ellauri007.html on line 1268: in our windowless day cabin:
ellauri007.html on line 1363: Despite there being no wind blowing,

ellauri019.html on line 434: Wipe the windows, check the tires, check the oil, dollar gas

ellauri022.html on line 341: Out of the window like a wraith,
ellauri022.html on line 978: out my cock did fling around looking pissing in the wind o’er cliff
ellauri028.html on line 109: “It was my duty to keep buttons on his shirts,” recalled Katy Leary, life-long housekeeper and friend in the Clemens menage, “and he'd swear something terrible if I didn't. If he found a shirt in his drawer without a button on, he'd take every single shirt out of that drawer and throw them right out of the window, rain or shine—out of the bathroom window they'd go.
ellauri037.html on line 365: spring sun, geraniums in windows,
ellauri037.html on line 659: Er verachtete und bemitleidete die Frauen. Seiner Ansicht nach hatten sie nur eine nützliche Eigenschaft: den Reiz der Jugend, der bald schwindet, wenn das hübsche Gesicht und die vollen Brüste einen Mann in die Ehe gelockt haben. Dennoch
ellauri041.html on line 899: doch ihr zu Füssen windet sich

ellauri042.html on line 719: Dostoevsky´s favorite word was “vdrug” (“suddenly”). A lot of events in Dostoevsky´s novels begin suddenly, without preparations and explanation – like seizures. (But he did at times have a manic aura just before.) Dostoevsky also used frequent repetitions of the same word with different intonations. It made an impression of convulsions and shocked the literary critics. He wrote in a meticulous manner, using every empty space of a sheet (see Fig. 2). His style showed a tendency toward extensive and in some cases compulsive writing, and the writings were often concerned with moral, ethical, or religious issues. This may reflect a syndrome of interictal behavior changes that was described in temporal lobe epilepsy by Waxman and Geschwind.
ellauri042.html on line 902: Through windows, and through curtains call on us? Tulet häirimään meitä ikkunan ja verhon läpi?
ellauri048.html on line 380: Morgenwind umflügelt Aamutuulessa keikailee
ellauri048.html on line 1379: A flower beat with rain and wind, Sateen ja tuulen haalistaman kukkasen,
ellauri048.html on line 1410: Sleep, gentle winds, as he sleeps now, Uinukaa, hellät tuulet, se nukkuu nyt,
ellauri048.html on line 1421: I see the cabin-window bright; Mä nään valon hytin ikkunassa;
ellauri048.html on line 1549: To-night the winds begin to rise Tänä iltana tuulet alkaa nousta
ellauri048.html on line 1830: Still onward winds the dreary way;
ellauri050.html on line 214: Clung to the whistling mane of every wind. tartuin joka viheltävään tuuliharjaan.
ellauri050.html on line 244: With her in her wind-walled palace, sen kanssa sen tuulensuojassa,
ellauri051.html on line 567: 25 The sound of the belch'd words of my voice loos'd to the eddies of the wind, Mun äänen röyhtäisemien sanojen ääni irronneena tuulen pyörteisiin,
ellauri051.html on line 779: 203 She hides handsome and richly drest aft the blinds of the window. 203 Hän piilottaa komean ja runsaan puvun ikkunan kaihtimen taakse.
ellauri051.html on line 875: 293 The young sister holds out the skein while the elder sister winds it off in a ball, and stops now and then for the knots, 293 Nuori sisar ojentaa vyyhtiä, kun taas vanhempi sisar kiertää sen irti palloksi ja pysähtyy silloin tällöin solmua varten,
ellauri051.html on line 1024: 436 Night of south winds -- night of the large few stars! 436 Etelätuulien yö -- suurten harvojen tähtien yö!
ellauri051.html on line 1133: 542 Broad muscular fields, branches of live oak, loving lounger in my winding paths, it shall be you! 542 Leveät lihaksikkaat kentät, elävän tammen oksat, rakastava lepotuoli mutkaisilla poluillani, se olet sinä!
ellauri051.html on line 1140: 549 A morning-glory at my window satisfies me more than the metaphysics of books. 549 Aamukirkkaus ikkunassani tyydyttää minua enemmän kuin kirjojen metafysiikka.
ellauri051.html on line 1201: 608 Steep'd amid honey'd morphine, my windpipe throttled in fakes of death, 608 jyrkkä hunajaisen morfiinin keskellä, henkitorveni kuristettu kuoleman väärennöksissä,
ellauri051.html on line 1362: 762 Where the humming-bird shimmers, where the neck of the long-lived swan is curving and winding, 762 Missä kolibri hohtaa, missä pitkäikäisen joutsenen kaula kiemurtelee ja kiertyy,
ellauri051.html on line 1379: 779 Looking in at the shop-windows of Broadway the whole forenoon, flatting the flesh of my nose on the thick plate glass, 779 Katson sisään Broadwayn ikkunoihin koko iltapäivän, litistäen nenäni paksua lasia vasten,
ellauri051.html on line 1720: 1110 Belonging to the winders of the circuit of circuits. 1110 Kuuluu piirien käämeihin.
ellauri052.html on line 226: Carpenters hammered under the shaded window,
ellauri052.html on line 227: Wind troubled the window curtains all night long,
ellauri052.html on line 236: And walked to the window. The stony street
ellauri052.html on line 750: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being.
ellauri053.html on line 940: Thou comest. New Year, whirling in a frantic dance amidst the stampede of the wind-lashed clouds and infuriate showers, while trampled by thy turbulence are scattered away the faded and the frail in an eddying agony of death.
ellauri053.html on line 1058: And take your seat at the window
ellauri054.html on line 270: Come to the window, sweet is the night-air! Äitii! tuu ikkunaan! yöilma on makeeta!
ellauri054.html on line 293: Of the night-wind, down the vast edges drear Alas ikäviä valtavia reunoja
ellauri061.html on line 515: Might stop a hole to keep the wind away. tiivistäisi seinän josta talvi tulee sisään!
ellauri066.html on line 368: Moore’s intuition that Pynchon’s Second Equation is real proved to be correct, and he and his colleague correctly assign the angle ϕ to the orientational range of the rocket. But since they did not know that this formula is only one in a set of equations that describe the flight path, the orientation, and the steering of the V-2, the research team was misled in their interpretation of the other parameters and terms. With Müller’s paper, we can finally determine the meaning of each term and compare these with Pynchon’s reading. The first three terms refer, respectively, to the moments of inertia, of air resistance, and of lateral air impact when the rocket yaws, and the term on the right side of the equal sign represents the steering moment of the rudders (Müller, 1957: 90, 91; Kirschstein, 1951: 73, 74). In other words, the left-hand terms describe the orientation of the rocket during flight, which is influenced by external forces such as wind currents and air resistance.
ellauri066.html on line 451: Let their cries find only wind. Saakoot kylmää kyytiä.
ellauri069.html on line 584: Later, Laurel and Richard get married. Stella watches them exchange their wedding vows from the city street through a window. Her presence goes unnoticed in the darkness and among the other curious bystanders. She then slips away in the rain, alone but triumphant in having arranged her daughter's happiness.
ellauri069.html on line 658: Once on a high and windy hill
ellauri070.html on line 248: schwindelnd. Aber ihr Schaun, Mutta tyyppien tuijotus häirii
ellauri070.html on line 342: Their four "concentric" terms are derived from Ezekiel's vision (1:4), "And I looked and behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it..." The "Three Impure Qlippot" (completely Tamei "impure") are read in the first three terms, the intermediate "Shining Qlippah" (Nogah "brightness") is read in the fourth term, mediating as the first covering directly surrounding holiness, and capable of sublimation. In medieval Kabbalah, the Shekhinah is separated in Creation from the Sefirot by man´s sin, while in Lurianic Kabbalah Divinity is exiled in the qlippot from prior initial Catastrophe in Creation. This causes "Sparks of Holiness" to be exiled in the qlippot, Jewish Observance with physical objects redeeming mundane Nogah, while the Three Impure Qlippot are elevated indirectly through Negative prohibitions. Repentance out of love retrospectively turns sin into virtue, darkness into light. When all the sparks are freed from the qlippot, depriving them of their vitality, the Messianic era begins. In Hasidic philosophy, the kabbalistic scheme of qlippot is internalised in psychological experience as self-focus, opposite to holy devekut self-nullification, underlying its Panentheistic Monistic view of qlippot as the illusionary self-awareness of Creation.
ellauri070.html on line 465: When the wind is free,
ellauri071.html on line 152: Der "Cornet" entstand in einer ersten Fassung 1899, wurde aber erst 1904 veröffentlicht. Laut einem Brief Rilkes war er das Produkt einer einzigen Nacht, "einer Herbstnacht, hingeschrieben bei zwei im Nachtwind wehenden Kerzen". Auf das Thema stieß Rilke bei einem Onkel, der Ahnenforschung betrieb. Als Beleg für die adlige Herkunft seiner Familie hatte dieser die Kopie eines alten Aktenauszugs gefunden, der sich auf einen gewissen "Christoph Rülcke zu Linda" bezieht. Dieser sei 1660 als junger Cornett (Fahnenträger) im österreichischen Heer verstorben. Rilke greift die Handlung auf, verlegt den Tod seines Helden um drei Jahre in den österreichischen Türkenkrieg und macht daraus eine heroische Prosadichtung. Indem er den "Heldentod" poetisch verklärt und mit erotischen Motiven verbindet, trifft der Dichter mit der "Weise von Liebe und Tod des Cornet Christoph Rilke" den Geschmack seiner Zeit. Das Werk wird Rilkes erfolgreichstes und bekanntestes Buch, ist aber wegen der Verherrlichung des Soldatentodes umstritten.
ellauri072.html on line 236: Hän tapasi myös kirjan kirjoittamisen aikoihin nuoren leikkaussalihoitajan Eleonore Schwindtin ja he menivät naimisiin vuonna 1947 ja heille syntyi tytär Gabriele saman vuoden joulukuussa. Vuonna 1995 Frankl vastaanotti Wienin kaupungin kunniakansalaisen nimityksen. Lisäksi hän oli 29 yliopiston kunniatohtori muun muassa Yhdysvalloissa, Tšekissä, Unkarissa ja Israelissa.
ellauri074.html on line 487: At least one death, the result of the defenestration of Dr. Frank Olson, was attributed to Olson's being subjected, unaware, to such experimentation, nine days before his death. Don't worry. Be happy. Leave pipe, socks, and shoes on the windowsill.
ellauri077.html on line 365: Morris further stated that the more rounded shape of human female breasts is like a shopwindow for their buttocks.
ellauri080.html on line 411: Highly distractible children will quickly shift their attention from one thing to another. They may not be able to focus on a conversation over dinner if they see a dog outside the kitchen window. They may be very attuned to details and have a hard time focusing in places and spaces that are busy and loud. Children with low distractibility find it easy to get really focused on a task. They get absorbed in a book even though there’s a noisy gathering of people in the same room. These children can block out many distractions and really focus their attention on what they are working on.
ellauri080.html on line 609: Life on the island. A running gag is the castaways' ability to fashion a vast array of useful objects from bamboo, gourds, vines and other local materials. Some are simple everyday things, such as eating and cooking utensils, while others (such as a remarkably efficient lie detector apparatus) are stretches of the imagination. Russell Johnson noted in his autobiography that the production crew enjoyed the challenge of building these props. These bamboo items include framed huts with thatched grass sides and roofs, along with bamboo closets strong enough to withstand hurricane-force winds and rain, the communal dining table and chairs, pipes for Gilligan's hot water, a stethoscope, and a pedal-powered car.
ellauri082.html on line 191: windows.net/funday/2017/12/0e685d83-7883-4673-9278-b876886fbb89.gif" />
ellauri082.html on line 242: Of easy wind and downy flake. Levollinen suhina ja pehmyt lumi.
ellauri088.html on line 563: Mrs. P. arouses us.—George, the sluggard.—The “weather forecast” swindle.—Our luggage.—Depravity of the small boy.—The people gather round us.—We drive off in great style, and arrive at Waterloo.—Innocence of South Western Officials concerning such worldly things as trains.—We are afloat, afloat in an open boat.
ellauri090.html on line 126: Palha’s business flourishes as Rubião’s wealth begins to dwindle. Rubião becomes subject to fits of madness, believing that he is Napoleon III of France. When Rubião gets into a carriage alone with Sophia, she thinks he is still attracted to her. She panics and orders him to get out. Thinking he is Napoleon III, Rubião treats Sophia as if she were the emperor’s mistress, but eventually he leaves the carriage.
ellauri093.html on line 87: The wind began to howl
ellauri095.html on line 55: Hopkins did live such a life, but the windhover reminded him of Jesus’ great achievements after Nazareth. The windhover “stirred” his desire to become a great knight of faith, one of those who imitate not only the constraint but also the “achieve of, the mastery of” this great chevalier. The “ecstasy” of the windhover recalls Hopkins’s initial desire in “Il Mystico” to be lifted up on “Spirit’s wings” so “that I may drink that ecstasy/Which to pure souls alone may be.” Ultimately, Hopkins became aware that he had been hiding from the emotional risks of total commitment to becoming a “pure” soul. The phrase “hiding” thus suggests not only hiding from the world or from worldly ambition but also hiding from God.
ellauri095.html on line 73: Rebuffed the big wind. My heart in hiding ison tuulen tyrkkäämänä. Mun kaapitettu sydän
ellauri095.html on line 186: He uses many archaic and dialect words but also coins new words. One example of this is twindles, which seems from its context in Inversnaid to mean a combination of twines and dwindles. He often creates compound adjectives, sometimes with a hyphen (such as dapple-dawn-drawn falcon) but often without, as in rolling level underneath him steady air. This use of compound adjectives, similar to the Old English use of compounds nouns, concentrates his images, communicating to his readers the instress of the poet´s perceptions of an inkscape.
ellauri095.html on line 546: The phrase “And birds that call/Hoarse to the storm,” invites comparison with the son’s images of the windhover rebuffing the big wind in “The Windhover” (1877) and with the image of the great storm fowl at the conclusion of “Henry Purcell” (1879). The father’s prophecy, “thy sport is with the storm/To wrestle” is fulfilled in Gerard’s The Wreck of the Deutschland and “The Loss of the Eurydice” (1878). These two shipwreck poems, replete with spiritual instruction for those in doubt and danger were the son’s poetic and religious counterparts to his father’s 1873 volume, The Port of Refuge, or advice and instructions to the Master-Mariner in situations of doubt, difficulty, and danger.
ellauri096.html on line 108: Notice that the eliminativist is more radical than the skeptic. The skeptic thinks the concept of knowledge is fine. We just fall short of being knowers. The skeptic treats ‘No man is a knower’ like ‘No man is an immortal’. There is nothing wrong with the concept of immortality. Biology just winds up guaranteeing that every man falls short of being immortal.
ellauri096.html on line 529: Galgalim (galgallim "spheres", "wheels", "whirlwinds" גַּלְגַּלִּים; singular: galgal, גַּלְגַּל), also called ophanim (Hebrew "wheels" ōphannīm אוֹפַנִּים; singular: ōphān, ofan אוֹפָן), refer to the wheels seen in Ezekiel's vision of the chariot (Hebrew merkabah) in Ezekiel 1:15–21. One of the Dead Sea scrolls (4Q405) construes them as angels; late sections of the Book of Enoch (61:10, 71:7) portray them as a class of celestial beings who (along with the Cherubim and Seraphim) never sleep, but guard the throne of God.
ellauri098.html on line 308: Many tropes originated in literary works. Literature being nearly as old as writing itself, most of The Oldest Ones in the Book date to the classics, most Public Domain Characters appeared in print well before the first TV broadcasts, and even today, with the supposedly dwindling popularity of books in favor of more modern medianote , there are books with enough cultural impact to spawn TV Tropes.
ellauri100.html on line 756: How warm the wind must blow
ellauri100.html on line 818: That shakes in windy weather
ellauri100.html on line 854: Found them no more, but dwindled and grew grey;
ellauri100.html on line 931: The dew not fall’n, the wind not chill;
ellauri100.html on line 983: She dwindled, as the fair full moon doth turn
ellauri100.html on line 1029: Till Laura dwindling
ellauri100.html on line 1175: The kind heart made her windy-paced
ellauri100.html on line 1235: Like a wind-uprooted tree
ellauri100.html on line 1253: Bow’d in the morning winds so brisk to pass,
ellauri106.html on line 350: The group took its name from Bob Dylan´s lyric, "You don´t need a weatherman to know which way the wind blows". (Another jew. )
ellauri109.html on line 703: Dryden was trained in the art of rhetoric and the presentation of arguments for both sides of a given issue. This skill helped him turn his coat when the political winds took sudden turns.
ellauri109.html on line 730: Or as a blast of wind, she rush'd away.
ellauri111.html on line 395: But we are all as an unclean thing, and all our righteousnesses are as filthy rags; and we all do fade as a leaf; and our iniquities, like the wind, have taken us away. (Isaiah 64:6)
ellauri112.html on line 724: "Tully," is a dramedy you'll love so much that you'll want to rewind and watch it all over again. Rewind? What a retro notion.
ellauri115.html on line 392: One night, a drunken mob attacked his house. Rousseau was inside with his mistress, the former scullery maid Thérèse le Vasseur (by whom he had five children that he notoriously abandoned to a foundling hospital), and his beloved dog, Sultan. A shower of stones was thrown at the window. A rock "as big as a head" nearly landed on Rousseau's head, no bed. When a local official finally arrived, he declared, "My God, it's a quarry."
ellauri117.html on line 249: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being.
ellauri119.html on line 272: The most characteristic sign of the presence of the ruach ha-kodesh is the gift of prophecy. The use of the word "ruach" (Hebrew: "breath", or "wind") in the phrase ruach ha-kodesh seems to suggest that Judaic authorities believed the Holy Spirit was a kind of communication medium like breath, or wind. The spirit talks from both ends, sometimes 1wparacl
ellauri119.html on line 493: Fatuous love can be exemplified by a whirlwind courtship and marriage—it has points of passion and commitment but no intimacy. An example of this is "love at first sight".
ellauri132.html on line 870: „Verzeiht, es war der Nachtwind, das Käthli war es nicht." — "Sori, se oli yötuuli, ei se ollut Käthli eli mä."
ellauri132.html on line 935: Und priesen den jungen Geber und aßen und tranken geschwind. Ja kiitti nuorta antajaa aterioiden vankasti.
ellauri133.html on line 872: "Explaining just what I had hoped the story to say is very difficult. I suppose I hoped, by setting a particularly brutal ancient rite in the present and in my own village, to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives." No wonder stones flew through her window.
ellauri140.html on line 728: Styx on yhdysvaltalainen rockyhtye.Se perustettiin Chicagossa vuonna 1961 nimellä "The Tradewinds". Yhtyeen alkuperäiseen kokoonpanoon kuuluivat Dennis DeYoung, Chuck Panozzo ja John Panozzo.Myöhemmin mukaan liittyivät James Young ja John Curulewski.Tällä kokoonpanolla yhtye teki levytyssopimuksen Wooden Nickel Recordsin kanssa vuonna 1971.
ellauri140.html on line 774: Mixt with a murmuring winde, much like the sowne Sekaantuen tuulen ääneen, kuin mehiläisiä
ellauri143.html on line 1314: The learned books count three, with wind as first; of these,

