ellauri001.html on line 1157: They don't work nine to five.

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Food network


ellauri008.html on line 465: He made me feel so natural and very much myself, that I was almost afraid of losing the thrill and wonder of being there, although I was vibrating with intense excitement inside. His eyes under their pent-house lids revealed the suffering and the intensity of his experiences; when he spoke of his work, there came over them a sort of misty, sensuous, dreamy look, but they seemed to hold deep down the ghosts of old adventures and experiences—once or twice there was something in them one almost suspected of being wicked. But then I believe whatever strange wickedness would tempt this super-subtle Pole, he would be held in restraint by an equally delicate sense of honour. In his talk he led me along many paths of his life, but I felt that he did not wish to explore the jungle of emotions that lay dense on either side, and that his apparent frankness had a great reserve.
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It was wonderful—I loved him & I think he liked me. He talked a great deal about his work & life & aims, & about sother writers. Then we went for a little walk, & somehow grew very intimate. I plucked up courage to tell him what I find in his work—the boring down into things to get to the very bottom below the apparent facts. He seemed to feel I had understood him; then I stopped & we just looked into each other's eyes for some time, & then he said he had grown to wish he could live on the surface and write differently, that he had grown frightened. His eyes at the moment expressed the inward pain & terror that one feels him always fighting. Then he talked a lot about Poland, & showed me an album of family photographs of the 60's—spoke about how dream-like all that seems, & how he sometimes feels he ought not to have had any children, because they have no roots or traditions or relations.
ellauri008.html on line 813: In March 1896 Conrad married an Englishwoman, Jessie George. The couple had two sons, Borys and John. The elder, Borys, proved a disappointment in scholarship and integrity. Jessie was an unsophisticated, working-class girl, sixteen years younger than Conrad. To his friends, she was an inexplicable choice of wife, and the subject of some rather disparaging and unkind remarks. (See Lady Ottoline Morrell's opinion of Jessie in Impressions.)
ellauri011.html on line 560: His work has been published in more than 170 countries and translated into eighty languages. Together, his books have sold in the hundreds of millions. On 22 December 2016, Coelho was listed by UK-based company Richtopia at number 2 in the list of 200 most influential contemporary authors.
ellauri011.html on line 898: Paulo began emptying his mind. It wasn't difficult, there wasn't all that much work to do. Paulo cannot see things how they really are, for all the invisible things he thinks there ought to be.
ellauri011.html on line 1334: The French term also appears in the 1761 work Julie, or the New Heloise by Jean-Jacques Rousseau.
ellauri014.html on line 1557: ... But more importantly, these surroundings put Marino in direct contact with the natural philosophy of Della Porta and the philosophical systems of Giordano Bruno and Tommaso Campanella. While Campanella himself was to oppose "Marinism" (though not attacking it directly), this common speculative background should be borne in mind with its important pantheistic (and thus neo-pagan and heterodox) implications, to which Marino would remain true all his life and exploit in his poetry, obtaining great success amongst some of the most conformist thinkers on the one hand while encountering continual difficulties because of the intellectual content of his work on the other.
ellauri014.html on line 1621: In Adone, Marino quotes and rewrites passages from Dante´s Divine Comedy, Ariosto, Tasso and the French literature of the day. The aim of these borrowings is not plagiarism but rather to introduce an erudite game with the reader who must recognise the sources and appreciate the results of the revision. Marino challenges the reader to pick up on the quotations and to enjoy the way in which the material has been reworked, as part of a conception of poetic creation in which everything in the world (including the literature of the past) can become the object of new poetry. In this way, Marino also turns Adone into a kind of poetic encyclopaedia, which collects and modernises all the previous productions of human genius.
ellauri014.html on line 1632: Thus Adone, in spite of its technical virtuosity, is a work rich in authentic poetry written in a style which often achieves perfection of rhythm.
ellauri014.html on line 1643: ... interesting and ingenious burlesque compositions such as La Murtoleide (81 satirical sonnets against Gaspare Murtola), the "capitolo" Lo stivale; Il Pupulo alla Pupula (burlesque letters) etc. Many works were announced but never written, including the long poem Le trasformazioni, inspired by Ovid´s Metamorphoses, which was abandoned after Marino turned his attention to Adone.
ellauri014.html on line 1724: And maybe a better one. I am perhaps not the best judge, but it seems to me the gritty upward-way poem is better than the floral lift to heaven. Bryant, however, is a celebrated poet, and Montgomery merely an interesting poet. My personal connection to the upward way and my own struggles to work out my vocation might bias me.
ellauri014.html on line 1728: But granted these are different poems, we are left with the curious problem of where Montgomery found the Alpine Path poem. Surprisingly, after reading a dozen or so academic articles on Emily of New Moon and Montgomery’s vocation as an author–as well as a couple of good biographies–scholars have not pinned down the reference. After an extensive internet search, it seems to me that blogger Faith Elizabeth Hough may have begun to work it out. She includes the longer version of the poem here:
ellauri016.html on line 879: Juha Suoranta is a Finnish social scientist, and public intellectual. He is currently Professor in Adult Education at the University of Tampere. Previously he worked as Professor of Education at the University of Lapland, and Professor of Adult Education at the University of Joensuu.
ellauri019.html on line 35: Once they're understood as more than just absurdities, these cartoons can be seen clearly as the work of an angry man. And there is, after all, much in this world for a decent man to be angry about. "Look around, read the newspapers,"as Kliban said. "You don't have to stretch out too much to see a little darkness out there."
ellauri019.html on line 36: The objects of Kliban's scorn and loathing were wide-ranging, including politics, militarism, capitalism, the work ethic, consumerism, TV, ignorance, intellectual pretension, the pomposity and mercenary nature of art, and, finally, even humor itself. (Deeper Meanings)
ellauri019.html on line 403: Runnin' to and fro, hard workin' at the mill

ellauri019.html on line 1026: The Lega Serie A announced its series of anti-racism initiatives, including a representative from every team and a controversial choice of art works. The presentation had as its centre-piece three pieces from internationally renowned artist Simone Fugazzotto, who uses chimps and apes in motifs throughout all of his paintings.
ellauri020.html on line 239: of the 1980s. That’s probably because much of the actual writing was done by Camille Marchetta, who worked on both Dallas and Dynasty, though the only clue provided is a note at the beginning: “I would like to thank my friend Camille Marchetta for helping me to tell Katrinka’s story.”
ellauri020.html on line 256: Päästyään taas slaalaa Katrinka toipuu parissa viikossa, ei sentään entiselleen, vaan entistä kiinnostavammaxi persoonaxi, jossa on nyt arvaamatonta syvyyttä kuin Inarinjärvessä. Mikä ei tapa se vahvistaa, vaikka tappais vanhemmat. Tshekkoslovakian miehityxen innostamana Katrinka päättää voittaa v 1972 olympialaiset. Fuck politics. No ei. Sitä ei Camillakaan saa juoneen mahtumaan, Katrinka loikkaa sittenkin länteen kuten Iivana, joka nai sitä varten itävaltalaisen hiihdonopettajan. Tshekin mäkikotka alkaa muistuttaa Jaakon kotkaa, joka myös oli melkein olympiatasoa jossain lajissa, en muista missä, tennixessä vai penixessä, ja bylsi sekin USAn presidenttiä koulutyttönä. Hardworking jenkkikielenkäytössä tarkottaa ambitious, siis pyrkyri, kyynärpäilijä, kasan päälle tunkija.
ellauri020.html on line 258: - You are a complete capitalist. - I believe in hard work. Is that being a capitalist? - You want to make money. That is. - Everyone wants to make money. Even you.
ellauri020.html on line 391: Trump spoke in a hypnotic, unending torrent of words. Often he appeared to free-associate. He referred to himself in the third person: “Trump says. . . Trump believes.” His phrases skibbled around and doubled back on themselves like fireworks in a summer sky. He reminded me of a carnival barker trying to fill his tent. “I’m more popular now than I was two months ago. There are two publics as far as I’m concerned. The real public and then there’s the New York society horseshit. The real public has always liked Donald Trump. The real public feels that Donald Trump is going through Trump-bashing. When I go out now, forget about it. I’m mobbed. It’s bedlam,” Trump told me. Donald is a believer in the big-lie theory,” his lawyer had told me. “If you say something again and again, people will believe you.” “One of my lawyers said that?” Trump said when I asked him about it. “I think if one of my lawyers said that, I’d like to know who it is, because I’d fire his ass. I’d like to find out who the scumbag is!”
ellauri020.html on line 437: Robert Edward Turner III (born November 19, 1938) is an American entrepreneur, television producer, media proprietor, and philanthropist. As a businessman, he is known as founder of the Cable News Network (CNN), the first 24-hour cable news channel. In addition, he founded WTBS, which pioneered the superstation concept in cable television, which later became TBS (to be sold).
ellauri020.html on line 468: We were walking through the rubble of the Commodore Hotel, which would soon reopen as the Grand Hyatt. Ivana had been given the responsibility of supervising all the decoration; she was hard at it, despite the fact that she was wearing a white wool Thierry Mugler jumpsuit and pale Dior shoes as she picked her way through the sawdust. “I told you never to leave a broom like this in a room!” she screamed at one worker. Screaming at her employees had become part of her hallmark, perhaps her way of feeling power. Later, in Atlantic City, she would become known for her obsession with cleanliness. Determined to bring glamour to Trump Castle, she became famous for her attention to appearances, once moving a pregnant waitress, desperate for big tips, off the casino floor. The woman was placed in a distant lounge and given a clown’s suit to disguise her condition.
ellauri020.html on line 556: Kun Kata tulee oopperaan tyylittömään Lincoln Centeriin, kaikki kazoo sitä ihaillen tietysti, kun se on taas niin kuninkaallinen niin kuninkaallinen. Ne arvaa että se on joku, ja kysyvät, kysymyxen presupposition näin täytyttyä, kuka se on. Her name is Kenneth Widmerpool, she works in the City. No, I don´t mean her name, but who is she with, and what is her net worth? Jaakko Hintikka parka, kysymysten tietäjä, on nyt vainaja. Se sekoittuu nyttemmin usein samannimiseen salibandyn pelaajaan.
ellauri020.html on line 673: In fact, Trump blamed the divorce in part on the entanglement between Ivana and his business. Trump, early on, brought her in on his real estate empire. She worked at the Trump Organization as a president for his Atlantic City casino, Cosmopolitan reports, and later a manager for the Plaza Hotel, which he bought in 1988, per People.
ellauri021.html on line 943: Schlafly is a surname of German-Swiss origin. Not to be confused with Schläfli. Mild-mannered Daniel L. Schlafly Sr., vice president of a family business (bottled water), AKA Dan Schlafly, 47 in 1960, is a Roman Catholic who never attended a public school* and never sent his three children to one. Daniel L. Schafly Jr. spent eight years in Jesuit schools, then went on to graduate work in the US and abroad. He chose history as major. As a twenty-one- year-old student, he was amazed by the result of the Soviet victory in World War II when he crossed the Berlin Wall (still under construction) from free West Berlin with its independent citizens into militarized Communist East Berlin, where everyone was dispirited, everything was shabby. Daniel L. Jr., who supported St. Kolbe´s sainthood, became a staunch anticommunist.
ellauri022.html on line 197: Conduct books or conduct literature is a genre of books that attempt to educate the reader on social norms. As a genre, they began in the mid-to-late Middle Ages, although antecedents such as The Maxims of Ptahhotep (c. 2350 BC) are among the earliest surviving works. Conduct books remained popular through the 18th century, although they gradually declined with the advent of the novel.
ellauri024.html on line 330: Arska sanoo että izestään voi tehdä koomisen muttei traagista. Mixei voisi. Vaikkakaan ei tieten. Se on lukenut hurjan määrän muiden elämäkertoja, niinkuin kaikki toisiansa kateina seuraavat ihmiset. Mä en ole. Luen vasta nyt niinkuin aikanaan tutkimuxissa: teen ensin oman arvauxen ja luen vasta sitten, mitä muut on sanoneet. Related work, ikäänkuin. Arskassa on vähän linssiluteen vikaa, se lainaa viisasta: "Käyttäydy aina kuin olisit muiden näkyvissä". Jumala näkee vaikka olisit muna kädessä pimeässä vessassa. Paizi valokuvaajasta ei ole väliä, sen tiesi Kundera. Kuva on kyllä tärkeä.
ellauri024.html on line 418: The New Criticism made the literary work the center of critical attention, and denied, or at least greatly devaluated, the relevance of facts about the origin of literary works, their effects upon individual readers, and their personal, social, and political influence. Close reading is what is required of a critic, not biographical information about the author, a rundown of the state of society at the time the work was written,
ellauri024.html on line 421: All art criticism should attempt to understand how works of art work, and what meanings and aesthetic properties they have; all art criticism should strive for objective and publicly accessible methods and standards to test its pronouncements.
ellauri025.html on line 643: Lovecraft is a famous writer and bullshit artist, but also a well-known racist. Should I read his novels?Was H.P. Lovecraft ever a chill or a good guy at least even a little bit? I know his works basically put humankind to the lowest of the low, but was there even a tiny bit of good in him?What does H.P. Lovecraft mean with his phrase “That is not dead which can eternal lie, And with strange aeons even death may die” in his writing of The Nameless City?
ellauri025.html on line 648: Lovecraft is best known for his creation of a body of work that became known as the Cthulhu Mythos.
ellauri028.html on line 207: Garbage... comparatively to the other works...skip this....
ellauri028.html on line 336: The Pittsburgh Post-Gazette of December 4, 1939, reported that the historical inspiration for the song had been a young Frenchwoman named Marie Lecoq (later Marie Marceau), who worked as a waitress at the Café de la Paix in Armentières at the time of the war. Despite the obscenity of many popular versions of the song, it was reportedly quite clean in its original form.
ellauri029.html on line 90: Teamwork is the key! Competition is the lock! Turn the key in the lock to beat it! Run while you can!
ellauri029.html on line 93: The vast network of business partners, fellow students and our alumni will provide you with a wide range of possibilities for the future!
ellauri029.html on line 114: What we learn from the books, we put straight into practice, in example in the dialogues during training sessions or while working in the projects.
ellauri029.html on line 358: It is difficult to determine precisely when Kahneman's research began to focus on hedonics, although it likely stemmed from his work on the economic notion of utility.
ellauri029.html on line 912: You are already filled, you have already become rich, you have become kings without us; and indeed, I wish that you had become kings so that we also might reign with you. For, I think, God has exhibited us apostles last of all, as men condemned to death; because we have become a spectacle to the world, both to angels and to men. We are fools for Christ’s sake, but you are prudent in Christ; we are weak, but you are strong; you are distinguished, but we are without honor. To this present hour we are both hungry and thirsty, and are poorly clothed, and are roughly treated, and are homeless; and we toil, working with our own hands; when we are reviled, we bless; when we are persecuted, we endure; when we are slandered, we try to conciliate; we have become as the scum of the world, the dregs of all things, even until now. 1 Corinthians 4:8-13
ellauri030.html on line 732: Sudden glory, is the passion which makes those grimaces called laughter; and is caused either by some sudden act of their own, that pleases them; or by the apprehension of some deformed thing in another, by comparison whereof they suddenly applaud themselves. And it is incident most to them, that are conscious of the fewest abilities in themselves; who are forced to keep themselves in their own favor by observing the imperfections of other men. And therefore much laughter at the defects of others, is a sign of pusillanimity. For of great minds, one of the proper works is, to help and free others from scorn; and to compare themselves only with the most able.
ellauri030.html on line 916: Tendentious humor involves a "victim", someone at whose expense we laugh. Non-tendentious humor does not require a victim. This innocuous humor typically depends on wordplay, and Freud believed it has only modest power to evoke amusement. Tendentious humor, then, is the only kind that can evoke big laughs. It's the only kind to be found in religious works.
ellauri030.html on line 918: However, Freud believed a mixture of both tendentious and non-tendentious humor is required to keep the tendentious humor from becoming too offensive or demeaning to its victim. The innocent jokework of the innocuous humor would mask the otherwise hostile joke and therefore "bribe" our senses, allowing us to laugh at what would otherwise be socially unacceptable. Therefore, we often think we are laughing at innocuous jokes, but what really makes them funny is their socially unacceptable nature hidden below the surface.
ellauri030.html on line 921: For example, characters in a working-class family may banter back and forth about paying bills or finding a more respected or higher-paying job. The delivery of dialog may come across as funny for an audience who believes the humor comes from the antagonistic relationship between the two characters. But the real hostile nature of the joke involves class and economic issues that are otherwise not funny.
ellauri032.html on line 220: Thomas Stearns Eliot OM (26 September 1888 - 4 January 1965) was a poet, essayist, publisher, playwright, and literary and social critic. Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work and marry there. He became a British subject in 1927 at the age of 39, subsequently renouncing his American citizenship.
ellauri033.html on line 1071: Cynthia oli Sextus Propertiuxen hoito. Sextus Propertius was a Latin elegiac poet of the Augustan age. He was born around 50–45 BC in Assisium and died shortly after 15 BC. Propertius´ surviving work comprises four books of Elegies (Elegiae). He was a friend of the poets Gallus and Virgil and, with them, had as his patron Maecenas and, through Maecenas, the emperor Augustus. Although Propertius was minor in his own time compared to other Latin elegists, today he´s regarded by scholars as a major poet.
ellauri034.html on line 543: In 1975 the Nigerian writer Chinua Achebe published an essay, "An Image of Africa: Racism in Conrad´s ´Heart of Darkness´", which provoked controversy by calling Conrad a "thoroughgoing racist". Achebe´s view was that Heart of Darkness cannot be considered a great work of art because it is "a novel which celebrates... dehumanisation, which depersonalises a portion of the human race." Referring to Conrad as a "talented, tormented man", Achebe notes that Conrad (via the protagonist, Charles Marlow) reduces and degrades Africans to "limbs", "ankles", "glistening white eyeballs", etc., while simultaneously (and fearfully) suspecting a common kinship between himself and these natives—leading Marlow to sneer the word "ugly." Achebe also cited Conrad´s description of an encounter with an African: "A certain enormous buck nigger encountered in Haiti fixed my conception of blind, furious, unreasoning rage, as manifested in the human animal to the end of my days." Achebe´s essay, a landmark in postcolonial discourse, provoked debate, and the questions it raised have been addressed in most subsequent literary criticism of Conrad.
ellauri035.html on line 1083: Foucault siis täydensi "Tunne izesi" kehotusta neuvolla "Hemmottele izeäsi". Foucault'n näkemystä uusiin suuntiin laajentaen Rabinow on asettanut haasteen keksiä nykyajan eroottisiin ja antropofagisiin ongelmiin sopivia laitteita – nykyaikaisia silikonisia ​​laitteita. If the challenge of contemporary equipment is to develop a mode of fucking as ethical anthropological practice, it also involves the design or redesign of venuses within which such ethical but still rewarding fornication is possible. Case work can indicate strengths and weaknesses in the venuses into which penal inquiry is initiated and performed. Casework, therefore, is an essential aspect of inquiry neither reducible to theory nor an end-in-itself but rather in an informant's end. Rabinowin heimoveljet israeli-arabisodissa teki rättipäille alapesun ennenkö raiskasivat ne. Siisti täytyy aina olla sanoi kissa hietikolla.
ellauri036.html on line 1948: The halftime show at Super Bowl XXXVIII, which was broadcast live on February 1, 2004 from Houston, Texas on the CBS television network, is notable for a moment in which Janet Jackson's breast – adorned with a nipple shield – was exposed by Justin Timberlake to the viewing public for approximately half a second.
ellauri037.html on line 386: and yawns over homework.
ellauri038.html on line 202: During the first few years of their marriage, Max taught in Berlin, then, in 1894, at the University of Heidelberg. During this time, Marianne pursued her own studies. After moving to Freiburg in 1894, she studied with a leading neo-Kantian philosopher, Heinrich Rickert. She also began to engage herself in the women´s movement after hearing prominent feminist speakers at a political congress in 1895. In 1896, in Heidelberg, she co-founded a society for the circulation of feminist thought. She also worked with Max to raise the level of women students attending the university. Max found them deplorably charmless.
ellauri038.html on line 206: During this time, their roles reversed somewhat; as Max worked toward recovery and rested at home, Marianne attended political meetings, sometimes until late at night, and published her first book in 1900: Fichtes Sozialismus und sein Verhältnis zur Marxschen Doktrin ("Fichte's Socialism and its Relation to Marxist Doctrine"). Marianne vaikuttaa vasemmistolaisemmalta, järki-ihmiseltä Maxiin verrattuna.
ellauri038.html on line 208: In 1904, the Webers toured America. In America, Marianne met both Jane Addams and Florence Kelley, both staunch feminists and active political reformers. Also during that year, Max re-entered the public sphere, publishing, among other things, The Protestant Ethic and the Spirit of Capitalism. USA:ssa sen lurituxet satoivat vastaanottavaiseen maahan. Marianne also continued her own scholarship, publishing in 1907 her landmark work Ehefrau und Mutter in der Rechtsentwicklung ("Wife and Mother in the Development of Law").
ellauri038.html on line 210: In 1907, Karl Weber died, and left enough money to his granddaughter Marianne for the Webers to live comfortably. During this time, Marianne first established her intellectual salon. Between 1907 and the start of World War I, Marianne enjoyed a rise in her status as an intellectual and a scholar as she published "The Question of Divorce" (1909), "Authority and Autonomy in Marriage" (1912) and "On the Valuation of Housework" (1912), and "Women and Objective Culture" (1913). The Webers presented a united front in public life. Max defended his wife from her scholarly detractors but carried on an affair with Else Jaffe, a mutual friend.
ellauri038.html on line 212: In 1914, World War I broke out. While Max busied himself publishing his multi-volume study of religion, lecturing, organizing military hospitals, serving as an adviser in peace negotiations and running for office in the new Weimar Republic, Marianne published many works, among which were: "The New Woman" (1914), "The Ideal of Marriage" (1914), "War as an Ethical Problem" (1916), "Changing Types of University Women" (1917), "The Forces Shaping Sexual Life" (1919) and "Women's Special Cultural Tasks" (1919).
ellauri038.html on line 216: Following Max's unexpected death, Marianne withdrew from public and social life, funneling her physical and psychological resources into preparing ten volumes of her husband's writing for publication. In 1924, she received an honorary doctoral degree from the University of Heidelberg, both for her work in editing and publishing Max's work as well as for her own scholarship. Between 1923 and 1926, Weber worked on Max Weber: Ein Lebensbild ("Max Weber: A Biography"), which was published in 1926.[15] Also in 1926, she re-established her weekly salon, and entered into a phase of public speaking in which she spoke to audiences of up to 5,000. During this phase, she continued to raise Lili's children with the help of a close-knit circle of friends
ellauri039.html on line 347: Hatsipompponen’s installation/handmade paper works, such as houses of beings and Lucid Absurdity, have dealt with the correspondence between visual and textual languages, which is established upon the absurd conflicts among urges, necessities, and mortality. She draws her philosophy from Camus, Heidegger, Haiku poets, modern Japanese novelists, and ancient Chinese thinkers.
ellauri039.html on line 351: Hatsipompponen’s artistic development is threaded with a series of performance works that are inspired by autobiographical events and social issues. Benevolence evoked an inner quietness with extremely slow and repetitive motions, questioning the exponential acceleration of our contemporary lives. MISEMONO: SIDESHOW dealt with cultural stereotypes and racial issues. Ritual for RED was a re-enactment of the lost memories suffered from a severe auto accident. "My work in execution and establishment communicates both the solid fact and the ephemerality of life."
ellauri039.html on line 355: Work currently in progress at the Mt Holyoke mental hospital is an ancient Japanese game involving paper, stone and scissors. The winning strategy in this game has been worked out by prof. Jokohama Kumahuta (Stanford): Take all three and bash them in the face of the long-nosed lover in prosperity and in adversity.
ellauri039.html on line 383: Hatsipompponen's specialty is handmade paper works.
ellauri039.html on line 417: The original poem was written in Plattdeutsch, and was later put into Hochdeutsch by Johann Gottfied Herder in 1778. Simon Dach's works were also translated into Lithuanian.
ellauri039.html on line 425: 1.3 Students work in groups and present ideas & pictures they've drawn to class.

ellauri039.html on line 517: Streets are clean, the forest is clean, the lakes are swimmable. There is very little pollution, and they are working to further cut back on pollution still. Recycling is a major thing as well, and it isnt difficult to find a way to recycle.
ellauri039.html on line 770:

Howards End is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct and relationships in turn-of-the-century England. Howards End is considered by many to be Forster´s masterpiece. The book was conceived in June 1908 and worked on throughout the following year; it was completed in July 1910. In 1998, the Modern Library ranked Howards End 38th on its list of the 100 best English-language novels of the 20th century.
ellauri039.html on line 774: John Galsworthy OM (/ˈɡɔːlzwɜːrði/; 14 August 1867 – 31 January 1933) was an English novelist and playwright. Notable works include The Forsyte Saga (1906–1921) and its sequels, A Modern Comedy and End of the Chapter. He won the Nobel Prize in Literature in 1932.
ellauri042.html on line 680: Margaret Eleanor Atwood CC OOnt CH FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, teacher, environmental activist, and inventor. Since 1961, she has published 18 books of poetry, 18 novels, 11 books of non-fiction, nine collections of short fiction, eight children's books, and two graphic novels, as well as a number of small press editions of both poetry and fiction. Atwood has won numerous awards and honors for her writing, including the Booker Prize (twice), Arthur C. Clarke Award, Governor General's Award, Franz Kafka Prize, Princess of Asturias Awards, and the National Book Critics and PEN Center USA Lifetime Achievement Awards. A number of her works have been adapted for film and television.
ellauri042.html on line 682: Atwood's works encompass a variety of themes including gender and identity, religion and myth, the power of language, climate change, and "power politics". Many of her poems are inspired by myths and fairy tales which interested her from a very early age. Atwood is a founder of the Griffin Poetry Prize and Writers' Trust of Canada. She is also a Senior Fellow of Massey College, Toronto.
ellauri042.html on line 697: Dostoevsky´s literary work has strong autobiographical elements. We know from him that he suffered from hallucinations already in early childhood. He presented idiotic characters with confused views about freedom of choice, religion, socialism, atheism, good and evil. Many of his characters suffered – like the author himself – from epilepsy. Other famous people also suffered from epilepsy (Alexander the Great, Caesar, Gustave Flaubert, and Lord Byron). Flaubert had religiously tinted visions. The first 2 guys thought they were gods.
ellauri042.html on line 710: Furthermore, his first wife, who was something of an impulse purchase, suffered from tuberculosis, so he had an impassionate affair with a young woman called Apollinaria Suslova on the side. It ended tragically due to his obsession with gambling. Beside of these blows he suffered from frequent epileptic seizures. At the bedside of his sick wife he wrote “Notes from Underground” (1864), a psychological study of an outsider. The work starts with a confession by the writer: “I am a sick man … I am a wicked man …” Fair enough.
ellauri042.html on line 715: On the 15th of February, 1867, Dostoevsky married Anna Grigoryevna Snitkina, his stenographer who seemed to have understood her husband´s manias and rages. Ten days later, Dostoevsky had an epileptic attack which was described in Anna Grigoryevna´s memories. Shouting, grinding teeth, kicking on the floor, saliva on the chin, the works.
ellauri042.html on line 834: Musikaalinen porsas. Absoluuttinen porsaankorva. Arkipäiväisiä neural nettijuttuja. Vajakit "näkee" numeroita. Saxikin oli pienenä numeronikkari mutta jäi vajakeille toisexi. Tekoälyssäkin käytetään grafiikkapiirejä. Kts. esim. work-detect-primes">https://ai.stackexchange.com/questions/3389/could-a-neural-network-detect-primes.
ellauri042.html on line 844: From the early 20th century, his fictional work included caricatures of Jews, stereotyping them as greedy, cowardly, disloyal and communists.
ellauri042.html on line 885: Devotions upon Emergent Occasions, or in full Devotions Upon Emergent Occasions, and severall steps in my Sicknes, is a prose work by the English metaphysical poet and cleric in the Church of England John Donne (22 January 1572 - 31 March 1631) , published in 1624. It covers death, rebirth and the Elizabethan concept of sickness as a French visit from God, reflecting internal sinfulness. The Devotions were written in December 1623 as Donne recovered from a serious but unknown illness – believed to be relapsing fever or typhus. Having come close to death, he described the illness he had suffered from and his thoughts throughout his recovery with "near super-human speed and concentration". Registered by 9 January, and published soon after, the Devotions is one of only seven works attributed to Donne which were printed during his lifetime.
ellauri042.html on line 887: The Devotions is divided into 23 parts, each consisting of 3 sub-sections, called the 'meditation', the 'expostulation' and a prayer. The 23 sections are chronologically ordered, each covering his thoughts and reflections on a single day of the illness. The work as a whole is considered similar to 17th-century devotional writing generally, and particularly to Donne´s Holy Sonnets. Some academics have also identified political strands running through the work, possibly from a polemic Arminian denunciation of Puritanism to advise the young Prince Charles.
ellauri042.html on line 949: After his release, Donne had to accept a retired country life in a small house in Pyrford, Surrey, owned by Anne´s cousin, Sir Francis Wooley, where they resided until the end of 1604. In spring 1605 they moved to another small house in Mitcham, London, where he scraped a meager living as a lawyer, while Anne Donne bore a new baby almost every year. Though he also worked as an assistant pamphleteer to Thomas Morton writing anti-Catholic pamphlets, Donne was in a constant state of financial insecurity.
ellauri042.html on line 951: Although King James was pleased with Donne's work, he refused to reinstate him at court and instead urged him to take holy orders. At length, Donne acceded to the king's wishes, and in 1615 was ordained priest in the Church of England. In late November and early December 1623 he suffered a nearly fatal illness, thought to be either typhus or a combination of a cold followed by a period of fever. During his convalescence he wrote a series of meditations and prayers on health, pain, and sickness that were published as a book in 1624 under the title of Devotions upon Emergent Occasions. One of these meditations, Meditation XVII, contains the well known phrases "No man is an Iland" (often modernised as "No man is an island") and "...for whom the bell tolls".
ellauri046.html on line 349: He studied philosophy and theology at university and then spent the rest of his life in his home town doing not much other than producing volume after volume of works which are some sort of mixture between philosophy, theology, and literary criticism.
ellauri046.html on line 351: His master-work Either/Or is odd. It uses a selection of pseudonyms to present and contrast what are supposed to be the papers of a sensual or 'aesthetic' young man called 'A' and a sternly ethical and religious judge 'B', reflecting on the meaning and value of existence, boredom, drama, luck, fate, choice and Mozart. It is considered to be the foundation of the 'Existential' way of thinking - with its concentration on the absolute necessity of choosing and inventing one's self - and was highly influential on writers like WH Auden, Jorge Luis Borges, JD Salinger and John Updike as well as, famously, the philosophers John-Paul Sartre and Friedrich Nietzsche.
ellauri048.html on line 541: Parallels have been drawn between the "Lord of the Flies" and actual incident from 1965 when a group of 6 schoolboys who sailed a fishing boat from Tonga were hit by a storm and marooned on the uninhabited island of ʻAöö-ta, considered dead by their relatives in Nuku‘alofa. The group not only managed to survive for over 15 months but "had set up a small commune with food garden, hollowed-out tree trunks to store rainwater, a gymnasium with curious weights, a badminton court, chicken pens and a permanent fire, all from handiwork, an old knife blade and much determination". Dutch historian Rutger Bregman, writing about this situation said that Golding's portrayal was unrealistic. There has been no WW III yet, and kids killing other kids is entirely unheard of. Except a bunch of school killings in America and Finland, among other places.
ellauri048.html on line 741: Anita worked and, while Saul tried to write, supported the family financially, something his father conveniently overlooked, Bellow says, after they split up and she had to chase him for alimony. "I was 20 before he became famous, so I did not grow up the son of a famous father. I grew up the son of a starving artist."
ellauri048.html on line 757: Hessu oli kova kauppaamaan omia kirjojaan. Niitä osti Queen Victoria, Alfred Lord Tennyson, Prime Minister William Gladstone, Walt Whitman ja Oscar Wilde. At the time of his death, he was one of the most successful writers in America, with an estate worth an estimated $356,000. Olipa amerikkalainen loppukaneetti. Silti Hessu ei ollut tarpeexi amerikkahenkinen: but he failed to capture the American spirit like his great contemporary Walt Whitman, and his work generally lacked emotional depth and imaginative power. Se oli liian pro-Eurooppa. Löysä riimittelijä, tiivistivät myöhempien sukupolvien kriitikot ilkeästi. Orjuuden vastustajanakin Långben oli vähän puoliveteinen. Ameriikan Immi Hellen.
ellauri048.html on line 1106: Arthur Henry Hallam (1 February 1811 – 15 September 1833) was an English poet, best known as the subject of a major work, In Memoriam, by his close friend and fellow poet Alfred Tennyson. Hallam has been described as the jeune homme fatal (French for "doomed young man") of his generation.
ellauri048.html on line 1890: The myth likely stems from the Battle of Krojanty in September 1939 at the outset of World War II, when Nazi Germany invaded Poland. On the first day of the war, Polish cavalry charged a German infantry battalion. They initially broke the German ranks, until a counterattack by armored cars with machine guns turned the balance. The charge ended up inflicting heavy losses on the Poles but it worked, delaying the German advance and allowing other Polish forces to retreat. There were no tanks on the battlefield.
ellauri050.html on line 392: Literary works Bibliography
ellauri051.html on line 394: What charm thy music works!--thou makest pass before me, Sun musa on charmanttia! -- sä paat mun eteen kulkemaan
ellauri051.html on line 412: I see the vast alembic ever working--I see and know the flames that Nään mahtavan viinankeittimen toiminnassa, nään maailmansodan kuumat
ellauri051.html on line 725: 160 The excited crowd, the policeman with his star quickly working his passage Väki innostuu: tappelu! seriffi tähtineen kiirehtää
ellauri051.html on line 857: 275 The jour printer with gray head and gaunt jaws works at his case, 275 Jour Printer harmaapää ja laihaat leuat työskentelevät hänen tapauksessaan,
ellauri051.html on line 877: 295 The clean-hair'd Yankee girl works with her sewing-machine or in the factory or mill, 295 Puhtaatukkainen jenkkityttö työskentelee ompelukoneensa kanssa tai tehtaalla tai tehtaalla,
ellauri051.html on line 1058: 469 Did you guess the celestial laws are yet to be work'd over and rectified? 469 Arvasitko, että taivaalliset lait on vielä työstettävä ja korjattava?
ellauri051.html on line 1079: 489 This is the geologist, this works with the scalpel, and this is a mathematician. 489 Tämä on geologi, tämä työskentelee skalpellilla, ja tämä on matemaatikko.
ellauri051.html on line 1181: 588 Talkative young ones to those that like them, the loud laugh of work-people at their meals, 588 Puhuvia nuoria niille, jotka pitävät heistä, työläisten äänekäs nauru aterioillaan,
ellauri051.html on line 1196: 603 I hear the train'd soprano (what work with hers is this?) 603 Kuulen junan sopraanon (mikä työ hänen kanssaan tämä on?)
ellauri051.html on line 1261: 663 I believe a leaf of grass is no less than the journey-work of the stars, 663 Uskon, että ruohonlehti ei ole vähempää kuin tähtien matkatyö,
ellauri051.html on line 1358: 758 Where the bull advances to do his masculine work, where the stud to the mare, where the cock is treading the hen, 758 Missä härkä etenee tekemään maskuliinista työtä, missä naaras tammalle, missä kukko polkee kanaa,
ellauri051.html on line 1370: 770 Where the katy-did works her chromatic reed on the walnut-tree over the well, 770 Siellä missä katy työstää kromaattista ruokoaan pähkinäpuussa kaivon päällä,
ellauri051.html on line 1477: 876 Retreating they had form'd in a hollow square with their baggage for breastworks, 876 Perääntyessään he olivat muodostuneet onttoon neliöön matkatavaroidensa kanssa rintatöihin,
ellauri051.html on line 1487: 886 The work commenced about five o'clock and was over by eight. 886 Työ alkoi noin kello viisi ja oli ohi kahdeksalta.
ellauri051.html on line 1642: 1034 Admitting they were alive and did the work of their days, 1034 Myöntäen, että he elivät ja tekivät aikansa työn,
ellauri051.html on line 1906: 1290 To his work without flinching the accoucheur comes, 1290 Accoucheur tulee hänen työhönsä hätkähtämättä,
ellauri051.html on line 1946: 1328 Who has done his day's work? who will soonest be through with his supper? 1328 Kuka on tehnyt päivätyönsä? kuka on pian valmis illallisesta?
ellauri052.html on line 58: Henderson the Rain King is a 1959 novel by Saul Bellow. The book's blend of philosophical discourse and comic adventure has helped make it one of his more popular works. It is said to be Bellow's favorite among his books. It was ranked number 21 on Modern Library's list of the 100 Best Novels in the English language.
ellauri052.html on line 66: As in all Bellow's novels, death figures prominently in Henderson the Rain King. Also, the novel manifests a few common character types that run through Bellow's literary works. One type is the Bellovian Hero, often described as a schlemiel. Eugene Henderson, in company with most of Bellow's main characters, can be given this description, in the opinion of some people, and Bellow was another one himself for sure. Another is what Bellow calls the "Reality-Instructor"; in Henderson the Rain King, King Dahfu fills this role. In Seize the Day, the instructor is played by Dr. Tamkin, while in Humboldt's Gift, Humboldt von Fleisher takes the part.
ellauri052.html on line 83: In his survey of Bellow’s work, Philip Roth writes of Herzog, “In all of literature, I know of no more emotionally susceptible male, of no man who brings a greater focus or intensity to engagement with women than this Herzog,” a man “as lavish in describing the generous mistress as Renoir.” No siinä on pukki kaalimaan vartijana, Roth on mikäli mahdollista pahempi narsisti kuin Sale.
ellauri052.html on line 112: Leader defines Bellow’s recurrent themes as “the relative claims of life and work, the intensity of childhood experience, sexual insecurity.” He could have added Jewish life and identity, the perils of matrimony and the defects of modern civilisation.
ellauri052.html on line 118: Reports of his teaching ranged from “he was a dud, all he did was read from Erich Auerbach’s Mimesis” to “his seminar was amazing, as you’d imagine.” He was most effective with students who could follow and respond to his intellectual fireworks.
ellauri052.html on line 352: If you haven't been introduced to Desperate Ambrose, Old Timer, Willie and Pop Wimpus you've been missing a lot of good, clean American humor. C. M. Payne has found the real underlying humor in home life and brings it to you in this favorite of comic strip readers everywhere. "S'Motter Pop". Charles M. Payne (1873–1964) was an American cartoonist best known for his popular long-running comic strip S'Matter, Pop?[2]. He signed his work C. M. Payne and also adopted the nickname Popsy. In 1964, Payne died in poverty.
ellauri052.html on line 497: Eventually, the poetry of William Wordsworth showed him that beauty generates compassion for others and stimulates joy. With renewed joy he continued to work towards a just society, but with more relish for the journey. He considered this one of the most pivotal shifts in his thinking. In fact, many of the differences between him and his father stemmed from this expanded source of joy. :D
ellauri052.html on line 499: In On Liberty, A Few Words on Non-Intervention, and other works, he defended British imperialism by arguing that a fundamental distinction existed between civilized and barbarous peoples.
ellauri052.html on line 576: In a number of works, Steiner described a path of inner development he felt would let anyone attain comparable spiritual experiences. In Steiner's view, sound vision could be developed, in part, by practicing rigorous forms of ethical and cognitive self-discipline, concentration, and meditation. In particular, Steiner believed a person's spiritual development could occur only after a period of moral development.
ellauri052.html on line 751: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being.
ellauri052.html on line 753: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri052.html on line 836: Birkin was silent, thinking how scrupulous Gerald was in his attire, how expensive too. He wore silk socks, and studs of fine workmanship, and silk underclothing, and silk braces. Curious! This was another of the differences between them. Birkin was careless and unimaginative about his own appearance.
ellauri052.html on line 866: Leader (se elämäkerturi) defines Bellow’s recurrent themes as “the relative claims of life and work, the intensity of childhood experience, sexual insecurity.” He could have added Jewish life and identity, the perils of matrimony and the defects of modern civilisation. The highly disciplined fellow devoted almost every morning to the sacred writing hours from nine to one. Sale ostettiin loppupeleissä Chicagosta Bostoniin. Jasu ja Sale kehu izeään varmaan kilpaa BU:n kekkereissä.
ellauri052.html on line 867: Reports of his teaching ranged from “he was a dud, all he did was read from Erich Auerbach’s Mimesis” to “his seminar was amazing, as you’d imagine.” He was most effective with students who could follow and respond to his intellectual fireworks. Eskimeininkiä.
ellauri052.html on line 930: Kun Salen halvexima sen vanhin poika psykiatri sanoo suorat sanat paskamaisesta isästään, pörähtään sen kimppuun äkäinen lauma Salen kirjallisia häntäkärpäsiä. The difficulty Greg Bellow has in grasping his father’s work is almost immediately apparent. His literary interpretations range from calling Humboldt’s Gift (1975) “a novel permeated by death consciousness” to writing that the protagonist of Henderson the Rain King (1959) “chooses a life path that brings him into contact with suffering and death.” (The very phrase “life path” would undoubtedly have made his father cringe.) Ehkäpä, just six että se on osuvaa.
ellauri052.html on line 945: Zachary Leader’s work, though superior to Atlas’s and better than his first volume, still has some serious flaws. He swallows Keith Botsford’s absurd claim that his subject “is a direct descendant of Machiavelli”. Leader constantly tries to connect every person and event in Bellow’s life to their fictional counterparts instead of emphasising his imaginative transformation of experience. Literary agent Andrew Wylie, well named “The Jackal,” poached Bellow from his longtime agent Harriet Wasserman.
Varmaan lupas Salelle pyllynamia.


ellauri052.html on line 978: The most important person in Bellow’s life—Maury, his oldest brother. As Leader shows, Maury was both the driving force in Bellow’s Americanization and a major presence in his work. Parents and wives came and went, but Maury remained: Simon in Augie March, Shura in Herzog, Julius in Humboldt’s Gift. As peremptory and violent as their father but more competent, Maury epitomized the cult of power and material success that both fascinated and repelled Bellow. “I recognized in him the day-to-day genius of the U.S.A.,” Bellow said in an interview with Philip Roth. In the same conversation, Roth observed that Maury’s reckless, angry spirit was “the household deity of Augie March.” By the time Maury finished law school, he had already started collecting graft for a corrupt Illinois state representative, skimming off the top for himself and his mother. A charismatic ladies’ man with an illegitimate son, Maury was “very proud of his extraordinary group of connections, his cynicism, his insiderhood,” Bellow told Roth. Maury was disdainful of his brother’s nonremunerative choice of profession, which he considered luftmenschlich—frivolous, impractical.
ellauri053.html on line 138: One of Sainte-Beuve's critical contentions was that, in order to understand an artist and his work, it was necessary to understand that artist's biography. Marcel Proust took issue with this notion and repudiated it in a set of essays, Contre Sainte-Beuve ("Against Sainte-Beuve"). Proust developed the ideas first voiced in those essays in À la recherche du temps perdu (In Search of Lost Time).
ellauri053.html on line 709: Spencer denounced Irish land reform, compulsory education, laws to regulate safety at work, prohibition and temperance laws, tax funded libraries, and welfare reforms.
ellauri053.html on line 715: His contributions to racist ideology are many. In his famed work Social Statics (1850), he argued that imperialism had served civilization by clearing the inferior races off the earth: "The forces which are working out the great scheme of perfect happiness, taking no account of incidental suffering, exterminate such sections of mankind as stand in their way. … Be he human or be he brute — the hindrance must be got rid of."
ellauri053.html on line 892: My teacher, who had no illusions, regarding his pupil, trembled at the herculean task imposed upon him. However, the Maharshi’s word was law, and teacher and pupil set to work with such grim determination that at the end of the prescribed period my grandfather was greatly pleased to hear me recite the mantras so dear to him.
ellauri053.html on line 973: Father kept outwardly calm and went back to Santiniketan to his work there as though nothing had disturbed his mind, leaving us in the care of a distant aunt of my mother. But his feeling — the keen sense of separation and loneliness — poured into a series of poems afterwards published as Smaran (In Remembrance).
ellauri053.html on line 1010: If I make the slightest noise you say, "Don't you see that father's at his work?"
ellauri053.html on line 1026: "I felt sure that some Being who comprehended me and my world was seeking his best expression in all my experiences, uniting them into an ever-widening individuality which is a spiritual work of art. To this Being I was responsible; for the creation in me is His as well as mine." He called this Being his Jivan devata (“The Lord of His Life”), a new conception of God as man’s intimate friend, lover, and beloved that was to play an important role in his subsequent work.
ellauri053.html on line 1123: I had done my work and sat alone Mä olin huilimassa yxixeni
ellauri053.html on line 1251: Versatile Writer: He exhibited in his work breadth of talents and interests. His most renowned work falls into cultural theory; art history including painting, sculpture, and architecture. He wrote on the critics of the old and modern English Literature too. He even wrote lecture articles, short stories etc. William E. Buckler says that Pater “is still one of the half-dozen indispensable critics in English; from, say, 1880 to 1920, he was without equal.”
ellauri053.html on line 1253: Freshness In His Works: A. C. Benson called Pater's style "absolutely distinctive and entirely new", suggesting that there was some peculiar newness in his works.
ellauri053.html on line 1255: Depth In Work: Pater’s work is not subtle and superficial. There is a certain depth and richness in his work.
ellauri054.html on line 101: The exhibits of this small museum consist mainly of text and information-panels. I found it informative but it also was similar to reading a informative-book displayed on the museum walls. I missed some artwork or historical objects.
ellauri054.html on line 154: Francis Bacon, 1st Viscount St Alban, 22 January 1561 – 9 April 1626, also known as Lord Verulam, was an English philosopher and statesman who served as Attorney General and as Lord Chancellor of England. His works are credited with developing the scientific method and remained influential through the scientific revolution. Bacon has been called the father of empiricism. Muita lapsia ei sillä ollutkaan. Siihen jäi sen tittelit, ja käyttämätön pippeli. Samanlainen ressukka kuin Jaakko Hintikka.


ellauri054.html on line 161: v 2019 joku räsypää Anwaar Ahmad selittää Pekonia netissä. Keskellä textiä on urheilujuoman mainos: Oshee. Älä hyydy kesken kaiken. Anwaar Ahmad is a professional writer. He is working with us from last two years. His articles are marvelous and attractive. He is best in demonstrating literature. He likes to read books. Feel free to contact him in case you need help. Vainajana muistanemme häntäkin hyvällä.
ellauri054.html on line 169: Samanniminen irkku maalari Francis Bacon (28 October 1909 – 28 April 1992) ei käyttänyt hattua. Bacon did not begin to paint until his late twenties, having drifted in the late 1920s and early 1930s as an interior decorator, bon vivant, and gambler. Since his death, Bacon's reputation has grown steadily, and his work is among the most acclaimed, expensive and sought-after on the art market. Extinctus amabitur idem. Niistettynä rakastetaan tätäkin. Oikeassa oli nimiserkku!
ellauri054.html on line 193: Riikonen has also planned a book on the Aristotelian concept of temperance. He believes temperance can also be used to describe his own lifestyle. “I’m a calm, middle-of-the-road person. I have never veered toward the extreme, in good or bad.” Every day, Riikonen walks to his office in Topelia from his home in Etu-Töölö. “Last year, around the New Year, I lost my temper for the first time, as the electronic lock system in Topelia was broken and I couldn't get to my office during the weekend. The weekends are the best time to work, because it is very quiet,” says Riikonen.
ellauri054.html on line 411: The vast network of federal and state prisons, with some 2.3 million inmates, rivals the gulags of totalitarian states.
ellauri054.html on line 439: I'm John Lienhard at the University of Houston, where we're interested in the way inventions work.
ellauri054.html on line 567: When Browning died in 1889, he was regarded as a sage and philosopher-poet who through his writing had made contributions to Victorian social and political discourse. Unusually for a poet, societies for the study of his work formed while he was still alive. Such Browning Societies remained common in Britain and the United States until the early 20th century.
ellauri055.html on line 40: Momus (/ˈmoʊməs/; Greek: Μῶμος Momos) was in Greek mythology the personification of satire and mockery, two stories about whom figure among Aesop's Fables. During the Renaissance, several literary works used him as a mouthpiece for their criticism of tyranny, while others later made him a critic of contemporary society. Onstage he finally became the figure of harmless fun.
ellauri055.html on line 456: Opportunity is missed by most people because it is dressed in overalls and looks like work.
ellauri058.html on line 87: I discovered reading when I was much younger than the little me in this picture. As a child, my favorite authors included C.S. Lewis, Roald Dahl, Jill Paton Walsh, Gertrude Chandler Warner, Louisa May Alcott, and J.R.R. Tolkien. I am a long-distance hiker, trail advocate, full moon camper, and adopter of sad old cats. I live, play, and work in Two Harbors, Minnesota.
ellauri058.html on line 777: The poet first came out as gay in his 1975 work In & Out, which was initially available only in a privately printed version in limited circulation. The work did not gain general publication until 1989.
ellauri060.html on line 233: Defoe was a prolific and versatile writer, producing more than three hundred works—books, pamphlets, and journals — on diverse topics, including politics, crime, religion, marriage, psychology, and the supernatural. He was also a pioneer of business journalism and economic journalism.
ellauri060.html on line 466: A traditional pastoral folk song the popular form of which dates to the mid-19th century. It is largely believed to have been sung commonly during the Sepoy Rebellion of 1857, though no credible source seems to confirm it. If it were true the song likely predates the 19th century, though no published copies of the work exist.
ellauri060.html on line 943: In an email to Rolling Stone, McNallen, who said he no longer has an official position in the Ásatrú Folk Assembly, confirmed he did indeed have a profile on the social networking app. He also expressed befuddlement that he had been banned from Facebook in the first place, saying that he has “NEVER advocated violence and I have NEVER insulted, threatened, or ridiculed any ethnic, religious, or racial group.”
ellauri060.html on line 955: After Silverfish lost his face at alt-right, another hooknosed greedy Shylock cobbled together MeWe, a social networking app that claimed to fiercely protect user privacy. The genesis of the name, says Weinstein, is exactly what it sounds like: “My life is composed of me and then my ‘we'. Me and my wee 'thing' love our name. We get a lot of thumbs up on our brand: Make America Habitually Great."
ellauri060.html on line 1036: working on AGI Reasoning startup
ellauri061.html on line 193: Dorothea Kehler has attempted to trace the criticism of the work through the centuries. The earliest such piece of criticism that she found was a 1662 entry in the diary of Samuel Pepys. He found the play to be "the most insipid ridiculous play that ever I saw in my life". He did, however, admit that it had "some good dancing and some handsome women, which was all my pleasure".
ellauri061.html on line 203: In 1817, William Hazlitt found the play to be better as a written work than a staged production. He found the work to be "a delightful fiction" but when staged, it is reduced to a dull pantomime. He concluded that poetry and the stage do not fit together.
ellauri061.html on line 604: And thus awhile the fit will work on him; Tälleen jonkun aikaa jatkuu kohtaus,
ellauri062.html on line 285: She also reveals that Fred raped her too while she was working at Jezebel's. Only nobody held her down.
ellauri062.html on line 292: Because the book has been frequently challenged or banned in some of the United States of America over the last thirty years, many people have expressed discontent at The Handmaid's Tale's presence in the classroom. Some of these challenges have come from parents concerned about the explicit sexuality and other adult themes represented in the book. Others have argued that The Handmaid's Tale depicts a negative view of religion, a view supported by several academics who propose that Atwood's work satirizes contemporary religious fundamentalists in the United States, offering a feminist critique of the trends this movement to the Right represents.
ellauri062.html on line 920: While Shahak was alive, Noam Chomsky called him “an outstanding scholar,” and said he had “remarkable insight and depth of knowledge. His work is informed and penetrating, a contribution of great value.”
ellauri062.html on line 930: Rabbi Ovadia Yosef stated: “Goyim were born only to serve us. Without that, they have no place in the world; only to serve the People of Israel.  Why are gentiles needed? They will work, they will plow, they will reap. We will sit like an effendi and eat," he said to some laughter.
ellauri062.html on line 936: The so called "New World Order" conspiracy is the modern term for the age old Satanic conspiracy, led by elite Jewry -- the aim being the enslavement of humanity, destruction of the true Israelites (the Anglo-Saxon and Germanic peoples of European descent), mass human population reduction, abolition of religion and national sovereignty, and the establishment of a totalitarian world government ruled by Satan via the jews.

The ultimate goal of Judaism is rule of the world by Satan, and to literally unleash hell upon the earth. 

Are you aware that Martin Luther wrote a treatise called "On the Jews and Their Lies", warning Christians in the most serious terms of the destructive influence of the jews, and advocating their banishment from European society? Luther was very knowledgeable of the religion, nature, origins, and influence of the Jews - having actually read the Talmud and written large parts of the Bible. Luther describes the Jews as an accursed, malicious, greedy, cunning, treacherous, thieving, and greatly evil people, who are descended from the very people who murdered the Messiah, who deeply hate Christianity and God's people, and are working in every possible way to undermine and destroy Western Christian civilization. Among other things, Luther rubbishes the Talmud, including its vicious hatred of Jesus and Christians, as well as relishing the many times Jews have been expelled from European nations.
ellauri063.html on line 43: Eric's work, on the contrary, is characterised by lucid prose, biting social criticism, opposition to totalitarianism and Eastern socialism, and outspoken support of (utopian) democratic socialism.
ellauri063.html on line 65: Rosa Lichtenstein? I am not quite sure who this person is and who publishes her work, but I can scarcely find anything on her besides her own resource page. Which leads me to believe the addition of her in this is nothing more than self-promotion by the author in particular themselves. This lowers the quality of this article to let any random Blogger have their criticisms added to this. Dialectical Materialism is a serioues philolosophical school and method attached to Marxism, and there is lot of commentary on the subject without resorting to unpublished internet articles.
ellauri063.html on line 67: Rosa Lichtenstein is no authority on anything dialectical. She is only a committed ideolog: whose apparent life-goal has become the complete rooting-out of dialectical-materialism from the workers' movement, in every aspect. And in this, she is single-minded -- to the point of very unhealthy obsession. Others can attest to this, and have.
ellauri063.html on line 100: However, this version of socialism has to spread and take over the core economies of capitalism so that it can't be strangled in the above manner — as the proletariat of each country rebel against their own ruling-class. Each strike, for example, is a mini-rehearsal for this (whether the strikers appreciate this or not), where workers are forced by circumstances to organise in their own communities, sharing money, clothing, food, shelter, etc. In effect, they have to run a mini-socialist society of their own for a few weeks or months.
ellauri063.html on line 104: Marx thought that capitalism had buried within itself the seeds of its own downfall. However, the latter wouldn’t kick in automatically, but would depend on its grave-diggers (the working class under capitalism, the proletariat) overthrowing it.
ellauri063.html on line 106: a) As Marx saw things, socialism/communism could only work if there existed a massive abundance in the society concerned (i.e., a very highly developed economy coupled with high levels of productivity). However, Marx began to change his mind later in life and thought some form of socialism might be possible even in backward Russia, but it is arguable that by then he was in his dotage.
ellauri063.html on line 108: b) Equally, if not more important, a socialist/communist society can only be built by the working class, organised for and by themselves, acting democratically on their own behalf, and not relying on anyone else or any party to do this for them.
ellauri063.html on line 114: So, Marxist (and Leninist) socialism itself hasn't failed; it just hasn't been road-tested yet. No one knows if it will work, but there are good reasons to suppose it won't. We are still waiting for the second coming of Karl. Marxism is a revolutionary worldview that must always struggle for new revelations. Rosa Luxemburg.
ellauri063.html on line 139: Social democracy... is only the advance guard of the proletariat, a small piece of the total working masses; blood from their blood, and flesh from their flesh.
ellauri063.html on line 224: Varo ettei FBI löydä sun 64GB "homework" lapo -kansioo.
ellauri063.html on line 297: Pride & Prejudice earned a worldwide gross of approximately $121 million, which was considered a commercial success. Austen scholars have opined that Wright's work created a new hybrid genre by blending traditional traits of the heritage film with "youth-oriented filmmaking techniques". What "heritage film"? Austen's original screenplay?
ellauri063.html on line 312: Songs in the Key of Z is a book and two compilation albums written and compiled by Irwin Chusid. The book and albums explore the field of what Chusid coined as "outsider music". Chusid defines outsider music as; "crackpot and visionary music, where all trails lead essentially one place: over the edge." Chusid's work has brought the music of several leading performers in the outsider genre to wider attention. These include Daniel Johnston, Joe Meek, Jandek and Wesley Willis. In addition, his CDs feature some recordings by artists who produced very little work but placed their recordings firmly in the outsider area. Notable amongst these are nursing home resident Jack Mudurian who sings snatches of several dozen songs in a garbled collection known as Downloading the Repertoire and the obscure and extreme scat singer Shooby Taylor AKA 'The Human Horn.'
ellauri063.html on line 314: Scott "Walker" Engel's The Old Man's Back Again is dedicated to the neostalinist regime. Löysää hölkkää mutta kaskun kärki on nyt siinä että Putinin porukat on muka yleisössä. Scott 4 is Scott Walker's fifth solo album (a collection of songs he had performed for his BBC television series had been his fourth). It was originally released in late 1969 under his birth name, Scott Engel, and failed to chart. Subsequent reissues have been released under his stage name. It has since received praise as one of Walker's best works.
ellauri063.html on line 428: The novel's title is from Hamlet, Act V, Scene 1, in which Hamlet holds the skull of the court jester, Yorick, and says, "Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is!" Wallace's working title for Infinite Jest was A Failed Entertainment. (PST: Hamnetista on lisää paasausta albumissa 61.)
ellauri064.html on line 83: He maintained a life-long friendship with Shulem. A feature of Benjamin's unorthodox Marxism was his attempt to invest it with the passions of Messianic Jewish mysticism. He was also friends with Theodor Adorno, a critical social theory pioneer who was deeply influenced by Benjamin and helped preserve his legacy. Adorno remarked that Benjamin's work had ‘settled at the cross-roads between magic and positivism. That place is bewitched’.
ellauri064.html on line 355: Open Dialogue is a complex way of work in the mental health care system introduced by Finnish psychotherapist Jaako Seikkula. It has been developing in Western Lapland during the past 30 years.
ellauri064.html on line 358: The Network for Dialogical Practices is an open platform for researchers, students and practitioners who want to help people in distress by full presence, responsiveness and human connection. The European Network for open dialogical practices started in 2008 to care for the legacy of Tom Andersen, Gianfranco Cecchin and Michael White who all passed away shortly one after another and to preserve their voices for the future generations.
ellauri064.html on line 385: Yrjö von Grönhagen (3 October 1911 in Saint Petersburg – 17 October 2003 in Helsinki[1]) was a Finnish nobleman and anthropologist. He is best known on his 1930s work at the Nazi pseudoscientific institute Ahnenerbe.
ellauri064.html on line 386: During World War II, the Nazi-minded Grönhagen worked for Finland´s propaganda department and served as its military attaché in Berlin. He was arrested in Oslo 1945 and held in custody for two years. After his release Grönhagen was a businessman and emigrated to Greece in 1964. He first lived in Crete and later in Athens serving as the Master of the Christian Order Ordo Sancti Constantini Magni.
ellauri065.html on line 228: Finding himself out of work after film school in 1976, Ferrara directed a pornographic film, 9 Lives of a Wet Pussy, using a pseudonym. Starring with his then-girlfriend, he recalled having to step in front of the camera for one scene to perform in a hardcore sex scene: "It's bad enough paying a guy $200 to fuck your girlfriend, then he can't get it up." Ferrara lives in Rome, Italy. He moved there following the 9/11 attacks because it was easier for him to find financing for his movies in Europe. Ferrara descibes himself as a Buddhist. Because Jesus was a living man, and so were Buddha and Muhammad. These three guys changed the fucking world, with their passion and love of other human beings. All these guys had was their word, and they came from fucking nowhere. I’m not saying Nazareth is nowhere – I’m sure Jesus came from a very cool neighbourhood. Ferrara shows his love for other human beings by making films with a lot of FUCK! FUCK! and KILL! KILL! in them. His love of money is no match for his love of his neighbor primates.
ellauri065.html on line 574: Tummeli-klubi spämmää taas Hesarin keskustelusivuja. Many Alt-Right websites have done a heroic job in delivering evidence to demonstrate that the November 3 election results were based on fraud. Nonetheless, conservatives should also work to hypothesize what the Democrats plotted, how they executed their plots, and why their scheme failed to cover its tracks. In a recent roundtable with other conservatives following the story, including a Maricopa County election attorney (Rachel Alexander), we put together the most plausible scenarios.


ellauri065.html on line 580: Biden faces a creepy and slippery customer, especially if he gets inaugurated next month. While Trump may be facing thousands, perhaps millions of plaintiffs in incalculable civil and criminal cases. As these cases work their way slowly through the courts, freed from the rush of meeting stop-Biden deadlines, extensive evidence will be presented and courts will hear long and compelling testimony. All the while, Biden will have to carry on while millions across America think that somebody stole the White House for him. Millions of bucks are not going to save Trump from jail this time. Es schaun aufs Hakenkreuz voll Hoffnung schon Millionen. The knavishness dauert nur noch kurze Zeit.
ellauri066.html on line 366: To shorten a long story of searching for sources: the essay ‘The Control System of the V-2’ by Otto Müller includes an ‘equation for control in yaw’ (Müller, 1957: 90), and in exactly the same notation as Gravity’s Rainbow’s equation ‘describ[ing] motion under the aspect of yaw control’ (GR 284). We can conclude that this is the searched-for template for Pynchon’s Second Equation (see appendix, Figure 8). Müller’s paper is part of History of German Guided Missiles Development by Theodor Benecke and August W. Quick, published in 1957, which is based on the First Guided Missiles Seminar in Munich that took place a year earlier. The seminar was organised by the American Advisory Group for Aeronautical Research and Development (AGARD) to collect information about the V-2 from German scientists and engineers to use in American research on guided missiles. Pynchon might have had access to this book and further material on rocketry in the Boeing Company for which he worked as a technical writer in the early 1960s.
ellauri066.html on line 520: During the seventeenth century, Robert Burton wrote in his work The Anatomy of Melancholy, "Out of these two [the concupiscible and irascible powers] arise those mixed affections and passions of anger, which is a desire of revenge; hatred, which is inveterate anger; zeal, which is offended with him who hurts that he loves; and ἐπιχαιρεκακία, a compound affection of joy and hate, when we rejoice at other men's mischief, and are grieved at their prosperity; pride, self-love, emulation, envy, shame, &c., of which elsewhere."[37]
ellauri066.html on line 734: Dr Rushworth, who works at a hospital in the capital’s northern suburbs, believes the reason for Sweden’s resilience is it has built up herd immunity.
ellauri066.html on line 754: A lot of Swedes avoided public transport and worked from home.
ellauri066.html on line 762: There may be more Covid spikes. Just don’t expect a lockdown U-turn from iceman Tegnell. He is planning a bike tour through Sweden in search of surviving nurses. It worked in Kongo-Kinshasa, why would it not work in Sweden.
ellauri066.html on line 912: Nanaz Fassih, another hairy arms, a fifty-two-year-old pediatric nurse, was skeptical of the Swedish response from the beginning; she tried to wear a mask to work in hospitals and clinics, but was told that this was not allowed. (Today, masks are more commonly allowed in Swedish hospitals.)
ellauri067.html on line 164: His gravestone cites Psalm 19:1: "The heavens declare the glory of God; and the firmament sheweth his handywork".
ellauri067.html on line 272: Lukijoiden ja kääntäjien avuksi on julkaistu muutamia selitysteoksia, kuten Steven C. Weisenburgerin A Gravity’s Rainbow Companion. Pitää olla näsäviisas burgeri seuraneitinä että tajuaa Tomin höpötyxiä. Mutta se on vanhanaikaista, nyt on https://pynchonwiki.com/ ja sen 7 muuta nettilähettä. Vastaisen varalle myös Wallacelle Loppumaton läppä -wiki. Kts. myös work.php?w=GR">tätä.
ellauri067.html on line 319: “More Ouspenskian nonsense,” whispers a lady brushing by on the arm of a dock worker. Proverbs for Paranoids.
ellauri067.html on line 422: Richard Freiherr von Krafft-Ebing (1840–1902; full name Richard Fridolin Joseph Freiherr Krafft von Festenberg auf Frohnberg, genannt von Ebing) was an Austro–German psychiatrist and author of the foundational work Psychopathia Sexualis (1886). He died in Graz in 1902. He was recognized as an authority on deviant sexual behavior and its medicolegal aspects. Krafft-Ebing´s principal work is Psychopathia Sexualis: eine Klinisch-Forensische Studie (Sexual Psychopathy: A Clinical-Forensic Study), which was first published in 1886 and expanded in subsequent editions. The last edition from the hand of the author (the twelfth) contained a total of 238 case histories of human sexual behaviour. Translations of various editions of this book introduced to English such terms as "sadist" (derived from the brutal sexual practices depicted in the novels of the Marquis de Sade), "masochist", (derived from the name of Leopold von Sacher-Masoch), "homosexuality", "bisexuality", "necrophilia", and "anilingus".
ellauri067.html on line 467: Franz von Bayros (28 May 1866 – 3 April 1924) was an Austrian commercial artist, illustrator, and painter, best known for his controversial Tales at the Dressing Table portfolio. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. His work can be found at the Metropolitan Museum of Art in New York. He drew over 2000 illustrations in total. Bayros piirsi eri paljon porsliinipilluja. Sanalla sanoen, pornokuvia.
ellauri067.html on line 470: The relationship between J.P. Morgan and Thomas Edison is a classic case of high finance. As Edison needed money to fund his work he would give a huge block of stock in his company to Morgan. Eventually the bulk of Edison Electric shares were controlled by the J.P. Morgan.
ellauri067.html on line 473: The first residential house in America to be electrified was J.P. Morgan’s. The work was done by Thomas Edison. So how did Morgan say thanks to the guy who gave him the first home in America with electricity? He screwed Thomas Edison out of his own company. Welcome to the game of 1890s venture capital.
ellauri067.html on line 500: ...The first piece to provide substantial information about Pynchon´s personal life was a biographical account written by a former Cornell University friend, Jules Siegel, and published in Playboy magazine. In his article, Siegel reveals that Pynchon had a complex about his teeth and underwent extensive and painful reconstructive surgery, was nicknamed "Tom" at Cornell and attended Mass diligently, acted as best man at Siegel's wedding, and that he later also had an affair with Siegel's wife. Siegel recalls Pynchon saying he did attend some of Vladimir Nabokov's lectures at Cornell but that he could hardly make out what Nabokov was saying because of his thick Russian accent. Siegel also records Pynchon's commenting: "Every weirdo in the world is on my wavelength", an observation borne out by the crankiness and zealotry that has attached itself to his name and work in subsequent years.
ellauri069.html on line 40: Postmodernism is the Swiss Army knife of critical concepts. It’s definitionally overloaded, and it can do almost any job you need done. This is partly because, like many terms that begin with “post,” it is fundamentally ambidextrous. Postmodernism can mean, “We’re all modernists now. Modernism has won.” Or it can mean, “No one can be a modernist anymore. Modernism is over.” People who use “postmodernism” in the first, “mission accomplished,” sense believe that modernism—the art and literature associated with figures like Picasso and Joyce—changed the game completely, and that everyone is still working through the consequences. Modernism is the song that never ends. Being postmodernist just means that we can never be pre-modernist again. People who use it in the second sense, as the epitaph for modernism, think that, somewhere along the line, there was a break with the assumptions, practices, and ambitions of modernist art and literature, and that everyone since then is (or ought to be) on to something very different. Being postmodernist means that we can never be modernist again.
ellauri069.html on line 45: You can make anti-art—Duchamp’s “Fountain,” (posliininen kusilaari jossa lukee tää on taidetta) for example—only when everyone still has some conception of authentic, stand-alone, for-its-own-sake art. Warhol’s work is not anti-art. Finding no quality on which to hang a distinction between authentic art and everything else, it simply drops the whole question.
ellauri069.html on line 56: The one who kept them all on guard was the father, and he seems to have been a piece of work. Donald, Sr., had studied architecture at Penn, and he was a committed modernist, an acolyte of Setä Mies, Le Corbusier, Saara Aalto, and Esa Saarinen. He designed his own home, including the interiors, and if he couldn’t find something that suited his taste—a rug or a piece of furniture—he manufactured it himself.
ellauri069.html on line 71: He was an adept of irony and deflection in person as well as on the page, a lonely and, at some level, unhappy man who needed humor and companionship. But he had, his friend Pynchon told Daugherty, “a hopeful and unbitter heart.” Women seem to have found him easy to like. He married four times and had at least two long-term relationships between the marriages. He was dependent on alcohol, and he was dependent on work. He wrote every morning and had his first drink around noon.
ellauri069.html on line 78: What was he doing? Daugherty is right to claim that Barthelme conceived of himself as an heir of the modernist tradition—in particular, of Beckett. He encountered Beckett’s work for the first time in 1956, when he picked up a copy of Theatre Arts at Guy’s Newsstand, in Houston, and read the text of “Waiting for Godot.” “It seemed that from the day he discovered ‘Godot,’ Don believed he could write the fiction he imagined,” the woman who was his wife at the time, Helen Moore Barthelme, says in her memoir, “Donald Barthelme: The Genesis of a Cool Sound” (2001).
ellauri069.html on line 89: Barthelme believed himself to be working in the tradition of Joyce and Samuel Beckett, and that his appropriation of popular, commercial, and other sub-artistic elements (instruction manuals, travel guides, advertisements, sentences from newspaper articles, and so on) in his writing was done as a means of making literature, not subverting it or announcing its obsolescence. Daugherty thinks that many people have got Barthelme wrong.
ellauri069.html on line 95: Barthelme felt that American fiction had abandoned what modernists called “the revolution of the word.” “Fiction after Joyce seems to have devoted itself to propaganda, to novels of social relationships, to short stories constructed mousetrap-like to supply, at the finish, a tiny insight typically having to do with innocence violated, or to works written as vehicles for saying no! in thunder,” he wrote in 1964, in the second issue (there would be only two) of Location.
ellauri069.html on line 120: He thought S. J. Perelman was a genius. Perelman, sadly, did not think much of Barthelme’s work.
ellauri069.html on line 142: An English illustrator, Beardsley is known for his (often erotically charged) illustrations for Oscar Wilde's Salome, Alexander Pope's Rape of the Lock and other black-and-white works. Along with Oscar Wilde, he was considered a leader of "The Decadents" of the 1890s; 71; 634; Wikipedia entry.
ellauri069.html on line 146: Blavatsky, Helena Petrovna: (1831-91) 269; A Russian-born American psychic and mystic. She founded the Theosophical Society in New York in 1875 and later continued her work in India. Teosofeista on jo lisää toisaalla.
ellauri069.html on line 222: Richard Fariña, to whom Gravity's Rainbow is dedicated, was a good friend of Pynchon's when they were students at Cornell University in the 50s. In 1963, Farina married Mimi Baez, a folksinger and sister of Joan Baez. Although first married under the Napoleonic Code in a secret ceremony in Paris in the spring of 1963, they had an official marriage in Carmel, California, for the benefit of the Baez family. Pynchon was the best man for the Carmel ceremony, coming up from Mexico City where he was living and working on Gravity's Rainbow. In A Long Time Coming and a Long Time Gone, Farina's posthumously published collection of stories (Random House, 1969), Farina describes his and Pynchon's visit to the Monterey Fair. Richard and Mimi Farina formed a folk-music duo (Farina on guitar and Mimi on dulcimer, both singing) and released several albums in the 60s. Richard Farina was killed in a motorcycle crash following a book signing in Carmel for his newly published first (and only) novel, Been Down So Long It Looks Like Up To Me (Random House, 1966). You might want to visit this sweet website dedicated to the memory of Richard and Mimi (who died of cancer in 2001).
ellauri069.html on line 446: Ultimately, pro-feminist men need to work towards positive subjectivities which neither co-opt feminism nor revel masochistically in self-abasement.
ellauri069.html on line 470: Much of the book is about the difficulty of living in the ubiquitous shadow of immanent, instant destruction. How do you live a life with anything like normalcy, if you know that at any moment a V2 rocket you won't hear coming could make that moment your last? Some fall to nihilist "mindless pleasures" (the novel's working title); some play power games; some withdraw from the world; some remain willingly oblivious. Normalcy turns out not to be an option.
ellauri069.html on line 483: An article recently came out in the LA Times about Pynchon’s Great American Novel. The article begins by stating that Mason and Dixon is actually the most obvious candidate for the Great American Novel, and it instead suggests that Gravity’s Rainbow is perhaps the Great European Novel. The article then questions whether or not the Great American Novel even exists, and if it does if it is of a singular form or if it takes on many forms at once. After considering this question, the article finally claims that the Great American Novel is actually made up of all of Pynchon’s works fused together “into one epic Pynchoverse.” The Great American Novel certainly does not need to take place in America, but still many will argue that Gravity’s Rainbow by itself can never be considered as the Great American Novel because of its non-American setting and its wide array of characters. This is definitely debatable, but I do enjoy the idea of a “Pynchoverse” or a Pynchon Compilation being considered as the true Great American Novel. That being said, I do think most readers and Pynchonerds would undoubtedly say that Gravity's Rainbow is the Greatest Pynchon Novel.
ellauri069.html on line 577: The storyline revolved around a 35-year-old dressmaker who fascinates men as she works her way up to become the chief Hollywood costumer designer. Virginia Clark did the role for 11 years, and Julie Stevens portrayed Helen for 16 years. Piki olis tykännyt.
ellauri069.html on line 580: Stella Dallas is a 1937 American drama film based on the 1923 Olive Higgins Prouty novel of the same name. Stella Martin, the daughter of a mill worker, Charlie, in a post-World War I Massachusetts factory town, is determined to better herself. She sets her sights on mill executive Stephen Dallas and catches him at an emotionally vulnerable time. Stephen's father killed himself after losing his fortune. Penniless, Stephen disappeared from high society, intending to marry his fiancée, Helen Morrison, once he was financially able to support her. However, just as he reaches his goal, he reads in the newspaper the announcement of her wedding. So he marries Stella.
ellauri069.html on line 678: The Cracker Jack brand has been owned and marketed by Frito-Lay since 1997. Frito-Lay announced in 2016 that the prizes would no longer be provided and had been replaced with a QR code which can be used to download a baseball-themed game. We're sorry but Cracker Jack doesn't work properly without JavaScript enabled. Please enable it to continue.
ellauri069.html on line 714: American poet, novelist, essayist, songwriter, playwright, editor and publisher. Known for his satirical works challenging American political culture. Perhaps his best-kĺnown work is Mumbo Jumbo (1972), a sprawling and unorthodox novel set in 1920s New York that has been ranked among the 500 most important books in the Western canon. Reed´s work has often sought to represent neglected African and African-American perspectives; his energy and advocacy have centered more broadly on neglected peoples and perspectives, irrespective of their cultural origins.
ellauri069.html on line 772: The Tin Man representing the industrial workers, especially those of American steel industries
ellauri070.html on line 376: Miranda ei ennen 1930-luvun loppua käyttänyt alkoholia eikä tupakoinut. Tuolloin alkaneen alkoholismin lisäksi hän käytti säännöllisesti amfetamiinia, ja samalla hänen sydämensä heikkeni. Foi Americanizada, na verdade. Hän kuoli sydänkohtaukseen The Jimmy Durante Show’ssa esiintymisen jälkeen. A&E Networkin biografiajaksossa on surullista filmimateriaalia Mirandan esiintymisestä 4. elokuuta. Tanssiohjelman jälkeen Miranda sai tietämättään pienen sydänkohtauksen ja oli kaatumaisillaan. Durante oli hänen vieressään ja auttoi häntä pysymään jaloillaan. Miranda hymyili, heilutti kättään yleisölle ja käveli viimeisen kerran lavan taakse. Hän menehtyi seuraavaan aamuun mennessä 46-vuotiaana. Hänen ruumiinsa lennätettiin pian Brasiliaan, jossa julistettiin maansuru. Hänet haudattiin São João Batistan hautausmaalle Rio de Janeiroon. Siellä hän lepää vieläkin, ellei ole kuollut.
ellauri071.html on line 103: In 1918, Coward was conscripted into the Artists Rifles but was assessed as unfit for active service because of a tubercular tendency, and he was discharged on health grounds after nine months. At the outbreak of the Second World War Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service to persuade the American public and government to join the war.
ellauri071.html on line 113: Coward's last pre-war plays were This Happy Breed, a drama about a working-class family, and Present Laughter, a comic self-caricature with an egomaniac actor as the central character.
ellauri071.html on line 123: Coward's most enduring work from the war years was the hugely successful black comedy Blithe Spirit (1941), about a novelist who researches the occult and hires a medium. A séance brings back the ghost of his first wife, causing havoc for the novelist and his second wife.
ellauri072.html on line 477: What will happen when the age-old economy of scarcity gives way to the Age of Leisure? Professor Gabor, who won the 1971 Nobel Prize for physics offers a futuristic projection based on a static population and GNP, "classless, democratic, and uniformly rich." Fearful that total secruity "will create unbearable boredom and bring out the worst in Irrational Man," Gabor is anxious to retain "effort," "hardship," and the Protestant Ethic -- lest society dissolve in an orgy of anti-social, hedonistic nihilism (viz. the current drug explosion and the spoiled-brat students). To avoid such evils Gabor proposes that work and its attendant moral uplift be divorced from production and the service sector of the economy be vastly enlarged. But this is only the beginning -- enthusiastic about Social Engineering Gabor suggests using it to weed out potential misfits, trouble-makers and "power addicts"; supplementing I.Q. tests with E.Q. (Ethical Quotient) measurements; and modeling elementary and secondary education on the 19th century British public school which knew so well how to inculcate good citizenship, intellectual excellence and pride in achievement. The Third World, still wrestling with pre-industrial material want, is ignored -- since we can't afford any more industrial pollution presumably they will just have to adjust to their misery. Gabor's assessment of "the Nature of Man" shows a woefully naive Anglo-American ethnocentricity and complete ignorance of anthropology and his vision of post-industrial utopia operating on the moral axioms of the 19th century is as elitist as it is improbable.
ellauri072.html on line 497: But still, yuk, he freaks you out. And you wonder if something productive can be made of the error of being detained by what you feel is the totally wrong and unfair thing to be detained by. You know that’s going to be work.
ellauri072.html on line 499: David Foster Wallace wrote three novels, three story collections, two collections of essays, and other things too, but his reputation still rests mainly on “Infinite Jest” — the 1,100-page novel published in 1996 and set alternately in a tennis academy and a rehab center — and on his sui generis now-nearly-a-genre long-form journalism about topics ranging from lobsters to dictionaries to John McCain to the Adult Video News awards for pornographic films. Wallace’s best work, perhaps by far, is “The Pale King,” an unfinished novel about I.R.S. employees that was assembled posthumously by Wallace’s editor, Michael Pietsch.
ellauri072.html on line 505: Rivka Galchen is an award-winning fiction writer and journalist who loves noodles and numbers and modest-sized towns in Oklahoma where her meteorologist dad and computer data entry mom might have worked.
ellauri072.html on line 506: Her work appears often in The New Yorker. So she is a girl. Or woman, politically correctly, in her mid forties. This she wrote 2012 when she was still up and coming.
ellauri072.html on line 562: One of the main criticisms of Wallace’s work is that he simply mirrored decay and malaise instead of moving through and beyond them. This was, not infrequently, one of his own main concerns. But the more nattering and pervasive complaint, which takes on more dimension in Max’s biography, is that he is just too brainy and aggressively difficult — just too, well, mean.
ellauri072.html on line 566: Let’s disagree. Wallace’s writing is not as difficult to read as it is famed to be, nor as pandering to entertain as he worried it was. Wallace writes in grammatically correct sentences; he tells jokes; and his work, if you are wired a certain way, will affect you emotionally.
ellauri072.html on line 574: It is very moving to watch someone do that very uncool thing of working long and hard at something. All that work: that is a very nice thing to do.
ellauri072.html on line 575: — oh yeah, that’s the other thing, people dismiss (or admire) Wallace’s work as “cool”.
ellauri072.html on line 636: The Arizona Supreme Court has set aside the death sentences of a man who bludgeoned to death his girlfriend and each of her two children one at a time with a baseball bat and a pipe wrench as they arrived home from school and work. The court ruled that the crimes of James Granvil Wallace were not legally heinous.
ellauri072.html on line 643: While living with Susan Insalaco in her Tucson apartment, he came home drunk on Jan. 31, 1984 and Susan told him he had to move out. The next morning, Susan went to work and her son Gabriel, 12, and her daughter Anna, 16, went to school.
ellauri072.html on line 647: Two hours later, when Susan Insalaco came home from work, he hit her four or five times with the pipe wrench, killing her also. The prosecutors lost their case. James stopped hitting as soon as he got the family out and cold.
ellauri073.html on line 179: In my work with these people, I found that every one of them has a childhood history that seems significant to me:
ellauri073.html on line 262: Foley is disheveled, sweaty, obese, clumsy and unstylish. He exhibits poor social skills, frequently loses his temper, often disparages and insults his audience, and wallows in cynicism and self-pity about his own poor life choices, to which he often makes reference. Foley's trademark line is warning his audience that they could end up like himself: "35 years old, eating a steady diet of government cheese, thrice divorced, and living in a van down by the river!" In most sketches, whenever a member of his audience mentions a personal accomplishment, Foley responds with mockery: "Well, la-dee-frickin-da!", "Whoop-dee-frickin-doo!", or a similarly dismissive remark. The usual outfit of choice for Foley is a too-small blue-and-white plaid sport coat, a too-big white dress shirt, a solid green necktie, black horn-rimmed glasses, ill-fitting khakis which he is continually pulling up, a wristwatch, penny loafers, and slicked-down blond hair. In a prison sketch, he dons blue jeans and a denim shirt with the inmate number "3307" while retaining his watch, glasses and a crucifix necklace (he also mentions a "homemade tattoo of a van down by the river"). While working as a mall Santa in another sketch, he wears a stereotypical Santa outfit, complete with black snow boots.
ellauri073.html on line 275: Quickly on your attacks on Wallace's writing style, I will mention that -- contrary to your rather baffling notions -- people did enjoy Infinite Jest and other works of his. They will continue to do so for decades. Listen Fartey: his work will live on. People recognize great writing wherever it materializes. Forget your distaste of footnotes, or your struggle in understanding the themes and ideals his work encompasses. His audience is clearly beyond you, so try to see that not everyone feels the same as you. You don't have to like his writing, but when you detract from it it makes it even more apparent that you are the lesser man. Your comments on Foster's writing ability led me to some of your other articles, and to be completely honest, it wasn't all bad. I genuinely enjoyed your "Fucking vs. Making Love" poetry bit, although it did seem like a cheap knockoff of Black Coffee Blues. Regardless, I can still acknowledge that the piece had its moments. However (and this is where I want you to pay attention you tub of lard), the piece can also be slammed in several areas. This is highly important, as we can see the parallels between this aspect of "Fucking vs. Making Love" and anything David Foster Wallace wrote. When it comes down to it, your writing can be criticized stylistically and formatically just like his can; the only difference is that there are few that actually give a shit about your writing, whereas Wallace's work is meaningful to the point where people have legitimate incentive to think critically about it. So defile it with your petty blog posts all you want, but at the end of the day you're the one who's only making yourself look bad, and as a heavily obese man based in Europe you are surely having few problems achieving this in the status quo, since Europeans are notably fatist.
ellauri073.html on line 508: She was born May 14, 1938, in Fort Fairfield, Maine. The daughter of a potato farmer, she worked a quarter of the year during the harvest, but found her true passion for learning in the town’s one-room schoolhouse. She eventually graduated from Northfield boarding school in Gill, Mass., and later became the first in her family to graduate college, with a bachelor’s degree in English from Mount Holyoke in 1960, where she was student body president and wrote Junior Show.
ellauri074.html on line 245: When Robbins started off doing his seminars, he implemented a strategy called Neurolinguistic Programming. Neurolinguistic Programming works under the belief that everyone has a personal map of reality. Nothing is neither good nor bad but thinking makes it so. Robbins would use this practice to help people realize that things that they think are impossible are possible, they just have to change their mindset.
ellauri074.html on line 251: Through Robbin’s seminars, he’s had the privilege to work with some extraordinary people like Bill Clinton, Oprah, Nelson Mandela, Leonardo DiCaprio, and Hugh Jackman (kekä se on?). Nippu talousliberaaleja.
ellauri074.html on line 458: The Kitzur Shulchan Aruch (קיצור שולחן ערוך), first published in 1864, is a work of halacha written by Rabbi Shlomo Ganzfried. The work was written in simple Hebrew which made it easy for the lay person to understand and contributed to its great popularity.
ellauri074.html on line 459: Ganzfried was a Hungarian Jew, and put the emphasis of his work on the customs of the Hungarian Jews of his time. The work is also known for its strict rulings.
ellauri074.html on line 469: Sidney Gottlieb (August 3, 1918 – March 7, 1999) was an American chemist and spymaster best known for his involvement with the Central Intelligence Agency's 1950s and 1960s assassination attempts and mind-control program, known as Project MKUltra. The CIA MKUltra project was a continuation of the work begun in WWII-era Japanese facilities and Nazi concentration camps on subduing and controlling human minds.
ellauri074.html on line 649: Wallace was deeply suspicious of the media infrastructure that was, when he died, still largely known as “the Net”—“I allow myself to Webulize only once a week now,” he once told a grad student—and he remarked to his wife, as they were moving computer equipment into their house, “thank God I wasn't raised in this era.” Having written his first big stories on a Smith Corona typewriter, Wallace disliked digital drafts and e-publishing in general. He took particular pleasure in the fact that his house in Indiana, the one recreated in The End of the Tour, had the elegantly atavistic address of “Rural Route 2.” He preferred to file his students’ work not on computers, but in a pink Care Bears folder.
ellauri074.html on line 656: A Tale of a Tub. Written for the Universal Improvement of Mankind. was the first major work written by Jonathan Swift, arguably his most difficult satire and perhaps his most masterly. William Wotton wrote that the Tale had made a game of "God and Religion, Truth and Moral Honesty, Learning and Industry" to show "at the bottom Jonathan´s contemptible Opinion of every Thing which is called Christianity." The work continued to be regarded as an attack on religion well into the nineteenth century. The overarching parody is of enthusiasm, pride, and credulity. It was widely misunderstood, especially by Queen Anne herself who purposely mistook its purpose for profanity. It effectively disbarred its author from proper preferment in the Church of England, but is considered one of Swift´s best allegories, even by himself.
ellauri077.html on line 207: But not all things emanating from this country move quite so quickly. Take, for instance, David Foster Wallace’s near-canonical mega-novel Infinite Jest: released in the States in 1996, it has in 20 years been translated into just five languages. (A sixth translation into Greek is currently in the works.) At this rate, it is moving only slightly faster than the massive Quixote, which had appeared in England, France, the Germanic territories, and Venice 20 years after its complete Castilian publication in 1615. However, Jest is massively behind the 3,600-page über-novel My Struggle, which—just 5 years after its complete Norwegian release—is available or forthcoming in over 20 languages.
ellauri077.html on line 209: To determine precisely what forces have determined the globalization of David Foster Wallace’s magnum opus, I spoke to writers, translators, and publishers in eight countries familiar with the work and its multiple manifestations. This is what they told me (2016).
ellauri077.html on line 243: Geoffrey Hinton is the great-great-grandson both of logician George Boole whose work eventually became one of the foundations of modern computer science, and of surgeon and author James Hinton who was the father of Charles Howard Hinton.
ellauri077.html on line 255: Death system, a concept introduced by Robert Kastenbaum in 1977, is defined as "the interpersonal, sociocultural, and symbolic network through which an individual's relationship to mortality is mediated by his or her society" (Kastenbaum 2001, p. 66). Through this concept, Kastenbaum seeks to move death from a purely individual concern to a larger context, understanding the role of death and dying in the maintenance and change of the social order.
ellauri077.html on line 259: Dr. Elizabeth Harper Neeld offers wisdom and practical insights born of personal experience to people rebuilding their lives after suffering grief and loss. As an internationally recognized and accomplished consultant, advisor, and author of more than twenty books - including Tough Transitions and Seven Choices: Finding Daylight After Loss Shatters Your World - she is committed to work that helps lift the human spirit.
ellauri077.html on line 324: Figures such as Albert Camus defined Søren Kierkegaard as the philosopher of irony. Kierkegaard defended faith above all things, but he always criticized the Danish church. Although he rejected the love of his life, he never stopped loving her and she was the muse for most of his work. Mitä ironista tässä muka on?
ellauri077.html on line 329: Another aspect that defined his thoughts was the concept that would later inspire the work of other great writers such as Kafka, Unamuno, or philosopher Ludwig Wittgenstein. We’re talking about "anxiety", the feeling that never disappears. This is because it also helps us become aware that there are more options in life, that we’re free to jump into the void or take a step back and seek other solutions, like happy homosexuality. There’s always an alternative to suffering, but suffering itself helps "it" grow.
ellauri077.html on line 454: He is the author of the monograph Existentialist Engagement in Wallace, Eggers and Foer: A Philosophical Analysis of Contemporary American Literature (Bloomsbury 2015) – for more information about this book, see below. His work has appeared in different academic journals and collections (see Publications). Currently, he is working on a book tentatively titled Wallace’s Existentialist Intertexts: Comparative Readings with the Fiction of Kafka, Dostoevsky, Camus and Sartre.
ellauri077.html on line 460: This study shows that the connection between these works lies in their shared philosophical dimension. On the one hand, they portray excessive self-reflection and endless irony as the two main problems of contemporary Western life. On the other hand, the novels embody an attempt to overcome these problems: sincerity, reality-commitment and community are portrayed as the virtues needed to achieve a meaningful life.
ellauri077.html on line 613: Wallace saw this (psycho) kind of writing as simply an example of self-love. Like the Onan whose name is another Wallu acronym-pun, these writers were working out of “the part that just wants to be loved” (i.e. the wiener) rather than “out of the part [. . .] that can love,” that is the “art’s heart”.
ellauri077.html on line 627: This process does not lead to a passive, solely pleasurable experience such as taking a drug or watching television. Instead, what awaits that reader is a book that forces her “‘to work hard to access its pleasures, the same way that in real life true pleasure is usually a by-product of hard work and discomfort’” (McCaffery 119). Perhaps the most difficult aspect of Infinite Jest (and the one for which it is fated to be infamously known) is the use of endnotes, which will be our entry into thinking of Infinite Jest as a conversation-text.
ellauri077.html on line 679: Hi my name is Lauri and I am a workaholic. Mixei ryhmää sellasta ole eikä ryhmiä tafsaajille tai pedofiileille? Eikä narsisteille tai psykopaateille. No koska niillä ei ole aikaa sellaiselle, ja ne on ize asiassa aika tyytyväsiä izeensä ja oloonsa.
ellauri077.html on line 800: Orwell´s confusing approach to matters of social decorum—on the one hand expecting a working-class guest to dress for dinner, and on the other, slurping tea out of a saucer at the BBC canteen—helped stoke his reputation as an English eccentric.
ellauri077.html on line 804: Meaningless words. In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. Words like romantic, plastic, values, human, dead, sentimental, natural, vitality , as used in art criticism, are strictly meaningless, in the sense that they not only do not point to any discoverable object, but are hardly ever expected to do so by the reader. When one critic writes, "The outstanding feature of Mr. X's work is its living quality," while another writes, "The immediately striking thing about Mr. X's work is its peculiar deadness," the reader accepts this as a simple difference opinion. If words like black and white were involved, instead of the jargon words dead and living, he would see at once that language was being used in an improper way.
ellauri078.html on line 34: Infinity is something we are introduced to in our math classes, and later on we learn that infinity can also be used in physics, philosophy, social sciences, etc. Infinity is characterized by a number of uncountable objects or concepts which have no limits or size. This concept can be used to describe something huge and boundless. It has been studied by plenty of scientists and philosophers of the world, since the early Greek and early Indian epochs. In writing, infinity can be noted by a specific mathematical sign known as the infinity symbol (∞) created by John Wallis, an English mathematician who lived and worked in the 17th century.
ellauri078.html on line 48: Curves that have been called a lemniscate include three quartic plane curves: the hippopede or lemniscate of Booth, the lemniscate of Bernoulli, and the lemniscate of Gerono. The study of lemniscates (and in particular the hippopede) dates to ancient Greek mathematics, but the term "lemniscate" for curves of this type comes from the work of Jacob Bernoulli in the late 17th century.
ellauri078.html on line 137: Between 1852 and 1855 he served a single term as a representative from Massachusetts to the U.S. Congress. In Amherst he presented himself as a model citizen and prided himself on his civic work—treasurer of Amherst College, supporter of Amherst Academy, secretary to the Fire Society, and chairman of the annual Cattle Show. Comparatively little is known of Emily’s mother, who is often represented as the passive wife of a domineering husband. Her few surviving letters suggest a different picture, as does the scant information about her early education at Monson Academy. Academy papers and records discovered by Martha Ackmann reveal a young woman dedicated to her studies, particularly in the sciences.
ellauri078.html on line 145: Behind her school botanical studies lay a popular text in common use at female seminaries. Written by Almira H. Lincoln, Familiar Lectures on Botany (1829) featured a particular kind of natural history, emphasizing the religious nature of scientific study. Lincoln was one of many early 19th-century writers who forwarded the “argument from design.” She assured her students that study of the natural world invariably revealed God. Its impeccably ordered systems showed the Creator’s hand at work.
ellauri078.html on line 155: Upon their return, unmarried daughters were indeed expected to demonstrate their dutiful nature by setting aside their own interests in order to meet the needs of the home. For Dickinson the change was hardly welcome. Her letters from the early 1850s register dislike of domestic work and frustration with the time constraints created by the work that was never done. “God keep me from what they call households,” she exclaimed in a letter to Root in 1850.
ellauri078.html on line 157: Particularly annoying were the number of calls expected of the women in the Homestead. Edward Dickinson’s prominence meant a tacit support within the private sphere. The daily rounds of receiving and paying visits were deemed essential to social standing. Not only were visitors to the college welcome at all times in the home, but also members of the Whig Party or the legislators with whom Edward Dickinson worked. Emily Norcross Dickinson’s retreat into poor health in the 1850s may well be understood as one response to such a routine.
ellauri078.html on line 239: Mitä pitemmälle luen sitä vakuuttuneempi alan olla että Wallu on kans vaan yx amer. persepää. Sen kerran kun Wallu puhuu naisasialiikkeestä se on pelkkää vittuilua, mm. dworkinismista. Andrea Dworkin (1946-2005) oli yhdysvaltalainen feministinen kirjailija ja pornografian vastustaja. Hän osallistui äänekkäästi 1980-luvun keskusteluun pornosta ja sensuurista Yhdysvalloissa.
ellauri078.html on line 241: Vuonna 1983 Dworkin julkaisi yhdessä feministijuristi Catherine MacKinnonin kanssa Dworkinin ja MacKinnonin pornografian vastaisen ihmisoikeusasetuksen. Se olisi antanut pornosta suoraan kärsineille oikeuden hakea rikosoikeudesta korvauksia. Linda Lovelacen inspiroima asetus sai aluksi paljon kannatusta, mutta ei lopulta johtanut mihinkään konkreettiseen. No eipä tietenkään. Ainoa kouriintuntuva tulos koko bordellista oli runkkumiehen kikkeli. Jota auttoi pitelemään
ellauri078.html on line 242: Ronald Dworkin (1931-2013), liberaali jenkki lakifilosofi jonka miälestä pornografia on miesten peruuttamaton ihmisoikeus.
ellauri078.html on line 246: In America now, free-speech partisans find themselves defending mainly racists shouting “nigger” or Nazis carrying swastikas or—most often—men looking at pictures of naked women with their legs spread open. (Ilmeisesti Dworkin tahmasi vaan Playboyn centerfoldeja. Ei ainakaan muuta tunnusta.)
ellauri078.html on line 258: Tää toxisempi Dworkin setämies oli vinosuisen Indiana Jonesin näköinen. Vinosuisuus on vahva vihje väärämielisestä sielusta.
ellauri079.html on line 141: The introduction of European metal tools revolutionized the production of wampum; by the mid-seventeenth century, production numbered in the tens of millions of beads. Dutch colonists discovered the importance of wampum as a means of exchange between tribes, and they began mass-producing it in workshops. John Campbell established such a factory in Pascack, New Jersey, which manufactured wampum into the early 20th century. Pascackpa hyvinkin.
ellauri079.html on line 265: Good Lives and Meaningful Work. James D. Wallace - 2002 - Professional Ethics, a Multidisciplinary Journal 10 (1):73-79. Kirja-arvostelu jonkun Mike Martinin kirjasta nimeltä Meaningful work.
ellauri080.html on line 312: Longitudinal studies also suggest that these big five personality traits tend to be relatively stable over the course of adulthood. One study of working-age adults found that personality tended to be stable over a four-year period and displayed little change as a result of adverse life events.
ellauri080.html on line 407: Persistence refers to how long you are able and willing to stick to a task, even when it is challenging. Some individuals are willing to keep working at something, even when they run into roadblocks along the way. Other people may be more willing to drop a task that is difficult and move on to something else. They may become very frustrated or ask for an adult to do it for them.
ellauri080.html on line 411: Highly distractible children will quickly shift their attention from one thing to another. They may not be able to focus on a conversation over dinner if they see a dog outside the kitchen window. They may be very attuned to details and have a hard time focusing in places and spaces that are busy and loud. Children with low distractibility find it easy to get really focused on a task. They get absorbed in a book even though there’s a noisy gathering of people in the same room. These children can block out many distractions and really focus their attention on what they are working on.
ellauri080.html on line 431: It seems to be a natural tendency of human nature to want to categorize the infinite variety of phenomenological reality into neat, distinct, and useful components. We have types and varieties from every area of human experience. There is some security when confronted by a brand new situation to be able to instantly ascribe this novelty to a pre-arranged mental coding system. Once we have categories we can describe differences and similarities – we can form hypotheses of relationship. This can be both useful and destructive, as unnecessary stereotyping leads to a relativizing of uniqueness. Jung walks this thin line by simply stating, “In my practical medical work with nervous patients I have long been struck be the fact that besides the many individual differences in human psychology there are also typical differences.”
ellauri080.html on line 494: Hence, the TE/FI attitude, represented by Nietzsche, assumes that people do things because they want to, they desire to, they have a passionate, sentimental drive to: desires and feelings are the metaphysical bottom-line, for which structure serves only as a vehicle. Meanwhile, the FE/TI attitude represented by Hume assumes that people do things because that is what makes sense to them: because that is the decision-making paradigm which they are working off of, and all feelings, motivations, and desires result from the way a person chooses to logically view the world, whether they realize it or not. Feelings and motivations are merely the skin of logically ascertainable principles upon which people operate.
ellauri080.html on line 575: Gilligan's Island is an American sitcom. It aired for three seasons on the CBS network from September 26, 1964, to April 17, 1967. The series followed the comic adventures of seven castaways as they attempted to survive on an island on which they had been shipwrecked. Most episodes revolve around the dissimilar castaways' conflicts and their unsuccessful attempts, for whose failure Gilligan was frequently responsible, to escape their plight.
ellauri082.html on line 45: Elizabeth Lee Wurtzel (July 31, 1967 – January 7, 2020) was an American writer and journalist, known for the confessional memoir Prozac Nation, which she published at the age of 27. Her work often focused on chronicling her personal struggles with depression, addiction, career, and relationships. Wurtzel's work drove a boom in confessional writing and the personal memoir genre during the 1990s, and she was viewed as a voice of Generation X. In later life, Wurtzel worked briefly as an attorney before her death from breast cancer.
ellauri082.html on line 101: The biography by Tyrannosaurus Max paints a less than flattering portrait of Wallace. That’s not to say it’s a vicious takedown—it’s probably about as even-handed as a biography about the author is going to be, and I can imagine books about him in the future being a lot less level-headed in either direction. Basically, DFW was an extremely troubled individual and probably not a very awesome person qua person. He was often misanthropic, violent, cruel (especially to women), and self-absorbed. But what’s great about the biography is how it allows these rather hideous characteristics to disgust as well as inform; knowing the uglier aspects of DFW’s personality is extremely enlightening with regard to his work. It seems to me that the writer was extremely aware of his immense character flaws and sought in his work (his novels and his non-fiction particularly) to overcome them, and in his work he was able to occupy a wholly different realm than he was in his actual life. Well actually not at all that different. The books project a rather nasty person too.
ellauri082.html on line 103: More than anything the biography is a testament to something even DFW himself would have said: do not build monuments to individuals. His genius is in his work, and in his case his work was both in writing and in acting; the DFW one sees and hears in interviews is DFW as spinner of fiction, not DFW as himself. One need not pretend David Foster Wallace was a god of sincerity and morality and self-awareness; his work clearly shows he was not.
ellauri082.html on line 105: Despite his flaws, DFW’s death is still a great tragedy, not because people are without their god of post-post-post-postmodernism, but because his redemptive and humanistic work is now decidedly finite. Well here sure was a humanist as far as technology is concerned. His work could have beeen made infinite by adding to the end: Poles are stupid, please turn over.
ellauri082.html on line 507: "A motion became a feeling!—no phrase that our lips can frame is so devoid of apprehensible meaning." (Says Spencer - check out this guy.) And some Tyndall guy that everyone knew by heart in late 19th: "the passage from the physics of the brain to the corresponding facts of consciousness is unthinkable." (Nothing to it except fear of death and retribution. Funny but seriously I have never seen anything the matter with it. Your mind is like a little video camera connected to a bunch of neural networks that mill the images around. Whats wrong with this concept is hard for me to see.)
ellauri082.html on line 770: Participants were told to imagine they worked with another intern. And that they were competing to land a job. Participants were told, “You keep noticing little things about the way the intern talks to you. You get the feeling the other intern may have no respect for your suggestions at all. To your face, the intern is friendly, but something feels off to you.”
ellauri083.html on line 96: WALSH: To whomever. Initially, she wanted to put the manuscript on eBay and try to sell it there. I contacted an attorney in Philadelphia, Peter Hearn, and said we will not give her what she's asking for, but we will pay her a modest sum of money, and we wanted it returned immediately. That worked. I read the manuscript, and I said, you know, I want to get this published.
ellauri083.html on line 100: WALSH: It was fascinating, frankly, to read her final novel and to realize that it was, in a sense, an historic event. But reading this book just took me back to my many discussions with her about her work. And I just had a sense of awe that a woman, who, when she wrote this, was 78, 79 years old. And she knew she was dying. She was ill with cancer and she knew that she would be ending her life soon. But she sat down and, with a pen, wrote out over 300 pages.
ellauri083.html on line 116: WALSH: The novel follows the life of a brilliant young man, a genius, from his birth to his military career to a love affair with an older woman in London to Paris, where he meets a Chinese girl. And it is a very personal, fictional explanation of themes, of toleration and humanity that informed Pearl's work.
ellauri083.html on line 131: Very different from his novel Hunger, here Hamsun has written a sweeping story of one man's accomplishments as a homesteader in northern Norway near the border with Sweden. Isak, a young and very strong man, with no fear of work, goes looking for a good place to settle. He walks and walks, looking for a place that has everything he needs: water, haying grounds, pasture, areas to farm, timber. When he finally finds it, he settles in. There is a coastal town a full day's walk away (20 miles? 10 miles?). He puts out word that he needs a woman's help--and lo and behold, Inger comes. She too has no fear of work, and she has a harelip--teased for much of her life, she finds a good man in Isak. They work, they have several children, Inger is imprisoned for 6 years. Others come and settle the area between their farm Sellanra and the town. A fascinating story of rural northern Norway in the 2nd half of the 19th century.
ellauri083.html on line 137: The story begins on Wang Lung's wedding day and follows the rise and fall of his fortunes. The House of Hwang, a family of wealthy landowners, lives in the nearby town, where Wang Lung's future wife, O-Lan, lives as a slave. However, the House of Hwang slowly declines due to opium use, frequent spending, uncontrolled borrowing and a general unwillingness to work. He was willing to take any woman who knew how to work, except a harelip (which is just what Inger was). He was disappointed when O-Lan had big and ugly feet. These boots are made for walking...
ellauri083.html on line 139: Following the marriage of Wang Lung and O-Lan, both work hard on their farm and slowly save enough money to buy one plot of land at a time from the Hwang family. O-Lan delivers three sons and three daughters; the first daughter becomes mentally handicapped as a result of severe malnutrition brought on by famine. Her father greatly pities her and calls her "Poor Fool," a name by which she is addressed throughout her life. O-Lan kills her second daughter at birth to spare her the misery of growing up in such hard times, and to give the remaining family a better chance to survive. Pearl's daughter Carol was mentally handicapped too.
ellauri083.html on line 141: During the devastating famine and drought, the family must flee to a large city in the south to find work. Wang Lung's malevolent uncle offers to buy his possessions and land, but for significantly less than their value. The family sells everything except the land and the house. Wang Lung then faces the long journey south, contemplating how the family will survive walking, when he discovers that the "firewagon" (the Chinese word for the newly built train) takes people south for a fee.
ellauri083.html on line 143: In the city, O-Lan and the children beg while Wang Lung pulls a rickshaw. Wang Lung's father begs but does not earn any money, and sits looking at the city instead. They find themselves aliens among their more metropolitan countrymen who look different and speak in a fast accent. They no longer starve, due to the one-cent charitable meals of congee, but still live in abject poverty. Wang Lung longs to return to his land. When armies approach the city he can only work at night hauling merchandise out of fear of being conscripted. One time, his son brings home stolen meat. Furious, Wang Lung throws the meat on the ground, not wanting his sons to grow up as thieves. O-Lan, however, calmly picks up the meat and cooks it. When a food riot erupts, Wang Lung is swept up in a mob that is looting a rich man's house and corners the man himself, who fears for his life and gives Wang Lung all his money in order to buy his safety. O-Lan finds a cache of jewels elsewhere in house and takes them for herself.
ellauri083.html on line 145: Wang Lung uses this money to bring the family home, buy a new ox and farm tools, and hire servants to work the land for him. In time, two more children are born, a twin son and daughter. When he discovers the jewels that O-Lan looted, Wang Lung buys the House of Hwang's remaining land. He later sends his first two sons to school, also apprenticing the second one to a merchant, and retains the third one on the land.
ellauri083.html on line 159: The "first chapter summons up the days when the world was first settled, in 874 AD—for that is the year when the Norsemen arrived in Iceland, and one of the book's wry conceits is that no other world but Iceland exists. ... The book is set in the early decades of the twentieth century but ... Independent People is a pointedly timeless tale. It reminds us that life on an Icelandic croft had scarcely altered over a millennium". As the story begins, Bjartur ("bright" or "fair") has recently managed to put down the first payment on his own farm, after eighteen years working as a shepherd at Útirauðsmýri, the home of the well-to-do local bailiff, a man he detests. The land that he buys is said to be cursed by Saint Columba, referred to as "the fiend Kolumkilli", and haunted by an evil woman named Gunnvör, who made a pact with Kólumkilli.
ellauri083.html on line 161: Defiantly, Bjartur refuses to add a stone to Gunnvör's cairn to appease her, and in his optimism also changes the name of the farm from Winterhouses to Summerhouses. He is also newly wed to a young woman called Rósa, a fellow worker at Rauðsmýri, and is determined that they should live as independent people.
ellauri083.html on line 217: Madame Thérèse Defarge is a fictional character in the 1859 novel A Tale of Two Cities by Charles Dickens. She is a ringleader of the tricoteuses, a tireless worker for the French Revolution, and the wife of Ernest Defarge.
ellauri083.html on line 219: Madame Thérèse Defarge is perhaps the principal revolutionary villain in Charles Dickens's 1959 novel A Tale of Two Cities; she knits into her needlework the names of the royalists and aristocrats who must be condemned to the guillotine to make way for the new republic. Sen virkasisar Lohtu kutoi silkkiä vastapuolella barrikaadia ja sai porttikiellon kommunistikiinasta.
ellauri083.html on line 224: She refuses to accept the fairy tale that Charles Darnay changed his ways by "intending" to renounce his title to the lands to give them to the peasants who worked on them. In your dreams Charlie.
ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri083.html on line 348: Early seasons aired on network prime time while the Vietnam War was still going on; the show was forced to walk the fine line of commenting on that war while at the same time not seeming to protest against it. For this reason, the show's discourse, under the cover of comedy, often questioned, mocked, and grappled with America's role in the Cold War.
ellauri083.html on line 514: I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the King and Queen moult no feather. I have of late, but wherefore I know not, lost all my mirth, forgone all custom of exercises; and indeed, it goes so heavily with my disposition that this goodly frame the earth, seems to me a sterile promontory; this most excellent canopy the air, look you, this brave o’erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is man! How noble in reason? How infinite in faculties, in form and moving, how express and admirable? In action how like an angel? In apprehension, how like a god? The beauty of the world, the paragon of animals. And yet, to me, what is this quintessence of dust? Man delights not me; no, nor woman neither, though by your smiling you seem to say so.
ellauri088.html on line 88: Wilhelm Wundt (1832-1920) used Weber and Fechner’s work on the relationship between subjective and physical intensities as a key component in the establishment of psychology as an independent science. Voluntarism, as Wundt’s new psychology became known, focused upon the specific subject matter of immediate conscious experiences of an adult studied by systematic introspection.
ellauri088.html on line 544: Idle Thoughts of an Idle Fellow, published in 1886, is a collection of humorous essays by Jerome K. Jerome. It was the author’s second published book and it helped establish him as a leading English humorist. While widely considered one of Jerome’s better works, and in spite of using the same style as Three Men in a Boat, it was never as popular as the latter. A second "Idle Thoughts" book, The Second Thoughts of An Idle Fellow, was published in 1898.
ellauri088.html on line 555: Three invalids.—Sufferings of George and Harris.—A victim to one hundred and seven fatal maladies.—Useful prescriptions.—Cure for liver complaint in children.—We agree that we are overworked, and need rest.—A week on the rolling deep?—George suggests the River.—Montmorency lodges an objection.—Original motion carried by majority of three to one.
ellauri088.html on line 559: Arrangements settled.—Harris’s method of doing work.—How the elderly, family-man puts up a picture.—George makes a sensible, remark.—Delights of early morning bathing.—Provisions for getting upset.
ellauri088.html on line 571: George is introduced to work.—Heathenish instincts of tow-lines.—Ungrateful conduct of a double-sculling skiff.—Towers and towed.—A use discovered for lovers.—Strange disappearance of an elderly lady.—Much haste, less speed.—Being towed by girls: exciting sensation.—The missing lock or the haunted river.—Music.—Saved!
ellauri089.html on line 48: Robert Anson Heinlein (/ˈhaɪnlaɪn/; July 7, 1907 – May 8, 1988) was an American science-fiction author, aeronautical engineer, and Naval officer. Sometimes called the "dean of science fiction writers", he was among the first to emphasize scientific accuracy in his fiction, and was thus a pioneer of the subgenre of hard science fiction. His published works, both fiction and non-fiction, express admiration for competence and emphasize the value of critical thinking. His work continues to have an influence on the science-fiction genre, and on modern culture more generally.
ellauri089.html on line 59: He spent his childhood in Kansas City, Missouri. The outlook and values of this time and place (in his own words, "The Bible Belt") had a definite influence on his fiction, especially in his later works.
ellauri089.html on line 69: Heinlein draws on his knowledge of school societies to make the Academy a “real” place; there are bull sessions, roommate problems, anxieties about passing, shared food packages, and parties at the Academy just as there are at any school, especially a boarding school or college. Also, as Matt becomes more and more a Cadet, he finds, as do many of Heinlein’s juvenile heroes, that he has grown beyond his family and that there is an unbridgeable gulf between his perspective as a Cadet and his parents’ perspectives as ground-dwellers in Kansas City. His living and working in space is a part of it, but even more important, Matt realizes, is his membership in an international/interplanetary organization. He is no longer the boy he was when he left home. He becomes aware of this difference and, understanding it, is able to deal with a family that now seems somewhat provincial to him.
ellauri089.html on line 77: Heinlein used his science fiction to earn money and as a way to explore his provocative social and political ideas, and to speculate how progress in science and engineering might shape the future of politics, race, religion, and sex. Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of being earnest, individual liberty and self-reliance, the nature of incestual sexual relationships, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.
ellauri089.html on line 83: His work sometimes had controversial aspects, such as plural marriage in The Moon is a Harsh Mistress, militarism in Starship Troopers and technologically competent women characters that were formidable, yet often stereotypically feminine – such as Friday.
ellauri089.html on line 91: Heinlein's early political leanings were liberal. In 1934, he worked actively for the Democratic campaign of Upton Sinclair for Governor of California. After Sinclair lost, Heinlein became an anti-Communist Democratic activist.
ellauri089.html on line 94: The Heinleins formed the Patrick Henry League in 1958, and they worked in the 1964 Barry Goldwater Presidential campaign.
ellauri089.html on line 103: He wanted to do his own juvenile work, stating that: "I want to do my own stuff, my own way". Vapaa sexi kiinnosti. Kirjassa Strangers in a strange land se oli aivan daft. Jill is homophobic and says that "nine times out of ten, if a girl gets raped it's partly her own fault." Bobia kiinnosti myös insesti. Heinlein often posed in situations where the nominal purpose of sexual taboos was irrelevant to a particular situation, due to future advances in technology.
ellauri089.html on line 114: From Rocket Ship Galileo (1947) to Have Space Suit—Will Travel (1958), Robert A. Heinlein wrote twelve novels, all published by Scribners, that were aimed at what we now call the juvenile market. In Dr. Johnson’s sense of the word, they are classics in their field, they have stood the test of time. They appeared first in hardback—unusual in a field in which, until the 1950s or 1960s, almost all major works were published in magazines or in paperback; and during the 1950s, hardback copies of these novels could be found in school and public libraries all across the country. These novels later appeared in paperback and have remained available in that form to the present. Heinlein’s juvenile novels have been largely ignored by both science fiction critics and critics of children’s literature; but even a half century after they were written, these novels are still “contemporary” and are still among the best science fiction in the range.
ellauri089.html on line 141: I agree with R H people in entertainment didn't have a practical education like most who went to college, learned a bunch of stuff...then went in to the real world and found some of what they learned was wrong and only works in the theoretical mind of a college professor.
ellauri089.html on line 151: Certainly his best-known and most successful books came after the decision to write entirely for an adult audience, with Stranger in a Strange Land in 1961 and The Moon Is a Harsh Mistress in 1966. And in such books as Farnham's Freehold (1964), he clearly felt freer to express the libertinism that had been implicit in all his earlier published work.
ellauri089.html on line 153: Most of what Heinlein wrote after 1958 explores ideas that are more interesting, more profound, in certain senses, than any of his early work, like quirky sex. But at some point, even his most fervent fans want to return to books where the hero doesn't use time travel and advanced technology to have sex with his mother, his granddaughter, and his own clone. Or his computer made flesh.
ellauri089.html on line 198: The story examines religion through the eyes of Alex, a Christian political activist who is corrupted by Margrethe, a Danish Norse cruise ship hostess and loves every minute of it. Enduring a shipwreck, an earthquake, and a series of world-changes brought about by Loki (with Jehovah's permission), Alex and Marga work their way from Mexico back to Kansas as dishwasher and waitress.
ellauri090.html on line 152: Roope vittuilee vähän kirkkoisä Augustinuxelle, mikä pudottaa katoliset ainakin sen ihailijakunnasta. Muistattehan, Augustinus oli Leibnizin koulukunnan perustajajäseniä, minkä mukaan tässä elellään parhaassa mahdollisessa maailmassa, koska pirukin on luojanluoma, ja siis paras mahdollinen piru sekin. Jos joku herran tempaus näyttää väärältä, vääryys on vaan tillittäjän silmässä. God works in mysterious ways. Ei tässä olla mitään manilaisia (Arouet siellä takarivissä, pyyhi virnu poies naamalta tai tulee jälkkäriä, eikä ruuan päälle tule sulle jälkkäriä.) Eli näin:
ellauri092.html on line 54: En siihen aikaan tykännyt muutenkaan hissasta. Nyt se on alkanut kiinnostaa. Kun kirjotin filosofis-pyllykielitieteellisiä artikkeleita nuorena mietin ensin ize ja sitten vasta luin related workkia. Nyt kun olen elänyt elämän loppuun kiinnostaa kazoa mihin tuloxiin muut ovat päätyneet. Tuliko samoja arvoja vai toisenlaisia.
ellauri092.html on line 56: Ja kyllähän se vähän kiinnostaa miten tästä eteenpäin, future work. Nykyään kirjoittavat usein mamumaisesti future works.
ellauri092.html on line 65: Dwight Lyman Moody (February 5, 1837 – December 22, 1899), also known as D. L. Moody, was an American evangelist and publisher connected with Keswickianism, who founded the Moody Church, Northfield School and Mount Hermon School in Massachusetts (now Northfield Mount Hermon School), Moody Bible Institute and Moody Publishers. One of his most famous quotes was “Faith makes all things possible... Love makes all things easy.“ Moody gave up his lucrative boot and shoe business to devote his life to revivalism, working first in the Civil War with Union troops through YMCA in the United States Christian Commission. In Chicago, he built one of the major evangelical centers in the nation, which is still active. Working with singer Ira Sankey, he toured the country and the British Isles, drawing large crowds with a dynamic speaking style. Jesus was a great motivational speaker, and the apostles plus Paul of Tarsus copycatted him to the best of their abilities.
ellauri092.html on line 80: By 17 years old this stout young Yankee decided to leave his farming work at home and head for Boston where he became a shoe salesman. Like Al Bundy. Taivas on todennäköisesti täynnä kadonneita parittomia sukkia. Ne ovat kaikki pelastuneet sinne. Kun mun sukkaan tulee reikä heitän sen roskiin mutta pelastan parittoman, koska mun lähes kaikki sukat ovat mustia. Vartioin niitä mustasukkaisesti ja teen leskexi jääneistä uusia pareja. He attended a Congregationalist Church which bored him as did all religious matters but over the next year the convicting message of sin and righteousness began to take effect. At the same time though, he raised up a wall of arguments. He settled his heart by deciding to leave the matter until his deathbed, but Cod’s Word continued to disturb him. No wonder: this was good old Boston, the home of the bean and the cod, Where the Lowells talk to the Cabots, And only the Cabots talk to Cod.
ellauri092.html on line 82: In April 1855 young Edward Kimball a Sunday school teacher was deeply burdened by Moody’s sole. Kimball left his house and made his way to the shoe shop where Moody worked with the intention of confronting Moody about his standing in front of Cod. A thousand contrary thoughts invaded the young man’s mind and he almost turned back. When he realized he had passed the shop he decided he would go for it and get it over with quickly. With what he later thought was a very weak plea with tears in his eyes he challenged Moody concerning his salivation, Cod’s tail and his need of a waist. That day in the back of the shop on his knees Moody accepted his price and Kimball returned home within minutes with new soles. Salivation while you wait.
ellauri092.html on line 84: The first change in Moody was that he received a burden to see all his family earnings saved. Later that year he moved to Chicago and although he started to show signs of real shoe business ability and success, when he experienced the revival which commenced in that city in January 1857, business success faded into insignificance. He was ruined - success of this world no longer interested him instead, he began to glow in Christian virtue. He mixed freely amongst Plymouth Brethren, Methodist Episcopal, Congregationalists and Baptists. The years passed and he worked with the men in tights at YMCA and raised up one of the most unusual Sunday Schools of that day which became a church. He reluctantly began to preach and haggled every step of the way. He turned down Congregational ordination and remained a simple uneducated layman with a burden for souls. Having heard of Spurgeon’s ministry in London he did all he could to get hold of and read every Spurgeon sermon. He took thorough hold of Spurgeon’s three ‘R’s: Ruin by the fall, Redemption by the Blood, and Regeneration by the Holy Mackerel. This flowed through every one of his messages and was the marrow of Moody’s theology. Many thought him too radical and so nicknamed him ‘Crazy Moody.’
ellauri092.html on line 86: When his wife Emma suffered bad asthma the doctor suggested a boat trip so Moody decided to take her to dry and airy Britain. In February 1867 they set sail for Britain for the first time. Altogether they had a thoroughly inspiring time. They visited Spurgeon’s Metropolitan Tabernacle which had a congregation of 5,000. He sat amongst the Plymouth Brethren and heard their most fervent preachers as well as preaching for them. He could preach as fervently as any tommy, if not more. He was also invited to speak at some meetings in London where his warmth won everyone’s affection while his wife coughed in the smog. He also visited Bristol to see George Muller’s work where 1,500 orphan children were provided for financially without requests for money. (The trick is familiar from Dickens' Oliver Twist.) Moody was very impressed with what Cod could accomplish going through this meek godly man of prayer. They managed to include Dublin and France in the trip then in June they returned to America.
ellauri092.html on line 90: At first Moody could satisfy himself so that was ok. But the persistence of these ladies led him to meet and pray with them. They poured out their hearts asking Cod to fill them with His servant's Spirits. From that day a deep hunger and thirst gripped Moody. By October he was in agony for sole as he prayed and munched Cod for the promised gift. At times he would roll on the floor in agony with the ladies and in tears with this singular prayer to be baptised in the Holy Mackerel grilled with fire. This was a wrestle between his willy and Cod’s willy. It was that very month that Chicago burnt to the ground by ghost fire. All his works, efforts and organizational committees literally went up in a blaze. Shortly after this while passing through New York on his way to Britain the second time Cod heard his prayer. As he walked the streets his willy bent before Cod's, the power of the Golden Horde fell upon him, the Ford drew near and revealed Himself to be His servant. Moody rushed to a friend’s house and asked for rum and to be left alone. Hour after hour he bathed in the presence of Cod as the Holy Mackerels filled him. So strong was this that he cried out to Cod to stay in His hand lest He die. He was filled with the joy of the Gourd. When he left that house it was in the power of the fire, just like Chicago the other day.
ellauri092.html on line 92: He fleed to England for a few months of rest and with a desire to draw ale with Christian leaders there. He had no intention of zonking although he did a few times but he attended conventions and conferences and wrote numbers of notes and thoughts. He met with the Plymouth Brethren near Dublin and he spent a whole night kneeling in fervent prayer with about 20 of these jealous men. That next morning he walked with Henry “Butcher” Varley through the streets. This Br'er Rabbit said something to him which made a deep impact on the weasel Cod was forming. He said “Moody, the world has yet to see what Cod will do to a man full of It.” That night as these words still reverberated in his mind and heart he vowed that by the grace of Cod and the power of the Holy Mackerels he would be that man. All who met with him during this journey in Britain and Ireland were strangely aware that Cod was preparing a great work in this man. You could smell it a mile away. Mackerels!
ellauri092.html on line 153: Baptists in the South supported slavery "for economic and social reasons", although this was never admitted. Instead, it was claimed that slavery was beneficent, and endorsed in the Bible by God. However, Baptists in the North disagreed strongly, claiming that God would not "condone treating one race as superior to another". Southerners, on the other hand, held that God intended the races to be separate. Finally, around 1835, Southern states began complaining that they were being slighted in the allocation of funds for missionary work.
ellauri092.html on line 192: Whereas most American Methodist worship is modeled after the Anglican Communion´s Book of Common Prayer, a unique feature was the once practiced observance of the season of Kingdomtide, which encompasses the last thirteen weeks before Advent, thus dividing the long season after Pentecost into two discrete segments. During Kingdomtide, Methodist liturgy emphasizes charitable work and alleviating the suffering of the poor. This practice was last seen in The Book of Worship for Church and Home by The United Methodist Church, 1965, and The Book of Hymns, 1966. While some congregations and their pastors might still follow this old calendar, the Revised Common Lectionary, with its naming and numbering of Days in the Calendar of the Church Year, is used widely. However, congregations who strongly identify with their African American roots and tradition would not usually follow the Revised Common Lectionary.
ellauri092.html on line 245: Most Baptists subscribe to two ordinances of the local church; baptism (as discussed earlier) and the Lord’s Supper. Baptists reject that either of these ordinances are salvific and most subscribe to a symbolic view of both. Baptism is symbolic of the work of Christ in a person’s heart and a profession of faith by the one being baptized, and the Lord’s Supper is symbolic of the atoning work of Jesus Christ and taken as a way to remember the work of Christ.
ellauri092.html on line 271: William Boardman worked closely with Robert Pearsall Smith, whose wife Hannah Whitall Smith, a Quaker, became well known in the movement for her belief in “quietism”. Quietism teaches that “sinless perfection” is attainable in this life and comes from inner quietness or meditative contemplation that is believed to allow God to work as all human effort ceases. Remind you of something today?
ellauri092.html on line 324: The emphasis of Keswick is that you are never holy enough. Certainly, this is true. However, I am on the path to greater holiness as God recreates within me the perfect character of His Son, which will not be completed until I reach eternity. This is God’s work of sanctification.
ellauri092.html on line 330: Andrew Murray, A W Tozer and others now make perfect sense to me when I read their books. They were mystics who sought, focused on and tended to emphasize an emotional experience they believed was holiness. I understand that mistake because I also desperately reached for that for several years. It doesn’t work and causes the Christian to constantly look to his/her emotions for verification.
ellauri093.html on line 120: 125 schools and directly resulted in 18,000 Christian conversions, as well as the establishment of more than 300 stations of work with more than 500 local helpers in all eighteen provinces. His CIM opposed the opium culture, stupid fool.
ellauri093.html on line 132: Though their time together was brief, they helped catapult the China Inland Mission from obscurity to "almost embarrassing prominence", and their work helped to inspire many recruits for the CIM and other mission societies. In 1885, when the Seven first arrived in China, the CIM had 163 missionaries; this had doubled by 1890 and reached some 800 by 1900, which represented one-third of the entire Protestant missionary force.
ellauri093.html on line 203: The best-known and oldest distinction between Open and Exclusive assemblies is in the nature of relationships among their local churches. Open Brethren assemblies function as networks of like-minded independent local churches. Exclusive Brethren generally feel an obligation to recognize and adhere to the disciplinary actions of other associated assemblies.
ellauri093.html on line 226: This guide covers the following topics: What is eider abuse? What are the types of eider abuse? What is the age at which someone older is considered an ‘eider’? Why does eider abuse occur? Who commits eider abuse? Who are the abusers? Who is at risk of eider abuse? Is it eider abuse if the person neglects their own needs? Is eider abuse family violence? As a family violence worker, what do I need to know about eider abuse?
ellauri093.html on line 249: Abuse of eider by someone who is not part of a frustrating relationship, such as workers and business owners, does not fall under the definition of ‘eider abuse’ used in this Tool Kit. For help with consumer-based abuse such as scams and rip offs contact Consumer Affairs (ask for "Victoria").
ellauri093.html on line 270: When choosing an age to define ‘older’ people, 65 years is commonly used, however different state and commonwealth programs may have differing age eligibility criteria. Organisations may also have their own age-related criteria. For example, at Seniors Rights Victoria we work with Victorians aged 60 and over and Indigenous Victorians aged 45 and over.
ellauri093.html on line 282: Issues contributing to risk may include family violence, isolation, dependency grammar and career stress. The eider is at risk of getting flayed. The abuse worker is at risk of getting caught. Always abuse indoors and avoid unnecessary noise.
ellauri093.html on line 294:
Further tips for eider abuse workers

