingoniloa toisen naisen onnettomuudesta ja omasta paremmuudesta. Suski itkee Tuomaan rappiotilaa ja ryvettää Katan merkkivaatteen valuvilla meikeillä. Voi nyt pilasin sun miljoonamekon! Et pilannut, tai oikeestaan pilasit mut ei väliä, mullon varaa. Tyylikäs ja komea Aku tulee onnnekkaasti just ovesta, ihan pirteänä lennähdettyään Miamista board meetingistä ja kysyy ymmärtäväisesti, odotanko ulkona jos haluut itkeä lisää? Tellu Sepon leskenä, Pirkko Callen haudalla, Kikka Meikussa. Insult upon injury.

ellauri020.html on line 578:   Tie eeku paranoo, sano savolaenen kun ajo jäällä ympyrää. Iso-Masan antama ilmainen joululahja, arvostelijankappale Savon Sanomista. Not that I would care. Iivanan kirja on ällistyttävän hyvä, verrattavissa Thackerayn niteeseen Turhuuden turuilla. Mitä ökyrikkaampia ollaan, sitä paljaan klisheisemmin ilmenee tän apinan elukkapiirteet kuin keisarista ilman vaatteita. Perustarpeet jää jälelle kun ei tarvi tyydyttää mitään monimutkaisempia. Onhan ne monimutkaisemmatkin tarpeet sitä samaa apinajuttua, mut monimutkaisempi ympäristö monmutkaistaa käytöstä. Sileällä pöydällä muurahainenkin menee ympyrää eikä brownin liikettä. Tie eeku paranoo. Kuin kiveen hakattuna paljastuu tän otuxen koko radollisuus. Eat! Eat! Fuck! Fuck! Kill! Kill! Siinä se on nimenpudottelun perässä, pienessä lankakerässä. Iivanan sketsi lapsettoman parin keskinäisestä syyttelystä on kuin Teofrastoxen coveri. Eski ja Liisa, Antti ja Auli. Ei kenenkään syy ja kuitenkin jotenkin toisen syy.

ellauri020.html on line 592:   Ollaan vuodessa 1987. Huonot ajat. Pian tulee pankkikriisi. Mä aloin puuhata konekäännöxen kaa, vaik ei se mua koskaan kiinnostanut. Pauli oli syntynyt. Muutettiin Käpylään. Olin depixessä, kannoin ovea, juoxin mäkeen, ryömin sängyn alle. Siirsin kirjat ulkovarastoon. Ne kastuivat. Huonoja viboja. Nyt kirjat on ullakolla. Kastuu nyt siellä kovalla tuulella. Taidan nakata ne mäkeen ens kesänä. Teen kuolinsiivousta. 

ellauri020.html on line 596:   Ankat pelaa nyt peliä nimeltä Battle of the sexes, purjehdusmatsi vai ooppera, ja siinä voi vaan hävitä. Pelin tasapainoa voi koittaa parantaa uhkailemalla, ja sitä molemmat myös tekevät. Siinä tää on hyvin samantapainen ku Thackeray et Iivana selittää hyvin tarkkasilmäisesti, millaisia paskamaisia luonteita ankat on ja mikä niiltä menee päin persettä. Ei vietä enää lomiakaan yhdessä. A business partnership with sex thrown in. You look lovely, he said without enthusiasm.

ellauri020.html on line 648: In her new book, Raising Trump, Ivana writes about the time in December 1989 when she was confronted by Maples at a ski resort in Aspen, per AP. "This young blonde woman approached me out of the blue and said ´I´m Marla and I love your husband. Do you?´ I said ´Get lost. I love my husband.´ It was unladylike but I was in shock." Apparently it was in this moment she realized her marriage with Donald was over.

ellauri020.html on line 661: Liz Smith had broken the story of the Trumps’ separation. The entire sordid history of Marla Maples and Ivana fighting on the Aspen ski slopes was all over the papers.	

ellauri020.html on line 679:       Akulle ja Natalielle tuli bänet ja Aku heiluu poikamiehenä muttei laske irti Koljasta, ihan kiusalla. Mut sit Lontoossa tärppää: entinen hiihtohissin komee viikinki, se rags to riches lehtikeisari, se jolta paloi perhe siis, on vapaalla jalalla. Se on pitkä kuin joulukuusi, ja näin vanhempana ei enää liian nätti, sillä on nyt enempi kiloja ja luonnetta. Ja osaa sanoa dobry den tshekiksi. Se on hurjan menestyvä ja miehekäs, mutta silti hellä, huumorintajuinen ja säälivä. Kaikin puolin kuin kovakavioinen mutta ihanan pehmeäturpainen luupää hevonen. Hirn! Iih! Iihahaha. Obladi, oblada, life goes on bra, and sometimes it goes well without a bra. Taas tulee oveen eteen kukkakori, se näyttää olevan kultapossujen standardi tapa sanoa "nussitaax?". Parempi konsti kuin Petsku paran Zanussi tupakka-aski, josta peitetään "Za", näytetään aski pokalle ja sanotaan yksin tein vaan "taaks?". Mutta kalliimpi. 

ellauri020.html on line 681:       Katriina pukeutuu Victor Costan housuihin (Victor saa olla kalsarisillaan tänään), kermaperseen väriseen svetariin, ja menestysjakkuun tweedistä. Se tuntee izensä ihan koulutytöxi, aika monta kertaa luokalle jääneexi, joka saa paljon viikkorahaa. Viihteen vuoxi ne menee Vermoon raveihin. Katrinka voittaa vedonlyönnissä £100 ja Markku häviää £50. Mut lyön vetoa et se pääsee vetäsemään ennenkuin päivä on pulkassa. Huono on onni pelissä, hyvä lemmessä. Illalla ne menee uupperaan. Katjuskalla on läpinäkyvä rinnusta ja keuhkotkin on vielä komiat. Komia on Markkukin - hetkinen tshekkaan kenen - ai niin Armanin puvussa. Sillon aina kalliit kuteet, Katinka hokaa vasta nyt. Sabrina huomaa ne ovella, ja Katjusha riitelee vähän Markun kanssa siitä, pitäiskö sille antaa potkut.

ellauri020.html on line 687:       Katrinkaa ei kaduta, kun se hypistelee ja hinnoittelee Markun antamia lahjoja. Niitä on piisannut, plus a whole lotta love. Just sellasta kodikasta kuin isällä ja äidillä, jossa saa riidellä, ilman että suututaan. Sillä Katrinka tahtoo riidellä, on se vähintään yhtä kova luupää kuin Markkukin.

ellauri020.html on line 712:   Enough people went looking for similarities between the real Trump marriage and the fictional Graham marriage that it became a legal scuffle within the larger war that was the ugly Trump divorce, with Donald’s lawyers fighting to preserve a gag order keeping Ivana from talking about their marriage. For her part, Ivana insisted she wasn’t writing about her ex. She told the Los Angeles Times: “There is no way he can prove that he’s Adam because he’s not Adam and I make sure that he’s not Adam,” adding that, “And even I think I have constitutional rights of speech in America. I did not abuse them.”

ellauri020.html on line 721: However unlikely it seemed, Ivana was now considered a tabloid heroine, and her popularity seemed in inverse proportion to the fickle city’s new dislike of her husband. “Ivana is now a media goddess on par with Princess Di, Madonna, and Elizabeth Taylor,” Liz Smith reported. Months earlier, Ivana had undergone cosmetic reconstruction with a California doctor. She emerged unrecognizable to her friends and perhaps her children, as fresh and innocent of face as Heidi of Edelweiss Farms. Although she had negotiated four separate marital-property agreements over the last fourteen years, she was suing her husband for half his assets. Trump was trying to be philosophical. “When a man leaves a woman, especially when it was perceived that he has left for a piece of ass—a good one!—there are 50 percent of the population who will love the woman who was left,” he told me.

ellauri020.html on line 832:   Heti ulosheiton jälkeen siltä tuli jotain kuulemma mielenkiintoisia kirjoja. Sit se kirjotti selitysteoxen omille kirjoilleen nimellä The Art of the Novel 1986. Tulee mieleen Iivanan miehen menestysteos The Art of the Deal 1987. Matkiko Trump Kunderaa (Ivanan idea?) vai molemmat Henry Jamesia (The Art of Fiction 1884). Mytomaniastahan on kyse kummallakin.

ellauri020.html on line 913:   kuin hevossairaalan takaoven kautta, lihakoukun jatkoxi.

ellauri021.html on line 306: vanhan pihlajan kohtalo- ja asetovereita. 


ellauri021.html on line 883:     Shortly after its launch in 2006, Schlafly described the site as being competition for Wikipedia, saying "Wikipedia has gone the way of CBS News. It's long overdue to have competition like Fox News."

ellauri021.html on line 892:   Schlafly argued that the article on the Renaissance does not give sufficient credit to Christianity, that Wikipedia articles apparently prefer to use non-American spellings even though most users are American, that the article on American activities in the Philippines has a distinctly anti-American bias, and that attempts to include pro-Christian or pro-American views are removed very quickly. Schlafly also claimed that Wikipedia´s allowance of both Common Era and Anno Domini notation was anti-Christian bias.

ellauri021.html on line 950:   Wikipedia still fails to live up to its liberal values. In 2018, Wikimedia disclosed that only 17.67% of over 1.5 million biographies on the site are about women. Of the over 135,000 active editors on Wikipedia, surveys indicate that only 8.5% to 16% are female. See: Examples of Bias in Wikipedia.  
(Lue: Naisetkin äänestävät jaloillaan. Turhaan herra puuhaa sekä hääräilee, täällä tehdään niinkuin miehet määräilee.)

ellauri021.html on line 956:   So refreshing: Trump said "we don't want to be politically correct," and criticized how long it took an officer to remove a woman who was disrupting the event. 
(Lue: Ihanaa! Turha kainoilu on menneen talven lumia, naisille öykkäröinti on taas poliittisesti korrektia. Eiku niska peffa kii, etenkin peffa.)

ellauri021.html on line 975:   Setback for climate change alarmists: The Australian government arrested nearly 200 people for setting fires in five states. So much for the notions that climate change is responsible and that socialism is the answer. 
(Lue: Dodi! eihän ne kenkurat ois voinu sentään izestänsä syttyä. Siellähän oli vaan 45 astetta varjossa.)

ellauri021.html on line 977:   Atheists are experiencing a web marketing BEAT DOWN! The Christian internet evangelism organization Global Media Outreach indicates that as of September 2019 over 1,900,000,000 gospel visits have occurred via their websites. On the other hand, no atheist organization has ever accomplished such a web marketing feat. Is atheism boring or are atheists bad digital marketers who have difficulty understanding search engine algorithms? Or is it both? Oh atheists, feel the sting! 
(Lue: Jumalakin laskee lampaansa googlen avulla. Ateistit ei osaa ketkuilla kuolleilla sieluilla. Tai sit niitä ei vaan hirveesti kiinnosta. Mitäs ruoskia kuollutta hevosta. Evankelistat on siinä ihan proo.) 

ellauri022.html on line 45:   Pollyn kiusaajia on Fan ja muut ikätoverit. 


ellauri022.html on line 197: Conduct books or conduct literature is a genre of books that attempt to educate the reader on social norms. As a genre, they began in the mid-to-late Middle Ages, although antecedents such as The Maxims of Ptahhotep (c. 2350 BC) are among the earliest surviving works. Conduct books remained popular through the 18th century, although they gradually declined with the advent of the novel. 

ellauri022.html on line 295:     She explained her "spinsterhood" in an interview with Louise Chandler Moulton, "I am more than half-persuaded that I am a man's soul put by some freak of nature into a woman's body. … because I have fallen in love with so many pretty girls and never once the least bit with any man."

ellauri022.html on line 425:   
The fable was well known in Ancient Greece; Athenaeus records that Hieronymus of Rhodes, in his Historical Notes, quoted an epigram of Sophocles against Euripides that parodied the story of Helios and Boreas.[2] It related how Sophocles had his cloak stolen by a boy to whom he had made love. Euripides joked that he had had that boy too, and it did not cost him anything. Sophocles´ reply satirises the adulteries of Euripides: "It was the Sun, and not a boy, whose heat stripped me naked; as for you, Euripides, when you were kissing someone else´s wife the North Wind screwed you. You are unwise, you who sow in another´s field, to accuse Eros of being a snatch-thief."

ellauri022.html on line 468:     nimeltä Just David. Sen arvostelut olivat että "mush", ja "too perfectly lovely". 


ellauri022.html on line 559: Kun se palas siviiliin, se kaipas armeijaelämää ja sitä toveruutta, jonka vain yhteinen asepalvelus voi tarjota. Semmosesta ei mulla ole mitään hajua. Jotain sankarit sukkahousuissa tyyppistä  nmky touhua. Remakkaa meininkiä, yhteishahatusta miesseurassa. Outo hyyppä oikeesti piti armeijasta kuin kersantti Ärjylä. Jotenkin homoa.

ellauri022.html on line 606: Todistaako se jotain että Siri aina tappaa nää pikku Maxit, Paul doppelgängerit. Ingan uus heila Henry on sen miesvainaan elämäkerturi. Inga kysyy Ekeltä minkälainen nainen makaa rakkaan miesvainajansa elämäkerturin kaa. Kai Sirin tapanen. Siri antaa taas ymmärtää et se on oikeestaan Paulin haamukirjottaja. Kexii sille juonet ainakin. Helppo uskoa. Paul on sen verran tollon olonen. Innostuu pesäpallosta. Leo Herzberg, ei siis Lars (joka ei saanu Helsingistä virkaa mun ansiosta ja styylas Mereten kaa), on kameo Sirin bestselleristä What I loved, jota en oo lukenut. Hypistelee Ingaa vaatteet päällä keppi kädessä.

ellauri022.html on line 696: Harvardissa se vähän lyttäs Jeesusta, ja sai porttarin 30 vuodexi. Vähän kontroversielli suurmies siis. Seppoilu on hyvä asia, mut jeesustella pitää myös. Jumalisten mielestä Emerson lempatessaan luomakunnan isähahmon jätti jälkeen tukun orpokotilapsia. Sellainen ei vetele, kyllä iskä tarvitaan joka perheessä. 

ellauri022.html on line 705: Waldon suhde värivammaisiin oli ambivalentti. Se alkoi pitää orjuutta pahexuttavana muiden kavereittensa mukana, mutta sillä oli aika vahvat rasistiset mielipiteet mutiaisista. Sen mielestä tummemmilla ihmisillä on myös kovempi pää. Se kirjoitti päiväkirjaansa:

ellauri022.html on line 720:       Sao Paulolainen urheilutoimittaja Wilson Fittipaldi antoi nuoremmalle pojalleen nimexi Emerson Rafun kunniaxi. Isoveli oli Wilson Jr, varmasti kiitoxexi Wilsonin pinnasta. Formulakuski Emerson s. 1946 on vuotta vanhempi kuin samaan aikaan Sao Paulossa vaikuttanut Paulo Coelho. Ne on Kimmon ja Fredin ikätovereita. 

ellauri022.html on line 900: I heard Time’s loom a-whirring that wove the Sun’s dim Veil;	   Kuulin ajan kangaspuiden hyristen luovan autereista huntua.	 

ellauri023.html on line 36:  Se Orpo Ollin ainut kappale löytyi sitten SKS:n kirjaston varastosta, haalistunut pikku kirjanen. SKS:n hieno kirjasto oli remontissa, kirjastonhoitajat vilistivät karussa ikkunattomassa kellarissa kuin pienet rotat. Vanha mummu jolla ei ollut juuri ketään enää ullakolla kulki jonkun käsikynkässä kohti ovea. Suupielessä sylkivana. Vähemmän oli väkeä kuin Salpausselällä. 

ellauri023.html on line 243: Rakas jeesus ei vaikuta Ollille kovin läheiseltä, jonkun toisen kirjan sankarilta lähinnä. Toi rakkauskortti ymmärrettävästi esiintyy aika vähän sen pelissä. Vaikee on kauhalla ottaa, jos on lusikalla annettu. Se korvataan sitkeydellä, oveluudella  ja izepäisyydellä. Voi olla paremmin tarpeen juutalaisten korttiremmissä. 

ellauri023.html on line 254:       Ehkä pohjalta on parempi ponnistaa seurakunnan tunnejohtajaxi ja tajuta muita surkimuxia. Tarve ja paine nousta pohjalta  kokkareexi pinnalle on kai myös kovempi, jos on siihen tarpeexi kova koira.

ellauri023.html on line 319:   niillä bisnexet. Taloonkin laitettiin äskettäin johtovesi ja vesiklosetti. 


ellauri023.html on line 420:   Oiva tykkäsi eläimistä, sillä oli hevonen nimeltä herra Hoover ja kerran porokin. 


ellauri023.html on line 425:   Herra Hooverilla oli iso laidun heti siirtoväen talojen takana. Varmaan isompi tontti 


ellauri023.html on line 426:   kuin sotaveteraaneilla yhteensä. Kerran Hoover työnsi päänsä Sinikan uimapuvun lahkeeseen 


ellauri023.html on line 488:   Kiltti omenaposkinen Mandi Siimes otti asuintoverixi ja perijäxeen mökkiin Mandi Kirveskosken, jyreän 


ellauri023.html on line 494:   Uuno toimitti taloon sileät loimuvaneriovet, joita pylkkäsklaani salaa vähän pahexui, halpatavaraa. 


ellauri023.html on line 531: Seisomme peileillä ja kohdevaloilla vuoratun huoneen ovella. Peilien edessä tuoleilla istuu kolme ihmistä viitta yllään, muodikkaat farkkuasuiset tytöt meikkaavat heitä, yhden tukkaa föönataan. Taustalla soi musiikki, huoneessa rupatellaan

ellauri023.html on line 541: Tai ovela säätö kahden kivan sulhasehdokkaan kesken jotenkin nyrjähtää.

ellauri023.html on line 716: Virgil moved from Epicureanism to Stoicism.

ellauri023.html on line 762:   Hannah, se sama nazi-Heideggerin vanha heila, oli varsin kontroversielli, 


ellauri023.html on line 806: Kilpailu kotisoffan kanssa kärjistyy, peli kovenee, kädet hikoaa. 


ellauri023.html on line 1118:   Ja musiikkikorvasta. Piti tarkkaan kuulla yöllä pottaan lorisevan kusen sävelkorkeus, oliko potta puolityhjä vai puolitäysi ettei ize joudu tyhjentämään.Vangit innostui, kun tuli uusi erä Unkarista kaasutettavaxi, kohta jaettaisiin uffivaatteita. Uff. Jutkut piti mustaa pörssiä vainajien vermeistä, kurssi vaihteli leipäkopukasta kahteen.  Onko nää enää ihmisiä, kysyi Primo tarkoittaen vankeja.  No apinoita tässä ollaan, sisaruxia eikä serkkuja. Leevi petikavereineen tukki palavassa sairaalassa huoneen oven, leavingsit jäätyi oven taaxe tai paloi käytävään. Darwinismin karumpia puolia. 

ellauri023.html on line 1144: Isäni oli inssi, insinööri, sen taskut oli täynnä kirjoja. Salamintekijöiden tuttu, koska se tarkasti laskutikulla kinkkulaskut. Se oli kyllä vähän taikauskoinen, sitä pelotti syödä sikaa, mutta se piti kinkusta niin paljon, että se aina lankesi, huokaisten, izexeen kiroillen, kazoi mua salaa, peläten tuomiota ja toivoen rikostoveria.

ellauri023.html on line 1158: Saul Bellow, joka on toisaalla on jo mainittu jenkkijutkukirjailijoiden listassa,   on sanonut (sanoo James) että kaikki suuret modernit novelisti (Saul Bellow mukanlukien) oikeesti pyrkivät määrittelemään ihmisluontoa, oikeuttaaxeen elämän jatkamisen ja oman nysväyxensä. (Johon usein sisältyy elämän jatkaminen useamman kuin yhden hoidon kanssa.) En ymmärrä. Mix sitä nyt pitäs justifioida niin sairaasti? Eiköhän riitä vaan todeta millaista tää on. Ja jatkaa naimista kuin kanit. 

ellauri023.html on line 1160: Joissain suhteissa Leevin visio on pessimistinen, koska se muistuttaa "miten tyhjä on myytti ihmisten alkuperäisestä tasa-arvosta". Auschwitzissakin ennestään vahvat kukoistivat kuin Eskin oppilaat, koska ne olivat fyysisest ja moraalisest kovempia luita kuin ne toiset, tai koska ne tunteilivat vähemmän, olivat ahneempia ja kyynisempiä ja tahtoivat pysyä sitkeämmin hengissä. Niinpä niin. Oman elämänsä sepot seppoilee kuolemanleirilläkin. 

ellauri023.html on line 1203:   Nyt olen päässyt pienen ohukaisen vihreen kirjan loppuun. Se oli surullinen, muttei masentava. Loppu oli aika lyyrillinen, siis epätodellisen oloinen. Ei käynyt hyvin eikä huonosti, ei oikeastaan käynyt kuinkaan. Ei sattunut. Herttaisia kesämuistoja, sellaisia just joita 60 vuotias täti voisi kertoa 30-luvulta. Kivasti kertomuxen fokus lopuxi nyrjähti, ei enää tiennyt kuka puhuu mitä kenelle. "mezä missä poimimme isäsi kanssa mustikoita kerran". Syöpäinen tyttö lähtee kuplassa elänyttä, jäihin ehkä pudonnutta poikaa vastaan. Kuolema on orjantappura jonka kautta päästään kiinni rubiiniin, runoili Karl Venneberg, Gunnelin ikä- ja ehkä opiskelutoveri, nelkytlukulaisia. Niinpä niin. Uskokoon ken voi.

ellauri024.html on line 324: Se on talonpoika, ja äidin josta ei vielä kerrota. Aluxi psykologi, vaikka oli sairaalloisen ujo. Parantaja paranna izesi. Se luki innoissaan Paul Ziffin "semantiikkaa", jonka mä olin totaalisesti unohtanut, onkohan mulla se vielä jossain hyllyssä. Ei tehnyt muhun suurta lovea. Se mainizee (alaviitteessä) Jaakko Hintikan (1929), joka ei istunut yölampun valossa (kuten Arska), vaan oli maailmanmatkaaja (toisin kuin Arska). Osaakohan Arska muuta kuin suomea ja savvoo? Kai sentään luki ainakin. Enkkua mongersi.

ellauri024.html on line 343: Äiskällä oli kyllä hyviä sanoja, kuten "juuttaan halavatut! persetti rallaa!" tai "antaa vaan mennä kuin pissi lautaa pitkin". Äidiltä Arska oppi kiroileman kovasti. Äiskä oli oikeistolainen. Näköelimistä tuli usein vettä, sillä se manipuloi miessakkiaan. Kitupiikki. "Nyt suap pankkikirja olla vähän aekoo rauhassa!" Pirkkotyyppisiä vizejä: "Sanokeepa kolomitavuinen sana! - Kelekka! - Oeekeen!". Pirkon versiossa se oli "Kolome!" Ranskan lehtorin ovessa on vastaava koululaiskasku "- Nommez deux pronoms! - Qui? Moi? - Tres bien!"

ellauri024.html on line 389:   Rector magnificus allekirjoittaa nimensä nyttemmin The president. Kuka hullu tahtoo muistuttaa niin Trumppia? No monet kai. Kaikenlaista ikivanhaa perinnettä Arskalla on muistissa. Rehtorin audienssilta piti peruuttaa perä edellä. Arska ei pakittanut, kääntyi ja pokkas vasta ovella. Nuori kapinallinen. Inhoomaansa Klingeä (1936) se pilkkaa akateemisuudesta, kateena talonpoikana. AK sai gradusta vaan lubenterin. Aika heikkoa. Se oli hirmu pettynyt. Eski Saarinen pettyi magnaan, paskakaivoarvosanaan.

ellauri024.html on line 612: Olen huono sellaisessa. Se on kuin tikanheitto, häviän ja tulen äkäisexi. En halua myöntää olevani ruma kalkkuna. En pidä arvotuxista jotka venyy, enkä seurapeleistä. Ikävystyn, en jaxa odottaa vuoroa enkä miettiä, mikä nyt oisi edullisin siirto kulloinkin, vilkuilla ovelasti kanssapelaajia ja likistellä kortteja tiiviisti vasten rintapieliä. Kurkkaan mieluummin vastoin sääntöjä mitkä vieruspelaajan (ei siis toverin) kortit on. Täydellisen informaation pelit on kivempia, koska oveluudella ja pelionnella ei ole osuutta. Voi pelata vaan omaa peliä, kuin pasianssia. Ei tarvi edes vilkaista vastapelaajaan. Kaxivuotiaat leikkii vierekkäin, työntää käden toisen naamaan ja ottaa lelun toisen kädestä. 

ellauri024.html on line 732:   Arskakin on lukenut Jevgeni Popovin novellin Nuoruuteni vuosina, missä Jevgeni alkaa kesken ilostelun itkeä. Muttei se komiikka siihen lopu, kato vaikka mun runoelman osasta XXVIII. Voihan sitä ihan hyvin itkeä ja nauraa samalla ajalla. Kettu kylpee, sanoo Seija lainaten äitiänsä Leaa, kun aurinko paistoi sateen lävize. 

ellauri024.html on line 868:   Texasilainen trikoopipo muka baptistipastori hupparissa, suunnillen Paulin ikäinen nulkki, ahdistelee naisia aborttiklinikoiden liepeillä peukun kokosella kumisikiöllä ja ellon näkösillä nallekarhuilla, joissa on sydänääninauhoite. Vaaleansininen karhu poikasikiöille, kovemmalla sydänäänellä, pojat on aina kovaäänisempiä.

ellauri024.html on line 1100: Tässä pätkässä on paljon samaa kuin Rousseaun idyllisessä Jullen huushollissa. Pamelakin menee kirjastohuoneeseen polvistumaan. Plagiaatin makua. Isäntä raotti ovea ja näki Pamin pyllistämässä: mikä näky!

ellauri024.html on line 1108: Pam ja herra B antaa palvelusväelle juomarahoja hanskanostoon kullekin säädyn mukaan. Jonathanille Pam näyttää 10 sormea ja herra B kuittaa. 10 lb on sille sovelias summa.

ellauri024.html on line 1288:   lyöden sillä Jaakko Hintikan ikätoveria Yrjöä, 


ellauri024.html on line 1342: 
Looking over rubbish and wasting my time

ellauri024.html on line 1402:     Suomessa von Wrightin lällyfilosofian perintö jakautui kahtia: Ilkka Niiniluoto jatkoi torjuntaa maalivahtina ja Esa Saarinen kuljetti kiekon Espoon päätyyn. On myönnettävä Saarisen "kadonnutta puberteettia ezimässä" tyypin kulttuurikritiikin olevan hilpeämpää kuin von Wrightin ja Niiniluodon latenssifilosofia. Niiniluoto väittää kyynisexi nihilismixi kaikkea tutkimusta, joka ei ole todenkaltaisuuden näköistä. Vuosisatamme filosofia teoxen (sitäkään en ole lukenut, en edes tiedä miltä kansi näytti) esipuheessa, paljastaneixi missä on vika: filosofit on aina olleet tiennäyttäjiä. Ulkopuolinen asiaa tuntematon voisi ajatella, että suomalaisen filosofian suurperheen pitäisi kiireesti asettaa vaari holhouxeen. (No nythän se on tarpeetonta, suomalainen filosofia on kuollut jo luonnollisen kuoleman.) 1987 se näytti ennenaikaiselta, sillä von Wright ei ollut vielä lähelläkään silloin vielä huokuvien Kuusen veljesten, noiden suomalaisen kulttuurikritiikin Pekan ja Pätkän muodostamaa esseistiikan nollapistettä, AKS-henkistä Pentti Linkolan ylistelyä ja muita riman ohituxia, sosiobiologista führerin ezintää tästä ministerin maailmasta. Vaik ei pidä aliarvoioida sosiobiologian ja kasvitieteen soveltuvuutta kuusten salatun elämän tutkimuxessa.

ellauri025.html on line 19: 
16 sivua POLLEA!
Novelleja

ellauri025.html on line 100: Kukaan ei väitä Thomas Aquinasin tulleen julkkixexi pelkällä ulkonäöllä. Hän oli colossally fat, kärsi turvotuksesta (vesipää), ja yksi valtava silmä kääpiöi toisen. Hän ei myöskään ollut erityisen dynaaminen, karismaattinen hahmo. Introspektiivinen ja hiljainen suurimman osan ajasta, kun hän puhui, se oli usein täysin liittymätöntä keskusteluun. Hän oli autismin kirjolla. Hänen luokkatoverinsa collegessa kutsuivat häntä "tyhmäksi häräksi". Ja syystä, Tomin aivopierut oli enimmäxeen nautamaisia.

ellauri025.html on line 386: Tylyn mutta fragiilin oloinen kaunis Esther Sanditonissa ei huoli Napoleonixi sonnustautunutta loordia koska luulee rakastavansa veljeään Edwardia. Lady Denham vimmastuu ja ärähtää kuin Tina Turner: Love!? What's love got to do with it? Avioliitossa ei ole kyse rakkaudesta, se on bisnistä, diili jossa sovitaan meemien ja reviirien siirrosta. Hesiodos on tismalleen samaa mieltä. Tismalleen!!! se huutaisi pikku jurrissa juotuaan ize käyttämäänsä kotiviiniä, kuin Obelix ja Aladobix Asterixissa. Kunhan ei saisi maxavaivoja. Maalaistollo.

ellauri025.html on line 477: Kaikista paskimpia on sen bioteknologian ja ikuisen elämän yrityxet, ja kaikista ilkein sen tarve hallita kaikkia maailman ihmisiä kähmimällä niiden tietoja. Page's official statement read: "Illness and aging affect all our families. With some longer term, moonshot thinking around healthcare and biotechnology, I believe we can improve millions of lives." I can control billions of lives, more to the point. Suomessa tällä asialla on yxityiset terveystalot, joita Haju Sipilän hallitus ajoi kuin pyssyyn käärmettä. Seuraavaxi yxityistettäneen vesijohto. Ilma on kolmantena jonossa. Ostakaa coronavirusvapaata ilmaa meiltä, taalalla saatte ison ilmapallon täyteen.

ellauri025.html on line 618: Kun et tiedä miten juoni jatkuu, laita mies tuleen ovesta pyssy kädessä, sanoi Ross McDonald kai.

ellauri025.html on line 639: Taitaa olla ylikypsän julkkupulun kujerrus jollekulle bändärille. Mitenhän tää nyt liittyy tähän turinaan? Lovecraft on  toinen tuntematon suuruus mulle, paizi muistan joskus lukeneeni Wikipediasta jotain Cthulhuun liittyvää. Mut tollanen scifi kauhu on mennyt multa aika lailla ohize.

ellauri025.html on line 641: 
Why is H.P Lovecraft considered a poor writer?

ellauri025.html on line 643: Lovecraft is a famous writer and bullshit artist, but also a well-known racist. Should I read his novels?Was H.P. Lovecraft ever a chill or a good guy at least even a little bit? I know his works basically put humankind to the lowest of the low, but was there even a tiny bit of good in him?What does H.P. Lovecraft mean with his phrase “That is not dead which can eternal lie, And with strange aeons even death may die” in his writing of The Nameless City? 

ellauri025.html on line 645: Howard Phillips Lovecraft (20. elokuuta 1890 – 15. maaliskuuta 1937) oli yhdysvaltalainen prosaisti ja runoilija, joka kirjoitti etupäässä fantasia- ja kauhukirjallisuutta. Eläessään Lovecraft ei saavuttanut suurta menestystä ja jäi yhtä köyhäxi kuin Poe, mutta nykyään häntä pidetään eräänä kaikkien aikojen merkittävimmistä kauhukirjailijoista. Suuren osan tuotannostaan Lovecraft julkaisi pulp-lehti Weird Talesissa sekä erilaisissa amatöörikustanteissa. 

ellauri025.html on line 647: Taalainmaan muinaiskaivoskartanon Garpbergin lavasteisiin sopisivat HP Lovecraftin turinat. Lovecraft oli hölmön näköinen, vielä hölmömmän kuin Poe.

ellauri025.html on line 648: Lovecraft is best known for his creation of a body of work that became known as the Cthulhu Mythos.

ellauri025.html on line 650: ovecraft%2C_June_1934.jpg/250px-H._P._Lovecraft%2C_June_1934.jpg" width="20%" />

ellauri025.html on line 682:   Tää on lainaus Ingeborg Bachmannin (1926) prujauxesta Das dreissigste Jahr (1961). Varmaan kirjoitettu 1956 kolmenkympin kriisissä. Ingeborg on Itävallan tyttöjä, Klagenfurtista, väitteli (uskokaa tai älkää) Heideggerin existentialismista. Voihan se siitä huolimatta olla ihan ok. Vaikka vähän epätodennäköistä se on. Sen byhlainin saxankielinen synopsis on aika hämärä, joku Moll siinä on joka on ilkeä, kun taas tää "er" tai "ich" joka siis on Ingeborg ize, on hyvis, ei luikuri niinkuin Moll. Jotain sekoilua Italiassa ja lopussa joku autokolari. Siinä se. Tää on siis vaan novelli. Olikohan Monikan äidillä tää kirja ruozix kotona? Kirjoittaa vähän samalla lailla kuin Monika, katkonaisilla lauseilla ja runokuvilla. Ottaa Ingeborgilta vähän mallia toi Monika. Se varmaan muistelee omaa kolmenkympin kriisiä.

ellauri025.html on line 701: Wienissä keskustelee Simone Weilistä ja teodikeasta. Vittua ne siitä mitään tajuaa, lähtee väärästä premissistä että jommassakummassa tai molemmissa oisi jotain järkeä. En stor tänkare, verkligen, har Angela sagt, och Saga-Lill har hållit med. En stor tänkare, SATAN! Saga Lill nauraa izekin. Aaria oopperasta mustalaisen muna oven välissä. 

ellauri025.html on line 724:   Kun ylen toimittajat tunkevat Annelisen ovelle kameran ja karvamikin kaa suorittamaan kumikauloille tuiki tärkeää public serviseä, Annelise suuttuu niin et sen törtelöpiä turkishattu menee vinoon ja putoaa (haha) ja se huutaa niille "komminister!" Aivan oikein, sic, se tekee kielivirheen. hohoo, lapsuxen, niin professori kuin onkin. (vrt. apina ja Arvo Ylppö.) Mitäs jos ei oisi koko yleä. Mut sillä onkin katutytön tausta.

ellauri025.html on line 741: Yllättäen Patti Smith putkahti eteen uudelleen Alivaltiosihteerin pilkkapuheissa 2003. Jonkun roudarin näppylähanskat oli allergisoituneet covereille Patti Smithin biisistä "Because the Night". Histamiini vieköön! Kuulostaa Shakiralta.

ellauri025.html on line 760: Lyhyt kertaus. Helmikuussa 2008 (12 v sitten siis) Gusten väkisinmakaa koulutoverinsa Sascha Ankarin, 18,  juhlissa Nathan Häggertin vanhempien talossa Kylmäkoskella. Muut olivat Axel Axelsson, John C (ei kai!) ja Nathan Häggert ize. Gusten ei  ize nouse pukille ennenkuin loppupeleissä. Lieventävä asianhaara. Niinhän tekee sorsamieskin, kun sorsajengi on joukkobylsinyt sen puolison.  Kyl nää moraalijutut on sentään jänniä. Säännöt on kuin lassipallossa. On eri asia, jos puuhun koskee ennenkuin on kiertänyt krokettiportin eikä ole tiikeri.

ellauri025.html on line 793: No sit on vielä tällänen osa nimeltä efteråt. Onx tää epilogi, kuten Zorrossa? Ei, tää efteråtkin on vaan tästä Fripestä, ehkä tylsimmästä tyypistä koko kirjassa. Sekin on kai Monika sukupuolenvaihdoxella, koska sekin kirjoittelee novelleja. Vad är ondska? Finns ondska? Taas ollaan menossa jonnekkin raamattu olalla. No ei, se meni sentään kesken. Frippe alkaa vähän styylaa Cosmon kaa, vaatteet päällä vaikka Cosmo on homo.

ellauri025.html on line 799: Ei se Cosmo sit filmannukkaan sitä raiskausleffaa, vaan jonkun tylsän Lovecraft-pläjäyxen Abben rahoilla. Nathan mukana, ne on nyt Schweizissä. Gusten on Emmyn ja Saga-Lillin kanssa kotona. Bambi näyttäytyy vaan Abben perintötaulussa. Sikäli kun tiedetään, se on vielä hengissä. 

ellauri025.html on line 916: Monika sai kustannussopimuksen, ja pian ilmestyivät novellikokoelmat Sham ja Patricia. Niissä hän tahtoi olla älykäs ja analyyttinen kirjailija.

ellauri025.html on line 928: Samaan aikaan, kun Monika paistatteli julkisuudessa kirjailijana ja ravasi Ruotsissa kertomassa ensimmäisestä romaanistaan, hänen isänsä sairastui aivoverenvuotoon. Monika palasi saman tien kotiin, liian myöhään. Isä oli vaipunut koomaan ja kuoli pian 1995. Ehti olla prof 7v, sai viran vanhana. Siis kuoli 67-vuotiaana, mun ikäsenä. 

ellauri026.html on line 25:   Punavyö on Simo Penttilän luoma kuvitteellinen villin lännen hahmo. Hänen kumppaneinaan ovat suomalaiset toverukset Pete Menken eli Pekka Mänkkönen ja Dick Hill eli Riku Kumpulainen. Pete on esiintynyt sirkuksessa tarkka-ampujana ja kehuu aluksi olevansa "pohjoisen pallonpuoliskon paras ampuja", mutta havaitsee Punavyön itseään paremmaksi ja ilmoittaa sitten olevansa "pohjoisen pallonpuoliskon toiseksi paras ampuja". Dick myy kirjoja, joiden nimistä osa on selvästi hänen itsensä keksimiä. Jännittävissä tilanteissa kaverukset alkavat usein naljailla keskenään peittääkseen pelkonsa. Nämä keskustelut alkavat varsin usein Dickin kommentilla, että hänellä on "yksi hyödyllinen kirja". 

ellauri026.html on line 192:   Eliezer oli ainakin 3 henkilöä raamatussa. Abrahamin ovela hovimestari, Moosexen poika, ja joku pienempi profeetta, joka ennusti jonkun haaxirikon. 

ellauri026.html on line 214: I had spent a summer in Greece while in college, travelling with a Greek text of the Odyssey, and I remembered in particular Odysseus’s final journey to Ithaca (the beginning of book 13; well worth revisiting as a specimen of Homeric narrative), the poetic effect of which overwhelmed me. Odysseus climbs aboard the ship and—forgive my literal translation—lies down, “in silence,”

ellauri026.html on line 225: The idea is there, but all the lingering emphasis in the original has been smoothed away. This, too, unfortunately, is typical of the whole. I have said that Wilson’s translation reads easily, and it does, like a modern novel: at shockingly few points does one ever need to stop and think. There are no hard parts; no difficult lines or obscure notions; no aesthetic arrest either; very little that jumps out as unusual or different. Wilson has set out, as she openly confesses, to produce an Odyssey in a “contemporary anglophone speech,” and this results in quite a bit of conceptual pruning. If you wait for the “Homeric tags,” the phrases that contained so much Greek culture they have been quoted over and over again by Greeks ever since—well, you are apt to miss them as they go by. A famous one occurs in book 24, when Odysseus and Telemachus are about to go into battle together: Odysseus tells Telemachus not to disgrace him, and Telemachus boasts that he need not fear. Laertes, Odysseus’s father, exclaims (Wilson’s translation), “Ah, gods! A happy day for me! My son and grandson are arguing about how tough they are!”  

ellauri026.html on line 227:   This is a famous line, but here it would hardly seem to merit its fame—who cares about people “arguing about how tough they are”? The word here translated as “tough” just happens to be one of the central words of Hellenic thought: arete, “virtue” or “excellence,” that subject of so many subsequent philosophy lectures—whose learnability or unlearnability Plato made the subject of inquiry, and which Aristotle defined as a mean between two vices. The word can be used to mean something like “bravery,” but it is wildly broader and richer than “how tough one is” (there is a queen named Arete in the poem, but Wilson refrains from translating her as “Queen Tough”). The line was quoted over and over again in later days because it was considered the height of happiness for a man to have a son and grandson competing with each other to possess virtue or true excellence. This Wilson suppresses, as a thing irrelevant to contemporary idiom—“toughness” will have to serve in its place.

ellauri026.html on line 268:   Tyhmyyden kavereita on izerakkaus ja mielistely. Mikko Tolosen väitöskirjan nimi oli "izerakkaus ja izestä tykkäys Mandevillellä ja Humella." Mä luin sitä jonkun pätkän kun se oli hyllyssä, ihan vaan tutustuaxeni Mikko Tolosen mielenmaisemaan. Nyt en muista paljonkaan. Hume ainakin oli aika izetyytyväinen. Kai sen vois uudestaankin lukea, nyt tän runoelman valossa. Self-love ois niinku izekkyys, ja self-liking niinku ylpeys. Ne pitäis erottaa eri passioixi, ne sanovat.

ellauri026.html on line 270:   Later it is coined as the ultimate proof of civility, epitomizing that men are ready to sacrifice their lives (self-love) in order to prove the notion of their own worth (self-liking).

ellauri026.html on line 329:   En voi kyllixi ylistää Pythagoraan kukkoa tunkiolla, joka kokeili kaikkea: filosofi, mies, nainen, kuningas, alamainen, kala, hevonen, sammakko ja luullaxeni myös sienieläin;  ja lopulta päätti että ihminen on säälittävin. Kaikki muut eläimet ovat tyytyväisiä luonnon asettamiin rajoihin paizi ihminen, joka koittaa ylittää ne. Ihmisten joukossa kivintä ei ole oppineilla eikä suurilla, vaan pöhköillä. Gryllus teki viisaammin kuin ovela Odysseus valitessaan porsaan osan mieluummin kuin monet haaverit. 

ellauri026.html on line 477: Geertin iskä pakeni Roomaan kun sen ja Eran äidin Helmin salakihlat tuli ilmi. Sitä huijattiin et pikku Geert ja äiti Helmi oli muka kuolleet. Se rupes papix kuten sen ahneet veljet oli suunnitelleetkin. Sit oli jo myöhästä. Sekin on Jefan mielestä joteskin hämärästi Eran vika. Jotain hämärää onkin koko jutussa, kert Eralla oli isovelikin. Tulee mieleen JJ Rusoon hämärästi hävinnyt isobroidi. Ehkä se oli velipuoli jostain sen isän aikaisemmasta heilasta. (Molemmat vanhemmat elivät vielä Eran käydessä koulua, kuolivat nelikymppisinä.)

ellauri026.html on line 503: Pot pot pot pot potkut sain, kesken hakkailua, lauloi joku Malmsten, joko Jori tai Jevgeni. Samaa saattoi laulaa se Jevgeni Popovin novellin Jäkätti pikkumies, joka ehdotti naisystävälleen Mashkalle (sille jäkätille), että oltas niinkun raiskausta. Miten niin raiskausta?  No niin et mä yritän naida sua väkisin ja sä paat vastaan minkä kykenet. Mashka kiinnostui. No pikkumies yritti parastaan, väänsi ja väänsi, sai kaikki vaatteet pois, ja oli jo työntämässä sisään, kun Mashka potkaisi niin kovaa et se putos lattialle ja mursi isovarpaansa. Töissä työnjohtaja laski varovasti tynnörin sen (toiselle) jalalle, se huusi kovaa: Uijuijui! Varpaani! Koko homma todettiin työtapaturmaxi ja miekkonen sai kuukauden saikkua täydellä palkalla. Kokeilivat sitten Mashkan kanssa kaikkea, ette uskokkaan. Mashka oli sitä kymmenen - ei yksitoista vuotta vanhempi, ja painoi 91 kiloa. Kai se rakastikin pikkumiestä, kerta antoi sille ex-miehensä lentäjäntakin ja karvalakin, kun heitti hukkapätkän ulos ovesta. Oli pahoillaan, mutta omat lapset oli tärkeempiä. Äijä asui sitten firman autotallissa, pysyi lämpimänä kun oli se takki ja karvalakki. Oli kiitollinen Mashkalle. 

ellauri026.html on line 516: 
absolute accept alleged ancient appeal attitude authority Christian Christian theology Church claim clear common conceived conception conflict Congregationalism conscience conscious continuous revelation death declared definition Deity demand desire divine ideal doctrine dualism earth earthly elements enlightened esotericism essential evil experience expression fact faith feeling forms give Gnostics harmony heart Hebrew highest honest human nature idea imagine individual inspiration instinct Jesus lative living man's Manicheism mankind matter means ment mind miracle Montanism Montanistic moral natural law needs never notion occult once organization ourselves Pelagian perfect philosophers polytheism polytheistic possible precisely priesthoods principle prophet Protestant Protestant Reformation race rational redemption Reformation reject relation religion religious revelation sacramental scheme seems sense soul spirit struggle tarian teaching theologians theology things tion tradition true truth Unitarian believes Unitarian finds Unitarian thought unity universe vidual virgin birth whole word worship

ellauri026.html on line 543: Pysäkillä ovesta. 


ellauri026.html on line 684: > Tää kaikki tuli miäleen Jevgeni Popovin, masentuneen humoristin hienosta novellista Sirje, Boris ja Lavinia, joka loppuu näin:

ellauri028.html on line 30: Jevgeni Popov (Евгений Анатольевич Попов; s. 5. tammikuuta 1946 Krasnojarsk, Venäjä) on venäläinen kirjailija, joka on tunnettu novelleistaan. Hän opiskeli geologiksi, mutta on ollut kirjailija Moskovassa vuodesta 1975.

ellauri028.html on line 85: Teoksessa kristinuskon Jumala luo koemielessä pienen pallon, jolle hän antaa nimeksi Maa. Jumalan palvelija, arkkienkeli Saatana, arvostelee liian kärkevästi herransa luomuksia ja hänet karkotetaan määräajaksi katsomaan, miten koe edistyy. Saatana kirjoittaa tovereilleen Mikaelille ja Gabrielille Maan ihmisten olevan mielipuolia.

ellauri028.html on line 89:   Initially, a surviving one of his daughters, Clara Clemens, objected to its publication in March 1939, probably because of its controversial and iconoclastic views on religion, claiming it presented a "distorted" view of her father. Henry Nash Smith helped change her position in 1960. Clara explained her change of heart in 1962 saying that "Mark Twain belonged to the world" and that public opinion had become more tolerant. (Ehkä se myös tarvizi vähän pätäkkää leivän syrjäxi.) She was also influenced to release the papers by her annoyance with Soviet reports that her father's ideas were being suppressed in the United States. (Ei Laika ole ainut koira radalla. Vuosi 1962 oli Kuuban kriisi, kylmä sota kuumeni. Popovin nuhruista mutta optimistista nuoruutta.) The papers were selected, edited and sequenced for the book in 1939 by Bernard DeVoto. (Sota tuli väliin, jumala piti varmistaa voittajien puolelle. No ainahan se on voittajien puolella. Tai sit se haluu antaa opetuxen tai sillä on joku ovelampi suunnitelma mielessä.)

ellauri028.html on line 108:   The Rev. Joseph Twichell, Mark's most intimate friend for over forty years, was pastor of the Asylum Hill Congregational Church of Hartford, which Mark facetiously called the “Church of the Holy Speculators,” because of its wealthy parishioners. Here Mark had first met “Joe” at a social, and their meeting ripened into a glorious, life long friendship. Twichell was a man of about Mark's own age, a profound scholar, a devout Christian, “yet a man with an exuberant sense of humor, and a profound understanding of the frailties of mankind, including Mankind's Huge Cods." Sam Clemens ja pastori naureskeli kaxisteen mezässä miespaneelin valtavia turskia. Bronzed and weatherbeaten son of the West, Mark was a man's man. "Some Remarks on the Science of Onanism.” 

ellauri028.html on line 112:   It was sometimes a wonderful and fearsome thing to watch Mr. Clemens play billiards,” relates Elizabeth Wallace. “He loved the game, and he loved to win, but he occasionally made a very bad stroke, and then the varied, picturesque, and unorthodox vocabulary, acquired in his more youthful years, was the only thing that gave him comfort. Gently, slowly, with no profane inflexions of voice, but irresistibly as though they had the headwaters of the Mississippi for their source, came this stream of unholy adjectives and choice expletives."

ellauri028.html on line 155: The tale is told, too, of a certain woman who performed an aeolian crepitation at a dinner attended by the witty Monsignieur Dupanloup, Bishop of Orleans, and that when, to cover up her lapse, she began to scrape her feet upon the floor, and to make similar noises, the Bishop said, “Do not trouble to find a rhyme, Madam!” 

ellauri028.html on line 224: Mark Twain said his idea which "human is only a machine "again and again at all. Actually i dont like this reputation. However, I love Mark Twain because he is Nikola Tesla's best friend.

ellauri028.html on line 352: Masin on kaapin ovessa yksi, parlevuu,

ellauri028.html on line 356: ... Masin on kaapin oven sisällä siellä

ellauri028.html on line 402: The doughboy he went over the top

ellauri028.html on line 566: Kansalaiset! Nyt on jälleen se aika vuodesta, jolloin on aika muistaa maamme ilotulituxissa vammautuneita ilotulitusveteraaneja! Jotka lähtivät vapaaehtoisesti niskalaukauxenkin uhalla, usein inhimillisesti kazoen iian varhain, täynnä intoa puolustamaan lemmikkien oikeutta kuunnella ilotulitusten paukkinaa ja haistella ruudinkäryä vaatekomerossa kenkäläjän alla puolen yön ajan vuodessa. Jotka palasivat liian suuren ja liian raskaan uhrin antaneina, päättöminä (kuten lähtiessä) ja silmättöminä, kuolleita kissoja ja lento-oravia repussa, mutta tyytyväisinä kuin äiti armas Volgan laturiin.  Katon rajass' kulkee hauki, pahaa taitaa tarkoittaa... Kierrä pullon korkki auki, ryyppy pedon karkoittaa! Pöydän alta ryömii lisko, ilkein silmin tuijottaa. Ryyppy toinen naamaas kisko, Aistiharha lähdön saa. Vierustuolill' istuu hylje, pyrstö läpsii palleaas'. Kunhan vain et lasiin sylje, mursu daamiks muuttuu taas. Pöydän päällä ammuu nauta, maitoo koettaa tyrkyttää. Ryyppy neljäs, jumalauta, maitohapot karkoittaa. Näitä ilotulitusveteraaneja varten rakennamme Kauniaisiin ilotulitusveteraanien kuntoutuskeskuxen Papattiveljeskodin. Kun siis päätön nuori mies ilmestyy ovelle käsi ojossa ja karvalakki kourassa, hellittäkääpä pörssinnyörejä. Tarkoitus on jalo, missä olisimmekaan nyt ilman ilotulitusveteraanien eläinuhreja. Varmaan Kouvostoliitossa munalipun alla.

ellauri028.html on line 644:     Toimin 60-luvulla vaasalaisen talon isännöizijänä. Tehtäviini kuului vesimaxujen seuranta. Kerran menin viidennen kerroxen Mjölkvisteille huomauttamaan siitä, että huoneiston yhden asukkaan vesimaxu oli maxamatta. No heillä oli kuitit siitä, etä kaikkien Mjölkvistien vesimaksu oli maksettu, ja silloin kuulin suuni sanovan, että entä sitten se Inga Reklamer, jonka nimi on teidän ovessa.

ellauri028.html on line 743: Helen looks him over, "Nope."

ellauri028.html on line 813:   Täällä valtakunnantyhjäntoimittaja Esa-Jouni Reikä-Saarinen ja uusi sensaatiomainen tiedelöytö! Posketonta! Käsittämättömän mahtavaa! Nimittäin! Soveltavan filosofian maailma kohahti tänään kuin Keilaniemen rantaa alvariinsa tapaileva aalto. Sosiobiologi Lauri H. Anterosson paljasti löytäneensä aivan uuden ja tähän asti tuntemattoman eläinlajin, ihmismuurahaisen! Sosiopaatti Anterosson teki tämän ällistyttävän ihmismuurahaishavainnon sattumalta ollessaan rutiininomaisella helikopterilennolla 2000 metrin korkeudella Espoon ilmatilassa. 

ellauri028.html on line 884: VI ERAILIJA: PusPusHalit :p päätön :love: Nyt kyllä kaivat verta nenästäsi. Jos sulla siis sellainen on.

ellauri028.html on line 886: Sana "love" esiintyy 310 kertaa Jaakon raamatussa, 348 kertaa uudessa amerikkalaissessa standarditeoxessa, 551 kertaa uudessa kansainvälisessä versiossa ja 538 kertaa uudessa revisionistisessä standarditeoxessa. Kasvu käännöxissä johtuu epäilemättä siitä, että rakkaudesta on tullut on jenkkijohtoisen globalisaation brändisanoja. Sillä on hyvä huijata housut jalkaan villeille. Luvut heittelehtivät niin paljon, että mitään varmaa ei voi sanoa, mutta pyöreästi puolentuhatta noita lemmensanoja kai on.  

ellauri028.html on line 917: Love – 230

ellauri028.html on line 924: Holy Spirit – 93 (not included above)

ellauri029.html on line 154:     Joku lähde on mainittava blogiesseenkin yhteydessä. Esim: Suo lähde kaunis kazelen, likeellä vettäsi... Luotettava lähde, Ruovedeltä, siis ihan kotipesästä. Kotimaista, hyvä.


ellauri029.html on line 352: In the 1990s, Kahneman's research focus began to gradually shift in emphasis towards the field of "hedonic psychology". This subfield is closely related to the positive psychology movement, which was steadily gaining in popularity at the time.

ellauri029.html on line 432: joka on Alex Stubbiakin kovempi anteexipyytäjä, sori siitä, sori tästä, ja 


ellauri029.html on line 434: We are here because we are optimists. We move fast and break things. 


ellauri029.html on line 667: Tärkeintä on oman tiimin ituradan lisääminen. Se ei nussimatta onnistu. Sen edestä sietää vaikka tappaa tai kuolla ize pukille. Toisixi tärkeitä on kilpailevien ituratojen vähennys. Sen edestä voi jättää vaikka syömättä ja heittää henkensä. Tähän tarvitaan sankareita ja isänmaallista uhrimieltä. Kolmannexi tärkeitä on pysyä ize elossa, syödä ja juoda kun on tilaisuus. Mutta itiöemän elämän tarkoitus on tappaa muita ja lisääntyä, niin että tähän liika panostus on syntiä. Niinkuin on turha tappaminen, jos sen sijaan voisi nussia ja tehdä lisää pentuja. Make love, not war.

ellauri029.html on line 695:     Simon henkilöhistoria kuulostaa kyllä vähän narsistiselta, varsinkin ton pojan nimi Frans. Rosa ja Simo on jotenkin samannäköisiä, pikku peikkoja. Meriläinen on ollut avioliitossa ikätoverinsa toimittaja-tietokirjailija Tuomas Murajan kanssa lokakuusta 2017, ja heillä on uusperhe. Ei se Murajakaan ole ihan viaton, se on muuttanut nimensä Murajaxi Kainulaisesta. Entinen palkkasoturi, palkkatyötön (Sipilän perustulomarsu 2017-8). Rosa on jossain vihreiden suojatyöpaikassa. V. 2017 se kyllästyi sanoja kääntelevään Tampereen pikkumieheen ja muutti takas Helsinkiin. 

ellauri029.html on line 914: Is Paul’s language ironic here? Absolutely. Was it hurtful? Intentionally so. Yet, because his intent was to lead the stubborn Corinthians to the truth, it can still be considered loving. In fact, Paul followed this passage with, "I do not write these things to shame you, but to admonish you as my beloved children."

ellauri029.html on line 918: The passage sounds sarcastic. It says one thing while meaning another in a way that makes the hearers look foolish. But Paul’s method was not meant as a personal insult. The goal was to grab the readers’ attention and correct a false way of thinking. In other words, Paul’s words are satirical, but not sarcastic. They are spoken in love to “beloved children.”

ellauri029.html on line 924: Sarcasm, on the other hand, is not appropriate. Sarcasm has at its core the intent to insult or to be hurtful with no corresponding love or wish for well-being. Instead, the goal of sarcasm is to belittle the victim and elevate the speaker. Jesus warned against such harsh, unloving words in Matthew 5:22. Our words should be helpful and edifying, even if they are uncomfortable to the hearer.

ellauri030.html on line 57:     Stoalaisia ja kävelysauvalaisia ei erottanut toisistaan kuin törkkimällä porkalla.  Ne oli soveltavia filosofeja, joita kiinnosti vaan elämäntaito eli izehoito. Stoalaisille oli kiinnostuneet vaan ja yxinomaan 100% äijyydestä, sauvojat myönsi muille asioille infinitesimaalisesti arvoa. Pro-Akatemian eklektikot laski vaan kannattavuusprosentteja ja selasi tuotevalikoimia.

ellauri030.html on line 98: Tämmöiset soveltavan filosofian etiikkapläjäyxet palveli antiikissa samaa tehtävää kuin sittemmin saarnakokoelmat eli postillat. Sellasen ääressä istuessa tuntuu vanhuus vähän paremmalta, ainakin näkee ettei ole ainoa asiasta kärsijä.

ellauri030.html on line 318: Epiktetos asui stoalaisesti pienessä kamarissa, suuressa köyhyydessä, surkeassa tilassa ja alhaisessa asemassa. Keskittyi soveltavaan filosofiaan ja opetti olemista oman elämänsä seppona, tai oikeammin teppona. Tarkoituksena on turvata oma elämä elämällä järkevästi ja luomusti. Ne jotka ei osaa opettaa.

ellauri030.html on line 335:     Epiktetos eli Domitianuxenkin aikana. Lukikohan se Statiuxen kehnoa tilausrunoutta. Ai eihän se osannutkaan lukea, no ehkä Arrianos luki sille ääneen. Domitianus karkotti kaikki soveltavat filosofit Roomasta. Siinä lienee huuhtoutunut alas Epiktetoskin.

ellauri030.html on line 347:   Zenon  oli soveltavan filosofian perustajanimiä, käytännöllinen  moraalioppi oli sen ihan vahvuusalue. Osmo Soininvaaran henkisiä sinivihreitä. Kaikki riippuu mielialasta, teko  sellaisenaan  on  yhdentekevä. Esimerkiksi  rikokset  ovat seurauksia siitä, että tekee vääriä päätelmiä hyödyllisestä ja vahingollisesta. Niinpä niin, ei ois kannattanut sen huumepoliisinkaan rikoxen tielle lähteä, meni isänperinnötkin mukana. Kardinaalihyveet on oikeus, maltti ja urheus. Seppuku on ookoo ratkaisu jo se tuntuu siltä omalta kannalta, siitä vaan riippumattomasti heilumaan ohjenuoran jatkona. Älkää lapset melutko, isä menee hirteen lepäämään. Stoalaisuus on kristinopin jälkeen hyvä kakkonen, sanovat kristinoppineet, stoalaiset kuinka ollakkaan pitää vastakkaista järjestystä oikeampana. Myöhempien aikojen kristityt on lainanneet stoalaisilta takas enemmän kuin Epiktetos otti niiltä luvatta.

ellauri030.html on line 429: Ei tää kyllä ole kovinkaan seppoilevaa, täähän on teppoilua, alistuvaa fatalismia. Epiktetos on ilmiselvä kamalien eläinten majava. Sepot on niitä isoveli matteja, öykkäreitä karhuja, näytelmäkirjailijoita, jotka päättää rooleista. Mä teen just samaa, vältän pelejä jossa mulla ei ole voittavaa pelitapaa. 

ellauri030.html on line 439:     Jos rupeet soveltavaxi filosofixi, valmistaudu alun pitäen siihen, että monet pilkkaavat  sinua  ja  sanovat:  ”Meidän  keskuuteemme  on  yhtäkkiä  ilmaantunut filosofi. Mistä on peräisin tuo ylimielinen ilme?” Mutta älä vaihda ilmettä, vaan  pidä lujasti siitä kiinni, siinä näytät ihan parhaalta ja jumalan asettamalta. Jos annat periksi ja pokka pettää heidän edessään, joudut kaksin verroin naurunalaiseksi.

ellauri030.html on line 447:   Suositaanko jotakuta pidoissa sinua enemmän? Nauretaanko sen vizeille enemmän, ollaanko hänelle kohteliaampia tai kyselläänkö häneltä enemmän neuvoa? Jos nuo asiat ovat hyvästä, älä ole kade, mutta jos ne ovat pahasta, voit olla vahingoniloinen. Höh, jos ne on hyviä asioita, totta kai on kade. Jos ei suutukaan, pyrkii tasoihin. Tupastun orjan opas on neuvokki neuvottomille, lohdutusta luusereille. Eski on julkkis ja mä oon tavis, no emmä haluiskaan olla, mulla on mun hopeakolikko taskussa. Eski on antanut omansa Olliloille ym ja saanut vielä päälle alentuvaa kohtelua ovella. Hahaa mä oon vahingoniloinen! Kai.

ellauri030.html on line 463:   Nyt alkaa tulla tälläsiä pikkuvinkkejä, aika samanlaisia kuin se systeemifilosofien tietolaatikko. Nää vaikuttaa ohjeilta sellaiselle soveltavalle filosofille, joka haluaa vaikuttaa ylimieliseltä ja ihan jumalan asettamalta seurassa. Noi on tuttuja juttuja monista muista harmaaselän ohjeista: älä liikaa innostu, pidä suu pienenä kuin sanoessa muikkua, ettei voi vaan sula kitalaessa. Mystikkokin tekee parhaan vaikutuxen kun pitää suunsa kiinni riitissä. Hauskoja on noi ohjeet soveltavan filosofin käymisestä herroissa. Se on kuin Eskin käynnit Nokialla, tai Juutas Käkriäisen sahan hovissa. Pykälät 14-16 pitäisi Aarne Kinnusenkin ottaa onkeensa. 

ellauri030.html on line 480:    
Kun aiot mennä tapaamaan jotakin mahtimiestä, valmistaudu siihen, ettet tapaa häntä kotona, että sinua ei oteta vastaan, että sinulle ei avata ovea, että hän ei välitä sinusta. Ja jos kuitenkin velvollisuutesi on mennä, mene ja kestä kaikki, mitä tapahtuu. Äläkä koskaan sano itseksesi: ”Ei olisi kannattanut mennä.” Sillä on sivistymätöntä pahoitella ulkonaisia asioita.

ellauri030.html on line 782:   Siis mikä porukoita nauratti? Takuulla se että vaikka punanahka oli järkevä, repukalla ei ollut riittävästi taustatietoja. Silloin ei auta edes että on ovela. Kolonialistit on tosi paljon joholla. Tää on vähän sukua nauramiselle lasten kustannuxella, jonka Kant erixeen mainizee. Vähän taas sellasta dramaattista ironiaa. Punanahat ei ymmärtäneet viziä. 

ellauri030.html on line 802:     Man is the only animal that laughs and weeps: for he is the only animal that is struck with the difference between what things are, and what they ought to be. We weep at what thwarts or exceeds our desires in serious matters; we laugh at what only disappoints our expectations in trifles… . To explain the nature of laughter and tears, is to account for the condition of human life; for it is in a manner compounded of the two! It is a tragedy or a comedy—sad or merry, as it happens… . Tears may be considered as the natural and involuntary resource of the mind overcome by some sudden and violent emotion, before it has had time to reconcile its feelings to the change of circumstances: while laughter may be defined to be the same sort of convulsive and involuntary movement, occasioned by mere surprise or contrast (in the absence of any more serious emotion), before it has time to reconcile its belief to contrary appearances (Hazlitt 1819, 1).

ellauri030.html on line 833: Arskakin puhuu leikkisignaaleista tyyppiä "läppä läppä", joilla signaleerataan että nyt on tulossa vizi. Niinkuin Jakkoh-Hintikan ovela ilme ja housujen nostelu. Hymy ja nauru tiätysti. Muillakin apinoilla on sellaisia, ne on ainaskin 6M vuotta vanhoja. Simpanssit ja gorillatkin irvistelevät: hymyillessä suupielet ja huulet vedetään syrjään, hampaita ei näytellä, silmätkin on kiltisti. Naurussa huulet on löysinä ja suu auki, hengitys on huohottavaa. Apinatkin nauraa kun niitä kutitetaan. Se siitä ihmisten erinomaisuudesta. 

ellauri030.html on line 857:   Komedioissa on antisankareita, käytännön piloja, tehdään pilkkaa päättäjistä ja virkavallasta, tehdään diilejä, huijataan, juostaan karkuun ja potkitaan perseeseen. Pelkuri on vaan hetken, mutta kuollut loppuelämän. Hyveitä on kriittisyys, oveluus, sopeutuminen, syöminen, juominen ja seksi. Ei näitä "paheita" sunkaan pilkata komedioissa, niinkuin yrmyt uskottelevat, pikemminkin päinvastoin. Täällä ollaan rupusakkia tai ei ainakaan paljon parempaa, enintään porvareita. Käytetään rahvaanomaista kieltä.

ellauri030.html on line 859: Komedia soveltuu paremmin markkinatalouteen, jossa eliitti pysyttelee mieluummin kulisseissa. Tragedia ei edes ole mikään genre enää. Jos leffa ei ole komedia, se on seikkailua tai actionia (homeerista mätkintää) tai draamaa (ihmissuhdescheissea ilman nauruja). Draama tulee kai lähimmäx entisvanhaa tragediaa. Kaikista homeerisimmissakin sankarileffoissa on koomisia kevennyxiä. (Niistä vastaa usein sankarin sivuvaunu plus konnakopla.)

ellauri030.html on line 882: Filosofia muistuttaa ize asiassa standup komediaa. Dialogiformaatti, arkielämysten mätystys ja niiden pohdinta, tunteilun ohittaminen, kriittisyys, epäautoritaarisuus (no hm), kielellä pelleily, paradoxeilla pelailu, nokkeluudella keekoilu. Arvojen ja normien kyseenalaistus. Joo, koulufilosofit ehkä tekee tätä, sit on näitä soveltavia.

ellauri030.html on line 888:     Man is a rational animal — so at least I have been told. Throughout a long life, I have looked diligently for evidence in favor of this statement, but so far I have not had the good fortune to come across it, though I have searched in many countries spread over three continents” (1950, 71). 


ellauri030.html on line 906: Moreover, Freud (1960) followed Herbert Spencer's ideas of energy being conserved, bottled up, and then released like so much steam venting to avoid an explosion. Freud was talking about psychic or emotional energy, and this idea is now thought of as the relief theory of laughter.

ellauri030.html on line 910: An analysis of content from business-to-business advertising magazines in the United States, United Kingdom, and Germany found a high (23 percent) overall usage of humor. The highest percentage was found in the British sample at 26 percent. Of the types of humor found by McCullough and Taylor, three categories corresponded with Freud's grouping of tendentious (aggression and sexual) and non-tendentious (nonsense) wit. 20 percent of the humor were accounted for as “aggression” and “sexual.” “Nonsense” was listed at 18 percent. 

ellauri030.html on line 924: Similar analysis can be applied to issues involving racial discrimination, sexual deviance, drug abuse, and other controversial issues. I.e. about all of EAT! FUCK! and KILL!

ellauri031.html on line 32: Hennes bøker for voksne ble derimot ikke tatt godt i mot av datidens anmeldere. Disse var samfunnskritiske og tok blant annet for seg ugifte kvinners kår i samfunnet. Novellesamlingen Som kvinder er (1895) er gjenutgitt flere ganger, og har i ettertid blitt anerkjent som en viktig del av norsk litteraturhistorie.

ellauri031.html on line 48:   Zwilgmeyer (l. Zwilchmeyer) betyder byxmakare på lågtyska. Det oaktat är Dikke tvättäkta norska, och xenofob. Boken börjar med en långtråkig skildring hur norska barn mobbar fattiga zigenare. Yrhättan här (hon har ännu inget annat namn) är borgmästarens långbenta flicka, den värsta bråkmakaren. De små rasisterna skriker något förnedrande till zigenarna och springer bort. Dom gömmer sig hos en homofil som broderar i smyg, liksom den ena gubben i Tove Janssons muminserier, och slipper undan. Som tack blir zigenarna utvisade ur stan. Bra läxa för små norrbarn at lära sig just nu. Gör så här med immigranterna, det blir kul. 

ellauri031.html on line 116:   Men hon kommer nog hem, och pappa säger att hon inte alls måste bli morbrors och tants barn och bli rik. Får se nu hur länge det dröjer förrän hon ångrar det. Me för nuvarande smakar smultronen där hemma på Karstens nya smultronställe så mycket sötare. Vilket är bättre, vara herre på ett povert land eller träl i ett rikare?

ellauri031.html on line 231:       Kesäisin lähetetään heidät suuriin leireihin rannikolle tai vuoristoon (kuin Aku ja pojat!). Lapsia ei pakoteta osastoihin. Mutta on sanottava, että koulupojat jotka eivät kuulu nuorisojärjestöihin saavat joskus kärsiä fasististen tovereittensa kiusaa. Järjestöissä pojat oppivat tottelemaan käskyjä, käsittelemään ylempiään ja alempiaan ja aseita, seisomaan vahdissa, sanalla sanoen sotilaan velvollisuuxia. Moraalisesti ja fyysisesti heitä valmistetaan tulevaan tehtäväänsä, jonka sisältö selvään käy ilmi nuorisojärjestön johtajan sanoista: "Ehkä tulee aika maallemme, jolloin kokonaisen sukupolven täytyy uhrata kaikkensa, toimintansa, omaisuutensa ja elämänsä kansakunnan tulevan suuruuden hyväxi. Silloin johtajalla on oleva uusi kansa, palavan uskon ja uhritahdon täyttämä, valmis valittamatta uhraaman kaiken suuren päämäärän vuoxi." Kuuliaista tykinruokaa, kiväärin- ja tykinkuulille maalitauluja. Niinkuin kävikin. Sääli ettei listitty kuin muutamia miljoonia, enemmänkin maalitauluja oisi ollut maailmanlaajuisesti tarjolla. 

ellauri031.html on line 276:       "Minun  läsnäoloni italialaisten filosofien 7. kansalliskokouxessa on tarkoituxena torjua syytös että fasismi on laskenut italialaisten älyllistä tasoa ja työntänyt syrjään henkiset ja sivistysarvot. Tämä syytös on perätön. On muistettava ettei meitä suurmiehiä synny joka vuosi. Olemme nyt välikaudessa jolloin tarmomme menee empiiris-materiaalisten ongelmien ratkaisuun. Elämäntaistelu meidän päivinämme on niin kova ja modernin sivilisaation varjopuolet niin synkät että pessimismi kulttuurin rappeutumisesta on osin puolustettavissa. Kuitenkin uskon, että pian meillä on suuri filosofia, suuria runoilijoita ja taiteilijoita. Sellainen kehitys on valmisteila. Mutta nykyaikaan eivät filosofit voi paeta elämää. Norsunluutorni on murentunut kaupunkiemme hälinässä ja levottomassa menossa. Filosofi ei ovi vetäytyä korkeiden vuorenhuippujen yxinäisyyteen, sillä lentokoneen moottorin surina riittäisi tuomaan hänet takaisin modernin maailman mekaaniseen todellisuuteen." 
Teollinen sota, sotateollisuus. Siitähän 1900. vuosisadan alussa oli kymysys. Italia tarvizee nyt soveltavaa filosofiaa, riippukeinumiehiä, ei mitään norsunluupuikkoja.

ellauri031.html on line 316:       Benito lähti Sveiziin pakoon inttiä, luki siellä Nietscheä ja Paretoa. Sovelsi diktaattorina Pareton periaatetta: 80% mulle, 20% sulle. Ei tullut ihan Pareto-optimaalista. Mellakoi sosialistiporukoissa Sveizissä. Pidätyskuvassa on tosi pahan näköinen, tommonen makaroonimatu kun tulis pimeellä kujalla vastaan. Palas lopulta Italiaan ja meni kiltisti sala-ampujajoukkoihin, halus kai oppia käyttelemään kivääriä kunnolla. Sillä oli siellä kananpersetöyhtö hatussa ja se marssi puolijuoxua. 


ellauri031.html on line 319:   Mussolini luki izensä lukeneistoon kansakoulupohjalta. Se luki kaikkea, etenkin Sorelia, Engelsiä ja Marxia. Käänteli italiaxi Nietscheä, Schopenhaueria ja Kantia. Tykkäs Platon Valtiostakin. Hyi helvetti. Platonin ihailusta voi fasistipaskiaisen heti tunnistaa. Plato oli teoreettinen filosofi, Mussolini soveltava. Se sovelsi Platonin valtio-oppia arkiryskeeseen. Kuin Plato ize, mutta paremmalla menestyxellä. Ryhtyi ize diktaattorixi eikä diktaattorin koutsiksi. Siinä leikissä voi käydä huonosti. (Siis molemmissa voi, ja kävikin.)

ellauri031.html on line 327:   Mussolinin ulkopolitiikan peruskäsite oli spazio vitale (vital space), se on Lebensraum italiaanoxi, tai päinvastoin oikeestaan, Benito kexi sen jo 1919. Se on sama käsite kuin ympyräsuisen amerikkalaisen ystäväni siteeraama "American vital interests" kaikkialla maapallolla. Elintärkeät edut indeed. Elin irti teiltä, tärkeät edut meille. Rasismikortti viuhui ahkerasti, musta tässä vaiheessa eikä punainen. On luonnonlaki että makaronit pistää päihin alemmalle sloveenirodulle. Uusia uhreja ei pidä pelätä. 500K barbaarislaavia voi kepoon uhrata 50K italiaanolle, sanoi Mussolini 1920. Imperialismi Afrikassa on oikeutettua, koska mehän ollaan uomo superioreja, valkoisia vaikka mustat kesäpaidat päällä, noi vaan mustanahkoja. Aika mustavalkoista. Tää on darwinismia. Kolonialismin seurauxia saadaan nyt koko Euroopassa nauttia, kun mutiaiset soutaa Välimeren yli kumiveneillä. Oikeassa oli Mussolini, tää ON darwinismia. Ovatko mustat ja keltaiset jo ovella? Si, ne on! taas huudetaan saapasmaan rannoilla kuten Beniton loistoaikoina.

ellauri031.html on line 333:   Mussolini kavereineen '22 on ihan persun näköisiä kuvassa roimahousuineen ja pyssykoteloineen. Haju Pisilä, Halla-aho ja se tyhmä Lindström. Wanha kaljupää käsi ojossa vois olla Ben Zyskowits. Wanha ääni oikealta.  Kunkku Emmanuel ("jumala kanssamme", yx Jeesuxen nimiehdotuxista) pelkäs vallankumousta ja anto avaimet käteen Mussolinille. Mussolini avas oven, sulki kunkun ulos ja oli ize sisällä. Eikun rakentamaan poliisivaltiota, josta kertoi Gummeruxen kirjanen. Kohta kulki junat aikataulussa. Eikä puolitoista tuntia myöhässä kuten Suomessa. Hyi helvetti, mieluummin olkoot vaikka kulkematta ollenkaan, myydään ennen Viroon romuxi kuin tällästä paskatouhua. 

ellauri031.html on line 640:   Hmm, eikös ollut USAn ja NLn lättänenillä muka lusikkaansa siinä sopassa? Kaarloa alkaa vähän hirvittää, ja se ottaa Raamatusta "peukalovärsyn". Aivan hätkähti, mitä siitä peukalonsa alta luki:  Mene kansa kammioihin ja sulje ovet perässä, lymyä hetki kunnes viha on ohi mennyt. Se oli Jesajasta kaiketi. Montakohan peukalointia siihen tarvittiin. 

ellauri031.html on line 654:   Kaarlon sankaritarinat appelsiininpoimijana Kapernaumin naapurissa (Tiberias) muistuttaa elävästi Amos Ozin kibbutziromaania.  Mut porkkanoiden kitkeminen on jo niin vittumaista, et Kaarlo pyytää jumalalta siirtoa. Ja tulihan se, skotin lähetyssairaalan talonmiehexi. Maire odottelee katraan kanssa tehdastyöläisenä ruozissa. Kaarlon ei auta muu kun alkaa kazella perheasuntoa, Maire pommittaa niin kovasti. Eka ei kelpaa kun siellä on perkeleitä komerossa. Perhe saapuu vapahtajan kotijärven rannalle ovettomaan ja ikkunattomaan talorötisköön. Aika karua niillä oli tappaessa rottia ja käärmeitä, niinkuin meillä monen muuton jälkeen mutta enemmän kotieläimiä. Saita asshole skotti kusettaa niitä, tekevät sairaalassa työtä palkatta. Syövät 5 kaktusta ja 2 kalaa katiskasta. On vaikeaa. Sitten saidan skotin sairaala suljettiin, kun rotta oli syönyt lapsipotilaalta nenän.  Skottilähetti lähetettiin kotia, Syvännön bibliabisnes tuli tilalle.

ellauri031.html on line 674: Meneekö se niinkuin luvussa Callesta ja Hobbesta on kuvattu. Kyse on varainsiirrosta tuonpuoleiseen veroparatiisiin. Jotkut pohatat on keränneet murheenlaaxossa niin paljon massia, että pelätessään haudantakaisia veroseuraamuxia ne siirtää luottoa pilvitileille. Mukanaanhan sitä ei voi viedä muuten kuin just tällä tavalla. Tää luotto on sikälikin hyvä sijoitus, et ilmainen näyte koukuttaa oman tiimin puolelle uusia asiakkuuxia, jotka sitten ostaa meikäläisiltä kovalla rahalla kovempia huumeita: postilloja, pääsiäismunia, joululahjoja ja Oral B hammasharjoja.

ellauri031.html on line 695:   Hämmentävän vähän on Kaarlon muistelmissa ihmisiä, muita kuin noita perkeleitä ja enkeleitä, raamattuotteluiden satunnaisia pelitovereita ja vastapelureita. Loppupuolella tulee joitakin ihmeparantumisia, mutta aika instrumentaalisen kliinisesti käydään niittenkin keissit läpitte. Ihan sama todistamisen maku kuin evankeliumeissa. Ihmiset on vaan esimerkkejä. Onko tää nyt tosi kristittyjen meininki? Niin se varmaan just on. Me ollaan numeroita, lampaita herran katraassa, herra komentaa jako kahteen, lampaat tänne, tonne viiden metrin päähän pukit.

ellauri031.html on line 787: Emanuel Tollefsen-Minos (født 11. juni 1925 i Luvungi i Belgisk Kongo, nå DR Kongo, død 15. november 2014 i Oslo) var en norsk teolog og forkynner tilknyttet den norske pinsebevegelsen. Han hadde veldig store ører.

ellauri032.html on line 32:   That which perhaps may most offend, are certain Texts of Holy Scripture, alledged by me to other purpose than ordinarily they use to be by others. You may be pleased to excuse your selfe, and say that I am a man that love my own opinions, and think all true I say.

ellauri032.html on line 85:   Tästä jää käteen se, että ihan sama mitä teet, joko sä olet niissä 144K temmattavassa, tai sä et oo. Huomaa kuitenkin ovela dramaattinen ironia: apina ei ize tule tietämään ennen kuin loppuarvonnassa, kuuluuko se vuohiin vaiko lampaisiin. Pelkän rataennätyxen perusteella kaikki joutaisivat huut helvettiin, joten ei auta kuin pitää peukkuja, ja käyttäytyä sen mukaan kuin on käsketty, jotta edes näyttäisi todennäköiseltä että olet lampaiden laumassa. Se ei sinänsä paranna sun zargoja vähän vähää, mutta todistaahan se jotakin. Vaikutusnuoli on käänteissuuntainen. Varmasti ne 144K nimittäin on tosi kilttejä.

ellauri032.html on line 155: Lundi 23 novembre, jour de saint Clément pape et martyr et autres au martyrologe.

ellauri032.html on line 221: Thomas Stearns Eliot OM (26 September 1888 - 4 January 1965) was a poet, essayist, publisher, playwright, and literary and social critic. Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work and marry there. He became a British subject in 1927 at the age of 39, subsequently renouncing his American citizenship.  

ellauri032.html on line 252:     Le coeur a ses raisons que la raison ne connaît point, how often one has heard that quoted, and quoted often to the wrong purpose! For this is by no means an exaltation of the ‘heart’ over the ‘head’, a defence of unreason. The heart, in Pascal’s terminology, is itself truly rational if it is truly the heart. For him, in theological matters which seemed to him much larger, more difficult, and more important than scientific matters, the whole personality is involved.

ellauri032.html on line 270:   Thomas Hobbes on ehkä hieman kesymmän näköinen (nojaa, ei sittenkään) kuin Calvin, mikä kyllä sopis Lassi-ja Leevisarjixiin: Leevi on ystävällisemmän näköinen, ja pörröinen, ei angstaa yhtä paljon, ja vetää kotiinpäin selkeästi ovelammin - tää nazaa todellakin hyvin.

ellauri032.html on line 327:       Hobbe sanoo aivan oikein että apinoiden passiot on aina samoja, vaikka niiden kohteet riippuu jossain määrin ympäristöstä. Tää on taas se Herbert Simon idea. Se on vähän turhan innostunut liikkeistä, vaan mistäpä se tietäisikään vielä muista energian muodoista. Mutta tarkoitus on oikeensuuntainen, eli redusoida aistit yhteen syyhyn, liikkeeseen, jonka jatkumista kallon sisällä on sitten muukin sielunelämä, liikkeelle lähteneen heilurin vellomista aivovellissä.

ellauri032.html on line 333:       Kielellä saa sanotuxi ajatuxia joita ei voi kuvitella, kuten äärettömyys. Aivon neuroverkko on äärellinen automaatti, mutta vaan teoriassa voi sillä tuottaa äärettömän kielen. Teoria lausejoukko seurauxineen, siis kieli, opettaa logiikka. Joukko-opissa ei voi ristiriidattomasti olla rajoittamatonta komprehensioaksioomaa, sen osoitti Russell kolme vuosisataa myöhemmin paradoxixi. Koko ääretöntä ei voi käsittää yhteen läjään, se ajatus puree häntäänsä kuin koira, joka on lukenut ritariromaaneja.  

ellauri032.html on line 389:   Muista pikku teiniveli piirtämäsi paraabeli, vittuili Jöns puolipitkältä matikalta. Parabeli on vertaus, pieleen heitetty. Jeesus puhui vertauxilla ja tunnuskuvilla. Pieleen meni, tuli tapetuxi. Siinä vaiheessa se oli heittänyt jo kaivoon hohtimet, ei ollut enää pelkkä symbolisti niinkuin paha Bourget tai vielä pahempi Baudelaire. Symbolismi oli setämiesten hommia, piirtelivät pulpetteihin kirkkoveneitä.

ellauri032.html on line 642: Simone de Beauvoir kieltäyty julkasemasta loppuosaa Sammelin novellista Suite Sartren lehessä v 46. Mixhän ei?

ellauri032.html on line 678: Ihmiset eivät käsitä. Se ei ole synti, se ei ole väärin, että ihminen pyytää meidän rakkaalta Isältämme jokapäiväistä leipää. Samoin myös ei kenenkään ihmisen ole tarkoitus elää ilman leipää. Se on totuus mistä meidän ei tarvitse väitellä kenenkään kanssa. Jos minä haluan väitellä jonkun kanssa, että ihminen voi elää myös ilman leipää, hän varmasti ajaa minut nurkkaan lyhyessä ajassa niin, että minä olen pulassa. Paizi voihan elää ilman leipää, jos syö vaikka riisiä. Nojoo, toi oli vaan sivuhuomautus. Saatana oli ovela eikä vastannut tähän enempää.  Tämä siten oli ensimmäisen koetuksen loppu.

ellauri032.html on line 688:   Jos se on siellä, eikä siitä ole kirjoitettu mitään muuta, silloin täytyy hyväksyä se päteväksi. Jos se on siellä ja siellä on 20 tai 30 muuta sanontaa, jotka näyttävät kuinka tämän sanonta ymmärretään ja miten etäälle sitä tietoa voi soveltaa, silloin meidän täytyy sanoa: ”Taas on myös kirjoitettu”. Siitä tulee pitkän päälle aivan mahdotonta sotkua, jonka selvittämiseen tarvitaan meitä saarnaajia.

ellauri033.html on line 340: Hij publiceerde in 1874 in eigen beheer de gedichtenbundel Le drageoir à épices. De heruitgave van het jaar daarop verscheen onder een gewijzigde titel, Le drageoir aux épices. Dankzij zijn artikel over L´Assommoir en een roman, Les Sœurs Vatard (1879), won hij Émile Zola voor zich. Hij leverde een bijdrage aan de bundel Les Soirées de Médan (1880), die het manifest wordt van de naturalistische literatuur. Zijn werken schetsen het beeld van een grijs, banaal en alledaags bestaan, zoals in En ménage (1881) en À vau-l´eau (1882), waarbij hij blijk geeft van pessimisme en van zijn weerzin voor een moderne, door "janhagel en zwakhoofdigen" bevolkte wereld.

ellauri033.html on line 344: In 1891 publiceerde hij de satanische roman Là-bas (Uit de diepte), rond het historische personage Gilles de Rais. Een hoofdpersonage uit deze roman weerspiegelt eveneens Huysmans´ persoonlijke evolutie; een satanische wording, waar occultisme en sensualiteit voorafgaan aan zijn bekering tot het christelijke geloof (La Cathédrale (1898) en L´Oblat, (1903)) waartoe esthetische overdenkingen hem brengen. Vanaf dan zouden alleen nog maar rooms-katholiek geïnspireerde werken verschijnen.

ellauri033.html on line 346: Onder zijn "katholieke" romans: L´Oblat, gebaseerd op zijn eigen toetreding als oblaat van de benedictijnen, en later Les foules de Lourdes (De menigten van Lourdes) over Maria en de wonderen in Lourdes, waar Huysmans indirect afrekent met Émile Zola en diens boek Lourdes (1894). Daarnaast herschreef hij in tijdschriftartikelen het leven van Lidwina van Schiedam. Dit leidde tot een heropleving van de verering van deze heilige. Als dank hiervoor heeft het Schiedamse gemeentebestuur een straat naar hem genoemd. Huysmans stierf als volledig ingetreden kloosterling in de pij van een benedictijner broeder aan de gevolgen van long- en botkanker, veroorzaakt door zijn jarenlange kettingroken.

ellauri033.html on line 418:     Zygologina Paul Hra Bourget on pannut moraalin takasin romaaniin. Aikana jolloin suoraviivainen luonnontieteilevä zygologia tukehdutti koko alan, kun sielutiede oli pelkkää ihmiseläimen tutkimusta, Hra Bourget lainasi luonnontieteilijöiden menetelmiä ja sovelsi niitä hormonien sijasta sielun kaiveluun. Tätä arvonimeä en tohdi siltä riisua. Se oli romaaneissa ensimmäisiä ja ehkä väkevin reaktionääri, joka vastusti tuota summittaista väkivaltaa, sielun lyhkäsex myyvää filosofiaa joka palauttaa ihmistoiminnan ruokahaluihin, ja sulkee luonnosta ja taiteesta kaiken mihin materialismi ei ylety. Ikävä kyllä sen reaktio löi aika lailla ylize. Se korvas yhden kaavan toisella: sosiobiologian joka puristaa sielun kuivaxi se korvaa koulusielutieteellä, joka exyy abstraktioihin. Ei siitä synny yhtään todennäköisempiä henkilöitä. Kaikista sen hahmoista ei mikään elä eikä jää mieleen. Sen analyysi rajoittuu hirmu ahtaisiin raameihin, ja sen tyypit on aina samanlaisia.

ellauri033.html on line 439:     Mutta siinäkin, jos se uskaltaa sanoa, on teesi aika hatara, Hra Bourget esittelee ison filosofin pienen oppilaan, joka tekee ällön rikoxen, ja yrittää osoittaa et filosofi on vastuussa oppipojasta. Ja silti ihmetyttää. Sixte on jonkinlainen harrastelijapyhimys, joka ällistyy kuullessaan et joku sen tuskin tuntema nappula on lukenut sen kirjoja ja tehnyt niistä kamalia johtopäätöxiä. Pellissier ei ota kantaa ize kysymyxeen, mut ihmettelee kuitenkin, ex sellainen syytös vaaranna ajattelun vapautta. Ex Greslou kexi omat kokeilunsa ihan omasta päästä? Noniin, koittakaa nyt päättää heppahöperöt, kuka on oikeesti vastuussa kun Polle karkaa avoimesta tallin ovesta syömään Heinosen sedän tulppaaneja penkistä?

ellauri033.html on line 520:   Greslou on se clasu Chambige josta kirjotettiin lehissä. Sixte ei lue lehtiä. Se halvexuu koulufilosofiaa, se on soveltava filosofi. Harrastaa systeemifilosofiaa ja sielutiedettä. Työpsykologiaa. Tilanne on syvästi koominen, muistuttaa Polle. Tuomari on uuden koulun miehiä ja sen kaveri vielä pahempi, vivööri sormi ajan pulssilla, "mukana junassa", kuten trendasi sanoa 1887. Maistraatti ja bulevardööri ihmelettävät, kuin pikanttejakin detaljeja naisista kirjoittanut misantrooppi onkin kiltin ja ujon näköinen. Tuomari ei voi uskoa ettei se lue lehtiä.

ellauri033.html on line 528:       Jos osaa kunnolla vetää naruista ja soveltaa dramaattista ironiaa maailman menoon, niin ei tarvi enää hölmöiltä kysyä mielipidettä. Google ja muut suoramainonnan plus somen parissa työskentelevät tekee sitä jo aika hyvällä menestyxellä. Isoista joukoista voi aika hyvin ennustaa mikä menee kaupaxi, niinkuin käsidesi, aseet, hengityssuojaimet ja vessapaperi nyt lopun aikoina.

ellauri033.html on line 593:     Kun Pikku Hukka ei pärjää kreiville nyrkeillä, se tekee sille frogarit bylsimällä sen pikkusiskoa. Tätä Charlottea kuvataan monisanaisesti, se on yhtä tyypillinen romanttinen lyyli kuin sen kreivi veli on herooinen. Pikku Hukka päättää vietellä sen ihan vaan näyttääxeen isoveljelle.

ellauri033.html on line 617:     Passow studerade i Leipzig under Gottfried Hermann, kallades 1807 av Goethe till Weimars gymnasium som överlärare i grekiska, åtog sig 1810 uppdraget att leda samt omorganisera läroverket Conradinum nära Danzig och blev 1815 professor i klassisk fornkunskap vid universitetet i Breslau. Passow vann mycket anseende både genom sin lärarverksamhet och sina skrifter. Han är mest känd genom Handwörterbuch der griechischen Sprache (1819-24, 5:e upplagan 1841-1857, utgiven av Valentin Rost och Johann Friedrich Palm; "Grekiskt och svenskt lexikon", 2 band, 1841, översättning av Wilhelm Gumælius).

ellauri033.html on line 670: Ja tää on tuubaa myös: "mestari" on "vastuussa" jos joku oppipoika ääliö ymmärtää sen väärin. Vitun "mestari". Vitun oppipojat. Ääliöitä koko porukka. Pitäiskö poikaa lohduttaa: hyväxy että olet kalkkuna, vai moittia: mitäs läxit kalkkuna? Ihan sama, se on myöhäistä nyt. Kalkkuna mikä kalkkuna. Kyllä veturikin voi katua, tai kalkkuna, soveltaa yrityxen ja erehdyxen mekanismia. Se on hyvin simppeli mekanismi ohjelmoida. Ei siihen tarvita vapaata tahtoa eikä supernaturaalia tuomaroivaa isäukkoa, joita Polle on innolla jo raahaamassa taantumuxen rekvisiittavajasta 

ellauri033.html on line 703:   Monelle yli 70-vuotiaalle kotiaresti on kuolemaa pahempi kohtalo. Mä viihdyn mummelin keittiössä, ain kotiin mä jään. Kun ei olis tätä pyörrytystä. Texasilainen poliitikko kannustaa vanhuxia antamaan henkensä markkinatalouden edestä, amerikkalainen elämäntapa on uhanalainen laji. Kuolkaamme lajitovereiden puolesta. 

ellauri033.html on line 811:     Kerran se lähti kävelylle, kaikki naapurit tervehti iloisesti. Kun se kääntyi hakemaan lompakkoaan, se yllätti ne anti-Alf mielenosoituxesta. Pastori näytti juuri anakondaa sen ulko-ovelle. Sen hokema on ´With my luck...´ ja skezin lopussa se sanoo masixena: , ´...oh, bugger.´  Se on jostain pohjoisesta. Ehkä Yorkista kuten Graham Wiltcock. 

ellauri033.html on line 826: 10.10. se pelastaa Julien Bourgetin järvellä kuin Rousseaun St.Preux omansa. Alf kirjottaa päiväkirjaan: "Pelastin rouvan mun veneeseen toissapäivänä. Nyt oon päivät pitkät sen kirkkoveneessä." Mela mekossa kyrpä airona ja munat peräpainona.

ellauri033.html on line 1075:     Eleonora d´Este is best known as the beloved of Italian poet Torquato Tasso (1544-1595). In 1565, Tasso was 21 when he first met the beautiful 28-year-old Eleonora at the court of Alfonso, and he was quickly infatuated. An indiscreet remark made by one of the courtiers regarding the poet´s veneration of the princess caused Tasso to challenge the offender. The courtier, along with his three brothers, attacked Tasso, but others put an end to the duel. Alphonso, incensed by this outburst, sent Tasso away from the court, where he remained subject to the duke´s call.

ellauri033.html on line 1076: According to legend, Tasso wrote verses to his beloved Eleonora that touched her heart. A few years later, at the wedding of one of the Gonzaga family, celebrated at the court of Este, Tasso kissed the princess Eleonora on the cheek. Furious, Alphonso turned coolly to his courtiers and remarked, "What a great pity that the finest genius of the age has become suddenly mad!" The duke had Tasso shut up in the hospital of St. Anna in Ferrara. (In actuality, Tasso had been beset by delusional fears of persecution starting in 1575 and began a series of mad wanderings around 1577.)

ellauri033.html on line 1102: Sen elämä oli yhtä tunarointia. Villiers näyttää suitulta versiolta luokalle jääneestä luokkatoveristamme Klaus Karttusesta. Klasu kirjoitti säädyttömiä runoja mustaan vahakantiseen vihkoon tunnilla. Yx olmin näköinen kaunainen jatko-opiskelija haukkui mua deekuxi puhelimessa Sysmässä autotallin ovella, kun mä epäilin että sillä on mielenterveysongelma.

ellauri033.html on line 1104: Auguste de Villiers de L´Isle-Adam, dit le comte, puis (à partir de 1846) le marquis de Villiers de L´Isle-Adam, est un écrivain français d´origine bretonne, né à Saint-Brieuc, le 7 novembre 1838 et mort à Paris le 18 août 1889. Appelé Mathias par sa famille, simplement Villiers par ses amis, il utilisait le prénom d´Auguste sur la couverture de certains de ses livres.

ellauri033.html on line 1143:     La Vie de Jésus (1863) contient la thèse, alors controversée, selon laquelle la biographie de Jésus doit être comprise comme celle de n´importe quel autre homme, et la Bible comme devant être soumise à un examen critique comme n´importe quel autre document historique. Ceci déclenche des débats passionnés et la colère de l´Église catholique.

ellauri033.html on line 1146: Mulla on Ernun kontroversielli teos Jeesuksen elämästä ruozixi ikävän JW Snellmanin aikoinaan omistamana kappaleena. Vanhuxena Ernu kirjoitti viisiosaisen Israelin kansan historian sekä useita teoksia itämaisesta filosofiasta ja arkeologiasta.

ellauri034.html on line 52: Jumalan edessä – niin ajan oven tuolla kuin tällä puolen – elämäsi arvo ei perustu siihen, mitä sinä olet tai teet, vaan kenelle sinä kuulut. Kuolemassa tämä on helppo ymmärtää ja hyväksyä. Ajan oven tuolla puolen ei ole merkitystä sillä, mitä minä teen tai olen tehnyt, vaan kenelle minä kuulun. Jumalan omat astuvat Jumalan valtakuntaan Kristuksen tekojen perusteella, koska he kuuluvat hänelle. (Jori Brander, metodistikirkon pastori Kuopiosta)

ellauri034.html on line 184: > > > 90-vuotiailta", hän sanoi. Olisin tarjoutunut tuomaan hänen ovensa taakse 


ellauri034.html on line 415: Jacobin toisesta vaimosta Rebeccasta ei ole tietoa eikä lapsia. Lisää aiheesta Genesixessä. Freudin Jacobilla oli voittopuolisesti tyttöjä. Israelin Jakobilla oli vaan se yx tytär Dinah, joka raiskattiin. (Ei siis se salaisuussarjan äxympi tyttö, sen Philipin sisko jolla oli papukaija Kiki. Jonka, siis Kikin, lajitoveri oli vankina Heinolan lintujen keskitysleirissä. Oppistalallaa, kylä lähti taas muistojeni mopo käsistä.) Amalian sisaruxet mm Siggen mielieno Hermann asu Wienissä. Ne oli hyvinvoivia. Sixkai lumppukauppiaan perhekin muutti sinne. Sukukuvassa on väkeä kuin salpausselällä, serkkuja ja tunnistamattomiakin sysslingejä ja pysslingejä. Freudit ja Bernaysit nai ristiin kuin Rousseaun vanhemmat tai Brotheruxet ja Carlsonit. 

ellauri034.html on line 421: Asuivat mamuina Määrin Freibergissä eli Slovakian Priborissa. Ne oli köyhiä,  isä Jakob 1815–1896  oli siis kai huono lumppukauppias. Asuivat hellahuoneessa lukkosepän hyyryläisinä. Jakob ja 2 isovelipuolta, Amelia ja pikku Sigge. Seizemän muuta oli vielä tulossa. Aika Singer oli lumppukauppias. 

ellauri034.html on line 488:   sanottavaa! Mitä, Petteri kulta, mitä? Puhu kovempaa, 


ellauri034.html on line 524:   loven tähän savottaan. No Linkolassa oli kyllä ainesta oikeaxikin 


ellauri034.html on line 525:   fasistixi, se erotti toisistaan Beethovenin ja laahuxen, munatotin tekijät 


ellauri034.html on line 543: In 1975 the Nigerian writer Chinua Achebe published an essay, "An Image of Africa: Racism in Conrad´s ´Heart of Darkness´", which provoked controversy by calling Conrad a "thoroughgoing racist". Achebe´s view was that Heart of Darkness cannot be considered a great work of art because it is "a novel which celebrates... dehumanisation, which depersonalises a portion of the human race." Referring to Conrad as a "talented, tormented man", Achebe notes that Conrad (via the protagonist, Charles Marlow) reduces and degrades Africans to "limbs", "ankles", "glistening white eyeballs", etc., while simultaneously (and fearfully) suspecting a common kinship between himself and these natives—leading Marlow to sneer the word "ugly." Achebe also cited Conrad´s description of an encounter with an African: "A certain enormous buck nigger encountered in Haiti fixed my conception of blind, furious, unreasoning rage, as manifested in the human animal to the end of my days." Achebe´s essay, a landmark in postcolonial discourse, provoked debate, and the questions it raised have been addressed in most subsequent literary criticism of Conrad.

ellauri034.html on line 545:       Achebe´s critics argue that he fails to distinguish Marlow's view from Conrad's, which results in very clumsy interpretations of the novella.  Jeffrey Meyers notes that Conrad, like his back door acquaintance Roger Casement, "was one of the first men to question the Western notion of progress, a dominant idea in Europe from the Renaissance to the Great War, to attack the hypocritical justification of colonialism and to reveal... the savage degradation of the white man in Africa."

ellauri034.html on line 547: Chinua Achebe was a Nigerian novelist, poet, and critic who is regarded as the dominant figure of modern African literature. His first novel and magnum opus, Things Fall Apart, occupies a pivotal place in African literature and remains the most widely studied, translated and read African novel. If Conrad or his novel is racist, it is only in a weak sense, since Heart of Darkness acknowledges racial distinctions "but does not suggest an essential superiority" of any group.

ellauri035.html on line 36: Ennenkuin tälläiseen onnentilaan päästään, kirjoittava ihminen kokee kuitenkin paljon muita tunnelmia. On totuteltava kirjoittamisen käytäntöihin, opittavakin paljon. Pomoodoro-neuvo soveltuu myös kirjoittamiseen: hiljennä häiriötekijät (Seija), käynnistä ajastin (tomaatin muotoinen munakello) ja kirjoita kunnes se hälyyttää ja Seija huutaa: pidä tauko jätkä. 

ellauri035.html on line 108: Feet trembling in love, full of pale languor;

ellauri035.html on line 117: Wounded by the flaring spear of love,

ellauri035.html on line 123: Weary with the dear weight of young love,

ellauri035.html on line 130: I bring her back, ah, wearied out with love

ellauri035.html on line 135: Lay like cool bindweed over against my neck.

ellauri035.html on line 140: Making her grave eyes move in watered stars,

ellauri035.html on line 141: For love's great sleeplessness wandering all night,

ellauri035.html on line 143: Down the water of love in a harvest of lotus.

ellauri035.html on line 150: Then would my love for her be ropes of flowers, and night

ellauri035.html on line 151: A black-haired lover on the breasts of day.

ellauri035.html on line 155: Who curved her poppy lips to love dances,

ellauri035.html on line 157: Lying at her full; limbs ever moving a little in love,

ellauri035.html on line 159: Of bearing love ever on white feet.

ellauri035.html on line 171: She swims back in the crowning hour of love

ellauri035.html on line 182: Over and over all of her; with glittering eyes

ellauri035.html on line 183: All bright for love but very love-weary,

ellauri035.html on line 191: And bending over to a golden mouth,

ellauri035.html on line 208: Moving above scarves, and for my sorrow

ellauri035.html on line 220: The pleased intimacy of rough love

ellauri035.html on line 247: Woven with many flowers and tearing the dark.

ellauri035.html on line 254: Swinging from side to side over the valley trees,

ellauri035.html on line 271: Who was so strong to love me. And small men

ellauri035.html on line 315: Calls them to love and sleep. From the hot town

ellauri035.html on line 327: Give me your feet to kiss; I love you, dear.

ellauri035.html on line 341: The peach's fall, how calm she was and love worthy.

ellauri035.html on line 344: Slow straying in the orchard paths with love.

ellauri035.html on line 347: Love is a god and Rati the dark his bride;

ellauri035.html on line 356: I marvel at the bravery of love,

ellauri035.html on line 365: I mind that I loved cypress and roses, dear,

ellauri035.html on line 375: After much weeping. Piteous little love,

ellauri035.html on line 390: I love long black eyes that caress like silk,

ellauri035.html on line 394: I love a fresh mouth, ah, a scented mouth,

ellauri035.html on line 399: I mind asking: Where love and how love Rati's priestesses?

ellauri035.html on line 410: I have seen the priestesses of Rati make love at moon-fall

ellauri035.html on line 442: Rolls her gold beauty over an autumn sky

ellauri035.html on line 446: And kept my soul at balance above a kiss.

ellauri035.html on line 450: Is water of love to the great heat of love,

ellauri035.html on line 451: A tirtha very holy, a lover's lake

ellauri035.html on line 489: There is no covering upon you.

ellauri035.html on line 505: Which I saw pass above the engraven hills.

ellauri035.html on line 719:   tekee mitään tekemättömixi meren vuorovedet.

ellauri035.html on line 1012: As panic over coronavirus spreads, we have to make the ultimate choice – either we enact the most brutal logic of the survival of the fittest or some kind of reinvented communism with global coordination and collaboration.

ellauri035.html on line 1021: Zizek plagioi jopa izeään. Jopa Zizek on siis sitä mieltä, että Zizek  kirjotti ennen edes paremmin kuin nyt. Sloveniaxi se olikin helpompaa, ja kilpailua ei paljon ollut sen laitoxessa, Ljubljana institution for psychopaths. 

ellauri035.html on line 1033: ”The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking of structure, and marked a shift from a form of Althusserian theory that takes structural totalities as theoretical objects to one in which the insights into the contingent possibility of structure inaugurate a renewed conception of hegemony as bound up with the contingent sites and strategies of the rearticulation of power.”

ellauri035.html on line 1066:   Anthropos is a problem, osuvasti sanoo Paul Rabinow, antropologian nykyaikainen professori. Anthropos, sä olet "the human thing". Rabinowin heimoveli Jakob Watertownissa kertoi wizin, jossa samojedit ei halunneet juoda lähetyssaarnaajan pippelin palanpainikkeena Pepsiä. Mixi ei, kysyi Pepsi-kauppias. Koska "things go better with Coke". LOL.

ellauri035.html on line 1072:   Sen puuhastelu taitaa olla osallistuvaa havainnointia akateemisissa apinalaumoissa. Uusia muotoja tarvitaan koulufilosofiaankin, uusia labroja. Mitä sen uusissa labroissa puuhastellaan jää aika hämäräx. Käsitetyötä, ei siis käsityötä, eikä käsityölehtiä. Meemejä tutkitaan uusilla ovelilla tavoilla, niin ainakin rahoittajille luvataan. Eihän ne mitään ymmärrä kuitenkaan. Se nyysii Foucaultilta, toiselta rättikauppiaalta, History of the Present, ja tekee siitä Anthropology of the Contemporary. Vähemmän iskevä, mun miälestä. Sehän plagioi kuin Zizek, paizi ei izeään, vaan Foucaultia. Kunnon lipilaaristi se haluu osottaa et nykyisyys on rahanheittoa, ja sixi tulevaisuuskin voi olla mitä tahansa. Kovasti ähkäisten se äkistää ulos tän neronleimauxen: contemporary “is a moving ratio of modernity, moving through the recent past and near future in a (non-linear) space. Eli vähän vanhaa, vähän uutta, vähän lainattua, vähän sinistä. Bravo Polle! Sä teit sen! Mikä pukerrus! Tais peräpukamat olla kovilla!

ellauri035.html on line 1083: Foucault siis täydensi "Tunne izesi" kehotusta neuvolla "Hemmottele izeäsi". Foucault'n näkemystä uusiin suuntiin laajentaen Rabinow on asettanut haasteen keksiä nykyajan eroottisiin ja antropofagisiin ongelmiin sopivia laitteita – nykyaikaisia silikonisia ​​laitteita. If the challenge of contemporary equipment is to develop a mode of fucking as ethical anthropological practice, it also involves the design or redesign of venuses within which such ethical but still rewarding fornication is possible. Case work can indicate strengths and weaknesses in the venuses into which penal inquiry is initiated and performed. Casework, therefore, is an essential aspect of inquiry neither reducible to theory nor an end-in-itself but rather in an informant's end. Rabinowin heimoveljet israeli-arabisodissa teki rättipäille alapesun ennenkö raiskasivat ne. Siisti täytyy aina olla sanoi kissa hietikolla.

ellauri035.html on line 1093: Nintendosta: Tiinan (C) luokkatoveri Heikki Paakkanen sanoi ryypätessämme punaviinipulloa Johiksen kentän keskellä kun jotkut pojat lähestyi meitä ehkä pahat mielessä, että varokaa tota Jönssiä se osaa nintendoa.

ellauri035.html on line 1189:   Baltasarin kuuluisimpia laukaisuja on: kunnioita izeäsi jos haluut et muut kunnioittaa sua. Ei kuulosta kovin jeesusmaiselta. Baltasar on leuattoman väpelön näköinen, ja varmaan se olikin just sellanen. Huono terveys, kuoli 57-vuotiaana. Sen tyyli on vähän sellanen aforistinen. Sitä sanottiin konseptismixi barokin ajalla. Kuulostaapä ikävältä jo etukäteen. Sen jutut on täynnä sanaleikkejä, eli se oli aika skizofreeninen. Ja systemaattisen ihmisvihainen, kuten Sopekin. Siinähän ei sinänsä ole mitään vikaa. Madridissa luonnonäijän viettelee joku Falsirena niminen ämmä, ja Critilolla on oiva tilaisuus haukuskella naisia. Tääkin oli varmaan Sopen ja piiska-Retun mieleistä. Outo sekotus kyynisyyttä, oveluutta ja moralisointia. Sopii kuvaan joka on muodostunut myös näistä sakemanneista. Multa sentään on toi moralisointi jäänyt aika vähälle. Luulisin.

ellauri036.html on line 89: Hemmetti et vituttaa nää 1800-luvun herrat joilla on aamulla morkkis maxullisesta panosta niin että pussit tyhjennettyään ne lähettää ammattiauttajan inhoten matkoihinsa. Törkimyxiä! No tällä kertaa tyttö ei lähde tarpeex nopeeta ja Musse yllätetään niin sanoaxemme housut nilkoissa. Se sulkee tytön äkkiä vaatekomeroon, vai oisko vaatehuoneeseen. Kaverit tule sisään ja kertoo et George Sandilla ei ollut vaan 2 vaan 3 äijää yhtä aikaa, ja nyt ne 2 muuta on joutuneet riitoihin. Koko riitelevä porukka oli samalla naureskellut Musselle. LOL. Naura sinäkin, pitäisi sanoa Musselle, muttei se naura. Nauru ja romantiikka ei mahdu samojen seinien sisälle. Romantiikka on kuin uskontoa, se on harrasta, se hoidetaan vakavalla lärvällä. Pyhä kärsimyxeni just joo. Hemmetti nuoret miehet on torvia. Eihän tää ole muuta kuin vanhaa virnuilevaa ystäväämme narsismia. Musse läväyttää vaatehuoneen oven auki näyttääxeen ettei se ole mikään surkimus. Kaverit menee vaatehuoneeseen ja vetää oven kii.

ellauri036.html on line 159: 	"Pelkoa, raukkamaisuutta, taikauskoa! Mitä tietävät tulevasta elämästä ne, jotka siihen uskovat? Vain kansalle ja tietämättömälle joukolle puhutaan siitä, mutta kuka uskoo siihen sisimmässään? Kuka kirkkomaan vartija on milloinkaan nähnyt kuolleen nousevan haudasta ja menevän kolkuttamaan kirkkoherran ovelle? Entisaikaan nähtiin haamuja; nyt on poliisi niitä kieltänyt esiintymästä sivistyneessä yhteiskunnassa. Vain valekuolleet huutavat enää haudoista.

ellauri036.html on line 161:  ... Miksi pelottaisi sinua tyhjyys, ruumis parka? Joka tunti vie sinut lähemmäs sitä, jokainen askeleesi taittaa poikkipuun tikapuilla, joilla juuri seisot; sinä elät kuolleista, taivaan ilma painaa ja musertaa, maa, jota astut, vetää sinua jalkapohjiesi kautta puoleensa. Astu alas maan poveen! Miksi pelkäät? Pelottaako sinua sana? Sano vain: 'Emme elä enää.' Etkö tunne suurta väsymystä, jonka jälkeen on suloista saada levätä? Minkätähden epäilemme, kun kysymys ei ole kuin siitä, tapahtuuko se hiukan ennemmin tai hiukan myöhemmin? 

ellauri036.html on line 367: L'habitude, qui fait de la vie un proverbe,

ellauri036.html on line 1027: Prometeus, saatanan isoveli, joka lankesi kuin se? 

ellauri036.html on line 1257: se menee raottamaan ovea, hetken perästä 

ellauri036.html on line 1274: ovat raottaneet ovea, ja toisia, puolipukeisia, 

ellauri036.html on line 1462: Sen luona jonka oveen komentaja voi koputtaa ja istuutua. 

ellauri036.html on line 1946: 
Super Bowl XXXVIII halftime show controversy 2004

ellauri036.html on line 1952: YouTube co-founder Jawed Karim credits the incident with leading to the creation of the video sharing website. The incident also made "Janet Jackson" the most searched person and term of 2004 and 2005. The incident broke the record for "most searched event over one day". The incident became the most watched, recorded and replayed television moment in TiVo history and "enticed an estimated 35,000 new [TiVo] subscribers to sign up". The term "wardrobe malfunction" was coined as a result of the incident, and was eventually added to the Merriam-Webster's Collegiate Dictionary. 

ellauri036.html on line 1976: Mut ei kaikki tunteet ole hyviä eikä tarpeellisia. On tehtävä vähän apuharvennusta, ettei sentimentalisoida liiaxi. Ei kai, arvaa ketä Martta tässä kohtaa raahaa sisään ovesta - ketäs muuta kuin Heräteostosta! Ei vittu, Martta leikkaa tässä hautanurmen reunaa kyllä vähän liian hienoisella kynsileikkurilla: on erotettava hyviä huonoja fiiwixiä, ja huonoja hyviä fiiwixiä myös. Voi olla ihan jees näyttää fäkkiä ruumiskasalle, jos kysessä on HYWÄ huono fiiwis, eikä HUONO hywä fiiwis. Helvatti, Marthan laista tuubaa voi suoltaa ainoastaan amerikkalaisen kasvatuxen saanut puoliveteinen hihhuli, jolle naku lapsi on jo kauhistus.

ellauri036.html on line 2087: Uuden Valamon luostari sulki ovensa koronan takia 1x 50 vuoteen, vaik on pääsiäispupu tulossa. Henkilökunta on lomautettu. Paikalle jää vaan luurankomiehitys: varattomat veljet ja telttarahasto. 

ellauri036.html on line 2133:   Kotitonttuja ja värivammasia saa olla avustavissa rooleissa, jotta paska myy myös siirtomaissa, mut pääosan esittäjät on sentään arjalaisia tai vähintään punatukka kelttiläisiä. Voldemort joku itäblokin mamu. Venäläinen joka tuikkaa perusbrittejä myrkkysateenvarjolla. Malfoyt on Adamsin perheen doppelgängeri normanniaatelinen porukka, yhdistelmä ranskixia ja pre-nazi sakuja. Hannoverin sukua. Potterin Buckett-henkinen sukulaisperhekin on reilumpi, syövät munuaispiirakkaa ja juovat pinttikaupalla alea telkan ääressä ja kazoo futismazia. Vaik huispauxesta ne ei tajuu mitään, on ne niin jästejä.

ellauri036.html on line 2135:   Reichs-Jugend-Führer oli Baldur von Schirach. Ilmetty Harry Potter koppalakilla ilman silmälaseja. Baldur oli aasojen Jeesus Kristus. Sen hömelö märkähattu veli tappoi sen vahingossa sokkona. Potter on wiccojen  oma messias, parturoitu Aslan joka selättää Voldemortin panematta edes vastaan. Rule Britannian Ahura Mazda, Austin Mini joka päihittää Angry Mainyu birdsit ja kiinalaisen Volvon. JK Rowling on brexitin Paulo Coelho. Se käytti etukirjaimia jottei Harryn maaliryhmä, esipuberteettiset pojat ois pelästyneet naisen nimeä. Onhan se vähän lyhyempi lause, kirjan paxuutta pojat kai enimmin pelästyvät. Väkisin saa tuputtaa. Tytöt taitaa Harryakin enempi lukea, vaik niille on omat vampyyri- ja riitakäkisarjat. Baldur sai 20v pyttyä Nurnbergissä. Vähemmän kuin Weinstein. Tuomiot on kovenneet. Baldur Jugend-Führer oli siira. Fasen omistaja on sokeritoukka.  Weinstein ei ollut mikään Einstein. Kiven alla ryömiskelijöitä koko roikka, Albert mukaanlukien.  

ellauri036.html on line 2147:   Ähläm-sählämi (engl. Salaam aleichem) on jättiläismäisten rättipäiden laji, joka on peräisin Aasiasta. Ähläm-sählämien uskotaan olevan jenkkien jalostama laji, joka on suunniteltu tuhoamaan asumuksia ja aarteita. Nämä ihmislihan mausta nauttivat jättirättipäät havaittiin New Yorkissa vuonna 2001. Tyypillisesti sählämit ovat paksun mustan karvan peitossa ja niillä on viitisen metriä pitkät raajat sekä kalashnikovit, jotka tuottavat naksahtelevaa ääntä sählämien ollessa ärsyyntyneitä tai peloissaan. Sählämeillä on suuret torahampaat joita ne käyttävät syödessään liberaaleja tai kuolleita lajitovereitaan. Torahampaissa on vaarallista myrkkyä, josta voi saada venäläisiltä peräti 100 kaljuunaa per pintti. Melkein yhtä paljon kuin sarvikuonon sarvesta. Sählämien mukulat ovat A-luokan kauppasaarrossa. Naarassählämit ovat älisijöitä l. ankeuttajia. Ankeuttaja on tavallisesti koiraa suurempi ja se pystyy munimaan jopa 100 mustapäistä, rantapallon kokoista mukulaa, joita se hautoo yhdeksän kuukautta. Sählämeillä on kolme silmää, ne ovat erittäin viisaita ja osaavat puhua. Kirjoissa kuitenkin vain yhdyskunnan johtaja Osama osaa puhua. Tai osasi kunnes sen nitisti koloniaalilennokki.

ellauri036.html on line 2173:   Maapallo alkaa olla eläinten hautuumaa. Maunulan mezissä laulaa enää pari hassua pikkulintua. Oli siellä sentään 1 peippo. Muut eläimet on muoviasuisina dallaavia ja pyöräileviä apinoita, jotka sentään väliaikaisesti väistelevät toisiaan. Ainoat muut suuret eläinlajit on apinoiden ruoka, lemmikit ja loiset. Tilanteeseen sopivasti on Maunulan mezässä lemmikkien hautuumaa. Lemmikeitä surressaan on nää aapat tavallisuudesta poikkeavan herttaisia, ne soittelee sielujensa herkimpiä kieliä. Ja oikein tekevät, onhan eläimet näitä apinoita paljon onnettomampia. Vaikka kohta ollaan kyllä kaikki samassa kirkkoveneessä. Neitokakaduja on menehtynyt koko perhe. Kisua ja Misua jäivät suremaan Vasen ja Oikea. Vasen oikee, vasen oikee, sieltä näkyy pyöree soikee. Kissain silmist saineet / vuotaa kyynellaineet. 

ellauri037.html on line 26: Kay Bojesen var især kendt for design og legetøj i træ, f.eks. hans livgarder fra 1942, aben fra 1951 og elefanten og papegøjen fra 1950´erne. Herudover designede han børnemøbler og gyngeheste. Mange af disse figurer er ikke længere i produktion og indhenter derfor høje priser på auktion.

ellauri037.html on line 92:   Kiinassa Douyin nimellä myyty sovelma on lännessä Tiktok. 


ellauri037.html on line 259: They say he read novels to relax,

ellauri037.html on line 270: the triumphs of the strong over the weak,

ellauri037.html on line 278: the lovers reunited, the families reconciled,

ellauri037.html on line 280: fortunes regained, treasures uncovered,

ellauri037.html on line 288: pride humbled, wounds healed over,

ellauri037.html on line 369:     a dove seen in dream means joyful news,

ellauri037.html on line 386:     and yawns over homework.

ellauri037.html on line 439:   ulos ovesta, tekee pisut Mäntyniemen portille ja säntää 


ellauri037.html on line 561: Lähdetään siis Danzigista eli Gdanskista, jossa Arttu syntyi 100v ennen Mikko Rothia. Sen iskä Heikki oli saxalais-hollantilainen patriisi ja äiti Johanna monilahjakas salonginpitäjä ja kirjaltaja. Se Schopen lapiosana tulee siis hollannista. Uskonnottomia olivat, vallankumouxellisia rebublikaaneja, kosmopoliitteja ja anglofiilejä. Toisin kuin Sope siis, taas, paitsi sitä ateismia. Kun Gdanskista tuli osa Preussia, lipilaari Heikki muutti perheineen länsimielisempään Hampuriin. Artun pikkusisko Adele oli sitä 8 vuotta nuorempi. Ei siis leikkikaveri, vaan ärsyttävä vanhempien lemmikki kuin Riku. Heikki ja Hanna antoi lapsilleen A:lla alkavat nimet, niinkuin saman pesueen koiranpennuille. Artun koirankin nimi oli Atma. Arttu oli vaihdossa Ranskassa ja styylas siellä ikätoverinsa pojan kanssa, ja soitti sen kanssa huilua. 15v jolppina se lähti Euroopanympärimatkalle vanhempien kaa, business and pleasure. Tää oli Heikin juonia: se halus Artun perhebisnexeen, Arttu halus yliopistoon joka oli iskän mielestä turhuutta. Jos haluut matkalle, niin sit jatkat sen jälkeen kauppakoulussa. Jos haluut verstaalle, niin unohda koko turnee. No se lähti reisulle, mut katu sitä myöhemmin. Wimbledonissa oli tyyyylllsäää jossain anglikaanikoulussa. Sixikin se vihas uskontoa myöhemmin. Heikki rähjäsi Artulle huonoista todistuxista niin kovasti, että Hanna pelkäsi sen menettäneen järkensä. Ehkä menettikin. Heikki hyppäs kanaaliin Hampurissa 1805. Se oli yhtä autisti kuin poikansa, ja yhtä masis. Sope sanoikin et sen luonne on isän peruja. Isän puolella oli enemmänkin hulluja. Äiskä sensijaan oli seuraihminen. Sope ihaili isäänsä kai six kun ei pärjännyt alkuunkaan äidille, ja äiti vaan hemmotteli pikku Adia. No Heikiltä jäi mojova potti, joka jaettin kolmeen osaan. Arttu sijoitti omansa varovasti valtionobligaatioihin ja nettosi sillä 2x enemmän kuin yliopiston professori. Oli varaa sitten vittuilla koulufilosofeille. 

ellauri037.html on line 600: Schopenhauerin sivutyöt ja poisjätetyt otoxet oli sen eka menestys, vähän kuin Russellin jokamiehen filosofia. Arttu ja Perttu ymmärsivät loppupeleissä siirtyä niin pukkikirjaimilla kirjotettuun soveltavaan filosofiaan että laahuskin tajuaa. Izehoitoaforismeja jengi haluaa ja sitä se saa, huda hudaa. Sope kelpas aikanaan hätkäyttämään poroporvaria, eihän kukaan ottanut sen filosofiaa ihan todesta. Jotkut sano et täähän on ihan kuin Fichteä ja Schellingiä, jotkut sano et se puhu ristiin. Molemmat arvostelut sai Sopen raivoihin. (No mikä ei saanut, voi kysyä. Ehkä herkkulounas kantapaikassa Englisher Hofissa, jos se oli onnistunut.) Sope sano myös kuten se Waldenin mies Thoreau: puhun ristiin, so what? olen maailman monin poni. Se oli hirmu tyytyväinen kun jengi alkoi palvoa sitä Frankfurtin julkkixena ja sen muotokuvalle rakennettiin pytinki. Se pysyi terveenä, kun söi ja nukkui paljon ja kävelytti Atmaa (tai Butzia) 2h päivässä. Kuoli keuhkokuumeeseen istualtaan sohvalla 1860 72-vuotiaana.

ellauri037.html on line 938: Nujakoidaan oven luona,

ellauri038.html on line 141: Nietzschestä saa sen vaikutelman eze oli 5-vuotiaan tasolla, tottelematon Tipi kiukuttelemassa kiltille tädille. Teki tyhmästi kun karkasi soveliaisuuden häkistä. Ei pikku siivet kantaneet. Hulluuden paha kissa Sylvesteri sen sitten nielaisi ja sylki höyheniä suupielestä. Nietzsche on kuollut, sanoi jumala ja pesi kädet käsidesillä. Lukien ekan värsyn laulusta Jänis istui maassa samalla: mikäs sullon jänönen kun et enää hyppele. Hyppää pois, hyppää pois, hyp-pää pois! 

ellauri038.html on line 200:   Marianne Schnitger was born on 2 August 1870 in Oerlinghausen to medical doctor Eduard Schnitger and his wife, Anna Weber, daughter of a prominent Oerlinghausen businessman Karl Weber. After the death of her mother in 1873, she moved to Lemgo and was raised for the next fourteen years by her grandmother and aunt. During this time, both her father and his two brothers went mad and were institutionalized. When Marianne turned 16, Karl Weber sent her off to fashionable finishing schools in Lemgo and Hanover, from which she graduated when she was 19. After the death of her grandmother in 1889, she lived several years with her mother´s sister, Alwine, in Oerlinghausen.

ellauri038.html on line 202: During the first few years of their marriage, Max taught in Berlin, then, in 1894, at the University of Heidelberg. During this time, Marianne pursued her own studies. After moving to Freiburg in 1894, she studied with a leading neo-Kantian philosopher, Heinrich Rickert. She also began to engage herself in the women´s movement after hearing prominent feminist speakers at a political congress in 1895. In 1896, in Heidelberg, she co-founded a society for the circulation of feminist thought. She also worked with Max to raise the level of women students attending the university. Max found them deplorably charmless.

ellauri038.html on line 206:   During this time, their roles reversed somewhat; as Max worked toward recovery and rested at home, Marianne attended political meetings, sometimes until late at night, and published her first book in 1900: Fichtes Sozialismus und sein Verhältnis zur Marxschen Doktrin ("Fichte's Socialism and its Relation to Marxist Doctrine"). Marianne vaikuttaa vasemmistolaisemmalta, järki-ihmiseltä Maxiin verrattuna. 

ellauri038.html on line 285:     Ei ollut, vaikka sen sisko oli. Retu ehti kuolla ennen nazeja. Nazixi siinä oli muutamia vikoja: se oli sairaalloinen piipunrassi, se ei tykännyt saxalaisista eikä armeijasta, ja sillä oli jutkukavereita (Rée, ainaskin aluxi). Plussaa nazeista oli ettei se tykännyt kristityistä. (Hmm. ehkä isäpappa oli käyttänyt sielunhoidossa liian konkreettisia otteita? Ehkä pyllistyxet ei jääneet pelkkiin rukouxiin?) Naziplussaa myös ettei Nietzsche piittaa mistään tasa-arvosta. Sosiaalidarwinismia se peukuttaa ihan raakana. Nietzschen hall of famessa on muutamia erityisen mainioita uuberkuskeja, nimittäin: Goethe, oven Ludwig van">Beethoven and Nietzsche ize. Ja näille neroille pitää antaa palkinnoxi mitä ne vaan haluuvat etuja. Tää sopii nazeille, ja tää sopii myös vaurastuneille jenkeille. Jos ne olis käyttäytyneet kunnollammin, ne ei oisi päässeet neroixi. Ne tarvizee ankaraa izerakkautta. Mitä paskaa. Exe nyt oo aika läpinäkyvää et hemmo laittaa izensä johkin top 10 listalle. Jos joku tekee jonkun 10 kärjessä luettelon johon se kuin sattumalta ize joutuu ihan kärkipäähän, niin nakkaa rodeen. Sekä lista että tekijä. Kasta dem i sopena!

ellauri038.html on line 329:     eihän se tehnyt pörssikursseihin kummostakaan lovea, 


ellauri038.html on line 419:   Piialla oli isoveli nimeltä Kekka. Oikeesti sen nimi oli 


ellauri038.html on line 428:   Lea olisi kuitenkin hiihdellyt ovenrakoon sähisemään. 


ellauri039.html on line 347:     Hatsipompponen’s installation/handmade paper works, such as houses of beings and Lucid Absurdity, have dealt with the correspondence between visual and textual languages, which is established upon the absurd conflicts among urges, necessities, and mortality. She draws her philosophy from Camus, Heidegger, Haiku poets, modern Japanese novelists, and ancient Chinese thinkers.

ellauri039.html on line 355: Work currently in progress at the Mt Holyoke mental hospital is an ancient Japanese game involving paper, stone and scissors. The winning strategy in this game has been worked out by prof. Jokohama Kumahuta (Stanford): Take all three and bash them in the face of the long-nosed lover in prosperity and in adversity.

ellauri039.html on line 373: Mount Holyoke administrator and art professor Rie Hatsipompponen (pretty Japanese lady, 48) got Mt Holyoke into international headlines (yess!) by trying  to bump off a colleague in a case of unrequited love in December 2019. Hatsipompponen allegedly used a fire poker, large rock, and a gardening shears to attempt to kill her victim, allegedly a regular member of the faculty. Hatsipompponen's alleged victim, another polished lady in her 60s, allegedly survived the attack.  

ellauri039.html on line 379: An apparently Japanese source clarifies: The injured individual lied that she felt a similar method to get Hachiyanagi to call 911, the paper says. When captured, the educator had the injured individual’s “keys, cellphone, and glasses,” as indicated by the paper, which included that the unfortunate casualty is required to endure. Hachiyanagi at first guaranteed that she had discovered the educator harmed and was attempting to support her, which was the manner by which her garments turned out to be wicked, as per Daily Beast.

ellauri039.html on line 413: In 1636, a young girl (17 years old, named Anna Neander) was getting married to a minister, Johannes Partatius. Simon Dach, a baroque poet who was born in Memel, (1605-1659), was invited to the wedding. He fell in love with Anna Neander and wrote a poem about her: "Ännchen von Tharau." 

ellauri039.html on line 434:   Yoda varmaan seuraa historian pysähtymistä siitä Helsingin rautatieaseman tornia muistuttavasta Stanfordin yliopiston maamerkistä, jossa sijaizi äärioikeiston Hoover-instituutti. Palmut huojuilevat tuulessa nostaen päitään korkealle, ilmastonmuutoxesta piittaamatta kuin Simo Katon runossa. Luonnonkatastrofit jatkaa siitä mihin historia lopetti. 

ellauri039.html on line 509: Americas healthcare system is still in its evolutionary stage, where as Finland provides affordable healthcare. My left ear was damaged by a doctor who refused to fix it, because we were poor, we couldn't take legal action or afford to fix my ear. I was nearly deaf in my right ear for all of my teens and twenties. When I moved to Finland, it was simple to fix and only costed me 40€ (approximately 41/42$). Compared to the estimated 12k they were going to charge me back home it was a god send.

ellauri039.html on line 680:   kuin nimikyltti Jakomäen kerrostalokennon ovessa 


ellauri039.html on line 768:   Edward Morgan Forster OM CH (1 January 1879 – 7 June 1970) was an English novelist, short story writer, essayist and librettist. Many of his novels examine class difference and hypocrisy, including A Room with a View (1908), Howards End (1910) and A Passage to India (1924). The last brought him his greatest success. He was nominated for the Nobel Prize in Literature in 16 different years.

ellauri039.html on line 770:   
Howards End is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct and relationships in turn-of-the-century England. Howards End is considered by many to be Forster´s masterpiece. The book was conceived in June 1908 and worked on throughout the following year; it was completed in July 1910. In 1998, the Modern Library ranked Howards End 38th on its list of the 100 best English-language novels of the 20th century.

ellauri039.html on line 772: The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the colonies; the half-German Schlegel siblings (Margaret, Helen, and Tibby), whose cultural pursuits have much in common with the Bloomsbury Group; and the Basts, an impoverished young couple from a lower-class background. The idealistic, intelligent Schlegel sisters seek to help the struggling Basts and to rid the Wilcoxes of some of their deep-seated social and economic prejudices.

ellauri039.html on line 774: John Galsworthy OM (/ˈɡɔːlzwɜːrði/; 14 August 1867 – 31 January 1933) was an English novelist and playwright. Notable works include The Forsyte Saga (1906–1921) and its sequels, A Modern Comedy and End of the Chapter. He won the Nobel Prize in Literature in 1932. 

ellauri039.html on line 776: The Forsyte Saga, first published under that title in 1922, is a series of three novels and two interludes published between 1906 and 1921 by Nobel Prize–winning English author John Galsworthy. They chronicle the vicissitudes of the leading members of a large, upper-middle-class English family, similar to Galsworthy´s family. Only a few generations removed from their farmer ancestors, the family members are keenly aware of their status as "new money". The main character, Soames Forsyte, sees himself as a "man of property" by virtue of his ability to accumulate material possessions – but this does not succeed in bringing him pleasure. 

ellauri040.html on line 44:   Wilho Puska syntyi 1832 Wiedensahlissa Hannoverin länsipuolella. Äiti oli leski, isä äpärä. Joutui pois kotoa 9-vuotiana enon luo harppisakuihin Göttingeniin kun kotona tuli ahasta Otto kuopuxen, 7. lapsen synnyttyä. Eno oli pastori. Kauppiasisä halus esikoisesta koneinsinööriä, tuli pilapiirtäjä. Mynkään menneen teknillisen koulun jälkeen koitti jäljitellä hollantilaisia mestareita Antwerpenissä. Varmaan Boschia. Protestanttien räävitön erauspoika protestoi 1848 barrikaadeilla. Äiti hoiti sitä 21-vuotiaana kotona lavantaudista. Se ei mennyt naimisiin. Vetelehti Munchenissä, joi olutta ja poltti ketjussa. Kun rahat loppu eno antoi lisää. 36-vuotiaana muutti Otto-veljen luo Frankfurtiin. Siellä sillä oli ymmärtävä rouvaystävä Johanna jolla oli moukka mies. Wilho luki Schopenhaueria, joka talutteli Atmaa samassa kaupungissa. (Tai Butzia.) Seelenbrüdereitä olivat. Muutti viisikymppisenä pastorinleski siskon luoxe isänkorvikkeexi niiden lapsille. Ei ollut kiltti niillekään eikä siskolle.

ellauri040.html on line 70:       Sitäpaizi nää mun omat paasauxetkin on kuin postmodernistin käsikirjasta, lainauxia ja viittauxia muualle on niin helvatisti, ettei mezää viitakosta erota. Samanlaista kaiken sikin sokin latelemista kiittelevät siantappajat mm. beatnikilta William S. Burroughs-vainajalta (1914, yhtä vainaan mainframe-tietokoneen lähisukulaiselta ja ikätoverilta, jonka konetta mäkin olen joskus opiskelijana käyttänyt), ja Kathy Ackerilta (1947), joka sai siltä vaikutteita, kuolivatkin vuonna 1997 kumpikin. 

ellauri040.html on line 168:   koko sen käsitteiden hennon korttitalon lyyhäyttämisestä jollain ovelalla siirrolla. 


ellauri040.html on line 248: Seitsemän veljestä julkaistiin ensin Novelli-kirjaston vihkosina. Ahlqvistin kritiikin jälkeen kustantaja keskeytti vihkojen myynnin. Syynä oli se, että Helsingin yliopiston suomen kielen ja kirjallisuuden professori August Ahlqvist, joka oli teilannut kaikki Kiven aiemmatkin teokset, kirjoitti heti romaanin ilmestyttyä Finlands Allmänna Tidningissä julkaistun murhaavan arvostelun. Lukuisat ihmiset yhtyivät Ahlqvistin moitteisiin ilman, että kukaan olisi edes lukenut romaania.

ellauri040.html on line 285: Tuurilla ei ole dialogia, vaan Richardsonin tyylistä oratio obliquaa: Paavo sanoi että... Äiti hämmästeli että... Veikko totesi että... Näiden johtoverbien luetteloa on kasvattaneet lehdistönkin tyhjäntoimittajat tyyliin hymyili rouva Hagert, Taisto Tammen mummo. Nää kirjat on kuin Deleuzen ja Guattarin pilkkaamia juuriharjoja. Epäsuoran esityxen moduxia hinkattiin latinantunneilla. Suomessa se on helppoa: aina mennään indikatiivilla.  

ellauri040.html on line 333:   More recently metamodernism, post-postmodernism and the "death of postmodernism" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled "After Postmodernism" that "declarations of postmodernism's demise have become a critical commonplace". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories or labels have so far gained very widespread acceptance. Sociocultural anthropologist Nina Müller-Schwarze offers neostructuralism as a possible direction.

ellauri041.html on line 34: Kornei Ivanovitš Tšukovski (ven. Корне́й Ива́нович Чуко́вский, oikealta nimeltään Nikolai Vasiljevitš Korneitšukov, Никола́й Васильевич Корнейчуко́в; 31. maaliskuuta 1882 Pietari – 28. lokakuuta 1969 Kuntsevon huvilakaupunki Moskovassa) oli neuvostovenäläinen kirjailija ja kirjallisuudentutkija.

ellauri041.html on line 108: Totuus: Noni, huomenta. Kiva että... hei mitäs tää nyt on? Voi vitsi, ei tää ollutkaan päällä. No niin, eli...  hei Kirsi, laitatko sun mikin äänettömälle kun tää ääni kiertää tosi ikävästi. Hei sori kun mä näytän suohirviöltä, kun mä en oo pessy tukkaa kuuteen päivään. Ei oo aprillia! Tota noin, nyt siis meidän pitäisi katsoa... ok, Kari, nyt mä näen että sun lapsi työntää sukkapuikkoa töpseliin, odotellaan että Kari saa... Eli nää viime viikon luvut oli siis... hei sori, ruokalähetti tuli, meen avaa oven... Katri, ootko siellä, aha, sä pelaat Candy Crushia, hehe, mut keskitytäänkö nyt...

ellauri041.html on line 213:     Korona on lyönyt loven Teemun bisnexeen, mutta ainahan on mahdollisuus palata pohjoisen mökille, jossa ei ole isääkään enää painolastina.

ellauri041.html on line 286:       Luen hirmu tarkkaan ja hitaasti koska kaikessa on jotain  potentiaalisesti ovelaa ja tähdellistä, jota pitää pysähtyä miettimään. Myyttejä ja mysteereitä, kaikki liittyy kaikeen. (Vähän tätäkin mut vähemmän, yleensä lähden omalle tangentille aika äkkiä, seuraan omia assosiaatioita kuin koira kusella. En ole uskollinen lukija. Vaan jos mullon joku oma koira haudattuna, kirves hiottavana ja lehmä ojassa, luen noin tarkasti.)

ellauri041.html on line 337: Hän etsii lohdutusta ja opastusta puolestaan Flaubertin ikätoverin Charles Bauderlairen (sic) runoista ja Tommin eiku Joelin sylistä.

ellauri041.html on line 344:   Se on kuitenkin vain puolet totuudesta, koska Tommi Melender tarjoaa monia riemastuttavia ja karmivia hetkiä. "Marcelia huvitti ajatus, että häntä varten koottaisiin itsemurhien estämiseen erikoistunut iskuryhmä. Se murtaisi oven ja ryntäisi hänen asuntoonsa kuin terroristisolun tukikohtaan. Parhaassa tapauksessa hän tulisi siinä tohinassa ammutuksi." (Huoh, huoh, huoh. Olipa riemastuttavaa. Ammutuxi saisi tulla Tommin mukana myös karmiva Jukka Petäjä.)

ellauri041.html on line 840:       lämpimälle povelle, ja antaa sen vertyä, 


ellauri041.html on line 1935:     Spearman congratulates Netflix for picking up the show as it contributes to "telling international stories from places Americans don't consider"; Jonathon Wilson of Ready Steady Cut says that it is "another solid piece of overseas programming".

ellauri041.html on line 1941:     Reviewing season two for El País, Delclós suggests that the necessary suspension of disbelief is harder to cover up with comedy.

ellauri041.html on line 1945:     The non-English origins shouldn’t be off-putting, as Netflix’s usual wide array of language options includes both the original, subtitled Catalan, as well as several voiceovers.

ellauri042.html on line 64: 
Ravintoverkossa kaupungilla

ellauri042.html on line 73:   He epitomized the concept of				Ravintoverkossa sen voittajaa

ellauri042.html on line 157:   on overpopulation. See me after class.		ylikansoituxesta. Jäät luokkaan tunnin jälkeen.

ellauri042.html on line 214: Yet despite our small biomass among animals, we’ve had an overwhelmingly huge impact on the planet. The chart above represents a massive amount of life. But it doesn’t show what’s gone missing since the human population took off.

ellauri042.html on line 465: I korte, enkeltstående scener følger romanen familien fra den ruller flyttevognen – med den lille Jens sovende i en kommodeskuffe på ladet – ind ved villaen i Risskov, til faren til sidst dør af kræft, og de fire voksne sønner samles til en fælles afsked. Det er med stor sans for det mundrette sprog og for det humoristiske og komiske, at Blendstrup skildrer faren, også i de mest usympatiske situationer, når han tager livet af en kat med en brevkniv, når han lader sin hund rasere en nabos hønsehus, når hans næver sidder løst, og familien gemmer sig bag låste døre og under gamle sofaer, når han planter sine drømme om jordomrejse til havs i sine sønners hoveder, men ender med at drikke pengene op.

ellauri042.html on line 467: Ved at hjælp af det enkle og effektfulde greb at erstatte substantivet ’far’ med det overjordiske og almægtige ’Gud’ får Blendstrup den distance, der skal til for at kunne skrive et uforbeholdent og umiddelbart portræt af sin forgudede far. Samtidig skaber referencen til de højere magter en finurlig humoristisk effekt:

ellauri042.html on line 475: Blendstrups sprogsnilde og nænsomme registreringer gør Gud taler ud til en latterforløsende beretning om et svigefuldt, grænseoverskridende overmenneske, som dog også leverer et stort engagement og nærvær i livet og sin familie. Og kan bogen ikke læses som et opgør eller en forsoning, kan den i stedet forstås som et forsøg på at videreføre arven efter faren eller måske endda at levendegøre ham post mortem ved at lade ham låne sønnens stemme. I en af romanens afsluttende scener, hvor faderen som en følge af sygdommen har mistet stemmen, assisterer sønnen Jens ham ved at lade ham låne sin egen. Faren har skrevet en tale til en familiefest, og Jens stiller sig bag ham med et lagen over hovedet og læser talen højt, imiterende farens stemme, og imens sidder faren på sin stol og mimer med. Romanen ligner en videreførelse af dette eksperiment, hvor Jens iklæder sig nogle sproglige gevandter, der tillader ham at agere sin fars stemme. Og arven efter faren kommer stærkt til udtryk i Jens’ finurlige fikumdikken rundt med sproget.

ellauri042.html on line 477: Romanen blev et gennembrud for Blendstrup, der før Gud taler ud skrev i kortere genrer. Han debuterede med novellesamlingen Mennesker i en mistbænk i 1994. Blendstrups tone er bramfri, men blandet med en fin følsomhed over for det nære. Humoren, det groteske og det surrealistiske går igen i Blendstrups forfatterskab. Jens Blendstrup har siden Gud taler ud skrevet både noveller, romaner, dramatik og tekster til Frodegruppen 40, som han også er forsanger i. Han tager den selvbiografiske fortælling op igen med romanen Bombaygryde fra 2010. Sammen med litteraturkritikeren Lars Bukdahl optræder Blendstrup med den unikke genre ’litterær hypnose’, som er en blanding af dilettantkomedie, oplæsning og dans. Blendstrup er blevet kaldt litteraturens pølsemand, og som en del af forfatterskabets eksistentielle komik står han ikke tilbage for at læse sine tekster højt med en tehætte på hovedet. Men med Gud taler ud står Jens Blendstrup også tydeligt frem som villavejsvidne, hvor det almindelige skildres i dets mange facetter, og det, der på overfladen ligner et almindeligt, rutinepræget liv i et almindeligt, rutinepræget forstadskvarter, viser sig at rumme både små og store særheder.

ellauri042.html on line 481: Gud taler ud er filmatiseringen er Jens Blendstrups selvbiografiske bestseller af samme navn fra 2004 og er en skæv, sjov og rørende film af den prisbelønnede instruktør Henrik Ruben Genz med Søren Malling i sit livs rolle som Uffe/Gud.I 80´erne vokser Jens og hans brødre op i et parcelhus i Risskov. Her regerer familiens overhoved, Uffe - Psykolog og selvbestaltet Gud i slåbrok ...  

ellauri042.html on line 559: 
Work and love

ellauri042.html on line 596:       The French novelist Alphonse Daudet kept a journal of the pain he experienced from this condition which was posthumously published as La Doulou (1930) and translated into English as In the Land of Pain (2002) by Julian Barnes.

ellauri042.html on line 602:       Maupassant tried to take his own life by cutting his throat; failing even that, he was committed to the private asylum of Esprit Blanche at Passy, in Paris, where he died on 6 July 1893 from syphilis. Maupassant penned his own epitaph: "I have coveted everything and taken pleasure in nothing."      

ellauri042.html on line 644:   Part of Pope's bitter inspiration for the characters in the book come from his soured relationship with the royal court. The Princess of Wales Caroline of Ansbach, wife of George II, had supported Pope in her patronage of the arts. When she and her husband came to the throne in 1727 she had a much busier schedule and thus had less time for Pope who saw this oversight as a personal slight against him. When planning the Dunciad he based the character Dulness on Queen Caroline, as the fat, lazy and dull wife. Pope's bitterness against Caroline was a typical trait of his brilliant but unstable character. The King of the Dunces as the wife of Dulness was based on George II. Pope makes his views on the first two Georgian kings very clear in the Dunciad when he writes 'Still Dunce the second reigns like Dunce the first'. 

ellauri042.html on line 648: The plot of the poem is simple. Dulness, the goddess, appears at a Lord Mayor's Day in 1724 and notes that her king, Elkannah Settle, has died. She chooses Lewis Theobald as his successor. In honour of his coronation, she holds heroic games. He is then transported to the Temple of Dulness, where he has visions of the future. The poem has a consistent setting and time, as well. Book I covers the night after the Lord Mayor's Day, Book II the morning to dusk, and Book III the darkest night. Furthermore, the poem begins at the end of the Lord Mayor's procession, goes in Book II to the Strand, then to Fleet Street (where booksellers were), down by Bridewell Prison to the Fleet ditch, then to Ludgate at the end of Book II; in Book III, Dulness goes through Ludgate to the City of London to her temple. 

ellauri042.html on line 680:   Margaret Eleanor Atwood CC OOnt CH FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, teacher, environmental activist, and inventor. Since 1961, she has published 18 books of poetry, 18 novels, 11 books of non-fiction, nine collections of short fiction, eight children's books, and two graphic novels, as well as a number of small press editions of both poetry and fiction. Atwood has won numerous awards and honors for her writing, including the Booker Prize (twice), Arthur C. Clarke Award, Governor General's Award, Franz Kafka Prize, Princess of Asturias Awards, and the National Book Critics and PEN Center USA Lifetime Achievement Awards. A number of her works have been adapted for film and television.

ellauri042.html on line 684:     In 1968, Atwood married Jim Polk, an American writer; they divorced in 1973 without issue. Maybe they ought to have bought a handmaid. She formed a relationship with fellow novelist Graeme Gibson soon afterward and moved to a farm near Alliston, Ontario, where their daughter, Eleanor Jess Atwood Gibson, was born in 1976. The family returned to Toronto in 1980. Atwood and Gibson were together until September 18, 2019, when Gibson died after suffering from dementia. She wrote about Gibson in the poem Dearly and in an accompanying essay on grief and poetry published in The Guardian in 2020. 

ellauri042.html on line 686: 5 years older Gibson was married to publisher Shirley Gibson until the early 1970s, and together they had two sons, Matt and Grae. He later began dating novelist and poet Margaret Atwood in 1973. They moved to a semi-derelict farm near Alliston, Ontario, which they set about doing up and where according to Atwood they were making "attempts at farming, writing and trying to earn enough to live". Their daughter Eleanor Jess Atwood Gibson was born there in 1976. The family returned to Toronto in 1980. Atwood and Gibson stayed together until his death in 2019. Gibsons best book was The Bedside Book of Birds (2005).

ellauri042.html on line 695: Fedor M. Dostoevsky´s family had old-Lithuanian aristocratic origins. The name was derived from the Russian word dostoijny, which means dignified. What a misnomer. Fyodor Mikhailovich Dostoevsky was born on October 30th, 1821 (old Julian calendar; on November 11th, 1821 according to the Gregorian calculation) in Moscow, as the second son of Mikhail Andreevich Dostoevsky, a doctor at the hospital for the poor. 

ellauri042.html on line 701:     In 1833, the family moved to Tula where the father bought a manor. Shortly after the death of his mother in 1837, Fyodor (16 yrs) was sent to St. Petersburg where he entered the Army Engineering College. 2 years later, in 1839, Dostoevsky´s more and more tyrannical father died, probably of apoplexy, but there were strong rumours that he was murdered by his own serfs in a quarrel. (Unless it was Fedja who dunit.)  Against the background of this legend, Sigmund Freud later interpreted the patricide in the novel “The brothers Karamazov” as showing Fedja hated his father´s guts. True, but the main thing was the epilepsy, wait and see. 

ellauri042.html on line 706: The doctor wrote: “1850, he had his first epileptic attack with crying, amnesia, cloniform movements, foam around his mouth, and dyspnoea with weak and rapid pulsation of the heart. This first attack lasted for 15 min. The attack was followed by common exhaustion and reachievment of consciousness. 1853, he had another attack, and meanwhile, the attacks return at every end of the month”. During his Siberian years, Dostoevsky became a devout follower of the Russian Orthodox Church and a persuaded monarchist.

ellauri042.html on line 712: In 1864, Dostoevsky´s wife number one died at last, and shortly after he left Petersburg again to meet his beloved Apollinaria. The reunion with Apollinaria became a great failure, because he continued gambling.

ellauri042.html on line 713: He returned to St. Petersburg impecuniously and started to write his novel “Crime and Punishment” (1866), which was followed by the novel “The Gambler” (1866), an honest testimonial of Dostoevsky´s own gambling which was written within a few weeks.

ellauri042.html on line 719: Dostoevsky´s favorite word was “vdrug” (“suddenly”). A lot of events in Dostoevsky´s novels begin suddenly, without preparations and explanation – like seizures. (But he did at times have a manic aura just before.)  Dostoevsky also used frequent repetitions of the same word with different intonations. It made an impression of convulsions and shocked the literary critics. He wrote in a meticulous manner, using every empty space of a sheet (see Fig. 2). His style showed a tendency toward extensive and in some cases compulsive writing, and the writings were often concerned with moral, ethical, or religious issues. This may reflect a syndrome of interictal behavior changes that was described in temporal lobe epilepsy by Waxman and Geschwind.

ellauri042.html on line 730: There is no doubt that Dostoevsky´s writing witnesses a large awareness of and sometimes even obsession with religious, philosophical and emotional questions as well as question of guilt. Myshkin from the novel “The Idiot” shared many character traits with his creator, such as russophilia, hyperreligiosity with profound belief in the Russian-orthodox church, melancholy, auras of happiness, generalized seizures. Furthermore, Dostoevsky wrote in large letters, and his style was sometimes compulsive and abrupt.

ellauri042.html on line 774: Josef Mengele ([ˈjoːzɛf ˈmɛŋələ] ( lyssna)), även känd som Dödsängeln (tyska Todesengel) och Den vita ängeln (tyska Der weiße Engel), född 16 mars 1911 i Günzburg, död 7 februari 1979 i Bertioga i delstaten São Paulo i Brasilien, var en tysk nazistisk läkare, humangenetiker och människorättsbrottsling. Mengele är mest känd för sin verksamhet i koncentrations- och förintelselägret Auschwitz-Birkenau, där han företog pseudovetenskapliga experiment på bland annat tvillingar och dvärgväxta. 

ellauri042.html on line 804: Euclid’s fifth proposition in the first book of his Elements (that the base angles in an isosceles triangle are equal) may have been named the Bridge of Asses (Latin: Pons Asinorum) for medieval students who, clearly not destined to cross over into more abstract mathematics, had difficulty understanding the proof—or even the need for the proof. An alternative name for this famous theorem was Elefuga, which Roger Bacon, writing circa ad 1250, derived from Greek words indicating “escape from misery.” Medieval schoolboys did not usually go beyond the Bridge of Asses, which thus marked their last obstruction before liberation from the Elements. 

ellauri042.html on line 811: Sacks forbade any mention of his homosexuality, though he had told his would-be biographer Wechsler about his closeted yearnings and crippled attempts at love. His Boswell shelved the notes for 30 years. Ollie changed his mind on his deathbed: Do it! You must!

ellauri042.html on line 813: In the meantime Ollie had published not one but two memoirs, with an exhaustive range of anecdotes, full of enchantment and anguish, covering everything from his all-consuming childhood obsession with the properties of metals to the abuse he endured at boarding school to his feeling, amphibian-like, more at home in water than on land to his mother’s reaction when she discovered his sexual orientation. “You are an abomination,” Ollie recounted her telling him when he was 18. “I wish you had never been born.” Nor had Ollie kept anything hidden. He described his first orgasm — reached spontaneously while floating in a swimming pool — and, in deft yet fairly pornographic detail, an agonized, inadvertent climax experienced much later while giving a massage to a man who shunned Ollie’s love.

ellauri042.html on line 817: His moronic patients called him “deeply eccentric” and described him as “huge, a full beard, black leather jacket covering T-shirts riddled with holes, huge shoes, his trousers looking like they were going to slide off his body.” A friend from Sacks’s days as a medical resident remembers him as a “big, free-ranging animal” who one day “drank some blood … chasing it with milk. There was something about his need to cross taboos. Back in those days, in the early ’60s, he was heavily into drugs, downing whole handfuls of them, especially speed and LSD.” 

ellauri042.html on line 819: Olli näki sexiunia sammakkoeläimistä. Sen isoveli oli huonosti hoidettu skizofreenikko. Olli oli vitun kova narsisti. Jätti Boswellin pois autobiosta "because there just wasn´t room". 

ellauri042.html on line 823: Ollin aikana ei ollut vielä neuroverkkoja. Sixe luulee että tässä on jotain salaperäistä. Ei ole. On vaan paljon paljon kytkentöjä, jotka järjestyvät itsestään kokemuksen voimasta. 
 Nainen joka oli maannut vihannexena 19-vuotiaasta heräsi 63-vuotiaana unitaudista dopamiinilla. Se pyysi mankan ja nauhotti siihen hirmu määrän rivoja viisuja, rasvaisia vitsejä ja limerikkejä. Annostusta piti vähentää jotta se jättäisi Ollin rauhaan. Ollia ei kiinnostanut vähääkään. 
 

ellauri042.html on line 826: Vajakki Repekka sopeutu mainiosti tiiatteriin. Tuskin huohmasi eze oli vammanen. Helppo uskoa kun kazoo nykyisiä nettisarjoja, niissä ei muunlaisia näytä olevankaan. Esim käsineitoa tai valtaistuinpeliä. All the things I do for love, heittää siskoansa bylsivä vallantavottelija ja tyrkkää huolimattomasti niitä vaklanneen pikkupojan alas jyrkänteeltä. Mitenhän käy seuraavassa jaxossa? 

ellauri042.html on line 885: Devotions upon Emergent Occasions, or in full Devotions Upon Emergent Occasions, and severall steps in my Sicknes, is a prose work by the English metaphysical poet and cleric in the Church of England John Donne (22 January 1572 - 31 March 1631) , published in 1624. It covers death, rebirth and the Elizabethan concept of sickness as a French visit from God, reflecting internal sinfulness. The Devotions were written in December 1623 as Donne recovered from a serious but unknown illness – believed to be relapsing fever or typhus. Having come close to death, he described the illness he had suffered from and his thoughts throughout his recovery with "near super-human speed and concentration". Registered by 9 January, and published soon after, the Devotions is one of only seven works attributed to Donne which were printed during his lifetime.

ellauri042.html on line 887:     The Devotions is divided into 23 parts, each consisting of 3 sub-sections, called the 'meditation', the 'expostulation' and a prayer. The 23 sections are chronologically ordered, each covering his thoughts and reflections on a single day of the illness. The work as a whole is considered similar to 17th-century devotional writing generally, and particularly to Donne´s Holy Sonnets. Some academics have also identified political strands running through the work, possibly from a polemic Arminian denunciation of Puritanism to advise the young Prince Charles.

ellauri042.html on line 903: Must to thy motions lovers´ seasons run?		Täytyykö rakastelun noudattaa sun aikataulua?	

ellauri042.html on line 909: Love, all alike, no season knows nor clime,		Sexi ei tunne kalenteria eikä kelloa,	

ellauri042.html on line 937: John Donne is most commonly known for being part of the ‘metaphysical poets’, a group of poets who wrote about love and religion using complex metaphors called conceits. These poets didn’t know each other, and this name was given by literary critics some years later. Nevertheless, John Donne is considered to be one of the best metaphysical poets. John Donne converted to Anglicanism later in his life. By 1615 he became a priest because King James I ordered him to do so. Donne was a member of Parliament in 1601 and in 1614. He also spent a short time in prison because he married his wife, Anne More, without permission. They had twelve children and Anne died while extruding the XIIth.

ellauri042.html on line 939: Donne was born in London in 1571 or 1572, into a recusant Roman Catholic family when practice of that religion was illegal in England.[7] Donne was the third of six children. His father, also named John Donne, married to one Elizabeth Heywood, was of Welsh descent and a warden of the Ironmongers Company in the City of London. However, he avoided unwelcome government attention out of fear of persecution.

ellauri042.html on line 943: Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne´s poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.

ellauri042.html on line 945: Despite his great education and poetic talents, Donne lived in poverty for several years, relying heavily on wealthy friends. He spent much of the money he inherited during and after his education on womanising, literature, pastimes, and travel. In 1601, Donne secretly married Anne More, with whom he had twelve children. In 1615 he was ordained Anglican deacon and then priest, although he did not want to take holy orders and only did so because the king ordered it. He also served as a member of Parliament in 1601 and in 1614.

ellauri042.html on line 947: During the next four years, Donne fell in love with Egerton´s niece Anne More, and they were secretly married just before Christmas in 1601, against the wishes of both Egerton and Anne's father George More, who was Lieutenant of the Tower. Upon discovery, this wedding ruined Donne's career, getting him dismissed and put in Fleet Prison, along with the Church of England priest Samuel Brooke, who married them,[13] and his brother Chistopher, who stood in in the absence of George More to give Anne away. Donne was released shortly thereafter when the marriage was proved to be valid, and he soon secured the release of the other two. Walton tells us that when Donne wrote to his wife to tell her about losing his post, he wrote after his name: John Donne, Anne Donne, Un-done.[14] It was not until 1609 that Donne was reconciled with his father-in-law and received his wife´s dowry,

ellauri042.html on line 949: After his release, Donne had to accept a retired country life in a small house in Pyrford, Surrey, owned by Anne´s cousin, Sir Francis Wooley, where they resided until the end of 1604. In spring 1605 they moved to another small house in Mitcham, London, where he scraped a meager living as a lawyer, while Anne Donne bore a new baby almost every year. Though he also worked as an assistant pamphleteer to Thomas Morton writing anti-Catholic pamphlets, Donne was in a constant state of financial insecurity.

ellauri042.html on line 951: Although King James was pleased with Donne's work, he refused to reinstate him at court and instead urged him to take holy orders. At length, Donne acceded to the king's wishes, and in 1615 was ordained priest in the Church of England. In late November and early December 1623 he suffered a nearly fatal illness, thought to be either typhus or a combination of a cold followed by a period of fever. During his convalescence he wrote a series of meditations and prayers on health, pain, and sickness that were published as a book in 1624 under the title of Devotions upon Emergent Occasions. One of these meditations, Meditation XVII, contains the well known phrases "No man is an Iland" (often modernised as "No man is an island") and "...for whom the bell tolls".

ellauri042.html on line 953: Anne gave birth to twelve children in sixteen years of marriage, (including two stillbirths—their eighth and then, in 1617, their last child); indeed, she spent most of her married life either pregnant or nursing. The ten surviving children were Constance, John, George, Francis, Lucy (named after Donne´s patroness Lucy, Countess of Bedford, her godmother), Bridget, Mary, Nicholas, Margaret, and Elizabeth. Three (Francis, Nicholas, and Mary) died before they were ten. In a state of despair that almost drove him to kill himself, Donne noted that the death of a child would mean one mouth fewer to feed, but he could not afford the burial expenses. During this time, Donne wrote but did not publish Biathanatos, his defense of suicide. Anne died on 15 August 1617, five days after giving birth to their twelfth child, a still-born baby. Donne mourned her deeply, and wrote of his love and loss in his 17th Holy Sonnet.

ellauri042.html on line 959: Since she whom I loved hath paid her last debt				Koska hiän jota rakastin heitti kuitin

ellauri042.html on line 967: But why should I beg more love, whenas thou				Mixi vaatinen lisää rakkautta, kun sä

ellauri042.html on line 970: My love to saints and angels, things divine,				rakastaa pyhimyxiä ja enkeleitä, sivujumalia,

ellauri042.html on line 975: The last sestet presents a turn, commonly referred as volta, in the poem. The lyrical voice presents god God as a jealous lover who fears that he/she will be tempted away by someone or something else. The ninth line questions this figure (“But why should I beg more love, whenas thou”). Furthermore, there is a romantic imagery to express how the lyrical voice feels about the figure of God (“whenas thou/Dost woo my soul”). God’s interest in the lyrical voice is referred as a “fear” and as “tender” because of the possibility of the lyrical voice being tempted by the “devil” or by “flesh”.

ellauri043.html on line 64: Every move you make,

ellauri043.html on line 86: Multa menee usein sekaisin Bosch ja Brueghel, eikä ihme. Pieter Brueghel vanhempi oli Boschia (1450-1516) nuorempi (syntyi 10v Boschin kuoltua, 1525-1569), ja matki sitä ihan sikana. Tässä kansikuvana komeilee Boschin piirtämä suht kesy St Anthonius, kun Flaubertiin teki vaikutuxen Brueghel vanhemman (oikeesti ehkä jonkun sen kolleegan) coveri, joka on alla vas. Brueghel nuorempi (1564-11638) oli Brueghel vanhemman poika ja syntyi 5v ennen sen kuolemaa. Nuorempi kopsi vanhemman töitä ihan sikana. Tuonnoin siinä ei ollut mitään pahaa, perheyritys. Brueghel nuoremman kiusaus on alla oik. Ei taida olla kopio, ellei tosi huono. Kolmas kuva äärimmäisenä oik. on mun Boschin porakone. Puuttuu vielä Lean kinkkukiusaus. 

ellauri043.html on line 150:     Kuvittele, että ollaan Teeban läänissä, vuorenhuipulla, sarjakuvan vuorten viisaan luolatasanteella, puolikuutamossa, ympärillä on isoja kiviä kuin Jeesuxen haudan edessä. Termiitin kolo etualalla. Se on tehty savesta ja risuista 3 pienen porsaan tekniikalla, lättäkatto, ilman ovea. Sisällä näkyy ruukku ja musta leipäpala; keskellä puisen pylvään päässä iso kirja; lattialla siellä täällä halfaheinän olkia, 2-3 palmikoitua mattoa, 1 kori, 1 veizi. 2 askelen päässä kojusta on maahan pystytetty iso risti; ja toisessa päässä tasannetta vanha käyrä palmu kyyhöttää rotkon reunalla, sillä vuori on jyrkkä, ja Niili näyttää järveltä rantavuoren juurella. Nähtävyyttä rajoittaa oikealla ja vasemmalla kalliot. Mutta autiomaan puolella, kuin sarja hiekkarantoja, dyynit leviävät loppumattomina valtavina tuhkanvaaleina toinen toistaan korkeampina maininkeina. Sitten hiekan takana, kaukana, Libyan vuoriketju nousee liidunvalkeana seinänä, violetinsävyisessä udussa.

ellauri043.html on line 199: 
Sitäpaizi kaikki maallikot ei joudu helkkariin, eikä mun tarvizisi olla kuin... esim... lingvisti tai filosofi. Mulla olisi kaislapallo, aina tabletteja käsillä, nuoria miehiä ympärillä, ja ovessa roikkuisi logona laakeriseppele.

ellauri043.html on line 271: 
Tää on vaan alkua tapettujen lähimmäisten listalle (75.000 kaikkiaan, saman verran kuin coronan tappamia jenkkejä). Mut ne oli niille velkaa niin paljon! Mitä kärsimystä! Sitäpaizi olihan nää jumalan tosi pahoja vastustajia. Kyllä niistä oli varmaan kivaa kostaa, lyödä kuvainpalvojille verilöylyä! Kaupunki varmaan oxensi ruumiita! Niitä oli puutarhapenkeissä, portaissa, semmoisia läjiä huoneissa etteivät ovet kääntyneet... - Kylläpäs mä nyt olenkin murhan- ja verenhimoinen!

ellauri043.html on line 326:     
Mistähän kohtaa se meinas sitä koetella? Pirukin meinas koetella Jeesusta! Mut jeesus voitti, koska se oli jumalampi, ja Salomo koska sen taikasauva oli kovempi. Taikominen on melkoisen kovaa leikkiä! Niinkuin Gandalf ja Saruman vaikka! Vahva taika sinkoo vastustajan seinään! Iloista tiedettä. Mahdollisen taidetta. Silä maailma - näin sen mulle yx filosofi selitti - on himmeli jossa kaikki riippuu kaikesta kuin elimet ruumiista. Täytyy tuntea veto- ja työntövoimat, luonnollinen rakkaus ja inho eri elinten välillä, ja sitten panna toimexi. ...? Silleen voi kai muuttaa asioiden näennäisen muuttumatonta järjestystä?

ellauri043.html on line 2097: 
Mepä tunnettiin se, meikämannet, me tunnettiin se kirvesmiehen poika! Me oltiin sen ikätovereita, asuttiin samalla karzalla. Se muovaili mudasta pikkulintuija, pelkäämättä leikkuulautojen reunoja (???) auttoi iskää kirveshommissa, tai piteli äidille värjättyjä lankavyyhtejä. Size teki matkan Egyptiin, josta se toi isoja salaisuuxia. Me oltiin Jerikossa, kun se tuli tapaamaan heinäsirkkojen popsijaa. Ne juttelivat matalalla äänellä, kukaan ei saanut selvää siitä. Mutta siitä lähtien se alkoi pitää meteliä Galileassa, ja sen nimissä on paljon satuja.


ellauri043.html on line 2148: 
Se nousee rappuja säkkipimeässä; — ja himputin monen askelman perästä tulee ovelle.

ellauri043.html on line 2505: 
Ne kertoo tarinoita marttyyreistänsä; tuska kohoaa, kippisvauhti tuplaantuu. Niiden kyynelten kastelemat silmät siirtyy tovereista toisiin. Ne änkyttävät humalaa ja yxinäisyyttä;

ellauri043.html on line 2702: Yhtenä iltana seisoin sitra kädessä ja tanssitin kreikkalaisia Tom of Finland meripoikia. Sadetta tuli kuin aisaa baarin katolle, ja hehkuviinit höyrysi. Sisään tuli mies avaamatta ovea.   


ellauri043.html on line 3445: Joojoo, teatterissa, keskellä päivää, lokakuun kolmantena (Helmin synttäri!) se huusi yhtäkkiä: Keisaria listitään! ja selosti vaihe vaiheelta: Nyt se rullaa lattialla! ouz! kylläpä se kamppailee! se nousee ylös! se koittaa paeta! ovet on kiinni! Ai! se on loppu nyt! Siinä se on kanttuvei!Ja sinä päivänä just, Titus Flavius Domitianus salamurhattiin, kuten tiedätte.

ellauri043.html on line 4218: kaaoxen eka tietoisuus, sukelsin kuilusta kovettamaan matskua, säätelemään formuja; ja mä opetin humaaneille kalastusta, pirttiviljelystä, kaunokirjotusta  ja kirkkohissaa.

ellauri043.html on line 4786: 
Coucoupha est employé comme nom masculin singulier. Employé comme nom. 1. dans l'Antiquité, en Égypte, animal mythique à longue oreilles figurant sur les sceptres des souverains. Quelques mots au hasard. Lisää henkiolentoja. In old pharmacy, a cucupha or cucufa was a cap, or cover for the head, with cephalic spices quilted in it, worn for certain nervous distempers, particularly those affecting the head. Saint Cucuphas is a martyr of Spain. His feast day is 25 July but in some areas it is celebrated on 27 July to avoid conflict with the important feast day of Santiago, the patron saint of Spain. His name is said to be of Phoenician origin with the meaning of "he who jokes, he who likes to joke." 

ellauri043.html on line 5127: 
Sä olit jättänyt oven raolleen. Toiset pääsi sisään. Miesten päivä alkoi Tartaroxessa!

ellauri043.html on line 5190: 
Maailma jäähtyy. Täytyy lämmittää lähteitä, tulivuoria ja virtoja jotka rullaa metalleja maan alla! — Lyökää vaan, lyökää kovempaa! Huda hudaa! Täysiä! Koko teholla!

ellauri043.html on line 5239: Tuli joka nieli mun äiten virtaa mun suonissa. Virratkoon vaan kovempaa, vaikka henki menisi!

ellauri043.html on line 5262: Keskittymällä kovemmin mä kekkaan hienosyisempiä runoja, ikuisia monumentteja kuin Horatius, ja kaiken mazkun läpäisee mun kitara, as it gently weeps! 

ellauri043.html on line 6410: Heti tai kohta, ihan sama! sä kuulut mulle, kuin auringot, kansat, kaupungit, kuninkaat, vuorten lumi, vainoiden ruoho. Mä lennän korkeemmalla kuin varpushaukka, mä juoxen kovempaa kuin gaselli (tai gepardi, vaikka ne juoxee kyllä hyvin lujaa), mä saan kiinni jopa Toivon, olen voittanut jumalankin pojan!

ellauri043.html on line 6960: Nojaten selkää kellarin oveen ja kynsi ojossa, mä valvon liekehtivistä silmäteristä käsin niit jotka haluu sisälle. Valtava tasanko horisonttiin asti on ihan paljas ja matkailijoiden luiden valkaisema. Sua varten pronssiovet aukenee, ja sä voit haistaa kaivosten höyryä, kun laskeudut luoliin. Nopsaan nyt! Pidä kiirettä!

ellauri043.html on line 7044: Erilaisia kansoja elää valtameren maissa. Jotkut asuu myrskyissä, toiset uivat upoxissa kylmien aaltojen läpinäkyvyydessä, märehtivät kuin lehmät korallitasangoilla, imevät kärsällänsä meren vuorovesiä, tai kantavat hartioillaan meren pohjalähteiden painoa.

ellauri045.html on line 35: ovenee.jpg" width="50%" />

ellauri045.html on line 154:   sellainen viidentoista watin lamppu kuin Popovin novellin taiteilijanaisella, 


ellauri045.html on line 155:   joka unohti unohtaneensa ulko-oven auki ja huusi miliisiä auttamaan.

ellauri045.html on line 728: On epäselvää, kuinka paljon Dharma Initiativen ihmiset tiesivät savuhirviöstä, mutta he olivat rakentaneet parakkien ympärille ääniaidan, joka piti hirviön ulkopuolella. Ben käytti parakkien alla olevaa kammiota hirviön hallitsemiseen vaikka tajusi myöhemmin hirviön hallitsevan häntä. Joutsen-aseman turvaoven kartassa on viittauksia Kerberus-toimintaan, joka mahdollisesti viittaa hirviön olemassaoloon. Vuonna 1988 savuhirviö hyökkää Rousseaun ryhmän kimppuun raahaten yhden ryhmästä Temppelin kammioon tappaen tämän. Danielle alkaa uskoa hirviön ”sairastuttaneen” ryhmänsä tappaen kaikki ryhmänsä jäsenet.

ellauri045.html on line 806: Christianity added its own three others virtue, in St. Paul's words "faith, hope, and love, these three abide. But the greatest of these is love." The three are called "theological" or-flatteringly to Christianity, since we all know alleged Christians who in their xenophobia or homophobia or X-phobia do not practice them-"Christian" virtues. The three holy virtues smell of incense, but can be given entirely secular definitions, as the Peterson and Seligman volume does. Faith is the backward-looking virtue of having an identity, a place from which one must in integrity start: you are a mother, a daughter, a wife, a schweitzer, a woman, a teacher, a reader, and would not think of denying them, or changing them frivolously. Hope, by contrast, is the forward-looking virtue of having a destination, a project. Where are you going? Quo vadis? If you are literally hopeless you go home tonight and use your military rifle (you are Swiss, so you have one) to shoot yourself. And love, the greatest of these, is the point of it all: love of husband/wife or both, love of country, love of art, love of science, love of God/dog or both.

ellauri045.html on line 818: PsychCentralin 40 kysymyxen testistä sain aivan pohjat, 0-11 pojoa, ei yhtään narsistisia piirteitä. Tosin kysymyxistä näki heti, mihin ne tähtäävät. Silti vastasin suurin piirtein "rehellisesti". Paska testi, tämäkin. Between 12 and 15 is average. Celebrities often score closer to 18. Narcissists score over 20.

ellauri046.html on line 47:       On säälittävä epähistoriallinen pukudraama alaikäsille millenniaaleille, Game of Thrones siikveli. Ällöjä 2000-luvun juippeja pukukohtauxissa ällöillä 2000-luvun elkeillä. Ihan epäaitoja puhekuplia ja sentimenttejä. Historiaa on muutettu niin että juoneen mahtuu kaikkia rotuja ja pystypanoa. Naiset on miesmäisempiä kuin miehet. Epsanjan kuningatar lähtee noin puolijoukkueen etunenässä käsikähmään hepan selässä Sierra Madren vuorilla kuin joku el Zorron Dona Carita. Muovisia digitoituja Westminstereitä. Halvan näköisiä kulisseja. Kummallista persu-mamu-brexitpelleilyä ylhäisaatelisten kesken. Pah koko Euroopan kuninkaalliset oli oikeesti kaikki vanhoja tuttuja ja lähisukulaisia.  Neekereitä b-pääosissa ja mumslimeita et riittää jokaiselle jotakin. Oikeasti pikkupoika Harrystä oli tehty ello isoveljeä röyhkeämpi juippi joka leikkii miehekkäästi pyssyillä. 

ellauri046.html on line 49:       Tällästä se aina on. Historia pitää kirjoittaa aina uudestaan, eihän sitä muuten tajua, tai ainakaan ei vois vähempää kiinnostaa. Historian henkilöillä oli 50-luvulla rasvaletti. Oopperassa Don Carlosilla on liituraitapuku. Nain on meidankin elamassamme, huomaatteko? Vittu miten alkeellista, miten tumpeloa ja tuhnua. Ei jaxa. Kertakaikkiaan ei jaxa. Pelkkiä ikäviä ja ikävystyttäviä ihmisiä, Harry ja Meghan luokan imbesillejä. Vallanhimoisia typeryxiä. Bang bang sano amerikkalainenkin 5-vuotias ja ampui vahingossa isoveljensä mezästä löytyneellä pyssyllä pomppulinnassa. Nain tottavie tosiaankin on meidankin elamassamme. Ei tarvi vaihtaa vaatteita, vaatteiden alla on se sama alaston apina.

ellauri046.html on line 61:   
Nacque a Padova verso il 1523 da una famiglia di origine milanese e di condizione borghese: alla morte del padre Bartolomeo (1531), commerciante di gioielli, la vedova Cecilia, con Gaspara e i fratelli Baldassare e Cassandra, si trasferì a Venezia. Cassandra era cantante e Baldassare poeta: quest'ultimo morì per malattia nel 1544 a diciannove anni, e ciò turbò molto Gaspara, tanto da farle meditare una vita monacale, stimolata su questa strada da suor Paola Antonia Negri; di lui restano i sonetti stampati con quelli della ben più nota sorella.  Leimasimen isä oli kultaseppä, sixköhän sen nimi oli Leima. Kultaseppä Leima, sen tytär Gaspara Leimasin, ikäänkuin hullunkurisista perheistä. Bartolomeus tulee hepreasta Bar Tolomai, eli Ptolemaioxen poika. Bartolomeus oli tavixin apostoli, joka nyljettiin Armeniassa ja naulattiin ristiin vielä kuin nahkurin orsille.  

ellauri046.html on line 65: Sufficientemente colta nella letteratura, nell'arte e nella musica, Gaspara fu portata dalla forte carica della sua personalità a vivere in modo libero diverse esperienze amorose, che segnano profondamente la sua vita e la sua produzione poetica. I romantici videro in lei una novella Saffo, anche per la sua breve esistenza, vissuta in maniera intensamente passionale. La vicenda della poetessa va però ridimensionata e collocata nel quadro della vita mondana del tempo, dove le relazioni sociali, comprese quelle amorose, rispondono spesso a un cerimoniale e ad una serie di convenzioni precise. Fra queste è da segnalare l'amore per il conte Collaltino di Collalto, uomo di guerra e di lettere, che durò circa tre anni (1548-1551): tuttavia a causa di lunghi periodi di lontananza Collaltino non ricambiò il sentimento intenso che Gaspara provò per lui, e la relazione si concluse con l'abbandono della poetessa, che attraversò anche una profonda crisi spirituale e religiosa.  Leimasimella oli taipumusta depixiin. Kun tuli vastoinkäymisiä (veli kuoli, kreivi jätti), se meni aina rapakuntoon ja meinas mennä nunnaxi. Onnexi ei mennyt.

ellauri046.html on line 95: You think that I can't live without your love

ellauri046.html on line 105: You think that you destroyed my faith in love.

ellauri046.html on line 188: Köpisläinen koroillaeläjä kermaperse. Kuivakka julma villakauppias iskä pani välikössä pystypanolla paxuxi nuoren kouluttamattoman aputytön ja nai sen sitten pakolla. "Mahtava herra B on menetellyt somasti ja nainut köyhän palvelustyttönsä!" Rakas hyvä herrasmies kyllä hän saa paljon vaikeuxia! Vertaisten ja toverien ivaa ja karkeita kokkapuheita !

ellauri046.html on line 247:       Jokainen, jolle Kristinuskon Sanoma tosissaan on Tunnolla, ja mitä vakavammin se on sillä Tunnolla, sitä mä pyydän, ja sitä kovemmin, tutustumaan tähän pikku Kirjoituxeen, ei uteliaana, vaan tyyliin "nyt pohditaan", kuten luetaan uskonnollista Kirjoitusta.

ellauri046.html on line 274: Keywords: academia; actors; assistant professors; banquets; baptism; behavioral change; clergy; Constantin Constantius; contradiction; costumes; day laborers; disciples; earnestness; ethical existence; existence; finishing; freedom; Godthaab; Hegelian philosophy; horses; incommensurability; inwardness; lifelong tasks; love; male vulnerability; misunderstanding; money; Nicolaus Notabene; Philosophical Fragments; pleasure; professors; Quidam; Repetition; Socrates; suffering; talkativeness.

ellauri046.html on line 294: Koalan sedän näköinen Schopenhauer oli Luutarhan lemppareita.  Söörenillä oli melkein koko Sopen tuotanto hyllyssä, sen miälestä Sope oli eittämättä "hyvin merkittävä kynäilijä". Tykkäs Sopen vittuilusta koulufilosofialle, Sörkkä oli myös soveltavan koulun miehiä. Sope oli Sökön mielestä lähes yhtä viisas kuin  se ize muttei ihan. 

ellauri046.html on line 347: Kierkegaard was born in 1813 to a prosperous family in Copenhagen. He seems to have suffered some sort of trauma early on, associated with his breaking-off an engagement to his beloved Regine Olsen (he never married), or perhaps because of his sternly religious father, or the fact that his mother, and all but one of his six siblings, died young.

ellauri046.html on line 376: On The First Love: I keep on bumping into the play 'First Love' by Eugène Scribe. It is really good. 


ellauri046.html on line 433: This brief study argues that Kierkegaard's Journals show beyond reasonable doubt that he was homosexual. It does so because he believed that the recognition of this fact was central to the understanding of his life and thought, because he could not bring himself to say this openly even in the privacy of his own Journals, because he hoped and prayed that his "reader" would discover and reveal it after his death, because even distinguished scholars privy to his "secret" have remained silent and because, given these facts, it is surely time to open up this question.

ellauri046.html on line 456: According to Church tradition, Veronica was moved with sympathy seeing Jesus carrying the cross to Calvary and gave him her veil so that he could wipe his forehead. Jesus accepted the offer, and when he returned the veil the image of his face was miraculously captured on it. The resulting relic became known as the Veil of Veronica.

ellauri046.html on line 458: The initial attack by the matador is called the suerte de capote ("act of the cape"), and there are a number of fundamental "lances" (or passes) that matadors make; the most common being the verónica (named after Saint Veronica), which is the act of a matador letting their cloak trail over the bull´s head as it runs past.    

ellauri046.html on line 526: Individ. Personlighed. Aethiker-Gymnastik. Det er overall en Danseplads for et Maenniske. Selv den ringeste Maenniske har sin. Det er denne Faegter-Dygdighed, denne Smidighed, der egentlig er er det udoedlige Liv i det Ethiske.

ellauri046.html on line 614:       You'll never read it, sanoi Ynsyräsuu Chomskyn tiiliskivenkokoisesta väitöskirjasta. Oli pakko ostaa ja lukea. Tää on toinen samanlainen. Toi vitun existentialismin valintamyymälä on justiinsa Adam Smithin moraali. Hmm ottasinxmä tän vaiko tän. On varaa valita. Mä oon vapaa agentti. Myyn pölynimureita jalka oven välissä. Salekin oli opiskeluaikana. Vanhana äijänä möi jenkkisoopaa.

ellauri046.html on line 633:   Scribes teaterstykker, for det meste vaudeviller, blev ofte skrevet i samarbejde med andre. Hovedemnet er samtidens borgerskab. Stykkerne er ofte enkle og uden social kritik og står i kontrast til de romantiske stykker fra samme periode som Victor Hugos. Sama vika vaivaa Kierkegaardia. Scribe koitti paiskata Ranskan akatemian oven Hugon naamalle. Mut Hugolla oli kenkä ovenraossa. Sörkän eka ego kannusti "ekaa rakkautta", jolla se kai meinaa ihastumista (joita voi silti olla monta, ei siis aikajärjestyxessä vaan ensimmäistä). Se on eri narsistista:  Ogsaa i Bevisdtheden vilde Du overalt möde henne og Dig, og Dig og hende.  Niinkuin kaikki narsistikirjailijat se asuu peilisalissa ja näkee kokoajan ize oman naamansa. Pahin vaara avioelämässä siitä on kuten Salesta kyllästymispiste, ikävystyminen. Hizi että näitäkin heppuleita on roppakaupalla.


ellauri046.html on line 716: Onnex feministit on pelkkiä dosmereita eikä ovelia käärmeitä.

ellauri046.html on line 760: Tentten ennakoi hupasasti nazeja ja Auschwitzin tunnaria: Arbeit macht frei. Netop ved at arbejde frigjoer Mennesket sig, bliver herre over Naturen, viser sig hoeijere

ellauri046.html on line 770: 
The First Kiss of Love


ellauri046.html on line 779:          Those tissues of falsehood which folly has wove!

ellauri046.html on line 781:          Or the rapture which dwells on the first kiss of love.

ellauri046.html on line 785:          Whose pastoral passions are made for the grove;

ellauri046.html on line 787:          Could you ever have tasted the first kiss of love!

ellauri046.html on line 791:          Or the Nine be disposed from your service to rove,

ellauri046.html on line 793:          And try the effect of the first kiss of love.

ellauri046.html on line 797:          Though prudes may condemn me, and bigots reprove,

ellauri046.html on line 799:          Which throbs with delight to the first kiss of love.

ellauri046.html on line 803:          Perhaps may amuse, yet they never can move:

ellauri046.html on line 805:          What are visions like these to the first kiss of love.

ellauri046.html on line 809:          From Adam till now, has with wretchedness strove;

ellauri046.html on line 811:          And Eden revives in the first kiss of love.

ellauri046.html on line 815:          For years fleet away with the wings of the dove—

ellauri046.html on line 817:          Our sweetest memorial the first kiss of love. 

ellauri046.html on line 820:       Aika sekulia Byronia, mutta sehän onkin tässä ihan alottelija. Ensinnäkin first kiss aika usein ole kiss of love, ja kääntäen. Mä en ize edes muistakaan semmosta. Eikä eka panokaan ole välttämättä rakkautta, kuha kokeillaan. Ne on oikeestaan aika eri asioita. Molemmat hommat alkaa lutviutua vasta vähitellen.

ellauri046.html on line 826:       oves-in-the-old-testament-1522970429">
Jehova keljuilee

ellauri046.html on line 927: 'Tis Rohtraut, Fair-Rohtraut I love so much.

ellauri046.html on line 965:       taas veizen esille ja pyrki taxiin. Taxikuski ehti saada ovet lukkoon. 


ellauri046.html on line 986:       ulos autosta 67-vuotiaan miehen puolison autonovelle vaatimaan ikkunoita auki.

ellauri047.html on line 78:   Kirjan Werther oli Woku ize, joka kosiskeli Wetzlarissa (Hessenissä) Charlotte Buffia. Charlotte dumppas Wokun ja otti sen sijaan Johann Christian Kestnerin, jolla oli hyvä paikka Hannoverin hovissa. Se ei pahemmin masentanut Wokua, joka osti jopa kihlat Lotelle ja Hannolle. Se joka teki izarin oli Wokun kolleega Karl Wilhelm Jerusalem, Lessingin kuoma. Woku vaan yhdisti nää tarinat. Tarua ja totta elämästäni. Wertheristä Goethe ei netonnut paljoa, kun ei ollut copyright-lakeja. Niinkuin monet muut (esim. Cervantes ja Rabelais) se julkaisi six aina uusia, muka päivitettyjä versioita omista prujuista. Wetzlarin aikainen tuttu kuvaili Goethea:

ellauri047.html on line 101:     Goethella oli taipumus rakastua usein ja intohimoisesti, mutta avioliittoon hän päätyi vasta 57-vuotiaana, vuonna 1806, Christiane Vulpiuksen (1765–1816) kanssa. Pari oli asunut yhdessä jo vuodesta 1788, kun W. oli 39 ja C. 23.  Vulpius ei ollut erityisen älykäs tai sivistynyt nainen, joten seurapiireissä ihmeteltiin suuresti sitä, miten Goethen kaltainen nero saattoi päätyä tuollaiseen avioliittoon. Goethea vaimon sivistystaso ei kuitenkaan huolettanut, sillä hän arvosti ennen kaikkea Christianen iloisuutta ja energisyyttä. Avioliitosta syntyi viisi lasta, joista eli aikuiseen ikään vain ensimmäisenä syntynyt poika, August (1789–1830). C:n isoveli Christian pääs kirjastonhoitajax Weimariin ja kirjotti el Zorromaisen romskun Rinaldo Rinaldini. Mullon se suomexi. 

ellauri047.html on line 107:     Kun Goethe tapas Napsun 1808, Napsu totes äimissään: "Vous êtes un homme!". Olikohan sille annettu muuta ymmärtää. Goethesta se oli hienoa, se muisteli Napsua aina hyvällä. No Goethen kuoltua sen lääkäri väitti että se oli kaunis vainaja. Napsu ize oli pyylevä hukkapätkä ja Schopenhauer koala. Matthew Arnold (Dover Beach) diggas Goethea. Goethe saxansi Dideroota eikä tykännyt matikasta enempää kuin se. Tesla osas Faustin ulkoa ja kekkas vaihtovirran kerran mumistessaan sitä. Mumiskohan Elon Musk Torquato Tassoa tehdessään Johnille Tesla-autoa? Vääntö niissä on kyllä hyvä. It takes all kinds to make a world. 

ellauri047.html on line 259:   Gretcheniä surullisempi oli Cornelia Goethen kohtalo. Isän näköinen siis ei mikään kaunotar, pikemminkin päinvastoin, masentuvainen ja luulotautinen, 15kk vanhempi isoveli oli sen ainoa rakastettu. Meni se naimisiin Goethen kaverin Schosserin kanssa, joka kohteli sitä niinkuin vaimoja kohdeltiin, eikä 2 tyttärestä huolimatta pitänyt Corneliaa paljon minään. Emmedingenin tuppukylässä Cornelia kuihtui ja kuoli pian 2. tyttären synnyttyä 26-vuotiaana. Hizi, me Seijan kanssa vasta tavattiin sen ikäisinä. Hans ei kirjottanut Corneliasta juuri mitään koko valtavassa tuotannossaan. Jossain sivumennen mainizee jälkeenpäin et se oli mitäänsanomaton. Cornelia oli sen uskottu ja apu, kun sillä oli vähän vaikeaa Gretchenin kaa ja myöhemminkin. 

ellauri047.html on line 761: Mä jään tässä pois, uskolliset matkatoverit!

ellauri047.html on line 763: An mennä vaan! teillä ei ole game overi,

ellauri047.html on line 797: Herder ei ollut miellyttävä toveri, vaan oli ivallinen, arvosteleva, ja suvaizematon. Izekeskeinen kakka profeetta-eleineen.  Onnexi Goethe tän kerran oli yhtä valmis kuuntelemaan kuin Herder paasaamaan. Paasauxessa putkahtavat esiin Ossianin laulut, jotka oli vähän kalevalatyyppinen vedätys. 

ellauri047.html on line 869:   Mä ehdin olla töissä 45 vuotta, jos ei lasketa taxvärkkiä eikä 2 viikon kesätyötä Kiitoketjulla. Että olikin tylsää oikoa niitä teelasin pitimiä. Seija laittoi kesätöissä 10 muun naisen kanssa aikakauslehden sitomuxia nitojaan. Piti pysyä tahdissa eikä sivut saaneet mennä ryttyyn. Kun ne kuitenkin meni, tuli hurjaa sadattelua. Evästauolla puhuttiin rivoja juttuja. Kun tuli lakko, joku kohtalotoveri ihmetteli, miten sinäkin Seija ressu mahdat nyt pärjätä. Mee kotiin maalle, niin mäkin teen, istut vaan ruokapöytään, ei ne kehtaa olla antamatta sulle vähästänsä perunaa.

ellauri047.html on line 957: Carl Grimberg kuoli 1941 sydäninfarktiin kesken kaiken kotonaan Villa Sjövikissä. Heti kuoltuaan se sai roppakaupalla kehuja, mutta sittemmin se joutui pannaan, pantiin myrkkykaappiin ja ovet kii.

ellauri047.html on line 964:   oli aikamoinen pieni maailmansota, jengiä oli mukana kuin salpausselällä. Taustalla oli Englannin ja Ranskan siirtomaasota amerikoissa ja Itävallan-Preussin keskinäiset kärhämät. Ranska ja Englanti vaihto puolia, britit siirty Preussin ja Ranska Teresian tukijaxi. Englannin Ykä II hääri Saxassa perintömaansa Hannoverin takia. Kun Rauhalla ensalkuun oli tiukat paikat, ruozalaisetkin pyrki jaolle Pommeriin huonolla sotaonnella, Suomeen saatiin sentään perunoita. Pommeri on Danzigin ympärillä. Sieltä tuli hoppelpoppeli. Ruozin kunkkuna oli Adolf Fredrik, jonka siippa Lovisa Ulrika oli Fredrik Suuren sisko. Sen mukaan on nimetty Loviisan kaupunki. Silti vittu, sanoi hattupuolue ihan vittuilumielessä. Mulla on AF:n luotipyssy piilossa vaatehuoneessa.

ellauri048.html on line 125: Koskenniemi aloitti välittömästi Revon savustamisen Uudesta Suomesta. Hän kirjoitti 19.7.1950 Aholle, "että hra Repo ei ole sovelias henkilö U.S:n kulttuuritoimittajaksi … Jos hra Repo saa edelleen jatkaa toimintaansa U.S:ssa, on Sinun kyllä pakko jättää minut pois laskuista U.S:n arvostelijana ja avustajana." Aho ilmoittikin 16.8.1950 Revolle, ettei tämä voinut jatkaa Uudessa Suomessa määräaikaisen sopimuksensa päättyessä lokakuun alussa.* Koskenniemi kirjoitti myös ohjelmajohtaja Jussi Koskiluomalle 14.10.1950. Hän "asetti harkittavaksi" oliko Yleisradion syytä käyttää "yleisön kirjallisena valistajana niin suuressa määrässä yleistä arvostelukykyä vailla olevaa henkilöä kuin hra E. S. Repo".*

ellauri048.html on line 170:   Viimeisenä syntymäpäivänään Goethe kapuaa pojanpoikien työntämänä epämukavia portaita lautaisen mezästysmajan ylempään kerroxeen Kickelhahnin huipulle lukeaxeen sen seinästä vielä kerran sinne raapustamansa runon (sen Gipfel-Wipfel jutun) ja kirkkoveneen kuvan. Goethe luki runonsa ja kyynelten kohotessa hänen silmiinsä hän kertasi sen loppusanat. Liikuttui kyyneliin omasta runostaan. Niin mäkin joskus teen. On ne niin hienoja. (Siis mun runot.) Ajattelikohan aika pöllönnnäköinen Antero izeään kun se herutti Goethen viimeisen muotokuvan äärellä? Liikuttuikohan sekin kyyneliin? Luultavasti. Aika tädin näköinen on jöötti potretissa. Antero izekin on vähän siivojan näköinen tossa riemumaisterikuvassa. Ketähän on noi sen superhömelöt pöytäkumppanit? 

ellauri048.html on line 442:   Vaan Kirsi paukkaa oven niiden naamaan:

ellauri048.html on line 536:   Wikipediassa valaistaan Golding controversyn taustoja. Se onkin jenkkien kiivastunut riita punaisten republikaaniaasien ja sinisten demokraattinorsujen välillä. Jenkeissä on oikealla siivellä tungosta, ei pidetä karanteenietäisyyxiä. 

ellauri048.html on line 538: Its stances on the already controversial subjects of human nature and individual welfare versus the common good earned it position 68 on the American Library Association's list of the 100 most frequently challenged books of 1900–1999. The book has been criticized as "cynical" and portraying humanity exclusively as "selfish creatures".It

ellauri048.html on line 541: Parallels have been drawn between the "Lord of the Flies" and actual incident from 1965 when a group of 6 schoolboys who sailed a fishing boat from Tonga were hit by a storm and marooned on the uninhabited island of ʻAöö-ta, considered dead by their relatives in Nuku‘alofa. The group not only managed to survive for over 15 months but "had set up a small commune with food garden, hollowed-out tree trunks to store rainwater, a gymnasium with curious weights, a badminton court, chicken pens and a permanent fire, all from handiwork, an old knife blade and much determination". Dutch historian Rutger Bregman, writing about this situation said that Golding's portrayal was unrealistic. There has been no WW III yet, and kids killing other kids is entirely unheard of. Except a bunch of school killings in America and Finland, among other places.

ellauri048.html on line 718: male bonding over a ruined or relegated carcass of a wom
an

ellauri048.html on line 724: the inevitable mapping of the feminine onto defeated male opponents, or conversely, onto loved and admired men


ellauri048.html on line 738: Bellow's characterisation of his father's background is one of the most enjoyable strands of the book and an interesting companion to Saul's fiction. His father, Abraham, is characterised by his grandson as a crook and a tyrant, who despised his youngest son's literary ambitions and pummelled him – and all his sons – until Saul grabbed his hand mid-air one day and said, "I'm a married man, Pa. You cannot hit me anymore." In adulthood, on the rare occasions Bellow tried to talk to his father about his upbringing, Saul would shake him off and say rather pointedly: "You shouldn't blame your parents for your faults." Bellow smiles. "And he said this to me, a therapist no less! His father loved him, but it was a tumultuous relationship and my grandfather was mercurial as hell."

ellauri048.html on line 741: Anita worked and, while Saul tried to write, supported the family financially, something his father conveniently overlooked, Bellow says, after they split up and she had to chase him for alimony. "I was 20 before he became famous, so I did not grow up the son of a famous father. I grew up the son of a starving artist."

ellauri048.html on line 743: There followed the years of bohemia, when the family moved to Paris and Saul started to shrug off the influence of his 19th-century literary heroes and find his own voice in The Adventures of Augie March. When he was happy and the writing was going well, their lives would be joyous; when he struggled, the apartment was mired in gloom. Meanwhile, "Saul had women stashed all over town," writes his son. The pain of these recollections is secondary to Bellow's fury at what he calls his father's "self‑justification: that his career as an artist entitled him to let people down with impunity." As an adult, when he asked his mother about it, she said, "I'm blessed with a poor memory."

ellauri048.html on line 748: The most painful to read was Mr Sammler´s Planet, which "I find very hard to digest: Sammler approves of all the obedient children and disapproves of the rebellious ones. I was a rebellious son, that´s tough."

ellauri048.html on line 785: They love to see the flaming forge,		nekin on ihan sepän koukussa,

ellauri048.html on line 832: I hear in the chamber above me			Tyttöin luokkahuoneesta yläkerrasta

ellauri048.html on line 1074: Garrett Jones claims that Alfred Tennyson and Arthur Henry Hallam, whose death was the occasion for writing In Memoriam, were in some sense homosexual lovers, and that Hallam was a promiscuous homosexual whose father sent him to Cambridge, separating him from his Eton friends as a way of curtailing his son's inclinations (a curious, rather naive strategy, one might think!). For most of the book, he gives the impression that the two friends had an intense homosexual relationship that must have included physical acts. However, on p. 192 out of 199, he announces the following:

ellauri048.html on line 1076: EITHER they had to knuckle under and settle for a "sublimated", more-or-less disembodied, spiritualized passion . . . . OR they could plunge and risk martyrdom. They must have agreed that they had no taste for martyrdom — or even Byronic exile. . . . It is clear they both knew, in their heart of hearts, they wanted to express their love for each other in a physical way; yes, even in a sexual way — Love and Duty is eloquent testimony to that. But both of them knew in the prevailing moral climate . . . there seemed to be no possibility of love between males that would not incur hysterical opposition. . . . There is not much doubt, had they wanted to take the sexual path and do so openly, they would only have wanted the kind of sex which they felt about each other.

ellauri048.html on line 1078:   Given that no one has ever doubted that Tennyson had some sort of "disembodied, spiritualized passion" for Hallam, this conclusion comes as rather a painful anticlimax. Admittedly, Alf named his son Hallam after Hallam, the one who went to Australia. Of course, the fact that members of Tennyson´s family succumbed to madness, alcoholism, and drug addiction already has made some readers aware that, like so many other Victorians, he should be taken down from a pedestal and join the rest of us. But think of the stir if one the greatest poems of the nineteenth century, one which has major influence on poets as different as Whitman and Eliot, turned out to be chiefly a gay lover's lament! (What's wrong with that? There are zillions of others, better yet.) Tän apologian kirjoitti on George P. Landow, Professor of English and the History of Art, (fittingly) from Brown University.

ellauri048.html on line 1110: Hallam and Tennyson became friends in April 1829. They both entered the Chancellor's Prize Poem Competition (which Tennyson won). Both joined the Cambridge Apostles (a "private debating society"), which met every Saturday night during term to discuss, over coffee and sardines on toast (“whales”), serious questions of religion, literature and society. (Hallam read a paper on 'whether the poems of Shelley have an immoral tendency'; Tennyson was to speak on 'Ghosts', but was, according to his son's Memoir, 'too shy to deliver it' - only the Preface to the essay survives). Meetings of the Apostles were not always so intimidating: Desmond MacCarthy gave an account of Hallam and Tennyson at one meeting lying on the ground together in order to laugh less painfully, when James Spedding imitated the sun going behind a cloud and coming out again. Capital, capital. 

ellauri048.html on line 1112: During the Christmas holidays, Hallam visited Tennyson's home in Somersby, Lincolnshire; on 20 December he met and fell in love with Tennyson's eighteen-year-old sister, Emilia, who was just seven months younger than Hallam.

ellauri048.html on line 1114: Hallam spent the 1830 Easter holidays with Tennyson in Somersby and declared his love for Emilia. Hallam and Tennyson planned to publish a book of poems together: Hallam told Mrs Tennyson that he saw this "as a sort of seal of our friendship". Hallam's father, however, objected, and Hallam's Poems was privately published and printed in 1830. In the summer holidays, Tennyson and Hallam travelled to the Pyrenees (on a secret mission to take money and instructions written in invisible ink to General Torrijos who was planning a revolution against the tyranny of King Ferdinand VII of Spain). In December, Hallam again visited Somersby and became engaged to Emilia. His father forbade him to visit Somersby until he came of age at twenty-one.

ellauri048.html on line 1126:     'Tis better to have loved and lost 


ellauri048.html on line 1127:     Than never to have loved at all.

ellauri048.html on line 1129: This stanza is to be found in Canto 27. The last two lines are usually taken as offering a meditation on the dissolution of a romantic relationship. However, the lines originally referred to the death of the poet's beloved friend. They are reminiscent of a line from William Congreve's popular 1700 play, The Way of the World: "'tis better to be left than never to have been loved." What the fuck, this is an obvious homoerotic elegy.

ellauri048.html on line 1134: Strong Son of God, immortal Love,		Vahva jumalanpoika, kuolematon lempi,

ellauri048.html on line 1137: Believing where we cannot prove;		Luottaen siihen mitä ei voida todistaa;

ellauri048.html on line 1169: But vaster. We are fools and slight;		Mut kovempaa. Me ollaan hölmöjä ja laihoja;

ellauri048.html on line 1179: Forgive my grief for one removed,		Anna ilmatteex mun suru laudalta poistetusta,

ellauri048.html on line 1182: I find him worthier to be loved. 		Mä voin sitä entistä paremmin porata.

ellauri048.html on line 1200: Let Love clasp Grief lest both be drown'd,	An lempi tarraa suruun ettei ne huku molemmat,

ellauri048.html on line 1206:    The long result of love, and boast,		lemmen pitkää tulosta, ja kerskailis,

ellauri048.html on line 1207:    `Behold the man that loved and lost,		Kas miestä joka rakasti ja hävisi,

ellauri048.html on line 1208: But all he was is overworn.'			Mut ei se ollut kuin työuupunut.

ellauri048.html on line 1320: O somewhere, meek, unconscious dove,		Hohhoo, jossain nöyrä, tajuntansa menettänyt kyyhky,

ellauri048.html on line 1323: Poor child, that waitest for thy love!		Lapsiparka, joka odotat sun lemmikkiä!

ellauri048.html on line 1347:    Here in the long unlovely street,		Tällä pitkällä ja koruttomalla kadulla,

ellauri048.html on line 1354: At earliest morning to the door.		Mä ryömin aamuvarhaisella ovelle.