ellauri144.html on line 319: He eventually dropped out of high school, and worked at a variety of jobs, including shoe salesman and store window decorator. One of his first jobs was as a soda jerk. When the drugstore went out of business, Todd had acquired enough medical knowledge from his work there to be hired at Chicago's Michael Reese Hospital as a type of "security guard" to stop visitors from bringing in food that was not on the patient's diet.
ellauri144.html on line 399: Stirs the quicksand; that ropes the blowing wind törkkii lentohiekkaa; mikä köyttää tuulenpuhurin
ellauri144.html on line 407: And I am dumb to tell a weather´s wind Ja mä olen mykkä kertomaan tuuliselle säälle
ellauri144.html on line 438: With the man in the wind and the west moon; Kuin tuulimies ja länsikuu;
ellauri144.html on line 447: Under the windings of the sea Vellovan merenhuiskeen alla
ellauri144.html on line 448: They lying long shall not die windily; Ne makaa pitkänä muttei pieru vie kuole;
ellauri146.html on line 52: 1833 heiratete er die 10 Jahre ältere Louise Christiane Clostermeier, aber die Ehe erwies sich schnell als unglücklich. 1834 gab er sein Amt auf. Er reiste über Frankfurt am Main, wo er sich mit seinem Verleger überwarf, nach Düsseldorf. Dort hatte er sein Wohnhaus auf der Bolkerstraße 6. Der heutige Nachkriegsbau in der Ritterstraße 21 zeigt eine Steintafel, die auf seinen damaligen Aufenthalt hinweist: „In diesem Hause Litt und Stritt der Dichter Chr. Dietr. Grabbe 1834 bis 1836“. Dort arbeitete er mit Karl Immermann, den er 1831 kennengelernt hatte, an dem von diesem erneuerten Stadttheater. Doch auch diese Zusammenarbeit dauerte wegen der Depressivität und der Alkoholexzesse Grabbes nicht lange. 1836 kehrte er noch einmal nach Detmold zurück; seine Frau reichte die Scheidung ein. Noch im selben Jahr starb Grabbe in seiner Geburtsstadt an Rückenmarksschwindsucht, totalement épuisé par l'alcoolisme, aupres sa femme, le seul être qui soit resté disposé à l'accueillir. LOL.
ellauri146.html on line 59: SCHULMEISTER (sitzt am Tische und schenkt aus einer großen Flasche sich ein Glas nach dem andren ein). Utile cum dulci, Schnaps mit Zucker! – Es wird heute ein saurer Tag, – ich muß den Bauerjungen die erste Deklination beibringen. Ein Bauerjunge und die erste Deklination! Das kommt mir vor als wenn ein Rabe ein rein Hemd anziehen wollte! (Er blickt durch das Fenster.) Alle Wetter, da kommt der schiefbeinige Tobies mit seinem einfältigen Schlingel! Schwerenot, wo verstecke ich meinen Schnaps? – geschwind, geschwind, ich will ihn in meinen Bauch verbergen! (Er säuft die Bouteille mit einer entsetzlichen Schnelligkeit aus.) Ah, das war ein Schluck, dessen sich selbst Pestalozzi nicht hätte zu schämen brauchen! Die leere Flasche zum Fenster hinaus!
ellauri146.html on line 129: Verweht im Abendwind. Mi huojuu iltatuulessa.
ellauri146.html on line 748: Pale rain over the dwindling harbour Kalvas sade yllä pienenevän sataman
ellauri147.html on line 582: Auch nicht die verfallstheoretischen Diagnosen, die daran den Verlust von Scham, die Auflösung des Überich oder gar das Verschwinden des Subjekts meinen ablesen zu können. Dem notorischen Verachtungsdiskurs mag ich mich schon deshalb nicht anschließen, weil er von Autoren geführt wird, die sich selbst gerne im Rampenlicht der Öffentlichkeit sehen und um Aufmerksamkeit ringen, also partizipieren am medialen Spiel um Bedeutung, das sie zugleich so angewidert diagnostizieren. In der öffentlichen Anerkennung, nicht im stillen Kämmerlein, erweist sich geradezu ihre Identität als Intellektuelle – auch sie wollen schließlich gesehen, gehört, beachtet und schließlich anerkannt werden. Dazu müssen sie einen Markt finden, der ihre Produkte abnimmt, und am medialen Wettbewerb teilnehmen, ob sie das wollen oder nicht.-->
ellauri147.html on line 598: Hat hier ein Infantilisierung der Gesellschaft stattgefunden, die im Gegenzug die Kindheit als abgegrenzte Phase zum Verschwinden bringt; oder sollen wir von einer kollektiven Regression unter der totalisierenden Herrschaft der Warenproduktion sprechen sollen, welche auch das Selbst noch zur Ware macht, die verkauft werden muss. Das Videor ergo sum ist gewissermaßen das geheime Mantra einer narzisstischen Phantasie, die in den Kapriolen der zeitgenössischen Lebenswelt immer wieder aufs Neue inszeniert wird.
ellauri147.html on line 703: In der Geschichte der Psychoanalyse als einer klinischen Wissenschaft wird der Begriff der narzisstischen Störung häufig mit der Kategorie der „frühen Störung“ verbunden oder gleichgesetzt. Er dient zur Kennzeichnung eines säkularen Strukturwandels seelischer Krankheit, der als Verschiebung der Fixierungsstellen auf frühere präödipale Ebenen beschrieben wird, als Störung bei der frühen Ich-Bildung gegenüber den später entstandenen ödipalen Konflikten. Die Frage, ob die klassischen Übertragungsneurosen, an denen Freud die Psychoanalyse als Behandlungsmethode und klinische Theorie entwickelt hat, historisch im Schwinden begriffen sind und psychopathologischen Zustandsbildern weichen, deren Pathogenese früher anzusiedeln ist, ist bereits seit den dreissiger Jahren eine chronische Streitfrage im psychoanalytischen Diskurs. Es gebe einen historischen Wandel in den Formen seelischer Krankheiten – so die Dauerthese -, der sich in einer Abnahme von hysterischen, phobischen und zwangsneurotischen Erkrankungen einerseits, einer Zunahme von sog. „frühen Störungen“ zeige, zu denen Selbstwert- und Identitätsstörungen, Suchterkrankungen, Perversionen, Borderline-Persönlichkeits-Strukturen und narzisstische Störungen gezählt werden.
ellauri147.html on line 715: Horkheimers Diagnose des „schwindenden“ Ich(2), Adornos Hinweis auf den „sozialisierten Narzissmus“ oder „kollektivistische Derivate“ des Narzissmus(3), Marcuses Diktum vom „Veralten der Psychoanalyse“(4) ist dieser zeitdiagnostische Kern gemeinsam. Auch Habermas übernimmt diese These, wenn er mit dem Strukturwandel der Kleinfamilie die „abnehmende Bedeutung der ödipalen Problematik“ diagnostiziert und gegenüber den beinahe „ausgestorbenen“ Hysterien und „drastisch“ verringerten Zwangsneurosen unter ausdrücklichem Verweis auf Kohut feststellt: „statt dessen häufen sich narzisstische Störungen“.(5)
ellauri147.html on line 725:
ellauri147.html on line 729: Reiche sieht in der nostalgischen Verklärung „der intakten Neurose in einer intakten Familie in einer intakten Kultur“(11) einen mit Endzeitstimmungen verbundenen Ursprungsmythos des – historisch verschwindenden – autonomen Ichs, das ohne angemessene Internalisierung von Autorität und Wertorientierung nicht mehr konflikt- und sublimierungsfähig sei und sich in Gestalt früher narzisstischer Störungen ausdrücke – und er erkennt darin vor allem die Abhängigkeit der diagnostischen Zuordnung vom latenten Weltbild des Psychoanalytikers.
ellauri151.html on line 288: Im Skeptizismus erfährt das Bewußtsein in Wahrheit sich als ein in sich selbst widersprechendes Bewußtsein; es geht aus dieser Erfahrung eine neue Gestalt hervor, welche die zwei Gedanken zusammenbringt, die der Skeptizismus auseinander hält. Die Gedankenlosigkeit des Skeptizismus über sich selbst muß verschwinden, weil es in der Tat ein Bewußtsein ist, welches diese beiden Weisen an ihm hat. Diese neue Gestalt ist hiedurch ein solches, welches für sich das gedoppelte Bewußtsein seiner als des sich befreienden, unwandelbaren und sichselbstgleichen, und seiner als des absolut sich verwirrenden und verkehrenden – und das Bewußtsein dieses seines Widerspruchs ist. – Im Stoizismus ist das Selbstbewußtsein die einfache Freiheit seiner selbst; im Skeptizismus realisiert sie sich, vernichtet die andere Seite des bestimmten Daseins, aber verdoppelt sich vielmehr, und ist sich nun ein Zweifaches. Hiedurch ist die Verdopplung, welche früher an zwei einzelne, an den Herrn und den Knecht, sich verteilte, in eines eingekehrt; die Verdopplung des Selbstbewußtseins in sich selbst, welche im Begriffe des Geistes wesentlich ist, ist hiemit vorhanden, aber noch nicht ihre Einheit, und das unglückliche Bewußtsein ist das Bewußtsein seiner als des gedoppelten nur widersprechenden Wesens.
ellauri151.html on line 452: Let us assume that we invited an unknown person to a game of cards. If this person answered us, “I don’t play,” we would either interpret this to mean that he did not understand the game, or that he had an aversion to it which arose from economic, ethical, or other reasons. Let us imagine, however, that an honorable man, who was known to possess every possible skill in the game, and who was well versed in its rules and its forbidden tricks, but who could like a game and participate in it only when it was an innocent pastime, were invited into a company of clever swindlers, who were known as good players and to whom he was equal on both scores, to join them in a game. If he said, “I do not play,” we would have to join him in looking the people with whom he was talking straight in the face, and would be able to supplement his words as follows: “I don’t play, that is, with people such as you, who break the rules of the game, and rob it of its pleasure. If you offer to play a game, our mutual agreement, then, is that we recognize the capriciousness of chance as our master; and you call the science of your nimble fingers chance, and I must accept it as such, it I will, or run the risk of insulting you or choose the shame of imitating you.” … The opinion of Socrates can be summarized in these blunt words, when he said to the Sophists, the leaned men of his time, “I know nothing.” Help! TLDR!
ellauri155.html on line 914: Blow what winds would, the ancient truth was mine, Sama puhalsiko tuuli, vanha totuus oli mulla,
ellauri156.html on line 64: A few hours later, my uncle came by to visit my grandmother. He was just entering the driveway, very near the little mobile home where the altercation occurred earlier. Unfortunately, my uncle was driving a car which looked similar to the one driven by the estranged husband's adversary parked outside the trailer earlier in the day. Gunshots rang out as the enraged husband fulfilled his vow. The rifle easily penetrated the windshield, and my uncle was instantly killed -- by mistake. The angry husband had killed my uncle, falsely assuming that he was his adversary.
ellauri156.html on line 122: What keeps David home in Jerusalem? Why doesn’t David go to the battle? I fear there are perhaps several reasons. The first is David's arrogance. God has been with David in all of his military encounters and given him victory over all his foes. God has given David a great name. David has begun to believe his own press clippings. He begins to feel he is invincible. David seems to have come to the place where he believes his abilities are so great he can lead Israel into victory, even though he is not with his men in battle. He was just getting bored. God should not have helped him TOO much, that was like taking the wind from his sails. Any parent knows that much.
ellauri156.html on line 234: As I read these verses in 2 Samuel, I am reminded of the Alfred Hitchcock movie, “Rear Window.” If my memory is correct, Jimmy Stewart and Grace Kelly star in this thriller about a photographer who is recovering from an injury and confined to his apartment. From out of his “rear window,” Stewart watches his neighbors through their windows. Eventually he uncovers a murder and is almost killed himself, along with his girlfriend. Älä pieni perssilmä kazo minne vain.
ellauri156.html on line 522: However, according to Josephus, in Antiquities, Book 7, Chapter 1, Joab had forgiven Abner for the death of his brother, Asahel, the reason being that Abner had slain Asahel honorably in combat after he had first warned Asahel and tried to knock the wind out of him with the butt of his "spear". However, probably by intervention of God, his obtuse tool went through Asahel. The Bible says everyone stopped and gawked. That shows that something like this never happened before. This battle was part of a civil war between David and Ish-bosheth, the son of Saul. After this battle Abner switched to the side of David and granted him control over the tribe of Benjamin. This act put Abner in David's favor.
ellauri160.html on line 67: And the first autumn wind added fallen leaves. The leaves fall early this autumn, in wind.
ellauri160.html on line 135: He took courses in English in 1907, where he fell out with just about everyone, including the department head, Felix Schelling, with silly remarks during lectures and by winding an enormous tin watch very slowly while Schelling spoke. In the spring of 1907 he learned that his fellowship would not be renewed. Schelling told him he was wasting everyone's time, and he left without finishing his doctorate.
ellauri160.html on line 181: This was the first of three winters Pound and Yeats spent at Stone Cottage, including two with Dorothy after she and Ezra married in 1914. "Canto LXXXIII" records a visit: "so that I recalled the noise in the chimney / as it were the wind in the chimney / but was in reality Uncle William / downstairs composing / that had made a great Peeeeacock / in the proide ov his oiye."
ellauri160.html on line 397: Heavy with weeping, and winds from sternward Itkun raskaita, ja tuuli peräpäästä
ellauri160.html on line 400: Then sat we amidships, wind jamming the tiller, Siinä meitä istui poikia tuhdolla, tuuli painoi perämelaa,
ellauri161.html on line 505: BUT what this movie really is, is a last warning by some of the world's finest actors, that we must ACT NOW against global warming by replacing fossil fuels by solar and wind energy. It can easily be done, if only the powers that be dont object and oppose...
ellauri164.html on line 513: Moses: A Man of Selfless Dedication by Chuck Swindle
ellauri171.html on line 459: Fairly soon, Ahaziah died in an accidental fall through a lattice window in his palace (now that’s hard to believe), and was succeeded by his brother Jehoram.
ellauri171.html on line 463: Jehu was merciless, and Jezebel died horribly. She was first thrown from the window of her palace, then trampled to death by chariot horses driven over her still-living body.
ellauri171.html on line 466:
When Jehu came to Jezreel, Jezebel heard of it; she painted her eyes and adorned her head, and looked out of the window. As Jehu entered the gate, she said “Is it peace, Zimri, murderer of your master?”
ellauri171.html on line 467: He looked up to the window and said “Who is on my side? Who?” Two or three eunuchs looked out at him. He said “Throw her down.” So they threw her down; some of her blood spattered on the wall and on the horses, which trampled on her. Then he went in to dinner. …..
ellauri171.html on line 956: In the Baal Cycle, Ba'al Hadad is challenged by and defeats Yam, using two magical weapons (called "Driver" and "Chaser") made for him by Kothar-wa-Khasis. Afterward, with the help of Athirat and Anat, Ba'al persuades El to allow him a palace. El approves, and the palace is built by Kothar-wa-Khasis. After the palace is constructed, Ba'al gives forth a thunderous roar out of the palace window and challenges Mot. Mot enters through the window and swallows Ba'al, sending him to the Underworld. With no one to give rain, there is a terrible drought in Ba'al's absence. The other deities, especially El and Anat, are distraught that Ba'al has been taken to the Underworld. Anat goes to the Underworld, attacks Mot with a knife, grinds him up into pieces, and scatters him far and wide. With Mot defeated, Ba'al is able to return and refresh the Earth with rain.
ellauri171.html on line 994: The final time we hear of Jezebel (an entire chapter later) is just before her demise. Having just killed the sitting king and son of Jezebel, Jehu enters town to do the same to her. As she sees Jehu, Jezebel stands at the window, issues one last zinger insult, and then puts on makeup. Jehu commands the eunuchs to throw her down, they do so, and Jezebel is trampled. The donning of makeup is the final impetus for her conception as a whore. The most popular interpretation is that Jezebel puts on makeup in effort to seduce Jehu, but this interpretation is not bolstered by the text. Jezebel is the sitting Queen, presumably old in age by now, and has performed in a political function her entire life. She very likely understands that she is about to die and even issues one last insult as Jehu approaches. A more compassionate reading of the text would indicate that Jezebel, for lack of a better term, “goes out with a bang.” Except Jehu hardly banged her If she was an old hag by then.
ellauri171.html on line 995: As she regally awaits Jehu in the Jezreel palace, some palace officials squeeze her through the lattice window, most likely piece by piece. By the time Jehu has finished eating, he orders that she be buried “for she is a king’s daughter” (2 Kings 9:34), but the dogs supplied by Elijah's goons have already eaten most of her carcass—in keeping with Elijah’s prophecy.
ellauri171.html on line 1024: Israel’s most accursed queen carefully fixes a pink rose in her red locks in John Byam Liston Shaw’s “Jezebel” from 1896. Jezebel’s reputation as the most dangerous seductress in the Bible stems from her final appearance: her husband King Ahab is dead; her son has been murdered by Jehu. As Jehu’s chariot races toward the palace to kill Jezebel, she “painted her eyes with kohl and dressed her hair, and she looked out of the window” (2 Kings 9:30).
ellauri171.html on line 1145: Other wives of David and their children would be sympathetic, but would quickly look to see what they could gain from Amnon’s crime – which way the wind blew, and what chance might there be to seize some political advantage for themselves. Among them would be Bathsheba, a commoner newly introduced into the harem.
ellauri172.html on line 387: Rafft von seinem Lager sich geschwind: Nousee vuoteestansa vikkelään,
ellauri172.html on line 486: Öffnet das bekannte Schloß geschwind: Se avaa tutun lukon helposti:
ellauri172.html on line 495: Doch sie windet gleich sich selbst hervor. Mut tyttö nousee pian jaloilleen
ellauri180.html on line 369: Bobby finally learns about the true nature of Travelers: that he and the others are not actually humans at all, but rather, human-shaped AI silicon dolls created by something called Sonera: the accumulated energy of all positive optimist sentient knowledge and creativity. Contrarily, Great Dane is a rear window dog arisen from Elisa, a dark antithesis of Sonera. Reuniting one last time, Bobby and the Travelers confront Great Dane in a final battle on Third World to begin Hello World's process toward economic liberalism at last.
ellauri180.html on line 386: The sullen wind was soon awake, Synkkä oli yö ja myrskyinen,
ellauri180.html on line 414: So, she was come through wind and rain. Tulihan se sateesta huolimatta sentään,
ellauri180.html on line 447: In summary: a man speaks to some unidentified (and possibly imaginary) auditor, telling us how, on a dark and stormy (or rainy and windy) night, he waited in his cottage for his lover, Porphyria, to arrive. When she turns up, it’s clear Porphyria is of a higher social class than the male speaker: he’s punching above his weight, as they say. Note how she glides in as if she owns the place, and as if she walks on air rather than on the ground like us mere mortals. She wears a hat, cloak, and shawl, and her gloves are soiled, suggesting that they are not used to slumming it in a common man’s cottage and attending to his fire and grate. The fact that she also takes the lead – suggesting she is perhaps used to ordering servants to do her bidding – further hints at her highborn status: she calls to the speaker, and she takes his arm and puts it around her waist. Then, the clincher (in more ways than one): we are told "she Too weak, for all her heart’s endeavour,
ellauri180.html on line 562: The winds were wither'd in the stagnant air, Tuulet kuihtuivat seisovassa ilmanalassa,
ellauri181.html on line 117: Sich in die Büsche schlagen — Sich seitwärz in die Büsche schlagen Die umgangssprachliche Redewendung steht für »heimlich verschwinden, sich davonmachen«: Als die Leute den Gendarm holten, schlug sich der Fremde in die Büsche.
ellauri182.html on line 309: Pappi teljetään paatuneiden rikollisten vankilaan ja poistetaan elävien kirjoista. Aimo retribuutio. Rei ei lähde oikeusteize vaatimaan windfallina haltuunsa tullutta kääröä. Se on äärimmäisen jaloa. Onhan tärkeämpiä kuin asioita kuin raha. Paizi housupuku ostaa väärennetyn tansun Ransulta isolla rahalla. Maedan täti saa sen väärennetyn tansun ja Aimo-parkkipaikan. Kaikki ovat tyytyväisiä. Japsut ovat vähään tyytyväisiä. Niillä ei ole ollut inflaatiota 30 vuoteen. Epätoivoiset japsumiehet ketkä ei pääse Rein lailla tienaamaan tekee muille joukkoharakirejä. Ukemi häpeää niin ettei tule edes kazomaan Rein kipeätä polvea. Rei veti esiin paxun tukun rahaa. Peltitölkissä oli herkullista ohrateetä. Angus Glendinning tallusteli huoneeseen. Falafelliä. All was well.
ellauri189.html on line 152: An old cow polk went ridin one dark and windy day

