ellauri066.html on line 906: Tegnell told me that the death toll weighed on him. “I think this was a big frustration and feeling of failure for us,” he said. But he remained steadfast, often saying, in interviews, “Judge me in a year.”
ellauri072.html on line 170: “But that’s what he said when he was candid in interviews,” Hart said, “that he wanted to put an end to his life in the Great Dismal Swamp. He went in with his street clothes, a little satchel, no food or gear. He was rescued by a couple of guys in a boat who were going down the canal [to pick up some duck hunters].”
ellauri080.html on line 613: Dream sequences in which one of the castaways dreams they are some character related to that week's story line. All of the castaways appeared as other characters within the dream. In later interviews and memoirs, nearly all of the actors stated that the dream episodes were among their personal favorites.
ellauri082.html on line 103: More than anything the biography is a testament to something even DFW himself would have said: do not build monuments to individuals. His genius is in his work, and in his case his work was both in writing and in acting; the DFW one sees and hears in interviews is DFW as spinner of fiction, not DFW as himself. One need not pretend David Foster Wallace was a god of sincerity and morality and self-awareness; his work clearly shows he was not.
ellauri109.html on line 583: Roth asked Ross Miller to write his biography after his women friends Hermione Lee and Judith Thurman declined his invitations. He coached Miller on lines of questioning. He was particularly anxious for Miller to rebut “This whole mad fucking misogynistic bullshit!” “It wasn’t just ‘Fucked this one fucked that one fucked this one,’ ” he told Miller in one of their interviews.”
ellauri112.html on line 681: Yet to hail the film as a feminist project is to value the representation of the structural co-option of maternity over its interrogation. Tully’s treatment of social reproduction is dangerously simplistic. Cody has spoken in interviews about how her own, financially easier, experience of parenting in L.A. inspired her to explore a narrative in which economic anxieties are combined with the other hardships of parenthood, yet here class and poverty are only fleeting concerns. The transactional system of care that governs child-rearing under capitalism is done away with via Tully’s otherworldliness. Until the revelation of her non-existence, the viewer, although encouraged to believe in her, is never asked to consider her financial reality, and the fact that the service is paid for by Marlo’s wealthy brother is a narrative convenience that reinforces its fairytale quality. Similarly, Tully’s whiteness allows the racial politics of care to be completely overlooked, and the repeated idea that it’s ‘unnatural’ for hired help to bond with your newborn is taken as a given, rather than seen as an impetus for a consideration of the social conditions that require mothers to make that choice.
ellauri119.html on line 752: (It’s ironic that she called herself an objectivist. Also, watch some of her interviews. She got really triggered when someone criticized her.)
ellauri135.html on line 577: It was rumored that Richter was homosexual and that having a female companion provided a social front for his true sexual orientation, because homosexuality was widely taboo at that time and could result in legal repercussions. Richter was an intensely private person and was usually quiet and withdrawn, and refused to give interviews. He never publicly discussed his personal life until the last year of his life when filmmaker Bruno Monsaingeon convinced him to be interviewed for a documentary.
ellauri145.html on line 707: Durtal admires the documentation of Naturalism, yet wants to open it to the supernatural, to an exploration of both body and spirit: it will be a kind of “naturalisme spiritualiste” that will follow Zola’s route, but in the air.6 This tension between realism and the supernatural lies at the heart of Là-bas, a novel in which Huysmans follows Durtal’s spiritual transformation as he researches medieval and modern Satanism. Là-bas was a scandalous best-seller. It inspired a great deal of public debate, especially since it was published in the same review and at the same time as Jules Huret’s first Enquête sur l’évolution littéraire, a series of sixty-four interviews conducted with major French authors from March 3 to July 5, 1891.7 This series, which asked its interviewees whether Naturalism was dead, was a phenomenal success read by all of Paris.8 Huret caused every non-Naturalist writer to agree that Zola’s brand of Naturalism was obsolete because it neglected humanity’s soul.
ellauri163.html on line 761: Another, anthropologically informed study explores descriptions of communication with invisible, superhuman agents in high functioning young adults on the autism spectrum. Based on material from interviews, two hypotheses are formulated. First, autistic individuals may experience communication with bodiless agents (e.g., gods, angels, and spirits) as less complex than interaction with peers, since it is free of multisensory input, such as body language, facial expressions, and intonation.
ellauri196.html on line 909: Since being singled out by the Swedish Academy, Jelinek, who turns 70 on Thursday, has noticeably withdrawn from public view. In the 1980s and 1990s, she often played the role of the sharp-tongued moralist. Today, she only rarely gives interviews.
ellauri220.html on line 245: Jane FarishJane Farish is the BBC reporter who interviews Klara Sax.
ellauri236.html on line 100: Most of Mr. Bolsonaro’s supporters said in interviews that they do not trust mainstream news outlets, which Mr. Bolsonaro has attacked as dishonest, and instead rely on news from a wide variety of sources on their phones, including social-media posts and messages they receive in groups on WhatsApp and Telegram.
xxx/ellauri086.html on line 410: Despite being recognized as a novelist on an international scale, Ferrante has kept her identity secret since the 1992 publication of her first novel. Speculation as to her true identity has been rife, and several theories, based on information Ferrante has given in interviews as well as analysis drawn from the content of her novels, have been put forth.