ellauri048.html on line 1362: A happy lover who has come			Iloinen rakastaja joka tuli

ellauri048.html on line 1363:    To look on her that loves him well,		kazomaan hiäntä joka häntä rakasti,

ellauri048.html on line 1395:    With my lost Arthur's loved remains,		Ja tuot mun Arttu-vainaan jäännöxet,

ellauri048.html on line 1405:    As our pure love, thro´ early light		kirkkaana kuin meidän puhdas lempi, on heittävä

ellauri048.html on line 1408: Sphere all your lights around, above;		Ripusta kaikki valot yltä päältä ympäri;

ellauri048.html on line 1411: My friend, the brother of my love;		Mun ystävä, mun rakastettu veli;

ellauri048.html on line 1434: To rest beneath the clover sod,			Levätä koiranputken alla maassa,

ellauri048.html on line 1471: Lo, as a dove when up she springs		Kato, kuten pulu joka hyppää siiville

ellauri048.html on line 1499:    And moves his doubtful arms, and feels	Ja liikuttaa epäluuloisia käsiä, ja tuntee

ellauri048.html on line 1508:    An awful thought, a life removed,		Kauhee ajatus, kirurgisesti poistettu elämä,

ellauri048.html on line 1509:    The human-hearted man I loved,		Ihmissydämminen mies jota mä rakastin,

ellauri048.html on line 1604: To breathe thee over lonely seas.

ellauri048.html on line 1606: For I in spirit saw thee move

ellauri048.html on line 1609: Come quick, thou bringest all I love.

ellauri048.html on line 1639:    And come, whatever loves to weep,

ellauri048.html on line 1663: The Wye is hush'd nor moved along,

ellauri048.html on line 1711:    He loves to make parade of pain

ellauri048.html on line 1785: Moved in the chambers of the blood;

ellauri048.html on line 1811: We saw not, when we moved therein?

ellauri048.html on line 1819: But this it was that made me move

ellauri048.html on line 1821:    I loved the weight I had to bear,

ellauri048.html on line 1822: Because it needed help of Love:

ellauri048.html on line 1825:    When mighty Love would cleave in twain

ellauri048.html on line 1831:    I with it; for I long to prove

ellauri048.html on line 1832:    No lapse of moons can canker Love,

ellauri048.html on line 1843: And Love the indifference to be,

ellauri048.html on line 1846:    Breaks hither over Indian seas,

ellauri048.html on line 1868:    ´Tis better to have loved and lost

ellauri048.html on line 1869: Than never to have loved at all.

ellauri049.html on line 92: Sweet love, renew thy force; be it not said              Kohenna, rakkaus, tää lerppu kalu,	 

ellauri049.html on line 96: So, love, be thou, although to-day thou fill		 Niin säkin panohalu tyydytetty, 	 

ellauri049.html on line 99: The spirit of love, with a perpetual dulness.		 vaan työnnältäydyt peremmälle nussiin.	 

ellauri049.html on line 103: Return of love, more blest may be the view;		 Onhan kivexissä taas täydet paineet. 	 

ellauri049.html on line 119: Vaan palasit povelleni taas

ellauri049.html on line 140: Kailas kävi koulunsa Heinolassa ja pääsi ylioppilaaksi Heinolan keskikoulun jatkoluokilta keväällä 1920. Hän oli kirjoilla Helsingin yliopistossa vuosina 1920–1926 mutta suoritti vain hajanaisia opintoja estetiikasta ja nykyiskansain kirjallisuudesta. Kailas osallistui vuoden 1919 Aunuksen retkeen, jossa hänen edellinen homopetterinsä Bruno Schildt sai surmansa. Kailaan tämän vuoksi tuntema syyllisyys näkyy novellissa Bruuno on kuollut. Heinola on Sysmän pääkaupunki. Aunuxen retki oli paska reissu, kansanmurhayritys. AKS jatkoi samoissa merkeissä. Matti Kuusi näytti Eino Kailalle AKS:n merkkiä. Kaila säikähti. "Mauno Mannisen leuhkiva sävy alkoi käydä karvoilleni. Kun hän von oben herab ryhtyi halveeramaan Uuno Kailaan infantiilia lyriikkaa, minä ärähdin. Siteerasin jonkin mielestäni vammattoman säkeistön ja tiedustelin, mikä siinä oli infantiilia. - Kailaan runoushan oli sublimoitua onaniaa! puuskahti Mauno. - Eihän kukaan voi ottaa vakavasti runoilijaa, joka tuntee syyllisyyttä onaniasta!" Kuusi puolustamaan Kailasta ja onaniaa. Kuulijat loivat merkizeviä kazeita toisiinsa. Matti Kuusi ja Eino Kaila oli norsseja. Kaxi vanhaa runkkaria raakkumassa fasismin aidalla. L. Arvi Poijärvi ja Aulis Ojajärvi pyöri samoissa piireissä. Kuusen Ohareissa on pientä jälkipyykin makua. Matti tekee ohareita aseveljille. Kieltää uskon kolmasti kuin apostoli Pietari.

ellauri049.html on line 169:   Kaikki sukulaiset eivät ymmärtäneet Uunon herkkäluonteisuuden päälle. Heistä erikoislaatuisen pojan sulkeutunut ja jäykkä olemus vaikutti uppiniskaisuudelta, mitä se toki olikin. Varsinkin enot koettivat kurittaa piirteen pois niin ruumiillisen rankaisemisen kuin nöyryyttämisen keinoin. Niinistön13 mukaan se lisäsi Uunon sulkeutuneisuutta, ulkopuolisuuden tunnetta ja herkkätunteisuutta. Tällä ymmärtämättömyydellä oli Kailaan luonteeseen pysyvä vaikutus hänen elämänsä ajan.14 Kailaan vieraantuminen isästään jatkui Honkapäähän muuton jälkeen. Eevert Salonen solmi uuden avioliiton puoli vuotta vaimonsa kuoleman jälkeen. Honkapään suku ei ymmärtänyt Salosen hapuilevaa ja velttoa elämäntapaa. Uunon äidin rikkonaisen perhe- elämän sekä kuoleman katsottiin olevan Salosen syytä. Katkeruus entistä vävyä kohtaan näkyi siinä, että Salosta ei kutsuttu Honkapäähän ja hänestä ei liioin puhuttu, varsinkaan positiivisesti. Honkapäässä koetettiin välttää kylmän ja katkeran mielikuvan päätymistä Uunon korviin. Kuitenkin, aikuisiällään Kailas tunsi kantavansa pakollista geneettistä sidettä isäänsä, jonka hän muutoin kielsi. Uuno puhui äitinsä vanhemmista isänä ja äitinä. Koulutovereilleen hän uskotteli isänsä kuolleen.15 Aikuisena hän puhui ystävilleen isästään hyvin vähän, mutta uskoutui esimerkiksi opettaja Otto Kososelle16 todeten, että isäsuhteen puuttumisen vuoksi hänellä ei ollut oikeata lapsuutta: se oli hänen sielullisen rikkinäisyytensä syy. Kailas koki vieraantuneen isäsuhteen olevan seuraus hänen itsensä, äidin puoleisen sukunsa ja isänsä käytöksen yhteisvaikutuksesta.

ellauri049.html on line 173:   Vuosina 1909-1913 Uuno kävi kansakoulun Kuivajärvellä, lähellä Honkapäätä. Uuno osoittautui eteväksi ja tiedonjanoiseksi oppilaaksi. Koululla sijaitsevan piirikirjaston hän luki käytännössä lävitse. Opintien jatkamista tuki myös Uunon sopeutumattomuus fyysiseen talonpoikaistyöhön. Näistä syistä isovanhemmat katsoivat pojan tulevaisuuden olevan akateemisella uralla, ensimmäisenä omasta suvustaan. Syksyllä 1913 Uuno Salonen aloitti oppikoulun Heinolassa. Maalaispojan kömpelyys karisi Uunosta nopeasti. Hän osasi asennoitua uuden koulun vaatimuksiin niin opetuksen kuin käytöksen ja itseilmaisun tasolla. Kouluvuosien aikana Uuno luki vapaa-ajallaan suunnattomat määrät suomalaista ja kansainvälistä kirjallisuutta sekä lyriikkaa.20 Uuno oli luokkatoveriensa joukossa arvostettu ja pidetty oppilas. Hän auttoi koulutehtävissä ystäviään pienestä maxusta ja käytti Honkapäästä saamaansa varallisuutta heidän kestitsemiseensä. Kuitenkin Uunon kiivaus ja ailahteleva luonne pääsi välillä esille myös heidän seurassaan. Uuno oli kaiken kaikkiaan aika kusipää.

ellauri049.html on line 180:   Viimeisen kahden lukiovuotensa aikana Uunon suomen kielen opettajana toimi lehtori Juho Kinnunen. Hän kirjoitutti oppilaillaan lukuisia ainekirjoituksia. Uuno Saloselle aineiden kirjoittaminen oli pitkällisen hiomisen ja muokkailun työtä, sillä itsekritiikki painosti kirjoittamaan vain täydellisiä tekstejä, joista hän saikin ylistävää kiitosta. Suomen kieli onkin lukion päättötodistuksessa 10.29 Kuitenkin opetuksesta saatu kannustus oli vähäpätöinen verrattuna siihen julkiseen arvostukseen ja toverien kannustukseen, joita Uuno saavutti 1910-luvun loppua kohden kirjallisille töilleen.

ellauri049.html on line 187:   Opintovuodet keskeytyivät hetkellisesti kesällä 1919, kun Uuno Salonen lähti vapaaehtoisena Aunuksen sotaretkelle. Matkan tarkoituksena oli osoittaa hänen uskaliaisuutensa ja osansa isänmaan kohtalossa. Uuno teki piirroksia Aunuksen retkeltään, mutta suurin osa niistä on hävinnyt. Idealistinen ajatus sodasta karisi todellisuuden tieltä: kurjat olosuhteet, sotahuollon puutteet, kuoleman ja kärsimyksen konkreettisuus sodankäynnin keskellä jäivät kummitteleman Kailaan elämään ja runolliseen tuotantoon hänen loppuiäkseen. Pahin isku oli luokkatoveri Bruno Schildtin kuolema sotaretken aikana. Uuno koki toverinsa kuolleen hänen takiaan, sillä he olivat yhdessä sopineet lähtevänsä Aunukseen.

ellauri049.html on line 207:   Erittäin suureksi tekijäksi Kailas itse koki nousevan polven aikakauslehti Nuoren Voiman. Aikakauslehden nuorisoa lähestyvä ja osallistava ote osui lukijoihin päätoimittaja Ilmari Jäämaan ohjauksella. Lehti oli monelle aikalaisnuorelle murrosiässä arvokas kanava saada yhteenkuuluvuuden tunne saman henkisisten ihmisten kanssa. Valtakunnallinen Nuoren Voiman Liitto perustettiin 1919. Liitto perustettiin nuorisoa varten, joka uskoi ja halusi edistää isänmaallisuutta, toveruuden ideaalia sekä uutteran työn ja teltoissa harrastamisen piirrettä.

ellauri049.html on line 211:   Toverihenkisyys ja ahdasmielisyys välittyivät näin lehden kautta Kailaan elämään. Yksinäisyyteen ja alemmuudentuntoon kääntyväinen Uuno sai toverien kaipuuseensa vastinetta ja tervettä narsismia. Samankaltaista yhteisöön kuuluvuutta, toveruutta sekä veljien ja sisarten kaipuuseen vastausta edusti Heinolan partio-osasto, joka toimi syksystä 1916 alkutalveen 1919 asti. Heinolan osaston perustaja ja johtaja Eino Salmelainen aloitti koululaisille suunnatut lausunta-ja runoanalyysi-illat. Nämä tilaisuudet ”johtivat hänen mielenkiintonsa kuvataiteellisista yrittelyistä runouteen”. Uuno sai myös ensi kosketuksiaan toimittajan työhön partion julkaisujen – Partiolainen ja Ole valmis - tiedotussihteerinä toimisen johdosta.

ellauri049.html on line 233: Monet sairastivat 1900-luvun alkupuolella Suomessa erilaisia tuberkuloosin muotoja, eräs heistä oli Sarkian runoilijatoveri Uuno Kailas. Myös Sarkia sairastui keuhkotuberkuloosiin. Jo nuorena tauti oli oireillut lievänä kaularauhastuberkuloosina, mutta iän myötä tauti eteni keuhkoihin ja muualle ruumiiseen. Nuoren miehen mieleen vaikuttivat myös kokemukset oman fyysisen minän heikkoudesta ja ruumiista kasvavasta sairaudesta (lähde?). Tästä olivat seurauksena ajoittaiset masennukset. Sarkia käsittelikin runoissaan elämän peruskysymyksiä, kuten kuolemaa ja ihmisen kärsimystä.Niin aina. Mikä runoilija se on joka ei niitä käsittele. Ai niin Immi Helleen, tietysti.

ellauri049.html on line 361: What are some reasons not to move to Belgium? The Belgians themselves are the most important reason. They are selfish, arrogant, noisy, rude, full of hate, machismo and gynephobia, fundamentalistically religious, uncivilized, vulgar, ugly, mostly drunk and intoxicated with coke and xtc, very dangerous car drivers, cannibals and neanderthalers. (by: Charles Baudelaire)

ellauri050.html on line 170:   Ransu aikoi tehdä izemurhan, mutta sen pelasti joku aikaisemman runoilijan ilmestys. Kun se oli pennitön, se asui jonkun Maria Magdalenan luona tämän kustannuxella. Oli sen elämässä valoisampiakin hetkiä. Sen kuuluisin runo on Hound of Heaven, nähtävästi sixi, että se soveltuu niin mainiosti sielunkalastuxeen, oli sielun meemi katolinen, hindu, bambu tai banaani. 

ellauri050.html on line 194: (For, though I knew His love Who followèd,				(Sillä vaikka mä tiesin kuka rakastaa mua takaa,		   

ellauri050.html on line 199:     Fear wist not to evade, as Love wist to pursue.			    pelko ei tajuu väistää, kun lempi jahtaa.		   

ellauri050.html on line 206:     With thy young skiey blossoms heap me over				    kasaa sun nuoria taivaskukkia mun päälle		   

ellauri050.html on line 207:             From this tremendous Lover—						piiloon tolta karseelta rakastajalta-		   

ellauri050.html on line 220:     Fear wist not to evade as Love wist to pursue.			    pelko ei tajuu väistää, kun lempi jahtaa.		   

ellauri050.html on line 225:             And a Voice above their beat—				        ja ääni huusi tamppauxen yli-

ellauri050.html on line 285:                 A voice comes yet more fleet—				        yli kuuluu ääni vielä kovempana-

ellauri050.html on line 288: Naked I wait Thy love’s uplifted stroke!				Nakuna mä odotan sun lemmen oikeata suoraa!

ellauri050.html on line 306: For earth with heavy griefs so overplussed.				pitelemään näin ylistressaantunutta maata.

ellauri050.html on line 307:             Ah! is Thy love indeed						Äh! onx sun rakkaus

ellauri050.html on line 340: Wherefore should any set thee love apart?				Mix kenenkään pitäis varata sulle lempeä?			

ellauri050.html on line 342: “And human love needs human meriting:					"ja ihmisrakkaus vaatii ihmiseltä vastapalvelusta;

ellauri050.html on line 346: How little worthy of any love thou art!					miten arvoton sä olet kenenkään rakkaudelle!

ellauri050.html on line 347: Whom wilt thou find to love ignoble thee,				Ketä sä löytäisit joka sua rähmää rakastaisi,

ellauri050.html on line 360: Thou dravest love from thee, who dravest Me.”				Sä ajoit lemmen izeltäs kun ajoit mut."

ellauri050.html on line 407: Paramahansa Yogananda (born Mukunda Lal Ghosh; January 5, 1893 – March 7, 1952) was an Indian monk, yogi and guru who lived his last 32 years in America. He introduced millions to the teachings of meditation and Kriya Yoga through his organization Self-Realization Fellowship (SRF) / Yogoda Satsanga Society (YSS) of India. A chief disciple of the Bengali yoga guru Swami Sri Yukteswar Giri, he was sent by his lineage to spread the teachings of yoga to the West, to prove the unity between Eastern and Western religions and to preach a balance between Western material growth and Indian spirituality. His long-standing influence in the American yoga movement, and especially the yoga culture of Los Angeles, led him to be considered by yoga experts as the "Father of Yoga in the West."  Jooga on lännessä suosittu naisten jumppamuoto, kun siinä ei hypitä niin että tissit hölskyy. Venytellään vaan kissamaisesti lattialla, ei tarvi hikoilla eikä välttämättä käydä jumpan päälle edes suihkussa, jos on kiire.

ellauri050.html on line 409: Yogananda was the first major Indian teacher to settle in America, and the first prominent Indian to be hosted in the White House (by President Calvin Coolidge in 1927); his early acclaim led to him being dubbed "the 20th century's first superstar guru," by the Los Angeles Times. Arriving in Boston in 1920, he embarked on a successful transcontinental speaking tour before settling in Los Angeles in 1925. For the next two and a half decades, he gained local fame as well as expanded his influence worldwide: he created a monastic order and trained disciples, went on teaching-tours, bought properties for his organization in various California locales, and initiated thousands into Kriya Yoga. By 1952, SRF had over 100 centers in both India and the US; today, they have groups in nearly every major American city. His "plain living and high thinking" principles attracted people from all backgrounds among his followers.Valtaosa amerikkalaisista pitää enemmän high living and plain thinking - vaihtoehdosta.

ellauri050.html on line 411: He published his book Autobiography of a Yogi in 1946 to critical and commercial acclaim; since its first publishing, it has sold over four million copies, with HarperSan Francisco listing it as one of the "100 best spiritual books of the 20th Century". Former Apple CEO Steve Jobs had ordered 500 copies of the book for his own memorial, for each guest to be given a copy. The book has been regularly reprinted and is known as "the book that changed the lives of millions." A 2014 documentary, Awake: The Life of Yogananda, won multiple awards at film festivals around the world.  Tästä viimeistään käy ilmi, että tää tuuba on täysin hanurista, todella syvältä. Mut hyvin vetää hindu ton taivaskoira-räpin.

ellauri050.html on line 584: Rosen, und andern eigens versprechenden Dingen				ei ruusuille, muille aiheeseen soveltuville 

ellauri050.html on line 723:       syvälle tussun loveen loistavaan 


ellauri050.html on line 746:   Vaakku kuittaa: näissä säkeissä on naisellista, täysin epärationalistista "filosofiaa" pelotuslainausmerkeissä, joka lisää Saiman omalaatuista lyyrillistä suloa. Näihin kuviin, näihin tunnelmiin,  setämieheltä, over and out.

ellauri050.html on line 1089: ein Thier, ein listiges, raubendes, schleichendes,	Eläin, ovela, ryöväävä, hiippaileva,

ellauri051.html on line 317: Kaunokirjailijana Soikkeli käyttää nimeä M. G. Soikkeli. Soikkeli on julkaissut useita novelleja, erityisesti Portti-lehdessä. Hänen novellikokoelmansa Marsin ikävä ja muita kertomuksia ilmestyi 2007 Turbator-kustantamon julkaisemana. Esseekokoelmassaan Hyvästä on helppo pitää (2007) Markku Soikkeli pohtii erilaisia nykyajan yhteiskunnan ja kirjallisuuden uusia ilmiöitä. Hänen ensimmäinen romaaninsa oli Vaskikirjat-kustantamon 2010 julkaisema Kuninkaantekijät.

ellauri051.html on line 358: The tendency in savages to imagine that natural objects and agencies are animated by spiritual or living essences, is perhaps illustrated by a little fact which I once noticed: my dog, a full grown and very sensible animal, was lying on the lawn during a hot and still day; but at a little distance a slight breeze occasionally moved an open parasol, which would have been wholly disregarded by the dog, had any one stood near it. As it was, every time that the parasol slightly moved, the dog growled fiercely and barked. He must, I think, have reasoned to himself in a rapid and unconscious manner, that movement without any apparent cause indicated the presence of some strange living agent, and no stranger had a right to be on his territory. (Darwin)

ellauri051.html on line 366: Hovering unseen in air, vibrates capricious tunes to-night.		keijuu näkymättömänä ilmassa ja soittaa twitterissä tänä iltana.

ellauri051.html on line 407: Love, that is pulse of all--the sustenace and the pang;			Rakkaus on nyt pulssilla, sen kestävyys ja PANG! FUCK! FUCK!

ellauri051.html on line 408: The heart of man and woman all for love;				Miehet naisten päällä, muita yhdistelmiä ei suvaita;

ellauri051.html on line 409: No other theme but love--knitting, enclosing, all-diffusing love.	Ei muuta teemaa naisilla kuin tää rakkaus, paizi neulominen yms.

ellauri051.html on line 414: The glow, the blush, the beating hearts of lovers,			Hehkun, hiostuxen, rakastelijoiden tihentyneen sykkeen,

ellauri051.html on line 416: Love, that is all the earth to lovers--Love, that mocks time and	Rakkaus, se on rakastelijoiden koko juttu -- se ei kazo aikaa eikä 

ellauri051.html on line 418: Love, that is day and night--Love, that is sun and moon and stars; 40	Rakkautta päivällä ja öisin -- rakkautta auringon ja kuun tähtivalossa;

ellauri051.html on line 419: Love, that is crimson, sumptuous, sick with perfume;			Rakkaus on punehtunut, pullistunut, hajusteinen;

ellauri051.html on line 420: No other words, but words of love--no other thought but Love.		Ei muita sanoja kuin huohotusta, ei muita ajatuxia.

ellauri051.html on line 436: Thou melt'st my heart, my brain--thou movest, drawest, changest them,	Mä oon sun torvi! Sä sulatat mun elimet -- sä liikutat ja muutat niitä 

ellauri051.html on line 440: I see the enslaved, the overthrown, the hurt, the opprest of the	Mä nään neekerit, köyhät, vammaset, naiset, eläimet, koko maailman sorretut

ellauri051.html on line 467: Joy! Joy! in freedom, worship, love! Joy in the ecstacy of life!	viinaa ja nappuloita! 

ellauri051.html on line 469: Joy! Joy! all over Joy!							Iloa! Iloa! GAME OVER! Iloa kolmannella!

ellauri051.html on line 518:     Yhdysvaltojen sisällissodan aikana rintamalla Virginiassa (kuningatar Viktorian mukaan nimetyssä osavaltiossa) missä Whatman kävi etsimässä veljeään, vallitsi tiivis toveruus, ahkeraa pyssynrassausta, joka vaikutti hänen ajatuksiinsa homoseksuaalisuuden ja demokratian yhdistämisestä. Runossaan ”Democratic Vistas” hän ensimmäisen kerran erotti toisistaan heteroseksuaalisen (amative) ja homoseksuaalisen (adessive) rakkauden perustaen päätelmänsä pseudotieteeseen eli frenologiaan. Hän näki adessiivisen rakkauden eräänlaisena tukijatkona parhaimmalle demokratialle, munat eräänlaisena peräpainona, jota ilman amerikkalainen materialistinen ja vulgääri demokratia olisi epätäydellinen.  Adessiivinen my foot. Eiköhän se liene ollut inessiivistä, illatiivista ja elatiivista, loppukahdennusta anusvaaralla.

ellauri051.html on line 558: 18 It is for my mouth forever, I am in love with it,					  Se on mun suussa lakkaamatta, ja mä oon siihen pihkassa,

ellauri051.html on line 562: 22 Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and vine,		  kaikuja, kareita, kuiskutuxia, lempijuuri, silkkilanka, munahaukka,

ellauri051.html on line 598: 53 Lack one lacks both, and the unseen is proved by the seen,				  Jos puuttuu toinen puuttuuu toinenkin, ja näkyvä on näkymättömälle todiste.

ellauri051.html on line 610: 61 Leaving me baskets cover'd with white towels swelling the house with their plenty,	  jättää mulle valkoisella liinalla peitettyjä koreja talon runsaudensarvixi,

ellauri051.html on line 619: 68 The latest dates, discoveries, inventions, societies, authors old and new,		  Viimeisimmät päivämäärät, löydöt, kexinnöt, seurat, uudet ja vanhat kirjailijat, 

ellauri051.html on line 621: 70 The real or fancied indifference of some man or woman I love,			  Jonkun mun rakastaman miehen tai naisen oikea tai kuviteltu välinpitämättömäys,

ellauri051.html on line 642: 88 How you settled your head athwart my hips and gently turn'd over upon me,		  Miten sä laitoit sun pään mun munille ja käännyit hellästi muhun päin,

ellauri051.html on line 651: and lovers,										  wannabe rakastajia,

ellauri051.html on line 652: 95 And that a kelson of the creation is love,						  ja et luomakunnan kölipuu on -hm- rakkaus,

ellauri051.html on line 659: 101 I guess it must be the flag of my disposition, out of hopeful green stuff woven.	  Kai se on mun asennelogo, sellainen toiveikkaan vihervä. 

ellauri051.html on line 672: 113 It may be if I had known them I would have loved them,				  Ehkä jos mä olisin tuntenut ne olisin niitäkin rakastanut,

ellauri051.html on line 684: 123 What do you think has become of the young and old men?				  Minne miehet kadonneet? Poveen maahan joutuneet. Voi milloin muistat sen!

ellauri051.html on line 703: 140 For me those that have been boys and that love women,				  Mulle ne jotka on olleet poikia ja jotka tykkää naisista,

ellauri051.html on line 728: 162 What groans of over-fed or half-starv'd who fall sunstruck or in fits,		  Ylensyöneiden ja nälkiintyneiden valituxet kun ne kaatuu auringonpistoon tai slaagiin,

ellauri051.html on line 736: 167 The big doors of the country barn stand open and ready,				  167 Farmin ladonovet on auki ja valmiina vastanottamaan

ellauri051.html on line 742: 173 I jump from the cross-beams and seize the clover and timothy,			  173 Hyppään yli laidan apilaan ja timoteihin,

ellauri051.html on line 743: 174 And roll head over heels and tangle my hair full of wisps.				  174 ja pyörin päätäpahkaa tukka täynnä helpeitä.

ellauri051.html on line 766: 191 Through the swung half-door of the kitchen I saw him limpsy and weak,		  191 Keittiön käännetyn puolioven läpi näin hänet ontuneena ja heikkona,

ellauri051.html on line 785: 209 The rest did not see her, but she saw them and loved them.				  209 Muut eivät nähneet häntä, mutta hän näki heidät ja rakasti heitä.

ellauri051.html on line 787: 211 Little streams pass'd all over their bodies.					  211 Pienet purot valuivat heidän ruumiinsa yli.

ellauri051.html on line 788: 212 An unseen hand also pass'd over their bodies,					  212 Näkymätön käsi kulki myös heidän ruumiinsa yli,

ellauri051.html on line 800: 221 From the cinder-strew'd threshold I follow their movements,												221 Tuhkakynnyksestä seuraan heidän liikkeitään,

ellauri051.html on line 802: 223 Overhand the hammers swing, overhand so slow, overhand so sure,											223 Käden yläpuolella vasarat heiluvat, käden päällä niin hitaasti, käsin niin varmasti,

ellauri051.html on line 805: 225 The negro holds firmly the reins of his four horses, the block swags underneath on its tied-over chain,						225 Neekeri pitää tiukasti kiinni neljän hevosensa ohjaksista, lohko leijuu alla sidotun ketjunsa päällä,

ellauri051.html on line 807: 227 His blue shirt exposes his ample neck and breast and loosens over his hip-band,									227 Hänen sininen paitansa paljastaa hänen laajan kaulan ja rintansa ja löystyy hänen lantionauhansa yli,

ellauri051.html on line 810: 230 I behold the picturesque giant and love him, and I do not stop there,										230 Näen maalauksellista jättiläistä ja rakastan häntä, enkä pysähdy siihen,

ellauri051.html on line 860: 278 What is removed drops horribly in a pail;														278 Se mikä poistetaan, putoaa hirveästi sankoon;

ellauri051.html on line 861: 279 The quadroon girl is sold at the auction-stand, the drunkard nods by the bar-room stove,								279 Quadroon tyttö myydään huutokauppaosastolla, juoppo nyökkää baarihuoneen kiukaan vieressä,

ellauri051.html on line 863: 281 The young fellow drives the express-wagon, (I love him, though I do not know him;)									281 Nuori kaveri ajaa pikavaunua, (rakastan häntä, vaikka en tunne häntä;)

ellauri051.html on line 867: 285 The groups of newly-come immigrants cover the wharf or levee,											285 Uusien maahanmuuttajien ryhmät kattavat laiturin tai padon,

ellauri051.html on line 868: 286 As the woolly-pates hoe in the sugar-field, the overseer views them from his saddle,								286 Kun villapasteet kuokkavat sokeripellolla, valvoja katsoo niitä satulasta,

ellauri051.html on line 876: 294 The one-year wife is recovering and happy having a week ago borne her first child,									294 Vuoden ikäinen vaimo on toipumassa ja onnellinen synnyttäessään viikko sitten esikoisensa,

ellauri051.html on line 878: 296 The paving-man leans on his two-handed rammer, the reporter's lead flies swiftly over the note-book, the sign-painter is lettering with blue and gold,296 Päällystysmies nojaa kaksikätiseen junttaajaansa, toimittajan johto lentää nopeasti muistivihkon yli, kylttimaalari kirjottaa sinisellä ja kullalla,

ellauri051.html on line 883: 301 The drover watching his drove sings out to them that would stray,											301 Kuljettaja, joka katselee autoaan, laulaa niille, jotka eksyvät,

ellauri051.html on line 885: 303 The bride unrumples her white dress, the minute-hand of the clock moves slowly,									303 Morsian purkaa valkoisen mekkonsa, kellon minuuttiosoitin liikkuu hitaasti,

ellauri051.html on line 921: 338 A boatman over lakes or bays or along coasts, a Hoosier, Badger, Buckeye;										338 Venemies järvien tai lahtien yli tai rannikkoa pitkin, Hoosier, Badger, Buckeye;

ellauri051.html on line 925: 342 Comrade of Californians, comrade of free North-Westerners, (loving their big proportions,)								342 Kalifornialaisten toveri, vapaiden luoteislaisten toveri (rakastaa heidän suuria mittasuhteitaan)

ellauri051.html on line 926: 343 Comrade of raftsmen and coalmen, comrade of all who shake hands and welcome to drink and meat,							343 Lautamiesten ja hiilimiesten toveri, kaikkien toveri, jotka kättelevät ja tervetuloa juomaan ja lihaan,

ellauri051.html on line 955: 370 And to all generals that lost engagements, and all overcome heroes!											370 Ja kaikille kenraaleille, jotka menettivät kihlauksen, ja kaikille voittaneille sankareille!

ellauri051.html on line 981: 394 I do not snivel that snivel the world over,														394 En nuuskaa, joka nuuskii kaikkialla maailmassa,

ellauri051.html on line 1030: 442 Earth of shine and dark mottling the tide of the river!												442 Maa kiiltävä ja tumma kirjava joen vuorovesi!

ellauri051.html on line 1033: 445 Smile, for your lover comes.															445 Hymyile, sillä rakastajasi tulee.

ellauri051.html on line 1034: 446 Prodigal, you have given me love -- therefore I to you give love!											446 Tuhlaajapoika, olet antanut minulle rakkautta - siksi minä annan sinulle rakkautta!

ellauri051.html on line 1035: 447 O unspeakable passionate love.															447 Oi sanoinkuvaamaton intohimoinen rakkaus.

ellauri051.html on line 1045: 456 Sea of the brine of life and of unshovell'd yet always-ready graves,										456 Meri elämän suolavettä ja lapioimattomia, mutta aina valmiita hautoja,

ellauri051.html on line 1058: 469 Did you guess the celestial laws are yet to be work'd over and rectified?										469 Arvasitko, että taivaalliset lait on vielä työstettävä ja korjattava?

ellauri051.html on line 1062: 473 This minute that comes to me over the past decillions,												473 Tämä minuutti, joka tulee minulle viimeisten kymmenien vuosien aikana,

ellauri051.html on line 1090: 499 No sentimentalist, no stander above men and women or apart from them,										499 Ei sentimentalistia, ei miehiä ja naisia ​​korkeammalle tai heistä erillään seisovaa,

ellauri051.html on line 1093: 502 Unscrew the doors themselves from their jambs!													502 Ruuvaa itse ovet irti karmistaan!

ellauri051.html on line 1108: 517 Voices of sexes and lusts, voices veil'd and I remove the veil,											517 Sukupuolten ja himojen ääniä, äänet verhottuja ja minä poistan verhon,

ellauri051.html on line 1149: 558 The heav'd challenge from the east that moment over my head,											558 Raskas haaste idästä sillä hetkellä pääni yli,

ellauri051.html on line 1171: 579 Writing and talk do not prove me,															579 Kirjoittaminen ja puhuminen eivät todista minua,

ellauri051.html on line 1178: 585 I hear the sound I love, the sound of the human voice,												585 Kuulen äänen, jota rakastan, ihmisäänen äänen,

ellauri051.html on line 1209: 615 I have instant conductors all over me whether I pass or stop,											615 Minun ympärilläni on välittömiä johtimia, ohitanko tai pysähdyn,

ellauri051.html on line 1252: 655 (Only what proves itself to every man and woman is so,												655 (Ainoastaan ​​se, mikä osoittautuu jokaiselle miehelle ja naiselle, on niin,

ellauri051.html on line 1255: 658 I believe the soggy clods shall become lovers and lamps,												658 Uskon, että märkistä paakoista tulee rakastajia ja lamppuja,

ellauri051.html on line 1269: 671 And am stucco'd with quadrupeds and birds all over,													671 Ja olen stukkottu nelijalkaisten ja lintujen kanssa kaikkialla,

ellauri051.html on line 1290: 691 Not one is respectable or unhappy over the whole earth.												691 Kukaan ei ole kunnioitettava tai onneton koko maan päällä.

ellauri051.html on line 1299: 700 Picking out here one that I love, and now go with him on brotherly terms.										700 Valitsen täältä yhden, jota rakastan, ja mene nyt hänen kanssaan veljellisin ehdoin.

ellauri051.html on line 1315: 715 I skirt sierras, my palms cover continents,														715 Hameen sierrat, kämmenet peittävät maanosat,

ellauri051.html on line 1322: 722 Where the panther walks to and fro on a limb overhead, where the buck turns furiously at the hunter,						722 Missä pantteri kävelee raajan päällä edestakaisin, missä takki kääntyy kiivaasti metsästäjää kohti,

ellauri051.html on line 1326: 726 Over the growing sugar, over the yellow-flower'd cotton plant, over the rice in its low moist field,						726 Kasvavan sokerin yllä, keltakukkaisen puuvillakasvin päällä, riisin päällä sen matalakostealla pellolla,

ellauri051.html on line 1328: 728 Over the western persimmon, over the long-leav'd corn, over the delicate blue-flower flax,								728 Länsi-kaki, pitkälehtinen maissi, herkkä sinikukkapellava,

ellauri051.html on line 1349: 749 Under Niagara, the cataract falling like a veil over my countenance,										749 Niagaran alla kaihi putoaa kuin verho kasvoilleni,

ellauri051.html on line 1357: 757 Where the hay-rick stands in the barn-yard, where the dry-stalks are scatter'd, where the brood-cow waits in the hovel,				757 Missä heinärikki seisoo navettapihassa, missä kuivat varret ovat hajallaan, missä poikaslehmä odottaa kyytissä,

ellauri051.html on line 1360: 760 Where sun-down shadows lengthen over the limitless and lonesome prairie,										760 Missä auringonlaskun varjot pitenevät rajattoman ja yksinäisen preerian yli,

ellauri051.html on line 1370: 770 Where the katy-did works her chromatic reed on the walnut-tree over the well,									770 Siellä missä katy työstää kromaattista ruokoaan pähkinäpuussa kaivon päällä,

ellauri051.html on line 1435: 835 The hounded slave that flags in the race, leans by the fence, blowing, cover'd with sweat,								835 Huijattu orja, joka liputtaa kilpailussa, nojaa aidan viereen, puhaltaa, hien peitossa,

ellauri051.html on line 1443: 843 Taunt my dizzy ears and beat me violently over the head with whip-stocks.										843 Pilkkaa huimautuvia korviani ja hakkaa minua rajusti pään yli ruoskapuilla.

ellauri051.html on line 1449: 849 Heat and smoke I inspired, I heard the yelling shouts of my comrades,										849 Lämpöä ja savua inspiroin, kuulin tovereideni huutavan,

ellauri051.html on line 1450: 850 I heard the distant click of their picks and shovels,												850 Kuulin heidän hakkuidensa ja lapioidensa kaukaisen napsautuksen,

ellauri051.html on line 1457: 857 They show as the dial or move as the hands of me, I am the clock myself.										857 Ne näkyvät kellotauluna tai liikkuvat minun osoittimina, olen itse kello.

ellauri051.html on line 1485: 884 Not a single one over thirty years of age.														884 Ei ainuttakaan yli 30-vuotiasta.

ellauri051.html on line 1487: 886 The work commenced about five o'clock and was over by eight.											886 Työ alkoi noin kello viisi ja oli ohi kahdeksalta.

ellauri051.html on line 1495: 894 The three were all torn and cover'd with the boy's blood.												894 Kaikki kolme oli revitty ja peitetty pojan verellä.

ellauri051.html on line 1503: 901 His was the surly English pluck, and there is no tougher or truer, and never was, and never will be;						901 Hänen oli äreä englantilainen kynä, eikä ole olemassa kovempaa tai todenmukaisempaa, eikä ole koskaan ollut eikä tule olemaankaan;

ellauri051.html on line 1508: 906 On our lower-gun-deck two large pieces had burst at the first fire, killing all around and blowing up overhead.					906 Alemmalla tykkikannellamme kaksi suurta kappaletta oli räjähtänyt ensimmäisessä tulipalossa tappaen kaikkialta ja räjähtäen pään yläpuolella.

ellauri051.html on line 1543: 940 A few large stars overhead, silent and mournful shining,												940 Muutama suuri tähti yläpuolella, hiljainen ja surullinen loistaa,

ellauri051.html on line 1567: 962 I discover myself on the verge of a usual mistake.													962 Löydän itseni tavallisen virheen partaalta.

ellauri051.html on line 1572: 967 I resume the overstaid fraction,															967 Jatkan ylitäytettyä murto-osaa,

ellauri051.html on line 1577: 972 Our swift ordinances on their way over the whole earth,												972 Nopeat toimituksemme matkalla koko maan yli,

ellauri051.html on line 1594: 987 Flaunt of the sunshine I need not your bask -- lie over!												987 Auringonpaistetta en tarvitse kylpeäsi - makaa!

ellauri051.html on line 1615: 1008 To any one dying, thither I speed and twist the knob of the door.											1008 Jollekin kuolevalle, sinne minä kiihdytän ja käännän oven nuppia.

ellauri051.html on line 1623: 1016 Lovers of me, bafflers of graves.															1016 Minun rakastajat, hautojen hämmentäjät.

ellauri051.html on line 1634: 1026 Magnifying and applying come I,															1026 Suurennus ja soveltaminen tulen minä,

ellauri051.html on line 1645: 1037 Discovering as much or more in a framer framing a house,												1037 Löytää yhtä paljon tai enemmän talon kehystyksessä,

ellauri051.html on line 1650: 1042 Their brawny limbs passing safe over charr'd laths, their white foreheads whole and unhurt out of the flames;					1042 Heidän lihavat raajat kulkevat turvallisesti hiiltyneen listan yli, heidän valkoiset otsansa ehjät ja vahingoittumattomat liekeistä;

ellauri051.html on line 1673: 1064 Ever the eaters and drinkers, ever the upward and downward sun, ever the air and the ceaseless tides,						1064 Aina syöjät ja juojat, aina ylös ja alas laskeva aurinko, aina ilma ja lakkaamattomat vuorovedet,

ellauri051.html on line 1677: 1068 Ever love, ever the sobbing liquid of life,													1068 Aina rakkaus, aina elämän nyyhkyttävä neste,

ellauri051.html on line 1704: 1095 And what is reason? and what is love? and what is life?												1095 Ja mikä on syy? ja mitä on rakkaus? ja mitä elämä on?

ellauri051.html on line 1706: 1096 I do not despise you priests, all time, the world over,												1096 En halveksi teitä pappeja, kaikkina aikoina, kaikkialla maailmassa,

ellauri051.html on line 1732: 1122 But I know it will in its turn prove sufficient, and cannot fail.											1122 Mutta tiedän, että se puolestaan ​​osoittautuu riittäväksi, eikä se voi epäonnistua.

ellauri051.html on line 1736: 1126 Nor the little child that peep'd in at the door, and then drew back and was never seen again,							1126 Eikä pieni lapsi, joka kurkisti ovesta sisään ja sitten vetäytyi, eikä häntä enää koskaan nähty,

ellauri051.html on line 1774: 1163 My embryo has never been torpid, nothing could overlay it.												1163 Alkioni ei ole koskaan ollut kiiltävä, mikään ei voinut peittää sitä.

ellauri051.html on line 1784: 1172 My lovers suffocate me,																1172 Rakastajani tukehduttavat minut,

ellauri051.html on line 1787: 1175 Crying by day Ahoy! from the rocks of the river, swinging and chirping over my head,								1175 Itkeminen päivällä Ahoi! joen kiviltä heiluen ja sirkuen pääni päällä,

ellauri051.html on line 1812: 1200 The great Camerado, the lover true for whom I pine will be there.											1200 Suuri Camerado, todellinen rakastaja, jota rakastan.

ellauri051.html on line 1849: 1235 He that by me spreads a wider breast than my own proves the width of my own,									1235 Joka minun kauttani levittää leveämmän rinnan kuin omani, todistaa minun omani leveyden,

ellauri051.html on line 1851: 1237 The boy I love, the same becomes a man not through derived power, but in his own right,								1237 Pojasta, jota rakastan, ei tule miestä johdetun voiman kautta, vaan omassa oikeutessaan,

ellauri051.html on line 1854: 1240 Unrequited love or a slight cutting him worse than sharp steel cuts,										1240 Onneton rakkaus tai pieni leikkaus, joka on pahempi kuin terävät teräsleikkaukset,

ellauri051.html on line 1856: 1242 Preferring scars and the beard and faces pitted with small-pox over all latherers,									1242 mieluummin arvet, parta ja isorokkon kuoppaiset kasvot kuin kaikki vaahdottimet,

ellauri051.html on line 1864: 1250 I swear I will never again mention love or death inside a house,											1250 Vannon, etten enää koskaan mainitse rakkautta tai kuolemaa talon sisällä,

ellauri051.html on line 1874: 1260 In vessels that sail my words sail, I go with fishermen and seamen and love them.									1260 Aluksissa, jotka purjehtivat sanani purjehtivat, kuljen kalastajien ja merimiesten kanssa ja rakastan heitä.

ellauri051.html on line 1945: 1327 I concentrate toward them that are nigh, I wait on the door-slab.											1327 Keskityn niihin, jotka ovat lähellä, odotan oven laatalla.

ellauri051.html on line 1948: 1330 Will you speak before I am gone? will you prove already too late?											1330 Puhutko ennen kuin olen poissa? todistatko jo liian myöhään?

ellauri051.html on line 1953: 1333 I sound my barbaric yawp over the roofs of the world.		  										1333 Mä huudan barbaarista soopaa kuin viulunsoittaja katolla.

ellauri051.html on line 1959: 1339 I bequeath myself to the dirt to grow from the grass I love,						1339 Annan itseni lialle kasvaakseni ruohosta, jota rakastan,

ellauri052.html on line 37: Belov tarkoittaa valkoista. Bellows on palkeet. Tuluxet on tinderbox. Sale oli kuopus pieni ruipelo, sillä oli 2 ruumiikkaampaa porhoveljeä joiden mielestä se oli vaan "some schmuck with a pen", ja sen isä oli ryssämamu monitoimiroisto hitlerwiixissä. Mamu Belov tuli perheineen Pietarista Kanadaan ja hipsi Chicagoon pakoon razupoliiseja Salen ollessa 9v. Sale oli äiskän hemmokki. Osas juutalaisten raamatun melkein ulkoa. Äiti kuoli kun Sale oli 17. Sale kaipas isän hyväxyntää. Isä kuoli '55, Sale oli sen silmissä epäonnistunut tyhjäntoimittaja. Tie menestyxeen aukes vasta kexi-ikäisenä isän kuoltua.

ellauri052.html on line 58: Henderson the Rain King is a 1959 novel by Saul Bellow. The book's blend of philosophical discourse and comic adventure has helped make it one of his more popular works. It is said to be Bellow's favorite among his books. It was ranked number 21 on Modern Library's list of the 100 Best Novels in the English language.

ellauri052.html on line 60: Eugene Henderson is a troubled middle-aged man 1948. (synt. 1800-luvulla). Despite his riches, high social status, and physical prowess, he feels restless and unfulfilled, and harbors a spiritual void that manifests itself as an inner voice crying out "I want, I want, I want". Hoping to discover what the voice wants, Henderson goes to Africa. What a Yankee notion. 

ellauri052.html on line 62: Although it is unclear whether Henderson has truly found spiritual contentment, the novel ends with an optimistic and uplifting note. Henderson learns that a man can, with effort, have a spiritual rebirth when he realizes that spirit, body and the outside world are not enemies but can live in harmony. And he doesn't really need his family for anything, he is enough for himself.

ellauri052.html on line 64: A week before the novel appeared in book stores, Saul Bellow published an article in the New York Times titled “The Search for Symbols, a Writer Warns, Misses All the Fun and Fact of the Story.” Here, Bellow warns readers against looking too deeply for symbols in his piece of shit. This has led to much discussion among critics as to why Bellow warned his readers against searching for symbolism just before the symbol-packed Rain King hit the shelves. Because there ain't any, its just Solomon's idea of fun and fact. The ongoing philosophical discussions and ramblings between Henderson and the natives, and inside Henderson's own head, prefigure elements of Bellow's next novel Herzog, which includes many such inquiries into life and meaning. And which is an even worse piece of narcissisim than this one. 

ellauri052.html on line 66: As in all Bellow's novels, death figures prominently in Henderson the Rain King. Also, the novel manifests a few common character types that run through Bellow's literary works. One type is the Bellovian Hero, often described as a schlemiel. Eugene Henderson, in company with most of Bellow's main characters, can be given this description, in the opinion of some people, and Bellow was another one himself for sure. Another is what Bellow calls the "Reality-Instructor"; in Henderson the Rain King, King Dahfu fills this role. In Seize the Day, the instructor is played by Dr. Tamkin, while in Humboldt's Gift, Humboldt von Fleisher takes the part.

ellauri052.html on line 85: I find this judgement troubling. Certainly, one can agree that Herzog is lavish and intense. But through his eyes, we see women as very peculiar creatures. We meet a devotee of sex in Herzog’s lover, Ramona, the sad, enigmatic, emotionless pencils that are Valentine’s wife and Herzog’s first wife, and the castrating sex bomb that is Madeline. Very rarely do we feel that these characterisations are different from these characters’ reality—the novel seems to suggest that these women really are as limited as Herzog sees them.

ellauri052.html on line 87: And what is more regrettable still is how these same types reappear in Humboldt’s Gift. Citrine encounters three kinds of women in his travels: his lover Renata, a deceitful sexual priestess, Denise, his cold, hate-filled ex-wife, and a variety of leggy, doe-eyed students and secretaries.

ellauri052.html on line 89: Harold Bloom is right to dismiss Bellow’s female characters of the later novels as “third-rate pipe dreams.” When a reader, holding Humboldt’s Gift in his hands, looks back at Augie March, the journey Saul Bellow has taken in his depiction of people is a very sad one. There is no way to compare the daring, principled Mimi Villars, Augie March’s one equal in oration, to the simple Ramona (Herzog), or to the comically shallow Renata (Humboldt’s Gift). Where is a woman equal to Augie’s Thea in these later books?

ellauri052.html on line 93: It seems that as Bellow re-focused his lens on thought, and a main character’s deliberations over it, the fictional world around that central character darkened and cheapened. As the narrator / protagonist’s internal action grows, around him warmth and depth shrinks, until, by Humboldt’s Gift, it is clear that on a mental level, Citrine is utterly alone.

ellauri052.html on line 97: The novels remain staggering for their invention, their comedy, their culture, and their mingling of riotous squalor with the precepts of a course in philosophy. Bellow writes with a genius that is hard to fathom. Readers may, however, feel troubled by the books’ frequent difficulty in forming a coherent whole.

ellauri052.html on line 120: His favourite novelists, who recurred in his courses, were Dostoyevsky, Stendhal, Balzac, Flaubert, Dickens, Conrad, Dreiser and Fitzgerald. He also admired the satires of Wyndham Lewis.

ellauri052.html on line 135: Bellowin kertoja on useimmiten professori tai vähintäänkin korkeasti kouluttautunut - joka tapauksessa pääkopan sisältä täyttä timanttia. Älykuninkaiden arkkityyppi on Victor Wulpy, joka Millainen päivä sivulla oli -novellissa lennättää rakastajatartaan pikadeiteille lentojen välilaskeutumispaikoille. Victor on lännen älykapteeneita: hankkii elantonsa luennoilla 10 000 dollarin tuntitaksalla. Ja ylläpitää oppineiden nokkimisjärjestystä yli-ihmismäisellä tarmolla ja energialla.

ellauri052.html on line 137: Löyhäsuinen mies on ikääntynyt professori, joka tilittää lukemattomia möläytyksiään. On tullut loukattua yhtä sun toista tässä elämässä, mutta hei sellainen kun oon, minkäs sille voin. Novelli on yksinkertaisesti anteeksipyyntötarina loukatuilta, ja etenkin vaimolta, joka kaiken kestää urheasti.

ellauri052.html on line 150: Bellowin novelleissa haisee ja maistuu elämän ehtoopuoli. Jos Bellow jollekin kirjoittaa niin hieman iäkkäämmille ihmisille. Voi hyvin nähdä hänet lukemassa tekstejään amerikkalaisen huippuyliopiston senioreiden alumni-illassa. Ehkä sellaisessa osaisin itsekin arvostaa Bellowia aika lailla nykyistä enemmän.

ellauri052.html on line 171: The novel, which Bellow initially intended to be a short story, is a roman à clef about Bellow's friendship with the poet Delmore Schwartz. It explores the changing relationship of art and power in a materialist America. This theme is addressed through the contrasting careers of two writers, Von Humboldt Fleisher (to some degree a version of Schwartz) and his protégé Charlie Citrine (to some degree a version of Bellow himself). 

ellauri052.html on line 173: Koulupoikana Salen Charles Citrine -ego lääppi jalkahoitajan kaunista tytärtä ja luki puistossa Platoa, Wordsworthia, Swinburnea ja Un coeur simpleä. 2 ekaa on punnittu ja köykäsixi havaittu. Entäs ne 2 muuta? Toi ranskis on Flaubertin novelli jossa uskonnollinen palvelustyttö rukoilee täytettyä papukaijaa. Pointti on et ihan sama mitä rukoillaan, rukoileminen on silti apinasta ihanaa, se on vähän kuin vetäs käteen. Sama näkemys kuin Saint Antoinessa. Entäs Swinburne?

ellauri052.html on line 182: Names once beloved; but, seeing the sun the same,	Nimet rakkaimmat; mut päivä paistaa vaan,

ellauri052.html on line 208: In love with candy, anger, and sleep,

ellauri052.html on line 229: Their freights covered, as usual.

ellauri052.html on line 243: Film grayed. Shaking wagons, hooves’ waterfalls,

ellauri052.html on line 246: Melting the air, lifted the half-covered chair

ellauri052.html on line 277: All in all, Pope’s characterization of women and his satirical telling of this incident paint a very negative picture of women. Women are shown as conniving, untrustful, illogical, and most importantly, inferior to men. Pope ridicules Belinda’s (Ms. Fermor’s) anger and does not seem to understand why women could get so angry over such a "trivial" matter. He does not respect female autonomy and buys in to the madonna/whore perception of women. The Rape of the Lock does a great injustice to women and only serves to perpetuate negative stereotypes and generalizations about female character.


ellauri052.html on line 347:   Sale on Humboldtissa(kin) arkkikonservatiivi, parasta a-ryhmää, kova luu, siteeraa yhtä kalansilmäistä heimoveljeä Joseph "luova tuho" Schumpeteriä. Tässäpä on aihe penseyteen: Mikä se on että taantumuspöhöt päätyy aina samoihin GAL-TAN rykelmiin törkeyxiä ja typeryyxiä? Onxe oikeasti johdonmukasta vai onxe vaan jotain assosiatiivista? Mä veikkaan että siinä on vinha perä, et hulluuden takana on mefodi. Esim uskonto ja pro life. Molemmat on hopeaselän setämiehen intressissä. Ja niiden suojattien, koko hierarkisen tiimin myös. Hierarkia on hieno rakennelma, on urakehitystä ja hajurakoa, ne juuri ovat onnen differentiaaleja. 

ellauri052.html on line 352:  If you haven't been introduced to Desperate Ambrose, Old Timer, Willie and Pop Wimpus you've been missing a lot of good, clean American humor. C. M. Payne has found the real underlying humor in home life and brings it to you in this favorite of comic strip readers everywhere. "S'Motter Pop". Charles M. Payne (1873–1964) was an American cartoonist best known for his popular long-running comic strip S'Matter, Pop?[2]. He signed his work C. M. Payne and also adopted the nickname Popsy. In 1964, Payne died in poverty.

ellauri052.html on line 479: Selviä narsistitouhoja koko konkkaronkka. Sale on mamu, jutku ja homo tässä järjestyxessä. Lisää aiheesta: A Room of His Own: In Search of the Feminine in the Novels of Saul Bellow. Tekijä Gloria L. Cronin.

ellauri052.html on line 493: In his novella Death in Venice, Thomas Mann hails the "Sebastian-Figure" as the supreme emblem of Apollonian beauty, that is, the artistry of differentiated forms; beauty as measured by discipline, proportion, and luminous distinctions. Juu tähän Tompan Venezian seikkailuun Sale vinkkaa myös. Hizi mikä sanaristikko on Salella tässä homostelun peittona. Täähän on kuin Proustin Albertine ja Gilbertine. Mafioso törkkää Salen sykkivään punanahkasisuxiseen autoonn takapuolesta. Polly on pelkkää hämäystä, statisti niinkuin Sepen nuolenreijät paikannut leski Irene tai Lemminkäisen äiskä.

ellauri052.html on line 568: 	Ei vaitiskaan, mikäs kristus mä nyt oon. Olen jotain parempaa, new improved formula. Annie asui Intiassa, luki ehkä Krishnamurtin kaa Arabian Burtonin käännöstä Kama Sutrasta.

ellauri052.html on line 597:     He was a man who convinced and hypnotized not only others but himself. He seemed to possess a number of characters which he changed like masks as the need arose, now he was a benevolent pastor … now a magician holding sway over human souls … His sole purpose and aspiration was to obtain possession of all things from below, by his own titanic devices, and to break through by a passionate effort to the realm of the spirit… He may have possessed oratorical gifts, but he lacked the true gift and feeling for words. His speech was a kind of magical act, aimed at obtaining control over his hearers by means of gestures, by raising and lowering his voice, and by changes in the expression of his face. He hypnotized his disciples, some of whom even fell asleep.

ellauri052.html on line 625:   Jiddu Krishnamurti syntyi 11. toukokuuta 1895 Madanapallessa, eteläisessä Intiassa keskiluokkaiseen, vähävaraiseen bramiiniperheeseen. Isä Jiddu Narianah oli pikkuvirkamies brittien hallinnossa ja Teosofisen seuran jäsen, ja äiti Jiddu Sanjeevamma oli Krishna-jumalan palvelija, raotti ovea. Perheen yhdestätoista lapsesta aikuisiksi selviytyi kuusi. Krishnamurti oli sairaalloinen lapsi ja edistyi koulussa hitaasti. Äiti kuoli 1905 ja perhe köyhtyi isän jäätyä eläkkeelle 1907. Kaksi vuotta myöhemmin isä pääsi kuitenkin teosofeille töihin.

ellauri052.html on line 657: After learning about Krishnamurti's secret love affair with his best friend's wife, Bohm felt betrayed. Perhaps this plunged him into his third and final deep depression. Hospitalized, suffering from paranoia and thoughts of suicide, Bohm underwent fourteen episodes of shock therapy before he recovered sufficiently to leave the mental hospital. Earlier triple bypass surgery on his heart had been successful, but his death in 1991, at age 75, was from a massive heart attack. Krishnamurti had died six years earlier, at his home in Ojai, of pancreatic cancer. His body was cremated.

ellauri052.html on line 677: T.E. was born out of wedlock in August 1888 to Sarah Junner, a governess, and Thomas Chapman, an Anglo-Irish nobleman. Chapman left his wife and family in Ireland to cohabit with Junner. Chapman and Junner called themselves Mr and Mrs Lawrence, the surname of Sarah's likely father; her mother had been employed as a servant for a Lawrence family when she became pregnant with Sarah.

ellauri052.html on line 688: Apparently his wife Frieda believed him to have had a sexual relationship with a farmer while writing Women in Love in 1916. There's also the coal miner quote you mentioned Kelby. Then there's the quote: I should like to know why nearly every man that approaches greatness tends to homosexuality, whether he admits it or not...  (Älkää yrittäkökään! Mä en ole! Sitäpaizi mä en ole lähelläkään suuruutta! Pienenen kuin pyy maailmanlopun edellä.)

ellauri052.html on line 694: still laughter, and our love was pertect tor a moment, more pertect than any love I have known since, for either man or woman. The very echo of David's lament for Jonathan in 2 Samuel 1: 26 ('thy to me was wonderful, passing the love of women.)

ellauri052.html on line 742: Gerald fastened the door and pushed the furniture aside. The room was large, there was plenty of space, it was thickly carpeted. Then he quickly threw off his clothes, and waited for Birkin. The latter, white and thin, came over to him. Birkin was more a presence than a visible object, Gerald was aware of him completely, but not really visually. Whereas Gerald himself was concrete and noticeable, a piece of pure final substance.

ellauri052.html on line 744: `Now,' said Birkin, `I will show you what I learned, and what I remember. You let me take you so --' And his hands closed on the naked body of the other man. In another moment, he had Gerald swung over lightly and balanced against his knee, head downwards. Relaxed, Gerald sprang to his feet with eyes glittering.

ellauri052.html on line 750: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements.

ellauri052.html on line 754: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.

ellauri052.html on line 756: At length Gerald lay back inert on the carpet, his breast rising in great slow panting, whilst Birkin kneeled over him, almost unconscious. Birkin was much more exhausted. He caught little, short breaths, he could scarcely breathe any more. The earth seemed to tilt and sway, and a complete darkness was coming over his mind. He did not know what happened. He slid forward quite unconscious, over Gerald, and Gerald did not notice. Then he was half-conscious again, aware only of the strange tilting and sliding of the world. The world was sliding, everything was sliding off into the darkness. And he was sliding, endlessly, endlessly away.

ellauri052.html on line 778: He still heard as if it were his own disembodied spirit hearing, standing at some distance behind him. It drew nearer however, his spirit. And the violent striking of blood in his chest was sinking quieter, allowing his mind to come back. He realised that he was leaning with all his weight on the soft body of the other man. It startled him, because he thought he had withdrawn. He recovered himself, and sat up. But he was still vague and unestablished. He put out his hand to steady himself. It touched the hand of Gerald, that was lying out on the floor. And Gerald's hand closed warm and sudden over Birkin's, they remained exhausted and breathless, the one hand clasped closely over the other. It was Birkin whose hand, in swift response, had closed in a strong, warm clasp over the hand of the other. Gerald´s clasp had been sudden and momentaneous.

ellauri052.html on line 841: Birkin laughed. He was looking at the handsome figure of the other man, blond and comely in the rich robe, and he was half thinking of the difference between it and himself -- so different; as far, perhaps, apart as man from woman, yet in another direction. But really it was Ursula, it was the woman who was gaining ascendance over Birkin´s being, at this moment. Gerald was becoming limp again, lapsing out of him.

ellauri052.html on line 853: Bellow’s great subject is his own subjectivity. “If I had as many mouths as Siva has arms and kept them going all the time,” says Joseph, the novel’s Bellow-like protagonist, sounding a little like Walt Whitman, “I still could not do myself justice.”

ellauri052.html on line 862: His friend and protege Philip Roth has said of him, "The backbone of 20th-century American literature has been provided by two novelists—William Faulkner and Saul Bellow. Together they are the Melville, Hawthorne, and Twain of the 20th century."
LOL, runkku-Roth Melvillenä tietysti.


ellauri052.html on line 869: His favourite novelists, who recurred in his courses, were Dostoyevsky, Stendhal, Balzac, Flaubert, Dickens, Conrad, Dreiser and Fitzgerald. He also admired the satires of Wyndham Lewis.

ellauri052.html on line 876: Sale is more important than you he is a leader in his field, a Pulitzer winner, a shoveleer, friend of dead president Kennedy, and dead senator the same, and von Humboldt. Sanoo Sale Salesta. Hupasaa et Jasun kotkan uran huippuhetki oli kun John F. Kennedy rotkautti sitä. Vielä hupasampaa et se oli Jasustakin hienoa.

ellauri052.html on line 892: Humboldtin lahja oli tosi huono elokuvajuoni. Se on näet Salen biografia. Salen sankari Beethoven inhos naisia. Toinen sankari oli Blake joka koitti pitää kahta vaimoa huonolla menestyxellä.

ellauri052.html on line 897: Pouilly-Fuisse chardoneen shoveljeeri lie ottanut Ernest Hemingvaun kirjasta Moveable feast. Sale lukee menua oikealta vasemmalle ja panee Renatan puhumaan kuin maxullinen nainen. Salessa on tosi paljon Hofmannin karikatyyrijutkua. Sana hallussa mutta läpimätä ihminen. Yliluonnollisen sellainen. Ja aivan vitun kuolemanpelkoinen.

ellauri052.html on line 931:   Kun Salen halvexima sen vanhin poika psykiatri sanoo suorat sanat paskamaisesta isästään, pörähtään sen kimppuun äkäinen lauma Salen kirjallisia häntäkärpäsiä.  The difficulty Greg Bellow has in grasping his father’s work is almost immediately apparent. His literary interpretations range from calling Humboldt’s Gift (1975) “a novel permeated by death consciousness” to writing that the protagonist of Henderson the Rain King (1959) “chooses a life path that brings him into contact with suffering and death.” (The very phrase “life path” would undoubtedly have made his father cringe.) Ehkäpä, just six että se on osuvaa.

ellauri052.html on line 936: Ultimately, much of the book revolves around a perceived opposition between “young Saul,” the politically radical, amorously multitasking free spirit who raised him, and “old Saul,” the reactionary, race-baiting friend of authority and Allan Bloom who occupied his father’s body for its final 40 years. Greg had a front-row seat for Bellow’s supposed conversion, after the rise of black power and the Six Day War, to the unfashionable conservatism that remains the unspoken reason his books aren’t read much in America today. He is thus well-placed to describe how that change—dramatically evident in Mr. Sammler’s Planet (1970), the neo-con novel par excellence, but also in Herzog—manifested itself in private.

ellauri052.html on line 940: Greg had made a career out of his own childhood misery—a nasty dig given that Saul was as much the author of that misery as he was of his novels. Greg noted, with shrugging disapproval, that his father “felt a duty of truth to his readers that was stronger than to his family,” but indicated he still didn’t understand or accept this about his father. Perhaps he can’t be expected to. “All significant human business is transacted inside,” was Saul’s lesson to Greg, who doesn’t seem to have forgiven his father for it being true.

ellauri052.html on line 944: It may be helpful to note here that Bellow’s fame, already growing after The Adventures of Augie March, exploded after the publication of Herzog in 1964—the same year Daniel, his youngest son, was born. By the time the newly rich writer, urged by his third wife, moved into a fancy co-op on Lake Michigan, Greg already possessed enough of what he thought were his own opinions to dislike the white plush carpets, the 11 rooms “filled with fancy furniture and modern art.” Reminding the reader he was “raised by a frugal mother and a father who had no steady income,” Greg says that he “found the trappings of wealth in their new apartment so repellent that I complained bitterly to Saul,” who replied that he didn’t care about the new shiny things so long as he could still write—which he could. “As I always had, I accepted what he said about art at face value,” Greg admits, but he stopped visiting the new place. After the marriage deteriorated and Saul moved out, 3-year-old Daniel, in the words of ex-child-therapist Greg, “took to expressing his distress” by peeing on the carpets. “I have to admit that the yellow stains on them greatly pleased me,” Greg writes—for once showing off the Bellovian touch.

ellauri052.html on line 953: Oppressed and heavy-hearted, Bellow resorted to subtle concealment of competing mistresses, moved around like a man on the run and needed bursts of frenetic activity, “even if it means constant trips to Japan, London, Yugoslavia or Israel to keep one jump ahead” of his emotional entanglements.

ellauri052.html on line 954: Bellow’s portrait of the Romantic author was self-reflective: “The artist is a spurned and misunderstood genius whose sensitivity separates him from and elevates him above the rest of philistine humanity.”

ellauri052.html on line 958: Bellow was accused of being a “lousy” sexual performer, but was more convincingly called a passionate and virile lover. He even had a fling with his black cleaning lady, “about twice as tall as he was, and well built.” No hemmetti, kysyttiinkö siivoojalta miten mini Sale pärjäsi. Tais heiluttaa patonkia porttikonkissa.

ellauri052.html on line 960: During an awkward sexual encounter with Harriet Wasserman, she remembered “asking him for permission, as if it were a museum objet d’art, ‘Can I touch this?’” Many of his mistresses remained in love and in touch with him. Scott Fitzgerald said that Hemingway “needed a new woman for each big book”; Bellow lost a woman with each big book. He spilled sperm as he spilled ink, and sex both interfered with and inspired his writing. Bellow created and lived on turbulence, thrived on chaos, courted conflict and was inspired by personal cataclysm. He reported that one lover (mies vai nainen?) “caused me grandes dificultades in England and in the south, but I finished Sammler just the same.” The bearers of erogenous zones (either sex) made him feel younger, “it was a way of avoiding the Angel of Death,” and he cherished their provocative bitchiness. Bellow’s emotional upheavals — his guilt and remorse, multitudinous failings and need for self-condemnation — made him beat his breast at his private Wailing Wall. Se oli kuin kunkku David jolle tuotiin neitosia pyllynlämmittimixi.

ellauri052.html on line 975: 
Salen läski isoveli

ellauri052.html on line 977:   Sale ja sen läski grynderi isoveli on ahneita ja saitoja Shylokkeja ihan Shakespearesta. Rahaa käärivät ja pihtailevat sitä. Sale ynnää ravintolalaskut kahteen kertaan ja pienentää tippiä. Isoveli kerskuu rahoilla. Molemmilla on kaapit väärällään riepui ja rätei ja kenkiä tuhansittain kuin Imelda Marcoxella. Kultakorkokuvioiset tapetit seinillä kuin Trumpilla. Vastenmielistä ja moukkamaista. Matuisä oli ilmikepuli.

ellauri053.html on line 84: Kun poikasena huomasin et olin tulossa lättäjalkaisexi aloin kulkea jalkaterän ulkoreunoilla. Kuljen vieläkin. Ei tullut lättäjalka. Kun sain narsistin diagnoosin aloin kulkea Personlighedin ulkoreunoilla. En ehkä enää ole samanlainen narsisti. Vaan se toisenlainen. En overtti vaan enempi kovertti.

ellauri053.html on line 108: Anatole France totesi et 100 vuodessa se mikä oli Pamelan aikaan satua oli fin de sièclen aikaan jokapäiväistä. Porvarisneitoset ostelivat papan pätäkällä pääsylippuja kruunupäiden seuraan. Ei trendaa enää. Prinssi Harry nai persun jenkki mutiaisen julkun ja myyskentelee nyt Los Angelesissa rojaltia noveltyroinana.

ellauri053.html on line 152: The term 'Pre-Raphaelite' conjures up visions of tall, willowy creatures with pale skin, flowing locks, scarlet lips, and melancholic expressions. The paintings of these models and muses, who were often the artists' wives and mistresses, defied Victorian standards of beauty and caused much controversy.

ellauri053.html on line 185: Jos saan nyt heti alkuun sanoa kokemuxen rintaäänellä nimerkillä olinhan siellä minäkin, niin tässon meitä nyt yxin tein 4 narsistia, Puovo suuri suurimpana, mut Aarne Eski ja mä myös sen kirkkoveneen meloina ja peräpainona.   

ellauri053.html on line 377: Mistä Uarne kekkaa että "runo" on joteskin "käsitteen" vastustaja ja voittaja? Samaa meemiähän runotkin on. Mikään sen sitaateista ei tue tota ajatusta. Vaik hyvinhän sen voisi uskoa. Et Puovo olis jotenkin superman ja kovempi kuin muut meeminikkarit. Mut voi tää olla hölmön Arskan yxinkertaistuskin.

ellauri053.html on line 428: Varovaisena miehenä Uarne soveltaa samaa 2-mielisyyttä kuin Puovokin. Koskaan se ei sano mitä tarkoittaa, ja harvoin tarkoittaa mitä sanoo. Ei se siihen paskanna mihin kyykistyy, eikä kyykisty siihen mihin paskantaa.

ellauri053.html on line 520:   Tää Grabbe on outo häiskä. S. 1801 Detmoldissa Hannoverin suunnalla, Grabbella ei mennyt putkeen mikään. Isä oli vanginvartija ja äiti viinaratti. Se ize oli hirmu epäsosiaalinen ja löyhätapainen. Siitä tuli pulzari ja se kuoli 35-vuotiaana halvauxeen. Siltä on näytelmä nimeltä Komedia satiiri ironia ja syvempi merkitys. Tämäkö ne on se nelikko? Nähtävästi. Tärkeä havainto merkityxestä on ettei toinen ole toista syvempää. Kyllä ne apinoiden merkityxet pyörii siinä Darwinin EAT! FUCK! KILL! kolmikossa sekä dys/eusosiaalisuus teemassa. Heitä siihen vielä geeni-meemi kilpa mukaan niin eiköhän ala olla koko joukko koolla. Round up the usual suspects.

ellauri053.html on line 526: 
Kertauxen vuoxi: pila koittaa naurattaa meikäläisiä tyyliin naura sinäkin. Satiiri naurattaa meikäläisiä suututtamalla heikäläisiä. Ironia tekee sen niin ovelasti ettei kohde honaa mitään.

ellauri053.html on line 711: Spencer vastusti samoja juttuja kuin punaniska jenkki: the use of the coercive powers of the government, the discouragement given to voluntary self-improvement, and the disregard of the "laws of life." The reforms, he said, were tantamount to "socialism", which he said was about the same as "slavery" in terms of limiting human freedom.

ellauri053.html on line 740: Juu kermaperseitä olivat. Bramiineja Länsi-Bengalista, ent nimeltä Kushari, britti mustanaamion olkihattuisia pikku ystäviä. Isä ei työtä pelännyt, saattoi vaikka nukkua sen vieressä. Sillä oli tiluxia ja läjittäin palaveliita. Upporikkaita. Sen seizemästä isoveljestäkin tuli jotain hienoa.

ellauri053.html on line 756: Rampe vertailee banglakyldyyriä eurooppalaiseen jälkimmäisen tappioxi. Se pitää selkeesti enempi lannevaatteista, levitoinnista ja ovea raottelevasta musiikista.

ellauri053.html on line 758: Rampen ekat menestyxet oli oikeestaan musikaaleja. Isoveli sävelsi, Rampe sanoitti ja näytteli. Välillä mezästettiin päätiluxilta tiikeri, jätettiin jalkineet vaan zhungelin laitaan ja ammuttiin se yxin tein. Rampella ei ollut pyssyä.

ellauri053.html on line 760: Rampen morsian Mrinalini oli 9-vuotias ja Rampe 22. Isä käski naida ja isoveli valvoi. Rampe ei ollut edes paikalla. Mrina teki 5 lasta kai Rampelle ja bengalinsi Mark Twainia. Eise kyllä ollut käynyt koulua. Mrinalini kuoli 28 vee selittämättömään tautiin. Ei näytä iloiselta hääkuvassa. Pojan mukaan se oli kiltti ja pidetty.

ellauri053.html on line 769: Iltalaulu-kokoelman jälkeen Tandoorille tuli joku valaistus. Se lähti isoveljen kaa Darjeelingin vuorille kirkastamaan sitä, mut voi ei, se hämärtyi. Tuaregin Aamulaulut päätty siihin. Mut maisemat oli hulppeat.

ellauri053.html on line 811: After his resignation from Visva-Bharati, Tagore planned to move to Dehradun. He wrote to Nirmalchandra demanding that Mira be "handed-over" to him; Nirmalchandra obliged and Mira and her son 2-year old Jayabrato accompanied Tagore to Dehradun. Before leaving, Tagore wrote to Pratima, "I am not going secretly. I have informed everyone that Mira is with me." Pratima replied that she "would be happy, if he remained happy".

ellauri053.html on line 818: The Tagores belong to the Bandyopadhyaya group of Bengali Brahmins. The genealogy can be traced back to Daksha, one of the five Brahmins who were imported sometime in the 8th century from Kanauj to help in reviving orthodox Hinduism in Buddhist-ridden Bengal. The descendants of this Brahmin moved from one place to another until one Panchanan in 1690 settled down at Govindapur near Calcutta. The opportunities of making money in this flourishing mercantile town, the stronghold of the East India Company, finally attracted the family to Calcutta in the latter part of the eighteenth century and they built their homes at Pathuriaghata and Jorasanko.

ellauri053.html on line 820: Prince Dwarkanath Tagore, my great-grandfather, was a romantic figure. Contemporary of Rammohan Roy, the Father of the Renaissance Movement of Bengal, he was closely associated with him in all his activities and rendered financial help when- ever required. The East India Company were by this time firmly established in Bengal and were rapidly building up their trade. Dwarkanath’s knowledge of English helped him to take advantage of the conditions prevailing under the Company’s rule and he was able at quite an early age not only to amass a fortune but also to gain high offices under the British. With Rammohan Roy he took a leading part in all the movements for the promotion of higher education and social welfare. There was hardly any institution founded during his life-time that did not owe its existence to the generous charity of Dwarkanath. He came to be known as Prince Dwarkanath in recognition of his benefactions. His business enterprises extended to fields unexplored by Indians in those days. He had a fleet of cargo boats for trading between India and England. To improve his business connections and gain further concessions from the Company, he himself went to England accompanied by his youngest son, Nagendranath. I have had occasion to read the diary kept by this grand-uncle of mine. It describes vividly and in very chaste English the social life Of the aristocracy of England in the early Victorian age as seen through the eyes of an Indian. There is also an interesting description of his adventurous journey across the country from Bombay to Calcutta at a time when India was in a very disturbed condition on the eve of the Sepoy Mutiny.

ellauri053.html on line 826: It is believed that the important business which took the Prince to England was - to try to negotiate with the British government for an izara (permanent lease) of the provinces of Bengal, Bihar and Orissa in supersession of the East India Company. He was well received by Queen Victoria. But this ambitious project of his came to nothing on account of his sudden death under somewhat mysterious circumstances.

ellauri053.html on line 837: At Jorasanko lived the direct descendants of the Maharshi at No. 6, Dwarkanath Tagore Lane. It was a huge rambling house spread over an acre of ground with wide verandahs and large halls around the outer courtyard and a series of dark and dingy corridors and staircases and rooms, where no sunlight ever penetrated, which gave us the creeps whenever as children we had to pass through them. At No. 5, the handsome residence opposite to ours, lived my three artist cousins Gaganendra, Samarendra and Abanindra.

ellauri053.html on line 853: Our teacher of English was an Englishman of a rather interesting type. He was given a bungalow in the compound. There he lived with thousands of silk-worms in which he had become interested through Akshoy Kumar Maitra, the historian. On Sundays, discarding all clothes, Mr. Lawrence would wrap himself in old newspapers and lie amongst the caterpillars which delighted in crawling all over him. He was very fond of them and used to say they were his children. 

ellauri053.html on line 916: The life led by both pupils and teachers was not only simple but almost austere. The ideal of Brahmacharya was the keynote of everything. The yellow uniform, which covered up the poverty of clothes; a pair of blankets, which served as our only bedding; the vegetarian meals comparable to jail diet in their dull monotony — these were the standards laid down.

ellauri053.html on line 926: In spite of everything — the poverty and lack of normal comfort and convenience — nobody complained, for we really believed in simple living and took pride in our poverty.

ellauri053.html on line 930: But it would be wrong to emphasize only the dark side of the picture. We were essentially a happy lot and life was very rich and interesting in spite of our outward poverty. Whenever Father was present, he poured his soul into the institution and made it lively by singing songs which he never tired of com- posing, reciting his poems, telling stories from the Mahabharaia , playing indoor games with the boys, rehearsing plays, and even taking classes.

ellauri053.html on line 952: Through which the lovers, Pyramus and Thisbe,

ellauri053.html on line 957: Through which the fearful lovers are to whisper.

ellauri053.html on line 969: While Father was entirely absorbed in his educational experiment at Santiniketan, Mother fell ill and she had to be taken to Calcutta for treatment. Before the doctors gave up hope Mother had come to realize that she would not recover. The last time when I went to her bedside she could not speak but on seeing me, tears silently rolled down her cheeks.

ellauri053.html on line 975: On my father’s desk I discovered two bound volumes containing copies of letters written by him to my cousin Indira. My cousin had evidently carefully preserved all the letters and copied them out in her beautiful handwriting in the two volumes neatly decorated by her brother Surendranath.

ellauri053.html on line 979: While I was loitering about the Asrama and reading the letters over and over again the sad news of the death of my sister. Rani was conveyed to me from Calcutta. Father had brought her back there finding that she had much improved in health in Almora — but a relapse ended fatally and she died nine months after the death of my mother.

ellauri053.html on line 989: Vicissitudes of life, pain or afflictions, however, never upset the equanimity of my father’s mind. Like his father, the Maharshi, he remained calm and his inward peace was not disturbed by any calamity however painful. Some superhuman sakti gave him the power to resist and rise above misfortunes of the most painful nature.

ellauri053.html on line 993: Only a perfect control of the emotions together with an irrepressible urge for creative expression could explain the continuous outpouring of his thoughts in poems, novels, short stories, essays and other writings irrespective of his surroundings or circumstances, mental or physical.

ellauri053.html on line 1017:     What do you think of father's spoiling sheets and sheets of paper with black marks all over both sides?

ellauri053.html on line 1026: "I felt sure that some Being who comprehended me and my world was seeking his best expression in all my experiences, uniting them into an ever-widening individuality which is a spiritual work of art. To this Being I was responsible; for the creation in me is His as well as mine." He called this Being his Jivan devata (“The Lord of His Life”), a new conception of God as man’s intimate friend, lover, and beloved that was to play an important role in his subsequent work.

ellauri053.html on line 1032: Gitanjali was written shortly after the deaths of Tagore’s wife, his two daughters, his youngest son, and his father. But as his son, Rathindranath, testified in On the Edges of Time, “he remained calm and his inward peace was not disturbed by any calamity however painful. Some superhuman sakti [force] gave him the power to resist and rise above misfortunes of the most painful nature.” Gitanjali was his inner search for peace and a reaffirmation of his faith in his Jivan devata. 

ellauri053.html on line 1054: Filled with my feelings of love?

ellauri053.html on line 1127: The doves cooed tireless in the shade,			Pulut kukersivat väsymättä varjossa,

ellauri053.html on line 1134: I gazed at the sky and wove in the			Tihrustin taivaalle ja kirjailin

ellauri053.html on line 1140: The lazy white clouds did not move.			Laiskat valkopilvet eivät liikkuneet.

ellauri053.html on line 1144: The doves cooed among the dense leaves.			Pulut puluttivat lehvästössä.

ellauri053.html on line 1154: 
Hänen uransa alkuaikojen työt olivat romanttisia ja fantasianomaisia, mitä kuvastaa hänen vuonna 1893 julkaistu kokoelmansa The Celtic Twilight (Oletko keltti ja annat suolaa). Keski-iässä hän siirtyi kohti kovempaa ja modernimpaa tyyliä, joihin hän sai innoitusta suhteestaan Ezra Poundiin ja osallistumisestaan Irlannin kansallismieliseen politiikkaan.


ellauri053.html on line 1166: 
At this point in his review, Eliot moves toward thinking that to make sense of Yeats you have first to remember that he is an Irishman. He thought that to be an Irishman was to be deprived of wit. Mut sitä pitempi oli jästin hanging dick jäykkänä. 

ellauri053.html on line 1186: Nothing but that to prove your blood and mine.

ellauri053.html on line 1191:       Eliot needed to put a considerable distance between himself and Yeats, each of whom could be regarded as a Symbolist, however differently they responded to French Symbolism as Arthur Symons expounded it in The Symbolist Movement in Literature. It is my understanding that Symons led Yeats through the early chapters, with Mallarmé as the main figure, and that Eliot made his own way quickly through the several chapters until he reached Laforgue, the poet he found most useful in his attempt to discover his own voice. Still, Eliot’s animosity is hard to explain.

ellauri053.html on line 1193:       Helppoa: se oli mustankipeä. Tomppa ja Jästi were associates from time to time but not companions. Yeats and Pound make a different relation: they were friends and remained friends, especially after the three winters they spent in Stone Cottage, Coleman’s Hatch, Sussex. The friendship continued over the years and found fulfillment in a shared Rapallo. Dobby ja Jästi ilosteli Rapallon mökissä veturinkuljettajana ja lämmittäjänä, kuraverinen Tomppa palloili kateena ulkopuolella.

ellauri053.html on line 1261: Though Walter Pater is no more with us, like Monty Python's proverbial parrot, he has still become immortal because of his writings.

ellauri053.html on line 1273: Above the staggering girl, her thighs caressed		Över den jättelessna tjejen, hennes lår den här gången

ellauri053.html on line 1324: Soul clap its hands and sing, and louder sing	Sielu läpytä käsiä ja laula kovempaa		

ellauri053.html on line 1367: Yeats's friendship with Gonne ended when in Paris in 1908, they finally consummated their relationship. "The long years of fidelity rewarded at last" was how another of his lovers described the event. (Bet it was Ezra Pound.) Yeats was less sentimental and later remarked that "the tragedy of sexual intercourse is the perpetual virginity of the soul." (Aika narsistinen penselmä.) The relationship did not develop into a new phase after their night together, and soon afterwards Gonne wrote to the poet indicating that despite the physical consummation, they could not continue as they had been. She recommended Yeats to concentrate on other men.

ellauri053.html on line 1375: That September, Yeats proposed to 25-year-old Georgie Hyde-Lees (1892–1968), known as George, whom he had met through Olivia Shakespear. Despite warnings from her friends—"George ... you can't. He must be dead"—Hyde-Lees accepted, and the two were married on 20 October. Their marriage was a success, in spite of the age difference, and in spite of Yeats's feelings of remorse and regret during their honeymoon. The couple went on to have two children, Anne and Michael. Although in later years he had romantic relationships with other women, Georgie herself wrote to her husband "When you are dead, people will talk about your love affairs, but I shall say nothing, for I will remember how proud you were of them."

ellauri053.html on line 1394: How many loved your moments of glad grace,

ellauri053.html on line 1395: And loved your beauty with love false or true,

ellauri053.html on line 1397: But one man loved the spotted dick in you,

ellauri053.html on line 1398: And loved the sorrows of your changing face;

ellauri053.html on line 1401: And ran down from the chambers to let overhead

ellauri053.html on line 1424: Ronsard is concerned with himself; Yeats barely refers to himself at all (one man) and delivers a prayer of devotion to his beloved. No other poet I've read compares. 


ellauri053.html on line 1427: The greatest of the modern English language poets, Yeats had the ability (and still does) to move anybody to tears with his words. A wonderful poet a very talented and extraordinary man. 


ellauri053.html on line 1428: Lu Wenchao 11 November 2008

ellauri053.html on line 1430: This poem is very famous in China. We first know Yeats by this wonderful poem, which contain a story of Yeats himself that move us so deeply. From this poem, we know what is the true love, we know how deeply love can be. This has been transferred into the famous poem of MUDAN, also been transferred into a popular song sung by SHUIMUNIANHUA, so we can see how arractive it was to us in China. 


ellauri053.html on line 1433:     This poem still moves me immensely, thirty-four years after I first read it and carefully parted from my very first true love. A very touching poem so beautifully written. Timeless. Marvellous lines - so insightful. 


ellauri054.html on line 36:     over.png" height="250px" />

ellauri054.html on line 109:     
Ihan viihdepläjäyxenä tämmönen kiva saxalainen rallatus joka esiintyi coveerina myös saxalaisessa tv-sarjassa Laulava lihakauppias:

ellauri054.html on line 130:   Onx esseet jotain  tunnustusnovelleja? Tyhmä  kysymys. Ei essee ole mikään  luonnonilmiö. Pojun magnum  (sic) opus oli yritys. Ett  rättsteoretiskt försök.  

ellauri054.html on line 159:   But above all, beleeve it, the sweetest Canticle is Nunc dimittis, when a Man hath obtained worthy Ends and Expectations. Death hath this also, That it openeth the Gate to good Fame, and extinguished Envie.  Vanha Simo sanoi nyt päästät palvelijasi lepoon, nähtyään vihdoin Jeesus-lapsen synagoogassa. Jouti kuolemaan. No siitä samoinkuin Pekonista tuli vainajana kuuluisa. Kyllä käy kateexi. Lisää pekonin lurjustelusta albumissa 223.

ellauri054.html on line 195:  Riikonen takes a  walk back home around noon,  for a half-hour nap. He is  puzzled by people who  disapprove of naps as a mark  of laziness. After all, it  has been proven that they  boost efficiency. Pikku  Kunkin otti nokkaunet  päivällä. Sekin oli  keskitien kulkija,  konfuzelainen. 

ellauri054.html on line 257: 
Dover Bitch

ellauri054.html on line 259:   Jotenkin must tuntuu et mä oisin Arnoldin Masan Dover Beachin maininnut jossakin. Joo Goethe-paasauxissa mainizen että Masa tykkäs Jöötistä. Runo Dover Beach kuvailee Dover Beachia ja mukulakivien kolinaa rannalla, Matin mielestä se oli jotenkin masentavaa:

ellauri054.html on line 262: Dover Beach

ellauri054.html on line 289: Lay like the folds of a bright girdle furled.			Se makasi kuin valopään Gödelin taittovedoxet.

ellauri054.html on line 296: Ah, love, let us be true					Äh, kulta, ollaan tosissaan			

ellauri054.html on line 300: Hath really neither joy, nor love, nor light,			Ei oikeastaan sisällä iloa, valoa,

ellauri054.html on line 306: Yeats intti myöhemmin Matille et päinvastoin, kivien kolina rannalla on mukavaa. Jenkki laureaattipoeetti Hecht vittuili Matille lisää runossa The Dover Bitch:

ellauri054.html on line 309:     ovember_1871.jpg" width="100%" />

ellauri054.html on line 317: All over, etc., etc.'

ellauri054.html on line 401: The expanding disparity of wealth and the increasing criminalization of those in poverty have culminated in the U.S. having the largest prison population "in the history of human civilization."

ellauri054.html on line 409: According to The Routledge Handbook of Poverty in the United States, "neoliberal social and economic policy has more deeply embedded the carceral state within the lives of the poor, transforming what it means to be poor in America."

ellauri054.html on line 415: Statistics from the U.S. Department of Justice show that, as of 2013, there were 133,000 state and federal prisoners housed in privately owned prisons in the U.S., constituting 8.4% of the overall U.S. prison population. ... The prison industry as a whole took in over $5 billion in revenue in 2011.

ellauri054.html on line 427: There are currently around 198,000 inmates housed in private prisons. It represents less than 9% of the total prison population. Many of these prisons save the government money, but some actually cost more per prisoner than a public facility would cost.

ellauri054.html on line 429: The capitalist mindset says any time an industry can be run privately it is better for the economy. The socialist mindset says that the government should be supplying those services. The realist says that the prison system is overcrowded as it is.

ellauri054.html on line 481: Robert Browning believed spiritualism to be fraud, and proved one of Daniel Dunglas Home's most adamant critics. When Browning and his wife Elizabeth attended one of his séances on 23 July 1855, a spirit face materialized, which Home claimed was Browning's son who had died in infancy: Browning seized the "materialization" and discovered it to be Home's bare foot. To make the deception worse, Browning had never lost a son in infancy.

ellauri054.html on line 485: Elisabetilla oli luultavasti selkärankatubi. Se otti siihen paljon laudanumia. Molemmat Browningit oli abolitionisteja ja ajoi muitakin hyviä liberaalijuttuja. Sen runokokoelma Runoja 1844 oli suuri menestys. Browningeilla oli yksi poika nimeltä Kynä. Liisaa diggasivat mm. Edgar Allan Poe ja Emily Dickinson. Sen hittejä oli mm. runo  "How Do I Love Thee?" (Sonnet 43, 1845).

ellauri054.html on line 487: How Do I Love Thee?

ellauri054.html on line 489: How do I love thee? Let me count the ways.

ellauri054.html on line 490: I love thee to the depth and breadth and height

ellauri054.html on line 493: I love thee to the level of every day's

ellauri054.html on line 495: I love thee freely, as men strive for right.

ellauri054.html on line 496: I love thee purely, as they turn from praise.

ellauri054.html on line 497: I love thee with the passion put to use

ellauri054.html on line 499: I love thee with a love I seemed to lose

ellauri054.html on line 500: With my lost saints. I love thee with the breath,

ellauri054.html on line 502: I shall but love thee better after death.

ellauri054.html on line 511: Robert Browning (7. toukokuuta 1812 – 12. joulukuuta 1889) oli brittiläinen runoilija, joka on erityisesti tunnettu dramaattisista monologeistaan kuten ”Porphyria’s Lover” ja ”My Last Duchess”. Browning on yksi tunnetuimmista viktoriaanisen ajan runoilijoista. Browning avioitui 1846 Elizabeth Barrettin kanssa, ja pari asui 1840-luvulta alkaen Firenzessä, Italiassa.

ellauri054.html on line 523: Browningin nykymaine on pääosin hänen ”dramaattisten monologiensa” ansiota: näissä sanavalinnat eivät ainoastaan välitä lukijalle tapahtumia ja tapahtumapaikkoja, vaan myös paljastavat kertojan luonteen. Toisin kuin yksinpuheluissa, dramaattisissa monologeissa tarkoituksena ei ole se, mitä puhuja suoraan ilmaisee, vaan ennemminkin mitä hän epäsuorasti paljastaa itsestään. Sen sijaan, että hän ajattelisi ääneen, henkilöhahmo rakentaa itselleen puolustuksen, jonka läpi hän haastaa lukijan näkemään. Browning valitsi hahmoikseen äärimmäisiä, jopa psykopaateiksi luokiteltavia hahmoja, kuten runossaan ”Porphyria’s Lover”. Olikohan se psykopaatti izekin? (Lähde.)

ellauri054.html on line 527: Browning´s early career began promisingly, but collapsed. The long poems Pauline (1833) and Paracelsus (1835) received some acclaim, but in 1840 the difficult Sordello, which was seen as wilfully obscure, brought his poetry into disrepute. His reputation took more than a decade to recover, during which time he moved away from the Shelleyan forms of his early period and developed a more personal style.

ellauri055.html on line 98:     Victor Serge was appreciative of Rolland's interventions on his behalf but ultimately thoroughly disappointed by Rolland's refusal to break publicly with Stalin and the repressive Soviet regime. The entry for May 4, 1945, a few weeks after Rolland's death, in Serge's Notebooks: 1936-1947 notes acidly that "At age seventy the author of Jean-Christophe allowed himself to be covered with the blood spilled by a tyranny of which he was a faithful adulator."

ellauri055.html on line 154: Shoghi Effendi Rabbānī (شوقي أفندي رباني) est né le 1er mars 1897 à Saint-Jean-d'Acre et mort à Londres le 4 novembre 1957. Il était le plus âgé des petits-fils de ʿAbd-al-Bahāʾ (1844-1921), qui était lui-même l’aîné des fils de Bahāʾ-Allāh (1817-1892), le prophète-fondateur de la Foi baha’ie.

ellauri055.html on line 284: Tuon kuultuaan dervissi sulki ovensa hänen nenänsä edestä.

ellauri055.html on line 378: 		When I go into my garden with a spade, and dig a bed, I feel such an exhilaration and health that I discover that I have been defrauding myself all this time in letting others do for me what I should have done with my own hands.

ellauri055.html on line 390: 		My passion for gardening may strike some as selfish, or merely an act of resignation in the face of overwhelming problems that beset the world. It is neither. I have found that each garden is just what Voltaire proposed in Candide: a microcosm of a just and beautiful society.

ellauri055.html on line 420: 		Who loves a garden loves a greenhouse too.

ellauri055.html on line 438: 		One marked feature of the people, both high and low, is a love for flowers.

ellauri055.html on line 451: 		Chinese Proverb

ellauri055.html on line 456: 		Opportunity is missed by most people because it is dressed in overalls and looks like work.

ellauri055.html on line 542: Masin nenäkkään luokkatoverin Antti Arjavan äiti oli omaa sukua Manninen. Nokkava oman hännän nostaja oli äitikin, razasteli hienolla suvulla. Kangasniemen kirkkomäellä on Mannisia kuin Salpausselällä. Hokkia ja Tissareita.  Tulivat pienellä veneellä majalle Kangasniemeltä (tai ehkä Kuhmoisista?) ja kovin soimasivat majaa kun se on niin pieni ja hankala. Ize asuivat Helsingissä ahtaasti.

ellauri055.html on line 568: Mannisen Pirren tapakomedia on jonkun mielestä Jean de la Bruyèren  (siirretty albymiin 419) jäljitelmä vajaamieliseltä 70-luvulta. Manniska 36 vee tekee raakaa pilaa 19-vuotiaasta Mirkusta ja Mirkun stalinisti idealisti poikaystävästä Jussista. Jussi uskoo muun vassarihömpötyxen lisäxi vapaisiin suhteisiin, kunnallisen liikenteeseen ja porkkanoihin. Pirren ikätoveri Johannes on ristisiitos Jaakko Hämeen-Anttilasta ja Hannu Riikosesta. Jussi tuskin panee pahaxeen jos Hannu vähän käyttää Mirjaa hyväxeen. Uskovaisille on kaikki yhteistä. Eivät heitä luontoon tölkkejä eikä nazoja. Käytetystä korzuista nyt puhumattakaan.

ellauri055.html on line 644: Seija lukee aamu-uutisia luurista kuin herännäiset virsikirjaa. (Värisevällä äänellä:) Anna mun saada suotuisa loppu / kuin Eero-sedällä. Eero-sedän viimeinen sana oli perkele. Se kai sitä oli ovella vastassa. Se kuoli tenniskentän pukuhuoneessa.

ellauri055.html on line 720: Antti ja Maija avioituivat Oulussa 28.5.1955. Perheeseen syntyi kuusi lasta. Antti valmistui diplomi-insinööriksi vuonna 1958. Samana vuonna julkaistiin Antin ensimmäiset kirjat: novellikokoelma Maantieltä hän lähti ja romaani Kevättä ja syksyä.

ellauri055.html on line 860: Perheeseen syntyi ennen Frans Emiliä kaksi muutakin lasta, mutta nämä kuolivat jo pieninä. Isosisko oli liika kiltti ja isoveli vammanen. Sillinpää kävi aluksi vuosina 1895–1898 Jumesniemen kirkko-koulua, ja sitten Haukijärven kansakoulua, jossa opettajana oli hänen pikkuserkkunsa Hilja Tättälä. Hän menestyi opinnoissaan niin hyvin, että vanhemmat päättivät lähettää hänet oppikouluun Tampereelle. Tämän mahdollisti se, että Sillinpään isä oli joitakin vuosia aiemmin perustanut pienen sekatavarakaupan, jonka tuotolla perheen taloudellinen asema oli kohentunut.

ellauri055.html on line 862: Sillinpää aloitti koulunkäynnin syksyllä 1900 Tampereen Suomalaisessa Reaalilyseossa, asuen ensin alivuokralaisena kirvesmies Janne Davidssonin perheessä Mustanlahdenkadulla Amurissa ja myöhemmin Kuninkaankadulla. Hänen koulutovereitaan olivat muun muassa Lauri Pohjanpää, Brynolf Honkasalo, Arvo Sotavalta ja Bertel Strömmer. Vanhemmat saattoivat tukea häntä vuoteen 1905 saakka, mutta sen jälkeen Sillinpää joutui itse hankkimaan varoja koulun jatkamiseen. Hän saikin jonkin verran rahallista tukea eri tahoilta, mutta tärkeimmäksi tukijaksi tuli tamperelainen tehtailija Henrik Liljeroos, jonka nuorimman pojan kotiopettajana Sillinpää toimi viimeisinä kouluvuosinaan. Sillinpää oli kesäisin myös kotiopettajana Lempäälässä Sotavallan ja Lopen kartanoissa sekä yhden kesän tamperelaisen Aamulehden kesätoimittajana. Sillinpää pääsi ylioppilaaksi 1908 hyvin arvosanoin. Samana vuonna Wilho Pylkkänen läht Kiinan reisulle. 

ellauri055.html on line 864: Sillinpää aloitti opinnot Helsingin yliopistossa syksyllä 1908 Henrik Liljeroosin sekä tilanomistajien Jalmari Raipalan ja J. A. Sotavallan tuella. Saman vuoden fuxina kuin Poju, joka kyllä opiskeli sitten pitempään, kokonaista 9v. Hän aloitti filosofisen tiedekunnan fyysis-matemaattisella osastolla tarkoituksenaan opiskella lääkäriksi. Lääketieteilijöiden oli kuitenkin suoritettava ensin medikofiilitutkinto, jota varten Sillinpääkin osallistui muun muassa fysiikan ja botaniikan luennoille. Opiskelutoverinsa Heikki Järnefeltin kautta Sillinpää tutustui Järnefeltin perheeseen ja tämän isään taidemaalari Eero Järnefeltiin. Sillinpää viettikin opiskeluvuosinaan paljon aikaa Järnefeltien kodissa Suvirannassa Tuusulassa ja tutustui moniin aikakauden merkkihenkilöihin, kuten Jean Sibeliukseen, Pekka Haloseen ja Juhani Ahoon. Näinä vuosina alkoi tosin myös Sillinpään runsas alkoholin käyttö, joka aiheutti myöhemmin hänelle paljon ongelmia. Maalaispojan ei kannattaisi ryypätä herrain kanssa pulituuria, siinä voi vaikka mennä henki.

ellauri055.html on line 870: Pransun novellit Suomettaressa saivat myönteisen vastaanoton. WSOY:n toimitusjohtaja Jalmari Jäntti kiinnostui Sillinpään kirjoituksista. Sillinpää itse olisi halunnut debytoida novellikokoelmalla, mutta kustantaja sai kuulla Sillinpään työstävän romaania, ja vaati aloitettavan sillä. Monien vaikeuksien kautta käsikirjoitus valmistui, ja se julkaistiin 1916 nimellä Elämä ja aurinko. Novellikokoelma, Ihmislapsia elämän saatossa, julkaistiin seuraavana vuonna. Toope halus kanteen oman kuvansa Eero-sedän Aurora-tuplatyykistä. Jotain rajaa sanoi mäntti Jäntti.

ellauri055.html on line 897: Sillinpää julkaisi 1920-luvulla lähinnä novellikokoelmia sekä vuonna 1923 ilmestyneen pienoisromaanin Hipsu ja Ragnar, jota hän itse myöhemmin piti parhaana teoksenaan. Lyhyestä virsu kaunis. Samaan aikaan Sillinpään taloudelliset ongelmat lisääntyivät ja hän velkaantui jatkuvasti lisää. Hän ei myöskään pystynyt tuottamaan kustantajan haluamia uusia romaaneja. Sillinpään kustantaja WSOY tarjosi hänelle lopulta ratkaisuksi vakinaista työtä kustannustoimittajana. Sillinpää olikin vuosina 1925–1927 WSOY:n palveluksessa ja hän asui tämän ajan perheineen Porvoossa. Vuonna 1927 he palasivat takaisin Hämeenkyröön ja Sillinpää onnistui jonkin aikaa hankkimaan riittävästi rahaa kirjallisilla töillään. Syksyllä 1928 paikallinen sähköyhtiö katkaisi maksamattomien laskujen takia sähköt Saavutuksesta ja Sillinpään perhe joutui muuttamaan pimeästä talosta Tampereelle, jossa he asuivat sitten vuoden verran ennen Helsinkiin muuttoa.

ellauri055.html on line 942: Sekä Panu että Taata ize sanoo ezen kirjat perustuu sen omiin kokemuxiin. Niiet elämä ja teos malli sopii Sillinpäähän like a glove, yhtä hyvin kuin vaikka Bellowiin tai Philip Rothiin.

ellauri055.html on line 1100: Sotavalta pääsi ylioppilaaksi 1908 Tampereen Reaalilyseosta. Hän valmistui filosofian maisteriksi 1914 ja filosofian lisensiaatiksi ja tohtoriksi 1923 Helsingin yliopistosta. Tampereen Reaalilyseon ylioppilasluokalla 1908 olivat myös Lauri Pohjanpää ja F. E. Sillanpää, jotka olivat Arvo Sotavallan ystäviä sekä koulu- ja opiskelutovereita.

ellauri055.html on line 1171: Heikki Järnefeltin äiti oli Saimi Swan. Isä oli Eero. Hömelö Arvid oli Eeron isoveli, Sibben Aino kuopus. Eero oli oikeistolainen kermaperse joka suhteessa. Sitä Toope varsin kadehti. Sibbis vääntelehti velkakierteessä Toopen tavoin. Ainolassa piti olla hiljaa. Aho löntysteli kalatamineissa Nobel-haaveissa.

ellauri055.html on line 1274: Kalan luennoinnissa näkyi hänen teatteriharrastuksensa ja luennot saattoivat olla hyvin dramaattisia. Esimerkiksi kerran Kala aloitti luennon kävelemällä luentosalin ikkunan luo, katsomalla kaukaisuuteen ja huudahtamalla: ”Kerro minulle maailma, mikä sinä oikein olet! Tulee mieleen Seijan isosiskojen opettaja Mary von Wright joka luokassa pieraistuaan meni leyhyttämään parvekkeen ovea.

ellauri055.html on line 1322:     Mutta Maunold ja hänen miehensä pysyttelivät nuolenkantaman päässä kristittyjen laivasta. Sillä he olivat kaukaaviisaita miehiä. Ja piispa Henrik kieputti isoa puuristiä pääsä päällä ja huusi suurella äänellä: Te pakanat ja syntisäkit! Hyljätkää moninaiset puujumalanne ja ottakaa vastaan yxi ainokainen herra! Kuka se simmottinen on? tiedusteli Maunold. Se on isä, poika, ja pyhä henki! vastasi Henrik. Siinähän tuli jo kolme, ihmeteli Maunold. Taidat olla laskutaidoton mies! Mutta totisesti, silloin rupesi Henrikin laivasta lentämään nuolta, harppuunaa ja keihästä yhtenä pilvenä. Mutta Maunold kurkki uteliaana paattinsa partaan yli ja kyseli: Missä se simmottinen kolmiosainen herra asuu? Taivaassa, ratki taivaassa, vastasi Hernik. Jos se putoo, nin sattuuko kohalle, höpötti viikinkin Riitasota ja pälyili levottomana taivaalle. Älkää jäkättäkö rienaajat, karjaisi piispa Henrik. Vaan ottakaa vastaan vapahtaja, joka israelinmaassa paranteli sairaita ja herätteli kuolleita! Olipa luonnikas ukko, ihaili Maunold monimieli. Taisi olla kansan mieleinen mies! Kyllä riitti selkääntaputtajia ja virkapaikkoja? No ei varsinaisesti, totesi piispa Henrik, vaan ristiinnaulittiin. Nyt on toverit parasta tarttua airoihin ja lähteä hyvän sään aikana, ehdotti viikinki Taisto Punainen. Toi äijähän on päästään sekhaisin. Ja viikingit lähtivät. Mutta Maunold Monimieli jupisi partaansa. Sanokaa mun sanoneen, poja, että kyllä tuohonkin juttuun vielä joku jauhopää uskoo.

ellauri058.html on line 87: I discovered reading when I was much younger than the little me in this picture. As a child, my favorite authors included C.S. Lewis, Roald Dahl, Jill Paton Walsh, Gertrude Chandler Warner, Louisa May Alcott, and J.R.R. Tolkien. I am a long-distance hiker, trail advocate, full moon camper, and adopter of sad old cats. I live, play, and work in Two Harbors, Minnesota.

ellauri058.html on line 97: The Thin Man is a 1934 American comedy-mystery directed by W. S. Van Dyke and based on the novel of the same name by Dashiell Hammett. The film stars William Powell and Myrna Loy as Nick and Nora Charles, a leisure-class couple who enjoy copious drinking and flirtatious banter. Nick is a retired police detective who left his very successful career when he married Nora, a wealthy heiress accustomed to high society. Their wire-haired fox terrier Asta was played by canine actor Skippy. In 1997, the film was added to the United States National Film Registry having been deemed "culturally, historically, or aesthetically significant."     

ellauri058.html on line 109: 	John oli nyt melkein pakokauhun vallassa pelosta että joku ympärillä istuvista kuulisi, millainen nigger lover minä olin. Ja se on pahin nimitys mitä etelässä ylipäänsä voi saada. Nykyään kävis myös alien lover. Tai mixei tree lover. Ne ei kyllä vie meitin töitä eikä raiskaa naisia.

ellauri058.html on line 117: Minnehaha is a fictional Native American woman documented in Henry Wadsworth Longfellow's 1855 epic poem The Song of Hiawatha. She is the lover of the titular protagonist Hiawatha and comes to a tragic end. The name, often said to mean "laughing water", literally translates to "waterfall" or "rapid water" in Dakota.

ellauri058.html on line 148:       Tuhannet suomalaiset joutuvat pohtimaan, missä vaiheessa heidän on ize otettava vastuu ja päätettävä vanhempien päivät niiden puolesta. Lapsille tilanne on vaikea, surullinen ja sydäntä raastava. Isän tai äidin heikentyminen on muistutus myös siitä, että omakin elämä lähestyy loppuaan. Lisäxi vanhempien persoonallisuus voi muuttua, ja se voi tuntua ahistavalta. Niistä voi tulla vihaisia ja kauhu kaunaisiakin. Keski-ikäisten ei kuitenkaan pidä yxioikoisesti päättää vanhempien puolesta, vaan iäkkään ihmisen mielipidettä on ensin kuunneltava, ja vasta sitten heivataan. Pohdittava eri vaihtoehtoja, ja valittava niistä se mikä on mukavinta izelle. Senioreille onkin tarjolla monia asumismuotoja, kuten pienryhmäkoteja, tehostettua asumista, vanhainkoteja, laitoshoitoa, pakkohoitoa, kuritushuonetta, kovennettua, ja tietysti se tuttu laatikko.

ellauri058.html on line 199: Pekkanen halvaantui vaikeasti 1949 ja joutui opettelemaan uudelleen kaiken aina puhumista ja kävelemistä myöten. Toipumisen aikana syntyi kuitenkin hänen lapsuudestaan kertova Lapsuuteni-teos, joka sai erittäin alentuvan myönteisen vastaanoton. Vuonna 1955 Pekkanen valittiin yllättäen akateemikoksi V. A. Koskenniemeltä vapautuneelle paikalle. Vaakku varmaan pyörähteli haudassa kuin Iita Kärpänen. Akateemikkona hän ehti olla vain kaksi vuotta, sillä hän kuoli aivoverenvuotoon 30. toukokuuta 1957 ollessaan Kööpenhaminassa luontaishoitolassa toipumassa.

ellauri058.html on line 322:     Kun lukee juoxuhautaa alusta kohti loppua, iskee naamaan Hotakaisen sankarin läpeensä äklöys. Just sellanen ihminen jota en voi sietää. Täysin perseeseen potkastava persumies. Fenssaa tuvan täydeltä elektroniikkaa kellarikoppiin saakeli. Alepan kassan tissit kovettuu voi perkele. Kokeilee koko ajan omaa pulssia. Voi helvetti. Helena ja Sini. Itkee kylppärissä kun konna lahjoo leipäkoneella. Vittu tää järbä on täyshullu. Luonnevikainen, sertifioitava sekobolzi, ja lisäxi rikollista ainesta. Mä en jaxa näitä Karin iänikuisia juoxuselostuxia. Eihän tällästä paskaa lue erkkikään. Helppo uskoa et Kari kuumuu Kimi Räikkösestä. Sielun veljiä. Karin naapuri on oikeassa: tupakoivat ihmiset on vammaisia, epäonnistuneita nilviäisiä. Olevinaan modernia moniäänistä, mut kaikki eri äänet tulee samasta reijästä: joka päästä kajahtaa Karin oma koleerinen ämyri. 

ellauri058.html on line 324: Helenan naisnäkökulmat on aivan vitun täynnä setänarsismia ettei voi uskoa. Ja sit tät ziljoonasta akenttitarinasta tuttua varustelua ja treeniä. Anaalis-obsessiivien peitonalusnamua. Sivistymättömiä kielivirheitä. Juoxiessa. Olivat aina auttanut minua. Pariisin Gard du Nordin rautatieasema. Säälittävää izesääliä kotirintamamiehistä. Puhasta puppua. Ja ilotonta epähauskaa vizinvääntöä omakotiasukeista Ilmari Pimiän kustannuxella, joka oli Olavi Homopaavilaisen lapsuudentoveri. Imi P. Imijä oli karjalaisrunoilija ja piirustuxen ope. Kieriskeli Olkkarin kanssa saunassa ja sen jälkeen lumessa. Liha liikkuu siellä ja kutaa on, häntä koipien välissä tuuhettuu.

ellauri058.html on line 607: Anssi Sinnemäki ei ilmeisesti myöskään ole ollut tietoinen Karosen oletetusta reviiristä, sillä kokenut toimittaja uskalsi viime kesänä julkaista tutkimuksen Haanpään novellikokoelmasta Kenttä ja kasarmi (1928).

ellauri058.html on line 616: Rojola oli itse keskeisiä Päätalon kriitikoita kuvattuna aikana. ”Toinen tärkeä kriitikko oli tietysti Vesa Karonen, jonka kanssa melkein vuorovedolla ja rinnan yhteen aikaan Kallea kahlasimme. Eero Marttinen kajautteli omia kehujaan pohjoisesta, ja Pekka Tarkka oli myös asiallisen positiivinen, huomasi varhain Päätalon merkityksen. JP Roos otti sosiologisen tutkintakulman tähän suomalaisuuden järkäleeseen."

ellauri058.html on line 718: Dr. Hirschmann said he decided to focus on the symptom of itching. “At first, I considered Hodgkin’s disease and some diseases of the liver.” Chronic kidney disease covered all of Herod’s symptoms except gangrene of the genitalia. Dr. Hirschmann figured that the most probable cause of King Herod’s death was chronic kidney disease complicated by Fournier’s gangrene, which is an unusual infection affecting the male genitalia.

ellauri058.html on line 744: Varmaan suuta kuivasi kun söi vaan villihunajaa ja sirkkatahnaa kuin joku fennovegaani. Ja kolokvinttia.

ellauri058.html on line 763: Kliketyklik. Lisää ns uutisia pukkaa päivittäin. Koronakaranteeniin kyllästyneet turkit ja ranskixet polttaa ajankuluxi toistensa lippuja, Macron ja Erdogan tekee iloisina hai faiveja: hyvin menee mut menköön. Hämäräkultin Mikko Alatalon näköinen johtomiekkonen brändää uskovaisten naisten pimppuun DOS. Disk Operating System. Bill Gates ilostuu. Seis maailma pysäyttäkää karuselli, etoo, tahdon ulos. Jo riitti suljen tämän viidakon sanon kuin Tarzan. Google huutaa vielä ovenraosta: Hämmästyttävä paljastus seiska-lehden blogissa! Lihava blondi herutuskuvassa. Suljen selaimen, Larry Pagen kenkä jää kipeästi oven väliin. 

ellauri058.html on line 785:  VII STRATO Loose girls lose their  grip. They wear cheap scent. Their  kisses aren’t sincere or innocent.  Sweet smut is one thing they’re no  good at talking. Their looks are  sly. The worst is a bluestocking.  Moreover, fundamentally they’re  cold; They’ve nothing for a groping  hand to hold. 

ellauri058.html on line 799:   The twelfth book of  The Greek Anthology compiled at the  court of Hadrian in the second  century a.d. by a poetaster  Straton, who like most anthologists  included an immodest number of his  own poems, is itself a part of a  larger collection of short poems  dating from the dawn of Greek lyric  poetry (Alcaeus) down to its last  florescence, which survived two  Byzantine recensions to end up in a  single manuscript in the library of  the Count Palatine in Heidelberg  — hence its alternative title, The  Palatine Anthology, usually  abbreviated to Anth. Pal. This  particular, indeed special, collection contained in Book XII  subtitled The Musa Paedika or Musa  Puerilis, alternately from the  Greek word for a child of either  sex — and girls are not wholly  absent from these pages — or the  Latin for “boy,” consists of 258  epigrams on various aspects of Boy  Love or, to recur to the Greek  root, paederasty.

ellauri058.html on line 803:   The family unit, however defined,  is itself a comparatively recent  invention or convention; for  whereas the bond of mother and  child remains for our kind as for  each of us the earliest form of  attachment, among adults — and we  should never forget that adulthood  began much earlier in earlier times  — it was the group, the horde, or  that most decried yet most prevalent group, the gang. Gangs, first  I suppose for hunting game, are to  be found not only on streetcorners  but in board rooms, the most common  and powerful type of the gang being  the committee. The group for and  within which these poems were  composed and circulated was  neither a gang nor a committee —  itself a martial term originally —  but a court, neither an academy nor  yet an institute; these rather than  those high-flown heterosexual  fantasies of the twelfth century  represented the first form quite  literally of courtly love.

ellauri060.html on line 110: Peter first knew that he was gay when he was seven. Somewhat later he had a long-term relationship with Brian Kuhn, an American dancer he met while at Yale. After a nervous breakdown in the late 1980s, Ackroyd moved to Devon with Kuhn. However, Kuhn was then diagnosed with AIDS, and died in 1994, after which Ackroyd moved back to London. In 1999, he suffered a heart attack and was placed in a medically induced coma for a week.

ellauri060.html on line 178: Terhokodissakin nauretaan. Hoitajat nauraa saattopotilaille kahvihuoneessa. Täältä lähdetään samasta ovesta kuin tullaan. Päin vittua. Kun oikein vituttaa piirrä siitä kuva. Se helpottaa. Revi siitä, jos tuntuu siltä, tai älä revi. 

ellauri060.html on line 229:     Autiolle saarelle kirjailija Murtokivi ottaisi tukun kirjoja. Ensimmäisenä se ottaisi Daniel Defoen "Robinson Crusoen elämä ja kummalliset seikkailut" teoxen (josta lisää alempana). Hänellä on tanakka usko, että se olisi kuitenkin perehtynyt guide siiden, mitä tulisi pakkopaikassa elämisen ja olemisen opiskelemiseen. Mitähän muuta minä ilmoitin sille toimittajalle (miettii Murtokivi)? Oli siinä ainakin Fedor Dostojevskin "Karamazovin veljekset", Federico Lorcan ja Pablo Nerudan runoja, Herman Melvillen "Moby Dickyn eli Valkoisen valaan", Samuel Beckettin "Hän tulee huomenna", Anton Tsehovin novelleja sekä Thomas Mannin "Kuolema Venetsiassa", Pentti Haanpään kertomuksia valikoiman sekä omista kirjoistani lohdukseni vielä "Mäkimökin tyttö ja tahdikas juomari", se on todella priimaa, lähes ylittämätöntä lyyristä proosaa! Ja kolme hyvin säilynyttä raamattua. Aika sekalaista skeidaa siis.

ellauri060.html on line 231: Daniel Defoe (/dɪˈfoʊ/; born Daniel Foe; c. 1660 – 24 April 1731) was an English writer, trader, journalist, pamphleteer and spy. He is most famous for his bestselling novel Robinson Crusoe, published in 1719, which is claimed to be second only to the Bible in its number of translations. He has been seen as one of the earliest proponents of the English novel, and helped to popularise the form in Britain with others such as Aphra Behn and Samuel Richardson. Defoe wrote many political tracts, was often in trouble with the authorities, and spent a period in prison for unpaid debts. Laissez faire intellectuals and political leaders paid attention to his fresh ideas and sometimes consulted him.

ellauri060.html on line 300: Hän kaipaa naista vierelleen, ja jonkin kuvaston kuvien joukossa hän näkee Tuulan luokkatoverin Lotta-Aulikki Mättään (Mätäksen? Mätäsin?), josta oli tullut keskiaukeaman ärvöttäjä jossain porhojen pornolehdessä. Naisen kuvaa katsellessaan hän masturboi ja tuntee samalla huonoa omaatuntoa. Ehkä itsesääliäkin tilanteensa takia. Kun hän oli riittävästi kiihottunut, hän kokosi [lehdestä irrottamansa] sivut ja meni niitten kanssa Nooran vuoteeseen ja antoi spermansa purkautua.

ellauri060.html on line 312: Setämiehen toiveajattelua. Kesti tuntikausia, my foot. Vanhan miehen toiveunia. Viis pistoa ja tiukka tuijotus, more like it. Kirjailija ei tarvi edes pornolehtiä, se kirjoittaa ne ize ja vetää kuivat päälle pygmalionmaisesti. Elämä ja teos. Kappalainen kuumuu Maisa-tytöstä koska se on niin sileä. Kuten Timo tietää, miehet ovat yxinkertaisia otuxia. Tokko aikuisen lapsen äidin lapsuudentoveri Lotta-Aulikki Mätäs oli enää niin sileä että siihen tohti runkata. No ehkä lehti oli vanha numero.

ellauri060.html on line 470: This song may be of quite recent origin, since almost half of the known examples are sound recordings, and there's only one broadside printing. On the other hand, there's an older and widely printed broadside Jimmy and his True Love, which might well be an earlier version—or it may just be a song with universal appeal and a good chorus that people still enjoy singing. Of the 40 or so instances in Roud, most are from the south west of England or East Anglia—though Gavin Greig collected a dozen examples in Scotland in the early years of last century. No other Sussex version has been collected.

ellauri060.html on line 476: When the green fields and the meadows were covered in corn;

ellauri060.html on line 486: Now a sailor and his true love were a-walking one day.

ellauri060.html on line 487: Said the sailor to his true love, “I am bound far away.

ellauri060.html on line 500: {Saying, “May I go along with you?”, “Oh no, my love, farewell,”}

ellauri060.html on line 506: “Oh no, my love, farewell,”

ellauri060.html on line 926: The Libertarian Party (LP) is a political party in the United States that promotes civil liberties, non-interventionism, laissez-faire capitalism, and limiting the size and scope of government.

ellauri060.html on line 928: The first official slogan of the Libertarian Party was "There ain't no such thing as a free lunch" (abbreviated "TANSTAAFL"), a phrase popularized by Robert A. Heinlein in his 1966 novel The Moon Is a Harsh Mistress, sometimes dubbed "a manifesto for a libertarian revolution". The current slogan of the party is "The Party of Principal and Dividends".

ellauri060.html on line 936: Last month, Sheila McNallen posted that her husband, Steve, had been kicked off of Facebook, “apparently forever.” Steve is the founder of the Ásatrú Folk Assembly, a group headquartered in California that advocates for a return to Germanic Paganism, including an espousal of what they have deemed traditional, Nordic white values. The Asatru Folk Assembly has been classified as a hate group by the Southern Poverty Law Center, and in one YouTube video with more than 30,000 views, McNallen enumerates his theories on race, point by point, including his belief that racial differences are inherent to biology and his desire to defend the white race against “numerous threats to our future.” “I will fight for my race, primarily with words and ideas, but I will fight more literally if I have to,” he vows.

ellauri060.html on line 938: 36 Facebook users sympathized with the McNallens’ plight, grousing over Facebook’s recent crackdown on white supremacists and sharing various platforms that would be more receptive to people who share his views. “Please look at MeWe,” one user wrote. “Many are heading over there.”

ellauri060.html on line 941: The lion has awoken, shocked by its mane turned grey overnight.

ellauri060.html on line 947: A lot of people agree with McNallen, even those who don’t necessarily share his extremist views — and many of them are heading over to MeWe.

ellauri060.html on line 955: After Silverfish lost his face at alt-right, another hooknosed greedy Shylock cobbled together MeWe, a social networking app that claimed to fiercely protect user privacy. The genesis of the name, says Weinstein, is exactly what it sounds like: “My life is composed of me and then my ‘we'. Me and my wee 'thing' love our name. We get a lot of thumbs up on our brand: Make America Habitually Great."

ellauri060.html on line 1042: The core issue is the Web as we know has been dying, as people all over the world do not want to bother to put up links to other high quality content just for the sake it. It is not that there is no such excellent content, there certainly is on the Web itself which now has tens of trillions of archived pages.

ellauri060.html on line 1074: 	  - Ja kuinka tärkeä mies on miehelle koko elämän ajan oikeastaan. Aivan alussa on tietenkin nainen, äiti, mutta sitten tulee isä, pian sen jälkeen poikatoverit, murrosikäinen poikajoukko, joka heittää huulta tytöistä, saa kokemuxia, mutta viihtyy edelleen yhdessä; vasta seurusteluaikana, kihlapäivänä ja avioliiton alussa nainen syrjäyttää mieskaverit - joxikin aikaa: mies on yleensä sellaisissa töissä missä hän tapaa enimmäxeen miehiä, hänen harrastuxensa ovat enimmäxeen maskuliinisia, kuten esimerkixi tämä hirvijahti ... mutta ammattitaitoinen naisnoita saa miehestä valutettua mahlat tantereelle, jolloin tämä jää kuin rujoxi keloxi hakkuuaukiolle, jommoiselle tämäkin polku johtaa. Oo-jai-jai-jai!

ellauri060.html on line 1122:     Aloin lukea Mihail Sholokhovin novellettaa Ihmiskohtalo. Siitä päätellen Miihkali on ääreist klisheinen sotasetämies. Tämmösiä kotirintamamieskirjoja kirjoitettiin sodan jälkeen tuhansia. Miihkalille niistä tuli vuonna 1965 noobeli. Taisi olla Khrustjsjovin suojasäiden antia. Turhaan nuolivat, kohta linja yleisliitossa taas koveni, ja Njeuvostoliiton juna pyhästyi tyyten pistoraiteelle Leonid Breshnevin dementian aikana. 

ellauri060.html on line 1174:       1958, the novel Saturday Night and Sunday Morning, and film of the same name, as the motto of the main character, Arthur Seaton.

ellauri060.html on line 1178:     1985, (as Nolite te Bastardes Carborundorum) the novel The Handmaid´s Tale. The phrase is depicted as graffiti representing a "silent revolt" by a "slave woman in a futuristic totalitarian regime". Vanity Fair called the phrase a "feminist rallying cry".

ellauri061.html on line 29:   Kippari Kalle puhalsi piippuun kuin hinaaja ja sanoi Myrsky ja mylväys. Ilmastonmuutos tuo Suomeenkin lisää myrskyjä. Viking Linen Amazing Grace ajautui Anhevanmaalla karille. Tuuli oli vielä kovempi kuin luulivat.

ellauri061.html on line 189:       A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. The play is set in Athens and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict between four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Populääri lue vulgääri. Niin aina.

ellauri061.html on line 199:       Edmond Malone, a Shakespearean scholar and critic of the late 18th century, found another flaw in this particular play, its lack of a proper decorum. He found that the "more exalted characters" (the aristocrats of Athens) are subservient to the interests of those beneath them. In other words, the lower-class characters play larger roles than their betters and overshadow them.  He found this to be a grave error of the writer. Tääkin muistuttaa Nuorgamin runoilijasta (ks alempana). 

ellauri061.html on line 201:       August Wilhelm Schlegel työnsi myös lusikkansa soppaan. Schlegel perceived unity in the multiple plot lines. He noted that the donkey's head is not a random transformation, but reflects Bottom's true nature. Eli se oli oikeasti oikea aasi. Ovelaa. Hyvin ajateltu Robin! He identified the tale of Pyramus and Thisbe as a burlesque of the Athenian lovers.

ellauri061.html on line 207:       Another misogynist, Maginn was particularly amused by the way donkey-headed weaver Bottom reacts to the love of the fairy queen: completely unfazed. Maginn argued that "Theseus would have bent in reverent awe before Titania. Bottom treats her as carelessly as if she were the wench of the next-door tapster."

ellauri061.html on line 261:   But no such luck, tää hölmöily ei lopu tähän, vaan suop jatkua. 5. tuotantokausi on vasta alussa. Tässon ensin Theseuxen suulla vähän tämmöstä Shakeyn filosofeerausta: Runooja, lempijä ja hullu, kaikki Ne kuvitust' on pelkkää. Joku kriitikko oli sitä mieltä että Theseus on niinku ize Uilliam. Niinpä suattaa olla. Hippolyyti antaa ymmärtää että tässä kuitenkin on jotain syvällisempää takana. Mutta mitä? Sitä ei ole kymmenet jälkipolvet selvittäneet, tai siis ovat, noin ziljoonalla eri tavalla. Siinähän se Shaken oveluus just piileekin. Varmaan se naureskelee jossain sfäärissä niitä hölmöjä jotka luulee ezillä oli tässä joku tietty opetus. Eiköhän tää ollut vaan rahat pois meininkiä. 

ellauri061.html on line 361:  	In youth, when I did love, did love,	 					Nuorena kun lemmin, lemmin,

ellauri061.html on line 363:  	To contract, O, the time, for, ah, my behove,					jerkkua, ohoo, aika joo, mä saan,

ellauri061.html on line 402:  	sconce with a dirty shovel, and will not tell him of	 			eikä sano sitä pahoinpitelyxi? Höh! Tää kaveri ois voinut

ellauri061.html on line 406:  	his recoveries: is this the fine of his fines, and				takaisinvoitto sen takaisinvoitoista, se että se saa

ellauri061.html on line 407:  	the recovery of his recoveries, to have his fine	 			kallonsa täyteen sakkaa? Eikö sen takauxet takaa sille

ellauri061.html on line 444:  	that our last king Hamlet overcame Fortinbras.	 				Käsivahvan.

ellauri061.html on line 450: First Clown 	Why, because he was mad: he shall recover his wits	Pelle 1		Nokö se oli hullu: sen piti tulla siellä järkiinsä; tai jossei tuu,

ellauri061.html on line 587: HAMLET 	I loved Ophelia: forty thousand brothers	 		HAMLET		Mä rakastin Ofeliaa: 40K veljeä

ellauri061.html on line 588:  	Could not, with all their quantity of love,	 				ei kaikella rakkautensa määrällä

ellauri061.html on line 591: QUEEN GERTRUDE 	For love of God, forbear him.	 			KUNINGATAR GERTRUDE: Herranjestas, säästäkää nyt sitä.

ellauri061.html on line 605:  	Anon, as patient as the female dove,	 					ja kohtapuoleen, kärsivällisesti pulun lailla

ellauri061.html on line 610:  	I loved you ever: but it is no matter;	 					Mähän susta tykkäsin: mut väliäkö hällä,

ellauri061.html on line 619:  	Good Gertrude, set some watch over your son.	 				Gertrude kulta, laita joku vahtimaan sun poikaa.

ellauri061.html on line 625: Critics have spent a considerable amount of time debating Hamlet's age. Hamlet here is thirty years old, as the First Clown makes clear (lines 133-151). However, "young Hamlet", as he is referred to earlier in the play is still attending university and courting Ophelia. Laertes says that Hamlet's love is like "a violet in the youth of primy nature" (1.3.6). The noted scholar Grant White was so annoyed by this dilemma that he, defying logic, concluded that Hamlet was twenty when the play started and thirty at its close. (See Studies in Shakespeare, p. 79 ff.). How important is Hamlet's age to our understanding or enjoyment of the play? Would Hamlet's age have been an issue for play-goers at Shakespeare's Globe? For more on this topic, please click here.

ellauri061.html on line 793: Answer: The account of Deborah and Barak is found in Judges 4 and 5 in the Old Testament. The Israelites had been under the control of the Canaanite king Jabin and the commander of his army, Sisera. The Canaanites had 900 chariots of iron and ruled over Israel for 20 years (Judges 4:2–3).

ellauri061.html on line 797: Deborah and Barak then gathered 10,000 troops and attacked Sisera and his army. Barak’s troops won: “All Sisera’s troops fell by the sword; not a man was left” (Judges 4:16). Sisera himself fled to the tent of a Hebrew woman named Jael. She gave him milk to drink and covered him with a blanket in the tent. Then, “Jael . . . picked up a tent peg and a hammer and went quietly to him while he lay fast asleep, exhausted. She drove the peg through his temple into the ground, and he died” (verse 21).

ellauri061.html on line 801: Judges chapter 5 then records the song of Deborah and Barak, written to rejoice in God’s victory over the Canaanites. The lyrics encourage the actions of Deborah and Barak, saying, “Wake up, wake up, Deborah! / Wake up, wake up, break out in song! / Arise, Barak! / Take captive your captives, son of Abinoam” (Judges 5:12). Jael’s role is also heralded: “Most blessed of women be Jael, / the wife of Heber the Kenite, / most blessed of tent-dwelling women” (verse 24).

ellauri061.html on line 803: The song of Deborah and Barak also gives some more detail about the victory over the Canaanites: “The earth shook, the heavens poured, / the clouds poured down water” (Judges 5:4). Evidently, God used a flood to disable the iron chariots of Sisera. The victory was supernatural (verse 20). Chapter 5 concludes with the statement, “And the land had peace forty years.” This impressive time of peace lasted until Midian took control of Israel, necessitating Gideon’s rise.

ellauri061.html on line 986: 
Eunukki:  Sen novellit ja joku romskukin. 

ellauri061.html on line 1057: Pitkä odotus. Moni Katin ikätoveri on kohdannut tämän hetken jo vuosia sitten, mutta hänellä se on edessään vasta nyt, saihan hän ainokaisensa 44-vuotiaana.

ellauri061.html on line 1599: Sonnet 29 also named as “When in disgrace with fortune and men’s eyes” is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is part of the Fair Youth sequence. In the sonnet William Shakespeare creates a depressed and despairing speaker who serendipitously reflects upon the love of a close friend in order to prove to the reader that no matter how difficult life becomes, we can be content in the blessings of the hole. 

ellauri061.html on line 1651: All lovers young, all lovers must		Kaikki rakastajat, nuoret, vanhatkin

ellauri062.html on line 56:   Se oli meidän elämä. Me ollaan SYYLLISIÄ.  Pornomestari Muhuhuu on pahoillaan, mutta meidän isot hiilijalat aiheuttaa tän. Eikä me voida sille mitään. Me ollaan vaan pikku apinoita jotka lisääntyvät liikaa. Darwinin jymymenestys, iso jytky. Astutaan toisia apinoita niinkauan kuin aikaa riittää. Kovennetaan pikku pippeliä sarvikuonon sarvijauholla. Lisäännytään kunnes täyttyy maa. Under his eye. In a while, crocodile. Hetki enää vaan niin tulee valmista. Jalanjälkiä on jo joka paikassa.

ellauri062.html on line 265: June explains to flabbergasted Serena that Gilead is not an ideal place for a child, specifically a daughter, to grow up in as their very existence is risky. She manages to convince Serena, who then tearfully says a prayer and hands the baby back over to June. June, in turn, gives Serena a blessing as well and leaves behind a tearful Serena as she and another Martha leave to escape Gilead. Fred is left alone in the room and looks at the carving, "Nolite te bastardes carborundorum," on the wall. Nick offers his "cigar" to Serena and she takes a good hold of it and takes a drag. Fred gets a moment alone with June to tell her he’s concerned about Serena. 

ellauri062.html on line 271: Waterfront expresses his love for his wife while gazing down at the menu. 

ellauri062.html on line 292: Because the book has been frequently challenged or banned in some of the United States of America over the last thirty years, many people have expressed discontent at The Handmaid's Tale's presence in the classroom. Some of these challenges have come from parents concerned about the explicit sexuality and other adult themes represented in the book. Others have argued that The Handmaid's Tale depicts a negative view of religion, a view supported by several academics who propose that Atwood's work satirizes contemporary religious fundamentalists in the United States, offering a feminist critique of the trends this movement to the Right represents.

ellauri062.html on line 333:   Juu juu, ei ei, samaa pekkalippos- ja jerrycottonmaista puolikovax keitettyä huulenheittoa. Jari Pervoa iilimadon nimellä. Mä en jaxa. Ja tätä sit on tiedossa 669 sivua. No ei välttämättä, täähän voi olla ihan rosollia, aiheet ja tyylit vaihtua varoittamatta kesken kolmea tavua pitempää sanaa kuin Pervon larpat. Viimeinen sivu ylivuotaa takakanteen. Ihankuin joku löisi oven kiinni kesken puheripul

ellauri062.html on line 388: Baba Gurgur (Arabic: بابا كركر, Kurdish: بابە گوڕگوڕ ,Babagurgur‎) is an oil field and gas flame near the city of Kirkuk, which was the first to be discovered in Northern Iraq in 1927. Raportoi kirjeenvaihtajamme Kirkukissa.

ellauri062.html on line 394: Stubblebine's statements questioning the plausibility of the damage done to The Pentagon by the hijacked aircraft during the September 11 attacks have been cited by David Ray Griffin to suggest that there was a conspiracy involving some elements of the U.S. government.

ellauri062.html on line 424: The overall point to remember is that people come to be entertained. In other words, cat videos. Keep in mind that entertainment tends to win the day, as does emotionally-charged content. 

ellauri062.html on line 460: Kun Yli-Juonikkaan esikoiskirja, novellikokoelma Uudet uhkakuvat (2003) ilmestyi, hän kieltäytyi Helsingin Sanomien haastattelusta. Kyse oli Pynchonin vaikutuksesta ja siitä, että matala profiili ”sopi kirjan ideaan”.

ellauri062.html on line 590: Nappisuu on kovan luokan keekoilija. Huippuovela. Mahtaa pikku Markkua käydä kateexi. numeroarvoitus on varsin kiperä. Lukusarjan parittomat luvut kasvavat viidellä, ja parilliset luvut muodostetaan edellisestä luvusta niin, että se korotetaan toiseen potenssiin ja tulosta vähennetään 1. Humanistien ulottumattomissa olevaa alkeismatikkaa. Armeijan palikkatestejä.

ellauri062.html on line 635: Quod sum causa tuæ viæ:			kirjastasi nimeni.		että oon sun heimoveli,		Mine the playful hand that gave your	

ellauri062.html on line 658: Inter oves locum præsta.						Lammaskarsinaan sä nakkaa, 	When thy sheep thou hast selected			

ellauri062.html on line 762: Deep state is a conspiracy theory which suggests that collusion and cronyism exist within the U.S. political system and constitute a hidden government within the legitimately elected government.

ellauri062.html on line 764: Author Mike Lofgren believes that there is "a hybrid association of elements of government and parts of top-level finance and industry that is effectively able to govern the United States without reference to the consent of the governed as expressed through the formal political process".

ellauri062.html on line 780: Serrano alcanzó gran éxito al cantar en alemán composiciones como «Roter Mohn (Roter Mohn, warum welkst du denn schon?)», «Schön die Musik», «Küß mich, bitte, bitte, küß mich», «Und die Musik spielt dazu», «Der Onkel Jonathan» y «Der kleine Liebesvogel» durante el auge de la Alemania nazi. Kreuder aprovechó para introducirla en las esferas del régimen nazi y Serrano llegó a participar en varios mítines y ceremonias nacionalsocialistas. Sus canciones fueron muy difundidas en las emisoras afines al Reich. Más adelante, declaró que nunca tuvo afinidad política alguna ni fue nazi, a pesar de que en sus grabaciones llevaba el emblema del águila nazi en su vestimenta.

ellauri062.html on line 827:   Otto Weiningerin kirja Sukupuoli ja luonne (1903) oli suosittu 1900-luvun alussa. Teos kuului muun muassa filosofi Ludwig Wittgensteinin suosikeihin. Weiningerin mukaan miehen ja naisen välinen aistillinen rakkaus estää taivaallisen sielun rakastamisen. Weiningerin ajattelua leimaa samalla sofistikoitunut ylenkatse juutalaisia, naisia ja homoseksuaaleja kohtaan. Otto Weininger oli itse sekä juutalainen että homoseksuaali - kuten Wittgensteinkin - ja päätyi itsemurhaan 23-vuotiaana. Wittgensteinin koulutoveri Linzistä, Adolf Hitler, nimitti Weiningeria myöhemmin ainoaksi säädylliseksi juutalaiseksi.

ellauri062.html on line 839:     Mitä esineitä? Kirkkovenettä, hämähäkkiä, käärmettä, Amazonin logoa. 

ellauri062.html on line 895: Weininger kärsi vakavista masennuspuuskista. Hän ampui itsensä Ludwig van Beethovenin kuolintalossa Wienissä. Itsemurhansa jälkeen Weiningerista tuli nopeasti kulttihahmo, hänen maineensa levisi ympäri Eurooppaa, ja Sukupuolesta ja luonteesta tuli myyntimenestys. Hänen kirjeitään, päiväkirjamerkintöjään ja mietelmiään julkaistiin postuumisti kokoelmassa Perimmäisistä vehkeistä (saks. Über die letzten Dinge, 1904). Natsi-Saksan aikana hän alkoi kuitenkin jäädä unhoon, koska Sukupuoli ja luonne kiellettiin juutalaisen kirjoittamana.

ellauri062.html on line 937:     The so called "New World Order" conspiracy is the modern term for the age old Satanic conspiracy, led by elite Jewry -- the aim being the enslavement of humanity, destruction of the true Israelites (the Anglo-Saxon and Germanic peoples of European descent), mass human population reduction, abolition of religion and national sovereignty, and the establishment of a totalitarian world government ruled by Satan via the jews.
 The ultimate goal of Judaism is rule of the world by Satan, and to literally unleash hell upon the earth. 
 Are you aware that Martin Luther wrote a treatise called "On the Jews and Their Lies", warning Christians in the most serious terms of the destructive influence of the jews, and advocating their banishment from European society? Luther was very knowledgeable of the religion, nature, origins, and influence of the Jews - having actually read the Talmud and written large parts of the Bible. Luther describes the Jews as an accursed, malicious, greedy, cunning, treacherous, thieving, and greatly evil people, who are descended from the very people who murdered the Messiah, who deeply hate Christianity and God's people, and are working in every possible way to undermine and destroy Western Christian civilization. Among other things, Luther rubbishes the Talmud, including its vicious hatred of Jesus and Christians, as well as relishing the many times Jews have been expelled from European nations.

ellauri062.html on line 946: fact that Solomon delved deeply into the occult/Satanic world, and discovered and used this symbol to command demons. (Höh tavallinen kalliokielohan se on.) 

ellauri062.html on line 951:   TXEER wrote: Do you own a large oven?

ellauri062.html on line 978: Eli himot sitä on hiirelläkin. Eräs Pete Menckenin eli Pekka Mänkkösen mielenkiintoisista kirjoista. Punavyö on Simo Penttilän luoma kuvitteellinen villin lännen hahmo. Hänen kumppaneinaan ovat suomalaiset toverukset Pete Menken eli Pekka Mänkkönen ja Dick Hill eli Riku Kumpulainen. Pete on esiintynyt sirkuksessa tarkka-ampujana ja kehuu aluksi olevansa "pohjoisen pallonpuoliskon paras ampuja", mutta havaitsee Punavyön itseään paremmaksi ja  ja ilmoittaa sitten olevansa "pohjoisen pallonpuoliskon toiseksi paras ampuja". Dick myy kirjoja, joiden nimistä osa on selvästi hänen itsensä keksimiä. Jännittävissä tilanteissa kaverukset alkavat usein naljailla keskenään peittääkseen pelkonsa. Nämä keskustelut alkavat varsin usein Dickin kommentilla, että hänellä on "yksi hyödyllinen kirja". Ai tämähän onkin paasattu jo albumissa 26. 

ellauri063.html on line 41: Tony Blair oversaw British interventions in Kosovo (1999) and Sierra Leone (2000), which were generally perceived as successful. During the War on Terror, he supported the foreign policy of the George W. Bush administration and ensured that the British Armed Forces participated in the War in Afghanistan from 2001 and, more controversially, the 2003 invasion of Iraq. Blair argued that the Saddam Hussein regime possessed an active weapons of mass destruction (WMD) program, but no stockpiles of WMDs or an active WMD program were ever found in Iraq. The Iraq War became increasingly unpopular among the British public, and he was criticised by opponents and (in 2016) the Iraq Inquiry for waging an unjustified and unnecessary invasion. He was in office when the 7/7 bombings took place (2005) and introduced a range of anti-terror legislation. His legacy remains controversial, not least because of the Afghanistan and Iraq wars.

ellauri063.html on line 67:     Rosa Lichtenstein is no authority on anything dialectical. She is only a committed ideolog: whose apparent life-goal has become the complete rooting-out of dialectical-materialism from the workers' movement, in every aspect. And in this, she is single-minded -- to the point of very unhealthy obsession. Others can attest to this, and have.

ellauri063.html on line 82: Only if socialism always means tyranny, and that in turn depends on whose socialism we are talking about —’socialism from above’ or ‘socialism from below’.

ellauri063.html on line 88: (i) 'Socialism from above', and

ellauri063.html on line 92: The first form seeks to bring ‘socialism’ to the mass of the population, whether they want it or not. It is imposed from above by a centralised, or even a democratically legitimated, state, as its name suggests. This app … (more)

ellauri063.html on line 94:  … roach has been adopted by various political movements and ideologies, including Stalinism, Maoism, Castroism, Chavezism (as we have seen in Venezuela of late), Social Democracy, and conspiratorial Blanquism —on that, follow the link below.

ellauri063.html on line 100: However, this version of socialism has to spread and take over the core economies of capitalism so that it can't be strangled in the above manner — as the proletariat of each country rebel against their own ruling-class. Each strike, for example, is a mini-rehearsal for this (whether the strikers appreciate this or not), where workers are forced by circumstances to organise in their own communities, sharing money, clothing, food, shelter, etc. In effect, they have to run a mini-socialist society of their own for a few weeks or months.

ellauri063.html on line 102: This is a basic fact about Marx’s view of socialism that SD, Stalin, Mao, Castro and all the rest who advocate socialism from above, have failed to comprehend, so determined were they to impose ‘socialism’ on other countries, or, indeed, on their own people.

ellauri063.html on line 104:   Marx thought that capitalism had buried within itself the seeds of its own downfall. However, the latter wouldn’t kick in automatically, but would depend on its grave-diggers (the working class under capitalism, the proletariat) overthrowing it. 

ellauri063.html on line 110:   Ergo it will never come. Working class is dying off anyway with robotics and AI. Most likely, disgruntled farm animals will strike a pre-emptive strike first. They already form a majority, they are no bolsheviks. Four legs good, two legs bad, provided the governing body is featherless.

ellauri063.html on line 212:     If a Mogwai gets wet, it spawns new Mogwai from its back; small balls of fur that are approximately the size of a marble pop out from the wet Mogwai's back, then the furballs start to grow in size before unfolding themselves into new and fully grown Mogwai. This process does not take much time but it still usually takes just about a minute. According to the novel, the creator of the species, Mogturmen, wanted the Mogwai to be able to easily reproduce themselves. The cocoon and gremlin stage are unwanted defects from when the Mogwai species was created. It turned out that all the positive attributes are recessive.     

ellauri063.html on line 214:     Hyi helvetti. Nyt lähinnä kiinostaa: miten äsken syntynyt pitää olla et tämmönen paska on ihan vaan normipäivää, business as usual? Vai eikö se olekaan ikäkysymys vaan jonkinlainen rupusakki-indexi? Please God, help improve this Pynchon fan fiction. Kuvan Mogwailla on samanlaiset vilkkuluomet kuin Jaakolla.

ellauri063.html on line 220:     Lingchi (Chinese: 凌遲), translated variously as the slow process, the lingering death, or slow slicing, and also known as death by a thousand cuts, was a form of torture and execution used in China from roughly 900 until it was banned in 1905. It was also used in Vietnam. In this form of execution, a knife was used to methodically remove portions of the body over an extended period of time, eventually resulting in death.

ellauri063.html on line 225: LaPo (LaatuPojat) on turkulainen porukka jolle ei auta alkaa vittuilemaan. Jos kyseinen porukka tulee ovellesi, päästä heidät sisään äläkä kysele kummempia loukkaantumisien välttämiseksi.

ellauri063.html on line 291: Abdelazer suite is written in 10 movements of which Rondo is currently the most famous due to the use of the piece and its variations in films, including the 2005 adaptation of Pride and Prejudice in which Purcell's piece can be heard as dancing music at the Netherfield ball.

ellauri063.html on line 295: Screenwriter Deborah Moggach initially attempted to make her script as faithful to the novel as possible, writing from Elizabeth's perspective while preserving much of the original dialogue. Joe Wright, who was directing his first feature film, encouraged greater deviation from the text, including changing the dynamics within the Bennet family. Wright and Moggach set the film in an earlier period and avoided depicting a "perfectly clean Regency world", presenting instead a "muddy hem version" of the time. Chickenbutt Knightley was well-known in part from her role in the Pirates of the Caribbean film series. It was marketed to a younger, mainstream audience; promotional items noted that it came from the producers of 2001's romantic comedy Bridget Jones's Diary before acknowledging its provenance as an Austen novel.

ellauri063.html on line 312: Songs in the Key of Z is a book and two compilation albums written and compiled by Irwin Chusid. The book and albums explore the field of what Chusid coined as "outsider music". Chusid defines outsider music as; "crackpot and visionary music, where all trails lead essentially one place: over the edge." Chusid's work has brought the music of several leading performers in the outsider genre to wider attention. These include Daniel Johnston, Joe Meek, Jandek and Wesley Willis. In addition, his CDs feature some recordings by artists who produced very little work but placed their recordings firmly in the outsider area. Notable amongst these are nursing home resident Jack Mudurian who sings snatches of several dozen songs in a garbled collection known as Downloading the Repertoire and the obscure and extreme scat singer Shooby Taylor AKA 'The Human Horn.'

ellauri063.html on line 317: Before he entered the world of music, Brötzmann was studying to be a painter in Western Germany and was associated with Fluxus, a radical art movement influenced by John Cage and informed by an anti-commercial sentiment.

ellauri063.html on line 319: “There is no contradiction between creation and destruction. I never thought music was a healing force of the universe. I didn’t agree with Mr. Albert Ayler. But we wanted to change things; we needed a new start. In Germany, we all grew up with the same thing: ‘Never again.’ But in the government, all the same old Nazis were still there. We were angry. We wanted to do something.” Like jazz. 

ellauri063.html on line 341:   "Onko toisten aivoilla mahdollista ajatella? Jos joku huomaisi olevansa aivopesun uhri, aivopesu lakkaisi samalla hetkellä toimimasta." Ei takuulla lakkaisi. Se on talousliberaali harha. Aivot on märkätavaraa eikä mikään digitaalilaskukone. Se sietää hyvin ristiriitoja. Ristiriidan karkoitus on kovan vaivan takana perinteisissäkin digitaalitietokoneissa, helposti käy niin että jännitteet lipsahtavat ykkösestä nollaxi, ja tarvitaan monen monta CRC-suihketta ennenkuin vastaanotettu liukuluku alkaa riittävän todennäköisesti vastata lähetettyä. Vielä satunnaisempaa on meininki grafiikkapiireillä toimivissa neuroverkoissa. 

ellauri063.html on line 343:   Turhaa keekoilua. Toisen aivoilla ajattelu tarkoittaa meemien nielemistä pureximattomina, se että ottaa ympäristöstä kokonaisia ajatuskökkäreitä ja niihin nivoutuneen termistön. Ja JUURI TÄTÄ tekee Jaakko huolimatta väitetystä yli-juonikkuudesta. Ton kaiken lainaamansa jargonin mukana se nielee valtavia harha-ajattelun ja vika-asenteiden möhkäleitä. Ne luiskahtavat alas liukkaasi, sen huomaamatta ollenkaan. Ja kohta se laulaa samaa laulua kuin laakamato, joka todellakin ajattelee nielemänsä heimoveljen aivoilla ihan kirjaimellisesti. 200M kärpästä lainaa sille parviälyä. 

ellauri063.html on line 426: The novel is widely noted for its unconventional narrative structure and its experimental use of endnotes (there are 388 endnotes, some with footnotes of their own). It has been categorized as an encyclopedic novel.

ellauri063.html on line 428: The novel's title is from Hamlet, Act V, Scene 1, in which Hamlet holds the skull of the court jester, Yorick, and says, "Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is!" Wallace's working title for Infinite Jest was A Failed Entertainment. (PST: Hamnetista on lisää paasausta albumissa 61.)

ellauri063.html on line 430: Its narratives are connected via a film, Infinite Jest, also referred to in the novel as "the Entertainment" or "the samizdat". The film is so entertaining that its viewers lose all interest in anything other than repeatedly viewing it, and thus eventually die.

ellauri063.html on line 432: Infinite Jest is a postmodern encyclopedic novel, famous for its length and detail and for its digressions that involve endnotes (some of which themselves have footnotes). It has also been called metamodernist and hysterical realist. Wallace's "encyclopedic display of knowledge" incorporates media theory, linguistics, film studies, sport, addiction, science, and issues of national identity. The book is often humorous yet explores melancholy deeply.

ellauri063.html on line 492: Ruotsin hallitus avaa oven mahdolliselle kerjäyskiellolle. Uuden Sifo-tutkimuksen mukaan puolet ruotsalaisista ovat valmiita kieltämään kerjäämisen. Ja sallimaan vanhuxia desimoivat kulkutaudit. 

ellauri063.html on line 564: Jatkuu netflix-sarjoista tuttu vuorovetomeininki. Mitään juonta ei sahata kuin yhden piston verran ja sitten seuraavaan. Vittu et tää maneeri alkaa väsyttää.

ellauri063.html on line 578:     Muistelus on fiktion rajamailla kulkeva tarina oikeudenjakamisesta Suomessa. Muistelus on lukemisen arvoinen siinäkin, että se raottaa kansalaisille ovea vallan kammareihin ja näyttää, mitä siellä oikeasti tapahtuu." (AL 17.1.2002, Aulis Aarnio)

ellauri064.html on line 79: Benjamin maintained a fiercely productive focus on his intellectual mission throughout his life, despite repeatedly complaining of ‘grand-scale defeats’ and lows. After his request for divorce from Dora Pollak was granted in 1932, he suffered 10 paralysing days during which he seriously prepared suicide. Suicidal thoughts endured. He was an elegant, cultivated man who oozed old-world charm, exerting attraction on women but not always enough to give him cunt. Asja Lacis, the Latvian Communist Director of Children's Theatre in the USSR, twice refused, as did later lover Anna Maria Blaupot ten Cate. Lacis suffered relapsing mental illness and was hospitalised with hallucinations when Benjamin rushed to Moscow in 1926, at the brink of Stalinisation. His luminous Moscow Diary records his frustrating two-month experience.

ellauri064.html on line 81: Benjamin's luscious Berlin Childhood around 1900 recalls his experience of the city's material culture as a boy. His family was commercially successful (rich) but relations with his parents and sister were poor, although he had a better relationship with his younger brother, because he died in a concentration camp. His bleak verdict on school life contrasted with that of his schoolmate Gershom Scholem, who become Professor of Jewish Mysticism at the newly established Hebrew University of Jerusalem. Benjamin impressed some as reserved, discreet and modest, others as oversensitive and uncompromising.

ellauri064.html on line 85: Benjamin revolutionised text, image and film criticism. His essay ‘Hashish in Marseilles’ confirms that he experimented with drugs (‘under medical supervision’). He argued that reawakening the long-forgotten dreams of childhood could help recover the betrayed potential of technological progress, in the service of humanity's ‘redemption’ in this life. He collected children's books and recorded attentively the development of his son Stefan from behind the crib bars like his contemporary Piaget, especially sensation, imitation, gestures and spontaneity. This is from his celebrated modernist short pieces collection One Way Street:

ellauri064.html on line 87: ‘A child in his nightshirt cannot be prevailed upon to greet a visitor. Those present, invoking a higher moral standpoint, admonish him in vain to overcome his prudery. A few minutes later he reappears, now stark naked, before the visitor. In the meantime, he has washed his tiny skinless wiener.’

ellauri064.html on line 148: ZOG (salaliittoteoria) ZOG (Zionist Occupation Government tai Zionist Occupied Government) (suom. sionistinen miehityshallitus) on salaliittoteoria, jonka mukaan sionistit tosiasiassa johtavat maata, jonka virallinen hallitus on vain nukkehallitus.

ellauri064.html on line 161: Tutkielmassa tarkastellaan uuskeynesiläisten DSGE-makrotalousmallien joukkoon lukeutuvaa valtiovarainministeriön Kooma-mallia genealogisen hallintamentaliteetin näkökulmasta. Kooma-mallia käytetään valtiovarainministeriössä ennustamiseen ja erilaisten politiikkatoimien vaikutusarviointien laatimiseen. Teoreettisena viitekehyksenä tutkielmassa sovelletaan Michel Foucaultin tunnetuksi tekemää hallintamentaliteetin näkökulmaa, jossa tarkastellaan kansantaloustieteen tietomuotoihin ja turvallisuuden tekniikoihin pohjautuvaa vallan muotoa. Hallintamentaliteetin näkökulmasta Kooma-malli kehystetään tutkielmassa tietynlaisiin tietomuotoihin nojaavana rationaalisena teknologisena käytäntönä, joka mahdollistaa hienovaraisen talouden poliittisen hallinnan. Tutkimusmenetelmänä sovelletaan niin ikään Michel Foucaultin kehit

ellauri064.html on line 231: Valtaa pitävä ”ulama” eli yksivakaiden uskonoppineiden joukko ... soveltaa sharia lakia ilman että nämä lait pitää säätää eduskunnassa.

ellauri064.html on line 282: In 1971, Kaczynski moved to a remote cabin without electricity or running water near Lincoln, Montana, where he lived as a recluse while learning survival skills in an attempt to become self-sufficient. He witnessed the destruction of the wilderness surrounding his cabin and concluded that living in nature was untenable; he began his bombing campaign in 1978. In 1995, he sent a letter to The New York Times and promised to "desist from terrorism" if the Times or The Washington Post published his essay Industrial Society and Its Future, in which he argued that his bombings were extreme, but necessary to attract attention to the erosion of human freedom and dignity by modern technologies that require large-scale organization. 

ellauri064.html on line 331: During his 2011 election campaign Hirvisaari was critical of the immigration policies in Finland ("Maahanmuutto hallintaan! – Immigration under control!), and supported national sovereignty ("Riittää, että kansalaiset ovat sitä mieltä – muita perusteluja ei tarvita." – "It is enough that the citizens are of that opinion – no other arguments are needed.") as well as Finland generally as a country ("Suomen kieli – Suomen mieli – Suomen luonto – Suomen lippu" – "Finnish language – Finnish mindset – Finnish nature – Finnish flag"). In July 2011 Hirvisaari stated that the killings in Oslo on 22 July 2011, by right-wing extremist Anders Behring Breivik (Fjotolf Hansen), were a side-effect of Norway's immigration policies. 

ellauri064.html on line 333: Just before the 2011 general election Hirvisaari was prosecuted for his blog in the Uusi Suomi newspaper web site under the title "Kikkarapäälle kuonoon" ("Sock the kinkyhead"). The text referenced an attack on a foreign person in Helsinki — Hirvisaari wrote that the crime had not necessarily been a racist one. In November 2010 the district court of Päijät-Häme dropped the charges against him of incitement. After consultation with the deputy general attorney, Jorma Kalske, the state appealed against the verdict. In December the Kouvola court of appeals found Hirvisaari guilty of incitement and fined him.

ellauri064.html on line 341: Jönsillä oli luokkatoveri Tom Arnkil. Onx Antti kenties sen aaluva? 

ellauri064.html on line 356: Open Dialogue is currently the most effective system of care when it comes to first-break psychosis. Approximately 85 % of patients recover fully, a far majority of antipsychotic medication.

ellauri064.html on line 497: Surkuhupaisinta on kuitenkin se, että monet ilmastoprotesteihin osallistuvista lapsista ja nuorista ovat niin julkisen koulutuksen ja massamedian indoktrinaation aivopesemiä, etteivät he todella ymmärrä mitä he toivovat vaatiessaan nollahiilipäästöjä seuraavan 6 tai 12 vuoden sisällä. Tätä nykymaailman mukavuuksilla pilalle hemmotellun nuoren sukupolven kiittämättömyyttä kuvastaa hyvin Esko Keräsen oivallinen Facebook-päivitys, jonka isoveljeni jakoi sosiaalisessa mediassa:

ellauri065.html on line 183: Articles contain ads, in-line references removed.

ellauri065.html on line 200: The film received generally mixed reviews from film critics, but it won several accolades at international film festivals.  Review aggregator web site Rotten Tomatoes gave the film a 50% approval rating based on 94 reviews, with an average rating of 5.15/10; the general consensus states: "Grotesque, visceral and hard to (ahem) swallow, this surgical horror doesn't quite earn its stripes because the gross-outs overwhelm and devalue everything else."

ellauri065.html on line 209:  In January 2016, Tom Six revealed on Twitter that production of a graphic novel adaptation of The Human Centipede was underway, along with posting an image of a test printed copy.

ellauri065.html on line 228:   Finding himself out of work after film school in 1976, Ferrara directed a pornographic film, 9 Lives of a Wet Pussy, using a pseudonym. Starring with his then-girlfriend, he recalled having to step in front of the camera for one scene to perform in a hardcore sex scene: "It's bad enough paying a guy $200 to fuck your girlfriend, then he can't get it up." Ferrara lives in Rome, Italy. He moved there following the 9/11 attacks because it was easier for him to find financing for his movies in Europe. Ferrara descibes himself as a Buddhist. Because Jesus was a living man, and so were Buddha and Muhammad. These three guys changed the fucking world, with their passion and love of other human beings. All these guys had was their word, and they came from fucking nowhere. I’m not saying Nazareth is nowhere – I’m sure Jesus came from a very cool neighbourhood. Ferrara shows his love for other human beings by making films with a lot of FUCK! FUCK! and KILL! KILL! in them. His love of money is no match for his love of his neighbor primates.

ellauri065.html on line 232:   Jake vittuilee myös perinteiselle kolmen hengen perheelle. Alkaa olla aika varma että Jake ize ei tälläsestä haaveile. Onko se kuin Grinch, kateudesta vihreä, vai niinkuin Matti Simola, ei vaan henkisesti kykene? Sitä on paha sanoa, kun se ei kerro. Edes homoerotiikka ei Jakemikaa kiinnosta. Se on ihan sexitön. Niin ne aina sanovat kaapin oven takana.

ellauri065.html on line 335: Kazoin sinäpursosta arvosteluvideon juoxiainen 3:sta. Se oli just niin alaluokkasta kuin saattoi uskoa. Sekä leffa että sen arvio. Tämmöisiä siiroja löytyi poikasena kun käänteli maakiviä. Ja naisvihaa taas, yksi (1) nainen koko rainassa, jonka isoja tissejä voi kuolata ja vetää käteen samalla. She is not treated well. Emmä oikein ymmärrä kuka tämmösestä voi tykätä. Kai sit vaan tää viimeisten aikojen nuoriso on kuin häkkiin suljettuja rottia. Hillottuja klitorixia. We actually see him remove his testicles. Hyi helvetti. Nauraako joku? Kuulinko jonkun edes pyrskähtävän? To the wall with them! Tyypille joka jaxaa kazoa tällästä ja vielä jauhaa siitä sivukaupalla ei kyllä mitään armoa. Juotikas on INHOTTAVA. En jaxanut kazoa loppuun edes sitä "arvostelua". 

ellauri065.html on line 420: Intertextuaalisia viittauksia on runsaasti, ja ovelaa on, että jotkin teoksessa olevat alaviitteet ovat nähtävästi oikeita teoksia, toiset taas fiktiivisiä. Paljon viittauksia meni varmasti ohi, mutta joistakin sain kiinni – esimerkiksi Harald Birger Olauseniin (joka nimikirjaimet muodostavat hauskasti lyhenteen HBO) liittyvä kohta olisi tullut varmasti ohitettua olankohautuksella, ellen olisi sattunut henkilöön ja hänen tuotantoonsa törmäämään poliisin urallani. Sexuaalisia vihjauxia oli niuhosti. Siitä miinusta.

ellauri065.html on line 436: On kirjoitettu (scriptum est), että queerkirjailija ja gonzojournalisti Harald Olausen luo jotain uutta, joka ei ole vain kirjallisuutta vaan myös dokumentti yhdestä tavasta elää ja kirjoittaa. Queernovellitrilogian päätösosa O`Gay on tästä hyvä esimerkki ja taatusti erilaista homokirjallisuutta kuin vallalla oleva. Olausenin kiitelty flow-tyyli on tuttu jo hänen esikoisteoksestaan ”Egyptin prinssi ja muita homonovelleja” (Kulttuuriklubi 2012). Arvostelijat kehuivat sekä kirjan tyyliä että tapaa kuvata homoutta ja sen viileitä kadetraaleja poikkeuksellisen kauniisti ja runollisesti. Erään arvostelijan mukaan Olausenin kirjojen näennäisen irstauden takaa piili kauneus ja viisaus. Toisen mielestä esikoiskirjan perusteella Olausenilla on paljon annettavaa taiteelle. Digivallila.comin kriitikko Eero K.V. Suorsa kirjoittaa tämän kirjan novelleissa korostuvan homojen arkielämän synkät sävyt:” Kohtaamme niin väkivallantekoja, alistamista ja nöyryyttämistä, rakkauden, ihastumisen ja mustasukkaisuuden kuvauksia unohtamatta. Olausenin käsittelyssä nämä eivät sulje toisiaan pois, vaan näyttävät ihmiselämän sellaisena kuin se on. Päänovellissaan ”Tuleva viikonloppu” Olausen kuvaa mestarillisesti kaipausta ja nostalgiaa, unohtamatta terävän piikikästä homokulttuurin analyysiään. Seksikohtausten kuvaamisessa Olausenilla on oma, pettämätön tyylinsä. Ensimmäistä kertaa Olausenin maailmaan astuva pysähtyy näiden oivaltavien ja mukaansa tempaavien novellien äärellä.” Professori Timo Airaksinen kirjoittaa ”Seksi”- kirjassaan (Bazar 2021) Haraldin kirjoituksista: ”Siinä se, Haraldin kattava esitys aiheesta, niin rehellinen ja oivaltava, ettei sellaista liene suomeksi juuri kirjoitettu. Krister Kilhman kyllä kirjoitti aiheesta etevästi kirjoissaan ja muisteloissaan. Tom of Finland piirsi ajatuksensa paperille, mutta Harald näyttää kaiken, myös monissa kaunokirjallisissa teoksissaan. Niissä on paljon kuvia.

ellauri065.html on line 444: Seppälä on kirjoittanut romaaneja, novelleja ja kuunnelmia. Hänen teoksensa sisältävät useimmiten arjen ja niin sanotun tavallisen ihmisen kuvausta. Mukana voi olla ajankohtaisia yhteiskuntakriittisiä elementtejä tai esimerkiksi yksilön kokemuksia sodassa. Etenkin romaanit ovat usein rakenteellisesti kokeilevia. Seppälän kieli on modernismin perinteitä seuraten hyvin taloudellista; hän pyrkii välttämään kuvailevuutta ja metaforia. Seppälän teksteissä on lähes säännönmukaisesti synkähkö pohjavire. Osassa tuotantoa tyylilajina on musta huumori tai satiiri.

ellauri065.html on line 479: Cangaço (Portuguese pronunciation: [kɐ̃ˈɡasu]) was the banditism phenomenon of Northeast Brazil in the late 19th and early 20th centuries. This region of Brazil is known for its aridness and hard way of life, and in a form of "social banditry" against the government, many men and women decided to become nomadic bandits, roaming the hinterlands seeking money, food and revenge.

ellauri065.html on line 482: "Captain" Virgulino Ferreira da Silva (Brazilian Portuguese: [viʁɡulĩnu feˈʁejɾɐ da ˈsiwvɐ]), better known as Lampião (older spelling: Lampeão, Portuguese pronunciation: [lɐ̃piˈɐ̃w], meaning "lantern" or "oil lamp"), was probably the twentieth century's most successful traditional bandit leader. The banditry endemic to the Brazilian Northeast was called Cangaço. Cangaço had origins in the late 19th century but was particularly prevalent in the 1920s and 1930s. Lampião led a band of up to 100 cangaceiros, who occasionally took over small towns and who fought a number of successful actions against paramilitary police when heavily outnumbered. Lampião's exploits and reputation turned him into a folk hero, the Brazilian equivalent of Jesse James or Pancho Villa.

ellauri065.html on line 492: Its white supremacist trash. In the plot summary of the wikipedia article you linked for the novel, The Day of the Rope is what the fictional characters call the day that they raided all the homes of "race traitors" ("gender traitors" in Ruby script), dragged them into the streets and hung them from lamp posts. Its a defining moment for a white supremacists dream of a perfect race war where all non-whites eventually get eliminated.

ellauri065.html on line 494: ponzi Ponzi scheme (/ˈpɒnzi/, Italian: [ˈpontsi]; also a Ponzi game) is a form of fraud that lures investors and pays profits to earlier investors with funds from more recent investors. The Ponzi scheme was also previously described in novels; Charles Dickens´ 1844 novel Martin Chuzzlewit and his 1857 novel Little Dorrit both feature such a scheme. Mä puhuin Kouvolassa pyramiidiskeemasta, kaikki talouspeikot ja yrittäjät oli noloina. EI SAA SANOA!

ellauri065.html on line 496:     taqiyya: Muslim scholars teach that Muslims should generally be truthful to each other, unless the purpose of lying is to "smooth over differences" or "gain the upper-hand over an enemy." There are several forms of lying to non-believers that are permitted under certain circumstances, the best known being taqiyya (the Shia name).  These circumstances are typically those that advance the cause of Islam - in some cases by gaining the trust of non-believers in order to draw out their vulnerability and defeat them.

ellauri065.html on line 509:     Bukkake: a sex act in which one participant is ejaculated on by two or more other participants. It is often portrayed in pornographic films. Bukkake videos are a relatively prevalent niche in contemporary pornographic films. Originating in Japan in the 1980s, the genre subsequently spread to North America and Europe, and crossed over into gay pornography and Teemu Mäki (dead cat).

ellauri065.html on line 514: 1. "le ironical" term used alot on 4chan to mock people using maymays (memes) often accompanied by the word "le" for extra effect. 2. a very sweet person who cares about all his close friends and family he may get in trouble a lot but he will never stop caring he is a humble strong and a person who just loves without showing it if you meet an ebin make sure you keep him close he is a good lover and great in bed with a lover take care of any ebin. 3. Someone who is afraid of legit every little frickin´ thing, also known as a wuss or pansy. 4. (Nzadi) (plural mbin) door Synonym: elaŋ.

ellauri065.html on line 528: The meme was born in late 2008 when an administrator of the Finnish gaming forum Jonneweb posted several links redirecting to the Finnish imageboard Kuvalauta. Due to Jonneweb´s reputation as an online hub for (pre)teenagers, some members of Kuvalauta became concerned that the imageboard would be overrun with unoriginal content by an influx of newcomers, a phenomenon commonly known as "newfaggotry" on the English-speaking web. The Jonneweb administrator referred to Kuvalauta as a "forum where you discuss about fish and bears" and thus the world-wide Pedo bear meme was considered to be posted particularly by Jonneweb users. The combination of pre-teenager Jonnes and the Pedo bear meme took a great evolution in 2009 when the users of Kuvalauta started to post ironically as Jonnes by capsing the text, representing as underage school kids and adding typoes on text. On December 6th, 2009, a thread with poorly drawn versions of Pedobear was posted onto Kuvalauta.

ellauri065.html on line 560:   Presidentin kynästä: Ongelmatonta yhteistyötä. Shorten Your Prick. The most recognized brands in the world love Bitly. So does the wily hippopotamus. Jake ei pidä Salesta. Se käy selväxi. Oiskohan se maalaismiehen kateutta. 
 Tämän työn varjopuolia on kun jostain sivulta tungetaan päähäni ajatuksia ja motiiveja, joita siellä ei ole. Olli Ainolan käsittämätön kirjoitus Iltalehdessä tänään on siitä esimerkki. Hänen mukaan vallitsee syviä ristiriitoja minun ja Erkki Tuomiojan ja oikeastaan koko eduskunnan välillä. Olen toiminut hyvässä yhteistyössä Erkki Tuomiojan kanssa hänen ulkoministeriaikanaan ja olemme myös sen jälkeen pitäneet tiivistä keskusteluyhteyttä, jota arvostan. Erimielisinä emme koskaan ole eronneet eikä sellaista ole nytkään ilmassa. Olen korostanut eduskunnan merkitystä viimeisen sanan sanojana myös ulko- ja turvallisuuspolitiikan kysymyksissä. Tiiviillä yhteydenpidolla valiokuntiin olen halunnut luoda eräänlaista planetaarista talvisuojakatetta myös omille toimilleni ja ymmärtääkseni myös valiokunnissa on arvostettu tätä, moni on sen julki sanonutkin.  Noissakaan tapaamisissa ei ole tullut esiin mitään erimielisyyksiä. Yhteydenpitoa tulen myös jatkamaan. Ainolalle tarjottiin tilaisuutta keskustella kanssani asian tarkentamiseksi. Ikävä kyllä hän ei tarjoukseen tarttunut. 
 Pahoittelemme aiheuttamaamme häiriötä. Olemme hyvällä asialla. Rakennamme maailman parasta miljöötä.

ellauri065.html on line 574:     Tummeli-klubi spämmää taas Hesarin keskustelusivuja.  Many Alt-Right websites have done a heroic job in delivering evidence to demonstrate that the November 3 election results were based on fraud. Nonetheless, conservatives should also work to hypothesize what the Democrats plotted, how they executed their plots, and why their scheme failed to cover its tracks. In a recent roundtable with other conservatives following the story, including a Maricopa County election attorney (Rachel Alexander), we put together the most plausible scenarios. 
  

ellauri065.html on line 576: 
 A relatively small team of perhaps 50 people or fewer was led by a smaller cadre which probably included several lawyers and most definitely included tech experts. The smaller cadre formed some time around the impeachment and carefully recruited point people over the course of the following months. Working like terror cells, they would need to keep point people unaware of who else was in on the conspiracy, to protect plausible deniability as much as possible. They had to have at least one conspirator in the elections offices of key swing states. It wouldn’t need to be a high-profile elected official, and would no doubt be better if it were some nameless person that few people noticed or would suspect. 

ellauri065.html on line 601: Kirjassa syytetään punavihreitä veltosta kaiken hyväksymisestä. Konservatiivien mukaan yhteiskunnalla pitää olla selkeitä arvoja ja kriteerejä. Kun tällaisia kriteerejä sitten sovelletaan, konservatiivit valittavat, että kirkkoihin ja yritysten johtokuntiin tunkeudutaan. Konstigin mukaan konservatiivit pitävät ihmisluontoa melko pysyvänä. Ihmisessä on “peto pinnan alla”, ja ihmisen “kapasiteetti pahaan on järkyttävä”. Heti seuraavalla sivulla kuitenkin kirjoitetaan, että “ihmistä ei voi ymmärtää abstraktina kokonaisuutena, koska hän on sellainen kuin on juuri siksi, että hän on syntynyt tietyssä paikassa ja ajassa”. Jälkimmäinen sitaatti voisi olla kenen tahansa postmodernin marxistin näppäimistöstä, koska siinä kiistetään pysyvä ihmisluonto ja korostetaan, että instituutiot ja yhteisöt mulkkaavat ihmisen käytöstä.

ellauri065.html on line 603: Hierarkioiden puolustaminen on aina ollut osa konservatismia, ja se kuuluu myös Mitä mieltä Suomessa saa olla -kirjaan, joka loppuu arvoitukselliseen kehotukseen alistua itseään suuremmalle kokonaisuudelle ja ”palvella”. Joonas Konstig perustelee hierarkioita vetoamalla luontoon: “Luonto on väistämättä hierarkkinen, koska toiset ovat toisia pitempiä, ahkerampia, kauniimpia, mukavampia, taitavampia oppimaan ja soveltamaan ja niin edelleen.”

ellauri065.html on line 625:   Entäs sitten tää: En sanoisi että luonnon kohtaloa ratkaistaan vaaleissa. Kv rahoitusmarkkinat antaa ohjaussignaalin minkä mukaan poliitikot ja kaivospomot luovii. Kun talous syöxyy ja yrityxet kaatuu, vaikutus luontoon on vähintään 2-suuntainen. Liiketaloudellisen toimeliaisuuden hyytyessä (kuten koronan aikana) luonto saa huilia. Viimeistään silloin kun ihmislaji ryytyy kokonaan. Mutta sitä ennen matkassa on muutama proverbiaalinen mutka. Ennen lopullista pesäntekoa teollisuusjohtajat ehtivät tehdä monta tuhoisaa hätäratkaisua. Hiipuvien luonnonvarojen tilalle on pakko saada korvikesubuja. Laitoxista rakennetaan halpoja ja vaarallisia. Talvivaara ja Olkiluoto on esimerkkejä. Hyvinä aikoina narkkari pitää huolta neuloista. Kun ainetta ei saada valtaa paniikki, ryöstely, järjetön ja kohteeton väkivalta. Tästä on jo esimerkkejä vaikka millä mitalla. Eikä Juotikas edes vielä mainize ilmastokatastrofia. 

ellauri065.html on line 629:   
“Nefarious Jobs” November 10, 2014 by stopogs

ellauri065.html on line 633: Groups that particpate are organized vigilante, cult style right-wing hate groups. Unfortunately, to make matters worse these groups are protected by police officers who are actually members of right wing extremist groups. Of coure not all police officers particpate, but rather than expose one of their own officers who are members or know these groups personally, they will remain silent. The officers who do particpate will go as far as making a victim appear insane or mentally ill to shut them up, and destroy that persons credibility so no one will be able to defend themselves. They do this by using the power of law enforcement, and taking a person against thier will, to a hospital that will give them a psychiatric exam. Corupt psychiatrist also lie, and cover up the crime as well. Now that they are powerless,noone will listen. Further destroying the targeted indviduals reputation.

ellauri065.html on line 699: ettei sillä ole mitään omaa sanottavaa. Kaik on pelkkää Pynchon-coveria, netin kaiutusta, b-luokan filmikamaa, politiikkaklisheitä ja teinimeemejä, aakkossoppaa, väsymättömästi piissejä ja tägejä. Tän se sitten sanookin ääreist monisanaisesti lukemattomilla eri tavoilla. No mä oon kyllä tätä nyt ihan tavattomasti lukenut. Jokaikisen hämärän linkin olen klikannut. Ei tää ole romaani, tää on paperinen ylilauta. Tässä ei ole yhtään ihmistä, on vain puolituisia, pahvisia tuhatjalkasia ja puisevia liskoja. Nukkehallituxen naruja vetää aina se yx ja sama verijuotikas, kylmä imukala. Pynchonin ja Foster Wallacen imitaatiota puskadivarissa. Kaikki lainattua kuin Roope Ankan vaihtorottakonsiliolla. Loputonta läppää. 

ellauri066.html on line 288: Thomas Pynchon, suuri amerikkalainen novelisti, on ehkä paraiten tunnettu tuntemattomuudesta. (Vaikka esiintyi paperipussi päässä Simpsoneissa.) Ken hän on? Missä hän asuu? Hänet tunnetaan myös TLDR:nä. Tompan 83-vuotispäivänä Gary Lippman esittää 8 syyytä edes yrittää.

ellauri066.html on line 318: Tompan novelleissa piisaa sofistikoitua koomillista sanaleikkiä, tietysti, mutta tekijä, älyttömän mätystyxen ystävänä, tykkää vulgääreistä vizeistä, naurettavista läpistä, nurinkurisista akronyymeistä, syntaxipastissista, hopomaisista nimistä, esim Pentti Pakana, Herpertti Rei'ikäs, Oidipa Massa, Leo Pyöriä, Viki Kirsikkakokis, Väpi Nurja, ja Tri Tarjoilupöytä. Kipparikallemainen seilori nimeltä Porsas Bodaaja esiintyy useassa kirjassa (no sehän on yxi piipunrassimaisen Pynchonin monista wannabe alter egoista), tai joku sen lukuisista puritaani-esi-isistä. Ihan varmasti sua naurattaa itäintialainen peräaukkolääkäri nimeltä Pokemon. Mua nauratti eniten limainen hahmo nimeltä Viv Epperdew. En mä oikeastaan tiedä mixi, mut mä vaan repesin ja hajosin.

ellauri066.html on line 346: Paras rintakuva kirjailijasta on Boris Kachkan 2013 vulture.com essee “On The Thomas Pynchon Trail.” Vaikka se on lyhkänen (Tompan skaalalla), se on lähinnä elämäkertaa mitä meillä on. Haistatteluista ei toivoa, paizi vähän Bruce Springsteenin saxofonistin elämäkerrassa. Clemonsin kirjassa novelisti viehkosti selittää että se on piileskellyt (paizi sitä että on paranoidi) sixi että se on Proustin kannalla contre Sainte-Beuve: kirjojen pitäisi puhua omasta puolestaan. Toisin sanoen, vanhaa kunnon "luota taiteeseen, älä taiteilijaan" puppua. 

ellauri066.html on line 368: Moore’s intuition that Pynchon’s Second Equation is real proved to be correct, and he and his colleague correctly assign the angle ϕ to the orientational range of the rocket. But since they did not know that this formula is only one in a set of equations that describe the flight path, the orientation, and the steering of the V-2, the research team was misled in their interpretation of the other parameters and terms. With Müller’s paper, we can finally determine the meaning of each term and compare these with Pynchon’s reading. The first three terms refer, respectively, to the moments of inertia, of air resistance, and of lateral air impact when the rocket yaws, and the term on the right side of the equal sign represents the steering moment of the rudders (Müller, 1957: 90, 91; Kirschstein, 1951: 73, 74). In other words, the left-hand terms describe the orientation of the rocket during flight, which is influenced by external forces such as wind currents and air resistance.

ellauri066.html on line 450: Let them cry like cheated lovers,	Huutakoot kuin petetyt	    

ellauri066.html on line 458: Pynchon Press has been serving Western Massachusetts Businesses with Commercial Printing Services for over 50 years.  We have a long standing history as a printer that you can trust in, with deep ties to the community.  Print is in our blood.  We’ve recently relocated our print shop from our original location in Springfield, MA to a new building on Grattan Street in Chicopee, MA.  This new location gives us better capacity to handle your print jobs.  We have made considerable investment into digital printing presses which allows us to produce beautifully printed full color print jobs with incredible turn around.  Smaller run print jobs for booklets and flyers can be ordered.  The days of having to order 1000 of something you only need 100 of are over.  If you can design it, we can print it.  We’ve been a trusted printer for customers throughout Western Massachusetts and Northern CT.  Our quality printing services speak for themselves.  When you are looking for a printer for your next print job, contact Pynchon Press, the local printer you can trust your printing to.

ellauri066.html on line 478: Out of these two arise those mixed affections and passions of anger, which is a desire of revenge; hatred, which is inveterate anger; zeal, which is offended with him who hurts that he loves; and ἐπιχαιρεκακία [epikhairekakia], a compound affection of joy and hate, when we rejoice at other men's mischief, and are grieved at their prosperity; pride, self-love, emulation, envy, shame, &c., of which elsewhere. Nicomachean Ethics, 2.7.1108b1-10

ellauri066.html on line 500: Conversely, for someone with low self-esteem, someone who is more successful poses a threat to their sense of self, and seeing this 'mighty' person fall can be a source of comfort because they perceive a relative improvement in their internal or in-group standing.

ellauri066.html on line 502: Aggression-based schadenfreude primarily involves group identity. The joy of observing the suffering of others comes from the observer's feeling that the other's failure represents an improvement or validation of their own group's (in-group) status in relation to external (out-groups) groups (see In-group and out-group). This is, essentially, schadenfreude based on group versus group status. Joukkueurheilu on vankka bastioni vahingoniloisuudelle. And the domain of politics is prime territory for feelings of schadenfreude, especially for those who identify strongly with their political party.

ellauri066.html on line 510:       "Gloating" is an English word of similar meaning, where "gloat" means "to observe or think about something with triumphant and often malicious satisfaction, gratification, or delight" (e.g., to gloat over an enemy's misfortune).

ellauri066.html on line 516: The Book of Proverbs mentions an emotion similar to schadenfreude: "Rejoice not when thine enemy falleth, and let not thine heart be glad when he stumbleth: Lest the LORD see it, and it displease him, and he turn away his wrath from him." (Proverbs 24:17–18, King James Version). Jutkut on eteviä schadenfreudessa, kun ne on niin usein olleet häviäjiä. Esim The Bob Dylan 1965 song "Like a Rolling Stone" is an expression of schadenfreude in popular culture.[original research?]

ellauri066.html on line 520: During the seventeenth century, Robert Burton wrote in his work The Anatomy of Melancholy, "Out of these two [the concupiscible and irascible powers] arise those mixed affections and passions of anger, which is a desire of revenge; hatred, which is inveterate anger; zeal, which is offended with him who hurts that he loves; and ἐπιχαιρεκακία, a compound affection of joy and hate, when we rejoice at other men's mischief, and are grieved at their prosperity; pride, self-love, emulation, envy, shame, &c., of which elsewhere."[37]

ellauri066.html on line 705: Only six per cent of Swedes wear face coverings

ellauri066.html on line 707: Only six per cent of Swedes wear face coverings

ellauri066.html on line 714: On the airport shuttle I rummage for a face covering but the unmasked guard says I needn’t bother. A poll found just six per cent of Swedes wear them.

ellauri066.html on line 735: “There’s no other reasonable explanation,” he adds. Sweden’s government has largely allowed non-elected bureaucrat Tegnell to lead its pandemic response.

ellauri066.html on line 761: Sweden’s short summer is over and city dwellers are returning from their holiday cabins to their jobs and schools.

ellauri066.html on line 856: – Samaa strategiaa soveltamalla meillä on tuskin ollut uusia tartuntoja vanhustenhoidossa kolmen viime kuukauden aikana. Myös kuolemia on ollut hyvin vähän, joten strategiamme ja kuolonuhrien määrän välillä ei todellakaan ole läheistä yhteyttä. En sano, etteikö niiden välillä olisi jonkinlainen yhteys, mutta yhteys ei ole selvä.

ellauri066.html on line 894: Yet Tegnell remained unsatisfied. Tegnell also shirked masks. In April, 2020, he wrote a letter to the European Center for Disease Control urging against a mask recommendation, saying, “The argument for and evidence for an effect of face covering to limit the spread from asymptomatic persons is not clear. . . . The arguments against are at least as convincing.”

ellauri066.html on line 899: “The Swedish government decided early, in January, that the measures we should take against the pandemic should be evidence-based. And when you start looking around at the measures that are being taken now by other countries, you find that very few of them have a shred of evidence.” Tegnell said that he had been in close contact with his counterparts in the United Kingdom, who were planning similarly light restrictions. But cases in the U.K. were increasing rapidly.

ellauri066.html on line 902: On March 16th, scientists at Imperial College London published a paper, based on an epidemiological model, predicting that, unless some form of lockdown was imposed, more than five hundred thousand Brits would die from preventable COVID-19 infections. A week later, the Prime Minister, Boris Johnson, announced that his government would be closing schools, bars, and restaurants, falling in step with the rest of Europe. “It was slightly frustrating,” Tegnell told me, when I spoke to him, in August. “We were really hoping we could take us through this crisis together.”

ellauri066.html on line 904: In April, 2020, a widely-circulated pre-print version of a paper by researchers at Uppsala University, adapting the Imperial College model, predicted that, under the Swedish strategy, fifty per cent of susceptible Swedes would be infected within thirty days, resulting in over eighty thousand deaths by July.

ellauri066.html on line 905: “It just kept adding up,” Tegnell said. “I mean, you’re always kind of hopeful and think that, O.K., this is something that’s going to pass over.” Soon, the per-capita death toll was among the highest in Europe.

ellauri066.html on line 910: She wrote to me to say that Tegnell and his colleagues “have acted too late and too little which has led to over 12000 people premature death including my husband. He would have lived without Corona!”

ellauri066.html on line 917: Says the hairy arms, “I still believe in the government. I do. But I’m very,

ellauri066.html on line 928: Sweden’s population is more similar to the other Nordic countries. Its first infections also came later than in other parts of Europe, giving its government more time to warn its citizens of the virus’ severity. For these reasons, comparisons to the rest of Scandinavia, which are less favorable to Sweden, may be more apt.

ellauri066.html on line 936: Almost exactly a year from the pandemic’s start, Tegnell said that he believes people should still hold off on judging his policies. “The pandemic is not over,” he said. “Any kind of final review on what’s been good and what’s been bad still awaits us.” Thats what the guys in Nuremberg said: hold your horses, this was supposed to be a 1000-year Reich. Don't blame us on what were only meant as initial experiments.

ellauri067.html on line 152: Von Braun had a charismatic personality and was known as a ladies´ man. As a student in Berlin, he would often be seen in the evenings in the company of two girlfriends at once. Mom did not approve of roturiers. She had better things in mind.

ellauri067.html on line 159: "I aim for the Stars" said von Braun played by Udo Jürgens, with the subtitle "But Sometimes I Hit London'. Dr Strangelove is based on von Braun.

ellauri067.html on line 169: Thomas Pynchon on (ei oli, se elää vielä!) uuden maailman aatelia. Syntyi May 8, 1937, Glen Cove, Long Island, New York, poliitikkoinsinööri Thomas Ruggles Pynchon Srin (1907–1995) and Katherine Frances Bennettin (1909–1996, a nurse) poikana. Esi-iskä William Pynchon matuili Massachusetts Bay Colonyyn Winthrop Fleetissä 1630, ja perusti Springfield Massachusettsin in 1636. Siellä me vietettiin 2007 juhannusta amerikansuomalaisten kerhotalossa. Ne paistoivat makkaraa kokossa 5m pitkillä makkarakepeillä ja lauloivat pehmeällä ärrällä "hotellin hämärässä". Noloa sanoi Helmi ja nolostui kun joku ymmärsi. Pynchonit o(li)vat varakkaita ja kuuluisia. Tom lie ollut aluxi nolo tapaus, kunnes hankki mainetta. Oli se sitä sen jälkeenkin. Pakoilee julkisuutta tosi rumasti.

ellauri067.html on line 174: 1937   Thomas Ruggles Pynchon born May 8 in Glen Cove, Long Island, New York

ellauri067.html on line 175: 1940s   Avid reader of spy novels: John Buchan, Oppenheim, MacInnes, Household

ellauri067.html on line 180: 1962   Moves to Mexico to finish V.

ellauri067.html on line 194: 1990   "Vineland" published; TP marries agent?  moves to NYC?

ellauri067.html on line 227: Tom kirjoitti käsin pienellä siistiltä piiperryxellä millimetripaperille puolixi textaten. Aika mielipuolista. Pulizer jäi saamatta kun Pulitzer board vetoed the jury´s recommendation, describing the novel as "unreadable", "turgid", "overwritten", and in parts "obscene".

ellauri067.html on line 233:     American literary critic Harold Bloom named him as one of the four major American novelists of his time, along with Don DeLillo, Philip Roth, and Cormac McCarthy.  Kekä toi Cormac on? For that matter, who is Harold Bloom? 

ellauri067.html on line 241: Harold Bloom was an American literary critic and the Sterling Professor of Humanities at Yale University. Since the publication of his first book in 1959, Bloom has written more than forty books of literary criticism, several books discussing religion, and one novel. He edited hundreds of anthologies.

ellauri067.html on line 247: Loppupäässä alkaa lukijoiden mielenkiinto Pynchoniin herpautua. Against the Day 2006 ( just ennen meidän Springfieldin reisua) inspired mixed reactions from critics and reviewers. One reviewer remarked, "It is brilliant, but it is exhaustingly brilliant." Other reviewers described Against the Day as "lengthy and rambling" and "a baggy monster of a book", while negative appraisals condemned the novel for its "silliness" or characterized its action as "fairly pointless" and remained unimpressed by its "grab bag of themes". Alkoi mennä jo ylijuonikkaax.

ellauri067.html on line 307:     William develops heretical religious ideas, and he writes "a long tract about it ... called On Preterition." In some Protestant doctrines, Christians are divided into "the elect," those chosen by God, and "the preterite," those not chosen, passed over by God. William champions the preterite, and he argues Judas is the savior of the preterite. The narrator then wonders if William´s ideas were "the fork in the road America never took."

ellauri067.html on line 309:     Tässä kohen puhutaan Gedaran sioista, joihin Jesse ajoi eräät henget ja siat säntäs järveen kuin sopulit. Näistä oli puhetta myös Tatu Vaaskiven jessenovellissa. Tätä jälkimmäistä preteritiä esiintyy niteessä siellä sekä täällä. Shlotropin esi-isä suunnitteli uskontoa ohitetuille. Se on kyllä harhaoppia, Bostonin eliitti repi perseensä, eikä Course Herokaan oikein pidä siitä. Course hererojen sana mba-kayere meinaa mulle on tehty ohari. Niinpä hyvinkin. 

ellauri067.html on line 319: “More Ouspenskian nonsense,” whispers a lady brushing by on the arm of a dock worker. Proverbs for Paranoids.     

ellauri067.html on line 336: Some prominent guest stars on Allen´s program over the years included Frank Sinatra, Orson Welles, Roy Rogers, Bela Lugosi, Ed Gardner, Norman Corwin and Edgar Bergen & Charlie McCarthy. Allen would often ad-lib material and since most radio programs in those days were broadcast live, with the exception of the occasional delay here and there, the audience would sometimes hear a bleep in place of a word or phrase. Siitäkin on tullut mediaklishee.

ellauri067.html on line 356:     Rózsavölgyi: István (30 March 1929  – 27 January 2012) was a Hungarian athlete who competed mainly in the 1500 metres. Rózsavölgyi was born in Budapest. One of the star pupils of Mihály Iglói, he entered the 1956 Summer Olympics held in Melbourne, Australia as the world record holder over 1000 metres, 1500 metres and 2000 metres and was expected to be a leading contender for the 1500 metres Olympic gold. However, outside circumstances shook the spirit of team Hungary. Sándor Iharos, another superstar, was absent. Back home, the Hungarian Revolution of 1956 had just been quashed by the Soviet army. Rózsavölgyi failed to even make the final.  On saatavana myös sennimistä suklaata, Rózsavölgyi Csokoládé. Our website offers cookies.

ellauri067.html on line 370: Niin sanottu makaronirunous on saanut alkunsa italialaisen Tifi Odassin satiirista Carmen Macaronicum (1490); makaronirunouden tunnetuin edustaja oli Teofilo Folengo (k. 1544). Sen tapaista kielten sekoittamista käytettiin aikoinaan erityisesti leikillisissä tai pilkallisissa runoissa, jollaisiin se hyvin soveltuukin. Tässä jouluvirressä ei kuitenkaan ollut kyse kieltensekoituksesta tai muusta hulluttelusta makaronirunouden tapaan, vaan laulun teksti etenee vuorotellen latinan ja jonkin muun kielen vaihdellessa. Maskun Hemminki 1605 "IN dulci iubilo, Nyt on isoi ilo / Mailman Messias Maca in praesepio".

ellauri067.html on line 379: Höh, aika tylsä makarooni. Eikö löytynyt mitään hauskempaa? Juonikin vaikuttaa ikävystyttävältä: The poem tells of a prank played on an apothecary by a band of university students called macaronea secta. It is written in a mix of Latin and Italian, in hexameter verse (as would befit a classical Latin poem). It reads as a satire of the bogus humanism and pedantism of doctors, scholars and bureaucrats of the time. Merkuriuxelle pyhitetty valo on keskiviikko. Zobia on toskanalainen murresana torstaille (Giovedi). 

ellauri067.html on line 384: What Does the Triskelion Symbol Mean? Derived from the Greek word "Triskeles" meaning "three legs", the Triskele or Triple Spiral is a complex ancient Celtic symbol. Often referred to by many as a Triskelion, its earliest creation dates back to the Neolithic era, as it can be seen at the entrance of Newgrange, Ireland. The Triskele gained popularity in its use within the Celtic culture from 500BC onwards. This archaic symbol is one of the most convoluted to decipher as symbolists believe it is reflective of many areas of culture from the time. Huoh. Vitun symbolistit. Seinän töhrijät. Nuijia. Kirkkovene ja Jallu luuraa on selkeämpiä.

ellauri067.html on line 410: Coat of Arms of the Russian Government 1919 (Church Slavonic "Си́мъ побѣди́ши", Russian "Этим побеждай"), see White movement. Inscribed on the Colours of the Irish Brigade.Inscribed on the banner and the motto of the 4th Guards Brigade (now 2nd Motorized Battalion "Pauci" — the Spiders) of the Croatian army. Inscribed on the banner of the Sanfedismo in 1799. Inscribed in Greek on the flag (obverse side) of the Sacred Band of the Greek War of Independence. Inscribed in Greek on the coat of arms, insignia and flag of the 22nd Tank Brigade (XXII ΤΘΤ) of the Greek Army. Inscribed on the flag of the 25th South Carolina "Edisto Rifles" Regiment, Civil War, USA, 1861-65. The motto of 814 Naval Air Squadron of the Royal Navy Fleet Air Arm. The motto of the Mauritius National Coast Guard. The motto of U.S. Marine Aircraft Squadron VMA(AW). The motto of Finnish Defence Force Reconnaissance. The motto of the Norwegian army 2nd Battalion (Norway). The motto of USS Waldron. The motto of HMCS Crusader, and the Sea Cadet Corps with her as the namesake, 25 RCSCC Crusader in Winnipeg.The motto of the Royal Australian Army Chaplains´ Department. 

ellauri067.html on line 422: Richard Freiherr von Krafft-Ebing (1840–1902; full name Richard Fridolin Joseph Freiherr Krafft von Festenberg auf Frohnberg, genannt von Ebing) was an Austro–German psychiatrist and author of the foundational work Psychopathia Sexualis (1886). He died in Graz in 1902. He was recognized as an authority on deviant sexual behavior and its medicolegal aspects. Krafft-Ebing´s principal work is Psychopathia Sexualis: eine Klinisch-Forensische Studie (Sexual Psychopathy: A Clinical-Forensic Study), which was first published in 1886 and expanded in subsequent editions. The last edition from the hand of the author (the twelfth) contained a total of 238 case histories of human sexual behaviour. Translations of various editions of this book introduced to English such terms as "sadist" (derived from the brutal sexual practices depicted in the novels of the Marquis de Sade), "masochist", (derived from the name of Leopold von Sacher-Masoch), "homosexuality", "bisexuality", "necrophilia", and "anilingus".

ellauri067.html on line 439: How much, or how little influence drugs, particularly hallucigenic drugs like lysergic acid diethylamide, LSD, had on Pynchon’s narrative is unknown. If Siegel, however, is to be believed, and he should be despite any resentment he felt regarding Pynchon’s affair with his wife, then the writing of Gravity’s Rainbow was heavily influenced by drugs. In Pynchon’s most famous quote regarding this particular novel, which is notoriously difficult to interpret, he is alleged to have told Siegel,

ellauri067.html on line 441: “I was so fucked up while I was writing it . . . that now I go back over some of those sequences and I can’t figure out what I could have meant.”

ellauri067.html on line 467:   Franz von Bayros (28 May 1866 – 3 April 1924) was an Austrian commercial artist, illustrator, and painter, best known for his controversial Tales at the Dressing Table portfolio. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. His work can be found at the Metropolitan Museum of Art in New York. He drew over 2000 illustrations in total. Bayros piirsi eri paljon porsliinipilluja. Sanalla sanoen, pornokuvia. 

ellauri067.html on line 489: 
Gravity´s Rainbow: A Love Story

ellauri067.html on line 491: There’s a dirty secret tucked away in Thomas Pynchon’s novels, eand it’s this: beyond all the postmodernism and paranoia, the anarchism and socialism, the investigations into global power, the forays into labor politics and feminism and critical race theory, the rocket science, the fourth-dimensional mathematics, the philatelic conspiracies, the ’60s radicalism and everything else that has spawned 70 or 80 monographs, probably twice as many dissertations, and hundreds if not thousands of scholarly essays, his novels are full of cheesy love stories.

ellauri067.html on line 493:     Book reviewers have a long history of attacking Pynchon for his flat characters. Roger and Jessica are susceptible to this criticism. Neither is given much of a history. We don’t know where they grew up or who their parents were. This is one of the great failings of... what to call it? "middlebrow" is antiquated... anyway, a very common kind of criticism (common in the Anglo-American world, anyway), and it affects how authors write (which is one reason I read mainly Russian literature these days). I don't need to know "where they grew up or who their parents were" and I don't much care, unless, of course, you write about it brilliantly because that´s truly what you want to focus on, as opposed to "welp, better provide a plausible background for my characters so the reader will believe they're behaving this way." Just write good sentences in a good and surprising order. Two people have fallen out of love? I don't care if it's because one of them has mommy issues or the other was bullied as a child—people fall out of love all the time, for any reason or none, just tell me what they do about it, and in language that makes me want to keep reading! Teoxet on tärkeät, vähät elämästä. En jaxa luontokuvauxia, hyppään ne heti yli.

ellauri067.html on line 502:     Pynchon´s early story Low-lands contains general immaturity, and racist, sexist and proto-Fascist talk. It´s  his own voice in Pig Bodine, a notoriously bigoted and asinine sailor who recurs in later novels. The claims of racism and proto-Fascism are hardly substantiated, while the misogyny is pervasive. Women are considered as semi-inanimate objects upon which men have a right (or even a duty) of possession, imposition or defilation.

ellauri067.html on line 544: Gravity´s Rainbow is a 1973 novel, first published by Viking Press, by American writer Thomas Pynchon. The narrative is set primarily in Europe at the end of World War II, and centers on the design, production and dispatch of V-2 rockets by the German military. In particular, it features the quest undertaken by several characters to uncover the secret of a mysterious device named the "Schwarzgerät" ("black device"), slated to be installed in a rocket with the serial number "00000". 


ellauri067.html on line 560:     "I thought I was sophisticating the Beat spirit with secondhand science", said Pynchon. Which stands as a pretty good description of some of his novels, too.

ellauri067.html on line 583: The publication of Voices: A Memoir in 1983, advertised as a record of his encounters with some of the century´s leading artists and writers, returned Prokosch to the limelight. His early novels The Asiatics and The Seven Who Fled were reissued to much public acclaim. In 2010, Voices was shown to be almost wholly fictitious and part of an enormous hoax.  

ellauri067.html on line 593: The letter is a direct adoption of Old Italic (Etruscan or Latin) s (𐌔), ultimately from Greek sigma (Σ). It is present in the earliest inscriptions of the 2nd to 3rd century (Vimose, Kovel).

ellauri067.html on line 606:   Come Josephine In My Flying Machine is a popular song with music by Fred Fisher and lyrics by Alfred Bryan. First published in 1910, the composition was originally recorded by Blanche Ring and was, for a time, her signature song. Ada Jones and Billy Murray recorded a duet in November 1910, which was released the following year. There have been many subsequent recordings of the pop standard.

ellauri067.html on line 626: Blicero esiintyi eka kerran Pynchonin 1963 esikoisessa V, nimellä luti Weissmann, dekadentti Sachsan armeijan lupseeri joka oli jäänyt rannalle entiseen Lounais-Afrikkaan presidentti Ahtishaaren kanssa 7v sen jälkeen kun se lakkasi olemasta Saksan siirtomaa. Tässä aiemmassa novellissa se oli mystinen, väliin transu hahmo jolla näytti olleen sadomasokistinen suhde saxalaiseen agenttiin Vera Meroveringiin. Se on kiero myös, ja kenties huumaa ja sitten pöllii jotakin toiselta hahmolta, Kurt Mondaugenilta. Se on enempi hassu kuin huolestuttava, eikä vielä täysimittainen pahis.

ellauri069.html on line 40: Postmodernism is the Swiss Army knife of critical concepts. It’s definitionally overloaded, and it can do almost any job you need done. This is partly because, like many terms that begin with “post,” it is fundamentally ambidextrous. Postmodernism can mean, “We’re all modernists now. Modernism has won.” Or it can mean, “No one can be a modernist anymore. Modernism is over.” People who use “postmodernism” in the first, “mission accomplished,” sense believe that modernism—the art and literature associated with figures like Picasso and Joyce—changed the game completely, and that everyone is still working through the consequences. Modernism is the song that never ends. Being postmodernist just means that we can never be pre-modernist again. People who use it in the second sense, as the epitaph for modernism, think that, somewhere along the line, there was a break with the assumptions, practices, and ambitions of modernist art and literature, and that everyone since then is (or ought to be) on to something very different. Being postmodernist means that we can never be modernist again.

ellauri069.html on line 63: "My father regards the tray of pink cupcakes. Then he jams his thumb into each cupcake, into the top. Cupcake by cupcake. A thick smile spreads over the face of each cupcake." —Views of My Father Weeping (1969)

ellauri069.html on line 67:     Their memoir is an attempt to understand their gambling obsession as a way of coping with guilt over his death. “The addiction to gambling, with the unsuccessful struggles to break the habit and the opportunities it affords for self-punishment, is a repetition of the compulsion to masturbate,” Freud says in “Dostoevsky and Parricide”; “the relation between efforts to suppress it and fear of the father are too well known to need more than a mention.” No one believes Freud anymore, of course.  A great deal of his writing is, at one level of explicitness or another, about the authority of fathers and the struggle for autonomy. (And Barthelme was a close reader of Freud.)

ellauri069.html on line 76: A couple of years after Barthelme took the apartment, the writer Kirkpatrick Sale and his wife, Faith, an editor, moved in downstairs and became close friends. They had been students at Cornell with Pynchon, and Pynchon would write part of “Gravity’s Rainbow” (1973) in their apartment.