ellauri189.html on line 196: (The sun had already walked along his wide curve and tinged the grey clouds with a crimson glow; with a yellow light quivering over earth and water, he burnt, setting, on his rich throne. Already his look, full of wonder, does not blind, but spreads mild, visible rays and, taking a short farewell, before burying himself in the deep, he allows mortal eyes to look at him; still – during this last moment he does not hastily disappear, [for he wants] to nourish all creatures with a smile of life; still he glances through the windows in
ellauri189.html on line 736: According to this explanation for the origin of this tradition, at some generation A, some Pashtuns decided they are Bene Israel. Then they convinced or forced the other Pashtuns, although no one has ever heard of it before. Time had passed, and at generation B the tradition was already so acceptable, that not only many (probably most) of the Pashtuns believed it, but they completely forgot that once, at generation A, some Pashtuns invented it and convinced or forced others it is true. Very like the way some zealot Jews in generation A convinced others that their windy god was the only one. But this is irrational.
ellauri192.html on line 607: rested on the windows. nojaili ikkunoihin.
ellauri196.html on line 242: While someone else is eating or opening a window or just walking dully along; kun joku toinen syö, avaa ikkunan tai kävelee muuten vaan;
ellauri197.html on line 427: The wind blew fresh and free. Tuuli navakasti muttei kovasti.
ellauri197.html on line 431: 'Twas sweet, but neither sun nor wind Olihan se kiva, muttei pelkkä sää
ellauri197.html on line 534: Gilles Saint-Paul (2008) argued, based on mathematical models, that human female hypergamy occurs because women have greater lost mating opportunity costs from monogamous mating (given their slower reproductive rate and limited window of fertility),[clarification needed] and thus must be compensated for this cost of marriage. Marriage reduces the overall genetic quality of her offspring by precluding the possibility of impregnation by a genetically higher quality male, with or without his parental investment. However, this reduction may be compensated by greater levels of parental investment by her genetically lower quality husband.
ellauri197.html on line 700: Look up—like summer wind.