xxx/ellauri127.html on line 131: The constant accrual of money and fame reinforced his certainty of his own genius, which he was never shy about proclaiming. “I think like a genius” are the first five words of his 1973 collection of interviews and essay, “Strong Opinions.”
xxx/ellauri138.html on line 266: Roth also gave Bailey copies of two self-published manus, "Notes to my Biographer," a 295-page rebuttal of his ex-wife Memoirs of Claire Bloom in 1996, and "Notes on a Slander-Monger", a response to the notes and interviews Miller had compiled.
xxx/ellauri148.html on line 132: In the 1967 war, it seems the Israeli felt their grip was loosening: based largely on interviews with Israeli soldiers—conducted in 1967, and heavily censored at the time—Censored Voices documents Israeli soldiers “summarily executing prisoners and evacuating Arab villages in a manner that one fighter likened to the Nazis’ treatment of European Jews.”
xxx/ellauri167.html on line 616: Robert Anton Wilson (born Robert Edward Wilson; January 18, 1932 – January 11, 2007 - why did he change Edward to Anton? Mystery!) was an American author, futurist, and self-described agnostic mystic. Recognized within Discordianism as an Episkopos, pope and saint, Wilson helped publicize Discordianism through his writings and interviews.
xxx/ellauri199.html on line 1061: Writing in The Guardian, the political journalist Gaby Hinsliff described Strange Death as "gentrified xenophobia" and "Chapter after chapter circles around the same repetitive themes: migrants raping and murdering and terrorising; paeans to Christianity; long polemics about how Europe is too ´exhausted by history´ and colonial guilt to face another battle, and is thus letting itself be rolled over by invaders fiercely confident in their own beliefs", while also pointing out that Murray offers little definition of the European culture he claims is under threat. Pankaj Mishra´s review in The New York Times described the book as "a handy digest of far-right clichés". In The Intercept, Murtaza Hussain criticized the "relentlessly paranoid tenor" of Murray´s work and said that its claims of mass crime perpetuated by immigrants were "blinkered to the point of being propaganda", while noting the book´s appeal to the far right. In Middle East Eye, Georgetown professor Ian Almond called the book "a staggeringly one-sided flow of statistics, interviews and examples, reflecting a clear decision to make the book a rhetorical claim that Europe is doomed to self-destruction".
xxx/ellauri202.html on line 200: Martin du Gard posed as a specialist in matters sexual in order to attend interviews with homosexual men at Magnus Hirschfeld’s Institute. He also toured the gay clubs, nominating as his favourites the Hollandais and the lesbian Monocle. Christopher Isherwood was at Hirschfeld’s Institute on the day that Gide was given a guided tour, Gide ‘in full costume as The Great French Novelist, complete with cape’. Retrospectively calling him a ‘Sneering culture-conceited frog!’ from the safety of the mid-1970s – and in doing so sounding like a rather uptight, Francophobic D.H. Lawrence – Isherwood failed to consider that Gide’s pose might have been a way of giving Hirschfeld’s project the serious imprimatur of a symbolic cultural visit, to which the cape and the performed ‘greatness’ were essential embellishments.
xxx/ellauri224.html on line 349: Checked out a few Saul Bellow books and discovered I have not changed as I have aged. I just don't enjoy his writing, Nobel Prize winner or not. I can still hear his squeaky Donald Duck voice in my head from many interviews he gave here in Chicago and did see him years ago in debates at The Newberry Library Book Fair.
xxx/ellauri228.html on line 593: The magazine format allowed for interviews, live music, features and even game shows. The flexible late-night format meant that guests could do just about anything to be controversial.
xxx/ellauri250.html on line 818: Larry King (born Lawrence Harvey Zeiger; November 19, 1933 - January 23, 2021) was an American television and radio host, whose awards included 2 Peabodys, an Emmy and 10 Cable ACE Awards. Over his career, he hosted over 50,000 interviews. King was born and raised in New York City to Jewish parents who immigrated to the United States from Belarus in the 1930s. Olixillä jotkut henxelit? Tämäkin heppu on mulle tuiki tuntematon, nevö hööd. Oli sillä.
xxx/ellauri255.html on line 100: Then Rob Attaboy interviews Antony Pyp Pipo:
xxx/ellauri281.html on line 726: A yet murkier side of Mr. Train’s political engagement was documented in Joel Whitney’s 2016 book, “Finks: How the C.I.A. Tricked the World’s Best Writers,” a history of connections between Paris Review founders and intelligence agencies. Drawing on a collection of Mr. Train’s papers at Seton Hall University and two interviews with him, Mr. Whitney wrote that in the 1980s Mr. Train used a “shell nonprofit to foster schemes” furthering U.S. “intelligence and propaganda missions” in Afghanistan. Mr. Train ran an organization, the Afghanistan Relief Committee, which presented itself as largely devoted to helping refugees and offering other forms of humanitarian aid, but a study by the left-leaning Institute for Policy Studies found that its budget was spent largely on “media campaigns.” Vanhuxena John Train koitti lukea hankkimiaan afgaanimattoja.
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