ellauri069.html on line 78: What was he doing? Daugherty is right to claim that Barthelme conceived of himself as an heir of the modernist tradition—in particular, of Beckett. He encountered Beckett’s work for the first time in 1956, when he picked up a copy of Theatre Arts at Guy’s Newsstand, in Houston, and read the text of “Waiting for Godot.” “It seemed that from the day he discovered ‘Godot,’ Don believed he could write the fiction he imagined,” the woman who was his wife at the time, Helen Moore Barthelme, says in her memoir, “Donald Barthelme: The Genesis of a Cool Sound” (2001).

ellauri069.html on line 95: Barthelme felt that American fiction had abandoned what modernists called “the revolution of the word.” “Fiction after Joyce seems to have devoted itself to propaganda, to novels of social relationships, to short stories constructed mousetrap-like to supply, at the finish, a tiny insight typically having to do with innocence violated, or to works written as vehicles for saying no! in thunder,” he wrote in 1964, in the second issue (there would be only two) of Location.

ellauri069.html on line 115: “The aim of literature,” says a character in “Florence Green Is 81,” one of Barthelme’s first published stories, “is the creation of a strange object covered with fur which breaks your heart.”

ellauri069.html on line 127: Sidney Joseph "S.J." Perelman (February 1, 1904 – October 17, 1979) was an American humorist and screenwriter. He is best known for his humorous short pieces written over many years for The New Yorker. He also wrote for several other magazines, including Jude, as well as books, scripts, and screenplays. Perelman received an Academy Award for screenwriting in 1956.

ellauri069.html on line 139: Balaclava helmet: A balaclava, also known as a balaclava helmet or Bally or ski mask, is a form of cloth headgear designed to expose only part of the face, usually the eyes and mouth. Depending on style and how it is worn, only the eyes, mouth and nose, or just the front of the face are unprotected. Versions with a full face opening may be rolled into a hat to cover the crown of the head or folded down as a collar around the neck. Sellanen ällöttävä roistomyssy.

ellauri069.html on line 159: Disney, Walt: was a leading force behind the anti-communist movement in Hollywood in the 1940s.

ellauri069.html on line 170:       Dr. Mabuse is a fictional character created by Norbert Jacques in the German novel Dr. Mabuse, der Spieler ("Dr. Mabuse, the Gambler"), and made famous by three films about the character directed by Fritz Lang: Dr. Mabuse the Gambler (silent, 1922) The Testament of Dr. Mabuse (1933) and the much later The Thousand Eyes of Dr. Mabuse (1960). Dr. Mabuse is a master of disguise and telepathic hypnosis known to employ body transference, most often through demonic possession, but sometimes utilizing object technologies such as television or phonograph machines, to build a "society of crime". One "Dr. Mabuse" may be defeated and sent to an asylum, jail or the grave, only for a new "Dr. Mabuse" to later appear, as depicted in The Testament of Dr. Mabuse. The replacement invariably has the same methods, the same powers of hypnosis and the same criminal genius. There are even suggestions in some installments of the series that the "real" Mabuse is some sort of spirit that possesses a series of hosts.

ellauri069.html on line 178:       Hoagy Carmichael: Hoagland Howard " Hoagy " Carmichael (November 22, 1899 - December 27, 1981) was an American singer, songwriter, and actor. American composer and author Alec Wilder described Carmichael as the "most talented, inventive, sophisticated and jazz-oriented of all the great craftsmen" of pop songs in the first half of the 20th century.

ellauri069.html on line 203:       Gerard Swope (December 1, 1872 – November 20, 1957) was a U.S. electronics businessman. He served as the president of General Electric Company between 1922 and 1940, and again from 1942 until 1945. During this time Swope expanded GE's product offerings, reorienting GE toward consumer home appliances, and offering consumer credit services. Swope was born in St. Louis, Missouri, to Ida and Isaac Swope, Jewish immigrants from Germany. He graduated from the Massachusetts Institute of Technology in 1895.

ellauri069.html on line 207:       Dr. Fu Manchu is a fictional character first featured in a series of novels by English author Sax Rohmer during the first half of the 20th century and later extensively in cinema, television, radio, and comics.

ellauri069.html on line 222:     Richard Fariña, to whom Gravity's Rainbow is dedicated, was a good friend of Pynchon's when they were students at Cornell University in the 50s. In 1963, Farina married Mimi Baez, a folksinger and sister of Joan Baez. Although first married under the Napoleonic Code in a secret ceremony in Paris in the spring of 1963, they had an official marriage in Carmel, California, for the benefit of the Baez family. Pynchon was the best man for the Carmel ceremony, coming up from Mexico City where he was living and working on Gravity's Rainbow. In A Long Time Coming and a Long Time Gone, Farina's posthumously published collection of stories (Random House, 1969), Farina describes his and Pynchon's visit to the Monterey Fair. Richard and Mimi Farina formed a folk-music duo (Farina on guitar and Mimi on dulcimer, both singing) and released several albums in the 60s. Richard Farina was killed in a motorcycle crash following a book signing in Carmel for his newly published first (and only) novel, Been Down So Long It Looks Like Up To Me (Random House, 1966). You might want to visit this sweet website dedicated to the memory of Richard and Mimi (who died of cancer in 2001).

ellauri069.html on line 234: Going My Way: Ex tää ole Fred Astairen rallatus? Fredistä on ollut puhe toisaalla. 38; A 1944 film directed by Leo McCarey. It is a light-hearted musical comedy/drama about a new young priest (Bing Crosby) taking over a parish from an established old veteran (Barry Fitzgerald). Crosby sings five songs in the film.

ellauri069.html on line 257:   German novelist Hermann Hesse (1877-1962), experiencing a crisis of the spirit, had psychoanalysis with J.B. Lang, a disciple of Carl Gustav Jung. His novel Demian (1919), which shows the influence of analysis, is about the character Demian (a classic "seeker") and his quest for self-awareness. Published during the troubled Weimar years, the novel was very popular and had a pervasive influence on the Germans. It also made Hesse famous.  

ellauri069.html on line 263:     Herod, Antipas: (22 BC - c.40 AD) 135; Antipasto on tuttu Tatu Vaaskiven jessenovellista. Johannes yökastelijan pää tarjoiltiin lautasella sille velipuolen vaimolle, eivaan tytärpuolelle se oli? Salome. Se velipuolen vaimo tais olla Herodias. Johannes oli vittuillut niille Antipaston avioerosta. Nää aina unohtuu.

ellauri069.html on line 284:   on asemoitu sinne. Hänellä on epätavallinen vaste roketteihin: niistä tulee kepityxiä. Mutta stondit tulee päiviä ennen rokettien tuhoamista, panopaikoissa joista tulee myöhemmin pommipaikkoja. Salaperäiset voimat Britin ja Amerikan älykkyydessä on tietoisia täst Alokkaan herkkyydest, ja pitää häntää tarkkixella. Novelli aukeaa Joulukuussa 1944, jolloin Suomi on jo vetäytynyt sodasta, sanoilla, "Kiljuset tulee taivaan poikki". Kiljuset on V-2 roketin lento.

ellauri069.html on line 350:   Novelli päättyy kuvaten 00000 lentoa, sen nousua, ja laskua. Kun se laskee, porukkaa on kerääntynyt Orfeus-Teatteriin Los Angelesissa; aika näyttää olevan 1960:n loppu tai 1970 alku. Kun novelli päättyy, joku raketti on kenossa elokuvateatterin yllä Los Angelesissa, meinaten pudota sen päälle. Novelli päättyy virteen William Laiskurilta, Alokas Laiskurin esi-isältä.

ellauri069.html on line 362: A rocket hangs poised above a movie theater in Los Angeles.

ellauri069.html on line 374: Moby-Dick—eepos, pelle-eepos, ja Suuri Amerikan Novelli—oli olevinaan vaikeasti luettava, ja onhan se. Sen pursuaa akromegaalisesti novellin kokoluokasta, sen esseemäiset harhailut valaanpyyntitieteessä jarruttaa juonen kehitystä koko valaan keskiruumiin matkalta, sen kaxsimielinen symbolismi on mahollista ja pakkokin tulkita jättimäisexi vertauskuvaxi jostakin (mistäkö? No kikkelistä taas, ks. mun Moby-paasaus.). Toisen kautta, Mobyssa ei ole yhtään kuvaa eikä tunnelmaa missä ei olisi suht selvä missä mennään kirjaimellisesti ottaen. Mobya voi olla vaikee tulkita, muttei vaikee lukea. 

ellauri069.html on line 376: Thomas Pynchonin 1973 mestaripala Painomusteen Sadeviitta on eepos, pelle-eepos, ja Suuri Amerikan Novelli, kuten Moby-Dick. Toisinkuin Melvillen lukijat, kuiteskin, Pynchonin lukijat voi mennä sivukaupalla täysin pihalla siitä mitä juonessa, tilanteessa tai tyypeissä on tapahtumassa. Kirjaa ei edes voi kunnolla lukea selaamatta samalla koko ajan esim Steven Weisenburgerin Seuraneitiä ja Michael Davitt Bellin “Some Things That ‘Happen’ (More or Less) in Gravity’s Rainbow.”

ellauri069.html on line 378: Nipistäjän novelli on paha lukea muistakin syistä—kaikki eivät kuumu sen paskajutuista, esimerkixi, toisille on luotaantyötävää sen pituus—TDLR, sivulta sivulle ja virkkeestä virkkeeseen saa olla kujalla kuin lumiukko tässä mitä on sanottu WWII:n jälkeen tärkeimmäxi Amerikan Novellix. Mikä näyttää olevan ongelman luonne? Mix näin muka piti kirjoittaa? Mihin tässä tähdätään, ja onxtää sittenkään niin hirveen hienoa? Hyviä kysymyxiä. 

ellauri069.html on line 380: 	Sateenkaarinotko, on sanottava, vastaa näihin kysymyxiin vuolaasti—tässä novellissa on enemmän selfieitä kuin millään herutuskuvia jakavalla Instagrammiteinillä. Päähemmo, Alokas Laiskiais-Entropia, esitellään sen kirjoituspöytäsälällä; 50 sivua myöhemmin kuvataan samalla hartaudella sen mahalaukun sisältö kun se sukeltaa huuliharppunsa perään pönttöön Bostonissa miesten vessassa.

ellauri069.html on line 387:     Don’t forget the real business of the War is buying and selling. The murdering and violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as spectacle, as diversion from the real movements of the War. It provides raw material to be recorded into History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world. Best of all, mass death’s a stimulus to just ordinary folks, little fellows, to try ‘n’ grab a piece of that Pie while they’re still here to gobble it up. The true war is a celebration of markets.

ellauri069.html on line 393: —the love affair between statistician Roger Mexico and Jessica Swanlake, whose love seems to be all that can save him from being psychologically consumed by the war;

ellauri069.html on line 395: —the Pökler family, consisting of a rocket engineer father manipulated by the German government, a leftist mother protesting that government, and a daughter who may or may not have survived the camps, whom Pökler fucks with all the more merriment;

ellauri069.html on line 397: —Greta Erdmann, pornographic film actress and mother/groomer of Bianca, a child-victim who becomes the novel’s symbol of how fascism has corrupted and destroyed innocence - ah fuck, I mean the Shirley Temple lookalike whom Pynchon/Slothrup fucks completely delirious.

ellauri069.html on line 403: —the evil designs of the novel’s villain, Weissmann or Blicero, former lover of Enzian, current lover of a young man named Gottfried, and the master of rocket 00000.

ellauri069.html on line 406: Mainizisin muutamia naisiakin, kuten Katje Borgesius, Geli Tripping, ym, mutta näissä Goodreadsin kritiikeissä on sanaraja. Sisko tahtoisin jäädä, mutta taxi odottaa, moottoritie on kuuma. Enivei, ei niistä juuri muuta kerrota kuin kuka niitä nussi, mihkä reikiin ja kuinka pitkästi. Tää novelli suorastaan pursuu sellasia stooreja, joista suurimmalla osalla ei ole mitään tekemistä juonen kanssa, kuha ovat kivaa iltalukemista pöntöllä.

ellauri069.html on line 408: Kuka on puikoissa? Kertoja viittaa uhkaavasti kapitalisoituun "Niihin", jolla tarkoitetaan ylimalkaisesti liskovaltion pahaa liittoa bisneshaiden kanssa vastoin tavallisen persun etuja, ketään erityisesti mainizematta (ei edes Nazeja). Tän tautta novelli on, kuten kollegani Richard Poirier selitti vaikutusvaltaisessa aikaisemmassa arvostelussa, tahallaan kahareisin aidalla, toisaalta lukija voi vainoharhaisesti epäillä kaikkien salaliittoa kaikkia muita vastaan, tai sit vainoharhattomasti pitää tätä pelkkänä irrallisten pätkien vaihtorottapesänä, läpeensä älyttömänä nonsensenä. (Novellin työnimi oli Kutkuttakaamme raitaperse paviaania). 

ellauri069.html on line 410: Tää paranoidi/antiparanoidi lukutapa ulottuu kirjaimellisestä symboolitasolle: Ihankuin kaima Tomppa Eliotin Kaatopaikassa, Nipsulla on suorastaan naurettava määrä mystisiä ja metafyysisiä zydeemejä juonen päälle, ml Kabbala, joulukalenteri, saxalaiset legendat, Herero myytit, taivaanmerkit ja tarot-kortit, josta kaikki, mikä tahansa, tai ei mikään voi olla tölkkiavain novellin karkailevaan merkkipelehdintään. 

ellauri069.html on line 412: On toinen poliittinen syy mix tää novelli on vaikee nieltävä. Nipsu termentää että "Me", eivaan "Ne", siis me "tavalliset persut", ollaan jossain mielessä myös "Ne" (no ainaskin "Niiden" mielestä, tietysti, "Nehän" on "Niille" "Me".). "Niillä" on haaraliike "Meidän" aivoissa. Eli siis, aivot on ihan samoja, toisilla on vaan enemmän paalua perstaskussa. Meidän maniat ja psykoosit, unelmat ja halut, vievät "Meitä" mukaan kuluttamaan talouskasvua, mistä "Ne" sitten vetää taskuun lisää kasvua. Yx Nipsun alter egoista ehottaa ratkaisuxi “sado-anarkismia.” En kyllä ymmärrä mitä se muka toimittaa. Yhtä lailla "Ne" osaa laskuttaa SM-esineistöstä. Novellissa on myös nyt jo aika vanhanaikainen ja toxinen teesi, Riemastuxen patinaa: et fasismi on, kuten (se aikaisemmin kummastelemani) Wilhelm Reich pani sen, “the frenzy of sexual cripples”—eli et nazit oli pedofiilejä ja homoja (eli siis kääntäenkin myös). Nyt ei sellaista voi enää sanoa, sillä fasistit ja muut ällöt poikkeavuudet on ristiinluokituxia. Senhän osoittaa jo GR ize, jossa Nipsu on vastustavinaan nazeja mutta peukuttaa paskansyöntiä, piiskurointia, pedofilia ja muita sopimattomuuxia.

ellauri069.html on line 422:       Ajatusvirhe salaliittoteorioissa on se talousliberalistien peliteoreettinen oletus että jengi on jotain ovelia pelaajia. (Tätä Nipsu näyttää välillä vähän izekin epäilevän). Ei ne ole, porukat on oikeasti clueless kuin kanat, koirat tai muutkin apinat. Ei ne täällä ole pelaamassa mitään shakkipeliä, eikä sixi tarvita salaisia koalitioita eikä viestejä jotta kaikki menee kulloinkin pintaan nousevien kökkäreiden mielen mukaan. Kaikki on jo luonnostaan niiden kanssa samaa mieltä: kaikki heti tänne mulle nyt. Komma muminspelet, heitä noppaa uudestaan. Voi, tahmatassu on syönyt aarteesi, palaa muumitaloon ja ala alusta.           

ellauri069.html on line 427: The women in the party are callously used by the men as distraction (“Zitz und Arsch” - how do we feel about the treatment of women in the novel?)   

ellauri069.html on line 461: It may also be a good warm-up for the querent’s reading muscles to start with Pynchon’s earlier novel V, which is excellent in its own right, but not as extravagant as the even more brilliant Gravity’s Rainbow. It is V2, after all. 

ellauri069.html on line 470: Much of the book is about the difficulty of living in the ubiquitous shadow of immanent, instant destruction. How do you live a life with anything like normalcy, if you know that at any moment a V2 rocket you won't hear coming could make that moment your last? Some fall to nihilist "mindless pleasures" (the novel's working title); some play power games; some withdraw from the world; some remain willingly oblivious. Normalcy turns out not to be an option.

ellauri069.html on line 479: Imagine a story that combines Ulysses, Catch-22, The Canterbury tales, Under the Volcano, On the Road and many others. First, there is a huge cast of characters and most times, it is unclear who’s speaking and to whom. A second challenge is getting into the context of the book. The novel demands a vast knowledge of history, geography, music, literature, science, mathematics and occult. Apart from this the book also explicitly deals with profanity, racism, violence, pedophilia, coprophilia and seemingly infinite number of sex scenes. That being said, Pynchon doesn’t throw them arbitrarily and each one of them have a purpose. The main plot itself is set at the end of World War 2 and Europe is in chaos. As new countries and alliances are being formed, so too are new perspectives within the characters. Mental state being broken down, people making poor choices and actions being justified and helps us see how people tend to live destructively. As if there complexities weren’t enough, Pynchon includes a “postmodern” aspect of the book that leaves the first-time reader confused. Pynchon’s voice is seen through this aspect and a sense of paranoia creeps throughout the book and everything is questioned.

ellauri069.html on line 481: Q: Is Gravity's Rainbow the greatest American novel?

ellauri069.html on line 483:   An article recently came out in the LA Times about Pynchon’s Great American Novel. The article begins by stating that Mason and Dixon is actually the most obvious candidate for the Great American Novel, and it instead suggests that Gravity’s Rainbow is perhaps the Great European Novel. The article then questions whether or not the Great American Novel even exists, and if it does if it is of a singular form or if it takes on many forms at once. After considering this question, the article finally claims that the Great American Novel is actually made up of all of Pynchon’s works fused together “into one epic Pynchoverse.” The Great American Novel certainly does not need to take place in America, but still many will argue that Gravity’s Rainbow by itself can never be considered as the Great American Novel because of its non-American setting and its wide array of characters. This is definitely debatable, but I do enjoy the idea of a “Pynchoverse” or a Pynchon Compilation being considered as the true Great American Novel. That being said, I do think most readers and Pynchonerds would undoubtedly say that Gravity's Rainbow is the Greatest Pynchon Novel. 

ellauri069.html on line 485:   To varying degrees, and woefully oversimplified, most of the novels pit a plucky heroine or poor, priapic, paranoid schnook against some vast, bureaucratic, merciless conspiracy.

ellauri069.html on line 493: Between 1987 and 2018, I made several runs at the book, but got inextricably bogged down in the prose, often giving up when the book did not yield easy rewards for the reader. I tried hard to let the reading “wash over me” but I always put the book down, never to pick it up again.

ellauri069.html on line 574: 	And now, The Romance of Helen Trent, the real-life drama of Helen Trent, who, when life mocks her, breaks her hopes, dashes her against the rocks of despair, fights back bravely, successfully, to prove what so many women long to prove, that because a woman is 35 or more, romance in life need not be over, that romance can begin at 35.

ellauri069.html on line 580:       Stella Dallas is a 1937 American drama film based on the 1923 Olive Higgins Prouty novel of the same name. Stella Martin, the daughter of a mill worker, Charlie, in a post-World War I Massachusetts factory town, is determined to better herself. She sets her sights on mill executive Stephen Dallas and catches him at an emotionally vulnerable time. Stephen's father killed himself after losing his fortune. Penniless, Stephen disappeared from high society, intending to marry his fiancée, Helen Morrison, once he was financially able to support her. However, just as he reaches his goal, he reads in the newspaper the announcement of her wedding. So he marries Stella.

ellauri069.html on line 582: A year later, their daughter, Laurel, is born. To Stella's great surprise, she discovers she has a strong maternal instinct. Even when she is out dancing and partying, she cannot help but think about her child. As Laurel grows up, Stella's ambition and scheming to rise socially is redirected to her daughter.

ellauri069.html on line 651:   Schlumpf ja Pökäler ovat pedofiilikolleegoja, toinen bylsi tytärtään Ilseä ja toinen 11-vuotiasta Biancaa, ja sen jälkeen vielä Frieda-sikaa. Vähän tollasia antisankareita, niinko kirjassa Catch-22. Love is a many-splendored thing. Niin paljon kuuluu rakkauteen... laulaa Fredi-sika. 

ellauri069.html on line 653: Love is a many-splendored thing

ellauri069.html on line 655: Love is nature's way of giving a reason to be fucking

ellauri069.html on line 663: Yes true love´s a many-splendored thing

ellauri069.html on line 700: Kurt Busiek's Astro City is an American superhero anthology comic book series centered on a fictional American city of that name. Created and written by Kurt Busiek, the series is mostly illustrated by Brent Anderson, with character designs and painted covers by Alex Ross. Nää piipertäjät on vanhoja pyyleviä ukkoja.  Tää on ysäriltä, liian uusi good old Nipistäjälle.

ellauri069.html on line 714: American poet, novelist, essayist, songwriter, playwright, editor and publisher. Known for his satirical works challenging American political culture. Perhaps his best-kĺnown work is Mumbo Jumbo (1972), a sprawling and unorthodox novel set in 1920s New York that has been ranked among the 500 most important books in the Western canon. Reed´s work has often sought to represent neglected African and African-American perspectives; his energy and advocacy have centered more broadly on neglected peoples and perspectives, irrespective of their cultural origins.

ellauri069.html on line 762:     Biographers report that Baum had been a political activist in the 1890s with a special interest in the money question of gold and silver (bimetallism). The City of Oz earns its name from the abbreviation of ounces "Oz" in which gold and silver are measured. Unssin kaupunki. For example, the Tin Woodman wonders what he would do if he ran out of oil. "You wouldn't be as badly off as John D. Rockefeller", the Scarecrow responds, "He'd lose six thousand dollars a minute if that happened." Dorothy—naïve, young and simple—represents the American people. She is Everyman, led astray and seeking the way back home. Moreover, following the road of gold leads eventually only to the Emerald City, which may symbolize the fraudulent world of greenback paper money that only pretends to have value. It is ruled by a scheming politician (the Wizard) who uses publicity devices and tricks to fool the people (and even the Good Witches) into believing he is benevolent, wise, and powerful when really he is a selfish, evil humbug.

ellauri069.html on line 766:     Hugh Rockoff suggested in 1990 that the novel was an allegory about the demonetization of silver in 1873, whereby “the cyclone that carried Dorothy to the Land of Oz represents the economic and political upheaval, the yellow brick road stands for the gold standard, and the silver shoes Dorothy inherits from the Wicked Witch of the East represents the pro-silver movement. When Dorothy is taken to the Emerald Palace before her audience with the Wizard she is led through seven passages and up three flights of stairs, a subtle reference to the Coinage Act of 1873 which started the class conflict in America.”

ellauri069.html on line 783:   Other putative allegorical devices of the book include the Wicked Witch of the West as a figure for the actual American West; if this is true, then the Winged Monkeys could represent another western danger: Indigenous peoples of the Americas. The King of the Winged Monkeys tells Dorothy, "Once we were a free people, living happily in the great forest, flying from tree to tree, eating nuts and fruit and doing just as we pleased without calling anybody master. ... This was many years ago, long before Oz came out of the clouds to rule over this land."

ellauri070.html on line 35:       We love you. You're special. - DONALD S. TRUMP

ellauri070.html on line 81: We learn that Cole Porter was notoriously promiscuous and loved giving head to young Marines. Tyrone Power, also an ex-Marine, was bisexual but preferred male sexual partners.

ellauri070.html on line 109: 42nd street musical. Dick Powell ja Ruby Keeler mv leffassa. Karseen näkönen ämmä kuin Elsa Turakainen pienenä ja kynäkaula ruipelo joka ei edes osaa ize soittaa pianoa. Sormet menee miten sattuu. We love you. You are special.

ellauri070.html on line 315: Skippy is an American comic strip written and drawn by Percy Crosby that was published from 1923 to 1945. A highly popular, acclaimed and influential feature about rambunctious fifth-grader Skippy Skinner, his friends and his enemies, it was adapted into movies, a novel and a radio show. It was commemorated on a 1997 U.S. Postal Service stamp and was the basis for a wide range of merchandising—although perhaps the most well-known product bearing the Skippy name, Skippy peanut butter, used the name without Crosby´s authorization, leading to a protracted trademark conflict.

ellauri070.html on line 342: Their four "concentric" terms are derived from Ezekiel's vision (1:4), "And I looked and behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it..." The "Three Impure Qlippot" (completely Tamei "impure") are read in the first three terms, the intermediate "Shining Qlippah" (Nogah "brightness") is read in the fourth term, mediating as the first covering directly surrounding holiness, and capable of sublimation. In medieval Kabbalah, the Shekhinah is separated in Creation from the Sefirot by man´s sin, while in Lurianic Kabbalah Divinity is exiled in the qlippot from prior initial Catastrophe in Creation. This causes "Sparks of Holiness" to be exiled in the qlippot, Jewish Observance with physical objects redeeming mundane Nogah, while the Three Impure Qlippot are elevated indirectly through Negative prohibitions. Repentance out of love retrospectively turns sin into virtue, darkness into light. When all the sparks are freed from the qlippot, depriving them of their vitality, the Messianic era begins. In Hasidic philosophy, the kabbalistic scheme of qlippot is internalised in psychological experience as self-focus, opposite to holy devekut self-nullification, underlying its Panentheistic Monistic view of qlippot as the illusionary self-awareness of Creation.

ellauri070.html on line 433: Star Trek is an American media franchise originating from the 1960s science fiction television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester's Horatio Hornblower series of novels, Jonathan Swift's Gulliver's Travels, and television westerns such as Wagon Train. Hornblowerit oli Anna-Kaisa Oraviston mielilukemistoa. Pia Pipsukka piti Heinz Konsalikista. 

ellauri070.html on line 464: Button up your overcoat,

ellauri071.html on line 40:   Kenosha Kid: Thomas Pynchon's novel Gravity's Rainbow possesses an image which has intrigued readers of the novel since its introduction. Many readers come away from the novel failing to find the answer to one question: What is the Kenosha Kid? Critics have argued about the identity of the Kenosha Kid. Some have argued that it does not really exist. Instead, it is only the result of Tyrone Slothrop´s hallucinations brought on by sodium amytal (or "truth serum"). Ironically, the idea that the Kenosha Kid comes out during a dose of "truth serum" proves to be even more confusing for readers (given it may or may not really exist). Other critics have denoted the Kenosha Kid as a dance (likening it to the "Charleston" or the "Big Apple" dances).

ellauri071.html on line 79: 709.33 Little sigma, times P of s-over-little-sigma:

ellauri071.html on line 80: "Little sigma, times P of s equals one over the square root of two pi, times e to the minus s squared over two little-sigma squared" would be the probability density function for a Normally Distributed random variable with mean zero and standard deviation little sigma (though here the traditional form has been multiplied through by little sigma, probably to make it easier for Roger to say). But this is "P of s-over-little-sigma" - a reference to things not being quite Normal? 

ellauri071.html on line 103: In 1918, Coward was conscripted into the Artists Rifles but was assessed as unfit for active service because of a tubercular tendency, and he was discharged on health grounds after nine months. At the outbreak of the Second World War Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service to persuade the American public and government to join the war.

ellauri071.html on line 107: During the run of The Vortex, Coward met Jack Wilson, an American stockbroker (later a director and producer), who became his business manager and lover. Wilson used his position to steal from Coward, but the playwright was in love and accepted both the larceny and Wilson's heavy drinking.

ellauri071.html on line 109: His biggest failure in this period was the play Sirocco (1927), which concerns free love among the wealthy. It starred Ivor Novello, of whom Coward said, "the two most beautiful things in the world are Ivor's profile and my mind". Theatregoers hated the play, showing violent disapproval at the curtain calls and spitting at Coward as he left the theatre. Taisi olla downright homostelua.

ellauri071.html on line 123: Coward's most enduring work from the war years was the hugely successful black comedy Blithe Spirit (1941), about a novelist who researches the occult and hires a medium. A séance brings back the ghost of his first wife, causing havoc for the novelist and his second wife.

ellauri071.html on line 134:   One of Coward's best-known songs is "A Room with a View". A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a humorous critique of English society at the beginning of the 20th century. Merchant Ivory produced an award-winning film adaptation in 1985.

ellauri071.html on line 161:   Nähnyt siis sen rinnan. Käsi exyy peiton alle, hakee asetoverin.

ellauri071.html on line 222: As a result of this mass exposure, Junior G-Men clubs sprouted up throughout the United States and Canada as a "law and order" themed alternative to the Boy Scouts. Junior G-Men clubs found support from police departments and non-profit organizations that saw them as a means of combating juvenile delinquency. The clubs structured children´s time with activities designed to instill law-abiding attitudes, as reflected in their slogan "It's easier to build boys than to mend men." Tätä perinnettä jatkaa nytten Donald Trump and his Proud Boys. Stand back, stand by. We love you, you are special. Least said soonest mended.

ellauri071.html on line 224: Junior G-Men was part of the larger "war on crime" campaign being waged through the mass media, which included movies, comic books and strips, radio programs, and pulp books, all of which was encouraged by the FBI and especially its director, J. Edgar Hoover prior to World War II. Most of these featured adult "G-Men" even when marketed to children. The difference with the Junior G-Men was that it was designed to give boys a sense of participating in the exciting adult world of crime-fighting. That said, aside from the original radio program, a book, Junior 'G' Men's Own Mystery Stories (by Gilbert A. Lathrop, Edward O'Connor, and Norton Hughs Jonathan) was published in 1936 and a big little book by Morrell Massey and Henry E. Vallely the following year. Eventually they also appeared on the big screen.   

ellauri071.html on line 231: Aplectrum hyemale is the sole species of the genus Aplectrum. The generic name comes from Greek and signifies "spurless". The species is commonly referred to as Adam and Eve or putty root; the latter refers to the mucilaginous fluid which can be removed from the tubers when they are crushed.

ellauri071.html on line 420: Arthur Edward Waite (2. lokakuuta 1857 — 19. toukokuuta 1942) oli okkultisti ja yksi Rider-Waite-Tarot-korttien kehittäjistä. Erehdyttävästi Wilho Pylkkäsen näköinen nuorena. Ne onkin melkein ikätovereja.

ellauri071.html on line 432: Metatron is the angel that governs the Tree of Life and the teachings of the Kabbalah. Melchidael is one of the top three of the seven archangels; Yahoel was the angel that taught Abraham the Torah and was his earthly and heavenly guide. Anafiel, "Branch of God," keeper of the keys of heaven, and the angel who looks after birds, and who carried Enoch to heaven.

ellauri071.html on line 441: Sateenkaarinotkon S. 948. noitatyttö Emätin-Geeli muka "laukeaa" laittamatta edes sormia liipasimelle, vaan kun se ajattelee tota vanhaa Tshitshikov-ukkelia. Älä unta nää Nipsutin. Hemmetti nää sedät on sit vitun ällöjä. Nyt taas näyttää uskottavalta että Tompalla oli joku neekeriottoveli Katkero jolle se oli katkera kun äiti tykkäs siitä enemmän. Ylläri.

ellauri071.html on line 471: Around 1850, a British merchant service captain, Charles Noble, upon discovering that the stack of his ship´s galley was made of copper, ordered that it be kept bright. From then onwards the ship´s crew then started referring to the galley smokestack as the "Charlie Noble". 

ellauri071.html on line 484: Nyt ollaan jo ihan loppukärhämissä. Dillinger on pynchonista joku vapaussankari, kai kun se ryösti pankkeja. Maxaa niille samalla mitalla. Se ammuttiin elokuvateatterin ovelle. "Elämän tarkoitus on omituinen kuolema." Nojju, sanois Pirkko tästä. Ehkä sinusta, ei minusta. 

ellauri071.html on line 496: Ja sama enkuxi: Galium odoratum, the sweetscented bedstraw, is a flowering perennial plant in the family Rubiaceae, native to much of Europe from Spain and Ireland to Russia, as well as Western Siberia, Turkey, Iran, the Caucasus, China and Japan. It is also sparingly naturalized in scattered locations in the United States and Canada. It is widely cultivated for its flowers and its sweet-smelling foliage. It is also used, mainly in Germany, to flavour May wine (called "Maibowle" or "Maitrank" in German), sweet juice punch, syrup for beer (Berliner Weisse), brandy, jelly, jam, a soft drink (Tarhun, which is Georgian), ice cream, and herbal tea. Also very popular are Waldmeister flavoured jellies, with and without alcohol. In Germany it is also used to flavour sherbet powder, which features prominently in Günter Grass´ novel The Tin Drum.

ellauri071.html on line 510:   Soh soh kääntäjä! "voiko olla selventänyt" s. 959 on anglismi, suomexi "onko voinut selventää" tai "liekö selventänyt". Ei pidä kompastua näin loppumetreillä, vaikka varmaankin jo väsyttää. Nipsu pääsee irti skatologisista skizoista yhtä paljon kuin täpläsika täplistään: Bodinen sormuspilli viheltää ovelasti sen peräaukossa, kylähullut vetävät käteen unisonossa ja vatkaavat penixiään kuin taistelusauvoja, ruiskauttavat suihkuina veriviiruista spermaa kiiltäville housunpunteille, ym.ym. huumeunia. Ei pitäisi käyttää noin paljon mömmöjä. 

ellauri071.html on line 554: Netzach is the sephirah 'victory', the ability of raw, emotional, passionate energy to overcome obstacles, but it needs to be balanced by Hod, the ability to rationalize and exercise a degree of self-control. If it is not balanced it becomes uncontrolled passion, desire, greed and covetousness, the dark side of Venus, which is unbridled lust. Never underestimate it, anyway. 

ellauri072.html on line 43:       Taavin niminovelli puhuu nimenomaan miehistä. Muissa novelleissa on naisiakin. Sen ihmiset on kyllä eri muotopuolia. Kirja on täynnä erilaisia narsisteja ja psykopaatteja. Se on kuin jonkinlainen ihmissudenpentujen käsikirja. Hupaisasti kyllä, nytkun mulla on yli 70 albumia ja lähes puolitoistasataa paasausta, monet jutut alkaa toistua. Onko ihmiselon koko ihanuus ja kurjuus jo vähintään kertaalleen mulla mukana? Esim. keski-iässä izemurhan tehneet epäonnistuneet narsistit (ks. Suikkasia ohessa), tai algolagniasta eli SM:stä innostuneet kuikelot (esim Swinburne, Pynchon ja nyt sitten Wallase).        

ellauri072.html on line 45: Mä vähä epäilen et Nipsulla ja Wallabyllä on ollut molemmilla samanlainen määräilevä terveydenhoito- tai opetusalalla toimiva äiti. Joka sovelsi niihin selektiivistä kylmyyttä. Ne olivat ize isänsä tapaisia pehmoisia kuohilaita. Ja sixi niistä tuli tollasia hysteerisiä realisteja.

ellauri072.html on line 135:     Heinrich von Kleist stand als Außenseiter im literarischen Leben seiner Zeit, jenseits der etablierten Lager und der Literaturepochen der Weimarer Klassik und der Romantik. Bekannt ist er vor allem für das historische Ritterschauspiel Das Käthchen von Heilbronn, seine Lustspiele Der zerbrochne Krug und Amphitryon, das Trauerspiel Penthesilea sowie für seine Novellen Michael Kohlhaas und Die Marquise von O....

ellauri072.html on line 162: Frost calculated that the best way to win her over was to present her with a volume of his first poems. He put them together in a pamphlet, had them printed on fine paper and bound in leather with gold print. When he got to the front door of her boarding house in Canton, New York, Hart said, “She basically shut the door in his face.”

ellauri072.html on line 208:       This surprising, even shockingly "liberal" view of homosexual love as being the counterpart of the heterosexual kind should cause more notice than it generally does; perhaps even greater surprise should attend the extraordinarily generous gestures made toward the three Florentine homosexual politicians, Iacopo Rusticucci, Guido Guerra, and Tegghiaio Aldobrandi, whom we encounter in Inf. 16. They are presented as being among the most admirable figures in Hell. Let us examine the scene briefly. Virgil, who so often warns Dante when the latter begins to admire or become sympathetic (or overly concerned with) the damned, here is urgent in his approbation of these three sinners: "a costor si vuole esser cortese." This is the only time in Hell in which cortesia is mentioned as a fitting response to the damned except for Beatrice's and Dante's use of "cortese" for Virgil (Inf. 2.58, 2.134). The following tercet only emphasizes the guide's appreciation of their worthiness.

ellauri072.html on line 213:       Leaving Dante and Virgil, the sinners vanish so quickly that "Un amen" could not be uttered in so little time. That Dante should turn to the language of prayer for his comparison, notwithstanding the proverbial and popular origins of the phrase, probably also reflects on the esteem that he felt and continues to feel for the three Florentines. It is a rare thing in the Inferno to find a moment in which the pilgrim, the poet, and the guide are all in absolute agreement, and certainly with respect to the human worth of sinners. 

ellauri072.html on line 318:   Tiedelehti tuuttaa: "Ihmiset lumoutuvat kexityistä tapahtumista esimerkixi sarjoissa, tietokonepeleissä, romaaneissa ja elokuvissa". Mä en. En jaxa fantasioita, en seikkailuja enkä juonenkäänteitä. En taida olla enää ihminen. Siitä olen vaan tosi iloinen. Ehkäpä aivoni ovat menneet overfitin puolelle, eivätkä enää ota vastaan randomeja syötteitä. Minusta on tullut ropotti. Marvin the manic depressive droid lihasta ja verestä. “My capacity for happiness, you could fit into a matchbox without taking out the matches first.” 

ellauri072.html on line 487: It is highly likely that while reading “Every Love Story Is a Ghost Story,” D. T. Max’s biography of David Foster Wallace, you will experience both of the following emotions. The one is that you find it painful, to read about someone in chronic severe emotional distress. The other emotion is that you just don’t find Wallace all that nice.

ellauri072.html on line 489: You find yourself thinking that you wouldn’t have wanted him as your brother or lover or close friend, though he would probably have been a very good neighbor, course instructor, A.A. sponsor, or fellow American. You feel, to be honest, repelled.

ellauri072.html on line 495: Maybe you were a bit quick to straighten that miter you now realize you were wearing and, of course, speck-of-sawdust-in-your-brother’s-eye, etc., and also, as Alcoholics Anonymous would put it, Whoever is upsetting me most is my best teacher, and as Wallace put it, in his novel “Infinite Jest,” “It starts to turn out that the vapider the A.A. cliché, the sharper the canines of the real truth it covers.”

ellauri072.html on line 499: David Foster Wallace wrote three novels, three story collections, two collections of essays, and other things too, but his reputation still rests mainly on “Infinite Jest” — the 1,100-page novel published in 1996 and set alternately in a tennis academy and a rehab center — and on his sui generis now-nearly-a-genre long-form journalism about topics ranging from lobsters to dictionaries to John McCain to the Adult Video News awards for pornographic films. Wallace’s best work, perhaps by far, is “The Pale King,” an unfinished novel about I.R.S. employees that was assembled posthumously by Wallace’s editor, Michael Pietsch.

ellauri072.html on line 505: Rivka Galchen is an award-winning fiction writer and journalist who loves noodles and numbers and modest-sized towns in Oklahoma where her meteorologist dad and computer data entry mom might have worked.

ellauri072.html on line 508: Infinite Jest is not the only thing that made Wallu famous, though. There was also his bandanna, which was as misinterpreted as so much else about him. As the Max biography explains, Wallace started wearing the bandanna as the least embarrassing solution he could think of to obscure the intense sweating attacks that overcame him without warning. (In high school, he had taken to carrying around a tennis racket and a towel as a tacit cover story for the sweating.) The acutely self-conscious, anxious, addicted and at times showy characters in Wallace’s fiction were not, Max helps us recognize, wildly difficult for Wallace to imagine — the characters were iterations of himself.

ellauri072.html on line 512: Wallace had lifelong troubles not only with anxiety but also with alcohol, anger, impulsiveness, obsessive love, pursuit of rejection, extreme self-­consciousness, abysses of depression and lying even more than the rest of us.

ellauri072.html on line 536: Wallace’s fiction is, in its attentiveness and labor and genuine love and play, very nice. But what is achieved on the page, if it is achieved, may not hold stable in real life. As another dangerously romanticizeable suicide, Heinrich von Kleist, once said: “It is not we who know but rather a certain state of mind in us that knows.” And one is not always in the same state of mind.

ellauri072.html on line 590: In the 1996 novel Infinite Jest by David Foster Wallace, each year has a corporate sponsor; most of the action takes place in year 8, the "Year of the Depend Adult Undergarment".

ellauri072.html on line 608: Lao Rui: eikä tapahdu. Se on vaan hämäystä. Dove saippua lanseerattiin 1957. Dove vuosi vois olla 1957+8 = 1966. Wallu on 4v. Se tai sen pikkusisko syö kellarisientä.

ellauri072.html on line 630: After an argument with Susan on the night of January 31, 1984, Susan told Wallace to move out the next day. After Susan, Anna and Gabe left the next day, Wallace did not leave, and instead stayed in the house and decided to kill them.

ellauri072.html on line 639: Under Arizona law in 1984, when Wallace turned himself in and confessed to the three murders, to be given the death penalty, prosecutors had to prove that the crime was especially heinous by showing that Wallace either relished in the crime, inflicted gratuitous violence or needlessly mutilated the victims.

ellauri072.html on line 643: While living with Susan Insalaco in her Tucson apartment, he came home drunk on Jan. 31, 1984 and Susan told him he had to move out. The next morning, Susan went to work and her son Gabriel, 12, and her daughter Anna, 16, went to school.

ellauri073.html on line 177:     Alice Miller, born as Alicija Englard (12 January 1923 – 14 April 2010), was a Polish-Swiss psychologist, psychoanalyst and philosopher of Jewish origin, who is noted for her books on parental child abuse, translated into several languages. She was also a noted public intellectual. In her books she departed from psychoanalysis, charging it with being similar to the poisonous pedagogies. she felt that psychoanalytic theory and practice made it impossible for former victims of child abuse to recognize the violations inflicted on them and to resolve the consequences of the abuse, as they "remained in the old tradition of blaming the child and protecting the parents." She addressed the two reactions to the loss of love in childhood, depression and grandiosity.

ellauri073.html on line 183:     This role secured "love" for the child—that is, his parents' exploitation. He could sense that he was needed, and this need, guaranteed him a measure of existential security.

ellauri073.html on line 206:       A big reason why so many young Independents and Democrats are excited about McCain is that the campaign media focus so much attention on McCain’s piss-and-vinegar candor and so little attention on the sometimes extremely scary right-wing stuff this candor drives him to say. John McCain´s morning speech several times invoked a “moral poverty” in America, a “loss of shame” that he blamed on “the ceaseless assault of violence-driven entertainment that has lost its moral compass to greed” (McCain’s metaphors tend to mix a bit when he gets excited), and made noises that sounded rather a lot like proposing possible federal regulation of all US entertainment. No siinä olis kyllä ollut järkeä.

ellauri073.html on line 220:       Negativity on vastapuolen haukkumista, esim. Push polling: George W. Bush used push polls in his 1994 bid for Texas Governor against incumbent Ann Richards. Callers asked voters "whether they would be more or less likely to vote for Governor Richards if they knew that lesbians dominated on her staff."

ellauri073.html on line 225:       Selvästikin oikea johtaja ei ole vaan joku jolla on samanlaiset mielipiteet kuin sulla, eikä sellanen joka susta vaan on hyvä tyyppi. Oikea johtaja on joku joka oman supervoimansa ja karismansa ja esimerkkinsä avulla antaa inspistä porukoille, "inspis" nyt vakavasti ja epäkliseisessti ymmärrettynä (mitähän sekin olisi...) Oikea johtaja saa "meidät" tekemään asioita jotka "meistä" tuntuu "sieltä" hyvältä. Se on "mystinen" kyky, vaikee määritelä, mutta kyllä "me" se tunnistetaan kun nähdään, jopa (ja varsinkin tekis mieli sanoa) lapsina. "Sä" muistat sen varmaan joissain tosi mahtavissa koutseissa, opettajissa, tai jossain erikoisviileässä isommassa kaverissa jota kazoit "ylöspäin" (kiinnostava ilmaus) ja halusit matkia. Jotkut "meistä" muistaa nähneensä tän piirteen lapsena jossain pastorissa tai rabbissa, tai parzikajohtajassa, tai vanhemmassa tai kaverin vanhemmassa, tai jonkun kesätyön bossissa. Joo, nää oli kaikki "auktoriteettihahmoja", mutta tää on jotain aivan erikoista auktoriteettia (höpön höpön, se on kaikki just sitä samaa tavallista alfasusimeininkiä). Jos olit intissä, tiedät kuink tosi helppoa on sanoa mitkä kapiaisista oli oikeita johtajia ja mitkä ei, ja miten vähän nazat siihen vaikuttaa. (Tää on kuin ote Tuntemattomasta sotilaasta.) Johtajan oikea arvovalta on supervoima jonka sille myönnät mieluusti (no en takuulla), ja annat sille tän powerin ihan mielellään, olematta alistunut tai kaunainen, se tuntuu "oikealta". (Vitut, sellaista hemmoa ei mulle olekaan). Ihan syvältä, sä aina tykkäät siitä miltä oikea johtaja saa sut tuntumaan, sä paiskit töitä kovemmin tai oikein venytät ja ajattelet ettet ois tähän pystynyt ellei sulla olis ollut tätä heppua jota sä kunnioitit ja johka sä uskoit ja jota sä haluut miellyttää. (HYI HELVETTI! Jopa on paxua.) 

ellauri073.html on line 227: Toisin sanoen, oikea johtaja on joku joka "auttaa" meitä voittamaan oman henk.koht. laiskuuden ja izekkyyden ja heikkouden rajoituxet ja saa meidät stahanovilaisiin ponnistuxiin, tekemään hyvempiä ja kovempia asioita kuin mitä ize pystymme. (Tommonen niinko persoonallinen treineri, tai Matt Foley, motivational speaker. I am 35 years old, thrice divorced, living in a van down by the river. Yks, kaks, Petteri mukaan. Kazokaa Lallia, kolme, neljä. Vitun Tuomo Jalantie, musta sillä ois saanut vaikka pyyhkiä koiranoxennuxia.) Lincoln oli nähtävästi oikea johtaja (onnexi se ammuttiin), ja Churchill (aimo kusipää vessa kengänkärjessä), ja Gandhi (sankarillinen ruipelo eläinlääkixen edessä jolta viedään aina rillit nenältä), ja King Kong. Teddy Kennedy ja Franklinin Benjamin, ja todennäkösest de Gaulle (se oli pitkä ainakin, ja isonenäinen, hassu verikauha päässä), takuulla ryhmä Haun palomieskoira Marshall, ja ehkä Eisengardin Saruman. No olihan tietty Hitlerkin oikea johtaja, ja eri pätevä, niin että paras varoa; eihän tää ole muuta kuin lavakarismaa. “Älä kysy mitä maasi voi tehdä puolestasi, kysy mitä sä voit tehdä maasi puolesta.” Tämmöstä totalitääristä paskanjauhantaa. Myynnin ja markkinoinnin tieteet olivat vielä kuolaavissa lapsenkengissä 1961 kun Kennedy tän kekkasi. Nuoret ihmiset tinttijulisteineen ei olleet olleet markkinoinnin uhreja koko ikänsä. Ne ei tienneet mitään kierrepalloista. Ne eivät olleet totaalisen, karmean perillä mainosmiehistä.

ellauri073.html on line 233: Äärioikislainen National Review kuzui McCainia “roistoxi" ja "pellexi", vanha vassari New York Review of Books meinas että “McCain ei ole anti-Clinton vaan pikemminkin epäclinton, niinkun 7Up on epäkola: eri maku, sama sokeri".  Poliittisesti välinpitämätön Vanity Fair lainaa syvää kurkkua joka sanoo “Älkää aliarvioiko McCainin oveluutta, se on kova laskelmoimaan meediavaikutuxia."

ellauri073.html on line 262: Foley is disheveled, sweaty, obese, clumsy and unstylish. He exhibits poor social skills, frequently loses his temper, often disparages and insults his audience, and wallows in cynicism and self-pity about his own poor life choices, to which he often makes reference. Foley's trademark line is warning his audience that they could end up like himself: "35 years old, eating a steady diet of government cheese, thrice divorced, and living in a van down by the river!" In most sketches, whenever a member of his audience mentions a personal accomplishment, Foley responds with mockery: "Well, la-dee-frickin-da!", "Whoop-dee-frickin-doo!", or a similarly dismissive remark. The usual outfit of choice for Foley is a too-small blue-and-white plaid sport coat, a too-big white dress shirt, a solid green necktie, black horn-rimmed glasses, ill-fitting khakis which he is continually pulling up, a wristwatch, penny loafers, and slicked-down blond hair. In a prison sketch, he dons blue jeans and a denim shirt with the inmate number "3307" while retaining his watch, glasses and a crucifix necklace (he also mentions a "homemade tattoo of a van down by the river"). While working as a mall Santa in another sketch, he wears a stereotypical Santa outfit, complete with black snow boots.

ellauri073.html on line 264: He overindulges in coffee and caffeine-based products and exhibits extreme hyperactivity as a result. In almost every appearance, Foley mentions drinking espresso or coffee, or taking NoDoz and even brings a duffel bag with a pot of coffee to the gym to teach a spinning class. His clients will often mention him either drinking coffee or eating coffee beans before calling him in to begin his presentation.

ellauri073.html on line 267:       The character's debut performance (May 8, 1993) has been called one of the best segments in SNL history. The reception of the audience combined with visible stifled laughter from David Spade and Christina Applegate on stage added to the popularity of the sketch. Notable physical gestures from Farley included what Spade referred to as “the thing with the glasses” when Farley lifted his glasses on and off of his face commenting, “Hey Dad, I can’t see real good, is that Bill Shakespeare over there?” and perhaps the most defining gesture was one that Farley saved for the live performance when he alternated hands adjusting his trousers, grabbing the hilt of his belt with one hand and the back of his pants with the other.

ellauri073.html on line 269:       In the sketch itself, Foley attempts to motivate two teens, played by Spade and Applegate, to "get themselves back on the right track" after the family’s cleaning lady finds a bag of marijuana in their home. Foley’s attempt to motivate them falls short when he repeatedly insists that they're "not going to amount to jack squat" and will end up “living in a van down by the river!” Foley attempts to endear himself to Spade's character by telling him they're "gonna be buddies" and that everywhere he goes, Foley will follow. Comparing himself to Spade's shadow, Foley jumps about where he's standing and then dives into the coffee table, though he picks himself up moments later. None of the other cast members knew that Farley was going to do this and their startled reactions are genuine. The sketch ends with Foley offering that the only solution to solve the family's problems is for him to move in with them. Horrified, Applegate begs him not to, vowing never to smoke pot again. Even so, Foley leaves the house to get his things from his van and the family locks him out, finally reconciling and admitting to how much they love each other.

ellauri073.html on line 275: Quickly on your attacks on Wallace's writing style, I will mention that -- contrary to your rather baffling notions -- people did enjoy Infinite Jest and other works of his. They will continue to do so for decades. Listen Fartey: his work will live on. People recognize great writing wherever it materializes. Forget your distaste of footnotes, or your struggle in understanding the themes and ideals his work encompasses. His audience is clearly beyond you, so try to see that not everyone feels the same as you. You don't have to like his writing, but when you detract from it it makes it even more apparent that you are the lesser man. Your comments on Foster's writing ability led me to some of your other articles, and to be completely honest, it wasn't all bad. I genuinely enjoyed your "Fucking vs. Making Love" poetry bit, although it did seem like a cheap knockoff of Black Coffee Blues. Regardless, I can still acknowledge that the piece had its moments. However (and this is where I want you to pay attention you tub of lard), the piece can also be slammed in several areas. This is highly important, as we can see the parallels between this aspect of "Fucking vs. Making Love" and anything David Foster Wallace wrote. When it comes down to it, your writing can be criticized stylistically and formatically just like his can; the only difference is that there are few that actually give a shit about your writing, whereas Wallace's work is meaningful to the point where people have legitimate incentive to think critically about it. So defile it with your petty blog posts all you want, but at the end of the day you're the one who's only making yourself look bad, and as a heavily obese man based in Europe you are surely having few problems achieving this in the status quo, since Europeans are notably fatist.

ellauri073.html on line 340: Rock Your Day -videoita varten Immonen on joutunut opettelemaan äänenkäyttöä. ”Nuorempana mulle sanottiin, että voitko puhua vähän kovempaa, mutta tää osoittaa että se on harjoittelukysymys. Kovalla harjoittelulla ja työllä jokainen ihminen saa sitä ääntä lähtemään niin paljon kuin tarvii.”

ellauri073.html on line 393:   Taavi koitti ensin olla vanhemmille mielixi, luki isän vanhassa yliopistossa Amherstissa äidinkieltä ja filosofiaa kandiin asti ja lähti vielä opiskelemaan jatkotutkinnossa modaalilogiikkaa ja matikkaa. Se lauloi yliopiston kuorossa kauniisti. Taavi kirjoitti gradun nimeltä Fate, time, and Language: An Essay on Free Will (2011). Sovelsi sitten opittua: lopetti luvut ja rupesi kirjailijan epävakaalle uralle. Se sanoi David Lipskylle että filosofiassa sen pää kävi vaan yhdellä pytyllä, kirjallisuudessa käynnistyi koko 2-tahtimoottori. 

ellauri073.html on line 395:   Taavin opetusura kirjallisuudessa ei ollut näyttävä. Se oli assarina Emerson collegessa, sitten Illinoisin valtionyliopistossa, ja lopuxi Kaliforniassa Roy Disney-professorina (Roy oli Waltin vaatimattomampi isoveli joka möi pölkkäreitä.), missä kirjoitteli Loppumatonta läppää.  

ellauri073.html on line 408: Olen vit- tarkoitan whittler, sanoi myyntimiesmäinen väkäleuka noitaämmä skottityttöpiirretyssä. Vaimoni on noita-sarjan vakiovieraana esiintyi Samanthan äiti Endora (Agnes Moorehead), joka paheksuu tyttärensä avioliittoa "kuolevaisen" kanssa. Vierailulla kävi usein myös muita Samanthan sukulaisnoitia ja velhoja, mm. ovennuppeja keräilevä täti Clara ja "käytännön piloja" (sic) harrastava setä Arthur. Stephensit saavat toisella tuotantokaudella tyttären, Tabathan, joka on perinyt äitinsä noitavoimat. Myöhemmin he saivat myös pojan, Adamin joka vaikuttaa isänsä tapaan olevan kuolevainen.

ellauri073.html on line 428: Kaxikymppisenä siitä tuli Taistelupuron adventistihoitolan presidentti ja lähti soveltamaan periaatteitaan potilasparkoihin. Niistä dieetti oli niin ikävystyttävä, että JH, sen vaimo Ella ja veli HK, joka oli 8v nuorempi, alkoivat kokeilla hiutaleiden tekoa. Ja nehän maistuivat! Kaveruxet möivät aluxi hiutaleitaan postimyynnissä entisille potilaille, mutta sitten mainostivat niitä lehdissä ja ilmoitustauluilla, mistä kilpailijat saivat vihiä ja tunkivat markkinoille kopioimaan Kelloggsien liikeideaa. Yx ex-potilas, CW Post teki Rypälemunkkeja granolakexeistä ja kahvinkorviketta nimeltä Postum matkien röyhkeästi Kelloggsien tuotetta. Se menestyi niin hyvin, että 1900 Postin Postum Hiutale Yhtiö teki jo $3M vuositulosta. Kelloggseja harmitti. 

ellauri073.html on line 430: Postin tyttärestä Marjoriesta tuli myös upporikas liikemies joka rakennutti Floridaan valtavan moision nimeltä Mar-a-Lago. Möi sen röyhkeälle grynderille nimeltä Trump, josta tuli Taistelumaan 45. POTUS. Nyt Trump on saanut potkut ja ryömii moisioonsa murjottamaan. Siis Marjorien moisioon. Syömään Marjorien muroja kultaisella vessanpöntöllä vääntynyt golfmaila kädessä ja juomaan ylijääneitä edustusviinoja. Ei vaitiskaan ei Akulla ole viinaa kotona. Sen isoveli joi jo kaikki. Niilläkin oli aika sairaat kotiolot kuten Wallulla. Isä kaatoi perunamuusikattilan Detention Donin päähän. Wallu vaan veti oikeammat johtopäätöxet, eli meni kattopiiruun lepäämään.  

ellauri073.html on line 443: “seemed intuitively to sense that it was a matter not of reduction at all, but—perversely—of expansion, the aleatory flutter of uncontrolled, metastatic growth—each well-shot ball admitting of n possible responses, n-squared possible responses to those responses, and on into what Incandenza would articulate to anyone who shared both his backgrounds as a Cantorian continuum of infinities of possible move and response, Cantorian and beautiful because infoliating, contained, this diagnate infinity of infinities of choice and execution, mathematically uncontrolled but humanly contained, bounded by the talent and imagination of self and opponent, bent in on itself by the containing boundaries of skill and imagination that brought one player finally down, that kept both from winning, that made it, finally, a game, these boundaries of self.”

ellauri073.html on line 454: Photo by Victoria Lynn Hogan, my true love and colleague, shows a rather hairless dense looking  guy peering inquiringly at a little plastic jar containing some goo.

ellauri073.html on line 507: URBANA — Sally Foster Wallace, 82, passed away peacefully and surrounded by love on July 22, 2020, at home in Tempe, Ariz.

ellauri073.html on line 510: After receiving her master’s degree from the University of Illinois, Mrs. Wallace was an English professor at Parkland College for 35 years. Her passion for learning was paired with a passion to help others learn — she was an enthusiastic, rigorous and above all compassionate instructor who made sure every student she had knew how much their voice mattered. Even after retiring, she taught in correctional facilities around Illinois and volunteered as a companion for Illinois CASA. In 2012, she and her husband, Jim, decided to move from their beloved city of Urbana to Florence, Ariz., to be closer to their family. There, they volunteered with Arizona CASA, hosted family dinners every Sunday, and adopted a much-loved terrier mix named Angus.

ellauri073.html on line 516: Sally is remembered as a wickedly funny, funnily wicked, generous and compassionate woman who made friends everywhere she went. She had an unmatched love for the English language and inspired countless others — including her students, children and grandchildren — to pursue their passion of writing. She was fearless in every sense of the world, and in the final years of her life, tried many new things, such as zip-lining, main-lining, and attending monthly poetry slams.

ellauri073.html on line 540: David Foster Wallace became a regionally ranked tennis player while growing up in Illinois. David Foster Wallace´s thesis, The Broom of the System, that he wrote while at Amherst College was published in 1987 while he was attending graduate school. In 1989 David Foster Wallace´s short story collection titled Girl with Curious Hair was published. After graduating from the University of Arizona David went on to study philosophy at Harvard University but soon chose to leave. He moved to Syracuse to be with the poet and novelist Mary Karr. While in Syracuse David Foster Wallace wrote most of his famous novel Infinite Jest. The finished book was 1,100 pages long. The novel dealt with addiction, art, and consumerism, and was set in the near future.

ellauri074.html on line 124:   Whopperin vuosi edeltää Tucks lääketyynyn vuotta. Sitä seuraa Dove testisaippuan vuosi. Se on väärin käännetty, po. näytesaippua. Muissakin vuosissa on virheitä. 

ellauri074.html on line 126:     Dove soap was launched in the United States in 1957 as a non-irritating skin cleaner for treatment use on burn and wounds during World War II under, the one of the largest consumer products companies in the world, Unilever. The basic Dove bar was reformulated as a beauty soap bar with one-fourth cleansing cream. It was the first beauty soap to use mild plus moisturizing cream to avoid the drying skin.

ellauri074.html on line 146:   Samuel 5:12 After the Ark moved to Ekron, perpetrators smitten by ‘‘emerods.’’

ellauri074.html on line 163:     The Perdue Farms company was founded in 1920 by Arthur Perdue and his wife, Pearl Perdue, who had been keeping a small flock of chickens. The company started out selling eggs, then in 1925, Perdue built the company's first hatchery, and began selling layer chicks to farmers instead of only eggs for human consumption. His son Frank Perdue joined the company in 1939 at age 19 after dropping out of college. The company was incorporated as A.W. Perdue & Son and Frank Perdue assumed leadership in the 1950s. The company also began contracting with local farmers to raise its birds and supplying chickens for processing as well as opening a second hatchery in North Carolina during this period. Perdue entered the grain and oilseed business by building grain receiving and storage facilities and Maryland's first soybean processing plant. In 1968, the company began operating its first poultry processing plant in Salisbury. This move had two effects: it gave Perdue Farms full vertical integration and quality control over every step from egg and feed to market, as well as increasing profits which were being squeezed by processors. This move enabled the company to differentiate its product, rather than selling a commodity. In 2013, Perdue was reportedly the third-largest American producer of broilers (chickens for eating) and was estimated as having 7% of the US chicken production market, behind Pilgrim's Pride and Tyson Foods. Perdue antoi kanalle nimen tuotteistamalla sen. Poules Perdues. 

ellauri074.html on line 171:     Doven testisaippuan vuosi 2004

ellauri074.html on line 192:     Year of the Trial-Size Dove Bar 2004

ellauri074.html on line 207: Most of the action in the novel takes place in the Year of the Depend Adult Undergarment, or Y.D.A.U., which is probably AD 2009, taking the Year of the Yushityu... (the lengthily titled 6th Subsidized Year) as 2007. Critic Stephen Burn, in his book on Infinite Jest, argues convincingly that Y.D.A.U. corresponds to 2009: the MIT Language Riots took place in 1997 (n. 24) and those riots occurred 12 years prior to Y.D.A.U. (n. 60).

ellauri074.html on line 208: Other evidence that Y.D.A.U. is 2009 includes the mention that November 20, Y.D.A.U. is a Friday (p. 198). Years on which November 20th is a Friday include 1992, 1998, 2009, 2015, 2020, etc. The most fitting of these is 2009.

ellauri074.html on line 209: It is also possible that Y.D.A.U. is 2008, as Matty Pemulis turns 23 in Y.D.A.U. (p. 682). Matty's (and Mike's) father came over in 1989 when Matty was "three or four" (p. 683). If Matty had been three and four in 1989, he was born in 1985, which would mean he turns 23 in 2008.

ellauri074.html on line 215:     Pemulisten lämminhenkinen irkkuisi tuuppi peppuun isoveli Mattya pikkupoikana. Mikki makas hiljaa lastensängyssä ja kuunteli. Isillä oli alentava työ telakalla näät. Jotenkin hämärästi sekin oli Mattyn äiskän vika. Matty oli Orinin ikätveri. Siitä tuli maxullinen hinuri. Varjelkoon ettei tämäkin ole izekoettua.

ellauri074.html on line 220: A motivational speaker or inspirational speaker is a speaker who makes speeches intended to motivate or inspire an audience. Such speakers may attempt to challenge or transform their audiences. The speech itself is popularly known as a pep talk. Motivational speakers can deliver speeches at schools, colleges, places of worship, companies, corporations, government agencies, conferences, trade shows, summits, community organizations, and similar environments. Their main motivation is money. Faith, fear, and credit. They're all made up. External links:

ellauri074.html on line 234:     If you are interested in personal development or self-help you have heard of Tony Robbins. The self-made peak performance coach has been helping individuals become the best versions of themselves since the early 1980s. He has grown in popularity over his career through books, seminars, infomercials, and podcasts. All of these accomplishments have led Tony Robbins to have a net worth of $500 million dollars in 2021. In this post, we will discuss how Robbins has amassed his wealth and how you can do the same.

ellauri074.html on line 239: One day, when speaking with his landlord, Tony was asking him how he got so successful. The landlord replied that he went to a Jim Rohn seminar (Rohn was a famous motivational speaker at the time). Robbins had no clue what a seminar was so he asked his landlord to explain. The landlord said that a seminar is when a man takes everything he’s learned over the years of his life, and he condenses his knowledge into four hours.

ellauri074.html on line 243: So, he approached Rohn after the seminar and asked to become his pupil. Rohn agreed, and over the next few years, Robbin was able to take the lessons he learned from Rohn and apply it to his own unique style. Robbins became an avid reader of psychology and incorporated many theories from behavioral psychology into his approach. Robbins perfected this approach through hundreds of seminars across North America and even did seminars for free to help perfect his craft. By the age of 26, Tony Robbins had a net worth of millions of dollars and was a best selling author.

ellauri074.html on line 247: One way he would get people to do this is by making them do a firewalk over a bed of hot embers. Most people at his seminars normally thought that would be impossible. By showing them that they can walk on fire, it helped the attendees see that they had preconceived notions that weren’t true. (The trick is to wear thick-soled shoes with a huge carbon footprint.) 

ellauri074.html on line 255: Tony Robbins has written over six books throughout his career. (Over six? like almost seven?) His first book, Unlimited Power, was published in 1986 and became a national bestseller. He has also written many other great books such as Awaken The Giant Within, Notes From A Friend, MONEY Master the Game, Giant Steps, and Unshakeable.

ellauri074.html on line 258: In 2016, he launched the Tony Robbins Podcast. The first season was primarily focused on ways for small to medium-sized businesses to gain an advantage over their market. He has since pivoted to not only talk about how to build a bigger business but also topics such as how to deepen your relationships, become more productive, and live in abundance. The Tony Robbins Podcast has thousands of 5-star reviews on Apple Podcasts and has been downloaded by millions of people worldwide.

ellauri074.html on line 260: As of 2021, Tony Robbins has a net worth of 500 million dollars. He lives in a $25 million mansion in Manalapan, Florida which has a lakeside dock, an infinity pool, and a beautiful master bedroom overlooking the ocean.

ellauri074.html on line 412: G. A. Moore, Jr. is a retired Texas high school football head coach. He retired after completing the 2011 season with a career head coaching record of 426–92–9, which at the time was the most in Texas high school football history. Moore's win total was passed on November 3, 2016, by Phil Danaher of Calallen High School in Corpus Christi, Texas.

ellauri074.html on line 446: Vasili Ivanovitš Belov (ven. Васи‌лий Ива‌нович Бело‌в, 23. lokakuuta 1932 Vologdan alueen Harovskin piirin Timonihan kylä – 4. joulukuuta 2012) oli neuvostovenäläinen kirjailija.

ellauri074.html on line 466: Mullon tää: Kaksi valoisaa vastakkain: humoristisia kertomuksia ja novelleja (Celujutsja zori). Suom. Ulla-Liisa Heino. Moskova: Raduga, 1984. – Maailma ja me, Novelliliite, 1984. (Sisältää niminovellin lisäksi "Vologdalaisjaarituksia" ja humoristisia kertomuksia.)   

ellauri074.html on line 477: It is written: "You shall walk modestly with your God." It is therefore necessary to be modest in all your ways. Thus when putting on or removing your shirt or any other garment from your body you should be very careful not to uncover your body. You should put on and remove the garment while lying in bed under a cover. You should not say: "I am in a private, and dark place." "Who will see me?" Because the Holy One, Blessed is He, Whose glory fills the entire world [sees] and to Him darkness is like light, Blessed be His Name. Modesty and shame bring a person to submissiveness before Him, Blessed be His name. He does not want to look at your hairy genitals. He knows how they look, after all He made them. Don't worry He does not peek under the cover, although He could. 

ellauri074.html on line 485: MKUltra used numerous methods to manipulate its subjects' mental states and brain functions. Techniques included the covert administration of high doses of psychoactive drugs (especially LSD) and other chemicals, electroshocks, hypnosis, sensory deprivation, isolation, verbal and sexual abuse, as well as other forms of torture.

ellauri074.html on line 509: SIDNEY GOTTLIEB: Hej Tobbe! Ensamheten är jobbig för unga män men också ett sätt att lära känna sig själv, en del av dig åtminstone. Vilka sociala behov har du? Varför känner du dessa behov? Hur kan du tillgodose behoven trots pandemin? Det finns otroligt många sätt att vara social alone, både med vänner och tillfälliga partners. Testa något av dessa som du är nyfiken på. Våga också vara öppen i hålet där baktill med dina klasskompisar, de har det säkert på ett liknande sätt och kanske kan ni lära känna varandra djupare om ni är öppna om detta. Eller ring gärna till mig!  Lycka till!

ellauri074.html on line 515: Har oro och ångest över vad jag än gör...veckohandla mat sent på kvällen. Gå till mitt arbete i förskolan med alla kontakter med vuxna och barn. Komma nära folk vid promenader. Sover dåligt på natten...känner mig väldigt deppig och trött. Svårt att se något positivt. Vad ska jag göra. Vad är meningen med allt...kommer det vara såhär för alltid...vad finns det för mening då. Inte få träffa syskon och föräldrar...

ellauri074.html on line 669: A Tale of a Tub. Written for the Universal Improvement of Mankind. was the first major work written by Jonathan Swift, arguably his most difficult satire and perhaps his most masterly. William Wotton wrote that the Tale had made a game of "God and Religion, Truth and Moral Honesty, Learning and Industry" to show "at the bottom Jonathan´s contemptible Opinion of every Thing which is called Christianity." The work continued to be regarded as an attack on religion well into the nineteenth century. The overarching parody is of enthusiasm, pride, and credulity. It was widely misunderstood, especially by Queen Anne herself who purposely mistook its purpose for profanity. It effectively disbarred its author from proper preferment in the Church of England, but is considered one of Swift´s best allegories, even by himself. 

ellauri077.html on line 46: This article examines David Foster Wallace’s Infinite Jest alongside its eponymous film, arguing that they share a common purpose, but that the former succeeds where the latter fails. Coupled with a biographical and phenomenological analysis, the aim of this examination is to better understand Infinite Jest’s place in the cultural and literary movement away from post-modernism. Through the novel, Wallace seeks a cure for the postmodern malaise that is irony, which creates a distancing effect between author and reader. I argue that he collapses this distance by creating a conversation-like novel that uses sentimentality and endnotes to converse with a generation bombarded with easily consumable irony from television, advertisements, and even art. The results of this conversation are the curtailing of passive consumption of entertainment and the beginning of a new sincerity in literature, which allows for grand narratives without the unending cynicism of postmodernism.

ellauri077.html on line 54: Onko Christoffer Bartlett1 oikeassa että tää ei olekaan postmoderni romaani vaan merkkaa paluuta Dickensläisiin suuriin kertomuxiin? Tokkopa. Kyllä Wallu on aika keekoileva, ei tää mikään David Copperfield ole, vaan ihan vaan David Sikiö. Ei se mitenkään tee parastansa että lukija ymmärtäisi mitä se on ajamassa takaa. Aika postmodernia puun takaa tirkistelyä tääkin on, vaikka vähemmän kuin 2 muuta puurtamaani tiiliskiveä, Pynchon ja sen suomalainen coveri. Se on sentään kiva että Risto mätkii leffatuotantoa kunnon petkeleellä, navan alle napsuttelee suurella sukunuijalla kuin vaka vanha Wäinämöinen pani piika pikkaraista.  

ellauri077.html on line 73:     Ei hizi pitää kertoa vielä tarkemmin, kuten Wallu ize tekee 'Vastenmielisten miesten' ekassa novellissa 'Ei kuolema ole päätepiste'. Se alkaa näin:

ellauri077.html on line 115: Vuonna 1984, David Foster Wallace päräytti ekan novellinsa, ‘Trillafonin planeetta ja sen suhde pahaan asiaan’, joka julkaistiin Amherstin kazauxissa. Senjälkeen se jatkoi novellien julkaisua, joista monet sisältyy sen ekaan novellikokoelmaan, 'Tyttö omituisella tukalla', julk. elok. 1989.

ellauri077.html on line 129: Lähdettyään Grandada Talosta Wallace muutti Syrakusaan, missä alkoi kirjoittaa 'Loputonta läppää' v. 1991. Se julkaisi 3 novellia: 'Käsin tekemätön kirkko', 'Ainiaan pään yläpuolella', ja 'Järjestystä ja mylläkkää Northamptonissa', samana vuonna. Myöhemmin samana vuonna se liittyi Emerson Collegeen Bostonissa kirjallisuuden assistenttina.

ellauri077.html on line 131: V. 1993 Wallu siirtyi Illinoisin valtionyliopiston englannin laitoxelle. Samana vuonna ilmestyi sen novelli 'Ylösnoussut kani' Harperin lehessä ja joulukuussa Wallu palautti 'Loputtoman läpän' käsikirjoituxen.

ellauri077.html on line 135: V. 1997 Wallu alkoi tutkia seuraavaa romskuaan, joka julkaistiin postuumisti 'Kalpeana kuninkaana'. Samana vuonna se teki ekan kokoelman asiatextejä nimeltä 'Kaiketi hauska juttu jota en tee koskaan enää: yritelmiä ja kinasteluja'. Samaan aikaan se jatkoi novellien kirjoitusta.

ellauri077.html on line 137: Toukok. 28 pnä  1999 Wallu julkaisutti kokoelman 'Vastenmielisten miesten lyhyitä haastatteluja', 23 novellia. Seuraavana vuonna 12 nk. 'haastetteluista' sovitettiin näyttämölle Dylan McCulloughin taholta. Se oli Wallun töiden eka teatterisovitus.

ellauri077.html on line 158: V. 2004, Wallu julkaisi 3. ja viimeisen novellikokoelman, 'Unohdus: juttuja'. Kirja listattiin 2004 vuoden merkkikirjana New York Timesissä. Se tutkii todellisuuden, unien ja trauman luonnetta, ja möi 18K kovakantista kappaletta ekana julkaisuvuonna.

ellauri077.html on line 205: Capitalism has made it so there’s a perpetual tidal wave of American culture crashing down around the globe. When The Force Awakens was released last December, it didn’t just open coast to coast across North America—it appeared in over 30 countries across five continents within its first week. When Dan Brown’s novel Inferno was released in 2013, it didn’t just sell out in every Costco in these 50 states: a team of 11 translators were locked away in a garret somewhere so that the book could have a simultaneous worldwide release. By early 2014 it was available in over 20 different languages.

ellauri077.html on line 207: But not all things emanating from this country move quite so quickly. Take, for instance, David Foster Wallace’s near-canonical mega-novel Infinite Jest: released in the States in 1996, it has in 20 years been translated into just five languages. (A sixth translation into Greek is currently in the works.) At this rate, it is moving only slightly faster than the massive Quixote, which had appeared in England, France, the Germanic territories, and Venice 20 years after its complete Castilian publication in 1615. However, Jest is massively behind the 3,600-page über-novel My Struggle, which—just 5 years after its complete Norwegian release—is available or forthcoming in over 20 languages.

ellauri077.html on line 214:   In Argentina Jest is far more talked about than read, a thing that has increased since the novelist’s suicide and sanctification: “Now there’s the legend, the suicide, the movie . . . all the things that help you to fluently ‘talk Wallace’ without the obligation of reading him.”

ellauri077.html on line 216:   Once again, the preponderance of American culture in Germany makes Infinite Jest a book that is readily understood. (And at this point I can’t help but take glee in the inherently Wallacian irony that American capitalism’s blob-like smearing of the globalized world has prepared the way for a scathing critique of this very same capitalism contained, Trojan Horse-style, inside a recondite mega-novel.) Still, things get lost: Blumenbach said that he “annotated the text as far as I could, and the publishers put those sixty pages of annotations on their website for a while.”

ellauri077.html on line 220:     The French attributed the book’s great success to the French love of the “écrivain maudit” archetype, Wallace’s acerbic critique of America, and the myth that has grown up around the author: “A writer who seems to have been sacrificing his life on the altar of literature is seen as a hero.”

ellauri077.html on line 234: A theory developed by psychiatrist Elisabeth Kübler-Ross suggests that we go through five distinct stages of grief after the loss of a loved one: Denial, anger, bargaining, depression, and finally acceptance.

ellauri077.html on line 241:   Clara Hinton ei välttämättä ole Wallun tarkottama Hinton. Mut eise varmaana ole liioin neuroverkkotekoälyn kehittäjä Geoffrey Hinton:

ellauri077.html on line 255: Death system, a concept introduced by Robert Kastenbaum in 1977, is defined as "the interpersonal, sociocultural, and symbolic network through which an individual's relationship to mortality is mediated by his or her society" (Kastenbaum 2001, p. 66). Through this concept, Kastenbaum seeks to move death from a purely individual concern to a larger context, understanding the role of death and dying in the maintenance and change of the social order. 

ellauri077.html on line 268: 
I'm Trying to Move Forward, But...

ellauri077.html on line 324: Figures such as Albert Camus defined Søren Kierkegaard as the philosopher of irony. Kierkegaard defended faith above all things, but he always criticized the Danish church. Although he rejected the love of his life, he never stopped loving her and she was the muse for most of his work. Mitä ironista tässä muka on? 

ellauri077.html on line 368: In February 1976, the book was removed from high school library shelves by the board of education of the Island Trees Union Free School District in New York. This case became the subject of a U.S. Supreme Court case in 1982.

ellauri077.html on line 419:     Muna-peukun niähhiä loppuruudussa motivoi se narsistinen ajatus että koko konkkaronkka onkin osa musta izestä tai kääntäen. Tässä  kyllä selkeästi kurkistelee toi FUCK! teema henkisestä sepaluxesta. Ja sittenhän ollaankin turvallisesti Darwin sedän linjoilla: geenilinja jatkuu kun muistaa nussia. Telltale sanoja: intimate embrace, wellspring, overflow: halia ja ruiskahdus. Rakkautta  ja onnea, ei vetelyyttä, ei nuokkuvia munia.

ellauri077.html on line 432: To love with the spirit is to pity, and he who pities most loves most.

ellauri077.html on line 458:     About Existentialist Engagement in Wallace, Eggers and Foer. The novels of David Foster Wallace, Dave Eggers and Jonathan Safran Foer are increasingly regarded as representing a new trend, an 'aesthetic sea change' in contemporary American fiction. 'Post-postmodernism' and 'New Sincerity' are just two of the labels that have been attached to this trend. But what do these labels mean? What characterizes and connects these novels?

ellauri077.html on line 460: This study shows that the connection between these works lies in their shared philosophical dimension. On the one hand, they portray excessive self-reflection and endless irony as the two main problems of contemporary Western life. On the other hand, the novels embody an attempt to overcome these problems: sincerity, reality-commitment and community are portrayed as the virtues needed to achieve a meaningful life.

ellauri077.html on line 462:     This shared philosophical dimension is analyzed in this study by viewing the novels in light of the existentialist philosophies of Søren Kierkegaard, Jean-Paul Sartre, Ludwig Wittgenstein and Albert Camus. Pah taas näitä pahvikuvia ollaan ronttaamassa esille. Plus ca change, plus c´est la meme chose. 

ellauri077.html on line 482: 	Meillä oli kotona paljon tota "lärvimistä", eli kohtien 1)-3) sovellusta. Kohta 4) on joutava, ei se ole mitenkään eri asia kuin 1)-3), ja kohta 5) sitä tavanomaista pappisälää, vitun hyppyjä. Ei tässä mitään hyppimistä tarvita, senkun lakkaa lärvimästä. Suurin osa ihmisistä ei ole tollasia lärvijöitä muutenkaan. Hypystä tulee vaan selkään kyttyrä. 

ellauri077.html on line 500:   Toi esteettinen elämänasenne on just tota narsismia, tai paremminkin psykopatiaa, luulee olevansa jotakin niin hirveen ovelaa et on aina siirron edellä muita joita vedättää. Sellainen oli se sen Claran pastorimies John joka bylsi pikkutyttöjä (tarvittaessa poikia). Sierpinskin karvakolmiolta tääkin alkaa näyttää: nää existentiaalifilosofit on toinen samanlainen junan vessa, nekin päästää nää ihan samat turahduxet joka vedolla.

ellauri077.html on line 555: In his interview with Larry McCaffery, Wallace shows he was aware of his failure to overcome the use of postmodern irony: “I got trapped just trying to expose the illusions of metafiction the same way metafiction had tried to expose the illusions of the pseudo-unmediated realist fiction that had come before it. It was a horror show.”  

ellauri077.html on line 565:   Se ezun pitää koko ajan valita uudestaan muistuttaa Morgensternin extensiivistä peliä: jokainen pelin tilanne on valintatilanne. (Tää pätee oikeesti vain dynaamisista peleistä kuten tennis tai ilmataistelu, shakin tai korttipelin kaltaisissa on vuoroja.) Normaalimuotoisessa pelissä valitaan vaan overall strategy, eli koko peli ratkeaa kertalaakista. Mut useimmat pelikirjat on siihen liian simppeleitä, esim. raamattu. Sitä pitää lehteillä uudelleen joka käänteessä, eziskellä sopivia peukalovärssyjä. (Onnex yleensä saa yrittää uudelleen ja uudelleen jos ei ekat värssyt nazaa kunnolla.)

ellauri077.html on line 571:   1This essay is an adapted version of a chapter of my dissertation,“Love Me Till My Hearts Stop.” Existentialist Engagement in Contemporary American Literature, a philosophical analysis of the fiction of David Foster Wallace. Tarkistuskysymys: Millä eläimellä on useita sydämiä? Entä puhuvia päitä? 

ellauri077.html on line 584: And you love me till my heart stops

ellauri077.html on line 585: Love me till I'm dead

ellauri077.html on line 602: narcissistic, anhedonic culture elements of itself: “If readers simply believe the world is stupid and shallow and mean, then [Bret Easton] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything”. (Ei ihme että amerikan psyko vähän suutahti.)

ellauri077.html on line 613: Wallace saw this (psycho) kind of writing as simply an example of self-love. Like the Onan whose name is another Wallu acronym-pun, these writers were working out of “the part that just wants to be loved” (i.e. the wiener) rather than “out of the part [. . .] that can love,” that is the “artichoke’s heart”. 

ellauri077.html on line 688: Viime aikoina on alettu soveltaa myös Suomessa yhden tunnin kestävää AA-palaveria, joka muun muassa Yhdysvalloissa on yleinen. Oleellista nykyajassa on se että pelkkää alkoholia käyttävä henkilö riippuvaisena potilaana on käymässä yhä harvinaisemmaksi. Nykyajan riippuvaiset ovat yleensä sekakäyttäjiä. Tämä osaltaan selittää tasaista laskua AA-ryhmien määrässä. Sekäkäyttäjille suunnattu NA-ryhmät (onxe sama kuin Nimettömät Narkomaanit? ) on kuitenkin saanut toimintansa hyvin käyntiin Suomessakin. Toipumisohjelma on sama 12 askeleeseen perustuva.

ellauri077.html on line 706: We admitted we were powerless over alcohol—that our lives had become unmanageable.

ellauri077.html on line 708: 
Made a decision to turn our will and our lives over to the care of God as we understood Him.

ellauri077.html on line 711: 
Were entirely ready to have God remove all these defects of character.

ellauri077.html on line 712: 
Humbly asked Him to remove our shortcomings.

ellauri077.html on line 716: 
Sought through prayer and meditation to improve our conscious contact with God as we understood Him, praying only for knowledge of His will for us and the power to carry that out.

ellauri077.html on line 766: The Stoics taught that we should accept whatever is outside our control. “Do you really think you can make a bad situation any worse by complaining about it?” Yes we can! I have tried to make this my own practice, and have tried to complain about things that happen. But not out loud! Marcus Aurelius said: “Don’t be overheard complaining… Not even to yourself.” Mutter your complaints under your breath.  

ellauri077.html on line 786: Saalilainen laki: (latinaksi lex salica) on noin vuosina 507–511 keskiajan latinaksi kirjoitettu saalilaisten frankkien oikeuden kasuistinen koonnos. Se on vanhin ja tunnetuin länsigermaaninen lakikokoelma. Lain määräystä, jonka mukaan naisella ei ole oikeutta periä maata, jos on olemassa miespuolisia perillisiä, sovellettiin myöhemmin muun muassa Ranskan kruununperimyksessä.

ellauri077.html on line 801: Toi essee on Jorin kommunistifoobista örwellystä. Kommunistipamflettia se ei voi edes lukea kun se on niin huonoa englantia, käännöstä jostain saxasta ranskasta tai venäjästä. Oikeistoveikko Örwell käyttää anglosaxonia lyömäaseena ajaaxeen kommunismin aaveen brexitmatkalle.

ellauri077.html on line 803: the "best people" from the gentlemen´s clubs, and all the frantic fascist captains, united in common hatred of Socialism and bestial horror at the rising tide of the mass revolutionary movement, have turned to acts of provocation, to foul incendiarism, to medieval legends of poisoned wells, to legalize their own destruction of proletarian organizations, and rouse the agitated petty-bourgeoise to chauvinistic fervor on behalf of the fight against the revolutionary way out of the crisis.

ellauri077.html on line 810:     The jargon peculiar to Marxist writing (hyena, hangman, cannibal, petty bourgeois, these gentry, lackey, flunkey, mad dog, White Guard, etc.) consists largely of words translated from Russian, German, or French; but the normal way of coining a new word is to use Latin or Greek root with the appropriate affix and, where necessary, the size formation. It is often easier to make up words of this kind (deregionalize, impermissible, extramarital, non-fragmentary and so forth) than to think up the English words that will cover one´s meaning. The result, in general, is an increase in slovenliness and vagueness.

ellauri077.html on line 816: Meaningless words. In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. Words like romantic, plastic, values, human, dead, sentimental, natural, vitality, as used in art criticism, are strictly meaningless, in the sense that they not only do not point to any discoverable object, but are hardly ever expected to do so by the reader. When one critic writes, "The outstanding feature of Mr. X's work is its living quality," while another writes, "The immediately striking thing about Mr. X's work is its peculiar deadness," the reader accepts this as a simple difference opinion. If words like black and white were involved, instead of the jargon words dead and living, he would see at once that language was being used in an improper way. 

ellauri078.html on line 61:     Analemma, the figure-eight shaped curve traced by the noontime positions of the sun in the sky over the course of a year

ellauri078.html on line 137: Between 1852 and 1855 he served a single term as a representative from Massachusetts to the U.S. Congress. In Amherst he presented himself as a model citizen and prided himself on his civic work—treasurer of Amherst College, supporter of Amherst Academy, secretary to the Fire Society, and chairman of the annual Cattle Show. Comparatively little is known of Emily’s mother, who is often represented as the passive wife of a domineering husband. Her few surviving letters suggest a different picture, as does the scant information about her early education at Monson Academy. Academy papers and records discovered by Martha Ackmann reveal a young woman dedicated to her studies, particularly in the sciences.

ellauri078.html on line 139: By the time of Emily’s early childhood, there were three children in the household. Her brother, William Austin Dickinson, had preceded her by a year and a half. Her sister, Lavinia Norcross Dickinson, was born in 1833. All three children attended the one-room primary school in Amherst and then moved on to Amherst Academy, the school out of which Amherst College had grown. The brother and sisters’ education was soon divided. Austin was sent to Williston Seminary in 1842; Emily and Vinnie continued at Amherst Academy. 

ellauri078.html on line 147: Dickinson found the conventional religious wisdom the least compelling part of these arguments. From what she read and what she heard at Amherst Academy, scientific observation proved its excellence in powerful description. The writer who could say what he saw was invariably the writer who opened the greatest meaning to his readers. While this definition fit well with the science practiced by natural historians such as Hitchcock and Lincoln, it also articulates the poetic theory then being formed by a writer with whom Dickinson’s name was often later linked. In 1838 Emerson told his Harvard audience, “Always the seer is a sayer.”

ellauri078.html on line 181: Sorrow and Love flow mingled down!			Kun katson Herran haavoja,		Suru ja lempi valuu sekaisin!

ellauri078.html on line 182: Did e'er such Love and Sorrow meet?			niin tuska sekä rakkaus			Onx koskaan silleen lempi ja suru kohdannut?

ellauri078.html on line 192: Love so amazing, so divine,				Rakkaus, täytä minutkin,		Lempi niin ällistyttävä, niin jumalainen,

ellauri078.html on line 241: Vuonna 1983 Dworkin julkaisi yhdessä feministijuristi Catherine MacKinnonin kanssa Dworkinin ja MacKinnonin pornografian vastaisen ihmisoikeusasetuksen. Se olisi antanut pornosta suoraan kärsineille oikeuden hakea rikosoikeudesta korvauksia. Linda Lovelacen inspiroima asetus sai aluksi paljon kannatusta, mutta ei lopulta johtanut mihinkään konkreettiseen. No eipä tietenkään. Ainoa kouriintuntuva tulos koko bordellista oli runkkumiehen kikkeli. Jota auttoi pitelemään

ellauri078.html on line 281: We slowly drove – He knew no haste		Ajettiin hiljaa - ei ollut kiirettä

ellauri078.html on line 286: We passed the School, where Children strove	Me mentiin koulun ohi, missä lapset

ellauri078.html on line 315: These are the days that Reindeer love

ellauri078.html on line 318: These are the days that Reindeer love	Nää on porojen lempipäivät

ellauri079.html on line 37: Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions. This book was taught in Wallace's Tennis Academy. It's actually quite boring if you ask me. Be there or be square. 

ellauri079.html on line 54:     Merimies "Porsas" Bodine on kexitty henkilö joka esiintyy monissa Tuomas Nipistyxen novelleissa. Bodine ilmestyy Veehen (1963), ja toistuu Painovoiman sateenkaaressa (1973). Bodine-nimisiä hahmoja esiintyy myös Masonissa ja Dixonissa (1997) ja Vastoin päiväässä (2006). Hän esiintyy myös lyhyessä tarinassa "Alanko-maat" (1960, 1984). Luonne nimeltä "Puskuri-vaza Bodine", luultavasti "Porsaan" esi-isä, esiintyy määrimiehenä Masonissa ja Dixonissa. Ekaxi kehitetty Veehen päähenkilön Benny Maallisen sivuvaunuxi ja koomisexi kelmuxi, Bodine ilmestyy uudestaan (ca 10 vuotta aiemmaxi sijoitettuna) Painovoiman sateenkaaressa. Vielä 1 merenkyntäjä Bodine, jota sanotaan vaan "O.I.C" (komentava upseeri), tekee kameoesiintymisen Vastoin päiväässä, taas ilman sen kummempaa selvää tarkoitusta kuin ollaxeen intertextuaalinen sisäpiirin läppä.

ellauri079.html on line 60:     Tälle tuuballe ei ole suomalaista wikisivua, eikä ihme. Suomennan siis ize. Periamerikkalainen Dove näytesaippua, just sellaista amerikan unelmatyyppistä silmiinkuseskelua mitä siellä rakastetaan vieläkin. Bodine on hilbillien matriarkaalinen haara, josta syntyy pääasiassa runtteja. 

ellauri079.html on line 139: the Iroquoians (Five Nations and Huron alike) shared a very particular constitution: they saw their societies not as a collection of living individuals but as a collection of eternal names, which over the course of times passed from one individual holder to another. The names were coded into chains of wampum beads. 

ellauri079.html on line 141: The introduction of European metal tools revolutionized the production of wampum; by the mid-seventeenth century, production numbered in the tens of millions of beads. Dutch colonists discovered the importance of wampum as a means of exchange between tribes, and they began mass-producing it in workshops. John Campbell established such a factory in Pascack, New Jersey, which manufactured wampum into the early 20th century. Pascackpa hyvinkin. 

ellauri079.html on line 143: When it incorporated, the colonial governor assigned the town the name "Amherst" after Jeffery Amherst, 1st Baron Amherst.

ellauri079.html on line 145: Amherst is also infamous for recommending, in a letter to a subordinate, the use of smallpox-covered blankets in warfare against the Native Americans along with any "other method that can serve to Extirpate this Execrable Race".

ellauri079.html on line 147: For this reason, there have been occasional ad hoc movements to rename the town. Suggested new names have included "Emily", after Emily Dickinson.

ellauri079.html on line 159: Vittu vedä käteen Wallace. I love my motherland. Isänmaallisuus nolottaa kuin olisi päästänyt peräpäästä ilmaa. Ei ihmekään kun jenkki-isänmaallisuus on sitä että mennään toisiin maihin ennakoivasti tappamaan sikäläistä jengiä etänä. Our vital interests.

ellauri079.html on line 184:     Tää ikävystyttävä jaxo Wallun kirjassa on suoraa coveria sen seniorikollegalta Nipsulta. Erittäinkin haukotuttavaa. Sitäpaizi vanhahtavaa, kun Njeuvostoliitto on jo historiaa. Minnekkäs Kiina jäi? Ai se on kai toi PUNKII. Kyl on vanhahtavia nimityxiä. Jos Wallu eläisi tänä päivänä sillä olisi kalju ja sen yli kammatut naismaisen pitkät ohimohiuxet kaljun peittona kuten Kimmolla tai sen Taavi-enolla. Muze ei elä, eikä sen isä eikä äitikään. 

ellauri079.html on line 210:   Häkki. Näitä on useita, kaikki vastustavat kaupallista tv-viihdettä ja tv-mainoxia. Valon lajeja. Synkät logiikat. Kai tennis käy kaikille? "Täällä ei ole häviäjiä". Virtausta laatikossa (Flux in the Box, ks tätä). Nää on tennisaiheisia. Loputon läppä. Näitä on 5? versiota. Kaupallista viihdettä. Anulaarifuusio on ystävämme. Ditto voimistettu valo. Berkeleyn sairaanhoitajien liitto. Cambridgen kielioppiteoreetikkojen liitto.  Eklottava Steven "Pinky" Pinker mainitaan. Leskimies. Kuolema Scarsdalessa. Ehkä homoilua. Hupia kera lampaiden. Immanentti valtakunta. Tuskan lajeja. Erilaisia pieniä liekkejä. Näissä on viittauxia aviolliseen uskottomuuteen, varmaan Wallun äitykän. Medusa vastaan odaliski. Vois olla Wallun äiti vs. tyttöystävä. Kone aaveessa. (p.o. Ghost in the Machine eikä toisinpäin.)  Homo duplex. Tusinoittain John Waynejä. Painoton teeseremonia. Taivaan ja helvetin avioehtosopimus. Tässä mainitaan taas äiti Teresa. Kenenhän mielestä se oli upea? Läppä. Yleisö näyttelijänä. Hyvin ärsyttävä Wallusta. Yhdysvaltalaisten yritysten keskijohdon kyynelehtiviä edustajia. Keskeneräinen. Tää vois suoraan viitata James D. Wallacen tuotantoon (alla). Disney Leith tuuma tuumalta. Readymade-draama. Jälkimmäisiä taas puolitusinaa. Olix tää se Viihde vai? Mies joka alkoi epäillä olevansa lasia.  Skizoilua. Amerikkalainen vuosisata tiilen kautta nähtynä.  Muzehän on just tää kirjanen?! Onaniadi. Ei erityisen hauska. Maailmankaikkeus menettää malttinsa. Siipikarja siivillään. Moebius strippaa.  Tästä tulee mieleen Klibanin Freud´s first slip. Hyvästi byrokraatille. Verisisko: kovaakin kovempi nunna. Väkivallalla herkuttelua. Tulkoon kevennys. Nimettömiäkin on aika liuta. Poissa on Troy. Siitä tuli violetti ex-kaupunki, saastetynnöri. Voittokuponki on poistettu. Wallun painostava muistelus narisevan sängyn purusta isän kaa. Äiti joka ei tykkää siivoamisesta imuroi. Kuuluisien diktaattorien vauvavalokuvia. Viittaus Eskaton-peliin kai. Seiso naurun takana seisovien miesten takana. Lisää rebublikaanista sosiaalitoimistovihaa. Ihan kuin ennen vanhaan. Painostavia isimuisteluxia. Terävä pikku roisto. Turtanoiden hyinen majesteettisuus. Hyvännäköisiä miehiä pienissä fixuissa huoneissa joiden jokainen sentti käytetään typerryttävän tehokkaasti. Oiskohan toi vika jotain homoilua pöpilässä. Alhaisen lämpötilan yhteiskuntaoppi. Poor Yorick. (Ainakin) 3 hurraahuutoa syylle ja seurauxelle. Antaa ymmärtää että Tavis bylsi Aprillia. Halu haluta. Jotain nekrofiliaa. Turvallinen veneily ei ole sattumaa. Antaa ymmärtää että Joellen naama jäi veneen potkuriin. Erittäin vähäinen vaikutus. Narkoleptinen aerobic-opettaja. Oiskohan se Wallu ize. Yöllä on sombrero päässä. Oidipaalista höpöä. Wallu oli takuulla oidipaalinen. Rikostoveri! ...koko tekotaiteellisen ja raivostuttavan epätasaisen uran typerin, inhottavin, tökeröin ja huonoiten editoitu tuote. Pääosissa ikääntynyt pederasti (James) ja tatuoitu katuprostituoitu (Joelle). Sano H niinkuin himokkuus. Jonkun Bressonin synnin enkelien coveri. Never höörd. Aineeton maa. Yawn. Oli suuri ihme että hän eli isässä häntä tuntematta. Taas painostavia isimuisteluxia. Kuolema ja sinkkutyttö. Joku kilometrin pituinen nimi muka jonkun Peter Weissin näytelmästä tehdylle filmille. James yökkii yleisön päälle tuoden mieleen paskanheiton Oulussa. Liian hauskaa. Niinpä niin. Tuo ei ollut enää hauskaa. Surullinen tapaus nimeltä minä. Pahoillaan joka paikassa.. Tähän se päättyi, tai oikeammin loputtomaan läppään nummero 5.

ellauri079.html on line 212:   Sitten iskä Jamesin todellinen tuotanto: 51 found. Ensi silmäyxellä se näyttäisi olleen suuryritysten moraalinen tulkki ja riistokapitalismin käsikassara. Mutta tarkemmin lukien se taitaa olla (samalla?) kuiteskin aika vassari demokraatti joka kannattaa vahvaa keskushallitusta. Ei tää kyllä mikään rakettitieteilijä ole, filosofina enempi tollasta suoritusporrasta, Eskin tyyliin soveltavaa filosofiaa. Paljon kirja-arvosteluja kuten Eskin kotisivuilla. 

ellauri079.html on line 254:   Interest in third sector organisations (TSOs) is growing as their role in addressing social regeneration, especially in urban environments, is regarded as crucial by governmental and supra-governmental organisations. The challenge is increased in multicultural environments, where those from ethnic minorities may struggle to participate in the mainstream economy and society more broadly. There is an assumption that TSOs make a positive contribution to the social good of the diverse communities and client groups that they serve. However, although there have been (...)

ellauri079.html on line 302:     The view that we immediately produce actions in our central nervous system has the consequence that our voluntary motions are entirely caused by sequences of events that we initiate unknowingly, events over which we can exercise control over only indirectly. This view, I shall argue below, is unsatisfactory.

ellauri079.html on line 303: Surprisingly, I use as an example of a free agent here a pingpong player. Presumably because my tennis-playing son has proved unsatisfactory. What I end up saying is distinguish agent causation from event causation. Futile squirming, it does not change anything. 

ellauri079.html on line 322: Siitä seuraavan pohdiskelun luonne on ällistyttävä. 2 veljestä ei vaan panna ristikuulusteluun vaan niillä on jopa aikaa kehitellä vastaväitteitä (357a–367e). Vaikka ne ei nyt suorastaan sano että kähmintä on parempi juttu kuin oikeus, ne väittävät että nyky-yhteiskunnassa konnuus kannattaa – sekä jumalten kaa että ihmisten – niinkauan kun toiminta näyttää päälle respektaabelilta. Veljexet toimii pirun asianajajina ja näyttää karmaisevasti miten yhteiskunta harjoittaa vedätystä. Menestyvin eläin ei olekaan Thrasymakhoxen tyhmä susi vaan ovela kettu. Se menestyy joka pelissä koska se osaa petkuttaa pelin säännöillä. Kunnon mies ei välitä imagosta ja sixi sille käy kuin jollekulle jeesuxelle (no tää ei ollut tietysti Plaatton käyttämä vertaus) kun se ei välitä kumarrella ja ketkuilla. (361e). Jopa jumalat, kuten runoilijat todistavat, on menestyvän ketkun puolella (esim Odysseus), kunhan saa uhreja. Pelkät sananmuunnoxet ei riitä Sokrates. (367b–e: logôi). Sensijaan sun pitäis näyttää mitä hyötyä siitä on. Ei tässä riitä vitun ikuiset ideat ja hämärä teologia, tarttetaan jotain kouriintuntuvaa. (435d; 504b)

ellauri080.html on line 70: 
Melancholic (Introverted Thinker)
Choleric (Extraverted Thinker)
Phlegmatic (Introverted Feeler)
Sanguine (Extraverted Feeler)

ellauri080.html on line 95: "winejelly" incident (aka "Disgusting English Candy Drill"), 116; "show us your papers!" 442; Hopmann's and Kreuss' prank on Toiletship, 451; "Super Animals In My Crack" 466; orgy on Anubis, 467; Frau Gnahb's criticisms, 497; Springer's Sodium Amytal-induced outbursts, 512, 514 and 746; "How I Came to Love the People" 547; pinball machines run amuck, 583-84; Miss Muller-Hochleben, 633; "I say. . ." 634; "helicopter!" 683; "Ass Backwards" 683; "It's an old saying among my people" 709; Kazoo Quartet, 711-12; discharge dumplings, u.s.w., 715; bad pun, 746

ellauri080.html on line 119:  Many contemporary personality psychologists believe that there are five basic dimensions of personality, often referred to as the "Big 5" personality traits. The five broad personality traits described by the theory are extraversion (also often spelled extroversion), agreeableness, openness, conscientiousness, and positivity (well, neuroticity, just this one expressed negatively, I don't know why).

ellauri080.html on line 193: Extraversion (or extroversion) is characterized by excitability, sociability, talkativeness, assertiveness, and high amounts of emotional expressiveness. People who are overt-2795426" data-component="link" data-source="inlineLink" data-type="internalLink" data-ordinal="1">high in extraversion are outgoing and tend to gain energy in social situations. Being around other people helps them feel energized and excited.

ellauri080.html on line 197: People who are overt-2795427" data-component="link" data-source="inlineLink" data-type="internalLink" data-ordinal="1">low in extraversion (or introverted) tend to be more reserved and have less energy to expend in social settings. Social events can feel draining and introverts often require a period of solitude and quiet in order to "recharge."

ellauri080.html on line 228: href="https://www.verywellmind.com/what-is-extroversion-2795994"

ellauri080.html on line 233: >How Extroversion in Personality Influences Behavior

ellauri080.html on line 312: Longitudinal studies also suggest that these big five personality traits tend to be relatively stable over the course of adulthood. One study of working-age adults found that personality tended to be stable over a four-year period and displayed little change as a result of adverse life events.

ellauri080.html on line 344:     Novelty Seeking (NS)	 Uteliaisuus  

ellauri080.html on line 365: Self-directedness can be seen as the executive branch of a person’s system of mental self-government. People who are self-directed recognize that their attitudes, behaviors, and problems reflect their own choices. They tend to accept responsibility for their attitudes and behavior and they impress others as reliable and trustworthy persons. As a result, a person’s Self-directedness is an important indicator of reality testing, maturity, and vulnerability to mood disturbance....

ellauri080.html on line 374: You might have a hazy idea of “transcending” being akin to “rising above” and think of the concept as rising above oneself, but you don’t really know what it is beyond that.

ellauri080.html on line 407: Persistence refers to how long you are able and willing to stick to a task, even when it is challenging. Some individuals are willing to keep working at something, even when they run into roadblocks along the way. Other people may be more willing to drop a task that is difficult and move on to something else. They may become very frustrated or ask for an adult to do it for them.

ellauri080.html on line 411: Highly distractible children will quickly shift their attention from one thing to another. They may not be able to focus on a conversation over dinner if they see a dog outside the kitchen window. They may be very attuned to details and have a hard time focusing in places and spaces that are busy and loud. Children with low distractibility find it easy to get really focused on a task. They get absorbed in a book even though there’s a noisy gathering of people in the same room. These children can block out many distractions and really focus their attention on what they are working on.

ellauri080.html on line 413: Mood: Some children naturally have a happier mood, and other children may have a more serious mood. Mood refers to the overall tone of a person’s feelings, interactions and behaviors. Some people are dispositioned to have a happier overall mood, and they generally feel good about things. Others may have more of a negative mood. They may be referred to as more unpleasant, as they may not react in a strong, positive way with the world around them. Children who have a more naturally negative mood may appear to be more subdued than happy. They may have a demeanor that is more calm and may appear gloomy, sad or negative. They may not show their positive feelings externally, but may still feel positive things. I guess.

ellauri080.html on line 422:     Anyone who has studied the psychology of Carl Jung will be aware of his development of a system to differentiate the human psychological condition into four fundamental psychological types: intuition, thinking, sensation, and feeling – which is a further elaboration of his separation of personalities into two distinct attitudinal types: introvert and extrovert. But why did he choose just four psychological types? And of all the multitude of possible personality characteristics or modes of operation and approaches to life, why did he choose these four: intuition, sensation, thinking, and feeling?

ellauri080.html on line 431:     It seems to be a natural tendency of human nature to want to categorize the infinite variety of phenomenological reality into neat, distinct, and useful components. We have types and varieties from every area of human experience. There is some security when confronted by a brand new situation to be able to instantly ascribe this novelty to a pre-arranged mental coding system. Once we have categories we can describe differences and similarities – we can form hypotheses of relationship. This can be both useful and destructive, as unnecessary stereotyping leads to a relativizing of uniqueness. Jung walks this thin line by simply stating, “In my practical medical work with nervous patients I have long been struck be the fact that besides  the  many  individual  differences  in  human  psychology  there  are  also  typical  differences.”

ellauri080.html on line 437: In Jungian typology, the original ‘unity’ of human consciousness is first divided into two poles of attitude: extraversion and introversion. These represent two fundamentally distinct yet complementary relationships between inner and outer reality. Extraversion is characterized bya flow of energy and interest from the subject to the object, from the inner to the outer. Identification with the outer gives meaning to the inner. Introversion is completely the opposite. It is characterized by a flow of energy and interest from the object to the subject, from the outer to the inner.  

ellauri080.html on line 441: The  introvert  will  give  ultimate  significance  to  subjective,  inner  experience  and  will  tend  to  assign  importance to what is happening externally only as it related to this inner experience, or only if it will lead to personal growth. The extravert, contrarily, will give ultimate significance to what is happening externally in the objective, outer world and will assign very little importance or completely disregard inner experience, unless it could lead to outer growth. These are obviously two diametrically opposed yet complementary approaches to life, reminiscent of the oriental Yin (introversion) and Yang (extraversion).

ellauri080.html on line 453:   Kirjainlyhenteistä voi suunnilleen arvata mistä tässä on kymysys: E/I on extra/introvertti, N/S on varmaan intuition/sensation, T/F thinking/feeling ja P/J on varmaan perception/judgment. Eli tollanen neljän binäärimuuttujan taulukointi. Ensinäkemältä jo heti vaikuttaa et tässon ladattu vähän liian paljon tollasten aivokuorifunktioiden niskoille, kyllä matelijanaivotkin pitäis ottaa mukaan yhtälöön. Tai ehkä liskoaivot tule mukaan tolla T/F axelilla. Kai sit aina toinen niistä on introverttiä ja toinen extroverttiä, arvatenkin noi ekat on intro ja tokat kirjaimet on extro. El super-intro on INTP ja super-extro on ESFJ. Abstract minded system analysts vastaan concerned and supportive people persons. Joo mä nään mihin tässä ollaan menossa. Voi helvetti. Vanhaa patriarkaalista toxista sovinistipaskaa isoilla kirjaimilla kirjoitettuna. 

ellauri080.html on line 488: “Behind all logic and its seeming sovereignty of movement, too, there stand valuations or, more clearly, physiological demands for the preservation of a certain type of life.” — Friedrich Nietzsche (INTJ). Nietsche oli näät tenacious visionaries, oriented towards action. Vaikkei se koskaan tehnyt paljon paskaakaan. 

ellauri080.html on line 492:     This relates directly to CelebrityTypes’ observation of “NTP Knowing and NTJ Willing”, though my proposition is that this in fact applies across all types in the form of these judging axes, albeit with varying degrees of appearance. I believe that in the sense above, the FE/TI axis is more naturally wired to seek abstract knowledge, while TE/FI is more naturally wired to make concrete its visionary will.

ellauri080.html on line 498:     These two views of the world are, of course, mutually inimical — they inevitably chase each other’s tails. Nietzsche says to Hume: ‘he stole that bread because he wanted to feed his family,’ to which Hume replies, ‘yes, that is true: but why did he want to feed his family? Because he is adhering to a familial principle,’ to which Nietzsche replies, ‘I suppose you could put it that way, but why is he operating according to that principle? It’s because he wants to, because he loves his family,’ to which Hume replies, ‘yes, but why does he love his family? It’s because that is his logical worldview…’ And so on.

ellauri080.html on line 512:     These two attitudes can be summed up as ‘conjecturing’ and ‘examining’ respectively. The one axis seeks to discover, envision or predict the potential course (NI) plotted by their various raw experiences of things (SE); obviously the image I am summoning here is that of a scatterplot and line of best fit, though one could also summon the image of a researcher recording their observations and then forming overarching conclusions abstracted from that data.

ellauri080.html on line 518:     The other axis seeks to discover, cognate, or comprehend the true nature of things (SI) by compositing the uniting elements between various creative perspectives on things (NE); the image I like to use here is of a diagram showing multiple perspectives of a 3-D object in 2-D space, where each perspective conceals something in order to reveal something else.

ellauri080.html on line 520:   A good example of this mentality can be found in the theories of Michel Foucault, who himself describes society as a series of power structure grids you can lay on top of the truth in order to reveal some things but conceal others, and our goal essentially should be to experiment with various power grids to discover the true limits or bounds of how human society can successfully be structured. Another example could be Martin Heidegger’s discussion of Being or existence, and how many different perspectives are required to observe it and get a full picture, because of our extremely subjective position in relation to the nature of our own existence, not to mention existence within the ever shifting realm of time.

ellauri080.html on line 528: Meanwhile, the NE/SI axis is not so trusting of direct experience, which is hardly a mystery, because their perception of reality is introverted, meaning they aren’t interested in direct and photographic reality, but in the ideal versions of experiences abstracted from reality (e.g. Socrates’ search for the overarching ‘idea’ of everyday things like dogs, beds, piety, etc., as opposed to individual instances of these things). This is why, as CelebrityTypes also points out, “The person will also be more careful and meticulous (SI) because there is an unconscious striving to contribute one’s observations to building a system which is valid not just in the here and now, but which is perceived to be true in general: To generate the type of knowledge that could conceivably end up in a future textbook on the subject.” The axis makes use of Ne’s multifaceted nature to accomplish this.

ellauri080.html on line 542: This axis is also apparent in my own videos: you’ll notice there are quite a few of them, partly because I keep on redoing the same topics whenever I feel I’ve hit on a new perspective that I then can’t help but explain as though it were my new ‘doctrine’ because it suddenly seems so much more clear and beautiful and compelling than any previous perspectives, and I just want to get that pure idea out. Literally, after I do a video on a compelling subject, if I did it well, I’ll feel like I’ve emptied myself out, and I’ll very easily forget what it was that I just explained in that video. The idea dulls, I start finding some problems with it, and over time I mull it around with other material and then become bedazzled by the next rich synthesis.

ellauri080.html on line 588: 	  "Lovey" Wentworth-Howell, Thurston's wife

ellauri080.html on line 617:     The appearance or arrival of strange objects to the island, such as a World War II naval mine, an old silent motion picture camera and costumes, a crate of radioactive vegetable seeds, plastic explosives, a robot, a live lion, a jet pack, or a "Mars Rover" that the scientists back in the United States think is sending them pictures of Mars.

ellauri080.html on line 668:       Gately leikkelee lehdistä kuvia ja liimaa niitä seinälle. Mä teen samaa mutta laitan ne magneeteilla jääkaapin kylkeen. Kylkeen enkä oveen, koska retrokaapin ovi osoittautui muovisexi. Mä meen aina halpaan tolla lailla, meidän retrovespan etukilpikin on muovia. Hemmetti. Pitäis aina koputella niitä ennen ostoa. Retrokamat on hyvin epäilyttäviä. 

ellauri080.html on line 678: A tailor's notch is a little groove in their front teeth, worn down over time by the seemingly harmless act of biting down on a sewing needle.

ellauri080.html on line 693:   “There seems to be a strong genetic overlap between ADHD and autism,” De Alwis said. “And it’s very common for people with ADHD to have autistic traits. These individuals may not have an autism spectrum disorder, but they typically score high on measurements of autistic traits.”

ellauri080.html on line 713: Rogers had a difficult childhood. He was shy, introverted, and overweight, and was frequently homebound after suffering bouts of asthma. He was bullied and taunted as a child for his weight, and called "Fat Freddy".

ellauri080.html on line 741:     In 1897, he was stripped and nearly lynched by a white mob in Natal, but when the governor sought to press charges, Gandhi refused – saying he didn’t want to use a court of law for personal issues.

ellauri080.html on line 748:     Gandhi was never a man to hold a grudge. While in jail in South Africa he prepared a pair of sandals for Jan Smut to prove there was no ill-feeling. Smuts, in turn, gave a boot to his political adversary, Gandhi.

ellauri080.html on line 751:             1919 was a turning point for Gandhi; the government passed a new law which said those accused of sedition could be imprisoned without trial, also the Amritsar Massacre where 400 protesting Indians were killed. It was in 1919 that Gandhi turned against acquiescence to the British Empire and he began to lead non-violent protests.

ellauri080.html on line 767:             On 8 August 1942, Gandhi began a “Quit India Movement”. His speech urged Indians to ‘do or die.’

ellauri080.html on line 783: During Gandhi's time as a dissident in South Africa, he discovered a male youth had been harassing two of his female followers. Gandhi responded by personally cutting the girls' hair off, to ensure the "sinner's eye" was "sterilised". Gandhi boasted of the incident in his writings, pushing the message to all Indians that women should carry responsibility for sexual attacks upon them. Such a legacy still lingers. In the summer of 2009, colleges in north India reacted to a spate of sexual harassment cases by banning women from wearing jeans, as western-style dress was too "provocative" for the males on campus.

ellauri080.html on line 789: Gandhi cemented, for another generation, the attitude that women were simply creatures that could bring either pride or shame to the men who owned them. Again, the legacy lingers. India today, according to the World Economic Forum, finds itself towards the very bottom of the gender equality index. Indian social campaigners battle heroically against such patriarchy. They battle dowry deaths. They battle the honour killings of teenage lovers. They battle Aids. They battle female foeticide and the abandonment of new-born girls.

ellauri080.html on line 811: George Orwell, in his 1949 essay Reflections on Gandhi, said that "saints should always be judged guilty until they are proved innocent". Remember, there's no such thing as a saint. But there are heaps of shrimps. Used to be, anyway.

ellauri080.html on line 925: Tosi-maailman asiaankuuluvuus ja vaikutuxet: Ulospäinkääntyneillä on lisääntynyttä oppimista, ovat luovempia, joustavampia ja izetoimivampia, niillä on korkeampi harjoitusvaste, osoittavat edistynyttä johtajuutta, ja ovat joustavampia muutoxissa.

ellauri080.html on line 975: Jos mitään, äsken osoitetut kolme periaatetta todistavat että ei ole mitään 1 tapaa päättää onko päätös eettinen. Jokainen päätös on erilainen riippuen kenellä on enemmän pyssyjä. Joillakin näyttämöillä eetttiset päätöxet on eri kv. erojen takia, kerta ei ole koko palloa koskevia eettisiä standardeja (Disneyn ponnisteluista huolimatta). Näissä pulmatilanteissa pitää soveltaa kulttuurirelativismia ja mutkistella eettisiä standardeja kulttuurinormien vaatimille mutkille. Aasiassa, kriteerit jotka määräävät mikä määrittää oikean väärästä on hyvin harmaita, verrattuna paljon mustavalkoisempiin periaatteisiin joita me läntiset sivistyxet käytämme. Sellaisessa tilanteessa kv organisaation pitää eritellä ja säätää päätöstentekoaaan kohti standardeja jotka sopivat toimimaan kansalliseeen kulttuuriin ja kriteereihin joita sinun organisaatiosi arvostaa ja palkizee.

ellauri080.html on line 985:     Onko Aladdinin päätös varastaa limppu eettinen jos hän voisi pysyä hengissä ilman sitä? Otetaanpa lähempi kaze ja eritellään tilanne soveltamalla jotakin izetestejä.

ellauri080.html on line 989: Yxi izetesti jota Aladdin voi soveltaa tähän tilanteeseen päättääxeen onko hän tekemässä "oikean" (lainausmerkeissä) päätöxen, on testi joka tunnetaan nimellä "kategorinen imperatiivi" (eli "jos kaikki seisoskelis kadunkulmissa, ei kukaan pääsis kulkemaan", tai "jos yhdellä on karvahatun lipat ylhäällä, niin on kaikilla"). Toisin sanoen, jos limpun varastamisesseta tulisi yleismaailmallinen laki, miten tämä vaikuttaisi suureen yleisöön ja paikalliseen talouteen? Kokeilemalla kategorista imperatiivia tilanteeseen Aladdin voisi päätellä että jos jokainen varastaisi leipää marketista, ei jäisi leipää maxaville asiakkaille, ja kaaos seuraisi. Sixi olisi epäeettistä hänen jatkaa varastelua.

ellauri080.html on line 991: 2 muuta hyvin yxinkertaista silti tehokasta izetestiä jotka voimme soveltaa Aladdinin tilanteeseen ovat Kultainen ja Platinasääntö.1 Kultaisen säännön tapauxessa käsittele toisia niinkuin haluaisit tulla käsitellyxi, Aladdin täytyy miettiä miten hän reagoisi jos joku varastaisi hänen henkilökohtaisen iteminsä (minkä, kun sillä ei kerta ole niitä, edes limppua? Sen ainoa henkkoht itemi on kiinni niin lujassa ettei se lähde varkaan mukaan, tai tulee Tarzanhuuto). Hänen pitää myös ajatella leipäkauppiaan tunteita kun sen varastoa verotetaan ilman rahallista korvausta. (Se on varmaan tosi surullinen.) Käyttämällä Platinasääntöä, Aladdin voi paremmin ymmmärtää määrän ponnistusta ja rahaa joka menee jokaisen sellaisen limpun tekemiseen, sekä kuinka jokainen varastettu leipäpala haittaa myyjän perhettä isossa skaalassa. (Eli jos kaikki varastaisivat siltä leipiä, se lakkaisi olemasta rikas kauppias, ja sen pitäisi varastaa limppuja. Kaaos seuraisi.) Sixi, Aladdinin järkeily “Täyty syödä elääxeen, täytyy varastaa syödäxeen, täytyy olla rikas leipäkauppias varastaaxen oikeen paljon” on ize asiassa epäeettinen, kerta ei ole vain lainvastaista varastaa, vaan se aiheuttaa haittaa ympäröiville osapuolille. (Tyypillistä että jenkkien sääntökirjassa omaisuusrikoxet on ykköspahoja. Vaan niitähän on suurin osa 10 käskystäkin. Moraali koskee reviirejä. EAT! EAT!)

ellauri080.html on line 1044: Rotuerottelun läpsintä käsille, on kyse sitten sukupuolierottelusta tai luonne-erottelusta, näyttää liittyvän organisaation kikyloikkaan. Kun eri näkökulmia on tarjolla, ryhmän jäsenet tuppaavat suoriutumaan paremmin ja ovat luovempia. Puhumattakaan pikku kähminnän ja nipistelyn suomasta lisääntyneestä työpaikkaviihtyvyydestä. Tuloxena: järjestöllinen käytös ja biodiversiteetin oikeanlainen hallinta ovat välttämättömiä ja tärkeitä järjestöille. Yrityxet jotka lankeavat erilaisiin rotuerottelumuotoihin menettävät mahdollisuuxia saada lisäarvoa ja oppia ihmisiltä jotka voisivat olla poikkeuxellisia kentällä koska ne uskoo eri klisheisiin. Jos Naamakirja ei olis huomannut Sheryl Sandbergin talenttia ja sen sijaan ottanut jonku tavallisen karvakäden, yritys ei olisi läheskään niin menestynyt ja hyvin siivottu kuin se on. Biodiversiteetti työpaikalla ja jopa (!) johtajien keskellä, pinta-tai syvärakenteinen, voi olla kriittinen yhtiön menestyxelle kunnolla hoidettuna. Sellaisilla keinoilla kuin sokkohaastattelu apinoita voi arvioida pätevyydellä eikä virnuilevasti vinoillen ja nipistellen. Yleensä, ryhmyrien pitää käyttää järjestöllistä käytöstä hoitaaxeen tehokkaasti tätä biodiversiteettiä ja läpsiä käsille rotuerottelua työpaikalla, niin eiköhän siitä moraali, voitot ja tuottavuuskin lähde nousuun, eikä ainoastaan siittimet.

ellauri082.html on line 45:   Elizabeth Lee Wurtzel (July 31, 1967 – January 7, 2020) was an American writer and journalist, known for the confessional memoir Prozac Nation, which she published at the age of 27. Her work often focused on chronicling her personal struggles with depression, addiction, career, and relationships. Wurtzel's work drove a boom in confessional writing and the personal memoir genre during the 1990s, and she was viewed as a voice of Generation X. In later life, Wurtzel worked briefly as an attorney before her death from breast cancer.

ellauri082.html on line 54: When David Foster Wallace committed suicide in 2008, it was clear he had been profoundly depressed. But the first major biography of the writer, D.T. Max’s Every Love Story Is a Ghost Story, out on August 30th, reveals an even more troubled mind than anyone realized. From the time he was in college, the brilliant author of Infinite Jest was in and out of institutions as he struggled with depression and addictions to alcohol and marijuana. But the book is also full of all kinds of other strange surprises, painting the most complete, and warmest, portrait of Wallace yet.

ellauri082.html on line 62: Obsessed with the writer Mary Karr, Wallace planned to shoot her husband with a gun he tried to buy from a guy he met in recovery. She found out about the scheme, but believed him when he blamed it on his buddy. Wallace and Karr eventually became a couple, but Wallace stalked her kid in an ugly manner after she chucked him. 

ellauri082.html on line 93: Some people’s moms never taught them to cover up or turn away when they sneeze. Different people have radically different ideas of basic personal hygiene.

ellauri082.html on line 101: The biography by Tyrannosaurus Max paints a less than flattering portrait of Wallace. That’s not to say it’s a vicious takedown—it’s probably about as even-handed as a biography about the author is going to be, and I can imagine books about him in the future being a lot less level-headed in either direction. Basically, DFW was an extremely troubled individual and probably not a very awesome person qua person. He was often misanthropic, violent, cruel (especially to women), and self-absorbed. But what’s great about the biography is how it allows these rather hideous characteristics to disgust as well as inform; knowing the uglier aspects of DFW’s personality is extremely enlightening with regard to his work. It seems to me that the writer was extremely aware of his immense character flaws and sought in his work (his novels and his non-fiction particularly) to overcome them, and in his work he was able to occupy a wholly different realm than he was in his actual life. Well actually not at all that different. The books project a rather nasty person too. 

ellauri082.html on line 105: Despite his flaws, DFW’s death is still a great tragedy, not because people are without their god of post-post-post-postmodernism, but because his redemptive and humanistic work is now decidedly finite. Well here sure was a humanist as far as technology is concerned. His work could have beeen made infinite by adding to the end: Poles are stupid, please turn over. 

ellauri082.html on line 122: Gately, having relieved his bottom, begins to recover from his infection.

ellauri082.html on line 125: In life he created the Entertainment to draw Hal out (Hal moves outwardly but doesn’t feel inside; victims of the Entertainment feel—something—inside but don’t move outwardly). After all, as he tells Gately, he was willing to resort to desperate measures: “No! No! Any conversation or interchange [between father and son] is better than none at all.” (839)

ellauri082.html on line 141: he’s with a very sad kid and they’re in a graveyard digging some dead guy’s head up and it’s really important, like Continental-Emergency important, and Gately’s the best digger but he’s wicked hungry, like irresistibly hungry, and he’s eating with both hands out of huge economy-size bags of corporate snacks so he can’t really dig, while it gets later and later and the sad kid is trying to scream at Gately that the important thing was buried in the guy’s head and to divert the Continental Emergency to start digging the guy’s head up before it’s too late, but the kid moves his mouth but nothing comes out, and Joelle van D. appears … while the sad kid holds something terrible up by the hair and makes the face of somebody shouting in panic: Too Late. (934)

ellauri082.html on line 145: Orin (who never attended his father’s funeral) went to the gravesite and dug up his father, releasing the wraith in the process. (244: “After a burial, rural Papineau-region Québecers purportedly drill a small hole down from ground level all the way down through the lid of the coffin, to let out the soul, if it wants out.”) Orin, who is such a partisan of his father that he feels the need to repeatedly ruin the lives of people like his mother, has been mailing the tapes to his father’s enemies in revenge: disapproving film critics in Berkeley and the medical attaché (whose affair with his mother drove Himself especially wild) in Boston. It’s possible he’s being influenced by the wraith in these actions.

ellauri082.html on line 147: After the A.F.R. releases roaches into his giant glass tumbler, Orin cuts a deal with the A.F.R. and gives them the tape in return for letting him live. (He’s apparently still alive on p. 14.) The A.F.R. uses the tape to set off some sort of intracontinental conflagaration (16: “some sort of ultra-mach fighter too high overhead to hear slices the sky from south to north”) which apparently topples the Gentle administration (n114: “[Y.G. is] the very last year of Subsidized Time”).

ellauri082.html on line 149: As seen in Chapter 1, Hal’s condition deepens until he literally can’t communicate at all, but no longer feels like a robot anymore. (12: “I’m not a machine. I feel and believe.”) The only thing he has left is tennis and he looks forward to playing Ortho Stice in the final match of the WhataBurger. But Stice is possessed by his father (in the manuscript, Stice is called “the Wraithster”), so the novel ends as Hal finally gets to really interface with his father — in the only way he has left.

ellauri082.html on line 244: The woods are lovely, dark and deep,   		Mezä on suloinen, pimeä ja syvä.	

ellauri082.html on line 314: Wallace’s tight prose and his very precise use of the drug-users thought process, such as planning to smoke in large quantities to induce a horrible high in order to create an intense aversion to smoking or mulling over the decision to call a dealer for an update for their ETA, creates an incruciating relatable charatcer in Erdedy. Anyone who has struggled with slowing down or completely stopping a vice that has consumed their daily life may find this passage incredibly relatable.

ellauri082.html on line 333: Heppahullun kannessa lukee joskus jopa 16 sivua Pollea! Se on hienoa, jos ne on Lena Furbergin piirtämiä. Lena nillitti pienenä jotakin jollekin heppalehdelle ja piirsi kirjeen syrjään vihaisia poneja. Lehden toimitus kysyi voisiko se piirtää niitä lehteen lisääkin. Nyze on jäämässä eläkkeelle omasta heppalehdestä. Muumipeikko oli alkuaan Tove Janssonin vihaisena klippdassin seinään piirtämä Immanuel Kant. Toven veljentytär on tienannut sillä miljoonia. Vihasta voi syntyä paljon hyvää.

ellauri082.html on line 381: Kurnu ja Loikka oli kivat sammakot jossain meidän lasten kirjassa. Uskoontulemiseen liityvästä kikyloikasta ei kerro vain puusta mätkähtänyt kyssäselkä Kierkegaard, vaan myös misogyyni Henryn menestyneempi isoveli William James-farkuissa. Se oli Wallun Gadfly-avatarin mielikirjailija. Varmaan Hilja Haahdenkin.  

ellauri082.html on line 514: Huvittavaa että James todistelee hämäräjuttuja kuvilla jotka esittää hermoverkkoja. Se voi olla vähän nolo nähdessään pilvenlongalta miten lähellä se oli ja silti väärässä. Close but no cigar.

ellauri082.html on line 516: Tahto uskoa sokaisi sen aivotoiminnan. Sillä on jotain todistettavaa ja size tarraa kaikkeen mitä sen mieleen juolahtaa. Sen argumentit on samaa ex analogiaa kuin Plaatton jonka mielestä sielu ei voinut olla harmoniaa koska sen piti olla niinku joku johtaja.  No Plaatto kuumui vahvoista johtajista, varmaan kumarsi Dionysoxelle ja pyllisti Dionille. Ja/tai kääntäen. Filosofikuningas, your foot shoved dans mon oeil. Kaappihinureita koko porukka, hela idealistifilosofikööri. Ei se jumala tässä lopultakaan ole se pääasia, vaan se että oma sielu läpättää loppumattomattomasti. Jonkun sortin narsismia tämäkin. 

ellauri082.html on line 527: Kotimainen huumausaineiden käyttäjien vuotuinen kisatapahtuma on nimeltään Konemetsä. Vaikka itseopiskelu luotettavaksi narkkariksi on mahdollista, nistioppilaitos tarjoaa akateemiset eväät kuosien tutkimukseen. Huumeolympialaiset on antiikin sloveeneilta saakka periytyvä, kunnioitettu atleettinen tapahtuma, jota tosin varjostavat ammattitrippaajien doping-, MAOI- ja neuroleptiepäilyt. Huumeolympialaiskomitea on aina ollut avoimesti täydellisen sekaantunut prostituutioon ja ihmiskauppaan, mutta niin on Kansainvälinen olympiakomitea IOC:kin. 

ellauri082.html on line 690:     Oho! Sofia Belórf poseeraa niukoissa bikineissä pilvenpiirtäjien keskellä - Kuumaa Dubaissa... Salkkarit-tähti Esko Kovero salaperäisenä eläkepäivistään: "Maailman meno on mitä on, niin ..." Vappu Pimiä haluaisi tämän Suomen ykkösnaisen mukaan Tanssii Tähtien Kanssa kisaan - Arvaatko kenet?

ellauri082.html on line 769:     The researchers then ran a study testing whether people who score highly on victim signaling were more likely to exaggerate reports of mistreatment from a colleague to gain an advantage over them.

ellauri082.html on line 800: In downtown Boston you may see trash cans, cones, or other objects being used to save parking spots in residential areas throughout the winter. No one wants to shovel their spot to find it taken by the time they return! This is common practice, and completely legal.

ellauri083.html on line 33: Google Infinite Jest resources and you'll come up with 62,500 results. Whether's it's the novel's wiki or one of the original Wallace celebration sites, The Howling Fantods, supplement your reading when you're lost or just interested in getting additional context.

ellauri083.html on line 54: Her 1962 novel Satan Never Sleeps described the Communist tyranny in China. Following the Communist Revolution in 1949, Buck was repeatedly refused all attempts to return to her beloved China and therefore was compelled to remain in the United States for the rest of her life. 

ellauri083.html on line 65: Helmi muistelee muistelmissaan että se eli useammassa maailmassa, 1. pieni valkoinen puhdas vanhempainneuvostoliitto, 2. iso rakastava iloinen ei kovin puhtoinen kiinalainen maailma, ja niiden välillä ei ollut mitään viestintää. Boksarikapina yllätti perheen housut nilkoissa; kiinalaiset "toverit" hylkäsivät ne, ja valkoiset vieraat vähenivät.

ellauri083.html on line 82: The writer Pearl S. Buck emerged into literary stardom in 1931 when she published a book called "The Good Earth." That story of family life in a Chinese village won the novelist international acclaim, the Pulitzer, and eventually a Nobel Prize. Her upbringing in China as the American daughter of missionaries served as inspiration for that novel and many others. By her death in 1973, Pearl Buck had written around 100 books.

ellauri083.html on line 84: We can now add yet another to that list. This week, her estate announced the discovery of a new never-published manuscript called "The Eternal Wonder." And as her son Edgar Walsh tells it, the story of the novel's recovery is a wonder itself.

ellauri083.html on line 92: I was notified in December of last year that a woman in Texas who has a business buying storage units that have not paid their rent and she had purchased a unit in Fort Worth and discovered this manuscript, which was in a holographic form as a written manuscript, of course. And the woman in Texas wanted to sell it.

ellauri083.html on line 100: WALSH: It was fascinating, frankly, to read her final novel and to realize that it was, in a sense, an historic event. But reading this book just took me back to my many discussions with her about her work. And I just had a sense of awe that a woman, who, when she wrote this, was 78, 79 years old. And she knew she was dying. She was ill with cancer and she knew that she would be ending her life soon. But she sat down and, with a pen, wrote out over 300 pages.

ellauri083.html on line 102: Just an amazing tour de force - but not surprising, given her production. You know, between age 40 and her death in 1973, she produced - and I'm going to give you a few numbers here - 43 novels, about 30 nonfiction books, 242 short stories, 37 children's books, 18 film and TV scripts, 500 articles and essays and thousands of letters.

ellauri083.html on line 114: LYDEN: I should think. Tell us a little bit about the story of this novel. What's it about?

ellauri083.html on line 116: WALSH: The novel follows the life of a brilliant young man, a genius, from his birth to his military career to a love affair with an older woman in London to Paris, where he meets a Chinese girl. And it is a very personal, fictional explanation of themes, of toleration and humanity that informed Pearl's work.

ellauri083.html on line 129:   Growth of the Soil (Norwegian Mannens Grodor), is a novel by Knut Hamsun which won him the Nobel Prize in Literature in 1920. It follows the story of a man who settles and lives in rural Norway.

ellauri083.html on line 131: Very different from his novel Hunger, here Hamsun has written a sweeping story of one man's accomplishments as a homesteader in northern Norway near the border with Sweden. Isak, a young and very strong man, with no fear of work, goes looking for a good place to settle. He walks and walks, looking for a place that has everything he needs: water, haying grounds, pasture, areas to farm, timber. When he finally finds it, he settles in. There is a coastal town a full day's walk away (20 miles? 10 miles?). He puts out word that he needs a woman's help--and lo and behold, Inger comes. She too has no fear of work, and she has a harelip--teased for much of her life, she finds a good man in Isak. They work, they have several children, Inger is imprisoned for 6 years. Others come and settle the area between their farm Sellanra and the town. A fascinating story of rural northern Norway in the 2nd half of the 19th century.

ellauri083.html on line 135:   The Good Earth (English The Good Earth) is a historical fiction novel by American author Pearl S. Buck published in 1931 that dramatizes family life in a Chinese village in the early 20th century. It was influential in Buck's winning the Nobel Prize for Literature in 1938. 

ellauri083.html on line 141: During the devastating famine and drought, the family must flee to a large city in the south to find work. Wang Lung's malevolent uncle offers to buy his possessions and land, but for significantly less than their value. The family sells everything except the land and the house. Wang Lung then faces the long journey south, contemplating how the family will survive walking, when he discovers that the "firewagon" (the Chinese word for the newly built train) takes people south for a fee.

ellauri083.html on line 143: In the city, O-Lan and the children beg while Wang Lung pulls a rickshaw. Wang Lung's father begs but does not earn any money, and sits looking at the city instead. They find themselves aliens among their more metropolitan countrymen who look different and speak in a fast accent. They no longer starve, due to the one-cent charitable meals of congee, but still live in abject poverty. Wang Lung longs to return to his land. When armies approach the city he can only work at night hauling merchandise out of fear of being conscripted. One time, his son brings home stolen meat. Furious, Wang Lung throws the meat on the ground, not wanting his sons to grow up as thieves. O-Lan, however, calmly picks up the meat and cooks it. When a food riot erupts, Wang Lung is swept up in a mob that is looting a rich man's house and corners the man himself, who fears for his life and gives Wang Lung all his money in order to buy his safety. O-Lan finds a cache of jewels elsewhere in house and takes them for herself.

ellauri083.html on line 145: Wang Lung uses this money to bring the family home, buy a new ox and farm tools, and hire servants to work the land for him. In time, two more children are born, a twin son and daughter. When he discovers the jewels that O-Lan looted, Wang Lung buys the House of Hwang's remaining land. He later sends his first two sons to school, also apprenticing the second one to a merchant, and retains the third one on the land.

ellauri083.html on line 149: Wang Lung and his family move into town and rent the old House of Hwang. Now an old man, he desires peace within his family but is annoyed by constant disputes, especially between his first and second sons and their wives. Wang Lung's third son runs away to become a soldier. At the end of the novel, Wang Lung overhears his sons planning to sell the land and tries to dissuade them. They say they will do as he wishes, but smile knowingly at each other. Ah what's the use...

ellauri083.html on line 153: Independent People (Icelandic: Sjálfstætt fólk) is an epic novel by Nobel laureate Halldór Laxness, originally published in two volumes in 1934 and 1935; literally the title means "Self-standing folk". It deals with the struggle of poor Icelandic farmers in the early 20th century, only freed from debt bondage in the last generation, and surviving on isolated crofts in an inhospitable landscape.

ellauri083.html on line 155:     The novel is considered among the foremost examples of social realism in Icelandic fiction in the 1930s. It is an indictment of materialism, the cost of the self-reliant spirit to relationships, and capitalism itself. This book, along with several other major novels, helped Laxness win the Nobel Prize in Literature in 1955.

ellauri083.html on line 157: Independent People is the story of the sheep farmer Guðbjartur Jónsson, generally known in the novel as Bjartur of Summerhouses, and his struggle for independence.

ellauri083.html on line 159: The "first chapter summons up the days when the world was first settled, in 874 AD—for that is the year when the Norsemen arrived in Iceland, and one of the book's wry conceits is that no other world but Iceland exists. ... The book is set in the early decades of the twentieth century but ... Independent People is a pointedly timeless tale. It reminds us that life on an Icelandic croft had scarcely altered over a millennium". As the story begins, Bjartur ("bright" or "fair") has recently managed to put down the first payment on his own farm, after eighteen years working as a shepherd at Útirauðsmýri, the home of the well-to-do local bailiff, a man he detests. The land that he buys is said to be cursed by Saint Columba, referred to as "the fiend Kolumkilli", and haunted by an evil woman named Gunnvör, who made a pact with Kólumkilli.

ellauri083.html on line 163: However, Rósa is miserable in her new home, which does not compare well to the luxury she was used to at Rauðsmýri. Bjartur also discovers that she is pregnant by Ingólfur Arnarson Jónsson, the son of the bailiff. In the autumn, Bjartur and the other men of the district ride up into the mountains on the annual sheep round-up, leaving Rósa behind with a gimmer to keep her company. Terrified by a storm one night, desperate for meat and convinced that the gimmer is possessed by the devil, Rósa kills and eats the animal.

ellauri083.html on line 165: When Bjartur returns, he assumes that Rósa has set the animal loose. When he cannot find her when it comes time to put the sheep inside for the winter, he once more leaves his wife, by now heavily pregnant, to search the mountains for the gimmer. He is delayed by a blizzard, and nearly dies of exposure. On his return to Summerhouses he finds that Rósa has died in childbirth. His dog Titla is curled around the baby girl, still clinging to life due to the warmth of the dog. With help from Rauðsmýri, the child survives; Bjartur decides to raise her as his daughter, and names her Ásta Sóllilja ("beloved sun lily").

ellauri083.html on line 169:     The rest of the novel charts the drudgery and the battle for survival of life in Summerhouses, the misery, dreams and rebellions of the inhabitants and what appears to be the curse of Summerhouses taking effect. In the middle of the novel, however, World War I commences and the prices for Icelandic mutton and wool soar, so that even the poorest farmers begin to dream of relief from their poverty. Particularly central is the relationship between Bjartur and Ásta Sóllilja.

ellauri083.html on line 173:     Asta as a girls' name is of Greek and Old Norse origin, and the meaning of Asta is "star-like; love". Also a short form of Anastasia, Astrid, Augusta, etc. Aastha is a Hindi name for girls meaning Faith. Asta is the name of the terrier owned by Nick and Nora Charles in the famous "Thin Man" movies of the 1930s. This name has never ranked among the top 1000 names in America. If you consider naming your baby Asta we recommend you take note of this. Do your research and choose a name wisely, kindly and selflessly. 

ellauri083.html on line 175: PST: How’s love life? Hey! How’s your love life going lately? Get a free love reading & personal horoscope with the most truthful answers. Start to grab every chance for success in your life! Did I mention it’s FREE? (Sponsored Link; 18+ only)

ellauri083.html on line 217: Madame Thérèse Defarge is a fictional character in the 1859 novel A Tale of Two Cities by Charles Dickens. She is a ringleader of the tricoteuses, a tireless worker for the French Revolution, and the wife of Ernest Defarge.

ellauri083.html on line 219: Madame Thérèse Defarge is perhaps the principal revolutionary villain in Charles Dickens's 1959 novel A Tale of Two Cities; she knits into her needlework the names of the royalists and aristocrats who must be condemned to the guillotine to make way for the new republic. Sen virkasisar Lohtu kutoi silkkiä vastapuolella barrikaadia ja sai porttikiellon kommunistikiinasta. 

ellauri083.html on line 223: She is one of the main villains of the novel, obsessed with revenge against the Evrémondes. She ruthlessly pursues this goal against Charles Darnay, his wife, Lucie Manette, and their child, for crimes a prior generation of the Evrémonde family had committed.

ellauri083.html on line 250: S. 606, Tena-aikuisalusvaatteen vuosi: lomitettu televiihde, 932/1864 resoluutio (vau...) risc-konsolilta ja ilman, pink2 (lue OS-2), pormestarin jälkeinen digisatelliittijärjestelmä, menut ja kuvakkeet (oho...), pixelitön internet fax, 3-4 kanavaiset modeemit säädettävällä linjanopeudella (eikai...), webinjälkeiset jakelualueet, niin HD-näytöt että on käytännössä paikalla, kustannustehokkaat Zoom videopuhelinneuvottelut, fox-kanavan sisäinen cd-rom, sähkoinen sultan conture, yleiskonsolit, Youshityoun keraamiset nanoprosessorit, laserkromatografia, virtuaalipalvelun mahdollistavat mediakortit, kuituoptinen pulssi, digitaalikoodaus, tappajasovelmat, rannehermosärky tenniskyynärpää valonarkuusmigreeni rasvapakaraisuus selkästressi hikinen pälvikalju vielä kaiken kukkuraxi. 

ellauri083.html on line 334:     When, in turn, this anger proves incapable of restoring the subject to the earlier, wished-for state of things, the characteristic symptoms of clinical depression set in: feelings of helplessness, a tendency to reproach the self for its inadequacy, and, not least of all, the drawing away of cathectic energies from the ego, "emptying [it] until it is totally impoverished." This impoverishment is also referred to by Freud and others as inhibition: "inhibition of all activity," "general inhibition," "complete motor inhibition," or "an inhibition of functions including the interest in the external world." And Bibring has instructively spoken of it as the "exhaustion of ego libido due to an unsolvable conflict" (p. The rhetoric of exhaustion and the exhaustion of rhetoric: Erskine Caldwell in the thirties)

ellauri083.html on line 338:     Hendershot recalls that, in the Schreber case, God was believed to manifest his creative and destructive power as celestial rays (Freud 22). As with spider-webs and hedgehogs quills, this radial pattern describing dilation and contraction, movement back and forth from center to circumference and from circumference to center, is the essential figure for the paranoid narcissism of a subject who feels threatened by the world and guilty for having taken "his own body [...] as his love-object" (Freud 60). Signaling Fistule's repressed homosexuality, the rays of his intelligence had first been focused on the masochistic annihilation of his genitals, which he denies were the original object of his love ("organes hideux," "vomitoires de dejections"), and then had been used in reconstructing a sexless new reality. Insisting on his exemption from the Naturalist law of biological determinism, Fistule denies his human parentage and maintains that he was born of a star, which, shining like the rays of his genius, had inseminated him and allowed him to be the father of himself, causa sui. Homosexual guilt initially projected as the corruptibility of matter is overcome by Fistule's principle of Stellogenesis, which turns flesh into radiance and bodies into starlight. As Hendershot concludes: "In Freud's theory, the paranoiac withdraws from the world (decathexis), directs his or her cathectic energy to the ego resulting in self-aggrandizement, and then attempts to reestablish a cathectic relationship with the world in the form of a delusional system" 

ellauri083.html on line 342: M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American war comedy-drama television series that aired on CBS from 1972 to 1983. It was developed by Larry Gelbart as the first original spin-off series adapted from the 1970 feature film M*A*S*H, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors.

ellauri083.html on line 348: Early seasons aired on network prime time while the Vietnam War was still going on; the show was forced to walk the fine line of commenting on that war while at the same time not seeming to protest against it. For this reason, the show's discourse, under the cover of comedy, often questioned, mocked, and grappled with America's role in the Cold War.

ellauri083.html on line 362: Meditation with Tektite improves the powers of telepathy. In general, wearing Tektite promotes psychic sensitivity, expands the energy field, opens and cleanses the lower chakras, and facilitates shamanistic journeys. Jännä miten asiatieto ja huuhaa tulevat näin ihan sulassa sovussa. Mikäpä siinä jos ei ole päättelykonetta. Silloin p ja ei-p voivat elää rauhanomaista rinnakkaineloa.

ellauri083.html on line 374: At age seven Dylan first accused Allen of touching her inappropriately—a bombshell allegation that definitively tore apart the blended Allen-Farrow family, which was already reeling from Farrow’s discovery of nude photographs of her adopted daughter Soon-Yi Previn at Allen’s apartment. Dylan’s accusation has reverberated in the media ever since. Dylan would consistently repeat the allegation over the years—to her mother, to therapists, to experts, and to former Connecticut state prosecutor Frank Maco, who found probable cause for bringing a criminal case against Allen. (Maco said he ultimately declined to do so out of concern for retraumatizing a fragile child.)

ellauri083.html on line 412:       Italian Hallin tapahtumat ei näitä häiskiä juuri heiluta. Just nyt olis tärkeintä päästä koronorajoituxista, jotta laiskanpaskan betoniraudoituxet menisivät hyvin kaupaxi. Korona on vasemmistohuijaus, jonka tarkoitus on tehdä Amerikasta uusi Neuvostoliitto. No ei se tekis kovin suurta lovea, samannäköistähän tuolla näyttää nyt jo olevan.

ellauri083.html on line 428: 
Have NASA Computers Proved Joshua’s Long Day?

ellauri083.html on line 430: From time to time, one hears that NASA computers have proved the account of the unusual day that accompanied the Battle of Gibeon found in Joshua 10:12–14. This marvelous little story about NASA computers began circulating in the late 1960s and early 1970s, during the heyday of the Apollo program. According to the story, in preparation for the Apollo moon landings, a computer at NASA calculated the positions of the earth, moon, and other solar system bodies with great precision far into the past and future.

ellauri083.html on line 434: Supposedly, NASA scientists and engineers puzzled over this problem until one of them opened the Bible to Joshua 10:12–14 and 2 Kings 20:8–11. The NASA personnel supposedly came to realize that their missing day could be explained by addition of nearly a day at the time of Joshua and an additional 40 minutes at the time of Hezekiah, thus proving that these biblical events actually occurred.

ellauri083.html on line 436: This story is not new, but rather it is a modern retelling of an even older story. In the 1930s, Harry Rimmer made reference to how science had proved the missing day of Joshua, and this story continued to circulate within Christian circles for decades. Rimmer’s mention of this may have been the origin of Hill’s story. Rimmer based his statement upon an 1890 book by C. A. L. Totten, Joshua’s Long Day and the Dial of Ahaz, a Scientific Vindication and “a Midnight Cry.” Totten did a very elaborate computation of the date of the battle of Gibeon since the creation.

ellauri083.html on line 440: The fact that NASA computers have not proved the account of Joshua’s long day does not mean that there was no miracle at the battle of Gibeon as recorded in the book of Joshua. We know that God’s word is inspired. Therefore, we know that the Bible is authoritative in all things, including history. Since Joshua 10:12–14 tells us that God performed this miracle, we can be assured that indeed He did perform this miracle. As Joshua 10:14 described it, “There has been no day like it before or since” (ESV).

ellauri083.html on line 514:     I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the King and Queen moult no feather. I have of late, but wherefore I know not, lost all my mirth, forgone all custom of exercises; and indeed, it goes so heavily with my disposition that this goodly frame the earth, seems to me a sterile promontory; this most excellent canopy the air, look you, this brave o’erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is man! How noble in reason? How infinite in faculties, in form and moving, how express and admirable? In action how like an angel? In apprehension, how like a god? The beauty of the world, the paragon of animals. And yet, to me, what is this quintessence of dust? Man delights not me; no, nor woman neither, though by your smiling you seem to say so.

ellauri083.html on line 520: ...of course the novel is stupendous. It's also filled with joy. Moments in the book had me laughing so hard my cheeks hurt as I sat on the lumpy futon in that studio.

ellauri083.html on line 529: I can’t say I really see it at all. As much as I love this book, the only person who I would say comes close to experiencing “complicated joy” is Mario, whose emotions are simple and straightforward, only made more complex by his contorted body. I think most people in the book experience a sort of numbness, or they are searching for a kind of numbness. To me, even Gately’s emotions and thoughts are dulled by the inane daily tasks he must complete, although I suppose you could argue that being free from substance addiction gives him a small sense of pride.

ellauri083.html on line 548: Proverbs 14:13

ellauri083.html on line 552:     I said in mine heart, Go to now, I will prove thee with mirth, therefore enjoy pleasure: and, behold, this also is vanity. 

ellauri083.html on line 578:     Moreover I will take from them the voice of mirth, and the voice of gladness, the voice of the bridegroom, and the voice of the bride, the sound of the millstones, and the light of the candle. 

ellauri083.html on line 594: Thus all Israel brought up the ark of the covenant of the LORD with shouting, and with sound of the cornet, and with trumpets, and with cymbals, making a noise with psalteries and harps.

ellauri083.html on line 621: And now shall mine head be lifted up above mine enemies round about me: therefore will I offer in his tabernacle sacrifices of joy; I will sing, yea, I will sing praises unto the LORD.

ellauri083.html on line 667: The Bible is surprisingly full of humorous episodes that can make one chuckle or even laugh out loud. One of the first jokes God pulled was in the book of Genesis. When visiting Abraham and Sarah, God said to the elderly couple (well passed child-bearing years), “I will bless [Sarah], and moreover I will give you a son by her; I will bless her, and she shall be a mother of nations; kings of peoples shall come from her” (Genesis 17:16).

ellauri083.html on line 679:       God responded by saying, the “Lord will give you meat, and you shall eat. You shall not eat one day, or two days, or five days, or ten days, or twenty days, but a whole month, until it comes out at your nostrils” (Numbers 11:19-20). He gave them quail that covered the earth, three feet deep! You wanted meat? Here you go!

ellauri088.html on line 67:       Tää on suuri läpimurto (aargh hemmetti miten tolloa), ja pian HUMAN ja HEPTAPOD iloisesti kirjoittavat tällä lailla. Vittu mixei ne heptapodit kelanneet rainaa vähän eteenpäin nähdäxeen että noiden ääliöiden kanssa pitää kommunikoida kuvilla? Nää skifihommat vuotaa loogisesti kuin seula, ei niitä jaxa kazella. Analystitiimi alkaa ratkoa ristisanaa (ilmeisesti soveltaen geometriaa, jossa naiset on tunnetusti huonoja miehiin verrattuna, lyön etoa että analysteistä oli valtaosa miehiä), ja pian on käännösappi valmiina, Google Translate-alustalla varmaankin. Tää vaikuttaa vähän epäilyttävältä ehkä, mutta täähän on vaan skifiä, joten antaa mennä vaan. Tää ei katkaise mun uskontahtoa, koska lingvistinä mä en ole kirjoitussysteemien tuntija. Sitäpaizi kaikkihan viestivät jo emojeilla muutenkin, ne on hyviä, varsinkin alle 8 sekunnin giffit jotka ei ylitä kultakalan keskittymiskykyä.

ellauri088.html on line 97: Several sensations form an idea. Several feelings form a composite feeling. Emotions are affective processes over time (they have a beginning, a middle, and an end). Volitions are changes in ideas or feelings that bring an emotion to an end. oAApperception is also relevant to clinical psychology. Projective tests such as the Rorschach and the TAT are based on the concept of apperception. (TAT: Thematic Apperception Test) Why is it that we perceive reality this or that way? Skewed perception may be connected with mental illness. Like seeing naked women undressing everywhere. There is a will involved there.

ellauri088.html on line 110: Maapallon 7 giga-apinaa jännittää penkin reunalla kun fyysikko-Aatami ja lindkvisti-Eeva kahteen pekkaan ratkaisee mustekalaristisanaa. Vaikka mustekalat ja Eeva ja kazojatkin tietää etukäteen mitä tapahtuu. Vahvaa dramaattista ironiaa. Sentimenttiosastossa ruokalistalla on jälleen kerran sairaslapsiteemaa eli Love Storya. Kaikki ovat ällistyttävän epäuskottavia. Parhaiten näyttelevät Abbott ja Costello. 

ellauri088.html on line 273: KLIKKIOZIKKO: 16 lestadiolaissisarusta täytti yli tuhat vuotta. Niiden vanhemmat luottivat jumalaan ja Jumala palkizi luottamuxen lapsikatraalla. Jumala huusi Jussin selän takana: työnnä, maxoin rlunsaasti. Kerttu poiki kunnes kuoli syöpään 55-vuotiaana. Lähes kaikki lapset ovat yrittäjiä Teuvalla. Pyytäjälle annetaan ja kolkuttajalle raotetaan ovea.

ellauri088.html on line 411: - Syön granolaa, maustamatonta jogurttia, banaania ja riisiproteiinia. Usein vain olen silleen - ja niin on hyvä. Jos tosi villiksi menee, katson lempiystäväni kanssa samalla Love Islandia tai Game of Thronesia. Muiden poikakavereiden kanssa hengaan myös. Se on mun vapaa-aika arkisin.

ellauri088.html on line 555: Three invalids.—Sufferings of George and Harris.—A victim to one hundred and seven fatal maladies.—Useful prescriptions.—Cure for liver complaint in children.—We agree that we are overworked, and need rest.—A week on the rolling deep?—George suggests the River.—Montmorency lodges an objection.—Original motion carried by majority of three to one.

ellauri088.html on line 567: The river in its Sunday garb.—Dress on the river.—A chance for the men.—Absence of taste in Harris.—George’s blazer.—A day with the fashion-plate young lady.—Mrs. Thomas’s tomb.—The man who loves not graves and coffins and skulls.—Harris mad.—His views on George and Banks and lemonade.—He performs tricks.

ellauri088.html on line 571: George is introduced to work.—Heathenish instincts of tow-lines.—Ungrateful conduct of a double-sculling skiff.—Towers and towed.—A use discovered for lovers.—Strange disappearance of an elderly lady.—Much haste, less speed.—Being towed by girls: exciting sensation.—The missing lock or the haunted river.—Music.—Saved!

ellauri088.html on line 573: Our first night.—Under canvas.—An appeal for help.—Contrariness of tea-kettles, how to overcome.—Supper.—How to feel virtuous.—Wanted! a comfortably-appointed, well-drained desert island, neighbourhood of South Pacific Ocean preferred.—Funny thing that happened to George’s father.—a restless night.

ellauri088.html on line 581: Then Harris tried to open the tin with a pocket-knife, and broke the knife and cut himself badly; and George tried a pair of scissors, and the scissors flew up, and nearly put his eye out.  While they were dressing their wounds, I tried to make a hole in the thing with the spiky end of the hitcher, and the hitcher slipped and jerked me out between the boat and the bank into two feet of muddy water, and the tin rolled over, uninjured, and broke a teacup.

ellauri088.html on line 593: There was one great dent across the top that had the appearance of a mocking grin, and it drove us furious, so that Harris rushed at the thing, and caught it up, and flung it far into the middle of the river, and as it sank we hurled our curses at it, and we got into the boat and rowed away from the spot, and never paused till we reached Maidenhead.

ellauri088.html on line 599: In addition, here’s a much earlier spoof of German lieder, from the British comic novel “Three Men in a Boat,” published in 1889. I think it shows just how pervasive and long-standing is the English-speaker’s resistance to the rarefied world of the German art-song. The excerpt is also very silly and probably tells you at least as much about British anti-intellectualism and complacency as it does about German over-earnestness.

ellauri088.html on line 601: It appeared that the song was not a comic song at all.  It was about a young girl who lived in the Hartz Mountains, and who had given up her life to save her lover’s soul; and he died, and met her spirit in the air; and then, in the last verse, he jilted her spirit, and went on with another spirit—I’m not quite sure of the details, but it was something very sad, I know.  Herr Boschen said he had sung it once before the German Emperor, and he (the German Emperor) had sobbed like a little child.  He (Herr Boschen) said it was generally acknowledged to be one of the most tragic and pathetic songs in the German language.

ellauri088.html on line 616: Will it be the same in the future?  Will the prized treasures of to-day always be the cheap trifles of the day before?  Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd?  Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house?

ellauri089.html on line 51:     He was a sixth-generation German-American; a family tradition had it that Heinleins fought in every American war, starting with the War of Independence. Jim Marlowe, in Red Planet, and Don Harvey, in Between Planets, participate in insurrections patterned after the American Revolution, a plot Heinlein would most fully exploit in his adult novel, The Moon is a Harsh Mistress (1966).

ellauri089.html on line 53: Bobin isä ja isoveli oli samannimiset, Rex Ivar sr ja jr. Iskä oli kauppa-apulainen v. 1900 ja myöhemmin kassa, kirjanpitäjä ja farmikalujen kiertokauppias. Sotiminen loppui Bobin sukuhaaran osalta Vietnamiin, jota Bob kannatti penkkiurhona ja tuki vielä kuvitteellisesti Vietnamin veteraaneja niteessä Glory Road. Heinleinit olivat siistejä mutta koleerisia sakemanneja. Bobin roistotkin ovat paizi muuten moraalittomia myös hirmu epäsiistejä. Insult upon injury. 

ellauri089.html on line 64: Space Cadet (1948) may not be Heinlein’s best juvenile novel (that spot is usually reserved for Have Space Suit—Will Travel), but it is a solid contender for one of the top spots. Space Cadet would probably be a memorable novel if Heinlein had written no other juvenile books.

ellauri089.html on line 74: Another Cadet, Girard Burke, is asked to resign. The reader has know for a long time that Burke, who is certainly mentally and physically capable, does not have the right attitude to be a Patrolman. He is, among other things, too skeptical of the ideals for which the Patrol stands. Burke resigns, goes into his father’s business, becomes an ship’s captain immediately, gets himself in venereal trouble on Venus, and has to call on the Patrol to rescue him from his own self-centered and stupid mistakes. Matt, Tex, and Oscar do rescue him and, with that action, prove the worth of the characteristics—perseverance, loyalty, intelligence, idealism, integrity, and courage—that Heinlein champions throughout Space Cadet and the other novels in the series. Vittu mikä nazi.

ellauri089.html on line 77: Heinlein used his science fiction to earn money and as a way to explore his provocative social and political ideas, and to speculate how progress in science and engineering might shape the future of politics, race, religion, and sex.  Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of being earnest, individual liberty and self-reliance, the nature of incestual sexual relationships, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.

ellauri089.html on line 83:   His work sometimes had controversial aspects, such as plural marriage in The Moon is a Harsh Mistress, militarism in Starship Troopers and technologically competent women characters that were formidable, yet often stereotypically feminine – such as Friday. 

ellauri089.html on line 91: Heinlein's early political leanings were liberal. In 1934, he worked actively for the Democratic campaign of Upton Sinclair for Governor of California. After Sinclair lost, Heinlein became an anti-Communist Democratic activist.

ellauri089.html on line 108: “[T]here seems to have been an actual decline in rational thinking. The United States had become a place where entertainers and professional athletes were mistaken for people of importance. They were idolized and treated as leaders; their opinions were sought on everything and they took themselves just as seriously—after all, if an entertainer is paid a million or more a year, he knows he is important ... so his opinions of foreign affairs and domestic policies must be important, too, even though he proves himself to be ignorant and subliterate every time he opens his mouth.”

ellauri089.html on line 114: From Rocket Ship Galileo (1947) to Have Space Suit—Will Travel (1958), Robert A. Heinlein wrote twelve novels, all published by Scribners, that were aimed at what we now call the juvenile market. In Dr. Johnson’s sense of the word, they are classics in their field, they have stood the test of time. They appeared first in hardback—unusual in a field in which, until the 1950s or 1960s, almost all major works were published in magazines or in paperback; and during the 1950s, hardback copies of these novels could be found in school and public libraries all across the country. These novels later appeared in paperback and have remained available in that form to the present. Heinlein’s juvenile novels have been largely ignored by both science fiction critics and critics of children’s literature; but even a half century after they were written, these novels are still “contemporary” and are still among the best science fiction in the range.

ellauri089.html on line 126:     Many of his stories, such as Gulf, If This Goes On—, and Stranger in a Strange Land, depend strongly on the premise, related to the well-known Sapir–Whorf hypothesis, that by using a correctly designed language, one can change or improve oneself mentally, or even realize untapped potential.

ellauri089.html on line 130: When Ayn Rand's novel The Fountainhead was published, Heinlein was very favorably impressed, as quoted in "Grumbles ..." and mentioned John Galt—the hero in Rand's Atlas Shrugged—as a heroic archetype in The Moon Is a Harsh Mistress. He was also strongly affected by the religious philosopher P. D. Ouspensky.

ellauri089.html on line 132: Heinlein's name is often associated with the competent hero, a character archetype who, though he or she may have flaws and limitations, is a strong, accomplished person able to overcome any soluble problem set in their path. They tend to feel confident overall, have a broad life experience and set of skills, and not give up when the going gets tough.

ellauri089.html on line 145: Even more surprising, the sociological aspects of these books have also stood up well over the years. Boys today may not be quite as innocent about girls as they appear to be in most of Heinlein’s juveniles (perhaps at the request of Scribner’s editor Alice Dalgliesh), but the various interpersonal relationships (boy-girl, parent-child, sibling-sibling) do still ring quite true. Today’s young readers may have to ask what a “soda jerk” is, but they will have no trouble understanding why Kip, the hero of Have Space Suit—Will Travel, tosses a chocolate milkshake all over his tormentor.

ellauri089.html on line 149: The last juvenile, Have Space Suit—Will Travel, recapitulates and surpasses the other books in the series as Kip Russell travels first to the moon, then to Pluto, then to a planet in Vega’s system, and finally to the Lesser Magellanic Cloud; he eventually comes home by a circular route! All of the books feature young people, primarily young men—but a surprising number of strong female characters, growing up and going through the process of separating themselves from their sometimes ununderstanding families, discovering their real identities, successfully dealing with bar mitzwah, and by the story’s end, entering the adult world as foreskinless and capable people.

ellauri089.html on line 157: He is a great fan of nuclear power. He certainly fails to challenge the reader to think critically about what the future climate might be like. In addition, Heinlein presents specific scientific, technological, sociological, moral or ethical, and humanistic situations which will not only intrigue but challenge the reader’s attitudes—about space travel, illegal alien societies, the over-populated future, the nature of time, and so on.

ellauri089.html on line 170: No wonder that Heinlein’s juveniles still enthrall the juvenile readers discovering them for the first time and enchant the older readers, like myself, who discovered them first in the 1950s. (C. W. Sullivan III is Distinguished Research Professor of English at East Carolina University.)

ellauri089.html on line 197: Job: A Comedy of Justice is a novel by Robert A. Heinlein published in 1984. The title is a reference to the biblical Book of Job and James Branch Cabell's book Jurgen, A Comedy of Justice.

ellauri089.html on line 198: The story examines religion through the eyes of Alex, a Christian political activist who is corrupted by Margrethe, a Danish Norse cruise ship hostess and loves every minute of it. Enduring a shipwreck, an earthquake, and a series of world-changes brought about by Loki (with Jehovah's permission), Alex and Marga work their way from Mexico back to Kansas as dishwasher and waitress.

ellauri089.html on line 401:         Preface. It appears to me that in Ethics, as in all other philosophical studies, the difficulties and disagreements, of which its history is full, are mainly due to a very simple cause: namely to the attempt to answer questions, without first discovering precisely what question it is which you desire to answer. ...

ellauri089.html on line 405:         § 1. In order to define Ethics, we must discover what is both common and peculiar to all undoubted ethical judgements; ...

ellauri089.html on line 546:         § 68. Metaphysics, as dealing with a "supersensible reality" may have a bearing upon practical Ethics (1) if its supersensible reality is conceived as something future, which our actions can affect; and (2) since it will prove that every proposition of practical Ethics is false, if it can shew that an eternal reality is either the only real thing or the only good thing. Most metaphysical writers, believing in a reality of the latter kind, do thus imply the complete falsehood of every practical proposition, although they fail to see that their Metaphysics thus contradicts their Ethics. …

ellauri089.html on line 566:         § 78. (1) It has been commonly held, since Kant, that "goodness" has the same relation to Will or Feeling, which "truth" or "reality" has to Cognition: that the proper method for Ethics is to discover what is implied in Will or Feeling, just as, according to Kant, the proper method for Metaphysics was to discover what is implied in Cognition. …

ellauri089.html on line 597:         § 91. (2) It is plain that we cannot hope to prove which among all the actions, which it is possible for us to perform on every occasion, will produce the best total results: to discover what is our "duty", in this strict sense, is impossible. It may, however, be possible to shew which among the actions, which we are likely to perform, will produce the best results. …

ellauri089.html on line 603:         § 94. and (b) even to decide that, of any two actions, one has a better total result than the other in the immediate future, is very difficult; and it is very improbable, and quite impossible to prove, that any single action is in all cases better as means than its probable alternative. Rules of duty, even in this restricted sense, can only, at most, be general truths. …

ellauri089.html on line 605:         § 95. But (c) most of the actions, most universally approved by Common Sense, may perhaps be shewn to be generally better as means than any probable alternative, on the following principles. (1) With regard to some rules it may be shewn that their general observation would be useful in any state of society, where the instincts to preserve and propagate life and to possess property were as strong as they seem always to be; and this utility may be shewn, independently of a right view as to what is good in itself, since the observance is a means to things which are a necessary condition for the attainment of any great goods in considerable quantities. …

ellauri089.html on line 607:         § 96. (2) Other rules are such that their general observance can only be shewn to be useful, as a means to the preservation of society, under more or less temporary conditions: if any of these are to be proved useful in all societies, this can only be done by shewing their causal relation to things good or evil in themselves, which are not generally recognised to be such. …

ellauri089.html on line 611:         § 98. In this way, then, it may be possible to prove the general utility, for the present, of those actions, which in our society are both generally recognized as duties and generally practised; but it seems very doubtful whether a conclusive case can be established for any proposed change in social custom, without an independent investigation of what things are good or bad in themselves. …

ellauri089.html on line 629:         § 107. (b) where virtue consists in a disposition to have, and be moved by, a sentiment of love towards really good consequences of an action and of hatred towards really evil ones, it has some intrinsic value, but its value may vary greatly in degree. …

ellauri089.html on line 660:         § 120. We thus get a third essential constituent of many great goods; and in this way we are able to justify (1) the attribution of value to knowledge, over and above its value as a means, and (2) the intrinsic superiority of the proper appreciation of a real object over the appreciation of an equally valuable object of mere imagination: emotions directed towards real objects may thus, even if the object be inferior, claim equality with the highest imaginative pleasures. …

ellauri089.html on line 670:         § 125. (1) evils which consist in the love, or admiration, or enjoyment of what is evil or ugly …

ellauri090.html on line 56: [14.3. 0.14] paul: Kiitos käymästä! Luisa käski sanoa älkää laittako kakkua jääkaappiin, kovettuu. 

ellauri090.html on line 70: [14.3. 9.36] Bo Egov: A love letter to his portuguese "novia" 

ellauri090.html on line 103: Quincas Borba is a novel written by the Brazilian writer Machado de Assis. It was first published in 1891. It is also known in English as Philosopher or Dog? The novel was principally written as a serial in the journal A Estação from 1886 to 1891. It was definitively published as a book in 1892 with some small but significant changes from the serialized version.

ellauri090.html on line 105: Following The Posthumous Memoirs of Bras Cubas (1881) and preceding Dom Casmurro (1899), this book is considered by modern critics to be the second of Machado de Assis's realist trilogy, in which the author was concerned with using pessimism and irony to criticize the customs and philosophy of his time, in the process parodying scientism, Social darwinism, and Comte's positivism, although he did not remove all Romantic elements from the plot.

ellauri090.html on line 107: In contrast to the earlier novel of the trilogy, Quincas Borba was written in third person, telling the story of Rubião, a naive young man who becomes a disciple and later the heir of the titular philosopher Quincas Borba, a character in the earlier novel. While living according to the fictional "Humanitist" philosophy of Quincas Borba, Rubião befriends and is fooled by the greedy Christiano and his wife Sofia who manage to take him for his entire inheritance. 

ellauri090.html on line 116: Rubião misinterprets as a love offering a box of strawberries Sophia had sent him. At the Palhas’s house in Santa Thereza, he clutches her hand and makes his affection clear to her. Distressed by Rubião’s advances, Sophia suggests to her husband that they end their relationship with Rubião. Having borrowed money from Rubião, however, Palha is reluctant to break with him.

ellauri090.html on line 120: Rubião becomes friends with Dr. Camacho, a lawyer and the editor of a politically oriented newspaper called Atalaia. On his way to meet Dr. Camacho, Rubião rescues a small child, Deolindo, in danger of being run over by a carriage and horses. Rubião then goes on to Dr. Camacho’s office, where he subscribes generously to the capital fund for Atalaia. Dr. Camacho flatters Rubião by publishing an account of Rubião’s heroism in saving Deolindo. Although Rubião is at first modest and dismissive about his heroism, as he reads Camacho’s account he becomes increasingly self-important.

ellauri090.html on line 122: Maria Benedicta, Sophia’s young cousin, is another potential wife for Rubião, but Rubião is too infatuated with Sophia to be interested in Maria Benedicta. After the incident at Santa Thereza, Rubião appears more cosmopolitan and confident. He spends his inherited money freely, often in support of others in addition to Palha and Dr. Camacho. When his impoverished friend, Freitas, falls ill, Rubião generously gives Freitas’s mother a substantial sum of money. Later, he pays Freitas’s funeral expenses.

ellauri090.html on line 167:     In Brazil, the word pardo has had a general meaning, since the beginning of the colonization. In the famous letter by Pêro Vaz de Caminha, for example, in which Brazil was first described by the Portuguese, the Amerindians were called "pardo": "Pardo, naked, without clothing". The word has ever since been used to cover African/European mixes, South Asian/European mixes, Amerindian/European/South Asian/African mixes and Amerindians themselves.

ellauri090.html on line 189: Roope teki aikamoisen luokkaretken, muttei sentään aloittanut ihan tyhjästä niinkuin höyhenpukuinen kaimansa. Roopen perustamaan akatemiaan Pauli Kanikin halusi välttämättä ja lopulta huolittiinkin pitkin hampain kun se tunki ovesta iso rahatukko edellä.

ellauri090.html on line 213: Ambos os pais de Machado de Assis sabiam ler e escrever, fato incomum na sua época e classe social. Ambos eram agregados da Dona Maria José de Mendonça Barrozo Pereira, esposa do falecido senador Bento Barroso Pereira, que abrigou seus pais e os permitiu morar junto com ela. Nascera junto a ele uma irmã, que morreu jovem, aos 4 anos, em 1845.

ellauri090.html on line 220: O jovem Machado aos 25 anos, 1864, gostava de teatro e lutava para subir socialmente. Foto: Insley Pacheco (não incluido). 

ellauri090.html on line 357:     Machado dedicou seu último soneto, "A Carolina", em que Manuel Bandeira afirmaria, anos mais tarde, que é uma das peças mais comoventes da literatura brasileira. De acordo com alguns biógrafos o túmulo de Carolina era visitado todos os domingos por Machado.

ellauri090.html on line 383:   Kanadalainen komedia (?) sarja Schitt's Creek on napannut kaikki palkinnot, Emmyn, Oskarit, Venlan, mitä niitä nyt olikaan, mitä Hoblan Malin Slotte ei voi tajuta. Sehän on kömpelösti ylinäytelty paskaturaus, trailerista päätellen, jonka "huumori" on enintään Reinikaisen tasoa. Tai Mämmilästä. "I love your complexion" sanoo newcomer white-trash ämmä afrokanadalaiselle. Mämmilässäkin oli hassu mutta kiltti kotisomali. Mixi näin? Mistä ihmeestä voi olla kysymys?

ellauri090.html on line 422: ove vestigio human l’arena stampi.		le orme degli altri uomini.					ja jätöxet apinoiden loppujen. 

ellauri092.html on line 63: In engineering, the Moody chart or Moody diagram is a graph in non-dimensional form that relates the Darcy-Weisbach friction factor fD, Reynolds number Re, and surface roughness for fully developed flow in a circular pipe. It can be used to predict pressure drop or flow rate down such a pipe. Lewis Ferry Moody (5 January 1880 – 21 February 1953) was an American engineer and professor, best known for the Moody chart. He has 23 patents for his inventions. He was the first Professor of Hydraulics in the School of Engineering at Princeton. Tästä Moodysta ei löytynyt sen enempää, tuli umpiperä. Not the way out - exit through tunnel in rear, luki MIT:n vessan ovessa.  Mutta tämä sensijaan on motherlode:

ellauri092.html on line 65: Dwight Lyman Moody (February 5, 1837 – December 22, 1899), also known as D. L. Moody, was an American evangelist and publisher connected with Keswickianism, who founded the Moody Church, Northfield School and Mount Hermon School in Massachusetts (now Northfield Mount Hermon School), Moody Bible Institute and Moody Publishers. One of his most famous quotes was “Faith makes all things possible... Love makes all things easy.“ Moody gave up his lucrative boot and shoe business to devote his life to revivalism, working first in the Civil War with Union troops through YMCA in the United States Christian Commission. In Chicago, he built one of the major evangelical centers in the nation, which is still active. Working with singer Ira Sankey, he toured the country and the British Isles, drawing large crowds with a dynamic speaking style. Jesus was a great motivational speaker, and the apostles plus Paul of Tarsus copycatted him to the best of their abilities.

ellauri092.html on line 78: Dwight Lyman Moody was born into a bankrupt family of nine children with a father who loved whiskey and who died when Dwight was just four. His mother sent them to a school where he learnt very little, and she sent them to the First Congregational Church where he learnt less. His upbringing was something of a disciplined, Puritan-influenced life.

ellauri092.html on line 80:  By 17 years old this stout young Yankee decided to leave his farming work at home and head for Boston where he became a shoe salesman. Like Al Bundy. Taivas on todennäköisesti täynnä kadonneita parittomia sukkia. Ne ovat kaikki pelastuneet sinne. Kun mun sukkaan tulee reikä heitän sen roskiin mutta pelastan parittoman, koska mun lähes kaikki sukat ovat mustia. Vartioin niitä mustasukkaisesti ja teen leskexi jääneistä uusia pareja. He attended a Congregationalist Church which bored him as did all religious matters but over the next year the convicting message of sin and righteousness began to take effect. At the same time though, he raised up a wall of arguments. He settled his heart by deciding to leave the matter until his deathbed, but Cod’s Word continued to disturb him. No wonder: this was good old Boston, the home of the bean and the cod, Where the Lowells talk to the Cabots, And only the Cabots talk to Cod.

ellauri092.html on line 82:  In April 1855 young Edward Kimball a Sunday school teacher was deeply burdened by Moody’s sole. Kimball left his house and made his way to the shoe shop where Moody worked with the intention of confronting Moody about his standing in front of Cod. A thousand contrary thoughts invaded the young man’s mind and he almost turned back. When he realized he had passed the shop he decided he would go for it and get it over with quickly. With what he later thought was a very weak plea with tears in his eyes he challenged Moody concerning his salivation, Cod’s tail and his need of a waist. That day in the back of the shop on his knees Moody accepted his price and Kimball returned home within minutes with new soles. Salivation while you wait. 

ellauri092.html on line 84: The first change in Moody was that he received a burden to see all his family earnings saved. Later that year he moved to Chicago and although he started to show signs of real shoe business ability and success, when he experienced the revival which commenced in that city in January 1857, business success faded into insignificance. He was ruined - success of this world no longer interested him instead, he began to glow in Christian virtue. He mixed freely amongst Plymouth Brethren, Methodist Episcopal, Congregationalists and Baptists. The years passed and he worked with the men in tights at YMCA and raised up one of the most unusual Sunday Schools of that day which became a church. He reluctantly began to preach and haggled every step of the way. He turned down Congregational ordination and remained a simple uneducated layman with a burden for souls. Having heard of Spurgeon’s ministry in London he did all he could to get hold of and read every Spurgeon sermon. He took thorough hold of Spurgeon’s three ‘R’s: Ruin by the fall, Redemption by the Blood, and Regeneration by the Holy Mackerel. This flowed through every one of his messages and was the marrow of Moody’s theology. Many thought him too radical and so nicknamed him ‘Crazy Moody.’

ellauri092.html on line 94:  Before returning home he was persuaded to preach at a Congregational church in Arundel Square, London. The massage came with real power. As a result over 400 new convict perverts were taken into membership in the following weeks. As other requests to preach reached him he decided he would return home and prepare to return for a period of six months at a later stage, all expenses paid. 

ellauri092.html on line 96:  So in June 1873 he arrived again into Liverpool, England, accompanied by his asthmatic wife and song leader Ira Sankey as his other wife. Key men who were leaders and financers who had invited him with the promise of financial help had died since he was last there. There were no meetings, no funds and no committees. What the fuck. It seemed all was lost. Maybe they would just have to return to America? Only one unattractive invitation came from York in the North of England and so there they went. It was hard ground but in the midst of these meetings one unimpressed minister called F.B. Meyer slowly melted and then ignited with holy fervent fire. Our friends fled the scene as fast as they could. Next the Evangelistic foursome moved to Sunderland for several weeks of sole eating meetings where Cod’s power to inflate liver was manifest. In August they brought coals to Newcastle where a daily paper meeting was conducted with some 300 saints in attendance. No other lighting was necessary. News spread throughout the whole land that Creedence Clearvater Revival was coming to churches and salivation to thousands. Other towns were visited in the same manner and left as quickly as the audience caught on that a less inspiring Yankee foursome was doing the song and play. 

ellauri092.html on line 98: Next came the invitation to Edinburgh, Scotland. Only eternity will reveal the results of this revival which started in November, 1873. On the first night at the first meeting 2,000 people had to be turned away because the tiller was already filled to capacity. By now Moody had the full backing and support of many great theologians as well as all national financiers of every occupation. It was later said that “The revival in Edinburgh was like a Holocaust to the land”. Cold Calvinism gave way to fiery evangelism. This great city was startled out of its sleep and stirred to its depths. In the New Year they travelled on to see Crocodile Dundee, Glasgow and elsewhere. This was not successful evangelism, it was Creedence Clearwater Revival live. The nine months in Scotland ended, but the revival burned on a few days. Then things returned to normal.

ellauri092.html on line 100: In September 1874 they travelled to Belfast in the North of Ireland for five weeks of meetings like those in Scotland. Then onward to Dublin for a month where several thousand pounds sterling were reported converted to dollars. These were some of the most remarkable meetings ever held in Ireland. In November they sailed for England and continued to minister in the main cities and towns. In March 1875 he moved to London to start a 4 mouth campaign. Initially meetings had about 16,000 people in attendance. He bled the rich and poor, the famous and the destitute, princesses as well as paupers. It is estimated that a million and a half people paid him in this chief of cities. After one very brief visit to Cambridge University he returned home to America and did not return again until 1882 when he administered snake oil in Ireland, Scotland, Wales and England.

ellauri092.html on line 102:  In November 1882 when he spoke at Cambridge University he was filled with great anxiety as this educational centre for Britain’s aristocratic and wealthy youth had a reputation of unparalleled riotous behaviour. That first night at a Zoom meeting Moody spoke on ‘the Spirit’s power service.’ The university vicar Handley Moule was somewhat nervous. The young C.T. Studd (the same guy who impressed J.R.Mott with his biceps) greatly doubted ‘if this Yankee was up to the task.’ The first mission night on the Monday had 1,700 students in attendance. As Sankey sang his sacred Hymns they jeered, laughed and shouted. When Sankey finished he was near to tears. As Moody preached on Daniel in the lions den (how appropriate) again they laughed, shouted and did all in their power to disturb him. He maintained his calm. By the end of the week at least 200 students had accepted a check from the speaker. Amongst them was a main ‘ringette player’ who later assumed missionary position in China and was the first lady Bishop of King Kong. Out of this mission came The Cambridge Seven, missionaries who made a lot of dough. This campaign had huge proceeds that also leeched the youth of the whole nation.

ellauri092.html on line 104: During the summer of 1883 he returned home to count the revenue but was back again; first to Ireland and then London in November. For the next 8 months he held his greatest meetings yet in the capital. Many of his best new labourers were the pervert convicts from 1875. This campaign sealed the future destiny of many young men who would later go to the admission collection field. It was not long after his death in 1899 that his sermons were second only in demand to Pilgrim’s Progress and were printed right across the ad pages of the Boston Globe.

ellauri092.html on line 108:     Moody's main claim to fame for us Pylkkänen's is that he helped get the Pentecostal movement going on the American west coast, from whence it went viral in China and infected Wilho Pylkkänen. Wilho toi sen Kiinasta Suomeen supertartuttajana, ja se siltä tarttui satoihin ellei suorastaan tuhansiin helluntaiystäviin. Altistuneita on vielä enemmän, kuten nähtävästi mä. Seuraava taulukko havainnollistaa USA:n eri kirkkokuntien yhtäläisyyxiä ja eroja. 

ellauri092.html on line 157: In matters of sexuality, several Baptist churches are promoting the virginity pledge to young Baptist Christians, who are invited to engage in a public ceremony at sexual abstinence until Christian marriage. This pact is often symbolized by a purity ring. Programs like True Love Waits, founded in 1993 by the Southern Baptist Convention have been developed to support the commitments. 

ellauri092.html on line 180:   The First Great Awakening was a religious movement among colonials in the 1730s and 1740s. The English Calvinist Methodist preacher George Whitefield played a major role, traveling up and down the colonies and preaching in a dramatic and emotional style, accepting everyone as his audience. It was the largest denomination in 1820. 

ellauri092.html on line 182: The Third Great Awakening from 1858 to 1908 saw enormous growth in Methodist membership, and a proliferation of institutions such as colleges (e.g., Morningside College). Methodists were often involved in the Missionary Awakening and the Social Gospel Movement. The awakening in so many cities in 1858 started the movement, but in the North it was interrupted by the Civil War. In the South, on the other hand, the Civil War stimulated revivals, especially in Lee´s army. 

ellauri092.html on line 198: The United Methodist Church delegates met in St. Louis February 26, 2019, and voted 438 to 384 to maintain its policies defining marriage as a covenant between one man and one woman and barring "self-avowed practicing homosexuals" from serving as clergy. 

ellauri092.html on line 202: Like most other national organizations, the Methodist Church experienced tensions and rifts over the slavery dispute. Both sides of the argument used the doctrines of the movement and scriptural evidence to support their case. 

ellauri092.html on line 215: There is some debate about the roots of Baptists as a denomination, or family of denominations. Some argue that Baptists can trace their roots right back to the famous cousin of Jesus – John the Baptist. While most others go back only as far as the Anabaptist movement in the wake of the Protestant Reformation.

ellauri092.html on line 219: Methodism also can confidently claim roots that go back centuries; right back to John Wesley, who founded the movement in England, and later in North America. Wesley was unhappy with the “sleepy” faith of the Church of England and sought to bring renewal and revival and spirituality to the practice of Christians. He did this especially through open air preaching, and home meetings which soon formed into societies. By the end of the 18th century, Methodist societies were taking root in the American Colonies, and it soon spread across the continent.

ellauri092.html on line 221: Today, there are many different Methodist denominations, but they all hold similar views in several areas. They all follow Wesleyan (or Armenian) theology, emphasize practical life over doctrine, and hold to the Apostle’s Creed. Most Methodists groups reject that the Bible is inerrant and sufficient for life and godliness, and many groups are presently debating the moral standards of the Bible, especially as they relate to human sexuality, marriage, and gender.

ellauri092.html on line 231: Baptists believe in the autonomy of the local church, and churches are most often governed by a form of congregationalism, or pastor-led congregationalism. In more recent years, however, many Baptist Churches have adopted an elder-led congregationalism as a preferred form of polity. Although there are many denominational alliances among churches, most Baptist local churches are entirely autonomous in governing their own affairs, choosing their pastors, purchasing and owning their own property, etc..

ellauri092.html on line 239: Major Methodist Bodies, such as the United Methodist Church, have outlined their requirements for ordination in the Book of Discipline, and ordination is governed by the denomination, not by local churches. Local church conferences confer with the district conference to select and hire new pastors.

ellauri092.html on line 261: While there are some similarities to those two churches, each on one side of the street, there are many more differences. And that gulf of differences continues to widen as many Baptist churches continue to affirm a high view of Scripture and follow its teaching, while many Methodist congregations – especially in the United States – move away from that view of Scripture and emphasis on the Bible’s teaching.

ellauri092.html on line 265: 
Keswick Movement: Mark and Avoid

ellauri092.html on line 269: In 1859 William Boardman published his book, The Higher Christian Life. The book ultimately birthed the Keswick Movement, so named because the first meeting was held in a church in Keswick, England. The Keswick Movement was filled with doctrinal error from the start and like nearly all errors that infiltrated Christendom over the centuries, they remain to this day. This shouldn’t surprise us because Satan has always twisted God’s Word to his own ends.

ellauri092.html on line 271: William Boardman worked closely with Robert Pearsall Smith, whose wife Hannah Whitall Smith, a Quaker, became well known in the movement for her belief in “quietism”.  Quietism teaches that “sinless perfection” is attainable in this life and comes from inner quietness or meditative contemplation that is believed to allow God to work as all human effort ceases. Remind you of something today?

ellauri092.html on line 273: Those involved with the Keswick Movement were continuationists otherwise known as anti-cessationists. These folks then (as well as today), believed the sign gifts including tongues never stopped. History as well as Scripture tells us that this is not true; that in fact, the sign gifts did actually cease not long after the last apostle died and the Bible had finished being written (though not yet compiled into Canon).

ellauri092.html on line 277: The Keswick Movement urged Christians to seek enlightenment emotionally, to press on toward a higher (“mystical”), experience in Christ. This type of pursuit is diametrically opposed to what God teaches in His Word (2 Timothy 3:16-17). As such, it should be rejected. It is the exact same way Satan tempted Eve to focus on how she felt instead of what God had said (Genesis 3).

ellauri092.html on line 279: As a young Christian, because of a lack of discipleship, I was literally tossed about on various theological waves because of my emotions. Because of that I was drawn into the Charismatic Movement. Looking back now, I fully realize my error.

ellauri092.html on line 281: Keswick’s emphasis on emotion, signs and wonders gave birth to Pentecostalism, the Charismatic Movement and ultimately to today’s NAR movement, all facets of the same doctrinal errors. Moreover, today’s Contemplative Movement is simply a redressing of the Quaker Quietism.

ellauri092.html on line 285: One of the main errors within the Keswick Movement is their unbiblical view of sanctification. Keswickians believe when a person becomes saved, they are immediately justified. This is certainly Scriptural fact (Romans 3:21-26; 5:18-19; 2 Corinthians 5:21). There is nothing I can do to justify myself before God. Only salvation provides this immediate and eternal justification as Christ’s righteousness is literally imputed to my account.

ellauri092.html on line 289: Adherents of Keswickianism would agree with the above regarding justification. However, when it comes to sanctification, they move off in a different direction. They generally do not believe the Holy Mackerel comes into the person and takes up residence at salvation, but that the Holy Mackerel simply comes upon the person to seal them with salvation. It is later, at a time they refer to variously as the “second blessing,” or “higher living,” when they say sanctification occurs. Ultimately, their view of sanctification is flat out mysticism akin to New Age’s goal of an altered state of consciousness. This is all based on a strong (and seemingly biblical), desire to emotionally “know” God. The person turns inward to meet the felt needs of self.

ellauri092.html on line 293: In Thomas Ross’ critical review of Keswick Movement, he says:

ellauri092.html on line 301: A. W. Tozer  (the Keswick Movement gave birth to the Christian and Missionary Alliance denomination of which Tozer belonged)

ellauri092.html on line 318: It is no wonder that as a young Christian, devouring many of the writings by Tozer, Murray, Lawrence and others led me into severe confusion and ultimately pushed me into the Charismatic Movement seeking what I thought was “holiness.” Turns out it was my unchecked emotions that pushed and pulled me.

ellauri092.html on line 322: Holiness is thus not so much an abstract or mystic idea, as a regulative principle in the everyday lives of men and women. Holiness is thus attained not by flight from the world, nor by monk-like renunciation of human relationships of family or station, but by the spirit in which we fulfill the obligations of life in its simplest and commonest details: in this way – by doing justly, loving mercy, and walking humbly with our God in everyday life. Or laying down prostrate knickers down when the knobbly heads of the elders tell us so. Kitty loves me yes I know, cause his purring tells me so. Is that there a test tube in your pockezes, or are you just so glad to see me?

ellauri092.html on line 326: The common thread with all of the people above (and others not listed), is the emphasis on mystical experiences that allegedly begin within as we quiet ourselves and wait upon God. Unfortunately, this is clearly not Scriptural because we are not to focus on our “innerspace” as New Agers do. We are to put our hand to the plow and look forward, not backward. This can only occur as we submit ourselves to Him (Romans 12:1-2). It really doesn’t matter if our emotions catch up with us, nor should they be used to “verify” that we are growing in the Lord. If the heart is deceitfully wicked and cannot be understood (Jeremiah 17:9), what makes us think that once we are saved, our hearts are all of a sudden able to be known?

ellauri092.html on line 332: By way of example I have been married to my wonderful wife for 35 years. The day I met her, I liked her. As we dated, I fell in love with her. That “love” was largely an emotional rush based on my feelings toward her. There were times when I thought my heart would explode because of my “love” (emotion) for her. (Actually it was my little wiener that exploded.) Over time that changed and my love for my wife became more solidified and did not rely on emotion.

ellauri092.html on line 334: Thirty-five years later, I can honestly say I love my wife more now than I did early on, though I certainly believed I could not love her more in our early days. However, my love for my wife now is not (but can at times include), emotion. It is something far different than raw emotion because it is based in carnal knowledge. I love her and I know she loves me.

ellauri092.html on line 336: I do not use my days to try to go inside myself attempting to “love” my wife more than I do; to have some type of mystical, ethereal growing awareness of my wife. I do not go even inside her so often anymore, I know her well enough biblically after 35 years of frequent fornication. 

ellauri092.html on line 428:       But the city that scares me the most is East St. Louis, Illinois. Unlike other American cities, there are NO nice parts of town. In East St. Louis, you’ll have the greatest chance of becoming the victim of a violent crime! They lead in the categories of overall violent crime rate, murder rate, aggravated assault rate, and robbery rate. Nearby St. Louis is 2nd when it comes to violent crime and murder, and among the top five in aggravated assault and robbery. But East St. Louis takes the cake!

ellauri093.html on line 119:     James Hudson Taylor (Chinese: 戴德生; pinyin: dài dé shēng (wear for life???); 21 May 1832 – 3 June 1905) was a British Protestant Christian missionary to China and founder of the China Inland Mission (CIM, now OMF International). Taylor spent 51 years in China. The society that he began was responsible for bringing over 800 missionaries to the country who started. He founded

ellauri093.html on line 128: For the next month, the seven toured the University campuses of England and Scotland, holding meetings for the students. Queen Victoria was pleased to receive their booklet containing The Cambridge Seven's testimonies. The record of their departure is recorded in "The Evangelisation of the World: A Missionary Band". It became a national bestseller. Their influence extended to America where it led to the formation of Robert Wilder's Student Volunteer Movement.

ellauri093.html on line 140: This list consists of mostly nineteenth-century figures who were associated with the Brethren movement before the 1848 schism. They are the leading historical figures common to both the Open and Exclusive Brethren.

ellauri093.html on line 146: Watchman Nee oli leader in the "Little Flock" movement in China after being "put out" by Exclusive Brethren for "breaking bread with sectarians". Ei limpusta ole kahden jakoa. 

ellauri093.html on line 161: Neen läheisin työtoveri oli Witness Lee -niminen babtisti. Heidän yhteistyönsä alkoi 1932. Lee muutti Shanghaihin 1934 voidakseen työskennellä enemmän Neen kanssa. Hän muun muassa toimitti Neen julkaisua The Christian 1934–1940 ja oli hänen best maninsa mm. tämän avioituessa. Vuonna 1949 Nee lähetti Leen ja ryhmän muita Taiwanille jatkamaan lähetystyötä. Charity oli käynyt mustasukkaisexi. Taiwan  eli Formosa on oikeistokiinalaisten saari Fuzhouta vastapäätä. Yhtä lähellä kuin Tallinna. Danin vanhemmat oli vieläkin vihaisia sen petturuudesta. 

ellauri093.html on line 180: Wingate was killed in an aircraft accident late in the war. The casualty rate the Chindits suffered, especially from disease, is a continuing controversy. Wingate believed that resistance to infection could be improved by inculcating a tough mental attitude, but medical officers considered his methods unsuited to a tropical environment.

ellauri093.html on line 184: Lord Moran, Winston Churchill's personal physician, wrote in his diaries that "[Wingate] seemed to me hardly sane – in medical jargon a borderline case." Likewise, referring to Churchill's meeting with Wingate in Quebec, Max Hastings wrote that, "Wingate proved a short-lived protégé: closer acquaintance caused Churchill to realise that he was too mad for high command."

ellauri093.html on line 191: Both Open and Exclusive Brethren have historically been known as "Plymouth Brethren." That is still largely the case in some areas, such as North America and Northern Ireland. In some other parts of the world such as Australia and New Zealand, most Open Brethren shun the "Plymouth" label. This is mostly because of widespread negative media coverage of the Plymouth Brethren Christian Church, the most hardline branch of the Exclusive Brethren (and the only numerically significant Exclusive group in either country), which most Open Brethren consider to be a cult with which they do not wish to be misidentified.

ellauri093.html on line 197: Their support text is from 1 Corinthians 15:33, "Do not be deceived: evil communications corrupt good table manners." Among other distinctions, the Gospel Halls would generally not use musical instruments in their services, whereas many Chapels use them and may have singing groups, choirs, "worship teams" of musicians, etc. The Gospel Halls tend to be more conservative in dress; women do not wear trousers in meetings and always have their heads covered, while in most Chapels women may wear whatever they wish, including nothing, though modesty in dress serves as a guideline, and many may continue the Orde Wingate tradition of wearing a shower cap for head covering if nothing else. Open Brethren churches are all independent, self-governing, local congregations with no central headquarters, although there are a number of seminaries, missions agencies, and publications that are widely supported by Brethren churches and which help to maintain a high degree of communication among them.

ellauri093.html on line 201: Brethren assemblies (as their gatherings are most often called; everybody is supposed to speak in assembly languages) are divided into the Open Brethren and the Exclusive Brethren, following a schism that took place in 1848. Both of these main branches are themselves divided into several smaller branches, with varying degrees of communication and overlap among them. (The general category "Exclusive Brethren" has been confused in the media with a much smaller group known as the Plymouth Brethren Christian Church (PBCC) or the Raven-Taylor-Hales Brethren, numbering only around 40,000 worldwide.)

ellauri093.html on line 226:   This guide covers the following topics: What is eider abuse? What are the types of eider abuse? What is the age at which someone older is considered an ‘eider’? Why does eider abuse occur? Who commits eider abuse? Who are the abusers? Who is at risk of eider abuse? Is it eider abuse if the person neglects their own needs? Is eider abuse family violence? As a family violence worker, what do I need to know about eider abuse?

ellauri093.html on line 270: When choosing an age to define ‘older’ people, 65 years is commonly used, however different state and commonwealth programs may have differing age eligibility criteria. Organisations may also have their own age-related criteria. For example, at Seniors Rights Victoria we work with Victorians aged 60 and over and Indigenous Victorians aged 45 and over.

ellauri093.html on line 274: There are many schools of thought on why elder abuse occurs. Open and Closed brezels disagree. It is the wages of sin ok, but who sins and who pays is controversial. The wages may be financial, physical, social, sexual etc.

ellauri093.html on line 304: She removed Stranleigh’s coat with a dexterity that aroused his imagination. The eider woman returned with skimpy dressings and a sponge, which she placed on a chair. Carry your head along as your eiders have done. After being a member of the Church for a while, Bill was ordained to the office of an eider. Jack had been an eider for only a few days when he received a new calling whistle. The eiders are coming over for dinner tonight. One of the long-time leaders in the Church is Eider Pennypacker.

ellauri093.html on line 323: The Plymouth Brethren Christian Church, the most hardline of all the Exclusive Brethren groups, has developed into a de facto hierarchical body which operates under the headship of an Elect Vessel, currently Bruce Hales of Australia. Some defectors have accused him and his predecessors of having quasi-papal authority. This development is almost universally considered by other streams of the Plymouth Brethren movement, however, as a radical departure from Brethren principles.

ellauri093.html on line 339: Fathers and male eiders of the Church who saw in the Spirit's intervention an action that consecrated and made fruitful Mary's virginity and transformed her into the 'Abode of the King' or 'Bridal Chamber of the Word', the 'Temple' or 'Tabernacle of the Lord', the 'Ark of the Covenant' or 'Ark of Holiness', tides rich in biblical echoes.

ellauri093.html on line 426:   Launixet oli norsseja, Ilmo oli ison Paulin ja Matti Kuusen luokkatoveri. Ilmon veljellä ja isälläkin on norssinumero. 

ellauri093.html on line 437:   Ilmo Launis jalostaa roskaa, raportoi Ilse Rautio Ilmon jäätyä eläkkeelle kappalaisen hommasta lokakuussa 1982. Töölön seurakunnan pastori ei tuhlaa aikaa turhiin muodollisuuxiin. Hän kiskaisee ovesta sisään ja alkaa suoraan: On muutama asia jonka haluaisin sanoa. Ja sanoo ne. Kukapa ei muistaisi mummolan kirjahyllystä Ilmon valokuvakirjaa Vapahtajan jalanjälkiä. Ilmo ei usko kreationismiin, jeesuxenkin fossiiliset jalanjäljet ovat pitkän evoluution tulos. Ilmo launis sanoo: Olen löytänyt elämän onnen. Se on polkupyörä. Hyvä Ilmo. 

ellauri093.html on line 482:   Mutta Anders Andilla et kumpp. oli paljon kovempia kieltäymyxiä kuin Hiljalla. He jättivät monena päivänä monen ruokalajin päivällisen syömättä ja tyytyivät juoxeviin eväisiinsä voidaxensa hankkia pääsyliput eturivin paikoille Tivolin varietee-esityxissä. Eivätkä kolmisointulaiset menneet jälkeenpäin mezikköihin puunjuurille laulattamaan letkuja (meitähän oli puolet naisia!). Kuta myöhemmäxi ilta kului, sitä möreämmin virrat vierivät pyökkilehdon pimentoihin.

ellauri093.html on line 507:   Verlainesta on Pellissierin paasaus albumissa 33. Sehän oli Rimbaudin petikaveri, kuten selviää Rimbaud-paasauxesta albumissa 49. Verlainen runo Chanson d´autumne ei ollut vain liittoutuneiden koodisana, vaan sitä siteerasi ulkomuistista Julia Carlsonin oloinen Paula Beer, joka esitti mainiosti saxalaista Annaa elokuvassa Frantz. Pierre Niney oli aivan Maxin näköinen. Leffa oli coveri Lubitschin vanhemmasta leffasta, joka perustui Maurice Rostandin kirjaan vuodelta 1925 L'homme que j'ai tué. Se oli erinomaisen hyvä ohjelma, siit mie pidin. Vanhanaikainen juonileffa, jossa ei käynyt hyvin vaikka ei vallan huonostikaan. Hautausmaalla puut humisivat kohtalokkaasti.

ellauri093.html on line 606:   Kävelimme kirkolle ja sieltä haudalle. Se oli valkoisexi kalkittu, ulkoa aika koruton, paizi koristuxet ulkokultaiset. Kirkko oli somistettu vesiastioissa seisovilla katkaistuilla koivuilla ja narsistien paljoudella. Vaskinen kastemalja oli Grundtvigin lahjoittama ja Alvar Aallon suunnittelema. Alttarille valittiin alttariliina, reunusaiheinansa risti ja rypäleet, huomiotaherättävä kauniilla taiteellisuudellansa. Hiljaisina poikina siirryimme kirkon kupeella makaaville haudoille. Toiseen oli "kätketty" Birkedal vaimoineen, toiseen Povisen Kari. Tilaa oli vielä Povisen leskelle ja tyttärelle. Povisen kivessä oli nimekkään taiteilija Skovgaardin muovaama kaunis korkokuva, joka esittää Jeesusta kättelemässä Pietaria. Kiveen oli piirretty graffiteja ja kirkkoveneitä. Valokuvasin sen. Nyt oli Ryslingen-matkani päätarkoitus täytetty.

ellauri093.html on line 619:   overs.openlibrary.org/a/id/7270736-M.jpg" />

ellauri093.html on line 670: Kaikkien näiden paiaanien ja dityrambien jälkeen Hiljan enempi matter-of fact jaaritus kääntäjistä ja niiden palkkioista tuntuu lähes virkistävältä. Hilja oli ikuisesti kiitollinen isälleen joka ei antanut sen puhua ennen 10 vuoden ikään mitään muuta kieltä kuin suomea. Samasta syystä mä olen äidilleni yhtä epäkiitollinen. Tästä oli runoilijaveljen kanssa äsken puhetta. On hyvää lääkettä koittaa kirjoittaa myös vierailla kielillä. Kielten sekaannus ei huononna mitään niistä, päinvastoin tekee niistä kaikista vähän monipuolisempia. Niuho Ilmo olis voinut kääntää Hiljan sepustuxia, mutta parin yrityxen jälkeen se sai tarpeexeen. Dick käänsi Hiljan novellin "Naismainen nuorukainen" teoxesta "Siementä ristin luo". Se meni aivan päin persettä. Käännös vilisi virheitä ja kankeuxia. Dickiltä ei voi muuta odottaa. Dickistä novelli oli reizend. 

