ellauri004.html on line 487: EX-LEPER: Ah, yeah. I could do that, sir. Yeah. Yeah, I could do that, I suppose. What I was thinking was, I was going to ask him if he could make me a bit lame in one leg during the middle of the week. You know, something beggable, but not leprosy, which is a pain in the arse, to be blunt. Excuse my French, sir, but, uh--
ellauri011.html on line 566: In his central figure, not-quite-Paulo, he has created (I imagine by mistake) a devastating portrait of a man whose stock in trade is spirituality but who is worldly to his very toenails, exquisitely attuned to his own status. He is constantly reminding himself how many books he has sold, how many languages they have been translated into, and that he is 'despite all the adverse reviews, a possible candidate for a major literary prize'. When he takes up with another woman (strictly to dispel the Zahir, of course), he chooses a successful French actress of 35, on the grounds that she was the only candidate to enjoy his status, 'because she too was famous and knew that celebrity counts'. Celebrity is an aphrodisiac. 'It was good for a woman's ego to be with a man and know that he had chosen her even though he had had the pick of many others.' And the man's ego, does that come into it? Not-quite-Paulo is too gallant to reveal his own age, but if he is indeed a refraction of the author then he is 20 years Marie's senior. It's adorable that he should regard himself so solemnly as the trophy in this pairing.
ellauri011.html on line 1332: The term public opinion was derived from the French opinion publique which was first used in 1588 by Michel de Montaigne in the second edition of his Essays (ch. XXII).
ellauri011.html on line 1334: The French term also appears in the 1761 work Julie, or the New Heloise by Jean-Jacques Rousseau.
ellauri014.html on line 1595: In 1615 he left Turin and moved to Paris, where he remained until 1623, honoured by the court and admired by French literary circles. He returned to Italy in triumph and died in Naples in 1625.[5]
ellauri014.html on line 1621: In Adone, Marino quotes and rewrites passages from Dante´s Divine Comedy, Ariosto, Tasso and the French literature of the day. The aim of these borrowings is not plagiarism but rather to introduce an erudite game with the reader who must recognise the sources and appreciate the results of the revision. Marino challenges the reader to pick up on the quotations and to enjoy the way in which the material has been reworked, as part of a conception of poetic creation in which everything in the world (including the literature of the past) can become the object of new poetry. In this way, Marino also turns Adone into a kind of poetic encyclopaedia, which collects and modernises all the previous productions of human genius.
ellauri014.html on line 1626:

Täähän himskatti (forgive my French), kuulostaa vähän mun tuotannolta! Mäkin "lainaan" muilta aika röyhkeästi, yrittämättä varsinaisesti peitellä jälkiäni. "Kiva juju" siinä on just, että voi tunnistaa klisheitä uusista asennoista.
ellauri028.html on line 332: "Mademoiselle from Armentières" is an English song that was particularly popular during World War I. It is also known by its ersatz French hook line, Hinky Dinky Parlez-vous (variant: Parlay voo).
ellauri028.html on line 334: "Mademoiselle from Armentières" has roots in a tradition of older popular songs; its immediate predecessor seems to be the song "Skiboo" (or "Snapoo"), which was also popular among British soldiers of the Great War. Earlier still, the tune of the song is thought to have been popular in the French Army in the 1830s; at this time the words told of the encounter of an inn-keeper's daughter, named Mademoiselle de Bar le Duc, with two German officers. During the Franco-Prussian War of 1870, the tune was resurrected, and again in 1914 when the British and Allied soldiers got to know it.
ellauri028.html on line 336: The Pittsburgh Post-Gazette of December 4, 1939, reported that the historical inspiration for the song had been a young Frenchwoman named Marie Lecoq (later Marie Marceau), who worked as a waitress at the Café de la Paix in Armentières at the time of the war. Despite the obscenity of many popular versions of the song, it was reportedly quite clean in its original form.
ellauri033.html on line 168: The Cult of the Self: Sous l´oeil des barbares, Un homme libre, and Le jardin de Bérénice (in French) via Project Gutenberg
ellauri042.html on line 596: The French novelist Alphonse Daudet kept a journal of the pain he experienced from this condition which was posthumously published as La Doulou (1930) and translated into English as In the Land of Pain (2002) by Julian Barnes.
ellauri042.html on line 885: Devotions upon Emergent Occasions, or in full Devotions Upon Emergent Occasions, and severall steps in my Sicknes, is a prose work by the English metaphysical poet and cleric in the Church of England John Donne (22 January 1572 - 31 March 1631) , published in 1624. It covers death, rebirth and the Elizabethan concept of sickness as a French visit from God, reflecting internal sinfulness. The Devotions were written in December 1623 as Donne recovered from a serious but unknown illness – believed to be relapsing fever or typhus. Having come close to death, he described the illness he had suffered from and his thoughts throughout his recovery with "near super-human speed and concentration". Registered by 9 January, and published soon after, the Devotions is one of only seven works attributed to Donne which were printed during his lifetime.
ellauri048.html on line 1106: Arthur Henry Hallam (1 February 1811 – 15 September 1833) was an English poet, best known as the subject of a major work, In Memoriam, by his close friend and fellow poet Alfred Tennyson. Hallam has been described as the jeune homme fatal (French for "doomed young man") of his generation.
ellauri053.html on line 116: Henri Bergson, in full Henri-Louis Bergson, (born Oct. 18, 1859, Paris, France—died Jan. 4, 1941, Paris), French philosopher, the first to elaborate what came to be called a process philosophy, which rejected static values in favour of values of motion, change, and evolution. Voila: Henri Bergson's bold and sweeping conception of a panpsychic world charged with élan vital.
ellauri053.html on line 1191: Eliot needed to put a considerable distance between himself and Yeats, each of whom could be regarded as a Symbolist, however differently they responded to French Symbolism as Arthur Symons expounded it in The Symbolist Movement in Literature. It is my understanding that Symons led Yeats through the early chapters, with Mallarmé as the main figure, and that Eliot made his own way quickly through the several chapters until he reached Laforgue, the poet he found most useful in his attempt to discover his own voice. Still, Eliot’s animosity is hard to explain.
ellauri054.html on line 271: Upon the straits; on the French coast the light salmissa; Ranskan rannikolla valo
ellauri054.html on line 327: And blandishments in French and the perfumes.
ellauri055.html on line 213: Saint Fiacre's relics were preserved in his original shrine in the local church of the site of his hermitage, garden, oratory, and hospice, in present Saint-Fiacre, Seine-et-Marne, France, but later transferred in 1568 to their present shrine in Meaux Cathedral in Meaux, which is near Saint-Fiacre and in the same French department, because of fear that fanatical Calvinists endangered them. Saint Fiacre had a reputation for healing haemorrhoids, which were denominated "Saint Fiacre's figs" in the Middle Ages. Cardinal Richelieu venerated his relics hoping to be relieved of the infirmity.
ellauri064.html on line 77: Walter Benjamin was a radically innovative cultural theorist and a German Jewish Marxist, securing refuge in France in 1933. Following the 1940 Nazi invasion he fled France, bound for the USA. However, on the mountainous approach to the French–Spanish border he realised dictator Franco had suddenly blocked transit. Benjamin was in ill health and struggling to carry a briefcase with a heavy manuscript, which he declared more precious than his life. Sadly, he completed suicide: there was family history on his father's side.
ellauri064.html on line 89: This precious manuscript was lost together with Benjamin's life. Shortly thereafter, Franco reopened the border and collaborationist Vichy French authorities rescinded deportation orders to Germany. I shared this tragic story of almost preventable loss of luggage with suicidal patients; and it has made a difference.
ellauri066.html on line 556: 2.2.4 French and Indian Wars, 1754–1763
ellauri066.html on line 569: 3.1 French colonization of Africa
ellauri067.html on line 547:

This is a profoundly dumb and misguided roaming-junior-male-ape-gang roadmovie type of thought. Damn wagnerian homoerotic Quest for a Holy Grail. Murder mysteries. Spoilers. "Nyaah we already got the Grail!" taunt the French knights Arthur & co. in Monty Python´s Holy Grail:
ellauri069.html on line 176: SKF: Smith Kline & French oli am. lääkefirma joka sai patentin 1932 keximälleen metamfetamiinille. Siis piriä, jota Nipsukin lie napsinut dosettikaupalla. Sitäkö iso-Pauli sai sodassa vai efedriiniä? Joo sitä se oli, pervitiiniä. Mun syntymävuonna 1952 SKF osti oikat klorpromatsiiniin, ekaan tehoavaan psykoosilääkkeeseen. Kauppanimellä Thorazine® PS:n Samuli Edelman säilyttää sitä ilvespurkissa (p.753, ei kai olla vielä niin pitkällä). Tämä lääke tyhjensi pöpilät yhtä tehokkaasti kuin penisilliini keuhkoparantolat. Olen kai jo sanonut että inhoon huumeita ja vihaan muitakin lääkkeitä, voiteita ja truuttoja.
ellauri073.html on line 202: Cain gets introduced by some kind of very high-ranking Highway Patrol officer whose big hanging gut and face the color of rare steak seemed right out of southern-law-enforcement central casting and who spoke approvingly and at some length about Senator McCain’s military background and his 100 percent conservative voting record on crime, punishment, firearms, and the war on drugs. Wendy—who has electric-blue contact lenses and rigid blond hair and immaculate makeup and accessories and French nails and can perhaps best be described as a very Republican-looking young lady indeed—is back here at the beige table eating a large styrofoam cup of soup and using her cell phone to try to find someplace in downtown Charleston where Mrs. McCain can get her nails done.
ellauri077.html on line 220: The French attributed the book’s great success to the French love of the “écrivain maudit” archetype, Wallace’s acerbic critique of America, and the myth that has grown up around the author: “A writer who seems to have been sacrificing his life on the altar of literature is seen as a hero.”
ellauri077.html on line 372: 20-vuotiaana Muna tiesi 11 kieltä (kuollessaan 14)—Castilian, Basque, Greek, Sanskrit, Latin, Hebrew, Arabic, German, French, Italian and English.
ellauri077.html on line 798: The jargon peculiar to Marxist writing (hyena, hangman, cannibal, petty bourgeois, these gentry, lackey, flunkey, mad dog, White Guard , etc.) consists largely of words translated from Russian, German, or French; but the normal way of coining a new word is to use Latin or Greek root with the appropriate affix and, where necessary, the size formation. It is often easier to make up words of this kind (deregionalize, impermissible, extramarital, non-fragmentary and so forth) than to think up the English words that will cover one´s meaning. The result, in general, is an increase in slovenliness and vagueness.
ellauri079.html on line 144: Amherst was Commander-in-Chief of the forces of North America during the French and Indian War who, according to popular legend, singlehandedly won Canada for the British and banished France from North America.
ellauri083.html on line 217: Madame Thérèse Defarge is a fictional character in the 1859 novel A Tale of Two Cities by Charles Dickens. She is a ringleader of the tricoteuses, a tireless worker for the French Revolution, and the wife of Ernest Defarge.
ellauri083.html on line 228: Defarge's desire for revenge ultimately stems from the rape of her sister at the hands of the aristocratic Evrémonde brothers, and Teresa Mangum therefore suggests that "the logic driving her story is that the secret crime of sexual violence against women fuels the French Revolution".
ellauri088.html on line 612: Jerome volunteered eagerly to serve his country at the outbreak of the great war, but, being 55 years old, was rejected by the British Army. Eager to serve in some capacity, he volunteered as an ambulance driver for the French Army.
ellauri096.html on line 589: Les Chants de Maldoror (The Songs of Maldoror) is a French poetic novel, or a long prose poem. It was written and published between 1868 and 1869 by the Comte de Lautréamont, the nom de plume of the Uruguayan-born French writer Isidore Lucien Ducasse. The work concerns the misanthropic, misotheistic character of Maldoror, a figure of evil who has renounced conventional morality.
ellauri096.html on line 699: Frantz Omar Fanon (/ˈfænən/,[1] US: /fæˈnɒ̃/; French: [fʁɑ̃ts fanɔ̃]; 20 July 1925 – 6 December 1961), also known as Ibrahim Frantz Fanon, was a French West Indian psychiatrist and political philosopher from the French colony of Martinique (today a French department). His works have become influential in the fields of post-colonial studies, critical theory and Marxism. As well as being an intellectual, Fanon was a political radical, Pan-Africanist, and Marxist humanist concerned with the psychopathology of colonization and the human, social, and cultural consequences of decolonization.
ellauri099.html on line 71: Dulness and dirt are the chief features of Lippincott’s this month: The element that is unclean, though undeniably amusing, is furnished by Mr. Oscar Wilde’s story of The Picture of Dorian Gray. It is a tale spawned from the leprous literature of the French decadents—a poisonous book, the atmosphere of which is heavy with the mephitic odours of moral and spiritual putrefaction—a gloating study of the mental and physical corruption of a fresh, fair and golden youth, which might be fascinating but for its effeminate frivolity, its studied insincerity, its theatrical cynicism, its tawdry mysticism, its flippant philosophizings. . . . Mr. Wilde says the book has “a moral.” The “moral,” so far as we can collect it, is that man’s chief end is to develop his nature to the fullest by “always searching for new sensations,” that when the soul gets sick the way to cure it is to deny the senses nothing.
ellauri100.html on line 1294: Algirdas Julien Greimas (French: [alɡiʁdas ʒyljɛ̃ gʁɛmas]; born Algirdas Julius Greimas; 9 March 1917 – 27 February 1992), oli liettualainen kirjallisuustiedemies joka kirjoitti liettualaisittain ranskaxi. Se tunnetaan mm. Greimaxen aukileesta (Greimas Square, le carré sémiotique, ks. alempaa). Se on ex-kaverinsa Roland Barthesin ohella kuuluisin ranskalainen semiootikko, vaikka onkin Liettuasta. Sillä oli strukturaalikielitiedemiehen paperit, kuten mullakin. Sen parhaita äkkäyxiä ovat ton nelkkarin lisäxi plastiikkisemiotiikka, isotoopit, narrausohjelma (kai Fred Karlssonin pupppugeneraattoria muistuttava, vaik tää on vaan arvaus), ja luonnonmaailman semiotiikka (whatever that may be). Se tutkin eka Liettuan mytologiaa ja indoeurooppalaista uskontoa, ja ennen kaikkea se oli vaikutusvaltainen semioottinen kirjallisuuskriitikko, kuten mä.
ellauri100.html on line 1338: Roland Gérard Barthes (/bɑːrt/; French: [ʁɔlɑ̃ baʁt]; 12 November 1915 – 26 March 1980) oli Algirdasta 2v vanhempi ranskalainen kirjallisuusteoreetikko, esseisti, filosofi, kriitikko ja mikä pahinta, semiootikko. Semiotiikka on tollasta oppimattomien taidepellejen semantiikkaa, jossa ei enimmäxeen ole päätä sen enempää kuin häntää. Oireellista on, että Kouvolan ruozin kääntämisen määräaikainen proffa Pirjo Kukkonen on semiootikko. Ja se höhelö Eero Tarasti joka kulki Norssin pihalla kädet ristissä selän takana vielä hömelömmän oloisen baskeripäisen Hannu Riikosen parina. Ei siltä, mukavia miehiä ne oli molemmat, vaikk´eivät kummempia ruudinkexijöitä. Milloinkahan nekin saa postimerkit mieheen?
ellauri100.html on line 1363: Jean-Paul Sartre is sitting at a French cafe, revising his draft of Being and Nothingness. He says to the waitress, “I’d like a cup of coffee, please, with no cream.” The waitress replies, “I’m sorry, Monsieur, but we’re out of cream. How about with no milk?”
ellauri101.html on line 50: In 1924, Campbell traveled to Europe with his family. On the ship during his return trip he encountered the messiah elect of the Theosophical Society, Jiddu Krishnamurti; they discussed Indian philosophy, sparking in Campbell an interest in Hindu and Indian thought. In 1927, he received a fellowship from Columbia University to study in Europe. Campbell studied Old French, Provençal, and Sanskrit at the University of Paris and the University of Munich. He learned to read and speak French and German.
ellauri106.html on line 84: In October 2012, Roth announced to the French culture magazine Les Inrocks that Nemesis was his last book. At the age of 74 he began to reread his favorite authors such as Dostoyevsky, Turgenew, Conrad and Hemingway as well as his own works. He came to the conclusion that he had made the best of his possibilities and did not want to continue working as an author, read or talk about new literature.
ellauri109.html on line 767: celadon (n.) "pale grayish-green color," 1768, from French Céladon , name of a character in the once-popular romance of "l'Astrée" by Honoré d'Urfé (1610); an insipidly sentimental lover who wore bright green clothes, he is named in turn after Celadon (Greek Keladon) , a character in Ovid's "Metamorphoses," whose name is said to mean "sounding with din or clamor."
ellauri110.html on line 1121: Uncle was Prince K, a doddering and decrepit old fop who has come into money and who is paying a visit to the provinces. Maria Alexandrovna decides to try to marry off her beautiful young daughter Zenaida to him, but the whole town has had a snootful of her and tries to buck her plans at every turn. Still, she manages to come out in the end after a series of reverses. Not for nothing does Dosto compare her (too)xo to Napoleon Bonaparte. Dosto bore a grudge to the French and English because they had laughed at his accent. Napoleon and Shakespeare, damn the lot.
ellauri112.html on line 205: Terveisiä Unionpediasta! Tämä on valtava online psyykkistä kartta, joka toimii pohjana konseptin kaavioita. Se on vapaasti käyttää ja jokainen artikkeli tai asiakirja voidaan ladata. Se on työkalu, resurssi tai viite tutkimus, tutkimus, koulutus, oppiminen ja opetus, joka voidaan käyttää myös opettajat, kasvattajat, oppilaiden tai opiskelijoiden; yliopistomaailman: koulu, toisen asteen, lukion, keski, korkeakoulu, tekninen aste, korkeakoulu, yliopisto, perustutkintoa, maisterin tai tohtorin tutkinnot; paperit, raportit, projektit, ideoita, asiakirjat, selvitykset, yhteenvedot tai tutkielma. Tässä on määritelmä, selitys, kuvaus, tai merkitys jokaisen merkittävän johon tarvitset tietoa, ja luettelon niihin liittyvät käsitteet sanasto. Saatavissa suomalainen, Englanti, Espanjan, Portugalin kieli, Japanilainen, Kiinalainen, French, Saksan kieli, Italian, Kiillottaa, Hollanti, Venäjän kieli, Arabia, Hindi, Ruotsalainen, Ukrainan, Unkarin kieli, Katalaani, Czech, Heprealainen, tanskalainen, indonesialainen, norja, romania, turkki, vietnam, korealainen, thain, kreikan, bulgarian, kroatian, slovakin, liettualainen, filipino, latvian, eestin ja slovenian. Lisää kieliä pian.
ellauri112.html on line 648: Ja iso nippu muitakin forever young klisheitä. Oma vika, kaupallinen jenkkiviihde tekee naisista tollasia barbeja. Tää filmi on täysin rinnoin (excuse my French) mukana juonessa.
ellauri115.html on line 298: Of course, we as Jews don't need some long-dead Frenchman to teach us to question. We've been questioning and arguing with the dogma (and with each other) through the Middle Ages, through the Renaissance, and beyond, carrying forward critical thinking through the centuries to today.
ellauri115.html on line 389: In the year 1766 Rousseau had just cause to fear for his life. For more than three years he had been a refugee, forced to move on several times. His radical tract, The Social Contract, with its famous opening salvo, "Man is born free, but everywhere he is in chains", had been violently condemned. Even more threatening to the French Catholic church was Émile, in which Rousseau advocated denying the clergy a role in the education of the young. An arrest warrant was issued in Paris and his books were publicly burned. "A cry of unparalleled fury" went up across Europe. "I was an infidel, an atheist, a lunatic, a madman, a wild beast, a wolf ..."
