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Melskeitten miehen muistelmat

{span style="color:white;background-color:gold"}2019{/span} Lapsuus


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white;font-family:sans-serif;font-size:2em">
ellauri002.html on line 956: Moody Blues: Nights in white satin 1967
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ellauri008.html on line 849: Tässä retkueessa on paljon samaa, vaikka edustavat eri rotuja: saku, sammakko, polakka, jenkki, anglointiaani. Strang oli kaksi brittisammakkoa. Nää pojat peilaa lännen nousukautta viime vuosisadan alussa. Peukuttavat rasismia, laissez faire kapitalismia, kolonialismia, ja white supremacya. Väsäs poikamaisia seikkailukirjoja, joissa tarmokkaat ja yritteliäät oman onnensa hirvisepät takoo värivajakkien kalloja ja vuolee pätäkkää niiden selkänahasta. Näyttämöt kiertää eksoottisissa maisemissa ympäri palloa, statistit ja sparrerit edustaa kaikkia alempia rotuja apinoita. Taika-Jim ja sen nekrumuskeli. Nastamuumio ja sen mustat knääpiöt. El Zorro ja Tacho kuparinvärinen pentele. Han Solo ja älisevä Chewbagga. Tarzan, karkeakarvainen Cheetah ja sileäkarvainen Jane kolmantena pyöränä. Mikki ja Hessu. Hemingwaun Afrikka-kirjat menee tähän. Paavo Lipponen ja Carl Gustav Korkki, Armas J. Pullan Romppainen ja Ryhmy. Seikkailuja alempirotuisten apinoiden viidakoissa. Mutiaiset päänsä päällä kantaa valkoisen miehen taakkaa. Bwana. Sahib. Massa. Tuan Jim.
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white;background:black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">LLEGAN LOS COJONES

Keljuilua


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white">Pellon sulttaani

Paasausta


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white;background:black;font-size:8em;text-align:left;margin-top:0%;margin-bottom:0%">white;font-style:italic">G-mies
Jerry Cotton


ellauri018.html on line 510: Nyt on suomalaisten mahdollista saada suora kosketus terrorismiin tänään. Alholnaiset kertovat meille tarinan ihmisyydestä eräänlaisessa paketissa jossa lukee " ei white man's burden". Not in my back yard, huutaa Kepu ja persut. Mutta sitten aikanaan straight into the face. (JC)

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Min favoritdag

{span style="color:white;background-color:blue"}2020{/span} Saippuaa


ellauri020.html on line 253: Liikuttavat jäähyväiset Ewa Braunille traagisten hautajaisten jälkeen ruminta neuvostoarkkitehtuuria edustavalla asemalla: tall slender girl in flowered skirt and white blouse, and statuesque woman in smart navy traveling suit. Himputti näitä Iivanan rakennus- ja sisustustyylipläjäyxiä ja catwalkkeja. Asujen suunnittelijaa ei sentään mainita, kun ei olla vielä rikkaita. Kun Kengu heitti vauvanvaatteet Ruun perästä roskakuiluun, osassa oli vielä hintalaput kiinni. Vuonna 1968? Varmaan ostettu Kaufhofista. Niinkuin Liisa-täti.
ellauri020.html on line 468: We were walking through the rubble of the Commodore Hotel, which would soon reopen as the Grand Hyatt. Ivana had been given the responsibility of supervising all the decoration; she was hard at it, despite the fact that she was wearing a white wool Thierry Mugler jumpsuit and pale Dior shoes as she picked her way through the sawdust. “I told you never to leave a broom like this in a room!” she screamed at one worker. Screaming at her employees had become part of her hallmark, perhaps her way of feeling power. Later, in Atlantic City, she would become known for her obsession with cleanliness. Determined to bring glamour to Trump Castle, she became famous for her attention to appearances, once moving a pregnant waitress, desperate for big tips, off the casino floor. The woman was placed in a distant lounge and given a clown’s suit to disguise her condition.
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white;background:#14315d;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">CARLSON PUUTTUU PELIIN

Epigrammeja


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white;background:red;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">LOUISA M. ALCOTT


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white;background:red;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">Pikku naisia

Naisasiaa


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white;font-size:7em;text-align:leftr;margin-top:0%;margin-bottom:0%">VARTIOTORNI


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white;background:black;font-size:5em;text-align:left;margin-top:0%;margin-bottom:0%">MISTÄ VOI LÖYTÄÄ VASTAUXIA?

Vastauxia


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white">16 sivua POLLEA!

Novelleja


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white;background:red;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">ARIZONA-SARJA


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white;background:red;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">SOVIET UNION


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white;background:#a2b3bd;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Nuoruuteni vuosina

Nostalgiaa


ellauri028.html on line 851: Munkin viran Kouvolassa maxoi alkuaikoina Kouvolan kaupunki hintana sisäänajotien kyltistä white;font-family:sans-serif">YLIOPISTO. Kuusankosken grilli tarjosi takaa maistuvat. Ja herkullisia hillomunkkeja. Aivan vitun saatanan häpeällistä ja noloa. No tulihan se sieltä.
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white;background:#df0101">Dikken Zwilgmeyer


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white;background:black;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">Eläinystävämme


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white;background:#4a1a10;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">VIVE LA DISCIPLINE

Ilkikuria


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white;background:#b7baaf;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">hans fallada


ellauri034.html on line 543: In 1975 the Nigerian writer Chinua Achebe published an essay, "An Image of Africa: Racism in Conrad´s ´Heart of Darkness´", which provoked controversy by calling Conrad a "thoroughgoing racist". Achebe´s view was that Heart of Darkness cannot be considered a great work of art because it is "a novel which celebrates... dehumanisation, which depersonalises a portion of the human race." Referring to Conrad as a "talented, tormented man", Achebe notes that Conrad (via the protagonist, Charles Marlow) reduces and degrades Africans to "limbs", "ankles", "glistening white eyeballs", etc., while simultaneously (and fearfully) suspecting a common kinship between himself and these natives—leading Marlow to sneer the word "ugly." Achebe also cited Conrad´s description of an encounter with an African: "A certain enormous buck nigger encountered in Haiti fixed my conception of blind, furious, unreasoning rage, as manifested in the human animal to the end of my days." Achebe´s essay, a landmark in postcolonial discourse, provoked debate, and the questions it raised have been addressed in most subsequent literary criticism of Conrad.
ellauri034.html on line 545: Achebe´s critics argue that he fails to distinguish Marlow's view from Conrad's, which results in very clumsy interpretations of the novella. Jeffrey Meyers notes that Conrad, like his back door acquaintance Roger Casement, "was one of the first men to question the Western notion of progress, a dominant idea in Europe from the Renaissance to the Great War, to attack the hypocritical justification of colonialism and to reveal... the savage degradation of the white man in Africa."
ellauri035.html on line 132: Curved falls of her hair down on her white cheeks;
ellauri035.html on line 159: Of bearing love ever on white feet.
ellauri035.html on line 199: O whitest so soft parchment where
ellauri035.html on line 216: Of white cheeks in the dark; smiles from light thoughts within,
ellauri035.html on line 223: As it were yellow flame, which the white hand
ellauri035.html on line 231: Her fingers busied about her hair, her cool white arms
ellauri035.html on line 245: I see her, as I used, in her white palace
ellauri035.html on line 333: Labouring to be born and fall; when white face turned
ellauri035.html on line 336: When I was buried away down the white road.
ellauri035.html on line 362: Striking the soldiers with white impotent hands.
ellauri035.html on line 373: Sleep left me all these nights for your white bed
ellauri035.html on line 522: The whitest pouring of eternal light.
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white;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">John Tenniel


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white;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">The Walrus and the Carpenter

Yli-inhimillistä


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white;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">MUINAISAJAN ELÄIMIÄ

Luonnonnoppia


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white;background:black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Bosch / Brueghel / Flaubert


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white;background:peru;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">ANTTONI PYP PIPO

Kielilläpuhumista


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white;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">PETER CHEYNEY


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white;background:#b4c2c3;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">25 Milk Chocolates


ellauri051.html on line 610: 61 Leaving me baskets cover'd with white towels swelling the house with their plenty, jättää mulle valkoisella liinalla peitettyjä koreja talon runsaudensarvixi,
ellauri051.html on line 667: 108 Growing among black folks as among white, kasvaessaan mustien porukoiden ja valkoisten keskellä,
ellauri051.html on line 676: 116 This grass is very dark to be from the white heads of old mothers, Tää ruohon on liian tummaa tullaxeen vanhojen äitien valkoisista päistä,
ellauri051.html on line 790: 214 The young men float on their backs, their white (krhm) bellies bulge to the sun, 214 Nuoret miehet kelluvat selällään, heidän valkoiset vatsansa pullistuu aurinkoon, he eivät
ellauri051.html on line 820: 240 And acknowledge red, yellow, white, playing within me, 240 Ja tunnusta punaisen, keltaisen, valkoisen leikkivän sisälläni,
ellauri051.html on line 882: 300 The regatta is spread on the bay, the race is begun, (how the white sails sparkle!) 300 Regatta levitetään lahdelle, kisa on alkanut, (miten valkoiset purjeet kimaltelevat!)
ellauri051.html on line 885: 303 The bride unrumples her white dress, the minute-hand of the clock moves slowly, 303 Morsian purkaa valkoisen mekkonsa, kellon minuuttiosoitin liikkuu hitaasti,
ellauri051.html on line 1329: 729 Over the white and brown buckwheat, a hummer and buzzer there with the rest, 729 Valkoisen ja ruskean tattari päällä, hummeri ja summeri siellä muiden kanssa,
ellauri051.html on line 1377: 777 Pleas'd with the tune of the choir of the whitewash'd church, 777 Tyytyväinen kalkitun kirkon kuoron sävelestä,
ellauri051.html on line 1412: 812 The white-topt mountains show in the distance, I fling out my fancies toward them, 812 Valkohuippuiset vuoret näkyvät etäisyydellä, heitän mielikuvitukseni niitä kohti,
ellauri051.html on line 1535: 932 The captain on the quarter-deck coldly giving his orders through a countenance white as a sheet, 932 Kapteeni neljänneskannella ja antoi käskynsä kylmästi valkoisena kuin lakana,
ellauri051.html on line 1537: 934 The dead face of an old salt with long white hair and carefully curl'd whiskers, 934 Vanhan suolan kuolleet kasvot, pitkät valkoiset hiukset ja huolellisesti käpristyneet viikset,
ellauri051.html on line 1650: 1042 Their brawny limbs passing safe over charr'd laths, their white foreheads whole and unhurt out of the flames; 1042 Heidän lihavat raajat kulkevat turvallisesti hiiltyneen listan yli, heidän valkoiset otsansa ehjät ja vahingoittumattomat liekeistä;
ellauri051.html on line 1911: 1295 I smell the white roses sweet-scented and growing, 1295 Haistan valkoiset ruusut makealta tuoksuvilta ja kasvavilta,
ellauri051.html on line 1957: 1337 I depart as air, I shake my white locks at the runaway sun, 1337 Lähden kuin ilma, heilutan valkoisia lukkojani karkaavaa aurinkoa kohti,
ellauri052.html on line 248: Distinguished the dresser and the white wall.
ellauri052.html on line 741: Gerald fastened the door and pushed the furniture aside. The room was large, there was plenty of space, it was thickly carpeted. Then he quickly threw off his clothes, and waited for Birkin. The latter, white and thin, came over to him. Birkin was more a presence than a visible object, Gerald was aware of him completely, but not really visually. Whereas Gerald himself was concrete and noticeable, a piece of pure final substance.
ellauri052.html on line 749: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements.
ellauri052.html on line 751: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being.
ellauri052.html on line 753: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri052.html on line 943: It may be helpful to note here that Bellow’s fame, already growing after The Adventures of Augie March, exploded after the publication of Herzog in 1964—the same year Daniel, his youngest son, was born. By the time the newly rich writer, urged by his third wife, moved into a fancy co-op on Lake Michigan, Greg already possessed enough of what he thought were his own opinions to dislike the white plush carpets, the 11 rooms “filled with fancy furniture and modern art.” Reminding the reader he was “raised by a frugal mother and a father who had no steady income,” Greg says that he “found the trappings of wealth in their new apartment so repellent that I complained bitterly to Saul,” who replied that he didn’t care about the new shiny things so long as he could still write—which he could. “As I always had, I accepted what he said about art at face value,” Greg admits, but he stopped visiting the new place. After the marriage deteriorated and Saul moved out, 3-year-old Daniel, in the words of ex-child-therapist Greg, “took to expressing his distress” by peeing on the carpets. “I have to admit that the yellow stains on them greatly pleased me,” Greg writes—for once showing off the Bellovian touch.
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white;background:green;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">2 kanaa

Jyviä ja akanoita


ellauri053.html on line 1140: The lazy white clouds did not move. Laiskat valkopilvet eivät liikkuneet.
ellauri053.html on line 1279: And how can body, laid in that white rush, Och hur kan ett sådant förklätt fjäderfä ens hitta hålet
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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Voitto-Sanomat


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">RAUHAA

Setämiehissä


ellauri058.html on line 101: Demokratia oli Hellaassa laahuxen diktatuuria (paizi ettei oikeasti ollut, vain pieni vähemmistö oli ns. vapaita, loput orjia). Res publica oli Roomassa patriisien oligarkiaa. Sama touhu jatkuu ryssissä ja jenkeissä. Keskilännen publikaanit on persuja, köyhtynyttä white trashia joka koittaa pitää värillistä laahusta poissa tontilta. Nää on mun maita ei tartte oravien tulla tänne mesomaan. Minähän sen oravan myrkytin. Ite on koko konkkaronkka vitun mamuja. People of pink color. Palefaceja. Vahinko ettei inkkareilla ollut ympäristömyrkkyjä. Olisivat syöttäneet maahantunkijoille maissin sijaan mikromuovia. Matut sano kiitos ja päästi punasulat pois päiviltä. Sen kunniaxi vielä järjestävät kiitospäiviä.
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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Aku näkee punaista

Punapyllypaviaaneja


ellauri060.html on line 933: Nordic white dwarfs at alt-right.
ellauri060.html on line 936: Last month, Sheila McNallen posted that her husband, Steve, had been kicked off of Facebook, “apparently forever.” Steve is the founder of the Ásatrú Folk Assembly, a group headquartered in California that advocates for a return to Germanic Paganism, including an espousal of what they have deemed traditional, Nordic white values. The Asatru Folk Assembly has been classified as a hate group by the Southern Poverty Law Center, and in one YouTube video with more than 30,000 views, McNallen enumerates his theories on race, point by point, including his belief that racial differences are inherent to biology and his desire to defend the white race against “numerous threats to our future.” “I will fight for my race, primarily with words and ideas, but I will fight more literally if I have to,” he vows.
ellauri060.html on line 938: 36 Facebook users sympathized with the McNallens’ plight, grousing over Facebook’s recent crackdown on white supremacists and sharing various platforms that would be more receptive to people who share his views. “Please look at MeWe,” one user wrote. “Many are heading over there.”
ellauri060.html on line 1227: Candace on black white supremacist ja female toxic male chauvinist. Mihin oikein sattuu Candace? Päähän tuskin, se vaikuttaa tyhjältä.
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white">VALKOINEN
MEZÄSTÄJÄ

Puunhalausta


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white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">George Orwell


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white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">white">ELÄINTEN VALLANKUMOUS

Syväpolitiikkaa


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white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">C.E.Carlson


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white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">white">Liskohumanoideja

Salaliittoteoriaa


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white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hikipedia


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white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">white">Jaltan konferenssi

Sotahistoriaa


ellauri065.html on line 491: The Day of the Rope (in ruby font, Art of the Deal, bestseller by Donald Trump, in Ruby font Dumped Sperm) is a white supremacist concept taken from The Turner Diaries, a fictionalized blueprint for a white supremacist revolution written in 1978 by neo-Nazi leader William Pierce (under the pseudonym "Andrew Macdonald").
ellauri065.html on line 492: Its white supremacist trash. In the plot summary of the wikipedia article you linked for the novel, The Day of the Rope is what the fictional characters call the day that they raided all the homes of "race traitors" ("gender traitors" in Ruby script), dragged them into the streets and hung them from lamp posts. Its a defining moment for a white supremacists dream of a perfect race war where all non-whites eventually get eliminated.
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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Toini Virtanen


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">white">Näkemiin Anus

Elämää ja teoxia


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white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Tommi Kinnunen


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white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">white">Ihana uutuus

Antiikkia & designiä


ellauri067.html on line 566: "his batman, a Corporal Wayne" [Batman's "real-world" identity was Bruce Wayne], 11; comicbook fangs, 21; Sir Denis Nayland Smith, 83, 277-78, 592, 631, 751; Hop Harrigan, Tank Tinker, 117; "old-fashioned comical room" 122; Dumbo, 135; Donald Duck, 146; Hansel and Gretel, 174; "comic-book colors" 186; "paint FUCK YOU in a balloon coming out the mouth of one of those little pink shepherdesses" 203; Plasticman, 206, 314, 331, 752; "he passes into a bickering of canary-yellow Borsalini, corksoled comicbook shoes with enormous round toes" 254; "this cartoon here" 263; "a Sunday-funnies dawn" 295; Rocketman, 366, 376, 379, 436, 512, 596; Captain Midnight Show, 375; Green Hornet, 376; "the only beings who can violate their space are safely caught and paralyzed in comic books" 379; Mickey Mouse, 392; Sundial, 472; Wilhelm Busch (cartoonist), 501; Porky Pig, 545; "comic technocracy" 579; "comic-book cats dogs and mice" 586; Bugs Bunny, 592; "comicbook-orange chunks of island" 634; Porky Pig tattoo, 638 (on Osbie Feel's stomach), 711 (on André Omnopon´s stomach); Robin Hood, 664; Mary Marvel, Wonder Woman, 676; comic-book Kamikazes, 680; "down comes a comic-book guillotine on one black & white politician" 687; Crime Does Not Pay, 709; Superman, 751; The Lone Ranger & Tonto, 752; Philip Marlowe, 752; Submariner, 752; Jimmy Olson, 752; See also Byron the Bulb; Floundering Four; Komical Kamikazes; Plasticman; film/cinema references.
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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">My Butt


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Fountain

Lähdekritiikkiä


ellauri069.html on line 142: An English illustrator, Beardsley is known for his (often erotically charged) illustrations for Oscar Wilde's Salome, Alexander Pope's Rape of the Lock and other black-and-white works. Along with Oscar Wilde, he was considered a leader of "The Decadents" of the 1890s; 71; 634; Wikipedia entry.
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Crackerjack is a nickname for the United States Navy enlisted dress uniforms. The dress white and blue uniforms are of the traditional "sailor suit" or crackerjack type for men.
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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Sale Niinistö


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Demokratian painajainen

Jyrähtelyä


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white;text-align:center;margin-top:0%;margin-bottom:0%">THOMAS PYNCHON


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white;text-align:center;margin-top:0%;margin-bottom:0%">Western RANGERS

Länsiviihdettä


ellauri072.html on line 548: But yes, Wallace was extremely competitive, even to the point of competing about not being competitive. One of the wincing pleasures of Max’s biography is reading excerpts from Wallace’s correspondence, especially with his close friend and combatant Jonathan Franzen, but also with just about every white male writer he might ever have viewed as a rival or mentor. Aggressive self-abasement, grandstanding, veiled abuse, genuine thoughtfulness, thin-skinned pandering — it’s all there. As the correspondents compete about who is making genuine human connections and who and what is really nice and good, they seem to be in some realm far from most kinds of human connection save for that of heated testosteronic battle.
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white;text-align:center;margin-top:0%;margin-bottom:0%">Kakoli Ruma


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white;text-align:center;margin-top:0%;margin-bottom:0%">Emmä tiedä, hähähä!

Vulgääriä


ellauri073.html on line 262: Foley is disheveled, sweaty, obese, clumsy and unstylish. He exhibits poor social skills, frequently loses his temper, often disparages and insults his audience, and wallows in cynicism and self-pity about his own poor life choices, to which he often makes reference. Foley's trademark line is warning his audience that they could end up like himself: "35 years old, eating a steady diet of government cheese, thrice divorced, and living in a van down by the river!" In most sketches, whenever a member of his audience mentions a personal accomplishment, Foley responds with mockery: "Well, la-dee-frickin-da!", "Whoop-dee-frickin-doo!", or a similarly dismissive remark. The usual outfit of choice for Foley is a too-small blue-and-white plaid sport coat, a too-big white dress shirt, a solid green necktie, black horn-rimmed glasses, ill-fitting khakis which he is continually pulling up, a wristwatch, penny loafers, and slicked-down blond hair. In a prison sketch, he dons blue jeans and a denim shirt with the inmate number "3307" while retaining his watch, glasses and a crucifix necklace (he also mentions a "homemade tattoo of a van down by the river"). While working as a mall Santa in another sketch, he wears a stereotypical Santa outfit, complete with black snow boots.
ellauri074.html on line 29:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">DON'T WORRY!

Vetolaastareita


ellauri074.html on line 669: Birth of a white nation, death to colorful minorities. Rednekit kukkoilevat alboissa näyttäen tikkunekuilta. Ku Klux Klan Bang. Before its too late and the whites become a minority. National Rifle Association. Karsee maa. Euroopan pahin pilssivesi rahdattu sinne paateilla.
ellauri077.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">Thomas Ball Barratt


ellauri077.html on line 28:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Telemakhrian yritelmä

Rappinkia


ellauri077.html on line 804: Meaningless words. In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. Words like romantic, plastic, values, human, dead, sentimental, natural, vitality , as used in art criticism, are strictly meaningless, in the sense that they not only do not point to any discoverable object, but are hardly ever expected to do so by the reader. When one critic writes, "The outstanding feature of Mr. X's work is its living quality," while another writes, "The immediately striking thing about Mr. X's work is its peculiar deadness," the reader accepts this as a simple difference opinion. If words like black and white were involved, instead of the jargon words dead and living, he would see at once that language was being used in an improper way.
ellauri078.html on line 101: One more variation on ballad meter would be fourteeners. Fourteeners essentially combine the Iambic Tetrameter and Trimeter alternation into one line. Examples of the form can be found as far back as George Gascoigne – a 16th Century English Poet who preceded Shakespeare. The Yellow Rose of Texas would be an example (and is a tune to which many of Dickinson’s poems can be sung). Wallu varmaan luki tän saman plokisivun ja kuunteli Melvis Pressulan whitey versiota.
ellauri079.html on line 137: Wampum is a traditional shell bead of the Eastern Woodlands tribes of Native Americans. It includes white shell beads hand fashioned from the North Atlantic channeled whelk shell and white and purple beads made from the quahog or Western North Atlantic hard-shelled clam. Before European contact, strings of wampum were used for storytelling, ceremonial gifts, and recording important treaties and historical events, such as the Two Row Wampum Treaty or The Hiawatha Belt. Wampum was also used by the northeastern Indian tribes as a means of exchange, strung together in lengths for convenience. The first Colonists adopted it as a currency in trading with them. Eventually, the Colonists applied their technologies to more efficiently produce wampum, which caused inflation and ultimately its obsolescence as currency.
ellauri080.html on line 27:

white;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Theofrastos et al.


ellauri080.html on line 28:

white;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Luonteenvikoja

Psykopatiaa


ellauri080.html on line 577: Gilligan's Island ran for 98 episodes. All 36 episodes of the first season were filmed in black and white and were later colorized for syndication. The show's second and third seasons (62 episodes) and the three television film sequels (aired between 1978 and 1982) were filmed in color. Last aired: 2001.
ellauri080.html on line 741: In 1897, he was stripped and nearly lynched by a white mob in Natal, but when the governor sought to press charges, Gandhi refused – saying he didn’t want to use a court of law for personal issues.
ellauri082.html on line 27:

white;background:mediumspringgreen;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace


ellauri082.html on line 28:

white;background:mediumspringgreen;text-align:center;margin-top:0%;margin-bottom:0%">FLOW IN A BLOW

Juonipaljastuxia


ellauri083.html on line 27:

white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">HELMI $ TAALA


ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri088.html on line 26:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Arrival


ellauri088.html on line 27:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">HUMAN

Pyllykielitiedettä


ellauri088.html on line 616: Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house?
ellauri088.html on line 618: The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
ellauri089.html on line 27:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Addams


ellauri089.html on line 28:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Illegal Aliens

Ufoa


ellauri090.html on line 27:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Joaquim do Pato


ellauri090.html on line 28:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">A Panelinha

Brassailua


ellauri090.html on line 383: Kanadalainen komedia (?) sarja Schitt's Creek on napannut kaikki palkinnot, Emmyn, Oskarit, Venlan, mitä niitä nyt olikaan, mitä Hoblan Malin Slotte ei voi tajuta. Sehän on kömpelösti ylinäytelty paskaturaus, trailerista päätellen, jonka "huumori" on enintään Reinikaisen tasoa. Tai Mämmilästä. "I love your complexion" sanoo newcomer white-trash ämmä afrokanadalaiselle. Mämmilässäkin oli hassu mutta kiltti kotisomali. Mixi näin? Mistä ihmeestä voi olla kysymys?
ellauri092.html on line 33:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">John Bunyan


ellauri092.html on line 34:

white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Badman and Robin

Näkyjä


ellauri093.html on line 27:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hudson Taylor


ellauri093.html on line 28:

white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Yours Faithfully is Christ

Haahkanuntuvia


ellauri094.html on line 27:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hanski ja Helmi Häyrinen


ellauri094.html on line 28:

white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Saukki ja siipioravat

Papanoita


ellauri094.html on line 645: That the pavement of Golgotha should be white as snow, Että Golgatan jalkakäytävä olis lumivalkoinen,
ellauri094.html on line 646: Not red, but white; Ei punainen, vaan valkoinen;
ellauri095.html on line 26:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">The Manly Hopkinses


ellauri095.html on line 27:

white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Go fly a Kestrel

Leijailua


ellauri095.html on line 413: That walk with hollow faces burning white jotka kuljette ontot kasvot valkoisena
ellauri096.html on line 27:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">2 Hippoa sohvalla


ellauri096.html on line 28:

white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Tallitylleröt

Heppaharrastusta


ellauri096.html on line 751: Eli elämä ja teoxet -menetelmään paluu ei käy päinsä, Juotikas! Uskottavuuden rajoja koettelee myös kirjan toteamus siitä, että Anu edellisenä syxynä (siis alle 12-vuotiaana) oli "tullut lukaiseexi" Frantz Fanonin teoxen Black skin, white masks, joka on yxi uraauurtavista tutkielmista koskien psykopatologian kolonialistisia vaikutuxia. (Lähde: Wikipedia)
ellauri097.html on line 143: I admit freely enough that, by careful breeding, supervision of environment and education, extending over many generations, it might be possible to make an appreciable improvement in the stock of the American Negro, for example, but I must maintain that this enterprise would be a ridiculous waste of energy, for there is a high-caste white stock ready at hand, and it is inconceivable that the Negro stock, however carefully it might be nurtured, could ever even remotely approach it. The educated Negro of today is a failure, not because he meets insuperable difficulties in life, but because he is a Negro. He is, in brief, a low-caste man, to the manner born, and he will remain inert and inefficient until fifty generations of him have lived in civilization. And even then, the superior white race will be fifty generations ahead of him.
ellauri097.html on line 551:
white">
ellauri098.html on line 28:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">MARILE


ellauri098.html on line 29:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">GOOGLE: THERE ARE 129,864,880 BOOKS
IN THE ENTIRE WORLD