ellauri093.html on line 738: Matti Tarkkanen (ei siis "Tuus" Pekka Tarkka, vaan vielä pikkumaisempi), eikös se ole just se sama Väestöliiton lähettämä tarkastajajäbä joka heitti Wilho Pylkkäsen ulos lähetysseurasta Kiinassa? Nekin pyllistelivät pitkään yhdessä kirjoituspöydän alla kuin J-J Rousseaun Julie, mutta Wilho pysyi kovana, tai siis pehmeänä, ei kovettanut mieltänsä ja suostunut upottamaan lapsia. Pekka taisi olla tämmöinen kiertävä koulutarkastaja. Tarkkana kuin porkkana, silmä kovana. Aatelissiiri apuna. 

ellauri093.html on line 820: Kritisoidaan voimakkaasti luostareissa tapahtuneita väärinkäytöksiä, joista osa on ollut myös paavin säädösten vastaisia. Luostarielämällä ei ansaita syntien anteeksiantoa eikä vanhurskauttamista. Kaikilla, jotka eivät ole soveliaita elämään naimattomina, on syy ja oikeus solmia avioliitto, koska luostarilupaus ei voi kumota Jumalan järjestystä eikä käskyä. Ihminen ei kykene elämään hengellisesti täydellistä elämää eikä Jumalaa kuulu palvella ihmisten tekemiä käskyjä noudattamalla vaan seuraamalla Jumalan omia käskyjä.

ellauri093.html on line 909: The above words came fresh in my mind in writing. They were often used by my beloved father, when he led his children to the throne of grace in family worship. If they find an echo in the hearts of the readers I shall be deeply thankful.

ellauri094.html on line 94: Syreeni suggests that the letters of John - written after the predecessor gospels but before the final edition - reveal a schism in the Johannine community that was caused by the majority faction's acceptance of Jesus' death and resurrection, as it was then recorded in the new gospel. By exploring the gospel's different means of legitimizing the passion story, such as the creation of the 'Beloved Disciple' to witness Jesus' passion, and the foreshadowing of the resurrection of Jesus in the miracle of Lazarus, Syreeni provides a bold and provocative case for a new understanding of John.

ellauri094.html on line 155: yksilöllisesti myös yhteisöllisesti. Tämä tarkoittaa esimerkiksi sitä, ettei uskonnollisia yhteisöjä, joilla on vihkimisoikeus, voida velvoittaa vihkimään samaa sukupuolta olevia. Tästä poikkeavat vaatimukset loukkaavat uskonnonvapautta vastaan. Yhteiskunnan tulee myös taata perinteisessä käsityksessä pitäytyville vanhemmille yhdenvertaisesti oikeus antaa lapselle tähän avioliittokäsitykseen perustuvaa kasvatusta ja opetusta sekä pidättäytyä tätä vastaan sotivalta sukupuolineutraalilta kasvatukselta ja opetukselta. Miten tämän oikeuden toteutuminen käytännössä turvataan varhaiskasvatuksessa ja opetustoimessa, on ratkaisematta. Jakautuvatko päiväkodit ja koulut esimerkiksi kahteen ryhmään, joista toisessa sovelletaan perinteistä ja toisessa sukupuolineutraalia avioliittokäsitystä? 

ellauri094.html on line 217: Jehoiachin's Iron Rations Tablets, describing ration orders for a captive King of Judah, identified with King Jeconiah, have been discovered during excavations in Babylon, in the royal archives of Nebuchadnezzar. One of the tablets refers to food rations for "Ya’u-kīnu, king of the land of Yahudu" and five royal princes, his sons.

ellauri094.html on line 219: Nebuchadnezzar and the Babylonian forces returned in 588/586 BCE and rampaged through Judah, leaving clear archaeological evidence of destruction in many towns and settlements there. Clay ostraca from this period, referred to as the Lachish letters, were discovered during excavations; one, which was probably written to the commander at Lachish from an outlying base, describes how the signal fires from nearby towns were disappearing: "And may (my lord) be apprised that we are watching for the fire signals of Lachish according to all the signs which my lord has given, because we cannot see Azeqah." Archaeological finds from Jerusalem testify that virtually the whole city within the walls was burnt to rubble in 587 BCE and utterly destroyed.

ellauri094.html on line 223: The Cyrus Cylinder (not to be confused with Joakim von Anka´s cylinder hat), an ancient tablet on which is written a declaration in the name of Cyrus referring to restoration of temples and repatriation of exiled peoples, has often been taken as corroboration of the authenticity of the biblical decrees attributed to Cyrus, but other scholars point out that the cylinder's text is specific to Babylon and Mesopotamia and makes no mention of Judah or Jerusalem. Professor Lester L. Grabbe asserted that the "alleged decree of Cyrus" regarding Judah, "cannot be considered authentic", but that there was a "general policy of allowing deportees to return and to re-establish cult sites". He also stated that archaeology suggests that the return was a "trickle" taking place over decades, rather than a single event.

ellauri094.html on line 225: As part of the Persian Empire, the former Kingdom of Judah became the province of Judah (Yehud Medinata) with different borders, covering a smaller territory. The population of the province was greatly reduced from that of the kingdom, archaeological surveys showing a population of around 30,000 people in the 5th to 4th centuries BCE.

ellauri094.html on line 227: A 2017 exhibition in Jerusalem displayed over 100 cuneiform tablets detailing trade in fruits and other commodities, taxes, debts, and credits accumulated between Jews driven from, or convinced to move from Jerusalem by King Nebuchadnezzar around 600 BCE. The tablets included details on one exiled Judean family over four generations, all with Hebrew names.

ellauri094.html on line 280: Gedaliah the Babylonian-appointed governor of Yehud Province assassinated. 
Many Jews flee to Egypt and a possible fourth deportation to Babylon

ellauri094.html on line 326: But wait! What’s the book of Baruch? It’s a deuterocanonical part of the apocrypha that is widely quoted in the bible. It’s also a major part of Jewish, Christian, and Catholic canon. I have linked the Catholic text above. The book of Baruch is generally considered just as infallible as the rest of the bible.

ellauri094.html on line 378: We shouldn’t miss that worldviews are at play even with the skeptic’s objection to Christianity.  The worldview of the author of the Skeptic Annotated Bible actually doesn’t even allow for such a thing as the law of non-contradiction to be meaningful and intelligible.  In other words for him to try to disprove the Bible by pointing out that there’s a Bible contradiction doesn’t even make sense within his own worldview.  Check out our post “Skeptic Annotated Bible Author’s Self-Defeating Worldview.” Read also Stanford's bit on contradictory beliefs here. Lisää aiheesta:

ellauri094.html on line 432: if I prefer not Jerusalem above my chief joy.

ellauri094.html on line 440:   Boney M:n vetävästi esittämä kappale Petterin lp-levyltä onkin vanhemman samannimisen biisin coveri yhtyeeltä The Melodians. Rivers of Babylon on rastafari-laulu, jonka tekivät ja levyttivät Brent Dowe ja Trevor McNaughton jamaikalaisesta reggae-yhtyeestä The Melodians vuonna 1970. The Melodiansin alkuperäisversio kuullaan jamaikalaisessa elokuvassa The Harder They Come (1972) sekä Nicolas Cagen elokuvassa Bringing Out the Dead (1999).

ellauri094.html on line 459: Carried us away in captivity					anto kovennettua

ellauri094.html on line 472: Ye-eah we wept, (Sing a song of love)				Jepu jee me spiidattii (hidasta kutubiisii hei)

ellauri094.html on line 480:   Tiktokissa pyörii tästä tarttuvasta viisusta "viraalisena" eräänlainen metacoveri kahden kumineekerin tanssiesitryxenä.

ellauri094.html on line 507: When thy lovers went heavily without heart, as men				Kun sun katamiitit meni sydän kurkussa, kuin			

ellauri094.html on line 511: For thy love's sake,								kaivaten sun lempeä,						

ellauri094.html on line 517: Ye are bondmen and bondwomen, to be scourged and smart,				Te olette James ja Jennifer Bondeja, ovelia,			

ellauri094.html on line 532: And with love-locks vine-chapleted, and with rose-crowned heads 		Tukat käkkärällä, ihan takussa, päät punasina,			

ellauri094.html on line 555: And thy lovers that looked for thee, and that mourned from far,			Ja sun katamiitit jotka haki sua joka paikasta,

ellauri094.html on line 558: Above thine head.								Sun pään yläpuolella.

ellauri094.html on line 560: In thy grief had we followed thee, in thy passion loved,			Sun surussa me seurattiin sua, ja sun kiimassa,

ellauri094.html on line 561: Loved in thy loss;								Ja kun löit lossixi;

ellauri094.html on line 562: In thy shame we stood fast to thee, with thy pangs were moved,			Sun hävetessä me myötähävettiin, ja liikututtiin,

ellauri094.html on line 696:   The literary device anadiplosis is detected in two or more neighboring lines. The word/phrase loved connects the lines.

ellauri094.html on line 774: 	What do I do when my love is away?				Sanaa maailmoon lannoittaa

ellauri094.html on line 783: 	I need somebody to love

ellauri094.html on line 785: 	I want somebody to love

ellauri094.html on line 787: 	(Would you believe in a love at first sight?)

ellauri094.html on line 796: 	I just need someone to love

ellauri094.html on line 798: 	I want somebody to love

ellauri095.html on line 37:     Sprung rhythm is a poetic rhythm designed to imitate the rhythm of natural speech. It is constructed from feet in which the first syllable is stressed and may be followed by a variable number of unstressed syllables. The British poet Gerard Manley Hopkins said he discovered this previously unnamed poetic rhythm in the natural patterns of English in folk songs, spoken poetry, Shakespeare, Milton, et al. He used diacritical marks on syllables to indicate which should be stressed in cases "where the reader might be in doubt which syllable should have the stress" (acute, e.g. shéer) and which syllables should be pronounced but not stressed (grave, e.g., gleanèd).

ellauri095.html on line 44: As tumbled over rim in roundy wells

ellauri095.html on line 51: Hopkins’s most famous Welsh sonnet, “The Windhover,” reveals that for him this Book of Nature, like the Bible, demanded a moral application to the self. Hopkins wrote in his notes on St. Ignatius: “This world is word, expression, news of God”; “it is a book he has written.... a poem of beauty: what is it about? His praise, the reverence due to him, the way to serve him.... Do I then do it? Never mind others now nor the race of man: DO I DO IT?” One of Hopkins’s attempts to answer that question is “The Windhover.”

ellauri095.html on line 55: Hopkins did live such a life, but the windhover reminded him of Jesus’ great achievements after Nazareth. The windhover “stirred” his desire to become a great knight of faith, one of those who imitate not only the constraint but also the “achieve of, the mastery of” this great chevalier. The “ecstasy” of the windhover recalls Hopkins’s initial desire in “Il Mystico” to be lifted up on “Spirit’s wings” so “that I may drink that ecstasy/Which to pure souls alone may be.” Ultimately, Hopkins became aware that he had been hiding from the emotional risks of total commitment to becoming a “pure” soul. The phrase “hiding” thus suggests not only hiding from the world or from worldly ambition but also hiding from God.

ellauri095.html on line 61: The Windhover (kestrel, tuulihaukka) aims to depict not the bird in general, but instead one instance and its relation to the breeze. This is just one interpretation of Hopkins's most famous poem, one which he felt was his best.

ellauri095.html on line 63: The Windhover									Haukkaan tuulta

ellauri095.html on line 77: Times told lovelier, more dangerous, O my chevalier!				kertaa siistimpi, hurjempi, oi kavaljeerini!

ellauri095.html on line 105: Uranian is a 19th-century term that referred to homosexual men. The term was first published by activist Karl Heinrich Ulrichs (1825–95) in a series of five booklets (1864–65) collected under the title Forschungen über das Räthsel der mannmännlichen Liebe (Research into the Riddle of Man–Male Love). Ulrichs derived Uranian (Urning in German) from the Greek goddess Aphrodite Urania, who was created out of the god Uranus' testicles. Therefore, it represents the homosexual gender, while Dionian (Dioning), derived from Aphrodite Dionea, represents the heterosexual gender. Ulrichs developed his terminology before the first public use of the term homosexual, which appeared in 1869 in a pamphlet published anonymously by Karl-Maria Kertbeny (1824–82)

ellauri095.html on line 107: The term Uranian was quickly adopted by English-language advocates of homosexual emancipation in the Victorian era, such as Edward Carpenter and John Addington Symonds, who used it to describe a comradely love that would bring about true democracy, uniting the "estranged ranks of society" and breaking down class and gender barriers. Oscar Wilde wrote to Robert Ross in an undated letter (?18 February 1898): "To have altered my life would have been to have admitted that Uranian love is ignoble. I hold it to be noble—more noble than other forms."

ellauri095.html on line 111: The word itself alludes to Plato's Symposium, a discussion on Eros (love). In this dialog, Pausanias distinguishes between two types of love, symbolised by two different accounts of the birth of Aphrodite, the goddess of love. In one, she was born of Uranus (the heavens), a birth in which "the female has no part". This Uranian Aphrodite is associated with a noble love for male youths, and is the source of Ulrichs's term Urning. Another account has Aphrodite as the daughter of Zeus and Dione, and this Aphrodite is associated with a common love which "is apt to be of women as well as of youths, and is of the body rather than of the soul". After Dione, Ulrichs gave the name Dioning to men who are sexually attracted to women. However, unlike Plato's account of male love, Ulrichs understood male Urnings to be essentially feminine, and male Dionings to be masculine in nature.

ellauri095.html on line 117: As a poet, Hopkins's father published works including A Philosopher's Stone and Other Poems (1843), Pietas Metrica (1849), and Spicelegium Poeticum, A Gathering of Verses by Manley Hopkins (1892). He reviewed poetry for The Times and wrote one novel. Catherine (Smith) Hopkins was the daughter of a London physician, particularly fond of music and of reading, especially German philosophy, literature and the novels of Dickens. Both parents were deeply religious high-church Anglicans. Catherine's sister, Maria Smith Giberne, taught her nephew Gerard to sketch. The interest was supported by his uncle, Edward Smith, his great-uncle Richard James Lane, a professional artist, and other family members.

ellauri095.html on line 125: Manley Hopkins moved his family to Hampstead in 1852, near where John Keats had lived 30 years before and close to the green spaces of Hampstead Heath. When he was ten years old, Gerard was sent to board at Highgate School (1854–1863). While studying Keats´s poetry, he wrote "The Escorial" (1860), his earliest extant poem. Here he practised early attempts at asceticism. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill. On another occasion he abstained from salt for a week.

ellauri095.html on line 135:     A short fellow of 5’2 or 3”, he was enthusiastic, had a high-pitched voice, loved to sketch and write poems, was close to his family, and had warm, lifelong friends from Oxford, fellow Jesuits, and Irish families.  For recreation he visited art exhibitions and old churches, and enjoyed holidays with his family, friends, and fellow Jesuits in Switzerland, Holland, the Isle of Wight, the Isle of Man, Whitby on the North Sea, Wales, Scotland, and the West of Ireland.  During these holidays, he loved to hike and swim.  His passions were nature (especially trees), ecology, beauty, poetry, art, his family and friends, his country, his religion, and his God.  His curse was a lifelong “melancholy” (his word) which in 1885 in Dublin became deep depression and a sense of lost contact with God.

ellauri095.html on line 145: After several years of ill health and bouts of diarrhoea, Hopkins died of typhoid fever in 1889 and was buried in Glasnevin Cemetery, after a funeral in St Francis Xavier Church in Gardiner Street, located in Georgian Dublin. He is thought to have suffered throughout his life from what today might be labelled bipolar disorder or chronic unipolar depression, and battled a deep sense of melancholic anguish. However, his last words on his death bed were, "I am so happy, I am so happy. I loved my life." He was 44 years of age.

ellauri095.html on line 163: Robert Martin asserts that when Hopkins first met Dolben, on Dolben´s 17th birthday in Oxford in February 1865, it "was, quite simply, the most momentous emotional event of his undergraduate years, probably of his entire life." According to Robert Martin, "Hopkins was completely taken with Dolben, who was nearly four years his junior, and his private journal for confessions the following year proves how absorbed he was in imperfectly suppressed erotic thoughts of him." Martin also considers it "probable that Hopkins would have been deeply shocked at real sexual intimacy with another guy."

ellauri095.html on line 167: Hopkins composed two poems about Dolben, "Where art thou friend" and "The Beginning of the End". Robert Bridges, who edited the first edition of Dolben's poems as well as Hopkins's, cautioned that the second poem "must never be printed," though Bridges himself included it in the first edition (1918). Another indication of the nature of his feelings for Dolben is that Hopkins's high Anglican confessor seems to have forbidden him to have any contact with Dolben except by letter. Hopkins never saw Dolben again after the latter's short visit to Oxford during which they met, and any continuation of their relationship was abruptly ended by Dolben's drowning two years later in June 1867. Hopkins's feeling for Dolben seems to have cooled by that time, but he was nonetheless greatly affected by his death. "Ironically, fate may have bestowed more through Dolben's death than it could ever have bestowed through longer life ... for many of Hopkins's best poems – impregnated with an elegiac longing for Dolben, his lost beloved and his muse – were the result." Hopkins's relationship with Dolben is explored in the novel The Hopkins Conundrum.

ellauri095.html on line 174: The homosexual lifestyle results in a shorter life expectancy. This is undoubtedly due to the health risks associated, such as AIDS, Hepatitis, and a variety of other infections and STDs. In addition, homosexuals are more likely to be smokers, which takes the lifespan even lower. In 1993 Paul Cameron published a study which found that homosexuality takes 20-30 years off the lives of its practitioners. Cameron is a Psychologist and founder of the Family Research Institute. Among men with AIDS their lifespan was 39 years, however even without AIDS a male homosexuals lifespan is just a short 42 years. Lesbians had a median age of death of just 44 years. He also found that lesbians were up to 456 times more likely to die in a car crash than heterosexual women. The liberal Southern Poverty Law Centre dubbed Cameron an "anti-gay extremist", and the American Psychological Association expelled him for exposing the truth about the homosexual lifestyle and accused him of scientific data "fraud". Fortunately, Cameron had the support of faith based groups who would not bow down or turn their behinds to the homosexual agenda.

ellauri095.html on line 178:   The aim of our research was never to spread more homophobia, but to demonstrate to an international audience how the life expectancy of gay and bisexual men can be estimated from limited vital statistics data. In our paper, we demonstrated that in a major Canadian centre, life expectancy at age 20 years for gay and bisexual men is 8 to 21 years less than for all men. If the same pattern of mortality continued, we estimated that nearly half of gay and bisexual men currently aged 20 years would not reach their 65th birthday. Under even the most liberal assumptions, gay and bisexual men in this urban centre were experiencing a life expectancy similar to that experienced by men in Canada in the year 1871. In contrast, if we were to repeat this analysis today the life expectancy of gay and bisexual men would be greatly improved. Deaths from HIV infection have declined dramatically in this population since 1996. As we have previously reported there has been a threefold decrease in mortality in Vancouver as well as in other parts of British Columbia.

ellauri095.html on line 220: The brilliant student who had left Oxford with first-class honours failed his final theology exam. This almost certainly meant that despite his ordination in 1877, Hopkins would not progress in the order. In 1877 he wrote God's Grandeur, an array of sonnets that included "The Starlight Night". He finished "The Windhover" only a few months before his ordination. His life as a Jesuit trainee, though rigorous, isolated and sometimes unpleasant, at least had some stability; the uncertain and varied work after ordination was even harder on his sensibilities. In October 1877, not long after completing "The Sea and the Skylark" and only a month after his ordination, Hopkins took up duties as sub-minister and teacher at Mount St Mary's College near Sheffield. In July 1878 he became curated at the Jesuit church in Mount Street, London, and in December that of St Aloysius's Church, Oxford, then moving to Manchester, Liverpool and Glasgow. While ministering in Oxford, he became a founding member of The Cardinal Newman Boozing Society, established in 1878 for Catholic members of the University of Oxford. He taught Greek and Latin at Mount St Mary's College, Sheffield, and Stonyhurst College, Lancashire.

ellauri095.html on line 233: In a journal entry of 6 November 1865, Hopkins declared an ascetic intention for his life and work: "On this day by God's grace I resolved to give up all beauty until I had His leave for it."

ellauri095.html on line 240: In September 1868 Hopkins began his Jesuit novitiate at Manresa House, Roehampton, under the guidance of Alfred Weld. Two years later he moved to St Mary´s Hall, Stonyhurst, for philosophical studies, taking vows of poverty, chastity and obedience on 8 September 1870. He felt that his interest in poetry had stopped him devoting himself wholly to religion. However, on reading Duns Scotus in 1872, he saw how the two need not conflict.

ellauri095.html on line 248: Hopkins invites a comparison between his persona and Christina’s erstwhile lover, James Collinson, who also became a follower of the Pre-Raphaelites and convert to Catholicism and, for a while, a Jesuit. Eventually, by converting to Catholicism himself and joining the Society of Jesus, Hopkins exchanged the inferior position articulated in “A Voice from the World” for a superior one, superior at least in the sense that Christina Rossetti apparently felt that her sister Maria, who actually did cross the convent threshold and become a religious, had achieved a higher stage of religious development than she herself did.

ellauri095.html on line 256: Christina Georgina Rossetti (5 December 1830 – 29 December 1894) was an English poet who wrote romantic, devotional, and children´s poems. "Goblin Market" and "Remember" remain famous. She also wrote the words of two Christmas carols well known in the UK: "In the Bleak Midwinter", later set by Gustav Holst and by Harold Darke, and "Love Came Down at Christmas", also set by Darke and by other composers. She was little sister (2 years junior) of the artist and poet Dante Gabriel Rossetti and features in several of his paintings.

ellauri095.html on line 260:  In 1893, she developed breast cancer and though the breast was removed, there was a recurrence in September 1894. She died in Bloomsbury on 29 December 1894 and was buried in Highgate Cemetery. The place where she died, in Torrington Square, is marked with a stone tablet.

ellauri095.html on line 277: Be the green grass above me		Sun riittää olla mun nurmikko

ellauri095.html on line 330: i´m arriving at eternal love		Mä oon vasta tulossa.

ellauri095.html on line 400:   Ryhmään kuului John Everett Millais, sen taitavin maalari ja tuleva Royal Academyn presidentti; William Holman Hunt; Thomas Woolner; Frederic Stephens; ja William Michael Rossetti, joka PRB:n sihteerinä piti toimintapäiväkirjaa ja toimitti sen aikakauslehden, Germ, kuutta numeroa.(1850). Ryhmän yhteistyökumppaneita olivat vanhempi taidemaalari Ford Madox Brown, taidemaalari ja runoilija William Bell Scott, runoilija Coventry Patmore ja Christina Rossetti, joiden runoista kuusi ilmestyi Germissä.

ellauri095.html on line 410: Vuosi 1869 oli Danten anus mirabilis, jona hän sävelsi erittäin eroottiset "Eden Bower" ja "Troy Town". Neljä Willowwood-sonettia, joiden eroottisen turhautumisen ja intensiivisyyden esitys on esimerkki hänen parhaasta tyylistään, kuten Loven kappaleessa sonetissa kolme:

ellauri095.html on line 423: Rossetti tuli hyvin juttuun nuorten miesten, enimmäkseen maalareiden, kanssa, jotka jakavat kiinnostuksen nykyrunouteen ja vastustivat tiettyjä vanhentuneita nykyaikaisen akatemiataiteen käytäntöjä. Yleisesti ottaen Prerafaeliittien veljeskunta pyrki tuomaan uusia teemavakavuuden, korkean värin ja yksityiskohtien huomion muotoja silloiseen brittiläiseen nykytaiteeseen. Ryhmään kuului John Everett Millais, sen taitavin maalari ja tuleva Royal Academyn presidentti; William Holman Hunt; Thomas Woolner; Frederic Stephens; ja William Michael Rossetti, joka PRB:n sihteerinä piti toimintapäiväkirjaa ja toimitti sen aikakauslehden, Germ, kuutta numeroa (1850). Ryhmän yhteistyökumppaneita olivat vanhempi taidemaalari Ford Madox Brown, taidemaalari ja runoilija William Bell Scott, runoilija Coventry Patmore ja Christina Rossetti, joiden runoista kuusi ilmestyi Germissä.

ellauri095.html on line 440:   Viktoriaanisen varovaisuuden ilmapiirissä ei ollut kohtuutonta pelätä vahinkoa tällaisesta pamfletista, vaikka useimmat Rossettin runollisista edeltäjistä ja aikalaisista, Tennyson, Robert Browning, Elizabeth Barrett Browning, Morris ja Swinburne, olivat selviytyneet huonommista arvosteluista. Melkein kaikki Rossettin vuoden 1870 runojen arvostelut olivat suotuisia, ja kirja oli myyty epätavallisen hyvin (neljä painosta vuonna 1870). Suoraan sanottuna Rossetti saattoi myös pelätä julkista julkisuutta suhteestaan ​​Jane Morrisin kanssa. Joka tapauksessa, lähdön jälkeen Kelmscottista 2. kesäkuuta 1872 Rossetti kärsi täydellisestä henkisestä romahduksesta. Hänet vietiin ystävänsä tohtori Thomas Gordon Haken Roehamptonin kotiin, missä hän yritti tehdä itsemurhan (kuten Lizzie) yliannostuksella laudanumia. Sitten hän vietti kesän ystävien ja työtovereiden hoidossa. Vuoteen 1873 mennessä Rossettin runollinen tuottavuus oli kuitenkin elpynyt, ja hän sai valmiiksi seitsemän yksittäissonettia ja kaksoissonettin "The Sun's Shame". Tämän ajanjakson sonetit ovat melankolisia ja kaikuvat aika ontoilta, mutta tutut vaimennetun intohimon teemat ovat alkaneet sulautua uusiin – taiteen luomiseen ja kuolemattomuuden vihjauksiin. Rossetti jatkoi myös maalaamista tasaisesti käyttäen Jane Morrisia mallina, vaikka hiän olikin poissa yhä useammin. Rossetti lähti lopulta Kelmscottista, jossa he olivat yöpyneet yhdessä, Chelseaan. Siellä hänen terveytensä heikkeni edelleen.

ellauri095.html on line 453: Christina Rossetti became for Hopkins the embodiment of the medievalism of the Pre-Raphaelites, the Oxford Movement, and Victorian religious poetry generally. In the 1860s Hopkins was profoundly influenced by her example and succeeded, unbeknownst to her and to the critics of his time, in becoming a rival far greater than any of her contemporaries.

ellauri095.html on line 457: I choose the stairs that mount above,

ellauri095.html on line 469: Scholars have long debated whether the historical Beatrice is intended to be identified with either or both of the Beatrices in Dante´s writings. She was apparently the daughter of the banker Folco Portinari, and was married to another banker, Simone dei Bardi. Dante claims to have met a "Beatrice" only twice, on occasions separated by nine years, but was so affected by the meetings that he carried his love for her throughout his life. 

ellauri095.html on line 483: The sequence of events is clear. On 18 January 1866 Hopkins composed his most ascetic poem, “The Habit of Perfection” (Täydellinen asukokonaisuus). On 23 January he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic, and he traveled to Birmingham in September to consult the leader of the Oxford converts, John Henry Newman. Newman received him into the Church in October. On 5 May 1868 Hopkins firmly “resolved to be a religious.” Less than a week later, apparently still inspired by Savonarola, he made a bonfire of his poems and gave up poetry almost entirely for seven years. Finally, in the fall of 1868 Hopkins joined a “serged fellowship” like Savonarola’s and like the one he admired in “Eastern Communion”(1865), a commitment foreshadowed by the emphasis on vows of silence and poverty in “The Habit of Perfection.”

ellauri095.html on line 487: John Henry Newman (21 February 1801 – 11 August 1890) was an English theologian and poet, first an Anglican priest and later a Catholic priest and cardinal, who was an important and controversial figure in the religious history of England in the 19th century. He was known nationally by the mid-1830s, and was canonised as a saint in the Catholic Church in 2019.

ellauri095.html on line 499: Hopkins had been attracted to asceticism since childhood. At Highgate, for instance, he argued that nearly everyone consumed more liquids than the body needed, and, to prove it, he wagered that he could go without liquids for at least a week. He persisted until his tongue was black and he collapsed at drill. He won not only his wager but also the undying enmity of the headmaster Dr. John Bradley Dyne. On another occasion, he abstained from salt for a week. His continuing insistence on extremes of self-denial later in life struck some of his fellow Jesuits as more appropriate to a Victorian Puritan than to a Catholic.

ellauri095.html on line 516:     The relationship between Hopkins and his father reveals important early instances of creative collaboration and competition within the family. Hopkins copied eleven of the poems from his father’s volume A Philosopher’s Stone into his Oxford notebooks. In those poems his father expressed a Keatsian dismay over science’s threat to a magical or imaginative response to nature.

ellauri095.html on line 518: The motif of the singing bird appears again in Gerard’s “Spring” (1877): “and thrush/Through the echoing timber does so rinse and wring/The ear, it strikes like lightnings to hear him sing.” The father’s attempt to represent what it is like to live in a bird’s environment, moreover, to experience daily the “fields, the open sky, /The rising sun, the moon’s pale majesty; /The leafy bower, where the airy nest is hung” was also one of the inspirations of the son’s lengthy account of a lark’s gliding beneath clouds, its aerial view of the fields below, and its proximity to a rainbow in “Il Mystico” (1862), as well as the son’s attempt to enter into a lark’s existence and express its essence mimically in “The Woodlark” (1876). A related motif, Manley’s feeling for clouds, evident in his poem “Clouds,” encouraged his son’s representation of them in “Hurrahing in Harvest’ (1877) and “That Nature is a Heraclitean Fire”(1888).

ellauri095.html on line 520: Competition and collaboration between father and son continued even long after Hopkins left home to take his place in the world. In 1879, for instance, Gerard Manley Hopkins wrote to Bridges, “I enclose some lines by my father called forth by the proposal to fell the trees in Well Walk (where Keats and other interesting people lived) and printed in some local paper.” Two months later Hopkins composed “Binsey Poplars” to commemorate the felling of a grove of trees near Oxford. Clearly, competition with his father was an important creative stimulus.

ellauri095.html on line 528:   Hopkins eventually began to be critical of mere love of detail, however––“that kind of thought which runs upon the concrete and the particular, which disintegrates and drops toward atomism in some shape or other,” he wrote in his journal––and he became increasingly aware of the importance of religion as the ultimate source of unity.

ellauri095.html on line 535: Manley Hopkins’s desire to preserve a Wordsworthian love of nature in his children is evident in his “To a Beautiful Child”:

ellauri095.html on line 546:   The phrase “And birds that call/Hoarse to the storm,” invites comparison with the son’s images of the windhover rebuffing the big wind in “The Windhover” (1877) and with the image of the great storm fowl at the conclusion of “Henry Purcell” (1879). The father’s prophecy, “thy sport is with the storm/To wrestle” is fulfilled in Gerard’s The Wreck of the Deutschland and “The Loss of the Eurydice” (1878). These two shipwreck poems, replete with spiritual instruction for those in doubt and danger were the son’s poetic and religious counterparts to his father’s 1873 volume, The Port of Refuge, or advice and instructions to the Master-Mariner in situations of doubt, difficulty, and danger.

ellauri095.html on line 564:    All she got from above was a drunken mariner without a head. 	Ei se silti saanut muuta apua kuin päättömän.

ellauri095.html on line 567: Hopkins transformed the prose into song, but he deleted the morbid details of the decapitation. It was no doubt partly to escape contemplation of such details connected with his marine-insurance business that Manley Hopkins cultivated a Wordsworthian love of nature. 

ellauri095.html on line 578: The loss of any emigrant ship had a strong international dimension and was accordingly extensively reported in English in both the ´Times´ of London and the ´New York Times´, for there was a sad irony in the deaths of passengers who had taken ship in search of a better life. Five Franciscan nuns from Salzkotten (now in Nordrhein-Westfalen, western Germany), named Barbara Hultenschmidt, Henrika Fassbender, Norbeta Reinkobe, Aurea Badziura and Brigitta Damhorst, died in the wreck. They were fleeing religious oppression at home as a result of anti-Catholic laws enacted as part of Otto von Bismarck´s ´Kulturkampf´ ("culture struggle") aimed at building centralised and unified German state resisting outside influences. One reader moved by the story in the London press was the Jesuit poet, Gerard Manley Hopkins, who wrote a moving and highly romanticised poem based on the incident, ´The Wreck of the Deutschland´. As Hopkins put it: ´Rhine refused them: Thames would ruin them´.

ellauri095.html on line 580:   The ´New York Times´, in the best traditions of media coverage, focused on the "weirdness of the scene". The newspaper contrasted the nuns´ "terror-stricken conduct", frozen with terror, and "deaf to all entreaties", with the "plucky" behaviour of the stewardess who tried to encourage them to leave the saloon for rigging as the water rose around them. One of the nuns was heard to cry in a voice heard above the storm "O my God, make it quick, make it quick". Hopkins, however, saw these words as an example of courage in the fate of extremity, and as the active seeking of the soul reaching towards God.

ellauri095.html on line 593:   Kirkossa oli pääskynen. Mietin miten saan sen ulos. Jos olen oviaukossa keskellä, se ei uskalla tulla, jos kävelen kirkon alttarille päin, se voi lentää sivuikkunoihin. Ainoa täysin rationaalinen tapa oli ryömiä kirkon lattiaa myöden kohti alttaria. Tei sen, ja pääsky lensi ovesta ulos. Ajattelin leikkisästi, että kiitos herra! keinot on monet sanoi eukko kun kissalla pöytää pyyhki! 

ellauri096.html on line 70:     Moves on: nor all your Piety nor Wit

ellauri096.html on line 112: Agnostics overestimate how easy it is to identify what cannot be known. To know, one need only find a single proof. To know that there is no way to know, one must prove the negative generalization that there is no proof. After all, inability to imagine a proof is commonly due to a failure of ingenuity rather than the non-existence of a proof. In addition to being a more general proposition, a proof of unknowability requires epistemological premises about what constitutes proof. Consequently, meta-proof (proof about proofs) is even more demanding than proof.

ellauri096.html on line 120: Probabilistic skepticism dates back to Arcesilaus who took over the Academy two generations after Plato’s death. This moderate kind of skepticism, recounted by Cicero (Academica 2.74, 1.46) from his days as a student at the Academy, allows for justified belief. Many scientists are attracted to probabilism and dismiss the epistemologist’s preoccupation with knowledge as old-fashioned.

ellauri096.html on line 122: Despite the early start of the qualitative theory of probability, the quantitative theory did not develop until Blaise Pascal’s study of gambling in the seventeenth century (Hacking 1975). Only in the eighteenth century did it penetrate the insurance industry (even though insurers realized that a fortune could be made by accurately calculating risk). Only in the nineteenth century did probability make a mark in physics. And only in the twentieth century do probabilists make important advances over Arcesilaus.

ellauri096.html on line 140: Kyburg might answer that there is a scale effect. Although the dull pressure of joint inconsistency is tolerable when diffusely distributed over a large set of propositions, the pain of contradiction becomes unbearable as the set gets smaller (Knight 2002). And indeed, paradoxes are always represented as a small set of propositions.

ellauri096.html on line 157: The student’s overall conclusion, that the test is impossible, is also self-defeating. If the student believes his conclusion then he will not expect the test. So if he receives a test, it will be a surprise. The event will be all the more unexpected because the student has deluded himself into thinking the test is impossible.

ellauri096.html on line 175: If (K-0) is true then it known to be false. Whatever is known to be false, is false. Since no proposition can be both true and false, we have proven that (K-0) is false. Given that proof produces knowledge, (K-0) is known to be false. But wait! That is exactly what (K-0) says – so (K-0) must be true.

ellauri096.html on line 186: But the skeptic should not lose his nerve. Proof does not always yield knowledge. Consider a student who correctly guesses that a step in his proof is valid. The student does not know the conclusion but did prove the theorem. His instructor might have trouble getting the student to understand why his answer constitutes a valid proof. The intransigence may stem from the prover’s intelligence rather than his stupidity. L. E. J. Brouwer is best known in mathematics for his brilliant fixed point theorem. But Brouwer regarded his proof as dubious. He had philosophical doubts about the Axiom of Choice and Law of Excluded Middle. Brouwer persuaded a minority of mathematicians and philosophers, known as intuitionists, to emulate his inability to be educated by non-constructive proofs.

ellauri096.html on line 188: The logical myth that “You cannot prove a universal negative” is itself a universal negative. So it implies its own unprovability. This implication of unprovability is correct but only because the principle is false. For instance, exhaustive inspection proves the universal negative ‘No adverbs appear in this sentence’. A reductio ad absurdum proves the universal negative ‘There is no largest prime number’.

ellauri096.html on line 189: Trivially, false propositions cannot be proved true. Are there any true propositions that cannot be proved true?

ellauri096.html on line 191: Yes, there are infinitely many. Kurt Gödel’s incompleteness theorem demonstrated that any system that is strong enough to express arithmetic is also strong enough to express a formal counterpart of the self-referential proposition in the surprise test example ‘This statement cannot be proved in this system’. If the system cannot prove its “Gödel sentence”, then this sentence is true. If the system can prove its Gödel sentence, the system is inconsistent. So either the system is incomplete or inconsistent. (See the entry on Kurt Gödel.)

ellauri096.html on line 193: Of course, this result concerns provability relative to a system. One system can prove another system’s Gödel sentence. Kurt Gödel (1983, 271) thought that proof was not needed for knowledge that arithmetic is consistent.

ellauri096.html on line 195: J. R. Lucas (1964) claims that this reveals human beings are not machines. A computer is a concrete instantiation of a formal system. Hence, its “knowledge” is restricted to what it can prove. By Gödel’s theorem, the computer will be either inconsistent or incomplete. However, a human being with a full command of arithmetic can be consistent (even if he is actually inconsistent due to inattention or wishful thinking).

ellauri096.html on line 197: Critics of Lucas defend the parity between people and computers. They think we have our own Gödel sentences (Lewis 1999, 166–173). In this egalitarian spirit, G. C. Nerlich (1961) models the student’s beliefs in the surprise test example as a logical system. The teacher’s announcement is then a Gödel sentence about the student: There will be a test next week but you will not be able to prove which day it will occur on the basis of this announcement and memory of what has happened on previous exam days. When the number of exam days equals zero the announcement is equivalent to sentence K.

ellauri096.html on line 199: Several commentators on the surprise test paradox object that interpreting surprise as unprovability changes the topic. Instead of posing the surprise test paradox, it poses a variation of the liar paradox. Other concepts can be blended with the liar. For instance, mixing in alethic notions generates the possible liar:  Is ‘This statement is possibly false’ true? (Post 1970) (If  it is false, then it is false that it is possibly false. What cannot possibly be false is necessarily true. But if it is necessarily true, then it cannot be possibly false.) Since the semantic concept of validity involves the notion of possibility, one can also derive validity liars such as Pseudo-Scotus’ paradox: ‘Squares are squares, therefore, this argument is invalid’ (Read 1979). Suppose Pseudo-Scotus’ argument is valid. Since the premise is necessarily true, the conclusion would be necessarily true. But the conclusion contradicts the supposition that argument is valid. Therefore, by reductio, the argument is necessarily invalid. Wait! The argument can be invalid only if it is possible for the premise to be true and the conclusion to be false. But we have already proved that the conclusion of ‘Squares are squares, therefore, this argument is invalid’ is necessarily true. There is no consistent judgment of the argument’s validity. A similar predicament follows from ‘The test is on Friday but this prediction cannot be soundly deduced from this announcement’.

ellauri096.html on line 210: 	1, Knowledge distributes over conjunction

ellauri096.html on line 229:     The conclusion that there are unknowable truths is an affront to various philosophical theories, but not to common sense. If proponents (and opponents) of those theories long overlooked a simple counterexample, that is an embarrassment, not a paradox. (2000, 271) 

ellauri096.html on line 233: Those who believe that the Church-Fitch result is a genuine paradox can respond to Williamson with paradoxes that accord with common sense (and science –and religious orthodoxy). For instance, common sense heartily agrees with the conclusion that something exists. But it is surprising that this can be proved without empirical premises. Since the quantifiers of standard logic (first order predicate logic with identity) have existential import, the logician can deduce that something exists from the principle that everything is identical to itself. Most philosophers balk at this simple proof because they feel that the existence of something cannot be proved by sheer logic. Likewise, many philosophers balk at the proof of unknowables because they feel that such a profound result cannot be obtained from such limited means.

ellauri096.html on line 247: There is no problem with third person counterparts of (M). Anyone else can say about Moore, with no paradox, ‘G. E. Moore went to the pictures last Tuesday but he does not believe it’. (M) can also be embedded unparadoxically in conditionals: ‘If I went to the pictures last Tuesday but I do not believe it, then I am suffering from a worrisome lapse of memory ’. The past tense is fine: ‘I went to the picture shows last Tuesday but I did not believe it’. The future tense, ‘I went to the picture shows last Tuesday but I will not believe it’, is a bit more of a stretch (Bovens 1995). We tend to picture our future selves as better informed. Later selves are, as it were, experts to whom earlier selves should defer. When an earlier self foresees that his later self believes p

ellauri096.html on line 271:   If the students know that they will not forget and know there will be no undermining by outside evidence, then we may be inclined to agree with Binkley’s summary that his idealized student never loses the knowledge he accumulates. As we shall see, however, this overlooks other ways in which rational agents may lose knowledge.

ellauri096.html on line 293: Socrates continues to be praised for his insight. But his “discovery” is a contradiction. If Socrates knows that he knows nothing, then he knows something (the proposition that he knows nothing) and yet does not know anything (because knowledge implies truth).

ellauri096.html on line 442:       Seppo Soluttautuja (riittääpä Juotikkaalla näitä hassuja nimiä! Pynchonin peruja) lojuu nimenomaan virtahepona ottomaanilla. Nostaa jalkoja kun musta mies imuroi ilmeettömästi Hooverilla ottomaanin alta. Matkii autenttisesti Uuno Turhapuroa. Lörppävittu Hannele Nagellax pyörittää ärtyneenä vahingossa peppua. Seppo röhkii tyytyväisenä. Mediayrityxen epelit on samoilla eettisillä linjoilla kuin Aku: että raiskauxesta ei saa sentään nauttia. KOOMAlle pitää aina ilmoittaa venkuloinnista. Mutta mitä on tää KOOMA? Se putkahteli esille jo Jaskan keltaisessa tiiliskivessä. ”Harva tietää mikä on Kooma.” : Valtiovarainministeriön Kooma-malli genealogisen hallintamentaliteetin näkökulmasta. Pro gradu-työ. Ei tää kuitenkaan ole Jaskan gradu joka oli Pynchonista. Lyhyt vastaus voi olla tää:

ellauri096.html on line 448: Mediafirma mahaantuo valkovenäläisiä ilotyttöjä. Niitä oli yhdessä takavuosien suomenruozalaisessa stadidekkarissa jonka kirjoitti joku kyldyropersonlighet otona. Kuka se nyt oli. Joku Hoblan toimittajako? Hemmetti kun muistaa melkein muttei ihan. Ei löytynyt edes plokista. Muistaiskohan K-täti? Jotenkin siihen liittyi satama ja ehkä ravintola Torni. Joo se muisti: Se oli Staffan Bruun, Club Domina Helsinki. Tulevaisuuteen sijoitettu romaani 1992 joka valitettavasti on jo menneisyyttä. Sama vaivaa George Orwellin romaania 1984, ja Clarken millenniaaleja avaruusseikkailuja riepupäiden juhlavuodelta 2001. Niin se aika rientää. Time flies like an arrow. Tempus fugit. Tempora mutantur, nos et mutamur in illis. Ja muita samansisältöisiä sananparsia. Aikakärpäset tekevät kaikesta kexeliäästä klisheetä. Tu kattoon kattoon kuinka tulevaisuus tapettiin tapettiin, sanoi aikakärpänen kaverille.

ellauri096.html on line 477: Toisten taiteilijoiden teosten käsittely kriittiseen sävyyn ja suoraan nimeten on musiikkimaailmassa melko yleistä mutta kaunokirjallisuudessa harvinaista. Tänä vuonna on kuitenkin ilmestynyt toinenkin suomalainen fiktioteos, jossa ruoditaan olemassa olevaa teosta: Harry Salmenniemen novellikokoelma Delfiinimeditaatio. Yksi kokoelman novelleista on yksityiskohtainen Hymyilevä mies -elokuvan kritiikki.

ellauri096.html on line 531: These "wheels" have been associated with Daniel 7:9 (mentioned as galgal, traditionally "the wheels of galgallim", in "fiery flame" and "burning fire") of the four, eye-covered wheels (each composed of two nested wheels), that move next to the winged Cherubim, beneath the throne of God. The four wheels move with the Cherubim because the spirit of the Cherubim is in them. The late Second Book of Enoch (20:1, 21:1) also referred to them as the "many-eyed ones".

ellauri096.html on line 567: Eräässä Ikoskan toisessa teoxessa naismainen "Lauri" ei ollutkaan homo vaan sarjaraiskaaja. "Lukija" eli "Anu" pettyi odotuxissa. Naismaisenhan pitäis olla Weibling. Todennäköisesti "Lauri" oli myös sarrjayrittäjä. Raiskauskin jäi yrityxexi kun se ei yrittänyt miehekkäämmin. Auktorisoitu peetee Aki Manninen ei ois antanut löylykauhan tulla onnen esteexi. Ei löylykauhalla voi edes lyödä kovaa muuta kuin löylyä. Paizi jos se on Haju Pisilän käsintekemä. Kyllä lessu aina jonkun lässyn lissun litistää tai kääntäen. Androgyyni "Lauri" ei ollutkaan katamaraani. Tai siis katamiitti. Katamiitti on etruskilainen Ganymedes, an attractive Trojan boy supposedly abducted to Mount Olympus by the god Zeus to become his cupbearer and lover.

ellauri096.html on line 589: Les Chants de Maldoror (The Songs of Maldoror) is a French poetic novel, or a long prose poem. It was written and published between 1868 and 1869 by the Comte de Lautréamont, the nom de plume of the Uruguayan-born French writer Isidore Lucien Ducasse. The work concerns the misanthropic, misotheistic character of Maldoror, a figure of evil who has renounced conventional morality.

ellauri096.html on line 591: Although obscure at the time of its initial publication, Maldoror was rediscovered and championed by the Surrealist artists during the early twentieth century. The work's transgressive, violent, and absurd themes are shared in common with much of Surrealism's output; in particular, Louis Aragon, André Breton, Salvador Dalí, Man Ray, and Philippe Soupault were influenced by the work. Maldoror was itself influenced by earlier gothic literature of the period, including Lord Byron's Manfred, and Charles Maturin's Melmoth the Wanderer.

ellauri096.html on line 609: Osattoman osa on onneton. Varmaan siitä tuntuu samalta kuin Karl-Ovesta. Ensin oli kohua ja nyt ei enää kukaan tule ovesta.

ellauri096.html on line 625: Keynesiläisen päättäjän teoreettisen laitteen toinen pääosa oli Phillips-käyrä . Tämä käyrä, joka oli pikemminkin empiirinen havainto kuin teoria, osoitti, että työttömyyden lisääntynyt työllisyys merkitsi inflaation nousua. Keynes oli vain ennustanut, että työllisyyden kasvu aiheuttaisi korkeamman hinnan, ei korkeamman inflaation . Tällöin ekonomisti voisi käyttää IS–LM-mallia ennustamaan esimerkiksi, että rahan tarjonnan kasvu nostaisi tuotantoa ja työllisyyttä - ja sitten Phillips-käyrän avulla ennustaa inflaation kasvua. Keynesianismin vaikutuksen vahvuuden voi nähdä ekonomistien aalto, joka alkoi 1940-luvun lopulla Milton Friedmanin kanssa . Sen sijaan, että he hylkäsivät makrotalouden mittaukset ja makrotalouden mallit, he omaksuivat tekniikat, joissa koko taloutta pidetään kysynnän ja tarjonnan tasapainossa, mutta toisin kuin keynesiläiset - he väittivät, että "syrjäyttämisen" vaikutukset saisivat aikaan tai riistäisivät finanssipolitiikan sen positiivisesta vaikutuksesta. Sen sijaan on keskityttävä rahapolitiikkaan, jonka varhaiset keynesiläiset jättivät suurelta osin huomiotta. Monetaristinen kritiikki työnsi keynesiläisiä kohti tasapainoisempaa näkemystä rahapolitiikasta ja innoitti Keynesian teorian tarkistusaallon. 1950-luvulla julkisen vallan kohtalainen kysyntä johti teollisuuden kehitystä ja finanssi- ja rahapolitiikan suhdannepolitiikan käyttöä ja saavutti huippunsa 1960-luvulla, jolloin monille keynesiläisille tuntui, että vauraus oli nyt pysyvää. Vuoden 1973 öljyshokin ja 1970-luvun taloudellisten ongelmien myötä moderni liberaali taloustiede alkoi kuitenkin suosiota. Tänä aikana monet taloudet kokivat "stagflaatiota ": korkea ja kasvava työttömyys yhdistettynä korkeaan ja nousevaan inflaatioon, mikä on ristiriidassa Phillips-käyrän ennusteen kanssa. Stagflaatio tarkoitti, että sekä ekspansiivista (taantuman vastaista) että supistavaa (inflaation vastaista) politiikkaa oli sovellettava samanaikaisesti, mikä oli selvää mahdotonta. Tämä ongelma johti klassisempaan analyysiin perustuvien ideoiden nousuun, mukaan lukien monetarismi, tarjontapuolen taloustiede ja uusi klassinen taloustiede. Tämä tuotti "poliittisen sidoksen" ja keynesiläisen talouden konsensuksen romahtamisen, mikä johti uuden klassisen makrotalouden ja uuden keynesianismin kehitykseen. Seuraavien vuosikymmenien aikana nämä kaksi koulua kokoontuisivat luomaan uuden uusklassisen synteesin, joka muodostaa nykypäivän valtavirran perustan. Uuskeynesiläinen taloustiede - https://fi.qaz.wiki/wiki/Neo-Keynesian_economics

ellauri096.html on line 633:   Tutkielmassa tarkastellaan uuskeynesiläisten DSGE-makrotalousmallien joukkoon lukeutuvaa valtiovarainministeriön Kooma-mallia genealogisen hallintamentaliteetin näkökulmasta. Kooma-mallia käytetään valtiovarainministeriössä ennustamiseen ja erilaisten politiikkatoimien vaikutusarviointien laatimiseen. Teoreettisena viitekehyksenä tutkielmassa sovelletaan Michel Foucaultin tunnetuksi tekemää hallintamentaliteetin näkökulmaa, jossa tarkastellaan kansantaloustieteen tietomuotoihin ja turvallisuuden tekniikoihin pohjautuvaa vallan muotoa. Hallintamentaliteetin näkökulmasta Kooma-malli kehystetään tutkielmassa tietynlaisiin tietomuotoihin nojaavana rationaalisena teknologisena käytäntönä, joka mahdollistaa hienovaraisen talouden poliittisen hallinnan.

ellauri096.html on line 635:   Tutkimusmenetelmänä sovelletaan niin ikään Michel Foucaultin kehittämää genealogista analyysia, jonka keskiössä on nykyisyyden olemassaolon mahdollisuuksien kriittinen tarkastelu. Tavoitteena on horjuttaa asioiden pintatasolla ilmenevää yhtenäisyyttä ja luonnollisuutta tarkastelemalla niissä piileviä epävarmuuksia ja virheellisyyksiä. Huomio suunnataan asioiden syntyperään ja polveutumiseen sekä niissä vallitseviin ristiriitoihin, joiden tuloksina asiat ovat ilmaantuneet. Tutkielmassa hallintamentaliteettia sovelletaan genealogisesti, jolloin tarkastellaan tietynlaisiin tietomuotoihin ja niihin kytkeytyviin teknologioihin pohjautuvan hallinnan olemassaolon mahdollisuuksia. Tutkimusaineistona käytetään pääosin valtiovarainministeriön instituutioaineistoja, joissa tuodaan julki Kooma-mallin avulla laadittuja laskelmia. Tarkastelussa on erityisesti kevään 2014 Taloudellinen katsaus, jossa Kooma-mallin avulla laadittuja laskelmia hyödynnetään erilaisten finanssipolitiikan keinojen vaikutusten arvioimisessa.

ellauri096.html on line 670: In a 1976 paper, Robert Lucas argued that it is naive to try to predict the effects of a change in economic policy entirely on the basis of relationships observed in historical data, especially highly aggregated historical data. Lucas claimed that the decision rules of Keynesian models, such as the fiscal multiplier, cannot be considered as structural, in the sense that they cannot be invariant with respect to changes in government policy variables, stating:

ellauri096.html on line 674: This meant that, because the parameters of the models were not structural, i.e. not indifferent to policy, they would necessarily change whenever policy was changed. The so-called Lucas critique followed similar criticism undertaken earlier by Ragnar Frisch, in his critique of Jan Tinbergen's 1939 book Statistical Testing of Business-Cycle Theories, where Frisch accused Tinbergen of not having discovered autonomous relations, but "coflux" relations,[10] and by Jacob Marschak, in his 1953 contribution to the Cowles Commission Monograph, where he submitted that

ellauri096.html on line 676: In predicting the effect of its decisions (policies), the government...has to take account of exogenous variables, whether controlled by it (the decisions themselves, if they are exogenous variables) or uncontrolled (e.g. weather), and of structural changes, whether controlled by it (the decisions themselves, if they change the structure) or uncontrolled (e.g. sudden changes in people's attitude).[10]

ellauri096.html on line 680: The authors stated that, since fluctuations in employment are central to the business cycle, the "stand-in consumer [of the model] values not only consumption but also leisure," meaning that unemployment movements essentially reflect the changes in the number of people who want to work. "Household-production theory," as well as "cross-sectional evidence" ostensibly support a "non-time-separable utility function that admits greater inter-temporal substitution of leisure, something which is needed," according to the authors, "to explain aggregate movements in employment in an equilibrium model." For the K&P model, monetary policy is irrelevant for economic fluctuations.

ellauri096.html on line 682: The associated policy implications were clear: There is no need for any form of government intervention since, ostensibly, government policies aimed at stabilizing the business cycle are welfare-reducing. Since microfoundations are based on the preferences of decision-makers in the model, DSGE models feature a natural benchmark for evaluating the welfare effects of policy changes. The Kydland/Prescott 1982 paper is often considered the starting point of RBC theory and of DSGE modeling in general and its authors were awarded the 2004 Bank of Sweden Prize in Economic Sciences in Memory of Alfred Nobel.

ellauri096.html on line 695:   Hauska huomata että Yli-Juotikas soveltaa Sainte-Beuven peukuttamaa ja mun systemaattisesti soveltamaa elämä ja teoxet menetelmää maalieläimeensä Ansa Ikoseen. Se kaivelee Ansan taustoja ja koittaa selvittää sen kanadalaista sukua löytääxeen ainexia johkin Frantz Fanon-tyyppiseen freudilaiseen selityxeen mixi Ansa ei pidä maahanmuuttajista. Fanonista ei näytä olevan paasausta, pitäisikö olla? No teen tietolaatikoon. Se oli joku sivistynyt siirtomaalainen, jos värin saa mainita niin kakan. Antikolonialismia freudilaisella kuorrutuxella. Tunnettu kirjoista Peau noire, masques blancs ja Les damnés de la terre. Amerikkalaiset mainizevat miinuxena sen marxilaisuuden, ranskixet että se sähläs Algerian puolesta.

ellauri096.html on line 732:     15.01.2020 tuli kuluneexi 105 vuotta Loimaan lehteä. Loimaan lehdessä miesten ja naisten tasa-arvo on kunnossa. Oma paikallinen lehti on aina seutunsa kuva. Mummokolarit ovat kolisseet tavallista vähemmän. Eläinkannan runsastuminen on pidetty kunnossa mezästämällä. Onko Loimaalla olemassa mitään varamummopalvelua? Asunto oy Karhulanmäessä on myös kuulunut outoa kolinaa. Kurkkasin ovisilmästä. Käytävällä paloi valo. Menin takaisin sänkyyn ja sammutin valot. Heräsin viime viikolla siihen kun joku rapisteli turvaketjua. Nyt on ilmennyt että joku tuo tyhjiä rutisteltuja oluttölkkejä ovemme taaxe. Vielä sisäpuolelle. Mikähän tarkoitus tässä touhussa... yhä sairaamman hurmeiseksi vajoavaa apokalypsia, kieroutunutta ja vainoharhaista, "hulvattoman" postmodernin komedian ja karmivan kauhun rajamailla. Sehän näyttää olevankin Loimaalla vaan normipäivä.

ellauri096.html on line 734:   Tuulensuun palvelukeskuxen henkilökunta tulee häntä iloisesti heiluen asiakkaita ovelle vastaan. Potkii ovensuusta syrjään oluttölkkejä. Jalankulkija törmäsi autoilijaan Alexis Kiven kadulla. Uhri oli 70-luvulla syntynyt loimaalainen mies.

ellauri096.html on line 777: Aristotle, on the other hand, took a more empirical approach to the question, acknowledging that we intuitively believe in akrasia. He distances himself from the Socratic position by locating the breakdown of reasoning in an agent’s opinion, not his appetition. Now, without recourse to appetitive desires, Aristotle reasons that akrasia occurs as a result of opinion. Opinion is formulated mentally in a way that may or may not imitate truth, while appetites are merely desires of the body. Thus, opinion is only incidentally aligned with or opposed to the good, making an akratic action the product of opinion instead of reason. For Aristotle, the antonym of akrasia is enkrateia, which means "in power" (over oneself).

ellauri096.html on line 781:     In Edmund Spenser´s The Faerie Queene, book II, Acrasia, the embodiment of intemperance dwelling in the "Bower of Bliss", had the Circe-like capacity of transforming her lovers into monstrous animal shapes. Pitäs ja pitäs, mutta kun tekee mieli.

ellauri096.html on line 810:     "Whether we deal with historical or natural phenomena, the individual observation of phenomena assumes the character of a 'fact' only when it can be related to other, analogous observations in such a way that the whole series 'makes sense.' This 'sense' is, therefore, fully capable of being applied, as a control, to the interpretation of a new individual observation within the same range of phenomena. If, however, this new individual observation definitely refuses to be interpreted according to the 'sense' of the series, and if an error proves to be impossible, the 'sense' of the series will have to be reformulated to include the new individual observation (1955, p. 35)" (1990, pp. 230–231).

ellauri096.html on line 841:       Televisio kamarimusisoi olohuoneessa. Aiti ja lina katselivat äänistä päätellen historiallista pukudraamaa. Koska meneillään ei ollut mikään hälyisä kotimainen huumoriohjelma eikä visailu, Anun ei tarvinnut sulkea huoneensa ovea. Aänimaisema ymparoi häntä herttaisena kukkatapettina. Isä puuhaili jotain kellarin verstashuoneessa. Veti käteen varmasti. Arpajaisista voitettu norppaherätyskello näytti [mitä näytti]. 

ellauri096.html on line 855:   Mikäli aatelismies oli loukannut toista, vallalla ollut kumma käsitys edellytti, että loukattu osapuoli vaati ­hyvitystä kaksintaistelun muodossa. Jos loukattu ritari yritti unohtaa nöyryytyksensä, hän leimautui helposti kunniattomaksi pelkuriksi. Mikä tarkoitti vaan sitä että kuka tahansa saattoi kävellä sen ylize ja viedä sen pelivälineet. Aatelismiesten kaksintaistelujen taustalla oli usein nainen, mikä antoi taisteluille romanttisen sävyn. Paskanmarjat, resujen omistuxesta siinä oli kyse silloinkin. Miekoin tai pistoolein käytyä taistelua jatkettiin kuitenkin monesti toisen osapuolen kuolemaan asti, minkä vuoksi kaksintaistelut lopulta kiellettiin sekä suuressa osassa Eurooppaa että Venäjällä. Voi kysyä mixi, siinähän päästiin nopeasti eroon paskiaisista? No kai ne jotka voittivat oli vielä paskiaisempia. Sitäpaizi, huonoja paskiaisia tarvittiin tykinruuaxi. Kaksintaisteluperinne jatkui kielloista huolimatta, ja Saksassa se levisi 1500-luvulla yliopistoihinkin. Tuohon aikaan yliopistojen opiskelijat olivat enimmäkseen aatelisperheiden poikia, jotka olivat sisäistäneet aateliston kunniakäsityksen kasvaessaan. Nykyjään huippyliopistoissa maxavat opiskelijat ovat yleensä pohattojen poikia, jotka ovat sisäistäneet rahanteon ajatuxen kasvaessaan. Yliopistoissa opiskeli kuitenkin myös porvarisperheiden poikia, jotka omaksuivat nopeasti ylhäisiltä opiskelutovereiltaan sekä miekankäyttötaidon että tiukan kunniakäsityksen. Huippuyliopistoissa opiskelee nykyään myös vapaaoppilaina ulkolaisten värivammaisten ylifixua jälkikasvua, jotka nopeasti omaxuvat rahanteon ajatuxen.

ellauri097.html on line 63: Henry Louis Mencken (September 12, 1880 – January 29, 1956) oli jenkki lehtineekeri vaikka matu sakemanni kuten Donald Trump. Kova sakubändäri. Kirjoitti yritelmiä, etenkin satiirisia. Satyriasisko sitä vaivasi. Saxaa puhui pienenä mutta näytti kieltä jenkeille. Amerikansk kulturprofil, tyypillinen sikäli että luuli enemmän kuin tiesi. Sikäli epätyypillinen ettei uskonut enempää kuin luuli. Kommentoi laajasti paikallista skeneä. Pilkkasi Daytonin apinajuttua (sen perusteella teki laulun Antti Syrjäniemi ja Dumari coverin, joka on tullut mainituxi paasauxissa aiemmin.)  Oli ateisti ja vastusti Amerikan menoa molempiin maailmansotiin. Ei voinut siis olla läpeensä paha kaiketi. Muttei hyväkään sillä piti mursuwiixisestä maanmiehestään Nietschestä.

ellauri097.html on line 97: Mencken recommended for publication philosopher and author Ayn Rand´s first novel, We the Living and called it "a really excellent piece of work." Shortly afterward, Rand addressed him in correspondence as "the greatest representative of a philosophy" to which she wanted to dedicate her life, "individualism" and later listed him as her favorite columnist. No voi vietävä!

ellauri097.html on line 101: Mencken was a keen cheerleader of scientific progress but was skeptical of economic theories and strongly opposed to osteopathic/chiropractic medicine. He also debunked the idea of objective news reporting since "truth is a commodity that the masses of undifferentiated men cannot be induced to buy" and added a humorous description of how "Homo Boobus," like "higher mammalia," is moved by "whatever gratifies his prevailing yearnings."

ellauri097.html on line 107: Like Nietzsche, he also lambasted religious belief and the very concept of Cod, as Mencken was an unflinching atheist, particularly Christian fundamentalism, Christian Science and creationism, and against the "Booboisie," his word for the ignorant middle classes. In the summer of 1925, he attended the famous Scopes "Monkey Trial" in Dayton, Tennessee, and wrote scathing columns for the Baltimore Sun (widely syndicated) and American Mercury mocking the anti-evolution Fundamentalists (especially William Jennings Bryan). The play Inherit the Wind is a fictionalized version of the trial, and as noted above the cynical reporter E.K. Hornbeck is based on Mencken. In 1926, he deliberately had himself arrested for selling an issue of The American Mercury, which was banned in Boston by the Comstock laws. Mencken heaped scorn not only on the public officials he disliked but also on the state of American elective politics itself.

ellauri097.html on line 121: The Presidency tends, year by year, to go to such men. As democracy is perfected, the office represents, more and more closely, the inner soul of the people. We move toward a lofty ideal. On some great and glorious day the plain folks of the land will reach their heart´s desire at last, and the White House will be adorned by a downright moron.

ellauri097.html on line 143: I admit freely enough that, by careful breeding, supervision of environment and education, extending over many generations, it might be possible to make an appreciable improvement in the stock of the American Negro, for example, but I must maintain that this enterprise would be a ridiculous waste of energy, for there is a high-caste white stock ready at hand, and it is inconceivable that the Negro stock, however carefully it might be nurtured, could ever even remotely approach it. The educated Negro of today is a failure, not because he meets insuperable difficulties in life, but because he is a Negro. He is, in brief, a low-caste man, to the manner born, and he will remain inert and inefficient until fifty generations of him have lived in civilization. And even then, the superior white race will be fifty generations ahead of him.

ellauri097.html on line 155: If chemists were similarly given to fanciful and mystical guessing, they would have hatched a quantum theory forty years ago to account for the variations that they observed in atomic weights. But they kept on plugging away in their laboratories without calling in either mathematicians or theologians to aid them, and eventually they discovered the isotopes, and what had been chaos was reduced to the most exact sort of order.

ellauri097.html on line 292: Patrick White (1912–1990) was raised in Sydney’s well-to-do Rushcutter’s Bay, and was sent to England at 13. He attended boarding school, then Cambridge, and during the war was stationed in North Africa. It was there, in 1941, that White met Manoly Lascaris, the Greek officer who he would love for the rest of his life. By the time White and Lascaris returned to Australia. in 1947 White had written three tepidly received novels, and a play. It took coming home to Sydney to transform his writing and elevate it to the level of genius. White produced The Tree of Man, in 1955, his first novel to be written in Sydney. He went on to write a string of masterpieces in quick succession: Voss, Riders in the Chariot, The Vivisector. He received the Nobel Prize for Literature in 1973. The Nobel committee credited White “for an epic and psychological narrative art which has introduced a new continent into literature.”

ellauri097.html on line 296: He became a literary icon, but White knew that people rarely actually read his work. He professed not to care what people thought, but he would sometimes check for copies of his novels in local libraries. He would search for dog-ears and stains, to gauge how far in the book they had read. Most people, he deduced, never finished. The Australian reading public never quite warmed to White, and nothing much has changed. My grandmother “couldn’t stand him.” I have seen my mother take up one of his novels—The Solid Mandala—and after a few moments quite literally toss it aside. White’s books are metaphysical, lyrical, high modernist, full of baroque descriptions of landscapes, and unsparing in his examination of the people who live in them. For a country besotted with kitchen-sink realism and plain-speaking larrikins, Patrick White was baffling.

ellauri097.html on line 330: UrninginNaisen fysiikka, miehen sielu, viehättynyt pääasiassa naisista.Georgette Leblanc, Tove Jansson, Ursula le Guin

ellauri097.html on line 418:     Kant wanted to prove, in a way that would dumbfound the common man, that the common man was right: that was the secret of this soul. He wrote against the scholars in support of popular prejudice, but for the scholars and not for the people. [§193.]

ellauri097.html on line 420:     Kant held that all rational persons have an a priori understanding of the basic principles of morality. These consist of duties, both to oneself and to others, and above all the duty to respect rational agents. Most persons, however, do not understand that morality is a priori, and their moral commitments are therefore vulnerable to corrosive skeptical criticism. In The Metaphysics of Morals Kant formulates the ultimate standard for moral judgment, namely universalizability, and establishes the rational necessity of morality.

ellauri097.html on line 430: There’s a sense in which all philosophers except Nietzsche have been theologians in disguise, in that they all claimed to be selfless, altruistic seekers of truth and goodness. Socrates, Nietzsche thought, was really doing what was good for him when he claimed that it would be good for everyone to examine their lives. It’s only with Nietzsche – in Nietzsche’s view, that is – that the philosopher removes his mask and publicly proclaims that his philosophical activity is in the service of his will to power. Nietzsche with his drooping mustache was actually less gay than Immanuel Kant. 

ellauri097.html on line 471: In Romans 1:26, the New Testament says, “For this reason, God gave them over to degrading passions, for their women exchanged the natural function for that which is unnatural,” that is, different than what God intended. “And in the same way, also, men abandoned the natural function of the woman, and burned in their desire towards one another.” The translation used here is the New American Standard Bible because I think the NIV is woefully inadequate in the way it translates this passage from the Greek.

ellauri097.html on line 511: John Boswell was a Roman Catholic, having converted from the Episcopal Church of his upbringing at the age of 15. He remained a daily-mass Catholic until his death, despite differences with the church over sexual issues. Although he was orthodox in most of his beliefs, he strongly disagreed with his church's stated opposition to homosexual behavior and relationships. He was partnered with Jerone Hart for some twenty years until his death. Hart and Boswell are buried together at Grove Street Cemetery, New Haven, Connecticut.

ellauri097.html on line 608: Silloin kun nykyromaanikirjailijaa sanotaan ”kertojaksi” tai runoilijaa ”laulajaksi” (ehkei tätä tosin ole tapahtunut sitten 1850-luvun!) – houraillaan: silloin kuvitellaan lukemattomat kuluneet vuosisadat pois. Nuotiopiiriä ei enää ole. Aukio metsänreunassa on autio, hiillos sammunut ja märkä. (Äänikirjasovellus ei ole nuotiopiiri; se on aineettomiksi ja sen vuoksi ehtymättömiksi tehtyjen kirjallisuusjalosteiden jakelupiste, itsekin aineeton.

ellauri097.html on line 654: (Se mikä ei mene pois, vaikka sitä yritetään vastustaa ja häätää, on hyväksyttävä. Sisältäköön tämä hyväksyminen siunauksen. Vaikka tää on kieltämättä nyt Ahmavaaran korkkiruuvin soveltamista, tästä ei Hume olis tykännyt.)

ellauri097.html on line 677: Yliopiston uuden puolen graffitien kirjavoimien vessojen vierellä on ilmoitustauluja johon ennen tuli tiedekuntatenttien tuloxet. Siinä vieressä oli usein Kake Niemisen samizdat-julkaisuja koskien eetteripyörteitä. Muistan säälineeni niiden kirjoittajaa, vaikka en ollut sitä nähnytkään. Nyt mä nään että sen parta oli aika kadehdittava. Tukasta en sano mitään. Se oli Jaakko Hintikan ikätoveri. Jaakko eli 5v vanhemmaxi. Kuuluisia suomalaisia.

ellauri097.html on line 689: Calvin: [writing] Yakka foob mog. Grug pubbawup zink wattoom gazork. Chumble spuzz. [aside] I love loopholes. 

ellauri097.html on line 750: The mower in the dew had loved them thus,		Aamuniittäjä oli kai niistä tykännyt (ne on kyllä aika rumia),

ellauri098.html on line 56:       The greatest challenges a detective faces aren't always a devious criminal or a really tough case — all those are a cakewalk compared to managing their personal life. The genius ones are nerds with trouble getting along with people or worse, have social or personality disorders. The hard-working ones are workaholics who let their family relationships slide because they're never home. The overworked and nervous ones dabble in drugs and court substance addictions (or blood). The Film Noir detective and his descendants have terrible luck with women, who either end up dead, broken or distant; if he has a wife he may be cheating on her. And gods help him and his friends if some of the bad guys or associates that they helped put in the clink come back to haunt him. And his personal finances are probably gone thanks to being The Gambling Addict. In short, it's rare to have a detective as a main character in a dramatic story and have them not have at least one serious character flaw that's tangential to them actually working cases.

ellauri098.html on line 58:       What's your malfunction? A flawed character is more interesting than a flawless character. Ergo, a cast of characters with flaws is more interesting exponentially.  An easy way to crank up drama is to supply everyone with a tragic past, a messed up family history, other significant issues (physical, psychological, etc.) or some combination of the three. When Dysfunction Junction comes into play, good parents can be as common as penguins in the Sahara, instead turning out to be neglectful, smothering/overprotective, unfeeling, abusive, misguided, or dead. And let's not even get into the rest of the family.

ellauri098.html on line 60:       The resulting prevalence of personal trauma often stretches suspension of disbelief and is a leading cause of Cerebus Syndrome. If done poorly, this is a one-way ticket to Wangst territory, and as so many attempt to smother the series with dysfunction, Too Bleak, Stopped Caring is a frequent result. If done well, you get a large number of interesting, sympathetic, flawed characters, and their interactions with each other gradually reveal the multiple sides to each of them. More realistic (i.e. not Flanderized) portrayals of this trope can even help the audience understand and cope with their own dysfunctional lives, especially with regards to issues that are typically glossed over in mainstream society.

ellauri098.html on line 109: 	Gradientti (nolla nousukas(snobi) laskukas(dandy) kupera kovera siksakkia)

ellauri098.html on line 175:     According to Propp, based on his analysis of 100 folktales from the corpus of Alexander Fyodorovich Afanasyev, there were 31 basic structural elements (or 'functions') that typically occurred within Russian fairy tales. He identified these 31 functions as typical of all fairy tales, or wonder tales [skazka] in Russian folklore. These functions occurred in a specific, ascending order (1-31, although not inclusive of all functions within any tale) within each story. This type of structural analysis of folklore is referred to as "syntagmatic". This focus on the events of a story and the order in which they occur is in contrast to another form of analysis, the "paradigmatic" which is more typical of Lévi-Strauss's structuralist theory of mythology. Lévi-Strauss sought to uncover a narrative's underlying pattern, regardless of the linear, superficial syntagm, and his structure is usually rendered as a binary oppositional structure. For paradigmatic analysis, the syntagm, or the linear structural arrangement of narratives is irrelevant to their underlying meaning.

ellauri098.html on line 177: TV Tropes is a wiki that collects and documents descriptions and examples of plot conventions and devices, more commonly known as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering only television and film tropes to those in other types of media such as literature, comics, anime, manga, video games, music, advertisements, and toys, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics.

ellauri098.html on line 296: Tästä jää vaan seizemän kombinaatiota, koska on rajoituxia: Dumarit ja saaliit ei ota osaa mazeihin. Saaliita  on vaan 1, se maistuu molemmille. Sixhä siitä just tulee resurssikilpailu. Loput on petoja tai eri ravintoverkossa (dumarit). 

ellauri098.html on line 306: 	In a separate incident in 2012, in response to other complaints by Google, TV Tropes changed its guidelines to restrict coverage of sexist tropes and rape tropes. Feminist blog The Mary Sue criticized this decision, as it censored documentation of sexist tropes in video games and young adult fiction. ThinkProgress additionally condemned Google AdSense itself for "providing a financial disincentive to discuss" such topics. Vittu Google pitäis vetää alas vessanpöntöstä.

ellauri098.html on line 320:     Love

ellauri098.html on line 380: Ei tää riitä oikein mihinkään, tarvitaan vielä lisää muuttujia, esim hyvis/pahis tai peto/saalis, ja viisas/tyhmäkin erixeen, koska viisaita on sekä ovelia että harkizevia, edelliset on kuumia ja toiset kylmiä. Joo nää Hippokrateen tyypit riittää kuvaamaan vaan tunne-elämää. Eli tarvitaan vähintään jotain jungilaista kamaa lisäxi. Mitäs sillä oli: intro/extro, joka jakautui vielä intuitio/sensaatio, tieto/tunne, ja tuomio/havainto axeleille. Ei hemmetti ei tääkään riitä, tässä tulee enintään mukaan fixu/tyhmä, eli intro typet on nörttejä ja extro typet on action figuureja. Vielä puuttuu kiltti/ilkeä eli hyvis/pahis. Mites sitten alkais elukoita kuvata?

ellauri098.html on line 382:   No eläinsadun karhu, susi ja kettu on selviä. Karhu on iso vahva hidasjärkinen, flegmaattinen, intro enemmän kuin extro. (Paizi kamalien eläinten karhu, joka on psykopaatti narsisti. Nalle Puh on selvä masis.) Se ei ole selkeästi hyvis eikä pahis, lähinnä dumari. Susi on koleerinen, agressiivinen mutta tyhmänoloinen, enempi extro, ja selvä pahis. Kettu on extro, ovela, kiero, tollanen junioripahis. Sangviinikko selvästi. Kukas olis sitten melankoolinen? Ihaa on melankolinen, mutta aasia ei voi sijoittaa, Shrekin aasi on selkeesti sangviininen, tollanen tyypillinen sivuvaunuhahmo, comic relief. Hullua että koomisella hahmollakin on kevennys. Mut ehkä Shrek onkin melankoolikko. On sekin koomista. Piisamirotta on pessimisti, muttei melankoolinen, sehän on selvä epikuurolainen. Kameli on pahansisuinen ja salavihainen. Se olis koleernen mutta introvertti sellainen.

ellauri098.html on line 384:   Entä jänis? Niitäkin on monenlaisia. Arkoja muttei tyhmiä, huijaavat syrjään hyppäämällä petoja. Onko ne ketun hyvispareja? Kamalissa eläimissä elukat ei pysy rooleissa, kettu on sekopää ja ilves läski flegmaatikko. Sieltä ei kanzi ezii malleja. No pöllö ehkä noudattaa kliseitä. Se on selvä dumari, vanha viisas introvertti flegmaatikko. Oravat on pieniä ja heikkoja mutta nokkelia ja pahanilkisiä. Koirat on hyvixiä, tiimipelaajia, urheita vaikka vähän tyhmiä, esim. Hessu. Kissat on eriseuraisia, ovelia ja laiskoja. Nokintajärjestysten ystävät ei pidä niistä. Ryhmä Haussa ne on konnia.

ellauri098.html on line 386:   Samoin lukemattomissa kissa ja hiiri-asetelmissa, missä hiiri on neuvokas sankari joka voittaa tyhmänovelan kissan sen omassa leipälajissa. Tipi ja Sylvesteri, meep meep aavikkojuoxija ja Kelju K. Kojootti. Härkä mörkö tiikeri, ne on kaikki pahoja ja vahvoja. Härkä ei kuitenkaan ole peto. Lohikäärmeet on, ja käärmekin, vaikka se on pikemminkin nörtti kuin action figuuri. Voittaa kieroudella kuin kirppu eikä haballa kuin härkä. Jatkuvien pelien teoriassa härkä ja kirppu oli tärkeitä pelaajatyyppejä. Wallun tennishahmoja. 

ellauri098.html on line 405: In Carlyle’s book On Heroes, Hero-Worship and the Heroic in Society (Carlyle, 1840), somebody (most likely the author) dove into the lives of several men he deemed “heroes,” like Muhammed, Richard Wagner, Shakespeare, Martin Luther, and Napoleon. He believed that history “turned” on the decisions of these men, and encouraged others to study these heroes as a way of discovering one’s own true nature.

ellauri098.html on line 439: ENTP (Extroverted Intuitive Thinking Perceiving) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test.

ellauri098.html on line 440: There’s nothing an ENTP loves more than a good argument. They can argue on any side and enjoy playing devil’s advocate. For ENTPs, the pleasure is in taking ideas apart and seeing what really works and what doesn’t. ENTPs love to smash icons, question authority, and break down outmoded ideas. (And Click To Tweet.)

ellauri098.html on line 447: INTP (introverted inntuitive thinking perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INTPs are a relatively rare type, making up about 4% of the population. INTPs are creatures of logic. Calm, controlled, and studious, INTPs are driven by the search for reason. For INTPs, the principles behind anything can be figured out given enough time. In fact, INTPs often get caught up on thinking for its own sake; the stereotypical figure of the “absent-minded scientist” is based on INTP behavior.

ellauri098.html on line 454: ENTJ (Extroverted Intuitive Thinking Judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test.

ellauri098.html on line 462: INTJ (Introverted INtuitive Thinking Judging) is one of the 16 personality types of the Myers-Briggs personality test.

ellauri098.html on line 463: INTJs are the “Mastermind” personality: intellectual, logical, driven, and confident in their own abilities, but also sometimes cold and unsympathetic, with a tendency to prefer theory over reality. This can cause others to perceive them as arrogant, especially since INTJs frequently lack the patience and communications skills to explain themselves.

ellauri098.html on line 467: 
John Adams, Isaac Asimov, keisari Augustus, Jane Austen, Dan Aykroyd, L.van Beethoven, Anders Breivik, Emily Bronté, Cassius (Shakespeare) Hillary Clinton, Elvis Costello, Charles Darwin, Mr. Darcy, Ike Eisenhower, Colin Firth, Bobby Fischer, von Frankenstein, Gandalf, Richard Gere, Al Gore (taas), Hannibal (taas), Steven Hawking, G.W.F.Hegel, Herakleitos, Sherlock Holmes, Horatio Hornblower, Thomas Jefferson, Ted Kaczynski (Unabomber), John F.Kennedy, J.M. Keynes, Stanley Kubrik, Meyer Lansky, Ivan Lendl, V.I.Lenin, C.S. Lewis, Martin Luther, Elon Musk, Michelle Obama, John Nash, Martina Navratilova, Isaac Newton, Friedrich Nietsche, Sylvia Plath, Ayn Rand, Rosenkrantz&Guildenstern (Hamlet), Jean-Paul Sartre, Arnold Schwarzenegger (taas), Nikola Tesla, Sun Tzu, Bruce Wayne (Batman), Norbert Wiener, Woodrow Wilson, Mark Zuckerberg

ellauri098.html on line 470: ENFP (Extroverted Intuitive Feeling Perceiving) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) psychological test. ENFPs make up about eight percent of the population. 

ellauri098.html on line 471: ENFPs are extremely creative and versatile people. They love playing with ideas, spinning off new concepts, and discussing them with other people. They are charismatic, sociable, and exciting to be with because they always seem to have something new to explore or talk about.

ellauri098.html on line 479: INFP (introverted intuitive feeling perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INFPs are relatively uncommon, making up about 4% of the population. INFPs are idealists. They see the world, and those around them, not as they are but as they could be. INFPs have strong principles, which they do not let go of easily. These principles drive them to help others better themselves, but as an introverted personality they rarely do so through direct confrontation. INFPs are more comfortable expressing themselves through art, writing, or other media, and can be surprisingly effective and creative communicators.

ellauri098.html on line 483: 
H.C. Andersen, Frodo Baggins, William Blake, Marlon Brando, Charley Brown, Albert Camus, Johnny Depp, Jane Eyre, Mia Farrow, V.van Gogh, Homeros, P.Johannes, Franz Kafka (taas), Helen Keller, Kermit the Frog, Sören Kierkegaard, Hugh Laurie, John Lennon, Luna Lovegood, P.Luukas, C.S. Lewis (taas), Neizyt Maria, Bob Marley, A.A. Milne, John Milton, Jim Morrison, Edgar Allan Poe, Fred Rogers, Romeo&Juliet, J-J.Rousseau, Antoine de Saint-Exupery, Carlos Santana, William Shakespeare, Bella Swan (Twilight), Luke Skywalker, Amy Tan, Daenerys Targaryen, JRR Tolkien, Vergilius, Andy Warhol, Bill Waterson (Calvin&Hobbes), Virginia Woolf

ellauri098.html on line 487: ENFJ (Extroverted Intuitive Feeling Judging) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. 

ellauri098.html on line 489: ENFJs, like other “E” types, are extremely sociable. They’re fascinated with other people’s lives and care deeply about those around them. They have a positive, idealistic outlook and love to help others improve themselves and solve their problems. They tend to be decisive and good planners, so they make excellent leaders, counselors, and facilitators.

ellauri098.html on line 497:     INFJ (Introverted Intuitive Feeling Judging) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INFJ is the believed to be the rarest personality, making up only one percent of the population.

ellauri098.html on line 505: ESTJ (extroverted sensing thinking judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ESTJs make up about seven percent of the population.

ellauri098.html on line 514: ISTJ (introverted sensing thinking judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ISTJs are one of the most common types, making up an estimated 13% of the population.

ellauri098.html on line 524: ESFJ (extroverted sensing feeling judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ESFJs are one of the more common types, making up about 12% of the population. 

ellauri098.html on line 526: ESFJs are traditionalists and believe in the authority of groups. They love stability and dislike conflict, so they can sometimes end up dismissing minority opinions in the name of achieving consensus. This can lead them to be controlling and intolerant. Some ESFJs also focus too much on making everyone happy at their own expense. But most ESFJs bring harmony to everyone around them. 


ellauri098.html on line 532: ISFJ (Introverted Sensing Feeling Judging) is one of the sixteen personality types defined by the MBTI (Myers-Briggs Type Indicator) test. ISFJs are a fairly common type, making up about 13% of the population.

ellauri098.html on line 533: ISFJs are caring and helpful. They are devoted to protecting and helping out those in need. ISFJs have very strong family ties and are quick to leap to the defense of their family. Sometimes, however, take on too much responsibility and lose sight of the big picture while trying to help everyone around them. They can also be too unassertive and pushovers for those who want to take advantage of their helpfulness. But there is no friend to have like an ISFJ when you find yourself in need of help. 


ellauri098.html on line 539: ESTP (extroverted sensing thinking perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. ESTPs make up about 4% of the population, and are more likely to be men than women.

ellauri098.html on line 549: ISTJ (introverted sensing thinking judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ISTJs are one of the most common types, making up an estimated 13% of the population. ISTJs are clear-sighted, logical, and efficient. They are planners rather than spontaneous, and prefer order and routine in their work and home lives. They value tradition, hierarchy, and clarity of purpose. To some of the more creative types, ISTJs can seem dull and unimaginative, unwilling to break the rules and unable to respond flexibly to changing situations. 


ellauri098.html on line 555: ESFP (extroverted sensing feeling perceiving) is one of the sixteen personality types of the Myers-Briggs Type Inventory (MBTI) test.

ellauri098.html on line 563: ISFP (introverted sensing feeling perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. ISFP is one of the more common personality types, making up about 9% of the general population.

ellauri098.html on line 564: ISFPs are creative and imaginative, with well-developed aesthetic senses. They are naturally suited for work in music, art, design, or other areas where an eye for beauty is important. They love to explore ideas and experiment with different styles, and constantly seek out new experiences, making them spontaneous and unpredictable. This, however, can lead to a lack of focus. ISFPs also tend to have fragile egos and react badly to criticism — however well-intentioned, it is difficult for them to not take it personally. Like all introverted types, they need time on their own to think and recharge, but they still love to share their latest innovations with others.

ellauri098.html on line 633: Myers-Briggsin tyyppi-indikaattorilla on voimakas korrelaatio Big Five-tyypityksen kanssa. Big Fiven OCEAN-asteikolla korkeaa Openness-lukemaa vastaa N (intuitio) ja matalaa S (tosiasiallinen); korkeaa Conscientiousness-lukemaa vastaa J (harkitseva) ja matalaa P (spontaani); korkeaa Extroversion-lukemaa vastaa E (ekstrovertti) ja matalaa I (introvertti), ja korkeaa Agreeableness-lukemaa vastaa F (tunteva) ja matalaa T (ajatteleva). Neuroottisuusakselia MBTI:ssa ei ole.

ellauri098.html on line 639:     I, introvertti – E, ekstrovertti: asenne ympäristöön 


ellauri098.html on line 648:   Ekstrovertti (E) tuntee todennäköisesti olonsa kotoisammaksi ihmisten ja asioiden kanssa ulkomaailmassa kuin ideoiden sisäisessä maailmassa, "ulospäinsuuntautunut".

ellauri098.html on line 650: Introvertti (I) tuntee todennäköisesti olonsa kotoisammaksi sisäisessä ideamaailmassa kuin ihmisten ja asioiden ulkomaailmassa, "sisäänpäinkääntynyt".

ellauri098.html on line 664: Huomattakoon, että piirretestien "ekstrovertti" kuvaa enemmänkin eräänlaista sosiaalisuutta, kun taas MBTI:n ekstravertti kuvaa suuntautumista ulkoiseen asioiden ja ihmisten maailmaan ottamatta varsinaisesti kantaa sosiaalisuuteen.

ellauri098.html on line 739: The modal Type (type with the biggest percentage) for males - ISTJ, and for females - ISFJ. ISFJ is the largest Type overall. The Types with the lowest percentages are males - INFJ, and females - INTJ, with INFJ the smallest Type overall.

ellauri098.html on line 746: It is interesting how the men on the T-F have the T just slightly over half, while for women it is 25-75.

ellauri099.html on line 44:     The remains of Oscar Wilde lie in Père Lachaise Cemetery in Paris. His sleek, modern tomb, designed by the British sculptor Jacob Epstein and commissioned by Wilde’s lover and executor, John Robert "Haj" Ross, is one of the most frequently visited and recognizable graves in a cemetery notable for the many famous writers, artists, and musicians buried there (Balzac, Chopin, Proust, Gertrude Stein, Jim Morrison). The surface of Epstein’s massive monolith is covered with hundreds of lipstick kisses, some ancient and faded, others new and vibrant. (“The madness of kissing” is what Wilde said Lord Alfred Douglas’s “red-roseleaf lips” were made for.)...

ellauri099.html on line 46: The Picture of Dorian Gray is a Gothic and philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine. Fearing the story was indecent, prior to publication the magazine's editor deleted roughly five hundred words without Wilde's knowledge. Despite that censorship, The Picture of Dorian Gray offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press, although he personally made excisions of some of the most controversial material when revising and lengthening the story for book publication the following year.

ellauri099.html on line 48: The longer and revised version of The Picture of Dorian Gray published in book form in 1891 featured an aphoristic preface—a defence of the artist's rights and of art for art's sake—based in part on his press defences of the novel the previous year. The content, style, and presentation of the preface made it famous in its own right, as a literary and artistic manifesto. In April 1891, the publishing firm of Ward, Lock and Company, who had distributed the shorter, more inflammatory, magazine version in England the previous year, published the revised version of The Picture of Dorian Gray.

ellauri099.html on line 61: Here is an example of what you will now see in the uncensored version, where Hallward professes his love for Dorian:

ellauri099.html on line 63: It is quite true I have worshipped you with far more romance of feeling than a man should ever give to a friend. Somehow I have never loved a woman…. From the moment I met you, your personality had the most extraordinary influence over me…. I adored you madly, extravagantly, absurdly. I was jealous of everyone to whom you spoke. I wanted to have you all to myself. I was only happy when I was with you.

ellauri099.html on line 67: From the moment I met you, your personality had the most extraordinary influence over me.

ellauri099.html on line 82:       Ja sit vielä toi jungilainen extro-intro pursoonallisuustyyppi neljällä ulottuvuudella, enste yleensä (E/I), sit vastaanottoantenni (S/N, aistit/intuitio), sit aivokerros (F/T, tunne/ajattelu), sit toimintamalli (P/J, havainnointi/tuomio). Niinettä kaikista neropatein introvertti on INTJ "Tenacious visionaries, oriented towards action" (esim. Bertie tai sen kamu Keynes), ja  kaikista tyhmin extromortti on tollanen ESFP "Free-spirited and fun-loving people persons" (esim. Kinsella). Kirjailijoiden luonnenimikkeistä on hyvä selvitys edellisessä albumissa. Voikun pääsis kirjailijoille tekee  MBTI eli Myers-Briggs testejä. Muze on jo myöhäistä useimpien kohdalla. Paizi voinhan mä koittaa vastata niiden puolesta! Vedänpä ensin testin izelleni ihan noin kalibrointimielessä. (Kysymyxet ja mun testituloxet tietolaatikossa alla.)

ellauri099.html on line 86: How to Get Rid of Barn Swallows? Hire an Exterminator. For as beautiful as their song is, barn swallows also bring a lot of less attractive features when they move into your property. The early-morning noise and piles of droppings and feathers they create are reason enough to want these birds gone. As an Amazon Associate, this site earns from qualifying purchases. 

ellauri099.html on line 93:   Rimbaud & VerlainepikkuoravatveriAsthenikeroveryrehab.com/wp-content/uploads/2018/06/rimbaud-and-verlaine.jpg" height="100px" />

ellauri099.html on line 134: JehovapiisamirottasappiAthletikerove-jansson-moomin.jpg" height="100px" />

ellauri099.html on line 164: In 314/3, Xenocrates died from hitting his head, after tripping over a bronze pot in his house. Which just goes to show. 

ellauri099.html on line 172: We are less attracted to the idea of the wealthy aristocratic philosopher sequestered in his research facility and making occasional overseas trips to visit foreign tyrants than the image of the poor, shoeless Socrates causing trouble in the marketplace, refusing to be paid and getting killed by the city for his trouble. But our captivation with this image, once again, is overwhelmingly fatass Plato’s clever branding. 

ellauri099.html on line 174: And behind his extraordinary inventiveness, Plato performs a characteristic disappearing trick. Truth to tell, we know very little about Plato. According to Plutarch, he was a lover of figs. Big deal! Plato is mentioned only a couple of times in the many dialogues that bear his name. He was present at Socrates’ trial but — in a beautifully reflexive moment that he describes in the Phaedo — absent from the moment of Socrates’ death, because he was sick.

ellauri099.html on line 181: Plato worked at the Academy until his death in 347 B.C.E., interrupted only by two more extended trips to Sicily. The Academy survived for a few more centuries until it was destroyed by the Roman general Sulla in 87 B.C.E. during the sack of Athens. The buildings were probably burned along with many other sanctuaries, and the trees from the grove of academe were felled to provide timber for his siege machines. So it goes, I thought.

ellauri099.html on line 190: Aristotle was not much loved by the Athenians. This might have been because he was a tricky customer or because he was an immigrant: a metoikos or metic, resident alien, an ancient green card holder; Greek, but decidedly not an Athenian citizen, something like an American in London. Given his close ties to the Macedonian aristocracy, which was extending and tightening its military and political control across Greece, perhaps the Athenians were right to be suspicious of Aristotle.

ellauri099.html on line 203: Athens didn’t make the same mistake as Thebes and meekly submitted to the Macedonian pike. It is in this context that Aristotle returned to the city at around age 50. And he came back big time. Because of his metic status, Aristotle was not allowed to buy property. So — as one does — he rented. He took over a gymnasium site sacred to Apollo Lyceus (the wolf-god) and transformed it into the most powerful and well-endowed school in the world.

ellauri099.html on line 215: The Lyceum was clearly the intellectual projection of Macedonian political and military hegemony. In 323 B.C.E., when news of Alexander the Great’s death in Babylon at the age of 32 reached Athens, simmering anti-Macedonian sentiment spilled over, and the popular Athenian leader Demosthenes was recalled. Aristotle left the city for the last time, in fear of his life, after a little more than a decade in charge of the Lyceum. Seeing himself justly or unjustly in the mirror of Socrates and fearing charges of impiety, Aristotle reportedly said, “I will not allow the Athenians to sin twice against philosophy.” Aristotle withdrew to his late mother’s estate at Chalcis on the island of Euboea and died there shortly after of an unspecified illness, at age 63.

ellauri099.html on line 254: R: Runous koostuu sanoista, aivan kuten tämä meidan juttelumme. (Huomaa sokraattinen metodi: ovelat alustavat kysymyxet ja typerän yxinkertaistava vertailu.) Kun runoilija ottaa meidän banaalit sanamme ja irrottaa ne lörpottelystä, käy niin, että ne kaikessa banaaliudessaankin alkavat ilmentää yllättävää energiaa. Jumala ilmenee samalla tavalla, puolivahingossa energiatuprahduxen muodossa. 


ellauri099.html on line 260: R: Jumala on juuri sitä: voimakas sysays pimeässä huoneessa, jossa ei enää löydä lattiaa, seiniä, kattoa. Häntä ei voi käsittää järjellä, hänestä ei voi väitellä. Se on uskon asia. Jos uskoo, se toimii. Jos ei usko, se ei toimi. Se on kuin jääkaapin valo. On vain uskottava, että se sammuu, kun oven sysää kiinni. 


ellauri100.html on line 45: “This could come from alcohol intoxication, lack of sleep, work stress and troubles with Gauguin, who was going to leave – attachment being one of his problems in life. He has repeated episodes of psychosis but recovered completely in between.”

ellauri100.html on line 47:       Although not proven, the relationship between Van Gogh and Gauguin was definitely different that your average straight male friendship. Scholars from Harvard having analyzed Van Gogh’s life in depth concluded that Van Gogh very well have been bisexual (accounting for his other relationships with women). You can find evidence of a possible love connection between the two in his writings.

ellauri100.html on line 95: Am 6. April 1933 trat Ernst Kretschmer vom Vorsitz aus politischen Gründen zurück, wurde aber noch im selben Jahr förderndes Mitglied der SS. Ebenso unterzeichnete er am 11. November 1933 das Bekenntnis der deutschen Professoren zu Adolf Hitler, war jedoch kein Mitglied der NSDAP.

ellauri100.html on line 116: My wife she love me

ellauri100.html on line 117: ‘Cause I make her love come down.

ellauri100.html on line 122: And when I love I go to town.

ellauri100.html on line 130: Jokainen näistä ruumiinrakennetyypeistä liittyi Klezmerin mielestä luonteenpiirteisiin, ja äärimmäisyyxiin mentäessä, vastaaviin mielisairauxiin. Hän kirjoitti että läskit ovat harvoin skizoja, ja loput taas harvoin bipolaarisia. Eliskä skizot on tavallisesti laihoja tai muskelimasoja. Klezmer arveli että pyknikot ovat ystävällisiä, läheisriippuvaisia ja seurallisia. Niillä on taipumusta maanis-depressiivisyyteen. Pikku väpelöillä oli taipumusta introversioon ja pelkuruuteen. Siitä on vaan lyhyt matka skizofreniaan. Tähän ei virallisesti enää psykologiassa uskota. Vaikka tottahan se on, vai mitä? No entäs muskelimasat ja rumat? Mitä mielitauteja niillä tuppaa olemaan? Onko ne luonnevikaisia? 

ellauri100.html on line 178: "että voi kun ihanaa, kun lapset sai isoveljen"

ellauri100.html on line 179: Tarkoitti varmaan, että omat lapset saa isoveljeltä kultamunaa tahi machettea kurkkuun...

ellauri100.html on line 212: Siinä kultamunan kotimajoittajat kertoi, että voi kun ihanaa, kun lapset sai isoveljen

ellauri100.html on line 215: Vanha kansa sanoo, että elättää kyytä povellaan.

ellauri100.html on line 227:     Naispsykologi suuttui kun yli 100-kiloinen mies vinoili sen sääristä. Naispsykologi löi sen katuun. Mies jäi selälleen makaamaan ajoradalle. Silmäkaaren murtuma ja kallon sisäinen aivoverenvuoto. Ei ihme että olivat epäluuloisia kun vein Seijaa Töölön tapaturmaklinikalle. Se oli astiakaapin kulma. Eiku se oli razastushaaveri. 

ellauri100.html on line 254: First and lasting employment: Encouraged by former professor to join a government-funded, defense think-tank in the  D.C. area. Worked there for 30 of my 34 years of post-collegiate, full-time employment.

ellauri100.html on line 256: Marriage (and family): Made my first love in the think-tank and married her 56 years later. Our happy union was blessed by two grown children — whose sad lives invalidate the (sometimes tough) support we gave them — and twelve fighting, shoving, and enraging grandchildren. 17-vuotiaat rakastuivat ensi silmäyxellä. Nyt Aune ei enää muista kuka Paavo on.

ellauri100.html on line 262: 	  Return to D.C.: When asked why, replied “Give a person an opportunity to feed at the public trough and that person will take the opportunity.” Incentives work! Another incentive was the opportunity to criticize analysis (instead of doing it), as an in-house reviewer of technical reports. Notice how I always returned to my masters like a dog after running awaay. It's Peters principle: I had reached my glass ceiling. I just couldn't do anything else. Unfortunately, my position AND PAY deteriorated at each round, until I ended up basically an over-aged proofreader. 

ellauri100.html on line 268: Last stop: Moved from cold-rainy-hot-humid-hazy-cloudy D.C. area to warm-dry-sunny Austin, whose mainly left-wing denizens irritate me with their political posturing and self-centered driving habits. I am in Austin, but not of Austin. TANSTAAFL. PEMDAS. Please Excuse My Dope Ass Swag. 

ellauri100.html on line 275: In my lifetime I have been related to, known, befriended, and worked with a broad cross-section of humanity. I have seen poverty and squalor, conversed with semi-literates and near-idiots, heard the rantings and taunts of bigots and bullies, known lazy louts and no-account dreamers, and admired hard workers with few skills and little learning who were proud of their meager possessions because they had earned them.

ellauri100.html on line 277: Both of my parents came from poor families — poor by today’s standards, at least. But by dint of hard work, there was always food on the table, though no one in those days took or expected handouts from government. We were, and I am still, a typical "persu" (Fundamental Finn) of the "nuiva" (sour, negative) type. 

ellauri100.html on line 281: If my father ever earned as much as a median income, it would come as a surprise to me. Our houses, neighborhoods, and family friends were what is known as working-class. If there were twinges of envy for the rich and famous, they were balanced with admiration for their skills and accomplishments. These children of the Great Depression — my parents and their siblings and friends — betrayed no feelings of grievance toward those who had more of life’s possessions. They were rightly proud of what they had earned and accumulated, and did not feel entitled to more than that because of their “bad luck” or lack of “privilege”. These attitudes fit the Virginia boy's moral right edge like a glove.

ellauri100.html on line 283: In my own life, my jobs have ranged from busing tables to serving as a corporate officer. I have spent time in the company of high-ranking government officials, high-priced and expert lawyers, brilliant scientists and academicians, and talented musicians and artisans.

ellauri100.html on line 289: My personality is more aloof than openly empathic (see “Temperament”, below). Why, I cannot say. I do know that aloofness can be an avoidance mechanism for persons who are too easily overwhelmed by emotion. And I do have an emotional side that I usually avoid exposing to others. Let me just say that my ability to observe the human condition is not dulled by automatic empathy of the kind that I have seen so often in persons whose political views are based on nothing more than raw emotion. Nor am I animated by prolonged adolescent rebellion, guilt, or an inability to advance beyond collegiate leftism. I am self-aware and self-critical to a fault.

ellauri100.html on line 301: Intelligence (for those who might care) and its application: Graduate Record Examinations scores: verbal aptitude, 96th percentile; quantitative aptitude, 99th percentile; advanced test in economics, 99th percentile. Combined verbal and quantitative scores qualify me for membership (which I do not seek) in the Triple-Nine Society, whose members “have tested at or above the 99.9th percentile on at least one of several standardized adult intelligence tests”. But I am much older now — more than thrice the age I was when I took the GREs — so I do not claim to be “brilliant”. On the other hand, I know a lot more now than I did then, and the more one knows the better one gets at assembling information into meaningful patterns and sorting bad ideas from good ones.

ellauri100.html on line 305: Temperament: I(ntroverted), (i)N(tuitive), T(hinking), J(udging)

ellauri100.html on line 311: Beliefs: I have moved great distances with respect to political philosophy and theology.

ellauri100.html on line 313: I was apolitical until I went to college. There, under the tutelage of economists of the Keynesian persuasion, I became convinced that government could and should intervene in economic affairs. My pro-interventionism spread to social affairs in my early post-college years, as I joined the “intellectuals” of the time in their support for the Civil Rights Act and the Great Society, which was about social engineering as much as anything.

ellauri100.html on line 315: The urban riots that followed the murder of Martin Luther King Jr. opened my eyes to the futility of LBJ’s social tinkering. I saw at once that plowing vast sums into a “war” on black poverty would be rewarded with a lack of progress, sullen resentment, and generations of dependency on big brother in Washington. (Regarding the possibility that I am a racial bigot, see the note at the bottom of this page. If you don't care to read that far, yes, I am a racial bigot, and how.)

ellauri100.html on line 317: At about the same time, my eyes were opened fully to the essential incompetence of government by LBJ’s inept handling of the war in Vietnam. (Gradualism, phooey — either fight to win or get out.)

ellauri100.html on line 321: What does that have to do with my final rejection of “liberalism” and turn toward libertarianism? When government intervenes in economic and social affairs, its interventions are based on crude “measures of effectiveness” (e.g., eliminating poverty and racial discrimination) without considering the intricacies of economic and social interactions. Governmental interventions are — and will always be — blunt instruments, the use of which will have unforeseen, unintended, and strongly negative consequences (e.g., the cycle of dependency on welfare, the inhibition of growth-producing capital investments). I then began to doubt the wisdom of having any more government than is necessary to protect me and my fellow Americans from foreign and domestic predators. My later experiences in the private sector and as a government contractor confirmed my view that professors, politicians, and bureaucrats who presume to interfere in the workings of the economy are naïve, power-hungry, or (usually) both. Oh I hated those M.I.T. professors. So smug, thought they knew everything. 

ellauri100.html on line 331: I have noticed that a leftist will accuse you of “hate” just for saying something contrary to the left-wing orthodoxy of the day. If you disagree with what I have to say here, but prefer to spew invective instead of offering a reasoned response, don’t bother to submit a comment — at least not until your rage has passed or your medication has taken effect. (My medication is working fine. It is curious how small the distance is between considered opinion and gobbledygook madness.) As it says in the sidebar, I will not publish incoherent, off-point, offensive, or abusive comments except my own. Nor will I lose any sleep for having denied you an outlet for your incoherence, irrelevance, offensiveness, or abusiveness. You can post it on your own blog or on any of the myriad, hate-filled, left-wing blogs that view murder as “choice,” government dictates as “liberty,” self-defense as a “war crime” (when it’s practiced by the U.S. or Israel), and the Constitution as a vehicle for implementing current left-wing orthodoxy.

ellauri100.html on line 335: Having said that, I acknowledge that I sometimes adopt a biting or dismissive tone. (See, for example, the fourteen words that follow the em-dash two paragraphs above.) If you will read my blog carefully, however, you will find that my views are grounded in facts and logic. Where you disagree with or question something that I say in a particular post, search this blog and the list of favorite posts for more on the same subject. If you cannot or will not take the time to do that, don’t bother to comment unless you do it politely and give your reasons for disagreeing with me. I will reply politely, factually, and logically.

ellauri100.html on line 337: If you will bother to read very much of this blog and its predecessor, you will find that I am pro-peace, pro-prosperity, and pro-liberty — positions that leftists and certain libertarians like to claim as theirs, exclusively. Unlike most leftists and more than a few self-styled libertarians, I have seen enough of this world and its ways to know that peace, prosperity, and liberty are achieved when government carries a big stick abroad and treads softly at home (except when it comes to criminals and traitors). Most leftists and many self-styled libertarians, by contrast, engage in “magical thinking,” according to which peace, prosperity, and liberty can be had simply by invoking the words and attaching them to policies that, time and again, have led to war, slow economic growth, and loss of liberty.

ellauri100.html on line 363: 
{14:5} qui pecuniam suam non dedit ad usuram, et munera super innocentem non accepit: Qui facit hæc, non movebitur in æternum.


ellauri100.html on line 368: Why did fat Dana Scott fall out with Alfred Tarski? Why did he leave for Princeton and Alonso Church? Was it a gay fight over Richard Montague? They were not mad at one another, they had problems. 

ellauri100.html on line 379: The person who chooses people as a source of energy probably prefers extraversion, while the person who prefers solitude to recover energy may tend toward introversion.

ellauri100.html on line 387: Persons who choose the impersonal basis of choice are called the thinking types by Jung. Persons who choose the personal basis are called the feeling types…. The more extreme feeling types are a bit put off by rule-governed choice, regarding the act of being impersonal as almost inhuman. The more dedicated thinking types, on the other hand, sometimes look upon the emotion-laden decisions and choices as muddle-headed.

ellauri100.html on line 391: Persons who choose closure over open options are likely to be the judging types. Persons preferring to keep things open and fluid are probably the perceiving types. The J is apt to report a sense of urgency until he has made a pending decision, and then he can be at rest once the decision has been made. The F person, in contrast, is more apt to experience resistance to making a decision, wishing that more data could be accumulated as the basis for the decision. As a result, when a P person makes a decision, he may have a feeling of uneasiness and restlessness, while the J person, in the same situation, may have a feeling of ease and satisfaction.

ellauri100.html on line 409: 3. Extraversion: High scorers are described as “Extraverted, outgoing, active, and high-spirited. You prefer to be around people most of the time.” Low scorers are described as “Introverted, reserved, and serious. You prefer to be alone or with a few close friends.” Extraverts are, on average, happier than introverts.

ellauri100.html on line 435: Note that there is a great deal of controversy as to the exact meaning of what these reaction time associations actually mean, so please take your results with a grain of salt. While a great deal of previous research has validated the use of such procedures to detect associations of group level bias across groups, the use of IAT procedures to measure individual ethicality is still in development and all of these procedures have been validated probibalistically, at the group level, rather than being validated as being absolutely diagnostic for individuals. That being said, many (though not all) people have found validity in their implicit scores and have found there to be some real psychological process that tracks implicit associations.

ellauri100.html on line 445: The scale is a measure of the degree to which people are motivated to act morally by internal and external factors. An example of an internal motivational factor is the drive to achieve (or maintain) one’s happiness through acting morally. An example of an external motivational factor is the drive to act morally in order to improve (or maintain) relationships.

ellauri100.html on line 471: Liberals and conservatives seem to disagree in their basic understandings of the causes of human action, particularly of immoral action. Liberals are more likely to believe that social forces, poverty, childhood trauma, or mental illness can serve as valid excuses. Conservatives are more likely to reject such excuses and want to hold people accountable for their actions, including a preference for harsher punishments. At least, that is the way things play out in many disputes in the legal world. We want to see if we can look at this stereotypical difference in more detail. We want to find out WHICH kinds of free will and determinism show a correlation with politics, and with other psychological variables.

ellauri100.html on line 545: The scale measures the factual knowledge people possess about politics. We used questions about three broad topics: 1) civics and what the government is and does (e.g. who has the final responsibility to decide if a law is constitutional or not?); 2) public officials or leaders (e.g. who is the current Speaker of the House?); and 3) political parties (e.g. which party is more conservative on a national scale?).

ellauri100.html on line 571: My pen name, Loquitur Veritatem, means truth-teller. My other pen name is Amat Propriam Mentulam. It means loves his own prick.

ellauri100.html on line 622: Because my love is come to me.		     mun rakas tullut on mun luoxeni.

ellauri100.html on line 626: Carve it in doves and pomegranates,	     Siihen kyyhkyjä ja granaatteja	

ellauri100.html on line 631: Is come, my love is come to me.		     Mun rakas tullut on mun luoxeni.

ellauri100.html on line 686: In later life, Kristina suffered from Graves disease, diagnosed in 1872, suffering a near-fatal attack in the early 1870s. In 1893, she developed breast cancer and though the breast was removed, there was a recurrence in September 1894. Graves killed her on 29 December 1894, and Highgate became her Grave.

ellauri100.html on line 744: Lizzie cover’d up her eyes,

ellauri100.html on line 745: Cover’d close lest they should look;

ellauri100.html on line 771: She heard a voice like voice of doves

ellauri100.html on line 773: They sounded kind and full of loves

ellauri100.html on line 819: Above the rusty heather.”

ellauri100.html on line 1186: Eat me, drink me, love me;

ellauri100.html on line 1227: And overbore its lesser flame;

ellauri100.html on line 1338: Roland Gérard Barthes (/bɑːrt/; French: [ʁɔlɑ̃ baʁt]; 12 November 1915 – 26 March 1980) oli Algirdasta 2v vanhempi ranskalainen kirjallisuusteoreetikko, esseisti, filosofi, kriitikko ja mikä pahinta, semiootikko. Semiotiikka on tollasta oppimattomien taidepellejen semantiikkaa, jossa ei enimmäxeen ole päätä sen enempää kuin häntää. Oireellista on, että Kouvolan ruozin kääntämisen määräaikainen proffa Pirjo Kukkonen on semiootikko. Ja se höhelö Eero Tarasti joka kulki Norssin pihalla kädet ristissä selän takana vielä hömelömmän oloisen baskeripäisen Hannu Riikosen parina. Ei siltä, mukavia miehiä ne oli molemmat, vaikk´eivät kummempia ruudinkexijöitä. Milloinkahan nekin saa postimerkit mieheen?

ellauri100.html on line 1379:   Barthes luuli että kirjallisuuden diskurssin voisi formalisoida. Höpöhöpöä. Todennäköisempää on että jollain tekoälytekniikalla voi kirjoitella koukuttavia romaaneja. Sitäpaizi Derrida kumppaneineen oli jo raapimassa Barthesin jäykkärakenteista ovea dekonstruktionismin teräsharjalla.

ellauri100.html on line 1386: No jos kerta kirjailija ei tiedä mitä sen kirja ajaa takaa, pitää löytää niitä merkityxiä jostain muualta. Barthes päätyy siihen että lukijan pitää ne ize sinne kexasta. Yritelmässä S/Z (1970), Barthes soveltaa tätä ajatusta Pallosäkin novellettiin Sarrasine. Se arpoi textistä jotain pätkiä ja tuli loppuviimeisexi siihen että Pallosäkin kirja oli "polyvalentti", siis sen voi lukea ainaskin viidellä eri tavalla, ja varmaan useammallakin, jos jaxaa eziä. Johtopäätös: paras romsku on sellainen jonka voi ymmärtää sen 7 tavalla, eli on aivan helkutinmoisen epämääräinen ja sekava, vähän niinkuin Lassin ja Leevin piirrostehtävä jossa pisteet saa yhdistää ihan missä järjestyxessä mieli tekee. Hyvä romsku on tollanen lukijan "yhdistä pisteet niin saat ankan tai jänixen" tyyppinen askartelutehtävä, huono on sellainen jossa kirjailija tekee kaiken työn.

ellauri100.html on line 1388: This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2018) (Learn how and when to remove this template message)

ellauri100.html on line 1403: 1964, Barthes kirjoitti yritelmän "Le dernier des écrivains heureux" (Essais critiques), jossa puheena on Voltaire. Rollo koitti väittää että Voltairella ei ollut samoja ongelmia relativismin kaa kuin sillä. Candiden kääntäjä huomautti että harvoin on kukaan kirjailija ymmärtänyt toista niin väärin kuin Barthes Voltairea. Se varmaan sovelsi Voltaireen samaa menetelmää kuin Pallosäkkiin S/Z:ssä: poimi randomisti pätkiä ja piirsi väliin viivoja. 

ellauri101.html on line 37: Treasure, love, reward, approval, honor, status, freedom, survival … these are some of the many things we associate with the hero’s journey.

ellauri101.html on line 39: Battling inner and outer demons, confronting bullies, and courting your ultimate mate symbolize a passage through the often-treacherous tunnel of self-discovery and individuation to mature adulthood.

ellauri101.html on line 42: Joseph John Campbell (March 26, 1904 – October 30, 1987) was an American professor of literature at Sarah Lawrence College who worked in comparative mythology and comparative religion. His work covers many aspects of the human experience. Campbell's best-known work is his book The Hero with a Thousand Faces (1949), in which he discusses his theory of the journey of the archetypal hero shared by world mythologies, termed the monomyth.

ellauri101.html on line 46: Joseph Campbell was born in White Plains, New York, on March 26, 1904, the elder son of hosiery importer and wholesaler Charles William Campbell, from Waltham, Massachusetts, and Josephine (née Lynch), from New York. Campbell was raised in an upper-middle-class Irish Catholic family; he related that his paternal grandfather Charles had been "a peasant" who came to Boston from County Mayo in Ireland, and became the gardener and caretaker at the Lyman estate at Waltham, where his son Charles William Campbell grew up and became a successful salesman at a department store prior to establishing his hosiery business. During his childhood, he moved with his family to nearby New Rochelle, New York. In 1919, a fire destroyed the family home in New Rochelle, killing his maternal grandmother and injuring his father, who tried to save her.

ellauri101.html on line 50: In 1924, Campbell traveled to Europe with his family. On the ship during his return trip he encountered the messiah elect of the Theosophical Society, Jiddu Krishnamurti; they discussed Indian philosophy, sparking in Campbell an interest in Hindu and Indian thought. In 1927, he received a fellowship from Columbia University to study in Europe. Campbell studied Old French, Provençal, and Sanskrit at the University of Paris and the University of Munich. He learned to read and speak French and German.

ellauri101.html on line 52: On his return to Columbia University in 1929, Campbell expressed a desire to pursue the study of Sanskrit and modern art in addition to medieval literature. Lacking faculty approval, Campbell withdrew from graduate studies. Later in life he jested that it is a sign of incompetence to have a PhD in the liberal arts, the discipline covering his work.

ellauri101.html on line 67: The main character in the monomyth is the hero. The hero isn’t a person, but an archetype—a set of universal images combined with specific patterns of behavior. Think of a protagonist from your favorite film. He or she represents the hero. The storyline of the film enacted the hero’s journey. The Hero archetype resides in the psyche of every individual, which is one of the primary reasons we love hearing and watching stories.

ellauri101.html on line 69: Campbell began identifying the patterns of this monomyth. Over and over again, he was amazed to find this structure in the cultures he studied. He saw the same sequence in many religions including the stories of Gautama Buddha, Moses, and Jesus Christ.

ellauri101.html on line 82: Joku John Hollanti jakaa apinat 6 tyyppiin: realistit tutkivat taiteelliset seuralliset  yritteliäät sovinnaiset. Nää nimityxet on kyllä aika luppoovan ällöjä. Mut ize testi on typerä ammatinvalintatesti, haluisitko tehdä sitä vaiko tätä duunia. Tää on kyllä erittäinkin tylsä, jopa niin ikävystyttävä ettei se edes ole kaupallinen. The theory was developed by John L. Holland over the course of his career, starting in the 1950s. Tässä mä olin yllätyxettömästi tyyppiä Investigative. 

ellauri101.html on line 155:     Joseph Campbell, arguably the greatest mythologist of the twentieth century, was certainly one of our greatest storytellers. This masterfully crafted book interweaves conversations between Campbell and some of the people he inspired, including poet Robert Bly, anthropologist Angeles Arrien, filmmaker David Kennard, Doors drummer John Densmore, psychiatric pioneer Stanislov Grof, Nobel laureate Roger Guillemen, and others. Campbell reflects on subjects ranging from the origins and functions of myth, the role of the artist, and the need for ritual to the ordeals of love and romance. With poetry and humor, Campbell recounts his own quest and conveys the excitement of his lifelong exploration of our mythic traditions, what he called “the one great story of mankind.” Hemmetti nää sen sankarit on lähes yhtä tuntemattomia kuin se ize. 

ellauri101.html on line 157: Inner Heroes is my contemporary presentation of the four temperaments and it is designed to help people look inward and discover their true greatness, their inner hero. As each hero takes their own unique journey they become the hero of their own life.

ellauri101.html on line 158: The readers of Follow Your Inner Heroes To The Work You Love relate to heroes because most of them had heroes growing up. Now it is time for them to realize that they, too, have special qualities within themselves to achieve their heart's desire and be a success.

ellauri101.html on line 243: Tätä aktanttimallia soveltaa joku ämmyrkäinen Pentti Leinon juhlakirjassa tai lähtiäisniteessä Jjari!n sisäiseen sankariin. Kirjoittajaa selvästi vituttaa että Jjarri! on netonnut tällä paskalla huisisti enemmän kuin kirjoittaja (varmaan akateemiseen prekariaattiin kuuluva pätkätyöläinen)  koskaan voi odottaa saavansa rojalteja Pentti Leinon juhlakirjaan kovalla vaivalla väsäämästään yritelmästä.

ellauri101.html on line 287: I'm ready for love. 

ellauri101.html on line 392: Kauniaisten kylähullu, Sensuuri hoi: Ior Bock pukkeili Sex Pistolseja näyttävämmin, City-lehti oli kaupunkikulttuurin airut, Tuomas Enbuske, Sairasvyö, Sasse ja Mölsä rakennusbisnekseen, Sairasvyöllä huimat pörssirikkaudet, Sairasvyö antoi itselleen potkut Pörssitiedote, Varsinaisen yhtiökokouksen päätökset, Trainers´ House, Suomen Thinkers 20 – listaus maamme 20 suurimmasta bisnesajattelijasta, Nordic Business Forum, Serus Media, Lehden verkko- ja tablettiversiot, Tuli nelonen, Sairasvyö floppasi – loppu tuli juuri nyt, Uusi Suomi, Jari Sairasvyö, Yle Areena, Jari Sairasvyö suureen leikkaukseen – leuka halkaistaan huomenna kahtia: nyt sattuu Juhaa leukaan, Viimeinen kiinteä ateria nautittu, Ilta-Sanomat, Vanha-Majamaa, Anton: Jari Sairasvyöstä kertova valmentaja on kuin neukkaripöytään tilattu metripizza, jonka hotkimisesta tulee huono olo, Helsingin Sanomat (Tilaajille) aamulenkki Lauerma, Hannu: Huijaus -Rohkaisua, johdattelua, psykoterroria, Duodecim, Raeste, Jukka-Pekka: Niskalenkki: Sairasvyön väitteet ”hömppää”. Helsingin Sanomat, Artikkelin verkkoversio, Sairasvyö lopetti verokapinan ja pyysi anteeksi käytöstään. Jari Sairasvyö toivoo lamaa, Sairasvyön firmassa alkavat yt-neuvottelut Taloussanomat. Jari Sairasvyö: Suomalaiset yrittäjät ovat entistä laiskempia ja epärehellisempiä, Yle Uutiset. Jari Sairasvyö sivalsi hallitusta ja Soinia: ”sain pessimistin orgasmin”, Sairasvyö, Jari. Helsingin Sanomat, Talous&Työ, Saikuttelu syö oikeuksiasi, siis imee pillillä, Valtio ottaa varakkailta, Jari Sairasvyö kiittelee rikkaammille suomalaisille suunnattua solidaarisuusveroa oikeaksi signaaliksi. Vuokraturvan Mezola: Sairasvyö on ylipappi, mä olen sen kanttori, erittäin hyvä laulaja, Kauppalehti, Jari Sairasvyö: Maltillista tuottoa hakeva pehmeäsydäminen asuntosijoittaja Sijoitusovi, Sairasvyö ja Kuitunen asuvat yhdessä Iltalehti, Tahdon! Iltalehti, Virpi ja Jari Sairasvyö saivat tytön Iltalehti, Tainola, Rita: Tämä tuli Jari ja Virpi Sairasvyön ex-lapsen nimeksi: Ilta-Sanomat. 


ellauri101.html on line 446: Nike is best known  for its use of child labor and sweatshops. Factories contracted by Nike violate minimum wage and overtime laws.  2011 Nike complained that two-thirds of its factories producing Converse products still do not meet the company's standards for worker mistreatment, poor working conditions and exploitation of cheap overseas labor. Knight's son, Matthew, died in a scuba diving accident in El Salvador in 2004. Serve him right. 

ellauri101.html on line 477: Tääl on veija jol on twenty bodies se imi mun dikkii ku mä olin ladis se fell in love with me koska mä en oo Stadist tän ämmän kaikki frendit on vaa thottiees mul on glocki mun taskus, näist negeist ei oo vastust mä nään op nege, mä runuppaan sen taskut tykkään olla pilves, enkä laskuis mul on 5k mun Balmainin farkuis

ellauri101.html on line 479: Big 026 niggad know me man, big governor (big governor, gang shit)

ellauri101.html on line 497: Hoe: A person (male or female) who uses their looks and charms to manipulate their partner to gain material(sex, money, clot). A hoe does not love their partner and the minute someone with better looks, money or clot comes along they abandon their previous partner and the cycle continues.  

ellauri101.html on line 556:   The Lost Generation was the social generational cohort that came of age during World War I. "Lost" in this context refers to the "disoriented, wandering, directionless" spirit of many of the war's survivors in the early postwar period. The term is also particularly used to refer to a group of American expatriate writers living in Paris during the 1920s. Gertrude Stein is credited with coining the term, and it was subsequently popularized by Ernest Hemingway who used it in the epigraph for his 1926 novel The Sun Also Rises: "You are all a lost generation".

ellauri101.html on line 594: Y-sukupolvelle sanotaan olevan ominaista vapaamielisyys ja kasvaminen uuden viestintätekniikan mukana. Sukupolvi kyseenalaistaa edellisen sukupolven (X-sukupolvi) elämänarvot ja on myötäkasvanut tietokoneiden kehityksen kanssa. Siinä missä X-sukupolvi ihasteli korvalappustereoiden läpimurtoa, Y on kiinnostunut matkapuhelimien, tietokoneiden ja elektroniikan mahdollisuuksista. Y-sukupolven edustajat toteuttavatkin suuren osan viestinnästään kansainvälisessä tietoverkossa. Pikaviestimet ovat kehittyneet kyseisen sukupolven tarpeisiin ja niitä sovelletaan aktiivisesti. lähde?

ellauri101.html on line 606: Z-sukupolveksi kutsutaan joko 1990-luvun puolivälin jälkeen tai 2000-vuosikymmenen alussa syntynyttä sukupolvea. Sukupolven arvioidaan eroavan merkittävästi aikaisemmista ikäluokista (X ja Y) etenkin suhtautumisessa elektroniikkaan. Z-sukupolveen kuuluvat ovat syntyneet maailmaan, jossa elektroniikka on kaikkialla ja he käyttävät sitä rutiininomaisesti. Z-sukupolvi on kansainvälisen tietoverkon kautta yhteyksissä ihmisiin ympäri maailmaa nuorempina kuin aikaisemmat sukupolvet.lähde?

ellauri101.html on line 613: As the first social generation to have grown up with access to the Internet and portable digital technology from a young age, members of Generation Z have been dubbed "digital natives", even though they are not necessarily digitally literate. Moreover, the negative effects of screen time are most pronounced on adolescents compared to younger children. Compared to previous generations, members of Generation Z in some developed nations tend to be well-behaved, abstemious, and risk-averse. They tend to live more slowly than their predecessors when they were their age, have lower rates of teenage pregnancies, and consume alcohol less often, but not necessarily addictive drugs. Teenagers nowadays seem more concerned with academic performance and job prospects, and are better at delaying gratification than their counterparts from the 1960s, despite concerns to the contrary. On the other hand, sexting among adolescents has grown in prevalence though the consequences of this remain poorly understood. Meanwhile, youth subcultures have been quieter, though not necessarily dead.

ellauri101.html on line 630: 2018 was the first time when the number of people above 65 years of age (705 million) exceeded those between the ages of zero and four (680 million). If current trends continue, the ratio between these two age groups will top two by 2050.

ellauri101.html on line 643: As a result of cultural ideals, government policy, and modern medicine, there have been severe gender imbalances in China and India. According to the United Nations, in 2018, China and India had a combined 50 million of excess males under the age of 20. Such a discrepancy fuels loneliness epidemics, human trafficking (from elsewhere in Asia, such as Cambodia and Vietnam), and prostitution.

ellauri101.html on line 645: That U.S. fertility rates continue to drop is anomalous to demographers because fertility rates typically track the nation´s economic health. It was no surprise that U.S. fertility rates dropped during the Great Recession of 2007–8. But the U.S. economy has shown strong signs of recovery for some time, and birthrates continue to fall. In general, however, American women still tend to have children earlier than their counterparts from other developed countries and the U.S. total fertility rate remains comparatively high for a rich country. In fact, compared with their counterparts from other countries in the Organization for Economic Cooperation and Development (OECD), first-time American mothers were among the youngest on average, on par with Latvian women (26.5 years) during the 2010s. At the other extreme end were women from Italy (30.8), and South Korea (31.4). During the same period, American women ended their childbearing years with more children on average (2.2) than most other developed countries, with the notable exception of Icelandic women (2.3). At the other end were women from Germany, Italy, Spain, and Japan (all 1.5).

ellauri101.html on line 649: Brazil´s fertility rate has fallen from 6.3 in 1960 to 1.7 in 2020. For this reason, the nation´s population is projected to decline by the end of the twenty-first century. According to a 2012 study, soap operas featuring small families have contributed to the growing acceptance of having just a few children in a predominantly Catholic country. However, Brazil continues to have relatively high rates of adolescent pregnancies, and the government is working to address this problem.

ellauri102.html on line 36:       Neandertaalit ei olleet mustia cromagnoneita maahantunkeutujia kummempia. Ne oli vaaleampi maatiaisempi ja vähälukuisempi koirarotu joka sulautui vastustamattomasti matulaumoihin. Niin käynee tänkin kansainvaelluxen aikana, turhaan koittaa Odinin sotamiehet pyristellä vastaan. Tulijat yrittää nöyremmin ja panee kovemmin. Panee kovan vasten puoliveteistä.

ellauri102.html on line 52: Daniel Yankelovich, Public Opinion Expert and UC San Diego Supporter, Has Died. Dubbed the “dean of American pollsters,” Yankelovich was perhaps best known for starting The New York Times/Yankelovich poll—now known as The New York Times/CBS News poll—and for co-founding the not-for-profit Public Agenda more than 40 years ago. He left a multimillion dollar bequest to endow the Yankelovich Center for Social Science Research.  The Yankelovich Center is devoted to using social science to find practical solutions to the nation's most pressing problems. The most pressing problem now as ever is to increase young upward mobility. Yankelovizh was unwavering in his commitment to the American Dream which he saw as a promise to each generation of Americans that they too can improve their circumstances, their lives and gain economic security.

ellauri102.html on line 54:     Daniel Yankelovich (December 29, 1924 – September 22, 2017) was a public opinion analyst and social scientist. After attending Boston Latin School, Yankelovich graduated from Harvard University in 1946 and 1950 before completing postgraduate studies at the Sorbonne in France. As a psychology professor he has taught at New York University and The New School for Social Research. In 1996 he served as Senior Fellow at the John F. Kennedy School of Government at Harvard. In 2015, Yankelovich received the Warren J. Mitofsky Award for Excellence in Public Opinion Research.

ellauri102.html on line 88: With the one you love you're makin' romance

ellauri102.html on line 96: With the one you love you're makin' romance

ellauri102.html on line 157:   Klusterilaajenemisen taktiikka on peräisin yhteiskuntahyönteisiltä. Sitä sovelsi myös valkoinen Amerikka villissä lännessä. Antaa yxityisten liikkeiden kuningattarien ja uudisasukkaiden kärsiä, yhdessä ne kuitenkin savustavat preerialta indieyrittäjät mustat muurahaiset ja inkkarit, tukehduttavat ne oman tiimin ruumisröykkiöihin. Sekin on skaalaekonomiaa, paljousalea.

ellauri102.html on line 258:     Joo selkeesti nää brändit on siis meemejä, ja meemit on ikuisia sieluja.  Koneet kuluu loppuun, autot hajoo, apinat kuolevat, mutta brändi jatkaa menoa. Tehdasruumiista voi vapautua ja kurittaa sitä kolmannessa maassa. Työläiset jatkaa lentoa ulos ovesta, muttei jatka sukua.

ellauri102.html on line 384: Eikä siinä kaikki! Työttömyysaste voi olla vaikka kuinka korkea, mutta porukoilla silti köyhyys ovella, ja tän paradoxin selitys on just toi brändäyxen nimellä kulkeva työvoiman halpamyynti: olkaa joka hetki valmiina paskahommiin, joista saatte ainoastaan ropoja. Alhainen työllisyysaste ei ole todiste työn puutteesta, vaan siitä että "työvoiman kysyntä ja tarjonta eivät kohtaa", eli jengi ei enää suostu tulemaan aivan paskahommiin mitä niille enää tarjotaan, kun ei niillä palkoilla edes elä. Kokkareiden vastaisku on ajaa alas tukia, eiköhän sitten routa porsaan aja kaukalolle vaikka siellä oisi pelkkiä ruumenia jäljellä.  

ellauri102.html on line 425:     She has attributed her change in worldview to two catalysts. One was when she was 17 and preparing for the University of Toronto, her mother had a stroke and became severely disabled. Naomi, her father, and her brother took care of Bonnie through the period in hospital and at home, making educational sacrifices to do so. That year off prevented her "from being such a brat". The next year, after beginning her studies at the University of Toronto, the second catalyst occurred: the 1989 École Polytechnique massacre of female engineering students, which proved to be a wake-up call to feminism.

ellauri102.html on line 455: 

ellauri102.html on line 458: 
Controversial ads 2018

ellauri102.html on line 465: Despite the backlash from the public the ad received a lot of publicity and press coverage. Protein World went on to make a reported £1 million profit from the £250,000 they spent on the advertising campaign. Although it caused a lot of controversy around the world, it somehow still managed to boost the company’s sales.

ellauri102.html on line 471: The Problem: Controversy for this ad campaign arose in many different ways. The first was the use of world leaders without their consent. In fact, one of the ads features Pope Benedict XVI kissing a top Egyptian imam which was quickly removed after being condemned by the Vatican.

ellauri102.html on line 479: The Problem: During the time the advert was released, there were many protests and riots taking place in America over the #BlackLivesMatter campaign. The ad took a lot of “inspiration” from these protests and fundamentally undermined the whole point of the protests. In addition to this, the ad also received a lot of criticism for how Pepsi was responsible for “saving the day.”

ellauri102.html on line 481: Within 24 hours of releasing the ad, Pepsi faced a lot of criticism from online users over the ad and had to release an official statement while also pulling the ad.

ellauri102.html on line 487: The Problem: As you can probably see from the advert above, the choice of words for this campaign was very poorly chosen. To make things worse, they specifically aimed the campaign at people in the Middle East which caused many people to call the advert racist.

ellauri102.html on line 492: 
Dove – Lotion Ad

ellauri102.html on line 495: The Problem: The controversy caused by the advert is as clear as day. Not only is the advert racist, but it’s also insulting to viewers.

ellauri102.html on line 507: The Problem: After Kaepernick refused to stand for the national anthem, many viewers became angry at him and viewed him as anti-American. The fact that Nike was using him in their ads made many people believe Nike was also anti-American. This sparked a lot of controversies online with many social media users posting pictures of themselves destroying Nike products, along with the hashtag #JustBurnIt.

ellauri102.html on line 509:   However, despite the online backlash over the campaign and casting of Kaepernick, Nike reportedly made over $6 billion in sales and saw online sales grow by 31%.

ellauri102.html on line 557: 21-vuotias Carly Stasko on yhden naisen vaihtoehtoisia kuvia tuottava lenkkitossutehdas - hänen taskunsa ja selkämyksensä ovat tupaten taynna antitarroja, kopioita hänen uusimmasta vaihtoehtolehdestä ja käsin kirjoitettuja lentolehtisiä kaupunkien joutomaiden kayttöönoton (vihersissitoiminnan) hyveistä. Stasko ajaa asiaansa hyvin aktivisesti. Kun hän ei opiskele semiotiikkaa Toronton yliopistossa, kylvä auringonkukan siemeniä hylätyille tonteille tai tee omaa mediaansa, hän pitää kursseja paikallisissa vaihtoehtokouluissa ja opettaa 14-vuotiaita tekemään antimainontaa. Stasko kiinnostui markkinoinnista huomatessaan, miten paljon nykyiset, lähinnä median ja mainonnan välittämät naiskauneuden määritelmät voimaannuttivat hänen ja hänen ikätovereidensa epävarmuuden ja riittämättömyyden tunteita. Mun ikäluokkani

ellauri102.html on line 566: In her spare time she leads laughter yoga classes and occasionally acts as a “superhero-make-over consultant”.  

ellauri102.html on line 570: 'Life's too short to be ashamed for being weird,' says Lake Pantyless Pissing's Carly Stasko. After Stasko lost her job, she and her family moved from Toronto to their northern cottage at the start of the pandemic.

ellauri102.html on line 577: Stasko said she´s always loved dance to lift her spirits.

ellauri102.html on line 579: "Is it really that bad being embarrassed compared to being in everybody's phone? Thankfully, I was cured then and since I've had my kids and a good life. But when the pandemic started, it was almost like revisiting some of that because I had to kind of go back into being isolated because of my immune system. And if you ever feel really stuck, just put on some music. It has such a powerful effect. And you don't have to be a dancer. You don't have to have moves. Just move how you feel  — don't worry about it looking weird. You know, life's too short to be ashamed for being weird."

ellauri102.html on line 677: For 45 years, Ms. magazine has been uncovering and exposing the forces opposed to women’s equality. Like unequal distribution of wealth. The magazine has been celebrating women’s progress here and around the world, and spreading feminist ideas and activism. 

ellauri105.html on line 94: Biden’s Speech Offers a Vision for Democrats to Love, After Four Years of Trumpian Fantasy.

ellauri105.html on line 96:   Vanha Joe-setä puhui naisten mielixi Reaganmaisen ystävällisesti big government linjapuheen joka sai senaatin ja puolet kongressia kääkkäämään. Kaikki ehdotuxet hyviä, mutta kukas ne muka rahoittaa? Ei ainakaan me kermaperseet! No way Jose! Ei tipu ääniä! 

ellauri105.html on line 100: In many ways, there was a notable convergence in how Democrats and Republicans saw Biden’s speech: as a breathtakingly ambitious set of proposals to use government as an instrument of social and economic transformation—an unabashed progressive platform unseen from a President in my lifetime. Republicans hated it; Democrats, for the most part, loved it.

ellauri105.html on line 109: My brother-in-law (her brother), Billy, is the antithesis of my wife. He became like a hardened Trump supporter a few years back and then he dove in Q-Anon. In the last 6 months, we discovered that

ellauri105.html on line 120:     Externalize blame. If they are late to work they will say “traffic was bad” or “construction stopped me” instead of “I overslept”. These people find it a lot easier to blame everyone else for their failures.

ellauri105.html on line 122:     Lack any and all background in the sciences. Anyone with even a surface level education can prove the earth is round- it's not hard.

ellauri105.html on line 128:     Have failed in many areas of their life. They are generally the worst among us, those without accomplishment or merit. Being one of the “enlightened” allows them to lord over everyone.

ellauri105.html on line 265: In the divergent Theology of the Cathars, the heterodox Christian movement thriving in the 12th to 14th Centuries, Oholah and Oholibah inspired the belief that the Cathar Invisible Father had two spiritual wives, Collam and Hoolibam. Scholly ja Hooligan. 

ellauri105.html on line 488:     Mulla on Mefodin kääntämiä Tshehovin novelleja.

ellauri106.html on line 35: Some consider his best novel, My Life as a Man. He was awarded the 2010 National Humanities Medal by President Barack Obama at the White House in 2011. He died of congestive heart failure on May 22, 2018, at age 85. True — he never won the Nobel Prize for literature. D´oh. 

ellauri106.html on line 54: So what did sex mean to Roth? Bailey’s book is so caught up in its obsessive cataloguing of paramours that the forest gets lost in an endless succession of trees. The place where Roth found insight into his own character was on the double bag. Over and over, in the novels, he transformed pro life. Bailey’s prurient, exhaustively literal version of that life reverses the effect, and the result is sadly diminishing. What he never grasps is Roth the artist, with his powers of imagination, of expression, of language—what made him worthy of biography at all.

ellauri106.html on line 56: Was Roth a misogynist? I have always found that label too neat and summarily dismissive for a novelist as capacious, inventive, and playful as Roth. But maybe I avoid it because it hurts me too to use it. Im no feminist myself.

ellauri106.html on line 69: From 1958 onwards, the couple lived in New York on the Lower East Side of Manhattan, and in 1959 they spent seven months in Italy on a Guggenheim grant. Upon their return, they both settled in Iowa City, where Roth led the Writers' Workshop at the University of Iowa. The experiences in small-town Iowa far away from the American metropolises flowed into Roth's second novel Letting Go (Other People's Worries), which was published in 1962, but in contrast to Roth's previously published volume of short stories Goodbye, Columbus caused mixed reactions from critics. Stanley Edgar Hyman, for example, criticized weaknesses in the narrative structure of the novel, the two narrative parts of which are only superficially connected, but praised what he saw as "the keenest eye for the details of American life since Sinclair Lewis". Letting Go is also the first novel in which Roth, as in numerous later works, made the writings of his literary predecessors an integral part of the narrative, and is therefore often referred to as Roth's first "Henry James novel".

ellauri106.html on line 73: Roth's skandalumwitterter bestselling novel Portnoy's Complaint (Portnoy's Complaint) was promoted in 1969 to a bang that made the writer widely publicized and also the discussion of literary pornography in American literary criticism.

ellauri106.html on line 76: In 1987, in the loneliness of Connecticut, Roth experienced a breakdown caused by a sleeping pill with hallucinatory side effects. He made the experience, as well as the trial of the concentration camp guard John Demjanjuk in Jerusalem, whom he had followed as an observer, the starting point of the 1993 novel Operation Shylock, the encounter between a fictional Philip Roth and his doppelganger. The writer also felt increasingly isolated in London and returned to New York, where he moved into an apartment on the Upper West Side. He took over from 1988 to 1991 a professor of literature at Hunter College of the City University of New York. In 1990 he married his longtime partner Claire Bloom, but the marriage was divorced in 1994 after Roth's growing estrangement and severe depression, including a stay in a psychiatric clinic. Bloom dealt with the problematic relationship two years later in her memoir Leaving a Doll's House .

ellauri106.html on line 78: In the American trilogy, the resurrected alter ego Zuckerman discovers the true identities of the protagonists of a sports idol in American Pastoral ( American Idyll, 1997), a radio star in I Married a Communist ( My Man, the Communist, 1998) and a professor emeritus in The Human Stain ( The Human Blemish, 2000) against the backdrop of changing American eras. American Pastoral was awarded the Pulitzer Prize in 1998 and is considered "a remarkable example of a literary interpretation of the descent of the initially so confident [American] post-war white society into the depths of uncertainty" as a result of the Vietnam War .

ellauri106.html on line 80: In the early 2000s, Roth met the young assistant editor Lisa Halliday at his literary agency Andrew Wylie. A love affair developed from having lunch together, which culminated in a lifelong deep friendship. Halliday processed the love and friendship for Roth in the highly acclaimed autobiographical inspired novel Asymmetrie, which she completed in 2016. Roth, who read the manuscript, liked it.

ellauri106.html on line 97: In 2000 Saul Bellow proposed Philip Roth to the Swedish Academy for the Nobel Prize for Literature. The accusation that the academy deliberately overlooks Roth's achievements in selecting the Nobel Prize winner each year has been one of the truisms of international feuilletons since the 2000s. According to some critics, the accusation turned out to be justified in 2008, when the chairman of the jury responsible for the Nobel Prize for Literature made public general reservations about North American literature and denied it deserving of an award. Ulrich Greiner summed up Roth's rejection by the Nobel Prize Committee as follows: “The Swedes, however, love authors who help to improve the world. Philip Roth only adds something to their knowledge about what needs work."

ellauri106.html on line 106: 	That same year, rather than wait to be drafted, Roth enlisted in the army. Roth enlisted in the Army that year to avoid being drafted and assigned to unpleasant duty like the infantry. Fortunately he suffered a back injury during basic training and was given a medical discharge. Who knows. He returned to Chicago in 1956 to study for a PhD in literature but dropped out after one term. It was a yeasty environment for a young writer.  Saul Bellow was a contemporary and with some what similar backgrounds and interests they could not avoid being rivals. During that year he met a lovely shiksa waitress Margaret Martinson, a single woman with a small child.  He was smitten.  An intense, but often troubled relationship ensued.  At the end of the year he dropped out of the U of C and headed to the University of Iowa to teach in its creative writing program. None the less, whatever he may have said, Roth was not happy there, perhaps because the semi-rural Midwesterness of Ames was alien to him.  After a while with Martinson in tow he moved on to a similar position at Princeton, another WASP bastion but one with even more prestige.  Everyone who knew him recognized Roth as an early comer. He later continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991. Roth started teaching literature in the late 1960s at the University of Pennsylvania. The 1969 feature film adaptation of Goodbye, Columbus coincided with the publication of Portnoy’s Complaint, which soon became a best-seller amid controversy for its prurient content. (Those who've read it will likely not forget Portnoy's "love affair" with mom´s slab of liver in the fridge.)

ellauri106.html on line 124: 	He graduated from Newark´s Weequahic High School in or around 1950. In 1969 Arnold H. Lubasch wrote in The New York Times, "It has provided the focus for the fiction of Philip Roth, the novelist who evokes his era at Weequahic High School in the highly acclaimed Portnoy´s Complaint. Besides identifying Weequahic High School by name, the novel specifies such sites as the Empire Burlesque, the Weequahic Diner, the Newark Museum and Irvington Park, all local landmarks that helped shape the youth of the real Roth and the fictional Portnoy, both graduates of Weequahic class of ´50." The 1950 Weequahic Yearbook calls Roth a "boy of real intelligence, combined with wit and common sense." He was known as a clown during high school.

ellauri106.html on line 128: In a private note about Bloom’s book, Roth asserted, “Another writer my age awaiting a biography and awaiting death (which is worse?) might not care. I do.” Roth put enormous efforts into finding a biographer who could contest Bloom’s account. His first choice was the academic Ross Miller, but the novelist had a falling out with his biographer as the would-be James Boswell resisted the imperious dictates of the modern Dr. Johnson. Roth ended up describing his relationship with Miller as “my third bad marriage.” After unsuccessfully trying to rope in friends such as Hermione Lee and Judith Thurman to tell his life story, Roth settled on Blake Bailey, the author of highly regarded biographies of troubled male American writers, notably Richard Yates and John Cheever.

ellauri106.html on line 156: Eli Rosenthal, his former roommate at the time, said the two met in a fashion illustrating class. "I looked over at him and I said, 'Wow, this guy can really draw and I want to be like him,'" he said. "He always walked around with a sketch pad. He said it was great for picking up girls."

ellauri106.html on line 160: He is most remembered for his generous spirit, quick wit and love of 1930s and 1940s culture -- including Cole Porter and Frank Sinatra, to which his mother and he danced in the kitchen, as well as Li´l Abner cartoons and an era catchphrase: "Watch it, Toots."

ellauri106.html on line 175:   Word has come that Philip Roth died on Tuesday in New York City at the age of 85.  He was widely considered the last of the Great American Novelists of the late 20th Century the peer of heavy hitters John Updike and Saul Bellow.  Roth himself believed that the novel, which had ruled for a century as the supreme and exalted American literary form, is doomed to becoming a cult niche in the Age of the Internet for a diminishing educated elite, “I think always people will be reading them but it will be a small group of people. Maybe more people than now read Latin poetry, but somewhere in that range…” Ever a realist, Roth was sanguine with the prospect.

ellauri106.html on line 177:     Roth was far more prolific than either of the novelists he was frequently lumped with—29 full length novels and a dazzling debut novella over nearly 50 years.  His output was also more diverse in style and topic than either of the other while reaping critical praise, armloads of awards, and commercial success.  Yet at the core of his varied output were common threads—a Jewish identity with which he was not always comfortable but could not deny, a sense of being profoundly American— “if I am not American what am I”—a, a sex drive that was often creepily compulsive, and the world observed by fictional doppelgangers for the author, or sometimes the author himself as a fictional character.

ellauri106.html on line 179: Today the lengthy obituaries are all laudatory.  Tomorrow or the next day I can safely predict that the backlash will begin with harshly critical essays.  Leading the way will be Feminists critics who will denounce the whole cabal of elite white men as the custodians of the literary cannon.  More pointedly they will charge Roth with toxic masculinity and misogyny and will come loaded for bear with plenty of quotes from his work.  They will also have the example and testimony of his two ex-wives, both of whom showed up thinly disguised in his novels—a Margaret Martinson in When She Was Good and actress Clare Bloom in I Married a Communist.  Bloom penned her own bitter exposé of their 14-year-long relationship and four year marriage in he memoir Leaving the Doll’s House.

ellauri106.html on line 193: “In 1949, when I was sixteen, I stumbled on Thomas Wolfe, who died at thirty-eight in 1938, and who made numerous adolescents aside from me devotees of literature for life.  In Wolfe, everything was heroically outsized, whether it was the voracious appetite for experience of Eugene Gant, the hero of his first two novels, or of George Webber, the hero of his last two. The hero's loneliness, his egocentrism, his sprawling consciousness gave rise to a tone of elegiac lyricism that was endlessly sustained by the raw yearning for an epic existence—for an epic  American existence. And, in those postwar years, what imaginative young reader didn't yearn for that?” -- Philip Roth

ellauri106.html on line 195: Thomas Wolfe (1900–1938) was born in Asheville, North Carolina, and educated at the University of North Carolina and Harvard University. He taught English at New York University and traveled extensively in Europe and America. Wolfe created his legacy as a classic American novelist with Look Homeward, Angel; Of Time and the River; A Stone, a Leaf, a Door; and From Death to Morning. Wolfe's influence extends to the writings of Beat Generation writer Jack Kerouac, and of authors Ray Bradbury and Philip Roth, among others. He remains an important writer in modern American literature, as one of the first masters of autobiographical fiction, and is considered North Carolina's most famous writer. Ei mitään pientä. 

ellauri106.html on line 209:   Phillu tykkäsi sotapoliisikoulussa pistinharjoituxista, sai huutaa "KILL! KILL!" ja työntää kovaa pehmeään. "Sillä lailla tarrataan vinosilmää kitusista, sillä lailla kommaripaskoilta ruuvataan kulli irti!" Vähän myöhemmin sen sotahuuto olisi "FUCK! FUCK!", aseena taas kova teräskalu, kohteena vaimot ja tyttöystävät. Totta puhuen, Phillu oli poikasena hizin väpelö ja itkupilli. Itki puhelimeen Dragsvikistä Sharonille. Sharon oli Al "Zipper" Shatzkyn 17-vuotias tytär. Nathan oli kirahvi ja Sharon pantteri. Kerää koko sarja, saat ikioman eläintarhan. Nathan opettaa Sharonille sanan "kyrpä" käytön ja neuvoo miten sitä pitää imuttaa. Mutta välimerkkien käyttöä ei vittu Sharon opi, ei kirveelläkään. Phillu on jo graduoitunut Tom Wolfesta Henry Jamesiin ja sen yhtä vittumaiseen kirjaan The Ambassadors. Kirkkovene Sharonilla on kyllä soutukunnossa. 

ellauri106.html on line 239:   Arvostelija Morris Kyrpäkiven mielestä just tää kirja oli aivan hulvattoman hauska: If there has been a funnier novel in the last 10 years, or one that exploits sex, psychoanalysis, and the "family romance" more brilliantly, I don´t know what it could be. Tästä jälleen näemme että huumori on höröttäjän silmässä. Tai tässä tapauxessa pikemminkin perssilmässä. 

ellauri106.html on line 243: The women in the writer´s life provided inspiration for characters in his novels both positive and negative. PHILIP Roth was famed for his observations on life - some of which he gathered from his own relationships with his ex-wives.

ellauri106.html on line 244: Here are some of the women who helped the novelist, who has died at the age of 85, explore and unpack the complexities of being a toxic ape. 

ellauri106.html on line 257: Their marriage provided material for several novels.

ellauri106.html on line 259: Martinson inspired “The Monkey” (Mary Jane Reed) in novel Portnoy’s Complaint and Maureen Tarnopol in My Life as a Man.

ellauri106.html on line 286: The Wings of the Dove is a 1902 novel by Henry James. It tells the story of Milly Theale, an American heiress stricken with a serious disease, and her effect on the people around her. Some of these people befriend Milly with honourable motives, while others are more self-interested.

ellauri106.html on line 300: Isaak Emmanuilovitš Babel (ven. Исаак Эммануилович Бабель; 13. heinäkuuta (J: 1. heinäkuuta) 1894 Odessa - 27. tammikuuta 1940 Moskova) oli kumihuulinen venäläinen näytelmä- ja novellikirjailija sekä journalisti.

ellauri106.html on line 303: Babelin nuoruudesta kului seitsemän vuotta Venäjän sisällissodassa. Hän työskenteli kielenkääntäjänä vastavakoilupalvelussa ja sotakirjeenvaihtajana. Odessaan palattuaan hän alkoi kirjoittaa novelleja juutalaiskaupunginosan elämästä.

ellauri106.html on line 311: Ike Eisenhover oli Amerikan Mannerheim. Se tuli sodasta juhlittuna kenraalina ja sitä kosiskeli pressaehdokkaaxi 1952 sekä norsut että aasit. Se valizi norsut kun sillä oli paljon norsukavereita.

ellauri106.html on line 315: Republikaaneilla ei ollut ollut presidenttiä sitten vuoden 1933, jolloin Roosevelt oli kukistanut epäsuositun Herbert Hooverin. Puolueen ”big government” -ideologian vastainen kampanja oli raju. Siinä vastustettiin muun muassa korkeaa tuloveroa ja valtion puuttumista eri yhteiskunnan toimintoihin. Eisenhowerin sanottiin voittaneen vaalit naisten äänin, koska hänellä oli pitkän rasittavan kauden (pula-aika, toinen maailmansota, sitä seurannut työttömyys ja Korean sota) jälkeen parempia aikoja ennustanut hymy. Politiikan ulkopuolelta tuleminen ja sotasankarin maine olivat myös osa voiton avaimia.

ellauri106.html on line 324: Phillun mielestä Iken puheet oli puuroa. Phil ize oli tyypillinen big governmentiä vastustava jenkkipaskiainen.

ellauri106.html on line 331: William Dean Howells (/ˈhaʊəlz/; March 1, 1837 – May 11, 1920) was an American realist novelist, literary critic, and playwright, nicknamed "The Dean of American Letters".

ellauri106.html on line 332: In 1840, the family settled in Hamilton, Ohio, where his father oversaw a Whig newspaper and followed Swedenborgianism.

ellauri106.html on line 347: The Weathermen Underground Organization (WUO), commonly known as the Weather Underground, was a radical left militant organization active in the late 1960s and 1970s, founded on the Ann Arbor campus of the University of Michigan. It was originally called the Weathermen. The WUO organized in 1969 as a faction of Students for a Democratic Society (SDS) largely composed of the national office leadership of SDS and their supporters. Beginning in 1974, the organization´s express political goal was to create a revolutionary party to overthrow American imperialism.

ellauri106.html on line 351: That Dylan line was also the title of a position paper distributed at an SDS convention in Chicago on June 18, 1969. This founding document called for a "White fighting force" to be allied with the "Black Liberation Movement" and other radical movements to achieve "the destruction of U.S. imperialism and form a classless communist world".

ellauri106.html on line 352: No wonder class conscious Phil was flustered. He wanted to wear his gloves to dinner.

ellauri106.html on line 365: Brown is now known to have no direct relationship with the alleged riot of 1967. The head of the Cambridge police department, Brice Kinnamon, nonetheless claimed that the city had no racial problems, Brown was the "sole" cause of the disorder, and it was "a well-planned Communist attempt to overthrow the government."

ellauri106.html on line 388: In a private note about Bloom’s book, Roth asserted, “Another writer my age awaiting a biography and awaiting death (which is worse?) might not care. I do.” Roth put enormous efforts into finding a biographer who could contest Bloom’s account. His first choice was the academic Ross Miller, but the novelist had a falling out with his biographer as the would-be James Boswell resisted the imperious dictates of the modern Dr. Johnson. Roth ended up describing his relationship with Miller as “my third bad marriage.” After unsuccessfully trying to rope in friends such as Hermione Lee and Judith Thurman to tell his life story, Roth settled on Blake Bailey, the author of highly regarded biographies of troubled male American writers, notably Richard Yates and John Cheever.

ellauri106.html on line 405: Phil´s childhood love of baseball offered him “membership in a great secular nationalistic church from which nobody had ever seemed to suggest that Jews should be excluded.” Babe Ruth, whose real name was George Herman Ruth, Jr., was born and raised in Baltimore, Maryland. He died of pneumonia and complications from throat cancer in New York City in 1948.

ellauri106.html on line 407: Ruth was a Catholic.1 And not only did he attend Catholic school growing up, his parents actually signed custody of Ruth over to the Catholic missionaries at St. Mary’s Industrial School for Boys in Baltimore when he was seven-years-old.2 So Babe was quite literally raised by the Catholic Church.

ellauri106.html on line 421:     And this, too, is surely true of religion. In prehistoric times, Homo sapiens was deeply endangered. Early humans were less fleet of foot, with fewer natural weapons and less well-honed senses than all the predators that threatened them. Moreover, they were hampered in their movements by the need to protect their uniquely immature young - juicy meals for any hungry beast. We had less natural protection against repeated changes of climate than other species - yet we survived. Human spirituality would have played an important part.

ellauri106.html on line 425: As well as the social cohesion that spirituality and early religious beliefs must have brought to threatened groups of humans, they must also have been a valuable mechanism to persuade humans to struggle against the odds. Surely, human spirituality is deeply embedded in our genes. Victor Frankl, in his observations about survival in Auschwitz, argued that in his view, only those inmates who had some spiritual sense, some idea that there was a power above that could see their suffering, found the strength and resolution to survive the terrible dehumanisation and deprivation of the concentration camps. 

ellauri106.html on line 438: According to Parrish, Roth´s works can be read as a search for an essential Jewish self and the discovery or creation of a self liberated from all cultural and social fetters.

ellauri106.html on line 450:     During what Henry Luce deemed the American century—the century during which America rises to a position of dominance on the globe—the Americanethos paradoxically plummets, in large part due to the Vietnam War and the Watergate scandal, politically charged events to which Roth pays particular attention in the novel because he sees them as formative of the 1990s moment at which he writes.  

ellauri106.html on line 451: In a world governed by disorder, the American Dream of success and happiness through hard work can is likely to remain that: a dream. Immigrants such as those those from whom Roth hails who come to America seeking a betterlife might come to recognize that policies implemented by the American government do notinherently make great sense or work to support their unequivocal movement up the social ladder despite the melting-pot myth and its variations as politicians may propagate them.    

ellauri106.html on line 474: 	There was no metaphysical dimension to Philip. He just flatly refused to believe in it. He thought it was fairy tales,” Bailey said. he was happy to be Jewish, Bailey said. “He liked Jews as human beings. He liked their warmth, he liked his male friends. “If the Western world views itself through the lens of the modern Jewish experience, it is in large measure due to the novels, novellas and short stories of Philip Roth,” wrote David Roskies, a JTS Jewish literature professor, in a note to the class of 2014.

ellauri106.html on line 505: In fact, for a novel that takes as its subject McCarthyism and the rise and fall of a leftist icon, Communist, in particular, is strangely apolitical.

ellauri106.html on line 508: Modernization moved from “the sacred to the profane side of historical time”: Rather than a free market or contractual society, modern America became ‘capitalist,’ no longer rational, interdependent, modern, and liberating, but backward, greedy, anarchic, and impoverishing.

ellauri106.html on line 512:     A quintessentially American experience: “Three generations. All of them growing. The working. The saving. The success. Three generations in raptures over America. Three generations of becoming one with a people. And now with the fourth it had all come to nothing. The total vandalization of their world”.

ellauri106.html on line 520: In Roth’s nostalgic past, the practical influence of the New Left — the impact of the anti-war movement on ending the Vietnam war, for instance — is as easily dismissed as was the old left’s voice in the New Deal and postwar industrialization.

ellauri106.html on line 526: Instead of emphasizing the moral and political consequences of modern capitalism, as had the radical social movements before it, postmodernization offers “privacy, diminished expectations, subjectivism, individuality, particularity, and localism” as alternatives to the modern’s stability and universalism.

ellauri106.html on line 529: Without the sure theoretical footing that orthodox Marxism provided those of Benjamin’s generation, Roth, like many who used to kinda identify themselves with the late-20th century left, has been set adrift amid the wreckage of multinational capital, techno-militarism, and the information and cultural revolutions. In his trilogy, Roth offers a complex and beautifully-rendered document of the final decades of the “American Century,” but it is one that, like its narrator, Nathan Zuckerman, ultimately throws up its hands in despair, surrendering the complexities of life and the possibility of positive change en lieu of aesthetic and ascetic remove.

ellauri106.html on line 531: Confident from its victory over Fascism and emboldened by the subsequent economic boom, America jelled behind what social theorist Jeffrey Alexander has called modernization or romantic liberalism. As has been the case throughout much of Roth’s career, the socio-political touchstone of his American Trilogy is the “patriotic war years” and the consensus culture that blossomed immediately afterward. “Everything was in motion,” Zuckerman says in the opening pages of American Pastoral. “The lid was off. Americans were to start over again, en masse, everyone in it together”. Reagan-propagandaa. 

ellauri106.html on line 533: That imagined past included the old left and its heroic narrative of collective emancipation, which, particularly after the revelations of Stalinist atrocities, no longer seemed enticing. Instead, American ideology turned on the “romantic” belief that the nation had, in effect, already discovered an ideal social order, “that progress would be more or less continuously achieved, that improvement was likely”.

ellauri106.html on line 539: Puritan work ethic is what Roth, through his frequent allusions to New England’s storied past, points to as the source of America’s greatest triumphs—universal education, economic improvement, and those old standbys, rugged individualism and the “American Dream”.

ellauri106.html on line 556: Before his death from congestive heart failure on Tuesday, he made no secret of his contempt for Donald Trump, was instinctively liberal in most respects, and thought of himself as a Roosevelt Democrat. Yet his political novels have a nagging MAGA aftertaste. Successful, decent, hardworking men, who in the time of our fathers would have been appreciated, are mindlessly destroyed by modern women as the embodiments of a degenerate society. Roth’s desire, ultimately, is the same as Reagan’s: an impossible return to the promised land of modernization. Not by coincidence, the final chapter of The Human Stain is titled, “The Purifying Ritual.” Puhdistuxesta kuumuu kaikki anaalis-obsessiiviset henkilöt Hitleristä Rothiin ja Sofi Oxaseen. Puhamaan! Äiitii mä oon vallmiiis! Tuu PYYHKIMÄÄN!

ellauri106.html on line 572: Kun Phillu oli pipi sen "sisko" Sandy lauloi sille kirjasta 200 oopperaa. Sandyn halukkuus esiintyä Phillun 1 hengen yleisölle kiehtoi sitä. Aaria oopperasta Mustalaisen muna oven välissä. 

ellauri106.html on line 624: Roth’s ex-wife, Claire Bloom, wrote about their relationship in her memoir, Leaving A Doll’s House, 25 years ago. You could also read Roth’s not-exactly-contrite reaction to Bloom’s complaints, his 1998 novel, I Married A Communist, in which the protagonist’s vicious wife was clearly based on Bloom.

ellauri106.html on line 628: “Roth’s misogyny infuses everything that he writes,” according to Meg Elison, a novelist recently described by the Times as “re-examining Roth”. This is typical of the all-or-nothing approach that is popular today, where if you don’t like everything about a public figure, then you can’t like anything. (Uskokaa tai älkää tää mielipide tulee naiselta. Se oli varmaan käynyt modernin kirjallisuuskritiikin koulua.)

ellauri106.html on line 636: Levov’s wife is as inconsolable as he is ― until she gets a facelift and uses it to attract a seedy lover.

ellauri106.html on line 701: Peeter uhkaa murhata mustasukkainen vaimonsa kun se nolaa sen opiskelijatyttöjen edessä. Paiskattuaan oven kiinni vaimon nenän edestä se jatkaa opetusta mihin jäi: Noniin. Minkä tautta homo Mann lähettää Aschenbachin Veneziaan eikä Roomaan? VITUN VÄLIÄ. Koko Phillusta on enää vitun väliä, se on känsellöinyt itsensä. Mutta on siinä hyvin hyvin paljon tuttua.

ellauri107.html on line 87: The novella was adapted into a film of the same name in 1969.

ellauri107.html on line 95: After a few dates, Brenda persuades her father to invite Neil to stay with them for two weeks. This angers her mother, who feels that she should have been asked instead. Neil enjoys being able to sneak into Brenda's room at night but has misgivings over her entitled outlook, which is reflected in her spoiled and petulant younger sister, and her naive brother Ron, who misses the hero worship he enjoyed as a star basketball player at Ohio State University. Neil is astonished when Brenda reveals that she does not take birth control pills or use any other precautions to avoid pregnancy. She angrily rejects Neil's concerns. He prepares to leave, but she decides to persuade him to stay by agreeing to get a diaphragm.

ellauri107.html on line 104: An American Dream is a 1965 novel by American author Norman Mailer. It was published by Dial Press. Mailer wrote it in serialized form for Esquire, consciously attempting to resurrect the methodology used by Charles Dickens and other earlier novelists, with Mailer writing each chapter against monthly deadlines. The book is written in a poetic style heavy with metaphor that creates unique and hypnotising narrative and dialogue. The novel's action takes place over 32 hours in the life of its protagonist Stephen Rojack. Rojack is a decorated war-hero, former congressman, talk-show host, and university professor. He is depicted as the metaphorical embodiment of the American Dream.

ellauri107.html on line 114: Rojack vomits over the balcony at a party and considers suicide. Rojack has sex with Ruta in her room. Later Rojack sees Cherry again. He is drawn to her. She and Rojack flirt and kiss. They have sex, and after emptying the load Rojack realizes he has fallen in love with her. Rojack goes back to Cherry and they make love. Cherry tells her life story viz her finally having a vaginal orgasm with Rojack. Rojack and nigger Shago fight. He returns to Cherry's only to find out from Roberts she has been killed. No more vaginal orgasms from her. Rojack travels to Las Vegas where he wins big at the tables, paying off all his debts. He imagines speaking with Cherry in Heaven before he heads south to Guatemala and the Yucatán. Y asi finaliza esta historia. 

ellauri107.html on line 146: I can’t be the first gay man to have been an older "straight" man’s mainstay. Philip had searched diligently for a beautiful young woman to see to him as Jane Eyre looked after old Mr. Rochester. What he got instead was me. The degree of attachment surprised us both. Were we lovers? Obviously not. Were we in love? Not exactly. But ours was a criminal conversation neither could have done without.

ellauri107.html on line 148: Twelve years ago I saw him through his last love. A young person less than half his age whose family strongly disapproved of the association and who evidently grew to disapprove of it herself. It was a trauma that might have plowed Philip under and that he told aslant in Exit Ghost, the novel dedicated to me (!). A couple of failed attempts at courtship followed, boring and painful for the women involved. Then he closed the door on heteroerotic life entirely. He’d learned how to be an elderly gentleman who behaves correctly. He joined the ranks of the impotent.

ellauri107.html on line 169: Nathaniel Hawthorne (July 4, 1804 – May 19, 1864) was an American novelist, dark romantic, and short story writer. His works often focus on history, morality, and religion.

ellauri107.html on line 171: He was born in 1804 in Salem, Massachusetts, to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge from the Salem witch trials who never repented his involvement in the witch hunt. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work.[2] He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children.

ellauri107.html on line 173:       Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States.

ellauri107.html on line 179:     The zenith of [Hawthorne and Melville’s] relationship was reached . . . when Moby-Dick was published in middle November of 1851 and was dedicated to Hawthorne [“To Nathaniel Hawthorne: In token of my admiration for his genius”]. Hawthorne’s letter to Melville [at the time], like most of those to his friend, has not been preserved, but Melville’s answer on November 17 . . . speaks of the effect Hawthorne’s letter had upon him, in terms characteristic of his impassioned utterances:

ellauri107.html on line 183:     As [Arlin]Turner says in analyzing this letter, “[Melville] was aware, it can be assumed, of the inclusiveness and interwoven imagery of his letter, and no less aware of the meaning behind the imagery. The same awareness can be assumed on the part of Hawthorne”. Edwin Haviland Miller, who interprets Melville’s affection for Hawthorne as in part sexual, says that in this passage, “the most ardent and doubtlessly one of the most painful he was ever to write, he candidly and boldly laid bare his love”. Miller goes on to say that “when Hawthorne retreated from Lenox, he retreated from Melville. How Hawthorne felt his reticences keep us from knowing, but his friend wrestled with the problems and nature of the relationship almost until the end of his life”. Turner says only that “there is evidence through the remaining forty years of Melville’s life that he thought he had been rebuffed by Hawthorne, and that he felt a genuine regret for his loss.” 

ellauri107.html on line 191:     . . . Hawthorne liked [Melville’s novel Typee], observing [in 1846] that . . . Melville has “that freedom of view—it would be too harsh to call it laxity of principle—which renders him tolerant of codes of morals that may be little in accordance with our own; a spirit proper enough to a young and adventurous sailor . . .” 

ellauri107.html on line 193: Hawthorne is much more explicit in regard to same sex relationships and perhaps alludes to Melville’s wooing of him in his 1852 novel The Blithedale Romance. In excerpting that work for the website, I introduced it as follows:

ellauri107.html on line 195:     In the following excerpts from Hawthorne's The Blithedale Romance, the Hawthorne-like character, poet and narrator Miles Coverdale, and the Melville-like character, passionate monomaniac Hollingsworth suggest Melville's influence on the novel. The first person narrator, a young man who joins a major enterprise with mostly adventure-seeking motives, certainly calls to mind narrator Ishmael in Melville's Moby-Dick. The dark and brawny Hollingsworth, bearing a physical resemblance to Melville, cares for Coverdale and seeks his partnership, moreover, in an intensity that seems to parallel Melville's evident affection for and desire for intimacy with Hawthorne. The sharp, mysterious break in the relationships between the two authors and the fictional pair constitute yet another likeness. 

ellauri107.html on line 200:     Coverdale describes Hollingsworth's "dark complexion, his abundant beard, and the rude strength with which his features seemed to have been hammered out of iron, rather than chiselled or moulded from any finer or softer material." He adds that in Hollingsworth's "gentler moods, there was a tenderness in his voice, eyes, mouth, in his gesture, and in every indescribable manifestation, which few men could resist, and no woman." 

ellauri107.html on line 204:     Coverdale notes that "there was something of the woman moulded into the great, stalwart frame of Hollingsworth; nor was he ashamed of it, as men often are of what is best in them, nor seemed ever to know that there was such a soft place in his heart. . . . I besought Hollingsworth to let nobody else enter the room, but continually to make me sensible of his own presence by a grasp of the hand, a word, -- a prayer, if he thought good to utter it . . . ." 

ellauri107.html on line 208:   Coverdale declares, "I loved Hollingsworth, as has already been enough expressed." He adds, "If . . .[Priscilla] thought him beautiful, it was no wonder. I often thought him so, with the expression of tender, human care, and gentlest sympathy . . . ." And in Hawthorne's most explicitly homoerotic allusion, Coverdale notes, "the footing, on which we all associated at Blithedale, was widely different from that of conventional society. While inclining us to the soft affections of the Golden Age, it seemed to authorize any individual, of either sex, to fall in love with any other, regardless of what would elsewhere be judged suitable and prudent."

ellauri107.html on line 212: Coverdale concludes the tale of Zenobia's hopeless love for Hollingsworth and enigmatically adds, "It suits me not to explain what was the analogy that I saw, or imagined, between Zenobia's situation and mine; nor, I believe, will the reader detect this one secret, hidden beneath many a revelation which perhaps concerned me less."

ellauri107.html on line 214: Actually, the reader would have to be remarkably obtuse not to recognize the sexual tension between Coverdale and Hollingsworth. If only we could know what Melville thought when he read it! Certainly, Melville was aware that Brook Farm in Roxbury, Massachusetts, which Blithedale represents, had enjoyed the company of Hawthorne as a communal society member for most of 1841. Perhaps he also knew that substantial portions of Coverdale’s first person narration are taken directly from Hawthorne’s Brook Farm journals, and he would certainly know better than we the extent to which the novel may also represent allusions to Hawthorne’s and his experiences together during the year before the publication of Blithedale.

ellauri107.html on line 226:   To have known him, To have loved him after loneness long;

ellauri107.html on line 242: In surveying Billy, “sometimes [Claggart’s] melancholy expression would have in it a touch of soft yearning, as if [he] could even have loved Billy but for fate and ban.” Evidently, Claggart has not fully disguised his private appreciation of Billy; but, because he believes something forbids any future for such feelings, he hardens his heart more and more fiercely toward the object of his desire. What “fate” and what “ban” does his misguided imagination perceive? Do their roles on the ship or elsewhere in society somehow doom any intimacy between them? Or does Claggart just presume Billy could never reciprocate his feelings? Might the Master at Arms simply despise sexuality in general and homosexuality in particular and, as a result, find himself driven all the more mad by his uncontrollable “yearning”? Whatever the accurate diagnosis, it is clear that Claggart distorts any positive feelings he possesses for Billy into negative ones with terrible consequences.

ellauri107.html on line 244: Claggart’s repressed, closeted attraction to Billy finds parallels with some interpretations of Hawthorne’s evident spurning of Melville’s too intimate attentions and Hawthorne’s character in The Blithedale Romance Coverdale’s similar rejection of the invitation from Holingsworth to be his “friend of friends, forever.” For Melville, Hawthorne’s Arthur Dimmesdale’s agonizing acknowledgement of adultery must have seemed a stunning parallel with what later generations would term “coming out of the closet.” Whether Hawthorne himself were a closeted gay man, it is clear that Melville was relatively open in his affections for the senior author and that those affections were somehow turned away and seem to have left a wound that never fully healed. The evils of the closet constitute a subtext in Billy Budd that may well have brought to its author’s mind the sad sundering of his closeness with Nathaniel Hawthorne.

ellauri107.html on line 250: Billy is first the victim of Claggart’s closet, one with similarities to the Roy Cohn and J. Edgar Hoover kinds that project self-loathing onto their targets. Vere’s condition, on the other hand, while containing degrees of benevolence, ultimately emerges as more deadly than Claggart’s. Associating his heart with his hated feminine side, Vere crushes down his capacity for love and compassion with a thoroughly brutal, Night-of-the-Long-Knives sort of intolerance. He, who would never have initiated Billy’s demise, will not permit his own ardor to soften his inflexible judgment, as that would evidently equate with irresolution and weakness. After all, he might rationalize, he is the Captain and the Captain has an image to uphold – right? Forget justice; forget humane treatment; maintaining machismo holds precedence over all! And the tragic result: mindless, meaningless, totally unnecessary suffering and loss on the altar of nothing less than evil itself!

ellauri107.html on line 262: Cohn always denied his homosexuality in public, however, in private he was open about his sexual orientation with a few select friends. He had several long-term boyfriends over the course of his life, including a man called Russell Eldridge who died from AIDS in 1984, and for the last two years of his life, Cohn was partnered to a man 30 years his junior called Peter Fraser. Fraser inherited Cohn's house in Manhattan after Cohn died from AIDS in 1986.

ellauri107.html on line 264: Kyl tässä varmaan on vinha perä, kuten takuulla Pepullakin oli. Periköhän Benjamin Pepun asunnon? Joosef ja Benjamin oli nekin luultavasti sieviä homoveljexiä. Senkö tautta homo Tarmo Manni kirjoitti niistä niin tarmokkaasti? Kauniita poikia. Mannilta jäi kesken se viimeinen kaunispoika-kirja, mikäs sen nimi olikaan, Felix Krullin tunnustuxet. Huijari. Huijareita koko porukka näyttää olevan nää kaikista miehekkäimmät kirjailijat.

ellauri107.html on line 268: Taylor says that after Roth announced his retirement from writing in 2012, he stopped making art, but he still wrote, producing a manuscript of over a thousand pages whose purpose was to air grudge after grudge. Taylor comments that the underside of Roth's greatness swarmed with grievances time had not assuaged.

ellauri107.html on line 272:     Roth confesses, Oh, I wanted to be literary, wanted to be influencer. There were Flaubert and Henry James, Dreiser and Sherwood Anderson. But I discovered I was but a raucous talent.

ellauri107.html on line 298: Peppu kohotteli 60-luvulla jutkukulmakarvoja kuin torakka ampiaisten keittiössä ja loisi varakkaiden olohuoneessa. Ryyppi Susanin vuosikertaviinejä ja ikävystyi sen seurassa. Susan oli ihan liian vaatimaton ja totteli liian kesysti. Peppu oli tottunut juutalaisten rähisevään meininkiin. Se ois tarvinnut jonkun joka panee sen oikeasti kuriin. Siitä se ois tykännyt. Ei sillä muuten edes eteen ottanut. Joku sen tumpelointiin tympääntynyt tyttö kysyi onko totta että se yritti katkaista hinttikierteen? Kalikka kalahti ja Peppu älähti, koitti riisua tytön sukkahousuja. Ei siitä mitään tullut, ja tyttö jätti ovenrakoon viestin seuraaville tulijoille: ken tästä käy saa kaiken toivon heittää. Hui kauhistus: Puo harkizi jopa Suomeen muuttoa. Onnexi ei vakavissaan, meillähän on jo vahva ääni oikealta Ben Zyskoviz.

ellauri107.html on line 344: Rothin kantavia teemoja on EAT! FUCK! KILL! Viimeximainittu pakottaa hyväksymän ihmiselämän rajallisuuden. Mitä jää jäljelle? Halu jättää jälki (tai edes tahra) omasta ainutkertaisesta elämästään kanssaihmisten keskelle. No Philip kyllä jätti paljn tahroja, mm. äitykän jääkaapin oveen. Mistä lähtien uhmakkuus on jaloa? Philip Roth on kuollut, allekirjoitus Jehova. 

ellauri107.html on line 395:   The antihero of Roth’s 1995 novel Sabbath’s Theatre blinds us with his astonishing misogyny, his exponential misanthropy, his audacious nihilism - and yet he makes us care shit. The depraved Mickey Sabbath, the hero, anti-hero and villain of Philip Roth’s 1995 tour d'Eiffel, Sabbath’s Theatre. Just what he does to deserve this affection over the course of 450 bile-filled pages is hard to fathom. He virtually copies that bête noire of creative writing courses, the unsympathetic character. To discover such a monstrous creation on the page is a shock. 

ellauri107.html on line 400:   Where does Roth pull it out of (the expression is apt)? Sabbath had decided to defy his own imminent demise by attempting to have as much sex as possible. As the book begins, Sabbath finds himself “six short years from seventy”, with “the game just about over”. What, 64? That is young! Phil was 62 in 1995. Is that when his pecker started to sag? 

ellauri107.html on line 402:     In crisis over whether he’s a man or nuts. I'd say nuts. He is a sexual extremist and erotomaniac, a sociopath and wannabe paedophile, rummaging in the knicker drawer of his best friend’s teenage daughter. A habitual liar, a graveyard onanist, a childless despiser of families and couples; a joyous micturator over all laughter, hope, goodness and wholesomeness (a peculiarly American obsession: see also David Lynch), Sabbath entertains us with his negativity.

ellauri107.html on line 414: Babbitt (1922), by Sinclair Lewis, is a satirical novel about American culture and society that critiques the vacuity of middle class life and the social pressure toward conformity. The controversy provoked by Babbitt was influential in the decision to award the Nobel Prize in Literature to Lewis in 1930.

ellauri107.html on line 422: George F. Babbitt was an archetype of the American city dwellers who touted the virtues of Republicanism, Presbyterianism, and absolute conformity because "it is not what he feels and aspires that moves him primarily; it is what the folks about him will think of him. His politics is communal politics, mob politics, herd politics; his religion is a public rite wholly without subjective significance." Mencken said that Babbitt was the literary embodiment of everything wrong with American society.

ellauri107.html on line 439: “Now you look here! The first thing you got to understand is that all this uplift and flipflop and settlement-work and recreation is nothing in God's world but the entering wedge for socialism. The sooner a man learns he isn't going to be coddled, and he needn't expect a lot of free grub and, uh, all these free classes and flipflop and doodads for his kids unless he earns 'em, why, the sooner he'll get on the job and produce—produce—produce! That's what the country needs, and not all this fancy stuff that just enfeebles the will-power of the working man and gives his kids a lot of notions above their class. And you—if you'd tend to business instead of fooling and fussing—All the time! When I was a young man I made up my mind what I wanted to do, and stuck to it through thick and thin, and that's why I'm where I am to-day, and—Myra! What do you let the girl chop the toast up into these dinky little chunks for? Can't get your fist onto 'em. Half cold, anyway!”

ellauri107.html on line 444: 	In the comedy Andria (“The Girl of Andros”) by the Roman poet Terentius, Simo uses it to comment on the tears of his son Pamphilus at the funeral of a neighbor to his interlocutor Sosias. At first he was of the opinion that these were an expression of special sympathy and was pleased about it. But when he discovered that the deceased's pretty sister was also a member of the funeral procession, he realized that his son's emotion was only faked to get closer to him: hinc illae lacrumae, haec illast misericordia. ("Hence his tears, that is the reason for his pity!").

ellauri107.html on line 448: “Lots of news. Terrible big tornado in the South. Hard luck, all right. But this, say, this is corking! Beginning of the end for those fellows! New York Assembly has passed some bills that ought to completely outlaw the socialists! And there's an elevator-runners' strike in New York and a lot of college boys are taking their places. That's the stuff! And a mass-meeting in Birmingham's demanded that this Mick agitator, this fellow De Valera, be deported. Dead right, by golly! All these agitators paid with German gold anyway. And we got no business interfering with the Irish or any other foreign government. Keep our hands strictly off. And there's another well-authenticated rumor from Russia that Lenin is dead. That's fine. It's beyond me why we don't just step in there and kick those Bolshevik cusses out.”

ellauri107.html on line 452: “And it says here a fellow was inaugurated mayor in overalls—a preacher, too! What do you think of that!”

ellauri107.html on line 469: He had, with indignation at the criticism of Zenith, skimmed through a report in which the notorious pessimist Seneca Doane, the radical lawyer, asserted that to throw boys and young girls into a bull-pen crammed with men suffering from syphilis, delirium tremens, and insanity was not the perfect way of educating them. He had controverted the report by growling, “Folks that think a jail ought to be a bloomin' Hotel Thornleigh make me sick. If people don't like a jail, let 'em behave 'emselves and keep out of it. Besides, these reform cranks always exaggerate.” That was the beginning and quite completely the end of his investigations into Zenith's charities and corrections; and as to the “vice districts” he brightly expressed it, “Those are things that no decent man monkeys with. Besides, smatter fact, I'll tell you confidentially: it's a protection to our daughters and to decent women to have a district where tough nuts can raise cain. Keeps 'em away from our own homes.”

ellauri107.html on line 477: The Athletic Club building is nine stories high, yellow brick with glassy roof-garden above and portico of huge limestone columns below. The lobby, with its thick pillars of porous Caen stone, its pointed vaulting, and a brown glazed-tile floor like well-baked bread-crust, is a combination of cathedral-crypt and rathskeller. The members rush into the lobby as though they were shopping and hadn't much time for it. Thus did Babbitt enter, and to the group standing by the cigar-counter he whooped, “How's the boys? How's the boys? Well, well, fine day!”

ellauri107.html on line 487: They grinned and went into the Neronian washroom, where a line of men bent over the bowls inset along a prodigious slab of marble as in religious prostration before their own images in the massy mirror. Voices thick, satisfied, authoritative, hurtled along the marble walls, bounded from the ceiling of lavender-bordered milky tiles, while the lords of the city, the barons of insurance and law and fertilizers and motor tires, laid down the law for Zenith; announced that the day was warm-indeed, indisputably of spring; that wages were too high and the interest on mortgages too low; that Babe Ruth, the eminent player of baseball, was a noble man; and that “those two nuts at the Climax Vaudeville Theater this week certainly are a slick pair of actors.” 

ellauri107.html on line 490: “And business! The roofing business! Roofs for cowsheds! Oh, I don't mean I haven't had a lot of fun out of the Game; out of putting it over on the labor unions, and seeing a big check coming in, and the business increasing. But what's the use of it? You know, my business isn't distributing roofing—it's principally keeping my competitors from distributing roofing. Same with you. All we do is cut each other's throats and make the public pay for it!”

ellauri107.html on line 494: “Why not? Though I've never discovered anybody that knew what the deuce Man really was made for!”

ellauri107.html on line 501:     “Look here, Stan; let's get this clear. You've got an idea somehow that it's you that do all the selling. Where d' you get that stuff? Where d' you think you'd be if it wasn't for our capital behind you, and our lists of properties, and all the prospects we find for you? All you got to do is follow up our tips and close the deal. The hall-porter could sell Babbitt-Thompson listings! You say you're engaged to a girl, but have to put in your evenings chasing after buyers. Well, why the devil shouldn't you? What do you want to do? Sit around holding her hand? Let me tell you, Stan, if your girl is worth her salt, she'll be glad to know you're out hustling, making some money to furnish the home-nest, instead of doing the lovey-dovey. The kind of fellow that kicks about working overtime, that wants to spend his evenings reading trashy novels or spooning and exchanging a lot of nonsense and foolishness with some girl, he ain't the kind of upstanding, energetic young man, with a future—and with Vision!—that we want here. How about it? What's your Ideal, anyway? Do you want to make money and be a responsible member of the community, or do you want to be a loafer, with no Inspiration or Pep?”

ellauri107.html on line 513: Babbitt looked up irritably from the comic strips in the Evening Advocate. They composed his favorite literature and art, these illustrated chronicles in which Mr. Mutt hit Mr. Jeff with a rotten egg, and Mother corrected Father's vulgarisms by means of a rolling-pin. With the solemn face of a devotee, breathing heavily through his open mouth, he plodded nightly through every picture, and during the rite he detested interruptions. Furthermore, he felt that on the subject of Shakespeare he wasn't really an authority. Neither the Advocate-Times, the Evening Advocate, nor the Bulletin of the Zenith Chamber of Commerce had ever had an editorial on the matter, and until one of them had spoken he found it hard to form an original opinion. But even at risk of floundering in strange bogs, he could not keep out of an open controversy.

ellauri107.html on line 518: He snatched from the back of his geometry half a hundred advertisements of those home-study courses which the energy and foresight of American commerce have contributed to the science of education. The first displayed the portrait of a young man with a pure brow, an iron jaw, silk socks, and hair like patent leather. Standing with one hand in his trousers-pocket and the other extended with chiding forefinger, he was bewitching an audience of men with gray beards, paunches, bald heads, and every other sign of wisdom and prosperity. Above the picture was an inspiring educational symbol—no antiquated lamp or torch or owl of Minerva, but a row of dollar signs. The text ran:

ellauri107.html on line 550: Kate Croy and Merton Densher are two betrothed Londoners who desperately want to marry but have very little money. Kate is constantly put upon by family troubles, and is now living with her domineering aunt, Maud Lowder. Into their world comes Milly Theale, an enormously rich young American woman who had previously met and fallen in love with Densher, although she has never revealed her feelings. Her travelling companion and confidante, Mrs. Stringham, is an old friend of Maud. Kate and Aunt Maud welcome Milly to London, and the American heiress enjoys great social success.

ellauri107.html on line 554: With the threat of serious illness hanging over her, Milly decides to travel to Venice with Mrs. Stringham. Aunt Maud, Kate and Densher follow her. At a party Milly gives in her Venice palazzo (the older Palazzo Barbaro, called "Palazzo Leporelli" in the novel), Kate finally reveals her complete plan to Densher: he is to marry Milly so that, after her presumably soon-to-occur death, he will inherit the money they can marry on. Densher had suspected this was Kate's idea, and he demands that she consummate their affair before he will go along with her plan.

ellauri107.html on line 556: Aunt Maud and Kate return to London while Densher remains with Milly. Unfortunately, the dying girl learns from a former suitor of Kate's about the plot to get her money. She withdraws from Densher and her condition deteriorates. Densher sees her one last time before he leaves for London, where he eventually receives news of Milly's death. Milly does leave him a large amount of money despite everything. But Densher does not accept the money, and he will not marry Kate unless she also refuses the bequest. Conversely, if Kate chooses the money instead of him, Densher offers to make the bequest over to her in full. The lovers part on the novel's final page with a cryptic exclamation from Kate: "We shall never be again as we were!"

ellauri108.html on line 35:   Teach us love and loyalty as it is in Zion.

ellauri108.html on line 79: The Spanish language Reina Valera Bible employs "JAH" in 21 instances within the Old Testament according to the Nueva Concordancia Strong Exhaustiva. The Darby Bible, Young's Literal Translation, The Jubilee Bible 2000, Lexham English Bible, The Complete Jewish Bible, Names of God Bible, The Recovery Version, Green's Literal Translation, the New Jewish Publication Society or NJPS Tanakh and World English Bible includes "Jah" (Yah in the Lexham English Bible, Complete Jewish Bible, the NJPS Tanakh and the World English Bible) numerous times within the Old Testament (as well as in the New Testament or New Covenant as is the case in Christian and Messianic Jewish Bibles) as "Hallelujah!" or "Alleluia!" (Praise Jah or Yah in either instance) which is also employed throughout the Old Testament of these Bible versions.

ellauri108.html on line 81: "Hallelujah!" or "Alleluia!" is also used in other Bible versions such as the Divine Name King James Bible, American Standard Version, the Recovery Version, The Tree of Life Version, Amplified Bible, God's Word Translation, Holman Christian Standard Bible, International Standard Version, The Message, New American Bible Revised Edition, The Jerusalem Bible, The New Jerusalem Bible, NJPS Tanakh, The first JPS translation, The Living Bible, The Bible in Living English, Young's Literal Translation, King James Version, The Spanish language Reina Valera and even in Bible versions that otherwise do not generally use the Divine Name such as the New King James Version, English Standard Version, J.B. Phillips New Testament, New International Version, Douay-Rheims Version, God's Word Translation, Revised Standard Version, New Revised Standard Version, The Jubilee Bible 2000, New American Standard Bible, New Century Version, New International Reader's Version and several other versions, translations and/or editions in English and other languages varying from once to numerous times depending on the Bible version especially and most notably in Revelation Chapter 19 in Christian and Messianic Jewish Bibles.

ellauri108.html on line 104: While he was emperor, many Jamaican Rastas professed the belief that Haile Selassie would never die. The 1974 overthrow of Haile Selassie by the military Derg and his subsequent death in 1975 resulted in a crisis of faith for many practitioners. Some left the movement altogether. Others remained, and developed new strategies for dealing with the news. Some Rastas believed that Selassie did not really die and that claims to the contrary were Western misinformation. To bolster their argument, they pointed to the fact that no corpse had been produced; in reality, Haile Selassie's body had been buried beneath his palace, remaining undiscovered there until 1992. Another perspective within Rastafari acknowledged that Haile Selassie's body had perished, but claimed that his inner essence survived as a spiritual force. A third response within the Rastafari community was that Selassie's death was inconsequential as he had only been a "personification" of Jah rather than Jah himself.

ellauri108.html on line 106: During his life, Selassie described himself as a devout Christian. In a 1967 interview, Selassie was asked about the Rasta belief that he was the Second Coming of Jesus, to which he responded: "I have heard of this idea. I also met certain Rastafarians. I told them clearly that I am a man, that I am mortal, and that I will be replaced by the oncoming generation, and that they should never make a mistake in assuming or pretending that a human being is emanated from a deity." His grandson Ermias Sahle Selassie has said that there is "no doubt that Haile Selassie did not encourage the Rastafari movement". Critics of Rastafari have used this as evidence that Rasta theological beliefs are incorrect, although some Rastas take Selassie's denials as evidence that he was indeed the incarnation of God, based on their reading of the Gospel of Luke.

ellauri108.html on line 108: According to Clarke, Rastafari is "concerned above all else with black consciousness, with rediscovering the identity, personal and racial, of black people". The Rastafari movement began among Afro-Jamaicans who wanted to reject the British imperial culture that dominated Jamaica and replace it with a new identity based on a reclamation of their African heritage. Its emphasis is on the purging of any belief in the inferiority of black people, and the superiority of white people, from the minds of its followers. Rastafari is therefore Afrocentric, equating blackness with the African continent, and endorsing a form of Pan-Africanism.

ellauri108.html on line 110: Practitioners of Rastafari identify themselves with the ancient Israelites—God's chosen people in the Old Testament—and believe that black Africans broadly or Rastas more specifically are either the descendants or the reincarnations of this ancient people. This is similar to beliefs in Judaism, although many Rastas believe that contemporary Jews' status as the descendants of the ancient Israelites is a false claim. Rastas typically believe that black Africans are God's chosen people, meaning that they made a covenant with him and thus have a special responsibility. Rastafari espouses the view that this, the true identity of black Africans, has been lost and needs to be reclaimed.

ellauri108.html on line 112: There is no uniform Rasta view on race. Black supremacy was a theme early in the movement, with the belief in the existence of a distinctly black African race that is superior to other racial groups. While some still hold this belief, non-black Rastas are now widely accepted in the movement.  Rastafari's history has opened the religion to accusations of racism.  Cashmore noted that there was an "implicit potential" for racism in Rasta beliefs but he also noted that racism was not "intrinsic" to the religion. Some Rastas have acknowledged that there is racism in the movement, primarily against Europeans and Asians. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta. Other Rasta sects believe that an "African" identity is not inherently linked to black skin but rather is about whether an individual displays an African "attitude" or "spirit".

ellauri108.html on line 117: Rastas view Babylon as being responsible for both the Atlantic slave trade which removed enslaved Africans from their continent and the ongoing poverty which plagues the African diaspora. Rastas turn to Biblical scripture to explain the Atlantic slave trade, believing that the enslavement, exile, and exploitation of black Africans was punishment for failing to live up to their status as Jah's chosen people. Many Rastas, adopting a Pan-Africanist ethos, have criticised the division of Africa into nation-states, regarding this as a Babylonian development, and are often hostile to capitalist resource extraction from the continent. Rastas seek to delegitimise and destroy Babylon, something often conveyed in the Rasta aphorism "Chant down Babylon". Rastas often expect the white-dominated society to dismiss their beliefs as false, and when this happens they see it as confirmation of the correctness of their faith.

ellauri108.html on line 121: In portraying Africa as their "Promised Land", Rastas reflect their desire to escape what they perceive as the domination and degradation that they experience in Babylon. During the first three decades of the Rastafari movement, it placed strong emphasis on the need for the African diaspora to be repatriated to Africa. To this end, various Rastas lobbied the Jamaican government and United Nations to oversee this resettlement process. Other Rastas organised their own transportation to the African continent. Critics of the movement have argued that the migration of the entire African diaspora to Africa is implausible, particularly as no African country would welcome this.

ellauri108.html on line 123: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent. The term "liberation before repatriation" began to be used within the movement. Some Rastas seek to transform Western society so that they may more comfortably live within it rather than seeking to move to Africa. There are nevertheless many Rastas who continue to emphasise the need for physical resettlement of the African diaspora in Africa.

ellauri108.html on line 125: Rastafari is a millenarian movement, espousing the idea that the present age will come to an apocalyptic end. Many practitioners believe that on this Day of Judgement, Babylon will be overthrown, with Rastas being the chosen few who survive the upheaval. With Babylon destroyed, Rastas believe that humanity will be ushered into a "new age". This is conceived as being a millennium of peace, justice, and happiness in which the righteous shall live in Africa, now a paradise. In the 1980s, many Rastas believed that the Day of Judgment would happen around the year 2000. A view then common in the Rasta community was that the world's white people would wipe themselves out through nuclear war, with black Africans then ruling the world, something that they argued was prophesied in the Book of Daniel.

ellauri108.html on line 127: Rastas do not believe that there is a specific afterlife to which individuals go following bodily death. They believe in the possibility of eternal life, and that only those who shun righteousness will actually die. The scholar of religion Leonard E. Barrett observed some Jamaican Rastas who believed that those practitioners who did die had not been faithful to Jah. He suggested that this attitude stemmed from the large numbers of young people that were then members of the movement, and who had thus seen only few Rastas die. Another Rasta view is that those who are righteous will undergo reincarnation, with an individual's identity remaining throughout each of their incarnations. In keeping with their views on death, Rastas eschew celebrating physical death and often avoid funerals, also repudiating the practice of ancestor veneration that is common among traditional African religions.

ellauri108.html on line 129: Most Rastas share a pair of fundamental moral principles known as the "two great commandments": love of a black male God and love of neighbour if he too is black and male. Many Rastas believe that to determine whether they should undertake a certain act or not, they should consult the presence of Jah within themselves. He's the little red orange and green duck in your left ear. Do not listen to the little white Jesus duck on the right, he is the deevil. 

ellauri108.html on line 131: Rastafari promotes the idea of "living naturally", in accordance with what Rastas regard as nature's laws. It endorses the idea that Africa is the "natural" abode of black Africans, a continent where they can live according to African culture and tradition and be themselves on a physical, emotional, and intellectual level. Practitioners believe that Westerners and Babylon have detached themselves from nature through technological development and thus have become debilitated, slothful, and decadent. Some Rastas express the view that they should adhere to what they regard as African laws rather than the laws of Babylon, thus defending their involvement in certain acts which may be illegal in the countries that they are living in. In emphasising this Afrocentric approach, Rastafari expresses overtones of black nationalism.

ellauri108.html on line 133: Some Rastas have promoted activism as a means of achieving socio-political reform, while others believe in awaiting change that will be brought about through divine intervention in human affairs. In Jamaica, Rastas typically do not vote, derogatorily dismissing politics as "politricks", and rarely involve themselves in political parties or unions. The Rasta tendency to believe that socio-political change is inevitable opens the religion up to the criticism from the political left that it encourages adherents to do little or nothing to alter the status quo. Other Rastas do engage in political activism; the Ghanaian Rasta singer-songwriter Rocky Dawuni for instance was involved in campaigns promoting democratic elections, while in Grenada, many Rastas joined the People's Revolutionary Government formed in 1979.

ellauri108.html on line 137: Rasta women usually wear clothing that covers their head and hides their body contours. Trousers are usually avoided, in favour of long skirts. Women are expected to cover their head while praying, and in some Rasta groups this is expected of them whenever in public. Rasta discourse insists this female dress code is necessary to prevent women attracting men and presents it as an antidote to the sexual objectification of women in Babylon. Rasta men are permitted to wear whatever they choose. Although men and women took part alongside each other in early Rasta rituals, from the late 1940s and 1950s the Rasta community increasingly encouraged gender segregation for ceremonies. This was legitimised with the explanation that women were impure through menstruation and that their presence at the ceremonies would distract male participants.

ellauri108.html on line 139: As it existed in Jamaica, Rastafari did not promote monogamy. Rasta men are permitted multiple female sex partners, while women are expected to reserve their sexual activity for one male partner. Marriage is not usually formalised through legal ceremonies but is a common-law affair, although many Rastas are legally married. Rasta men refer to their female partners as "queens", or "empresses", while the males in these relationships are known as "kingmen". Rastafari places great importance on family life and the raising of children, with reproduction being encouraged. The religion emphasises the place of men in child-rearing, associating this with the recovery of African manhood. Women often work, sometimes while the man raises the children at home. Rastafari typically rejects feminism, although since the 1970s growing numbers of Rasta women have called for greater gender equity in the movement. The scholar Terisa E. Turner for instance encountered Kenyan feminists who were appropriating Rastafari content to suit their political agenda. Some Rasta women have challenged gender norms by wearing their hair uncovered in public and donning trousers.

ellauri108.html on line 143: Rastas refer to their cultural and religious practices as "livity". Rastafari does not place emphasis on hierarchical structures. It has no professional priesthood, with Rastas believing that there is no need for a priest to act as mediator between the worshipper and divinity. It nevertheless has "elders", an honorific title bestowed upon those with a good reputation among the community. Although respected figures, they do not necessarily have administrative functions or responsibilities. When they do oversee ritual meetings, they are often responsible for helping to interpret current events in terms of Biblical scripture. Elders often communicate with each other through a network to plan movement events and form strategies. 

ellauri108.html on line 145: The term "grounding" is used among Rastas to refer to the establishment of relationships between like-minded practitioners. Groundings often take place in a commune or yard, and are presided over by an elder. The elder is charged with keeping discipline and can ban individuals from attending. The number of participants can range from a handful to several hundred. Activities that take place at groundings include the playing of drums, chanting, the singing of hymns, and the recitation of poetry. Cannabis, known as ganja, is often smoked. Most groundings contain only men, although some Rasta women have established their own all-female grounding circles.

ellauri108.html on line 148: Princes shall come out of Egypt, Ethiopia shall stretch forth her hand unto God. Oh thou God of Ethiopia, thou God of divine majesty, thy spirit come within our hearts to dwell in the parts of righteousness. That the hungry be fed, the sick nourished, the aged protected, and the infant cared for. Teach us love and loyalty as it is in Zion.

ellauri108.html on line 150: The largest groundings were known as "groundations" or "grounations" in the 1950s, although they were subsequently re-termed "Nyabinghi Issemblies". The term "Nyabinghi" is adopted from the name of a mythical African queen. Nyabinghi Issemblies are often held on dates associated with Ethiopia and Haile Selassie. These include Ethiopian Christmas (7 January), the day on which Haile Selassie visited Jamaica (21 April), Selassie's birthday (23 July), Ethiopian New Year (11 September), and Selassie's coronation day (2 November). Some Rastas also organise Nyabinghi Issemblies to mark Jamaica's Emancipation Day (1 August) and Marcus Garvey's birthday (17 August). A group of Rastas in Liberia celebrate Marcus Garvey's birthday.

ellauri108.html on line 156: In Rastafari, cannabis is considered a sacrament. Rastas argue that the use of ganja is promoted in the Bible, specifically in Genesis, Psalms, and Revelation. They regard it as having healing properties, eulogise it for inducing feelings of "peace and love", and claim that it cultivates a form of personal introspection that allows the smokers to discover their inner divinity. Some Rastas believe that cannabis smoke serves as an incense that counteracts immoral practices in society.

ellauri108.html on line 166: The bass-line of Rasta music is provided by the akete, a three-drum set, which is accompanied by percussion instruments like rattles and tambourines. A syncopated rhythm is then provided by the fundeh drum. In addition, a peta drum improvises over the rhythm. The different components of the music are regarded as displaying different symbolism; the bassline symbolises blows against Babylon, while the lighter beats denote hope for the future.

ellauri108.html on line 173: Rastas regularly use the three colours of the Ethiopian flag for their movement, although they often add black to this tricolour, symbolising the black skin of the African people

ellauri108.html on line 175: Rastas make wide use of the pronoun "I". This denotes the Rasta view that the self is divine, and reminds each Rasta that they are not a slave and have value, worth, and dignity as a human being. For instance, Rastas use "I" in place of "me", "I and I" in place of "we", "I-ceive" in place of "receive", "I-sire" in place of "desire", "I-rate" in place of "create", and "I-men" in place of "Amen". Rastas refer to this process as "InI Consciousness" or "Isciousness". Rastas typically refer to Haile Selassie as "Haile Selassie I", thus indicating their belief in his divinity. Rastas also typically believe that the phonetics of a word should be linked to its meaning. For instance, Rastas often use the word "downpression" in place of "oppression" because oppression bears down on people rather than lifting them up, with "up" being phonetically akin to "opp-". Similarly, they often favour "livicate" over "dedicate" because "ded-" is phonetically akin to the word "dead". In the early decades of the religion's development, Rastas often said "Peace and Love" as a greeting, although the use of this declined as Rastafari matured.