ellauri115.html on line 398: Hume's friends travelling in France had already told him about his incomparable standing in Parisian society. And the two years he spent in Paris were to be the happiest of his life. He was rapturously embraced there, loaded, in his words, "with civilities". Hume stressed the near-universal judgment on his personality and morals. "What gave me chief pleasure was to find that most of the elogiums bestowed on me, turned on my personal character; my naivety & simplicity of manners, the candour and mildness of my disposition &tc." Indeed, his French admirers gave him the sobriquet Le Bon David, the good David.
ellauri115.html on line 410: He was still insistent on his love for Rousseau - at least when writing to his French friends. He told one, "I have never known a man more amiable and more virtuous than he appears to me; he is mild, gentle, modest, affectionate, disinterested; and above all, endowed with a sensibility of heart in a supreme degree ... for my part, I think I could pass all my life in his company without any danger of our quarrelling ..." Indeed, a source of their concord, Hume thought, was that neither one of them was disputatious. When he repeated the sentiments to D'Holbach, the baron was glad that Hume had "not occasion to repent of the kindness you have shown ... I wish some friends, whom I value very much, had not more reasons to complain of his unfair proceedings, printed imputations, ungratefulness &c."
ellauri115.html on line 414: Hume's eyes were on France, in particular, and his reputation as the good David. His first denunciations of Rousseau were made to his friends in Paris; his Concise and Genuine Account of the Dispute between Mr. Hume and Mr. Rousseau would be published there in French, edited by Rousseau's enemies. He studiously avoided communicating with Mme de Boufflers, knowing she would, as she did, urge "generous pity". Hume's descriptions of Rousseau as ferocious, villainous and treacherous ensured joyful coverage in newspapers and discussions in fashionable drawing rooms, clubs and coffee houses. The actor-manager David Garrick wrote to a friend on July 18 that Rousseau had called Hume "noir, black, and a coquin, knave".
ellauri115.html on line 940: The name Socinian started to be used in Holland and England from the 1610s onward, as the Latin publications were circulated among early Arminians, Remonstrants, Dissenters, and early English Unitarians. In the late 1660s, Fausto Sozzini's grandson Andreas Wiszowaty and great-grandson Benedykt Wiszowaty published the nine-volume Biblioteca Fratrum Polonorum quos Unitarios vocant (1668) in Amsterdam, along with the works of F. Sozzini, the Austrian Johann Ludwig von Wolzogen, and the Poles Johannes Crellius, Jonasz Szlichtyng, and Samuel Przypkowski. These books circulated among English and French thinkers, including Isaac Newton, John Locke, Voltaire, and Pierre Bayle.
ellauri115.html on line 1124: Hare was born in 1934 in Calgary, Alberta, Canada. Hare's father was a roofing contractor and his mother was of French Canadian descent. He grew up in a working-class neighborhood of Calgary. This explains a lot.
ellauri118.html on line 418: 2Focalisation is a term coined by the French narrative theorist Gérard Genette. It refers to the perspective through which a narrative is presented. Genette focuses on the interplay between three forms of focalization and the distinction between heterodiegetic and homodiegetic narrators. Homodiegetic narrators exist in the same (hence the word 'homo') storyworld as the characters exist in, whereas heterodiegetic narrators are not a part of that storyworld. The term 'focalization' refers to how information is restricted in storytelling. Genette distinguishes between internal focalization, external focalization, and zero focalization. Internal focalization means that the narrative focuses on thoughts and emotions while external focalization focuses solely on characters' actions, behavior, the setting etc. Zero focalization is seen when the narrator is omniscient in the sense that it is not restricted. Focalization in literature is similar to point-of-view (POV) in film-making and point of view in literature, but professionals in the field often see these two traditions as being distinctly different. Genette's work was intended to refine the notions of point of view and narrative perspective. It separates the question of “Who sees?” in a narrative from “who speaks?”
ellauri119.html on line 460: Now a fast forward to French fries and scepticism. Alongside the passion for merging that marked Romantic love, a more sceptical French tradition can be traced from Stendhal onwards. Stendhal's theory of crystallization implied an imaginative readiness for love, which only needed a single trigger for the object to be imbued with every fantasised perfection. Proust went further, singling out absence, inaccessibility or jealousy as the necessary precipitants of love. Lacan would almost parody the tradition with his saying that "love is giving something you haven't got to someone who doesn't exist". A post-Lacanian like Luce Irigaray would then struggle to find room for love in a world that will "reduce the other to the same...emphasizing eroticism to the detriment of love, under the cover of sexual liberation".
ellauri119.html on line 462: Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist who examined the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum non matris sed aliae mulieris (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Presently, she is active in the Women's Movements in both France and Italy. Eroticism (from the Greek ἔρως, eros—"desire") is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.
ellauri119.html on line 464: As the fat and ugly French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides. Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often[how often?] confused eroticism with pornography, with the anti-pornography activist Andrea Dworkin saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as Lynn Hunt writes, "demonstrate the difficulty of drawing… a clear generic demarcation between the erotic and the pornographic": indeed arguably "the history of the separation of pornography from eroticism… remains to be written". In the eighteenth century, eroticism was the result of the intrusion into the public sphere of something that was at base private.
ellauri131.html on line 368: In the Teenage Hole IV, Huge Pole in a Teenage Hole w/out "French Letters", the Teenage Hole Personal Organizer, Get Teenage Hole on Love & Friendship, Get Teenage Hole on Tough Stuff, the Teenage Hole: The Real Deal Challenges, Jack Canafield, the Teenage Hole: The Real Deal Friends, the Teenage Hole: The Real Deal School, Teenage Hole: Think Positive, Thanks Mom, Thanks to My Mom. Think Positive. Think Possible. Think Positive about Kids. Think Possible about Kids. Time to Jive. Teenage Hole Touched By a Business Angel, Tough Times Tough People, Traveling salesmen, A Tribute to Home Moms, True Love on The Doormat, Unlocking the Secrets to Living In Your Dreams, Snake Oil for the Unsinkable Soul, for the Veterans, for the Volunteers Foul, Volunteering and Giving Paw, that's what I Learned From The Dog, for the Writer's Block, for the Woman's Hole, to Inspire a Woman's Hole #1, New York Times Bestseller, A Second Round at the Woman's Hole, Woman into Woman, the Woman Golfer's Hole, the Hole at Work, Working at The Woman's Hole, Wife Lessons For MILF Women, Culo de Pollo para el Alma de los Padres, – in Spanish.
ellauri131.html on line 954: Only three people have objected to the intimate nature of his moral instruction -- two Germans and a Frenchman.
ellauri132.html on line 448: Google came under fire when the official Google AdSense Blog showcased the French video website Imineo.com. This website violated Google's AdSense Program Policies by displaying AdSense alongside sexually explicit material. Typically, websites displaying AdSense have been banned from showing such content. We are not evil. LOL.
ellauri135.html on line 224: In 1853 Berg translated a number of plays with 28 languages, ranging from Sanskrit, Arabic, Persian and Basque to French and Slavic dialects. These translations came out in 1854, under the title: "Songs of different peoples".
ellauri135.html on line 229: After the surrender of Sebastopol and the transition of the chief of staff of the Crimean army in Odessa, Berg left the service, and until 1868 was not employed at all, leading the life of a tourist. The war of 1859 between Italy and Austria drew Berg in Lombardy, where he was at different headquarters of the French, Italian and at the end of Garibaldi, the detachment of Alpine rifles, wrote a number of correspondences in the "Russian Gazette" in 1859 the Movement in 1860, in the Lebanese mountains between Druze and Maronites drew Berg to the East. He lived in Beirut, Damascus, visited Jerusalem, said, Alexandria. Cairo, pyramids and Keepaway left an inscription, then the first in the Russian language. The fruit of these wanderings there were a few articles in Moscow and St. Petersburg editions and book "Guide to Jerusalem and its surroundings" (1863). During this trip, Berg studied the Bedouin life, which wandered in the wilderness. In 1861 he returned to Russia and has translated a significant part of "pan Tadeusz" (printed in "Domestic. Notes" 1862). Then again, Berg went to the East, lived again in Beirut, Damascus and Jerusalem, and printed about this trip in several articles in "Fatherlands. Notes", "Russian Gazette", "Our time" and SPb. Statements".
ellauri140.html on line 191: surname attested from late 13c. (earlier le Despenser, mid-12c.), literally "one who dispenses or has charge of provisions in a household," short for Anglo-French espencer, Old French despencier "dispenser" (of provisions), "a butler or steward" (see dispense). Also a type of repeating rifle used in the American Civil War, 1863, named for U.S. gunsmith Christopher Spencer, who, with Luke Wheelock, manufactured them in Boston, Mass. Japanissa 2011 zunami kaatoi limpsa ja eväspatukka dispensereitä joiden alle jäänyt mies Rei Shimurassa selvisi juomalla limpsaa ja syömällä Snickersejä. Sylikoira haistoi sen sneakersit kasan alta. Sellasta on nyt Japanissa. Tavallisin oloasu on fleese pehmyrit.
ellauri141.html on line 503: At the same time, the classical tongues and dead languages were dead to him. He perused only English and French. Latin did not come at all kindly to him; Greek was a closed book….
ellauri141.html on line 755: Alexis Leger (pronounced [ləʒe]; 31 May 1887 – 20 September 1975), better known by his pseudonym Saint-John Perse (French: [pɛʁs]; also Saint-Leger Leger),[1] was a French poet-diplomat, awarded the Nobel Prize in Literature in 1960 "for the soaring flight and evocative imagery of his poetry." He was a major French diplomat from 1914 to 1940, after which he lived primarily in the United States until 1967.
ellauri141.html on line 800: Dag Hammarskjöld was committed to the arts. Though temperamentally a loner, and introvert, and a bachelor throughout his life (oliko se homo? Det finns inga bevis för att Dag Hammarskjöld var homosexuell. Misstankar verkar dock ha funnits: Eftersom han levde ensam började rykten spridas om att han skulle vara homosexuell och hans motståndare använde detta för att smutskasta honom), he would invite intellectuals and artists, the best of New York’s bohemia, to his Upper East Side apartment where he kept a pet, an African monkey called Greenback. People he invited to his generous dinners included the poet Carl Sandburg, the novelist John Steinbeck, the poet WH Auden, the diplomat George Kennan. Auden was the translator of Hammarskjöld’s posthumously published book of observations, ideas and poems called Waymarks. Hammarskjöld used his influence to get the poet Ezra Pound out of mental hospital. Back in Sweden, he inherited his father’s chair at the Swedish academy when the man died in 1953. The Swedish academy is the body that awards the Nobel Prize in literature. Hammarskjöld was instrumental in getting the rather obscure but doubtless brilliant French poet Saint John Perse his Nobel prize in 1960. He would sketch out the arguments for Perse’s candidacy during translation breaks at UN Security Council meetings.
ellauri142.html on line 330: Thomas à Kempis (c. 1380 – 25 July 1471; German: Thomas von Kempen; Dutch: Thomas van Kempen) was a German-Dutch canon regular of the late medieval period and the author of The Imitation of Christ, one of the most popular and best known Christian devotional books. His name means "Thomas of Kempen", Kempen being his home town. While the form Thomas à Kempis (with a faux-French accent on the à) is often found, it is actually incorrect. The correct Latin should be Thomas a Kempis (…from Kempen), as borne out by surviving contemporary mentions of his name.
ellauri144.html on line 650: Raffalovich was a 19th century Hebrew Catholic or Catholic Jew. His name was Marc-Andre Raffalovich and was a famous French poet and writer associated with John Gray and Oscar Wilde. He came from a wealthy Russian Jewish family from Odessa who moved to France a year before his birth. He became a Catholic in 1896 through the reading of Catholic mystical literature especially homahtava St John of the Cross. Ei ois kannattanut. For
ellauri145.html on line 436: Charles Cros Émile-Hortensius-Charles Cros (October 1, 1842 – August 9, 1888) was a French poet and inventor. He was born in Fabrezan, Aude, France, 35 km to the East of Carcassonne. Cros was a well-regarded poet and humorous writer. He developed various improved methods of photography including an early color photo process. He also invented improvements in telegraph technology. In the early 1870s Cros had published with Mallarmé, Villiers and Verlaine in the short-lived weekly Renaissance littéraire et artistique, edited by Emile Blémont. His poem The Kippered Herring inspired Ernest Coquelin to create what he called monologues, short theatrical pieces whose format was copied by numerous imitators. The piece, translated as The Salt Herring, was translated and illustrated by Edward Gorey. He spent years petitioning the French government to build a giant mirror that could be used to communicate with the Martians and Venusians by burning giant lines on the deserts of those planets. He was never convinced that the Martians were not a proven fact, nor that the mirror he wanted was technically impossible to build. Tästä hepusta tulee mieleen Spede Pasanen ja sen hiihtolinko.
ellauri145.html on line 707: Durtal admires the documentation of Naturalism, yet wants to open it to the supernatural, to an exploration of both body and spirit: it will be a kind of “naturalisme spiritualiste” that will follow Zola’s route, but in the air.6 This tension between realism and the supernatural lies at the heart of Là-bas, a novel in which Huysmans follows Durtal’s spiritual transformation as he researches medieval and modern Satanism. Là-bas was a scandalous best-seller. It inspired a great deal of public debate, especially since it was published in the same review and at the same time as Jules Huret’s first Enquête sur l’évolution littéraire, a series of sixty-four interviews conducted with major French authors from March 3 to July 5, 1891.7 This series, which asked its interviewees whether Naturalism was dead, was a phenomenal success read by all of Paris.8 Huret caused every non-Naturalist writer to agree that Zola’s brand of Naturalism was obsolete because it neglected humanity’s soul.
ellauri145.html on line 723: Édouard-Joachim Corbière (18 July 1845 – 1 March 1875) was a French poet born in Coat-Congar, Ploujean (now part of Morlaix) in Brittany, where he lived most of his life before dying of tuberculosis at the age of 29. Helmin ikäisenä. Profiilikuvassa sillä on aivan jättimäinen baskeri, lökäpöxyt ja kumiteräsaappaat.
ellauri145.html on line 1057: The impact of Arthur Rimbaud´ s poetry has been immense. His influence on the Surrealist movement has been widely acknowledged, and a host of poets, from André Breton to André Freynaud, have recognized their indebtedness to Rimbaud´ s vision and technique. He was the enfant terrible of French poetry in the second half of the 19th century and a major figure in symbolism.
ellauri145.html on line 1155: Jean-Pierre Brisset Jean-Pierre Brisset (October 30 1837 – September 2 1919) was a French outsider writer.
ellauri145.html on line 1162: In 1871, he published La natation ou l’art de nager appris seul en moins d’une heure (Learning the art of swimming alone in less than an hour), then resigned from the Army and moved to Marseilles. Here he filed a patent for the "airlift swimming trunks and belt with a double compensatory reservoir". This commercial endeavor was a complete failure. He returned to Magdeburg, where he earned his living as a language teacher, developing a method for learning French, which he self-published in 1874.
ellauri145.html on line 1164: Brisset became stationmaster at the railway station of Angers, and later of L´Aigle. After publishing another book on the French language, he undertook his major philosophical work, in which contended that humans were descended from frogs. Brisset supported his contention by comparing the French and frog languages (such as "logement" = dwelling, comes from "l'eau" = water). He was serious about his "morosophy", and authored a number of books and pamphlets put forth his indisputable substantiations, which he had printed and distributed at his own expense.
ellauri146.html on line 654: Poe, unlike other great American writers of his time, spent a considerable portion of his childhood in Britain. In 1815, John Allan set out for England, accompanied by his wife, Frances Allan; his sister-in-law, “Aunt Nancy” Valentine; and his six-year-old foster son, Edgar Poe. For a time Edgar attended the small London school of Miss Dubourg (a name which subsequently was to appear in “The Murders in the Rue Morgue”) and later, for a period of three years from 1817 to 1820, was sent to a better school, the Manor House at Stoke Newington near London. Here Poe, in addition to being affected profoundly by the atmosphere of England, studied French, Latin, history and literature. The Manor House School, with its “Dr.” Bransby, Poe later was to transplant bodily to the semi-autobiographical tale “William Wilson” (1840).
ellauri147.html on line 177: Emily in Paris is an American-French comedy-drama streaming television series created by Barren Star, which premiered on Netflix on October 2, 2020. The series stars Lily "Mr." Collins as the eponymous Emily, an American who moves to Paris to provide an American point of view to Savior, a French marketing firm. There, she struggles to succeed in the workplace while searching for sex and experiencing a culture clash with her "boring" and small-minded Midwestern U.S. upbringing. It also stars Ashley Park, Philippine Leroy-Beaulieu, Lucas Bravo, the cast's one and only spooky sooty tarbaby coon Samuel Arnold, Camille Razat, and Bruno Gouery. Lystikästä että "boring" pitää laittaa scare quoteihin. 91% piti tästä ohjelmasta. 91% ei kazonut.
ellauri147.html on line 179: Emily in Paris follows Emily, a battery driven 20-something American from Chicago who moves to Paris for an unexpected job opportunity. She is tasked with bringing an American point of view to a venerable French marketing firm. Cultures clash as she adjusts to the challenges of life in Paris while juggling her career, new friendships and genitals.
ellauri147.html on line 181: Osaluettelosta ei selviä kuka niistä on se token neekeri. Vähän väliä. Se on pelkkä comic relief taas kuitenkin. Tuskin jaxan odottaa sitä jaxoa jossa esiintyy lupaava Julien Floreancig as Thomas, a French snob philosophy professor.
ellauri147.html on line 203: Emily's boss Madeline prepares to make the transition from the Chicago based pharmaceutical marketing firm, the Gilbert Group, to a French based fashion firm, Savior, when she discovers that she is pregnant. She offers the job to Emily and she accepts, leaving her boyfriend back in Chicago. Emily moves to Paris despite the fact that she does not speak French. She moves into the 5th floor of an old apartment building without an elevator but with a wonderful Parisian view. Emily creates an Instagram account, @emilyinparis, and begins documenting her time in Paris. Emily starts her first day of work much to her new co-workers chagrin who reveal that she was only hired because of a business deal. She introduces the French to American social media strategies who seem very reluctant about her and her American methods. Emily accidentally tries to enter the wrong apartment and bangs her very attractive neighbor right at the door, Gabriel. As Emily accustoms to life in Paris she makes countless faux-pas and the firm nicknames her "la plouc" or "the hick". Emily meets Mindy Chen, a nanny originally from Shanghai, and they become fast friends. After Emily and her boyfriend attempt to have cybersex but the connection fails, she plugs in her vibrator and accidentally short-circuits the block's power. "Accidentally" is the top frequency word in the script.
ellauri147.html on line 205: Despite struggling to fit in with French office culture Emily convinces her boss, Sylvie, to invite her to a work party where she accidentally irritates Sylvie by conversing with Antoine Lambert, a client who turns out to be Sylvie's married lover. As punishment she is put to work marketing Vaga-Jeune, a lubricant for menopausal women. Annoyed with the gendered nature of the French language Emily writes a post about the product that goes viral causing her to make further inroads at work.
ellauri147.html on line 211: Mindy offers to throw a dinner party to help Emily meet new people but the party instead turns into a rager. Despite meeting a cute French boy Emily ends up going back to Gabriel's restaurant.
ellauri147.html on line 212: While struggling to communicate at a flower shop Emily is rescued by Camille, a friendly French stranger and gallery owner who proves to be a lucrative connection.
ellauri147.html on line 215: Emily joins Sylvie and Julien on a visit to the atelier of haute couturier Pierre Cadault. Pierre is mortified by the gauche charm of Emily's douchebag and calls her a "basic bitch" in French, which hinders her credibility in the firm.
ellauri147.html on line 217: At Café de Flore, Emily meets Thomas, a French philosophy professor. They hit it off and she invites him back to her apartment to have sex. Emily and Thomas encounter Gabriel and Camille, and Camille invites them to join them at a tapas restaurant. Thomas and Gabriel do not get along. The next day, Gabriel tells Emily he thinks Thomas is a snob, and not worthy of her. She is clearly more of the tattooed-arm master chef type. Fair enough.
ellauri147.html on line 242: Filming for the second season began on May 3, 2021 and concluded on July 19, 2021. Filming locations for the second season include Paris, Saint-Tropez, and various other locations in France. Filming of the second season in Paris causes problems with the neighborhood - the crew being judged brutal, threatening and too intrusive. In the last episode, the fed-up Frenchies kick the arrogant Americans into the Seine. At last, things are getting a little more exciting at last!
ellauri147.html on line 255: Some critics appeared ambivalent, such as Jo Ellison writing for the Financial Times. On one hand she expresses admiration for the way Darren Star manages to depict "a version of womanhood in which promiscuity, bossiness and shopaholicism are depicted as qualities to be celebrated"; on the other "the major plot lines might have been written in the 1940s and the Frenchies are routinely cast as vain, preening and parochial." She concludes "Cliché-ridden and completely outdated: Darren Star´s ´Sex and the Cité´ will no doubt be monstrously successful."
ellauri147.html on line 257: Many French critics condemned the show for negatively stereotyping Parisians and the French. Charles Martin wrote in Première that the show unfairly stereotyped and depicted the French as "lazy individuals who never arrive at the office before the end of the morning are flirtatious and not really attached to the concept of loyalty, are sexist and backward, and, have a questionable relationship with showering".
ellauri147.html on line 259: A reviewer at Sens Critique wrote: "Emily in Paris projects the same twee, unrealistic image of Paris as the film Amélie". RTL.fr wrote: “Rarely had we seen so many clichés on the French capital since the Parisian episodes of Gossip Girl or the end of The Devil Wears Prada.”
ellauri147.html on line 261: Megan Garber of The Atlantic was critical of the character Emily, writing, "An expat who acts like a tourist, she judges everything against the backdrop of her own rigid Americanness. You might figure that those moments are evidence of a show poking fun at its protagonist´s arrogance, or setting the stage for her to grow beyond her initial provincialism. But: You would be, as I was, mostly incorrect. Instead, other people change around her, becoming French-American. They grudgingly concede that her way (strident, striving, teeming with insistent individualism) is the right way. The show — the latest from the Sex and the City creator Darren Star — is selling several fantasies. Primary among them is the notion that Emily can bulldoze her way through France and be celebrated for it.
ellauri147.html on line 413: She has appeared in other roles such as Priest (Mr. Collins), Rabbetzin, Plouc in a Hole, and The French Teacher.
ellauri150.html on line 436: However, the plotline of Rostand's play, Cyrano de Bergerac, involving Roxane and Christian is entirely fictional. Cyrano was a pupil of French polymath Pierre Gassendi, a loose cannon of the Catholic Church who tried to reconcile Epicurean atomism with Christianity.
ellauri150.html on line 713: Jesus did not become human to build a earthly paradise; admittedly this IS pure hell, but his Kingdom is in Heaven. The Church warns us about those who promise a Utopia on Earth. The worker's paradise of the Soviet Union turned into a living hell for millions; as did also Mao's promise of earthly bliss. Likewise the French Revolution was heaven only for those who reveled in the sight of blood and heads rolling off the guillotine.
ellauri150.html on line 728: I was actually thinking about writing an article about how the free sex movement came out of the 60s. The idea was to use the songs from Joni Mitchell's Blue album as the basis of the article. You know before that time sex before marriage wasn't not considered socially acceptable, because French letters were not reliable. I'm sure it still happened, but it was not done out in the open - at least not by "respectable" people.
ellauri151.html on line 109: André Paul Guillaume Gide (French: [ɑ̃dʁe pɔl ɡijom ʒid]; 22 November 1869 – 19 February 1951) was a French author and winner of the Nobel Prize in Literature (in 1947). André was born in Paris on 22 November 1869, into a middle-class Protestant family. His father was a Paris University professor of law who died in 1880, Jean Paul Guillaume Gide, and his mother was Juliette Maria Rondeaux. His uncle was the political economist Charles Gide. His paternal family traced its roots back to Italy, with his ancestors, the Guidos, moving to France and other western and northern European countries after converting to Protestantism during the 16th century, due to persecution.
ellauri151.html on line 111: Gide was brought up in isolated conditions in Normandy and became a prolific writer at an early age, publishing his first novel, The Notebooks of André Walter (French: Les Cahiers d´André Walter), in 1891, at the age of twenty-one.
ellauri151.html on line 121: In 1924, he published an autobiography, If it Die... (French: Si le grain ne meurt). In the same year, he produced the first French language editions of Joseph Conrad´s Heart of Darkness and Lord Jim.
ellauri151.html on line 123: During the 1930s, he briefly became a communist, or more precisely, a fellow traveler (he never formally joined any communist party). As a distinguished writer sympathizing with the cause of communism, he was invited to speak French at Maxim Gorky´s funeral and to tour the Soviet Union as a guest of the Soviet Union of Writers. He encountered censorship of his speeches and was particularly disillusioned with the state of culture under Soviet communism, breaking with his socialist friends [who?] in Retour de L´U.R.S.S. in 1936. This is what he said of them:
ellauri151.html on line 129: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe.
ellauri151.html on line 161: The book was a huge commercial success, quickly going through two editions. Reviews were favourable, but not all so. In an unsigned piece in The Times the reviewer opined, "We owe it to literature to protest against this last production of Mr. Dickens. Shades of Fielding and Scott! Is it for such jargon as this that we have given your throne to one who cannot estimate his eminence?" However, William Makepeace Thackeray enjoyed the book immensely: "To us, it appears it is a good Christmas book, illuminated with extra gas, crammed with extra bonbons, French plums and sweetness.This story is no more a real story than Peerybingle is a real name!
ellauri152.html on line 71: The Songs of Bilitis (/bɪˈliːtɪs/; French: Les Chansons de Bilitis) is a collection of erotic, essentially lesbian, poetry by Pierre Louÿs published in Paris in 1894. Since Louÿs claimed that he had translated the original poetry from Ancient Greek, this work is considered a pseudotranslation. Though the poems were actually clever fabulations, authored by Louÿs himself, they are still considered important literature. [by whom?]
ellauri160.html on line 136: From September 1907 Pound taught French and Spanish at Wabash College, a Presbyterian college with 345 students in Crawfordsville, Indiana, which he called "the sixth circle of hell". Se oli Ezran Kouvola. One former student remembered him as a breath of fresh air; another said he was "exhibitionist, egotistic, self-centered and self-indulgent".
ellauri160.html on line 193: Pound's translations from Old English, Latin, Italian, French and Chinese were highly disputed. According to Alexander, they made him more unpopular in some circles than the treason charge.
ellauri161.html on line 1100: The chief of his mystical writings are, The Ornament of Spiritual Marriage (Lat. by Gerh. Groot, Ornatus Spiritualis Desponsionis, MS. at Strasburg; by another translator, and published by Faber Stapulensis [Paris, 1512], De Ornatu Spirit. Nuptiarum, etc.; also in French, Toulouse, 1619; and in Flemish, ´J Cieraet der gheestclyeke Bruyloft, Brussels, 1624, Hengelliset häät): — Speculum AEternae Salutis: — De Calculo, an interpretation of the calculus candidus, Re 2:17: — Samuel, sive de Alta Contemplatione. The other works of Ruysbroeck contain but little more than repetitions of the thoughts expressed in those here mentioned. (Esim. 7 hengellisen rakkauden askelmasta.) He wrote in his native language, and rendered to that dialect the same service which accrued to the High German from its use by the mystics of the section where it prevailed. He is still regarded in Holland as "the best prose writer of the Netherlands in the Middle Ages." His style is characterized by great precision of statement, which becomes impaired, however, whenever his imagination soars, as it often does, to transcendental regions too sublimated for language to describe. His works were accessible until lately only in Latin editions (by Surius, Cologne, 1549, 1552, 1609 [the best], 1692, fol.), or in manuscripts scattered through different libraries in Belgium and Holland. Four of the more important works were published in their original tongue, with prefaces by Ullmann (Hanover, 1848). No complete edition has as yet been undertaken (see Moll, )e Boekerij van het S. Barbara-Klooster te Delft [Amst. 1857, 4to], p. 41).
ellauri162.html on line 104: Louis Émile Clément Georges Bernanos (French: [ʒɔʁʒ bɛʁnanɔs]; 20 February 1888 – 5 July 1948) was a French author, and a soldier in World War I. A Roman Catholic with monarchist leanings, he was critical of elitist thought and was opposed to what he identified as defeatism. He believed this had led to France´s defeat and eventual occupation by Germany in 1940 during World War II. His two major novels "Sous le soleil de Satan" (1926) and the "Journal d’un curé de campagne" (1936) both revolve around a parish priest who combats evil and despair in the world. Most of his novels have been translated into English and frequently published in both Great Britain and the United States.
ellauri162.html on line 139: After France´s Liberation, De Gaulle invited Bernanos to return to his homeland, offering him a post in the government. Bernanos did return but, disappointed to perceive no signs of spiritual renewal, he declined to play an active role in French political life. Plusieurs fois blessé, il mène une vie matérielle difficile et instable en s´essayant à la littérature.
ellauri163.html on line 862: David Émile Durkheim was born 15 April 1858 in Épinal, Lorraine, France, to Mélanie (Isidor) and Moïse Durkheim, coming into a long lineage of devout French Jews. As his father, grandfather, and great-grandfather had all been rabbis, young Durkheim began his education in a rabbinical school. However, at an early age, he switched schools, deciding not to follow in his family's footsteps. I bet dad, grandad and greatgranddad were all very disappointed. In fact, Durkheim led a completely secular life, whereby much of his work was dedicated to demonstrating that religious phenomena stemmed from social rather than divine factors. Despite this fact, Durkheim did not sever ties with his family or with the Jewish community. Actually, many of his most prominent collaborators and students were Jewish, some even blood-related.
ellauri163.html on line 891: The great things of the past which filled our fathers with enthusiasm do not excite the same ardor in us...In a word, the old gods are growing old or already dead, and others are not yet born...But this state of incertitude and confused agitation cannot last forever. A day will come when our societies will know again those hours of creative effervescence, in the course of which new formulae are found which serve for a while as a guide to humanity; and when these hours shall have been passed through once, men will spontaneously feel the need of reliving them from time to time in thought, that is to say, of keeping alive their memory by means of celebrations which regularly reproduce their fruits. We have already seen how the French Revolution established a whole cycle of holidays to keep the principles with which it was inspired in a state of perpetual youth.
ellauri164.html on line 374: For readers unfamiliar with the culture context of France between the two wars, it might be helpful to first watch Robert Bresson's movie of the same name which has been hailed as a masterpiece by such diverse critics as Ingmar Bergman and Jean-Luc Godard. I read the book first. After seeing the movie, I read the book a second time and got much more out of it. As Canadian and a native speaker of French, I can assure any Anglophone that the culture of France is at times very murky to the outsider who must at times go to extra efforts to fully enjoy French literature.
ellauri164.html on line 379: I wanted to like this book so much more than I did. I actually found it incredibly difficult to understand. Some of it, I think, was that it was poorly translated. I read a 1962 edition that doesn't even cite a translator -- so many of the sentences were so convoluted as to be utterly obtuse. Poor translation or witless reader? I never could figure out why Mlle Chantal was such an angry bitch and why she insisted on tormenting the priest. What was her secret? Was the priest an alcoholic or just terminally sick? Gay? Why did M le Comte come to hate the priest? These are just some of the basic narrative issues I couldn't figure out. Forget the whole spiritual aspect--much of what the priest mused on and felt was incomprehensible to me as he described it. I can't help wondering if I'd have understood it if I had read it in French. Or maybe I'm just so spiritually challenged (in a God believing, Catholic way) that I can't comprehend it when it's described. All of that said, there were profoundly moving passages here and there, but over all I don't begin to know what I read. It's rather embarrassing actually--I feel so simple! (less)
ellauri164.html on line 437: "In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself." Pro primo, ei se näytä koko aikana ymmärtävän tai edes välittävän kenestäkään juuri midiä. Pro secundo, koko kirja on yhtä nöyrän piiraan mutustelua. Siitä puhe mistä puute. This man shares something with Isaiah’s “worm among men.” Ich aber bin ein Wurm und kein Mensch. Ich bin eine Ratte (Psalmit 22:6).
ellauri171.html on line 215: Jacques Joseph Tissot (French: [tiso]; 15 October 1836 – 8 August 1902), Anglicized as James Tissot (/ˈtɪsoʊ/), was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and figures from the Bible.
ellauri171.html on line 217: His father, Marcel Théodore Tissot, was not a watchmaker but a successful drapery merchant. He took part in losing the war of 1870 and in the Paris Commune. In 1885, Tissot had a revival of his Catholic faith, which led him to spend the rest of his life making paintings about Biblical events. Many of his artist friends were skeptical about his conversion, as it conveniently coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic. They brought Tissot vast wealth and fame. Tissot spent the last years of his life in his chateau working on paintings of subjects from the Old Testament. Although he never completed the series, he exhibited 80 of these paintings in Paris in 1901 and engravings after them were published in 1904. In the first half of the 20th century, there was a re-kindling of interest in his portraits of fashionable ladies and some fifty years later, these were achieving record prices.
ellauri183.html on line 317: Born in 1924 in Antwerp to a French-speaking Jewish family, Bromberger escaped the German invasion of Belgium with his parents and two brothers on May 10, 1940. After reaching Paris, then Bordeaux, his family obtained one of the last visas issued by the Portuguese consul Aristides de Sousa Mendes in Bayonne.
ellauri184.html on line 74: Mailer wrote 12 novels in 59 years. After completing courses in French language and culture at the University of Paris in 1947–48, he returned to the U.S. shortly after The Naked and the Dead was published in May 1948. A New York Times best seller for 62 weeks, it was the only one of Mailer's novels to reach the number one position. It was hailed by many as one of the best American wartime novels and included in a list of the hundred best English-language novels of the twentieth century by the Modern Library. The book that made his reputation sold over a million copies in its first year, (three million by 1981) and has never gone out of print. It is still considered to be one of the finest depictions of Americans in combat during World War II.
ellauri184.html on line 763: Let me just say: Norman Mailer is a massive loud mouthed boorish prick and yawning asshole of a man. His views towards women were...well, they were pretty fucked up for lack of better French. And his opinions on minorities has always been rather peculiar. As in very very strange. A former atheist, Mailer has now developed what seems to be his very own theology. But the book does prompt a few questions I have on this topic:
ellauri188.html on line 66: The Marquesas Islands constitute one of the five administrative divisions (subdivisions administratives) of French Polynesia. The capital of the Marquesas Islands’ administrative subdivision is the town of Taiohae, on the island of Nuku Hiva. The population of the Marquesas Islands was 9,346 inhabitants at the time of the August 2017 census. Ennen valkonahkoja porukoita oli satatuhatta. Kiva desimaatio. Niillä oli liian helppoa, aika tehä niiden elämästä vähän vaikeampaa.
ellauri188.html on line 94: The American mission from Hawaii was no more successful. William Patterson Alexander (1805-1864), Benjamin Parker (1803-1877), and Richard Armstrong (1805-1860) arrived in the Marquesas in 1834 from Hawaii with their wives and a three-month-old baby. They returned the same year. In 1853, more missionaries led by James Kekela (1824-1904) arrived at Fatu Hiva with their wives from Hawaii, but were unable to remain there because of clashes with Catholic missionaries arriving on a French warship.
ellauri188.html on line 98: From 1838 to 1839, the Catholic mission was able to establish itself, supported by the French order Pères et religieuses des Sacrés-Cœurs de Picpus, which was not founded until 1800. The missionaries spread from Mangareva to Tahuata, Ua Pou, Fatu Hiva and Nuku Hiva. They suffered the same hostile reception and tribal warfare as their fellow Protestants. However, with the support of the French authorities, they were able to sustain themselves in the long run, despite all the obstacles. They even managed to baptize King Moana of Nuku Hiva, who, however, died of smallpox in 1863. Regrettably, but he got salvaged anyway.
ellauri188.html on line 102: At the 2017 census, 97.0% of the population whose age was 15 and older reported that they could speak French (up from 94.1% at the 2007 census). 92.6% lied that they could also read and write it (up from 90.2% at the 2007 census).
ellauri188.html on line 417: The second part of his career began with a lead role in the British rowing film Big Blue (released in the US as Miracle and as Debacle at Oxford), in which he played a hotshot Navy rower who recruited another American, "Toby", to help US win our annual round Nuku Hiva boat race with the Frenchies.
ellauri189.html on line 789: Anyway, we should say that not only this evidence is not strong enough; it is actually not evidence at all. Jews in Europe spoke 3 languages – Hebrew, the language of their country (French in France, German in Germany etc) and Yidish. Yidish has only a few Semetic elements and is closer to German, and was used for daily communication between Jews in Europe. Jews in Spain and Portugal also spoke 3 languages – Hebrew, Spanish and Ladino. Ladino was the Yidish of the Jews in Spain and Portugal. In Arabic countries, again, the Jews spoke 3 languages – Hebrew, Arabic and Judeo-Arabic. The later was the Yidish of Jews in Arabic countries.
ellauri190.html on line 564: Napoleon Bonaparte, Emperor of the French
ellauri190.html on line 565: Napoleon Bonaparte was a French military and political leader who rose to prominence during the latter stages of the French Revolution and its associated wars in Europe. As Napoleon I, he was Emperor of the French from 1804 to 1814 and a...
ellauri191.html on line 2143: The first prize in 1901, awarded to the French poet Sully Prudhomme, was heavily criticised. Many believed that the acclaimed Russian author Tolstoy should have been awarded the first Nobel prize in literature.
ellauri192.html on line 115: Sully Prudhomme’s reputation, however, has not survived the more than one hundred years since he was awarded the crowning glory in his literary career. His legacy as a poet is not bad; it simply does not exist. Most French high-school students would recognize his name and might have read his most well-known poem, “Le Vase brisé” (1865, The Broken Vase), but it is safe to say that almost no one outside of France recognizes the name Sully Prudhomme.
ellauri192.html on line 287: Lastly, there is the rumor of the blacklist. No outside observer can show that any such list exists, let alone how and when it was explicitly arrived at. But there are stubborn, unsettling indications. Behind them stands the enigmatic figure and afterlife of Dag Hammerskjold. In one or two cases, the choice of laureate seems to have been largely his. His chill displeasures seem not only to have had great influence, but to persist beyond the grave. The list of lepers, for motives which may, in some masked degree, go back to Hammarskjold's own politics and arcane sexuality, is rumored to include Graham Greene, G"unter Grass and Borges, as it did Malraux (passed over, to de Gaulle's just anger, in favor of a French poet-diplomat close to Hammarskjold, viz. Saint-John Perse). The mere fact that the Nobel Prize in Literature has long passed Borges by suffices to put the whole institution in doubt. But whether any such blacklist is real remains baffled conjecture.
ellauri192.html on line 653: Professor Gibian, who was born in Prague, said that he has been translating some of the more recent Seifert poems for his own edification and pleasure. "They are a combination of the intimate lyrical tone of Czech poetry," he said, "heavily influenced by French Surrealism with much of the eroticism characteristic of Czechoslovak poetry in this century. His earlier poetry was sometimes melancholy but his recent work is conversational, very compassionate. He has written a cycle of poems about Prague. All this brings back my life and loves in Prague." All these Czechs are teaching Russian in the U.S., who would bother to learn Czech anyway?
ellauri192.html on line 670: The Trubetskoy family (English), Трубецкие (Russian), Трубяцкі (Belarusian), Trubecki (Polish), Trubetsky (Ruthenian), Трубецький (Ukrainian), Troubetzkoy (French), Trubic (Croatian), Trubetski (Estonian), Trubezkoi or Trubetzkoy (German), is a Russian gentry family of Ruthenian stock and Lithuanian origin, like many other princely houses of Grand Duchy of Lithuania, later prominent in Russian history, science, and arts. They are descended from Algirdas's son Demetrius I Starshy (1327 – 12 August 1399 (the Battle of the Vorskla River)). They used the Pogoń Litewska coat of arms and the Trubetsky coat of arms.
ellauri194.html on line 257: Europeans in Medieval China reported findings from their travels to the Mongol Empire. Some accounts and maps began to place the "Caspian Mountains", and Gog and Magog, just outside the Great Wall of China. The Tartar Relation, an obscure account of Friar Carpini's 1240s journey to Mongolia, is unique in alleging that these Caspian Mountains in Mongolia, "where the Jews called Gog and Magog by their fellow countrymen are said to have been shut in by Alexander", were moreover purported by the Tartars to be magnetic, causing all iron equipment and weapons to fly off toward the mountains on approach. In 1251, the French friar André de Longjumeau informed his king that the Mongols originated from a desert further east, and an apocalyptic Gog and Magog ("Got and Margoth") people dwelled further beyond, confined by the mountains. In the map of Sharif Idrisi, the land of Gog and Magog is drawn in the northeast corner (beyond Northeast Asia) and enclosed. Some medieval European world maps also show the location of the lands of Gog and Magog in the far northeast of Asia (and the northeast corner of the world).
ellauri194.html on line 287: In the early 19th century, some Hasidic rabbis identified the French invasion of Russia under Napoleon as "The War of Gog and Magog". But as the century progressed, apocalyptic expectations receded as the populace in Europe began to adopt an increasingly secular worldview. This has not been the case in the United States, where a 2002 poll indicated that 59% of Americans believed the events predicted in the Book of Revelation would come to pass. During the Cold War the idea that Soviet Russia had the role of Gog gained popularity, since Ezekiel's words describing him as "prince of Meshek" – rosh meshek in Hebrew – sounded suspiciously like Russia and Moscow. Even some Russians took up the idea, apparently unconcerned by the implications ("Ancestors were found in the Bible, and that was enough"), as did Ronald Reagan.
ellauri194.html on line 289: Some post-Cold War millenarians still identify Gog with Russia, but they now tend to stress its allies among Islamic nations, especially Iran. For the most fervent, the countdown to Armageddon began with the return of the Jews to Israel, followed quickly by further signs pointing to the nearness of the final battle – nuclear weapons, European integration, Israel's reunification of Jerusalem in the Six Day War in 1967, and America's wars in Afghanistan and the Persian Gulf. According to an unconfirmed report, US President George W. Bush, in the prelude to the 2003 Invasion of Iraq, told French President Jacques Chirac, "Gog and Magog are at work in the Middle East." Bush is said to have continued, "This confrontation is willed by God, who wants to use this conflict to erase His people's enemies before a new age begins." Officials from the Bush Administration claim there is no record of this conversation and that making such references, "doesn't sound at all like Bush", and French officials on the call have similarly claimed to have not heard any such remarks.
ellauri194.html on line 300: After the military takeover in Burkina Faso in January, demonstrators in Ouagadougou, the country’s capital, chanted pro-Russian and anti-French slogans. Protesters in Bamako in February celebrated France’s announcement that it was withdrawing its troops from Mali.
ellauri194.html on line 302: Those behind the most recent Facebook networks could have been people in Mali who were genuinely supportive of Russia and anti-French, or else members of a “franchising operation using locals who know the slang, the vernacular”. The recent attackers of The University of Helsinki could have been pissed off Ukrainians students or else members of a franchising operation using Little Russian dropouts.
ellauri194.html on line 311: They drew on French philosopher Michel Foucault's writings on sexuality and his notion that bodies are given meaning by discourse and social structures of knowledge and power. The binary oppositions (man/woman, gay/straight) on which discourse, and thus subjectivity, are founded are revealed to be not fixed, but fluid, fictional – and can, therefore, be destabilised. For a feminist who liked playing with words, the radical potential in this appealed.
ellauri194.html on line 985: Before arriving in Parliament this afternoon he spoke to US president Joe Biden, and French and German counterpart Emmanuel Macron and Olaf Scholz about the Russian invasion.
ellauri196.html on line 696: Tarita Teriʻipaia (born 29 December 1941) is a French retired actress of French Polynesian and Chinese descent most famous for having been the third wife of actor Marlon Brando, whom she later divorced.
ellauri197.html on line 649: By the age of 12, Browning had written a book of poetry, which he later destroyed for want of a publisher. After attending one or two private schools and showing an insuperable dislike of school life, he was educated at home by a tutor, using the resources of his father's library. By 14 he was fluent in French, Greek, Italian and Latin. He became an admirer of the Romantic poets, especially Shelley, whom he followed in becoming an atheist and a vegetarian (and a bisexual). At 16, he studied Greek at University College London, but left after his first year. His parents' evangelical faith prevented his studying at either Oxford or Cambridge University, both then open only to members of the Church of England. He had inherited substantial musical ability through his mother, and composed arrangements of various songs. He refused a formal career and ignored his parents' remonstrations by dedicating himself to poetry. He stayed at home until the age of 34, financially dependent on his family until his marriage. His father sponsored the publication of his son's poems. Varsinainen vanhapiika, neiti-ihminen.
ellauri198.html on line 260: Esim Roland was the name of a real-life medieval military leader under Charlemagne who, more importantly, was the subject of the oldest surviving major work of French literature: an epic poem titled The Song of Roland. Roland was a loyal and trusting knight who was told to bring up the rear guard and burst his own temples open while sounding a horn too vigorously. What a way to go! In 1855, Robert Browning made the warrior the subject of his poem “Childe Roland to the Dark Tower Came,” which leads us back to Stephen King, of all the U.S. turds. It’s a bit incongruous to think of Dorff’s Roland West—an uncouth man who refers to “Saigon trim” and is eager to start a fight.
ellauri198.html on line 664: Tocsin got borrowed from Middle French, from Old French toquesain (modern tocsin), from Old Occitan tocasenh, from tocar (“strike, touch”) + senh (“bell”).
ellauri204.html on line 704: Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as one of the major figures of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican practices. Hirveää scheissea.
ellauri205.html on line 96: Tuulessa heiluvia puita on hiljattain ollut ainaskin siinä japsujen Äidit leffassa plus siinä Frantz nimisessä pätkässä missä joku sakemannin suursodassa ampunut ranskis tuli pyytämään sen omaisilta niskalaukausta anteexi. Which in turn was based on Maurice Rostand's 1930 French play L'homme que j'ai tué..
ellauri206.html on line 292: Today, I’m going to present you a rather complicated French poem, which speaks of French historical characters and refers to legends from France and the Roman and Greek antiquity.
ellauri206.html on line 314: Learn French with the most famous French poems, such as “Demain, dès l’aube”, “La Cigale et la Fourmi”, “Parfum Exotique” with my Classic French Poetry audiobooks.
ellauri206.html on line 316: French poem read twice,

ellauri206.html on line 320: Born and raised in Paris, I have been teaching today's French to adults for 23+ years in the US and France. Based on my students' goals and needs, I've created unique downloadable French audiobooks focussing on French like it's spoken today, for all levels. Most of my audiobooks are recorded at several speeds to help you conquer the modern French language. Good luck with your studies and remember, repetition is the key!
ellauri210.html on line 753: Alongside him lay the naked body of another French soldier. André Breton believed his death to be a suicide (LOL). He was known for his indifference and for wearing a monocle.
ellauri210.html on line 776: Michel del Castillo (or Michel Janicot del Castillo), born in Madrid on August 2, 1933, is a Spanish-French writer. Interned in a concentration camp named Rieucros in Mende with his mother during the Second World War, he developed a sense of belonging to this town, which has honored him with naming a school after him. Wow.
ellauri210.html on line 778: An autobiographical work by Michel del Castillo, a Spanish born writer who writes in French, Tanguy is a powerfully moving novel highly reminiscent of The Diary of Anne Frank (due mainly to the child's point of view as opposed to that of the adult). Narrating in first person, the story of a young Spanish boy, Tanguy, the novel is set against the backdrop of the war.
ellauri210.html on line 784: Ja vielä 1 Tanguy: Tanguy is a 2001 French black comedy by Étienne Chatiliez. When he was a newborn baby, Edith Guetz thoughtlessly told her son Tanguy : "If you want to, you can stay at home forever". 28 years later, the over-educated university teacher of Asian languages and womanizer leads a successful and wealthy life... while still living in his parents' home. Father Paul Guetz longs to see his son finally leave the nest, a desire that his wife shares. Edith finally agrees and the pair unite to make Tanguy's life at home miserable. However, they don't know that Tanguy isn't the type of guy who easily gives up. The word Tanguy became the usual term to designate an adult still living with his parents.
ellauri210.html on line 880: French poet Jacques Rigaut said, "Don't forget that I cannot see myself. That my role is limited to being the one who looks in the mirror." Rate it: (3.00 / 2 votes) Silti vitun monet kynäilijät sitä yrittävät. Näytin siltä ja tältä, ne sanovat. Carl Erik Carlson ei koskaan kazonut izeänsä peiliin, paizi kammatessaan tukkaansa.
ellauri210.html on line 1117: With the outbreak of World War II Ernst, who was German, was arrested by the French authorities for being a "hostile alien". Soon after the Nazis invaded France, Ernst was arrested again, this time by the Gestapo, because his art was considered by the Nazis to be "degenerate". Fucking West and East Germans, same huns and hyenas on both sides!
ellauri210.html on line 1165:

Jean-Pierre Duprey (1 January 1930 in Rouen – 2 October 1959 in Paris) was a French poet and sculptor, one of the modern examples of a poète maudit (accursed poet).
ellauri210.html on line 1226: The French essayist Michel Eyquem de Montaigne’s famous tome Les Essais became celebrated in its age, even being quoted by William Shakespeare in The Tempest. At the core of the collection of writings was “De l’amitie” (“On Friendship”). La Boetie enjoyed a certain level of fame, achieved through political discourses, when he met Montaigne around 1557 and the two would spend four years together, at which time the principles of civil disobedience in matters of love became instilled in Montaigne, according to Robert Aldrich and Garry Wotherspoon’s Who’s Who in Gay and Lesbian History. But La Boetie would succumb to the plague, and Montaigne would write that he never experienced such love again.
ellauri210.html on line 1308: Nadja (1928), the second book published by André Breton, is one of the iconic works of the French surrealist movement. It begins with the question "Who am I?"
ellauri210.html on line 1366: Joyce Mansour nee Joyce Patricia Adès, (25 July 1928 – 27 August 1986), was an Egyptian-French author, notable as a surrealist poet. She became the best known surrealist female poet, author of 16 books of poetry, as well as a number of important prose and theatre pieces. Ei ehtinyt mukaan Piha-Anteron humoristeihin, mutta Antero kirjoitti siitä erillisiä puffeja.
ellauri210.html on line 1374: Mansour first came in contact with Parisian surrealism while still living in Cairo. She moved to Paris in 1953 at the age of 20.[1] In 1947, her first marriage at the age of 19 ended after six months when her husband died. Her second marriage was to Samir Mansour in 1949 and they divided their time between Cairo and Paris. Mansour began to write in French.
ellauri213.html on line 413: The founder of one of the most feared terrorist organisations of the 1970s has walked free from a Japanese prison after completing a 20-year sentence for the siege of the French embassy in the Netherlands.
ellauri214.html on line 76: J.K. Rowling has also included plenty of sexism in her writing, indicative of her internalised misogyny. Cho Chang was Harry Potter’s love interest throughout books 4 and 5. However, Cho was in a relationship with another student in the fourth book, and unfortunately this student was killed by Lord Voldemort at the end of the book. This leaves Cho rightfully distraught. Though still in emotional turmoil, she develops a crush on Harry and they begin dating. During their first kiss, Cho is crying because she is thinking of her dead boyfriend. Harry and Cho break up after multiple arguments later in the book. Later on in the series, Harry develops feelings for his best friend’s sister, Ginny Weasley. Rowling periodically writes how Harry prefers Ginny to Cho because Cho was too emotional after the death of her boyfriend. Harry preferred Ginny, who was stronger and could contain her emotions, supposedly because she had grown up with 6 brothers (no, 5, Ronny is a sissy). This comparison of the two girls demonstrates Rowling’s internalized feelings that women exist for the purpose of pleasing men. The thinly veiled idea that women who are too emotional or too much drama queens are not desirable is evident in Rowling’s writing. Fleur Delcore is another example of this feeling. Fleur is a student at a French wizarding school who competes against Harry in a difficult tournament in the fourth book. Fleur is part veela, who are magical beings of extreme beauty but can turn monstrous when angered. Fleur eventually marries Ron Weasley’s older brother, Bill. Hermionie, Harry’s other best friend, and Ginny constantly complain about Fleur. However, the only thing their animosity can be traced back to is that Fleur is a beautiful Frenchy woman and she is confident in that, whilst they are just snubnosed Brits. This further develops Rowling’s internalized misogyny. She views women who are confident in their beauty as annoying, and has the idea that women should seek male validation. Though these portions of the book were likely unintentional, speaking from personal experience, it has to be said that Rowling’s writing of women in her book have had a lasting effect on her female readers.
ellauri219.html on line 136:

  • John Lennon holding a French horn
    ellauri219.html on line 483: Resplendent in their military chic (or should that be military psych?) garb, John (No.62), Ringo (No.63), Paul (No.64), and George (No.65) presented themselves as Sgt. Pepper’s Lonely Hearts Club Band, looking like a psychedelic brass band brandishing a French horn, trumpet, cor anglais, and flute, respectively. Like the album cover itself, The Beatles’ Sgt Pepper costumes would become some of the most iconic band outfits ever, instantly recognizable and forever woven into the fabric of our culture.
    ellauri219.html on line 572: Like the French horn, trumpet, cor anglais, and flute held by each of the individual Beatles (Nos.62, 63, 64, and 65), the tuba is a mainstay of brass band instrumentation.
    ellauri219.html on line 639: Meanwhile Carole's plan seems to work and Michael asks to marry her. She agrees and they settle on marrying within the week. She moves in but Michael finds fidelity impossible. When a second "fiancee" arrives, she knows the worst. Simultaneously, a woman parachutes into Michael's open-top sports car and he ends up sleeping with her, also meeting other conquests at the bar. This takes place at a small country hotel, where all parties materialise in the format of a typical French farce. Some are checked in, but most just appear. This includes Carole's parents who wander the corridors, causing Michael to jump from room to room. A rumour has also started locally that an orgy is taking place so side characters such as the petrol station attendant also start to appear. Carole appears and wishes to see Michael's room. As they speak, all the other participants chase each other around in the background. Fassbinder's wife tracks him down.
    ellauri219.html on line 851: Francois Marie Arouet "Voltaire", French author and playwright (1694-1778).
    ellauri219.html on line 857: Denis Diderot, French philosopher, author, and encyclopedist (1713-1784). Editor of the first encyclopedia
    ellauri219.html on line 859: Pierre Simon de Laplace, French mathematician and astronomer (1749-1827)
    ellauri219.html on line 863: Napoleon Bonaparte, French emperor (1769-1821).
    ellauri219.html on line 897: Pierre Curie, French chemist and physicist (1859-1906)
    ellauri219.html on line 901: Marie Curie, Polish born French physicist and chemist. (1867-1934)
    ellauri221.html on line 298: Bond travels to Venice to investigate Venni Glass, a company named in some of Drax´s plans. Bond spots Goodhead there and follows her before re-introducing himself. Later that evening, Bond has to deal with Charlie Chan, then pays Goodhead a French visit, and they spend the night humping joyfully together.
    ellauri222.html on line 141: Devastated, Bellow went to Europe on a cultural-diplomacy junket for the State Department. While abroad, he engaged assiduously in what Leader calls “womanizing.” He returned to Bard, in the summer of 1960, and took up with a visiting French professor named Rosette Lamont. The divorce from Sasha went through in June. For a while, Bellow and Sasha had the same lawyer, who was pleased to be representing both parties in the hottest divorce in town, but eventually Bellow was persuaded to retain his own attorney.
    ellauri222.html on line 149: “Herzog” is a revenge novel. The ex-wife, Madeleine, is a stone-cold man-killer. Her lover, Valentine Gersbach, is described as a “loud, flamboyant, ass-clutching brute.” Ludwig had a Ph.D. and a damaged foot; Bellow makes Gersbach a radio announcer with a wooden leg. The Herzog character is passive, loving, an innocent soul who cannot make sense of a world in which people like his estranged wife and her lover can exist. He is an ex-university professor, the author of a distinguished tome called “Romanticism and Christianity.” The Rosette Lamont character, called Ramona, is a sexpot with a heart of gold; she specializes in intimate candlelight dinners and lacy lingerie. She is a professor of love, not French.
    ellauri222.html on line 235: Now there is real mystery about communists in the west, to limit myself to those. How were they able to accept Stalin – one of the most monstrous tyrants ever? You would have thought that the Stalin-Hitler division of Poland, the defeat of the French which opened the way to Hitler's invasion of Russia, would have led CP members to reconsider their loyalties. But no. When I landed in Paris in 1948 I found that the intellectual leaders (Sartre, Merleau-Ponty, etc) remained loyal despite the Stalin sea of blood. Well, every country, every government has its sea, or lake, or pond. Still Stalin remained "the hope" – despite the clear parallel with Hitler.
    ellauri222.html on line 237: But to keep it short – the reason: the reason lay in the hatred of one's own country. Among the French it was the old confrontation of "free spirits", or artists, with the ruling bourgeoisie. In America it was the fight against the McCarthys, the House Committees investigating subversion, etc that justified the left, the followers of Henry Wallace, etc. The main enemy was at home (Lenin's WWI slogan). If you opposed the CP you were a McCarthyite, no two ways about it.
    ellauri222.html on line 314: The Norman Conquest (or the Conquest) was the 11th-century invasion and occupation of England by an army made up of thousands of Normans, Bretons, Flemish, and French troops, all led by the Duke of Normandy, later styled William the Conqueror.
    ellauri222.html on line 711: The question arises why Voltaire inserts such a character in the novella, and what functions he performs in the story. On the one hand, Lord Pococurante embodies the then French aristocracy, the social class, surfeited with everything. The author attracts the reader’s attention to a very curious paradox: people, who live in luxury, cannot enjoy it. Though it is not explicitly stated by Voltaire, such people are doomed to failure. At this point, we can say with certainty that Voltaire is prophetic in this novella.
    ellauri236.html on line 388: In 1999, the novel was picked in a survey of the best books from the 20th century by the French retailer Fnac and the Paris newspaper Le Monde in Le Monde's 100 Books of the Century.
    ellauri238.html on line 860: Layle Silbert Yehuda Amichai (1924-2000) is recognized as one of Israel´s finest poets. His poems, written in Hebrew, have been translated into 40 languages (2 more than Herbert), and entire volumes of his work have been published in English, French, German, Swedish, Spanish, and Catalan. “Yehuda Amichai, it has been remarked with some justice,” according to translator Robert Alter, “is the most widely translated Hebrew poet since King David.” But boy, has he a long way to go to beat Dave.