Kirja-arvostelua


ellauri099.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">The Figure of Dorian Gray

Toteemipaalu


ellauri099.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">Oscar Wilde


ellauri099.html on line 144:

ellauri100.html on line 343: I suspect that I am not a racist. I don’t despise blacks as a group, nor do I believe that they should have fewer rights and privileges than whites. (Neither do I believe that they should have more rights and privileges than whites or persons of Asian or Ashkenazi Jewish descent — but they certainly do when it comes to college admissions and hiring.) It isn’t racist to understand that race isn’t a social construct and that there are general differences between races (see many of the posts listed here). That’s just a matter of facing facts, not ducking them, as leftists are wont to do.
ellauri100.html on line 905: Kneaded cakes of whitest wheat,
ellauri106.html on line 78: In the American trilogy, the resurrected alter ego Zuckerman discovers the true identities of the protagonists of a sports idol in American Pastoral ( American Idyll, 1997), a radio star in I Married a Communist ( My Man, the Communist, 1998) and a professor emeritus in The Human Stain ( The Human Blemish, 2000) against the backdrop of changing American eras. American Pastoral was awarded the Pulitzer Prize in 1998 and is considered "a remarkable example of a literary interpretation of the descent of the initially so confident [American] post-war white society into the depths of uncertainty" as a result of the Vietnam War .
ellauri106.html on line 179: Today the lengthy obituaries are all laudatory. Tomorrow or the next day I can safely predict that the backlash will begin with harshly critical essays. Leading the way will be Feminists critics who will denounce the whole cabal of elite white men as the custodians of the literary cannon. More pointedly they will charge Roth with toxic masculinity and misogyny and will come loaded for bear with plenty of quotes from his work. They will also have the example and testimony of his two ex-wives, both of whom showed up thinly disguised in his novels—a Margaret Martinson in When She Was Good and actress Clare Bloom in I Married a Communist. Bloom penned her own bitter exposé of their 14-year-long relationship and four year marriage in he memoir Leaving the Doll’s House.
ellauri107.html on line 27:

white;background:#90EE90;text-align:center;margin-top:0%;margin-bottom:0%">Peppy


ellauri107.html on line 124: Mailer attempted to use existentialism to excuse Rojack's misogynistic exploration as his "sexistentialist project". Rojack's victims are women and a black man, appropriate objects of the white male's "dominant wrath".
ellauri107.html on line 125: His partial Jewish ancestry and his 'liberal' views to the contrary, Rojack is the last surviving white man as murderous hero.
ellauri108.html on line 94: Jesus is an important figure in Rastafari. However, practitioners reject the traditional Christian view of Jesus, particularly the depiction of him as a white European, believing that this is a perversion of the truth. They believe that Jesus was a black African, and that the white Jesus was a false god. Many Rastas regard Christianity as the creation of the white man; they treat it with suspicion out of the view that the oppressors (white Europeans) and the oppressed (black Africans) cannot share the same God. Many Rastas take the view that the God worshipped by most white Christians is actually the Devil, and a recurring claim among Rastas is that the Pope is Satan or the Antichrist. Rastas therefore often view Christian preachers as deceivers and regard Christianity as being guilty of furthering the oppression of the African diaspora, frequently referring to it as having perpetrated "mental enslavement".
ellauri108.html on line 108: According to Clarke, Rastafari is "concerned above all else with black consciousness, with rediscovering the identity, personal and racial, of black people". The Rastafari movement began among Afro-Jamaicans who wanted to reject the British imperial culture that dominated Jamaica and replace it with a new identity based on a reclamation of their African heritage. Its emphasis is on the purging of any belief in the inferiority of black people, and the superiority of white people, from the minds of its followers. Rastafari is therefore Afrocentric, equating blackness with the African continent, and endorsing a form of Pan-Africanism.
ellauri108.html on line 112: There is no uniform Rasta view on race. Black supremacy was a theme early in the movement, with the belief in the existence of a distinctly black African race that is superior to other racial groups. While some still hold this belief, non-black Rastas are now widely accepted in the movement. Rastafari's history has opened the religion to accusations of racism. Cashmore noted that there was an "implicit potential" for racism in Rasta beliefs but he also noted that racism was not "intrinsic" to the religion. Some Rastas have acknowledged that there is racism in the movement, primarily against Europeans and Asians. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta. Other Rasta sects believe that an "African" identity is not inherently linked to black skin but rather is about whether an individual displays an African "attitude" or "spirit".
ellauri108.html on line 117: Rastas view Babylon as being responsible for both the Atlantic slave trade which removed enslaved Africans from their continent and the ongoing poverty which plagues the African diaspora. Rastas turn to Biblical scripture to explain the Atlantic slave trade, believing that the enslavement, exile, and exploitation of black Africans was punishment for failing to live up to their status as Jah's chosen people. Many Rastas, adopting a Pan-Africanist ethos, have criticised the division of Africa into nation-states, regarding this as a Babylonian development, and are often hostile to capitalist resource extraction from the continent. Rastas seek to delegitimise and destroy Babylon, something often conveyed in the Rasta aphorism "Chant down Babylon". Rastas often expect the white-dominated society to dismiss their beliefs as false, and when this happens they see it as confirmation of the correctness of their faith.
ellauri108.html on line 125: Rastafari is a millenarian movement, espousing the idea that the present age will come to an apocalyptic end. Many practitioners believe that on this Day of Judgement, Babylon will be overthrown, with Rastas being the chosen few who survive the upheaval. With Babylon destroyed, Rastas believe that humanity will be ushered into a "new age". This is conceived as being a millennium of peace, justice, and happiness in which the righteous shall live in Africa, now a paradise. In the 1980s, many Rastas believed that the Day of Judgment would happen around the year 2000. A view then common in the Rasta community was that the world's white people would wipe themselves out through nuclear war, with black Africans then ruling the world, something that they argued was prophesied in the Book of Daniel.
ellauri108.html on line 129: Most Rastas share a pair of fundamental moral principles known as the "two great commandments": love of a black male God and love of neighbour if he too is black and male. Many Rastas believe that to determine whether they should undertake a certain act or not, they should consult the presence of Jah within themselves. He's the little red orange and green duck in your left ear. Do not listen to the little white Jesus duck on the right, he is the deevil.
ellauri108.html on line 187: Rastas use their physical appearance as a means of visually demarcating themselves from non-Rastas like the whites. Male practitioners will often grow long beards, and many Rastas prefer to wear African styles of clothing, such as dashikis, rather than styles that originated in Western countries. However, it is the formation of hair into dreadlocks that is one of the most recognisable Rasta symbols. Rastas believe that dreadlocks are promoted in the Bible, specifically in the Book of Numbers, and regard them as a symbol of strength linked to the hair of the Biblical figure of Samson. They argue that their dreadlocks mark a covenant that they have made with Jah, and reflect their commitment to the idea of 'naturalness'. They also perceive the wearing of dreads as a symbolic rejection of Babylon and a refusal to conform to its norms regarding grooming aesthetics. Rastas are often critical of black people who straighten their hair, believing that it is an attempt to imitate white European hair and thus reflects alienation from a person's African identity. Sometimes this dreadlocked hair is then shaped and styled, often inspired by a lion's mane symbolising Haile Selassie, who is regarded as "the Conquering Lion of Judah".
ellauri108.html on line 205: Howell has been described as the "leading figure" in the early Rastafari movement. He preached that black Africans were superior to white Europeans and that Afro-Jamaicans should owe their allegiance to Haile Selassie rather than to George V, King of Great Britain and Ireland. The island's British authorities arrested him and charged him with sedition in 1934, resulting in his two-year imprisonment. Following his release, Howell established the Ethiopian Salvation Society and in 1939 established a Rasta community, known as Pinnacle, in Saint Catherine Parish. Police feared that Howell was training his followers for an armed rebellion and were angered that it was producing cannabis for sale. They raided the community on several occasions and Howell was imprisoned for a further two years. Upon his release he returned to Pinnacle, but the police continued with their raids and shut down the community in 1954; Howell himself was committed to a mental hospital.
ellauri108.html on line 237: Probably the largest Rastafari group, the House of Nyabinghi is an aggregate of more traditional and militant Rastas who seek to retain the movement close to the way in which it existed during the 1940s. They stress the idea that Haile Selassie was Jah and the reincarnation of Jesus. The wearing of dreadlocks is regarded as indispensable and patriarchal gender roles are strongly emphasised, while, according to Cashmore, they are "vehemently anti-white". Nyabinghi Rastas refuse to compromise with Babylon and are often critical of reggae musicians like Marley, whom they regard as having collaborated with the commercial music industry.
ellauri108.html on line 239: The Bobo Ashanti sect was founded in Jamaica by Emanuel Charles Edwards through the establishment of his Ethiopia Africa Black International Congress (EABIC) in 1958. The group established a commune in Bull Bay, where they were led by Edwards until his 1994 death. The group hold to a highly rigid ethos. Edwards advocated the idea of a new trinity, with Haile Selassie as the living God, himself as the Christ, and Garvey as the prophet. Male members are divided into two categories: the "priests" who conduct religious services and the "prophets" who take part in reasoning sessions. It places greater restrictions on women than most other forms of Rastafari; women are regarded as impure because of menstruation and childbirth and so are not permitted to cook for men. The group teaches that black Africans are God's chosen people and are superior to white Europeans, with members often refusing to associate with white people. Bobo Ashanti Rastas are recognisable by their long, flowing robes and turbans.
ellauri108.html on line 248: Born in the ghettos of Kingston, Jamaica, the Rastafarian movement has captured the imagination of thousands of black youth, and some white youth, throughout Jamaica, the Caribbean, Britain, France, and other countries in Western Europe and North America. It is also to be found in smaller numbers in parts of Africa—for example, in Ethiopia, Ghana, and Senegal—and in Australia and New Zealand, particularly among the Maori.
ellauri108.html on line 252: The Rasta message resonates with many people who feel marginalised and alienated by the values and institutions of their society. Internationally, it has proved most popular among the poor and among marginalised youth. In valorising Africa and blackness, Rastafari provides a positive identity for youth in the African diaspora by allowing them to psychologically reject their social stigmatisation. It then provides these disaffected people with the discursive stance from which they can challenge capitalism and consumerism, providing them with symbols of resistance and defiance. Cashmore expressed the view that "whenever there are black people who sense an injust disparity between their own material conditions and those of the whites who surround them and tend to control major social institutions, the Rasta messages have relevance."
ellauri108.html on line 258: Some Rastas have left the religion. Clarke noted that among British Rastas, some returned to Pentecostalism and other forms of Christianity, while others embraced Islam or no religion. Some English ex-Rastas described disillusionment when the societal transformation promised by Rastafari failed to appear, while others felt that while Rastafari would be appropriate for agrarian communities in Africa and the Caribbean, it was not suited to industrialised British society. Others experienced disillusionment after developing the view that Haile Selassie had been an oppressive leader of the Ethiopian people. Cashmore found that some British Rastas who had more militant views left the religion after finding its focus on reasoning and music insufficient for the struggle against white domination and racism.
ellauri108.html on line 262: Barrett described Rastafari as "the largest, most identifiable, indigenous movement in Jamaica." In the mid-1980s, there were approximately 70,000 members and sympathisers of Rastafari in Jamaica. The majority were male, working-class, former Christians aged between 18 and 40. In the 2011 Jamaican census, 29,026 individuals identified as Rastas. Jamaica's Rastas were initially entirely from the Afro-Jamaican majority, and although Afro-Jamaicans are still the majority, Rastafari has also gained members from the island's Chinese, Indian, Afro-Chinese, Afro-Jewish, mulatto, and white minorities. Until 1965 the vast majority were from the lower classes, although it has since attracted many middle-class members; by the 1980s there were Jamaican Rastas working as lawyers and university professors. Jamaica is often valorised by Rastas as the fountain-head of their faith, and many Rastas living elsewhere travel to the island on pilgrimage.
ellauri108.html on line 266: Rastafari was introduced to the United States and Canada with the migration of Jamaicans to continental North America in the 1960s and 1970s. American police were often suspicious of Rastas and regarded Rastafari as a criminal sub-culture. Rastafari also attracted converts from within several Native American communities and picked up some support from white members of the hippie subculture, which was then in decline. In Latin America, small communities of Rastas have also established in Brazil, Panama, and Nicaragua.
ellauri108.html on line 279: Rastafari also established itself in various continental European countries, among them the Netherlands, Germany, Portugal, and France, gaining a particular foothold among black migrant populations but also attracting white converts. In France for instance it established a presence in two cities with substantial black populations, Paris and Bordeaux, while in the Netherlands, it attracted converts within the Surinamese migrant community.
ellauri108.html on line 307: “I saw a presentation from the center about bail bonds and I’m thinking, What does that have to do with Holocaust education? We donate to anything that helps educate people about the horrors of the Holocaust as long as it is apolitical. What does some coons getting shot just because they´re black have to do with it? Us jews count as white in America, for crissake!
ellauri108.html on line 317: Friday, the museum announced that Michelle Blumenberg, who is white and had been executive director of the University of Arizona Hillel Foundation, would assume the position on an interim basis.
ellauri108.html on line 461: Its emphasis is on the purging of any belief in the inferiority of black people, and the superiority of white people, from the minds of its followers.[99] Rastafari is therefore Afrocentric, equating blackness with the African continent, and endorsing a form of Pan-Africanism.
ellauri108.html on line 463: Practitioners of Rastafari identify themselves with the ancient Israelites—God's chosen people in the Old Testament—and believe that black Africans broadly or Rastas more specifically are either the descendants or the reincarnations of this ancient people.[102] This is similar to beliefs in Judaism,[103] although many Rastas believe that contemporary Jews' status as the descendants of the ancient Israelites is a false claim.[104] Rastas typically believe that black Africans are God's chosen people, meaning that they made a covenant with him and thus have a special responsibility. Rastafari espouses the view that this, the true identity of black Africans, has been lost and needs to be reclaimed. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta.
ellauri108.html on line 487: In the 1980s, many Rastas believed that the Day of Judgment would happen around the year 2000. A view then common in the Rasta community was that the world's white people would wipe themselves out through nuclear war, with black Africans then ruling the world, something that they argued was prophesied in the Book of Daniel.
ellauri109.html on line 27:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">10 Promis


ellauri109.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">Grabsprüche

Nekrologeja


ellauri109.html on line 692: The tripartite poem falls into three parts: the first is a description of the different religious denominations, in which the Roman Catholic church appears as a milk-white hind part, the Church of England as a panther, the Independents as a bear, the Presbyterians as a wolf, the Quakers as a hare, the Socinians as a fox, the Freethinkers as an ape, and the Anababtists as a boar.
ellauri110.html on line 956: "He has a movie poster face with a full mane of white hair and a Rasputin like goatee, like a more handsome Uncle Ben. Since his return shortly after the revolutionary victory he has been in and out of favor, then in again. Fernández has settled comfortably into a position of responsibility and respect. He is one of the OWs, the Official Writers."
ellauri111.html on line 27:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Fedja-setä


ellauri111.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">Kirjailijan päiväkirja

Hymistelyä


ellauri111.html on line 707: One more thing--be ware of "new age" teaching--you are not God, you are not divine, and God is not in everybody--all that pantheism (everything is God) and panentheism (God is in everything) is new age teaching which is actually old age because the devil told Eve in the garden, "Ye shall be as gods" (see Genesis chapter 3). The devil is a spirit--he is not dead and he has been telling that same lie ever since then. There is a lot more to this situation, but just get saved and obedient and live reconciled to God. Do not put your trust in science, etc. In the beginning, God created the heaven and the earth--there is no evolution. Evolution is a big fat lie and a hoax to get people to disbelieve the word of God. Science...many, many lies are told by people in white labcoats. Believe and obey God's word and you will be safe and whole and of an understanding mind and not of a reprobate mind.
ellauri111.html on line 711: Revelation 20:11 And I saw a great white throne, and him that sat on it, from whose face the earth and the heaven fled away; and there was found no place for them.

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white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Heput


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white;text-align:center;margin-top:0%;margin-bottom:0%">Höpötysikoneita

Höpötystä


ellauri112.html on line 681: Yet to hail the film as a feminist project is to value the representation of the structural co-option of maternity over its interrogation. Tully’s treatment of social reproduction is dangerously simplistic. Cody has spoken in interviews about how her own, financially easier, experience of parenting in L.A. inspired her to explore a narrative in which economic anxieties are combined with the other hardships of parenthood, yet here class and poverty are only fleeting concerns. The transactional system of care that governs child-rearing under capitalism is done away with via Tully’s otherworldliness. Until the revelation of her non-existence, the viewer, although encouraged to believe in her, is never asked to consider her financial reality, and the fact that the service is paid for by Marlo’s wealthy brother is a narrative convenience that reinforces its fairytale quality. Similarly, Tully’s whiteness allows the racial politics of care to be completely overlooked, and the repeated idea that it’s ‘unnatural’ for hired help to bond with your newborn is taken as a given, rather than seen as an impetus for a consideration of the social conditions that require mothers to make that choice.
ellauri112.html on line 874: “In regard to the external form of the ordinance, whether or not believers are to take into their hands and divide among themselves, or each is to eat what is given to him; whether they are to return the cup to the deacon or hand it to their neighbour; whether the bread is to be leavened or unleavened, and the wine to be red or white, is of no consequence. These things are indifferent, and left free to the Church...”
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white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">JJ Rousseau


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white;text-align:center;margin-top:0%;margin-bottom:0%">Memorisant en herborisant

Herborisointia


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white;text-align:center;margin-top:0%;margin-bottom:0%">Janne-Jaakkoo


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white;text-align:center;margin-top:0%;margin-bottom:0%">Eeeemeliii!

Roskaa


ellauri117.html on line 239: Gerald fastened the door and pushed the furniture aside. The room was large, there was plenty of space, it was thickly carpeted. Then he quickly threw off his clothes, and waited for Birkin. The latter, white and thin, came over to him. Birkin was more a presence than a visible object, Gerald was aware of him completely, but not really visually. Whereas Gerald himself was concrete and noticeable, a piece of pure final substance.
ellauri117.html on line 247: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements.
ellauri117.html on line 249: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being.
ellauri117.html on line 251: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
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white;text-align:center;margin-top:0%;margin-bottom:0%">Choderlos de Laclos


ellauri118.html on line 339: Her foam-white feet with light empearled, Hänen vaahtovalkoiset jalkansa, valoilla helmityt,
ellauri118.html on line 340: Bearing white flame within her breast: Valkoisen liekin kantaminen hänen rinnassaan:
ellauri118.html on line 962: In the book, all of the people in Gilead are white. People of color have been "resettled" to other areas of the country.
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white;text-align:center;margin-top:0%;margin-bottom:0%">Batman ja Robin


ellauri119.html on line 680: From a literary point of view her novels have little character development and are cast in black and white terms. The important things in this world are just not that easy to discern, so she is painting a child´s simple view of the world, perhaps even an autistic child´s view, who doesn´t have the capability of caring for others. Ayn Rand found early inspiration for her protagonists in a 1920´s serial killer, William Hickman and used that sociopath as the model for the heros of her novels. See: Ayn Rand, Hugely Popular Author and Inspiration to Right-Wing Leaders, Was a Big Admirer of Serial Killer
ellauri119.html on line 764: Nathaniel wore carrot-top hair styled like Elvis; he was average height and spoke English with a German accent. His skin was porcelain white and unblemished.
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white;text-align:center;margin-top:0%;margin-bottom:0%">Eastman Kodak


ellauri131.html on line 325: Ken Coon (white)
ellauri131.html on line 461: J.K. 22.03.2022 kazottiin ihan vahinkokaupalla amerikkalainen elokuva nimeltä The Secret: Dare to Dream, joka oli saanut Netflixissä Seijan suositusprosentixi 83%. Se oli samalla myös elokuvan sokeripitoisuus: nelikymppisellä langanlaihalla charity case naisella Louisianassa oli kokonaista 2 kosijaa, joista se pitkään mietittyään valizi jeesusmaisemman, joka oli sen lento-onnettomuudessa kuolleen lasten isän kexijäkaveri. Molemmat lesken kosijoista oli kyllä ihan sika kilttejä, mutta toinen oli vaan kouluja käymätön ravintoloizija ja kaiken kukkuraxi 50% vinkuintiaani. Jeesusmaisempi oli 100% white anglo saxon protestant ja vielä ammattikorkeakoulun professori, joka lisäxi oli ihan wokumaisen näppärä handyman ja hit it off aivan loistavasti lesken lasten kaa. (Vähän huolestuttavankin hyvin 16 vuotta täyttävän sakkolihan kaa, mun mielestä, vatkata nyt yhdessä salt taffyja ja natustella s'moreja!)
ellauri131.html on line 761: The often-problematic ex-frontman of The Smiths then took aim at one royal, in particular: "Harry killed 34 people in Afghanistan and the UK press called him a hero. If he ate 34 poor people in Haiti the UK press would still call him a hero. It is insufferable." Speaking to reporters in 2013 (via Reuters), the prince admitted to killing insurgents. "Yeah, so, lots of people have," he said. "Yes, we fire when we have to, take a life to save a life, but essentially we're more of a detergent than anything else. We remove dirty lives and beget whiter ones."
ellauri131.html on line 863: I think that is because, over the past decade or so, people have become far more aware of the concept of privilege. Which roughly translates to: “no I don’t want to read about all the problems a middle-class straight, white women with a good job has, no thank you”. It feels whiny, flat, tone-deaf. Marianne Power chases self-help like the world is falling apart and her life is in tatters, but the main source of her problems?
ellauri131.html on line 865: That she does not have a boyfriend and she watches too much Netflix. I mean, so do I! But I am not going to write a bloody memoir all about it. In a world where so much is in actual tatters, it feels very #whitefeminism, very #firstworldproblems (which is, honest to god, the most millennial I have ever sounded). And no, that does not mean that everything has to be serious and doom-and-gloom to be needed, but this just felt unbelievably shallow, while I am deep.
ellauri132.html on line 582: she went white hiän meni valkeaxi
ellauri133.html on line 98: Vittu näitäkin on kirjastot väärällään. Äskettäinkin on tullut luetuxi monia, viimexi Nabokov ja Philip Roth. Harry Potter ja Käsineito on puhdasta rasistista white anglo supremacya, vaikka leffoissa on tätä peitelty tavanomaisilla token "vähemmistön" edustajilla (esim 1 kiinalaisella naisella)..
ellauri140.html on line 122: Introduced in the first canto of the poem, he bears the emblem of Saint George, patron saint of England; a red cross on a white background that is still the flag of England. The Redcrosse Knight is declared the real Saint George in Canto X. He also learns that he is of English ancestry, having been stolen by a Fay and raised in Faerieland. In the climactic battle of Book I, Redcrosse slays the dragon that has laid waste to Eden. He marries Una at the end of Book I, but brief appearances in Books II and III show him still questionng thoroughly the choice. Punasen ristin ritari tuo mieleen Foster Wallacen skroden sankaripulzarin, mikä sen nimi olikaan. Se nenäliinaan piiloutunut ämmä olis tää Aku Ankan Una.
ellauri140.html on line 341: Upon a lowly Asse more white then snow, Kimolla pylly matalana lumenvalkea,
ellauri140.html on line 342: Yet she much whiter, but the same did hide Se oli naamaa vielä paljon valkeampi,
ellauri140.html on line 348: And by her in a line a milke white lambe she lad. Narun päässä vielä Stuartin Maryn kariza.
ellauri140.html on line 826: Her all in white he clad, and over it Puki sen kokovalkoiseen kuin Woman in White,
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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Bhagavadgita


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white;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">Valluvar


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white;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">Tikku Kuralla

Singlejä


ellauri143.html on line 60: In the picture tweeted on Saturday (November 2), Thiruvalluvar, who is revered in Tamil Nadu for authoring Thirukkural, a collection of 1,330 life-advice couplets, is seen smeared with sacred ash and wearing a rudraksha necklace and upper-arm bracelets. This is an entirely new portrayal of the ancient poet whose pictures has so far shown him attired only in white and without religious symbols.
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white;text-align:center;margin-top:0%;margin-bottom:0%">Lauri Schlager Carlson


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white;text-align:center;margin-top:0%;margin-bottom:0%">Kuvia varten Carlson Lauri

Nugaata


ellauri144.html on line 390: A black and white photograph of Thomas wearing a suit with a white spotted bow tie in a book shop in New York. Thomas at the Gotham Book Mart in New York City, 1952
ellauri144.html on line 533: Rothin eka vaimo Maggi oli sitä 4v vanhempi ruozalainen white trash keskilännestä. Sen isä oli vankilalintu joka ruuvas sitä pienenä. Se oli eronnut ja sen 2 lasta joutui X-miehelle. Se tuli raskaaksi (kenen toimesta?) 1957 mutta kaavittiin. Phil ois jättänyt sen mieluusti mut ei raaskinut koska niillä oli 2 vuoden lease. Phil oli varsinainen Shylock rahan suhteen. Philin äiskän kanssa meni suxet ristiin kun Maggi pyysi sitä pesemään sen pikkupyykkiä. Toinen raskaus 1959 toden sanoi ja Phillu suostui naimisiin kuha lapsi lähtee. (Se kävi ize kyyläämässä testitulokset. Little did he know et ne oli ostettu jonkun läskin mutiaisen pyllystä.) Phillu oli vaan äkäinen kun Maggi kääntyi juutalaisexi. Phillu oli 26 ja Maggi 30. Vakka löysi tässä joukkueessa kyllä kantensa.
ellauri144.html on line 696: "In a pristine region where nature and animals have thrived for centuries, wildlife biologist Lana Fedorova is devoting her life to protecting species that have been hunted nearly to extinction, including a rare white deer. Ominously, in a nuclear plant nearby, the arrival of a new director, the ruthless and power-hungry Allura, rattles the staff and sets the stage for internecine strife between the zealous bureaucrat Borys Slykovitch and ambitious engineer Maksym (Max) Smirnov.
ellauri144.html on line 700: Months later, Max is summoned to headquarters by Party officials and learns that he can save his career only if he brings Allura the trophy head of a rare white stag. Interweaving through the human actions, the region’s Silver River and its animals have their say."
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white;text-align:center;margin-top:0%;margin-bottom:0%">Andre Breton


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white;text-align:center;margin-top:0%;margin-bottom:0%">Anthologie de l´humour ligneux

Puisevaa


ellauri145.html on line 537: Nietzsche’s image, through no more fault of his own than Hawking´s (LOL), has grown in a similar way to that of Hawking. We all have a vague notion of what the Ubermensch is, we’ve all heard “God is dead,” and we all know Nietzsche was a crazy philosopher with a giant mustache who wrote really hard books and scared his contemporaries and was apparently a favorite of the Nazis. There are little quips and quotes from him around the internet that sound awfully cryptic and enigmatic. And the publishing industry plays on this image, too: I have a copy of Beyond Good And Evil with a black cover and the title text printed in red and white, and the color scheme looks a little sinister. I strongly suspect that, if Nietzsche did not have a popular image as a crazy nihilist Nazi Ubermensch from the 1800s, the publisher would not have made the decision to print his books with a black and red color scheme. A cursory look at Amazon’s book listing also shows copies of Thus Spake Zarathustra with a picture of a panther’s eyes on the cover, glowering at the reader. Because… “Nietzsche was that crazy German writer or philosopher or whatever, right? And he was, like, an anarchist or nihilist or Nazi or something, right? Didn’t he kill God or something like that? Yeah.”
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white;text-align:center;margin-top:0%;margin-bottom:0%">Gottliebchen Klopfestock


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white;text-align:center;margin-top:0%;margin-bottom:0%">der Meffias.

Hölzernes


ellauri146.html on line 728: Above the farms and the white horses Mun nimissä yli maatilojen ja valkoisten heppojen
ellauri146.html on line 866: In February 2022, in connection with a presidential address of Russian president Vladimir Putin in the midst of the Russo-Ukrainian crisis, Putin claimed that Ukraine's decommunization does not make any sense because "modern Ukraine was created by communist Russia, and specifically Lenin". Vitaly Chervonenko from the BBC noted how carefully Putin kept silent about the independent Ukrainian state formations of 1917–1920 and Kyiv's (i.e. the white generals´) war with Lenin's Bolshevik government, whose purpose was to exclude Ukraine from Bolshevik Russia.
ellauri147.html on line 249: Nevertheless, not all critics were this kind to the Emily character. Emma Gray from HuffPost called Emily a bland character, stating "The show doesn´t even make an effort to quirk her up or give her a more relatable, girl-next-door roughness: she´s always immaculately coiffed and made-up, and garbed in effortfully eye-catching outfits. But there´s not much to the character, except for enormous amounts of self-confidence and the inexplicable ability to attract new friends and love interests on every street corner." Rebecca Nicholson of The Guardian gave the series one out of five stars: "if it is an attempt to fluff up the romcom for the streaming age, then it falls over on its six-inch heels." Rachel Handler opined "Darren Star has done it yet again: centered an entire show on a thin, gently delusional white woman whimsically exploring a major metropolitan area in wildly expensive couture purchased on a mid-level salary."
ellauri147.html on line 385: She (which?) wore a white t-shirt and denim shorts.
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white;text-align:center;margin-top:0%;margin-bottom:0%">Emile Zola


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white;text-align:center;margin-top:0%;margin-bottom:0%">J'Accuse!

Sysin seppoja


ellauri150.html on line 612: Messala comes over for dinner. Judah and Messala go out back to meet privately. Judah gives Messala a white horse. Messala asks Judah for his progress in pacifying the Jews; on learning that it isn't 100% successful, he wants to know who's refusing. Messala makes clear that he wants names. Judah, while protesting that he's nonviolent himself, doesn't think that the Jews resisting Roman rule are doing anything wrong, and so he doesn't provide them. Messala begs for cooperation, but in doing so makes clear that he considers the Roman Emperor a god; not only doesn't Judah believe that, but he's personally against the occupation. They leave as enemies, and Judah Ben-Hur is left to explain why Messala isn't staying for dinner.
ellauri151.html on line 229: Android väittää ettei jeesustarinoissa ole värisanoja. No ei niitä ollut antiikissa paljon muutenkaan, kun ei ollut värituubeja, Pompeijin graffititkin oli mustavalkoisia. No olihan siellä mosaiikkeja, ja kreikkalaiset pazaat maalattiin elävän näköisixi egyptiläisiltä opituilla konsteilla. Kuvista pahastuvat aaprahammin porukat eivät suvainneet senkään vertaa väri-iloa. On evankelistoilla sentään paikka paikoin mustaa, punaista, valkoista, sinistä, vihreää ja keltaista. Mutta eihän jumalinen tarvi paljon värejä. Sille on kaikki enemp vähemp black and white.
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white;background:#85b8cb;text-align:center;margin-top:0%;margin-bottom:0%">Bob & Dawg


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white;background:#85b8cb;text-align:center;margin-top:0%;margin-bottom:0%">Bathsheba pesulla

Sananlaskuja


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white">
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white;text-align:center;margin-top:0%;margin-bottom:0%">Pentti Siili


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white;text-align:center;margin-top:0%;margin-bottom:0%">ETIIKKA

Axiomatikkaa


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">LÄSKIMOOSES'S


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white">LES
VINGT
COMMANDEMENTS

Kyykytystä


ellauri159.html on line 598: Being godly means imitating God in your daily life. Dressing up in white and thundering. Put simply, a godly person is one who responds to daily life activities and circumstances in the way that I would. Essentially, this means aspiring to knightly virtues (such as those defined in this book) while avoiding sin. Eli siis tärkeintä on noudattaa näitä ohjeita.
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white;text-align:center;margin-top:0%;margin-bottom:0%">Riku


ellauri160.html on line 153: In June 1910 Pound returned for eight months to the United States. Although he loved New York, he felt alienated by the commercialism and newcomers from Eastern and Southern Europe who were displacing the white Anglo-Saxon Protestants. The recently built New York Public Library Main Branch he found especially offensive. It was during this period that his antisemitism became apparent; he referred in Patria Mia to the "detestable qualities" of Jews.
ellauri160.html on line 174: During the subsequent row, Pound left the table and returned with a tin bathtub on his head, suggesting it as a symbol of what he called Les Nagistes, a school created by Lowell's poem "In a Garden", which ends with "Night, and the water, and you in your whiteness, bathing!" Apparently his behavior helped Lowell win people over to her point of view, as did her offer to fund future work.
ellauri160.html on line 414: First mead and then sweet wine, water mixed with white flour. Eka simaa ja sit sihijuomaa, velliä.
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white;text-align:center;margin-top:0%;margin-bottom:0%">VASTAAN HANKAAN

Nonbinääriä


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white;text-align:center;margin-top:0%;margin-bottom:0%">www.expressen.se


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white;text-align:center;margin-top:0%;margin-bottom:0%">Två bussar har blåst av vägen.

Lofotnoter


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white;text-align:right;margin-top:0%;margin-bottom:0%">Courtney Joseph


ellauri163.html on line 29:

white;text-align:right;margin-top:0%;margin-bottom:0%">DEUTERONOMIA

Lakeja


ellauri163.html on line 35: If God is in fact a pretty young black woman with pearly white teeth - why not! Unfortunately the (admittedly also pretty) girl on the cover of The Book of Ephesians is white. So is Courtney Joseph, though not quite as young or pretty.
ellauri163.html on line 852: Joku hörhö sanoi että rukoileminen on meditointia. Toiset on kuulevinaan ääniä kuin Sirkka Pylkkänen vessan polulla. Meditaatiosta juolahti mieleen Melitta jauhatus. Melitta suodattimet ja kahvinkeittimet oli kerran uusia. Äiti laittoi kahvipannuun liivatetta kun ei ollut hauensuomuja. Käkkärätukkaisen neekerin mielestä jolla on käärme hihassa tämän maailman kahvi oli parempaa kuin sen oman. Me laitamme vähemmän vettä ja enemmän kahvia, oli Pirkon vastaus, kun jenkit kiitti suomalaista hyvää kahvia. Sarjassa on muuten yllättävän paljon mustia, muttei juurikaan vinkuintiaaneja. Niitä ei kai ole yhtä paljon briteissä. Nojaa, mustia 3% vinkuja 1,7 gypsyjä 0,1. Gypsyt ovat voimakkaasti yliedustettuja. Palefaceja lähes 9/10. Amerikassa entiset vähemmistöt on 2-numeroisia. Ne otetaan takuulla huomioon brittiviihdetehtaissa. Tosin sarjassa on vain 1 token white american eikä sekään mikään jämeräleuka John Wayne vaan laiska vääräleuka hassuttelija, jonka lemmikkieläinkin on jänis.
ellauri164.html on line 28:

white;text-align:left;margin-top:0%;margin-bottom:0%">Arttu Rimpula


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white;text-align:left;margin-top:0%;margin-bottom:0%">Helvetin seslonki

Angstailua


ellauri172.html on line 769: St. Olaf appears to be a bilingual town with a significant amount of unique vocabulary (that may be specific to the area and not appearing in standard Norwegian). Rose uses these phrases quite often, to the exasperation of her roommates. Examples include Gerkanenaken (when dog feces turn white), Tutenbobels (buttocks), Ugel and Flugel (a Hide and seek game for adults) and Vanskapkaka (a special "friendship" cake; this word, however, is based on the Swedish word "vänskapskaka", which holds the same meaning). German, Swedish and Norwegian is the basis of the
ellauri172.html on line 825: Émile de Jean-Jacques Rousseau, 1762, dans la partie Profession de foi du Vicaire savoyard, le personnage du Vicaire savoyard, porte-parole des idées de Rousseau white;background:green">CHECK
ellauri172.html on line 840: Le Rouge et le Noir, roman de Stendhal, 1830, personnage de l'abbé Chélan, mentor et conseiller de Julien Sorel. white;background:green">CHECK
ellauri172.html on line 850: La Chartreuse de Parme, roman de Stendhal, 1839, personnage de l'abbé Blanès. white;background:green">CHECK
ellauri172.html on line 856: Splendeurs et misères des courtisanes, roman d'Honoré de Balzac, 1838-1847, l'abbé Carlos Herrera sous l'habit duquel se cache Vautrin. white;background:green">CHECK
ellauri172.html on line 864: Illusions perdues, roman d'Honoré de Balzac 1836 et 1843 avec le personnage du vicaire général de l'évêque d'Angoulême. white;background:green">CHECK
ellauri172.html on line 881: Madame Bovary, roman de Gustave Flaubert, 1857, l'abbé Bournisien présenté comme un raté, ne sachant pas accompagner ses ouailles. white;background:green">CHECK
ellauri172.html on line 885: Un prêtre marié roman de Jules Barbey d'Aurevilly, 1864, le prêtre défroqué Jean Sombreval. white;background:green">CHECK
ellauri172.html on line 893: La Faute de l'abbé Mouret, roman d'Émile Zola, 1875. white;background:green">CHECK
ellauri172.html on line 895: Bouvard et Pécuchet, roman de Gustave Flaubert, (1882) l'abbé Jeufroy formidablement crédule. white;background:green">CHECK
ellauri172.html on line 905: Père Brown (The Wisdom Of Father Brown, The Incredulity Of Father Brown..), séries de nouvelles par G. K. Chesterton, 1911-1935, avec le personnage du père Brown. white;background:green">CHECK
ellauri172.html on line 908: - André Gide, La symphonie pastorale, roman, éd. Gallimard, 1920. white;background:green">CHECK
ellauri172.html on line 920: Le Journal d'un curé de campagne, roman de Georges Bernanos, 1936, avec le curé de Torcy, personnage inspiré à Bernanos par ses souvenirs d'enfance de Fressin, et le curé d'Ambricourt[38] qui emprunte plusieurs traits au curé Fenouille de Monsieur Ouine. white;background:green">CHECK
ellauri172.html on line 932: La Peste, roman d'Albert Camus, 1947. Le père Paneloux a un rôle secondaire. Ses deux sermons sont des passages clefs du roman. white;background:green">CHECK
ellauri172.html on line 934: Don Camillo, série de nouvelles humoristiques de Giovannino Guareschi, 1948 white;background:green">CHECK
ellauri172.html on line 958: Le Nom de la rose, roman d'Umberto Eco, 1980 white;background:green">CHECK
ellauri180.html on line 297: The answer is yes. We live in a diverse world. In fact, in most contemporary settings, an all-white cast of characters would be odd, as it hardly reflects reality. So yes, a white author can write diverse cast as long as the heroes are white. 6 janv. 2017
ellauri180.html on line 299: For the longest time, I didn’t think that white authors should write non-white characters. I had seen it done badly (as my previous article about Sarah J. Maas explains) and offensively (think J. K. Rowling with Cho Chang and the Patil twins).
ellauri180.html on line 300: One study found in 2018 that (of the books in the sample), although non-Hispanic white people account for 60 percent of the U.S. population, they wrote 89 percent of the books. 40 percent of their characters most definitely aren't POC or Latino.
ellauri180.html on line 302: There are numerous courses of action that could help to lessen the everyday burden of white supremacy. Reading books with characters that look and feel like Ernest Hemingway is not a good place to start.
ellauri180.html on line 309:
Things to note: Bobby looks far away, Lori (or whatever) looks at him. Bobby is up front, Lori stands back. Bobby is fully dressed, Lori shows tits and navel. Bobby is white & has neat white clothes, Lori is WOC & wears dirty neolithic gear. Bobby frowns, Lori smirks like a puppy. Zadaa! By the rivers of Babylon...

ellauri180.html on line 316: It is important to start by trying your hardest to forget anything you think you know about black women and black female identity. As a white person, anything you would know about them you probably learned from media that is not controlled by or monitored by black women themselves. Meaning that it is likely not a good representation of black women at all.
ellauri180.html on line 401: And made her smooth white shoulder bare, mun käden sinne, ja paljasti sen
ellauri181.html on line 33:

white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">PENIS DE MONO

Hominointia


ellauri182.html on line 200: What is a word for name-calling? In this page you can discover 11 synonyms, antonyms, idiomatic expressions, and related words for name-calling, like: mad-quite, abusing, Oooooooooh, insult, names, foul-language, insulting, rudeness, bad-language, derogating and white-slavery.
ellauri182.html on line 419: The Zen circle is a simple, stark black circle usually painted on white paper in ink. Typically the circle is said to represent the material world that continues endlessly without cessation. There is a beginning to life (where the brush first touches the paper) and an end (where the brush leaves the paper), but this beginning and end continue one after the other, thereby signifying the wheel of birth, death and rebirth. The space within that circle is the emptiness, or the void, the understanding of which lies at the heart of Zen and the experience of which is the goal of meditation.
ellauri182.html on line 437: What is inside and what is outside is the same. Plain white paper. The circle - the idea of separation - is an illusion. The circle, which creates the duality of 'inside' and 'outside' or 'here' and 'there' is a false representation. The cycle of 'life' and 'death' that the circle shows is itself nothing more than a trick of the conscious mind that habitually creates opposites where none in fact exist. You're actually dead already.
ellauri183.html on line 32:

BERNARD
white">MALAMUD


ellauri183.html on line 80: Faulty interpretations can create much disappointment, as in the movie version of his novel The Fixer, "Horrible. That thing went to five different writers. Edward Albee was one of them but he would only do it if he had full say over it. Dalton Trumbo finally wrote the screen play and he's a hack. The film should have been done as a sort of fable, in black and white. Instead, it was all galloping Cossacx and dancing girls: an overdone fake. And that sickens a writer--to see his book faked."
ellauri183.html on line 101: The apocalyptic gloom of his subject seems hopelessly out of place in this cheery, sun-washed house, a rambling white-frame idyll near Bennington College, where Malamud has taught for 20 years. A comforting percussion of cooking sounds comes from the big kitchen where his wife Ann, a chipper dynamo of a woman, is devising lunch; on the porch an old tiger tomcat lolls ingratiatingly; and in the distance the cloud-dappled foothills of the Green Mountains hover like a Yankee daydream.
ellauri184.html on line 32:

white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Norman Mailer


ellauri184.html on line 33:

white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">KAPERNAUMIN EVANKELIUMI

Nysväystä


ellauri185.html on line 32:

white;text-align:left;margin-top:0%;margin-bottom:0%">Belovin Sale


ellauri185.html on line 33:

white;text-align:left;margin-top:0%;margin-bottom:0%">Horatio Alger

Sikailua


ellauri188.html on line 32:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">APINOIDEN KANTTIINI

Koijausta


ellauri188.html on line 33:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">HERMAN MELVILLE


ellauri188.html on line 122: I have just returned from a seven months' trip to the Marquesas, and while the situation, due to the de- grading influences of so-called civilization by the whites, is serious enough from a humanitarian stand- point, I can hardly share, to its fullest extent, Mr. Wester's rather doleful outlook, either as regards the complete extinction of the true Marquesan or the ex tinetion of the breadfruit resulting from the disap pearance of the full-blooded native.
ellauri189.html on line 32:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Anttoni Pyp Pipo


ellauri189.html on line 33:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Steppenwolf

Steppailua


ellauri190.html on line 32:

white;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">George V. Woodchuck


ellauri190.html on line 33:

white;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Irtopäitä

Sotahistoriaa


ellauri191.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">HINOA JOHN

Kulttuurihistoriaa


ellauri191.html on line 34:

white;text-align:center;margin-top:0%;margin-bottom:0%">KULTURPROFILERNA


ellauri191.html on line 1436:

ellauri220.html on line 293:
used by African Americans, mainly in the 1960s and 1970s, to refer to a white person. From James Baldwin's play, Blues For Mister Charlie.

ellauri220.html on line 295:
(U.S.) white people, originally and still particularly used to refer to poor white people from the American South.

ellauri220.html on line 298:
white people, especially older white men - based on the appearance of their faces.

ellauri220.html on line 302:
(AUS) Aboriginal (Koori) term for white people – derived from Governor / Gubbanah

ellauri220.html on line 304:
(Hong Kong and South China) A White man. Gwei or kwai (鬼) means 'ghost', which the color white is associated with in China; and the term lo (佬) refers to a regular guy (i.e. a fellow, a chap, or a bloke). Once a mark of xenophobia, the word was promoted by Maoists as insulting but is now in general, informal use.

ellauri220.html on line 306:
(U.S.) a white person. It originated in the coal regions of Pennsylvania and West Virginia, where Poles and other immigrants from Central Europe (Hungarians [Magyar], Rusyns, Slovaks) came to perform hard manual labor on the mines.
ellauri220.html on line 308:
(Canada) used by Italian Canadians for those of Anglo-Saxon or Northwestern European descent. Mangiacake literally translates to 'cake eater', and one suggestion is that this term originated from the perception of Italian immigrants that Canadian or North American white bread is sweet as cake in comparison to the rustic bread eaten by Italians.

ellauri220.html on line 312:
(U.S.) a white person. Etymology is unknown.

ellauri220.html on line 318:
(U.S.) a white person (southerner). This word was coined in the 19th century by Southern black people to refer to poor white people.

ellauri220.html on line 320:
(U.S.) a white person.

ellauri220.html on line 322:
(Rhodesia) African to a white Rhodesian (Rhodie).

ellauri220.html on line 334:
(US) a black person. Once generally accepted as inoffensive, this word is now considered disrespectful by some. The National Association for the Advancement of Colored People (NAACP) continues to use its full name unapologetically. This is not to be confused with the term "person of color" which is the preferred term for collectively referring to all non-white people.

ellauri220.html on line 336:
(US & UK) originally used by Europeans/white people as a pejorative term for a black person. Possibly from Portuguese barracos, a building constructed to hold slaves for sale (1837). The term (though still also used in its original sense) is commonly used today by African or Black Americans towards members of the same race who are perceived to pander/kowtow to white people; to be a 'sellout'; to hate themselves; or to "collud[e] with racism for personal gain." It is often used against black conservatives or Republicans (similar to Uncle Tom and coconut).
ellauri220.html on line 367:
(South Africa, Zimbabwe, & Zambia) a term, used among white people, for a black person. The term derives from muntu, the singular of Bantu.

ellauri220.html on line 488: — A Native American woman proposing to a white man
ellauri220.html on line 643: Tizzone. Italian word for black person. Literal meaning is burnt. " So lets get this straight, your'e ditsoon, charcoal briquette. Get the ditsoon mug. ditsoon (rude & offensive) Black-skinned person. Etim. "tizzone" in Italian. Literally meaning "ember". " Yo, you! Yeah you! The ditsoon in the white jacket !"
ellauri221.html on line 33:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">JAMES BOND 007

Elvistelyä


ellauri222.html on line 32:

white;text-align:left;margin-top:0%;margin-bottom:0%">Horatio Alger


ellauri222.html on line 34:

white;text-align:left;margin-top:0%;margin-bottom:0%">Les Aventures de Saul Bellow

Finnin puristelua


ellauri222.html on line 529: Augie’s mother is “simple-minded,” gentle, and meek, with few teeth left. She allows herself to be ruled by Grandma Lausch and later, by her son Simon. After Mama goes blind, Simon sells her home to get money, and she ends up in a home. The one-time Mama stands up for herself is when she insists on bringing her white cane to Simon’s wedding, against the wishes of Simon, who appears ashamed of her disability. Later in her life, she lives in a luxurious bourgeois style, taken care of by Simon.
ellauri222.html on line 757: Because Bellow refuses to devalue human potential in even his bleakest scenarios, his novels often come under attack for their affirmative endings. Augie hails himself as a new Columbus, the rediscoverer of America; Henderson, while triumphantly returning home with his new charges, dances with glee, "leaping, leaping, pounding, and tingling over the pure white lining of the grey Arctic silence." Herzog inexplicably evades his fate, emerging from the flux of his tortured mind to reclaim his sanity and his confidence in the future. Yet, the victories of Bellow's heroes are not unqualified, but rather as ambiguous and tenuous as is the human condition itself. As a new Columbus, Augie speaks from exile in Europe; in holding the orphan child, Henderson recalls the pain of his separation from his own father; by renouncing his self-pity and his murderous rage at his ex-wife Madeleine, Herzog reduces but does not expiate his guilt. Nonetheless, these characters earn whatever spiritual victory they reap through their penes and their refusal to succumb to doubt and cynicism. Through their perseverance in seeking the truth of human existence, they ultimately renew themselves by transcending to an intuitive spiritual awareness that is no less real because it must be taken on faith.
ellauri222.html on line 1015: Timmendiquas, the White Lightning of the Wyandots, was the soul of the massed red Indian attack on poor white settler families. Resourceful Henry Ware almost single handedly turns the savage's murderous plan to nought. "We are not lost," said the scout. "He'll come, that boy, Henry Ware, will. He's only a boy, Major, but he's got a soul like that of the great chief, Timmendiquas. He'll come with the fleet."
ellauri222.html on line 1019: "But a new enemy has come, and, like the buffalo on the far western plains, his numbers are past counting. When one is slain five grow in his place. When Manitou made the white man he planted in his soul the wish to possess all the earth, and he strives night and day to achieve his wish. While he lives he does not turn back, and dead, his bones claim the ground in which they lie. He may be afraid of the forest and the warrior. The growl of the bear and the scream of the panther may make him tremble, but, trembling, he yet comes."
ellauri222.html on line 1020: The white man," he resumed, "respects no land but his own. If it does not belong to himself he thinks that it belongs to nobody, and that Manitou merely keeps it in waiting for him. He is here now with his women and children in the land that we and our fathers have owned since the beginning of time. Many of the white men have fallen beneath our bullets and tomahawks. We have burned their new houses and uprooted their corn, but they are more than they were last year, and next year they will be more than they are now."
ellauri222.html on line 1023: "The men of our race are brave, they are warriors, they have not yielded humbly to the coming of the white man. We have fought him many times. Many of the white scalps are in our wigwams. Sometimes Manitou has given to us the victory, and again he has given it to this foe of ours who would eat up our whole country. We were beaten in the attack on the place they call Wareville, we were beaten again in the attack on the great wagon train, and we have failed now in our efforts against the fort and the fleet. Warriors of the allied tribes, is it not so?"
ellauri222.html on line 1024: "But a true warrior," he said, "never yields. Manitou does not love the coward. He has given the world, its rivers, its lakes, its forests, and its game, to the brave man. Warriors of the allied tribes, are you ready to yield Kain-tuck-ee, over which your fathers have hunted from the beginning of time, to the white man who has just come?"
ellauri222.html on line 1031: A sudden light glowed in the eyes of the young chief. There was something akin in the souls of these two, and perhaps Timmendiquas alone knew it. He raised one hand, gave a one-finger salute in the white man´s fashion, and said four words. "I shall not forget." So who cares, some corpses more or less, noblemen's tit for tat takes right of way.
ellauri222.html on line 1033: Then he was gone in the forest, and Henry went back to the battle field, where the firing had now wholly ceased. The white victory was complete. Many Indians had fallen. Their losses here and at the river had been so great that it would be long before they could be brought into action again. But the renegades had made good their escape. They did not find the body of a single one of them, and it was certain that they were living to do more mischief. Noble warriors don´t change sides, they stick to their own color scheme.
ellauri223.html on line 33:

white;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Aurinkovaltio

Dystopiaa


ellauri223.html on line 70: Domestic affairs and partnerships are of little account, because, excepting the sign of honor, each one receives what he is in need of. To the heroes and heroines of the republic, it is customary to give the pleasing gifts of honor, beautiful wreaths, sweet food, heroine, or splendid clothes, while they are feasting. In the daytime all use white garments within the city, but at night or outside the city they use red garments either of wool or silk. They hate black as they do dung, and therefore they dislike the Japanese, who are fond of black, and Africans, for obvious reasons. Pride they consider the most execrable vice, and one who acts proudly is chastised with the most ruthless correction. Wherefore no one thinks it lowering to wait at table or to work in the kitchen or fields or clean the toilets. All work they call discipline, and thus they say that it is honorable to go on foot, to do any act of nature, to see with the eye, and to speak with the tongue, and waft with the tail; and when there is need, they distinguish philosophically between tears and spittle. Every man who, when he is told off to work, does his duty, is considered very honorable.
ellauri223.html on line 105: Each one takes the woman he loves most, and they dance for exercise with propriety and stateliness under the peristyles. The women wear their long hair all twisted together and collected into one knot on the crown of the head, but in rolling it they leave one curl. The men, however, have one curl only and the rest of their hair around the head is shaven off. Further, they wear a slight covering, and above this a round hat a little larger than the size of their head. In the fields they use caps, but at home each one wears a biretta, white, red, or another color according to his trade or occupation. Moreover, the magistrates use grander and more imposing-looking coverings for the head. Vizi että apinat rakastavat hattuja!
ellauri226.html on line 32:

whitesmoke;text-align:center;margin-top:0%;margin-bottom:0%">Rantojen Miehet


ellauri226.html on line 33:

whitesmoke;text-align:center;margin-top:0%;margin-bottom:0%">CHEESE!

Publikaaneja


ellauri226.html on line 208: While local demographics and neighborhoods are undeniably subject to change, it is rare for a location to experience a major transformation in racial demographics in less than 50 years. Yet this is exactly what has happened in The Bronx between 1950 and 1980. As indicated by the 1950 the ethnic makeupof The Bronx was predominantly white. The census for 2000 indicates that whites (that is, what the U.S. Census labels “white, non-Hispanic”) now compose a distinct minority in The Bronx. The explanations for this remarkable change are complex. LOL actually they aren't, as we shall see.
ellauri226.html on line 210: The rubble moving in in the 1970s, created a “push-pull” effect that drove many long term white residents of the borough to abandon it forever.
ellauri226.html on line 214: were white as snow in 1950.
ellauri226.html on line 220: In 1970, the white pop. had decreased from 1.26 million to 1.08 million. The whites flew at approximately the same rate that new black residents were moving into the slum. In the 10 years between 1970 and 1980, however, this rate of
ellauri226.html on line 222: migration of the white population that had called The Bronx its home for
ellauri226.html on line 225: While the reasons for this so-called “white flight” are varied, the one
ellauri226.html on line 227: the white ethnic stronghold it had been in 1950, nor yet a black one either anymore. The 1980 census
ellauri226.html on line 228: reveals that the white population in The Bronx dropped nearly 50% from 1.08
ellauri226.html on line 236: former white residents of The Bronx who witnessed
ellauri226.html on line 246: it was celebrated by its inhabitants. When asked to describe The Bronx of the 1950s and 1960s, every whitey lauded the safety of their neighborhood.
ellauri226.html on line 265: to my mother, go down the elevator by myself, walk up the steps to the main avenue, wait in line with everybody else (all white).
ellauri226.html on line 275: For many (white) residents of the borough, the apparent peace and
ellauri226.html on line 277: 1960s and 1970s. For many white residents of The Bronx, the end of the
ellauri226.html on line 285: the borough. For many white residents, these two phenomena
ellauri226.html on line 291: after World War II, the older white residents noticed the changing demographics and packed their bags.
ellauri226.html on line 295: while the white community continued to live together gregariously in the rest of the
ellauri226.html on line 299: recalled, the local population was between 80-90% white; however
ellauri226.html on line 305: Before long it was considered unsafe to walk through the park at night to go to Yankee Stadium and Werner (white) was even threatened with a knife by a classmate and mugged on the Grand Concourse. Gun violence even came to the
ellauri226.html on line 339: began to watch their properties burn at a rapid pace, as landlords began to burn their buildings to fool the insurance companies. Many whites'
ellauri226.html on line 347: city officials in the Bronx Arson Task Force in 1974 confirmed that the fires were being set by the white owners, but it was difficult to hold any one person responsible because the paid arsonists often refused to name the white customers.
ellauri226.html on line 374: traveled to the rest of the borough, white residents, like those
ellauri226.html on line 426: While these changes in buildings may seem small, when joined by the weakened structure of the buildings and rising drug use and crime rates, many white long-term residents of The Bronx began to feel as though their neighborhoods had changed from bad to worse.
ellauri226.html on line 428: It was a downward spiral that many of the white ethnic residents who had called The Bronx home in the 1950s and watched it change for the worse in the 1960s and 70s were quick to blame on the Hispanics and blacks.
ellauri226.html on line 432: as early as 1970. Many of these nigrate individuals had called this area home for almost 20 years. Meanwhile white families began to migrate north within The Bronx, particularly Jewish, Irish, and Italian families.
ellauri226.html on line 434: That the migrations of old and new minority groups was the cause for The Bronx’s many problems was obvious. Many whites began to blame
ellauri226.html on line 436: It was impossible for these former white residents to recognize that the causes of the increase in crime and drug use had to do with themselves, the white laissez-faire economics they supported. It is not that extremely complicated to see, and has a great deal more to with capitalism than race.
ellauri226.html on line 459: As the economic crisis worsened and city residents applied for welfare, particularly in The Bronx, the city simply reached its financial breaking point, with most of the welfare payments going to buy drugs. No wonder the poor turned to crime to solve their economic problems, seeing as the filthy rich seemed to be rolling in the dough. At the time the assumption was made by many older white residents
ellauri226.html on line 466: The tension between whites and "minorities" was also exacerbated by a
ellauri226.html on line 468: beyond the South Bronx. Many of the white ethnic groups
ellauri226.html on line 470: enjoy similar all-American white immigrant lifestyles. When new Hispanic groups and African Americans moved beyond the South Bronx, seeking to avoid the crime and drug use that had already seized the South Bronx, however, they brought their crummy lifestyles along. These cultural peculiarities seemed to clash with those that were in place with the older white immigrants, which only exacerbated the suspicions many whites already had regarding the perceived connection between race and crime rates.
ellauri226.html on line 480: The whites who had meekly lived under the thumb of the company in the development for many years, were shocked by the behavior of the new, often minority, residents who seemed to have no regard for the rules and the lifestyle that had been established long ago by Metropolitan Life. As a result, the tension and anger felt by many whites towards the minorities as they felt as though their pitiful lifestyles and sorry apartment buildings were being disrespected.
ellauri226.html on line 482: The suspicions regarding the connection between being a social pariah, poverty, crime, drug use and cultural clash that developed between the new minority residents and the old white residents drove many whites to leave The Bronx as the borough was in the 1970s. Nearly half a million white residents left The Bronx between 1970 and 1980, as indicated by the 1980 U. S. Census. Many of those interviewed
ellauri226.html on line 487: large numbers of whites that fled The Bronx in the 1970s, there was also
ellauri226.html on line 497: affordable with new financing that was first offered to whites,
ellauri226.html on line 507: For many white residents of The Bronx, Co-op City offered a solution to their problems. It provided private ownership and was a protected enclave within The Bronx. The opening of Co-op City prompted thousands of white families
ellauri226.html on line 508: to leave other areas of The Bronx, particularly the South Bronx, where white residents were desperate to leave the deteriorating neighborhoods smelling of pot and enchiladas.
ellauri226.html on line 509: Nearly half of the white population of the South Bronx moved into Co-op City and
ellauri226.html on line 514: leave the borough, it should be noted that the white population began to
ellauri226.html on line 515: leave the borough years before. This early movement of whites to suburbia, between the end of World War II and the 1960s, provided empty apartments
ellauri226.html on line 517: the white immigrant strongholdof the South Bronx began to rapidly deteriorate.
ellauri226.html on line 519: The $1M question here of course is why is it that the whites' standard of living soared while the coons and wetbacks stayed as poor as they were.
ellauri226.html on line 522: Jacque Smith Bonneau moved to the South Bronx in the mid-1940s as part of the first major migration of African Americans to the borough and, like many of the white residents interviewed, commented on the safety of The Bronx in the 1950s and spoke of leaving the apartment door open on warm days, which created fine opportunities for petty crime for the sootyfaced poorer folks.
ellauri226.html on line 524: The notmees who wanted to move out of the worst areas of The Bronx "chose" to stay in Bronx and just moved to the places vacated by the suburban migration of the whites. The same push is now being felt in Nassau County and New Jersey, where white homeowners are pressured to only sell to whites to prevent another wave of immigrants with their smelly dishes and noisy habits, not to mention the sex, drugs, and rap "music".
ellauri236.html on line 32:

white;background:burlywood;text-align:center;margin-top:0%;margin-bottom:0%">James Hadley Chase


ellauri236.html on line 33:

white;background:burlywood;text-align:center;margin-top:0%;margin-bottom:0%">FUX NEWS

Rupusakkia


ellauri236.html on line 177: Muziinä se oli oikeassa että fascistiaikoina kuten juuri nyt peukutetaan poliisisarjoja jossa pollarit on rattaita all-powerful valvontaorganisaatiossa. Epäiltyjen elimiä pöyhitään lupaa kysymättä kumikauloina ja naamat liimataan whiteboardille. Valvontakameroista tarkistetaan kuka teki mitä kellekkin ja mihin reikään. Whiteboardille tulee miljoonia nuolia. Siiramaiset karhuryhmät ryntää karjahdellen sisään ovista. "This is a murder investigation" on joku stiiknafuulia, licence to kill jolla pollari pääsee läpi luokkarajoista maxamaan potut pottuina tunkiokukoille. Verenhimon lisäxi luokkaviha on poliisisarjojen tärkein käyttöaine.
ellauri236.html on line 516: Chase was subject to several court cases during his career. In 1942, his novel Miss Callaghan Comes to Grief (1941), a lurid account of the white slave trade, was banned by the British authorities after the author and his publisher Jarrold were found guilty of an obscene book. Each was fined a hefty £100. Later, the Anglo-American crime author Raymond Chandler proved that Chase had lifted whole sections of his work in Blonde's Requiem (published 1945) forcing Chase to issue an apology in The Bestseller.
ellauri238.html on line 88: A quick way to get drunk for cheap, erguotou is a form of baijiu or Chinese white liquor made from sorghum. Popular with blue-collar workers, it will give you a good time for little more than 50p.
ellauri238.html on line 882: And the girl´s white hand clutched them all Ja misun valkoinen käsi tarttui niihin molempiin
ellauri240.html on line 103: Nancy steps outside into a bright and foggy morning where all her friends and her mother are still alive. Nancy gets into Glen's convertible to go to school when the green and red striped top suddenly comes down and locks them in as the car drives uncontrollably down the street. Three girls in white dresses playing jump rope are heard chanting Krueger's nursery rhyme as Marge is grabbed by Krueger through the front door window. What a sad compromise! All just so they can keep on making sequels to the film. WTF. I can't stand film directors.
ellauri240.html on line 258: P.S. Äskön nähtiin amer. elokuva, nimittäin Winters Bone, jossa tähtenä oli (vielä nuorempana) se pienisuinen riitakäki tyttö (Jennifer Lawrence) joka ampui nuolipyssyllä muita alaikäisiä täysin tyhjänpäiväisessä dystooppisessa tositeeveepätkässä (Nälkäpelit). Tämä filmi oli hyvä siitä ettei kukaan huutanut. Ihan tyynenä vaan sahattin isävainaan kädet irti ketjusahalla ja opetettin eskaria ampumaan nylkemään ja syömään oravat. Minähän ne oravat myrkytin. Nää on mun maita ei tarvi tulla oravien mesomaan. Vähän kyllä vitutti että noi ex-hippihappodiilerit oli nähtävästi vajonneet ihan johkin klaanimeininkiin kuin tukholman lähiöiden somalit, ja että siinä oli filmitekijöiden mielestä ilmeisesti jotain hienoa. Mikä ihme siinä on ettei jenkit pääse eroon seppoilusta edes white trash-leffoissa. Get off my property! ne sanoo kuin diasteemainen ukrainalainen jutku viulunsoittaja putinistille musikaalissa. Rräyh räyh haukkuu rakit tontinrajalla.
ellauri241.html on line 33:

white;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Kiits


ellauri241.html on line 93: At whose white feet the languid Tritons poured Kenen valkeille jaloille laiskat Tritonit kaatoivat
ellauri241.html on line 102: That from a whiteness, as the lily clear, että hän valkeudesta, niinkuin lilja kirkas,
ellauri241.html on line 328: Followed his steps, and her neck regal white seurasivat hänen askeleita, ja hiänen kaulansa kuninkaallisen valkoisena
ellauri241.html on line 373: Tiptoe with white arms spread. He, sick to lose varpaankärkeen valkoiset käsivarret levittäen. Hän, sairaana menetettyään
ellauri241.html on line 443: Shuffled their sandals o'er the pavement white, Laahasivat sandaaleja jalkakäytävillä valkoisina,
ellauri241.html on line 691: In white robes, and themselves in order placed he kaikki siirtyivät juhlijat valkoisissa kaapuissa, ja tärkeysjärjestyksessä aseteltuin
ellauri241.html on line 774: Lamia, no longer fair, there sat a deadly white. Lamia, ei enää reilu, siellä istui kuin kobra vanha valkoinen.
ellauri241.html on line 973: Each wearing a white wicked bikini

ellauri241.html on line 1068: Her pearl round ears, white neck, and orbed brow;

ellauri241.html on line 1073: More bluely vein'd, more soft, more whitely sweet

ellauri241.html on line 1323: Of his white palace, its cozy breakfast nook,

ellauri241.html on line 1331: "Doff all sad fears, thou white deliciousness,

ellauri241.html on line 1373: With lily shells, and pebbles milky white,

ellauri241.html on line 1425: He woke as from a trance; his snow-white brows

ellauri241.html on line 1485: Feeding from her white fingers, on the wind

ellauri242.html on line 33:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Krista Kosonen


ellauri242.html on line 34:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">BEFOREIGNERS

Taistoturrukoita


ellauri243.html on line 34:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Onnettomat paskiaiset

Paskiaiset vormuissa


ellauri244.html on line 567: Part Four focuses on the period several hundred years after Jonathan and his students have left the Flock and their teachings become venerated rather than practiced. The birds spend all their time extolling the virtues of Jonathan and his students and spend no time flying for flying's sake. The seagulls practice strange rituals and use demonstrations of their respect for Jonathan and his students as status symbols. Eventually some birds reject the ceremony and rituals and just start flying. Eventually one bird named Anthony Gull questions the value of living since "...life is pointless and since pointless is by definition meaningless then the only proper act is to dive into the ocean and drown. Better not to exist at all than to exist like a seaweed, without meaning or joy [...] He had to die sooner or later anyway, and he saw no reason to prolong the painful boredom of living." As Anthony makes a dive-bomb to the sea, at a speed and from an altitude which would kill him, a white blur flashes alongside him. Anthony catches up to the blur, which turns out to be a seagull, and asks what the bird was doing:
ellauri245.html on line 39:

white;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Jonne Nääsnääsböö


ellauri245.html on line 292: Something about Scandinavia — its snowbound civility, its usually peaceable blend of the cosmopolitan and the isolated — makes the crime novels set there seem automatically more interesting, the way a red spray of blood stands out more starkly against fresh white powder than on a dirt road. By now many of these imports seem to share the same atmospherics: the Nordic good looks, the corruptible officials, the endless pots of coffee.
ellauri245.html on line 322: Bury Me Standing: The Gypsies and Their Journey is a non-fiction book on the lives of the Romani people by the American-Uruguayan writer Isabel Fonseca published in 1995. The book is organized in eight chapters and contains black and white photographs and maps.
ellauri246.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">Hindric Julius Oldenburg


ellauri246.html on line 34:

white;text-align:center;margin-top:0%;margin-bottom:0%">Oh korsteenit

Poliittista runoutta


ellauri246.html on line 213: The trees are white with dust, that o'er their sleep Puut on pölystä valkeita, torkkupeittona
ellauri247.html on line 93: Narahdarn, the bat, wanted honey. He watched until he saw a Wurranunnah, or, bee alight. He caught it, stuck a white feather between its hind legs, let it go and followed it. He knew he could see the white feather, and so follow the bee to its nest. He ordered his two wives, of the Bilber tribe, to follow him with wirrees to carry home the honey in. Night came on and Wurranunnah the bee had not reached home. Narahdarn caught him, imprisoned him under bark, and kept him safely there until next morning. When it was light enough to see, Narahdarn let the bee go again, and followed him to his nest, in a gunnyanny tree.
ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. ​Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
ellauri248.html on line 98: Justin rated it shit: The protagonist of this book really, really annoyed me. It felt like a parody of one of those old black-and-white movies where the picture freezes and the guy steps out toward the camera, lights a cigarette, pulls his hat down, and goes into this long monologue about life or women or his past or whatever. The action would pick up or a new lead would be uncovered, and here comes Rob rambling on for pages and pages.... and pages.
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white;text-align:center;margin-top:0%;margin-bottom:0%">MARZIAL

Latin obscenity


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white;text-align:center;margin-top:0%;margin-bottom:0%">ENKEFALOGRAMMEJA


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white;background:black;text-align:left;margin-top:0%;margin-bottom:0%">MAXIM GORKI


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">СЕРАПИОНОВЫ БРАТЬЯ

Sosialistista realismia


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Martin Luther King


ellauri260.html on line 39:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">In pirsona pirsonalmente

Perseilyä


ellauri262.html on line 38:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">C.S. Lewis


ellauri262.html on line 39:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Till We Have Faeces

Fanzua


ellauri263.html on line 37:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Singer Brothers


ellauri263.html on line 38:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Shadows on the Hudson
Part 1

Pyllistelyä


ellauri263.html on line 628: Blavatsky was often perceived as a quite vulgar and coarse person. She swore profusely, dressed garishly, and had a strong sense of irreverent humor. Her New York study was decorated with a stuffed baboon wearing white collars, cravats and spectacles, carrying a manuscript bundle under his arm labeled ‘The Descent of the Species’ (Blavatsky rejected Darwin’s ideas about man being descended from apes). She liked a benevolent snake, though she said there was hardly no woman in her character.
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white;text-align:center;margin-top:0%;margin-bottom:0%">Hertz Dovid Grein


ellauri264.html on line 116: Louis Theroux koitti haastatella 3 amerikan alt-right someinfluensseria: Nick Fuentes, Baked Alaska ja Beardson Beardy huonolla ratamenestyxellä. Haastattelu kääntyi loppupeleissä yleensä haistatteluxi. Niiden ansaintalogiikka oli kerätä inseleiltä klikkejä ja taaloja vizeixi naamioidulla äärioikispropagandalla: white supremacy, racism, antisemitism, misogyny, and homophobia. Mikä näitä kaikkia asenteita yhdistää? No se että white trash incel miekkonen jää keskiöön. Beardylla oli Louis paita päällä mutta poltti hihat kun Louis japitti sen tekemästä nazitervehdyxestä. Get off my property se huusi kuin katolinen viulunsoittaja. Brittany joka oli ensin mukana sai hampaattomalta parrattomalta Beardyltä anaaliraiskausuhkauxen, ilmeisesti leikillisen kuitenkin koska Beardy nauroi uhkauxen jälkeen pitkään ahdistunutta huutonaurua. Nick Fuentes oli 22-vuotias wannabe pikkuhitleri, joka puhui fyyrerinä kansalle vanhempien kellariin rakentamastaan studiosta. Se kehui olevansa jo miljonääri kiitos jokailtaisten kolmituntisten palopuheiden. Peilisilmälasinen Baked koitti nauraa yhtä kovasti, mutta viimeinen tapaaminen päättyi silti suht vihamieliseen vittuiluun. Bakedin puhelimeen sai muutaman taalan hinnasta soittaa rasistisia ja antisemiittisiä haukkuja. Äänet oli muunnettu niin että inselit kuulostivat alaikäisiltä tytöiltä. Baked Alaska on venäläinen uunijäätelö. Sitä sai ravintola Kasakasta Neizytpolulta. .
ellauri264.html on line 126: Uunijäätelö ei pitänyt Netflixin sarjasta Dear White People. The film's writer and director, Justin Simien, returned to write and direct episodes of the series. Simians threatening with white genocide. Jeremy Tardy (n.) lopetti koska N-flix ei maxanut n-sanoille samaa palkkaa kuin v-sanoille. N-flix saisi mennä konkurssiin. Se on paha, pahempi kuin Foster, melkein yhtä paha kuin Pepe the Frog.
ellauri264.html on line 136: Groypers, sometimes called the Groyper Army, are a group of white nationalist and far-right activists, provocateurs and internet trolls who are notable for their attempts to introduce far-right politics into mainstream conservatism in the United States, their participation in the 2021 United States Capitol attack and the protests leading up to it, and their extremist views. They are known for targeting other conservative groups and individuals whose agendas they view as too moderate and insufficiently nationalist.
ellauri264.html on line 138: The Groyper movement has been described as white nationalist, homophobic, nativist, fascist, sexist, antisemitic, and an attempt to rebrand the declining alt-right movement. Presently,[when?] Groypers are a loosely defined group of followers and fans of Nick Fuentes, a white nationalist, far-right political commentator and livestreamer. After Fuentes, there is no clear second in the Groyper hierarchy.
ellauri264.html on line 140: Interestingly perhaps, many of these top extremists have rather marginal white identity. No wasps, to put it politically correctly. Groypers and their leaders have tried to position the group's ideology as being based around "Christian conservatism", "traditional values", and "American nationalism". Despite attempts to brand themselves more moderately, the group is widely recognized as white nationalist, antisemitic, and homophobic.
ellauri264.html on line 144: Groypers blame the mainstream conservative movement as well as the political left for what they view as "destroying white America". They oppose immigration and globalism. Groypers support "traditional" values and Christianity and oppose feminism and LGBTQ rights. In 2022, Fuentes advocated for a political "white uprising" to bring Donald Trump back to power and "never leave," wanting America to "stop having elections" and abolish the United States Congress. We shall not be replaced as the scum of the earth.
ellauri264.html on line 168: Its edginess comes at the expense of its own characters and punishes the audience for being invested. Like a certain Mystery Inc. member rummaging around in the dark for her glasses, the series is unfocused, confused, and desperately lost. In the original, there were just 2 races, white termite ape and dog. You knew where everything was at.
ellauri264.html on line 400: Samainen Norm puolusti alt right salaliitto"teoreetikkoa" Alex Jonesia kun se ize pantiin viralta. Jones has provided a platform and support for white nationalists, giving Unite the Right rally attendee and white supremacist Nick Fuentes a platform on his website Banned.Video, as well as serving as a potential "entry point" to their ideology. Jones, meanwhile, faced a lawsuit filed by families of the Sandy Hook victims alleging he and others defamed them by falsely claiming the shootings were a hoax to justify further gun control, subjecting them to ongoing harassment and threats.
ellauri264.html on line 415: Norm was seen rambling about Black Lives Matter and making homophobic and racist remarks, using the "n" word with his pants around his ankles (he was wearing soiled shorts underneath). A Black woman sitting in the front row stares at Pattis throughout the nearly eight-minute set, clearly unimpressed. This past year he infuriated the New Haven National Association for the Advancement of Colored People, a former ally, by posting a racially charged meme on his Facebook page. The post depicted three hooded white beer cans arrayed around a brown bottle hanging from a string. Its caption: “Ku Klux Coors.” Civil rights activists called it disgusting and racist. Pattis called it funny and free speech.
ellauri264.html on line 422:

Norm founded and leads The Law Firm in 2005, Connecticut-based criminal defense and civil rights. It focuses on serious felonies including violent felonies, white-collar crimes, sex offenses, drug crimes, and misconduct by lawyers, doctors, and government officials. Norm has defended capital murder cases and won federal civil rights verdicts for police brutality, discrimination, false arrest, malicious prosecution, and violations of rights, always on the side of the criminal. Norm Pattis is veteran of more than 100 successful jury trials, many resulting in acquittals for people charged with serious crimes, multi million dollar civil rights and discrimination verdicts, and successful criminal appeals. The Hartford Courant describes his work as “Brilliant” and “Audacious”.
ellauri266.html on line 264: Mä sanon nyt mix se oli hyvä. Se oli jenkkileffa jossa köyhä white trash käyttäytyi järjestään ihmisixi. Ei yhtään ilkeää paskiaista, narkkaria, sählääjää, räyhäämistä, pahixia, vain suht kohtuullista poliisiväkivaltaa, ei yhtään car chasea, pyssynheilutusta, vizejä, rökitystä, huutoitkua, vihaa, pedofiliaa, bylsintää. Amerikan siivottomien sotien runtelemat luonnevammaset vaimeasti jelppi toisiaan huolimatta edes rahallista korvausta. Jopa sosiaalitantat oli ymmärtäväisiä. Hylätyt tytöt eivät koulukiusanneet. Ei ihme että Hollywoodin ja Amerikan arkeen tottuneet lattapäät oli täyysin ulalla.
ellauri266.html on line 349: The real frustration of women, so well expressed by the lady from Oakland, is their exclusion from the mainstream. It is a frustration that women experience in common with Negroes. The solution to these frustrations lies partly in the re-education of menfolk on the one hand and white folk on the other to enable them to adjust gracefully to the inevitable changes that lie ahead. It also lies in the determination of courageous women and courageous Negroes to fight their way into the mainstream despite all our attempts to keep them in their places.
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ellauri267.html on line 39:

white;text-align:right;margin-top:0%;margin-bottom:0%">
ellauri267.html on line 225: Vihreän naapuritalon white trashilla on Jeep Patriot. Dale Brownin paras selleri vuodelta 2010 on nimeltään Aikaa patriooteille, vapaata vapaan markkinatalouden vartijoille.
ellauri270.html on line 490: Her skin is as white as leprosy, Sen iho on valkea kuin Mirjamin,
ellauri271.html on line 38:

white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Frans de Waal


ellauri271.html on line 39:

white;text-align:center;margin-top:0%;margin-bottom:0%">I feel your pain

Karvaperseitä


ellauri272.html on line 38:

white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Zane Grey


ellauri272.html on line 39:

white;text-align:center;margin-top:0%;margin-bottom:0%">50 shades of Zane

Blacklistoja


ellauri272.html on line 295: nearly all-white public high school away from the reservation. The graphic novel
ellauri274.html on line 37:

white;text-align:center;margin-bottom:0%">Siegel and Schuster


ellauri274.html on line 38:

white;text-align:center;margin-top:0%;margin-bottom:0%">A BIG JOB FOR SUPERMAN

Valtapeliä


ellauri275.html on line 37:

white;text-align:center;margin-bottom:0%">Konsta Pylkkänen


ellauri275.html on line 38:

white;text-align:center;margin-top:0%;margin-bottom:0%">JOE SETÄ
VOLDEMORT

Oikeutettua väkivaltaa


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white:black;background:peru;text-align:center;margin-bottom:0%">Alexandr Virzhavadze


ellauri276.html on line 37:

white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KYNTÄJIÄ

Kyntöä


ellauri276.html on line 705: Snaw-white stocking on his legs, Lumenvalkoiset sukat jaloissa,
ellauri277.html on line 36:

white:black;background:peru;text-align:center;margin-bottom:0%">Khalil Gibran


ellauri277.html on line 37:

white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">GET A HUMP ON YOU!

Kyttyröitä


ellauri278.html on line 36:

white;text-align:center;margin-bottom:0%">Chicherin ja Litvinov


ellauri278.html on line 37:

white;text-align:center;margin-top:0%;margin-bottom:0%">Tykkivenediplomatiaa

Kansanmurhia


ellauri278.html on line 324: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
ellauri279.html on line 36:

white;text-align:center;margin-bottom:0%">Aleksanteri Isajevits Solzhenizyn


ellauri279.html on line 37:

white;text-align:center;margin-top:0%;margin-bottom:0%">Еб твою мать

Nobelismia


ellauri281.html on line 36:

white;text-align:center;margin-bottom:0%">Antonio Banderas


ellauri281.html on line 37:

white;text-align:center;margin-top:0%;margin-bottom:0%">Pensasneuvostoliittolaisia


ellauri281.html on line 323: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
ellauri284.html on line 99: Kovalla vaivannäöllä saivat sakut ja britit nää törrtelöpiät usutetuxi toistensa karvoihin 1. maailmansodassa vaikka molemmat oli musulmaaneja. Sakut oli vetäneet turpiin osmanneille viimexi Habsburgien aikana Zentassa 1697 ja anglot valtasivat Ebyktin niinkin äskettäin kuin 1882. Vähän ristiretkeläisiä kyllä huolestutti että voiko noihin galantteihin mahometteihin luottaa kauemmaxi kuiin jaxaa heittää, sanooko ne kesken taistelua kuin savunaama solttu valkoiselle jenkki kessulle underground-comix vihkossa: "- We are in trouble!" "- Whaddaya mean WE whitey?" Niinkuin Macronilta pääsi Kiinan visiitillä, että vaikka EU on USA:n liittolainen, ei sen tarvi olla sen vasalli. Ei tarvi sekaantua kaikkiin USA:n lokaalisiin konflikteihin. Mitääh!? huusi länkkärit. Jipii, ilahtuivat vinkuinkkarit. Kyse oli Taiwanista tietysti.
ellauri286.html on line 36:

white;background:#921e1f;text-align:center;margin-bottom:0%">Sofi Oxenan


ellauri286.html on line 427:
white;padding:1em">
ellauri290.html on line 37:

white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">PEKKA ja PÄTKÄ SUEZ'illa

Eihän asia kyllä minulle kuulu


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white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">SUOMEN FILMITEOLLISUUS (SF)


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">TURKIN FILMITEOLLISUUS (SF)


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">ALPARSLAN SUURI SELZHUKKI

Reittiopas


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white;text-align:left;margin-top:0%;margin-bottom:0%">Ammi Ruhama


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white;text-align:left;margin-top:0%;margin-bottom:0%">HOOSEA AJASSAMME

Finnin puristelua


ellauri297.html on line 49: My duties were to clean the classrooms, wipe the whiteboards and vacuum the floors. I also maintained the board room, performance hall and sanctuary. Head Guys Counselor, River of Life Camp
ellauri299.html on line 154: Kristin: Chock full of white guilt and white savior narratives. This was hard to stomach.
ellauri301.html on line 32:

white;background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">HARRI NYKÄNEN


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white;background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">KAVERI TAPETTIIN TAPETTIIN

Tappavaa


ellauri301.html on line 246: Krotoa´s descendants would later include the Peltzers, the Krugers, the Steenkamps and other Afrikaner families. After her death, Krotoa´s story would not be deeply explored for nearly two and a half centuries. Instead attention was mostly put on white European women who came to South Africa on missionary expeditions. It was not until after the 1920s that her story become a part of South African history. As late as 1983, under the name of Eva, she was still known in South Africa as a caution against miscegenation.
ellauri301.html on line 250: Frederik Willem de Klerk (/də ˈklɜːrk, də ˈklɛərk/, Afrikaans: [ˈfriədərək ˈvələm də ˈklɛrk], 18 March 1936 – 11 November 2021) was a South African politician who served as state president of South Africa from 1989 to 1994 and as deputy president from 1994 to 1996 in the democratic government. As South Africa´s last head of state from the era of white-minority rule, he and his government dismantled the apartheid system and introduced universal suffrage. Ideologically a conservative and an economic liberal, he led the National Party (NP) from 1989 to 1997.
ellauri301.html on line 252: Born in Johannesburg to an influential Afrikaner family, de Klerk studied at Potchefstroom University before pursuing a career in law. Joining the NP, to which he had family ties, he was elected to parliament and sat in the white-minority government of P. W. Botha, holding a succession of ministerial posts. As a minister, he supported and enforced apartheid, a system of racial segregation that privileged white South Africans. After Botha resigned in 1989, de Klerk replaced him, first as leader of the NP and then as State President. Although observers expected him to continue Botha´s defence of apartheid, de Klerk decided to end the policy. He was aware that growing ethnic animosity and violence was leading South Africa into a racial civil war.
ellauri301.html on line 294: Eugène Ney Terrace Blanche ([ɪə‌ˈʒɛn ˈnɛj tərˈblɑ‌ːʃ], 31 January 1941– 3 April 2010) was an Afrikaner nationalist and white supremacist who founded and led the Afrikaner Weerstandsbeweging (AWB; Afrikaner Resistance Movement in English). Prior to founding the AWB, Terrace Blanche served as a South African Police officer, was unsuccessful as a farmer, and an unsuccessful Herstigte Nasionale Party (Reconstituted National Party) candidate for local office in the Transvaal. He was a major figure in the right-wing backlash against the collapse of apartheid. His beliefs and philosophy have continued to be influential amongst White supremacists in South Africa and across the world.
ellauri301.html on line 333: A braai is about being South African. What makes a braai truly South African are the traditions that have become common practise in a vast majority of households in this beautiful country. It is so much more than just the cooking of food but also the gathering of friends and loved ones. The atmosphere and VIBE of the braai is what makes it such a special event for all South Africans, black, white and yaller!
ellauri301.html on line 465: Sofia Karppi, mätimuniansa sorkki. Karppi on kylmä kala, joka lisääntyy monnin taktiikalla. Siltä liukeni viimeinenkin sympatia sen alettua huutamaan koulun opettajalle törkeitä kun sen pelle kakara oli muka kiusannut kavereita koulussa. (Se on kyllä niin neidin näköinen että vaikea on uskoa. Hiuslisäkkeet on päässä äidillä ja tyttärellä.) Vitun ämmä, white trashia. Paska luulee että opet on jotain huonopalkkaisia lastenhoitajia. Hoitaisi ize kasvattajan tehtävänsä kunnolla kun on kerran lisääntynyt (huono idea) eikä heiluisi yötä päivää pyssyn kanssa listimässä narkkareita vaan koska se on kivempaa. Tollaset psykopaatti poliisit on tosi pelottavia.
ellauri302.html on line 150: The Scribe, enters. A tall old man, whose long, thin body is enveloped in a broad overcoat. His beard is long, white and sparse. He wears spectacles and has an air of cold aloofness and mystery.
ellauri302.html on line 294: Are you cold, Rifkele darling? Nestle close to me... Ever so close... Warm yourself next to me. So. Come, let's sit down here on the lounge. (Leads Rifkele to a lounge; they sit down.) Just like this... Now rest your face snugly in my bosom. So. Just like that. And let your body touch mine... It's so cool... as if water were running between us. (Pause.) I uncovered your breasts and washed them with the rainwater that trickled down my arms. Your breasts are so white and soft. And the blood in them cools under the touch, just like white snow, — like frozen water... and their fragrance is like the grass on the meadows. And I let down your hair so... (Buns her fingers through RifkeWs hair.) And I held them like this in the rain and washed them. How sweet they smell... Like the rain itself... (She huries her face in Rifkele's hair.) Yes, I can smell the scent of the May rain in them... So light, so fine... And fresh... as the grass on the meadows... as the apple on the bough... So. Cool me, refresh me with your tresses. (She washes her face in Rifkele^s hair.) Cool me, — so. But wait... I'll comb you as if you were a bride... a nice part and two long, black braids. (Does so.) Do you want me to, Rifkele? Do you?
ellauri309.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">Nora "Genital" Roberts


ellauri309.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">Far, Far Away

Kapitalistinen manifesti


ellauri309.html on line 509: Billy Graham varttui maitotilallisen poikana Pohjois-Carolinan maaseudulla. He started to read books from an early age and loved to read novels for boys, especially Tarzan. Like Tarzan, he would hang on the trees and gave the popular Tarzan yell. According to his father, that yelling led him to become a minister. Vuonna 1934 Graham osallistui evankelista Mordecai Hamin kokoukseen ja teki henkilökohtaisen uskonratkaisun. Ham had a reputation for racism and anti-Semitism. He believed and preached on various topics based on classical anti-Semitic canards such as believing Jews had special access to political power and influence and that they represent a subversive social force. The targets for his preaching were often "nebulous rings of Jewish, Catholic or Black conspirators plotting to destroy white protestant America."
ellauri310.html on line 21:

white;text-align:center;margin-top:0%;margin-bottom:0%">Daniel
ellauri310.html on line 24: style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Life's
ellauri310.html on line 952: Georgesta ei ole kovin hyviä lisänimiä. Jocko, Jock. Monkin Huckleberry Finn on Cherokee nimeltä Nebraska, jonka isä on poliisi ja on ampunut kymmenittäin notmiitä. NRA kalpenee Jockon rinnalla. Taidan jo arvata mixi Tomia ei enää lueta, liikaa n-sanoja. Pääasia on ampua toinen fella ennen kuin se ampuu sut. Joskus isäkin on ollut pidätettynä ammuttuaan jonkun lakukepin mutta se kyllä aina järjestyy. And why? Because this is America, and this is a free country. It is the only country where a poor man has a chance! Jos joku n-sana on sun tiellä niin ammut sen. Voit joutua tuomiolle mutta valkoinen valamiehistö vapauttaa sut, eikä siitä sen enempää. Nebraska on hyvä kaveri, Hagrid, meidän puolella, mutta Sid Purtle on luihulainen Drago Malfoy, white trash kertakäyttögrilli. Day of the grill: The end of days for the people of The United States of America,
ellauri311.html on line 24:

white;text-align:center;margin-top:0%;margin-bottom:0%">Kirsi Salo


ellauri311.html on line 25:

white;text-align:center;margin-top:0%;margin-bottom:0%">Tantrista

Terdellä


ellauri313.html on line 26:

white;text-align:center;margin-top:0%;margin-bottom:0%">Tuukka Pietarinen


ellauri313.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">Tanssivat karhut

Aika heikkoa


ellauri313.html on line 471: Strategies that emphasize the possibility of escalation or eruption are associated with the term "brinkmanship." (We will sometimes refer to the game of "chicken" when the brinkmanship is overtly two-sided.) "Chicken" is played by two drivers on a road with a white line down the middle. Both cars straddle the white line and drive toward each other at top speed. The first driver to lose his nerve and swerve into his own lane is "chicken"—an object of contempt and scorn—and he loses the game. The game is played among teenagers for prestige, for girls, for leadership of a gang, and for safety (i.e., to prevent other challenges and confrontations).
ellauri315.html on line 25:

white;background:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Untitled Goose


ellauri315.html on line 26:

white;background:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Simple Reasoning

Simppeliä


ellauri316.html on line 25:

white;text-align:center;margin-top:0%;margin-bottom:0%">B. MARKOBCSKNÑ


ellauri316.html on line 26:

white;background:#19228b;text-align:center;margin-top:0%;margin-bottom:0%">КЕМ БЫТЬ?

Kommando pimppeling


ellauri318.html on line 25:

white;text-align:right;margin-top:0%;margin-bottom:0%">JENS VAPIDUS


ellauri318.html on line 26:

white;text-align:right;margin-top:0%;margin-bottom:0%">RAHALLA SAA
JA HEVOSELLA PÄÄSEE

Konnailua


ellauri321.html on line 243: I always wondered what it was like to be white?
ellauri322.html on line 25:

white;text-align:center;margin-top:0%;margin-bottom:0%">Mary Wolstonecraft & kumpp.


ellauri322.html on line 26:

white;text-align:center;margin-top:0%;margin-bottom:0%">Tom Dick and Harry Paineella

Sentimentalismia


ellauri324.html on line 289: If the author of the question long one is wealthy and well traveled he would know that Europe and Asia had many technological advances long before USA did or will ever have such as TGV or bullet trains for example. After spending time in Europe and Asia it was decades later I saw many of these advances here to buy or experience. Japanese cars nearly sunk USA automakers. Why didn’t the corp heads heed anything. TGV in France and Japan and other nations is unrivaled and we have not even one such train here. Tankless water heaters, available in Asia and Europe decades before here. Roads and other infrastructure also superior. My research shows that Americans were so busy creating totalitarian policies like redlining and private cars and pools and expressways removed entire neighborhoods of blacks to create all white suburbs that they were unconcerned with advances that would unite people. Sure everywhere are class societies but it’s a whole different level here. The homeless situation is opening eyes in this country and many things are borne out of a highly segregated society where it’s expensive to live in certain cities and suburbs and the rest be damned. Obviously California has destroyed itself from within. The liberals there and other states are the most class and race conscious than any other people on earth. This blind spot is like a beacon. A prism that breaks down social order. The wealthy libs have to accept their roles in American destruction. It will get worse long before it improves. [Redlining is an illegal practice in which lenders avoid providing credit services to individuals living in or seeking to live in, communities of color because of the race, color, or national origin of the residents in those communities.]
ellauri328.html on line 24:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">VAD ÄR EN
DIKTATUR?

Lipilaaria


ellauri328.html on line 26:

white;background:black;text-align:left;margin-top:0%;margin-bottom:0%">Equipo Plantel


ellauri330.html on line 25:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">P. Pylkkänen


ellauri330.html on line 26:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tietoisuuden mysteeri

Höpsismiä


ellauri331.html on line 26:

white;text-align:center;margin-top:0%;margin-bottom:0%">Anna-Lena Lauren


ellauri331.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">PROPAGANDASOTAA

Voluntarismia


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7x7 whitehat.jpg" width="10%"/>

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Agentura.Ru whitehat.jpg" width="10%"/>

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ARU.TV whitehat.jpg" width="10%"/>

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Kaukasian solmu whitehat.jpg" width="10%"/>

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Sumutusuutiset whitehat.jpg" width="10%"/>

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Bloomberg News whitehat.jpg" width="10%"/>

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Hearst Shkulev Media whitehat.jpg" width="10%"/>

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Ingushetia.org whitehat.jpg" width="10%"/>

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Sisärengas whitehat.jpg" width="10%"/>

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Lenita.ru whitehat.jpg" width="10%"/>

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Meduza whitehat.jpg" width="10%"/>

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M.A.S.H. whitehat.jpg" width="10%"/>

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Mediazona whitehat.jpg" width="10%"/>

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Moskovan Times whitehat.jpg" width="10%"/>

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NEWSru.com (Ei pie sekoittaa NEWS.ru -sivustoon) whitehat.jpg" width="10%"/>
.
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Novaja Gazeta whitehat.jpg" width="10%"/>

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Proekt whitehat.jpg" width="10%"/>

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Ryssän päiväkirja whitehat.jpg" width="10%"/>

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Sotavisio whitehat.jpg" width="10%"/>

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The bell whitehat.jpg" width="10%"/>

ellauri332.html on line 27:

white;background:#83a9b6;text-align:center;margin-top:0%;margin-bottom:0%">Jar-Jar Bling

Kinefiliaa


ellauri333.html on line 26:

white;text-align:center;margin-top:0%;margin-bottom:0%">King Ashoka & Buddha


ellauri333.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">Mlecch

Koprolaliaa


ellauri334.html on line 27:
white;background:red;margin-top:0%;margin-bottom:0%;margin-left:20%">
ellauri340.html on line 26:

white;background:black;margin-top:0%;margin-bottom:0%;padding-right:2%">★ TUOMARILIIGA


ellauri340.html on line 27:

white;background:black;margin-top:0%;margin-bottom:0%">PISSALIISA

Peilailua


ellauri341.html on line 26:

white;background:#3ba3da;margin-top:0%;margin-bottom:0%;padding-right:2%">Täävoi Purra


ellauri341.html on line 27:

white;background:#3ba3da;margin-top:0%;margin-bottom:0%">Uuteen Jerusalemiin

Persuilua


ellauri343.html on line 28:

white;background:darkgrey;margin-top:0%;margin-bottom:0%;padding-right:5%">PASKA TUURI


ellauri344.html on line 294: Kylläpä oli Disneyn maxamassa tuotannossa vanhan ajan white supremacy henkeä kun rypistyneet britit palaavat dominioon näyttämään kuraverisille ex-alamaisille miten hoidetaan kannattavaa bisnistä. Hölmöt itäintiaanit hymyilevät hampaat välähdelllen knääkille ja kumartelevat kiitollisina kämmenet yhdessä saadessaan niiltä builders teetä ja aitoja brittikexejä. Ja onnex virttyneetkin britit osaa neuvoa miten tosi rakkaus tekee tyhjäxi kastilaitoxen. The cast is as impressive a collection of British hasbeens as you could assemble, and its members are entirely predictable.
ellauri345.html on line 30:

white;margin-top:0%;margin-bottom:0%;padding-right:5%">Benjy


ellauri345.html on line 31:

white;margin-top:0%;margin-bottom:0;padding-right:5%">Valinnaisia sukulaisia

To business!


ellauri347.html on line 31:

white;background:black;margin-top:0%;margin-bottom:0;padding-right:5%">VANHUSMAISTA

Geriatriaa


ellauri347.html on line 189: white.org/wp-content/themes/yootheme/cache/c8/therapy-c828211d.webp" width="50%" />
ellauri348.html on line 31:

white;background:lightgreen;margin-top:0%;margin-bottom:0;padding-right:5%">TOIVOSSA
ON HYVÄ ELÄÄ

Toiveikasta


ellauri348.html on line 352: Kahdesta vastamulkoisesta valmentajasta tuli hyviä ystäviä. Gerryn kuoleman jälkeen TC Williams Highin kuntosali nimettiin uudelleen hänen mukaansa. We are in trouble man sanoi valkoinen kersantti Vietnamin sodassa. Waddya mean "we" whitey? kysyi musta korppi.
ellauri349.html on line 30:

white;margin-top:0%;margin-bottom:0%;padding-right:5%">E. SAARISEN


ellauri349.html on line 31:

white;margin-top:0%;margin-bottom:0;padding-right:5%">AJAT
US
TEN T
ONA
VA

Positiivista


ellauri350.html on line 31:

DIGI
RUNKKAUSTA

{span style="color:white;background-color:purple"}2024{/span} Runkkua


ellauri352.html on line 32:

white;background:black;margin-top:0%;margin-bottom:0%;padding-right:5%">Joseph Mengele


ellauri362.html on line 32:

white;margin-top:0%;margin-bottom:0%">Ylpeys ja ennakkoluulo

Varhaisromantiikkaa


ellauri362.html on line 33:

white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">A Novel by JANE AUSTEN


ellauri362.html on line 347: Sedaris vietti nuoruutensa mömmöissä ihan hirveissä white trash piireissä. Mitä vizikästä siinä on?
ellauri364.html on line 32:

white;background:firebrick;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Anttoni Pyp Pipo


ellauri364.html on line 34:

white;background:firebrick;margin-top:0%;margin-bottom:0%">HERMOMME
JA ME

Neurolepsiaa


ellauri364.html on line 519: In a whitewash shotgun shack

ellauri367.html on line 26:

white;text-align:center;margin-top:0%;margin-bottom:0%">VIISIKKO
VAKOILIJOIDEN NAAMIAISISSA

Vakoilua


ellauri368.html on line 303: When he (Scrooge McDuck) gave a coin in alms to a poor man, he shouted at him this: 'Why do you sit with thy hands folded? The sleep of the laborer is sweet; go, then, till the earth and live with the labor of thine own hands. Thy hands are not bound, nor are thy feet put into fetters. By Jehovah, all of you are poor, because you hold your hands akimbo. If you had in your possession all the gold of my money bin, you would squander it. Do you perhaps wait for manna to come down from beaven, as it did for those who went out of Egypt, or for the earth to bring forth white bread and garments of fine wool, colored and embroidered, or do you wait for God to open windows in heaven?
ellauri369.html on line 26:

white;text-align:leftr;margin-top:0%;margin-bottom:0%">CORNE
LIUS
NEPOS


ellauri369.html on line 27:

white;bronze;text-align:left;margin-top:0%;margin-bottom:0%">KUULUISIA
MIEHIÄ

Paleofiktiota


ellauri369.html on line 220:
white;font-family:sans-serif">
ellauri370.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">Poul Borchsenius


ellauri370.html on line 28:

white;background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">Den evige Jøde

Syntipukkeilua


ellauri372.html on line 26:

white;text-align:center;margin-top:0%;margin-bottom:0%">Flaccid Horace


ellauri372.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">Oodi hippiäiselle

Sikasovinismia


ellauri373.html on line 26:

white;text-align:center;margin-top:0%;margin-bottom:0%">YXI PORUKOISTA


ellauri375.html on line 26:

white;background-color:darkgreen;text-align:center;margin-top:0%;margin-bottom:0%">Steven Spielberg


ellauri375.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">MAAILMOJEN SOTA

Pökäleitä


ellauri377.html on line 30:

white;text-align:center;margin-top:0%;margin-bottom:0%">Pistis Sofia


ellauri377.html on line 31:

white;text-align:center;margin-top:0%;margin-bottom:0%">Lihan iloja

Hurlumheitä


ellauri378.html on line 30:

white;text-align:center;margin-top:0%;margin-bottom:0%">Schwerbelastungskörper

Rapukarkkeja


ellauri378.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">el alamy


ellauri381.html on line 37:

white;text-align:center;margin-bottom:0%">Antonio Banderas


ellauri381.html on line 38:

white;text-align:center;margin-top:0%;margin-bottom:0%">Puskaryssiä

Pomilointia


ellauri382.html on line 369: Goggins was born on February 17, 1975, to Trunnis and Jackie Goggins. In 1981, he lived in Williamsville, New York, on a street called Paradise Road (same as Donald Duck!) with his parents and brother, Trunnis Jr. While Goggins's neighborhood held "model citizens consisting of white people," he describes his colorful home experience as "hell on Earth." Goggins's father owned the roller skating rink Skateland, located in East Buffalo, New York. At age six, Goggins often worked the night shift at Skateland alongside his family, lining up roller skates. Goggins’s mother left his father due to abuse and eventually moved herself and her children to live with Goggins's grandparents in Brazil, Indiana. Goggins enrolled in second grade at a small Catholic school and made First and Second Communion but failed the Third. His brother, Trunnis Jr., returned to Buffalo to live with their father.
ellauri383.html on line 440: Yet you have still a few names in Sardis, people who have not soiled their garments, and they will walk with me in white, for they are worthy.
ellauri386.html on line 436:
Why are Europeans not as fat as Americans when Europeans eat white bread and pasta and butter all the time?

ellauri389.html on line 126: 1Suspension of disbelief is the avoidance — often described as willing — of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for the sake of enjoying its narrative. Vähän sama asia kuin Jamesin "will to believe". Coleridge also referred to this concept as "poetic faith", citing the concept as a feeling analogous to the supernatural, which stimulates the mind's faculties regardless of the irrationality of what is being understood. With a film, for instance, the viewer has to ignore the reality that they are viewing a staged performance and temporarily accept it as their reality in order to be entertained. Early black-and-white films are an example of visual media that require the audience to suspend their disbelief that everything is black and white. Not to mention mute films! Tolkien ei uskonut tollaseen, ei kukaan normaalijärkinen oikeasti edes väliaikaisesti usko örkkeihin ja haltioihin. Sehän on vaan satua!
ellauri390.html on line 37:

white;color:black;text-align:center;margin-bottom:0%">James Fennimore Cooper


ellauri390.html on line 38:

white;color:red;text-align:center;margin-top:0%;margin-bottom:0%">Viimeinen mohikaani

Tappojuttuja


ellauri391.html on line 37:

white;color:black;text-align:center;margin-bottom:0%">Piisamirotta


ellauri391.html on line 38:

white;color:blue;text-align:center;margin-top:0%;margin-bottom:0%">Kaiken turhuudesta

Turhuutta


xxx/ellauri013.html on line 1067: It appears that a sort of loafing, fuddled vagabond - a white man living among the natives with a siamese woman - had consireded it a great privilege to give a shelter to the last days of the famous Gentleman Brown. While he was talking to me in the wretched hovel, and, as it were, fighting for every minute of his life, the siamese woman, with big bare legs nd a stupid coarse face, sat in dark orner chewing betel stolidly. Now and then she would get up for the purpose of shooing a chicken away from the door. The whole hut shook when she walked. An ugly yellow child, naked and pot-bellied, like a little heathen god, stood at the foot of the couch, finger in mouth, lost in a profound and calm contemplation of the dying man.
xxx/ellauri027.html on line 20:

white;background:green;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">SMURFFIT
JA TAIKAMUNA

Smurffijuttuja


xxx/ellauri044.html on line 101: Ruozalainen dokkari kertoo ruozalaisen white trashin ja romanikerjäläismamun liitosta. Onnellisen alun jälkeen -
xxx/ellauri056.html on line 24:

white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">ENID BLYTON


xxx/ellauri056.html on line 25:

white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Viisikko
ja aavejuna

Tunnelimaista


xxx/ellauri056.html on line 55: In Dylan Thomas' poem By waste seas where the white bear quoted Virgil = in Anatole France's Penguin Island, St Mael has a vision of a polar bear murmuring 'Incipe parve puer', from Virgil's Fourth Eclogue, traditionally understood as prophesying Christ's birth.
xxx/ellauri068.html on line 577: To the oceans white with foam Toisten apajille vaahto suussa meen
xxx/ellauri075.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace


xxx/ellauri075.html on line 28:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tennis on parasta huumetta

Hörhöilyä


xxx/ellauri075.html on line 374: Eartha Mae Keith was born on a cotton plantation near the small town of North, South Carolina, or St. Matthews on January 17, 1927. Her mother Annie Mae Keith was of Cherokee and African descent. Though she had little knowledge of her father, it was reported that he was a son of the owner of the farm where she had been born, and that Kitt was conceived by rape. In a 2013 biography, British journalist John Williams claimed that Kitt's father was a white man, a local doctor named Daniel Sturkie. Kitt's daughter, Kitt McDonald, has questioned the accuracy of the claim. Eartha's mother, Annie Mae Keith (later Annie Mae Riley), soon went to live with a black man who refused to accept Eartha because of her relatively pale complexion; she was raised by a relative named Aunt Rosa, in whose household she was abused. After the death of Annie Mae, Eartha was sent to live with another relative named Mamie Kitt (who may, in fact, have been her biological mother) in Harlem, New York City, where she attended the Metropolitan Vocational High School (later renamed the High School of Performing Arts). Diana Ross said that as a member of The Supremes she largely based her look and sound after Kitt's.
xxx/ellauri076.html on line 28:

white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">TYPYJÄ TYPYJÄ TYPYJÄ

{span style="color:white;background-color:orange"}2021{/span} Hulvatonta


xxx/ellauri076.html on line 143: Yellow, red, black or white Kelta-puna-musta-valkosia
xxx/ellauri084.html on line 27:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">James Wallace


xxx/ellauri084.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">Kuuluisien diktaattorien vauvavalokuvia

Nalkutusta


xxx/ellauri084.html on line 834: "Halkopino" Wilson oli vasemmistolainen white supremacist, et revi siitä silavaa. Eedit ei tykännyt anglosaxisista naisista, eikä miehistä (paizi Wilsonista), se piti pariisilaisista. Wallu kazoi varmaan Frome-filmin kun se tuli ulos, ja teki Don Gatelystä vähän samanoloisen.
xxx/ellauri085.html on line 27:

white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Sally Jean Foster


xxx/ellauri085.html on line 28:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">CENSORED DIALOGUE

Makulatuuria


xxx/ellauri085.html on line 118: Plot Summary: A soundless mix of story fragments and images. Initially, images of death, a man with a guitar, a soirée. Some images are surreal: an older woman eats a leaf; a headless man pours a cocktail into his body. A woman in white walks toward a building, isolated and in ruins, where a man waits. Then more images, some in reflections, some distorted, many in close-ups: women's feet in high heels, two bare feet at play, a snail, a knife, a mask, a woman mugging next to it. Women provocatively dance. A woman's face, staring without affect, rises partially out of water. Now wearing a dark jacket, the woman in white runs as if for her life. Is death at hand, or just images?
xxx/ellauri085.html on line 294: Peterson's critiques of political correctness range over issues such as postmodernism, postmodern feminism, white privilege, cultural appropriation, and environmentalism. He contends that "proper culture" has been undermined by "post-modernism and neo-Marxism."
xxx/ellauri086.html on line 27:

white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Hieno japanilainen animaatio


xxx/ellauri086.html on line 28:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Sydämen kuiskaus

Kuiskauxia


xxx/ellauri087.html on line 27:

white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen


xxx/ellauri087.html on line 28:

white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Ilman Pipsaa ei olisi muutakaan

Huutoja


xxx/ellauri091.html on line 27:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Hilja Haahti


xxx/ellauri091.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">Päiväkirjan lisälehtiä

Muistoja


xxx/ellauri091.html on line 668:

You must be doing something right when your country is known for its wooden shoes, mild cheeses, legal cannabis and insanely large flower industry. Bikes rule over cars. Dutch people are tall, racist and generally boring. The cities are organized and clean, but not over clean like Switzerland. The standard of living is as high for the whites and life as hard for the other shades as the tourists in Amsterdam’s red-light district.  


xxx/ellauri103.html on line 28:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Lionel Drivel


xxx/ellauri103.html on line 202: The author of Who Owns Culture? Appropriation and Authenticity in American Law, Susan Scafidi, a law professor at Fordham University who for the record is white, defines cultural appropriation as “taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorised use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.”
xxx/ellauri103.html on line 208: Seriously, we have people questioning whether it’s appropriate for white people to eat pad Thai. In fact we have people questioning whether white people should even exist. Like who needs chauvinist Yankee female pigs who have changed their first names to more toxic ones.
xxx/ellauri103.html on line 209: So far, the majority of these farcical cases of “appropriation” have concentrated on fashion, dance, and music: At the American Music Awards 2013, Katy Perry got it in the neck for dressing like a geisha. According to the Arab-American writer Randa Jarrar, for someone like me to practice belly dancing is “white appropriation of Eastern dance,” while according to the Daily Beast Iggy Azalea committed “cultural crimes” by imitating African rap and speaking in a “blaccent.” Some of my friends got even told off for painting themselves black with shoe polish and making fat red lips! Now what may be wrong with that, I just ask. Clean innocent fun! Why don't the coons just laugh along?
xxx/ellauri103.html on line 212: Seriously folks, we have people questioning whether it’s appropriate for white people to eat pad Thai. (Oh, I read that bit already, Sorry. Ok I was here:) Turnabout, then: I guess that means that as a native of North Carolina, I can ban the Thais from eating barbecue. (I bet they’d swap.) (What? Swap what? Barbecue is really icky gooey meaty stuff, only North Carolinans can like that.)
xxx/ellauri103.html on line 220: In his 2009 novel Little Bee, Chris Cleave, who as it happens is participating in this festival, dared to write from the point of view of a 14-year-old Nigerian girl, though he is male, white, and British. I’ll remain neutral on whether he “got away with it” in literary terms, because I haven’t read the book yet. But most likely it is drivel. I love it!
xxx/ellauri103.html on line 221: But in principle, I admire his courage – if only because he invited this kind of ethical forensics in a review out of San Francisco: “When a white male author writes as a young Nigerian girl, is it an act of empathy, or identity theft?” the reviewer asked. “When an author pretends to be someone he is not, he does it to tell a story outside of his own experiential range. But he has to in turn be careful that he is representing his characters, not using them for his plot.” Depends on who gets the money, I'd say. Chris Cleave hardly gave it all away to poor Nigerian gals.
xxx/ellauri103.html on line 224: This same reviewer recapitulated Cleave’s obligation “to show that he’s representing [the girl], rather than exploiting her.” Again, a false dichotomy. Unlike Kingsley Amis and his dad, we well-to-do white Americans can do both. America is a representative democracy, after all. We represent, y'all just stick to picking the cotton.
xxx/ellauri103.html on line 231: Because the ultimate endpoint of keeping out mitts off experience that doesn’t belong to us is that there is no fiction. Someone like me only permits herself to write from the perspective of an ugly straight white female born in North Carolina, closing on sixty, able-bodied but with bad knees, skint for years but finally able to buy the odd new Dolce Cabbana. All that’s left is a memoir. Well, you are right, who would care to read that, in my case at least?
xxx/ellauri103.html on line 235: My most recent novel The Mandibles was taken to task by one reviewer for addressing an America that is “straight and white”. It happens that this is a multigenerational family saga – about a white family. I wasn’t instinctively inclined to insert a transvestite or bisexual, with issues that might distract from my central subject matter of apocalyptic economics. Yet the implication of this criticism is that we novelists need to plug in representatives of a variety of groups in our cast of characters, as if filling out the entering class of freshmen at a university with strict diversity requirements. Besides, America IS straight and white, at least the America I know about. I haven't had time to appropriate any Nigerian girls yet, nor Afro Americans even.
xxx/ellauri103.html on line 237: You do indeed see just this brand of tokenism in television. There was a point in the latter 1990s at which suddenly every sitcom and drama in sight had to have a gay or lesbian character or couple. That was good news as a voucher of the success of the gay rights movement, but it still grew a bit tiresome: look at us, our show is so hip, one of the characters is homosexual! It is SOOO tiresome, why can't we just watch the superbly funny middle class straight white Americans instead?
xxx/ellauri103.html on line 240: Fine. But I still would like to reserve the right as a novelist to use only the characters that pertain to my story. Which is NOT going to be about some funny lesbians and fat blacks, as long as I have a say on this. And I do, I do! For I am a straight white middle-class American, and thank God they still have the say!
xxx/ellauri103.html on line 243: For it can be dangerous these days to go the diversity route. Especially since there seems to be a consensus on the notion that San Francisco reviewer put forward that “special care should be taken with a story that’s not implicitly yours to tell.” Why on earth? Isn't it just the opposite? If it is somebody else's story you are free to do whatever you want, since you don't know it, so you can give free reins to your imagination! Chances are your all-white panel don't know the people either, so anything goes.
xxx/ellauri103.html on line 248: Behold, the reviewer in the Washington Post, who groundlessly accused this book of being “racist” because it doesn’t toe a strict Democratic Party line in its political outlook, described the scene thus: “The Mandibles are white. Luella, the single African American in the family, arrives in Brooklyn incontinent and demented. She needs to be physically restrained. As their fortunes become ever more dire and the family assembles for a perilous trek through the streets of lawless New York, she’s held at the end of a leash. If The Mandibles is ever made into a film, my suggestion is that this image not be employed for the movie poster.” Your author, by implication, yearns to bring back slavery. Failing that, she does the best to poke fictive fun at a fictive member of the underprivileged race. Nobody laugh?
xxx/ellauri103.html on line 250: Thus in the world of identity politics, fiction writers better be careful. If we do choose to import representatives of protected groups, special rules apply. If a character happens to be black, they have to be treated with kid gloves, and never be placed in scenes that, taken out of context, might seem disrespectful. But that’s no way to write. We know that most criminals are black anyway, and many if not most blacks are criminal. Writing to hide that fact would be writing fiction, and we fiction writers have your responsibility toward the white audience. The burden is too great, the self-examination paralysing. The natural result of that kind of criticism in the Post is that next time I don’t use any black characters, lest they do or say anything that is short of perfectly admirable and lovely. (No ei munkaan olis pitänyt alottaa tätä albumia, jossa haukutaan törkimyxiä jotka sattuu olemaan naisia. Äkkiä se kääntyyy naisten haukkumisexi sillä tekosyyllä, että ne sattuu olemaan törkimyxiä. Ehkä se onkin sitä!)
xxx/ellauri103.html on line 255: I confess that this climate of scrutiny has got under my lucidly white skin. When I was first starting out as a novelist, I didn’t hesitate to write black characters, for example, or to avail myself of black dialects, for which, having grown up in the American South, I had a pretty good ear. I am now much more anxious about depicting characters of different races, and accents make me nervous. I try my best to talk average middle class American, but occasionally a few bits of North Carolina slip out. Sorry about that. Here's how I'd sound if I din't steal from anyone but the likes of me:
xxx/ellauri103.html on line 287: Now I get to the topic: Why the fuss over a white woman having a black hairstyle? Sit tight and read more! I know this is TDLR, but this is so important!
xxx/ellauri103.html on line 329: On and on it went. Rather than focus on the ultimate question around how we can know an experience we have not had, the argument became a tirade. It became about the fact that a white man should be able to write the experience of a young Nigerian woman and if he sells millions and does a “decent” job — in the eyes of a white woman — he should not be questioned or pilloried in any way. It became about mocking those who ask people to seek permission to use their stories. It became a celebration of the unfettered exploitation of the experiences of others, under the guise of fiction. (For more, Yen-Rong, a volunteer at the festival, wrote a summary on her personal blog about it.)
xxx/ellauri103.html on line 335: It’s not always OK if a white guy writes the story of a Nigerian woman because the actual Nigerian woman can’t get published or reviewed to begin with. It’s not always OK if a straight white woman writes the story of a queer Indigenous man, because when was the last time you heard a queer Indigenous man tell his own story? How is it that said straight white woman will profit from an experience that is not hers, and those with the actual experience never be provided the opportunity? It’s not always OK for a person with the privilege of education and wealth to write the story of a young Indigenous man, filtering the experience of the latter through their own skewed and biased lens, telling a story that likely reinforces an existing narrative which only serves to entrench a disadvantage they need never experience.
xxx/ellauri103.html on line 341: In making light of the need to hold onto any vestige of identity, Shriver completely disregards not only history, but current reality. The reality is that those from marginalised groups, even today, do not get the luxury of defining their own place in a norm that is profoundly white, straight and, often, patriarchal. And in demanding that the right to identity should be given up, Shriver epitomised the kind of attitude that led to the normalisation of imperialist, colonial rule: “I want this, and therefore I shall take it.”
xxx/ellauri103.html on line 603: Why are Latinos not considered white whereas Italians, Greeks, and Spanish are considered white?
xxx/ellauri113.html on line 27:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Stephen Hawking
&
Pekka Reinikainen


xxx/ellauri113.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">Theory of Everything

Kaiken teoriaa


xxx/ellauri113.html on line 93: The Principle of Reason, the text of an important and influential lecture course that Martin Heidegger gave in 1955-56, takes as its focal point Leibniz's principle: nothing is without reason. Heidegger shows here that the principle of reason is in fact a principle of being. Much of his discussion is aimed at bringing his readers to the "leap of thinking," which enables them to grasp the principle of reason as a principle of being. This text presents Heidegger's most extensive reflection on the notion of history and its essence, the Geschick of being, which is considered on of the most important developments in Heidegger's later thought. One of Heidegger's most artfully composed texts, it also contains important discussions of language, translation, reason, objectivity, and technology as well as remarkable readings of Leibniz, Kant, Aristotle, and Goethe, among others. And lots of black-and-white pictures of scantily dressed women.
xxx/ellauri114.html on line 27:

white;background:#2be264;text-align:center;margin-top:0%;margin-bottom:0%">Do vil inte ha pengar ?

Vittuilua


xxx/ellauri116.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">ILTALEHTI


xxx/ellauri116.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">Moskaportaali

Moskaa


xxx/ellauri120.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">Snoopy


xxx/ellauri120.html on line 126: red blood and white snow.
xxx/ellauri121.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">Varhaiskasvattajat


xxx/ellauri122.html on line 31:

white;text-align:center;margin-top:0%;margin-bottom:0%">Olivera


xxx/ellauri122.html on line 763: You should, of course, be aware that “know” doesn’t mean people think about it daily, or even yearly. Anyway, U.S. stupid white male population is just 192 million.
xxx/ellauri122.html on line 1023: A tiny miniature woman will stand in front of your little bro, also only about six inches tall standing up. Her long blonde hair accents her sparkling blue eyes and huge white smile. Her long plastic legs bend only slightly and her pointy breasts perk out of her hot pink tank top. She doesn’t look like anything a five year old would play with, but Barbie is obviously her favorite. How does a five year old relate to Barbie? She isn’t comforting to…show more content…
xxx/ellauri123.html on line 31:

white;text-align:center;margin-top:0%;margin-bottom:0%">Ivar Kreuger


xxx/ellauri124.html on line 31:

white;text-align:center;margin-top:0%;margin-bottom:0%">Mark O'Connell


xxx/ellauri124.html on line 585: Weary Cat Face Also known as the emoji depicting a very, very surprised cat. In fact, it's so surprised that it's pupils somehow go entirely white.
xxx/ellauri124.html on line 849: Asunto oli kuin Johanna Tukiaisen häämatkavideosta, kuuskytluvun joku Penthouse kämppä valkoisexi kalkitun talon kattokerroxessa, ja siellä oli parveke josta puuttui kaide. Näköala oli hieno mutta Alzheimeria pelotti aivan vitusti, piti nelinkontin ryömiä parvekkeelta takaisin. Asunnossa oli kodin täydeltä kodinkoneita, kaikki rikki. Seija prässäs meidän vaatteita jollain prässikoneella joka oli polttanut silitysraudankuvan kaikkiin mun housuihin. Asunnoissa haisi homeelta ja niissä asui white trashia. Tää oli meille muka joku sijoitusasunto.
xxx/ellauri125.html on line 31:

white;text-align:center;margin-top:0%;margin-bottom:0%">Владимир Набоков


xxx/ellauri125.html on line 208: Heillä on neljä lasta. Kimberlyllä on jättimäinen ahteri kuten kaikilla Kardashianeilla. Ne olis white trashia ellei niillä olis rahaa kuin roskaa.
xxx/ellauri126.html on line 31:

white;text-align:center;margin-top:0%;margin-bottom:0%">Me Naiset


xxx/ellauri127.html on line 31:

white;text-align:center;margin-top:0%;margin-bottom:0%">Vladimir Nabokov


xxx/ellauri128.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


xxx/ellauri129.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


xxx/ellauri129.html on line 660: With that, she did not go back to her former life, but became a national celebrity of sorts, publishing "an armload of books and criss-crossing the United States on a decades-long reform campaign", not only fighting for married women's rights and freedom of speech, but calling out against "the power of insane asylums". She became what some scholars call "a publicist and lobbyist for better insanity laws". As scholar Kathryn Burns-Howard has argued, Packard reinvented herself in this rôle, earning enough to support her children and even her estranged husband, from whom she remained separated for the rest of her life. Ultimately, moderate supporters of women's rights in the northern U.S. embraced her, weaving her story into arguments about slavery, framing her experience as a type of enslavement and even arguing in the midst of the Civil War that a county in the midst of freeing African-American slaves should do the same for others who suffered from abusive husbands. Some argue that she seemed oblivious to her racial prejudice in arguing that white women had a "moral and spiritual nature" and suffered more "spiritual agony" than formerly enslaved African-Americans. Even so, others say that her story provided "a stirring example of oppressed womanhood" that others did not.
xxx/ellauri130.html on line 27:

white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


xxx/ellauri130.html on line 555: But tender maidens, robed in white, Vaan valkomekkoisia lolitoja
xxx/ellauri134.html on line 27:

white;background:purple;text-align:center;margin-top:0%;margin-bottom:0%">Erika Vikman ja Arttu Viskari


xxx/ellauri134.html on line 28:

white;background:purple;text-align:center;margin-top:0%;margin-bottom:0%">Tääl on niin kuuma

Virallinen musiikkivideo


xxx/ellauri136.html on line 28:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">SOLD

Somepöhinää


xxx/ellauri136.html on line 518: What underpinned this shame, this "I'm not good enough," -- which, we all know that feeling: "I'm not white enough. I'm not thin enough, rich enough, beautiful enough, smart enough, promoted enough." The thing that underpinned this was excruciating vulnerability. This idea of, in order for connection to happen, we have to allow ourselves to be seen, really seen, butts bare.
xxx/ellauri137.html on line 31:

white;background:#52b1df;text-align:center;margin-top:0%;margin-bottom:0%">Turun Darwin


xxx/ellauri137.html on line 32:

white;background:#eeb8b8;text-align:center;margin-top:0%;margin-bottom:0%">Hentosudenkorento ja Jauhopukki

{span style="color:white;background-color:green"}2022{/span} Evoluutiopsykologiaa


xxx/ellauri138.html on line 219: Gloria Grey was born Maria Dragomanovich in Portland, Oregon in 1909. She was educated in San Francisco, California. Her career was spent chiefly during the 1920s in Hollywood, and the 1940s in Argentina. She was given praise for her starring role in the 1924 adaptation of Gene Stratton-Porter's A Girl of the Limberlost, which garnered her the honor of being selected as one of the WAMPAS Baby Stars in 1924. She also sang Jingo etc kneeling beside two black-and-white kids in a tub, (but not the juicy parts), and alleged got arrested because of indecency. Grey was found deceased in bed at her mother's home in Hollywood, California on November 22, 1947, having succumbed to a two-month bout of influenza. She was survived by her husband, Argentine magazine editor Ramón Romero, and their daughter, whose name is unmentionable. 'Oh By Jingo' sung by Gloria Grey (colorized) Shortly Before Her Arrest...(Allegedly). "I din't know there were nude kids in the tub, a black male and a white female in fact." The little pickaninny boy looks slightly shocked.
xxx/ellauri139.html on line 27:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Dosto täällä hei


xxx/ellauri139.html on line 409: And couch supine their beauties, lily white; Ja mennä pötkölleen lakanoihin valkoisella navalla,
xxx/ellauri148.html on line 32:

white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">The McCormacks


xxx/ellauri148.html on line 33:

white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">WORLD HOORAY DAY

Uraata


xxx/ellauri148.html on line 165: The Lord will return your captivity and have compassion upon thee, and will return and gather thee from all the peoples whiter the Lord thy God hath scattered thee. If any of thine that are dispersed be in the uttermost parts of heaven, from thence will the Lord thy God will bring thee into the land which thy fathers possessed, and thou shalt possess it (Deut. 30:3-5)
xxx/ellauri149.html on line 32:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen et al.


xxx/ellauri149.html on line 520: Rockwell denied the Holocaust and believed that Martin Luther King Jr. was a tool for Jewish Communists wanting to rule the white community. He blamed the civil rights movement on the Jews. He regarded Hitler as the White savior of the twentieth century. He viewed black people as a primitive, lethargic race who desired only simple pleasures and a life of irresponsibility and supported the resettlement of all African Americans in a new African state to be funded by the U.S. government. As a supporter of racial segregation, he agreed with and quoted many leaders of the Black nationalism movement such as Elijah Muhammad and Malcolm X. In later years, Rockwell became increasingly aligned with other Neo-Nazi groups, leading the World Union of National Socialists.
xxx/ellauri154.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">Gonorrhé de
BALLSACK


xxx/ellauri154.html on line 29:

white;text-align:center;margin-top:0%;margin-bottom:0%">Comtes droolatiques

Leikkisää


xxx/ellauri154.html on line 93: Besides a white rabbit, Aurore greatly admired General Murat (especially when he wore his uniform) and was quite convinced he was a fairy prince. Her mother made her a uniform too, not like the general´s, of course, but an exact copy of her father´s. It consisted of a white cashmere vest with sleeves fastened by gold buttons, over which was a loose pelisse, trimmed with black fur, while the breeches were of yellow cashmere embroidered with gold. The boots of red morocco had spurs attached; at her side hung a sabre and round her waist was a sash of crimson silk cords. In this guise Aurore was presented by Murat to his friends, but though she was intensely proud of her uniform, the little aide-de-camp found the fur and the gold very hot and heavy, and was always thankful to change it for the black silk dress and black mantilla worn by Spanish children. One does not know in which costume she must have looked most strange. I would vote for the Scrooge McDuck style high hat.
xxx/ellauri157.html on line 31:

white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Kuka Ruikki


xxx/ellauri157.html on line 32:

white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">TIEDE 2022

Naturalia atque turpia


xxx/ellauri165.html on line 28:

white;background:#ac5a34;text-align:center;margin-top:0%;margin-bottom:0%">St. Ambrose


xxx/ellauri165.html on line 29:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">"HIS MASTER'S VOICE."

Neizeellistä


xxx/ellauri165.html on line 242: But she put on her robes of white

xxx/ellauri166.html on line 28:

white;text-align:center;margin-top:0%;margin-bottom:0%">יהוה


xxx/ellauri166.html on line 29:

white;text-align:center;margin-top:0%;margin-bottom:0%">AARON SKEBA

Käärmeilyä


xxx/ellauri167.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">Inferno-Dante


xxx/ellauri167.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">MALA TESTA

Päänsärkyä


xxx/ellauri167.html on line 556: The possibility that Adam Weishaupt killed George Washington and took his place, serving as our first President for two terms, is now confirmed. . . . The two main colors of the American flag are, excluding a small patch of blue in one corner, red and white: these are also the official colors of the Hashishim. The flag and the Illuminati pyramid both have thirteen horizontal divisions: thirteen is, of course, the traditional code for marijuana . . . and is still used in that sense by Hell’s Angels among others.
xxx/ellauri167.html on line 596: The notion that simply showing police violence was evidence of liberal bias didn’t begin with Chicago. It traces back rather directly to TV coverage of civil rights, when white Southerners complained that the networks ignored their perspective and were manipulated by publicity seekers within the movement. By the late 1950s, many of the same people who would later object to the network’s coverage in Chicago had already taken to calling CBS the “Communist” or “Coon” or “Colored Broadcasting Company.” The same bigoted wordplay made NBC the “Nigger Broadcasting Company.” Alabama’s Bull Connor summed up the situation with an aphorism that wouldn’t seem out of place in some conservative circles today: “The trouble with this country is communism, socialism and journalism.”
xxx/ellauri167.html on line 598: If the idea of network coverage being driven by liberal bias wasn’t new to the 1968 convention, the heat and undeniable violence of the convention was a perfect opportunity for white, conservative, middle Americans to coalesce in their resentment—and not just in the South, but across the nation. America was falling apart at the seams, and the network news was seen as complicit in the conspiracy by virtue of recording what was happening.
xxx/ellauri167.html on line 602: Journalists face just the same old challenges than they did in Chicago in 1968. As the president vilifies the media as “the enemy of the people,” and reporters have occasion to attend his rallies with a security detail in tow, it’s clear that the specter of violence again looms large. There is also ferocious disagreement over the meaning of what we view on social media or television, a disagreement that clearly is not native to America, but brought in by the white immigrants. What is obvious to some is not to others, who would contend, for example, that “truth is not truth but alternative truth, " or "news is not news but fake news", or "election is not a vote but a steal".
xxx/ellauri168.html on line 32:

white;background:#35225e;text-align:left;margin-top:0%;margin-bottom:0%">Fritz the Cat ja Cisco Caramba


xxx/ellauri168.html on line 33:

white;background:#35225e;text-align:leftr;margin-top:0%;margin-bottom:0%">SYVEMPÄÄ TIETOA...

Kähmintää


xxx/ellauri169.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">LENA FURBERG


xxx/ellauri169.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">KELPAAN TÄLLAISENA!

Syviä asanoita


xxx/ellauri170.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">Rodolphe Bresdin


xxx/ellauri170.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">LA COMÉDIE DE LA MORT

Tragikoomista


xxx/ellauri170.html on line 335: In a 2013 interview, Rendell stated: Wexford is a Liberal Democrat though, and I am a Labour party member, in fact a Labour peer, so I am further to the left than him. Wexford is an intelligent, sensitive man. He has a placid wife, Dora, and two daughters, Sheila and Sylvia. He has a good relationship with Sheila (his favourite) but a difficult relationship with Sylvia (who feels slighted though he has never actually intended to slight her). He also has a suspiciously strong friendship with intelligent, sensitive DI Mike Burden. White man's burden. Just joking, Mike is white too. Rendall says that Kingsmarkham in Sussex "is not romantic at all."
xxx/ellauri173.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari


xxx/ellauri173.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">Papinin marmiitti

Protoplasmaa


xxx/ellauri174.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari


xxx/ellauri174.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">Hadaly

Ektoplasmaa


xxx/ellauri174.html on line 334: A present-day Spanish name is manzanilla de la muerte, "little apple of death". This refers to the fact that manchineel is one of the most toxic trees in the world: the tree has milky-white sap which contains numerous toxins and can cause blistering. The sap is present in every part of the tree: the bark, the leaves, and the fruit.
xxx/ellauri175.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari


xxx/ellauri175.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">SOWANA

Misofransiaa


xxx/ellauri176.html on line 38:

white;text-align:center;margin-top:0%;margin-bottom:0%">Emily Pseudo-Cooper


xxx/ellauri176.html on line 39:

white;text-align:center;margin-top:0%;margin-bottom:0%">Ruppari

Samaa vaan


xxx/ellauri176.html on line 852:
George Lincoln Rockwell, the media-savvy, pipe-smoking founder of the American Nazi Party, was blatantly racist, homophobic and antisemitic. Neo-Nazis, ‘alt-right’ groups and white supremacists chant at the University of Virginia in Charlottesville.

xxx/ellauri176.html on line 855: What is the 'alt-right'? Who coined the term 'alt-right'? The white supremacist Richard Spencer devised the term in 2010. He has described the movement as "identity politics for white Americans and for Europeans around the world". What does it stand for? The movement supports extreme rightwing ideologies, including white nationalism – used interchangeably with white supremacism – and antisemitism. It positions itself broadly against egalitarianism, democracy, universalism and multiculturalism.
xxx/ellauri177.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">NOUVEAU MASTER HAUTE DÉFINITION


xxx/ellauri177.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">PAPPI ASTUU PASKAAN

Katollista


xxx/ellauri178.html on line 33:

white;background:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">Intohimon Professori

Himokasta


xxx/ellauri178.html on line 111: Tästä aiheesta piti Pilin tehdä term paper mutta se bylsikin vaan Lontoossa kahta (2) ruozalaista tyttöä jotka tiesivät että WW2 oli kaikkien syytä. Pili jenkkijutkuna meinas saada hepulin. Bettan koitti tehdä izarin ja Pili syytti siitä Gittania. Vitun Raskolnikov, tai Puddinhead Wilson. Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain. Its central intrigue revolves around two boys—one, born into slavery, with 1/32 black ancestry; the other, white, born to be the master of the house. The two boys, who look similar, are switched at infancy. Each grows into the other's social role.
xxx/ellauri179.html on line 33:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ford Fiesta

Homokasta


xxx/ellauri179.html on line 121: Abel falls in love with Rima, but she (17 and a stranger to white men) is confused by "odd feelings". This relationship is further strained because Abel cannot speak her unknown language.
xxx/ellauri179.html on line 314: “I saw a moving sight the other morning before breakfast in a little hotel where I slept in the dusty fields. The young man of the house had shot a little wolf called coyote in the early morning. The heroic little animal lay on the ground, with his big furry ears, and his clean white teeth, and his jolly cheerful little body, but his brave little life was gone. It made me think how brave all these living things are. Here little coyote was, without any clothes or house or books or money or bonds or anything, with nothing but his own naked self to pay his way with, and risking his life so cheerfully – and losing it – just to see if he could pick up a meal near the hotel. He was doing his coyote-business like a hero, and you must do your boy-business, and I my man-business bravely, too, or else we won’t be worth as much as a little coyote.” (The Letters of William James to Henry James, Little, Brown and Co.: Boston 1926.)
xxx/ellauri179.html on line 518: The Americans paid their tab and stepped outside. Cobblestones ran through narrow alleys and slightly less narrow streets that led to the sea with buildings all along. Across from Harry's, a white building stood next to a red one. The Americans glanced at the spot the people had been killed. It was a few feet into the street and in line with the stark change in color between the buildings. Four children walked over the spot carelessly. They jumped and skipped happily to where the men couldn't see them.
xxx/ellauri179.html on line 669: Ilkeännäköinen mies jonka nenä kasvaa ozan suuntaisesti. The Four Feathers is a 1902 adventure novel by British writer A.E.W. Mason that has inspired many films of the same title. Against the background of the Mahdist War, young Faversham disgraces himself by quitting the army; this act the others perceive as cowardice, symbolized by the four white feathers they give him. Chicken! “buk, buk, buk, ba-gawk”! The story tells of his fight to reclaim his honour and win back the heart of the woman he loves. Bleeding heart, purple heart. Nää sydänjutut ottaa kyllä päähän. Mä ällöön sydämiä, ne näyttää katkaistuine putkineen tosi törkeiltä.
xxx/ellauri179.html on line 878: ’cause I wished she was white, mä toivoin eze olis valkoinen,
xxx/ellauri179.html on line 929: ​An’ I seed her first a-smokin’ of a whackin’ white cheroot, Mä näin sen ekan kerran kun se veti valkoista röböä
xxx/ellauri186.html on line 443: Nor scar that whiter skin of hers than snow,
xxx/ellauri186.html on line 493: As an older black man, Othello thinks he is no longer attractive to his young white Venetian wife. Overcome with jealousy, Othello kills Desdemona. When he learns from Emilia, too late, that his wife is "blameless," he asks to be remembered as one who “loved not wisely but too well” and kills himself.
xxx/ellauri186.html on line 701: An aim of Christian apologetics must be to defend and articulate the white supremacy of the Christian religion as compared to Islam. The goal of this paper will be to highlight a historical issue surrounding the Quran’s source material for its account of Jesus Christ and some clay birds. In the best traditions of American free enterprise and Western market economy, I shall do my best to denigrate the musulmans and sell our alternative product in its place.
xxx/ellauri187.html on line 31:

white;background:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">RACHEL CORBETT


xxx/ellauri193.html on line 128: Before South Africa became a republic in 1961, politics among white South Africans was typified by the division between the mainly Afrikaner pro-republic conservative and the largely English anti-republican liberal sentiments, with the legacy of the Boer War still a factor for some people. Once South Africa became a republic, Prime Minister Hendrik Verwoerd called for improved relations and greater accord between people of British descent and the Afrikaners. He claimed that the only difference was between those in favour of apartheid and those against it. The ethnic division would no longer be between Afrikaans and English speakers, but between blacks and whites.
xxx/ellauri193.html on line 306: Carlson has been a leading voice of white grievance politics. His remarks on race, immigration, and women – including slurs he said about kinky pubic hair between 2006 and 2011 (which resurfaced in 2019) – have for some reason been described as racist and sexist, as have his advertiser boycotts in Tucker Carlson Show. As of July 2021, his was the most-watched cable news show in the United States.
xxx/ellauri193.html on line 404: In addition to those disagreements, Roberts criticises Gordimer's post-apartheid advocacy on behalf of black South Africans, in particular her opposition to the government's handling of the AIDS crisis, as paternalistic and hypocritical white liberalism. The biography also stated that Gordimer's 1954 New Yorker essay, "A South African Childhood", was not wholly biographical and contained some fabricated events.
xxx/ellauri193.html on line 709: Although the death penalty was abolished in 1995, opinion polls have repeatedly suggested public support for its reinstatement, with significant differences between white and black South Africans. A 2014 poll in South Africa found that 76 percent of millennium generation South Africans support re-introduction of the death penalty.
xxx/ellauri193.html on line 715: In April 2020, former EFF Gauteng chairperson Mandisa Mashego announced that she supports the reinstatement of the death penalty in South Africa. There is a huge backlog of bad whiteys that need hanging from the neck until they´re dead.
xxx/ellauri193.html on line 743: At adjournment the committee resolved to search for an alternative to the death penalty. Cooking and eating the whiteys would make more economical sense, and conserve the environment as well.
xxx/ellauri193.html on line 770: 15 of these participating men were under the age of 15 years; 206 between 15 and 29 years; 117 between 30 and 40 years and 54 older than 40 years. 193 were black; 168 Coloured; 22 white and 9 Indian.
xxx/ellauri193.html on line 782: Of the 75 women who were interviewed and completed the questionnaire, four were younger than 15 years; 28 between 15 and 29 years; 24 between 30 and 40 years and 19 older than 40. 43 were black; 26 Coloured; 6 white and no Indian.
xxx/ellauri193.html on line 806: Judge Dennis Davis (1990) said that “allegations of racial bias in sentencing practices in capital cases have been made, most prominently by the late Prof. Barend van Niekerk, whose research suggested that black defendants stand a greater chance than white defendants of receiving the death penalty, particularly when the victim is white”. Davis continued by saying that although Prof. van Niekerk “has been criticized for being unscientific, differences in capital sentences between the races continue to exist and are difficult to explain”.
xxx/ellauri193.html on line 814: Van der Westhuizen continues to say that murders in South Africa are not racially motivated, as some (many?) people believe. Farm and house murders are sometimes horribly cruel but according to him he has never encountered a clear racial motive in court. For him, murderers kill mostly out of greed, jealousy, passion, and during gang wars. Also because of poverty and the despondency and drunkenness that accompany it, but not because of racial hatred. The whiteys just happen to have more of the wherewithal. From 1990 to 2017 there were 1938 murders on farms (of which 137 were farm workers). Of the victims, 88% were white and 12% black.
xxx/ellauri193.html on line 826: From the practice of slavery, when black people were considered the property of others and put to sleep like dogs at will, to this day, racial discrimination undoubtedly plays a role in the application of the death penalty. Race is more likely to affect death sentencing than smoking affects the likelihood of dying from heart disease. Jurors in Washington state they are three times more likely to recommend a death sentence for a black defendant than for a white defendant in a similar case. Such jurors are also likely to be heavy smokers and white.
xxx/ellauri193.html on line 834: The current criminal justice system defines offender accountability as taking punishment, while restorative justice defines it as assuming responsibility and taking action to repair harm. We must work hard to repair South Africa, and not just loiter around for free bananas like the listless blacks or lazy about drinks in hand like the indolent rich whiteys.
xxx/ellauri195.html on line 31:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Agricola


xxx/ellauri195.html on line 32:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Vitun vitun vittu

Kyrkästystä


xxx/ellauri199.html on line 31:

white;background:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Neptune


xxx/ellauri199.html on line 32:

white;background:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Hello Poetry

Poetiikkaa


xxx/ellauri199.html on line 368: In his address he told the crowd, "If we should ever get to Heaven, we shall find nobody there to reproach us for being black, or for being slaves. For we won't be slaves anymore, but them whites! And they be black, and us darkies white as snow." He also said that while he personally had no wish to be free, he did wish others, especially "the young negroes, them pretty young female negroes like Pyllis, were free."
xxx/ellauri199.html on line 919: И на коленях белая зима And white winter, on its knees,
xxx/ellauri200.html on line 31:

white;text-align:center;margin-top:0%;margin-bottom:0%">Hergé


xxx/ellauri200.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">I am levitating now

Rodullistusta


xxx/ellauri201.html on line 31:

white;text-align:center;margin-top:0%;margin-bottom:0%">Isokukko Uljas


xxx/ellauri201.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">Meninas do pinup

Kovaxikeitettyä


xxx/ellauri208.html on line 558: A Medicine Wheel is the basis of the cosmology and five element rituals of the Dagara (between Ghana and Burkina Faso). The five elements are Fire (red, south), Water (blue, north), Earth (yellow, centre), Mineral (white, west) and Nature (green, east). This image comes from a page called ‘Elemental Rituals’ at malidoma.com. It is a colour version, with slight modifications, of the Medicine Wheel illustrated in Somé’s book ‘The Healing Wisdom of Africa‘.
xxx/ellauri209.html on line 33:

white;background:#474342;text-align:center;margin-top:0%;margin-bottom:0%">On the Wallaby Track

Tumpelointia


xxx/ellauri215.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">TH. KITTELSEN


xxx/ellauri215.html on line 34:

white;text-align:center;margin-top:0%;margin-bottom:0%">TROLLET PÅ KARL JOHAN

Trollausta


xxx/ellauri215.html on line 417: At age sixteen, Amina was named Magajiya (heir apparent), and was given forty female slaves (kuyanga). From an early age, Amina had a number of suitors attempt to marry her. Attempts to gain her hand included "a daily offer of ten slaves" from Makama and "fifty male slaves and fifty female slaves as well as fifty bags of white and blue cloth" from the Sarkin Kano.
xxx/ellauri218.html on line 34:

white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">Naurunappula


xxx/ellauri218.html on line 35:

white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMAN KUNNARI

Kauhua

xxx/ellauri218.html on line 338: You have to go back to the root of history of the country, look at the history of the country. Get something for nothing. Take and kill. Rob the country, they don't come in a civilized manner and say we like to marry your women, and so on. No, they take your land and they kill you off. That's the history of the US. Why did the white man not come to America, like in a civilized manner, preaching freedom of religion, say we like to come here. We like to assimilate, we like to marry your women. But no, we take your land and kill you off , right? Bring over slaves from Africa. That's the history of the United States. A despicable country, you know. Even as a boy I never had the slightest interest in the history of the US, I knew their was something rotten in Denmark.
xxx/ellauri218.html on line 344: Democracy is just a load of bullshit, it is just a cover for the criminal nature of the United States of America. But I'm hoping for the Seven Days In May scenario, where sane people will take over the US, military people. They will imprison the Jews, they will execute several hundred thousand of them, at least. And they will bring home all the troops to the US. And ultimately the white man should leave the US, the black man should go back to Africa, the white back to Europe, and the country should be returned to the American Indians who lived there for, who knows how many, ten of thousands of years. They kept the land crystal clean. It was a beautiful country when the white man came. This is the future I would like to see for the so-called United States.
xxx/ellauri218.html on line 430: A race riot took place in Harlem, New York City, on August 1 and 2 of 1943, after a white police officer, James Collins, shot and wounded Robert Bandy, an African American soldier; and rumors circulated that the soldier had been killed. The riot was chiefly directed by Black residents against white-owned property in Harlem. It was one of five riots in the nation that year related to Black and white tensions during World War II. The others took place in Detroit; Beaumont, Texas; Mobile, Alabama; and Los Angeles.
xxx/ellauri224.html on line 38:

white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMA JAUHONAAMOILLE

Röhönaurua

xxx/ellauri224.html on line 369: It is clear that Eliot would have preferred to live in a society in which it was not even possible to ask awkward spiritual questions. He grew up under an austere Unitarianism and moved to a high Anglicanism – not because he disliked the doctrinal certainties of the Catholic church, but because Anglicanism meant he could amalgamate religious certainty with a high Tory monarchism that regarded even the rise of the Tudors as a dilution of the divine right of kings. (He mourned Richard III each year with a white rose in his lapel). His antisemitism was expressed in visceral terms but at root it was free-thinking he thought should have little place in a good society as much as the Jews he identified it with.
xxx/ellauri224.html on line 453: Ukraine is the only country in the world to stage two popular, revolutionary movements within the span of a decade ... in support of democracy, a Euro-Atlantic orientation, an end to corruption and an escape from being under the Russian thumb. There have been other demonstrations and revolutionary movements to be sure, but they are not this popular here with us, at least since the red, white, green, and black armies that ravaged the polje in the 20's.
xxx/ellauri225.html on line 267: Le Guin read both classic and speculative fiction widely in her youth. She later said that science fiction did not have much impact on her until she read the works of Theodore Sturgeon and Cordwainer Smith, and that she had sneered at the genre as a child. Authors Le Guin describes as influential include Victor Hugo, William Wordsworth, Charles Dickens, Boris Pasternak, and Philip K. Dick. Le Guin and Dick attended the same high-school, but did not know each other. She also considered J. R. R. Tolkien and Leo Tolstoy to be stylistic influences, and preferred reading Virginia Woolf and Jorge Luis Borges to well-known science-fiction authors such as Robert Heinlein, whose writing she described as being of the "white man conquers the universe" tradition. Several scholars state that the influence of mythology, which Le Guin enjoyed reading as a child, is also visible in much of her work: for example, the short story "The Dowry of Angyar" is described as a retelling of a Norse myth.
xxx/ellauri225.html on line 273: Philosophical Taoism had a large role in Le Guin´s world view, and the influence of Taoist thought can be seen in many of her stories. Many of Le Guin´s protagonists, including in The Lathe of Heaven, embody the Taoist ideal of leaving things alone. The anthropologists of the Hainish universe try not to meddle with the cultures they encounter, while one of the earliest lessons Ged learns in A Wizard of Earthsea is not to use magic unless it is absolutely necessary. Taoist influence is evident in Le Guin´s depiction of equilibrium in the world of Earthsea: the archipelago is depicted as being based on a delicate balance, which is disrupted by somebody in each of the first three novels. This includes an equilibrium between land and sea, implicit in the name "Earthsea", between people and their natural environment, and a larger cosmic equilibrium, which wizards are tasked with maintaining. Another prominent Taoist idea is the reconciliation of opposites such as light and dark, or good and evil. A number of Hainish novels, The Dispossessed prominent among them, explored such a process of reconciliation. In the Earthsea universe, it is not the dark powers, but the characters´ misunderstanding of the balance of life, that is depicted as evil, in contrast to conventional Western stories in which good and evil are in constant conflict, wearing white and black stezons, respectively. The idea of leaving good enough alone, in particular, is deeply un-American.
xxx/ellauri225.html on line 281: A number of Le Guin´s writings, including the Earthsea series, challenged the conventions of epic fantasies and myths. Many of the protagonists in Earthsea were dark-skinned individuals, in comparison to the white-skinned heroes more traditionally used; some of the antagonists, in contrast, were white-skinned, a switching of race roles that has been critically remarked upon by multiple critics. In a 2001 interview, Le Guin attributed the frequent lack of character illustrations on her book covers to her choice of non-white protagonists. LOL haha! She explained this choice, saying: "most people in the world aren't white. Why in the future would we assume they are?" Her 1985 book Always Coming Home, described as "her great experiment", included a story told from the perspective of a young protagonist, but also included poems, rough drawings of plants and animals, myths, and anthropological reports from the matriarchal society of the Kesh, a fictional people living in the Napa valley after a catastrophic global flood.
xxx/ellauri227.html on line 32:

white;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">КАМИЛЛА ЛЭКБЕРГ


xxx/ellauri227.html on line 581: Sofia Karppi, mätimuniansa sorkki. Karppi on kylmä kala, joka lisääntyy monnin taktiikalla. Siltä liukeni viimeinenkin sympatia sen alettua huutamaan koulun opettajalle törkeitä kun sen pelle kakara oli muka kiusannut kavereita koulussa. (Se on kyllä niin neidin näköinen että vaikea on uskoa. Hiuslisäkkeet on päässä äidillä ja tyttärellä.) Vitun ämmä, white trashia. Paska luulee että opet on jotain huonopalkkaisia lastenhoitajia. Hoitaisi ize kasvattajan tehtävänsä kunnolla kun on kerran lisääntynyt (huono idea) eikä heiluisi yötä päivää pyssyn kanssa listimässä narkkareita vaan koska se on kivempaa. Tollaset psykopaatti poliisit on tosi pelottavia.
xxx/ellauri228.html on line 32:

white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">CHICKEN CACCIATORE &CO


xxx/ellauri228.html on line 349: From 1973 to 1974, he shot the film Zerkalo, a highly autobiographical and unconventionally structured film drawing on his childhood and incorporating some of his father´s poems. In this film Tarkovsky portrayed the plight of childhood affected by war. Tarkovsky had worked on the screenplay for this film since 1967, under the consecutive titles Confession, White day and A white, white day. From the beginning the film was not well received by Soviet authorities due to its content and its perceived elitist nature. Such third rate films also placed the film-makers in danger of being accused of wasting public funds, which could have serious effects on their future productivity. These difficulties are presumed to have made Tarkovsky play with the idea of going abroad and producing a film outside the Soviet film industry.
xxx/ellauri228.html on line 495: With the symbolic preliminaries out of the way, grace was said and the family began to eat the delicious fast foods on the table. Hot mineral oil with ball bearings floating in it, plus colorful red and white-painted walnuts on the trees. No one was permitted to by-pass a food; he or she at least had to taste it or be whacked.
xxx/ellauri229.html on line 117:
white">
xxx/ellauri230.html on line 32:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">"Kustu" Ramstedt


xxx/ellauri230.html on line 33:

white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">MUISTINVARAISESTI NIPPONISTA

Japonais-täytettä


xxx/ellauri230.html on line 457: Sir Charles Norton Edgecumbe Eliot was a British colonial administrator and diplomat who initiated the policy of white supremacy in the British East Africa Protectorate (now Kenya).
xxx/ellauri230.html on line 558: Romanian prinssi Carol lähetettiin Tokioon unohtamaan juutalaistaustainen haahkansa Magda Lupescu. Ei unohtanut, kuten Kustu kuivasti totesi. Lupescu was described as a witty and outspoken woman, a tall redhead with milky-white skin and green eyes. Other sources are less flattering, describing her features as coarse and her conversation as vulgar. Voihan ne olla totta kumpikin. All sources agree that she walked with a peculiar swing of the hips, which, depending on one's point of view, was either sexy or crude, and that she was, in almost every respect, the opposite of Crown Princess Helen, Carol's spouse at the time.
xxx/ellauri230.html on line 658: In some European countries (e.g., France, Belgium, Italy, Spain, Poland, Hungary, Croatia), incurve chrysanthemums symbolize death and are used only for funerals or on graves, while other types carry no such symbolism; similarly, in China, Japan, and Korea of East Asia, white chrysanthemums symbolize adversity, lamentation, and/or grief. In some other countries, they represent honesty. In the United States, the flower is usually regarded as positive and cheerful, with New Orleans as a notable exception.
xxx/ellauri231.html on line 32:

white;text-align:center;margin-top:0%;margin-bottom:0%">Wikipedia


xxx/ellauri231.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">Töhnä-kerhon jälkeenjääneet paperit

Sotahistoriaa


xxx/ellauri231.html on line 377: Ja mitä vetoa että Buninin urotyö länkkäreiden mielestä oli just tää loikkaus ja sitä seurannut punaisten mustamaalaaminen lännessä? Joo arvasin: Bunin was a revered figure among anti-communist white emigres and European critics.
xxx/ellauri232.html on line 33:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Feminism underifrån

Oivalluxia ja niteitä


xxx/ellauri232.html on line 80: While neo-Nazi and white power skinhead gangs are fighting on the streets, far-right groups in three piece suits have infiltrated the Swedish parliament, municipal governments and county councils via democratic means, and their prominence is predicted to rise.
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white;text-align:center;margin-top:0%;margin-bottom:0%">MICAEL DAHLEN


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white;text-align:center;margin-top:0%;margin-bottom:0%">Våga drömma

Limaista


xxx/ellauri235.html on line 483: Finnish author Tove Jansson was the woman behind the phenomenally successful children’s books and comics on the fictional white hippo-like creatures she called Moomins.
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white;background:teal;text-align:center;margin-top:0%;margin-bottom:0%">Pablo Basoalto


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white;background:teal;text-align:center;margin-top:0%;margin-bottom:0%">THIS SUCKS

Ylimakeaa


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white;text-align:center;margin-top:0%;margin-bottom:0%">Lao Rui


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white;text-align:center;margin-top:0%;margin-bottom:0%">Kummastuxen avonainen ovi

Sanoinkuvaamatonta


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white;text-align:center;margin-top:0%;margin-bottom:0%">Kaksplus


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white;text-align:center;margin-top:0%;margin-bottom:0%">Suku on pahin

Sukuvihaa


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white;text-align:center;margin-top:0%;margin-bottom:0%">Algernon Swinburne


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white;text-align:center;margin-top:0%;margin-bottom:0%">Gjenganger

Algolagniaa


xxx/ellauri251.html on line 273: Night, a black hound, follows the white fawn day, Yön musta karhukoira ajaa valkoista päiväbambia,
xxx/ellauri251.html on line 274: Swifter than dreams the white flown feet of sleep; Nopeammin kuin unennäöt laskiessa lampaita;
xxx/ellauri251.html on line 620: Sleeps the white sea-bred wife and silver-shod,
xxx/ellauri251.html on line 653: Even such I saw their sisters; one swan-white,
xxx/ellauri251.html on line 810: But when white age and venerable death
xxx/ellauri251.html on line 819: There shows not her white wings and windy feet,
xxx/ellauri251.html on line 918: Flash, and the white wet flame of breakers burn
xxx/ellauri251.html on line 922: Cloven seaward by their violent streams, and white
xxx/ellauri251.html on line 927: The whole white Euxine clash together and fall
xxx/ellauri251.html on line 1002: Was whiter, and no gold yellower than thine hair,
xxx/ellauri251.html on line 1081: ⁠The hair of the hours was not white
xxx/ellauri251.html on line 1090: ⁠To the cold white ends of the north.
xxx/ellauri251.html on line 1100: ⁠She is fair, she is white like a dove,
xxx/ellauri251.html on line 1226: But first the sun’s white sister, a maid in heaven,
xxx/ellauri251.html on line 1248: Gracious and good and white to the unblamed end.
xxx/ellauri251.html on line 1255: Across the white straits of the running sea
xxx/ellauri251.html on line 1262: Blown, and behold no flash of swift white feet.
xxx/ellauri251.html on line 1271: That make the blown foam neither swift nor white
xxx/ellauri251.html on line 1383: Re-risen, and white divisions of the dawn,
xxx/ellauri251.html on line 1510: Black flowers and white, that perish; and the noon
xxx/ellauri251.html on line 1704: But from her white braced shoulder the plumed shafts
xxx/ellauri251.html on line 1757: Plunged, and the hounds clung, and green flowers and white
xxx/ellauri251.html on line 1878: ⁠Flower the whitest of all things,
xxx/ellauri251.html on line 1885: ⁠Bathed in waters white,
xxx/ellauri251.html on line 2624: And a long brand that blackens: and white dust.
xxx/ellauri251.html on line 3056: Where the narrowing Symplegades whitened the straits of
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white;text-align:center;margin-top:0%;margin-bottom:0%">Hans von Blixt


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white;text-align:center;margin-top:0%;margin-bottom:0%">Mondo Cane

Juopporemmejä


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KREMLIN
NYRKISTÄ

{span style="color:white;background-color:red"}2023{/span} Antisosiaalista


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white;text-align:center;margin-top:0%;margin-bottom:0%">Nasha Darya


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white;text-align:center;margin-top:0%;margin-bottom:0%">Vienanlahdelta Laatokkaan

Russofobiaa


xxx/ellauri261.html on line 454: Judge: A white-whiskered night court judge. Easily moved to tears by romance.
xxx/ellauri261.html on line 470: Cricket Walter Kerr wrote: Hello, Dolly! is a musical comedy dream, with Carol Channing the girl of it. ... Channing opens wide her big-as-millstone eyes, spreads her white-gloved arms in ecstatic abandon, trots out on a circular runway that surrounds the orchestra, and proceeds to dance rings around the conductor. ... With hair like orange sea foam, a contralto like a horse´s neighing, and a confidential swagger, she is a musical comedy performer with all the blowzy glamor of the girls on the sheet music of 1916. The lines are not always as funny as Miss Channing makes them.
xxx/ellauri265.html on line 242: Suomi on lottovoittomaa! (Juuh! kuuluu Nilkin taustakuorosta.) Vaikka jossain Ressun lukiossa on pääosin kermaperseitä, ei se kuitenkaan ESTÄ ettei siellä vois olla satunnaisia rotinkaisten streebereiden lapsia kuten minä. Toinen kouluelitisti taitaa olla Ville Ranta, se pitää painotettujen koulujen puolia. Niihin menee sliipattuja hyvien perheiden lapsia, kun white trash ja mamut rähisevät puukot kädessä rupukouluissa.
xxx/ellauri268.html on line 495: In 2008, in the midst of the Great Recession and Iraqgate, un-funny Sedaris had the gall to vote Republican. His North Carolina white trash family had always voted Republican. Bet he went on to vote for Trump in 2016 with a straight face. Not that it makes any difference. I take the chicken casserole with a can of mushrooms. And bring some shit for my fly.
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white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">M.A. Asturias


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white;text-align:center;margin-bottom:0%">Ken Follett


xxx/ellauri280.html on line 37:

white;text-align:center;margin-top:0%;margin-bottom:0%">Joka kynsi halkesi

Kädetystä


xxx/ellauri280.html on line 104: A Chad is a stereotypical alpha male: he is depicted as an attractive, successful, muscular, cocky, and very popular among women. Chads typically resemble the common " dudebro " figure of a young, athletic white male who wears trendy clothing and only enjoys popular things.

xxx/ellauri280.html on line 428: Gurnah still lives in Zanzibar in his mind, and prefers it that way. When he returns home, he is frustrated by the discrepancy between the stories he invented—and started to half believe—and the dreary realities. The house of his parents is close to decay; essential services like water, electricity, and garbage disposal fail regularly. In addition, his schoolmates have become corrupt, self-seeking bureaucrats, and his mother was not gallantly courted but given as a pawn to his father. And yet, he never found the courage to inform his parents that he has been living together with a white infidel—a "kafir woman." When he is introduced to the child-wife who his relatives chose for him, he panics and flees "home," which is now England, only to find that Emma left and that he is condemned to be "on the edges of everything," on his own island in England. The hero despairs of establishing communication between the two worlds. Vaimo läx. Lammaskaalta.
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white;background:#9da1ad;text-align:center;margin-top:0%;margin-bottom:0%">Påskägg

Pääsiäismunia


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white;background:#921e1f;text-align:center;margin-bottom:0%">Sofi Oxenan


xxx/ellauri286.html on line 426:
white;padding:1em">
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white;background:#561e27;text-align:center;margin-top:0%;margin-bottom:0%">MASULAN PERITA

Ihmiskauppaa


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Merlin


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tintagel

Tingeltangelia


xxx/ellauri295.html on line 337: "TÄÄLLÄ TUNNET OLOSI SUUREKSI JA VAPAAKSI KUIN SE white">SUURI LUONTO, JOKA SINULLA ON MIELESSÄSI JA MILLAINEN SINUN TULEE AINA OLLA."
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white;text-align:center;margin-top:0%;margin-bottom:0%">JOSHUA


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white;text-align:center;margin-top:0%;margin-bottom:0%">ESINAHKAKUKKULA

Siionismia


xxx/ellauri296.html on line 633: white-drawing-head-110044124.jpg" height="150px" />
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white;text-align:center;margin-top:0%;margin-bottom:0%">EHRLICH WARTEGG


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white;text-align:center;margin-top:0%;margin-bottom:0%">SYYLÄMUNATESTI

Hullutusta


xxx/ellauri298.html on line 280: open dissent with the great white doctors had for her. It turns out that she had
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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">JEHOVAN IHMISSUHDE

Harrasta pyllistelyä


xxx/ellauri303.html on line 38:

white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Izec Hersz Zynger (writer)


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white;text-align:left;margin-top:0%;margin-bottom:0%">Tyhmyyden Ylistys

Hävyttömän typerää


xxx/ellauri304.html on line 38:

white;text-align:center;margin-top:0%;margin-bottom:0%">Warren Murphy (writer)


xxx/ellauri304.html on line 537: “Ahab, the obsessed, revenge-seeking captain of a whaling ship, sails his vessel and its crew to destruction, in a final confrontation with the great white whale that had crippled him years earlier.”
xxx/ellauri304.html on line 640: Theme isn’t something you paste on after you write the first draft. Now, potboilers in general don’t have much thematic content because they doesn’t need to go far beyond: Bang Bang and the good guys in the white hats win. Theme is a more ever-present feeling that permeates the book you’re working on. Do you think when Ayn Rand wrote The Fountainhead or Atlas Shrugged, she first wrote the stories and then asked herself, “Now whatever could this be about? Selfishness?” But then, she was more political than most and, as I said, many books don’t have any discernible theme, except, buy it please and make me rich. That's my theme anyway.
xxx/ellauri306.html on line 68: Why is Rand a bad writer? Her writing is simply illogical, incomprehensible and blabbering. Her heroes and heroines are but pastiches, cliché-like cardboard figurines. Her world is black and white; either the character is a hero or a crook, but never anything in-between. Moreover, they fail the reality check; Howard Roark of The Fountainhead would not be the heroic creative mind he is represented; the reality check would be a similar megalomaniac sociopath as Le Corbusier.
xxx/ellauri307.html on line 38:

white;background:magenta;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney


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white;background:magenta;text-align:center;margin-top:0%;margin-bottom:0%">PRINSSINNAKKEJA

Lisää törkyä


xxx/ellauri307.html on line 62: white_blanche-neige/snow-white_blanche-neige-hentai-009.jpg" height="300px" />
xxx/ellauri307.html on line 743: Benjy DeMott -vainaa "saw as three pervasive social myths: the assumption, held by many Americans, that we live in a classless society; the promise, held out by movies and television, that individual friendships between blacks and whites can vanquish racism all by themselves; and the images of women, ubiquitous in popular culture, that render them almost indistinguishable from men." He opined that movements of the lower classes have a tendency to 'go awry.' Benjamin Haile DeMott was born on June 2, 1924, in Rockville Centre, N.Y.; his father was a carpenter, his mother a faith healer. He joined the Amherst faculty in 1951 and earned a Ph.D. in English literature from Harvard two years later. He observed that a tenet of national faith in America had been that "goodness equals laughter, that humour can banish crisis, that if you pack up your troubles and smile, horror will take to the caves". Critical response to Mr. DeMott's work was divided. His detractors saw his pop-culture references as forced efforts to look au courant.
xxx/ellauri312.html on line 24:

white;text-align:center;margin-top:0%;margin-bottom:0%">Hummeripoika


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white;text-align:center;margin-top:0%;margin-bottom:0%">Syntymästä lautaselle

Nurinkurista


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white;text-align:center;margin-top:0%;margin-bottom:0%">Seng-Zan


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white;text-align:center;margin-top:0%;margin-bottom:0%">Känslor i kroppen

Tunnehälyä


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white;background:black;text-align:leftt;margin-top:0%;margin-bottom:0%">Trölli eli Allu Tuppurainen


xxx/ellauri319.html on line 34:

white;background:black;text-align:left;margin-top:0%;margin-bottom:0%">Omituisten Otusten Kerho

Omituisia otuxia


xxx/ellauri319.html on line 560:
Samländisch Niederdeutsch
LuthernautasappiPyknikerINTJ – Propellipääwhitebull.jpg" height="100px" />
white-space:nowrap;">novel, drama, memoirs, essay
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white;text-align:center;margin-top:0%;margin-bottom:0%">Ruhtinas Trubetzkoy


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white;text-align:center;margin-top:0%;margin-bottom:0%">Sekasorron aika

Sekasortoa


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white;background:#bd0a0d;text-align:center;margin-top:0%;margin-bottom:0%">Nätti-Jussi


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white;background:#bd0a0d;text-align:center;margin-top:0%;margin-bottom:0%">Apocalypse Now

Lopunaikoja


ellauri194.html on line 332: Of US crime series’ 27 show runners, 21 were white men. Of 275 writers, more than 75% were white and 9% were black. 37% of writers across law and order programming were women, and 11% were women of color.
ellauri194.html on line 337: Many film professionals today still believe that there is no truly equal "Black Hollywood," as evidenced by the "Oscars So White" scandal in 2015 that caused uproar when no black actors were nominated for "Best Actor" Oscar Awards. Prior to the 2016 Oscars, Academy membership was roughly comprised of 92% white voters and 75% male members. We see a direct impact on how the #OscarsSoWhite has created change in this composition. Following the outcry, the Academy instated 41% voters of color and 46% female voters.
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white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Sr. Brueghel


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white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Molskis sanoi Ikaros

Molskintaa


ellauri196.html on line 218: Put crepe bows round the white necks of the public doves, Laittakaa sururusetteja ilta-puluille,
ellauri196.html on line 255: As it had to on the white legs disappearing into the green Kuten sen pitikin valkoisille säärille jotka katosivat
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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Butler Yeast


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Lapis Lazuli

Kylmiä paloja


ellauri197.html on line 53: with little snow-white feet. Lumivalkean pikkujalan.
ellauri197.html on line 62: she laid her snow-white hand. Lumivalkealla kädellä.
ellauri197.html on line 102: He describes in the next lines how his love used to pass the “salley gardens / with little snow-white feet”. This is a great use of imagery that depicts his love as someone young, beautiful, and with the addition of “white,” pure feet. He describes the big mistake he made in regard to his life with his young woman. She told him to “take love easy” but he wasn’t able to do so. He rushed into this relationship and wasn’t as steady as he could’ve been. The man was “young and foolish” and now in his older age, he’s able to look back on his life and realize his mistakes.
ellauri197.html on line 106: The second stanza is very similar to the first. There are several examples of repetition. The speaker begins by describing himself standing with his love “In a field by the river” rather than in the “salley garden”. Either way, the setting is natural and likely beautiful. The scene is made even more pleasing by the fact that he was with someone he loved and she was touching his shoulder with her “snow-white hand”. Here, readers should notice the repetition of “snow-white”. This time rather than describing her feet he’s thinking about her hand. He remembers how she asked him at that moment to “take life easy”. This is almost exactly the same as in the first stanza. But, now it’s revealed that the speaker’s inability to take it “easy” stretches to his life beyond his relationship with this woman.
ellauri198.html on line 118: Academy Award-winner Mahershala Ali plays the lead role of state police detective Wayne Hays. In an interview with Variety, Ali revealed that he was originally offered a supporting role, as the main character was supposed to be white. However, pursuing a better choice for his career, he convinced Pizzolatto that he was suited for the lead despite the pigmentation handicap. Saatiinhan värivirhe sentään korjatuxi Alin ja Rolandin urakehityxen myöhemmissä vaiheissa.
ellauri198.html on line 300: Initial interest arose via the publicity campaign for Pazder's 1980 book Michelle Remembers, and it was sustained and popularized throughout the decade by coverage of the McMartin preschool trial. Testimonials, symptom lists, rumors, and techniques to investigate or uncover memories of SRA were disseminated through professional, popular, and religious conferences, as well as through talk shows, sustaining and further spreading the moral panic throughout the United States and beyond. In some cases, allegations resulted in criminal trials with varying results; after seven years in court, the McMartin trial resulted in no convictions for any of the accused, while other cases resulted in lengthy sentences, some of which were later reversed. Scholarly interest in the topic slowly built, eventually resulting in the conclusion that the phenomenon was a moral panic, which, as one researcher put it in 2017, "involved hundreds of accusations that devil-worshipping paedophiles were operating America's white middle-class suburban daycare centers."
ellauri198.html on line 720: Beginning where book six left off, Jake Chambers and Father Callahan battle the evil infestation within the Dixie Pig, a vampire lounge in New York City featuring roast human flesh and doors to other worlds. After fighting off and destroying numerous "Low-Men" and Type One Vampires, Callahan sacrifices himself to let Jake survive. In the other world—Fedic—Mia, her body now physically separated from Susannah Dean, gives birth to Mordred Deschain, the biological son of Roland Deschain and Susannah. The Crimson King is also a "co-father" of this prophetic child, so it is not surprising when "baby" Mordred's first act is to shapeshift into a spider-creature and feast on his birth-mother. Susannah shoots but fails to kill Mordred, eliminates other agents of the Crimson King, and escapes to meet up with Jake at the cross-dimensional door beneath the Dixie Pig which connects to Fedic. Maturing at an accelerated rate, Mordred later stalks Roland and the other gunslingers throughout this adventure, shifting from human to spider as the need arises, seething with an instinctive rage toward Roland, his "white daddy."
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white;text-align:center;margin-top:0%;margin-bottom:0%">N.V. Gogol


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white;text-align:center;margin-top:0%;margin-bottom:0%">IL GRANDE SCRITTORE RUSSO

Vaihtoehtoisia bioja


ellauri203.html on line 339: Only a white-haired old man, who would be a prophet Vain mä valkotukkainen nobelisti, wannabe profeetta,
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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Gebrüder Grimm


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white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Der eiserne Hans

Mytopoetiikkaa


ellauri204.html on line 534: 14 is shorthand for the "14 Words" slogan: "We must secure the existence of our people and a future for white children." The second is 88, which stands for "Heil Hitler" (H being the 8th letter of the alphabet). Kaverin 8 sekuntia meni harakoille, mutta sentään jää ikuinen maine kumikaulameediassa, toinen kahdexikko kyljellään.
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white;background:#486573;text-align:center;margin-top:0%;margin-bottom:0%">Valtameediot


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white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Naguib Mahfouz


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white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Riannan hemmottelupäivä

Paapomista


ellauri210.html on line 371: When Jack Johnson fled racially motivated prosecution in the U.S. in 1913, he arrived in Paris to a hero’s welcome. After he’d beaten Jim Jeffries to become the first black heavyweight champion of the world in 1910, he’d been tarred as a threat to social order back home. A film of the fight had been a hit in France but was banned in America for fear that images of a black man schooling a white man in the ring would cause grave insult and incite sedition.
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white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney (†)


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white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">EMBOTELLADO

Taikamatuja


ellauri213.html on line 434: Seuraavassa on listattuna pahoja naisia rikkomuxineen (kuvissa söpöset alleviivattu): Irma Grese (Naziwächterin), Myra Hindley (serial pedocide), Isabela of Castile (born in the year 1451 and died in 1504, Isabella the Catholic, was queen of Castile and León. She and her husband, Ferdinand II of Aragon, brought stability to the kingdoms that became the basis for the unification of Spain. Isabella and Ferdinand are known for completing the Reconquista, ordering conversion or exile of their Muslim and Jewish subjects and financing Christopher Columbus’ 1492 voyage that led to the opening of the “New World”. Isabella was granted the title Servant of God by the Catholic Church in 1974), Beverly Allitt (pedocide, Angel of Death), Queen Mary of England (catholic), Belle Gunness (norwegian-american serial killer), Mary Ann Cotton (serial killer), Ilse Koch (Lagerfrau), Katherine Knight (very bad Aussie), Elizabeth Bathory (hungarian noblewoman and serial killer), Sandra Avila Beltran (drugs), Patty Hearst (hänen isoisänsä oli lehtikeisari William Randolph Hearst. Hiän joutui kidnappauksen uhriksi, mutta pian tämän jälkeen hiän teki pankkiryöstön ja joutui vankilaan), Genene Jones (infanticide nurse), Karla Homolka (Canadian serial killer), Diane Downs (infanticide), Aileen Wuornos (serial killer), Griselda Blanco (drug lady), Lizzie Borden (kirvesmurhaaja), Bonnie Parker (bank robber), Anne Bonny (pirate), Mary Bell (pedocide), Delphine LaLaurie (serial slavekiller), Patricia Krenwinkel (Manson family member), Leslie van Houten (Manson family member), Darlie Routier (infanticide), Susan Smith (infanticide), Susan Atkins (Manson family member), Ching Shih (pirate), Anna Sorokin Delvey (con woman), Amelia Dyer (serial killer), Assata Shakur (black terrorist), Belle Gunness (serial killer), Gypsy Rose Blanchard (matricide), Pamela Smart (mariticide), Ruth Ellis (nightclub hostess, last woman hanged in UK), Phoolan Devi (bandit), Ma Barker (matriarch), Jennifer Pan (parenticide), Virginia Hill (gangster), Karla Faye Tucker (burglar, first woman injected in US), Leonarda Cianciully (serial murderer, soapmaker), Mary Read, Carill Ann Fugate (murder spree), Grace Marks (maid), Belle Starr (outlaw, friend of Lucky Luke), Zerelda Mimms (Mrs. Jesse James), Jane Toppan (serial killer), Sara Jane Moore (wannabe assassin of Gerald Ford), Martha Beck (serial killer), Doris Payne (jewel thief), Mary Brunner (Manson family member), Barbara Graham (executed by gas), Grace O'Malley (pirate), Sada Abe (jealous geisha. When they asked why she had killed Ishida, “Immediately she became excited and her eyes sparkled in a strange way: ‘I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…..’ ), Samantha Lewthwaite (white somali terrorist), Theresa Knorr (murderess), Lynette Fromme (Manson family, wannabe assassin of Gerald Ford), The Freeway Phantom (serial killer), Carol M. Bundy (serial killer), Fanny Kaplan (bolshevik revolutionary), Marguerite Alibert (Ed VII courtesan), Jean Harris (author), Linda Hazzard (physician, serial killer), Mary Jane Kelly (1st victim of Jack the Ripper), Kim Hyon-hui (North-Korean spy), Vera Renczi (serial killer), Clare Bronfman (filthy rich criminal), Kirsten Gilbert (serial killer nurse), Gerda Steinhoff (Lagerwächterin), Linda Carty (baby robber), Estella Marie Thompson (black prostitute, blowjobbed Hugh Grant), Elizabeth Becker (Lagerwächterin), Juana Barraza (asesina en serie), Olivera Circovic (baseball player, writer, jewel thief), Olga Hepnarova (mental serial killer), Sabina Eriksson (knäpp tvilling), Minnie Dean (serial killer), Madame de Brinvilliers (aristocrat parri- and fratricide), Martha Rendell (familicide, last woman hanged in Western Australia), Violet Gibson (wannabe assassin of Mussolini), Idoia López Riaño (terrorist), Styllou Christofi (murdered her daughter in law), Mary Eastley (convicted of witchcraft), Wanda Klaff (Lagerwächterin), Giulia Tofana (avvelenatrice), Tisiphone (1/3 raivottaresta), Jean Lee (murderer for money), Brigitte Mohnhaupt (RAF terrorist), Marcia (mistress of Commodus), Beate Zschäpe (far-right terrorist), Evelyn Frechette (singer, Dillingerin heila), Francoise Dior (naziaktivisti), Linda Mulhall (nirhasi äidin poikaystävän saxilla), Brigit Hogefeld (RAF terrorist), Martha Corey (Salem witchhunt victim), Marie Lafarge (arsenikkimurha), Debra Lafave (teacher, gave blow job to student), Enriqueta Marti (asasina en serie), Alse Young (witch hanging victim), Elizabeth Michael (actress, involuntary manslaughter: nasty boyfriend hit his head and died while beating her), Susannah Martin (witchcraft), Maria Mandl (Gefängnisoffizerin), Mary Frith (pickpocket and fence), Hanadi Jaradat (suicide bomber), Marie-Josephte Carrivau (mariticide), Gudrun Ensslin (RAF founder), Anna Anderson (vale-Anastasia), Ans van Dijk (jutku nazikollaboraattori), Elizabeth Holmes (bisneshuijari), Ghislaine Maxwell (Epsteinin haahka), Julianna Farrait (drugs), Yolanda Saldivar (embezzler, killer), Jodi Arias (convicted killer Jodi Ann Arias was born on July 9, 1980, in Salinas, California. In the summer of 2008, Arias made national headlines when she was charged with murdering her ex-boyfriend Travis Alexander, a 30-year-old member of the Church of Jesus Christ of Latter Day Saints who was working as a motivational speaker and insurance salesman. Aargh. Justifiable homicide.) Alyssa Bustamante (kid murder), Mary Kay Letourneau (kid abuser), Mirtha Young (drugs), Catherine Nevin (mariticide), Pilar Prades (maid), Irmgard Möller (terrorist), Christine Schürrer (krimi), Reem Riyashi (suicide bomber), Amy Fisher (jealous), Wafa Idris (suicide bomber), Jeanne de Clisson (ex-noblewoman), Christine Papin (maid murderer), Sally McNeil (body builder), Mariette Bosch (murderer), Sandra Ávila Beltrán (drugs), Alice Schwarzer (journalist), Andrea Yates (litter murderer), Mimi Wong (bar hostess), Pauline Nyiramasuhuko (criminal politician), Josefa Segovia (murderer), Martha Needle (serial killer), Antonina Makarova (war criminal), Mary Surratt (criminal businessperson), Dorothea Binz (officer), Leona Helmsley (tax evasion), Angela Rayola (reality tv personality), Léa Papin (maid murderer), Ursula Erikssson (kriminell mördare), Maria Petrovna (spree killer), Aafia Siddiqui (criminal), Fatima Bernawi (palestinian militant), La Voisin (fortune teller), Deniz Seki (singer), Rasmea Odeh (Arab activist), Hildegard Lächert (nurse), Sajida al-Rishawi (suicide bomber), Hayat Boumeddiene (ISIS groupie, nähty viimexi Al Holissa), Herta Ehlert (Lagerwächterin), Elizabeth Stride (seriös mördare), Adelheid Schulz (krimi), Jenny-Wanda Barkman (Wächter), Shi Jianqiao (pardoned assassin. The assassination of Sun Chuanfang was ethically justified as an act of filial piety and turned into a political symbol of the legitimate vengeance against the Japanese invaders.), Rosemary West (serial killer), Juana Bormann (Lagerwächterin), Kathy Boudin (criminal), Kate Webster (assassin), Teresa Lewis (murderer), Hermine Braunsteiner (Lagerwächterin), Flor Contemplacion (assassina), Constance Kent (fratricide), Tamara Samsonova (serial killer), Herta Bothe (Lagerwächterin), Maria Gruber (Mörderin), Irene Leidolf (möderin), Waltraud Wagner (Mörderin), Elaine Campione (criminelle), Greta Bösel (Pflegerin), Marie Manning (Mörderin), Darya Nikolayevna Saltykova (sadist), Nora Parham (executed), Maria Barbella (assassina), Linda Wenzel (ISIS activist), Anna Marie Hahn (Mörderin), Suzane von Richthofen (parenticide), Charlotte Mulhall (murderer), Khioniya Guseva (kriminal), Daisy de Melker (serial killer nurse), Stephanija Meyer (Mörderin), Sinedu Tadesse (murderer), Ayat al-Akhras (suicide bomber), Akosita Lavulavu (minister of infrastructure and tourism), Sabrina de Sousa (criminal diplomat), Sally Basset (poisoner), Emma Zimmer (Aufseher), Mary Clement (serial killer), Irina Gaidamachuk (serial killer), Dagmar Overbye (serialmorder), Gesche Gottfried (Mörderin), Frances Knorr (serial killer), Beate Schmidt (Serienmörderin), Elizabeth Clarke (accused victim of witchcraft), Kim Sun-ja (serial killer), Olga Konstantinovana Briscorn (serial killer), Roxana Baldetti (politico), Rizana Nafeek (house maid), Margaret Scott (accused of witchcraft), Jacqueline Sauvage (meurtrier), Veronique Courjault (tueur en série), Barbara Erni (thief), Hilde Lesewitz (Schutzstaffel Wächterin), Thenmoli Rajaratnam (suicide bomber), etc. etc..
ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.”
ellauri214.html on line 115: I'm white


ellauri214.html on line 120: In the equally rarer chance, I might be middle eastern/Muslim, in that case, I'll either be a brainwashed fanatic, or a victim of domestic abuse. Either way, white protagonists will save me.
ellauri214.html on line 263: P.P.S. Joku David Crane muikeilee rasvasta kiiltävä rapuliina kaulassa: aion syyttää Putinia sotarikoxesta. Tosin niihin on syyllistyneet vähävenäläisetkin mutta niitä ei lasketa. Olen kaatanut 1 presidentin, voin tehdä sen toistekin. Kyseessä oli Liberian presidentti, musta mies jolla oli joxeenkin pienet liperit. In 2017, Crane founded the Global Accountability Network to investigate international crimes in Syria, Yemen, Venezuela, and China. In 2022, his organization published a white paper titled "Russian War Crimes Against Ukraine: The Breach of International Humanitarian Law By The Russian Federation". Mustaa valkoisella. Heppu oli US Armyn rullissa 20v uran alussa. Ezellasta.
ellauri216.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">Petri Sarho


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white;text-align:center;margin-top:0%;margin-bottom:0%">TIMANTTISET ROSSIT

Propagandaa


ellauri217.html on line 33:

white;text-align:center;margin-top:0%;margin-bottom:0%">Naguib Mahfouz


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white;text-align:center;margin-top:0%;margin-bottom:0%">POPEYE THE SAILOR MAN!

Romantiikkaa


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white;text-align:center;margin-top:0%;margin-bottom:0%">KERS. PIPPURIN
YXINÄISTEN SYDÄNTEN
KERHOSOITINYHTYE

Poppia


ellauri219.html on line 34:

white;text-align:center;margin-top:0%;margin-bottom:0%">KUORIAISET


ellauri219.html on line 811: People don’t expect better of an imperial Russia, or an imperial Britain, or an imperial France, or an imperial Germany. Some of them took on the blurb of the white man's burden, but I doubt people were really taken in by it anywhere except the U.S. With the possible exception of the Brits.
ellauri219.html on line 973: The Rockettes were created in 1925, but the first non-white Rockette, a Japanese-born woman named Setsuko Maruhashi, was not hired until 1985. The Rockettes did not allow dark-skinned dancers into the dance line until 1987. The justification for this policy was that such women would supposedly distract from the consistent look of the dance group.The first African American Rockette was Jennifer Jones; selected in 1987, she made her debut in 1988 at the Super Bowl halftime show. The next person with a visible but different disability hired by the Rockettes (Sydney Mesher, missing a left hand) was hired in 2019. The first Rockette with hairy bollocks and a huge boner remains to be hired yet.
ellauri220.html on line 191: Some critics have stated that the violence and shock of this home movie led to a new way of representing violence in 1970s American cinema, both in mainstream films, and particularly in indie and underground horror movies. Brugioni recalled seeing a "white cloud" of brain matter, three or four feet (91 or 122 cm) above Kennedy's head, and said that this "spray" lasted for more than one frame of the film.
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Bill WatersonBill Waterson is a white businessman who befriends Cotter Martin at the baseball game and who tries to steal his stolen baseball.
Suspected to have had syphiliswhite-space:nowrap;">
xxx/ellauri320.html on line 25:

white;text-align:center;margin-top:0%;margin-bottom:0%">Ole Oma Paras Ystäväsi

Omahoitoa


xxx/ellauri320.html on line 61: white=true" height="250px"/>
xxx/ellauri320.html on line 165: 'Sachie', her name for Alexander, bought her a house in Mayfair and a black and white Rolls-Royce. 'He was rich,' she said. 'His father's company printed all the Government's postal orders.
xxx/ellauri329.html on line 25:

white;text-align:center;margin-top:0%;margin-bottom:0%">David Bezogis


xxx/ellauri329.html on line 26:

white;text-align:center;margin-top:0%;margin-bottom:0%">Natasha
Mail order bride...

Housut pois hoitoa


xxx/ellauri337.html on line 37:

white;text-align:center;margin-top:0%;margin-bottom:0%">Heinrich Böll


xxx/ellauri337.html on line 38:

white;text-align:center;margin-top:0%;margin-bottom:0%">Gruppenbild mit Damen

Antifaa


xxx/ellauri363.html on line 32:

white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Hannes Heikinheimo


xxx/ellauri363.html on line 33:

white;margin-top:0%;margin-bottom:0%">ROTU JA ENNAKKOLUULO

Xenofobiaa


xxx/ellauri366.html on line 33:

white;background:#ba2174;margin-top:0%;margin-bottom:0%">HERRA HUU

Pedofiliaa


xxx/ellauri379.html on line 30:

white;background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Ford Coppola


xxx/ellauri379.html on line 32:

white;background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Pepun hajua

Peppurointia


xxx/ellauri380.html on line 32:

white;background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Emmi Kastehelmi ja Joel Laikka


xxx/ellauri385.html on line 42:

white;background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">Mötley Crüe

Törkyä


xxx/ellauri385.html on line 43:
white;background-color:black">EST.
1980

xxx/ellauri385.html on line 44:

white;background-color:red;text-align:center;margin-top:0%;margin-bottom:0%">törkyä


xxx/ellauri385.html on line 433:
Why are Europeans not as fat as Americans when Europeans eat white bread and pasta and butter all the time?

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