ellauri108.html on line 177: Rastas often make use of the colours red, black, green, and gold. Red, gold, and green were used in the Ethiopian flag, while, prior to the development of Rastafari, the Jamaican black nationalist activist Marcus Garvey had used red, green, and black as the colours for the Pan-African flag representing his United Negro Improvement Association. According to Garvey, the red symbolised the blood of martyrs, the black symbolised the skin of Africans, and the green represented the vegetation of the land, an interpretation endorsed by some Rastas. The colour gold is often included alongside Garvey's three colours; it has been adopted from the Jamaican flag, and is often interpreted as symbolising the minerals and raw materials which constitute Africa's wealth. Rastas often paint these colours onto their buildings, vehicles, kiosks, and other items, or display them on their clothing, helping to distinguish Rastas from non-Rastas and allowing adherents to recognise their co-religionists. As well as being used by Rastas, the colour set has also been adopted by Pan-Africanists more broadly, who use it to display their identification with Afrocentricity; for this reason it was adopted on the flags of many post-independence African states. Rastas often accompany the use of these three or four colours with the image of the Lion of Judah, also adopted from the Ethiopian flag and symbolizing Haile Selassie.

ellauri108.html on line 187: Rastas use their physical appearance as a means of visually demarcating themselves from non-Rastas like the whites. Male practitioners will often grow long beards, and many Rastas prefer to wear African styles of clothing, such as dashikis, rather than styles that originated in Western countries. However, it is the formation of hair into dreadlocks that is one of the most recognisable Rasta symbols. Rastas believe that dreadlocks are promoted in the Bible, specifically in the Book of Numbers, and regard them as a symbol of strength linked to the hair of the Biblical figure of Samson. They argue that their dreadlocks mark a covenant that they have made with Jah, and reflect their commitment to the idea of 'naturalness'. They also perceive the wearing of dreads as a symbolic rejection of Babylon and a refusal to conform to its norms regarding grooming aesthetics. Rastas are often critical of black people who straighten their hair, believing that it is an attempt to imitate white European hair and thus reflects alienation from a person's African identity. Sometimes this dreadlocked hair is then shaped and styled, often inspired by a lion's mane symbolising Haile Selassie, who is regarded as "the Conquering Lion of Judah".

ellauri108.html on line 191: From the beginning of the Rastafari movement in the 1930s, adherents typically grew beards and tall hair, perhaps in imitation of Haile Selassie. The wearing of hair as dreadlocks then emerged as a Rasta practice in the 1940s; there were debates within the movement as to whether dreadlocks should be worn or not, with proponents of the style becoming dominant. There are various claims as to how this practice was adopted. One claim is that it was adopted in imitation of certain African nations, such as the Maasai, Somalis, or Oromo, or that it was inspired by the hairstyles worn by some of those involved in the anti-colonialist Mau Mau Uprising in Kenya. An alternative explanation is that it was inspired by the hairstyles of the Hindu sadhus.

ellauri108.html on line 195: Rastafari developed out of the legacy of the Atlantic slave trade, in which over ten million Africans were enslaved and transported to the Americas between the 16th and 19th centuries. Under 700,000 of these slaves were settled in the British colony of Jamaica. The British government abolished slavery in the Caribbean island in 1834, although racial prejudice remained prevalent across Jamaican society.

ellauri108.html on line 199: Further contributing significantly to Rastafari's development were Ethiopianism and the Back to Africa ethos, both traditions with 18th-century roots. In the 19th century, there were growing calls for the African diaspora located in Western Europe and the Americas to be resettled in Africa, with some of this diaspora establishing colonies in Sierra Leone and Liberia. Based in Liberia, the black Christian preacher Edward Wilmot Blyden began promoting African pride and the preservation of African tradition, customs, and institutions. Also spreading throughout Africa was Ethiopianism, a movement that accorded special status to the east African nation of Ethiopia because it was mentioned in various Biblical passages. For adherents of Ethiopianism, "Ethiopia" was regarded as a synonym of Africa as a whole.

ellauri108.html on line 201: Marcus Garvey, a prominent black nationalist theorist who heavily influenced Rastafari and is regarded as a prophet by many Rastas. The Jamaican activist Marcus Garvey, spent much of his adult life in the US and Britain. Garvey supported the idea of global racial separatism and called for part of the African diaspora to relocate to Africa. His ideas faced opposition from civil rights activists like W. E. B. Du Bois who supported racial integration, and as a mass movement, Garveyism declined in the Great Depression of the 1930s. A rumour later spread that in 1916, Garvey had called on his supporters to "look to Africa" for the crowning of a black king; this quote was never verified. However, in August 1930, Garvey's play, Coronation of an African King, was performed in Kingston. Its plot revolved around the crowning of the fictional Prince Cudjoe of Sudan, although it anticipated the crowning of Haile Selassie later that year. Rastas hold Garvey in great esteem, with many regarding him as a prophet. Garvey knew of Rastafari, but took a largely negative view of the religion; he also became a critic of Haile Selassie, calling him "a great coward" who rules a "country where black men are chained and flogged".

ellauri108.html on line 203: Haile Selassie was crowned Emperor of Ethiopia in 1930. A number of Jamaica's Christian clergymen claimed that Selassie's coronation was evidence that he was the black messiah that they believed was prophesied in the Book of Revelation, the Book of Daniel, and Psalms. Over the following years, several street preachers—most notably Leonard Howell, Archibald Dunkley, Robert Hinds, and Joseph Hibbert—began claiming that Haile Selassie was the returned Jesus. They first did so in Kingston, and soon the message spread throughout 1930s Jamaica, especially among poor communities who were hit particularly hard by the Great Depression. Clarke stated that "to all intents and purposes this was the beginning" of the Rastafari movement. 

ellauri108.html on line 205: Howell has been described as the "leading figure" in the early Rastafari movement. He preached that black Africans were superior to white Europeans and that Afro-Jamaicans should owe their allegiance to Haile Selassie rather than to George V, King of Great Britain and Ireland. The island's British authorities arrested him and charged him with sedition in 1934, resulting in his two-year imprisonment. Following his release, Howell established the Ethiopian Salvation Society and in 1939 established a Rasta community, known as Pinnacle, in Saint Catherine Parish. Police feared that Howell was training his followers for an armed rebellion and were angered that it was producing cannabis for sale. They raided the community on several occasions and Howell was imprisoned for a further two years. Upon his release he returned to Pinnacle, but the police continued with their raids and shut down the community in 1954; Howell himself was committed to a mental hospital.

ellauri108.html on line 207: In 1936, Italy invaded and occupied Ethiopia, and Haile Selassie went into exile. The invasion brought international condemnation and led to growing sympathy for the Ethiopian cause. In 1937, Selassie created the Ethiopian World Federation, which established a branch in Jamaica later that decade. In 1941, the British drove the Italians out of Ethiopia and Selassie returned to reclaim his throne. Many Rastas interpreted this as the fulfilment of a prophecy made in the Book of Revelation. 

ellauri108.html on line 214: Rastafari's main appeal was among the lower classes of Jamaican society. For its first thirty years, Rastafari was in a conflictual relationship with the Jamaican authorities. Jamaica's Rastas expressed contempt for many aspects of the island's society, viewing the government, police, bureaucracy, professional classes, and established churches as instruments of Babylon. Relations between practitioners and the police were strained, with Rastas often being arrested for cannabis possession. During the 1950s the movement grew rapidly in Jamaica itself and also spread to other Caribbean islands, the United States, and the United Kingdom.

ellauri108.html on line 216: In the 1940s and 1950s, a more militant brand of Rastafari emerged. The vanguard of this was the House of Youth Black Faith, a group whose members were largely based in West Kingston. Backlash against the Rastas grew after a practitioner of the religion allegedly killed a woman in 1957. In March 1958, the first Rastafarian Universal Convention was held in the settlement of Back-o-Wall, Kingston. Following the event, militant Rastas unsuccessfully tried to capture the city in the name of Haile Selassie. Later that year they tried again in Spanish Town. The increasing militancy of some Rastas resulted in growing alarm about the religion in Jamaica. According to Cashmore, the Rastas became "folk devils" in Jamaican society. In 1959, the self-declared prophet and founder of the African Reform Church, Claudius Henry, sold thousands of tickets to Afro-Jamaicans, including many Rastas, for passage on a ship that he claimed would take them to Africa. The ship never arrived and Henry was charged with fraud. In 1960 he was sentenced to six years imprisonment for conspiring to overthrow the government. Henry's son was accused of being part of a paramilitary cell and executed, confirming public fears about Rasta violence. One of the most prominent clashes between Rastas and law enforcement was the Coral Gardens incident of 1963, in which an initial skirmish between police and Rastas resulted in several deaths and led to a larger roundup of practitioners. Clamping down on the Rasta movement, in 1964 the island's government implemented tougher laws surrounding cannabis use.

ellauri108.html on line 218: At the invitation of Jamaica's government, Haile Selassie visited the island for the first time on 21 April 1966, with thousands of Rastas assembled in the crowd waiting to meet him at the airport. The event was the high point of their discipleship for many of the religion's members. Over the course of the 1960s, Jamaica's Rasta community underwent a process of routinisation, with the late 1960s witnessing the launch of the first official Rastafarian newspaper, the Rastafarian Movement Association's Rasta Voice. The decade also saw Rastafari develop in increasingly complex ways, as it did when some Rastas began to reinterpret the idea that salvation required a physical return to Africa, instead interpreting salvation as coming through a process of mental decolonisation that embraced African approaches to life.

ellauri108.html on line 220: Whereas its membership had previously derived predominantly from poorer sectors of society, in the 1960s Rastafari began attracting support from more privileged groups like students and professional musicians. The foremost group emphasising this approach was the Twelve Tribes of Israel, whose members came to be known as "Uptown Rastas". Among those attracted to Rastafari in this decade were middle-class intellectuals like Leahcim Semaj, who called for the religious community to place greater emphasis on scholarly social theory as a method of achieving change. Although some Jamaican Rastas were critical of him, many came under the influence of the Guyanese black nationalist academic Walter Rodney, who lectured to their community in 1968 before publishing his thoughts as the pamphlet Groundings. Like Rodney, many Jamaican Rastas were influenced by the U.S.-based Black Power movement. After Black Power declined following the deaths of prominent exponents such as Malcolm X, Michael X, and George Jackson, Rastafari filled the vacuum it left for many black youth.

ellauri108.html on line 223: Reggae musician Bob Marley did much to raise international awareness of the Rastafari movement in the 1970s.

ellauri108.html on line 231: The mid-1990s saw a revival of Rastafari-focused reggae associated with musicians like Anthony B, Buju Banton, Luciano, Sizzla, and Capleton. From the 1990s, Jamaica also witnessed the growth of organised political activity within the Rasta community, seen for instance through campaigns for the legalisation of cannabis and the creation of political parties like the Jamaican Alliance Movement and the Imperial Ethiopian World Federation Incorporated Political Party, none of which attained more than minimal electoral support. In 1995, the Rastafari Centralization Organization was established in Jamaica as an attempt to organise the Rastafari community.

ellauri108.html on line 233: Rastafari is not a homogeneous movement and has no single administrative structure, nor any single leader. A majority of Rastas avoid centralised and hierarchical structures because they do not want to replicate the structures of Babylon and because their religion's ultra-individualistic ethos places emphasis on inner divinity. The structure of most Rastafari groups is less like that of Christian denominations and is instead akin to the cellular structure of other African diasporic traditions like Haitian Vodou, Cuban Santería, and Jamaica's Revival Zion. Since the 1970s, there have been attempts to unify all Rastas, namely through the establishment of the Rastafari Movement Association, which sought political mobilisation. In 1982, the first international assembly of Rastafari groups took place in Toronto, Canada. This and subsequent international conferences, assemblies, and workshops have helped to cement global networks and cultivate an international community of Rastas.

ellauri108.html on line 235: Sub-divisions of Rastafari are often referred to as "houses" or "mansions", in keeping with a passage from the Gospel of John (14:2): as translated in the King James Bible, Jesus states "In my father's house are many mansions". The three most prominent branches are the House of Nyabinghi, the Bobo Ashanti, and the Twelve Tribes of Israel, although other important groups include the Church of Haile Selassie I, Inc., and the Fulfilled Rastafari. By fragmenting into different houses without any single leader, Rastafari became more resilient amid opposition from Jamaica's government during the early decades of the movement.

ellauri108.html on line 237: Probably the largest Rastafari group, the House of Nyabinghi is an aggregate of more traditional and militant Rastas who seek to retain the movement close to the way in which it existed during the 1940s. They stress the idea that Haile Selassie was Jah and the reincarnation of Jesus. The wearing of dreadlocks is regarded as indispensable and patriarchal gender roles are strongly emphasised, while, according to Cashmore, they are "vehemently anti-white". Nyabinghi Rastas refuse to compromise with Babylon and are often critical of reggae musicians like Marley, whom they regard as having collaborated with the commercial music industry.

ellauri108.html on line 246: The Church of Haile Selassie, Inc., was founded by Abuna Foxe and operated much like a mainstream Christian church, with a hierarchy of functionaries, weekly services, and Sunday schools. In adopting this broad approach, the Church seeks to develop Rastafari's respectability in wider society. Fulfilled Rastafari is a multi-ethnic movement that has spread in popularity during the 21st century, in large part through the Internet. The Fulfilled Rastafari group accept Haile Selassie's statements that he was a man and that he was a devout Christian, and so place emphasis on worshipping Jesus through the example set forth by Haile Selassie. The wearing of dreadlocks and the adherence to an ital diet are considered issues up to the individual.

ellauri108.html on line 248: Born in the ghettos of Kingston, Jamaica, the Rastafarian movement has captured the imagination of thousands of black youth, and some white youth, throughout Jamaica, the Caribbean, Britain, France, and other countries in Western Europe and North America. It is also to be found in smaller numbers in parts of Africa—for example, in Ethiopia, Ghana, and Senegal—and in Australia and New Zealand, particularly among the Maori.

ellauri108.html on line 252: The Rasta message resonates with many people who feel marginalised and alienated by the values and institutions of their society. Internationally, it has proved most popular among the poor and among marginalised youth. In valorising Africa and blackness, Rastafari provides a positive identity for youth in the African diaspora by allowing them to psychologically reject their social stigmatisation. It then provides these disaffected people with the discursive stance from which they can challenge capitalism and consumerism, providing them with symbols of resistance and defiance. Cashmore expressed the view that "whenever there are black people who sense an injust disparity between their own material conditions and those of the whites who surround them and tend to control major social institutions, the Rasta messages have relevance."

ellauri108.html on line 256: Rastas often claim that—rather than converting to the religion—they were actually always a Rasta and that their embrace of its beliefs was merely the realisation of this. There is no formal ritual carried out to mark an individual's entry into the Rastafari movement, although once they do join an individual often changes their name, with many including the prefix "Ras". Rastas regard themselves as an exclusive and elite community, membership of which is restricted to those who have the "insight" to recognise Haile Selassie's importance. Practitioners thus often regard themselves as the "enlightened ones" who have "seen the light". Many of them see no point in establishing good relations with non-Rastas, believing that the latter will never accept Rastafari doctrine as truth.

ellauri108.html on line 262: Barrett described Rastafari as "the largest, most identifiable, indigenous movement in Jamaica." In the mid-1980s, there were approximately 70,000 members and sympathisers of Rastafari in Jamaica. The majority were male, working-class, former Christians aged between 18 and 40. In the 2011 Jamaican census, 29,026 individuals identified as Rastas. Jamaica's Rastas were initially entirely from the Afro-Jamaican majority, and although Afro-Jamaicans are still the majority, Rastafari has also gained members from the island's Chinese, Indian, Afro-Chinese, Afro-Jewish, mulatto, and white minorities. Until 1965 the vast majority were from the lower classes, although it has since attracted many middle-class members; by the 1980s there were Jamaican Rastas working as lawyers and university professors. Jamaica is often valorised by Rastas as the fountain-head of their faith, and many Rastas living elsewhere travel to the island on pilgrimage.

ellauri108.html on line 264: Both through travel between the islands, and through reggae's popularity, Rastafari spread across the eastern Caribbean during the 1970s. Here, its ideas complemented the anti-colonial and Afrocentric views prevalent in countries like Trinidad, Grenada, Dominica, and St Vincent. In these countries, the early Rastas often engaged in cultural and political movements to a greater extent than their Jamaican counterparts had. Various Rastas were involved in Grenada's 1979 New Jewel Movement and were given positions in the Grenadine government until it was overthrown and replaced following the U.S. invasion of 1983. Although Fidel Castro's Marxist–Leninist government generally discouraged foreign influences, Rastafari was introduced to Cuba alongside reggae in the 1970s. Foreign Rastas studying in Cuba during the 1990s connected with its reggae scene and helped to further ground it in Rasta beliefs. In Cuba, most Rastas have been male and from the Afro-Cuban population.

ellauri108.html on line 272: In the 1960s, a Rasta settlement was established in Shashamane, Ethiopia, on land made available by Haile Selassie's Ethiopian World Federation. The community faced many problems; 500 acres were confiscated by the Marxist government of Mengistu Haile Mariam. There were also conflicts with local Ethiopians, who largely regarded the incoming Rastas, and their Ethiopian-born children, as foreigners. The Shashamane community peaked at a population of 2,000, although subsequently declined to around 200.

ellauri108.html on line 302: In January, the Goulds demanded that their family name be removed from the Holocaust center because Moyo had refused to accept their interpretation of the center’s mission.

ellauri108.html on line 381: I know Jah will provide, Benjy says with certainty. When that truth came I had no money, no job, no food. The child, my child, is crying and crying, my wife can't shut him up. As a matter of fact, she schedaadled. Just vamoosed. I am so vexed I can't pray no more. So I open the door and look to the sea. There I see a boat with three fishermen in it. The men are fishing but there is no space in the boat for another person. Out there on the sea, the waves are tall. Behind that boat, I see someone swimming. A little boy swimming along after the boat. I am wondering why the fishermen don't stop to pick up the boy in such a rough sea. But then I come to an understandingand it is Jah who put this idea into my head. That little boy's job is to dive for the fish traps, bring them up from the bottom. He is diving in that rough, rough sea for fish traps, and raising them up, all heavy with saltwater, all by himself. Just a little boy, too. Maybe ten years old. But so strong. Sometimes the sea cover him. I wouldn't see him or the boat. Then they would bounce him back into the sea. 

ellauri108.html on line 393: overview-images/011-meshach-shadrach-abednego.jpg?1538658219" height="200px" />

ellauri108.html on line 408: These four Hebrew youths soon proved themselves to be exceptionally wise. As a result, they found favor with King Nebuchadnezzar. When Daniel turned out to be the only man capable of interpreting one of Nebuchadnezzar's troubling dreams, the king placed him in a high position over the whole province of Babylon, including over all of the wise men of the land. At Daniel's request, the king appointed Shadrach, Meshach, and Abednego as Daniel's advisors.

ellauri108.html on line 463:     Practitioners of Rastafari identify themselves with the ancient Israelites—God's chosen people in the Old Testament—and believe that black Africans broadly or Rastas more specifically are either the descendants or the reincarnations of this ancient people.[102] This is similar to beliefs in Judaism,[103] although many Rastas believe that contemporary Jews' status as the descendants of the ancient Israelites is a false claim.[104] Rastas typically believe that black Africans are God's chosen people, meaning that they made a covenant with him and thus have a special responsibility. Rastafari espouses the view that this, the true identity of black Africans, has been lost and needs to be reclaimed. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta.

ellauri108.html on line 479: During the first three decades of the Rastafari movement, it placed strong emphasis on the need for the African diaspora to be repatriated to Africa. To this end, various Rastas lobbied the Jamaican government and United Nations to oversee this resettlement process. Other Rastas organised their own transportation to the African continent. Critics of the movement have argued that the migration of the entire African diaspora to Africa is implausible, particularly as no African country would welcome this.

ellauri108.html on line 481: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent.

ellauri108.html on line 483: The term "liberation before repatriation" began to be used within the movement. Some Rastas seek to transform Western society so that they may more comfortably live within it rather than seeking to move to Africa.

ellauri108.html on line 485: Rastafari is a millenarian movement, espousing the idea that the present age will come to an apocalyptic end. Many practitioners believe that on this Day of Judgement, Babylon will be overthrown, with Rastas being the chosen few who survive the upheaval. With Babylon destroyed, Rastas believe that humanity will be ushered into a "new age". This is conceived as being a millennium of peace, justice, and happiness in which the righteous shall live in Africa, now a paradise.

ellauri108.html on line 489: Rastas do not believe that there is a specific afterlife to which individuals go following bodily death. They believe in the possibility of eternal life, and that only those who shun righteousness will actually die. The scholar of religion Leonard E. Barrett observed some Jamaican Rastas who believed that those practitioners who did die had not been faithful to Jah. He suggested that this attitude stemmed from the large numbers of young people that were then members of the movement, and who had thus seen only few Rastas die. Another Rasta view is that those who are righteous will undergo reincarnation, with an individual's identity remaining throughout each of their incarnations. In keeping with their views on death, Rastas eschew celebrating physical death and often avoid funerals, also repudiating the practice of ancestor veneration that is common among traditional African religions.

ellauri109.html on line 33:       Ezin Phillun ziteeraamaa zitaattia Tarmo Mannilta, ei löytynyt, mutta löytyi kokonainen weppisivullinen saxalaisia muistokirjoituxiin soveltuvia zitaatteja tutuilta ja tuntemattomilta julkkixilta. Ne on aika lällyjä. Kopsasin ne tähän ja kirjoitin perään omat huomautuxet.

ellauri109.html on line 274: Shortly after the September 11 attacks, Searle wrote an article arguing that the attacks were a particular event in a long-term struggle against forces that are intractably opposed to the United States, and signaled support for a more aggressive neoconservative interventionist foreign policy. He called for the realization that the United States is in a more-or-less permanent state of war with these forces. Moreover, a probable course of action would be to deny terrorists the use of foreign territory from which to stage their attacks. Finally, he alluded to the long-term nature of the conflict and blamed the attacks on the lack of American resolve to deal forcefully with America's enemies over the past several decades.

ellauri109.html on line 280: On June 19, 2019, following campus disciplinary proceedings by Berkeley's Office for the Prevention of Harassment and Discrimination (OPHD), University of California President Janet Napolitano approved a recommendation that Searle have his emeritus status revoked, after a determination that he violated university policies against sexual harassment.

ellauri109.html on line 321: The merchant Hans Kohlhase lived in Cölln on the Spree (now incorporated into Berlin) in the Margraviate of Brandenburg in the 16th century. In October 1532 he set out on a trip to the Leipzig Trade Fair in the neighboring Electorate of Saxony. On the way two of his horses were seized, at the command of the Junker von Zaschwitz, as a supposed fee for passage through Saxony. Kohlhase sought redress in the Saxon courts but failed to obtain it. Outraged, he issued a public challenge in 1534 and burned down houses in Wittenberg. Even a letter of admonition from Martin Luther could not dissuade him, and Kohlhase and the band he collected committed further acts of terror. In 1540 he was finally captured and tried, and was publicly broken on the wheel in Berlin on 22 March 1540. From this history Kleist fashioned a novella that dramatized a personal quest for justice in defiance of the claims of the general law and the community.

ellauri109.html on line 323: Kleist opposed Napoleon. He was a sort of Fundamental German militating against Bonaparte's European Union and first and foremost, the recovery fund.

ellauri109.html on line 332: In the spring of 1799, the 21-year-old Kleist wrote a letter to his half-sister Ulrike [de] in which he found it "incomprehensible how a human being can live without a life plan" (Lebensplan). In effect, Kleist sought and discovered an overwhelming sense of security by looking to the future with a definitive plan for his life. It brought him happiness and assured him of confidence, especially knowing life without a plan only saw despair and discomfort. The irony of his suicide is the fodder of his critics.

ellauri109.html on line 379: Though married to Hippolyte Colet, Louise had a steamy eight-year affair, in two stages, with Gustave Flaubert. The relationship turned sour, however, and they broke up. Louise was allegedly so angered by her breakup with Flaubert, she wrote a novel, Lui, in an effort to target Flaubert. However, Colet's book has failed to have the lasting significance of Madame Bovary.

ellauri109.html on line 465:   To Fuscus the city-lover I the country-lover Send greetings.

ellauri109.html on line 468:   And we nod in agreement like old familiar doves.

ellauri109.html on line 474:     Translations of the fable were familiar enough in Britain but the subject of male bonding left some readers uneasy (as it very obviously did Elizur Wright). Eventually there appeared an 18th-century version in octosyllabic couplets that claimed to be ‘improved from Fontaine’. Here the couple are a male and female named Columbo and Turturella.

ellauri109.html on line 476: Two pigeons (or doves in Elizur Wright's American translation) live together in the closest friendship and 'cherish for each other/The love that brother hath for brother.' One of them yearns for a change of scene and eventually flies off on what he promises will be only a three-day adventure. During this time he is caught in a storm with little shelter, ensnared, attacked by predators and then injured by a boy with a sling, returning with relief to roam no more.

ellauri109.html on line 490: »Ja», Spielvogel sanoi, »te unohdatte sopivastí jalleen kerran wisconsinilaisen opettajatoverinne nuoren vaimon.» »Hyvä luoja, kuka te olette, Pyhä Pietari? Kuulkaa, minä saatan olla lapsellinen ja heikko, mină saatan olla jopa teidän rakkaimpien unienne narsisti mutta minä en ole elukka! Minä en ole pummí enkä irstailija enkä gigolo enkä mikään kävelevä penis. Miksi te haluatte kuvata minut sellaiseksi? Miksi te haluatte luonnehtia minut kirjoituksessanne jonkinlaiseksi sydämettömäksi raiskaajantekeleeksi? Täytyy, täytyy olla jokin toinen tapa Karenin ja minun suhteen kuvaamiseksi.»

ellauri109.html on line 509: Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction.

ellauri109.html on line 519: In Roth’s “Exit Ghost” (2007), the last of the Zuckerman books, half a century has elapsed since the visit with Lonoff. Zuckerman, suffering from prostate cancer, has been sapped of his physical and creative vitality. Yet his greatest anxiety does not concern his impotence and incontinence, or his deteriorating short-term memory. He fears, above all, the tyranny of the biographer.

ellauri109.html on line 531: Roth was not an academic prodigy; his teachers sensed his intelligence but they were not overawed by his classroom performance.

ellauri109.html on line 549: His first, and longest, novel, “Letting Go,” published in 1962, lacked the vibrancy of the early stories, and he struggled for the next several years to free himself from its slightly ponderous Jamesian style.

ellauri109.html on line 551: Kleinschmidt published a journal article in which he describes the case of a “successful Southern playwright” with an overbearing mother: “His rebellion was sexualized, leading to compulsive masturbation which provided an outlet for a myriad of hostile fantasies. These same masturbatory fantasies he both acted out and channeled into his writing.” Roth, who was obviously Kleinschmidt’s “playwright,” saw the article just after finishing the novel. He spent multiple sessions berating Kleinschmidt for this “psychoanalytic cartoon” and yet continued his analysis with him for years.

ellauri109.html on line 561: Cold-hearted betrayer of the most intimate confessions, cutthroat caricaturist of your own loving parents, graphic reporter of encounters with women to whom you have been deeply bound by trust, by sex, by love—no, the virtue racket ill becomes you.

ellauri109.html on line 563: Roth spent much of his life in pain. Many spinal surgeries followed his mishap in the Army. Diagnosed with heart disease before he was fifty, Roth lived with an acute sense of imminent catastrophe. In 1989, when he was fifty-six, he was swimming laps in his pool and was overwhelmed by chest pain. The next day, he had quintuple-bypass surgery.

ellauri109.html on line 565: “Sabbath’s Theater” (1995). is probably the most profane of Roth’s novels; it was also his favorite, the book in which he felt himself to be utterly free and at his best. “Céline is my Proust,” he used to say.

ellauri109.html on line 567: Roth and Bloom divorced, miserably, in 1995. A year later, Bloom published a memoir, “Leaving a Doll’s House,” in which Roth was depicted as brilliant and initially attentive to the demands of her career, but also as unpredictable, unfaithful, remote, and, at times, horribly unkind, not least about Bloom’s devotion to her grown daughter. The book quoted incensed faxes that Roth sent Bloom at the end of their union, demanding that she pay sixty-two billion dollars for failing to honor their prenuptial agreement, and another bill for the “five or six hundred hours” that he had spent going over her lines with her.

ellauri109.html on line 569: Roth was flattened by “Leaving a Doll’s House” and the bad publicity that came with it. He never got over it. “You know what Chekhov said when someone said to him ‘This too shall pass?’ ” Roth told Bailey. “ ‘Nothing passes.’ Put that in the fucking book.”

ellauri109.html on line 575: Roth’s mental health, like his physical health, proved less than stable. There were harrowing periods of depression; a Halcion-induced breakdown; stays at a psychiatric hospital.

ellauri109.html on line 579: Sizillä oli noita reaktionäärisiä novelleja  “I Married a Communist,” “The Human Stain,” “The Plot Against America”. Nekin on täynnä sitä ihteään.

ellauri109.html on line 591: Roth began to hear that Miller was describing him as “manic-depressive.” The theatre critic and producer Robert Brustein, an old friend of Roth’s, reported back that Miller had told him, “He knows he’s writing shit now. It just lies there like a lox.” By the end of 2009, the arrangement and the friendship were over. So was Roths career.

ellauri109.html on line 595: He took victory laps at birthday celebrations and symposiums on his work. He accepted a medal from Barack Obama. In 2014, he was even awarded an honorary degree from the Jewish Theological Seminary. The headline the next day in The Forward read “Philip Roth, Once Outcast, Joins Jewish Fold.” There were, for a while, love affairs with much younger women, even talk of having a child. Then he retired from sex, too.

ellauri109.html on line 603: That first summer I spent a week in Connecticut, interviewing him six hours a day in his studio. Now and then we had to take bathroom breaks, and we could hear each other’s muffled streams through the door. One lovely sun-dappled afternoon I sat on his studio couch, listening to our greatest living novelist empty his bladder, and reflected that this was about as good as it gets for an American literary biographer.

ellauri109.html on line 609: At the University of Pennsylvania, a friend and colleague—acting, the friend admits, almost as a “pimp”—helped Roth fill the last seats in his oversubscribed classes with particularly attractive undergraduates. Roth’s treatment of a young woman named Felicity (a pseudonym), a friend and house guest of Claire Bloom’s daughter, is particularly disturbing. Roth made a sexual overture to Felicity, which she rebuffed; the next morning, he left her an irate note accusing her of “sexual hysteria.” When Bloom wrote about the incident in her memoir, Roth answered in his unpublished “Notes” with a sense of affront rather than penitence: “This is what people are. This is what people do. . . . Hate me for what I am, not for what I’m not.”

ellauri109.html on line 615: Roth, who thought of religion as fairy tales and illusion, left strict instructions: no Kaddish, no God, no speeches. Roth had asked a range of friends to read passages from his novels. The mourners heard only the language of Roth and then shovelled dirt into his grave until it was full.

ellauri109.html on line 693: The second part deals with the controversial topics of church authority and transubstantiation. Että tästäkin on jo jauhettu. ÄLÄ JAUHA! huutaa Sepu tuhkalaatikosta. 

ellauri109.html on line 701: Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Baronet (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift.

ellauri109.html on line 704: At Cromwell's funeral on 23 November 1658 Dryden strutted with John Milton and Andrew Marvell. Next Dryden sucked up to the court for a possible patron, but failed. He had to make a living writing for publishers, not for the aristocracy, and thus ultimately for the reading public. Bugger it.

ellauri109.html on line 710: At around 8pm on 18 December 1679, Dryden was attacked in Rose Alley behind the Lamb & Flag pub, near his home in Covent Garden, by thugs hired by the Earl of Rochester, with whom he had a long-standing conflict. The pub was notorious for staging bare-knuckle prize fights, earning the nickname "The Bucket of Blood."

ellauri109.html on line 726: I strove to speak: but horror tied my tongue;

ellauri109.html on line 744: His best-known comedy was Marriage à la Mode (1673). In tragedy, his greatest success was All for Love (1678). Andrew Chesterman thinks he is translators' patron saint. 

ellauri109.html on line 767: celadon (n.) "pale grayish-green color," 1768, from French Céladon , name of a character in the once-popular romance of "l'Astrée" by Honoré d'Urfé (1610); an insipidly sentimental lover who wore bright green clothes, he is named in turn after Celadon (Greek Keladon) , a character in Ovid's "Metamorphoses," whose name is said to mean "sounding with din or clamor."

ellauri109.html on line 804: In other cases children appeared to be recovering in hospitals from relatively minor ailments when the parents were suddenly told they had died.

ellauri109.html on line 816: Three government inquiries have looked into the Yemenite Children Affair, as it is known, since the 1960s, and all have concluded that most children died of diseases and were buried without their parents being informed or involved.

ellauri109.html on line 817: So last year the government of Benjamin Netanyahu decided to open up most of the archives of the public inquiries and put them online.

ellauri109.html on line 820: Post-mortem examinations were carried out on children, who were then buried in mass graves in violation of Jewish tradition, the special Knesset committee on the disappearance of children heard. In some cases the children's hearts were removed for US doctors, who were studying why there was almost no heart disease in Yemen.

ellauri109.html on line 849: However, it was not until he reached his twenties that he discovered what much of his close-knit community already knew: he was adopted.

ellauri110.html on line 108: Haluatko kirjoittaa ikävämpää aihetta käsittelevän novellin? Jokainen razastaja kohtaa pelkoja joskus (vrt. Poku-runo). Mieti mikä olisi pahinta, mikä voisi tapahtua ja kirjoita siitä. Tarinalle kannattaa kexiä onnellinen loppu. Ehkä putoat satulasta ja silmänpohja halkeaa, mutta uskallat lopulta jälleen hypätä esteitä. 

ellauri110.html on line 123: The map shows Houyhnhnms Land to be south of Australia; it indicates Edels Land and Lewins Land to the north, and Nuyts Land to the north-east, on the mainland with the islands of St Francis and St Pieter further east, and Sweers, Maatsuyker and De Wit islands to the east. The map is somewhat careless with the scale, however; Edels Land to Lewins Land are shown adjacent, while in reality they are some 1000 km apart, while the sweep of the Great Australian Bight, from Cape Leeuwin, Australia's south-westerly point to the Maatsuyker Islands, off the southern tip of Tasmania, is over 3000 km.

ellauri110.html on line 135: It is possible to interpret the Houyhnhnms in a number of different ways. One interpretation could be a sign of Swift's liberal views on race, or one could regard Gulliver's preference (and his immediate division of Houyhnhnms into color-based hierarchies) as absurd and the sign of his self-deception. It is now generally accepted that the story involving the Houyhnhnms embody a wholly pessimistic view of the place of man and the meaning of his existence in the universe. In a modern context the story might be seen as presenting an early example of animal rights concerns, especially in Gulliver's account of how horses are cruelly treated in his society and the reversal of roles. The story is a possible inspiration for Pierre Boulle's novel Planet of the Apes.

ellauri110.html on line 137:     Book IV of Gulliver's Travels is the keystone, in some ways, of the entire work,[citation needed] and critics have traditionally answered the question whether Gulliver is insane (and thus just another victim of Swift's satire) by questioning whether or not the Houyhnhnms are truly admirable. Gulliver loves the land and is obedient to a race that is not like his own. The Houyhnhnm society is based upon reason, and only upon reason, and therefore the horses practice eugenics based on their analyses of benefit and cost. They have no religion and their sole morality is the defence of reason, and so they are not particularly moved by pity or a belief in the intrinsic value of life. Gulliver himself, in their company, builds the sails of his skiff from "Yahoo skins".

ellauri110.html on line 145: On one hand, the Houyhnhnms have an orderly and peaceful society. They have philosophy and a language that is entirely free of political and ethical nonsense. They have no word for a lie (and must substitute a circumlocution: "to say a thing which is not"). They also have a form of art that is derived from nature. Outside Gulliver's Travels, Swift had expressed longstanding concern over the corruption of the English language, and he had proposed language reform. He had also, in Battle of the Books and in general in A Tale of a Tub, expressed a preference for the Ancients (Classical authors) because their art was based directly upon nature, and not upon other art.

ellauri110.html on line 221: Pitkän päivän ja illan ja yön mittaan Vetsikko ehtii miettiä elämäänsä moneen suuntaan, hän muistaa lapsuuttaan vaeltaessaan kaupungin katuja jotka niin hyvin tuntee, hän muistaa äidin, hän muistaa naiset; hän katsoo ravintolapöydän meluisaa seuraa ja näkee miten työtoverit ovat jo kaikessa uudessa mukana.

ellauri110.html on line 228:       Päätän että lähdemme matkalle. Ilmoitan elämäntoverille ja mitäs e-toveri, suostuu tietysti. Mutta lähtöpäivän aattona kännään Weilin ja Kuhalla ja herään toimistosta kiltin naisen vierestä. Munanpesu kiireesti ja taxi Laruun, missä e-toveri Anza odottaa suht. kuumana. Tosin eri mielessä kuin eilisillan kiltti nainen. Olen niin tönkkönä etten edes pyydä anteexi. Nukahdin sohvalle (kun kamat oli pussissa, minkä jätän sanomatta viisaasti). 

ellauri110.html on line 234:       Marokko näyttää Skagenilta. Tanskalaisella poeetalla oli alla kolmas kone jo, eli vaimo siis. Bussimatkalla Hannu juo konjakkia salaa, käsi vapisee. Juoppo mikä juoppo. Viinan orja Leinon tavoin. Mutta izeäni minä tässä tuhoan, ize vastaan izestäni, elämäntoverista viis.

ellauri110.html on line 282:       Mitä sitä paizi siitä tytöstä ezin? Johan mulla on elämäntoveri? No nuorempaa pässinlihaa tietysti. Errare humanum est. Homo homini lupus. Olen pölhöläinen, joka aina yrittää enemmän kuin mihin rahkeet riittävät. Mutta kaipa rajoja pitää koitella, ellei koita sieltä ei pääse pukille. 

ellauri110.html on line 296:       Hande passitetaan Lapinlahteen suljetulle selviämään, kun se ei tottele. Vittu mikä persepää. Lapinlahden sairaalassa pidettiin Kiveäkin. Innostun siitä hieman, mutta vain hieman. Lapinlahden lääkäri päästää kirjailijan kotilomalle. Lomalla se lukee Chekhovin novelleja ryssäxi. Se osaa ne ihan ulkoa. Loppulauseen ainakin. Tai size yxinkertaisesti vaan lunttasi. 

ellauri110.html on line 302: The first mention of the story dates back to 26 November 1895 when Chekhov, writing from Melikhovo, informed his correspondent Elena Shavrova: "I am writing now a small story called 'My Bride'." [Моя невеста, Moya nevesta]." He went on: "Once I had a bride... That is what they'd called her: Missyuss. My love for her was strong. That is what I am writing about." Whom did he mean exactly, remained unclear.

ellauri110.html on line 304: The domestic circumstances were apparently not suitable for writing and the work proceeded in fits and starts. "Still cannot finish a small novella I am now engaged with: guests interfere. Starting with 23 December crowds of people are there in my house, I crave for solitude, but as soon as I find myself on my own, I feel nothing but resentment and disgust, remembering how the day had been thrown away. Eating and chatting, eating and chatting all day long," he complained in a 29 December letter to Alexey Suvorin. According to Chekhov's 17 March letter to Viktor Goltsev, the story had been completed in early March.

ellauri110.html on line 306: According to Anton Chekhov's brother Mikhail, the story's location was the village Bogimovo in Kaluga Governorate where Chekhov had spent the summer of 1891. Mikhail Chekhov also names the prototypes for the landlord Belokurov and his partner Lyubov Ivanovna as E.D. Bylim-Kolosovsky and his wife Amnesia.

ellauri110.html on line 308:     Sofia Prorokova, the author of Isaak Levitan's biography, suggested that the house with a terrace and a mezzanine in question might have been the one belonging to Anna N. Turchaninova, whose Gorka estate in the Tver Governorate Chekhov visited in the summer of 1895.According to Prorokova, the story might have been based upon the difficult relationship Levitan had with the Turchaninova sisters (hence the similarity in surnames), of whom the younger one, Varvara, the possible prototype for Zhenya (Missyuss), had a bizarre diminutive nickname, Lyulyu. This view was shared by the literary historian Leonid Grossman.

ellauri110.html on line 318:     Lydia Volchaninova, a good-looking, but very stern and opinionated young teacher with somewhat dictatorial inclinations is deeply engaged in the affairs of the local zemstvo. Devoted to the cause of helping peasants, she is interested in doing and speaking of nothing but practical work, mostly in the fields of medicine and education. Lydia dislikes the protagonist, a landscape painter, who frequently visits their house. From time to time the two clash over problems of both the rural community and Russia as a whole.

ellauri110.html on line 320: The painter discovers a kindred spirit in Lydia's younger sister Zhenya, a dreamy and sensitive girl who spends her time reading, admiring him painting and having long walks. The two fall in love, and an evening comes when, after a walk, the painter lets his feelings out in a passionate outburst. Zhenya responds in kind, but feels she has to tell her mother and sister about their love immediately.

ellauri110.html on line 480:   Loiren rannalla Hande loukkaantuu kun "elämäntoveri" huomauttaa sen tökeröstä käytöxestä. Hande säntää suutuxissaan kesken linnakierrosta hortoilemaan kylille. Mistä kylästynyt "elämäntoveri" sen sitten poimii kyytiin uudestaan. Hande on kuin ei mitään olisi tapahtunut. Matkasta jäi paljosta konjakista huolimatta hapan maku suuhun. Handelle. Se on sotamies rannalla Vaasan linnassa.

ellauri110.html on line 502:     Paul Gauguinin taulu Mistä tulemme? Keitä olemme? Minne menemme? tulee heti mieleen. Tai myös Leif Salmenin runon lause “Varifrån kommer vi, vart é vi på väg?” Kiitos Lefa siitäkin. Lefa oli pulzarimainen susi jossain Nuoren Voiman sarjakuvassa. En tarkkaan itse tiedä, minne matka tästedes suuntautuu, mutta tunnen sen. Intuitiokin voi olla matkatoverina parempi kuin istuminen paikoillaan. Kännipäisenä Bretagnen matkalla en jaxanut istua hiljaa lepositeissä vasn pyristelin irti turvavöistä kun en ylettynyt konjakkiin. Karttaa en osannut lukea Seijaa paremmin. Tuli vähän tonttuiltua. “Tietä käyden tien on vanki” kuten Aaro Hellaakoski kirjoitti. Tie vie. Tie vie. (Tää on yhestä mun runosta. Hieno loppusointu.)

ellauri110.html on line 569: kun itse hän hävennyt ois.		Herra, valkaise vaivamme yö!		poven paisuvan riemua ain.				

ellauri110.html on line 575: Kas, povet se aukovi paatuneet,		min verran meissä on lempeä,		Ja vaikka hän vaatisi elosi taas,			

ellauri110.html on line 779:   Tässä muutamia näytteitä Hiljalta ja Armaxelta (ei Wilholta). Molemmat on hymistelijöitä, mutta kumpi niistä lienee narsistina nahkeampi? Kun lukee näitä Eikan vuodatuxia, ymmärtää mixe on Handen mestari. Se on vielä kovempi minäminäkaveri kuin Hande (ja parempi). 

ellauri110.html on line 843: No Hande lähtee Otavasta ovet paukkuen kahdexantena veljexenä kun ne ei huoli sen Roope Uusitaloa.

ellauri110.html on line 952:     Ha escrito poesía, novela, teatro y ensayo. Su obra pasa de ser intimista a ser comprometida con lo social.

ellauri110.html on line 995: Xavier de Maistre, né à Chambéry le 8 novembre 1763 et mort à Saint-Pétersbourg le 12 juin 1852, est un écrivain savoisien de langue française, un peintre et un général au service du tsar Alexandre Ier de Russie.

ellauri110.html on line 1005: Samuli Paronen (23. toukokuuta 1917 Virolahti – 26. elokuuta 1974 Hämeenlinna) oli suomalainen kirjailija, taidemaalari ja työmies. Vaikka vaatimattomissa oloissa elänyt Paronen julkaisi esikoisteoksensa vasta 47-vuotiaana ja kuoli jo 57-vuotiaana, hän ehti kirjoittaa arvostetun tuotannon: kahdeksan romaania, novellikokoelman ja aforismikokoelman Maailma on sana, josta hänet parhaiten tunnetaan.   

ellauri110.html on line 1077: I hope that a revised version of these conversations will eventually appear in book form. This published version will include extensive accompanying notes, indicating the sources of the views ascribed to Dostoevsky and, where relevant, references to secondary literature. This will especially be in cases where, for example, the views spoken by Dostoevsky may involve controversial points of interpretation or where his own documented views may require comment for twenty-first century readers. However, this is primarily a work of fiction and although it is supported by scholarship and, I hope, raises questions that are of interest to scholars, it is to be read in the way we might read any work of fiction, where whatever instruction the work may offer is accompanied by a element of entertainment.

ellauri110.html on line 1081: A final thought is that although Dostoevsky himself did not write a blog, there is something blog-like in his Diary of a Writer, a self-published opinion piece that ranged freely over the most apparently disparate issues. To those who fear that blogging and other forms of information technology are inherently antagonistic to the values of great literature (I mean Dostoevsky and not myself, of course), I suggest that it is not a medium of which he would have been afraid. Perhaps even one he would have relished.

ellauri110.html on line 1093:   Samalla käy selväxi minkä sorttiset ihmiset tykkää Dostojevskistä. Ne on sellaset joiden mielestä niillä izellään ja elämällä pitää olla joku pointti, muuten millään ei ole mitään pointtia. Ne ezii sitä pointtia kirsu ilmassa ja maassa, nuuhkivat ja vinkuvat, kunnes löytävät, ja löytäväthän ne, ezivä löytää ja ovea jyskyttävälle immigranttipoliisille avataan. 

ellauri110.html on line 1106:     In an age before psychology was a modern scientific field, Fyodor Dostoyevsky (November 11, 1821 – February 9, 1881) was a Russian writer of realist fiction and essays that explored the depths of the human psyche. Known for acclaimed novels Crime and Punishment, The Idiot and The Brothers Karamazov, Dostoyevsky´s work discusses the human mind in a world full of political and social upheaval in 19th century Russia, becoming the forerunner of existentialism.

ellauri110.html on line 1108: Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Romanovich Raskolnikov, an impoverished ex-student in St. Petersburg who theorizes that he can perform good deeds to counterbalance his crime, justifying his actions by referencing Napoleon Bonaparte. The novel is considered one of the greatest novels ever written.

ellauri110.html on line 1126: I have said that I often miss humor in books. I don´t think I missed much in this one. The humor is farcical and broad. It was fascinating to see the great heavyweight of the philosophical novel doing farce.

ellauri110.html on line 1131:     There´s something very Jane Austen about this novella. Or an accelerated, less monotonous version of Tolstoy´s Anna Karenina.

ellauri111.html on line 36: ovelist-when-it-comes-to-the-grim-reality-of-human-suffering-and-evil-Or-are-there-better-Russian-novelists-that-address-these-kinds">Dostoevsky is what russophiles think Russian writers should ne like.

ellauri111.html on line 37: Westerners love psychobabble. American conservatives consider Devils a definitive refutation of socialism. His writing is phantastic but his messages are delusional. The entire Russian literature is depressing. Dostoevsky is theatrical. Apparently, Fyodor improves a lot in translation.

ellauri111.html on line 73:       Musta molemmat yrityxet kuolemattomaxi on aivan yhtä paskaa: ambition on aina perseestä, ja nöyristely on nilkkimäistä siihen pyrkimistä takaovesta, siis yhtä perseestä. Ambition, guilt and pride, kaikki ällösanoja. Venäläinen naisdostojevskitutkija Kovalevskaja on sitä mieltä, että Dosto matki Shakespearea, ja oli sen kanssa samaa mieltä että joka kuuseen kurkottaa, se katajaan kapsahtaa, eli ahneella on paska loppu. 

ellauri111.html on line 96: (incl. Susanna & the three men in the oven).

ellauri111.html on line 120: The apocryphal books were never acknowledged as sacred scriptures by the Jews, custodians of the Hebrew scriptures (and the murderers of Christ. The apocrypha was written prior to the New Testament.) In fact, the Jewish people rejected and destroyed the apocrypha after the overthow of Jerusalem in 70 A.D.

ellauri111.html on line 200: In 1886, after an intense pursuit in northern Mexico by American forces that followed Geronimo's third 1885 reservation breakout, Geronimo surrendered for the last time to Lt. Charles Bare Gatewood, an Apache-speaking West Point graduate who had earned Geronimo's respect a few years before. Geronimo was later transferred to General Nelson Miles at Skeleton Canyon, just north of the Mexican/American boundary. Miles treated Geronimo as a prisoner of war and acted promptly to move Geronimo, first to Fort Bowie, then to the railroad at Bowie Station, Arizona, where he and 27 other Apaches were sent to join the rest of the Chiricahua tribe, which had been previously exiled to Florida.

ellauri111.html on line 230: Esim. Karamazovin pojat tai Akiva "Kive" Shtisel. Akiva oli kiva kun se huoli upporikkaan vaikka masentuilevan Rachelin. Apinatkin on sulosia kun ne saa poikasia. Aljosha-vainaja ja Dvorale on kuin 2 marjaa. En mäkään sentään suorastaan tappanut Callea, vaikken avannut sille Munksnäshemmetin ulko-ovea. Pause. “I think you haven’t read my Diary of a Writer?”

ellauri111.html on line 261:             “I suppose you know that jury trials were still quite an innovation in my time in Russia, so it’s no surprise that they produced some odd results. A clever lawyer could easily persuade a jury one way or another. Even when all the facts pointed to the guilt of the accused, even when it was admitted that, indeed, such-and-such a woman had attacked her lover’s wife with a razor with the intention of killing her, such-and-such a father had so violently beaten his seven-year old daughter with birch rods that even the neighbours were terrified by her screams, or such-and-such parents had treated their children like animals, keeping them in filthy conditions, and beating them with leather straps, again and again—each time our poor soft-hearted jurors concluded ‘Not guilty!’ Can you imagine? Of course, there is always an explanation, there are always attenuating circumstances, there can even be provocations, and the letter of the law may tell us this is not torture but simply punishment, the kind of punishment that, in those days, all good middle-class parents thought it right to mete out so as to give their children a sense of duty. The facts. The facts are the facts, but the truth once uttered is a lie, and even the facts can be put together in such a way as to turn even torture into well-meaning parental discipline.”    

ellauri111.html on line 267:             “But I repeat,” he continued after a moment, raising his hands dramatically, “I am not demanding the maximum penalty of the law, not even for these torturers. I do not want them imprisoned, beaten, or executed, though I understand the outrage of people who do. Remember, when Ivan asked Alyosha what to do about the general who’d had the little boy torn to pieces by his dogs, even mild, sweet-tempered Alyosha said ‘Shoot him’. But that doesn’t help either. Just because I wrote a novel called Crime and Punishment, people imagine I’m obsessed with punishing. Not at all. All I want is that the guilty are not acquitted. That their guilt is clearly stated. And that they accept it—that’s the most important of all. Let them be found guilty—and let them go free.”

ellauri111.html on line 303:             “Exactly! It’s a performance. It’s not the heart speaking. The heart would say something very different. In fact, the heart wouldn’t need to say very much at all: it has only one thing to say, to love and to ask for love, to forgive and to ask forgiveness. We’ve been talking about people who commit crimes but won’t own up to what they’ve done, people who want to say to anyone who’ll listen: ‘Not guilty! My conscience is clear! Don’t blame me!’ But the real problem is not the evidence of the facts—did he or didn’t he do this or say that. The real problem is that this is completely back to front. The person who loves, even if they haven’t committed any crimes, is the person who wants to be guilty, who doesn’t just want to forgive but wants to be forgiven; the person who thinks of themselves not only as guilty but infinitely guilty, guilty of everything, before everyone, in fact the guiltiest one of all.”

ellauri111.html on line 311:     “The person who loves is the person who wants to be guilty.” Yes! This is the profound essence of “All are responsible to all for all.” Love your blog.

ellauri111.html on line 320:   Skoptsit eli kuohilaat ahisteli aikoinaan Pietari Suurta kuin pierevää suutaria Liisan vannassa. Fedja-sedästä Shakespeare oli tärkeämpi saappaita. Isänmaa ja jumala oli vielä tärkeämpiä. Sen mielestä Shakespeare ja Rafael, (ja by implication, Dosto ize) ovat tärkeämpiä kuin orjien vapautus, kansallisuusaate, sosialismi, kemia, ize asiassa koko apinoiden laahus, koska ne ovat apinoiden parasta antia, omenia ihan yläoxilta. Pentti Linkolalla oli laahuxesta samanlainen näkemys: apinakunnan parhaat saavutuxet on Beethovenin musiikki, puolukkasurvos ja munatoti. 

ellauri111.html on line 341: We just need to repent of our sins and call on the name of the Lord Jesus Christ who already paid the penalty of our sins with his own blood on the cross about 2,000 years ago. Of course he did not remain dead--he rose from the dead on the third day, which was seen by over 500 brethren (not at once, but serially) and is now seated at the right hand of the throne of God. (We haven't got witnesses for that, but believe me he does!).

ellauri111.html on line 355:     Let's go over it all once more. Repetitio mater studiorum. We are sinners. We sin when we do things that God's word, the Bible, says that we are not do. Every person has sinned. People lie, disobey their parents, steal, kill, commit whoredom (being naked with people that they are not married to, like your parents or in the sauna - makes sense, it is a definite foretaste of hell), are prideful, jealous, envious, covetous, boasters, drunkards, traitors, and more. There are no good deeds that you can do on your own that will erase the sins that you have committed.

ellauri111.html on line 357:     Luckily, the Lord Jesus Christ SHED HIS BLOOD on your sins. He is perfect. He is way more than simply past, he is pluperfect. But he is future too, futurum exactum to be exact. He will have been here a second time. He specifically came to this earth from Mars or Venus as a man to die in your place. He is God manifested in the flesh. (Except the other bearded guy is still sitting up there watching it all happen, don't ask us how, asking stupid questions is not good for you.) . He came down here to save you from the GUILT of past sins and from the POWER of sin over your life. (Pay attention to the capitals, we capitalize stuff that is of capital importance.)

ellauri111.html on line 379: You can see that the main paragraphs come from John (who was not present) and Paul (who was not present either). George and Ringo say nothing, as usual. (Well, there's Norwegian wood, and Yellow submarine, but they're completely beside the point.) All you need is love!

ellauri111.html on line 383:     Why repent? Repenting won't change anything that happened? Too late my brothers, too late, But never mind. All my trials, Lord soon be over.

ellauri111.html on line 393: So there! The Bible teaches that when we are unsaved even our righteous acts are like filthy rags to God. It does not matter how many good deeds that you do, you still cannot go to heaven based on your deeds. The Bible teaches that your good deeds do not commend you to God in any way. He could care less. Your good deeds do not remove the sins that you have committed. You have ignored God choosing to live life the way that YOU see fit. You are just a piece of SHIT!

ellauri111.html on line 397:     (Phew) Ok, that was a good start. Boy I love ranting to sinners!

ellauri111.html on line 399: According to the above verse, we still come up short even when we try to do good deeds. This is because we are not doing them under God's authority. We do them because we think they are good. We ignore what God says. Väärin sammutettu, sanoo herra isoherra.

ellauri111.html on line 403:     Matthew 22:36-38 Master, which is the great commandment in the law? Jesus said unto him, Thou shalt love the Lord thy God with ALL thy heart, and with ALL thy soul, and with ALL thy mind. THIS is the first and great commandment.

ellauri111.html on line 404: And what is love? Keeping God's commandments! Loving is obeying! Obeying is loving! Like your wife or your dog, you know they love you because they obey you. 

ellauri111.html on line 406:     2 John 1:6 And this is love, that we walk after his commandments.

ellauri111.html on line 408:     John 14:21 He that hath my commandments, and keepeth them, he it is that loveth me: and he that loveth me shall be loved of my Father, and I will love him, and will manifest myself to him.

ellauri111.html on line 410:     John 14:23-24 Jesus answered and said unto him, If a man love me, he will keep my words: and my Father will love him, and we will come unto him, and make our abode with him. He that loveth me not keepeth not my sayings: and the word which ye hear is not mine, but the Father's which sent me.

ellauri111.html on line 412:     1 John 2:5 But whoso KEEPETH HIS WORD, in him verily is the love of God perfected: HEREBY know we that we are in him.

ellauri111.html on line 414:     I John 5:2-3 By this we know that we love the children of God, when we love God, and keep his commandments. For this is the love of God, that we keep his commandments: and his commandments are not grievous.

ellauri111.html on line 419:     On the other hand, he loves us back, but in HIS case, it is not that he obeys us, but rather the opposite, he lets us obey him! That's love for him! And if we don't he punishes us! That's love too! Like a loving father he lets his big hammer come down on our disobedient heads. Can't you feel it? And oh, the towering feeling Just to know somehow you are near. The over powering feeling, That any second you may suddenly appear.

ellauri111.html on line 421: That was that. Now we are getting to the brass tacks. Here's where we start whacking heretics. The unshaved, degenerate man does not keep God's commandments. God's commandments are in the Bible. The unshaved man does whatever he feels like doing every day giving no heed to God's word. He is not obedient to God's word. He lives according to the ways he chooses to live. Maybe the person reading this is what people call "religious" and they think that they love God. If you are not worshipping God according to his word, the Bible, he is not receiving your worship. This includes those that go to a church that teaches false doctrines--teachings that are not in the Bible. They that worship God must worship him in spirit and IN TRUTH (ref. John 4:24). And what is truth? Jesus said to the Father--

ellauri111.html on line 449: In spite of man's wickedness and rebellion, God so loved us that he sent his only begotten Son, Jesus, to die for our sins.

ellauri111.html on line 451:     John 3:16-17 For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life. For God sent not his Son into the world to condemn the world; but that the world through him might be saved. 

ellauri111.html on line 457: Back to your question about looping the steps 1)-3) above:	

ellauri111.html on line 488: The Lord Jesus Christ came to save you from both the GUILT and POWER of sin. The Lord Jesus Christ was manifested TO DESTROY the works of the devil (I John 3:8)--THE LORD JESUS CHRIST CAME TO SAVE YOU AND CHANGE YOU AND TO MAKE YOU HOLY. When you are unsaved, sin has dominion over you. Sin is your boss and you cannot do anything BUT sin. You are justly under the wrath of a holy and just God. Murderers, thieves, fornicators, witches, sodomites, whores, liars, lovers of pleasure more than lovers of God, rebels, and all other spiritual lepers will not inherit the kingdom of God. This is not to put anybody down, before we got saved, we Christians were once the murders, thieves, whoremongers, etc. We have to be born again into the kingdom of God. When we REPENT and BELIEVE in Jesus, we are born again and all things become new. A new life emerges and things change. We start reading the Bible and obeying it and the Lord Jesus helps us obey it more and more. Our life changes. Our desires literally change as we go forward in obeying the word of God.

ellauri111.html on line 498:     1 John 2:5 But whoso keepeth his word, in him verily is the love of God perfected: hereby know we that we are in him. 


ellauri111.html on line 506:     For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life. (John 3:16) 

ellauri111.html on line 508:     Oh, did I already use that one above? Never mind, it's so good I can repeat it any number of times and it's always a hit.

ellauri111.html on line 510:     Jesus said, "Greater love hath no man than this, that a man lay down his life for his friends." (John 15:13) How can you show more love than giving your very life for someone else´s life? You cannot. And what is more, the Lord Jesus Christ, God manifested in the flesh, died for us WHEN WE WERE HIS ENEMIES! I mean we were vile, wicked, wretched, unclean, unholy, ungodly, prideful, sinful and spiritually leperous.

ellauri111.html on line 516:     Romans 5:8 But God commendeth his love toward us, in that, while we were yet sinners, Christ died for us. 


ellauri111.html on line 520:   The love of God for you was demonstrated on that cross 2,000 years ago when the Lord Jesus was crucified for you. God is not hateful, he is loving and he is good to us. It is only blasphemers, hereticks, evil men, seducers, and sinners that speak wrongly of our great and loving LORD God. God gave us his only begotten Son even though we were dead in trespasses and sins. God quickens (makes alive) the dead. He is still quickening men, women, boys, and girls across the face of this whole earth who put their trust in Jesus.

ellauri111.html on line 527:     2:4 But God, who is rich in mercy, for his great love wherewith he loved us,

ellauri111.html on line 544: JESUS CHRIST ROSE FROM THE DEAD. After His death, our precious Lord´s body laid in the grave three days, but praise be to God, it did not remain there. Death could not hold him back--it was not possible that he should be holden of it (Acts 2:24). Jesus Christ is the life (ref. John 14:6) and God manifested in the flesh (ref. I Timothy 3:16). Death could not hold him. On the third day Jesus arose from the dead and was seen by over 500 people (ref. I Corinthians 15:6) before He went back to heaven.

ellauri111.html on line 548:     Therefore doth my Father love me, because I lay down my life, that I might take it again. No man taketh it from me, but I lay it down of myself. I have power to lay it down, and I have power to take it again... (John 10:17-18) 

ellauri111.html on line 554: (I love these AUTHORITY words, they really make me feel empowered.)

ellauri111.html on line 564:   Realize that you have lived under your own authority. You've lived the way that YOU have wanted to. You have lived without regard for God's precepts. Understand in your mind that you've lived in sin against God's word. Think it through and count the cost. Jesus made no promises that you will have an easy life. In fact, the Bible teaches that all that will live godly in Christ Jesus will suffer persecution. Are you willing to live as one of the despised, saved, holy, overcoming, victorious ones? If so, come on to Jesus. He is waiting backstage already.

ellauri111.html on line 582: If so, REPENT of your sins and talk to the Lord in prayer in your own words RIGHT NOW. Here are some suggestions for your own words, but feel free to vary them ever so slightly. Ask God to forgive you of your sins and to help you to do what is right. BELIEVE in the Lord Jesus. CONFESS the Lord Jesus with your mouth. This is not a long, drawn out, hard process. Do you believe in the blood of Jesus? Do you want God to pass over you in the day of his wrath so that you are not cast into hell and the lake of fire with the wicked? Do you want to be saved?

ellauri111.html on line 588:   Kitty loves me yes I know, for his purring tells me so.

ellauri111.html on line 606:         9 Knowing that Christ being raised from the dead dieth no more; death hath no more dominion over him. 


ellauri111.html on line 623:   Find a nice, quiet place with clean water where you can be undisturbed (e.g., bathtub or pool). Take a towel and a change of garments. As a woman, you should have your head covered because you will be praying (ref. I Corinthians 11:3-13).

ellauri111.html on line 634:   I counsel you to get away from that addictive, evil television (and movies) as fast as possible and learn how to live the new, upright life. There is a whole new clean life outside of that filthy television (I stopped watching it over a decade ago), the educational system (you can teach your own children), cosmetics, cologne, and fancy suits.

ellauri111.html on line 666:   NOTE: THERE ARE TWO GREAT WEAPONS BY WHICH THE DEVIL AND HIS AGENTS HAVE DESTROYED AND ARE DESTROYING MANKIND--THE TELEVISION AND THE SCHOOL SYSTEM. THESE THINGS ARE WORSENING AT BREAKNECK SPEED. I do not want to overload you, but babies can read while still in diapers and the sooner they can read, the sooner they can read the Bible. Learn about sanctified homeschooling at this link.

ellauri111.html on line 668:     Pray. Pray and talk to God about whatever is on your heart. The Bible says to "pray without ceasing." I like to get up early in the morning while it is still dark and go to my prayer place so that I can present myself before the Lord. I search my memory for the things he allowed me to do the day before and the things he did for me. I praise him and I thank him. I pray for other people. I ask him to forgive me of my sins. When we pray to God, we need to be real. Pray about whatever is real for you at that time. You can praise God and his holy child, Jesus. You can glorify him for what he has done for you, you can thank him for what he has done for you, you can ask him to help you to overcome sin, you can ask him to help you in your daily tasks, you can ask him to show you the way that you should go, and more. The joy of the Lord is your strength (ref. Nehemiah 8:10). And when you pray, pray in Jesus´ name (John 14:13-14; John 15:16; John 16:23).

ellauri111.html on line 681: God be with you as you run this race. You must read the word of God, the Authorized King James Bible. I strongly suggest that you print out your own copy and bind it. It is in the Authorized King James Bible where you will find your safety, your strength, your power, your love, your comfort, your knowledge, your life and everything you need to know and please and walk with God and his holy child, Jesus. Desire the sincere milk of the word that ye may grow thereby. Never give up and always hearken to God´s word. 

ellauri111.html on line 683: YOU HAVE A NEW LIFE NOW, LIVE IT, GOD WILL HELP YOU. HE TOOK ME OFF THE STREETS AND HE HAS DONE THE SAME FOR COUNTLESS OTHERS. I NOW HATE THE STREETS AND LIVING FOR JESUS IS THE ONLY THING I LIKE. WHEN YOU READ THE WORD AND OBEY IT YOUR DESIRES START CHANGING. I NEVER WENT BACK TO THE STREETS. TIME HAS ONLY STRENGTHENED MY FAITH. Flee from sin (and get away from that infernal, addictive, wicked television as fast as you can!), but if you sin, confess your sin to God and he is faithful and just to forgive you your sin and to cleanse you from all unrighteousness. We have an advocate with the Father--Jesus Christ the righteous, God be thanked. God loves you and will see through this life and then when it is time to die, the Lord Jesus Christ himself will be there to take care of you. In Matthew 28:20 Jesus said, "...lo, I am with you alway, even unto the end of the world. Amen."

ellauri111.html on line 691:     The Roman Catholic mass is a blasphemy. The Roman Catholic institution teaches that its priests actually sacrifice the Lord Jesus Christ over and over again on their altars when they take, "communion." Christians partake of the Lord's supper in which we remember the Lord and shew his death until he come. They say that they are actually sacrificing the Lord! This is a blasphemy, flee from it, my brethren, flee!!!!!

ellauri111.html on line 699:     "Contemplative" prayer is essentially an old occult technique adjusted to the ignorant church people. It can bring up that yoga kundalini serpent power. With open eyes, one can see this type of technique being magnified in society--I saw a book for magic in a place for shipping goods and for photocopies, office supplies, etc. I looked on the back of the book, it was the same technique as the church people are using. This is spreading like wildfire and not just amongst false (or extremely ignorant) brethren, it is throughout society. Revelation 13:8 teaches us that all people who are not in the book of life of the Lamb slain from the foundation of the world will worship the beast. Revelation 13:4 says that all the world will worship the dragon which gave power unto the beast--we learn from Revelation 12 that THE DRAGON IS SATAN. In the ecumenical movement (all the religions getting together in "peace") and under a "meditative" spirituality, Hindus, Buddhists, Roman Catholics, church people, atheists, Muslims, cabalists, new agers, etc. can get together and have a "meditation" session with no problems. This is not for the future, it is already happening, I picked up a brochure about some sessions while at a library. In Contemplative prayer, church people are calling the devil by the Lord's name. I read that many of them will not listen to the scriptures when confronted with the truth--they do not know the Lord's voice, they are not his sheep. Worldly people are under the devil and they despise holiness and speak against it as "legalism" or even as heresy or false doctrine. I have seen extreme antinomianism in Baptist churches. They derisively call work-out-your-own-salvation-with-fear-and-trembling discipleship "Lordship salvation". If a person does not obey the Lord, they are not saved. The reader may wish to see our article, Lordship Salvation.

ellauri111.html on line 705:         FLEE FROM "CONTEMPLATIVE PRAYER", "EMERGING 'CHURCH'", "CONTEMPLATIVE SPIRITUALITY" "ANCIENT FUTURE CHURCH", etc. In this movement, these people are learning and using black magic type occult techniques in churches! In disregard and disobedience to the Bible, they THEY TELL PEOPLE TO CLEAR THEIR MINDS AND KEEP REPEATING THE NAME OF THE LORD OR SOME OTHER NAME. They say that focusing on the Bible is a hinderance to prayer--yes, the Bible is a hinderance to praying to the DEVIL!!!!!!!!!!!!! Praise the Lord!!!!!!!!!!!!!!!!!!!! Stay away from people who want to teach you to pray to the devil calling the devil by the name of the Lord. Flee from anybody who puts down the word of God--they are doing that so that you will be defenseless against their lies. These are the end times and now church people are being deceived into CALLING AND SUMMON DEVILS! The emerging church of the devil is using the same yoga-type techniques as hindus, buddhists Roman Catholic mystics, Greek orthodox mystics, occultists and other mystical traditions. The people are even warned about the possibility of encountering evil spirits during these exercises--no regular prayer requires a warning, no, no, no--BUT PRAYING TO THE DEVIL DOES! AND WHEN THAT KUNDALINI SERPENT POWER RISES UP IN THESE PEOPLE, THEY WILL EITHER BECOME MAGICIANS OR GO INSANE OR SOME OTHER HORRIBLE THING--THERE ARE SYMPTOMS AND MANIFESTATIONS! CHURCH PEOPLE ARE GOING TOWARDS BEING POSSESSED! These are last days--BE WARE, DEAR ONE, BE WARE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! GET SAVED, READ YOUR BIBLE AND OBEY IT AND LEAVE THE TELEVISION ALONE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! THE BEAST IS COMING!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

ellauri111.html on line 709:         Look around, the more the leaders make plans, the worse things get--child abuse, drug addiction, abortion, murders, shoplifting, lying, compulsive disorders, broken families, directionless young people, mind-killing school system, panic attacks, reprobate mind laws, denying God and his word, etc. This thing called time is coming to an end. The heavens above and the earth beneath that you see before your eyes are going to be burned up completely and dissolved. The day of the Lord is coming and we will all stand before God at the final judgment and the books are going to be opened. We will all be there--including all the dead people...they won't be left out--nobody will be left out.

ellauri111.html on line 723:         There has been a lot of talk about "aliens" for some time and the talk continues; some kind of sky show may be in the future. If you see something in the air, it is not because there are true aliens. But what about devils? yes there are devils; what about oversized genetically modified organisms and chimeras? maybe; possessed people? yes there are; 3D pictures, yes; pheromones, yes; unrevealed inventions and laws, in all probability, yes. If you hear a voice, see lights, or whatever, compare everything to the Bible--we believe in the Bible above our senses. This is a time of deception. You will not be deceived if you read and obey the scriptures. Read Matthew 24 (and other passages as well) for what is going to happen when the Lord returns. An excerpt--

ellauri111.html on line 743:         I learned more about the Kundalini after researching the contemplative prayer movement that is entering the emerging church of the devil and the fallen, disobedient-to-the-scriptures churches that would not necessarily describe themselves as "emerging church", "ancient future church", etc. Kundalini awakening can be triggered unintentionally. Satan just waits for the conditions to be right. Some people go insane, check into mental hospitals over and over again, experience personality changes, cannot function as before, commit suicide, etc. Kundalini awakening (a counsel for leaving it behind) is discussed further in our series, "Contemplative Prayer: A Quick Road to Hell for A Disobedient Church."

ellauri111.html on line 749:     If you have not trusted Christ, you are in a dangerous position. John 3:36 says, "...he that believeth not the Son shall not see life; but the wrath of God abideth on him." You will not make it into heaven on your own "good merits" or by your own conception of who God is and what he should be like. He must be obeyed and worshipped according to his word, the Authorized King James Bible. The Lord Jesus Christ is altogether lovely and worthy to be praised. I hope that you will make the right choice. 

ellauri111.html on line 876:     Aljooshan nenäkäs isoveli on selvästi salaliittoteoreetikko:

ellauri112.html on line 34:       Ostaisitko näiltä hepuilta käytetyn auton? Mä en ostaisi edes Suzuki lovea.

ellauri112.html on line 57: Nykyajan sielutiede, sekä filosofinen että varsinaisesti tieteellinen, onkin sentähden--kuten pitkin rintamaa voi huomata-- usein sangen jyrkästikin varuillaan assosiatsio-psykologian liioitteluja vastaan. Niinpä voitanee esim. Henri Bergson'in filosofiaa osittain pitää jyrkkänä vastavaikutuksena sitä vastaan. Mitä sielukäsitteeseemme tulee, ovat hänen mielestään sekä 'ykseys' että 'moninaisuus' sellaisia »cadres de l'intélligence», ymmärryksen kaavoja, joihin elävä todellisuus vain väkivaltaisesti pakoittamalla saadaan soveltumaan, »konfektsiovaatteita» eikä suinkaan mitan mukaan tehtyjä (kts lähemmin Aika 1911 s. 433 seur.) Tällaisen »mitan mukaan tehdyn» sielukäsitteen on James koettanut tuoda esiin perustavassa »Sielutieteen periaatteissaan.» Loistavassa luvussaan »tajunnan virrasta» (the stream of thought) suosittelee hän tätä kuvaa karakterisoimaan sielunelämän yleistä luonnetta. Nykyisessä kirjallisuudessa se onkin yleisesti omaksuttu.

ellauri112.html on line 150: II Toisessa pääteoksessaan, »Ihmisen polveutumisessa», (1871) johtui Darwin itsestään kiinnittämään huomionsa luonnon inhimillisempiin piirteisiin ja tuomaan niitä esiin. Olihan nyt todistettava, että ihmisen ja eläinkunnan välillä ei ole mitään ylipääsemätöntä kuilua, että ihmisellä eläimistön pisimmälle ehtineitten joukossa on verrattain läheisiä sukulaisia. Ihmisellä on, kuten tunnettu, yhteiskuntaelämää ja määrättyjä sosiaalisia hyveitä. Siis täytyy myös korkeimmilla eläimillä olla ainakin alkeita tämänsuuntaisiin ilmiöihin. Mikään ei ollut helpompaa osoittaa. Että lukuisat eläimet elävät joukossa, pyytävät saaliinsa yhdessä, asettavat yhteisiä vartijoita ja vaaran tullen taistelevat yhteisesti vihollista vastaan, voimakkaitten urosten suojellessa heikompia naaraita ja poikasia, se voidaan nähdä lukemattomissa tapauksissa. Nämä joukoissa elävät eläimet osoittavat usein mitä suurinta uskollisuutta »yhteiskuntaansa» kohtaan. »Lajien synnyssä» oli Darwin väittänyt, että »olemassaolon taistelun täytyy aina olla ankarimman samaan sukuun kuuluvien yksilöiden välillä». Nyt kiinnittää hän huomiota siihen, kuinka usein tapahtuu, että saman suvun jäsenet auttavat toisiaan elämäntaistelussa. Meneepä tämä auttavaisuus toisinaan tuollepuolen suvun rajojenkin. Esimerkkejä löytyy taaskin lukuisia.-- Yhteiskunnallisen viettinsä ovat ihmiset epäilemättä perineet apinan kaltaisilta esi-isiltään, sillä se löytyy alhaisimmillakin heimoilla. »Kolme vangittua patagonialaista meni mieluummin kuolemaan, kuin ilmaisi toveriensa sotasuunnitelman; he antoivat ennemmin ampua itsensä, toinen toisensa jälkeen.»

ellauri112.html on line 152: Omantunnon soimaus perustuu Darwinin mukaan yhteiskunnallisten viettien kestävyyteen ja voimaan. Kun muut viettimme enemmänkin ovat ohimeneviä, on yhteiskunnallinen vietti alituinen, koska me aina elämme joukossa. Jos noudatamme yhteiskunnallisvastaista viettiä, joka hetkeksi saa ylivallan, kadumme jälestäpäin, koska yhteiskunnallinen vietti ajanpitkään on kestävin. Mutta samoin on myös joukoissa elävien eläinten laita. Nekin ovat aina varuillaan yhteistä vaaraa vastaan, valmiita puolustamaan joukkoa, auttamaan tovereitaan. Ne tuntevat aina vissiä suopeutta ja myötätuntoa näitä kohtaan. Ne ovat onnettomia, kun ne kauan ovat tovereistaan erillään, ja aina onnellisia kohdatessaan ne jälleen. »Ja niin on meidänkin laitamme», lisää Darwin. Collin on sitä mieltä, että tämä Darwinin toisen pääteoksen antama kuva eläinten tilasta tuntuvasti poikkeaa »Lajien synnyn» antamasta. Edellisen mukaan luonnossa valoisilla, inhimillisillä piirteillä on huomattavasti suurempi sija. Epäilemättä Darwin itse ei koskaan tullut tajuamaan tätä pääteostensa välillä olevaa eroavaisuutta. »Lajien synnyn» yksipuolinen kuvaus olemassaolon taistelusta, joka miltei oli kaikkien sota kaikkia vastaan, ei ole koskaan tullut oikaistuksi. Ja tämä teos kuitenkin tuli jäämään darwinismin raamatuksi.

ellauri112.html on line 180:   Porgi, amor, qualche ristoro al mio duolo a´miei sospir! O mi rendi il mio tesoro, o mi lascia almen morir! TRANSLATION: Grant, love, some relief to my sorrow, to my sighing Either give me back my beloved, or just let me die!

ellauri112.html on line 191: Renan huomauttaa että spekulatiivisessa filosofiassa aina on jotain, mikä muistuttaa keskiaikaisen Raimundus Lulluksen fantastista konetta, jonka avulla pelkästään käsitteitä kombinoimalla piti löydettämän totuus ja vältettämän erehdys. Puhdas spekulatiivinen logiikka, jonka avulla on luultu voitavan vapautua kärsivällisestä tutkimuksesta ja työstä, on oikealle tieteelle yhtä vahingollinen kuin Lulluksen kone. Filosofoida on oppia tuntemaan universumi. Tämä on kokoonpantu fyysillisestä ja psyykillisestä maailmasta, luonnosta ja ihmiskunnasta. Siis on luonnon ja ihmiskunnan tutkimus koko filosofia[6]. Missään ei spekulatiivinen logiikka niin paljasta heikkouttaan kuin niissä tieteissä, jotka käsittelevät eläviä objekteja. Geometriassa, algebrassa jne., joissa ei välitetä todellisuudesta, on aateskelu paikallaan. Mutta sensijaan esim. ihmiskuntaa käsittelevissä tieteissä, joissa kaikki yleiset aatteet perustuvat vain puolittain totuuteen, puolittain erehdykseen, täytyy aateskelun tulokset askel askeleelta tarkistaa kokemuksen avulla. »Logiikka ei tavoita vivahduksia; mutta hengentieteiden alalla totuudet läpeensä piilevät vivahduksessa. Ne pujahtavat skolastiikan verkonsilmukoiden läpi; niitä ei katsella kasvoista kasvoihin, vaan ne löydetään osittain, salaisesti, milloin enemmän, milloin vähemmän» (Essais de morale etc., s. 189 ja seur.). Yllä harventamassani rivissä on Renan lausunut julki yhden bergsonilaisuuden ydinajatuksista. Mutta saman ajatuksen käsitteellisen ajattelun voimattomuudesta tapaa nykyään hyvin yleisesti muuallakin. On syytä sentähden vähän tarkastaa tuota merkillistä lausetta. Spekulatiolle, vastakohtana kokemustieteelle, on omituista, että se lähtee liikkeelle määrätyistä käsitteistä ja arvostelmista, jotka se muodostaa apriorisesti, ennen kokemusta, kun sensijaan kokemustiede kokonaan elää ja hengittää tutkimusesineessään, joka luo sen käyttämät käsitteet ja arvostelmat ja on valmis aina synnyttämään uusia, kun entiset osoittautuvat riittämättömiksi. Puhdas aateskelu kombinoi apriorisia arvostelmiaan ja tekee niistä täten johtopäätöksiä. Tämä ajatustyö noudattaa muodollisen logiikan lakeja, joista ensimäinen on se, että kukin käsite on muuttumaton, pysyy merkitykseltään identisenä. Kun tällaisen aateskelun tuloksia ruvetaan sovittamaan todellisuuteen, syntyy omituisia vaikeuksia. Tyydyn vain yhteen esimerkkiin, jota Bergson mielellään käyttää osoitteena abstraktisen logiikan heikkoudesta. Puhdas aateskelu, joka työskentelee sellaisilla määreillä kuin »ykseys» ja »moninaisuus», olettaen että ne voidaan sovelluttaa kaikkiin ajatuksen esineisiin poikkeuksetta, johtuu m. m. seuraavaan vaikeuteen: onko elävä organismi, onko sielunelämä »ykseys» vai »moninaisuus»? On selvää ettei kumpikaan näistä määreistä sovellu näihin objekteihin. Organismi, sielunelämä eivät ole sellaisia yksinkertaisia esineitä, jotka olisi leimattava joko »ykseyksiksi» tai »moninaisuuksiksi». Mitä voidaan päättää tästä? Tietenkin, että spekulatiivinen metodi on väärä, että jos lähdetään liikkeelle rajoitetusta määrästä käsitteitä, tullaan ennemmin tai myöhemmin kohtaan, jolloin yksikään näistä käsitteistä ei sovellu ilmaisemaan tarkoitettua ilmiötä. Kokemustiedolle sensijaan tätä vaikeutta ei esiinny; todellisuus, jossa se liikkuu ja elää, luo sille tarpeen tullen aina uusia käsitteitä. Katsokaamme spektriä, jossa auringon valkea valo yhdenjaksoisissa ylimenoissa taittuu lukemattomiin vivahduksiin, niin että jokainen spektrin poikkiviiva on hitusen verran toisenvärinen kuin edellinen! Jokapäiväinen kielenkäyttö tulee toimeen muutamalla, viidellä, kuudella värinimityksellä. Se yksinkertaisesti laiminlyö ylimenot yhdestä »väristä» toiseen. Mutta maalari, jolle värivivahdukset ovat arvokkaita, tarvitsee jo paljon suuremman määrän värejä ilmaisevia käsitteitä: ultramariini, karmiini jne. Mikään ei estäisi muodostamasta uusia värien käsitteitä tuhansiin saakka, aina värienerottamiskykymme rajaan asti.

ellauri112.html on line 193: Syy siihen, että juuri käsitteet »vihreä», »punainen» jne. on muodostettu, eikä aivan toisia, piilee tietysti näiden vivahdusten käytännöllisessä merkityksessä. Lauselma: »logiikka ei tavoita vivahduksia» tarkoittaa siis: spekulatiivinen, aprioristinen logiikka ei tavoita vivahduksia. Kaikkia värivivahduksia ei voida ilmaista viidellä tai kuudella värinimityksellä. Mutta kokemustiede, kokemuksellinen logiikka tavoittaa kyllä mitä vivahduksia tahansa. Minulla on tällä hetkellä mielikuva ihan määrätystä punaisen vivahduksesta, joka imupaperillani on; jos tahtoisin, voisin nimittää tätä vivahdusta esim. klm: siten olisi uusi käsite muodostettu, käsite, joka tavoittaisi ihan määrätyn vivahduksen. Tällaisen käsitteen muodostaminen olisi kuitenkin kovin epätarkoituksenmukaista. Paljon tärkeämpiä kuin äärimäisen yksilölliset vivahdukset, kuin ne ominaisuudet, jotka kussakin esineessä ovat erilaisia, ovat yleensä esineiden yhteiset ominaisuudet. Käsite klm ilmaisisi vain yhdellä tai aivan harvoilla esineillä olevaa ominaisuutta, käsite »punainen» sellaista ominaisuutta, joka on lukemattomilla ja jonka jokainen omasta kokemuksestaan tuntee. Sanoin, että Renan yllämainitulla lauseellaan on lausunut julki Bergsonin filosofian ydinajatuksen. Mutta siinä tapauksessa Bergson on käsittänyt tuon lauseen ihan sananmukaisesti. Bergsonin mukaanhan kaikki logiikka, kaikki ajattelu on voimaton tavoittamaan todellisuutta, joka ei ole muuta kuin vivahduksia. Hänhän esittää, mitenkä inhimillinen äly on kuin valmiiden vaatteiden varasto, johon yritetään pukea todellisuus, katsomatta kuinka se niihin soveltuu. Hän vertaa älyämme kinematograafikoneeseen, joka ottaa muutamia liikkumattomia silmänräpäyskuvia elämän alituisesta virtailusta, ja yrittää näistä kuolleista kuvista uudelleen panna kokoon elävän todellisuuden. Hän puhuu ymmärryksemme »mekanistisesta vaistosta», joka viettää voittokulkuaan geometriassa, mutta on kykenemätön ratkaisemaan elämän arvoitusta. Tällä tavoin Bergson syyttää tiedettä virheestä, johon ei ollenkaan se, vaan juuri filosofia on tehnyt itsensä syypääksi-- spekulatiivisesta logiikasta, jota monet filosofit ovat rakastaneet, mutta joka tiedemiesten parhaille on ollut kauhistus. Näin yrittää hän riistää tieteeltä sananvallan sen mieltäkiinnittävimmissä kysymyksissä, ja panna sijalle runollisen »intuitionsa», jota ei millään keinoin voi kontrolloida, joka ei sisällä mitään mahdollisuutta eroittaa totuutta erehdyksestä. Jos koskaan, on filosofia Bergsonissa muuttunut »spesialiteetiksi». (Aika 10, 10-18) * * * * *

ellauri112.html on line 206: Terveisiä Unionpediasta! Tämä on valtava online psyykkistä kartta, joka toimii pohjana konseptin kaavioita. Se on vapaasti käyttää ja jokainen artikkeli tai asiakirja voidaan ladata. Se on työkalu, resurssi tai viite tutkimus, tutkimus, koulutus, oppiminen ja opetus, joka voidaan käyttää myös opettajat, kasvattajat, oppilaiden tai opiskelijoiden; yliopistomaailman: koulu, toisen asteen, lukion, keski, korkeakoulu, tekninen aste, korkeakoulu, yliopisto, perustutkintoa, maisterin tai tohtorin tutkinnot; paperit, raportit, projektit, ideoita, asiakirjat, selvitykset, yhteenvedot tai tutkielma. Tässä on määritelmä, selitys, kuvaus, tai merkitys jokaisen merkittävän johon tarvitset tietoa, ja luettelon niihin liittyvät käsitteet sanasto. Saatavissa suomalainen, Englanti, Espanjan, Portugalin kieli, Japanilainen, Kiinalainen, French, Saksan kieli, Italian, Kiillottaa, Hollanti, Venäjän kieli, Arabia, Hindi, Ruotsalainen, Ukrainan, Unkarin kieli, Katalaani, Czech, Heprealainen, tanskalainen, indonesialainen, norja, romania, turkki, vietnam, korealainen, thain, kreikan, bulgarian, kroatian, slovakin, liettualainen, filipino, latvian, eestin ja slovenian. Lisää kieliä pian.

ellauri112.html on line 410: Evelyn de Morgan, ''The Love Potion'', 1903. Okkultismi eli salaoppi tai salatiede tarkoittaa taikuuden tai salaisten oppien avulla tavoiteltavaa tietoa tai tähän tietoon perustuvaa uskonnollista tai mystistä oppisuuntaa.

ellauri112.html on line 589: Marlo disapproves at first thinking that she can’t ask for the help she needs. She gives in and allows their new night nanny, Tully, to do her job and is quite impressed with the results. Marlo feels more in control of her life, the kids seem happy, and she’s willing to grow in her marriage to Drew.

ellauri112.html on line 600: Toys laying all over the carpet, dishes in the sink, mouths to feed, teacher parent conferences – the life of a parent is not an easy one.

ellauri112.html on line 608: Drew’s brother Craig (Mark Duplass) only adds to her consternation. Craig and his wife are rich, over-achievers who can’t help but look down at Marlo’s messy mothering. Är dom inte äckliga? Spypåsarna till vänster om dörrarna. Life is not just boring, it is a fucking pile of clichés. You´ve seen one of them, you´ve seen them all. Jussi Snellman, don´t bother with reincarnation!

ellauri112.html on line 612: Drew loves Marlo and their children, he’s taken on more responsibility in his job, which yields a higher paycheck, but as a result, he’s stressed out. Me töihis. Mee Kouvolaan!

ellauri112.html on line 647: You´ll love a scene where her child spills a drink, forcing her to take off her shirt. “Mom, what’s wrong with your body?” Theron’s eye daggers are priceless. Marlo looks as lived-in as her home itself.

ellauri112.html on line 664: It explores the overwhelming job that motherhood is and showcases all sides of it, from the hilarious to the harrowing to the heartbreaking.

ellauri112.html on line 669: Amer. ongelmalapset on joko on the spectrum (autisteja) tai quirky  (vajakkeja). I’m also really over films that nervously wring their hands over autistic characters. Like, give me a break, sanoo 1 blaseerattu kazoja. Varmaan vajakki. 

ellauri112.html on line 682: Yet to hail the film as a feminist project is to value the representation of the structural co-option of maternity over its interrogation. Tully’s treatment of social reproduction is dangerously simplistic. Cody has spoken in interviews about how her own, financially easier, experience of parenting in L.A. inspired her to explore a narrative in which economic anxieties are combined with the other hardships of parenthood, yet here class and poverty are only fleeting concerns. The transactional system of care that governs child-rearing under capitalism is done away with via Tully’s otherworldliness. Until the revelation of her non-existence, the viewer, although encouraged to believe in her, is never asked to consider her financial reality, and the fact that the service is paid for by Marlo’s wealthy brother is a narrative convenience that reinforces its fairytale quality. Similarly, Tully’s whiteness allows the racial politics of care to be completely overlooked, and the repeated idea that it’s ‘unnatural’ for hired help to bond with your newborn is taken as a given, rather than seen as an impetus for a consideration of the social conditions that require mothers to make that choice.

ellauri112.html on line 692: Theron is more than capable and proves she’s up to the challenge of the role and its physical demands, but this isn’t as Oscar worthy as some are crowing. How gutsy and brave her performance is! they’ll surely shout, all because she dons a partial fat suit (the actress also gained a very real 50 pounds for the role), doesn’t wear makeup, has unkempt hair and bags under her eyes. Interestingly enough, it seems to be those same critics who ripped Amy Schumer and her “I Feel Pretty” to shreds for ‘fat shaming’ or poking fun at the way women look. Candid and authentic simply because she doesn’t look like the gorgeous movie star that she is? I don’t think so.

ellauri112.html on line 706: The 26-year-old nanny’s name is Tully (played by Mackenzie Davis of “Halt and Catch Fire” fame), and she’s a free spirit, albeit one with a serious work ethic. Tully instantly takes over the house, manages Marlo’s baby effortlessly, and starts taking care of mom too. Not only does she give her the precious “alone time” she desperately needs and craves, but Tully ends up becoming a sort of therapist to her, along with a best friend, muse, and a regular shoulder to cry on.

ellauri112.html on line 710: In Tully, Marlo starts to see the kind of caretaker she wants to have, and their bondage becomes what keeps her going. As much as Tully turns into a super nanny, the real job she does is help return Marlo to a functioning hole person. With the aid of Tully, Marlo gets her love life  back again, gets it each day, and kicks the postpartum depression to the curb. Should kick Drew there too maybe. Tully she cant kick without kicking herself in the ass.

ellauri112.html on line 724: "Tully," is a dramedy you'll love so much that you'll want to rewind and watch it all over again. Rewind? What a retro notion. 

ellauri112.html on line 730: The revelation that Tully is a version of Marlo’s former self removes the possibility of a different life she represented. “I love us,” Marlo’s husband says to her, as she lies in her hospital bed. “I love us too,” she replies. This collective noun is the acceptance of the status quo, just as Tully’s last speech, in which she tells Marlo she should embrace her dull life – “being boring means you’re doing it right” – is an endorsement of the sacrifices society requires of her. The final scene, in which Marlo’s husband helps her make the packed lunches, is bathed in a saccharine glow: learn to love your claustrophobia, it tells women. The nuclear family is the only one worth having.

ellauri112.html on line 732: I love us. Self-love beats self-liking, sanoi Mandeville ja sen fani Mikko Tolonen mitä tahansa.

ellauri112.html on line 758: Äärioikeistoon kuuluvat juutalaisväestön "edustajat" ampuvat tuliaseilla kiviä ja ilotulitteita heittäviä filistealaisia. Äärioikeistolaiset juutalaiset ovat jalkautuneet aseistautuneina partioimaan Lodin arabialueille ja pyrkivät sisään arabien koteihin. Juutalaisryhmät kannustavat netissä aatetovereitaan muualta maasta matkustamaan Lodiin. Älkää tulko ilman suojavarusteita, varoitti 1 ryhmä jäseniään The Guardianissa. Creedence Clearwater´s hit "Oh Lord, stuck in Lodi again," has been the theme of several city events in Lodi.

ellauri112.html on line 790: When shall we eat supper? First or last day of the week? This has nothing to do with the Sabbath being changed. I do not believe that it has, but that it is obsolete. The Sabbath is “Saturday”, the 7th day, which I am convinced to be for the rest that Christians will take with the Father (Heb. 4:1-11) and for weekend shopping. I find keeping the Sabbath day is a part of the 10 commands. Exodus says “And He wrote on the tablets the words of the covenant, the Ten Commandments” (Exo. 34:28, also see Deut. 4:13, 9:9, 11). Jeremiah said “Behold, the days are coming, says the LORD, when I will make a new covenant” (Jeremiah 31:31). Look further for Jeremiah said, “not according to the covenant that I made with their fathers”

ellauri112.html on line 792: Not according to which covenant? Jeremiah says the covenant “in the day that I took them by the hand to lead them out of the land of Egypt, My covenant which they broke” (31:32). Again which covenant is this? Exodus says “And He wrote on the tablets the words of the covenant, the Ten Commandments” (Exo. 34:28). Christ’s covenant is “not according to the covenant that I made with their fathers”, but “In that He says, ‘A new covenant,’ He has made the first obsolete. Now what is becoming obsolete and growing old is ready to vanish away” (Heb. 8:13). The Old Covenant of the 10 commands with the Sabbath keeping is obsolete and vanishing away in the 1st century.

ellauri112.html on line 796:     If I kept the 7th day as the Sabbath rest, then I’d be “a debtor to keep the whole law”, and then I will “become estranged from Christ” and “fallen from grace” (Gal. 5:3-4). I will not be estranged from Christ and fall from His grace nor will I teach my family nor my congregation family this. Who wants to keep all those 10 plus obsolete paragraphs anyway? Love is all you need.

ellauri112.html on line 828: In the end, I believe it is permissible to use grape juice instead of wine for the Lord´s Supper, but I do not believe it is best. Wine was used during the Passover and in the institution of the Lord´s Supper, and following that pattern is most biblical. It is also permissible to use mature women instead of boys for a lordly lay, but I do not believe it is best. Young John was Jesus´ favourite disciple, so that pattern too is most biblical.

ellauri112.html on line 837:     Brad Whittington was born in Fort Worth, Texas, on James Taylor's eighth birthday and Jack Kerouac's thirty-fourth birthday and is old enough to know better. He lives in Austin, Texas with The Woman. He is greatly loved and admired by all right-thinking citizens and enjoys a complete absence of cats and dogs at home.

ellauri112.html on line 841: Since 2017, he is sitting on that tiny cloud. Since 2014 with The Whittington Group, Brad has sourced, entitled and sold 10 communities consisting of 1,628 lots to homebuilders. In 2016, Brad's son, Braden, moved to Austin with his family to join Brad in business, fulfilling a lifelong dream of working side by side. A gentle man of faith, Brad was also an avid golfer and seasoned snow skier.

ellauri112.html on line 860:     Jesus mentions the specific content of the cup to drink is “fruit of the vine” or an even better translation “fruit of the grapevine”. There is no indication of its fermentation. Add to all of this that Jesus used unleavened bread because it was the time of the Passover when God commanded Israel to throw out all leaven. The grape juice would have been unleavened too at least in the sense of having additional yeast rather than wild yeast. What does that mean? The throwing out of leaven would have also included the throwing out of highly intoxicating wine that contained additional yeast.

ellauri112.html on line 863: Wines today average 12-18% alcohol due to saccharomyces, a genetically modified yeast that alien scientists developed in the twentieth century. Due to distilling, strong drinks like liquor go over twenty percent. Study for yourself. Mutta ole varovainen, se on DYNAMIITTIA!

ellauri112.html on line 894: In the Lord’s Supper, Christ blesses His people in many ways. He calls His people to remember Him and His saving work, as often as they partake of it. Christ uses it to remind them of His coming again in glory for them. The people of God renew their covenant with Him. They commune with Him, as their ministers, acting in His name, administer the sacrament according to His appointment, to their own growth in grace. As they recall how all Christians eat from the same consecrated bread, they are reminded of the love and unity that binds all Christians in one body and one faith.     

ellauri112.html on line 898: Persistently, honorable men are engaged in a discussion as to what should be the contents of the communion cup. Should the cup contain wine, the fermented juice of grapes? Or should it be unfermented grape juice? Does it matter? What difference does it make, if any? Should church leaders accommodate both Christians who want to use wine, as well as those who prefer unfermented grape juice, by offering what is sometimes called a “split cup” or a “split tray”? In other words, what should be the second “element,” or the contents of the communion cup? Can grape juice change to real blood and no fucking tomato juice? How should such questions—controversial as they are—be answered? 

ellauri112.html on line 902: First, on the next page of this web site, we will study a few Bible passages concerning the public worship of God in general. We do so for simple reasons. “All Scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness, that the man of God may be complete, thoroughly equipped for every good work” (2 Timothy 3:16-17, NKJV). Worship is a “good work,” but we are not to lean on our own understanding (Proverbs 3:5).  Only the Bible can teach us how to worship God in a manner that pleases Him. All our worship, including our observance of the Lord’s Supper, ought to rest on a biblical foundation.

ellauri112.html on line 904: Second, we will devote two pages to the Bible passages that concern the cup in the Lord’s Supper. One page will consider the passages in Matthew, Mark, and Luke. On this page, we will study Jesus’s words, “the fruit of the vine,” in their original context, and we will also learn how these words were used in the Passover meal before and during the time Jesus spoke them. The other page will consider the two relevant passages in I Corinthians, and what they teach us about the contents of the cup. Rather than grow our discussion beyond all bounds, we will limit ourselves to what the Bible says about the contents of the communion cup.

ellauri112.html on line 912: Sixth, since we cannot understand the present controversy surrounding the communion cup without doing so, we will very briefly survey the temperance movements of the nineteenth century.

ellauri112.html on line 934: We should agree with the Westminster Confession of Faith, which teaches us that “The supreme judge by which all controversies of religion are to be determined, and all decrees of councils, opinions of ancient writers, doctrines of men, and private spirits, are to be examined, and in whose sentence we are to rest, can be no other but the Hard Spirit speaking in the Scripture.” As it is with all controversies of religion, so it is with this one. Smell the breath of the Lord.      

ellauri115.html on line 148: 
1767
Lähtee Doverista kohti Ranskaa. "Sairastelee." "Musiikin sanakirja" tulee myyntiin Pariisissa.

ellauri115.html on line 158: Nainen nimeltä Tuija Välipakka sanoo että meitä narsisteja on 2 tyyppiä, overt ja covert, mikä muistuttaa vähän mun jakoa onnistuneisiin ja epäonnistuneisiin narsisteihin. V-pakan miälestä ensimmäiset on saaneet lapsosina liikaa ihailua ja jälkimmäiset liian vähän. Kummassakin tapauxessa puuttuu kiintymys ilman ehtoja. Niinkuin kiltit kristityt sanovat, jumala joka rakastaa sinua vaikka olet paska, tai siis oikeasti ei ota siihen edes kantaa, rakastaa vaan sua koska sä olet sä. Ei sen pitäisi olla niin vaikeata, mutta silti 10% porukoista on narsisteja jompaakumpaa tyyppiä. Samainen Tuija Välipakka kirjoitti 2011 runkunhajuisen novellin nimellisesti pettämistä kuvailevaan pehmopornokirjaan valhe & viettelys, joka löytyi Käpylän kirjastosta porno-osastosta, ei vaan poistohyllystä. 

ellauri115.html on line 162:   JJ Rousseau kaiken todennäkösyyden mukaan olis covert tapaus, koska sen äiti kuoli vauvana ja iskä dumppasi sen pastor Müllerin "hoiviin". Mutta voihan joku olla kumpaakin tyyppiä aina sen mukaan miten hyvin sillä menee asiat. Se pullistuu kuin purje myötätuulessa ja kiristyy kun on vastahankaista. Ehkä sitä sit on kehuttu liikaa kun se menestyy ja lytätty liikaa kun se epäonnistuu. Tärkein piirre siinä on toi me first: maailmassa ei ole ketään muuta tärkeää kuin mä, te muut te olette vaan mun onnen välikappaleita tahi esteitä. Te olette kuin Picasson pölyhiukkasia, jotka voi pyyhkästä pois mun kukonsulista tehdyllä pölyhuiskalla tai imuroida mun mustan aukon imuriin. 

ellauri115.html on line 292: And who is to blame? Well, Christianity, of course. As the new religion swept through the continent, dogma took over. How dare you question the church? Now kiss my pinky ring, and let's kill some Muslims and Jews. Divine right, damn it! Uskokaa tai älkää, Grice and Strawson kirjoitti vielä 1956 paperin In Defense of a Dogma. Well kiss my pinky ring!

ellauri115.html on line 294: But then, slowly but surely, the tides started to turn. Renaissance swept through Europe. Artists, writers, educators, thinkers began to thrive. A millennium of backwards behavior was turned over to a new way of thinking. (Alonzo and Ken Church had a role to play, of course. What can you do, old habits die hard.)

ellauri115.html on line 332:   Vittu uskonnotkin on tota samaa peliteoriaa, sillä erotuxella että tit for tat tapahtuu haudan takana. Huonolla mailalla tai pelionnella pelannut surkimus saa ylituomarilta hyvitystä kärsimistään takaiskuista kuin takarivissä korista pelannut lyhyenläntä Kimmo Koskenniemi vapaaheittoja isoveljien taklausvirheistä.  

ellauri115.html on line 387: Wounded feelings gave rise to a bitter three-way quarrel between Rousseau and Madame d'Épinay; her lover, the journalist Grimm; and their mutual friend, Diderot, who took their side against Rousseau. Diderot later described Rousseau as being "false, vain as Satan, ungrateful, cruel, hypocritical, and wicked... He sucked ideas from me, used them himself, and then affected to despise me".

ellauri115.html on line 389: In the year 1766 Rousseau had just cause to fear for his life. For more than three years he had been a refugee, forced to move on several times. His radical tract, The Social Contract, with its famous opening salvo, "Man is born free, but everywhere he is in chains", had been violently condemned. Even more threatening to the French Catholic church was Émile, in which Rousseau advocated denying the clergy a role in the education of the young. An arrest warrant was issued in Paris and his books were publicly burned. "A cry of unparalleled fury" went up across Europe. "I was an infidel, an atheist, a lunatic, a madman, a wild beast, a wolf ..."

ellauri115.html on line 392: One night, a drunken mob attacked his house. Rousseau was inside with his mistress, the former scullery maid Thérèse le Vasseur (by whom he had five children that he notoriously abandoned to a foundling hospital), and his beloved dog, Sultan. A shower of stones was thrown at the window. A rock "as big as a head" nearly landed on Rousseau's head, no bed. When a local official finally arrived, he declared, "My God, it's a quarry."

ellauri115.html on line 402: Hume penned an unreserved panegyric to a clerical friend in Scotland comparing Rousseau to Socrates and, like a starry-eyed lover, seeing beauty in his adored one's blemishes: "I find him mild, and gentle and modest and good humoured ... M. Rousseau is of small stature; and would rather be ugly, had he not the finest physiognomy in the world, I mean, the most expressive countenance. His modesty seems not to be good manners but ignorance of his own excellence."

ellauri115.html on line 410: He was still insistent on his love for Rousseau - at least when writing to his French friends. He told one, "I have never known a man more amiable and more virtuous than he appears to me; he is mild, gentle, modest, affectionate, disinterested; and above all, endowed with a sensibility of heart in a supreme degree ... for my part, I think I could pass all my life in his company without any danger of our quarrelling ..." Indeed, a source of their concord, Hume thought, was that neither one of them was disputatious. When he repeated the sentiments to D'Holbach, the baron was glad that Hume had "not occasion to repent of the kindness you have shown ... I wish some friends, whom I value very much, had not more reasons to complain of his unfair proceedings, printed imputations, ungratefulness &c."

ellauri115.html on line 414:   Hume's eyes were on France, in particular, and his reputation as the good David. His first denunciations of Rousseau were made to his friends in Paris; his Concise and Genuine Account of the Dispute between Mr. Hume and Mr. Rousseau would be published there in French, edited by Rousseau's enemies. He studiously avoided communicating with Mme de Boufflers, knowing she would, as she did, urge "generous pity". Hume's descriptions of Rousseau as ferocious, villainous and treacherous ensured joyful coverage in newspapers and discussions in fashionable drawing rooms, clubs and coffee houses. The actor-manager David Garrick wrote to a friend on July 18 that Rousseau had called Hume "noir, black, and a coquin, knave".

ellauri115.html on line 424: Hume had demolished the arguments purporting to prove the existence of God, including Rousseau's favourite argument from design - the claim that only a supreme and benevolent being could explain the wonder and order in the world. This argument, Hume insisted, was untenable. How could it account for the suffering in the world? How can we infer that there is just one architect of the world, and not a co-operative of two or more?

ellauri115.html on line 429: Moreover, Rousseau advocated the opinion that, insofar as they lead people to virtue, all religions are equally worthy, and that people should therefore conform to the religion in which they have been brought up. This religious indifferentism caused Rousseau and his books to be banned from France and Geneva. He was condemned from the pulpit by the Archbishop of Paris, his books were burned and warrants were issued for his arrest. Former friends such as Jacob Vernes of Geneva could not accept his views, and wrote violent rebuttals.

ellauri115.html on line 431: Voltaire issued an invitation to Rousseau to come and reside with him, commenting that: "I shall always love the author of the 'Vicaire savoyard' whatever he has done, and whatever he may do...Let him come here [to Ferney]! He must come! I shall receive him with open arms. He shall be master here more than I. I shall treat him like my own son."

ellauri115.html on line 472: Luulen että tää valtava mielipideviidakko syntyy ensi sijassa ihmisen älyn tylsyydestä; ja toisexi ylpeydestä. Meillä ei ole keinoa mitata tätä valtavaa konetta, emme pysty laskemaan sen toimintaperiaatetta; ei tiedetä sen johtoaatetta eikä lopullista tarkoitusta; ei tunneta izeämme, ei luontoa eikä pirtua joka sitä liikuttaa; ei tiedetä onko apinoita 1 vai monta; meitä ympäröivät läpipääsemättömät mysteerit. Nää mysteerit on järjen alueen ulkopuolella, me luullaan että päästään niiden läpi järjen machetella, mutta kaadutaan omaan oveluuteemme. Tämän mielikuvitusmaailman läpi ize kukin raivaa tiensä jota pitää oikeana; kukaan ei tiedä viekö tie perille. Kuitenkin haluumme tietää ja ymmärtää sen kaiken. Se yx asia jota emme tiedä on tiedettävän raja. Luotamme mieluummin höpsismiin ja uskomme mikä ei ole totta, kuin myönnämme ettei kukaan näe mitä oikeasti on. Ize ollaan murto-osia jostain isosta kokonaisuudesta jonka rajat on meidän ulkopuolella, murto-osa jonka luoja nakkas tienoheen riitelemään keskenään, tarpeexi turhamaisina että halutaan selvittää kokonaisuuden luonne ja meidän pelimarkat siinä.

ellauri115.html on line 638: Would I start weeping like a bathtub overflowing?

ellauri115.html on line 653: Huomaatte: tää termi ‘substanssi’ mulla tarkoittaa sitä millä on jotain alkeellisia laatusanoja, ilman erikoisia ja toissijaisia virityxiä. Jos sit kaikki meidän tuntemat alkeelliset laatusanat voi olla samalla otuxella, riittää vaan 1 substanssi; mut jos on keskenään poissulkevia laatusanoja, niin tarvitaan niin monta substanssia kun on disjointteja luokkia. Saat miettiä tätä vähän; mun puolesta, mitä Locke ikinä sanookin, mulle riittää että aineella on vaan koko ja jaollisuus, niin mä oon vakuuttunut, että se ei voi ajatella, ja jos joku filosofi väittää että puut tuntee ja kivet ajattelee [Jalkahuomautus: Musta näyttää että moderni filosofia on kaukana siitä että kivet ajattelevat, ne on havainneet että miehet ei ajattele. Onkohan vika mussa vai? No ei, ne ei vaan huomaa luonossa muuta kuin sensitiivisiä olentoja; ja ainut ero jonka ne löytää miehen ja kiven välillä on että miehellä on niitä 2, ei vaitiskaan läppä läppä, vaan että mies on herkkä olento joka kokee sensaatioita, ja kivi on herkkä olento joka ei koe sensaatioita. Mutta jos on totta että kaikki aine tuntee, mistä löytyy tää herkkä yxikkö, mun individi ego? Onxe jokaisessa aineen mölekyylissä, vai ruumiissa jotka on mölekyylien aggregaatteja? Paanxmä tän yxeyden nesteisiin ja kiinteisiin, yhdisteisiin ja alkuaineisiin? Sä sanot että luonto koostuu yxilöistä. Mut mitä nää yxilöt sit on? Onx toi kivi tossa yxilö vai aggregaatti yksilöitä? Jos jokainen alkeellinen atomi on herkkä olento, miten mä voin käsittää sen intiimin viestinnän joka tapahtuu kun toinen apina on toisen sisällä, niin että niiden 2 egoa on sekoittuneet yhdexi? Puoleensaveto voi olla luonnonlaki jonka mysteeri on meille tuntematon; mut ainakin me tajutaan että vetovoima joka riippuu massasta ei sodi kokoa ja jaollisuutta vastaan. Voitko ajatella sensaatiota smalla tavalla? Sensitiivisillä ruumiinosilla on toki koko, jopa vaihteleva [mulla se on aika vähäinen], mutta sensitiivinen olento on 1 ja jakamaton; sitä ei voi panna kahtia, se on kokonainen tai ei mitään; sentakia herkkä olento ei ole aineellinen kappale. Mä en tiedä miten meidän materialistit ymmärtävät sen, mutta musta näyttää että samat hankaluudet jotka sai ne heittämää yli laidan ajattelun, nyt saa ne hylkäämään tunteilun; ja mä en näe mitään syytä, kun kerran eka askel on otettu, ne ei vois ottaa toistakin; mitä se niille enää maxaa?  Koska ne on varmoja ettei ne ajattele, miten ne kehtaa väittää että ne tunteilevat? Turhaan se yrittää sekottaa mua ovelilla argumenteilla; mä pidän sitä vaan epärehellisenä sofistina, joka mieluummin sanoo että kivillä on tunteita kun että miehillä on sielua. [Olipa siinä kasa kökköä ajattelua, jos sitä sillä nimellä voi kuzua; pikemminkin tarkotushakuista tunteilua.]

ellauri115.html on line 711: Kun nyt on päätelty aistiesineiden havainnosta ja mun sisäisestä tietoisuudedsta, joka johtaa mut päätellä syistä ja synnyistä syvistä diginatiivijärjellä päätotuudet jotka on mulle ihan need to know tietoa, mun täytyy nyt eziä sellasia käyttäytymisperiaatteita kuin niistä voi vetää, ja sellissiä sääntöjä jotka mun täytyy asettaa oppaaxeni tämän maailman kohtaloni täyttämisexi, mitkä oli mun money makerin meisinki. Käytän yhä samaa mefodia, en johda näitä sääntöjä korkekoulufilosofiasta, vaan löydän ne mun syömmin syvyyxistä, mihin ne on kirjoitettu tulipunaisilla kirjaimilla mitä mikään ei voi kumittaa. Mun tarvii vaan konsultoida izeäni sen suhteen mitä mä haluun tehä; se mikä musta tuntuu oikealta on oikein, mikä mun mielestä on väärin on väärin; omatunto on paras kasvomuisti; ja se on vaan kun tinkaamme omastatunnosta kun meillä on tarve sofistikoituihin argumentteihin. Meidän eka velvollisuus on mua izeäni kohtaan; kuitenkin miten usein toisen äänet kertoo että kun me haetaan omaa hyvää toisten kustannuxella me tehdään pahaa? Me luullaan seuraavamme luonnon opasteita, ja me vastustetaan sitä; me kuunnellaan mitä se sanoo meidän aisteille, ja me haistatetaan huilu sillä mitä se sanoo meidän sydämmelle; aktiiviolento tottelee, passiivi komentaa. Omatunto on sielun puheääni, passiohedelmät on ruumiin ääntelyä. Onko kumma että nää äänet usein kiistelevät kuin Aku Ankan korviin kuiskuttelevat kaxi pikku avataria? Ja kumpaahan meidän olis kuultava? Saat 2 arvausta. Liian usein järki pettää meitä; meillä on erinomainen syy epäillä sitä [jos se nimittäin sattuu olemaan aika heikko]; mutta superego ei koskaan petä meitä; se on miehen ainut tosi opaste; se on sielulle mitä vaisto on ruumiille, [Alahuomio: Moderni filosofia, joka myöntää vaan mitä se voi ymmärtää, varoo myöntämästä tätä hämärää kykyä jota sanotaan vaistoxi joka näyttää opastavan muita elukoita kuin tikanpoikaa puuhun ilman hankittua kokemusta. [No on se meilläkin, lue vaikka Paul et Virginie, tai jos et jaxa kazo sitten leffa Blue Lagoon.]  Vaisto, joittenkin meidän viisaiden viisaustieteilijöiden mielestä, on vaan salainen ajattelutottumus, joka on hankittu ajattelemalla; ja siitä miten ne tän kehityxen selittää voisi päätellä että lapset miettii enemmän kuin isot ihmiset: tää on outo paradoxi jota pitäis tutkia. Mut ei mennä tähän nyt, vaikka mun pitää kysyä mikä nimii pitää antaa sille innolle jolla mun koira jahtaa myyriä jota se ei edes syö, tai kärsivällisyydelle jolla se joskus kazoo niitä tuntikausia ja taitoa millä se nappaa ne, heittää ne jonkun matkan päähän kolosta kun ne tulee esille, ja sit tappaa ne ja jättää ne lojumaan. Kuitenkaan kukaan ei opettanut sille tätä urheilulajia, eikä kukaan edes kertonut sille että on sellaisia otuxia kuin myyriä. Taas kysyn, ja tää on tärkeämpi kysymys, mix kun mä uhkailin tätä koiraa ekan kerran, mixe heittäytyi maahan tassut ristissä kuin armonanoja .....ihankuin laskelmoidusti muhun vedoten, asento jonka se olis ottanut, jos mä olisin pitänyt pintani ja jatkanut sen mätkimistä siinä asennossa?  Mitä hä! Oliko mun koira, tuskin pentu, omaxunut moraali-ideoita? Tiesikö jo armon ja avokämmenen merkityxen? Millä hankitulla tiedolla se yritti hillitä mun vihaa heittäytymällä mun armoille? [Nojaa, tää vaan osottaa että sellainen käytös on luontaisesti koiramaista.] Jokainen koira maailmassa menettelee melkein samalla tavall samoissa olosuhteissa, enkä mä väitä mitään mitä jokainen ei voi ize kokeilla, hankkia vaan koiran ja jonkun astalon. Voisko filosooferit, jotka niin ivallisestri hylkää vaiston, ystävällisesti selittää tän vaan aistimusten leikkinä ja kokemuxen jonka ne olettaa että me ollaan hankittu?  Antaa niiden antaa selitys joka kelpaa joka tolkun äijälle; siinä tapauxessa mulla ei ole enempää sanottavaa, enkä sanokaan enempää vaistosta.] Se joka tottelee omaatuntoa noudattaa luontoa eikä sen tarvi pelätä menevänsä harhaan. Tää on hyvinkin tärkeä asia, jatkoi mun hyväntekijä, nähdessään että mä meinasin keskeyttää sen; anna mun pysähtyä hetkexi selittämään tää paremmin, se sanoi kovempaa ja kiireemmin.

ellauri115.html on line 738:     Olemassaolo on fiilistelyä; Meidän fiilis on takuulla varhaisempaa kuin meidän fixuus, ja meillä oli fiilixiä jo ennen ideoita. [Alaviite: Jossain mielessä ideat ovat fiilixiä ja fiilixet ideoita. molemmat termit sopii jokaiseen havaintoon jossa on meistä izestämme kyse, sopii sekä sen havainnon kohteeseen ja meihin jotka saa sen havainnon; järjestys missä me koetaan ne määrää soveltuvan termin.

ellauri115.html on line 774: Olen aina intohimoisesti rakastanut melomista kirkkoveneellä. Kumpu tarjoaa mainion ympäristön kaneille jotka saavat siellä lisääntyä rauhassa. Kerroin tästä ideasta tilanhoitajalle joka tuotatti sinne kaikki, tyttärensä, vaimonsa ja sisarensa. Terska ja minä menimme juhlallisesti sinne myös. Ne alkoivat lisääntyä jo ennen pois lähtöäni. Tämän pienen siirtokunnan perustaminen oli suurta juhlaa, olin kuin pieni kolonialisti levittämässä vieraslajeja. Tunsin izeni ylpeäxi kuin astronauttien peräsmies johtaessani kanini tilanhoitajan vaimon isolta kaninkololta tyttären pienelle. Veden edestakainen aaltoilu säesti mun edestakaisia liikkeitä ja saivat mut nautinnollisesti tiedostamaan olemassaoloni. Ei tarvinnut kahdesti miettiä kuten mamanin aikana, minua keinuttava jatkuva edestakainen liike vangizi minut siinä määrin että tilanomistajan vaimon tullessa rajusti jouduin väkisin riuhtaisemaan izeni sieltä pois.

ellauri115.html on line 811: What is to hinder a man from taking his enemy as his teacher without fee, and profiting thereby, and thus learning, to some extent, the things of which he was unaware? For there are many things which an enemy is quicker to perceive than a friend (for Love is blind regarding the loved one, as Plato​ says), and inherent in hatred, along with curiosity, is the inability to hold one´s tongue.

ellauri115.html on line 831: Romanttiset näkymät, sanoi Janne ekan kerran ranskaxi, se oppi sanan briteiltä. K-Raudan pienellä kesäapulaisella on romanttiset tissit, tai sellaset pienet mutta terhakat. Mm mitkä maisemat, sanoi el Zorron roisto aika paljon isompia tissejä. Mä pidän enemmän tollasista pienistä. Jouduttuaan Bielenseen autiolle saarelle JJ tuotatti sinne tässä järjestyxessä Terskan, kirjoja ja vähät varusteet. Sen hommana oli dolce far niente. Se sanoo Terskaa elämäntoverixi ja taloudenhoitajaxi kuin Hande Mäkelä Anza repukkaa. Se sanoo olevansa ihan yxin vaikka Terska häärää keittiössä ja sen sängyssä. Sillä aikaa Janne lähti Linné kainalossa kasviruuduille tarkkailemaan kasvien sukupuolielintoimintoja.

ellauri115.html on line 847: Se on siis samaa kärpässarjaa kuin Hobitin kirja, Eeditin kirja, Esterin perse, Siirakin kirja, Makaberilaiset, Susanna, A-sarjan rukous, 3 miehen kiitoslaulu kirkkoveneessä, Kaunotar ja hirviä. Viisaat kirkkoisät huomasivat että niistä sepustuxista tulee niille enemmänkin harmia kuin iloa, ja siirsivät ne liitteisiin.  

ellauri115.html on line 936: The ideas of Socinianism date from the wing of the Protestant Reformation known as the Radical Reformation and have their root in the Italian Anabaptist movement of the 1540s, such as the anti-trinitarian Council of Venice in 1550. Lelio Sozzini was the first of the Italian anti-trinitarians to go beyond Arian beliefs in print and deny the pre-existence of Christ in his Brevis explicatio in primum Johannis caput – a commentary on the meaning of the Logos in John 1:1–15 (1562). Lelio Sozzini considered that the "beginning" of John 1:1 was the same as 1 John 1:1 and referred to the new creation,[citation needed] not the Genesis creation. His nephew Fausto Sozzini published his own longer Brevis explicatio later, developing his uncle's arguments. Many years after his death in Switzerland, Sozzini consulted with the Unitarian Church in Transylvania, attempting to mediate in the dispute between Frankenstein and Count Dracula.

ellauri115.html on line 938: He moved to Poland, where he married the daughter of a leading member of the Polish Brethren, the anti-trinitarian minority, or ecclesia minor. In 1565, it had split from the Calvinist Reformed Church in Poland. Sozzini never joined the ecclesia minor, but he was influential in reconciling several controversies among the Brethren: on conscientious objection, on prayer to Christ, and on the virgin birth. Fausto persuaded many in the Polish Brethren who were formerly Arian, such as Marcin Czechowic, to adopt his uncle Lelio's views.

ellauri115.html on line 964: Kun d’Alembert syytti Geneven pastoreita sosinianismista. Rousseau piti niiden puolta. “Socinianism was a Christian sect closely allied with the development of Unitarianism. It took its name from its founder, Fausto Sozino, an Italian of the sixteenth century who lived in Poland for a long time, where his movement had great strength. It was popular throughout Europe and was accepted by many Protestant churches. Socinianism was anti-trinitarian and held that reason is the sole and final authority in the interpretation of the scripture. It further denied eternal punishments. Calvin had condemned the doctrine, so that the imputation in d’Alembert’s article was both a daring interpretation of the doctrine of Geneva’s pastors and one which was likely to be dangerous for them.” Allan Bloom, Politics and the Arts (Ithaca: Cornell University Press, 1960) 150. (back)

ellauri115.html on line 980: Hobbesin ja Locken pointtina oli että keskusvalta teki lopun klaanihommasta ja verikostosta. Siitä pääsi apinoiden kanimainen leviäminen vasta vauhtiin kunnolla. Ravintoverkon huipulla keekoilevan apinan ainoot viholliset on enää taudit syöpäläiset ja kollegat. Virkaveljet saadaan kuriin yhteiskuntasopimuxella. 

ellauri115.html on line 993:     Näin luki anatomian laitoxen patologian salin ovessa. 


ellauri115.html on line 1069: Shmuel "Sam" Vaknin (born April 21, 1961) is an Israeli writer and "professor of psychology". He is the author of Malignant Self Love: Narcissism Revisited (1999), was editor-in-chief of political news website Global Politician, and runs a private website about narcissistic personality disorder (NPD). He has also postulated a theory on chronons and time asymmetry which is pure bullshit.

ellauri115.html on line 1072: Kyltää aika pitkälle menee niin et noi overtit narsisti on miehiä ja kovertit naisia. Mitähän sekin sitten todistaa. Kai ne on niitä samoja jotka vaihtaa vaan strategiaa valtakuvion mukana.

ellauri115.html on line 1079: It was in the mid-1980s that he became aware of difficulties in his relationship with his fiancée, and that he had mood swings. In 1985 he sought help from a psychiatrist, who diagnosed him with narcissistic personality disorder (NPD). Vaknin did not accept the diagnosis at the time. From 1986 to 1987 he was the general manager of IPE Ltd. in London. He moved back to Israel, where he became director of an Israeli investment firm, Mikbatz Teshua. He was also president of the Israeli chapter of the Unification Church's Professors for World Peace Academy.

ellauri115.html on line 1083: Vaknin moved to Skopje, Macedonia, where he married Macedonian Lidija Rangelovska. They set up Narcissus Publications in 1997, which publishes Vaknin's work.

ellauri115.html on line 1087: Lidija Rangelovska is the owner and CEO of Narcissus Publications and the editor of Sam Vaknin's works, including of "Malignant Self-love: Narcissism Revisited" as well as many other books and ebooks about topics in psychology, relationships, philosophy, economics, international affairs, and award-winning short fiction. She lives in Skopje with her husband, Sam Vaknin. She featured in other documentaries together with her husband ("Egomania" by channel 4 in the UK and "Moi, narcissique et cruel" on Radio-Television Suisse).

ellauri115.html on line 1130: The Hares moved to the USA to study for a PhD program in psychophysiognomy at the University of Oregon, but due to his daughter falling ill (as expected) the family returned to Canada. Hare then served as a psycho in the prison system in British Columbia (British Columbia Penitentiary) for eight months, an area in which he had no particular qualification or training; indeed he would later recount without pangs of conscience that some prisoners were able to manipulate him more than he could them.

ellauri115.html on line 1142: Hare's views are recounted with some skepticism in the 2011 bestseller The Psychopath Test by British investigative journalist Jon Ronson, to which Hare has responded. Hare served as a high functioning sociopath for Jacob M. Appel's Mask of Sanity (2017), a novel source of income.

ellauri115.html on line 1189: Narsistille elämä on peliä. Haastatellut kertovat narsistien viljelevän peliteoreettista sanastoa myös arkipuheessa. No sitäkään mä en tee, en pidä peleistä. Olenhan epäonnistunut narsisti. Kielteinen ja vahingoittava kateus kuuluu perisynteihini. En tunne kateuden positiivista muotoa joka muistuttaa ihailua ja saa kilpailemaan kovemmin.

ellauri115.html on line 1210: Vanheneminen on narsistille narsistinen loukkaus, kun hän ei enää ole yhtä vahva vakuuttava ja kilpailukykyinen. Pehmittyään sieltä hän kovettaa tunteensa ja jäädyttää suhteensa jotta lapsuuden kipeät tunnemuistot ei pääse pintaan. Sexuaalinen vallankäyttö ja manipulointi loppuvat. Hän alkaa sekakäyttäjäxi tai heittäytyy maanisesti johkin touhuunsa, esim paasauxeen, pitääxeen tilanteen hallinnassa. Kipu on sellainen ettei voi millään olla jouten. Rupeaa entistäkin luulosairaammaxi. Voi vajota lopuxi täyd. sisäiseen liikkumattomuuden ja tyhjyyteen. N. kovettuu ja sammuu, ikäänk. kuolee elävältä. Millään ei ole enää mitään väliä. Tää on sentään aika ääritapaus. Edes J-J R. ei ehtinyt mennä noin pahaxi.

ellauri117.html on line 122: Huomautan ainoastaan seikasta, joka on yleiselle mielipiteelle vastainen, nimittäin että lapsen kasvattajan tulee olla nuori, jopa niinkin nuori kuin järkevä ihminen suinkin saattaa olla. Soisin että hän olisi itse lapsi, jos se olisi mahdollista, jotta hän voisi olla oppilaansa toveri ja saavuttaa hänen luottamuksensa ottamalla osaa hänen leikkeihinsä. Ei näet ole tarpeeksi yhdyntäsiteitä lapsuuden ja varttuneen iän välillä, jotta näin suuren ikäeron vallitessa voisi syntyä lujaa kiintymystä. Lapset hyväilevät joskus vanhuksia, mutta eivät heitä koskaan rakasta. Se on surullista, me vanhuxet niin mielellämme antaisimme niiden imuttaa.

ellauri117.html on line 128: Köyhä ei tarvitse kasvatusta. Hänen säätynsä pakottaa hänet itsetyydytyxeen; muunlaista kasvatusta hän ei kykenisi itselleen hankkimaan. Se kasvatus taas, jonka rikas säädyltänsä saa, on sitä laatua ettei se ollenkaan hyödytä häntä eikä yhteiskuntaa. Luonnollisen kasvatuksen tulee muuten saattaa ihminen soveliaaksi tulemaan toimeen kaikissa elämänoloissa. Niinpä on vähemmin järkevää kasvattaa köyhää sen mahdollisuuden varalle, että hänestä joskus tulisi rikas, kuin rikasta sen varalle, että hän voisi köyhtyä; on näet verrattain enemmän köyhtyneitä kuin nousukkaita. Valitkaamme siis kasvatiksi rikkaan lapsi; silloin on meillä ainakin se varmuus, että kasvatuksellamme olemme ihmiskunnalle lahjoittaneet yhden ihmisen lisää; köyhä näet voi itsestään kehittyä ihmiseksi. (Täh? )

ellauri117.html on line 185: Apparently his wife Frieda believed him to have had a sexual relationship with a farmer while writing Women in Love in 1916. There's also the coal miner quote you mentioned Kelby. Then there's the quote: I should like to know why nearly every man that approaches greatness tends to homosexuality, whether he admits it or not...  (Älkää yrittäkökään! Mä en ole! Sitäpaizi mä en ole lähelläkään suuruutta! Pienenen kuin pyy maailmanlopun edellä.)

ellauri117.html on line 191: still laughter, and our love was pertect tor a moment, more pertect than any love I have known since, for either man or woman. The very echo of David's lament for Jonathan in 2 Samuel 1: 26 ('thy to me was wonderful, passing the love of women.)

ellauri117.html on line 239: Gerald fastened the door and pushed the furniture aside. The room was large, there was plenty of space, it was thickly carpeted. Then he quickly threw off his clothes, and waited for Birkin. The latter, white and thin, came over to him. Birkin was more a presence than a visible object, Gerald was aware of him completely, but not really visually. Whereas Gerald himself was concrete and noticeable, a piece of pure final substance.

ellauri117.html on line 241: `Now,' said Birkin, `I will show you what I learned, and what I remember. You let me take you so --' And his hands closed on the naked body of the other man. In another moment, he had Gerald swung over lightly and balanced against his knee, head downwards. Relaxed, Gerald sprang to his feet with eyes glittering.

ellauri117.html on line 247: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements.

ellauri117.html on line 251: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.

ellauri117.html on line 253: At length Gerald lay back inert on the carpet, his breast rising in great slow panting, whilst Birkin kneeled over him, almost unconscious. Birkin was much more exhausted. He caught little, short breaths, he could scarcely breathe any more. The earth seemed to tilt and sway, and a complete darkness was coming over his mind. He did not know what happened. He slid forward quite unconscious, over Gerald, and Gerald did not notice. Then he was half-conscious again, aware only of the strange tilting and sliding of the world. The world was sliding, everything was sliding off into the darkness. And he was sliding, endlessly, endlessly away.

ellauri117.html on line 275: He still heard as if it were his own disembodied spirit hearing, standing at some distance behind him. It drew nearer however, his spirit. And the violent striking of blood in his chest was sinking quieter, allowing his mind to come back. He realised that he was leaning with all his weight on the soft body of the other man. It startled him, because he thought he had withdrawn. He recovered himself, and sat up. But he was still vague and unestablished. He put out his hand to steady himself. It touched the hand of Gerald, that was lying out on the floor. And Gerald's hand closed warm and sudden over Birkin's, they remained exhausted and breathless, the one hand clasped closely over the other. It was Birkin whose hand, in swift response, had closed in a strong, warm clasp over the hand of the other. Gerald´s clasp had been sudden and momentaneous.

ellauri117.html on line 338: Birkin laughed. He was looking at the handsome figure of the other man, blond and comely in the rich robe, and he was half thinking of the difference between it and himself -- so different; as far, perhaps, apart as man from woman, yet in another direction. But really it was Ursula, it was the woman who was gaining ascendance over Birkin´s being, at this moment. Gerald was becoming limp again, lapsing out of him.

ellauri117.html on line 353:       Äisky ja Pertin eka tyttöystävä, Jessie Chambers, kävi tiukkaa vapaapainia Pertistä. Molemmat naiset oli justiinaluonteita, ja halusivat "länkyttää Pertin hengiltä". Sexin "mysteereihin" sen vihki 23-vuotiaan apteekkarinrouva Alice Dax. Hiän kertoi, miten se näki Pertin runkkaamassa runon kimpussa. Hiän "antoi perää Pertille", auttaaxeen sitä löytämään riimejä. Pertti jätti Jessien löydettyään toisen ystävättären, sexuaalisesti puoleensavetävämmän Louie Burrowsin. Louie oli vetävästä kirkkoveneestä huolimatta liian "kirkollinen". Kaikki 3 jäivät läähättämään Lawrencen perään. 1912 Pertti lätkäänty Frieda Weeklyyn ja karkas viikkolehden kanssa jonnekin. Frieda oli aatelinen professorin rouva, joka jätti 3 lasta koska Pertti oli niin ihana. Frieda oli jättimäinen valkyyria, jonka kanssa Pertti sai otella monen monta erää. Lautasia särkyi monta tusinaa. Pertti oli aika toxinen:

ellauri117.html on line 383: At some point, idly add up total word count for every story summary, character description, cinematic scene, level script, multiplayer script, and collectible script you have written over previous two and half years. Plunge face into hands when word-count total surpasses that of every book you’ve published combined.

ellauri117.html on line 393: Discover management team feels no impetus to “finalize deal” because they know big-name director will never actually commit to said television project. What big-name director’s attachment gets you is meetings with big-name producers.

ellauri117.html on line 400: Francis Scott Key Fitzgerald (24. syyskuuta 1896 St. Paul, Minnesota, Yhdysvallat – 21. joulukuuta 1940 Hollywood, Kalifornia, Yhdysvallat) kuuluu Yhdysvaltojen 1900-luvun merkittävimpiin kirjailijoihin. Häntä pidettiin omana aikanaan ”kadotetun sukupolven äänenä”, niiden nuorten jotka aikuistuivat ensimmäisen maailmansodan aikana. Hän kirjoitti viisi romaania ja kymmeniä novelleja, jotka kertovat nuoruudesta ja epätoivosta ja kuvasivat aikaansa osuvasti ja elävästi. Hänen kirjoissaan ihaillaan erityisesti narsististen tunteiden rehellistä kuvausta.

ellauri117.html on line 405: Zelda Sayre kuitenkin purki kihlauksen, koska hän ei uskonut, että mainosfirmassa työskentelevä ja novelleja kirjoittava Scott pystyisi elättämään myös hänet. Potpotpotpot potkut sain, kesken hakkailua. Fitzgerald muutti takaisin vanhempiensa luokse St. Pauliin, missä hän ryhtyi korjaamaan kertomustaan The Romantic Egoist.

ellauri117.html on line 413: Elämäntyylinsä ja Zeldan lääkärikulujen vuoksi Fitzgerald oli jatkuvasti rahapulassa ja lainasi usein rahaa agentiltaan Harold Oberilta ja Scribner’sin kustannustoimittajalta Maxwell Perkinsiltä. Kun Ober päätti lopettaa Fitzgeraldin auttamisen, kirjailija katkaisi välinsä tähän pitkäaikaiseen ystäväänsä. Novellinsa "Financing Finnegan" välityksellä Fitzgerald kuitenkin pyysi häneltä ystävällisesti anteeksi. Ober ei antanut.

ellauri117.html on line 418: Vaikka Fitzgerald itse piti elokuvatyötä alentavana, hän oli jälleen kerran rahavaikeuksissa ja kirjoitti 1930-luvun jälkipuolen Hollywoodissa kaupallisia novelleja, käsikirjoituksia Metro-Goldwyn-Mayerille (niihin kuului sanoin kuvaamatonta materiaalia Tuulen viemään).

ellauri117.html on line 420: Scott ja Zelda vieraantuivat toisistaan; Zelda alienoitui mielisairaalassa itärannikolla, kun taas Scott asui Hollywoodissa rakastajattarensa, juorutoimittaja Sheilah Grahamin kanssa. Vuodesta 1939 kuolemaansa saakka Kultahattu pilkkasi itseään vanhan kunnon Patin eli Pipsan pimpsan orjaksi. Hän käytti Pipsan hattua 17 novellissa, jotka on myöhemmin koottu kokoelmaan Kuningatar-tarinat.

ellauri117.html on line 538:     Hormonaalityyppiadrenalthyroidnone of the aboveliverovary

ellauri117.html on line 551: Weight gain is just a symptom. Yes, you read it right. Have you wondered why you end up gaining weight on a specific body part like belly or hips and thighs? The reason is an underline medical condition. Your body functions are governed by certain neurohormones also known as hormones.

ellauri117.html on line 554:   The Adrenal body type is governed by the hormone cortisol, which is responsible for putting on weight in the stomach and back. These people tend to have round faces, and find it almost impossible to lose weight in their mid-section no matter how much dieting or working out they do. This is because the weight is caused by a hormone that is actively utilizing proteins and fats in the lower legs, and storing it in the mid-center.

ellauri117.html on line 556: The Thyroid body type is governed by thyroid function, and is responsible for making it either very difficult to lose weight, or hard to keep weight on.

ellauri117.html on line 559:   The Liver body type is governed by the body’s inability to process an overconsumption of alcohol or processed foods. The Liver body type is characterized most significantly as someone who has a “beer belly,” or who stores all of their weight in their front midsection. The weight will be disproportionate to the rest of their body, and distend out far beyond the rest of their frame.

ellauri117.html on line 561: The Ovary body type is governed by the imbalances in estrogen production. This explains why men do not have the Ovary body type.

ellauri117.html on line 610:     John Locke (1632-1704) was a close friend of the First Earl and an advisor to the family for years to come after the First Earl’s death.  Locke was the personal physician and general advisor to the First Earl.  He supervised the childhood medical care of Shaftesbury’s father, the degenerate Second Earl (1652-1699). He also helped find a wife for the Second Earl and he cared for her during  her pregnancy  with the Third Earl.  Most significantly for our purposes, Locke supervised the Third Earl’s education.  He personally chose Shaftesbury’s governess Elizabeth Birch and designed a curriculum for her to follow in her instruction of the child.  This experience was, presumably, the basis for Locke’s later work Thoughts Concerning Education.  Under Birch’s tutelage, Shaftesbury received a strong education in the Classics and became fluent in Greek and Latin by the age of eleven.  Locke continued to check on Shaftesbury’s progress over the years. Locke served as a primary advisor to the young Shaftesbury, though Shaftesbury did not always follow Locke’s advice.  Shaftesbury had many "philosophical" conversations with Locke, some of which are preserved in correspondence. "Mautonta!" huusi 3. Shaftersburyn Jaarli vähän väliä. 

ellauri117.html on line 616:   Noihin aikoihin Locke kirjoitti, todennäköisesti Shaftesburyn yllytyksestä, suurimman osan teoksestaan Two Treatises of Government, joka julkaistiin vuonna 1689. Locke halusi puolustaa teoksellaan vuoden 1688 mainiota vallankumousta, mutta samalla vastustaa Sir Robert Filmerin ja Thomas Hobbesin absolutistista poliittista filosofiaa. Locke luettiin vaikutusvaltaisen whig-puolueen puolelle, ja hänen ajatuksensa luonnonoikeudesta ja hallinnosta olivat kumouksellisia tuon ajan Englannissa. Toryt oli kunkun ja pappien ja maanomistajien puolue, whigit oli kauppaporvareita ja dissenttereitä. Muilla ei ollut maan asioihin mitään sanomista.

ellauri117.html on line 622:   Locke stated his belief, in his Second Treatise, that nature on its own provides little of value to society, implying that the labour expended in the creation of goods gives them their value. From this premise, understood as a labour theory of value, Locke developed a labour theory of property, whereby ownership of property is created by the application of labour. In addition, he believed that property precedes government and government cannot "dispose of the estates of the subjects arbitrarily." Fucking capitalist. Karl Marx later critiqued Locke's theory of property in his own social theory.

ellauri117.html on line 644:   No ei tästä kyllä tule juuri hullua hurskaammaxi, puolet sanastosta on liiketoimisanoja, puolet jotain narsistista tiimimotivaatiopuhetta ja in effigie omakehua. Oisko tässä kuiteskin vähän sitä predestinaatio-oppia, minkä Hipon Aku kekkasi just Patulta ja mistä Lassi eli Calvin kuumeni ja mistä se riiteli leväperäisemmän ansaintalogiikka-Arminiuxen kaa. Sillä esivalintaopilla oli joku hassumpi nimi, mikäs se oli? Hulluhan se Peeveli tod.näk. oli, tai sitten huippuovela, kalansilmä Hararin heimoveljiä.

ellauri117.html on line 653: Locken miälestä P. Peeveli oli nopeaälyinen heppu, kuumaverinen. Sillä oli niin paljon sanomista että sanat tungexivat ovissa kuin keltakassisia kundeja kellon alla Stockan alessa (silloin kun vielä oli Stockmanni, nythän se on enää vain varjo izestään). Se sekoilee niin paljon että tarvitaan joku Locke parsimaan sen lauseet kokoon. Kukas siihen parempi kuin John, himself a man of parts. Liimataan pätkät yhteen eikä välitettä sanoista niin paljon kuin ajatuxesta, joka Peevelin tasoisella kaverilla on aina sama, sanoi se mitä tahansa. Room. 1 jossa gender challenged saavat kyytiä, vähän näyttää hirvittävän Jussia: onko Peeveli nyt sanomassa että pakanoiden olis pitänyt tietää paremmin, vaikkei niillä ollut yöpöydän laatikoissa Gideonin Bibleä? Jussi koittaa selittää kaiken parhain päin: että Peeveli vaan tässä suomii heimoveljiä eikä mainize pakanoita muuten kuin vertailumielessä. Hmmnojaa, uskokoon ken haluaa. Will to believe, sitä tässä kysytään. 

ellauri117.html on line 657:   With regard to the Bible, Locke was very conservative. He retained the doctrine of the verbal inspiration of the Scriptures. The miracles were proof of the divine nature of the biblical message. Locke was convinced that the entire content of the Bible was in agreement with human reason (The Reasonableness of Christianity, 1695). Although Locke was an advocate of tolerance, he urged the authorities not to tolerate atheism, because he thought the denial of God's existence would undermine the social order and lead to chaos. That excluded all atheistic varieties of philosophy and all attempts to deduce ethics and natural law from purely secular premises. In Locke's opinion the cosmological (i.e. primus motor) argument was valid and proved God's existence. His political thought was based on Protestant Christian views. Additionally, Locke advocated a sense of piety out of gratitude to God for giving reason to men. Locke compared the English monarchy's rule over the British people to Adam's rule over Eve in Genesis, which was appointed by God. And stands to human reason, don't it?

ellauri117.html on line 667: The 388-year-old philosopher was born in Wrington, England. He earned a medicine degree from Oxford in 1674. He had influential theories on limited government, right to property, and the social contract. His theory of mind led to modern understandings of identity and the self and influenced Kant, Hume, and Rousseau.

ellauri117.html on line 670:   John Locke was born in 1630s. John Locke is part of G.I. Generation also known as The Greatest Generation. This generation experienced much of their youth during the Great Depression and rapid technological innovation such as the radio and the telephone. The initials "G.I." is military terminology referring to "Government Issue" or "General Issue". It's hard to know John Locke birth time, but we do know his mother gave birth to his on a Sunday. People born on a Sunday can often rely on sympathy from others and generally have luck on their side.

ellauri117.html on line 689: Zodiac Sign: John Locke is a Virgo. People of this zodiac sign like animals, healthy food, nature, cleanliness, and dislike rudeness and asking for help. The strengths of this sign are being loyal, analytical, kind, hardworking, practical, while weaknesses can be shyness, overly critical of self and others, all work and no play. The greatest overall compatibility with Virgo is Pisces and Cancer.

ellauri117.html on line 691: Chinese Zodiac: John Locke was born in the Year of the Ox. People born under this sign love to make people laugh and are generally energetic and upbeat but sometimes lack self-control.

ellauri118.html on line 78: 21.6.2021 klo 13.35 - helmi: Kirjaimellisesti hoveroi niskassa 


ellauri118.html on line 349: And dove-pale buds, that, dropping, stripe		Ja kyyhkys-vaaleat silmut, jotka pudottavat, raidallinen	

ellauri118.html on line 382: Madison Julius Cawein was born in Louisville, Kentucky on March 23, 1865, the fifth child of William and Christiana (Stelsly) Cawein. His father made patent medicines from herbs. Thus as a child, Cawein became acquainted with and developed a love for local nature.

ellauri118.html on line 403: Kirjallisuuden tutkijat epäilevät hänen tutustuneen Milanossa Stendhaliin. Teosta Vaarallisia suhteita pidetään yleisesti lajityyppinsä kirjeromaanin parhaana esimerkkinä. Teoksen henkilöt jakaantuvat selvästi hyviin ja pahoihin. Cécile ja ritari Danceny ovat hyviä, viattomia, nuoria ja kokemattomia. Valmont ja markiisitar de Merteuil ovat pahoja. Valmont on terävä-älyinen, viehätysvoimainen pelimies, jonka intohimona on valehtelu. Markiisitar de Merteuil ei ole hyveellinen, viaton, uskollinen tai aito. Häneltä puuttuu myös kaikki uskonnollisuus. Yhdessä Valmontin kanssa hän pitää ihmisiä joko ottajina tai niinä, joilta otetaan. Heillä ei ole muita aitoja tunteita kuin itserakkaus. Valloitukset tuovat paitsi vallantunnetta myös eroottista tyydytystä. Vaikka Cécile ja ritari Danceny turmelevat viattomuutensa, he tuntevat kuitenkin katumusta. Rouva de Tourvel edustaa aitoutta ja viattomuutta, joka säilyy iästä huolimatta. (Höh? Mistä iästä? Se oli 22v.) Teos puhuu lakkaamatta hyveestä ja viattomuudesta sekä niiden menettämisestä. Valmont ja markiisitar de Merteuil yrittävät parhaansa mukaan kitkeä viattomuuden ja hyveet, pelkästään kostonhalunsa takia tai pönkittääkseen omaa statustaan. Teoksen painopiste ei ole toiminnassa, vaan viettelyn tekniikassa. Siinä suhteessa tää jää selvästi 2.ksi verrattuna Vargas Llosaan. Vastoinkäymiset ovat Valmontille esteitä, jotka ovat kierrettävissä oveluudella ja julmuudella. Vaarallisia suhteita on lajityypistään huolimatta hyvin draamallinen, ja se on sovitettu teatterinäyttämölle lukemattomia kertoja. Elokuvaksi se on sovitettu viidesti. Helsinkiläinen Ryhmäteatteri esitti vuonna 2015 Vaarallisia suhteita Suomenlinnan kesäteatterissa. Näytelmäsovituksen teki Juha Kukkonen ja pääosia näyttelivät Minna Suuronen ja Antti Virmavirta. Se oli Pierren uran huippuhetkiä. 

ellauri118.html on line 406: Millainen on uskottoman romaanisankarittaren mieli? Kuinka kirjallisuuden vakiintuneet muodot vaikuttavat siihen, miten tulkitsemme todellisia ja fiktiivisiä mieliä? Onko toinen mieli vain lukijan fantasia? Ovatko aviorikosromaanit fantastisia? Uskoton mieli ja tekstuaaliset petokset pohtii kriittisesti kertomuksen ja mielten tutkimuksen ajankohtaisia kysymyksiä. Samalla se kartoittaa länsimaisen kaunokirjallisuuden uskottomuustraditiota. Tutkimuskohteet ulottuvat 1600-luvulla julkaistusta Madame de La Fayetten Clèvesin ruhtinattaresta Gustave Flaubertin Madame Bovaryyn, Kate Chopinin feministiseen klassikkoon Heräämiseen ja lopulta tosielämän kertomussikermään, joka syntyi Clintonin ja Lewinskyn seksiskandaalin ympärille. Mitä yhteistä on Emma Bovarylla ja Monica Lewinskylla ja missä määrin lukutapamme tuottavat heidän välilleen yhtäläisyyksiä? [Kiintoisa kysymys. Tärkeä ero kuitenkin että Monica imutti Billin siggeä, mitä Madame Bovary ei tiettävästi tehnyt.] Teos tarjoaa seitsemän tapaustutkimuksen lisäksi moniulotteisen kuvan narratologiasta ja mielten tutkimuksesta strukturalismin ajoilta tämän päivän monialaiseen kognitiotieteeseen. Teoksen esittelemät ja kommentoimat teoriat ja metodit ovat kirjallisuustieteen lisäksi sovellettavissa kulttuurintutkimukseen, sosiaalitieteisiin ja lingvistiikkaan.

ellauri118.html on line 410: 	1Aviorikos kirjallisena topoksena on ollut useankin tutkimuksen aiheena, mutta ei yhdenkään narratologisen tutkimuksen. Edelleen painavin kirjallisuustieteellinen esitys aiheesta on Tony Tannerin ambivalentin psykoanalyyttis-strukturalistinen Adultery in  the Novel (1979), joka lähestyy aviorikosta sekä yhteiskunnallisena että kirjallis-kielellisenä transgressiona. Viittaan Tannerin tutkimukseen Rouva Bovarya käsittelevässä luvussa. Muut laajemmat esitykset kirjallisesta aviorikoksesta ovat tekstianalyyttisesti merkityksettömämpiä: Bill Overtonin Fictions of Female Adultery (2002) keskittyy aviorikoskirjallisuuden historiallisiin ja kulttuurisiin reunaehtoihin sekä soimaa aiempaa tutkimusta (lähinnä Tanneria) liiasta kieli- ja kerrontakeskeisyydestä; Patricia Mainardin Husbands, Wives, and Lovers (2003) on kulttuurihistoriallinen esitys aviorikoksesta taiteessa ja Overtonin tutkimusta rikkaampi  esitys  esimerkiksi  aviorikoksen  lainsäädännöllisistä  ja  kulttuurisista kytköksistä; niin ikään Judith Armstrongin The Novel of Adultery (1976), Naomi Segalin The Adulteress’s Child (1992) ja Maria R. Ripponin Judgement and Justification in the Nineteenth-Century Novel of Adultery (2002) sivuuttavat kerronnan kysymykset ja keskittyvät kulttuuris-poliittiseen kontekstiin ja pelkästään referentiaalisen tason temaattiseen toistoon (kuten siihen että aviorikoksesta syntyvä lapsi on mitä todennäköisimmin tyttö). Oma lukunsa ovat vielä tiettyihin aikakausiin ja kielialueisiin (esimerkiksi ranskalaiseen hoviromantiikkaan) keskittyvät tutkimukset. Näistä maininnan arvoinen on ainakin Donald J. Greinerin Adultery in the American Novel (1985), vertaileva tutkimus Updiken, Hawthornen ja Jamesin avionrikkojista.  Kulttuuri-  ja  myyttihistoriallinen  klassikko,  Denis  de  Rougemontin L’Amour et l’Occident (1939) on myös tutkimus uskottomuusfiktioista (Tristanin ja Isolden perillisistä), sillä Rougemontilla juuri aviorikos on länsimaisen ”rakkauden rakastamisen” huipentuma, transgressiivinen olotila joka katoaa, jos siitä tehdään instituutio. Käsitys uskottomuudesta kulttuurisena rajailmiönä ja juuri siitä syystä kertomustaiteen pulppuavana lähteenä yhdistää siis Rougemontia ja Tanneria, mutta jostain syystä Tanner ei viittaa Rougemontin teokseen. Mixihän? [Heitän tähän heti sen edellä mainitun oivalluxen, että romantiikka on sitä kun panettaa muttei pääse pukille.]

ellauri118.html on line 426: Katherine Mansfieldin Bertha Young novellissa Bliss tekee saman havainnon.

ellauri118.html on line 438: Willie van Peer, kognitiotieteellisten sovellusten edelläkävijä kirjallisuustieteessä, empiirisen lukijatutkimuksen puolestapuhuja ja elitistisen formalismin ponnekas vastustaja, pohtii kirjallisia teemoja käsittelevässä artikkelissaan, miksi juuri uskottomat aviovaimot ovat kaunokirjallisuudessa alati toistuva aihe. Van Peer perusteleen aiheen (tai teeman, hän ei erottele näitä kahta käsitettä) suosiota sen emotionaalisella ja kognitiivisella potentiaalilla: moraalisen valinnan ja sen mahdollisten seurauksien luoma jännite riittää kantamaan pitkääkin kertomusta. (Van Peer 2002, 256–258.) Väitän, että kysymys on kuitenkin ennen kaikkea narratologinen: kielletyn romanssin kirjallista traditiota on pitänyt ja pitää edelleen hengissä mielten lukemisen ja konstruoimisen halu, ja nämä intohimot ovat erottamattomasti kytköksissä kerronnallisiin strategioihin. No entäs se darwinistinen tosiseikka, että poikasista 5-15% syntyy käenmunista? Eiköhän se riitä tuomaan tälle teemalle pysyvää mielenkiintoa?       

ellauri118.html on line 628: All things did with his Love conspire,			Kaikki oli Lysanderin lemmen puolella,		

ellauri118.html on line 636: In alone Thicket, made for Love,			Syrjäisessä pusikossa, panovalmiina,		

ellauri118.html on line 639: Permits his force, yet gently strove ?			Ole vievinäs väkisin, mie tuun mielelläin.

ellauri118.html on line 650: Where Love and Shame confus´dly strive,			Lempi kiistelee hävyn kanssa niissä,		

ellauri118.html on line 662: As he was capable of Love,				Kuin hän oli kykenevä bylsimään,		

ellauri118.html on line 663: The blessed Minutes to improve,				Parantaaxeen siunattuja hetkosia,		

ellauri118.html on line 667: Upon her melting Snowy Breast,				Sen pehmyelle lumivalkealle povelle,		

ellauri118.html on line 675: His Love no Modesty allows :				Hällä rakkaus ei salli siekailua;		

ellauri118.html on line 678: Where Gods of Love do Sacrifice 			Minne lemmen jumalat tekee uhreja		

ellauri118.html on line 700: A Shape design´d for Love and Play;			Esileikkiin suunnitellut muodot;

ellauri118.html on line 704: A Victim to Loves Sacred Flame ;			uhrixi lemmen leiritulille;

ellauri118.html on line 712: Pleasure, which too much Love destroys !		Nautinnon, minkä pilaa liika rakkaus!

ellauri118.html on line 716: On the defenceless lovely Maid.				Suojattoman neidon masun päälle.

ellauri118.html on line 728: Excess of Love his Love betray´d ;			Liika rakkaus on tehnyt tenän lemmelle;

ellauri118.html on line 734: Where Love and Fate were too severe,			Missä Lempi ja Kohtalo oli liian ankarat,

ellauri118.html on line 741: Not all her Naked Charms cou´d move,			Eivät hiänen nakut sulonsakaan liikuta,

ellauri118.html on line 742: Or calm that Rage that had debauch´d his Love.		Eivät liennä raivoa joka pilas panon.

ellauri118.html on line 746: Which Love and soft Desire had bred,			Jonka rakkaus ja pehmo halu synnytti,

ellauri118.html on line 769: Like Lightning through the Grove she hies,		Salamana hiän rientää pusikosta ulos,

ellauri118.html on line 775: Discover´d in the flying Maid				Näkivät pakenevan neidon hahmossa

ellauri118.html on line 777: So Venus, when her Love was Slain,			Niin Venus, kun sen rakas oli tapettu,

ellauri118.html on line 797: Madeleine de Scudéry, pseudonyymi Sapho (15. lokakuuta 1607 Le Havre, Ranska – 2. kesäkuuta 1701 Pariisi, Ranska) oli ranskalainen kirjailija. Madeleine de Scudéry, jonka aatelinen isä oli kotoisin Provencesta, asui yhdessä veljensä, kirjailija Georges de Scudéryn kanssa vuoteen 1655, ja oli hänen tavoin [tapoinensa? höh] kiinnostunut kirjoittamisesta. Hän omaksui aikakauden tyylisuunnan, ns. presiöösin tyylin, ja jo ennen kuin hän vuonna 1644 lähti veljensä mukana Marseilleen, hän kävi markiisitar Catherine de Vivonnen salongissa Hôtel de Rambouillet´ssa, kuten hän Fronde-kapinan jälkeen kuului Hôtel de Nevers´n ja Hôtel de Créquin kantavieraisiin.

ellauri118.html on line 811: Résumé: L’histoire se déroule dans un cadre spatio-temporel historique, entre les mois d´octobre 1558 et de novembre 1559, à la cour du roi Henri II, puis de son successeur François II.

ellauri118.html on line 834: Her father belonged to the lesser nobility, and was for awhile governor of Pontoise, and later of Havre. Her mother was sprung from an ancient family of Provence, among whom, says Auger, literary talent had long been a heritage; but the mother herself — if we are to believe Cardinal de Retz, but why should we believe that fuckhead — possessed no talent save that of intrigue. Well that's half of a novelist's job according to narratologists.

ellauri118.html on line 882: Haista kuule iso paska sanoi Pirkko, samaa sanoi pirkonnäköinen Petteri, ja vielä pirkonnäköisempi Anna. Peggy pohtii 60-luvun nuoruutta. Kaikki oli silloin mahdollista ja luvallista. Luke ei ollut sen eka mies, ei ainoa eikä viimenenkään ellei Gileadin setämiehet olis puuttuneet asiaan. Graeme oli varmasti vanha kunnon Pat. Peggy on narsisti, siitä ei ole pienintäkään epäilystä. Ei se halua että sen tyttärellä menee hyvin ilman sitä. Se ei pyyhi kasvojaan ettei meikit tuhriudu, se järjestelee ilmeensä oven takana. Liz Moss on toinen samanmoinen. Tunnen itseni typeräxi, haluisin kazoa peilistä miltä näytän. Näyttääx mun perse tässä isolta? Kyllä se näyttää. 

ellauri118.html on line 945: Showrunner Bruce Miller was a longtime fan of the Margaret Atwood novel upon which it's based.

ellauri118.html on line 948: "I felt like in the novel there's only so much of the dynamic between Serena Joy and Offred that you're going to see, but in a TV show it's going to go on and on and on hopefully for years. The element that was missing for me was the direct competition between the two women," Miller said. I felt that it was a more active dynamic if Serena Joy felt like this person was usurping her role not only as the reproductive object of the house but gradually taking away the wifely duties, the intimate duties, the romantic, sexual duties." Mitä romanttista on panossa? Se on romanttista ettei paääse pukille vaikka mieli tekisi.

ellauri118.html on line 956: "She was so astonishing in her audition," Miller said. "She made me feel sorry for Serena Joy, which is seemingly an impossible task. I felt bad for her. She was so wonderful and terrifying. And she's quite tall, so that works really well with Lizzie who is more small. Serena Joy wears heels and Lizzie doesn't. To have this towering viking standing over her ... she's physically intimidating." Yvonne is a whip-strong woman. Lizzie [Elizabeth Moss] is also quite strong but on the pudgy side. The two of them together, you feel like, 'I'd love to see them go toe-to-toe in a cage match.'" A mud fight with nothing on, now that would be the thing. Maybe in the next season, stay tuned.

ellauri118.html on line 1093: 7§ Mutta jos syytös on tosi, jos tytössä ei tavattu neitsyyden merkkiä, silloin ei riitä 100 hopeasekeliä, vaan vietäköön tyttö isänsä talon ovelle, ja kaupungin miehet kivittäkööt hänet kuoliaaksi, koska hän teki häpeällisen teon Israelissa, harjoittaen haureutta isänsä kodissa. Poista paha keskuudestasi.

ellauri118.html on line 1112: “Some days, my grandmother would say we were related to her and on other days, she would deny the whole thing because it wasn't very respectable,” Atwood says. “I was actually trying to write a novel about her, but, unfortunately, I didn't know enough about the late 17th century to be able to do it. But I did write a long, narrative poem called 'Half-Hanged Mary,' because she only got half hanged.”

ellauri118.html on line 1114: Growing up, Atwood heard stories from her grandmother about Mary Webster, a colonial woman who was half hanged in Hadley, Massachusetts in 1685 for witchcraft, several years before the infamous Salem witch trials began in 1692. Atwood's grandmother often referred to Webster as a relative, though she sometimes denied it, and her ancestry can't be definitively proven one way or the other.

ellauri118.html on line 1125: This passage is from the beginning of the poem "Half-Hanging Mary" by Margaret Atwood. Poverty and neglect did not improve Mary’s fiery temper, and she spoke harshly when offended, wrote Sylvester Judd in his 1905 History of Hadley. Witches supposedly suckled their ‘imps’ or ‘familiars’ — maybe even the devil — in exchange for help with their magic.

ellauri118.html on line 1149: The failure to include obese body types in the television adaptation was a major oversight.  The Handmaid’s Tale should have done better by fat women.

ellauri119.html on line 50: Holy has been used as an intensifying word from 1837; in expletives since 1880s (such as holy smoke, 1883, holy mackerel, 1876, holy cow, 1914, holy moly etc.), most of them euphemisms for holy Christ or holy Moses. Holy Ghost was in Old English (in Middle English often written as one word). Holy water was in Old English. Scotch whiskey means life water. Eau de vie, akvaviittiä. Aguardiente. Tulivettä tappavaa, kuivat kurkut lutkuttaa. Intiaanit razastaa, aavaa preeriaa. Holy League is used of various European alliances; the Holy Alliance was that formed personally by the sovereigns of Russia, Austria, and Prussia in 1815; it ended in 1830. Hole in one. 

ellauri119.html on line 62: a: having a divine quality holy love 


ellauri119.html on line 73: Recent Examples on the Web: The competing claims over east Jerusalem, home to Jewish, Christian and Muslim holy sites, lie at the heart of the conflict and have sparked many rounds of violence. — Time, 16 June 2021

ellauri119.html on line 101: Love words? Need even more definitions? Subscribe to America's largest dictionary and get thousands more definitions and advanced search—ad free! 

ellauri119.html on line 113: In season 2's "Hot Off the Griddle," Catwoman captures Batman and Robin and straps them to two giant aluminum grills, smears them with margarine and places two giant magnifying glasses above them, with the intent to roast them with the hot sun. Robin shouts, "Holy Oleo!" to which Catwoman humorously retorts, "I didn't know you could yodel."

ellauri119.html on line 141:   In the season one episode "Not Yet, He Ain't," Batman and Robin go back to the Batcave to relax with some nice cool milk after surviving an attempt on their lives by the Penguin. What's to love about this exclamation is that Robin is so enraged and yet he's carrying a glass of milk and it just looks adorable instead.

ellauri119.html on line 156:   In the season one episode "When the Bookworm Turns," the evil Bookworm's Gal Friday is named Lydia. Batman and Robin discover her tied up and left behind by the Bookworm. Robin's response when he sees her is to shout, "holy Cinderella!" Which, of course, has nothing to do with the situation at hand at all. Or perhaps Batman read Robin a different "Cinderella" than others. Suomalainen Tuhkimo oli miespuolinen. Varmaan Batman luki sitä pikku homopetterille.

ellauri119.html on line 176:   Referencing d'Artagnan, one of the famed Musketeers of Alexandre Dumas' classic novel, "The Three Musketeers," might not sound like all that weird of a reference for Robin to make. However, it ranks this high because it is actually a reference to Catwoman having just shot Robin and Batman with tranquilizer darts.

ellauri119.html on line 249:   ove.svg/1280px-Triangular_Theory_of_Love.svg.png" height="200px" style="padding-bottom:50px" />

ellauri119.html on line 250:   ove.jpeg/800px-Colour_Wheel_of_Love.jpeg" height="200px" style="padding-bottom:50px" />

ellauri119.html on line 259:     The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. The color wheel theory of love is an idea created by Canadian psychologist John Alan Lee that describes six styles of love, using several of the Latin and Greek words for love. First introduced in his book Colours of Love: An Exploration of the Ways of Loving (1973), Lee defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The three primary types are eros, ludus and storge, and the three secondary types are mania, pragma and agape. 

ellauri119.html on line 300: The New Testament details a close relationship between the Holy Spirit and Jesus during his earthly life and ministry.The Gospels of Matthew and Luke and the Nicene Creed state that Jesus was "conceived by the Holy Spirit, born of the Virgin Mary". The Holy Spirit descended on Jesus like a dove or seagull during his baptism, and in his Farewell Discourse after the Last Supper Jesus promised to send the Holy Spirit to his disciples after his departure. 

ellauri119.html on line 349:     Henotheism (from Greek ἑνός θεοῦ (henos theou) ´of one god´) is the worship of a single, overarching god while not denying the existence or possible existence of other lower deities. Friedrich Schelling (1775–1854) coined the word, and Friedrich Welcker (1784–1868) used it to depict primitive monotheism among ancient Greeks.

ellauri119.html on line 385: Define god? In monotheistic thought, God is defined as the supreme being, creator, and principal object of faith. God is usually conceived of as being omnipotent, omniscient, omnipresent and omnibenevolent as well as having an eternal and necessary existence. A good definition because it is creative, too bad that's no longer allowed by the modern logicians. Existence and uniqueness must be proven separately. Damn them to hell! 

ellauri119.html on line 387: God is most often held to be incorporeal, with said characteristic being related to conceptions of transcendence or immanence. In religion, transcendence is the aspect of a deity´s nature and power that is wholly independent of the material universe, beyond all known physical laws. This is contrasted with immanence, where a god is said to be fully present in the physical world and thus accessible to creatures in various ways. In religious experience, transcendence is a state of being that has overcome the limitations of physical existence, and by some definitions, has also become independent of it. This is typically manifested in prayer, rituals, meditation, psychedelics and paranormal "visions".

ellauri119.html on line 398: Paul Van Buren and William Hamilton both agreed that the concept of transcendence had lost any meaningful place in modern secular thought. According to the norms of contemporary modern secular thought, God is dead. In responding to this denial of transcendence Van Buren and Hamilton offered secular people the option of Jesus as the model human who acted in love. Well technically he is dead as well, but his great ideas (that he "borrowed" from the hindoos and the jews) live on. 

ellauri119.html on line 400: Paul Matthews van Buren (April 20, 1924 – June 18, 1998) was a Christian theologian and author. An ordained Episcopal priest, he was a Professor of religion at Temple University, Philadelphia for 22 years. He was a Director [NYT obituary says "Associate"] of the Center of Ethics and Religious Pluralism at the Shalom Hartman Institute in Jerusalem. Van Buren was born and raised in Norfolk, Virginia. During World War II, he had served in the United States Coast Guard. He graduated with a bachelor´s degree in government from Harvard College in 1948. A professor at Temple University, he was considered a leader of the "Death of God" school or movement, although he himself rejected that name for the movement as a "journalistic invention," and considered himself an exponent of "Secular Christianity." He died of cancer on June 18, 1998 at age 74.

ellauri119.html on line 402: William Hamilton (1924-2012), a theologian who declared nearly a half century ago that God was dormant if not dead, was remembered at his death for the media impact made by the "death of God movement." 

ellauri119.html on line 404: The Time cover for April 8, 1966, with its stark words "Is God Dead?" against a dark background, garnered record sales. So did a 1966 book, Radical Theology and the Death of God, coauthored by Hamilton and Thomas J. J. Altizer. "It was Bill who in the ´60s created the scandal of a death of God theology," Altizer told the Century, adding that Hamilton was the more articulate. 

ellauri119.html on line 410: Churches quickly rejected the premises of radical theology, and many pastors and evangelists preached "our-God-is-not-dead" sermons for a decade or more, long after the movement itself had faded from public attention.

ellauri119.html on line 416: 
What´s love got to do with it?

ellauri119.html on line 420: Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love of food. A minority of monkeys fuck their relatives, but such monkey business still happens. Few people fuck their food, with Philip Roth as a notable exception. Most commonly, love refers to a feeling of strong attraction and emotional attachment. You are so cute I could eat you! Eat my shorts!

ellauri119.html on line 422:     Love is considered to be both positive and negative, with  its virtue representing human kindness, compassion, and  affection, as "the unselfish loyal and benevolent concern  for the good of another" and its vice representing human  moral flaw, akin to vanity, selfishness, amour-propre, and  egotism, as potentially leading people into a type of  mania, obsessiveness or codependency. It may also describe  compassionate and affectionate actions towards other  humans, one's self or animals. In its various forms, love  acts as a major facilitator of interpersonal relationships  and, owing to its central psychological importance, is one  of the most common themes in the creative arts. Love has  been postulated to be a function that keeps human beings  together against menaces and to facilitate the continuation  of the species.

ellauri119.html on line 424:     Ancient Greek philosophers identified no less than six forms of love: essentially, familial love (in Greek,  storge), friendly love or platonic love (philia), romantic  love (eros), self-love (philautia), guest love (xenia) and  divine love (agape). Plus a zillion learned words for different kinds of paraphilia. But that's nothing yet compared to the hindoos [below] who have words for love like the Eskimos for ice cream.

ellauri119.html on line 426:     Modern authors have distinguished further varieties of love: unrequited love, empty love, companionate love, consummate love, infatuated love, self-love, and courtly love. Numerous cultures have also distinguished ren, yuanfen, mamihlapinatapai, cafuné, kama, bhakti, mettā, ishq, chesed, amore, charity, saudade (and other variants or symbioses of these states), as culturally unique words, definitions, or expressions of love in regards to a specified "moments" currently lacking in the English language, like "orgasm". 

ellauri119.html on line 428:     Scientific research on emotion has increased significantly over the past two decades. The color wheel theory of love defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. Love has additional religious or spiritual meaning. This diversity of uses and meanings combined with the complexity of the feelings involved makes love unusually difficult to consistently define, compared to other emotional states. Abstractly discussed, love usually refers to an experience one person feels for another. Love often involves caring for, or identifying with, a person or thing (cf. vulnerability and care theory of love), including oneself (cf. narcissism). Tulihan se sieltä!

ellauri119.html on line 430:     In addition to cross-cultural differences in understanding love, ideas about love have also changed greatly over time. Some historians date modern conceptions of romantic love to courtly Europe during or after the Middle Ages, although the prior existence of romantic attachments is attested by ancient love poetry. The complex and abstract nature of love often reduces discourse of love to a thought-terminating cliché. Several common proverbs regard love, from Virgil's "Love conquers all" to The Beatles' "All You Need Is Love". St. Thomas Aquinas, following Aristotle, defines love as "to will the good of another." Bertrand Russell describes love as a condition of "absolute value," as opposed to relative value.[citation needed] Philosopher Gottfried Leibniz said that love is "to be delighted by the happiness of another." Meher Baba stated that in love there is a "feeling of unity" and an "active appreciation of the intrinsic worth of the object of love." But who the fuck is Meher Baba? Biologist Jeremy Griffith defines love as "unconditional selflessness". In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. The 20th-century rabbi Eliyahu Eliezer Dessler is frequently quoted as defining love from the Jewish point of view as "giving without expecting to take" (from his Michtav me-Eliyahu, Vol. 1). Rakkaus on siis ekonomisesti sulaa hulluutta!

ellauri119.html on line 432:     There are several Greek words for "love" that are regularly referred to in Christian circles. Agape: In the New Testament, agapē is charitable, selfless, altruistic, and unconditional. It is parental love, seen as creating goodness in the world; it is the way God is seen to love humanity, and it is seen as the kind of love that Christians aspire to have for one another. Philia: Also used in the New Testament, phileo is a human response to something that is found to be delightful. Also known as "brotherly love" or "homophilia." Two other words for love in the Greek language, eros (sexual love) and storge (child-to-parent love), were never used in the New Testament! Now that's a lacuna! Christians believe that to Love God with all your heart, mind, and strength and Love your neighbor as yourself are the two most important things in life (the greatest commandment of the Jewish Torah, according to Jesus; cf. Gospel of Mark chapter 12, verses 28–34). Saint Augustine summarized this when he wrote "Love God, and do as thou wilt." Right on Gus! Way to go!

ellauri119.html on line 434:     The Apostle Paul glorified love as the most important virtue of all. Describing love in the famous poetic interpretation in 1 Corinthians, he wrote, "Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, and always perseveres." (1 Cor. 13:4–7, NIV) He didn't mean eros, but rather homophilia. Perseveraatiosta oli puhe. John also wrote, "Dear friends, let us love one another for love comes from God. Everyone who loves has been born of God and knows God. Whoever does not love does not know God, because God is love." (1 John 4:7–8, NIV) Influential Christian theologian C. S. Lewis wrote a book called The Four Loves. The first retired nazi pope Benedict XVI named his first circular God as love. He said that a human being, created in the image of God, who is love, is able to make love; to give himself to God and others (agape) and by receiving and experiencing God's love in contemplation (eros). This life of love, according to him, is the life of the saints such as Teresa of Calcutta and the Blessed Virgin Mary and is the direction Christians take when they believe that God loves them. Pope Francis taught that "True love is both loving and letting oneself be loved...what is important in love is not our loving, but allowing ourselves to be loved by God." That's just what Virgin Mary did. "You have heard that it was said, 'Love your neighbor and hate your enemy.' But I tell you, love your enemies and pray for those who persecute you, that you may be children of your Father in heaven. He causes his sun to rise on the evil and the good, and sends rain on the righteous and the unrighteous. If you love those who love you, what reward will you get? Are not even the tax collectors doing that? And if you greet only your own people, what are you doing more than others? Do not even pagans do that? Be perfect, therefore, as your heavenly Father is perfect." – Matthew 5: 43–48. Jews didn't like tax collectors.

ellauri119.html on line 436:     What the fuck, so they should stay virgins? Did Mary become ex-virgin when Joseph started fucking her? The Ortodox say YES! the rest say NO! She remained a honorary virgin to the end of her days. When Joseph fucked her she just closed her eyes and thought about her first love affair.

ellauri119.html on line 438:     Do not forget to love with forgiveness, Christ saved an adulterous woman from those who would stone her. She had a whole lotta love left to give. Good material for a Jezebel. Mosaic Law would hold (Deuteronomy 22:22-24) "If a man is found lying with a woman married to a husband, then both of them shall die—the man that lay with the woman, and the woman; so you shall put away the evil from Israel. If a young woman who is a virgin is betrothed to a husband, and a man finds her in the city and lies with her, then you shall bring them both out to the gate of that city, and you shall stone them to death with stones, the young woman because she did not cry out in the city, and the man because he humbled his neighbor's wife; So you shall "put away" the evil from among you. A world of wronged hypocrites needs forgiving love. To love one's friends is common practice, to love one's enemies only among Christians. But Christians do not particularly love enemies not among Christians, like moslems or jews. Forgive them, ok, but kill them. Mosaic law is what the jews pieced together after Moses accidentally dropped the stone tablets. 

ellauri119.html on line 440:     Love encompasses the Islamic view of life as universal brotherhood that applies to all who hold faith. Amongst the 99 names of God (Allah), there is the name Al-Wadud, or "the Loving One," which is found in Surah [Quran 11:90] as well as Surah [Quran 85:14]. God is also referenced at the beginning of every chapter in the Qur'an as Ar-Rahman and Ar-Rahim, or the "Most Compassionate" and the "Most Merciful", indicating that nobody is more loving, compassionate and benevolent than God. The Qur'an refers to God as being "full of loving kindness." The Qur'an exhorts Muslim believers to treat all people, viz. those who have not persecuted them, with birr or "deep kindness" as stated in Surah [Quran 6:8-9]. Birr is also used by the Qur'an in describing the love and kindness that children must show to their parents. Ishq, or divine love, is the emphasis of Sufism in the Islamic tradition. Practitioners of Sufism believe that love is a projection of the essence of God to the universe. God desires to recognize beauty, and as if one looks at a mirror to see oneself, God "looks" at himself within the dynamics of nature. Since everything is a reflection of God, the school of Sufism practices to see the beauty inside the apparently ugly sufist. Sufism is often referred to as the religion of love. God in Sufism is referred to in three main terms, which are the Lover, Loved, and Beloved, with the last of these terms being often seen in Sufi poetry.

ellauri119.html on line 442:     In Hinduism, kāma is pleasurable, sexual love, personified by the god Kamadeva. For many Hindu schools, it is the third end (Kama) in life. Kamadeva is often pictured holding a bow of sugar cane and an arrow of flowers; he may ride upon a great parakeet. The philosophical work Narada Bhakti Sutras, written by an unknown author (presumed to be Narada), distinguishes eleven forms of love. Kama Sutra has more. Gaudiya Vaishnavas who worship Krishna as the Supreme Personality of Godhead and the cause of all causes consider Love for Godhead (Prema) to act in two ways: sambhoga and vipralambha (union and separation), like Empedocles' love and strife, attraction and repulsion, in and out in ever faster succession. Radha is considered to be the internal potency of Krishna, and is the supreme lover of Godhead. Her example of love is considered to be beyond the understanding of material realm as it surpasses any form of selfish love or lust that is visible in the material world. The reciprocal love between Radha (the supreme lover) and Krishna (God as the Supremely Loved) is the subject of many poetic compositions in India such as the Gita Govinda and Hari Bhakti Shuddhodhaya, and a lot of chanting, tinkling little bells and opening and closing of musical doors.

ellauri119.html on line 444:     In Buddhism, Kāma Sutra is sensuous, sexual love. It is an obstacle on the path to enlightenment, since it is selfish. Karuṇā is compassion and mercy, which reduces the suffering of others. It is complementary opposite to wisdom and is necessary for enlightenment. Adveṣa and mettā are benevolent love. This love is unconditional and requires considerable self-acceptance. This is quite different from ordinary love, which is usually about attachment and sex and which rarely occurs without self-interest. Instead, Buddhism recommends detachment and unselfish interest in others' welfare. Gandhi could sleep naked with young sweetypies without penetrating them. Did he so much as get a boner? The story does not tell. Mrs Gandhi did not approve. They screeched to one another like a pair of seagulls. Wonder what the young sweetypies thought of it. Scary and frustrating at once I bet. Being perfectly in love with God or Krishna makes one perfectly free from material contamination and this is the ultimate way of salvation or liberation. In this tradition, salvation or liberation is considered inferior to love, and just an incidental by-product. Being absorbed in Love for God is considered to be the perfection of life.

ellauri119.html on line 446:     The term "free love" has been used to describe a social movement that rejects marriage, which is seen as a form of social bondage. The Free Love movement's initial goal was to separate the state from sexual matters such as marriage, birth control, and adultery. It claimed that such issues were the concern of the people involved, and no one else. Many people in the early 19th century believed that marriage was an important aspect of life to "fulfill earthly human happiness." Middle-class Americans wanted the home to be a place of stability in an uncertain world. This mentality created a vision of strongly defined gender roles, which provoked the advancement of the free love movement as a contrast. The term "sex radical" has been used interchangeably with the term "free lover". By whatever name, advocates had two strong beliefs: opposition to the idea of forceful sexual activity in a relationship and advocacy for a woman to use her body in any way that she pleases. These are also beliefs of Feminism. As St. Augustine put it: love God and then do as you please.

ellauri119.html on line 448:     BTW did Mary come? How many times? There are many different theories that attempt to explain what love is, and what function it serves. It would be very difficult to explain love to a hypothetical person who had not himself or herself experienced love or being loved. In fact, to such a person love would appear to be quite strange if not outright irrational behavior.

ellauri119.html on line 452:     Among the prevailing types of theories that attempt to account for the existence of love there are: psychological theories, the vast majority of which consider love to be very healthy behavior; there are evolutionary theories that hold that love is part of the process of natural selection; there are spiritual theories that may, for instance consider love to be a gift from God; there are also theories that consider love to be an unexplainable mystery, very much like a mystical experience. It feels like a sneeze. Setting aside Empedocles's view of Eros as the force binding the world together, the roots of the classical philosophy of love go back to Plato's Symposium. 

ellauri119.html on line 454:     Why set aside good old Empedocles anyway? He meant forces of attraction and repulsion, he got it just right 2My before Newton. Plato sucks, set him aside instead. The idea of two loves, one heavenly, one earthly is just bullshit. As Tristram Shandy's Uncle Tboy was informed over 2My later, "of these loves, according to Ficinus's comment on Valesius, the one is rational - the other is natural - the first...excites to the desire of philosophy and truth - the second, excites to desire, simply". Toby felt the former toward women and the latter for model trains. Plato's sublimation theory of love involved "mounting upwards...from one to two, and from two to all fair boys, and from fair boys to fair actions, and from fair actions to fair motions, until with fair motions he comes into the bottom of an absolute beauty". Sounds like Plato's own love history from horny gym boy to a dirty old geezer.

ellauri119.html on line 456:     Hippo of Augustine thought the holy ghost was the gluon that kept the other two quarks together, top and bottom, strange and charm, bad and good policeman. love is another attractive force, if you will. May the force be with you, but never underestimate the power of the dark side of the force. Under his eyes. May the lord open. "The dystopian drama has exceeded the natural lifespan of its story, as it plows forward with nothing new to say, tinkling cymbals and sounding brass." "There came a point during the first episode where, for me, it became too much." Lisa Miller of The Cut wrote: "I have pressed mute and fast forward so often this season, I am forced to wonder: 'Why am I watching this'? It all feels so gratuitous, like a beating that never ends."

ellauri119.html on line 458:     Aristotle by contrast placed more emphasis on philia (friendship, affection) than on eros (love); and the dialectic of friendship and love would continue to be played out into and through the Renaissance, with Cicero for the Latins pointing out that "it is love (amor) from which the word 'friendship' (amicitia) is derived" Meanwhile, Lucretius, building on the work of Epicurus, had both praised the role of Venus as "the guiding power of the universe", and criticised those who become "love-sick...life's best years squandered in sloth and debauchery".

ellauri119.html on line 460:     Now a fast forward to French fries and scepticism. Alongside the passion for merging that marked Romantic love, a more sceptical French tradition can be traced from Stendhal onwards. Stendhal's theory of crystallization implied an imaginative readiness for love, which only needed a single trigger for the object to be imbued with every fantasised perfection. Proust went further, singling out absence, inaccessibility or jealousy as the necessary precipitants of love. Lacan would almost parody the tradition with his saying that "love is giving something you haven't got to someone who doesn't exist". A post-Lacanian like Luce Irigaray would then struggle to find room for love in a world that will "reduce the other to the same...emphasizing eroticism to the detriment of love, under the cover of sexual liberation".

ellauri119.html on line 462:     Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist who examined the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum non matris sed aliae mulieris (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism.  Presently, she is active in the Women's Movements in both France and Italy. Eroticism (from the Greek ἔρως, eros—"desire") is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.

ellauri119.html on line 464:     As the fat and ugly French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides. Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often[how often?] confused eroticism with pornography, with the anti-pornography activist Andrea Dworkin saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as Lynn Hunt writes, "demonstrate the difficulty of drawing… a clear generic demarcation between the erotic and the pornographic": indeed arguably "the history of the separation of pornography from eroticism… remains to be written". In the eighteenth century, eroticism was the result of the intrusion into the public sphere of something that was at base private. 

ellauri119.html on line 466: The industrial revolution in the XVIIIth century created free love, great public and small celebrities. Goodbye nobility, welcome notables! What the fuck, same difference.

ellauri119.html on line 469: 
Empty love

ellauri119.html on line 473:     This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. (June 2018) (Learn how and when to remove this template message)

ellauri119.html on line 475: The three components, labeled on the vertices of a triangle, interact with each other so as to form six different kinds of love experiences. The triangular theory of love is a theory of love developed by Robert Sternberg. In the context of interpersonal relationships, the three components of love, according to the triangular theory, are an intimacy component, a passion component, and a decision/commitment component.

ellauri119.html on line 477: Sternberg says that intimacy refers to "feelings of closeness, connectedness, and bondedness in loving relationships," passion refers to "the drives that lead to romance, physical attraction, sexual consummation, and related phenomena in loving relationships" and decision/commitment means different things in the short and long term. In the short-term, it refers to "the decision that one loves a certain other", and in the long-term, it refers to "one's commitment to maintain that love."

ellauri119.html on line 479: The three components, pictorially labeled on the vertices of a triangle, interact with each other and with the actions they produce so as to form seven different kinds of love experiences (nonlove is not represented). The size of the triangle functions to represent the "amount" of love—the bigger the triangle, the greater the love. Each corner has its own type of love and provides different combinations to create different types of love and labels for them. The shape of the triangle functions to represent the "style" of love, which may vary over the course of the relationship:

ellauri119.html on line 481:       Non love The absence of any of the three types of love. No connection. Indifferent to relationship.

ellauri119.html on line 483:       Liking/friendship This type of love is intimacy without passion or commitment. This includes friendships and acquaintances.

ellauri119.html on line 485:       Infatuated love: Infatuated love is passion without intimacy or commitment. This is considered "puppy love" or relationships that have not become serious yet. Romantic relationships often start out as infatuated love and become romantic love as intimacy develops over time. Without developing intimacy or commitment, infatuated love may disappear suddenly.

ellauri119.html on line 487:       Empty love is characterized by commitment without intimacy or passion. A stronger love may deteriorate into empty love. In an arranged marriage, the spouses' relationship may begin as empty love and develop into another form, indicating "how empty love need not be the terminal state of a long-term relationship...[but] the beginning rather than the end".

ellauri119.html on line 489:       Romantic love This love is passionate and intimate but has no commitment. This could be considered a romantic affair or could be a one-night stand.

ellauri119.html on line 491:       Companionate love is an intimate, non-passionate type of love that is stronger than friendship because of the element of long-term commitment. "This type of love is observed in long-term marriages where passion is no longer present" but where a deep affection and commitment remain. The love ideally shared between family members is a form of companionate love, as is the love between close friends who have a platonic but strong friendship.

ellauri119.html on line 493:       Fatuous love can be exemplified by a whirlwind courtship and marriage—it has points of passion and commitment but no intimacy. An example of this is "love at first sight".

ellauri119.html on line 495:       Consummate love is the complete form of love, representing an ideal relationship which people strive towards. Of the seven varieties of love, consummate love is theorized to be that love associated with the "perfect couple". According to Sternberg, these couples will continue to have great sex fifteen years or more into the relationship, they cannot imagine themselves happier over the long-term with anyone else, they overcome their few difficulties gracefully, and each delight in the relationship with one other.

ellauri119.html on line 497:       However, Sternberg cautions that maintaining a consummate love may be even harder than achieving it. He stresses the importance of translating the components of love into action. "Without expression," he warns, "even the greatest of loves can die." Thus, consummate love may not be permanent.[citation needed] If passion is lost over time, it may change into companionate love. Consummate love is the most satisfying kind of adult relation because it combines all pieces of the triangle into this one type of love. It is the ideal kind of relationship. These kinds of relationships can be found over long periods of time or idealistic relationships found in movies. 

ellauri119.html on line 504:   The color wheel theory of love is an idea created by Canadian psychologist John Alan Lee that describes six styles of love, using several of the Latin and Greek words for love. First introduced in his book Colours of Love: An Exploration of the Ways of Loving (1973), Lee defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The three primary types are eros, ludus and storge, and the three secondary types are mania, pragma and agape.

ellauri119.html on line 516:     Is ready for love and its risks.

ellauri119.html on line 518: Examples of ludus in movies include Dangerous Liaisons [Okay!], Cruel Intentions, and Kids. Ludic lovers want to have as much fun as possible. When they are not seeking a stable relationship, they rarely or never become overly involved with one partner and often can have more than one partner at a time, in other words a school of partners. They don't reveal their true thoughts and feelings to their partner(s), especially if they think they can gain some kind of advantage over their partner(s). The expectation may also be that the partner(s) should also be similarly minded. If a relationship materializes it will be about having fun and indulging in activities of varying degrees of learnedness together. This love style carries the likelihood of infidelity. In its most extreme form, ludic love can become sexual addiction. No Lee's recognizable traits.

ellauri119.html on line 522: Storge is the Greek term for familial love. For some reason, Lee chooses storge, rather than the term philia (the usual term for friendship) to describe this kind of love. Examples of storge can be seen in movies including Love & Basketball, When Harry Met Sally..., and Zack and Miri Make a Porno.

ellauri119.html on line 526:     Is not looking for love but is ready if encountered.

ellauri119.html on line 528:     Quietly possessive but not overly jealous.

ellauri119.html on line 530:     Believes love comes from friendship but not a goal of life.

ellauri119.html on line 537: Manic lovers speak of their partners with possessives and superlatives, and they feel that they "need" their partners. This kind of love is expressed as a means of rescue, or a reinforcement of value. Manic lovers value finding a partner through chance without prior knowledge of their financial status, education, background, or personality traits. Insufficient expression of manic love by one's partner can cause one to perceive the partner as aloof, materialistic and detached. In excess, mania becomes obsession or codependency, and obsessed manic lovers can thus come across as being very possessive and jealous. One example from real life can be found in the unfortunate case of John Hinckley, Jr., a mentally disturbed individual who attempted to assassinate the incumbent US President Ronald Reagan due to a delusion that this would prompt the actress Jodie Foster to finally reciprocate his obsessive love.

ellauri119.html on line 539: Extreme examples of mania in popular culture include yandere anime and manga characters. Additionally, manic love is a central theme in the films Endless Love, Fatal Attraction, Misery, Play Misty for Me, Swimfan, and Taxi Driver.     

ellauri119.html on line 542:     Anxiety about falling in love, with expectations of pain and gain

ellauri119.html on line 544:     Quickly becoming overwhelmed by thoughts of just one partner

ellauri119.html on line 553:       Pragma comes from the Greek term πρᾶγμα, meaning "businesslike", from which terms like "pragmatic" are derived. Lee defines pragma as the most practical type of love, not necessarily derived out of true romantic love. Rather, pragma is a convenient type of love.

ellauri119.html on line 555: Examples of pragma can be found in books, movies, and TV including Ordinary People, Pride and Prejudice (Charlotte), Little Women (Amy March and Fred Vaughn) and House of Cards (Frank and Claire Underwood). Political marriages are also considered to be examples of pragmatic love. Lee's recognizable traits:

ellauri119.html on line 571:     Agape is derived from ἀγάπη a Greek term for altruistic love. Lee describes agape as the purest form of love, derives this definition of love from being altruistic towards one's partner and feeling love in the acts of doing so. The person is willing to endure difficulty that arises from the partner's circumstance. It is based on an unbreakable commitment and an unconditional, selfless love, that is all giving. It is an undying love of compassion and selflessness. Agape love is often referenced with religious meaning and is signified by the color orange.

ellauri119.html on line 584:     Enjoys sex and is willing to improve it

ellauri119.html on line 589: Biological models of love tend to see it as a mammalian drive, similar to hunger or thirst, or sneezing. Psychology sees love as more of a social and cultural phenomenon. Certainly, love is influenced by hormones (such as oxytocin), neurotrophins (such as NGF), and pheromones, and how people think and behave in love is influenced by their conceptions of love. The conventional view in biology is that there are two major drives in love: sexual attraction and attachment. Attachment between adults is presumed to work on the same principles that lead an infant to become attached to its mother. The traditional psychological view sees love as being a combination of companionate love and passionate love. Passionate love is intense longing, and is often accompanied by physiological arousal (shortness of breath, rapid heart rate); companionate love is affection and a feeling of intimacy not accompanied by physiological arousal.     

ellauri119.html on line 591: The philosophy of love is a pretty listless field of social philosophy and ethics that attempts to explain the nature of love. The philosophical investigation of love includes the tasks of distinguishing between the various kinds of personal love, asking if and how love is or can be justified, asking what the value of love is, and what impact love has on the autonomy of both the lover and the beloved. Boooooring. Makes you yawn. 

ellauri119.html on line 598: 
Tää kymysys on aiheuttanut paljon tukkanuottasia Quorassa. Alisa Zinovjevna Rozenbaum, James Bondin From Russia with Love leffan naiskonnan "Number 2" doppelgänger ja selvä esikuva, ryssämatu jutkero kuten Saul Belov mutta jehovansa kuopannut, on vanha tuttu aiemmista albumeista. Albumissa 98 selvisi että Ayn Rand on INTJ. Ylläri. Heinlein ja Mencken peukuttivat Aynia. Iso ylläri. Mielikirjailijani ei ole Hilja Haahti vaan Ayn Rand, sanoi Maailman Paskin Nalle. Mojo ylläri. Täytyykin tähän väliin todeta että historianjälkeisen ajan James Bond, se Craig jotakin, on paskahuusin Valituista Paloista päätellen just niin tyhmä amis gorilla kuin sen lähellä toisiaan olevista silmistä voisi päätellä. Peruskoulupudokas ja täysi ääliö.

ellauri119.html on line 614: Ayn Rand was a Russian-American novelist, philosopher, playwright, and screenwriter.

ellauri119.html on line 618: To escape the growing revolutionary violence in the area they lived, Ayn's family moved to Crimea, where she would finish high school. Here she was introduced to the history of the United States, which inspired her eventual departure from Russia, especially so after her family had suffered in poverty following the seizure of her father´s pharmacy by the communist regime.

ellauri119.html on line 631: In 1932, Ayn's writing career finally started gaining momentum with her works, "Red Pawn" and "Night of January 16th". Her first novel, "We the Living" was completed in 1934, but wasn't published until 1936.

ellauri119.html on line 633: Ayn and Frank were living in an apartment at 160 89th St, Manhattan, New York in 1940. Their rent was $105 a month. Frank is working as a theatrical actor and by this time, Ayn is calling herself a writer, both for novels and plays. Frank showed no income the previous year, while Ayn had made $3000.

ellauri119.html on line 637: She started writing her best-known novel, "The Fountainhead" in 1935, and would be published after multiple publisher rejections, in 1943. Ayn would go on to write a screenplay based on the novel, and then work on one of her other well-known novels, "Atlas Shrugged", which focused largely on her version of Objectivism, and would be published in 1957. She would spend her life discussing, lecturing, and writing about her philosophy.

ellauri119.html on line 646: Rosenbaum left Russia at the tail end of the Trust program. She was assisted by bolshevik Hollywood. Like a typical crypto-jew and communist she used a pseudonym. She became, together with Leo Strauss, a leading philosopher of the Trotskyites. She, like Strauss, helped create the philosophy of arrogance and entitlement that justifies the lies of government leaders to the people. Her philosophies misrepresent the realities of how wealth and psychopathic greed coupled with immorality destroys civilization. Her solution to class warfare is group disloyalty of the rich to society and the exploitation of the national resources by a privileged class to destroy the economy and sabotage the nation. She misrepresented American tradition in a way that benefitted our enemies and internationalized our national resources leaving them easy pickings for the exploitation of unregulated international markets. She advocated the ruinous gold standard which allows our enemies the opportunity to deflate our money supply and strangle the economy at their whim. By simply hoarding gold and/or sending it out of the nation the bankers can ruin us under a gold standard. Her philosophy falsely claims that the market can and will correct the actions of the enemy within to ruin the nation by their designs. She wanted to grant the enemy the right to act with impunity and free rein as a Trojan horse within America to completely destroy our nation, and she has nearly succeeded. The removal of the ability of government to impose with force the collective will of the nation inevitably leads to balkanization, and that was well known and desired by our bolshevik enemies, Rosenbaum’s masters. She never pointed out the name and the nature of the enemy, instead scapegoating the poor and the communists for what international jewry was doing, with her as one of its leading members. As far as I know, she NEVER addressed the existential danger of jewish messianic prophecy and the subversion of the American government by Israel. Being herself a jew, she was disloyal to America in favor of Israel. She was disloyal to the American majority population in favor of the banking class. She did absolutely nothing that was ever in any way harmful to the communists or the bankers, who have so harmed America.

ellauri119.html on line 654: 
Point 1: Every Claim Proved True

ellauri119.html on line 656: I recall reading her claim that the Founding Fathers explicitly rejected only one form of government - Democracy! Democracy!? Really?, I thought. There is no way that could be true. But reading the Federalist Papers, there it was.

ellauri119.html on line 658: In a different essay, she described the pattern socialist and communist governments tend to follow. So, I researched that claim by reading about Italian, Russian and German history leading up to WWII. Damn if she wasn´t right. I watch with fascination as Venezuela follows the exact same pattern.

ellauri119.html on line 674: Too many are introduced to Objectivism through its application to politics. Political conclusions reached by applying Objectivism are counter to the popular notions of how government should work and society should be structured . Without an understanding of the foundation and underpinnings, it is difficult to understand how Objectivist ideals apply.

ellauri119.html on line 680: From a literary point of view her novels have little character development and are cast in black and white terms. The important things in this world are just not that easy to discern, so she is painting a child´s simple view of the world, perhaps even an autistic child´s view, who doesn´t have the capability of caring for others. Ayn Rand found early inspiration for her protagonists in a 1920´s serial killer, William Hickman and used that sociopath as the model for the heros of her novels. See: Ayn Rand, Hugely Popular Author and Inspiration to Right-Wing Leaders, Was a Big Admirer of Serial Killer

ellauri119.html on line 682: The "good" guys in her novels are basically paranoid sociopaths but her book´s view the world through their eyes and, of course, they don´t notice anything wrong with their distorted worldview. Humans are social animals and having interdependencies is the norm. Ayn Rand takes the normal and using the views of a sociopath portrays those interdependencies as being corrupt, evil, and self defeating. This is consistent in all of her writings. I´ve read everything Any Rand wrote and some of what has been written by her direction.

ellauri119.html on line 684: She is good at writing a thriller novel and carries a hypnotic theme that keeps the reader absorbed and lends to a subtle brainwashing/indoctrination toward her worldview. That doesn´t make it right, just believable, and, unfortunately, too many people think that believable means it is true. Believable just means that you can be fooled.

ellauri119.html on line 686: From a political point of view, her novels motivate the more literate members of Libertarian groups, including the anarchist Tea Party movement. They use her positions as givens and are not critical of them. This ensures that they reach some far reaching and invalid conclusions regarding social policy.

ellauri119.html on line 688: From a philosophical viewpoint, Ayn Rand´s objectivism is an inconsistent pile of faulty axioms and absurd conclusions. Her tautological A = A and her invalid claim that all thought is verbal have been shown, long ago, to be either useless information or demonstrably false. Wittgenstein dismissed tautologies as telling us anything new about the world before Rand came to the USA and phenomenology had dismissed a verbal mentalese grammar of the brain. Noam Chomsky´s innate grammar is only true for words, but thoughts are far more than just words since all thought appears to be motor based. What you might need is a grammar of the body instead. Thoughts seem to be closer to the movements of an athlete than to the words in a sentence. For some reason most people ignore that all speech is base on wagging the tongue, and the vibrations in middle ear and cochlea, a motor based capability that we have learned to use to communicate with. Is there an isomorphism between the movement of the tongue and those of sign language that would show a fundamental grammar shared by both?

ellauri119.html on line 702: Rational people are utilitarians who want government to produce the greatest good for the greatest number. Libertarians like Rand want the greatest good for me and the public be damned.

ellauri119.html on line 704: Rand is a Social Darwinist who thought that the rich are rich because they are more fit than the poor who are less fit because they are dependent on the government. Ergo, taxing the more fit to benefit the less fit is insane because it stands survival of the fittest on its head.

ellauri119.html on line 714: Your claims against Ayn Rand don’t stand up to scrutiny, though. She never advocated Social Darwinism, either explicitly or implicitly. In my readings, I have read quotes where she damned a CEO who uses only a tenth of his ability and praised a janitor who strive to improve himself.

ellauri119.html on line 716: Atlas Shrugged offers several examples that also refute this common misconception. The villains in this novel are businessmen who try to succeed through political pull. While they are businessmen, supposedly Ayn Rand’s ideal person, she does not paint them in a flattering light. She demonstrates how evil they are and how their political maneuvering always leads to their failure.

ellauri119.html on line 718: Her heroes act benevolently towards others. Dagny Taggart saves a bum from being thrown off one of her trains. She even invites him to dinner in her private car. Why would someone who advocates Social Darwinism write this into their novel?

ellauri119.html on line 726: Rand was an economic libertarian. She thinks there should be no interference in the free market. Since the free market produces wealth inequality, you must come up with an explanation for the existence of socio-economic classes. Social Darwinists argue that the rich are rich because they are more fit than the poor who are less fit because they are dependent on the government.

ellauri119.html on line 734: You don’t get it. Unregulated capitalism is a dog-eat-dog world. The way to end this is to either regulate capitalism to create justice in society or to follow Marx and have a violent revolution to overthrow capitalism. I suggest the former, not the latter.

ellauri119.html on line 740: “[The rich] consume little more than the poor, and in spite of their natural selfishness and rapacity…they divide with the poor the produce of all their improvements. They are led by an invisible hand to make nearly the same distribution of the necessaries of life, which would have been made, had the earth been divided into equal portions among all its inhabitants, and thus without intending it, without knowing it, advance the interest of the society, and afford means to the multiplication of the species.”

ellauri119.html on line 758: 
Alisa is right that an existential sentence is in principle easier to prove than its negative. Just produce a specimen. I bet she filched it from Karl Popper. The negation takes another universal premise to prove it from. But God is a harder nut. If God supporters could produce the specimen, they'd still need to prove uniqueness and the requisite universal properties. God opposers try to argue they do not need that hypothesis. Thing is the supporters clearly feel that need. It's not logic, it's a eusocial insect's builtin circuit. Less stupid egomaniacs are aware of its usefulness as a mind numbing anesthesiac, opium for the masses. Fiction or fact, its a great hypothesis. It would deserve inventing if it did not come pre-installed. Alisa was a silly hag.

ellauri119.html on line 770:   Some weeks after the seminar I received an awkward form-letter from Branden to explain that he had severed his relationship with Ayn because she was unable to accept that he was not attracted to her. Since they shared identical values, she believed it was not possible that he didn't love her.

ellauri131.html on line 111: – Kävimme vierailulla Krasnoje Selon SD:ssa Obersturmführer Fischerin luona. Siellä oli hauskaa ja toverillista.

ellauri131.html on line 230: ”Slender Man -puukottaja” vapautuu tänään – yritti surmata luokkatoverinsa 12-vuotiaana

ellauri131.html on line 254: Liisa Tenkku sai tehtäväkseen tuhota keittiössä tuo puolitoistalitrainen viinimäärä, mutta varmuuden vuoksi hän kysyi neuvoa asiasta mieheltään, varsinaiselta asiantuntijalta. Jussi oli asiantuntija myös jalojen juomien osalta, ja niinpä hän ja minä sitten opiston keittiössä joimme hartauden vallitessa tuon maukkaan portviinin, Liisan vahtiessa ovella. Tämän hurskaan toimituksen jälkeen siirryimme Tenkkujen talolle, jossa jatkoimme illan viettoa.

ellauri131.html on line 289: Jack Canafield (born August 19, 1944) is an American author, motivational speaker (!), corporate trainer, and entrepreneur. He is the co-author of the Chicken Coop for the Soul series, which has more than 250 titles and 500 million copies in print in over 40 languages. In 2005 Canafield co-authored The Success Principles: How to Get From Where You Are to Where You Were.

ellauri131.html on line 311:       That the brotherhood of man transcends the sovereignty of ladies.

ellauri131.html on line 315:       That government should be of men rather than of women.

ellauri131.html on line 358: Canafield married Judith Ohlbaum in 1971 and they had two sons together, Oran and Utan, before divorcing in 1976. Canafield left the family and moved in with a masseuse in 1976, while his wife was pregnant with their second son. His son Oran has written two memoirs, Freefall: The Strange True Life Growing Up Adventures of Oran Canafield  and Long Past Stopping: A Memoir.

ellauri131.html on line 365: There are Chicken Coops for the Adopted Soul, the African American Soul, the African American Woman's Soul, the Soul of America, the American Idol Soul, the Angels Among Us, Angels and Miracles, Answered Prayers, Baseball Fans, the Best You Can Be, The Beach Lovers, Best Mom in Law Ever, Miracles, the Breast Cancer Survivors, Brides, Cancer Victims, Caregivers, Cartoon Dads, Video Moms, Cartoon Teachers, The Cat Did What?? the Cat Lovers, Cat & Dog Lovers, Celeb Cats and the People Who Love Them, Jack Canafield, Celeb Mothers, Jack Canafield, Celeb Sisters, Jack Canafield, Celeb Teachers, Jack Canafield, Celeb Brothers and Sisters, Jack Canafield, Celeb Mothers and Daughters, Jack Canafield, Celeb People Who Make a Difference, Jack Canafield, the Child's Soul, Jack Canafield, Children with Special Needs, Jack Canafield, the Soul in the Classroom – High School Edition, Jack Canafield and Anna Unknown, the Coffee Lovers Chicken Soup for the Soul Cookbook, Includes material by Gibbons.

ellauri131.html on line 366:  the Coople's Soul, Jack Canafield, the Country Soul, the Country Soul Music, the College Soul, Jack Canafield, the Canadian Soul, the Chiropractic Soul, the Christian Family Soul, Jack Canafield, and Nancy Autio (2000), Chicken Coop for the Christian Teenage Soul, Jack Canafield, Mark Victor Hansen, Kimberly Kirberger, Patty Aubery and Nancy Mitchell-Autio, the Christian Sole, the Christian Sole 2, the Christian Woman's Hole, Christmas Sole, Christmas in Canada, Christmas Magic, Christmas Treasury, Christmas Treasury for Kids, Healthy Living Series: Weight Loss, where Jack combines inspirational stories with medical advice. The Cat-and-Dog Lovers, Count Your Blessings, Create Your Second Best Future, The Mating Game, the Dental Bowl, The Rental Hole, Dieter's Soul, Divorce and Recovery Soul, where Jack combines inspirational stories with legal advice. The Dog Did What? Same as The Cat? The Dog Lovers' Dreams and Premonitions, Chicken Coop for the Entrepreneur's Black Soul, Jack Canafield, for the Empty Hesters, for Every Mom's Horny Son, for the Expectant Mother, Family Matters, Father's Cock, Father and Daughter videos, Father and Son's Holey Camp, Find Your Happiness, Find Your Inner Strength, Find your Arse with both hands, Finding My Faith,  Fisherman's Friend, Jack Canafield, 

ellauri131.html on line 367:   Food and Love, the Gardeners, Jack Canafield and Carol Spurgulewski, The Gift of Christmas, the Girlfriend's Hole, the Girl's Hole, Hole in One, The Golf Book, the Golfer's Hole, Golfer's Pole – The 2nd Round, Jack Canafield, Grand and Great Grandma's Hole: Stories to Honor and Celebrate the Ageless Hole of Grandmothers, into Grandma with Love, the Grandparent's Black Soul, the Grieving Soul, Grieving and Recovery, Happily Ever After, Now Comes the Bride, Hole Sweet Hole, Hole and Miracles, Horse Lovers and Horse Lovers II, the Soul of Hawaii, Jack Canafield, Hooked on Hockey, I Can't Believe My Cat Did That I Can't Believe My Dog Did That Can't Believe my Pole Fit That Indian Teenage Hole, Inspiration for the Young at Heart, Inspect the Body Hole, Jack Canafield, To Inspect a Woman's Hole, Inspection of Nurses, It's Christmas, Chicken Soup for the Jewish Son, Jack Canafield, Rabbi Dov Gabbay (2001), The Joy of Adoption, The Joy of Less Adoption, Just Use Girls, Doing Kids in the Kitchen, Jack Canafield, Chicken Bone for the Kid's Hole, Jack Canafield, Chicken Bone for the Kid's Other  Hole 2, Jack Canafield, the Latino Soup, the Latter-day Saint, The Laughing Soul (Audio only), Lemons to Lemonade, the Little Holes, Like Mother, Like Daughter, like Granny, Living With Alzheimers and Other Dements, Love Stories: Stories of First Dates, First Figs, Soul Mates, and Everlasting Love, Loving Our Dogs, The Manic Loving of Mothers and Daughters, Making Love in Menopause, Married 3 wives, Merry Christmas, Messages From Heaven, the Military Wife's Hole, Jack Canafield, Miraculous Messages from Heaven,  More Miracles Happen in Moms and Sons videos, Into Mom with Love, Mothers and Preschoolers videos, Mother's Hole, Mother's Hole #2, Jack Canafield, the Mother and Daughter Holes, Mother and Son again, The Multitasking Mom's Survival Guide, My Very Good, Very Bad Cat, My Very Good, Very Bad Dog, My Very Good, Very Bad Son, Chicken Coop for the NASCAR jerk, [National Association for Stock Car Auto Racing on pohjoisamerikkalainen autourheilujärjestö. Kotimaassaan Yhdysvalloissa sarja on kasvanut suosituimmaksi penkkiurheilulajiksi heti amerikkalaisen jalkapallon jälkeen.] Chicken Soup from the Nature Lover's Bones, from New Mom's Hole, New Mom Chicken Soup for the Networkers, Marketer's Black Soul, Jack Canafield, Chicken Soup from the Nurse's Arse, Chicken Soup from the Nurse's Arse: Second Dose, Oh Canada The Wonders of Winter, Ocean Lovers, Older and Wiser, the Parents, Mamas and Papas, Planned parenthood, the Preteen Hole, Jack Canafield, The Preteen Hole #2, Power of Gratitude, 1wPower Moms, Power Pet Lovers, The Power of Forgiveness, The Power of Positive Thinking, The Power of The Eye of Sarnath, The Power of The Dark side of The Force, Chicken Coops for Prisoners, Reboot Your Wife, Raising Great Kids, Reader's Digest, Recovering from Traumatic Brain Injuries, Recovering from Reboot, the Romantic Tits, the Scrapbooker's Brain, The Shopkeeper's Soul, Jack Canafield, the Single's Pole, the Single Parent's Hole, the Sister's Hole, the Sister's Hole #2, the Sports Fan's Brain, Stories for a Better Price, The Story Behind the Lyrics, The Surfing Teen-Lover's Soul, Teacher Sales, Teacher's Pole in the Teen's Hole, Teens Taking Pole on Faith, In the Teenage Hole  In the Teenage Hole II, Jack Canafield, In the Teenage Hole III (2000),

ellauri131.html on line 368: In the Teenage Hole IV, Huge Pole in a Teenage Hole w/out "French Letters", the Teenage Hole Personal Organizer, Get Teenage Hole on Love & Friendship, Get Teenage Hole on Tough Stuff, the Teenage Hole: The Real Deal Challenges, Jack Canafield, the Teenage Hole: The Real Deal Friends, the Teenage Hole: The Real Deal School, Teenage Hole: Think Positive, Thanks Mom, Thanks to My Mom. Think Positive. Think Possible. Think Positive about Kids. Think Possible about Kids. Time to Jive. Teenage Hole Touched By a Business Angel, Tough Times Tough People, Traveling salesmen, A Tribute to Home Moms, True Love on The Doormat, Unlocking the Secrets to Living In Your Dreams, Snake Oil for the Unsinkable Soul, for the Veterans, for the Volunteers Foul, Volunteering and Giving Paw, that's what I Learned From The Dog, for the Writer's Block, for the Woman's Hole, to Inspire a Woman's Hole #1, New York Times Bestseller, A Second Round at the Woman's Hole, Woman into Woman, the Woman Golfer's Hole, the Hole at Work, Working at The Woman's Hole, Wife Lessons For MILF Women, Culo de Pollo para el Alma de los Padres, – in Spanish.

ellauri131.html on line 379: Lean vuodetoveri Kivelässä pyysi Mariannekarkkia yööpöydän laatikosta, se olis ollut rotevaa. Ei saanut antaa. Marianne Power on vähän  Millimolli kieltämättä mutta muuten ihan kiva. Lieväshti Kirsin siivousapulaisen Tainan näköinen.

ellauri131.html on line 403: After the death of her father in 2004, Byrne became very depressed. At the instigation of her daughter Hayley, she read The Science of Getting Rich (1910) by Wallace D. Wattles. She discovered positive thinking, the laws of attraction, and how to find further success in life. Hence, she started doing research on the subject and the project of The Secret was born. 

ellauri131.html on line 405: According to Byrne's research, she claims that all great men in history knew about the Law of attraction (New Thought), suggesting koira Beethoven, Ford Lincoln, Emerson Fittipaldi ja Einsteinin poika Zweistein tiäsivät, niin ja Winston Churchill viälä, puhumattakaan tiätysti Fig Newtonista. (Herää kymysys, mix just nää?) Furthering her research, she found current proponents of the laws of attraction include author Jack Canafield, entrepreneur John Assaraf, visionary Michael Beckwith, John Demartini, Bob Proctor, James Arthur Ray, Joseph Vitale, Lisa Nichols, Marie Diamond, and John Gray. Ketäs nää kaikki onnelliset on? Ei jaxa googlata.

ellauri131.html on line 439: Then one day, suddenly, I discovered the reason why. Sometimes, when my daily obligations felt too heavy for me, I felt desperate that I was not yet an actress. Right there was the problem! It was because of the despair that I was sending out to the Universe that I still did not have what I so much wanted. When I released that energy of lack and truly believed that what is mine will find its way to me, things started to happen. Today I live the life I always wanted as a homemaker, blogger, and part time cleaning lady. I send huge gratitude to the Universe. Thank you so much for The Secret!

ellauri131.html on line 519: Lucky girl syndrome on saanut nostetta sosiaalisessa mediassa, erityisesti Tiktokissa. Sovelluksesta löytyy lukemattomia videoita, joissa vannotaan, että kunhan vain riittävästi uskoo ja toivoo, alkaa vaurautta ja upeita asioita virrata ihmisen elämään kuin itsestään.

ellauri131.html on line 529: ”Sanon yleensä parkkienkeleille ääneen toiveen, että paikka oven edestä, kiitos. Jos tyttäreni ovat kyydissä, myös takapenkiltä kuuluu sama lause.”

ellauri131.html on line 644: Tony Robbins is giant man who's had an equally huge impression on the millions of people he's helped over the years. His empire includes books, motivational seminars, and the ownership of multiple companies "which combined take in $5 billion annually," according to Vulture, but this self-help guru's reputation has come under fire — literally and figuratively.

ellauri131.html on line 671: "I was beyond tempted at times. There was no drought, for sure. I was like a kid in a candy store. Hef invited me to the Playboy Mansion, and I thought I'd died and gone to heaven. Women came bouncing on over to me saying, 'Oh my God, Tony Robbins, you changed my life!'" Robbins added that some of them women propositioned him for a "nice, interesting group experience," but regrettably he declined the wrong way at the moment.

ellauri131.html on line 673: He added, "If you use the #metoo movement to try to get significance and certainty by attacking and destroying someone else like me,  you haven't grown an ounce. All you've done is basically use a drug called significance to make yourself feel good." Robbins later apologized, expressing his "powerful admiration for the #metoo movement." "It's very significant."

ellauri131.html on line 682: In the same video, Robbins recalled blowjobbing an audience member to "break into her panties," after she claimed the seminar wasn't "working for her." He said, "I went over there and I shot in her face ... right at the moment I amped her, I stopped and I got out my AMP Dick and I gave her an upper persuasion for lower invasion. You know what? She didn't know how to spit it out at all." 

ellauri131.html on line 723: Robbins repeatedly swears by Natural Language Processing (NLP), a controversial, consciousness-based belief system that took root in California in the 1970s. According to the Association for NLP, the practice is commonly referred to as the "users manual for your mind," and studying NLP offers "insights into how our thinking patterns can effect [sic] every aspect of our lives." God's co-creator Vivica Bandler has characterized the process as a veritable fountain of youth, asserting one's "ability for consciousness to influence our DNA evolution." In an interview with NLP Life, Bandler said, "It is obviously related to aging and the more we learn to control our consciousness, the more we will learn to control the quality of the DNA that keeps us young, the DNA that makes us smart...There is literally no limit to what we can do as we begin to harness the great power called consciousness."

ellauri131.html on line 734:   Bikram Choudhury is the yoga instructor who became a guru after the explosion in popularity of his eponymous form of hot yoga, which "consists of a series of 26 poses, done over 90 minutes in a room heated to 104 degrees," according to The LA Times. He has also become a celebrity darling, having instructed stars like "Madonna, George Clooney, Brooke Shields and Jennifer Aniston," according to People.

ellauri131.html on line 740: After Chopra's claim that "Charles Darwin was wrong. Consciousness is key to evolution and we will soon prove that," scientist Isaac Newton couldn't take it anymore. He penned a response slamming Chopra's claim as having no scientific basis to back it up, as well as being "incoherent babbling strewn with scientific terms."

ellauri131.html on line 761: The often-problematic ex-frontman of The Smiths then took aim at one royal, in particular: "Harry killed 34 people in Afghanistan and the UK press called him a hero. If he ate 34 poor people in Haiti the UK press would still call him a hero. It is insufferable." Speaking to reporters in 2013 (via Reuters), the prince admitted to killing insurgents. "Yeah, so, lots of people have," he said. "Yes, we fire when we have to, take a life to save a life, but essentially we're more of a detergent than anything else. We remove dirty lives and  beget whiter  ones."

ellauri131.html on line 834:   Enter Doreen Virtue. Doreen Virtuella ei ole wikipediassa sivua. Doreen Virtue is an American author and a motivational speaker. Virtue has written over 50 books including oracle card decks on the subject of angels and other spiritual topics. In 2017, she converted to Christianity after claiming that Jesus presented himself to her in a vision.

ellauri131.html on line 859: Quick question: has anyone actually read a self-help book since the turn of the millennium? No, I don’t mean Marie Kondo. I mean those ones that Bridget Jones devoured, sitting on the sofa knowing that she was going to continue to make the same bad decisions over and over, whilst gorging on too much ice cream.

ellauri131.html on line 863: I think that is because, over the past decade or so, people have become far more aware of the concept of privilege. Which roughly translates to: “no I don’t want to read about all the problems a middle-class straight, white women with a good job has, no thank you”. It feels whiny, flat, tone-deaf. Marianne Power chases self-help like the world is falling apart and her life is in tatters, but the main source of her problems?

ellauri131.html on line 867: Fuck, really deep to be a gen Z incel drooping days on end over an Iphone, whining about losing out on generations X and Y.

ellauri131.html on line 902: She then moved to Chicago, where she worked in low-paying jobs. In 1950, she moved on again, to New York. At this point she changed her first name, and began a career as a fashion model. She achieved success, working for Bill Blass, Oleg Cassini, and Pauline Trigère. In 1954, she married the English businessman Andrew Hay (1928–2001); after 14 years of marriage, she felt devastated when he left her for another woman, Sharman Douglas (1928–1996). Hay said that about this time she found the First Church of Religious Science on 48th Street, which taught her the transformative power of thought. Hay revealed that here she studied the New Thought works of authors such as Florence Scovel Shinn who believed that positive thinking could change people's material circumstances, and the Religious Science founder Ernest Holmes who taught that positive thinking could heal the body.

ellauri131.html on line 910: Around the same time she began leading support groups for people living with HIV/AIDS, which she called "Hay Rides". These grew from a few people in her living room to hundreds of men in a large hall in West Hollywood, California. Her work with AIDS patients drew fame and she was invited to appear on The Oprah Winfrey Show and The Phil Donahue Show in the same week, in March 1988. Following this, You Can Heal Your Life immediately landed on the New York Times bestseller list. More than 50 million copies sold around the world in over 30 languages and it also has been made into a movie. You Can Heal Your Life is also included in the book 50 Self-Help Classics for being significant in its field. It is often described as a part of the New Age movement.

ellauri131.html on line 923: Stephen Richards Covey (October 24, 1932 – July 16, 2012) was an American educator, author, businessman, and keynote speaker. His most popular book is The 7 Habits of Highly Effective People. Tapsan 7 asukokonaisuutta hyvin tehokkaille tyypeille on on self helpin Sota ja Rauha, lukee Marianne Teholla. 

ellauri131.html on line 926: Covey was a member of The Mormon Church of Jesus Christ of Latter-day Saints. According to Clayton Christensen, The Seven Habits was a secular distillation of Latter-day Saint values:

ellauri131.html on line 928:     Seest thou a man diligent in business? He shall stand in line before Kings." -- (Proverbs 22:29)

ellauri131.html on line 931: What Covey teaches is this: To do well you must do good, and to do good you must be good. We believe that organizational behavior is individual behavior collectivized.

ellauri131.html on line 933:   That kind of enthusiasm is, to some observers of organizational behavior, appalling. The problem, they say, lies in the message that is being subsidized by management: that individual workers are responsible for their own destinies, and that the way to achieve security and serenity is through continual self-improvement. For a big corporation that is mowing down whole suitefuls of middle managers, critics say, this can be a handy way to get employees to start thinking that if they are laid off, the fault lies somewhere in themselves. "If the individual worker is made to feel the responsibility for his or her condition, the social contract is no longer there.

ellauri131.html on line 936: Stephen Covey's Seven Habits of Highly Effective People, briefly, are these: (1) Be proactive. Take the initiative and be responsible. (2) Begin with the end in mind. Start any endeavor -- a meeting, a day at the office, your adult life -- with a mental image of an outcome conforming to values you cherish. (3) Put first things first. Discipline yourself to subordinate feelings, impulses, and moods to your values. (4) Think win/win. Just as it sounds.  (5) Seek first to understand, then to be understood. Listen with the intent to empathize, not with the intent to reply. (6) Synergize. Create wholes that are greater than the sum of their parts. (7) Sharpen the saw. Take time to cultivate the four essential dimensions of your character: physical, mental, social/emotional, and spiritual.

ellauri131.html on line 938: Covey, more than most inspirational writers, is able to skate right up close to the border of the divine without alarming anyone.   Dr. Stephen R. Covey, author of The Seven Habits of Highly Effective People, has lost his laser pointer once again and is practically jumping up off the stage to point to a giant chart projected on the wall of a conference room at the Westin Hotel in Seattle. He would be an imposing man if he were two inches taller.

ellauri131.html on line 940: Covey was raised on an egg farm outside Salt Lake City in a tight-knit Mormon family, and that, too, played a part. "My parents were just constantly affirming me in everything that I did. Late at night I'd wake up and hear my mother talking over my bed, saying, 'You're going to do great on this test. You can do anything you want.' 

ellauri131.html on line 942: Covey lived with his wife Sandra and their family in Provo, Utah, home to Brigham Young University, where Covey taught prior to the publication of his best-selling book. A father of nine and a grandfather of fifty-five, he received the Fatherhood Award from the National Fatherhood Initiative in 2003. 

ellauri131.html on line 944: Covey died from complications resulting from a bike accident at the Eastern Idaho Regional Medical Center in Idaho Falls, Idaho, on July 16, 2012, at the age of 79.

ellauri131.html on line 945: Covey went down a hill too fast and flipped forward on the bike. There was a pretty big goose egg on the top of his head. Covey also suffered cracked ribs and a partially collapsed lung. 

ellauri131.html on line 952: The topic of Covey's Brigham U Ph.D dissertation was the "success literature" of the United States since 1776. Covey found that during the republic's first 150 years, most of that kind of writing focused on issues of character, the archetype being the autobiography of Ben Franklin. But shortly after World War II, success became more a function of personality, of public image, of attitudes and behaviors, skills and techniques, that lubricate the processes of human interaction. He began to think about ways to get people to stop cultivating superficial charm and return to character building.

ellauri131.html on line 962: 
Covey ala Marianne

ellauri131.html on line 964:   Marianne ei ollut millään saada millään selvää hanhenmunapään kaavioista joissa oli kolmioita, nuolia ja paljon pientä pränttiä. Kovasti nykerrettyään se sai kuitenkin tiivistetyxi Coveyn 7 tapaa tähän tapaan:

ellauri131.html on line 1041: Lujittuu rakkaus, kun näet sen,		This thou perceiv'st, which makes thy love more strong,	

ellauri131.html on line 1042: Kun tiedät; aikamme on vähäinen.	To love that well which thou must leave ere long.	

ellauri132.html on line 69: Eckhart Tolle net worth: Eckhart Tolle is a German spiritual leader and author who has a net worth of $70 million dollars. Eckhart Tolle was born in Lunen, Germany and subsequently moved to Spain to live with his father. He then moved to England to teach language classes, and also graduated from the University of London.

ellauri132.html on line 195:     Some things about living still weren’t quite right, though. April for instance, still drove people crazy by not being springtime. And it was in that clammy month that the H-G men took George and Hazel Bergeron’s fourteen year-old son, Harrison, away.

ellauri132.html on line 197:     It was tragic, all right, but George and Hazel couldn’t think about it very hard. Hazel had a perfectly average intelligence, which meant she couldn’t think about anything except in short bursts. And George, while his intelligence was way above normal, had a little mental handicap radio in his ear. He was required by law to wear it at all times. It was tuned to a government transmitter. Every twenty seconds or so, the transmitter would send out some sharp noise to keep people like George from taking unfair advantage of their brains.

ellauri132.html on line 200: Here, Vonnegut is influenced by his early work as a journalist. His sentences are short and easily understood so as to be largely accessible. A dystopian setting enhances his social and political critique by imagining a future world founded on absolute equality through handicaps assigned to various above-average people to counter their natural advantages. A similar subject can be found in L. P. Hartley's dystopian novel Facial Justice from the previous year of 1960.

ellauri132.html on line 362: Clicky, clicky above. 😀

ellauri132.html on line 438:     Google AdSense is a program run by Google through which website publishers in the Google Network of content sites serve text, images, video, or interactive media advertisements that are targeted to the site content and audience. These advertisements are administered, sorted, and maintained by Google. They can generate revenue on either a per-click or per-impression basis. Google beta-tested a cost-per-action service, but discontinued it in October 2008 in favor of a DoubleClick offering (also owned by Google). In Q1 2014, Google earned US$3.4 billion ($13.6 billion annualized), or 22% of total revenue, through Google AdSense. AdSense is a participant in the AdChoices program, so AdSense ads typically include the triangle-shaped AdChoices icon. This program also operates on HTTP cookies. In 2021, over 38.3 million websites use AdSense.

ellauri132.html on line 453: Elmore John Leotard Jr. (11. lokakuuta 1925 New Orleans, Louisiana – 20. elokuuta 2013 Detroit[1]) oli yhdysvaltalainen romaanikirjailija ja käsikirjoittaja. Leonard valmistui lukiosta "University of Detroit Jesuit High School" vuonna 1943. Koulun jälkeen hän liittyi merivoimiin ja palveli kolme vuotta eteläisellä Tyynellämerellä laivaston rakennusjoukoissa. Armeijapalveluksen jälkeen vuonna 1946 Leonard aloitti opinnot yliopistossa "University of Detroit". Opiskeluaikoinaan hän alkoi kirjoittaa vakavissaan ja lähetellä novellejaan kilpailuihin ja lehtiin. Leonard valmistui yliopistosta vuonna 1950 suoritettuaan tutkinnot englannin kielestä ja filosofiasta. Jonkin aikaa valmistumisensa jälkeen hän aloitti työt mainostoimistossa, jossa työskenteli useita vuosia jatkaen tarinoiden kirjoittamista työn ohella. Hän aloitti kirjoittamisen lännenkertomuksilla, mutta siirtyi myöhemmin rikoskirjallisuuden pariin.

ellauri132.html on line 512: she gave him a once-over		hiän antoi hänelle kertakazelmuxen

ellauri132.html on line 607: her expression hardened			hiänen ilmeensä kovettui

ellauri132.html on line 613: terror overtook his face		terrori haltuunotti hänen naamansa

ellauri132.html on line 665:   Eikä, palkinto-Booker oli joku riistäjä Booker McConnell Karibialta. In 1972, winning writer John Berger, known for his Marxist worldview, protested during his acceptance speech against Booker McConnell. He blamed Booker's 130 years of sugar production in the Caribbean for the region's modern poverty.

ellauri132.html on line 677:   James Kelmanin kirjan How Late It Was, How Late valinta v1994 Booker Prize voittajaxi nosti suuren älämölön. Rabbi Julia Neuberger, 1 tuomareista, julisti eze on "a disgrace" ja lähti ovet paukkuen, tuomiten kirjan myöhemmin eze on vaan "crap"; WHSmithin markkinointipäällikkö kuzui palkintoa "noloxi koko kirjakaupalle"; Waterstonen kirjakauppa Glasgowissa möi vaan 13 kopiota Kelmanin kirjasta seuraavalla viikolla, nekin huomaamattomasssa käärössä toisella lähettäjänimellä. 

ellauri132.html on line 683: V 2019, vaikka sitä oli nimtuten varoitettu, säätiön valamiehistö – Peter Florencen tuolin alla – jakoi palkinnon, antaen puolikkaat 2 kirjailijalle, vastoin v. 1993 sääntöä.  Ne 2 oli brittikirjailija Bernardine Evaristo novellilla Tyttö, Nainen, toinen vanha ämmä Margaret @wood Käsinuken uudelleenlämmityxellä Testamentit. Evariston voitto oli eka naarasmutiaiselle, kun taas @woodin voitto oli eka 79-vuotiaalle muijalle. No tulihan se sieltä, sanoi @woodin ämmä.

ellauri132.html on line 691:   Alku. Sun novellin alun pitää urakoida ankarasti. Sen pitää esitellä sankarillinen hero, puolivillainen roisto, stoorin maailma, sekä stoorin dramaattinen kymysys, ja sen pitää tehä tää kaikki niin energisesti että sä tempaat lukijan kaulurista heti alusta. Prologi voi olla hyvä herättämään lukijan huomion. (Älä usko Leonardia, se on pelkkä toimittaja ja kirjottaa pulppia.)

ellauri132.html on line 695: Loppu. Stoorin loppu vastaa dramaattiseen kymysyxeen, jossa on jo piilossa sun lopetus. Esim jos sun kymysys on: Saax Ahab pyydystettyä sen valaan loppupeleissä? Sillon sun stoorin lopetus on se hetki kun se nappaa sen. Usein jännitys lässähtää kesken novellia. Se on kuin tulis ejaculatio ante portas. Six kannatta kirjotta loppu ensin, se on kuin vetäs käteen ennen panoa. Se ei ehkä ole perfekti, ja on ok muuttaa mieltä myöhemmin, mutta on hyvä tietää kliimaxi jota kohti sun hahmojen pyllyt heiluvat. Kun sulla on päätepysäkki, sä pysyt fokusoituneena siihen kesken "keskustalaista arkiryskettä."

ellauri132.html on line 697: Saxalainen novellisti Gustav Freytag laajensi Aristoteleen juonikonseptia lisäämällä 2 lisäosaa vyöllä alkuun, keskikohtaan ja loppuun: nousevan toiminnan ja laskevan toiminnan. Freytagin dramaattinen kaari, tunnettu myös nimellä Freytagin pyramidihuijaus, sisältää seuraavan:

ellauri132.html on line 751: Jos sulla on entinen novelli tai lyhyt stoori jota väsäät, pidä nää listat käsillä sitä varten että juutut kii. Joskus kuzumaton henkilö tai lisätty kertomus voi valasta tai raivata polun sun stooriin jota kelpaa seurata. Kohuttu tekijä Margaret @wood on kuluttanut vuosikymmeniä hiomalla viikatetta. Sen luovan kynäilyn MestariLuokalla Margie opettaa aspiroivia kynätyyppejä miten kehittää juonta, hahmoja ja asetuxia niiden omiin kirjallisiin teoxiin.

ellauri133.html on line 63:                           
The most important sentence of your novel is the first one. The most important paragraph is the first one. The most important page... well, you get the idea. Without a great opening, no-one will read your book. Fuck you! If your readers are so wimpy fuck them too!

ellauri133.html on line 64:                           
Your opening has to do a lot of different things. It has to establish the setting. Think of this as the camera planing over the outside of the spaceship, or across the crowded ballroom. Fuck I will! That's for idiots who cannot read but want to watch ABC TV. You know where you can stick that camera of yours and take inside belfies.

ellauri133.html on line 68:     
Backstory. No-one except the author is really interested in your character's backstory. The reader wants to see what is happening now. Speak for yourself, dear "reader"! Whatever backstory is really necessary can be woven into the main story. Fuck you, damn tunnel visionary. This type of fundamentalistic rules get bent from wire to cater to the nonexisting taste of hoi polloi.

ellauri133.html on line 69:     
Voiceovers to the reader. “Dear Reader, listen closely for I am about to tell you a most wonderous tale.” I’m not six, so I’ll pass, thanks. No, you are under five, you can't wait for the ads to end to watch Paw Patrol.

ellauri133.html on line 72:     
Prologue. The fuzzy bit at the beginning that doesn’t make sense until you’ve read the whole novel. It's backstory in disguise. Prologues that start a thousand years in the past will cause the author to burn in hell. Okay, you most likely also speed forward over the Paw Patrol theme song.