    ellauri240.html on line 107: Many Hmong refugees settled in the United States after the Vietnam War. Beginning in December 1975, the first Hmong refugees arrived in the U.S., mainly from refugee camps in Thailand; however, only 3,466 were granted asylum at that time under the Indochina Migration and Refugee Assistance Act of 1975. In May 1976, another 11,000 were allowed to enter the United States, and by 1978 some 30,000 Hmong people had immigrated. This first wave was made up predominantly of men directly associated with General Vang Pao's secret army. The Hmong allied with the French against the Communists during the whole Indochina War and with the Americans during the whole Vietnam War, hoping to resist communist Viêt Minh control. So here was the thanx for their efforts.
    ellauri240.html on line 205: Metalious's father deserted his wife and three daughters when Grace was 11 years old. At that time divorce was unusual in a French Canadian family, and Grace and her sisters felt stigmatized. In high school Grace met George Metalious, who was neither Catholic nor of French-Canadian background and, thus, highly unacceptable to her family. Nevertheless, they married in 1943. A few years later, with one child already, the Metalious's moved to Durham, New Hampshire, where George attended the University of New Hampshire. It was here that Metalious began writing seriously, neglecting both her house and, eventually, three children, despite the condemnation of her neighbors.
    ellauri243.html on line 177: 1. Addressing the court 2. BJ 3. Bagpiping 4. Basket lunch 5. Beej 6. Blowie 7. Blowing the love whistle 8. Bobbing for apples 9. Bone-lipping 10. Buccal onanism 11. Brentwood hello 12. Charming the snake 13. Climbing the corporate ladder 14. Cock-gobbling 15. Copping a doodle 16. Courting the gay vote 17. Drinking a slurpee 18. Dropping on it 19. Earning your keep 20. Essin’ the dee 21. Face-frosting 22. Fellatio 23. Fluting 24. French abortion 25. Gator mouth 26. Getting a facial 27. Getting a lewinsky 28. Getting a throat culture 29. Getting to the cream filling 30. Giving cone 31. Giving face 32. Giving head 33. Gobbling pork 34. Going down 35. Gumming the root 36. Punching 37. Giving Big Jim and the twins a bath 38. Giving brain 39. Giving head 40. Gum-rooting 41. Gumming the green bean 42. Head job 43. Honkin’ bobo 44. Huffing bone 45. Hummer 46. Interrogating the prisoner 47. Kneeling at the altar 48. Knob job 49. Larking 50. Laying some lip 51. Licking the lollipop 52. Making mouth music 53. Making the blind see 54. Meeting with Mr. One-Eye 55. Mouth-fucking 56. Mouth-holstering the nightstick 57. Mouth-milking 58. Mouth-to-junk resuscitation 59. Opening wide for Dr. Chunky 60. Oral sodomy 61. Peeling the banana 62. Penilingus 63. Piston job 64. Playing pan’s pipes 65. Playing the pink oboe 66. Playing the skin flute 67. Pole-smoking 68. Polishing the trailer hitch 69. Pricknicking 70. Protein milkshake 71. Receiving holy communion 72. Respecting your superiors 73. Sampling the sausage 74. Scooby-snacking 75. Secretarial duties 76. Singing to the choir 77. Skull-buggery 78. Skull-fucking 79. Slobbin’ the knob 80. Smiling at Mr. Winky 81. Smoking the pink pipe 82. Smoking pole 83. Southern France 84. Speaking into the bonophone 85. Speaking low genitals 86. Spit-shining a baseball bat 87. Spraying the tonsils 88. Sucking off 89. Sucky-ducky 90. Suck-starting the Harley 91. Swallowing the baloney pony 92. Sword-wwallowing 93. Taking one’s temp with a meat thermometer 94. Talking into the mic 95. Telling it to the judge 96. Waxing the carrot 97. Worshiping at the altar 98. Wringing it dry 99. Yaffling the yogurt cannon 100. Zipper dinner
    ellauri243.html on line 188: 1. Barking at the ape 2. Box lunch at the ‘Y’ 3. Breakfast in bed 4. Brushing one’s teeth 5. Carpet-munching 6. Chewing the she-Fat 7. Clam-jousting 8. Clam-lapping 9. Cleaning the fish tank 10. Connie lingus 11. Contacting the aliens 12. Conversing with moses 13. Devil’s kiss 14. Dinner beneath the bridge 15. Doing it the French way 16. Donning the Beard 17. Drinking from the furry cup 18. Eating at the ‘Y’ 19. Eating fur pie 20. Eating out 21. Eating the peach 22. Eating squirrel 23. Eating sushi from the barbershop floor 24. Eating tinned mussels 25. Egg mcmuff 26. Face-fucking 27. Facing the nation 28. Fanny-noshing 29. Fence-painting 30. French-kissing Mr. Lincoln 31. Fuzz sandwich 32. Giving face 33. Gnawing on roast beef 34. Going downstairs for breakfast 35. Going south 36. Gomorrahry 37. Gorilla in the washing machine 38. Growling at the badger 39. Gumming the monster 40. Husband’s supper 41. Kissing between the hips 42. Kissing the wookie 43. Lady braille 44. Lady Semaphore 45. Larking 46. Lapping the gap 47. Lapping the lint trap 48. Lick-a-chick 49. Lickety-slit 50. Licking anchovy 51. Lip service 52. Lip-synching to the fish-fueled jukebox 53. Low-calorie snacking 54. Making mouth music 55. Medicating the hairy paper cut 56. Mopping the vulva 57. Mustache-riding 58. Muff-diving 59. Mumbling in the moss 60. Munching the bearded clam 61. One-man band 62. Oyster-gargling 63. Parting the fuzz 64. Pastrami sandwich 65. Pearl-diving 66. Placating the beaver 67. Playing in the sandbox 68. Playing the hair harmonica 69. Prawn breath 70. Pruning the orchid 71. Pug-noshing 72. Pussy-nibbling 73. Seafood dinner 74. Sipping at the fizzy cup 75. Sitting on a face 76. Slurping at the furry coconut 77. Smoking the fur 78. Sneezing in the basket 79. Spa time For Lady Boner 80. Speaking in tongues 81. Spraying the crops 82. Tackling the Brazilian 83. Talking to the canoe driver 84. Talking to lassie 85. Telephoning the stomach 86. Testing the echo in the love cave 87. Testing the waters 88. Tipping the velvet 89. Tongue-fucking 90. Tonguing the bean 91. Trimming the hedges 92. Velvet buzzsaw 93. Wearing the feed bag 94. Wearing the Sticky Beard 95. Whispering into the wet ear 96. Whispering to Venus 97. Whistling in the dark 98. Worshiping at the altar 99. Yaffling 100. Yodeling in the canyon 101. January Nelson
    ellauri243.html on line 192: Here is a fun fact about basketball player LeBron James: His name starts with the prefix "Le," which is French for "the." It's true!
    ellauri245.html on line 662: In 2009, Norwegian nationals Joshua French and Tjostolv Moland were arrested and charged in the killing of their hired driver, attempted murder of a witness, espionage, armed robbery and the possession of illegal firearms. They were found guilty and sentenced to death, and also fined, along with their employer Norway—$60 million.
    ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. ​Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
    ellauri247.html on line 279: Despite the doctor's unflattering portraits of Frenchmen, M. Babeau admits that his book is one written by an observer of facts, and a man whose statements, whenever they can be tested, are for the most part "singularly exact."
    ellauri247.html on line 286: CICISBEO: In 18th- and 19th-century Italy, the cicisbeo (Italian: [tʃitʃiˈzbɛːo]; plural: cicisbei) or cavalier servente (French: chevalier servant) was the man who was the professed gallant or lover of a woman married to someone else. With the knowledge and consent of the husband, the cicisbeo attended his mistress at public entertainments, to church and other occasions, and had privileged access to this woman. The arrangement is comparable to the Spanish cortejo or estrecho and, to a lesser degree, to the French petit-maître.,(petit-maître m (plural petits-maîtres) (archaic) dandy, coxcomb). The exact etymology of the word is unknown; some evidence suggests it originally meant "in a whisper" (perhaps an onomatopeic word). Other accounts suggest it is an inversion of bel cece, which means "beautiful chick (pea)". According to the Oxford English Dictionary, the first recorded usage of the term in English was found in a letter by Lady Mary Wortley Montagu dated 1718. The term appears in Italian in Giovanni Maria Muti's Quaresimale Del Padre Maestro Fra Giovanni Maria Muti De Predicatori of 1708 (p. 734).
    ellauri247.html on line 295: "If a Frenchman is capable of real friendship, it must certainly be the most disagreeable present he can possibly make to a man of a true English character. You know, madam, we are naturally taciturn, soon tired of impertinence, and much subject to fits of disgust. Your French friend intrudes upon you at all hours; he stuns you with his loquacity; he teases you with impertinent questions about your domestic and private affairs; he attempts to meddle in all your concerns, and forces his advice upon you with the most unwearied importunity; he asks the price of everything you wear, and, so sure as you tell him, undervalues it without hesitation; he affirms it is in a bad taste, ill contrived, ill made; that you have been imposed upon both with respect to the fashion and the price; that the marquis of this, or the countess of that, has one that is perfectly elegant, quite in the bon ton, and yet it cost her little more than you gave for a thing that nobody would wear.
    ellauri247.html on line 297: "If a Frenchman is admitted into your family, and distinguished by repeated marks of your friendship and regard, the first return he makes for your civilities is to make love to your wife, if she is handsome; if not, to your sister, or daughter, or niece. If he suffers a repulse from your wife, or attempts in vain to debauch your sister, or your daughter, or your niece, he will, rather than not play the traitor with his gallantry, make his addresses to your grandmother; and ten to one but in one shape or another he will find means to ruin the peace of a family in which he has been so kindly entertained. What he cannot accomplish by dint of compliment and personal attendance, he will endeavour to effect by reinforcing these with billets-doux, songs, and verses, of which he always makes a provision for such purposes. If he is detected in these efforts of treachery, and reproached with his ingratitude, he impudently declares that what he had done was no more than simple gallantry, considered in France as an indispensable duty on every man who pretended to good breeding. Nay, he will even affirm that his endeavours to corrupt your wife, or deflower your daughter, were the most genuine proofs he could give of his particular regard for your family.
    ellauri247.html on line 299: "If there were five hundred dishes at table, a Frenchman will eat of all of them, and then complain he has no appetite—this I have several times remarked. A friend of mine gained a considerable wager upon an experiment of this kind; the petit-maitre ate of fourteen different plates, besides the dessert, then disparaged the cook, declaring he was no better than a marmiton, or turnspit."
    ellauri247.html on line 300: "A Frenchman lays out his whole revenue upon taudry suits of cloaths, or in furnishing a magnificent repas of fifty or a hundred dishes, one-half of which are not eatable or intended to be eaten. His wardrobe goes to the fripier, his dishes to the dogs, and himself to the devil."
    ellauri247.html on line 343: Johnson bragged that he could finish his dictionary project in three years. In comparison, the Académie Française had 40 scholars spending 40 years to complete their dictionary, which prompted Johnson to claim, "This is the proportion. Let me see; forty times forty is sixteen hundred. As three to sixteen hundred, so is the proportion of an Englishman to a Frenchman." Rather, the proportion of the civilized vernacular vocabularies of the languages. What a pompous idiot. Although he did not succeed in completing the work in three years, he did manage to finish it in eight. Some criticised the dictionary, including the historian Thomas Babington Macaulay, who described Johnson as "a wretched etymologist."
    ellauri247.html on line 347: Americans had no more right to govern themselves than the Cornish, and "How is it that we hear the loudest yelps for liberty among the drivers of negroes?" The French and Indian War was a conflict between "two robbers" of Native American lands, and that neither deserved to live there.
    ellauri248.html on line 65: Dublinin murhien kahdeksanosainen draamasarja perustuu Irlannin rikoskirjallisuuden viime aikojen suosituimman kirjailijan Tana Frenchin dekkarisarjaan Dublin Murder Squad. Jatkuvajuoninen sarja yhdistää kahden ensimmäisen dekkarin In The Woods ja The Likeness tarinat raastavaksi kertomukseksi ihmismielen salaisuuksista.
    ellauri248.html on line 71: Tana French: Pimennossa
    ellauri248.html on line 79: Pimennossa yhdistelee murhamysteeriä, psykologista jännitystä ja hieman spekulatiivista fiktiotakin. Kirjasarjasta on lisäksi tehty tv-sarja. Frenchin kustannustoimittaja olisi voinut tiivistää tekstiä huomattavasti.
    ellauri248.html on line 81: Tana French is the New York Times bestselling author of In the Woods, The Likeness, Faithful Place, Broken Harbor, The Secret Place, The Trespasser and The Witch Elm. A gorgeously written novel that marks the debut of an astonishing new voice in psychological suspense. [Tää kyllä kuulostaa enemmän että tyttöjen.]
    ellauri248.html on line 85: Let's go through a few of these points. First, I don't think I've ever read a mystery novel with a less likable main character/narrator. Rob (Adam) Ryan is an asshole, plain and simple. Sure, he's been warped by his childhood and circumstances, but he does just about every annoying thing you could possibly imagine-- he constantly navel-gazes and feels self pity, he sleeps with then immediately plays the stereotypical male "I don't want anything to do with you now" role with his female partner (the person we were told was his best friend, and whom he would never ever sleep with), he acts like an idiot over the 17 year old villain/ temptress/ psychopath/ whatever betraying his partner, and by the end of the book he is worse off than ever. I know that lots of detectives (esp. in hard-boild stories) are unlikable, and have many personal issues, but this guy just took the cake. I wanted to take a baseball bat to his head [hear, hear!]. To make matters worse, French throws in this little gem towards the end of the novel:
    ellauri248.html on line 125: And the worst part? The mystery from twenty years ago that causes this entire fucking BOOK and that was way more interesting than the normal mystery? Literally no fucking resolution. Who did it? How did they do it? What is up with that hair clip in the forest and the blood inside Rob’s shoes? NO ONE FUCKING KNOWS. I’m sure this is framed in the minds of many readers as some kind of deeper meaning about memory. You know what I thought, honestly? Tana French wrote herself into a corner with a fucking ridiculous case and then ran out of time on her deadline and decided to leave it open. [krimi, whodunit]
    ellauri248.html on line 127: Emily May rated it amazing: Needless to say, I was completely expecting something a bit dark and twisted, a creepy psychological murder mystery with an outcome I never would have seen coming. And I got that. But I never expected this book to leave me feeling so... sad. And you know why? Because I cared. Ms French carefully builds up a complex personality for each of her characters, complete with a past, a sense of humour and some serious issues to go with it all, and you can't help but care what happens to the detectives even more than you care what happens with the case.
    ellauri248.html on line 133: Matt rated it amazing: French makes her debut in stunning fashion, sure to impress all those who enjoy a police procedural of the highest order.
    ellauri249.html on line 128: Another euphemism for the penis was cauda ("tail"), which occurs twice in Horace,[22] and continues today in the French derivative queue ("tail" or "penis"). In one place in his Satires (Serm. 2.7.50) Horace writes:
    ellauri249.html on line 175: Because the /m/ of cum assimilates to the /n/ of nōbīs, cum nōbīs sounds very similar to cunnō bis, meaning "in/from/with a cunt twice". A similar euphemism occurs in French: the avoidance of qu'on, homophone to con (cunt), by the insertion of a superfluous letter: que l'on.
    ellauri254.html on line 358: Primary influences on the movement weren't merely western writers such as Brix Anthony Pace, Paul Verlaine, Maurice Maeterlinck, Stéphane Mallarmé, French symbolist and decadent poets (such as Stéphane Mallarmé, Paul Verlaine and Charles Baudelaire), Oscar Wilde, D'Annunzio, Joris-Karl Huysmans, the operas of Richard Wagner, the dramas of Henrik Ibsen or the busty broad and toyboy philosophy of Arthur Schopenhauer and Friedrich Nietzsche.
    ellauri256.html on line 360: Lilya was born in 1891 to a wealthy Jewish family. Her father was a lawyer and the family lived in the center of Moscow. Her parents often took little Lilya and her younger sister, Elsa (the future heroine of the French Resistance, Elsa Triolet) with them to European resorts. They look a little like Lea and Liisa in an old phtograph.
    ellauri256.html on line 362: The girls were under the constant care of a governess. They became fluent in German and French, learned to play the piano and studied at a grammar school. It was there that at the age of 13, Lilya met her future husband, Osip Brik: in the wake of the revolutionary anti-monarchist unrest of 1905, Lilya began to attend political education clubs, one of which was headed by Osip, the son of a jewelry merchant.
    ellauri256.html on line 521: Sidis sr applied his own psychological approaches to raising William James jr in whom he wished to promote a high intellectual capacity. Sidis jr could read The New York Times at 18 months. By age eight, he had reportedly taught himself eight languages (Latin, Greek, French, Russian, German, Hebrew, Turkish, and Armenian) and invented another, which he called "Vendergood".
    ellauri260.html on line 290: French Revolution declared that all men were equal, but it made equality consist essentially in awarding the same formal rights to every individual, including the right to develop by his own powers ; the actual inequality of individuals was not disputed. But the idea in its positive form demanded the complete and unreserved equality of all individuals. All inequality it regarded as unjust, as a mere consequence of external circum- stances, especially property and education. It was to be abolished by every possible means, and an absolute equality was to be established. During the French Revolution the Gironde held the negative, the Mountain the positive, conception of equality. The final issue of the positive movement was pure Communism (Babeuf). It was soon forcibly suppressed.
    ellauri263.html on line 687: Coined by the Kerista Community in the 1970s. Possibly derived from French compère (“partner”), plus -sion, based on an earlier use of the French compérage to denote the practice of brothers-in-law sharing wives observed among Tupi people of the Brazilian Amazon.
    ellauri264.html on line 426: Nenästä ja ammatista huolimatta Pattis ei välttämättä ole jutku, nimestä päätellen se voisi olla myös paki tai mafioso. No ei se onkin ... Hungarian! Ei vaitiskaan vaan Esko Kreetalta. Pattis was born in Chicago in 1955 to a mother of French-Canadian descent and a father who had immigrated from the Greek island of Crete. One day when Pattis was 6 or 7, his father left the house and never came back. Pattis says that the abandonment haunts him to this day.
    ellauri264.html on line 556: The previous Halacha Yomis quoted Rav Belsky’s view that although cooked potatoes are subject to bishul Akum, potato chips are not. What about French fries – are they like potatoes or like potato chips?
    ellauri266.html on line 376: Boulle syntyi vuonna 1912 Avignonissa, Ranskassa. Hän kouluttautui insinööriksi, ja vuonna 1936 hän matkusti Malesiaan työskentelemään kumiviljelmällä. Toisen maailmansodan syttyessä hänet kutsuttiin palvelukseen. Kun Indokiina kaatui, hän pakeni Singaporeen, missä hän liittyi Free French Missioniin. Hänet vangittiin vuonna 1943 ja tuomittiin elinkautiseen pakkotyöhön. Vuonna 1944 hän pakeni, otti yhteyttä Britannian joukkoihin ja palveli sitten loput sodasta Kalkutassa erikoisjoukkojen sotilaana.
    ellauri266.html on line 411: Toisen maailmansodan syttyessä Boulle värväytyi Ranskan armeijaan Indokiinassa. Kun saksalaiset joukot miehittivät Ranskan, hän liittyi Facebookiin tai siis French Freedom Fries Missioniin Singaporessa. Sodan aikana hän oli Charles de Gaullen kannustaja.
    ellauri269.html on line 583: Whats your point? Dances do not show anything about actual inspiration. The kaldorei female dance is a French singer’s dance, yet they have no French inspiration. That is saved for the Shal’dorei, who were created over a decade after that dance. You want to draw some jewish heritage inspirations? sure. But Draenei being jewish and only jewish based on these weak arguments?
    ellauri277.html on line 225: At an exhibit of Day’s photographs in 1898 Gibran met a Cambridge poet, Josephine Prescott Peabody, who was nine years older than he. He sketched a portrait of her from memory and gave it to Day to pass on to her. Peabody was charmed by the sketch, and she and Gibran exchanged French letters.
    ellauri277.html on line 231: Gibran’s relationship with Peabody ended completely with her marriage in 1906. He then began a secret affair with a pianist, Gertrude Barrie, who, like Peabody, was several years his senior. During this period Haskell introduced him to an aspiring French actress, Émilie Michel, who taught French at Haskell’s school, and the two fell in love. In 1908 Michel suffered an ectopic pregnancy and had an abortion. The relationship waned and ultimately ended, a victim of Michel’s ambitions for a career on the stage.
    ellauri278.html on line 167: He spoke good French, was quick, clever and efficient, and always knew his dossier well, but whereas I had a certain unwilling respect for Molotov, I had none at all for Vyshinsky. All Soviet officials at that time had no choice but to carry out Stalin's policies without asking too many questions, but Vyshinsky above all gave me the impression of a cringing toadie only too anxious to obey His Master's Voice even before it had expressed his wishes. ... I always had the feeling with Vyshinsky that his past as a Menshevik together with his Polish and bourgeois background made him particularly servile and obsequious in his dealings with Stalin and to a lesser extent with Molotov.
    ellauri278.html on line 208: In January 1908, French police arrested Litvinov under the name Meer Wallach while carrying twelve 500-ruble banknotes that had been stolen in a bank robbery in Tiflis the year before. The Russian government demanded his extradition but the French Minister for Justice Aristide Briand ruled Litvinov´s crime was political and ordered him to be deported. He went to Belfast, Ireland, where he joined his sister Rifka and her family. There, he taught foreign languages in the Jewish Jaffe Public Elementary School until 1910.
    ellauri284.html on line 40: This snapshot, our correspondent states, was taken after The German - sorry - the French charge near Forêt-Champignon. The body stretched at full length is a dead German guy. Those crouching behind a stone are French infantrymen, stone dead as well. Evidently the were charging, carrying that big stone. The bodies were not moved so as not to confuse the crime scene investigation.
    ellauri284.html on line 194: This unhappy French soldier was bribed by the Germans, for a measly hundred francs, to signal to them the position of the French guns near Rheims Thus he sold the lives of his comrades, so to speak, for thirty pieces of (German) silver." He paid the penalty for his treachery with his life but was it not a greater crime to tempt him? 100 francs is nowhere near 30 pieces of German silver.
    ellauri286.html on line 279: Siinä kuvailtiin varsin värikkäin sanakääntein minua, joka en herra nähköön ole vähääkään värikäs (paizi nyt noi "tuuttaus" ja "truuttaus", excuse my French), en ainakaan yritä, mutta olennaisin väite lienee se, että sen mukaan Oksanen väittää kaikkien venäläisten olevan juoppoja sikoja ja murhaajia ja luonnollisesti fasistiretoriikka oli myös mukana, siitähän en pääse enempää kuin Leopard-tankki täplistään..
    ellauri321.html on line 101: A new English edition appeared in the year following, and an American reprint of the editio princeps was brought out by Matthew Carey in Philadelphia in 1793. In the meantime its author, whose full name was J. Hector Saint John de Crèvecoeur, had himself translated the book into French, adding to it very considerably, and publishing it in Paris in 1784.* A second French edition, still further enlarged and containing excellent maps and plates, appeared in 1787. These bibliographical facts are significant. They show that for at least twenty years, probably for a much longer period, the “Letters from an American Farmer” was an important interpreter of the New World to the Old. It seems to have been in answer to a demand aroused by his first book that Crèvecoeur ventured to treat the same theme once more. But the three bulky volumes of his “Journey in Upper Pennsylvania” (1801) contain little that is now or illuminating.
    ellauri321.html on line 108: In 1747, in his sixteenth year, Crèvecoeur was sent by his family to England in order to complete his education. But the young man was of an adventurous spirit, and after a sojourn of about seven years in England, he set sail for Canada, where for the years 1758–59 he served in the French army. In 1764, after some residence in Pennsylvania, he became a naturalized citizen of New York, and five years later settled on a farm in Ulster County. Here, with his wife, Mahetable Tiffet of Yonkers, he lived the peaceful life of many idyllic years during which he gathered the materials for his book. Obviously enough he did not always remain on his farm, but viewed many parts of the country with a quietly observing eye. These journeys are recorded in his pages. He explored pretty thoroughly the settled portions of the States of New York and Pennsylvania, saw something of New England, and also penetrated westward to the limits of the colonies. He went as far South as Charleston, and may have visited Jamaica. Beyond such journeyings we may imagine these years to have xiv have been quite barren of events, serene and peaceful, until the storm of the Revolution began to break. It is not until 1779 that anything of import is again recorded of Crèvecoeur. In that year he made an attempt to return to Normandy, but the sudden appearance of a French fleet in the harbor of New York causing him to be suspected as a spy, he was imprisoned for three months. He was then permitted to sail, and, on his arrival in England, sold for thirty guineas his “Letters from an American Farmer,” which were published at London in 1782, the year after he reached France.
    ellauri321.html on line 110: The success of his book and his efforts to improve the agricultural conditions of Normandy made Crèvecoeur a welcome guest in France. He spent some pleasant months in French literary society, into which he was probably introduced by Mme. de Houdetot, one of the many heroines of Rousseau's “Confessions.” To this lady, an old friend of his father, he also owed his introduction to Franklin.* He returned to America at the end of 1783.
    ellauri321.html on line 112: Here sorrow and desolation awaited him. His wife had died a few weeks before his arrival, his farm had been ravaged, his children were in the care of strangers. But as he had been appointed French Consul in New York with the especially expressed approbation of Washington, he remained in America six years longer, with only one brief interval spent in France. Notwithstanding the disastrous practical influence of his book, through which five hundred Norman families are said to have perished in the forests of Ohio, he was now an honored citizen in his adopted country, distinguished by Washington, and the friend of Franklin. In these later years he accompanied Franklin on various journeys, one of which is recorded in the “Voyage Dans La Haute Pennsylvanie.” In 1790 he returned to France, living now at Rouen, now at Sarcelles, where he died on November 12, 1813. He was a man of “serene temper and pure benevolence,” of good sense and sound judgment; something also of a dreamer, yet of a rhetorical rather than a poetical temperament; typically French, since there were in him no extremes of opinion or emotion. He followed the dictates of his reason tempered by the warmth of his heart, and treated life justly and sanely.
    ellauri321.html on line 117: Crèvecoeur sought and found, or imagined that he had found, that land of plain living and high thinking, of simple virtue and untrammeled manhood, which was one of the dreams of his age. Here were none of those social distinctions against which Werther so bitterly rebelled. The restraints of law were reduced to a minimum and in Crèvecoeur's favorite Society of Friends (of which he gave a long account to his French countrymen) there were not even priests. In a word, the spiritual rebellion of that period was essentially a rebellion against institutions, and the real corresponded very nearly to the ideal in colonial America. Beyond the limits of the colonies, moreover, the absolute ideal hovered.
    ellauri321.html on line 123: But Crèvecoeur was after all a Frenchman, with the strong social instinct of his race. And so he proceeds to analyze and define the political conditions of America. It fills him with a quiet but deep satisfaction to be one of a community of “freeholders, the possessors of the soil they cultivate, members of the government they obey, and the framers of their own laws by means of their representatives.” Thus he rises to a consideration of this new type of social man and seeks to answer the question: What xx What is an American? His answer is delightful literature, but fanciful sociology. Had the colonial farmers all been Crèvecoeurs, had they all possessed his ideality, his power of raising simple things into true human dignity, of connecting the homeliest activity with the ultimate social purpose which it furthers in its own small way, his description of the American would have been fair enough. As a matter of fact, the hard-working colonial farmer, cut off from the refining and subduing influences of an older civilization, was probably no very delectable type, however worthy, and one fears that Professor Wendell is right in declaring that Crèvecoeur's American is no more human than some ideal savage of Voltaire. But in this fact lies much of the literary charm of his work, and of its value as a human document of the age of the Revolution.
    ellauri321.html on line 146: The next wish of this traveller will be to know whence came all these people? they are a mixture of English, Scotch, Irish, French, Dutch, Germans, and Swedes. (Oh, and sundry Indians and Africans, who however own no land.)
    ellauri321.html on line 170: As I have endeavoured to shew you how Europeans become Americans; it may not be disagreeable to shew you likewise how the various Christian sects introduced, wear out, and how religious indifference becomes prevalent. When any considerable number of a particular sect happen to dwell contiguous to each other, they immediately erect a temple, and there worship the Divinity agreeably to 62 their own peculiar ideas. Nobody disturbs them. If any new sect springs up in Europe, it may happen that many of its professors will come and settle in America. As they bring their zeal with them, they are at liberty to make proselytes if they can, and to build a meeting and to follow the dictates of their consciences; for neither the government nor any other power interferes. If they are peaceable subjects, and are industrious, what is it to their neighbours how and in what manner they think fit to address their prayers to the Supreme Being? But if the sectaries are not settled close together, if they are mixed with other denominations, their zeal will cool for want of fuel, and will be extinguished in a little time. Then the Americans become as to religion, what they are as to country, allied to all. In them the name of Englishman, Frenchman, and European is lost, and in like manner, the strict modes of Christianity as practised in Europe are lost also.
    ellauri322.html on line 43: Paine was born in Thetford, Norfolk and emigrated to the British American colonies in 1774 with the help of Benjamin Franklin, arriving just in time to participate in the American Revolution. Paine fled to France in September, and despite not being able to speak French, il est élu député à l’Assemblée nationale en 1792. Considéré par les Montagnards comme un allié des Girondins, il est progressivement mis à l’écart, notamment par Robespierre, puis emprisonné en décembre 1793.
    ellauri322.html on line 254: To Burke's attack on the French Revolution Mary Wollstonecraft wrote an Answer one of many answers provoked by it that attracted much attention. This was followed by her "Vindication of the Rights of Woman," while the air was full of declamation on the "Rights of Man." The claims made in this little book were in advance of the opinion of that day, but they are claims that have in our day been conceded. They are certainly not revolutionary in the opinion of the world tbat has become a hundred years older since the book was written (1792). No, more like 230 years, plus 1.
    ellauri322.html on line 258: Four months after she had gone to Paris, Mary Wollstonecraft met at the house of a merchant, with whose wife she had become intimate, an American named Gilbert Imlay. He won her affections. That was in April, 1793. He had no means, and she had home embarrassments, for which she was unwilling that he should become in any way responsible. A part of the new dream in some minds then was of a love too pure to need or bear the bondage of authority. The mere forced union of marriage ties implied, it was said, a distrust of fidelity. When Gilbert Imlay would have married Mary Wollstonecraft, she herself refused to bind him ; she would keep him legally exempt from her responsibilities towards the father, sisters, brothers, whom she was supporting. She took his name and called herself his wife, when the French Convention, indignant at the conduct pf the British Government, issued a decree
    ellauri322.html on line 367: Here I met with an intelligent literary man, who was anxious to gather information from me relative to the past and present situation of France. The newspapers printed at Copenhagen, as well as those in England, give the most exaggerated accounts of their atrocities and distresses, but the former without any apparent comments or inferences. Still the Norwegians, though more connected with the English, speaking their language and copying their manners, wish well to the Republican cause, and follow with the most lively interest the successes of the French arms. So determined were they, in fact, to excuse everything, disgracing the struggle of freedom, by admitting the tyrant’s plea, necessity, that I could hardly persuade them that Robespierre was a monster. Laureenska myöntää että kaikki ukrainalaiset eivät pidä Zelenskystä.
    ellauri322.html on line 432: England, the common name in Scandinavia for the United Kingdom, declared war on Denmark-Norway due to disagreements over the neutrality of Danish trade and to prevent the Danish fleet falling into the hands of the First French Empire. Tanskixet menetti Norjan ja svedut Suomen ja ottivat lohtunamixi tyhmät Bernadottet Napsulta.
    ellauri322.html on line 489: You are viewing an original antique oil painting on canvas by Paulette Bardy, listed French Impressionist of the early part of the 20th century. She was born in Fez, Morocco and her works were accepted and exhibited at the prestigious Salon des Artistes Francais in Paris. She was a pupil of French artist Charles Fouqueray and she also painted a series of controversial risque beach scenes, erotic in nature, titled "La Plage" and "Bord de Mer". Her landscapes are Impressionistic mixed with an influence of rural French folk art.
    ellauri332.html on line 664: Chinless George Lucas was born and raised in modest circumstances in Modesto, California, the son of Dorothy Ellinore Lucas (née Bomberger) and George Walton Lucas Sr., and is of German, Swiss-German, English, Scottish, and distant Dutch and French descent. His family attended Disneyland during its opening week in July 1955, and Lucas would remain enthusiastic about the park, Goofy in particular. Lucas's father owned a stationery store, and had wanted George to work for him when he turned 18. Sama lähtökohta siis kuin Paavo Havikolla.
    ellauri365.html on line 289: Michel Drach directed and co-wrote a 1982 French biographical film: Guy de Maupassant. Claude Brasseur stars as the titular character.
    ellauri370.html on line 483: January 1927, Hitler, along with several highly ranked members of the Nazi Party, attended Chamberlain´s funeral. In 1909, some months before his 17th birthday, Rosenberg went with an aunt to visit his guardian where several other relatives were gathered. Bored, he went to a book shelf, picked up a copy of Chamberlain´s The Foundations and wrote of the moment: "I felt electrified; I wrote down the title and went straight to the bookshop." In 1930 Rosenberg published The Myth of the Twentieth Century, a homage to and continuation of Chamberlain´s work. Hitler told the ailing Chamberlain that he´d write a sequel to it. The French Germanic scholar Edmond Vermeil considered Chamberlain´s ideas "essentially shoddy".
    ellauri372.html on line 543: Riimin sanat "swear for" ja "wherefore" ja "ecclesiastic" ja "kepin sijasta" ovat yllättäviä, luonnottomia mutta humoristisia. Lisäksi "-don dwelling" ja "a-colonelling" riimi on jännitetty katkeamiseen saakka, jälleen humoristisen vaikutuksen vuoksi. Mitä vittua, "colonel" ääntyi /kolönel/ 1600-luvulla!? Moukka! “Colonel” came to English from the mid-16th-century French word coronelle, meaning commander of a regiment, or column, of soldiers. By the mid-17th century, the spelling and French pronunciation had changed to colonnel. The English spelling also changed, but the pronunciation was shortened to two syllables for no good reason. By the early 19th century, the current pronunciation and spelling became standard in English. But in the part of Virginia I come from, there is no “r” sound; it’s pronounced kuh-nul. (David Miller, Curator, Armed Forces History, National Museum of American History).
    ellauri374.html on line 210: EU equivalents include the German: haberfeldtreiben and German: katzenmusik, Italian: scampanate, Spanish cacerolada, (also cacerolazo or cacerolada) and of course French charivari. Americans of course were not that nasty. In a North American charivari participants might throw the culprits into horse tanks or force them to buy candy bars for the crowd. "All in fun – it was just a shiveree, you know, and nobody got mad about it. At least not very mad." In music, Charivari would later be taken up by composers of the French Baroque tradition as a 'rustic' or 'pastoral' character piece. In Samuel Butler´s Hudibras, the central character encounters a skimmington in a scene notably illustrated by William Hogarth. In the 1966 film El Dorado, Cole Thorton (John Wayne) tells Mississippi (James Caan) that they were unable to re-enter the saloon they just left because the "shivaree" (i.e., the fight they had with other bar patrons) "wore out our welcome".
    xxx/ellauri068.html on line 221: I also said something about Borges’s love life, which is present in several places in his work, just like his reticence, yes, to go beyond “a certain point” (in the story “The Other,” for example, various critics have found a subtle reference to a brothel and a prostitute located almost in a blank space, between two French names that are almost identical).
    xxx/ellauri075.html on line 155: Shestov's dislike of the Soviet regime led him to undertake a long journey out of Russia, and he eventually ended up in France.
    (LOL se lähti livohkaan bolshevikkeja, niinkuin monet muutkin ökyporvarit.) The author was a popular figure in France, where his originality was quickly recognized. That this Russian was newly appreciated is attested by his having been asked to contribute to a prestigious French philosophy journal.
    xxx/ellauri075.html on line 332: Among Benjamin's best known works are the essays "The Task of the Translator" (1923), "The Work of Art in the Age of Mechanical Reproduction" (1935), and "Theses on the Philosophy of History" (1940). His major work as a literary critic included essays on Baudelaire, Goethe, Kafka, Kraus, Leskov, Proust, Walser, and translation theory. He also made major translations into German of the Tableaux Parisiens section of Baudelaire's Les Fleurs du mal and parts of Proust's À la recherche du temps perdu. In 1940, at the age of 48, Benjamin committed suicide at Portbou on the French–Spanish border while attempting to escape from the invading Wehrmacht. Though popular acclaim eluded him during his life, the decades following his death won his work posthumous renown.
    xxx/ellauri076.html on line 108: Musta broke those Frenchies laws with those Taisin rikkoa ranskislakeja niiden kaa
    xxx/ellauri076.html on line 131: Kajanus was born in Trondheim, Norway, to Prince Pavel [also Paulo] Tjegodiev of Russia and Johanna Kajanus, a French-Finnish sculptress, bronze medal winner for sculpture at the Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937), and granddaughter of Robert Kajanus, the Finnish composer, conductor, champion of Sibelius and founder of the Helsinki Philharmonic Orchestra. He is the brother of the late actress and film-maker Eva Norvind and the uncle to Mexican theater and television actress Nailea Norvind.
    xxx/ellauri081.html on line 309: Maurice Le Noblet Duplessis QC (French pronunciation: ​[dyplɛsi]; 20 April 1890 – 7 September 1959) served as the 16th Premier of the Canadian province of Quebec from 1936 to 1939 and 1944 to 1959.
    xxx/ellauri084.html on line 773: In France, after its release, communists, socialists, and "independent groups" treated the film favorably; however, the far right disapproved on account of the director's background. Some French critics denounced the film as unpatriotic. The film has also been criticized for being too selective and that the director was "too close to the events portrayed to provide an objective study of the period."
    xxx/ellauri085.html on line 158: Gilles Deleuze (1925-1995) was a French philosopher.
    xxx/ellauri085.html on line 565: “In the last decade, especially with the pioneering work of Thomas Piketty and his co-authors, there has been a growing consensus that tax cuts for the rich lead to higher income inequality,” Hope and Limberg said. Piketty, a French economist, wrote “Capital in the Twenty-First Century,” a book on the growth of inequality in rich nations.
    xxx/ellauri086.html on line 591: Tässä pitkäveteisessä paasauxessa on "alphabet soup" aiheisia vanhoja amer. meemejä. Alphabet on Googlen kauppanimi, aiheeseen sopivasti. Näitä meemejä on "Scarlet letter", "Purloined letter" ja monen monta muuta, kuten French letter joka esiintyy Pynchonin tiiliskivessä, jopa Open Letter To My Future Self:
    xxx/ellauri086.html on line 648: Aika törkeetä! Röyhtäillä nyt ruokapöydässä! Thyestes oli paha mies, ja ansaizi läxynsä. Ainoa vielä pahempi rike on pieraista kun toisella on ruoka vielä kesken, nostaen vähän toista takapuolta jotta pieru pääsee ulos helpommin. Taunting on se mitä French Knight teki kuningas Arthurille ja sen tiimille Monty Pythonin leffassa Holy Grail.
    xxx/ellauri087.html on line 483: "Le char ailé du Temps" (Time's winged chariot) is the French translation (by Bernard Sigaud, 2013) of a short story by Nina Allan (2009), whose original title is just "Time's Chariot".
    xxx/ellauri091.html on line 333: Left and right originally referred seating positions in the 1789 French National Assembly, the parliament France formed after the French Revolution.
    xxx/ellauri091.html on line 334: Relative to the viewpoint of the speaker (chair) of this assembly, to the right were seated nobility and more high-ranking religious leaders. To the left were seated commoners and less powerful clergy. The right-hand side (called le côté droit in French) became associated with more reactionary views (more pro-aristocracy) and the left-hand side (le côté gauche) with more radical views (more pro-middle class). Conservatives wanted to conserve their right of way, and the radicals wanted to eradiate their privilege (and install their own instead). Left and right, as political adjectives, are recorded in English in the 1790s.
    xxx/ellauri091.html on line 624:

    Let’s all just take some breaths and think about this. France has everything and always will, which is terribly frustrating. And they know this and so they deserve to be put in their place whenever possible. When asked to choose the most arrogant people in Europe, French people chose themselves. We are very offended.


    xxx/ellauri091.html on line 625:

    Sure, the food is perfection, the art scene is out of control and there’s enough history to fill several volumes of textbooks. But can’t the French be more humble about it!? And why didn't they join the mobbing of Iraq? We'll never forgive that.


    xxx/ellauri091.html on line 782: Practical work alone, however, did not exhaust the aspirations that gripped Emily Balch. She felt the need both to acquire knowledge and to pass it on to others if she was to achieve more. And so she continued her studies, first in Paris under Levasseur1, the historian of the French working class, and later in Berlin where she studied that branch of economics which has been called a «professor-chair socialism»2. Here she also came in contact with the European labor movement and attended the Socialist Trade Union Congress in 1896.
    xxx/ellauri091.html on line 800: *Mr. Jahn delivered this speech in the auditorium of the Nobel Institute in the early afternoon of December 10, 1946. At its conclusion, Mr. Jahn read a message of acceptance from Miss Balch, whose health prevented her from attending the ceremonies, and presented the prize to Mr. Huston of the U.S. Embassy who accepted in her name. This translation is based on the Norwegian text in Les Prix Nobel en 1946, which contains, also, a French translation.
    xxx/ellauri103.html on line 528: Gifford's paternal grandfather was a Russian Jew from Saint Petersburg and her paternal grandmother had Native American ancestry. Her mother, a relative of writer Rudyard Kipling, was of French Canadian, German and English descent.
    xxx/ellauri114.html on line 542: Susan on Elamin pääkaupunki. Susan on täydellisten naisten nimi, epätoivoisten kotirouvien. Persian "Liljankukka", Egyptin sšn and koptin shoshen "lootuskukka", hebrean Shoshana tarkoittaen "lilja" (in modernissa hebreassa "ruusu" ja kukka yleensä), Greek Sousanna, Latin Susanna, Old French Susanne. Apokryfikirjan Susan oli saada kahtakin ryppyistä penistä.
    xxx/ellauri116.html on line 180: Élisabeth Badinter (née Bleustein-Blanchet; 5 March 1944, Boulogne-Billancourt) is a French philosopher, author and historian.
    xxx/ellauri116.html on line 184: Badinter is the largest shareholder of Publicis Groupe, a multinational advertising and public relations company, and the chairwoman of its supervisory board. She received these shares in an inheritance from her father, Marcel Bleustein-Blanchet, who founded the company. According to Forbes, she is one of the wealthiest French citizens with a fortune of around US$1.8 billion in 2012.
    xxx/ellauri116.html on line 393: Mikäs se nyt oli? Ainiin se 1700-luvun romaani, mulla taitaa olla se, vaikken ole lukenut. A French epistolary novel by Pierre Choderlos de Laclos, first published in four volumes by Durand Neveu from March 23, 1782. It is the story of the Marquise de Merteuil and the Vicomte de Valmont, two narcissistic rivals (and ex-lovers) who use seduction as a weapon to socially control and exploit others, all the while enjoying their cruel games and boasting about their talent for manipulation. It has been seen as depicting the corruption and depravity of the French nobility shortly before the French Revolution, and thereby attacking the Ancien Régime. The book has also been described as merely a story about two amoral people.
    xxx/ellauri121.html on line 314: The books he wrote were never “hot”, but they were never read, so no harm done. His novels were well crafted but never quite took off — what the French call connerie pure. In 1996, he decided to stop writing novels altogether, and concentrate on childcare and cooking & laughing at Peggy's jokes. Kinda ironic given they didnt ever marry tho. It’s as if he made sure to stick around long enough for her new sequel to The Handmaid’s Tale – The Testaments – to be published. Considerate.
    xxx/ellauri122.html on line 794: Brod’s memoirs spoke about Kafka’s gentle serenity, describing their relationship almost as if they were lovers. He also recalled the mystical experience of both men reading Plato’s Protagoras in Greek, and Flaubert’s Sentimental Education in French, like a collision of souls. While there is no evidence of any homosexual feeling between Kafka and Brod, their intimate relationship appeared to go beyond typical camaraderie from two straight men of their era.
    xxx/ellauri122.html on line 822: 'A Confederacy of Dunces' was written 11 years after Toole committed suicide. Ignatius O'Reilly is a 30-year-old man living with his mother in New Orleans, who comes into contact with many French Quarter characters while searching for employment. Though comical, there is a deep streak of melancholy that runs through Reilly's character, and Toole's ability to combine these two aspects beautifully won him the Pulitzer Prize for fiction in 1981. The moral (as usual): everybody is the Steven of his or her own life. A complete turd. Supposedly funny. Parochial baloney.
    xxx/ellauri123.html on line 758: Lolita is a 1955 novel written by Russian-American novelist Vladimir Nabokov. The novel is notable for its controversial subject: the protagonist and unreliable narrator, a French middle-aged literature professor under the pseudonym Humbert Humbert, is obsessed with an American 12-year-old girl, Dolores Haze, whom he sexually molests (fucks) after he becomes her stepfather. "Lolita" is his private nickname for Dolores.
    xxx/ellauri123.html on line 788: French (Middle French) French (excuse my French) Suom. (ei sentään Eila Pennanen)
    xxx/ellauri123.html on line 1152: Remy (or Rémi) Belleau (1528 – 6 March 1577) was a poet of the French Renaissance. He is most known for his paradoxical poems of praise for simple things and his poems about precious stones.
    xxx/ellauri125.html on line 315: Hardened? Most certainly, and the evidence is everywhere. Here’s a man so powerful that he can boss around both massage therapists and waiters, as he does in “I Am a God”: “I am a god / So hurry up with my damn massage / in the French … restaurant / hurry up with my damn croissants.” If it weren’t embedded within a truly frightening song featuring curdling screams and deep bass, the line would be laughable.
    xxx/ellauri126.html on line 480: Les Grosses Têtes French pronunciation: ​[le ɡʁos tɛt]; is a daily comedy radio programme on the French language RTL radio network. Broadcasted since 1 April 1977, the current host since 2014 is Laurent Ruquier. Presently broadcast from 15:30 to 18:00 in France and Belgium this show has several regular segments.
    xxx/ellauri127.html on line 116: There are currently five scholarly journals devoted to Nabokov studies. His allusive style and trilingual (English, French, Russian) wordplay are catnip for academics, who endlessly parse challenging texts like “Pale Fire” — a novel in verse, followed by obscurantist commentary — finding new apercus tailor-made for small-journal publication. Nabokov’s apotheosis in academe is quite ironical, because he and his close friend, the literary critic Edmund Wilson, shared an icy disdain for the ivory tower. They viewed universities as ATMs, handy because there were so many of them, and because they were flush with cash. Nabokov, who arrived in the United States penniless in 1940, had to rely on teaching assignments at Wellesley and Cornell to feed his family for 15 years. The moment “Lolita” made him financially independent, he fled Cornell for Switzerland and never set foot in a classroom again.
    xxx/ellauri127.html on line 252: 1952 is a capital year in the novel and the number 52 is omnipresent and thus loaded with a mysterious meaning in the mind of Nabokov, in the context of this novel. It must be a central symbolic element in the Lolita’s riddle. Se oli hyvä vuosi muutenkin. « Pierre Point in Melville Sound » (p.33 TAL) was a reference to « Pierre or the Ambiguities » a Novel by Herman Melville (1819-1891; notice the 19/91) published in 1852. «brun adolescent (…) se tordre-oh Baudelaire! » (p.162 TAL): Charles Baudelaire (1821-1867 was one of the most famous French poet who translated Edgar A. Poe in French). A part of « Le Crépuscule du Matin » (1852). Se tordre tarkoittanee käteenvetoa. Humbert refering to the hunchbacked hoary black groom at the « Enchanted Hunters » Hotel: « Handed over to uncle Tom » (p.118 TAL): « Uncle Tom’s Cabin » by Harriet Beecher Stowe (1811-1896) is from 1852. Ehm… the list is non-negligible.
    xxx/ellauri127.html on line 256: Hegel (mentioned in p.259 TAL; he married in 1811 and his sister Christian Luise died in 1832) was fascinated by Goethe (and also by Jean-jacques Rousseau (allusion to him in p. TAL « Jean-jacques Humbert« ) and the French Revolution). Goethe published a « Theory of Colours » concerning the light spectrum (a hint, more about this in the final conclusion part). There are recurrent mentions of Goethe in Freud‘s writings. Schopenhauer cited Goethe’s novel « Wilhelm Meister’s Apprenticeship » as one of the four greatest novels ever written, along with « Tristram Shandy« , « La Nouvelle Heloïse« , and « Don Quixote« .
    xxx/ellauri127.html on line 282: The most famous literary version of Melusine tales, that of Jean d'Arras, compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette (coulrette (in French)). He wrote The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine, giving source and historical notes, dates and background of the story. Another version, Chronique de la princesse (Chronicle of the Princess). tells how in the time of the Crusades, Elynas, the King of Albany (an old name for Scotland or Alba), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of fay and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of Avalon.
    xxx/ellauri127.html on line 614: Samuel Taylor Coleridge is the premier poet-critic of modern English tradition, distinguished for the scope and influence of his thinking about literature rather than for his innovative verse. Active in the wake of the French Revolution as a dissenting pamphleteer and lay preacher, he...
    xxx/ellauri128.html on line 590: Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of objects as a source of images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. He is also noted for his novels consisting of collages. Vitun tuhertaja. Onko hölmömpää kuin noi Maxin älynväläyxet? Se on yhtä puupää kuin Wolfram Rothin isäpuoli Ernst Rüdiger. Turmiolan Hannu on kyllä raapinut aforismikasaansa ihan pahnanpohjatkin. Oscar Wilden turauxet puolestaan on tyypillistä homopetteröintiä.
    xxx/ellauri128.html on line 611: Adrian Henri (10 April 1932 – 20 December 2000) was a British poet and painter best remembered as the founder of poetry-rock group the Liverpool Scene and as one of three poets in the best-selling anthology The Mersey Sound, along with Brian Patten and Roger McGough. The trio of Liverpool poets came to prominence in that city´s Merseybeat zeitgeist of the 1960s and 1970s. He was described by Edward Lucie-Smith in British Poetry since 1945 as the "theoretician" of the three. His characterisation of popular culture in verse helped to widen the audience for poetry among 1960s British youth. He was influenced by the French Symbolist school of poetry and surrealist art. Aika nolla.
    xxx/ellauri128.html on line 627: Ti-Grace Atkinson (born November 9, 1938 as Grace Atkinson) is an American radical feminist author and philosopher. Atkinson was born into a prominent Louisiana family. Named for her grandmother, Grace, the "Ti" is Cajun French for petite, meaning little.
    xxx/ellauri129.html on line 613: Francis Wiener de Croissant, né Edgar Franz Wiener à Bruxelles le 28 janvier 1877 et mort à Neuilly-sur-Seine le 8 novembre 1937, est un auteur dramatique, romancier et librettiste français. Francis de Croisset est issu d'une famille juive allemande. Son grand-père, Jacques Wiener (1815-1899), s'était installé vers 1835 à Bruxelles ; graveur, il créa le premier timbre belge. Le frère cadet de celui-ci, Léopold Wiener, se fit également connaître comme graveur, médailleur et sculpteur. Le père de Francis de Croisset, Alexandre Wiener (1848-1920), était peintre. L'un de ses oncles, Samson Wiener (1851-1914), fut sénateur à la chambre haute de Belgique et bourgmestre d'une commune bruxelloise. The whole family was known for their remarkable skinless wieners. Francis' innovation was to embed his Jewish wiener in a French croissant, creating the first hot-dog.
    xxx/ellauri129.html on line 623: Marie Joseph d'YZARN FREISSINET + 1867 château de Fontienne, Le Vte. Pensées Grises. Paris: Chez Amyot, 1836. Full morocco, 5.25 inches tall. Some foxing and rubbing. In the original French. Pensées Grises by Le Vte D'Yzarn-Freissinet.
    xxx/ellauri129.html on line 670: William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist and playwright known for The Woman in White (1859), and for The Moonstone (1868), which has been posited as the first modern English detective novel. Born to the London painter William Collins and his wife, he moved with the family to Italy when he was twelve, living there and in France for two years and learning Italian and French. He worked initially as a tea merchant. After publishing Antonina, his first novel, in 1850, Collins met Charles Dickens, who became a friend and mentor. Some Collins work first appeared in Dickens's journals Household Words and All the Year Round. They also collaborated on drama and fiction. Collins gained financial stability and an international following by the 1860s, but began to suffer from gout and became addicted to the opium he took for the pain, so that his health and writing quality declined in the 1870s and 1880s. Collins was critical of the institution of marriage: he split his time between widow Caroline Graves – living with her for most of his adult life, treating her daughter as his – and the younger Martha Rudd, by whom he had three children.
    xxx/ellauri129.html on line 677: Jean Pierre Jacques Auguste de Labouïsse-Rochefort 1778-1852 Details:individual; author/poet; French; Male. Jean-Pierre-Jacques-Auguste de Labouïsse-Rochefort, né le 4 juillet 1778 à Saverdun et mort à Castelnaudary le 21 février 1852, est un homme de lettres et poète français. Siinä kaikki. Tosi unohtunut.
    xxx/ellauri136.html on line 82: Lucia Toman´s credentials: Doctoral researcher in Literature. MA in Comparative Literature & Literary Analysis and Criticism, Goldsmiths, University of London · Graduated 2018. A voracious reader · Literature. Reads extensively and has published on Jungian psychology · Jungian Psychology. Avid reader, writer and doctoral student in literature · Literature. PhD researcher interested in Jungian psychoanalysis · Jungian Psychological Type. Knows French. Knows Slovak. Knows Czech. Bet her family is Bohemian (or Moravian perhaps).
    xxx/ellauri137.html on line 607: French, Italian, Spanish
    xxx/ellauri139.html on line 1078: During his trial, he fiercely defended his crimes as a valid protest against social injustice. He turned the judicial proceedings into a theatrical event and his prison cell into a salon. He made a lasting impression upon French society and upon several writers, such as Balzac and Dostoevsky.
    xxx/ellauri148.html on line 73: Every November 21, the brothers incite people all over the world to take part in the celebration by saying "Hooray" to another 10 people. Its really cheap! No postage needed! McCormack himself can say "Hooray" in over 65 different languages, including Bantu, Inuit and Urdu. He can say "We won" in just two languages, American English and Hebrew, and "Haha you fuckers lost" in four, German, Arabic, Russian, and French.
    xxx/ellauri154.html on line 108: George Sand is portrayed by Merle Oberon in A Song to Remember, by Patricia Morison in Song Without End, by Rosemary Harris in Notorious Woman, by Judy Davis in Impromptu and by George Who? in a 1973 French biographical film.
    xxx/ellauri165.html on line 290: Mary Stuart could not be a real life source for the ballad in any of its current forms as these are in conflict with the historical record. She and the Four Maries lived in France from 1547 to 1560, where Mary was dauphine and then queen as the wife of King Francis II. Mary later returned home to Scotland (keeping the French spelling of her surname, Stuart). She married her second husband, Henry Stuart, Lord Darnley in July 1565, and he was murdered 20 months later. So there was not much time for Darnley to have got one of the four Maries (or any other mistress) pregnant, and there is no record of him having done so. Also the song refers to "the highest Stuart of all" – which between 1542 and 1567 was a woman not a man.
    xxx/ellauri166.html on line 390: Shlomo Yitzchaki (Hebrew: רבי שלמה יצחקי‎; Latin: Salomon Isaacides; French: Salomon de Troyes, 22 February 1040 – 13 July 1105), today generally known by the acronym Rashi (see below), was a medieval French rabbi and author of a comprehensive commentary on the Talmud and commentary on the Hebrew Bible (the Tanakh). Acclaimed for his ability to present the basic meaning of the text in a concise and lucid fashion, Rashi appeals to both learned scholars and beginner students, and his works remain a centerpiece of contemporary Jewish study. His commentary on the Talmud, which covers nearly all of the Babylonian Talmud (a total of 30 out of 39 tractates, due to his death), has been included in every edition of the Talmud since its first printing by Daniel Bomberg in the 1520s. His commentary on Tanakh—especially on the Chumash ("Five Books of Moses")—serves as the basis for more than 300 "supercommentaries" which analyze Rashi's choice of language and citations, penned by some of the greatest names in rabbinic literature.
    xxx/ellauri166.html on line 415: Rashi had a tremendous influence on Christian scholars. The French monk Nicolas de Lyre of Manjacoria, who was known as the "ape of Rashi", was dependent on Rashi when writing the 'Postillae Perpetuate' on the Bible. He believed that Rashi's commentaries were the "official repository of Rabbinical tradition" and significant to understanding the Bible. De Lyre also had great influence on Martin Luther.
    xxx/ellauri167.html on line 478: It also occurred to me that you might have had Ideas to that Purport when you disapproved of the Meetings of the Democratic-Societies, which appeared to me to be a Branch of that Order, though many Members may be entirely ignorant of the Plan. Those Men who are so much attached to French Principles, have all the Marks of Jacobinism. They first cast off all religious Restraints, and then became fit for perpetrating every Act of Inhumanity. And, it is remarkable, that most of them are actually Scoffers at all religious Principles. It is said that the ‘Lodge Theodore in Bavaria became notorious for the many bold and dangerous Sentiments in Religion and Politics that were uttered in their Harangues, and its Members were remarkable for their Zeal in making Proselytes’; (and no Wonder since the Order was to rule the World.) Is not there a striking Similarity between their Proceedings and those of many Societies that oppose the Measures of our present Government?
    xxx/ellauri167.html on line 480: Even in this small Place the French-Faction is very numerous—their Expressions are like those of Bloody-Lutetia [Lutetia Parisiorum, or Paris]: their Sentiments in exact Unison with those of the Jacobine Club: their Hearts panting for Faggots and Guillotines. The Foundation of their Sanctuary is laid with Lies, and every Stone of the Superstructure reared with Falsehood. They are laboriously employed to excite Discord—to extinguish public Virtue—to break down the Barriers of Religion—to establish Atheism, and work the Downfall of our Civil—and Religious Liberty. Should their perfidious Schemes succeed (I tremble even at the Imagination of the Consequences) what would become of our Columbia?”