ellauri198.html on line 386: Dwindled into a ghost not fit to cope Toivo on multa kutistunut rusinaxi
ellauri204.html on line 434: Niemand weiß, wer der Retter in der Not war, und um es herauszufinden, veranstaltet der König ein Turnier. Dem Sieger soll die Königstochter einen goldenen Apfel zurollen. Der Goldjunge ruft ein zweites Mal seinen Ziehvater, den Eisenhans zu Hilfe und lässt sich von ihm als roter Ritter ausstaffieren. Natürlich gewinnt er den goldenen Apfel. Doch anstatt sich als Sieger zu erkennen zu geben, zieht er sich wieder zurück. Deshalb wird ein weiteres Turnier veranstaltet, bei dem der Goldjunge als weißer Ritter als Sieger einen zweiten goldenen Apfel gewinnt und anschließend wie beim erstenmal verschwindet. Beim dritten Turnier holt er sich als schwarzer Ritter den dritten goldenen Apfel. Als er anschließend wieder verschwinden will, fällt ihm beim schnellen Ritt sein Helm vom Kopf. So können alle sein goldenes Haar sehen.
ellauri214.html on line 529: Share on twitter (opens new window)

ellauri214.html on line 530: Share on facebook (opens new window)

ellauri214.html on line 531: Share on linkedin (opens new window)

ellauri214.html on line 532: Share on whatsapp (opens new window)

ellauri219.html on line 1022: Cheever opetti yliopistoissa luovaa kirjoittamista. Hänen teostensa aiheena ovat varakkaat mutta henkisesti köyhät keskiluokkaiset ihmiset. Kuvauksessa on sekä myötätuntoa että purevaa moralisointia. Cheever says, famously, “the task of the American writer is not to describe the misgivings of a woman taken in adultery as she looks out of the window at the rain but to describe four hundred people under the lights reaching for a foul ball”. Kumpi on tomppelimpaa, sietää kysyä
ellauri222.html on line 205: Horrified that Madeleine and Gersbach might be abusing his child (in the novel, a girl), Herzog rushes off to his deceased father’s house, finds a gun his father owned, and goes to Madeleine’s. It is evening. He creeps into the yard and watches Madeleine and Gersbach through the window, loaded pistol in hand. What he sees is an ordinary domestic scene. Gersbach is giving the little girl a bath. Herzog creeps away.
ellauri222.html on line 207: Actually, these episodes were not entirely invented. Bellow lifted them straight out of “The Brothers Karamazov.” A child tortured by its parents is Ivan Karamazov’s illustration of the problem of evil: what kind of God would allow that to happen? And Herzog with his gun at the window is a reënactment of Dmitri Karamazov, the murder weapon in his hand, spying through the window on his father. Dmitri is caught and convicted of a murder he desired but did not commit. “Herzog,” though, is a comedy. The next day, Herzog gets in a minor traffic accident and the cops discover the loaded gun in his car. But, after some hairy moments in the police station, he is let go. Desperately searching the Great Books for wisdom, Herzog briefly finds himself living in one. He can’t wait to get out.
ellauri222.html on line 583: Nosey Mutchnik is a gangster whom Einhorn swindles in a property deal, although Mutchnik never knows it. Mutchnik later swindles Simon out of two hundred dollars in a gambling pool and has Simon beat up when he protests.
ellauri223.html on line 38: Netissä näytettävät kuvat tulevaisuuden utopioista on tosi dystooppisia. Kaikki on aivan ääreist urbaaneja betoni- lasi- ja muovierämaita mitä jossain voi enintään pilkistää jotain windowsnurmikkoa, ja taivaskin on täynnä jotain pörriäisiä sun muita dröönejä. Miten kukaan voi edes ajatella että siinä oltaisiin menossa johkin parempaan? Tulee hakematta mieleen Netflix-sarja pahansisuisista ämmistä, jotka koittaa panna hanttiin Gileadin ukoille.
ellauri223.html on line 192: However, an increasing number of reports circulated about friction in the marriage, with speculation that this may have been due to Alice's making do with less money than she had once been accustomed to. It was said that she was strongly interested in fame and fortune, and when household finances dwindled, she complained bitterly. Bunten wrote in her Life of Alice Barnham that, upon their descent into debt, she went on trips to ask for financial favours and assistance from their circle of friends. Bacon disinherited her upon discovering her secret romantic relationship with Sir Frodo Underhill. He subsequently rewrote his will, which had previously been very generous—leaving her lands, goods, and income—and instead revoked it all.
ellauri226.html on line 105: we dropped down the shallow, winding road from
ellauri226.html on line 478: neighbors played at all hours of the night, their loud merrymaking in the sack, and their tendency to throw garbage out of their windows. For Derrick, a graduate student at the time, the difference in lifestyles between him and his new neighbors became too much, and he eventually moved out of the apartment because of the behavior of his Hispanic neighbors.
ellauri236.html on line 184: Miss Blandish, the daughter of a millionaire, is kidnapped by some gangsters who are almost immediately surprised and killed off by a larger and better organized gang. They hold her to ransom and extract half a million dollars from her father. Their original plan had been to kill her as soon as the ransom-money was received, but a chance keeps her alive. One of the gang is a young man named Slim, whose sole pleasure in life consists in driving knives (well, his prick as well, got to give that much to him) into other people's bellies. In childhood he has graduated by cutting up living animals with a pair of rusty scissors. Slim is sexually impotent, but takes a kind of fancy to Miss Blandish. Slim's mother, who is the real brains of the gang, sees in this the chance of curing Slim's impotence, and decides to keep Miss Blandish in custody till Slim shall have succeeded in raping her. After many efforts and much persuasion, including the flogging of Miss Blandish with a length of rubber hosepipe, the rape is achieved. (Ei se ihan näin mennyt, George!) Meanwhile Miss Blandish's father has hired a private detective, and by means of bribery and torture the detective and the police manage to round up and exterminate the whole gang. Slim escapes with Miss Blandish and is killed after a final juicy rape, and the detective prepares to restore Miss Blandish to her pristine shape. By this time, however, she has developed such a taste for Slim's caresses(3) that she feels unable to live without him, and she jumps, out of the window of a sky-scraper. Footnote 1945. Another reading of the final episode is possible. It may mean merely that Miss Blandish is pregnant, i.e. she is damaged goods. Maybe she is sad that the baby's dad is dead. But the "interpretation" I have given above seems more in keeping with the general brutality of the book.
ellauri236.html on line 190: It should be noticed that the book is not in the ordinary sense pornography. In this respect it is a flop. Unlike most books that deal in sexual sadism, it lays the emphasis on the cruelty and not on the pleasure. Slim, the ravisher of Miss Blandish, has ‘wet slobbering lips’: this is meant to be disgusting (tho I didn't find it so). But the scenes describing cruelty to women are comparatively perfunctory. The real high-spots of the book are cruelties committed by men upon other men; above all, the third-degreeing of the gangster, Eddie Schultz, who is lashed into a chair and flogged on the windpipe with truncheons, his arms broken by fresh blows as he breaks loose. My conclusion: Chase is a closet homosexual (I should know)! He's an algolagniac, like Swinburne!
ellauri236.html on line 401: A woman was leaning far out of the window, looking down at the commotion going on in the street below. Eddie could only see her pyjamaed back and legs, and even under the pressure in his pants, he found himself thinking she had a nice shape.
ellauri238.html on line 421: Und es sausten die Peitschenwinde! Piiskatuulet vonkuivat!
ellauri238.html on line 924: even winds did. Not all the sails. tuuletkin. Ei kaikki purjeet kyllä.
ellauri240.html on line 61: Another Jewish woman, Nora Barnacle burned most of the letters she received in 1909 from her lover who signed his name, “Jim.” But she didn’t destroy all of them. Indeed, they have survived all these years. In one of them, Jim, aka James Joyce, wrote to his muse whom he called his “little fuckbird,” “Fuck me, darling, in as many ways as your lust will suggest.” He went on and on: ”Fuck me dressed in your full outdoor costume with your hat and veil on, your face flushed with the cold and wind and rain and your boots muddy.” Sellaisia ne miehet on, koprofiilejä.
ellauri240.html on line 103: Nancy steps outside into a bright and foggy morning where all her friends and her mother are still alive. Nancy gets into Glen's convertible to go to school when the green and red striped top suddenly comes down and locks them in as the car drives uncontrollably down the street. Three girls in white dresses playing jump rope are heard chanting Krueger's nursery rhyme as Marge is grabbed by Krueger through the front door window. What a sad compromise! All just so they can keep on making sequels to the film. WTF. I can't stand film directors.
ellauri240.html on line 134: Fred was the president and chairman of Andersen Corp., America's largest manufacturer of windows and patio doors, from 1914 until he retired in 1972. He served the company for more than 75 years. Katherine also devoted much of her time to the company, serving on the board of directors for 50 years. In 1959, the couple created the Andersen Foundation, now called the Fred C. and Katherine B. Andersen Foundation.
ellauri241.html on line 308: The eastern soft wind, and his galley now Itäinen pehmeä tuuli, ja hänen keittiönsä nyt
ellauri241.html on line 871: Through verdurous glooms and winding mossy ways. Vehreän synkkyyden ja mutkaisten sammaleiden kautta.
ellauri241.html on line 1162: Deep abyss, winding passages, silver grots, giant range,

ellauri241.html on line 1485: Feeding from her white fingers, on the wind

ellauri241.html on line 1571: Of wind and waters: 'tis past human wit

ellauri243.html on line 135: Nevada is home to a number of federal reservations and colonies. The major tribes are the Washouts, Northern Paiute, Southern Paiute, and Western Shoeshines. Many have been hit disproportionately hard by the coronavirus and may have pre-existing health conditions or live in remote areas with limited access to medical care. In the Reno-Sparks Indian Colony, a clever color-coded card system was set up for people to signal from their windows for help with a health issue, food shortage, or other problem.
ellauri243.html on line 630: The smaller goal you set, the further off course you´ll wind up. That´s why setting a specific goal is so important.
ellauri243.html on line 647: Pilots use the 1 in 60 rule to remind themselves to constantly monitor their progress and make quick course corrections. You also know where you want to go. But you´ll never get there if you don´t regularly monitor and revise your goal based on your progress. And if you don´t start out on the right path. Remember, the 1 in 60 rule states that starting out, one degree off means winding up one mile off 60 miles later. Or so. So don´t just correct your course along the way. Create and follow a process that is proved to work. Pick someone who has achieved something you want to achieve. Like a Brad, if you happen to be a Ralph. Deconstruct his or her process. Then follow it, and along the way make small corrections as you learn what works best for you. That way, when you travel your own version of 60 miles, you´ll arrive precisely where you hoped to be. Up a shit creek without a paddle, with Brad 60 miles ahead of you. Forgot to warn: don´t pick a moving target!
ellauri244.html on line 457: Lily Faye, a friendly frog gets upset with her neighbor Mr. Oak Tree. She sees children entering a schoolhouse and she learns that those students are called mammals. Lily Faye goes to the school to get a closer look. She looks into a classroom window where she learns about the importance of trees. Lily Faye decides to return to the oak tree and apologize for being mean to him.
ellauri244.html on line 569: "I'm sorry if I startled you," the stranger said in a voice as clear and friendly as the wind. "I had you in sight all the time. Just playing...I wouldn't have hit you."
ellauri245.html on line 346: Gypsies are swindlers.
ellauri246.html on line 214:       Wave their broad curtains in the south-wind's breath, Ne liehuvat löunatuulen kyydissä,
ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. ​Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
ellauri247.html on line 242: Der Schelmenroman oder pikarischer/pikaresker Roman (aus dem Spanischen: pícaro = Schelm), dessen Ursprung im 16. Jahrhundert in Spanien liegt, schildert aus der Perspektive seines Helden, wie sich dieser in einer Reihe von Abenteuern durchs Leben schlägt. Der Schelm stammt aus den unteren gesellschaftlichen Schichten, ist deshalb ungebildet, aber „bauernschlau“. In der Absicht, die soziale Stigmatisierung aufgrund seiner niederen Geburt zu überwinden, ist er ständig auf der Suche nach Aufstiegsmöglichkeiten und greift dabei nicht selten auf kriminelle Mittel zurück. Er durchläuft alle gesellschaftlichen Schichten und wird zu deren Spiegel. Der Held hat keinen Einfluss auf die Geschehnisse um ihn herum, schafft es aber immer wieder, sich aus allen brenzligen Situationen zu retten.
ellauri247.html on line 320: When William Hogarth first saw Johnson standing near a window in Richardson's house, "shaking his head and rolling himself about in a strange ridiculous manner", Hogarth thought Johnson an "ideot, whom his relations had put under the care of Mr. Richardson".
ellauri249.html on line 108: In a letter Cicero alludes to a number of obscene words, without actually mentioning them. The words which he alludes to but avoids are: cūlus ("arsehole"), mentula ("penis"), cunnus ("cunt"), landīca ("clitoris"), and cōleī ("testicles"). He also objects to words which mean "to fuck", as well as to the Latin word bīnī "two" because for bilingual speakers it sounds like the Greek βινεῖ (bineî) ("he fucks or sodomises", and also to two words for passing wind, vīssiō and pēdō. He does not object to using the word ānus, and says that pēnis, which in his day was obscene, was formerly just a euphemism meaning "tail".
ellauri254.html on line 475: Von birken und von buchs · der wind ist lau · Koivuista ja pyökeistä- on tuuli lauhkea
ellauri254.html on line 482: Verwinde leicht im herbstlichen gesicht. Se kevyesti ruiki syxyiseen naamaani.
ellauri256.html on line 371: “It was an onslaught. Volodya did not just fall in love with me, he attacked. For two and a half years I did not have a minute of peace, literally,” Brik recalled. The impulsive Mayakovsky wrote her letters every day, called her all the time, and waited for her under her windows. As luck would have it, she too was a woman with a heightened sexual curiosity.
ellauri260.html on line 231: Ferdinand Lassalle (geboren am 11. April 1825 in Breslau als Ferdinand Johann Gottlieb Lassal; gestorben am 31. August 1864 in Carouge) war Schriftsteller, sozialistischer Politiker im Deutschen Bund und einer der Wortführer der frühen deutschen Arbeiterbewegung. Ferdinand Lassalle war Sohn des wohlhabenden jüdischen Seidenhändlers Heyman Lassal (auch „Loslauer“ genannt, 1791–1862). Sein Bruder Rochus starb im Alter von drei Jahren an Schwindsucht. Seine Schwester Friederike heiratete den Kaufmann Ferdinand Friedland.
ellauri260.html on line 363: To meet this intolerable emptiness men turned to work, in order to derive from it a worthy aim for their lives. The nineteenth century in particular produced a fine and very successful idealism of work in this sense. With a feverish exaltation of all its forces and a concentration of all its interests it brought the whole of life into subjection to work, but its very success made its defects' clear to everybody, and awakened fresh concern - about the soul. That put wind into the sails ' of Socialism, but, as it recognised no soul beyond one's subjective experience, it could give man as, a whole no purpose and no substance.
ellauri263.html on line 453: Today, Hebron is the capital of the Hebron Governorate, the largest governorate of the State of Palestine, with an estimated population of around 782,227 as of 2021. It is a busy hub of West Bank trade, generating roughly a third of the area's gross domestic product, largely due to the sale of limestone from quarries in its area. It has a local reputation for its grapes, figs, limestone, pottery workshops and glassblowing factories. The old city of Hebron features narrow, winding streets, flat-roofed stone houses, and old bazaars. The city is home to Hebron University and the Palestine Polytechnic University.
ellauri269.html on line 200: Stormwind (suom. Myrskytuuli): Suurin ihmisten kaupungeista, joka sijaitsee Elwynnin metsässä. Se on myös worgenien väliaikainen koti.
ellauri269.html on line 296: The Alliance is the Blue (or rather, star-spangled) Team. They are under the leadership of a king (President) who lives in the City of Stormwind (Washington) in the zone of Elwynn (Washington D.C.), on the continent of the Eastern (as seen from China) Kingdoms.
ellauri269.html on line 344: There are equally long-winded and boring explanations of all the "Classes", which turn out to be more like Nazi corporations than Marxist class identities. I won't go any futher into them since the book I bought is about the Leech King, the boss of the Death Knights. We can think of them as something like the Wagner Group and the Lychee King as Yevgeny Prigozhin.
ellauri269.html on line 360: Jenkkifantasioissa kuulu asiaan ezä olet muita parempi ja rikkaampi mutet anna sen nousta päähän, kusen kuuluu jo olla siellä tukan alla piilossa, ja muidenkin kuuluu tietää se, muuten se on turpasaunan paikka. Naiset kasvattaa kukkia jauhotahra naamassa. Kunkku nyökkää ämmälle kohteliaasti ja palaa miesten asiaan. Stormwind on kaatunut. Sieltä tulee Lordaeroniin imigrantteja. Nyt on piru merrassa. Eloonjääneiden joukossa on prinssi Volkswagen Variant. Onkohan se hampaattoman Opan näköinen? Sen pappa Llama kuoli kahakassa, Opasta tulee poltetun maan uusi kuningas. Kunkkukolleegan kohtalo tuntuu Arthritixestä pahemmalta kuin tuhannet kodittomat piruparat. Arthritixen isä Teiresias salaa peukutti Artun retkiä rotinkaisten parissa. Viisas poliitikko kiertää konstituenttejä ja tarjoo niille kahvia pahvimukeista. Muistathan sitten äänestää minua. Kuningas Teiresias joka istuu timanttituolissa välittää syvästi alamaisista.
ellauri277.html on line 195: For what is it to die but to stand naked in the wind
ellauri278.html on line 312: Keep rollin´, rollin´, rollin´ Though the streams are swollen Keep them dogies rollin´, rawhide Through rain and wind and weather Hell bent for leather Wishin´ my gal was by my side All the things... Written by: Dimitri Tiomkin, Ned Washington Album: Hell Bent For Leather! Released: 1961. See also: Limp bizkit (USA, Hungary). Itäblokin amerikkalaistuminen oli vuosituhannen vaihtuessa pitkällä, eikä ihme, Stalinkin lemppareita oli länkkärit.
ellauri281.html on line 311: Keep rollin´, rollin´, rollin´ Though the streams are swollen Keep them dogies rollin´, rawhide Through rain and wind and weather Hell bent for leather Wishin´ my gal was by my side All the things... Written by: Dimitri Tiomkin, Ned Washington Album: Hell Bent For Leather! Released: 1961. See also: Limp bizkit (USA, Hungary). Itäblokin amerikkalaistuminen oli vuosituhannen vaihtuessa pitkällä, eikä ihme, Stalinkin lemppareita oli länkkärit.
ellauri283.html on line 108: Äußerlich scheint die Familie noch völlig intakt zu sein, aber seit sein älterer Bruder vor einigen Jahren verschwunden ist, sind die Eltern des zwölfjährigen Oliver (Nathan Gamble) völlig auf den verlorenen Sohn fixiert. Seine Mutter Joan (Dendrie Taylor) verfiel in Depressionen und sein Vater Gus (Corbin Bernsen) war nur noch am arbeiten. Jetzt zweifelt Oliver an dem Sinn seines Lebens. Die Frage, ob der Glaube an Gott oder der Glaube an die Wissenschaft richtig ist, oder beide, oder keiner von den beiden, beschäftigt ihn. Da seine Eltern ihm auf seine Fragen keine Antwort geben können, sucht er Rat bei seinem Biologie-Lehrer, in Fachbüchern und in der Kirche. Doch niemand scheint ihm seine ersehnte Erkenntnis liefern zu können. Als Oliver schon die Hoffnung aufgeben will, naht eine unerwartete Erlösung. Als auch ihr zweiter Sohn verschwindet, verstehen seine Eltern endlich, was ihn beschäftigt: ein schwarzer Engel, der auf einer Rakete reitet.
ellauri284.html on line 617: “I said no as politely as possible,” Prithviraj Chavan, the state leader, recalled. “Builders routinely seek such relaxations from municipal authorities, a little tweaking here and there and they stand to make a huge windfall. Local authorities usually have some discretion. But the relaxation he was asking me for was bigger than what most builders ask.”
ellauri285.html on line 772: the butterfly-like first figure provided by Fredrickson and Losada is not a model of the data taken from their human participants, but "the results of computer simulations of the Lorenz equations, nothing more"; and based on the maths, even if precise positivity/negativity ratios could be derived, several "windows" of desirable and undesirable positivity/negativity ratios above a certain value should exist, rather than a simple range of ratios in which "flourishing" should occur.
ellauri301.html on line 100: The extraordinary global success of Swedish and later Norwegian crime fiction as a form of escapist literature for men had several causes. One is that police work is one of the last wholly unionised jobs in the world, so that our hero will never be sacked for anything other than gross misconduct – of which he, being the hero, is never really guilty. In the optimistic 60s, James Bond was distinguished from other middle-aged men by his licence to kill but by the 90s the policeman as a fantasy hero had a licence to keep his job. In the economic whirlwind of globalisation, this was something that a lot of frustrated middle-aged men could only dream of.
ellauri302.html on line 260: Manke, approaching the window. It's raining. And what a thin drizzle. And how sweet it smells... Let's go out.
ellauri302.html on line 269: Rifkele thrusts her head through the window. She is in her night clothes, covered by a light shawl. She whispers cautiously.
ellauri302.html on line 282: Manke: Wait, Rifkele, I'm coming right out to you. (Jumps down from the chair and runs up the stairs.) I 'm coming out to you. Just a moment and I'm with you. (She leaves. Rifkele disappears from the window.)
ellauri302.html on line 369: Yekel, in the same hoarse voice, as he paces about the room. It's all the same to me now. My soul is given over to the devil. Nothing will help. It's no use. God won't have it... (He stops before the window and peers through an interstice of the shutter.)
ellauri302.html on line 372: Yekel! (Dragging him away from the window.) What's come over you? Act 3 while there is yet time! He might take her off somewhere while we're wasting time here. Let's be off to him at once. Hindel must surely have taken her to him. What are you standing there for? (Abruptly.) I've sent for Reb Ali. We'll hear what he has to say. (Pause. Yekel still peers through the shutter spaces.) What are you staring at there? (Pause.) WTiy don't you say something? Good heavens, its enough to drive a woman insane! (Turns away and hursts into tears.)
ellauri302.html on line 391: Reb Ali, enters, carrying a lantern. What's happened, that you had to call me before daybreak? (Going to the window and peering through the shutter spaces.) It's almost time for the morning prayers.
ellauri302.html on line 422: Fine! Then what's all this commotion about? The whole town will know all about it before long. Such things should be kept dark. They're not nice. If a prospective father-in-law ever got wind of the story, her dowry would have to be raised a couple of hundred roubles...
ellauri302.html on line 428: Fie! You're out of your head altogether. True, a misfortune has befallen you. May Heaven watch over aU of us. Well? What? Misfortunes happen to plenty of folks. The Lord sends aid and things turn out all right. The important point is to keep your mouth shut. Hear nothing. See nothing. Just wash your hands clean of it and forget it. (To Reizel.) Be careful what you say. Don't let it travel any further, God forbid. Do you hear? (Turns to Yekel, who is staring vacantly into space.) I had a talk with... (Looks around to see whether Reizel is still present. Seeing her, he stops. After a pause he begins anew, more softly, looking at Reizel as a hint for her to leave.) With er, er... (Casts a significant glance at Reizel, who at last understands, and leaves.) I had a talk with the groom's father. I spoke to him between the afternoon and evening prayers, at the synagogue. He's almost ready to talk business. Of course I gave him to understand that the bride doesn't boast a very high pedigree, but I guess another hundred roubles will fix that up, all right. Nowadays, pedigrees don't count as much as they used to. With God's help I'll surely be here this Sabbath, with the groom's father. We'll go down to the Dayon and have him examine the young man in his religious studies... But nobody must get wind of this tale. It might spoil everything. The father comes of a fine family and the son carries a smart head on his shoulders. There, there. Calm yourself. Trust in the Lord and everything will turn out for the best. With God's help I am going home to prepare for the morning prayer. And as soon as the girl returns, notify me. Remember, now. (About to go.)
ellauri316.html on line 771: Muuten syntyisi vähenevistä ruokavaroista tuhoisa taistelu. What else is new? Ei, tehoviljelyxen aiheuttamista haitoista voidaan vapautua kulkemalla vain eteenpäin, kuin ravut perse edellä, lakoamalla loputkin aarniot windows-monokulttuureixi joita riistoviljellään jättikoneilla ja myrkyillä. Kaikki ostamaan globaalisten yritysten osakkeita kökköenkulla!
ellauri322.html on line 399: The country during the first day’s journey presented a most barren appearance, as rocky, yet not so picturesque as Norway, because on a diminutive scale. We stopped to sleep at a tolerable inn in Falckersberg, a decent little town with a prettyish little wilderness in the back, though all the windows were to the west.
ellauri324.html on line 244: I live in a wealthy suburb on the outskirts of Silicon Valley in California; trees, flowers, birds, mostly nice neighbors of diverse backgrounds. On the surface, it seems a wonderful place to live, and in many respects, it is, however, if I look out my front window, I see this:
ellauri324.html on line 246: The electricity is distributed via overhead lines, due to an underinvestment in infrastructure: last month, I lost power for over 36 hours because it got a little windy (the world headquarters of Apple, Facebook, and Google are within a ten mile radius of my place). When I ride my bike to the local supermarket this evening, I will have to be careful not to slip on a large and growing patch of gravel on a road that hasn’t been repaired for many years: this, in one of the wealthiest parts of the wealthiest country in the world.
ellauri327.html on line 86: windows.net/stock/662556-0-medium.jpg?v=63717888673210" height="200px" />
ellauri328.html on line 268: Was schwindelt Dir die Brust? Joko alkaa henki loppua?
ellauri345.html on line 300: Was bedeutet die Bewegung (Ostwind)
ellauri345.html on line 302: Ach, um deine feuchten Schwingen (Titel im Buch Suleika: Westwind)
ellauri368.html on line 303: When he (Scrooge McDuck) gave a coin in alms to a poor man, he shouted at him this: 'Why do you sit with thy hands folded? The sleep of the laborer is sweet; go, then, till the earth and live with the labor of thine own hands. Thy hands are not bound, nor are thy feet put into fetters. By Jehovah, all of you are poor, because you hold your hands akimbo. If you had in your possession all the gold of my money bin, you would squander it. Do you perhaps wait for manna to come down from beaven, as it did for those who went out of Egypt, or for the earth to bring forth white bread and garments of fine wool, colored and embroidered, or do you wait for God to open windows in heaven?
ellauri368.html on line 350: S' maaperä eich san wind in wej;

ellauri370.html on line 370: Plays in the street as the cold wind blows
ellauri374.html on line 212: Lucky Lukessa tervatut ja höyhennetyt jäbät olivat skimmingtonin uhreja. Riding the rail (also called being "run out of town on a rail") was a punishment most prevalent in the United States in the 18th and 19th centuries in which an offender was made to straddle a fence rail held on the shoulders of two or more bearers. The subject was then paraded around town or taken to the city limits and dumped by the roadside. In Mark Twain´s book Adventures of Huckleberry Finn (1884), two traveling swindlers known as "The King" and "The Duke" are finally caught in the act and are ridden out of town "astraddle a rail" after tarring and feathering.
ellauri377.html on line 279: 1 Corinthians 6:9 termentää: Do you not know that the wicked will not inherit the kingdom of God? Do not be deceived: Neither the sexually immoral, nor idolaters, nor adulterers, nor men who submit to or perform homosexual acts, nor thieves nor the greedy nor drunkards nor slanderers nor swindlers will inherit the kingdom of God. So bring not six, flee from sexual immorality. Every other sin a man can commit is outside his body, but he who sins sexually sins against his own body and possibly others too.
ellauri386.html on line 363: A raging cloud that runs before the wind,

ellauri389.html on line 302: Just as the Christian God determines what is right and wrong for many if not all monkeys around the world, Nature serves this purpose for the narrator. He is, in this tender moment, directing his monologue not to her but to his sister, Dorothy. They are extraordinarily close and he wishes to share with her his adoration for Nature. He is searching for a way to make his sister understand that placing your heart within the hands of Nature is without risk. She should feel the “mountain-winds” on her skin and not resist them.
ellauri390.html on line 431: Like a lizard on a window pane
ellauri391.html on line 171: In der deutschen theologischen Landschaft gilt Ringleben als orthodox-spekulativer Außenseiter, dessen Koordinaten vor allem Martin Luther, Johann Georg Hamann, der Deutsche Idealismus (Johann Gottlieb Fichte, Georg Wilhelm Friedrich Hegel) und Søren Kierkegaard sind. Eine größere Beachtung haben seine Aufsätze zu Luther, Hegel und seine Auseinandersetzung mit dem Neutestamentler und Fakultätskollegen Gerd Lüdermann gefunden. Ringleben wendet sich gegen einen seiner Ansicht nach verwässerten Neo-Kulturprotestantismus, wie er sich nach dem Schwinden des Einflusses der Dialektischen Theologie Karl Barths in der theologischen Diskussion Geltung verschafft hat. In Anschluss an Adolf Hitler ist er der Überzeugung „Die dogmatische Theologie muss ihre Eigenart in engster Fühlungnahme mit dem vorgegebenen Wort der [Heiligen] Schrift zu finden suchen, weil ihr Denken sonst seiner Sprachlichkeit verlustig geht.“ Pakkoko on olla niin dogmaattinen? Paavi Pentti äityi kiittelemään Silsan näkemystä Herr Jesuxesta. Kun vihollisesi ylistävät sinua, tarkista kantasi.
ellauri408.html on line 210: This week I have mostly eaten acorns. Unelias unexii David Copperfieldin Agnexesta, joka seuraa uskollisesti Davidin joka oikkua ja pääse lopulta palkinnoxi sen kanssa mimmoisiin. While living in Switzerland, David realizes that he loves Agnes. After returning to England he tries hard to conceal his feelings, but realizing Agnes loves him as well, he proposes to her; she accepts. They marry quickly and take residence in London. Agnes bears David at least five children. Like typical Dickensian heroines, Agnes is mainly a passive character, an ideal Victorian lady. Her characterization is often criticized as "too perfect". David often describes her as an angel. She shows the effects of parentification. David often compares Agnes with a church-window. Kuin heiluttaisi patonkia porttikonkissa. Her character was based on Dickens' sisters-in-law Mary and Georgina Hogarth, both of whom were very close to Dickens. Mary died in 1837 at the age of 17, and Georgina, from 1842, lived with the Dickens family. Dickens referred to her affectionately as his "little housekeeper". After Dickens' separation from his wife Catherine, Georgina stayed with him for the rest of his life and took complete responsibility for managing his household. Pukille pääsi takuulla muttei mimmoisiin.

Jean Paul ja Emerson Fittipaldi on sen sanoneet: Suuri kirjailija on se joka osaa tehostaa izeänsä. No noi ei kai sitten osanneet. Yxin jumalaa on mahdoton pitää naurettavana, vai onko? onhan siinä paljon Niilo Visapään piirteitä. Minä tunsin maan uivan aluxena avaruuden sinistä valtamerta. Minä purjehdin keltaisella merellä. Onnettomuutesi, vanha veikko, on että olet akkamainen.
ellauri411.html on line 102: William Schniedewind huomauttaa, että Oded on ainoa profeetta Chroniclesissa, joka ei puhuttele kuningasta. Kazo tännepäin kun puhuttelen sinua. Schweinefleisch väittää, että tämä johtuu siitä, että " kroonikon näkemyksen mukaan ei ollut laillista pohjoista kuningasta, jolle puhua". William M. Schniedewind (s. 1962, New York City ) toimii Kershaw'n muinaisen itäisen Välimeren tutkimuksen katedraalina ja on raamatullisten tutkimusten ja luoteisseemiläisten kielten professori Kalifornian yliopistossa Los Angelesissa.
ellauri419.html on line 178: opening a window or just walking dully along; avatessa ikkunan tai vain kävellessä tylsästi eteenpäin.
ellauri425.html on line 547: But it need not have been like this. In the first days and weeks after Russia invaded Ukraine, there was a window of opportunity for a negotiated settlement in which Ukraine could have lost no further territory and few lives.
ellauri426.html on line 222: Ranut ostivat Ladan ryssistä 2016 ja tunareita vaikka ovatkin, tulivat sillä kolmansixi Dakar-rallissa. Renault took control of the brand in 2016. Technical assistance from the French company started in 2008, after it acquired a minority AvtoVAZ stake. Lada was re-acquired by the Russian government in 2022. In May 2022, due to the ongoing Russian invasion of Ukraine, Renault sold its controlling stake to a state-owned entity, NAMI, for one symbolic rouble. The deal, however, included various opportunities within a six year window for Renault to buy back its assets. I hope it never happens, all Frenchies can do is make fragile cars.
ellauri429.html on line 871: Daniel Pipes identified other more general issues in the book likely to have angered pious Muslims: A complaint in the book by one of the character's companions: "rules about every damn thing, if a man farts, let him turn his face to the wind, a rule about which hand to use for the purpose of cleaning one's behind ...", which was said to mix up "Islamic law with its opposite and with the author's whimsy"; the prophet of Rushdie's novel, as he lies dying, being visited in a dream by the Goddess Al-Lat, on the grounds that this suggested either that she exists or that the prophet thought she did; the angel Gibreel's vision of the Supreme Being in another dream as "not abstract in the least. He saw, sitting on the bed, a man of about the same age as himself", balding, wearing glasses and "seeming to suffer from dandruff". A complaint by one of the characters about communal violence in India: "Fact is, religious faith, which encodes the highest aspirations of human race, is now, in our country, the servant of lowest instincts, and God is the creature of evil".
ellauri432.html on line 337: So I guess I missed the window for my paper ...
ellauri443.html on line 107: Gradually, he said, this gap, this distance between how things were and how I wanted them to be, began to undermine me. I felt myself becoming empty, he said, as though I had been living until now on the reserves I had accumulated over the years and they had gradually dwindled away. It was now that the propriety of his first wife, the health and ­prosperity of their family life and the depth of their shared past, began to smite him. The first wife, after a period of unhappiness, had married again: she had ­become, after their divorce, quite fixated on skiing, going to northern Europe and the mountains whenever she could, and before long had declared herself married to an instructor in Lech who had given her back, so she said, her confidence. That marriage, my neighbor admitted, remained intact to this day. But back in the time of its inception, my neighbor had begun to realize he had made a mistake and had endeavored to restore contact with his first wife, with what intentions he wasn’t quite clear. Their two children, a boy and a girl, were still quite small: it was reasonable enough, after all, that they should be in touch. Dimly he remembered that in the period immediately following their separation, it was she who was always trying to get hold of him; and remembered, too, that he had avoided her calls, intent as he was on the pursuit of the woman who was now his second wife.
xxx/ellauri010.html on line 56: Than if I sought to sail before the wind. en sentään haista tuulta viirikukkona.
xxx/ellauri056.html on line 407: „Die Jahre fliehen pfeilgeschwind
xxx/ellauri068.html on line 395: In der ebenfalls 1929 gedrehten Beef & Steak-Episode „Wir halten fest und treu zusammen“ nimmt Kurt Gerron eine Grammophonplatte mit diesem Titel vom Apparat und isst sie auf; als ihm darauf übel wird und er auf der Toilette verschwindet, hört man dann von dort das Lied tönen...
xxx/ellauri075.html on line 307: Central to Klages' thought is a linguistic opposition to logocentrism, a term introduced by Klages to diagnose a fixation on language or words to the detriment of the things to which they refer. (Put that in your pipe and smoke, Benjamin!) His formulation of this concept came to be of significant importance to semiotic studies of Western science and philosophy, namely within Derridean deconstruction. Klages is similarly seen as a buggybear to critical theory, deep ecology, and existential phenomenology. Historically little of his odious literary output has been available in English, being too thick and long-winded to translate.
xxx/ellauri075.html on line 517: His numerous letters to the many young homosexual men among his close male friends are more forthcoming. To his homosexual friend, Howard Sturgis, James could write: "I repeat, almost to indiscretion, that I could live with you. Meanwhile I can only try to live without you." In another letter to Howard Sturgis, following a long visit, James refers jocularly to their "happy little congress of two". In letters to Hugh Walpole he pursues convoluted jokes and puns about their relationship, referring to himself as an elephant who "paws you oh so benevolently" and winds about Walpole his "well meaning old trunk".
xxx/ellauri076.html on line 131: Kajanus moved with his mother and sister to Paris at the age of twelve where he studied music and classical guitar, as well as attending the Cité Universitaire’s flying school. The family then relocated to Montreal, Quebec, Canada, where Kajanus worked as a stained-glass window designer.
xxx/ellauri085.html on line 545: But, just as many economists predicted, slashing individual, corporate and estate tax rates was mostly a windfall for big corporations and wealthy Americans. The Tax Cuts and Jobs Act did not pay for itself, failed to stimulate long-term growth and did not lead to sustained business investments.
xxx/ellauri086.html on line 417: And indeed you did. I thought that you would rue it; More to blackmail and swindle than teach;
xxx/ellauri086.html on line 797: “Surely,” said I, “surely that is something at my window lattice; Kyl se on se korppi taas, ken nokkivi mun ikkunaa.
xxx/ellauri086.html on line 800: ’Tis the wind and nothing more!” Se on vaan tuuli, usko jo.
xxx/ellauri087.html on line 342: Friedman was an idiosyncratic figure who would be hard to pigeonhole in the current political spectrum, he kinda drops off on the ultraviolet side. He inspired the conservative movement, but was against any discrimination against gay people, in addition to being an agnostic. He was a libertarian who advocated for a progressive income tax system that even went into the negative to ensure that everyone could, at the very least, meet their basic needs. Elon Musk is all for basic income too. But he also wants to send a Tesla to deep space as a token of esteem to alien intelligence. With a piece of cardboard inside the windshield spelling HUMAN. To sum up, Freedman and Musk are both East European emigrants, Elon is not a jew, and Milton was not gay, although a funny guy.
xxx/ellauri091.html on line 851: Mott is honored with a feast day on the liturgical calendar of the Episcopal Church (USA) on October 3. Why it is Helmi's birthday! All the windows are to the west! 😃
xxx/ellauri103.html on line 292: Which brings us to my final point. (Believe me, I am slowly really getting to wind up!) You do not all do it equally well as I. So it’s more than possible that we write from the perspective of a one-legged lesbian from Afghanistan and fall flat on our arses. We don’t get the dialogue right, and for insertions of expressions in Pashto we depend on Google Translate. I know, I had to do it for my Irish boy.
xxx/ellauri114.html on line 265: “See, I will break the bow of Elam, the mainstay of their might. I will bring against Elam the four winds from the four quarters of heaven; I will scatter them to the four winds, and there will not be a nation where Elam’s exiles do not go. I will shatter Elam before their foes, before those who want to kill them; I will bring disaster on them, even my fierce anger,” declares the Lord. “I will pursue them with the sword until I have made an end of them. I will set my throne in Elam and destroy her king and officials,” declares the Lord. "Yet I will restore the fortunes of Elam in days to come,” declares the Lord
xxx/ellauri114.html on line 277: WHO ARE THESE PEOPLE? A case can be made for the view that “Persian” and “Elamite” are not two names for the same people but that having conquered Elam, Persia became the successor to Elam, whose original inhabitants, as Jeremiah’s prophecy indicates, have been scattered to the four winds and absent from the pages of history for over 2,500 years. Evidence of the difference in origin between the Elamites and the Persians came from the mouth of none other than Persian King Darius the Great who said, “I am Darius, the great king, the king of kings, the king of many countries and many people, the king of this expansive land, the son of Wishtaspa of Achaemenid, Persian, the son of a Persian, ‘Aryan’, from the Aryan race” (From Darius the Great’s Inscription in Naqshe-e-Rostam).
xxx/ellauri114.html on line 279: This may explain why Ezekiel, who wrote from Babylon at the same time Jeremiah was writing from Jerusalem, identified one of the major participants in the Battle of Ezekiel 38 as being Persia, and not Elam. God might have informed him, as He did Jeremiah, that the Elamites would be conquered and scattered to the four winds by their Persian neighbors.
xxx/ellauri114.html on line 302: EDOM, MOAB, AND AMMON. Here’s a brief summary of the history and prophecy concerning these three neighbors of Israel who always seem to wind upon the wrong side of things where the Lord is concerned.
xxx/ellauri123.html on line 372: Weinreb grew up in Scheveningen, Netherlands, to which his family had moved in 1916, and became notorious for selling a fictitious escape route for Jews from the occupied Netherlands in the Second World War. When his scheme fell apart in 1944, he left his home in Scheveningen and went into hiding in Ede. He was imprisoned for 3½ years after the war for fraud as well as collaboration with the German occupier. In his memoirs, published in 1969 he maintained that his plans were to give Jews hope for survival and that he had assumed that the liberation of the Netherlands would take place before his customers were deported. The debate about his guilt or innocence—called the “Weinreb affair”—was very heated in the Netherlands in the 1970s, involving noted writers like Renate Rubinstein and Willem Frederik Hermans. In an attempt to end this debate, the government asked the Rijksinstituut Oorlogsdocumentatie (Netherlands institute for war documentation) to investigate the matter. in 1976 the institute issued a report (of which a part already was leaked to the press in 1973), which determined that his memoirs were "a collection of lies and fantasies," and that his collaboration had caused 70 deaths. Although his activities did contribute to some Jews' survival, most Jews who fell for Weinreb's swindle were deported and killed.
xxx/ellauri123.html on line 571: It didn’t matter that the list was arbitrary. What mattered was that it sent me on a path where I would look for rules and principles everywhere, learn to tell the difference, and continue to build my life around them as I went. Like never pee against the wind.
xxx/ellauri123.html on line 1139: Er det værd at betale ekstra for Apple produkter? Min subjektive indstilling er at Apple ikke er ekstraprisen værd, og selv om jeg har både windows og Mac vil jeg sige at det generer mig at appleprodukter er alle mands eje: De bliver solgt på en historie om at være eksklusive, men når alle har dem, ryger eksklusiviteten: jeg vil ikke være som alle de andre der bare køber en mac fordi "det er det eneste rigtige".. (o:
xxx/ellauri125.html on line 807: Grohl and Novoselic sued Love, calling her "irrational, mercurial, self-centered, unmanageable, inconsistent and unpredictable". In February 2003, Love was arrested at Heathrow Airport for disrupting a flight and was banned from Virgin Airlines. In October, she was arrested in Los Angeles after breaking several windows of her producer and then-boyfriend James Barber's home, and was charged with being under the influence of a controlled substance; the ordeal resulted in her temporarily losing custody of her daughter.
xxx/ellauri127.html on line 280: The female figure in the Starbucks logo has been likened to a Melusine. Notice the fork innovation in the tail. In Czech the word meluzína refers to wailing wind, usually in the chimney. This is a reference to the wailing Melusine looking forward to having children.
xxx/ellauri127.html on line 697: As för Monkey its days are numbered, whatever it might do it´s just breaking wind.
xxx/ellauri127.html on line 901: Thy hair soft-lifted by the winnowing wind; Tukka tuulen pörröisexi tupeeraamana
xxx/ellauri127.html on line 916: Or sinking as the light wind lives or dies; Tai painuu hemmettiin kun alkaa vähän tuulla;
xxx/ellauri129.html on line 652: Elizabeth Packard spent the next three years at the Jacksonville Insane Asylum in Jacksonville, IL (now the Jacksonville Developmental Center). She was regularly questioned by her doctors but refused to agree that she was insane or to change her religious views. In June 1863, due, in part, to pressure from her children, who wished her released, the doctors declared that she was incurable and discharged her. Upon her discharge, Theophilus locked her in the nursery of their home and nailed the windows shut. Elizabeth managed to drop a letter complaining of this treatment out the window, which was delivered to her friend Sarah Haslett. Sarah Haslett in turn delivered the letter to Judge Charles Starr, who issued a writ of habeas corpus ordering Theophilus to bring Elizabeth to his chambers to discuss the matter. After being presented with Theophilus' evidence, Judge Starr scheduled a jury trial to allow a legal determination of Elizabeth's sanity to take place.
xxx/ellauri130.html on line 345: Kokoavasti voi sanoa Sosulin eli Tarmon rojupurkista, että Tarmolla on Vaakkuakin paljon enemmän ateistisia ja muita epäkunnioittavia kannanottoja. Sitä se hyvinvointi, tasapäistyminen ja maallistuminen on teettänyt. Ainoa uskontoa peukuttava naaras noin 4:stä oli Äiti Teresa, jonka J. oli kuzunut uskollisuuteen, kuuluisuus tuli windfallina. Kuin myös Jesselle.
xxx/ellauri139.html on line 739: Solution sweet: meantime the frost-wind blows Ja kaikki paitsi bylsintä on turhaa, nääs.
xxx/ellauri139.html on line 741: Against the window-panes; St. Agnes’ moon hath set. Viidestoista peräperää painajaista.
xxx/ellauri139.html on line 784: Flutter’d in the besieging wind’s uproar; Rullalle vielä noi itämaiset matot,
xxx/ellauri148.html on line 205: The idea of a “Suffering Messiah” to many in Judaism is a Christian concept, this is not the case however. In some rabbinical traditions, the Messiah, who was one of the first thoughts of God, is in heaven waiting for the day of redemption. In heaven, Elijah and the patriarchs attend to, him. In one scene, from the Talmud the Messiah sits at the gates of Rome unwinding and winding bandages of the suffering and poor, waiting for the call.
xxx/ellauri148.html on line 207: R. Y’hoshu’a ben Levi once found Elijah standing at the entrance of the cave or R. Shim’on ben Yohai…He asked him: “When will the Messiah come?” He said to him: “Go, ask him himself” “And where does he sit? “At the entrance of the city [of Rome]” “And what are his marks?” “His marks are that he sits among the poor who suffer of diseases, and while all of them unwind and rewind[the bandages of all their wounds] at once, he unwinds and rewinds them one by one, for he says, ‘Should I be summoned, there must be no delay.’” R. Y’hoshu’a went to him and said to him; “Peace be unto you, my Master and Teacher!” He said to him: “Peace unto you, Son of Levi!” He said to him: when will the Master come?” He said to him: “Today.” R. Y’hoshu’a went to Elijah, who asked him; “What did he tell you?” R. Y’hoshu’s said “[He said to me:] Peace be unto you, Son of Levi!” Elijah said to him: “[By saying this] he assured the World to Come for you and your father.” R. Y’hoshu’a then said to Elijah: “The Messiah lied to me, for he said ‘today I shall come,’ and he did not come.” Elijah said: “This is what he told you: 'Today', If you but hearken to His voice’ (Ps. 95:7) (Babylonian Talmud Sanhedrin 98a)[12]
xxx/ellauri148.html on line 215: Then it happened, as they continued on and talked, that suddenly a chariot of fire appeared with horses of fire, and separated the two of them; and Elijah went up by a whirlwind into heaven. 2 Kings 2:11
xxx/ellauri149.html on line 236: Tasokkaana lomakohteena tunnettu majan terde palvelee asiakkaitamme matkan ajan. Maja sijoittuu keskelle valtavaa windows-nurmikkoa, joka ulottuu aivan Aroalhon putkiliikkeen rajalle. Majan yöpymisvaihtoehdoista löytyvät myös korkealaatuinen luukkumajoitus sekä puolivalmis Hütte josta puuttuu ikkunat ja ovet. Lomailijat voivat halutessaan varata majoituksen myös jostain muusta lähialueen hotellista, eli Hotelli Uotista. Mutta se on sitten aivan eri hinnoissa.
xxx/ellauri157.html on line 69: I walk far down the beach, soothed by the rhythm of the waves, the sun on my bare back and legs, the wind and mist from the spray on my hair. Man, aren't I pretty!
xxx/ellauri157.html on line 261: Baal Shem Tov thought that the movement of a leaf in the wind is significant in the divine plan. Or a flap of a butterfly. A Baal Shem Tov anecdote says it all:
xxx/ellauri157.html on line 531: Racin' with the wind
xxx/ellauri157.html on line 605: Die philosophische Anthropologie entstand trotz starkem Widerstand und tiefer geschichtlicher Verwurzelung als eigenständige Richtung der Philosophie im ersten Drittel des 20. Jahrhunderts und führte stärker als in der bisherigen philosophischen Tradition die Diskussion um den ganzen Menschen sowie seine Position und seinen Sinn in der Welt. In der Nachfolge von Max Scheler (1874–1928) und Helmuth Plessner (1892–1985) könnten hier „drei Linien in der Konkretisierung unterschieden werden“: die von Karl Jaspers (1883–1969), geprägt von Søren Kierkegaard (1813–1855) („Existenzphilosophie“), die Schule von Martin Heidegger (1889–1976) als Nachfolge von u. a. Edmund Husserl (1859–1938) („Phänomenologie“) und „die Strömung des französischen Existentialismus, vorrangig geprägt durch Jean-Paul Sartre (1905–1980)“ (Beck 1991: 17). Allesamt ekliche solipsistisch-narzissistische Formen von Idealismus. Eine andere wesentliche Eigenschaft der neueren philosophischen Anthropologie war die epochale Entdeckung des anderen als Person und die Überwindung des ausschließlichen Subjekt-Objekt-Bezuges mit genau ebenso solipsistischem Ich-Du-Denken. Und der Sinn nun wieder. Warum können die idealistischen Philosophen sich nicht damit vergnügen dass es keinen Sinn für sie gibt, dass sie total sinnlos sind? Was ist nun so schwer damit? Ich weiss, weil sie narzissistich sind.
xxx/ellauri166.html on line 266: and your doom approaches like a whirlwind;

xxx/ellauri170.html on line 168: Taraxacum, or the dandelion, it's not actually the flower that you blow on it's the seed pods. In the wild these are taken by the wind and spread around so they can grow. Another name for this is Chinese lettuce, they take the leaves from the plant and either smoke it to get high or use it as a tea to drink for its relaxation properties.
xxx/ellauri170.html on line 170: I don't think much of the dandelion explanation. In the case of a dandelion, it isn't the flower that is blown away by the wind but the seeds. –
xxx/ellauri170.html on line 246:

Blowing in the wind. Mary on kolmikosta silmiinpistävästi miehekkäin. Ei ihme että pedofiilit pelkäsivät sitä.

xxx/ellauri173.html on line 140: Quos ego (Latin, literally 'Whom I') are the words, in Virgil's Aeneid (I, 135), uttered by Neptune, the Roman god of the Sea, in threat to the disobedient and rebellious winds. Virgil's phrase is an example of the figure of speech called aposiopesis.
xxx/ellauri173.html on line 142: Neptune is angry with the winds, whom Juno released to start a storm and harass the Trojan hero and protagonist Aeneas. Neptune berates the winds for causing a storm without his approval, but breaks himself off mid-threat:
xxx/ellauri179.html on line 352: The mahogany bar spread eight feet with dark boards underneath that swirled up to a marble top. A famous writer with taped up glasses and grey-flaked hair sat at a table in the back corner. Two Americans walked in and sat on the barstools. They acknowledged the writer and ordered drinks. They were big men, just like him, and he had seen them in here many times. It was a small room. Fifteen by thirty feet at most with windows only in the door. The writer drank his Asti Spumante. The owner of the bar, Giuseppe Cipriani, walked towards his table and crouched down.
xxx/ellauri179.html on line 773: Hello, loved this article. We have 1 chicken who gets a lot of human attention daily. We talk to her a lot. Just last week she was sunning herself at the window and sang a short song. We had never heard her sing before! It was almost like a magpie. We Googled to try locate other singing hens but could not find anything. She has yet to do it again. Have you ever come across this?

xxx/ellauri179.html on line 916: For the wind is in the palm-trees, and the temple-bells they say: Sillä palmuissa tuulee ja kellot soittavat:
xxx/ellauri186.html on line 186:
  • If one does not know to which port one is sailing, all winds are favorable.
    xxx/ellauri186.html on line 274: "The hot night makes us keep our bedroom windows open. "Kuuma yö saa meidät pitämään makuuhuoneen ikkunoita auki.
    xxx/ellauri186.html on line 585: Sweet south-wind, that means no rain; Löunatuuli, silloin kun ei sada,
    xxx/ellauri187.html on line 137: Well, so what if Rilke happened to be homosexual? I don't see what Freedman thinks he is gaining by making a near-assertion and then failing to prove it. If there are readers who might be obscurely benefited by the revelation of Rilke's homosexuality, they'll be disappointed. If there are readers whose identity rests on the affirmation of Rilke's heterosexuality, they will be shaken and then cheered. If there are readers who couldn't care less about the whole matter, they'll be bored. Meanwhile, Rilke's ghost drums its fingers on some eternal windowsill, waiting patiently to be evoked.
    xxx/ellauri187.html on line 455: Maria meni sodan päätyttyä naimisiin toisen "tunnustavan kirkon" pastorin Schniewindin pojan kanssa, muutti sen kaa Yhdysvaltoihin (FIND!), opiskeli siellä matikkaa ja siitä tuli tietokonealan osaaja. Kolmannen miehen jälkeen se kuoli syöpään 53-vuotiaana Bostonissa Massachusettsin yleisessä sairaalassa, joka on siinä Charles-joen sillan korvassa.
    xxx/ellauri187.html on line 457: Juutalaismyönteisyys oli osa "tunnustavan kirkon" dogmia. Maarian appiukko Julius Schniewind arvosti fariseuxia ja VT:n psalmia 119, joka on pitkä ja kiemurteleva, pikkumainen, pahansuopa ja nöyristelevä, ihan nazimazkua.
    xxx/ellauri200.html on line 600: The movements of the sea, the wind in boughs, Meren liikkeet, tuulet oxistossa,
    xxx/ellauri200.html on line 675: and steer through winds contrary towards a wraith, Ja purjehtii vastatuuleen kohti jotain haaamua,
    xxx/ellauri208.html on line 1053: Taking place, according to its incipit, "when gods were in the ways of men," Tablet I of Atra-Hasis contains the creation myth of Anu, Enlil, and Enki—the Sumerian gods of sky, wind, and water. Following the cleromancy ('casting of lots'), the sky is ruled by Anu, Earth by Enlil, and the freshwater sea by Enki.
    xxx/ellauri215.html on line 145: There is a third novelist in The Ghost Writer, Felix Abravanel, “a writer who found irresistible all vital and dubious types, not excluding the swindlers of both sexes who trampled upon the large hearts of his optimistic, undone heroes.” Abravanel, of course, is Saul Bellow. Zuckerman heard him speak at Chicago, just as the young Roth had recently met Bellow in Chicago at a literature class.
    xxx/ellauri225.html on line 397: Just imagine looking out your window directly on the East River with nothing intervening between your view of the Statue of Liberty, way down the harbour, and the marvelous beauty of Brooklyn Bridge close above you on your right! All of the great new skyscrapers of lower Manhattan are marshaled directly across from you, and there is a constant stream of tugs, liners, sail boats, etc in procession before you on the river! It´s really a magnificent place to live. This section of Brooklyn is very old, but all the houses are in splendid condition and have not been invaded by foreigners.
    xxx/ellauri228.html on line 504: What follows are some sample recipes of dishes one might find at a Holy Supper in Eastern U.S. The meal should include fluffy bread with a lot of gas in it. Breaking wind at a meal is a longstanding Christian tradition evoking a key characteristic of our Lord. Feel free to build your own menu with additional appropriate fishes from your own family fish collection.
    xxx/ellauri229.html on line 74: Welcome! I am a PhD student at the University of Buffalo working on the Problem of Universals. My focus is on the Early Modern period. This functions as a window into many other philosophical problems, including those of interest to a broader academic community, such as those found in applied ethics (e.g., biomedical ethics or professional ethics) and in applied ontology (e.g., a web ontology representation of what exists in, say, the relationships between paper documents and the information they contain or the obligations they prescribe).
    xxx/ellauri229.html on line 198: to wind rake the Nevada plateau.
    xxx/ellauri235.html on line 178: The lowing herd wind slowly o'er the lea, Hiljainen laumatuuli kiertää hitaasti Leaa,
    xxx/ellauri235.html on line 497: During the Seven Years' War (1756-1763), Britain's ruinously expensive naval sorties against France were actually inflicting very little damage. In the specific case of the Sept 1757 Raid on Rochefort, British MP Henry Fox said it was like breaking their windows with guineas (i.e. - using and thus losing our most valuable coins as missiles, simply to break their glass windows).
    xxx/ellauri235.html on line 589: Now the rich stream of music winds along Nyt rikas musiikkivirta tuulee mukana
    xxx/ellauri235.html on line 742: The way into my parlour is up a winding stair, Tule tännepäin, ylös näitä kierreportaita,
    xxx/ellauri235.html on line 745: For who goes up your winding stair can ne'er come down again." Se joka menee ylös noita portaita ei tule enää alas.
    xxx/ellauri235.html on line 790: He dragged her up his winding stair, into his dismal den, Se raahasi hiänet kierreportaita miesluolaansa,
    xxx/ellauri250.html on line 66: Jokin katseessani (narsismia taas! mitä vittua...) sai hänet vaikenemaan Vedin hänet muuvin hänet vaate vaatteelta, kunnes hän seisoi slatina edessäni muna ojossa. Hän rilsui minut, ja kävimme sohvalle maksamaan. Han työntyl sisääni, siis hänen munansa, ei koko mies. Minut täytti suunnaton turvallisuuden tunne: kerrankin oli reikä täytetty! Tarkeinta oli vain se, että sain maata siinä hänen allaan hänen kullielimensä sisallani. Kuin itse elämä sisälläni. Uutisvideo pyöri mielessä, putoilevat jenkit väreilivät verkkokalvoillani. Nain yhä uudestaan kuin rewindinä miten palavista torneista putosi ruumiita. Miten ne valtavat räkäisen häviämättömät rakennukset sortuivat savuun ja liekkeihin.
    xxx/ellauri251.html on line 163: And all the winds about thee with their wings, Ja kaikki tuulet siipiveikkoina kuin Lokki Joonatan,
    xxx/ellauri251.html on line 177: Fair as the snow and footed as the wind, Sievä kuin lumppari ja tuulennopea,
    xxx/ellauri251.html on line 200: Fills the shadows and windy places Täyttää varjot ja tuulenpaikat
    xxx/ellauri251.html on line 209: With a noise of winds and many rivers, Tuulten veuhkatessa sekä jokien,
    xxx/ellauri251.html on line 220: For the stars and the winds are unto her Sillä tähdet ja tuulet ovat sille
    xxx/ellauri251.html on line 223: ⁠And the southwest-wind and the west-wind sing. Ja löunatuuli ja länsituuli laulavat.
    xxx/ellauri251.html on line 362: Fire where the old fire went out, and where the wind Tulen kun entinen tuli sammahti, ja kun tuuli
    xxx/ellauri251.html on line 369: Love, a thwart sea-wind full of rain and foam. Rakkaus, vastatuuli täynnä sadetta ja vaahtoa.
    xxx/ellauri251.html on line 378: Thy speech turns toward Arcadia like blown wind. Sun puhe on temmattu Arkadian ruskeasta tuulesta.
    xxx/ellauri251.html on line 472: His helmet as a windy and wintering moon
    xxx/ellauri251.html on line 498: There shines one sun and one wind blows till night.
    xxx/ellauri251.html on line 499: And when night comes the wind sinks and the sun,
    xxx/ellauri251.html on line 553: From the winds of the north and the south
    xxx/ellauri251.html on line 592: Abide; for like rain-flakes in a wind they grow,
    xxx/ellauri251.html on line 606: Whom there thou knowest; for sharp mixed shadow and wind
    xxx/ellauri251.html on line 818: Rolls without wind for ever, and the snow
    xxx/ellauri251.html on line 819: There shows not her white wings and windy feet,
    xxx/ellauri251.html on line 857: And the mad people of windy mountain ways
    xxx/ellauri251.html on line 860: Yet these, as wind baffles the foam, and beats
    xxx/ellauri251.html on line 874: Where the old winds cease not blowing, and all the night
    xxx/ellauri251.html on line 899: And all our oars smote eastward, and the wind
    xxx/ellauri251.html on line 916: Clefts hoarse with wind, and saw through narrowing reefs
    xxx/ellauri251.html on line 919: Far under a kindling south-wind, as a lamp
    xxx/ellauri251.html on line 921: Wild heights untravelled of the wind, and vales
    xxx/ellauri251.html on line 984: Small things and transitory as a wind o' the sea,
    xxx/ellauri251.html on line 1008: What wind upon what wave of altering time
    xxx/ellauri251.html on line 1018: Lo, I talk wild and windy words, and fall
    xxx/ellauri251.html on line 1054: Thy feet are as winds that divide the stream of the sea;
    xxx/ellauri251.html on line 1107: ⁠Mother, when winds were at ease,
    xxx/ellauri251.html on line 1257: I with clear winds came hither and gentle gods,
    xxx/ellauri251.html on line 1272: Though the wind winnow and whirl it; yet we praise
    xxx/ellauri251.html on line 1378: Full of the land-wind and sea-travelling storms
    xxx/ellauri251.html on line 1382: That talk with many winds and gods, the hours
    xxx/ellauri251.html on line 1416: Sing, mix the wind with clamour, smite and shake
    xxx/ellauri251.html on line 1635: And through the windy pillared corridor
    xxx/ellauri251.html on line 1751: Moved as a wave which the wind moves no more.
    xxx/ellauri251.html on line 1876: ⁠Nor a wind nor any tune,
    xxx/ellauri251.html on line 2496: ⁠All wind, all fire, that burns or blows,
    xxx/ellauri251.html on line 2511: ⁠Or the southwind offer thee love?
    xxx/ellauri251.html on line 2655: She reels as any reed under the wind,
    xxx/ellauri251.html on line 2754: ⁠But as the wind which is drouth,
    xxx/ellauri251.html on line 3078: ⁠Would the winds blow me back
    xxx/ellauri312.html on line 972: Alle Jahre wieder geht er um wie ein Virus: der Wunsch, alles stehen und liegen zu lassen, auf dem Jakobsweg zu wandern oder mit dem Segelboot die Welt zu umrunden. Ob bewusst oder nicht: All die Zivilisationsmüden treten in die Fußstapfen des griechischen Einsiedlers Hyperion, erfunden von Friedrich Hölderlin. Hyperions Lebensgeschichte ist Hölderlins literarische Anklage gegen das spießbürgerliche, dumpfe und materialistische Deutschland seiner Zeit, das ihm als Künstler und Idealisten kaum Luft zum Atmen ließ, nein in einen Turm einschließ. Seine Sprache war schon damals gewöhnungsbedürftig und ist es heute erst recht: Da „säuseln holdselige Tage“, es neigen sich „lispelnde Bäume“ und es „gährt das Leben“. Doch die Fragen des lange verkannten Genies sind nicht aus der Welt: Wie kann der Mensch seine Vereinzelung überwinden? Auf welchem Weg eine bessere Welt schaffen? Und wie im Einklang mit der Natur leben? Das antike Griechenland mag heute als Vorbild ausgedient haben, aber die Suche nach Antworten auf diese Fragen bleibt aktuell.
    xxx/ellauri312.html on line 981: Hyperion scheitert mit seiner Vision, überwindet aber sein Schicksal mithilfe der Dichtung.
    xxx/ellauri354.html on line 253: Sartre has said that the writer's is to cure the "sick" language that is incommunicative. Iris Murdoch, in attempting to answer what the sickness of the language really is, says it is the fact that we can no longer take language for granted as a medium of communication. "Its transparancy has gone. We are like people who for a long time looked out of a window without noticing the glass - and then one day began to notice this too. Hemingway also feals this way. Our time demands a simple prose. with an Eliot-like emphasis on semantics."
    xxx/ellauri394.html on line 81: The song was inspired by a notable farewell embrace given by Colonel James Harbottle Boyd during a horseback trip taken by Princess Liliʻuokalani in 1877 or 1878 to the Boyd ranch in Maunawili on the windward side of Oʻahu, and that the members of the party hummed the tune on the way back to Honolulu.
    xxx/ellauri394.html on line 354: Shaka (* um 1787 in der Nähe des heutigen Ortes Melmoth im späteren Natal; † 22. September 1828 in KwaDukuza, beides im heutigen Südafrika; auch Shaka Zulu, Tsjaka Zulu oder Shaka ka Senzangakhona, d. h. „Shaka, Sohn des Senzangakhona“) war ein König der Zulu. Unter seine Herrschaft fiel der Aufstieg der Zulu von einem kleinen Clan zu einem mächtigen Volk mit Macht über einen großen Teil des Gebiets des heutigen Südafrikas. Seinem Erfolg bei der militärischen Überwindung seiner Feinde und seinem Geschick bei der Eingliederung der Unterworfenen verdankt Shaka den Ruf eines der herausragenden Könige der Zulu.
    xxx/ellauri410.html on line 180: In mock seriousness, Eliot frames the seventeen Notebook stanzas (mostly octavos) as Elizabethan drama. They begin, “Let a tucket be sounded on the hautboys. Enter the king and queen.” Then commence the obscenities. In Spain, Columbo is treated for syphilis by a “bastard jew named Benny” when he “filled Columbo’s prick / with Muriatic Acid” (IMH 315, 149). Later Columbo seeks help from the ship’s physician concerning another symptom of syphilis. “ ‘It’s this way, doc’ he said said he / I just cant stop a-pissin [sic]” (Letters I 231). Columbo and his mariners of song are well-known for their whoring. “One Sunday evening after tea / They went to storm a whore house,” and from a “seventh story window,” “bitched” Columbo with a “pisspot” (IMH 315). Ed Madden says that Columbo and sailors may have had pumps of argyrol and muriatic acid [dilute hydrochloric acid] “rammed up their penises” to treat their syphilis (151). When they set sail for America, “Queen Isabella was aboard / That famous Spanish whore.” With only Queen Isabella aboard and a boy named Orlandino, the horny crew have to make do until they reach land (IMH 315). In Cuba, they encounter King Bolo and his thirty-three “swarthy” bodyguards. They “were called the Jersey Lilies / a wild and hardy set of blacks” and like Columbo, are “undaunted by syphilis” (IMH 316). Madden calls them “the phallically well-endowed bodyguards of King Bolo,” but “swarthy,” “wild,” and “hardy” does not mean “well-endowed.” Columbo is. There are many reversals in these verses: Columbo is equipped with his prodigious bolo, and neither the New World nor the Old World gave the other syphilis. They both had it.
    xxx/ellauri410.html on line 485: Drift across the window-panes.
    xxx/ellauri410.html on line 555: These very prolific camp-following merchants of the Lord pass by the windows, before taking up the offering. Eliot goes on to describe a painting of the Baptism of Christ. The lines are full of implications. The simple humanity of the figure still reminds man of the redemption of his offences. In ironic contrast are placed several symbols of ugliness and degradation and complicated parallel between the sterility of the worker bees and that of the "word" of sectarian theological argument. The neuter worker bees at least fertilize the flowers, and so may be said to perform a "blest office" in the scheme of Nature; but the same cannot be said of the "sapient sutlers of the Lord". The "sable presbyters" move like the "religious caterpillars" of the epigraph, who were more interested in getting his "piaculative pence" than in saving his soul. Finally, we have the degrading contrast between Sweeney wallowing in his bath and the figure of the baptized god.
    xxx/ellauri410.html on line 1125: 3 All things came to be through him, and without him nothing came to be. Who or what is The Word? That mystery is cleared up in the same chapter. (But consider: the word for spirit in Hebrew is feminine. And who is it who usually winds word fights, he or she?)
    xxx/ellauri414.html on line 55: Sahra Wagenknecht wurde am 16. Juli 1969 in Jena als Tochter eines iranischen Vaters und einer deutschen Mutter geboren. Der Vater lernte ihre in der DDR lebende Mutter als West-Berliner Student kennen. Die "Wende und friedliche Revolution" in der DDR betrachtete und bezeichnete sie als Konterrevolution. Sie wies eine „positive Haltung zum Stalinismusmodell“. Wagenknecht forderte im Jahr 2000 eine Überwindung der kapitalistischen Produktionsverhältnisse. Nach ihrer Ansicht sollen Leistungen der Daseinsvorsorge wie Wohnen, Bildung, Gesundheit, Wasser- und Energieversorgung, Banken und Schlüsselindustrien durch die öffentliche Hand getragen werden, um „das Diktat der Rendite und der Aktienkurse“ zu überwinden.
    xxx/ellauri440.html on line 392: The great British loss of nerve was rapidly gathering ground, and Blyton could see it; quite simply, she was getting the wind up - check her poem "American Comics (And Those Who Like Them)" for a flavour of precisely what so disturbed her. In a farmhouse kitchen meal scene lifted directly from "Five On Finniston Farm", and exaggerated far less than you might imagine, Julian and Dick take it in turns to taunt the Vulgar American Businessman and his Nasty Rude Son as they boast about how We Saved Your Limey Asses In The War; "Well I think it's a pity the Nazis didn't win; at least they believed in racial purity! Yes, and they didn't drop chewing gum wrappers all over the English countryside!" "You ought to be glad that a poor, run-down back-dated country like Britain has got anything to sell to a fine upstanding one like America! That's all there is to it - buying and selling!"
    xxx/ellauri441.html on line 494: Alexander Borodai was Prime Minister of the self-proclaimed Donetsk People's Republic in 2014 following its declaration of independence from Ukraine on 12 May 2014. Tetiana Mykolaivna Chornovol (Ukrainian: Тетяна Миколаївна Чорновол; born 4 June 1979) is a Ukrainian journalist and civic activist, and one of the leaders in the Euromaidan protest campaign. She is known for investigative reports about corruption in Ukraine, as well as for her direct actions. In 2014, she was elected to the Verkhovna Rada. On 25 December 2013, Chornovol was the victim of a much published and condemned severe beating for petty crimes like bashing windows, throwing eggs and spraying walls. In the 2019 Ukrainian parliamentary election Chornovol was placed 27 on the party list of European Solidarity. But in the election they won 23 seats on this list, so she did not return to parliament. In 2014, Tetiana Chornovol took part in the defense of Mariupol as part of the "Azov" battalion. In 2014 Foreign Policy magazine included Chornovol into top 100 thinkers - naah, doers, i.e. people who changed the world.
    xxx/ellauri442.html on line 89: Siitä tuli historian toiseksi eniten arvostettu minisarja (Rootsin jälkeen) yli 120 miljoonalla katsojalla. New York Times sanoi, että "Clavellilla on lahja. Se voi olla jotain, jota ei voi opettaa tai ansaita. Hän hengittää kerrontaa... Hän kirjoittaa vanhimmassa ja mahtavimmassa perinteessä, jonka fiktio tuntee". Aasian saaga koostuu kuudesta romaanista: King Rat (1962), sijoittuu japanilaiselle sotavankileirille Singaporessa vuonna 1945. Tai-Pan (1966), sijoittuu Hongkongiin vuonna 1841 Shōgun (1975), sijoittuu Japaniin vuodesta 1600 alkaen Noble House (1981), sijoittuu Hongkongiin vuonna 1963 Whirlwind (1986), sijoittuu Iraniin vuonna 1979. Gai-Jin (1993), sijoittuu Japaniin vuonna 1862.
    xxx/ellauri442.html on line 449: Tämän oman tuotantonsa lisäksi hän ex-ryssänä käänsi Ivan Turgenevin teoksia venäjän kielestä englanniksi ja työskenteli toisen maailmansodan aikana Britannian salaisessa palvelussa. His Russian-speaking mother, Marie (Musya) Volshonok was also fluent in Yiddish and Latvian. Berlin witnessed the February and October Revolutions both from his apartment windows.
    357