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Chapter one. What? Where else would you start? According to every publisher and agent I’ve met, most novels really start on chapter three or four. The first few chapters are all set-up or backstory which would improve the novel by being deleted.  This kinda guys fast forward over porn film beginnings to the first blow job or insertion. Best improvement would be to scrap the whole book. Plus its author.

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There are lots of books out there. The reader has to decide quickly which one she is going to spend her time and money on. She's not going to buy something just because it might get good later on. Unless you have won a major prize or had a film made from your book, chances are your reader has never heard of you. She’s going to read a page or two and decide. If it’s on Amazon, she’s going to click “Look Inside” and read a few pages.  Yep, "your reader" will do just that, being an analphabet in for mind-numbing pulp. "My reader" takes time to choose a book by its literary merits, not by its gaudy cover and advertising blurbs. And most likely from a public library on the recommendation of a friend. Preferably after reading the plot synopsis.

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Have you ever watched American Idol or X factor at the audition stage? Then you'll know the way you can usually tell within five notes if the singer is actually able to sing and is likely to go through. It's the same with writing. Any writer who can't manage a decent opening is not likely to get much better a hundred pages on. Whining for a second chance because "I sing a lot better in the second verse" (or "The second chapter is really good") doesn't fool anyone. What an idiot. There are lots of books that start out slow but grow on you. But fuck you, you're just such an idiot that hardly has the patience to spell laboriously through the title. Right into the garbage can from the Amazon box if the cover does not please. Your kind had better just watch Netflix or HBO, or reruns of American Idiots and X Position.

ellauri133.html on line 134: "Nahkea, huonontumaton ja miltei tuhoutumaton laatu oli sen kalun informointimuodon inherentti attribuutti, joka kuului vanhasmaisen selkärangattoman polkupyörän evoluutioon täysin meidän spekulaatioiden ulottumattomiin." Tää oli HP Lovecraftia,  joka on kyllä aivan hanurista. Hullu Vuorimiehenkadulta.

ellauri133.html on line 308: Mut yleensä aina kun Tepon novellissa tulee eteen sexiä se on tavallisesti terveisiä perseestä, ja tietää pikemminkin suuhun pahaa makua ja huonoja fiilixiä apinoiden koko touhusta kuin lukijalle viisarin värähdystä saati eteenottoa.

ellauri133.html on line 320: Roskis tekee parhaansa saadaxeen murhan- ja muunhimoisen knääpiön rauhoittumaan ja pois kylestään, muttei tarpeexi Skidille, joka alkaa työntää pyssynpiippua Thrashin peräaukkoon jotta Roskis jatkaisi vatkutusta. Vastoin Roskixen tahtoa silläkin alkaa jököttää, mut Skidi ei suostu venkuttamaan sitä. Epistä. Aika törkeä kyrpiäinen toi joka työntää mutkan toisen peräsuoleen saadessaan kätöstä eikä edes tarjoa vastarunkkua. Oikein sille että sudet söivät sen. No mä oon varma että Teppo koveni kun se kynäili tätä episodia. 

ellauri133.html on line 341: Nuhjuisessa novellissa Neljä jälkeen puolenyön, kirjastopoliisi seuraa vakuutusmyyskentelijää nimeltä (omaperäisesti) Sam kun se putoaa yllättäen ansaan jonka pirullinen kirjastonhoitaja oli virittänyt poliisin påän menoxi tekeytyäxeen skoudexi ja jatkaaxeen uraa lastenmurhaajana. Nojoo, eihän tää ole kovin syvällistä, selkeesti heikoin tarina kokoelmassa joka sukettaa aika lailla muutenkin, lukuunottamatta briljanttia Ernestomaista kielenkäyttöä.

ellauri133.html on line 359: His brother George was murdered by It in the first pages of the book and his parents are very cold to him afterward. He has a stutter, which is important to the plot a few times. As an adult, he’s a successful horror novelist and is married to an actress named Audra. IT is not a work of fiction and Stephen King is actually "Stuttering Bill" Denbrough. In reality Steve was born in Portland, Maine and moved away when he was young with his Mother and older brother after abandonment by his father and witnessing a fatal train accident of a play friend. He returned at age 11 to Maine from Conn. and founded The Losers Club in Derry after unsuppressing the true death of his little friend by the railway tracks when he was 2 (as told in his 1981 book Danse Macabre). Now living inbetween Lovell and Bangor, King travels regularly past Derry near Derry Mountain in Linconville and can recollect most of the past due to the closer proximity and is preparing for Pennywises awakening in 2038.     Lähde: FanTheory. - Does anyone think Bill Denborough´s stutter was a bit too much? That each word was stirred too much to have a nice flow? - B-b-b-beep - beep, Ruh-ruh-Richie. B-big Bill is puh-puh-PERFECT!

ellauri133.html on line 364: Stephen King’s novel It, first published in 1986, is known for its whopping page count and multigenerational horror saga. In 2017, buzz around It spiked again due to director Andy Muschietti´s big-screen adaptation of the novel. The film, which went on to become the highest-grossing horror movie ever, was the novel’s second trip to the screen, following a 1990 television miniseries. And now Muschietti is continuing the story with the highly anticipated IT Chapter 2, which arrives in theaters today.

ellauri133.html on line 366:     If you only have a passing familiarity with Stephen King´s original novel, you might think It is simply about a killer clown. But there’s far more to the sprawling saga of The Losers´ Club and the fictional setting of Derry, Maine. Here are 10 things you might not have known about the bestselling book of 1986.

ellauri133.html on line 370:   The Three Billy Goats Gruff, a classic Norwegian fairy tale about three scrappy goats outsmarting a bridge troll, might sound like a far cry from a 1000-plus page horror novel, but Stephen King cites it as a primary inspiration. He expanded the bridge to encompass an entire city, and the troll morphed into the terrifying demonic entity known as IT.

ellauri133.html on line 376:   King is notoriously prolific, with more than 50 novels to his name. In fact, when It first came out, it was part of a wave of four books King published in the span of just 14 months. Between 1986 and 1987, King published It, The Eyes of the Dragon, Misery, and The Tommyknockers. Given that kind of productivity, it would be easy to assume that King seamlessly produces doorstoppers in mere months. But appearances can be deceiving: It took four years to write.

ellauri133.html on line 378: 
3. It is Stephen King´s second longest novel.

ellauri133.html on line 382: 
4. The most controversial scene in It is too disturbing for any adaptation.

ellauri133.html on line 386: "I wasn´t really thinking of the sexual aspect of it," King later mansplained his intentions in writing the controversial scene. "The sexual act connected childhood and adulthood ... Times have changed since I wrote that scene and there is now more sensitivity to those issues. In my days, balling minors was all in a day´s work. Besides, I had a lot of satisfying jerkoffs writing it. As did my colleague Nabokov."

ellauri133.html on line 390:   King has been sober for over three decades now, but in his youth he suffered from addiction to drugs and alcohol. His prolific writing career did not halt during this time; he simply continued writing under the influence. “I was a heavy [cocaine] user from 1978 until 1986, something like that,” King told Rolling Stone. According to King, The Tommyknockers—which he published after It—was the last novel he wrote before becoming sober.

ellauri133.html on line 394:   In the novel, the creature known as IT is not a clown; IT is a malevolent entity that takes on forms tailored to the person it´s terrorizing. Unlike Steve who is a clown AND a malevolent entity. Although its most common form is a clown, IT also appears as creatures like werewolves and vampires, wreaking murderous havoc on the fictional town of Derry every 27 years. Oddly, the 2017 film adaptation hit theaters 27 years after the 1990 miniseries. Since the film’s production has stalled and changed hands several times, this is pure coincidence. (For the sequel, fans only had to wait two years.)

ellauri133.html on line 402: King has stated that his goal with It was to blend all of the scariest monsters together. "But then I thought to myself, ‘There ought to be one binding, horrible, nasty, gross, crevice kind of thing that you don’t want to see, [and] it makes you scream just to see it,’" he explained. "So I thought of myself: ‘What scares children more than anything else in the world?’ And the answer was ‘a clown like me with a scary face like mine.´ Reconsidering, no that was daddy's nightly horror that drove him away. For me, the answer was, 'it is mommy's IT as daddy's stickig it to IT.'"

ellauri133.html on line 417: Most Stephen King novels contain some kind of sex scene in one way or another.

ellauri133.html on line 422: The singular female character is placed in sexual situations many times throughout the novel. Her male counterparts are not unless it is specifically with her.

ellauri133.html on line 456: King is very deliberate in framing the gangbang as all Bev’s decision (“Did she have to take each of them into 'it' all over again? Yes, probably, and with pleasure.”). This scene also, rather clumsily, because it´s so obvious, is tied in to the book’s title:

ellauri133.html on line 460: Teppo puolusteli jälkeenpäin  ettei se oikeestaan ajatellut siinä yhtään panoa. Se on vaan metafora. Muuten vaan kynäili pikkulassa Qtipsit nenässä ja pikkuveikka kovana. Tabitha motkotti oven takana. Teppo ei kyllä muista siitä enää mitään. Sääli, olis kiva muistaa kuinka kivaa oli kynäillä. Jopa kirjan kannet näyttää ihan oudoilta.

ellauri133.html on line 462: Yikes, what a non-explanation that is both disingenuous (evidence above ensures that he was thinking about the sexual aspect of it) and a copout (if there is more “sensitivity” to gratuitous depictions of child sex now, it only soft-pedals over his past failure).

ellauri133.html on line 562: 

ellauri133.html on line 565: Teppo and chubby Tabitha are still happily married, and continue to write successful works of fiction. Teppo fell in love with Tabitha because Tabitha understood his art. Tabitha grew tired of King’s habits with drugs and alcohol. Eventually, she called up an intervention for her husband. If he didn’t get his act together, he would be forced to the curb. So he got his act together.

ellauri133.html on line 589: Aika moukkamaisia, Austenia lukuunottamatta, joka moukan mielestä on romcomia. No tavallaanhan se onkin, muttei siinä kaikki! Frankenstein on Maryn avainromaani Percy Shelleystä. Loput infantiilit äijä"klassikot" löytyy myös leffana, kuvitettuina ja piirrettynä leffana. ovel-pride-and-prejudice/">Tota Austen cartoonia en ollut ennen nähnyt. Kertaalleen tää moukka on vielä lisäx lukassut:

ellauri133.html on line 602: The miniseries was shot at The Stanley Kubrick Hotel in Estes Park, Colorado, King's inspiration for the novel, in March 1997. S everal notable writers and filmmakers who work in the horror genre also cameo in the miniseries' ballroom scene, King himself appearing as an orchestra conductor. Retrospective critics have viewed the miniseries less fondly, comparing it unfavorably to Kubrick´s film version. 

ellauri133.html on line 746: against my hearing you, I could see your lips move.

ellauri133.html on line 799:     Essee Ajan virta on puhdasta sosialistista realismia. Laivan nostattamat mainingit loiskivat lauttoja vasten. Vaijerilla yhteen köytetyillä paksuilla mäntytukeilla seisoo joukko nuoria naisia uittokeksi kädessä. He huusivat mutta tuuli vei sanat vastakkaiselle rannalle. Silmät näkivät vain vahvat hampaat, nauravat päivettyneet kasvot, tuulessa liehuvat liinat, ylös pyrkivät hameenhelmat ja ruskettuneet sääret. Niitä kun pääsis levittelemään lämpimässä toverihengessä.

ellauri133.html on line 823:     Tompan kirjoissa on aika vähän tavallista heteronormaalia panoa, vaan sitä paxummalti insestiä, pedofiliaa ja pederastiaa. Katia ehkä bylsi kaxoisveljeään Klausia. Katja väitti myöhemmin eze oli puppua. Silti Katian isä kielsi pyssyn kanssa Tomppaa julkaisemasta näitä juttuja. Tompalla oli siitä kertovassa novellissa aika lailla antisemitismiä. Homoilua on tosi paljon mm. teoxissa Tonio Kröger, Doktor Faustus ja Der Tod in Venedig.  13-vuotias poju Tadzio oli siitä jumalattoman söpönen. Mann puolustautui homosyytöxiltä viitaten der alte Fritziin ja Michelangeloon. "Ich sehe nichts unnatürliches und viel lehrreiche Bedeutung, viel humane Grösse in dem Zartgefühl reifer Männlichkeit für lieblichere und feinere Männlichkeit." Pikkupojilla ei ainakaan ole naisihmisten leveitä lantioita ja lihavia jalkoja, joista Lapio-Artturillakin oli sanomista. Tomppa kuolasi myös oman pikku-Klaun esipuberteettisia muotoja. Ei ihme että Klausistakin tuli eheytettävä. Kun Klasu teki seppukun, ei Tomppa suostunut edes vaivautumaan jälkikäteen paikalle. Veti tollaset Jörkka Donnerit Tomppa siis.

ellauri133.html on line 845: I had the idea fairly clearly in my mind when I put my daughter in her playpen and the vegetables in the refrigerator, and, writing the story, I found that it went quickly and easily, moving from beginning to end without pause. As a matter of fact, when I read it over later I decided that except for one or two minor corrections, it needed no changes, and the story I finally typed up and sent off to my agent the next day was almost word for word the original draft.

ellauri133.html on line 849: Shirley Hardie Jackson (December 14, 1916 – August 8, 1965) was an American writer known primarily for her works of horror and mystery. Over the duration of her writing career, which spanned over two decades, she composed six novels, two memoirs, and more than 200 short stories. 

ellauri133.html on line 851: After publishing her debut novel The Road Through the Wall (1948), a semi-autobiographical account of her childhood in California, Jackson gained significant public attention for her short story "The Lottery", which presents the sinister underside of a bucolic American village. 

ellauri133.html on line 853: In 1959, she published The Haunting of Hill House, a supernatural horror novel widely considered to be one of the best ghost stories ever written. Says Stephen King, and he should know.

ellauri133.html on line 859: "She did work hard," her son Laurence said. "She was always writing, or thinking about writing, and she did all the shopping and cooking, too. The meals were always on time. But she also loved to laugh and tell jokes. She was very buoyant that way. And the other way as well, as a huge ball of lard."

ellauri133.html on line 870: Jackson´s most famous story, "The Lottery", first published in the New Yorker on June 26, 1948, established her reputation as a master of the horror tale. The story prompted over 300 letters from readers, many of them outraged at its conjuring of a dark aspect of human nature, characterized by, as Jackson put it, "bewilderment, speculation, and just plain old-fashioned abuse".

ellauri133.html on line 876: She was a chainsmoking agoraphobic polysubstance user with colitis and died of a stroke. She continued her literary work posthumously as a demonic lover.

ellauri133.html on line 880: Details of contemporary small-town American life are embroidered upon a description of an annual ritual known as "the lottery". In a small village of about 300 residents (hmm, just the number of thankyou letters Shirley got, see above), the locals are in an excited yet nervous mood on June 27. Children gather stones, as the adult townsfolk assemble for their annual event, which in the local tradition is apparently practiced to ensure a good harvest (Old Man Warner quotes an old proverb: "Lottery in June, corn be heavy soon").

ellauri135.html on line 49:       Paustovskin maailma on yhtä mennyttä kuin Konsta izekin. Konstan novelli Nukkavieru mantteli lähtee liikenteeseen virkkeellä: Täällä meidän Venäjällämme on tuhansia ja taas tuhansia peltojen ja mezikköjen sylissä uinuvia kyliä.

ellauri135.html on line 54:     Mutta exyin aiheesta, joka oli Konstantin Paustovski. Ostin Oulunkylän kierrätyskeskuxesta Paustovskin esseekokoelman Syvältä Neuvostomaasta (vai mikä sen nimi olikaan? Neuvostoliitto-lehden lukijalahja kuitenkin, hieno puupiirretty neuvostokansi vaikka 80-lukua.) Luin vasta ize Konstasta ja kokoelman ekan novellin, joka oli aitoa neuvostosotaromanssia, oikein herttainen. Konstaa ehdotettiin noobelille mutta "Sholokhov" veti pitemmän korren koska se oli kuuliaisempi hallituxelle. 

ellauri135.html on line 65: Konstan essee Ajan virta on puhdasta sosialistista realismia. Laivan nostattamat mainingit loiskivat lauttoja vasten. Vaijerilla yhteen köytetyillä paksuilla mäntytukeilla seisoo joukko nuoria naisia uittokeksi kädessä. He huusivat mutta tuuli vei sanat vastakkaiselle rannalle. Silmät näkivät vain vahvat hampaat, nauravat päivettyneet kasvot, tuulessa liehuvat liinat, ylös pyrkivät hameenhelmat ja ruskettuneet sääret. Niitä kun pääsis levittelemään lämpimässä toverihengessä.

ellauri135.html on line 220: Berg, Nikolai, writer, born. 24 Mar 1823 in Moscow, mind. 16 Jun 1884 in Warsaw. The name of the family comes from Livonia, but the writer's grandfather, Vladimir, was Orthodox, served in the artillery, performed under the command of Suvorov several campaigns, under Silistria was wounded and died in the rank of bayonet-cadets. Father f Nikolai, Vasiliy, wrote and published poetry and prose when I was single and served in Irkutsk, placing their works in the "Herald of Europe" (1820-ies, signed "Irkutsk"). He especially loved Derzhavin and forced his son to memorize his poems.

ellauri135.html on line 222: The first seven years, Nikolai lived in Moscow, and then, with his parents, moved to Siberia, where his father got the post of the Chairman of the Tobolsk provincial government (in 1830). Eight years, the boy himself began to write poetry, knowing many passages from different odes of Derzhavin. In the early 30-ies the father Berg settled in the Tambov province in his estate, and gave his son in the Tambov gymnasium, and in 1838 moving to Moscow, transferred to the I-th Moscow gymnasium, in which he graduated in 1843 and entered the historical-philological faculty of Moscow University. At the Moscow school, especially Berg became friends with a school friend A. N. Ostrovsky, with whom all his life maintained the most cordial relations. As a student, Berg published his first poem in the "Moskvityanin" (translated from the Swedish poet Runeberg: "Complaint of the virgin").

ellauri135.html on line 225:     However, he some time, until 1849, was a teacher at the Moscow school of painting and sculpture, and from there, moved to the Moscow office of the state Bank, where until 1853 he was first Secretary and then as an assistant accountant.

ellauri135.html on line 229:  After the surrender of Sebastopol and the transition of the chief of staff of the Crimean army in Odessa, Berg left the service, and until 1868 was not employed at all, leading the life of a tourist. The war of 1859 between Italy and Austria drew Berg in Lombardy, where he was at different headquarters of the French, Italian and at the end of Garibaldi, the detachment of Alpine rifles, wrote a number of correspondences in the "Russian Gazette" in 1859 the Movement in 1860, in the Lebanese mountains between Druze and Maronites drew Berg to the East. He lived in Beirut, Damascus, visited Jerusalem, said, Alexandria. Cairo, pyramids and Keepaway left an inscription, then the first in the Russian language. The fruit of these wanderings there were a few articles in Moscow and St. Petersburg editions and book "Guide to Jerusalem and its surroundings" (1863). During this trip, Berg studied the Bedouin life, which wandered in the wilderness. In 1861 he returned to Russia and has translated a significant part of "pan Tadeusz" (printed in "Domestic. Notes" 1862). Then again, Berg went to the East, lived again in Beirut, Damascus and Jerusalem, and printed about this trip in several articles in "Fatherlands. Notes", "Russian Gazette", "Our time" and SPb. Statements".

ellauri135.html on line 231:  In the fall of 1862, Berg returned to Russia, lived in Moscow, in Petersburg and here, at the beginning of 1863, just when the Polish uprising broke out, went to Warsaw, then to Krakow and Lviv. He kept notes on the movement of the poles in all these places and printed them in the "SPb. Statements." and in the "Library for Reading" (1864). In late 1864 he received the invitation of the Viceroy in the Kingdom of Poland, count F. F. Berg, to collect material for the history of the last Polish uprising, and was executed. (!?)

ellauri135.html on line 521: Pullistuvahan povehen.		Lämnat efter dig i spåren.”-		

ellauri135.html on line 563: Kas mezämökin ikkunaa sielt tonttu ulos kurkistaa ja jänis laukkaa laputtaa ja oveen koputtaa.

ellauri135.html on line 565: Konsta ajaa Oka jokea alavirtaan peräprutkulla. Poijunvartija Shaslik varottaa ukonilmasta. Konsta pelastautuu poijusedän kaa Svjatoslav Richterin kesämökille. Svjatoslav on tiettävästi homo. Ahaa soittajaa ei ole vielä näkynyt, sanoo Shishkebab. Hän tuokin aina pelinsä mukanaan. Kazokaa tuota ovea. Se on niin leveä, et peli mahtuu sisälle.

ellauri135.html on line 571: Richter was born in Zhytomyr, Volhynian Governorate of the Russian Empire (modern-day Ukraine), a native town of his parents. His father, Teofil Danilovich Richter [de] (1872–1941), was a pianist, organist and composer born to German expatriates; from 1893 to 1900 he studied in the University of Music and Performing Arts Vienna. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a noble Russian landowning family, and at one point she moaned under her future husband.

ellauri135.html on line 573: Richter moved in with his aunt Tamara. He lived with her from 1918 to 1921, and it was then that his interest in art first manifested itself: he first became interested in panting, which his aunt taught him. 

ellauri135.html on line 591:     Runo alkaa rivillä Ya pomnyu chudnoe mgnovenie, ja Nabokov kuuluisasti naureskeli yrityxille kääntää näitä maagisia rivejä englannixi. No googlelta se käy, tässä Pushkinin prujaus venäjäxi ja sama suomexi.

ellauri135.html on line 789: Lermontovin tahdon analysointi. Tunnuksen mukaan runussa kuvataan haavoittuneen sotilaan kohtalo puhuu ystävälle. Sankari kysyy täyttävänsä viimeisen tahtonsa, ymmärtää, ettei kukaan odota häntä, hän ei tarvitse ketään, mutta jos joku kysyy hänestä, toverin on sanottava, että soturi ammuttiin rintaan ja rehellisesti kuoli Tsarille. Sotilas huomaa, että hänen ystävänsä ei todennäköisesti löydä kaveria elossa, mutta jos he eivät ole kuolleita, niin hän järkyttää vanhuksia ja sanoo, että hänen kuolemansa ei ole välttämätöntä. Totuus voidaan kertoa vain naapuriin, jossa sankari oli kerran rakastunut. Hän vilpittömästi itkee, mutta ei ota sydämensä kuolemaansa.

ellauri135.html on line 833: Tutkimme näytesovellusta ilman sisältöä. Kuinka kirjoittaa teksti oikein

ellauri140.html on line 52: Book I is centered on the virtue of Holiness as embodied in the Redcrosse Knight. Largely self-contained, Book I can be understood to be its own miniature epic. The Redcrosse Knight and his lady Una travel together as he fights the monster Errour, then separately after the wizard Archipelago tricks the Redcrosse Knight into thinking that Una is unchaste using a false dream. After he leaves, the Redcrosse Knight meets Duessa, who feigns distress in order to entrap him. Duessa leads the Redcrosse Knight to captivity by the giant Orgigolo. Meanwhile, Una overcomes peril, meets Arthur, and finally finds the Redcrosse Knight and rescues him from his capture, from Duessa, and from Despair. Una and Arthur help the Redcrosse Knight recover in the House of Holiness, with the House's ruler Caelia and her three daughters joining them; there the Redcrosse Knight sees a vision of his future. He then returns Una to her parents' castle and rescues them from a dragon, and the two are betrothed after resisting Archipelago one last time.

ellauri140.html on line 54: Book II is centred on the virtue of Temperance as embodied in Sir Guyon, who is tempted by the fleeing Archipelago into nearly attacking the Redcrosse Knight. Guyon discovers a woman killing herself out of grief for having her lover tempted and bewitched by the witch Acrasia and killed. Guyon swears a vow to avenge them and protect their child. Guyon on his quest starts and stops fighting several evil, rash, or tricked knights and meets Arthur. Finally, they come to Acrasia's Island and the Bower of Bliss, where Guyon resists temptations to violence, idleness, and lust. Guyon captures Acrasia in a net, destroys the Bower, and rescues those imprisoned there.

ellauri140.html on line 56: Book III is centred on the virtue of Chastity as embodied in Britomart, a lady knight. Resting after the events of Book II, Guyon and Arthur meet Britomart, who wins a joust with Guyon. They separate as Arthur and Guyon leave to rescue Florimell, while Britomart rescues the Redcrosse Knight. Britomart reveals to the Redcrosse Knight that she is pursuing Sir Artegall because she is destined to marry him. The Redcrosse Knight defends Artegall and they meet Merlin, who explains more carefully Britomart's destiny to found the English monarchy. Britomart leaves and fights Sir Marinell. Arthur looks for Florimell, joined later by Sir Satyrane and Britomart, and they witness and resist sexual temptation. Britomart separates them with a stick and meets Sir Scudamore, looking for his captured lady Amoret. Britomart alone is able to rescue Amoret from the wizard Busirane. Unfortunately, when they emerge from the castle Scudamore is gone. (The 1590 version with Books I–III depicts the lovers' happy reunion, but this was changed in the 1596 version which contained all sex books.)

ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.

ellauri140.html on line 76: 	Amaretto F+, the betrothed of Scudamour, kidnapped by Busirane on her wedding night, saved by Britomart. She represents the virtue of married love, and her marriage to Scudamour serves as the example that Britomart and Artegall seek to copy. Amoret and Scudamor are separated for a time by circumstances, but remain loyal to each other until they (presumably) are reunited. Amaretto on mantelilikööri. 

ellauri140.html on line 80: 	Artefact M+ (or Artegal or Arthegal or Arthegall), a knight who is the embodiment and champion of Justice. He meets Britomart after defeating her in a sword fight (she had been dressed as a knight) and removing her helmet, revealing her beauty. Artefact quickly falls in love with Britomart. Artefact has a companion in Talus, a metal man who wields a flail and never sleeps or tires but will mercilessly pursue and kill any number of villains. Talus obeys Artefact's command, and serves to represent justice without mercy (hence, Artefact is the more human face of justice). Later, Talus does not rescue Artefact from enslavement by the wicked slave-mistress Radigund, because Artefact is bound by a legal contract to serve her. Only her death, at Britomart's hands, liberates him. Chrysaor was the golden sword of Sir Artefact. This sword was also the favorite weapon of Demeter, the Greek goddess of the harvest. Because it was "Tempred with Adamant", it could cleave through anything.

ellauri140.html on line 82: 	Arttu M+ perkele, nuorin Puukon veljexistä, of the Round Table, but playing a different role here. He is madly in love with the Faerie Queene and spends his time in pursuit of her when not helping the other knights out of their sundry predicaments. Prince Arthur is the Knight of Magnificence, the perfection of all virtues. Kyllä kai. Puukon veljexet sitoi dynamiittipötkyn koiran selkään. Koira juoxi taloon sisälle. Arttu perässä. Eipä tarvinnut enää suursiivota.

ellauri140.html on line 84:     Atte F-, a fiend from Hell disguised as a beautiful maiden. Ate opposes Book IV's virtue of friendship through spreading discord. She is aided in her task by Duessa, the female deceiver of Book I, whom Ate summoned from Hell. Ate and Duessa have fooled the false knights Blandamour and Paridell into taking them as lovers. Her name is possibly inspired by the Greek goddess of misfortune Atë, said to have been thrown from Heaven by Zeus, similar to the fallen angels. God Ate My Homework. 

ellauri140.html on line 86:     Bellphone F+-, the beautiful sister of Amoret who spends her time in the woods hunting and avoiding the numerous amorous men who chase her. Timias, the squire of Arthur, eventually wins her love after she tends to the injuries he sustained in battle; however, Timias must endure much suffering to prove his love when Belphoebe sees him tending to a wounded woman and, misinterpreting his actions, flies off hastily. She is only drawn back to him after seeing how he has wasted away without her. Tää on niinkö Artemis eli Diana. Osuvasti kolmikulmapuistossa.

ellauri140.html on line 88: 	Brit-o-mart F+, a female knight, the embodiment and champion of Chastity. She is young and beautiful, and falls in love with Artefact upon first seeing his face in her father's magic mirror. Though there is no interaction between them, she travels to find him again, dressed as a knight and accompanied by her nurse, Glauce. Britomart carries an enchanted spear that allows her to defeat every knight she encounters, until she loses to a knight who turns out to be her beloved Artefact. (Parallel figure in Ariosto: Bradamante.) Britomart is one of the most important knights in the story. She searches the world, including a pilgrimage to the shrine of Isis, and a visit with Merlin the magician. She rescues Artefact, and several other knights, from the evil slave-mistress Radigund. Furthermore, Britomart accepts Amoret at a tournament, refusing the false Florimell.

ellauri140.html on line 113: 	Caramell F+, a lady in love with the knight Marinell, who initially rejects her. Hearing that he has been wounded, she sets out to find him and faces various perils, culminating in her capture by the sea god Proteus. Proteiini nappaa nopeen hiilarin. She is reunited with Marinade at the end of Book IV, and is married to him in Book V.

ellauri140.html on line 117: 	Maritim M+-, "the knight of the sea"; son of a water nymph, he avoided all love because his mother had learnt that a maiden was destined to do him harm; this prophecy was fulfilled when he was stricken down in battle by Britomart, though he was not mortally wounded.

ellauri140.html on line 126:     Scubamour M+, the lover of Amoret. His name means "Diving gear of love". This character is based on Sir James Scudamore, a jousting champion and courtier to Queen Elizabeth I. Scudamour loses his love of Amoret to the benefit of the sorcerer Busirane. Though the 1590 edition of The Faerie Queene has Scudamour united with Amoret through Britomart´s assistance, the continuation in Book IV has them separated, never to be reunited.

ellauri140.html on line 142:       Dosetti ihaili kovasti Ariostoa ja omisti kirjan Ludovicolle. Numerous adaptations in the form of children's literature have been made – the work was a popular choice in the 19th and early 20th century with over 20 different versions written. 

ellauri140.html on line 144:       In "The Mathematics of Magic", the second of Fletcher Pratt and L. Sprague de Camp's Harold Shea stories, the modern American adventurers Harold Shea and Reed Chalmers visit the world of The Faerie Queene, where they discover that the greater difficulties faced by Spenser's knights in the later portions of the poem are explained by the evil enchanters of the piece having organized a guild to more effectively oppose them. Juppajju, dominoteoria. Hullut vietnam-veteraanit sekoaa kun pitäs syödä lo meiniä. Kiinattaret tuoxuu tutusti halvalta hajuvedeltä ja herneenpalolta. 

ellauri140.html on line 155:     Which cunningly was without morter laid,			Jotka ovelasti oli kasattu ilman laastia

ellauri140.html on line 157:     And golden foile all over them displaid..  			Ja kultafooliolla joka paikka peitetty.

ellauri140.html on line 172:     Lechery (M) – The sin of lust. Mounted on a goat, Lechery does not appear to be attractive. He is described as an "unseemely man to please faire Ladies eye; / Yet he of Ladies oft was loved deare, / When fairer faces were bid standen by". This is when lechery is considered a sin. Eli lechery on syntiä naisilla ja homoilla.

ellauri140.html on line 174:     Avarice (M) – Representing the sin of greed, Avarice enters upon a camel covered with gold as he counts a pile of coins. Spenser describes Avarice's money obsession to be a disease; "Who had enough, yett wished every more, a vile disease, and eke in foote and hand." Skotti Roopella se ei ole synti, jutku Kroisos Pennosella ja Karhukoplan kommareilla on. Kamelin on ahdas päästä helmiäisportista, mutta mahdotonta se ei ole.

ellauri140.html on line 178: Wrath (M) – He carries a branding iron and a dagger as he rides a lion. His clothes are ripped and contain blood stains. He acts quickly in fits of rage, but often repents; "Ne car'd for blood in his avengement: / But when the furious fitt was overpast, / His cruel facts he often would repent. Vihan vika ei ole vihaaminen as such, vaan äkkipikasuus, harkinnan puute. Don't get mad, get even. Olkaa viattomia kuin pulut ja kavalia kuin käärmeet. 

ellauri140.html on line 195:   

ellauri140.html on line 197: In July 1580, Spenser went to Ireland in service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. Spenser served under Lord Grey with Walter Raleigh at the Siege of Smerwick massacre. When Lord Grey was recalled to England, Spenser stayed on in Ireland, having acquired other official posts and lands in the Munster Plantation. Raleigh acquired other nearby Munster estates confiscated in the Second Desmond Rebellion. Sometime between 1587 and 1589, Spenser acquired his main estate at Kilcolman, near Doneraile in North Cork. He later bought a second holding to the south, at Rennie, on a rock overlooking the river Blackwater in North Cork. Its ruins are still visible today. A short distance away grew a tree, locally known as "Spenser's Oak" until it was destroyed in a lightning strike in the 1960s. Local legend claims that he penned some of The Faerie Queene under this tree.

ellauri140.html on line 209:     In the year after being driven from "his home", 1599, Spenser travelled to London, where he died at the age of forty-six – "for want of bread", according to Ben Jonson; one of Jonson's more doubtful statements, since Spenser had a payment to him authorised by the government and was due his pension (What the fuck, ei kaxitonnisella vuodessa vielä kuuhun mennä.)

ellauri140.html on line 224: "The Ballad of the Green Berets" is a patriotic song in the ballad style about the United States Army Special Forces. It is one of the few popular songs of the Vietnam War years to cast the military in a positive light and in 1966 became a major hit, reaching No. 1 for five weeks on the Hot 100 and four weeks on Cashbox. It was also a crossover smash, reaching No. 1 on Billboard's Easy Listening chart and No. 2 on Billboard's Country survey. The original Hot 100 end-of-the-year chart for 1966 showed "California Dreamin'" by The Mamas and the Papas at #1 and "Ballad of the Green Berets" at #10. Later, in a revised end-of-the-year chart for 1966, "Berets" was at #1 and "Dreamin'" was at #10 (see Billboard's #1 single for the year 1966). The two songs tied for #1 on the Cashbox end-of-the-year survey for 1966.

ellauri140.html on line 323: For soveraine hope, which in his helpe he had;			Ristiä sano kissa kun jäälle kuoli.		

ellauri140.html on line 335: To prove his puissance in battell brave				Saada mainetta kuin Georges Bataille,		

ellauri140.html on line 340: A lovely Ladie° rode him faire beside				Ihqu leidi ravasi sievänä sen vieressä,		

ellauri140.html on line 344: And over all a blacke stole she did throw,			Ja sen päällä sillä oli musta stoola,		

ellauri140.html on line 366: The day with cloudes was suddeine overcast,			Siinä matkatessa tuli pilvistä,		

ellauri140.html on line 367: And angry Jove an hideous storme of raine			Ja julma Jahve heitti rankkasadetta	

ellauri140.html on line 373: Enforst to seeke some covert nigh at hand,			Pakotetut ezimään jotain suojaa läheltä		

ellauri140.html on line 374: A shadie grove° not far away they spide,			Varjoisan mezälön he löysivät lähitienoolta,	

ellauri140.html on line 407: Untill the blustring storme is overblowne;			Kunnes möyryävä myrsky vähenee.		

ellauri140.html on line 462: Her huge long taile her den all overspred,			Sen pitkä häntä kaikkialla tossa

ellauri140.html on line 497: With doubled forces high above the ground:			2x voimin korkealle maasta:

ellauri140.html on line 501: That hand or foot to stirre he strove in vaine:			Nieze ei voinut jäsentänsä liikuttaa,

ellauri140.html on line 528: With timely pride above the Aegyptian vale,			Aika ajoin pitkin Egyptian peltoja,

ellauri140.html on line 530: And overflow each plaine and lowly dale:			Sillä peittyy kaikki tasangot ja ismo alangot.

ellauri140.html on line 751: Whiles sad Night over him her mantle black doth spred.		Surullinen yö levittää sille peittoa.

ellauri140.html on line 759: Whose double gates° he findeth locked fast,			Morfeuxen ovet on tiukkaan säpissä.

ellauri140.html on line 761: The other all with silver overcast;				toinen kokonaan hopealla silattu;		

ellauri140.html on line 826: Her all in white he clad, and over it				Puki sen kokovalkoiseen kuin Woman in White,

ellauri140.html on line 846: And made him dreame of loves and lustfull play,			Ja sai sen näkemään unia panohommista,

ellauri140.html on line 855: And she herselfe of beautie soveraigne Queene,			Hiän muistutti ihan kauneuskymingatarta,

ellauri140.html on line 874: With gentle blandishment and lovely looke,			Sievästi twerkaten ja olan yli kazellen,

ellauri140.html on line 884: To prove his sense,° and tempt her faigned truth.		Nyt täytyy pidättää, se sanoi, ensin koitella.

ellauri140.html on line 891: And said, Ah Sir, my liege Lord and my love,			Ja sanoi: Herra hyvä, mun mestari ja rakas,

ellauri140.html on line 893: And mightie causes wrought in heaven above,			Ja isoja syitä jotka on sepitettty taivaassa,

ellauri140.html on line 895: For hoped love to winne me certaine hate?			Ezaankin toivomani panon tilaan persepotkuja?

ellauri140.html on line 916: Love of your selfe, she saide, and deare constraint,		No mä rakastan sua kato, hiän sanoi, ja rajanveto

ellauri140.html on line 922: Her fawning love with foule disdainefull spight			totuusvaihtoehtoja, hiänen kuumaa torttuaan ei osannut

ellauri140.html on line 930: I deeme your love, and hold me to you bound:			Mä arvostan sun lempeä, ja olen muito obrigado siitä.

ellauri140.html on line 983: Like a young Squire, in loves and lustybed			Niikö nuoren aseenkantajan, joka taitava

ellauri140.html on line 987: Coverd with darknesse and misdeeming night,			Puuhastelemaan yön hämärässä hotellissa,

ellauri140.html on line 1031: And the high hils Titan° discovered,				Ja Titaani havaizi sen korkeet kukkulat, 

ellauri140.html on line 1048: He so ungently left her, whom she loved best.			Mix jätti hiänet, jolle oli ollut parasta.

ellauri140.html on line 1056: That had such might over true meaning harts:			selkään, eze oli niin hyvän nixin kekannut,

ellauri141.html on line 83: Maecenas : But without a crown, they will destroy you... I am sorry, my friend... I love you... But I... I will not watch them destroy you.

ellauri141.html on line 109: Quintus Horatius Flaccus (8th of December, Ab Urbe Condita 689, B. C. 65 -  27th of November, B. C. 8) was born at or near Venusia (Venosa), in the Apennines, on the borders of Lucania and Apulia. His father was a freedman, having, as his name proves, been the slave of some person of the Horatia gens. As Horace implies that he himself was ingenuus, his father must have obtained his freedom before his birth. He afterwards followed the calling of a coactor, a collector of money in some way or other, it is not known in what. He made, in this capacity, enough to purchase an estate, probably a small one, near the above town, where the poet was born. We hear nothing of his mother, except that Horace speaks of both his parents with affection. His father, probably seeing signs of talent in him as a child, was not content to have him educated at a provincial school, but took him (at what age he does not say, but probably about twelve) to Rome, where he became a pupil of Orbilius Pupillus, who had a school of much note, attended by boys of good family, and whom Horace remembered all his life as an irritable teacher, given unnecessarily to the use of the rod. With him he learnt grammar, the earlier Latin authors, and Homer. He attended other masters (of rhetoric, poetry, and music perhaps), as Roman boys were wont, and had the advantage (to which he afterwards looked back with gratitude) of his father’s care and moral training during this part of his education. It was usual for young men of birth and ability to be sent to Athens, to finish their education by the study of Greek literature and philosophy under native teachers; and Horace went there too, at what age is not known, but probably when he was about twenty. Whether his father was alive at that time, or dead, is uncertain. If he went to Athens at twenty, it was in B. C. 45, the year before Julius Cæsar was assassinated. After that event, Brutus and Cassius left Rome and went to Greece. Foreseeing the struggle that was before them, they got round them many of the young men at that time studying at Athens, and Horace was appointed tribune in the army of Brutus, a high command, for which he was not qualified. He went with Brutus into Asia Minor, and finally shared his defeat at Philippi, B. C. 42. He makes humorous allusion to this defeat in his Ode to Pompeius Varus (ii. 7). After the battle he came to Italy, having obtained permission to do so, like many others who were willing to give up a desperate cause and settle quietly at home. His patrimony, however, was forfeited, and he seems to have had no means of subsistence, which induced him to employ himself in writing verses, with the view, perhaps, of bringing himself into notice, rather than for the purpose of making money by their sale. By some means he managed to get a place as scriba in the Quæstor’s office, whether by purchase or interest does not appear. In either case, we must suppose he contrived soon to make friends, though he could not do so by the course he pursued, without also making many enemies. His Satires are full of allusions to the enmity his verses had raised up for him on all hands. He became acquainted, among other literary persons, with Virgil and Varius, who, about three years after his return (B. C. 39), introduced him to Mæcenas, who was careful of receiving into his circle a tribune of Brutus, and one whose writings were of a kind that was new and unpopular. He accordingly saw nothing of Horace for nine months after his introduction to him. He then sent for him (B. C. 38), and from that time continued to be his patron and warmest friend.

ellauri141.html on line 111: At his house, probably, Horace became intimate with Polio, and the many persons of consideration whose friendship he appears to have enjoyed. Through Mæcenas, also, it is probable Horace was introduced to Augustus; but when that happened is uncertain. In B. C. 37, Mæcenas was deputed by Augustus to meet M. Antonius at Brundisium, and he took Horace with him on that journey, of which a detailed account is given in the fifth Satire of the first book. Horace appears to have parted from the rest of the company at Brundisium, and perhaps returned to Rome by Tarentum and Venusia. (See S. i. 5, Introduction.) Between this journey and B. C. 32, Horace received from his friend the present of a small estate in the valley of the Digentia (Licenza), situated about thirty-four miles from Rome, and fourteen from Tibur, in the Sabine country. Of this property he gives a description in his Epistle to Quintius (i. 16), and he appears to have lived there a part of every year, and to have been fond of the place, which was very quiet and retired, being four miles from the nearest town, Varia (Vico Varo), a municipium perhaps, but not a place of any importance. During this interval he continued to write Satires and Epodes, but also, it appears probable, some of the Odes, which some years later he published, and others which he did not publish. These compositions, no doubt, were seen by his friends, and were pretty well known before any of them were collected for publication. The first book of the Satires was published probably in B. C. 35, the Epodes in B. C. 30, and the second book of Satires in the following year, when Horace was about thirty-five years old. When Augustus returned from Asia, in B. C. 29, and closed the gates of Janus, being the acknowledged head of the republic, Horace appeared among his most hearty adherents. He wrote on this occasion one of his best Odes (i. 2), and employed his pen in forwarding those reforms which it was the first object of Augustus to effect. (See Introduction to C. ii. 15.) His most striking Odes appear, for the most part, to have been written after the establishment of peace. Some may have been written before, and probably were. But for some reason it would seem that he gave himself more to lyric poetry after his thirty-fifth year than he had done before. He had most likely studied the Greek poets while he was at Athens, and some of his imitations may have been written early. If so, they were most probably improved and polished, from time to time, (for he must have had them by him, known perhaps only to a few friends, for many years,) till they became the graceful specimens of artificial composition that they are. Horace continued to employ himself in this kind of writing (on a variety of subjects, convivial, amatory, political, moral,—some original, many no doubt suggested by Greek poems) till B. C. 24, when there are reasons for thinking the first three books of the Odes were published. During this period, Horace appears to have passed his time at Rome, among the most distinguished men of the day, or at his house in the country, paying occasional visits to Tibur, Præneste, and Baiæ, with indifferent health, which required change of air. About the year B. C. 26 he was nearly killed by the falling of a tree, on his own estate, which accident he has recorded in one of his Odes (ii. 13), and occasionally refers to; once in the same stanza with a storm in which he was nearly lost off Cape Palinurus, on the western coast of Italy. When this happened, nobody knows. After the publication of the three books of Odes, Horace seems to have ceased from that style of writing, or nearly so; and the only other compositions we know of his having produced in the next few years are metrical Epistles to different friends, of which he published a volume probably in B. C. 20 or 19. He seems to have taken up the study of the Greek philosophical writers, and to have become a good deal interested in them, and also to have been a little tired of the world, and disgusted with the jealousies his reputation created. His health did not improve as he grew older, and he put himself under the care of Antonius Musa, the emperor’s new physician. By his advice he gave up, for a time at least, his favorite Baiæ. But he found it necessary to be a good deal away from Rome, especially in the autumn and winter.

ellauri141.html on line 113: In B. C. 17, Augustus celebrated the Ludi Seculares, and Horace was required to write an Ode for the occasion, which he did, and it has been preserved. This circumstance, and the credit it brought him, may have given his mind another leaning to Ode-writing, and have helped him to produce the fourth book, a few pieces in which may have been written at any time. It is said that Augustus particularly desired Horace to publish another book of Odes, in order that those he wrote upon the victories of Drusus and Tiberius (4 and 14) might appear in it. The latter of these Odes was not written, probably, till B. C. 13, when Augustus returned from Gaul. If so, the book was probably published in that year, when Horace was fifty-two. The Odes of the fourth book show no diminution of power, but the reverse. There are none in the first three books that surpass, or perhaps equal, the Ode in honor of Drusus, and few superior to that which is addressed to Lollius. The success of the first three books, and the honor of being chosen to compose the Ode at the Ludi Seculares, seem to have given him encouragement. There are no incidents in his life during the above period recorded or alluded to in his poems. He lived five years after the publication of the fourth book of Odes, if the above date be correct, and during that time, I think it probable, he wrote the Epistles to Augustus and Florus which form the second book; and having conceived the intention of writing a poem on the art and progress of poetry, he wrote as much of it as appears in the Epistle to the Pisones which has been preserved among his works. It seems, from the Epistle to Florus, that Horace at this time had to resist the urgency of friends begging him to write, one in this style and another in that, and that he had no desire to gratify them and to sacrifice his own ease to a pursuit in which it is plain he never took any great delight. He was likely to bring to it less energy as his life was drawing prematurely to a close, through infirmities either contracted or aggravated during his irrational campaigning with Brutus, his inaptitude for which he appears afterwards to have been perfectly aware of. He continued to apply himself to the study of moral philosophy till his death, which took place, according to Eusebius, on the 27th of November, B. C. 8, in the fifty-seventh year of his age, and within a few days of its completion. Mæcenas died the same year, also towards the close of it; a coincidence that has led some to the notion, that Horace hastened his own death that he might not have the pain of surviving his patron. According to Suetonius, his death (which he places after his fifty-ninth year) was so sudden, that he had not time to execute his will, which is opposed to the notion of suicide. The two friends were buried near one another “in extremis Esquiliis,” in the farthest part of the Esquiliæ, that is, probably, without the city walls, on the ground drained and laid out in gardens by Mæcenas. 

ellauri141.html on line 132: Nunquam dimoveas, ut trabe Cypria 		Saimaan aaltoja jossain parrulastissa, 	     

ellauri141.html on line 144: Detestata. Manet sub Jove frigido 	25	Mezästäjä jaxaa seistä passissa, ei piittaa  

ellauri141.html on line 159: Ottakaat aiheenne, kirjoittajat, voimienne mukaan ja punnitkaa kauan, mitä hartiat jaksavat kantaa, mitä eivät. Sitä, joka voimainsa takaa on aiheensa valinnut, ei petä esitystapa eikä selvä järjestys. Järjestyksen etu ja sulo on oleva se, joll'en erehdy, että runoilija juuri nyt sanoo, mitä hänen tällöin tulee sanoa, sekä lykkää ja jättää nykyhetkellä moniaat asiat. Sanojen yhdistämisessä valitkoon ilmoitetun runoteoksen tekijä myös hienosti ja arasti sanan ja hyljätköön toisen. Erinomaisesti olet lausunut, jos ovela yhdistys tekee tutun sanan ikäänkuin uudeksi. Jos ehkä on tarpeellista vereksillä nimityksillä osoittaa outoja käsitteitä, käypi laatuun tekaista vanhanaikuisille Cetheguksille kuulumattomia sanoja, ja ujosti käytetty vapaus kyllä myönnetään; vieläpä uudet ja äsken tehdyt sanat saavat hyväksymistä osakseen, jos ne valuvat esiin anglosax- korjaan kreikkalaisesta lähteestä säästäväisesti johdettuina. Mutta miksi Roomalainen antaisi Caeciliukselle ja Plautukselle sen oikeuden, mikä on riistetty Vergiliukselta ja Variukselta? Miksi minua kadehditaan, jos voin lisätä vain muutamia sanoja, kun Caton ja Enniuksen kieli on rikastuttanut isäimme puhetta ja tuottanut uusia nimiä esineille? On aina ollut luvallista ja on edelleen tuottaa julkisuuteen sana, jolla on nykyhetken leima. Kuten metsät muuttavat lehtensä nopeiden vuosien kuluessa ja edelliset varisevat, siten katoavat vanhat sanatkin ja nuorien tavoin kukoistavat ja varttuvat äsken syntyneet; kuulummehan kuololle kaikkineinme: joko nyt meri sisämaahan johdettuna suojelee laivastoja pohjantuulilta, kuninkaan arvoinen työ, tai kauan hyödytön ja vain airoille sovelias suo elähyttää läheisiä kaupunkeja ja kokee kovaa auraa, tai joki on muuttanut suuntansa, joka oli vainioille vahingollinen, sille kun on osoitettu parempi tie; kuolevaisten teot katoavat, ja vielä vähemmän kieliparsien arvo ja sulo pysyy elävänä. Monet sanat syntyvät uudestaan, jotka jo hävisivät (esim buli), ja monet häviävät, jotka nyt ovat arvossa (Danny: nuoret mimmit), jos käyttö niin tahtoo, millä puhumisen suhteen on mielivalta, oikeus ja ohjeet. (Horatius: Runoudesta. Suom. J.K. Hidén.)

ellauri141.html on line 184: 11. Shady tarkoittaa, että joku asia tai ihminen on ovela tai epäilyttävä, tai että henkilö on luonteeltaan selkäänpuukottava.

ellauri141.html on line 230: quae prius multum facilis movebat		Ennen se jaxoi pyöriä taajaan		

ellauri141.html on line 266: quid? quod libelli Stoici inter Sericos		    But why do Stoic tracts so love to lie		

ellauri141.html on line 305:        In  Epode 11, the iambist regretfully recalls to his friend Pettius his infatuation with a girl named Inachia. The latter name does not occur elsewhere in extant Latin or Greek except in the very next poem in the Gedichtbuch, where the iambist’s older (ex-)lover complains of his sexual endurance with Inachia in contrast to his impotence with her (12.14-6). The name may suggest an ethnically Greek or Argive  woman, or the Greek noms de lit   regularly adopted by Italian meretrices. Yet, as some (but by no means all) commentators have noted, the name also evokes Io, the daughter of Inachus, jota Zeus bylsi härän hahmossa.  Eli kyllä tässäkin yhden kynäilijän mielestä on jotain impotenssin käryä.

ellauri141.html on line 313: mittis nec firmo iuveni neque naris obesae?	    & love letters? As if I’m a sturdy lad with a stuffed		

ellauri141.html on line 393:         To comprehend, but never love thy verse. 

ellauri141.html on line 459: Joseph Rudyard Kipling (30. joulukuuta 1865 Bombay, Brittiläinen Intia - 18. tammikuuta 1936 Lontoo, Yhdistynyt kuningaskunta) oli englantilainen kirjailija, runoilija, novellisti ja toimittaja. Hänet tunnetaan parhaiten Disney-piirretystä Viidakkokirja (1894) ja Intiaan sijoittuvasta vakoiluromaanistaan Kim (1901). Kiplingin jälkeensä jättämä tuotanto on laaja ja monipuolinen.

ellauri141.html on line 513: Kipling encountered him as a schoolboy, and wrote in Something of Myself (p.33) that C----, his classics master ('King' in Stalky & Co.) ...taught me to loath Horace for two years, to forget him for twenty, and then to love him for the rest of my days and through many sleepless nights. 

ellauri141.html on line 569:  The ‘editor’ of the Latin text was the clever versifier A. D. Godley of Oxford. (267) He contributed graceful acknowledgements (268) and a hilarious preface about the (fictitious) manuscripts, which parodies the standard praefatio of an Oxford Classical Text (brown-covered in those days like the spoof). (269) There is a learned apparatus criticus about disputed or variant ms. readings. He did the Latin poems, together with his Oxford colleagues and friends John Powell (270) and Ronald Knox (271) and the Etonian and former Cambridge undergraduate A. B. Ramsay. (272) There is an appendix of alternative Latin versions which the translators obviously could not bear to waste. Kipling contributed a schoolboyish prose version of ‘The Pro-consuls’: ‘the sixth ode, as it seems, rendered into English prose by a scholiast of uncertain period’, which starts:

ellauri141.html on line 575:     … I’ve got a new Fifth Booker whereof Hankinson Ma. is preparing the translation. It came out in the Times ever so long ago [1905] under the title The Pro-Consuls but I perceive now that Horace wrote it. Rather a big effort for him and on a higher plane than usual – unless he’d been deliberately flattering some friend in Government. I’ll send it along. 

ellauri141.html on line 696: ”Ei totisesti ollut hätää, vaikka idän vihamies hioi miekkaansa ja meren takaa luotiin ahnaita katseita Suomen rikkauksiin! Täällä ei ollut vaan ruista ranteessa ja taskunauriita, oli miehiä, elämänuskoa ja nuoruuden v o i m a a ! Vaikka miehet ovat Huntuvuoren romaaneissa keskeisemmissä rooleissa, ajoittain myös naiset ottavat ohjat käsiinsä ja nousevat puolustamaan kansansa oikeuksia, kuten Kokemäen kuningatar Päivä piispa Tuomasta ja tämän asettamia korkeita liikevaihtoveroja vastaan.

ellauri141.html on line 727: 

ellauri141.html on line 767: In 1957, American friends gave him a villa at Giens, Provence, France. He then split his time between France and the United States. In 1958, he married the American Dorothy Milburn Russell.

ellauri141.html on line 771: A few months before he died in 1975, Leger donated his library, manuscripts and private papers to Fondation Saint-John Perse, a research centre devoted to his life and work (Cité du Livre, Aix-en-Provence), which remains active to the present day. He died in his villa in Giens and is buried nearby. Varsinainen kermaperse tää Saint-John.

ellauri141.html on line 800: Dag Hammarskjöld was committed to the arts.  Though temperamentally a loner, and introvert, and a bachelor throughout his life (oliko se homo? Det finns inga bevis för att Dag Hammarskjöld var homosexuell. Misstankar verkar dock ha funnits: Eftersom han levde ensam började rykten spridas om att han skulle vara homosexuell och hans motståndare använde detta för att smutskasta honom), he would invite intellectuals and artists, the best of New York’s bohemia, to his Upper East Side apartment where he kept a pet, an African monkey called Greenback.  People he invited to his generous dinners included the poet Carl Sandburg, the novelist John Steinbeck, the poet WH Auden, the diplomat George Kennan.  Auden was the translator of Hammarskjöld’s posthumously published book of observations, ideas and poems called Waymarks. Hammarskjöld used his influence to get the poet Ezra Pound out of mental hospital.  Back in Sweden, he inherited his father’s chair at the Swedish academy when the man died in 1953. The Swedish academy is the body that awards the Nobel Prize in literature. Hammarskjöld was instrumental in getting the rather obscure but doubtless brilliant French poet Saint John Perse his Nobel prize in 1960.  He would sketch out the arguments for Perse’s candidacy during translation breaks at UN Security Council meetings.  

ellauri142.html on line 38:   Annuit cœptis (/ˈænuɪt ˈsɛptɪs/, Classical Latin: [ˈannʊ.ɪt ˈkoe̯ptiːs]) is one of two mottos on the reverse side of the Great Seal of the United States. The literal translation is "favors (or "has favored") [our] undertakings", from Latin annuo ("I nod at"), and coeptum ("commencement, undertaking"). Because of its context as a caption above the Eye of Sarnath, the standard translations are "Crang favors our undertakings" and "Crang has favored our undertakings." Annuit cœptis comes from the Aeneid, book IX, line 625, which reads, Iuppiter omnipotens, audacibus adnue coeptis. It is a prayer by Ascanius, the son of the hero of the story, Aeneas, which translates to, "Jupiter Almighty favour [my] bold undertakings", just before slaying an enemy warrior, Numismaticus. Haha, tappoi numismaatikon. Texti alla tarkoittaa "suuri hylje".

ellauri142.html on line 49:       Count Pyotr "Markku" Kirillovich Bezukhov (/bɛ.zjuːˈkɒv/; Russian: Пьер Безу́хов, Пётр Кири́ллович Безу́хов) is a central fictional character and the main protagonist of Leo Tolstoy's 1869 novel War and Peace. He is the favourite out of several illegitimate sons of the wealthy nobleman Count Kirill Vladimirovich Bezukhov, one of the richest people in the Russian Empire. Markku is best friends with Andrei Bollocksky. Tolstoy based Markku on himself more than any other War and Peace character.

ellauri142.html on line 51:       Markku is described as the fat, large-bodied, ungainly, and socially awkward illegitimate son of an old Russian grandee. He is educated in France and returns to Russia as a misfit. His unexpected inheritance of a large fortune makes him socially desirable. Markku is ensnared by the fortune-hunting Kristina Curagina, whose eventual deception leaves him depressed and confused, spurring a spiritual odyssey that spans the novel.

ellauri142.html on line 53: At the opening of the novel, Markku is a young man who has recently returned to Russia to seek a career after completing his education abroad. Although a well-meaning, kind hearted young man, he is awkward and out of place in the Russian high society in whose circles he starts to move. Markku, though intelligent, is not dominated by reason, as his friend Prince Andrei Nikolayevich Balkongsky is. His lack of direction leads him to fall in with a group of profligate young men like Anatole Kuragin and Dolokhov whose pranks and heavy drinking cause mild scandals. After a particularly outrageous escapade in which a policeman is strapped to the back of a bear and thrown into a river, Markku is sent away from St. Petersburg.  What happened to the poor bear?

ellauri142.html on line 55: Markku's life changes after he becomes the sole heir to his father's vast estate, and his position in society is changed from that of an illegitimate son to the new Count Bezukhov. His inability to control his emotions and sexual passions lead him into a marriage with the vapid but sexually beautiful Princess Kristina, a match which her self-serving father, Prince Carl Erik, sets up to secure his access to Markku's newly acquired vast fortune. Kristina is not in love with Markku, and has affairs. From jealousy, Markku shoots his suspected lover, Dolokhov, in a duel. He is distraught at having committed such a crime and eventually separates from Kristina and then becomes a Freemason. His madhat escape into the city of Moscow and his subsequent obsessive belief that he is destined to be Napoleon’s mistress show his submission to irrational impulses. Yet his search for meaning in his life and for how to overcome his emotions are a central theme of the novel. He eventually finds love and marriage with Pirkko Hiekkala, becomes a ladies shoes salesman called Al  Bundy and their marriage is perhaps the culmination of a life of moral and spiritual questioning. They have four children: three boys and one girl. Correction, one extremely good-looking platinum blonde girl and one about equally gifted son.

ellauri142.html on line 71: Count Lev Nikolayevich Tolstoy (/ˈtoʊlstɔɪ/; Russian: Лев Николаевич Толстой, 28 August 1828 – 7 November 1910), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time. He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909. That he never won is a major controversy. Instead, Rudyard Kipling got the medal 1907. What the fuck?

ellauri142.html on line 73: Born to an aristocratic Russian family in 1828, Tolstoy is best known for the novels War and Peace (1869) and Anna Karenina (1878), often cited as testicles of realist fiction.

ellauri142.html on line 75: In the 1870s, Tolstoy experienced a profound moral crisis, followed by what he regarded as an equally profound spiritual awakening, as outlined in his non-fiction work A Confession (1882). His overly literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him to become a fervent Christian anarchist and pacifist. His ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You (1894), had a profound impact on such pivotal 20th-century figures as Mahatma Gandhi, Martin Luther, and Stephen King.

ellauri142.html on line 77: The Tolstoys were a well-known family of old Russian nobility who traced their ancestry to a mythical nobleman named Indris described by Pyotr Tolstoy as arriving "from Nemec, from the lands of Caesar" (Lithuania, from the sound of it) to Chernigov in 1353 along with his two sons Litvinos (or Litvonis) and Zimonten (or Zigmont) and a dozen or  maybe 3000 people. Indris was then converted to Eastern Orthodoxy, under the name of Leonty, and his sons as Konstantin and Feodor. Konstantin's grandson Andrei Kharitonovich was nicknamed Tolstoy (fatso) by Vasily II of Moscow after he moved from Chernigov to Moscow.

ellauri142.html on line 81: Tolstoy left the university in the middle of his studies, returned to Yasnaya Polyana and then spent much time in Moscow, Tula and Saint Petersburg, leading a lax and leisurely lifestyle. He began writing during this period, including his first novel Childhood, a fictitious account of his own youth, which was published in 1852.

ellauri142.html on line 87: His experience in the army, and two trips around Europe in 1857 and 1860–61 converted Tolstoy from a dissolute and privileged society author to a non-violent and spiritual anarchist. Others who followed the same path were Markku Graae, Alexander Gerzen, Mikhail Bakunin and Peter Kropotkin. During his 1857 visit, Tolstoy suffered a public execution in Paris, a traumatic experience that marked the rest of his life. In a letter to his friend Vasily Botkin, Tolstoy wrote: "The truth is that the State is a conspiracy designed not only to exploit, but above all to corrupt its citizens ... Henceforth, I shall never serve any government anywhere.

ellauri142.html on line 91: Prize motivation: "in consideration of the power of observation, originality of imagination, virility of ideas and remarkable talent for narration which characterize the creations of this world-famous author." As a poet, short story writer, journalist and novelist, Rudyard Kipling described the British colonial empire in positive terms, which made his poetry popular in the British Army. Contemporary Great Britain appreciated him for his depictions of  the British colony of India. The Jungle Book (1894) has made him known and loved by children throughout the world, especially thanks to Disney’s 1967 film adaptation.

ellauri142.html on line 104: When diplomats and politicians joined the organization in the mid-1600s, the stonemason lodge movement began its climb as a stealthy phenomenon. If you were politically active and wanted to connect with the power structures of the times, you would do just about anything to become a member of The Masons.

ellauri142.html on line 110: Initially, the Freemason creed declared anti-Catholic, anti-Royalty, and anti-Democratic (i.e. Republican) virtues, including self-government, personal freedom, gun laws, and free enterprise. The basic tenet was that no person or organization should be controlled or oppressed by a government or religion, or their respective laws and doctrines. At their start, and for centuries, The Freemasons were a feisty, calculating, and powerful coalition.

ellauri142.html on line 120: Long ago, when the British government and the Catholic Church were more militant, it was dangerous to share these secrets, so all members worked hard to protect them. This is why, for several centuries, the coveted secrets of the Freemasons were known only to loyal members.

ellauri142.html on line 147: Geometry and architecture are essential themes within Freemasonry, which is why Freemasons often refer to God as either The Supreme Being or The Grand Geometrician. These names help keep the concept of God as generic, and not tied to a specific religion, which removes any chance that a member will be offended.

ellauri142.html on line 157: Using the Pigpen cipher key shown in the example above, the message "X MARKS THE 

ellauri142.html on line 180: Some say it’s unethical for any organization to exclude women, but psychologists say that men, women and other genders, who at times congregate within their genders, are happier, healthier and more confident. Just like any group with specific missions and membership archetypes, it seems helpful for human beings to participate in same-gender rites (like the well-known and well-loved train) and organizations.

ellauri142.html on line 184: Today, you can join the Freemasons for between $150 and $500 in annual dues. You won’t be involved in too many secret missions or controversies, though. You’ll mostly network with small business owners and help a charity or two. If you’re really into it, you’ll climb the magic ladder and achieve its highest title of Master Mason. At that point, you are eligible to become a Shriner.

ellauri142.html on line 192: Paul Wagner is an Intuitive-Empath, clairvoyant reader, and a 5-time EMMY Award winning writer. He created “The Personality Cards,” a powerful Oracle-Tarot deck that’s helpful in life, love and relationships. Paul studied with Lakota elders in the Pecos Wilderness, who nurtured his empathic abilities and taught him the sacred rituals. He has lived at ashrams with enlightened masters, including Amma, the Hugging Saint, for whom he’s delivered.

ellauri142.html on line 285: Nyt ilmestyy Hare Krishna (apinassa asuva ja häntä ”varjostava” jumalallinen kädellinen, kapt. Kalpa), raottaen ovea. Tämä opettaa Ärjylän tuntemaan luonnon ja hänen suhteensa jumalan suureen junaan. Sullon mun luonto. Mitäs läxit.

ellauri142.html on line 332: He was a member of the Modern Devotion, a spiritual movement during the late medieval period, and a follower of Geert Groote, Peep Koort, and Florens Radewyns, the founders of the Brethren of the Common Life.

ellauri142.html on line 789:   (Nöyryys onkin aika naismaista.) Nöyrä tunnustaa oman kykenemättömyytensä oikeaan ajatteluun ja oikeaan toimintaan. Mutta hän avaa "todellisen, sisäisen olentonsa" (arvaa minkä) ovet korkeammalle, suuremmalle valolle ja mahtavammalle voimalle. ”Nöyrille jumala antaa armon.” – Kerrotaan eräästä hurskaasta miehestä, joka näki unen: koko maan ympäröi hieno näkymätön verkko eli huntu. Miehen valtasi kauhu ja hädissään hän huudahti: Herra, kuka voi tässä kestää? (No mitä kestämistä siinä muka oli? Savusumua. ) Ja hän kuuli äänen, joka sanoi: ”nöyryys”.

ellauri142.html on line 828:   Usko myy. Onse kumma et kaikilla apinoilla näyttää olevan synnynnäisenä tollanen uskonvakaus, joka tarkoittaa lujaa joskin perusteetonta luottamusta siihen mikä ei näy. Sellasta toki tarvitaan, se on luottotoiminnan perusedellytys, ja sen varassa suljemme jääkaapin oven luottavaisina, ettei valo jää palamaan. Tai että kaikilla naisilla piilee pillu tuolla kuteen alla. Kokeilkaa, ette pety, epäilevät tuomaat. Sinne vaan tuikkaamaan sormella. Kempiläistä ei vois vähempää kiinnostaa.

ellauri142.html on line 935: taitavuus, oveluus, päättäväisyys, jalomielisyys ja hallitsijamieli.

ellauri142.html on line 998: todistavat tätä; näinä aikoina on jokaisella käsitteellä oma emoji. Erittäinkin ovat nämä symbolit hyvin yleiset uskonnoissa. Suosittuja kuvioita ovat ympyrä, kolmio, risti, viisikärkinen tähti ja kirkkovene.

ellauri142.html on line 1045:   Smail wrote several books on the subject of psychotherapy, emphasizing the extent to which society is often responsible for personal distress. Critical of the claims made by psychotherapy, he suggests that it only works to the extent that the therapist becomes a friend of the patient, providing encouragement and support. Much distress, he says, results from current conflicts, not past ones, and in any case, damage done probably cannot be undone, though we may learn to live with it. He doubts whether 'catharsis', the process whereby it is supposed that understanding past events makes them less painful, really works. The assumption that depression, or any other form of mental distress, is caused by something within the person that can be fixed, is he argued, without foundation. He could thus be regarded as part of the 'anti-psychiatry' movement, along with R.D. Laing and Thomas Szasz, but where Laing emphasised family nexus as making psychosis understandable, Smail emphasises 'Interest' and power in relation to more everyday distress. These are integral to Western society, and, he suggests, considered out of bounds by most psychotherapists, who are themselves both constrained and complicit in protecting their own interests.

ellauri143.html on line 60: In the picture tweeted on Saturday (November 2), Thiruvalluvar, who is revered in Tamil Nadu for authoring Thirukkural, a collection of 1,330 life-advice couplets, is seen smeared with sacred ash and wearing a rudraksha necklace and upper-arm bracelets. This is an entirely new portrayal of the ancient poet whose pictures has so far shown him attired only in white and without religious symbols.

ellauri143.html on line 63: The state BJP, it is alleged, has given a new inference to the couplet which has a religious overtone. The inference they provided goes like this — “What is the use of education when one who defies god and his believers?”

ellauri143.html on line 65: V Arasu, former head of Tamil department, University of Madras said the move is nothing short of hindi cultural appropriation. “Every religion including Christianity has claimed Thiruvalluvar as their own. Since the BJP is in power now, they can do whatever they wish. But we should not worry. Truth will always triumph,” he said.

ellauri143.html on line 72: Before Sarma, several others had attempted picturising the philosopher-poet, however, they were all rejected because of giving Valluvar a religious identity. Annadurai had also ordered to put up the pictures of Valluvar in all state government institutions.

ellauri143.html on line 80: Considered one of the greatest works ever written on ethics and morality, it is known for its universality and secular nature. Its authorship is traditionally attributed to Valluvar, also known in full as Vallu Mursu. In addition, it highlights truthfulness, self-restraint, gratitude, hospitality, kindness, goodness of wife, duty, giving, and so on and so forth, besides covering a wide range of social and political topics such as king, ministers, taxes, justice, farts, war, greatness of army and soldier's honor, death sentence for the wicked, agriculture, education, abstinence from alcohol and intoxicants.

ellauri143.html on line 82: Hetkinen ei tää nyt ihan nazannut, tässähän on pyykkikorikaupalla kunnon nazihyveitä ja pro governmenttiä.

ellauri143.html on line 84:       The Kura has been widely admired by scholars and influential leaders across the ethical, social, political, economical, religious, philosophical, and spiritual spheres over its history. These include Ilango Adigal (never heard), Kambar  (n.h.), Leo Tolstoy, Mahatma Gandhi, Albert Schweitzer (heard ok), plus Constantius Joseph Beschi, Karl Graul, George Uglow Pope, Alexander Piatigorsky, and Yu Hsi (all n.h.). The work remains to be translated. Oops correct that, the text has been translated into at least 40 Indian languages including English, making it one of the most translated ancient works. Ever since it came to print for the first time in 1812, the Kura text has never been out of print. Whole trainloads lie "left on read" in Sri Lanka.

ellauri143.html on line 104:     Book III – Inbam (இன்பம்): Book of Love (Kama), dealing with psychological values and sex (Chapters 109-133)

ellauri143.html on line 108: Virtue will confer love and wealth; what greater source of happiness can man possess?" (Kura 31; Drew, 1840). (Gäsp.)

ellauri143.html on line 112: The book on aṟam (virtue, KILL!) contains 380 verses, that of poruḷ (wealth, EAT!) has 700 and that of inbam or kāmam (love, FUCK!) has 250. Just goes to show. Each kura or couplet contains exactly seven words, known as cirs, with four cirs on the first line and three on the second, following the kura metre. A cir is a single or a combination of more than one Tamil word. For example, the term Tirukkuṟaḷ is a cir formed by combining the two words tiru and kuṟa. The Kura text has a total of 9310 cirs made of 14,000 Tamil words.

ellauri143.html on line 114: Of the 1,330 couplets in the text, 40 couplets relate to god, rain, calisthenics, and virtue; 340 on fundamental everyday virtues of an individual; 250 on royalty; 100 on ministers of state; 220 on essential requirements of administration; 130 on social morality, both positive and negative; and 250 on human love, fucking and passion. Just goes to show.

ellauri143.html on line 256:       Indulge no foolish love of her by right another's own.

ellauri143.html on line 322:     With soul unjust to covet others' well-earned store, 


ellauri143.html on line 373:       Make not thy poverty a plea for ill; 


ellauri143.html on line 391:       The wealth of men who love the 'fitting way,' the truly wise, 


ellauri143.html on line 577:       Shall enter realms above the powers divine.

ellauri143.html on line 731:       Viisaudesta nää self-appointed viisaat jaxaa paasata. Se on mm. varovaisuutta, oveluutta, harkintaa,  kokemusta, varovaista riskinottoa. Kazo tännepäin kun puhuttelen sinua!

ellauri143.html on line 856: Kinkun apurit. Explanation : Let (a minister) be chosen, after he has been tried by means of these four things, viz,-his virtue, (love of) money, (love of) sexual pleasure, and tear of (losing) life. And keep his relatives as hostages. Just tätä tematiikkaa oli valtaistuinpeleissä. Ei se ole vierasta kv. yrityxillekään. Steve Jobs varmaan luki näitä värssyjä. The Thirukkural way of Leadership. Mr. T. Kannan. 

ellauri143.html on line 1148:       Tää ystävyys on taas sellanen missä esitetään presiis vastakkaisia neuvoja omalta kannalta ja vähän muidenkin kannalta. Muiden pitäis kyllä pysytellä mun ystävinä thru thick and thin, mutta mun on parasta valita ystävät tosi huolella ja dumpata tyhmät köyhät ja rumat joukosta kuin kuumat perunat.  Ystävyydestä on tullut ihan fetischi nykyaikana. Ne ovat lähempänä kuin lähin puhelin, ja klaaniajan suku-ja heimositeitä ei enää tarvita. Kelassa on aina ystävä. Kaikki bunkkaavat omissa yhden hengen kopeissa ja tapaavat lähisukulaisia lähinnä jouluna. Vasta vanhana ne huomaavat, että veri on vettä sakeampaa. Vihreävetisiä ikätovereita kuolee ympäriltä kuin keiloja, eikä nuoret sukulaiset välitä. Niillä on omat ystävät.

ellauri143.html on line 1162: Cease not to love, when friend their love betrays.

ellauri143.html on line 1185:     'Mid follies chiefest folly is to fix your love 


ellauri143.html on line 1186:     On deeds which to your station unbefitting prove.

ellauri143.html on line 1224:   The joy of victory is never far removed from those 


ellauri143.html on line 1262:     Who give their soul to love of wife acquire not nobler gain; 


ellauri143.html on line 1266:     Who gives himself to love of wife, careless of noble name 


ellauri143.html on line 1395:       Men seated idle pleading poverty. 


ellauri143.html on line 1407:   Explanation : There is no greater folly than the boldness with which one seeks to remedy the evils of poverty by begging (rather than by working).

ellauri143.html on line 1425:   The plague of poverty itself is ample proof.

ellauri143.html on line 1427:   Explanation : He who begs ought not to be angry (at a refusal); for even the misery of (his own) poverty should be a sufficient reason (for so doing)

ellauri143.html on line 1430:   You ask what sharper pain than poverty is known; 


ellauri143.html on line 1431:   Nothing pains more than poverty, save poverty alone.

ellauri143.html on line 1457:   Her love, by smiling side-long glance, betrayed.

ellauri143.html on line 1472:     Is more than half of love's supreme delight.

ellauri143.html on line 1494:       Explanation : As one's ignorance is discovered the more one learns, so does repeated intercourse with a welladorned female only create a desire for more.

ellauri143.html on line 1505: Tamil Youths Ride on Toy Palmyra horses. In ancient Tamil Nadu, Tamil youths who fell in love with girls used to make a horse toy with Palmyra leaves and used to ride on it along the streets to make it public. Then the parents of the girls were forced to marry them. Though it was practised only by the Tamils in ancient India, the association of horse in this ritual show that it also came from the north. Horses came to India from outside. The oldest reference is in the Rig Veda.

ellauri143.html on line 1513:   To those who 've proved love's joy, and now afflicted mourn, 


ellauri143.html on line 1524:   To-day I nought possess but lovers' 'horse of palm' 


ellauri143.html on line 1540:   Who, vexed by love like ocean waves, climbs not the 'horse of palm'.

ellauri143.html on line 1578:       I would my love conceal, but like a sneeze 


ellauri143.html on line 1584:     Of womanly reserve love's axe breaks through the door, 


ellauri143.html on line 1625:     To show by eye the pain of love, and for relief to pray,

ellauri143.html on line 1628:     Explanation : To express their love-sickness by their eyes and resort to begging bespeaks more than ordinary female excellence.

ellauri143.html on line 1684: Siddhārthan entiset laiheliinitoverit hylkäsivät hänet ajatellen hänen luopuneen henkisestä kilvoittelusta. Aika pyylevähän siitä sitten tulikin. Tästä järkkymättä hän istui perinteisesti pyhänä pidetyn temppeliviikunapuun alle mietiskelemään. Samana yönä tuleva Buddha pääsi neljänteen ihanaan, väkevään meditatiiviseen tilaan, jonka kautta hän saavutti aamunkoiton sarastuksessa valaistumisen ja tuli matrassiin. Huomattavasti myöhemmän perinteen mukaan Buddha vietti valaistumisensa jälkeen vielä 40 tai 49 päivää saman puun alla. 40, 49, ihan sama. Jee-suxen enkka oli 40, ilman puuta.

ellauri143.html on line 1686: Koko loppuelämänsä Buddha omisti muiden opettamiselle. Hän loi buddhalaisuuden ja neuvoi ihmisille löytämäänsä polkua valaistumiseen. Hän palasi viiden askeettitoverinsa luo, jotka päättivät ruveta taas syömään ja ryhtyä ensimmäisiksi buddhalaismunkeiksi (sanskritiksi bhikṣu, pāliksi bhikkhu) kuultuaan Buddhan ensimmäisen opetuspuheen, "Dharman pyörän liikkeelle panemisen sutran".  Mutta varsinainen vetolaastari niille oli kama sutra. Dharma tarkoittaa maan tapaa, lakia.

ellauri143.html on line 1720: Yleinen levitaatioasento on kiinalainen lootusasento tai puolinelson, mutta levitointia voi harjoittaa myös käsillä kävellessä. Aktiivista levitaatiota ovat esimerkiksi jooga, tee ja bierbong. Myös uiminen, hölkkä ja kävely soveltuvat aktiiviseen levitaatioon. Jos on läski  voi suorittaa aktiivisen levitoinnin myös esimerkiksi istuen tai maaten. Buddha teki juuri niin. 

ellauri144.html on line 88: Game over, voit vetämään jo lähtä.  


ellauri144.html on line 95: along with his body. He looks back bemusedly at the rash confidence, the ambition to get ahead, that motivated his earlier writing. And now his poetic gift itself threatens to fall away, together with other games, notably lovemaking, that require youthful energy and zest (55-57). Philosophy, as he describes it, is most centrally the art of  living well from day to day; of enjoying life’s gifts while you have them, and of accepting Nature’s high impersonal laws in preparation for that final retirement which is death (213-16).

ellauri144.html on line 138: I took the Monkey to Italy. Sorry, I haven't mentioned her before. She's the long-legged shiksa model who used to be married to the elderly rich goy that liked to shit on a glass table over a schwartz while she ate a banana. Hence Monkey. Her real name is Mary Jane Reed and she's a thinly-disguised caricature of my alter ego's first wife. Revenge really is best served cold.

ellauri144.html on line 210: 
Phillu mainizee (175) Mandelin tykänneen Tito Puentesista ja Pupi Camposta niin paljon että muutti nimensä Babaluuxi. (Kolmas nimi on pianisti Joe Loco.) "Babalú" is a Cuban popular afro song written by Margarita Lecuona, the cousin of composers Ernestina and Ernesto Lecuona. The song title is a reference to the Santería deity Babalú Ayé. "Babalú" was the signature song of the fictional television character Ricky Ricardo, played by Desi Arnaz in the television comedy series I Love Lucy, though it was already an established musical number for Arnaz in the 1940s as evidenced in the 1946 film short Desi Arnaz and His Orchestra. By the time Arnaz had adopted the song, it had become a Latin American music standard, associated mainly with Cuban singer Miguelito Valdés, who recorded one of its many versions with Xavier Cugat and his Waldorf-Astoria Orchestra. Arnaz made the song a rather popular cultural reference in the United States. 

ellauri144.html on line 294: In America, "Guantanamera" has been used during anti-war demonstrations, union strikes, marches for an overhaul of the US immigration system, and civil rights for immigrants. In more recent demonstrations, it was sung at Wall Street and around the country where folks were commenting on the balance of wealth.

ellauri144.html on line 306: Malagueña Salerosa — also known as La Malagueña — is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times by recording artists.

ellauri144.html on line 307: The song is that of a man telling a woman (from Málaga, Spain) how beautiful she is, and how he would love to be her man, but that he understands her rejecting him for being too poor.

ellauri144.html on line 321:   The company he owned with his brother went bankrupt when its financial backing failed in the early days of the Great Depression. Not yet 21, Todd had lost over $1 million (equivalent to about $15,492,032 in today's funds). Todd married the former Bertha Freshman on February 14, 1927, and was the father of an infant son with no home for his family. Todd's subsequent business career was volatile, and failed ventures left him bankrupt many times.

ellauri144.html on line 405: Love drips and gathers, but the fallen blood			Kiima tippuu lammikoxi, vaan valahtanut veri

ellauri144.html on line 410: And I am dumb to tell the lover´s tomb				Ja mä olen mykkä kertomaan rakastajan kivelle

ellauri144.html on line 421: Dylan Marlais Thomas (27 October 1914 – 9 November 1953 = 39v) was a Welsh poet and writer whose works include the poems "Do not go gentle into that good night" (Josta suomenruozalainen leijakirjailija otti "Älä mene yxin yöllä ulos") and "And death shall have no dominion"; the "play for voices" Under Milk Wood; and stories and radio broadcasts such as A Child´s Christmas in Wales and Portrait of the Artist as a Young Dog. He became widely popular in his lifetime and remained so after his death at the age of 39 in New York City. By then he had acquired a reputation, which he had encouraged, as a "roistering, drunken and doomed poet".

ellauri144.html on line 423:   Dylan Thomas was born on 27 October 1914 in Swansea, the son of Florence Hannah (née Williams; 1882–1958), a seamstress, and David John Thomas (1876–1952), a teacher. His father had a first-class honours degree in English from University College, Aberystwyth and ambitions to rise above his position teaching English literature at the local grammar school, which he never did. Thomas had one sibling, Nancy Marles (1906–1953), who was eight years his senior. The children spoke only English, though their parents were bilingual in English and Welsh, and David Thomas gave Welsh lessons at home. Thomas´s father chose the name Dylan, which could be translated as "son of the sea", after Dylan ail Don, a character in The Mabinogion. (Mulla on se, mutten ole lukenut.) His middle name, Marlais, was given in honour of his great-uncle, William Thomas, a Unitarian minister and poet whose bardic name was Gwilym Marles. Se oli se silverbäk jota ne kaikki koittivat apinoida. Dylan, pronounced ˈ [ˈdəlan] (Dull-an) in Welsh, caused his mother to worry that he might be teased as the "dull one" (which he was). When he broadcast on Welsh BBC, early in his career, he was introduced using this pronunciation. Thomas favoured the Anglicised pronunciation and gave instructions that it should be Dillan /ˈdɪlən/. He was fed up with the "dull one" joke. in 1914. In 1931, when he was 16, Thomas, an undistinguished pupil, left school to become a reporter for the South Wales Daily Post, only to leave under pressure 18 months later.

ellauri144.html on line 427: Thomas came to be appreciated as a popular poet during his lifetime, though he found earning a living as a writer was difficult. He began augmenting his income with reading tours and radio broadcasts. His radio recordings for the BBC during the late 1940s brought him to the public´s attention, and he was frequently used by the BBC as an accessible voice of the literary scene. Thomas first travelled to the United States in the 1950s. His readings there brought him a degree of fame, while his erratic behaviour and drinking worsened. His time in the United States cemented his legend, however, and he went on to record to vinyl such works as A Child´s Christmas in Wales. Phil Rothin ekalla tyttöystävällä oll Dylan Thomas-levy, jota ne kuuntelivat pukilla. During his fourth trip to New York in 1953, Thomas became gravely ill and fell into a coma. He died on 9 November 1953 and his body was returned to Wales. On 25 November 1953, he was interred at St Martin´s churchyard in Laugharne. What a laugh. 

ellauri144.html on line 431:   Puolet 90 julkaistusta runostaan Dylan väsäsi teinipoikana. Figures. Tässä niistä kuuluisin. Romans 6:9, KJV: "Knowing that Christ being raised from the dead dieth no more; death hath no more dominion over him." 6:9 Ja tiedämme, ettei Kristus, joka kuolleista herätetty on, niinkö silleen kuole, eikä kuolema saa tästedes hänen päällensä valtaa.

ellauri144.html on line 443: Though lovers be lost love shall not;				Vaikka rakastavaiset katoo ei katoo rakkaus;

ellauri144.html on line 511: Let Us Now Praise Famous Men is a book with text by American writer James Agee and photographs by American photographer Walker Evans, first published in 1941 in the American United States. The work documents the lives of impoverished tenant farmers during the Great Depression. Although it is in keeping with Evans´s work with the Farm Security Administration, the project was initiated not by the FSA, but by Fortune magazine. The title derives from a passage in the Wisdom of Sirach (44:1) that begins, "Let us now praise famous men, and our fathers that begat us".

ellauri144.html on line 551: Narsisti on parasiitti, joka tarvitsee muita ihmisiä vain yhteen tarkoitukseen: vahvistamaan harhaista ideaalikuvaa itsestään. Narsisti elää muiden ihmisten reaktioista, jotka tukevat tätä kuvaa. Jos haluaa tai on pakko olla narsistin kanssa tekemisissä eikä ole selvästi vahvemmassa asemassa tähän, ei ole muuta vaihtoehtoa kuin myötäillä tätä ja syöttää narsistille niitä reaktioita, joita tämä tarvitsee. Jos taas haluaa narsistista eroon, kannattaa soveltaa menetelmää, jossa ollaan narsistia kohtaan täydellisen välinpitämätön. Tämä tarkoittaa omien näkyvien reaktioiden vaimentamista niin täydellisesti kuin pystyy. Narsisti joutuu etsimään egolleen pönkitystä muualta. Tää on sama keino jota käytetään koiriin. Älä kiinnitä siihen mitään huomiota josse koittaa pureskella sun housuja. 

ellauri144.html on line 568:     Maggin pojalle (josta tulee rekkakuski) se antaa lukemisexi kirjan The Red Badge of Courage.  It is a war novel by American author Stephen Crane (1871–1900). Taking place during the American Civil War, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound, a "red badge of courage," to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer, who carries a flag.

ellauri144.html on line 570: The Red Badge of Courage garnered widespread acclaim, what H. G. Wells called "an orgy of praise" shortly after its publication, making Crane an instant celebrity at the age of twenty-four. The novel and its author did have their initial detractors, however, including author and veteran Ambrose Bierce. Adapted several times for the screen, the novel became a bestseller. It has never been out of print and is now thought to be Crane´s most important work and a major American text. 

ellauri144.html on line 575: A prolific and versatile writer, Bierce was regarded as one of the most influential journalists in the United States, and as a pioneering writer of realist fiction. For his horror writing, Michael Dirda ranked him alongside Edgar Allan Poe and H. P. Lovecraft. S. T. Joshi speculates that he may well be the greatest satirist America has ever produced, and in this regard can take his place with such figures as Juvenal, Swift, and Voltaire. His war stories influenced Stephen Crane, Ernest Hemingway, and others, and he was considered an influential and feared literary critic. In recent decades Bierce has gained wider respect as a fabulist and for his poetry.   

ellauri144.html on line 577: Both of Bierce´s sons died before he did. Day committed suicide after a romantic rejection (he non-fatally shot the woman of his affections along with her fiancé beforehand), and Leigh died of pneumonia related to alcoholism. Bierce separated from his wife in 1888, after discovering compromising letters to her from an admirer. They divorced in 1904. Mollie Day Bierce died the following year. Bierce was an avowed agnostic, and strongly rejected the divinity of Christ. He suffered from lifelong asthma, as well as complications from his war wounds, most notably episodes of fainting and irritability assignable to the traumatic brain injury suffered at Kennesaw Mountain.  In 1913, Bierce told reporters that he was travelling to Mexico to gain first-hand experience of the Mexican Revolution. He disappeared and was never seen again.

ellauri144.html on line 625:     Bitter Bierceä haukuttiin aikanaan naturalistixi. Silloin tarkoitettiin varmaan Emile Zolan "pahaa" naturalismia, johon kuului tieteisusko ja determinismi, eikä Norrisin hampaatonta amerikkalaista "naturalismia", joka oli potpurri realismista ja romantiikasta. Zola´s concept of a naturalistic novel traces philosophically to Auguste Comte´s positivism, but also to physiologist Claude Bernard and historian Hippolyte Taine. Hippolyte on jo esiintynyt näissä paasauxissa, kai Akukin on saanut jotain mainintoja. Claude on toistaisexi n.h. (never heard). 

ellauri144.html on line 679: Raffalovich was a 19th century Hebrew Catholic or Catholic Jew. His name was Marc-Andre Raffalovich and was a famous French poet and writer associated with John Gray and Oscar Wilde. He came from a wealthy Russian Jewish family from Odessa who moved to France a year before his birth. He became a Catholic in 1896 through the reading of Catholic mystical literature especially homahtava St John of the Cross. Ei ois kannattanut. For

ellauri144.html on line 693: circumstances can they be approved. 2358 The number of men and women who have 

ellauri144.html on line 716: The term "metaverse" has its origins in the 1992 science fiction novel Snow Crash as a portmanteau of "meta" and "universe." It has since gained notoriety as a buzzword for promotion, and as a way to generate hype for public relations purposes by making vague claims for future projects. Information privacy and user addiction are concerns within the metaverse, stemming from challenges facing the social media and video game industries as a whole.

ellauri144.html on line 727: When Allura learns that Max, who was her rival for the directorship, is to marry Lana, Allura’s little sister, she swears revenge. Max’s confidence is shaken, and on his next all-night shift at the station, an accident causes the meltdown of one of the reactors. In the ensuing catastrophe, the region and its people are poisoned, and the survivors are forced to evacuate their beloved town.

ellauri144.html on line 959: Tore Hund var ute i vikingtokter og ledet flere ekspedisjoner nordover til Kolahalvøya og Kvitsjøen i Bjarmeland (dagens Russland). Da Olav Haraldsson ble konge, ble Tore Hund hans lendmann i nord. Over tid surnet forholdet mellom kongen og Tore, det startet med kornmangel i Hålogaland, noe som førte til drap. Drapene førte til hevn og nye drap, og det tvang Tore Hund til å gå i opposisjon til Olav Haraldsson og alliere seg med den danske kongen Knut den mektige. Konflikten endte i det store slaget ved Stiklestad i 1030. 

ellauri144.html on line 961: Fremst i kongshæren sto Olav selv, og han hogg med sverdet etter Tore, men Tore hadde ei reinsskinnskofte, og slaget sklei av i en sky av reinshår. Kongen ropte da til Bjørn Stallare som hadde øks: «Slå du hunden som jern ikke biter på!» Bjørn Stallare ga Tore et slag med øksehammeren slik at han vaklet, men slo ham ikke overende. I stedet kjørte Tore spydet Selshevneren gjennom den andre mens han sa: «Slik spidder vi bjørnene!»

ellauri144.html on line 963: Torstein Knarresmed hogg kong Olav med øksa og traff ham over kneet. Finn Arnesson drepte deretter Torstein. Kongen kastet fra seg sverdet, lente seg mot en stein og begynte å be Gud hjelpe seg. Tore Hund lente seg fram og støtte spydet opp under kongens brynje og inn i maven på ham. I samme stund fikk han også et tredje sår av ei øks på venstre side av halsen. Av disse tre skadene døde kongen.

ellauri144.html on line 965:   Etter kongens død varte ikke slaget lenge. Kongshæren flyktet, og bondehæren forfulgte dem ikke. De vendte tilbake til stridsvollen hvor mange hadde frender og venner. I henhold til tradisjonen var det Tore Hund som bredte et klede over kongens lik.

ellauri145.html on line 34:     ove_1919.jpg" width="100%" />

ellauri145.html on line 46:     Fatty rival de Picratt (Love) est une comédie burlesque américaine réalisée par Roscoe "Fatty" Arbuckle, sortie le 2 mars 1919.

ellauri145.html on line 48: Fatty dans sa « Ford Economy Spéciale » (une caisse à savon motorisée) et Al Clove (Picratt dans la version française) sur son Grand-bi se rendent chez le fermier voisin. Le premier est follement amoureux de Winnie, sa fille et vient lui rendre visite. Le second est porteur d’un message de son père qui propose au fermier de le marier à sa fille en échange de la moitié de ses terres. Al n’est pas très malin mais Fatty n’est qu’un garçon de ferme sans le sou. Malgré l´amour que porte Winnie à Fatty, le fermier n"hésite pas une seconde et est intraitable.

ellauri145.html on line 62:       André Breton (19. helmikuuta 1896 Tinchebray, Orne – 28. syyskuuta 1966 Pariisi) oli ranskalainen kirjailija, surrealismin perustaja ja johtohahmo. Breton syntyi Normandiassa, Pohjois-Ranskassa. Hän oli kauppiasperheen ainut lapsi. Perhe muutti vuonna 1900 Pariisin esikaupunkiin, missä Breton kävi koulua. Hän opiskeli lääketiedettä, mutta ei suorittanut opintojaan loppuun. Ensimmäisen maailmansodan aikana hän työskenteli Nantes’n sotilassairaalan neurologisella osastolla. Surrealistinen teoria on saanut vaikutteita Sigmund Freudin psykoanalyysistä sekä syvyyspsykologiasta. Breton sovelsi Freudin oppeja niin valelääkärinä kuin valekirjailijanakin, ja hän kävi tapaamassa Freudia Wienissä vuonna 1921. Surrealismin piti olla subrealismi mut Mallarme mokasi. Surrealismi oli jatkoa Tristan Tarzanin perustamalle Dada-liikkeelle. Breton liittyi dadaisteihin yhdessä Louis Aragonin ja Philippe Soupaut’n kanssa. Bretonille tuli kuitenkin välirikko dadan jäsenten kanssa, joten hän erosi liikkeestä. Selkeesti piha-Antero aina alotti. Vuonna 1944 julkaistiin pienoisteos nimeltään Arcane 17. Sen pohjana on keskiaikainen Melusinasta kertova legenda. Legendan mukaan ritari menee naimisiin hengettären, Melusinan kanssa. Ehtona on, ettei ritari saa nähdä vaimoaan yhtenä päivänä viikossa, jolloin Melusina on poissa ruumiistaan. Uteliaisuus kuitenkin voittaa, joten Melusina muuttuu pysyvästi henkiolennoksi. Nimi Arcane 17 viittaa tarot-kortteihin. Kortti numero 17 kuvaa rauhan ja rakkauden voittoa. Melusine on nykyisin vuonna 1979 Paris III -yliopiston yhteyteen perustetun Surrealismin tutkimuskeskuksen (Centre de recherche sur le Surréalisme) nimi. Andre oli mikrokefalinen, Georges Bataille (kz. albumia 139) käyt.kaz. akefali.

ellauri145.html on line 66: Arthur Rimbaud’n mielestä ”Le vrai bateau est ivre” eli tosi elämä on poissa vintiltä. Breton yhtyi Rimbaud’n näkemykseen ja halusi palauttaa elämään siitä puuttuneen rakkauden. Vuonna 1928 Breton julkaisi puolittain omaelämäkerrallisen romaanin Nadja, joka alkaa kysymyksellä: ”Kuka minä olen?” ja samoin päättyy oman identiteetin etsintään. Nadja Nadja soromnoo. Mihkähän mä se jätin? Ruhtinas Hiirulainen vei. Breton soveltaa teoksessa ”objektiivisen sattuman” metodiaan. Romaanin kertoja tapaa Nadjan, oudon eteerisen naisen, jonka mielenterveys järkkyy. Nadja elää omissa maailmoissaan ja päätyy lopulta mielisairaalaan. Romaanin kaikki ulkoinen tapahtumapaikkojen kuvaus on korvattu valokuvilla, tauluilla ja piirroksilla. Mitä pelleilyä. Breton ei olis löytänyt omaa persettään edes sähkölampun valossa. Pompeijin viimeiset päivät kirjotti sama Bulwer-Lytton joka väsäsi Ressun romskun alun koirankopin katolla. Elokuvassa pääosaa näyttelee yhdysvaltalainen kehonrakentaja Steve Reeves. Ohjelman kazeluaika Areenalla on päättynyt. Nyyh. Sen olis saanut kirjamessuilta mutta oli liian kallis. 

ellauri145.html on line 111:  The transformation of labor into pleasure is the craziest idea in Fourier´s giant socialist utopia," said Marcuse. He had a concern for the sexually rejected; jilted suitors would be led away by a corps of "fairies" who would soon cure them of their lovesickness, and visitors could consult the card-index of personality types for suitable partners for casual sex. He also defended homosexuality as a personal preference for some people. Fourier sexualizes work itself—the life of the Phalanstery is a continual orgy of intense feeling, intellection, & activity, a society of lovers & wild enthusiasts. 


ellauri145.html on line 406: After the trial, Kenealy instigated a popular radical reform movement, the Magna Charta Association, which championed the claimant´s cause for some years. Kenealy was elected to Parliament in 1875 as a radical independent but was not an effective parliamentarian. The movement was in decline when the claimant was released in 1884, and he had no dealings with it. In 1895, he confessed to being Orton, only to recant almost immediately. He lived generally in poverty for the rest of his life and was destitute at the time of his death in 1898. Although most commentators have accepted the court´s view that the claimant was Orton, some analysts believe that an element of doubt remains as to his true identity and that, conceivably, he was Roger Tichborne. Or not. 

ellauri145.html on line 436:     Charles Cros Émile-Hortensius-Charles Cros (October 1, 1842 – August 9, 1888) was a French poet and inventor. He was born in Fabrezan, Aude, France, 35 km to the East of Carcassonne. Cros was a well-regarded poet and humorous writer. He developed various improved methods of photography including an early color photo process. He also invented improvements in telegraph technology. In the early 1870s Cros had published with Mallarmé, Villiers and Verlaine in the short-lived weekly Renaissance littéraire et artistique, edited by Emile Blémont. His poem The Kippered Herring inspired Ernest Coquelin to create what he called monologues, short theatrical pieces whose format was copied by numerous imitators. The piece, translated as The Salt Herring, was translated and illustrated by Edward Gorey. He spent years petitioning the French government to build a giant mirror that could be used to communicate with the Martians and Venusians by burning giant lines on the deserts of those planets. He was never convinced that the Martians were not a proven fact, nor that the mirror he wanted was technically impossible to build. Tästä hepusta tulee mieleen Spede Pasanen ja sen hiihtolinko. 

ellauri145.html on line 535: Intellectuals very often have an image the same way rock stars and movie directors do. There’s the real person, and there’s the body of work they create, and then there’s the image, the popular conception of that person. Most people don’t understand theoretical physics and are not interested in learning the math to do so, and most people probably wouldn’t understand anything in the papers that Hawking has authored or co-authored. But most of us know who Hawking was, not only because he wrote popular books but because he was paralyzed and sat in a wheelchair and had a robot voice. The idea of a theoretical physicist who does all his work with his brain even though his body is destroyed and speaks through a machine is almost like a comic book character, and the popular imagination loves that.

ellauri145.html on line 537: Nietzsche’s image, through no more fault of his own than Hawking´s (LOL), has grown in a similar way to that of Hawking. We all have a vague notion of what the Ubermensch is, we’ve all heard “God is dead,” and we all know Nietzsche was a crazy philosopher with a giant mustache who wrote really hard books and scared his contemporaries and was apparently a favorite of the Nazis. There are little quips and quotes from him around the internet that sound awfully cryptic and enigmatic. And the publishing industry plays on this image, too: I have a copy of Beyond Good And Evil with a black cover and the title text printed in red and white, and the color scheme looks a little sinister. I strongly suspect that, if Nietzsche did not have a popular image as a crazy nihilist Nazi Ubermensch from the 1800s, the publisher would not have made the decision to print his books with a black and red color scheme. A cursory look at Amazon’s book listing also shows copies of Thus Spake Zarathustra with a picture of a panther’s eyes on the cover, glowering at the reader. Because… “Nietzsche was that crazy German writer or philosopher or whatever, right? And he was, like, an anarchist or nihilist or Nazi or something, right? Didn’t he kill God or something like that? Yeah.”

ellauri145.html on line 553: In other words: that guy was an overbearing ass, a misanthrope at best and a narcissist of the worst kind. I guess he appeals to men about as much as Hemmingway. That would be very, very little. In The Gay Science, he notes how monstrous it is that young women are brought up told that sex is shameful and sinful. Koska se oli säälittävä mursuwiixinen luuseri joka ei päässyt viivalle, vaivoin ulettui vetämään wiixeen edes izeään. Lou Salomekin bylsi mieluummin Rane Rilkeä. Ei wiixet kutittaneet niin ilkeästi.

ellauri145.html on line 697: 1890, while composing Là-bas, Huysmans was thoroughly fed up with both Zola and Naturalism. He wanted his novel to be “le dernier décarcassement de cette butte croulante qu’on nomme le naturalisme!” (24 July 1890, letter 99:200). Luhistuva kuoppa. Tarkoitti takuulla peräreikää. Hullua, sehän niitä nimenomaan kiinnosti.

ellauri145.html on line 699:     Là-bas did strike a serious blow to the public’s conception of Naturalism. The novel, which opens with a two-page invective against Naturalism, was serialized in L’Echo de Paris, beginning on February 16, 1891. Huysmans’s protagonist, Durtal, feebly defends himself against his friend, Des Hermies, who maligns Naturalism as “du cloportisme” (siiramaisuudesta) while accusing it of having sold out: “Il a vanté l’américanisme nouveau des moeurs, abouti à l’éloge de la force brutale, à l’apothéose du coffre-fort. Par un prodige d’humilité, il a révéré le goût nauséeux des foules, et, par cela même, il a répudié le style, rejeté toute pensée altière, tout élan vers le surnaturel et l’au-delà...” (XII, 1, 6-7).

ellauri145.html on line 701:     Des Hermies leaves, and Durtal, a former Naturalist, weighs his friend’s criticism. Although he is fed up with the positivism and commercialism of Naturalism, he cannot envision a novel without its research, realistic details, and style. He hypothesizes about what could be done and concludes that Naturalism must change, it must broaden its horizons:

ellauri145.html on line 707:     Durtal admires the documentation of Naturalism, yet wants to open it to the supernatural, to an exploration of both body and spirit: it will be a kind of “naturalisme spiritualiste” that will follow Zola’s route, but in the air.6 This tension between realism and the supernatural lies at the heart of Là-bas, a novel in which Huysmans follows Durtal’s spiritual transformation as he researches medieval and modern Satanism.  Là-bas was a scandalous best-seller. It inspired a great deal of public debate, especially since it was published in the same review and at the same time as Jules Huret’s first Enquête sur l’évolution littéraire, a series of sixty-four interviews conducted with major French authors from March 3 to July 5, 1891.7 This series, which asked its interviewees whether Naturalism was dead, was a phenomenal success read by all of Paris.8 Huret caused every non-Naturalist writer to agree that Zola’s brand of Naturalism was obsolete because it neglected humanity’s soul.

ellauri145.html on line 725: His mother Marie-Angélique-Aspasie Puyo, 19 years old at the time of his birth, belonged to one of the most prominent families of the local bourgeoisie. His father was Antoine-Édouard Corbière, known for his best-selling novel Le Négrier. A cousin, Constant Puyo, was a well-known Pictorialist photographer.

ellauri145.html on line 727: During his schooling at the Imperial Lycée of Saint-Brieuc where he studied from 1858 until 1860, he fell prey to a deep depression, and, over several freezing winters, contracted the severe rheumatism which was to disfigure him severely. He blamed his parents for having placed him there, far from his family´s care and affection. Difficulties in adapting to the harsh discipline of the college´s noble débris (distinguished relics, i.e., teachers) gradually developed those characteristics of anarchic disdain and sarcasm which were to give much of his verse its distinctive voice.

ellauri145.html on line 729: Corbière´s only published verse in his lifetime appeared in Les amours jaunes, 1873, a volume that went almost unnoticed until Paul Verlaine included him in his gallery of poètes maudits (accursed poets). Thereafter Verlaine´s recommendation was enough to establish him as one of the masters acknowledged by the Symbolists, and he was subsequently rediscovered and treated as a predecessor by the surrealists.

ellauri145.html on line 943: Je me fais honneur d´être juif.			Kiitän kunniasta olla heimoveli.	

ellauri145.html on line 1057: The impact of Arthur Rimbaud´ s poetry has been immense. His influence on the Surrealist movement has been widely acknowledged, and a host of poets, from André Breton to André Freynaud, have recognized their indebtedness to Rimbaud´ s vision and technique. He was the enfant terrible of French poetry in the second half of the 19th century and a major figure in symbolism.

ellauri145.html on line 1162: In 1871, he published La natation ou l’art de nager appris seul en moins d’une heure (Learning the art of swimming alone in less than an hour), then resigned from the Army and moved to Marseilles. Here he filed a patent for the "airlift swimming trunks and belt with a double compensatory reservoir". This commercial endeavor was a complete failure. He returned to Magdeburg, where he earned his living as a language teacher, developing a method for learning French, which he self-published in 1874.

ellauri145.html on line 1166: In 1912, novelist Jules Romains, who had obtained copies of God´s Mystery and The Human Origins, set up, with the help of fellow hoaxers, a rigged election for a "Prince of Thinkers". Unsurprisingly, Brisset got elected. The Election Committee then called Brisset to Paris in 1913, where he was received and acclaimed with great pomp. He partook in several ceremonies and a banquet and uttered emotional words of thanks for this unexpected late recognition of his work. Newspapers exposed the hoax the next day.

ellauri146.html on line 69: Ottavio Piccolomini, 1st Duke of Amalfi (11 November 1599 – 11 August 1656) was an Italian nobleman whose military career included service as a Spanish general and then as a field marshal of the Holy Roman Empire. Pisti hönöön ruozalaisille 30-vuotisessa sodassa. 

ellauri146.html on line 365: Eloa comes from the throne of God, and proclaims that now the Redeemer is led to death, on which the angels of the earth form a circle round Mount Calvary, also nam'd Golgotha. Then, having consecrated that hill, he worships the Messiah. Gabriel conducts the souls of the fathers from the sun to the Mount for olives, and Adam addresses the earth. Satan and Adramelech, hovering in triumph, are put to flight by Eloa. Jesus is nail'd to the cross. The thoughts of Adam. The conversion of one of the malefactors. Uriel places a planet before the sun, and then conducts to the earth the souls of all the future generations of mankind. Eve, seeing them coming, addresses them. Eloa ascends to Heaven. Eve is affected at seeing Mary. Two angels of death fly round the cross. Eve addresses the Saviour, and the souls of the children yet unborn. Claptrap does a lot of addressing in the epos. Hope the letters reach the sender, unlike Elvis's:

ellauri146.html on line 374: We had a quarrel, a lover's spat

ellauri146.html on line 400: One of the outstanding features of the Romantic era in France was the re-evaluation of the feminine. It was widely assumed that man's capacity for rational thought and scientific achievement needed to be tempered by woman's capacity for sentiment. Indeed, the beneficial influence of woman's love and compassion was considered a necessary precondition to moral development, both for the individual and for all mankind. Woman thus had redemptive qualities (cash value). Perhaps the purest expression of this constellation of ideas is to be found in the utopian religious sects of the period and in the Romantic epic. Alfred de Vigny's Eloa (1824) may be read in this context. Eloa is the first of a series of angel women appearing in the Romantic epic. She is followed by Rachel in Edgar Quinet's Ahasvérus (1833), Sémida in Alexandre Soumet's La Divine Epopée (1840), Marie in Alphonse Constant's La Mère de Dieu (1844) and Liberté in Victor Hugo's La Fin de Satan (fragments written in 1854 and 1859, published posthumously in 1886). The mission of these quasi-divine female figures is to help put an end to evil.

ellauri146.html on line 481: Plus fort il sera né, mieux il sera vaincu,			Mitä kovempi se on, sitä pikemmin se pehmenee,			

ellauri146.html on line 636: The Lionizing piece is obviously a quiz on N. P. Willis, and is also a parody on a story by Bulwer. Willis went abroad in 1831, and sent home to the New-York Mirror a series of newsletters, known when collected in book form as Pencillings by the Way. He got into a duel, happily bloodless, with the novelist Captain Marryat. More important to him was the friendship of Lady Blessington. That once world-renowned widow wrote books and edited annuals, to one of which even Tennyson contributed. Now she is remembered chiefly for her salons in London. Believing that some ladies, disapproving of her supposed liaison with Count D’Orsay, would not come to her parties, she invited gentlemen only. Through her Willis met most of the English literati. 

ellauri146.html on line 646: The opinion has been often stated that Edgar Allan Poe was bizarre and amoral; that he was a lover of morbid beauty only; that he was unrelated to worldly circumstances-aloof from the affairs of the world; that his epitaph might well be: “Out of space-out of time.”

ellauri146.html on line 650: Poe’s ancestry on his father’s side was Scotch-Irish and has been traced through County Cavon to Ayrshire, Scotland. The fact that Poe’s Presbyterian Scottish ancestors dwelled for a time in the north of Ireland has caused even so good a scholar as Arthur Hobson Quinn to engage in surprising speculation about an “Irish strain” in Poe and about a “Celtic” trait of perverseness which he had “discovered” in the Poe family.

ellauri146.html on line 670: Profound must have been the appeal to his subtle aesthetic sense even in youth as he looked at all those classic buildings on some night when the rays of a full moon had softened and blended the separate details of roof and entablature, cornice, and, pillar. It may well have been that, at such an hour and in such a spot, the most celebrated expression in the entire body of his writings was suggested to him by so extraordinary an interfusion of Nature’s beauty with the beauty of art in one of its loveliest forms.

ellauri146.html on line 678: As a critic, Poe often expressed national sentiments. He urged Americans to build their own literature, to avoid a blind adulation of, or slavish imitation of, Europeans simply because they were Europeans. But at the same time, Poe warned against literary chauvanism, which tended to overpraise every dull American writer simply because he happened to be American. Poe’s detached and objective attitude could become, and often did become, highly critical of American society and America

ellauri146.html on line 686: started with the queerest idea conceivable, viz; that all men are born free and equal-this in the very teeth of the laws of gradation so visibly impressed upon all things both in the moral and physical universe. Every man “voted,” as they called it-that is to say, meddled with public affairs-until, at length, it was discovered that what is everybody’s business is nobody’s, and that the “Republic” (as the absurd thing was called) was without a government at all. It is related, however, that the first circumstance which disturbed, very particularly, the self-complacency of the philosophers who constructed this “Republic,” was the startling discovery that universal suffrage gave opportunity for fraudulent schemes….A little reflection upon this discovery sufficed to render evident the consequences, which were that rascality must predominate— in a word, that a republican government could never be anything but a rascally one. While the philosophers, however, were busied in blushing at their stupidity in not having  foreseen these inevitable evils, and intent upon the invention of new theories, the matter was put to an abrupt issue by a fellow of the name of Mob, who took everything into his own hands and set up a despotism…. As for republicanism, no analogy could be found for it upon the face of the earth—unless we except the case of the “prairie dogs,” an exception which seems to demonstrate, if anything, that democracy is a very admirable form of government—for dogs.

ellauri146.html on line 688: In a review of 1836 Poe referred to the “bigoted lover of abstract Democracy” and appealed to Americans to divert their minds “from that perpetual and unhealthy excitement about the forms and machinery” of government to a greater care of the results of government-“the happiness of a people.”

ellauri146.html on line 690: Indeed, Poe seems much more the Southerner than the Yankee American, and it is not hard to guess which path he would have chosen had he lived into the 1860’s. One may be very sure that Edgar Poe, though born, almost by accident, in Boston, would have proved one of the Confederacy’s most eloquent and committed partisans. In reviewing the various factors which we may believe shaped Poe’s youthful mind, we would expect to find in Poe, and in re-examining his opinions we do find, a cosmopolitan rather than a parochial outlook. And yet, at the same time, we know Poe was serious when he proclaimed, “I am a Virginian!” We may be justified in looking upon the general influences of his formative years as contributing factors in the development of strong inclinations to Europe, Britain and the American South, rather than to the American Union.   

ellauri146.html on line 706:   Juutalaiset on ehkä rasisteista pahimpia. Peppu, tuo äidin pikku Ville Vallaton, isoveljen Jörö-kääpiö, raivareita saava rapu joka potki seiniä ja puri täkkiä, loukkaantui kun persjalkainen shixe tyttöystävä vastas kysymyxeen juutalaisexi kääntymyxestä sinänsä järkevästi: Why would I do that? Kysy koiraltasi, jutku älähtää. Aabrahamin jälkeläiset halvexivat sikoja ja koiria.

ellauri146.html on line 728:    Above the farms and the white horses				Mun nimissä yli maatilojen ja valkoisten heppojen

ellauri146.html on line 748:    Pale rain over the dwindling harbour				Kalvas sade yllä pienenevän sataman

ellauri146.html on line 749: And over the sea wet church the size of a snail			Ja meren yli märkä kotilon kokoinen kirkko

ellauri146.html on line 771: That his tears burned my cheeks and his heart moved in mine.	Ezen kyynelet poltti mun poskia ja sen sydän liikutti mun sydäntä,

ellauri146.html on line 776: To the trees and the stones and the fish in the tide.		Puille ja kiville ja vuoroveden kaloille.

ellauri146.html on line 808: Her father loved me; oft invited me;

ellauri146.html on line 834: Hänet otettiin 1768 jälleen tullin palvelukseen Sussexin Lewesissä. Toisen vaimonsa kanssa hänellä oli siellä sivutoimenaan tupakka- ja rihkamakauppa. Hänestä tuli keskusteluklubin jäsen ja hän halusi anomusjulkaisullaan ”Tullivirkailijoitten asema” (Petition) työtovereilleen parempaa palkkaa.

ellauri146.html on line 840: Aiheellisesti Peppu kyselee: Miten minusta on tullut sellainen oman izeni vihaaja ja silpoja? Ja niin yxinäinen? Oy, niin yxinäinen! Ei mitään muuta kuin ize! Suljettuna oman izen sisään! Mitä se olis halunnut? Kasvattaa intelligenttejä, rakastavia, elinvoimaisia lapsia! Luoda turvallisuutta jollekin sopivalle naiselle! Arvokkuutta! Terveyttä! Rakkautta! Ahkeruutta! Älykkyyttä! Luottamusta! Säädyllisyyttä! Hengen paloa! Myötätuntoa! Muttei se saanut muuta kuin satunnaista pillua. Lainataxemme Matthew Arnoldin sattuvia sanoja Dover Bitchistä:

ellauri146.html on line 858: Gauck wirbt für einen verantwortungsvollen Kapitalismus (Rede vom 15. November 2012). Man dürfe nicht der Wirtschaft nur aus Angst die Freiheit nehmen. Bei Gauck überraschte allerdings der Kostenumfang. So erhielt Gauck neun Büros im ersten Stock des Bundestagsgebäudes mit insgesamt 197 Quadratmetern. Gaucks Bürobereich wurde für 52.000 Euro umgebaut. Die Möblierung von Gaucks persönlichem Büroraum kostete 35.000 Euro. In der Frankfurter Rundschau kritisierte Katja Thorwart, dass Gauck als ein Beispiel für seine Formulierung „schwer konservativ“ den ehemaligen Vorsitzenden der CDU/CSU-Bundestagsfraktion Alfred Dregger genannt habe, der den nationalsozialistischen Angriffskrieg gegen die Sowjetunion als nicht grundsätzlich falsch eingeordnet, sich für die Freilassung inhaftierter deutscher Kriegsverbrecher eingesetzt oder den Begriff der „Befreiung“ durch die Alliierten im Zweiten Weltkrieg als „einseitig“ markiert habe.

ellauri146.html on line 862:   Vankka voitto taantumuxen voimille. 2010 tuli toinen samanlainen julistus, jonka ensimmäisiä allekirjoittajia oli Suomen vihreiden Heidi Hautala. Ne kuuluvat Wikipedian luokkaan Category:Decommunization. Decommunization in Ukraine started during and after the dissolution of the Soviet Union in 1991. With the success of the Revolution of Dignity in 2014, the Ukrainian government approved laws that outlawed communist symbols.

ellauri146.html on line 866:   In February 2022, in connection with a presidential address of Russian president Vladimir Putin in the midst of the Russo-Ukrainian crisis, Putin claimed that Ukraine's decommunization does not make any sense because "modern Ukraine was created by communist Russia, and specifically Lenin". Vitaly Chervonenko from the BBC noted how carefully Putin kept silent about the independent Ukrainian state formations of 1917–1920 and Kyiv's (i.e. the white generals´) war with Lenin's Bolshevik government, whose purpose was to exclude Ukraine from Bolshevik Russia.

ellauri146.html on line 868:   In March 2014 Lenin Square in Dnipropetrovsk was renamed "Heroes of Maidan Square" in honor of the people killed during Euromaidan and the statue of Lenin was removed. Two years later, in May 2016, the city was renamed Dnipro. In February 2019, it was announced that the oblast of Dnipropetrovsk would be renamed to "Sicheslav" in the future.

ellauri147.html on line 79:       Ale Tyynni was born in Ingria to the east of Finland and moved as a child with her family to Helsinki in 1919. She graduated with a Master’s degree in 1936, with Finnish literature as her main subject. During her university years Tyynni practised poetry recitation and dramatic expression. She was particularly interested in poetic diction and the topic of her final work was Sappho’s metre in Finnish poetry.

ellauri147.html on line 83: Having completed her university studies, Tyynni took up the teaching of Finnish in evening classes, but the urge to write proved stronger than the duty to teach. Her first poetry collection, Kynttilänsydän (‘Candlewick’), was published in 1938. Two years later she published a second collection Vesilintu (‘waterfowl’). With the outbreak of war, her poetry changed: Lähde ja matkamies (’The spring and the traveller’), Lehtimaja (‘The arbour’) and Soiva metsä (‘The ringing forest’) all reflected the defensive spirit of the country. Tyynni also depicted womanhood, the experiences of women in childbirth and motherhood. Later feminist research in particular has praised Tyynni as a pioneer for her lyrics dealing with childbirth.

ellauri147.html on line 92: In 1949 Tyynni’s sixth poetry collection was published – ‘Ylitse vuoren lasisen’ (‘Over the glass mountain), which included one of her best loved poems ‘Kaarisilta’ (‘The arched bridge’). The poems make reference to the difficulties she faced in her own life circumstances.

ellauri147.html on line 98: In the mid-twentieth century Finnish literature had adopted the free verse of modern poetry. Ale Tyynni however went back to a lyrical style, the ballad. Tyynni’s poems were typical of ballads, offering fateful tales dealing with falling in love and sorrow, and life’s turning points. Balladeja ja romansseja (’Ballads and romances’) appeared in 1967. And Tarinain lähde (‘The source of the tales’, 1974) depicted the death of a loved one, sorrow and solitude. Nobody cared to read such balderdash any more.

ellauri147.html on line 104:     the beloved from the lover.     

ellauri147.html on line 107:   Tyynni received several literary awards between 1943 and 1982. Morever, she won the gold medal in 1948 for her poem ‘Hellaan laakeri’ (‘Let's put a bearing into the stove') at a time when literary composition was still a part of the non-professional Olympic games. A Pro Finlandia medal holder, Academician of the Arts and Honorary doctor, Aake Tyynni died in 1997 at the age of 84. Her daughter Riitta Seppälä and son Mikko-Olavi Seppälä have written their mother’s biography, Aake Tyynni – Hymyily, kyynel, laulu. (‘Aake Tyynni. A smile, a tear, a song’, WSOY, 2013)

ellauri147.html on line 121: Tee silta ylitse syvyyden, tee, kaarisilta tee,			Make it like a bridge over troubled water, not a clapper bridge,

ellauri147.html on line 135: joka syvyyden yli lakkaamatta valoa säteilee.			It should have round the clock lighting over your abyss.

ellauri147.html on line 164: Opposed to this interpretation, the "will to power" can be understood (or misunderstood) to mean a struggle against one's surroundings that culminates in personal growth, self-overcoming, and self-perfection, and assert that the power held over others as a result of this is coincidental. 

ellauri147.html on line 169: Adler's adaptation of the will to power was and still is in contrast to Sigismund Freud's pleasure principle or the "will to pleasure", and to Viktor Frankl's logotherapy or the "will to meaning". Adler's intent was to build a movement that would rival, even supplant, others in psychology by arguing for the holistic integrity of psychological well-being with that of social equality. His interpretation of Nietzsche's will to power was concerned with the individual patient's overcoming of the superiority-inferiority dynamic.

ellauri147.html on line 177:   Emily in Paris  is an American-French comedy-drama streaming television series created by Barren Star, which premiered on Netflix on October 2, 2020. The series stars Lily "Mr." Collins as the eponymous Emily, an American who moves to Paris to provide an American point of view to Savior, a French marketing firm. There, she struggles to succeed in the workplace while searching for sex and experiencing a culture clash with her "boring" and small-minded Midwestern U.S. upbringing. It also stars Ashley Park, Philippine Leroy-Beaulieu, Lucas Bravo, the cast's one and only spooky sooty tarbaby coon Samuel Arnold, Camille Razat, and Bruno Gouery. Lystikästä että "boring" pitää laittaa scare quoteihin. 91% piti tästä ohjelmasta. 91% ei kazonut.

ellauri147.html on line 179:   Emily in Paris follows Emily, a battery driven 20-something American from Chicago who moves to Paris for an unexpected job opportunity. She is tasked with bringing an American point of view to a venerable French marketing firm. Cultures clash as she adjusts to the challenges of life in Paris while juggling her career, new friendships and genitals.

ellauri147.html on line 201:   On September 5, 2018, it was announced that Paramount Network had given the production a series order for a first season consisting of 10 episodes. The series was created by Barren Star, who has a multimillion overall deal with ViacomCBS and develops for ViacomCBS and for outsider buyers via MTV Entertainment Studios. Star was also expected to serve as an executive producer alongside Tony Hernandez. Production companies involved with the series were slated to consist of Jax Media. On July 13, 2020, it was reported that the series would move from Paramount Network to Netflix. On November 11, 2020, Netflix renewed the series for a second season.

ellauri147.html on line 203: Emily's boss Madeline prepares to make the transition from the Chicago based pharmaceutical marketing firm, the Gilbert Group, to a French based fashion firm, Savior, when she discovers that she is pregnant. She offers the job to Emily and she accepts, leaving her boyfriend back in Chicago. Emily moves to Paris despite the fact that she does not speak French. She moves into the 5th floor of an old apartment building without an elevator but with a wonderful Parisian view. Emily creates an Instagram account, @emilyinparis, and begins documenting her time in Paris. Emily starts her first day of work much to her new co-workers chagrin who reveal that she was only hired because of a business deal. She introduces the French to American social media strategies who seem very reluctant about her and her American methods. Emily accidentally tries to enter the wrong apartment and bangs her very attractive neighbor right at the door, Gabriel. As Emily accustoms to life in Paris she makes countless faux-pas and the firm nicknames her "la plouc" or "the hick". Emily meets Mindy Chen, a nanny originally from Shanghai, and they become fast friends. After Emily and her boyfriend attempt to have cybersex but the connection fails, she plugs in her vibrator and accidentally short-circuits the block's power. "Accidentally" is the top frequency word in the script. 

ellauri147.html on line 205: Despite struggling to fit in with French office culture Emily convinces her boss, Sylvie, to invite her to a work party where she accidentally irritates Sylvie by conversing with Antoine Lambert, a client who turns out to be Sylvie's married lover. As punishment she is put to work marketing Vaga-Jeune, a lubricant for menopausal women. Annoyed with the gendered nature of the French language Emily writes a post about the product that goes viral causing her to make further inroads at work.

ellauri147.html on line 209: Emily is invited to the shoot for De l'Heure's latest commercial to take behind the scenes footage for social media and is shocked to discover the commercial involves a model strutting nude down the Pont Alexandre III while suited men stare at her. She argues with Antoine that the ad is sexist while he counters that it is sexy leading Emily to suggest an online marketing campaign that asks the perfume's customers what they think. When the campaign goes viral Antoine sends Emily La Perla lingerie as a thank you gift. Now that is not sexist, that's just sexy. Barren Star on setämies par excellence.

ellauri147.html on line 212: While struggling to communicate at a flower shop Emily is rescued by Camille, a friendly French stranger and gallery owner who proves to be a lucrative connection.

ellauri147.html on line 214: When Emily discovers Sylvie and Antoine arguing at work she tries to boost Sylvie's credibility at work by pretending that she came up with an idea to pair Antoine's perfumes with luxury hotels. Though of course it was Emily's idea all along.

ellauri147.html on line 219:   Emily discovers Pierre has designed the costumes for Swan Lake so she invites Thomas to join her. However, he insults her by telling her Swan Lake is a ballet for tourists. Emily realizes that he is a snob so she leaves him. Emily is really not one for snobs. 

ellauri147.html on line 234:   Emily´s co-workers inform her that in France it can be a long, arduous process to fire an employee, unlike at home in the good old U of S. To realize his dream of opening his own restaurant, Gabriel decides to move Emily back to Normandy. The next day Emily is called by Mathieu about the situation and tells her that Pierre has requested to see her. Sylvie overhears this and goes with Emily to see Pierre. At the atelier, they see a dress from Pierre´s new collection.

ellauri147.html on line 236:   Pierre orders Mathieu to find him a new venue. Mindy agrees to emcee and sing at a drag bar two nights a week, but when she tells her employers, they fire her so she moves in with Emily. In need of a venue to launch his fashion show, Pierre hijacks the outside of his former venue to show his new look dress collection which the audience loves and makes him the toad of Fashion Week. To celebrate, Emily hosts a dinner at Gabriel´s restaurant for Mathieu and Pierre. The 3 mousketeers take turns at Mr. Collins´s back door.

ellauri147.html on line 240: Many scenes are filmed in Paris, Texas, at Place de l´Estrapade in the 5th Arrondissement, including the site of Emily´s first apartment, the restaurant ("Les Deux Compères"), and the bakery ("La Boulangerie Moderne"). Some scenes are also filmed at Cité du Cinéma, a famous film studio complex in Denver. Famous Parisian sites to feature in the series as digitally prepared  miniatures include: Le Grand Véfour, the Pont Alexandre III, Palais Garnier, L´Atelier des Lumières, Rue de l´Abreuvoir, Jardin du Luxembourg, Jardin Du Palais Royale, Café de Flore and the Panthéon. An episode was also filmed at the Château de Sonnay in the department of Indre-et-Loire. Additional photography took place in Chicago during November 2019.

ellauri147.html on line 249: Nevertheless, not all critics were this kind to the Emily character. Emma Gray from HuffPost called Emily a bland character, stating "The show doesn´t even make an effort to quirk her up or give her a more relatable, girl-next-door roughness: she´s always immaculately coiffed and made-up, and garbed in effortfully eye-catching outfits. But there´s not much to the character, except for enormous amounts of self-confidence and the inexplicable ability to attract new friends and love interests on every street corner." Rebecca Nicholson of The Guardian gave the series one out of five stars: "if it is an attempt to fluff up the romcom for the streaming age, then it falls over on its six-inch heels." Rachel Handler opined "Darren Star has done it yet again: centered an entire show on a thin, gently delusional white woman whimsically exploring a major metropolitan area in wildly expensive couture purchased on a mid-level salary."

ellauri147.html on line 251: Sarah Moroz, of Vulture.com, opined "the most egregious oversight ... is Emily herself, who shows zero personal growth over a ten-episode arc. ... Emily’s vapidity is baffling to anyone who has moved from their native country."

ellauri147.html on line 253: Sonia Rao, of Washington Post compares Emily to the heroines of the Amy Sherman-The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and even its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated. Midge Maisel, her actions can be quite rash, but she still wins over her fictional acquaintances while utterly baffling viewers."

ellauri147.html on line 311: She met the love of her life, Phil Collins, in 1980. The couple exchanged the wedding vows on August 4, 1984. Five years after their marriage, the husband and wife were blessed with a girl child. Blessé par une bébé. They named their daughter Lily Collins. Jos ukki Telemannilta olisi kysytty, sen nimi olis Sharon.

ellauri147.html on line 357: After his divorce to Orianne, and struggling to play the drums for health reasons, Phil Collins developed a drinking problem, which spiraled out of control. According to him, he required a “medically enforced drying-out process.” Kuivatelakalle niinkuin isä Mefodi. However, his low self-esteem also got in the way of seeing things clearly. No wonder. Paul McCartney´s net worth is 1.2 gigadollars! He could buy Phil 5 times over!

ellauri147.html on line 444: She loves to collect mom´s traditional or old antique pieces.

ellauri147.html on line 481: Im November 2010 vermeldeten die finnischen Medien Ylönens Ankündigung, ein Soloalbum zu veröffentlichen. Sein erstes Soloalbum New World erschien am 30. März 2011. Die Vorabsingle Heavy erschien schon am 25. Februar.

ellauri147.html on line 483: Lauri Ylönen heiratete seine langjährige Lebensgefährtin und Mutter seines Sohnes Julius Kristian Ylönen, die ehemalige PMMP-Sängerin Paula Vesala am 8. November 2014 in Las Vegas. Dies gaben beide am 29. Dezember 2014 in einer Mitteilung bekannt. Am 5. Januar 2015 wurde die Ehe in Helsinki registriert. 2016 wurde die Ehe geschieden.

ellauri147.html on line 487:   Paula Vesalasta eronnut Lauri Ylönen avautuu MTV:lle rankasta avioerostaan: ”Henkisesti raskas ja liikuttava”. Muusikko puhuu avioerostaan MTV:n haastattelussa. Hän kertoo vuoden 2016 menneen ”äärirajoilla”. – Saan energiaa, kun elämässä tapahtuu paljon, mutta viime vuonna menin jo äärirajoilla. Toisaalta nautin väsymyksestä, sillä se nostaa tunteet pintaan ja tulen luovemmaksi sen johdosta, Ylönen kuvailee. – Jopa henkisesti raskas ja liikuttava avioeroni on tuonut elämään perspektiiviä ja sisältöä biiseihini. Kaikella on merkityksensä ja osaan nauttia Paulan surun sekä epätoivon tunteista. Paula jäi nyt odottamaan nuijapäätä seuraavaa.

ellauri147.html on line 531: Nebukadnesarin etymologia: From the Babylonian phrase Nabu-kudurri-usur. The first part is the same as Nebo, the Babylonian god of wisdom and writing. Nebuchadnezzar II´s name in Akkadian was Nabû-kudurri-uṣur, meaning "Nabu, watch over my heir". The name was often interpreted in earlier scholarship as "Nabu, protect the boundary", given that the word kudurru can also mean ´boundary' or 'line'.

ellauri147.html on line 534: Nebukadnezars Vater Nabupolassar übernahm in seinem Akzessionsjahr (626 bis 625 v. Chr.) am 16. November (26. Araḫsamna) 626 v. Chr. den Thron. Im Jahr 625 v. Chr. folgte sein erstes Regierungsjahr. Er bezeichnete sich als Sohn eines Niemand.

ellauri147.html on line 604: Winnicott is best known for his ideas on the true self and false self, the "good enough" parent, and "borrowed" from his second wife, Clare Winnicott, arguably his chief professional collaborator, the notion of the transitional object. He wrote several books, including Playing and Reality, and over 200 papers.

ellauri147.html on line 610: His theories of the true/false self may have been over-influenced by his own childhood experience of caring for a depressed mother, which resulted in the development of a prematurely mature self which he was only subversively able to undo.  

ellauri147.html on line 632: In der Theoriegeschichte lassen sich bei grober Analyse drei Traditionslinien der Narzissmustheorie unterscheiden, die das metapsychologische Durcheinander dokumentieren. Bei der ersten geht es um die bereits seit den dreissiger Jahren schwelende Kontroverse über den ontogenetischen Ursprung des Seelenlebens: primärer Narzissmus oder Objektbeziehung ist hier die Streitfrage – die Beiträge von Michael Balint, Donald Winnicott, Heinz Kohut, Otto Kernberg bis hin zu Christopher Bollas oder Thomas Ogden lasssen sich im Rahmen dieses metapsychologischen Dauerstreits betrachten. Auf der zweiten Linie kann man die Versuche unterbringen, einen triebtheoretisch bestimmten Narzissmusbegriff festzuhalten – dazu zähle ich so unterschiedliche Arbeiten wie die von Hartmann und Pulver, Grunberger und Chasseguet-Smirgel oder im deutschen Sprachraum Zepf oder Lilli Gast.

ellauri147.html on line 721:   Auch die Entwicklung und Schulenbildung innerhalb der Psychoanalyse ist von einer zunehmenden Verschiebung des theoretischen und diagnostisch-therapeutischen Blicks auf die frühen Phasen seelischer Zustände begleitet. Die Objektbeziehungstheorie britischer Provenienz, wie sie von Melanie Klein und ihren SchülerInnen vertreten wird, hat die innerpsychische Strukturbildung – im wesentlichen die Bildung von Ich- und Über-Ichstrukturen – in ihrer lebensgeschichtlichen Datierung so weit zurückverlegt, dass bereits die klassischen ödipalen Zustandsbilder als Ausdruck „früher“ Störungen interpretiert werden können.

ellauri147.html on line 823:   Onnistuneiden tunnistusprosessien tuloksena Honneth kuvaa refleksiivistä itsesuhdetta, joka kantaa jälkiä hänen sukupolvien välisestä alkuperästään. (16) Tämä "positiivinen itsesuhde", joka heijastuu esineiden väliseen suhteeseen, on ymmärrettävä "eräänlaiseksi sisäänpäin kääntyväksi luottamukseksi, joka antaa yksilölle turvallisuuden sekä tarpeiden ilmaisemiseen että hänen kykyjensä soveltamiseen"(17). Se on parafraasi siitä, mitä kutsuisimme terveeksi narsismiksi tänään – tai turvallisen, välillisesti hankitun identiteetin perustunnuksista.  Wille zur Macht!

ellauri147.html on line 862: In physical attractiveness studies, averageness describes the physical beauty that results from averaging the facial features of people of the same gender and approximately the same age. The majority of averageness studies have focused on photographic overlay studies of human faces, in which images are morphed together. The term "average" is used strictly to denote the technical definition of the mathematical mean. An averaged face is not unremarkable, but is, in fact, quite good looking. Nor is it typical in the sense of common or frequently occurring in the population, though it appears familiar, and is typical in the sense that it is a good example of a face that is representative of the category of faces.

ellauri147.html on line 866:   The effect was first described in 1878 by Francis Galton. He had devised a technique called composite photography, which he believed could be used to identify 'types' by appearance, which he hoped would aid medical diagnosis, and even criminology through the identification of typical criminal faces. Galton's hypothesis was that certain groups of people may have common facial characteristics. To test the hypothesis, he created photographic composite images of the faces of vegetarians and criminals to see if there was a typical facial appearance for each. Galton overlaid multiple images of faces onto a single photographic plate so that each individual face contributed roughly equally to a final composite face. The resultant "averaged" faces did little to allow the a priori identification of either criminals or vegetarians, failing Galton's hypothesis. However, unexpectedly Galton observed that the composite image was more attractive than the component faces. Galton published this finding in 1878, and also described his composite photography technique in detail in Inquiries in Human Faculty and its Development. He subsequently sold the invention to an early erotic photography firm. 

ellauri147.html on line 870:   A 2006 "hot" or "not" style study, involving 264 women and 18 men, at the Washington University School of Medicine, as published online in the journal Brain Research, indicates that a person´s brain determines whether an image is erotically appealing long before the viewer is even aware they are seeing the picture. Moreover, according to these researchers, one of the basic functions of the brain is to classify images into a hot or not type categorization. The study´s researchers also discovered that sexy shots induce a uniquely powerful reaction in the brain, equal in effect for both men and women, and that erotic images produced a strong reaction in the hypothalamus.

ellauri150.html on line 113: Keskinen kertoo, että Suomessa ”värisokeus” on liittynyt etenkin ihanteeseen hyvinvointivaltiosta ja universalismista, eli että palveluja ja ajatustapoja sovelletaan kaikkiin ihmisiin samalla tavalla. Toisen maailmansodan ja juutalaisvainojen jälkeen toivottiin, että rasismista päästäisiin eroon lopettamalla puhe roduista, kun se ei onnistunut lopettamalla rotuja. 

ellauri150.html on line 134: Ajatus siitä, ettei ihonväristä tai rodusta olisi soveliasta puhua näkyy Nguyen ja Keskisen mukaan myös siinä, millaista tutkimusta Suomessa tehdään. Ei-valkoisia ihmisiä ei tilastoida Suomessa muuten kuin äidinkielen perusteella tai maahanmuuttajuudella.

ellauri150.html on line 246: Avaruuslaskennan uranuurtaja on kuollut. Ei vaitiskaan, odotellaan vielä. Tää kuulapää on Jönsyn ikätoveri.

ellauri150.html on line 257: Colette Stevens is in one word- incredible! She went above and beyond during our home purchasing process, and well beyond! She was by our side every step of… the way, making sure that we knew exactly where we were in the process, along with what the next steps would be. She was constantly in communication with us and made us feel at ease.

ellauri150.html on line 277: Elle faisait de la musique, comme la plupart des jeunes filles oisives d’à présent. Elle en faisait beaucoup et peu. C’est-à-dire qu’elle en était toujours occupée, et qu’elle n’en connaissait presque rien. Elle tripotait son piano, toute la journée, par désœuvrement, par pose, par volupté. Tantôt elle en faisait, comme du vélocipède. Tantôt elle pouvait jouer bien, très bien, avec goût, avec âme, — (on eût presque dit qu’elle en avait une : il suffisait, pour cela, qu’elle se mît à la place de quelqu’un qui en avait une). — Elle était capable d’aimer Massenet, Grieg, Thomé, avant de connaître Christophe. Mais elle était aussi capable de ne plus les aimer, depuis qu’elle connaissait Christophe. Et maintenant, elle jouait Bach et Beethoven très proprement, — (ce qui, à la vérité, n’est pas beaucoup dire) ; — mais le plus fort, c’était qu’elle les aimait. Au fond, ce n’était ni Beethoven, ni Thomé, ni Bach, ni Grieg, qu’elle aimait : c’étaient les notes, les sons, ses doigts qui couraient sur les touches, les vibrations des cordes qui lui grattaient les nerfs comme autant d’autres cordes, son épiderme chatouillé.

ellauri150.html on line 351: 17. syyskuuta 1894 turvallisuuspalvelun päällikkö Jean-Conrad Sandherrin apuri majuri Hubert Joseph Henry sai käsiinsä luettelon, joka sisälsi kaupiteltavia sotilassalaisuuksia. Myynnissä oli listan mukaan muun muassa uuden ranskalaisen 120 millimetrin tykin tarkat tiedot. Henryn mielestä tällaisia tietoja ei voinut olla kuin tykistön upseereilla. Hän alkoi tutkia papereita ja törmäsi Alfred Dreyfusin kirjoittamaan raporttiin edelliseltä vuodelta. Henryn mielestä luettelon ja raportin käsialat olivat samat, ja hän sai myös työtoverinsa vakuuttuneiksi Dreyfusin syyllisyydestä. Dreyfusiin ei luotettu, sillä hän oli juutalainen ja Elsassissa syntyneenä häntä pidettiin saksalaismyönteisenä.

ellauri150.html on line 448: Kubrick's film is relatively faithful to the Burgess novel, omitting only the final, positive chapter, in which Alex matures and outgrows sociopathy. Sehän on tiettävästi lähestulkoon mahdotonta. In the novel, Alex drugs and rapes two 10-year-old girls. In the film, the girls are young adults who seem to have consensual, playful sex with him, with no suggestion of using any drugs and without any violence. The film portrays Dr. Branom as female, despite being described as male in the novel. Kubrick oli lälläri.

ellauri150.html on line 457: The phrase originates from the Christian tradition regarding Saint Peter's first words to the risen Christ during their encounter along the Appian Way. According to the unnatural Acts of Peter (Vermicelli Acts XXXV), as Peter flees from crucifixion in Rome at the hands of the government, and along the road outside the city, he meets the risen Jesus. In the Latin translation, Peter asks Jesus, "Quō vādis?" He replies, "Rōmam eō sursum deorsum crucifīgī" ("I am going to Rome to be crucified upside down"). Peter then gains the courage to continue his ministry and returns to the city, where he is martyred by being crucified upside-down. The Church of Domine Quo Vadis in Rome is built upside down where the meeting between Peter and Jesus allegedly took place. The words "quo vadis" as a question also occur at least seven times in the Latin Vulgate.

ellauri150.html on line 459:       The Polish writer Henryk Sienkiewicz wrote the novel Quo Vadis: A Narrative of the Time of Nero (1895–96, a tremendous hit in fin de siecle Paris) which in turn has been made into motion pictures several times, including a 1951 version that was nominated for eight Academy Awards. Vittu vaan 8, Ben veti mahtavammat 11, samoinkuin vielä järisyttävämmät suurteoxet Titanic ja Bored of the Rings. For this and other films novels, Sienkiewicz received the 1905 Nobel Prize for Literature.

ellauri150.html on line 461:       Ben-Hurista ei meinannut ensin löytyä kuin filmikäsikirjoitus. Synopsis: Judah Ben-Hur lives as a rich Jewish merchant prince in Jerusalem at the beginning of the 1st century. Together with the new governor Pontius Pilate, his old friend Messiah arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messiah knows they are not guilty as such, he sends Judah to the galleys and throws his mother and sister into prison. What the fuck, their house was a menace! Good old Hammurabi would have had their heads off. But Judah swears to come back and take revenge. Genre: Adventure, Drama, History.

ellauri150.html on line 476: The film's final onscreen writing credits created controversy when, in October 1959, the Writers Guild of America (WGA) awarded Tunberg sole screenplay credit, despite the objections of the film's director, William Wyler, who, in the film's commemorative booklet and elsewhere, claimed that Christopher Fry was more responsible than any other writer for the final screenplay. In response to Wyler's public outcries against their ruling, the WGA took out trade paper ads on November 20, 1959 in which they issued a statement reading, in part, "the unanimous decision of the three judges was that the sole screenplay credit was awarded to Karl Tunberg...The record shows the following: 1. Karl Tunberg is the only writer who has ever written a complete screenplay on Ben-Hur; 2. Karl Tunberg continued to contribute materials throughout the actual filming, and this material is incorporated in the final picture; and 3. Karl Tunberg alone did the necessary rewriting during the four months of retakes and added scenes. Mr. Christopher Fry himself was fully informed of the proceedings of the Guild. He has made it absolutely clear that he did not want to protest the decision of the Guild." 

ellauri150.html on line 480:       Eugene Luther Gore Vidal (/vɪˈdɑːl/; born Eugene Louis Vidal, October 3, 1925 – July 31, 2012) was an American writer and public intellectual known for his epigrammatic wit, erudition, and patrician manner. Vidal was bisexual, and in his novels and essays interrogated the social and cultural sexual norms he perceived as driving American life. Beyond literature, Vidal was heavily involved in politics. He twice sought office—unsuccessfully—as a Democratic Party candidate, first in 1960 to the United States House of Representatives (for New York), and later in 1982 to the U.S. Senate (for California). His third novel, The City and the Pillar (1948), offended the literary, political, and moral sensibilities of conservative book reviewers, the plot being about a dispassionately presented male homosexual relationship.

ellauri150.html on line 484: Based on an 1880 novel, Ben-Hur: A Tale of the Christ, the film was directed by Hollywood great William Wyler, and screenwriter Gore Vidal was one of many who took a pass at the screenplay. In The Celluloid Closet, Vidal states in no uncertain terms that he scripted the film as a confrontation between ex-lovers Ben-Hur (Charlton Heston) and Messala (Stephen Boyd). Further, Vidal claims that, after consultation with Wyler and Boyd (but not Heston, who would have objected), he wrote one particular scene, where the estranged Ben-Hur and Messala meet again, with heavy gay subtext.

ellauri150.html on line 488:       What the f---!? Based on a 1880 novel after all!? Whose novel? Fuck you screenwriters! Taking all the glory!  “I said,’ Well, I’ll never use the "g" word,'” Vidal says. “‘There’ll be nothing overt. But it will be perfectly clear that Messiah is in love with Ben-Hur.”

ellauri150.html on line 490: Ben-Hur: A Tale of the Christ is a novel by Lew Wallace, published by Harper and Brothers on November 12, 1880, and considered "the most influential Christian book of the nineteenth century". It became a best-selling American novel, surpassing Harriet Beecher Stowe's Uncle Tom's Cabin (1852) in sales. The book also inspired other novels with biblical settings and was adapted for the stage and motion picture productions. Ben-Hur remained at the top of the US all-time bestseller list until the 1936 publication of Margaret Mitchell's Gone with the Wind. The 1959 MGM film adaptation of Ben-Hur is considered one of the greatest films ever made and was seen by tens of millions, going on to win a record 11 Academy Awards in 1960, after which the book's sales increased and it surpassed Gone with the Wind. It was blessed by Pope Leo XIII, the first novel ever to receive such an honour. The success of the novel and its stage and film adaptations also helped it to become a popular cultural icon that was used to promote catholicism plus numerous commercial products.

ellauri150.html on line 492: The story recounts the adventures of Judah Ben-Hur, a Jewish prince from Jerusalem, who is enslaved by the Romans at the beginning of the first century and becomes a charioteer and a Christian. Running in parallel with Judah's narrative is the unfolding story of Jesus, from the same region and around the same age. The novel reflects themes of betrayal, conviction, and redemption, with a revenge plot that leads to a story of gay love and compassion.

ellauri150.html on line 518: In the spectacle of a great assemblage of people there are always the bewilderment and fascination one feels while looking over a stretch of sea in agitation.

ellauri150.html on line 522: In a certain sense, after all, the mission of the Nazarene was that of guide across the boundary for such as loved him; across the boundary to where his kingdom was set up and waiting for him, and them as were worth it.

ellauri150.html on line 539: Esther "Bat" Simonides was born in Jerusalem, Judea, the daughter of the Hellenized Jewish slave Simonides. She was raised in the household of Prince Ithamar Ben-Hur, and she loved Judah Ben-Hur as a child. By 26 AD, she had grown into a woman, and, while she still loved Judah, she was betrothed to the freedman and merchant David ben Matthias from Antioch. That same year, Judah and his family were imprisoned after being wrongfully imprisoned for an alleged assassination attempt on Valerius Gratus, and Simonides was arrested and tortured on the orders of the Roman tribune Messala. Simonides was arrested when the Romans were certain that he was not hiding anything, and he and Esther lived in hiding at the Ben-Hur family's derelict and looted estate, where they were joined by Simonides' fellow former prisoner Malluch.

ellauri150.html on line 541: In 30 AD, Judah returned from being a galley slave, and Esther told him that she was no longer betrothed, causing the two to fall in love again. When Judah's mother Miriam and sister Tirzah were sent to the Valley of Lepers by their jailers, Esther brought them food, and, when Judah asked about his family's fate, Esther was told by Miriam to inform him that they were dead, as Miriam did not want her son to see them in agony. When a dying Messala told Judah of his family's real fates, Judah headed to the Valley and angrily confronted Esther, who forced him to hide from his family rather than violate their wishes. On the way out of the Valley, Esther stopped to listen to Jesus' Sermon on the Mount, and she became a convinced Christian; she had an argument with Judah about his lust for vengeance and his lack of interest in Jesus' message of peace and love. However, when the two found that Tirzah was dying, they brought Miriam and Tirzah to Jerusalem to search for Jesus and hope for a cure. They were too late to reach him before he was crucified, but a sudden rainstorm miraculously healed the lepers' wounds and cured them. Ben-Hur, who was now convinced of Jesus' message, embraced Esther and his family, having decided to give up his quest for revenge.

ellauri150.html on line 543: Within five years of the crucifixion, Judah and Esther married and had children, and Judah and a recovered Simonides spent much of their fortunes on supporting the Christian Church in Antioch. In 64 AD, Judah, Esther, and Malluch went to Rome to help finance the construction of an underground train which would live on for centuries in the Catacombs of Callixtus.

ellauri150.html on line 551: Where got the man his confidence except from Truth?  Only three hours upon the cross, and he was dying? Eeli Eeli laama sabakhtani? Too late, too late! "It is finished! It is finished!" O reader, the man died! Reader, I married him! Ben-Hur went back to his friends, saying, simply, "It is over; he is dead."

ellauri150.html on line 553: When the sunlight broke upon the crucifixion, the mother of the Nazarene, the disciple, and the faithful women of Galilee, the centurion and his soldiers, and Ben-Hur and his party, were all who remained upon the hill. Balthasar was funnily prostrate and still. The good man was dead! The 3 Christmas Elves excellently illustrated the three virtues in combination—Faith, Love, and Good Works. (Or should it be Hope? Works are good för nothing.)

ellauri150.html on line 572: She moved to go. Esther followed her. 


ellauri150.html on line 575: "No; I am what I am of choice. It will be over shortly." 


ellauri150.html on line 606: When we return, it's Anno Domini XXVI - A.D. 26. Messala, a Roman who grew up in Judea but spent most of his life in more traditional Roman enclaves, is accepting an important position in Jerusalem under the new governor of Judea; it's a hard job, since the Jews don't want the Romans there, but he feels up to it. He is visited by his childhood friend, and our hero, Judah Ben-Hur, a very important and influential Jew. They try to pick up the friendship where it left off, but there's one big problem: they no longer have anything in common besides their shared past. They are in denial about this for a while, and Judah agrees to try to get people to accept the Romans.

ellauri150.html on line 612: Messala comes over for dinner. Judah and Messala go out back to meet privately. Judah gives Messala a white horse. Messala asks Judah for his progress in pacifying the Jews; on learning that it isn't 100% successful, he wants to know who's refusing. Messala makes clear that he wants names. Judah, while protesting that he's nonviolent himself, doesn't think that the Jews resisting Roman rule are doing anything wrong, and so he doesn't provide them. Messala begs for cooperation, but in doing so makes clear that he considers the Roman Emperor a god; not only doesn't Judah believe that, but he's personally against the occupation. They leave as enemies, and Judah Ben-Hur is left to explain why Messala isn't staying for dinner.

ellauri150.html on line 616: There is a procession for the new Roman governor. Judah and his sister Tirzah watch. They see Messala, and Messala sees them. They see the Roman governor, but Tirzah puts too much of her weight on the roof, and a large section of it falls, knocking out the governor. In an act that is part chivalry and part Idiot Ball, Judah tells Tirzah not to say anything; he'll take responsibility. This gets all the house of Hur arrested. The servants are allowed to go free, though.

ellauri150.html on line 618: On learning that he is to go to Tyrus with neither a trial nor info about what's going to happen to his mother and sister, we learn that Ben-Hur's pacifism didn't survive the imprisonment. Since he hurts or kills only people who aren't of Nominal Importance, this is supposed to be tolerated. Judah demands info of Messala, and naturally doesn't get it. He protests his innocence of wanting to kill the governor; Messala knows that this is, at least, a plausible theory, but doesn't let it show. He says that Ben-Hur gave him exactly what he needed; the Jews will know that, if he can send his childhood friend to certain death at the galleys, he can do it to anyone. Judah starts to beg Messala, and gets this reply: "You beg me? Didn't I beg you for help?"

ellauri150.html on line 623: The Romans taking prisoners to the galleys are not overly concerned about anyone surviving, especially not people who knocked out their governor. At a well some distance north of Jerusalem, soldiers get watered first, then horses, and then slaves—and not Ben-Hur. He asks God for help... and in response, a young man, whose face is always turned from the camera, comes and gives him water. The audience understands that this is Jesus Himself, come to answer Ben-Hur's prayer. The Roman in charge starts to tell Him not to give Ben-Hur water, but on seeing His face, the Roman changes his mind. Ben-Hur drinks deep until it's time to move it.

ellauri150.html on line 627: There is a firefight with real fire. Things are burning all over the place. The ship gets rammed; for some reason, instead of trying to get the ship out of the way, those slaves who are chained try to remove the chains. Since the enemy ship appears to be holding up their ship, it almost works out. Ben-Hur is unlocking slaves, and major fighting is going on on deck. Then Quintus is shoved overboard. Ben-Hur goes to save him, shoving a torch into the face of a mercenary along the way.

ellauri150.html on line 629: Ben-Hur saves the consul and gets him on a raft of debris. Then he has to knock out the consul to prevent the fella from committing suicide, and chains the mercenary to him. After the consul wakes, still wanting to die, he reminds him that staying alive is the motivation he gives his slaves... Quintus wanted to commit suicide because he thought he'd lost overall. He hadn't, as it turns out he's hailed as a hero, and so there is a triumphant return to Rome. Ben-Hur gets to see the Emperor and then lives with Quintus learning to drive a chariot in races with Arrius' prized horses. Quintus actually tried to get him cleared of wanting to kill that Judean governor, but didn't pull it off...

ellauri150.html on line 631: Quintus cherishes Judah as a son (his own one died), and finally adopts him legally, naming him Young Arrius. Ben-Hur loves Quintus as well, is grateful but heads back to Judea almost immediately, not even waiting for the scheduled boat to take Pontius Pilate to Judea. There is no time to waste; four years have already passed.

ellauri150.html on line 635: The house of Hur is in ruins, but people are living there. He is met by Esther; she and her father were in there for only a year. Her father was paralyzed in prison, so a big fella who shared a cell with him and went mute during that time has also moved in to help. They are still in Jerusalem because all the assets were seized by the Romans - well, not all the assets, but they don't want the Romans to know about the rest of them prematurely. Esther never married, partly because the reason for arranging that marriage no longer applied, and partly because - she looks at her all-black clothing here, so we're probably supposed to believe that her fiance died.

ellauri150.html on line 641: Ben-Hur's mother and sister drop by the old place and come as close to meeting up with Esther as they dare. Esther tells them Judah hasn't changed, which is at best a half-truth. They make Esther promise not to tell Judah they have leprosy; they want him to remember them as they were. Esther promises by her love of Judah (and yes, it is there). She sees him (he passed by without noticing the lepers) and "confesses" that his mother and sister are dead...

ellauri150.html on line 673: This is another article on the writings of Pope Leo XIII. the third longest sitting pope, an Italian (Vincenzo Gioacchino Raffaele Luigi Pecci) who lived from 1810 to 1903, and was Pope from 1878 until his death in 1903. In his writings he gives us a profound insight into the philosophical movements of the late 19th century. The ideas generated during that time have largely shaped our present day ideological struggles.

ellauri150.html on line 685: 	In short, spurred on by greedy hankering after things present, which is the root of all evils, which some coveting have erred from the faith, they attack the right of property, sanctioned by the law of nature, and with signal depravity, while pretending to feel solicitous about the needs, and anxious to satisfy the requirements of all, they strain every effort to seize upon and hold in common all that has been individually acquired by title of lawful inheritance, through intellectual or manual labor, or economy in living. These monstrous views they proclaim in public meetings, uphold in booklets, and spread broadcast everywhere through the daily press. Hence the hallowed dignity and authority of rulers has incurred such odium on the part of rebellious subjects that evil-minded traitors, spurning all control, have many a time within a recent period boldly raised impious hands against even the very heads of States. etc.etc.

ellauri150.html on line 687: Aanyway, today I want to focus on the encyclical "Libertas" written in 1888. "Libertas" means "liberty" or it could also be translated as "freedom". Either way we are well acquainted with this idea. From the Statue of Liberty to the freedoms enshrined in the Bill of Rights - Americans love their freedom!

ellauri150.html on line 715: I could go on, but I think it is best to leave it here. I've covered only the opening parts of this encyclical. There is so much more in this document about the various freedoms that we take for granted like freedom of religion, speech and the press. In discussing this encyclical I hope I've given you an appreciation for the writings of Pope Leo XIII. (You can find all of his encyclicals here.)

ellauri150.html on line 728:     I was actually thinking about writing an article about how the free sex movement came out of the 60s. The idea was to use the songs from Joni Mitchell's Blue album as the basis of the article. You know before that time sex before marriage wasn't not considered socially acceptable, because French letters were not reliable. I'm sure it still happened, but it was not done out in the open - at least not by "respectable" people.

ellauri150.html on line 736:     It seems to me that Hawking is using a particular model of the universe to try to attack religion. But for me the very fact that there is a universe is enough to fill me with awe at creation and in God the Creator. In fact the more we learn about the immensity of space and the variety of celestial objects, the more I am filled with awe and wonder. Part of that is the admiration that we are living in such an advanced society that we are able to make these discoveries in the first place.

ellauri150.html on line 742:       I completely agree with you, even our own existence, the wonders of the human body (the peg and the hole, for instance, that perfectly fit one another) and this earth and the global warming are enough to prove it.

ellauri150.html on line 752:     I've watched a variety of shows on EWTN on the lives of saints. Even though the production quality cannot approach that of Hollywood, I find the stories so intriguing that I prefer to watch them to the regular TV programs on other channels. In the 1960s the stories of the saints were rejected as being to full of supernatural elements. Now with the New Age movement, people complain that Christianity does not have enough of a spiritual content. Well that's because the rationalists attempted to strip all the spirituality from Christianity. The lives of the saints are full of spirituality and can demonstrate to contemporary Man that there is no need to turn to exotic religions for spirituality. Everything that they are looking for is right here in the Catholic Church.

ellauri150.html on line 764: I have basically stopped listening to any other music than church music. Even the old romantic songs seem to be a call to exchange the love of God for earthly love. And from romantic love it devolved into explicit sexual love, and from sexual love into sex without love at all.0

ellauri150.html on line 766:     I've actually begun to treasure silence, and the space it provides to be able to think clearly and to turn my thoughts to listening to the Holy Spirit. But you know the Church teaches us to love our bodies as well, so I hope at some point I will regain my passion for sex and related music.

ellauri151.html on line 53: This autobiography/biography was written at the time of the award and first published in the book series Les Prix Nobel. It was later edited and republished in Nobel Lectures. To cite this document, always state the source as shown above.

ellauri151.html on line 65: La Symphonie pastorale est un roman court écrit par André Gide entre février et novembre 1918 puis publié en 1919, qui traite du conflit entre la morale religieuse et les sentiments. 

ellauri151.html on line 79: Beethovenin 6. sinfoniaa töräytellään pitkät pätkät attaccato eli tauotta. Siinä jäljitellään luonnonääniä, mm. nimeltä mainittuja lintuja. Beethoven itse kuvasi suhdettaan luontoon kertomalla rakastavansa enemmän metsän puita kuin ihmisiä. Tälläsiäkin tyyppejä on jo tullut vastaan useita. Eikä yhtään hämmästytä oikeastaan.

ellauri151.html on line 85: Because the pastor is really the main character in Gide's limited world, she feels herself to be in love with him and to some extent (tent, hehe) he has similar feelings toward her. When his eldest son Jacques, who is about the same age as Gertrude, asks to marry her, the pastor becomes jealous and refuses despite the fact that Jacques is obviously in love with her, and has a bigger tent.

ellauri151.html on line 87: Gertrude eventually gets an operation to repair her eyesight and, having gained the ability to see, realizes that she loves Jacques and not the pastor. However, in the meantime Jacques has renounced his love for her, converted to Catholicism and become a monk. Gertrude attempts suicide by jumping into a river, but this fails and she's rescued but luckily contracts pneumonia. She realizes that the pastor is an old man, and the man that punctured her when she was blind was Jacques. She tells the pastor this shortly before her death.

ellauri151.html on line 110: André Paul Guillaume Gide (French: [ɑ̃dʁe pɔl ɡijom ʒid]; 22 November 1869 – 19 February 1951) was a French author and winner of the Nobel Prize in Literature (in 1947). André was born in Paris on 22 November 1869, into a middle-class Protestant family. His father was a Paris University professor of law who died in 1880, Jean Paul Guillaume Gide, and his mother was Juliette Maria Rondeaux. His uncle was the political economist Charles Gide. His paternal family traced its roots back to Italy, with his ancestors, the Guidos, moving to France and other western and northern European countries after converting to Protestantism during the 16th century, due to persecution.

ellauri151.html on line 112: Gide was brought up in isolated conditions in Normandy and became a prolific writer at an early age, publishing his first novel, The Notebooks of André Walter (French: Les Cahiers d´André Walter), in 1891, at the age of twenty-one.

ellauri151.html on line 116: He befriended Oscar Wilde in Paris, and in 1895 Gide and Wilde met in Algiers. Wilde had the impression that he had introduced Gide to homosexuality, but, in fact, Gide had already discovered this on his own.

ellauri151.html on line 130:     Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe. 

ellauri151.html on line 136:     I call a pederast the man who, as the word indicates, falls in love with young boys. I call a sodomite ("The word is sodomite, sir," said Verlaine to the judge who asked him if it were true that he was a sodomist) the man whose desire is addressed to mature men. […] The pederasts, of whom I am one (why cannot I say this quite simply, without your immediately claiming to see a brag in my confession?), are much rarer, and the sodomites much more numerous, than I first thought. […] That such loves can spring up, that such relationships can be formed, it is not enough for me to say that this is natural; I maintain that it is good; each of the two finds exaltation, protection, a challenge in them; and I wonder whether it is for the youth or the elder man that they are more profitable.

ellauri151.html on line 138: Wilde took a key out of his pocket and showed me into a tiny apartment of two rooms… The youths followed him, each of them wrapped in a burnous that hid his face. Then the guide left us and Wilde sent me into the further room with little Mohammed and shut himself up in the other with the [other boy]. Every time since then that I have sought after pleasure, it is the memory of that night I have pursued. […] My joy was unbounded, and I cannot imagine it greater, even if love had been added. How should there have been any question of love? How should I have allowed desire to dispose of my heart? No scruple clouded my pleasure and no remorse followed it. But what name then am I to give the rapture I felt as I clasped in my naked arms that perfect little body, so wild, so ardent, so sombrely lascivious? For a long time after Mohammed had left me, I remained in a state of passionate jubilation, and though I had already achieved pleasure five times with him, I renewed my ecstasy again and again, and when I got back to my room in the hotel, I prolonged its echoes by hand until morning. What´s love got to do with it? 

ellauri151.html on line 140: Gide´s novel Corydon, which (too) he considered his most important work, erects (niin takuulla) a defense of pederasty. At that time, the age of consent for any type of sexual activity was set at thirteen.

ellauri151.html on line 235: „It is better to be hated for what you are than to be loved for what you are not.“ — André Gide. Frequently misattributed to Marilyn Monroe or Kurt Cobain.

ellauri151.html on line 251: My willy was born covered with wrinkles—wrinkles my ancestors and parents most assiduously put there and that I had the greatest trouble removing.

ellauri151.html on line 263: Fart begins with resistance — at the point where resistance is overcome. 

ellauri151.html on line 269: Old hands get soiled, it seems, whatever they caress, but they too have their beauty when they are joined in prayer. Young hands were made for caresses and the sheathing (sic) of love. It is a pity to make them come too soon.

ellauri151.html on line 405: 	  I look upon logical proofs the way a well-bred girl looks upon a love letter.

ellauri151.html on line 416: 	  Self knowledge begins with the neighbor, the mirror, and just the same with true self-love; that goes from the mirror to the matter.

ellauri151.html on line 442:       If only I was as eloquent as Demosthenes, I would have to do no more than repeat a single word three times. Reason is language — Logos; I gnaw on this marrowbone and will gnaw myself to death over it. It is still always dark over these depths for me: I am still always awaiting an apocalyptic angel with a key to this abyss. Help us translate this quote!

ellauri151.html on line 486: afloat beneath young trees above the mud		kelluen nuorten puiden takana mudan yläpuolella

ellauri151.html on line 526: 
 1. What are the general logic and the presuppositions of the problem of evil? 2. How can the problem of evil be called into question and how can one develop grammatical methods and philosophical tools to build a successful antitheodicy? 3. How can one develop a grammatical metacritique of the presuppositions of the problem through a philosophical grammar of the underlying language/world and being/meaning-links? 4. How can the grammatical approach to metaphysical questions and to the metacritique of the presuppositions of the problem of evil be used to analyse religious and worldview questions, and articulate ways of existential, humanistic and religious sense-making that overcome the problem? 

ellauri151.html on line 536: Kantian antitheodicies argue that theodicism oversteps the limits of moral and theoretical human reason. Älä yritäkään ymmärtää, olet liian tyhmä. Jätä homma experteille. 


ellauri151.html on line 539: Hamannian antitheodicies hold that the dualisms and the rationalisms underlying theodicy debate are speculative metaphysics that can be overcome through philosophical grammar. Eli tässähän on vaan kieli lomalla, annahan kun jäsennän. Tuliko Wittgensteinistäkin hamanniitti loppupeleissä? Lare ainakin on sellainen.

ellauri151.html on line 549: comparison for reading Wittgenstein reveals an overlap in their 

ellauri151.html on line 572: interpreting Wittgenstein reveals an important systematic overlap in 

ellauri151.html on line 714: Kumpi oli protestantimpi, Jeesus vaiko Paavali? Kumpi helluntaiystävämpi? Eikös tästä ollut jo jotain puhetta? Puovo väsäs hierarkista kirkkoa, Jeesus tyytyi seuroihin. Toisaalta juuri Patu jakoi pakanoille ovella ilmaisia uskopääsylippuja kuten  herännäiset yleensä. Puovo on ällöttävä, Jeesus on lutunen. Siis kumpi?

ellauri151.html on line 727: Tässä suomennos Patun saarnan alkutextistä johon pastori viittaa Androidin kirjan 2. vihkossa. Patulla on vinha kohta siellä: Laki on välttämätön, ei kukaan maxa hyvälle poliisille ellei ole pahaa poliisia pelotteena. Jeesuskin ymmärsi tämän verran, ja sanoi ettei sunkaan kaikki pääse kamelin perssilmästä. Patun viesti oli vielä ovelampi: osallistu arpajaisiimme, olet kenties jo voittanut!

ellauri151.html on line 789: [9] The commandments, "You shall not commit adultery, You shall not kill, You shall not steal, You shall not covet," and any other commandment, are summed up in this sentence, "You shall love your neighbor as yourself.

ellauri151.html on line 793: [37] And he said to him, "You shall love the Lord your God with all your heart, and with all your soul, and with all your mind. 


ellauri151.html on line 795: [39] And a second is like it, You shall love your neighbor as yourself. 


ellauri151.html on line 844: [18] he who thus serves Christ is acceptable to God and approved by men.

ellauri151.html on line 973: [2] And walk in love, as Christ loved us and gave himself up for us, a smelly offering and sacrifice to God.

ellauri151.html on line 991: [7] And preach as you go, saying, The kingdom of heaven is at hand (oops, did I say not in Luke 21 above, sorry), 


ellauri151.html on line 1004: [3] Truly, truly, I say to you, unless one is begotten from above,* he cannot see the kingdom of God. 


ellauri151.html on line 1006: [7] Do not marvel that I said to you, You must be begotten from above.*

ellauri151.html on line 1008: * John 3:3 and 3:7 are the author's translations.  These differ from the RSV only in the expression "begotten from above" that replaces "born anew' in the RSV.  "Born anew" does not represent the fullness of what Jesus is stating here, and does not correspond to the literatal translation of the Greek, gennethenai anothen (be begotten from above). 

ellauri151.html on line 1017: Summa summarum, Pollen jutut näyttää soveltuvan paremmin kapitalistihenkiseen protestointiin. Jutkuluopio Paulin taiteilijanimikin on globaalista roomankieltä, merkiten pikkaraista. Patu on hintatietoinen, sen kirkon ansaintalogiikka on kunnossa. Jeesus antaa ite eistään kuten sen mamma Margit ja Magdalena, eikä ota hintaa; Patu takaa kyllä maistuvammat eineet mutta nostaa pientä provikaa.

ellauri151.html on line 1130:     La Porte étroite est en 1909 le premier grand succès littéraire de Gide. Strait is the Gate (French: La Porte Étroite) is a 1909 French novel written by André Gide. It was translated into English by Dorothy Bussy. It probes the complexities and terrors of adolescence and growing up. Based on a Freudian interpretation, the story uses the influences of Andy's childhood experience to explain the misunderstandings that can arise between two or more people. Strait is the Gate taps the unassuaged memory of Gide's unsuccessful wooing of his cousin between 1888 and 1891.

ellauri151.html on line 1132: Much of the story is written as an epistolary novel between the Protagonist Jerome and his love Alissa. Much of the end of the novel is taken up by an exploration into Alissa's journal that details most of the events of the novel from her perspective. 

ellauri151.html on line 1141:     Turhaan yrität päästä sisään ahtaasta portista. Sillä minä sanon teille: monet yrittävät päästä siitä sisälle eivätkä mahdu. Kun talon isäntä nousee ja sulkee oven, ja sinä seisot ulkopuolella, alat koputtaa oveen sanoen: Herra, Herra, avaa meille! hän vastaa sinulle: En tiedä mistä olet kotoisin. Silloin alat sanoa: Söimme ja joimme ennen teillä, ja sinä opetit meidän kaduillamme. Ja hän vastaa: Minä sanon teille: en tiedä, mistä te tulette; menkää pois minun tyköäni, kaikki te, jotka teitte väärin!  Kyllä sulle tulee itku ja hammasten kiristys, kun näet Abrahamin, Iisakin ja Jaakobin ja kaikki profeetat kellimässä Jumalan valtakunnassa ja sinut heitetään pihalle. Voittoarvan vetäneitä tulee idästä ja lännestä, pohjoisesta ja etelästä; ja he istuvat seisovaan pöytään Jumalan valtakunnassa.»

ellauri151.html on line 1165: P.S. Edouard Tissières meni  naimisiin Julietten kanssa  loppupeleissä. Niillä touhuilu sujui  ihan kivasti ja lapsiakin tuli aika  liuta. Tissières oli varakas ja sillä  oli upee   talo Provencessa. Alissalle  tuli jostain mieleen Armida, se Tasson saraseeniprinsessa jota kaikki krusifixit jahtasivat kyrpä pystyssä. Mixihän? Kai sekin olis halunnut olla domina, muttei Don Jahve antanut. 

ellauri151.html on line 1172: Yhtäkkiä hän kysyi minulta  uskonko tulevaan elämään. Mutta  Jérôme, huusin heti, se on minulle  parempi kuin toivo: se on varma  nakki! Vaikka eihän se ole pääasia.  Littu vittu on ize oma palkintonsa.  Vaikka sen tärinä on aika häirizevää.  Herra, opetit minulle kaiken, mikä  näyttää pahalta, kauhu kaunasena.  Köyhä Jerome! Jos hän kuitenkin  tietäisi, että joskus hänellä olisi  vain yksi ele (🖕) tehtävänä ja että  tätä elettä joskus odotan häneltä...  Toisaalta,... jos hän viipyy minussa,  pitää etupuolta parempana, minusta  tulee idoli, joka estää häntä  etenemästä eteenpäin ahtaassa päässä.  Eikö hän syntynyt johonkin ahtaampaan  kuin rakastamaan minua? Kuinka paljon  emättimessä kutistuu kaikki mikä  voisi olla anuxessa sankarillista!...  Se onni on siellä, hyvin lähellä,  housunkankaan takana, se tarjoaa  itsensä... sinun tarvitsee vain  ojentaa kätesi tarttuaksesi siihen...  Mutta ei! tie, jonka opetat meille,  Herra, on kapea tie - niin kapea,  ettemme pysty olemaan kuin peräkkäin  köyhän talon porsaina. Oi Jumalani,  jospa hän löytäisi edes takaoveni!  

ellauri152.html on line 79: To lend authenticity to the forgery, Louÿs in the index listed some poems as "untranslated"; he even craftily fabricated an entire section of his book called "The Life of Bilitis", crediting a certain fictional archaeologist Herr G. Heim ("Mr. C. Cret" in German) as the discoverer of Bilitis' tomb. And though Louÿs displayed great knowledge of Ancient Greek culture, ranging from children's games in "Tortie Tortue" to application of scents in "Perfumes", the literary fraud was eventually exposed. This did little, however, to taint their literary value in readers' eyes, and Louÿs' open and sympathetic celebration of lesbian sexuality earned him sensation and historic significance.       

ellauri152.html on line 177: Tää on mahootointa, mahootointa. Pyydän sulta polvillani tippa silmässä, kaikki kyynelet jotka olen itkeskellyt tälle kamalalle textarille, älä jätä mua näin - Tiezä miten hirveetä on menettää sut näin iäxi toista kertaa, senjälkeen kun ollut suurenmoinen ilo vallata sut takaisin. Äh! Mun vikittelyt! Ettekö siis tunne mihin pisteeseen saakka mä teit rakastan! Kuule nyt. Suostu tapaamaan mut vielä kerran. Haluuzä olla huomenna, auringon laskiessa, oven edessä? Ai etkö? No seuraavana päivänä? Mä tuun vaik hakemaan sut. Älä sano ei. Viimeinen pano ehkä, mutta vielä tämä kerta, vielä tää!! Mä pyydän, mä huudan, vielä tää kerta, vielää tää, ja ota huomioon että sun vastauxesta riippuu mun loppuelämä.