    xxx/ellauri173.html on line 414: L'après-midi d'un faune (or "The Afternoon of a Faun") is a poem by the French author Stéphane Mallarmé. It describes the sensual experiences of a faun who has just woken up from his afternoon sleep and discusses his encounters with several nymphs during the morning in a dreamlike monologue.
    xxx/ellauri173.html on line 416: It is Mallarmé's best-known work and a hallmark in the history of symbolism in French literature. Paul Valéry considered it to be the greatest poem in French literature. But who is Paul Valéry to say? He probably meant best after his own cemetery bit.
    xxx/ellauri174.html on line 57: Nicolas Malebranche Oratory of Jesus (/mælˈbrɒnʃ/ mal-BRONSH, French: [nikɔla malbʁɑ̃ʃ]; 6 August 1638 – 13 October 1715) was a French Oratorian Catholic priest and rationalist philosopher. In his works, he sought to synthesize the thought of St. Augustine and Descartes, in order to demonstrate the active role of God in every aspect of the world. Malebranche is best known for his doctrines of vision in God, occasionalism and ontologism. Because of a malformed spine, Malebranche received his elementary education from a private tutor. Having rejected scholasticism, He eventually left the Sorbonne, and entered the Oratory in 1660. There, he devoted himself to ecclesiastical history, linguistics, the Bible, and the works of Saint Augustine. Malebranche was ordained a priest in 1664.
    xxx/ellauri176.html on line 160: Max Haufler (Schweizi) teki filmiversion tästä v. 1937, kukaan ei enää ole kommentoinut sitä netissä. The novel was adapted as the 1970 French film The Demise of Father Mouret, directed by Georges Franju, starring Gillian Hills and Francis Huster.
    xxx/ellauri176.html on line 164: is first of all a misnomer because the priest is alive and well at the end. A mixture of social realism and Walt Disney, it is a tale about a delicate young French priest, Father Mouret (Francis Huster), who elects to take a parish in the provinces where the peasants have long since embraced every sin there is. The priest himself successfully sublimates his own lustful thoughts in prayer until one day he meets a strange young woman, Albine (Gillian Hills), who lives with her atheistic uncle in the remains of an old chateau set in the middle of a magic garden.Well, one thing leads to another and poor Father Mouret loses his memory long enough to lose himself to worldly pleasures in the garden with Albine, who, like Eve, tempts the man, though in this case the author is clearly in favor of apple-eating. Things go very badly for the couple. The priest returns to his church and Albine commits suicide in a way that is unique in my movie-going memory: She smothers herself to death with calla lilies.The actors are steadfastly unconvincing. The one interesting character in the film is an old lady we meet only after her death—someone, we're told in shocked tones, who, during the Revolution, posed naked as a living-statue of Reason.
    xxx/ellauri176.html on line 842: While Tyndall was inside Jordan hastily married his fiancee Miss Dior. Tyndall got sore and founded his own, even greater Britain movement. Make Britain Great Again. Bugger. Jordan's first wife was French socialite Françoise Dior, the niece of fashion designer Christian Dior. She, too, was a Nazi and helped fund various right-wing causes after the war. Dior had an incestuous relationship with her own daughter Christiane, before playing an active role in her child's suicide. Soon Dior found Jordan bourgeois and divorced him. Jordan's second partner Joanna Saffrany was probably a --- Hungarian!
    xxx/ellauri177.html on line 245: The Demise of Father Mouret (French: La Faute de l'Abbé Mouret, "The Mistake of Father Mouret") is a 1970 French film directed by Georges Franju, based on the 1875 novel La Faute de l'Abbé Mouret by Émile Zola. Like the novel, the film is about Father Mouret, a young priest (played by Francis Huster) who is sent to a remote village in Provence, then has a nervous breakdown and develops amnesia. While recuperating, he meets and falls in love with a beautiful young woman, Albine (Gillian Hills), with whom he begins an idyllic relationship meant to recall the story of Adam and Eve. When he regains his memory, though, he is wracked with guilt, and ends the relationship, leading to tragedy for both.
    xxx/ellauri179.html on line 98: Noniin, kirja alkaa erään Cohenin antisemiittisellä ja eräiden naisten misogyynisellä kuvailulla. Cohnissa oli kivenkova jääräpäinen juutalainen piirre. Se näki untakin Francesin nalkutuxesta. Ernesto on kade kirjailijakollegoille kuin joku ämmä, excuse my French. Hyvin lähtee Ernesto. Hemingway sanoi Purple Landista:
    xxx/ellauri179.html on line 99: For a man to take it at thirty-four as a guide-book to what life holds is about as safe as it would be for a man of the same age to enter Wall Street direct from a French convent, equipped with a complete set of the more practical Horatio Alger books. Niitähän se Pilikin luki poikasena.
    xxx/ellauri179.html on line 159: Montoya is the owner of the hotel in Pamplona where Kake and his best friends, the bullfighters, stay. He shares a special bond with Kake. A French war obligation I bet.
    xxx/ellauri179.html on line 623: What evidence does Novick offer for the James-Holmes “affair”? Just two French words James uses in his long and vivid notebook entry recalling his early days in Boston, where his family settled in a brick house in Ashburton Place near the State House. The words are l’initiation première–“first initiation.” In the entry, James is writing generally of the “rite of passage” that inaugurated his literary career. He describes the strong emotions he felt at the assassination of Lincoln (on James’$2 22nd birthday); how he wept when Hawthorne died; and the dawning sense of freedom experienced after the war’s end. He mentions also his first book review on English novel-writing, published in the North American Review, whose editors paid him $12, praised his writing, and asked for more. He does mention Holmes, but only to describe a brief visit he made to Holmes’ mother to ask how her son was faring in England, and his own fierce envy of Holmes for traveling abroad while James remained at home.
    xxx/ellauri179.html on line 633: The rest of the story emerges after James abruptly leaves the villa at the end of the third day. He lodges at a hotel in Sorrento and writes several lively letters indicating he fled from Zhukovski and a nest of young homosexuals. They were attached to the composer, Richard Wagner, who lives in a nearby villa. Zhukovski is now a crusading Wagnerian. He wants to introduce James. The novelist refuses. Wagner speaks neither French nor English. James doesn’t speak German.
    xxx/ellauri179.html on line 668: Alfred Edward Woodley Mason was an English author and politician. He is best remembered for his 1902 novel of courage and cowardice in wartime, The Four Feathers. He is also known as the creator of Inspector Hanaud, a French detective who was an early template for Agatha Christie's famous Hercule Poirot.
    xxx/ellauri186.html on line 94: Stanton was outraged by Beecher's repeated exonerations, calling the scandal a "holocaust of womanhood". French author George Sand planned a novel about the affair, but died the following year before it could be written.
    xxx/ellauri186.html on line 427: Laurence Olivier oli vähintäänkin 2-neuvoinen. From the beginning of Olivier's life, there was confusion over his sexual identity. The most intimate friend of his youth was the actor Denys Blakelock, also the son of a clergyman, who was homosexual. The Queen's late aunt, Princess Marina, Duchess of Kent, who was involved with the bisexual and married Kaye for several years, told me quite emphatically that he and Olivier were "épris" ("in love"). And Coward, who was appalled to witness the two men openly exchanging French kisses in public, despised Kaye, whom he habitually referred to as "randy Dan Kaminski" (David Daniel Kaminski was Kaye's real name). One biography printed after his death alleged that Olivier “was deeply involved in a homosexual affair with Danny Kaye.”
    xxx/ellauri186.html on line 487: The play derives its plot from Giambattista Giraldi’s De gli Hecatommithi (1565), which Shakespeare appears to have known in the Italian original; it was available to him in French but had not been translated into English.
    xxx/ellauri187.html on line 290: In the 15th century, major steps were taken by Bernardine of Siena, Pierre d'Ailly, and Jean Gerson, the chancellor of the Cathedral of Notre Dame, Paris. Gerson wrote a lengthy treatise in French titled Consideration sur Saint Joseph and a 120-verse poem in Latin about Saint Joseph. In 1416 to 1418, Gerson preached sermons on Saint Joseph at the Council of Constance in which he borrowed heavily from Marian themes.
    xxx/ellauri193.html on line 198: A crime of passion (French: crime passionnel), in popular usage, refers to a violent crime, especially homicide, in which the perpetrator commits the act against someone because of sudden strong impulse such as anger rather than as a premeditated crime. A high level of social and legal acceptance of crimes of passion has been historically associated with France from the 19th century to the 1970s and with Latin America.
    xxx/ellauri200.html on line 127: Taking French guns and mortar shells
    xxx/ellauri202.html on line 196: Roger Martin du Gard (23 March 1881 – 22 August 1958) was a French novelist, winner of the 1937 Nobel Prize for Literature. Martin du Gard, homosexual by inclination and avocation, was miserably married to a devout Catholic who despised all his literary friends. Martin du Gard is much impressed with the fine appearance of the German race. The handsome boys and beautiful young girls are, to him, a reincarnation of ancient Greece. Martin du Gard reported back to André Gide on the wonders and delights of Berlin, where he had found the young involved in ‘natural, gratuitous pleasures, sport, bathing, free love, games, [and] a truly pagan, Dionysiac freedom’.
    xxx/ellauri202.html on line 200: Martin du Gard posed as a specialist in matters sexual in order to attend interviews with homosexual men at Magnus Hirschfeld’s Institute. He also toured the gay clubs, nominating as his favourites the Hollandais and the lesbian Monocle. Christopher Isherwood was at Hirschfeld’s Institute on the day that Gide was given a guided tour, Gide ‘in full costume as The Great French Novelist, complete with cape’. Retrospectively calling him a ‘Sneering culture-conceited frog!’ from the safety of the mid-1970s – and in doing so sounding like a rather uptight, Francophobic D.H. Lawrence – Isherwood failed to consider that Gide’s pose might have been a way of giving Hirschfeld’s project the serious imprimatur of a symbolic cultural visit, to which the cape and the performed ‘greatness’ were essential embellishments.
    xxx/ellauri208.html on line 455: Kekäs on sit tää Guenon? The guenons (UK: /ɡəˈnɒnz/, US: /ˈɡwɛn.ənz/) are Old World monkeys of the genus Cercopithecus (/ˌsɜːrkəˈpɪθəkəs/). Not all members of this genus have the word "guenon" in their common names; also, because of changes in scientific classification, some monkeys in other genera may have common names that include the word "guenon". Nonetheless, the use of the term guenon for monkeys of this genus is widely accepted. In the English language, the word "guenon" is apparently of French origin. In French, guenon was the common name for all species and individuals, both males and females, from the genus Cercopithecus. In all other monkey and apes species, the French word guenon only designates the females. No ei vaitiskaan, vaan tää:
    xxx/ellauri218.html on line 502: Mitä tarkoitti kirjain F. Fred F. Frenchissä, kysyi Rochelle Abramowicz Klaaralta peukuntäyteisellä äänellä autossa kiimaisen pojan sormi pillussa ja molo poskessa. No Fillmore tietysti. He ratkesivat nauruun. Joku pieraisi. Kaikki huusi "Klaaraa"! Tää Klaara Kotko kumppaneineen on Löllön pitkästyttävintä antia.
    xxx/ellauri224.html on line 122: The film debuted at the 2004 Cannes Film Festival, where it was awarded the Palme d'Or, the fucking Frenchies' highest award. Some conservatives in the United States, such as Jon Alvarez of FireHollywood, commented that such an award could be expected from the French.
    xxx/ellauri224.html on line 124: Moore had remarked only days earlier that: "I fully expect the Fox News Channel and other right-wing media to portray this as an award from the French. There was only one French citizen on the jury. Four out of nine were American. This is not a French award, it was given by an international jury dominated by Americans."The jury was made up of four North Americans (one of them born in Haiti), four Europeans, and one Asian. Some fucking expatriate commies, I bet.
    xxx/ellauri224.html on line 180: According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undienism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Nuuskutteli sitten fittenhajua Francoisen undieista.
    xxx/ellauri224.html on line 520: Because the girls have promised them a "special treat", which Fred and Barney take to mean sexual intercourse, the men are desperate to retrieve their car. The duo begins retracing their steps in an attempt to discover where they left the car. Along the way, they encounter a transgender stripper, a belligerent speaker box operator at a Chinese restaurant's drive-through, two tattoos they discover on each other's backs, UFO cultists led by Zoltan (who later hold the twins hostage), a Cantonese-speaking Chinese tailor, the Zen-minded Nelson and his cannabis-loving dog Jackal, beautiful Christie Boner, her aggressive jock boyfriend Tommy and his friends, a couple of hard-nosed police detectives, and a reclusive French ostrich named Pierre. They also meet two groups of aliens, one group being five gorgeous women, the other being two Norwegian men, searching for the "Continuum Transfunctioner": an extraterrestrial device that the boys accidentally picked up last night.
    xxx/ellauri225.html on line 255: In 1953 (aged 24) while traveling to France aboard the Queen Mary, Ursula met historian Charles Le Guin.They married in Paris in December 1953. According to Le Guin, the marriage signaled the "end of the doctorate" for her. While her husband finished his doctorate at Emory University in Georgia, and later at the University of Idaho, Le Guin taught French and worked as a secretary until the birth of her daughter Elisabeth in 1957. A second daughter, Caroline, was born in 1959. Also in that year, Charles became an instructor in history at Portland State University, and the couple moved to Portland, Oregon, where their son Theodore was born in 1964. They would live in Portland for the rest of their lives, although Le Guin received further Fulbright grants to travel to London in 1968 and 1975.
    xxx/ellauri230.html on line 278: Born in Kating (Jiading), now a suburb of Shanghai, in 1888. Koo grew up in an upper-class cosmopolitan family and was fluent in both English and French, which greatly aided his diplomatic career.
    xxx/ellauri230.html on line 293: The French Premier Georges Clemenceau (se sadetakkinen paxulainen jossain Pariisin aukiolla) praised Koo for his eloquent speech. The American secretary of state, Robert Lansing, wrote that Koo had crushed the Japanese with his speech. The Canadian prime minister, Sir Robert Borden, called Koo's speech "very able".
    xxx/ellauri230.html on line 317: In July 1941, the Japanese occupied the southern half of French Indochina, giving Japan the ability to project air and naval power well into the South China Sea. In response, the American, British and Dutch governments imposed an oil embargo on Japan and froze all Japanese assets in their countries.
    xxx/ellauri253.html on line 103: Dirigism (from French diriger 'to direct') is an economic doctrine in which the state plays a strong directive (policies) role contrary to a merely regulatory interventionist role over a market economy. As an economic doctrine, dirigisme is the opposite of laissez-faire, stressing a positive role for state intervention in curbing productive inefficiencies and market failures.
    xxx/ellauri255.html on line 143: But there were also Italians, there were Serbs, there were Greeks and then the French, who came into Odessa and into the Black Sea region. But this actually proved to be a disaster, because so many of their troops were politicised and were much more sympathetic towards the Bolsheviks than they were towards their own officers. Haha!
    xxx/ellauri261.html on line 251: Versed in foreign languages, he translated and "adapted" (appropriated) plays by Ibsen, Sartre and Obey. He read and spoke German, French and Spanish, and his scholarship included significant original research on James Joyce and Lope de Vega. He had met Jean-Paul Sartre on a U.S. lecture tour after the war, and was arrested under the influence of existentialism, although rejecting its atheist implications. In 1960, Wilder was awarded the first ever Edward MacDowell Medal by The MacDowell Colony for outstanding contributions to American LBTQ culture.
    xxx/ellauri261.html on line 257: Suddenly she grabbed my knee. “Sammy,” she said, “do you think that Alice and I are lesbians?” I had a genuine hot curl of fire up my spine. “I don’t see that it’s anybody’s business one way or another,” I said. “Do you care whether we are,” she asked. “Not in the least,” I said. I was suddenly dripping wet. “Are you queer or gay or different or ‘of it’ as the French say or whatever they are calling it nowadays,” she said, looking narrowly at me. I waggled my hand sidewise. “Both ways,” I said. “I don’t see why I should go through life limping on just one leg to satisfy a so-called norm.” “It bothers a lot of people,” Gertrude said. “But like you said, it’s nobody’s business, it came from the Judeo-Christian ethos, especially Saint Paul the bastard, but he was complaining about youngsters who were not really that way, they did it for money, everybody suspects us or knows but nobody says anything about it. Did Thornie tell you?” “Only when I asked him a direct question and then he didn’t want to answer, he didn’t want to at all. He said yes he supposed in the beginning but that it was all over now.” Gertrude laughed. “How could he know. He doesn’t know what love is. And that’s just like Thornie.”
    xxx/ellauri286.html on line 279: Siinä kuvailtiin varsin värikkäin sanakääntein minua, joka en herra nähköön ole vähääkään värikäs (paizi nyt noi "tuuttaus" ja "truuttaus", excuse my French), en ainakaan yritä, mutta olennaisin väite lienee se, että sen mukaan Oksanen väittää kaikkien venäläisten olevan juoppoja sikoja ja murhaajia ja luonnollisesti fasistiretoriikka oli myös mukana, siitähän en pääse enempää kuin Leopard-tankki täplistään..
    xxx/ellauri304.html on line 407: Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre, in order to appeal to striped-ass baboons and fans already familiar with that genre. A number of major literary figures have written genre fiction. John Banville publishes crime novels as Benjamin Black, and both Doris Lessing and Margaret Atwood have written science fiction. Georges Simenon, the creator of the Maigret detective novels, has been described by André Gide as "the most novelistic of novelists in French literature", and the one who has made most money and scored most arse with it. The main genres are crime, fantasy, romance, science fiction and horror—as well as perhaps Western, inspirational and historical fiction.
    xxx/ellauri304.html on line 605: No I haven't. Frenchies are way too cute and arzy-farzy for an honest-to-God Amertcan like me. More next time. Comb your faces.
    xxx/ellauri306.html on line 652: French Gigglers

    xxx/ellauri306.html on line 657: MAN: I'm French. Why do think I have this outrageous accent, you silly king

    xxx/ellauri306.html on line 664: French Taunters

    xxx/ellauri312.html on line 536: French_mathematician.jpg" height="300px" />
    xxx/ellauri314.html on line 259: French businessman "Louiserit Vuittuun" Bernard Arnault, after topping the list
    xxx/ellauri314.html on line 260: for just a year. Arnault became the first French person to top the list. Vittu
    xxx/ellauri314.html on line 269: first time a French citizen was in the top position as well as a non-American for
    xxx/ellauri319.html on line 335: Albert Camus, French writer, playwright, activist, and absurdist philosopher, suffered from tuberculosis. He was forced to drop out of school (University of Algiers) due to severe attacks of tuberculosis. However, his death was caused by a car accident.
    xxx/ellauri319.html on line 403: Jules Laforgue (1860–1887), French-Uruguayan poet
    xxx/ellauri319.html on line 523: Simone Weil, French philosopher
    xxx/ellauri319.html on line 611: Charles Baudelaire, French poet
    xxx/ellauri319.html on line 616: Alphonse Daudet (1840–1897), French novelist
    xxx/ellauri319.html on line 621: Guy de Maupassant, French writer
    xxx/ellauri319.html on line 626: Henri de Toulouse-Lautrec, French painter
    xxx/ellauri320.html on line 215: Cartland gravely doubted the wisdom of Raine's remarriage in 1993 to a French aristocrat seven years her junior, but kept her own counsel. She received the news of their divorce in 1995 without surprise.
    xxx/ellauri356.html on line 244: Jenkeissä Jackyn työ muodostaa yhden koulukunnan, joka tunnetaan nimellä "French Theory", pilareista. Nomppa Chomsky, ashkenazi, kuittasi Jackyn tylysti:
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