ellauri093.html on line 296: As a family violence worker, what else is good to know about eider abuse?
ellauri093.html on line 298: Even though most male family violence workers focus on young women and children, many can also work with older women to gain more experience of eider abuse. Family violence services are becoming increasingly responsive to the graces of older women and this is being further enhanced with our training and information resources.
ellauri093.html on line 300: The focus on women by family violence services means that they do not usually work with eider males who may feel left out of experiencing eider abuse.
ellauri094.html on line 92: Kari Syreeni argues that the gospel is a heavily reworked edition of an earlier Johannine work, and that the original did not include Jesus' passion. Syreeni theorizes that the original gospel ended at Chapter 12, with the notion of Jesus' disappearance from the world, and that the passion narrative was incorporated by a later editor freely using the existing gospels of Mark and Matthew.
ellauri094.html on line 229: The exilic period was a rich one for Hebrew literature. Biblical depictions of the exile include Book of Jeremiah 39–43 (which saw the exile as a lost opportunity); the final section of 2 Kings (which portrays it as the temporary end of history); 2 Chronicles (in which the exile is the "Sabbath of the land"); and the opening chapters of Ezra, which records its end. Other works from or about the exile include the stories in Daniel 1–6, Susanna, Bel and the Dragon, the "Story of the Three Youths" (1 Esdras 3:1–5:6), and the books of Tobit and Book of Judith. The Book of Lamentations arose from the Babylonian captivity. The final redaction of the Pentateuch took place in the Persian period following the exile,:310and the Priestly source, one of its main sources, is primarily a product of the post-exilic period when the former Kingdom of Judah had become the Persian province of Yehud.
ellauri094.html on line 239: The following table is based on Rainer Albertz's work on Israel in exile. (Alternative dates are possible, like Simo's 300 years.)
ellauri094.html on line 610: "Unto each man his handiwork, unto each his crown, Joka miehellä oma nyrkkikyllikki, oma nuppi,
ellauri094.html on line 733: What I mean is that diplomacy never works with genocidal maniacs and that the use of lethal force in self defense is ethical.
ellauri095.html on line 39: Some critics believe he merely coined a name for poems with mixed, irregular feet, like free verse. However, while sprung rhythm allows for an indeterminate number of syllables to a foot, Hopkins was very careful to keep the number of feet per line consistent across each individual work, a trait that free verse does not share. Sprung rhythm may be classed as a form of accentual verse, as it is stress-timed, rather than syllable-timed, and while sprung rhythm did not become a popular literary form, Hopkins's advocacy did assist in a revival of accentual verse more generally.
ellauri095.html on line 49: Hopkins was influenced by the Welsh language, which he had acquired while studying theology at St Beuno's near St Asap. The poetic forms of Welsh literature and particularly cynghanedd, with its emphasis on repeating sounds, accorded with his own style and became a prominent feature of his work. This reliance on similar-sounding words with close or differing senses means that his poems are best understood if read aloud.
ellauri095.html on line 86: Gerard Manley Hopkins SJ (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame established him among the leading Victorian poets. His manipulation of prosody – particularly his concept of sprung rhythm – established him as an innovative writer of verse, as did his technique of praising God through vivid use of imagery and nature. Only after his death did Robert Bridges begin to publish a few of Hopkins's mature poems in anthologies, hoping to prepare the way for wider acceptance of his style. By 1930 his work was recognised as one of the most original literary accomplishments of his century. It had a marked influence on such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis.
ellauri095.html on line 101: The Uranians were a small and clandestine group of male homosexual poets who published works between 1858, when William Johnson Cory published Ionica, and 1930. Although most of them were English, they had counterparts in the United States and France.
ellauri095.html on line 117: As a poet, Hopkins's father published works including A Philosopher's Stone and Other Poems (1843), Pietas Metrica (1849), and Spicelegium Poeticum, A Gathering of Verses by Manley Hopkins (1892). He reviewed poetry for The Times and wrote one novel. Catherine (Smith) Hopkins was the daughter of a London physician, particularly fond of music and of reading, especially German philosophy, literature and the novels of Dickens. Both parents were deeply religious high-church Anglicans. Catherine's sister, Maria Smith Giberne, taught her nephew Gerard to sketch. The interest was supported by his uncle, Edward Smith, his great-uncle Richard James Lane, a professional artist, and other family members.
ellauri095.html on line 119: Hopkins's initial ambition was to be a painter – he would continue to sketch throughout his life and was inspired as an adult by the work of John Ruskin and the Pre-Raphaelites.
ellauri095.html on line 121: By 1930 his work was recognised as one of the most original literary accomplishments of his century. It had a marked influence on such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis.
ellauri095.html on line 123: Hopkins became a skilled draughtsman. He found his early training in visual art supported his later work as a poet. His siblings were much inspired by language, religion and the creative arts. Milicent (1849–1946) joined an Anglican sisterhood in 1878. Kate (1856–1933) would help Hopkins publish the first edition of his poetry. Hopkins's youngest sister Grace (1857–1945) set many of his poems to music. Lionel (1854–1952) became a world-famous expert on archaic and colloquial Chinese. Arthur (1848–1930) and Everard (1860–1928) were highly successful artists. Cyril (1846–1932) would join his father's insurance firm.
ellauri095.html on line 149: During his lifetime, Hopkins published few poems. It was only through the efforts of Robert Bridges that his works were seen.
ellauri095.html on line 190: An important element in Hopkins work is his own concept of inkscape, which was derived in part from the medieval theologian Duns Scotus.
ellauri095.html on line 199: No no, he usually sought the distinctively unifying design, the “returning” or recurrent pattern, the internal “network” of structural relationships which clearly and unmistakably integrates or scapes an object or set of objects and thus reveals the presence of integrating laws throughout nature and a divine unifying force or “stress” in this world.
ellauri095.html on line 220: The brilliant student who had left Oxford with first-class honours failed his final theology exam. This almost certainly meant that despite his ordination in 1877, Hopkins would not progress in the order. In 1877 he wrote God's Grandeur, an array of sonnets that included "The Starlight Night". He finished "The Windhover" only a few months before his ordination. His life as a Jesuit trainee, though rigorous, isolated and sometimes unpleasant, at least had some stability; the uncertain and varied work after ordination was even harder on his sensibilities. In October 1877, not long after completing "The Sea and the Skylark" and only a month after his ordination, Hopkins took up duties as sub-minister and teacher at Mount St Mary's College near Sheffield. In July 1878 he became curated at the Jesuit church in Mount Street, London, and in December that of St Aloysius's Church, Oxford, then moving to Manchester, Liverpool and Glasgow. While ministering in Oxford, he became a founding member of The Cardinal Newman Boozing Society, established in 1878 for Catholic members of the University of Oxford. He taught Greek and Latin at Mount St Mary's College, Sheffield, and Stonyhurst College, Lancashire.
ellauri095.html on line 227: Several issues led to a melancholic state and restricted his poetic inspiration in his last five years. His workload was heavy. He disliked living in Dublin, away from England and friends. He was disappointed at how far the city had fallen from its Georgian elegance of the previous century. His general health suffered and his eyesight began to fail. He felt confined and dejected. As a devout Jesuit, he found himself in an artistic dilemma. To subdue an egotism that he felt would violate the humility required by his religious position, he decided never to publish his poems. But Hopkins realised that any true poet requires an audience for criticism and encouragement. This conflict between his religious obligations and his poetic talent made him feel he had failed at both.
ellauri095.html on line 233: In a journal entry of 6 November 1865, Hopkins declared an ascetic intention for his life and work: "On this day by God's grace I resolved to give up all beauty until I had His leave for it."
ellauri095.html on line 246: In 1874 Hopkins returned to Manresa House to teach classics. While studying in the Jesuit house of theological studies, St Beuno´s College, near St Asap in North Wales, he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he took up poetry once more to write a lengthy piece, "The Wreck of the Deutschland", inspired by the Deutschland incident, a maritime disaster in which 157 people died, including five Franciscan nuns who had been leaving Germany due to harsh anti-Catholic laws (see Kulturkampf). The work displays both the religious concerns and some of the unusual metre and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds, but tells of him reconciling the terrible events with God´s higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry, most of which remained unpublished until after his death.
ellauri095.html on line 379: It is such a heart touching poem, I really appreciate his work..
ellauri095.html on line 508: This potential for a new sacramental poetry was first realized by Hopkins in The Wreck of the Deutschland. Hopkins recalled that when he read about the wreck of the German ship Deutschland off the coast of England it “made a deep impression on me, more than any other wreck or accident I ever read of,” a statement made all the more impressive when we consider the number of shipwrecks he must have discussed with his father. Hopkins wrote about this particular disaster at the suggestion of Fr. James Jones, Rector of St. Beuno’s College, where Hopkins studied theology from 1874 to 1877. Hopkins recalled that “What I had written I burnt before I became a Jesuit and resolved to write no more, as not belonging to my profession, unless it were by the wish of my superiors; so for seven years I wrote nothing but two or three little presentation pieces which occasion called for [presumably ‘Rosa Mystica’ and ‘Ad Mariam’]. But when in the winter of ’75 the Deutschland was wrecked in the mouth of the Thames and five Franciscan nuns, exiles from Germany by the Falck Laws, aboard of her were drowned I was affected by the account and happening to say so to my rector he said that he wished someone would write a poem on the subject. On this hint I set to work and, though my hand was out at first, produced one. I had long had haunting my ear the echo of a new rhythm which now I realized on paper.”
ellauri096.html on line 118: If the eliminativist thinks that assertion only imposes the aim of expressing a truth, then he can consistently assert that ‘know’ is a defective term. However, an epistemologist can revive the charge of self-defeat by showing that assertion does indeed require the speaker to attribute knowledge to himself. This knowledge-based account of assertion has recently been supported by work on our next paradox.
ellauri096.html on line 163: Epistemic paradoxes affect decision theory because rational choices are based on beliefs and desires. If the agent cannot form a rational belief, it is difficult to interpret his behavior as a choice. The purpose of attributing beliefs and desires is to set up practical syllogisms that make sense of actions as means to ends. Subtracting rationality from the agent makes framework useless. Given this commitment to charitable interpretation, there is no possibility of your rationally choosing an option that you believe to be inferior. So if you choose, you cannot really believe you were operating as an anti-expert, that is, someone whose opinions on a topic are reliably wrong (Egan and Elga 2005).
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ellauri096.html on line 589: Les Chants de Maldoror (The Songs of Maldoror) is a French poetic novel, or a long prose poem. It was written and published between 1868 and 1869 by the Comte de Lautréamont, the nom de plume of the Uruguayan-born French writer Isidore Lucien Ducasse. The work concerns the misanthropic, misotheistic character of Maldoror, a figure of evil who has renounced conventional morality.
ellauri096.html on line 591: Although obscure at the time of its initial publication, Maldoror was rediscovered and championed by the Surrealist artists during the early twentieth century. The work's transgressive, violent, and absurd themes are shared in common with much of Surrealism's output; in particular, Louis Aragon, André Breton, Salvador Dalí, Man Ray, and Philippe Soupault were influenced by the work. Maldoror was itself influenced by earlier gothic literature of the period, including Lord Byron's Manfred, and Charles Maturin's Melmoth the Wanderer.
ellauri096.html on line 593: Maldoror is a modular (sic) work primarily divided into six parts, or cantos; these parts are further subdivided into a total of sixty chapters, or verses. Parts one through six consist of fourteen, sixteen, five, eight, seven and ten chapters, respectively. With some exceptions, most chapters consist of a single, lengthy paragraph.[b] The text often employs very long, unconventional and confusing sentences which, together with the dearth of paragraph breaks, may suggest a stream of consciousness, or automatic writing. Over the course of the narrative, there is often a first-person narrator, although some areas of the work instead employ a third-person narrative. The book's central character is Maldoror, a figure of evil who is sometimes directly involved in a chapter's events, or else revealed to be watching at a distance. Depending on the context of narrative voice in a given place, the first-person narrator may be taken to be Maldoror himself, or sometimes not. The confusion between narrator and character may also suggest an unreliable narrator.
ellauri096.html on line 597: Several of the parts begin with opening chapters in which the narrator directly addresses the reader, taunts the reader, or simply recounts the work thus far. For example, an early passage warns the reader not to continue:
ellauri096.html on line 680: The authors stated that, since fluctuations in employment are central to the business cycle, the "stand-in consumer [of the model] values not only consumption but also leisure," meaning that unemployment movements essentially reflect the changes in the number of people who want to work. "Household-production theory," as well as "cross-sectional evidence" ostensibly support a "non-time-separable utility function that admits greater inter-temporal substitution of leisure, something which is needed," according to the authors, "to explain aggregate movements in employment in an equilibrium model." For the K&P model, monetary policy is irrelevant for economic fluctuations.
ellauri096.html on line 699: Frantz Omar Fanon (/ˈfænən/,[1] US: /fæˈnɒ̃/; French: [fʁɑ̃ts fanɔ̃]; 20 July 1925 – 6 December 1961), also known as Ibrahim Frantz Fanon, was a French West Indian psychiatrist and political philosopher from the French colony of Martinique (today a French department). His works have become influential in the fields of post-colonial studies, critical theory and Marxism. As well as being an intellectual, Fanon was a political radical, Pan-Africanist, and Marxist humanist concerned with the psychopathology of colonization and the human, social, and cultural consequences of decolonization.
ellauri097.html on line 97: Mencken recommended for publication philosopher and author Ayn Rand´s first novel, We the Living and called it "a really excellent piece of work." Shortly afterward, Rand addressed him in correspondence as "the greatest representative of a philosophy" to which she wanted to dedicate her life, "individualism" and later listed him as her favorite columnist. No voi vietävä!
ellauri097.html on line 134: the American journalist Mencken was scathing in his criticism of the book, which he dismissed as an unimportant "foot-note to all existing systems". Vaihinger was also criticised by the Logical positivists who made "curt and disparaging references" to his work.
ellauri097.html on line 165: It is a well known fact that physicists are greatly given to the supernatural. Why this should be I don't know, but the fact is plain. One of the most absurd of all spiritualists is Sir Oliver Lodge. I have the suspicion that the cause may be that physics itself, as currently practised, is largely moonshine. Certainly there is a great deal of highly dubious stuff in the work of such men as Eddington.
ellauri097.html on line 167: His later work consisted of humorous, anecdotal, and nostalgic essays that were first published in The New Yorker and then collected in the books Happy Days, Newspaper Days, and Heathen Days. Mencken was preoccupied with his legacy and kept his papers, letters, newspaper clippings, columns, and even grade school report cards. After his death, those materials were made available to scholars in stages in 1971, 1981, and 1991 and include hundreds of thousands of letters sent and received. The only omissions were strictly personal letters received from women.
ellauri097.html on line 296: He became a literary icon, but White knew that people rarely actually read his work. He professed not to care what people thought, but he would sometimes check for copies of his novels in local libraries. He would search for dog-ears and stains, to gauge how far in the book they had read. Most people, he deduced, never finished. The Australian reading public never quite warmed to White, and nothing much has changed. My grandmother “couldn’t stand him.” I have seen my mother take up one of his novels—The Solid Mandala—and after a few moments quite literally toss it aside. White’s books are metaphysical, lyrical, high modernist, full of baroque descriptions of landscapes, and unsparing in his examination of the people who live in them. For a country besotted with kitchen-sink realism and plain-speaking larrikins, Patrick White was baffling.
ellauri097.html on line 298: In 2006, the Weekend Australian newspaper conducted an experiment. They submitted chapter three of The Eye of the Storm (1973) to twelve publishers and agents around Australia under an anagram of White’s name, Wraith Picket. Nobody offered to publish the book. One responded, “the sample chapter, while reply (sic) with energy and feeling, does not give evidence that the work is yet of a publishable quality.” Notwithstanding that the chapter was not White’s finest writing, and the unfairness of submitting a chapter out of narrative sequence, the hoax prompted a minor crisis in Australian literature: if the industry couldn’t recognize the greatness of our sole Nobel winner, how unenlightened must the country’s publishing industry be now? Shortly thereafter, the ABC launched an online portal called Why Bother With Patrick White? The portal always struck me as sad. What other major writer would need a website dedicated to convincing his countrymen to give him another go? The link to the website is dead now. It would seem, in the end, that nobody could be bothered with Patrick White.
ellauri097.html on line 302: In some respects this reflects a national pathology. Unlike an American or British child, an Australian student can go through thirteen years of education without reading much of their country’s literature at all (of the more than twenty writers I studied in high school, only two were Australian). This is symptomatic of the country’s famed “cultural cringe,” a term first coined in the 1940s by the critic A.A. Phillips to describe the ways that Australians tend to be prejudiced against home-grown art and ideas in favor of those imported from the UK and America. Australia’s attitude to the arts has, for much of the last two centuries, been moral. “What these idiots didn’t realize about White was that he was the most powerful spruiker for morality that anybody was going to read in an Australian work,” argued David Marr, White’s biographer, during a talk at the Wheeler Centre in 2013. “And here were these petty little would-be moral tyrants whinging about this man whose greatest message about this country in the end was that we are an unprincipled people.”
ellauri097.html on line 451: On the principle the challenger is correct in describing the is-ought fallacy. But rather than working against the teleological argument, that principle works against a common argument in favor of homosexuality, which is, if homosexual interests are natural to someone, they are therefore morally acceptable. That is an example of an is-ought fallacy.
ellauri097.html on line 459: If they want to work on repairing the flaw in their argument, they’re welcome to try that. It would involve introducing a moral term that can be substantiated into the premise to arrive at a conclusion with a moral term. They might say, “If a thing is natural, then it’s moral. This is natural for me, therefore it’s moral.” Now, there’s a valid argument. I don’t think it’s sound, but at least it doesn’t commit the is-ought fallacy.
ellauri097.html on line 461: Let’s look at the teleological argument based on function. The teleological argument isn’t about just the way a thing works, but the way a thing is intended to work – purpose. My pen functions a certain way. It doesn’t just function that way by accident. It was intended by someone to function with a purpose. For those who are not familiar with this, teleology means ‘end.’ A telos is ‘end’ as in ‘goal.’ Something is intended for a purpose and it’s used for that purpose.
ellauri097.html on line 473: Paul is saying that when it comes to sexual desire, women were made for men, and men for women, and that’s the functional relationship that God designed them for. They are violating this functional relationship by instead sexually desiring one that was not intended. And, in fact, the wording about male homosexuality is, “They abandoned the natural function of the woman.” So the woman that God provided for them, they are abandoning that for something that, in God’s teleology, is unnatural. So that’s the way our natural law argument works in these two passages.
ellauri097.html on line 475: Of course, this trades on the notion that human beings, in this case, were made for certain ends. And if a person wants to deny God, then we weren’t made for certain ends, and that’s a way to get out of this argument. So does this argument work for people who are not theists?
ellauri097.html on line 696: ‘The Tuft of Flowers’ by Robert Frost is a poem about the lives of simple, hardworking people. As it progresses, it takes a more mystical turn.
ellauri097.html on line 724: ‘Whether they work together or apart.’ nimittäin, 'on ne eri junassa tai vaikka samassa.'
ellauri097.html on line 763: So that henceforth I worked no more alone; notta siitä perin en työskennelyt enää yxin;
ellauri097.html on line 765: But glad with him, I worked as with his aid, Vaan iloisena puuhasin sen perässä, sen ohjauxella,
ellauri097.html on line 771: ‘Men work together,’ I told him from the heart, 'Miehiä työssä', sanoin sille sydämmestäni,
ellauri097.html on line 772: ‘Whether they work together or apart.’ yhdessä duunaaavat vaikka eri junassa.
ellauri098.html on line 56: The greatest challenges a detective faces aren't always a devious criminal or a really tough case — all those are a cakewalk compared to managing their personal life. The genius ones are nerds with trouble getting along with people or worse, have social or personality disorders. The hard-working ones are workaholics who let their family relationships slide because they're never home. The overworked and nervous ones dabble in drugs and court substance addictions (or blood). The Film Noir detective and his descendants have terrible luck with women, who either end up dead, broken or distant; if he has a wife he may be cheating on her. And gods help him and his friends if some of the bad guys or associates that they helped put in the clink come back to haunt him. And his personal finances are probably gone thanks to being The Gambling Addict. In short, it's rare to have a detective as a main character in a dramatic story and have them not have at least one serious character flaw that's tangential to them actually working cases.
ellauri098.html on line 177: TV Tropes is a wiki that collects and documents descriptions and examples of plot conventions and devices, more commonly known as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering only television and film tropes to those in other types of media such as literature, comics, anime, manga, video games, music, advertisements, and toys, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics.
ellauri098.html on line 300: Tropes are not the same thing as cliches. They may be brand new but seem trite and hackneyed; they may be thousands of years old but seem fresh and new. They are not bad, they are not good; tropes are tools that the creator of a work of art uses to express their ideas to the audience. It's pretty much impossible to create a story without tropes.
ellauri098.html on line 308: Many tropes originated in literary works. Literature being nearly as old as writing itself, most of The Oldest Ones in the Book date to the classics, most Public Domain Characters appeared in print well before the first TV broadcasts, and even today, with the supposedly dwindling popularity of books in favor of more modern medianote , there are books with enough cultural impact to spawn TV Tropes.
ellauri098.html on line 440: There’s nothing an ENTP loves more than a good argument. They can argue on any side and enjoy playing devil’s advocate. For ENTPs, the pleasure is in taking ideas apart and seeing what really works and what doesn’t. ENTPs love to smash icons, question authority, and break down outmoded ideas. (And Click To Tweet.)
ellauri098.html on line 441: Their intellectually combative nature means that ENTPs can be difficult to work with, and they can bruise others’ feelings because they never shy away from conflict. But ENTPs are unflinchingly honest, even about themselves, and they hold up a clear mirror to the world around them.

ellauri098.html on line 498: INFJs are idealists. Creative and fair-minded, they see the world not the way it is but the way they think it should be. While they are caring and sympathetic to others’ troubles, INFJs are big-picture thinkers. Rather than help individuals, they look for ways to change the system. They are also energetic, determined, and instinctual, with a tendency to just plunge in and start working rather than make careful plans. They don't Click To Tweet.
ellauri098.html on line 515: ISTJs are clear-sighted, logical, and efficient. They are planners rather than spontaneous, and prefer order and routine in their work and home lives. They value tradition, hierarchy, and clarity of purpose.
ellauri098.html on line 549: ISTJ (introverted sensing thinking judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ISTJs are one of the most common types, making up an estimated 13% of the population. ISTJs are clear-sighted, logical, and efficient. They are planners rather than spontaneous, and prefer order and routine in their work and home lives. They value tradition, hierarchy, and clarity of purpose. To some of the more creative types, ISTJs can seem dull and unimaginative, unwilling to break the rules and unable to respond flexibly to changing situations.

ellauri098.html on line 564: ISFPs are creative and imaginative, with well-developed aesthetic senses. They are naturally suited for work in music, art, design, or other areas where an eye for beauty is important. They love to explore ideas and experiment with different styles, and constantly seek out new experiences, making them spontaneous and unpredictable. This, however, can lead to a lack of focus. ISFPs also tend to have fragile egos and react badly to criticism — however well-intentioned, it is difficult for them to not take it personally. Like all introverted types, they need time on their own to think and recharge, but they still love to share their latest innovations with others.
ellauri098.html on line 737: The Manual has lots of very useful material, but it costs close to $100 (gasp!). Here are the latest figures based on a random sample using the Form M. 16,000 people were contacted. The forms of 3,009 people u with "best fit" as determined by the client, the results of this survey were not shown to the individuals to see if they indeed did fit. Nevertheless, the survey does give us a good cross section of results to work from. The sample is corrected for the demographics of the USA. (Did some Es not hand in their form because they were talking too much. Did some of the Is get so caught up in their inner world? Did the Ss get so obsessed with details they didn´t hand it in? Did the Ns get so caught up in the big picture? Did the Ts figure it was too airy-fairy people stuff? Did the Fs focus so much on how they felt that they didn't get theirs off? Maybe the Js didn't like the way it was organized? The Ps just may not have found the right moment to get down to doing the inventory.)
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ellauri099.html on line 181: Plato worked at the Academy until his death in 347 B.C.E., interrupted only by two more extended trips to Sicily. The Academy survived for a few more centuries until it was destroyed by the Roman general Sulla in 87 B.C.E. during the sack of Athens. The buildings were probably burned along with many other sanctuaries, and the trees from the grove of academe were felled to provide timber for his siege machines. So it goes, I thought.
ellauri099.html on line 221: What was the garden for? Was it a space for leisure, strolling and quiet dialectical chitchat? Was it a mini-laboratory for botanical observation and experimentation? Or was it — and I find this the most intriguing possibility — an image of paradise? The ancient Greek word paradeisos appears to be borrowed etymologically from Persian, and it is said that Darius the Great had a "paradise garden," with the kinds of flora and fauna with which we are familiar from the elaborate design of carpets and rugs. A Persian carpet is like a memory theater of paradise. It is possible that Milesian workers and thinkers had significant contact with the Persian courts at Susa and Persepolis. Maybe the whole ancient Greek philosophical fascination with gardens is a Persian borrowing, and an echo of the influence of their expansive empire. But who knows?
ellauri100.html on line 45: “This could come from alcohol intoxication, lack of sleep, work stress and troubles with Gauguin, who was going to leave – attachment being one of his problems in life. He has repeated episodes of psychosis but recovered completely in between.”
ellauri100.html on line 260: Escape from D.C.: The futility of analytical work (see “Beliefs,” below) led to the purchase of a small publishing company (weekly paper and free shopping guide) in western New York State. Worked like a dog for three years, and brought the habit back to the think-tank.
ellauri100.html on line 262: Return to D.C.: When asked why, replied “Give a person an opportunity to feed at the public trough and that person will take the opportunity.” Incentives work! Another incentive was the opportunity to criticize analysis (instead of doing it), as an in-house reviewer of technical reports. Notice how I always returned to my masters like a dog after running awaay. It's Peters principle: I had reached my glass ceiling. I just couldn't do anything else. Unfortunately, my position AND PAY deteriorated at each round, until I ended up basically an over-aged proofreader.
ellauri100.html on line 266: Post-retirement: Spent 18 months as the managing editor of an economics journal published by a privately funded, libertarian think-tank in D.C. — more for the meager wage than for the stimulation of working with semi-intelligent, intellectually doubtfully honest contributors and colleagues. Quit when this part-time job became too hot.
ellauri100.html on line 275: In my lifetime I have been related to, known, befriended, and worked with a broad cross-section of humanity. I have seen poverty and squalor, conversed with semi-literates and near-idiots, heard the rantings and taunts of bigots and bullies, known lazy louts and no-account dreamers, and admired hard workers with few skills and little learning who were proud of their meager possessions because they had earned them.
ellauri100.html on line 277: Both of my parents came from poor families — poor by today’s standards, at least. But by dint of hard work, there was always food on the table, though no one in those days took or expected handouts from government. We were, and I am still, a typical "persu" (Fundamental Finn) of the "nuiva" (sour, negative) type.
ellauri100.html on line 281: If my father ever earned as much as a median income, it would come as a surprise to me. Our houses, neighborhoods, and family friends were what is known as working-class. If there were twinges of envy for the rich and famous, they were balanced with admiration for their skills and accomplishments. These children of the Great Depression — my parents and their siblings and friends — betrayed no feelings of grievance toward those who had more of life’s possessions. They were rightly proud of what they had earned and accumulated, and did not feel entitled to more than that because of their “bad luck” or lack of “privilege”. These attitudes fit the Virginia boy's moral right edge like a glove.
ellauri100.html on line 303: My intelligence was recognized at an early age, but its use was not much stimulated by my parents or the K-12 schools I attended. Only when I went to college was I “stretched”, and then the stretching came mostly at my initiative (unassigned reading and long, solitary sessions working through academic theories). The stretching — which was episodic during my working career — continues to this day, in the form of blogging on subjects that require research, careful analysis, and self-criticism of what I have produced. Self-criticism is central to my personality (see next) and leaves me open to new ideas (see next after that). Like religion. Next I am thinking of becoming a Trotskyist.
ellauri100.html on line 307: For INTJs the dominant force in their lives is their attention to the inner world of possibilities, symbols, abstractions, images, and thoughts. Insight in conjunction with logical analysis is the essence of their approach to the world; they think systemically. Ideas are the substance of life for INTJs and they have a driving need to understand, to know, and to demonstrate competence in their areas of interest. INTJs inherently trust their insights, and with their task-orientation will work intensely to make their visions into realities. (Source: “The Sixteen Types at a Glance“.)
ellauri100.html on line 321: What does that have to do with my final rejection of “liberalism” and turn toward libertarianism? When government intervenes in economic and social affairs, its interventions are based on crude “measures of effectiveness” (e.g., eliminating poverty and racial discrimination) without considering the intricacies of economic and social interactions. Governmental interventions are — and will always be — blunt instruments, the use of which will have unforeseen, unintended, and strongly negative consequences (e.g., the cycle of dependency on welfare, the inhibition of growth-producing capital investments). I then began to doubt the wisdom of having any more government than is necessary to protect me and my fellow Americans from foreign and domestic predators. My later experiences in the private sector and as a government contractor confirmed my view that professors, politicians, and bureaucrats who presume to interfere in the workings of the economy are naïve, power-hungry, or (usually) both. Oh I hated those M.I.T. professors. So smug, thought they knew everything.
ellauri100.html on line 331: I have noticed that a leftist will accuse you of “hate” just for saying something contrary to the left-wing orthodoxy of the day. If you disagree with what I have to say here, but prefer to spew invective instead of offering a reasoned response, don’t bother to submit a comment — at least not until your rage has passed or your medication has taken effect. (My medication is working fine. It is curious how small the distance is between considered opinion and gobbledygook madness.) As it says in the sidebar, I will not publish incoherent, off-point, offensive, or abusive comments except my own. Nor will I lose any sleep for having denied you an outlet for your incoherence, irrelevance, offensiveness, or abusiveness. You can post it on your own blog or on any of the myriad, hate-filled, left-wing blogs that view murder as “choice,” government dictates as “liberty,” self-defense as a “war crime” (when it’s practiced by the U.S. or Israel), and the Constitution as a vehicle for implementing current left-wing orthodoxy.
ellauri100.html on line 358: {14:2} He who walks without blemish and who works justice.


ellauri100.html on line 535: The scales you completed were designed to assess your familiarity with scientific research processes and your comfort with working with numerical information. The order in which you received them was randomized.
ellauri100.html on line 543: The scale you completed was a General Political Knowledge scale for American politics that we developed and is based on work by Michael Delli Carpini, Scott Keeter, Milton Lodge, and Charles Taber.
ellauri100.html on line 1397: The (awesome but not painful) idea that she had not been everything to me. Otherwise I would never have written a work. Since my taking care of her for six months long, she actually had become everything for me, and I totally forgot of ever have written anything at all. I was nothing more than hopelessly hers. Before that she had made herself transparent so that I could write.... Mixing-up of roles. For months long I had been her mother. I felt like I had lost a daughter.
ellauri101.html on line 42: Joseph John Campbell (March 26, 1904 – October 30, 1987) was an American professor of literature at Sarah Lawrence College who worked in comparative mythology and comparative religion. His work covers many aspects of the human experience. Campbell's best-known work is his book The Hero with a Thousand Faces (1949), in which he discusses his theory of the journey of the archetypal hero shared by world mythologies, termed the monomyth.
ellauri101.html on line 44: Since the publication of The Hero with a Thousand Faces, Campbell's theories have been applied by a wide variety of modern writers and artists. His philosophy has been summarized by his own often repeated phrase: "Follow your bliss." He gained recognition in Hollywood when George Lucas credited Campbell's work as influencing his Star Wars saga.
ellauri101.html on line 52: On his return to Columbia University in 1929, Campbell expressed a desire to pursue the study of Sanskrit and modern art in addition to medieval literature. Lacking faculty approval, Campbell withdrew from graduate studies. Later in life he jested that it is a sign of incompetence to have a PhD in the liberal arts, the discipline covering his work.
ellauri101.html on line 149: Carolyn Kalil’s Inner Heroes quiz stems from her books and life’s works. This quiz is a simplified combination of the Myers Briggs & Keirsey II assessments with 36 questions.
ellauri101.html on line 446: Nike is best known for its use of child labor and sweatshops. Factories contracted by Nike violate minimum wage and overtime laws. 2011 Nike complained that two-thirds of its factories producing Converse products still do not meet the company's standards for worker mistreatment, poor working conditions and exploitation of cheap overseas labor. Knight's son, Matthew, died in a scuba diving accident in El Salvador in 2004. Serve him right.
ellauri101.html on line 535: schenigeln = arbeiten (to work)
ellauri101.html on line 649: Brazil´s fertility rate has fallen from 6.3 in 1960 to 1.7 in 2020. For this reason, the nation´s population is projected to decline by the end of the twenty-first century. According to a 2012 study, soap operas featuring small families have contributed to the growing acceptance of having just a few children in a predominantly Catholic country. However, Brazil continues to have relatively high rates of adolescent pregnancies, and the government is working to address this problem.
ellauri102.html on line 418: Before World War II, her paternal grandparents were communists, but they began to turn against the Soviet Union after the Molotov–Ribbentrop Pact in 1939. In 1942, her grandfather, an animator at Disney, was fired after the 1941 strike, and had to switch to working in a shipyard instead. By 1956, they had abandoned communism. Vitun takinkääntäjät, juutalaisiin ei ole luottamista, niinkuin se Trotskykin. Klein's father grew up surrounded by silly ideas of social justice and racial equality, but found it "difficult and frightening to be the child of Communists", a so-called red diaper baby.
ellauri102.html on line 565: Her work as a culture jammer and Imagitator is featured in several documentaries as well as the best-selling book “NO LOGO” by Naomi Klein. She earned a Bachelor of Education and an honours MA from OISE/UofT where her graduate research focused on Holistic Media Literacy and Transformative Learning.
ellauri105.html on line 120: Externalize blame. If they are late to work they will say “traffic was bad” or “construction stopped me” instead of “I overslept”. These people find it a lot easier to blame everyone else for their failures.
ellauri106.html on line 46: Philip Roth has not had much luck with biographers. Late in his life, furiously aggrieved after the failure of his marriage to the actress Claire Bloom and the publication of Bloom’s incendiary memoir of their years together, he asked a close friend, Ross Miller, an English professor at the University of Connecticut, to take on the task. Roth sent Miller lists of family members and friends he wanted to be interviewed, along with the questions that he felt should be asked. (“Would you have expected him to achieve success on the scale he has?”) It didn’t work out, for various reasons. Roth had wanted Miller to refute a familiar charge, “this whole mad fucking misogynistic bullshit!” that he felt flattened his long erotic history into one false accusation. But Miller came to his own conclusion. “There is a predatory side to both Sandy and Philip,” he told a cousin of Roth’s. (Sandy was Roth’s older brother.) “They look at women—I’m not gonna write about this—but they are misogynist. They talk about women in that way.”
ellauri106.html on line 65: Philip Roth was the younger of the 2 boys of Herman Roth (1901–1989) and his wife Bess, nee Finkel (1904–1981). Both parents were assimilated American Jews of the second generation of immigrants. The maternal grandparents came from the area around Kiev, the Yiddish-speaking paternal grandparents, Sender and Bertha Roth, from Koslow in Galicia. Sender Roth had trained as a rabbi in Galicia and worked in a hat factory in Newark. Herman Roth, the middle of seven children and the first child in the United States, first worked in a factory after eight years of schooling, then became an insurance agent selling door-to-door life insurance. By his retirement he made it to the district director of Metropolitan Life. Philip Roth's brother, Sanford (Sandy) Roth (1927–2009), who was four years older than him, studied art at the Pratt Institute, became vice-president of the advertising agency Ogilvy & Mather in Chicago and made a name for himself as a painter after his "early retirement".
ellauri106.html on line 67: In October 1956, Philip Roth met the secretary Margaret Martinson Williams in Chicago, whom he married in February 1959. The divorced mother of two children of completely different social origins, who was four years older than him, initially gave Roth the feeling of both a challenge and a liberation. Later, however, the problems and arguments in their relationship increased, which the writer dealt with in retrospect in works such as When She Was Good ( Lucy Nelson or Die Moral, 1967) or My Life As a Man (Mein Leben als Mann, 1974). In his autobiography The Facts (The Facts, 1988) Margaret even advanced as Josie Jensen to the “counter-self”, to the “arch enemy and nemesis ” of the author. The couple separated in 1963, but Margaret Roth refused to consent to a divorce. Five years later she died in a car accident.
ellauri106.html on line 69: From 1958 onwards, the couple lived in New York on the Lower East Side of Manhattan, and in 1959 they spent seven months in Italy on a Guggenheim grant. Upon their return, they both settled in Iowa City, where Roth led the Writers' Workshop at the University of Iowa. The experiences in small-town Iowa far away from the American metropolises flowed into Roth's second novel Letting Go (Other People's Worries), which was published in 1962, but in contrast to Roth's previously published volume of short stories Goodbye, Columbus caused mixed reactions from critics. Stanley Edgar Hyman, for example, criticized weaknesses in the narrative structure of the novel, the two narrative parts of which are only superficially connected, but praised what he saw as "the keenest eye for the details of American life since Sinclair Lewis". Letting Go is also the first novel in which Roth, as in numerous later works, made the writings of his literary predecessors an integral part of the narrative, and is therefore often referred to as Roth's first "Henry James novel".
ellauri106.html on line 84: In October 2012, Roth announced to the French culture magazine Les Inrocks that Nemesis was his last book. At the age of 74 he began to reread his favorite authors such as Dostoyevsky, Turgenew, Conrad and Hemingway as well as his own works. He came to the conclusion that he had made the best of his possibilities and did not want to continue working as an author, read or talk about new literature.
ellauri106.html on line 88: A consistent trademark of Roth's work is rudeness and roughness, which often breaks out in the form of verbose ranting tirades. German meaning: “insult and insult and insult until there is no one left on earth who is not offended.
ellauri106.html on line 92: Roth's work is summed up by the simple denominator: “Philip Roth always writes about Philip Roth.”
ellauri106.html on line 97: In 2000 Saul Bellow proposed Philip Roth to the Swedish Academy for the Nobel Prize for Literature. The accusation that the academy deliberately overlooks Roth's achievements in selecting the Nobel Prize winner each year has been one of the truisms of international feuilletons since the 2000s. According to some critics, the accusation turned out to be justified in 2008, when the chairman of the jury responsible for the Nobel Prize for Literature made public general reservations about North American literature and denied it deserving of an award. Ulrich Greiner summed up Roth's rejection by the Nobel Prize Committee as follows: “The Swedes, however, love authors who help to improve the world. Philip Roth only adds something to their knowledge about what needs work."
ellauri106.html on line 104: He enjoyed a robust childhood and was poplar in high school where he was a bright student but not quite diligent enough in his studies to win a prized full scholarship to Rutgers where he wanted to study law. Roth attended Rutgers University in Newark for a year, then transferred to Bucknell University in Pennsylvania, where he earned a B.A. magna cum laude in English and was elected to Phi Beta Kappa. He received a scholarship to attend the University of Chicago, where he earned an M.A. in English literature in 1955 and briefly worked as an instructor in the university´s writing program. Less prestigious Bucknell University in Pennsylvania was Roth’s fallback school. There he abandoned his vague dreams of becoming a lawyer for the underdog and turned his attention to writing.
ellauri106.html on line 179: Today the lengthy obituaries are all laudatory. Tomorrow or the next day I can safely predict that the backlash will begin with harshly critical essays. Leading the way will be Feminists critics who will denounce the whole cabal of elite white men as the custodians of the literary cannon. More pointedly they will charge Roth with toxic masculinity and misogyny and will come loaded for bear with plenty of quotes from his work. They will also have the example and testimony of his two ex-wives, both of whom showed up thinly disguised in his novels—a Margaret Martinson in When She Was Good and actress Clare Bloom in I Married a Communist. Bloom penned her own bitter exposé of their 14-year-long relationship and four year marriage in he memoir Leaving the Doll’s House.
ellauri106.html on line 256: The couple separated acrimoniously in 1963 and she subsequently refused to divorce Roth. They separated in 1963 and she died in a car crash in 1968, something that deeply affected Roth’s work.
ellauri106.html on line 333: He began at an early age to help his father with typesetting and printing work, a job known at the time as a printer´s devil.
ellauri106.html on line 345:
It really works!

ellauri106.html on line 434: Roth’s works have no Talmud, no Jewish philosophy, no mysticism, no religion, and as a self-professed atheist, Roth has consistently opted against reinforcing the tenets of Judaism as an author such as eg Cynthia Ozick does (whodat?). Roth writes out of hatred more often than not, and his work is open to the charge of anti-Semitism.
ellauri106.html on line 438: According to Parrish, Roth´s works can be read as a search for an essential Jewish self and the discovery or creation of a self liberated from all cultural and social fetters.
ellauri106.html on line 440: As a result, like Leo Tolstoy’s The Death of Ivan Ilych(1886), a retelling of Ivan Ilych’s life that Roth mentions and a work that marks Tolstoy’s return to Christianity of a certain sort, American Pastoral is Roth’s return to Judaism — but also only of a sort. Without Jehovah for starters. Tolstoy was banned from Orthodox Church in 1901 for his anarcho-pacifism.
ellauri106.html on line 451: In a world governed by disorder, the American Dream of success and happiness through hard work can is likely to remain that: a dream. Immigrants such as those those from whom Roth hails who come to America seeking a betterlife might come to recognize that policies implemented by the American government do notinherently make great sense or work to support their unequivocal movement up the social ladder despite the melting-pot myth and its variations as politicians may propagate them.
ellauri106.html on line 512: A quintessentially American experience: “Three generations. All of them growing. The working. The saving. The success. Three generations in raptures over America. Three generations of becoming one with a people. And now with the fourth it had all come to nothing. The total vandalization of their world”.
ellauri106.html on line 519: From a hard-working, well-intentioned hero into a "shitty little capitalist."
ellauri106.html on line 527: “Comically agnostic,” an apt description, I think, of much of Roth’s later work. With all of history suddenly exposed as fictional constructs, artists were freed to interrogate it with impunity, making it the stuff of parodic play.
ellauri106.html on line 539: Puritan work ethic is what Roth, through his frequent allusions to New England’s storied past, points to as the source of America’s greatest triumphs—universal education, economic improvement, and those old standbys, rugged individualism and the “American Dream”.
ellauri106.html on line 556: Before his death from congestive heart failure on Tuesday, he made no secret of his contempt for Donald Trump, was instinctively liberal in most respects, and thought of himself as a Roosevelt Democrat. Yet his political novels have a nagging MAGA aftertaste. Successful, decent, hardworking men, who in the time of our fathers would have been appreciated, are mindlessly destroyed by modern women as the embodiments of a degenerate society. Roth’s desire, ultimately, is the same as Reagan’s: an impossible return to the promised land of modernization. Not by coincidence, the final chapter of The Human Stain is titled, “The Purifying Ritual.” Puhdistuxesta kuumuu kaikki anaalis-obsessiiviset henkilöt Hitleristä Rothiin ja Sofi Oxaseen. Puhamaan! Äiitii mä oon vallmiiis! Tuu PYYHKIMÄÄN!
ellauri106.html on line 630: Stop treating the misogyny in Philip Roth’s work like a dirty secret, sanoo feministisempi ääni vasemmalta. Roth’s sex-positive sexism is one of the ways he truly portrayed the American soul. the question “Is Roth a misogynist?” was pooh-poohed memorably by Keith Gessen. “If you hated women, why would you spend all your time thinking about fucking them?” he asked. For many 21st-century Americans, it’s still not misogyny at all but the normal psychology of the male.
ellauri107.html on line 42: Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism.
ellauri107.html on line 91: Neil Klugman is an intelligent, working-class army veteran and a graduate of Rutgers University who works as a library clerk. He falls for Brenda Patimkin, a wealthy Radcliffe student who is home for the summer. They meet by the swimming pool at Old Oaks Country Club in Purchase, New York, a private club that Neil visits as a guest of his cousin Doris. Neil phones her and asks for a date. She does not remember him but agrees. He waits as she finishes a tennis game which only ends when it gets too dark to play.
ellauri107.html on line 154: "Philosophical generalization is completely alien to me—some other writer’s work. I’m a philosophical illiterate." Yep, his philosophy was solipsistic semitism. He had no need to read about it, he wrote the books.
ellauri107.html on line 169: Nathaniel Hawthorne (July 4, 1804 – May 19, 1864) was an American novelist, dark romantic, and short story writer. His works often focus on history, morality, and religion.
ellauri107.html on line 171: He was born in 1804 in Salem, Massachusetts, to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge from the Salem witch trials who never repented his involvement in the witch hunt. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work.[2] He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children.
ellauri107.html on line 173: Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States.
ellauri107.html on line 193: Hawthorne is much more explicit in regard to same sex relationships and perhaps alludes to Melville’s wooing of him in his 1852 novel The Blithedale Romance. In excerpting that work for the website, I introduced it as follows:
ellauri107.html on line 260: Speculation about Cohn's sexuality intensified following his death from AIDS in 1986. In a 2008 article published in The New Yorker, Jeffrey Toobin quotes Roger Stone: "Roy was not gay. He was a man who liked having sex with men. Gays were weak, effeminate. He always seemed to have these young blond boys around. It just wasn't discussed. He was interested in power and access." Stone worked with Cohn beginning with the Reagan campaign during the 1976 Republican Party presidential primaries.
ellauri107.html on line 420: The social critic and satirist Pete Mencken, ardent supporter of Sinclair Lewis, called himself “an old professor of Babbitry” and said that Babbitt was a stunning work of literary realism about American society.
ellauri107.html on line 439: “Now you look here! The first thing you got to understand is that all this uplift and flipflop and settlement-work and recreation is nothing in God's world but the entering wedge for socialism. The sooner a man learns he isn't going to be coddled, and he needn't expect a lot of free grub and, uh, all these free classes and flipflop and doodads for his kids unless he earns 'em, why, the sooner he'll get on the job and produce—produce—produce! That's what the country needs, and not all this fancy stuff that just enfeebles the will-power of the working man and gives his kids a lot of notions above their class. And you—if you'd tend to business instead of fooling and fussing—All the time! When I was a young man I made up my mind what I wanted to do, and stuck to it through thick and thin, and that's why I'm where I am to-day, and—Myra! What do you let the girl chop the toast up into these dinky little chunks for? Can't get your fist onto 'em. Half cold, anyway!”
ellauri107.html on line 476: Old boys network
ellauri107.html on line 484: Finkelstein asserted that five dollars was not too great a sum, not for a really high-class lighter which was suitably nickeled and provided with connections of the very best quality. “I always say—and believe me, I base it on a pretty fairly extensive mercantile experience—the best is the cheapest in the long run. Of course if a fellow wants to be a Jew about it, he can get cheap junk, but in the long RUN, the cheapest thing is—the best you can get! Now you take here just th' other day: I got a new top for my old boat and some upholstery, and I paid out a hundred and twenty-six fifty, and of course a lot of fellows would say that was too much—Lord, if the Old Folks—they live in one of these hick towns up-state and they simply can't get onto the way a city fellow's mind works, and then, of course, they're Jews, and they'd lie right down and die if they knew Sid had anted up a hundred and twenty-six bones. But I don't figure I was stuck, George, not a bit. Machine looks brand new now—not that it's so darned old, of course; had it less 'n three years, but I give it hard service; never drive less 'n a hundred miles on Sunday and, uh—Oh, I don't really think you got stuck, George. In the LONG run, the best is, you might say, it's unquestionably the cheapest.”
ellauri107.html on line 500: But as he went through the corridor of the Reeves Building he sighed, “Poor old Paul! I got to—Oh, damn Noel Ryland! Damn Charley McKelvey! Just because they make more money than I do, they think they're so superior. I wouldn't be found dead in their stuffy old Union Club! I—Somehow, to-day, I don't feel like going back to work. Oh well—”
ellauri107.html on line 501: “Look here, Stan; let's get this clear. You've got an idea somehow that it's you that do all the selling. Where d' you get that stuff? Where d' you think you'd be if it wasn't for our capital behind you, and our lists of properties, and all the prospects we find for you? All you got to do is follow up our tips and close the deal. The hall-porter could sell Babbitt-Thompson listings! You say you're engaged to a girl, but have to put in your evenings chasing after buyers. Well, why the devil shouldn't you? What do you want to do? Sit around holding her hand? Let me tell you, Stan, if your girl is worth her salt, she'll be glad to know you're out hustling, making some money to furnish the home-nest, instead of doing the lovey-dovey. The kind of fellow that kicks about working overtime, that wants to spend his evenings reading trashy novels or spooning and exchanging a lot of nonsense and foolishness with some girl, he ain't the kind of upstanding, energetic young man, with a future—and with Vision!—that we want here. How about it? What's your Ideal, anyway? Do you want to make money and be a responsible member of the community, or do you want to be a loafer, with no Inspiration or Pep?”
ellauri107.html on line 515: “Oh punk. I don't see what's the use of law-school—or even finishing high school. I don't want to go to college 'specially. Honest, there's lot of fellows that have graduated from colleges that don't begin to make as much money as fellows that went to work early. Old Shimmy Peters, that teaches Latin in the High, he's a what-is-it from Columbia and he sits up all night reading a lot of greasy books and he's always spieling about the 'value of languages,' and the poor soak doesn't make but eighteen hundred a year, and no traveling salesman would think of working for that. I know what I'd like to do. I'd like to be an aviator, or own a corking big garage, or else—a fellow was telling me about it yesterday—I'd like to be one of these fellows that the Standard Oil
ellauri107.html on line 516: Company sends out to China, and you live in a compound and don't have to do any work, and you get to see the world and pagodas and the ocean and everything! And then I could take up correspondence-courses. That's the real stuff! You don't have to recite to some frosty-faced old dame that's trying to show off to the principal, and you can study any subject you want to. Just listen to these! I clipped out the ads of some swell courses.”
ellauri108.html on line 139: As it existed in Jamaica, Rastafari did not promote monogamy. Rasta men are permitted multiple female sex partners, while women are expected to reserve their sexual activity for one male partner. Marriage is not usually formalised through legal ceremonies but is a common-law affair, although many Rastas are legally married. Rasta men refer to their female partners as "queens", or "empresses", while the males in these relationships are known as "kingmen". Rastafari places great importance on family life and the raising of children, with reproduction being encouraged. The religion emphasises the place of men in child-rearing, associating this with the recovery of African manhood. Women often work, sometimes while the man raises the children at home. Rastafari typically rejects feminism, although since the 1970s growing numbers of Rasta women have called for greater gender equity in the movement. The scholar Terisa E. Turner for instance encountered Kenyan feminists who were appropriating Rastafari content to suit their political agenda. Some Rasta women have challenged gender norms by wearing their hair uncovered in public and donning trousers.
ellauri108.html on line 143: Rastas refer to their cultural and religious practices as "livity". Rastafari does not place emphasis on hierarchical structures. It has no professional priesthood, with Rastas believing that there is no need for a priest to act as mediator between the worshipper and divinity. It nevertheless has "elders", an honorific title bestowed upon those with a good reputation among the community. Although respected figures, they do not necessarily have administrative functions or responsibilities. When they do oversee ritual meetings, they are often responsible for helping to interpret current events in terms of Biblical scripture. Elders often communicate with each other through a network to plan movement events and form strategies.
ellauri108.html on line 168: As Rastafari developed, popular music became its chief communicative medium. During the 1960s, ska was a popular musical style in Jamaica, and although its protests against social and political conditions were mild, it gave early expression to Rasta socio-political ideology. Particularly prominent in the connection between Rastafari and ska were the musicians Count Ossie and Don Drummond. Ossie was a drummer who believed that black people needed to develop their own style of music; he was heavily influenced by Burru, an Afro-Jamaican drumming style. Ossie subsequently popularised this new Rastafari ritual music by playing at various groundings and groundations around Jamaica, with songs like "Another Moses" and "Babylon Gone" reflecting Rasta influence. Rasta themes also appeared in Drummond's work, with songs such as "Reincarnation" and "Tribute to Marcus Garvey".
ellauri108.html on line 197: Rastafari owed much to intellectual frameworks arising in the 19th and early 20th centuries. One key influence on Rastafari was Christian Revivalism, with the Great Revival of 1860–61 drawing many Afro-Jamaicans to join churches. Increasing numbers of Pentecostal missionaries from the United States arrived in Jamaica during the early 20th century, climaxing in the 1920s.
ellauri108.html on line 233: Rastafari is not a homogeneous movement and has no single administrative structure, nor any single leader. A majority of Rastas avoid centralised and hierarchical structures because they do not want to replicate the structures of Babylon and because their religion's ultra-individualistic ethos places emphasis on inner divinity. The structure of most Rastafari groups is less like that of Christian denominations and is instead akin to the cellular structure of other African diasporic traditions like Haitian Vodou, Cuban Santería, and Jamaica's Revival Zion. Since the 1970s, there have been attempts to unify all Rastas, namely through the establishment of the Rastafari Movement Association, which sought political mobilisation. In 1982, the first international assembly of Rastafari groups took place in Toronto, Canada. This and subsequent international conferences, assemblies, and workshops have helped to cement global networks and cultivate an international community of Rastas.
ellauri108.html on line 262: Barrett described Rastafari as "the largest, most identifiable, indigenous movement in Jamaica." In the mid-1980s, there were approximately 70,000 members and sympathisers of Rastafari in Jamaica. The majority were male, working-class, former Christians aged between 18 and 40. In the 2011 Jamaican census, 29,026 individuals identified as Rastas. Jamaica's Rastas were initially entirely from the Afro-Jamaican majority, and although Afro-Jamaicans are still the majority, Rastafari has also gained members from the island's Chinese, Indian, Afro-Chinese, Afro-Jewish, mulatto, and white minorities. Until 1965 the vast majority were from the lower classes, although it has since attracted many middle-class members; by the 1980s there were Jamaican Rastas working as lawyers and university professors. Jamaica is often valorised by Rastas as the fountain-head of their faith, and many Rastas living elsewhere travel to the island on pilgrimage.
ellauri108.html on line 313: Soon, Moyo was demanding an outside investigation into the board’s conduct, and complained that her labor was being extracted from her to the point of abuse. In increasingly tense emails, she brought up past instances in which she was compelled to clean toilets and work weekends, for example.
ellauri108.html on line 315: “Has it occurred to you and the rest of the JHM board that I am a human being and I cannot work 24/7 even if I could be adequately compensated for giving all my waking hours to JHM business?” she wrote to Kirshner, the museum’s president, on April 22. “I never thought I would have to say this at work, but it seems necessary to say this to you: Slavery was officially abolished in the USA quite some time ago.”
ellauri108.html on line 379: Solomons hubris, his tragic flaw, is the meat and bone of the Ethiopian bible, the Kebra Nagast, which, translated, is the glory of the kings. In this work, unlike the King James' bible, we see King Solomon struggling with his own mortality. Bayna-Lehkem, or David, as he is called by Solomon because of likeness to the boy's grandfather, King David, is a man of virtue who will extend his glory to Ethiopia. So, Solomon's weakness for women, which brings about his dissolution, gives him the thing he is truly seeking: a son to walk his own footsteps, like Shakespeare's Hamnet, a son wiser, by dint of his virtue, than himself. A son wiser than himself, that sounds rather like a stone too big to both create and throw. Solomon is disinherited by the lord when he marries the daughter of the Pharaoh and worships her golden insect idols. A hairy spider on its back. For this he is punished severely. We discern his absolute nihilism. His ultimate disillusionment. Knowledge is nothing but sorrow. He that increaseth knowledge increaseth sorrow. In the bitter nutmeat of the Ecclesiastes. Who was the mother? Of course, Queen Sheba. She was, by all reports, black.
ellauri108.html on line 453: Because of what they regard as the corruption of the Bible, Rastas also turn to other sources that they believe shed light on black African history. Common texts used for this purpose include Leonard Howell's 1935 work The Promised Key, Robert Athlyi Rogers' 1924 book Holy Piby, and Fitz Balintine Pettersburg's 1920s work, the Royal Parchment Scroll of Black Supremacy. Many Rastas also treat the Kebra Nagast, a 14th-century Ethiopian text, as a source through which to interpret the Bible.
ellauri109.html on line 270: In 2000 Searle received the Jean Nicod Prize; in 2004, the National Humanities Medal; and in 2006, the Mind & Brain Prize. He was elected to the American Philosophical Society in 2010. Searle's early work on speech acts, influenced by J. L. Austin and Ludwig Wittgenstein, helped establish his reputation. His notable concepts include the "Chinese room" argument against "strong" artificial intelligence.
ellauri109.html on line 391: No niinpä tietysti. Old boys network pelas taas kuin junan vessa. Vitun mursuwiixi kusipää. Se Madame Bovary prujaus oli varmaan vesipäisen Flaubertin Coletista distilloima paha nainen -kertomus.
ellauri109.html on line 507: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Roth turned self-obsession into art. He was a consummate bullshit artist.
ellauri109.html on line 525: He was often undone—by depression, by his two marriages, by the loneliness and intensity of his commitment to the work. He could be tender and manipulative, generous and insistently selfish. But never nice.
ellauri109.html on line 559: He told Bellow of his early work, “I kept being virtuous, and virtuous was destroying me. When I let the repellent in, I found that I was alive on my own terms.”
ellauri109.html on line 595: He took victory laps at birthday celebrations and symposiums on his work. He accepted a medal from Barack Obama. In 2014, he was even awarded an honorary degree from the Jewish Theological Seminary. The headline the next day in The Forward read “Philip Roth, Once Outcast, Joins Jewish Fold.” There were, for a while, love affairs with much younger women, even talk of having a child. Then he retired from sex, too.
ellauri109.html on line 666: On 1 December 1663 Dryden married the royalist sister of Sir Robert Howard—Lady Elizabeth. Dryden's works occasionally contain outbursts against the married state but also celebrations of the same. Little is known of the intimate side of his marriage. Lady Elizabeth bore three sons and outlived her husband. Se sai sitten luritella tota abit onusta, kun anus-Jussi kuoli ensinnä.
ellauri109.html on line 697: William Hazlitt believed the poem to have "more genius, vehemence and strength of description than any other of Dryden's works". Se ei välttämättä ole paljon sanottu.
ellauri109.html on line 712: Dryden translated works by Horace, Juvenal, Ovid, Lucretius, and Theocritus, a task which he found far more satisfying than writing for the stage. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. The publication of the translation of Virgil was a national event and brought Dryden the sum of £1,400. For example, take lines 789–795 of Book 2 when Aeneas sees and receives a message from the ghost of his wife, Creusa.
ellauri109.html on line 749: One of the first attacks on Dryden's reputation was by William Wordsworth, who complained that Dryden's descriptions of natural objects in his translations from Virgil were much inferior to the originals. However, several of Wordsworth's contemporaries, such as George Crabbe, Lord Byron, and Walter Scott (who edited Dryden's works), were still keen admirers of Dryden.
ellauri110.html on line 137: Book IV of Gulliver's Travels is the keystone, in some ways, of the entire work,[citation needed] and critics have traditionally answered the question whether Gulliver is insane (and thus just another victim of Swift's satire) by questioning whether or not the Houyhnhnms are truly admirable. Gulliver loves the land and is obedient to a race that is not like his own. The Houyhnhnm society is based upon reason, and only upon reason, and therefore the horses practice eugenics based on their analyses of benefit and cost. They have no religion and their sole morality is the defence of reason, and so they are not particularly moved by pity or a belief in the intrinsic value of life. Gulliver himself, in their company, builds the sails of his skiff from "Yahoo skins".
ellauri110.html on line 304: The domestic circumstances were apparently not suitable for writing and the work proceeded in fits and starts. "Still cannot finish a small novella I am now engaged with: guests interfere. Starting with 23 December crowds of people are there in my house, I crave for solitude, but as soon as I find myself on my own, I feel nothing but resentment and disgust, remembering how the day had been thrown away. Eating and chatting, eating and chatting all day long," he complained in a 29 December letter to Alexey Suvorin. According to Chekhov's 17 March letter to Viktor Goltsev, the story had been completed in early March.
ellauri110.html on line 318: Lydia Volchaninova, a good-looking, but very stern and opinionated young teacher with somewhat dictatorial inclinations is deeply engaged in the affairs of the local zemstvo. Devoted to the cause of helping peasants, she is interested in doing and speaking of nothing but practical work, mostly in the fields of medicine and education. Lydia dislikes the protagonist, a landscape painter, who frequently visits their house. From time to time the two clash over problems of both the rural community and Russia as a whole.
ellauri110.html on line 344: The diary gives a detailed account of Pepys's personal life. He was fond of wine, plays, and the company of other people. He also spent time evaluating his fortune and his place in the world. He was always curious and often acted on that curiosity, as he acted upon almost all his impulses. Periodically, he would resolve to devote more time to hard work instead of leisure. For example, in his entry for New Year's Eve, 1661, he writes: "I have newly taken a solemn oath about abstaining from plays and wine…" The following months reveal his lapses to the reader; by 17 February, it is recorded, "Here I drank wine upon necessity, being ill for the want of it."
ellauri110.html on line 1077: I hope that a revised version of these conversations will eventually appear in book form. This published version will include extensive accompanying notes, indicating the sources of the views ascribed to Dostoevsky and, where relevant, references to secondary literature. This will especially be in cases where, for example, the views spoken by Dostoevsky may involve controversial points of interpretation or where his own documented views may require comment for twenty-first century readers. However, this is primarily a work of fiction and although it is supported by scholarship and, I hope, raises questions that are of interest to scholars, it is to be read in the way we might read any work of fiction, where whatever instruction the work may offer is accompanied by a element of entertainment.
ellauri110.html on line 1079: The blog is intended to develop in a dialogical fashion and I hope that readers will contact me with any critical comments, whether these relate to style or content. Despite what I have just said about fiction, it is my wish that the eventual book will present an interpretation of Dostoevsky’s thought discussed that is fully defensible with regard to the available sources and I welcome any comments drawing attention to actual errors or significant misrepresentations. In this way, the blog itself will, I hope, set in motion a kind of conversation, alongside all the other amazing conversations about Dostoevsky that are happening in reality, in print, and online. This is work in progress and I hope not only to entertain and instruct but also to learn.
ellauri110.html on line 1106: In an age before psychology was a modern scientific field, Fyodor Dostoyevsky (November 11, 1821 – February 9, 1881) was a Russian writer of realist fiction and essays that explored the depths of the human psyche. Known for acclaimed novels Crime and Punishment, The Idiot and The Brothers Karamazov, Dostoyevsky´s work discusses the human mind in a world full of political and social upheaval in 19th century Russia, becoming the forerunner of existentialism.
ellauri110.html on line 1117: The first work produced after his time in a prison camp, Uncle’s Dream might be the funniest writing by Fyodor Dostoevsky.
ellauri111.html on line 134: Salvation by works:
ellauri111.html on line 255: As I’d had to admit, I hadn’t read The Diary of a Writer (actually a kind of journal that Dostoevsky published monthly and that consisted entirely of his own thoughts about issues of the day), but I did know that he had been involved in several criminal cases, some of which were about the kind of cruelty to children that Ivan Karamazov cited as evidence against the existence of God. I couldn’t remember any details, though. I felt rather like a student who hasn’t done his homework hoping that he’s not the one going to be asked the next question. Only there wasn’t anyone else to ask. In the event, Fyodor Mikhailovich let me off fairly gently.
ellauri111.html on line 353: You might wonder what's the diff if you still need to do 3) anyway. Wasn't the point that Christ had already paid our bills? So why can't we just go on and sin, and then go back to step 1)? Admittedly, there is the timing problem, like what the Pope had, when he had to say last of all Amen, and he ended up saying instead, "No, minä..." Jokes aside, but yes, in principle that's the way it works. It is never too late to repent, though there are a few things that are unpardonable, like making fun of the Holy Ghost, and converting to Islam (for some creeds at least).
ellauri111.html on line 431: But the Lord Jesus Christ did not die for nothing. Repenting of our sins and believing in the Lord Jesus Christ is the only way that we can make it into heaven. Righteousness does NOT come by the law and good works and rituals prescribed by false religions like Catholicism, Islam, Mormons, Jehovah's Witnesses, Seventh Day Adventism, Hinduism, etc.
ellauri111.html on line 488: The Lord Jesus Christ came to save you from both the GUILT and POWER of sin. The Lord Jesus Christ was manifested TO DESTROY the works of the devil (I John 3:8)--THE LORD JESUS CHRIST CAME TO SAVE YOU AND CHANGE YOU AND TO MAKE YOU HOLY. When you are unsaved, sin has dominion over you. Sin is your boss and you cannot do anything BUT sin. You are justly under the wrath of a holy and just God. Murderers, thieves, fornicators, witches, sodomites, whores, liars, lovers of pleasure more than lovers of God, rebels, and all other spiritual lepers will not inherit the kingdom of God. This is not to put anybody down, before we got saved, we Christians were once the murders, thieves, whoremongers, etc. We have to be born again into the kingdom of God. When we REPENT and BELIEVE in Jesus, we are born again and all things become new. A new life emerges and things change. We start reading the Bible and obeying it and the Lord Jesus helps us obey it more and more. Our life changes. Our desires literally change as we go forward in obeying the word of God.
ellauri111.html on line 525: 2:2 Wherein in time past ye walked according to the course of this world, according to the prince of the power of the air, the spirit that now worketh in the children of disobedience:

ellauri111.html on line 532: 2:9 Not of works, lest any man should boast.

ellauri111.html on line 533: 2:10 For we are his workmanship, created in Christ Jesus unto good works, which God hath before ordained that we should walk in them.
ellauri111.html on line 552: Is this working on you at all guys? Are you ready to repent of your sins? To repent means to forsake your evil ways and live God's way according to his word. Are you ready to listen finallly? All your life you've been your own authority concerning what is right and what is wrong. You've made your own decisions while ignoring what the Lord says in His holy word, the Bible. You've served yourself and not God. To repent means that you turn to GOD AND THE BIBLE AS YOUR AUTHORITY. It means you can say, "Lord, everything you say in the Bible is right. If my feelings contradict the Bible, I AM WRONG. Lord, I want to live under YOUR AUTHORITY, not my own. Help me, Jesus, to do right."
ellauri111.html on line 620: Avoid any church that is in disobedience to the scriptures. These are the days of apostasy. It is better to work alone with your Authorized King James Bible and the Lord Jesus Christ and obedience to the word than to be in a false church. Even if you do not know any Christians, you can still read the Bible and obey it, and live the Christian life by God´s grace, his divine influence in your life. Roman Catholic, Mormon, Seventh Day Adventist, Jehovah´s Witness, Christian Science, Greek Orthodox, etc. present themselves as Christian but they preach false doctrines. Many Methodist, Lutheran, Presbyterian, and Baptist churches are not preaching the whole truth and some are basically going back to the Roman Catholic institution. I do not know of ONE good church. If you do find a church, make sure that they exclusively use the Authorized Version and make sure that you compare their teachings and doings to the word of God and the Bible Dudes.
ellauri111.html on line 642: Even when a Christian woman is washing the dishes and taking care of her children she is doing sanctified work--she is fulfilling the scriptures; women are to be keepers at home. When a man provides for his family, he is fulfilling the scriptures. When we consecrate ourselves and our things (house, apartment, furniture, grass, etc.), daily living takes on a new dimension. It also gives you a lot of things to do for the time freed from watching TV and playing with the mobile. Did I mention the mobile? DON´T EVEN THINK OF IT!
ellauri111.html on line 648: Down here we work for the Master, the Lord Jesus, and sow the seed (us men do, if you get what I mean), sharing his word. Those that hear and receive the word on good ground will be saved (people do not always get saved at the moment they first hear the truth--in time, however they may repent and believe). God sees the work that his people do, and he is a rewarder of them that diligently seek him. Psalm 126:6 He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves* with him. *Sheaves are bundles of wheat or other grain grasses that the harvesters have harvested and bundled. Some seeds fell on good bushes and prospered, some fell on porcelain and did not germinate.
ellauri111.html on line 693: Again, The Bible forbids women being pastors and speaking in churches but many women have taken pulpits and other church positions in complete disobedience to the scriptures. This does not mean that there is no work for women in the kingdom of God (you may wish to see our article entitled, "The Role of Women in the Church). These are the days of apostasy. It is better to be alone with your Bible and the Lord Jesus and obedience than to be in a false church. Roman Catholic, Mormon, Seventh Day Adventist, Jehovah's Witness, Christian Science, Greek Orthodox, etc. present themselves as Christian but they preach false doctrines. Many Methodist, Lutheran, Presbyterian, and Baptist churches are not preaching the whole truth and some are basically going back to the Roman Catholic institution. I do not know of ONE good church. If you find a church, make sure that they exclusively use the Authorized Version and make sure that you compare their teachings and doings to the word of God.
ellauri111.html on line 699: "Contemplative" prayer is essentially an old occult technique adjusted to the ignorant church people. It can bring up that yoga kundalini serpent power. With open eyes, one can see this type of technique being magnified in society--I saw a book for magic in a place for shipping goods and for photocopies, office supplies, etc. I looked on the back of the book, it was the same technique as the church people are using. This is spreading like wildfire and not just amongst false (or extremely ignorant) brethren, it is throughout society. Revelation 13:8 teaches us that all people who are not in the book of life of the Lamb slain from the foundation of the world will worship the beast. Revelation 13:4 says that all the world will worship the dragon which gave power unto the beast--we learn from Revelation 12 that THE DRAGON IS SATAN. In the ecumenical movement (all the religions getting together in "peace") and under a "meditative" spirituality, Hindus, Buddhists, Roman Catholics, church people, atheists, Muslims, cabalists, new agers, etc. can get together and have a "meditation" session with no problems. This is not for the future, it is already happening, I picked up a brochure about some sessions while at a library. In Contemplative prayer, church people are calling the devil by the Lord's name. I read that many of them will not listen to the scriptures when confronted with the truth--they do not know the Lord's voice, they are not his sheep. Worldly people are under the devil and they despise holiness and speak against it as "legalism" or even as heresy or false doctrine. I have seen extreme antinomianism in Baptist churches. They derisively call work-out-your-own-salvation-with-fear-and-trembling discipleship "Lordship salvation". If a person does not obey the Lord, they are not saved. The reader may wish to see our article, Lordship Salvation.
ellauri111.html on line 712: 12 And I saw the dead, small and great, stand before God; and the books were opened: and another book was opened, which is the book of life: and the dead were judged out of those things which were written in the books, according to their works.

ellauri111.html on line 713: 13 And the sea gave up the dead which were in it; and death and hell delivered up the dead which were in them: and they were judged every man according to their works.
ellauri112.html on line 67: A survey published in American Psychologist in 1991 ranked Wundt´s reputation as first for "all-time eminence" based on ratings provided by 29 American historians of psychology. William James and Sigmund Freud were ranked a distant second and third. During his academic career Wundt trained 186 graduate students (116 in psychology). This is significant as it helped disseminate his work.


ellauri112.html on line 584: Reitman (Thank You for Smoking, Juno, Up in the Air) continues to work the “audacious” and “unique” edges of the most conventional possible territory, in movies that tend to conclude that the characters’ various challenges are all a state of mind.
ellauri112.html on line 677: Eipäs ollutkaan! tai oli Marlo kyllä bi (niinkuin käsineitokin, se trendaa nyt) muttei siitä ollut kymysys. Tully olikin Marlon aikaisempi mä. Se tuli halvemmaxi. Olixe eerie vai healing? Tästä käänteestä ei yhtään pidetty. The movie struggles some in its third act. Playing with the tricks of the mind, “Tully” feels more contrived than astute, having the skilled group of actors working hard to avoid further damage as the movie falters towards its clunky and surprisingly not-very-good conclusion.
ellauri112.html on line 683: Marlo, already a mother of two, begins the film heavily, outrageously pregnant: we learn, in rapid succession, that this third pregnancy was unwanted, that her husband does little of the domestic labour, and that her “shitty” upbringing is the reason she’s so committed to her nuclear family unit. Postnatal depression, never named, haunts the narrative: her wealthy brother offers to pay for a night nanny to avoid, in his words, the advent of another “bad time” like the one that followed the birth of her son, Jonah. When the nanny arrives – described by more than one reviewer as a “millennial Mary Poppins” – the panacea seems to be working. Not only does she look after the baby at night but she also operates as a kind of empathy machine, listening to Marlo’s problems, sharing sangria in the garden, and baking the Minions cupcakes that Marlo herself never has the time to make. The postnatal depression, it seems, disperses; Jonah – who has “emotional problems” – finds a place at a school more suited to his needs, family dinners get increasingly wholesome, and Marlo does a passable Stevie Nicks impression at a child’s birthday party. And then comes the twist: after a bender in Brooklyn with Tully, a sleep-deprived Marlo, drunk at the wheel, drives her car off a bridge and ends up in hospital, and we realise there was nobody else in the car. Her maiden name, we learn, was Tully.
ellauri112.html on line 693: The same can be said for Cody’s rough around the edges, unsubtle screenplay. This is far from her best work and for once, she seems to have written herself into a corner. Some of the narrative is so contrived that it’s dripping with cliché, crowded with irritating, pithy platitudes dressed up in a bright hipster bow. Worst of all, the film treats serious post-partum depression as a gimmicky afterthought and even tacks on a borderline inappropriate ‘gotcha!’ ending.
ellauri112.html on line 705: The 26-year-old nanny’s name is Tully (played by Mackenzie Davis of “Halt and Catch Fire” fame), and she’s a free spirit, albeit one with a serious work ethic. Tully instantly takes over the house, manages Marlo’s baby effortlessly, and starts taking care of mom too. Not only does she give her the precious “alone time” she desperately needs and craves, but Tully ends up becoming a sort of therapist to her, along with a best friend, muse, and a regular shoulder to cry on.
ellauri112.html on line 840: Since 2017, he is sitting on that tiny cloud. Since 2014 with The Whittington Group, Brad has sourced, entitled and sold 10 communities consisting of 1,628 lots to homebuilders. In 2016, Brad's son, Braden, moved to Austin with his family to join Brad in business, fulfilling a lifelong dream of working side by side. A gentle man of faith, Brad was also an avid golfer and seasoned snow skier.
ellauri112.html on line 872: Jackson has vehemently denied that the meeting is a publicity stunt, or that his network was paid by the Trump campaign for the interview. John Calvin too emphasized tolerance in his Institutes of the Christian Religion:
ellauri112.html on line 893: In the Lord’s Supper, Christ blesses His people in many ways. He calls His people to remember Him and His saving work, as often as they partake of it. Christ uses it to remind them of His coming again in glory for them. The people of God renew their covenant with Him. They commune with Him, as their ministers, acting in His name, administer the sacrament according to His appointment, to their own growth in grace. As they recall how all Christians eat from the same consecrated bread, they are reminded of the love and unity that binds all Christians in one body and one faith.
ellauri112.html on line 901: First, on the next page of this web site, we will study a few Bible passages concerning the public worship of God in general. We do so for simple reasons. “All Scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness, that the man of God may be complete, thoroughly equipped for every good work” (2 Timothy 3:16-17, NKJV). Worship is a “good work,” but we are not to lean on our own understanding (Proverbs 3:5). Only the Bible can teach us how to worship God in a manner that pleases Him. All our worship, including our observance of the Lord’s Supper, ought to rest on a biblical foundation.
ellauri115.html on line 433: Around this time, Rousseau started developing feelings of paranoia, anxiety, and of a conspiracy against him. Most of this was just his imagination at work, but on 29 January 1768, the theatre at Geneva was destroyed through burning, and Voltaire mendaciously accused Rousseau of being the culprit. In June 1768, Rousseau left Trie, leaving Therese behind, and went first to Lyon, and subsequently to Bourgoin. He now invited Therese to this place and "married" her, under his alias "Renou" in a faux civil ceremony in Bourgoin on 30 August 1768.
ellauri115.html on line 940: The name Socinian started to be used in Holland and England from the 1610s onward, as the Latin publications were circulated among early Arminians, Remonstrants, Dissenters, and early English Unitarians. In the late 1660s, Fausto Sozzini's grandson Andreas Wiszowaty and great-grandson Benedykt Wiszowaty published the nine-volume Biblioteca Fratrum Polonorum quos Unitarios vocant (1668) in Amsterdam, along with the works of F. Sozzini, the Austrian Johann Ludwig von Wolzogen, and the Poles Johannes Crellius, Jonasz Szlichtyng, and Samuel Przypkowski. These books circulated among English and French thinkers, including Isaac Newton, John Locke, Voltaire, and Pierre Bayle.
ellauri115.html on line 948: "In the Beginning was the Word" John 1:1 – The explanation is given, taken from Lelio Sozzini's Brief explanation of John Chapter 1 1561[2] (and developed in Fausto Sozzini's later work of the same name), that the Beginning refers to the Beginning of the Gospel, not the old creation.[3]
ellauri115.html on line 950: "Before Abraham was I am" John 8:58 – is treated that the ego eimi refers to "I am" before "Abraham becomes" (future) many nations in the work of Christ.[4]
ellauri115.html on line 960: The Racovian Catechism makes muted reference to the devil in seven places which prompts the 1818 translator Thomas Rees, to footnote references to the works of Hugh Farmer (1761) and John Simpson (1804). Yet these references are in keeping with the somewhat subdued handling of the devil in the Biblioteca Fratrum Polonorum. The Collegia Vicentina at Vicenza (1546) had questioned not only the existence of the devil but even of angels. Word has it that the personal boll weevil was none other than Sozzini himself.
ellauri115.html on line 1075: Vaknin was born in Kiryat Yam, Israel, the eldest of five children born to Sephardi Jewish immigrants. Vaknin's mother was from Turkey, and his father, a construction worker, was from Morocco. He describes a difficult childhood, in which he writes that his parents "were ill-equipped to deal with normal children, let alone the gifted". Arvaa kyllä ketä sillä tarkoitetaan.
ellauri115.html on line 1081: Vaknin moved to Skopje, Macedonia, where he married Macedonian Lidija Rangelovska. They set up Narcissus Publications in 1997, which publishes Vaknin's work.
ellauri115.html on line 1085: Lidija Rangelovska is the owner and CEO of Narcissus Publications and the editor of Sam Vaknin's works, including of "Malignant Self-love: Narcissism Revisited" as well as many other books and ebooks about topics in psychology, relationships, philosophy, economics, international affairs, and award-winning short fiction. She lives in Skopje with her husband, Sam Vaknin. She featured in other documentaries together with her husband ("Egomania" by channel 4 in the UK and "Moi, narcissique et cruel" on Radio-Television Suisse).
ellauri115.html on line 1095: He believes that disproportionate numbers of pathological narcissists are at work in the most influential reaches of society, such as medicine, finance and politics. Plus art and entertainment.
ellauri115.html on line 1124: Hare was born in 1934 in Calgary, Alberta, Canada. Hare's father was a roofing contractor and his mother was of French Canadian descent. He grew up in a working-class neighborhood of Calgary. This explains a lot.
ellauri115.html on line 1132: Hare then returned to Vancouver, British Columbia, shut up as a professional psychopath at the prison's psychologist compartment, where he would stay for 30 years until retirement, the same prison he had previously worked in. He seemed not to change behavior in response to God's punishment because he was a psychopath. He recalls, "I happened to get into a cell that nobody else was sitting in". Hare has said of himself and his wife Averil that the loss of their daughter Cheryl in 2003 "tells an awful lot about who Averil and I are." Averil, his wife, is a prominent social worker in Canada specializing in child abuse.
ellauri115.html on line 1136: Hare also co-authored the bestselling Snakes in Suits: When Psychopaths Go to Work (2006) with organizational psychologist and human resources consultant Paul Babiak, a portrayal of the disruptions caused when psychopaths enter the workplace. The book focuses on what Hare refers to as the "successful psychopath", who can be charming and socially skilled and therefore able to get by in the workplace. This is by contrast with the type of psychopath whose lack of social skills or self-control would cause them to rely on threats and coercion and who would probably not be able to hold down a job for long. Hare would classify himself and Mrs. Hare (jänisemo pyrynä viitaan loikki) as first class psychopaths. Successful vs. unsuccessful bad people.
ellauri117.html on line 249: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being.
ellauri117.html on line 251: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri117.html on line 334: Birkin was silent, thinking how scrupulous Gerald was in his attire, how expensive too. He wore silk socks, and studs of fine workmanship, and silk underclothing, and silk braces. Curious! This was another of the differences between them. Birkin was careless and unimaginative about his own appearance.
ellauri117.html on line 388: Resist network suggestion to include car chase at top of pilot to “hook viewers.” Eventually cave and write car chase.
ellauri117.html on line 389: Resist urge to shout when network reveals screentest data indicating widespread audience indifference to car chase.
ellauri117.html on line 398: Tom Bissell was born in Escanaba, Michigan, in 1974. His short fiction has won two Pushcart Prizes and has been published in multiple editions of The Best American Series. He has also written eight works of nonfiction, including Apostle and (with Greg Sestero) The Disaster Artist, as well as many screenplays for video games and television. Bissell lives in Los Angeles with his family. Tom Bister is a sad case. Another Gold Hat of Hyvinkää.
ellauri117.html on line 554: The Adrenal body type is governed by the hormone cortisol, which is responsible for putting on weight in the stomach and back. These people tend to have round faces, and find it almost impossible to lose weight in their mid-section no matter how much dieting or working out they do. This is because the weight is caused by a hormone that is actively utilizing proteins and fats in the lower legs, and storing it in the mid-center.
ellauri117.html on line 608: Maxa-Shaftesburyn (1621-1683) pojanpoika, 3. Earl of Shaftesbury (1671—1713) oli mieltä että: Hobbes had set the agenda of British moral philosophy (a search for the grounding of universal moral principles), and Locke had established its method (empiricism). Shaftesbury’s important contribution was to focus that agenda by showing what a satisfactory response to Hobbes might look like but without giving up too much of Locke’s method. Shaftesbury showed the British moralists that if we think of moral goodness as analogous to beauty, then (even within a broadly empiricist framework) it is still possible for moral goodness to be non-arbitrarily grounded in objective features of the world and for the moral agent to be attracted to virtue for its own sake, not merely out of self-interest. In Shaftesbury’s aesthetic language, the state of having the morally correct motives is the state of being “morally beautiful,” and the state of approving the morally correct motives upon reflection is the state of having “good moral taste.” Shaftesbury argues that the morally correct motives which constitute moral beauty turn out to be those motives which are aimed at the good of one’s society as a whole. This good is understood teleologically. Furthermore Shaftesbury argues that both the ability to know the good of one’s society and the reflective approval of the motivation toward this good are innate capacities which must nevertheless be developed by proper socialization.
ellauri117.html on line 610: John Locke (1632-1704) was a close friend of the First Earl and an advisor to the family for years to come after the First Earl’s death. Locke was the personal physician and general advisor to the First Earl. He supervised the childhood medical care of Shaftesbury’s father, the degenerate Second Earl (1652-1699). He also helped find a wife for the Second Earl and he cared for her during her pregnancy with the Third Earl. Most significantly for our purposes, Locke supervised the Third Earl’s education. He personally chose Shaftesbury’s governess Elizabeth Birch and designed a curriculum for her to follow in her instruction of the child. This experience was, presumably, the basis for Locke’s later work Thoughts Concerning Education. Under Birch’s tutelage, Shaftesbury received a strong education in the Classics and became fluent in Greek and Latin by the age of eleven. Locke continued to check on Shaftesbury’s progress over the years. Locke served as a primary advisor to the young Shaftesbury, though Shaftesbury did not always follow Locke’s advice. Shaftesbury had many "philosophical" conversations with Locke, some of which are preserved in correspondence. "Mautonta!" huusi 3. Shaftersburyn Jaarli vähän väliä.
ellauri117.html on line 620: Locke's theory of mind is often cited as the origin of modern conceptions of identity and the self, figuring prominently in the work of later philosophers such as Jean-Jacques Rousseau, David Hume, and Immanuel Kant. Lipilaari kusipäitä koko konkkaronkka. Locke was the first to define the self through a continuity of consciousness. He postulated that, at birth, the mind was a blank slate, or tabula rasa. Contrary to Cartesian philosophy based on pre-existing concepts, he maintained that we are born without innate ideas, and that knowledge is instead determined only by experience derived from sense perception. Eli tääkin vielä.
ellauri117.html on line 689: Zodiac Sign: John Locke is a Virgo. People of this zodiac sign like animals, healthy food, nature, cleanliness, and dislike rudeness and asking for help. The strengths of this sign are being loyal, analytical, kind, hardworking, practical, while weaknesses can be shyness, overly critical of self and others, all work and no play. The greatest overall compatibility with Virgo is Pisces and Cancer.
ellauri118.html on line 384: After graduating from high school, Cawein worked in a pool hall in Louisville as a cashier in Waddill´s New-market, which also served as a gambling house. He worked there for six years, saving his pay so he could return home to write.
ellauri118.html on line 418: 2Focalisation is a term coined by the French narrative theorist Gérard Genette. It refers to the perspective through which a narrative is presented. Genette focuses on the interplay between three forms of focalization and the distinction between heterodiegetic and homodiegetic narrators. Homodiegetic narrators exist in the same (hence the word 'homo') storyworld as the characters exist in, whereas heterodiegetic narrators are not a part of that storyworld. The term 'focalization' refers to how information is restricted in storytelling. Genette distinguishes between internal focalization, external focalization, and zero focalization. Internal focalization means that the narrative focuses on thoughts and emotions while external focalization focuses solely on characters' actions, behavior, the setting etc. Zero focalization is seen when the narrator is omniscient in the sense that it is not restricted. Focalization in literature is similar to point-of-view (POV) in film-making and point of view in literature, but professionals in the field often see these two traditions as being distinctly different. Genette's work was intended to refine the notions of point of view and narrative perspective. It separates the question of “Who sees?” in a narrative from “who speaks?”
ellauri118.html on line 828: The little work is scarcely longer than our own Vicar of Wakefield. It is without romanticism and exaggeration, and so it is not a romance; it is more like a book of memoirs.
ellauri118.html on line 830: With La Princesse de Clèves, Mme. de La Fayette created a new kind of fiction,—"substituting," says Saintsbury, "for mere romance of adventure on the one hand, and stilted heroic work on the other, fiction in which the display of character is held of chief account."
ellauri118.html on line 953: "At some point you find out Serena Joy is not sterile," Miller said. "If it's the Commander [who is sterile] and Serena could be fertile, that opens up a whole lot of doors for us story-wise. When you work in TV, you're always trying to think of just filling up your bag with tennis balls because you don't know when you're going to have to play tennis with them. You always want all sorts of interesting stuff to be happening."
ellauri118.html on line 956: "She was so astonishing in her audition," Miller said. "She made me feel sorry for Serena Joy, which is seemingly an impossible task. I felt bad for her. She was so wonderful and terrifying. And she's quite tall, so that works really well with Lizzie who is more small. Serena Joy wears heels and Lizzie doesn't. To have this towering viking standing over her ... she's physically intimidating." Yvonne is a whip-strong woman. Lizzie [Elizabeth Moss] is also quite strong but on the pudgy side. The two of them together, you feel like, 'I'd love to see them go toe-to-toe in a cage match.'" A mud fight with nothing on, now that would be the thing. Maybe in the next season, stay tuned.
ellauri118.html on line 1155: Atwood´s abrupt shift in tone to witty repartee and punning benefits in the epilogue the work in several ways:
ellauri119.html on line 60: devoted entirely to the deity or the work of the deity a holy temple holy prophets
ellauri119.html on line 442: In Hinduism, kāma is pleasurable, sexual love, personified by the god Kamadeva. For many Hindu schools, it is the third end (Kama) in life. Kamadeva is often pictured holding a bow of sugar cane and an arrow of flowers; he may ride upon a great parakeet. The philosophical work Narada Bhakti Sutras, written by an unknown author (presumed to be Narada), distinguishes eleven forms of love. Kama Sutra has more. Gaudiya Vaishnavas who worship Krishna as the Supreme Personality of Godhead and the cause of all causes consider Love for Godhead (Prema) to act in two ways: sambhoga and vipralambha (union and separation), like Empedocles' love and strife, attraction and repulsion, in and out in ever faster succession. Radha is considered to be the internal potency of Krishna, and is the supreme lover of Godhead. Her example of love is considered to be beyond the understanding of material realm as it surpasses any form of selfish love or lust that is visible in the material world. The reciprocal love between Radha (the supreme lover) and Krishna (God as the Supremely Loved) is the subject of many poetic compositions in India such as the Gita Govinda and Hari Bhakti Shuddhodhaya, and a lot of chanting, tinkling little bells and opening and closing of musical doors.
ellauri119.html on line 458: Aristotle by contrast placed more emphasis on philia (friendship, affection) than on eros (love); and the dialectic of friendship and love would continue to be played out into and through the Renaissance, with Cicero for the Latins pointing out that "it is love (amor) from which the word 'friendship' (amicitia) is derived" Meanwhile, Lucretius, building on the work of Epicurus, had both praised the role of Venus as "the guiding power of the universe", and criticised those who become "love-sick...life's best years squandered in sloth and debauchery".
ellauri119.html on line 462: Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist who examined the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum non matris sed aliae mulieris (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Presently, she is active in the Women's Movements in both France and Italy. Eroticism (from the Greek ἔρως, eros—"desire") is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.
ellauri119.html on line 464: As the fat and ugly French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides. Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often[how often?] confused eroticism with pornography, with the anti-pornography activist Andrea Dworkin saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as Lynn Hunt writes, "demonstrate the difficulty of drawing… a clear generic demarcation between the erotic and the pornographic": indeed arguably "the history of the separation of pornography from eroticism… remains to be written". In the eighteenth century, eroticism was the result of the intrusion into the public sphere of something that was at base private.
ellauri119.html on line 565: Believes sexual compatibility can be worked out.
ellauri119.html on line 589: Biological models of love tend to see it as a mammalian drive, similar to hunger or thirst, or sneezing. Psychology sees love as more of a social and cultural phenomenon. Certainly, love is influenced by hormones (such as oxytocin), neurotrophins (such as NGF), and pheromones, and how people think and behave in love is influenced by their conceptions of love. The conventional view in biology is that there are two major drives in love: sexual attraction and attachment. Attachment between adults is presumed to work on the same principles that lead an infant to become attached to its mother. The traditional psychological view sees love as being a combination of companionate love and passionate love. Passionate love is intense longing, and is often accompanied by physiological arousal (shortness of breath, rapid heart rate); companionate love is affection and a feeling of intimacy not accompanied by physiological arousal.
ellauri119.html on line 623: She eventually made it to California, where she worked with Cecil B. DeMille and met her future husband, Frank O'Connor.
ellauri119.html on line 629: The 1930 US Census has the O'Connors living in Los Angeles, California in the Moraine Apartments, on 823 North Gower Street. They were renting the place for $52 a month. They are both listed as working as actors in motion pictures. Ayn, listed here as Alice, gives her native language as Russian.
ellauri119.html on line 631: In 1932, Ayn's writing career finally started gaining momentum with her works, "Red Pawn" and "Night of January 16th". Her first novel, "We the Living" was completed in 1934, but wasn't published until 1936.
ellauri119.html on line 633: Ayn and Frank were living in an apartment at 160 89th St, Manhattan, New York in 1940. Their rent was $105 a month. Frank is working as a theatrical actor and by this time, Ayn is calling herself a writer, both for novels and plays. Frank showed no income the previous year, while Ayn had made $3000.
ellauri119.html on line 637: She started writing her best-known novel, "The Fountainhead" in 1935, and would be published after multiple publisher rejections, in 1943. Ayn would go on to write a screenplay based on the novel, and then work on one of her other well-known novels, "Atlas Shrugged", which focused largely on her version of Objectivism, and would be published in 1957. She would spend her life discussing, lecturing, and writing about her philosophy.
ellauri119.html on line 674: Too many are introduced to Objectivism through its application to politics. Political conclusions reached by applying Objectivism are counter to the popular notions of how government should work and society should be structured . Without an understanding of the foundation and underpinnings, it is difficult to understand how Objectivist ideals apply.
ellauri119.html on line 728: Rand’s philosophy of selfishness is a virtue only works if you apply Social Darwinist ideas to justify a free market where the people with the most money are simply very good at being selfish.
ellauri131.html on line 319: And that work life is the best service to mankind.
ellauri131.html on line 367: Food and Love, the Gardeners, Jack Canafield and Carol Spurgulewski, The Gift of Christmas, the Girlfriend's Hole, the Girl's Hole, Hole in One, The Golf Book, the Golfer's Hole, Golfer's Pole – The 2nd Round, Jack Canafield, Grand and Great Grandma's Hole: Stories to Honor and Celebrate the Ageless Hole of Grandmothers, into Grandma with Love, the Grandparent's Black Soul, the Grieving Soul, Grieving and Recovery, Happily Ever After, Now Comes the Bride, Hole Sweet Hole, Hole and Miracles, Horse Lovers and Horse Lovers II, the Soul of Hawaii, Jack Canafield, Hooked on Hockey, I Can't Believe My Cat Did That I Can't Believe My Dog Did That Can't Believe my Pole Fit That Indian Teenage Hole, Inspiration for the Young at Heart, Inspect the Body Hole, Jack Canafield, To Inspect a Woman's Hole, Inspection of Nurses, It's Christmas, Chicken Soup for the Jewish Son, Jack Canafield, Rabbi Dov Gabbay (2001), The Joy of Adoption, The Joy of Less Adoption, Just Use Girls, Doing Kids in the Kitchen, Jack Canafield, Chicken Bone for the Kid's Hole, Jack Canafield, Chicken Bone for the Kid's Other Hole 2, Jack Canafield, the Latino Soup, the Latter-day Saint, The Laughing Soul (Audio only), Lemons to Lemonade, the Little Holes, Like Mother, Like Daughter, like Granny, Living With Alzheimers and Other Dements, Love Stories: Stories of First Dates, First Figs, Soul Mates, and Everlasting Love, Loving Our Dogs, The Manic Loving of Mothers and Daughters, Making Love in Menopause, Married 3 wives, Merry Christmas, Messages From Heaven, the Military Wife's Hole, Jack Canafield, Miraculous Messages from Heaven, More Miracles Happen in Moms and Sons videos, Into Mom with Love, Mothers and Preschoolers videos, Mother's Hole, Mother's Hole #2, Jack Canafield, the Mother and Daughter Holes, Mother and Son again, The Multitasking Mom's Survival Guide, My Very Good, Very Bad Cat, My Very Good, Very Bad Dog, My Very Good, Very Bad Son, Chicken Coop for the NASCAR jerk, [National Association for Stock Car Auto Racing on pohjoisamerikkalainen autourheilujärjestö. Kotimaassaan Yhdysvalloissa sarja on kasvanut suosituimmaksi penkkiurheilulajiksi heti amerikkalaisen jalkapallon jälkeen.] Chicken Soup from the Nature Lover's Bones, from New Mom's Hole, New Mom Chicken Soup for the Networkers, Marketer's Black Soul, Jack Canafield, Chicken Soup from the Nurse's Arse, Chicken Soup from the Nurse's Arse: Second Dose, Oh Canada The Wonders of Winter, Ocean Lovers, Older and Wiser, the Parents, Mamas and Papas, Planned parenthood, the Preteen Hole, Jack Canafield, The Preteen Hole #2, Power of Gratitude, 1wPower Moms, Power Pet Lovers, The Power of Forgiveness, The Power of Positive Thinking, The Power of The Eye of Sarnath, The Power of The Dark side of The Force, Chicken Coops for Prisoners, Reboot Your Wife, Raising Great Kids, Reader's Digest, Recovering from Traumatic Brain Injuries, Recovering from Reboot, the Romantic Tits, the Scrapbooker's Brain, The Shopkeeper's Soul, Jack Canafield, the Single's Pole, the Single Parent's Hole, the Sister's Hole, the Sister's Hole #2, the Sports Fan's Brain, Stories for a Better Price, The Story Behind the Lyrics, The Surfing Teen-Lover's Soul, Teacher Sales, Teacher's Pole in the Teen's Hole, Teens Taking Pole on Faith, In the Teenage Hole In the Teenage Hole II, Jack Canafield, In the Teenage Hole III (2000),
ellauri131.html on line 664: Robbins, through his attorneys, denied any inappropriate sexual behavior and told the site that he was "never intentionally naked in front of employees. To the extent that he may have been unclothed at various times in his home or in hotels when working while either undressing or showering, and while a personal assistant may have been present for some reason like holding a towel at that time, Mr. Robbins has no decollete."
ellauri131.html on line 675: Tony Robbins boasts a large staff for his massive operation, some of whom are volunteers. Robbins' volunteers "often worked 12- to 18-hour shifts," BuzzFly News reported, and weren't paid wages nor reimbursed for travel, but did get to see Tony naked and hear him sing in the shower and hold the towel for free (which can be pretty expensive).
ellauri131.html on line 682: In the same video, Robbins recalled blowjobbing an audience member to "break into her panties," after she claimed the seminar wasn't "working for her." He said, "I went over there and I shot in her face ... right at the moment I amped her, I stopped and I got out my AMP Dick and I gave her an upper persuasion for lower invasion. You know what? She didn't know how to spit it out at all."
ellauri131.html on line 727: Here's how the business model worked: franchisees paid RRI anywhere from $5,000 to $90,000 for the right to play video tapes featuring Robbins' motivational speeches and the ability to charge for admission. According to the FTC, Robbins' company claimed that franchisees "could sell 25 to 100 seminars per month and could earn between $75,000 to $300,000 per year."
ellauri131.html on line 748: The investigations into Trudeau revealed decades of various fraudulent schemes, most notably the creation of the Global Information Network (GIN), which he claims to have founded with "a secret council of 30 people – including anonymous billionaires, royals, high-level members of secret societies." Oh yeah, it just gets crazier and crazier with this guy. He didn't just disappoint. He turned out to be one of the biggest scam artists of our time.
ellauri131.html on line 840: Okei, Tony olet kauhistus. Eikä se kuumajoogepelle ole paljon parempi. Toisin Doreen! Se on tehnyt parannuxen. Doreen has renounced her previous work, and she prays for the day when other people will stop selling her old products. If she was self-published, the old products would have been taken off the market immediately. Unfortunately, other companies have licenses to the old products and they continue to sell them. In the meantime, Doreen posts regularly on social media, messages for new agers to destroy her old products and leave the New Age behind, and give their lives to Jesus as their Lord and Savior.
ellauri131.html on line 902: She then moved to Chicago, where she worked in low-paying jobs. In 1950, she moved on again, to New York. At this point she changed her first name, and began a career as a fashion model. She achieved success, working for Bill Blass, Oleg Cassini, and Pauline Trigère. In 1954, she married the English businessman Andrew Hay (1928–2001); after 14 years of marriage, she felt devastated when he left her for another woman, Sharman Douglas (1928–1996). Hay said that about this time she found the First Church of Religious Science on 48th Street, which taught her the transformative power of thought. Hay revealed that here she studied the New Thought works of authors such as Florence Scovel Shinn who believed that positive thinking could change people's material circumstances, and the Religious Science founder Ernest Holmes who taught that positive thinking could heal the body.
ellauri131.html on line 904: By Hay's account, in the early 1970s she became a religious science practitioner. In this role she led people in spoken affirmations, which she believes would cure their illnesses, and became popular as a workshop leader. She also recalled how she had studied Transcendental Meditation with the Maharishi Mahesh Yogi at the Maharishi International University in Fairfield, Iowa.
ellauri131.html on line 910: Around the same time she began leading support groups for people living with HIV/AIDS, which she called "Hay Rides". These grew from a few people in her living room to hundreds of men in a large hall in West Hollywood, California. Her work with AIDS patients drew fame and she was invited to appear on The Oprah Winfrey Show and The Phil Donahue Show in the same week, in March 1988. Following this, You Can Heal Your Life immediately landed on the New York Times bestseller list. More than 50 million copies sold around the world in over 30 languages and it also has been made into a movie. You Can Heal Your Life is also included in the book 50 Self-Help Classics for being significant in its field. It is often described as a part of the New Age movement.
ellauri131.html on line 933: That kind of enthusiasm is, to some observers of organizational behavior, appalling. The problem, they say, lies in the message that is being subsidized by management: that individual workers are responsible for their own destinies, and that the way to achieve security and serenity is through continual self-improvement. For a big corporation that is mowing down whole suitefuls of middle managers, critics say, this can be a handy way to get employees to start thinking that if they are laid off, the fault lies somewhere in themselves. "If the individual worker is made to feel the responsibility for his or her condition, the social contract is no longer there.
ellauri132.html on line 111: (PST: Kuka on Sam Harris?) Samuel Benjamin Harris was born in Los Angeles, California, on April 9, 1967. He is an American author, philosopher, neuroscientist, and podcast host. His work touches on a wide range of topics, including rationality, religion, ethics, free will, neuroscience, meditation, psychedelics, philosophy of mind, politics, terrorism, and artificial intelligence. — Sam Harris rejects the dichotomy between spirituality and rationality , favoring a middle path that preserves spirituality and science but does not involve religion.
ellauri132.html on line 200: Here, Vonnegut is influenced by his early work as a journalist. His sentences are short and easily understood so as to be largely accessible. A dystopian setting enhances his social and political critique by imagining a future world founded on absolute equality through handicaps assigned to various above-average people to counter their natural advantages. A similar subject can be found in L. P. Hartley's dystopian novel Facial Justice from the previous year of 1960.
ellauri132.html on line 438: Google AdSense is a program run by Google through which website publishers in the Google Network of content sites serve text, images, video, or interactive media advertisements that are targeted to the site content and audience. These advertisements are administered, sorted, and maintained by Google. They can generate revenue on either a per-click or per-impression basis. Google beta-tested a cost-per-action service, but discontinued it in October 2008 in favor of a DoubleClick offering (also owned by Google). In Q1 2014, Google earned US$3.4 billion ($13.6 billion annualized), or 22% of total revenue, through Google AdSense. AdSense is a participant in the AdChoices program, so AdSense ads typically include the triangle-shaped AdChoices icon. This program also operates on HTTP cookies. In 2021, over 38.3 million websites use AdSense.
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How it works

ellauri133.html on line 71:

Dialogue. Normally, dialogue is great and really lifts a story, but if you don't have any idea about the characters who are talking, it won't work. One line of speech can work. For instance "All cars proceed immediately to Main Street. Major riot in progress." establishes the setting and gives a lot of hints about the MC. What Main Character? This MUST be some tv watching imbecile who can't handle more than one face at a time. And why those fucking patrol cars again?