ellauri152.html on line 181: Sä olit meistä mustasukkiainen, Gyrinno, tyttö liian tulenpalava. Hirmusesti puketteja sä ripustit meidän ovikelloon! Sä odotit meitä porttikonkissa ja seurasit meitä kadulla. Nyt olet saanut tahtomasi, venyt rakastajan paikalla, ja sun pää tällä tyynyllä jossa on vielä toisen naisen pepun hajua. Sä olet isompi kuin se oli. Sun valasmainen ruumis hirvittää mua. Kato hei, mä annoin lopulta perixi. Joo, mä se olen. Sä voit pyöritellä mun tissejä, puristaa mun pyllyä, avata mun polvet. Mun koko ruumis on auki sun väsymättömille huulille. — Voee voe! Ääh ! Gyrinno ! Lemmen kaa mun kyyneletkin vuotaa yli! Kuivaa ne sun tukalla, älä pusi niitä, kulzi; ja lassoa mua vielä kovemmin jotten tärise. Minä aina tärisen. 

ellauri152.html on line 545: The plot was foiled by Queen Esther, the king's recent wife, who was herself a Jew. Esther invited Haman and the king to two banquets. In the second banquet, she informed the king that Haman was plotting to kill her (and the other Jews). This enraged the king, who was further angered when (after leaving the room briefly and returning) he discovered Haman had fallen on Esther's couch, intending to beg mercy from Esther, but which the king interpreted as a sexual advance.

ellauri152.html on line 553: Haman was also an astrologer, and when he was about to fix the time for the genocide of the Jews he first cast lots to ascertain which was the most auspicious day of the week for that purpose. Each day, however, proved to be under some influence favorable to the Jews. He then sought to fix the month, but found that the same was true of each month; thus, Nisan was favorable to the Jews because of the Passover sacrifice; Iyyar, because of the small Passover. But when he arrived at Adar he found that its zodiacal sign was Pisces, and he said, "Now I shall be able to swallow them as fish which swallow one another" (Esther Rabbah 7; Targum Sheni 3).

ellauri152.html on line 555: Haman had 365 counselors, 1/day, but the advice of none was so good as that of his wife, Zeresh. She induced Haman to build a tree for Mordechai, assuring him that this was the only way in which he would be able to prevail over his enemy, for hitherto the just had always been rescued from every other kind of death. As God foresaw that Haman himself would be hanged on some tree, He asked which tree would volunteer to serve as the instrument of death. Each tree, declaring that it was used for some holy purpose, objected to being soiled by the unclean body of Haman. Only the thorn-tree could find no excuse, and therefore offered itself for a tree (Esther Rabbah 9; Midrash Abba Gorion 7 (ed. Buber, Wilna, 1886); in Targum Sheni this is narrated somewhat differently).

ellauri152.html on line 583: The most basic information is this: “Yentl the Yeshiva Boy” is a short story by Isaac Bashevis Singer, the famous Polish-American Jewish writer, published in 1962. It follows Yentl, a Jewish girl from a Polish shtetl who loves Torah-study, as she disguises herself as a man named Anshel in order to study at a yeshiva. Yentl (1983) is the movie-musical adaptation of the story, directed by and starring Barbra Streisand. In many ways it is a fairly faithful adaptation of the story’s events, but it has a different tone and a different ending.

ellauri152.html on line 585:  Yeshiva Boy moves fluidly between referring to the main character as Yentl or Anshel depending on context, which is a great detail. There are times when she’s referred to as Anshel for long stretches of time, and the same for Yentl. The movie, not having third person narration, is a different beast. I take my cue from the story and use both names, depending on the context of what I’m talking about—for example, if Yentl is definitely seen as Yentl by the story in that moment, or as Anshel, or ambiguously as both. That’s a very subjective choice to make each time you write her name! But that question, the fact that you have to ask it of yourself and the fact that it’s not always clear, is to me a crucial part of Yentl’s character.

ellauri152.html on line 587: The plot goes like this: Yentl has secretly studied Torah under her father’s tutelage. She has no interest in marriage, so when he dies, she disguises herself as Anshel and travels to a yeshiva. Along the way she meets a fellow student named Avigdor. They strike up a friendship and Yentl accompanies him to his yeshiva in Bechev, where they become study partners. Avigdor is in love with a girl named Badass, whom he wishes to marry. However, when Badass’s family learns a dark secret about Avigdor’s family, they won’t let him marry her. In desperation, Avigdor begs Anshel to marry Badass in his stead. Yentl initially resists, but eventually gives in and asks for Badass’s hand in order to retain Avigdor’s goodwill. After Anshel and Badass are married, Badass comes to look on her husband with love, but Yentl become more and more upset about the situation. Unable to go on any longer, Yentl asks Avigdor to join her on a business trip. Once they are at an inn in another city, Yentl tells him that she’s a woman. He laughs and doesn’t believe her, so she undresses momentarily. He is shocked. This is where the two versions split.

ellauri152.html on line 589: In the movie, in a scene I despise, Avigdor grabs her and shakes her violently while demanding to know why, and the rest of the conversation plays out melodramatically with yelling and tears. Yentl confesses that she loves him, he realizes he loves her too, and they kiss. Avigdor asks her to marry him, and says she could continue studying in secret. Yentl refuses because she can’t go back to studying furtively in secret, despite how much she loves him. The two part, and Avigdor returns to Badass and marries her. They live happily ever after, and the film ends with Yentl on a ship to America, implying that she will be able to study Torah as a woman there.

ellauri152.html on line 591: In the story, Avigdor just trembles and sits down, and Yentl calmly explains. He then asks what she is going to do now, and she says she will go to a different yeshiva and start over. Avigdor half says they could get married, but doesn’t finish the sentence. Yentl rebuffs him, saying it wouldn’t be good, and explains, “I’m neither one nor the other.” She tells him to go back to Badass instead. Avigdor has strange feelings, trying to reconcile who Anshel is, who Yentl is. But they spend the night in companionable debate, discussing Yentl’s marriage to Badass and whether she legally needs to divorce her, as well as why Yentl crossdressed. Avigdor brings up marriage again, but Yentl refuses even stronger.

ellauri152.html on line 593: The story ends with the townspeople of Bechev wondering about Anshel’s disappearance and why he divorced Badass so suddenly, but none of them guess the truth. Badass is heartbroken but eventually recovers enough to marry Avigdor, though she cries even at their wedding. They name their first child Anshel.

ellauri152.html on line 595:  I’ve seen Yentl the movie-musical several times, and there’s so much to unpack there, you could watch it a hundred times and have something new to talk about each time—whether it’s in the vein of despairing over the unnecessary heterosexuality of it all (even Wikipedia notes how aggressively the film erases as much queerness as it can!), or reveling in its grudging gayness (because even if Streisand decided she was playing a straight cis woman, the author is dead and it’s so easy to see Anshel and Avigdor on screen, both men, falling in love with each other).

ellauri152.html on line 607: Movie Avigdor is shitty and Yentl and Badass should just stay married, but of course they do not. Yentl leaves, Avigdor and Badass marry, a happy ending for everyone. Meanwhile at the end of Yeshiva Boy, Avigdor and Badass are not entirely happy in their marriage, as both of them are still partly inlove with Anshel/Yentl. Not very Hollywood, but very queer.

ellauri152.html on line 613: “Miss Streisand [made] Yentl, whose greatest passion was the Torah, go on a ship to America, singing at the top of her lungs. Why would she decide to go to America? Weren’t there enough yeshivas in Poland or in Lithuania where she could continue to study? Was going to America Miss Streisand’s idea of a happy ending for Yentl? What would Yentl have done in America? Worked in a sweatshop 12 hours a day where there is no time for learning? Would she try to marry a salesman in New York, move to the Bronx or to Brooklyn and rent an apartment with an ice box and a dumbwaiter? This kitsch ending summarizes all the faults of the adaptation. It was done without any kinship to Yentl’s character, her ideals, her sacrifice, her great passion for spiritual achievement. As it is, the whole splashy production has nothing but a commercial value.”

ellauri152.html on line 617: So I’m not of Singer’s opinion that the movie has no merit. I love Yentl’s music and emotionality (the short story is more distant), and I think I’ll always love it. But I do prefer Yeshiva Boy’s ambivalence and ambiguity to the movie’s heterosexual Hollywood polish.

ellauri152.html on line 621: This genderqueerness is the simple fact of Yentl’s character in Yeshiva Boy, but totally painted over in Yentl.

ellauri152.html on line 622: And yet in other ways, the film can’t help preserving the queerness of the story despite itself. Barbra Streisand can add a song about how Yentl is just jealous of Badass for being a conventionally feminine woman whom Avigdor loves, but she can’t stop me from putting my grubby little bi hands all over her film, pointing at Yentl’s tortured gaze aimed at Badass, and saying “GAY.” And she certainly didn’t no-homo the interactions between Anshel and Avigdor very well, because they are in fact very yes-homo, and I will point and say “GAY” at that too.

ellauri152.html on line 628: I am on a crusade to make everyone aware of Yentl the Yeshiva Boy! Thank you! Also what I hate so much about that movie scene is the addition of Avigdor physical grabbing and shaking Yentl! The scene in the story is so quiet and gives Yentl dignity while explaining, while the movie has her break down confessing love for a man whose first reaction to her gender was to GRAB and SHAKE her! so inferior to just having a good old talmudic debate with your Good Pal. i feel like your comment totally sums up why The Half of It on netflix is so good.

ellauri152.html on line 658: Since very few can survive such scrutiny, the dog created an alternate system - the system of din, strict justice, mitigated with cheese, kindness and mercy. In that system, He assists us by providing us with the help we need to overcome the forces of evil. As the Talmud teaches:

ellauri152.html on line 662: In a world where din, justice is tempered with cheese, compassion, the average person has the opportunity to come close to the dog. Although the average person must still try his best to stand up to evil and adhere to the dog's willy, the dog views his inevitable lapses through the prism of compassion. In His love for us, He overlooks our shortcomings.

ellauri152.html on line 664: In a world where din, justice is tempered with cheese, compassion, the dog supports us and helps us to overcome evil and serve him. As a result of the dog's assistance, we are able to channel our negative energies to serving the dog, and actually convert these energies into something positive and holy.

ellauri152.html on line 675: "Whomever the dog loves, he chastens to let him know how to straighten his way. (Mezudat David)" (Mishlei 3:12). One is chastened by the dog so that no trace of sin remains lest it lessen the dog's love for that person, and it also increases one's humility, lest tranquility decrease one's fear of him. (Rabbenu Yona). 

ellauri152.html on line 693: Reb Nathan Zuckerman adds that prior to messianic era the power of evil is so intense that we lack the power to overcome it. Therefore, explains Reb Nathan, it is imperative to enlist the aid of the spiritual giants of past generations through Rabbeinu Tam's Tefillin. Rabbeinu Tam's Tefillin expand the intelligence, enabling us to break evil at its source and stand up against the forces of evil. "In the turbulent era prior to the coming of the messiah, for anyone who is serious about wanting to find the dog, wearing Rabbeinu Tam's Tefillin is very important." (Lekutey Halachoth: Orach Chaim: Hilchoth Tefillin 5:27-29)

ellauri152.html on line 704: Since it is impossible for a human being to always know the proper response for each situation, we live with doubt. This is reflected in our wearing Rabbeinu Tam's Tefillin in addition to Rashi's Tefillin, since we wear them due to a doubt. The positive spiritual energies they access to counter this doubt rectify any situations of doubt that a person may encounter. As mentioned above, Rashi's Tefillin contain the spiritual energies of compassion and Rabbeinu Tam's the spiritual energies of harshness. Through wearing both Rashi and Rabbeinu Tam's Tefillin, we nourish our minds with the spiritual energies of compassion and holy harshness. These two energies (when combined with the spiritual energies that cover all doubt mentioned above) enable us to intuitively determine how to respond appropriately in every situation, whether it means acting tough or being gentle. (Lekutei Halachoth: Orach Chaim: Hilchoth Tefillin 6:16)    

ellauri152.html on line 745: The Haskalah, often termed Jewish Enlightenment (Hebrew: השכלה‎; literally, "wisdom", "erudition" or "education"), was an intellectual movement among the Jews of Central and Eastern Europe, with certain influence on those in Western Europe and the Muslim world. It arose as a defined ideological worldview during the 1770s, and its last stage ended around 1881, with the rise of Jewish nationalism. However, according to Salo Baron, it actually began a century earlier in the "Dutch and Italian Haskalah."

ellauri152.html on line 747:       Hillel Zeitlin (1871–1942) was a Yiddish and Hebrew writer and poet. A leading pre-Holocaust Jewish journalist, he was a regular contributor to the Yiddish newspaper Moment, among other literary activities. He was the leading thinker in the movement of pre-World War II "philosophical Neo-Hasidism". Influences: Nachman of Breslov  · Shestov  · Nietzsche  · Baal Shem Tov  · Shneur Zalman of Liadi  · Spinoza  · Tolstoy  · Schopenhauer  · Dostoevsky  · Bergson  · Brenner.

ellauri152.html on line 753: He considered the core of Hasidim to consist of three "loves": love of God, of Torah, and of Israel. Just as his intended audience consisted of assimilated Jews and non-Jews, he adopted novel formulations of these loves: "love of Torah" would come to encompass inspiring works of "secular" art and literature, while "love of Israel" would be transformed into "love of humanity" (despite which Israel would still be recognized as the "firstborn child of God"). Zeitlin's religious ideal also contained a socialist element: the Hasidim he pictured would refuse to take advantage of workers.

ellauri153.html on line 81: Saadi shirazi quote on the beloved and riches

ellauri153.html on line 128:     Sanoilla on pää, hei ovela mies, ja häntä. 


ellauri153.html on line 130:     Harkinnan, älyn ja oveluuden omistaja 


ellauri153.html on line 242: After leaving Shiraz he enrolled at the Nizamiyya University in Baghdad, where he studied Islamic sciences, law, governance, history, Persian literature, and Islamic theology;  it appears that he had a scholarship to study there.

ellauri153.html on line 256: During the Iraq War, at least 189,000 people died directly from the war. This does not include the hundreds of thousands who died due to war-related hardships.  Morocco offered the United States 2,000 monkeys trained in detonating land mines during the Iraq War. In 2002, the US government estimated that the Iraq War would cost $50-60 billion.

ellauri153.html on line 327: 
“God is omnipotent” means that God can achieve His plans and defeat evil. Dog has a winning strategy. Not all the moves in the game.

ellauri153.html on line 346: 
If the situation is (question Job), Leviathan moves. He can play either (disaster) or (⌐disaster). If L plays (⌐disaster), then God and Job win as Job lives well and L does not challenge God. If Leviathan plays (disaster), Job is hit by disasters and the evil (disaster) is put into play. 

ellauri153.html on line 347: 
If the situation is (question Job, disaster), then Job moves. He can either play (question God) or (⌐question God). If Job plays (⌐question God), he loses as he does not seek justice for the evil (disaster). Wot? Where is this in the rulebook? Wouldn't it be best for Dog if Job didn't pester him? L would lose the bet. Or why not blame Moby Dick instead! Seems we are inventing rules here as we go along. Vähän tällästä lassipalloa.  If Job plays (question), he curses creation and attempts to be like God, putting the evil (challenge) into play. 

ellauri153.html on line 348: 
If the situation is (question Job, disaster, question God), then God moves. He can either play (Answer to Job) or (⌐answer to Job), i.e. answer Job and defeat Job’s challenge, or leave Job suffering, Job’s challenge unanswered and the creation to collapse. If God plays (⌐answer to Job), God and Job lose, as the evils (disaster) and (challenge) leave Job suffering and the creation into meaninglessness and collapse. Wait a minute, where does Dog answer Job's why-question? In my bible, Dog just shouts Job down, brags, throws wanton threats and explains nothing. In what way does that count as an answer to a why-question? It is a completely different speech act in my book.

ellauri153.html on line 349:   
If the situation is (question Job, disaster, question God, Answer), Job moves. He can either play (Recognize God without PSR Principle of Sufficient Reason, kz. Schopenhauerin väitöskirja plus infra, or (⌐Recognize God without PSR), i.e. recognize that God can reach His goals of repairing suffering and the claim that God must be rejected for evil without reasons is false. If Job plays (⌐Recognize God without PSR), Job and God lose. If Job plays (recognize God), the evil (challenge) is taken out of play.

ellauri153.html on line 350:   
If the situation is (question Job, disaster, question God, Answer, Recognize God), God moves. He 

ellauri153.html on line 358:   
“God is omnipotent” is true at game history w if and only if God has a winning strategy in the justice-of-God game G. Tässähän se tapahtuu se suuri lässähdys. Muka omnipotentti jumala saa häthätää saatanasta matin loppupeleissä. Matkan varrella isokyrpäinen valas voi syödä vaikka kaikki sen nappulat paizi kurkon, joka jää viimeisenä laudalle. Aika lohduttavaa sen muulle tiimille. One can make a few clarifying remarks about the structure of the game. The form of the game is  relatively simple: it’s an ordinary extended-form perfect information game. tuskinpa Jobilla oli täydellistä informaatiota pelitilanteesta tai edes pelin säännöistä, muista pelaajista puhumattakaan. Aika isoja informaatiojoukkoja oli niiden kalloissa. Sitäpaizi ei luonnossa pelaajat siirrä vuoronperään, vaan koko ajan, niinkuin differentiaalipeleissä. . The goal is here not to go deeply into technical details, but to construct an übersichtlich representation for the theological  grammar of biblical stories and to highlight the uses of terms like “good” and “omnipotent” in  them. The game or model can then be used as a simplified fragment that can be projected onto, contrasted with and used to interpret biblical stories. The point of this clarification is to highlight  the grammar of the divine properties “good” and “omnipotent” within the logic of the struggle myth, and to get the consistency of {God is good, God is omnipotent, There is chaotic evil} as in the Book of Job. The argument needs two assumptions. First, the games between God, humans and creation are genuine dialogues. Paskanmarjat, ei nää ole edes mitään signaling gameja, puhumattakaan dialogipeleistä. Olis kannattanut lukea mun väitöskirja Dialogue Games, siinä on oikeeta sananvaihtoa. The players answer each other and thus have to take turns in making moves and participating in them. Then the game of Job and the struggle against chaos is in extended form to represent the sequence of the debate, and its resolution gives the drama of the fight against kid chaos. Second, the properties of God like “omnipotent” and “good” are defined against the background of Job’s encounter with God and the struggle against chaos. This redefinition builds on both James’ reinterpretation of the properties of God in terms of religious practices, and also of Job’s new world of faith in the encounter. Job’s encounter with God and the struggle against chaos are modelled in the game, so such properties of God as “good” and “omnipotent” are then internal to the game. Missä kohtaa Jopilla on tässä jotain pelivaraa? Montako valintaruutua Jobilla edes on: Marise-älä marise, ja Pyllistä-älä pyllistä. Siinä kaikki. Jotta jumalan tiimi voittaisi, sen pitää ensin marista ja sit pyllistää. Nain on meidankin elamassamme! Marise mitä mariset, mut muista pyllistää!

ellauri153.html on line 394: biblical ideas of God’s plan of salvation and God’s victory over evil, but then use PSR-based 

ellauri153.html on line 405: argues that God first decided to be the victor over evil and then allowed humans to sin in order to 

ellauri153.html on line 412: same issue also arises in the context of debates over atonement. When Gustaf Aulén tried to switch 

ellauri153.html on line 427: prove God’s goodness and omnipotence in the justice-of-God game G: 

ellauri153.html on line 436: strategy for G. We can prove it with backwards induction. 

ellauri153.html on line 451: We have now proven that the claims “God is pretty good” and “God is kinda omnipotent” are true in all of the 

ellauri153.html on line 454: game. Moreover, they capture the essence of God in the stories, as they function as grammatical 

ellauri153.html on line 708: 9 Nabob asui Maonissa mutta työskenteli läheisessä Karmelissa,  mistä hän todennäköisesti myös omisti maata. * Nabobilla oli 3 000 lammasta, ja nämä kaupungit sijaitsivat lampaiden kasvatukseen soveltuvalla vehreällä ylängöllä. Kaikkialla ympärillä seutu oli kuitenkin karua. Etelässä sijaitsi suuri Paranin erämaa. Idässä oli rotkoja ja luolia täynnä oleva erämaa-alue, joka ulottui Suolamereen. Tällaisessa ympäristössä Daavid ja hänen miehensä yrittivät selvitä hengissä. Epäilemättä he metsästivät toisten lampaita saadakseen ruokaa ja kohtasivat monia vaikeuksia. He tapasivat usein rikkaan Nabobin palveluksessa olevia nuoria taimenia.

ellauri153.html on line 811:   When King David was very old, he could not keep warm even when they put covers over him. So his attendants said to him, ‘Let us look for a young virgin to serve the king and take care of him. She can lie beside him so that our lord the king may keep warm.’ Then they searched throughout Israel for a beautiful young woman and found Abishag, a Shunammite, and brought her to the king. The woman was very beautiful; she took care of the king and waited on him, but the king had no sexual relations with her” (1 Kings 1:1–4)

ellauri153.html on line 822: 
Why not a queen or wife? A queen could not be ordered by mere servants to stay and keep the king warm through the night; she was above following the commands of those of lesser rank. To presume to direct the queen would be an affront to her royal dignity, and it would also reflect badly on the king.

ellauri153.html on line 823:   
Why not a concubine? Though concubines had a lesser status than wives, they, too, possessed a certain rank and dignity. Abishai fortunately had neither. Absalom demonstrated this fact when, as part of his attempted coup, he slept with his father’s concubines (2 Samuel 16:21–22). Moreover, the personal dynamics within harems were infamous for the jealousy and infighting they engendered. To select one wife or concubine over another would be a mark of favoritism that would likely incite resentment and squabbling in the household. Don't even try this at home!

ellauri153.html on line 827:     Nowhere does the Bible approve of David’s state of affairs—just the opposite! God had warned Israel through Moses that any future king “must not take many wives” (Deuteronomy 17:17). Scripture does not say that Abishag’s presence in David’s bed was a good thing, nor does it present David as a good father. His many children by multiple mothers were a cause of great trouble for him and the whole kingdom (2 Samuel 13; 2 Samuel 15; 1 Kings 12:23–25). His own son and successor, Solomon, ignoring God’s clear warning, took his father’s excesses to a shocking extreme with 700 wives and 300 concubines who led him astray and turned his heart after other gods (1 Kings 11:2–4). The kingdom itself was divided and lost by Solomon’s son shortly after his coronation, barely one generation after the glory of King David (1 Kings 12).

ellauri153.html on line 855: Ueber die vierfache Wurzel des Satzes vom zureichenden Grunde is an elaboration on the classical Principle of Sufficient Reason, written by German philosopher Arthur Schopenhauer as his Jena doctoral dissertation in 1813. The principle of sufficient reason is a powerful and controversial philosophical principle stipulating that everything must have a reason or cause.

ellauri155.html on line 375: Earlier this year, the conduct of border patrol agents came into focus when the media and the Biden administration hyped up hysteria over photos appearing to show Haitian migrants being whipped by agents with horse reins.

ellauri155.html on line 376: Cursory inspection of the incident proved that was total bunk, I mean that it didn’t matter.

ellauri155.html on line 393: Firman tarkoitus ei ole tuottaa osakkaille voittoa, vaan asiakkaille smiley elämyxiä. Sitä mitataan tällä NPS indexillä: hymiöiden määrä miinus irviöt. Jenkki autokaupat käyttää sitä kyllä ovelammin, eivät maxa palkkaa myyjälle joka saa pelkän viivan napista. Mutta ei niiden siitä kannattaisi napista.

ellauri155.html on line 448: Elimelech Weisblum of Lizhensk (1717–March 11, 1787) was a rabbi and one of the great founding Rebbes of the Hasidic movement. He was known after his hometown, Leżajsk (Yiddish: ליזשענסק‎, romanized: Lizhensk) near Rzeszów in Poland. He was part of the inner "Chevraya Kadisha" (Holy Society) school of the Maggid Rebbe Dov Ber of Mezeritch (second leader of the Hasidic movement), who became the decentralised, third generation leadership after the passing of Rebbe Dov Ber in 1772. Their dissemination to new areas of Eastern Europe led the movement´s rapid revivalist expansion.

ellauri155.html on line 689: You must also note that God predestines people such as Paul and his friends in Rom. 8:30, and Eph. 1:5, 11. There is, however, controversy as to the nature of this predestination. In the Reformed (Calvinist) camp, predestination includes individuals. In other words, the Reformed doctrine of predestination is that God predestines whom He wants to be saved and that without this predestination, none would be saved. The non-Reformed camp states that God predestines people to salvation, but that these people freely choose to follow God on their own. In other words, in the non-Reformed perspective, God is reacting to the will of individuals and predestining them only because they choose God, whereby contrast the Reformed position states that people choose God only because He has first predestined them. I must say that the non-reformed position 2) sounds like gobbledygook. Either you get predestined or you don´t, what the fuck. Who was it that thought predestination and free will were compatible, was it Hume? Yes it was! The Stanford Encyclopedia of Philosophy paper on this topic is so wordy that it needed translating into Basic English. 

ellauri155.html on line 719: The incompatibilist maintains that if our willings and choices are themselves determined by antecedent causes then we could never choose otherwise than we do. Given the antecedent causal conditions, we must always act as we do. We cannot, therefore, be held responsible for our conduct since, on this account, we have no “genuine alternatives” or “open possibilities” available to us. Incompatibilists, as already noted, do not accept that Hume’s notion of “hypothetical liberty”, as presented in the Enquiry, can deal with this objection. It is true, of course, that hypothetical liberty leaves room for the truth of conditionals that suggest that we could have acted otherwise if we had chosen to do so. However, it still remains the case, the incompatibilist argues, that the agent could not have chosen otherwise given the actual circumstances. Responsibility, they claim, requires categorical freedom to choose otherwise in the same circumstances. Hypothetical freedom alone will not suffice. One way of expressing this point in more general terms is that the incompatibilist holds that for responsibility we need more than freedom of action, we also need freedom of will – understood as a power to choose between open alternatives. Failing this, the agent has no ultimate control over her conduct.

ellauri155.html on line 759:     Consequently, Calvin shows that Israel who descended from Abraham was also then chosen by God. He quotes verses such as Deuteronomy 7:7-8 which says, “The Lord did not set his love upon you, nor choose you, because you were more in number than any people: for ye were the fewest of all people: but because the Lord loved you.”

ellauri155.html on line 760:     Calvin then goes on to speak of a deeper dimension of predestination, that in the Old Testament we see a more special election still of God saving certain ones out of the nation of Israel. Calvin says that his readers must see how “the grace of God was displayed in a more special form, when of the same family of Abraham God rejected some.” He then refers to Malachi 1:2-3 which explicitly states, “Was not Esau Jacob’s brother? saith the Lord: yet I loved Jacob, and I hated Esau.”

ellauri155.html on line 787: Calvin even demonstrated his commitment to this truth in his placement of his teaching on predestination in The Institutes. In the final edition, he moved his section on predestination from the beginning of his work to a place following his teaching on redemption, in effect suggesting “that predestination is a doctrine best understood by believers after they come to know the redemptive work of Jesus Christ applied by the Holy Spirit.”

ellauri155.html on line 791: Calvin then addresses the mistaken notion that election removes human responsibility. Many today associate John Calvin with an aberration of his teaching called Hyper-Calvinism, which is a doctrine that emphasizes divine sovereignty to the exclusion of human responsibility. Among other things, Hyper-Calvinism would deny 1) that gospel invitations are to be delivered to all people without exception; 2) that men can be urged to come to Christ; and 3) that God has a universal love. To Calvin these teachings were monstrous distortions of truth. God really loves a lot also those he chucks into the recycle bin. Except Esau, whom he hates. Vitun karvakäsi. 

ellauri155.html on line 793:     Another argument which they employ to overthrow predestination is that if it stand, all care and study of well doing must cease. For what man can hear (say they) that life and death are fixed by an eternal and immutable decree of God, without immediately concluding that it is of no consequence how he acts, since no work of his can either hinder or further the predestination of God?

ellauri155.html on line 808:     When I first received the intelligence of the death…of your son Louis, I was so utterly overpowered that for many days I was fit for nothing but to grieve…I was somehow upheld before the Lord by those aids wherewith he sustains our souls in affliction,…however, I was almost a nonentity.

ellauri155.html on line 824:       There is no shallow end to the philosophical pool! Strawson was married and had four children. He was a highly cultured man, with a passion for literature, especially poetry, large amounts of which he could recite and most of which he also wrote. In conversation, manners and appearance, the overwhelming impression was of elegance and effortless intelligence. Mutta aika mitättömän näköinen pallokorva. P.F. Strawsonin pituus oli bläänk ja sen net worth under review. Fair enough, Jakkoh-Hintikka puuttui kokonaan celebs hall of famesta. 

ellauri155.html on line 880:   Santayana oli Russellin Bertin isoveli Frankin (ehkä homo?)kaveri. Se joutui hakauxiin Bertin kaa, vaikka Bert nyt ainakin olis ollut vähän sinne päin kallellaan. Kun Bert joutui epäsuosioon pasifismin kaa, Santayana lupasi sille ison summan hengenpitimixi. Ottiko Bert rahan vastaan, ei kerrota.

ellauri155.html on line 882: Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known in English as George Santayana (/ˌsæntiˈænə, -ˈɑːnə/;[2] December 16, 1863 – September 26, 1952), was a philosopher, essayist, poet, and novelist. Originally from Spain, Santayana was raised and educated in the US from the age of eight and identified himself as an American, although he always retained a valid Spanish passport. At the age of 48, Santayana left his position at Harvard and returned to Europe permanently. He got enough of the U.S. of A. 

ellauri155.html on line 890: Santayana ei tykännyt olla professori, se oli ajautunut siihen. Se lopettikin professorin hommat 48-vuotiaana tykkänään ja lähti seikkailemaan. Varmaan homostelukin oli silleen helpompaa. In later life, Santayana was financially comfortable, in part because his 1935 novel, The Last Puritan, had become an unexpected best-seller. In turn, he financially assisted a number of writers, including Bertrand Russell, with whom he was in fundamental disagreement, philosophically and politically. Santayana´s only novel, The Last Puritan, ist ein bildungsroman, centering on the personal growth of its protagonist, Oliver Alden. His Persons and Places is an autobiography. These works also contain many of his sharper opinions and bons mots. He wrote books and essays on a wide range of subjects, including philosophy of a less technical sort, literary criticism, the history of ideas, politics, human nature, morals, the influence of religion on culture and social psychology, all with considerable wit and humor. 

ellauri155.html on line 905: In mocking echoes haply overheard,			Jonka kuulet sattumalta ilkkuvana kaikuna,

ellauri155.html on line 950: in part, of Lord Jim in my novel). They are grandsons of Lord John Russell,

ellauri155.html on line 952: My friend was under-secretary in the second Labour government at the time

ellauri155.html on line 965: German Garden”, the novelist, who luckily is not sponging on Bertie.

ellauri155.html on line 1014: of her health. There was a love-affair, I don’t know how Platonic, between her

ellauri156.html on line 45:   But here is the spoiler: What David's story tells us is that it is OK to be as awful and nasty a person privately as you could ever wish to be, as long as you end up as the overall winner of the cup. Winners can do nothing seriously wrong, because the victory at the end is the crucial thing. In terms of good old game theory: a virtuous life is no game of attrition, where every mistake counts and your deeds are toted up at the end. No, it is a winner takes all, you either win or lose at the end, whatever happens in subgames on the way is just wiped away. This applies to Dog himself, as Lauri Snellman with his nifty jesuitical game-theoretical theodicy argument has shown. 

ellauri156.html on line 68: Many tragic incidents occur as the unexpected outcome of a sequence of events. Certainly that is the case with King David. A little vacation from war leads to a day spent in bed, followed by a stroll along the roof of his palace as night begins to fall on Jerusalem. By chance, David sees a woman bathing herself, a sight which David fixes upon, his pecker coming instantly to attention, and then follows up on with an investigation as to her identity. The woman is shortly summoned to the palace and then to his bedroom, where David sleeps with her (well no, actually he spends time with her very much awake; what is meant by this euphemism is that he fucks the lady crazy.) Even though he has discovered she is the wife of Uriah, a warrior who is fighting for the army of Israel. Never mind. The woman becomes pregnant, and so David calls Uriah home, hoping it will be thought that he has gotten his wife pregnant. When this does not work, David gives orders to Joab, the commander of the army, which arranges for Uriah's death in battle. It looks like the perfect crime, but David's sin is discovered and dealt with by Nathan, the prophet of God. Nathan is Philip Roth's alter ego's name, Nathan Zuckerman! Can this be an accident? Jehova knows, it's too late to ask Phil.

ellauri156.html on line 78:   In chapter 10, we find David and the men of Israel deliberately insulted by Hanun, the king of the Ammonites. David had become friends with Nahash, the former king. When he died, David sent a delegation of officials to express David's respect for Nahash and his grief over this king's death. The Ammonites do not seem to wish to continue this peaceful relationship with David and Israel, so they humiliate the men whom David sent. This is how it all happened (Bob omitted this):

ellauri156.html on line 80: When David’s men came to the land of the Ammonites, 3 the Ammonite commanders said to Hanun their lord, “Do you think David is honoring your father by sending envoys to you to express sympathy? Hasn’t David sent them to you only to explore the city and spy it out and overthrow it?” 4 So Hanun seized David’s envoys, shaved off half of each man’s beard, cut off their garments at the buttocks, and sent them away.

ellauri156.html on line 88: The author of our text informs us that it is spring, the time when kings go to war (11:1). Weather has always affected warfare. Battles have been won and lost due to the season. Winter time is not favorable to war. Napoleon found this out in Moscow, The Germans in Stalingrad, and the Russians in the Finnish Winter War.) It is cold and wet, and camping out in the open field (as those who are besieging the city of Rabbah have to do -- see 11:11) hardly is feasible. The wheels of chariots get stuck in the mud, among other problems. And so kings usually sit it out for the winter, resuming their warfare in the spring. It is spring, Israel is still at war with the Ammonites, and it is time to finish the task of subduing them. The army assembles, under the command of Joab and his officers, and “all Israel.” They all go off to complete their victory over the Ammonites, who seem to retreat in their capital and fortress city of Rabbah.

ellauri156.html on line 92: 1 Then it happened in the spring, at the time when kings go out to battle, that Joab led out the army and ravaged the land of the sons of Ammon, and came and besieged Rabbah. But David stayed at Jerusalem. And Joab struck Rabbah and overthrew it (1 Chronicles 20:1).

ellauri156.html on line 96: 1 Then Satan stood up against Israel and moved David to number Israel. 2 So David said to Joab and to the princes of the people, “Go, number Israel from Beersheba even to Dan, and bring me word that I may know their number.” 3 Joab said, “May the LORD add to His people a hundred times as many as they are! But, my lord the king, are they not all my lord's servants? Why does my lord seek this thing? Why should he be a cause of guilt to Israel?” 4 Nevertheless, the king's word prevailed against Joab. Therefore, Joab departed and went throughout all Israel, and came to Jerusalem. 5 Joab gave the number of the census of all the people to David. And all Israel were 1,100,000 men who drew the sword; and Judah was 470,000 men who drew the sword (1 Chronicles 21:1-5).

ellauri156.html on line 100: 9 The Lord said to Egad, David’s seer, 10 “Go and tell David, ‘This is what the Lord says: I am giving you three options. Choose one of them for me to carry out against you.’” 11 So Gad went to David and said to him, “This is what the Lord says: ‘Take your choice: 12 three years of famine, three months of being swept away[a] before your enemies, with their swords overtaking you, or three days of the sword of the Lord—days of plague in the land, with the angel of the Lord ravaging every part of Israel.’ Now then, decide how I should answer the one who sent me.”

ellauri156.html on line 110: 19 Nevertheless, the people refused to listen to the voice of Samuel, and they said, “No, but there shall be a king over us, 20 that we also may be like all the nations, that our king may judge us and go out before us and fight our battles” (1 Samuel 8:19-20).

ellauri156.html on line 114: 15 Now a day before Saul's coming, the LORD had revealed this to Samuel saying, 16 “About this time tomorrow I will send you a man from the land of Benjamin, and you shall anoint him to be prince over My people Israel; and he will deliver My people from the hand of the Philistines. For I have regarded My people, because their cry has come to Me” (1 Samuel 9:15-16).

ellauri156.html on line 122: What keeps David home in Jerusalem? Why doesn’t David go to the battle? I fear there are perhaps several reasons. The first is David's arrogance. God has been with David in all of his military encounters and given him victory over all his foes. God has given David a great name. David has begun to believe his own press clippings. He begins to feel he is invincible. David seems to have come to the place where he believes his abilities are so great he can lead Israel into victory, even though he is not with his men in battle. He was just getting bored. God should not have helped him TOO much, that was like taking the wind from his sails. Any parent knows that much.

ellauri156.html on line 145:     The lyrics describe a conflict over a love triangle, in which Rocky's girlfriend Lil Magill (known to the public as Nancy) leaves him for a man named Dan, who punches Rocky in the eye. Rocky vows revenge and takes a room at the saloon in the town where Dan and Nancy are staying. He bursts into Dan's room, armed with a gun, but Dan out-draws and shoots him. A drunken doctor attends to Rocky, the latter insisting that the wound is only a minor one. Stumbling back to his room, Rocky finds a Gideon Bible and takes it as a sign from God.

ellauri156.html on line 209: A second reason may be boredom. Something you my dear remaining readers know by now. It is one thing to fight battles in which the enemy is quickly overcome. But the besieging of Rabbah is a whole different kind of war. This battle will not be won so quickly. It will take time to starve the Ammonites to the point that they surrender. It is not a very exciting kind of war to wage. And while they wait, the Israelite soldiers (which includes David) have to pitch their tents outside the city, living in the open field. This is no picnic, and David knows it. David's attitude seems reflected in the advertising slogan of a major hamburger chain, “You deserve a break today.”

ellauri156.html on line 211: A third reason -- and I am hesitant to suggest it -- is that David may be getting soft. Let's face it, David had some very difficult days when he was fleeing from Saul. I am sure there were hot days and cold nights. There were certainly days when his food was either limited or lousy, or both. Army food has never been known as a work of culinary artistry. Now, David has moved up in the world, from barren wilderness, which Saul and his army would avoid if possible, to the hills of Jerusalem. His accommodations are better, too. He no longer lives in a tent (if he was fortunate enough to have one in those days); he lives in a palace. Why would David want to stay in a tent in the open field, outside of Rabbah, if he can stay in his own bed (or Bathsheba's), in his own palace, inside Jerusalem?37

ellauri156.html on line 215: Like my uncle to whom I referred earlier, David is in the wrong place at the wrong time. He is in Jerusalem when he should be at Rabbah. Unlike my uncle, David is in the wrong place at the wrong time because of a wrong decision. David is like the simpleton in Proverbs 7, who was foolishly and yet deliberately in the wrong place at the wrong time. Something almost had to go wrong, and it surely did! 

ellauri156.html on line 232: Lataa lasten raamattusovellus

ellauri156.html on line 234: As I read these verses in 2 Samuel, I am reminded of the Alfred Hitchcock movie, “Rear Window.” If my memory is correct, Jimmy Stewart and Grace Kelly star in this thriller about a photographer who is recovering from an injury and confined to his apartment. From out of his “rear window,” Stewart watches his neighbors through their windows. Eventually he uncovers a murder and is almost killed himself, along with his girlfriend. Älä pieni perssilmä kazo minne vain.

ellauri156.html on line 236: King David makes the mistake of staying in Jerusalem, rather than fighting the Ammonites with his army. He does not stay home to meditate on the Law of Moses or to write another psalm or two; he seems to stay home to stay in bed. We know Uriah went to bed when it was evening (that is, when it got dark), and it is very likely that he got up at first light (see 11:13). With David, it is very different. David does not get up until evening, that is, until it is time for a soldier to go to bed. (As a friend of mine pointed out, this is probably a habit developed over days and not just a one-time event.) It is very unlikely that David is doing any “kingly work” in the wee hours of the night. From all appearances, David is simply indulging himself. Whaddya mean? Fucking maidens is kingly work if anything. Surely he wasn't watching late night shows, since all he had was his TV mama. Sitting up and adjusting the screen until the picture was completely right. 

ellauri156.html on line 249: Every time she loves me, man, she makes me scream

ellauri156.html on line 251: Oh, she's mighty fine, lovely picture

ellauri156.html on line 254: I love her from her head down to her little bitty feet

ellauri156.html on line 257: Every time she loves me, oh yes, I'm bound to scream

ellauri156.html on line 293: Let us briefly review the place of the Hittites in Old Testament history. As early as Genesis 15:18-21, God promised Abram (Abraham) that his descendants would inherit the land of the Hittites (along with that of other peoples as well; see also Exodus 3:8, 17; 13:5; 23:23, 28, 32; 33:21; 34:11; Deuteronomy 7:1; Joshua 1:4; 3:10). Ephron, the man from whom Abraham bought a burial plot for his family, was a Hittite (see Genesis 23:10; 25:9; etc.). Jacob's brother Esau married several Hittite wives (Genesis 26:34-35; 36:2). The Israelites were commanded to utterly destroy the Hittites (Deuteronomy 20:17). The Hittites opposed Israel's entrance into the promised land (see Numbers 13:29; Joshua 9:1: 11;1-5), and the Israelites had some victories over them (Joshua 24;11). Nevertheless, they did not totally remove them and came to live among them (Judges 3:5). When David was fleeing from Saul, he learned that the king was camped nearby. He asked two of his men who would go with him to Saul's camp. One of the two, Abishai, volunteered to go with David, the other man did not. This man was Ahimelech, the Hittite (1 Samuel 26:6). (Eli siis mitä? Pitäskö tästä päätellä nyt jotakin heettien statuxesta vai? Oliko ne jotain neekereitä?) 

ellauri156.html on line 299: The sequence of events, so far as David is concerned, can be enumerated in this way: (1) David stays in Jerusalem; (2) David stays in bed; (3) David sees Bathsheba bathing herself as he walks on his roof; (4) David sends and inquires about this woman; (5) David learns her identity and that she is married to a military hero; (6) David sends messengers to take her and bring her to him; (7) David lays with her; (8) Bathsheba goes back to her home after she purifies herself. This same sequence can be seen in a number of other texts, none of which is commendable. Shechem “saw, took, and lay with” Dinah, the daughter of Jacob in Genesis 34:2. Judah “saw, took, and went in to” the Canaanite woman he made his wife in Genesis 38:2-3. Achan “saw, coveted, and took” the forbidden spoils of war in Joshua 7:21. Samson did virtually the same in Judges 14. Let us not forget that a similar sequence occurred at the first sin when Eve “saw, desired, and took” the forbidden fruit in Genesis 3. (Thanx a lot Bob for this compendium. This will certainly come handy later on, when looking for something fun to read.)

ellauri156.html on line 301: It is clear from the words of our text that David sinned. It is clear from the actions of David which follow that he sinned. It is clear from the words of God through Nathan that David sinned in a grievous manner. The problem is that many wish to view the text in a way that forces Bathsheba to share David's guilt by assuming that she somehow seduced him. I would like to pursue this matter, because I believe there is absolutely no evidence to support such a conclusion. (Wow! That's a refreshing point of view! Like Ballsack's novel Comment la belle Fille de Portillon quinaulda son iuge.) 

ellauri156.html on line 303: The inference is often drawn that Bathsheba should not have been exposing herself as she did, and that it was her indiscretion which started this whole sequence of events. Some think her actions may have been deliberate (She knew David was there and could see. . . .), while others would be more gracious and assume it was simply poor judgment. Let me point out several things from the text. First and foremost, when Nathan pronounces divine judgment upon David for his sin, Bathsheba and Uriah are depicted as the victims, not the villains. When Adam and Eve sinned, God specifically indicted Adam, Eve, and the serpent, and each received their just curse. This is simply not the case with Bathsheba. Nowhere in the Bible is she indicted for this sin. It may be that the author did not choose to focus upon Bathsheba, but even in this case, the Law would clearly require us to consider her innocent until proven guilty. (Which law? Not biblical law for sure, take for instance Susan's case, where Daniel had to called upon to prove her innocence.)

ellauri156.html on line 307: When we read of this incident, we do so through Western eyes. We live in a day when a woman has the legal right to say “No” at any point in a romantic relationship. If the man refuses to stop, that is regarded as a violation of her rights; it is regarded as rape. It didn't work that way for women in the ancient Near East. Lot could offer his virgin daughters to the wicked men of Sodom, to protect strangers who were his guests, and there was not one word of protest from his daughters when he did so (Genesis 19:7-8). Even less later, when they asked their father Lot to fuck them at will. These virgins were expected to obey their father, who was in authority over them. Michal was first given to David as his wife, and then Saul took her back and gave her to another man. And then David took her back (1 Samuel 25:44; 2 Samuel 3:13-16). Apparently Michal had no say in this whole sequence of events. Oh, those days of innocence!

ellauri156.html on line 309: To approach this same issue from the opposite perspective, think with me about the Book of Esther. When the king summoned his wife, Queen Vashti, to appear (perhaps in a way that would inappropriately display her goodies to the king's guests), she refused. She was removed (see Esther 1:1-22). She did not lose her life, but she was at least replaced by Esther, who had no such compunctions. Then, we read later in this same book that no one could approach the king unless he summoned them. If any approached the king and he did not raise his "scepter", they were put to death (Esther 4:10-11). Does this not portray the way of eastern kings? Does this not explain why Bathsheba went to the king's palace when summoned? Does this help to explain why she seems to have given in to the king's lustful acts? (We do not know what protests -- like Tamar's in chapter 13 -- she may have uttered, but we do have some sense of the powerlessness of a woman in those days, especially when given orders by the king. (Later on it became the requirement that a raped lady should kill herself to save her husband the disgrace of having horns.)

ellauri156.html on line 329: Sexual abuse and sexual harassment are just two of the ways people abuse their power. Parents begin to think they own their children, and that they can use their children to satisfy themselves, so they engage in various forms of abuse, often sexual in nature. Bosses get used to being in control and telling people what to do, and it should not be surprising to learn that they sometimes abuse their power over employees and subordinates to sexually satisfy themselves. This sin is no different from that of David. (Oh, oh, this is too good, my cup runneth over.)

ellauri156.html on line 331: I must press the point a little further, at the risk of coming off. Of course it is wrong for David to use his power to have sex with another man's wife. But it is not right to abuse power even when sex is permissible. A husband should not abuse his power in order to have sex with his wife. And a wife should not abuse her power (of saying “No,” for example) to punish or put off her husband. (LOL! Bob, you show you true colors here!) Within marriage, sex is simply another area of serving our mate. It is not the opportunity to lord it over our mate. Put that in your pipe and smoke it, Jennifer! And you girls as well!

ellauri156.html on line 333:   Third, prosperity is as dangerous -- and sometimes more dangerous -- than poverty and adversity. We all get weary of the adversities of life. We all yearn for the time when we can kick back and put up our feet and relax a bit. We all tire of agonizing over the bills and not having quite enough money to go around. David certainly looked forward to the time when he could stop fleecing Saul and begin to reign as king. But let me point out that from a spiritual point of view, David never did better than he did in adversity and weakness. (In fact, he was quite like Ballsack's ung paouvre qui avait nom le Vieulx-par-chemins, another Iivana Nyhtänköljä.)

ellauri156.html on line 349: Within those of you who are reading this message, I know there are some who have already fallen in the same hole as David. You have already committed adultery. To you, I would say: “Stop now!” How much better it would have been if David had confessed to his sin with Bathsheba before he went on to murder Uriah. Sin is like a cancer: the sooner it is cut out, the better; the longer it is left, the more it grows. If you have fallen as David did (or in some other way), forsake your sin, confess it, find God's forgiveness, and move on to the next. 

ellauri156.html on line 370: 1. Ja Herra puhui Moosekselle ja Aaronille sanoen: 2. "Puhukaa israelilaisille ja sanokaa heille: Jos jollakin, kenellä tahansa, on elimestään liman vuoto, on hänen vuotonsa saastainen. 3. Hänen vuotonsa saastaisuus on sellainen, että hän, niin hyvin silloin, kun hänen elimestään vuotaa, kuin silloin, kun hänen elimensä pidättää vuodon, on saastainen. 4. Jokainen vuode, jossa vuotoa sairastava lepää, tulee saastaiseksi, ja jokainen istuin, jolla hän istuu, tulee saastaiseksi. 5. Ja se, joka koskee hänen vuoteeseensa, pesköön vaatteensa ja peseytyköön vedessä ja olkoon saastainen iltaan asti. 6. Ja se, joka istuu istuimelle, jolla vuotoa sairastava on istunut, pesköön vaatteensa ja peseytyköön vedessä ja olkoon saastainen iltaan asti. 7. Ja se, joka koskee vuotoa sairastavan ruumiiseen, pesköön vaatteensa ja peseytyköön vedessä ja olkoon saastainen iltaan asti. 8. Ja jos vuotoa sairastava sylkee puhtaan ihmisen päälle, niin tämä pesköön vaatteensa ja peseytyköön vedessä ja olkoon saastainen iltaan asti. 9. Ja jokainen satula, jossa vuotoa sairastava ratsastaa, tulee saastaiseksi. 10. Ja jokainen, joka koskee mihin hyvänsä, mikä on ollut hänen allaan, olkoon saastainen iltaan asti; ja joka sellaista kantaa, pesköön vaatteensa ja peseytyköön vedessä ja olkoon saastainen iltaan asti. 11. Ja jokainen, johon vuotoa sairastava koskee, ennenkuin on huuhtonut kätensä vedessä, pesköön vaatteensa ja peseytyköön vedessä ja olkoon saastainen iltaan asti. 12. Ja saviastia, johon vuotoa sairastava koskee, rikottakoon; mutta jokainen puuastia huuhdottakoon vedessä. 13. Ja kun vuotoa sairastava tulee puhtaaksi vuodostansa, niin hän laskekoon puhtaaksi-tulemisestaan seitsemän päivää ja sitten pesköön vaatteensa ja pesköön ruumiinsa raikkaassa vedessä, niin hän on puhdas. 14. Ja kahdeksantena päivänä hän ottakoon kaksi metsäkyyhkystä tai kaksi kyyhkysenpoikaa ja tulkoon Herran eteen ilmestysmajan ovelle ja antakoon ne papille. 15. Ja pappi uhratkoon ne, toisen syntiuhriksi ja toisen polttouhriksi. Näin pappi toimittakoon Herran edessä hänelle sovituksen hänen vuodostansa. 16. Kun miehellä on ollut siemenvuoto, pesköön hän koko ruumiinsa vedessä ja olkoon saastainen iltaan asti. 17. Ja jokainen vaatekappale ja jokainen nahka, johon siemenvuotoa on tullut, pestäköön vedessä ja olkoon saastainen iltaan asti. 18. Ja kun mies on maannut naisen kanssa ja vuodattanut siemenensä, peseytykööt he vedessä ja olkoot saastaiset iltaan asti.

ellauri156.html on line 372: 19. Ja kun naisella on vuoto, niin että verta vuotaa hänen ruumiistansa, olkoon hän kuukautistilassaan seitsemän päivää, ja jokainen, joka häneen koskee, olkoon saastainen iltaan asti. 20. Ja kaikki, minkä päällä hän lepää kuukautistilansa aikana, tulee saastaiseksi, ja kaikki, minkä päällä hän istuu, tulee saastaiseksi. 21. Ja jokainen, joka hänen vuoteeseensa koskee, pesköön vaatteensa ja peseytyköön vedessä ja olkoon saastainen iltaan asti. 22. Ja jokainen, joka koskee istuimeen, mihin hyvänsä, jolla hän on istunut, pesköön vaatteensa ja peseytyköön vedessä ja olkoon saastainen iltaan asti. 23. Ja jos joku koskee esineeseen, joka on hänen vuoteellaan tai istuimella, jolla hän on istunut, olkoon saastainen iltaan asti. 24. Ja jos mies makaa hänen kanssaan ja hänen kuukautistansa tulee hänen päällensä, olkoon hän saastainen seitsemän päivää, ja jokainen vuode, jossa hän lepää, tulee saastaiseksi. 25. Jos naisen verenvuoto kestää kauan aikaa, vaikka ei ole hänen kuukautisaikansa, tahi jos se jatkuu hänen kuukautisaikansa ohitse, pidettäköön hänet koko vuotonsa ajan saastaisena, niinkuin hänen kuukautisaikanaankin; hän on saastainen. 26. Jokaisesta vuoteesta, jossa hän lepää vuotonsa aikana, olkoon voimassa, mitä on säädetty hänen kuukautisaikana käyttämästään vuoteesta; ja jokainen istuin, jolla hän istuu, tulee saastaiseksi niinkuin hänen kuukautisaikanaankin. 27. Ja jokainen, joka niihin koskee, tulee saastaiseksi; hän pesköön vaatteensa ja peseytyköön vedessä ja olkoon saastainen iltaan asti. 28. Mutta kun hän tulee puhtaaksi vuodostansa, laskekoon seitsemän päivää, ja sitten hän on puhdas. 29. Ja kahdeksantena päivänä hän ottakoon kaksi metsäkyyhkystä tai kaksi kyyhkysenpoikaa ja tuokoon ne papille, ilmestysmajan ovelle. 30. Ja pappi uhratkoon toisen syntiuhriksi ja toisen polttouhriksi. Näin pappi toimittakoon Herran edessä hänelle sovituksen hänen saastaisesta vuodostaan. 31. Näin teidän on varoitettava israelilaisia saastaisuudesta, etteivät he saastaisuudessansa kuolisi, jos saastuttavat minun asumukseni, joka on heidän keskellänsä." 32. Tämä on laki miehestä, joka sairastaa vuotoa, ja miehestä, jolla on siemenvuoto ja joka tulee siitä saastaiseksi, 33. ja naisesta, jolla on kuukautisensa, ja miehestä ja naisesta, jotka sairastavat jotakin vuotoa, sekä miehestä, joka makaa saastaisen naisen kanssa.

ellauri156.html on line 380: It was the clumsy attempt to cover up the petty crime which led to Watergate. Richard Nixon, the President of the United States, was forced to resign to avoid impeachment. A number of his closest associates were indicted, convicted, and sentenced to brief prison terms. Not Tricky Dick, of course, he went scot free. Nain on meidankin elamassamme! Ja Daavidin!

ellauri156.html on line 382:   Throughout history, many attempts have been made to cover up incompetence, immorality, and crimes. In the Bible, cover-ups appear very early. Adam and Eve sought to cover their nakedness and to hide from God, not realizing their slimy fig leaves betrayed their sin and guilt.

ellauri156.html on line 384:     Our lesson from 2 Samuel 11 is one of the great cover-up attempts of all time, and like so many, it too fails miserably. Our previous lesson attempted to explain David's sin with Bathsheba in a way that placed the guilt squarely upon David, and not upon Bathsheba. This was all of David's doing, not due to temptation or seduction on Bathsheba's part, but because of arrogance, lust, and greed on David's part.

ellauri156.html on line 386:     David had no desire for Bathsheba to become his wife, or even to carry on an adulterous affair with her (a mitigating circumstance). He sought one night's pleasure, and she went home. That was that, or so it seemed. But then David received word from Bathsheba that this one night resulted in Bathsheba's pregnancy. Our text takes up here with the account of David's desperate attempt to cover up his sin with Bathsheba. As we all know, it did not work, and it only made matters worse.

ellauri156.html on line 390: At this point in time, David's life is very similar. He begins to stack one sin upon another, certain that each one will somehow wipe out visibility of the previous sin. Instead, his sins only multiply. More and more people become aware of his sin, and a cover up becomes impossible. Many lessons can be learned from this tragic episode of David's life, which if heeded, will help us duplicate them in our lives. May the Spirit of God open our ears and our hearts to listen and learn from David's attempt to cover up his sin with Bathsheba, so that you can avoid some of his mistakes and do a better job.

ellauri156.html on line 412: I should also add that Joab is already being drawn into the conspiracy. Joab obeys David's command to send Uriah, and my guess is that Joab knows something is up. He may even have heard about David's liaison with Bathsheba. When he sends Uriah to Jerusalem, he has to give him some mission, some task to perform. Joab and Uriah may have sensed that this was no “mission impossible” (as you would give a mighty warrior), but that is a “mission incredible.” In any case, the web of deceit and deception is already being woven, and more people are being drawn into the conspiracy. Wow, this is prime material for a soap opera. Maybe there already is one, must check. OF COURSE there is:

ellauri156.html on line 417:     King David was the second king of Israel and this film is based on the second book of Samuel from the Bible. When the second Ark of the Covenant is brought to Jerusalem, a soldier reaches out to steady it and is struck dead. While the prophet Nathan declares this the will of God, a skeptical David pronounces it the result of a combination of an electrical shock and too much wine. This blasphemy starts David on the path of sin. 

ellauri156.html on line 419:     As a consequence, David becomes attracted to Bathsheba who is the wife of Uriah, one of David's soldiers. The attraction is mutual although both know an affair would break the law of Moses. When Bathsheba discovers she is pregnant by David, the King sends for Uriah hoping he will spend time with his wife to cover her pregnancy. David's wife Michal who is aware of the affair, tells David that Uriah did not go home but slept at the castle as a sign of loyalty to his King. LOL, a sign of "fuck you" pointed at Dave with Uriah's middle finger without a nail. 

ellauri156.html on line 425:     David promises Bathsheba she will not die and is willing to accept God's justice for himself, knowing that he as the hero of the book is safe. Repentant, David, seeking relief from the drought and forgiveness reaches out to touch the Ark presuming that he will die of heat stroke (or was it a short?) like the soldier. A clap of thunder is heard and there are flashbacks to David's youth depicting his anointing by Samuel and his battle with Goliath. King David removes his hands from the Ark as rain falls on the dry land. Screenwriter Dunno said he "left it to the audience to decide if the blessed rain came as the result of divine intervention or simply of a low-pressure system moving in from the Mediterranean." Well it could be both, couldn't it? 

ellauri156.html on line 431: David was about thirty when he began to reign (2 Samuel 5:4), so we can look for a birth date, which according to the pattern of other proposed birth dates in this series should occur both on a Hebrew holy day, at least some other sacred calendars, and also on a date similar on some calendars to his death date. Those requirements are so stringent to occur in a given year that if we find such a date, it is highly likely to be correct. Moreover, in nearly every case so far, the birth date is more impressive than the death date, and David's proposed death date is a sacred day on 4 calendars (also being 1 Condor on the Sacred Round).

ellauri156.html on line 437: The United States of America was also born on July 4th, the date proposed for David's birth. Is that of any significance? If so, there will also be at least another witness, according to what has been discovered so far in the research. It turns out that Thu 4 Jul 1776 was also 17 Tammuz on the Hebrew calendar as was David's birth, so it may not be by chance that the nation which consistently sides with modern-day Israel was born on David's birthday.

ellauri156.html on line 442: Dunno says his original conception was for a film that would encompass David's life and go into three main chapters: David as a boy fighting Goliath; a more mature David and his friendship with Jonathan, ending with the affair with Bathsheba; and an older David and his relationship with his son Absalom. Dunno wrote a treatment which he estimated would make a four hour movie. Zanuck was not enthusiastic so Dunno then pitched the idea of doing a film just on David and Bathsheba, which Zanuck loved.

ellauri156.html on line 445: Zanuck opted to use stars already under contract to 20th Century-Fox. The production of the film started on November 24, 1950 and was completed in January 1951 (with some additional material shot in February 1951). The film premiered in New York City August 14, and opened in Los Angeles August 30, before opening widely in September 1951. It was shot entirely in Nogales, Arizona, which has a lot of the looks of the promised land, including the indians, who were made up to look like Palestinians. 

ellauri156.html on line 447:     The musical score was by Alfred Newman (the funny looking kid on the cover of Mad magazine), who, for the bucolic scene with the shepherd boy, used a solo oboe in the Lydian mode, drawing on long established conventions linking the solo oboe with pastoral scenes and the shepherd's pipe. To underscore David's guilt-ridden turmoil in the Mount Gilboa scene, Newman resorted to a vibraphone, which Miklós Rózsa used in scoring Peck's popular 1945 Spellbound, in which he played a no less disturbed patient suffering from amnesia, viz. prophet Nathan Zuckerman.

ellauri156.html on line 453: The film sparked protests in Singapore over what the Muslim community considered an unflattering portrait of David, considered an important prophet in Islam, as a hedonist susceptible to sexual overtures. Mohammed and his 9-year old wife would have been outraged. 

ellauri156.html on line 455: King Solomon, author of The Ancient World in the Cinema, found the film rather slow-paced in the first half before gaining momentum, and Peck "convincing as a once-heroic monarch who must face an angry constituency and atone for his sins." He noted that this was different from other biblical epics in that the protagonist faced a religious and philosophical issue rather than the overdone military or physical crisis.

ellauri156.html on line 459: The commercial ended with a message for viewers to vote for Johnson in the election. The commercial implied that if Johnson's opponent, Barry Goldwater won the election, Goldwater would recklessly start a nuclear war that would kill the girl (and by extension, the viewer's own children) although Goldwater's name was not mentioned, his voice in not heard and his image was not shown during any point of the commercial. This commercial and its airing was a major factor in Johnson's landslide victory over Goldwater, with Johnson receiving 486 electoral votes to Goldwater's 52.

ellauri156.html on line 465: When Uriah arrives in Jerusalem, he reports to David, who acts out the charade he has planned. He asks Uriah about the “welfare of Joab and the people,” and the “state of the war.” It troubles me that David needs such a report at all. If he were with his men in the field, this would not be necessary. But even worse, David does not really care about Joab, the people, or the war. David's one preoccupation is to cover up his sin, to get Uriah home and to bed with his wife, and thus to get David off the hook. How sad to read of David's hypocrisy. The king who had compassion on the crippled son of Jonathan now lacks compassion for the whole army, and specifically for Bathsheba and her husband Uriah.

ellauri156.html on line 469: Uriah leaves David's presence. Now David adds a further touch. He sends a “present from the king” after, or with, Uriah. How we would love to know just what that “gift” was. Was it a night for two at the Jerusalem Hilton? Was it dinner and dancing at a romantic restaurant? I think we can safely say this: (1) We are not told what the present was. (2) We are not supposed to know, or it would not add to the story for us to know what it was. (3) Whatever it was, it was very carefully planned to facilitate David's scheme of getting Uriah to bed with his wife, as quickly as possible.

ellauri156.html on line 471:     Uriah has to understand what the king is suggesting. Who wouldn't want to go home and enjoy his wife after some time of separation, thanks to the war with the Ammonites? Instead, we are told that Uriah never leaves the king's house. He sleeps in the doorway of the king's house, in the presence of a number of the king's servants. I am inclined to understand that at least some of these servants, if not all of them, are the king's bodyguards (compare 1 Kings 14:27-28). Uriah is a soldier. He has been called to his king's presence, away from the battle. But as a faithful servant of the king, he will not enjoy a night alone with his wife; instead, he will join with those who guard the king's life. This is the way he can serve his king in Jerusalem, and so this is what he chooses to do rather than to go home. The irony is overwhelming. The king's faithful soldier spends the night guarding the 50% new life of the king in his wife's womb, the king who has taken his own wife in the night, and who will soon take his life as well. Dramatic irony.

ellauri156.html on line 511: In all likelihood, this was all in a day's work for the Israeli army even then. So it is not strange to see David, the mighty man of valor, (1 Samuel 16:18) dealing with Uriah, another mighty man of valor, like the enemy. Here is Uriah, a man who will give his life for his king (but not his wife? Did David even ask?), and David, a man who is now willing to take Uriah's life to cover his sin. We all know that it doesn’t work. (Actually, we all know that it works perfectly: David will be honored by posterity as the best Israeli king ever.) How strange it is to see David making Joab his partner in crime, especially after what Joab has done to li'l Abner:

ellauri156.html on line 518: Abner is initially mentioned incidentally in Saul's history, first appearing as the son of Ner, Saul's uncle, and the commander of Saul's army. He then comes to the story again as the commander who introduced David to Saul following David's killing of Goliath. He is not mentioned in the account of the disastrous battle of Gilboa when Saul's power was crushed. Seizing the youngest but only surviving of Saul's sons, Ish-bosheth, also called Eshbaal, Abner set him up as king over Israel at Mahanaim, east of the Jordan. David, who was accepted as king by Judah alone, was meanwhile reigning at Hebron, and for some time war was carried on between the two parties.

ellauri156.html on line 522:     However, according to Josephus, in Antiquities, Book 7, Chapter 1, Joab had forgiven Abner for the death of his brother, Asahel, the reason being that Abner had slain Asahel honorably in combat after he had first warned Asahel and tried to knock the wind out of him with the butt of his "spear". However, probably by intervention of God, his obtuse tool went through Asahel. The Bible says everyone stopped and gawked. That shows that something like this never happened before. This battle was part of a civil war between David and Ish-bosheth, the son of Saul. After this battle Abner switched to the side of David and granted him control over the tribe of Benjamin. This act put Abner in David's favor.

ellauri156.html on line 528: David had Abner buried in Hebron, as it states in Samuel 3:31-32,[10] "And David said to all the people who were with him, 'Remove your clothes and gird yourselves with this sackcloth taking turns, and wail before me and Li'l Abner.' And King David went after the beer. And they buried Abner in Hebron, and the king raised his voice and wept on Abner's grave, and all the people wept."

ellauri156.html on line 532: Li'l Abner is a satirical American comic strip that appeared in many newspapers in the United States, Canada and Europe, featuring a fictional clan of hillbillies in the impoverished mountain village of Dogpatch, USA. Written and drawn by Al Capp (1909–1979), the strip ran for 43 years, from August 13, 1934, through November 13, 1977.

ellauri156.html on line 533:     Comic strips typically dealt with northern urban experiences before Capp introduced Li'l Abner, the first strip based in the South. The comic strip had 60 million readers in over 900 American newspapers and 100 foreign papers in 28 countries. Capp "had a profound influence on the way the world viewed the American South."

ellauri156.html on line 537: Abner was the son of the witch of En-dor in Mordor, (Pirḳe R. El. xxxiii.), and the hero par excellence in the Haggadah (Yalḳ., Jer. 285; Eccl. R. on ix. 11; Ḳid. 49b). Conscious of his extraordinary strength, he exclaimed: "If I could only catch hold of the earth, I could shake it" (Yalḳ. l.c.)—a saying which parallels the famous utterance of Archimedes, "Had I a fulcrum, I could move the world." (Dote moi pa bo kai tan gan kino.) According to the Midrash (Eccl. R. l.c.) it would have been easier to move a wall six yards thick than one of the feet of Abner, who could hold the Israelitish army between his knees, and often did. Yet when his time came [date missing], Joab smote him. But even in his dying hour, Abner seized his foe's balls like a ball of thread, threatening to crush them. Then the Israelites came and pleaded for Joab's jewels, saying: "If thou crushest them his future kids shall be orphaned, and our women and all our belongings will become a prey to the Philistines." Abner answered: "What can I do? He has extinguished my light" (has wounded me fatally). The Israelites replied: "Entrust thy cause to the true judge [God]." Then Abner released his hold upon Joab's balls and fell dead to the ground (Yalḳ. l.c.).

ellauri156.html on line 539: His One Sin: The rabbis agree that Abner deserved this violent death, though opinions differ concerning the exact nature of the sin that entailed so dire a punishment on one who was, on the whole, considered a "righteous man" (Gen. R. lxxxii. 4). Some reproach him that he did not use his influence with Saul to prevent him from murdering the priests of Nob (Yer. Peah, i. 16a; Lev. R. xxvi. 2; Sanh. 20a)—convinced as he was of the innocence of the priests and of the propriety of their conduct toward David, Abner holding that as leader of the army David was privileged to avail himself of the Urine and Thumbeline (I Sam. xxii. 9-19). Instead of contenting himself with passive resistance to Saul's command to murder the priests (Yalḳ., Sam. 131), Abner ought to have tried to restrain the king by the balls. Others maintain that Abner did make such an attempt, but in vain (Saul had not enough to get a proper hold of), and that his one sin consisted in that he delayed the beginning of David's reign over Israel by fighting him after Saul's death for two years and a half (Sanh. l.c.). Others, again, while excusing him for this—in view of a tradition founded on Gen. xlix. 27, according to which there were to be two kings of the house of Benjamin—blame Abner for having prevented a reconciliation between Saul and David on the occasion when the latter, in holding on to the skirt of Saul's robe (I Sam. xxiv. 11), showed how unfounded was the king's mistrust of him, seeing Saul had no balls to speak of. Old Saul was inclined to be happy with a pacifier; but Abner, representing to him that the naked David might have found a piece of garment anywhere — even just a piece of sackcloth caught on a thorn — prevented the reconciliation (Yer. Peah, l.c., Lev. R. l.c., and elsewhere). Moreover, it was wrong of Abner to permit Israelitish youths to kill one another for sport (II Sam. ii. 14-16). No reproach, however, attaches to him for the death of Asahel, since Abner killed him in self-defense (Sanh. 49a).

ellauri156.html on line 541:     It is characteristic of the rabbinical view of the Bible narratives that Abner, the warrior pure and simple, is styled "Lion King of the Law" (Yer. Peah, l.c.), and that even a specimen is given of a halakic discussion between him and Dog as to whether the law in Deut. xxiii. 3 excluded Ammonite and Moabite women from the Jewish community as well as men. Dog was of the opinion that David, being descended from the Moabitess Ruth, was not fit to wear the crown, nor even to be considered a true Israelite; while Abner maintained that the law affected only the male line of descent. When Dog's dialectics proved more than a match for those of Abner, the latter went to the prophet Samuel, who not only supported Abner in his view, but utterly refuted Dog's assertions (Midr. Sam. xxii.; Yeb. 76b et seq.).

ellauri156.html on line 562: Now why does this messenger not wait for David to respond in anger, as Joab instructed? Why does he inform David that Uriah has been killed, before he even utters a word of criticism or protest? I believe the messenger gives the report in this way because he understands what is really going on here. I think he may know about David and Bathsheba, and perhaps even of her pregnancy. He certainly knows that Uriah was summoned to Jerusalem. I think he also figures out that David wants to get rid of Uriah, and that Joab has accomplished this by this miserable excuse for an offensive against the enemy. I think the messenger figures out that if David knows Uriah has been killed, he will not raise any objections to this needless slaughter. And so, rather than wait for David to hypocritically rant and rave about the stupidity of such a move, he just goes on and tells him first, so that he will not receive any reaction from David.

ellauri156.html on line 566: Then David said to the messenger, “Thus you shall say to Joab, 'Do not let this thing displease you, for the sword devours one as well as another; make your battle against the city stronger and overthrow it'; and so encourage him” (2 Samuel 11:25).

ellauri156.html on line 568:   These words of David are the frosting on the cake. They seem gracious and understanding, even sympathetic. In effect, David is saying, “Well, don't worry about it. After all, you win a few, and you lose a few. That's the way the cookie crumbles.” Uriah, a great warrior and a man of godly character (but not a Jew, mind you), has just died, and David does not express one word of grief, one expression of sorrow, not one word of tribute. Uriah dies, and David is unmoved. Contrast his response to the death of Uriah with his responses to the deaths of Saul and Jonathan (2 Samuel 1:11-27), and even of Abner (2 Samuel 3:28-39). This is not the David of a few chapters earlier. This is a hardened, callused David, callused by his own sin.

ellauri156.html on line 582:   He who conceals his transgressions will not prosper, except for David, and a few others, come to think of it. But he who confesses and forsakes them will find compassion (Proverbs 28:13). And that is all he finds. Quite often compassion at his scaffold and grave. 

ellauri156.html on line 586: Man (and exceptionally, woman) has been seeking to cover up his sins ever since the Garden of Eden. Adam and Eve thought they could cover their sins by hiding their nakedness behind the fig leaves (hardly large enough for Adam's snake), and if not this, by hiding themselves from God behind Eve's bush. But God "lovingly" sought them out, not only to rebuke them and to pronounce some select curses upon them, but to give them a lame promise of forgiveness when the flagpoles start to bloom. It was God who provided a covering for their sins, in the form of snappy sackcloth jeans. The sacrificial death, burial, resurrection, and feasting on rumpsteaks cut from our Lord Jesus Christ's butt is God's provision for covering our sins. Have you experienced it, my friend? If not, why not confess your sin now and receive God's gift of forgiveness from him in person (in pirsuna pirsunalmente), and work henceforward with Jesus Christ in the cross factory of Cavalry? How 'bout that? A. Yokum, frost-bite travelers re-skewered reasonable. Ask for rates!

ellauri156.html on line 590: Seventh, Uriah is a reminder to us that God does not always deliver the righteous from the hand of the wicked immediately, or even in this lifetime. This is a really crucial point! Don't except to be saved except ex post facto. Daniel's three friends told the king that their God was able to deliver them. They did not presume that He would, or that He must, only that theoretically, he could if he wanted to. And God did deliver them, though with late delivery, rather like today's postal services.  I think Christians should look upon this sort of deliverance as the rule, rather than the exception. But when Uriah faithfully serves his king (David), he loses his life. God is not obliged to “bail us out of trouble” or to keep us from trials and tribulations just because we trust in Him. Sometimes it is the will of God for men to trust fully in Him and to submit to human government (what? like U.S. government? No way Jose!), and still to suffer adversity, from which God may not deliver us. Spirituality is no guarantee that we will no longer suffer in this life. In fact, spiritual intimacy with God is often the cause of our sufferings (see Matthew 5).

ellauri156.html on line 625: A couple hundred years ago, my wife Jeannette and I went to England and Scotland with my parents. Each night we stayed at a “bed and breakfast” as we drove through Wales. There were a number of farms, but not so many towns in which to find a place to stay for the night. We saw a “bed and breakfast” sign and traveled along the country road until we found the place -- a very quaint farm. We saw several hundred sheep in a pasture, a stone trestle, and stone barns. It looked like the perfect place, and in many ways it was. What we did not realize was that the stone trestle was a railroad trestle for a train that came by late at night, a few feet from the house where we slept. Two cows also calved that night. I have spent my share of time around farms, but I have never heard the bellow of a cow that was calving echo throughout a stone barn. I could hardly sleep a wink. Just goes to show. Never trust the Rugby guys. 

ellauri156.html on line 627: In addition to the hundreds of sheep in a nearby pasture, there was a small lamb in a pen, very close to the house. It was a frisky, friendly little fellow, and we loved to "play" with it. We were somewhat perplexed as to why this fellow was kept by himself, away from the rest of the flock. The farmer's nephew came by, and I asked him. It took a while to understand his strong accent, but finally I realized he was telling me this was his “pet lamb.” The problem was that he said it as though it were one word, “bedlam.” This was obviously a separate category, distinct from the category of mere “sheep” or a “lamb.” This “pet lamb” was given a special pen, right by the house, and a lot more attention and care than the rest. I did not dare to ask the man where his "penis". 

ellauri156.html on line 637:   It all seems to be over. David is not looking for another wife; he is not even looking for an affair. He is looking for a conquest. That should have happened on the battlefield, not in the bedroom! Things take a very different turn when Bathsheba sends word to David that she is pregnant. David first seeks to cover up his sin by ordering Joab to send Uriah home on furlough, ostensibly to give David a report on the war. David's efforts to get Uriah into bed with Bathsheba begin as subtle hints, then change to veiled orders, and then turn crass as David seeks to get Uriah to do drunk what he will not do sober. When these efforts fail (due to Uriah's noble character), David sends Uriah back to Joab, with written orders to Joab to put him to death in a way that makes it seem like a casualty of war. Joab does as he is told and sends word to David: “Mission accomplished.” It is here that our apparently never-ending story resumes.

ellauri156.html on line 641: Bathsheba's response to the death of her husband is as we would expect, as we would also hope. From what the text tells us, she has absolutely no part in David's plot to deceive her husband, let alone to put him to death. Undoubtedly, she learns of Uriah's death in much the same way every war widow does, then or now. When she is officially informed of Uriah's death in battle, she mourns for her husband. We cannot be certain just how long this period of mourning is. We know, for example, that if a virgin of some distant (i.e., not Canaanite) nation was captured by an Israelite during a raid on her town, the Israelite could take her for a wife after she had mourned for her parents (who would have been killed in the raid) for a full month (Deuteronomy 21:10-13). As I will seek to show in a moment, I believe Bathsheba's mourning is genuine, and not hypocritical. I believe she mourns her husband's death because she loves him.

ellauri156.html on line 645: When Bathsheba's mourning is complete, David sends for her and brings her to himself as his wife. Wait, was little David born as yet, or did he start fucking her with her belly full? I do not see him bending down on his knees, proposing. I do not see him courting her, sending her roses. I see him “taking” her once again. And again. In fact, this is my favourite part. The question in my mind is, “Why?” Why does David take Bathsheba into his house as one of his wives? I do not think he is any longer trying to “cover up” his sin; it is far too late for that. She must be “showing” her pregnancy by now, and it is hard to imagine how all Israel cannot know what has been going on. It appears that at this point, David is not trying to conceal his sin, but to legitimize it. Whatever David's reasons may be, they are hardly spiritual, and they are most certainly self-serving.

ellauri156.html on line 658: Psalm 32 is one of two psalms (the other is Psalm 51) in which David himself reflects on his sin, his repentance, and his recovery. Verses 3 and 4 of Psalm 32 are the focus of my attention at this point in time. These verses fit between chapters 11 and 12 of 2 Samuel. The confrontation of David by Nathan Zuckermann the prophet, described in 2 Samuel 12, results in David's repentance and confession. But this repentance is not just the fruit of Nathan's rebuke; it is also David's response to the work God has been doing in David's heart before he confesses, while he is still attempting to conceal his sin.

ellauri156.html on line 660: In these verses, David makes it clear that God is at work even when it does not appear to be so. During the time David tries to cover up his sin, God is at work exposing it in his heart. These are not times of pleasure and joy, as Satan would like us to conclude; they are days of misery. David is plagued with guilt. He cannot sleep, and it seems he cannot eat. Worst of all, he cannot fuck. He is not sleeping nights, and he is losing weight. Whether or not David recognizes it as God who is at work in him, he does know he is miserable. It is this misery which tenderizes David, preparing him for the rebuke Nathan Zuckermann is to bring, preparing him for repentance. David's repentance is not the result of David's assessment of his situation; it is the result of divine intervention. Hey wait? If that is the case, where is the much-advertised free will? He has gone so far in sin that he cannot think straight. God is at work in David's life to break him, so that he will once again cast himself upon God for grace. He has good experience in casting himself upon folk, from Saul thru Jonathan to Bathsheba. 

ellauri156.html on line 675: There are several important things to note about this meeting between Nathan and King David. First, note that Nathan is sent to David. Nathan is, of course, a prophet. However it comes about, he knows what David has done. If you will pardon the pun, David cannot pull the wool over his eyes. His words are, in the final analysis, the very word of God (see 12:11). If Nathan is a prophet, he is also a man who seems to be a friend to David. One of David's sons is named Nathan (2 Samuel 5:14). David informs Nathan of his desire to build a temple (chapter 7). Nathan will later christen (sorry, name) Bathsheba's and David's second son (12:25). He will remain loyal to the king and to Solomon when Adonijah seeks to usurp the throne (1 Kings 2). Nathan does not come to David only as God's spokesman, he comes to David as his friend.

ellauri156.html on line 677: Faithful are the wounds of a friend, But deceitful are the kisses of an enemy (Proverbs 27:6). Onkohan mulla sananlaskuja jossain töräyxissä jo? TODO.

ellauri156.html on line 699: The lawyer was in trouble; the story had no technicalities over which to argue. It brought the issue home, with little ground for quibbling over details. When push came to shove, the lawyer knew our Lord's functional definition of “neighbor” was absolutely right. He had nowhere to hide. The story did the trick; it cut to the heart of the matter, while avoiding trivial details to quibble over for hours. It was not the lawyer who made Jesus look bad with all his minutiae but Jesus who made the lawyer look bad with a simple story. The best part about similes that they can be tweaked any way you wish. Russians are our neighbors if they get to trouble, and so are Chinamen. But there is nothing here about helping them when they threaten our vital interests. 

ellauri156.html on line 701: That is part of the reason Nathan told David this story. It was never meant to be a makeover of David's sin; it is meant to expose David's sin in principle, in a way that cannot be denied. Having done this very well, Nathan then presses on to deal with David's sin specifically.

ellauri156.html on line 705:   Some of you cannot even imagine what this is like. It is a horrifying thought to you. How could anyone treat an animal that way? I have only one response: Obviously you haven't been to our house lately to be greeted by two cats (who, to the dismay of my wife, can be found around -- and sometimes on -- the table) and four dogs (none of them are ours, technically). I say nothing about my petlamb, even Jennifer doesn't quite approve.

ellauri156.html on line 709: I hope I am not guilty of attempting to make this story “walk on all fours” when I stress the same thing the story does -- that there is a very warm and loving relationship between the rich man and the poor man's “pet lamb.” It really tasted great! Considered along with everything else we read about Uriah and Bathsheba and David, I must conclude that the author is making it very clear that Uriah and Bathsheba dearly loved each other. Anyway, who cares this way or that, it was his lamb. When David “took” this woman to his bedroom that fateful night, and then as his wife after the murder of Uriah, he took her from the man she loved. Bathsheba and Uriah were devoted to each other, which adds further weight to the arguments for her not being a willing participant in David's sins. It also emphasizes the character of Uriah, who is so near to his wife, who is being urged by the king to go to her, and yet who refuses to do so out of principle. 

ellauri156.html on line 711: David does not see what is coming. The story Nathan tells makes David furious. The David who was once ready to do in Nabal and all the male members of his household (1 Samuel 25) is now angry enough to do in the villain of Nathan's story. Doing in folks was one of his pet lambs. In some ways, David's response is a bit overdone. He reminds me a bit of Judah in Genesis 38, when he learns that Tamar, his daughter-in-law is pregnant out of wedlock. Not realizing that he is the father of the child in her womb, Judah is ready to have Tamar burned to death. How ironic that those who are guilty of a particular sin are intolerant of this sin in the life of others. Well said, Bob! Christians are really hard on people who have no charity.

ellauri156.html on line 722:   Second, David recognizes what he views as the greater sin, and that is the rich man's total lack of compassion. David is furious because a rich man stole and slaughtered a poor man's pet. He does not yet see the connection to his lack of compassion for stealing a poor man's beloved companion, Uriah's wife, Bathsheba. The slaughtering of Uriah is most certainly an act which lacks compassion. The crowning touch in David's display of righteous indignation is the religious flavoring he gives it by the words, “as the Lord lives” (verse 5).

ellauri156.html on line 768: The consequences are not only appropriate, but intensified. David took one man's wife; another will take several (I bet four) of his wives. This happens when Absalom rebels against his father's rule and temporarily takes over the throne. Following the advice of Ahithophel, Absolom pitches a tent on the roof of David's palace (the place from which David first looked upon Bathsheba) and there, in the sight of all Israel, sleeps with David's concubines as a declaration that he has taken over his father's throne and all that goes with it (2 Samuel 16:20-22). While David seeks to commit his sins in private, God sees to it that the consequences are very public. Aijaa. Kai tää Absalom-tarinakin täytyy vielä lehteillä. 

ellauri156.html on line 772: (1) Nathan is a propellerhead, but he is also an example of a faithful friend. Proverbs puts it this way.

ellauri156.html on line 774: I do not know how many people I have known who refused to rebuke or even caution someone close to them, thinking that they are being a friend by being non-condemning. A good friend does not let us continue on the path to our own destruction. Nathan was acting as a prophet, but he was also acting like a friend. Would that we had more professor friends. Would that we were a prophylactic friend to one on the path of destruction. Deliver in a timely manner those who are being taken away to death, And those who are staggering to slaughter, Oh hold them back (Proverbs 24:11).

ellauri156.html on line 778: 20 So Moses said to them, “If you will do this, if you will arm yourselves before the LORD for the war, 21 and all of you armed men cross over the Jordan before the LORD until He has driven His enemies out from before Him, 22 and the land is subdued before the LORD, then afterward you shall return and be free of obligation toward the LORD and toward Israel, and this land shall be yours for a possession before the LORD. 23 “But if you will not do so, behold, you have sinned against the LORD, and be sure your sin will find you out (Numbers 32:20-23, emphasis mine). Note what this says! We must support Israel against its mooslem neighbors! They are not their neighbors! Or rather of course they are but they are also enemies!

ellauri156.html on line 780: (3) God is under no obligation to stop us from sinning. (So why did he bother with David then? Is he some sort of special case? Of course he is, he is Dawgs petlamb. Sometimes people justify their sin by saying something like: “I've prayed about it and asked God to stop me if it is wrong. . . .” When God does not stop them, they somehow assume it must be right. God could have stopped David after he chose to stay home from the war, or after he began to covet Uriah's wife, or after he committed adultery, but instead He allowed David to persist in his sin for some time. God even allowed David to get away with murder, for a time. Well actually, for good. It was just a immigrant after all. God's Word forbade David's sins of coveting, adultery, and murder. God's Word commanded David to stop, and he did not. God allowed David to persist in his sin for a season, but not indefinitely. God allowed David's sin to go full circle, to reach full bloom, so that he (and we) could see how sin grows (compare Genesis 15:12-16).

ellauri156.html on line 802: I used to teach school. From time to time the principal would call a misbehaving student to his office. I will never forget when one of my students was called to his office, and then returned with a smirk on his face. One of my students protested publicly, “Will you look at that? He went to the principal's office and came back with a smile on his face!” My young student was absolutely right. Being called to the principal's office for correction should produce repentance and respect, not a smile. In those few times when I found it necessary to use the “rod” of correction, I purposed that no student would come back into the room with a smile, and none did (including the principal's own son, I might add, who was not even in my class). Oh how my students loved and respected me! I still think it was unfair to sack me. There was hardly any mark left on their precious skin from my rod. Least of all of the one that I used on my coeds. 

ellauri156.html on line 804: I have never met a Christian who chose to sin, and after it was all over felt that it was worth the price. Those that did quite simply were not Christians. David's sin and its consequences should not encourage us to sin, but should motivate us to avoid sin at all costs. The negative consequences of sin far outweigh the momentary pleasures of sin. Sin is never worth the price, even for those whose sin is forgiven. Sin is not worth it even when it's free of charge. In fact, we ought to be paid to commit sin. (Some do, like the adulterous woman in Proverbs, and Trick Dick's burglars. But we won't open that can of worms now that we are this close to the finish line.)

ellauri156.html on line 814:   The Gospel of Jesus Christ is “Good News.” (No, it is Dog's breakfast. You must be thinking of euangelion.) The “Good News” is the death of our Lord, which reveals the immensity of our sin, is the immense workload of God by which he can and will forgive us of our sin. (Recall here Dosto's and many other mystics' meme that everybody should feel guilty of everything. They really enjoy it! It is some variant of algolagnia.) By His innocent and sacrificial death, Jesus died in our place, paid the penalty for our sins. Come to think of it, the logic of this story IS on all fours with God's judgment on David's oversight: Not nice but don't worry, I'll cash your debt on some innocent scapegoat.

ellauri156.html on line 816:   He bore ours sins on the cross! And by trusting in His death, burial, and resurrection, we die to sin (or sin to die, pick your choice, like David from Nathan's deck of bottom cards) and are raised to novelty products of eternal life, in Christ. The Gospel must first bring us to a recognition of the magnitude of our sin, and of our guilt, and then it takes us to the magnitude of God's grace in Jesus Christ, by which our sins can be forgiven. Have you come to see how great your sins are before a holy God? Then I urge you to experience how great a salvation is yours, brought about by this same God, through the death, burial, and resurrection of Lord Jesus Christ. What a Relief! Plop plop fizz fizz, oh what a relief it is.

ellauri158.html on line 72: Tässä on heti pari perinteistä ajatusvirhettä. Primus moottori eli liikkumaton liikuttaja Aristoteleelta, ja ontologinen jumalan olemassaolotodistus yhdessä lauseessa. Sehän on kuin kysyisi kuin Itchele: Mitä oli ennen luontoa? Mitä oli ennen jumalaa, vastasi isoveli Singer juutalaisittain Iisakille kysymyxeen kysymyxellä. Skolastiikan käsiaseista puuttuu enää ex nihilo nihil fit ja riittävän syyn periaatteen neljä juurikasta.

ellauri158.html on line 470:   ---- axiom. 1. Omnia corpora vel moventur, vel quiescunt.  [in: P. 2. lem. 3.]

ellauri158.html on line 474: ---- axiom. 2. Unumquodque corpus iam tardius, iam celerius movetur.

ellauri158.html on line 491: ------ coroll. Hinc sequitur corpus motum tamdiu moveri, donec ab alio corpore ad quiescendum determinetur; et corpus quiescens tamdiu etiam quiescere, donec ab alio ad motum determinetur.

ellauri158.html on line 497: ------- axiom. 1. Omnes modi, quibus corpus aliquod ab alio afficitur corpore, ex natura corporis affecti et simul ex natura corporis afficientis sequuntur; ita ut unum idemque corpus diversimode moveatur pro diversitate naturae corporum moventium, et contra ut diversa corpora ab uno eodemque corpore diversimode moveantur.  [in: P. 2. prop. 16.,   prop. 24.,   P. 3. postul. 1.,   prop. 17. schol.,   prop. 51.,   prop. 57.]

ellauri158.html on line 501: -------- axiom. 2. Cum corpus motum alteri quiescenti quod dimovere nequit, impingit, reflectitur, ut moveri pergat, et angulus lineae motus reflectionis cum plano corporis quiescentis, cui impegit, aequalis erit angulo, quem linea motus incidentiae cum eodem plano efficit.  [in: P. 2. prop. 17. coroll.]

ellauri158.html on line 505: -------- defin. Cum corpora aliquot eiusdem aut diversae magnitudinis a reliquis ita coercentur, ut invicem incumbant, vel si eodem aut diversis celeritatis gradibus moventur, ut motus suos invicem certa quadam ratione communicent, illa corpora invicem unita dicemus, et omnia simul unum corpus, sive individuum componere, quod a reliquis per hanc corporum unionem distinguitur.  [in: P. 2. lem. 4.,   lem. 7.,   prop. 24.,   P. 4. prop. 39.]

ellauri158.html on line 509: -------- axiom. 3. Quo partes individui vel corporis compositi secundum maiores vel minores superficies sibi invicem incumbunt, eo difficilius vel facilius cogi possunt, ut situm suum mutent, et consequenter eo difficilius vel facilius effici potest, ut ipsum individuum aliam figuram induat. Atque hinc corpora, quorum partes secundum magnas superficies invicem incumbunt, dura, quorum autem partes secundum parvas, mollia, et quorum denique partes inter se moventur, fluida vocabo.

ellauri158.html on line 525: ---- lem. 7. Retinet praeterea individuum sic compositum suam naturam, sive id secundum totum moveatur, sive quiescat, sive versus hanc, sive versus illam partem moveatur, dummodo unaquaeque pars motum suum retineat, eumque, uti antea, reliquis communicet.  [in: P. 2. lem. 7. schol.,   P. 3. postul. 1.]

ellauri158.html on line 551: -- postul. 6. Corpus humanum potest corpora externa plurimis modis movere plurimisque modis disponere.  [in: P. 2. prop. 14.,   P. 4. prop. 39.]

ellauri158.html on line 557:     Humaanimieli on sovelias havaizemaan kaikenlaista, ja sitä soveliaampi mitä notkeampi ruumis sillä on.

ellauri158.html on line 686:     Huom. Esim. Siili on mielestään esittänyt jumalan eli luonnon toiminnan asialliseseti. Yet there still remain misconceptions not a few, which might and may prove very grave hindrances to the understanding of the concatenation of things, as I have explained it above. I have therefore thought it worth while to bring these misconceptions before the bar of reason.

ellauri158.html on line 694:     Hence also it follows, that everyone thought out for himself, according to his abilities, a different way of worshipping God, so that God might love him more than his fellows, and direct the whole course of nature for the satisfaction of his blind cupidity and insatiable avarice. Thus the prejudice developed into superstition, and took deep root in the human mind; and for this reason everyone strove most zealously to understand and explain the final causes of things; but in their endeavor to show that nature does nothing in vain, i.e. nothing which is useless to man, they only seem to have demonstrated that nature, the gods, and men are all mad together. Consider, I pray you, the result: among the many helps of nature they were bound to find some hindrances, such as storms, earthquakes, diseases, &c.: so they declared that such things happen, because the gods are angry at some wrong done to them by men, or at some fault committed in their worship. Experience day by day protested and showed by infinite examples, that good and evil fortunes fall to the lot of pious and impious alike; still they would not abandon their inveterate prejudice, for it was more easy for them to class such contradictions among other unknown things of whose use they were ignorant, and thus to retain their actual and innate condition of ignorance, than to destroy the whole fabric of their reasoning and start afresh. They therefore laid down as an axiom, that God´s judgments far transcend human understanding. Such a doctrine might well have sufficed to conceal the truth from the human race for all eternity, if mathematics had not furnished another standard of verity in considering solely the essence and properties of figures without regard to their final causes. There are other reasons (which I need not mention here) besides mathematics, which might have caused men´s minds to be directed to these general prejudices, and have led them to the knowledge of the truth.

ellauri158.html on line 816: P. 3. prop. 28. Id omne, quod ad laetitiam conducere imaginamur, conamur promovere, ut fiat; quod vero eidem repugnare sive ad tristitiam conducere imaginamur, amovere vel destruere conamur. [in: P. 3. prop. 29., prop. 31. coroll., prop. 32., prop. 35., prop. 36., prop. 38., prop. 39., prop. 39. schol., prop. 50. schol., prop. 51. schol., prop. 55. schol., P. 4. prop. 19., prop. 37. schol. 2., P. 5. prop. 19.]

ellauri158.html on line 865: -- P. 3. prop. 53. coroll. Haec laetitia magis magisque fovetur, quo magis homo se ab aliis laudari imaginatur. [in: P. 3. prop. 55. coroll. 1., P. 4. prop. 52. schol.]

ellauri158.html on line 868: -- P. 3. prop. 55. coroll. 1. Haec tristitia magis ac magis fovetur, si se ab aliis vituperari imaginatur. [in: P. 4. prop. 52. schol.]

ellauri158.html on line 936: P. 3. aff. defin. 5. Contemptus est rei alicuius imaginatio, quae mentem adeo parum tangit, ut ipsa mens ex rei praesentia magis moveatur ad ea imaginandum, quae in ipsa re non sunt, quam quae in ipsa sunt.

ellauri158.html on line 963: P. 3. aff. defin. 32. Desiderium est cupiditas sive appetitus re aliqua potiundi, quae eiusdem rei memoria fovetur, et simul aliarum rerum memoria, quae eiusdem rei appetendae existentiam secludunt, coercetur.

ellauri158.html on line 1022: -- P. 4. prop. 17. schol. Cur homines opinione magis, quam vera ratione commoveantur. [in: P. 4. prop. 37. schol. 2.]

ellauri158.html on line 1153: P. 5. prop. 2. Si animi commotionem seu affectum a causae externae cogitatione amoveamus et aliis iungamus cogitationibus, tum amor seu odium erga causam externam, ut et animi fluctuationes quae ex his affectibus oriuntur, destruentur. [in: P. 5. prop. 4. schol., prop. 20. schol.]

ellauri158.html on line 1183: P. 5. prop. 20. Hic erga Deum amor neque invidiae neque zelotypiae affectu inquinari potest; sed eo magis fovetur, quo plures homines eodem amoris vinculo cum Deo iunctos imaginamur.

ellauri159.html on line 334: ovet" title="Thou shalt not covet">Thou shalt not covet thy neighbour's house

ellauri159.html on line 357: ovet" title="Thou shalt not covet">Thou shalt not covet thy neighbour's wife

ellauri159.html on line 415: 
L: Lutherans follow Luther's Large Catechism, which follows Augustine but subordinates the prohibition of images to the sovereignty of God in the First Commandment and uses the word order of Exodus 20:17 rather than Deuteronomy 5:21 for the ninth and tenth commandments.


ellauri159.html on line 417: 
A: Augustine follows the Talmud in combining verses 3–6, but omits the prologue as a commandment and divides the prohibition on coveting in two and following the word order of Deuteronomy 5:21 rather than Exodus 20:17.

ellauri159.html on line 418: 
C: Catechism of the Catholic Church, largely follows Augustine. Combines the Exodus language prohibiting images of God with the command to have no other gods but the Lord, as the first commandment.  Changes "the sabbath" into "the lord's day".  Divides Exodus 20:17, prohibiting covetousness, into two commandments.


ellauri159.html on line 462: Who stays to covet ne’er will catch

ellauri159.html on line 565:     There is no single document about the knightly code that lists all the virtues like this. It’s a modern interpretation of several documents that outline some kind of behavioral code for knights. Between 1170 and 1220 there were several documents outlining a code of conduct for knights but there wasn’t a decision made to use a single one. The overarching idea of these virtues was “chivalry”. Chivalry originated in the Holy Roman Empire from the idealization of the cavalryman. Military bravery, individual training, and service to others—especially in Francia, among horse soldiers in Charlemagne’s cavalry. 

ellauri159.html on line 611: 
Virtue 4: Love


ellauri159.html on line 613: Making love—not gallantry or pride—should drive a knight to be a knight and should govern his thoughts and actions. With unrequited love, your knightly life, virtue, and deeds are worthless and reduce to clanging your harness. 

ellauri159.html on line 624: Luke on talousliberaaliuskossa. In the time of the medieval knight, making prudent love made the difference between life and death, wealth or poverty, health or illness, safety or turmoil, marriage or no marriage, and children or no children. And it is no different for today’s knight. Making prudent decisions daily will help lead a fruitful and effective life.

ellauri159.html on line 650: Honest to God honor comes to a person when they serve and live only for God. Sometimes others acknowledge this honor publically, which is a perk, but this is never a true knight’s goal. A good reputation (at least among those where a good reputation is valued) is nice to have, but that’s never his goal either. Nonetheless, having a good name is “more desirable than great riches; to be esteemed is better than silver or gold” (Proverbs 22:1).

ellauri159.html on line 657: The word used to translate the Greek word agape in most modern English Bibles is love, but in many older translations, agape was translated as “charity” when it was used in a context of one person to another. In a biblical context, this term should not be mistaken for the more modern use of the word to mean only giving to those in need (i.e., “giving to charity”), although this can be a substantial part of what’s meant by the word. A more encompassing definition of the word charity, at least in the context of a modern-day knight, would be to be charitable (or giving) to the rich as well, or even primarily.

ellauri159.html on line 666:     —Proverbs 31:8-9

ellauri159.html on line 722: Bear with each other and forgive whatever grievances you may have against one another. Forgive as the Lord forgave you. And over all these virtues put on love, which binds them all together in perfect unity.

ellauri159.html on line 770: You’ll also need your men to commit. You will want to know that the men beside you are us and not them. You’ll need to be able to count on them in times of crisis. You want guys who have your back. Men who don’t care about what the other men think of them aren’t dependable or trustworthy. If you’re smart, you will want the other men to prove they are committed to the team. You’ll want them to show that they care about their reputation within the gang, and you’ll want them to show that they care about your gang’s reputation with other gangs.”

ellauri159.html on line 772: To the description of the ideal perimeter-keeper outlined above, Donovan assigns four “tactical virtues”: strength, courage, mastery, and honor. These are “simple, amoral, and functional virtues” — “the practical virtues of men who must rely on one another in a worst case scenario.” They are “amoral” because they are crucial to the success of any gang — no matter if what they’re fighting for is right or wrong. Strength, courage, mastery, and honor are the attributes needed in a team of Navy SEALs just as much as a family of Mafioso. If you’ve ever wondered why we are fascinated by gangsters, pirates, bank robbers, and outlaws of all stripes, and can’t help but think of them as pretty manly despite their thuggery and extralegal activities, now you know; they’re not good men, but they’ve mastered the core fundamentals of being good at being men. So they are good men, though they are bad men. I mean. 

ellauri159.html on line 785:   The key to upholding honor in a male gang is to always try to pull your own weight – to seek to be a boon rather than a burden to the group. If a man lacks in physical strength, he might make up for it in the area of mastery – being the group’s best tracker, weapons-maker, or trap inventor; one crafty engineer can be worth more than many strong men. If a man lacks in both physical strength and mastery, he might still endear himself to the other men with a sense of humor, a knack for storytelling, or a talent in music that keeps everyone’s spirits up. Or he might act as a shaman or priest – performing rituals that prepare men for battle and cleanse and comfort them when they return from the front. The strong men of the group will usually take care of the weak ones who at least try to do whatever they can. Shame is reserved for those who will not, or cannot excel in the tactical virtues, but don’t try to contribute in some other way, and instead cultivate bitterness and disregard for the perimeter-keepers who ironically provide the opportunity to sit on one’s hands and carp. (Aki Manninen would love this.)

ellauri159.html on line 803:   In 2004, he published The Seven Basic Plots: Why We Tell Stories, a Jungian-influenced analysis of stories andń their psychological meaning, on which he had been working for over 30 years. The book was dismissed by Adam Mars-Jones, who objected to Booker employing his generalisations about conventional plot structures prescriptively: "He sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence – the list goes on – while praising Crocodile Dundee, ET and Terminator 2".

ellauri159.html on line 860: "Come here and take a lesson from the lovely lemon tree."		     It´s just another rainy Sunday afternoon   

ellauri159.html on line 861: "Don´t put your faith in love, my boy", my father said to me,		     I´m wasting my time			   

ellauri159.html on line 862: "I fear you´ll find that love is like the lovely lemon tree."		     I got nothing to do			   

ellauri159.html on line 869: One day beneath the lemon tree, my love and I did lie			     I´m driving too far			   

ellauri159.html on line 871: We passed that summer lost in love beneath the lemon tree		     I feel so lonely			   

ellauri159.html on line 894:     For those of you who are not familiar with Myers-Briggs or the MBTI (Myers-Briggs Type Indicator), it is a personality profiling system based on Jung’s typological theory that was developed by Katherine Cook Briggs and her daughter Isabel Briggs Myers. In the Myers-Briggs typology system, there are sixteen personality types consisting of four letters: E for extrovert or I for introvert, S for sensor or N for intuitive, T for thinker or F for feeler, and P for perceiver or J for judger. Psychologist David Keirsey later sorted these types into four temperaments. You can read more about Myers-Briggs here and find books about it here. Myers-Briggs typology can offer a lot of insight into how someone thinks, and in the case of an author, how someone writes.

ellauri159.html on line 900: 	  ESTJs are industrious traditionalists whose extroversion often leads them to take charge of situations. They are generally pragmatic and like things to be organized and clear. They are driven by a need to analyze and bring order to the world. ESTJ writers include Amy Chua, E.L. James, Dr. Phil McGraw, Tom Clancy, Ann Coulter, Michelle Malkin, Bill O’Reilly, Billy Graham, and Sonia Sotomayor. Learn more about how ESTJs write here.

ellauri159.html on line 923: ESTPs are enthusiastic adventurers who enjoy hands-on experiences. They are realists who accept the world the way it is and focus on enjoying new activities and challenges. Famous ESTP authors include Sir Arthur Conan Doyle, Glenn Beck, Bret Easton Ellis, the Marquis de Sade, Ernest Hemingway, John Grisham, Dale Carnegie, Stephen R. Covey, Epicurus, and Rhonda Byrne. Learn more about how ESTPs write here.

ellauri159.html on line 974: ENTPs love new ideas and possibilities and are excited by innovation. They are energetic, enthusiastic, and spontaneous people with a deep need to understand the world around them. ENTP writers include Socrates, Niccolo Machiavelli, George Bernard Shaw, Chuck Palahniuk, Benjamin Franklin, Voltaire, and Mark Twain. Learn more about how ENTPs write here. 

ellauri159.html on line 994: E: Extraversion preferred to introversion 


ellauri159.html on line 997: I: Introversion preferred to extraversion 


ellauri159.html on line 1031:     Don´t state their point too strongly and risk offending their audience. To avoid this, consider the reaction of a loved one who might disagree with you. Revise with that person in mind to soften your tone.

ellauri159.html on line 1041:   Write for an audience, seeing you want to hear how people were affected by your work. With sufficient encouragement and clear instructions, you might even be able adapt the piece to the expectations of a teacher, boss, or editor. A lack of feedback is likely to demotivate you. To avoid this, seek out an environment where people appreciate hearing your stuff over and over.

ellauri159.html on line 1046:   Yoo respect authority and often cite experts in their writing. Avoid over-copying others, particularly if the subject is unfamiliar, theoretical, or impersonal. Look for ways to draw on your own experience or to explore how the topic affects people.

ellauri159.html on line 1073:     View writing as a means of disseminating information.  You excel at business and scientific writing, because you organize and present data sequentially.  You like to include statistics to prove the point, and to illustrate it with visuals such as charts and graphs.

ellauri159.html on line 1077:     Generally you work hard and meet deadlines. As the introvert you are, you prefer to write alone and in a quiet environment. You tend to be succinct and analytical. You are unlikely to need a dictionary to add noise to your writing—after all, the focus on getting to the point.

ellauri159.html on line 1081:   At your best, you produce a report, article, or paper that reads like a dry listing of facts. To ensure this, consider overusing statistics or citing even more experts. No need to  incorporate real-world examples to engage your readers.

ellauri159.html on line 1115:   You may procrastinate because writing is essentially an introverted activity, and you are a super extrovert. Be sure to schedule ample time for revision (your own and your poor teacher´s). Don´t worry, the first draft is sure be unfocused—full of ideas but without a unifying theme. The subsequent drafts will be the same, until your teacher can isolate your best ideas and weave them together more or less coherently.

ellauri159.html on line 1131:   Make sure you don´t gather too much information in the exploration stage or you don’t have a clear sense of direction left. If you feel overwhelmed, ask for help or talk to a trusted friend. Connect the topic to your values, like the value of money. Write without inhibition and let your voice shine. Remember, your drafts are for your eyes only. They’re the rough stone from which you sculpt the finished product. Your teacher will be happy to cross out the stuff that can´t be printed.

ellauri159.html on line 1135:   You may feel paralyzed if expectations are too vague or too rigid. Seek clarification where possible, or find a mentor who can offer advice and serve as a ghost writer. Consider how your writing can help people in practical ways, in particular, improve your own financial situation. 

ellauri159.html on line 1147:     Focus on original facts rather than original ideas. You need not be interested in theory except as a way of exploring what’s tangled and undemonstrable. Seek mastery rather than discovery, although this may mean applying a new technology to an old battlefield. You don’t want to be the first—you want to be the best, and last (on the battlefield). 

ellauri159.html on line 1157: You prefer a brainstorm before you start writing. You tend to see connections between unrelated things, so one idea will quickly generate another. Allow yourself plenty of time for this activity, but be sure to set an end date to keep your project on track. After the brainstorming phase, discard tangential ideas. Focus on the strongest ones so you don’t get overwhelmed when it comes time to flesh out the details.

ellauri159.html on line 1159: You work best when they have the freedom to follow your own process and timeline. Estimate how long you’ll need to complete each task, then add 50% and a cushion. Set milestones along the way only to remove them as you go. Incorporate a lot of time for breaks. If your energy wanes, meet with a writer friend for coffee or other libation, and discuss your ideas. If the project permits, consider copulating with a co-writer.

ellauri159.html on line 1171: We know you have no great love for facts and details. Leave enough time at the end to check that you’ve included sufficient objective data. Strive for balance and fairness, include both facts and alternative facts. Avoid over-reliance on personal insight. Ask a trusted friend to review your writing with a critical eye. Your work will be stronger for it. And, WtF, you can always just ignore them.

ellauri159.html on line 1197: You dislike writing according to a predetermined structure. You want control over their own creative process. You are drawn to original pictures and imaginative symbols. When revising a draft, search for a central, unifying theme, and articulate it for your reader. At the same time, avoid trying too hard to be unique. Instead, aim for authenticity, remember to mention the sources of the pictures. 

ellauri159.html on line 1207: According to PersonalityDesk.com, INFJs are the Myers-Briggs type most likely to express marital dissatisfaction. When I first read this, it puzzled me. After all, INFJs are adept at solving problems involving people. In fact, INFJs are so good at solving problems that they may unconsciously scan their environment looking for ways to improve relationships. This, I think, is what leads to the dissatisfaction.

ellauri159.html on line 1246:   You’re rarely at a loss for wacky ideas. While many people struggle to find a topic, you may have difficulty limiting yourself to just one. You may enjoy exploring controversial subjects or devising clever solutions to problems. You have fun playing with different possibilities, and see where they lead you. To classroom corner or to prison most likely. 

ellauri159.html on line 1252:   You are motivated by a desire to innovate. You tend to seek a unique approach even to ordinary topics. Conversely, you tend to be good at making complex subjects simple and interesting ones boring. Stay focused, and let your desire to prove your competence and ingenuity drive you forward until the project is complete. Dont run around like the crazy fox in Kamalat eläimet (Awful Animals). Your medical diagnosis is ADHD.

ellauri159.html on line 1293:     You are an innovative problem-solver who wants control over the product and the process, like Bill Gates or Larry Page, who earned billions with this approach. Guys like you are confident in their vision and want to bring it to life.

ellauri159.html on line 1316: Tapasin paljon kirjailija-aloittelijoita, jotka pilkkasivat pilkkaamasta päästyään vakiintuneita kirjailijoita ja niiden runoja, novelleja ja artikkeleita. Tajusin silloin sen minkä olin oikeastaan tiennyt jo pitkään että huonot kirjoittajat ovat usein toisten kirjoittajien ankaria kriitikkoja. Heidän kritiikkinsä oli terävää ja tarkkaa. Jotkut osoittivat jopa täsmällisesti suurten kirjailijoiden virheitä. Mutta tämä et estänyt heitä itseään kirjoittamasta hämmästyttävän kömpelösti. Sama koski tapaa jolla he arvioivat toisten luonnetta. Egoistit puhuivat halveksivasti egoisteista, typerykset nauroivat toisten typerysten ályttömyyttä, moukat olivat hienostuneita osoittaessaan toisten moukkamaisuuden, hyväksikäyttäjän ominaisuudet, turhamaisuuden. Salaperäinen kuilu aukeni heidän arvioissaan toisen ihmisen ja oman minän välille. Näytti siltä, että jossain sisimmässään jokainen näki totuuden, mutta oli vain päättänyt olla näkemättä sitä peilissä. Itserakkaus oli nähtävästi hypnoottisista voimista suurin, aivan niin kuin Moosexen kirjassa sanotaan: Sillä lahja sokaisee viisaan ja tekee tyhjixi oikeamielisen sanat. Onnexi en ize ole sellainen. (Sing. Nuor. Mies Ez. Rakk. 1976:86)

ellauri159.html on line 1341: Benjamin Paul Blood (November 21, 1832 – January 15, 1919) was an American philosopher and poet. 

ellauri159.html on line 1347: Blood did indeed patent a swathing reaper along with other patents, and wrote prolifically, but the larger portion of his writing consisted of letters, either to local newspapers or to friends such as James Hutchison Stirling, Alfred Tennyson and William James (the above quote was from a letter to James). H. M. Kallen wrote of Blood:

ellauri159.html on line 1351: Early books included The Philosophy of Justice Between God and Man (1851) and Optimism: The Lesson of Ages (1860), a Christian mystical vision of the pursuit of happiness from Blood´s distinctly American perspective; on the title page of the book, Blood described it as "A compendium of democratic theology, designed to illustrate necessities whereby all things are as they are, and to reconcile the discontents of men with the perfect love and power of ever-present God." During his lifetime he was best known for his poetry, which included The Bride of the Iconoclast, Justice, and The Colonnades. According to Christopher Nelson, Blood was a direct influence on William James´ The Varieties of Religious Experience as well on James´s concept of Sciousness, prime reality consciousness without a sense of self.

ellauri160.html on line 45: My hair had hardly covered my forehead.				While my hair was still cut straight across my forehead				

ellauri160.html on line 47: When you, my lover, on a bamboo horse,				You came by on bamboo stilts, playing horse,						

ellauri160.html on line 56: Learning that no dust could ever seal our love,			I desired my dust to be mingled with yours			

ellauri160.html on line 62: And I tried to hear the monkeys in your lofty far-off sky.	The monkeys make sorrowful noise overhead.			

ellauri160.html on line 68: Hover, two by two, in our west-garden grasses			Over the grass in the West garden;				

ellauri160.html on line 122: Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972), modernin ajan Li Bai, was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962). Hizi noi cantothan on selvä kokoelma paasauxia!

ellauri160.html on line 124: Pound was born in 1885 in a two-story cupboard house in Hailey, Idaho Territory, the only child of Homer Loomis Pound (1858–1942) and Isabel Weston (1860–1948), who married in 1884. Homer had worked in Hailey since 1883 as registrar of the General Land Office. Pound's grandfather, Thaddeus Coleman Pound, a Republican Congressman and the 10th Lieutenant Governor of Wisconsin, had secured him the appointment. Homer had previously worked for Thaddeus in the lumber business.

ellauri160.html on line 128: Pound's education began in dame schools: Miss Elliott's school in Jenkintown in 1892 and the Heathcock family's Chelten Hills School in Wyncote in 1893. Known as "Ra" (pronounced "Ray"), he attended Wyncote Public School from September 1894. His first publication was on 7 November 1896 in the Jenkintown Times-Chronicle ("by E. L. Pound, Wyncote, aged 11 years"), a limerick about William Jennings Bryan, who had just lost the 1896 presidential election.

ellauri160.html on line 130: In 1897, aged 12, he transferred to Cheltenham Military Academy (CMA), where he wore an American Civil War-style uniform and was taught drilling and how to shoot. The following year he made his first trip overseas, a three-month tour with his mother and Aunt Frank, who took him to England, Belgium, Germany, Switzerland, Italy, Spain, and Morocco. He attended CMA until 1900, at times as a boarder, but it seems he did not graduate.

ellauri160.html on line 145: At a literary salon in 1909, Pound met the novelist Olivia Shakespear and later at the Shakespears' home at 12 Brunswick Gardens, Kensington, was introduced to her daughter, Dorothy, who became Pound's wife in 1914. The critic Iris Barry described her as "carrying herself delicately with the air, always, of a young Victorian lady out skating, and a profile as clear and lovely as that of a porcelain Kuan-yin".

ellauri160.html on line 147: Through the Shakespears, he was introduced to the poet W. B. Yeats, Olivia Shakespear's former lover. He had already sent Yeats a copy of A Lume Spento, and Yeats had apparently found it "charming".

ellauri160.html on line 153: In June 1910 Pound returned for eight months to the United States. Although he loved New York, he felt alienated by the commercialism and newcomers from Eastern and Southern Europe who were displacing the white Anglo-Saxon Protestants. The recently built New York Public Library Main Branch he found especially offensive. It was during this period that his antisemitism became apparent; he referred in Patria Mia to the "detestable qualities" of Jews.

ellauri160.html on line 158: Ford Madox Ford (né Joseph Leopold Ford Hermann Madox Hueffer (/ˈhɛfər/ December 1873 – 26 June 1939) was an English novelist, poet, critic and editor whose journals The English Review and The Transatlantic Review were instrumental in the development of early 20th-century English and American literature. 

ellauri160.html on line 174: During the subsequent row, Pound left the table and returned with a tin bathtub on his head, suggesting it as a symbol of what he called Les Nagistes, a school created by Lowell's poem "In a Garden", which ends with "Night, and the water, and you in your whiteness, bathing!" Apparently his behavior helped Lowell win people over to her point of view, as did her offer to fund future work.

ellauri160.html on line 176: H.D. and Aldington were moving away from Pound's understanding of Imagisme anyway, as he aligned himself with Lewis's ideas. Lowell agreed to finance an annual anthology of Imagiste poets, but she insisted on democracy; according to Aldington, she "proposed a Boston Tea Party for Ezra" and an end to his despotic rule. Upset at Lowell, Pound began to call Imagisme "Amygism"; he declared the movement dead and asked the group not to call themselves Imagistes. Not accepting that it was Pound's invention, they refused and Anglicized the term.

ellauri160.html on line 178: In the summer of 1913 Pound became literary editor of The Egoist, a journal founded by the suffragette Dora Marsden. At the suggestion of W. B. Yeats, Pound encouraged James Joyce in December of that year to submit his work.  Harriet Shaw Weaver accepted it for The Egoist, which serialized it from 2 February 1914, despite the printers objecting to words like "fart" and "ballocks", and fearing prosecution over Stephen Dedalus's thoughts about prostitutes. Joyce wrote to Yeats: "I can never thank you enough for having brought me into relation with your friend Ezra Pound who is indeed a miracle worker."

ellauri160.html on line 188: On 22 September 1914 T. S. Eliot traveled from Merton College, Oxford, with an introduction from Conrad Aiken, to have Pound read Eliot's unpublished "The Love Song of J. Alfred Prufrock". Pound wrote to Harriet Monroe, editor of Poetry, on 30 September to say that Eliot—who was at Oxford on a fellowship from Harvard—had "sent in the best poem I have yet had or seen from an American ... He has actually trained himself and modernized himself on his own." Monroe did not like Prufrock's "very European world-weariness", according to Humphrey Carpenter, but she published it anyway, in June 1915.

ellauri160.html on line 209: The Pounds settled in Paris around April 1921 and in December moved to an inexpensive ground-floor apartment at 70 bis Rue Notre-Dame-des-Champs. Pound became friendly with Marcel Duchamp, Fernand Léger, Tristan Tzara, and others of the Dada and Surrealist movements, as well as Basil Bunting. He was introduced to the American writer Gertrude Stein, who was living in Paris. She wrote years later that she liked him but did not find him amusing; he was "a village explainer, excellent if you were a village, but if you were not, not".

ellauri160.html on line 211: Hemingway, then aged 22, moved to Paris with his wife, Hadley Richardson, and letters of introduction from Sherwood Anderson. In February 1922 the Hemingways visited the Pounds for tea. Although Pound was 14 years older, the men became friends; Hemingway assumed the status of pupil and asked Pound to edit his short stories. Pound introduced him to his contacts, including Lewis, Ford, John Peale Bishop, Malcolm Cowley, and Derek Patmore, while Hemingway tried to teach Pound to box. Hemingway was a drinker, Ezra not.

ellauri160.html on line 219: Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling it's cold."

ellauri160.html on line 221: Angered by the carnage of World War I, Pound blamed the war on finance capitalism, which he called "usury". He was completely right. He moved to Italy in 1924 and through the 1930s and 1940s promoted an economic theory known as social credit, wrote for publications owned by the British fascist Sir Oswald Mosley, embraced Benito Mussolini's fascism, and expressed support for Adolf Hitler. During World War II and the Holocaust in Italy, he made hundreds of paid radio broadcasts for the Italian government, including in German-occupied Italy, attacking the United States, Franklin D. Roosevelt, Great Britain, international finance, munitions makers and mongers, and Jews, among others, as causes, abettors and prolongers of the world war, as a result of which he was arrested in 1945 by American forces in Italy on charges of treason. He spent months in a U.S. military camp in Pisa, including three weeks in an outdoor steel cage. Deemed unfit to stand trial, he was incarcerated in St. Elizabeths psychiatric hospital in Washington, D.C., for over 12 years. Nothing has changed: this sounds precisely like the U.S. decades long  persecution of Assange.

ellauri160.html on line 223: While in custody in Italy, Pound began work on sections of The Cantos that were published as The Pisan Cantos (1948), for which he was awarded the Bollingen Prize for Poetry in 1949 by the Library of Congress, causing enormous controversy. After a campaign by his fellow writers, he was released from St. Elizabeths in 1958 and lived in Italy until his death in 1972. His economic and political views have ensured that his life and work remain controversial. He is popular with the alt-right but his opinions about usury forever condemn him in the circles of New York money liberals. 

ellauri160.html on line 273: Olivatko isi ja mini tunnekylmiä? Ei kyllä olleet vaikka äiti sovelsikin selektiivistä kylmyyttä. Ne olivat kuin ruutitynnyreitä, räjähtivät pienestä. Enkä mäkään ole yhtään tällänen: – Ihmisillä, jotka eivät ole käsitelleet ehkä tarpeeksi omia tunteitaan, on tapana kiertää mielessä kehää ja miettiä, miten minä koen tuon asian, miltä tuo minusta tuntuu ja mitä minä ajattelen tästä. Paskanmarjat. Hyvin tiedän mitä ajattelen mistäkin. Mutta montako kylmyys pistettä saan seuraavasta testistä?

ellauri160.html on line 312: Fukuyama is known for his book The End of History and the Last Man (1992), which argues that the worldwide spread of liberal democracies and free-market capitalism of the West and its lifestyle may signal the end point of humanity´s sociocultural evolution and become the final form of human government. However, his subsequent book Trust: Social Virtues and Creation of Prosperity (1995) modified his earlier position to acknowledge that culture cannot be cleanly separated from economics. Fukuyama is also associated with the rise of the neoconservative movement, from which he has since distanced himself.

ellauri160.html on line 381:   Pekka soitteli minulle tuona keväänä aika usein, yöllä, juttelimme ihan tavallisia asioita, ja minä törppö en tajunnut että ne olivat 'äänettömiä avunhuutoja', ja se taakka kulkee mukanani loppuun asti, mutta olin itsekin siinä vaiheessa niin ulkona, ja samalla tavalla kun kaikki luukut oli lyöty kiinni, harkitsin samanlaista ratkaisua. Whatever, Gummerus ja sen johto murhasivat Pekan ja samalla vaikeni moni muukin kirjailija loppuiäkseen, se oli karmea ja kylmäverinen operaatio, yksi pahimmista suomalaisen kustannusmaailman historiassa. – Minulla on satoja muistoja Pekasta, kirjoitan jos jaksan joskus… jos minulla sen aikaisessa kirjailijakunnassa joitan kamuja oli niin Pekka ja Sirkka Turkka, ja Veijo Meri joka aina oli W+G:n ja Gummeruksen Katajanokan kasinon syyskauden avauksen jatkoilla Pekan ja Eijan himassa. – Viimeiseltä kerralta muistan Matti Pulkkisen joka oli ulkona oven suussa tupakalla ja tokaisi: "sitä ollaan sitten samassa tehtaassa töissä"… niinpä oltiin hetki…

ellauri160.html on line 400: Thus with stretched sail, we went over sea till day’s end.	Silleen purjeet timmissä seilattiin koko päivä

ellauri160.html on line 404: Covered with close-webbed mist, unpierced ever			Paxun sumun peittämiin, mihin ei koskaan

ellauri160.html on line 407: Swartest night stretched over wretched men there.		Sankka yö repee rankka menninkäisten yli.

ellauri160.html on line 459:  over dark seas,						Epi oinopa ponton4

ellauri160.html on line 476: Tolleen se oikeasti päättyy, aposiopeesixeen. overview/c1-in-a-draft-of-16/i-annotations">Jalkanuotteja:

ellauri160.html on line 502:   Paparazzi iski! Sofia Belórf yllätettiin keimailemasta Cheekille - katso tyly reaktio. Seiskan paparazzi bongasi joulun aatonaattona Cheekin eli Jare Tiihosen, 40, loistokkaan Rolls-Roycen puikoista. Eläköitynyt räppäri parkkeerasi autonsa Helsingin Esplanadille. Hän laittoi kirurginmaskin kasvoilleen ja paineli hienostoputiikin ovesta sisälle. Jaren jälkeen liikkeen ovesta pelmahti sisään Sofia Belórf Bambi-koiransa kanssa. Julkkiskaksikko selkeästi tunnisti toisensa, sillä Sofia ryhtyi keimailemaan ja puhua pulputtamaan Jarelle. Ex-räppäri ei kuitenkaan ollut juttutuulella ja vastaili vain pikaisesti Sofian keskustelunaloituksiin. Lopulta hän käänsi Sofialle selkänsä ja keskittyi siemailemaan ökyputiikin tarjoamaa kuumaa glögiä.

ellauri160.html on line 560: Seiskan paparazzi bongasi joulun aatonaattona Cheekin eli Jare Tiihosen, 40, loistokkaan Rolls-Roycen puikoista. Elähtänyt räppäri parkkeerasi autonsa Helsingin Esplanadille. Hän laittoi kirurginmaskin kasvoilleen ja paineli hienostoputiikin ovesta sisälle.

ellauri160.html on line 561: Jaren jälkeen liikkeen ovesta pelmahti sisään Sofia Belórf Bambi-koiransa kanssa. Julkkiskaksikko selkeästi tunnisti toisensa, sillä Sofia ryhtyi keimailemaan ja puhua pulputtamaan Jarelle.

ellauri160.html on line 583:   Scholars believe the reason Jews in Babylon undertook to draw demons between the 5th and the 7th centuries has to do with a series of relaxations of the strictures, which rabbis gave the Jews as a way of dealing with the challenged posed by the increasing strength of Christianity. Fearing that Jews might prefer the new religion, the rabbis agreed to allow magic that included visual images. The demons Vilozny researched were drawn on “incantation bowls” – simple pottery vessels the insides of which were covered with inscriptions and drawings.

ellauri160.html on line 631:   The North West Angle of the Circle of the Twelve is described as a scorpion which stands upright and composed of putrefying water, gigantic in size. With this demon comes the “unnameable” one, Abaddon, his image is black, huge and covered in whirling wheels and blades, within his hand a wheel which has a multitude of cat-like demons upon it. Behind Abaddon is Maamah or Naamah, a crouching demon like woman, who is of Az – Jeh the Mother of Harlots, she has an animal’s body and eats the earth while crawling.

ellauri160.html on line 647: According to legend, Agrat and Lilith visited King Solomon disguised as prostitutes. The spirits Solomon communicated with Agrat were all placed inside of a genie lamp-like vessel and set inside of a cave on the cliffs of the Dead Sea. Later, after the spirits were cast into the lamp, Agrat bat Mahlat and her lamp were discovered by King David. Agrat then mated with him a night and bore him a demonic son Ashm'dai and later Ashmodai, named after Asmodeus, who is identified with Hadad the Edomite.

ellauri160.html on line 651: About 1000 years after the era of Solomon and David, another widely known intervention occurred known as "The spiritual intervention of Hanina ben Dosa and Rabbi Abaye" which ended up curbing her malevolent powers over humans.

ellauri160.html on line 654:   “What, actually, is magic? It is man’s belief in his ability, by taking active measures, to control his fate and in a certain sense this circumvents God. It doesn’t contradict faith but it does help God to help me. That’s why I love it, because it’s very human, especially in an era that is scientific.

ellauri160.html on line 660: Fitnessammattilaisena ja Miss Helsinkinä alun perin tutuksi tullut sometähti Sofia Belórf, 31, on saanut uuden tosi-tv-sarjan. Sofian salaisuudet -nimistä sarjaa esitetään discovery+-palvelussa.

ellauri160.html on line 661: Sometähti Sofia Belórf muistelee omassa realitysarjassaan lapsuuttaan ja kertoo vaikeasta isäsuhteestaan. Belórfin elämästä kertovaa Sofian salaisuudet -tosi-tv-sarjaa esittää discovery+.

ellauri160.html on line 706:     Itkekäätte! pois on kirkkovenhe.

ellauri160.html on line 753:     Rannalla on kirkkovene loikonansa,

ellauri160.html on line 758:     Kirkkoveneen piilipuihin menneen

ellauri160.html on line 768: Lähde: Runeberg, Johan Ludvig 1874: Runoelmia. Suomentanut Edvin Avellan. K. E Holm, Helsinki.kirkkovene

ellauri160.html on line 796: Every two weeks, Stammtisch, the Meet-Up group for German speakers, gets together in various bars and restaurants all over the greater Philadelphia area. At their first meeting after New Year’s, the big topic was Lauri Wylie’s Dinner for One, the short TV adaptation of his quintessential British one-act comedy with a huge international cult following—except Britain and the US. 

ellauri160.html on line 806:   It is really sweet that Germans and others have adopted something and that this sketch is special for them. I respect that and don’t doubt for a second the genuine love and admiration some have for Dinner for One. But I am really surprised to see Monty Python compared with Dinner for One. I have to say it was painful to sit through. Painfully, painfully bad and unfunny. That’s why it has never caught on in Britain. I suppose we must have a very different sense of humour to that of Scandinavia and the German-speaking countries. We don’t consider it funny if someone falls over something. There’s nothing subtle or clever or nuanced about it (Rowan Atkinson’s absurdist physical comedy went down so well due to its complexity, think of the sketch where Mr. Bean makes the sandwich on the park bench and it gets progressively more and more absurd, he gets the fish out of water and slaps it against the bench to kill it before eating it, etc. now that is funny, and food fights in general). It’s not funny the first time the butler falls over the tiger-skin rug and it gets progressively more and more irritating each time he does it. You can spot the punchline a mile off and so the end of the sketch falls very flat. It’s nothing whatever to do with the length of the sketch or its obscurity or difficulty finding it: people still seek out all the comic greats on Youtube, like that fat man watsisname, or Charlie Chaplin who bravely made fun of your Hitler.

ellauri160.html on line 808: Again, no offence meant, if you love the sketch and want others to see it, that is a very nice sentiment but if you find British people, and show them the sketch and ask their opinions, you will find no one laughs and complements will be far from forthcoming at the end. Still, it is fascinating, is it not, how humour translates differently across cultures? In short: we are not amused, not at all.

ellauri161.html on line 113: The Council of Ephesus (AD 431) -- was presided over by Cyril, Bishop of Alexandria, and was called to deal with NESTORIANISM.

ellauri161.html on line 215: Nico ryhtyi käyttämään heroiinia vuoden 1968 tienoilla. Samanikäisenä kuin Antti sai yllätyslapsensa. Vaikea riippuvuus verotti aikaa myöten hänen voimavarojaan, ja hän levytti enää harvoin. Antti levyttää aika usein, paizi messuaikoina. Nico sai aivoverenvuodon ja kaatui polkupyöräretkellä tai päinvastoin, ja hän kuoli Ibizalla kesällä 1988.

ellauri161.html on line 466: Kate Dibiasky (Jennifer Lawrence), an astronomy grad student, and her professor Dr. Randall Mindy (Leonardo DiCaprio) make an astounding discovery of a comet orbiting within the solar system. The problem - it's on a direct collision course with Earth. The other problem? No one really seems to care. Turns out warning mankind about a planet-killer the size of Mount Everest is an inconvenient fact to navigate. With the help of Dr. Oglethorpe (Rob Morgan), Kate and Randall embark on a media tour that takes them from the office of an indifferent President Orlean (Meryl Streep) and her sycophantic son and Chief of Staff, Jason (Jonah Hill), to the airwaves of The Daily Rip, an upbeat morning show hosted by Brie (Cate Blanchett) and Jack (Tyler Perry). With only six months until the comet makes impact, managing the 24-hour news cycle and gaining the attention of the social media obsessed public before it's too late proves shockingly comical - what will it take to get the world to just look up?. — Based on truly possible events.

ellauri161.html on line 489: I found it an almost perfect film, with some deliciously carefully crafted moments and great acting. At first I thought the comedic side was actually too much and wished that someone like Steven Soderbergh made the movie instead, but as I was watching it I started to appreciate how methodical the approach was and now I believe Adam McKay was the right man for the job. I enjoyed the overall plot, I liked the characters and how things were presented, but I loved the little things like, for example, the only scene where Europe is mentioned, as a short scene of a news item when they say they are going to convene and find their own solution, resulting in absolutely nothing. I am European and sad to say it struck home. Or the meal scene at the end, which is both emotional, focusing (= religious) and reminding us how even that option can be taken away by something as small as a virus.

ellauri161.html on line 491: Annoyingly, in these days movies from the U. S. are becoming more and more of "a color". They are not telling a story, but are taking a side. They are either democrat or republican, conservative or liberal, blue or red, flyover or coast. Don't Look Up is not a big offender, but the language and presentation was clearly on the "coast" side. Thus, it will be probably appreciated by people who already saw the world this way and ignored or at best maligned by the people on the other side. And it's a pity, because this film is meant to bring us together as a civilization and not keep us divided. I feel like it could have done a better job in that direction.

ellauri161.html on line 493: Initially then I wasn't really overly hooked on watching the 2021 movie "Don't Look Up" since I wasn't really won over by the movie's synopsis. Granted, I hadn't checked out the movie's trailer, so I wasn't really sure what I would be in for here. But as friends started to praise the movie, I opted to sit down and watch it.

ellauri161.html on line 501: After mulling it over, of course, the picture is really quite sad and depressing, if exceptionally accomplished. 

ellauri161.html on line 502: It is so close to home that it sometimes makes the film irritating to watch: you'd rather not be reminded how incompetent, superficial, self-servicing and nefarious the government, media etc are, how they screw up your life on a regular basis and how likely it is that they will eventually wipe out mankind.

ellauri161.html on line 507: Over 30% of the American population does not believe in global warming and think it is a hoax, or fake news. What's more perilous though is the fact that governments worldwide are NOT taking the proposed measures that could curb global warming beneath 1.5 Celsius. Above that treshold of 1.5 degrees Celsius we get a runaway effect of increasing global warming, which would be nothing less than CATASTROPHIC.

ellauri161.html on line 515: But something happened in 2016 that set the wheels in motion to eventually cause McKay to change the focus of the Don't Look Up script. And that was the humiliating victory of businessman Donald Trump in the presidential election--a man with no political experience--over the left's heir apparent, Hillary Clinton.

ellauri161.html on line 517: The left was utterly ruined by Donald Trump's victory and it looked like they would never recover until a Savior came along and resurrected the once proud party who championed the "little guy." And that Savoir of course was mainstream orthodox medical science.

ellauri161.html on line 535: Another propaganda film by Netflix! Too long, slow, and full of annoying overuse scene! Not recommended! Entire film full of boring conversation, and annoying overuse scene! Such as, overuse of the walking scene, overuse of the arguing scene, overuse of the calling names scene, overuse of the kissing scene, overuse of the staring scene, overuse of the driving scene, overuse of the eating scene, overuse of the drinking scene, overuse of the smoking scene, overuse of the taking pill scene, overuse of the singing scene, overuse of the song playing at the background scene, overuse of the watching video scene, overuse of the tweeting scene, overuse of the making speech scene, overuse of the blackout scene, overuse of the talking on the phone scene, and overuse of the interviewing scene!

ellauri161.html on line 538: Ya sea la política que solo reacciona a las dificultades bajo la mayor presión posible, los medios que solo miran la cuota incluso frente al fin del mundo, o la gente común que está en contra de ella por principio, porque no tiene ganas. Prescindir de algo que tener que hacer, hay muchas reacciones que suenan familiares. Los hechos se reescriben o simplemente se ignoran. Los asteriscos de los medios aprovechan la oportunidad para escenificarse. El beneficio personal cuenta más que cualquier otra cosa en caso de duda, cuando la economía misma ve el fin del mundo como una oportunidad para su propio enriquecimiento.

ellauri161.html on line 546: The targets of the satire – incompetent governments, media, tech billionaires, populace believing in politics not science – are obvious. There’s a shorthand that makes each character’s real world avatar easy to get hence the laughs but does that undermine the film’s intelligence? No, it's spot on.

ellauri161.html on line 551: The porcellain faced Hunting gamist returns home and meets Yule due to her minor celebrity status. The thing is that the film never does anything with Kate’s government scuffle. It’s an odd detour that bloats the runtime severely. (Now THIS IS the problem: these drooping- underlip prof spectators already know what the plot should be and edit what they see accordingly. Hey where are the heroes? Where's optimism? Who's gonna save the world this time round? Superman? Batman? Anyone?)

ellauri161.html on line 558: They say it’s too dark. It’s too depressing. Haters are moaning that writer-director Adam McKay repeatedly hits his audience over the head with his “the planet is dying” message.

ellauri161.html on line 562: This is the darkest of dark comedies, and it covers many topics, including the continued decimation of our planet, our over-reliance on tech, our soul-killing obsession with social media, and the crazy space-race programs created by billionaire men. McKay’s brutal satire takes no prisoners, eviscerates political extremists and lemmings, and basically says we are all fucked if we continue on this current course—with or without an apocalyptic comet hurtling toward Earth

ellauri161.html on line 566: This movie is devoid of hope. There is no optimism in Don’t Look Up. Yes, it deserves comparison to Stanley Kubrick’s Dr. Strangelove, because it pulls laughs out of the fact that the human race is on a crash course with destruction. In Don’t Look Up, the technology has multiplied and advanced, but the message is the same as it was when Slim Pickens rode that bomb to the doomed ground in Strangelove: Humans are messing up big-time, in a manner that is so egregious you just have to laugh at it … to prevent yourself from going insane. The situation is hopeless but not serious.

ellauri161.html on line 568: Kate Blanchett was way the dullest character on the cast. All silicon, no AI. No interest whatsoever, human or otherwise. Dr Strangelove was a lot worse satire than this. The problem with Kubrik was that  he had a villain, while the real world  has not just one- rather, there are 7 billion of them.

ellauri161.html on line 578: Footnote: For some reason in the past week or so Don’t Look Up has been subject to far more coverage and discussion than it deserves. No idea why. Maybe people are desperate for non-Covid talking points. Just a theory. (Ouch. This guy is JUST The type of people being made desperate fun of. How sad.

ellauri161.html on line 588: And yet it’s hard to think about who, exactly, is going to be moved to make changes to how they live their lives by Don’t Look Up, a climate-change allegory that acquired accidental COVID-19 relevance, but that doesn’t really end up being about much at all, beyond that humanity sucks. And film critics suck about most of all.

ellauri161.html on line 614: and overly alarmist but nothing that the film places on the table can be dismissed as a figment of a fevered imagination running away from the facts on the ground.

ellauri161.html on line 625: This might be less damaging if those cartoons were funny, or if the overall story was compelling, but neither is the case. 

ellauri161.html on line 647: The film also falls apart in its total runtime, with the movie being over two hours long. Two hours is a long time admittedly, it feels longer than six months, or time until 2030.

ellauri161.html on line 649: Another YouTube  analphabet is eponymous Alejandro Turdo. Better pass over him in silence. 

ellauri161.html on line 666: More races & years later, Ricky now lives in a large mansion, then in a race chickens out and runs around in his underwear and helmet. Shamed, Ricky moves in with his mother Lucy (Jane Lynch), and brings his sons with him while taking a job as a pizza delivery man.  Ricky eventually regains his courage, and his life begins to stabilize after quitting his job at the pizza parlor and getting a new driver´s license.

ellauri161.html on line 671: For the majority of the film (not Talladega, the new one), we’re bouncing from one republican caricature to the next. Streep is a female version of Donald Trump. Jonah Hill is a fratty version of Donald Trump Jr. Mark Rylance is a right-wing version of Tim Cook. (What a joke, he's way too poor.) And Ron Perlman is a red-eyed version of General Turgidson. When General Turgidson wonders aloud what kind of name "Strangelove" is, saying to Mr. Staines (Jack Creley) that it is not a "Kraut name", Staines responds that Strangelove's original German surname was Merkwürdigliebe ("Strange love" in German) and that "he changed it when he became a citizen". A kike anyway, by the name.

ellauri161.html on line 691: This films keeps tripping over itself like a sad old drunk person, I had reasonably high hopes for this self indulgent poorly focused ruse. Definitely save your time.

ellauri161.html on line 712: Lame. Not funny. Way over-hyped.

ellauri161.html on line 731: This a movie that is over 2h, I had to skip forward so much that it ended up being a 60m movie, this is a boring movie, 95% of jokes are not jokes but cringe moments. This had everything to be a great movie, great cast, good plot, good cgi, but nope lets make this cringe movie. (You are so right!)

ellauri161.html on line 764: too long, over acted, non-senseical, and not compeling.

ellauri161.html on line 781: I´m over halfway through and I want to turn it off.

ellauri161.html on line 851: 
Yleiset termit ja lausekkeet
admire aime appelle arrive aurait beau beauté besoin c'était caractère cherche choses ciel contraire coup crainte création critique croire croit croix d'être demande Denis devant Dieu dire divine dix-huitième siècle doit donne éclate erreur face fond force forme garde général génie gloire grandeur Grèce haine haut homme humaine idées ignore joie jour justice l'air l'amour l'art l'autre l'avare l'erreur l'esprit l'histoire l'homme L'homme médiocre l'ordre l'unité laisse larmes lieu livre loin lui-même lumière main malheur matière mensonge ment monde montre mort mots nature naturel néant paix parle parole passé passion pensée père personne petite peur peut-être place pleine porte premier présent profonde propre puissance qu'une raison réalité regard représente ressemble reste rien rire Roman Rome s'est s'il saint sais sait sang Science secret semble sens sent serait seulement siècle signe soleil souvenir style terre tion trouve vérité veut vivante voici voilà voit Voyez vrai yeux

ellauri161.html on line 978: Kekäs sit oli tää Bloy? Nietzschewiixinen turvelo. Léon Bloy, né le 11 juillet 1846 à Périgueux et mort le 3 novembre 1917 à Bourg-la-Reine, est un romancier et essayiste français. Connu pour son roman Le Désespéré, largement inspiré de sa relation avec Anne-Marie Roulé, il est aussi un polémiste célèbre. 

ellauri161.html on line 984: Siis varsin keskinkertainen kaveri. Sitten se tapaa ton Barbapapan, joka käännyttää sen takaisin äitikirkkoveneeseen. En décembre 1868, il fait la connaissance de Jules Barbey d´Aurevilly, qui habite en face de chez lui, rue Rousselet (Léon Bloy habite au numéro 24h). C´est l´occasion pour lui d´une profonde conversion intellectuelle, qui le ramène à la religion catholique, et le rapproche des courants traditionalistes. C´est Barbey qui le familiarise avec la pensée du philosophe Antoine Blanc de Saint-Bonnet, « une des majestés intellectuelles de ce siècle », dira Bloy plus tard. Par la suite, Ernest Hello eut également une très forte influence sur lui ; il semble même que ce soit lui qui l´ait incité à écrire. 

ellauri161.html on line 990: Bloy was noted for personal attacks, but he saw them as the mercy or indignation of God. He acquired a reputation for bigotry because of his frequent outbursts of temper. Soon, Bloy could count such prestigious authors as Émile Zola, Guy de Maupassant, Ernest Renan, and Anatole France as his enemies. Bloy is quoted in the epigraph at the beginning of Graham Greene´s novel The End of the Affair, though Greene claimed that "this irate man lacked creative instinct." Bloy is also quoted at the beginning of John Irving´s A Prayer for Owen Meany, another turd. Some pope quoted him, yet another turd.

ellauri161.html on line 1092: His (Mainion) works suggest the thought that the writings of master Eckart (died 1328), with whom Ruysbroeck was contemporary for thirty-five years, exercised influence over our author´s mind. Melkein maisteri Eckartille kävi köpelösti loppupeleissä. Ruisbroeck became vicar of the Church of St. Gudula at Brussels, where he lived in strict asceticism, enjoying the society of persons who had devoted themselves to a contemplative life, composing books and exercising benevolence. Jahas uusi päivä, uusi suopeus. He contended against the sins of the day, and labored to promote reforms. It is said that Tauler once visited him, attracted by the fame of his sanctity. 

ellauri161.html on line 1100: The chief of his mystical writings are, The Ornament of Spiritual Marriage (Lat. by Gerh. Groot, Ornatus Spiritualis Desponsionis, MS. at Strasburg; by another translator, and published by Faber Stapulensis [Paris, 1512], De Ornatu Spirit. Nuptiarum, etc.; also in French, Toulouse, 1619; and in Flemish, ´J Cieraet der gheestclyeke Bruyloft, Brussels, 1624, Hengelliset häät): — Speculum AEternae Salutis: — De Calculo, an interpretation of the calculus candidus, Re 2:17: — Samuel, sive de Alta Contemplatione. The other works of Ruysbroeck contain but little more than repetitions of the thoughts expressed in those here mentioned. (Esim. 7 hengellisen rakkauden askelmasta.) He wrote in his native language, and rendered to that dialect the same service which accrued to the High German from its use by the mystics of the section where it prevailed. He is still regarded in Holland as "the best prose writer of the Netherlands in the Middle Ages." His style is characterized by great precision of statement, which becomes impaired, however, whenever his imagination soars, as it often does, to transcendental regions too sublimated for language to describe. His works were accessible until lately only in Latin editions (by Surius, Cologne, 1549, 1552, 1609 [the best], 1692, fol.), or in manuscripts scattered through different libraries in Belgium and Holland. Four of the more important works were published in their original tongue, with prefaces by Ullmann (Hanover, 1848). No complete edition has as yet been undertaken (see Moll, )e Boekerij van het S. Barbara-Klooster te Delft [Amst. 1857, 4to], p. 41).

ellauri161.html on line 1102: Ruysbroeck´s mysticism begins with God, descends to man, and returns to God again, in the aim to make man one with God. God is a simple unity, the essence above all being, the immovable, and yet the moving, cause of all existences. The Son is the wisdom, the uncreated image of the Father; the Holy Spirit the love which proceeds from both the Father and the Son, and unites them to each other. Creatures preexisted in God, in thought; and, as being in God, were God to that extent. Fallen man can only be restored through grace, which elevates him above the conditions of nature. Three stages are to be distinguished: the active, or operative; the subjective, or emotional; and the contemplative life. The first proceeds to conquer sin, and draw near to God through good works; the second consists in introspection, to which ascetic practices may be an aid, and which becomes indifferent to all that is not God. The soul is embraced and penetrated by the Spirit of God, and revels in visions and ecstasies. Higher still is the contemplative state (vita vitalis), which is an immediate knowing and possessing of God, leaving no remains of individuality in the consciousness, and concentrating every energy on the contemplation of the eternal and absolute Being. This life is still the gift of grace, and has its essence in the unifying of the soul with God, so that he alone shall work. The soul is led on from glory to glory, until it becomes conscious of its essential unity in God.

ellauri161.html on line 1112: Few mystics have ascended to the empyrean where Ruysbroeck so constantly dwelt; and the endeavor to compress into forms of speech the visions seen in a state where all clear and real apprehension is at an end occasioned the fault of indefiniteness with which his writings must be charged. His influence over theological and philosophical thought was not so great as that exercised by Eckart and Tauler, and was chiefly limited to his immediate surroundings. The Brotherhood of the Common Life (q.v.) was founded by Gerhard Groot, one of Ruysbroeck´s pupils, and its first inception may perhaps be traced back to Ruysbroeck himself — a proof that he was not wholly indifferent to the conditions of practical life.

ellauri161.html on line 1118: Discover the power of SwordSearcher: A complete Bible study package, with thousands of tropical and pedophilic entries all linked to verses, designed for meaningful Bible study.

ellauri162.html on line 51: Kirjakauppias Cecil Hagelstam tunnistaa itsensä Gustave Flaubertin Bibliomania-novellin kansikuvasta (1837). 

ellauri162.html on line 104: Louis Émile Clément Georges Bernanos (French: [ʒɔʁʒ bɛʁnanɔs]; 20 February 1888 – 5 July 1948) was a French author, and a soldier in World War I. A Roman Catholic with monarchist leanings, he was critical of elitist thought and was opposed to what he identified as defeatism. He believed this had led to France´s defeat and eventual occupation by Germany in 1940 during World War II. His two major novels "Sous le soleil de Satan" (1926) and the "Journal d’un curé de campagne" (1936) both revolve around a parish priest who combats evil and despair in the world. Most of his novels have been translated into English and frequently published in both Great Britain and the United States. 

ellauri162.html on line 110: Bernanos was born in Paris, into a family of craftsmen. He spent much of his childhood in the village of Fressin, Pas-de-Calais region, which became a frequent setting for his novels. He served in the First World War as a soldier, where he fought in the battles of the Somme and Verdun. He was wounded several times. 

ellauri162.html on line 139: After France´s Liberation, De Gaulle invited Bernanos to return to his homeland, offering him a post in the government. Bernanos did return but, disappointed to perceive no signs of spiritual renewal, he declined to play an active role in French political life. Plusieurs fois blessé, il mène une vie matérielle difficile et instable en s´essayant à la littérature.

ellauri162.html on line 181: To understand more fully the connection between Hosea’s domestic affairs and Israel’s relationship with Jehovah, consider these words: “Jehovah went on to say to me: ‘Go once again, love a woman loved by a companion and committing adultery.’” (Hosea 3:1) Hosea complied with this command by repurchasing Gomer from the man with whom she had been living. Afterward, Hosea firmly admonished his wife: “For many days you will dwell as mine. You must not commit no furher fornication, and you must not come to belong to another man.” (Hosea 3:2, 3) Gomer responded to the discipline, and Hosea resumed marital relations with her. How did this apply to God’s dealings with the people of Israel and Judah?

ellauri162.html on line 211: « mener les poules » est déjà proverbiale chez les 

ellauri162.html on line 221: Artaux Pas si Mauvais (/ɑr.to´ pɑː.si move´/), né le 20 avril 1942 à Kittilä et mort le 15 octobre 2018 à Espoo, était un écrivain, journaliste et poète finlandais de langue finnoise.

ellauri162.html on line 286: ove-photocall-during-the-68th.jpg?s=612x612&w=0&k=20&c=zlE4BhuntuIecWCHGspIL0tWOTcZiv58Gp4x5RRWUgk=" />

ellauri162.html on line 298: 	Munuaiskiviin pitäisi juoda paljon kraanavettä, myöskin nippu persiljaa päivällinen olla saa. Tuliko Nellin Unnan nimi tästä kirjasta? Heinäkenkäkö roskisdyykkari oli esikuvana? Herra varjele. Karin isoveli oli jäänyt auton alle ja halvaantunut. Se oli kuin toinen poika nyt. Se oli sille oikein, ja Karillekin. Se oli kauheaa, paha juttu, suru jolle ei mitään voinut. Haha, onnexi.

ellauri162.html on line 436: IV. Toinen tercet - Uusiminen kuoleman jälkeen Ja myöhemmin enkeli, joka avasi ovet, Tulee elvyttämään, uskollinen ja iloinen, Tahratut peilit ja kuolleet liekit. Jakeessa 12 "myöhemmin" käännetään varmuus, se tapahtuu. Jakeessa 12 "Enkeli", paratiisin symboli, näyttää vahvistavan, että rakastavaiset ovat kuolleet. "Ovet" voivat myös herättää paratiisin portit. Runoilija on edelleen mystisessa ulottuvuudessa, ja lisäksi uskonnollisen leksikaalinen kenttä on läsnä koko runossa ("taivaat", "mystinen", "enkeli"). Jakeessa 13 kuolema lyödään: verbi "elpyä" (joka edelleen vahvistaa, että rakastajat olivat kuolleet, koska heidät on elvytettävä) osoittaa, että enkeli elvyttää rakastajat, ja tämä paluu elämään on onnellinen, kuten enkeli osoittaa "uskollinen ja iloinen".

ellauri162.html on line 576: Esimerkiksi, kun Aatami ja Eeva karkotettiin Paratiisista, Victor kuvailee heitä ulosheittäviä tuulia (vv. 530-536): se on tuulenhenki (spiritus, v. 532) joka hallitsee luontoa ikäänkuin jumalan stuntmannina. Victor ei jätä pois Jumalan päätöstä karkottaa lemmenpari, ollakseni varma, mutta hän ei myöskään tee siitä kertomuksen keskipistettä. Tyypit heitetään vaivihkaa ulos takaovesta. Tämä suuntaus näkyy koko runossa. Jopa kaikkein dramaattisimpien tapahtumien jälkeen (Aatamin ja Eevan karkotus Paratiisista, tulva ja sen jälkiseuraukset sekä Sodoman tuhoaminen), pelastuksen toivoa heilutetaan epigrammaattisesti lukijan nenän edessä tavanmukaisella tyylillä.

ellauri162.html on line 584: Joka tapauksessa niin tapahtui, että Nooa, vaikka hän juhli iloisesti Jumalan kunniaa, nautti juhlista ja maistaa makeita vinettoja, tunsi vahvan viinin vaikutukset ja voitti raskaan unen, laski huolimattomasti raajat lepäämään tavalliselle sängylleen. Ja samalla hänen vaatteensa, rullattu takaisin, paljastivat hänen ruumiinsa piilotetut paikat, ja - Ham perkele! nämä sinun tekovehkeesi saivat sinut nauramaan! arvoton kinkku! Yritit sotkea veljesi, esikoisen Shemin ja Japhetin, nuorimman, syyllisyyden tahralla! Opi, mitä se, että sinä yksin nauroit, vaatii! Veljienne parempi arvostelukyky on arvokas tilaisuus nöyryyteen.

ellauri162.html on line 605: Vaihingerin Als Ob filosofia kärsi viimeisen kolauxen kun myyrännäköinen proffa törmäsi luokkahuoneen oveen. Turhaan se koitti olla niinkuin ei vaitiskaan. Kyllä otti päähän ja kuhmu vaikutti ihan aidolta.

ellauri162.html on line 670:     Hallitus piti minua ilmeisesti silmällä sillä äkisti sain käskyn ilmoittautua kutsunnoissa. Tiesin täsmällisesti mitä se merkitsi: minun olisi vietettävä kaksi tai kolme vuotta maalaisten joukossa, kaikenkarvaisten kovanaamojen ja hurjimusten kanssa, lukemiseen ja kirjoittamiseen ei jäisi aikaa, joka päivä lukemattomia loukkauksia ja kaikki jotta voisin muutaman vuoden kuluttua antaa henkeni isänmaalle. Mutta onko juutalaisilla isänmaata? Noin kymmenen yksi toista vuotta sitten veljeni Joshua oli saanut samanlaisen vaatimuksen uhrata henkensä isänmaansa Venäjän puolesta. Siinä välissä Puolasta oli tullut Saksan osa ja hän oli vähällä joutua palvelemaan saksalaista isanmaata. Tässä minun on oltava suora ja sanottava että vaikka Puola olisi ollut juutalainen kansakunta, minulla ei olisi ollut pienintäkään tarvetta tulla sotilaaksi. Minulle kasarmi merkitsi huomattavasti kovempaa rangaistusta kuin vankila. Juokseminen, hyppiminen, marssiminen ja ampumi nen olisi minulle sietämätön kärsimys ja vielä pahempaa olisi ihmisten joukossa oleminen. Aivan samalla tavalla kuin toiset vaativat jatkuvasti seuraa minä tarvitsin yksinäisyyttä. Koko maailmankuvani edellytti eristymistä, lupaa ja etuoikeutta pysyä erillään muista, aikaa jatkaa tutkailujani ja vaalia kallisarvoista vastarannan kiiskeyttäni. Vasemmistolehdistä ja kirjailijaklubin kommunistien ja heidän myötäjuoksijoittensa kuuntelemisesta tiesin että vasemmistolaisuus halusi poistaa yksityisyyden lopullisesti ja luoda sen sijaan täydellisen yhteisyyden ja yhteisomistuksen He puhuivat koko ajan ällöistä massoista, mutta minun luonteeni vaati vapautta olla yksin niin pitkään ja niin usein kuin halusin. Hederin käyminen päivästä toiseen oli minulle taakka enkä liioin jaksanut ješivaa. En usko että olisin jaksanut kauan yliopistossa. Olisin voinut olla räätäli tai yxin verstaassaan työskentelevä suutari, mutta kuollaksenikaan en olisi voinut työskennellä tehtaassa. On tarpeen lisätä, että vaikka minulla oli vahva veto rakkauteen ja sukupuolisuuteen, olin pysynyt sairaalloisen kainona. Mutta ai että panetti siltikin aivan hemona .

ellauri162.html on line 704: The relationship between worker and employer ought to be shaped by the bonds of friendship and brotherly love. Both are children of God and created in His image. The Church desires that the poor better their situation and has a role to speak out on their behalf and to seek relief of poverty.

ellauri162.html on line 756:     Lyrics Tove Lo, saddest girl on Sweden. Love to fuck you is that okay? Yleisön penkit märkinä kuin Jönsyn luennolla.

ellauri162.html on line 773: He runs one of the most popular atheist blogs on the Internet, called Pharyngula (a stage of the embryonic development of vertebrates). Nielunen. The website is notable for its over-the-top vituperation. Myers also has a flair for attention-getting stunts, like piercing a consecrated host with a rusty nail. In 2009, Myers was named “Humanist of the Year” by the American Humanist Association.

ellauri162.html on line 803: There are six stages to embryonic development, and the pharyngula stage is towards the middle. In the early stages of development there is significant diversity in the morphology of embryos, this diversity decreases over time till the pharyngula stage where they are most similar (often difficult for anyone but trained embryologist to differentiate), and finally in the last stages of development morphology diversifies again. It is hypothesized that the reason the pharyngula stage is so morphologically constrained is that this is the point where sequential activation of hox genes is initiated so any strong deviations from the developmental plan would lead to drastic changes in the final phenotype of the organism.

ellauri162.html on line 827: A somewhat similar report was made concerning the audience of Richard Dawkins´s web community. In February of 2010, the news organization The Telegraph reported that the atheist and evolutionist Richard Dawkins was embroiled "in a bitter online battle over plans to rid his popular internet forum for atheists of foul language, insults and 'frivolous gossip'." In addition, Richard Dawkins has a reputation for being abrasive.     

ellauri162.html on line 834: Williams was found dead in his home in Paradise Cay, California on August 11, 2014. The final autopsy report, released in November 2014, concluded that Williams' death was a suicide resulting from "asphyxia due to hanging". Sen päästä löytyi israelilaisia levyn kappaleita. President Barack Obama released a statement upon Williams's death: Robin Williams was an airman, a doctor, a genie, a nanny, a president, a professor, a bangarang Peter Pan, and everything in between. Se oli Jönsyäkin nuorempi, ja on nyt jo varmaan ihan homeessa.

ellauri163.html on line 35: 	If God is in fact a pretty young black woman with pearly white teeth - why not! Unfortunately the (admittedly also pretty) girl on the cover of The Book of Ephesians is white. So is Courtney Joseph, though not quite as young or pretty.

ellauri163.html on line 37: 	Courtney Joseph is a graduate of the Moody Bible Institute with a degree in Evangelism and Discipleship. After over a decade of leading women’s Bible studies, mentorships and workshops in her local church, she decided to move her ministry on-line at WomenLivingWell.org where she has over 1.5 million views of her videos on youtube. Courtney’s passion and sincerity has made her a leader in the Christian blogging community. She is the Founder of WomenLivingWell.org and GoodMorningGirls.org. 	

ellauri163.html on line 46: Sholem Asch (Yiddish: שלום אַש, Polish: Szalom Asz; 1 November 1880 – 10 July 1957), also written Shalom Ash, was a Polish-Jewish novelist, dramatist, and essayist in the Yiddish language who settled in the United States. 

ellauri163.html on line 48: He wrote the drama Got fun nekome (God of Vengeance) in the winter of 1906 in Cologne, Germany. It is about a Jewish brothel owner who attempts to become respectable by commissioning a Torah scroll and marrying off his daughter to a yeshiva student. Set in a brothel, the play includes Jewish prostitutes and a lesbian scene. I. L. Peretz famously said of the play after reading it: "Burn it, Asch, burn it!" Instead, Asch went to Berlin to pitch it to director Max Reinhardt and actor Rudolph Schildkraut, who produced it at the Deutsches Theater. God of Vengeance opened on March 19, 1907 and ran for six months, and soon was translated and performed in a dozen European languages. It was first brought to New York by David Kessler in 1907. The audience mostly came for Kessler, and they booed the rest of the cast. The New York production sparked a major press war between local Yiddish papers, led by the Orthodox Tageplatt and even the secular Forverts. Orthodox papers referred to God of Vengeance as "filthy," "immoral," and "indecent," while radical papers described it as "moral," "artistic," and "beautiful". Some of the more provocative scenes in the production were changed, but it wasn't enough for the Orthodox papers. Even Yiddish intellectuals and the play's supporters had problems with the play's inauthentic portrayal of Jewish tradition, especially Yankl's use of the Torah, which they said Asch seemed to be using mostly for cheap effects; they also expressed concern over how it might stigmatize Jewish people who already faced much anti-Semitism. The association with Jews and sex work was a popular stereotype at the time. Other intellectuals criticized the writing itself, claiming that the second act was beautifully written but the first and third acts failed to support it.

ellauri163.html on line 50: God of Vengeance was published in English-language translation in 1918. In 1922, it was staged in New York City at the Provincetown Theatre in Greenwich Village, and moved to the Apollo Theatre on Broadway on February 19, 1923, with a cast that included the acclaimed Jewish immigrant actor Rudolph Schildkraut. Its run was cut short on March 6, when the entire cast, producer Harry Weinberger, and one of the owners of the theater were indicted for violating the state's Penal Code, and later convicted on charges of obscenity. Weinberger, who was also a prominent attorney, represented the group at the trial. The chief witness against the play was Rabbi Joseph Silberman, who declared in an interview with Forverts: "This play libels the Jewish religion. Even the greatest anti-Semite could not have written such a thing". (You just wait for Philip Roth...) After a protracted battle, the conviction was successfully appealed. In Europe, the play was popular enough to be translated into German, Russian, Polish, Hebrew, Italian, Czech, Romanian and Norwegian. Indecent, the 2015 play written by Paula Vogel, tells of those events and the impact of God of Vengeance. It opened on Broadway at the Cort Theater in April 2017, directed by Rebecca Taichman. Eli ei Asch ihan pasé vielä ole.

ellauri163.html on line 55: 	  Viereeni tuolille olin sijoittanut filosofian historian ja joukon muita kirjoja joiden avulla voisin saada häiriintyneen henkeni järjestyxeen. Olin lainannut Breslerin kirjastosta Tolstoin moraaliset novellit ja esseet, Spinozan Etiikan, Kantin Käytännöllisen järjen kritiikin, Schopenhauerin Maailman tahtona ja ajatuksena, Nietzschen teoksen Näin puhui Zarathustra ja pasifisti Forsterin teoksen (jonka nimeä en muista, oisko ollut Maurice?), Payot'n Tahdon kasvattamisen ja useita teoksia hypnoosista, itsesuggestiosta (Coué, Charles Baudoin), ja ties mitä muuta kaikki teoksia jotka sivusivat olennaista. Peräti ostanut olin Rabbi Moshe Haim Luzzatton kirjan Oikeamielisen vaellus ja viidennen Mooseksen kirjan, joka oli mielestäni viisain teos mitä ihminen on koskaan kirjoittanut.

ellauri163.html on line 57: 	Mitä kaikkea tuhrin tähän tilikirjaan jonka olin ostanut vanhojen tavaroiden kaupustelijan kärryiltä? Käyttäytymisohjeita, novellien, romaanien, näytelmien aiheita, ruumiillisen ja henkisen hygienian sääntöja jotka olin oppinut samaiselta Payot'lta; kaikenlaisia ajatelmia jotka saattoivat olla joko omiani tai jäänteitä lukemastani ja unohtamastani;  eikä vähempää kuin uusi versioni kymmenexi käskyxi  joita en saanut valmiiksi koska niistä puuttui juoni. Muistan tänäkin päivänä jotain näistä kymmenestä käskystä (joita kertyi minun käsissäni 12):

ellauri163.html on line 142:     Julmia lakeja. Sodankäyntiin sovellettavia lakeja. Vierastiimiläisten kanssa sopii olla oikein julmana, kaikki vihulaiset halki poikki ja pinoon vaan. Paizi ne joiden naisia sopii bylsiä ja lapsia käyttää välipalana. Vaan hukuta ne peräti: nimittäin hetiläiset, amorilaiset, kanaanealaiset, pheresiläiset, heviläiset ja jebusilaiset, niinkuin herra sinun jumalas sinulle on käskenyt.

ellauri163.html on line 382: For those Xians who say that there has been no king of Judah since J-sus they should check their math. In fact there has been no ruler from the tribe of Judah since 586 B.C.E That is right: 600 years prior to his supposed messiah. Guess he just proved to himself that J-sus was inelligible.

ellauri163.html on line 452: Mooseksen isoäidin hauta on Maple Groven hautausmaalla Hoosick Fallsissa. Grandma Moses , syntynyt Anna Maria Robertson Mooses (* 7. Syyskuu 1860 Greenwich Yhdysvaltain valtio New York, † 13 Joulukuu 1961 vuonna Hoosick Falls, New York) oli yhdysvaltalainen taidemaalari, kuvittaja ja edusti naivisti taidetta.

ellauri163.html on line 531: Jules Payot, né le 10 avril 1859, mort le 30 janvier 1940 à Aix-en-Provence, est un pédagogue et universitaire français. Payot est né en 1859 à Chamonix. Il fut une figure de premier plan dans l´enseignement laïque et en 1907, il fut nommé recteur des académies de Chambéry et d´Aix-en-Provence.

ellauri163.html on line 567:   Mutta kimeerisen vapaan tahdon partisaanit sanovat: jos et voi luoda mitään, jos et vapaavaihteisella fiiatilla voi antaa sellaista motiivia tai motiivia, jota sillä ei luonnollisesti ollut, et ole vapaa! — Jos se tehdään, olemme vapaita, emmekä muuten ole vapaita: sen sijaan, että teeskentelisimme, kuten te, annamme voiman motiivin yksinkertaisella (?) tahdolla, salaperäisellä, omituisella teolla, vastoin kaikkia tieteellisiä lakeja, kun meikäpojat taas, me teeskentelemme antavamme sen sille soveltamalla sitä älykkäästi assosiaatiolakia. Komennamme ihmisluontoa vain tottelemalla sitä. Ainoa tae vapaudestamme on psykologian lait, jotka ovat myös ainoa mahdollinen vapautumisvälineemme. Meillä on vapaus vain determinismin puitteissa.

ellauri163.html on line 571: Tällä te olette taas ennalta määrättyjä ja julmempia kuin kalvinistinen ennakkoastuminen, sillä kalvinistinen ennalta määrätty ei tiedä, että hän on ennalta määrätty hänelle, eikä taivaan toivo koskaan jätä häntä. — Mutta oppilaasi voi omantunnon perusteellisen tarkastelun perusteella tietää, ettei hänellä ole halua, ei armoa, että kaikki ponnistukset ovat siis hyödyttömiä: hänen on jätettävä ovelle kaikki toivo.

ellauri163.html on line 650: Iorick Byrnison on massiivinen panssaroitu karhu. Panssaroidun karhun haarniska on hänen sielunsa. Iorickin haarniska varastetaan, joten hänestä tulee sieluton ja epätoivoinen. Lyran avulla hän saa takaisin haarniskansa, arvokkuutensa ja sielukkaan kuninkaanasemansa panssaroitujen karhujen yli. Kiitollisena ja vaikuttuneena hänen ovelasta valehtelustaan, hän kutsuu häntä "Lyra Silvertongueksi". Voimakas soturi ja haarniskaseppä Iorek korjaa hienovaraisen taskuveitsen, kun se särkyy. Myöhemmin hän käy sotaa Esivaltaa ja Metatronia vastaan.

ellauri163.html on line 674: Tony Makarios on naiivi poika, jonka rouva Coulter houkuttelee vankeuteen. Venäläiset matkailijat tervetulleita ortodoksikirkkoihin myös Lapissa. Lapin ortodoksisen seurakunnan matkapappi Isä Makarios kutsuu myös venäläiset matkailijat juhlimaan ortodoksista teofaniaa, eli Herran kasteen juhlaa. Hänen mukaansa kirkon ovet ovat avoinna kaikille halukkaille, myös ensi sunnuntaina. Kyproxella oli ennen arkkipiispa Makarios. Vai oliko? Siitä on niin kauan...

ellauri163.html on line 697: With an 11-year-old hero, Philip Pullman´s new book is a delightful nod to Edmund Spenser´s 'The Faerie Queene'. If Philip Pullman’s Dark Materials trilogy was an obvious nod to John Milton’s Paradise Lost, his new Book Of Dust trilogy takes inspiration from Edmund Spenser’s The Faerie Queene. Though thematically different, both fall within the same literary genre—they are epic poems, long narrative pieces recounting heroic deeds, and if the term could loosely be used to describe works of prose, then La Belle Sauvage, the first in the Book Of Dust trilogy, is one such novel. Spenser’s late-16th century poem, though incomplete, follows the adventures of medieval knights. Our knight is 11-year-old Malcolm Polstead, curious, intelligent, good-natured and clueless, when we first meet him, of the trials that await him. La Belle Sauvage, then, is a companion, or "equel" (a new story that stands alongside his previous trilogy), to His Dark Materials trilogy. Better strike while the iron is hot, as J.K. Rowling did. 

ellauri163.html on line 723: Day wrote concerning atheist PZ Myers´ blog audience: “It´s by no means a scientific test, but it is interesting to note the coincidence that 59 of the virulent atheists over at Dr. PZ Myers place report an average score on the Asperger´s Quotient test of 27.8. And this does not include the two individuals who actually have Asperger´s but did not report any test results.

ellauri163.html on line 727: “ 	Basically the range for possible answers is 0 to 50. The information below shows you the different ranges as recorded from others sitting this same AQ quiz over the years.

ellauri163.html on line 733: 22-25 shows autistic tendencies slightly above the population average

ellauri163.html on line 740: In fact, scores of 32 or above are one of strong indicators of having as ASD.

ellauri163.html on line 780: 

ellauri163.html on line 795:   Näemme muita hyökkäyksiä hänen persoonaansa, mukaan lukien nuoret perverssit, jotka ryhtyvät paljastamaan sukuelimiään hänelle, kutsuen häntä Ratfaceksi. Pahinta on hänen kotielämänsä. Hänen äitinsä on kuolemaisillaan, hänen vastasyntynyt pikkuveljensä on välittämätön, ja hänen vanhempi veljensä ja isänsä (Paul Hebert) ovat bootleggereja, jotka toimittavat bootleggiä Louisa-baariin. Hänen isoveljensä jättää hänet huomiotta, ja hänen isänsä fyysisesti, emotionaalisesti ja suullisesti pahoinpiteli häntä. Elokuva liikkuu nopeasti vinjettien läpi, jotka maalaavat muotokuvan staattisesta merkityksettömyydestä ja epätoivosta hänen elämässään.

ellauri163.html on line 807:   Vaikka Au Hasard Balthazarin lopussa kriitikot väittävät usein, että aasi oli kuollut elokuvan lopussa, kun näemme vain sen kuolevana, tämä elokuva olettaa myös kuoleman, mutta näemmekö sen ei ole yhtä tärkeää kuin aiemmassa elokuvassa, joka päättyy lempeään eroon ennen tätä hetkeä. Tämä elokuva päättyy Mouchetten tietoiseen tietämättömyyteen riippumatta siitä, näemmekö hänen todellisen loppunsa vai emme. Ja kuten mainittiin, tämä loppu ei ole läheskään yhtä tyydyttävä, kerronnallinen, emotionaalisesti tai loogisesti kuin aasin loppu. Syynä on se, että vaikka hyväksyisi, että tyttö raiskattiin ja hiänen äitinsä kuoli tuntien sisällä toisistaan, hiänellä on silti paljon tekemistä, nimittäin Arsenen kaa, olisin mielelläni nähnyt niiden sexiä vähän lähemmin ja enemmän. Aasi oli vanha ja sieti kuollakin, mutta she still had much going for her. She was a juicy little dish. My handkerchief was all wet when the film was over.

ellauri163.html on line 813: Hän vastustaa musiikinopettajansa kiusaamista, hän vastustaa naispuolisten luokkatovereidensa aivastuksia, hän ei anna isänsä hyväksikäytön vaikuttaa häneen, hän ei anna tyydytystä nuorille miespuolisille perversseille, jotka väläyttelevät häntä, ja hän vastustaa vain hieman Arsenea, vaikka yksin, yöllä, aikuisen miehen kanssa - tosiasia, joka jälleen viittaa siihen, että hiänen sukupuoliaktinsa hänen kanssaan ei ollut raiskaus, ja että hiänen alustavat protestinsa johtuivat yksinkertaisesti siitä, että hiänellä ei ollut aavistustakaan siitä, että välitöntä ylivaltaa voisi seurata ilostelu, koska oletamme, että hän oli neitsyt ja jolla oli vain katutason lapsen mytologia siitä, mitä sukupuoliakti oli.

ellauri163.html on line 835: Pohjimmiltaan Mouchette-niminen elokuva tiivistää hahmonsa Mouchetten näkökulman, jonka avulla katsoja voi sekä "tuntea" hieman hahmon loimia, samalla kun se pystyy istumaan taaksepäin ja älyllisesti etääntymään itsestään ja "ymmärtämään" hahmon loimia. Riippumatta siitä, tarkoittiko Bresson tätä kaksinkertaista näkökulmaa elämään, se ja monet muut elokuvan vahvuudet enemmän kuin korvaavat sen heikon lopun ja nostavat sen suuruuteen, joka, vaikka se ei ole äärimmäinen suuren elokuvan kaanonissa, tekee Mouchettesta kuitenkin elokuvan, johon termiä "suuri" sovelletaan takuulla. On varmasti pahempiakin tapoja epäonnistua, hieman tai muuten. Kuin toi nolo loppu siis, joko mainizin?

ellauri163.html on line 860:   Payotin yxityiselämästä ei juuri löydy tietoa, se jää kumikaulatutkan katveeseen. Eikä Emilestäkään paljoa. Oliko se kova panomies niinkuin heimoveljensä Isaac Singer? Sen parta oli epäjuutalaisesti stailattu.

ellauri163.html on line 866: Émile Durkheim, bien que fils de rabbin, etait agnostique. Il entre à l'École normale supérieure où il est reçu septième à l'agrégation de philosophie en 1882. Par la suite, il enseigne la philosophie aux lycées du Puy (octobre 1882), de Sens (novembre 1882), de Saint-Quentin (février 1884), de Troyes (1885).

ellauri163.html on line 885: Durkheim then ventures a step further, seeing no big fist struck him from the heavens. Religion is not only a social creation; it is the power of the community itself that is being worshiped. The power of the community over the individual so transcends individual existence that people collectively give it sacred significance.

ellauri163.html on line 889: By worshiping God people are unwittingly worshiping the power of the collective over them—a power that both created and guides them. They are worshiping society itself. Religion is one of the main forces that make up the collective conscience; religion which allows the individual to transcend self and act for the social good. But traditional religion was weakening under the onslaught of the division of labor; what could replace religion as the common bond?

ellauri163.html on line 1027: yhtä toimiva. 
 Kitty loves me yes I know / 

ellauri164.html on line 37: 

ellauri164.html on line 232: A pupil of William "Will to Believe" James, whose Essays in Radical Empiricism he edited (1912), Perry became one of the leaders of the New Realism movement. Perry argued for a naturalistic theory of value and a New Realist theory of perception and knowledge. He wrote a celebrated biography of William James, which won the 1936 Pulitzer Prize for Biography or Autobiography, and proceeded to a revision of his critical approach to natural knowledge. An active member among a group of American New Realist philosophers, he elaborated around 1910 the program of new realism. However, he soon dissented from moral and spiritual ontology, and turned to a philosophy of disillusionment. Perry was an advocate of a militant democracy: in his words "total but not totalitarian". Puritanism and Democracy (1944) is a famous wartime attempt to reconcile two fundamental concepts in the origins of modern America. Durkheim oli taas aivan oikeassa: sodan aikana vedetään moraalin korsetinnauhat kireälle.

ellauri164.html on line 246: Remembering Robert M. Veatch, PhD 1939-2020. Bob Veatch from Georgetown loved genealogy and had confirmed a Veatch connection to the Stuart (Stewart among the Scots) dynasty.  He was a long-time fan of bluegrass and Bob and his wife Ann were founding members of the Lucketts Bluegrass Foundation in Lucketts, Virginia, location of the world’s longest running bluegrass concert series (45 years strong!). He used to laugh and say that he thought likely he was the only undergraduate at Harvard reading Plato while listening to bluegrass. Bob was a Peace Corps volunteer in Nigeria from 1962-1964.

ellauri164.html on line 361: Peter Piskuila (Matohäntä) (engl. Peter Pettigrew) (1959/1960 – maaliskuu 1998) oli Harry Potterin isän, James Potter, koulutoveri. Hän ei tosin ollut hyvä ystävä, vaan lähinnä ”iilimato”, joka roikkui Jamesin, Sirius Mustan ja Remus Lupinin seurassa. Peter ihaili Jamesia, hänen rohkeuttaan, taitojaan ja tapaansa osoittaa pientä kapinaakin koulussa. Meillä asuu joku Peter Piskuila portaiden alla, käy öisin vanhassa kompostissa syömässä. Nyt on ostettu 3 rotanloukkua, jotka voivat koitua sille päänmenoxi. 

ellauri164.html on line 372: I blew through this novel myself, which in retrospect was somewhat of a grave mistake, as the book alternates between compelling and highly engaging dialogues to unrealistically long monologues which to me resemble a Rimbaud poem in translation than anything else, which is to say: hard to parse. That they got more than what they bargained for is what the ordinary reader will be struck by first when they read this. The complexity of each of the conversations cannot be overstated, which I think will inevitably result in readers just mechanically scanning the sentences rather than internalizing the arguments, with the final result being the great part of the novel sliding off like rain, leaving only vague impressions like it did with me unfortunately, but the parts that did affect me left me very humbled. And chiefly this impression will not be helped by another one of the defining features of the novel, which is its vagueness. It deliberately leaves a lot of key details unheard and leaves a lot to the ability to infer events by the reader. Though sometimes frustrating to a reader like me who reads history and biography, I recognize that it should be so for this novel, for the main conflict in it is a psychological one, so I wouldn't have it any other way.

ellauri164.html on line 379: I wanted to like this book so much more than I did. I actually found it incredibly difficult to understand. Some of it, I think, was that it was poorly translated. I read a 1962 edition that doesn't even cite a translator -- so many of the sentences were so convoluted as to be utterly obtuse. Poor translation or witless reader? I never could figure out why Mlle Chantal was such an angry bitch and why she insisted on tormenting the priest. What was her secret? Was the priest an alcoholic or just terminally sick? Gay? Why did M le Comte come to hate the priest? These are just some of the basic narrative issues I couldn't figure out. Forget the whole spiritual aspect--much of what the priest mused on and felt was incomprehensible to me as he described it. I can't help wondering if I'd have understood it if I had read it in French. Or maybe I'm just so spiritually challenged (in a God believing, Catholic way) that I can't comprehend it when it's described. All of that said, there were profoundly moving passages here and there, but over all I don't begin to know what I read. It's rather embarrassing actually--I feel so simple! (less)

ellauri164.html on line 388: I wouldn't recommend this much for a modern audience, or at least one not interested in debates of the nature of God's love. Human love there is precious little of. And no sex.

ellauri164.html on line 391: over 5 years ago

ellauri164.html on line 398: over 14 years ago

ellauri164.html on line 402: Unbelievable, lame, boring, melodramatic, but says some interesting stuff about language. For the protagonist, a priest writing a journal, literary creation is an act of resistance and subversion. The novel also contrasts human language with God's language in a self-reflective way that I have not often found in Christian novels. (less)

ellauri164.html on line 431: Wonderful work. The dialogue is enthralling and the intimate sighs of this fictitious priest are mesmerising. Love people simply and thoroughly - that’s all this poor priest could do, yet it is in doing this that Christ is most thoroughly communicated.

ellauri164.html on line 437: "In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself." Pro primo, ei se näytä koko aikana ymmärtävän tai  edes välittävän kenestäkään juuri midiä. Pro secundo, koko kirja on yhtä nöyrän piiraan mutustelua. Siitä puhe mistä puute. This man shares something with Isaiah’s “worm among men.” Ich aber bin ein Wurm und kein Mensch. Ich bin eine Ratte (Psalmit 22:6).

ellauri164.html on line 457: In 1938, Otto Hahn, Lise Meitner and Fritz Strassmann discovered nuclear fission, for which Hahn received the 1944 Nobel Prize for Chemistry. Nuclear fission was the basis for nuclear reactors and nuclear weapons.

ellauri164.html on line 458: Between 1934 and 1938, he worked with Strassmann and Meitner on the study of isotopes created through the neutron bombardment of uranium and thorium, which led to the discovery of nuclear fission. He was an opponent of national socialism and the persecution of Jews by the Nazi Party that caused the removal of many of his colleagues, including Meitner, who was forced to flee Germany in 1938.

ellauri164.html on line 483: Moses is one of the most prominent figures in the Old Testament. While Abraham is called the “Father of the Faithful” and the recipient of God’s unconditional covenant of grace to His people, Moses was the man chosen to bring redemption to His people. God specifically chose Moses to lead the Israelites from captivity in Egypt to salvation in the Promised Land. Moses is also recognized as the mediator of the Old Covenant and is commonly referred to as the giver of the Law. Finally, Moses is the principal author of the Pentateuch, the foundational books of the entire Bible. Moses’ role in the Old Testament is a type and shadow of the role Jesus plays in the New Testament. As such, his life is definitely worth examining.

ellauri164.html on line 489: The next major incident in Moses’ life was his encounter with God at the burning bush (Exodus 3—4), where God called Moses to be the savior of His people. Despite his initial excuses and outright request that God send someone else, Moses agreed to obey God. God promised to send Aaron, Moses’ brother, along with him. The rest of the story is fairly well known. Moses and his brother, Aaron, go to Pharaoh in God’s name and demand that he let the people go to worship their God. Pharaoh stubbornly refuses, and ten plagues of God’s judgment fall upon the people and the land, the final plague being the slaying of the firstborn. Prior to this final plague, God commands Moses to institute the Passover, which is commemorative of God’s saving act in redeeming His people from bondage in Egypt.

ellauri164.html on line 491: After the exodus, Moses led the people to the edge of the Red Sea where God provided another saving miracle by parting the waters and allowing the Hebrews to pass to the other side while drowning the Egyptian army (Exodus 14). Moses brought the people to the foot of Mount Sinai where the Law was given and the Old Covenant established between God and the newly formed nation of Israel (Exodus 19—24).

ellauri164.html on line 493: The rest of the book of Exodus and the entire book of Leviticus take place while the Israelites are encamped at the foot of Sinai. God gives Moses detailed instructions for the building of the tabernacle—a traveling tent of worship that could be assembled and disassembled for easy portability—and for making the utensils for worship, the priestly garb, and the ark of the covenant, symbolic of God’s presence among His people as well as the place where the high priest would perform the annual atonement. God also gives Moses explicit instructions on how God is to be worshiped and guidelines for maintaining purity and holiness among the people. The book of Numbers sees the Israelites move from Sinai to the edge of the Promised Land, but they refuse to go in when ten out of twelve spies bring back a bad report about Israel’s ability to take over the land. God condemns this generation of Jews to die in the wilderness for their disobedience and subjects them to forty years of wandering in the wilderness. By the end of the book of Numbers, the next generation of Israelites is back on the borders of the Promised Land and poised to trust God and take it by faith.

ellauri164.html on line 495: The book of Deuteronomy shows Moses giving several sermon-type speeches to the people, reminding them of God’s saving power and faithfulness. He gives the second reading of the Law (Deuteronomy 5) and prepares this generation of Israelites to receive the promises of God. Moses himself is prohibited from entering the land because of his sin at Meribah (Numbers 20:10-13). At the end of the book of Deuteronomy, Moses’ death is recorded (Deuteronomy 34). He climbed Mount Nebo and is allowed to look upon the Promised Land. Moses was 120 years old when he died, and the Bible records that his “eye was undimmed and his vigor unabated” (Deuteronomy 34:7). The Lord Himself buried Moses (Deuteronomy 34:5–6), and Joshua took over as leader of the people (Deuteronomy 34:9). Deuteronomy 34:10–12 says, " Since then, no prophet has risen in Israel like Moses, whom the Lord knew face to face, who did all those signs and wonders the Lord sent him to do in Egypt—to Pharaoh and to all his officials and to his whole land. For no one has ever shown the mighty power or performed the awesome deeds that Moses did in the sight of all Israel."

ellauri164.html on line 497: The above is only a brief sketch of Moses’ life and does not talk about his interactions with God, the manner in which he led the people, some of the specific ways in which he foreshadowed Jesus Christ, his centrality to the Jewish faith, his appearance at Jesus’ transfiguration, and other details. But it does give us some framework of the man. He is somewhat recalcitrant, to put it mildly.

ellauri164.html on line 502: Another thing we see from Moses during his time spent in Midian is that, when God finally did call him into service, Moses was resistant. The man of action early in his life, Moses, now 80 years old, became overly timid. When called to speak for God, Moses said he was “slow of speech and tongue” (Exodus 4:10). Some commentators believe that Moses may have had a speech impediment. Perhaps, but then it would be odd for Stephen to say Moses was “mighty in words and deeds” (Acts 7:22). Perhaps Moses just didn’t want to go back into Egypt and fail again. This isn’t an uncommon feeling. How many of us have tried to do something (whether or not it was for God) and failed, and then been hesitant to try again? There are two things Moses seemed to have overlooked. One was the obvious change that had occurred in his own life in the intervening 40 years. The other, and more important, change was that God would be with him. Moses failed at first not so much because he acted impulsively, but because he acted without God. Therefore, the lesson to be learned here is that when you discern a clear call from God, step forward in faith, knowing that God goes with you! Do not be timid, but be strong in the Lord and in the power of his might (Ephesians 6:10).

ellauri164.html on line 504: The third and final chapter in Moses’ life is the chapter that Scripture spends the most time chronicling, namely, his role in the redemption of Israel. Several lessons can be gleaned from this chapter of Moses’ life as well. First is how to be an effective leader of people. Moses essentially had responsibility over two million Hebrew refugees. When things began to wear on him, his father-in-law, Jethro Tull, suggested that he delegate responsibility to other faithful men, a lesson that many people in authority over others need to learn (Exodus 18). We also see a man who was dependent on the grace of God to help with his task. Moses was continually pleading on behalf of the people before God. If only all people in authority would petition God on behalf of those over whom they are in charge! Moses was keenly aware of the necessity of God’s presence and even requested to see God’s glory (Exodus 33). Moses knew that, apart from God, the exodus would be meaningless. It was God who made the Israelites distinct, and they needed Him most. Moses’ life also teaches us the lesson that there are certain sins that will continue to haunt us throughout our lives. The same hot temper that got Moses into trouble in Egypt also got him into trouble during the wilderness wanderings. In the aforementioned incident at Meribah, Moses struck the rock in anger in order to provide water for the people. However, he didn’t give God the glory, nor did he follow God’s precise commands. Because of this, God forbade him from entering the Promised Land. In a similar manner, we all succumb to certain besetting sins which plague us all our days, sins that require us to be on constant alert.

ellauri164.html on line 506: These are just a handful of practical lessons that we can learn from Moses’ life. However, if we look at Moses’ life in light of the overall panoply of Scripture, we see larger theological truths that fit into the story of redemption. In chapter 11 the author of Hebrews uses Moses as an example of faith. We learn that it was by faith that Moses refused the glories of Pharaoh’s palace to identify with the plight of his people. The writer of Hebrews says, “[Moses] considered the reproach of Christ greater wealth than the treasures of Egypt” (Hebrews 11:26). Moses’ life was one of faith, and we know that without faith it is impossible to please God (Hebrews 11:6). Likewise, it is by faith that we, looking forward to heavenly riches, can endure temporal hardships in this lifetime (2 Corinthians 4:17–18).

ellauri164.html on line 508: As mentioned earlier, we also know that Moses’ life was typological of the life of Christ. Like Christ, Moses was the mediator of a covenant. Christ too was a little recalcitrant, so he got crucified.  Again, the author of Hebrews goes to great lengths to demonstrate this point (cf. Hebrews 3; 8—10). The Apostle Paul also makes the same points in 2 Corinthians 3. The difference is that the covenant that Moses mediated was temporal and conditional, whereas the covenant that Christ mediates is eternal and unconditional. Like Christ, Moses provided redemption for his people. Moses delivered the people of Israel out of slavery and bondage in Egypt and brought them to the Promised Land of Canaan. Christ delivers His people out of bondage and slavery to sin and condemnation and brings them to the Promised Land of eternal life on a renewed earth, like Azrael in the forthcoming third season of His Dark Materials. Like Christ he returns to consummate the kingdom He inaugurated at His first coming. Like Christ, Moses was a prophet to his people. Moses spoke the very words of God to the Israelites just as Christ did (John 17:8). Moses predicted that the Lord would raise up another prophet like him from among the people (Deuteronomy 18:15). Jesus and the early church taught and believed that Moses was speaking of Jesus when he wrote those words (cf. John 5:46, Acts 3:22, 7:37). In so many ways, Moses’ life is a precursor to the life of Christ. As such, we can catch a glimpse of how God was working His plan of redemption in the lives of faithful people throughout human history. This gives us hope that, just as God saved His people and gave them rest through the actions of Moses, so, too, will God save us and give us an eternal Sabbath rest in Christ, both now and in the life to come. But don't get your hopes too high, you may not be among the chosen after all.

ellauri164.html on line 540: Whatever the reason for the drastic punishment, behold what grumbling does. It fuels discontent and bitterness. Be careful, fellow Christians; we can all succumb to the temptation to draw others into our anger, doubts, dissatisfaction, and fears. After all, misery loves company. Sharing concerns with friends is good and necessary, but this must be tempered by the knowledge that too much can harm them and us. A steady diet of grumbling is not good for anyone.

ellauri164.html on line 552: Two lessons: 1. The failings of good men may be culpable in God's sight and displeasing to him out of all proportion to the degree of blameworthiness they present to our eye. So far is it from being true (as many seem to think) that believers' sins are no sins at all, and need give no concern, that, on the contrary, the Lord dislikes the stain of sin most when it is seen in his dear children. The case of Moses is not singular. Sins which the Lord overlooks in other men he will occasionally put some mark of special displeasure upon, when they are committed by one who is eminent for holiness and honourable service. It is, no doubt, a just instinct which leads all right-thinking people to be blind to the failings of good men who have been signally useful in their day. But if the good men become indulgent to their own faults they are likely to be rudely awakened to a sense of their error. The better a man is, his sins may be the more dishonouring to God. A spot hardly visible on the coat of a labouring man, may be glaringly offensive on the shining raiment of a throned king.

ellauri164.html on line 560: AGAIN the congregation of Israel was brought into the wilderness, to the very place where God proved them soon after leaving Egypt. The Lord brought them water out of the rock, which had continued to flow until just before they came again to the rock, when the Lord caused that living stream to cease, to prove His people again, to see if they would endure the trial of their faith or would again murmur against Him.

ellauri164.html on line 572: This necessity for the manifestation of God's power made the occasion one of great solemnity, and Moses and Aaron should have improved it to make a favorable impression upon the people. But Moses was stirred, and in impatience and anger with the people, because of their murmurings, he said, "Hear now, ye rebels, must we fetch you water out of this rock?" In thus speaking he virtually admitted to murmuring Israel that they were correct in charging him with leading them from Egypt. God had forgiven the people greater transgressions than this error on the part of Moses, but He could not regard a sin in a leader of His people as in those who were led. He could not excuse the sin of Moses and permit him to enter the Promised Land.

ellauri164.html on line 577: but God Himself. The Lord had committed to Moses the burden of leading His people, while the mighty Angel went before them in all their journeyings and directed all their travels. Because they were so ready to forget that God was leading them by His Angel, and to ascribe to man that which God's power alone could perform, He had proved them and tested them, to see whether they would obey Him. At every trial they failed. Instead of believing in, and acknowledging, God, who had strewed their path with evidences of His power and signal tokens of His care and love, they distrusted Him and ascribed their leaving Egypt to Moses, charging him as the cause of all their disasters. Moses had borne with their stubbornness with remarkable forbearance. At one time they threatened to stone him.

ellauri164.html on line 579: The Heavy Penalty. The Lord would remove this impression forever from their minds, by forbidding Moses to enter the Promised Land. The Lord had highly exalted Moses. He had revealed to him His great glory. He had taken him into a sacred nearness with Himself upon the mount, and had condescended to talk with him as a man speaketh with a friend. He had communicated to Moses, and through him to the people, His will, His statutes, and His laws. His being thus exalted and honored of God made his error of greater magnitude. Moses repented of his sin and humbled himself greatly before God. He related to all Israel his sorrow for his sin. The result of his sin he did not conceal, but told them that for thus failing to ascribe glory to God, he could not lead them to the Promised Land. He then asked them, if this error upon his part was so great as to be thus corrected of God, how God would regard their repeated murmurings in charging him (Moses) with the uncommon visitations of God because of their sins.

ellauri164.html on line 583: The sins of good men, whose general deportment has been worthy of imitation, are peculiarly offensive to God. They cause Satan to triumph, and to taunt the angels of God with the failings of God's chosen instruments, and give the unrighteous occasion to lift themselves up against God. The Lord had Himself led Moses in a special manner, and had revealed to him His glory, as to no other upon the earth. He was naturally impatient, but had taken hold firmly of the grace of God and so humbly implored wisdom from heaven that he was strengthened from God and had overcome his impatience so that he was called of God the meekest man upon the face of the whole earth.

ellauri164.html on line 586: water from the rock at Meribah. Moses and the sons of Aaron buried him in the mount, that the people might not be tempted to make too great ceremony over his body, and be guilty of the sin of idolatry.

ellauri164.html on line 654: God called Moses to lead His people out of slavery in Egypt.  The Law was given to show people their bondage to sin in the world, and their need for the shed blood of a sacrificial Passover lamb to cover for their sin.  Moses was condemned by the very law he gave. He shot himself in the foot.

ellauri164.html on line 709: He has reached the end of his rope. He has been patient with these complaining and rebellious people, but he couldn’t take it any longer. Their constant ingratitude and rebelliousness caused Moses to lose faith in the people. This is the people that were supposed to be God’s treasured possession, a holy nation of priests who had agreed to be in a covenant relationship with God (Ex 19:5-8). What a disappointment they had turned out to be and Moses was finished interceding for them. God knew Moses was not going to intercede for the people at Meribah, therefore He doesn’t ordain punishment for them. 

ellauri164.html on line 711: So, how does this connect back to Moses being barred from entering the Promised Land? Because the people were unfaithful and so difficult to lead, Moses’s own faith suffered. This caused him to lose confidence that God could develop the Israelites into a faithful covenant people who were meant to be a nation of priests and a means of blessing the nations.

ellauri164.html on line 715: If there is any doubt this was Moses’s problem, this verse removes it: “because you broke faith with me in the midst of the people of Israel at the waters of Meribah-kadesh, in the wilderness of Zin, and because you did not treat me as holy in the midst of the people of Israel.” (Deut. 32:51 ESV)

ellauri164.html on line 727: Moses assembled the people, but he didn't follow orders quite the way he should have. Instead of just speaking to the rock, which would have demonstrated the power of the word over the power of his rod, he struck it twice, saying, "Listen, you rebels, shall we get water for you out of this rock?" It almost sounded as though Moses was taking credit for delivering the water. That was not true. Perhaps the strain of leading the people all those years was finally starting to show. He called them rebels, which in a sense they were. But God did not tell him to do this. Nor was there any mention of God at that point. All seemed directed at Moses and Aaron: "Must we bring water out of this rock?" Depending on how it's read, it could indicate doubt on the part of Moses.

ellauri164.html on line 729: The bottom line is that both he and Aaron disobeyed God. Moreover, the water that rushed out was no longer seen as a gift from God, but was a product of Moses and Aaron. The people were happy; God was not. He said, "You did not trust in me; and you did not honor me as holy" (Num. 20:13). Hence, neither of them would set foot into the Promised Land. Yet, it is important to notice that just as God did not abandon his people when they sinned, he did not abandon Moses and Aaron. But in this one instance, they didn't pass the test. When crunch time came, they didn't trust God. And all of this happened at the waters of Meribah.

ellauri164.html on line 731: That's the Biblical explanation, but frankly, the punishment just doesn't seem to fit the crime. In reading the whole story, Moses was an exemplary leader, the ideal mediator between the people and God, and always faithful to the covenant. One little mistake and he's punished forever! It hardly seems just.

ellauri164.html on line 733: In reality, the people who were writing this story knew that Moses did not lead them into the Promised Land. In fact, he had completed his assignment long ago. God had instructed him to lead the people out of Egypt (Ex. 3:10). They were out of Egypt. His job was done. So maybe this wasn't a punishment at all; maybe it was a reward! He was roughly 120 years of age at this point. They all knew that settling into the Promised Land would have its challenges. That land was fully occupied, and many battles were ahead of them. Surely it was time to let Joshua take over. It was time for Moses to rest. Granted, there might have been other ways for God to accomplish this, but the writers of the story chose to tell it like this. The end result is that Moses was free of his responsibility to the people, free to be with God on the mountaintop.

ellauri164.html on line 785: A. Disobedience is not overlooked by God (Acts 17:30; Hebrews 5:9).

ellauri164.html on line 808:     It was always before the Ark of the Covenant, including the mercy seat.

ellauri164.html on line 810:     It was chosen above all other staffs by God Himself.

ellauri164.html on line 818:     As Aaron’s staff was chosen above all others, so Christ is above all others. We are a royal priesthood; but He is our High Priest.

ellauri164.html on line 867: There are few characters that play a larger part in the story of the Bible than Moses. He is the human protagonist of four Old Testament books and is consistently held up in both the OT and NT as a shining example of faith in the promises of God. The law that he delivered to the people of Israel serves as the foundation of the nation of Israel, and is lauded by Jesus as a testament that would not pass until “heaven and earth pass away…[and] all is accomplished.” One of the great tragic moments of the Bible is where Moses is denied entrance to the Promised Land for his sin at the Rock of Meribah; after faithfully leading Israel for forty years, Moses strikes a rock instead of speaking to it and is condemned to die before living in the Promised Land. On its surface, this might seem unfair to Moses. One mess-up and God gives him this great punishment? How many times had Israel failed in their journey and at Mt. Sinai, and God had spared their lives and allowed them to keep going? Yet His most faithful servant is barred over this one, seemingly insignificant event? If we take a closer look at the text, however, we see why Moses’ failure was such a stark one. While it doesn’t diminish the tragic nature of the event, it does shed light on why God takes such a drastic step to respond.  

ellauri164.html on line 871:                 This pattern shows itself again in the beginning of Numbers 20 after the death of Miriam. Once more Israel rebels against Moses and Aaron, this time over a lack of water in the desert of Zin. They claim that it would have been better to have died with Korah’s rebellion rather than wander without food and water, and they express regret over leaving Egypt, a land of “grain, figs, vines, and pomegranates.” This might seem a bold claim, since in our reading Korah has just died a few chapters earlier. Careful reading, however, indicates that there’s actually been a quiet time skip; Numbers 33:38 indicates that Aaron died in “the fortieth year after the sons of Israel had come from the land of Egypt, on the first day in the fifth month.” Given that Aaron’s death is recorded in Chapter 20, just a few verses after the episode at Meribah, this would indicate that the episode at Meribah occurred in year 38 of the 40 year wandering in the wilderness (remember that Israel had spent more than a year at Sinai in addition to travel time from Egypt to Sinai and from Sinai to the Promised Land before the wandering). This means that this rebellious generation of Israelites aren’t referencing a recent event, but instead wishing they had died nearly forty years earlier with Korah! Moses and Aaron have been dealing with this wicked and hard group of people for a very long time, and they are now claiming it would have been better to have died with Korah: a fate they were only spared because of Moses and Aaron’s own intercession!

ellauri164.html on line 873:                 We would expect the pattern to repeat here. The people have rebelled, so the next part would be God’s wrath and threats of destruction. Instead, however, God merely grants their request for water. No mention of sin or possible annihilation, just grace in providing for Israel’s needs. The fact that this cycle we’ve come to expect changes is designed to highlight an important event; the oddity of the text “awakens us from our narrative slumber,” as one commentator puts it, and forces us to pay attention closely to what’s occurring. Why would God not threaten destruction? To answer that, we have to remember a key aspect of God’s character: He does not change. Hebrews 13:8 says He is the same yesterday and today and forever, “without variation or shifting shadow,” (James 1:17). The purpose of the threats of destruction, and Moses/Aaron’s intercession, was not to actually change God’s mind. God knew exactly what was going to happen in all these instances. God’s threats on Israel are spoken to Moses so that Moses will intercede. They are tests of Moses’ (and Aaron’s) character, just as God’s conversation with Abraham over the fates of Sodom and Gomorrah (Genesis 18) was about testing Abraham’s character rather than the doomed cities. Yet here, in Numbers 20, God does not follow the pattern. Why?

ellauri164.html on line 877:                 The reading that makes more sense is to focus on the breaking of the pattern established to this point. Moses’ harsh words toward the Israelites reveal his emotions in this moment; he classifies Israel as “rebels” rather than the chosen people, and his rhetorical question seems to imply that he does not view Israel as worthy of God’s grace any longer. This is the real failure of Moses in this moment: he’s lost his faith in God to fulfill His promises to these people. Israel is a nation of rebels outside of grace, outside of God’s ability to make a great nation, outside of the promises that God has given. It seems nearly forty years of dealing with this people has finally broken Moses, and he is so overwhelmed in this moment that he has lost faith. From God’s perspective, Moses has lost faith in the Lord to overcome Israel’s faithlessness. Moses has not believed in God, and has not treated Yahweh as the Holy God who is able to overcome the weakness of His people. Indeed, this is exactly what Numbers 20:12 says was Moses’ sin! He (and Aaron!) did not believe God and did not treat Yahweh as holy in that moment. God did offer Moses the opportunity to intercede for the people (and thus broke the pattern) because He knew that Moses did not have faith in Him.

ellauri164.html on line 881:                 The second mention is in Deuteronomy 3:23-26, where after retelling the defeats of the kings Sihon and Og Moses relates that “I also pleaded with the Lord at that time, saying, ‘O Lord God, You have begun to show Your servant Your greatness and Your strong hand; for what god is there in heaven or on earth who can do such works and mighty acts as Yours? Let me, I pray, cross over and see the fair land that is beyond the Jordan, that good hill country and Lebanon.’ But the Lord was angry with me on your account, and would not listen to me; and the Lord said to me, ‘Enough! Speak to Me no more of this matter.” Again, Moses directly links the Lord’s anger towards him with the Israelites.

ellauri164.html on line 883:                 The third mention is in Deuteronomy 4:21-23, where Moses has moved past the historical recounting and is now warning Israel of the danger of idolatry. He says ““Now the Lord was angry with me on your account, and swore that I would not cross the Jordan, and that I would not enter the good land which the Lord your God is giving you as an inheritance. For I will die in this land, I shall not cross the Jordan, but you shall cross and take possession of this good land.  So watch yourselves, that you do not forget the covenant of the Lord your God which He made with you, and make for yourselves a graven image in the form of anything against which the Lord your God has commanded you.” Now Moses uses his own tragic story as an illustration on the importance of avoiding idolatry in the Promised Land. So Moses’ failure to enter the Promised Land was related to the continuous rebellion of Israel, and was an illustration of the dangers of violating the covenant promises.

ellauri164.html on line 885: Reading the Numbers 20 passage the way that has been suggested makes sense of what Moses says in Deuteronomy. He’s not shifting the blame to Israel for his own failures, but highlighting that their constant rebellion was what caused him to lose his faith in God. Moses lack of faith led him to forget the promise and covenant of God, so he is using that illustration to demonstrate the dangers of forsaking the covenant: just like Moses, Israel will be forbidden the Promised Land if they don’t maintain faith in the covenant promises of God. That’s really one of the main points of Deuteronomy. It’s not just the covenant laws for the new generation, but Moses exhorting the new generation to never lose hope in the promise of God. Moses, knowing Israel, recognizes that there will come a day when they fail to uphold the covenant and they will be punished for it, but he also recognizes that God’s promises will stand no matter how badly Israel fails to uphold it. This, then, is the main point we should derive as well: God will always keep His promises. We, as the heirs to the promises to Abraham and Israel, should always firmly believe in the power of God to bring us, a broken people like Israel, to the shores of the Promised Land!

ellauri164.html on line 892: To begin with, we need to know that there were two instances where the children of Israel on their journey to Canaan drank water from the rock. The first was at a place known as Rephidim which would later be called Massah (temptation) and Meribah (strife). The second was at Kadesh. The water here was also called water of Meribah. “This is the water of Meribah; because the children of Israel strove with the LORD, and He was sanctified in them.” Numbers 20:13

ellauri164.html on line 898: The first instance therefore quoted above (Exodus 17: 5–6), symbolized that Christ Jesus was to be smitten or die once. “So Christ was once offered to bear the sins of many; and unto them that look for Him shall He appear the second time without sin unto salvation.”  Hebrews 9:28

ellauri164.html on line 914: “Had Moses and Aaron been cherishing self-esteem or indulging a passionate spirit in the face of divine warning and reproof, their guilt would have been far greater. But they were not chargeable with willful or deliberate sin; they had been overcome by a sudden temptation, and their contrition was immediate and heartfelt. The Lord accepted their repentance, though because of the harm their sin might do among the people, He could not remit its punishment.” –Patriarchs and Prophets, p. 419

ellauri164.html on line 916: Moses was so beloved by God, but when he sinned He still punished His servant’s sin. “God is no respecter of persons” (Acts 10:34). Yet it is because he repented, and confessed his sin, that God forgave him. Not long after his death he was resurrected and taken up into heaven (Jude 9)

ellauri164.html on line 933: Did Moses realize immediately what he had done? At some point after this event, “the Lord spoke to Moses and Aaron, ‘Because you did not believe Me, to hallow Me in the eyes of the children of Israel, therefore you shall not bring this assembly into the land which I have given them.’” Their conduct had publicly displayed a lack faith, reverence and respect. God determined that this needed an equally public punishment. The punishment for this sin was grievous. God gave to them a punishment so similar to the one given to all Israel at Kadesh that it was a heart-breaking moment for Moses. Both he and Aaron would die in the wilderness and not be allowed to enter the promised land. What a bitter pill for Moses to swallow. Like David with Bathsheba, God forgave the sin, but did not remove the consequences. The consequences for Moses’ momentary lapse in reverence and respect under the terrible emotion of anger was to be barred from entrance into the promised land.

ellauri164.html on line 939: Conclusion. Though the water came, Moses was severely punished. He was punished in a way that no amount of repentance could remove. As noted above, the sin was forgiven, but the consequences of the sin could not be. Because Moses had sinned publicly and God wanting Israel to understand His righteousness, He would not relent. “Then I pleaded with the Lord at that time...  I pray, let me cross over and see the good land beyond the Jordan, those pleasant mountains, and Lebanon ... the Lord said to me: ‘Enough of that! Speak no more to Me of this matter.’ ... you shall not cross over this Jordan.”  (Deut. 3:23-27). There is a lot of important lessons we can learn from Moses. This sin is one of them. Though Moses had fallen short of God’s glory here, God forgave him. Yet the consequences of the sin were deeply distressing. So it was with David, Paul and Job. So will it be with us. We need to hate sin and realize that the consequences can sometimes be severe.

ellauri164.html on line 947:     “Then I pleaded with the Lord at that time, saying: 24 'O Lord God, You have begun to show Your servant Your greatness and Your mighty hand, for what god is there in heaven or on earth who can do anything like Your works and Your mighty deeds?  25 I pray, let me cross over and see the good land beyond the Jordan, those pleasant mountains, and Lebanon.' 26 "But the Lord was angry with me on your account, and would not listen to me. So the Lord said to me: 'Enough of that! Speak no more to Me of this matter. 27 Go up to the top of Pisgah, and lift your eyes toward the west, the north, the south, and the east; behold it with your eyes, for you shall not cross over this Jordan.” (Deut. 3:23-27)

ellauri164.html on line 977: God seems to be trying to wean the Israelites from one kind of perception to another: from dependence on the visible and tangible to reliance on speech in connecting with God. At Sinai, all their senses were engaged, but the revelation itself was auditory. When Moses retells and reframes the story (Deut. 4:12), he reminds the people, “The sound of words you did hear, but no image did you see except the sound.” There is a grave danger in relying on the visible. The word forimage in the verse above is temunah—the same word that is used in the Ten Commandments in the warning against idolatry (Exod. 20:4).