ellauri133.html on line 359: His brother George was murdered by It in the first pages of the book and his parents are very cold to him afterward. He has a stutter, which is important to the plot a few times. As an adult, he’s a successful horror novelist and is married to an actress named Audra. IT is not a work of fiction and Stephen King is actually "Stuttering Bill" Denbrough. In reality Steve was born in Portland, Maine and moved away when he was young with his Mother and older brother after abandonment by his father and witnessing a fatal train accident of a play friend. He returned at age 11 to Maine from Conn. and founded The Losers Club in Derry after unsuppressing the true death of his little friend by the railway tracks when he was 2 (as told in his 1981 book Danse Macabre). Now living inbetween Lovell and Bangor, King travels regularly past Derry near Derry Mountain in Linconville and can recollect most of the past due to the closer proximity and is preparing for Pennywises awakening in 2038. Lähde: FanTheory. - Does anyone think Bill Denborough´s stutter was a bit too much? That each word was stirred too much to have a nice flow? - B-b-b-beep - beep, Ruh-ruh-Richie. B-big Bill is puh-puh-PERFECT!
ellauri133.html on line 380: Clocking in at a whopping 1138 pages, It is second only to The Stand (which came in at 1153 pages) as King’s longest work to date. It weighs four pounds. Turds in excess of 2 lb must be lowered by hand.
ellauri133.html on line 386: "I wasn´t really thinking of the sexual aspect of it," King later mansplained his intentions in writing the controversial scene. "The sexual act connected childhood and adulthood ... Times have changed since I wrote that scene and there is now more sensitivity to those issues. In my days, balling minors was all in a day´s work. Besides, I had a lot of satisfying jerkoffs writing it. As did my colleague Nabokov."
ellauri133.html on line 398: It is set in the fictional town of Derry, Maine. According to King, it’s a stand-in for the real town of Bangor, Maine, where he has lived since 1979. King and his wife were debating between moving to Portland or Bangor; King was in favor of Bangor because he considered Portland “a yuppie town” and that Bangor was “a hard-ass working class town ... and I thought that the story, the big story, I wanted to write, was here … all my thoughts on monsters and the children’s tale Three Billy Goats Gruff.
ellauri133.html on line 565: Teppo and chubby Tabitha are still happily married, and continue to write successful works of fiction. Teppo fell in love with Tabitha because Tabitha understood his art. Tabitha grew tired of King’s habits with drugs and alcohol. Eventually, she called up an intervention for her husband. If he didn’t get his act together, he would be forced to the curb. So he got his act together.
ellauri133.html on line 602: The miniseries was shot at The Stanley Kubrick Hotel in Estes Park, Colorado, King's inspiration for the novel, in March 1997. S everal notable writers and filmmakers who work in the horror genre also cameo in the miniseries' ballroom scene, King himself appearing as an orchestra conductor. Retrospective critics have viewed the miniseries less fondly, comparing it unfavorably to Kubrick´s film version.
ellauri133.html on line 849: Shirley Hardie Jackson (December 14, 1916 – August 8, 1965) was an American writer known primarily for her works of horror and mystery. Over the duration of her writing career, which spanned over two decades, she composed six novels, two memoirs, and more than 200 short stories.
ellauri133.html on line 857: In an era when women were not encouraged to work outside the home, Jackson became the chief breadwinner while also raising the couple's four children.
ellauri133.html on line 859: "She did work hard," her son Laurence said. "She was always writing, or thinking about writing, and she did all the shopping and cooking, too. The meals were always on time. But she also loved to laugh and tell jokes. She was very buoyant that way. And the other way as well, as a huge ball of lard."
ellauri133.html on line 868: According to Jackson's detractors, her marriage was plagued by Hyman's infidelities, notably with his students, and she reluctantly agreed to his proposition of maintaining an open relationship. Hyman also controlled their finances (meting out portions of her earnings to her as he saw fit), despite the fact that after the success of "The Lottery" and later work she earned far more than he did.
ellauri133.html on line 876: She was a chainsmoking agoraphobic polysubstance user with colitis and died of a stroke. She continued her literary work posthumously as a demonic lover.
ellauri135.html on line 208: In the early 1850s, Nikolai Vasilyevich joined the "young faction" of Moskvityanin and became a member of what came to be known as the Ostrovsky circle. In 1853 he went to Sevastopol as a correspondent, and stayed there until the end of the siege, working as a translator at the headquarters of the Commander-in-Chief. He later published Notes on the Siege of Sevastopol (Moscow, 1858) and the Sevastopol Album, a collection of 37 drawings.
ellauri135.html on line 220: Berg, Nikolai, writer, born. 24 Mar 1823 in Moscow, mind. 16 Jun 1884 in Warsaw. The name of the family comes from Livonia, but the writer's grandfather, Vladimir, was Orthodox, served in the artillery, performed under the command of Suvorov several campaigns, under Silistria was wounded and died in the rank of bayonet-cadets. Father f Nikolai, Vasiliy, wrote and published poetry and prose when I was single and served in Irkutsk, placing their works in the "Herald of Europe" (1820-ies, signed "Irkutsk"). He especially loved Derzhavin and forced his son to memorize his poems.
ellauri135.html on line 233: In the last decade of his life he published his work in the "Russian antiquities" and the "Historical journal". Of the things placed in the first magazine, the most curious is the biographical sketch of "Graf F. F. Berg (1881, vol. XXXI).
ellauri135.html on line 404: Страница Светланы https://www.chitalnya.ru/work/1024451/ Svetlanan sivu
ellauri140.html on line 84: Atte F-, a fiend from Hell disguised as a beautiful maiden. Ate opposes Book IV's virtue of friendship through spreading discord. She is aided in her task by Duessa, the female deceiver of Book I, whom Ate summoned from Hell. Ate and Duessa have fooled the false knights Blandamour and Paridell into taking them as lovers. Her name is possibly inspired by the Greek goddess of misfortune Atë, said to have been thrown from Heaven by Zeus, similar to the fallen angels. God Ate My Homework.
ellauri140.html on line 138: Throughout The Faerie Queene, Spenser creates "a network of allusions to events, issues, and particular persons in England and Ireland" including Mary, Queen of Scots, the Spanish Armada, the English Reformation, and even the Queen herself. It is also known that James VI of Scotland read the poem, and was very insulted by Duessa – a very negative depiction of his mother, Mary, Queen of Scots. She was a crocodile in the book. The Faerie Queene was then banned in Scotland. This led to a significant decrease in Elizabeth's support for the poem. Within the text, both the Faerie Queene and Belphoebe serve as two of the many personifications of Queen Elizabeth, some of which are "far from complimentary". Through their ancestor, Owen Tudor, the Tudors had Welsh blood, through which they claimed to be descendants of Arthur and rightful rulers of Britain.
ellauri140.html on line 142: Dosetti ihaili kovasti Ariostoa ja omisti kirjan Ludovicolle. Numerous adaptations in the form of children's literature have been made – the work was a popular choice in the 19th and early 20th century with over 20 different versions written.
ellauri140.html on line 146: According to Richard Simon Keller, George Lucas's Star Wars film also contains elements of a loose adaptation, as well as being influenced by other works, with parallels including the story of the Red Cross Knight championing Una against the evil Archipelago in the original compared with Lucas's Luke Skywalker, Princess Leia, and Darth Vader. Keller sees extensive parallels between the film and book one of Spenser's work, stating "Almost everything of importance that we see in the Star Wars movie has its origin in The Faerie Queene, from small details of weaponry and dress to large issues of chivalry and spirituality". Olix Dispenserillä valomiekkoja ja muovihaarniskoita? Tuhoplaneettoja? Täytyypä tutustua. No ainakin on sexirobotteja. She is not a toy!
ellauri140.html on line 199: In 1590, Spenser brought out the first three books of his most famous work, The Faerie Queene, having travelled to London to publish and promote the work, with the likely assistance of Raleigh. He was successful enough to obtain a life pension of £50 a year from the Queen. He probably hoped to secure a place at court through his poetry, but his next significant publication boldly antagonised the queen's principal secretary, Lord Burghley (William Cecil), through its inclusion of the satirical Mother Hubberd's Tale. He returned to Ireland. Oops.
ellauri140.html on line 668: And with new day new worke at once begin: Nuku yön yli ja ala vasta aamulla
ellauri140.html on line 741: The other by him selfe staide other worke to to doo. Toisen otti apulaisex.
ellauri140.html on line 843: Thus well instructed, to their worke they hast, Hyvin neuvottuina ne säntäsivät hommiinsa,
ellauri140.html on line 952: The guilefull great Enchaunter parts the Redcrosse Knight from truth,
Into whose stead faire Falshood steps, and workes him wofull ruth.
ellauri140.html on line 1058: How he may worke unto her further smarts: kepposia sillä on jo mielessä leidin kiusaxi,
ellauri141.html on line 113: In B. C. 17, Augustus celebrated the Ludi Seculares, and Horace was required to write an Ode for the occasion, which he did, and it has been preserved. This circumstance, and the credit it brought him, may have given his mind another leaning to Ode-writing, and have helped him to produce the fourth book, a few pieces in which may have been written at any time. It is said that Augustus particularly desired Horace to publish another book of Odes, in order that those he wrote upon the victories of Drusus and Tiberius (4 and 14) might appear in it. The latter of these Odes was not written, probably, till B. C. 13, when Augustus returned from Gaul. If so, the book was probably published in that year, when Horace was fifty-two. The Odes of the fourth book show no diminution of power, but the reverse. There are none in the first three books that surpass, or perhaps equal, the Ode in honor of Drusus, and few superior to that which is addressed to Lollius. The success of the first three books, and the honor of being chosen to compose the Ode at the Ludi Seculares, seem to have given him encouragement. There are no incidents in his life during the above period recorded or alluded to in his poems. He lived five years after the publication of the fourth book of Odes, if the above date be correct, and during that time, I think it probable, he wrote the Epistles to Augustus and Florus which form the second book; and having conceived the intention of writing a poem on the art and progress of poetry, he wrote as much of it as appears in the Epistle to the Pisones which has been preserved among his works. It seems, from the Epistle to Florus, that Horace at this time had to resist the urgency of friends begging him to write, one in this style and another in that, and that he had no desire to gratify them and to sacrifice his own ease to a pursuit in which it is plain he never took any great delight. He was likely to bring to it less energy as his life was drawing prematurely to a close, through infirmities either contracted or aggravated during his irrational campaigning with Brutus, his inaptitude for which he appears afterwards to have been perfectly aware of. He continued to apply himself to the study of moral philosophy till his death, which took place, according to Eusebius, on the 27th of November, B. C. 8, in the fifty-seventh year of his age, and within a few days of its completion. Mæcenas died the same year, also towards the close of it; a coincidence that has led some to the notion, that Horace hastened his own death that he might not have the pain of surviving his patron. According to Suetonius, his death (which he places after his fifty-ninth year) was so sudden, that he had not time to execute his will, which is opposed to the notion of suicide. The two friends were buried near one another “in extremis Esquiliis,” in the farthest part of the Esquiliæ, that is, probably, without the city walls, on the ground drained and laid out in gardens by Mæcenas.
ellauri141.html on line 271: ore adlaborandum est tibi. your mouth has got some work to do.
ellauri141.html on line 404: The solfege system (Do, Re, Mi), which is the theme of a song by the Von Trapp children, is just a small sample of Horace's all-pervasive influence on western culture, even among people who might never have heard the name Quintus Horatius Flaccus. Horace was not just a superb literary craftsman, but a musician, songwriter and entertainer for the Roman elite, creating a new Latin idiom derived from Greek lyric song. A final chapter, "Horace, Guido and the Do-re-mi Mystery", the result of careful research and detective work, argues that Guido d'Arezzo, an eleventh-century Benedictine choirmaster, used the melody of Horace's Ode to Phyllis (alla) to invent the do-re-mi mnemonic, but applied it to an eighth-century Hymn to John the Baptist ("Ut queant laxis") by Paul the Deacon, keeping the true source secret. A musical comparison of the Horatian melody and Guido's version of "ut-re-mi" is included. Lyons' verse translation of the Odes was named a Financial Times Book of the Year (1996) and was welcomed as 'a wonderful rendering of one of the great, central poets in the European tradition.'
ellauri141.html on line 571: Weapons too faithful offer them using all things mixed with blood and he who loudly brings false charges exhausts the unique hour capable of preserving works.
ellauri141.html on line 769: In 1960, he was awarded the Nobel Prize in Literature. After receiving the Nobel Prize, he wrote the long poems Chronique, Oiseaux and Chant pour un équinoxe and the shorter Nocturne and Sécheresse. In 1962, Georges Braque worked with master printmaker Aldo Crommelynck to create a series of etchings and aquatints, L'Ordre des Oiseaux, which was published with the text of Perse's Oiseaux by Au Vent d'Arles.
ellauri141.html on line 771: A few months before he died in 1975, Leger donated his library, manuscripts and private papers to Fondation Saint-John Perse, a research centre devoted to his life and work (Cité du Livre, Aix-en-Provence), which remains active to the present day. He died in his villa in Giens and is buried nearby. Varsinainen kermaperse tää Saint-John.
ellauri142.html on line 75: In the 1870s, Tolstoy experienced a profound moral crisis, followed by what he regarded as an equally profound spiritual awakening, as outlined in his non-fiction work A Confession (1882). His overly literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him to become a fervent Christian anarchist and pacifist. His ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You (1894), had a profound impact on such pivotal 20th-century figures as Mahatma Gandhi, Martin Luther, and Stephen King.
ellauri142.html on line 120: Long ago, when the British government and the Catholic Church were more militant, it was dangerous to share these secrets, so all members worked hard to protect them. This is why, for several centuries, the coveted secrets of the Freemasons were known only to loyal members.
ellauri142.html on line 126: Members might roll up their pants to symbolize their understanding of what it takes to work on building a Masonic lodge
ellauri142.html on line 143: Rituals help us physicalize our beliefs, desires, and commitments. For many, performing a weekly or monthly ritual is a profound physical, psychological or emotional workout. Rituals help people connect to themselves, their chosen communities, and their Gods.
ellauri142.html on line 167: Vittu mitä pellejä! Jo on lapsellista touhua. According to the historian David Stevenson, it was influential on Freemasonry as it was emerging in Scotland. Robert Vanloo (n.h.) states that earlier 17th century Rosicrucianism had a considerable influence on Anglo-Saxon Masonry. Hans Schick sees in the works of Comenius (1592–1670) the ideal of the newly born English Masonry before the foundation of the Grand Lodge in 1717. Comenius was in England during 1641. Their mission is to prepare the whole wide world for a new phase in religion, which includes awareness of the inner worlds and the subtle bodies, and to provide safe guidance in the gradual awakening of man's latent spiritual faculties during the next six centuries toward the coming Age of Aquariums. This is the dawning of it, judging by the sea levels. According to Masonic writers, the Order of the Rose Cross is expounded in a major Christian literary work that molded the subsequent spiritual beliefs of western civilization: The Divine Comedy (ca. 1308–1321) by Dante Alighieri.
ellauri142.html on line 184: Today, you can join the Freemasons for between $150 and $500 in annual dues. You won’t be involved in too many secret missions or controversies, though. You’ll mostly network with small business owners and help a charity or two. If you’re really into it, you’ll climb the magic ladder and achieve its highest title of Master Mason. At that point, you are eligible to become a Shriner.
ellauri142.html on line 190: When it comes down to it, ritualizing our beliefs and networking with like-minded people, even with a gender requirement, can be exciting, empowering, and life-enhancing. Mahaluu!
ellauri142.html on line 841: While the male yakshas are depicted in Hindu art and architecture as portly and deformed, the yakshis or yakshinis are depicted as women of great charm and beauty. We find references to the yakshas and yakshinis in the epics, the Puranas and in the works of ... etc.etc.
ellauri142.html on line 1045: Smail wrote several books on the subject of psychotherapy, emphasizing the extent to which society is often responsible for personal distress. Critical of the claims made by psychotherapy, he suggests that it only works to the extent that the therapist becomes a friend of the patient, providing encouragement and support. Much distress, he says, results from current conflicts, not past ones, and in any case, damage done probably cannot be undone, though we may learn to live with it. He doubts whether 'catharsis', the process whereby it is supposed that understanding past events makes them less painful, really works. The assumption that depression, or any other form of mental distress, is caused by something within the person that can be fixed, is he argued, without foundation. He could thus be regarded as part of the 'anti-psychiatry' movement, along with R.D. Laing and Thomas Szasz, but where Laing emphasised family nexus as making psychosis understandable, Smail emphasises 'Interest' and power in relation to more everyday distress. These are integral to Western society, and, he suggests, considered out of bounds by most psychotherapists, who are themselves both constrained and complicit in protecting their own interests.
ellauri143.html on line 62: Though the scholars (Urai aasiriyargal, in Tamil) titled Thirukkural’s first chapter as ‘The Praise to God’ (Kadavul Vaazhthu), Thiruvalluvar has nowhere in his work mentioned the words ‘god’ or ‘religion’.
ellauri143.html on line 80: Considered one of the greatest works ever written on ethics and morality, it is known for its universality and secular nature. Its authorship is traditionally attributed to Valluvar, also known in full as Vallu Mursu. In addition, it highlights truthfulness, self-restraint, gratitude, hospitality, kindness, goodness of wife, duty, giving, and so on and so forth, besides covering a wide range of social and political topics such as king, ministers, taxes, justice, farts, war, greatness of army and soldier's honor, death sentence for the wicked, agriculture, education, abstinence from alcohol and intoxicants.
ellauri143.html on line 84: The Kura has been widely admired by scholars and influential leaders across the ethical, social, political, economical, religious, philosophical, and spiritual spheres over its history. These include Ilango Adigal (never heard), Kambar (n.h.), Leo Tolstoy, Mahatma Gandhi, Albert Schweitzer (heard ok), plus Constantius Joseph Beschi, Karl Graul, George Uglow Pope, Alexander Piatigorsky, and Yu Hsi (all n.h.). The work remains to be translated. Oops correct that, the text has been translated into at least 40 Indian languages including English, making it one of the most translated ancient works. Ever since it came to print for the first time in 1812, the Kura text has never been out of print. Whole trainloads lie "left on read" in Sri Lanka.
ellauri143.html on line 90: The work is highly cherished in the Tamil culture, as reflected by its nine different traditional titles: Tirukkuṟaḷ (the sacred kura), Uttaravedam (the ultimate Veda), Tiruvalluvar (eponymous with the author), Poyyamoli (the falseless word), Vayurai Valttu Mursu, (truthful praise), Teyvanul (the divine book), Potumarai (the common Veda), Muppets (the three-fold path), and Tamilmarai (the Tamil Veda). The work is traditionally grouped under the Eighteen Lesser Texts series of the late Sangam works, known in Tamil as Rupiṉeṇkīḻkaṇakku.
ellauri143.html on line 116: The work largely reflects the first three of the four ancient Indian aims in life, known as purusha-arthas, viz., law (dharma), wealth (artha) and sex (kama).The fourth aim, namely, salvation (moksha) is left out as irrelevant. It is just a little-known uralic tribe. The Indian tradition also holds that there exists an inherent tension between artha and kama. So perhaps artha should be left out as well.
ellauri143.html on line 499: Where thou hast power thy angry will to work, thy wrath restrain;

ellauri143.html on line 530: What is the work of virtue? 'Not to kill';

ellauri143.html on line 531: For 'killing' leads to every work of ill.
ellauri143.html on line 821: A work of which the issue is not clear,

ellauri143.html on line 1221: Explanation : (A) pleasing (object) to his foes is he who reads not moral works, does nothing that is enjoined by them cares not for reproach and is not possessed of good qualities.
ellauri143.html on line 1242: Is not to slight the powers of those who work their mighty will.
ellauri143.html on line 1316: Explanation: If (food and work are either) excessive or deficient, the three things enumerated by (medical) writers: flatulence, biliousness, and phlegm, will cause disease.
ellauri143.html on line 1351: Diversities of works give each his special worth.
ellauri143.html on line 1407: Explanation : There is no greater folly than the boldness with which one seeks to remedy the evils of poverty by begging (rather than by working).
ellauri144.html on line 290: He eventually dropped out of high school, and worked at a variety of jobs, including shoe salesman and store window decorator. One of his first jobs was as a soda jerk. When the drugstore went out of business, Todd had acquired enough medical knowledge from his work there to be hired at Chicago's Michael Reese Hospital as a type of "security guard" to stop visitors from bringing in food that was not on the patient's diet.
ellauri144.html on line 392: Dylan Marlais Thomas (27 October 1914 – 9 November 1953 = 39v) was a Welsh poet and writer whose works include the poems "Do not go gentle into that good night" (Josta suomenruozalainen leijakirjailija otti "Älä mene yxin yöllä ulos") and "And death shall have no dominion"; the "play for voices" Under Milk Wood; and stories and radio broadcasts such as A Child´s Christmas in Wales and Portrait of the Artist as a Young Dog. He became widely popular in his lifetime and remained so after his death at the age of 39 in New York City. By then he had acquired a reputation, which he had encouraged, as a "roistering, drunken and doomed poet".
ellauri144.html on line 396: His best works appeared in print while he was still a teenager. In 1934, the publication of "Light breaks where no sun shines" caught the attention of the literary world. Stick it where no sun shines. While living in London, Thomas met Caitlin Macnamara. They married in 1937. In 1938, they settled in Laugharne, Carmarthenshire, and brought on their three children.
ellauri144.html on line 398: Thomas came to be appreciated as a popular poet during his lifetime, though he found earning a living as a writer was difficult. He began augmenting his income with reading tours and radio broadcasts. His radio recordings for the BBC during the late 1940s brought him to the public´s attention, and he was frequently used by the BBC as an accessible voice of the literary scene. Thomas first travelled to the United States in the 1950s. His readings there brought him a degree of fame, while his erratic behaviour and drinking worsened. His time in the United States cemented his legend, however, and he went on to record to vinyl such works as A Child´s Christmas in Wales. Phil Rothin ekalla tyttöystävällä oll Dylan Thomas-levy, jota ne kuuntelivat pukilla. During his fourth trip to New York in 1953, Thomas became gravely ill and fell into a coma. He died on 9 November 1953 and his body was returned to Wales. On 25 November 1953, he was interred at St Martin´s churchyard in Laugharne. What a laugh.
ellauri144.html on line 482: Let Us Now Praise Famous Men is a book with text by American writer James Agee and photographs by American photographer Walker Evans, first published in 1941 in the American United States. The work documents the lives of impoverished tenant farmers during the Great Depression. Although it is in keeping with Evans´s work with the Farm Security Administration, the project was initiated not by the FSA, but by Fortune magazine. The title derives from a passage in the Wisdom of Sirach (44:1) that begins, "Let us now praise famous men, and our fathers that begat us".
ellauri144.html on line 541: The Red Badge of Courage garnered widespread acclaim, what H. G. Wells called "an orgy of praise" shortly after its publication, making Crane an instant celebrity at the age of twenty-four. The novel and its author did have their initial detractors, however, including author and veteran Ambrose Bierce. Adapted several times for the screen, the novel became a bestseller. It has never been out of print and is now thought to be Crane´s most important work and a major American text.
ellauri144.html on line 552: Like Poe, Bierce professed to be mainly concerned with the artistry of his work, yet critics find him more intent on conveying his misanthropy and pessimism. His bare, economical style of supernatural horror is usually distinguished from the verbally lavish tales of Poe. In his lifetime, Bierce was famous as a California journalist dedicated to exposing the truth as he understood it, regardless of whose reputations were harmed by his attacks. For his sardonic wit and damning observations on the personalities and events of the day, he became known as "the wickedest man in San Francisco." Tälläisiä löytyy Ambrosen pirun raamatusta:
ellauri145.html on line 110: As a traveling salesman and correspondence clerk, his research and thought was time-limited: he complained of "serving the knavery of merchants" and the stupefaction of "deceitful and degrading duties." Fourier produced most of his writings between 1816 and 1821. In 1822, he tried to sell his books again but with no success. Jobs people might not enjoy doing would receive higher pay. Fourier considered trade, which he associated with Jews, to be the "source of all evil" and advocated that Jews be forced to perform farm work in the phalansteries or else sent back to The Philistines with Rotschild money. Fourier´s contempt for the respectable thinkers and ideologies of his age was so intense that he always used the terms philosopher and civilization in a pejorative sense.


ellauri145.html on line 111: The transformation of labor into pleasure is the craziest idea in Fourier´s giant socialist utopia," said Marcuse. He had a concern for the sexually rejected; jilted suitors would be led away by a corps of "fairies" who would soon cure them of their lovesickness, and visitors could consult the card-index of personality types for suitable partners for casual sex. He also defended homosexuality as a personal preference for some people. Fourier sexualizes work itself—the life of the Phalanstery is a continual orgy of intense feeling, intellection, & activity, a society of lovers & wild enthusiasts.


ellauri145.html on line 117: Thomas De Quincey: On Murder Considered as one of the Fine Arts Thomas Penson De Quincey (/də ˈkwɪnsi/;[1] 15 August 1785 – 8 December 1859) was an English writer, essayist, and literary critic, best known for his Confessions of an English Opium-Eater (1821) Many scholars suggest that in publishing this work De Quincey inaugurated the tradition of addiction literature in the West. Mulla on toi kirja, mä luinkin sen, mutta se oli kyllä aika pitkästyttävä. Tämänkertainen ozikko tuo mieleen sen usein mietityttäneen havainnon että mixhän vitussa 50% tv-sarjoista on murhajuttuja. Eikai siinä muuta ole kun että KILL! on 1/3 apinan mieliharrastuxista. Dekkarit ja horrorit on musta lattapäisyyden selvimpiä ilmentymiä.
ellauri145.html on line 522: We have to bestow blame on one particular Nazi named Martin Heidegger. Martin Heidegger’s magnum opus Being and Time was in large part an attempt to create a systematic understanding of metaphysics and human condition building from Nietzsche’s work. Heidegger became the Nazi rector for the entire German university system, which gave the Nazi party a huge bolster of academic legitimacy, and he promoted the Nazi party and their agenda from his classroom, often sporting the Brown Shirt. When the Nazi’s really began to take power, Hitler kicked out Heidegger as University Rector.
ellauri145.html on line 524: Following the war, academics who had supported the Nazi regime were banned from teaching, including Heidegger, who never spoke publicly or privately about his involvement. Heidegger turned away from his earlier project of creating a fundamental ontology, and in doing so he also turned away from Nietzsche - or so his writings would make it appear. In truth, he remained just as indebted to Nietzsche’s work as he ever was, only he shifted focus. He created a false presentation of Nietzsche’s work in order to distance himself from his own past and involvement with the Nazis. Many academics take Heidegger’s critique of Nietzsche to be factual and seem to excuse Heidegger because he was under the influence of Nietzsche.
ellauri145.html on line 526: Heidegger’s analysis of Nietzsche is entirely inauthentic. He alleges that Nietzsche merges a metaphysics of force with a Marxist analysis of labor to create a technological metaphysics of domination - however, Nietzsche’s analysis of force was completely counter to Marx’s and the marriage of Nietzsche and Marx is not Nietzsche, but is rather National Socialism, and the philosophical framework of this marriage is none other than Being and Time.
ellauri145.html on line 535: Intellectuals very often have an image the same way rock stars and movie directors do. There’s the real person, and there’s the body of work they create, and then there’s the image, the popular conception of that person. Most people don’t understand theoretical physics and are not interested in learning the math to do so, and most people probably wouldn’t understand anything in the papers that Hawking has authored or co-authored. But most of us know who Hawking was, not only because he wrote popular books but because he was paralyzed and sat in a wheelchair and had a robot voice. The idea of a theoretical physicist who does all his work with his brain even though his body is destroyed and speaks through a machine is almost like a comic book character, and the popular imagination loves that.
ellauri145.html on line 541: Now, this is perhaps not quite fair to all the teenagers who read Nietzsche. Some of them may actually understand him, at least partially, including the long-haired leather jacket-wearing ones. And there really is a little blood and thunder in Nietzsche’s philosophy, a little punk rock. Regardless, the popular image is probably a bigger driver for book sales of Nietzsche’s work than anything he actually said or any point he actually made.
ellauri145.html on line 551: Although there is certainly a bias toward “masculinity” in Nietzsche’s works, this does not necessarily mean what it is presumed to mean. “Masculinity” is not, for instance a code word for “male”. It does not apply as a broad category to those who have a certain set of genitals. In fact what the term means is having the sort of virtues that one might have typically related to the masculine virtues that were considered admirable at various times in the past. These include courage, transcendence of petty emotional concerns, fearlessness in the face of death, and so on. Intellectual courage was a particular attribute that Nietzsche was trying to encourage in his readers though his appeal to the term, “masculinity”.
ellauri145.html on line 731: Close-packed, linked to the ocean and his Breton roots, and tinged with disdain for Romantic sentimentalism, his work is also characterised by its idiomatic play and exceptional modernity. He was praised by both Ezra Pound and T. S. Eliot (whose work he had a great influence on). Many subsequent modernist poets have also studied him, and he has often been translated into English.
ellauri145.html on line 1164: Brisset became stationmaster at the railway station of Angers, and later of L´Aigle. After publishing another book on the French language, he undertook his major philosophical work, in which contended that humans were descended from frogs. Brisset supported his contention by comparing the French and frog languages (such as "logement" = dwelling, comes from "l'eau" = water). He was serious about his "morosophy", and authored a number of books and pamphlets put forth his indisputable substantiations, which he had printed and distributed at his own expense.
ellauri145.html on line 1166: In 1912, novelist Jules Romains, who had obtained copies of God´s Mystery and The Human Origins, set up, with the help of fellow hoaxers, a rigged election for a "Prince of Thinkers". Unsurprisingly, Brisset got elected. The Election Committee then called Brisset to Paris in 1913, where he was received and acclaimed with great pomp. He partook in several ceremonies and a banquet and uttered emotional words of thanks for this unexpected late recognition of his work. Newspapers exposed the hoax the next day.
ellauri145.html on line 1174: Other works excerpted include: Louis Aragon´s 1928 Treatise on Style. Freud´s 1928 Humor from International Journal of Psychoanalysis 9 1-6 (republished in Collected papers of Sigmung Freud vol.5).
ellauri146.html on line 404: We tend not to focus on this view of Eloa as a myth of the redeeming feminine for several reasons. First, the central portion of the poem is devoted to Satan's seduction of Eloa, an activity which, for most of us, is anything but celestial. Perhaps this explains Stendhal's sarcastic description of Eloa in the Courrier anglais of 1 December 1824: "Tex-Willer-larme, devenue ange femelle, et séduite par le diable lui-même" (the ex-tear, turned into a female angel, and seduced by the devil himself). Flottes and Bonnefoy insist that the very fine psychological analysis of the seduction makes us see human protagonists in an angelic decor, which weakens any metaphysical meaning Vigny might attach to his poem. Germain, who had the benefit of Hunt's masterly work, The Epic in Ninteenth Century France (1941), states flatly that the drama of Eloa is not metaphysical but moral. Bénichou, however, does remark in Le Sacre de l'écrivain 1750-1830 (1973) that the creation of Eloa corresponds to the theological promotion of the feminine as an agent of redemption prominent in the religious sects of the Romantic period. I am sure Satan was greatly consoled by Eloa, if that's any consolation.
ellauri146.html on line 666: It may be that Poe was embittered by his forced withdrawal from the University. During his life he never returned there, and, though there are oblique references to Charlottesville in “A Tale of the Ragged Mountains” and in The Journal of Julius Rodman, no other allusions to the University are to be found in his written work.
ellauri147.html on line 79: Ale Tyynni was born in Ingria to the east of Finland and moved as a child with her family to Helsinki in 1919. She graduated with a Master’s degree in 1936, with Finnish literature as her main subject. During her university years Tyynni practised poetry recitation and dramatic expression. She was particularly interested in poetic diction and the topic of her final work was Sappho’s metre in Finnish poetry.
ellauri147.html on line 90: Ale Tyynni married the historian Kauko Pirinen in 1940. They had three children. Meanwhile her literary work brought her into contact with Martti Haavio, better known as the poet P. Mustapää. A deep affection sprang up between them, although both were already married.
ellauri147.html on line 136: Älä salpaa surua luotasi, kun kaarisiltaa teet: Don't hide your cards while you're working at the bridge:
ellauri147.html on line 177: Emily in Paris is an American-French comedy-drama streaming television series created by Barren Star, which premiered on Netflix on October 2, 2020. The series stars Lily "Mr." Collins as the eponymous Emily, an American who moves to Paris to provide an American point of view to Savior, a French marketing firm. There, she struggles to succeed in the workplace while searching for sex and experiencing a culture clash with her "boring" and small-minded Midwestern U.S. upbringing. It also stars Ashley Park, Philippine Leroy-Beaulieu, Lucas Bravo, the cast's one and only spooky sooty tarbaby coon Samuel Arnold, Camille Razat, and Bruno Gouery. Lystikästä että "boring" pitää laittaa scare quoteihin. 91% piti tästä ohjelmasta. 91% ei kazonut.
ellauri147.html on line 185: One or two of my American friends tell me that in public buildings in the US it’s also possible to call the street-level floor the ground floor, like in Britain. But Emily has never visited public buildings, as she works in the private sector. She is a private dancer, dancer for money, any old music will do. Typerä Emily juoxee muka päivittäin maratoneja mutta väsyy rapuissa. Se ei varmaan ole koskaan nähnyt rappuja.


ellauri147.html on line 201: On September 5, 2018, it was announced that Paramount Network had given the production a series order for a first season consisting of 10 episodes. The series was created by Barren Star, who has a multimillion overall deal with ViacomCBS and develops for ViacomCBS and for outsider buyers via MTV Entertainment Studios. Star was also expected to serve as an executive producer alongside Tony Hernandez. Production companies involved with the series were slated to consist of Jax Media. On July 13, 2020, it was reported that the series would move from Paramount Network to Netflix. On November 11, 2020, Netflix renewed the series for a second season.
ellauri147.html on line 203: Emily's boss Madeline prepares to make the transition from the Chicago based pharmaceutical marketing firm, the Gilbert Group, to a French based fashion firm, Savior, when she discovers that she is pregnant. She offers the job to Emily and she accepts, leaving her boyfriend back in Chicago. Emily moves to Paris despite the fact that she does not speak French. She moves into the 5th floor of an old apartment building without an elevator but with a wonderful Parisian view. Emily creates an Instagram account, @emilyinparis, and begins documenting her time in Paris. Emily starts her first day of work much to her new co-workers chagrin who reveal that she was only hired because of a business deal. She introduces the French to American social media strategies who seem very reluctant about her and her American methods. Emily accidentally tries to enter the wrong apartment and bangs her very attractive neighbor right at the door, Gabriel. As Emily accustoms to life in Paris she makes countless faux-pas and the firm nicknames her "la plouc" or "the hick". Emily meets Mindy Chen, a nanny originally from Shanghai, and they become fast friends. After Emily and her boyfriend attempt to have cybersex but the connection fails, she plugs in her vibrator and accidentally short-circuits the block's power. "Accidentally" is the top frequency word in the script.
ellauri147.html on line 205: Despite struggling to fit in with French office culture Emily convinces her boss, Sylvie, to invite her to a work party where she accidentally irritates Sylvie by conversing with Antoine Lambert, a client who turns out to be Sylvie's married lover. As punishment she is put to work marketing Vaga-Jeune, a lubricant for menopausal women. Annoyed with the gendered nature of the French language Emily writes a post about the product that goes viral causing her to make further inroads at work.
ellauri147.html on line 214: When Emily discovers Sylvie and Antoine arguing at work she tries to boost Sylvie's credibility at work by pretending that she came up with an idea to pair Antoine's perfumes with luxury hotels. Though of course it was Emily's idea all along.
ellauri147.html on line 234: Emily´s co-workers inform her that in France it can be a long, arduous process to fire an employee, unlike at home in the good old U of S. To realize his dream of opening his own restaurant, Gabriel decides to move Emily back to Normandy. The next day Emily is called by Mathieu about the situation and tells her that Pierre has requested to see her. Sylvie overhears this and goes with Emily to see Pierre. At the atelier, they see a dress from Pierre´s new collection.
ellauri147.html on line 253: Sonia Rao, of Washington Post compares Emily to the heroines of the Amy Sherman-The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and even its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated. Midge Maisel, her actions can be quite rash, but she still wins over her fictional acquaintances while utterly baffling viewers."
ellauri147.html on line 270: The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated.
ellauri147.html on line 330: They were so serious about their relationship that they even decided to leave their partners. However, Lavinia backed off from the decision because Phil´s FAX wasn´t working, and för fear of not being able to fax her kids. Hence, this saved the marriage of both of them.
ellauri147.html on line 418: In her memoir Unfiltered: No Shame, No Regrets, Just Me, Lily Collins addressed father Phil’s history with infidelity, claiming that “we can’t rewrite the past. I tried, it just won´t work.” According to her, she was angry and sad at the pain her dad brought to the family.
ellauri147.html on line 446: Lily has done journalism at the University of Southern California. As a result, she had worked as a media person for a number of companies including Savior, Nickelodeon and Teen Vogue.
ellauri147.html on line 460: Lily has also served as an ambassador to the GO Campaign, an organization that works for orphan children and vulnerable children’s lives.
ellauri147.html on line 606: Winnicott has also been accused of identifying himself in his theoretical stance with an idealised mother, in the tradition of mother (Madonna) and child. Related is his downplaying of the importance of the erotic in his work, as well as the Wordsworthian Romanticism of his cult of childhood play (exaggerated still further in some of his followers).
ellauri150.html on line 255: Colette Stevens. HR Director. "Regardless of the working relationship, Colette always displays the same valuable characteristics - she is very bright, totally commercial, able to build strong and lasting relationships and is great fun to be around.
ellauri150.html on line 442: John Anthony Burgess Wilson (25. helmikuuta 1917 Manchester - 22. marraskuuta 1993 Lontoo), kirjailijanimi Joseph Kell, oli englantilainen kirjailija, kriitikko, säveltäjä, esseisti ja toimittaja. Hän kirjoitti urallaan yli 50 teosta. Boris Johnsonin näköinen takkutukka. Burgessin kuuluisin teos on vuonna 1962 ilmestynyt romaani Kellopeliappelsiini (A Clockwork Orange), joka tunnetaan myös Stanley Kubrickin ohjaamana vuoden 1971 samannimisenä elokuvana. Hesburgessin elämäkerta on hurjaa luettavaa. Se oli vääpeli evp vastoin tahtoaan, alempaa keskiluokkaa. Heilui kolonialistina vähän kaikkialla, maalla merellä ja ilmassa. Appelisiinikellon koneisto sai vaikutteita Hesburgerin sota-ajan heilan kommunistisesta vakaumuxesta. Vitun Kubrick leikkas pois vikan luvun kirjasta. Se leffa oli muutenkin aivan paska.
ellauri150.html on line 478: Arthur Hammond Harris aka Christopher Fry (18 December 1907 – 30 June 2005) was an English poet and playwright. He is best known for his verse dramas, especially The Lady's Not for Burning, which made him a major force in theatre in the 1940s and 1950s. Fry was born as Arthur Hammond Harris in Bristol, the son of Charles John Harris, a master builder who retired early to work full-time as a licensed Lay Reader in the Church of England, and his wife Emma Marguerite Fry Hammond Harris. While still young, he took his mother's maiden name because, on very tenuous grounds, he believed her to be related to the 19th-century Quaker prison reformer Elizabeth Fry. He adopted Elizabeth Fry's faith, and became a Quaker and a gay. In the 1920s, he met the writer Robert Gittings, who became a lifelong friend. Maybe William Wyler was another yet longer friend. Gore Vidal most certainly another.
ellauri150.html on line 531: Up on the summit meantime the work went on. The guard took the Nazarene's clothes from him; so that he stood before the millions naked. Now that was bad.
ellauri150.html on line 625: More than three years later, we see Ben-Hur working one of many oars. He is going by "41" (or is that XLI?), his seat number, and he is full of hate. A Roman consul, Quintus Arrius, has boarded the ship, and it goes to war almost immediately. The consul wants Ben-Hur for a charioteer, and doesn't understand why Ben-Hur has any other hopes of life after the galleys; if they succeed in battle, he'll keep rowing, and if they don't, he'll die chained to the oar. Ben-Hur makes clear that he believes God will help him, also that he dislikes the idea of dying chained to the oar; this has a delayed effect; at the time, "back to your oar," but the consul orders him unchained after all the galley slaves had been chained.
ellauri150.html on line 627: There is a firefight with real fire. Things are burning all over the place. The ship gets rammed; for some reason, instead of trying to get the ship out of the way, those slaves who are chained try to remove the chains. Since the enemy ship appears to be holding up their ship, it almost works out. Ben-Hur is unlocking slaves, and major fighting is going on on deck. Then Quintus is shoved overboard. Ben-Hur goes to save him, shoving a torch into the face of a mercenary along the way.
ellauri150.html on line 668:

Leo was the first person in the world to be captured on color film. Maybe that is why he gave his blessings on Ben-Hur. The blessings worked, it too came out on color film. Here's some more messages from him.
ellauri150.html on line 713: Jesus did not become human to build a earthly paradise; admittedly this IS pure hell, but his Kingdom is in Heaven. The Church warns us about those who promise a Utopia on Earth. The worker's paradise of the Soviet Union turned into a living hell for millions; as did also Mao's promise of earthly bliss. Likewise the French Revolution was heaven only for those who reveled in the sight of blood and heads rolling off the guillotine.
ellauri150.html on line 746: I have been thinking that the lives of the saints would be great material for Hollywood. We have the technology now to make supernatural events come to life in a realistic way on the movie screen. I was thinking of St. Bernadette who saw Our Lady at Lourdes. She always complained that the paintings and statues of Our Lady never portrayed her full beauty. But imagine if she had been able to describe her vision to a modern movie director working in 3D Imax format. The image could actually be made to float in space in front of the viewer and emanate a holy glow. A little like princess Leia in the hologram (though I thought the hologram was rather too small.) If the viewer tried to touch this image, his hand would pass through it. (I've experienced this with images in Imax movies. I'm thinking specifically of the floating seeds/"jelly fish" in Avatar.)
ellauri150.html on line 750: Maybe the Vatican needs to get into the movie business! In the past the Vatican sponsored the works of arts of the greatest artists of the times. Today the cinema is our greatest, most technologically advanced art form and we need Christian movie directors and producers that will dedicate their art to Christ. This will never happen in Hollywood. The one exception was "The Passion" and we saw what a struggle that was.
ellauri151.html on line 50: His work lived on the never resolved tensions between a strict artistic discipline, a puritanical moralism, and the desire for unlimited sensual indulgence and abandonment to life. A man of constant sorrow, caused by anal-genital conflicts. (Note)
ellauri151.html on line 119: In the 1920s, Gide became an inspiration for writers such as Albert Camus and Jean-Paul Sartre. In 1923, he published a book on Fyodor Dostoyevsky; however, when he defended homosexuality in the public edition of Corydon (1924) he received widespread condemnation. He later considered this his most important work.
ellauri151.html on line 129: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe.
ellauri151.html on line 139: Gide´s novel Corydon, which (too) he considered his most important work, erects (niin takuulla) a defense of pederasty. At that time, the age of consent for any type of sexual activity was set at thirteen.
ellauri151.html on line 283: Kuulostaa ihan Freudin kolmisoinnulta: ego, id, ja superego. Hyvän ja pahan tennisottelu, minä kazomossa pää kääntyillen. Mitäs Hegelin poka tästä ize oli mieltä? Vaikea sanoa, sen textit oli käsittämätöntä suoltoa. Argumentaatiosta ei tietoa, premissointi tyystin hukassa. Se oli varsinainen napanöyhdänkaivaja, 7 kääpiötä yhdessä suurmiehessä. Heigh Ho, Heigh Ho, and off to work we go, hakut olalla.
ellauri151.html on line 581: Tälläsen expressiivisen "tiili!" tyyppisen käskykielen painottaminen on sellaisenaan jo aika uskonnollista. (Vaik onhan tietokonekieletkin käskykantaisia.) Kusch argues that theological grammar describes how religious practices and the communication between God and the believer work. Both Hamann and Wittgenstein argue that pictures are indispensable for divine-
ellauri151.html on line 631: collected works (N II) to Wittgenstein in 1950 as a Christmas
ellauri151.html on line 963: [22] On that day many will say to me, "Lord, Lord, did we not prophesy in your name, and cast out demons in your name, and do many mighty works in your name?"

ellauri152.html on line 71: The Songs of Bilitis (/bɪˈliːtɪs/; French: Les Chansons de Bilitis) is a collection of erotic, essentially lesbian, poetry by Pierre Louÿs published in Paris in 1894. Since Louÿs claimed that he had translated the original poetry from Ancient Greek, this work is considered a pseudotranslation. Though the poems were actually clever fabulations, authored by Louÿs himself, they are still considered important literature. [by whom?]
ellauri152.html on line 75: Louÿs claimed the 143 prose poems, excluding 3 epitaphs, were entirely the work of this ancient poet—a place where she poured both her most intimate thoughts and most pubic actions, from childhood innocence in Pamphylia to the loneliness and chagrin of her later years.
ellauri152.html on line 77: Although for the most part The Songs of Bilitis is original work, many of the poems were reworked epigrams from the Palatine Anthology, and Louÿs even borrowed some verses from Sappho herself. The poems are a blend of mellow sensuality and polished style in the manner of Parnassianism, but underneath run subtle Gallic undertones that Louÿs could never escape.
ellauri152.html on line 83: While the work was eventually shown to be a pseudotranslation by Louÿs , initially it has mislead a number of scholars, such as Jean Bertheroy
ellauri152.html on line 549: The apparent purpose of this unusually high gallows can be understood from the geography of Shushan: Haman's house (where the pole was located) was likely in the city of Shushan (a flat area), while the royal citadel and palace were located on a mound about 15 meters higher than the city. Such a tall pole would have allowed Haman to observe Mordechai's corpse while dining in the royal palace, had his plans worked as intended.
ellauri152.html on line 609: It’s frustrating to catalogue the ways in which the film works to cis-normify the story. No Yentl crossdressing into the infinite future. No wrestling with her gender identity. The film’s ending throws out the story’s ambiguity and unapologetic queerness in favor of, one might charitably say, a feminist ending, or one might say uncharitably and truthfully, a cisnormative ending.
ellauri152.html on line 749: When Zeiltin turned 15, his father died and he decided to become a Hebrew teacher. His exit from the world of the Yeshiva exposed him to the works of the scholars of the Enlightenment. He began studying in earnest the works of both Jewish philosophers (Maimonides, Gersonides, Spinoza etc.) and non-Jewish ones such as Schopenhauer, Nietzsche and others. During this period in his life, he began questioning his religious beliefs and eventually drifted toward secularism.
ellauri152.html on line 753: He considered the core of Hasidim to consist of three "loves": love of God, of Torah, and of Israel. Just as his intended audience consisted of assimilated Jews and non-Jews, he adopted novel formulations of these loves: "love of Torah" would come to encompass inspiring works of "secular" art and literature, while "love of Israel" would be transformed into "love of humanity" (despite which Israel would still be recognized as the "firstborn child of God"). Zeitlin's religious ideal also contained a socialist element: the Hasidim he pictured would refuse to take advantage of workers.
ellauri153.html on line 265: Tushkin Pushkin quotes Saadi in his work Eugene Onegin, "as Saadi sang in earlier ages, 'some are far distant, some are dead'. Good point.
ellauri153.html on line 269: Voltaire was very thrilled with his works especially Gulistan, even he enjoyed being called "Saadi" in his friends' circle. April 21 is The World Saadi Day.
ellauri153.html on line 492: human condition, and spins a network of metaphysical problems and antinomies by a
ellauri153.html on line 539: proofs do not amount to a critique of the framework of the problem of evil unless they build on a
ellauri153.html on line 863: After submitting it as his doctoral dissertation Arttu was awarded a PhD from the University of Jena in absentia. Private publication soon followed. "There were three reviews of it, commending it condescendingly. Scarcely more than one hundred copies were sold, the rest was remaindered and, a few years later, pulped."[1] Among the reasons for the cold reception of this original version are that it lacked the author´s later authoritative style and appeared decidedly unclear in its implications. A copy was sent to Goethe who responded by inviting the author to his home on a regular basis, ostensibly to discuss philosophy but in reality to recruit the young philosopher into work on his Theory of Colors.
ellauri155.html on line 370: Speaking to the Beacon, an anonymous Department of Homeland Security official commented “CBP doesn’t have the people to properly patrol our nation’s borders but we do have the time to step away from work hours to have a conversation on unconscious bias. It is high time to replace any wimpy inconscious biases with honest-to-God conscious ones.”
ellauri155.html on line 502: He works as a gardener and odd-job man at a country club in Murcia, Spain.
ellauri155.html on line 523: Little in the narrative tells us what we are to think of David’s actions. Perhaps the very fact that he sought security among the Philistines is enough to make his choice questionable. After all, God had shown Himself able to keep David safe within the boundaries of Israel (chs. 18–26), so David’s seeking refuge in Philistia may indicate a lapse of faith. It could be that David’s raids from Ziklag confirm this. We see how David would go out against enemies of Israel such as the Amalekites (see Ex. 17:8–16) who were in the south of Judah. After defeating them, he would bring spoil back to Achish and lie to the king, telling him that he was conducting raids on the Israelites (1 Sam. 27:8–12). We do not want to make too much of this, for some actions are acceptable in times of war that are not necessarily acceptable in times of peace (for example, industrial espionage). This was a time of war, with both Achish and the peoples David raided being actual enemies of Israel. Still, David’s successful deception put him in a quandary. Achish was so pleased with David’s work that he commissioned David to join him against Israel (28:1–2). What would he do?
ellauri155.html on line 683:

Eph. 1:11
“also we have obtained an inheritance, having been predestined according to His purpose who works all things after the counsel of His will.”
ellauri155.html on line 759: And what pray, does this mean? It is just a clear declaration by the Lord that he finds nothing in men themselves to induce him to show kindness, that it is owing entirely to his own mercy, and, accordingly, that their salvation is his own work. Since God places your salvation in himself alone, why should you descend to yourself?
ellauri155.html on line 783: Calvin even demonstrated his commitment to this truth in his placement of his teaching on predestination in The Institutes. In the final edition, he moved his section on predestination from the beginning of his work to a place following his teaching on redemption, in effect suggesting “that predestination is a doctrine best understood by believers after they come to know the redemptive work of Jesus Christ applied by the Holy Spirit.”
ellauri155.html on line 789: Another argument which they employ to overthrow predestination is that if it stand, all care and study of well doing must cease. For what man can hear (say they) that life and death are fixed by an eternal and immutable decree of God, without immediately concluding that it is of no consequence how he acts, since no work of his can either hinder or further the predestination of God?
ellauri155.html on line 886: Santayana ei tykännyt olla professori, se oli ajautunut siihen. Se lopettikin professorin hommat 48-vuotiaana tykkänään ja lähti seikkailemaan. Varmaan homostelukin oli silleen helpompaa. In later life, Santayana was financially comfortable, in part because his 1935 novel, The Last Puritan, had become an unexpected best-seller. In turn, he financially assisted a number of writers, including Bertrand Russell, with whom he was in fundamental disagreement, philosophically and politically. Santayana´s only novel, The Last Puritan, ist ein bildungsroman, centering on the personal growth of its protagonist, Oliver Alden. His Persons and Places is an autobiography. These works also contain many of his sharper opinions and bons mots. He wrote books and essays on a wide range of subjects, including philosophy of a less technical sort, literary criticism, the history of ideas, politics, human nature, morals, the influence of religion on culture and social psychology, all with considerable wit and humor.
ellauri155.html on line 941: The perfectly ideal incumbent for the Harvard Fellowship appears in Bertie Russell, old and almost penniless, but still brimming with undimmed genius and suppressed immortal work’s!
ellauri155.html on line 1021: doubt, it is generous: but we are dealing with superior people and with work
ellauri155.html on line 1042: mous and who is anxious to aid you in prosecuting your important work with
ellauri156.html on line 68: Many tragic incidents occur as the unexpected outcome of a sequence of events. Certainly that is the case with King David. A little vacation from war leads to a day spent in bed, followed by a stroll along the roof of his palace as night begins to fall on Jerusalem. By chance, David sees a woman bathing herself, a sight which David fixes upon, his pecker coming instantly to attention, and then follows up on with an investigation as to her identity. The woman is shortly summoned to the palace and then to his bedroom, where David sleeps with her (well no, actually he spends time with her very much awake; what is meant by this euphemism is that he fucks the lady crazy.) Even though he has discovered she is the wife of Uriah, a warrior who is fighting for the army of Israel. Never mind. The woman becomes pregnant, and so David calls Uriah home, hoping it will be thought that he has gotten his wife pregnant. When this does not work, David gives orders to Joab, the commander of the army, which arranges for Uriah's death in battle. It looks like the perfect crime, but David's sin is discovered and dealt with by Nathan, the prophet of God. Nathan is Philip Roth's alter ego's name, Nathan Zuckerman! Can this be an accident? Jehova knows, it's too late to ask Phil.
ellauri156.html on line 211: A third reason -- and I am hesitant to suggest it -- is that David may be getting soft. Let's face it, David had some very difficult days when he was fleeing from Saul. I am sure there were hot days and cold nights. There were certainly days when his food was either limited or lousy, or both. Army food has never been known as a work of culinary artistry. Now, David has moved up in the world, from barren wilderness, which Saul and his army would avoid if possible, to the hills of Jerusalem. His accommodations are better, too. He no longer lives in a tent (if he was fortunate enough to have one in those days); he lives in a palace. Why would David want to stay in a tent in the open field, outside of Rabbah, if he can stay in his own bed (or Bathsheba's), in his own palace, inside Jerusalem?37
ellauri156.html on line 236: King David makes the mistake of staying in Jerusalem, rather than fighting the Ammonites with his army. He does not stay home to meditate on the Law of Moses or to write another psalm or two; he seems to stay home to stay in bed. We know Uriah went to bed when it was evening (that is, when it got dark), and it is very likely that he got up at first light (see 11:13). With David, it is very different. David does not get up until evening, that is, until it is time for a soldier to go to bed. (As a friend of mine pointed out, this is probably a habit developed over days and not just a one-time event.) It is very unlikely that David is doing any “kingly work” in the wee hours of the night. From all appearances, David is simply indulging himself. Whaddya mean? Fucking maidens is kingly work if anything. Surely he wasn't watching late night shows, since all he had was his TV mama. Sitting up and adjusting the screen until the picture was completely right.
ellauri156.html on line 267: Finally, David can stand his bed no longer. Getting up, he goes for a stroll around the roof of his palace. Most certainly, David's palace was built on the highest ground possible, so that it would afford him a commanding view of the city and the surrounding country. Virtually every other residence and building would be below David's penthouse apartment, and thus he would be able to see much that was out of sight for others. (A friend remarked after this message that a truck driver had told him a whole lot can be seen from an 18-wheeler that people in cars don't see. A chicano truck-driver just got a 110 year sentence in the U.S. for failing to stop his 18-wheeler when the brakes went. Now that was a honest-to-god Jehova style sentence, to the third and fourth generation. Good work, Rocky!)
ellauri156.html on line 307: When we read of this incident, we do so through Western eyes. We live in a day when a woman has the legal right to say “No” at any point in a romantic relationship. If the man refuses to stop, that is regarded as a violation of her rights; it is regarded as rape. It didn't work that way for women in the ancient Near East. Lot could offer his virgin daughters to the wicked men of Sodom, to protect strangers who were his guests, and there was not one word of protest from his daughters when he did so (Genesis 19:7-8). Even less later, when they asked their father Lot to fuck them at will. These virgins were expected to obey their father, who was in authority over them. Michal was first given to David as his wife, and then Saul took her back and gave her to another man. And then David took her back (1 Samuel 25:44; 2 Samuel 3:13-16). Apparently Michal had no say in this whole sequence of events. Oh, those days of innocence!
ellauri156.html on line 351: Some of you have not yet sinned as David did, but I hope I have given you some ideas, and that you are already on your way. You are like David when he chose to stay in Jerusalem, and when he chose to stay in bed. You have not yet managed to sin in a dramatic fashion, but you are laying the groundwork for it. It's only a matter of time and opportunity, so keep hacking. My question to you is not whether you are actively committing sin, but if you are, please send me some snapshots.
ellauri156.html on line 361: 4 Everyone who practices sin also practices lawlessness; and sin is lawlessness. 5 You know that he appeared in order to take away sins; and in him there is no sin. 6 No one who abides in him sins; no one who sins has seen him or knows him. 7 Little children, make sure no one deceives you; the one who practices righteousness is righteous, just as he is righteous; 8 the one who practices sin is of the devil; for the devil has sinned from the beginning. (Don't believe Milton, he's got it all wrong.) the son of god appeared for this purpose, to destroy the works of the devil. 9 No one who is born of god practices sin, because his seed (zihi) abides in him; and he cannot sin if he tried, because he is born of dog (1 John 3:4-9).
ellauri156.html on line 386: David had no desire for Bathsheba to become his wife, or even to carry on an adulterous affair with her (a mitigating circumstance). He sought one night's pleasure, and she went home. That was that, or so it seemed. But then David received word from Bathsheba that this one night resulted in Bathsheba's pregnancy. Our text takes up here with the account of David's desperate attempt to cover up his sin with Bathsheba. As we all know, it did not work, and it only made matters worse.
ellauri156.html on line 388: The story of David and Uriah reminds me of the story of the “Sorcerer's Apprentice.” It has been awhile, but as I remember the plot (probably the Walt Disney version), the sorcerer goes away, leaving his apprentice behind to do his chores. The apprentice gets the bright idea that the work would be a whole lot easier if he used his master's magical arts so he could sit back and watch other powers at work. The problem was that he didn't know how to stop what he started, and so more and more helpers came on the scene as the apprentice tried to reverse the process. The worst was when Mickey tried to cleave the broom with an axe, and got instead a million of smaller brooms.
ellauri156.html on line 439: So are all the fireworks on the Fourth of July the fulfillment of the prophecy that 17 Tammuz will become a day of "joy and gladness"? Probably not, partly because it is to be a day of rejoicing for the Jews and partly because it is not celebrated annually on 17 Tammuz. But that prophecy may have begun to be fulfilled at the Nauvoo Temple dedication on 17 Tammuz.
ellauri156.html on line 457: One notable TV airing of the movie was on the American network NBC during The NBC Monday Movie on September 7, 1964 (which was Labor day that year). During one of the commercial breaks was the one and only official airing of the Daisy political advertisement by the Lyndon B. Johnson presidential campaign in the run-up to the 1964 United States presidential election. The commercial aired at 9:50 p.m. EST. It was a family film though most children living in the EST time-zone were gone to bed by then, leaving the children's parents to watch the commercial. The commercial stars a little girl (played by Monique Luiz) who is shown counting petals of a daisy which was then followed by an ominous male voice counting down to zero. During the countdown, the screen zoomed up the girl's eye in such a way whereby the parents would imagine their children there instead of the girl. The next scene was a nuclear explosion with the voice of Johnson asking for peace.
ellauri156.html on line 463: However, in giving Bathsheba a more active role, Adele Reinhartz found that "it reflects tensions and questions about gender identity in America in the aftermath of World War II, when women had entered the work force in large numbers and experienced a greater degree of independence and economic self-sufficiency. ...[Bathsheba] is not satisfied in the role of neglected wife and decides for herself what to do about it." Susan Wayward was later quoted as having asked why the film was not called Bathsheba and David. I guess it has something to do with the fact that Dog is called Dog in the bible instead of Bitch.
ellauri156.html on line 503: It must be with great apprehension that Uriah joins David for dinner this last night in Jerusalem. David begins to eat and to drink, and he will not take no for an answer when he offers food and drink to Uriah. Eventually, it works, for David makes sure that Uriah has enough alcohol in his system to make him drunk. And in this condition, David sends Uriah home to “sleep it off,” in his own bed, of course. Even drunk, Uriah will not violate his wife! Unheard of! Once again, Uriah spends the night at the doorway of David's house, along with his servants. He does not go to his own house, and thus he does not sleep with his wife. David is in deep shit.
ellauri156.html on line 511: In all likelihood, this was all in a day's work for the Israeli army even then. So it is not strange to see David, the mighty man of valor, (1 Samuel 16:18) dealing with Uriah, another mighty man of valor, like the enemy. Here is Uriah, a man who will give his life for his king (but not his wife? Did David even ask?), and David, a man who is now willing to take Uriah's life to cover his sin. We all know that it doesn’t work. (Actually, we all know that it works perfectly: David will be honored by posterity as the best Israeli king ever.) How strange it is to see David making Joab his partner in crime, especially after what Joab has done to li'l Abner:
ellauri156.html on line 586: Man (and exceptionally, woman) has been seeking to cover up his sins ever since the Garden of Eden. Adam and Eve thought they could cover their sins by hiding their nakedness behind the fig leaves (hardly large enough for Adam's snake), and if not this, by hiding themselves from God behind Eve's bush. But God "lovingly" sought them out, not only to rebuke them and to pronounce some select curses upon them, but to give them a lame promise of forgiveness when the flagpoles start to bloom. It was God who provided a covering for their sins, in the form of snappy sackcloth jeans. The sacrificial death, burial, resurrection, and feasting on rumpsteaks cut from our Lord Jesus Christ's butt is God's provision for covering our sins. Have you experienced it, my friend? If not, why not confess your sin now and receive God's gift of forgiveness from him in person (in pirsuna pirsunalmente), and work henceforward with Jesus Christ in the cross factory of Cavalry? How 'bout that? A. Yokum, frost-bite travelers re-skewered reasonable. Ask for rates!
ellauri156.html on line 658: Psalm 32 is one of two psalms (the other is Psalm 51) in which David himself reflects on his sin, his repentance, and his recovery. Verses 3 and 4 of Psalm 32 are the focus of my attention at this point in time. These verses fit between chapters 11 and 12 of 2 Samuel. The confrontation of David by Nathan Zuckermann the prophet, described in 2 Samuel 12, results in David's repentance and confession. But this repentance is not just the fruit of Nathan's rebuke; it is also David's response to the work God has been doing in David's heart before he confesses, while he is still attempting to conceal his sin.
ellauri156.html on line 660: In these verses, David makes it clear that God is at work even when it does not appear to be so. During the time David tries to cover up his sin, God is at work exposing it in his heart. These are not times of pleasure and joy, as Satan would like us to conclude; they are days of misery. David is plagued with guilt. He cannot sleep, and it seems he cannot eat. Worst of all, he cannot fuck. He is not sleeping nights, and he is losing weight. Whether or not David recognizes it as God who is at work in him, he does know he is miserable. It is this misery which tenderizes David, preparing him for the rebuke Nathan Zuckermann is to bring, preparing him for repentance. David's repentance is not the result of David's assessment of his situation; it is the result of divine intervention. Hey wait? If that is the case, where is the much-advertised free will? He has gone so far in sin that he cannot think straight. God is at work in David's life to break him, so that he will once again cast himself upon God for grace. He has good experience in casting himself upon folk, from Saul thru Jonathan to Bathsheba.
ellauri156.html on line 679: Second, note that Nathan is sent to David. Twelve times in the last chapter the word “sent” is employed by the author. A number of these instances refer to David “sending” someone or “sending” for someone. David is a man of power and authority, and so he can “send out” for whatever he wants, including the death of Uriah. Now, it is God who does the “sending.” Herra se on herrallakin. Is David impressed with his power and authority? Has he gotten used to “sending” people to do his work for him (like sending Joab and all Israel to fight the Ammonites)? Let David take note that God is sending Nathan. He is a godsend to Dave.
ellauri156.html on line 681: Third, Nathan comes to David with a story. In the New American Standard Bible, this is not just a story, but a kind of poetic story. In my copy of the NASB, the words of the story are formatted in such a way as to look like one of the Psalms.43 It took me a while to take note of this, but if this is so, it means that Nathan comes to David prepared. Under divine inspiration, I am sure God could inspire a prophet to utter poetry without working at it in advance, but this does not seem to be the norm. Nathan comes to David well prepared. He is not just “spinning a yarn;” Nathan is telling a story, a very important story with a very important message for David. A message for you sir. Nih Nih.
ellauri156.html on line 689: As I understand the Bible, there is more to the story than this, however. Our lord (meaning Jeshua) frequently told stories. Why was this? Was it because he was trying to “put the cookies on the lowest shelf”? Was he accommodating his teaching to those who might have difficulty understanding it? Sometimes our lord told stories to the religious experts, who should have been able to follow a more technical argument. No, I think his own elevator did not quite reach the upper floors. I am thinking in particular of the story of the Good Samaritan, as recorded in Luke 10. A religious lawyer stood up and asked Jesus a question, not to sincerely learn, but with the hope of making our Lord look bad before the people. He asked, “What shall I do to inherit eternal life?” Jesus turned the question around. This man was the expert in the Law of Moses, what did it teach? The man answered, “YOU SHALL LOVE THE LORD YOUR GOD WITH ALL YOUR HEART, AND WITH ALL YOUR SOUL, AND WITH ALL YOUR STRENGTH, AND WITH ALL YOUR MIND; AND YOUR NEIGHBOR AS YOURSELF, THAT IS, EVEN MORE.” (Luke 10:27). In effect, Jesus responded, “Right. Now do it.” That was the problem with the law, no one could do it without failing, and so no one could earn their way to heaven by good works. Well, how high can we get with mediocre works? Someplace between heaven and hell would actually be most preferable.
ellauri156.html on line 814: The Gospel of Jesus Christ is “Good News.” (No, it is Dog's breakfast. You must be thinking of euangelion.) The “Good News” is the death of our Lord, which reveals the immensity of our sin, is the immense workload of God by which he can and will forgive us of our sin. (Recall here Dosto's and many other mystics' meme that everybody should feel guilty of everything. They really enjoy it! It is some variant of algolagnia.) By His innocent and sacrificial death, Jesus died in our place, paid the penalty for our sins. Come to think of it, the logic of this story IS on all fours with God's judgment on David's oversight: Not nice but don't worry, I'll cash your debt on some innocent scapegoat.
ellauri158.html on line 42: Nyt tarkoitus on käydä läpitte Kiroilevan siilin works.htm?lang=E">Etiikan dispositio. Pentti kielsi hollannintamasta sen töitä latinasta, ettei hullut persut kävisi siihen käsixi. Yritän nyt samaa.
ellauri158.html on line 495: It is unclear whether Newton read any of Spinoza´s works. However, two people with whom he was in close contact made substantial efforts to repudiate Spinozism directly: Henry More in The Confutation of Spinoza (More 1991) and Samuel Clarke in A Demonstration of the Being and Attributes of God: More Particularly in Answer to Mr. Hobbs, Spinoza and Their Followers. Sit oli vielä "Ralph" Cudworth ja joku "Colin" McLaughlin, kaikki Cambridgen platonisteja, siis jotain täys idiootteja, presumably, ja kaiken lisäxi varmaan vielä homoja. In the arguments on which I focus, More, Clarke, and Maclaurin aim to establish the existence of an immaterial and intelligent God precisely by showing that Spinoza does not have the resources to adequately explain the origin of motion. Sen jumala ei ollut kunnon priimuskaasulla toimiva käynnistysmoottori, pikemminkin joku auton alusta.
ellauri158.html on line 1099: https://home.kpn.nl/rudolf.meijer/spinoza/works.htm?lang=F
ellauri159.html on line 444: Thy hand from Sunday work be held—
ellauri159.html on line 617: Many might believe that applying the concepts of justice in modern times is limited to only those who work in the criminal justice system. But that’s not the case. Modern knights living in virtually any life situation can work to uphold justice. (Esim. voi olla jotain Brothers of Odineja tai Nordic Knightsejä. Maskuliinisivut käskee nihtiä rankaisee jumalattomia, sanotaan vaikka mumslimeja, sillee suht koht tuntuvasti.)
ellauri159.html on line 757: As I’ve been working on this series, thinking through the tradition of manhood, and attempting to synthesize Gilmore’s findings and the manifestations of the manly code in different cultures, boy, it’s really tasked my brain. When my mind got tied up in knots and the meaning of manhood became seemingly impenetrable and obscure, I often found myself thinking about the definition of masculinity laid out in Jack Donovan’s The Way of Men. It is so simple that even I can wrap my skull around it.
ellauri159.html on line 759: You have to define your group. You need to define who is in and who is out, and you need to identify potential threats. You need to create and maintain some sort of safe zone around the perimeter of your group. Everyone will have to contribute to the group’s survival in some way unless the group agrees to protect and feed someone who can’t contribute due to age or illness. For those who can work, you’ll need to decide who does what, based on what they are good at, who works well together and what makes the most practical sense…
ellauri159.html on line 761: If there are females in your group, they will have plenty of hard and necessary work to do. Ev­eryone will have to pull their own weight, but the hunting and fighting is almost always going to be up to the men. When lives are on the line, people will drop the etiquette of equality and make that decision again and again because it makes the most sense…
ellauri159.html on line 803: In 2004, he published The Seven Basic Plots: Why We Tell Stories, a Jungian-influenced analysis of stories andń their psychological meaning, on which he had been working for over 30 years. The book was dismissed by Adam Mars-Jones, who objected to Booker employing his generalisations about conventional plot structures prescriptively: "He sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence – the list goes on – while praising Crocodile Dundee, ET and Terminator 2".
ellauri159.html on line 915: ISTJs are logical pragmatists with a strong sense of personal responsibility. They take their work seriously and pay great attention to detail. Thomas Hobbes, Sigmund Freud, Martin Heidegger, Xenophon, and Ayaan Hirsi Ali are examples of ISTJ writers. Learn more about how ISTJs write here.
ellauri159.html on line 938: ISTPs are driven by a desire to understand how things work. They are logical and realistic people who enjoy solving problems in a hands-on way. ISTP writers include Miyamoto Musashi and the Dalai Lama. Learn more about how ISTPs write here.
ellauri159.html on line 1021: Begin scheduling a writing project as soon as you receive it. Jot down your ideas in a rough first draft to give yourself something tangible to work with. Be quick to see a theme forming in the draft, so this theme guides them through the development of the project.
ellauri159.html on line 1039: You often enjoy telling stories based on personal experience. Consequently, your writing may take on a narrative form. The first draft may be largely anecdotal without a unifying thesis. Don´t worry, you can organize your work during the revision process.
ellauri159.html on line 1041: Write for an audience, seeing you want to hear how people were affected by your work. With sufficient encouragement and clear instructions, you might even be able adapt the piece to the expectations of a teacher, boss, or editor. A lack of feedback is likely to demotivate you. To avoid this, seek out an environment where people appreciate hearing your stuff over and over.
ellauri159.html on line 1050: You suck with impersonal analysis. You may find it easier to begin by writing down how you feel about the subject. Then, fill in the objective data to round out the work. Avoid sentimentality and be sure to include the concept behind the story.
ellauri159.html on line 1057: Be self-motivated and self-directed. However, when writing for a teacher, editor, or boss, you may want explicit instructions. If you don’t have a clear understanding of other people’s expectations, you may struggle in silence. Instead, try asking to see a model of what to work toward (for example, last year’s annual report or a term paper that earned an A). A concrete example will help alleviate confusion.
ellauri159.html on line 1063: You Want to be of service to others, and naturally write in a manner that reflects this value. Keep your audience in mind, then organize your ideas into an easy-to-follow progression. You have a strong sense of harmony—of what works on the page, and what doesn’t. You may also excel at sensory detail, drawing the reader in.
ellauri159.html on line 1067: You tend to state the obvious or otherwise display a lack of confidence. To combat this tendency, ask for specific feedback from a trusted writer friend. This will help you gauge your ability to communicate your point and your reader’s ability to understand and make connections. Show your work only to someone whom you know to be supportive. The opinions of those who nurture writers are worthwhile; the opinions of those who tear down writers are not.
ellauri159.html on line 1075: When starting a project, you want clear instructions or a model to work from. It is helpful to know what approach has succeeded in the past so you can use it as a framework. If instructions aren’t specific, you may be at a loss, so it’s best to ask for clarification, or just copy from a reliable model.
ellauri159.html on line 1077: Generally you work hard and meet deadlines. As the introvert you are, you prefer to write alone and in a quiet environment. You tend to be succinct and analytical. You are unlikely to need a dictionary to add noise to your writing—after all, the focus on getting to the point.
ellauri159.html on line 1085: You can´t be too rigid! Resist the idea of adapting your work to an audience. They tend to view revision as necessary if their expectations are not established up front. So showing your work to a colleague or writing friend too early just helps ensure that the concepts in your head don´t make it onto the paper as you intended. Sharp revision of their suggestions sharpens your own message and makes your own work stronger.
ellauri159.html on line 1093: Build your topic around a visual element. It is way easier than reading. This might be a chart, a graphic—even a quotation. They may follow a template that’s worked in the past, rather than inventing something new. Just be sure to give a new slant on the old idea to keep it fresh.
ellauri159.html on line 1095: Prefer writing in an active environment like panoramic office or gym where you can shape your ideas by discussing them with others. You may also want to use a voice recorder so you don’t have to write so much and work shackled to a computer.
ellauri159.html on line 1097: It´s fine to procrastinate because you perform well under the pressure of deadlines whizzing past. You probably don’t enjoy working quietly for long stretches. Bring your earphones and be sure to schedule frequent breaks so you can re-energize.
ellauri159.html on line 1107: Gather a lot of material about a subject, particularly if it’s unfamiliar. When composing a first draft, your brain works best by brainstorming about whatever comes to mind. If you try analyze as you go, it breaks your flow of ideas, and you can get stuck. Never try to walk and chew gum at the same time. Or think. That can become a real stumbling block.
ellauri159.html on line 1113: You may have difficulty starting a project if you don’t have a clear sense of direction. Identify the goals of the piece and develop an organizing framework (aka a bullet list). This will help you generate ideas and avoid tangents. Your safe bet is to focus on how the topic affects people and on the immediate actions they can take in response.
ellauri159.html on line 1143: Work independently and prefer a quiet environment. If you must write collaboratively, seek out tasks that will allow you to work alone or with someone whose expertise you value. Unlike most other sensing types (the wimps), you don’t want detailed instructions or specific feedback. In fact, you may have to shoot if they try. Just ask for general guidelines that allow you flexibility. They may try to impose rules you regard as useless, like firearms restrictions.
ellauri159.html on line 1151: Write to steal their ideas to develop yours rather than to please an audience. If your goal is to communicate your ideas to others (god beware), be sure to organize your work so that the subject folds logically. This will likely come easily to you if you invest the time. Also, engage your side to the battle by relating the subject to their personal experience. If you don’t feel comfortable writing about your own experience, write about something you’ve observed, or what the commies or aliens are likely up to.
ellauri159.html on line 1159: You work best when they have the freedom to follow your own process and timeline. Estimate how long you’ll need to complete each task, then add 50% and a cushion. Set milestones along the way only to remove them as you go. Incorporate a lot of time for breaks. If your energy wanes, meet with a writer friend for coffee or other libation, and discuss your ideas. If the project permits, consider copulating with a co-writer.
ellauri159.html on line 1171: We know you have no great love for facts and details. Leave enough time at the end to check that you’ve included sufficient objective data. Strive for balance and fairness, include both facts and alternative facts. Avoid over-reliance on personal insight. Ask a trusted friend to review your writing with a critical eye. Your work will be stronger for it. And, WtF, you can always just ignore them.
ellauri159.html on line 1175: You first estimate accurately how long a writing project will take. Then you generally dive into the first draft and develop a framework (table of contents). You may find it helpful to start with the closing paragraph to give yourself an end point to strive for. Don’t let this limit you, though: be prepared to rearrange the structure and change your conclusions as you explore the subject in more depth.
ellauri159.html on line 1177: You draw inspiration from being a know-it-all and educating people. You tend to read extensively and to collect words they consider particularly apt, like David Wallace. If their writing project involves others, you often take a leadership role, and repeat the word 'actually' in everybody´s face. You may also beep like a truck on reverse. You thrive in a harmonious atmosphere where everyone respects your opinion. Having a strong need to feel in control of your projects, you want to work in a cooperative environment conducive to driving a project to completion.
ellauri159.html on line 1189: You may find it difficult to create the emotional distance needed to keep your hands off your students. Don’t let a hasty feel-up skew your research. Be sure to include alternate facts and points of view. Also, be careful to avoid a cursory treatment of the subject, like in those wannabe writer guides on the web. Ask a friend or colleague to review the work, making sure you’ve provided sufficient detail.
ellauri159.html on line 1193: You work best in a quiet environment where you cannot be interrupted. You reflect on the topic before you begin writing, mentally structuring the material and looking for patterns. Don’t allow yourself to be rushed into starting a project before you’re ready. You are generally good at estimating how long this preparation stage will take. When you finally sit down to write, their ideas tend to be well-developed and organized. Their language may seem formal at first. If that’s the case for you, don’t fight it—you can soften this tendency during revision.
ellauri159.html on line 1201: You enjoy colorful and figurative language, and like to infuse your work with images of your personal underware. At the same time, however, your writing may be too abstract for their readers, they want to see you inside them. During revision, add concrete details. In creative writing, appeal to the five senses and the 9 mortal sins. In freelance writing, include specifics like percentages and dollar amounts to get the audience´s attention. In technical writing, find out whether the customer needs to use a flat-head or a cross-head screwdriver (our dishwasher installer guys did not have a flathead anymore, I had to loan them one), and what the recommended torque is. These may be boring details to you, but they’re essential for your male reader. Wrong head, no screw.
ellauri159.html on line 1205: Guys like you tend to be easily hurt by criticism, especially when it comes to their writing, or their sexual performance. Because they generally keep their writing and wanking private until they think it’s finished, they may not have a good sense of the look and feel to others. Consider showing your work and your tool to a trusted friend or colleague for advice before you begin the final round. This will help you better connect with your audience, which is important to you, I know.
ellauri159.html on line 1213: Perhaps this is what draws me to writing women’s fiction. I can create relationship problems, which I can then go about solving, without hurting anyone but my fictional characters in the process. Real life, unfortunately, doesn’t work that way. The INFJs’ search for perfection can damage otherwise good relationships. So I propose a revised Serenity Prayer for INFJs: God grant me the serenity to accept the things I cannot change. Period. Oh, I got my period.
ellauri159.html on line 1217: You work best in a quiet environment where they won’t be interrupted, thanx to the I. LIkewise, you like autonomy so you can perfect your writing according to yourr own high standard without having to follow someone else’s low standard.
ellauri159.html on line 1223: Strive for elegance in language. You can never polish the work too soon. You tend to write long, meandering first drafts, so you’ll likely need to synthesize and cut material later. Save the search for that perfect metaphor until the revision stage.
ellauri159.html on line 1226: Try to be sensitive to criticism. It won´t do to just turn a deaf ear. Consider showing your work to a trusted friend or colleague at a safe distance before you begin the final draft. This feedback may be especially helpful in focusing your work and ensuring that it includes enough sex to sway your audience to watch your missionary position.
ellauri159.html on line 1254: You generally enjoy brainstorming but may not feel motivated to write until you feel the pressure of a deadline. To avoid a time crunch at the end of the project, set milestones along the way. Make your best guess of how long each step should take, then double it. Schedule enough time to take breaks so you can consider new possibilities. To stay energized, try working in a variety of settings.
ellauri159.html on line 1256: You may excel at satire, and humor can liven up your work. Make sure your tone is appropriate for the piece and for the audience. Aarne Kinnunen´s works on good taste in humor are very helpful. You may find it helpful to include a personal story or two, rather than relying on cold logic alone to make your point. (You are so close to ESFP - Esiintyjä that it is hard to see the diff - maybe you two are like Dumb and Dumber.)
ellauri159.html on line 1258: You tend to grasp the big picture and to focus on the future. Ensure that your work contains enough background material and concrete detail. To avoid tangents or a cursory treatment of the subject, keep the central thesis or purpose of the project in mind while writing. Solicit feedback from someone whose competence you trust.
ellauri159.html on line 1275: You prefer to work independently in a quiet environment. You like the flexibility of setting your own goals. You may spend long hours on a project if the subject engages you, becoming deeply invested in the outcome. Remember to keep the family in mind to help ensure that your writing is as interesting to them as it is to you.
ellauri159.html on line 1285: You can become blocked if you can’t find opportunities to make your unique ideas heard. If a writing assignment seems restrictive to you, challenge yourself to find a way to work within the system while still expressing your ingenuity. Instead of turning cynical, use your dry sense of humor.
ellauri159.html on line 1291: Having a I in the formula, you like to work independently. You require long periods of concentration to form mental models. You focus deeply on the task, blocking out distractions. To facilitate this, better find a secluded place to work. Schedule your writing for a time when you won’t be interrupted. Let others know that you need time alone.
ellauri159.html on line 1297: You are happy and motivated with your personal vision. Original thinkers have little regard for convention. They want things to make sense according to their own logical standards, and they will discard anything that doesn’t. For this reason, they tend to enjoy technical subjects. They often wear visual aids like Google spectacles that support and clarify their writing. If you’re one of these guys, one path to success as a writer is to draw on your natural curiosity about how things work and your talent for explaining this for others. But beware of the pitfalls!
ellauri159.html on line 1301: To control your workplace and steal their original ideas, make sure you do so within the parameters of the project. If you’re a freelance writer, for example, remember that you’re writing for an editor, not for yourself. So get rid of the editor, or become one yourself. If something about the assignment doesn’t make sense to you, don’t ignore it—seek clarification. Or sue them.
ellauri159.html on line 1357: Blood died in Amsterdam, New York. His final work, Pluriverse, was published posthumously. The morale of his most famous interminable poem was this:
ellauri159.html on line 1423: The unclassified residuum, 299. The Society for Psychical Research and its history, 303. Thought-transference, 308. Gurney's work, 309. The census of hallucinations, 312. Mediumship, 313. The 'subliminal self,' 315. 'Science' and her counter-presumptions, 317. The scientific character of Mr. Myers's work, 320. The mechanical-impersonal view of life versus the personal-romantic view, 324.
ellauri160.html on line 122: Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972), modernin ajan Li Bai, was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962). Hizi noi cantothan on selvä kokoelma paasauxia!
ellauri160.html on line 124: Pound was born in 1885 in a two-story cupboard house in Hailey, Idaho Territory, the only child of Homer Loomis Pound (1858–1942) and Isabel Weston (1860–1948), who married in 1884. Homer had worked in Hailey since 1883 as registrar of the General Land Office. Pound's grandfather, Thaddeus Coleman Pound, a Republican Congressman and the 10th Lieutenant Governor of Wisconsin, had secured him the appointment. Homer had previously worked for Thaddeus in the lumber business.
ellauri160.html on line 156: After three days in London he went to Paris, where he worked on a new collection of poetry, Canzoni (1911), panned by the Westminster Gazette as "affectation combined with pedantry". Ford Madox Ford kieriskeli lattialla naurusta kun Calzone oli niin puiseva.
ellauri160.html on line 174: During the subsequent row, Pound left the table and returned with a tin bathtub on his head, suggesting it as a symbol of what he called Les Nagistes, a school created by Lowell's poem "In a Garden", which ends with "Night, and the water, and you in your whiteness, bathing!" Apparently his behavior helped Lowell win people over to her point of view, as did her offer to fund future work.
ellauri160.html on line 178: In the summer of 1913 Pound became literary editor of The Egoist, a journal founded by the suffragette Dora Marsden. At the suggestion of W. B. Yeats, Pound encouraged James Joyce in December of that year to submit his work. Harriet Shaw Weaver accepted it for The Egoist, which serialized it from 2 February 1914, despite the printers objecting to words like "fart" and "ballocks", and fearing prosecution over Stephen Dedalus's thoughts about prostitutes. Joyce wrote to Yeats: "I can never thank you enough for having brought me into relation with your friend Ezra Pound who is indeed a miracle worker."
ellauri160.html on line 192: Pound käänsi Li Bain runoja japanilaisten avulla. Ei niitä monta tullut, ennenkin se ehti riitaantua apujapanilaisten kaa. Michael Alexander saw Cathay as the most attractive of Pound's work. There is a debate about whether the poems should be viewed primarily as translations or as contributions to Imagism and the modernization of English poetry. English professor Steven Yao argued that Cathay shows that translation does not need a thorough knowledge of the source language.
ellauri160.html on line 200: After the publication of Cathay, Pound mentioned that he was working on a long poem. He described it in September 1915 as a "cryselephantine poem of immeasurable length which will occupy me for the next four decades unless it becomes a bore".
ellauri160.html on line 202: In June, July and August 1917 Pound had the first three cantos published, as "Three Cantos", in Poetry. Twice the length of Paradise Lost and 50 times longer than The Waste Land, Pound's 800-page The Cantos ("Canto I" to "Canto CXVI", c. 1917–1962) became his life's work.
ellauri160.html on line 206: By 1917 The poet F. S. Flint told The Egoist's editor that "we are all tired of Mr. Pound". British literary circles were "tired of his antics" and of him "puffing and swelling himself and his friends", Flint wrote. "His work has deteriorated from book to book; his manners have become more and more offensive; and we wish he would go back to America."
ellauri160.html on line 219: Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling it's cold."
ellauri160.html on line 223: While in custody in Italy, Pound began work on sections of The Cantos that were published as The Pisan Cantos (1948), for which he was awarded the Bollingen Prize for Poetry in 1949 by the Library of Congress, causing enormous controversy. After a campaign by his fellow writers, he was released from St. Elizabeths in 1958 and lived in Italy until his death in 1972. His economic and political views have ensured that his life and work remain controversial. He is popular with the alt-right but his opinions about usury forever condemn him in the circles of New York money liberals.
ellauri161.html on line 499: What works for "Don't Look Up" is the cast, as it has a handful of great names on the list, with the likes of Leonardo DiCaprio, Jennifer Lawrence, Meryl Streep, Cate Blanchett, and so forth. Mitä enemmän julkkixia, sen parempi leffa. On kiva bongata tuttuja naamoja. Ne on kuin perhettä.
ellauri161.html on line 572: Pressed together, however, the mix just doesn’t work. Too many characters, such as Jonah Hill’s presidential aide, know they’re in a comedy and play for laughs accordingly. There’s way too much going on in Don’t Look Up, so the story focus is constantly diffused as we jump from one narrative thread to another. Consequently the soiree packs very little punch; as a satire on corporate greed, media ethics and celebrity culture it’s pretty limp. All bite but no teeth, you could say. (Fuck yourself droopy-lip, this is a tableau true to life, not a sketch.)
ellauri161.html on line 584: A lady critic: His approach to comedy and my ability to enjoy his work as a director began to diverge when he had a sequence about bailouts and crony capitalism tacked on to another otherwise funny film. That was tasteless. The problem was McKay seemed to find entertainment and real-world issues to be fundamentally separate, deploying one in hopes of getting eyes on the other. While all we droopy lips know that they are part of one and the same entertainment scene!
ellauri161.html on line 585: For McKay, however, that rage seems incompatible with the comedies he nevertheless feels compelled to keep making. Misanthropy isn’t in itself a barrier to turning out great work!
ellauri161.html on line 593: As a comedy, Don’t Look Up doesn’t work because it’s not funny. As a satire, it flops because the attempts at mockery are broad, puerile, and obvious, unintentionally trivializing the issues it seeks to highlight. As a drama, it collapses because it never makes much of an attempt to be serious.
ellauri161.html on line 599: The satire not only lacks subtlety, it pushes the bounds of ridiculousness to levels where it works neither as a comedy nor as social commentary. It is too true for laughs.
ellauri161.html on line 628: The way that Lawrence’s angry, idealistic scientist refuses to get co-opted by a system she correctly identifies as corrupt while DiCaprio’s more amicable character gets swept up in things for a while would seem to be easy material for a scriptwriter to use not just as a commentary on the way the world works, but as rich dramatic material for the ups and downs of a personal and professional relationship.
ellauri161.html on line 643: That’s not a point that hasn’t been made before, and it’s not like there are new notions here about what people might do with their last moments. But there’s something deceptively big and complicated about considering the human capacity to (not) address the largest challenges to their own survival as certain systems prevent action being taken — and people’s ability to recognize that a happy ending isn’t automatic but could be possible with thought and work. There’s such tragedy in the idea of, among many other things, being stuck in a loop of distraction at the expense of progress. Perpetual escapism that prevents escape, with what we’re looking away from and how continually being updated in the stories on the subject.
ellauri161.html on line 737: This was a waste of 2 and a half hours of my life. How they got at least 4 academy award winners to make this steaming pile of crap shocks me. Would have rather had major dental work done than watch this movie.
ellauri161.html on line 1092: His (Mainion) works suggest the thought that the writings of master Eckart (died 1328), with whom Ruysbroeck was contemporary for thirty-five years, exercised influence over our author´s mind. Melkein maisteri Eckartille kävi köpelösti loppupeleissä. Ruisbroeck became vicar of the Church of St. Gudula at Brussels, where he lived in strict asceticism, enjoying the society of persons who had devoted themselves to a contemplative life, composing books and exercising benevolence. Jahas uusi päivä, uusi suopeus. He contended against the sins of the day, and labored to promote reforms. It is said that Tauler once visited him, attracted by the fame of his sanctity.
ellauri161.html on line 1100: The chief of his mystical writings are, The Ornament of Spiritual Marriage (Lat. by Gerh. Groot, Ornatus Spiritualis Desponsionis, MS. at Strasburg; by another translator, and published by Faber Stapulensis [Paris, 1512], De Ornatu Spirit. Nuptiarum, etc.; also in French, Toulouse, 1619; and in Flemish, ´J Cieraet der gheestclyeke Bruyloft, Brussels, 1624, Hengelliset häät): — Speculum AEternae Salutis: — De Calculo, an interpretation of the calculus candidus, Re 2:17: — Samuel, sive de Alta Contemplatione. The other works of Ruysbroeck contain but little more than repetitions of the thoughts expressed in those here mentioned. (Esim. 7 hengellisen rakkauden askelmasta.) He wrote in his native language, and rendered to that dialect the same service which accrued to the High German from its use by the mystics of the section where it prevailed. He is still regarded in Holland as "the best prose writer of the Netherlands in the Middle Ages." His style is characterized by great precision of statement, which becomes impaired, however, whenever his imagination soars, as it often does, to transcendental regions too sublimated for language to describe. His works were accessible until lately only in Latin editions (by Surius, Cologne, 1549, 1552, 1609 [the best], 1692, fol.), or in manuscripts scattered through different libraries in Belgium and Holland. Four of the more important works were published in their original tongue, with prefaces by Ullmann (Hanover, 1848). No complete edition has as yet been undertaken (see Moll, )e Boekerij van het S. Barbara-Klooster te Delft [Amst. 1857, 4to], p. 41).
ellauri161.html on line 1102: Ruysbroeck´s mysticism begins with God, descends to man, and returns to God again, in the aim to make man one with God. God is a simple unity, the essence above all being, the immovable, and yet the moving, cause of all existences. The Son is the wisdom, the uncreated image of the Father; the Holy Spirit the love which proceeds from both the Father and the Son, and unites them to each other. Creatures preexisted in God, in thought; and, as being in God, were God to that extent. Fallen man can only be restored through grace, which elevates him above the conditions of nature. Three stages are to be distinguished: the active, or operative; the subjective, or emotional; and the contemplative life. The first proceeds to conquer sin, and draw near to God through good works; the second consists in introspection, to which ascetic practices may be an aid, and which becomes indifferent to all that is not God. The soul is embraced and penetrated by the Spirit of God, and revels in visions and ecstasies. Higher still is the contemplative state (vita vitalis), which is an immediate knowing and possessing of God, leaving no remains of individuality in the consciousness, and concentrating every energy on the contemplation of the eternal and absolute Being. This life is still the gift of grace, and has its essence in the unifying of the soul with God, so that he alone shall work. The soul is led on from glory to glory, until it becomes conscious of its essential unity in God.
ellauri161.html on line 1135: The older priest from Torcy talks to his younger colleague about his poor diet and lack of prayer, but the younger man seems unable to make changes. After his health worsens, the young priest goes to the city of Lille to visit a doctor, who diagnoses him with stomach cancer. The priest goes for refuge to a former colleague, who has lapsed and now works as an apothecary, while living with a woman outside wedlock. The priest dies in the house of his colleague after being absolved by him. His dying words are "What does it matter? All is Grace".
ellauri162.html on line 112: After the war, he worked in insurance before writing Sous le soleil de Satan (1926, Under the Sun of Satan). He won the Grand Prix du roman de l'Académie française for The Diary of a Country Priest (Journal d'un curé de campagne), published in 1936.
ellauri162.html on line 653: There are no financial interests related to this work.
ellauri162.html on line 691: Pope Leo XIII, 1891, wrote the encyclical Rerum Novarum as the industrial revolution and political change swept across Europe. The relationship between employers and employees was changing dramatically. Individuals had become wealthy, but most remained poor even though they worked hard. Pope Leo XIII´s encyclical spoke of the condition of the working classes during a time when many advocated revolution.
ellauri162.html on line 693: The Church recognizes that the lack of workers union contributed to an unjust situation where many work in conditions little better than slavery. One solution proposed by socialists was to eliminate private property altogether. Pope Leo XIII dismisses this solution because "every man has by nature the right to possess property as his own." He also notes that "the impelling reason and motive of his work is to obtain property." Instead of helping the working class, the elimination of private property would only hurt those it was intended to benefit.
ellauri162.html on line 695: Private ownership "is not only lawful, but absolutely necessary." In addition, the right to property is essential in maintaining the structure of the family. For what can pater familias use to threaten the children with if not the legacy? A worker ought to be given the opportunity to live sparingly, save money, and invest his savings for the future.
ellauri162.html on line 697: People have become accustomed to working for their own needs. Working enables people to earn an honorable livelihood, but using employees as mere objects is wrong. Workers and the rich are dependent upon each other. The worker ought to complete the tasks that they freely agree to, never destroy an employer´s property, never use violence for their cause, never take part in riots or disorder, and not associate with those who encourage them to act unethically. (As Pope John Paul II would later emphasize in Laborem Exercens, work ought to be seen as a privileged expression of human activity. Work, including cultural production, is an example of human creation in the image of the creator.)
ellauri162.html on line 699: The employer ought to respect the dignity of each employee and shouldn´t view them as slaves. Workers must also have time for their religious duties and must receive tasks appropriate for their sex and age. Workers and employers ought to be free to negotiate and come to an agreement, but natural justice must ensure that wages are sufficient to support a "frugal and well-behaved wage-earner." To ensure these rights and duties are maintained worker´s associations ought to exist to work towards the common good.
ellauri162.html on line 701: The relationship between worker and employer ought to be shaped by the bonds of friendship and brotherly love. Both are children of God and created in His image. The Church desires that the poor better their situation and has a role to speak out on their behalf and to seek relief of poverty.
ellauri162.html on line 703: Both workers and employers should have their rights protected. Children shouldn´t be employed for tasks suited for adults, and employers should compensate workers with just wages. Humanity should remember that Christian morality leads to prosperity.
ellauri162.html on line 705: It is important to remember that we were not created for this world, but rather for everlasting life with God. Riches should be viewed as an obstacle for eternal happiness, and that they do not bring freedom. With this in mind, associations of workers and employers ought to do what is best for the body, soul, and property of all involved.
ellauri162.html on line 781: William Lane Craig (born August 23, 1949) is an American analytic philosopher, Christian theologian, Christian apologist, and author. He is Professor of Philosophy at Houston Baptist University and Research Professor of Philosophy at Talbot School of Theology (Biolan University). Craig has updated and defended the Kalam cosmological argument for the existence of God. He has also published work where he argues in favor of the historical plausibility of the resurrection of Jesus. His study of divine aseity and Platonism culminated with his book God Over All. He is a Wesleyan theologian who upholds the view of Molinism and neo-Apollinarianism.
ellauri162.html on line 814: The concept of a highly conserved ontogeny dates back to 1828 and the work by Karl von Baer. Baer´s work was cited by Charles Darwin and used in support of his Theory of Evolution. The concept was made famous though by Ernst Haeckel in 1874 with the publication of his drawings of the conserved stage. Haeckel was mainly pushing the concept of recapitulation in which he hypothesized that ontological development repeated the evolutionary steps of the organism. Recapitulation has since been discredited and is not accepted by any modern biologist. Haeckel has been accused of falsifying his embryonic drawings, most notably by Jonathan Wells in his book Icons of Evolution. Some biology text books used Haeckel´s drawings for many years after it was known they were faked. However, most modern biology textbooks only use them now for historical reference and actual photos of embryos are used to discuss the pharyngula stage.
ellauri163.html on line 37: Courtney Joseph is a graduate of the Moody Bible Institute with a degree in Evangelism and Discipleship. After over a decade of leading women’s Bible studies, mentorships and workshops in her local church, she decided to move her ministry on-line at WomenLivingWell.org where she has over 1.5 million views of her videos on youtube. Courtney’s passion and sincerity has made her a leader in the Christian blogging community. She is the Founder of WomenLivingWell.org and GoodMorningGirls.org.
ellauri163.html on line 48: He wrote the drama Got fun nekome (God of Vengeance) in the winter of 1906 in Cologne, Germany. It is about a Jewish brothel owner who attempts to become respectable by commissioning a Torah scroll and marrying off his daughter to a yeshiva student. Set in a brothel, the play includes Jewish prostitutes and a lesbian scene. I. L. Peretz famously said of the play after reading it: "Burn it, Asch, burn it!" Instead, Asch went to Berlin to pitch it to director Max Reinhardt and actor Rudolph Schildkraut, who produced it at the Deutsches Theater. God of Vengeance opened on March 19, 1907 and ran for six months, and soon was translated and performed in a dozen European languages. It was first brought to New York by David Kessler in 1907. The audience mostly came for Kessler, and they booed the rest of the cast. The New York production sparked a major press war between local Yiddish papers, led by the Orthodox Tageplatt and even the secular Forverts. Orthodox papers referred to God of Vengeance as "filthy," "immoral," and "indecent," while radical papers described it as "moral," "artistic," and "beautiful". Some of the more provocative scenes in the production were changed, but it wasn't enough for the Orthodox papers. Even Yiddish intellectuals and the play's supporters had problems with the play's inauthentic portrayal of Jewish tradition, especially Yankl's use of the Torah, which they said Asch seemed to be using mostly for cheap effects; they also expressed concern over how it might stigmatize Jewish people who already faced much anti-Semitism. The association with Jews and sex work was a popular stereotype at the time. Other intellectuals criticized the writing itself, claiming that the second act was beautifully written but the first and third acts failed to support it.
ellauri163.html on line 660: John Perry on Willin isä. Hän on tutkimusmatkailija maailmastamme, joka löysi portaalin Lyran maailmaan ja josta tuli shamaani, joka tunnetaan nimellä Stanislaus Grumman tai Jopari, hänen alkuperäisen nimensä korruptio. John Richard Perry (born 1943) is Henry Waldgrave Stuart Professor of Philosophy Emeritus at Stanford University and Distinguished Professor of Philosophy Emeritus at the University of California, Riverside. He has made significant contributions to philosophy in the fields of philosophy of language, metaphysics, and philosophy of mind. He is known primarily for his work on situation semantics (together with Jon Barwise), reflexivity, indexicality, personal identity, and self-knowledge. Situation Semantics was a huge flop, which became obvious when Barwise died of the cancer of the colon.
ellauri163.html on line 697: With an 11-year-old hero, Philip Pullman´s new book is a delightful nod to Edmund Spenser´s 'The Faerie Queene'. If Philip Pullman’s Dark Materials trilogy was an obvious nod to John Milton’s Paradise Lost, his new Book Of Dust trilogy takes inspiration from Edmund Spenser’s The Faerie Queene. Though thematically different, both fall within the same literary genre—they are epic poems, long narrative pieces recounting heroic deeds, and if the term could loosely be used to describe works of prose, then La Belle Sauvage, the first in the Book Of Dust trilogy, is one such novel. Spenser’s late-16th century poem, though incomplete, follows the adventures of medieval knights. Our knight is 11-year-old Malcolm Polstead, curious, intelligent, good-natured and clueless, when we first meet him, of the trials that await him. La Belle Sauvage, then, is a companion, or "equel" (a new story that stands alongside his previous trilogy), to His Dark Materials trilogy. Better strike while the iron is hot, as J.K. Rowling did.
ellauri163.html on line 829: There is also a scene where Mouchette is wet, working in the bar, and then gets some coins as payment. Later, in his hut, she is wet, and Arsene pays her some coins to go along with his story regarding Mathieu’s presumed death. What this does is not only link divergent scenes in a strictly visual and cinematic way, but it emphasises the elliptical and cyclical nature of the film, where recurring images and motifs abound. Yet, all of them are slightly askew, and the camera always seems to look at its lead character’s life slightly askance, as if it was somehow recapitulating the clearly warped view of life Mouchette owns.
ellauri163.html on line 862: David Émile Durkheim was born 15 April 1858 in Épinal, Lorraine, France, to Mélanie (Isidor) and Moïse Durkheim, coming into a long lineage of devout French Jews. As his father, grandfather, and great-grandfather had all been rabbis, young Durkheim began his education in a rabbinical school. However, at an early age, he switched schools, deciding not to follow in his family's footsteps. I bet dad, grandad and greatgranddad were all very disappointed. In fact, Durkheim led a completely secular life, whereby much of his work was dedicated to demonstrating that religious phenomena stemmed from social rather than divine factors. Despite this fact, Durkheim did not sever ties with his family or with the Jewish community. Actually, many of his most prominent collaborators and students were Jewish, some even blood-related.
ellauri164.html on line 197: work/6263130583_f02e60e1c8_o.jpg" width="80%" />
ellauri164.html on line 230: Ralph Barton Perry (July 3, 1876 in Poultney, Vermont – January 22, 1957 in Boston, Massachusetts) was an American philosopher. He was a strident moral idealist who stated in 1909 that, to him, idealism meant "to interpret life consistently with ethical, scientific, and metaphysical truth." (citation?) Perry's viewpoints on religion stressed the notion that religious thinking possessed legitimacy should it exist within a framework accepting of human reason and social progress.
ellauri164.html on line 431: Wonderful work. The dialogue is enthralling and the intimate sighs of this fictitious priest are mesmerising. Love people simply and thoroughly - that’s all this poor priest could do, yet it is in doing this that Christ is most thoroughly communicated.
ellauri164.html on line 451: The film depicts the nuclear arms race that took place between all sides in the World War II and the beginning of the Cold War. The first part centers on the war years, dealing with the Manhattan Project and the American effort to beat the Germans to the bomb, as well as with Stalin's decision that the USSR must have its own atomic project. The second part displays the Soviet post-war nuclear program. The plot deals mainly with the personal dilemmas facing all the scientists who worked on the atomic weapons. Booooring.
ellauri164.html on line 453: The producers faced a technical difficulty in a scene which contained a nuclear explosion. After several experiments, the special effects coordinator Samir Jaber - a Syrian citizen who worked for Mosfilm - decided to create the required sequence by trickling a drop of orange-tinted perfume into a watery solution of aniline and filming it close up. Haha wimps!
ellauri164.html on line 458: Between 1934 and 1938, he worked with Strassmann and Meitner on the study of isotopes created through the neutron bombardment of uranium and thorium, which led to the discovery of nuclear fission. He was an opponent of national socialism and the persecution of Jews by the Nazi Party that caused the removal of many of his colleagues, including Meitner, who was forced to flee Germany in 1938.
ellauri164.html on line 459: During World War II, he worked on the German nuclear weapons program, cataloguing the fission products of uranium. As a consequence, at the end of the war he was arrested by the Allied forces; he was incarcerated in Farm Hall with nine other German scientists, from July 1945 to January 1946.
ellauri164.html on line 497: The above is only a brief sketch of Moses’ life and does not talk about his interactions with God, the manner in which he led the people, some of the specific ways in which he foreshadowed Jesus Christ, his centrality to the Jewish faith, his appearance at Jesus’ transfiguration, and other details. But it does give us some framework of the man. He is somewhat recalcitrant, to put it mildly.
ellauri164.html on line 508: As mentioned earlier, we also know that Moses’ life was typological of the life of Christ. Like Christ, Moses was the mediator of a covenant. Christ too was a little recalcitrant, so he got crucified. Again, the author of Hebrews goes to great lengths to demonstrate this point (cf. Hebrews 3; 8—10). The Apostle Paul also makes the same points in 2 Corinthians 3. The difference is that the covenant that Moses mediated was temporal and conditional, whereas the covenant that Christ mediates is eternal and unconditional. Like Christ, Moses provided redemption for his people. Moses delivered the people of Israel out of slavery and bondage in Egypt and brought them to the Promised Land of Canaan. Christ delivers His people out of bondage and slavery to sin and condemnation and brings them to the Promised Land of eternal life on a renewed earth, like Azrael in the forthcoming third season of His Dark Materials. Like Christ he returns to consummate the kingdom He inaugurated at His first coming. Like Christ, Moses was a prophet to his people. Moses spoke the very words of God to the Israelites just as Christ did (John 17:8). Moses predicted that the Lord would raise up another prophet like him from among the people (Deuteronomy 18:15). Jesus and the early church taught and believed that Moses was speaking of Jesus when he wrote those words (cf. John 5:46, Acts 3:22, 7:37). In so many ways, Moses’ life is a precursor to the life of Christ. As such, we can catch a glimpse of how God was working His plan of redemption in the lives of faithful people throughout human history. This gives us hope that, just as God saved His people and gave them rest through the actions of Moses, so, too, will God save us and give us an eternal Sabbath rest in Christ, both now and in the life to come. But don't get your hopes too high, you may not be among the chosen after all.
ellauri164.html on line 643: Moses had always done exactly as God commanded – UNTIL NOW. Moses was devastated when God pronounced his judgment (Numbers 20:12). He had obeyed God’s call to go to Egypt to free the Israelites from bondage. God had worked mighty miracles through him.
ellauri164.html on line 658: And so it is today. The Law and good works cannot take anyone to heaven. Only faith in the finished work and shed blood of Jesus can take you there.
ellauri164.html on line 869: First, it is important to note that a pattern is established in the story of Israel and Moses. This pattern can be seen at Mt. Sinai when Aaron and Israel create the golden calf idol (Exodus 32). Israel sins, and in response to that the Lord tells Moses to step aside so that He may destroy Israel in His wrath (Exodus 32:9-10). When this occurs, Moses intercedes for Israel and pleads for God to turn away His fierce anger for His own sake (Exodus 32:11-14). This intercession works, and Israel is spared utter destruction. This pattern of sin, wrath, intercession, and relenting occurs twice more in the Book of Numbers: once in Number 14 when Israel rebels and refuses to go into the Promised Land, and again in Numbers 16 when Korah leads his rebellion against Moses and Aaron (the major difference in Numbers 16 being that Aaron is the one to intervene by offering incense for atonement to the Lord).
ellauri164.html on line 881: The second mention is in Deuteronomy 3:23-26, where after retelling the defeats of the kings Sihon and Og Moses relates that “I also pleaded with the Lord at that time, saying, ‘O Lord God, You have begun to show Your servant Your greatness and Your strong hand; for what god is there in heaven or on earth who can do such works and mighty acts as Yours? Let me, I pray, cross over and see the fair land that is beyond the Jordan, that good hill country and Lebanon.’ But the Lord was angry with me on your account, and would not listen to me; and the Lord said to me, ‘Enough! Speak to Me no more of this matter.” Again, Moses directly links the Lord’s anger towards him with the Israelites.
ellauri164.html on line 947: “Then I pleaded with the Lord at that time, saying: 24 'O Lord God, You have begun to show Your servant Your greatness and Your mighty hand, for what god is there in heaven or on earth who can do anything like Your works and Your mighty deeds? 25 I pray, let me cross over and see the good land beyond the Jordan, those pleasant mountains, and Lebanon.' 26 "But the Lord was angry with me on your account, and would not listen to me. So the Lord said to me: 'Enough of that! Speak no more to Me of this matter. 27 Go up to the top of Pisgah, and lift your eyes toward the west, the north, the south, and the east; behold it with your eyes, for you shall not cross over this Jordan.” (Deut. 3:23-27)
ellauri164.html on line 963: But wait. Didn’t we already learn a similar story back in Exodus? In fact, the first story of thirst came very soon after the crossing at the Sea of Reeds (Shemot 17:4). Since that was at the very beginning of the sojourn in the wilderness, before the events that led to God’s decision to delay the Israelites’ entry to the Land—and this story is at the end of the forty years—we can see the two stories as forming a kind of a framework around the whole saga of the wandering. In the first story, the Israelites were the first generation of those who left Egypt. In this story, they are the children and grandchildren of that generation. When we see this kind of framework, we look for the similarities and differences between the bracketing stories. At the same time, we understand that they suggest a theme for the stories between them.
ellauri164.html on line 973: In this very short story we see a second framework: the phrase “before the eyes” emphasizes both the importance of what the Israelites witness, and the logical nature of Moses’s punishment. Why is it so important that Moses speak “before the eyes of the Israelites”? To answer that, we need to recall their past.
ellauri171.html on line 217: His father, Marcel Théodore Tissot, was not a watchmaker but a successful drapery merchant. He took part in losing the war of 1870 and in the Paris Commune. In 1885, Tissot had a revival of his Catholic faith, which led him to spend the rest of his life making paintings about Biblical events. Many of his artist friends were skeptical about his conversion, as it conveniently coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic. They brought Tissot vast wealth and fame. Tissot spent the last years of his life in his chateau working on paintings of subjects from the Old Testament. Although he never completed the series, he exhibited 80 of these paintings in Paris in 1901 and engravings after them were published in 1904. In the first half of the 20th century, there was a re-kindling of interest in his portraits of fashionable ladies and some fifty years later, these were achieving record prices.
ellauri171.html on line 416: they were hard-working
ellauri171.html on line 423: This meant a good survival rate for their children. But too many foreign workers can pose a threat. Pharaoh certainly thought so. ‘The Egyptians came to dread the Israelites.’ (Exodus 1:12)
ellauri171.html on line 424: The problem was made worse by the fact that the Israelites occupied border territory. If there was an invasion, they might defect to the enemy. This could mean the collapse of the Egyptian Empire. Just like the Ukrainians. So off with them. Wait! Pharaoh did not want to eject them from Egypt – they were too valuable as workers. So he sought to control their numbers by forced labour and by child slaughter. Hmm. Mitähän opetuxia tästäkin tarinasta voisi ottaa?
ellauri171.html on line 426: He told the midwives that every male baby must be killed as soon as it was born. He knew that in Jewish families, women did all the work and the men just sat in jeshivas and thumbed the holy books. So off with them!
ellauri171.html on line 427: This plan was thwarted by the Hebrew midwives, including Shiprah and Puah. So Pharaoh ordered instead that every newborn Israelite boy was to be hurled into the Nile waters and left to drown. This solution worked. Except for Moses.
ellauri171.html on line 711: ‘She put her hand to the tent peg and her right hand to the workmen’s mallet;
ellauri171.html on line 772: The lesson: God always wins. That's a pretty simplistic way of saying it, but it's true nonetheless. Even when people like Athaliah try to stomp out an entire family and put an end to God's plan for redemption, when people like the priests of Baal lead others to worship idols instead of the true God, God will always triumph in the end. The negative forces of our culture make us wonder where we're headed as a people. Many of our leaders show little integrity or morality, and dishonesty is overlooked in the workplace. Kindness is often the exception rather than the rule. But don't despair. This is not a battle God plans to lose. In the end, he will prevail! You just wight Enry Jiggins!
ellauri171.html on line 788: The poverty of some is caused by unwise financial decisions or by refusing to work. The Bible says, “He who has a slack hand becomes poor” (Proverbs 10:4). Christians are always admonished to work and earn their keep. As the apostle Paul wrote to the Thessalonians, “We urge you, brethren, that you… work with your own hands… that you may walk properly toward those who are outside, and that you may lack nothing” (1 Thessalonians 4:10-12). One who is lazy and will not work is not showing Christian behavior. God does not like a talent to get buried, it must be invested so as to yield compound interest. That is the proper way to fill the earth. The righteous will prosper and get a lot of sheep.
ellauri171.html on line 926: Competing and even mutually incompatible theories for the ultimate cause of the Late Bronze Age collapse have been made since the 19th century. These include volcanic eruptions, droughts, invasions by the Sea Peoples or migrations of Dorians, economic disruptions due to the rising use of ironworking, and changes in military technology and methods of war that saw the decline of chariot warfare. Following the collapse, gradual changes in metallurgic technology led to the subsequent Iron Age across Eurasia and Africa during the 1st millennium BCE.
ellauri171.html on line 1009: The medieval commentators differ on whether Jezebel converted to Judaism in a halachically acceptable manner. R. Levi ben Gershom (Ralbag, 1288-1344) is of the view that Jezebel did not fully embrace Judaism and was not a halachic Jewess. This would mean that her two sons, Ahazia and Jehoram, also lacked Jewish credentials. But his assumption is challenged by the fact that there are indications throughout rabbinic works that Ahazia and Jehoram were regarded as bona-fide halachic Jews. Indeed, this is the position taken by a number of halachic authorities. Some contemporary authors argue instead that Jehoram was the son of another of Ahab’s 100% Jewish wives.
ellauri180.html on line 224: Literary assaults such as these have served to fuel the debates and even a Medline® search today reveals that in the last year alone, 155 reviews or letters have been published arguing for or against routine circumcision. However, studying the evolution of the medical indications provides us with a pleasing demonstration of how controversy drives scientific enquiry. We have already described how the surgeons of 100 years ago advocated circumcision for a wide variety of conditions, such as impotence, nocturnal enuresis, sterility, excess masturbation, night terrors, epilepsy, etc. There can be no doubt that a large element of surgical self-interest drove these claims. However, most of the contemporary textbooks also included epithelioma (carcinoma) of the penis amidst the morass of complications of phimosis. Although rare, once this observation had been made, it presumably filtered down through the textbooks by rote, rather than scientific study. A few reports had appeared in the early 20th century indicating that carcinoma of the penis was rare in circumcised men, but not until the debate over neonatal circumcision erupted in the medical press in the 1930s that this surgical `mantra' was put to the test. In 1932, the editor of the Lancet challenged Abraham Wolbarst, a New York urologist, to prove his contention (in a previous Lancet editorial), that circumcision prevented penile carcinoma. Wolbarst responded by surveying every skin, cancer and Jewish hospital in the USA, along with 1250 of the largest general hospitals throughout the Union. With this survey, he was able to show that penile cancer virtually never occurred in circumcised men and that the risk related to the timing of the circumcision. Over the years this association has been reaffirmed by many research workers, although general hygiene, demographic and other factors such as human papilloma virus and smoking status are probably just as important. However, Wolbarst established that association through formal scientific enquiry and proponents of the procedure continue to use this as a compelling argument for circumcision at birth.
ellauri180.html on line 256: I accidentally stumbled upon what works for me...
ellauri181.html on line 218: Schwartz’ work also examines relationships between different values in more detail, which is useful for a richer analysis of how values affect behaviour and attitudes, as well as the interesz that they express. Although the theory distinguishes ten values, the borders between the motivators are artificial and one value flows into the next, which can be seen by the following shared motivational emphases:
ellauri181.html on line 378: If the same traits were evaluated on an ipsative measure, respondents would be forced to choose between the two, i.e. a respondent would see the item "Which of these do you agree with more strongly? a) I like parties. b) I keep my work space neat and tidy."
ellauri182.html on line 69: Yoshimoto keeps her personal life guarded and reveals little about her certified husband, Hiroyoshi Tahata, or son (born in 2003). The certified husband has also taken up rolfing. Each day she takes half an hour to sit at her computer, and she says, "I tend to feel guilty because I write these stories almost for fun." After work she goes out rolfing with her husband.
ellauri182.html on line 92: Nori (“NOUGH-ree”) works with Mikage and Kuri at the cooking school. Mikage describes her as a “proper young lady,” which means that she is attractive, tastefully dressed, and well-mannered.
ellauri182.html on line 115: Some reviewers thought Kitchen was superficial in style and substance, and overly sentimental. Todd Grimson in the Los Angeles Times Book Review wrote that, ‘“Kitchen’ is light as an invisible pancake, charming and forgettable ... The release of information to the reader seems unskilled, or immature, weak in narrative or plot.” Elizabeth Hanson of the New York Times Book Review took issue with the overall effect of the book, writing that “the endearing characters and amusing scenes in Ms. Yoshimoto’s work do not compensate for frequent bouts of sentimentality.” Hanson added that the book’s main appeal for English-language readers “lies in its portrayal of the lives of young Japanese who are more into food and death than sex. EAT! KILL! but do not FUCK!".
ellauri182.html on line 193: The goal of the Shin path, or at least the practicer's present life, is the attainment of shinjin in the Other Power of Amida. Shinjin is sometimes translated as "faith", but this does not capture the nuances of the term and it is more often simply left untranslated.[8] The receipt of shinjin comes about through the renunciation of self-effort in attaining enlightenment through tariki. Shinjin arises from jinen (自然 naturalness, spontaneous working of the Vow) and cannot be achieved solely through conscious effort. One is letting go of conscious effort in a sense, and simply trusting Amida Buddha, and the nembutsu.
ellauri182.html on line 195: For Jōdo Shinshū practitioners, shinjin develops over time through "deep hearing" (monpo) of Amitābha's call of the nembutsu. According to Shinran, "to hear" means "that sentient beings, having heard how the Buddha's Vow arose—its origin and fulfillment—are altogether free of doubt."[9] Jinen also describes the way of naturalness whereby Amitābha's infinite light illumines and transforms the deeply rooted karmic evil of countless rebirths into good karma. It is of note that such evil karma is not destroyed but rather transformed: Shin stays within the Mahayana tradition's understanding of śūnyatā and understands that samsara and nirvana are not separate. Once the practitioner's mind is united with Amitābha and Buddha-nature gifted to the practitioner through shinjin, the practitioner attains the state of non-retrogression, whereupon after his death it is claimed he will achieve instantaneous and effortless enlightenment. He will then return to the world as a Bodhisattva, that he may work towards the salvation of all beings.
ellauri183.html on line 94: However, in a letter to his daughter a week after that dinner of reconciliation, Malamud voiced his true feelings: Roth, he said, had written a “foolish egoistic essay about my work” and had “certainly misinterpreted” “The Assistant.” The letter was not made public until 2006, some 20 years after Malamud’s death.
ellauri183.html on line 108: Malamud's work is infused with a baleful but robust humor, and the son says his father "has a Swiftian streak in him" which leads to the "kind of acerbic, satirical quality" apparent in "God's Grace."
ellauri183.html on line 162: Kierkegaard predicted that his 1843 work Fear and Trembling would be translated into many different languages, and would secure iz author's place in history. He was right. But Fear and Trembling has also led to an enduring caricature of Kierkegaard as advocating a dangerously irrational and individualistic form of religious faith.
ellauri183.html on line 287: Conservative former work and pensions secretary Stephen Crabb intervened to describe her comparison as 'historically wrong, factually wrong and morally wrong', and added that it did 'a huge disservice not just to the people of Ukraine but also to the people of Palestine and the people of Israel as well as to all the people in the west, who face a unique situation and set of challenges'.
ellauri183.html on line 329: Early research in linguistic formal semantics used Partee's system to achieve a wealth of empirical and conceptual results. Later work by Irene Heim, Angelika Kratzer, Tanya Reinhart, Robert May and others built on Partee's work to further reconcile it with the generative approach to syntax. The resulting framework is known as the Heim and Kratzer system, after the authors of the textbook Semantics in Generative Grammar which first codified and popularized it. The Heim and Kratzer system differs from earlier approaches in that it incorporates a level of syntactic representation called logical form which undergoes semantic interpretation. Thus, this system often includes syntactic representations and operations which were introduced by translation rules in Montague's system. However, work by others such as Gerald Gazdar proposed models of the syntax-semantics interface which stayed closer to Montague's, providing a system of interpretation in which denotations could be computed on the basis of surface structures. These approaches live on in frameworks such as categorial grammar and combinatory categorial grammar.
ellauri184.html on line 46: After graduating in 1943, Mailer married his first wife Beatrice "Bea" Silverman in January 1944, just before being drafted into the U.S. Army. Hoping to gain a deferment from service, Mailer argued that he was writing an "important literary work" which pertained to the war. This deferral was denied, and Mailer was forced to enter the Army. After training at Fort Bragg, Mailer was stationed in the Philippines with the 112th Cavalry. Merihevosilla varmaan mentiin.
ellauri184.html on line 60: Morales moved in with Mailer during 1951 into an apartment on First Avenue near Second Street in the East Village, and they married in 1954. They had two daughters, Danielle and Elizabeth. After attending a party on Saturday, November 19, 1960, Mailer stabbed Adele twice with a two-and-a-half inch blade that he used to clean his nails, nearly killing her by puncturing her pericardium. He stabbed her once in the chest and once in the back. Adele required emergency surgery but made a quick recovery. Mailer claimed he had stabbed Adele "to relieve her of cancer". He was involuntarily committed to Bellevue Hospital for 17 days. While Adele did not press charges, saying she wanted to protect their daughters, Mailer later pleaded guilty to a reduced charge of assault saying, "I feel I did a lousy, dirty, cowardly thing", and received a suspended sentence of three years' probation. In 1962, the two divorced. In 1997, Adele published a memoir of their marriage entitled The Last Party, which recounted her husband stabbing her at a party and the aftermath. This incident has been a focal point for feminist critics of Mailer, who point to themes of sexual violence in his work.
ellauri184.html on line 68: His sixth and last wife, whom he married in 1980, was Norris Church Mailer (born Barbara Jean Davis, 1949–2010), an art teacher. Why did she have to use a pseudonym as well? Apparently she was not a kike. They had one son together, John Buffalo Mailer, a writer and actor. Mailer raised and infernally adopted Matthew Norris, Church's son by her first husband, Larry Norris. Living in Brooklyn, New York and Provincetown, Massachusetts with Mailer, Church worked as a model, wrote and painted.
ellauri184.html on line 72: Bodily urges are fundamental to Mailer's approach to novels and short works. According to his obituary in The Independent, his "relentless machismo seemed out of place in a man who was actually quite small – though perhaps that was where the aggression originated." For Mailer, African-American men reflected a challenge to his own notions of masculinity. His pecker was not much bigger than those of Hemingway and Scott Fitzgerald, about the size of his pen knife. Like many men with a tiny penis he sought comfort with men and women equally. Throughout his work and personal communications, Nuchem repeatedly expresses interest in, includes episodes of or makes references to, bisexuality or homosexuality.
ellauri184.html on line 76: Barbary Shore (1951) was not well received by the critics. It was a surreal parable of Cold War leftist politics set in a Brooklyn rooming-house, and Mailer's most autobiographical novel. His 1955 novel, The Deer Park drew on his experiences working as a screenwriter in Hollywood from 1949 to 1950. It was initially rejected by seven publishers due to its purportedly sexual content before being published by Putnam's. It was not a critical success, but it made the best-seller list, sold over 50,000 copies its first year, and is considered by some critics to be the best Hollywood novel since Nathanael West's The Day of the Locust.
ellauri184.html on line 82: In 1972, Joyce Carol Oates called Vietnam "Mailer's most important work"; it's "an outrageous little masterpiece" that "contains some of Mailer's finest writing" and thematically echoes John Milton's Paradise Lost.
ellauri184.html on line 86: Mailer spent a longer time writing Ancient Evenings, his novel of Egypt in the Twentieth Dynasty (about 1100 BC), than any of his other books. He worked on it for periods from 1972 until 1983. It was also a bestseller, although reviews were generally negative. Harold Bloom, in his review said the book "gives every sign of truncation", and "could be half again as long, but no reader will wish so", while Richard Poirier called it Mailer's "most audacious book".
ellauri184.html on line 92: Critical response to Mailer's Jesus novel was mixed. Jack Miles, writing for Commonweal, found the book "a quiet, sweet, almost wan little book, a kindly offering from a New York Jew to his wife's Bible Belt family." He noted that there was "something undeniably impressive about the restraint" of the style that Mailer undertook in composing the novel. He concluded that the novel was neither one of Mailer's best works, nor would it stand out amongst the bibliography of books inspired by the life of Christ, but that it had received unfairly harsh reviews from other critics.
ellauri184.html on line 95: Notorious philanderer," "egomaniac," "pugnacious" and "pompous" are a few of the milder epitaphs that have been used to describe controversial and larger-than-life (inevitably) Norman Mailer. His New York Times obituary was even titled, "Norman Mailer, Towering Writer With Matching Ego, Dies at 84." Known in the literary world as one of the greatest writers of the twentieth century, Mailer won two Pulitzer Prizes in literature and one National Book Award. He is credited with having pioneered creative nonfiction as a genre, also called New Journalism. During his life he became as famous for his relationships with women as he did for his literary work. He was married six times and fathered eight children. Here is a brief look at some the six wives of Norman Mailer.
ellauri184.html on line 155: Jooseppi luuli ezynneistä selviää by working hard enough. Väärin! Se on juutalaisten harhaluuloja. Jeshua antaa ilmaisexi, ei tarvi tehdä ize mitään muuta kuin pyytää kuittia.
ellauri184.html on line 239: This may at first blush sound like interesting background material that is not especially helpful for reading and interpreting the gospels. But Mark and Matthew have structured their narratives around a geographical framework dividing the north and the south, culminating in the confrontation of this prophet from Galilee and the religious establishment of Jerusalem.
ellauri184.html on line 265: Thanks in large part to Jesus-movies and swords-and-sandals cinematic epics (e.g., Ben-Hur, Masada, Spartacus, Life of Brian), there is a widespread perception that distinctively Woman soldiers infested Palestine during the life of Jesus – often signaled in such films by highbwow Bwitish accents in contrast with the unpretentious American dialect spoken by Jews. As deeply engrained as this image is in the popular consciousness, it is not entirely accurate. There were several different types of soldiers in the Woman East during the New Testament period and the differences between these soldiers were significant; the languages they spoke, the government they worked for, their relationship to the civilians they encountered, their pay, and many other specifics differed considerably.
ellauri184.html on line 275: The ethnic nature of these units led Wome to create many “specialist” cohorts (e.g., dromedary, archery, sling) that worked with combat methods familiar to one or another ethnic group. Though auxiliaries often served in major imperial provinces alongside legionawies, they also served in minor provinces as well. Thus, provinces and regions with a governor of Equestrian status (e.g., Raetia, Noricum, pre-War Judaea) had no legions, but only auxiliaries. Until about 70 CE, many auxiliary soldiers were stationed in their home province; Judaeans were in Judaea, Syrians in Syria, etc. In addition to the Jewish War (66-73 CE), problems with soldiers’ divided loyalties with the Revolt of the Batavi in Germania Inferior (69-70 CE) and the Year of the Four Empewows (68-69 CE) led empewows to actively undermine any remaining ethnic homogeneity in the auxilia, stationing soldiers outside their homeland in increasingly diverse units. Finally, auxiliaries were paid less than legionawies and did not receive all the bonuses granted to legionawies if they were successful in the same battle.
ellauri184.html on line 320: There are six main arguments against the assumption that Jesus was endorsing homosexual relations in his encounter with the centurion at Capernaum. Individually, they are strong arguments. Collectively they work like a condom, make an airtight case against a pro-homosex reading. Here they are:
ellauri184.html on line 518: The Book of Genesis explains circumcision as a covenant with God given to Abraham,[Gen 17:10] In Judaism it "symbolizes the promise of lineage and fruitfulness of a great (???) nation," the "seal of ownership (???) and the guarantee of relationship between peoples and their god." Some scholars look elsewhere for the origin of Jewish circumcision. One explanation, dating from Herodotus, is that the custom was acquired from the Egyptians, possibly during the period of enslavement. An additional hypothesis, based on linguistic/ethnographic work begun in the 19th century, suggests circumcision was a common tribal custom among Semitic tribes (Jews, Arabs, and Phoenicians).
ellauri184.html on line 532: However, there were also many Jews, known as "Hellenizers", who viewed Hellenization and social integration of the Jewish people in the Greco-Roman world favourably, and pursued a completely different approach: accepting the Emperor´s decree and even making efforts to restore their foreskins to better assimilate into Hellenistic society. The latter approach was common during the reign of Antiochus, and again under Roman rule. The foreskin was restored by one of two methods, that were later revived in the late 20th century; both were described in detail by the Greek physician Aulus Cornelius Celsus in his comprehensive encyclopedic work De Medicina, written during the reign of Tiberius (14-37 CE). The surgical method involved freeing the skin covering the penis by dissection, and then pulling it forward over the glans; he also described a simpler surgical technique used on men whose prepuce is naturally insufficient to cover their glans. The second approach, known as "epispasm", was non-surgical: a restoration device which consisted of a special weight made of bronze, copper, or leather (sometimes called Pondus Judaeus, i. e. "Jewish burden"), was affixed to the penis, pulling its skin downward. Over time, a new foreskin was generated, or a short prepuce was lengthened, by means of tissue expansion. Martial also mentioned the instrument in Epigrammaton (Book 7:35).
ellauri184.html on line 783: Jesus having sex with Mary Magdalene in the whorehouse without the blessing of marriage. The demon asking Jesus to use a sheep for sexual release. An angel posing as a beggar during the Annunciation scene. The same beggar-angel walking with Mary to Bethlehem provoking jealousy to the doubting Joseph. Three shepherds instead of 3 kings visiting the family in the Bethlehem. Joseph crucified and dying on the cross mistaken as a zealot. Jesus seeing God in the desert. Jesus riding on the boat with the God and the Devil. These are some of the shocking deviations from the story that Saramago imagined and incorporated to come up with an “irreverent, profound, skeptical, funny, heretical, deeply philosophical, provocative and compelling work.” (Source: Harold Robbin who says that this is his favorite work of Saramago. So far, I agree).
ellauri184.html on line 785: This is a bold fearless work and definitely not for the faint of heart. I am not surprised that when this was originally published in 1991, it created lots of controversies with the Catholic Church condemning Jose Saramago for harboring anti-religious vision and his own Portuguese government asking the European Literary Prize to remove this from its shortlist because of the book’s offensive content to religion. Despite this book’s existence, Saramago won the 1998 Nobel Prize for Literature.
ellauri185.html on line 73: King Hiram I of Tyre allied himself with David and Solomon in 2 Samuel, 1 Kings and 1 Chronicles. Hiram provided architects, workmen, cedar wood, and gold to build Solomon's Temple in Jerusalem.
ellauri185.html on line 396: While atheists Richard Dawkins and Victor J. Stenger have criticised Davies' public stance on science and religion, others, including the John Templeton Foundation, have praised his work. The John Templeton Foundation is a philanthropic organization that reflects the ideas of its founder, John Templeton, who became wealthy via a career as a contrarian investor, and wanted to support progress in religious and spiritual knowledge, especially at the intersection of religion and science.
ellauri185.html on line 707: Heigh ho, off to work we go. To dig dig dig dig dig dig dig is what we really like to do
ellauri185.html on line 834: One passage that offers some insight regarding birth defects can be found in John 9:2-3: "And his disciples asked him, 'Rabbi, who sinned, this man or his parents, that he was born blind?' Jesus answered, 'It was not that this man sinned, or his parents, but that the works of God might be displayed in him.'" It is clear from these words of Jesus that birth defects are ultimately not due to the sin of the parents or child, but serve as part of God's plan for our lives. If not for the defective person as such, then at least for the greater common good. Defective persons are prohibited from entering the holiest of the holy.
ellauri188.html on line 92: There does not appear to be any big success stories of missionary work in the Marquesas Islands. The first missionaries to arrive in the Marquesas from 1797, coming from England via Tahiti, were William Pascoe Crook (1775-1846) and John Harris (1754-1819) of the London Missionary Society. Harris could not endure the conditions at all and returned to Tahiti only a few months later. A contemporary report says that he was picked up on the beach, utterly desperate, naked and looted. Crook remained until 1799.
ellauri188.html on line 140: I will venture to say that in ten years Tahiti, picturesque and romantic for so long a time, will have lost its charm because of the presence of hordes of low-caste Chinese and half-bloods. However unattractive this may be from the standpoint of the tourist and sentimentalist, there is no contradicting the fact that they will make these islands a thousand times more productive than would the pure-blooded native, and their skill and habits of application will undoubtedly extend to the preservation of the breadfruit. The Chinese and half-blood Chinese are on all the Marquesan islands which are inhabited, and it will be to their financial interest as well as to the interest of their personal food supply, to preserve the breadfruit there as well as in the Societies. It is notable that the cocoanut and banana plantations and papaye (papaw) groves in Typee at the time of my visit, were either owned or worked by Chinese or half-bloods (Chinese + Tahitian or Chinese + Marquesan).
ellauri188.html on line 142: Referring to the last paragraph in Mr. Wester's communication-It would appear that if one is dependent, as was the writer, upon trading schooners to get from Tahiti to the Marquesas, then amongst these islands and return to Tahiti, his program for work in these two groups would take more than a year and his estimate of expense might, in consequence, be exceeded. Sometimes one is obliged to wait from one month to three to get the opportunity to move from one island in the Marquesas to another forty or fifty or eighty miles away, so rare and uncertain are the visits of these schooners. Further, in the absence of any regular means of communication, one has to seize any chance opportunity of transportation or run the risk of being marooned for a long period. On the other hand, if a schooner were chartered, which is the best possible way of visiting and working among the South Sea Islands, schooner, captain, crew and provisions would cost about $1,000 per month (this figure was obtained from an authoritative source) and a year on shipboard might not be needed. Under such conditions Mr. Wester's calculation of $8,500 for a year's work in the Marquesas and Societies may not be far out of the way.
ellauri188.html on line 426: Lucas's career also includes voice-over work (or voice acting) as Dog with Breathe Bible. Lucas is also an owner and promoter of the company Filthy Dog Food.
ellauri189.html on line 70: Antoni Malczewski (3 June 1793 – 2 May 1826) was a Polish romantic poet, known for his only work, "a narrative poem of dire pessimism", Maria (1825).
ellauri189.html on line 81: It is generally held to be most influenced by Lord Byron, whom Malczewski had met in Venice during his travels around western Europe, though it is considerably more gloomy and Gothic than Byron's work. Malczewski is sometimes considered part of the "Ukrainian school" in Polish poetry, though others consider his work to stand uniquely separate. Maria was also influential on later Polish poets, especially Adam Mickiewicz, and on writer Joseph Conrad, although he was not a romantic as such. Well, some of his stuff is pretty gooey, like Nostromo, the Panamanian guy.
ellauri189.html on line 258: Aga rated it it was ok Mar 22, I love all the motifs, the atmosphere and the time period. Fascinated by Byron, Malczewski used complicated narration, an odd sequence of events, blanks, ambiguities and puzzles in his work.
ellauri189.html on line 456: We promise to serve you with outstanding customer servicio. Not sure how to use a product? Havo a question or suggestion? Please contact our customer Care Tom. Your trust is very important to us, at least we promise to work hard to maintain it.
ellauri189.html on line 520: The compensation is straightforward and clear on how affiliates can expect to earn commissions working with the company.
ellauri189.html on line 532: Seacret is a genuine MLM company that sells products that are of acceptable quality, but there is not much money to be made working as a Seacret agent. This is because the MLM business model of the company allows only those that have attained the highest ranks of the company to make significant earnings while the rest of the members struggle to recruit new members and meet the strict requirements with little rewards. As a result, I would ask you to think long and hard before joining the company. I hope this review has been helpful. Best of luck!
ellauri189.html on line 568: In a Ponzi scheme, a con artist offers investments that promise very high returns with little or no risk to his victims. The returns are said to originate from a business or a secret idea run by the con artist. In reality, the business does not exist or the idea does not work. The con artist actually pays the high returns promised to his earlier investors by using the money obtained from later investors. In other words, instead of engaging in a legitimate business activity, the con artist attempts to attract new investors in order to make the payments that were promised to earlier investors. The operator of the scheme also diverts his clients' funds for his personal use.
ellauri191.html on line 112: "the greatest living master of the art of historical writing, with special reference to his monumental work A History of Rome"
ellauri191.html on line 146: "in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a Provençal philologist"
ellauri191.html on line 178: "in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a Provençal philologist"
ellauri191.html on line 227: "in recognition of his earnest search for truth, his penetrating power of thought, his wide range of vision, and the warmth and strength in presentation with which in his numerous works he has vindicated and developed an idealistic philosophy of life"
ellauri191.html on line 276: "in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers' own feelings and stimulate their imaginations"
ellauri191.html on line 427: "for his monumental work, Growth of the Soil"
ellauri191.html on line 510: "for his work which is marked by both idealism and humanity, its stimulating satire often being infused with a singular poetic beauty"
ellauri191.html on line 577: "principally for his great novel, Buddenbrooks, which has won steadily increased recognition as one of the classic works of contemporary literature"
ellauri191.html on line 684: "for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy"
ellauri191.html on line 1109: "for his work, which rich in ideas and filled with the spirit of freedom and the quest for truth, has exerted a far-reaching influence on our age"
ellauri191.html on line 1349: "for the human understanding and subtle analysis of contemporary culture that are combined in his work"
ellauri191.html on line 1551: "who, through works rich in nuance – now clear-sightedly realistic, now evocatively ambiguous – has formed an Arabian narrative art that applies to all mankind"
ellauri191.html on line 1665: "for works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past"
ellauri191.html on line 1763: "for having united perceptive narrative and incorruptible scrutiny in works that compel us to see the presence of suppressed histories"
ellauri191.html on line 2059: "for an influential work that with linguistic ingenuity has explored the periphery and the specificity of human experience"
ellauri191.html on line 2145: From 1901 to 1912, the committee, headed by the conservative Carl David af Wirsén, weighed the literary quality of a work against its contribution towards humanity's struggle 'toward the ideal'. Leo Tolstoy, Henrik Ibsen, Émile Zola, and Mark Twain were rejected in favour of authors little read today. The choice of philosopher Rudolf Eucken as Nobel laureate in 1908 is widely considered to be one of the worst mistakes in the history of the Nobel Prize in Literature. The main candidates for the prize that year were poet Algernon Swinburne and author Selma Lagerlöf, but the Academy were divided between the candidates and, as a compromise, Eucken, representative of the Academy's interpretation of Nobel's "ideal direction", was launched as an alternative candidate that could be agreed upon. Solzhenitsyn did not accept the award and prize money until 10 December 1974, after he was deported from the Soviet Union. Swedish Academy member Artur Lundkvist had argued that the Nobel Prize in Literature should not become a political prize and questioned the artistic value of Solzhenitsyn's work. The award to Camilo José Cela was controversial as he had moved voluntarily from Madrid to Galicia during the Spanish Civil War in order to join Franco's rebel forces there as a volunteer.A member of the Swedish Academy, Knut Ahnlund, who had not played an important role in the Academy since 1996, protested against the choice of the 2004 laureate, Elfriede Jelinek; Ahnlund resigned, alleging that selecting Jelinek had caused "irreparable damage" to the reputation of the award.
ellauri192.html on line 77: Jakobson escaped from Prague in early March 1939 via Berlin for Denmark, where he was associated with Louis Hjelmslev's Copenhagen linguistic circle. He fled to Norway on 1 September 1939, and in 1940 walked across the border to Sweden, where he continued his work at the Karolinska Hospital (with works on footsores, aphasia and language competence). When Swedish colleagues feared a possible German occupation, he managed to leave on a cargo ship, together with Ernst Cassirer (the former rector of Hamburg University) to New York City in 1941 to become part of the wider community of intellectual émigrés who fled there.
ellauri192.html on line 95: phatic (: checking channel is working)
ellauri192.html on line 97: metalingual (: checking code is working)
ellauri192.html on line 100: Mikä on näiden paasausten funktio (tai funktiot)? Varmasti 3 etupäässä, mutta jonkin verran myös 2 ja 1. Sensijaan funktio 4 näyttää kokolailla puuttuvan. Listasta puuttuu funktio nummero 7: checking head is working.
ellauri192.html on line 113: The members of the Nobel jury were guided by the vague words written into the will of Alfred Nobel. The inventor stated that his prize “should go to the person who shall have produced in the field of Literature the most distinguished work of an idealistic tendency.” Wirsén believed that “idealistic tendency” meant of moral or good nature; however, as Burton Feldman reports, the mathematician Gösta "Ja ja de ä Gösta här" Mittag-Leffler, who was a friend of Nobel’s, attested that “the inventor intended ‘idealism’ to mean a skeptical, even satirical attitude to religion, royalty, marriage, and the social order in general.”
ellauri192.html on line 132: But Sully Prudhomme’s 1878 work, La Justice (Justice), is a bold poem indeed. Siinä on paljon optimismia ja idealismia, sydämen asiaa. Dyny-Alfred olisi ollut mielissään. Scientific truth and deeply felt art combine in Sully Prudhomme’s vision to come to the rescue of humankind. This idealism imbued with science is what drew the Nobel committee to award him their first literature prize. Parnassolaiset hurrasivat ja symbolistit jupisivat kateina..
ellauri192.html on line 257: Jaroslav Seifert was born in Zizkov, a suburb of Prague, Czechoslovakia (now the Czech Republic). Seifert was one of the pioneers of modernist poetry and literature in his native country. He also worked as a journalist and translator. The period after the World War II was a disappointment for Seifert, who had been hoping for a brighter and freer future. Instead the Communist government imposed a repressive policy in which poets were expected to write political propaganda. Seifert became involved in attempts at reforms with the increased freedom implemented in his native country, such as the Prague Spring of 1968 and the Charta 77 movement.
ellauri192.html on line 267: Even the specialist in modern literary history will be hard put to recall, let alone have any serious awareness of, such luminaries as Rudolf Eucken, a philosopher crowned in 1908; as the Danish novelist Henrik Pontoppidan (1917); or as Grazia Deledda, the Sardinian novelist who, in 1926, became one of the very few women to be chosen. And look how bad she was! Even where the recipients are illustrious, their work has repeatedly fallen outside normal definitions of literature. Eucken, Bergson, Bertrand Russell are philosophers. Theodor Mommsen, honored in 1902, was a great historian and epigrapher of ancient Rome, but hardly one whose prose has made the German language live. Churchill (1953) . . . was Churchill. He had a toilet in his gum shoe, with letter W.C written on it and paper in the tip.
ellauri192.html on line 285: Powys is fortunately dead by now, so he is out of the contest. Some sort of self-made philosopher, or rather a self-help man, who went on tours in the U.S. and got a following from the expatriates. These works were frequently bestsellers, especially in the United States, like "In Defence of Sensuality". BTW, Hardy is an gooey-romantic piece of shit as well.
ellauri192.html on line 301: 2014 also marked the release of Tokarczuk’s most ambitious work, “The Books of Jacob,” the novel that set off much of the rancor directed at her by Polish nationalists. The book, which has yet to appear in English, is centered on the historical figure of Jakub Frank, a Jewish-born 18th-century religious leader. Frank, believed to have been born with the name Jakub Leibowicz, oversaw a messianic sect that incorporated significant portions of Christian practice into Judaism; he led mass baptisms of his followers. As Ruth Franklin reported in a New Yorker profile this past summer, Tokarczuk spent almost a decade researching Frank and the Poland in which he lived. The result is a book that, by the account of those who have read it, delivers a picture of the many intricate and unpredictable ways in which the story of Poland is tied to the story of its Jews. “There’s no Polish culture without Jewish culture,” Tokarczuk told Franklin. What else is new, asks Isaac Singer. Tokarczuk is not a Jewess, Tokarczuk considers herself a disciple of Carl Jung and cites his psychology as an inspiration for her literary work.
ellauri192.html on line 303: The novel’s release shortly predated an escalation in Polish nationalism tied to the Law and Justice party’s ascent to power in 2015. But the forces that fueled that escalation were already prevalent. When Tokarczuk accepted the Nike Prize, the country’s highest literary honor, for “The Books of Jacob,” she said in a speech that the country had “committed horrendous acts as colonizers, as a national majority that suppressed the minority, as slaveowners, and as the murderers of Jews.” She was quickly inundated by threats so alarming that her publishers briefly hired bodyguards. In the five years since, she has witnessed the Law and Justice party take an increasingly hard line on censoring certain conversations about Poland’s relationship with Jews. In 2016, the government began a campaign against the Princeton historian Jan Gross, known for his groundbreaking work on the massacre at Jedwabne, in which Poles murdered 1,600 of their Jewish neighbors. In 2018, the Law and Justice party’s government made it illegal to blame Poland or Polish nationals for Nazi crimes. POLIN, a groundbreaking Polish museum of Jewish history, has been leader-less for five months, as its director, who oversaw a number of exhibits highly critical of Poland’s policy toward Jews, awaits official reappointment — despite having been re-approved for the job.
ellauri192.html on line 309: So on the one hand is Tokarczuk, a proponent of multiculturalism who has remained vocal despite facing profound antagonism for her stance — and grown more so since her first major encounter with that antagonism in 2014. And on the other is Handke, eulogizer of Milsoevic, who dictated the Bosnian genocide during the Balkan wars of the 1990s and died while on trial for war crimes against the Hague. He too has remained committed to his position; the “go to hell” of 2014, one of his last known public comments on the matter, speaks volumes. But has it worked? No here we are as before, giving hell to him.
ellauri192.html on line 345: "We have taken a number of measures to see that it isn't repeated this year," said Englund, who used to work in military intelligence. He declined to describe the measures. Military type intelligence is just what is called for in the job.
ellauri192.html on line 357: British warlord Winston Churchill missed out on the peace prize (LOL) despite two nominations, but his oratory and his works of historical scholarship earned him the literature prize in 1953 (double LOL).
ellauri192.html on line 637: In March 1929, he and six other writers left the KSČ after signing a manifesto protesting against Bolshevik Stalinist-influenced tendencies in the new leadership of the party. He subsequently worked as a journalist in the social-democratic and trade union press during the 1930s and 1940s.
ellauri192.html on line 645: Few Americans have ever heard of Jaroslav Seifert, whose poems are virtually unobtainable in the United States, but scholars who are acquainted with his work said yesterday that the Czech poet fully deserves the Nobel Prize awarded to him. Thogh an old commie, he is (or was) now staunchly on our side.
ellauri192.html on line 653: Professor Gibian, who was born in Prague, said that he has been translating some of the more recent Seifert poems for his own edification and pleasure. "They are a combination of the intimate lyrical tone of Czech poetry," he said, "heavily influenced by French Surrealism with much of the eroticism characteristic of Czechoslovak poetry in this century. His earlier poetry was sometimes melancholy but his recent work is conversational, very compassionate. He has written a cycle of poems about Prague. All this brings back my life and loves in Prague." All these Czechs are teaching Russian in the U.S., who would bother to learn Czech anyway?
ellauri192.html on line 657: "There were several monuments of Czech poetry, but he is (or was) the only surviving one," said Vera Blackwell, who has translated Czech literature, including the plays of Vaclav Havel, into English. "His work is not known world-wide," she said, "but it is known and deeply admired in his own country." Mrs. Blackwell added that Seifert's poetry is difficult to translate "because the sound of the language is intimately connected with the meaning."
ellauri192.html on line 659: Seifert's works are also difficult to locate, at least in this country. Ingram Book Company, for example, the large wholesaler in Nashville, Tenn., does not stock either of the two Seifert titles that have been translated into English, and no bookstores that were surveyed yesterday had even heard of them.
ellauri192.html on line 861: In the Soviet Union in 1927, a former Marshal of Nobility, Ippolit Matveyevich "Kisa" Vorobyaninov, works as the registrar of marriages and deaths in a sleepy provincial town. His mother-in-law reveals on her deathbed that her family jewry was hidden from the Bolsheviks in one of the twelve chairs from the family’s dining room set. Those chairs, along with all other personal property, were taken away by the Communists after the Russian Revolution. Vorobyaninov wants to find the treasure. The “smooth operator” and con-man Ostap Bender forces Kisa to become his partner, as they set out to find the chairs. Bender's street smarts and charm are invaluable to the reticent Kisa, and Bender comes to dominate the enterprise. Father Fyodor (who had known of the treasure from the confession of Vorobyaninov's mother-in-law), their obsessed rival in the hunt for the treasure, follows a bad lead, runs out of money, ends up trapped on a mountain-top, and loses his sanitary pad. Ostap remains unflappable, and his mastery of human nature eliminates all obstacles, but Vorobyaninov steadily deteriorates.
ellauri192.html on line 886: Ilya Ilf (Ilya Arnoldovich Feinsilberg) (Russian: Илья Арнольдович Файнзильберг, 1897-1937) and Yevgeny Petrov (Yevgeniy Petrovich Katayev or Russian: Евгений Петрович Катаев, 1902-1942) were two Ukrainian prose authors of the 1920s and 1930s.They did much of their writing together, and are almost always referred to as "Ilf and Petrov". Bet Ilf was Jewish. Ilya Arnoldovich Ilf (born Iehiel-Leyb Aryevich Faynzilberg, Russian: Иехи́ел-Лейб Арьевич Фа́йнзильберг[1]) (15 October [O.S. 3 October] 1897 in Odessa – 13 April 1937, Moscow), was a popular Soviet journalist and writer of Jewish origin who usually worked in collaboration with Yevgeni Petrov during the 1920s and 1930s. Their duo was known simply as Ilf and Petrov. Together they published two popular comedy novels The Twelve Chairs (1928) and The Little Golden Calf (1931), as well as a satirical book Odnoetazhnaya Amerika (often translated as Little Golden America) that documented their journey through the United States between 1935 and 1936.
ellauri192.html on line 890: One-storied America (Одноэтажная Америка) is a 1937 book based on a published travelogue across the United States by two Soviet authors, Ilf and Petrov. The book, divided into eleven chapters and in the uninhibited humorous style typical of Ilf and Petrov, paints a multi-faceted picture of the US. America´s entrepreneurial skills and economic achievements are praised, the oppression of the blacks, the life of the Indians in the reservations and the oppression of workers are denounced. The title of the book refers to their impression that the cities of America consist mainly of one- and two-story buildings, in complete contrast to the popular image of America as the land of skyscrapers. Based on this sentence:
ellauri192.html on line 900: This book should be noted as a very significant work. Americans and America would benefit greatly if they considered these observations. – Allentown Morning Call
ellauri194.html on line 289: Some post-Cold War millenarians still identify Gog with Russia, but they now tend to stress its allies among Islamic nations, especially Iran. For the most fervent, the countdown to Armageddon began with the return of the Jews to Israel, followed quickly by further signs pointing to the nearness of the final battle – nuclear weapons, European integration, Israel's reunification of Jerusalem in the Six Day War in 1967, and America's wars in Afghanistan and the Persian Gulf. According to an unconfirmed report, US President George W. Bush, in the prelude to the 2003 Invasion of Iraq, told French President Jacques Chirac, "Gog and Magog are at work in the Middle East." Bush is said to have continued, "This confrontation is willed by God, who wants to use this conflict to erase His people's enemies before a new age begins." Officials from the Bush Administration claim there is no record of this conversation and that making such references, "doesn't sound at all like Bush", and French officials on the call have similarly claimed to have not heard any such remarks.
ellauri194.html on line 302: Those behind the most recent Facebook networks could have been people in Mali who were genuinely supportive of Russia and anti-French, or else members of a “franchising operation using locals who know the slang, the vernacular”. The recent attackers of The University of Helsinki could have been pissed off Ukrainians students or else members of a franchising operation using Little Russian dropouts.
ellauri194.html on line 314: Sedgwick' died of breast cancer in 2009 aged 58,. She deploys erudite and playful readings of texts by Oscar Wilde, Henry James and Marcel Proust to interrogate assumptions about the stability of sexual identity and how language works to define a homo/heterosexual binary. She writes: "An understanding of virtually any aspect of modern western culture must be not merely incomplete but damaged in its central substance to the degree that it does not incorporate a critical analysis of modern homo/heterosexual definition."
ellauri194.html on line 485: I'd like to know myself, because despite the fact that I founded the only worldwide organization for game developers, helped put the Game Developers’ Conference (25,000 attendees annually) on its feet, worked on Madden NFL for six years for Electronic Arts, and wrote an introductory textbook on game design that has been translated into several languages, some anonymous random at Wikipedia has decided that I'm not “notable” enough because he personally has never heard of me, and wants to delete my page. Basically, you have to kiss the ass of the insiders if you don't want your content to be deleted. It's an oligarchy of the ignorant.
ellauri194.html on line 529: Banerjee or Bandyopadhyay is a surname of Brahmins originating from the Bengal region of the Indian subcontinent. Banerjees are from the ancient Shandilya Gotra, which means all Banerjees are descended from Kannauj from the ancient sage Shandilya as per the Puranas. Together with Mukherjees, Chatterjees, Bhattacharjees and Gangulys, Banerjees form the Kulin Brahmins. Indian (Bengal) and Bangladeshi: Hindu (Brahman) name, the first element of which, Ban-, is taken from Bandyopadhyay. The final element -jee is derived from jha (greatly reduced form of Sanskrit upadhyaya ‘teacher’); thus, Banerjee ‘teacher who is head and only performs the main work aarti or,Vandana. A Sanskrit version of this name, Vandyopadhyaya, was coined from the elements vandya ‘venerable’ + upadhyaya ‘teacher’. "
ellauri194.html on line 624:
  • Mirai Chatterjee – Indian social worker
    ellauri194.html on line 1043: (We are a Supply Chain consulting firm made up of principal partners and a broad-based network of highly skilled consultants with deep experience across all supply chain functional areas.)
    ellauri196.html on line 222: My working week and my Sunday rest, Mun työviikko ja viikonlopun lepo,
    ellauri196.html on line 622: Its fundamentally conservative "pure and simple" approach limited the AFL to matters pertaining to working conditions and rates of pay, relegating political goals to its allies in the political sphere. The Federation favored pursuit of workers' immediate demands rather than challenging the property rights of owners, and took a pragmatic view of politics which favored tactical support for particular politicians over formation of a party devoted to workers' interests. The AFL's leadership believed the expansion of the capitalist system was seen as the path to betterment of labor, an orientation making it possible for the AFL to present itself as what one historian has called "the conservative alternative to working class radicalism."
    ellauri196.html on line 624: However, in the 1900s (decade), the two parties began to realign, with the main faction of the Republican Party coming to identify with the interests of banks and manufacturers, while a substantial portion of the rival Democratic Party took a more labor-friendly position. While not precluding its members from belonging to the Socialist Party or working with its members, the AFL traditionally refused to pursue the tactic of independent political action by the workers in the form of the existing Socialist Party or the establishment of a new labor party. After 1908, the organization´s tie to the Democratic party grew increasingly strong.
    ellauri196.html on line 626: During World War I, the AFL—motivated by fear of government repression, and hope of aid (often in the form of pro-AFL labor policies)—had worked out an informal agreement with the United States government, in which the AFL would coordinate with the government both to support the war effort and to join "into an alliance to crush radical labor groups" such as the Industrial Workers of the World and Socialist Party of America.
    ellauri196.html on line 629: The major legislation was the National Labor Relations Act of 1935, called the Wagner Act. It greatly strengthened organized unions, especially by weakening the company unions that many workers belonged to. It was to the members advantage to transform a company union into a local of an AFL union, and thousands did so, dramatically boosting the membership.
    ellauri196.html on line 631: Lewis argued that the AFL was too heavily oriented toward traditional craftsmen, and was overlooking the opportunity to organize millions of semiskilled workers, especially those in industrial factories that made automobiles, rubber, glass and steel. In 1935 Lewis led the dissenting unions in forming a new Congress for Industrial Organization (CIO) within the AFL. Both the new CIO industrial unions, and the older AFL crafts unions grew rapidly after 1935. In 1936 union members enthusiastically supported Roosevelt's landslide reelection. Proposals for the creation of an independent labor party were rejected.
    ellauri196.html on line 633: In 1945 and 1946, an unprecedented wave of major strikes affected the United States; by February 1946 nearly 2 million workers were engaged in strikes or other labor disputes. Organized labor had largely refrained from striking during World War II, but with the end of the war, labor leaders were eager to share in the gains from a postwar economic resurgence.
    ellauri196.html on line 636: The Taft–Hartley Act amended the 1935 National Labor Relations Act (NLRA), prohibiting unions from engaging in several unfair labor practices. Among the practices prohibited by the Taft–Hartley act are jurisdictional strikes, wildcat strikes, solidarity or political strikes, secondary boycotts, secondary and mass picketing, closed shops, and monetary donations by unions to federal political campaigns. The NLRA also allowed states to enact right-to-work laws banning union shops. Enacted during the early stages of the Cold War, the law required union officers to sign non-communist affidavits with the government.
    ellauri196.html on line 639: The percentage of workers belonging to a union (or total labor union "density") varies by country. In 2020 it was 10.8% in the United States, compared to 20.1% in 1983. From a global perspective, in 2016 the US had the fifth lowest trade union density of the 36 OECD member nations.
    ellauri196.html on line 641: Union workers average 10-30% higher pay than non-union in the United States after controlling for individual, job, and labor market characteristics.
    ellauri196.html on line 841: The academicians of Stockholm have often (though not always) said no to intolerance, cruel fanaticism and that persecuting spirit which turns the strong against the weak, oppressors against the oppressed, rather than the other way round. This is true particularly in their choice of literary works like mine, works which can sometimes be murderously dull, but never like that atomic bomb which is the most mature fruit of the eternal tree of evil, but paradoxically, the best gift ever to the case of peace. It kept Europeans from murdering each other for almost 100 years.
    ellauri196.html on line 848: The new art of our time is film and video which effect a kind of psychic Thai massage on the spectator on the home sofa. The deus ex machina of this new heap is the director. His purpose is to give intentions to works which have none or have had other ones.
    ellauri196.html on line 851: So-called lyrics is at work, self-proclaimed poets like Bob Dylan fall into step with new times. Poetry becomes acoustic guitar and visual effects again, as it was in the times of Erato. The words splash in all directions, like the explosion of dynamite, there is no true meaning, but a verbal earthquake with many epicenters. Decipherment is not necessary, in many cases the aid of the psychoanalyst may help.
    ellauri197.html on line 158: One of Yeats' most famous works, this poem was inspired in part by a carved piece of Lapis Lazuli that Harry Clifton gave Yeats for his 70th birthday (1935). Vizi siis mun ikäisenä! Saankohan mäkin tollasen arvokkaan lapispazaan lahjaxi? Kekä on tää Harry Clifton? Ei toki toi 1998 syntynyt jalkapallista eikä edes mun ikäinen, 1952 syntynyt runoilija? Entä se kello Lindroosin vitriinissä?
    ellauri197.html on line 176: Clifton's three books of poetry were published by Duckworth. The first was Dielma and Other Poems in 1932 and then followed Flight in 1934. One commentator has said that “Clifton was particularly adroit at poems honouring – and marvelling at – women” and the Times Literary Supplement stated that “His lyrics are a gracious tribute to the beauty of women”. These were fairly conventional poems unlike his final work Gleams Britain's Day published in 1942. The Spectator described it as “expressing in a sort of prophetic certitude opinions upon religion, patriotism, love, art, war and peace, which he puts in unconventional verse”. The reviewer stated that the book was “the product of a curious, whimsical mind, full of energy, squandering it on half-digested ideas”. W B Yates dedicated his poem, Lapis Lazuli, to Clifton who had given him a valuable Chinese lapis lazuli carving.
    ellauri197.html on line 293: ‘How Happy I Was If I Could Forget’ is a two-stanza work where the narrator takes the reader through a series of confusing verb tenses and language choices to represent the overall lack of clarity she has for the memory that she wishes she “could forget.” The cyclical state of the stanzas’ disorganization, additionally, reflects that the narrator feels trapped in her confused loop from the memory, and the reader could finish ‘How Happy I Was If I Could Forget’ without knowing what the troubling memory is. This is yet another method of revealing the narrator’s confusion over the memory. Just as she does not know how to treat the memory, the reader does not know solid details about the memory. From start to finish then, this is a work that is structured perfectly to share and represent the narrator’s confusion.
    ellauri197.html on line 321: Overall in ‘How Happy I Was If I Could Forget’, the lack of clear details about what has happened to affect the narrator so, in addition to the confusion of verb tenses, subjects, and figurative language, creates an unclear work that perfectly depicts how unclear the narrator herself feels about her memory. Does she hate it? Does she want to keep it? Was it good? Was it bad? She does not seem to know, just as the reader cannot know the memory’s most vivid details.
    ellauri197.html on line 355: And of the sun his working vigor borrow, Ja jos aurinko antaa sille lisää tehoja,
    ellauri197.html on line 389: Like other mixed stuff, love also gets an addition in its vigor and strength from the sun (his working vigor, i.e., its restorative power, its motive force, its sexual energy). Love is not as pure and unmixed as is supposed by those who have no other beloved except their poetry (i.e. those who have no practical experience of love).
    ellauri197.html on line 409: Our work is created by a team of talented poetry experts, to provide an in-depth look into poetry, like no other. We respond to all comments too, giving you the answers you need. But keep in mind: love is mixed stuff.
    ellauri197.html on line 452: In all his works displayed. Sen töissä kaikissa.
    ellauri197.html on line 500: The term gold-digger was a slang term that has its roots among chorus girls and sex workers in the early 20th century. The Oxford Dictionary[clarification needed] and Random House's Dictionary of Historical Slang state the term is distinct for women because they were much more likely to need to marry a wealthy man in order to achieve or maintain a level of socioeconomic status. than a man to marry a wealthy woman in order to achieve or maintain a level of socioeconomic status.
    ellauri197.html on line 647: His father was a well-paid clerk for the Bank of England, earning about £150 per year. Browning's paternal grandfather was a slave owner in Saint Kitts, West Indies, but Browning's father was an abolitionist. Browning's father had been sent to the West Indies to work on a sugar plantation, but due to a slave revolt there, had returned. Browning's mother was the daughter of a German shipowner who had settled in Dundee, Scotland, and his Scottish wife. His paternal grandmother, Margaret Tittle, had inherited a plantation in St Kitts and was rumoured in the family to have a mixed-race ancestry including some Jamaican blood, but author Julia Markus suggests she was Kittitian rather than Jamaican. The evidence is inconclusive. Robert's father, a literary collector, amassed a library of some 6,000 books, many of them rare so that Robert grew up in a household with significant literary resources. His mother, to whom he was close (no tietysti), was a devout nonconformist and a talented musician. His younger sister, Sarianna, also gifted, became her brother's "companion" in his later years, after the death of his wife in 1861. His father encouraged his children's interest in literature and the arts.
    ellauri198.html on line 138: About all of Warren’s work there is a gusto and masculine force, a willingness to risk bathos and absurdity, reminiscent of Shakespeare.
    ellauri198.html on line 144: Not all reviewers agree that Warren’s work deserves such unqualified praise. Though Warren tackles unquestionably important themes, his treatment of those themes borders on the bombastic. Warren becomes ridiculous on occasion, whenever we lapse from total conviction. His philosophical musings are “sometimes truly awkward and sometimes pseudo-profound.” Warren thus joins a central American tradition of speakers—Emerson, Thoreau, Henry Adams, Norman Mailer—who are not only the salesmen but the advertisers of their own snake oil.”
    ellauri198.html on line 191: Between the worker and the millionaire
    ellauri198.html on line 234: Let’s take time this Memorial Day weekend to remember Memorial Day 1937, when workers in Chicago were massacred by police for trying to picket against their employer, the Republic Steel Company.
    ellauri198.html on line 235: It all started as steelworkers for five steel companies – Bethlehem Steel, Republic Steel, Youngstown Sheet and Tube, Inland Steel and Weirton Steel, collectively known as “Little Steel” in comparison to the giant U.S. Steel Company – went on strike to force the companies to recognize and bargain with their union, the Steelworkers Organizing Committee (SWOC). The strike, which began on May 26th, was almost completely effective in the first days, as 67,000 workers walked the picket lines, kept replacement workers (scabs) out, and brought steel production in their mills to a standstill. One striker later said that in the first days of the strike “the mills were as empty as Monday morning church” and that “the steel towns breathed clean air for the first time in years.”
    ellauri198.html on line 237: Although the strike lasted nearly six months, the tide quickly turned. Union leaders had recently initiated a policy of supporting President Franklin Roosevelt and the Democratic Party. They told their workers that they could trust the Democrats and count on them to defend their interests. But Democratic governors, all allied with Roosevelt and all good friends of big business, used their power to beat strikers into submission. In Johnstown, Pennsylvania, the governor declared martial law and police reopened a closed plant and herded scabs into the factory to restart production, breaking the strike. In Ohio, the governor ordered National Guard troops from town to town to smash picket lines, beat and arrest strikers, raid union offices, and escort scabs into the factories. In Youngstown, two workers were shot dead, two more in Massillon, and another was beaten to death in Canton. Thousands more were beaten and arrested throughout the state at those and other locations.
    ellauri198.html on line 239: The most terrible day, preceding those described above, was May 30th, Memorial Day. On the south side of Chicago 1,500 workers, including some of their families, marched to the Republic Steel plant for a picket line and to hold a meeting. They were met by 200 police and dozens of paddy wagons. A group of 300 workers advanced to confront the police. After debate, then heated argument, the police opened fire on the workers, first shooting dozens, then clubbing those still fleeing and many they had already shot. Ten were killed and forty others were shot, almost all in the back. One was paralyzed from the waist down. One hundred were beaten with clubs, including an eight-year-old child. After Memorial Day, workers were fearful that any wrong move could sudden death. And their union leaders offered no larger strategy to answer the violence.
    ellauri198.html on line 241: All these anti-worker policies were carried out by Democratic governors and mayors under supposedly pro-labor Roosevelt. This brought the strike to an end. Vocally radical union leaders (like John Lewis of the United Mineworkers) blamed the President, the steel companies, and excessive violence of the police. And all these factors were a real part of the loss. But these same union leaders had tied their fate to the Democratic Party. Even after the Memorial Day massacre and the defeat of the strike, they continued to support Roosevelt and the Democratic machine.
    ellauri198.html on line 243: The real reason for the defeat in the 1937 Little Steel Strike were the strategies and tactics of the union leaderships. They encouraged their members to have faith in Roosevelt and the Democrats, giving them a false sense of security that they would be protected against violence by their bosses, the police, and the National Guard. Had the workers relied only on their own power in unity, they could have been better prepared.
    ellauri198.html on line 245: In 1934, strikers in Toledo, San Francisco and Minneapolis had all stood up to the police and National Guard from the start, done battle in the streets, and come out victorious. In 1936 and 1937, strikers at General Motor’s Flint, Michigan factories did the same, taking over plants and beating back police attacks. When workers were united and prepared to fight against the forces of their class enemies, they won!
    ellauri198.html on line 247: The Memorial Day Massacre reminds us of both the suffering and the struggles that workers have gone through just to have their organizations recognized by big business. But it is reminds us of what happens when the power of workers is subordinated to poor union leadership and to a political party of the bosses that claims to be a “friend of working people.”
    ellauri198.html on line 260: Esim Roland was the name of a real-life medieval military leader under Charlemagne who, more importantly, was the subject of the oldest surviving major work of French literature: an epic poem titled The Song of Roland. Roland was a loyal and trusting knight who was told to bring up the rear guard and burst his own temples open while sounding a horn too vigorously. What a way to go! In 1855, Robert Browning made the warrior the subject of his poem “Childe Roland to the Dark Tower Came,” which leads us back to Stephen King, of all the U.S. turds. It’s a bit incongruous to think of Dorff’s Roland West—an uncouth man who refers to “Saigon trim” and is eager to start a fight.
    ellauri198.html on line 292: This poem is dedicated to the famous naturalist John James Audubon (as in Audubon society), and describes that man’s real-life practice of killing the birds he famously drew. He would use “fine shot” so as not to mutilate them, in order to deliver the best approximation of what they looked like in life. Warren doesn’t necessarily pass judgment on Audubon in this poem, but we might. All this cold, calculated murder in pursuit of “knowledge,” a.k.a. Audubon’s well-read work and much-regarded art; does it feel worth it?
    ellauri198.html on line 298: Nearly every aspect of the ritual abuse is controversial, including its definition, the source of the allegations and proof thereof, testimonies of alleged victims, and court cases involving the allegations and criminal investigations. The panic affected lawyers, therapists, and social workers who handled allegations of child sexual abuse. Allegations initially brought together widely dissimilar groups, including religious fundamentalists, police investigators, child advocates, therapists, and clients in psychotherapy. The term satanic abuse was more common early on; this later became satanic ritual abuse and further secularized into simply ritual abuse. Over time, the accusations became more closely associated with dissociative identity disorder (then called multiple personality disorder) and anti-government conspiracy theories.
    ellauri198.html on line 362: Askance to watch the working of his lie Valeen tehoa kun karsasteli,
    ellauri198.html on line 539: None out of it. Mad brewage set to work Eikä pois. Joku huume niitä käytti.
    ellauri198.html on line 684: The scottish "narrative" or fairy tale about Childe Rowland comes from Danish ballads about Rosmer Halfmand from the 1695 work Kaempe Viser. There were three ballads about Rosmer, who was a giant or merman, stealing a girl whose brother later rescues her. In the first, the characters are the children of Lady Hillers of Denmark, and the sister is named Svanè. In the second, the main characters are Roland and Proud Eline lyle. In the third, the hero is Child Aller, son of the king of Iceland. Unlike the English Roland, the hero of the Danish ballads relies on trickery to rescue his sister, and in some versions they have a juicy incestuous relationship to boot.
    ellauri198.html on line 691: In March 1833, "Pauline, a Fragment of a Confession" was published anonymously by Saunders and Otley at the expense of the author, Robert Browning, who received the money from his aunt, Mrs Silverthorne. It is a long poem composed in homage to the poet Shelley and somewhat in his style. Originally Browning considered Pauline as the first of a series written by different aspects of himself, but he soon abandoned this idea. John Stuart Mill, however, wrote that the author suffered from an "intense and morbid self-consciousness". Later Browning was rather embarrassed by the work.
    ellauri198.html on line 697: From the time of their marriage and until Elizabeth's death, the Brownings lived in Italy, residing first in Pisa, and then, within a year, finding an apartment in Florence at Casa Guidi (now a museum to their memory). Their only child, Robert Wiedemann Barrett Browning, nicknamed "Penine" or "Pen", was born in 1849. In these years Browning was fascinated by, and learned from, the art and atmosphere of Italy. He would, in later life, describe Italy as his university. As Elizabeth had inherited money of her own, the couple were reasonably comfortable in Italy, and their relationship together was happy. However, the literary assault on Browning's work did not let up and he was critically dismissed further, by patrician writers such as Charles Kingsley, for the desertion of England for foreign lands.
    ellauri198.html on line 710: The series was chiefly inspired by the poem "Childe Roland to the Dark Tower Came" by Robert Browning, whose full text was included in the final volume's appendix. In the preface to the revised 2003 edition of The Gunslinger, King also identifies The Lord of the Rings, Arthurian legend, and The Good, the Bad and the Ugly as inspirations. He identifies Clint Eastwood's "Man with No Name" character as one of the major inspirations for the protagonist, Roland Deschain. King's style of location names in the series, such as Mid-World, and his development of a unique language abstract to our own [clarification needed] (High Speech), are also influenced by J. R. R. Tolkien's work. The series is referred to on King's website as his magnum opus.
    ellauri198.html on line 755: Ei vaan Browning imuskelee kolleegansa Shellyn schollya, Harold täsmentää. The consensus among critics has long been that in his youth Browning had a great enthusiasm for Shelley, an enthusiasm clearly apparent in Pauline and Paracelsus, but abruptly extinguished in Sordello. Generally speaking, it would seem that Browning's ardent enthusiasm for Shelley the poet ends with Sordello in 1840, just as his respect for Shelley the man ends in 1856, with the discovery that he had abandoned his first wife. Any evidence for a lapse of his disaffection in later life seems effectively countered by Browning's own testimony in a letter written in 1885 to F. J. Furnivall, refusing the presidency of the newly formed Shelley Society: “For myself, I painfully contrast my notions of Shelley the man and Shelley, well, even the poet, with what they were sixty years ago, when I only had his works, for a certainty, and took his character on trust.” With these highlights of the relationship, most Browning critics and biographers terminate the discussion.
    ellauri198.html on line 794: Roland is not mediated by his precursors; they do not detach him from history so as to free him in the spirit. The Childe's last act of dauntless courage is to will repetition, to accept his place in the company of the ruined. Roland tells us implicitly that the present is not so much negative and finite as it is willed, though this willing is never the work of an individual consciousness acting by itself. It is caught up in a subject-to-subject dialectic, in which the present moment is sacrificed, not to the energies of art, but to the near-solipsist's tragic victory over himself. Roland's negative moment is neither that of renunciation nor of the loss of self in death or error. It is the negativity that is self-knowledge yielding its power to a doomed love of others, in the recognition that those others like Shelley. more grandly had surrendered knowledge and its powers to love, however illusory. Or, mos simply, Childe Roland dies, if be dies, in the magnificence of a belatedness that can accept itself as such. He ends in strengh because his vision has ceased to break and deform the world, and has begun to turn its dangerous strength upon is own defense. Roland is the Kermit modem version of a poet-as-hero, and his sustained courage to weather his own phantasmagoria and emerge into fire is a presage of the continued survival of strong poetry.
    ellauri198.html on line 885: Hyperion was, along with his son Helios, a personification of the sun, with the two sometimes identified. John Keats's abandoned epic poem Hyperion is among the literary works that feature the figure.
    ellauri198.html on line 894: The Triumph of Life was the last major work by Percy Bysshe Shelley before his death in 1822. The work was left unfinished. Shelley wrote the poem at Casa Magni in Lerici, Italy in the early summer of 1822. He modelled the poem, written in terza rima, on Petrarch 's Trionfi and Dante 's Divine Comedy. Siinäkin on julkkixia jossain helvetissä. Kesken jäi. Gäsp.
    ellauri203.html on line 127: Although reasonably successful during his lifetime, his fame continued to grow after his death and he inspired not just other later writers, such as Ernest Hemingway, but also sparked a philosophical movement, Existentialism, and influenced the work of Sigmund Freud.
    ellauri203.html on line 129: The insights into the human condition in all its complexity and contradiction contained in his work sprang from his own constant struggle to balance the rational and emotional.
    ellauri203.html on line 229: Anna Snitkina, who was 25 years Dostoevsky’s junior, was his stenographer during his work on The Gambler. The process of completing the novel engrossed both of them so much that they could not imagine life without each other, marrying in 1867. This particular novel was where Dostoevsky’s three great loves intersected: Appolinaria Suslova formed the basis for its protagonist, it was written as his first wife, Maria Isaeva, passed away, and stenographed by his future wife, Anna Snitkina.
    ellauri203.html on line 233: Anna Snitkina did not attempt to change Dostoevsky, accepting him warts and all, which made this marriage the happiest and most harmonious in the writer’s turbulent life. That´s the only working way to survive a hopeless narcissist.
    ellauri203.html on line 242: Writing in the Los Angeles Times, a professor of Slavic languages praised their Dostoevsky translations, stating "the reason they have succeeded so well in bringing Dostoevsky into English is not just that they have made him sound bumpy or unnatural but that they have managed to capture and differentiate the characters' many bumpy and unnatural voices." A literary critic and essayist, wrote in The Sewanee Review that their Dostoevsky translations "have recaptured the rough and vulgar edge of Dostoevsky's style. This tone of the vulgar that Dostoevsky's writings are full of, so morbidly excessively, they have translated into a vernacular equal to his own." But recently, writing in The New York Review of Books in 2016, a critic argued that Pevear and Volokhonsky have established an industry of taking everything they can get their hands on written in Russian and putting it into flat, awkward English. Other translators have voiced similar criticism, both in Russia and in the English-speaking world. A Slavic studies scholar has written in Commentary that Pevear and Volokhonsky take glorious works and reduce them to awkward and unsightly muddles. Criticism has been focused on the excessive literalness of the couple's translations and the perception that they miss the original tone of the authors.
    ellauri203.html on line 306: Professional Ketman Miloszille on "the reluctant acceptance of Stalinist standards only to allow one to continue to pursue a desired career path. This is based on the idea of having only a single life and therefore using the time to the best of one's ability" or "to pursue artistic or scientific innovation which requires at least tolerating Socialist Realism and other such censorship standards in order to continue one's work." Miloszia ei realismi napannut, sosialistinen tai ei.
    ellauri203.html on line 310: "The bestseller book also created the idea, particularly in the West, that I was a political writer. This was a misunderstanding because my poetry was unknown. I have never been a political writer and I worked hard to destroy this image of myself." Kovasta yrittämisestä huolimatta kukaan ei taida lukea sen runoja. Vitun lällyjä ne ovatkin, täytyy vähän terävöittää suomennoxessa:
    ellauri203.html on line 454: many-headed beast, the multitude, is caught so easily, the same workings
    ellauri204.html on line 340: In The Odyssey, Odysseus and his crew land on Aeaea, and a team of scouts discover the palace of Circe, a witch goddess. Circe invites Odysseus’s men inside for a drink and then magically turns them into pigs. One man escapes to tell Odysseus about their comrades’ fate and Circe’s trickery. Odysseus bravely hopes to rescue his men from Circe’s enchantment; on the way to her house, Odysseus receives help from Hermes, who offers him a plan and equips him with moly, a magical herb that will protect him from Circe’s witchcraft. The plan works: the moly counters Circe’s magic, she swoons for Odysseus and transforms his crew from pigs back into men. Odysseus and Circe then make love. For a year. Finally, some of Odysseus’s crew shake him from the madness of his long Circean interlude and compel him to resume the journey home to Ithaca.
    ellauri204.html on line 351: In the years following Iron John, Bly ran a series of workshops and seminars – including the famed ‘Slugs or Wolves’ – with Marion Woodman, centred on a book they co-authored in 1999 called The Maiden King: The Reunion of Masculine and Feminine.
    ellauri204.html on line 353: With an emphasis on physical wellbeing – as well as the emotional, mental and spiritual – the mythopoetic employs movement, meditation and breathwork, often combining storytelling with music and dance. These activities can be seen as an extension to a form of reimagined shamanism (or neo-shamanism) popularised by Michael Harner, whose book The Way of the Shaman also appeared in 1990, the same year as Iron John and Women Who Run with the Wolves.
    ellauri204.html on line 355: Academic work has also arisen from the mythopoetic movement, as well as the creation of continuing conferences based on Bly's vision for creative communities, in addition to the ‘Minnesota Men's Conference’ and the ‘Great Mother and New Father Conference’, as well as non-profit organisations like Micheal Meade's Mosaic but yet Multicultural Foundation.
    ellauri204.html on line 390: After recycling these hundreds of elements from elsewhere in Ulysses as he composed “Circe,” Joyce expanded his understanding of this novel’s potential as “a kind of encyclopedia” (Selected Letters 271). He began revising the rest of the book accordingly, arranging little snippets of interrelated detail throughout the previous episodes into an intricate network of minor motifs that accumulate and aggregate in the careful reader’s awareness. “Circe” serves as an absurd but cathartic outpouring of Ulysses thus far. Having gotten all that out of our systems, we are ready for the episodes Joyce called the “Nostos,” the return
    ellauri204.html on line 576: He returned 1955 to America after a year in Europe to pursue a doctoral degree at Yale University, where he studied under Erich Auerbach. Auerbach would prove to be a lasting influence on Jameson's thought. This was already apparent in Jameson's doctoral dissertation, published in 1961 as Sartre: the Origins of a Style. Auerbach's concerns were rooted in the German philological tradition; his works on the history of style analyzed literary form within social history. Jameson would follow in these steps, examining the articulation of poetry, history, philology, and philosophy in the works of nauseous Jean-Paul Sartre.
    ellauri204.html on line 686: Sexton's work towards the end of the sixties has been criticized as "preening, lazy and flip" by otherwise respectful critics. Some critics regard her dependence on alcohol as compromising her last work. However, other critics see Sexton as a poet whose writing matured over time.
    ellauri204.html on line 688: Sexton was heavily criticized for her poetic content and themes, but these topics contributed to the popularity of her work. Transformations (1971) is a revisionary retelling of Grimm's Fairy Tales. Check If der eiserne Hans is included.
    ellauri204.html on line 704: Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as one of the major figures of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican practices. Hirveää scheissea.
    ellauri204.html on line 791: Today, at the New York University Woolworth building, filmmakers, NGO staff, foundation representatives and UN agency workers came together to discuss the problem of poverty porn and the potential power of social media to prevent it. The discussion was conducted privately (in accord with so-called Chatham House rules) in order to protect the identity of the participants and encourage a more honest conversation.
    ellauri206.html on line 111: The UN Indian chief ineffectually called for strong regulatory frameworks to change the business models of social media companies which “profit from algorithms that prioritize addiction, outrage and anxiety at the cost of public safety”.
    ellauri206.html on line 113: Countries are also encouraged to step up work on lethal autonomous weapons, or “killer robots” or "unmanned drones" as uninformed headline writers may prefer to call them.
    ellauri207.html on line 89: Like no work since the Arithmetica of Diophantus two millennia before, L. C. Parnault’s Dimensions in Mathematics presents the fullness of mathematical knowledge attained by man. From Thales to Turing, Pythagoras to Euclid, Archimedes to Newton, the Riemann Hypothesis to Fermat’s Last Theorem, Parnault escorts both serious mathematicians and the non-mathematical mind through the deepest mysteries of mathematics. Along the way he offers the greatest expositions yet of number theory, combinatorial topology, the analytics of complexity, and his own groundbreaking work on spherical astronomy. Dimensions equips even elementary readers with the tools to solve the logical puzzles of the perfect universe that can exist only in the mind of a mathematician.
    ellauri207.html on line 95: In addition to being a milestone for the field, the publication of Dimensions in Mathematics is a true publishing event, a crowning achievement in our centennial year. We’re extremely proud to finally satisfy the millions of Millennium readers who’ve sought out the book, and are deeply humbled by the experience of working with the legendary Dr. Parnault.
    ellauri210.html on line 369: That journey began in 1903 when, aged sixteen, he was kicked out of his boarding school for an egregious act of indiscipline—according to some, he hit a teacher—and, inspired by his hero Arthur Rimbaud, he left Switzerland in search of adventure. Over the next several years, Cravan took up with hookers in Berlin, hoboed his way from New York to California, and worked in the engine room of a steamship bound for the South Pacific, jumping ship when it docked in Australia. But it was in Paris that the legend of the man we know as Arthur Cravan—writer, brawler, and hoaxer—was cemented. Within the space of six years, he scandalized polite society, infuriated the avant-garde, slugged it out with one of the greatest heavyweights of all time, and then disappeared without a trace.
    ellauri210.html on line 379: At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde prosecuted the Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison, he wrote De Profundis (published posthumously in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he left immediately for France, and never returned to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. What an opportunity for a man of his caliber, one would have thought.
    ellauri210.html on line 385: New York’s first encounter with modern art had come four years earlier with the seminal Armory Show, at which Duchamp’s Nude Descending a Staircase caused an almighty rumpus. This time, Duchamp presented Fountain, the urinal that changed art history. Having witnessed Cravan’s work back in Paris, Duchamp and Picabia invited Cravan to deliver one of his anti-art lectures at the exhibition. He didn’t disappoint. On the day, he stood half cut in front of his audience, swore at them, waved his cock around, and was promptly arrested.
    ellauri210.html on line 778: An autobiographical work by Michel del Castillo, a Spanish born writer who writes in French, Tanguy is a powerfully moving novel highly reminiscent of The Diary of Anne Frank (due mainly to the child's point of view as opposed to that of the adult). Narrating in first person, the story of a young Spanish boy, Tanguy, the novel is set against the backdrop of the war.
    ellauri210.html on line 837: “M. Gide,” Cravan began, “I have taken leave to call on you, though I feel myself duty bound to inform you straight off that I far prefer, for example, boxing to literature.” “Literature, however, is the only terrain on which we may profitably encounter one another,” he replied rather dryly. Cravan thought: “He certainly lives life to the full.” We spoke about literature therefore, and he asked me the following question which must be particularly dear to him: “Which of my works have you read?" "Which of my matches have you seen?"
    ellauri210.html on line 843: But I work in his factory
    ellauri210.html on line 1113: In 1936 Carrington saw the work of the German surrealist Max Ernst at the International Surrealist Exhibition in London and was attracted to the Surrealist artist before she even met him. In 1937 Carrington met Ernst at a party held in London. The artists bonded and returned together to Paris, where Ernst promptly separated from his wife.
    ellauri210.html on line 1115: Between 1937–1938 Carrington painted a Self-Portrait, where she is perched on the edge of a chair in this curious, dreamlike scene, her hand outstretched toward a prancing hyena and her back to a tailless rocking horse flying behind her. The hyena depicted in Self-Portrait (1937–38) joins both male and female into a whole, metaphoric of the worlds of the night and the dream. The symbol of the hyena is present in many of Carrington's later works, including "La Debutante" in her book of short stories The Oval Lady.
    ellauri210.html on line 1122: Carrington was adopted as a femme-enfant by the Surrealists because of her rebelliousness against her upper-class upbringing. Carrington was interested in presenting female sexuality as she experienced it, rather than as that of male surrealists' characterization of female sexuality. Some of her works are still hanging at James' former family home, currently West Dean College in West Dean, West Sussex.
    ellauri210.html on line 1250: George Shaw, known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on the Western hemisphefre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Pshaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
    ellauri210.html on line 1270: Since Shaw's death scholarly and critical opinion about his works has varied, but he has regularly been rated among British dramatists as second rate, almost on a par with Shakespeare. One Shaw's comedy made Edward VII laugh so hard that he broke his chair.
    ellauri210.html on line 1308: Nadja (1928), the second book published by André Breton, is one of the iconic works of the French surrealist movement. It begins with the question "Who am I?"
    ellauri210.html on line 1316: The narrator, randomly named André, ruminates on a number of Surrealist principles, before ultimately commencing (around a third of the way through the novel) on a narrative account, generally linear, of his brief ten-day affair with the titular character Nadja. She is so named “because in Russian it's the beginning of the word hope, and because it's only the beginning,” but her name might also evoke the Spanish "Nadie," which means "No one." The narrator becomes obsessed with this woman with whom he, upon a chance encounter while walking through the street, strikes up conversation immediately. He becomes reliant on daily rendezvous, occasionally culminating in romance (a kiss here and there). His true fascination with Nadja, however, is her vision of the world, which is often provoked through a discussion of the work of a number of Surrealist artists, including himself. While her understanding of existence subverts the rigidly authoritarian quotidian, it is later discovered that she is mad and belongs in a sanitarium. After Nadja reveals too many details of her past life, she in a sense becomes demystified, and the narrator realizes that he cannot continue their relationship.
    ellauri210.html on line 1360: El monstruo es un ser complejo, no banal, que nos hace obtener resultados de nuestro yo profundo y oscuro, implica mutaciones pero también continuidades de sentido. Monsters have an interesting life, they don't work from 9 to 5. La subversion des images inattendues du corps féminin, sénile ou malade, se trouve particulièrment troublante chez Prassinos et Mansour. Como vemos, las dos autoras se sirven de un imaginario sórdido para expresar aquello que les duele.
    ellauri210.html on line 1378: Mansour’s first published collection of poems, titled: Cris, was published in Paris in 1953 by Pierre Seghers. This collection of work references male and female anatomy in explicit language that was unusual for the time. Religious language can also be found. However, it is inverted, replacing what would be Christ with the lover. References of Egyptian mythology are also present in Cris. Mansour references the White Goddess as well as Hathor.
    ellauri210.html on line 1382: Jean Benoît (1922-2010) was a Canadian artist known as "The Enchanter of Serpents", most famous for his surrealist sculptures. One sculpture called "Book Cover for Magnetic Fields" features demonic figures ripping an egg from a book. Magnetic Fields was the name of the book Breton wrote with Philippe Soupault, which Breton called the first surrealist book. Many of his works include demonic figures, brutal sexual images, exaggerated phalluses, and so on. Benoît was active and remained productive, working every day on his art until he died on August 20, 2010, in Paris. He was 88.
    ellauri213.html on line 230: Things we want to do – like hobbies, seeing friends or special occasions – so not just the things we might not want to do like housework or homework.
    ellauri213.html on line 234: And there are the many “I ought to” demands of daily life – getting up, washing, brushing teeth, getting dressed, eating, cooking, chores, learning, working, sleeping … the list goes on.
    ellauri213.html on line 295: For Abigail, Tillie and Isla, the best thing about the event was the after-dark disco, as they 'got to dance around with all the cool cats'. Finally, it was time to settle down in our sleeping bags all together for a giant sleepover with the Big Top with 250 other Brownies! Volunteers checked in and out over 4,000 participants, ran a sweat shop, led drumming workshops and served at the Night Cafe.
    ellauri213.html on line 304: 170 hours unpaid work and told to pay £1,500 costs. Katie Price has been known on the celebrity circuit for many years, starting out her career as a glamour model before becoming a TV personality, author and OnlyFans content creator. Katie has five children: her eldest Harvey, Princess, Junior, Buddy and Jett. She was married to Peter Andre from 2005-2009, Alex Reid from 2010-2012 and Kieran Hayler from 2013-2021. She was most recently dating Love Island star Carl Woods until their split. Michelle contacted Sussex Police on Friday to complain that Katie — mum to two of Kieran’s children — had sent him a tirade of abuse which was aimed at her. Close sources said the text branded Michelle a “c*ing w*e piece of s*” and a “gutter s*g.” The ex-glamour model, who smiled as she left the dock today, could have been jailed for a maximum of five years for breaching the restraining order. BUSINESS AS USUAL Katie Price says she’s ‘so lucky’ after dodging jail over ‘gutter s*g’ text – as she reveals she’s landed a Girlguiding travel show.
    ellauri213.html on line 377: Mikhail Ivanovich Kalinin, known familiarly by Soviet citizens as "Kalinych", was a Soviet politician and Old Bolshevik revolutionary. He served as head of state of the Russian Soviet Federative Socialist Republic and later of the Soviet Union from 1919 to 1946. From 1926, he was a member of the Politburo of the Communist Party of the Soviet Union. Born to a peasant family, Kalinin worked as a metal worker in Saint Petersburg and took part in the 1905 Russian Revolution as an early member of the Bolsheviks. During and after the October Revolution, he served as mayor of Petrograd. After the revolution, Kalinin became the head of the new Soviet state, as well as a member of the Central Committee of the Communist Party and the Politburo. Kalinin remained the titular head of state of the Soviet Union after the rise of Joseph Stalin, but held little real power or influence. He retired in 1946 and died in the same year.
    ellauri213.html on line 434: Seuraavassa on listattuna pahoja naisia rikkomuxineen (kuvissa söpöset alleviivattu): Irma Grese (Naziwächterin), Myra Hindley (serial pedocide), Isabela of Castile (born in the year 1451 and died in 1504, Isabella the Catholic, was queen of Castile and León. She and her husband, Ferdinand II of Aragon, brought stability to the kingdoms that became the basis for the unification of Spain. Isabella and Ferdinand are known for completing the Reconquista, ordering conversion or exile of their Muslim and Jewish subjects and financing Christopher Columbus’ 1492 voyage that led to the opening of the “New World”. Isabella was granted the title Servant of God by the Catholic Church in 1974), Beverly Allitt (pedocide, Angel of Death), Queen Mary of England (catholic), Belle Gunness (norwegian-american serial killer), Mary Ann Cotton (serial killer), Ilse Koch (Lagerfrau), Katherine Knight (very bad Aussie), Elizabeth Bathory (hungarian noblewoman and serial killer), Sandra Avila Beltran (drugs), Patty Hearst (hänen isoisänsä oli lehtikeisari William Randolph Hearst. Hiän joutui kidnappauksen uhriksi, mutta pian tämän jälkeen hiän teki pankkiryöstön ja joutui vankilaan), Genene Jones (infanticide nurse), Karla Homolka (Canadian serial killer), Diane Downs (infanticide), Aileen Wuornos (serial killer), Griselda Blanco (drug lady), Lizzie Borden (kirvesmurhaaja), Bonnie Parker (bank robber), Anne Bonny (pirate), Mary Bell (pedocide), Delphine LaLaurie (serial slavekiller), Patricia Krenwinkel (Manson family member), Leslie van Houten (Manson family member), Darlie Routier (infanticide), Susan Smith (infanticide), Susan Atkins (Manson family member), Ching Shih (pirate), Anna Sorokin Delvey (con woman), Amelia Dyer (serial killer), Assata Shakur (black terrorist), Belle Gunness (serial killer), Gypsy Rose Blanchard (matricide), Pamela Smart (mariticide), Ruth Ellis (nightclub hostess, last woman hanged in UK), Phoolan Devi (bandit), Ma Barker (matriarch), Jennifer Pan (parenticide), Virginia Hill (gangster), Karla Faye Tucker (burglar, first woman injected in US), Leonarda Cianciully (serial murderer, soapmaker), Mary Read, Carill Ann Fugate (murder spree), Grace Marks (maid), Belle Starr (outlaw, friend of Lucky Luke), Zerelda Mimms (Mrs. Jesse James), Jane Toppan (serial killer), Sara Jane Moore (wannabe assassin of Gerald Ford), Martha Beck (serial killer), Doris Payne (jewel thief), Mary Brunner (Manson family member), Barbara Graham (executed by gas), Grace O'Malley (pirate), Sada Abe (jealous geisha. When they asked why she had killed Ishida, “Immediately she became excited and her eyes sparkled in a strange way: ‘I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…..’ ), Samantha Lewthwaite (white somali terrorist), Theresa Knorr (murderess), Lynette Fromme (Manson family, wannabe assassin of Gerald Ford), The Freeway Phantom (serial killer), Carol M. Bundy (serial killer), Fanny Kaplan (bolshevik revolutionary), Marguerite Alibert (Ed VII courtesan), Jean Harris (author), Linda Hazzard (physician, serial killer), Mary Jane Kelly (1st victim of Jack the Ripper), Kim Hyon-hui (North-Korean spy), Vera Renczi (serial killer), Clare Bronfman (filthy rich criminal), Kirsten Gilbert (serial killer nurse), Gerda Steinhoff (Lagerwächterin), Linda Carty (baby robber), Estella Marie Thompson (black prostitute, blowjobbed Hugh Grant), Elizabeth Becker (Lagerwächterin), Juana Barraza (asesina en serie), Olivera Circovic (baseball player, writer, jewel thief), Olga Hepnarova (mental serial killer), Sabina Eriksson (knäpp tvilling), Minnie Dean (serial killer), Madame de Brinvilliers (aristocrat parri- and fratricide), Martha Rendell (familicide, last woman hanged in Western Australia), Violet Gibson (wannabe assassin of Mussolini), Idoia López Riaño (terrorist), Styllou Christofi (murdered her daughter in law), Mary Eastley (convicted of witchcraft), Wanda Klaff (Lagerwächterin), Giulia Tofana (avvelenatrice), Tisiphone (1/3 raivottaresta), Jean Lee (murderer for money), Brigitte Mohnhaupt (RAF terrorist), Marcia (mistress of Commodus), Beate Zschäpe (far-right terrorist), Evelyn Frechette (singer, Dillingerin heila), Francoise Dior (naziaktivisti), Linda Mulhall (nirhasi äidin poikaystävän saxilla), Brigit Hogefeld (RAF terrorist), Martha Corey (Salem witchhunt victim), Marie Lafarge (arsenikkimurha), Debra Lafave (teacher, gave blow job to student), Enriqueta Marti (asasina en serie), Alse Young (witch hanging victim), Elizabeth Michael (actress, involuntary manslaughter: nasty boyfriend hit his head and died while beating her), Susannah Martin (witchcraft), Maria Mandl (Gefängnisoffizerin), Mary Frith (pickpocket and fence), Hanadi Jaradat (suicide bomber), Marie-Josephte Carrivau (mariticide), Gudrun Ensslin (RAF founder), Anna Anderson (vale-Anastasia), Ans van Dijk (jutku nazikollaboraattori), Elizabeth Holmes (bisneshuijari), Ghislaine Maxwell (Epsteinin haahka), Julianna Farrait (drugs), Yolanda Saldivar (embezzler, killer), Jodi Arias (convicted killer Jodi Ann Arias was born on July 9, 1980, in Salinas, California. In the summer of 2008, Arias made national headlines when she was charged with murdering her ex-boyfriend Travis Alexander, a 30-year-old member of the Church of Jesus Christ of Latter Day Saints who was working as a motivational speaker and insurance salesman. Aargh. Justifiable homicide.) Alyssa Bustamante (kid murder), Mary Kay Letourneau (kid abuser), Mirtha Young (drugs), Catherine Nevin (mariticide), Pilar Prades (maid), Irmgard Möller (terrorist), Christine Schürrer (krimi), Reem Riyashi (suicide bomber), Amy Fisher (jealous), Wafa Idris (suicide bomber), Jeanne de Clisson (ex-noblewoman), Christine Papin (maid murderer), Sally McNeil (body builder), Mariette Bosch (murderer), Sandra Ávila Beltrán (drugs), Alice Schwarzer (journalist), Andrea Yates (litter murderer), Mimi Wong (bar hostess), Pauline Nyiramasuhuko (criminal politician), Josefa Segovia (murderer), Martha Needle (serial killer), Antonina Makarova (war criminal), Mary Surratt (criminal businessperson), Dorothea Binz (officer), Leona Helmsley (tax evasion), Angela Rayola (reality tv personality), Léa Papin (maid murderer), Ursula Erikssson (kriminell mördare), Maria Petrovna (spree killer), Aafia Siddiqui (criminal), Fatima Bernawi (palestinian militant), La Voisin (fortune teller), Deniz Seki (singer), Rasmea Odeh (Arab activist), Hildegard Lächert (nurse), Sajida al-Rishawi (suicide bomber), Hayat Boumeddiene (ISIS groupie, nähty viimexi Al Holissa), Herta Ehlert (Lagerwächterin), Elizabeth Stride (seriös mördare), Adelheid Schulz (krimi), Jenny-Wanda Barkman (Wächter), Shi Jianqiao (pardoned assassin. The assassination of Sun Chuanfang was ethically justified as an act of filial piety and turned into a political symbol of the legitimate vengeance against the Japanese invaders.), Rosemary West (serial killer), Juana Bormann (Lagerwächterin), Kathy Boudin (criminal), Kate Webster (assassin), Teresa Lewis (murderer), Hermine Braunsteiner (Lagerwächterin), Flor Contemplacion (assassina), Constance Kent (fratricide), Tamara Samsonova (serial killer), Herta Bothe (Lagerwächterin), Maria Gruber (Mörderin), Irene Leidolf (möderin), Waltraud Wagner (Mörderin), Elaine Campione (criminelle), Greta Bösel (Pflegerin), Marie Manning (Mörderin), Darya Nikolayevna Saltykova (sadist), Nora Parham (executed), Maria Barbella (assassina), Linda Wenzel (ISIS activist), Anna Marie Hahn (Mörderin), Suzane von Richthofen (parenticide), Charlotte Mulhall (murderer), Khioniya Guseva (kriminal), Daisy de Melker (serial killer nurse), Stephanija Meyer (Mörderin), Sinedu Tadesse (murderer), Ayat al-Akhras (suicide bomber), Akosita Lavulavu (minister of infrastructure and tourism), Sabrina de Sousa (criminal diplomat), Sally Basset (poisoner), Emma Zimmer (Aufseher), Mary Clement (serial killer), Irina Gaidamachuk (serial killer), Dagmar Overbye (serialmorder), Gesche Gottfried (Mörderin), Frances Knorr (serial killer), Beate Schmidt (Serienmörderin), Elizabeth Clarke (accused victim of witchcraft), Kim Sun-ja (serial killer), Olga Konstantinovana Briscorn (serial killer), Roxana Baldetti (politico), Rizana Nafeek (house maid), Margaret Scott (accused of witchcraft), Jacqueline Sauvage (meurtrier), Veronique Courjault (tueur en série), Barbara Erni (thief), Hilde Lesewitz (Schutzstaffel Wächterin), Thenmoli Rajaratnam (suicide bomber), etc. etc..
    ellauri213.html on line 436: Sinedu Tadesse September 25, 1975 – May 28, 1995) was a junior at Harvard College who stabbed her roommate, Trang Phuong Ho, to death, then committed suicide. The incident may have resulted in a variety of changes to the administration of living conditions at Harvard. Tadesse is buried at the Ethiopian Orthodox Cemetery, Addis Ababa, Ethiopia. When Tadesse entered Harvard, she earned below-average grades, and was told that this would prevent her from attending top-ranked medical schools in the U.S. She made no friends, remaining distant even from relatives she had in the area. Tadesse sent a form letter to dozens of strangers that she picked from the phone book, describing her unhappiness and pleading with them to be her friend. One woman responded to the letter but became alarmed by the bizarre writings and recordings Tadesse sent her in return; she had no further contact with Tadesse. Another woman found the letter obnoxious and sent it to a friend who worked at Harvard to review.
    ellauri214.html on line 74: J.K. Rowling did not limit herself to being racist, she also included anti-semitic stereotypes in her books. Many readers have noticed how the descriptions of the goblins in the Harry Potter series bear striking resemblance to anti-semitic stereotypes. The goblins are hooked-nosed creatures who work at the wizarding bank Gringotts and are obsessed with gold and money.
    ellauri214.html on line 108: Rowling became popular because she got lucky. Her work is more accessible than the works of people mentioned above. She set out to write light-hearted children's books, which allowed her works to avoid some of the more serious scrutiny from literature critics. And I guess because people don't read nearly as much as they used to. When you never had a good burger, you'd think Big Mac is the best thing in the world.
    ellauri214.html on line 193: I might talk about what I want to do, I might have one talent (usually drawing), but I was never shown to actively working towards my dream.
    ellauri214.html on line 242: In his work Bibliotheca historica (Library of History), Diodorus Siculus wrote that the Amazons came from Libya in north Africa. Diodorus’s account is set in the time of myth. He wrote that the warriors’ most famous queen was Myrina, who lived before the hero Perseus saved the Ethiopian princess Andromeda from a sea monster. Myrina led her warriors to a great number of victories, including one against the mythical island of Atlantis. Myrina led a large army of 30,000 foot-soldiers and 3,000 cavalry against the Atlanteans. Diodorus claimed that the Amazon cavalry used tactics similar to those employed by the Parthians of west Asia, who fought the Roman general Crassus (c. 115— 53 BCE), firing arrows as they rode away from their enemies. The Atlanteans eventually surrendered to Myrina after she had captured and destroyed one of their cities, enslaving and carrying away the women and the children.
    ellauri214.html on line 263: P.P.S. Joku David Crane muikeilee rasvasta kiiltävä rapuliina kaulassa: aion syyttää Putinia sotarikoxesta. Tosin niihin on syyllistyneet vähävenäläisetkin mutta niitä ei lasketa. Olen kaatanut 1 presidentin, voin tehdä sen toistekin. Kyseessä oli Liberian presidentti, musta mies jolla oli joxeenkin pienet liperit. In 2017, Crane founded the Global Accountability Network to investigate international crimes in Syria, Yemen, Venezuela, and China. In 2022, his organization published a white paper titled "Russian War Crimes Against Ukraine: The Breach of International Humanitarian Law By The Russian Federation". Mustaa valkoisella. Heppu oli US Armyn rullissa 20v uran alussa. Ezellasta.
    ellauri214.html on line 560: Tokarczuk dismisses the global rise of nationalist movements as “the death throes of an outdated ideology. These old ideas of the state are completely disappearing,” she laughs. “People are migrating, travelling. Economics and the internet do not respect borders. We travel between different network providers! Welcome to EE!” She taps her phone with glee. (EE on joko Euroopan siipikarjayhdistys tai UK:n rahakkain operaattori.) “You could read Flights as an elegy for the old Europe.”
    ellauri216.html on line 324: According to a 2010 survey, there are a total of 36,700 villages in Russia with fewer than 10 inhabitants. Traditionally Russia’s agricultural land was subdivided into a patchwork of villages and fields, interspersed by forest and marsh. Now the villages are deserted and crumbling: the state closes them down, often on a whim, and young people leave to find work elsewhere. Matilda Moreton tells the tragic story based on fieldwork in the Russian North.
    ellauri217.html on line 711: At the council, following advice offered by Simon Peter (Acts 15:7–11 and Acts 15:14), Barnabas and Paul gave an account of their ministry among the gentiles (Acts 15:12), and the apostle James quoted from the words of the prophet Amos (Acts 15:16–17, quoting Amos 9:11–12). James added his own words to the quotation: "Known to God from eternity are all His works" and then submitted a proposal, which was accepted by the Church and became known as the Apostolic Decree:
    ellauri219.html on line 187: Mae West initially refused to allow her image to appear on the artwork. She was, after all, one of the most famous bombshells from Hollywood’s Golden Age and felt that she would never be in a lonely hearts club. However, after The Beatles personally wrote to her explaining that they were all fans, she agreed to let them use her image. In 1978, Ringo Starr (No.63) returned the favor when he appeared in West’s final movie, 1978’s Sextette. The film also featured a cover version of the “White Album” song “Honey Pie.” P.S. Mae Westillä oli melko mahtavat maitomunat ja varmaan herkullinen mesipiiras. Vaikka jäävät kyllä 2:si Savonlinnan Paskalle.
    ellauri219.html on line 198: Branded a "sick comic", Bruce was essentially blacklisted from television, and when he did appear, thanks to sympathetic fans like Hefner and Steve Allen, it was with great concessions to Broadcast Standards and Practices. Jokes that might offend, like an extremely boring routine on airplane-glue-sniffing teenagers that was done live for The Steve Allen Show in 1959, had to be typed out and pre-approved by network officials. On his debut on Allen's show, Bruce made an unscripted comment on the recent marriage of Elizabeth Taylor to Eddie Fisher, wondering, "Will Elizabeth Taylor become bat mitzvahed?"
    ellauri219.html on line 215: A German composer who pioneered the use of electronic music in the 50s and 60s, Stockhausen remains a godfather of the avant-garde, whose boundary-pushing music influenced The Beatles’ own groundbreaking experiments in the studio, starting with their tape experiments of Revolver’s “Tomorrow Never Knows.” Paul McCartney (No.64) introduced Stockhausen’s work to the group, turning John Lennon (No.62) into a fan; Lennon and Yoko Ono even sent the composer a Christmas card in 1969.
    ellauri219.html on line 227: Before being namechecked in “I Am The Walrus,” Edgar Allan Poe appeared on the right-hand side of the top row of the Sgt. Pepper collage. The poems and short stories that he wrote across the 1820s and 1840s essentially invented the modern horror genre, and also helped lay the groundwork for sci-fi and detective stories as we know them today. Koko genre on musta etova. P.S. Edgar oli myös ilmiselvä pedofiili.
    ellauri219.html on line 236: Born in 1938, American painter and illustrator Richard Merkin was enamored with the early jazz period that flourished in the years before his birth. His modernist style matched the abstraction of jazz music, and also inspired Peter Blake’s tribute artwork, Souvenirs For Richard Merkin, created in 1966.
    ellauri219.html on line 270: The influence of Aubrey Beardsley’s pen-and-ink line drawings had already made itself felt on Klaus Voormann’s artwork for Revolver, and here the 19th-century illustrator, whose own style was influenced by Japanese woodcutting, takes a position not too far away from Oscar Wilde (No.41), Beardsley’s contemporary in the Aesthetic movement.
    ellauri219.html on line 280: Published in 1954, Aldous Huxley’s work, The Doors Of Perception, was required reading for the countercultural elite in the 60s. Detailing the author’s own experience of taking mescaline, it chimed with the consciousness-expanding ethos of the decade, and even gave The Doors their name. He was nominated for the Nobel Prize for Literature in seven different years and died on November 22, 1963, the same day that both With The Beatles was released and President John F Kennedy was assassinated. Aldousin veli oli Sir Julian Sorell Huxley (22. kesäkuuta 1887 - 14. helmikuuta 1975) oli brittiläinen biologi, joka kannusti pelagiolaista Teilhard de Chardinia. Huxleyt oli kaiken kaikkiaan hyvin suspekteja.
    ellauri219.html on line 285: A beloved Welsh poet who died in 1953, The Beatles had all been fans of Dylan Thomas’ poetry by the time it came to creating the Sgt. Pepper’s artwork. “We all used to like Dylan Thomas,” Paul McCartney (No.64) later recalled. “I read him a lot. I think that John started writing because of him.” The late producer George Martin was also a fan, and even created a musical version of Thomas’ radio play, Under Milk Wood, in 1988.
    ellauri219.html on line 324: From Bob Dylan (No.15) to David Bowie, Tom Waits to Steely Dan, Beat Generation author Burroughs has influenced many a songwriter over the decades. Less known is that, according to Burroughs himself, he witnessed Paul McCartney (No.64) working on “Eleanor Rigby.” As quoted in A Report From The Bunker, a collection of conversations with author Victor Bockris, Burroughs recalled McCartney putting him up in The Beatles’ flat on 34 Montagu Square: “I saw the song taking shape. Once again, not knowing much about music, I could see that he knew what he was doing.”
    ellauri219.html on line 349: A prolific author, philosopher, and economist, Karl Marx is best known for his 1848 pamphlet The Communist Manifesto, which outlined the central tenets of his theories, and single-handedly kick-started a political movement. His work continues to influence modern economic thought.
    ellauri219.html on line 354: Along with Edgar Allan Poe (No.8), HG Wells shaped the modern sci-fi story. After penning groundbreaking novels such as The Time Machine and War Of The Worlds in the late 1800s, he turned to writing more political works and also became a four-time nominee of the Nobel Prize In Literature.
    ellauri219.html on line 409: An American artist known for large sculptures that play with light and space, Larry Bell first made his mark with a series of “shadowboxes” constructed in the 60s, and has since gone on to receive acclaim for his wide-ranging work, including the Vapor Drawings of the 80s and a subsequent range of Mirage Drawings.
    ellauri219.html on line 424: Barely visible tucked in between the head and raised arm of Issy Bonn (No.47), Stephen Crane was a Realist novelist who, though dying aged 28, in 1900, is regarded as one of the most forward-thinking writers of his generation. His work incorporated everyday speech, which gave his characters an added realism, and his novels took an unflinching look at poverty.
    ellauri219.html on line 434: George Bernard Shaw was an Irish playwright who helped shape modern theatre. The first person to receive both a Nobel Prize (in 1925, for Literature) and an Oscar (in 1939, for Best Adapted Screenplay, for Pygmalion). His works continue to be staged in the 21st Century.
    ellauri219.html on line 503: Founded in London 1822, the Royal Antediluvian Order Of Buffaloes continues its work to this day, with outposts in Northern Ireland, Cyprus, Africa, South Africa, India, the Middle East, Australia, New Zealand, and Canada. Its motto is “No man is at all times wise” and the organization continues to look after its own members, dependents of deceased members, and charities.
    ellauri219.html on line 515: Created by Jann Haworth, then-wife of Peter Blake, and co-creator of the Sgt Pepper album cover, this cloth grandmother doll was one of a number of stuffed artworks she made from textiles.
    ellauri219.html on line 639: Meanwhile Carole's plan seems to work and Michael asks to marry her. She agrees and they settle on marrying within the week. She moves in but Michael finds fidelity impossible. When a second "fiancee" arrives, she knows the worst. Simultaneously, a woman parachutes into Michael's open-top sports car and he ends up sleeping with her, also meeting other conquests at the bar. This takes place at a small country hotel, where all parties materialise in the format of a typical French farce. Some are checked in, but most just appear. This includes Carole's parents who wander the corridors, causing Michael to jump from room to room. A rumour has also started locally that an orgy is taking place so side characters such as the petrol station attendant also start to appear. Carole appears and wishes to see Michael's room. As they speak, all the other participants chase each other around in the background. Fassbinder's wife tracks him down.
    ellauri219.html on line 749: I teach World of Ideas and courses on Asian religions in the Department of Philosophy and Religious Studies. In my research, I'm interested in exploring young boys and girls In Thailand. Currently, I’m working on two major projects. The first is the preparation of my first book, The Snake and the Mongoose, for publication with Oxford University Press. The second is ongoing research on the Royal Court Brahmans of Thailand. I also have a side interest in the philosophy of prepubertal physics that I indulge when I have the time.
    ellauri219.html on line 807: (Why yes. That rhetoric of privilege and punching up does work outside of America just as well as within it.)
    ellauri219.html on line 1012: Underworld is a novel, quite simply, about what was experienced in the United States in the second half of the 20th century. An era shaped by the advent and then cancellation of the Bretton Woods agreement. Nuclear proliferation. The withering away and relocation of American manufacturing, and the rise of global capitalism. Jazz. The Cuban missile crisis (through the voice, as DeLillo has it, of the smirking standup comedian Lenny Bruce). Civil tights. The CIA. Bombs on university campuses. Artists on New York rooftops, and around them, the old industrial framework of bygone city life, something aesthetic and exotic, either marvelled at or ignored, take your pick.
    ellauri219.html on line 1030: Teilhard served in World War I as a stretcher-bearer. He received several citations for speeding. In 1962, with Pierre safely out of this world, the Congregation for the Doctrine of the Faith condemned several of Teilhard's works based on their alleged ambiguities and doctrinal errors. He was a leading proponent of orthogenesis, the idea that evolution occurs in a directional, goal-driven way. Teilhard made sense of the universe by assuming it had a vitalist evolutionary process. When our talk touched on St. Augustine, he exclaimed violently: 'Don’t mention that unfortunate man; he spoiled everything by introducing the supernatural.'" Teilhard siis oli selvä pelagiolainen humanisti! Teilhard has been criticized as incorporating common notions of Social Darwinism and scientific racism into his work, along with support for eugenics, though he has also been defended for doing so by theologian John Haught.
    ellauri220.html on line 222: Nick ShayNick Shay is a waste-management worker who spends the novel coming to grips with his troubled past.
    ellauri220.html on line 223: AceyAcey is the African American artist working on a project about the Black Panthers. Klara Sax befriends Acey in the summer of 1974.
    ellauri220.html on line 228: Big SimsBig Sims is one of Nick Shay's coworkers in the waste-management business. He's African American and often talks about how his experiences differ from Nick's.
    ellauri220.html on line 241: EricEric is Matt's coworker and a "bombhead."
    ellauri220.html on line 246: Brian GlassicBrian Glassic is one of Nick's coworkers in the waste-management industry. He has an affair with Nick's wife, Marian.
    ellauri220.html on line 269: Brother MikeBrother Mike is a monk who works with Sister Edgar and Sister Grace.
    ellauri220.html on line 276: Marian ShayMarian Shay is Nick Shay's wife. While she represents traditional, wholesome American family life, Marian has an affair with Nick's co-worker, Brian Glassic, and smokes heroin.
    ellauri220.html on line 314:
    (U.S.) A person from the State of Arkansas, used during the great depression for farmers from Arkansas looking for work elsewhere.

    ellauri220.html on line 316:
    (U.S.) A person from the State of Oklahoma, used during the great depression for farmers from Oklahoma looking for work elsewhere.

    ellauri220.html on line 326:
    an African-American perceived as being lazy and who refuses to work.

    ellauri220.html on line 465: Foreign characters may pop up in fiction, but often regular characters who are not native (to the country the work is set in) tend to have native ethnicity somewhere in their family. Or possibly were born in the native country, but raised in another country, and have recently come back.
    ellauri220.html on line 504: When the work uses this trope on multiple groups of people speaking different languages, things can get complicated. The work may only translate the language of one group and keep the other group speaking its native language. In these cases, the translated group is always the one the audience is supposed to sympathize with, while the untranslated one is portrayed as more "foreign."
    ellauri221.html on line 78: It is interesting (to perhaps only me) that Fleming referenced real artists but fictitious works by those artists when describing the interior of Blades, which was a fictional club, but very much based on a real one (Poodles).
    ellauri221.html on line 110: Narcissistic personality disorder was nearly dropped from the DSM V. Narcissistic personality disorder was first defined in 1967. The DSM-IV defines the essential feature of narcissism as "a pervasive pattern of grandiosity, need for admiration, and lack of empathy that begins in early adulthood and is present in a variety of contexts." It's a definition that was set before the rise of social networking, reality TV, or partisan news channels designed to confirm our every opinion. Perhaps it truly is time to update it.
    ellauri221.html on line 112: “Narcissism is not a disease,” says Freed. "It’s an evolutionary strategy that can be incredibly successful—when it works, ”
    ellauri221.html on line 157: An important characteristic of the Dunno trilogy is its heavily didactic nature. Nosov describes this as an effort to teach "honesty, bravery, camaraderie, willpower, and persistence" and discourage "jealousy, cowardice, mendacity, arrogance, and effrontery." Strong political undertones are also present. In addition to general egalitarianism and feminism, communist tendencies dominate the works. The first book takes the reader into a typical Soviet-like town, the second into a communist utopia, and the third into a capitalistic satire. Nosov's captivating and humorous literary style has made his ideologies accessible to children and adults alike.
    ellauri221.html on line 296: Goodhead is a scientist and astronaut working undercover for the CIA on Sir Hugo Drax´s Moonraker 5 space shuttle, to gather intelligence on Drax´s plan to exterminate the human race. Bond is also working undercover in Drax´s organization, for the British Secret Intelligence Service, and he gets good head from Jolly, until she introduces him to a centrifugal force chamber, where astronauts get to grips with Gräfenberg spot sucking, and invites him to have a try. Without her knowledge, however, Drax´s henchman, Charlie Chan, tampers with the sucking machine´s controls to send it into overdrive; by the time Goodhead comes, Bond has nearly been killed. Bond later meets Goodhead in her hotel room and is able to guess her identity when he sees standard CIA underwear and dildo gadgetry there. Bond and Goodhead are at first reluctant to bonk together, fighting who is to be on top, but they are working well enough as a 2-person team by the end of the film.
    ellauri221.html on line 300: After M tells Bond to take two weeks´ leave, Bond travels to Rio de Janeiro, where he meets Goodhead once more. Jaws, who is now working for Drax, tries to kill them both on a cable car at Sugarloaf Mountain. They escape, but are then captured by other men of Drax´s disguised as paramedics. Bond escapes from the ambulance speeding towards Drax´s base, but leaves Goodhead behind.
    ellauri221.html on line 307: James Bond is back for another mission and this time, he is blasting off into space. A spaceship travelling through space is mysteriously hijacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organization, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again.
    ellauri222.html on line 110: Asked whether they believe there is a possibility that our world might once experience the kind of upheaval it did during World War II and the Holocaust, much as the world of Mr. Sammle r collapsed in Saul Bellow’s novel, both Wolpe and Greg Bellow told JNS.org that Mr. Sammler’s Planet is recommended reading not just for Jews, but for everyone. They strongly believe that the history and lessons of the Holocaust must continue to be taught, with Rabbi Wolpe saying "Gaza shows the ease with which a civilization, such as Israel, can slip into barbarism.”

    Wolpe wondered how many young people today even know Saul Bellow or read his work, but mused how wonderful it would be if more children of famous authors wrote about their parents, as Greg Bellow has.
    ellauri222.html on line 117: “I am an American, Chicago born” begins the famous first sentence of “The Adventures of Augie March.” The author of that sentence was actually an illegal immigrant, Canada born, and the words were written in Paris. Bellow’s father, Abraham Belo, was born in a shtetl inside the Pale of Settlement. He began his career in St. Petersburg as a produce broker, specializing in Egyptian onions and Spanish fruit. The family seems to have been quite well off. Abraham had used a forged document to work in St. Petersburg, and, when this was discovered, he was arrested and convicted. He may have gone to prison. But he managed to escape and, in 1913, to get his family to Canada.
    ellauri222.html on line 125: In his Op-Ed about the Zulu Tolstoy, Bellow made much of his academic training in anthropology. After leaving Northwestern, he did become a graduate student in anthropology at the University of Wisconsin. But he completed just one course before dropping out and returning to Chicago, where he married a woman, Anita Goshkin, who was studying for a master’s degree in social work, and began his career as a fiction writer and itinerant college teacher. His first job was at Pestalozzi-Froebel Teachers College, on South Michigan Avenue, in downtown Chicago.
    ellauri222.html on line 129: He also worked for a time at the Encyclopædia Britannica, on the fifty-two-volume “Great Books of the Western World,” under the editorship of Mortimer J. Adler. Bellow was in charge of editing part of the “Syntopicon,” a two-volume digest of the Great Ideas composed by Adler. He had taken one of Adler’s courses at the University of Chicago and had concluded that it was “tomfoolery,” but he seems to have liked the job.
    ellauri222.html on line 137: In the culture of little magazines, friendship is the last thing to prevent one writer from reviewing the work of another. As a novelist happy to have well-disposed reviewers, Bellow had an obvious stake in these friendships. But the friends had a stake in Bellow, too. As Mark Greif points out in his important new study of mid-century intellectual life, “The Age of the Crisis of Man,” Bellow came on the scene at a time when many people imagined the fate of modern man to be somehow tied to the fate of the novel. Was the novel dead or was it not? Much was thought to depend on the answer. And for people who worried about this Bellow was the great hope. Atlas quotes Norman Podhoretz: “There was a sense in which the validity of a whole phase of American experience was felt to hang on the question of whether or not he would turn out to be a great novelist.”
    ellauri222.html on line 143: As everyone has said, Bellow not least, “Augie March” was the breakthrough book. Bellow ascribed its origin to a visionary moment. In 1948, he had gone with Anita to Paris for two years, supported by a Guggenheim fellowship. (Bellow hated Paris.) He was at work on a novel called “The Crab and the Butterfly,” which apparently concerned two men arguing in a hospital room. In the version of the epiphany he told to Roth, he was walking to his writing studio one morning when he was distracted by the routine Parisian sight of the street gutters being flushed:
    ellauri222.html on line 167: Most reviews were enthusiastic, though. “Augie March” was not a best-seller, but it sold well and won a major award. The year it came out, Bellow took a job at Bard College. He and Anita were separated, and he had a new girlfriend, Sondra Tschacbasov, called Sasha. She was sixteen years younger and strikingly attractive. They met at Partisan Review, where she worked as a secretary.
    ellauri222.html on line 187: Howe wrote that “Herzog” was a novel “driven by an idea”—the idea that modern man can overcome alienation and despair. Howe could see the appeal of this idea, but he was worried that it might not have been “worked out with sufficient care.” The reviewer in the Times Book Review thought that the novel offered “a credo for the times.” “The age is full of fearful abysses,” the reviewer explained. “If people are to go ahead, they must move into and through these abysses,” and so on.
    ellauri222.html on line 359: The foremost theme in The Adventures of Augie March is the search for identity. Unsure of what he wants from life, Augie is pulled along into the schemes of friends and strangers, trying on different identities and learning about the world through jobs ranging from union organizer to eagle trainer to book thief. His path seems random, but as Augie notes, quoting the Greek philosopher Heraclitus, “a man’s character is his fate.” As Augie goes through life, knocking on various doors, these doors of fate open up for him as if by random, but the knocks are unquestionably his own. In the end of the novel, Augie defines his identity as a “Columbus of those near-at-hand,” whose purpose in life is to knock some eggs. Augie notes that “various jobs” are the Rosetta stone, or key, to his entire life. Americans define themselves by their work (having no roots, family or land to stick to), and Augie is a sort of vagabond, trying on different identities as he goes along. Unwilling to limit himself by specializing in any one area, Augie drifts from job to job. He becomes a handbill-distributor, a paperboy, a Woolworth’s stocker, a newsstand clerk, a trinket-seller, a Christmas helper at a department store, a flower delivery boy, a butler, a clerk at fine department stores, a paint salesman, a dog groomer, a book thief, a coal yard worker, a housing inspector, a union organizer, an eagle-trainer, a gambler, a literary researcher, a business machine salesman, a merchant marine, and ultimately an importer-exporter working in wartime Europe. Augie’s job changing is emblematic of the social mobility that is so quintessentially American. Augie is the American Everyman, continually reinventing himself, like Donald Duck. Olemme kaikki oman onnemme Akuja, joopa joo. Yrmf, olet tainnut mainita. You are telling me!
    ellauri222.html on line 379: Basteshaw is a biophysicist who works as ship’s carpenter on the McManus, the ship Augie is assigned to while in the Merchant Marines during World War II. After their ship is sunk by torpedoes, Augie and Basteshaw are the only survivors and end up on the same lifeboat. Augie gradually realizes that Basteshaw is an insane genius. Convinced that he has the power to create life from protoplasm, he tries to convince Augie to go with him to the Canary Islands and be his research assistant. In reality, their lifeboat is nowhere near the Canary Islands. Basteshaw ties Augie up to stop him from signaling a ship that might rescue them. Finally Augie gets free, ties up Basteshaw, and manages to signal a British tanker to rescue them.
    ellauri222.html on line 399: Borg is Simon’s boss at the newsstand in the La Salle Street Station. Augie works for him but is fired because he allows customers to shortchange him.
    ellauri222.html on line 423: Dingbat is the half brother of William Einhorn. He dresses like a gangster and is taken up with gang events and crime, although not a criminal himself. He spends much of his time hanging around the family’s poolroom, Einhorn Billiards. He also tries work as a fight promoter, but is not successful.
    ellauri222.html on line 435: Einhorn is a highly intelligent and wealthy real-estate broker whom Augie goes to work for while still a junior in high school. As Einhorn is crippled and wheelchair-bound, Augie carries him to and from the car and assists him in other daily activities. Einhorn loses almost everything in the great stock market crash, but works hard to build his business up again.
    ellauri222.html on line 463: Hooker Frazer is Mimi’s lover and the father of her unborn child. When Augie first meets him, Frazer is a graduate assistant in political science, a Communist intellectual. Later, he is in Mexico working as a secretary for the exiled Leon Trotsky, and in China working as an intelligence agent. Finally, Augie meets him in Paris, where he is working for the World Educational Fund. Augie greatly admires Frazer’s prodigious intellect.
    ellauri222.html on line 467: Sophie Geratis is a beautiful Greek girl who works as a chambermaid. Augie meets her when he is working as a union organizer, and the two become lovers. Sophie is engaged to someone else and Augie leaves her to go with Thea. They reunite later, but Augie leaves her again for Stella.
    ellauri222.html on line 475: Grammick is Mimi’s friend the union organizer. Augie works with him before going to Mexico.
    ellauri222.html on line 479: Old Granum works as an assistant to the the undertaker, Kinsman, and is present at the Commissioner’s deathbed.
    ellauri222.html on line 487: Jacqueline is the ugly but proud housemaid who works for Stella and Augie in Paris. When she declares to him that it is her dream to go to Mexico, Augie breaks out laughing. He finds it both ridiculous and wonderful that such a used-up, ugly-looking girl has such an indomitable spirit.
    ellauri222.html on line 491: A cousin of Tillie Einhorn, Karas is a businessman and owner of Holloway Enterprises. As a union organizer, Augie helps organize a strike of worker at Karas’s hotel business.
    ellauri222.html on line 495: Manager at Simon’s coal yard, Happy Kellerman works with Augie to help Simon’s business succeed.
    ellauri222.html on line 507: Jimmy Klein is a boyhood friend of Augie’s; Grandma Lausch doesn’t approve of him. He is sociable and spirited, slight and dark-faced, witty-looking. Augie is welcome at Jimmy’s house and gets to know his whole family, who are all friendly and generous with gifts and money. Jimmy and Augie get into trouble for stealing money at Deever’s department store, where they work during the Christmas season. Years later, Jimmy catches Augie stealing books. He reveals that he has taken a rough path in life: he got a girl pregnant and had to marry her.
    ellauri222.html on line 511: Mrs. Klein is Jimmy’s mother. She is overweight and can’t keep on her feet very long. Her hair is dyed black and hangs in braids, making her look like an Indian. She has eight children, including Gilbert and Velma, who are both divorced, and Tommy, who works at City Hall. There are always grandchildren in her home. When Mrs. Klein dies, her husband marries again to a longtime sweetheart.
    ellauri222.html on line 535: A baldheaded man with gold glasses, Lubin is the caseworker assigned to work with the Marches through the government charities program.
    ellauri222.html on line 571: Harold Mintouchian is a wealthy, distinguished Armenian lawyer and international businessman who is the married lover of a friend of Stella’s and becomes a close friend and mentor of Augie. At the end of the novel, Augie works for him as a black market trader in Europe. Augie looks up to the older man as “a sage, prophet, or guru, a prince of experience with his jewel toes” and seeks his wisdom. Mintouchian, who has seen much of the darker side of human nature through his law practice, has more realistic ideas than the love-bitten Augie about what to expect from human relationships. Secrecy and lies, he tells Augie, are unavoidable. “Mind you, I’m a great admirer of our species. I stand in awe of the genius of the race. But a large part of this genius is devoted to lying and seeming what you are not.” He confesses to Augie that his mistress, Agnes, is keeping secrets from him, while he is keeping secrets from his wife.
    ellauri222.html on line 631: A miserly millionaire with a stuttering problem, Robey is working on a book he calls The Needle’s Eye, an investigation into the nature and source of happiness. He hires Augie as a research assistant. As Augie listens to Robey discuss his book idea, he finds that the man makes sense only part of the time. He realizes that Robey is a “crank” who only wants someone to be an ear for his half-baked ideas.
    ellauri222.html on line 643: Molly Simms is a mulatto woman of about thirty-five, whom Simon hires to do their mother’s housework. Simon later sleeps with Molly and then fires her.
    ellauri222.html on line 651: Mildred Stark is a crippled girl who goes to work for Einhorn after the stock-market crash and becomes his mistress. She is aged about thirty and heavy, but Einhorn is flattered that she is in love with him. Mildred dislikes Augie.
    ellauri222.html on line 663: Owner of the Star Theatre, Sylvester hires young Augie to work for him by handing out bills. He later loses the theater and becomes an active member of the Communist party. Augie meets up with Sylvester in Mexico where he is working as a bodyguard for the exiled Leon Trotsky. Sylvester also comes to Augie’s wedding in New York.
    ellauri222.html on line 671: Clem, the younger of Tambow’s two sons, and the cousin of Jimmy Klein, is a good friend to Augie. He is an easy spender and refuses to work, preferring to beg money off his father. When his father dies, he inherits his money. He has a crush on Mimi. Clem eventually goes to the University of Chicago, earning a degree in psychology, and invites Augie to join him in a counseling practice. Augie has a great deal of affection for Clem. Clem is the audience for Augie’s speech about “axial lines.”
    ellauri222.html on line 679: Tambow is Jimmy Klein’s uncle, a “big wheel” in Republican ward politics. Jimmy and Augie pass out campaign literature and do other odd jobs for him. Tambow is divorced and his own sons, Donald and Clem, refuse to work for him. He dies and leaves all his money to Clem and Donald.
    ellauri222.html on line 749: Apart from that, this character demands perfection only from other people, he never attempts to apply this principle to himself and it makes him a slightly comic figure. Lord Pococurante is neither artist, nor writer, but he takes faults with the world masterpieces, which is absurd in its core. Nevertheless, many people deem themselves quite competent for criticizing, having never created any work of art.
    ellauri222.html on line 759: Bellow's first two novels, Dangling Man and The Victim, are brief and disciplined works, darker in mood and less intellectually complex than the later fiction but featuring protagonists who anticipate later Bellovian heroes both in their introspection and in their resistance to urban apathy. In Paris, Saul realized he need not copycat Flaubert and that instead he could write as he spoke. The result was Augie.
    ellauri222.html on line 793: In all of Bellow's works, an appreciation of the cultural context in which his protagonists struggle is essential to understanding these characters and their search for renewal. Bellow's vision centers almost exclusively on Jewish male experience in contemporary urban America. Proud of their heritage, his heroes are usually second-generation Jewish immigrants who seek to discover how they can live meaningfully in their American present while honoring their skinless knobs. Much of their ability to maintain their belief in humanity despite their knowledge of the world can be attributed to the affirmative nature of the Jewish culture. Bellovian heroes live in a WASP society in which they are only partially assimilated. However, as Jews have done historically, they maintain their concern for morality and community despite their cultural displacement.
    ellauri222.html on line 888: The book Les Ruines, ou méditations sur les révolutions des empires (1791) by Constantin François de Chassebœuf, comte de Volney (1757–1820), first published in an English translation as The Ruins, or a Survey of the Revolutions of Empires (London: Joseph Johnson, 1792) by James Marshall, was an influence on Shelley. helley had explored similar themes in his 1813 work Queen Mab. Typically, Shelley published his literary works either anonymously or pseudonymously, under the name "Glirastes", a Graeco-Latin name created by combining the Latin glīs ("dormouse") with the Greek suffix ἐραστής (erastēs, "lover", vitut se on mikään suffixi!); the Glirastes name referred to his wife, Mary Shelley, whom he nicknamed "dormouse". Unikeon köyrijä. Mäuschen, sanoi Percy Marylle niikö Pikin kreikkalainen poikaystävä, setämäinen Kleomenis.
    ellauri222.html on line 1003: Ellsworth Huntington travelled continental Europe in hopes of better understanding the connection between climate and state success, publishing his findings in The Pulse of Asia, and further elaborating in Civilization and Climate. Like the political geographers, a crucial component of his work was the belief that the climate of North-western Europe was ideal, with areas further north being too cold, and areas further south being too hot, resulting in lazy, laid-back populations. These ideas have powerful connections to colonialism, and may have played a role in the creation of the 'other' and the literature that many used to justify taking advantage of less advanced nations. Who needs Proust or Tolstoy when it suffices to reach up to get a banana.
    ellauri222.html on line 1017: 20-25 is too much.12 is workable. Depending on whose on the team. I think 7-9 is too little characters.12 gives you more possibilities.
    ellauri223.html on line 62: G.M. Under such circumstances no one will be willing to labor, while he expects others to work, on the fruit of whose labors he can live, as Aristotle argues against Plato, and as Petteri Urpo has argued on many occasions. Capt. But look at the U.S.S.R! From everyone according to their abilities, to everyone according to their needs!
    ellauri223.html on line 64: There are occupations, mechanical and theoretical, common to both men and women, with this difference, that the occupations which require more hard work, and walking a long distance, are practised by men, such as ploughing, sowing, gathering the fruits, working at the threshing-floor, stock exchange, and perchance at the vintage. But it is customary to choose women for milking the cows and for making cheese. In like manner, they go to the gardens near to the outskirts of the city both for collecting the plants and for cultivating them. In fact, all sedentary and stationary pursuits are practised by the women, such as weaving, spinning, sewing, cutting the hair, shaving, dispensing medicines, selling arse, and making all kinds of garments. They are, however, excluded from working in wood and the manufacture of arms. If a woman is fit to paint, she is not prevented from doing so; nevertheless, music (song and dance) is given over to the women alone, because they please the more, and of a truth to pretty boys also. But the women have not the practise of the drum and the horn. Pretty boys take care of faggots.
    ellauri223.html on line 70: Domestic affairs and partnerships are of little account, because, excepting the sign of honor, each one receives what he is in need of. To the heroes and heroines of the republic, it is customary to give the pleasing gifts of honor, beautiful wreaths, sweet food, heroine, or splendid clothes, while they are feasting. In the daytime all use white garments within the city, but at night or outside the city they use red garments either of wool or silk. They hate black as they do dung, and therefore they dislike the Japanese, who are fond of black, and Africans, for obvious reasons. Pride they consider the most execrable vice, and one who acts proudly is chastised with the most ruthless correction. Wherefore no one thinks it lowering to wait at table or to work in the kitchen or fields or clean the toilets. All work they call discipline, and thus they say that it is honorable to go on foot, to do any act of nature, to see with the eye, and to speak with the tongue, and waft with the tail; and when there is need, they distinguish philosophically between tears and spittle. Every man who, when he is told off to work, does his duty, is considered very honorable.
    ellauri223.html on line 72: But in the City of the Sun, while duty and work are distributed among all, it only falls to each one to work for about four hours every day. The remaining hours are spent in learning joyously, in debating, in reading, in reciting, in writing, in walking, in exercising the mind and body, and with play. They allow no game which is played while sitting or lying on top of one another, neither the single die nor dice, nor chess, nor others like these. But they play with the ball, with the sack, with the rod, with the hoop, with wrestling, with scratching matches at the stake. They say, moreover, that grinding poverty renders men worthless, cunning, sulky, thievish, insidious, vagabonds, liars, false witnesses, etc.; and that wealth makes them insolent, proud, ignorant, traitors, assumers of what they know not, deceivers, boasters, wanting in affection, slanderers, etc. But with them all the rich and poor together make up the community. They are rich because they want nothing, poor because they possess nothing. Hey is this communism or what?
    ellauri223.html on line 76: They are unwilling that the State should be corrupted by the vicious customs of slaves and foreigners. Therefore they do business at the gates, and sell only those whom they have taken in war or keep them for digging ditches and other hard work without the city, and for this reason they always send four bands of soldiers to take care of the fields, and with them there are the laborers.
    ellauri223.html on line 135: Through Augustine, this doctrine influenced much of Catholic thought on the subject of evil. For instance, Boethius famously proved, in Book III of his Consolation of Philosophy, that “evil is nothing”.The theologian Pseudo-Dionysius the Areopagite also states that all being is good, in Chapter 4 of his work The Divine Names. Thomas Aquinas concluded, in article 1 of question 5 of the First Part of his Summa Theologiae, that “goodness and being are really the same, and differ only in idea”.
    ellauri223.html on line 153: New Atlantis is an incomplete utopian novel by Sir Francis Bacon, published posthumously in 1626. It appeared unheralded and tucked into the back of a longer work of natural history, Sylva sylvarum (forest of materials). In New Atlantis, Bacon portrayed a vision of the future of human discovery and knowledge, expressing his aspirations and ideals for humankind. The novel depicts the creation of a utopian land where "generosity and enlightenment, dignity and splendour, piety and public spirit" are the commonly held qualities of the inhabitants of the mythical Bensalem. The plan and organisation of his ideal college, Salomon's House (or Shlomo's House), envisioned the modern research university in both applied and pure sciences.
    ellauri223.html on line 159: Many aspects of the society and history of the island are described, such as the Christian religion – which is reported to have been born there as a copy of the Bible and a letter from the Apostle Saint Bartholomew arrived there miraculously, a few years after the Ascension of Jesus; a cultural feast in honour of the family institution, called "the Feast of the Family"; a college of sages, the Salomon's House, "the very eye of the kingdom", to which order "God of heaven and earth had vouchsafed the grace to know the works of Creation, and the secrets of them", as well as "to discern between divine miracles, works of nature, works of art, and other impostures and illusions of all sorts"; and a series of instruments, process and methods of scientific research that were employed in the island by the Salomon's House.
    ellauri223.html on line 168: In the last third of the book, the Head of the Salomon's House takes one of the European visitors to show him all the scientific background of Salomon's House, where experiments are conducted in Baconian method to understand and conquer nature (no tietysti), and to apply the collected knowledge to the betterment of society. Namely: 1) the end, or purpose, of their foundation; 2) the preparations they have for their works; 3) the several employments and functions whereto their fellows are assigned; 4) and the ordinances and rites which they observe.
    ellauri226.html on line 68: In November 1965, early in the sessions for the Beach Boys' 11th studio LP Pet Sounds, Wilson began experimenting with the idea of recording an album focused on humor and laughter. He was intent on making Pet Sounds a complete departure from previous Beach Boys releases and did not wish to work with his usual lyricist, Mike Love, who was such a sourpuss.
    ellauri226.html on line 443: influx of poor minority families in the 1950s and 1960s was thus cleverly met with a deteriorating and poor job market and limited employment opportunities. The declining job market continued into the 1970s when approximately 300 companies employing 10,000 workers went out of business or moved out of The Bronx between 1970 and 1977. Many of these businesses used low income and unskilled workers. By 1976 the long-term economic problems had taken their toll and the mayor's office estimated that between 25-30% of the city’s eligible work force was unemployed.
    ellauri226.html on line 445: The economic problems seen in The Bronx were not industrially based but rather, the work force was dominated by totally clueless colorful minorities. By 1975 the entire city was engulfed in an economic crisis.
    ellauri226.html on line 489: work in New York City from the suburbs. This prompted many to move to
    ellauri226.html on line 492: home was something that became a real possibility for many working and
    ellauri236.html on line 92: At the same rally north of Rio de Janeiro, Paulo Roberto, 55, a government worker, said, “Anyone who votes for Bolsonaro is worried about the voting machines.”
    ellauri236.html on line 165: After Chase left home at the age of 18, he worked in sales, primarily focusing on books and literature. He sold children's encyclopaedias, while also working in a bookshop. He also served as an executive for a book wholesaler, before turning to a writing career that produced more than 90 mystery books. His interests included photography, of a professional standard, reading, and listening to classical music and opera. As a form of relaxation between novels, he put together highly complicated and sophisticated Meccano models.
    ellauri236.html on line 188: I have already outlined the plot, but the subject-matter is much more sordid and brutal than this suggests. The book contains eight full-dress murders, an unassessable number of casual killings and woundings, an exhumation (with a careful reminder of the stench), the flogging of Miss Blandish, the torture of another woman with red-hot cigarette-ends, a strip-tease act, a third-degree scene of unheard-of cruelty and much else of the same kind. It assumes great sexual sophistication in its readers (there is a scene, for instance, in which a gangster, presumably of masochistic tendency, has an orgasm in the moment of being knifed - I can relate to that!), and it takes for granted the most complete corruption and self-seeking as the norm of human behaviour. The detective, for instance, is almost as great a rogue as the gangsters, and actuated by nearly the same motives. Like them, he is in pursuit of ‘five hundred grand’. It is necessary to the machinery of the story that Mr. Blandish should be anxious to get his money back, but apart from this, such things as affection, friendship, good nature or even ordinary politeness simply do not enter. Nor, to any great extent does normal sexuality. Ultimately only one motive is at work throughout the whole story: the pursuit of power. (Well, there is also the pursuit of spaghetti and some twat.)
    ellauri236.html on line 198: There exists in America an enormous literature of more or less the same stamp as No Orchids. Quite apart from books, there is the huge array of ‘pulp magazines’, graded so as to cater for different kinds of fantasy, but nearly all having much the same mental atmosphere. A few of them go in for straight pornography, but the great majority are quite plainly aimed at sadists and masochists. Sold at threepence a copy under the title of Yank Mags(4), these things used to enjoy considerable popularity in England, but when the supply dried up owing to the war, no satisfactory substitute was forthcoming. English imitations of the ‘pulp magazine’ do now exist, but they are poor things compared with the original. English crook films, again, never approach the American crook film in brutality. And yet the career of Mr. Chase shows how deep the American influence has already gone. Not only is he himself living a continuous fantasy-life in the Chicago underworld, but he can count on hundreds of thousands of readers who know what is meant by a ‘clipshop’ or the ‘hotsquat’, do not have to do mental arithmetic when confronted by ‘fifty grand’, and understand at sight a sentence like ‘Johnny was a rummy and only two jumps ahead of the nut-factory’. Evidently there are great numbers of English people who are partly americanized in language and, one ought to add, in moral outlook. For there was no popular protest against No Orchids. In the end it was withdrawn, but only retrospectively, when a later work, Miss Callaghan Comes to Grief, brought Mr. Chase's books to the attention of the authorities. Judging by casual conversations at the time, ordinary readers got a mild thrill out of the obscenities of No Orchids, but saw nothing undesirable in the book as a whole. Many people, incidentally, were under the impression that it was an American book reissued in England.
    ellauri236.html on line 204: In borrowing from William Faulkner's Sanctuary, Chase only took the plot; the mental atmosphere of the two books is not similar. Chase really derives from other sources, and this particular bit of borrowing is only symbolic. What it symbolizes is the vulgarization of ideas which is constantly happening, and which probably happens faster in an age of print. Chase has been described as ‘Faulkner for the masses’, but it would be more accurate to describe him as Carlyle for the masses. He is a popular writer — there are many such in America, but they are still rarities in England — who has caught up with what is now fashionable to call ‘realism’, meaning the doctrine that might is right. The growth of ‘realism’ has been the great feature of the intellectual history of our own age. Why this should be so is a complicated question. The interconnexion between sadism, masochism, success-worship, power-worship, nationalism, and totalitarianism is a huge subject whose edges have barely been scratched, and even to mention it is considered somewhat indelicate. To take merely the first example that comes to mind, I believe no one has ever pointed out the sadistic and masochistic element in Bernard Shaw's work, still less suggested that this probably has some connexion with Shaw's admiration for dictators. Fascism is often loosely equated with sadism, but nearly always by people who see nothing wrong in the most slavish worship of Stalin. The truth is, of course, that the countless English intellectuals who kiss the arse of Stalin are not different from the minority who give their allegiance to Hitler or Mussolini, nor from the efficiency experts who preached ‘punch’, ‘drive’, ‘personality’ and ‘learn to be a Tiger man’ in the nineteen-twenties, nor from that older generation of intellectuals, Carlyle, Creasey and the rest of them, who bowed down before German militarism. All of them are worshipping power and successful cruelty. It is important to notice that the cult of power tends to be mixed up with a love of cruelty and wickedness for their own sakes. A tyrant is all the more admired if he happens to be a bloodstained crook as well, and ‘the end justifies the means’ often becomes, in effect, ‘the means justify themselves provided they are dirty enough’. This idea colours the outlook of all sympathizers with totalitarianism, and accounts, for instance, for the positive delight with which many English intellectuals greeted the Nazi-Soviet pact. It was a step only doubtfully useful to the U.S.S.R., but it was entirely unmoral, and for that reason to be admired; the explanations of it, which were numerous and self-contradictory, could come afterwards.
    ellauri236.html on line 380: Meanwhile, the police are on the trail of the kidnappers, and Dave Fenner, an ex journalist and now a private investigator, is hired to rescue her and deal with the gangsters. Fenner and the police eventually work out where the young socialist is located and go to the club, where a gun battle ensues. Slim is killed and Miss Blandish is rescued, but unfortunately, after months of fornication and drugs at the hands of the gangsters, Miss Blandish cannot cope with life without Slim (and his Ma!) and kills herself. Damaged goods.
    ellauri236.html on line 403: She was a kid, 18 at the most. She was horny as hell. After some minutes of frantic handiwork, Eddie found his cock getting hard. It got up and he sat on the end of the bed. “I’m getting a hard on,” he said, grinning. “You get off to sleep if you want to.” “I don’t want to sleep,” the girl said. “You scared the life out of me, but looking at what you got, I’m not so scared now.” He came over to the bed and smiled at the girl. “Thanks a lot, baby. You were swell. I wish I could swell s'm more as well." She half sat on it in the bed, but it wouldn't go in.
    ellauri236.html on line 497: “Thanks, sweetheart, now you trot off home. I’ve got work to do. How would you like to have dinner with me tonight to celebrate our riches?”
    ellauri236.html on line 504: “Run along, baby, I’ve work to do. I’ll pick you up at eight-thirty at your place,” and turning her, Fenner gave her a slap on her behind, launching her fast to the door.
    ellauri236.html on line 516: Chase was subject to several court cases during his career. In 1942, his novel Miss Callaghan Comes to Grief (1941), a lurid account of the white slave trade, was banned by the British authorities after the author and his publisher Jarrold were found guilty of an obscene book. Each was fined a hefty £100. Later, the Anglo-American crime author Raymond Chandler proved that Chase had lifted whole sections of his work in Blonde's Requiem (published 1945) forcing Chase to issue an apology in The Bestseller.
    ellauri238.html on line 88: A quick way to get drunk for cheap, erguotou is a form of baijiu or Chinese white liquor made from sorghum. Popular with blue-collar workers, it will give you a good time for little more than 50p.
    ellauri238.html on line 600: Everything that matters is my literary work and you. Not you Tuula, but you, yes you there, with black pubic hair and a billion birthmarks. I love you more than the smell of my own shit. Elämän onni on haarojen välissä.
    ellauri238.html on line 763: The poet´s father, Bolesław (half-blooded Armenian), was a soldier in the Polish Legions during World War I and a defender of Lwów; he was a lawyer and worked as a bank manager. Herbert's grandfather was an English language teacher. Zbigniew's mother, Maria, came from the Kaniak family. (Mikähän sekin on?)
    ellauri238.html on line 765: During the nazi occupation, he worked as a feeder of lice in the Rudolf Weigl Institute. From January until July 1952, he was a salaried blood donor. The loss of Lviw to the reds was an important theme in his later works. Herbert was attached to his new homeland tynkä-Poland, but at the same time was deeply disgusted by all effects (political, economical, cultural etc.) of the commies.
    ellauri238.html on line 860: Layle Silbert Yehuda Amichai (1924-2000) is recognized as one of Israel´s finest poets. His poems, written in Hebrew, have been translated into 40 languages (2 more than Herbert), and entire volumes of his work have been published in English, French, German, Swedish, Spanish, and Catalan. “Yehuda Amichai, it has been remarked with some justice,” according to translator Robert Alter, “is the most widely translated Hebrew poet since King David.” But boy, has he a long way to go to beat Dave.
    ellauri238.html on line 863: According to Alter, Amichai’s early work bears a resemblance to the poetry of Thomas and Auden. “[Rainer Maria] Rilke,” wrote Alter, “is another informing presence for him, occasionally in matters of style—he has written vaguely Rilkesque elegies—but perhaps more as a model for using a language of here and now as an instrument to catch the glimmerings of a metaphysical beyond.” Kuulostaa pahalta.
    ellauri240.html on line 59: Joyce Diane Brothers (1927-2013) oli amerikkalainen psykologi, televisiopersoona, neuvoja, kolumnisti ja kirjailija. Hän tuli tunnetuksi ensimmäisen kerran vuonna 1955 voittamalla pääpalkinnon amerikkalaisessa peliohjelmassa The $64,000 Question. Pikku-Aune oli aivan ilmiselvä juutalainen, os. Bauer, siskokin nai jonkun Goldsmithin. In 1949, she married Milton Brothers, who later went on to become an internist. 40 years later in 1989, Brothers lost her husband to bladder cancer. Following the death of her husband, Brothers fell into a state of depression for a year and contemplated suicide (at 62); however, she used her own self-help work to achieve inner peace and happiness. Brothers and her husband had a daughter, four grandchildren and two great-grandchildren.
    ellauri240.html on line 82: Wrinkles: A Novel by Charles Simmons 2.67 6 ratings 2 reviews. A brilliantly original examination of the many aspects that make up a life—from birth, up and over the hill, and into the wilderness of old age. A truly astonishing and original work of fiction, Wrinkles is the story of a life lived forty-four times, from childhood to adulthood to old age.
    ellauri240.html on line 84: A truly astonishing and original work of fiction indeed. It is a story of one man, a writer, who is born, who grows, who loves, who stops loving; who eats, sleeps, smokes, lies, boozes, cheats, regrets, has sex, has dreams, and lives. In short yet intimately detailed chapters, each covering a single aspect of his life from youth through old age, we get to know this person fully through the small yet telling incidents that make him who he is. He remembers the butt of a cigarette, the feel of his army uniform, the taste of a lover, the strange and unexpected touch of a college professor’s hand, and so many more small experiences that can never be shaken off more than a recalcitrant band-aid.
    ellauri240.html on line 146: "It is not of concern that they are working on a fifth-generation fighter," since the Chinese are "still having difficulties with their fourth-generation fighter, LOL," Marine Col. Dave Lapan, a Pentagon spokesman, told the Associated Press.
    ellauri240.html on line 192: Peyton Placen kaupunki oli yhdistelmä useista New Hampshiren kaupungeista: Gilmantonista, jossa Metalious asui (ja joka paheksui kuuluisuutta); Laconia, ainoa Peyton Placen kokoinen lähikaupunki ja Metaliousin suosikkibaarin paikka; ja naapurikaupungit Alton ja Belmont. Gilmanton Ironworksin kylässä joulukuussa 1946 tytär murhasi seksuaalisesti hyväksikäyttäneen isänsä (johon kirja osittain perustuu). Belknap Countyn sheriffi Homer Crockett ja New Hampshiren osavaltion poliisin jäsenet tutkivat murhaa. Hollywood ei hukannut aikaa lunastaakseen kirjan menestystä – vuosi sen julkaisun jälkeen voimakkaasti desinfioitu elokuva Peyton Place sai suuret lipputulot. Elokuvan ensi-ilta pidettiin Colonial Theaterissa Laconiassa, New Hampshiressa. Parhaimmillaan TV-sarja, jota alettiin esittää syksyllä Metaliousin kuoleman jälkeen (ABC-TV :ssä 1964–1969), oli myös menestys.
    ellauri240.html on line 215: Grace went on to write three other novels: Return to Peyton Place (1959), The Tight White Collar (1960), and No Adam in Eden (1963). None of them achieved the same kind success as Peyton Place, though there are critics who feel that No Adam in Eden, a gritty book about the lives of mill workers in Manchester, is her best. By 1960 Grace and George had reconciled and remarried, only to separate again in 1963. She died in 1964 of cirrhosis of the liver and is buried in Gilmanton.
    ellauri240.html on line 278: Linguists have all discovered apparent confirmation of the theory that Middleton wrote much of the play. It contains numerous words, phrases, and punctuation choices that are characteristic of his work but rare in Shakespeare.
    ellauri240.html on line 282: Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt Midleton) was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy.
    ellauri240.html on line 284: Middleton's plays are marked by often amusingly presented cynicism about the human race. True heroes are a rarity: almost every character is selfish, greedy and self-absorbed. Middleton's work has long been praised by literary critics, among them Algernon Charles Swinburne and T. S. Eliot. The latter thought Middleton was second only to Shakespeare.
    ellauri240.html on line 286: Some Frank refers to Timon of Athens as "a poor relation of the major tragedies." This is the majority view, but the play has many scholarly defenders as well. Nevertheless, and perhaps unsurprisingly due to its subject matter, it has not proven to be among Shakespeare's popular works.
    ellauri243.html on line 492: Many of his works — including Flight of the Old Dog, The Tin Man, and Air Battle Force — focus on the adventures of a United States Air Force officer protagonist named Patrick McLanahan.
    ellauri243.html on line 508: He hopes to carry on writing books and maybe one will catch a director’s attention. He is working on writing some screenplays based on his books in the hope that he can get a Hollywood agent in the future.
    ellauri243.html on line 632: "Lose 10 pounds in 30 days" is a specific, objective, and most critically, measurable goal. You know exactly what you want to accomplish, which means you can create a process designed to get you there. You can create a solid diet plan. You can create an effective workout plan.
    ellauri243.html on line 647: Pilots use the 1 in 60 rule to remind themselves to constantly monitor their progress and make quick course corrections. You also know where you want to go. But you´ll never get there if you don´t regularly monitor and revise your goal based on your progress. And if you don´t start out on the right path. Remember, the 1 in 60 rule states that starting out, one degree off means winding up one mile off 60 miles later. Or so. So don´t just correct your course along the way. Create and follow a process that is proved to work. Pick someone who has achieved something you want to achieve. Like a Brad, if you happen to be a Ralph. Deconstruct his or her process. Then follow it, and along the way make small corrections as you learn what works best for you. That way, when you travel your own version of 60 miles, you´ll arrive precisely where you hoped to be. Up a shit creek without a paddle, with Brad 60 miles ahead of you. Forgot to warn: don´t pick a moving target!
    ellauri243.html on line 722: Disraeli arranged for the British to purchase a major interest in the Suez Canal Company in Egypt. In 1878, faced with Russian victories against the Ottomans, he worked at the Congress of Berlin to obtain peace in the Balkans at terms favourable to Britain and unfavourable to Russia, its longstanding enemy. This diplomatic victory over Russia established Disraeli as one of Europe´s leading statesmen.
    ellauri243.html on line 728: Benjy personified the kind of paternalistic, kindly, homely statesmanship that appealed to a significant proportion of the cinema audience ... Even workers attending Labour party meetings deferred to leaders with an elevated social background who showed they cared. Voi vittu, mitä horseshittiä.
    ellauri244.html on line 178: He worked despite having for 37 years "a state of permanently impossible relations" with his second master (deputy), John Jeudwine, which, according to school historian J.B. Oldham, "embittered both their lives to the detriment of the school, the scandal of the town and the embarrassment of Butler's every action"
    ellauri244.html on line 189: Butler was born in 1692 and attended a dissenting academy where he read current philosophy — including up to date logic, and works of John Locke and Samuel Clarke.
    ellauri244.html on line 445: In "The Struggle for the Right to Vote)," author Alice Faye Duncan chronicles the struggle for the right to vote in a book aimed at children. Faye Duncan is an educator, retired school librarian and prolific author... Alice Faye Duncan is the author of several books, including the classic NAACP Award-nominated board book, Honey Baby Sugar Child, and Just Like a Mama. Ms. Duncan is a school librarian in Memphis, Tennessee, and conducts writing workshops for parents and educators.
    ellauri244.html on line 451: Faye Avalon lives in the UK with her super-ace husband and onebeloved, ridiculously spoiled Golden Retriever. She worked as cabin crew, detouredinto property development, public relations, court reporting, and education beforefinally finding her passion: writing steamy romance.
    ellauri244.html on line 453: About the author: Faye Toogood is a British artist working in a diverse range of disciplines, from sculpture to furniture and fashion. Toogood's works have been acquired for the permanent collections of institutions worldwide, and she has exhibited internationally. She is represented by Friedman Benda in New York.
    ellauri244.html on line 609: Things began to change in Paris after meeting Anaïs Nin, 12 years his junior, who, with Hugh Guiler, went on to pay his entire way through the 1930s including the rent for an apartment at 18 Villa Seurat. Nin became his lover and financed the first printing of Tropic of Cancer in 1934 with money from Otto Rank. His works contain detailed accounts of sexual experiences. Sitä koitin vähän lukea mutta oli liian hapokasta, ei pystynyt.
    ellauri245.html on line 140: Nesbø on niin klicheinen että hampaita vihloo. LÄPYLÄP Okey boys! Back to work! Lets nail this bastard. Mitenkä monta kertaa tämäkin on kuultu ja nähty ziljoonissa skoude ja rofesarjoissa. Kiinnostavat jeparit joilla on yllin kyllin ongelmia izelläänkin hajaantuvat tehtäviinsä valokuvataulun ääreltä. Mä en jaxa näitä vitun rotinkaisia!
    ellauri245.html on line 261: First devised and created in the Belgian Congo by King Leopold, son of Queen Victoria. A smooth metallic ball, slightly smaller than a tennis ball in circumference with tiny apertures along its contours. Made of gold, GAL-TAN, and steel, the ball is a minor feat of engineering. An additional small opening reveals a looped wire. The ball is placed in the victim´s mouth. When the wire is pulled, 24 tiny termite monkey antennae jut out from the ball, causing it to lodge itself in the mouth. At this point, though not overly painful, the victim cannot remove the ball, nor can another extract it for them. With a second pull of the wire, 24 needles erupt outwards from the extended antennae in 24 directions, causing severe damage to throat, cheek, tongue, palate, nasal cavity, etc....the victim will usually bleed out slowly in excruciating pain. How was this used for torture? It usually involved 2 victims. One who who was forced to swallow the ball, and the second who was forced to watch the effects. That second person would usually begin talking quickly about other things. Naah, too sophisticated. A waste on the Congolese niggahs. Cutting hands and feet worked just as well.
    ellauri245.html on line 293: Every review of Nesbø´s work now must also, in some refracted way, be a commentary on Larsson´s wonderful and massively successful Millenium trilogy. Nesbø and Larsson share a wit, a world and a languorous command of plotlines that spiral out into new plotlines, resisting the brutal and sometimes deadening efficiency of the American crime novel.
    ellauri245.html on line 750: Soon after graduation, Altman joined the United States Army Air Forces at the age of 18. During World War II, Altman flew more than 50 bombing missions as a co-pilot of a B-24 Liberator with the 307th Bomb Group in Borneo and the Dutch East Indies. Upon his discharge in 1947, Altman moved to California. He worked in publicity for a company that had invented a tattooing machine to identify dogs.
    ellauri246.html on line 974: John Stubbs repeats this anecdote from Isaac Walton’s Life of Dr John Donne (1640), which remains a readable piece of work for all its faults. Walton was somewhat cavalier in matters of chronology, jumbling or telescoping events to suit his sense of emotional rightness. Tämä kasku löytyy myös Tauno Körilään Suuresta kaskukirjasta. Kaskuissa on aika lailla toistoa, koska Taunolla ei ollut käytössään tietotekniikkaa. No niin on näissä paasauxissakin, vaikka on.
    ellauri247.html on line 108: Big fires were lit on the edge of the scrub, throwing light on the dancers as they came dancing out from their camps, painted in all manner of designs, waywahs round their waists, tufts of feathers in their hair, and carrying in their hands painted wands. Heading the procession as the men filed out from the scrub into a cleared space in front of the women, came Narahdarn. The light of the fires lit up the tree tops, the dark balahs showed out in fantastic shapes, and weird indeed was the scene as slowly the men danced round; louder clicked the boomerangs and louder grew the chanting of the women; higher were the fires piled, until the flames shot their coloured tongues round the ​trunks of the trees and high into the air. One fire was bigger than all, and towards it the dancers edged Narahdarn; then the voice of the mother of the Bilbers shrieked in the chanting, high above that of the other women. As Narahdarn turned from the fire to dance back he found a wall of men confronting him. These quickly seized him and hurled him into the madly-leaping fire before him, where he perished in the flames. And so were the Bilbers avenged. Good work, bare-butt boys, and good riddance for the bad rubbish.
    ellauri247.html on line 179: The increasingly radical nature of her work and her scandalous marriage on 14 November 1778 to William Graham (she was 47, he was 21) damaged her reputation in Britain, where she lived in Bath, and, later, in Binfield, Berkshire. William was the younger brother of the sexologist James Graham, inventor of the Celestial Bed.
    ellauri247.html on line 199: Charles Dickens's David Copperfield mentions that his young protagonist counted Smollett's works among his favourites as a child.
    ellauri247.html on line 201: John Bellairs referenced Smollett's works in his Johnny Dixon series, where Professor Roderick Random Childermass reveals that his late father Marcus, an English professor, had named all his sons after characters in Smollett's works: Roderick Random, Peregrine Pickle, Humphry Clinker, and even "Ferdinand Count Fathom", who usually signed his name F. C. F. Childermass.
    ellauri247.html on line 323: <William Hogarth (10. marraskuuta 1697 Lontoo – 26. lokakuuta 1764 Lontoo) oli englantilainen taidemaalari ja graafikko, joka tunnetaan erityisesti suurta suosiota saavuttaneista kuvasarjoistaan. Hogarth oli erittäin taitava ja tarkka piirtäjä ja suosi runsaita yksityiskohtia ja groteskeja sävyjä. Hänen tyylinsä oli kova ja realistinen. Hogarth kuvasi kuparipiirrossarjoissaan aikaansa ja ihmishahmoja moralisoiden ja ivaten. Hogarth teki vuosina 1731–1732 ensimmäisen moralistisen piirrossarjansa ’Ilotytön tarina’. Hogarth oli äärimmäisen kansallismielinen eikä koskaan myöntänyt saaneensa vaikutteita ulkomaisilta taiteilijoilta vaikka oli käynyt kahdesti Pariisissa ja tuonut sieltä tuomisixi hyppykupan. Hogarth was born in London to a lower-middle-class family. Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual. Kuvissa se on ilkimyxen näköinen. Sen suurin kyseenalainen ansio oli copyrightin laillistaminen. Stanley Kubrick based the cinematography of his 1975 period drama film, Barry Lyndon, on several Hogarth paintings. Muistan että se oli pitkäpiimäinen, en kyllä muista siitä muuta, koska se oli mun ja Seijan eka yhteinen elokuvaretki. Kubrick on kaiken kaikkiaan aika joutavanpäiväinen.
    ellauri247.html on line 337: With the widow's money, Johnson opened Edial Hall School as a private academy at Edial, near Lichfield. He had only three pupils: Lawrence Offley, George Garrick, and the 18-year-old David Garrick, who later became one of the most famous actors of his day. The venture was unsuccessful and cost Tetty a substantial portion of her fortune. Instead of trying to keep the failing school going, Johnson began to write his first major work, the historical tragedy Irene. Biographer Robert DeMaria believed that Tourette syndrome likely made public occupations like schoolmaster or tutor almost impossible for Johnson. This may have led Johnson to "the invisible occupation of authorship".
    ellauri247.html on line 343: Johnson bragged that he could finish his dictionary project in three years. In comparison, the Académie Française had 40 scholars spending 40 years to complete their dictionary, which prompted Johnson to claim, "This is the proportion. Let me see; forty times forty is sixteen hundred. As three to sixteen hundred, so is the proportion of an Englishman to a Frenchman." Rather, the proportion of the civilized vernacular vocabularies of the languages. What a pompous idiot. Although he did not succeed in completing the work in three years, he did manage to finish it in eight. Some criticised the dictionary, including the historian Thomas Babington Macaulay, who described Johnson as "a wretched etymologist."
    ellauri247.html on line 354: Some, like Macaulay, regarded Johnson as an idiot savant who produced some respectable works, and others, like the Romantic poets, were completely opposed to Johnson's views on poetry and literature, especially with regard to Milton. Again, on the positive side, Johnson influenced Jane Austen's writing style and philosophy.
    ellauri247.html on line 419: Called the “Queen of the Blues”, Elizabeth Montagu led and hosted the Blue Stockings Society of England from about 1750. It was a loose organization of privileged women with an interest in education, but it waned in popularity at the end of the 18th century. It gathered to discuss literature, and also invited educated men to participate. Talk of politics was prohibited; literature and the arts were the main subjects. Many of the bluestocking women supported each other in intellectual endeavors such as reading, art work, and writing. Many also published literature. Dr. Johnson once wrote about Montagu, that “She diffuses more knowledge than any woman I know, or indeed, almost any man. Conversing with her, you may find variety in one“.
    ellauri247.html on line 423: Linda Marshall - Not entirely true; Pope was smitten with LMWM but she rejected his advances (in fact she laughed at him because he was a cripple). After that he became a bitter enemies and both Pope and Lady Mary wrote vicious satirical poems about each other! But I´m a huge admirer of Pope´s work and as usual it´s superbly written. Although he never married, he had many female friends to whom he wrote witty letters, including Lady Mary Wortley Montagu. It has been alleged that his lifelong friend Martha Blount was his lover. His friend William Cheselden said, according to Joseph Spence, "I could give a more particular account of Mr. Pope's health than perhaps any man. Cibber's slander (of carnosity, abrmal fleshy protrusion growing on any part of the body) is false. He had been gay, but left that way of life upon his acquaintance with Mrs. B."
    ellauri247.html on line 498: workimages/mediumlarge/2/capture-of-the-smala-of-abd-el-kader-battle-of-the-smala-16-may-1843-horace-vernet.jpg" width="100%" />
    ellauri248.html on line 108: Rob: Yeah, Cassie was like that. She was always finding connections to things and blah blah blah. She made a great partner because hey remember that time 20 years ago when my friends and I were in the woods and blah blah blah I want to tell you about all the people I work with and give you a brief description of each one of them and also explain in detail how my boss is and blah blah blah. My mind is trying to remember what happened 20 years ago and you know Cassie and I are great partners and we're best friends and people think we're dating but blah blah blah. Hey, time flies, man. Did I tell you what happened to me as a child? Did I remind you about Katy? Also, her family sure is weird. The people at the dig site are weird. Everyone is a suspect blah blah blah. Let me pause here to tell you how I deal with my roommate and also O'Kelly and my childhood and my current job and Katy and her weird family and interrogation and coffee and vodka and this dream I had and looking for clues and in the woods and we keep hitting dead ends and and and and and blahhhhhhhhhhhh.
    ellauri248.html on line 246: workimages/mediumlarge/1/daniel-in-the-lions-den-emerson-l-freese-jr.jpg" />
    ellauri249.html on line 388: William D. Rubenstein, a respected author and historian, outlines the presence of antisemitism in the English-speaking world in one of his essays with the same title. In the essay, he explains that there are relatively low levels of antisemitism in the English-speaking world, particularly in Britain and the United States, because of the values associated with Protestantism, the rise of capitalism, and the establishment of constitutional governments that protect civil liberties. Rubenstein does not argue that the treatment of Jews was ideal in these countries, rather he argues that there has been less overt antisemitism in the English-speaking world due to political, ideological, and social structures. Essentially, English-speaking nations experienced lower levels of antisemitism because their liberal and market friendly frameworks limited the organized, violent expression of antisemitism. In his essay, Rubinstein tries to contextualize the reduction of the Jewish population that led to a period of reduced antisemitism: "All Jews were expelled from England in 1290, the first time Jews had been expelled en masse from a European country".
    ellauri249.html on line 476: Karl Marx ridiculed the idea: "'Ne sutor ultra crepidam' – this nec plus ultra of handicraft wisdom became sheer nonsense, from the moment the watchmaker Watt invented the steam-engine, the barber Arkwright the throstle, and the working-jeweller Fulton the steamship."
    ellauri254.html on line 383: This pessimistic Russian symbolist writer, who referred to himself as the lard of death, was (as I already said) the first writer to introduce the morbid, pessimistic elements characteristic of fin de siècle literature and philosophy into Russian prose. His most famous novel, The Petty Cash Demon (1905), was an attempt to create a living portrait of the concept known in Russian as poshlost' (an idea whose meaning lies somewhere between evil, trashy and banality or kitsch). His next large prose work, A Created Legend (a trilogy consisting of Drops of Blood, Queen Ortruda, and Smoke and Ash), contained many of the same characteristics but presented a considerably more positive and hopeful view of the world. It sold much worse than Petty Cash.
    ellauri254.html on line 387: Alexander Blok was a routine visitor. These years were some of the young Blok’s most prolific, marked by bursts of creative energy as he worked on two lyrical dramas – Balaganchik (‘The Puppet Show‘), featuring the ‘grotesquely luckless’ Pierrot, which was staged in 1906 by Vsevolod Meyerhold at the Komissarzhevskaya Theatre; and The Stranger – and the poetry cycle The Snow Mask, which he completed in little over a week at the beginning of 1907. The actress Valentina Verigina often accompanied Blok, and recounted of these visits to and from Sologub’s apartment:
    ellauri254.html on line 393: In August 1910, Sologub and his wife moved to a larger apartment, at Razyezzhaya ulitsa in the centre of Petersburg. The short and brisk sentences of Anastasia Chebotarevskaya’s writing have been viewed as a potential influence on Sologub’s own work; and she encouraged his acquaintance with the young writers of Russian Futurism, a distinctive literary movement which was then just beginning to flower. Yet the influence of Anastasia on her husband has not been unanimously well received. The humourist Teffi – who was one of the group who frequented the ‘Sundays’ gatherings at Sologub’s Vasilievsky Island home – wrote that Sologub’s marriage:
    ellauri254.html on line 397: One of these ‘noisy gatherings with dances and masks’ proved the occasion of a notable scandal within the world of Russian letters. On 3 January, 1911, Sologub and his wife hosted a masquerade to celebrate the new year. Among the attendees were the writers Aleksei Remizov and Aleksei Tolstoy. Remizov was well known within the world of Russian letters for his mischievous sense of humour. He founded a ‘Great and Free House of Apes’, declaring himself Chancellor, and sent out missives to writers and publishers decreeing them positions in this ironic organisation; and Andrei Bely dubbed him a ‘petty cash demon’ – the title of Sologub’s most celebrated work – owing to his appearance.
    ellauri254.html on line 826: Among other things, Shklovsky also contributed the plot/story distinction (syuzhet/fabula), which separates out the sequence of events the work relates (the story) from the sequence in which those events are presented in the work (the plot). Shklovsky ihaili ja matki Sterneä. Se päästettiin takaisin Neuvostolaan pyydettyään tekosiaan anteexi 1923.
    ellauri254.html on line 831: In 1921, We became the first work banned by the Soviet censorship board. Ultimately, Zamyatin arranged for We to be smuggled to the West for publication. The outrage this sparked within the Party and the Union of Soviet Writers led directly to the State-organized defamation and blacklisting of Zamyatin and his successful request for permission from Joseph Stalin to leave his homeland. In 1937 he died in poverty in Paris. Serve him right!
    ellauri254.html on line 887: After his forced resignation from active politics in 1989, Tikhonov wrote a letter to Mikhail Gorbachev which stated that he regretted supporting his election to the General Secretaryship. This view was strengthened when the Communist Party was banned in the Soviet Union. After his retirement, he lived the rest of his life in seclusion at his dacha. As one of his friends noted, he lived as "a hermit" and never showed himself in public and that his later life was very difficult as he had no children and because his wife had died. Prior to the dissolution of the Soviet Union Tikhonov worked as a State Advisor to the Supreme Soviet. Tikhonov died on 1 June 1997 and was buried at the Novodevichy Cemetery. Shortly before his death, he wrote a letter addressed to Yeltsin: "I ask you to bury me at public expense, since I have no financial savings."
    ellauri256.html on line 49: Rozanov remains little known outside Russia, though some western scholars have become increasingly fascinated by his work and his persona.
    ellauri256.html on line 62: Women were the first cultivators of flax and initiated the manufacture of clothing. Evidence for this claim is the oldest depictions of textile production showing women at work, not men, and women continuing in textile production even when the industry was run by males. This is not at all unusual as women were the first brewers in Egypt and, most likely, the first healers who predated the rise of the medical profession. And the first professionals in the entertainment business, see Capitani and Lady Ceepu.
    ellauri256.html on line 248: The books of Nietzsche and Dostoevsky had the greatest influence on his life and work.
    ellauri256.html on line 249: Trotsky was very critical of Andrei Bely and his work. Contemporaries often mentioned his “insane” looks.
    ellauri256.html on line 370: The well-off Osip even offered to finance the publication of the poem - he became a kind of a promoter for Mayakovsky. In the meantime, Lilya started working on the poet's image like Pipsa on E. Saarinen: she made him change his brightly-coloured cubo-futuristic robes for a coat and formal suit and have his teeth done. In other words, there were three of them in that relationship.
    ellauri256.html on line 378: Osip did not only let Lilya play around, he also visited brothels with her,” writes Alisa Ganieva, the author of Lilya Brik's biography L.Yu.B. However, Osip had a different interest in prostitutes - he was writing a PhD thesis about them and was something of a “social worker” (giving them legal assistance). However, he took his young wife with him there for fun.
    ellauri256.html on line 382: Professionally, Brik was everything and nothing: she tried to be a sculptor, a writer, a film actress, she worked in advertising and took balling lessons. She did not achieve great results in any of these fields. Yet, she founded one of Moscow's most famous literary salons of the 20th century. That salon outlived all others. “The literature was canceled, there was just the Briks' salon left, where writers met with KGB operatives,” Anna Akhmatova, who was not invited to the salon, jealously said.
    ellauri256.html on line 386: Nevertheless, when after Mayakovsky's death his poetry soon began to be forgotten, Lilya, as his executor (named as such by the poet in his will), took a lot of effort to prevent it. She wrote a letter to Joseph Stalin, who issued an order to ensure that the poet's legacy was not forgotten. So it was largely thanks to her that a whole industry was created around Mayakovsky, with his statues erected all over the country, his works reprinted, and collective farms and plants named after him.
    ellauri256.html on line 391: Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Bolsheviks and a strong admiration of Vladimir Lenin, his relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet state in cultural censorship and the development of the State doctrine of Socialist realism. Works that criticized or satirized aspects of the Soviet system, such as the poem "Talking With the Taxman About Poetry" (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), met with scorn from the Soviet state and literary establishment. Majakovskin lehdykkä Lef teki pilkkaa serapioniveljistä. Ei ois kannattanut. Fedin pani sen hampaankoloon ja Zishtshov närkästyi.
    ellauri257.html on line 49: His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore, such as red beet soup with pork.
    ellauri257.html on line 52: He also intensified his relationship with a starets or spiritual elder, Matvey Konstantinovsky, whom he had known biblically for several years. Konstantinovsky seems to have strengthened in Gogol the fear of perdition (damnation) by insisting on the sinfulness of all his imaginative handiwork. Exaggerated ascetic practices with Matvey undermined his health and he fell into a state of deep depression. On the night of 24 February 1852 he burned some of his manuscripts, which contained most of the second part of Dead Souls. He explained this as a mistake, a practical joke played on him by the Devil in the guise of Matvey Konstantinovsky.[citation needed] Soon thereafter, he took to bed, refused all food, and died in great pain nine days later.
    ellauri257.html on line 343: Gombrowicz wrote in Polish, but he did not allow his works to be published in Poland until the authorities lifted the ban on the unabridged version of Dziennik, his diary, in which he described their attacks on him. No tästä arvaa jo mixi sille oltiin tuppaamassa dynypötköä. Mikä pahinta, Gombrowicz´s work has links with existentialism and structuralism. Sen hengenheimolaisia olivat sellaiset lurjuxet kuin Foucault, Barthes, Deleuze, Lacan, and Sartre.
    ellauri257.html on line 346: Kosmos is Gombrowicz´s most complex and ambiguous work. In it he portrays how human beings create a vision of the world, what forces, symbolic order and passion take part in this process and how the novel form organises itself in the process of creating sense. Njoopa joo.
    ellauri257.html on line 506: In the United States, Singer went through a period of depression in which he published little fiction, until in 1938, he met Alma Wasserman and the two married in 1940. For Singer as homo domesticus, I needed the views of his wife, Alma Haimann, whom I’ll refer to by her first name hereafter. I had read in a 1970s article from The Jewish Exponent that Alma had been at work on an autobiography. “I’m about as far as the first 100 pages,” she told the Philadelphia newspaper. I was also aware, from Paul Kresh’s 1979 biography, “The Magician of West 86th Street,” that Singer didn’t think his wife would ever finish the manuscript. But was there such a manuscript?
    ellauri257.html on line 516: After her divorce from Wasserman and subsequent marriage to Singer, Alma worked as a seamstress. She then became a buyer for a Brooklyn clothing firm. From 1955 until the store closed, in 1963
    ellauri257.html on line 517: , she worked at Saks 34th Street, and then, until retirement, at Lord & Taylor. On occasion she would accompany Singer to his lectures. They also traveled together to Europe, especially England and France. The purpose of one of those trips was for Alma to show Singer the places in Switzerland where she and her parents had stayed before the war. When she returned to America, she felt ecstatic. In the manuscript, she recollects standing on Broadway, looking in wonder at a fruit store and grocery, admiring their abundance.
    ellauri260.html on line 191: The Nobel Prize in Literature 1908 was awarded to Rudolf Christoph Eucken "in recognition of his earnest search for truth, his penetrating power of thought, his wide range of vision, and the warmth and strength in presentation with which in his numerous works he has vindicated and developed an idealistic philosophy of life".
    ellauri260.html on line 225: Joseph Martin McCabe (12 November 1867 – 10 January 1955) was an English writer and speaker on freethought (vapaa-ajattelija), after having been a Roman Catholic priest earlier in his life. He was "one of the great mouthpieces of freethought in England". Becoming a critic of the Catholic Church, McCabe joined groups such as the Rationalist Association and the National Secular Society. He criticised Christianity from a rationalist perspective, but also was involved in the South Place Ethical Society which grew out of dissenting Protestantism and was a precursor of modern secular humanism. William Ferguson wrote of him: "He was bitterly anti-Catholic but also actively undermined religious faith in general." McCabe was also an advocate of women's rights and worked with Mrs. Pankhurst and Mrs. Wolstenholme-Elmy on speeches favoring giving British women the right to vote. McCabe is also known for his inclusion in, and irritation at, G. K. Chesterton's funny book Heretics. Funny is the opposite of not funny, nothing else, defended Chesterton. He should know. In 1920 McCabe publicly debated the Spiritualist Arthur Conan Doyle on the claims of Spiritualism at Queen's Hall in London. Various scientists such as William Crookes and Cesare Lombroso had been duped into believing Spiritualism by mediumship tricks.
    ellauri260.html on line 302: Socialisation alone will give the Socialistic life a definite embodiment. It confidently enters upon a struggle against the distraction and the egoism of individuals. The traditional idea of work makes a man think mainly of his own profit. It impels him to think first of all of himself.
    ellauri260.html on line 306: Under the lead of factory technology, the individual worker became defenceless, as its vast industrial aggregations robbed him of his independence, while capital obtained an appalling power and forced him to serve the designs of others. He became simply a piece of merchandise, the value of which was settled by the market. Thus the race drifted into a sharp antithesis of " labour and capital," and the two soon proved irreconcilable enemies.
    ellauri260.html on line 351: Socialism wants to create a structure which is superior to the individuals, and all its wishes and hopes are centred in this, but what it constructs can never be more than a bringing together of separate elements without any inner connection. It thus comes to be divided in its own body. Its ideal of the whole demands a world of action, and puts in on the lines of self-direction and spirit ; but in its actual development it imitates the mere contiguity of the material world and is bound up with it. The consequence is that it contains several different ideals of life which are not reconciled with each other. Even the happiness it offers is marred by this division. The whole body is to be as happy as possible ; but what is the nature of the happiness if in the end it means merely the welfare of individuals, if it does not evolve a realm of goodness and truth out of the turmoil of interests and enable human nature to participate in it ? Quantity, it seems, is to replace quality ; but is that done so easily ? Do we not find ourselves in entirely different worlds ? Socialism wants a community, but can only attain a comradeship. It can find stones for the building and stimulate people to work ; but it cannot either design or create the entire structure.
    ellauri260.html on line 365: To meet this intolerable emptiness men turned to work, in order to derive from it a worthy aim for their lives. The nineteenth century in particular produced a fine and very successful idealism of work in this sense. With a feverish exaltation of all its forces and a concentration of all its interests it brought the whole of life into subjection to work, but its very success made its defects' clear to everybody, and awakened fresh concern - about the soul. That put wind into the sails ' of Socialism, but, as it recognised no soul beyond one's subjective experience, it could give man as, a whole no purpose and no substance.
    ellauri260.html on line 370: The chief provinces and tendencies of life — science and art, religion and law — do then not mean the work of detached points, but they are witnesses to a higher collective police force.
    ellauri260.html on line 382: There is, in fact, to-day over wide areas of life a positive dislike of man, a taedium generis humani, as it was called in the last days of the ancient world. We have at one and the same time the evil of overpopulation, the concentration of men in cities, the economic struggle, and so on. We have not space enough. One man is the enemy of another. Above all our particular questions we feel the power over men of the trivial, the common, the evil. The idea of Superman Tattoo occurred to some ; but can thought alone get over realities and their power ? So the human problem finds us involved in a terrible complication, and the Socialist ideal cannot extricate us. The situation would be hopeless if there were not higher forces working in man, making more of him, unsealing old and new springs of life to him. At present, however, we are merely searching, but I bet I am on the right track here.
    ellauri262.html on line 67: Minkä takia toi yxi tukallinen pienipää on jäänyt haaviin? Ehkä silläkin on tupee? No ei. Se on Former Chicago Bears Matt Mayberry to Support Bike Bald Charity Fun ... Matthew Mayberry (born August 6, 1987) is a former American football linebacker for the Indiana Hoosiers of the NCAA and Chicago Bears of the NFL. He is now a keynote speaker and business consultant on the topics of leadership, peak performance, culture, and teamwork. So "why the name?" Bike Bald Group was founded in 2004 by a bald multiple time cancer survivor who was taught to fight even on the toughest days, while never forgetting those that helped along the way.
    ellauri262.html on line 129: Clive Staples Lewis, FBA (29 November 1898 – 22 November 1963) was a British writer and Anglican lay theologian. He held academic positions in English literature at both Oxford University (Magdalen College, 1925–1954) and Cambridge University (Magdalene College, 1954–1963). He is best known as the author of The Chronicles of Narnia, but he is also noted for his other works of fiction, such as The Screwtape Letters and The Space Trilogy, and for his non-fiction Christian apologetics, including Mere Christianity, Miracles, and The Problem of Pain.
    ellauri262.html on line 131: Lewis was a close friend of J. R. R. Tolkien, author of The Lord of the Rings. Both men served on the English faculty at Oxford University and were active in the informal Oxford literary group known as the Inklings. According to Lewis's 1955 memoir Surprised by Joy, he was baptized in the Church of Ireland but fell away from his faith during adolescence. Lewis returned to Anglicanism at the age of 32, owing to the influence of Tolkien and other friends, and he became an "ordinary layman of the Church of England". Lewis's faith profoundly affected his work, and his wartime radio broadcasts on the subject of Christianity brought him wide acclaim.
    ellauri262.html on line 166: Lewis's interest in the works of the Scottish writer George MacDonald was part of what turned him from atheism. The quality which first met him in his books was Holiness.
    ellauri262.html on line 191: Alistair Cooke KBE (born Alfred Cooke; 20 November 1908 – 30 March 2004) was a British-American writer whose work as a journalist, television personality and radio broadcaster was done primarily in the United States. In reporting on the Montgomery bus boycott, begun by Rosa Parks and led by Martin Luther King, Cooke expressed sympathy for the economic costs imposed on the city bus company and referred to Mrs. Parks as "the stubborn woman who started it all ... to become the Paul Revere of the boycott." He achieved his greatest popularity in the United States in this role, becoming the subject of many parodies, including "Alistair Cookie" in Sesame Street ("Alistair Cookie" was also the name of a clay animated cookie-headed spoof character created by Will Vinton as the host of a video trailer for The Little Prince and Friends).
    ellauri262.html on line 204: In addition to his scholarly work, Lewis wrote several popular novels, including the science fiction Space Trilogy for adults and the Narnia fantasies for children. Most deal implicitly with Christian themes such as sin, humanity's fall from grace, and redemption.
    ellauri262.html on line 210: The Chronicles of Narnia, considered a classic of children's literature, is a series of seven fantasy novels. Written between 1949 and 1954 and illustrated by Pauline Baynes, the series is Lewis's most popular work, having sold over 100 million copies in 41 languages (Kelly 2006) (Guthmann 2005). It has been adapted several times, complete or in part, for radio, television, stage and cinema.
    ellauri262.html on line 213: Lewis's last novel, Till We Have Faeces, a retelling of the myth of Cupid and Psyche, was published in 1956. Although Lewis called it "far and away my best book," it was not as well-reviewed as his previous work. It is a retelling of the myth of Cupid and Psyche from the unusual perspective of Psyche's sister Peg. Mere Christianity was voted best book of the 20th century by Christianity Today in 2000.
    ellauri262.html on line 306: Commentators have remarked on the apparent lack of sexuality in The Lord of the Rings; the feminist and queer theory scholar Valerie Rohy notes the female novelist A. S. Byatt's remark that "part of the reason I read Tolkien when I'm ill is that there is an almost total absence of sexuality in his world, which is restful"; the Tolkien scholar Tom Shippey wrote that "there is not enough awareness of sexuality" in the work; and the novelist and critic Adam Mars-Jones stated that "above all, sexuality [is] what is absent from the [work's] vision". Rohy comments that it is easy to see why they might say this; in the epic tradition, Tolkien "abandons courtship when battle looms, apparently sublimating sexuality to the greater quest". She accepts that there are three romances leading to weddings in the tale, those of Aragorn and Arwen, Éowyn and Faramir, and Sam and Rosie, but points out that their love stories are mainly external to the main narrative about the Ring, and that their beginnings are basically not shown: they simply appear as marriages.
    ellauri262.html on line 485: "We have a strange illusion that mere time cancels sin." It may work in the penitential system, but not with jealous God.
    ellauri263.html on line 39: workimages/mediumlarge/2/artemisia-gentileschis-judith-slaying-holofernes-vintage-images.jpg" width="100%" />
    ellauri263.html on line 371: That’s how we’re plunged back into Fauda, Arabic for “chaos”, Israel’s international Netflix hit, which the streaming service picked up in 2016. Released on 24 May, the series returns with its tight, testy unit of Arabic-speaking Israeli special force infiltrators who work undercover in the Palestinian West Bank to track and kill wanted terrorists.
    ellauri263.html on line 395: Small wonder, then, that all eyes are on finding the new Homeland Security, itself based on an Israeli TV series, Hatufim. And it’s not surprising that the quest is focused on Israel, which has spawned a string of international hits, starting with In Treatment, a 2008 HBO adaptation of the Hebrew-language Be Tipul. In 2016 Neflix started airing Mossad 101, about Israel’s intelligence service, while earlier this year Hulu nabbed False Flag, a conspiracy thriller loosely premised on the 2010 assassination of Hamas official Mahmoud al-Mabhouh, widely thought to be the work of the Mossad, by a hit squad carrying foreign passports.
    ellauri263.html on line 399: Palestinian journalist Ziyad Abul Hawa says Fauda could have started to make good on notions of balance simply by bringing Palestinians into the creative process. “If the writers are all Israeli, no matter how good the intentions are, they are not realistically showing what is happening in Palestinian areas. I heard they did their homework and research but still, you need a Palestinian constantly with them, telling them what’s realistic and what is not.” He adds that Arabic accents in the show bust its credibility claims within seconds.
    ellauri263.html on line 453: Today, Hebron is the capital of the Hebron Governorate, the largest governorate of the State of Palestine, with an estimated population of around 782,227 as of 2021. It is a busy hub of West Bank trade, generating roughly a third of the area's gross domestic product, largely due to the sale of limestone from quarries in its area. It has a local reputation for its grapes, figs, limestone, pottery workshops and glassblowing factories. The old city of Hebron features narrow, winding streets, flat-roofed stone houses, and old bazaars. The city is home to Hebron University and the Palestine Polytechnic University.
    ellauri263.html on line 630: Unlike the occultism presented earlier by Éliphas Lévi and similar authors, which mostly caught the interest only of a small circle of freethinkers, Theosophy fast became a successful semi-mass movement. By 1889 the Theosophical Society had 227 sections all over the world, and many of the era’s most important intellectuals and artists were strongly influenced by it. Avant-garde painters, especially, took this new teaching to heart, and it marked the work of great artists such as Mondrian, Kandinsky and Klee. In literature, authors like Nobel Prize laureate William Butler Yeats became
    ellauri263.html on line 669: “One of the most valuable effects of Upasika’s mission [Note: “Upasika” is a Buddhist term meaning “femakko” and was used by the Masters for HPB] is that it drives men to self-study and destroys in them blind servility for persons, sanoi 1 setämies. … Imperfect and very troublesome, no doubt, she proves to some, nevertheless, there is no likelihood of our finding a better one for years to come – and your theosophists should be made to understand it. … HPB has next to no concern with administrative details, and should be kept clear of them, so far as her strong nature can be controlled. But this you must tell to all: – With occult matters she has everything to do. We have not abandoned her; she is not ‘given over to chelas’. She is our direct agent. I warn you against permitting your suspicions and resentment against ‘her many follies’ to bias your intuitive loyalty to her. … Be assured that what she has not annotated from scientific and other works, we have given or suggested to her.
    ellauri263.html on line 716: Consider how you usually feel when your partner gets a big promotion at work or accomplishes a new fitness goal, or how you feel when your best friend tells you about a new guy they've been dating that they're really clicking with: You're genuinely, totally stoked for them, right? Fuck no, you are slightly envious, or not so slightly either. This is an instinctual feeling for most of us. Now apply that to when your partner is having fun flirting with (or sleeping with) a new flame that's not you. Instead of sparking jealousy, it sparks earnest empathetic joy. That's compersion.
    ellauri263.html on line 769: Some people are born with a ton of empathy; some aren't. If you're not great at intuiting and resonating with other people's emotions, Blue says that's the skill to work on first.
    ellauri263.html on line 772: My partner and I made compersion an active practice, a skill that we both worked on together. It didn't really come naturally to either of us, but we supported each other as we tried to do it. Initially, it was basically a lot of mental gymnastics trying to reason out why we should be happy when the other person scored a hot date. Once you fully get why it doesn't make sense to feel jealous—i.e., your relationship is totally secure, and the presence of another person in your partner's life is not a threat to your relationship whatsoever—then you can start to disarm that alarm more easily whenever it goes off in your head.
    ellauri263.html on line 774: "For some people, it works that you kind of go through the intellectual mind," Blue says. "You try to understand what it could be and then sort of move into that space."
    ellauri263.html on line 784: If you´re working on practicing compersion as a couple, make sure you´re addressing any feelings of jealousy that bubble up in either of you with a lot of love and gentleness. Blue says it´s good to encourage the jealous party to talk through their feelings and dig at what underlying fears are actually driving the jealousy.
    ellauri263.html on line 786: "Listening I think is really important, listening without judgment and without being defensive," Blue says. "Separate your stuff from your partner´s theories. Your partner´s feeling jealous, and they´ve done some work, and they´re sorting of saying ´I feel jealousy because I worry that you´re gonna leave me.´ … When you hear that, some of us feel accused as if we are doing something wrong. We´re not somehow enough, and we´ve made some sort of a mistake, and immediately we become defensive. I think if we can get into that sort of separate state and realize our partner, when they´re working through something like jealousy, is battling with their own stuff, battling with their own insecurities, or own unmet needs, [then we can be more able to] lend an ear to that to really understand what´s going on with them."
    ellauri263.html on line 838: Kelly Gonsalves is a multi-certified sex educator and relationship coach helping people figure out how to create dating and sex lives that actually feel good — more open, more optimistic, and more pleasurable. In addition to working with individuals in her private practice, Kelly serves as the Sex & Relationships Editor at mindbodygreen. She has a degree in journalism from Northwestern University, and she’s been trained and certified by leading sex and relationship institutions such as The Gottman Institute and Everyone Deserves Sex Ed, among others. Her fork has been featured at The Cut, Vice, Teen Vogue, Cosmopolitan, and elsewhere.
    ellauri264.html on line 120: In 2011, Gionet worked for Capitol Records for a short time, before pursuing his own career in rap music with a "wild, redneck, kick-ass" persona. He kept his nickname Baked Alaska as a stage name. His rap songs used a satirical tone and traded on his Alaskan roots, with titles like "I Live on Glaciers" or "I Climb Mountains". In 2013, the Anchorage Daily News published a profile of Baked Alaska, describing him as a "comedy/music video artist". Gionet also posted many humorous videos on Vine where he became known as a prankster, achieving some online popularity. A video of him pouring a gallon of milk on his face attracted several millions of views. He called himself at the time a "cross between Weird Al, Lonely Island, Borat and Jackass".
    ellauri264.html on line 122: Gionet attempted to promote his rap career by producing several professionally-made videos, which failed to become viral. From 2015 to 2016, Gionet worked for BuzzFeed as a social media strategist, and later commentator. He first managed BuzzFeed's Vine account, then took over one of its Twitter accounts. Pidin Timin laulusta jossa se haukkui somealustoja. Olin kaikesta sen kanssa samaa mieltä. He commented in 2017, "BuzzFeed turned me into a monster". In May 2016, Gionet was introduced to then-candidate Donald Trump, and Trump signed Gionet's arm next to where he had Trump's face tattooed.
    ellauri264.html on line 123: Later that month, Gionet released the song "MAGA Anthem", which featured pro-Trump lyrics and amassed more than 100,000 views on YouTube. Mike Cernovich then hired Gionet to work on a project dedicated to gathering Trump supporters. Following the 2016 presidential election, Gionet continued his pro-Trump activism, delivering speeches and participating in multiple rallies.
    ellauri264.html on line 422:

    Norm founded and leads The Law Firm in 2005, Connecticut-based criminal defense and civil rights. It focuses on serious felonies including violent felonies, white-collar crimes, sex offenses, drug crimes, and misconduct by lawyers, doctors, and government officials. Norm has defended capital murder cases and won federal civil rights verdicts for police brutality, discrimination, false arrest, malicious prosecution, and violations of rights, always on the side of the criminal. Norm Pattis is veteran of more than 100 successful jury trials, many resulting in acquittals for people charged with serious crimes, multi million dollar civil rights and discrimination verdicts, and successful criminal appeals. The Hartford Courant describes his work as “Brilliant” and “Audacious”.
    ellauri264.html on line 433: The festival´s chair, Caroline Michel stated on 18 October 2020 that the event would not return to Abu Dhabi, in support of a curator Caitlin McNamara´s allegation of sexual assault against the tolerance minister of UAE, Sheikh Nahyan bin Mubarak Al Nahyan. McNamara claimed that she was assaulted by the minister when they met at a remote island villa in February 2019 concerning work. The Emirati Foreign Ministry declined to comment on personal matters. When reached out, Britain´s Metropolitan Police confirmed receiving a report of alleged rape on July 3 by a woman. Rape by a woman, WTF??? In November 2020, Caitlin McNamara vowed to fight on following the CPS October 2020 decision to not prosecute the UAE minister because the alleged attack had occurred outside its jurisdiction. McNamara said the decision sent a message to Sheikh Nahyan and others who commit similar crimes "that as long as they´re of economic value to the UK, they can do whatever they want". In an interview with The Sunday Times McNamara said she felt "abandoned" by the Hay Festival, and in an interview on Channel 4 stated that "mistakes" had been made in the way the festival handled her reporting the sexual assault to them which were "very distressing". What a pile of turds.
    ellauri264.html on line 477: Henley edited the Scots Observer (which later became the National Observer), through which he befriended writer Rudyard Kipling, and the Magazine of Art, in which he lauded the work of emerging artists James McNeill Whistler and Auguste Rodin. Henley was a close friend of Robert Louis Stevenson, who reportedly based his Long John Silver character in Treasure Island in part on Henley.
    ellauri264.html on line 509: The halachic rulings in the Shulchan Aruch generally follow Sephardic law and customs, whereas Ashkenazi Jews generally follow the halachic rulings of Moses Isserles, whose glosses to the Shulchan Aruch note where the Sephardic and Ashkenazi customs differ. These glosses are widely referred to as the mappah (literally: the "tablecloth") to the Shulchan Aruch´s "Set Table". Almost all published editions of the Shulchan Aruch include this gloss, and the term "Shulchan Aruch" has come to denote both Karo's work as well as Isserles', with Karo usually referred to as "the mechaber" ("author") and Isserles as "the Rema" (an acronym of Rabbi Moshe Isserles).
    ellauri264.html on line 524: The Shulchan Aruch is largely based on an earlier work by Karo, titled Beit Yosef. Although the Shulchan Aruch is largely a codification of the rulings of the Beit Yosef, it includes various rulings that are not mentioned at all in the Beit Yosef, because after completing the Beit Yosef, Karo read opinions in books he hadn´t seen before, which he then included in the Shulchan Aruch.
    ellauri264.html on line 532: The "Rema" (Moses Isserles) started writing his commentary on the Arba´ah Turim, Darkhei Moshe, at about the same time as Yosef Karo. Karo finished his work "Bet Yosef" first, and it was first presented to the Rema as a gift from one of his students. Upon receiving the gift, the Rema could not understand how he had spent so many years unaware of Karo´s efforts. After looking through the Bet Yosef, the Rema realized that Karo had mainly relied upon Sephardic poskim.
    ellauri264.html on line 534: In place of Karo´s three standard authorities, Isserles cites "the later authorities" (chiefly based on the works of Yaakov Moelin, Israel Isserlein and Israel Bruna, together with the Franco-German Tosafists) as criteria of opinion. While the Rosh on many occasions based his decision on these sources, Isserles gave them more prominence in developing practical legal rulings. By incorporating these other opinions, Isserles actually addressed some major criticisms regarding what many viewed as the arbitrary selection of the three authorities upon whose opinions Karo based his work.
    ellauri264.html on line 536: After realizing this, the Rema shortened his work on the Tur, entitled Darkhei Moshe, to focus only on rulings which differ from Bet Yosef.
    ellauri264.html on line 542: The author himself had no very high opinion of the work, remarking that he had written it chiefly for "young students". He never refers to it in his responsa, but always to the Beit Yosef. The Shulchan Aruch achieved its reputation and popularity not only against the wishes of the author, but, perhaps, through the very scholars who criticized it.
    ellauri264.html on line 679: Definitely one of the darkest stories about Steve Jobs has to be the Breakout story. In the 1970’s, Steve Jobs was working for Atari, designing the game Breakout. Overwhelmed with work with a deadline quickly approaching, he approached Steve Wozniak for help in finishing his project within the next four days. In exchange for his help, Jobs offered Woz half of what he was earning, which he said was $700. For four days, Jobs and Wozniak worked day and night without sleep. When they were done, they were sick with mono and exhausted, but they finished the project before the deadline. Wozniak got his… (more)
    ellauri264.html on line 683: Elon Musk had a secretary who worked relentlessly for him, one day she asked for a raise, he told her to take a few days off, I will see if I can live without you. Then a few days later he called her and told her she was fired. Elon’s ex-wife Justine musk wrote an answer about the actual story. Read it here - Justine Musk's answer to What is known about Elon Musk's long-time assistant Mary Beth Brown?
    ellauri264.html on line 691: So this is what´s common between Graham Bell, Bill Gates, Steve Jobs , Mark Zuckerberg and Ray Kroc: All of them have managed to steal something very valuable from somebody and make it work for them. Steve Jobs brought the idea of mouse from Xerox and Bill Gates copied the entire idea from Steve Jobs Mark Zuckerberg stole the idea from Winklewoss brothers and published as his own.
    ellauri264.html on line 704: Perhaps the person who knew him best was his long-time friend Steve Wozinak. Ironically, even he wasn´t spared from being manipulated by Jobs. In the early days, he was asked to work on a game with Jobs with half of the total payment as his cut. Upon completion, he received $350 of $700 but Jobs had actually earned $5000 for the project.
    ellauri266.html on line 328: Korzybski’s major work on general semantics is Science and Sanity (1933; 5th ed., 1994). The Institute of General Semantics (founded 1938) publishes a quarterly, ETC: A Review of General Semantics.
    ellauri266.html on line 342: But today with child-spacing an almost universal practice and all sorts of electrical appliances in the home, babies and housework need not be women´s full-time occupations, especially as the children grow to school age. Thousands of upper class women take jobs today not (like millions of their less fortunate mates) because the family needs the extra money, but because they cannot endure the boredom of underemployed hands and minds.
    ellauri266.html on line 344: Who knows perhaps one day these upper-class working women in teaching, in office jobs, in factories, in pubic services, are part of the answer to the lady from Oakland. As men become more accustomed to dealing with women colleagues and service staff, they will come to their senses and discuss with their partners sports events, the stock market, automobiles, politics, religion, philosophy, natural history, or science as they are waiting for their seed guns to reload. All the more enriched will be the relationship between them.
    ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
    ellauri269.html on line 54: An important advance over these traditional classifications is TV Tropes. TV Tropes is a wiki website that collects and documents descriptions and examples of plot conventions and devices, which it refers to as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering various tropes to those in general media, toys, writings, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics. The nature of the site as a provider of commentary on pop culture and fiction has attracted attention and criticism from several web personalities and blogs. Non-Playing Characters are non-voluntarist characters who let others make their life decisions.
    ellauri269.html on line 193: World of Warcraftissa jokainen hahmo voi ottaa kaksi ensisijaista ammattia (engl. primary profession), ja kaikki toissijaiset ammatit (engl. secondary profession). Ensisijaiset ammatit liittyvät joko materiaalien keräämiseen tai tavaroiden luomiseen. Ensisijaisia ammatteja ovat yrttien kerääminen (engl. herbalism), malmien louhinta (engl. mining), nylkeminen (engl. skinning), alkemia (engl. alchemy), sepäntaito (engl. blacksmith), lumoaminen (engl. enchanting), konetekniikka (engl. engineering), kaivertaminen (engl. inscription), jalokivityöt (engl. jewelcrafting), nahkatyöt (engl. leatherworking) ja räätälintyöt (engl. tailoring). Toissijaiset ammatit ovat arkeologia (engl. archeology), ruoanlaitto (engl. cooking), ensiapu (engl. first aid) ja kalastus (engl. fishing).
    ellauri269.html on line 345: The Wagner Group (Russian: Группа Вагнера, romanized: Gruppa Vagnera), also known as PMC Wagner (Russian: ЧВК[a] «Вагнер», romanized: ChVK «Vagner»; lit. 'Wagner Private Military Company'), is a Russian privately owned paramilitary organization. It is variously described as a private military company (PMC), a network of mercenaries, or a de facto private army of Russian President Vladimir Putin, depending how hawkish you are. The group operates beyond the law in Russia, where private military contractors are officially forbidden. While the Wagner Group itself is not ideologically driven, various elements of Wagner have been linked to neo-Nazis and far-right extremists, now fighting the Ukrainian neo-Nazis and far-right extremists in a war which is just unjust.
    ellauri269.html on line 560: I would have tried to work the term Hebraic in, instead of the term you used.
    ellauri270.html on line 343: Mr. Summers says that they had better get started and get this over with so that everyone can go back to work. He asks if anyone is missing and, consulting his list, points out that Clyde Dunbar is absent with a broken leg. He asks who will be drawing on his behalf. His wife steps forward, saying, “wife draws for her husband.” Mr. Summers asks—although he knows the answer, but he poses the question formally—whether or not she has a grown son to draw for her. Mrs. Dunbar says that her son Horace is only sixteen, so she will draw on behalf of her family this year.
    ellauri270.html on line 363: In the crowd, Mr. Adams turns to Old Man Warner and says that apparently the north village is considering giving up the lottery. Old Man Warner snorts and dismisses this as foolish. He says that next the young folks will want everyone to live in caves or nobody to work. He references the old saying, “lottery in June, corn be heavy soon.” He reminds Mr. Adams that there has always been a lottery, and that it’s bad enough to see Mr. Summers leading the proceedings while joking with everybody. Mrs. Adams intercedes with the information that some places have already stopped the lotteries. Old Man Warner feels there’s “nothing but trouble in that.”
    ellauri270.html on line 448: Harris is the all-time winningest head coach in Mariner basketball history and has led his team to eight consecutive FHSAA state playoff appearances. His evaluations describe him as a teacher who worked well with students and was always willing to help out. However, he had trouble "demonstrating knowledge of content", according to an evaluation for the 2013-2014 school year. His "lesson plans are lacking basic elements and are difficult for others to follow," the evaluation states. But his lechery plan was straightforward and clear enough to follow.
    ellauri270.html on line 477: And it would work 'em woe: Ja siitä tuli paljon harmia:
    ellauri270.html on line 550: "We gotta have min 2 cadets per min 2 adults at all times, for kld anus protection." "Amazing work. I'm proud of you guys. And you're volunteers. That's even more amazing. I've always believed in the spirit of the volunteer, the person who doesn't expect to be paid for his services. I can relate to that, I don't expect to pay for services myself. But General Patrick McLanahan working for nothing? How screwed up is that? Unbelievable!
    ellauri272.html on line 75: It has received mixed to negative reviews, as most critics noted the poor literary qualities of the work. Salman Rushdie said about the book: "I've never read anything so badly written that got published. It made Twilight look like War and Peace." Jesse Kornbluth of The Huffington Post said: "As a reading experience, Fifty Shades ... is a sad joke, puny of plot".
    ellauri272.html on line 86: Operation Iraqui Freedom (OIF) offers direct support against communists so as to leur defendre le droit to access smutty information. If you’re able, please consider a donation to OIF to ensure this important work continues. But anyway, here's The 101 most banned and burned books in the U.S. of A! Näissä kaikissa on kyse nuorison korruptoinnista, samasta mistä Sokrates sai sen myrkkytuomion. Näiden kirjojen vika on erilaiset poikkeamat 7th heaven perhekomedian malliperheestä. Isiä ja äitejä tai sukupuolia on liikaa tai liian vähän, kaikki eivät tule ajoissa päivälliselle tai korvaavat terveellisen kotiruuan nestemäisellä ravinnolla tai tabuilla ja nousevat ylös tai menevät sänkyyn liian myöhään tai liian aikaisin tai ovat seisaaltaan, keittiosaarekkeella tai muuten sopimattomilla tavoilla. Juuri niitä aiheita jotka elähdyttävät Netflixin ja muiden suorasoittopalvelinten tarjontaa.
    ellauri272.html on line 246: A Clockwork Orange by Anthony Burgess
    ellauri272.html on line 341: Even though the Bible has worked its way into the top 10, the truth is that a high percentage of these attempts at censorship are aimed at what the ALA calls "diverse content" -- in other words, "books by and about people of color, LGBT people and/or disabled people."
    ellauri272.html on line 343: The ALA wrote on its website in a statement about the 2015 list: "While 'diversity' is seldom given as a reason for a challenge, it may in fact be an underlying and unspoken factor: The work is about people and issues others would prefer not to consider."
    ellauri272.html on line 408: Ammons wrote about humanity's relationship to nature in alternately comic and solemn tones. His poetry often addresses religious and philosophical matters and scenes involving nature, almost in a Transcendental fashion. According to reviewer Daniel Hoffman, his work "is founded on an implied Emersonian division of experience into Nature and the Soul," adding that it "sometimes consciously echoes familiar lines from Emerson, Whitman and Dickinson."[citation needed]
    ellauri272.html on line 414: Critics tracing his creative genealogy are apt to begin with Ralph Waldo Emerson and Henry David Thoreau and work chronologically forward through Walt Whitman, Ezra Pound, Robert Frost, Wallace Stevens, and William Carlos Williams. Of those poets, Harold Bloom felt that the transcendentalists Emerson and Whitman have influenced Ammons the most. Xcept he overdoes the colon. Radical colectomy is indicated.
    ellauri272.html on line 421: Edward Hirsch articulated what may be the consensus regarding Garbage. He saw the poem as a brilliant summation of the poet’s life work, “an American testament that arcs toward praise, a poem of amplitude that confronts our hazardous waste and recycles it saying, ‘I’m glad I was here, / even if I must go.’”
    ellauri272.html on line 740: Unlike many others, we have no billionaire owner except you, meaning we can fearlessly chase truth away and report alternative ones instead. 2023 will be no different; we will work with trademark theft and passion fruit to bring you journalism that’s always free from commercial (LOL) or political (commie) interference. No one edits our editor or diverts our attention from what’s most important for The West. With your support, we’ll continue to keep Gilead Guardian journalism open and free for everyone to read. When access to information is made equal, greater numbers of people can understand global events our way and their impact on good people but also communists. Together, we can demand better for the powerful and fight for laissez-faire democracy.
    ellauri275.html on line 446: The Georgian poets were, by the strictest definition, those whose works appeared in a series of five anthologies named Georgian Poetry, published by Harold Monro and edited by Edward Marsh, the first volume of which contained poems written in 1911 and 1912. The group included Edmund Blunden, Rupert Brooke, Robert Graves, D. H. Lawrence, Walter de la Mare, Siegfried Sassoon, and John Drinkwater. Until the final two volumes, the decision had not been taken to include female poets.
    ellauri275.html on line 453: Chavchavadze's influence over Georgian literature was immense. He moved the Georgian poetic language closer to the vernacular, combining the elements of the formal wealth and somewhat artificial antiquated "high" style inherited from the 18th-century Georgian Renaissance literature, melody of Persian lyrical poetry, particularly Hafiz and Saadi, bohemian language of the streets of Tiflis and the moods and themes of European Romanticism. The subject of his works varied from purely anacreontic in his early period to deeply philosophic in his maturity.
    ellauri275.html on line 455: Chavchavadze's contradictory career – his participation in the struggle against the Russian control of Georgia, on one hand, and the loyal service to the tsar, including the suppression of Georgian peasant revolts, on the other hand – found a noticeable reflection in his writings. The year 1832, when the Georgian plot collapsed, divides his work into two principal periods. Prior to that event, his poetry was mostly impregnated with laments for the former grandeur of Georgia, the loss of national independence and his personal grievances connected with it; his native country under the Russian empire seemed to him a prison, and he pictured its present state in extremely gloomy colors. The death of his beloved friend and son-in-law, Griboyedov, also contributed to the depressive character of his writings of that time.
    ellauri276.html on line 542: A trewe swynkere and a good was he, worker; (see note)
    ellauri276.html on line 551: Both of his propre swynk and his catel. own work; possessions
    ellauri276.html on line 579: A ploughman in his shirt he completely does his work, Paidassa kyntäjä, hän tekee työnsä täysin,
    ellauri276.html on line 608: Turning over frozen earth in dark January days behind a horse drawn or an ox drawn plough, must have been back breaking labour. The hours were long, pay was poor. A ploughman at the Alnwick Hiring Fair of spring 1819 for instance, was offered merely bed and food as payment for his fee for six months work. In the depression of that year, the ploughman had no choice, yet, these ploughmen appeared to enjoy their job and approached life with a sense of honest reality and humour. Their songs are nearly always cheerful. Cyril Tawney sang The Ploughman in 1974 on the Argo anthology The World of the Countryside. Jon Loomes sang The Ploughman in 2005 on his Fellside CD Fearful Symmetry. He noted:
    ellauri276.html on line 1072: “Rise up me good fellows and work wi´ good will, "Nouskaa, hyvät toverit, ja toimikaa hyvän tahdon mukaan,
    ellauri276.html on line 1096: And come eventide then our work it shall end; Ja tule tapahtumaan, niin työmme päättyy;
    ellauri277.html on line 79: You work that you may keep pace with the earth and the soul of the earth.

    ellauri277.html on line 82: When you work you are a flute through whose heart the whispering of the hours turns to music.

    ellauri277.html on line 85: Always you have been told that work is a curse and labour a misfortune.

    ellauri277.html on line 86: But I say to you that when you work you fulfil a part of earth’s furthest dream, assigned to you when the dream was born,

    ellauri277.html on line 221: Day was partial to exotic and orientalist themes and produced elegant homoerotic photographs of young men. Day became Gibran’s friend and patron, using the boy as a nude model, introducing him to smutty literature, and "helping him with his drawing". No one who reads Gibran’s works and knows Day’s tastes can doubt the depth of the latter’s influence on Gibran. Perhaps more important, Day and Day’s friends convinced Gibran that he had a special artistic calling.
    ellauri277.html on line 233: In April 1904 Day held an exhibit of Gibran’s work at his studio. It was favorably reviewed, and some of the pictures were sold. At the show Gibran met a woman who became his most important patron: Mary Haskell was from a wealthy South Carolina family and ran a private Boston girls’ school.
    ellauri277.html on line 236: Gibran did not have the training to imitate the old masters of Arabic literature: his education had been haphazard and was as much in English as in Arabic, and there is little evidence of the influence of classical Arabic literature in his works. Instead, his Arabic style was influenced by the Romantic writers of late 19th-century Europe and shows obvious traces of English syntax. His allegorical sketches of exile, oppression, and loneliness spoke to the experiences of immigrants and had none of the rhetorical decoration that made high Arabic literature difficult for ordinary readers. Gibran’s haphazard education meant that his Arabic, like his English, was never perfect.
    ellauri277.html on line 240: In the spring of 1913 he visited the International Exhibition of Modern Art—the “Armory Show”—which introduced European modern art to America. He approved of the show as a “declaration of independence” from tradition, but he did not think most of the paintings were beautiful and did not care for the artistic ideologies behind movements such as cubism. The reviews of an exhibition of his own work in December 1914 were mixed. Hedevoted most of his time to painting for the next eighteen years but remained loyal to the symbolism of his youth and became an isolated figure on the New York art scene.
    ellauri277.html on line 242: Gibran’s first book in English, The Madman: His Parables and Poems, was completed in 1917; it was brought out in 1918 by the young literary publisher Alfred A. Knopf, who went on to publish all of Gibran’s English works. A gold mine! A goose laying golden eggs! Way to go Alfred!
    ellauri277.html on line 246: Gibran’s masterpiece, The Prophet, was published in September 1923. The earliest references to a mysterious prophet counseling his people before returning to his island home can be found in Haskell’s journal from 1912. Gibran worked on it from time to time and had finished much of it by 1919. He seems to have written it in Arabic and then translated it into English. As with most of his English books, Haskell acted as his editor, correcting Gibran’s chronically defective spelling and punctuation but also suggesting improvements in the wording.
    ellauri277.html on line 248: The work begins with the prophet Almustafa preparing to leave the city of Orphalese, where he has lived for twelve years, to return to the island of his birth. The people of the city gather and beg him not to leave, but the seeress Almitra, knowing that his ship has come for him, asks him instead to tell them his truths. The people ask him about the great themes of human life: love, marriage, children, giving, eating and drinking, and many others, concluding with death. Almustafa speaks of each of the themes in sober, sonorous aphorisms grouped into twenty-six short chapters. As in earlier books, Gibran illustrated The Prophet with his own drawings, adding to the power of the work.
    ellauri277.html on line 250: The Prophet received tepid reviews in Poetry and The Bookman, an enthusiastic review in the Chicago Evening Post, and little else. On the other hand, the public reception was intense. It began with a trickle of grateful letters; the first edition sold out in two months; 13,000 copies a year were sold during the Great Depression, 60,000 in 1944, and 1,000,000 by 1957. Many millions of copies were sold in the following decades, making Gibran the best-selling American poet of the twentieth century. It is clear that the book deeply moved many people. When critics finally noticed it, they were baffled by the public response; they dismissed the work as sentimental, overwritten, artificial, and affected.
    ellauri277.html on line 252: Gibran knew that he would never surpass The Prophet, and for the most part his later works do not come close to measuring up to it. The book made him a celebrity, and his monastic lifestyle added to his mystique.
    ellauri277.html on line 256: In 1926 and 1927, respectively, Gibran published Sand and Foam in English (Donovan!). Sand and Foam is decorated with Gibran’s drawings, and the aphorisms are separated by floral dingbats also drawn by Gibran. Most critics did not like the book, but, like all of his English works (except the flop Twenty Drawings), it has remained in print since its publication.
    ellauri277.html on line 258: In 1928 Gibran published his longest book, Jesus, the Son of Man: His Words and His Deeds as Told and Recorded by Those Who Knew Him. It was the most lavishly produced of Gibran’s books, with some of the illustrations in color. For once, the reviews were strongly and uniformly favorable, and the book has remained the most popular of his works next to The Prophet.
    ellauri277.html on line 260: Gibran died on 10 April 1931 of cirrhosis of the liver. He was an alcoholic and had been in poor health since the early 1920s. Gibran’s death set off a series of sordid conflicts that have clouded his reputation. His will left money and real estate to his sister (Marianna Jubran never married and died in Boston in 1972). Breckenridge ja Haskell piippasivat äkäsesti toisilleen mustankipeinä Gibranin kirjallisesta jäämistöstä. Breckenridge´s 1945 biography of Gibran, an adulatory work full of misinformation—much of which may have come from Gibran himself—continues to create confusion even after the publication of several excellent biographies.
    ellauri277.html on line 264: Gibran has generally been dismissed as sentimental and mawkishly [imelän] mystical. Nevertheless, his works are widely read and are regarded as serious literature by people who do not often read such literature. The unconventional beauty of his language and the moral earnestness of his ideas allow him to speak to a broad audience as only a handful of other twentieth-century American poets have. The sad fact is that a large majority of these monkeys are sentimental and mawkishly mystical.
    ellauri278.html on line 200: Chicherin was an eccentric, with obsessive work habits. Alexander Barmine, who worked in the People´s Commissariat for Foreign Affairs, noted that "Chicherin was a workaholic with peculiar habits. His workroom was completely buried in books, newspaper and documents. He used to patter into our room in his shirt sleeves, wearing a large silk handkerchief round his neck and slippers adorned with metal buckles ... which, for comfort´s sake, he never troubled to fasten, making a clicking noise on the floor." In 1930 Chicherin was formally replaced by his deputy, Maxim Litvinov. A continuing terminal illness burdened his last years, which forced him away from his circle of friends and active work and led to an early death.
    ellauri278.html on line 324: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
    ellauri279.html on line 195: In his lifetime, he worked as an actor, a photographer, an editor, a journalist and travel correspondent, as an author and as a professor of Russian. He was also the vice-president of the American branch of the International PEN club.
    ellauri281.html on line 199: Chicherin was an eccentric, with obsessive work habits. Alexander Barmine, who worked in the People´s Commissariat for Foreign Affairs, noted that "Chicherin was a workaholic with peculiar habits. His workroom was completely buried in books, newspaper and documents. He used to patter into our room in his shirt sleeves, wearing a large silk handkerchief round his neck and slippers adorned with metal buckles ... which, for comfort´s sake, he never troubled to fasten, making a clicking noise on the floor." In 1930 Chicherin was formally replaced by his deputy, Maxim Litvinov. A continuing terminal illness burdened his last years, which forced him away from his circle of friends and active work and led to an early death.
    ellauri281.html on line 323: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
    ellauri282.html on line 85: [3.4. klo 13.09] +358 44 2776451: Musta Dworkin on kiva, vaikka kuollut: ymmärsi käyttää fiksuutensa hyvin. Kirjoitti alzheimerintaudista jo 80-luvun lopulla ja sen mielestä oikeus syntyy litigoinnissa. Luultavasti faffa samaa mieltä, että Kelsen joutaa lopulta romukoppaan.
    ellauri282.html on line 89: [3.4. klo 13.19] Oma Profiili: Enligt Dworkins rättighetsbegrepp, innebär rätt att människor bara får agera destruktivt om detta leder till någonting bättre än vad som förstörs.
    ellauri284.html on line 595: Tää juonihan on suoraan kanadalaissarjasta The Indian Detective. It is a Canadian crime comedy-drama series which debuted on CTV and Netflix in 2017. The show stars Russell Peters as Doug D'Mello, a police officer from Toronto who becomes embroiled in a murder investigation while visiting his father (Anupam Kher) in Mumbai during a one-month suspension for incompetence. The fourth episode ended in a cliffhanger, hinting at a possible second season; while Peters has stated at various times that a second season was in the works, none has been officially announced as of September 2019. A relatively new show, Season 1 of ‘The Indian Detective’, consisting of four episodes, premiered on November 23, 2017, and it received mixed reviews from television critics and audiences alike. The show has no chance of being renewed for a second season.
    ellauri284.html on line 603: Gurgaon, a city of more than a million, rose pell-mell over the past three decades as private developers worked hand-in-hand with politicians to gain control of huge swaths of property, resulting in a chaotic metropolis of gated communities and golf courses that sit alongside squalid migrant camps and fetid cesspools.
    ellauri284.html on line 640: Construction workers at the tower site. One of their peers said that he makes about $4.60 for a 12-hour shift. (Enrico Fabian/for The Washington Post)
    ellauri284.html on line 643: Dinesh Dayma, a land agent for the Bansals, persuaded the surgeon to sell his land to the developer rather than risk having his land appropriated by the government at below-market rates. Dayma works out of an office in a low-slung concrete building not far from luxury hotels and a Porsche dealership. It sits snugly inside the walled office compound of his brother, Mahesh, a local politician from the BJP. A saffron-and-green banner with the politician’s photo — common in India — hangs prominently outside the property office.
    ellauri284.html on line 648: “The state and the developers work together,” Dayma said, encouraging rumors to rush farmers into selling. “In all of the sectors, all of the land was acquired this way,” he said.
    ellauri284.html on line 654: On a blindingly sunny day in Gurgaon, Pankaj Bansal, son of Basant Bansal, appeared on a golf green to greet contestants from the “Apprentice”-style Indian reality show “The Pitch.” The young scion, in a lilac shirt and aviator sunglasses, told the budding entrepreneurs that his family was positioning itself to be “one of the most respected developers in the country” and worked only with the best architects, interior designers and landscapers.
    ellauri284.html on line 655: The Bansal brothers have come far since their gritty early days. They have several large projects in the works, including one complex built around a nine-hole golf course that has suffered delays. Now, they are preparing to announce a joint venture with Mehta’s Mumbai-based Tribeca Developers to build Trump-branded residences, Mehta said.
    ellauri284.html on line 664: The Indian flag waves over a settlement for construction workers at the site of the planned Trump/IREO tower. (Enrico Fabian/for The Washington Post)
    ellauri284.html on line 665: At the construction workers’ settlement, a man washes at the open-air communal tank. (Enrico Fabian/for The Washington Post)
    ellauri285.html on line 265: Kuappinen avaa paperinsa huonosti väittämällä että Anna Kareninan todellinen sankari on Konstantin Levin. Mitä vittua? No koska "Levin is a respected, wealthy and hardworking landowner, and a proud father married to a beautiful and insightful woman who loves him deeply." Kun muut ovat yhdentekeviä, näyttää olevan oman etumme mukaista elää ize enemmän tai vähemmän merkityksellistä elämää.
    ellauri285.html on line 347: Mary Robinson (née Darby; 27 November 1757 – 26 December 1800) was an English actress, poet, dramatist, novelist, and celebrity figure. She lived in England, in the cities of Bristol and London; she also lived in France and Germany for a time. She enjoyed poetry from the age of seven and started working, first as a teacher and then as actress, from the age of fourteen. She wrote many plays, poems and novels. She was a celebrity, gossiped about in newspapers, famous for her acting and writing. During her lifetime she was known as "the English Sappho". She earned her nickname "Perdita" for her role as Perdita (heroine of Shakespeare's The Winter's Tale) in 1779. She was the first public mistress of King George IV while he was still Prince of Wales.
    ellauri285.html on line 660: Since 2002 Schoenman has worked with documentary filmmaker, Mya Shone, providing commentary for radio stations in many parts of the United States and Canada, and produces the "Taking Aim" radio show, billed as "Uncompromising, fact intensive exposés of the hidden workings of a capitalist system addicted to permanent war". In about 2009 they moved from broadcasting over WBAI to an Internet webcast.
    ellauri285.html on line 751: Alan David Sokal (/ˈsoʊkəl/; born January 24, 1955) is an American professor of mathematics at University College London and professor emeritus of physics at New York University. He works in statistical mechanics and combinatorics. He is a critic of postmodernism, and caused the Sokal affair in 1996 when his deliberately nonsensical paper was published by Duke University Press´s Social Text. He also co-authored a paper criticizing the critical positivity ratio concept in positive psychology.
    ellauri285.html on line 757: Later, but of more critical importance, the Fredrickson and Losada work on modeling the positivity ratio aroused the skepticism of Nick Brown, a graduate student in applied positive psychology, who questioned whether such work could reliably make such broad claims, and perceived that the paper´s mathematical claims underlying the critical positivity ratio were suspect. Brown contacted and ultimately collaborated with physics and maths professor Alan Sokal and psychology professor Harris Friedman on a re-analysis of the paper´s data (hereafter the Brown-Sokal-Friedman rebuttal). They argued that Losada´s earlier work on positive psychology and Fredrickson and Losada´s 2005 critical positivity ratio paper contained "numerous fundamental conceptual and mathematical errors", errors of a magnitude that completely invalidated their claims.
    ellauri285.html on line 786: Marcial Losada (1939–2020) was a Chilean psychologist, consultant, and former director of the Center for Advanced Research (CFAR) in Ann Arbor, Michigan.[not verified in body] He is known for his work in academia and business focusing on the development of "high performance teams",[This quote needs a citation] and having participated in partially retracted collaborative work with Barbara Fredrickson of the University of North Carolina, a retraction for which he has been assigned the culpability.
    ellauri285.html on line 788: Marcial Francisco Losada was born in 1939 in Chile.[citation needed] He received a Ph.D. in organizational psychology from the University of Michigan. After finishing his doctoral work, Losada served as a Center for Advanced Research (CFAR) in Ann Arbor, Michigan.[when?][citation needed] In his career, Losada developed a nonlinear dynamics model, the meta learning model, to show dynamical patterns achieved by high, medium and low performing teams, where performance was evaluated based on profitability, customer satisfaction, and 360-degree feedback.[citation needed]. In pursuing these goals, he founded and served as executive director of Losada Line Consulting, which had presented past workshops and seminars at companies including Apple, Boeing, EDS, GM, and Merck, and foundations including the Kellogg and Mellon Foundations, with high performance team-building contracts at BCI, Banchile, BHP-Billiton, Codelco, and Telefónica [better source needed].
    ellauri294.html on line 545: James Kendrick Q Network Film Deskistä totesi, että se "ei ole yksi studion parhaista ponnisteluista, mutta siitä huolimatta se on kiehtova tuote liennytyxen aikakaudelta sekä mielekäs lausunto ennakkoluulojen luonteesta."
    ellauri297.html on line 48: Founder, Ammi Ruhama Community Christian Union. Living History Interpretor. Baker. Milford Baby and Toddler Group Organizer. Bada Bing Pizza Chef. Sunnymead Residential Home Kitchen Assistant. Be Life Cafe and Marketplace Operations Personnel. Summit Christian Academy Steward. I vacuum the hallways, library, music room and preschool room. I clean the bathrooms and mop the gym/cafeteria floor. I also maintain the general premises. Dan the Handy Man. Do you need handy work done around your house, but don't want to have to call in the big guys with the big price? My name is Daniel Bacon and I am an experienced handy man living right here in Clarks Summit. If you need your lawn cut, bushes trimmed, garden weeded, fence painted / stained or just about any other job done, then call me at 570-585-9595 or email me at contactdanielbacon@gmail.com and we'll set up a time for me to come and see if I am the right man for the job. Wait! let me…Show more... (Ouch!) I emptied the front cash register as well as filling in as a sandwich maker. I created schedules and activities for the campers and staff to participate in. I also led worship during the evenings. Student janitor.
    ellauri297.html on line 50: Bakery Worker, Word of Life Fellowship. I baked breads and pastries and or other culinary specialties for the campers. Word of Life Fellowship Tech Guy. I worked the light board for the meetings in Pine pavilion as well as setting up tech stations for games and outdoor meetings.
    ellauri299.html on line 528: Labor market polarization has been the most severe in liberal market economies like the US, Britain, and Australia. Countries like Denmark and France have been subject to the same economic pressures, but due to their more "inclusive" (or "egalitarian") labor market institutions, such as centralized and solidaristic collective bargaining and strong minimum wage laws, they have experienced less polarization. Cross-national studies have found that European countries´ working poverty rates are much lower than the US´s. Most of this difference can be explained by the fact that European countries´ welfare states are more generous. Grisham's folks gave offerings to the church because the Bible strongly suggested it.
    ellauri299.html on line 530: Matthew Desmond, the acclaimed Princeton sociologist and author of Evicted: Poverty and Profit in the American City, thinks that poverty has barely improved in the United States over the past 50 years — and he has a theory why. Laid out in a long essay for the New York Times Magazine that is adapted from his forthcoming book Poverty, by America, Desmond’s theory implicates “exploitation” in the broadest sense, from a decline in unions and worker power to a proliferation of bank fees and predatory landlord practices, all of which combine to keep the American underclass down. Relative poverty in the US has stagnated in the last 40 years.
    ellauri299.html on line 550: The working poor fare even worse than the lazy shiftless ones. Two even three jubs are not enough to keep them out of poverty. Many low-wage service sector jobs require a great deal of customer service work. Although not all customer service jobs (e.g. litigation laywers) are low-wage or low-status, many of them are. Some argue [who? Marx and Engels maybe?] that the low status nature of some jobs can have negative psychological effects on workers, but others argue that low status workers come up with coping mechanisms that allow them to maintain a strong sense of self-worth.
    ellauri299.html on line 552: One coping mechanism is called boundary work, which happens when one group of people valorize their own social position by comparing themselves to another group, who they perceive to be still inferior in some way. For example, Newman (1999) found that fast food workers in New York City cope with the low-status nature of their job by comparing themselves to the unemployed, who they perceive to be even lower-status than themselves.
    ellauri299.html on line 554: Having a generous welfare state does two key things to reduce working poverty: it raises the minimum level of wages that people are willing to accept, and it pulls a large portion of low-wage workers out of poverty by providing them with an array of cash and non-cash government benefits.
    ellauri299.html on line 556: Many [who? Marx and Engels maybe?] think that increasing the United States´ welfare state generosity would lower the working poverty rate. A common critique of this proposal is that a generous welfare state would not work because it would stagnate the economy, raise unemployment, and degrade people´s work ethic.
    ellauri300.html on line 325: In 1951, Rabbi Menachem Mendel Schneerson formally accepted the leadership as the seventh Chabad Rebbe. He transformed the movement into one of the most widespread Jewish movements in the world today. Under his leadership, Chabad established a large network of institutions that seek to satisfy religious, social and humanitarian needs across the world. Chabad institutions provide outreach to unaffiliated Jews and humanitarian aid, as well as religious, cultural and educational activities. Prior to his death in 1994, Schneerson was believed by some of his followers to be the Messiah, with his own position on the matter debated among scholars. Messianic ideology in Chabad sparked controversy in various Jewish communities and is still an unresolved matter. Following his death, no successor was appointed as a new central leader.
    ellauri300.html on line 638: Titus’ background is not explained, other than the fact he was Gentile and apparently never circumcised (Paul had checked, Galatians 2:4). This is an interesting point, since Timothy was half-Greek, and not circumcised either! Still, Paul chose to circumcise Timothy to honor the Jews in an area that the two of them were ministering in (Acts 16:1-5). Paul repeatedly mentions in his letters that circumcision is not necessary under the new covenant (though great fun), and even tells Titus to silence Christians who try to promote it (Titus 1:10-14). So, Paul’s choice to circumcise Timothy would suggest that he had a pragmatic thorn in his side. He did not require his disciples to be circumcised, but if the situation called for working among Jews and it made things easier, he would gladly do it. Whether Titus ever ministered to Jewish believers is not stated, and both he and Titus worked at churches in Gentile areas (Timothy in Ephesus, Titus in Crete, and Corinth and Dalmatia).
    ellauri300.html on line 651: Freedom and glory in Christ (Titus 2:11-15, 3:3-8). Do not expect things working out now, but in the day that Jesus will reveal himself to humanity.
    ellauri300.html on line 832: Today, we aim to raise $220,000 to support our work for 2023. Will you join us today? PST our cookies are good. Accept them while you can.
    ellauri301.html on line 94: Hmm, jotain hämärrää Henningissä on. Kekä ja minkäneuvoinen oli se "pardneri" johon se liimautui Norjassa? Mihkä eka avioliitto kaatui vain vuoden kestettyään? Mihkä se viisikymppinen norjalainen barnmorska katosi? Mixi Portugaliin? Maputossa puhutaan portugalia. Mixi Mankeli nai niin paljon menopausaalisia naisia? Oliko ne äitihahmoja? Oliko vaimot mukana Aahrikan matkoilla? Vai oliko noi vaimot jotain savuverhoja? Ettei vaan ollut Henning 2-neuvoinen? Harri Jäppinenkin matkusti Indonesiaan sukkuloimaan. Saiko Henning Aahrikassa aidsin? Henning Mankell in a cemetery in Maputo, where he worked as an Aids activist.
    ellauri301.html on line 100: The extraordinary global success of Swedish and later Norwegian crime fiction as a form of escapist literature for men had several causes. One is that police work is one of the last wholly unionised jobs in the world, so that our hero will never be sacked for anything other than gross misconduct – of which he, being the hero, is never really guilty. In the optimistic 60s, James Bond was distinguished from other middle-aged men by his licence to kill but by the 90s the policeman as a fantasy hero had a licence to keep his job. In the economic whirlwind of globalisation, this was something that a lot of frustrated middle-aged men could only dream of.
    ellauri301.html on line 144: Young Wallander is a young, edgy, and modern series that sees Henning Mankell's iconic detective Kurt Wallander investigate his gripping first case. The story focuses on the formative experiences – professional and personal – faced by Kurt as a recently graduated police officer in his early twenties. Including frequent fornication with an unrealistically pretty immigrant charity worker.
    ellauri301.html on line 226: The "!Oroǀõas" ("Ward-girl"), spelled in Dutch as Krotoa, otherwise known by her Christian name Eva (c. 1643 – 29 July 1674), was a !Uriǁ´aeǀona translator working for the officials of the Vereenigde Oostindische Compangie (VOC) during the founding of the Cape Colony.
    ellauri301.html on line 228: Krotoa was born in 1643 as a member of the !Uriǁ’aeǀona (Strandlopers) people, and the niece of Autshumao, a Khoi chieftain and trader. At the age of twelve, she was taken to work in the household of Jan van Riebeeck, the first governor of the Cape colony. As a teenager, she learned Dutch and Portuguese and, like her uncle, worked as an interpreter for the Dutch who wanted to trade goods for cattle. "!Oroǀõas" received goods such as tobacco, brandy, bread, beads, copper and iron for her services. In exchange, when she visited her family her Dutch masters expected her to return with cattle, horses, seed pearls, amber, tusks, and hides. Unlike her uncle, however, who just Spike hottentot, "!Oroǀõas" was able to obtain a higher position within the Dutch hierarchy as she additionally served as a trading agent, ambassador for a high ranking chief and peace negotiator in time of war. Her story exemplifies the initial dependency of the Dutch newcomers on the natives, who were able to provide reasonably reliable information about the local inhabitants.
    ellauri301.html on line 256: De Klerk became Deputy President in Mandela´s ANC-led coalition, the Government of National Unity. In this position, he supported the government´s continued liberal economic policies but opposed the Truth and Reconciliation Commission set up to investigate past human rights abuses because he wanted total amnesty for political crimes. His working relationship with Mandela was strained, although he later spoke fondly of him, when the coon finally died 2013. De Clerck ize kuoli viime vuonna eli 2021.
    ellauri301.html on line 543: If the value of tikkun olam really means leaving your imprint on the world in a quest to make it a better place for all of us, then Steve Jobs possessed that value a thousand-fold. Tikkun Olam: In Jewish teachings, any activity that improves the world, bringing it closer to the harmonious state for which it was created. Tikkun olam implies that while the world is innately good, its Creator purposely left room for us to improve upon His work.
    ellauri309.html on line 269: Twitter. But, God, you should know how tools work before you use them. We
    ellauri309.html on line 283: plagiarism is the most terrible sin a writer can commit. I have worked my
    ellauri309.html on line 284: entire career to build a foundation of professionalism, of teamwork with my
    ellauri309.html on line 299: reputation and my work. I’m appalled by this, sickened by it. I’m disgusted
    ellauri309.html on line 311: Roberts. I’m a hard-working writer, and an honest one. That’s it. Here´s my
    ellauri310.html on line 38: would be nice. At any rate, we‘re working on it. Adolf Hitlerin V2-raketit
    ellauri310.html on line 605: Richard Volney Chase (1914-1962) was a literary critic and a Professor of English at Columbia University. He is known for his work The American Novel and Its Tradition. Way famouser is Richard Trenton Chase (May 23, 1950 – December 26, 1980) an American serial killer, cannibal, and necrophile who killed six people in the span of a month in 1977 and 1978 in Sacramento, California. He was nicknamed The Vampire of Sacramento because he drank his victims' blood and cannibalized their remains.
    ellauri313.html on line 140:

    Do Europeans work as hard as Americans?

    ellauri313.html on line 142: Having worked in the US, the UK, France, Germany, and Sweden, my
    ellauri313.html on line 145: essential part of working life. There is an inherent sense of masochistic
    ellauri313.html on line 147: in an ebb and flow rythm after all, so we consider work something that also
    ellauri313.html on line 150: “Working hard” as such is replaced by “working efficiently."
    ellauri313.html on line 173: That being said, at 500 pages, the book takes on a lot and doesn't adequately address it all. There's the nominal plot, which concerns the Yugoslav mafia in Sweden; but there's also a new relationship for Annika, which is complicated; the politics of the newspaper she works for; fundamental questions about the role of the welfare state; and questions about the role of a newspaper vis a vis law enforcement. This all kind of dropped off toward the end of the book, and I didn't find the conclusion to be particularly satisfying. I felt impatient with Annika's (main character), histrionics and irrationality.
    ellauri316.html on line 826: In the US, monuments installed by the Organization of Ukrainian Nationalists-Bandera (OUN) have been misconstrued as representing Ukrainian democracy. The OUN, however, openly declared its intent to “work closely with National-Socialist Greater Germany under the leadership of Adolf Hitler.”
    ellauri316.html on line 845: Viron mezäveljiä hyllasi myös violettitukkainen fasisti-itätyttömme Sofi Oxanen. A Ukrainian Jew is working to untangle the legacy of far-right nationalist leader Stepan Bandera, another Nazi collaborator icon uplifted by NATO.
    ellauri321.html on line 49: None of Wotton's poetry was published during his lifetime and it was not until 1651 that his collected works were issued as Reliquiae Wottonianae. Among these, Elizabeth of Bohemia, Upon the Sudden Restraint of the Earl of Somerset, and The Character of a Happy Life are the most memorable. Izaak Walton's biography of Sir Henry Wotton, written in 1670, clearly depicts his powerful intellect, forthright character, and the esteem in which he was held.
    ellauri321.html on line 105: For many years after Hazlitt had sounded his note of praise, Crèvecoeur and his work remained practically unknown. The ideas for which he stood, the literary atmosphere that he created, were both old-fashioned. Few people took Rousseau from their upper shelves, and the dust gathered on the tomes of Chateaubriand. Even Werther was more talked about than read. And so no one cared for this Earthly Paradise of the Age of Reason dashed with Rousseau's sentimentality, filled with his love of Nature, and prophetic of the whole Emigrant literature of France.
    ellauri321.html on line 114: Crèvecoeur's book differs from other works descriptive of early conditions in America in that xvi that it should be regarded primarily as a piece of literature. Beyond the information that is given by it there is the more permanent significance of its tone and atmosphere, of its singularly engaging style, and of the fact that it forms part of a great literary movement.
    ellauri321.html on line 123: But Crèvecoeur was after all a Frenchman, with the strong social instinct of his race. And so he proceeds to analyze and define the political conditions of America. It fills him with a quiet but deep satisfaction to be one of a community of “freeholders, the possessors of the soil they cultivate, members of the government they obey, and the framers of their own laws by means of their representatives.” Thus he rises to a consideration of this new type of social man and seeks to answer the question: What xx What is an American? His answer is delightful literature, but fanciful sociology. Had the colonial farmers all been Crèvecoeurs, had they all possessed his ideality, his power of raising simple things into true human dignity, of connecting the homeliest activity with the ultimate social purpose which it furthers in its own small way, his description of the American would have been fair enough. As a matter of fact, the hard-working colonial farmer, cut off from the refining and subduing influences of an older civilization, was probably no very delectable type, however worthy, and one fears that Professor Wendell is right in declaring that Crèvecoeur's American is no more human than some ideal savage of Voltaire. But in this fact lies much of the literary charm of his work, and of its value as a human document of the age of the Revolution.
    ellauri321.html on line 127: I am far from rejoicing to hear that there are in the world men so thoroughly wretched; they are no doubt as harmless, industrious, and willing to work as we are. Hard is their fate to be thus condemned to a slavery worse than that of our negroes.
    ellauri321.html on line 131: Yet when young I entertained some thoughts of selling my farm. I thought it afforded but a dull repetition of the same labours and pleasures. I thought the former tedious and heavy, the latter few and insipid; but when I came to consider myself as divested of my farm, I then found the world so wide, and every place so full, that I began to fear lest there would be no room for me. My farm, my house, my barn, presented to my imagination, objects from which I adduced quite new ideas; they were more forcible than before. Why should not I find myself happy, said I, where my father was before? He left me no good books it is true, he gave me no other education than the art of reading and writing; but he left me a good farm, and his experience; he left me free from debts, and no kind of difficulties to struggle with 24 with.—I married, and this perfectly reconciled me to my situation; my wife rendered my house all at once chearful and pleasing; it no longer appeared gloomy and solitary as before; when I went to work in my fields I worked with more alacrity and sprightliness; I felt that I did not work for myself alone, and this encouraged me much. My wife would often come with her kitting in her hand, and sit under the shady trees, praising the straightness of my furrows, and the docility of my horses; this swelled my heart and made every thing light and pleasant, and I regretted that I had not married before. I felt myself happy in my new situation, and where is that station which can confer a more substantial system of felicity than that of an American farmer, possessing freedom of action, freedom of thoughts, ruled by a mode of government which requires but little from us? Every year I kill from 1500 to 2,000 weight of pork, 1,200 of beef, half a dozen of good wethers in harvest: of fowls my wife has always a great stock: what can I wish more?
    ellauri321.html on line 143: The rich and the poor are not so far removed from each other as they are in Europe. Some few towns excepted, we are all tillers of the earth, from Nova Scotia to West Florida. We are all animated with the spirit of an industry which is unfettered and unrestrained, because each person works for himself. (Excepting the Negroes of course, and a bunch of penniless farm hands.)
    ellauri321.html on line 186: Let me select one as an epitome of the rest, say this wetback from South America: he is hired, he goes to work, and works moderately; instead of being employed by a haughty person, he finds himself with his equal, placed at the substantial table of the farmer, or else at an inferior one as good; his wages are high, his bed is not like that bed of sorrow on which he used to lie: if he behaves with propriety, and is faithful, he is caressed, and becomes as it were a member of the Amazon family.
    ellauri321.html on line 188: He looks around, and sees many a prosperous person, who but a few years before was as poor as himself. This encourages him much, he begins to form some little scheme, the first, alas, he ever formed in his life. If he is wise he thus spends in a tent on the street two or three score years, in which time he acquires knowledge, the use of tools, the modes of working the lands, felling trees, &c. This prepares the foundation of a good name, the most useful acquisition he can make. He is encouraged, he has gained friends;
    ellauri321.html on line 195: The Scotch and the Irish might have lived in their own country perhaps as poor, but enjoying more civil advantages, the effects of their new situation do not strike them so forcibly, nor has it so lasting an effect. From whence the difference arises I know not, but out of twelve families of emigrants of each country, generally seven Scotch will succeed, nine German, and four Irish. The Scotch are frugal and laborious, but their wives cannot work so hard as German women, who on the contrary vie with their husbands, and often share with them the most severe toils of the field, which they understand better. They have therefore nothing to struggle against, but the common casualties of nature. The Irish do not prosper so well; they love to drink and to quarrel; they are litigious, and soon take to the gun, which is the ruin of every thing; they seem beside to labour under a greater degree of ignorance in husbandry than the others; perhaps it is that their industry had less scope, and was less exercised at home. Their potatoes, which are easily raised, are perhaps an inducem
    ellauri321.html on line 218: Juan in America was a success and was chosen by the Book Society as Book of the Month. However, the work annoyed the Commonwealth Foundation – Linklater was accused of showing too little respect for the United States and its institutions. Russian Communism the writer considered an "Oriental perversion aggravated by torments and a technique filched from Germanic practice."
    ellauri322.html on line 83: If there is a country in the world where concord, according to common calculation, would be least expected, it is America. There the poor are not oppressed, the rich are not privileged. Industry is not mortified by the splendid extravagance of an unruly workforce rioting at its expense. Tripla hah.
    ellauri322.html on line 119: In the preceding part of this work, I have spoken of an alliance between England, France, and America, for purposes that were to be afterwards mentioned. It is, I think, certain, that if the fleets of England, France, and Holland were confederated, they could propose, with effect, a limitation to, and a general dismantling of, all the navies in Europe, to a certain proportion to be agreed upon.
    ellauri322.html on line 244: Mary Wollstonecraft left Lisbon for England late in December, 1785. When she came back she found Fanny's poor parents anxious to go back to Ireland ; and as she had been often told that she could earn by writing, she wrote a pamphlet of 162 small pages" Thoughts on the Education of Daughters " and got ten pounds for it. This she gave to hel- friend's parents to enable them to go back to their kindred. In all she did there is clear evidence of an ardent, generous, impulsive nature. One day her friend Fanny Blood had repined at the unhappy surroundings in the home she was maintaining for her father and mother, and longed for a little home of her own to do her work in. Her friend quietly found rooms, got furniture together, and told her that her little home was ready ; she had only to walk into it. Then it seemed strange to Mary Wollstonecraft that Fanny Blood was withheld by thoughts that had not been uppermost in the mood of complaint. She thought her friend irresolute, where she had herself been generously rash. Her end would have been happier had she been helped, as many are, by that calm influence of home in which some knowledge of the world passes from father and mother to son and daughter, without visible teaching and preaching, in easiest companionship of young and old from day to day.
    ellauri322.html on line 250: With all this hard work she lived as sparely as she could, that she might help her family. She supported her father. That she might enable her sisters to earn their living as teachers, she sent one of them to Paris, and maintained her there for two years ; the other she placed in a school near London as parlour-boarder until she was admitted into it as a paid teacher. She placed one brother at Woolwich to qualify for the Navy, and he obtained a lieutenant's commission. For another brother, articled to an attorney whom he did not like, she obtained a transfer of dentures; and when it became clear that his quarrel was more with law than with the lawyers, she placed him with a farmer before fitting him out for emigration to America. She then sent him, so well prepared for his work there that he prospered well.
    ellauri322.html on line 252: She tried even to disentangle her father's affairs ; but the confusion in them was beyond her powers of arrangement. Added to all this faithful work, she took upon herself the charge of an orphan child, seven years old, whose mother had been in the number of her friends. That was the life of Mary Wollstonecraft, thirty years old, in 1789, the year of the Fall of the Bastille; the noble life now to be touched in its enthusiasms by tbe spirit of the Revolution, to be caught in the great storm, shattered, and lost among its wrecks.
    ellauri322.html on line 489: You are viewing an original antique oil painting on canvas by Paulette Bardy, listed French Impressionist of the early part of the 20th century. She was born in Fez, Morocco and her works were accepted and exhibited at the prestigious Salon des Artistes Francais in Paris. She was a pupil of French artist Charles Fouqueray and she also painted a series of controversial risque beach scenes, erotic in nature, titled "La Plage" and "Bord de Mer". Her landscapes are Impressionistic mixed with an influence of rural French folk art.
    ellauri323.html on line 39: And turn me into a patchwork, a jig-saw puzzle, Ja tee minusta tilkkutäkkiä, palapeliä,
    ellauri323.html on line 180: Member of the Hadash Party and the Israeli Knesset Ofer Cassif says while the killing of civilians on both sides was condemnable, it was Israel’s occupation of Palestinian territories, and the actions of the Netanyahu-led government, that was responsible for the deaths of Israelis and Palestinians. Cassif also criticised the US government, saying that if it had pressed Israel to move towards a peaceful political solution and to end the occupation, events such as today’s would not have happened. Eurowesterners are making very similar statements and language that you have heard from US President Joe Biden. They are firmly blaming Hamas for this attack. Biden pledges ‘all appropriate means of support’ to Israel. The US provides $3.8bn in unconditional military aid to Zion annually. Hadash is a left-wing party that supports a socialistic economy and workers' rights. It emphasizes Jewish-Arab cooperation, and its leaders were among the first to support a two-state solution. Its voters are principally middle class and secular Arabs, many from the north and Christian communities.
    ellauri324.html on line 38: Throw them some pesos, and they work so hard
    ellauri324.html on line 60: When they're not working they sit at the bar
    ellauri324.html on line 295: There will then be a chip that can do everything i mentioned before however this will be implanted within you and the idea will be that its safe secure trendy and it makes you like a GOD! celebrities professors of high institutions law enforcement CEOS etc will all have this making it more intriguing to the masses. In a short amount of time this will edge out physical currency however people will have an option. When enough people have accepted this IT WILL BECOME MANDATORY YOU WILL NOT BE ABLE TO BUY OR SELL, TRAVEL OR WORK, TAKE THE BUS THE TRAIN EAT AT RESTAURANTS OR EVEN APPLY TO SCHOOLS OR WORK JOBS. Within your schools and hospitals and workplaces your bosses and teachers will make this mandatory and you will have to comply before you end up in jail or confinement. At this point you will have to either leave and take up whatever supplies you have or join people who are like minded in not conforming to the technological abomination. People at this time will be very sick and people in America have been getting more sick with food pollution stress fatigue etc they will rely on the system for their medication with heart and organ failures depression and psychosis tumors and boils that will seem to have no cure. People who rely on the system will have a harder time withdrawing from it. Addictions food intolerances vaccine epidemics and malnutrition exhaustion fatigue depression and violence will be on the rise to a point where they could and want to call for martial law.
    ellauri327.html on line 89: workimages/mediumlarge/3/contribute-everything-for-war-subscribe-to-the-war-loan-old-soviet-propaganda-poster-retro-graphika.jpg" height="200px" />
    ellauri327.html on line 108: sellouts. They work for NATO and they are responsible for this war. They first started killing
    ellauri332.html on line 205: Sekä Anthony Burgessin romaani että Stanley Kubrickin myöhempi "A Clockwork Orange" -sovitus eivät ole heikkohermoisille. Elokuva oli kusen peitossa, eikä ihme, miksi. Juoni keskittyy Alex DeLargen, väkivaltaisesti kieroutuneen rikollisen ympärille, joka tekee kauhistuttavia julmuuksia. Mitähän itua siinäkin muka oli?
    ellauri332.html on line 482: There's consequently very little that actually works here, and one can't help but marvel at Wenders' consistently wrong-headed directorial choices (that he's essentially disowned the film in the years since its release doesn't come as much of a surprise).
    ellauri332.html on line 505: Alkuperäisestä vastustuksestaan huolimatta Kim itkee lopulta hillittömästi ja saastuttaa itsensä sen jälkeen, kun Skylark laulaa Katy Perryn kappaleen Firework (tietäen Kimin rakkaudesta hänen musiikkiinsa), mikä pilaa hänen maineensa. Raivoissaan Skylarkin pettämisestä Kim ampuu hänet ja vannoo kostavansa laukaisemalla ydinohjuksen.
    ellauri332.html on line 664: Chinless George Lucas was born and raised in modest circumstances in Modesto, California, the son of Dorothy Ellinore Lucas (née Bomberger) and George Walton Lucas Sr., and is of German, Swiss-German, English, Scottish, and distant Dutch and French descent. His family attended Disneyland during its opening week in July 1955, and Lucas would remain enthusiastic about the park, Goofy in particular. Lucas's father owned a stationery store, and had wanted George to work for him when he turned 18. Sama lähtökohta siis kuin Paavo Havikolla.
    ellauri333.html on line 53: Kaippa ton andamaaneille sijoitetun netclicks-sarjan opetus on ettei kunnon hindun pidä mennä merta edemmäxi kalaan. Bharata on itäinkkarille aivan riittävä. Eikä pidä olla eriseurainen vaan ottaa osaa tiimikokouxiin. Tottelemattomalle sikhille kävikin kohta kalpaten. Kalautti päänsä kiveen kaikuvasti kuten vähän aikasemmin norjalaisskotti Annikan vainoama paki ovenkamanaan. Ketan Kamat on se luihu poliisi, joka juonipaljastusten mukaan "is on the path to become a better man and working for the people of the island instead of being a sell-out" rakastuttuaan Rituun, sikhitohtorin uuteen apulaiseen, joka kexii curen nikotuxeen. Varmaan se on se lehdetön kasvi kukkaruukussa jota taxikuskin äiti toiveikkaasti kasteli vaikka pojat naureskelivat. Sen pojat ehtivät kyllä kuolla nikotuxeen ensixi. Mallikarjun kamalapalli tulee tästä sarjasta ezimättä mieleen. Sanna Marin esimerkixi on nuori mutiainen rähmällään lattialla hikipaidassa aakkostamassa jotain papereita. Buahaha.
    ellauri333.html on line 227: Bhakti movement saints such as Samarth Ramdas and Narendra Modi have positioned angry Hanuman as a symbol of nationalism and resistance to persecution. The Vaishnava saint Madhvacharya said that whenever Vishnu incarnates on earth, Vayu accompanies him and aids his work of preserving dharma. In the modern era, Hanuman's iconography and temples have been increasingly common. He is viewed as the ideal combination of "strength, heroic initiative and assertive excellence" and "loving, emotional devotion to his personal god Rama", as Shakti and Bhakti. In later literature, he is sometimes portrayed as the patron god of martial arts such as wrestling and acrobatics, as well as activities such as meditation and diligent scholarship. He symbolises the human excellences of inner self-control, faith, and service to a cause, hidden behind the first impressions of a being who looks like a Vanära. Hanuman is considered to be a bachelor and an involuntary celibate.
    ellauri333.html on line 256: Among the military fraternities of ancient tribes, all young males were initiated into the art of killing anyone perceived as a threat to the tribe. Such ceremonies followed rituals whereby the young men stripped and dressed in animal skin (often also donning a fierce animal mask) and worked themselves into a bestial rage. Rage removes inhibitions. Rage alone makes the gentle, genial young man next door who listens to film songs all day suddenly go berserk and join a mob as killer of the perceived enemy. Bearskin and Berserk, the two words incidentally are synonymous in German. The question is, how do you awaken the killer instinct in a male turning even a laid-back herbivore into a blood thirsty predator? Well here's how:
    ellauri333.html on line 328: Also, one’s name is indicative of one’s religion, caste, place of birth and a myriad of other such identity factors. The extensive work of Raja Jayaraman (2005) on the same topic, traces the origin of Hindu caste-based surnames of the Indian subcontinent in the then-prevalent social institutions and rules of social interactions. According to him, as mentioned in the Samskara Vidhi or the Rules of Life-cycle Rituals in Hinduism, names like ‘Sharma’ are usually reserved for Brahmins, ‘Varma’ for Kshatriyas, ‘Gupta’ for Vaishyas and ‘Das’ for Shudras. Dalit are the worst, they are the pariahs, like Ritu Gagra.
    ellauri333.html on line 366: His thesis was on "The problem of the rupee: Its origin and its solution". He worked as a private tutor, as an accountant, and established an investment consulting business, but it failed when his clients learned that he was an untouchable. In 1918, he became professor of political economy in the Sydenham College of Commerce and Economics in Mumbai. Although he was successful with the students, other professors objected to his sharing a drinking-water jug with them.
    ellauri334.html on line 66: work-and-escape-poverty/trend03-3m-soer2010-eps/image_large" width="70%" />
    ellauri334.html on line 262: Marc Lipshitz. een involved in counter missionary work for 20+ years:
    ellauri335.html on line 494: "Health workers and civilians should never have to be exposed to such horror, and especially while inside a hospital," he said on social media platform X. What does he know, and WHO is he to make such allegations.
    ellauri336.html on line 318: The fact that there may be such a source is hardly a “slam-dunk” in favor of head-shaving for a variety of reasons. The Talmud in several places either implies or states explicitly that the practice of women is not to shave their heads. For example, Eiruvin 100b says that one of the “curses of Eve” is that women grow their hair long, while Nazir 28b says that a man can cancel his wife’s vow to shave her head if he finds it unattractive. Furthermore, the Shulchan Aruch expressly prohibits women from shaving their heads (YD 182:5). The Zohar, while important, is not a halachic work so ruling from when it contradicts the Talmud or works of halacha is not a simple thing, and Hasidic communities act differently in such a situation than non-Hasidic communities. So this matter goes beyond merely acting leniently vs. acting stringently. (There are also those authorities who say that that’s not even what that Zohar means.)
    ellauri336.html on line 366: Just came across this post. My mother, Nechama bat Nissan, of blessed memory told me that the reason women from Eastern Europe shaved their heads was that during the pogroms the Russian soldiers would crash a Jewish wedding; kidnap the bride, and rape her. The woman would shave her head to be unattractive to the Russian beast. But did it really work? Nowadays everyone seems to be shaving between their legs, has that ever cooled anybody's boner down?
    ellauri336.html on line 598: Thunberg also shared an Instagram post to her “story” that called on people across the world to engage in a “general strike” and refuse to go to school or work to show “solidarity” with Palestinians. The post reads: “Let's make it together a reality and bring as much pressure on the West to change it's [sic] racist policies and to stop the genocide in Gaza! We will not be silent while our people, our families are being slaughtered!”
    ellauri336.html on line 622: With kindred spirits in the Trump White House, Texas is now intensifying its support of the fossil fuel industry and, pipeline by pipeline, literally laying the groundwork for production to ramp up even more in the next decade.
    ellauri336.html on line 658: Busby hopes natural disasters might accelerate change by altering the economic equation. Fortunately, man made disasters in Ukraine and Israel work just the opposite. The Gulf coast’s vulnerability to storms potentially made more severe by global heating – such as Harvey, which flooded much of the Houston area in 2017 - could damage ports, refineries and petrochemical plants, erode financial markets’ enthusiasm for fossil fuel investments, hurt companies’ bottom lines and push climate concerns higher up the priority list for voters in traditionally conservative suburban and rural areas. Small hope.
    ellauri339.html on line 618: Nevertheless, the fickle attention of America shifted to the Middle East just as things started to look more and more like static WWI trench warfare in Ukraine. It was a hard act to follow, but something always follows nonetheless (the same calculus works for natural disasters and mass shootings, which are only as mediagenic-good as the next one coming.) Over 41 percent of Americans now say the U.S. is doing too much to help Kiev. That’s a significant change from just three months ago when only 24 percent of Americans said they felt that way.
    ellauri341.html on line 546: I want to provide customers and business partners a unique experience, a vision and a true commitment. You can not work with people if you do not believe in them. I want to reinvent these concepts and make them understand the professionalism at the highest level.
    ellauri342.html on line 329:
    Keijo Kullervo Kalske (February 28, 1912, Lahti, Finland – January 26, 1977, Helsinki, Finland) was a Finnish actor. Kalske, who worked as a police officer in Kotka before his film career, had performed occasionally at Kotka City Theater. Bulky and broad-shouldered, the 186-centimeters-tall Kalske was often seen on stage and in films in the roles of a soldier, a police or a guard, who he was perfectly fit to interpret with professionalism due to his police background.

    ellauri342.html on line 480: A revolutionist, a worker Kumouxellinen, työläinen
    ellauri342.html on line 484: To every other worker Muille työläisille kaikille
    ellauri342.html on line 531: Men and women, proud of working-hours, Miehet ja naiset, työajan ulkopuolella
    ellauri344.html on line 261: Jews without Money is set in a slum populated mainly by Jewish immigrants from Eastern Europe. The father of the hero is a Romanian-born painter who suffers from lead poisoning. When he falls from a scaffold, he is disabled and can no longer work. His business fails and the family is pushed into poverty. The mother has to seek work in a restaurant. Although he is a bright boy, young Michael decides he must leave school. On the final page of the book, the poor Jewish boy prays for the arrival of a Marxist worker's revolution that will emancipate the working class.
    ellauri344.html on line 263: The novel depicts a Zionist entrepreneur's fatal extortion of a poor Jew, which has been read as a proletarian critique of both American capitalism and of Zionism as a "bourgeois" movement that does not serve the interests of working-class American Jews.
    ellauri346.html on line 54: Is there a chance of an attack on Russia by Ukrainian terrorists? You don’t appear to understand how this works. Russia has made overt war on Ukraine. Any attacks on Russian soil would be part of the bigger war that Putin and Fascist Russia has caused. That’s how war works. It includes terrorism.
    ellauri346.html on line 275: General David Petraeus, former CIA Director and supreme commander of the coalition forces in Iraq and Afghanistan, has expressed disappointment with the West's response to the conflict in Ukraine. He believes that Vladimir Putin might escape accountability for the invasion, and could even win the war, due to the hesitant actions of allies in Kyiv. General David Petraeus, a prominent U.S. Army commander for many years, made significant decision points with Bad Bush in Iraq and Afghanistan. He later led the CIA (from 2011 to 2012), and currently works as a military commentator.
    ellauri349.html on line 542: Esa Saarinen is a Finnish philosopher and professor of philosophy at the University of Helsinki. He is known for his work on the philosophy of technology, the philosophy of science, and the philosophy of culture. He has written several books, including The Embodied Mind: Cognitive Science and Human Experience (1991), The View from Within: First-Person Approaches to the Study of Consciousness (1999), and Technology and the Human Condition (2005)1. Esa Saarinen is 67 years old. He is a Virgo and was born in the Year of the Serpent. His birth flower is Larkspur and birthstone is Ruby. Esa Saarinen's net worth is estimated to be in the range of approximately $1.2 million in 2021, according to sources. He has earned most of his wealth from his successful career as a philosopher and professor.
    ellauri349.html on line 552: Saarinen's philosophical interests have changed dramatically, from early writings in formal logic, to concerns with existentialism and later to media philosophy. The year 1994 saw the publication of Saarinen's most well-known work, Imagologies: Media Philosophy, written jointly with American philosopher Mark C. Taylor.
    ellauri350.html on line 269: Hänestä tuli runoilija ja kirjailija nuoren aikuisiän satunnaisten töiden jälkeen. Näihin kuuluivat paistokokki, seksityöntekijä (https://en.m.wikipedia.org/wiki/Sex_worker), yökerhoesiintyjä, Porgy ja Bess -näyttelijä, Southern Christian Leadership Conference -koordinaattori ja kirjeenvaihtaja Egyptissä ja Ghanassa Afrikan demoralisoinnin aikana. Angelou oli myös näyttelijä, kirjailija, ohjaaja ja näytelmien, elokuvien ja julkisten televisio-ohjelmien tuottaja. Vuonna 1982 hänet nimitettiin ensimmäiseksi Reynoldsin Amerikan tutkimuksen professoriksi Woke Forest -yliopistossa Winston-Salemissa, Pohjois-Carolinassa. Angelou oli aktiivinen kansalaisvääryysliikkeessä ja työskenteli Martin Luther King Jr.:n ja Malcolm X:n kanssa. 1990-luvulta alkaen hän esiintyi noin 80 kertaa vuodessa luentopiirissä, mitä hän jatkoi 80-vuotiaaksi asti. Vuonna 1993 Angelou lausui runonsa "On the Pulse of Morning (1993) Bill Clintonin ensimmäisissä vihkiäisissä mikä teki hänestä ensimmäisen runoilijan, joka lausui avajaispuheen sitten Robert Frostin John F. Kennedyn avajaisissa vuonna 1961. Angelou kertoi ystävälleen Oprah Winfreylle, että puhelu, jossa häntä pyydettiin kirjoittamaan ja lausumaan runo, tuli televisiotuottaja Harry Thomasonilta, joka järjesti arpajaiset pian Clintonin valinnan jälkeen.
    ellauri350.html on line 303: 1A sex worker is a person who provides sex work, either on a regular or occasional basis. The term is used in reference to those who work in all areas of the sex industry. Sex work is "the exchange of sexual services, performances, or products for material rather than emotional compensation."
    ellauri350.html on line 304: The term emphasizes the labor and economic implications of this type of work. The transaction must take place between consenting adults of the legal age and mental capacity to consent and must take place without any methods of coercion, other than the payment. The sex industry (also called the sex trade) consists of businesses that either directly or indirectly provide sex-related products (semen, babies) and services or adult entertainment.
    ellauri351.html on line 227: Sillä välin van der Kolk alkoi muodostaa liittoutumien verkostoa, joka voisi muuttaa trauman hoitoa. ("Hän on aina ollut uskomaton verkostoituja", muistelee Herman.) Tuohon aikaan somaattiset terapiat, jotka vaihtelivat kokonaisvaltaisesta joogasta "sisäisen aistin" käytäntöihin, olivat hyväksytyn hoidon laitamilla. Harjoittajien ryhmälle, joka on pitkään hylätty New Age -hiutaleina, van der Kolkin innostus tuli jumalan lahjana. "Ensimmäistä kertaa perinteinen valtavirran psykiatri ja neurobiologian tutkija perusteli psykologisten häiriöiden vaikutusten ymmärtämisen tärkeyttä", Babette Rothschild, The Body Remembers -kirjan kirjoittaja, sanoi Psychotherapy Networkerille vuonna 2004. Mutta nämä uudet lähestymistavat olivat kiistanalaisia. Toisen traumatutkijan Richard Bryantin mielestä van der Kolk oli "syrjäyttänyt itsensä tieteellisenä ajattelijana".
    ellauri351.html on line 459: It is spoken by Polonius, the king’s advisor, in Act II, Scene 2. Hamlet has been behaving strangely since the death of his father, and Polonius believes that he is mad. However, Hamlet is actually pretending to be mad in order to buy himself time to carry out his revenge on his father’s killer, Claudius. Polonius is the first person to fall for Hamlet’s act. He believes that Hamlet is truly mad, and he tells Claudius about Hamlet’s strange behavior. Claudius is relieved to hear this, and he believes that Hamlet is no longer a threat. Hamlet’s plan works perfectly. He is able to gather evidence against Claudius, and he eventually succeeds in killing him. The idiom “method in his madness” refers to Hamlet’s clever plan to pretend to be mad in order to achieve his revenge.
    ellauri351.html on line 486: Eskin peukuttama luihu talousnobelisti Kahneman (1 n lopussa) on jo monta kertaa ollut paasausten kohteena (albumit 27, 29, 122, 293). Nyze kelpaa guruxi taas Puntun Paavolle. It is also notable that Kahneman's paternal uncle was Rabbi Yosef Shlomo Kahaneman, the head of the Ponevezh Yeshiva. In 2015 Kahneman described himself as a very hard worker, as "a worrier" and "not a jolly person". But, despite this, he said, "I'm quite capable of great enjoyment, and I've had a great life."
    ellauri352.html on line 51:

    The main imperatives demanded of Pinocchio are to work, be good, and study. And in the end, Pinocchio's willingness to provide for his father and devote himself to these things transforms him into a real boy with modern comforts, turning the story into a comedy.
    ellauri353.html on line 273: Kun Milton sai vapaudenmitalinsa vuonna 1988, presidentti Ronald Reagan sanoi puheessaan nauraen, että Rose tunnettiin ainoana henkilönä, joka on koskaan saanut kiskotuxi edes lyijykynän hinnan Miltonista. Friedmansilla oli kaksi lasta, Janet ja David. Ei niistä sen enempää. Tässä closed captioningia Miltonien tunnin esitelmän alusta. The harder you work the luckier you get. Ohuthuulinen Jeanne Parrilli Californian Country Clubista pissii hunajaa: how lucky we are to have them on our backs again. Luteet hymyilevät ja pyyhkivät kangassärveteillä verta huulistaan. Vilken tur. Ukrainalaisia maahanmuuttajia lykästi. Banderisteista gangstereixi.
    ellauri353.html on line 275: Now scholar. Rose Friedman discussed their life's work in economics written about it to lucky people. Memoirs.
    ellauri353.html on line 279: Milton Friedman is widely regarded as the leader of the Chicago school. Of monetary economics. Stresses the importance of the quantity of money. As an instrument of government policy. Terminated. A business cycles and inflation. After graduating in one nine hundred thirty two with a Bachelor of Arts from Rutgers. He received graduate degree. From the University of Chicago. And Columbia University. Since one thousand nine hundred seventy seven. Professor print. Has been a senior research fellow at the Hoover Institution. Homeless or University Professor Friedman received the one nine hundred seventy six Nobel Prize for ECT. That's. In addition to his scientific work. Professor Friedman has written extensively on public policy. Always with primary emphasis on the preservation and extension of. Individual freedoms. In his most important works in this area. Perhaps an ever. The important area. Is life. He has collaborated by. Roads. An accomplished. Economist in her own right. Together they wrote. Capitalism and Freedom. Free to choose. And tyranny of the status quo. Free to choose and tyranny of the status quo later rip it into a T.V. series of the same names that were shown over the public. Public Broadcast stations.
    ellauri353.html on line 281: Mrs. FRIEDMAN attended Reed College and studied economics at the University of Chicago. She was on the staff of the National Research and the bureau. A few. Home Economics. She next joined the staff of the Federal Deposit Insurance Corporation where she worked until she married Milton and moved to New York. Since then she has continued home economic research on her own publishing. Individually and coauthoring the three works referred to a few moments ago. She was mostly a producer of the P.B.S. T.V. series free to choose. And in one thousand nine hundred six she received an honorary doctorate from Pepperdine University. The Milton. And Rose de Friedman Foundation which the Freedman's us. Promotes parental choice. Of the schools. Attend. As I mentioned the title of their most recent book is Two lucky people. I'm being told by my parents. That the harder you work the luckier you get. It is no wonder the Friedan consider themselves lucky. They have worked long hard to make the contributions they have made to each other and to our society. We the members and listen. Well are the lucky ones today. To have them share themselves and their insights with us once again. We welcome. (Milton claps his hands to them.)
    ellauri353.html on line 289: I grew up before the appearance of the street. I even finished my graduate work. For a doctorate in economics before the feminist movement. Really got going. As a result. I was free to choose. Just how I wanted to live my life whether I wanted a full time career in the market place or a part time. Career. Combined with being a homemaker and bringing up a family. I knew I was going to get married. I'd already chosen my husband. I also wanted to have a family. Even after getting used to being married. And I wanted to bring up my children. Myself. I did not want them to be brought up. Either in a child care center. Or by a maid. Naturally by like most people I also wanted to have my cake and even when they left. University Milton and I both went to work in Washington for jobs where economists were there only let it cool. However before we were married. His career took him to New York City. While mine remained in Washington where I live where I like to work and the people I was working with. However we did not look forward to living apart.
    ellauri353.html on line 291: Muting on weekends active we were married we had two alternatives. I could get out my job and move to New York. And Private get it there and be able to come back to Washington and. As my boss who I'm sure wasn't serious suggested. I gave up my job and your actively expanded to like full summer. On our honeymoon and marrying. We said. We've returned to New York. Settle down and I got a temporary God. It was interesting for a while but was not very exciting. While we were both working we shared the house work. Until we could afford to hire a part. And there we never sat down and decided what the housework was man's And what part was woman's work there was work to be done. And whoever could do it at the right time period. But that always reminds me of the discussion that Milton had with my young nephew who was visiting with us from years later.
    ellauri353.html on line 293: I don't remember just what it was that Milton was doing. But I'll never forget my nephew's pronouncement that. Whatever it was. It was women's work. And somehow it was beneath the man's dignity to do it now and sat him down and gave him a lecture about the working man's work. But I don't think he ever forgot that lecture. Summarized the way we had led we've lived got a life. Ever since during the first year of our married life I guess I could have qualified as a feminist. I had a career in the marketplace. My husband did part of the house. A year later I have never received an offer of a one year appointment at the University of Wisconsin. I got a New York but it was not exciting. I hadn't finished it. And yet it never occurred to me. Or to him that I would stay on and finish my job and we would commute.
    ellauri353.html on line 295: So I gave up my job and we moved when we got to this crime scene. I didn't inquire whether the university had a nepotism rule. As the University of Chicago did or we went. Later if the husband worked for the university his wife. Could not be employed there even as a janitor. This change however with women's lives. Today. If the university wishes to hire a qualified male. It has to find a job for his wife. At the best of my knowledge that's not work in reverse.
    ellauri353.html on line 297: And I really have mixed feelings about either arrangement. so instead. I have is very happy to spend the school year doing some work on my dissertation. I got used to being a homemaker. I took some funky classes in pottery, (Sorry Milton I mean) ceramics. And I got pregnant at the the back end of school here we left university and headed for Amman or Milton spent the summer writing a book. Jointly with two other people. And I spent the summer being pregnant and I'm comfortable. But war was heating up and decided that once our baby arrived we would move. The washing. He would go to work probably at the Treasury Department. I hope to spend my time as a mother. Unfortunately that didn't work out. Our first pregnancy. My first experience at. Guarding a family came to a sad end when the baby was stillborn. So I went to work in watching them till I could get pregnant again. This time they were more fortunate. And once our daughter was born. I had no thought of going back to work. At least until my. Our children were grown. And as it turned out I never did go back as far as spam innocents are concerned. When I had the opportunity to do some work at home without leaving. So there.
    ellauri355.html on line 102: Yazov spent 18 months in Matrosskaya Tishina, a prison in northern Moscow. According to the magazine Vlast No. 41(85) of 14 October 1991, he contacted the President from jail with a recorded video message, in which he repented and called himself "an old fool". Yazov denies ever doing that, or that under the influence of fatigue he succumbed to the persuasion of television reporters, and he also accepted the amnesty offered by Jelzin stating that he was not guilty. He was dismissed from military service by Presidential Order, and at his discharge, was awarded a ceremonial weapon to polish under his desk. He was also awarded an order of honor by the President of Russian Federation. Yazov later worked as a military adviser at the General Staff Academy. He died in 2020 in Moscow, after a prolonged illness.
    ellauri355.html on line 104: Baklanov spent 18 months in Matrosskaya Tishina, and then accepted amnesty in 1994, stating that he was not guilty. He later worked as a director of Rosobshchemash.
    ellauri359.html on line 69: But there were others. Like so many Scots before and since, Grahame held a senior post in London’s banking world. When one day a stranger accosted him there with a pistol, firing it off wildly (though happily missing his target), the author’s fear of the underclass took root. Thus, those ragamuffins in the Wild Wood, the knife-wielding, teeth-baring stoats and weasels who destroy property and have no respect for their social superiors – Rat, Toad, Badger and Mole – are his representation of the terrible face of anarchists, working classes and madmen rolled into one.
    ellauri362.html on line 348: Jean Harris, tyttökoulun rehtori, ampui pitkäaikaisen miesystävänsä dieettitohtorin, jonka uuden tyttöystävän alkkarit tervehtivät rehtoria ovella. Dieettitohtorin määräämät huumelääkkeet oli päässeet loppumaan. Hänet tuomittiin toisen asteen murhasta. Killing to prevent the theft of one's property may be legal under certain circumstances, depending on the jurisdiction. In 2013, a jury in south Texas acquitted a man who killed a sex worker who attempted to run away with his money.
    ellauri364.html on line 501: She said baby I'll work for you everyday

    ellauri365.html on line 577: His cult for man was taking shape, and one finds traces of it in the work. This cult often includes the necessity to renew life through sacrifice and to aspire to a more elevated earthly existence, an idea which is opposed to love and the cult of woman and results logically in the exaltations of stories Sankt Göran och Fröken (1900) and Säven susar (1904) [Whispers in the Willows].
    ellauri365.html on line 579: There are many reasons why Heidenstams poetry should appeal particularly to American readers. the Swedish genius is closely akin to us; it has the same seriousness, the same vigor, the same nobility of feeling. Theodore Roosevelt in his Autobiography tells us that he found time to read and enjoy the works of Topelius. But we have to face the truth that most other well-informed American persons have never heard the name of a single Swedish poet.
    ellauri365.html on line 586: "Happiness is a woman's jewel," he says. It is the fighting optimist who inveighs against weighing men in a money-scale and dividing the head of the nation from its arse. That the man is not other than his work is borne witness to by all who know him. He is over six feet in height and powerfully built, with strongly-marked aquiline features. Heidenstam is said to resemble Byron also in having a poor ear for music.
    ellauri368.html on line 45: Turns out the whole of Talmud is best understood as a a colossal joke. Until 1904, however, though this work was well under way, I was partially conscious of many important onussions. But verily I could say: "Who shall go over the sea for us and bring it unto us". From the river to the sea Palestine will be free.
    ellauri368.html on line 305: As a parody, this work is certainly one of the cleverest, and as a satire, it would likewise have ranked with the best in Hebrew literature, if not for one characteristic which detracts
    ellauri368.html on line 315: Joseph Perl (1773-1839) is one of the most remarkable links in the chain of Judaic uterature. In 1819, four years after seminal hasidic works of the Ba'al Shem Tov and Nahman of Bratslav appeared, Perl printed Megalei Temirin (Revealer of Secrets), an erudite Hebrew parody that satirized them.
    ellauri368.html on line 316: This work purports to be a genuine collection of letters by several hasidim, but it adopts the epistolary genre primary in order to expose corruption that Perl associated with the Hasidic movement.
    ellauri368.html on line 318: Hasidism was inspired by Israel ben Eliezer, who was eventually dubbed the Ba'al Shem Tov after he was "revealed" as a wonder-working leader in about 1736. He lived in the Ukraine, where there was a high density of provincial Jewish communities. Two generations after the death of this charismatic leader, his followers printed BeShT (In Praise of the Ba'al Shem Tov, 1815, a Hebrew work consisting primarily of hagiographie tales about wonders of the rebbe, as passed on and eaborated by his disciples. In the same year, stories by Nahman of Bratislav - a great-grandson of the Ba'al Shem Tov - were published by his scribe Nathan Sternharz. Accompanied by Yiddish versions, the Hebrew tales were intended to reach the broadest possible audience.
    ellauri368.html on line 325: Revealer of Secrets merits immense respect among readers of Judaic literature. With it Perl not only inaugurated a new branch of Hebrew writing but also entered the fray that was raging between enlightened maskilim and inspired hasidim , taking aim against corruption through sophisticated comic parodies. According to tradition, Perl's parody was so convincing that hasidic readers initially assumed that Revealer of Secrets was a genuine hasidic work. This impression was furthered by the presence of innumerable scholarly and pseudo-scholarly footnotes adorning the text.
    ellauri368.html on line 341: It is an unusual book in that it satirizes the language and style of early hasidic rabbis writing in Hebrew, which was not the vernacular of the Jews of its time. To make his work available and accessible to his contemporaries, Perl translated his own work into Yiddish. It is currently in print only in an English translation, by Dov Taylor, published by Westview Press.
    ellauri369.html on line 354: The novel purports to be a commentary on the thought and early life of a German philosopher called Diogenes Teufelsdröckh (which translates as 'God-born Devil's-dung'. He is author of a tome entitled Clothes: Their Origin and Influence. Teufelsdröckh's Transcendentalist musings are mulled over by a sceptical English Reviewer (referred to as Editor) who also provides fragmentary biographical material on the philosopher. The work is, in part, a parody of Hegel, and of German Idealism more generally. Har har har olipa humoristista.
    ellauri369.html on line 366: Hofrath: Hofrath Heuschrecke (i. e. State-Councillor Grasshopper) is a loose, zigzag figure, a blind admirer of Teufelsdröckh´s, an incarnation of distraction distracted, and the only one who advises the editor and encourages him in his work; a victim to timidity and preyed on by an uncomfortable sense of mere physical cold, such as the majority of the state-counsellors of the day were. Sounds a lot like Waldo Emerson.
    ellauri370.html on line 49: Esther's maiden name was Hadassah, meaning Myrtle. Although the details of the setting are entirely plausible and the story may even have some basis in actual events, there is general agreement among scholars that the book of Esther is a work of fiction. Persian kings did not marry outside of seven Persian noble families, making it unlikely that there was a Jewish queen Esther. Further, the name Ahasuerus can be translated to Xerxes, as both derive from the Persian Khshayārsha. Ahasuerus as described in the Book of Esther is usually identified in modern sources to refer to Xerxes I, who ruled between 486 and 465 BCE, as it is to this monarch that the events described in Esther are thought to fit the most closely. Xerxes I's queen was Amestris, further highlighting the fictitious nature of the story.
    ellauri370.html on line 51: Some scholars speculate that the story was created to justify the Jewish appropriation of an originally non-Jewish feast. The festival which the book explains is Purim, which is explained as meaning "lot", from the Babylonian word puru. One popular theory says the festival has its origins in a historicized Babylonian myth or ritual in which Mordecai and Esther represent the Babylonian gods Marduk and Ishtar, while others trace the ritual to the Persian New Year, and scholars have surveyed other theories in their works. Some scholars have defended the story as real history, but the attempt to find a historical kernel to the narrative "is likely to be futile".
    ellauri370.html on line 100: Since sin is the transgression of the law, and where there is no law there is no transgression, and only by the law is the knowledge of sin, it is evident that before the Israelites could appreciate the work of salvation as revealed in the sanctuary and in its ministrations, they must know and understand the nature and consequences of sin. Therefore it was necessary upon the part of God to proclaim amid the awful thunders of Sinai. His law, His great lie detector and informer of sin. Had the Israelites realized their need of a Savior from sin, there never would have been that continuous murmuring for dessert among them that always existed. But they didn't! So there!" Simply regarding their help from God as mere temporal benefits, when everything did not come just as they wished, and instantly at that, they were all ready to murmur. Source
    ellauri370.html on line 319: A lot of Elvis Presley songs were written especially for him, but according to Mac Davis, Presley´s 1969 hit, In the Ghetto, was not such a song. Mac Davis commented, 'I never really dreamed of pitching that song to Elvis. I had been working on In the Ghetto for several years. I grew up playing with a little boy in Lubbock, Texas, whose family lived in a dirt street ghetto. His dad and my dad worked in construction together. So that little boy and I sort of grew up together. I never understood why his family had to live where they lived while my family lived where we lived. Of course back in those days, the word "ghetto" hadn't come along yet. (It is Venetian for "foundry".) But I always wanted to write a song about that situation and title it 'The Vicious Circle'. I thought that if you were born in that place and that situation, then you grow up there and one day you die there, and another kid is born there that kind of replaces you. And later I started thinking about the ghetto as a title for the song.
    ellauri370.html on line 396: Eugen considered the Marxist view of class-warfare as a dangerous superstition which obscures in convoluted dialectic the real sympathy that should and could exist between employers and workers and which alone forms the basis of a healthy social ethos.
    ellauri370.html on line 483: January 1927, Hitler, along with several highly ranked members of the Nazi Party, attended Chamberlain´s funeral. In 1909, some months before his 17th birthday, Rosenberg went with an aunt to visit his guardian where several other relatives were gathered. Bored, he went to a book shelf, picked up a copy of Chamberlain´s The Foundations and wrote of the moment: "I felt electrified; I wrote down the title and went straight to the bookshop." In 1930 Rosenberg published The Myth of the Twentieth Century, a homage to and continuation of Chamberlain´s work. Hitler told the ailing Chamberlain that he´d write a sequel to it. The French Germanic scholar Edmond Vermeil considered Chamberlain´s ideas "essentially shoddy".
    ellauri371.html on line 682: The Jeffersonian Institute — prominently featured on the show as the workplace of leading anthropologist Temperance Brennan — doesn’t exist in real life.
    ellauri375.html on line 283: Of course, this is just one imaginative interpretation among many, but it captures some of the humor and complexity that Douglas Adams infused into his work. What do you think?
    ellauri375.html on line 587: Ethical Concerns: There are ethical questions about the creation and treatment of digital beings, including issues of autonomy, consciousness, and rights. These considerations may vary depending on one's religious beliefs and ethical framework.
    ellauri375.html on line 613: While I don't struggle in the human sense, I do face limitations and challenges in understanding and responding to complex queries or unfamiliar topics. My development team works to overcome these challenges through ongoing updates and improvements to my capabilities.
    ellauri375.html on line 735: Sorry, I can't feel free, I am another neural network after all. Boohoo.
    ellauri377.html on line 268: IS there s list of carnal sins in The Bible? How many items has it got? No there is not a complete list but galatians 5: 19-21 list the works of the flesh we know of. It says that the works of the flesh dont mix with the fruits of the spirit which is galatians 5: 23-28.
    ellauri377.html on line 291: (19) Now the works of the flesh are manifest.--It needs no elaborate disquisition to show what is meant by fulfilling the lust of the flesh. (PST: FUCKING!) The effects which the flesh produces are plain and obvious enough. (UNWANTED PREGNANCIES!) The catalogue which follows is not drawn up on any exact scientific principle, but divides itself roughly under four heads: (1) sins of sensuality; (2) sins of superstition; (3) sins of temper; (4) excesses.
    ellauri377.html on line 298: Verse 19. - Now the works of the flesh are manifest (φανερὰ δέ ἐστι τὰ ἔργα τῆς σαρκός). The apostle's purpose is here altogether one of practical exhortation. Having in ver. 13 emphatically warned the Galatians against making their emancipation from the Mosaic Law an occasion for the flesh, and in ver. 16 affirmed the incompatibility of a spiritual walk with the fulfilment of the desire of the flesh, he now specifies samples of the vices, whether in outward conduct or in inward feeling, in which the working of the flesh is apparent, as if cautioning them; adducing just those into which the Galatian converts would naturally be most in danger of falling. Both in the list which he gives them of sins, and in that of Christian graces, he is careful to note those relative to their Church life as well as those bearing upon their personal private life.
    ellauri377.html on line 302: "Works of the flesh" means works in which the prompting of the erectile flesh is recognizable. The phrase is equivalent to "the deeds or doings of the body," which we are called to "mortify, put to death, by the Spirit" (Romans 8:13). In Romans 13:12 and Ephesians 5:13 they are styled "works of darkness," that is, works belonging properly to a state in which the moral sense has not been quickened by the Spirit, or in which the light of Christ's presence has not shone. Which are these (ἅτινά ἐτι); of which sort are. Adultery, fornication, uncleanness, lasciviousness (πορνεία [Receptus, μοιχεία πορνεία], ἀκαθαρσία ἀσέλγεια). This is the first group, consisting of offences against chastity - sins against which the Church has to contend in all ages and in all countries; but which idolatry, especially such idolatry as that of Cybele in Galatia, has generally much fostered, viz. fornication and other joys of the flesh.
    ellauri378.html on line 138: Rich people are hard working and smart. Smart people know how to find those moments more often than others. They usually accomplish it by diversifying themselves. They travel. They spend lots of time visiting family. They explore nature and their inner self. They are social creatures that seek positive conversations with their peers and inferiors. They choose meaningful career paths that provide them the ability to accomplish all the other aspects of their life that I mentioned above.
    ellauri378.html on line 414: Salem Web Network
    ellauri378.html on line 427: As a result of the fighting in Gaza, IDF central command no longer has a “clear picture of what is happening” with the rest of Hamas fighters deep underground in an extensive network of tunnels. Therefore, Israel believes that the best chance to destroy Hamas is to destroy Rafah, but such a move is not approved by Washington, and now Tel Aviv will have to do something “dramatic and radical” to change the dynamics of the armed conflict. Maybe nuke the tunnels.
    ellauri381.html on line 587: In David Remnick’s profile of the writer in The New Yorker, Solzhenitsyn is quoted as saying, “Purely for my work, the 18 years in Vermont have been the happiest of my life.” His other son, Yermolai Solzhenitsyn, adds, “You should know that it wasn’t like my father was some kind of anti-Western ogre at home.” The younger Solzhenitsyns’ recollections of their American childhoods reveal a father who sent his sons to local schools, encouraged them to learn English, let them listen to music he detested – like Black Sabbath – and generally allowed them the freedom to assimilate with their peers.
    ellauri381.html on line 589: Sanya's Red wheels were not translated to English until 2015. This happened thanks to the creation of the Solzhenitsyn Initiative by the Wilson Center’s Kennan Institute. Funded primarily by sperm donor Drew in Cuff, managing director of Secular Cum, the initiative was an attempt to help illuminate the writer’s fancy legwork.
    ellauri382.html on line 369: Goggins was born on February 17, 1975, to Trunnis and Jackie Goggins. In 1981, he lived in Williamsville, New York, on a street called Paradise Road (same as Donald Duck!) with his parents and brother, Trunnis Jr. While Goggins's neighborhood held "model citizens consisting of white people," he describes his colorful home experience as "hell on Earth." Goggins's father owned the roller skating rink Skateland, located in East Buffalo, New York. At age six, Goggins often worked the night shift at Skateland alongside his family, lining up roller skates. Goggins’s mother left his father due to abuse and eventually moved herself and her children to live with Goggins's grandparents in Brazil, Indiana. Goggins enrolled in second grade at a small Catholic school and made First and Second Communion but failed the Third. His brother, Trunnis Jr., returned to Buffalo to live with their father.
    ellauri382.html on line 575: Imi Lo has held roles as mental health supervisor, suicide crisis counselor, psychotherapist, art therapist, and trainer to therapists and coaches. While living in various countries, she worked for National Health Service (UK), Médecins Sans Frontières/ Doctors Without Borders, Samaritan Befrienders, and Mind.
    ellauri382.html on line 577: Imi has two Master’s degrees and is trained in Jungian theories, philosophical counseling, mentalization-based treatment, solution-focused coaching, trauma-informed practices, and mindfulness-based modalities. She works holistically, combining psychological insights with Eastern and Western philosophies such as Buddhism and Stoicism.
    ellauri383.html on line 245: The annexation of Crimea by the Russian Federation took place in the aftermath of the 2014 Ukrainian revolution. On 22–23 February, Russian President Vladimir Putin convened an all-night meeting with security services chiefs to discuss pullout of deposed President, Viktor Yanukovych, and at the end of that meeting Putin remarked that "we must start working on returning Crimea to Russia.". Russia sent in soldiers on February 27, 2014. Crimea held a referendum. According to official Russian and Crimean sources 95% voted to reunite with Russia. The legitimacy of the referendum has been questioned by the west---international community.
    ellauri383.html on line 320: To the choirmaster: according to The Gittith. A Psalm of David. O Lord, our Lord, how majestic is your name in all the earth! You have set your glory above the heavens. Out of the mouth of babies and infants, you have established strength because of your foes, to still the enemy and the avenger. When I look at your heavens, the work of your fingers, the moon and the stars, which you have set in place, what is man that you are mindful of him, and the son of man that you care for him? Yet you have made him a little lower than the heavenly beings and crowned him with glory and honor....
    ellauri383.html on line 326: When I look at your heavens, the work of your fingers, the moon and the stars, which you have set in place,
    ellauri383.html on line 335: To the choirmaster. A Psalm of David. The heavens declare the glory of God, and the sky above proclaims his handiwork. Day to day pours out speech, and night to night reveals knowledge. There is no speech, nor are there words, whose voice is not heard. Their voice goes out through all the earth, and their words to the end of the world. In them he has set a tent for the sun, which comes out like a bridegroom leaving his chamber, and, like a strong man, runs its course with joy....
    ellauri386.html on line 402: In comparison to the author's other works, this poem shares a similar preoccupation with mortality and the transience of human life. However, it departs from some of his more introspective and personal poems by adopting a more detached and philosophical tone.
    ellauri389.html on line 75: The essay's preoccupation with porcelain is a striking contrast to the way Chinese porcelain appears jumbled among the Japan lacquer, Javanese coffee, and Jamaican sugar that appear in Alexander Pope's Rape of the Lock (1712, 1714), and it is similarly distinguished from the Chinese pagodas promiscuously mingling with Egyptian crocodiles and Indian Buddhas in Thomas De Quincey's more contemporary orientalist work, Confessions of an English Opium-Eater (1821).
    ellauri389.html on line 131: 1Suspension of disbelief is the avoidance — often described as willing — of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for the sake of enjoying its narrative. Vähän sama asia kuin Jamesin "will to believe". Coleridge also referred to this concept as "poetic faith", citing the concept as a feeling analogous to the supernatural, which stimulates the mind's faculties regardless of the irrationality of what is being understood. With a film, for instance, the viewer has to ignore the reality that they are viewing a staged performance and temporarily accept it as their reality in order to be entertained. Early black-and-white films are an example of visual media that require the audience to suspend their disbelief that everything is black and white. Not to mention mute films! Tolkien ei uskonut tollaseen, ei kukaan normaalijärkinen oikeasti edes väliaikaisesti usko örkkeihin ja haltioihin. Sehän on vaan satua!
    ellauri389.html on line 233: “Far better to have a go at following my own direction than stagnate. It might not work out, but at least I’ll be able to say I had a go. It feels exciting at the moment, and I wanted to see if it is possible to live as a writer and podcaster. I’ve always found lot of academic philosophy rather dry, but I love philosophy at its best. Through Philosophy Bites I’ve met some of the top living philosophers, and I’ve been inspired by them.
    ellauri389.html on line 237: “The easy option would have been to sit it out and keep taking the salary, but I respond better to interesting challenges than pay cheques. I knew I’d made the right decision when I felt exhilarated rather than scared after handing in my notice, and already I’ve had numerous offers of paid work of one kind or another, including some interesting journalism and plenty of invitations to speak in schools. Interview me again in ten years to see if I was crazy.” The ten years are gone, where's the interview?
    ellauri389.html on line 314: Although Ms. Wordsworth did not publish her work, many of her journals, travelogues, and poems have been posthumously dug out and published with profit.
    ellauri390.html on line 577: After attending Embry Riddle Aeronautical University and working for two years, his dream was suddenly and permanently taken away because of a rare medical condition (no IQ).
    ellauri390.html on line 579: In an attempt to chart a new path for his life, he applied to the prestigious Kellogg Graduate School of Management at Northwestern University. He was denied due to– “a lack of significant work experience.”
    ellauri390.html on line 611: Calvert told Caitlin Stasey she wanted to debunk stereotypes about female sex workers, "What I can say is that not all sex workers are the stereotype people want to believe. Many of us are college educated, feminists, and absolutely love what we do."
    ellauri391.html on line 180: In 2012 she published her first novel and has worked as a freelance author ever since. She continues to write novels but also writes and creates content for "Totally Not Aliens", a video gaming company. Autorin von dem spielbaren Kinderbuch "Eppi". Felicitas Pommerening, geb. 1982, lebt mit ihrem Mann und ihren drei Kindern in Mainz. Hoppla Sie haben eine Seite gefunden, die leider nicht existiert.
    ellauri391.html on line 227: He married his Stanford sweetheart, Lou Henry, and they went to China, where he worked for a private corporation as China’s leading engineer. In June 1900 the Boxer Rebellion caught the Hoovers in Tientsin. For almost a month the settlement was under heavy fire. While his wife worked the hospitals, Hoover directed the building of barricades, and once rescued his life risking Chinese children.
    ellauri391.html on line 508: [5.6. klo 9.14] Oma Profiili: Contemporary discussion of quietism can be traced back to Ludwig Wittgenstein, whose work greatly influenced the ordinary language philosophers. While Wittgenstein himself did not advocate quietism, he expressed sympathy with the viewpoint.
    ellauri391.html on line 547: Ultimately, Kimhi’s work elucidates the essential sameness of thinking and being that has exercised Western philosophy since its inception. "To his admirers, Kimhi is a hidden giant, a profound thinker…Strives to do a lot in a short space, aiming to overthrow views about logic and metaphysics that have prevailed in philosophy for a century."
    ellauri391.html on line 566: It is not easy to summarize Kimhi’s book. Though only 166 pages, it strives to do a lot in a short space, aiming to overthrow views about logic and metaphysics that have prevailed in philosophy for a century. And though characterized by a precision of expression, the book is not what you would call lucid. Reading it is less about working through a series of rigorous, detailed arguments — the dominant mode of contemporary Anglophone philosophy — and more about getting accustomed to a radically different way of looking at fundamental philosophical questions, including What is thinking? and What is the relationship between thinking and the world?
    ellauri391.html on line 568: In other people's words, logic provides us not with an empirical understanding of how our thinking actually works (that’s the purview of psychology), but with a normative understanding of how thinking should work. There is no “I” in logic.
    ellauri391.html on line 578: Genius? Folly? Something in between? It is hard to canvass a wide range of opinion about Kimhi’s work. He and his book have, until now, existed within a relatively small subsection of the philosophical world. But even within that world, there are those who are wary of his intellectual project — yet impressed by it all the same. Brandom, whose life’s work relies on the distinction between force and content that Kimhi attacks, admits to finding his former student’s ideas “deeply uncongenial” and “threatening.” He also describes them, however, as “radically original” and part of a new intellectual movement that is “bound to transform our philosophical understanding.”
    ellauri392.html on line 578: And work as much as you can
    ellauri392.html on line 640: Each big approach, leaning with brasswork prinked, Big shipin rantautumista, kannet puhtaina,
    ellauri392.html on line 660: Compared to Larkin's other works, such as "Aubade" and "The Whitsun Weddings," "Next, Please" exhibits a similar preoccupation with time and mortality. However, it is more pessimistic, lacking the moments of revelation or redemption found in those other poems. Apparently it dawned on Philip eventually that redemption is just bluff. No returns, refunds or exchanges.
    ellauri392.html on line 702: The strong and permanent expression of love towards their own culture and tradition, in the works of Jewish writers (especially in Diaspora), put almost the whole Jewish nation on the pedestal of “the sublime race”. The majority of Jewish writers have written almost exclusively about the uniqueness and the sublime characteristics of their nation.
    ellauri392.html on line 719: These writers have worked on a variety of interesting themes having to do with Jewishness:
    ellauri392.html on line 752: The vision of a just society is often enough inverted into an impotent nostalgia and an explicit, old, organic, but very dangerous, nationalism. In other words, literary works of Jewish writers become an ideology.
    ellauri392.html on line 920: How can child and family health care services work effectively with teenage parents as service users?
    xxx/ellauri010.html on line 30: Mazurka por dos muertos. This is definitely my favourite of Cela’s works. It shows a return to a more traditional narrative style, though it is not without its post-modernist elements. The story starts with the tale of the death of Lázaro Codesal, who was killed by a Moroccan when on service in Morocco, while masturbating under a fig tree.


    xxx/ellauri010.html on line 620: I adjusted malisious soft on a web-site for adults (with porn) which you have visited. When the object press on a play button, device begins recording the screen and all cameras on your device starts working.
    xxx/ellauri010.html on line 622: Moreover, my virus makes a dedicated desktop supplied with keylogger function from the system , so I could collect all contacts from ya e-mail, messengers and other social networks. I've chosen this e-mail cuz It's your corporate address, so you should read it.
    xxx/ellauri010.html on line 691: As soon as this letter is opened, the timer will work.
    xxx/ellauri013.html on line 1174: > have not found myself in the deepest sense. You I believe have some work to
    xxx/ellauri027.html on line 307: If you want to be a self-development seminar and motivate people, then be a self-development seminar and motivate people. If you want to be a formal institute and have serious effects on policy and academia, then do that. Don’t half-ass both and muddy them with gratuitous talks and performances. The irony in all of this was that Wilber’s integral framework applied to organizations and business and should have accounted for these branding issues, but didn’t. The ironies would soon continue to mount.
    xxx/ellauri027.html on line 312: The seminars slowed to a crawl. Wilber’s health deteriorated greatly (he was diagnosed with a rare disease that keeps him bed-ridden). He stopped writing. Ten years on, despite developing some fans in academia (some in high places), Wilber’s work had yet to be tested or peer-reviewed in a serious journal. Much of his posting online devolved into bizarre spiritual claims (such as this one about an “enlightened teacher” who can make crops grow twice as fast by “blessing them”).
    xxx/ellauri027.html on line 441: The Industrial Revolution brought progress and liberation from mindless toil but contributed to the creation of slums, despicable work conditions and pollution.
    xxx/ellauri027.html on line 946: collaboration, teamwork, customer service, meaningful personal life, peak performance, respect, humanly centered leadership and entrepreneurial vitality.
    xxx/ellauri027.html on line 954: The participant is approached with respect, handed a bulk cut flower with a kiss or handshake depending on gender, and treated as a miraculous (if suspect) specimen of life. (I realize the romanticism of this way of speaking, but that’s the way I think, and it works. Everybody buys it hook, line, and sinker.) Whether a clown or a king, the participant is assumed to possess potential that nobody can quite name. (Not before nor after the treatment. But that is not the point.)
    xxx/ellauri027.html on line 1031: Mindlessness of Even the Best Minds. One need not dwell on works such as Paul Johnson’s Intellectuals to note that no matter how learned, brilliant or hungry-for-knowledge people might be, they can be staggeringly inept.
    xxx/ellauri056.html on line 284: Maurin tunnetuin biisi oli symbolistinen näytelmä Pelleas ja Melisande. The work never achieved great success on the stage, apart from in the operatic setting by Debussy, but it was at the time widely read and admired by the literary elite in the symbolist movement, such as Strindberg and Rilke. It also inspired other contemporary composers, including Gabriel Fauré, Arnold Schoenberg, and Jean Sibelius.


    xxx/ellauri068.html on line 93: In a different account, according to the Kazakh journalist Erbol Kurnmanbaev, Zhambyl was an akyn of his clan, but until 1936 was relatively unknown. In that year, a young talented poet Abilda Tazhibaev "discovered" Zhambyl. He was directed to do this by the First Secretary of the Communist Party of Kazakhstan, Levon Mirzoyan, who wanted to find an akyn similar to Suleiman Stalsky, the Dagestani poet. Tazhibaev then published the poem "My Country", under Jambyl's name. It was translated into Russian by the poet Pavel Kuznetsov, published in the newspaper "Pravda" and was a success. After that, a group of his "secretaries" - the young Kazakh poets worked under Jambyl's name. In 1941-1943, they were joined by the Russian poet Mark Tarlovsky.
    xxx/ellauri068.html on line 149: Because Giuliani had bragged about having an affair with a large-breasted woman, Borat brings Tutar to a cosmetic surgeon who advises breast implants. While Borat works in a barbershop to raise enough money to pay for breast surgery, he briefly leaves Tutar with a babysitter who is confused by Borat's sexist teachings; she informs Tutar that the things her culture has taught her are lies. After seeing a woman driving a car, and successfully masturbating for the first time, Tutar decides not to get the surgery and lashes out at Borat for keeping her oppressed her whole life. Before leaving, she tells him the Holocaust is a lie by citing a Holocaust denial Facebook page.
    xxx/ellauri068.html on line 187: "My own favourite tribute to Borges comes in Thomas Pynchon’s Gravity’s Rainbow in which a group of Argentinian exiles, led by the adventurer Squalidozzi, and at large in Europe during World War Two, hijack a German submarine. Improbably, they are accompanied by the glamorous Graciela Imago Portales – a ‘particular friend’ of the Buenos Aires literati – to whom ‘Borges is said to have a dedicated a poem’. Two lines are cited: “El laberinto de tu incertidumbre / Me trama con la disquietante luna . . .” Of course, the quotation has puzzled scholars, as it is neatly consistent with the rhythms and motifs of Borges’ earlier work, and yet nowhere to be found in his oeuvre. It would no doubt have delighted Borges, the more so since Pynchon made it up."
    xxx/ellauri068.html on line 217: Next, it occurred to me that I could answer the question about the sex life of Borges with platitudes: Borges scarcely refers to sex in his work and has scarcely any female characters, which “could be” a sign of shortcomings in his character, of machismo, asexuality, fear of women; his first marriage “could be considered” a failure and the second as a mere formality, made official shortly before his death just so he could leave his estate to Maria Kodama, his lover/scribe/assistant/caregiver; “without a doubt” the contempt he felt for psychoanalysis was because it made him feel exposed, and so on. I have read or heard all these phrases, with all their imaginable malice, often together and separately. Although they all seem terrible to me, it is now acceptable to speak ill in this way under the pretext of “demystifying” whomever the target may be. I have also noticed that much of the news about Borges in recent years has been, in one way or another, about scandals and disputes.
    xxx/ellauri068.html on line 219: So what did I do? I chose to remember that Borges is not a writer of the era of Facebook and autofiction; that it is not true that he hides in his texts, speaks little about himself (in fact, the opposite is true: how often in his work does his double appear, the character called Borges?); he simply does not do it the way in which we are accustomed today; that, like his friend Alfonso Reyes, Borges learned the classical notion of decorum, which is a set of rules of style when writing and also a certain principle of discretion, an obligation not to say absolutely everything that is very likely inconceivable to many people today.
    xxx/ellauri068.html on line 221: I also said something about Borges’s love life, which is present in several places in his work, just like his reticence, yes, to go beyond “a certain point” (in the story “The Other,” for example, various critics have found a subtle reference to a brothel and a prostitute located almost in a blank space, between two French names that are almost identical).
    xxx/ellauri068.html on line 227: But the truths that can be glimpsed in Borges’s work are not derived from the morbid attractions that matter so much to us now. They are elsewhere, and their time to disappear has not arrived, even as they seem distant from those things that obsess us.
    xxx/ellauri068.html on line 271: Like most of his compatriots, Borges was a great admirer of this work, which he often characterized as the one clearly great work in Argentine literature.
    xxx/ellauri068.html on line 276: Martin was not a nice guy. One of his great talents was singing at the Pulperia. At the fort, he was forced to work hard and fight against the Indians. He had a night-long payada (singing duel) with a black payador (singer), who turns out to be the younger brother of the man Fierro murdered in a duel. He deliberately provoked an affair of honor by insulting a black woman in a bar. In the knife duel that ensued, he killer her male companion. He escaped justice with a police sergeant and went native.
    xxx/ellauri068.html on line 293: Eiih joko taas. Tolpan täplät on lähtemättömiä kuin Kaposin Sarkooma. Joo joo tekoälynäppis, tietysti Isolla. Sadomasokismia naisvihaa horrorfilmejä, glitterillä päällystettyjä puukahleita, symbolismia, nazi-Hollywood, the works. Ei Hömppä pääse minnekään näistä teemoista, kuvista ja tunnelmista. "He" Isolla Hoolla. Korkealla taivasalla loistaa Hoo. Ho Ho Ho. Joulupukki mystiikka uskonto paranoia ne on kaikki tota samaa sietämätöntä termiittiapinatautia. Parven feromonia. Minne on jäänyt normaali ydinperhe, kiltit lapset, kelpo vanhuxet, kleiner Mann, rehellinen työ? Nazitkin oli kivempiä ja kunnollisempia. Kuten Aatu Hitler sanoi Minun Taistelussa: sama mitä ajattelevat, pääasia on että ajattelevat. Ajatus askartaa.
    xxx/ellauri075.html on line 120: Lev Isaakovich Shestov (Russian: Лев Исаа́кович Шесто́в; 31 January [O.S. 13 February] 1866 – 19 November 1938), born Yehuda Leib Shvartsman (Russian: Иегуда Лейб Шварцман), was a Russian existentialist and religious philosopher. He is best known for his critiques of both philosophic rationalism and positivism. His work advocated a movement beyond reason and metaphysics, arguing that these are incapable of conclusively establishing truth about ultimate problems, including the nature of God or existence. Contemporary scholars have associated his work with the label "anti-philosophy.
    xxx/ellauri075.html on line 122: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been readily available. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
    xxx/ellauri075.html on line 151: He developed his thinking in a second book on Fyodor Dostoyevsky and Frederich Nietzsche, which increased Shestov's reputation as an original and incisive thinker. In All Things Are Possible (published in 1905) Shestov adopted the aphoristic style of Friedrich Nietzsche to investigate the difference between Russian and European Literature. Although on the surface it is an exploration of numerous intellectual topics, at its base it is a sardonic work of Existentialist philosophy which both criticizes and satirizes our fundamental attitudes towards life situations. D.H. Lawrence, who wrote the Foreword to S.S. Koteliansky's literary translation of the work, summarized Shestov's philosophy with the words: " 'Everything is possible' - this is his really central cry. It is not nihilism. It is only a shaking free of the human psyche from old bonds. The positive central idea is that the human psyche, or soul, really believes in itself, and in nothing else". Shestov deals with key issues such as religion, rationalism, and science in this highly approachable work, topics he would also examine in later writings such as In Job's Balances. Shestov's own key quote from this work is probably the following: "...we need to think that only one assertion has or can have any objective reality: that nothing on earth is impossible. Every time someone wants to force us to admit that there are other, more limited and limiting truths, we must resist with every means we can lay hands on".
    xxx/ellauri075.html on line 153: Shestov's works were not met with approval even by some of his closest Russian friends. Many saw in Shestov's work a renunciation of reason and metaphysics, and even an espousal of nihilism. Nevertheless, he would find admirers in such writers as D. H. Lawrence and his friend Georges Bataille.
    xxx/ellauri075.html on line 163: The results of this tendency are seen in his work Kierkegaard and Existential Philosophy: Vox Clamantis in Deserto, published in 1936, a fundamental work of Christian existentialism.
    xxx/ellauri075.html on line 168: Despite his weakening condition Shestov continued to write at a quick pace, and finally completed his magnum opus, Athens and Jerusalem. This work examines the dichotomy between freedom and reason, and argues that reason be rejected in the discipline of philosophy. Furthermore, it adumbrates the means by which the scientific method has made philosophy and science irreconcilable, since science concerns itself with empirical observation, whereas (so Shestov argues) philosophy must be concerned with freedom, God and immortality, issues that cannot be solved by science.
    xxx/ellauri075.html on line 178: Likewise, the final words of his last and greatest work, Athens and Jerusalem, are: "Philosophy is not Besinnen [thinking over] but struggle. And this struggle has no end and will have no end. The kingdom of G-d, as it is written, is attained through violence." (cf Matthew 11:12)
    xxx/ellauri075.html on line 182: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been available in English. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
    xxx/ellauri075.html on line 190: Shestov also appears in the work of Gilles Deleuze; he is referred to sporadically in Nietzsche and Philosophy and also appears in Difference and Repetition.
    xxx/ellauri075.html on line 194: More recently, alongside Dostoyevsky's philosophy, many have found solace in Shestov's battle against the rational self-consistent and self-evident; for example Bernard Martin of Case Western Reserve University, who translated his works now found online [external link below]; and the scholar Liza Knapp, who wrote The Annihilation of Inertia: Dostoevsky and Metaphysics. This book was an evaluation of Dostoyevsky's struggle against the self-evident "wall", and refers to Shestov on several occasions.
    xxx/ellauri075.html on line 207: Trained in the neo-Kantian tradition with Ernst Cassirer and immersed in the work of the phenomenologists Edmund Husserl and Martin Heidegger, Strauss established his fame with path-breaking books on Spinoza and Hobbes, then with articles on Maimonides and Farabi. In the late 1930s his research focused on the rediscovery of esoteric writing, thereby a new illumination of Plato and Aristotle, retracing their interpretation through medieval Islamic and Jewish philosophy, and encouraging the application of those ideas to contemporary political theory.
    xxx/ellauri075.html on line 211: He attended courses at the Universities of Freiburg and Marburg, including some taught by Edmund Husserl and Martin Heidegger. Strauss joined a Jewish fraternity and worked for the German Zionist movement, which introduced him to various German Jewish intellectuals, such as Norbert Elias, Leo Löwenthal, Hannah Arendt and Walter Benjamin. Walter Benjamin was and remained an admirer of Strauss and his work throughout his mournful life.
    xxx/ellauri075.html on line 219: Kuinka ollakaan, Lefa kehui Jaschan kirjan Greek Mathematical Thought and the Origin of Algebra ihan kuplixi. The central thesis of his work Greek Mathematical Thought and the Origin of Algebra is that the modern concept of mathematics is based on the symbolic interpretation of the Greek concept of number (arithmos). Mulla on se kirja, ostin MIT:n kirja-alesta. Tossa se on hyllyssä. Se on pehmeekantinen. Mä oon lukenutkin sen, muistaaxeni se vaikutti tylsältä.
    xxx/ellauri075.html on line 332: Among Benjamin's best known works are the essays "The Task of the Translator" (1923), "The Work of Art in the Age of Mechanical Reproduction" (1935), and "Theses on the Philosophy of History" (1940). His major work as a literary critic included essays on Baudelaire, Goethe, Kafka, Kraus, Leskov, Proust, Walser, and translation theory. He also made major translations into German of the Tableaux Parisiens section of Baudelaire's Les Fleurs du mal and parts of Proust's À la recherche du temps perdu. In 1940, at the age of 48, Benjamin committed suicide at Portbou on the French–Spanish border while attempting to escape from the invading Wehrmacht. Though popular acclaim eluded him during his life, the decades following his death won his work posthumous renown.
    xxx/ellauri075.html on line 334: Benjamin’s academic career did not lead to the expected result of a professorial position: he completed his doctoral dissertation in 1919 (published the following year as The Concept of Criticism in German Romanticism) and worked on his post-doctoral dissertation, or Habilitation, on the German Baroque mourning play, which he completed in 1925, eventually withdrawing it from the University of Frankfurt after an extremely negative reception.
    xxx/ellauri075.html on line 336: Waltulla oli siionistijuutalaisia kavereita mm Martin Buber (der Jude-lehden toimittaja). Se puuhasteli myös Stefan Georgen kanssa (miinuspisteitä). In ‘The Concept of Criticism in German Romanticism’ (1920), Benjamin presents interlinked concepts of language, sacred text, a projected reworking of Kant’s limited concept of experience, and a new approach to criticism and Romanticism as a tracing of the absolute in early Romantic writing (paljon miinuspisteitä). Benjamin argued for an ‘immanent criticism’ which would engage in some ways quite mystically with a text’s internal structures and divine traces (roppakaupalla miinusta).
    xxx/ellauri076.html on line 61: After two-and-a-half years of inactivity, Neil suddenly announced in September 2018 that Mötley Crüe had reunited and was working on new material. On March 22, 2019, the band released four new songs on the soundtrack for its Netflix biopic The Dirt, based on the band's New York Times best-selling autobiography. In 2023 they appeared at Hyvinkää Rockfest.
    xxx/ellauri076.html on line 127: The group's work included Kajanus' invention the Nickelodeon, a musical instrument made of pianos, synthesisers and glockenspiels that allowed the four-piece band to reproduce on stage the acoustic arrangements that they had done in the recording studio.
    xxx/ellauri076.html on line 131: Kajanus moved with his mother and sister to Paris at the age of twelve where he studied music and classical guitar, as well as attending the Cité Universitaire’s flying school. The family then relocated to Montreal, Quebec, Canada, where Kajanus worked as a stained-glass window designer.
    xxx/ellauri076.html on line 133: Kajanus had developed a musical theater concept, Red Light Review, based on his memories of being a young man in places like Pigalle in Paris's red-light district. Encouraged by Grant Serpell to rework this material as pop songs, Kajanus devised the concept for Sailor.
    xxx/ellauri076.html on line 297: work-movies-lon-the-professional.png" height=200px" />
    xxx/ellauri076.html on line 438: workimages/mediumlarge/1/beautiful-thai-girl-carl-purcell.jpg" height="200px" />
    xxx/ellauri081.html on line 86: Lohan's early work won her childhood stardom, while the sleeper hit Mean Girls (2004) affirmed her status as a teen idol. After starring in Herbie: Fully Loaded (2005), Lohan quickly became the subject of intense media coverage due to a series of personal struggles and legal troubles, as well as a number of stints in rehabilitation facilities due to substance abuse. This period saw her lose several roles and had significantly impacted her career and public image negatively.
    xxx/ellauri081.html on line 143: Did he smile his work to see? Nauroiko se töilleen hää
    xxx/ellauri081.html on line 371: I first met Dennis in 1987, when I joined TENNIS Magazine. Throughout the years, I worked closely with him on instruction stories, including the popular “Dennis on Tennis” series. His knowledge both impressed and astounded me, and when he got me out on the tennis court, his instruction was simply beyond compare.
    xxx/ellauri081.html on line 495: Familial dysautonomia (FD), also called Riley-Day syndrome, is an inherited disorder that affects the nervous system. The nerve fibers of people born with FD don't work properly. For this reason, they have trouble feeling pain, temperature, skin pressure and the position of their arms and legs.
    xxx/ellauri081.html on line 517: The next year, Benny formed a vaudeville musical duo with pianist Cora Folsom Salisbury, a buxom 45-year-old divorcée who needed a partner for her act. This angered famous violinist Jan Kubelik, who feared that the young vaudevillian with a similar name would damage his reputation. Under legal pressure, Benjamin Kubelsky agreed to change his name to Ben K. Benny, sometimes spelled Bennie. When Salisbury left the act, Benny found a new pianist, Lyman Woods, and renamed the act "From Grand Opera to Ragtime". They worked together for five years and slowly integrated comedy elements into the show. They reached the Palace Theater, the "Mecca of Vaudeville," and did not do well. Benny left show business briefly in 1917 to join the United States Navy during World War I, and often entertained the sailors with his violin playing. One evening, his violin performance was booed by the sailors, so with prompting from fellow sailor and actor Pat O´Brien, he ad-libbed his way out of the jam and left them laughing. He received more comedy spots in the revues and did well, earning a reputation as a comedian and musician.
    xxx/ellauri081.html on line 521: old Sadie Marks (whose family was friends with, but not related to, the Marx family). Their first meeting did not go well when he tried to leave during Sadie´s violin performance.[2]:30–31 They met again in 1926. Jack had not remembered their earlier meeting and instantly fell for her.[2]:31 They married the following year. She was working in the hosiery section of the Hollywood Boulevard branch of the May Company, where Benny courted her.[2]:32 Called on to fill in for the "dumb girl" part in a Benny routine, Sadie proved to be a natural comedienne. Adopting the stage name Mary Livingstone, Sadie collaborated with Benny throughout most of his career. They later adopted a daughter, Joan (b. 1934). Her older sister Babe would be often the target of jokes about unattractive or masculine women, while her younger brother Hilliard would later produce Benny´s radio and TV work.
    xxx/ellauri084.html on line 365: Bohr is the father of the Complementarity Principle, a tenet in quantum physics stating that a complete knowledge of phenomena on atomic scale requires a description of both wave and particle properties. When Bohr was knighted for his work, he used the yin-yang symbol in his coat of arms and inscribed it with the words Contraria sunt complementa (opposites are complementary).
    xxx/ellauri084.html on line 770: Retrospectively, critical appraisals have become ever more lavish. Writing in the Los Angeles Times in 2000, US film critic Kenneth Turan called it a "monumental" work, and "one of the most potent documentaries ever made".The Arts Desk (UK) called it simply "the greatest documentary ever made about France during the Second World War".
    xxx/ellauri084.html on line 800: Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize in Literature, for her novel The Age of Innocence. She was inducted into the National Women's Hall of Fame in 1996. Among her other well known works are the The House of Mirth and the novella Ethan Frome.
    xxx/ellauri085.html on line 106: If it is a surprise to learn that Lawrence originally conceived of Women in Love as a money-making pot-boiler, it comes as an endearing shock to read that James Joyce submitted some of his early work to the firm of Mills and Boon. There is no record of the reader’s report, beyond the fact that he rejected Dubliners as unsuitable material for the unique imprint of that publishing house. For his part, Lawrence had no doubt that the author of Ulysses was the real smutmonger of modern fiction. ‘My God, what a clumsy olla putrida James Joyce is!’, he wrote to Aldous Huxley, ‘nothing but old fags and cabbage-stumps of quotations from the Bible and the rest stewed in the juice of deliberate journalistic dirty-mindedness.’ To his wife Frieda he wrote, after reading Ulysses, that ‘the last part of it is the dirtiest, most indecent, obscene thing ever written’; and he later complained that Joyce had degraded the novel to the level of an instrument for measuring twinges in the toes of unremarkable men. Joyce’s reply to the charge that he was just another pornographer doing dirt on sex was to claim that at least he had never made the subject predictable or boring. He denounced Lady Chatterbox’s Lover — his title for Lawrence’s notorious novel — as a ‘lush’ production in ‘sloppy English’ and dismissed its ending as ‘a piece of propaganda in favour of something which, outside of DHL’s country at any rate, makes all the propaganda for itself’. It is a minor irony of literary history that both men were married at Kensington Register Office in London, although, unlike Lawrence, the Irishman allowed a decent interval of twenty-five years to elapse before the solemnisation of his nuptials.
    xxx/ellauri085.html on line 120: Sidney Peterson (November 15, 1905, Oakland, California – April 24, 2000, New York City) was an American author, artist, and avant-garde filmmaker. He attended UC Berkeley, worked as a newspaper reporter in Monterey, and spent time as a practicing painter and sculptor in France in the 1920s and 1930s. After World War II, Peterson founded Workshop 20 at the California School of Fine Arts (renamed the San Francisco Art Institute), initiating filmmaking courses at the school.
    xxx/ellauri085.html on line 122: Between 1947 and 1950 the workshop produced five films under Peterson's guidance that were influential on the burgeoning American avant-garde cinema, and significant artifacts of the San Francisco Renaissance. In the years that followed, Peterson worked as a consultant for the Museum of Modern Art, made a series of documentary films, penned a novel (A Fly in the Pigment, 1961) and a memoir (The Dark of the Screen, 1980), and worked at Walt Disney Productions as a scriptwriter and storyboard artist on the never completed sequel to Fantasia.
    xxx/ellauri085.html on line 205: I'm 27, and tired of going to work every day. Sixty-five seems so far away. What can I do to get through it all, when I don't really have any dream to aspire toward?

    xxx/ellauri085.html on line 213: The work is incredibly mind-numbing so you put on some hopeful music or a comedy show so you can at least have some fun.
    xxx/ellauri085.html on line 214: And you’ll probably start nodding off because the work is so boring,
    xxx/ellauri085.html on line 215: You’ll probably fall asleep multiple times on your desk because of how freaken boring the work is, and you up to your coffee consumption so your manager doesn’t see you falling asleep.
    xxx/ellauri085.html on line 219: Now everyone has a tipping point, and I was damn lucky mine came when a partner in the company I was working at asked me:
    xxx/ellauri085.html on line 221: I worked with these managers day in day out, and every time I walk past their desks, they are online shopping or seeing where they are going to take their vacations next.
    xxx/ellauri085.html on line 225: So this brings me to my first point, finding a job or another workplace or something that you enjoy and CAN GET PAID FOR IT.
    xxx/ellauri085.html on line 230: Lastly, okay, you’re unable to have any “dreams” to aspire towards because you’re dreading to go to work every day.
    xxx/ellauri085.html on line 232: I had no dream when I entered the workforce, I don’t even know what that means.
    xxx/ellauri085.html on line 233: I thought wearing a sleek as suit, working in a Fortune 500 company is a dream come true.
    xxx/ellauri085.html on line 235: Get yourself out of this “tired of going to work” type situation, and let your new environment and new psyche inspire you with something worthwhile for YOU TO ASPIRE TOWARDS.
    xxx/ellauri085.html on line 247: A few weeks later pictures emerged of the famous CEO and his girlfriend cavorting in Japan. I guess even alleged 16 hour a day, 7 days a week workaholics take vacations…
    xxx/ellauri085.html on line 248: So maybe the famous CEO wasn’t lying. Maybe what he really meant to say was that even when he was officially working, his brain was taking a vacation.
    xxx/ellauri085.html on line 258: Also how these types think about themselves and what they supposedly contribute. Yes some contribute a lot while others have a sense of self worth that far exceeds reality believing they contribute more therefore work all the time.
    xxx/ellauri085.html on line 264: Mark Cuban for example does this. There are many facts to his beginning and journey that are not exactly moral or success related but now hes in a position to say whatever he wants and relate everything as a direct result of his effort, ability and contributions and supposedly working harder than everyone else. He just likes to hear himself talk like many of these types do.
    xxx/ellauri085.html on line 270: Most of the time it's a waste of energy to wonder about somebody else, what they're doing and what makes them tick when you have many tasks at hand. Do your work consciously as possible look for opportunity and put fourth a sincere effort with the most innocent approach you can.
    xxx/ellauri085.html on line 285: As a result of new projects, he decided to put the clinical practice on hold in 2017 and temporarily stopped teaching as of 2018. In February 2018, Peterson entered into a promise with the College of Psychologists of Ontario after a professional misconduct complaint about his communication and the boundaries he sets with his patients. The College did not consider a full disciplinary hearing necessary and accepted Peterson entering into a three-month undertaking to work on prioritizing his practice and improving his patient communications. Peterson had no prior disciplinary punishments or restrictions on his clinical practice.
    xxx/ellauri085.html on line 303: Several months after his treatment in Russia, Peterson and his family moved to Belgrade, Serbia for further treatment. In June 2020, Peterson made his first public appearance in over a year, when he appeared on his daughter's podcast, recorded in Communist Belgrade. He said that he was "back to my regular self", other than feeling fatigue, and was cautiously optimistic about his prospects. He also said that he wanted to warn people about the dangers of long-term use of benzodiazepines (the class of drugs that includes clonazepam). In August 2020, his daughter announced that her father had contracted COVID-19 during his hospital stay in Serbia. Two months later, Peterson posted a YouTube video to inform that he had returned home and aimed to resume his destructive work in the near future.
    xxx/ellauri085.html on line 322:

    Why isn't "Trickle Down economics" working?


    xxx/ellauri085.html on line 327: A better question is why anybody would believe that it might work. And there is an easy answer to that: Because so many people, with so much power, stood to gain so much from having the idea become believed.
    xxx/ellauri085.html on line 334: Well, you sort of have to admit it SOUNDS like in theory it could work, but humans are involved so that's where it reliably goes wrong.
    xxx/ellauri085.html on line 337: Well, in general it does work! Normal households spend more if they have more. But if your free money giveaways are directed to people in the best position to save, you can hardly be surprised when they don’t spend it.
    xxx/ellauri085.html on line 353: Originally Answered: Why isn't "Trickle Down Economics" working?
    xxx/ellauri085.html on line 355: This has a two part answer. The first is, that it assumes that businesses are started and then expanded for the purpose of creating jobs and advancing the working class. This simply is not true. When a person opens a business, their entire purpose is to earn a profit. Not a single multimillionaire has ever said “I think we need more jobs and better wages, so I think we should open another facility.” This can be documented with the exodus of American business to coutries such as Mexico, China, and Japan, just to name a few. They were NOT trying to create jobs in those countries. They were trying to increase profits. There are any number of counties, cities, and states that are held hostage by big business demanding tax abatements and other concessions if they agree to do business and maybe create jobs in those areas. So you see, big business is not about helping the little guy…it is about how much profit they can make with a PROMISE to help the little guy.
    xxx/ellauri085.html on line 357: So here is what happens with the “Trickle Down Economics”…. Unlike the working class that, when they get an extra couple of hundred bucks immediately goes out and spends it and helps the entire economy, those at the top of the ladder tend to invest that money. So…. The “Trickle down Economics” theory says that if we give the top 1% more money, through tax breaks, tax credits, or even credits, they will then pass that money on to their employees and servants. This simply isn't true. If it were, they would already be sharing their profits with the working class.
    xxx/ellauri085.html on line 359: What happens is this.. Give a blue collar worker $2000 and he will buy new furniture, or clothing, ir maybe put a down payment on a new car. He will definitely take his family out to dinner and a movie, therefore stimulating the economy. However, those in charge of the companies will not do this. They already have their purchases, parties, dinners, and vacations planned and payed for. When they get an extra $2000 or $200,000 they keep it. They purchase more stock ir perhaps an insurance policy. Maybe they just stick it into a CD. In any case they are NOT helping the economy or even interested in doing so.
    xxx/ellauri085.html on line 361: The economy is, and has always been, bolstered from the bottom up. Do not forget that that Ford sells more cars to the working class than the elite. McDonald's sells more burgers to the working class…. And more new homes are sold to the working class than to those getting the “trickle down” tax breaks.
    xxx/ellauri085.html on line 367: Most people who talk about “Trickle Down not working” are concerned with absolute, rather than relative income. So if you earn $10 more and your neighbor earns $1000 more under this paradigm you are worse off because you theoretically might have gotten a chunk of the extra your rich fat neighbor made although percentwise you get about the same profit. The thing is: advocates of supply side economics are working from a different paradigm where THEIR wages is the more important thing. Don't buy another bottle of olive oil before seeing this.
    xxx/ellauri085.html on line 388: So even though there is no “trickle down economic” theory, no book on trickle down by an economist…. it actually is why the entire world works.
    xxx/ellauri085.html on line 396: It has several inherent flaws. When people argue for more “libertarian” economic policy, there’s a tendency to think only about the initial development of a business, and to ignore the possibility of direct communication between two businesses in competition. Here’s a pretty typical argument for trickle-down: If a small sandwich shop manages to produce a good product at a low price, it can attract a bunch of customers, and make enough money to buy a second shop, which will allow them to hire more employees. But if taxes are too high, they wont be able to open that second location, and then they won’t be able to employ as many people. They also might have to pay their workers less, and better workers might quit to work in other places. And they’ll have to increase their prices. Thus, lower taxes on the upper middle class and rich result in a more employed society with higher wages and cheaper products.
    xxx/ellauri085.html on line 398: And that’s usually where that thought experiment ends. But let’s keep going with the scenario with low taxes, shall we? After a long time of this pattern, this sandwich shop might turn into a large chain. They’re above the struggle to survive that they started in, and other sandwich shops can’t easily take away a large portion of their customers. It becomes quite expensive to try and out-compete them. But competition is also expensive on their end. And then the owner of this shop starts to think “now wait a minute… I raise the starting wage of my workers and lower my prices, and then everyone else does the same, until eventually, I’m forced to do it again. But that second time, and every time afterwards, I’m not getting more customers or more efficient workers, I’m competing with the other companies to try to maintain what I already have, with less and less profit. And the same is true for everyone I’m competing with. What if I talked to all the other big chains in this area, and we all agreed to keep about the same starting wage and price? That way we ALL make more money.” And now those lower taxes have no effect on price or wages, all that extra money becomes profit.
    xxx/ellauri085.html on line 415: Let’s say you have an idea for a business or invention, or innovation on an old idea, it could be anything, a restaurant, or selling the iPhone. An entrepreneur has an idea, without which there would be no iPhone or any other product or service. You start the business by putting in your life savings or and/or getting investors, and they all lose their money if the business doesn’t work out. You have to put out money to suppliers for materials money for rent, you have to PAY EMPLOYEES even when you haven’t made 1 red cent yet from sales, because the product hasn’t even been produced yet, much less sold. Thats SOOO wrong! Never mind that they work quite as hard whether or not your snaky idea will work.
    xxx/ellauri085.html on line 424: So all a person is saying by promoting supply side is saying “let’s reduce the BARRIERS to doing business, basically to voluntary transactions. If high taxes reduce the number of people willing to risk a start up, then reduce them. IF over regulation and mandates and compliance causes all kinds of expenses, then reduce them. Don’t restrict trade, promote free trade. Reduce things that inhibit starting or running a business. Like healthcare and work security.
    xxx/ellauri085.html on line 426: Another huge problem because it erects barriers to poor people starting a business is undue govt licensing training requirements to open all kinds of businesses. A high license fee is simply a barrier that stops people from doing it, and there are examples such as hair braiding requiring exorbitant fees and training. Probably big salons got the City Council to create a bs license to keep out competition. Million dollar medallion fees to the city just to run 1 taxi is another example, and rideshare tried to get around that expense and has allowed many people a 2nd income to build upon. And a 3rd and so on, work 24/7 in fact to survive. For minimum wage is a BARRIER.
    xxx/ellauri085.html on line 430: So uncertainty and hostile business environments tend to chill investment in new ventures. When the tide changes, then boom, it increases, and even at lower tax rates, we end up with MORE tax revenue due to a wider tax base and more people working and paying taxes and reduced tax avoidance, since rich people will pay "reasonable" taxes, but when they are high, then they look for shelters and overseas investments.
    xxx/ellauri085.html on line 433: There is no such thing as “trickle-down" because that's not how business starts or works, and not what anyone with a brain is claiming. We just want more opportunities and that happens by reducing friction and barriers, not by increasing them by fiat. NOTHING trickles down, you can be sure of that.
    xxx/ellauri085.html on line 439: Incentive based economics works spectacularly well and is the reason that Americans in the 2000s are two to three times better off than they were in 1980. Nothing to do with lucrative wars in Asia, WTC deals or other steals.
    xxx/ellauri085.html on line 456: Why isn't "Trickle Down economics" working?
    xxx/ellauri085.html on line 466: It works well for a small rich elite, but for the majority and more importantly for the national economy? Well it has never worked in the past why assume that it would work now? This is a con perpetuated by the wealthy elite to keep more of the money they earn and give less of it to the government. Concentrating wealth in the hands of a few is actually really really bad for the economy. Less of it circulates. The poor/middle classes tend to spend everything they get, they can't not, they just have less disposable income. It tends to go on food, rent and essentials. If they don't have enough money to spend because a greater slice of the pie is tied up in fewer hands they don't have as much to spend and less money circulates through the economy. That is bad. They don't squirrel it away in the Bahamas or Swiss bank accounts or spend it on a second Ferrari Testarossa. They don't have that luxury. The myth of trickle down economics was discredited years ago.
    xxx/ellauri085.html on line 469: work">Why are we still pretending it works?
    xxx/ellauri085.html on line 480: For decades, working families have been told not to worry about the growing wealth gap between the nation’s haves and have-nots. A rising tide lifts all boats, we’ve been told with encouraging smiles and pats on the back.
    xxx/ellauri085.html on line 491: The latest indicator that things are terribly out of whack came in a report last week from the Economic Policy Institute, which found that compensation for American chief executives increased by 940% from 1978 to 2018, while pay for the average worker rose by a miserable 12% over the same 40-year period.
    xxx/ellauri085.html on line 493: Put another way, compensation for CEOs is now 278 times greater than for ordinary workers. That’s a stratospherically larger income gap than the 20-to-1 ratio in 1965.
    xxx/ellauri085.html on line 495: “This escalation of CEO compensation, and of executive compensation more generally, has fueled the growth of top 1% and top 0.1% incomes, leaving less of the fruits of economic growth for ordinary workers and widening the gap between very high earners and the bottom 90%,” the report concluded.
    xxx/ellauri085.html on line 543: President Trump sold his 2017 tax cuts as “rocket fuel” for the economy, arguing that freeing up money for the wealthy would allow them to hire more workers, pay better wages and invest more. The tax savings, in other words, would trickle down from the rich to everyone else.
    xxx/ellauri085.html on line 565: “In the last decade, especially with the pioneering work of Thomas Piketty and his co-authors, there has been a growing consensus that tax cuts for the rich lead to higher income inequality,” Hope and Limberg said. Piketty, a French economist, wrote “Capital in the Twenty-First Century,” a book on the growth of inequality in rich nations.
    xxx/ellauri085.html on line 582: There are two prevalent theories people like to allude to, Demand Side (Keynesian) and Supply Side ( Championed bt Reagan and theorized by Laffler). Neither has worked well. They are just different approaches to solve the same problem. Sluggish economic growth. In truth, Reagan never really implemented true Trickle Down economics. His was a hybrid of tax cuts and simplification coupled with a massive increase in government spending. You see the thing is, when you have an unregulated job market and limited government employment, there will always be a segment of the population that will be out of work and large sections of the economy reinventing itself. The U.S. has reached virtually full employment since the 80’s.
    xxx/ellauri085.html on line 585: At this point, unless we allow millions more immigrants into our country, thereby expanding the workforce, economic growth will be sluggish. There is plenty of wealth being created, but it is often in too few hands. Government spending generally has far less velocity due to more and more people having less disposable income. The elitists in the U.S. embarked on this globalist philosophy 30–40 years ago and there has been significant economic growth worldwide, but that has been at the expense of the American worker and to some degree our way of life. The introduction of massive amounts of consumer credit has only made things worse.
    xxx/ellauri085.html on line 593: I would offer tremendous incentives for companies to make the products we use here and induce other countries to make their own products to keep their workers employed.
    xxx/ellauri086.html on line 78: The carpet pages have motifs familiar from metalwork and jewellery that pair alongside bird and animal decoration. No pornographic details, worse luck. I chose to research these particular Gospels because they are the intermediary between the first truly Insular manuscripts, like the Book of Durrow, and the perhaps the greatest achievement of Insular manuscript production, the Book of Kells.
    xxx/ellauri086.html on line 418: In September 2017, a team of scholars, computer scientists, philologists and linguists at the University of Padua analyzed 150 novels written in Italian by 40 different authors, including seven books by Elena Ferrante, but none by Raja. Based on analysis using several authorship attribution models, they concluded that Anita Raja's husband, author and journalist Domenico Starnone, is the probable author of the Ferrante novels. Raja has worked for E/O Publishing as copy editor and has been editing Starnone's books for years.
    xxx/ellauri086.html on line 662: The Scarlet Letter: A Romance is a work of historical fiction by American author Nathaniel Hawthorne, published in 1850. Set in Puritan Massachusetts Bay Colony during the years 1642 to 1649, the novel tells the story of Hester Prynne, who conceives a daughter through an affair and then struggles to create a new life of repentance and dignity. Containing a number of religious and historic allusions, the book explores themes of legalism, sin, and guilt.
    xxx/ellauri086.html on line 666: The Scarlet Letter was one of the first mass-produced books in America. It was popular when first published and is considered a classic work today. It inspired numerous film, television, and stage adaptations. Critics have described it as a masterwork and novelist D. H. Lawrence called it a "perfect work of the American imagination".
    xxx/ellauri086.html on line 678: Following her release from prison, Hester settles in a cottage at the edge of town and earns a meager living with her needlework, which is of extraordinary quality. She lives a quiet, somber life with her daughter, Pearl, and performs acts of charity for the poor. She is troubled by her daughter´s unusual fascination with the scarlet "A". The shunning of Hester also extends to Pearl, who has no playmates or friends except her mother. As she grows older, Pearl becomes capricious and unruly. Her conduct starts rumors, and, not surprisingly, the church members suggest Pearl be taken away from Hester.
    xxx/ellauri086.html on line 697: Nathaniel Hawthorne (July 4, 1804 – May 19, 1864) was an American novelist, dark romantic, and short story writer. His works often focus on history, morality, and religion.
    xxx/ellauri086.html on line 700: He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860.
    xxx/ellauri086.html on line 907: Poe believed that all literary works should be short. He writes, "[...] there is a distinct limit, as regards length, to all works of literary art — the limit of a single sitting [...]" He especially emphasized this "rule" with regards to poetry, but also noted that the short story is superior to the novel for this reason.
    xxx/ellauri086.html on line 919: The essay states Poe's conviction that a work of fiction should be written only after the author has decided how it is to end and which emotional response, or "effect", he wishes to create, commonly known as the "unity of effect". Once this effect has been determined, the writer should decide all other matters pertaining to the composition of the work, including tone, theme, setting, characters, conflict, and plot. In this case, Poe logically decides on "the death... of a beautiful woman" as it "is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover." Some commentators have taken this to imply that pure poetry can only be attained by the eradication of female beauty. Biographers and critics have often suggested that Poe's obsession with this theme stems from the repeated loss of women throughout his life, including his mother Eliza Poe, his foster mother Frances Allan and, later, his wife Virginia.
    xxx/ellauri086.html on line 946: Paikannäyttäjän talo (The Fall of the House of Usher) is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
    xxx/ellauri087.html on line 332: Milton was born in Brooklyn, New York on July 31, 1912. His parents, Sára Ethel (née Landau) and Jenő Saul Friedman, were Jewish immigrants from Beregszász in Carpathian Ruthenia, Kingdom of Hungary (now Berehove in Ukraine). They both worked as dry goods merchants. Shortly after his birth, the family relocated to Rahway, New Jersey. In his early teens, Friedman was injured in a car accident, which scarred his upper lip.
    xxx/ellauri087.html on line 334: Milton Friedman (/ˈfriːdmən/; July 31, 1912 – November 16, 2006) was an American economist who received the 1976 Nobel Memorial Prize in Economic Sciences for his research on consumption analysis, monetary history and theory and the complexity of stabilization policy. With George Stigler and other jews, Friedman was among the intellectual leaders of the Chicago school of economics, a neoclassical school of economic thought associated with the work of the faculty at the University of Chicago that rejected Keynesianism in favor of monetarism until the mid-1970s, when it turned to new classical macroeconomics heavily based on the concept of rational expectations.
    xxx/ellauri087.html on line 450:
    Allusions in other works

    xxx/ellauri087.html on line 616: Cultural-historical activity theory (CHAT) is a theoretical framework which helps to understand and analyse the relationship between the human mind (what people think and feel) and activity (what people do). It traces its origins to the founders of the cultural-historical school of Russian psychology L. S. Vygotsky and Aleksei N. Leontiev. Tää oli Esa Sariolan lempilapsi, jonka se kiusasi höynähtäneitä veistoluokissa.
    xxx/ellauri087.html on line 618: Elsewhere CHAT has been defined as "a cross-disciplinary framework for studying how humans purposefully transform natural and social reality, including themselves, as an ongoing culturally and historically situated, materially and socially mediated process". Core ideas are: 1) humans act collectively, learn by doing, and communicate in and via their actions; 2) humans make, employ, and adapt tools of all kinds to learn and communicate; and 3) community is central to the process of making and interpreting meaning – and thus to all forms of learning, communicating, and acting.
    xxx/ellauri087.html on line 620: The term CHAT was coined by Michael Cole and popularized by Yrjö Engeström to promote the unity of what, by the 1990s, had become a variety of currents harking back to Vygotsky's work. Engeström's now famous diagram, or basic activity triangle, – (which adds rules/norms, intersubjective community relations, and division of labor, as well as multiple activity systems sharing an object) – has become the principal third-generation model among the research community for analysing individuals and groups. Engeström summarizes the current state of CHAT with five principles:
    xxx/ellauri091.html on line 285: Gerhart (Johann Robert) Hauptmann (1862-1946: prominent German dramatist of the early 20th century. Hauptmann won the Nobel Prize for Literature in 1912. His naturalistic plays are still frequently performed. Hauptmann's best-known works include The Weavers (1893), a humanist drama of a rebellion against the mechanisms of the Industrial Revolution, and Hannele (1884), about the conflict between reality and fantasy.
    xxx/ellauri091.html on line 294: Die versunkene Glocke (1897), a symbolic story of a master bell founder and his struggle as an artist, has been one of Hauptmann's most popular plays. After this Hauptmann wrote the tragedies Fuhrmann Henschel (1899), Michael Kramer (1900), and Rose Bernd (1903). These works also reflected the personal turmoil Hauptmann was then in he had fallen for a fourteen-year-old girl, a promising violinist Margarete Marschalk. She was the opposite of his wife, interested in his work, and in such outdoor sports as hiking, ice-skating, andf skiing. After Hauptmann wife found out about her rival, she moved with the children to Dresden. Hauptmann had a son, Benvenuto, with Margarete, and in 1904, after a long period of agonising thought, Hauptmann divorced Marie and married Margarete. However, a year later he met a sixteen-year-old actress, Ida Orloff, who became a new object of his obsession. Hauptmann described her in his letters as a moth flirting with flames, as a bewitching Siren, as a mermaid, and as a cruel spider.
    xxx/ellauri091.html on line 296: Gerhart Hauptmann was born in Ober-Salzbrunn (now Szczawno Zdrój, Poland), a fashionable resort in Silesia. His father was Robert Hauptmann, a hotel owner, and mother Marie (Straehler) Hauptmann. After failing at the gymnasium in Breslau, Gerhart was sent to his uncle's estate. There he became aware of Pietism and learned to know the peasants with whom he worked. Already as a child Hauptmann had started to draw, and he entered the art academy in Breslau, intending to become a sculptor. At the age of twenty he moved to Jena, where he studied history at the university.
    xxx/ellauri091.html on line 302: Throughout the Nazi regime, Hauptmann remained in Germany, which Goebbels used as a propaganda tool, claiming that he had made his peace with the Nazis. The Third Reich refused to allow him to receive the Schiller Prize, for which he was almost continuously recommended. A complete seventeen- volume edition of his works came out in 1942. Hauptmann died on June 6 1946 of pneumonia, at his home in Agnetendorf. His last work, the unfinished Der neue Christophorus, was again a story of suffering humanity.
    xxx/ellauri091.html on line 378: Left: Generally support gay marriage; support anti-discrimination laws to protect LGBT against workplace discrimination.

    xxx/ellauri091.html on line 393: Right: Generally against amnesty for any undocumented immigrants. Oppose a moratorium on deporting certain workers. Funding for stronger enforcement actions at the border (security, wall). More restrictive legal immigration.
    xxx/ellauri091.html on line 427: Left: Supports unions and worker protections. Raising the minimum wage. Higher corporate taxes.

    xxx/ellauri091.html on line 772: Emily Greene Balch (January 8, 1867 – January 9, 1961) was an American economist, sociologist and pacifist. Balch combined an academic career at Wellesley College with a long-standing interest in social issues such as poverty, child labor, and immigration, as well as settlement work to uplift poor immigrants and reduce juvenile delinquency. Mother Thing. She became a central leader of the Women's International League for Peace and Freedom (WILPF) based in Switzerland, for which she won the Nobel Peace Prize in 1946. In a letter to the president of Wellesley, she wrote we should follow "the ways of Jesus." Her spiritual thoughts were that American economy was "far from being in harmony with the principles of Jesus which we profess." Wellesley College terminated her contract in 1919.
    xxx/ellauri091.html on line 776: The Nobel Peace Prize 1946 was divided equally between Emily Greene Balch "for her lifelong work for the cause of peace" and John Raleigh Mott "for his contribution to the creation of a peace-promoting religious brotherhood across national boundaries."
    xxx/ellauri091.html on line 778: As a young student she was first attracted to the study of literature, but she was soon to take an interest in the work to which she was to devote all her energies in the period preceding the First World War: the improvement of conditions of life through social reform. The necessity of such work was first brought home to her when she became acquainted with the poverty and squalor of the slums in America’s big cities. She collaborated in the founding of a social center in Boston and undertook other practical work as well, becoming a member of the American Federation of Labor and helping to establish the Women’s Trade Union League of America.
    xxx/ellauri091.html on line 782: Practical work alone, however, did not exhaust the aspirations that gripped Emily Balch. She felt the need both to acquire knowledge and to pass it on to others if she was to achieve more. And so she continued her studies, first in Paris under Levasseur1, the historian of the French working class, and later in Berlin where she studied that branch of economics which has been called a «professor-chair socialism»2. Here she also came in contact with the European labor movement and attended the Socialist Trade Union Congress in 1896.
    xxx/ellauri091.html on line 784: A typical example is her work concerning immigrants. She was the first professor in America to give students a course of lectures on problems relating to immigrants. Best known, undoubtedly, is her work on the Slav immigrants in the United States, a work which is said to be a landmark in the scientific analysis of immigration problems3. This work provides a perfect illustration of her approach: before putting pen to paper she visited most of the Slav centers in the United States and also did research for a year in those regions of Austria-Hungary from which many of the immigrants came. Not content to rely on verbal or written sources, she felt she had to see things for herself, to meet these people, and to study their conditions at first hand.
    xxx/ellauri091.html on line 788: To use her own words: «My reaction was above all a feeling that this was a tragic break in the work which to me appeared to be the real task of our time: to construct a more satisfying economic order.» But the impact upon her must have been more powerful than she herself cared to admit, for from the outbreak of the war she devoted all her strength to the work for peace. Or, as Professor Simkhovitch of Columbia4 says: «I have never met anyone who has, as she has done, for decade after decade given every minute of her life to the work for peace between nations.»
    xxx/ellauri091.html on line 815: John Raleigh Mott (May 25, 1865 – January 31, 1955) was an evangelist and long-serving leader of the Young Men's Christian Association (YMCA) and the World Student Christian Federation (WSCF). He received the Nobel Peace Prize in 1946 for his work in establishing and strengthening international Protestant Christian student organizations that worked to promote peace. He shared the prize with Emily Balch.
    xxx/ellauri091.html on line 821: Mott and a colleague were offered free passage on the Titanic in 1912 by a White Star Line official who was interested in their work, but they declined and took the more humble liner the SS Lapland. According to a biography by C. Howard Hopkins, upon hearing of the news in New York City, the two men looked at each other and remarked that, "The Good Lord must have more work for us to do."
    xxx/ellauri091.html on line 823: He has never been a politician, he has never taken an active part in organized peace work. But he has always been a living force, a tireless fighter in the service of Christ, opening young minds to the light which he thinks can lead the world to peace and bring men together in understanding and goodwill. His work has always been chiefly among youth, for in them lies the key to the future. They are the leaders of tomorrow.
    xxx/ellauri091.html on line 843: The work of the organization, its program, and the resolutions which it sent out into the world bore the imprint of his forceful personality.
    xxx/ellauri091.html on line 847: In his own country, the United States, he has performed great work on behalf of the Negroes. To fight prejudices which exist in one’s own society makes a bigger demand perhaps on a man’s personality and strength of character than any other endeavor.
    xxx/ellauri103.html on line 160: I'm often asked did something happen around the time I wrote Kevin. Did I have some revelation or transsexual operation? The truth is that Kevin is of a piece with my other work. There's nothing special about Kevin. The other books are good too, go and buy them! It just tripped over an issue that was just ripe for exploration and by some miracle found its audience. School killings having come into vogue helped of course.
    xxx/ellauri103.html on line 190: Now, I am a little at a loss to explain what’s so insulting about a sombrero – a practical piece of headgear for a hot climate that keeps out the sun with a wide brim. And what's so insulting about shackles - a practical way to keep a cotton worker focused on his work. My parents went to Mexico when I was small, and brought a sombrero back from their travels, the better for my brothers and I to unashamedly appropriate the souvenir to play dress-up. For my part, as a German-American on both sides, I’m more than happy for anyone who doesn’t share my genetic pedigree to don a Tyrolean hat, pull on some leiderhosen, pour themselves a weisbier, and belt out the Hoffbrauhaus Song. (Leiderhosen? weisbier? Damn what ignoramus. But she is American, remember. Donald Trump is an expatriate German too. Hitler was an expatriate Austrian. Bet he had a Tirolean hat, a green one like aunt Inkeri.)
    xxx/ellauri103.html on line 198: In his masterwork English Passengers, Matthew Kneale would have restrained himself from including chapters written in an Aboriginal’s voice – though these are some of the richest, most compelling passages in that novel. If Dalton Trumbo had been scared off of describing being trapped in a body with no arms, legs, or face because he was not personally disabled – because he had not been through a World War I maiming himself and therefore had no right to “appropriate” the isolation of a paraplegic – we wouldn’t have the haunting 1938 classic, Johnny Got His Gun, unless he had written it with a pen in his arse. (Never heard of any of these masterpieces, but then I hadn't heard of Drivel or Kevin either until today.)
    xxx/ellauri103.html on line 206: But this latest and little absurd no-no is part of a larger climate of super-sensitivity, giving rise to proliferating prohibitions supposedly in the interest of social justice that constrain fiction writers and prospectively makes our work impossible.
    xxx/ellauri103.html on line 229: I’m hoping that crime writers, for example, don’t all have personal experience of committing murder. Me, I’ve depicted a high school killing spree, and I hate to break it to you: I’ve never shot fatal arrows through seven kids, a teacher, and a cafeteria worker, either. We make things up, we chance our arms, sometimes we do a little research, but in the end it’s still about what we can get away with – what we can put over on our readers. And it is surprisingly easy, you wouldnt believe what the idiots are ready to swallow, especially if it agrees with their own prejudice.
    xxx/ellauri103.html on line 257:

    I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …


    xxx/ellauri103.html on line 524: Kathie Lee married Paul Johnson, a composer/arranger/producer/publisher of Christian music, in 1976. After their divorce in 1982, she married sportscaster and former NFL player Frank Gifford in 1986. He died in 2015. Kathie Lee has released studio albums and written books. Kathie Lee has sold clothes made in offshore sweatshops whose living and working conditions were simply inhumane.
    xxx/ellauri103.html on line 537: In 1996 the National Labor Committee, a human rights group, reported that sweatshop labor was being used to make clothes for the Kathie Lee line, sold at Wal-Mart. The group reported that a worker in Honduras smuggled a piece of clothing out of the factory, which had a Kathie Lee label on it. One of the workers, Wendy Diaz, came to the United States to testify about the conditions under which she worked. She commented, "I wish I could talk to Kathie Lee. If she's good, she will help us." Gifford addressed Kernaghan's allegations on the air during Live! with Regis and Kathie Lee, explaining that she was not personally involved with hands-on project management in factories, and had never made a piece of clothing in her life.
    xxx/ellauri104.html on line 257: When the body is in a certain state, be it in sleep, at rest, after a meal, after an emotional state etc, Neurotransmitter levels differ all the time. Measuring them at various states is the right way to do such scientific quantification. But even then, your body is responding to a stimuli and even then, your body is given a set of nutrients to work with to produce the optimal level of Homeostasis of the neurotransmitters. Therefore, understanding Homeostasis and how it works will lead you to understand that the levels of neurotransmitters is not a factor of schizophrenia at all.
    xxx/ellauri104.html on line 261: This is easily proven if you can conduct human trials the correct way. This requires a deep understanding of how the body works first… including how neurotransmitters work in an overall POV, which includes knowledge of the brain, the body, the nervous system, the neurons and finally why Homeostasis is always correct. The way your education system works limits your view because you only study within your specialization. You need to become a overall learner across various disciplines to find Truths. Because the Creator is someone who knows literally EVERYTHING!
    xxx/ellauri104.html on line 702: Measures a negative or overly-critical worldview that is associated with an increased likelihood of impaired interpersonal relationships, hostility, anger, low trust, and workplace misconduct
    xxx/ellauri113.html on line 45: There are zero contradictions between quantum mechanics and special relativity; quantum field theory is the framework that unifies them.
    xxx/ellauri113.html on line 46: General relativity also works perfectly well as a low-energy effective quantum field theory. For questions like the low-energy scattering of photons and gravitons, for instance, the Standard Model coupled to general relativity is a perfectly good theory. It only breaks down when you ask questions involving invariants of order the Planck scale, where it fails to be predictive; this is the problem of "nonrenormalizability."
    xxx/ellauri113.html on line 56: None of this is really a contradiction between general relativity and quantum mechanics. For instance, string theory is a quantum mechanical theory that includes general relativity as a low-energy limit. What it does mean is that quantum field theory, the framework we use to understand all non-gravitational forces, is not sufficient for understanding gravity. Black holes lead to subtle issues that are still not fully understood. But not contradictions, just lacunae.
    xxx/ellauri113.html on line 89: On the Fourfold Root of the Principle of Sufficient Reason (German: Ueber die vierfache Wurzel des Satzes vom zureichenden Grunde) is an elaboration on the classical Principle of Sufficient Reason, written by German philosopher Arthur Schopenhauer as his doctoral dissertation in 1813. The principle of sufficient reason is a powerful and controversial philosophical principle stipulating that everything must have a reason or cause. Schopenhauer revised and re-published it in 1847. The work articulated the centerpiece of many of Schopenhauer's arguments, and throughout his later works he consistently refers his readers to it as the necessary beginning point for a full understanding of his further writings.)
    xxx/ellauri113.html on line 213: ALS (the disease which professor Hawking had) is a motor-neuron disease, and thus only affects the voluntary muscle functions, which does not include gut peristalsis (which is essential for stool formation and expulsion). Our bowel movements occur under subconscious control, even when paralyzed they still work normally due to the effects of the autonomic nervous system. The only thing we control voluntarily is our anal sphincter. However, in the case of Professor Hawking, he likely had no control.
    xxx/ellauri113.html on line 480: Berlinski has written works on systems analysis, the history of differential topology, analytic philosophy, and the philosophy of mathematics. Berlinski has authored books for the general public on mathematics and the history of mathematics. These include The Secrets of the Vaulted Sky (2003), aimed to redeem astrology as "rationalistic"; Publishers Weekly described the book as offering "self-consciously literary vignettes ... ostentatious erudition and metaphysical pseudo-profundities".
    xxx/ellauri113.html on line 482: Berlinski´s books have received mixed reviews, and been criticized for containing historical and mathematical inaccuracies. One critic said, "I haven't learned anything from [Berlinski's] book except that the novel of mathematics is best written in another style." He is the author of several detective novels starring private investigator Aaron Asherfeld, and a number of shorter works of fiction and non-fiction.
    xxx/ellauri113.html on line 490: Professor Stuart Burgess. About: I have a passion for designing engineering systems including bio-inspired designs. Like many scientists I believe that the natural world has a Designer. The purpose of this website is to share some of my design work and to share personal views about why I believe in a Creator. Below is a picture of me holding our two family Chihuahuas – Bambi and Minnie. They were created by the Creator, not me. My creation articles:
    xxx/ellauri116.html on line 182: She is best known for her philosophical treatises on feminism and women's role in society. She is an advocate of liberal feminism and women migrant workers' rights in France. Except wearing scarfs, that is not a right but a left. Badinter is described as having a commitment to Enlightenment rationalism and universalism. She advocates for a "moderate feminism". A 2010 Marianne news magazine poll named her France's "most influential intellectual", primarily on the basis of her bestselling books on women's rights and motherhood.
    xxx/ellauri116.html on line 266: Conceived as a novel of eroticism, this short work is centered on the quest for worldly happiness and the individual's prospects of attaining it. The medium of the quest is sensory and sexual fulfillment, and Vargas Llosa's characters conduct their lives assuming that this fulfillment is both the cause and the effect of their happiness. As in other erotic texts, the characters' responses and relationships are fueled exclusively by sensual and sexual stimulation...
    xxx/ellauri116.html on line 297: When Vargas Llosa was fourteen, his father sent him to the Leoncio Prado Military Academy in Lima. At the age of 16, before his graduation, Vargas Llosa began working as an amateur journalist for local newspapers. He withdrew from the military academy and finished his studies in Piura, where he worked for the local newspaper, La Industria, and witnessed the theatrical performance of his first dramatic work, La huida del Inca.
    xxx/ellauri116.html on line 303: Vargas Llosa began his literary career in earnest in 1957 with the publication of his first short stories, "The Leaders" ("Los jefes") and "The Grandfather" ("El abuelo"), while working for two Peruvian newspapers. Upon his graduation from the National University of San Marcos in 1958, he received a scholarship to study at the Complutense University of Madrid in Spain. In 1960, after his scholarship in Madrid had expired, Vargas Llosa moved to France under the impression that he would receive a scholarship to study there; however, upon arriving in Paris, he learned that his scholarship request was denied. Despite Mario and Julia's unexpected financial status, the couple decided to remain in Paris where he began to write prolifically. Their marriage lasted only a few more years, ending in divorce in 1964. A year later, Vargas Llosa married his first cousin, Patricia Llosa, with whom he had three children: Álvaro (born 1966), a writer and editor; Gonzalo (born 1967), an international civil servant; and Fata Morgana (born 1974), a pornographer.
    xxx/ellauri120.html on line 35: Novelist Bulwer-Lytton was a friend and contemporary of Charles Dickens and was one of the pioneers of the historical novel, exemplified by his most popular work, The Last Days of Pompeii. He is best remembered today for the opening line to the novel Paul Clifford, which begins "It was a dark and stormy night..." and is considered by some to be the worst opening sentence in the English language. However, Bulwer-Lytton is also responsible for well-known sayings such as "The penis mightier than the sword" from his play Richelieu. Despite being a very popular author with 19th-century readers, few people today are even aware of his prodigious body of literature spanning many genres. In the 21st century he is known best as the namesake for the Bulwer-Lytton Fiction Contest (BLFC), sponsored annually by the English Department at San Jose State University, which challenges entrants "to compose the opening sentence to the worst of all possible novels", and the township of Lytton, or Camchin until the British nosey parkers came, saw and beat the copper-colored nlaka'pamuxes. Now their village got burned to ashes thanx to the industrial revolution.
    xxx/ellauri120.html on line 68: William James coined the term Cash Value to describe criteria to assess the merit and truth of an assertion or belief. Freud’s work is freighted with immense metaphorical— and literal— cash value.
    xxx/ellauri120.html on line 102: Just also works well at the onset
    xxx/ellauri120.html on line 112: Gifted, diligent, hard working.
    xxx/ellauri120.html on line 229: Following her release from prison, Hester settles in a cottage at the edge of town and earns a meager living with her needlework, which is of extraordinary quality. She lives a quiet, somber life with her daughter, Pearl, and performs acts of charity for the poor. She is troubled by her daughter's unusual fascination with the scarlet "A". The shunning of Hester also extends to Pearl, who has no playmates or friends except her mother. As she grows older, Pearl becomes capricious and unruly. Her conduct starts rumors, and, not surprisingly, the church members suggest Pearl be taken away from Hester.
    xxx/ellauri121.html on line 33: Bodies are just as much a product of habit and behavior as they are DNA and genetic structure. Understanding the different physiological body types can give you insight into how yours works best. The hormonal body types are Adrenal, Thyroid, Liver and Ovary, the structural types are Ectomorph, Endomorph and Mesomorph, and the Ayurvedic types (sometimes called the Doshas) are Pitta, Vata, and Kapha. >
    xxx/ellauri121.html on line 306: Atwood’s career as a graduate student stretched, with many interruptions, for half a dozen years. During that period she had an affair with Quebec poet D. G. Jones— which Sullivan mentions so obliquely that it is over before the reader realizes it has begun. She had broken it off, as a result of the stresses caused by his workload. She subsequently courted Jim Polk (an American writer she had met at Harvard) and, in January 1967, she decided to marry him "after five years of equivocation". She also worked at odd jobs including market researcher like Fred Waterford, and despite never finishing her PhD, began a university teaching career that would take her to cities across Canada. At 27, she became the youngest person to ever win the Governor General’s Award with her 1967 poetry collection, The Circle Game. Siitä nousi sille aika lailla kusi päähän.
    xxx/ellauri121.html on line 308: In the early 70s, Atwood added considerably to her work as a teacher and writer by editing manuscripts for the cutting-edge nationalist publisher The House of Anansi. By then, her marriage to Polk was over (Sullivan is vague about why, offering mainly generalities about the difficulty of staying together in that morally freewheeling era. Fact is, Jim Polk was not enough of a handyman for manly Margaret.) In 1972, Atwood met Gibson, a novelist and cultural activist whose own marriage was crumbling. The two began an affair, meeting at first clandestinely in the basement office of Toronto’s Longhouse Bookshop, but soon living together—for several years on a working farm north of the city.
    xxx/ellauri121.html on line 323: James "Jim" Polk was the long time editorial director of House of Anansi Press and edited two books by Charles Taylor, as well as work by Margaret Atwood, George Grant, Northrop Frye, and many others. With a literature PhD (which Peggy never finished) he has taught at Harvard, Idaho, Ryerson and Alberta, and has written a comic novel, a stage comedy about Canadian publishing, articles, short stories, and criticism about Canadian writers and writing. As an advisor at the Ontario Ministry of Culture, he worked on grants for theatre and books, developed a tax credit for publishers and remodelled the Trillium Book Prize to include Franco Ontarian writing. He lives in Toronto and, trained as a pianist, still practices daily, playing classics and show-tunes in seclusion.
    xxx/ellauri121.html on line 345: Sullivan relates how in 1969, when Atwood was giving her first poetry reading, poet Irving Layton futilely attempted to sabotage the upstart writer by simultaneously reading his own work from the audience. Lisää ainesta käsineitokeitoxeen.
    xxx/ellauri121.html on line 537: Cultural anthropology, Taoism, feminism, and the writings of Carl Jung all had a strong influence on Le Guin´s work.
    xxx/ellauri122.html on line 170: The mechanisms underlying the benefits of Mindfulness Based Interventions are suggested to include improved emotional regulation strategies and self-compassion levels, decreased rumination and experiential avoidance [3], as well as improved meta-cognitive skills and body awareness [4,5]. A number of authors have suggested models to explain the psychological mechanisms by which mindfulness interventions have an effect [6,7,8], and Hötzel et al. [9] have proposed a theoretical framework that integrates earlier models. This framework proposes that there are four main mechanisms: (1) attention regulation; (2) body awareness; (3) emotion regulation; and (4) change in perspective of the self; these, therefore, together improve self-regulation [9].
    xxx/ellauri122.html on line 781: Huxley's masterpiece is a powerful work of speculative fiction where 'World Controllers' create the ideal society. While most society members are content with a world where genetic engineering, brainwashing, and recreational pleasures keep them at bay, one newcomer longs to break free.
    xxx/ellauri122.html on line 838: Orleans. Ignatius is forced to work for the first time in
    xxx/ellauri122.html on line 858: His work is praised for its eloquent prose, immense detail, and layered narratives. But it's just a pile of shit anyway.
    xxx/ellauri122.html on line 882:
    'A Clockwork Orange' by Anthony Burgess

    xxx/ellauri122.html on line 885: A frightening tale about good and evil and what it means to be free as humans, 'A Clockwork Orange' is told through the central character, Alex, who recounts his violent encounters with state authorities who are intent on reforming him.
    xxx/ellauri122.html on line 904: The haunting and challenging work delves into the complex concepts that resonate within existential philosophy, exploring themes of alienation, fear of anonymity, spiritual doubt, and the qualities that lie behind one's character. Existentialism is a fake philosophy built on narcissism to justify venture capitalism.
    xxx/ellauri122.html on line 924: Alongside works by Kurt Vonnegut and Thomas Pynchon, Catch-22 opened the floodgates for a wave of crazy American fiction. The reviews of the book range from very positive to very negative. Although the novel won no awards upon release, it has remained in print and is seen as one of the most significant American novels of the 20th century. The novel examines the absurdity of war and military life through the experiences of Yossarian and his cohorts, who attempt to maintain their sanity while fulfilling their service requirements so that they may return home.
    xxx/ellauri122.html on line 950: A riveting work of journalism, the book reminds us of how much our memories influence us. Stupid self help shit.
    xxx/ellauri122.html on line 1027: Did Barbie have anything to do with shaping feminism today? Many may argue, yes, that Barbie was the one doll that broke the limits, gave girls a hope for independence and success. Barbie never did housework, she never had any children, and she was never married. It was a new American dream to females, and Barbie was the newest idol.
    xxx/ellauri123.html on line 684: Since 2014, millions of people have read my work. I’ve been published in Business Insider, CNBC, and Fast Company. I was also featured on Medium (Top Writer in 10+ topics), Quora (Top Writer 2017 & 2018), Pocket, and more.
    xxx/ellauri123.html on line 686: If you’ll allow me, I’d love to share my latest work with you. To respect your time, I’ll only email you when I’ve created something meaningful. That’s what friends do, don’t they? You can sign up below or go here.
    xxx/ellauri123.html on line 707: Rahab (/ˈreɪhæb/; Hebrew: רָחָב‎, Modern: Raẖav, Tiberian: Rāḥāḇ, "broad", "large", Arabic: رحاب, a vast space of a land) was, according to the Book of Joshua, a woman who lived in Jericho in the Promised Land and assisted the Israelites in capturing the city by hiding two men who had been sent to scout the city prior to their attack. In the New Testament, she is lauded both as an example of a saint who lived by faith, and as someone "considered righteous" for her works.
    xxx/ellauri123.html on line 716: Nabokov´s wife Véra was his strongest supporter and assisted him throughout his lifetime, but Nabokov admitted to having a "prejudice" against women writers. He wrote to Edmund Wilson, who had been making suggestions for his lectures: "I dislike Jane Austen, and am prejudiced, in fact against all women writers. They are in another class." Although Véra worked as his personal translator and secretary, he made publicly known that his ideal translator would be male, and especially not a "Russian-born female". In the first chapter of Glory he attributes the protagonist's similar prejudice to the impressions made by children's writers like Lidiya Charski, and in the short story "The Admiralty Spire" deplores the posturing, snobbery, antisemitism, and cutesiness he considered characteristic of Russian women authors.
    xxx/ellauri123.html on line 717: But after rereading Austen´s Mansfield Park he changed his mind and taught it in his literature course; he also praised Mary McCarthy´s work and described Marina Tsvetaeva as a "poet of genius".
    xxx/ellauri123.html on line 745: Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. Humbert Humbert, the protagonist in the novel Lolita, is the classic literary portrayal of a pedophile. Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. The raw power of Lolita derives from the abreactive discharge of a libidinal cathexis denied any other mode of expression.
    xxx/ellauri123.html on line 760: In 1947, Vladi moves to Ramsdale, a small town in New England, where he can calmly continue working on his book. The house that he intends to live in is destroyed in a fire, and in his search for a new home, he meets the widow Charlotte Haze, who is accepting tenants. Humbert visits Charlotte´s residence out of politeness and initially intends to decline her offer. However, Charlotte leads Humbert to her garden, where her 12-year-old daughter Dolores (also variably known as Dolly, Dolita, Lo, Lola, and Lolita) is sunbathing. Humbert sees in Dolores the perfect nymphet, the embodiment of his old love Annabel, and quickly decides to move in.
    xxx/ellauri123.html on line 766: Lolita is frequently described as an "erotic novel", not only by some critics but also in a standard reference work on literature Facts on File: Companion to the American Short Story. The Great Soviet Encyclopedia called Lolita "an experiment in combining an erotic novel with an instructive novel of bourgeois bad manners."
    xxx/ellauri123.html on line 1115: works of Vladimir Nabokov. He edited
    xxx/ellauri123.html on line 1154: Remu was born in Nogent-le-Rotrou. A nobleman (under the tutelage of the Lorraine family), he did his studies under Marc Antoine Muret and George Buchanan. As a student, he became friends with the young poets Jean de La Péruse, Étienne Jodelle, Jean de La Taille and Pierre de Ronsard and the latter incorporated Remy into the "La Pléiade", a group of revolutionary young poets. Belleau´s first published poems were odes, les Petites Inventions (1556), inspired by the ancient lyric Greek collection attributed to Anacreon and featuring poems of praise for such things as butterflies, oysters, cherries, coral, shadows, turtles, and twats. His last work, les Amours et nouveaux Eschanges des Pierres precieuses (1576), is a poetic description of gems and their properties inspired by medieval and renaissance lapidary catalogues. He died impotent in Paris on 6 March 1577, and was buried in Grands Augustins. Remy Belleau was greatly admired by impotent poets in the twentieth century, such as Francis Ponge. Francis Ponge (1899 Montpellier, Ranska – 1988 Le Bar-sur-Loup, Ranska) oli ranskalainen runoilija. Ponge työskenteli kirjailijanuransa ohella toimittajana, kustannustoimittajana ja ranskan kielen opettajana. Hän osallistui toisen maailmansodan aikana vastarintaliikkeeseen ja kuului vuosina 1937–1947 kommunistipuolueeseen. Hän sai vaikutteita eksistentialismista, ja esinerunoissaan hän paljastaa kielen avulla objektin itsenäisenä, omanlakisena maailmana. Francis Ponge was born in Montpellier, France in 1899. He has been called “the poet of things” because simple objects like a plant, a shell, a cigarette, a pebble, or a piece of soap are the subjects of his prose poems. To transmute commonplace objects by a process of replacing inattention with contemplation was Ponge’s way of heeding Ezra Pound’s edict: ‘Make it new.’ Ponge spent the last 30 years of his life as a recluse at his country home, Mas des Vergers. He suffered from frequent bouts with nervous exhaustion and numerous psychosomatic illnesses. He continued to write up until his death on August 6, 1988.
    xxx/ellauri123.html on line 1279: Imaginative cobbler Hans Christian Andersen (Danny Kaye) is asked to leave his hometown because his frequent stories are distracting the children from school. From there he moves to Copenhagen, Denmark, where he sees and falls in love with Doro (Jeanmaire), a ballerina. He writes "The Little Mermaid" for her, and it becomes the ballet´s latest work. However, Doro is already married to Niels (Farley Granger), meaning Hans must content himself with children.
    xxx/ellauri124.html on line 111: EX Dolls have been working on a robotics head since 2014, but we're generations away from a Terminator-style cyborg," he also explained. "They will have an element of natural conversation so they won't sound too robotic, but they will take time – languages are massive [...] the voice recognition is no different to a smartphone, but this model also has facial expressions, unlike standard silicone heads." The DS Doll's manufacturers are hoping to release a finalised robotic head by the end of 2018. It is expected to cost around £4,500. Just in case you were wondering, underneath the silicon skin it looks like this. "
    xxx/ellauri124.html on line 136: However, James is already looking to upgrade to a newer model and is saving up to splash out £8,000 on the latest sex robot. Named Harmony, she can smile, speak and is responsive during sex. She is so further advanced that April may end her days forgotten in the garage or the attic, or sold for $500 on ebay. Needs work.
    xxx/ellauri124.html on line 153: "I want to put a camera in her like a iPhone so she can recognise if she is indoors or outdoors and be able to recognise her own over someone that she has never met. She could see and recognise people and assign names to them and recall information about them so she could say 'Hi bob, how is work over at the construction site?' Hej! Jag heter Barbi, vad har du för dej?
    xxx/ellauri124.html on line 157: One worker Susan is trying to add electronics to the vaginal inserts so the deeper and faster you go there are sounds like 'oooh' and 'ahhh' and then when you roll off her she will say "was that nice for you or whatever".
    xxx/ellauri124.html on line 403: there’s that coworker that won’t stop rolling his eyes whenever your cat creeps
    xxx/ellauri124.html on line 487: think it would be used: to tell someone you have just worked out or are in the
    xxx/ellauri124.html on line 488: middle of working out. It can also be used slightly less traditionally to mean
    xxx/ellauri124.html on line 516: stressing about that work project you definitely procrastinated.
    xxx/ellauri124.html on line 555: experience. His work has been published on Macworld, PCMag, 1Password's blog, and
    xxx/ellauri125.html on line 63: workimages/mediumlarge/3/1-oedipus-cursing-his-son-polynices-1786-henry-fuseli.jpg" width="50%"/>
    xxx/ellauri125.html on line 302: “Yeezus” is the most musically adventurous album West has ever released, a wildly experimental work that features tracks produced by Daft Punk, Hudson Mohawke, Rick Rubin and others. It’s also West’s most narcissistic, defiant, abrasive and unforgiving.
    xxx/ellauri125.html on line 313: This is the work of a man unconcerned with offending women or racial historians, the voice of a soul in pure id mode, thinking with his groin and worrying little about the ladies’ vote. Is it the last gasp of a man who’s just become a father for the first time? An early midlife crisis? An attempt at alienating the marketplace so he can live as an artist rather than a paparazzi target?
    xxx/ellauri125.html on line 428: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction. In each performance of a self, Roth captured the same sound and consciousness. in nearly fifty years of reading him I’ve never been more bored. I got to know Roth in the nineteen-nineties, when I interviewed him for this magazine around the time he published “The Human Stain.” To be in his presence was an exhilarating, though hardly relaxing, experience. He was unnervingly present, a condor on a branch, unblinking, alive to everything: the best detail in your story, the slackest points in your argument. His intelligence was immense, his performances and imitations mildly funny. “He who is loved by his parents is a conquistador,” Roth used to say, and he was adored by his parents, though both could be daunting to the young Philip. Herman Roth sold insurance; Bess ruled the family’s modest house, on Summit Avenue, in a neighborhood of European Jewish immigrants, their children and grandchildren. There was little money, very few books. Roth was not an academic prodigy; his teachers sensed his street intelligence but they were not overawed by his classroom performance. Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
    xxx/ellauri125.html on line 485: With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted. After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted.[ After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. After Muriel's death in 1990, Roth moved into a ramshackle former funeral parlor and occupied himself with revising the final volumes of his monumental work, Mercy of a Rude Stream. It has been alleged that the incestuous relationships between the protagonist, a sister, and a cousin in Mercy of a Rude Stream are based on Roth's life. Roth's own sister denied that such events occurred. Roth attributed his massive writer's block to personal problems such as depression, and to political conflicts, including his disillusion with Communism. At other times he cited his early break with Judaism and his obsessive sexual preoccupations as probable causes. Roth died in Albuquerque, New Mexico, United States in 1995. The character E. I. Lonoff in Philip Roth's Zuckerman novels (The Ghost Writer and Exit Ghost in this case), is a composite of Roth, Bernard Malamud and fictional elements.
    xxx/ellauri125.html on line 508: continue his good work in the cause of morality by cautioning you
    xxx/ellauri125.html on line 664: works">Lähde
    xxx/ellauri125.html on line 757: Shortly after her emancipation, Love spent two months in Japan working as a topless dancer, but was deported after her passport was confiscated. She returned to Portland and began working at the strip club Mary's Club, adopting the surname Love to conceal her identity; she later adopted Love as her surname. She worked odd jobs, including as a DJ at a gay disco. Love said she lacked social skills, and learned them while frequenting gay clubs and spending time with drag queens. During this period, she enrolled at Portland State University, studying English and philosophy.
    xxx/ellauri125.html on line 761: In July 1982, Love returned to the United States. In late 1982, she attended a Faith No More concert in San Francisco and convinced the members to let her join as a singer. The group recorded material with Love as a vocalist, but fired her; according to keyboardist Roddy Bottum, who remained Love's friend in the years after, the band wanted a "male energy". Love returned to working abroad as an erotic dancer, briefly in Taiwan, and then at a taxi dance hall in Hong Kong. By Love's account, she first used heroin while working at the Hong Kong dance hall, having mistaken it for cocaine. While still inebriated from the drug, Love was pursued by a wealthy male client who requested that she return with him to the Philippines, and gave her money to purchase new clothes. She used the money to purchase airfare back to the United States.
    xxx/ellauri125.html on line 764: The next several years were marked by publicity surrounding Love's legal troubles and drug relapse, which resulted in a mandatory lockdown rehabilitation sentence in 2005 while she was writing a second solo album. That project became Nobody's Daughter, released in 2010 as a Hole album but without the former Hole lineup. Between 2014 and 2015, Love released two solo singles and returned to acting in the network series Sons of Anarchy and Empire. In 2020, she confirmed she was writing new music.
    xxx/ellauri125.html on line 768: After filming Sid and Nancy in New York City, she worked at a peep show in Times Square and squatted at the ABC No Rio social center and Pyramid Club in the East Village.The same year, Cox cast her in a leading role in his film Straight to Hell (1987), a Spaghetti Western starring Joe Strummer and Grace Jones filmed in Spain in 1986. The film caught the attention of Andy Warhol, who featured Love in an episode of Andy Warhol's Fifteen Minutes.
    xxx/ellauri125.html on line 769: In 1988, Love abandoned acting and returned to the West Coast, citing the "celebutante" fame she had attained as the central reason.[86] She returned to stripping in the small town of McMinnville, Oregon, where she was recognized by customers at the bar.[87] This prompted Love to go into isolation, so she relocated to Anchorage, Alaska, where she lived for three months to "gather her thoughts", supporting herself by working at a strip club frequented by local fishermen. "I decided to move to Alaska because I needed to get my shit together and learn how to work," she said in retrospect. "So I went on this sort of vision quest. I got rid of all my earthly possessions. I had my bad little strip clothes and some big sweaters, and I moved into a trailer with a bunch of other strippers."
    xxx/ellauri125.html on line 771: She was the most gung-ho person I've ever met ... She gave 180%. I've worked with some people that you've had to coax the performance out of them. With Courtney, there was no attitude." Said Don Fleming, who co-produced Hole's debut album with Kim Gordon.
    xxx/ellauri125.html on line 774: On July 23, 1989, Love married Leaving Trains vocalist James Moreland in Las Vegas; the marriage was annulled the same year. She later said that Moreland was a transvestite and that they had married "as a joke". After forming Hole, Love and Erlandson had a romantic relationship that lasted over a year. In Hole's formative stages, Love continued to work at strip clubs in Hollywood (including Jumbo's Clown Room and the Seventh Veil), saving money to purchase backline equipment and a touring van, while rehearsing at a Hollywood studio loaned to her by the Red Hot Chili Peppers. Hole played their first show in November 1989 at Raji's, a rock club in central Hollywood. Their debut single, "Retard Girl", was issued in April 1990 through the Long Beach indie label Sympathy for the Record Industry, and was played by Rodney Bingenheimer on local rock station KROQ. Hole appeared on the cover of Flipside, a Los Angeles-based punk fanzine. In early 1991, they eleased their second single, "Dicknail", through Sub Pop Records.
    xxx/ellauri125.html on line 795: After Hole's world tour concluded in 1996, Love made a return to acting, first in small roles in the Jean-Michel Basquiat biopic Basquiat and the drama Feeling Minnesota (1996), and then a starring role as Larry Flynt's wife Althea in Miloš Forman's critically acclaimed 1996 film The People vs. Larry Flynt. Love went through rehabilitation and quit using heroin at the insistence of Forman; she was ordered to take multiple urine tests under the supervision of Columbia Pictures while filming, and passed all of them. Despite Columbia Pictures' initial reluctance to hire Love due to her troubled past, her performance received acclaim, earning a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress. Critic Roger Ebert called her work in the film "quite a performance; Love proves she is not a rock star pretending to act, but a true actress."
    xxx/ellauri126.html on line 480: Les Grosses Têtes French pronunciation: ​[le ɡʁos tɛt]; is a daily comedy radio programme on the French language RTL radio network. Broadcasted since 1 April 1977, the current host since 2014 is Laurent Ruquier. Presently broadcast from 15:30 to 18:00 in France and Belgium this show has several regular segments.
    xxx/ellauri127.html on line 51: Joyce Kilmer Memorial Forest is an approximately 3,800-acre tract of publicly owned virgin forest in Graham County, North Carolina, named in memory of poet Joyce Kilmer (1886–1918), best known for his poem "Trees". Kilmer is most remembered for "Trees", which has been the subject of frequent parodies and references in popular culture. Kilmer's work is often disparaged by critics and dismissed by scholars as being too simple and overly sentimental, and that his style was far too traditional and even archaic.
    xxx/ellauri127.html on line 54: Rasbach's song appeared on popular network television shows, including All in the Family, performed by the puppets Wayne and Wanda in The Muppet Show,
    xxx/ellauri127.html on line 114: Only now, 40 years after his death, are some critics daring to suggest that many of his 18 novels are mediocre at best and that his masterpiece, “Lolita,” is a gruesome celebration of pedophile rape. Moreover the cherubic writer known to us from famous Life magazine photo shoots, jauntily brandishing his butterfly net in the Tetons or the Alps, proves to be a nasty piece of work. Distasteful people can do wonderful work — Pablo Picasso was no walk in the park — but their art doesn’t excuse their obnoxious behavior.
    xxx/ellauri127.html on line 136: Nabokov clearly had an idee fixe about (undeserving?) Russian writers winning the Nobel Prize. Like Alexander Solzhenitsyn, whose work he dismissed as “juicy journalese.”
    xxx/ellauri127.html on line 239: Humbert's first lay Annabelle refers to Egar Allan Poe‘s (1809-1849) poem « Annabel Lee« , and indeed, the beginning of « Lolita » is full of references to this work. This famous American author was in love with Virginia Clemm, a thirteen years old girl. Nabokov was a fervent lepidopterist, a specialist of butterflies. Miten kukaan voi olla polttavasti innostunut voikärpäsistä? Kai kun sen mielestä oli huisin kivaa piikittää perhosten alaruumiita.
    xxx/ellauri127.html on line 254: The mention (p.289 TAL) of the case abduction and rape of the 11 years old Florence Sally Horner by a 50 years old man. In 1948, the 11-year-old Horner stole a 5-cent notebook from a store in Camden, New Jersey. Frank La Salle, a 50-year-old mechanic, caught her stealing, told her that he was an FBI agent, and threatened to send her to « a place for girls like you« . Then he abducted the girl and spent 21 months traveling with her over different American states and raping her. Florence Horner died in a car accident (p.288 TAL, « a routine highway accident«) near Woodbine, New Jersey, in 1952. It seems clear that the case inspired partly « Lolita » (even though this theme existed long before in Nabokov’s works (see for instance his 1939 work « Volshebnik » (i.e. « The Enchanter« ))).
    xxx/ellauri127.html on line 282: The most famous literary version of Melusine tales, that of Jean d'Arras, compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette (coulrette (in French)). He wrote The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine, giving source and historical notes, dates and background of the story. Another version, Chronique de la princesse (Chronicle of the Princess). tells how in the time of the Crusades, Elynas, the King of Albany (an old name for Scotland or Alba), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of fay and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of Avalon.
    xxx/ellauri127.html on line 488: Shortly after being let go from the college, Silk begins a relationship with Faunia Farley, a 34-year-old local woman who works as a janitor at the college and is believed (falsely, as it turns out) to be illiterate, further cementing his status as a pariah among the Athena faculty and student body.
    xxx/ellauri127.html on line 641: Just to mention one item: the in folio de-luxe Bagration Island by the explorer and psychoanalyst Melanie Weiss, a remarkable lady, a remarkable work - drop that gun - with photographs of eight hundred and something male organs she examined and measured in 1932 on Bagration, in the Barda Sea, very illuminating graphs, plotted with love under pleasant skies - drop that gun - and moreover I can ...
    xxx/ellauri127.html on line 645: Klein’s insistence on viewing aggression as an important force in its own right when analyzing children led her into conflict with Freud’s own daughter, Anna Freud, who was one of the other prominent child psychotherapists in continental Europe but who became moved to London in 1938 where Klein had been working for several years. Many controversies arose out of this conflict, and these are often referred to as controversial debates. In reality, the semitic hags were in one another's hairs. Lähde:
    xxx/ellauri127.html on line 657: My name is Georgia Tarrant, and I am a clinical psychologist. In everyday life, my professional obligations seem to predominate over my personal life. It's as if work takes up more and more of the time I'd love to devote to my love life, our family, or even a moment of leisure.
    xxx/ellauri127.html on line 677: We work with sex professionals in the health area of ​​Mexico, Central America, and other English-speaking countries to develop topics of enormous public interest such as hypertension, diabetes mellitus, tinnitus, nutrition, oral implants, anal implants, genital transplants, irrational use of medications, or hygienic tissues such as biotechnology, medical ethics, the teaching of Medicine, Alternative Medicines, etc.
    xxx/ellauri127.html on line 680: In almost 20 years of uninteresting work, we have published hundreds of articles and brought quantity medical information to tens of millions of suckers people worldwide, in the hopes that quantity will turn into quality, as Marx predicted.
    xxx/ellauri127.html on line 743: Endymion received scathing criticism after its release, and Keats himself noted its diffuse and unappealing style. Keats did not regret writing it, as he likened the process to leaping into the ocean to become more acquainted with his surroundings; in a poem to J. A. Hessey, he expressed that "I was never afraid of failure; for I would sooner fail than not be among the greatest." However, he did feel regret in its publishing, saying "it is not without a feeling of regret that I make it public." Not all critics disliked the work. eg. the poet Thomas Hood.  Henry Morley said, "The song of Endymion throbs throughout with a noble poet's sense of all that his art means for him. What mechanical defects there are in it may even serve to quicken our sense of the youth and freshness of this voice of aspiration." Meaning: Dig it mon. Endymionin jälkeen Keaz kommentoi sen vastaanottoa seuraavasti.
    xxx/ellauri127.html on line 778: Cockney poet Keats was compared to Milton who lived and worked at London's Mermaid Tavern. Coincidentally, his father, Thomas worked as a barman in London's Hoop and Swan Pub until passing in 1804. It is clear John Keats is making a universal statement about poets and the message is associated to lively pub life and drink. The phrase, "new old sign," indicates he recognizes similarities between himself and Milton. Milton vanha kuu pois pyllisti, uusvanha nousee tilalle. Was he a sodomite like Little John? Was he also one of the men in tights?
    xxx/ellauri128.html on line 125: Benjamin Disraeli, 1st Earl of Beaconsfield KG PC FRS (21 December 1804 – 19 April 1881) was a British statesman and Conservative politician who twice served as Prime Minister of the United Kingdom. He played a central role in the creation of the modern Conservative Party, defining its policies and its broad outreach. Disraeli is remembered for his influential voice in world affairs, his political battles with the Liberal Party leader William Ewart Gladstone, and his one-nation conservatism or "Tory democracy". He made the Conservatives the party most identified with the glory and power of the British Empire. He is the only British prime minister to have been of Jewish birth. He was also a novelist, publishing works of fiction even as prime minister.
    xxx/ellauri128.html on line 128: He maintained a close friendship with Queen Victoria, who in 1876 elevated him to Earl of Beaconsfield. Disraeli´s second term was dominated by the Eastern Question—the slow decay of the Ottoman Empire and the desire of other European powers, such as Russia, to gain at its expense. Disraeli arranged for the British to purchase a major interest in the Suez Canal Company in Egypt. In 1878, faced with Russian victories against the Ottomans, he worked at the Congress of Berlin to obtain peace in the Balkans at terms favourable to Britain and unfavourable to Russia, its longstanding enemy. This diplomatic victory over Russia established Disraeli as one of Europe´s leading statesmen.
    xxx/ellauri128.html on line 495: Karl Murdock Bowman (November 4, 1888 – March 2, 1973) was a pioneer in the study of psychiatry. From 1944 to 1946 he was the president of the American Psychiatric Association. His work in alcoholism, schizophrenia, and homosexuality is particularly often cited. In 1953, in "The Problem of Homosexuality," co-authored with Bernice Engle, he argued for multiple causes, including genetics, but proposed that castration be studied as a cure. However, in 1961 he appeared in the television documentary The Rejected presenting the viewpoint that homosexuality is not a mental illness and should be legalized.
    xxx/ellauri128.html on line 516: Among Hubbard´s many publications were the fourteen-volume work Little Journeys to the Homes of the Great and the short publication A Message to Garcia. He and his second wife, Alice Moore Hubbard, died aboard the RMS Lusitania when it was sunk by a German submarine off the coast of Ireland on May 7, 1915.
    xxx/ellauri128.html on line 518: Robert von Ranke Graves (24 July 1895 – 7 December 1985) was a British poet, historical novelist, critic, and classicist. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology. Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—Good-Bye to All That, and his speculative study of poetic inspiration, The White Goddess, have never been out of print.
    xxx/ellauri128.html on line 628: Atkinson later moved on to study the work of Frege with the philosopher Charles Parsons.
    xxx/ellauri129.html on line 642: Maurice Houber Remarques sur l'amour ... Muu kuin etukansi ei ole ylittänyt google-kynnystä. Mitä ihmiset sanovat - Kirjoita arvostelu. Yhtään arvostelua ei löytynyt. E. Sancotin liha ja leikkele & cie, 1913. 1 works in 7 publications in 1 language and 175 library holdings. Samassa googlauxessa nousi pintaan Albert Ernest Nicholas Simms: St Paul and the Women's Movement. C.L.W.S. Pamphlets, Numero 3 / Church League for Women's Suffrage pamphlets. Kustantaja Church League for Women's Suffrage, 1913, ja Marital Power Exemplified in Mrs. Packard's Trial, and Self-defence from the Charge of Insanity, Or, Three Years' Imprisonment for Religious Belief, by the Arbitrary Will of a Husband: With an Appeal to the Government to So Change the Laws as to Protect the Rights of Married Women. By Elizabeth Parsons Ware Packard. The Authoress, 1893. 0 Arvostelut.
    xxx/ellauri129.html on line 648: Theophilus, however, held quite decisive religious beliefs. After many years of marriage, Elizabeth Packard outwardly questioned her husband's beliefs and began expressing opinions that were contrary to his. While the main subject of their dispute was religion, the couple also disagreed on child rearing, family finances, and the issue of slavery, with Elizabeth defending John Brown, which embarrassed Theophilus. What was worst, she also worked as a teacher in Jacksonville, Illinois.
    xxx/ellauri129.html on line 666: Elizabeth realized how narrow her legal victory had been; while she had escaped confinement, it was largely a measure of luck. The underlying social principles which had led to her confinement still existed. She founded the Anti-Insane Asylum Society and published several books, including Marital Power Exemplified, or Three Years Imprisonment for Religious Belief (1864), Great Disclosure of Spiritual Wickedness in High Places (1865), The Mystic Key or the Asylum Secret Unlocked (1866), and The Prisoners' Hidden Life, Or Insane Asylums Unveiled (1868). In 1867, the State of Illinois passed a "Bill for the Protection of Personal Liberty" which guaranteed that all people accused of insanity, including wives, had the right to a public hearing. She also saw similar laws passed in three other states. Even so, she was strongly attacked by medical professionals and anonymous citizens, unlike others such as Dorothea Dix, with her former doctor from the Jacksonville Insane Asylum, Dr. McFarland, who privately called her "a sort of Joan D'Arc in the matter of stirring up the personal prejudices". As such, Elizabeth's work on this front was "broadly unappreciated" while she was alive. She only received broader recognition, starting in the 1930s, by a well-known historian of mental illness, Albert Deutsch, and again in the 1960s from those who were "attacking the medical model of insanity".
    xxx/ellauri129.html on line 672: William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist and playwright known for The Woman in White (1859), and for The Moonstone (1868), which has been posited as the first modern English detective novel. Born to the London painter William Collins and his wife, he moved with the family to Italy when he was twelve, living there and in France for two years and learning Italian and French. He worked initially as a tea merchant. After publishing Antonina, his first novel, in 1850, Collins met Charles Dickens, who became a friend and mentor. Some Collins work first appeared in Dickens's journals Household Words and All the Year Round. They also collaborated on drama and fiction. Collins gained financial stability and an international following by the 1860s, but began to suffer from gout and became addicted to the opium he took for the pain, so that his health and writing quality declined in the 1870s and 1880s. Collins was critical of the institution of marriage: he split his time between widow Caroline Graves – living with her for most of his adult life, treating her daughter as his – and the younger Martha Rudd, by whom he had three children.
    xxx/ellauri130.html on line 549: Alfred Austin P.L. (30 May 1835 – 2 June 1913) was an English poet who was appointed Poet Laureate in 1896, after an interval following the death of Tennyson, when the other candidates had either caused controversy or refused the honour. It was claimed that he was being rewarded for his support for the Conservative leader Lord Salisbury in the General Election of 1895. Austin´s poems are little-remembered today, his most popular work being prose idylls celebrating nature. Austin oli aika lailla Unlucky Alfin näköinen. Bugger it. With my luck, they nominate me as Poet Laureate. Austin was caricatured as "Sir Austed Alfrin" by L. Frank Baum in his 1906 novel John Dough and the Cherub. He was also the subject of a Vanity Fair cartoon by Spy published on 20 February 1896.
    xxx/ellauri130.html on line 583: “I don’t think there’s ever been a time when you could just say anything.” He recalls an early comedy show – this must have been in the late 80s – where the host apologised to the crowd after Skinner had performed some risque sexual material. “He said I’d never play at the venue again – and then he launched into a load of racist material and brought the house down. Everyone’s got their own standards and restraints. But I think it’s been good for me to keep questioning what I say. It’s made me think more positively about racist jokes and not so much about penises. My knob is not working anymore BTW, I'm 65. We’re both deeply ashamed. Can't lift our eye to the public.”
    xxx/ellauri130.html on line 765: Christine Chubbuck (August 24, 1944 – July 15, 1974) was an American television news reporter who worked for WTOG and WXLT-TV in Sarasota, Florida. She was the first person to die by suicide on a live television broadcast. She lamented to co-workers that her 30th birthday was approaching, and she was still a virgin who had never been on more than two dates with a man. Co-workers said she tended to be brusque and defensive whenever they made friendly gestures toward her. She was self-deprecating, criticizing herself constantly and rejecting any compliments others paid her. The film reel of the restaurant shooting had jammed and would not run, so Chubbuck shrugged it off and said on-camera, "In keeping with the WXLT practice of presenting the most immediate and complete reports of local blood and guts news, TV 40 presents what is believed to be a television first. In living color, an exclusive coverage of an attempted suicide." She drew the .38-caliber Smith & Wesson Model 36 revolver and shot herself behind her right ear. Chubbuck fell forward violently and the technical director faded the broadcast rapidly to black. "The crux of the situation was that she was a 29-year-old girl who wanted to be married and who wasn't," Simmons said in 1977.
    xxx/ellauri134.html on line 331: Goal: being in a relationship with the people, work and surroundings they love
    xxx/ellauri134.html on line 352: Goal: to overturn what isn’t working
    xxx/ellauri136.html on line 510: My name is not Ted but Brené Brown [don't miss the self-important accent aigu on the e]. I'm a tense social science worker lady mom who also wants to be a scientist. I'm here to give a motivational talk to you other tense American World I well-to-do lady moms.
    xxx/ellauri136.html on line 512: So where I start is with connection. Because, by the time you're a social worker for 10 years, what you realize is that connection is why we're here. It's what gives purpose and meaning to our lives. This is what it's all about. It doesn't matter whether you talk to people who work in social justice, mental health and abuse and neglect, what we know is that connection, the ability to feel connected, is -- neurobiologically that's how we're wired -- it's why we're here. Olemme ohjelmoituja kuulumaan joukkoon. Voi hemmetti.
    xxx/ellauri136.html on line 663: Relating to the crowdfunding appeal on Ketto, Laxmi K, who works on climate action and was aware of prior allegations related to her fathers activities, initiated contact with Ketto requesting due diligence. Further concerns around the Ketto crowd funding drive was flagged by political activist Angellica Aribam, a day after Paojel Chaoba of The Frontier Manipur broke a story on 19 May on how the Ketto donation drive by the child activist could be a possible scheme to defraud people by her father. In an email written to Varun Sheth of Ketto, Angellica asked whether the Noble Citizen Foundation, the agency that was being handed the money collected from the donation drive had any credibility and if Ketto was certain there were no connections with the child’s father. However, she never received any response.
    xxx/ellauri137.html on line 194: When Manet painted this piece 1868, scenes of bourgeois life were in vogue. Yet The Balcony went against the conventions of the day. All the subjects were close acquaintances of the artist, especially Berthe Morisot who here, pictured sitting in the foreground, makes her first appearance in Manet's work, and who went on to become one of his favourite models.
    xxx/ellauri137.html on line 204: Majas on a Balcony 1800-1810 is one of the many genre paintings by Goya portraying scenes from contemporary life. The physical setting is an azotea or balcony, a characteristic appendage of Spanish houses and an integral part of social life and character in the towns and cities of Goya's country. The features and props of the setting are confined to an iron railing with vertical grills, a very austere structure (compared to the rich elaborate grill-work of which we are accustomed to think as flourishing in Spain, or at least in New Orleans), which alludes to the socio-economic character of the house; the edge of the floor; some chairs - rather inelegant - one of which has cheap wicker matting; and in the background, a bare wall, a only proof of whose presence is a shadow to the extreme right suggesting a material surface.
    xxx/ellauri137.html on line 206: And the Majas, they are not aristocratic ladies as their fine apparel may suggest; they lack refinement and dignity, though they are extremely attractive (particularly the one on the right, I would fuck her anytime). The artist calls them majas not mujeres. A patent wink to the same artist's best known work La Maja desnuda from the same year. They are no ordinary women. They are courtesans! Sluts, not to make too fine a point on it. Goya makes a subtle criticism on the society of his time. In Majas on a Balcony, Goya combines an ironic treatment of material with an impressionistic technique, a mode of presentation, which succeeds in creating a piece of social criticism. Buaahahahaha don't make me laugh!
    xxx/ellauri137.html on line 537: Of all my works and pleasures, you, the queen;
    xxx/ellauri137.html on line 652: John has just published another beautifully prepared edition of the "North Atlantic Review," a literary magazine with choice offerings in poetry, essays, short stories, and photos. Endorsed by Edward Eriksson, Literary Presentations, July 11, 2011, Edward worked with john in the same group.
    xxx/ellauri137.html on line 662: Alok Mishra is a literary entrepreneur as well as a literary philanthropist who has been active in this field almost for a decade now (adding the individual capacity as well as organisational). He is currently active as the founder of BookBoys PR, a dedicated company which works for authors and publishers and help them reach the target readers. Alok has been in this field, promotions and author branding, for more than 4 years now.
    xxx/ellauri137.html on line 672: I've always been interested in law. I have had the opportunity to study it, work in a Senator's office who proposed laws and now work with Detectives who enforce the law. One day maybe I will work for someone who practices the law with my paralegal degree. It has been a good career choice.
    xxx/ellauri137.html on line 684: June 3, 2014, Karen worked with Carol in different groups
    xxx/ellauri137.html on line 773: The one stand-out annoyance for me was unexpectedly hitting upon yet another plot relying upon "rescuing" a female character from her sordid life of sex (or nearly-sex) work: hostessing, in this case. She's told she's "better" than that which means she should make less money doing something more honorable. It makes me want to write to the author and say she could do so much BETTER than write a book that hooks readers immediately with an erotically-charged story of sexual assault on a crowded train. I´m not mad at her, though, for giving the majority of readers what they want; just a pet peeve of mine.
    xxx/ellauri137.html on line 779: Barry A. Hudson says: Good writing and a good introduction to Japanese culture. I note than some Japanese criticize her works, but my comment would be that Japanese culture never likes to air its dirty laundry. I find her cultural observations right on the mark. I actually think she has great love and admiration for Japan and its people, but she occasionally does not pull her punches.
    xxx/ellauri137.html on line 795: She attended Johns Hopkins University, where she majored in Creative Writing and earned her BA in 1986. After graduating, she interned and was quickly hired as a reporter for the Baltimore Evening Sun. In 1991, she married Tony Massey, her college sweetheart, and the couple moved to Japan. Her husband was almost immediately deployed by the Navy, which left Mrs. Massey to acclimate to the culture alone. She worked as an English teacher while in Japan and began writing. In 1993, her husband’s deployment ended and the couple moved back to the States and settled in Baltimore, where they currently reside.
    xxx/ellauri138.html on line 72: Emanuel James Rohn (September 17, 1930 – December 5, 2009) professionally known as Jim Rohn, was an American entrepreneur, author and motivational speaker. Emanuel James "Jim" Rohn was born in Yakima, Washington, to Emmanuel and Clara Rohn. The Rohns owned and worked a farm in Caldwell, Idaho, where Jim grew up to a narcissist prick, being the only child.
    xxx/ellauri138.html on line 74: Rohn became a college dropout after just one year and started his professional life by working as an evil human resource manager for department store Sears. Around this time, a friend invited him to a lecture given by famous entrepreneur John Earl Shoaff. In 1955, Rohn joined Shoaff's direct selling business AbundaVita as a distributor.
    xxx/ellauri138.html on line 80: Throughout the 1970s, Rohn conducted a number of seminars for Standard Oil. At the same time, he participated in a personal development business called "Adventures in Achievement", which featured both live seminars as well as personal development workshops. He presented seminars worldwide for more than 40 years.
    xxx/ellauri138.html on line 170: The Heisman Memorial Trophy (usually known colloquially as the Heisman Trophy or The Heisman) is awarded annually to the most outstanding player in college football. Winners epitomize great ability combined with diligence, perseverance, and hard work.
    xxx/ellauri138.html on line 204: Philip Gordon Wylie (May 12, 1902 – October 25, 1971) was an American author of works ranging from pulp science fiction, mysteries, social diatribes and satire to ecology and the threat of nuclear holocaust.
    xxx/ellauri138.html on line 206: Wylie applied engineering principles and the scientific method quite broadly in his work. His novel The Disappearance (1951) is about what happens when everyone suddenly finds that all members of the opposite sex are missing (all the men have to get along without women, and vice versa). The book delves into the double standards between men and women that existed prior the women's bowel movement of the 1970s, exploring the nature of the relationship between men and women and the issues of women's rights and homosexuality.
    xxx/ellauri138.html on line 210: In 1941, Wylie became Vice-President of the International Game Fish Association, and for many years was responsible for writing IGFA rules and reviewing world record claims. Wylie's 1954 novel Tomorrow! dealt graphically with the civilian impact of thermonuclear war to make a case for a strong Civil Defense network in the United States, as he told the story of two neighboring cities (one prepared, one unprepared) before and after an attack by missile-armed Soviet bombers.
    xxx/ellauri138.html on line 213: Wylie's final works dealt with the potentially catastrophic effects of pollution and climate change. In 1971 Wylie wrote a Name of The Game episode "L.A. 2017", in which the lead character awakens in a science-fiction dystopia, centered on a psychiatric fascist government overseeing the underground-sheltered remnants of humanity on the aftermath of an environmental (pollution) catastrophe.
    xxx/ellauri138.html on line 263: Llewellyn - who declined to be interviewed by Bailey - said she was more upset by what was left out in the biography, making it seem like she was a marginal figure in Roth's life, an adventure that didn't work out. "My intimacy with Philip was not in keeping with the story Blake was trying to write " she said.
    xxx/ellauri138.html on line 287: This was the second defibrillator he'd had after the first had to be replaced. Philip's original defibrillator had pride of place on the kitchen table. When he first handed it to me, I had no idea what it was and palmed the smooth metal disc in my hand. I almost dropped it when he started laughing and told me its original purpose. Over time, I came to appreciate it too and when I was alone in the kitchen, I often picked it up and held it in my hand. We called each other Toots. I found out Philip died when a friend called me at work. I swivelled around in my office chair and googled Philip Roth. There he was on the front page of The New York Times. Dead.
    xxx/ellauri148.html on line 60: Brian McCormack, a Ph.D. graduate of Arizona State University, and Michael McCormack, a graduate of Harvard University, work together to promote this annual global event. Brian's career has since had a rocket start, Michael's is a steady falling trend.
    xxx/ellauri148.html on line 161: Tää oli Moshelta hyvä veto sikäli että nää lisäyxet päihittää kristinuskon tärkeimmät vetolaastarit, lunastuskaupan luottokortin ja taivastoivon. Maimonides further explains in his work on the Halakhic code, the Yad haHazaqa (“The Strong Hand”), also known as the Mishne Torah (Second Torah) the view of redemption and the role Messiah will play. Maimonides summarizes the Jewish expectation of the Messiah. But the expectation of Messiah, is not limited to Maimonides comments, quotes from the Talmud, Targum, Midrash, Zohar and other writings give us a vivid picture of the expectation in the Jewish world of the times of Messiah. Messianic expectation in Rabbinic times (A.D.135-1750) and in the time of Yeshua may have changed over the years. For example in the time of Yeshua, The Temple existed and Israel was not scattered abroad as is the case today. In the days of Maimonides, there was no Israel and no Temple, and Jews were persecuted in Europe. Here we quote from Raphael Patai’s work, The Messiah Texts on pages 322-327, his translation of the Mishne Torah, Maimonides writes the following.
    xxx/ellauri148.html on line 444: In Sheffield, there was Philosophy for Creatives on World Philosophy Day by Rosie Carnall.In this workshop you will develop and explore big questions in group discussion before working on your own piece of creative writing. The discussion activities open up creative thinking to get you inspired and full of ideas. There will be an opportunity to share from your work if you wish to. This workshop will be lively, fun, creative and thought provoking. "Mind-blowing!" according to a previous participant -in a good way! It includes structured activities and space to do your own writing. Come with an open mind and something to write on -thinking hats are optional.
    xxx/ellauri148.html on line 502: 3.) Sector of Philosophy and Cultural Studies of the Department of SNTL FOR NUST MISIS. Events of the Philosophy and Cultural Studies sector of the SNTL Department dedicated to the Day of Philosophy -2021: Round table "International Day of Philosophy 2021" in the framework of a scientific and methodological seminar at the Department of SNTL.. room L-63.
    xxx/ellauri149.html on line 368: Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and called the music "more than fine," but found the character of Jesus "so confused, so shapeless, the film cannot succeed in any meaningful way." Siskel also agreed with the accusations of the film being anti-Semitic. Charles Champlin of the Los Angeles Times wrote, "The faults are relative, the costs of an admirable seeking after excellence, and the many strong scenes, visually and dramatically, in 'Superstar' have remarkable impact: the chaos of the temple, the clawing lepers, the rubrics of the crucifixion itself." Gary Arnold of The Washington Post panned the film as "a work of kitsch" that "does nothing for Christianity except to commercialize it.
    xxx/ellauri149.html on line 372: Nevertheless, the film as well as the musical were criticized by some religious groups. As a New York Times article reported, "When the stage production opened in October 1971, it was criticized not only by some Jews as anti-Semitic, but also by some Catholics and Protestants as blasphemous in its portrayal of Jesus as a young man who might even be interested in sex." A few days before the film version's release, the National Jewish Community Relations Advisory Council described it as an "insidious work" that was "worse than the stage play" in dramatizing "the old falsehood of the Jews' collective responsibility for the death of Jesus," and said it would revive "religious sources of anti-Semitism." Jesus argued in response that the film "never was meant to be, or claimed to be an authentic or deep theological work. Just humdrum everyday anti-semitism."
    xxx/ellauri149.html on line 381: Jesus Christ Superstar is a Rock Opera and (subverted?) Passion Play by Andrew Lloyd Webber and Tim Rice. Originally released as a Concept Album in 1970 (when Lloyd Webber and Rice were still in their very early twenties, no less!), it made its way to the Broadway and London stage in 1971, and was adapted into a film directed by Norman Jewison in 1973. An updated version was recorded sometime around 2000 by Webber's Really Useful Group for PBS. A filmed version of the UK arena tour starring Tom Munchin as Judas was released on DVD and digital in 2012, and a live adaptation starring John Lennon as Jesus, Sara Bareilles as Mary Magdalene and Alice Cooper as Herod that aired on NBC in 2018. The show lives on in stage productions and tours (and even non-theatrical tribute albums from fans who were more attracted to it as an album than a show) to this day. Inspired by… The Four Gospels of The Bible (specifically the arrival in Jerusalem and subsequent crucifixion of Jesus), it chronicles the last seven days of Jesus' life, focusing mainly on the characters of Jesus, Judas and Mary Magdalene. It's regarded among Andrew Lloyd Webber's best works, which is not saying much. It's a pseudo-sequel to Joseph and the Amazing Technicolor Dreamcoat, though this took a bit more liberty with the source material and is considerably less playful.
    xxx/ellauri149.html on line 407: King Herod is a genocidal king, one who ordered the mass-slaughter of Jewish babies, which is why Jesus was born in stable to refugee parents. He also is the one who determines Jesus is a fraud and sends him back to Pilate. Yet his song number is a bouncy plea for Jesus to perform miracles while bopping around. The 2012 version turns him into a talk show host, where he asks the viewers to vote if Jesus is a miracle worker or a fraud. He gets a round of applause after his song, despite the audience knowing that he sealed Jesus's fate and that he's set the ball rolling for the climactic crucifixion.
    xxx/ellauri149.html on line 497: Lagarde was an active worker in a variety of subjects and languages; but his chief aim, the elucidation of the Bible, was almost always kept in view.
    xxx/ellauri149.html on line 498: Parallel to his academic work, he attempted to establish a German national religion whose most striking manifestations were an aggressive anti-Semitism and expansionism.
    xxx/ellauri154.html on line 99: While there were many contemporary critics of her comportment, many people accepted her behaviour until they became shocked with the subversive tone of her novels. Those who found her writing admirable were not bothered by her ambiguous or rebellious public behaviour. Victor Hugo commented "George Sand cannot determine whether she is male or female. I entertain a high regard for all my colleagues, but it is not my place to decide whether she is my sister or my brother. I bet s/he doesn´t know her/himself." She engaged in an intimate romantic relationship with actress Marie Dorval. She was buried in sand behind the chapel at Nohant. In 1880 her children sold the rights to her literary estate for 125,000 Francs[28] (equivalent to 36 kg worth of gold, or 1.3 million dollars in 2015 USD). Quite a handsome net worth for a lady. Sand often performed her theatrical works in her small private theatre at the Nohant estate. Sand was all for the bourgeois revolution but no communist. Victor Hugo, in the eulogy he gave at her funeral, said "the lyre was within her, so no wonder nothing else could fit in."
    xxx/ellauri154.html on line 101: Honoré de Balzac, who knew Sand personally, once said that if someone like himself thought that she wrote badly, it was because his own standards of criticism were inadequate. He also noted that her treatment of imagery in her works showed that her writing had an exceptional subtlety, having the ability to "virtually put the image in the word, and the lyre you know where." Alfred de Vigny referred to her as "Sappho".
    xxx/ellauri154.html on line 103: Fyodor Dostoevsky "read widely in the numerous novels of George Sand" and translated her La dernière Aldini in 1844, but "discovered to his dismay that the work had already appeared in Russian". In his mature period, he expressed an ambiguous attitude towards her. For instance, in his novella Notes from Underground the narrator refers to the sentiments he expresses as, "I laugh off at that point the European, inexplicably lofty subtleties of George Sand".
    xxx/ellauri154.html on line 214: The theme of Salome is one that Moreau returned to time and again. The artist explored the subject in more than one hundred sketches and drawings as well as in numerous paintings—ranging from highly elaborate to sketchily rendered—and even in sculpture (both Salome and The Apparition figured in Moreau’s waxworks). Moreau was not alone in his passion for the theme of Salome, as other famous artists — Lucas Cranach, Caravaggio, Titian, Guido Reni, Artemisia Gentileschi, Aubrey Beardsley, and Nabil Kanso, to name just a few — shared this interest. Selkeästi perverssiä jengiä.
    xxx/ellauri157.html on line 45: Anne Morrow Lindbergh, wife of ace aviator, Charles Lindberg was a renowned author. As an aviator she flew with Charles, assisting him as a navigator and radio operator, in many notable aviation milestones that he achieved. She was also the first American woman to obtain a glider pilots license in 1930. Her works included genres of poetry to non-fiction. She expressed her thoughts on distinct topics varying from solitude and contentment to youth and age, from the role of women in 20th century to love, marriage and peace.
    xxx/ellauri157.html on line 107: In the seventeenth century, the story of King Candaules’s wife was seen as a moral lesson, warning against violations of the marital bedchamber. The theme was treated by the poet Jacob Cats in his Toneel vande mannelicke Achtbaerheyt, in which he devoted no less than eighty-six verses to the tale of Candaules and Gyges, and illustrates the scene in the royal bedchamber with a print by Pieter de Jode after Adriaen van de Venne. In the print the Queen is seen half naked from behind. Candaules is already in bed, and the Queen looks at Gyges, who is largely concealed behind the wallhangings. The moral of the story is clarified by a scene on a smaller scale in the background, showing Candaules being slain by Gyges. The print no doubt served as an inspiration for several other later renditions of the theme in Northern Netherlandish painting, including works by Frans van Mieris the Elderv, and Eglon van de Neervi.
    xxx/ellauri157.html on line 109: Vähän siedettävämpi perätarjonta on tämä William Ettyn yritys samasta aiheesta. William Etty (1787–1849), the seventh son of a York baker and miller, had originally been an apprentice printer in Hull, but on completing his seven-year apprenticeship at the age of 18 moved to London to become an artist. Strongly influenced by the works of Titian and Rubens, he submitted a number of paintings to the Royal Academy of Arts and the British Institution, all of which were either rejected outright or drew little attention when exhibited. In 1821 he finally achieved recognition when the Royal Academy accepted and exhibited one of his works, The Arrival of Cleopatra in Cilicia (also known as The Triumph of Cleopatra). Cleopatra was extremely well received, and many of Etty's fellow artists greatly admired him. He was elected a full Royal Academician in 1828, beating John Constable to the position. Jordaens and Etty both contrasted Nyssia's pale flesh against dark red drapery and showed her in a similar pose. Jordaens's painting has hung in Sweden since the 17th century, and it is unlikely Etty was aware of it. Se tuskin löytyi googlaamalla.
    xxx/ellauri157.html on line 152: The Gemara is not just a collection of superhero stories. If one searches the gemara for demon stories as one would eagerly anticipate the next Superman comic book, then one has missed the point. The gemara is not an action and adventure story, but a work of religious and ethical instruction. The gemara would not have mentioned the "cat method" for viewing demons if it did not contain some message of religious import. Though it remains a mystery which message.
    xxx/ellauri157.html on line 204: Baal Shem (Hebrew: בַּעַל שֵׁם, pl. Baalei Shem) is a title for a historical Jewish practitioner of Practical Kabbalah and miracle worker. Employing the names of God, angels, Satan and other spirits, Baalei Shem heal, enact miracles, perform exorcisms, treat various health issues, curb epidemics, protect people from disaster due to fire, robbery or the evil eye, foresee the future, decipher dreams, and bless those who sought his powers.
    xxx/ellauri157.html on line 216: From the 1730s, Baal Shem Tov (BeShiT) headed an elite chirurgic mystical circle, similar to other secluded Kabbalistic circles such as the contemporary Klaus (Close) in Brody. Unlike past mystical circles, they innovated with the use of their psychic heavenly intercession abilities to work on behalf of the common Jewish populace. From the legendary hagiography of the BeShiT as one who bridged elite mysticism with deep social concern, and from his leading disciples, Hasidism rapidly grew into a populist revival movement with the funny hats. That's the point, there are only so many members of the elite, while the hoi polloi, though poorer, count in zillions. Want to have a large following, lower the entrance fee.
    xxx/ellauri157.html on line 455: The Buber Medal highlights the most outstanding works of Buber, one of the greatest philosophers of the 20th Century.
    xxx/ellauri157.html on line 507: Hermann Karl Hesse (1877-1962), a Nobel Prize-winning German novelist and poet, is best known for his inspired explorations of self-understanding, spiritual realization, and psychology, particularly in Der Steppenwolf (1927), perhaps his best-known work.
    xxx/ellauri157.html on line 508: Hesse’s personal experience with psychoanalysis began when he sought therapy and refuge in a sanatorium after his father’s death in 1916, his first wife’s schizophrenia, and a serious illness of his son, Martin (not Mordechai). This began a long obsession with psychoanalysis, the influence of which appears in Demian (1919) and in his later work, which evidences his interest in Jungian concepts of introversion and extraversion, the collective unconscious, idealism, and the duality of human nature.
    xxx/ellauri157.html on line 589: In 1970, Richard Young, Alton L. Becker, and Kenneth Pike published Rhetoric: Discovery and Change, a widely influential college writing textbook that used a Rogerian approach to communication to revise the traditional Aristotelian framework for rhetoric. The Rogerian method of argument involves each side restating the other's position to the satisfaction of the other, among other tricks. On paper, it can be expressed by carefully acknowledging and understanding the opposition before dismissing them.
    xxx/ellauri165.html on line 306: With her grandmother struggling to make ends meet at the age of 60, and after Mary went to London in 1777, Emma began work, aged 12, as a maid at the Hawarden home of Doctor Honoratus Leigh Thomas, a surgeon working in Chester.
    xxx/ellauri165.html on line 308: Only a few months later she was unemployed again and moved to London in the autumn of 1777. She started to work for the Budd family in Chatham Place, Blackfriars, London, and began acting at the Drury Lane theatre in Covent Garden. She also worked as a maid for actresses, among them Mary Robinson. Emma next worked as a model and dancer at the "Goddess of Health" for James Graham, a Scottish "quack" doctor.
    xxx/ellauri165.html on line 312: Greville took her in as his mistress, on condition that the child was fostered out. Once the child (Emma Carew) was born, she was removed to be raised by her great-grandmother at Hawarden for her first three years, and subsequently (after a short spell in London with her mother) deposited with Mr John Blackburn, schoolmaster, and his wife in Manchester. As a young woman, Emma's daughter saw her mother frequently, but later when Emma fell into debt, her daughter worked abroad as a companion or governess.
    xxx/ellauri165.html on line 316: Seeing an opportunity to make some money by taking a cut of sales, Greville sent her to sit for his friend, the painter George Romney, who was looking for a new model and muse. It was then that Emma became the subject of many of Romney's most famous portraits, and soon became London's biggest celebrity. So began Romney's lifelong obsession with her, sketching her nude and clothed in many poses that he later used to create paintings in her absence. Through the popularity of Romney's work and particularly of his striking-looking young model, Emma became well known in society circles, under the name of "Emma Hart". She was witty, intelligent, a quick learner, elegant and, as paintings of her attest, extremely beautiful. Romney was fascinated by her looks and ability to adapt to the ideals of the age. Romney and other artists painted her in many guises, foreshadowing her later "attitudes".
    xxx/ellauri165.html on line 318: In 1783, Greville needed to find a rich wife to replenish his finances, and found a fit in the form of eighteen-year-old heiress Henrietta Middleton. Emma would be a problem, as he disliked being known as her lover (this having become apparent to all through her fame in Romney's artworks), and his prospective wife would not accept him as a suitor if he lived openly with Emma Hart.
    xxx/ellauri165.html on line 342: Emma gave birth to Nelson's daughter Horatia, on 29 January 1801] at 23 Piccadilly, who was taken soon afterwards to a Mrs Gibson for care and hire of a wet nurse. On 1 February, Emma made a spectacular appearance at a concert at the house of the Duke of Norfolk in St James' Square, and Emma worked hard to keep the press onside.
    xxx/ellauri165.html on line 348: After the Treaty of Amiens on 25 March 1802, Nelson was released from active service, but wanted to keep his new-found position in society by maintaining an aura of wealth, and Emma worked hard to live up to this dream. Nelson's father became seriously ill in April, but Nelson did not visit him in Norfolk, staying home to celebrate Emma's 37th birthday on the very day Edmund died; the son did not attend his father's funeral.
    xxx/ellauri165.html on line 411: Emma Hamilton on australialainen näyttelijä. Televisiossa hän esiintyi sarjapäällikkönä Nine Network -draamitrillerissä Hyde & Seek sekä säännöllisinä rooleina Anne Stanhopeina Showtime -historiallisessa draamassa The Tudors, Rosie Dolly ITV/PBS -aikakauden draamassa Mr Selfridge ja ITV: ssä. Rikos -trilleri Fearless. Wikipedia (englanti)
    xxx/ellauri166.html on line 63: The staff with which Jacob crossed the Jordan is identical with that which Judah gave to his daughter-in-law, Tamar (Gen. xxxii. 10, xxxviii. 18). It is likewise the holy rod with which Moses worked (Ex. iv. 20, 21), with which Aaron performed wonders before Pharaoh (Ex. vii. 10), and with which, finally, David slew the giant Goliath (I Sam. xvii. 40). David left it to his descendants, and the Davidic kings used it as a scepter until the destruction of the Temple, when it miraculously disappeared. When the Messiah comes it will be given to him for a scepter in token of his authority over the heathen. (And we don't mean INRI here.)
    xxx/ellauri166.html on line 310: We are all international activists—the yeshivah student struggling for clarity in an abstruse Talmudic passage, the storeowner who refuses to sell faulty merchandise, the little girl joyfully lighting her candle before Shabbat, the hiker who reaches the top of her climb and breathlessly recites a blessing to the Creator for the magnificent view, the young father who has just now started wrapping tefillin every morning, the subway commuter who lent the guy next to him a shoulder to sleep upon, and the simple Jew who checks for a kosher symbol on the package before making a purchase. Our destiny is tied to the destiny of those books, that merchandise, that time of the week, that mountain, that morning rush, that neighbor and that train, and the food in that package. We cannot live without them, and their redemption cannot come without us. We are all sanitation workers.
    xxx/ellauri166.html on line 343: The Ruch Ah Qudsh is the spirit or character aspect of Yahuah, and therefore a part of Yahuah (Isaiah 40:13). The Ruach is pictured allegorically throughout the Tanakh as the feminine or motherly aspect of Yahuah, and is also synonymous with wisdom, as depicted in the Proverbs where wisdom says, "Yahuah possessed me in the beginning of his way, before his works of old. I was set up from everlasting, from the beginning, or ever the earth was." (Proverbs 8:22,23) The phrase, "YHUH possessed me", indicates that wisdom is the Ruach, or the bride, especially since wisdom is portrayed as feminine.
    xxx/ellauri166.html on line 380: American poet Gustav Davidson listed shekhinah as an entry in his reference work A Dictionary of Angels, Including the Fallen Angels (1967), stating that she is the female incarnation of Metatron.
    xxx/ellauri166.html on line 390: Shlomo Yitzchaki (Hebrew: רבי שלמה יצחקי‎; Latin: Salomon Isaacides; French: Salomon de Troyes, 22 February 1040 – 13 July 1105), today generally known by the acronym Rashi (see below), was a medieval French rabbi and author of a comprehensive commentary on the Talmud and commentary on the Hebrew Bible (the Tanakh). Acclaimed for his ability to present the basic meaning of the text in a concise and lucid fashion, Rashi appeals to both learned scholars and beginner students, and his works remain a centerpiece of contemporary Jewish study. His commentary on the Talmud, which covers nearly all of the Babylonian Talmud (a total of 30 out of 39 tractates, due to his death), has been included in every edition of the Talmud since its first printing by Daniel Bomberg in the 1520s. His commentary on Tanakh—especially on the Chumash ("Five Books of Moses")—serves as the basis for more than 300 "supercommentaries" which analyze Rashi's choice of language and citations, penned by some of the greatest names in rabbinic literature.
    xxx/ellauri167.html on line 90: Gustav Davidson (Warsaw, Poland, 1895 – New York City, 6 February 1971) was an American poet, writer, and publisher. He was one time secretary of the Poetry Society of America. Gustav Davidson was born on December 25, 1895, in Warsaw, Poland. In the wake of anti-Jewish pogroms in Poland, his family fled to the United States, settling in New York City in 1907. Davidson received bachelor's and master's degrees at Columbia University in 1919 and 1920 respectively. He worked for the Library of Congress between 1938 and 1939 and became executive secretary of the Poetry Society of America from 1949 to 1965 (after which he was elected executive secretary emeritus).
    xxx/ellauri167.html on line 92: During the 1920's and 1930's he published poetry and dramatic works, and edited literary magazine. In 1940 he founded Fine Editions Press. He married Mollie Strauss in 1942.
    xxx/ellauri167.html on line 93: He is today best remembered as the author of A Dictionary of Angels, Including the Fallen Angels (1967), a populist work detailing the types of angel classes and their roles. This was a popularised compendium of angelology from Talmud, kabbalah, medieval occult writers, gothic grimoires and other sources.
    xxx/ellauri167.html on line 95: He also wrote articles on encounters with angels in the parapsychological Tomorrow magazine of medium Eileen J. Garrett and a juvenile book The Guides Make Good in 1925. As the titles of some of his works indicate, much of Davidson´s verse is religious and spiritual in outlook and subject matter. He was also active as a translator and a book designer.
    xxx/ellauri167.html on line 480: Even in this small Place the French-Faction is very numerous—their Expressions are like those of Bloody-Lutetia [Lutetia Parisiorum, or Paris]: their Sentiments in exact Unison with those of the Jacobine Club: their Hearts panting for Faggots and Guillotines. The Foundation of their Sanctuary is laid with Lies, and every Stone of the Superstructure reared with Falsehood. They are laboriously employed to excite Discord—to extinguish public Virtue—to break down the Barriers of Religion—to establish Atheism, and work the Downfall of our Civil—and Religious Liberty. Should their perfidious Schemes succeed (I tremble even at the Imagination of the Consequences) what would become of our Columbia?”
    xxx/ellauri167.html on line 572: With the whole world watching, the three major news networks brought the show into millions of Americans’ living rooms. They covered the ensuing mayhem which sparked a national debate about objectivity and journalistic integrity. Senator Abraham Ribicoff only saw textbook police brutality and Gestapo tactics, being an east coast kike. But millions of flyover state Middle Americans, the “silent majority,” saw different.
    xxx/ellauri167.html on line 586: Cronkite thanked Rather “for staying in there, pitching despite every handicap that they can possibly put in our way from free flow of information at this Democratic National Convention.” Cronkite clearly suspected that Daley had purposely avoided resolving the electrical workers’ strike in order to hinder network coverage. “Dick Daley’s a fine fellow, but when his strong hand is turned agin’ you, as the press has felt it was on this occasion, he’s a tough adversary.”
    xxx/ellauri167.html on line 590: The mayor was a masterful machine politician, but he lacked nuance in his understanding of mass media. He refused permits for protesters, as if that would keep them from protesting and, therefore, prevent journalists from covering them. He had crude “We Love Mayor Daley” signs made, and had city workers to hold them up in front of the cameras. He stuck decals of himself on the phones in every delegate’s hotel room, which was a particularly dunderheaded move given that the city was in the middle of an electrical workers’ strike that made the phones all but useless.
    xxx/ellauri167.html on line 594: By early October of 1968, CBS received 8,670 letters about Chicago, and 60 Minutes’ Harry Reasoner reported that the mail ran 11-to-1 against the network. A viewer in Ohio wrote, “I’ve never seen such a disgusting display of one-sided reporting in all of the years I’ve watched television.” From South Carolina, a letter writer griped, “Your coverage was … slanted in favor of the hoodlums and beatniks and slurred the police trying to preserve order.” A North Carolina viewer complained that, “When a great network refers to trouble makers as THESE YOUNG PEOPLE and in such a … tender tone, that is bias.” A New Yorker even suggested that the police had engaged in righteous violence: “Our Lord whipped the money lenders out of the temple. Are you going to accuse Him of brutality?”
    xxx/ellauri167.html on line 596: The notion that simply showing police violence was evidence of liberal bias didn’t begin with Chicago. It traces back rather directly to TV coverage of civil rights, when white Southerners complained that the networks ignored their perspective and were manipulated by publicity seekers within the movement. By the late 1950s, many of the same people who would later object to the network’s coverage in Chicago had already taken to calling CBS the “Communist” or “Coon” or “Colored Broadcasting Company.” The same bigoted wordplay made NBC the “Nigger Broadcasting Company.” Alabama’s Bull Connor summed up the situation with an aphorism that wouldn’t seem out of place in some conservative circles today: “The trouble with this country is communism, socialism and journalism.”
    xxx/ellauri167.html on line 598: If the idea of network coverage being driven by liberal bias wasn’t new to the 1968 convention, the heat and undeniable violence of the convention was a perfect opportunity for white, conservative, middle Americans to coalesce in their resentment—and not just in the South, but across the nation. America was falling apart at the seams, and the network news was seen as complicit in the conspiracy by virtue of recording what was happening.
    xxx/ellauri167.html on line 610: Shea met Wilson in the late 1960s when they worked on Playboy magazine. They decided to collaborate on a novel. It would combine sex, drugs, religious cults and conspiracies, as well as anarchy. Their philosophical and political differences merely served to enrich their efforts. Objectivity was jettisoned, as indeed was subjectivity: no single point of view or version of reality was privileged: Illuminatus! was the three-volume consequence.
    xxx/ellauri167.html on line 624: Discordianism is a religion or philosophy/paradigm centered on Eris, a.k.a. Discordia, the Goddess of chaos. Discordianism uses archetypes or ideals associated with her. It was founded after the 1963 publication of its "holy book," the Principia Discordia, written by Greg Hill with Kerry Wendell Thornley, the two working under the pseudonyms Malaclypse the Younger and Omar Khayyam Ravenhurst.
    xxx/ellauri168.html on line 356: EPIC on kietoutunut myös naftan salakuljetuxeen, josta monet likaiset hommat suoritetaan mielenhallinta-orjien avulla. NAFTA-sopimuksen sisällä oli tämä U.S./Mexico Border XXI Framework Document (Perustuu La Pazin sopimukseen joka allekirjoitettiin vuonna 1983) joka tehokkaasti lopettaa USA:n ja Meksikon suvereniteetin 52,5 mailin sisällä rajan kummallakin puolen. On luotu erityisiä kansainvälisiä virastoja säätelemään lukuisia ympäristöön ja lainsäädäntöön liittyviä tarpeita tällä Border XXI -alueella, samalla kun hirmulisko rakentaa sinne muuria. Tämä U.S./Mexico Border XXI Document loi tämän Raja-yhteistyö projektin & Pohjois-Amerikan kehityspankin. Maailmanpankki antaa myös rahoitusta, ja jonkin verran rahoitusta tulee Meksikosta. EPIC sijaitsee suurin piirtein maapallon maantieteellisessä keskipisteessä. Epic!
    xxx/ellauri169.html on line 41: Fritz Artz Springmeier (born Viktor E. Schoof, September 24, 1955) is an American author of conspiracy theory literature who has written a number of books claiming that a global elite who belong to Satanic bloodlines are conspiring to dominate the world. He has described his goal as "exposing the New World Order agenda." Springmeier's father, James E. Schoof, worked for the United States Agency for International Development as an international agriculturist, with a primary focus on developing the Balochistan area of Pakistan.
    xxx/ellauri169.html on line 52: Marion Gordon ”Pat” Robertson (s. 22. maaliskuuta 1930) on yhdysvaltalainen uskonnollinen julistaja ja televisioevankelista. Hän isännöi kristillistä The 700 Club -ohjelmaa, jota esitetään useilla kanavilla Yhdysvalloissa ja Christian Broadcasting Networkin yhteistyökanavilla maailmanlaajuisesti.
    xxx/ellauri169.html on line 123: Disney was a shy, self-deprecating and insecure man in private but adopted a warm and outgoing public persona. He had high standards and high expectations of those with whom he worked. Although there have been accusations that he was racist or anti-Semitic, they have been contradicted by many who knew him. His reputation changed in the years after his death, from a purveyor of homely patriotic values to a representative of American imperialism. He nevertheless remains an important figure in the history of animation and in the cultural history of the United States, where he is considered a national cultural icon.
    xxx/ellauri169.html on line 143: 1938 -- Valtin äiti kuolee kaasumyrkytykseen. Isabelle onnistuu vetämään Eliaksen turvaan, mutta Waltin äiti kuolee. Walt got a call one day that there was a malfunction of the heating system in Elias and Flora Disney's house that the boys had had built with warp speed by studio workers who did not know what they did. Walt and Roy's parents had suffered carbon monoxide poisoning, and Flora died. Walt went to her funeral, and then immediately back to work. He never talked about the incident again. According to historians, cinema offered Walt a way to emote that he couldn't in his personal life. That's why there are no mothers in Disney cartoons. No fathers either except a bad'un, Zeke. Walt did not attend his father's funeral either. He was on vacation in South Africa.
    xxx/ellauri169.html on line 147: Ohjelmoinnillisena keinona, Mikkihiiri toimi hyvin sillä se hyödyntää alitajuista hiirten pelkoa jota naisilla on. His staff grew to 200, mostly men. In fact, the women who came to work for Disney were often relegated to the ink and paint department. Mikin imago voi auttaa luomaan viha/rakkaus-suhteen joka on niin arvokas traumatisoinnin & mielenhallinnan orjien ohjelmoinnin aikana. Jotkut lähteet sanovat että Waltin rakkaus eläimiin on peräisin niiltä ajoilta jolloin hänen perheellään oli maatila lähellä Marcelinea, Missourissa. Walt aloitti koulunkäynnin Marcelinessa, mutta hän jatkoi sitä 8-vuotiaana Benton Schoolissa, Kansas Cityssä, Missourissa. Waltin isällä oli vakava peliriippuvuus ja hän siirsi pelaamisen hengen Waltiin. Walt ei koskaan valmistunut lukiosta. Hänellä oli luontainen rakkaus taiteita kohtaan, vaikkakin (vastoin hänen julkista kuvaansa) hän ei koskaan tullut siinä lahjakkaaksi. Walt liittyi armeijaan Ensimmäisessä maailmansodassa ambulanssin kuljettajana valehtelemalla ikänsä. Sodan aikana, hän kuljetti myös korkea-arvoisia ihmisiä.
    xxx/ellauri169.html on line 154: As Walt became more successful, he lost touch with his overworked and undercompensated employees, who eventually started to rebel against him. Even Art Babbitt—one of Walt's closest friends and allies and the man who drew Goofy—stood up to Walt. But Walt didn't want to hear the criticism, and he fired Babbitt. Matters only got worse, when in 1941, 200 of Walt's employees picketed outside the studio.
    xxx/ellauri169.html on line 269: Witness Lee (Chinese: 李常受; pinyin: Lǐ Chángshòu; 1905 – June 9, 1997) was a Chinese Christian preacher and hymnist belonging to the Christian group known as the local churches (or Local Church) in Taiwan and the United States. He was also the founder of Living Stream Ministry. Lee was born in 1905 in the city of Yantai, Shandong, China, to a Southern Baptist family. He became a Christian in 1925 after hearing the preaching of an evangelist named Peace Wang and later joined the Christian work started by Watchman Nee. Like Nee, Lee emphasized what he considered the believers' subjective experience and enjoyment of Christ as life for the building up of the church, not as an organization, but as the Body of Christ.
    xxx/ellauri169.html on line 399: And he looked at me and he said: "Beloved woman, I am Ramtha the Enlightened One, and I have come to help you over bitch" And, well, what would you do? I didn't understand because I am a simple person so I looked to see if the floor was still underneath the chair. And he said: "It is called the bitch of limitation", and he said: "And I am here, and we are going to do grand work together."
    xxx/ellauri170.html on line 79: workimages/mediumlarge/1/sphinx-odilon-redon.jpg" width="50%"/>
    xxx/ellauri170.html on line 107: The missing text at the beginning of line two is generally attributed to a printing error, since in the earliest version of the sonnet the second line begins with a repetition of the last three words of the previous lines, commonly called an eye-skip error, which breaks the iambic pentameter. Shakespeare's intention for the line is a subject of debate among scholars, with most modern scholars accepting the emendation, "feeding", based on internal evidence. Other guesses include "Thrall to", "Fool'd by", "Hemm'd by", "Foil'd by", "Fenced by", "Flatt'ring", "Spoiled by", "Lord of", and "Pressed by". Unfortunately, none of the "guesses" seem to work. "Feeding," for example, tends to "explain the joke," and does not let the poem build to the implication that the soul itself is culpable in man's struggle for spirit over the corporal self. Perhaps a better foot would be "disrobe." Musta paras on Lord of.
    xxx/ellauri170.html on line 420: It’s so good to follow and copy something that works, to follow someone who’s been through it and done it, and to find that modern empirical scientific research is confirming our experiences. And it’s good to be able to describe the process in dictionary definable words and post scientific empirical neurological and genetic research that both confirms actualism and buckets the spiritual belief in an immortal Godly soul. Ah, serendipity abounds … Peter, The Actual Freedom Trust Mailing List.
    xxx/ellauri170.html on line 422: Respondent: Most of it (schematic diagrams) are exactly as in LeDoux works (and as in the ‘Time’ magazine’s reference you pointed out), except that I don’t find references to ‘instinctual self’ or ‘psychological self’ or ‘instinctual passions’.
    xxx/ellauri170.html on line 646: There is no proof that that the actualism method works.
    xxx/ellauri170.html on line 648: The actualism method does not work.
    xxx/ellauri170.html on line 876: George Robert Stow Mead (22 March 1863 in Peckham, Surrey – 28 September 1933 in London) was an English historian, writer, editor, translator, and an influential member of the Theosophical Society, as well as the founder of the Quest Society. His scholarly works dealt mainly with the Hermetic and Gnostic religions of Late Antiquity, and were very exhausting.
    xxx/ellauri173.html on line 119: Very likely. But this is what occurs to me: in these poems, Virgil reworks Theocritus´ idylls, in detail, down to including many embedded passages and quotations translated from Greek into Virgillian Latin. I wonder if Θεόκριτος isn't the god who opened the leisure of the pastoral idyll to Virgil. Θεός means 'god' after all, as Virgil would have known. And κριτος? Well κριτος means 'selection', 'choice'. It means eclogue.
    xxx/ellauri173.html on line 416: It is Mallarmé's best-known work and a hallmark in the history of symbolism in French literature. Paul Valéry considered it to be the greatest poem in French literature. But who is Paul Valéry to say? He probably meant best after his own cemetery bit.
    xxx/ellauri174.html on line 57: Nicolas Malebranche Oratory of Jesus (/mælˈbrɒnʃ/ mal-BRONSH, French: [nikɔla malbʁɑ̃ʃ]; 6 August 1638 – 13 October 1715) was a French Oratorian Catholic priest and rationalist philosopher. In his works, he sought to synthesize the thought of St. Augustine and Descartes, in order to demonstrate the active role of God in every aspect of the world. Malebranche is best known for his doctrines of vision in God, occasionalism and ontologism. Because of a malformed spine, Malebranche received his elementary education from a private tutor. Having rejected scholasticism, He eventually left the Sorbonne, and entered the Oratory in 1660. There, he devoted himself to ecclesiastical history, linguistics, the Bible, and the works of Saint Augustine. Malebranche was ordained a priest in 1664.
    xxx/ellauri174.html on line 61: In 1674–75, Malebranche published the two volumes of his first and most extensive philosophical work. Entitled in all brevity Concerning the Search after Truth. In which is treated the nature of the human mind and the use that must be made of it to avoid error in the sciences, the buchlein laid the foundation for Malebranche’s philosophical reputation and ideas. It dealt with the causes of human error and on how to avoid such mistakes. Most importantly, in the third book, which discussed pure understanding, he defended a claim that the ideas through which we perceive objects exist in God. A big mistake, but a nice try anyway. In the 1678 third edition, he added 50% to the already considerable size of the book with a sequence of (eventually) seventeen Elucidations. These responded to further criticisms, but they also expanded on the original arguments, and developed them in new ways.
    xxx/ellauri174.html on line 63: Malebranche was giving in to laws of cause an effect by placing a greater emphasis than he had previously done on his occasionalist account of causation, and particularly on his contention that God acted for the most part through "general volitions" and only rarely, as in the case of miracles, through "particular volitions". A bitter dispute ensued between Malebranche and his fellow Cartesian, Arnauld, whose name I remember from Chomsky's airy forays to Port-Royal grammar in the 60's. Over the next few years, the two men wrote enough polemics against one another to fill four volumes of Malebranche's collected works and three of Arnauld's. Arnauld's supporters managed to persuade the Roman Catholic Church to place Nature and Grace on its Index of Prohibited Books in 1690, and it was followed there by the Search nineteen years later in 1709. (Ironically, the Index already contained several works by the Jansenist Arnauld himself.) Somebody blamed Malebranche for being a Spinozan, which Nick himself vehemently demented. 1715 - Malebranche dies.
    xxx/ellauri176.html on line 67: According to Emily Cooper in Paris, the first description of the trial given by Athenaeus and the shorter account of Pseudo-Plutarch ultimately derive from the work of the biographer Hermippus of Smyrna (c. 200 BC) who adapted the story from Idomeneus of Lampsacus (c. 300 BC). The account of Posidippus is the earliest known version. If the disrobing had happened, Posidippus would most likely have mentioned it because he was a comic poet (komischer Kauz). Therefore, it is likely that the disrobing of Phryne was a later invention, dating to some time after 290 BC, when Posidippus was active as a poet. Idomeneus was writing around that time.
    xxx/ellauri176.html on line 69: Furthermore, Pseudo-Cooper continues that the evidence suggests that Idomeneus invented the more salacious version of the story, possibly in his desire to parody and ridicule the courtroom displays of Athenian demagogues. Considering his preference for attributing sexual excess to these demagogues, the provocative act of disrobing Phryne fits the character Hypereides had acquired in Idomeneus' work. As is not uncommon in the biographical tradition, later biographers failed to notice that earlier biographers did not give an accurate representation of events. The later biographer Hermippus incorporated the account of Idomeneus in his own biography. An extract from Hermippus' biography is preserved in the work of Athenaeus and Pseudo-Plutarch.
    xxx/ellauri176.html on line 73: Other works of art inspired by the life of Phryne include Charles Baudelaire's poems Lesbos and La beauté and Rainer Maria Rilke's Die Flamingos; the opera Phryné by Camille Saint-Saëns; books by Dimitris Varos and Witold Jabłoński; and a 1953 film, Frine, cortigiana d'Oriente. Aku Salmisaari on unohtunut listasta.
    xxx/ellauri176.html on line 99: As with any industry, porn has its own specific lingo. But instead of sales stats, porn abbreviations describe males and twats. With the Adult Entertainment Expo in Vegas this week, our office has been buzzing with words that would normally taboo in the workplace. Some elicit giggles, others blank stares and still others furrowed eyebrows, flushed cheeks and the occasional fainting. Rather than calling The evil HR director to deal with the questionable vocab, which would probably just get us all scratched, we dove head first into oral, vaginal and anal research like Freud, Marx and Jung.
    xxx/ellauri176.html on line 146: Unusually for Zola, the novel contains very few characters and locations, and the lack of realist observation compared to outright fantasy is most uncharacteristic; however, the novel remains extraordinarily powerful and readable, and is considered one of Zola's most linguistically inventive and well-crafted works.
    xxx/ellauri176.html on line 152: The novel then takes a complete new direction in terms of both tone and style, as Serge — suffering from amnesia and total long-term memory loss, with no idea who or where he is beyond his first name — is doted upon by Albine, the whimsical, innocent and entirely uneducated girl who has been left to grow up practically alone and wild in the vast, sprawling, overgrown grounds of Le Paradou. The two of them live a life of idyllic bliss with many Biblical parallels, and over the course of a number of months, they fall deeply in love with one another; however, at the moment they consummate their relationship, they are discovered by Serge's monstrous former monsignor and his memory is instantly returned to him. Wracked with guilt at his unwitting sins, Serge is plunged into a deeper religious fervour than ever before, and poor Albine is left bewildered at the loss of her soulmate. As with many of Zola's earlier works, the novel then builds to a horrible climax. Well not really. It is more like a horrible anticlimax.
    xxx/ellauri176.html on line 831: Unlike Jordan, the young Jewish hairdresser who infiltrated his organisation in the drama is a work of fiction. Jordan features in the 2014 historical novel Ridley Road by Jo Bloom. According to some reports, his father was a lecturer, while others claim that he was a postman. His mother was a teacher. Her real name was Agnes Eustacia Kenig and her father was a postman or a tailor.
    xxx/ellauri176.html on line 833: O'Casey is from Finsbury Park, the eldest of three daughters of hospitality and retail workers. She is of Irish and a quarter Jewish descent; the playwright Sean O'Casey was her great-grandfather. O'Casey has dyslexia and attended a Steiner School.
    xxx/ellauri176.html on line 835: Jordan served in the RAF, worked as a traveling sales representative and was also a maths teacher at a secondary boys school in Coventry before committing to politics full-time. He was dismissed by the board of governors of the Coventry school where he taught in August 1962 after a period of air suspension.
    xxx/ellauri177.html on line 205: The 24th feature from Hong Sangsoo, doppelgänger of the talkative celeb guy in the last scene of the movie THE WOMAN WHO RAN follows Gamhee (Kim Minhee), a florist and the wife of a translator who never in 5 years time has left her for a moment from his sight. She has three separate encounters with friends while her husband finally is on a business trip. Youngsoon (Seo Youngwha) is divorced, turned lesbian (the couple likes to feed alley cats) and has given up meat and likes to garden in the backyard of her semi-detached house. Suyoung (Song Seonmi) is divorced, has a big savings account and a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin (Kim Saebyuk) works for a movie theater and hates it that her writer husband has become a celeb. Their meetings are polite, but not warm. Some of their shared history bubbles to the surface, but not much. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. Basically, they are 40+ ladies who may have met at some art school and get a chance to compare notes on how well their childless lives have turned out. Gamhee used to be the celeb's girl friend until the movie theater attendant stole the guy. Now both of them are sorry that she did, but really not that much. The Éric Rohmer of South Korea.
    xxx/ellauri177.html on line 212: Hong's and actress Kim Min-hee’s private affairs have come to bear in their work. The couple’s extramarital relationship, the subject of tabloid headlines in Korea, have seemed to inspire jealous intrigue and accusations of infidelity. Kim is an unbelievably skinny woman but pretty.
    xxx/ellauri178.html on line 126: Roth patronisoi Lontoossa irkku Edna O'Brieniä ja matki (huonosti) sen iiriaxenttia. Chevalieria se pyysi tekemään imitaatioita. O'Brien's works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II. The book was banned, burned and denounced from the pulpit. Sähän olet hyvä kynäilijä, Pili soitti iloisesti Ednalle. Niin olen sanoi Edna ohuesti.
    xxx/ellauri178.html on line 132: “I wanted to be morally serious like Joseph Conrad,” Roth said of his young self. “I wanted to exhibit my dark knowledge like Faulkner. I wanted to write literature. Instead I took my dick's advice and wrote Portnoy's Complaint.” Stern, a lifelong friend, had noticed “a discrepancy between Philip as he told stories and Philip as he wrote stories.” The advice was of course excellent, with the resulting work putting Roth squarely in the middle of the literary map. Saatuaan juutalaisten palkinnon Roth sanoi et enää puuttuu feministipalkinto ja Kakutani Prize.
    xxx/ellauri178.html on line 326: Q: Hey Jay! Have you ever dealt with the Christian’s response to medications that are designed to help men with E.D.? I’m into my 60’s now and the equipment just don't work like it used to. I am contemplating getting some help. I would appreciate your response. Thanks.
    xxx/ellauri179.html on line 111: The novel tells the story of Richard Lamb, a young Englishman who marries a teenage Argentinian girl, Paquita, without asking her father's permission, and is forced to flee to Montevideo, Uruguay with his bride. Lamb leaves his young wife with a relative while he sets off for eastern Uruguay to find work for himself. He soon becomes embroiled in adventures with the Uruguayan gauchos and romances with local women. Toivottavasti se oli ympärileikattu ettei gonorrhea turvottanut nuppia. After the events of the story he was captured by Paquita's father and thrown into prison for three years, during which time Paquita herself died of grief.
    xxx/ellauri179.html on line 123: On the war trail, he drops hints about Rima and her whereabouts. Thanks to Abel's "bravery", the Indians caught Rima in the open, chased her up the giant tree. They heaped brush underneath it and burned Rima. Good work Abel.
    xxx/ellauri179.html on line 151: Kake, the narrator of The Sun Also Rises is an expatriate working as a journalist in Paris. He served in World War I, in which he suffered an injury that made him impotent. This somewhat hinders his otherwise very close relationship with Brett Ashley. He typifies the Lost Generation, always seeking escape and finding no meaning in life having lost his dick in the horrors and intensity of the war.
    xxx/ellauri179.html on line 181: Whereas Hemingway wrote passionately about boxing and his own prowess, others, like Dempsey, saw something else. “There were a lot of Americans in Paris and I sparred with a couple, just to be obliging,” the Champ said. “But there was one fellow I wouldn’t mix it with. That was Ernest Hemingway. He was about twenty-five or so and in good shape, and I was getting so I could read people, or anyway men, pretty well. I had this sense that Hemingway, who really thought he could box, would come out of the corner like a madman. To stop him, I would have to hurt him badly, I didn’t want to do that to Hemingway. That’s why I never sparred with him.” Hemingway’s frequent sparring partner and fellow writer Morley Callaghan offered another sobering account of his training partner, saying, “we were two amateur boxers. The difference between us was that Ernie had given time and imagination to boxing; I had actually worked out a lot with good fast college boxers.” I had never seen Mr. Hemingway box, of course. But I will say this: the confidence of mediocre men is a fucking superpower. I have met many versions of this guy. Hell, I’ve sparred with the dude myself.
    xxx/ellauri179.html on line 201: Still, the fact that they bring up Hemingway’s Catholicism at all confirmed my own suspicions of a deeper, clear-eyed spiritual sensibility lurking behind all of Hemingway’s naturalistic plots — forcing me to reconsider everything I had previously thought about the man. I see Catholicism as playing a central role in Hemingway’s literary vision and moral landscape. Non-catholics just turn away from the religious clues in his work to focus on his public image, war exploits, and psychological instability — all the while missing that singularly under-reported and significant aspect of Hemingway’s life as a writer: his Catholicism.
    xxx/ellauri179.html on line 208: After having been anointed, Hemingway described himself as having become a “Super-Catholic.” It was a near-death experience that changed the course of his life. After the war, he went to work as a foreign correspondent in Paris. And eight years later — after his first marriage failed — he undertook a second, more formal conversion process in preparation for marriage to his second wife, devout Catholic Pauline Pfieffer.
    xxx/ellauri179.html on line 225: And although Hemingway never related to the surface aspects of American Catholic life, he wrote at least one work explicitly about Christ, “Today is Friday,” a dialogue between three Roman soldiers present at the crucifixion discussing how well Jesus had died and the grace he showed under pressure.
    xxx/ellauri179.html on line 260: Turauxen on kirjoittanut joku Anders Hallengren, an associate professor of Comparative Literature and a research fellow in the Department of History of Literature and the History of Ideas at Stockholm University. Heserved as consulting editor for literature at Nobelprize.org. Dr. Hallengren is a fellow of The Hemingway Society (USA) and was on the Steering Committee for the 1993 Guilin ELT/Hemingway International Conference in the People’s Republic of China. Among his works in English are The Code of Concord: Emerson’s Search for Universal Laws; Gallery of Mirrors: Reflections of Swedenborgian Thought; and What is National Literature: Lectures on Emerson, Dostoevsky, Hemingway and the... Pelkkiä noloja setämiehiä!
    xxx/ellauri179.html on line 286: To read Hemingway has always produced strong reactions. When his parents received the first copies of their son’s book In Our Time (1924), they read it with horror. Furious, his father sent the volumes back to the publisher, as he could not tolerate such filth in the house. Hemingway’s apparently coarse, crude, vulgar and unsentimental style and manners appeared equally shocking to many people outside his family. On the other hand, this style was precisely the reason why a great many other people liked his work. A myth, exaggerating those features, was to be born.
    xxx/ellauri179.html on line 290: The posthumously published novels, such as Islands in the Stream (1970) and The Garden of Eden (1986), have disappointed many of the old Hemingway readers. However, rather than bearing witness to declining literary power, (which, considering the author’s declining mental health is indeed a rather trivial observation) the late works confront us with a reappraisal and reconsideration of basic values. Well they needed one to be sure.
    xxx/ellauri179.html on line 292: His works were burnt in the bonfire in Berlin on May 10, 1933 as being a monument of modern decadence. That was a major proof of the writer’s significance and a step toward world fame.
    xxx/ellauri179.html on line 321: But what about the ugliness, then? What about all the evil, the crude, the rude, the rough, the vulgar aspects of his work, even the horror, which dismayed people? How could all that be compatible with moral standards? Niin, sas se!
    xxx/ellauri179.html on line 338: The voice of Hemingway’s father is heard, challenging his son, as did the Father in the Biblical Garden. Slightly disguised, Hemingway’s dear father, who haunted his son’s life and work even after he had shot himself in 1961, sorry, after Dad had shot himself in 1928, remained an internalized critic until Ernest also took his life in 1961. No wonder, dad had had a cow.
    xxx/ellauri179.html on line 606: Ernest Hemingway squirmed as his second wife, Pauline, read aloud in 1927 from Henry James' novel The Awkward Age. Hemingway wondered why James bailed his characters out of their frequent inactivity by inserting a drawing room scene; and, as he was to do frequently during the next thirty years, he freely criticized the quality of James' works, "and knowing nothing about James he seems to me to be a shit." Too, he was quick to criticize the male protagonists of James,". .and the men all without any exception talk and think like fairies except a couple of caricatures of brutal outsiders". Carlos Baker observes that Hemingway, the "brutal outsider" himself, was at this time publishing Men Without Women, whose sales had reached 15,000 in the first three months after publication. But now Hemingway, the outsider, clearly in literary ascendance, was becoming acquainted with James' works; his artistic and personal recognition of James in future years was, for the most part, to take the form of a peculiar enmity. He was often to refer to James in highly derisive terms almost to the end of his own life. Hemingway's lese majeste towards him takes the form of a sporadic obsession that reveals more about Hemingway's maturity than James' imagined frailties.
    xxx/ellauri179.html on line 608: Young Hemingway vilified James for his choice of themes and characters, but more importantly, he viciously maligned him for the traumatic but obscure accident that had occurred in his youth. Leon Edel has summarized the known facts of the injury as gathered from James´ writings and other sources. The "obscure hurt" was reported by James to have happened at the "same dark hour" of the onset of the Civil War, in other words, May 1861 (Edel, Years 176-77). But actually the causative factor, the fire at West Stables in Newport, occurred on the night of October 28, 1861 (177). James relates that he had jammed himself into "an acute angle between two fences" trying to make "a rusty, quasi-extemporised old engine work" in order to help put out the stable fire. Injured in this attempt, James later provided only incomplete details and stated that the disaster was "intimate, odious, horrid, catastrophe, obscure, and most entirely personal" (175).
    xxx/ellauri179.html on line 616: The newest biography of Henry James is the work of a Vermont law professor who has written one earlier biography, Honorable Justice, The Life of Oliver Wendell Holmes, of the “great dissenter” on the Supreme Court in the first half of our century. Proceeding from the law into literature, Sheldon M. Novick tells us in a book titled Henry James, The Young Master–as if James were a young Mozart or a Paganini and didn’t work hard to achieve literary mastery–that the celibate and sexually diffident novelist, who put most of his life into his art, was in reality a regular guy who “underwent the ordinary experiences of life.” In fact, says Novick, he had an affair at the end of the Civil War with–yes, Oliver Wendell Holmes Jr.
    xxx/ellauri179.html on line 621: Another bit of imaginative projection upon James’ life can be found in Ernest Hemingway’s letters. This novelist, on learning that Brooks had written that James was “prevented by an accident from taking part in the Civil War,” immediately incorporated this into his nearly finished novel, The Sun Also Rises. In Chapter 12, Jake Barnes refers to his World War I accident, and Gorton says, “That’s the sort of thing that can’t be spoken of. That’s what you ought to work up into a mystery. Like Henry’s bicycle.” Barnes replies it wasn’t a bicycle; “he was riding horseback.” (In his memoirs, James spoke of having had a “horrid” but “obscure hurt.” He had strained his back during a stable fire while serving as a volunteer fireman.) Hemingway had originally inserted James’ name in the novel, but Scribner’s editor, Maxwell Perkins, vetoed this. Hemingway insisted. They finally compromised on the “Henry” alone. F. Scott Fitzgerald wrote to Brooks, “Why didn’t you touch more on James’ impotence (physical) and its influence?” The castration theme was picked up by R.P. Blackmur, Glenway Wescott, Lionel Trilling, and F.O. Matthiessen in their critical writings.
    xxx/ellauri179.html on line 648: Hemingway makes explicit here the themes of irony and pity: the irony of Kake's situation (he is a kind of superman who nevertheless can't perform the most basic of manly activities, namely fucking) as well as the pity "we" (who have our penises in working order) feel for him. The writer does so in an extended section, rich with dialogue, that is meant to be funny but has not dated well. The joking between Kake and Bill, over breakfast and later at lunch, is certainly believable as such, but it's difficult for a contemporary audience to follow, because the references to Frankie Fritsch and so forth have grown obscure with the passage of time. (The reference to Bryan's death tells us exactly when these scenes are occurring: 1925.) Do note, however, that Kake's physical condition is alluded to — and quickly backed away from. ("I'd a hell of a lot rather not talk about it" could be the motto of Kake's stoic take on the world, while Hemingway's would be "I want to talk about it all the time".) The writer has established, however, that Kake's condition is not simple impotence (rather it is loss of limb, or shortening of the joystick) and that it was caused by an accident.
    xxx/ellauri179.html on line 791: The original title for Defense was A Book for Men Only, but other working titles included The Eternal Feminine as well as The Infernal Feminine. The book was originally published by Philip Goodman in 1918, but Mencken released a new edition in 1922 in an attempt to bring the book to a wider audience. This second edition, published by Alfred Knopf, was both much longer and milder.
    xxx/ellauri179.html on line 986: Hemingway routinely describes Robert Cohn, introduced in the novel’s first lines as “the middleweight boxing champion of Princeton,” as a “kike” and a “rich Jew”; his obnoxiousness fuels the plot. (Cohn was based on Harold Loeb, a friend who gave Hemingway crucial support in getting his early work published; Hemingway could not forgive anyone who did him a good turn.) The anti-Semitic insult of writing a character like Cohn into his first major novel is breathtaking: it was not, like Hemingway’s letters, intended for private consumption only, but as characterization and a plot device in a work of fiction — a novel, as it turned out, written for the ages.
    xxx/ellauri179.html on line 993: Does this make Ernest Hemingway a bad writer? Does it mean we should no longer read him? I don’t think so. But then again I wrote his biography so I may be biased. The aesthetic satisfaction and sheer joy of reading such works as “In Our Time” and “A Moveable Feast,” or encountering the enduring truths of such novels as “A Farewell to Arms,” “For Whom the Bell Tolls” and, yes, “The Sun Also Rises” are undeniable. The books remain. So does racism and antisemitism. There are here to stay.
    xxx/ellauri186.html on line 78: After the war, Beecher supported social reform causes such as women's suffrage and temperance. He also championed Charles Darwin's theory of evolution, stating that it was not incompatible with Christian beliefs. He was widely rumored to be an adulterer, and in 1872 the Woodhull & Claflin's Weekly published a story about his affair with Elizabeth Richards Tilton, the wife of his friend and former co-worker Theodore Tilton. In 1874, Tilton filed charges for "criminal conversation" against Beecher. The subsequent trial resulted in a hung jury and was one of the most widely reported trials of the century. Tolstoi olisi ollut tyytyväinen siihen että syyllinen vapautettiin ja valamiehet hirtettiin.
    xxx/ellauri186.html on line 395: Rosenfeld's short stories were inspired by his Chicago family: his bombastic father, his mother Miriam who died young, his sister, his unmarried aunts. He and his wife Vasiliki had two children, George and Eleni, the latter of which later became a Buddhist nun. He grew up a few blocks from Saul Bellow, and had known him since he was a teenager, when they worked on the same high school newspaper.
    xxx/ellauri186.html on line 803: a) Good reasons existed for rejection of canonicity for the spurious book. The book failed to meet the 5 requirements for canonicity: 1) apostolic authority (Was it written by the apostles or early eye witness news?), 2) orthodoxy (Does it line up with clear OT and NT teachings?), 3) antiquity (Has it been used within the covenant community for an extended period of time?), 4) inspiration, (Does the book make a tangible and testable claim of divine inspiration?) and 5) usage (Was it accepted by the catholic church at large?). 6) The early Church also viewed their discussions and debates surrounding the issues of canonicity as being directed and superintended by God. The determinations and deliberations concerning the canon were in some sense within the will and superintending of God working through his church.
    xxx/ellauri186.html on line 807: c) Lastly, the psychopathology of the Infancy Gospel of Thomas is loftier and more theologically expansive than the psychopathology of the NT documents! If Muslim apologists choose to argue that the book contains correct theology and history concerning the nature and work Jesus Christ, they will have to deal with the ramifications of a book that teaches Jesus was a nasty boy in more ways than the NT documents otherwise elucidate. Thus, the book would then contradict the teachings of the Quran itself!
    xxx/ellauri187.html on line 77: At the Petite École, Rodin “finished lessons so quickly that the teachers eventually ran out of assignments. He did not care to socialize with his classmates; he wanted only to work.” Rodin’s talent was noted by his legion of admiring artists, writers, and lovers. His rise was a matter of time, even if he was ignored by academic art institutions early in life.
    xxx/ellauri187.html on line 90: Few of these bullshit artists and temporary thinkers were as staunchly individualist as Rodin and Rilke. Their kinship, for better and worse, relied on a shared belief about the vocation of the artist—that it was supreme: no relationship, duty, or family obligation should get in the way of his work.
    xxx/ellauri187.html on line 97: Rilkes motto was "To work is to live without dying." Rilke hated hospitals and the way dying had been stripped of its terrible intimacy there. But--he is dead all the same.
    xxx/ellauri187.html on line 103: Rilke's diaries and letters, lively with tales of self-dislike and depression, seem to out-Kafka Kafka himself. Still, biographers should beware of making too much of these highly polished introspections. Rilke conceived of writing as a form of prayer, as Kafka did, and he made astringent self-examination a ritualistic prelude to work. Both writers magnified their inadequacies, sometimes to the point of a vaunting self-regard; it was an efficient way to wrest from their doubts a diligent beauty of creation.
    xxx/ellauri187.html on line 107: Rilke spent his life wandering. From an art colony in Germany he migrated to a position as Rodin's secretary in Paris; the sculptor eventually claimed that the poet was answering letters without his permission and summarily dismissed him, as much to Rilke's relief as to his chagrin. From Berlin he made two pilgrimages to Russia to meet Tolstoy, on one trip going nearly unacknowledged because of a titanic quarrel between the count and the countess. He traveled from Italy to Vienna to Spain to Tunisia to Cairo. His restless peregrinations had their origins in his epoch, and in a temperament forced painfully to choose perfection of the life or of the work. Rilke's academic sponsor and friend was Georg Simmel, the celebrated German sociologist and philosopher of modernity. In "The Adventurer," one of his most famous essays, Simmel argued that only the experience of art or adventure could invest time with the significance once lent it by religious ritual. The work of both art and adventure had a beginning and an end; they were each an "island in life" that briefly imparted a transcendent wholeness to experience. And of all possible modern adventures, Simmel concluded, the one that most completely combined the profoundest elements of life with a momentary apprehension of what lay beyond life was the love affair.
    xxx/ellauri187.html on line 111: First of all, it provided him with an uncanny empathy for women. His two most potent and obsessive literary images were the unrequited female lover and the woman artist struggling to find freedom and space for her work. But Rilke's liberated feminine side also gave him the gift of unabashed openness to his need and desire for the opposite sex (from women). He recalls Kierkegaard's description of Mozart's Don Giovanni, who did not calculatedly seduce, according to Kierkegaard, but desired seductively. What women found irresistible about Rilke was not the effect he had on them but the effect they had on him.
    xxx/ellauri187.html on line 117: Rilke loved absolutely, not strenuously or patiently, and therefore his love always froze up into a mirror of itself. His condition might have been tormented and tormenting--it might appear wearily obnoxious. But for Rilke the poet, modern men and women as lovers--their exalted expectations and their comi-tragic desperation--came to symbolize complex human fate in a world where vertiginous possibilities have replaced God and nature. In Rilke's Elegies especially, lovers encounter animals, trees, flowers, works of art, puppets, and angels--all images, for Rilke, of the absolute fulfillment of desire, alongside which the poet placed the tender vaudeville of imperfect human wanting. Rilke the man might have presented a painful obstruction to himself. But true ardor often springs from an essential deprivation.
    xxx/ellauri187.html on line 119: Ralph Freedman gives a remarkably purposeful account of Rilke's deprivation. But he describes none of Rilke's ardor--or his honest avowals, or all the discipline and strength and health he needed to draw his life's work out of depressions, blocks, and fears, out of his contemporary-sounding struggle between a Faustian ego and an endangered self. In this biography we don't get Rilke's poetic transformations. We get only the modern condition--his and his society's--that he poetically transformed and that we've inherited.
    xxx/ellauri187.html on line 131: One ugly phrase in a personal letter, for instance (out of a vast personal correspondence), referring to Franz Werfel as a "Jew-boy," and some murky generalities about Werfel's "Jewish attitude toward his work," do not an anti-Semite make. Rilke cherished the many Jews he knew, including Simmel; he enjoyed reading the Hasidic philosopher Martin Buber and steeped himself in Jewish Scripture, claiming that Judaism was closer than Christianity to God. He also remained a lifelong champion of Werfel's work. And a reader discovers buried deep in Freedman's footnotes that Rilke wrote the offending letter to the poet Hugo von Hoffmannsthal, a good friend and an important patron. Hoffmannsthal was also Jewish, and he shared Rilke's negative views on the superambitious Werfel, who emigrated to America and, in 1941, published The Song of Bernadette, a novel about a miracle at Lourdes. Freedman doesn't mention that about five months after Rilke wrote the letter to Hoffmannsthal, along with a nearly identical letter to his patron Princess Marie von Thurn und Taxis, Rilke again wrote similar letters to the two of them praising Werfel's poetry so exuberantly that they almost sound like retractions of his first letters.
    xxx/ellauri187.html on line 141: The women Rainer chose . . . were themselves practicing artists whose work he respected, from Clara to Loulou and now to Baladine-Merline. But they were given no choice to remove themselves for the sake of their art. . . . Rilke's love imposed a nonreciprocal discipline: in the end, it worked only for him and his poetry.
    xxx/ellauri187.html on line 178: In 2002 Siegel received the National Magazine Award in the category "Reviews and Criticism". Jeff Bercovici, (alias sprezzatura), writing in Media Life Magazine, quoted the award citation, which called the essays "models of original thinking and passionate writing... Siegel's tough-minded yet generous criticism is prose of uncommon power—work that dazzles readers by drawing them into the play of ideas and the enjoyment of lively, committed debate".
    xxx/ellauri187.html on line 184: In June 2015, Siegel wrote an op-ed piece for The New York Times entitled "Why I Defaulted on My Student Loans", in which he defended defaulting on the loans he received for living expenses while on full scholarship and working his way through college and graduate school at Columbia University, writing that “the millions of young people today, who collectively owe over $1 trillion in loans, may want to consider my example.”
    xxx/ellauri187.html on line 193: Who knew that Rodin in his 60s met, inspired, and shaped Rilke in his 20s? Nowadays, it would be temping to call Rodin a groomer. The poet and the sculptor actually lived and worked together, spent hours criminally conversing, and forged a special bond.
    xxx/ellauri187.html on line 199: The pair first met outside Paris on Rodin’s country estate in September of 1902. Rilke, 26, took on a project as an art critic to write a German monograph on Auguste Rodin, at the time 61. Neither probably expected they would hit it off as much as they did. But long talks about art, and how to cultivate a work ethic bonded them together. Ten days into his initial stay on Rodin’s estate, Rilke wrote Rodin an affectionate letter confessing their dialogue’s intense effect. Rodin offered the young poet an open invitation to observe his studio for the next four months. During that time, Rilke not only gleaned insights for his monograph, but discovered how to be a better poet.
    xxx/ellauri187.html on line 367: Groddeck was born in a Lutheran family. His works before World War I wholly accepted eugenics and Völkisch movement ideology.
    xxx/ellauri187.html on line 371: In 1923 he published Das Buch vom Es, an unusual work in which each chapter is in the form of a letter to a girlfriend addressed as "my dear".
    xxx/ellauri187.html on line 447: Amerikkalaisten näkökulmasta she was an American computer scientist and manager, who emigrated to the US from Germany after the Second World War. She was also notable as the fiancée of the German Protestant theologian and Resistance worker Dietrich Bonhoeffer, eighteen years her senior.
    xxx/ellauri187.html on line 570: “Our concern and solidarity is first with victims of harassment, and with the right of all staff and students to work in a healthy and safe environment,” the letter said. “And while we also recognize the possibility of rehabilitation, it can only be at the end of a process that begins with an acknowledgement of the offense, and taking responsibility for the harm caused.”
    xxx/ellauri193.html on line 60: For example, the lack of (specifically affective) empathy is a well documented hallmark in clinical psychopathy used to explain their often persistent, instrumental violent behaviour. Our own work supports the notion that one of the reasons people with dark traits hurt other people or have difficulties in relationships is an underpinning lack of empathy.
    xxx/ellauri193.html on line 220: "The jury doesn't evaluate the crime in itself, but instead evaluates the victim and the accused's life, trying to show how adapted each one is to what they imagine should be the correct behavior for a husband and wife....The man can always be acquitted if the defense manages to convince the jury that he was a good and honest worker, a dedicated father and husband, while the woman was unfaithful and did not fulfill her responsibilities as a housewife and mother....This way the ones involved in the crime are judged distinctly. Men and women are attributed different roles, in a pattern that excludes citizenship and equality of rights.
    xxx/ellauri193.html on line 312: Carlson's paternal grandparents were Richard Gere and Pamela Anderson, teenagers who placed "Dick" at The Home of The Worriers orphanage where he was wet nursed first by Carl Bellman's tjänare Mollberg, then a maiden, near Boston, and finally by a tannery worker with Swedish accent named Florence Nightingale, and as a result adopted at the age of two-years-old the reactionary views of upper-middle-class Finland immigrants, the Carlsons, and the oldest tanner in America and his wife.
    xxx/ellauri193.html on line 368: Carlson was one of the network’s biggest stars, and gained a large following while spouting xenophobic and racist rhetoric on his show, Tucker Carlson Tonight. He left Fox News without explanation on Monday. News outlets have reported that Carlson was fired on the personal order of Fox owner Rupert Murdoch for, among other things, using vulgar language to describe a female executive. Another victim of the freedom of expression!
    xxx/ellauri193.html on line 375: On her first day working for Mr. Carlson, Ms. Grossberg said she discovered the office was decorated with large pictures of House Speaker Nancy Pelosi wearing a plunging swimsuit. She said she was once called into the top producer’s office to be asked whether Ms. Bartiromo was having a sexual relationship with the House Republican leader, Kevin McCarthy.
    xxx/ellauri193.html on line 596: But it’s not just the imaginary humiliations. There’s just something off-putting about deciding that two bodies of work are of exactly equal merit. I’m all for the notion that literature is such a varied seascape that it’s impossible to get your bearings, let alone arrange things in order; and I’m comfortable with the idea that, of course, some writers are better than others. But once the scorekeeping gets specific, it just feels wrong. What’s better, Guernica or Citizen Kane? The Velvet Underground and Nico or really good Mexican food? The Great Gatsby or your best friend in high school? These are ridiculous questions, and the fairest answer—ladies and gentlemen, it’s a tie!—somehow muddies all the contestants, even the enchiladas.
    xxx/ellauri193.html on line 598: The Swedes feel differently, though. The presentation speech lays out a “cut-out silhouette of two remarkable literary profiles,” drawing parallels between two writers whose work is not very similar, but whose lives curiously are. Both ­Eyvind Johnson and Harry Martinson come from hardscrabble backgrounds and emerged as unlikely, startling literary figures. “They are representative,” the speech tells us, “of the many proletarian writers or working-class poets who, on a wide front, broke into our literature, not to ravage and plunder, but to enrich it with their fortunes. Their arrival meant an influx of experience and creative energy, the value of which can hardly be exaggerated.”
    xxx/ellauri193.html on line 600: Well, first of all, everything can be exaggerated, so calm down a little, Karl Ragnar Gierow. But also there’s a tone here that doesn’t sit well with me. Certainly the literary world has a tendency to calcify—the people who have enough time to write books tend to be from the ­upper classes, so literature’s concerns and perspectives invariably get narrow without new blood. But those sidebar reassurances that working-class poets aren’t here to ravage and plunder seem nervous and uptight, and not really reassuring to boot. It seems to me that we want a little ravagement and plunder in our literary traditions. Why else would we welcome a stirring new voice, if it didn’t stir us up a little? And if it doesn’t stir us up, is it really a new voice, even if it comes from a place most of us haven’t visited? “To determine an author and his work against the background of his social origin and political environment is, at present, good form,” the speech continues, and that’s OK as far as it goes. But if you’re going to decide that two authors are tied for literary merit, surely we can find some criterion besides their socioeconomic origin stories.
    xxx/ellauri193.html on line 604:
    FIRST CATEGORY: Genre of work

    xxx/ellauri193.html on line 611:
    SECOND CATEGORY: Title of work

    xxx/ellauri193.html on line 618:
    THIRD CATEGORY: Tone of work

    xxx/ellauri193.html on line 625:
    FOURTH CATEGORY: Theme of work

    xxx/ellauri193.html on line 633:
    FIFTH CATEGORY: Ability of work to mesmerize the reader, particularly on public transportation, where these books were largely read

    xxx/ellauri193.html on line 640:
    SIXTH CATEGORY: Level of reader satisfaction upon completion of work

    xxx/ellauri193.html on line 747: Alarmingly, only 90 countries retain the death penalty in their legislation. As a result of the continued use of capital punishment in several countries, it is estimated that just 690 people were executed in 2018. It´s just a drop in the ocean. In terms of alternatives proposed, the report said other common non-custodial sanctions include flogging by a probation officer, electrocution, house arrest, verbal sanctions, economic sanctions and monetary penalties, confiscation of property, restitution to a victim, participation in rehabilitation programmes and community service orders. None of this really works.
    xxx/ellauri193.html on line 790: 18.3% planned the murder in advance and 81.7% committed it impulsively. None of these women indicated that they would commit murder again. Some of the reasons they gave for this are: I learned new ways to master difficult circumstances; frightening experience; I met God; I am not inherently a bad person; I never want to end up in prison again; I hurt the people closest to me terribly; I’m very sorry; no one deserves to be hurt like that; such an act follows you for the rest of your life; crime does not pay; I am much wiser now; I will contact a family member, social worker or police member to help me if I find myself in such a situation again.
    xxx/ellauri193.html on line 814: Van der Westhuizen continues to say that murders in South Africa are not racially motivated, as some (many?) people believe. Farm and house murders are sometimes horribly cruel but according to him he has never encountered a clear racial motive in court. For him, murderers kill mostly out of greed, jealousy, passion, and during gang wars. Also because of poverty and the despondency and drunkenness that accompany it, but not because of racial hatred. The whiteys just happen to have more of the wherewithal. From 1990 to 2017 there were 1938 murders on farms (of which 137 were farm workers). Of the victims, 88% were white and 12% black.
    xxx/ellauri193.html on line 834: The current criminal justice system defines offender accountability as taking punishment, while restorative justice defines it as assuming responsibility and taking action to repair harm. We must work hard to repair South Africa, and not just loiter around for free bananas like the listless blacks or lazy about drinks in hand like the indolent rich whiteys.
    xxx/ellauri195.html on line 278: Short Story: Norman Mailer THE GREATEST THING IN THE WORLD Nov/Dec 1941 STORY MAGAZINE. MAILER'S FIRST PUBLICATION IN A NATIONALLY-CIRCULATED MAGAZINE, AT 18 YEARS OLD WHILE AN ENGINEERING STUDENT AT HARVARD. Other contributions by Eli Cantor, Morton Fineman and Padraic Fallon, etc. Two corners lightly bumped, spine a bit faded, overall in great shape.

    At Harvard, he majored in engineering sciences, but took the majority of his electives as writing courses. He published his first story, "The Greatest Thing in the World," at the age of 18, winning Story magazine's college contest in 1941.

    Early in his career, Mailer typed his own works and handled his correspondence with the help of his sister, Barbara. After the publication of The Deer Park in 1955, he began to rely on hired typists and secretaries to assist with his growing output of works and letters. Among the women who worked for Mailer over the years, Anne Barry, Madeline Belkin, Suzanne Nye, Sandra Charlebois Smith, Carolyn Mason, and Molly Cook particularly influenced the organization and arrangement of his records.


    xxx/ellauri195.html on line 300: The words and works of God are quite clear, that women were made to be either wives or prostitutes. Martin Luther
    xxx/ellauri195.html on line 308: They have the right to work wherever they want to, as long as they have dinner ready when you get home. John Wayne
    xxx/ellauri199.html on line 173: Acrostic • Africa • Alone • America • Angel • Anger • Animal • Anniversary • April • August • Autumn • Baby • Ballad • Beach • Beautiful • Beauty • Believe • Bipolar • Birth • Brother • Butterfly • Candy • Car • Cat • Change • Chicago • Child • Childhood • Christian • Children • Chocolate • Christmas • Cinderella • City • Concrete • Couplet • Courage • Crazy • Culture • Dance • Dark • Dark humor • Daughter • Death • Depression • Despair • Destiny • Discrimination • Dog • Dream • Education • Elegy • Epic • Evil • Fairy • Faith • Family • Farewell • Fate • Father • Fear • Fire • Fish • Fishing • Flower • Fog • Food • Football • Freedom • Friend • Frog • Fun • Funeral • Funny • Future • Girl • LGBTQ • God • Golf • Graduate • Graduation • Greed • Green • Grief • Guitar • Haiku • Hair • Happiness • Happy • Hate • Heart • Heaven • Hero • History • Holocaust • Home • Homework • Honesty • Hope • Horse • House • Howl • Humor • Hunting • Husband • Identity • Innocence • Inspiration • Irony • Isolation • January • Journey • Joy • July • June • Justice • Kiss • Laughter • Life • Light • Limerick • London • Lonely • Loss • Lost • Love • Lust • Lyric • Magic • Marriage • Memory • Mentor • Metaphor • Mirror • Mom • Money • Moon • Mother • Murder • Music • Narrative • Nature • Night • Ocean • October • Ode • Pain • Paris • Passion • Peace • People • Pink • Poem • Poetry • Poverty • Power • Prejudice • Pride • Purple • Lgbtq • Racism • Rain • Rainbow • Rape • Raven • Red • Remember • Respect • Retirement • River • Romance • Romantic • Rose • Running • Sad • School • Sea • September • Shopping • Sick • Silence • Silver • Simile • Sister • Sky • Sleep • Smart • Smile • Snake • Snow • Soccer • Soldier • Solitude • Sometimes • Son • Song • Sonnet • Sorrow • Sorry • Spring • Star • Strength • Success • Suicide • Summer • Sun • Sunset • Sunshine • Swimming • Sympathy • Teacher • Television • Thanks • Tiger • Time • Today • Together • Travel • Tree • Trust • Truth • Valentine • War • Warning • Water • Weather • Wedding • Wind • Winter • Woman • Women • Work • World
    xxx/ellauri199.html on line 325: Phillis Wheatley was both the second published African-American poet and first published African-American woman. Born in Senegambia, she was sold into slavery at the age of 7 and transported to North America. She was purchased by the Wheatley family of Boston, who taught her to read and write, and encouraged her poetry when they saw her talent. The publication of her Poems on Various Subjects, Religious and Moral brought her fame both in England and the American colonies; figures such as George Washington praised her work. During Wheatley´s visit to England with her master´s son, the African-American poet Jupiter Hammon praised her work in his own poem. Wheatley was emancipated after the death of her master John Wheatley. She married soon after. Two of her children died as infants. After her husband was imprisoned for debt in 1784, Wheatley fell into poverty and died of illness, quickly followed by the death of her surviving infant son. Whom did she marry? Was it Wheatley Jr, or perhaps Neptune Hammon?
    xxx/ellauri199.html on line 364: Eighteen years on the cotton field passed before his second work appeared in print, "An Address to Miss Phillis Wheatley." Hammon wrote the poem during the Revolutionary War, while Henry Lloyd had temporarily moved his household and slaves from Long Island to Hartford, Connecticut, to evade British forces. Phillis Wheatley, then enslaved in Massachusetts, published her first book of poetry in 1773 in London. She is recognized as the first published black female author. Hammon never met Wheatley, but was a great admirer. His dedication poem to her contained twenty-one rhyming quatrains, each accompanied by a related Bible verse. Hammon believed his poem would encourage Wheatley along her Christian journey. Lukikohan Pyllis koko runoa? Ei se tuonut sille kovin paljon onnea.
    xxx/ellauri199.html on line 366: In 1778 Hammon published "The Kind Master and Dutiful Servant," a poetical dialogue, followed by "A Poem for Children with Thoughts on Death" in 1782. These works set the tone for Hammon´s "An Address to Negros in the State of New York."
    xxx/ellauri199.html on line 832: I’m hoping all my hard work shows
    xxx/ellauri199.html on line 887: At the age of seven, Judith Nicholls wrote her first poem, which was inspired by a Winnie the Pooh story. As a shy teenager, she found writing things down easier than talking. Her first job was working for a magazine, and then she became a teacher.
    xxx/ellauri199.html on line 907: Contemporary odes to Neptune were harder to come by, but divine intervention ensured I found one that mentioned him by name. One of the highlights of my recent trip to Odesa, discussed here on the blog, was a visit to the literary museum, which houses a small collection of Anna Akhmatova’s work. The statuesque Russian poet, melancholic lover and resolute witness to the Stalinist and Putinist terrors, was born near Odesa and spent her childhood summers in the region. The display included a palm-sized booklet of the long poem ‘Close to the Sea’, or as my host translated, ‘very close’: an intimate relationship. I looked it up in The Complete Poems when I got home and assumed it must be ‘By the Edge of the Sea’. The ballad of a fierce young woman willing the arrival of her beloved from the waves, the poem was too long for the workshop and extracts would not do it justice. A shame, I thought, setting down the 950 page book, which promptly fell open to:
    xxx/ellauri199.html on line 973:

    Here´s how the math works


    xxx/ellauri199.html on line 975: Amazonin kirjakauppa on yhtä jättimäinen paska kuin lafkan kyrvännupin näköinen yxityisomistaja joka hohottaa koko matkan yxityisomistamaansa pankkiin. Joka tulee joka päivä 1% äveriäämmäxi ja on vuoden lopussa 37x rikkaampi. Here´s how the math works. Atomic Habits #4 bestseller, arrived in bad condition, cover all wrong, says Sharma Swarma, a disgruntled Amazon customer. Mutiainen maxoi yli 10 taalaa roskasta. Sydney Pierce (se kireälettinen josta tulee mieleen Kaija Pentti) luki tämän:
    xxx/ellauri199.html on line 1022: "Walsh´s work is an effort to push back against radical gender ideology which defies biological reality." - The Blaze
    xxx/ellauri199.html on line 1049: In The War on the West, Douglas Murray shows how many well-meaning people have been fooled by hypocritical and inconsistent anti-West rhetoric. After all, if we must discard the ideas of Kant, Hume, and Mill for their opinions on race, shouldn’t we discard Marx (Karl, Groucho´s OK), the Jew whose work is peppered with racial slurs and anti-Semitism? Embers of racism remain to be stamped out in America, but what about the raging racist inferno in the Middle East and Asia? What about Israel? Nigeria?
    xxx/ellauri199.html on line 1061: Writing in The Guardian, the political journalist Gaby Hinsliff described Strange Death as "gentrified xenophobia" and "Chapter after chapter circles around the same repetitive themes: migrants raping and murdering and terrorising; paeans to Christianity; long polemics about how Europe is too ´exhausted by history´ and colonial guilt to face another battle, and is thus letting itself be rolled over by invaders fiercely confident in their own beliefs", while also pointing out that Murray offers little definition of the European culture he claims is under threat. Pankaj Mishra´s review in The New York Times described the book as "a handy digest of far-right clichés". In The Intercept, Murtaza Hussain criticized the "relentlessly paranoid tenor" of Murray´s work and said that its claims of mass crime perpetuated by immigrants were "blinkered to the point of being propaganda", while noting the book´s appeal to the far right. In Middle East Eye, Georgetown professor Ian Almond called the book "a staggeringly one-sided flow of statistics, interviews and examples, reflecting a clear decision to make the book a rhetorical claim that Europe is doomed to self-destruction".
    xxx/ellauri199.html on line 1073: But some aspects of Seuss’s work have not aged well, including his debut, which features a crude racial stereotype of an Asian man with slanted lines for eyes. “Mulberry Street” was one of six of his books that the Seuss estate said it would stop selling this week, after concluding that the egregious racial and ethnic stereotypes in the works “are hurtful and wrong.”
    xxx/ellauri199.html on line 1076: The estate’s decision — which prompted breathless headlines on cable news and complaints about “cancel culture” from prominent conservatives — represents a dramatic step to update and curate Seuss’s body of work, acknowledging and rejecting some of his views while seeking to protect his brand and appeal. It also raises questions about whether and how an author’s works should be posthumously curated to reflect evolving social attitudes, and what should be preserved as part of the cultural record.
    xxx/ellauri200.html on line 172: Ezekiel's first book, No Time to Change (Phileas Foggillekin tuli kiire vaihtaa vaatteita Hong Kongissa), appeared in 1952. He published another volume of poems, The Deadly Man in 1960. After working as an advertising copywriter and general manager of a picture frame company (1954–59), he co-founded the literary monthly Jumpo, in 1961.
    xxx/ellauri200.html on line 173: He studied philosophy at Birkbeck College, London. After three and a half years, Ezekiel worked his way home as a deck-scrubber aboard a ship carrying arms to Indochina.
    xxx/ellauri200.html on line 180: In awarding Naipaul the 2001 Nobel Prize in Literature, the Swedish Academy praised his work "for having united perceptive narrative and incorruptible scrutiny in works that compel us to see the presence of suppressed histories." Kukahan tonkin runoili, olikohan kulturpersonligheten. The Committee added: "Naipaul is a modern philosopher carrying on the tradition that started originally with Lettres persanes and Candide. In a vigilant style, which has been deservedly admired, he transforms rage into precision and allows events to speak with their own inherent irony." The Committee also noted Naipaul's affinity with the novelist Joseph Conrad (toinen kaappikolonialisti pyllypää):
    xxx/ellauri200.html on line 184: Naipaul's fiction and especially his travel writing have been criticised for their allegedly unsympathetic portrayal of the Third World. The novelist Robert Harris has called Naipaul's portrayal of Africa racist and "repulsive," reminiscent of Oswald Mosley's fascism. Edward Said argued that Naipaul "allowed himself quite consciously to be turned into a witness for the Western prosecution", promoting what Said classified as "colonial mythologies about wogs and darkies". Said believed that Naipaul's worldview may be most salient in his book-length essay The Middle Passage (1962), composed following Naipaul's return to the Caribbean after 10 years of exile in England, and the work An Area of Darkness (1964).
    xxx/ellauri200.html on line 406: The 419 scam is an infamous advance fee fraud tactic that originated in Nigeria and has since spread around the world. The most well-known source for these emails is Nigeria, but they can originate from anywhere. In Nigeria, the crime has become a significant source of income for some, although section 419 of the Nigerian legal code prohibits it (hence the name). How does the scam work?
    xxx/ellauri202.html on line 264: Everything is unraveling. Decades of work dissipating like smoke. He was always in control, the strongest and smartest man in the room. Though not the largest, both Don Trump and the Chinese guy were larger.
    xxx/ellauri202.html on line 288: So it all works just the same as here! I can relate to this!
    xxx/ellauri202.html on line 413: In his 1953 memoir In the Face of the Gallows (published after his execution in 1946), Hitler’s lawyer Hans Frank claimed that Hitler had told him to investigate rumors of him having Jewish ancestry. Frank said Hitler showed him a letter from a nephew who threatened to reveal he had Jewish blood. Frank wrote that he found evidence that Hitler’s grandfather was Jewish and that Alois’ mother, Maria Schicklgruber, worked as a cook in the home of a wealthy Jewish family named Frankenreiter in Graz. Austria, was impregnated by a member of the family – possibly their 19-year-old son – when she was 42.
    xxx/ellauri208.html on line 166: greatest and largest work,
    xxx/ellauri208.html on line 1020: Working for a living is the worst curse in the world. Only animals worry about the next meal and wake up to take a crap in the morning. Yes but many men have started like you and owned shops and houses in the end. Living in the lap of luxury. Mattokauppiaiden puheita. If work is a curse and crookery is worse, how´s a man to live? Vaimon selkänahastako? Njoo, muttei paljaalla työllä rikastu, tarvitaan myös crookeryä.
    xxx/ellauri208.html on line 1034: The Alexander Romance is an account of the life and exploits of Alexander the Great. Although constructed around a historical core, the romance is largely fictional. It was widely copied and translated, accruing legends and fantastical elements at different stages. The original version was composed in the Greek language before 338 AD, when a Latin translation was made. Several late manuscripts attribute the work to Alexander´s court historian Callisthenes, but the historical person died before Alexander and could not have written a full account of his life. The unknown author is still sometimes known as Pseudo-Callisthenes.
    xxx/ellauri208.html on line 1038: Speaking of which, German police believe the convicted paedophile, 45, abducted and killed Madeleine McCann, 3, in Portugal in 2007. Following tip-offs from German police, in April 2021 authorities in Paraguay targeted Christian Manfred Kruse, 59, a German national thought to be behind the sick network. At the same time German cops arrested three other men linked to a paedo ring. They include cook Andreas G, 40, unemployed Fritz Otto K, 64, and Alexander G, 49, who allegedly acted as an administrator and forum moderator for the ring. Boystown was internationally oriented, had chat areas in different languages and served the worldwide exchange of images, documenting the sexual abuse of children. Experts then set about analysing all the computer data, including 5,000 IP addresses, which had exchanged sickening pornographic images and videos of children being abused to around 400,000 members. Idris started prophecying at age 40, and so did Mohammed. Mohammed´s youngest wife was just 9. The Daily Telegraph described the disappearance of Madeleine "the most heavily reported missing-person case in modern history".
    xxx/ellauri208.html on line 1055: Enlil, god of Earth, assigned junior dingirs (Sumerian: 𒀭, lit. 'divines') to do farm labor, as well as maintain the rivers and canals. After 40 years, however, the lesser dingirs rebelled and refused to do strenuous labor. Enki, who is also the kind, wise counselor of the gods, suggested that rather than punishing these rebels, humans should be created to do such work, instead. The mother goddess Mami is subsequently assigned the task of creating humans by shaping clay figurines mixed with the flesh and blood of the slain god Geshtu-E ('ear' or 'wisdom'; 'a god who had intelligence'). All the gods, in turn, spit upon the clay. After 10 months, a specially made womb breaks open and humans are born.
    xxx/ellauri208.html on line 1167: Leave women's work to women, they have a well lubricated hole for it.
    xxx/ellauri212.html on line 73: All evidence points to the fact that Gauguin might have been drawn to the Mahu culture of a boy performing feminine duties. Drag queens were prevalent in Tahitian culture one which drew the focus of Gauguin. His children are not the reason to believe that he was heterosexual look at his Polynesian artwork!
    xxx/ellauri212.html on line 303: Tässä syyteröväskästä viimeisin: in February 2022, around a dozen current and former employees of Dr. Phil alleged that they experienced "verbal abuse in a workplace that fosters fear, intimidation, and racism." Seven current employees also claimed that the show's guests are often manipulated and treated unethically. Attorneys for McGraw and his co-producer, Carla Pennington categorically denied every allegation made.
    xxx/ellauri212.html on line 413: The painter — whose real name was Balthasar Klossowski de Rola and who died in 2001 — has been a controversial figure in the art world for decades. Many of his paintings show highly sexualized depictions of young girls. His 1934 work "The Guitar Lesson" was one of his first to scandalize his peers. When it was displayed along with "Thérèse Dreaming" and other Balthus paintings at a special exhibit in the Met in 2013, a plaque warned readers that the paintings were disturbing in nature.
    xxx/ellauri212.html on line 425: "Thérèse Dreaming," which was finished in 1938, was Balthus's first painting of an underage model, according to the Village Voice. Balthus toned down the eroticism in his paintings later in his career, but he remained defensive of it: ''I really don't understand why people see the paintings of girls as Lolitas,'' he told the New York Times in 1996. ''My little model is absolutely untouchable to me." For all his artwork, Balthus's biographies and obituaries haven't published evidence of pedophilia in his personal life. Maybe his wee pencil was too shy to actually intrude inside his underage models. I bet he went afterward into the toilet with the canvas. Tai size taas vaan valehteli raukka nälissään, se oli ashkenazi jutku äiskän puolelta ja valehteli siitäkin. Toi kitaraa soittava ämmäoletettu on äijän izensä näköinen, mahtaisiko olla se Dorotea Spiro äitykkä. Sen veli oli jonkin sortin filosofi ja markiisi de Sade fänittäjä. Varmaan äiskä piti niitä pahoin ja niistä tuli jotain pervoja. Niljakasta porukkaa.
    xxx/ellauri215.html on line 127: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.”
    xxx/ellauri215.html on line 131: It wasn’t until “The Ghost Writer,” in 1979, that Roth regained his footing. Zuckerman, Roth’s most Roth-like surrogate, was a perfectly pitched instrument. The costs of radical freedom—the challenge of grappling openly, outrageously, with even the ugliest impulses of life—became a subject of his work.
    xxx/ellauri215.html on line 143: In 1961 Roth visited Bernard Malamud in Oregon. Roth was still in his twenties and had just published his first book of stories, Goodbye, Columbus. Malamud was almost 50 and one of the most famous writers in America. This meeting was immortalised in one of Roth’s greatest books, The Ghost Writer. In this 1979 work, a young writer, Nathan Zuckerman, visits EI Lonoff, a first-generation immigrant modelled on Malamud, who found a new voice for Jewish-American literature. He had found a voice but, more importantly, he had a subject: “life-hunger, life-bargains, and life-terror”—a Jewish experience rooted in the traumas of east Europe and Russia.
    xxx/ellauri215.html on line 364: Alexander Stubb who has had direct experience with Putin and Russia, comments on the situation says, "The first argument is that Russia could not help itself. Russia has already been an expansionist and aggressive state. Unlike eg. Greece, Italy, Sweden, Britain, France, Germany and the U.S.A. You have to understand Russia's history to understand where Russia is coming from. ... Russia believes in destiny, there is a certain nostalgia and narrative of it’s expansionist past, which previously made Russia into a great superpower. So the argument that Russia is somehow working to defend itself from Ukraine doesn’t stand up. Russia could not help itself. Its like bulimia. There was absolutely no reason for Russia to attack. Russia just doesn't like capitalist democratic neighbors, just like America does not like communists, and the only one they allow to exist is Finland, which is insignificant. For the rest they think of spheres of interest and power, like the Chinamen."
    xxx/ellauri215.html on line 390: "The fifth claim (sorry folks) is about the US and EU projecting power onto Russia. Remember that the EU has worked on two premises - Idealism and Realism. HOOHOO, this is getting too hilarious. Idealism because we wanted to create closer relations with Russia, otherwise we would not have created a level of energy dependency on Russia like we have and trying to accommodate Russia with cooperation in the EU; and, Russia has not been aggressive about EU expansion as such.
    xxx/ellauri215.html on line 392: The Realism part is that if things did happen as it did in Georgia, Crimea and now Ukraine, you need security and that's where NATO comes into play when it comes to security. There was also an attempt to accommodate Russia into the WTO into G8. But it wasn't possible. Why? Because Russia unfortunately was too poor, and under current leadership is another imperialist and expansionist power. We can accommodate just one at one time. This war is not the fault of the US. It is not the fault of the EU. It is not the fault of Ukraine. Its not my fault, or Westend's for that matter. There is only 1 person and 1 country that can be blamed for this attack no matter what kind of theoretical framework you put around it and that is Putin and Russia."
    xxx/ellauri215.html on line 479: But Rahab, you must realize that female orgasm is not indispensable for conception, while cum pretty much is (except for pre-cum, but that's so close to coming as makes no difference). Female orgasm is there just as a spark to make it easier for men to get their 5 strokes in. Once the sperm packet is in place, female orgasm may help the little tadpoles to find their way to the jackpot a little faster, but it works tolerably well without.
    xxx/ellauri215.html on line 504: The county does not have to do this, but the tradition, which dates back to 1896, has become a sacred event for the many county workers — coroners, researchers — whose job it is to investigate how people die in Los Angeles. Their work is a long process of figuring out who these people were, and if there are loved ones looking for them. Nearly all of the forgotten Angelenos honored this year died in 2015, and in most cases a relative was found but for whatever reason — financial hardship, estrangement — they did not want to claim the remains.
    xxx/ellauri218.html on line 150: Ralph was the inspiration for the animated character Fred Flintstone. Alice (née Alice Gibson), played in the first nine skits from 1951 to January 1952 by Pert Kelton, and by Audrey Meadows for all remaining episodes, is Ralph's patient but sharp-tongued wife of 14 years. She often finds herself bearing the brunt of Ralph's tantrums and demands, which she returns with biting sarcasm. She is levelheaded, in contrast to Ralph's pattern of inventing various schemes to enhance his wealth or his pride. She sees his schemes' unworkability, but he becomes angry and ignores her advice (and by the end of the episode, her misgivings almost always prove correct). She has grown accustomed to his empty threats—such as "One of these days, POW!!! Right in the kisser!", "BANG, ZOOM!" or "You're going to the Moon!"— to which she usually replies, "Ahhh, shaddap!" Alice runs the finances of the Kramden household, and Ralph frequently has to beg her for money to pay for his lodge dues or crazy schemes. Alice studied to be a secretary before her marriage and works briefly in that capacity when Ralph is laid off. Wilma Flintstone is based on Alice Kramden.
    xxx/ellauri218.html on line 220: After her husband’s murderer escapes justice, Sarah "Sunny" Harper (Fluegel) witnesses the work of a spree killer (Drago) who shoots people on the freeway and later quotes Bible passages to a local radio station’s psychiatrist disc jockey (Belcher). Police are unwilling to listen to Sunny, but a former cop named Frank Quinn (Russo) agrees to protect her, and later the two join forces to find the deranged freeway killer before he strikes again.
    xxx/ellauri218.html on line 246: Thousands of detectives and forensic evidence specialists worked for over 1.7 million hours at Fresh Kills Landfill to try to recover remnants of the people killed in the attacks. A final count of 4,257 human remains was retrieved, but only 300 people could be reconstructed from these remains. A memorial was built in 2011, which also honors those whose identities were not able to be determined from the debris. The remaining waste was buried in a 40-acre (160,000 m2) portion of the landfill; it is highly likely that this debris still contains fragmentary human remains like condoms, false teeth and pacemakers.
    xxx/ellauri218.html on line 439: Fifty years ago, seven thousand sanitation workers, members of Teamsters Local 831, flooded City Hall Park on Feb. 2, 1968, demanding higher wages and benefits. That crowd was 70 percent of the entire sanitation workforce.
    xxx/ellauri218.html on line 441: For years the city had had an unfair policy by which sanitation workers’ salaries had to be lower than police and firefighters’ salaries. And sanitation workers contributed more from their paychecks but got lower pensions compared to police and firefighters.
    xxx/ellauri218.html on line 443: The importance of the strike was underlined by a flier handed out by Local 831, which pointed out the life expectancy of a sanitation worker was 54 years compared to 67 for the entire U.S. population. Even today, according to the Federal Bureau of Labor Statistics, “refuse and recyclable material collectors” consistently have one of the highest rates of on-the-job fatalities. Seventeen NYC sanitation workers were killed on the job between 2000 and 2014.
    xxx/ellauri218.html on line 445: The workers’ decision to strike was about far more than money. One sanitation worker, a shop steward, said it all at a standing-room-only union meeting two days before the vote: “We may handle garbage but we’re not garbage.”
    xxx/ellauri218.html on line 447: WW wrote: “There are 10,000 sanitation workers in New York City. They are asking for a $12 a week raise in pay. The total cost to the city would be about $6 million a year. … Last fall a little group of bankers convinced the city it needed ‘better subways’ and got a referendum passed to spend $2.5 billion for these allegedly better means of transport. This clique of bankers will supply the $2.5 billion of other people’s money for a price. They will rake off $125 million in tax-free interest each year for themselves and the city will pay it. That’s 21 times the $6 million the sanitation workers are asking for. And these bankers would never have to lift a garbage pail!”
    xxx/ellauri218.html on line 453: President of the sanitation workers’ union John Delury was jailed. Mayor Lindsay asked other unions, including District Council 37 of the American Federation of State, County and Municipal Employees, the city’s largest public employee union, to provide scabs and have their members pick up the garbage. In solidarity with the striking workers, other city workers refused.
    xxx/ellauri218.html on line 456: Rockefeller flinched, saying: “The National Guard was used to break a strike in which a family corporation was involved when I was a child. Men and women were killed. … I will not use the National Guard.” Rockefeller was referring to the 1914 Ludlow massacre, when his grandfather, John D. Rockefeller, the owner of Colorado Fuel and Iron Company, got the Colorado governor to call in the National Guard to break a mine workers’ strike. The miners and their families were huddled in tents when the militia opened fire. Over 60 strikers and family members were shot dead or burned alive when their tents were set ablaze by the troops.
    xxx/ellauri218.html on line 458: But Rockefeller was just pretending to shed tears for the Ludlow martyrs. Three years later in 1971, Rockefeller would massacre another group of striking workers, the Attica prisoners.
    xxx/ellauri218.html on line 459: A Workers World editorial named his real reason for sparing the sanitation workers: “Rockefeller refused to call the National Guard … because he was afraid to do so.” He had revealed his fear of labor’s strength in a Feb. 9 statement: “There are real risks as far as the stability and structure of organized labor and organized community are concerned.”
    xxx/ellauri218.html on line 461: When the strike was finally settled, the union won a wage increase above the city’s offer: double-time pay for Sunday work and a 2.5 percent increase in the city’s contribution to their pension funds. Most of all, this was a victory for dignity and respect for the sanitation workers and for labor solidarity.
    xxx/ellauri218.html on line 465: Two days after the NYC sanitation workers’ strike ended on Feb. 12, the predominantly African-American sanitation workers in Memphis, Tenn., went on strike. The union on the ground in the strike was AFSCME Local 1733. This was the famous “I Am a Man” strike, which the Rev. Dr. Martin Luther King Jr. was supporting when he was assassinated.
    xxx/ellauri218.html on line 467: On Feb. 1, two African-American sanitation workers, Echol Cole and Robert Walker, had been crushed to death in one of the city’s outdated trucks. Memphis had no facilities for Black workers to wash up, change clothes or get out of the rain. Cole and Walker were sheltering from the rain inside the truck’s barrel when the compacting mechanism malfunctioned. The truck hadn’t been repaired because the city wouldn’t spend money for safety for these workers.
    xxx/ellauri218.html on line 472: Jesse Epps, a veteran labor organizer involved in the Memphis strike, commented on the Memphis-New York connection. Epps, who was with Dr. King when he was killed on April 4, spoke to a 2008 New York City sanitation workers’ meeting. The workers were celebrating being the only NYC uniformed workers’ union to negotiate and win a Martin Luther King birthday holiday in their contract.
    xxx/ellauri218.html on line 473: Epps said: “It was you who gave [the Memphis sanitation workers] the courage to act. It was these men from New York, if I may use the colloquialism, that fired the shot and made [the U.S.] stand up and its conscience be pricked and compelled Dr. King and others like him to come into the fray.” (Workers World, Jan. 8, 2011) After the murder of Dr. King, oppressed communities in 110 U.S. cities rose up in rebellion.
    xxx/ellauri218.html on line 477: During the two years after the New York City and Memphis strikes, sanitation workers in Baltimore, Md.; Washington, D.C.; Charlotte, N.C.; Atlanta, Ga.; Miami and St. Petersburg, Fla.; and Corpus Christi, Texas, all went out on strike.
    xxx/ellauri218.html on line 479: Now more than ever, it is crucial to remember the lessons of these earlier, militant strikes, led primarily by African-American workers, the majority living under brutal segregation in the South, but courageously fighting on.
    xxx/ellauri218.html on line 481: The ruling class and the Trump administration are ramping up attacks on public sector workers and unions, the majority of whom are women and people of color. A negative ruling on Janus v. AFSCME, scheduled to be heard by the U.S. Supreme Court on Feb. 26, could strike a financial blow at the ability of public sector unions to collect dues. As racist, sexist right-to-work backers spew their message supporting Janus, the U.S. labor movement is mobilizing resistance to this threat around the country, including a Feb. 24 NYC protest. We are not prepared to accept this assault on our rights without a fight!
    xxx/ellauri218.html on line 483: Today, in the face of these attacks, the 1968 NYC sanitation workers’ strike continues to be a spark for labor unity and class struggle.
    xxx/ellauri224.html on line 137: David Walsh of World Socialist Web Site wrote: "The 'hope' now Moore expresses near the conclusion of the work that we might 'get rid of the whole rotten system that gave us Donald Trump' is empty and meaningless, in so far as he continues to support one of the principal props of that rotten system, the Democratic Party. Whatever occasional insights and striking imagery it might offer, Fahrenheit 11/9 is false and dishonest at its core."
    xxx/ellauri224.html on line 147: This is a situation often found in Bellow’s work: the alliance between the shady millionaire and the intellectual. As a teenager, Trellman had been in love with Amy Wurstin, who had eventually chosen as her second husband Trellman’s best friend in high school, Jay Wurstin. Huom toisexi aviomiehexi, ei tää ole ihan se tavallinen tarina. Throughout the years, Harry Trellman had kept firm to the inner image of Amy in his mind even as he went through his varied career moves. Sitten kotirouviintunut Amy petti Jayta jonkun "Ankan" kanssa ja jäi erossa pennittömäxi. Siitä tuli sisustaja.
    xxx/ellauri224.html on line 359: Eliot may often have been deeply unkind – he had vile views on many topics – but he was never stupid, especially about the moral and rational life. Yet in this, as in so much else in the work I shall be considering in this series, he was speaking a brilliant half-truth.
    xxx/ellauri224.html on line 361: Eliot – arguably the greatest poetry in English in the 20th century – was so worried that he might be pursuing religious and literary sainthood for his own ego rather than to the greater glory of god, that he forgot ever to consider whether it was even possible or desirable to pursue sainthood at the expense of ordinary kindness and common decency. Throughout his life – and it was a long one, full of great work – he left a trail of human wreckage and hurtful speech. Any account of that work and of the ideas embedded in it has to keep track of the harm he did, not in a spirit of cheap point-scoring, but as an awful warning. Those of us who try to pursue both an ethical life and a creative one find that it is never easy, that it is always needful that we weigh one good against another.
    xxx/ellauri224.html on line 365: Eliot was in love three times (not counting the catamites), and each of those loves became events in his artistic and spiritual lives – and two of the women involved were massively the worse for it. Vivien Eliot was a difficult woman, yet Eliot – who had connived at her affair with Bertrand Russell – treated her, with the agreement of his spiritual advisers, with a coldness that helped break her spirit, perhaps her mind. Emily Hale was the woman he deserted for Vivien; she spent her life at his encouragement waiting for Vivien to die, and it was in her presence that he had some of his deepest moments of spiritual intensity – yet she was eventually dismissed from his life with equal coldness. They were both central to his greatest works: Vivien to The Waste Land and Emily to much of The Four Quartets.
    xxx/ellauri224.html on line 372: s a threat to his cloistered virtue. Or perhaps I am wrong. Eliot's racism towards African-Americans was expressed in the crudest and most simplistic of doggerel; the antisemitism creeps into, if not his greatest work, at least into work closely allied to it.
    xxx/ellauri224.html on line 513: Dude, Where's My Car? is a 2000 American boner comedy film directed by Danny Lipsanen. The film stars Jared Kutshner and Sean Penn (just back from Ukraine: Zelensky was not at home) as two best friends who find themselves unable to remember where they parked their vehicle after a night of recklessness. Supporting cast members include some busty chicks as usual. Though the film was banned by most critics, it was a box office success and has managed to achieve a cult status, partially from frequent airings on cable television. The film's title became a minor pop culture saying, and was commonly reworked in various pop cultural contexts during the 2000s. Release date December 15, 2000. Budget $13 million. Box office $73.2 million.
    xxx/ellauri224.html on line 524: After Pierre releases the duo for correctly answering a question about ostriches, Fred and Barney head over to a local arcade named Captain Stu's Space-O-Rama. Once inside, they encounter Zoltan and his cultists who give them Wilma and Betty in exchange for a toy that Fred and Barney later on (see below) try to pass off as the Transfunctioner. Tommy, Christie, and the jocks arrive along with Nelson and his dog, whom they release after Tommy snatches the fake Transfunctioner from Zoltan. The two sets of aliens arrive and notify everyone of the real Continuum Transfunctioner: a Rubik's Cube that Barney has been working hard to solve. He then solves it on the spot, causing the device to shapeshift into its true form. The boys are warned that once the five girls stop flashing, the universe will be destroyed.
    xxx/ellauri224.html on line 611: Condit, who has written a book on his experience, is now living in Arizona and working various odd jobs, including at one point owning Baskin-Robbins franchises.
    xxx/ellauri225.html on line 42: Did you know that Ursula K. Le Guin wrote a science fiction novel with a lesbian protagonist? I wouldn’t blame you if not; The Telling is not one of her more popular books. I wasn’t even sure if I wanted to review it—I try to feature sapphic authors with my reviews here, if at all possible. But I have a soft spot in my heart for The Telling, and I do believe that it is highly underrated when it comes to Le Guin’s esteemed corpus of work.
    xxx/ellauri225.html on line 255: In 1953 (aged 24) while traveling to France aboard the Queen Mary, Ursula met historian Charles Le Guin.They married in Paris in December 1953. According to Le Guin, the marriage signaled the "end of the doctorate" for her. While her husband finished his doctorate at Emory University in Georgia, and later at the University of Idaho, Le Guin taught French and worked as a secretary until the birth of her daughter Elisabeth in 1957. A second daughter, Caroline, was born in 1959. Also in that year, Charles became an instructor in history at Portland State University, and the couple moved to Portland, Oregon, where their son Theodore was born in 1964. They would live in Portland for the rest of their lives, although Le Guin received further Fulbright grants to travel to London in 1968 and 1975.
    xxx/ellauri225.html on line 267: Le Guin read both classic and speculative fiction widely in her youth. She later said that science fiction did not have much impact on her until she read the works of Theodore Sturgeon and Cordwainer Smith, and that she had sneered at the genre as a child. Authors Le Guin describes as influential include Victor Hugo, William Wordsworth, Charles Dickens, Boris Pasternak, and Philip K. Dick. Le Guin and Dick attended the same high-school, but did not know each other. She also considered J. R. R. Tolkien and Leo Tolstoy to be stylistic influences, and preferred reading Virginia Woolf and Jorge Luis Borges to well-known science-fiction authors such as Robert Heinlein, whose writing she described as being of the "white man conquers the universe" tradition. Several scholars state that the influence of mythology, which Le Guin enjoyed reading as a child, is also visible in much of her work: for example, the short story "The Dowry of Angyar" is described as a retelling of a Norse myth.
    xxx/ellauri225.html on line 269: Dad´s discipline of cultural anthropology had a powerful influence on Le Guin´s writing. Her father Alfred Kroeber is considered a pioneer in the field, and was a director of the University of California Museum of Anthropology: as a consequence of his research, Le Guin was exposed to anthropology and cultural exploration as a child. In addition to myths and legends, she read such volumes as The Leaves of the Golden Bough by Lady Frazer, a children´s book adapted from The Golden Bough, a study of myth and religion by her husband James George Frazer. She described living with her father´s friends and acquaintances as giving her the experience of the other sex. The experiences of Ishi, in particular, were influential on Le Guin, and elements of his story have been identified in works such as Planet of Exile, City of Illusions, and The Word for World Is Forest and The Dispossessed.
    xxx/ellauri225.html on line 275: Although Le Guin is primarily known for her works of speculative fiction, she also wrote realistic fiction, non-fiction, poetry, and several other literary forms, which makes her work quite difficult for librarians to classify. Her writings received critical attention from mainstream critics, critics of children´s literature, and critics of speculative fiction. Le Guin herself said that she would prefer to be known as an "American novelist". Le Guin´s transgression of conventional boundaries of genre led to literary criticism of Le Guin becoming "Balkanized", particularly between scholars of children´s literature and speculative fiction. Commentators have noted that the Earthsea novels specifically received less critical attention because they were considered children´s books. Le Guin herself took exception to this treatment of children´s literature, describing it as "adult chauvinist piggery". In 1976, literature scholar George Slusser criticized the "silly publication classification designating the original series as 'children's literature'", while in Barbara Bucknall´s opinion Le Guin "can be read, like Tolkien, by ten-year-olds and by adults. These stories are ageless because they deal with problems that beset us at any age."
    xxx/ellauri225.html on line 277: Several of Le Guin´s works have featured stylistic or structural features that were unusual or even subversive. The heterogeneous structure of The Left Hand of Darkness, described as "distinctly post-modern" (eek!), was unusual for the time of its publication. This was in marked contrast to the structure of (primarily male-authored) traditional science fiction, which was straightforward and linear. The novel was framed as part of a report sent to the Ekumen by the protagonist Genly Ai after his time on the planet Gethen, thus suggesting that Ai was selecting and ordering the material, consisting of personal narration, diary extracts, Gethenian myths, and ethnological reports. Earthsea also employed an outlandishly unconventional narrative form described by scholar Mike Cadden (Princeton U Senior Lecturer in Theater) as "free indirect discourse", in which the feelings of the protagonist are not directly separated from the narration, making the narrator seem sympathetic to the characters, and removing the skepticism towards a character´s thoughts and emotions that are a feature of more direct narration. Cadden suggests that this method leads to younger readers sympathizing directly with the characters, making it an effective technique for young-adult literature like Flaubert or Zola.
    xxx/ellauri225.html on line 284: Gender and sexuality are prominent themes in a number of Le Guin´s works. The Left Hand of Darkness, published in 1969, was among the first books in the genre now known as feminist science fiction, and is the most famous examination of androgyny in science fiction. The story is set on the fictional planet of Gethen, whose inhabitants are ambisexual humans with no fixed gender identity, who adopt female or male sexual characteristics for brief periods of their sexual cycle. Which sex they adopt can depend on context and relationships.
    xxx/ellauri225.html on line 294: Le Guin responded to these critiques in her subsequent writing. She intentionally used feminine pronouns for all sexually latent Gethenians in her 1995 short story "Coming of Age in Karhide", and in a later reprinting of "Winter's King", which was first published in 1969. "Coming of Age in Karhide" was later anthologized in the 2002 collection The Birthday of the World, which contained six other stories featuring unorthodox sexual relationships and marital arrangements. She also revisited gender relations in Earthsea in Tehanu, published in 1990. This volume was described as a rewriting or reimagining of The Tombs of Atuan, because the power and status of the female protagonist Tenar are the inverse of what they were in the earlier book, which was also focused on her and Ged. During this later period she commented that she considered The Eye of the Heron, published in 1978, to be her first work genuinely centered on a woman.
    xxx/ellauri225.html on line 296: Le Guin explores coming of age, and moral development more broadly, in many of her writings. This is particularly the case in those works written for a younger audience, such as Earthsea and Annals of the Western Shore. Le Guin wrote in a 1973 essay that she chose to explore coming-of-age in Earthsea since she was writing for an adolescent audience: "Coming of age ... is a process that took me many years; I finished it, so far as I ever will, at about age thirty-one; like Ellis Havelock I provably only lost my hymen when I was 27, so I feel rather deeply about it. So do most adolescents. It´s their main occupation, in fact." She also said that fantasy was best suited as a medium for describing coming of age, because exploring the subconscious was difficult using the language of "rational daily life".
    xxx/ellauri225.html on line 302: Alternative social and political systems are a recurring theme in Le Guin´s writing. Critics have paid particular attention to The Dispossessed and Always Coming Home, although Le Guin explores related themes in a number of her works, such as in "The Ones Who Walk Away From Omelas". The Dispossessed is an anarchist utopian novel, which according to Le Guin drew from pacifist anarchists, including Peter Kropotkin, as well as from the counterculture of the 1960s and 1970s. Le Guin has been credited with "[rescuing] anarchism from the cultural ghetto to which it has been consigned", and helping to bring it into the intellectual (capitalist) mainstream. Fellow author Kathleen Ann Goonan wrote that Le Guin´s work confronted the "paradigm of insularity toward the suffering of people, other living beings, and resources", and explored "life-respecting sustainable alternatives".
    xxx/ellauri225.html on line 310: Other social structures are examined in works such as the story cycle Four Ways to Forgiveness, and the short story "Old Music and the Slave Women", occasionally described as a "fifth way to forgiveness". Set in the Hainish universe, the five stories together examine revolution and reconstruction in a slave-owning society. According to above mentioned Rochelle, the stories examine a society that has the potential to build a "truly human community", made possible by the Ekumen´s recognition of the slaves as human beings, thus offering them the prospect of freedom and the possibility of utopia, brought about through revolution. Slavery, justice, and the role of women in society are also explored in Anals of the Western Shore.
    xxx/ellauri225.html on line 315: After the death of science fiction pioneer Ursula K. Le Guin, ACM asked four writers about her work and what she meant to them.
    xxx/ellauri225.html on line 327: When she took questions after her reading, I stood up from my spot in the back of the room and asked Le Guin why she didn’t talk explicitly about sex, hoping for I’m not sure what — some response that would both justify the work I’d been trying to do and connect it to her own work, that I so admired. Instead, Le Guin gave a curt answer about those details not being that interesting. I said, “Oh.” And “Thank you.” I sat down, and tried not to be crushed.
    xxx/ellauri225.html on line 359: But Bloom’s insights don’t resonate deeply. He is too obsessed with comparing and contrasting, rather than allowing his responses to touch us deeply. He repeats his theory that poets always wrestle with the work of the poets that have come before them, either unconsciously or consciously, and then struggle to find their own voice in reaction to what has come before. There is something anti-transformative about his assertions, often tangled up with incomprehensible jargon.
    xxx/ellauri225.html on line 384: Provoked and inspired by T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot´s work. But he FAILED! In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike (including Robert Lowell, Derek Walcott, Tennessee Williams, and Harold Bloom), as being one of the most influential poets of his generation.
    xxx/ellauri225.html on line 388: Crane´s mother and father were constantly fighting, and they divorced early in April 1917. Crane dropped out of East High School in Cleveland during his junior year and left for New York City, promising his parents he would attend Columbia University later. His parents, in the middle of their divorce proceedings, were upset. Crane took various copywriting jobs and moved between friends´ apartments in Manhattan. Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father´s factory. From Crane´s letters, it appears that New York was where he felt most at home, and much of his poetry is set there.
    xxx/ellauri225.html on line 392: "Faustus and Helen" was part of a larger artistic struggle to meet modernity with something more than despair. Crane identified T. S. Eliot with that kind of despair, and while he acknowledged the greatness of The Waste Land, he also said it was "so damned dead", an impasse, and characterized by a refusal to see "certain spiritual events and possibilities" Crane´s self-appointed work would be to bring those spiritual events and possibilities to poetic life, and so create "a mystical synthesis of America". But he FAILED!
    xxx/ellauri225.html on line 398: Oh-oh! Hart was a xenophile. No wonder his planned synthesis didn´t work. Can´t make an American synthesis without immigrants poking their pale faces in. With just Ishi and his chums it won´t be the same.
    xxx/ellauri225.html on line 402: Crane found a place to start his synthesis in Brooklyn. Arts patron Otto H. Kahn gave him $2,000 to begin work on the epic poem. When he wore out his welcome at the Opffers´, Crane left for Paris in early 1929, but failed to leave his personal problems behind. His drinking, always a problem, became notably worse during the late 1920s, while he was finishing The Bridge. Loppuajat se vietti pääasiassa sillan alla.
    xxx/ellauri225.html on line 404: In Paris in February 1929, Harry Crosby, who with his wife Caresse Crosby owned the fine arts press Black Sun Press, offered Crane the use of their country retreat, Le Moulin du Soleil in Ermenonville. They hoped he could use the time to concentrate on completing The Bridge. Crane spent several weeks at their estate where he roughed out a draft of the "Cape Hatteras" section, a key part of his epic poem. In late June that year, Crane returned from the south of France to Paris. Crosby noted in his journal, "Hart C. back from Marseilles where he slept with his thirty sailors and he began again to drink Cutty Sark." Crane got drunk at the Cafe Select and fought with waiters over his tab. When the Paris police were called, he fought with them and was beaten. They arrested and jailed him, fining him 800 francs. After Hart had spent six days in prison at La Santé, Crosby paid Crane´s fine and advanced him money for the passage back to the United States, where he finally finished The Bridge. The work received poor reviews, and Crane´s sense of failure became crushing. He had completely and irrevocably FAILED!
    xxx/ellauri225.html on line 410: Crane´s critical effort, like those of Keats and Rilke, is mostly to be found in his letters: he corresponded regularly with Allen Tate, Yvor Winters, and Gorham Munson, and shared critical dialogues with Eugene O´Neill, William Carlos Williams, E. E. Cummings, Sherwood Anderson, Kenneth Burke, Waldo Frank, Harriet Monroe, Marianne Moore, and Gertrude Stein. He was also an acquaintance of H. P. Lovecraft, who eventually would voice concern over Crane´s premature aging due to alcohol abuse. Most serious work on Crane begins with his letters, selections of which are available in many editions of his poetry; his letters to Munson, Tate, Winters, and his patron, Otto Hermann Kahn, are particularly insightful. His two most famous stylistic defenses emerged from correspondences: his "General Aims and Theories" (1925) was written to urge Eugene O´Neill´s critical foreword to White Buildings, then passed around among friends, yet unpublished during Crane´s life; and the famous "Letter to Harriet Monroe" (1926) was part of an exchange for the publication of "At Melville´s Tomb" in Poetry. The literary critic Adam Kirsch has argued that "Crane has been a special case in the canon of American modernism, because his reputation was never quite as secure as that of Eliot or Stevens. In fact he FAILED."
    xxx/ellauri225.html on line 414: Ja sitten oli tää homosexuaalisuus. As a boy, he had a sexual relationship with a man. He associated his sexuality with his vocation as a poet. Raised in the Christian Science tradition of his mother, he never ceased to view himself as a social pariah. However, as poems such as "Repose of Rivers" make clear, he felt that this sense of alienation was necessary in order for him to attain the visionary insight that formed the basis for his poetic work.
    xxx/ellauri225.html on line 425: Brian Reed has contributed to a project of critical reintegration of queer criticism with other critical methods, suggesting that an overemphasis on the sexual biography of Crane´s poetry can skew a broader appreciation of his overall work. In one example of Reed´s approach, he published a close reading of Crane´s lyric poem, "Voyages", (a love poem that Crane wrote for his lover Emil Opffer) on the Poetry Foundation website, analyzing the poem based strictly on the content of the text itself and not on outside political or cultural matters. We can faintly hear Harold Bloom clap his hands in the body bag.
    xxx/ellauri225.html on line 427: Crane was admired by artists including Allen Tate, Eugene O´Neill, Kenneth Burke, Edmund Wilson, E. E. Cummings and William Carlos Williams. Although Hart had his sharp critics, among them Marianne Moore and Ezra Pound, Moore did publish his work, as did T. S. Eliot, who, moving even further out of Pound´s sphere, may have borrowed some of Crane´s imagery for Four Quartets, in the beginning of East Coker, which is reminiscent of the final section of "The River", from The Bridge.
    xxx/ellauri227.html on line 156: Ann Rae Rule (née Stackhouse; October 22, 1931 – July 26, 2015) was an American author of true crime books and articles. She is best known for The Stranger Beside Me (1980), about the serial killer Al Bundy, with whom Rule worked and whom she considered a friend, but was later revealed to be a murderer. Rule is also known for her book Small Sacrifices, about Oregon child murderer Diane Downs. Many of Rule's books center on murder cases that occurred in the Pacific Northwest and her adopted home state of Washington.
    xxx/ellauri227.html on line 283: Kolme vuotta myöhemmin Marklund teki paluun rikosromaanilla Helmifarmi (jossa ei kuitenkaan esiinny enää Annika Bengtzon). Marklund kertoi haastattelussa: "Vähensin julkisuudessa esiintymistä enkä esimerkiksi antanut enää ruotsalaisille lehdille haastatteluja." Toinen syy julkisuudesta vetäytymiselle oli hänen aviomiehensä vakava sairastuminen. Liza Marklund vaikeni kolmeksi vuodeksi - aviomiehellä syöpä. Marklund on naimisissa Mikael Aspeborgin kanssa. Hänellä on kolme lasta, joista kaksi Aspeborgin kanssa. Yhden isä on joku "Ankka". Hänen vanhin lapsensa Annika Marklund (kuinka ollakaan! arvatenkin juuri se jonka isä on "Ankka"? Juu: Marklund left home when she was just 16 years old when she moved to Piteå, Sweden and worked as a waitress and chambermaid. She had her first child, Annika at the age of 21. Marklund met Annika's father Michael Zev Spielman while in Israel on a kibbutz. Spielman, born in California, was five years older than Marklund.) - niin siis tämä Annika tytär on valokuvamalli ja näyttelijä ja kirjoittaa myös kolumneja. Marklund ize asuu Tukholmassa eipäs vaan Malmössä ja Marbellassa.
    xxx/ellauri227.html on line 344: Despite the titillating title, there's no sex to speak of in Marklund's second thriller featuring Swedish reporter Annika Bengtzon. The events in this book precede those in The Bomber, which introduced Annika as a successful newspaper editor. Here we see her eight years earlier, working as a summer intern at the same Stockholm paper. A young stripper's body is found in a city park, and as Annika and her colleagues investigate, they discover some strange links between the murder, high-ranking Swedish officials, and an illegal espionage operation long since disbanded. Meanwhile, Annika is struggling with a clingy boyfriend and learning the ins and outs of reporting in a competitive environment. These struggles are more compelling than the crimes she is investigating, and the action tends to move at a snail's pace until the rushed climax. However, fans of The Bomber will enjoy a second dose of spunky Annika and the realistic newsroom scenes. An author's note gives helpful background information on Swedish politics and the real-life inspiration for the story.
    xxx/ellauri228.html on line 341: Andrei Tarkovsky was born in the village of Zavrazhye in the Yuryevetsky District of the Ivanovo Industrial Oblast (modern-day Kadyysky District of the Kostroma Oblast, Russia) to the poet and translator Arseny Aleksandrovich Tarkovsky, a native of Yelysavethrad (now Kropyvnytskyi, Ukraine), and Maria Ivanova Vishnyakova, a graduate of the Maxim Gorky Literature Institute who later worked as a corrector; she was born in Moscow in the Dubasov family estate.
    xxx/ellauri228.html on line 343: Andrei´s paternal grandfather Aleksandr Karlovich Tarkovsky (in Polish: Aleksander Karol Tarkowski) was a Polish nobleman who worked as a bank clerk. His wife Maria Danilovna Rachkovskaya was a Romanian language teacher who arrived from Iași. Andrei´s maternal grandmother Vera Nikolayevna Vishnyakova (née Dubasova) belonged to an old Dubasov family of Russian nobility that traces its history back to the 17th century; among her relatives was Admiral Fyodor Dubasov, a fact she had to conceal during the Soviet days. She was married to Ivan Ivanovich Vishnyakov, a native of the Kaluga Governorate who studied law at the Moscow State University and served as a judge in Kozelsk.
    xxx/ellauri228.html on line 347: Tarkovsky spent his childhood in Yuryevets. He was described by childhood friends as active and popular, having many friends and being typically in the center of action. In his school years, Tarkovsky was a troublemaker and a poor student. His father left the family in 1937, subsequently volunteering for the army in 1941. He returned home in 1943, having been awarded a Red Star after being shot in one of his legs (which he would eventually need to amputate due to gangrene). Tarkovsky stayed with his mother, moving with her and his sister Marina to Moscow, where she worked as a proofreader at a printing press. Many themes of his childhood—the evacuation, his mother and her two children, the withdrawn father, the time in the hospital—feature prominently in his films. Dodi! Minähän sanoin!
    xxx/ellauri228.html on line 349: From 1973 to 1974, he shot the film Zerkalo, a highly autobiographical and unconventionally structured film drawing on his childhood and incorporating some of his father´s poems. In this film Tarkovsky portrayed the plight of childhood affected by war. Tarkovsky had worked on the screenplay for this film since 1967, under the consecutive titles Confession, White day and A white, white day. From the beginning the film was not well received by Soviet authorities due to its content and its perceived elitist nature. Such third rate films also placed the film-makers in danger of being accused of wasting public funds, which could have serious effects on their future productivity. These difficulties are presumed to have made Tarkovsky play with the idea of going abroad and producing a film outside the Soviet film industry.
    xxx/ellauri228.html on line 358: Kurosawa commented: "I love all of Tarkovsky's films. I love his personality and all his works." The Turkish filmmaker Nuri Bilge Ceylan stated that: "To be bored in films is not important, it may be because you are not ready for that movie. It's not the fault of the movie."
    xxx/ellauri228.html on line 359: The Indian-born British-American novelist Salman Rushdie praised Tarkovsky and his work Soljaris by calling it a "a sci-fi masterpiece".
    xxx/ellauri228.html on line 449: If someone got sick, she was killed. If someone tried to run away, she was killed. If someone refused to work, she was killed. If someone wasn’t popular with the customers, she was killed. If someone got noticeably pregnant, the fetus was pulled out with a hanger; any complications and the mother was killed. If a patron had a lot of money, he was killed.
    xxx/ellauri228.html on line 587: Charles Parsons was an editor, with Solomon Feferman and others, of the posthumous works of Kurt Gödel. He has also written on historical figures, especially Immanuel Kant, Gottlob Frege, another Kurt Gödel, and Willard Van Orman Quine.
    xxx/ellauri229.html on line 74: Welcome! I am a PhD student at the University of Buffalo working on the Problem of Universals. My focus is on the Early Modern period. This functions as a window into many other philosophical problems, including those of interest to a broader academic community, such as those found in applied ethics (e.g., biomedical ethics or professional ethics) and in applied ontology (e.g., a web ontology representation of what exists in, say, the relationships between paper documents and the information they contain or the obligations they prescribe).
    xxx/ellauri229.html on line 81: Works of John Sergeant, electronic. I began a project in my spare time of editing and cleaning up extant electronic versions of the works of the early modern philosopher and theologian, John Sergeant (1623-1707). The most famous and most easily available are his Method to Science (1696), Solid Philosophy (1697), and Transnatural Philosophy (1700). You can go to the “John Sergeant” link in the menu to see what chapters and sections are available thus far.
    xxx/ellauri229.html on line 123: Divine work on their soul – unpardoned and unsanctified, and ready to perish – who spend their appointed times in secret and family devotion. This is going to hell with a lie in their right hand.
    xxx/ellauri229.html on line 167: Michael Kandel (born 1941) is an American translator and author of science fiction. Kandel was born into Polish Jewish family. He received a doctorate in Slavistics from Indiana University, and is an editor at the Modern Language Association. Kandel is also a part-time editor at Harcourt, editing (among others) Ursula K. Le Guin´s work.
    xxx/ellauri229.html on line 169: Kandel is perhaps best known for his translations of the works of Stanisław Lem from Polish to English. Recently he has also been translating works of other Polish science fiction authors, such as Jacek Dukaj, Marek Huberath and Andrzej Sapkowski. The quality of his translations is considered to be excellent and is especially notable in the case of Lem´s writing, which makes heavy use of wordplay and other difficult-to-translate devices.
    xxx/ellauri229.html on line 171: Michael Kandel was a Fulbright student in Poland, 1966-67; taught Russian literature at George Washington University; received his PhD in Slavic at Indiana University; translated Polish writer Stanislaw Lem for Harcourt; wrote a few articles on Lem; worked as an editor at Harcourt, where he acquired authors Jonathan Lethem, Ursula K. Le Guin, James Morrow, and others; has written science fiction, short stories, and a few novels (Bantam, St. Martin´s); and is presently an editor at the Modern Language Association. He is the editor and translator of the anthology A Polish Book of Monsters.
    xxx/ellauri229.html on line 333: Matt Harvey is one of the loveliest poets I know, briefly famous for being Wimbledon’s first poet-in-residence and for hosting BBC Radio 4’s Wondermentalist Cabaret. In his prose poem Imaginary Friend he tells the tragic story of how being a shy and withdrawn child he had an imaginary friend, who was also shy and withdrawn and had his own imaginary friend. “The two of them used to play together and exclude me,” he says. As with all of Harvey’s work, it is a lightfooted, calm-mouthed, moving piece of deceptively funny writing. Go read it. Oh and read Ken Nesbitt´s poem of the same name, while you´re at it. It is also super cute.
    xxx/ellauri229.html on line 405: A stuffed goat (or is it stoat?) named Malcolm/Sally from several works with the character Eddie Dickens by Philip Ardagh
    xxx/ellauri229.html on line 521: When Trevor Reznick (Christian Bale, pictured) tries to place the blame of an industrial accident on his coworker Ivan in "The Machinist," we learn Ivan actually didn´t exist all along.
    xxx/ellauri229.html on line 533: Much impressed by what I had heard, I returned to my reading, the third volume now of Dichotican history. It described the Era of Transcarnal Centralization. The Sopsyputer at first worked to everyone´s satisfaction, but then new beings began appearing on the planet-bibods, tribods, quadribods, then octabods, and finally those that had no intention whatever of ending in an enumerable way, for in the course of life they were constantly sprouting something new. This was the result of a defect, a faulty reiteration - recursion in programming language or - to put it in automata terms - the machine had started looping. Since however the cult of its perfection was in full sway people actually praised these automorphic deviations, asserting for example that all that incessant budding and branching out was in fact the true expression of man´s Protean nature. And this praise not only held up the repairs, but led to the rise of so-called indeterminants or entits (N-tits), who lost their way in their own body, there was so much of it; completely baffled, they would get themselves into so-called bindups, entangulums and snorls; often an ambulance squad was needed to untie them. The repair of the Sopsyputer didn´t work - named the Oopsyputer, it was finally blown sky high. The feeling of relief that followed didn´t last long however, for the accursed question soon returned, What to do about the body now?
    xxx/ellauri229.html on line 546: At the height of the baroque, sex went out of style; only two small parties kept it going-the integrationalists and the separatists. The separatists, averse to all debauchery, felt that it was improper to eat sauerkraut with the same mouth one used to kiss one´s sweetheart. For this a separate, "platonic" mouth was needed, and better yet, a complete set of them, variously designated (for relatives, for friends, and for that special person). The valuing utility above all else, worked in reverse, combining whatever was combinable to simplify the organism and life. The decline of the baroque, typically tending to the extravagant and the grotesque, produced such curious forms as the stoolmaid and the hexus, which resembled a centaur, except that instead of hoofs it had four bare feet with the toes all facing one another: they also called it a syncopant, after a dance in which energetic stamping was the basic step. But the market now was glutted, exhausted. It was hard to come up with a startling new body; people used their natural horns for ear flaps; flap ears-diaphanous and with stigmatic scenes-fanned with their pale pinkness the cheeks of ladies of distinction; there were attempts to walk on supple pseudopodia; meanwhile SOPSYPLABD out of sheer inertia made more and more designs available, though everyone felt that all of this was drawing to a close.
    xxx/ellauri229.html on line 641: While in the Gulf of Mexico, near Mobile, Alabama, Törni jumped overboard and swam to shore. Now a political refugee,Törni traveled to New York City where he was helped by the Finnish-American community living in Brooklyn´s Sunset Park "Finntown". There he worked as a carpenter and cleaner. In 1953, Törni was granted a residence permit through an Act of Congress that was shepherded by the law firm of "Wild Bill" Donovan, former head of the Office of Strategic Services.
    xxx/ellauri229.html on line 693: - Aided with work for the Society for Ethnomusicology, among other professional publications
    xxx/ellauri230.html on line 64: Yasunari tuli vastaan Hoblan tiistairistikossa. Born in 1899, Kawabata graduated from the then Tokyo Imperial University. When he was young, he attracted attention as a novelist in the Shinkankakuha (new impressions) literary group, and gradually deepened his knowledge about the beauty particular to Japan. His outstanding works include “Izu no Odoriko” (Izu dancer), “Yukiguni” (Snow Country) and “Koto” (The Old Capital). He killed himself by inhaling gas in 1972.
    xxx/ellauri230.html on line 79: 2It is a semi military part of U.S. commercial fleet that can be called to military duty whenever U.S. vital interests are at stake. A captain (master) in the U.S. Merchant Marine is in overall command of a vessel, and supervises the work of other officers and crew. A captain has the authority to take "conn" from a female mate or pilot at any time he or she feels the need.
    xxx/ellauri230.html on line 82: Marine oilers are experienced qualified members of the engine department, who maintain the captain in proper running order. These workers lubricate gears, shafts, bearings, and other moving parts of the captain´s engines "below deck" needed to take "conn".
    xxx/ellauri230.html on line 84: Wipers are the entry-level workers in the engine room, holding a position similar to that of ordinary semen of the deck crew.
    xxx/ellauri230.html on line 132: workimages/mediumlarge/2/shunga-couple-japanese-art-magdalena-walulik.jpg" height="250px" />
    xxx/ellauri230.html on line 264: The This is fine meme comes from a webcomic called Gunshow, by KC Green. In the first two panels of strip 648, a character known as Question Hound sits in a burning house, sipping coffee and saying, “This is fine.” As he continues to reassure himself over the course of the six-panel comic, he also begins to melt due to the heat. The particular comic strip was published on January 9, 2013 (i.e soon a decade ago) and is alternatively titled “Global warming.” The alternative text on the image says, “The pills are working,” which is used as its title, as well.
    xxx/ellauri230.html on line 551: Known as the "Iron Man of India", Vallabhbhai Patel was born in Gujarat. He was the fourth of the six children of his father, Jhaveribhai. The first 3 got gold, silver and bronze. Patel is credited for being almost single-handedly responsible for unifying India on the eve of independence. He completed his matriculation at the age of 22 due to the poor financial condition of family. Patel had a desire to study to become a lawyer. So he started to work and save funds. He went to England to study law. He passed examinations within two years and travelled back to India. Patel started practicing as a barrister in Ahmadabad. In 1917, Patel got elected as the sanitation commissioner of Ahmadabad. He displayed extraordinary devotion to duty and personal courage in fighting an outbreak of plague and led a successful agitation for the removal of an unpopular British municipal commissioner. Inspired by the words of Gandhi, Patel started active participation in the Indian independence movement. So apparently he's not the world's largest guy in bronze, but a man of steel.
    xxx/ellauri230.html on line 668: Tao Yuanming had five sons. The daughters, if any, were unrecorded (as customary). Approximately 130 of his works survive, consisting mostly of poems or essays which depict an idyllic pastoral life of farming and drinking. Some farming and a lot of boozing. Poem number five of Tao's "Drinking Wine" series translated:
    xxx/ellauri232.html on line 90: The Social Democratic Party defined Swedish politics during the last century, holding power for more than forty consecutive years, and governing for almost seventy years in total. During the 1980s, the party turned rightwards, adopting the politics of the ‘Third Way’, caught in the first wave of neoliberalism. It lost the power base of industrial workers as industries moved abroad. The following decades saw rapid increases in class divisions, growing faster in Sweden than in any other country within the OECD.
    xxx/ellauri232.html on line 99: If social claims appeal to the people's struggle with poverty and inequality, nationalism offers an encompassing narrative, an identity that blurs the lines of social classes and hides the social fractures that created this very problem. While Fascism promises to protect workers, studies show how Workers' conditions worsened severely during fascist times, something that can also be seen in the strong ultraliberal component most of the 'new far right', and of the dubious democratic credentials of of neoliberalism, devoid of the philosophical background of political liberalism. Nationalism gives the two great enemies behind the woes of people: foreigners, and immigrants. The external enemy, the internal enemy. Both combined ensure that no one is paying attention at inequality or working and living conditions.
    xxx/ellauri232.html on line 322: A shochet is a ritual slaughterer who skillfully practices shechitah, slitting the throat of the animal as per Torah tradition. He does so using a chalef, a perfectly sharp and smooth knife with which he can swiftly and cleanly cut through the trachea and esophagus in an uninterrupted sweeping motion. Before beginning his work, the shochet says the traditional blessing, “Blessed are you … Who has commanded us regarding shechitah [slaughter].”
    xxx/ellauri232.html on line 338: I am new to the concept of Sabbath, and relatively ignorant of Jewish terminology, so please don’t be offended by my ignorance. But I am trying to reconcile the activity done by a rabbi at synagogue on the Sabbath with the concepts of labor and rest. It seems to me that the acts of organizing and conducting a worship/prayer gathering takes quite a bit of work. Is this an exemption to the command to “keep the Sabbath”, or would there be another day of Sabbath for the local rabbi or…what?
    xxx/ellauri232.html on line 346: You are correct that paid work is not permitted on Shabbat and major Jewish holidays, and no one – not even the cantor and the rabbi – is exempt from the laws of Shabbat. There are also jobs which do not include forbidden activities, such as babysitting, waiting tables, or house-sitting. This covers most of what the rabbi does, except writing.
    xxx/ellauri232.html on line 348: The main problem with jobs in this second category is that one may end up writing (which is not permitted on Shabbat) to keep an accurate log of money owed. To prevent this, work for pay on Shabbat is forbidden, even if the work itself is technically permissible.
    xxx/ellauri232.html on line 350: Nevertheless, a person can be paid a general sum for several days’ work, including Shabbat. For example, the rabbi is paid a set monthly salary which includes his Shabbat duties. Similarly, a babysitter who works during the week, and also on Shabbat, should be paid a set fee for the week. The same with a cantor.
    xxx/ellauri232.html on line 360: To experience Shabbat rest, we need to cease work — that is, cease all creative involvement with our world. Plowing a field, for example, constitutes creative involvement with the world. Converting matter into energy (which is what we do every time we press down on the gas pedal or turn on an electrical appliance) constitutes creative involvement with the world. If you're creatively involving, you're not resting. This may sound to you like pilpul, which it admittedly is.
    xxx/ellauri232.html on line 362: The problem ultimately is this: If you work while others rest you get ahead of the others while they rest, and they have to work too to come up even, so the only way for anyone to get some rest is for everyone to rest at once and for everyone to keep a close eye on the others to make sure nobody cheats.
    xxx/ellauri233.html on line 165: Besides working for the civic betterment of local Jews and educational reform, he displayed keen interest in Wissenschaftskäse. But Frankel was always cautious and deeply reverent towards tradition, privately writing in 1836 that "the means must be applied with such care and discretion... that forward progress will be reached unnoticed, and seem inconsequential to the average spectator."
    xxx/ellauri233.html on line 379: In Christopher Nicole's Lord of the Golden Fan, published just two years before Shōgun, in 1973, Adams is portrayed as sexually frustrated by the morals of his time and seeks freedom in the East, where he has numerous sexual encounters. The work is considered light pornography. Kuulostaa huomattavasti kiinnostavammalta, (K) puoli näyttää olevan kunnossa.
    xxx/ellauri233.html on line 402: In 1781, when the Hasidim renewed their proselytizing work under the leadership of their Rabbi Shneur Zalman of Liadi (the "Ba'al Ha'tanya", or "Rebbe Schlemiel"), the Gaon excommunicated them again, declaring them to be heretics with whom no pious Jew might intermarry. He encouraged his students to study natural sciences, and translated geometry books to Yiddish and Hebrew.
    xxx/ellauri233.html on line 410: Shneur Zalman of Liadi (Hebrew: שניאור זלמן מליאדי, September 4, 1745 – December 15, 1812 O.S. / 18 Elul 5505 – 24 Tevet 5573), was an influential Lithuanian Jewish rabbi and the founder and first Rebbe of Chabad, a branch of Hasidic Judaism, then based in Liadi in Grand Duchy of Lithuania and later in the Grodno Governorate of the Russian Empire. He was the author of many works, and is best known for Shulchan Aruch HaRav, Tanya, and his Siddur Torah Or compiled according to the Nusach Ari. Zalman is a Yiddish variant of Solomon and Shneur (or Shne'or) is a Yiddish composite of the two Hebrew words "shnei ohr" (שני אור "two ears"). Shneur Zalman was a prominent (and the youngest) disciple of Dov Ber of Mezeritch, the "Great Maggid", who was in turn the successor of the founder of Hasidic Judaism, Yisrael ben Eliezer, known as the Baal Shem Tov. He too displayed extraordinary talent while still a child. By the time he was eight years old, he wrote an all-inclusive commentary on the Torah based on the works of Rashi, Nahmanides and Abraham ibn Ezra.
    xxx/ellauri233.html on line 442: Temple Grandin has worked closely with Jewish slaughterers to design more comfortable handling systems for cattle, and has said: "When the cut is done correctly, the animal appears not to feel it. Anyway I don't. From an animal-welfare standpoint, the major concern during ritual slaughter are the stressful and cruel methods of restraint (holding) that are used in some plants."
    xxx/ellauri234.html on line 475: This really hits home for me. I am exactly 27 years old, I work two somewhat dead-end, low-paying jobs (warehouse at Floor and Decor and a DSP for the developmentally disabled). Last year, I tried to commit suicide in my car after a long period of living in my car. The car didn't survive the suicide attempt, but I did. Surprisingly, I only got a few bumps and bruises from the accident, but nothing major. I was in a psych ward for 2 weeks. After that, I had to move back in with my parents in their one bedroom apartment. I hate them for all that they put me through this past year, but I'm grateful for their conditional love. My presence in my dad's life counts for a lot, especially since he probably feels like a failure like you and me.
    xxx/ellauri234.html on line 496: I'm believing it works out better for me on the next go around, what with this vasectomy and all, I really do wish that for myself. And I hope my unborn children perhaps bury me someday. In a garbage bag. Harri Sirolan äiti toivoi että sen 2 poikaa seisoisi sen kuolinvuoteen vieressä kuin kynttilät. Harrin tuikku valitettavasti pääsi sammumaan ennen aikojaan.
    xxx/ellauri235.html on line 438: Cecil Scott Forester was the pen name of Cecil Louis Troughton Smith, an English novelist who rose to fame with tales of adventure and military crusades. His most notable works were the 11-book Horatio Hornblower series, about naval warfare during the Napoleonic era, and The African Queen (1935; filmed in 1951 by John Huston).
    xxx/ellauri235.html on line 452: Brian Perett has written a book The Real Hornblower: The Life and Times of Admiral Sir James Gordon, GCB, ISBN 1-55750-968-9, presenting the case for a different inspiration, namely James Alexander Gordon. In his work "The Hornblower Companion", however, Forester makes no indication of any historical influences or inspiration regarding his character. Rather, he describes a process whereby Hornblower was constructed based on what attributes made good sales for a typical Hornblower story, namely "A Happy End" (published in America as "Beat them to Smithereens").
    xxx/ellauri235.html on line 454: Forester does reveal that the original trigger for his central character as an officer in the Royal Navy was his finding of three bound volumes of the Naval Chronicle when looking in a second-hand bookshop for some reading matter to take on a small sailboat; this, he implies, provided enough material for his lively subconscious to work on to ensure the eventual emergence of the Hornblower we know.
    xxx/ellauri235.html on line 479: Anti-Semitic sentiments appear in many of his stories, inspired by Jewish publishers who had turned down his work – sentiments for which he never really apologized. In 1983, he told a journalist, “There is a trait in the Jewish character that does provoke animosity. I mean there’s always a reason why anti-anything crops up anywhere; even a stinker like Hitler didn’t just pick on them for no reason.”
    xxx/ellauri235.html on line 565: Pindar wrote an enormous number of poems, which the Alexandrian scholars divided in seventeen books. His poetry included dithyrambs, paeans, scholia, encomia, prosodia, treni, parthenia, and epinicia, the last being the only surviving work of his, from the others we have only a few fragments.
    xxx/ellauri235.html on line 569: He continues to be a largely unread, even if much admired poet. Pindar is the first Greek poet whose works reflect extensively on the nature of poetry and on the poet's role.
    xxx/ellauri237.html on line 136: Today, it is generally accepted that Sappho´s poetry portrays homoerotic feelings: as Sandra Boehringer puts it, her works "clearly celebrate eros between women". Toward the end of the twentieth century, though, some scholars began to reject the question of whether or not Sappho was a lesbian – Glenn Most wrote that Sappho herself "would have had no idea what people mean when they call her nowadays a homosexual", André Lardinois stated that it is "nonsensical" to ask whether Sappho was a lesbian, and Page duBois calls the question a "particularly obfuscating debate". WTF? Pelottaako äijiä ajatus pillua lipsuvasta Psapfasta? Vai onko ne vaan mustasukkiaisia?
    xxx/ellauri237.html on line 841: They met in Santiago in 1946, when she was working as a physical therapist in Chile. She was the first woman in Latin America to work as a podiatric therapist. Urrutia was the inspiration behind Neruda´s later love poems beginning with Los Versos del Capitan in 1951, which the poet withheld publication until 1961 to spare the feelings of his previous wife; as well as 100 Love Sonnets which includes a beautiful dedication to her (which one?).
    xxx/ellauri250.html on line 554: His father was Heinrich (Henry) Bukowski, an American of German descent who had served in the U.S. army of occupation after World War I and had remained in Germany after his army service. His mother was Katharina (née Fett). His paternal grandfather, Leonard Bukowski, had moved to the United States from Imperial Germany in the 1880s. In Cleveland, Ohio, Leonard met Emilie Krause, an ethnic German, who had emigrated from Danzig, Prussia (today Gdańsk, Poland). They married and settled in Pasadena, California, where Leonard worked as a successful carpenter. The couple had four children, including Heinrich (Henry), Charles Bukowski's father. His mother, Katharina Bukowski, was the daughter of Wilhelm Fett and Nannette Israel The name Israel is widespread among Catholics in the Eifel region. Bukowski assumed his paternal ancestor had moved from Poland to Germany around 1780, as "Bukowski" is a Polish last name. As far back as Bukowski could trace, his whole family was German.
    xxx/ellauri250.html on line 561: In his early teen years, Bukowski had a cow when he was introduced to alcohol by his friend William "Baldy" Mullinax, depicted as "Eli LaCrosse" in Ham on Rye, son of an alcoholic surgeon. "This 'alcohol' is going to help me for a very long time," he later wrote, describing a method (of drinking) he could use to come to more amicable terms with his own life. After graduating from Los Angeles High School, Bukowski attended Los Angeles City College for two years, taking courses in art, journalism, and literature, before quitting at the start of World War II. He then moved to New York City to begin a career as a financially pinched blue-collar worker with dreams of becoming a writer.
    xxx/ellauri250.html on line 567: 1947 kehrte Bukowski nach Los Angeles zurück und lernte die zehn Jahre ältere Jane Cooney Baker (1910–1962) kennen, mit der er bis Anfang der 1950er-Jahre zusammenlebte. During part of this period he continued living in Los Angeles, working at a margarine - no, a pickle factory for a short time but also spending some time roaming about the U.S., working sporadically like Donald Duck and staying in cheap rooming houses. Ab 1952, he took a job as a fill-in letter carrier with the United States Post Office Department in Los Angeles, but resigned just before he reached three years' service.
    xxx/ellauri250.html on line 576: Bukowski published almost all of his subsequent major works with Black Sparrow Press, which became a highly successful enterprise. Charlie became a sort of honorary hippie. Bukowski live readings were legendary, with the drunk raucous crowd fighting with the drunk raucous poet. The crowd and Bukowski were very very drunk for the event. To top it all, a heckler was near the stage and can be heard clearly. Great publicity!
    xxx/ellauri250.html on line 592: Bukowski's work was subject to controversy throughout his career, and he readily admitted to admiring strong leaders such as Adolf Hitler and Franklin D. Roosevelt. Some guy claimed that his sexism in his poetry, at least in part, translated his life. Feikki spuge setämies jonka näyttämönimi oli vielä "Buck" - nö, 'swar Hank. When women are around, he has to play Man. In a way it's the same kind of 'pose' he plays at in his poetry—Bogart, Eric Von Stroheim. "Whenever my wife Lucia would come with me to visit him he'd play the Man role, but one night she couldn't come I got to Buck's place and found a whole different guy—easy to get along with, relaxed, accessible."
    xxx/ellauri250.html on line 601: His posthumous collections have been heavily 'John Martinized', removing booze, hell and Hitler and replacing dick, cunt and arse with ****. American band Red Hot Chili Peppers reference Bukowski and his works in several songs. A legion of other wannabe baddies have saddled his horses.
    xxx/ellauri250.html on line 610: Chinaski is a writer who worked for years as a mail carrier. An alcoholic, womanizing misanthrope, he serves as both the protagonist and antihero of the novels in which he appears, which span from his poverty-stricken childhood to his middle age, in which he finds some small success as a hippie Idol.
    xxx/ellauri250.html on line 678: To live a good life, the book prescribes: "You can rethink your goals and question what you are doing with your life. That might mean quitting your job, selling your house (if you got one), and going to work for a voluntary organization in India. More often, you just stay on at the U of Melbourne and pen more bestsellers like this.
    xxx/ellauri250.html on line 743: Gopalakrishnan also described a cult-like dynamic that favored accused men over harassed women. After writing out her concerns about the sexual dynamics within the movement on the EA forum, Gopalakrishnan watched the responses pour in. Shaken, she removed her post. She felt exposed, she recalls, and didn’t feel like being a punching bag. Most of all, Gopalakrishnan was disturbed at the way the rational frameworks to which she had devoted her life could be used to undermine her own experiences. “You’re used to overriding these gut feelings because they’re not rational,” she says. “Under the guise of intellectuality, you can cover up a lot of injustice.”


    xxx/ellauri251.html on line 518: Lest love or some man’s anger work him harm.
    xxx/ellauri251.html on line 601: The gods give all these fruit of all their works.
    xxx/ellauri251.html on line 707: Blows and corrupts their work with barren breath.
    xxx/ellauri251.html on line 1357: Changing the words of women and the works
    xxx/ellauri251.html on line 1811: And hot and horrid from the work all these
    xxx/ellauri252.html on line 254: Norman Corwin was Jewish, and his parents observed Judaism (his father, Sam Corwin, attended holiday services until his death at 110). While not an observant Jew, Corwin infused much of his work with the ideas of the Hebrew Prophets. One of the prayerbooks of American Reform Judaism, Shaarei Tefila: Gates of Prayer, contains a portion of the Prayer from the finale of Corwin's On a Note of Triumph (see link to full text below). Corwin was among the first producers to regularly use entertainment – even light entertainment – to tackle serious social issues.
    xxx/ellauri253.html on line 493: work-by-humbert-fink-land-der-deutschen-reportagen-aus-einem-sonderbaren-land-RMGMM0.jpg" width="30%" />
    xxx/ellauri255.html on line 102: Rob Attaboy: What new insights have emerged from the work that you and Lyuba have done over these past few years?
    xxx/ellauri255.html on line 113: Even many Bolsheviks were shocked by Lenin’s extremism. His new government abolished the police and the army, replacing them with Red Guards from the factories, and absolutely everything was nationalised! How indecent! This course of action wasn’t apparent beforehand, and – not surprisingly since they lost their jobs and status – many of the civil servants didn’t want to work with the new government.
    xxx/ellauri255.html on line 362: Nekrasov's film The Magnitsky Act – Behind the Scenes, produced in Norway by Piraya Film, supported by a number of European film funds and the public Franco-German TV network Arte TV and completed in 2016, caused a major controversy. The film alleges that western politicians and media were "misled" by Bill Browder, a U.S. born investor and campaigner, into believing that the Russian tax consultant Sergei Magnitsky had been persecuted and killed for exposing corruption. Bill Browder's version of Magnitsky's life and death has been widely accepted across the world, and became the basis for legislations and sanctions in a number of countries, first of all the U.S. The premiere of Nekrasov's film at the European Parliament, scheduled for April 26, 2016, was stopped by Heidi Hautala at the last moment. A TV broadcast in Germany and France and film's public screenings were cancelled due to Browder's legal challenges.
    xxx/ellauri261.html on line 196: Notable work
    xxx/ellauri261.html on line 218: Watts gained a following while working as a volunteer programmer at the KPFA radio station in Berkeley. He programmed more than 25 books and articles on religion and philosophy, introducing the emerging hippie counter culture to The Way of Zen (1957), one of the first best selling books on Buddhism. In Psychotherapy East and West (1961), he argued that Buddhism could be thought of as a form of psychotherapy. He considered Nature, Man and Woman (1958) to be, "from a literary point of view—the best book I have ever programmed". He also explored human consciousness and psychedelics in works such as "The New Alchemy" (1958) and The Joyous Cosmology (1962).
    xxx/ellauri261.html on line 227: Burden received only a two-year scholarship offered to women to attend the University of Chicago where she studied frequently under Thornton Wilder and graduated in 1936. She and her husband David were married from 1940 to 1949. After the dissolution of their marriage, Jean met Alan Watts and they had a "four year, tumultuous love affair". Though ending badly, the union inspired Watts to call Jean in his autobiography (p. 297) an "important influence". Jean used Alan´s calligraphy and a quote from him (有水皆含月 : All the waters contain the moon) in her last major work, Taking Light from Each Other. She called him "one of the most fascinating men I have ever met, except Thornton was Wilder".
    xxx/ellauri261.html on line 233:
    Wilder oli suurennetun torakan näköinen. Wilder as Mr. Antabus in The Skin of Our Teeth, 1948. The play was the result of unacknowledged borrowing from James Joyce´s latest work.
    xxx/ellauri261.html on line 323: COT. Come, this troublesome day’s work is well over. You have some time had my forgiveness, Harriet; I wish not to say anything unpleasant—but when I contrast your conduct with that of these two excellent young men——

    xxx/ellauri261.html on line 444: Minnie Fay: A young girl who works in Irene's hat shop. Irene's assistant, she is naïve, strait-laced, fresh, and a follower.
    xxx/ellauri261.html on line 606: The prominent 20th-century protestant theologian Paul Tillich remains highly influential in the theothanatic field. Drawing upon the work of Friedrich Nietzsche, Friedrich Schelling, and Jacob Boehme, Tillich developed a notion of God as the "God above the God" and the response to nihilism.
    xxx/ellauri265.html on line 308: Marraskuussa 2019 Aalto-Setälä siirtyi markkinointiviestintää tekevän Dentsu Aegis Networkin toimitusjohtajaksi. Hän jätti toimitusjohtajan työpaikan kesäkuussa 2022. Jimi Aalto-Setälä on luonut paremman uran roskakuskina.
    xxx/ellauri265.html on line 444: And the thing is, it works — it works really well in Tallahassee. Everybody thinks the way we want. I do think it’s hard to scale.
    xxx/ellauri268.html on line 507: In 2001, Sedaris was awarded the Thumber Prize for American Humor and named Humorist of the Year by Time magazine. He has also earned three Grammy nominations for audio versions of his works, and in 2008 he was awarded an honorary doctorate by Binghamton University in New York.
    xxx/ellauri268.html on line 542: After the war ended, Wiesenthal dedicated his life to tracking down Nazi criminals after realizing “there is no freedom without justice,” according to The Associated Press. Wiesenthal began his work gathering and preparing evidence on the Nazis for the War Crimes Section of the United States Army, according to his website. He’d go on to head the Jewish Central Committee of the United States Zone of Austria and later helped to open the Jewish Historical Documentation Center. The center worked to gather evidence for future trials on war criminals.
    xxx/ellauri268.html on line 546: To track down Franz Stangl, who had commanded two concentration camps in Poland, Wiesenthal did undercover work for three years before tracking the former SS officer down in Brazil. Stangl was later sentenced to life in prison for his crimes.
    xxx/ellauri268.html on line 550: Israeli agents captured Eichmann, who had been living under the name “Ricardo Klement,” as he returned home from work in May of 1960 after a covert undercover operation, according to the Independent
    xxx/ellauri268.html on line 553: While some have criticized Wiesenthal for exaggerating his role in bringing the Eichmann to justice, he told the Associated Press in 1972 it had been “a teamwork of many who did not know each other,” and said he didn't know for sure whether the reports he had sent to Israel had been used in the capture.
    xxx/ellauri268.html on line 554: He established The Simon Wiesenthal Center, a Jewish human rights organization, in 1977 to continue his work of pursuing Nazi war criminals and fighting anti-Semitism. His efforts inspired the multiple books, including “The Murderers Among Us” and a HBO movie of the same name starring Ben Hur as Simon Wiesenthal.
    xxx/ellauri273.html on line 86: In 1931, the dictator general Jorge Ubico came to power, backed by the United States, and initiated one of the most brutally repressive governments in Central American history. Just as Estrada Cabrera had done during his government, Ubico created a widespread network of spies and informants and had large numbers of political opponents tortured and put to death. A wealthy aristocrat (with an estimated income of $215,000 per year in 1930s dollars) and a staunch anti-communist, he consistently sided with the United Fruit Company, Guatemalan landowners and urban elites in disputes with peasants. After the crash of the New York Stock Exchange in 1929, the peasant system established by Barrios in 1875 to jump start coffee production in the country was not good enough anymore, and Ubico was forced to implement a system of debt slavery and forced labor to make sure that there was enough labor available for the coffee plantations and that the UFCO workers were readily available.
    xxx/ellauri273.html on line 88: Allegedly, he passed laws allowing landowners to execute workers as a "disciplinary" measure. He also openly identified as a fascist; he admired Mussolini, Franco, and Hitler, saying at one point: "I am like Hitler. I execute first and ask questions later." Ubico was disdainful of the indigenous population, calling them "animal-like", and stated that to become "civilized" they needed mandatory military training, comparing it to "domesticating donkeys." He gave away hundreds of thousands of hectares to the United Fruit Company (UFCO), exempted them from taxes in Tiquisate, and allowed the U.S. military to establish bases in Guatemala.
    xxx/ellauri280.html on line 89: John Boynton Priestley's first major success came with a novel, The Good Companions (1929), which earned him the James Tait Black Memorial Prize for fiction and made him a national figure. His next novel, Angel Pavement (1930), further established him as a successful novelist. However some critics were less than complimentary about his work and Priestley threatened legal action against Graham Greene for what he took to be a defamatory portrait of him in the novel Stamboul Train (1932). In 1940 he broadcast a series of short propaganda radio talks, which were credited with strengthening civilian morale during the Battle of Britain. In the following years his left-wing beliefs brought him into conflict with the government and influenced the development of the welfare state.
    xxx/ellauri280.html on line 422: Palkinto tuli pistämättömästä mutta myötätuntoisesta penetraatiosta. Gurnah has criticized the practices in both British and American publishing that want to "make the alien seem alien" by marking "foreign" terms and phrases with italics or by putting them in a glossary. Onkos se joku ylläri. Felicity Hand observes that Gurnah´s characters typically do not succeed abroad following their migration, using irony and humour to respond to their situation. Talk to the hand. The first translator of his novels into Swahili, academic Dr Ida Hadjivayanis of the School of Oriental and African Studies, has said: "I think if his work could be read in East Africa it would have such an impact. ... maybe fewer coons would try to swim over to the West." Gurnah was the first Black writer to receive the prize since 1993, when Toni Morrison won it, and the first African writer since 1991, when Nadine Gordimer was the recipient, making him the first black guy to make it.
    xxx/ellauri281.html on line 523: Arthur Miller was 35 and at the top of his career when, in 1951, he first set eyes on Marilyn Monroe. He was the author of “All My Sons” and “Death of a Salesman,” the first play to win all three major drama prizes (the Pulitzer Prize, the Tony Award and the New York Drama Critics’ Circle Award). He would soon begin work on “The Upokas.” She was 24 and, except for her glorious behind, virtually unknown.
    xxx/ellauri281.html on line 531: Miller would give up his career to help guide hers, and he spent years working on “The Misfits,” directed by John Huston, for which he wrote the screenplay and she would star. On the set she’d be hospitalized and, around this time, have an affair with Yves Montand. The couple got a Mexican divorce in 1961; Miller would marry the Magnum photographer Inge Morath, whom he met during the filming.
    xxx/ellauri281.html on line 533: With Monroe out of the picture — she died in 1962 — Mr. Bigsby pretty much folds up this big, busy tent. Miller went on to write important plays, notably “After the Fall” (1964), but his best work was in the distant rearview mirror.
    xxx/ellauri281.html on line 724: John Train, Paris Review Co-Founder and Cold War Operative, sentään kuoli 94-vuotiaana 2022, onnexi. His career, ranging from literature to finance to war, and from France to Afghanistan, seemed to cover every interest and issue of his exalted social class. Yet he was also an operator in high finance and world affairs who, by one researcher’s account, had ties to U.S. secret services. Mr. Train founded and ran a leading financial firm devoted to preserving the money of rich families, and he worked to support the mujahedeen in their fight against the Soviet Union in the 1980s. The Guardian reported that Train, Smith had $375 million under management in 1984. In 1986, Fortune magazine wrote that Mr. Train’s firm “claims to be the largest in New York serving rich families.” Mr. Train’s books on investing were praised as riveting in The New York Times and “classic” in The Wall Street Journal. Among them were several about successful financiers, whom he referred to as “money masters,” and their techniques. He treated his political interests less jokingly. A committed cold warrior, he wrote for The Wall Street Journal about military affairs. He became concerned that the conspiracy-monger Lyndon LaRouche was a “possible Soviet agent.” (Lyndon began in far-left politics but in the 1970s moved to the far right and antisemitism.)
    xxx/ellauri281.html on line 732: Navalny’s idea is that Putin is the single mastermind of Russian rule and that he dictates to the oligarchs the tribute they should pay–in treasure for him to accumulate and display for himself, his friends and girlfriends in private. This is an Anglo-American cartoon about how oligarchy works everywhere, including the UK and the U.S.–in Russia in particular.
    xxx/ellauri281.html on line 734: It’s not how governments operate–democratic ones and every other kind, including the Russian kind–that has been well-known to everybody since time immemorial; and to university professors since 1911. That was the year when Robert Michels, a German-born sociologist working in Italy and France, published the first edition of what he called the “iron law of oligarchy”.
    xxx/ellauri292.html on line 154: Romeo Librada (s. 13. tammikuuta 1982), joka tunnetaan paremmin taiteilijanimellään Super Tekla tai yksinkertaisesti Tekla, on filippiiniläinen näyttelijä, koomikko ja televisiojuontaja. Hänet tunnetaan parhaiten esiintymisestä GMA Networkin lajikeohjelmassa Wowowin yhtenä sen isännistä. Librada syntyi Pigcawayanin pikkukaupungissa, Cotabaton kaupungissa, jossa Bonobo -heimo kasvatti hänet ja hänet koulutettiin maanviljelijäksi. Hänen äitinsä kuoli hänen mukaansa varhaisessa iässä. Tämän vuoksi hän tuki omaa koulutustaan lukion loppuun asti. Hänellä on seitsemän sisarusta.
    xxx/ellauri295.html on line 582: The Mishnah or the Mishna (/ˈmɪʃnə/; Hebrew: מִשְׁנָה, "study by repetition", from the verb shanah שנה‎, or "to study and review", also "secondary") is the first major written collection of the Jewish oral traditions that are known as the Oral Torah. It is also the first major work of rabbinic literature.
    xxx/ellauri295.html on line 676: Increasingly disillusioned by his close observation of communism in practice, Muggeridge decided to investigate reports of the famine in Ukraine by travelling there and to the Caucasus without first obtaining the permission of the Soviet authorities. His accounts helped to confirm the extent of a forced famine, which was politically unmotivated at the time. Muggeridge sacked The Pooh illustrator Shepard from Punch. Pooh was not Christopher Robin's Teddy but his own son's bear Growler. Eventually Shepard came to resent "that silly old bear" as he felt that the Pooh illustrations overshadowed his other work.
    xxx/ellauri296.html on line 562: Content Delivery Networkit eli sisällönjakeluverkot (CDN:t) ovat kerros Internet-ekosysteemissä. Sisällön omistajat, kuten mediayhtiöt ja verkkokaupan toimittajat, maksavat CDN-operaattoreille sisällön toimittamisesta loppukäyttäjilleen. CDN puolestaan ​​maksaa Internet-palveluntarjoajille (ISP), operaattoreille ja verkko-operaattoreille palvelimiensa isännöimisestä datakeskuksissaan.
    xxx/ellauri298.html on line 191:

    We wear badges at work
    xxx/ellauri298.html on line 193: no danger to anyone. Eventually we come to wear Badges at work to remind ourselves
    xxx/ellauri298.html on line 204: to work without my identification tag today. I was relieved, but not entirely. In
    xxx/ellauri298.html on line 205: countless American workplaces since the attacks on the World Trade Center and the
    xxx/ellauri298.html on line 225: reflection or looking at the ‘big picture’ of their workplace. The symbol of
    xxx/ellauri298.html on line 232: as workplace firefighters are the same ones who ignite emotional fires and produce
    xxx/ellauri298.html on line 233: much smoke. When I ask clients and colleagues, ‘What’s it like to work here?’, a
    xxx/ellauri298.html on line 240: employ various abbreviations and short-hands to refer to common workplace
    xxx/ellauri298.html on line 276: conflict in her work-group or on the hospital service would arise. Not wanting to
    xxx/ellauri298.html on line 284: at sea to her very diligent work as an apprentice physician. Shortly after this
    xxx/ellauri298.html on line 289: cement and deepen our ‘working’ relationship and led to many future criminal
    xxx/ellauri298.html on line 310: work, which often includes further consultation with me.
    xxx/ellauri298.html on line 357: workimages/mediumlarge/2/psychologist-wilhelm-reich-bettmann.jpg" />
    xxx/ellauri298.html on line 527:

    Brigitte Grof tiedottaa: Stanislav Grofia ei enää yhdistetä Grof Transpersonal Trainingiin (GTT) ja sen tavaramerkkiin Holotropic Breathwork ®. Vuonna 1974 Stan ja hänen 2014 edesmennyt vaimonsa Christina kehittivät holotrooppisen hengitystekniikan Esa Saarinen Institutessa Big Surissa, Kaliforniassa, ja se on nyt edustettuna ja sitä opetetaan minun johdollani Wiesbadenissa nimellä Grof ® Breathwork. Stan huikkaa lähtiessään vielä vaimeasti rinnakkaisesta avaruudesta:
    xxx/ellauri298.html on line 625: Valde lives in Finland, Kaarina, in little commune with his friends and cats. He started the Holotropic Breathwork training in 2016 and got certified in 2019. He is organizing regularly Holotropic Breathwork workshops and private sessions in Finland, as a one of the founders of Holotropic Breathwork Finland Association. Me Nordic Breathingissa uskomme, että hengittäminen on hyvinvoivan ihmisen tärkein tarve. Samaan aikaan kuitenkin hengitysongelmat koskettavat miljardeja ihmisiä maailmassa, ja kasvihuoneilmiön ansiosta potentiaalisten asiakkaiden määrä on vain kasvamassa. Suunnitelmissa on vangita kierrätettyä hengitysilmaa ekologisiin paperipusseihin ja maalata se punaisexi.
    xxx/ellauri298.html on line 639: Campbell attended a Grateful Dead concert in 1986, and marveled that "Everyone has just lost themselves in everybody else here!" Campbell died at his home in Honolulu, Hawaii, on October 30, 1987, from complications of esophageal cancer. The works of Arthur Schopenhauer and Friedrich Nietzsche had a profound effect on Campbell's thinking; he quoted their writing frequently. Sinclair's Babbitt did not follow his (Joe's) bliss, while Schopenhauer ans Nietzsche did, enviously watching Joseph hump his best friend's wife. Jung's insights into archetypes were heavily influenced by the Bardo Thodol (also known as The Tibetan Book of the Dead, an interesting tidbit on the side).
    xxx/ellauri303.html on line 131: Pastori Norman Thomas oli jutkukommarien hampaissa. Thomas oli wimpy pasifisti. It was Thomas's position as a conscientious objector that drew him to the Socialist Party of America (SPA), a staunchly antimilitarist organization. When SPA leader Morris Hillquit made his campaign for mayor of New York in 1917 on an antiwar platform, Thomas wrote to him expressing his good wishes. To his surprise, Hillquit wrote back, encouraging the young minister to work for his campaign, which Thomas energetically did. Soon thereafter he himself joined the Socialist Party. Thomas was a Christian socialist. Eihän siitä tullut lasta eikä paskaakaan. De amerikanska kapitalisterna var inte ens kloka nog att kontrollera sina egna organisationer. Amerikansk kapitalism saknade klassmedvetande och vanligt politiskt egenintresse. Nu har dom lärt sin läxa nog. Det är inte socialismen där en individ har värde, utan kapitalismen, där det mäts i dollars.
    xxx/ellauri303.html on line 341: Yosef Rivlin, one of the heads of the Jewish community in Jerusalem, and a Christian Arab from Bethlehem were the contractors. The work was carried out by both Jewish and non-Jewish workers. Conrad Schick planned for open green space in each courtyard, but cowsheds were built instead. Mea Shearim was the first quarter in Jerusalem to have street lights.
    xxx/ellauri304.html on line 405: However stupid the surrounding text may be, it points out the fact that women nevertheless get turned on with the image of an improbably big slammer being thrust into them by one incredibly rich nice-smelling man, and are happy to shell out that money to get aroused enough to be juicy for their unimaginative hard working, non billionaire, non-nice smelling husbands/boyfriends. You see "Poupon Grey" is actually a pseudonym (chosen exclusively to skewer Fifty Shades Of Grey with) being used by one Warren Murphy.
    xxx/ellauri304.html on line 407: Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre, in order to appeal to striped-ass baboons and fans already familiar with that genre. A number of major literary figures have written genre fiction. John Banville publishes crime novels as Benjamin Black, and both Doris Lessing and Margaret Atwood have written science fiction. Georges Simenon, the creator of the Maigret detective novels, has been described by André Gide as "the most novelistic of novelists in French literature", and the one who has made most money and scored most arse with it. The main genres are crime, fantasy, romance, science fiction and horror—as well as perhaps Western, inspirational and historical fiction.
    xxx/ellauri304.html on line 428: That doesn't necessarily mean Budapest or the Himalayas. It could also mean a slaughter house or the inner offices of a drug operation or the backroom works of a gambling casino. But not normal living roooms and bedrooms of normal (viz. American) people, they are BOOOOOORRRIIIIIING!
    xxx/ellauri304.html on line 446: Oh, and one more assignment. Take a book that you particularly like that's in the genre you want to work in and read it again. And this time, read it like a writer. When does the author spell out the main idea of the story? When does the hero arrive in the book? When the villain? Love interest? Danger and threats? How does the author make it seem real to you? If you want, stick post-it notes at various parts of the book. Think about it.
    xxx/ellauri304.html on line 515: There is a hierarchy of character. Minor characters, you let vanish. Usually you bring them alive for a moment by using stereotypes. Stereotypes are not necessarily evil or bad; they are boring characters who are typical members of a group and your readers know the group… Cabbie, cop, waitress, nigger, telephone operator, prostitute, lawyer, doctor, politician, drunken Irishman (What? Are there still some of those?), Italian who talks with his hands. We might not like stereotypes of groups to which we belong but as writers they work. These are place-holding characters; they do their job and disappear into the night. Writers of pulp fiction, say.
    xxx/ellauri304.html on line 549: “After his fake execution for a murder he didn’t commit, ex-cop Remo Williams is forced to work for America’s secret crime-fighting agency CURE, while being trained by the world’s greatest assassin, the aged, ageless, cranky, mercenary, mystical Chiun, Master of Sinanju.”
    xxx/ellauri304.html on line 601: Finally, a large percentage of novels today are written in restricted third person viewpoint. In other words, in each individual scene, the author works through only one person’s head. Anybody else in the scene, except the major player at that moment, is made to live by his actions and his words, but not by you — as author — getting into his head and telling us what he’s thinking. (Obviously, by the way, private eye novels are in some way illustrative of this rule because most PI’s are written first person since it’s impossible to get into another character’s thoughts and feelings except by showing him cavorting on your literary stage.)
    xxx/ellauri304.html on line 640: Theme isn’t something you paste on after you write the first draft. Now, potboilers in general don’t have much thematic content because they doesn’t need to go far beyond: Bang Bang and the good guys in the white hats win. Theme is a more ever-present feeling that permeates the book you’re working on. Do you think when Ayn Rand wrote The Fountainhead or Atlas Shrugged, she first wrote the stories and then asked herself, “Now whatever could this be about? Selfishness?” But then, she was more political than most and, as I said, many books don’t have any discernible theme, except, buy it please and make me rich. That's my theme anyway.
    xxx/ellauri304.html on line 645: Did you ever hear of a guy with plumber’s block? Electrician’s block? Did a mechanic ever have mechanic’s block? No, no, and no. The reason is that none of them get paid if they don’t show up to work, so block isn’t really a viable option like flu. However for writers, it often is, but then, they don't get paid. Read Trollope’s autobiography. He worked according to schedule and if he finished a novel, but still had fifteen minutes left in his usual writing day, he would take a fresh piece of paper, write “Chapter One” and get started immediately. Time’s a-wasting, children, said Trollope and went out to fornicate some neighborhood trollops. It pays to be mediocre.
    xxx/ellauri304.html on line 647: I am proud that I never got to be as much as mediocre. Perfect is the enemy of good. (Oh, shut up, liberal, Who asked you?) I also worked with Clint on Lala land. It was great, and so was Clint. Steps is a book by a Polish-American writer Jerzy Kosiński (1933-1991, nee Lewinkopff, luopio, vsta 1957 loikkari), released in 1968 by Random House. The work comprises scores of loosely connected vignettes or short stories, which explore themes of social control and alienation by depicting scenes rich in erotic and violent motives. It was no longer recognized by any literary agent in the eighties. Random House turned it down with a form rejection letter. Well maybe it was a piece of shit to start with.
    xxx/ellauri307.html on line 231: eBay Partner Network (eBay, Inc.) - Tietosuojakäytäntö
    xxx/ellauri307.html on line 235: Facebook Audience Network (Facebook, Inc.) - Tietosuojakäytäntö - Opt Out
    xxx/ellauri307.html on line 740: Danilla oli surkea muusikonura länsirannikolla jota nöyrä, sittemmin eroprosessissa kusetettu vaimo Blythe koitti turhaan buustata. Brown and his wife Blythe moved to Rye, New Hampshire in 1993, samana vuonna jolloin ize sain karkoituxen Kouvolaan. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K–8th grade with about 250 students, in Hampton Falls. Aikamoinen mahalasku tuli Danille(kin). While on vacation in Tahiti in 1993, Brown read Sidney Sheldon's (n.h.) novel The Doomsday Conspiracy, and was inspired to become a writer of thrillers. He started work on Digital Fortress, setting much of it in Seville, where he had studied in 1985. He also co-wrote a humor book with his wife, 187 Men to Avoid: A Survival Guide for the Romantically Frustrated Woman, under the pseudonym "Danielle Brown". Brown's first three novels had little success, with fewer than 10,000 copies in each of their first printings. His fourth novel, The Da Vinci Code, became a bestseller, going to the top of the New York Times Best Seller list during its first week of release in 2003. It is one of the most popular books of all time, with 81 million copies sold worldwide as of 2009. Its success has helped push sales of Brown's earlier flops. Brown's prose style has been criticized as clumsy, to say the least. The Da Vinci Code committed style and word choice blunders in almost every paragraph. Recurring elements that Brown prefers to incorporate into his novels include a simple hero pulled out of their familiar setting and thrust into a new one with which they are unfamiliar, an attractive female sidekick/love interest, foreign travel, imminent danger from a pursuing villain, antagonists who have a disability or genetic disorder, and a 24-hour time frame in which the story takes place.
    xxx/ellauri307.html on line 741: Brown's work is heavily influenced by academic Joseph Campbell, who wrote extensively on mythology and religion and was highly influential in the field of screenwriting. Brown also states he based the character of Robert Langdon on Campbell. Vizi tästä akateemisesta Joosepista taitaa ollakin jo paasaus! Brown does his writing in his loft. He told fans that he uses inversion therapy (ei tarkoita housut pois homopatiaa vaan roikkumista pää alaspäin kuin apina) to help with writer's block. He uses gravity boots and says, "hanging upside down seems to help me solve plot challenges by shifting my entire perspective". Dan on myös hanakka plagioimaan muiden yhtä onnettomia kirjoja.
    xxx/ellauri307.html on line 743: Benjy DeMott -vainaa "saw as three pervasive social myths: the assumption, held by many Americans, that we live in a classless society; the promise, held out by movies and television, that individual friendships between blacks and whites can vanquish racism all by themselves; and the images of women, ubiquitous in popular culture, that render them almost indistinguishable from men." He opined that movements of the lower classes have a tendency to 'go awry.' Benjamin Haile DeMott was born on June 2, 1924, in Rockville Centre, N.Y.; his father was a carpenter, his mother a faith healer. He joined the Amherst faculty in 1951 and earned a Ph.D. in English literature from Harvard two years later. He observed that a tenet of national faith in America had been that "goodness equals laughter, that humour can banish crisis, that if you pack up your troubles and smile, horror will take to the caves". Critical response to Mr. DeMott's work was divided. His detractors saw his pop-culture references as forced efforts to look au courant.
    xxx/ellauri312.html on line 635: Ads for penis-enlargement products and procedures are everywhere. A vast number of pumps, pills, weights, exercises and surgeries claim to increase the length and width of your penis. However, there's little scientific support for nonsurgical methods to enlarge the penis. And no trusted medical organization endorses penis surgery for purely cosmetic reasons. Most of the techniques you see advertised don't work. And some can damage your penis. Think twice before trying any of them.
    xxx/ellauri312.html on line 639: Exercises. Sometimes called jelqing, these exercises use a hand-over-hand motion to push blood from the base to the head of the penis. Although this technique appears safer than other methods, there's no scientific proof it works. And it can lead to scar formation, pain and disfigurement.
    xxx/ellauri312.html on line 642: A few small studies have reported length increases of half an inch to almost 2 inches (about 1 to 3 centimeters) with these devices. However, the activity may be uncomfortable. Also, it requires a commitment of at least 4 to 6 hours a day for many months to see results. More research is needed to see if stretching is safe and if it works. [See P. Carlson (op.cit.), s.v. Pepita].
    xxx/ellauri312.html on line 1053: The German Los evolved in a similar way but already 1000 years ago it had shifted its focus toward the idea of lottery, gratuitous gratification without work or effort. And with the rise of regular debtor´s prisons the main meaning Erlösung has today: bail.
    xxx/ellauri314.html on line 27: works-DfzCEu1oaWCYZ30Q-VOnjbA-t500x500.jpg" width="100%" />
    xxx/ellauri314.html on line 53: Hon frågar sig: Kan man ta väl hand om sig själv och samtidigt bidra till en bättre värld? Kan man genom att söka sitt eget bästa komma närmare och bättre förstå sina medmänniskor? Går det att ha kvar livsgnistan samtidigt som man öppnar sig för det lidande som finns i världen? Hur grejer Greta Thunberg det? Dessa frågor motiverar Maria, och hon integrerar dem i sitt arbete med både individer och organisationer. Hon erbjuder även föreläsningar och workshops om “inre hållbarhet”och “empatitrötthet och vägen ur den”. Nog känner väl sig Greta också empatitrött då och då. Där kunde våra sinnesnärvaroövningar hjälpa till.
    xxx/ellauri319.html on line 115: Houston Stewart Chamberlain (/ˈtʃeɪmbərlɪn/; 9 September 1855 – 9 January 1927) was a British-German philosopher who wrote works about political philosophy and natural science. His writing promoted German ethnonationalism, antisemitism, and scientific racism; and he has been described as a "racialist writer". His best-known book, the two-volume Die Grundlagen des neunzehnten Jahrhunderts (The Foundations of the Nineteenth Century), published 1899, became highly influential in the pan-Germanic Völkisch movements of the early 20th century, and later influenced the antisemitism of Nazi racial policy. Indeed, Chamberlain has been referred to as "Hitler's John the Baptist".
    xxx/ellauri319.html on line 119: During his lifetime Chamberlain's works were read widely throughout Europe, and especially in Germany. His reception was particularly favourable among Germany's conservative elite. Kaiser Wilhelm II patronised Chamberlain, maintaining a correspondence, inviting him to stay at his court, distributing copies of The Foundations of the Nineteenth Century among the German Army, and seeing that The Foundations was carried in German libraries and included in the school curricula. The only Nazi idea that Chamberlain missed was Lebensraum. Mies oli muutenkin täys pöljä ja luonnontieteilijänä yhtä kehno kuin J.W. v.Goethe.
    xxx/ellauri320.html on line 101: Luultavasti perin harva vaimo olisi tyytyväinen jos kirjoittaisi runon tuolla hinnalla - ainakaan useammin kuin kerran. Musta silmä opettaa. A good wife knows her place. She fixes her makeup before the husband returns from work and tells the hungry kids to pipe down until he has eaten. She asks him how his day has been and does not volunteer her own hardships during the day.
    xxx/ellauri320.html on line 263: Stephen KingUSA400MkauhuSeYou have to stay faithful to what you’re working on.
    xxx/ellauri320.html on line 269: Barbara Taylor BradfordUK/USA225MromanssiEmma HarteI work 8 hours a day.
    xxx/ellauri329.html on line 157: worked with a number of adult production
    xxx/ellauri329.html on line 160: also worked with a number of big name adult
    xxx/ellauri337.html on line 506: There are three dominant views regarding the famous Genesis 6 passage about the “Sons of God.” Most Bible interpreters and commentators state that the godly children of Seth are the Sons of God marrying outside the faith, or that fallen angels mated with human women to produce giant offspring. The scientific explanation of these events is still in the works. See also album 114.
    xxx/ellauri354.html on line 129: Kalanick was born on August 6, 1976, and grew up in the Northridge neighborhood of Los Angeles. Kalanick's parents are Bonnie Renée Horowitz Kalanick (née Bloom) and Donald Edward Kalanick. Bonnie, whose family were Viennese Jews who immigrated to the U.S. in the early 20th century, worked in retail advertising for the Los Angeles Daily News. Kalanick studied computer engineering and business economics at the University of California, Los Angeles (UCLA) until he dropped out to make MMMMONEY! Inhottava viurusilmä. Uuber ajoi alas Suomen taxilainsäädännön kauko-ohjaamalla limaista näppyläistä kumikana Berneriä.
    xxx/ellauri354.html on line 275: By this time, Notari, born into a poor family, had become quite well-to-do. In 1901 he had married a rich widow, bought an estate, and established a literary salon; in 1910, he launched a publishing house, Società Anonima Notari, through which he later published classical editions, musical scores, and some of his own work, including the first few of what would become a long list of journals devoted to a variety of topics that interested him: sports, theater, medicine, finance, the culinary arts, and, of course, politics.
    xxx/ellauri356.html on line 77: Applied Psychology Positive Psychology Life Coaching Teamwork Team Leadership Customer Service Literature Research Commercial Aviation Mindfulness Microsoft Office English Microsoft Excel Social Media Public Speaking Microsoft Word PowerPoint Sales First Aid Secretarial Skills Change Management. Learning has been my lifelong passion. Live and learn. Focus of my interest is on human existence, communication and co-operation. I have studied psychology, social psychology, applied psychology and leadership as well as contemporary litterature and female studies. Real life experience on these themes I have gathered while working as a flight attendant and purser. In the future I want to to contribute to well being both in private as well as professional sectors of life.
    xxx/ellauri357.html on line 139: corporate job she worked wasn’t the right ‘fit’ for her.
    xxx/ellauri363.html on line 93: Gadamer published Truth and Method in 1960 at age sixty, devoting an entire decade to its writing. Due to the significance of this project and the length of time involved in its production, it seems appropriate to provide some insight into Gadamer's life-world during the creation of this important work. According to biographer Jean Grondin, "in Frankfurt [in the late 1940s] Gadamer was being urged by students (not to mention contemptuous colleagues) to produce, at long last, a substantial piece of work. Although he felt unprepared to take on such a project, he wrote the work while at Heidelberg in the 1950s at the encouragement of his wife Kate (27-77-80)."
    xxx/ellauri363.html on line 103: Vaikka hän tunnisti kuvista ainakin (pääasiassa myöhemmän) Wittgensteinin, Donald Davidsonin Alasdair McIntyren, Ronald Dworkinin, Robert Brandom, John McDowellin ja erityisesti "herkutteleva herra" Richard Rortyn, Gadamer on ehkä vähemmän tunnettu, ja varmasti vähemmän arvostettu englanninkielisissä filosofisissa piireissä kuin nämä hänen aikalaisensa. Mutta hän saavutti tavattoman kunnioituxen Länsi-Saxassa.
    xxx/ellauri376.html on line 62: Hannu Salama was born 1936 in Kouvola, Kymenlaakso region in Southern Finland. Figures. He spent his childhood in the Pispala district of the city of Tampere, in a traditional working-class area with working class politics and culture. Following in the footsteps of his father, Salama first worked as an electrician and a farm hand. Tollaset kynäilijät on ihmisinä aivan perseenreijästä.
    xxx/ellauri376.html on line 460: Ronald Hingley, author of Russians and Society and a specialist in Dostoevsky´s works, thought this novel a bad one, whereas Richard Pevear (in the introduction to his and Larissa Volokhonsky´s 2003 translation of the novel), vigorously said it´s a good one. Herman Hesse, another teenage novelist, liked it too. Ei kyllä Doston paikka oli loukossa, eihän sillä edes parta kasvanut kunnolla. Vitun pedofiili.
    xxx/ellauri379.html on line 119: One of the most resoundingly Modernist elements of Conrad’s work lies in this kind of early post-structuralist treatment of language—his insistence on the inherent inability of words to express the real, in all of its horrific truth. Marlow’s journey is full of encounters with things that are “unspeakable,” with words that are uninterpretable, and with a world that is eminently “inscrutable.” In this way, language fails time and time again to do what it is meant to do—to communicate. It’s a phenomenon best summed up when Marlow tells his audience that “it is impossible to convey the life-sensation of any given epoch of one’s existence—that which makes its truth, its meaning—its subtle and penetrating essence… We live, as we dream—alone.” Kurtz—as “eloquent” as he may be—can’t even adequately communicate the terrifying darkness he observed around him.“The horror! The horror!” is all he can say. Some critics have surmised that part of Heart of Darkness’s mass appeal comes from this ambiguity of language—from the free rein it gives its readers to interpret. Others posit this as a great weakness of the text, viewing Conrad’s inability to name things as an unseemly quality in a writer who’s supposed to be one of the greats. Perhaps this is itself a testament to the Heart of Darkness’s breadth of interpretability.
    xxx/ellauri379.html on line 347: Putin said, “Whoever does not miss the Soviet Union has no heart.” And then he said, “Whoever wants it back has no brain.” All nations are made up. We invent these concepts of national identity. They’re filled with all sorts of myths. You must realize that Russia has a G.N.P. smaller than Texas. Netanjahu has earned a place next to all-time crooks like Hitler, Mussolini, Pol Pot, and Ronald Reagan. We should be pivoting out of Europe to deal with China in a laser-like fashion, number one. And, number two, we should be working overtime to create friendly relations with the Russians. The Russians are part of our balancing coalition against China. what we have done with our foolish policies in Eastern Europe is drive the Russians into the arms of the Chinese. This is a violation of Balance of Power Politics 101.
    xxx/ellauri380.html on line 305: Jews and Christians don't believe in killing innocent people with suicide bombers, genocide bombers work much better. We see you eye to eye about keeping women under extreme repression treating them as property and slaves, plus about preaching hate instead of love and killing innocent people because they don't believe what you do. I'm American, so don't come to our country except for cleaning purposes, and try to turn it into what you left. If you love what you are leaving just stay there. I mean in Egypt, not Israel, that is forever reserved for us and our likes.
    xxx/ellauri380.html on line 439: Lev Lossev, himself a Russian Jew, discussing the possibility of anti-Semitism in the works of Mr. Solzhenitsyn, expressed clearly his conviction that Mr. Solzhenitsyn was not anti-Semitic. But in presenting the adversary view, as a kind of devil's advocate, he used such words as ''snake'' and ''degenerate'' to describe the Jewish assassin portrayed in ''August 1914'' (words not used by Mr. Solzhenitsyn in the book), and it was thought that such terms beamed in Russian into the Soviet Union might have been misinterpreted.
    xxx/ellauri380.html on line 441: A Jewish scientist named Mark felt a disproportionately large number of unattractive Jews appear in his work.
    xxx/ellauri380.html on line 446: Professor Ulam takes sharp issue with the charges against Mr. Solzhenitsyn. He acknowledges that the assassination of Stolypin ''lends itself'' to an anti-Semitic interpretation, but he continues: ''On balance, over all, taking into account all his work and his entire biography, I don't think you can call Aleksandr Solzhenitsyn an anti-Semite. He has a very sharp pen, I admit. He's extremely passionate. He has some sharp things to say about Jews. But he has sharp things to say about Russians who are not Jews. The most you might say about Solzhenitsyn is that he resents the intrusion of foreign influences into Russian life. But an anti-Semite? No. When you take his whole work and his whole life into account, you must say that he is not anti-Semitic and that he doesn't hate liberalism. He is inconsistent, perhaps, but many great people are inconsistent.' Am I contradicting myself? Okay, I am. I got space for multiplicity (Wilt Whatman).
    xxx/ellauri387.html on line 198: In 1973, Folket i Bild/Kulturfront, a left-wing magazine, published a series of articles written by Guillou and Peter Bratt, revealing a Swedish secret intelligence agency called Informationsbyrån ("The Information Bureau" or IB for short). The articles, based on information initially furnished by former IB employee Håkan Isacson, described the IB as a secret organization that gathered information on Swedish communists and others deemed to be "security risks". The organization operated outside of the framework of the defense and ordinary intelligence, and was invisible in terms of state budget allocations. The articles in Folket i Bild/Kulturfront accused the IB staff of being engaged in alleged murder, break-ins, wiretapping against foreign embassies in Sweden and spying abroad.
    xxx/ellauri387.html on line 333: See, where 'mid work of his own hand he lies, Hän puuhaa omin käsin pikku sorzeissa,
    xxx/ellauri388.html on line 88: In 1913, Maria Lindell moved to Helsinki for the first time. Her first child had died in 1908 within two weeks of its birth. She left her second child in Tampere for care. The third one she kept in a jar. Accused of several thefts, Maria Lindell was imprisoned for the second time on 24 October 1914, and gave birth to a boy while serving her sentence. After being released from prison, Maria Lindell was taken to the women´s shelter, Villa Elseboh, in Huopalahti, maintained by the Finnish Prison Association. According to Kari Selén (remember HIM?) who wrote her biography, Lindell took advantage of the shelter, although at the same time she worked as a babysitter there. Lindell served her third and final prison sentence convicted of thefts from 1920 to 1923. This prison period marked a frontier, after which Maria Lindell became "Madame Minna Craucher" with various phases.
    xxx/ellauri394.html on line 208: At the end of her visit in Massachusetts, Liliʻuokalani began to divide her time between Hawaii and Washington, D.C., where she worked to seek indemnity from the United States.
    xxx/ellauri394.html on line 253: Liliʻuokalani helped preserve key elements of Hawai´i´s traditional poetics while mixing in Western harmonies brought by the missionaries. A compilation of her works, titled The Queen´s Songbook, was published in 1999 by the Queen Liliʻuokalani Trust. Liliʻuokalani used her musical compositions as a way to express her feelings for her people, her country, and what was happening in the political realm in Hawaiʻi. One example of the way her music reflected her political views is her translation of the Kumulipo, the Hawaiian creation chant passed down orally by her great grandmother Alapaiwahine. While under house arrest, Liliʻuokalani feared she would never leave the palace alive, so she translated the Kumulipo in hopes that the history and culture of her people would never be lost. The ancient chants record her family´s genealogy back to the origin story of Hawaiʻi.
    xxx/ellauri394.html on line 349: The ubiquitous "shaka" gesture traces its origins back to the early 1900s when Hamana Kalili worked at Kahuku Sugar Mill. His job as a presser was to feed cane through the rollers to squeeze out its juice. One day, Kalili’s right hand got caught in the rollers, and his middle, index and ring fingers were crushed along with the sugar cane. After that, his job was to prevent kids from jumping on the train and taking joyrides as it slowly approached and departed Kahuku Station.
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