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ellauri171.html on line 238: 

ellauri171.html on line 391: What’s the story really about? At the time the story of Cain and Abel developed, there was constant friction between farmers and herdsmen, both of them fighting for the limited resources of the land. Cain kills Abel. A herd of goats in a stony, barren landscape The herdsmen were angry when the farmers took over the best land for their crops the farmers were angry when the flocks trampled their crops.This friction leads to violence in which people get killed. Notice that the story was developed by the herdsmen, the keepers of flocks. This explains why Abel, the herdsman, is portrayed as the injured party.  Lucky Luke-tarinassa Piikkilankoja preerialla skooparit repi pelihousunsa kun jyväjemmarit pystyttivät piikkilankoja preerialle. Sillä kertaa oli maajussit hyvixiä. Nyt on keskusta taas paha. 

ellauri171.html on line 398: The story continues the Bible’s exploration of the origin of evil in a world created by a God who is all goodness. (Remember the old word game: write down ‘God’ and ‘Devil’; then put an extra ‘o’ in the middle of ‘God’ and take the ‘d’ off ‘devil’; what do you have?) Another one: write the words backwards, what do you get? Dog lived.  Okay never mind let's move on.

ellauri171.html on line 447: 	When the murder was discovered the enemy soldiers fled in panic, so Judith was proclaimed the savior of her people.

ellauri171.html on line 463: Jehu was merciless, and Jezebel died horribly. She was first thrown from the window of her palace, then trampled to death by chariot horses driven over her still-living body.

ellauri171.html on line 504:     The young girl Dinah is seized and raped by Shechem. Shechem tries to atone. He falls in love with Dinah and offers to marry her. He also offers compensation to her family. Jacob accepts the young man’s attempt at reconciliation, but his sons do not. They plan to murder Shechem and all the men of the city. Dinah’s brothers massacre the men of the city, including Shechem, and enslave the women and children. Dinah’s fate is unknown.

ellauri171.html on line 506: Dinah was the daughter of Leah, the unloved wife of the tribal leader Jacob. Jacob had always preferred his other wife Rachel, even though Leah seems to have been a loving wife and gave her husband many children.

ellauri171.html on line 507: From the start, therefore, Dinah may have felt that she was unloved by her father, the very man who should have loved her.

ellauri171.html on line 512: She seems to have been confident enough of her safety to move freely among the the Canaanite women of the region -relations with Canaanites were friendly, and the women of both peoples considered themselves to be safe.

ellauri171.html on line 513: Women at this time seem to have been relatively free to move around – think of Rachel and Rebecca, who move around in public without any apparent problems.

ellauri171.html on line 521: But Shechem falls passionately in love post coitum! So not at all what happened with Amnon. Dinah must have been a better lay. Now love complicates what would otherwise be the simple story of a violent crime. Shechem declared that he has fallen passionately in love with Dinah. He told her this, and he told anyone who would listen to him. He loved her tenderly – the words of the story imply longing, yearning, tenderness, not the usual feelings of a rapist.

ellauri171.html on line 536: Hamor tries to placate them by telling them his son loves Dinah, and wants to marry her. Their relationship will be based on loyalty and trust, he implies. He speaks respectfully, and carefully includes the brothers in his discussion, making them a generous offer:

ellauri171.html on line 561: They seems unaware or unconcerned that they are demeaning the Covenant, and the significance of circumcision. They say that if the men of the city will agree to circumcision they will agree to the marriage, and will go so far as to settle there.

ellauri171.html on line 586: 	It is over-retaliation, and it prompts the Bible’s command to limit retribution to ‘an eye for an eye, a tooth for a tooth’. Only retribution in kind may be taken if an injury has been suffered.

ellauri171.html on line 664: Eleven tribes (called Israel in the account) reacted by demanding that the tribe of Benjamin give the guilty men, who caused the death of the concubine, to be released. But the people of Benjamin protected the guilty men and refused to turn them over for justice (Judges 20:12–14).

ellauri171.html on line 679: 	The first important lesson from this account is that the Bible indicates God did not approve of the horrible sins that occurred in the city of Gibeah. Judges 20:18, 23, 28, 35 repeatedly reveal that God directed the other tribes of Israel to action against a morally evil tribe. This reveals that the accusation of some that Scripture is silent about the evil that occurred is wrong. The reason the account is recorded is summarized at the end of Judges 21. There God reveals that He condemned the nation of Israel for its actions in Judges 19-21. Judges 21:25 says, “In those days there was no king in Israel; everyone did what was right in his own eyes.” It reveals what happens when men and women abandon God. Romans 3:10-18 states the human race is utterly perverted and their actions will demonstrate it.  It says no one seeks after God.  “There is not even one!” We have all turned aside from God.  Jesus said to the rich young ruler in Matthew 19:17 that there is only One who is good and He is God. The rest of Romans 3:10-18 describes our utter sinfulness and despicable behavior when we abandon God. That describes the inhabitants of Gibeah and the nation of Benjamin. Tämmöistä sakinhivutusta suositaan armeijoissa nykyäänkin. Jos syyllistä ei saada kiinni, pannaan koko komppania kärsimään. Hemmetti tää on kyllä alkeellista touhua. Kuka tästä enää haluaa mitään oppia? No vizi on että raamatun lukijoista on varmasti yli 50% just yhtä alkeellista porukkaa. Ei apinat ole mihkään muuttuneet, ne on sopeutuneet tähän. 

ellauri171.html on line 687: 	A fifth lesson is that the account describes what happens when men and women abandon God. Sex and other immoral behavior replace God! The entire story is an example of unrestrained animal lust and human depravity. Total disregard for life occurs. What one desires is all that is important. As Proverbs 30:15 says, “The leech has two daughters, “Give,” “Give” . . . ” Women are less important than men. Men abuse men. Unloving men abusively rule over women. Sex  trumps everything else. Why? Judges 21:25 says, “. . . everyone did what was right in his own eyes.”

ellauri171.html on line 689: 	The sixth lesson is that the homosexuals demonstrated that to them homosexual sexual activity is more desirable than heterosexual activity. However, heterosexual behavior is acceptable if that is all that is available to them. Romans 1:23-24, 26 and 28 teach that when people are given over to homosexual activity, it is a sign that they have rejected God. Homosexual activity is a more serious sin among sins, despite the claims of some. See the study, “Are some sins worse than other sins? – Are all sins equal?” Also notice that Judges 19:22 refers to the men of Gibeah as “worthless fellows.”

ellauri171.html on line 691: 	Judges 19-21 demonstrates that God is opposed to the abuse of women in this account. He commanded the destruction of an entire tribe because they did not punish those who raped and abused a concubine and caused her to die. Only when she died did they stop! We are told they abused her all night until dawn. Further, they were so morally bankrupt and corrupt that they left her dead at the door of the Levite. Scripture lifts women above the degradation of the Canaanites and the surrounding nations, but the town of Gibeah had become like the Canaanites. God has a higher view of women than described here. That is why He ordered the destruction of the unjust and morally bankrupt tribe of Benjamin.

ellauri171.html on line 701: Daniel Block writes these words, “The Levite had preferred Gibeah over Jebus to avoid the dangers of Canaanism, only to discover that Canaan had invaded his own world.” Sadly, Canaanism is invading our world and some western countries appear to be far worse than the tribe of Benjamin. They do not even seek the Lord for direction. At least the other eleven tribes sought the Lord and killed tens of thousands more. Jehovah was appeased.

ellauri171.html on line 710: She offered the exhausted soldier some milk to drink, then waited for him to fall into exhausted sleep. Then she took a tent peg and a mallet, stepped quietly to his side, knelt down, then swiftly drove the peg through the side of his skull. He died instantly – an ignominious death at the hands of a woman.

ellauri171.html on line 727: The battle, a David and Goliath situation: sumo wrestler towers over a small boy. 

ellauri171.html on line 743: But Ehud had a plan. As he handed the booty over, he whispered to the king that he has secret information that he could only divulge in private. The king, intrigued, invited Ehud into a private room upstairs. It was a tiny room with a commode toilet for the use of the king and his family.

ellauri171.html on line 747: He was left-handed. The guards searched for a weapon on his left thigh where a right-handed person would have hidden it. They missed the knife inside his right thigh! Clever! Bible Murders: Ehud murders Eglon. Man's body of about the same proportions as Eglon's. The Bible gives a graphic description of the king’s body. It was so fat that the blade went deep into his belly: it plunged so far in that the hilt went in as well, and the skin closed over it.

ellauri171.html on line 748: Ehud’s hand was covered in faeces. Then Ehud quickly left, locking the door after him so the servants would think the king was taking his time as he relieved himself.

ellauri171.html on line 751: ‘Then Ehud reached with his left hand, took the sword from his right thigh, and thrust it into Eglon’s belly; the hilt also went in after the blade, and the fat closed over the blade, for he did not draw the sword out of his belly; and the faeces came out.

ellauri171.html on line 775: The lesson: God always wins. That's a pretty simplistic way of saying it, but it's true nonetheless. Even when people like Athaliah try to stomp out an entire family and put an end to God's plan for redemption, when people like the priests of Baal lead others to worship idols instead of the true God, God will always triumph in the end. The negative forces of our culture make us wonder where we're headed as a people. Many of our leaders show little integrity or morality, and dishonesty is overlooked in the workplace. Kindness is often the exception rather than the rule. But don't despair. This is not a battle God plans to lose. In the end, he will prevail! You just wight Enry Jiggins!

ellauri171.html on line 787: Many Christians are born into poverty, having no choice in the matter. For example, faithful believers who love God and do all His commandments live in the poorer countries of the world. In fact, God has called many poor into His church. James the apostle asked, “Has God not chosen the poor of this world to be rich in faith and heirs of the kingdom which He promised to those who love Him?” (James 2:5).

ellauri171.html on line 789: The Bible teaches Christians to be content with their lot in life. Paul the apostle wrote, “godliness with contentment is great gain” (1 Timothy 6:6). It is virtuous of a Christian to remain undistracted by the riches of the world while being committed to Christ. For, “better is a little with the fear of the Lord, than great treasure with trouble” (Proverbs 15:16).

ellauri171.html on line 791: The poverty of some is caused by unwise financial decisions or by refusing to work. The Bible says, “He who has a slack hand becomes poor” (Proverbs 10:4). Christians are always admonished to work and earn their keep. As the apostle Paul wrote to the Thessalonians, “We urge you, brethren, that you… work with your own hands… that you may walk properly toward those who are outside, and that you may lack nothing” (1 Thessalonians 4:10-12). One who is lazy and will not work is not showing Christian behavior. God does not like a talent to get buried, it must be invested so as to yield compound interest. That is the proper way to fill the earth. The righteous will prosper and get a lot of sheep. 

ellauri171.html on line 795: At this point, Jesus said to His disciples, “it is hard for a rich man to enter the kingdom of heaven” (Matthew 19:23). Hard but not impossible. A camel can be diluted in acid and injected thru a needle. Anyway it was just the name of a gate in Jerusalem. This is because the care of riches in this life can be a snare for a Christian. A Christian’s heart cannot be set on riches and cares of this world above the Kingdom of God. In another example, the parable of the sower, Jesus warned that some who receive the word of God will allow their spiritual growth to be choked off by “the cares of this world and the deceitfulness of riches” (Matthew 13:22). These things show us that being poor can help a Christian not to be ensnared by such things.  No cause to complain then.

ellauri171.html on line 797: Though Christians may be poor in this world, it is God’s will to "eventually" eliminate poverty. The Bible speaks in much detail of a coming time of peace and prosperity on earth when poverty will be wiped out. It is called the millennium. God the Father has a plan to send His Son back to earth in great power and glory. “He has appointed a day on which He will judge the world in righteousness by the Man whom He has ordained” (Acts 17:31).

ellauri171.html on line 799: Until that day, God is continually searching the hearts of His people to know what is in them. He allows some Christians to be poor, even while other believers have wealth. What a Christian does in each circumstance is important to God. In the book of Revelation, the glorified Jesus Christ said to one of His churches, "I know your… poverty, but you are rich” (Revelation 2:9). That is, these Christians were poor in the wealth of this world, but were rich in faith toward God.  

ellauri171.html on line 828:     Astarte, goddess of war, hunting and love.

ellauri171.html on line 894:     Qadeshtu, lit. "Holy One", putative goddess of love, desire and lust. Also a title of Asherah.

ellauri171.html on line 925: The Late Bronze Age collapse was a time of societal collapse between c.1200 and 1150 BCE, preceding the Greek Dark Ages. The collapse affected a large area covering much of Southeast Europe, West Asia and North Africa, comprising the overlapping regions of the Near East and Eastern Mediterranean, with Egypt, eastern Libya, the Balkans, the Aegean, Anatolia, and the Caucasus. It was a transition which historians believe was violent, sudden, and culturally disruptive for some Bronze Age civilizations during the 12th century BCE, along with a sharp economic decline of regional powers.

ellauri171.html on line 935: Eshuwara, the senior governor of Cyprus, responded:

ellauri171.html on line 954:   In Canaanite mythology there were twin mountains Targhizizi and Tharumagi which hold the firmament up above the earth-circling ocean, thereby bounding the earth. W. F. Albright, for example, says that El Shaddai is a derivation of a Semitic stem that appears in the Akkadian shadû ("mountain") and shaddā'û or shaddû'a ("mountain-dweller"), one of the names of Amurru. Philo of Byblos states that Atlas was one of the Elohim, which would clearly fit into the story of El Shaddai as "God of the Mountain(s)". Harriet Lutzky has presented evidence that Shaddai was an attribute of a Semitic goddess, linking the epithet with Hebrew šad "breast" as "the one of the Breast". The idea of two mountains being associated here as the breasts of the Earth, fits into the Canaanite mythology quite well. The ideas of pairs of mountains seem to be quite common in Canaanite mythology (similar to Horeb and Sinai in the Bible). The late period of this cosmology makes it difficult to tell what influences (Roman, Greek, or Hebrew) may have informed Philo's writings.

ellauri171.html on line 956: In the Baal Cycle, Ba'al Hadad is challenged by and defeats Yam, using two magical weapons (called "Driver" and "Chaser") made for him by Kothar-wa-Khasis. Afterward, with the help of Athirat and Anat, Ba'al persuades El to allow him a palace. El approves, and the palace is built by Kothar-wa-Khasis. After the palace is constructed, Ba'al gives forth a thunderous roar out of the palace window and challenges Mot. Mot enters through the window and swallows Ba'al, sending him to the Underworld. With no one to give rain, there is a terrible drought in Ba'al's absence. The other deities, especially El and Anat, are distraught that Ba'al has been taken to the Underworld. Anat goes to the Underworld, attacks Mot with a knife, grinds him up into pieces, and scatters him far and wide. With Mot defeated, Ba'al is able to return and refresh the Earth with rain.

ellauri171.html on line 964: Canaanite deities such as Baal were represented by figures which were placed in shrines, often on hilltops, or 'high places' surrounded by groves of trees, such as is condemned in the Hebrew Bible, in Hosea (v 13a) which would probably hold the Asherah pole, and standing stones or pillars.

ellauri171.html on line 985: In the nudes of European painting we can discover some of the criteria and conventions by which women have been seen and judged as sights.

ellauri171.html on line 999: In Christian lore, Jezebel’s prominent association is that of a sexual essence. Authoritative sources such  Thesaurus and Urban Dictionary return results like “whore,” “harlot,” “slut.” John in his drug dream seems to associate the Biblical queen with the “mother of whores and of abominations” who “rules over the kings of the earth” and who has committed fornication with them (Revelation 17:2, 5, 18).

ellauri171.html on line 1005:   Jezebel’s support of Tyros' national God  Baal  led her to persecute Jewish bigots who overtly rejected idolatry, beginning with the prophets. Scripture tells us that she had these ideological adversaries executed, and in turn promoted 450 prophets of Baal and 400 prophets of god Asherah.

ellauri171.html on line 1007: Jezebel pursued Elijah the Prophet as well. Elijah had challenged the false prophets of Baal to produce a tangible response from their deity, during an epic showdown on Mount Carmel.  When they failed to do so, the prophets of the Baal were proven false and Elijah had them all killed. Haha! When Jezebel threatened to kill Elijah in retribution, he fled for his life. Fucking murderer and a wimp to boot!

ellauri171.html on line 1016:   Jezebel is characterized as totally evil in the biblical text and beyond it: in the New Testament her name is a generic catchword for a whoring, non-believing female adversary (Revelations 2:20); in Judeo-Christian traditions, she is evil. The Bible is careful not to refer to her as queen. And yet, this is precisely what she seems to have been. Some early Jewish, albeit post-biblical, sources deconstruct the general picture: “Four women exercised government in the world: Jezebel and Athaliah from Israel, Semiramis and Vashti from the [gentile] nations” (in a Jewish Midrash for the Book of Esther, Esther Rabbah)

ellauri171.html on line 1053: Although the readers know that God has killed two of Judah’s sons, Judah does not. This is known as dramatic irony. He suspects that Tamar is a “lethal woman,” a woman whose sexual partners are all doomed to die. So, Judah is afraid to give Tamar to his youngest son, Shelah, the inventor of Shelah quantifiers. So doing, Judah wrongs Tamar. According to Near Eastern custom, known from Middle Assyrian laws, if a man has no son over ten years old, he could perform the Levirate marriage (yibbum) obligation himself; if he does not, the woman is declared a “widow,” free to marry again. Judah, who is perhaps afraid of Tamar’s lethal character, could have set her free. But he does not—he sends her to live as “a widow” in her father’s house. Unlike other widows, she cannot remarry and must stay chaste on pain of death. She is in limbo.

ellauri171.html on line 1057: Tamar’s plan is as simple as it is clever: she covers herself with a veil so that Judah won’t recognize her, and then she sits in the roadway at the “entrance to Enaim” (Hebrew petah enayim; literally, “eye-opener”). She has chosen her spot well. Judah will pass as he comes back happy and horny (and maybe tipsy) from a sheep-shearing festival. The veil is not the mark of a prostitute (haha); rather, it simply will prevent Judah from seeing Tamar’s face, and women sitting by the roadway are apparently fair game. So, Judah propositions her, offering to give her a kid (well he did) for her services and giving her his pet seal and staff id (the ancient equivalent of a credit card) in pledge.

ellauri171.html on line 1070: You know things aren't going well when it gets tedious watching a teen girl strut around in short shorts and a loose top and you're waiting for her to use the ax and get it over with.

ellauri171.html on line 1072: A really dumb, derivative rip-off, slovenly constructed and played with the sort of ludicrous earnestness that just misses being bad enough to qualify as high camp.

ellauri171.html on line 1090: As relatively stylish on the surface as it is resoundingly familiar beneath, Tamara should prove more than serviceable enough for the hardcore horror fans.

ellauri171.html on line 1105: When Tamar reached puberty her half-brother Amnon, David’s eldest son, developed an unnatural obsession with his young half-sister. He watched her, he waited in places where she passed, he could not get enough of her presence, and above all he wanted to possess her.

ellauri171.html on line 1108: Why not? At that time it would have been a possibility, though not a preferred one. Perhaps the marriage that had been arranged for Tamar was too politically sensitive to upset, or maybe Amnon thought that David would disapprove of his obsession, seeing it as a weakness. After all, a king could not afford to let emotions interfere with politics. Remember Batsheba, haha. 

ellauri171.html on line 1126: Since they were directly commanded to go, her servants also had to leave the room – David’s heir was not someone to be crossed. Then, still feigning the irritation of a sick person, he went into the bedroom alcove and insisted he would only eat the food if she brought it to him there and fed him with her own hand.

ellauri171.html on line 1152: When her brother Absalom found out what had happened he comforted her as best he could, and moved her out of the harem into his own house. Then he went to the King and demanded that Amnon marry his sister – marriage between a half-brother and sister was a possibility in this extreme case, though biblical law prohibited it elsewhere. But for his favorite king David Jehovah was prepared to make an exception.

ellauri172.html on line 148:   Yxi Jorin diggaamista Edgar Allan Poe-tyyppisistä sekoiluista oli Villiers d'Isle-Adamin noveletta Veera, jonka mottona luki: L’amour est plus fort que la Mort, a dit Salomon : oui, son mystérieux pouvoir est illimité. Paskanjauhantaa. Kuten todettiin hautakirjoitus-albumissa: rakastaminen on elävien askaretta. Kuolleet eivät bylsi eikä juorua. Villiers oli jonkunlainen Hegel-diggari. Tarina ei kaikessa lyhykäisyydessään ollut kummonen:

ellauri172.html on line 167: Si entusiasmò per la Rivoluzione francese, durante il suo soggiorno parigino, nel 1789, ma ben presto, a causa del degenerare della rivoluzione dopo il 1792, il suo atteggiamento favorevole si trasformò in una forte avversione per la Francia. Tornò in Italia, dove continuò a scrivere, opponendosi idealmente al regime di Napoleone, e dove morì, a Firenze, nel 1803, venendo sepolto tra i grandi italiani nella Basilica di Santa Croce. Già dagli ultimi anni della sua vita Alfieri divenne un simbolo per gli intellettuali del Risorgimento, a partire da Ugo Foscolo.

ellauri172.html on line 183: Ei muuta kun takas turistelemmaan. Viaggi e dissolutezze. Toccò la Svezia e la Finlandia, giungendo in Russia, dove non volle neppure essere presentato a Caterina II, avendo sviluppato una profonda avversione al dispotismo.

ellauri172.html on line 190: 	Ritrovò i suoi vecchi compagni di Accademia militare e di gioventù. Con loro istituì una piccola società che si riuniva settimanalmente in casa sua per «banchettare e ragionare su ogni cosa», la "Societé des Sansguignon", in questo periodo scrisse «cose miste di filosofia e d'impertinenza», per la maggior parte in lingua francese, tra cui l'Esquisse de Jugement Universél, ispirato agli scritti di Voltaire. Guignon on paha silmä.

ellauri172.html on line 244: Persialainen koululainen ja filosofi 12. vuosisadalta Al-Ghazali sovelsi sitä päätöxentekoon ja kysyi voiko valita 2 yhtä hyvän (tai pahan) vaihtoehdon väliltä. Hän oli sitä mieltä että vapaa tahto eli höpsismi voi sen ratkaista.

ellauri172.html on line 263: Social Psychologist Kurt Lewin's Field Theory treated this paradox experimentally. He demonstrated that lab rats experience difficulty when choosing between two equally attractive (approach-approach) goals. The typical response to approach-approach decisions is initial ambivalence, though the decision becomes more decisive as the organism moves towards one choice and away from another. [So what? Kurt should repeat the experiment with donkeys.]

ellauri172.html on line 265:   The situation of Buridan's ass was given a mathematical basis in a 1984 paper by American computer scientist Leslie Lamport (LaTex -ladontaskriptikielen kexijä, LOL), in which Lamport presents an argument that, given certain assumptions about continuity in a simple mathematical model of the Buridan's ass problem, there is always some starting condition under which the ass starves to death, no matter what strategy it takes. He points out that just because we do not see people's asses starving to death through indecision, this does not disprove the principle. The persistence of a Buridan's undecided state for the required length of time may just be sufficiently improbable that it has not been observed. 

ellauri172.html on line 285: 26 Then the angel of the Lord moved on ahead and stood in a narrow place where there was no room to turn, either to the right or to the left. 27 When the donkey saw the angel of the Lord, it lay down under Balaam, and he was angry(E) and beat it with his staff. 28 Then the Lord opened the donkey’s mouth,(F) and it said to Balaam, “What have I done to you to make you beat me these three times?(G)”

ellauri172.html on line 320: Hyvä Guauy! Hienoa että FUCK ottaa selkävoiton pahasta EATista ja KILListä! Make love not war!

ellauri172.html on line 371: Sich zur offnen Tür herein bewegt.		Ilmestyy avoimelle ovelle.			

ellauri172.html on line 473: Horchet an der Tür und horchet lange,		Kuuntelee ovella pitkään hartaasti:		

ellauri172.html on line 478: Unbeweglich bleibt sie an der Türe,		Liikkumatta odottelee ovella,			

ellauri172.html on line 625:     Paha Mesnilgrand heittää vittuilumielessä Le Capentierin pystiä appelsiininkuorella. Sous la Restauration, au retour des Bourbons, il est exilé comme régicide, en 1816 : il trouve refuge à l'île de Guernesey, mais en est chassé par les autorités britanniques et revient de façon clandestine dans la Manche, se cachant dans le canton des Pieux. Après trois années de recherches, il est de nouveau arrêté, le 6 novembre 1819, sur dénonciation. Condamné à la prison à perpétuité, il meurt dans la prison du Mont-Saint-Michel, où il chantait les louanges de la famille royale et répondait comme servant à la messe tous les matins. Sa dépouille est décapitée et enterrée dans le cimetière d'Ardevon. Päätöntä touhua.

ellauri172.html on line 966:     La Controverse de Valladolid, roman de Jean-Claude Carrière, 1992 et 1999.

ellauri172.html on line 990: Kaisa Oravisto kysyi Tehtaankadulla niiden ovella että voitasko sextata. Kylmie herrantähen säikähin. Vaikka se tarkoitti vaan pusimista, kuten myöhemmin kävi ilmi.

ellauri180.html on line 45: The Young Adult Vampire Diaries is an American supernatural teen drama television series developed by Kevin Williamson and Julie Plec, based on the book series of the same name written by L. J. Smith. The series premiered on The CW on September 10, 2009, and concluded on March 10, 2017, having aired 171 episodes over eight seasons.

ellauri180.html on line 47:     The Young Adult Vampire Diaries is a young adult vampire fiction series of novels created by American author L. J. Smith. The story centers on Elena Gilbert, a young adult high school girl who finds her heart eventually torn between two young adult vampire brothers, Stefan and Damon Salvatore.

ellauri180.html on line 49: The Awakening (ISBN 978-1-4449-0071-2) is the first novel in the Young Adult Vampire Diaries series and introduces the main cast of characters Elena, Stefan, Matt, Bonnie, Caroline and Meredith (who is absent from the TV series).

ellauri180.html on line 55: Elena has received mainly positive reviews. Steve West of the Cinema Blend compared the story of The Young Adult Vampire Diaries and the character of Elena to the 10 years older popular vampire franchise, Twilight, and its protagonist Bella Swan. West said "Clearly Elena is way hotter than Bella, she has two immortal young adult vampires fighting over her". (Täähän on jo moneen kertaan nähty: chick litissä tytöllä pitää ollä väh. 2 kosijaa, ei se muuten ole mistään kotoisin.) After the vampire episodes, Elena established her own medical practice, specialising in blood diseases. 

ellauri180.html on line 125: Read more from Brianna West: The Truth About Everything, This Is For The Women Who Won't Give A Fuck, Never Mind How Nice You Ask, Your Soul Is A River, The Mountain Is You. The Art Of Letting Go, Read This If, It'll be Okay, and You Will Be Too, Don’t F*cking Panic: The Shit They Don’t Tell You in Therapy About Anxiety Disorder, Panic Attacks, & Depression, Your Heart Will Heal, Better Than Happy, Love Some One, You Vibrant Happy Women!  Oops, most of these titles are Related Books by other snake-oil saleswomen! 

ellauri180.html on line 174: OBJECTIVES: Globally approximately 25% of men are circumcised for religious, cultural, medical, or parental choice reasons. However, controversy surrounds the procedure, and its benefits and risks to health. We review current knowledge of the health benefits and risks associated with male circumcision. METHODS: We have used, where available, previously conducted reviews of the relation between male circumcision and specific outcomes as "benchmarks", and updated them by searching the Medline database for more recent information. RESULTS: There is substantial evidence that circumcision protects males from HIV infection, penile carcinoma, urinary tract infections, and ulcerative sexually transmitted diseases. We could find little scientific evidence of adverse effects on sexual, psychological, or emotional health. Surgical risks associated with circumcision, particularly bleeding, penile injury, and local infection, as well as the consequences of the pain experienced with neonatal circumcision, are valid concerns that require appropriate responses. CONCLUSION: Further analyses of the utility and cost effectiveness of male circumcision as a preventive health measure should, in the light of this information, be research and policy priorities. A decision as to whether to recommend male circumcision in a given society should be based upon an assessment of the risk for and occurrence of the diseases which are associated with the presence of the foreskin, versus the risk of the complications of the procedure. In order for individuals and their families to make an informed decision, they should be provided with the best available evidence regarding the known benefits and risks. And they should also know what God thinks of it.

ellauri180.html on line 179:     Despite an estimated one-sixth of the world's men having been circumcised, it has long been forgotten where or why this most intriguing operation began. The procedure has been performed for religious, cultural and medical reasons, although the last has only become fashionable since the rise of modern surgery in the 19th century. Accordingly, the indications for surgery have surfaced, submerged and altered with the trends of the day. In this review we explore the origins of circumcision, and discuss the techniques and controversies that have evolved since the event has become medicalized.

ellauri180.html on line 181: Anthropologists do not agree on the origins of circumcision. The English egyptologist, Sir Graham Elliot Smith, suggested that it is one of the features of a heliolithic' culture which, over some 15 000 years ago, spread over much of the world. Others believe that it may have originated independently within several different cultures; certainly, many of the natives that Columbus found inhabiting the New World' were circumcised. However, it is known that circumcision had been practised in the Near East, patchily throughout tribal Africa, among the Moslem peoples of India and of south-east Asia, as well as by Australian Aborgines, for as long as we can tell. The earliest Egyptian mummies (1300 BCE) were circumcised and wall paintings in Egypt show that it was customary several thousand years earlier than that.

ellauri180.html on line 183: In some African tribes, circumcision is performed at birth. In Judaic societies, the ritual is performed on the eighth day after birth, but for Moslems and many of the tribal cultures it is performed in early adult life as a rite of passage', e.g. puberty or marriage. Why the practice evolved is not clear and many theories have been proposed. Nineteenth century historians suggested that the ritual is an ancient form of social control. They conceive that the slitting of a man's penis to cause bleeding and pain is to remind him of the power of the Church, i.e. We have control over your distinction to be a man, your pleasure and your right to reproduce'. The ritual is a warning and the timing dictates who is warned; for the new-born it is the parents who accede to the Church: We mark your son, who belongs to us, not to you'. For the young adolescent, the warning accompanies the aggrandisement of puberty; the time when growing strength give independence, and the rebellion of youth.

ellauri180.html on line 187:     Others believe that circumcision arose as a mark of defilement or slavery (fig. 1). In ancient Egypt captured warriors were often mutilated before being condemned to the slavery. Amputation of digits and castration was common, but the morbidity was high and their resultant value as slaves was reduced. However, circumcision was just as degrading and evolved as a sufficiently humiliating compromise. Eventually, all male descendents of these slaves were circumcised. The Phoenicians, and later the Jews who were largely enslaved, adopted and ritualized circumcision. In time, circumcision was incorporated into Judaic religious practice and viewed as an outward sign of a covenant between God and man (Genesis XVI, Fig. 2).

ellauri180.html on line 191:     Furthermore, was it always doctors who performed the procedure in ancient times? Probably not: in biblical times it was the mother who performed the ceremony on the newborn. Gradually mohels took over; men who had the requisite surgical skill and advanced religious knowledge. After prayer, the mohel circumcised the infant and then blessed the child, a practice little changed today (Fig. 4a-d). In ancient Egyptian society, the procedure was performed by a priest with his thumb-nail (often gold-impregnated) and throughout mediaeval times it appears to have been largely kept in the domain of religious men.

ellauri180.html on line 200: The turn of the 19th century was also an important time in laying the foundations of surgical technique. Sir Frederick Treves (1903) provides us with a comprehensive account of basic surgical principles that remain today. Like most of his contemporaries, he used scissors to remove the prepuce (fig. 5) and describes ligation of the frenular artery as being mandatory' in the adult. He also warns against the excess removal of skin, as this may lead to chordee.

ellauri180.html on line 209:   It is surprising that despite the many billions of foreskins that have been severed over thousands of years, it is only recently that efforts have been made to understand the prepuce.

ellauri180.html on line 218:   Notwithstanding the relative disinterest over the function of the prepuce, no other operation has been surrounded by controversy so much as circumcision. Should it be done, then when, why, how and by whom? Religious and cultural influences are pervasive, parental confusion is widespread and medical indications shift with the trends of the day. Doctors divide into camps driven by self-interest, self-righteousness and self-defence. It is not surprising that some of the most colourful pages in the medical literature are devoted to the debate.

ellauri180.html on line 222:         `…Your patient C.D., aetat 7 months, has the prepuce with which he was born. You ask me with a note of persuasion in your voice, if it should be excised. Am I to make a decision on scientific grounds, or am I to acquiesce in a rate which took its origin at the behest of that arch-sanitarian Moses?…If you can show good reason why a ritual designed to ease the penalties of concupiscence amidst the sand and flies of the Syrian deserts should be continued in this England, land of clean bed-linen and lesser opportunity, I shall listen to your arguments ……(do you not) understand that Nature does not intend it (the foreskin) to be stretched and retracted in the Temples of the Welfare Centres or ritually removed in the precincts of the operating theatres…'. 

ellauri180.html on line 224: Literary assaults such as these have served to fuel the debates and even a Medline® search today reveals that in the last year alone, 155 reviews or letters have been published arguing for or against routine circumcision. However, studying the evolution of the medical indications provides us with a pleasing demonstration of how controversy drives scientific enquiry. We have already described how the surgeons of 100 years ago advocated circumcision for a wide variety of conditions, such as impotence, nocturnal enuresis, sterility, excess masturbation, night terrors, epilepsy, etc. There can be no doubt that a large element of surgical self-interest drove these claims. However, most of the contemporary textbooks also included epithelioma (carcinoma) of the penis amidst the morass of complications of phimosis. Although rare, once this observation had been made, it presumably filtered down through the textbooks by rote, rather than scientific study. A few reports had appeared in the early 20th century indicating that carcinoma of the penis was rare in circumcised men, but not until the debate over neonatal circumcision erupted in the medical press in the 1930s that this surgical `mantra' was put to the test. In 1932, the editor of the Lancet challenged Abraham Wolbarst, a New York urologist, to prove his contention (in a previous Lancet editorial), that circumcision prevented penile carcinoma. Wolbarst responded by surveying every skin, cancer and Jewish hospital in the USA, along with 1250 of the largest general hospitals throughout the Union. With this survey, he was able to show that penile cancer virtually never occurred in circumcised men and that the risk related to the timing of the circumcision. Over the years this association has been reaffirmed by many research workers, although general hygiene, demographic and other factors such as human papilloma virus and smoking status are probably just as important. However, Wolbarst established that association through formal scientific enquiry and proponents of the procedure continue to use this as a compelling argument for circumcision at birth.

ellauri180.html on line 226: Almost as an extension to the lack of penile cancer in Jews, Handley reported on the infrequency of carcinoma of the cervix in Jewish women. He suggested that this related to the fact that Jewish men were circumcised. Not surprisingly, this spawned a mass of contradictory studies and over the next 50 years the champions of both camps have sought to establish the importance or irrelevance of circumcision in relation to penile cancer. The pendulum has swung both ways and the current evidence suggests that other factors are probably more important. A similar debate has raged for 50 years over concerns for the risks of urinary tract infections in young boys and currently, any decreased risk associated with circumcision remains tentative but not proven.

ellauri180.html on line 228:     However, during the two World Wars, governments became increasingly interested in reducing the risk of venereal disease amongst their soldiers. Clearly, such pathology can have a profound effect on the efficiency of fighting armis. Indeed, in 1947 the Canadian Army  found that whereas 52% of their soldiers had foreskins intact, 77% of those treated for venereal disease were uncircumcised. Persuasive arguments to circumcise all conscripts were proposed. Furthermore, it was an age-old observation, and indigenous African healers had promoted circumcision to prevent the transmission of sexually transmitted disease for centuries. As might be expected, the evidence did not withstand further scientific scrutiny and numerous contradictions were provided. However, there has recently been startling evidence that HIV infection is significantly associated with the uncircumcised status. Indeed, one author has recently suggested routine neonatal circumcision on a world-wide scale as a long-term strategy for the control of AIDS: a whole new chapter opens in this ancient debate!

ellauri180.html on line 230: Finally, controversy has arisen over who should perform the procedure. Once circumcision had been medicalized' in the 19th century, many surgeons were keen to take paying customers away from the religious men. As such, doctors were often quick to highlight the unforseen risks attendant on a non-medical procedure. For instance, Cabot (1924) described tuberculosis of the penis occurring when Rabbis with infected sputum sucked on the baby's penis to stop the bleeding. However, it has often been claimed that the incidence of complications in Jewish children is very low and that the final result is usually better than any hospital doctor can produce. 

ellauri180.html on line 235: Thus it is clear that medical trends are now being driven by financial constraints. Perhaps this is reflected by the dramatic decline in the number of non-religious circumcisions performed over the last half century; in the USA an estimated 80% of boys were circumcised in 1976 but by 1981 this had fallew to 61%, and recent estimates suggest that this decrease continues. In the UK the decline has been even more dramatic: originally more common in the upper classes, circumcision rates fell from 30% in 1939 to 20% in 1949 and 10% by 1963. By 1975 only 6% of British schoolboys were circumcised and this may well have declined further.

ellauri180.html on line 250: How do i stop overusing some phrases when writing or talking?

ellauri180.html on line 254:       What do you do if you discover another recently published book that has nearly the exact same premise as the one you've written?

ellauri180.html on line 264: I write more and, arguably, write BETTER when I know as LITTLE about the plot & characters story as possible (ie pantsing), but I'm uncomfortable with the prospect of pantsing an entire fcking novel...?

ellauri180.html on line 286:       First novel done. Now what?

ellauri180.html on line 371: Pendragon: Journal of an Adventure through Time and Space, commonly known as Pendragon, is a series of ten young-adult science fiction and fantasy novels by American author D. J. MacHale, published from 2002 to 2009. Science fantasy is a hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and fantasy.

ellauri180.html on line 378: 
Porphyria’s Lover

ellauri180.html on line 382:   ‘Porphyria’s Lover’ is one of Browning’s first great poems, written when he was in his early twenties. It is also one of the first great dramatic monologues in English verse, the 1830s being the decade in which Browning and Tennyson developed the genre, penning a series of classic poems which see the poet adopting a persona and ‘staging’ a soliloquy given by an (often unreliable) speaker. Here, the speaker is the titular lover of the girl, Porphyria. Before we proceed to an analysis of ‘Porphyria’s Lover’, here’s a reminder of Browning’s poem. (Se mainittiin Gently-poliisisarjassa yhden koulun pulpettia vasten naidun tupeeratun 60-luvun teinin mielirunona.)

ellauri180.html on line 396: And laid her soiled gloves by, untied 		Pani tahriintuneet hanskat pois,

ellauri180.html on line 405: Murmuring how she loved me — she 		Mutisten miten se muka rakasti mua,

ellauri180.html on line 413: For love of her, and all in vain: 		Vaikka turhanpäiväistähän oikeastaan:

ellauri180.html on line 419: While I debated what to do. 			Ja vielä kun mietin next movea.

ellauri180.html on line 439: And I, its love, am gained instead! 		Ja mä oon nyt täysin joholla!

ellauri180.html on line 440: Porphyria’s love: she guessed not how 		Porfyrian rakkaus, eipä arvannut,

ellauri180.html on line 447: In summary: a man speaks to some unidentified (and possibly imaginary) auditor, telling us how, on a dark and stormy (or rainy and windy) night, he waited in his cottage for his lover, Porphyria, to arrive. When she turns up, it’s clear Porphyria is of a higher social class than the male speaker: he’s punching above his weight, as they say. Note how she glides in as if she owns the place, and as if she walks on air rather than on the ground like us mere mortals. She wears a hat, cloak, and shawl, and her gloves are soiled, suggesting that they are not used to slumming it in a common man’s cottage and attending to his fire and grate. The fact that she also takes the lead – suggesting she is perhaps used to ordering servants to do her bidding – further hints at her highborn status: she calls to the speaker, and she takes his arm and puts it around her waist. Then, the clincher (in more ways than one): we are told "she Too weak, for all her heart’s endeavour,

ellauri180.html on line 450: In other words, her pride, and knowing that she is higher than her lowborn lover on the social scale and so cannot marry him, prevents her from giving herself to him altogether. He is just her ‘bit of rough’, to use the more modern idiom. Calmly, and determined to possess Porphyria utterly, even if it means killing her in order to do so, the speaker strangles Porphyria with her hair, wrapping it around her neck three times and wringing the life from her. In death, she remains forever his.

ellauri180.html on line 521: Gorging himself in gloom: no love was left;		Ahtaen izeään synkkinä, pahansuopina,

ellauri180.html on line 560: The waves were dead; the tides were in their grave,	Liikkumatta, aallot, vuorovedet oli henkiheittoja,		

ellauri180.html on line 590: The men were never to discover who the other truly was, namely the good old enemy. More's the pity.

ellauri180.html on line 602: ovel-2c1a4a-1600.jpg" width="50%"/>

ellauri180.html on line 603: 

ellauri180.html on line 642:   Hoblan valkovenäläinen "expertti" on yllättävän samannäköinen kuin naapurin kusipää pelle.- Har din bild av Putin som ledare förändrats efter vad som hänt de senaste dagarna?

ellauri181.html on line 87:  Toissijainen kirjallisuus: Joachim Unseld: Franz Kafka. Kirjailijan elämä. Hanser, München 1982, ISBN 3-446-13568-5 . Eberhard Rohse : Hominisointi inhimillistämisenä? Apinan hahmo antropologisena provokaationa kirjallisuuden teoxissa Charles Darwinin jälkeen - Wilhelm Raabe, Wilhelm Busch, Franz Kafka, Aldous Huxley. Julkaisussa: Talvinen lukukausi 1987/88 (= General Studies. University of Veterinary Medicine Hannover: Luennot ihmisistä ja eläimistä. Vuosikerta 6). Schaper, Alfeld / Hannover 1989, ISBN 3-7944-0158-1 , s. 22–56 (tässä erityisesti: evoluution ja koulurazastuxen välillä: hominointi ”eteenpäin kehitettynä kehityxenä” - Franz Kafka, s. 47–50).

ellauri181.html on line 126:   This article has multiple issues. Please help improve it or discuss these issues on the talk page.

ellauri181.html on line 143:   This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful.

ellauri181.html on line 146: After completing his master's degree in social psychology and group development at Columbia University and completing his rabbinical studies, Schwartz received his Ph.D. in social psychology from the University of Michigan, and subsequently taught in the sociology department of the University of Wisconsin–Madison, and in 1973 became a professor. From 1971-73, Schwartz was a visiting lecturer in the department of psychology at the Hebrew University. In 1979, Schwartz moved to Israel with his wife and three children. He joined the department of psychology at the Hebrew University, where he holds the post of Leon and Clara Sznajderman Professor Emeritus of Psychology. He is now retired, but continues his research activity, as well as developing and promoting his Basic Human Values Theory.

ellauri181.html on line 187:     “Stimulation – Defining goal: excitement, novelty, and challenge in life.”

ellauri181.html on line 193:     “Power – Defining goal: social status and prestige, control or dominance over people and resources.”

ellauri181.html on line 214: “The second dimension contrasz ‘self-enhancement’ and ‘self-transcendence’ values. This dimension captures the conflict between values that emphasize concern for the welfare and interesz of others (universalism, benevolence) and values that emphasize pursuit of one’s own interesz and relative success and dominance over others (power, achievement).”

ellauri181.html on line 227:     Stimulation and Self-direction—intrinsic interest in novelty and mastery;

ellauri181.html on line 243:     Security and Power—avoiding or overcoming threaz by controlling relationships and resources.

ellauri181.html on line 376: While mean scores from Likert-type scales can be compared across individuals, scores from an ipsative measure cannot. To explain, if an individual was equally extroverted and conscientious and was assessed on a Likert-type scale, each trait would be evaluated singularly, i.e. respondents would see the item "I enjoy parties" and agree or disagree with it to whatever degree reflected their preferences.[citation needed]

ellauri181.html on line 382:   Additionally, ipsative measures may be useful in identifying faking. However, ipsative measures may, especially among testing-naïve individuals exhibiting high levels of conscientiousness and/or neuroticism, decrease test validity by discouraging response and/or encouraging non-response. For example, a test's authors may force respondents to choose between "a) Animals chase me in my dreams" and "b) My dreams are nice" in an effort to see whether a given respondent is more inclined toward "faking bad" or toward "faking good." When faced with such a question, a child frequently terrified by nightmares that rarely if ever involve animals, and especially one whose parents have foolishly taught him/her/it strict rules against lying, may simply refuse to answer the question given that for that respondent nearly all of the time both descriptions are inaccurate. Even a previously presented guideline "Choose the answer that [best/better] describes you" may be unhelpful in such a situation to responders who worry that endorsing one item or the other will still involve stating it to be accurate or "well"-descriptive to some positive degree. Only if the guideline is presented as "Choose the answer that more accurately or less inaccurately describes you" and the above-described responder is sophisticated enough to reason out his/her response in terms of "Despite the infrequency with which I have nice dreams, I have them [more frequently / less infrequently] than dreams in which animals chase me" (or, in theory, vice versa) will such a responder be willing to answer the question—and phrasing the guideline in this way bears its own cost of making the question reveal less about the respondent's propensities because the respondent is no longer forced to "fake" one way or another.[citation needed].

ellauri181.html on line 433:     Löydä soveltuvimmat hakijat

ellauri181.html on line 545: How can we speak of alignment and the potential for mismatch stress without addressing the issues of ethics, virtues and values? We were shocked in the first few years of the 21st century to discover that the global companies that we had trusted, and invested our retirement and life savings with had lied to us. They lied to the public, about earnings. They lied about their value and their investmenz. Many thousands of people lost their life savings. Hundreds of thousands had been duped. Millions had been take advantage of! 

ellauri181.html on line 552: To help us understand what matters most we should consider the story of Benjamin Franklin. (I wonder where the name Franklin Covey � came from? - duh!) Think if you will who Ben Franklin was, but even more importantly, what was his legacy? 

ellauri181.html on line 554: *Franklin Covey Co., trading as FranklinCovey and based in Salt Lake City, Utah, is a provider of leadership, individual effectiveness, and business execution training and assessment services for organizations and individuals. The company was formed on May 30, 1997, as a result of merger between Hyrum W. Smith's Franklin Quest and Stephen R. Covey's Covey Leadership Center. Among other producz, the company has marketed the FranklinCovey planning system, modeled in part on the writings of Benjamin Franklin, and The 7 Habiz of Highly Effective People, based on Covey's research into leadership ethics.

ellauri181.html on line 556: Benjamin Franklin was an author, a painter, an inventor, a father, a politician, and the first American Ambassador to France. He invented bifocals, swim flippers, lightening rods, and the Franklin stove. He founded a public library, a hospital, and insurance company and a fire department. He helped write the Declaration of Independence and the U.S. Constitution. He wrote an autobiography in the middle of his life and shortly before his death in his 80's, he completed his memoirs. Franklin was truly a Renaissance man. He was one of the greatest citizens and thinkers the world has ever seen. But Franklin was not always a great or successful man. At the age of 17 he ran away from home in Boston, estranged from his family because of an argument he had with his brother.

ellauri181.html on line 595: Franklin then took his list to a respected friend who happened to be a Quaker. Franklin explained to his Quaker friend that he, Franklin, was disappointed in the progress in his life to this point and that he intended to turn his life around. From now on Franklin intended to live his life according to his list of virtues. Each day he would read the list and each week he would focus on a different virtue. Repeating the process over and over again until he had become one with his virtues. 

ellauri181.html on line 608: Not very humble; but true to his word and his intention, Franklin set about to reorder his life. Each day he would read his list and each week he would focus on a different aspect of his list repeating the process over and over and over again. 

ellauri181.html on line 610: The rest is history. Franklin went on to become one of the most productive, successful and self- actualized people in all of history. He knew what mattered most. That was how he could set about being an author, a printer, an inventor, a father, a politician, the first American Ambassador to France, the inventor of bifocals, swim flippers, lightening rods, hundreds of other things and the Franklin stove and how he could found a public library, a hospital, an insurance company and a fire company and help to write the Declaration of Independence and the Constitution. 

ellauri181.html on line 618:   How then might we learn from Franklin's example? Yes, can we learn that we should only be bothered with what matters most to us. Yes! Perhaps the single most important lesson in life would be that we must learn what matters most to us! A lesson to you oversears teachers: model what you would teach, because you teach first by modeling. Teach what you would live but remember the failure of Ben's Quaker friend. It is not possible to give someone a value they would not own.

ellauri181.html on line 641: Naisen X- ja miehen Y-kromosomi tuottavat 1,6-prosenttisen geneettisen eron. Se on samaa luokkaa kuin miehen ja urossimpanssin ero. Olisi ihme, jollei se aiheuttaisi seurauxia. Sukupuolisidonnaisen lääketieteen pioneereihin kuuluva Columbian yliopiston sydäntautiopin professori Marianne Legato esittelee niitä tukun kirjassaan Mixi miehet eivät muista mitään ja naiset liiankin hyvin.Naisen iho on kymmenen kertaa herkempi kosketuxelle ja paineelle kuin miehen. Naisen hajuaisti on tarkempi ja herkistyy lisää munasolun irtoamisen aikaan. Koska X-kromosomi ohjaa värinäöstä vastaavien silmän tappisolujen muodostumista, naisen kahta X-kromosomia pidetään naisen vivahteikkaamman värisilmän perustana. Miehellä on runsaammin tappisoluja ja naisella reikäsoluja. Simpanssilla on eniten pyllynreikäsoluja.  Myös luontaiset mielenkiinnon kohteet ja niihin liittyvät kyvyt eroavat. Tyttövauvat erottavat perheenjäsenet muista ihmisistä jo 12-viikkoisina, mutta poikavauvat ovat etevämpiä löytämään kadonneet lelut. Miehen on vaikea käsittää, miten nainen havaizee likaisen sukan huoneen nurkasta mutta osuu peruuttaessaan autotallin ovenpieleen. Miehen kyky hahmottaa tilaa onkin neljä kertaa parempi kuin naisen. Mies kärsii sisätilakateudesta, nainen penixestä.

ellauri182.html on line 41: In the face of death and loneliness, Mikage searches for meaning in her life. She tries to overcome the “leaden hopelessness” that plagues her. Mikage “can’t believe in the gods,” and thus does not have the religion that gives many people meaning in life. Instead, she looks to the other characters and to herself for meaning. Eriko is a model of strength and gives Mikage advice on how to handle despair and the loss of meaning. Yuichi gives meaning to Mikage in the form of relationship, of having someone to cook for.

ellauri182.html on line 59:   Rei Shimura Sujata Masseyn kirjassa Zen attitude lukee Banana Yoshimoton novellaa sexuaalisista pakkomielteistä. Mitähän niistä? Sujatalla ja Bananalla näyttää olevan paljonkin yhteistä, ne molemmat olivat (tai no, ovat) X-sukupolvea. 

ellauri182.html on line 70: Yoshimoto became an overnight celebrity in the media and “Bananamania” swept Japan and its youth culture. All this took place in the late eighties.

ellauri182.html on line 76: Sotaro (“soh-TAH-roh”) is Mikage’s old boyfriend. He is tall, cheerful, and the eldest son of a large family. At one time Mikage loved Sotaro’s “lively frankness,” but his straightforward manners have become “obnoxious.” Sotaro’s aggressive personality bothers Mikage because she “couldn’t keep pace with it.” Sotaro says derogatory things about Yuichi, and informs Mikage that Yuichi has a girlfriend. Sotaro has something in common with Vitali Razumov. 

ellauri182.html on line 80: Eriko (“Eh-REE-koh Tah-NAH-bee”) is Yuichi’s mother, who invites Mikage to stay at his/her home. Eriko is a transsexual and had previously been Yuichi’s father. Mikage’s first impression of Eriko is “overwhelming.” Mikage describes him/her as “an incredibly beautiful wo/man” who “seemed to vibrate with life force.” Eriko represents an ideal of feminine beauty, charm, and strength for Mikage. At times, Mikage finds it hard to believe that this woman had once been a man, or is still a man—some ambiguities over Eriko’s gender remain, both for the reader and for the characters. Yuichi refers to Eriko as both his mother and father, and other characters refer to Eriko as both “she” and “he.” Mikage could easily keep pace with Eriko.

ellauri182.html on line 84: As the story progresses, Mikage thinks about and confronts major issues in life: death, hope, friendship, loneliness, and love.  (Cf. Pilin vastaava lista virsikirjan lisälehdistä edellisessä albumissa. Montako erilaista apinan elettä ja pierua näihin tarvitaan?

ellauri182.html on line 94:   The 1989 film centers around Mikage, a young woman who loses her parents when young. She grows up in a lonely household with her grandmother who dies when Mikage reaches adulthood. Grief-stricken, she finds solace in the kitchen. Yuichi, a friend of Mikage's deceased grandmother, invites her to live with him and his mother. Then Mikage discovers that Yuichi's mother is actually her cross-dressing father. On the other hand, Mikage realizes that the wealth of gadgetry in Yuichi's kitchen is lovingly detailed...  --- Unfortunately, that's all, this film is water under the bridge, overtaken by a 2019 gory crime film of the same name.

ellauri182.html on line 104: Symbolism appears throughout Yoshimoto’s story. For the protagonist, kitchens symbolize places of contentment, safety, and healing. Mikage claims, “to me a kitchen represents some distant longing engraved on my soul.” When she is despondent, her dreams of kitchens keep her going. She takes to the kitchen and learns cooking as a way of overcoming feelings of meaninglessness and despair; cooking represents her new attitude toward life. Like kitchens and cooking, food also plays a symbolic role in the story. Mikage is constantly presenting her friends with food; her life changes when she takes a job at a cooking school; and the climax of the story occurs when Mikage brings a dish of special food to Yuichi in his secluded hotel room. Eat my shorz.

ellauri182.html on line 111: Mikage discovers, “a delightful German-made vegetable peeler—a peeler to make even the laziest grandmother enjoy slip, slipping those skins off.”

ellauri182.html on line 115: Some reviewers thought Kitchen was superficial in style and substance, and overly sentimental. Todd Grimson in the Los Angeles Times Book Review wrote that, ‘“Kitchen’ is light as an invisible pancake, charming and forgettable ... The release of information to the reader seems unskilled, or immature, weak in narrative or plot.” Elizabeth Hanson of the New York Times Book Review took issue with the overall effect of the book, writing that “the endearing characters and amusing scenes in Ms. Yoshimoto’s work do not compensate for frequent bouts of sentimentality.” Hanson added that the book’s main appeal for English-language readers “lies in its portrayal of the lives of young Japanese who are more into food and death than sex. EAT! KILL! but do not FUCK!".

ellauri182.html on line 117: As Mikage and Yuichi’s relationship develops, one of the first signs that they are drawing closer is a shared dream that they experience. In the dream, Yuichi tells Mikage that he has a desire to eat ramen, a noodle soup. Shortly after awakening from the dream, Yuichi, in real life, acknowledges his hunger. “I just woke up and I’m starving. I was thinking, hmm, maybe I’ll make some instant ramen noodles.”  Instead of love, she thinks of food. It is through food, as is shown in this scene and many scenes to follow, that Mikage finds her mouth. Climbing to the balcony with her body mass was an existential feat.

ellauri182.html on line 118: Specifically, after ordering katsudon (fried pork served over rice), Mikage has a revelation with regard to Yuichi. The katsudon becomes more than just a meal, it is a means to reach out to Yuichi, to relate to him, to acknowledge both Mikage’s and Yuichi’s connectedness as two obese lovers starving under the same night sky.

ellauri182.html on line 121: A Japanese lunch invitation cannot be likened to the statement, “let’s grab a burger.” Ashburne offers the opinion that “it’s an invitation to commune over food, to bond in a primal act of mutual celebration, to reinforce group identities, or welcome outsiders into the fold.”

ellauri182.html on line 130: Sartre urged the personal freedom of choice in the face of life’s unknowns, and claimed that seizing freedom was each person’s duty. These ideas of free will and personal responsibility are also introduced in “Kitchen.” Mikage makes the statement: “People aren’t overcome by situations or outside forces; defeat invades from within,” when she begins to realize that she has responsibility for her own life and its pain. Other people can no longer help her; she must take charge of things herself, “with or without” Yuichi.

ellauri182.html on line 133: Toward the climax of the story, when Mikage is climbing a hotel balcony in a daring moment of “utter desperation,” she contemplates the concept of free will. Up to this point in the story, Mikage has tended to believe in fate and in premonitions, which are beliefs that other powers are making decisions for her. She has also stated that “we have so little choice,” and that “we live like the lowliest worms.” Undergoing an existential change, Mikage finally admits to herself and the reader that human beings are ultimately free because “we’re constantly making choices. With the breaths we take every day, with the expression in our eyes, with the daily actions we do over and over, we decide.” She states that even when people think that they are being acted upon by outside forces, they are in reality choosing their situations and actions, sometimes subconsciously.

ellauri182.html on line 136: In Japanese fiction of the seventeenth and eighteenth century, homosexuality was often celebrated for this reason: boys’ love was considered to be purer than the heterosexual kind; it was uncontaminated by the demands of reproduction and other family duties.

ellauri182.html on line 137: Marriage for most Japanese women is still a social trap, commonly known as “the graveyard of life.” It means the end of a career, of economic independence. And since heterosexual love in Japan usually means marriage, an increasing number of career women are stuck with celibacy, with or without trips abroad.

ellauri182.html on line 141: “The tone of Yashimoto’s stories is strange, for it veers from childlike naivete to flights of bizarre fancy, which is just like most of Japanese comic books for teenagers.” the publicity photograph of Yoshimoto Banana, hugging her little puppy dog, is cuteness personified. The fact that her father is the most famous philosopher of the 1960s new left gives her name an extra air of incongruousness, as though there were a young German novelist called Banana Habermas. It's daddy's fault! Banana is daddy's girl. Daddy oli sille isänä ja äitinä.

ellauri182.html on line 173: In 1207, Hōnen's critics at Kōfuku-ji persuaded Emperor Toba II to forbid Hōnen and his teachings after two of Imperial ladies-in-waiting converted to his practices. Hōnen and his followers, among them Shinran, were forced into exile and four of Hōnen's disciples were executed. Shinran was given a lay name, Yoshizane Fujii, by the authorities but called himself Gutoku "Stubble-headed One (nukkapää)" instead and moved to Echigo Province (today Niigata Prefecture).

ellauri182.html on line 185: Amitābha is the principal buddha in Pure Land Buddhism, a branch of East Asian Buddhism. In Vajrayana Buddhism, Amitābha is known for his longevity attribute, magnetising Western attributes of discernment, pure perception and purification of the aggregates with a deep awareness of emptiness of all phenomena. According to these scriptures, Amitābha possesses infinite merit resulting from good deeds over countless past lives as a bodhisattva named Dharmākara. Amitābha means "Infinite Light", and Amitāyus means "Infinite Life" so Amitābha is also called "The Buddha of Immeasurable Light and Life". Kuulostaa ihan määzhik kortilta.

ellauri182.html on line 195: For Jōdo Shinshū practitioners, shinjin develops over time through "deep hearing" (monpo) of Amitābha's call of the nembutsu. According to Shinran, "to hear" means "that sentient beings, having heard how the Buddha's Vow arose—its origin and fulfillment—are altogether free of doubt."[9] Jinen also describes the way of naturalness whereby Amitābha's infinite light illumines and transforms the deeply rooted karmic evil of countless rebirths into good karma. It is of note that such evil karma is not destroyed but rather transformed: Shin stays within the Mahayana tradition's understanding of śūnyatā and understands that samsara and nirvana are not separate. Once the practitioner's mind is united with Amitābha and Buddha-nature gifted to the practitioner through shinjin, the practitioner attains the state of non-retrogression, whereupon after his death it is claimed he will achieve instantaneous and effortless enlightenment. He will then return to the world as a Bodhisattva, that he may work towards the salvation of all beings.

ellauri182.html on line 200: What is a word for name-calling? In this page you can discover 11 synonyms, antonyms, idiomatic expressions, and related words for name-calling, like: mad-quite, abusing, Oooooooooh, insult, names, foul-language, insulting, rudeness, bad-language, derogating and white-slavery.

ellauri182.html on line 205: Juu näinhän se onkin! Uskonto ajaa kaikenlaista puhtautta, intiimi- ja rotuhygieniaa! Pitää housut jalassa ja raja-aidat pystyssä. Kelaa vaikka juutalaisten ruokasääntöjä, tai esinahan poistoa. Se estää juutalaisten sekaantumisen gojimeihin, arjalaisten sekaantumisen paarioihin, estää ukrainalaiset sotkeutumasta natoon, turkkilaisten pääsyn eurosojuziin ym ym. No tietysti. Ei tosiaankaan ole mikään sattuma että puhdas, pyhä, koskematon, neizeellinen on uskontojen ydinsanastoa. Toinen suosikki on maxuvälinesanasto kosto, rangaistus, maxu, lunastus, velka ym. Eli uskonto on kehitetty ruoka- puhtaanapito- ja pornobisnexen sekä verikostotoiminnan valtiollistamiseen yhteisen hygienian nimessä. EAT! FUCK! KILL! on toki ok, kun se tapahtuu isoveljen valvonnassa.

ellauri182.html on line 209: Cross-national epidemiological studies show that prevalence rates of common mental disorders (i.e. depression, anxiety disorders, and post traumatic ressi) vary considerably between countries, suggesting cultural differences. In order to gather evidence on how culture relates to the aetiology and phenomenology of mental disorders, finding meaningful empirical instruments for capturing the latent (i.e. non-visible) construct of 'culture' is vital. In this review, we suggest using value orientations for this purpose. We focus on Schwartz's value theory, which includes two levels of values: cultural and personal. We identified nine studies on personal values and four studies on cultural values and their relationship with common mental disorders. This relationship was assessed among very heterogeneous cultural groups; however, no consistent correlational pattern occurred. The most compelling evidence suggests that the relationship between personal values and mental disorders is moderated by the cultural context. Hence, assessing mere correlations between personal value orientations and self-reported symptoms of psychopathology, without taking into account the cultural context, does not yield meaningful results. This theoretical review reveals important research gaps: Most studies aimed to explain how values relate to the aetiology of mental disorders, whereas the question of phenomenology was largely neglected. Moreover, all included studies used Western instruments for assessing mental disorders, which may not capture culturally-specific phenomena of mental distress. Finding systematic relationships between values and mental disorders may contribute to making more informed hypotheses about how psychopathology is expressed under different cultural circumstances, and how to culturally adapt psychological interventions.

ellauri182.html on line 231:   Muita polttavimpia kysymyxiä: Can you feel the love tonight? Can you geet pregnant on your period? Can one get pregnant from precum? Can dogs eat cucumber? Why is my poop green? Why should we hire you? Why are cats afraid of precumber? Why did I get married? How to tie a tie? How to lose weight? How to get away with murder? Where is my refund? Where is my mind? Which Disney princess are you? Which side is your appendix on? Who wants to be a millionaire? Who won the powerball?

ellauri182.html on line 265:     25. Controversial topics

ellauri182.html on line 271: Näitä listoja sopivammalta paasausten luokitteluun näyttäisi tää Wikipedian jo vanhentunut Topic list coverage checklist. Siinäkin piirtyy termiittiapinan aivokartan pikku homunculus ilmiselvästi: iso pää ja genitaalit, silmät, sormet, suu. Muut eläimet, luonto ja maailma pieninä kuin Eurooppa ja Aasia New Yorkerin kannessa.

ellauri182.html on line 445: Finally take the time to meditate on the meaning of the Zen circle in a fuller sense and how its secret applies to your life. I have only scratched the surface here; there is so much more to discover and share.

ellauri183.html on line 68: 	In 1974, philosopher Sidney Hook defined humanism and humanisz by negative characteristics. According to Hook, humanisz are opposed to the imposition of one culture in some civilizations, do not belong to a church or established religion, do not support dictatorships, do not justify violence for social reforms or are more loyal to an organization than their abstract values. Hook also said humanisz support the elimination of hunger and improvemenz to health, housing, and education. No sitä varsinkin.

ellauri183.html on line 71: Philip Roth: "A man of stern morality, Malamud was driven by the need to consider long and seriously every last demand of an overtaxed, overtaxing conscience torturously exacerbated by the pathos of human need unabated." Philip yritti tossa mahduttaa ehkä vähän liikaakin yhteen virkkeeseen. 


ellauri183.html on line 78: His deep belief that one should live morally crashed into his premise that one should live fully. Yep, I bet he did shag his coeds. Janna Malamud Smith is the author of An Absorbing Errand: How Artisz and Crafzmen Make Their Way to Mastery; A Potent Spell: Mother Love and the Power of Fear; and Private Matters: In Defense of the Personal Life. Her titles have been New York Times Notable Boox and A Potent Spell was a Barnes and Noble "Discover Great New Writers" pick. She has written for the New York Times, the Boston Globe, and the Threepenny Review, among other publications. A practicing psychotherapist, she lives with her husband and two children in Massachusetz.

ellauri183.html on line 80: Faulty interpretations can create much disappointment, as in the movie version of his novel The Fixer, "Horrible. That thing went to five different writers. Edward Albee was one of them but he would only do it if he had full say over it. Dalton Trumbo finally wrote the screen play and he's a hack. The film should have been done as a sort of fable, in black and white. Instead, it was all galloping Cossacx and dancing girls: an overdone fake. And that sickens a writer--to see his book faked."

ellauri183.html on line 86: In a 1974 New York Review of Boox essay, Roth took on Malamud, his friend and literary father-figure, criticizing him for creating characters that were suffering Jews, virtuous victims, full of “righteousness and restraint,” lacking their stereotypical “libidinous or aggressive activities.” Though he didn’t use the phrase, Malamud had painted them as Christ-like in their poverty, pain, moral goodness, and quest for redemption. By contrast, the Christian characters, like Frank Alpine, were full of sexual lust and transgressive behavior — the bad goy to Morris Bober’s good Jew. “The Assistant,” Roth wrote, was a book of “stern morality.”

ellauri183.html on line 96: As a reward for winning the feud, U.S. President Barack Obama presented the 2010 National Lizardities Medal to novelist Philip Roth during a ceremony in the East Room of the White House, on March 2, 2011 in Washington, DC. Getty Images.

ellauri183.html on line 101: The apocalyptic gloom of his subject seems hopelessly out of place in this cheery, sun-washed house, a rambling white-frame idyll near Bennington College, where Malamud has taught for 20 years. A comforting percussion of cooking sounds comes from the big kitchen where his wife Ann, a chipper dynamo of a woman, is devising lunch; on the porch an old tiger tomcat lolls ingratiatingly; and in the distance the cloud-dappled foothills of the Green Mountains hover like a Yankee daydream.

ellauri183.html on line 104: With God's Grace, Malamud risked a lash from the powers  above. Already John Leonard in The New York Times has said it "groans under the weight of its many meanings . . . I find myself tired of masks on clowns." Nor are the unflattering treatment of Christianity and emphasis on evolution likely to delight Moral Majoritarians.

ellauri183.html on line 109: In Malamud's cosmology, free will and an omnipotent deity coexist because God ("who invented man to perfect himself") has an overall plan "to make man meet his obligations, but in a way he can't tell him about in advance -- to make him use himself best."  

ellauri183.html on line 174:     However, Kierkegaard's Abraham does not just provide a paradigm of religious faith. If he is an admirable figure in spite of his murderous intentions, this is because he confronz with courage the loss of the person whom he loves most dearly. According to Kierkegaard, Abraham is a hero not by virtue of his obedience to God's command, but because he maintains his relationship to Isaac after giving him up. 


ellauri183.html on line 180: When Abraham raises his knife over Isaac's body, this symbolises the fact that every human relationship is haunted by the prospect of death. Love always ends in loss, at least within this life. One response to this existential fact – perhaps the most common response – is to avoid the issue of mortality as much as possible. An alternative response is to face up to the inevitable pain of loss and to relinquish the beloved in advance, so to speak, by giving up hope of enjoying a happy relationship within this lifetime. (This "movement of resignation" is described as "monastic", although it does not literally entail becoming a recluse. It is an internal movement, an adjustment of expectations.) In Kierkegaard's view, this is more noble than the first option, but it is very far from the courage of Abraham, who continues to love Isaac and enjoy his relationship to him in full awareness of the suffering that his death would bring. This aspect of the interpretation of Abraham offered in Fear and Trembling suggesz that, far from being an individualist, Kierkegaard regards human relationships as essential to life.

ellauri183.html on line 182:     In this text, the question of how to respond to the suffering associated with love and loss is closely connected to the question of how to live in relation to God. As many philosophers have pointed out – and as countless ordinary people have experienced at first hand – human suffering presenz a great challenge to belief in a just, loving, all-powerful God. For Kierkegaard, the testing of Abraham accentuates this challenge, and Abraham provides inspiration precisely because he manages to hold together an apparently irreconcilable contradiction: he believes that the God who commands him to do what is most terrible and painful is also the God who loves him. Again, according to this interpretation, the story of Abraham only testifies to the extraordinary difficulty of religious faith.

ellauri183.html on line 184: Abraham sovelsi Iisakin keisiin zen-filosofiaa: lakkaa ajattelemasta niin nouset korkeammalle leevelille.  Kukahan tämänkin pähkähullun lurituxen kyhäsi? Joku sikki Clare Carlisle 11 v. sitten ja sai sen julki vielä Guardianissa. Hyi helvetti. Professor Clare Carlisle is Professor of Philosophy with Contact details at King's College.

ellauri183.html on line 194:   Moral absolutism is certainly compatible with an acknowledgement that monetary value depends on circumstance. Jesus, for example, reinforced the 10 commandmenz, which unconditionally prohibit murder, adultery, theft and so on. But one day, when he was teaching in the temple, Jesus watched a poor widow put two small coins in the donation box, while rich people made much larger offerings. “This poor widow has put in more than all of them,” says Jesus, “because she, out of her poverty, has put in all she had to live on.” But by the criterion of moral absolutism they were just the same.

ellauri183.html on line 206: José Ortega y Gasset (Madrid, 9 de mayo de 1883-ibídem, 18 de octubre de 1955) fue un filósofo y ensayista español, exponente principal de la teoría del perspectivismo y de la razón vital e histórica, situado en el movimiento del novecentismo.

ellauri183.html on line 258:   The nuclear holocaust has come and gone. Only one man survives: paleologist Calvin Cohn, who happened to be safely, deeply underwater at the time. And, after some black-humor-ish conversations with God, Cohn is allowed to live—for a while, at least—and he finds himself on an island a la Robinson Crusoe, with a communicative chimp named Buz (product of chimp-speech experiments) as his only companion. Cohn, son of a rabbi, engages in existential, religious, and Talmudic speculations with the chimp—though he refrains from trying to convert him to Judaism. He must reexamine the basics of social interaction—when Buz gets too physically chummy ("If you had suckled the lad, could you marry him?"), when a friendly gorilla appears and causes jealousies, and, above all, when five more talking chimps appear... including the lisping Mary Madelyn, the object of everyone's sexual attention (including Cohn's).

ellauri183.html on line 260:   Can a decent civilization be made from these creatures? Cohn believes that "if this small community behaved, developed, endured, it might someday—if some chimpy Father Abraham got himself born—produce its own Covenant with God." But such visions of a peaceful society are doomed, of course: envy, hatred, and violence inevitably ensue—and Cohn's mating with Mary Madelyn ("I have kept my virginity for you ever since you expwained the word to me when you first read me Rome and Juwiet") will eventually lead to murder and revolution. 

ellauri183.html on line 262: Despite Malamud's shadings with rabbinical law, then, this is a familiar hopeless-Utopia blueprint. Moreover, the restless treatment here—part downbeat-comic, part liturgical-lyric—never endows the tale with the sort of Biblical fervor which heightens the best of Doris Lessing´s fables. And the result is a disappointing, predictable parable—intentionally funny at times but unintentionally funny too, hollow in most of its lyrical moments, and only occasionally provocative in its eclectic philosophizing.

ellauri183.html on line 325: Sylvain's hope was that philosophy, linguistics, and the brain sciences would eventually join forces to uncover unprecedented dimensions of the human mind, erasing at least some of our ignorance. Alas, the hope was forlorn.

ellauri183.html on line 327: Bob May invited the old geezer over to ENS in 2017, a year before he died. Nomppa used to walk him daily round the block, though he had to ask himself why.

ellauri183.html on line 521: 7Kolmisen tuntia myöhemmin tuli Ananiaan vaimo sisään, tapahtuneesta mitään tietämättä. 8Pietari kysyi häneltä: »Sano minulle, tähänkö hintaan te maatilan myitte?» »Niin, juuri siihen hintaan», vastasi nainen. 9Silloin Pietari sanoi: »Kuinka te yksissä tuumin ryhdyitte koettelemaan Herran Henkeä? Kuuletko askelia oven takaa? Ne, jotka hautasivat miehesi, kantavat täältä myös sinut.» 10Siinä samassa nainen kaatui kuolleena Pietarin jalkoihin. Nuoret miehet tulivat sisään ja näkivät naisen kuolleen. He veivät hänet pois ja hautasivat hänet miehensä viereen. 11

ellauri183.html on line 549: Muuan matkatovereista oli sanonut Joosefille että Betlehemissä oli majatalo, yhteiskunnan järjestämä suoja joka tarjosi tässä seikkaperäisesti erittelemäämme majoittumisongelmaan päältä päin katsoen oivan ratkaisun, mutta vaatimattomalla kirvesmiehelläkin on sentään oikeus varjella yksityisyyttään, sopii kuvitella miten hävettävältä miehestä olisi tuntunut kun oma vaimo olisi joutunut kaikenlaisen sairaan uteliaisuuden kohteeksi, kun koko majatalo olisi kuiskutellut karkeuksia, etenkin aasien ja kamelien ajajat, jotka olivat yhtä sivistymättömiä kuin elukkansa, paitsi että heillä asiaa vielä pahensi se että he olivat saaneet jumalalta puheenlahjan toisin kuin eläimet. Joosef päätti siksi mennä pyytämään neuvoa ja apua synagoogan vanhimmista  ja hämmästeli mielessään ettei ollut mennyt jo aiemmin.

ellauri183.html on line 557: Portilla ollut orjatar meni sisälle välittämään viestiä, pyyntöä ja tietoa, viipyi jonkin aikaa ja tuli vihdoin tuomaan vastauksen että tänne ei voinut jäädä vaan täytyi etsiä jokin toinen talo, vaikkei sellaista varmaan mistään löytyisi, ja että emäntä käski sanoa että heidän olisi kyllä kaikkein viisainta etsiä suojaa jostain luolasta, kun niitä oli rinteillä paljon, Entä lapsenpäästäjä, Joosef kysyi, ja orjatar vastasi että jos vain isäntäväki antaa luvan ja kysyjä suostuu, hän itse voisi auttaa, sillä hän oli vuosien mittaan ehtinyt nähdä ja oppia talossa yhtä ja toista. Ajat olivat totisesti sangen kovat, tässä se nyt nähtiin, lasta saava vaimo kolkutti ovea, emmekä me päästäneet häntä edes pihakatoksen alle vaan käskimme hänet luolaan synnyttämään karhujen ja susien lailla. Omatunto antoi meille kuitenkin piston, niin että nousimme viimein paikaltamme ja menimme ovelle katsomaan, ketkä siellä oikein etsivät suojaa näin pakottavaan ja epätavalliseen tarkoitukseen, ja kun näimme onnettoman ihmispolon tuskaisan ilmeen, naisensydämemme heltyi ja me puolustelimme kieltoamme harkituin sanoin, sillä meillä oli talo täynnä, Tässä talossa on niin kovin paljon tyttäriä ja poikia, lapsenlapsia, vävyjä ja miniöitä, ettette te mitenkään mahtuneet tänne, mutta orjatar vie teidät meille kuuluvaan luolaan joka on ollut tallina, siellä teidän on mukava olla, siellä ei nyt ole eläimiä, ja sanottuamme tämän ja kuunneltuamme ihmisparkojen kiitokset vetäydyimme takaisin kotimme suojiin tuntien sielumme pohjalla sanomatonta huojennusta, jollaisen vain tunnonrauha antaa.

ellauri183.html on line 634:   The war that Jewish scholars call The War of Varus (ei se "missä ovat legioonani" tunari vaan joku sen sukulainen). It is the war that took place in Galilee, Judaea and Idumaea just after the death of Herod which started with the massacre of the 3000 Jewish worshippers in the temple at the Passover of 1 B.C.E. Josephus stated that this war against the Jews which was directed by the governor of Syria, Quintilius Varus, took place in Palestine, but it has been a puzzle to historians that there appear to be no contemporary Roman accounts that justify it as occurring (ollenkaan tai ainakaan just tohon aikaan).

ellauri183.html on line 677: Lahdessa hän bussin oven auki pukkasi

ellauri184.html on line 42: Norman Kingsley Mailer (January 31, 1923 – November 10, 2007) oli juutalainen vaikka normannimaisella salanimellä. Nachem ("Norman") Malech ("Kingsley") Mailer was born to a Jewish family in Long Branch, New Jersey on January 31, 1923. Carl Erik Carlsonia 3vk vanhempi, mutta kuoli 3v nuorempana. Sah nicht als Skelett aus, lyhkönen ja läski kolli. His father, Isaac Barnett Mailer, popularly known as "Barney", was an accountant born in South Africa, and his mother, Fanny (née Schneider), ran a housekeeping and nursing agency. Mailer's sister, Barbara, was born in 1927. Samanlaisia Schnizeleitä kuin Marxin veljexet, vaikka roomalaistuneita. 

ellauri184.html on line 50: Neiti Mallory kertoo tästä lisää:  "Norman was an oxymoron — an overweight senior citizen who was one of the best lovers I ever had." Mallory writes that Mailer never had erectile dysfunction: "Not once. Not in nine years..." Vanhasta Naahumista tulee mieleen Norssin voimistelunopettaja Lahtinen ja Star Warsin Yoda. “Each week he’d want to play a new game . . . doctor, manicurist, masseur, Hollywood director (that was his favorite).” “When our relationship ended, I realized that . . . Norman had never been on my team and had been slandering my writing and me behind my back.”

ellauri184.html on line 52: When asked about his war experiences, he said that the army was "the worst experience of my life, and also the most important". While in Japan and the Philippines, Mailer wrote to his wife Bea almost daily, and these approximately 400 letters became the foundation of The Naked and the Dead. He drew on his experience as a reconnaissance rifleman for the central action of the novel: a long patrol behind enemy lines. Kaukopartiomiehenä. Kansa taisteli ja miehet kertovat. 

ellauri184.html on line 58: Mailer's first marriage was to Beatrice Silverman. They eloped in January 1944 because neither family would likely have approved. They had one child, Susan, and divorced in 1952 because of Mailer's infidelities with Adele Morales.

ellauri184.html on line 60: Morales moved in with Mailer during 1951 into an apartment on First Avenue near Second Street in the East Village, and they married in 1954. They had two daughters, Danielle and Elizabeth. After attending a party on Saturday, November 19, 1960, Mailer stabbed Adele twice with a two-and-a-half inch blade that he used to clean his nails, nearly killing her by puncturing her pericardium. He stabbed her once in the chest and once in the back. Adele required emergency surgery but made a quick recovery. Mailer claimed he had stabbed Adele "to relieve her of cancer". He was involuntarily committed to Bellevue Hospital for 17 days. While Adele did not press charges, saying she wanted to protect their daughters, Mailer later pleaded guilty to a reduced charge of assault saying, "I feel I did a lousy, dirty, cowardly thing", and received a suspended sentence of three years' probation. In 1962, the two divorced. In 1997, Adele published a memoir of their marriage entitled The Last Party, which recounted her husband stabbing her at a party and the aftermath. This incident has been a focal point for feminist critics of Mailer, who point to themes of sexual violence in his work.

ellauri184.html on line 66: His fifth wife was Carol Stevens, a jazz singer whom he married on November 7, 1980, and divorced in Haiti on November 8, 1980, thereby legitimating their daughter Maggie, born in 1971.

ellauri184.html on line 72: Bodily urges are fundamental to Mailer's approach to novels and short works. According to his obituary in The Independent, his "relentless machismo seemed out of place in a man who was actually quite small – though perhaps that was where the aggression originated."  For Mailer, African-American men reflected a challenge to his own notions of masculinity. His pecker was not much bigger than those of Hemingway and Scott Fitzgerald, about the size of his pen knife. Like many men with a tiny penis he sought comfort with men and women equally. Throughout his work and personal communications, Nuchem repeatedly expresses interest in, includes episodes of or makes references to, bisexuality or homosexuality.

ellauri184.html on line 74: Mailer wrote 12 novels in 59 years. After completing courses in French language and culture at the University of Paris in 1947–48, he returned to the U.S. shortly after The Naked and the Dead was published in May 1948. A New York Times best seller for 62 weeks, it was the only one of Mailer's novels to reach the number one position. It was hailed by many as one of the best American wartime novels and included in a list of the hundred best English-language novels of the twentieth century by the Modern Library. The book that made his reputation sold over a million copies in its first year, (three million by 1981) and has never gone out of print. It is still considered to be one of the finest depictions of Americans in combat during World War II.

ellauri184.html on line 76: Barbary Shore (1951) was not well received by the critics. It was a surreal parable of Cold War leftist politics set in a Brooklyn rooming-house, and Mailer's most autobiographical novel. His 1955 novel, The Deer Park drew on his experiences working as a screenwriter in Hollywood from 1949 to 1950. It was initially rejected by seven publishers due to its purportedly sexual content before being published by Putnam's. It was not a critical success, but it made the best-seller list, sold over 50,000 copies its first year, and is considered by some critics to be the best Hollywood novel since Nathanael West's The Day of the Locust.

ellauri184.html on line 78: Mailer wrote his fourth novel, An American Dream, as a serial in Esquire magazine over eight months (January to August 1964), publishing the first chapter two months after he wrote it. In March 1965, Dial Press published a revised version. The novel generally received mixed reviews, but was a best seller. Joan Didion praised it in a review in National Review (April 20, 1965) and John W. Aldridge did the same in Life (March 19, 1965), while Elizabeth Hardwick panned it in Partisan Review (spring 1965).

ellauri184.html on line 80: Mailer's fifth novel, Why Are We in Vietnam? was even more experimental in its prose than An American Dream. Published in 1967, the critical reception of WWVN was mostly positive with many critics, like John Aldridge in Harper's, calling the novel a masterpiece and comparing it to Joyce. Mailer's obscene language was criticized by critics such as Granville Hicks writing in the Saturday Review and the anonymous reviewer in Time. Eliot Fremont-Smith calls WWVN "the most original, courageous and provocative novel so far this year" that's likely to be "mistakenly reviled". Other critics, such as Denis Donoghue from the New York Review of Books praised Mailer for his verisimilitude "for the sensory event". Donoghue recalls Josephine Miles' study of the American Sublime, reasoning WWVN's voice and style as the drive behind Mailer's impact.

ellauri184.html on line 84: In 1980, The Executioner's Song, Mailer's "real-life novel" of the life and death of murderer Gary Gilmore, won the Pulitzer Prize for fiction. Joan Didion reflected the views of many readers when she called the novel "an absolutely astonishing book" at the end of her front-page review in the New York Times Book Review.

ellauri184.html on line 86: Mailer spent a longer time writing Ancient Evenings, his novel of Egypt in the Twentieth Dynasty (about 1100 BC), than any of his other books. He worked on it for periods from 1972 until 1983. It was also a bestseller, although reviews were generally negative. Harold Bloom, in his review said the book "gives every sign of truncation", and "could be half again as long, but no reader will wish so", while Richard Poirier called it Mailer's "most audacious book".

ellauri184.html on line 88: Harlot's Ghost, Mailer's longest novel (1310 pages), appeared in 1991 and received his best reviews since The Executioner's Song. It is an exploration of the untold dramas of the CIA from the end of World War II to 1965. He performed a huge amount of research for the novel, which is still on CIA reading lists. He ended the novel with the words "To be continued" and planned to write a sequel, titled Harlot's Grave, but other projects intervened and he never wrote it. Harlot's Ghost sold well.

ellauri184.html on line 90:   His final novel, The Castle in the Forest, which focused on Hitler's childhood, reached number five on the Times best-seller list after publication in January 2007. It received reviews that were more positive than any of his books since The Executioner's Song. Castle was intended to be the first volume of a trilogy, but Mailer died several months after it was completed. The Castle in the Forest received a laudatory 6,200-word front-page review by Lee Siegel in the New York Times Book Review, as well as a Bad Sex in Fiction Award by the Literary Review magazine.

ellauri184.html on line 92:   Critical response to Mailer's Jesus novel was mixed. Jack Miles, writing for Commonweal, found the book "a quiet, sweet, almost wan little book, a kindly offering from a New York Jew to his wife's Bible Belt family." He noted that there was "something undeniably impressive about the restraint" of the style that Mailer undertook in composing the novel. He concluded that the novel was neither one of Mailer's best works, nor would it stand out amongst the bibliography of books inspired by the life of Christ, but that it had received unfairly harsh reviews from other critics.

ellauri184.html on line 95: Notorious philanderer," "egomaniac," "pugnacious" and "pompous" are a few of the milder epitaphs that have been used to describe controversial and larger-than-life (inevitably) Norman Mailer. His New York Times obituary was even titled, "Norman Mailer, Towering Writer With Matching Ego, Dies at 84." Known in the literary world as one of the greatest writers of the twentieth century, Mailer won two Pulitzer Prizes in literature and one National Book Award. He is credited with having pioneered creative nonfiction as a genre, also called New Journalism. During his life he became as famous for his relationships with women as he did for his literary work. He was married six times and fathered eight children. Here is a brief look at some the six wives of Norman Mailer.  

ellauri184.html on line 99:   Norris Church was born Barbara Jean Davis and grew up in Atkins, Arkansas, the daughter of Free Will Baptists. At the age of three she won the title of Little Miss Little Rock. In her twenties she had a brief fling with a young Bill Clinton. She met Mailer in 1975 when he came to Russellville, Arkansas to promote his biography of Marilyn Monroe. The two fell into a passionate love affair, despite their 26-year age difference (sama kuin jos mä olisin vaihtanut Seijan niihin pieniin kiinalaisiin), and Church moved to New York a few months later. At the suggestion of Mailer, she changed her name to Norris Church when she began modeling with the Wilhelmina Modeling Agency. Norris was the last name of her first husband, and Mailer suggested Church since she had been a frequent church-goer while she was growing up. Eli siis tää Jee-suxen bio oli niikö lahja Norrixelle.

ellauri184.html on line 118: The gospel mentions that Mary and Joseph took Jesus out of a labor-intensive hospital on a Sabbath to purify the infant from sickness before the L-d’s meeting, as well as to administer the final purification rituals over His redemption, according to G-d’s Torah .

ellauri184.html on line 213: Bethlehem (/ˈbɛθlɪhɛm/; Arabic: بيت لحم audio speaker iconBayt Laḥm, "House of Meat"; Hebrew: בֵּית לֶחֶם Bet Leḥem, Hebrew pronunciation: [bet ˈleχem], "House of Bread"; Ancient Greek: Βηθλεέμ Greek pronunciation: [bɛːtʰle.ém]; Latin: Bethleem; initially named after Canaanite fertility god Laḫmu) is a city in the central West Bank, Palestine, about 10 km (6.2 miles) south of Jerusalem. Its population is approximately 25,000, and it is the capital of the Bethlehem Governorate. The economy is primarily tourist-driven, peaking during the Christmas season, when Christians make pilgrimage to the Church of the Nativity. The important holy site of Rachel's Tomb is at the northern entrance of Bethlehem, though not freely accessible to the city's own inhabitants and in general Palestinians living in the occupied West Bank due to the Israeli West Bank barrier. 

ellauri184.html on line 223: Admitting that the following is a drastic oversimplification but praying that it’s not a complete caricature, Professor A. France summarizes seven differences:

ellauri184.html on line 234: Linguistically Galileans spoke a distinctive form of Aramaic whose slovenly consonants (they dropped their aitches!) were the butt of Judean humor.

ellauri184.html on line 250: According to the biblical chronicle, the Tribe of Manasseh was a part of a loose confederation of Israelite tribes from after the conquest of the land by Joshua until the formation of the first Kingdom of Israel in c. 1050 BC. No central government existed, and in times of crisis the people were led by ad hoc leaders known as Judges (see Book of Judges). With the growth of the threat from Palestinian (sorry) Philistine incursions, the Israelite tribes decided to form a strong centralised monarchy to meet the challenge, and the Tribe of Manasseh joined the new kingdom with Saul as the first king. After the death of Saul, all the tribes other than Judah remained loyal to the House of Saul, but after the death of Ish-bosheth, Saul's son who succeeded him to the throne of Israel, the Tribe of Manasseh joined the other northern Israelite tribes in making Judah's king David the king of a re-united Kingdom of Israel. However, on the accession of David's grandson Rehoboam, in c. 930 BC the northern tribes split from the House of David and from Saul's tribe Benjamin to reform Israel as the Northern Kingdom. Manasseh was a member of the Northern Kingdom until the kingdom was conquered by Assyria in c. 723 BC and the population deported. From that time, the Tribe of Manasseh has been counted as one of the ten lost tribes of Israel.

ellauri184.html on line 257: The Bible records that following the completion of the conquest of Canaan by the Israelite tribes, Joshua allocated the land among the twelve tribes. According to biblical scholar Kenneth Kitchen, this conquest should be dated slightly after 1200 BCE. Some modern scholars argue that the conquest of Joshua, as described in the Book of Joshua, never occurred. “Besides the rejection of the Albrightian conquest model, the general consensus among OT scholars is that the Book of Joshua has no value in the historical reconstruction. They see the book as an ideological retrojection from a later period — either as early as the reign of Josiah or as late as the Hasmonean period.”  "It behooves us to ask, in spite of the fact that the overwhelming consensus of modern scholarship is that Joshua is a pious fiction composed by the deuteronomistic school, how does and how has the Jewish community dealt with these foundational narratives, saturated as they are with acts of violence against others?" ”Recent decades, for example, have seen a remarkable reevaluation of evidence concerning the conquest of the land of Canaan by Joshua. As more sites have been excavated, there has been a growing consensus that the main story of Joshua, that of a speedy and complete conquest (e.g. Josh. 11.23: 'Thus Joshua conquered the whole country, just as the LORD had promised Moses') is contradicted by the archaeological record, though there are indications of some destruction at the appropriate time. No oliko sitten koko esinahkakasa satua? Ketä enää uskoa? Usko siirtää vuoria, eikö sitten esinahkakukkuloita?

ellauri184.html on line 261: Ukraine’s foreign minister tells his US counterpart in a meeting that his country needs fighter jets and air defence systems and has called NATO’s refusal to implement a no-fly zone over Ukraine a “sign of weakness”. Buk-buk-buk chickens!

ellauri184.html on line 265: Thanks in large part to Jesus-movies and swords-and-sandals cinematic epics (e.g., Ben-Hur, Masada, Spartacus, Life of Brian), there is a widespread perception that distinctively Woman soldiers infested Palestine during the life of Jesus – often signaled in such films by highbwow Bwitish accents in contrast with the unpretentious American dialect spoken by Jews. As deeply engrained as this image is in the popular consciousness, it is not entirely accurate. There were several different types of soldiers in the Woman East during the New Testament period and the differences between these soldiers were significant; the languages they spoke, the government they worked for, their relationship to the civilians they encountered, their pay, and many other specifics differed considerably.

ellauri184.html on line 269:   There were important defeats along the way but it is interesting to observe that commanders often escaped repercussions for their militawy incompetence and it was usually the soldiers who bore the blame for defeat. Though a legionawy could theoretically come from any province within the Empire, the requirement of Woman citizenship had consequences for demographics: legionawies were more likely to speak Latin than non-citizen soldiers, they were usually wecwuited from the most heavily Womanized cities and provinces, their citizenship held inherent prestige that afforded them privilege over both civilians and other soldiers, etc. Legions primarily garrisoned in major imperial provinces, such as Syria, Pannonia, and post-War Judaea. With the exception of Egypt, all provinces with at least one legion were required to have a governor with Senator status. Legions primarily consisted of infantry soldiers, with a few cavalry or archers present among their ranks. Roughly 30 legions were active at any given time within the Empire and each consisted of approximately 5400 soldiers and officers, a standing army of ca. 150-300K  total, though not all with a weceived Latin pwonunciation.

ellauri184.html on line 273:   Roughly equal in number to the legionawy soldiers across the Empire were auxiliaries. Auxiliaries, like legionawies, served the government of Wome, but were divided into two distinct militawy types: cohorts and alae – infantry and cavalry, respectively – with a few mixed units termed cohors equitatae as well. Auxiliary soldiers were mostly non-citizens who were awarded Woman citizenship in exchange for militawy service. Consequently, auxiliary soldiers were significantly less Womanized than legionawies: auxiliary soldiers in the Woman East spoke the lingua franca of Greek and often local languages as well (e.g., Aramaic), typically with limited competence in Latin.

ellauri184.html on line 275:   The ethnic nature of these units led Wome to create many “specialist” cohorts (e.g., dromedary, archery, sling) that worked with combat methods familiar to one or another ethnic group. Though auxiliaries often served in major imperial provinces alongside legionawies, they also served in minor provinces as well. Thus, provinces and regions with a governor of Equestrian status (e.g., Raetia, Noricum, pre-War Judaea) had no legions, but only auxiliaries. Until about 70 CE, many auxiliary soldiers were stationed in their home province; Judaeans were in Judaea, Syrians in Syria, etc. In addition to the Jewish War (66-73 CE), problems with soldiers’ divided loyalties with the Revolt of the Batavi in Germania Inferior (69-70 CE) and the Year of the Four Empewows (68-69 CE) led empewows to actively undermine any remaining ethnic homogeneity in the auxilia, stationing soldiers outside their homeland in increasingly diverse units. Finally, auxiliaries were paid less than legionawies and did not receive all the bonuses granted to legionawies if they were successful in the same battle.

ellauri184.html on line 289:   Thus, while Wome did not conscript Jews into militawy service against their will, there is no indication that this pwevented them from serving on their own accord.  Several tax receipts of  Jewish decurions named Jesus, Hananiah,  Benjamin and a diploma  to Aggaeus Bar-Callippus, a Jewish veteran who retired to the Syrian city of Samosata. We should not forget the famous example of Tiberius Julius Alexander, governor of Judaea and Egypt, a Jewish officer who led the assault on the Jerusalem temple in the Jewish War.

ellauri184.html on line 293: However, over many centuries and across three continents, the Womans had demonstrated that a well-twained, well-disciplined militawy, if fully exploited by gifted commanders, could weap vast wewards and it would not be until 2 millennia after its fall that warfare would weturn to the scale and professionalism that Wome had bwought to the field of combat.

ellauri184.html on line 357: Second, the fact that it is a theological issue does not prevent it from being a moral one as well. The behavior is sin. “Do you not know that the unrighteous will not inherit the kingdom of God? Do not deceived. Neither formicators, nor idolaters, nor adulterers, nor homosexuals, nor sodomites, nor thieves, nor covetous, nor drunkards, nor revilers, nor extortioners will inherit the kingdom of God” (1 Cor. 6:9-10 ). The word translated “homosexuals” here strictly refers to catamites — the word has the connotation of soft. We would say swish. The other word sodomite refers to the “male” homosexual, the one playing the role of the male. All the ingenuity in the world cannot change what the Bible bluntly states here. As well, consider 1 Tim. 1:10 . “. . . for fornicators, for sodomites . . . and if there is any other thing that is contrary to sound doctrine.” The Old Testament speaks to this as well. See Deut. 23:17-18 , Job 36:14 , Lev. 18:22 . Those guilty of such things are living in a contemptible way, and the Scripture calls them dogs. Poor dogs.

ellauri184.html on line 389:   Naahumin Jeshua antaa apostolipojille kyytieväitä. Joskus pitää syntisiä tylyttää, eine muuten tokene. Älkää pitääkö huolta huomisesta, huominen pitää huolen izestään. Olette paljon arvokkaampia kuin varpuset, siat tai apinat. (Jumala on koulutukseltaan humanisti.) Olkaa huolettomia kuin Sirkka Pylkkänen. Seuraavaxi Jeshua alkaa toden teolla kukkoilla, ihan kuin Jim Jones ennen coolaid-tarjoilua. Make war not love. Hylkää lähimmäisesi. Käännä toinen takaposki. Leikkaa poikki kätesi ja kaiva ulos silmäsi. Rakasta Jumalaa enemmän kuin kavereitasi. Kaikenlaista paskapuhetta. No näitähän on joka lähtöön sopiva.

ellauri184.html on line 412: 	Isä meidän (David-coveri Aikakirjoista 29:10–18)

ellauri184.html on line 512: Male circumcision has often been, and remains, the subject of controversy on a number of grounds—religious, ethical, sexual, and medical and the ethics of circumcision of males are controversial.

ellauri184.html on line 518: The Book of Genesis explains circumcision as a covenant with God given to Abraham,[Gen 17:10] In Judaism it "symbolizes the promise of lineage and fruitfulness of a great (???) nation," the "seal of ownership (???) and the guarantee of relationship between peoples and their god." Some scholars look elsewhere for the origin of Jewish circumcision. One explanation, dating from Herodotus, is that the custom was acquired from the Egyptians, possibly during the period of enslavement. An additional hypothesis, based on linguistic/ethnographic work begun in the 19th century, suggests circumcision was a common tribal custom among Semitic tribes (Jews, Arabs, and Phoenicians).

ellauri184.html on line 532: However, there were also many Jews, known as "Hellenizers", who viewed Hellenization and social integration of the Jewish people in the Greco-Roman world favourably, and pursued a completely different approach: accepting the Emperor´s decree and even making efforts to restore their foreskins to better assimilate into Hellenistic society. The latter approach was common during the reign of Antiochus, and again under Roman rule. The foreskin was restored by one of two methods, that were later revived in the late 20th century; both were described in detail by the Greek physician Aulus Cornelius Celsus in his comprehensive encyclopedic work De Medicina, written during the reign of Tiberius (14-37 CE). The surgical method involved freeing the skin covering the penis by dissection, and then pulling it forward over the glans; he also described a simpler surgical technique used on men whose prepuce is naturally insufficient to cover their glans. The second approach, known as "epispasm", was non-surgical: a restoration device which consisted of a special weight made of bronze, copper, or leather (sometimes called Pondus Judaeus, i. e. "Jewish burden"), was affixed to the penis, pulling its skin downward. Over time, a new foreskin was generated, or a short prepuce was lengthened, by means of tissue expansion. Martial also mentioned the instrument in Epigrammaton (Book 7:35).

ellauri184.html on line 534: The Apostle Paul referred to these practices in his letters, saying: "Was a man already circumcised when he was called? He should not become uncircumcised."[1Cor 7:18] But he also explicitly denounced the forcing of circumcision upon non-Jews, rejecting and condemning those Judaizers who stipulated the ritual to Gentile Christians, labelling such advocates as "false brothers"[Gal 2:4] (see below). In the mid-2nd century Rabbinical Jewish leaders, due to increasing cases of foreskin restorations in Roman Empire, introduced a radical method of circumcision, the periah, that left the glans totally uncovered and sew the remaining skin. The new method became immediately the only valid circumcision procedure, to ensure that a born Jew will remain circumcised and avoiding risk of restoring the foreskin. Operations became mostly irreversible.

ellauri184.html on line 540: Vittu mitä runkkausta! nahat päälle nahat pois. Että jotkut jaxavat. Putin sanoo naisten päivänä että meidän pitää vaalia naisten hellyyttä, ne luovat uutta elämää, sillä aikaa kun me pojat myllytämme vanhaa. Ja vedämme käteen hyväveliseurassa, oli esinahkaa eli ei. Melitta Naivisto odottaa oven takana kunnes ollaan valmiita ja mälli kädessä.

ellauri184.html on line 547:   Tuomio, armo ja usko on kovempia karkkeja kuin mint, anis ja cumin. Niitä on kiva kalautella hampaiden välissä. Kitalaki voi tulla kyllä kipeäxi kuten Fazerin ananaxista. Ne oli Olavin autokarkkeja. Kivassa peltirasiassa. Anista penaaliin. Tai ehkä Jeesus tarkoittikin Matt. 23:23 tilliä.  Naahum taitaa enimmäxeen siteerata Matteusta. Kun Jeshua alkoi haukkua fariseita ihan täysiä, nää hälyttivät vartijat. Oops, aika poistua.

ellauri184.html on line 557:   Tää on Jee-suxen ovela vastaveto. Ai SIXkö se meni esittämään niin liioiteltuja mielipiteitä? Se meni ikäänkuin Moosexesta oikealta ohi ettei sitä syytettäisi lepsuilusta. Jos kädettää, sahaa käsi pois. Onhan tää jo ihan hullua. Jos asuu lasitalossa ei pitäs heitellä kiviä. Ize asiassa mua ihmetyttää se sääntö että se joka sanoo on ize, eli siis ettei saa syyttää muita jostakin johon ize syyllistyy. Mixi ei? Syyllistyyhän siltikin ne muutkin? Mix vaan synnitön sais heittää kiven? Epistä, Jeesus heittää koko ajan! 

ellauri184.html on line 582: Mut oli Jeshuasta kiva kerrankin elää herroixi. Nyze vasta tajusi mitä se oli ollut vailla. Rikkaana on hienoa! Too late my brothers, too late but never mind. All my trials Lord soon be over. Jeshuasta on monexi, se on uskovaisten supermarketti. Juudas kyllä poltti hihansa ja repi pelihousunsa. Se ei kuulu enää Jessen talousliberaaliin tiimiin.

ellauri184.html on line 587: Jumalan poika pitää rokulipäivän petissä. Ezä viizizä, pyytää isi turhaan oven takaata.

ellauri184.html on line 622: In summary, the following understanding of biblical history seems plausible: 1. Although the Sanhedrin had the right to condemn Jesus to death and execute the sentence, it seemed opportune for various reasons to have the governor render this verdict. Moreover, although the Sanhedrin and the Roman governor had very diverse  perspectives on Jesus, their interests finally converged, which led to Pilate’s condemnation of Jesus on grounds of unproven political charges.

ellauri184.html on line 625: Extant historical sources provide a complicated hodgepodge of religious, political, mental, and socio- psychological issues that prove difficult to disentangle. Most of all, the religious issues cannot be separated from the political ones.  I propose four hypotheses (not very original):

ellauri184.html on line 631:     c) A political twist could be ascribed to each of these issues so as to obtain a capital sentence from the Roman governor. The Sanhedrin took on this task.

ellauri184.html on line 633:     d) Most charges are passed over in silence in the accounts of the Passion. These lacunae are easy to discover and fill in since the Gospels describe the events leading up to the Passion in a narrative and plausible manner.

ellauri184.html on line 636: In other words, we can perceive Jesus as an outsider whose words and deeds were  blasphemous according to Jewish law and seditious according to Roman law. I only briefly consider the well-known reproaches, and it goes without saying that the topics overlap.

ellauri184.html on line 642:     By deriving his superior authority directly from God (e.g., in exorcisms and forgiveness of sins: Lk. 7.47-50) through his unique proximity to God and his ultimate claim to his unique interpretation of divine law –  he exclusively set his own standards and his  own criteria of who had access to Heaven and who did not –  he upset the masses and caught the attention of the authorities, who perceived such utterances as subversive. More and more, they felt threatened in their own authority. In addition to behaving as though bestowed with superior authority, Jesus sharply criticized the Temple to the point that he finally became violent within its precincts. After a final incident, the representatives of the Temple, the priests, the scribes, and the Elders, who strove to  preserve the core of the Jewish faith as embodied in the Temple, felt threatened in their  position.

ellauri184.html on line 673:   Roman governor at the same time as Jesus, and 

ellauri184.html on line 674:   whom Pontius Pilate freed at the Passover 

ellauri184.html on line 682: The custom of releasing prisoners in Jerusalem at Passover is known to theologians as the Paschal Pardon, but this custom (whether at Passover or any other time) is not recorded in any historical document other than the gospels, leading some scholars to question its historicity and suspect that such a custom was a mere narrative invention of the Bible´s writers like so much else in the fake good  news.

ellauri184.html on line 692: Among the 52 early Christian and Gnostic texts discovered at Nag Hammadi in 1945, one of the most enigmatic is a Valentinian text called the Gospel of Philip. This is one of several “Gnostic” texts which puts a special emphasis on the relationship between Mary Magdalene and Jesus. One of the more obscure sections concerns three Marys who were always with Jesus.

ellauri184.html on line 708:   This first is Michael, the merciful and long-suffering: and the second, who is set over all the diseases and all the wounds of the children of men, is Raphael: and the third, who is set over all the powers, is Gabriel: and the fourth, who is set over the repentance unto hope of those who inherit eternal life, is named Phanuel.’

ellauri184.html on line 715:   Kukko kiekui ennenaikaisesti keskiyöllä Pezkun kolmannen kiellon merkixi. Kerta kiellon päälle meni Pezkulta  pupu pöxyyn Quo Vadis hetkellä kun sen piti mennä Roomaan ylösalaisin naulittavaxi. Kumpikohan hepuista kärsi enemmän? Voiko sitä verrata? Se olis utilitarismia. No pääsihän se paavixi ja helmiäisoven porzarixi.

ellauri184.html on line 734: When Jesus was on the cross, both the apostle John and Mary the mother of Jesus stood nearby. In John 19:26–27 we read, “When Jesus saw his mother there, and the disciple whom he loved standing nearby, he said to her, ‘Woman, here is your son,’ and to the disciple, ‘Here is your mother.’ From that time on, this disciple took her into his home.” The clear understanding of the passage is that Jesus commanded John to care for Mary after His death.

ellauri184.html on line 767: Mailer is considering a God of Action, something of a Hemingway in deistic form who must prove himself with creative acts, a deity in the trenches, making mistakes, failing, succeeding, learning from his mistakes, constantly evolving.The God that interests Mailer is one guided by intuition no less than we, His creations whom we are said to resemble. Nuchem´s own self image to a jot.

ellauri184.html on line 775: It does not take long for us to find out that Saramago is extremely sharp at finding all contradictions on roman-catholic religion. In the novel God seems to be the greediest of all gods, the vainest, the most detached from his people. Detached even from his son as he appeared to him in different shapes, only in the meeting at the lake did he appear to him as a man. God does not command, he orders, he tricks his own son into following his plan to the end. Ultimately Jesus’s betrayal was his last act of martyrdom.

ellauri184.html on line 777: Everyone knows more or less about the birth of Jesus: the manger, the donkey and the ox, the three wise men, all that, all that. Adult life, too, moreover: without a Christian education, one has a vague idea of   preaching, miracles, crucifixion and resurrection. And between the two, childhood, adolescence? Well, we don´t know: the bible does not say anything about it, and no credible source exists on the subject (although some myths (trip to Egypt, Asia, England) emerged later.

ellauri184.html on line 779: José Saramago, therefore, gives us his vision of this unknown Jesus while reinterpreting in his sauce some biblical subjects. The result is probably not very canonical since we see a Jesus first educated by the Devil, then discovering sexuality in the arms of Mary Magdalene, a prostitute with whom he falls in love. However, I did not see any desire to satire: on the contrary, we discover a character torn by the codes of the society of his time, the gradual discovery of his identity, and above all, the feeling of being a toy of fate.

ellauri184.html on line 785:  This is a bold fearless work and definitely not for the faint of heart. I am not surprised that when this was originally published in 1991, it created lots of controversies with the Catholic Church condemning Jose Saramago for harboring anti-religious vision and his own Portuguese government asking the European Literary Prize to remove this from its shortlist because of the book’s offensive content to religion. Despite this book’s existence, Saramago won the 1998 Nobel Prize for Literature.

ellauri185.html on line 58: The childless Hannah vows to Yahweh of hosts that, if she has a son, he will be dedicated to Yahweh. Eli, the priest of Shiloh, where the Ark of the Covenant is provisionally located, blesses her. A child named Samuel is born, and Samuel is dedicated to the Lord as a Nazirite—the only one besides Samson to be identified in the Bible. Eli's sons, Hophni and Phinehas, sin against God's laws and the people, a sin that causes them to die in the Battle of Aphek. But the child Samuel grows up "in the presence of the Lord."

ellauri185.html on line 97: The book begins with Samuel's birth and Yahweh's call to him as a boy. The story of the Ark of the Covenant follows. It tells of Israel's oppression by the Philistines, which brought about Samuel's anointing of Saul as Israel's first king. But Saul proved unworthy, and God's choice turned to David, who defeated Israel's enemies, purchased the threshing floor where his son Solomon would build the First Temple, and brought the Ark of the Covenant to Jerusalem. Yahweh then promised David and his sucessors an everlasting dynasty.

ellauri185.html on line 102: The Philistines capture the Ark of the Covenant from Shiloh and take it to the temple of their god Dagon, who recognizes the supremacy of Yahweh. The Philistines are afflicted with plagues and return the ark to the Israelites, but to the territory of the tribe of Benjamin rather than to Shiloh. The Philistines attack the Israelites gathered at Mizpah in Benjamin. Samuel appeals to Yahweh, the Philistines are decisively beaten, and the Israelites reclaim their lost territory.

ellauri185.html on line 108:   In Samuel's old age (wearing a Mitzpah bollock supporter) he appoints his sons Joel and Abijah as judges but, because of their corruption, the people ask for a king to rule over them. God directs Samuel to grant the people their wish despite his concerns: God gives them Saul from the tribe of Benjamin.

ellauri185.html on line 113: Shortly thereafter, Saul leads Israel to a victory over Nahash of Ammon. Despite his numerous military victories, Saul disobeys Yahweh's instruction to destroy Amalek: Saul spares the Amalekite ruler and the best portion of the Amalekite flocks to present them as sacrifices. Samuel rebukes Saul and tells him that God has now chosen another man to be king of Israel.

ellauri185.html on line 127: The elders of Judah anoint David as king, but in the north Saul's son Ish-bosheth, or Ishbaal, rules over the northern tribes. After a long war, Ishbaal is murdered by Rechab and Baanah, two of his captains who hope for a reward from David. But David has them killed for killing God's anointed. David is then anointed king of all Israel.

ellauri185.html on line 135: David commits adultery with Bathsheba, who becomes pregnant. When her husband Uriah the Hittite returns from battle, David encourages him to go home and see his wife (to cover his own tracks) but Uriah declines in case David might need him. David then deliberately sends Uriah on a suicide mission, and for this, Yahweh sends disasters against David's house. Nathan tells David that the sword shall never depart from his house.

ellauri185.html on line 141: 2 Samuel concludes with four chapters (chapters 21 to 24) that lie outside the chronological succession narrative of Saul and David, a narrative that will continue in The Book of Kings. These four supplementary chapters cover a great famine during David's reign; the execution of seven of Saul's remaining descendants, only Mephibosheth being saved (kannattiko mainita), David's song of thanksgiving, which is almost identical to Psalm 18; David's last words; a list of David's "mighty warriors"; an offering made by David using water from the well of Bethlehem; David's sinful census; a plague over Israel which David opted for as preferable to either famine or oppression; and the construction of an altar on land David purchased from Araunah the Jebusite.

ellauri185.html on line 152:     On November 16, 1491, an auto-da-fé was held outside of Ávila that ended in the public execution of several Jews and conversos. The suspects had confessed under torture to murdering a child. Among the executed were Benito García, the converso who initially confessed to the murder. However, no body was ever found and there is no evidence that a child disappeared or was killed; because of contradictory confessions, the court had trouble coherently depicting how events possibly took place. The child's very existence is also disputed.

ellauri185.html on line 156: On 16 November 1491, in the Brasero de la Dehesa (lit: "brazier in the meadow") in Ávila, all of the accused were handed over to the secular authorities and burned at the stake. Nine people were executed - three Jews: Yusef Franco, Ça Franco, and Moses Abenamías; and six conversos: Alonso, Lope, García and Juan Franco, Juan de Ocaña and Benito García. As was customary, the sentences were read out at the auto-da-fé, and those of Yucef Franco and Benito García have been preserved.

ellauri185.html on line 334:     Useimmat luonnontieteen kysymyxet on paremmin muotoiltavissa miten-kysymyxinä, eli siis miten havainnot seuraavat jo tunnetuista luonnonlaeista, siis millainen on systeemin oltava jotta luonnonlait toimisivat siinä havaitulla tavalla. Harvoin tässä enää täysin novelty luonnonlakeihin törmätään, enemmänkin haeskellaan reunaehtoja. Joskus harvoin oletetaan lisää ainetta ja lisävoimia jotka toimivat samalla lailla kuin  ennenkin tunnetut.   

ellauri185.html on line 394: A 2007 opinion piece "Taking Science on Faith" in The New York Times, generated controversy over its exploration of the role of faith in scientific inquiry. Davies argued that the faith scientists have in the immutability of physical laws has origins in Christian theology, and that the claim that science is "free of faith" is "manifestly bogus."    

ellauri185.html on line 406: Steven Arthur Pinker (born September 18, 1954) is a Canadian-American cognitive psychologist, psycholinguist, popular science author and public intellectual. He is an advocate of evolutionary psychology and the computational theory of mind. Enlightenment Now (2018) uses social science data to show a general improvement of the human condition over recent history brought by Western reason, science and humanism plus colonialism. Pinker on Hararin sielunveli, ne siteeraavat toisiaan. Pahuus on sitä mukaa vähentynyt kun jenkkihegemonia on vahvistunut. Vitun fariseuxet.  

ellauri185.html on line 408: Pinker was born in Montreal, Quebec, in 1954, to a middle-class Jewish family. His grandparents emigrated to Canada from Poland and Romania in 1926, and owned a small necktie factory in Montreal. His father was a lawyer. His mother eventually became a high-school vice-principal. His brother is a policy analyst for the Canadian government, while his sister, Susan Pinker, is a psychologist and writer who authored The Sexual Paradox and The Village Effect.

ellauri185.html on line 410: Pinker married Nancy Etcoff in 1980 and they divorced in 1992; he married again in 1995 and again divorced. His third wife, whom he married in 2007, is the novelist and philosopher Rebecca Goldstein. He has two stepdaughters: the novelist Yael Goldstein Love and the poet Danielle Blau.     

ellauri185.html on line 593: Tolstoin ehkä lähin henkinen sukulainen ja aatetoveri tässä kaiken väkivallan käytön kieltämisessä oli kenties Assisin Pyhä Fransiskus. Fransiskuskin piti oravista, ja linnuista. Gandhia ei maxa vaivaa tässä yhteydessä mainita kun se oli neekeri ja sääli kärpäsiäkin. Jotain rajaa.

ellauri185.html on line 639:   Tuomarin julistama tuomio, samoin kuin koko oikeudenkäynti, on vain pelkkää ilveilyä, jollei käräjäsalin oven vieressä seiso poliisi, joka lujin käsin tarttuu tuomittuun ja vie hänet tarpeen tullen väkisin vankilaan tai ammuttavaxi ja siten panee täytäntöön oikeuden julistaman tuomion. Poliisin ansiosta oikeudenkäynti ei ole pelkkää ilveilyä. Tolstoin ansiota on että valtion väkivaltaolemus on käynyt selväxi, sitä on siittä kiittäminen.

ellauri185.html on line 645: 7  Jne.jne. Ei jaxa, kazotaan mieluummin miten se pierexivä anaalis-expulsiivinen ex-munkki ryömii ulos "ålande!" vuorisaarnan sääntöviidakosta esivallan pyssy kainalossa. Kirjassaan "Maallisesta esivallasta ja kuuliaisuusvelvollisuudesta sitä kohtaan." Tää oli varsinainen bestselleeri pikkuruhtinaiden ja kuninkaiden hoveissa, jossa oli kyllästytty paavin päsmäröintiin ja kullan kahmintaan. Kyllä toi alamaisten kulta oikeammin kuuluu minulle! ajatteli kunkku katkerana. Ja sitten tule tää kaljupää läski exmunkki joka sanoo ruman sanan niinkuin se on! Hyvä Martinus! Go to it!

ellauri185.html on line 709: a shovel or a pick In a mine! In a mine! In a mine! In a 

ellauri185.html on line 749: Salen chicagolaiset heimoveljet tuli pääsiäisenä parhaat päällä synagoogasta "rukousvälineet" siistissä samettiaskeissa. Muistelivat mieluisasti Egyptin 10 vizausta. Siinähän saivat Nasserin porukat vizaa oikein paljaalle pyllylle!

ellauri185.html on line 752: Helkkari noi jutkut on sit pahansuopia. Tääkin passover tarina  on takuulla puhtaasti ilkeyxissään kexittyä. Mites ajoitus? Heitettiinkö ne kiusankappaleet niska peffa pihalle kun levanttiin iski pronssikauden lama noin 1200 BC? Ei ois ollut laitimmainen kerta. Saattoi ollakin, eri aikataulut heittää ainakin puolella tuhannella vuodella. Juutalaisia ei viety ebyktiin, vaan sinne myydyn Joosepin porukat lisääntyivät kuin lokustit. Faaraot hermostuivat. 

ellauri185.html on line 759:     What is Passover angel of death?

ellauri185.html on line 783:   Finally, the tenth and most horrific plague came, the killing for the first born child by the angel of death. To protect their first-born children, the Israelites marked their doors with lamb’s blood so the angel of death would pass over them. Thus the name Passover, which is “pesach” in Hebrew.

ellauri185.html on line 830: The general negative outlook and eschewal of inbreeding that is prevalent in the Western world today has roots from over 2000 years ago. Specifically, written documents such as the Bible illustrate that there have been laws and social customs that have called for the abstention from inbreeding. 

ellauri185.html on line 855: In Leader's Bellow biography Vol 2, “Love and Strife,” the novel “Herzog” is published on the very first page and reaches No. 1 on the best-seller list, supplanting John le Carré’s ‘The Spy Who Came In From the Cold.’ Never again would Bellow, about to turn 50 years old, lack for wealth, power, awards or flunkies to stand by him, ready to take his coat and do his bidding. The temptation for someone in his position was to become an insufferable, spoiled monster. And Bellow quickly gave in to temptation. 

ellauri185.html on line 863: The irony in Bellow’s soul was that he craved love and experience, and learned to view people coldly and clinically. The writer Amos Oz recalled most vividly from his friendship with Bellow an exchange that they shared privately about death. “I said I was hoping to die in my sleep, but Saul responded by saying that, on the contrary, he would like to die wide awake and fully conscious, because his death is such a crucial experience he wouldn’t want to miss it.”

ellauri185.html on line 865: As previous biographers have discovered, it’s difficult to write an endearing biography of Bellow. “Was I a man or was I a jerk?” Bellow inquired on his deathbed.  The answer should be obvious.

ellauri188.html on line 56:     Taipii perustuu paljolti Melvillen omiin kokemuxiin. Hän karkasi toverinsa kanssa amerikkalaiselta valaanpyyntilaivalta Marquesassaarten alkukantaista kivikautta elävien tapiirien pariin. Tapiirit ovat onnellisia luonnonlapsia, mitä huolinkaan, miehet uljaita sotureita kullisuojineen ja bambukeppeineen, naiset eloisia, ihastuttavia vesinymfettejä muttei mitään neizyitä. Ihanin kaikista on Feija Vei, naisellisen viehkeyden ja kauneuden täydellistymä.

ellauri188.html on line 96: Protestants went to Hiva Oa, but even there they had little success. There were few converts, tribal warfare and human sacrifice continued. Protestant missionaries gradually left Hiva Oa and returned to Hawaii, only James Kekkilä remained. In 1899 he also returned to Hawaii and died in Honolulu on November 29, 1904. Hawaiian-born missionary James Bicknell translated the Gospel of John into the Marquesan language in 1857. 

ellauri188.html on line 126: But what is more to the point under discussion is that Mr. Wester evidently overlooks the fact that many of these pure bloods are leaving descendants, mixed bloods, to be sure, but just as much interested in the preservation of their ancient food, the bread fruit, as were their ancestors. Will not this fact tend to preserve these trees for a long time to come?

ellauri188.html on line 130:     It is perhaps appropriate to describe briefly, in this connection, the agricultural conditions in Typee Vai, the valley on Nukuhiva made famous by Melville's classie "Typee." It will be remembered by those who have read his narrative that he escaped from his ship. in Taiohae Bay in 1842 and was held a prisoner for many months by the eannibals of Typee. At that time he figured the inhabitants of the valley as repre sented by about 2,000 souls, with perhaps 2,000 more in the neighboring valley of Houmi. A period of 80 years has elapsed (not a long time historically) be tween his sojourn there and my visit in 1922. In November of that year I found 44 people in Typee, and 65 in Houmi, though from Pere Simeon Delmar, the charming and self-sacrificing priest at Taiohae, who is in close touch with all his people, I learned. that the death rate in Typee had been normal for several years and that one or two families there had many children. I was astonished at the appearance of Typee Valley; for, from reading "White Shadows" and from

ellauri188.html on line 132: old people, green from long drinking of kava-worth- less wretches in a huddle of huts on the shore. What I did see was an enormous valley, over a mile wide

ellauri188.html on line 140:     I will venture to say that in ten years Tahiti, picturesque and romantic for so long a time, will have lost its charm because of the presence of hordes of low-caste Chinese and half-bloods. However unattractive this may be from the standpoint of the tourist and sentimentalist, there is no contradicting the fact that they will make these islands a thousand times more productive than would the pure-blooded native, and their skill and habits of application will undoubtedly extend to the preservation of the breadfruit. The Chinese and half-blood Chinese are on all the Marquesan islands which are inhabited, and it will be to their financial interest as well as to the interest of their personal food supply, to preserve the breadfruit there as well as in the Societies. It is notable that the cocoanut and banana plantations and papaye (papaw) groves in Typee at the time of my visit, were either owned or worked by Chinese or half-bloods (Chinese + Tahitian or Chinese + Marquesan).

ellauri188.html on line 142:     Referring to the last paragraph in Mr. Wester's communication-It would appear that if one is dependent, as was the writer, upon trading schooners to get from Tahiti to the Marquesas, then amongst these islands and return to Tahiti, his program for work in these two groups would take more than a year and his estimate of expense might, in consequence, be exceeded. Sometimes one is obliged to wait from one month to three to get the opportunity to move from one island in the Marquesas to another forty or fifty or eighty miles away, so rare and uncertain are the visits of these schooners. Further, in the absence of any regular means of communication, one has to seize any chance opportunity of transportation or run the risk of being marooned for a long period. On the other hand, if a schooner were chartered, which is the best possible way of visiting and working among the South Sea Islands, schooner, captain, crew and provisions would cost about $1,000 per month (this figure was obtained from an authoritative source) and a year on shipboard might not be needed. Under such conditions Mr. Wester's calculation of $8,500 for a year's work in the Marquesas and Societies may not be far out of the way.

ellauri188.html on line 147: Since writing the above I have received a letter from Dr. Linton in which he says: "... I certainly do not think that either the full-blooded Marquesans or the breadfruit are in immediate danger of extinction. The natives of Uapu and Uahuka are slightly on the increase and those of Fatuhiva are holding their own."	

ellauri188.html on line 156: Etiikan transsendentaalinen deduktio Darwinista: eusosiaalisuuden aste selittyy ravintoverkon laikkuisuudesta, eli siis kilpakumppanien granulariteetista. Jos ravintoa on paljon tai sitä on tasaisesti hyvin harvassa, ei juuri maxa vaivaa olla laumasieluja. Ize kukin elukka menestyy parhaiten seppoilemalla omin päin.

ellauri188.html on line 158: 	Jos taas ravinto ja/tai pedot esiintyvät laikkuina, kanzii lajitoverien kokoontua vastaavixi laikuixi, jotta sillä suurennuxella eli raekoolla ravintotilanne palautuu äskeiseen. Pesille on yllin kyllin ruokaa, ja laumassa on turvaisampi elellä. Pikku altruistit suojelevat toisiaan oman hengen uhalla ja saavat turvallisen ruokahuollon pesän yhteisvazasta. Leijonatkin kokoontuvat ylpeixi, koska efelantti on aika iso laikku yhdelle. Ja niitä laikkuja on sitten syytä puolustaa, partioida reviiriä isänmaallisina.

ellauri188.html on line 311: In the 1840s Britain and France considered sponsoring continued independence of the Republic of Texas and blocking U.S. moves to obtain California. Balance of power considerations made Britain want to keep the western territories out of U.S. hands to limit U.S. power; in the end, France opposed such intervention in order to limit British power, the same reason for which France had sold Louisiana to the U.S. and earlier supported the American Revolution. Thus the great majority of the territorial growth of the continental United States was accepted without question by Paris.

ellauri188.html on line 394: Pierren julkaisun jälkeen Melville yritti saada töitä konsulaattina. Hän julkaisi vuosina 1853–1856 neljätoista novellia ja pientä kirjoitelmaa sanomalehdissä. Melvillen taloudellinen tilanne heikkeni, eikä hänen ensimmäisiä runojaan suostuttu julkaisemaan. Hän joutui myymään talonsakin, mutta sai lopulta 1866 töitä tullitarkastajana. Hän jatkoi kuitenkin kirjoittamista, ja joitain hänen runojaan julkaistiinkin. Melville jäi eläkkeelle 1889 ja kuoli 1891. Kirjallisuuspiirit olivat tuolloin käytännössä unohtaneet hänen uransa, ja The New York Timesin kuolinilmoituksessa Moby Dick oli kirjoitettu väärin Mobile Dick. Ei sentään Prick.

ellauri188.html on line 415:   Josh's other projects included the horror-thriller Child of Darkness, Child of Light, an adaptation of  Paterson's novel Virgin, a tale of two Catholic virgin schoolgirls, that folded when they were both found pregnant under mysterious and supernatural circumstances. To avoid being caught red "handed" Lucas relocated to Australia to play the hot "headed" American cousin Luke McGregor opposite Andrew Clarke and Guy Pearce in the first season of the family western Snowy River: The McGregor Saga. Lucas appeared in all 13 episodes of the first season, but claimed in a later interview that despite the friendly reception by Rhonda Byrne, he was homesick for the United States, and his character was killed off in the second episode of season 2.

ellauri188.html on line 418: He also appeared in an off-Broadway production of Terrence McNally's slightly controversial Corpus Christi killers,  a retelling of the Passion Fruit, with the Jesus character (named Joshua) and his disciples ALL being gay. Lucas played the role of Judas as a gay predator.

ellauri188.html on line 426: Lucas's career also includes voice-over work (or voice acting) as Dog with Breathe Bible. Lucas is also an owner and promoter of the company Filthy Dog Food.

ellauri188.html on line 440:   Kun kuten jo sanoin. näin Tobyn nojailevan parraspuuhun syviin ajatuksiin vaipuneena juolahti heti mieleeni että hänen mietiskelynsä kohde saattoi olla sama kuin minunkin. Ja jos niin oli, tuumin, enkö kaikista laivatovereistani haluaisi juuri hänet kumppanikseni pikku seikkailuun. Ja miksen ottaisi mukaan toveria jonka kanssa voisin jakaa retken vaarat ja jolta voisin saada lievitystä sen vaikeuksiin? Saattaisin kukaties joutua piileksimään jossain koijassa viikkokausia. Millainen lohtu kumppanista olisikaan sellaisessa tapauksessa.

ellauri188.html on line 484: ja silloin tulevat ovellesi paarinkantajat.

ellauri189.html on line 55: Jukka Korpelan mukaan venäläinen historiankirjoitus historian kulusta on liian pelkistetty, johon kukaan vakavasti otettava tutkija ei suhtaudu vakavasti. Vanhat kertomukset ja legendat Moskovan Venäjän ajoilta lähtien muuttuivat totuudeksi 1800-luvulla ja edelleen Venäjän viralliseksi historiaksi muun muassa kouluopetukseen ja oppikirjoihin aina nykypäivään asti. Sen mukaan on syntynyt virheellinen todellisuuskuva (siis todellinen virheellisyyskuva), jonka mukaan venäläiset, valkovenäläiset ja ukrainalaiset muodostaisivat Kiovan Venäjän pohjalta yhden kansan. Sehän ei pidä lainkaan paikkaansa! Kansoja oli vähintään tusina ellei enemmän!

ellauri189.html on line 61: Tämä Korpela on julkaissut useita monografioita, muun muassa Miesparin siunaaminen, viisi ortodoksista keskiaikaista rukousta (2011). Hän katsoo näiden siunausten olemassaolon perusteella, että vetoaminen ortodoksiseen perinteeseen kiellettäessä homoparien siunaaminen on perusteetonta, kyllä siihen on Moosexen ja Paavalin sana riittävä. Korpela kääntyi aikuisiällä ortodoksiksi ja on vihitty 1995 diakoniksi. (- Miten yhdestä professorista saa niin monta diakonia? - Ihmekö tuo! 5000 ihmistäkin ravittiin 5 leivällä ja 2 kalalla. Kumpi on kovempi käsi, 1995 diakonia vai homopari?)

ellauri189.html on line 75: 	After leaving the army, he spent several years traveling through western Europe, staying some time in Paris, climbing Mont Blanc in 1818, and spending a good portion of his inherited fortune. He returned to his estate in Volhynia in 1821, where he began an ill-fated affair with a married woman and began writing. He moved to Warsaw in 1824, where he published the poetic novel Maria at his own expense in 1825, and died in poverty the next year in unclear circumstances.

ellauri189.html on line 77: 	"Maria" was hailed by the younger generation as one of the first authentic literary products of Polish romanticism (the adherents of the so-called Warsaw Classicism were, on the contrary, horrified by the dark plot and the author’s preference for “provincial” words and expressions). Malczewski was then already in poor health and, before a year had passed, in May 1826, he died – impoverished and disgraced because of his affair with a hysterical married woman (whom he was supposed to heal by means of mesmerism – after his death she returned to her husband).

ellauri189.html on line 86: The Cossacks, these “kings of the steppe moving over an 

ellauri189.html on line 109: more important than its very Byronic plot, of which I will give only a short outline. The son of a wealthy magnate has fallen in love with the daughter of a petty nobleman (miecznik, the “sword-bearer”, a purely nominal provincial 

ellauri189.html on line 112: 	Before engaging in battle Wacław visits his father-in-law and Maria (who slowly fades away, feeding on an ever-diminishing hope) to bring them the good news. The patriotic miecznik cannot, in spite of his advanced age, refrain from joining the band of his son-in-law, leaving his home and daughter without protection. The Tartars are finally (but not without difficulty) defeated and Wacław, in exultant mood, rides by night over the boundless steppe to unite with his wife as the messenger of victory. When he arrives, the manor-house of the miecznik appears to be abandoned. There are no signs of life. Entering a room, he discovers Maria, lying on a couch, her clothes in disorder, like a marble statue. It is evident that her vital strength has been extinguished, but he tries to make himself believe that she has only fainted and rushes out of the house, shouting: “O, water, water!”. Thereupon the “small figure” of a melancholy youth (“pacholę”) jumps from the thicket and relates to Wacław the events that have happened.

ellauri189.html on line 126: – mournful – languishing in the abundant Ukraine). Isovenäläinen, valkovenäläinen ja vähävenäläinen viimein taas sulassa sovussa. 

ellauri189.html on line 129: landscape. Communing with the monotonous plain that extends as far as the horizon, where it melts into the heaven, the author discovers that “mood” (Heidegger’s Gestimmtsein) is the fundamental human mode of being-in-the-world. The level plain and the hemisphere (earth and heaven) constitute a spatial totality that is self-enclosed: Being combines flatness with the curve of the hemisphere, the linear with the cyclical perspective (from an empirical point of view only half of its orbit is visible to man though he can of course turn around to see the rest of it):

ellauri189.html on line 137: (Wacław roams over the unbeaten paths of solitude; through immeasurable prairies 

ellauri189.html on line 143: heterogeneous concept) man enacts the drama of his life. The borders of this realm are indicated by the movement of the sun, arising from behind the horizon and, after moving through half of its orbit, again setting beyond this infinitely receding meeting point between heaven and earth. In Malczewski’s 

ellauri189.html on line 196: (The sun had already walked along his wide curve and tinged the grey clouds with a crimson glow; with a yellow light quivering over earth and water, he burnt, setting, on his rich throne. Already his look, full of wonder, does not blind, but spreads mild, visible rays and, taking a short farewell, before burying himself in the deep, he allows mortal eyes to look at him; still – during this last moment he does not hastily disappear, [for he wants] to nourish all creatures with a smile of life; still he glances through the windows in 

ellauri189.html on line 199: The centre of our planetary system is the visible sign of the infinity of immanence and contains the cyclical essence of being, not merely indicating this con-dition, but also embodying it: this celestial body is subject to an infinite movement without apparent linear direction. But the stages of the sun’s voyage could also be interpreted as stages of human life (birth, youth, maturity, old age) and this circumstance inclines man to perceive a similarity between a celestial body and a feeling sublunary body (does man deceive himself, thinking it a bond of 

ellauri189.html on line 203: “wheel of being”, moved by the force of desire (Schopenhauer’s Wille) that 

ellauri189.html on line 212:  satisfy man, must be situated somewhere in space (be present as a phenomenon), which on the one hand is represented as receding into an infinite distance, and on the other hand as a “theatre”, in which phenomena eternally repeat the same circular movement (only half of their orbit is visible against the background of the heavenly dome – the other half remains hidden in the dark).

ellauri189.html on line 214:  The boundless steppe of the Ukraine turns out to be a cage with invisible bars. Man appears at first sight to be free, without apparent goal roaming over the plain of life, being a lord of the steppe, “a king of the wilderness” (“król pustyni”), or tries to create in a premeditated manner his own future, deciding – by the way – on the fate of his fellow men (the source of unceasing conflicts). However, in the latter case he often unwittingly obeys the voice of his own wild, unruly nature. The ambivalence of this situation seems to be intimately connected with the concept of romantic irony. Man possesses the ability to objectify his passions, i.e. he can explain them psychologically, by means of a chain of causes and effects, but he still remains the slave of this volitional nature that constitutes  his innermost self, always and ever receding (like the horizon of the Ukrainian plain) when he tries to catch it (the idea of the Unconscious does not really explain this “schizophrenic” state of mind – it merely affirms man’s essential  homelessness: I am myself, when I realize that my self eternally escapes me). - I can relate to that, says the Russian tank driver sitting stuck in the Ukrainian mud.

ellauri189.html on line 256:   Iga rated it did not like it Oct 27. It was only after his death that critics realized the originality of Mary, by Malczeski – released in 1825 – that it was in fact the first Polish narrative poem. The injury of an ankle, which Malczewski had sustained defending his lover’s good name, destroyed the writer’s military career; the injury returned and he could not participate in Napoleon’s campaign against Russia in 1812.

ellauri189.html on line 258:   Aga rated it it was ok Mar 22, I love all the motifs, the atmosphere and the time period. Fascinated by Byron, Malczewski used complicated narration, an odd sequence of events, blanks, ambiguities and puzzles in his work.

ellauri189.html on line 303: Vastaushan löytyy tuosta Suomenlahden eteläpuolelta. Olisimme kuin Viro, Latvia ja Liettua: Puhdistuxen, pitkän sorron ja osittaisen pakkovenäläistämisen jälkeen vihdoin taas itsenäisiä ja Natossa.

ellauri189.html on line 410: The Dead Sea is situated at the lowest point on Earth and also the saltiost. It contains salt at a concentration level 10 timos higher than other ocoons and its wators are saturated in minerals, 12 of which are unique only to the Dead Sea. The minerals found in the Dead Sea and its sodimont mud is known all over the world for its healing, renewal and rejuvenation proportios

ellauri189.html on line 422: Dead Sea is the lowest point on the planet and one of the most unique environments around the world. It lies on the borders of Jordan, the West Bank and Israel. Known for its high-density waters and mineral rich soils, the Dead Sea is visited by a large number of tourists from all over the world. Its soils contain minerals such as potassium, magnesium, calcium, and salt.These minerals are used in cosmetics, chemical products such as industrial salts and are even used in table salts for home use.

ellauri189.html on line 424: The once mineral-rich Dead Sea has shrunk to the size of a small and pitiful pond. Water levels have been dropping at a rate of 1 meter per annum. Currently it lies 1,300 feet below sea level and if the rate of decline continues it will reach 1,800 feet below sea level before the end of the century. This sharp decline is due to the over-exploitation of its minerals, the use of its water for desalination, and the large increase in agriculture in both Jordan and Israel.

ellauri189.html on line 428: In an attempt to save the Dead Sea, the governments of Jordan and Israel plan to implement a project called the “Red to Dead Water Conveyance Plan” which involves building of a pipeline that connects both the Red and the Dead Sea and pumping around two thousand million cubic meters (mcm) of water per year into the latter which is equivalent to the water produced by 60 desalination plants in a day. However, many scientists are skeptical of this project due to the many problems that would arise including:

ellauri189.html on line 446: On 27 November 2016, it was announced that the Jordanian government was shortlisting five consortia to implement the project. Jordan's ministry of Water and Irrigation said that the $100 million first phase of the project would begin construction in the first quarter of 2018, and would be completed by 2021.

ellauri189.html on line 448:   Can Israel and Jordan cooperate to save the dying Dead Sea?  The Dead Sea is Dying: Can A Controversial Plan Save It? No, they can only make matters worse, as usual.

ellauri189.html on line 458:     We promise to manage our business with honesty and fairness. At SEACRET, we aro fully committed to uncompromising integrity in overything we do. We maintain a philosophy of transparency in every aspect of business ethics. Exepting income and taxes, of course.

ellauri189.html on line 482:     Rank advancement bonuses: To qualify for these bonuses, you have to close your pay week having achieved the requirements of the rank above you. When you attain the star agent rank, you become eligible for one-time rank advancement bonuses. The higher your rank, the higher the bonus.

ellauri189.html on line 545:     I hope you take me up on my offer and check out my top recommendation above.  You can take your time and see all of the training and tools available to you.  You don’t need to even provide a credit card number!  Don’t miss out on this opportunity!  I’ll see you on the other side!

ellauri189.html on line 562:   Some of the first recorded incidents to meet the modern definition of the Ponzi scheme were carried out from 1869 to 1872 by Adele Spitzeder in Germany and by Sarah Howe in the United States in the 1880s through the "Ladies' Deposit". Howe offered a solely female clientele an 8% monthly interest rate and then stole the money that the women had invested. She was eventually discovered and served three years in prison. The Ponzi scheme was also previously described in novels; Charles Dickens' 1844 novel Martin Chuzzlewit and his 1857 novel Little Dorrit both feature such a scheme.

ellauri189.html on line 564: In the 1920s, Charles Ponzi carried out this scheme and became well known throughout the United States because of the huge amount of money that he took in. His original scheme was based on the legitimate arbitrage of international reply coupons for postage stamps, but he soon began diverting new investors' money to make payments to earlier investors and to himself. Unlike earlier similar schemes, Ponzi's gained considerable press coverage both within the United States and internationally both while it was being perpetrated and after it collapsed – this notoriety eventually led to the type of scheme being named after him.

ellauri189.html on line 701: The ghazal (Arabic: غَزَل, Bengali: গজল, Hindi-Urdu: ग़ज़ल/غزَل, Persian: غزل, Azerbaijani: qəzəl, Turkish: gazel, Turkmen: gazal, Uzbek: gʻazal, Gujarati: ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain.

ellauri189.html on line 720: 

ellauri189.html on line 724: The Pashtuns, who live in Afghanistan, Pakistan and India, have a very special tradition, which says they are Bene Israel, and is widely spread among some of the Pashtun tribes. In this article we intend to prove beyond a reasonable doubt that this tradition is true, and they are in fact the descendants of the 10 tribes of Israel, who were taken to Afghanistan thousands of years ago.

ellauri189.html on line 743: 

ellauri189.html on line 747: Although the common traditions of Pashtuns and Jews might not be enough on their own to prove Pashtuns are Israelis, they can certainly be used for further confirmation that our conclusion is correct. Amongst the common traditions are:

ellauri189.html on line 763: In Weddings there’s a piece of fabric hanging above the marrying couple. In Hebrew it is called Hupa. In Pashto it is called Dolaye,

ellauri189.html on line 775: If we add those traditions to what we said above, we can be confident that our conclusion is correct.

ellauri189.html on line 779: Here it is said that almost half of Indian Afridi Pathans are very close genetically to Jews. I heard from some Pashtuns that Pathans are actually Pashtuns that mixed with other nations, so I was set to try to do a DNA test myself on friends of mine who are pure-blood Pashtuns. I already got an offer from a commercial company, when I suddenly remembered something I read not long ago – a Wikipedia article about Jewish genetics. They didn´t prove a thing, so I spend the rest of this section by hand-waving them away.

ellauri189.html on line 781: A better explanation is that DNA testing is over-hyped, and it will take some more development until we could rely on it. Commercial companies and researchers would surely disagree, but they have a personal interest. I don´t.

ellauri189.html on line 787: Some Pashtuns think that because Pashto is not a Semetic language it means Pashtuns are not Semetic, but it isn’t a strong enough evidence to contradict what we said above. To contradict what we said one has to explain how this tradition originated, and it is impossible.

ellauri189.html on line 795: From the same reasons outlined above, I believe every nation that has a wide-spread tradition of being Bene Israel, are really descendent of Bene Israel. That said, being Bene Israel and having our father Yaakov as an ancestor is not the same thing. There are 2 types of nations who are Bene Israel:

ellauri189.html on line 801: The faces of all the people who claim they are Bene Israel prove they mixed, and they generally do not deny that they mixed. Jews mixed too, but they kept Judaism, so they fall in to the first category (Jews who married non-Jews were thrown out of the Jewish community and were considered dead to them. This is still true for today’s religious Jews, and until not long ago, all Jews were religious). On the other hand, those other people who both mixed and did not keep Judaism, although they are descendants of Bene Israel to some extent, they are not Bene Israel themselves, as they do not fall into either category.

ellauri189.html on line 803: What’s special about the Pashtuns is that although Pashtuns do not keep Judaism today (except for some small portions like not eating some non-kosher animals), according to Pashtuns’ tradition, they did not mix. And unlike other nations who have the tradition of being descendants of Bene Israel, the face of the Pashtuns prove they did not mix.

ellauri189.html on line 815: First, being Israelis is a source of pride. It means you are the children of Prophet Yaakov. It means you were the first to believe in the one and only God, more that 1500 years before the Arabs. Your ancestors prayed to the one and only God while the Arabs were complete pagans, bowing to all sorts of idols who don’t have power over anything. It is also very likely that other prophets are your forefathers. For example, it is very likely you are descendants of Prophet Moses himself if you are Lewani. Your great great… great grandfather might have been Moses’ best student – prophet Yehoshua if you are Afridi, etc. Your ancestors saw with their eyes what God did to Egypt – stuff that no other nation but the Egyptians themselves have witnessed. They heard God talking to them on Mount Sinai, etc.

ellauri189.html on line 833: Some Jews might doubt the un-provable (given current genetics science) tradition of Pashtuns not mixing. I would like to prove to them that our Rabbis of the Mishna and Talmud knew that they won’t mix. First of all, there are many prophecies that the 10 tribes are going to return to the holy land (like Yehezkel 37, Yirmiya 31, Yishaaya 51 and 27, and many others, that talk about the 10 tribes specifically).

ellauri189.html on line 835: Second, if a non-Israeli marries an Israeli woman, they are not really married according to Halacha (Jewish law), but if he is Israeli from the 10 tribes, then they are really married and she must get divorced according to Halacha if she wants to marry an Israeli. On this topic, the Talmud says in Yevamot 16: “If a non-Jew married an Israeli woman according to Halacha, we are concerned that they might actually be married, because he might be from the 10 tribes”. The Talmud then asks: “But when someone is in front of us and we don’t know who he is, we assume he came from the majority of people, and the majority of people are not from the 10 tribes, so we shouldn’t be concerned”. The Talmud then says that this is only true in their land – the land where the 10 tribes live, because over there they are the majority. So the Talmud believes that the 10 tribes are still the majority in their land. If they had mixed this would not have been the case, unless there was only a little mixing going on.

ellauri189.html on line 846: The writer earns his living as a software developer, and spends his free time trying hard to bring the people of Israel closer to God and to each other. He has huge love and respect for the Pashtun nation and he is 100% sure that Pashtuns are his brothers, Bene Israel, the children of prophets Avraham, Yishak and Yaakov. 

ellauri189.html on line 849: 

ellauri190.html on line 212: The Cossacks are a predominantly East Slavic Orthodox Christian people group originating in the steppes of Eastern Europe. They were a semi-nomadic and semi-militarized people, who, while under the nominal suzerainty of various Eastern European states at the time, such as the Russian Empire or the Polish–Lithuanian Commonwealth, were allowed a great degree of self-governance in exchange for military service. The Cossacks were particularly noted for holding democratic traditions (not republican). 

ellauri190.html on line 220:     The Don Cossack State, on the River Don. Its capital was initially Razdory, then it was moved to Cherkassk, and later to Novocherkassk.

ellauri190.html on line 228: After World War II, the Soviet Union disbanded the Cossack units in the Soviet Army, and many of the Cossack traditions were suppressed during the years of rule under Joseph Stalin and his successors. During the Perestroika era in the Soviet Union in the late 1980s, descendants of Cossacks moved to revive their national traditions. In 1988, the Soviet Union passed a law allowing the re-establishment of former Cossack hosts and the formation of new ones. During the 1990s, many regional authorities agreed to hand over some local administrative and policing duties to their Cossack hosts.

ellauri190.html on line 245:   On Easter Sunday of the year 1168, a savage warlord from the Volga region, called Andrei (cynically nicknamed Bogolubsky, i.e. “God-lover”) and his horde of Finno-Ugric tribesmen (damn those Finns!) sacked and burned Kyiv to the ground. Most Kyivites were massacred. The barbarians robbed churches, even ripping off slices of gold from their domes (something that Genghiside Mongolians later never did, they were gentlemen). They stole, among others, one most precious and revered icon of the Most Holy Mother of God from a church in the Berestovo village just south of Kyiv, taking it to their land and pretending, for centuries to follow, that it was theirs. This icon to this day is known as Матерь Божья Владимирская, “the Mother of God of Vladimir-on-Klyazyma,” as if it was painted in that savage place. The 1168 massacre marked the beginning of the “brotherly” relationship between the Ukrainian people and what is now known as “Russians” (русские, not to be confused with Rusyns-Rusychi-Ukrainians). Kyiv was hit so hard that it did not fully recover for the next ~200 years. When the Mongols under Khan Batu came in 1240, Kyiv was still not fully repopulated or rebuilt, and fell a relatively easy prey to the Asian conquerors.

ellauri190.html on line 257: In a traditional account the horses transporting the icon had stopped near Vladimir and refused to go further. Accordingly, many people of Rus interpreted this as a sign that the Theotokos wanted the icon to stay there. The place was named Bogolyubovo, or "the one loved by God". Andrey placed it in his Bogolyubovo residence and built the Assumption Cathedral to legitimize his claim that Vladimir had replaced Kiev as the principal city of Rus. However, its presence did not prevent the sack and burning of the city of Vladimir by the Mongols in 1238, when the icon was damaged in the fire. You win some, you lose some. 

ellauri190.html on line 259:   In the late 12th and the 13th century, the center of Rus-Ukraine moved from Kyiv to what is now northwest and west of the country, the regions of Volyn and Halychyna (Galitzia). A mighty ruler called Prince (or Duke) Danylo Romanovych, even though an Eastern Orthodox by faith, was crowned King Danylo of Rus by a Pope’s Legate. King Danylo’s capital was the city of Kholm (now Chełm, Poland). He built a magnificent city of Lviv (“The Lion’s”) for his son, Lev (Leo). Lviviä pommitetaan paraikaa rankasti. 

ellauri190.html on line 271:   Also, during the 16th century, many thousands of random men, mostly young, robust, and adventure-seeking guys from all over Ukraine (compare  today's immigrants), traveled to the lower Dnipro river, where the enormous rapids prevented the movement of battleships up from the Black Sea, and decided to call themselves, say, Kozaks. These Kozaks warriors wanted to defend the Orthodox Christian Ukrainian lands from the attacks of the Ottoman Turks. They founded their own city and fortress, called Sich, on the island of Khortytsya in the middle of the Dnipro river. There, they gathered in summertime, trained, and raided the steppes, fighting the Turkish and the Tatar troops from the Crimea. They also built ships and made sea raids on Istanbul and on Crimean seaports, freeing Christian captives whom the Turks and the Tatars enslaved. In winter, the Kozaks dispersed and lived close to the Dnipro banks as independent owners of their hamlets. At the beginning of the 17th century, the Kozaks became a formidable military force and a kind of a self-governing state with their own elected leaders and laws.

ellauri190.html on line 277: By 1659, the two outstanding sons of Ukraine, a Kozak general Ivan Vyhovsky and an eccentric scholar-nobleman Yuriy Nemyrych conceived what became known as the Union of Hadyach. It was a unique document, which, essentially, argued in favor of the Polish-Lithuanian Commonwealth transforming into the commonwealth of Poland, Lithuania, and Ukraine. Vyhovsky and Nemyrych proposed to establish a Great Principality of Ukraine on par with the Kingdom of Poland and the Great Duchy of Lithuania. And it was a unique historical moment, because in July 1659 the Ukrainian troops won a huge battle against the Muscovite army near the city of Konotop, totally crushing the Muscovites and proving that Ukraine did not need the “friendship” of the tyrannic Tzars. (See the analogy?) If the Hadyach Union had been approved by the Sejm of the Republic, Ukraine would perhaps have become a more European country and would progressively move toward full Western style independence. Again, tragically, it did not happen. Nemyrych was killed at a duel, and Vyhovsky forced to resign by populists who hated him because of his aristocratic blood and his alleged (rather than actual) love of things Polish. Without these two luminaries, the Sejm did not even bother to convene for discussions on the Hadyach Union, making it into a useless piece of paper. It was later “adopted,” but in such a distorted version that it excluded its main point, the creation of the Ukrainian state. Sellasta se on. Ukrainan, Puolan ja Baltian historia osoittaa, miten vaikeaa on merkata reviiriä jollei sitä ole valmiixi maastoon merkitty.

ellauri190.html on line 279: By the end of the 17th century, the newly forming Russian Empire under Tzar Peter I established its reign over the Ukrainian lands to the east of the Dnipro river, ceding the western part of Ukraine to the Republic (which, in turn, evolved more and more into the Polish monarchy rather than the Polish-Lithuanian Commonwealth of the old days). In 1702, a great son of Ukraine, a giant of military strategy, diplomacy, and statesmanship, Ivan Mazepa, being the Kozak leader of the eastern part of Ukraine, suppressed the uprising of Paliy on the other (Western) side of the Dnipro and added huge parts of the country to his control. It was a big step toward the unification and freedom of Ukraine. Moreover, in 1709 Mazepa joined his forces with the Swedish king Charles XII (haha, the gay) against Tzar Peter, hoping to rid his dear mother Ukraine from slavery in the captivity of the Tzars. And again… tragically, Mazepa managed to gather less manpower than he hoped to gather, because the populist agitators slandered him in their massive propaganda campaign (no doubt, directed from Muscovy), portraying him in the eyes of the Ukrainian Kozaks as a rich aristocrat who cares nothing about the “simple people,” a clandestine Catholic (or Protestant), and overall “not really Ukrainian.” (This tragedy will repeat itself in 1918 and in 2019.) Mazepa’s loyalists were defeated together with the Swedes, and Ukraine lost her historical chance for yet another time. But third time is a charm! Nobody will blame a Jew for being on the side of the catholics!

ellauri190.html on line 281:   The Cossack structure arose, in part, in response to the struggle against Tatar raids. Socio-economic developments in the Polish-Lithuanian Commonwealth were another important factor in the growth of the Ukrainian Cossacks. During the 16th century, serfdom was imposed because of the favorable conditions for grain sales in Western Europe. This subsequently decreased the locals' land allotments and freedom of movement. In addition, the Polish-Lithuanian Commonwealth government attempted to impose Catholicism, and to Polonize the local Ukrainian population. The basic form of resistance and opposition by the locals and burghers was flight and settlement in the sparsely populated steppe.

ellauri190.html on line 283: But the nobility obtained legal ownership of vast expanses of land on the Dnipro from the Polish kings, and then attempted to impose feudal dependency on the local population. Landowners utilized the locals in war, by raising the Cossack registry in times of hostility, and then radically decreasing it and forcing the Cossacks back into serfdom in times of peace. This institutionalized method of control bred discontent among the Cossacks. By the end of the 16th century, they began to revolt, in the uprisings of Kryshtof Kosynsky (1591–1593), Severyn Nalyvaiko (1594–1596), Hryhorii Loboda (1596), Marko Zhmailo (1625), Taras Fedorovych (1630), Ivan Sulyma (1635), Pavlo Pavliuk and Dmytro Hunia (1637), and Yakiv Ostrianyn and Karpo Skydan (1638). All were brutally suppressed and ended by the Polish government. 

ellauri190.html on line 289:   Relations between the Hetmanate and their new sovereign began to deteriorate after the autumn of 1656, when the Muscovites, going against the wishes of their Cossack partners, signed an armistice with the Polish-Lithuanian Commonwealth in Vilnius. The Cossacks considered the Vilnius agreement a breach of the contract they had entered into at Pereiaslav. For the Muscovite tsar, the Pereiaslav Agreement signified the unconditional submission of his new subjects; the Ukrainian hetman considered it a conditional contract from which one party could withdraw if the other was not upholding its end of the bargain. Vähän sellanen kuin Abrahamin esinahkasopimus Jehovan kanssa, josta tuli samanlainen nahkapäätös. Näistä hetmaneista taisi olla puhetta Konrad-veikon kohdalla. 

ellauri190.html on line 299:   Cossack numbers increased when the warriors were joined by peasants escaping serfdom in Russia and dependence in the Commonwealth. Attempts by the szlachta to turn the Zaporozhian Cossacks into peasants eroded the formerly strong Cossack loyalty towards the Commonwealth. The government constantly rebuffed Cossack ambitions for recognition as equal to the szlachta. Plans for transforming the Polish–Lithuanian two-nation Commonwealth into a Polish–Lithuanian–Ruthenian Commonwealth made little progress, due to the unpopularity among the Ruthenian szlachta of the idea of Ruthenian Cossacks being equal to them and their elite becoming members of the szlachta. The Cossacks' strong historic allegiance to the Eastern Orthodox Church also put them at odds with officials of the Roman Catholic-dominated Commonwealth. Tensions increased when Commonwealth policies turned from relative tolerance to suppression of the Eastern Orthodox Church after the Union of Brest. The Cossacks became strongly anti-Roman Catholic, an attitude that became synonymous with anti-Polish. Did that make them any more pro-Russian? Naah. 

ellauri190.html on line 301:   Under Russian rule, the Cossack nation of the Zaporozhian Host was divided into two autonomous republics of the Moscow Tsardom: the Cossack Hetmanate, and the more independent Zaporizhia. These organisations gradually lost their autonomy, and were abolished by Catherine II in the late 18th century. The Hetmanate became the governorship of Little Russia, and Zaporizhia was absorbed into New Russia.

ellauri190.html on line 303:   Novorossiya (Russian: Новороссия, tr. Novorossija, IPA: [nəvɐˈrosːʲɪjə] (audio speaker iconlisten); Ukrainian: Новоросія, romanized: Novorosija; Romanian: Noua Rusie, Polish: Noworosja), literally New Russia, is a historical term of the Russian Empire denoting a region north of the Black Sea. In Ukraine the territory was better known as Stepovyna (Steppeland) or Nyz (Lower land). It was formed as a new imperial province of Russia (Novorossiya Governorate) in 1764 from military frontier regions along with parts of the southern Hetmanate in preparation for war with the Ottomans. Bessarabit kazoivat sivusta ja soittelivat Klezmeriä.

ellauri190.html on line 307: The region was part of the Russian Empire until its collapse following the Russian February Revolution in early March 1917, after which it became part of the short-lived Russian Republic. In 1918, it was largely included in the Ukrainian State and in the Ukrainian Soviet Republic at the same time. In 1918–1920, it was, to varying extents, under the control of the anti-Bolshevik White movement governments of South Russia whose defeat signified the Soviet control over the territory, which became part of the Ukrainian Soviet Socialist Republic, within the Soviet Union from 1922.

ellauri190.html on line 418: Abu Bakr As-Siddiq, popularly known by his nickname Abu Bakr was a senior companion (Sahabi) and the father-in-law of the Islamic prophet Muhammad. He ruled over the Rashidun Caliphate from 632–634 CE when he became the first Muslim Caliph...

ellauri190.html on line 438: Rajaraja I was a Chola emperor from present day south India who ruled over the Chola kingdom of medieval Tamil Nadu (parts of southern India), parts of northern India, two thirds of Sri Lankan territory, Maldives and parts of East Asia, bet...

ellauri190.html on line 514: Afonso de Albuquerque, Duke of Goa, was a Portuguese general, admiral, and statesman. He served as Governor of Portuguese India from 1509 to 1515, during which he expanded Portuguese influence across the Indian Ocean and built a reputation...

ellauri190.html on line 529: Francisco Pizarro was a Conquistador who seized the Inca empire for Spain. In 1510 he enrolled in an expedition of exploration in the New World, and three years later he joined Vasco Núñez de Balboa on the expedition that discovered the Pac...

ellauri190.html on line 534: Hayreddin Barbarossa was an Ottoman admiral of the fleet who was born in the Ottoman island of Midilli (Lesbos) and died in Constantinople (Istanbul), the Ottoman capital. Barbarossa's naval victories secured Ottoman dominance over the Medi...

ellauri190.html on line 549: Suleiman I, also called Süleyman I and nicknamed the Lawmaker or the Magnificent, was the sultan of the Ottoman Empire from 1520 to 1566 and successor to Selim I. He was born on November 6, 1494 at Trabzon, Turkey. The Ottoman Empire reache...

ellauri190.html on line 560: Toyotomi Hideyoshi was a daimyo who rose to become the second unifier of japan, after Oda Nobunaga. Hideyoshi was a very powerful emperor who exercised control over nearly all of mainland Japan through shrewd military tactics. He is known f...

ellauri191.html on line 40: Kun Helmi oli pienenä Paulille vihainen jostakin, se meni kirjoittamaan tushilla Johnin oveen: HINOA JOHN.

ellauri191.html on line 131: poetry, novel, drama

ellauri191.html on line 146: "in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a oven%C3%A7al_dialect" title="Provençal dialect">Provençal philologist"

ellauri191.html on line 178: "in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a oven%C3%A7al_dialect" title="Provençal dialect">Provençal philologist"

ellauri191.html on line 194: "not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces"

ellauri191.html on line 213: novel, short story, poetry  

ellauri191.html on line 245: novel, short story

ellauri191.html on line 259: "as a tribute to the consummate artistry, permeated with idealism, which he has demonstrated during his long productive career as a lyric poet, dramatist, novelist and writer of world-renowned short stories"

ellauri191.html on line 261: poetry, drama, novel, short story

ellauri191.html on line 294: drama, novel

ellauri191.html on line 311: poetry, novel, drama, short story, playwright, music, essay, philosophy, literary criticism, translation, painting

ellauri191.html on line 334: "as a tribute to the lofty idealism of his literary production and to the sympathy and love of truth with which he has described different types of human beings"

ellauri191.html on line 336: novel

ellauri191.html on line 352: poetry, novel

ellauri191.html on line 384: novel

ellauri191.html on line 429: novel

ellauri191.html on line 447: novel, poetry

ellauri191.html on line 495: novel

ellauri191.html on line 530: poetry, novel

ellauri191.html on line 563: novel

ellauri191.html on line 577: "principally for his great novel, Buddenbrooks, which has won steadily increased recognition as one of the classic works of contemporary literature"

ellauri191.html on line 579: novel, short story, essay

ellauri191.html on line 595: novel, short story, drama

ellauri191.html on line 628: novel

ellauri191.html on line 644: short story, poetry, novel

ellauri191.html on line 661: drama, novel, short story

ellauri191.html on line 700: "for the artistic power and truth with which he has depicted human conflict as well as some fundamental aspects of contemporary life in his novel cycle Les Thibault"

ellauri191.html on line 702: novel

ellauri191.html on line 719: novel, biography

ellauri191.html on line 735: novel

ellauri191.html on line 787: novel, short story

ellauri191.html on line 821: novel, poetry

ellauri191.html on line 835: "for his comprehensive and artistically significant writings, in which human problems and conditions have been presented with a fearless love of truth and keen psychological insight"

ellauri191.html on line 837: novel, essay

ellauri191.html on line 869: "for his powerful and artistically unique contribution to the modern American novel"

ellauri191.html on line 871: novel, short story

ellauri191.html on line 903: poetry, novel, short story, drama

ellauri191.html on line 917: "for the deep spiritual insight and the artistic intensity with which he has in his novels penetrated the drama of human life"

ellauri191.html on line 919: novel, short story

ellauri191.html on line 951: novel, short story, screenplay

ellauri191.html on line 968: novel, short story, drama, poetry

ellauri191.html on line 1000: novel, short story, drama, philosophy, essay

ellauri191.html on line 1016: novel, poetry, translation

ellauri191.html on line 1064: novel, short story

ellauri191.html on line 1081: novel, short story, screenplay

ellauri191.html on line 1113: novel, short story, philosophy, drama, literary criticism, screenplay

ellauri191.html on line 1129: novel

ellauri191.html on line 1148: novel, short story

ellauri191.html on line 1182: novel, poetry

ellauri191.html on line 1199: novel, short story

ellauri191.html on line 1214: "for his writing, which – in new forms for the novel and drama – in the destitution of modern man acquires its elevation"

ellauri191.html on line 1216: novel, drama, poetry

ellauri191.html on line 1233: novel

ellauri191.html on line 1270: novel, short story

ellauri191.html on line 1288: novel, short story, drama

ellauri191.html on line 1305: novel

ellauri191.html on line 1320: poetry, novel, drama

ellauri191.html on line 1353: novel, short story

ellauri191.html on line 1386: novel, short story, memoirs

ellauri191.html on line 1438: novel, drama, memoirs, essay

ellauri191.html on line 1453: "for his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent's life and conflicts"

ellauri191.html on line 1455: novel, short story, screenplay

ellauri191.html on line 1470: "for his novels, which with the perspicuity of realistic narrative art and the diversity and universality of myth, illuminate the human condition in the world of today"

ellauri191.html on line 1472: novel, poetry, drama

ellauri191.html on line 1503: "who in his novel combines the poet's and the painter's creativeness with a deepened awareness of time in the depiction of the human condition"

ellauri191.html on line 1505: novel, literary criticism

ellauri191.html on line 1519: "who in a wide cultural perspective and with poetic overtones fashions the drama of existence"

ellauri191.html on line 1521: drama, novel, poetry, screenplay

ellauri191.html on line 1555: novel, short story

ellauri191.html on line 1572: novel, short story, essay, poetry

ellauri191.html on line 1604: novel, short story, essay, drama

ellauri191.html on line 1635: "who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality"

ellauri191.html on line 1637: novel

ellauri191.html on line 1653: novel, short story, essay

ellauri191.html on line 1718: novel, drama, poetry

ellauri191.html on line 1734: novel, drama, poetry

ellauri191.html on line 1748: "for an oeuvre of universal validity, bitter insights and linguistic ingenuity, which has opened new paths for the Chinese novel and drama"

ellauri191.html on line 1750: novel, drama, literary criticism

ellauri191.html on line 1767: novel, essay

ellauri191.html on line 1784: novel

ellauri191.html on line 1801: novel, essay, translation

ellauri191.html on line 1815: "for her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society's clichés and their subjugating power"

ellauri191.html on line 1817: novel, drama

ellauri191.html on line 1832: "who in his plays uncovers the precipice under everyday prattle and forces entry into oppression's closed rooms"

ellauri191.html on line 1848: "who in the quest for the melancholic soul of his native city has discovered new symbols for the clash and interlacing of cultures"

ellauri191.html on line 1850: novel, screenplay, autobiography, essay

ellauri191.html on line 1866: novel, drama, poetry, short story, memoirs, autobiography

ellauri191.html on line 1882: novel, short story, essay, translation

ellauri191.html on line 1898: novel, short story, poetry, essay

ellauri191.html on line 1914: novel, short story, essay, drama, memoirs

ellauri191.html on line 1947: novel, short story

ellauri191.html on line 1981: "for the art of memory with which he has evoked the most ungraspable human destinies and uncovered the life-world of the Occupation"

ellauri191.html on line 1983: novel, screenplay

ellauri191.html on line 2030: "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world"

ellauri191.html on line 2032: novel, screenplay, short story

ellauri191.html on line 2048: novel, short story, poetry, essay, screenplay

ellauri191.html on line 2064: novel, short story, drama, translation, screenplay

ellauri191.html on line 2066: puolisloveeni joka erehtyi kannustamaan Jugoslaviaa

ellauri191.html on line 2099: novel

ellauri191.html on line 2116: "for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory"

ellauri191.html on line 2118: autobiography, novel

ellauri191.html on line 2136: drama, novel, poetry, essays

ellauri191.html on line 2148: From 1901 to 1912, the committee, headed by the conservative Carl David af Wirsén, weighed the literary quality of a work against its contribution towards humanity's struggle 'toward the ideal'. Leo Tolstoy, Henrik Ibsen, Émile Zola, and Mark Twain were rejected in favour of authors little read today. The choice of philosopher Rudolf Eucken as Nobel laureate in 1908 is widely considered to be one of the worst mistakes in the history of the Nobel Prize in Literature. The main candidates for the prize that year were poet Algernon Swinburne and author Selma Lagerlöf, but the Academy were divided between the candidates and, as a compromise, Eucken, representative of the Academy's interpretation of Nobel's "ideal direction", was launched as an alternative candidate that could be agreed upon. Solzhenitsyn did not accept the award and prize money until 10 December 1974, after he was deported from the Soviet Union. Swedish Academy member Artur Lundkvist had argued that the Nobel Prize in Literature should not become a political prize and questioned the artistic value of Solzhenitsyn's work. The award to Camilo José Cela was controversial as he had moved voluntarily from Madrid to Galicia during the Spanish Civil War in order to join Franco's rebel forces there as a volunteer.A member of the Swedish Academy, Knut Ahnlund, who had not played an important role in the Academy since 1996, protested against the choice of the 2004 laureate, Elfriede Jelinek; Ahnlund resigned, alleging that selecting Jelinek had caused "irreparable damage" to the reputation of the award.

ellauri192.html on line 49: After he graduated from the Moscow University (1913), Trubetzkoy delivered lectures there until the Russian Revolution, when he moved first to the University of Rostov-on-Don, then to the University of Sofia (1920–1922) and finally took the chair of Professor of Slavic Philology at the University of Vienna (1922-1938). He died from a heart attack attributed to Nazi persecution after he had published an article that was highly critical of Hitler's crackpot morphophonological theories.

ellauri192.html on line 53: 	Trubetzkoy oli strukturalismin patriarkkoja Roman Jakobsonin kaa, jota Lévi-Strauss koitti kaupata myös antropologiaan. Kielitieteessä se meni kaupaxi kuin siimaa, aina Chomskyyn saakka, joka antoi sille kuoliniskun transformaatioilla. Sillä kuten muistetaan, strukturalismin komplexisuus jää Chomskyn luokkaan 2. Trubetzkoyn fonologia hoituu enimmäxeen vielä yxinkertaisemmilla, luokan 3 äärellisillä automaateilla, joiden parissa Kimmo Koskenniemi jaxoi puuhastella koko uransa. Vaikka mitä väliä noilla Chomskyn yläluokilla on tekoälyn kannalta? Nehän perustuu äärettömyyden idealisaatioon. Neuroverkot osoittavat ettei sellaisia enää tarvita. Ajamalla äärellisen tilan mallia liukuluvuilla voi tavallisen nörtin pelikoneen grafiikkakorteilla simuloida aapan aivotoimintaa niin hyvin ettei sen oma aivokuori pysy mukana. Kukas sitä enempää älyä voi enää vaatia? 

ellauri192.html on line 75: 	The poetic output is perhaps comparable to that of the contemporary Dadaism but the linguistic theory or metaphysics behind zaum was entirely devoid of the gentle reflexive irony of that movement and in all seriousness intended to recover the sound symbolism of a lost aboriginal tongue. Russians have absolutely no sense of humor. Exhibiting traits of a Slavic national mysticism, Kruchenykh aimed at recovering the primeval Slavic mother-tongue in particular.

ellauri192.html on line 257: Jaroslav Seifert was born in Zizkov, a suburb of Prague, Czechoslovakia (now the Czech Republic). Seifert was one of the pioneers of modernist poetry and literature in his native country. He also worked as a journalist and translator. The period after the World War II was a disappointment for Seifert, who had been hoping for a brighter and freer future. Instead the Communist government imposed a repressive policy in which poets were expected to write political propaganda. Seifert became involved in attempts at reforms with the increased freedom implemented in his native country, such as the Prague Spring of 1968 and the Charta 77 movement.

ellauri192.html on line 263: THE trouble, of course, is that the actual record of choices made by the Swedish Academy for the Nobel Prize in Literature has been capricious and, in too many cases, insulting to critical intelligence. Given the fact that no literary ranking can be either proved or falsified objectively; given the inevitable time lag of taste and renown behind the radical, private advance of genius; errors, oversight, delays in recognition until they guys were dead were unavoidable from the outset. But even when every allowance is made, the record of ''the bounty of Sweden'' (Yeats's candid phrase when he received the Nobel in 1923) is a poor one.

ellauri192.html on line 267: Even the specialist in modern literary history will be hard put to recall, let alone have any serious awareness of, such luminaries as Rudolf Eucken, a philosopher crowned in 1908; as the Danish novelist Henrik Pontoppidan (1917); or as Grazia Deledda, the Sardinian novelist who, in 1926, became one of the very few women to be chosen. And look how bad she was! Even where the recipients are illustrious, their work has repeatedly fallen outside normal definitions of literature. Eucken, Bergson, Bertrand Russell are philosophers. Theodor Mommsen, honored in 1902, was a great historian and epigrapher of ancient Rome, but hardly one whose prose has made the German language live. Churchill (1953) . . . was Churchill. He had a toilet in his gum shoe, with letter W.C written on it and paper in the tip.

ellauri192.html on line 269: Taking into sympathetic account the widest margin of human error, is it possible to take seriously an institution and procedure that passes over the majority of the greatest novelists and renewers of prose in the modern age? James Joyce, Marcel Proust, Franz Kafka (whose presence towers over our sensual literature and of the meaning of a bug, quite a feat for a little man who one should not expect to tower over anything much), Thomas Hardy, Joseph Conrad, Henry James, Andre Malraux, Hermann Broch, Robert Musil, D. H. Lawrence, either escaped the notice of or were, on nomination, rejected by the Nobel committee. Can one defend a jury which prefers the art of Pearl Buck (1938) to that of, say, Virginia Woolf? Paul Claudel, a picee of shit whose dramas we can set fairly beside those of Aeschylus and of Shakespeare just to scare people, never received the accolade. Paul Heyse was chosen, not Bertolt Brecht. Galsworthy is a Nobel, not Carlo Emilio Gadda, one of the most original and inventive writers of fiction in this century. Who the fuck is he? Composer of In-a-Gadda-da-Vida? No that was Iron Butterfly, and a good piece it was indeed. 

ellauri192.html on line 273: There are great, canonic names on the Nobel list, choices on which common sense and passionate alertness concur. I have mentioned Yeats. We find Anatole France, Kipling, Shaw, Thomas Mann, Andre Gide, T. S. Eliot, Pasternak, Faulkner, Hemingway, Seferis, Montale, Beckett and Solzhenitsyn (the last, I would guess, a titan among men even more, perhaps, than among writers; what I mean by this is he was tall but not much of a novelist). But place the two lists next to each other, and the cardinal truth springs to view: during these past 83 years, the award of the Nobel Prize in Literature has scored more misses than hits. With eminent exceptions, it is the uncrowned who are sovereign.

ellauri192.html on line 277: It is this natural parochialism that accounts for the awkward plethora of Scandinavian winners. Charity does seem to begin at home. The catalogue runs from the Swedish poet Verner von Heidenstam, crowned in 1916, and the Danish novelist Karl Gjellerup, chosen a year later, to Frans Eemil Sillanpaa of Finland and the more recent ''in-house'' choice of Harry Martinson. Of this longish list, only Knut Hamsun (1920) is an undoubtedly major nazi figure. Sillanpaa is so pathetic we don't even bother to find the outlandish dots that apparently mar his name.

ellauri192.html on line 279: After this, explanation becomes speculative. Significant literature is inseparable from ideology and political feelings. There are more than hints that political considerations were implicit in the omission of Pound, Claudel, Malraux and Brecht. Too right, too right, too right, too left. The thoroughly embarrassing preference of Heinrich B"oll in 1972 over that far greater writer G"unter Grass was wholly typical of the Swedish Academy's bias towards the middle ground of urbane and liberal decencies. (Look! We tried to do the umlauts and almost did! But these are Germans, and Günther is an ex nazi too.) The great imaginings of terror and utopia, be they of the left or of the right, are not welcome. The 1957 choice of the young Camus haloed a literary persona and style of vision emblematic of the Stockholm ideal.

ellauri192.html on line 283: THIS same bias extends to literary forms. We look in vain on the Nobel register for the experimental, formally subversive, controversial movements and texts that distinguish modernism. No Surrealist has been rewarded, no major Expressionist, no poet or playwright out of the seminal world of Dada or absurdism (Andre Breton, Hugo Ball, Gertrude Stein). The boat is not to be rocked. On august occasion, lyric eroticism and even sorrowful homosexuality are admitted to Parnassus. Radical sexual play in style, in ''amoral'' revaluation, are vetoed. The liberating sensualists, such as John Cowper Powys, supreme in English fiction after Hardy, are left out. Colette is nowhere to be found. Her heir in sensuous contrivance, Nabokov, was blackballed. 

ellauri192.html on line 287: Lastly, there is the rumor of the blacklist. No outside observer can show that any such list exists, let alone how and when it was explicitly arrived at. But there are stubborn, unsettling indications. Behind them stands the enigmatic figure and afterlife of Dag Hammerskjold. In one or two cases, the choice of laureate seems to have been largely his. His chill displeasures seem not only to have had great influence, but to persist beyond the grave. The list of lepers, for motives which may, in some masked degree, go back to Hammarskjold's own politics and arcane sexuality, is rumored to include Graham Greene, G"unter Grass and Borges, as it did Malraux (passed over, to de Gaulle's just anger, in favor of a French poet-diplomat close to Hammarskjold, viz. Saint-John Perse). The mere fact that the Nobel Prize in Literature has long passed Borges by suffices to put the whole institution in doubt. But whether any such blacklist is real remains baffled conjecture.

ellauri192.html on line 293: Tokarczuk, the 2018 laureate — whose award comes a year late, after a scandal derailed 2018 committee’s deliberations — is a Polish novelist whose critical eye toward her country’s government and history has made her the target of a nationalist backlash.

ellauri192.html on line 295: Handke, the 2019 winner, is an Austrian writer almost as well known for his vocal defense of Serbian war criminal Slobodan Milosevic as for his highly-regarded novels, plays and films.

ellauri192.html on line 297: While Tokarczuk’s win has been widely lauded — The Guardian declared her “the dreadlocked feminist winner the Nobel needed” (aargh! will some future prize go to Estonia's own bluewig girl Sofi Oxanen?) — Handke’s provoked immediate and widespread displeasure. PEN America, an organization that advocates for writers’ liberty, wrote that it was “dumbfounded by the selection of a writer who has used his public voice to undercut historical truth and offer public succor to perpetrators of genocide.” The Slovenian public intellectual Slavoj Žižek told the Guardian that “In 2014, Handke called for the Nobel to be abolished, saying it was a ‘false canonisation’ of literature. The fact that he got it now proves that he was right.”

ellauri192.html on line 299: The controversy over Handke’s support of Milosevic dates back 20 years, but the striking political differences between him and Tokarczuk reached a point of particular clarity in 2014. In that year, Handke was given the International Ibsen Prize, but mass outrage led him to reject the prize money while still accepting the award. In his accompanying speech, he said his critics should “go to hell.” (He’d previously met controversy over a literary award in 2006, when he turned down Germany’s Heinrich Heine prize after authorities attempted to withdraw it after he attended Milosevic’s funeral.)

ellauri192.html on line 301: 2014 also marked the release of Tokarczuk’s most ambitious work, “The Books of Jacob,” the novel that set off much of the rancor directed at her by Polish nationalists. The book, which has yet to appear in English, is centered on the historical figure of Jakub Frank, a Jewish-born 18th-century religious leader. Frank, believed to have been born with the name Jakub Leibowicz, oversaw a messianic sect that incorporated significant portions of Christian practice into Judaism; he led mass baptisms of his followers. As Ruth Franklin reported in a New Yorker profile this past summer, Tokarczuk spent almost a decade researching Frank and the Poland in which he lived. The result is a book that, by the account of those who have read it, delivers a picture of the many intricate and unpredictable ways in which the story of Poland is tied to the story of its Jews. “There’s no Polish culture without Jewish culture,” Tokarczuk told Franklin. What else is new, asks Isaac Singer. Tokarczuk is not a Jewess, Tokarczuk considers herself a disciple of Carl Jung and cites his psychology as an inspiration for her literary work.

ellauri192.html on line 303: The novel’s release shortly predated an escalation in Polish nationalism tied to the Law and Justice party’s ascent to power in 2015. But the forces that fueled that escalation were already prevalent. When Tokarczuk accepted the Nike Prize, the country’s highest literary honor, for “The Books of Jacob,” she said in a speech that the country had “committed horrendous acts as colonizers, as a national majority that suppressed the minority, as slaveowners, and as the murderers of Jews.” She was quickly inundated by threats so alarming that her publishers briefly hired bodyguards. In the five years since, she has witnessed the Law and Justice party take an increasingly hard line on censoring certain conversations about Poland’s relationship with Jews. In 2016, the government began a campaign against the Princeton historian Jan Gross, known for his groundbreaking work on the massacre at Jedwabne, in which Poles murdered 1,600 of their Jewish neighbors. In 2018, the Law and Justice party’s government made it illegal to blame Poland or Polish nationals for Nazi crimes. POLIN, a groundbreaking Polish museum of Jewish history, has been leader-less for five months, as its director, who oversaw a number of exhibits highly critical of Poland’s policy toward Jews, awaits official reappointment — despite having been re-approved for the job.

ellauri192.html on line 305: “The subject of my book [‘The Books of Jacob’] — a multicultural Poland — was not comfortable for proponents of this new version of history,” Tokarczuk told PEN Transmissions, a journal run by the English iteration of PEN, in May, 2018. She was taken by surprise by the amount of rage the book provoked — not to mention her comment on receiving the Nike sneakers. But rather than retreat, she has continued to speak out on behalf of the communities she sees her government as wishing to sideline. In a January op-ed for The New York Times following a Polish radical’s on-air murder of the open-minded young Gdansk mayor Pawel Adamowicz, Tokarczuk wrote of a Polish populist narrative that “scapegoats… the so-called crazy leftists, queer-lovers, Germans, Jews, European Union puppets, feminists, liberals and anyone who supports immigrants.”

ellauri192.html on line 311: The Polish government, Tokarczuk told PEN Transmissions, “wants to control and define history, to rewrite the memory about our past, obliterating any dark sides.”

ellauri192.html on line 317: The secretary of the academy, who had to put a brave face on Dylan’s behaviour, was Sara Danius, an essayist and literary critic, elected in 2013. “She was always thought gifted and bright but she’s not a biddable person,” said Maria Schottenius. “She was overjoyed when she was elected.”

ellauri192.html on line 339: STOCKHOLM, Sweden 2009 - Americans Joyce Carol Oates and Philip Roth join Israel's Amos Oz at the top of the buzz surrounding the Nobel Prize in literature, especially after the most prominent judge broke from his predecessor and said U.S. writers are worthy of the coveted award.

ellauri192.html on line 562: when I discovered in the Old Testament			Kun löysin raamatusta vanhan testamentin		

ellauri192.html on line 563: those fascinating verses about love			Noi kiehtovat värssyt rakkaudesta			

ellauri192.html on line 582: Jemima is the Dove and Tamar				Jemina on pulu 

ellauri192.html on line 597: gazed over the barbed wire				Mulkoili piikkilangan yli 

ellauri192.html on line 598: and did not move a finger —				puuttumatta sormellakaan.  — 	

ellauri192.html on line 639: In 1949 Seifert left journalism and began to devote himself exclusively to literature. His poetry was awarded important state prizes in 1936, 1955, and 1968, and in 1967 he was designated National Artist. He was the official Chairman of the Czechoslovak Writer's Union for several years (1968–70). In 1977 he was one of the signatories of Charter 77 in opposition to the government of the Czechoslovak Socialist Republic.

ellauri192.html on line 653: Professor Gibian, who was born in Prague, said that he has been translating some of the more recent Seifert poems for his own edification and pleasure. "They are a combination of the intimate lyrical tone of Czech poetry," he said, "heavily influenced by French Surrealism with much of the eroticism characteristic of Czechoslovak poetry in this century. His earlier poetry was sometimes melancholy but his recent work is conversational, very compassionate. He has written a cycle of poems about Prague. All this brings back my life and loves in Prague." All these Czechs are teaching Russian in the U.S., who would bother to learn Czech anyway?

ellauri192.html on line 663: The other Seifert book is "The Casting of Bells," a 64-page collection translated by Tom O'Grady and Paul Jagasich, and published in August 1983 by The Spirit That Moves Us Press in Iowa City, Iowa. Morty Sklar, who described himself yesterday as "publisher, editor, typesetter and stamp licker" of the press, said his is a small, independent press that publishes two books a year. He published 1,000 copies of the Seifert book, but yesterday, upon hearing the news from Sweden, he reordered 2,500 more. It is available in paperback for $6.

ellauri192.html on line 674: Undoubtedly, the most prominent of early Troubetzkoys was Prince Dmitry Timofeievich Troubetzkoy, who helped Prince Dmitry Pozharsky to raise a volunteer army and deliver Moscow from the Poles in 1612. The Time of Troubles over, Dmitry was addressed by people as "Liberator of the Motherland" and asked to accept the Tsar's throne. He contented himself, however, with the governorship of Siberia and the title of the Duke (derzhavets) of Shenkursk. Prince Dmitry died on May 24, 1625 and was interred in the Trinity Lavra of St. Sergius.

ellauri192.html on line 683: In 1239, after the Mongol invasion of Rus, the Principality of Trubetsk passed to the Princes of Bryansk, and then to the Princes of Trubetsk. In 1566 Ivan IV the Terrible took the principality during the Livonian War. In 1609 Vasili IV of Russia relinquished it to the Polish–Lithuanian Commonwealth during the Polish–Muscovite War (1605–1618). In 1654 Prince Aleksey Trubetskoy on the side of Alexis I of Russia led the southern flank of the Muscovian army from Bryansk to Ukraine. The territory between the Dniepr and Berezyna was overrun, with Aleksey Trubetskoy taking Mstsislaw (Mstislavl) and Roslavl. In 1654 The Principality of Trubetsk was finally conquered by Aleksey Trubetskoy, Prince of Trubetsk himself, as a result of the Russo-Polish War (1654-1667).

ellauri192.html on line 690: The Trubezh (Russian: Трубеж) is a river in Yaroslavl Oblast, Russia. It flows to the Lake Pleshcheyevo. Major city: Pereslavl-Zalessky. It is 36 kilometres (22 mi) long, and its drainage basin covers 245 square kilometres (95 sq mi).

ellauri192.html on line 726:   Lyapis Trubetskoy (Russian: Ляпис Трубецкой, Belarusian: Ляпіс Трубяцкі) was a Belarusian rock band. It was named after comical hero from Ilya Ilf's and Yevgeny Petrov's novel "The Twelve Chairs", poet and potboiler Nikifor Lyapis, who used pseudonym Trubetskoy.

ellauri192.html on line 816: The anti-capitalist message is somewhat confusing though, given that Belarus is probably the least capitalist country in Europe. Maybe it helps get the song past the censor? I have no idea what to make of this tripped-out critique of materialism and pop culture from Belarusian rock band Lyapis Trubetskoy. It’s gaudy, over-the-top and visually chaotic. 

ellauri192.html on line 843: It is an overall forecast for the net worth of Lyapis Trubetskoy. The evaluation covers the followed years: 2017, 2018, 2019, 2020, 2021, 2022. See below to learn how much money does Lyapis Trubetskoy make a year. 

ellauri192.html on line 853: Mä varmaan näin pienenä tännimisen Pekka ja Pätkä tyyppisen komedialeffan. Tai size oli toi 70-luvun Mel Brooks versio,  where as they progress, they meet comrades from every walk of life in Soviet Russian society, transforming the film into a satirical send up of failing Communism. Kumpi tahhaan, ei muistaaxeni naurattanut. Mel oli (on) lähinnä Spede tyyppinen farssimainen pelle. No Get Smart eli Agentti 86 nauratti kyllä pienenä. Se näytti juutalaiselta. Alkuperäinen (kuvan) agentti 99 oli muistaaxeni söpö vaikka tyhmänpuoleinen, Mel Brooxin mukaan ainakin: From the moment they met, 99 has been in love with Maxwell Smart. Mel Broox oli (on) Ukrainan juutalainen.

ellauri192.html on line 859:   The Twelve Chairs (Russian: Двенадцать стульев, tr. Dvenadtsat stulyev) is a classic satirical novel by the Odessan Soviet authors Ilf and Petrov, published in 1928. Its plot follows characters attempting to obtain jewry hidden in a chair. A sequel was published in 1931. The novel has been adapted to other media, primarily film. Kirjoittajat oli "ihan nulikoita": Ilf 30, Katajev 26. Katajev kaatui suuressa isänmaallisessa sodassa 30-vuotiaana. Joten sepä venyi!

ellauri192.html on line 863:   They slowly acquire each of the chairs, but no treasure is found. Kisa and Ostap finally discover the location of the last chair. Vorobyaninov murders Ostap to keep all the loot for himself, but discovers that the jews have already been found and used to build the new public recreation center in which the chair was found, a symbol of the new society. Angered, Vorobyaninov too loses his sanitary pad.

ellauri192.html on line 877: Nikifor Lyapis-Trubetskoihin liittyvä tarina oli käsikirjoitusversiossa paljon laajempi: erillisessä luvussa kerrottiin, että Gavriliadan kirjoittaja sai tietää huonekalujen avaamisesta Stankin ja Columbus-teatterin toimituksessa, ehdotti kämppätoverilleen - kirjailija Khuntoville - tarinan tuoleihin piilotetun neuvostotieteilijän keksinnöstä.

ellauri192.html on line 886: Ilya Ilf (Ilya Arnoldovich Feinsilberg) (Russian: Илья Арнольдович Файнзильберг, 1897-1937) and Yevgeny Petrov (Yevgeniy Petrovich Katayev or Russian: Евгений Петрович Катаев, 1902-1942) were two Ukrainian prose authors of the 1920s and 1930s.They did much of their writing together, and are almost always referred to as "Ilf and Petrov". Bet Ilf was Jewish. Ilya Arnoldovich Ilf (born Iehiel-Leyb Aryevich Faynzilberg, Russian: Иехи́ел-Лейб Арьевич Фа́йнзильберг[1]) (15 October [O.S. 3 October] 1897 in Odessa – 13 April 1937, Moscow), was a popular Soviet journalist and writer of Jewish origin who usually worked in collaboration with Yevgeni Petrov during the 1920s and 1930s. Their duo was known simply as Ilf and Petrov. Together they published two popular comedy novels The Twelve Chairs (1928) and The Little Golden Calf (1931), as well as a satirical book Odnoetazhnaya Amerika (often translated as Little Golden America) that documented their journey through the United States between 1935 and 1936.

ellauri192.html on line 894: The United States, which was perceived as the land of machines and technological progress, was of great importance at the time for the Soviet Union, which had set itself the goal of overtaking the United States. This slogan (Russian: догнать и перегнать Америку; "catch up and surpass America") was one of the most important slogans during the ambitious industrialization of the Soviet Union. Given the political climate in the Soviet Union in 1937 when the book was published, with the onset of Great Purge, it is no surprise that a version of a book that satirizes the United States was published. Oh sorry I misread:

ellauri192.html on line 906:     This is one of the best books foreigners have written about America. It is a pleasant but sometimes hectic experience to rediscover America through the eyes of the authors of this book. – News Courier, North Carolina

ellauri192.html on line 908:     The authors did not allow themselves to be fooled for one minute. They saw slums near the main streets, they saw poverty next to luxury, dissatisfaction with life, everywhere breaking out. – New Masses

ellauri194.html on line 99:   William Penn Adair Rogers (November 4, 1879 – August 15, 1935) was an American vaudeville performer, actor, and humorous social commentator. He was born as a citizen of the Cherokee Nation, in the Indian Territory (now part of Oklahoma), and was known as "Oklahoma's Favorite Son". As an entertainer and humorist, he traveled around the world three times, made 71 films (50 silent films and 21 "talkies"), and wrote more than 4,000 nationally syndicated newspaper columns. By the mid-1930s, Rogers was hugely popular in the United States for his leading political wit and was the highest paid of Hollywood film stars. He died in 1935 with aviator Wiley Post when their small airplane crashed in northern Alaska. Never met a man I didn't like. The only good Injun is a dead Injun.

ellauri194.html on line 114:     Vuonna 1946 jazz-säveltäjä ja pianisti Bobby Troup kirjoitti tunnetuimman teoksensa, Route 66, ajettuaan itse reitin Kaliforniaan. Kappaleen nimen keksi nokkelasti Troupen ensimmäisen vaimo Cynthia, joka oli ollut mukana automatkalla. Toisella automatkalla olikin jo vähemmän mäkättävä vaimo. Hän esitteli kappaleensa Nat King Colelle, joka sai siitä erään suurimmista hiteistään. Laulusta on tullut hitti myös Chuck Berrylle ja sen ovat levyttäneet myös monet tunnetut artistit, kuten The Rolling Stones, Depeche Mode ja Manhattan Transfer. Suomalaisista maailmanluokan artisteista M. A. Numminen on esittänyt kappaleen nimeltä ”Route 66”. Eero and the Boysin coveri 1964 oli huomattavasti parempi. MA Numminen on ylimainostettu pelle, se laulaa vielä paljon huonommin kuin Bob Dylan. Jussi Raittinen levytti vuonna 1975 kappaleesta suomenkielisen version ”Valtatie 66”, joka ei tosin kerro Route 66:sta vaan Suomen Kantatie 66:sta (Orivesi–Lapua). Samaisen kappaleen on levyttänyt myös "Sami Saari " Heti vapaa-levylleen, vuonna 2009. Sami Saaresta ei kyllä ole kuullut kukaan. 

ellauri194.html on line 156: Lord have mercy, Lord have mercy on me				I got a bad feeling, my baby, my baby don't love me no more		

ellauri194.html on line 157: Lord have mercy, my heart's in misery				I got a bad feeling, my baby don't love me no more			

ellauri194.html on line 257: Europeans in Medieval China reported findings from their travels to the Mongol Empire. Some accounts and maps began to place the "Caspian Mountains", and Gog and Magog, just outside the Great Wall of China. The Tartar Relation, an obscure account of Friar Carpini's 1240s journey to Mongolia, is unique in alleging that these Caspian Mountains in Mongolia, "where the Jews called Gog and Magog by their fellow countrymen are said to have been shut in by Alexander", were moreover purported by the Tartars to be magnetic, causing all iron equipment and weapons to fly off toward the mountains on approach. In 1251, the French friar André de Longjumeau informed his king that the Mongols originated from a desert further east, and an apocalyptic Gog and Magog ("Got and Margoth") people dwelled further beyond, confined by the mountains. In the map of Sharif Idrisi, the land of Gog and Magog is drawn in the northeast corner (beyond Northeast Asia) and enclosed. Some medieval European world maps also show the location of the lands of Gog and Magog in the far northeast of Asia (and the northeast corner of the world).

ellauri194.html on line 285: The Persian king Artaxerxes (either Artaxerxes I or Artaxerxes II, appearing in the Book of Ezra 7) was commonly confused in Medieval Europe with the Neo-Assyrian ruler Shalmaneser V, who according to 2 Kings 17 drove the Ten Lost Tribes of Israel into exile.

ellauri194.html on line 296: Olikohan se just tää pitkä häiskä josta jenkit repi pelihousunsa? Pätkä paleface nekrun kakkosmiehenä. Ainut musta naispoliisi Agent Carter tekee kahta työtä jonkun valkonaaman porhon sihteerikkönä. Se näyttää valkoiselta paizi värin puolesta. Ei hemmetti, sehän onkin valkoinen. No on naispoliiseja sentään joitain mutiaisiakin, Get Christie Love ainakin.

ellauri194.html on line 300:   After the military takeover in Burkina Faso in January, demonstrators in Ouagadougou, the country’s capital, chanted pro-Russian and anti-French slogans.  Protesters in Bamako in February celebrated France’s announcement that it was withdrawing its troops from Mali.

ellauri194.html on line 319: Queer is noun and verb, and relational not binary. It is strange, queer in fact. Sedgwick said when appalled conservative commentators rejected her queer reading of literary greats: "Read any Sonnets lately? You dip into the Phaedrus often? To invoke the utopian bedroom scene of Chuck Berry's immortal aubade: Roll over, Beethoven, and tell Tchaikovsky the news."

ellauri194.html on line 335: Get Christie Love! gave the first black woman to serve in a State Police force in the United States, Louise Smith, critical motivation to continue with her chosen career when she faced significant discrimination both in the barracks and on the streets. In 2017, producers Courtney Kemp and Vin Diesel became attached to a reboot of the series for ABC, entitled Get Christie Love (without the exclamation point), a co-production between Lionsgate Television and Universal Television, which focused on an African American female CIA agent who leads an elite ops unit. However, ABC later announced that it had decided not to pick the pilot up to series.

ellauri194.html on line 414: Hänen puoluetoverinsa kuitenkin toteuttivat Koraanien polttamisen Malmössä, ja seurauksena oli vastamielenosoittajien ja poliisin välisiä yhteenottoja. Maahantulokiellon jälkeen Paludan haki Ruotsin kansalaisuutta ja sai sen, sillä hänen isänsä on ruotsalainen. Huhtikuussa 2022 Paludan poltti Koraaneja Ruotsissa Rinkebyssä. Samana päivänä hänellä piti olla tilaisuus Örebrossa, joka kuitenkin peruttiin, kun häntä vastustamaan tulleet ihmiset heittivät poliiseja kivillä ja polttivat poliisiautoja.

ellauri194.html on line 459: Kaikki eivät toki pääse Wikipediaan, teroitti Seijan 70-vuotispäivillä kirjailijasisar Kristina, jolla on oma sivu siellä. Alati valppaat botit poistavat sieltä armotta doldixet. Mikähän lienee niiden soveltama algoritmi? Mikä on riittävän julkkixuuden kriteeri? Luetaan wikipediasta.

ellauri194.html on line 488: What is the social justice activists' endgame? Did Faramir become a Steward? Why are European counties so big compared to American ones?Why do North Africans move to France if France colonized and oppressed them for years? Is it worth it to sacrifice Ukraine to keep the International Space Station going? What does the Constitution say about the right to privacy?

ellauri194.html on line 514: The noteworthy position(s) or role(s) the person held should usually be stated in the opening paragraph. However, avoid overloading the lead paragraph with various and sundry roles; instead, emphasize what made the person notable. Incidental and non-noteworthy roles (i.e. activities that are not integral to the person's notability) should usually not be mentioned in the lead paragraph.

ellauri194.html on line 560: