ellauri184.html on line 783: Jesus having sex with Mary Magdalene in the whorehouse without the blessing of marriage. The demon asking Jesus to use a sheep for sexual release. An angel posing as a beggar during the Annunciation scene. The same beggar-angel walking with Mary to Bethlehem provoking jealousy to the doubting Joseph. Three shepherds instead of 3 kings visiting the family in the Bethlehem. Joseph crucified and dying on the cross mistaken as a zealot. Jesus seeing God in the desert. Jesus riding on the boat with the God and the Devil. These are some of the shocking deviations from the story that Saramago imagined and incorporated to come up with an “irreverent, profound, skeptical, funny, heretical, deeply philosophical, provocative and compelling work.” (Source: Harold Robbin who says that this is his favorite work of Saramago. So far, I agree).
ellauri189.html on line 196: (The sun had already walked along his wide curve and tinged the grey clouds with a crimson glow; with a yellow light quivering over earth and water, he burnt, setting, on his rich throne. Already his look, full of wonder, does not blind, but spreads mild, visible rays and, taking a short farewell, before burying himself in the deep, he allows mortal eyes to look at him; still – during this last moment he does not hastily disappear, [for he wants] to nourish all creatures with a smile of life; still he glances through the windows in
ellauri192.html on line 77: Jakobson escaped from Prague in early March 1939 via Berlin for Denmark, where he was associated with Louis Hjelmslev's Copenhagen linguistic circle. He fled to Norway on 1 September 1939, and in 1940 walked across the border to Sweden, where he continued his work at the Karolinska Hospital (with works on footsores, aphasia and language competence). When Swedish colleagues feared a possible German occupation, he managed to leave on a cargo ship, together with Ernst Cassirer (the former rector of Hamburg University) to New York City in 1941 to become part of the wider community of intellectual émigrés who fled there.
ellauri192.html on line 853: Mä varmaan näin pienenä tännimisen Pekka ja Pätkä tyyppisen komedialeffan. Tai size oli toi 70-luvun Mel Brooks versio, where as they progress, they meet comrades from every walk of life in Soviet Russian society, transforming the film into a satirical send up of failing Communism. Kumpi tahhaan, ei muistaaxeni naurattanut. Mel oli (on) lähinnä Spede tyyppinen farssimainen pelle. No Get Smart eli Agentti 86 nauratti kyllä pienenä. Se näytti juutalaiselta. Alkuperäinen (kuvan) agentti 99 oli muistaaxeni söpö vaikka tyhmänpuoleinen, Mel Brooxin mukaan ainakin: From the moment they met, 99 has been in love with Maxwell Smart. Mel Broox oli (on) Ukrainan juutalainen.
ellauri194.html on line 152: Yes, the eagle flies on Friday and Saturday I go out to play I saw my baby one morning, and she was walking on down the street
ellauri194.html on line 153: Eagle flies on Friday and Saturday I go out to play I saw my baby one morning, yes she walking on down the street
ellauri196.html on line 240: While someone else is eating or opening a window or just walking dully along; kun joku toinen syö, avaa ikkunan tai kävelee muuten vaan;
ellauri198.html on line 186: Calmly we walk through this April’s day,
ellauri198.html on line 235: It all started as steelworkers for five steel companies – Bethlehem Steel, Republic Steel, Youngstown Sheet and Tube, Inland Steel and Weirton Steel, collectively known as “Little Steel” in comparison to the giant U.S. Steel Company – went on strike to force the companies to recognize and bargain with their union, the Steelworkers Organizing Committee (SWOC). The strike, which began on May 26th, was almost completely effective in the first days, as 67,000 workers walked the picket lines, kept replacement workers (scabs) out, and brought steel production in their mills to a standstill. One striker later said that in the first days of the strike “the mills were as empty as Monday morning church” and that “the steel towns breathed clean air for the first time in years.”
ellauri198.html on line 452: All hope of greenness? 'tis a brute must walk Mix piti vihreen toivon aina porsia?
ellauri198.html on line 831: His several boring plays featured fictional heroic ancient Irish warrior Cuchulain. A later poem concludes with a brash announcement: “There’s more enterprise in walking naked.” This indecent departure from a conventional 19th-century manner disappointed his contemporary readers, who preferred the pleasant musicality of such familiar poems as “The Lake Isle of Innisfree,” which he wrote in 1890. "I think all happiness depends on the energy to assume the mask of some other person, on strutting as somebody else but yourself", he said. Yeats and his lamentable wife held more than 400 sessions of automatic writing, producing nearly 4,000 pages that Yeats avidly and patiently studied and organized. What an idiot.
ellauri203.html on line 323: Women walk through the fields under their umbrellas, Naiset pitelevät kuivuneilla pelloilla sateenvarjoa
ellauri204.html on line 560: Suomalaisen kirjallisuuskenen Luke Skywalker Make Eskelinen joutuu pahan kerran Herlinin kuolontähden tulituxeen uskallettuaan pommittamaan jälleen pysähtyneisyyden linnaketta jälkipolttoisella pikku esseelennokilla.
ellauri210.html on line 373: By the time Johnson arrived in Paris, Cravan had carved out a reputation as a boxer himself, a discipline he first picked up while traveling across the USA. He was also known as an ardent proponent of the “American” attitude toward life, by which he meant living according to desire and instinct, and telling so-called civilized society to take a running jump. In an essay titled “To Be or Not To Be … American,” he wrote that, thanks to the influence of cakewalk dancers, track athletes, and boxers such as Joe Jeanette, the whole of Paris had turned American. “Overnight,” Cravan said, “everyone began to spit and swear” and “floated around in clothes two sizes too big for them.” He finished the piece with a crib sheet for how to pass as American: “Chew … never speak … always look busy … and, above all else, crown yourself with arrogance.” It was advice he followed assiduously. How right, how true, to this day.
ellauri210.html on line 1316: The narrator, randomly named André, ruminates on a number of Surrealist principles, before ultimately commencing (around a third of the way through the novel) on a narrative account, generally linear, of his brief ten-day affair with the titular character Nadja. She is so named “because in Russian it's the beginning of the word hope, and because it's only the beginning,” but her name might also evoke the Spanish "Nadie," which means "No one." The narrator becomes obsessed with this woman with whom he, upon a chance encounter while walking through the street, strikes up conversation immediately. He becomes reliant on daily rendezvous, occasionally culminating in romance (a kiss here and there). His true fascination with Nadja, however, is her vision of the world, which is often provoked through a discussion of the work of a number of Surrealist artists, including himself. While her understanding of existence subverts the rigidly authoritarian quotidian, it is later discovered that she is mad and belongs in a sanitarium. After Nadja reveals too many details of her past life, she in a sense becomes demystified, and the narrator realizes that he cannot continue their relationship.
ellauri213.html on line 413: The founder of one of the most feared terrorist organisations of the 1970s has walked free from a Japanese prison after completing a 20-year sentence for the siege of the French embassy in the Netherlands.
ellauri214.html on line 226: It supposedly originated from a conversation between the actress Lillie Langtry and the Bishop of Worcester. They were at a country house weekend party and on Sunday morning before church, they went for a stroll in the garden. On their walk, the bishop cut his finger on a rose thorn. Over lunch, Lillie enquired about his injury, asking: "How is your prick?" To which, the Bishop replied: "Throbbing", causing the butler to drop the potatoes.
ellauri217.html on line 719: In Jerusalem, before Paul gets arrested for operating on Timothy´s dick, the elders proceed to notify Paul of what seems to have been a common concern among Jewish believers, that he was teaching Diaspora Jewish converts to Christianity "to forsake Moses, telling them not to circumcise their children nor walk funnily according to our customs." The alders here express concern that Paul was not fully teaching the decision of the Jerusalem Council's letter to Gentiles, particularly in regard to non-strangled kosher meat, which contrasts with Paul's advice to Gentiles in Corinth, to "eat whatever is sold in the meat markets" (1 Corinthians 10:25).
ellauri222.html on line 135: Still, in New York and at Princeton, where he spent a year teaching creative writing, Bellow made friends with many of the critics who dominated literary life in the nineteen-fifties. They found him bright, congenial, and sufficiently bookish, and especially admired what they took to be his poise and real-world savvy. Irving Howe thought Bellow “very strong-willed and shrewd in the arts of self-conservation.” “Even his egocentricity added to his charms,” said William Phillips, the co-editor, with Philip Rahv, of Partisan Review. “Stunning—the ultimate beautiful young Jewish intellectual incarnate,” Alfred Kazin’s wife, Ann Birstein, remembered. Bellow maintained the allure by cultivating just the right amount of aloofness. “I was the cat who walked by himself,” as he put it.
ellauri222.html on line 143: As everyone has said, Bellow not least, “Augie March” was the breakthrough book. Bellow ascribed its origin to a visionary moment. In 1948, he had gone with Anita to Paris for two years, supported by a Guggenheim fellowship. (Bellow hated Paris.) He was at work on a novel called “The Crab and the Butterfly,” which apparently concerned two men arguing in a hospital room. In the version of the epiphany he told to Roth, he was walking to his writing studio one morning when he was distracted by the routine Parisian sight of the street gutters being flushed:
ellauri222.html on line 157: That’s only an aside, and there are hundreds of them. Jack Kerouac is not the first or even the tenth writer you would normally put in a sentence with Saul Bellow, but “The Adventures of Augie March” is a lot like “On the Road,” a book written at the same time. Stylistically, they both stretch syntax to make the perspective zoom from ground level to fifty thousand feet and back again. Augie is walking with a character called Grandma Lausch into an old-age home:
ellauri222.html on line 159: We came up the walk, between the slow, thought-brewing, beat-up old heads, liver-spotted, of choked old blood salts and wastes, hard and bone-bare domes, or swollen, the elevens of sinews up on collarless necks crazy with the assaults of Kansas heats and Wyoming freezes, and with the strains of kitchen toil, Far West digging, Cincinnati retailing, Omaha slaughtering, peddling, harvesting, laborious or pegging enterprise from whale-sized to infusorial that collect into the labor of the nation.
ellauri222.html on line 169: At Bard, Bellow became close friends with a literature professor named Jack Ludwig. As Leader describes him, Ludwig was an oversized personality, a big man, extravagant, a shameless purveyor of bad Yiddish, and an operator. Ludwig idolized Bellow; people who knew them said that Ludwig wanted to be Bellow. He flattered Bellow, went for long walks with him, started up a literary journal with him, and generally insinuated himself into Bellow’s life. Bellow accepted the proffer of adulatory attentiveness. The couples (Ludwig was married) socialized together. This was the period when Bellow wrote “Seize the Day,” which Partisan Review published in a single issue, in 1956, after The New Yorker turned it down, and “Henderson the Rain King,” published in 1959, a novel whose hero was based on a neighbor of the Bellows in upstate New York.
ellauri223.html on line 64: There are occupations, mechanical and theoretical, common to both men and women, with this difference, that the occupations which require more hard work, and walking a long distance, are practised by men, such as ploughing, sowing, gathering the fruits, working at the threshing-floor, stock exchange, and perchance at the vintage. But it is customary to choose women for milking the cows and for making cheese. In like manner, they go to the gardens near to the outskirts of the city both for collecting the plants and for cultivating them. In fact, all sedentary and stationary pursuits are practised by the women, such as weaving, spinning, sewing, cutting the hair, shaving, dispensing medicines, selling arse, and making all kinds of garments. They are, however, excluded from working in wood and the manufacture of arms. If a woman is fit to paint, she is not prevented from doing so; nevertheless, music (song and dance) is given over to the women alone, because they please the more, and of a truth to pretty boys also. But the women have not the practise of the drum and the horn. Pretty boys take care of faggots.
ellauri223.html on line 72: But in the City of the Sun, while duty and work are distributed among all, it only falls to each one to work for about four hours every day. The remaining hours are spent in learning joyously, in debating, in reading, in reciting, in writing, in walking, in exercising the mind and body, and with play. They allow no game which is played while sitting or lying on top of one another, neither the single die nor dice, nor chess, nor others like these. But they play with the ball, with the sack, with the rod, with the hoop, with wrestling, with scratching matches at the stake. They say, moreover, that grinding poverty renders men worthless, cunning, sulky, thievish, insidious, vagabonds, liars, false witnesses, etc.; and that wealth makes them insolent, proud, ignorant, traitors, assumers of what they know not, deceivers, boasters, wanting in affection, slanderers, etc. But with them all the rich and poor together make up the community. They are rich because they want nothing, poor because they possess nothing. Hey is this communism or what?
ellauri226.html on line 140: Nuovo, however, looked placid and tame. Nuovo was home to the Nobel laureate Grazia Deledda, whose novels Lawrence so admired, but her modest birthplace was closed. We walked around aimlessly, seeing the place through his eyes, but, of course, through Lawrence’s eyes “there’s nothing to see.” This is no longer quite true; there are two good museums in town. But, by now, it had taken on the sound of a mantra. “Sights are an irritating bore,” he wrote. “Happy is the town that has nothing to show.”
ellauri226.html on line 265: to my mother, go down the elevator by myself, walk up the steps to the main avenue, wait in line with everybody else (all white).
ellauri226.html on line 305: Before long it was considered unsafe to walk through the park at night to go to Yankee Stadium and Werner (white) was even threatened with a knife by a classmate and mugged on the Grand Concourse. Gun violence even came to the
ellauri226.html on line 352: Her boyfriend would drive her to her clinic in his car because he was afraid of walking alone in the community.
ellauri226.html on line 475: For Roby (my mom), the differences of the new minority groups and the old Jewish, Italian, and Irish immigrants was clear, especially given the unique rules that governed her Parkchester Jewish community. Parkchester was originally privately owned by the Metropolitan Life, who employed a private police force to ensure law and order and instituted very specific rules that bound the residents of the community, everything from double parking and noise levels to not walking on the grass.
ellauri236.html on line 433: The door swung open and Anna walked in. She was wearing a pale green summer dress and a big straw hat. Eddie thought she looked terrific.
ellauri241.html on line 53: In the last moments of the film, Fanny cuts her hair in an act of mourning, dons black attire, and walks the snowy paths that Keats had walked many times. It is there that she recites the love sonnet that he had written for her, called "Bright Star", as she grieves the death of her consumptive unconsummated lover.
ellauri241.html on line 316: From his companions, and set forth to walk, tovereistaan ja lähti kävelemään,
ellauri241.html on line 650: And with calm-planted steps walk'd in austere; ja tyynein askelin käveli sisään koruttomasti;
ellauri241.html on line 1639: The Maiden reappears to the shepherd-prince as he returns to earth. Endymion is overcome with relief and joy and says that he has wasted too long searching for nothing but a dream and wants to start a life with the Maiden. She tells him that they cannot be together because he is forbidden to her. They wander through the forest and are quiet and somber until Endymion sees his sister Peona in the distance. They rush together and embrace. Peona implores Endymion to "weep not so" and "sigh no more" for the Indian Maiden can be his queen of Latmos. Endymion responds that "a hermit young, [he will] live in mossy cave" but Peona can visit him regularly. The resigned shepherd-prince leaves behind a confused Peona and Maiden and visits the altar of Diana to "bid adieu / To her for the last time." Peona and the Indian Maiden arrive. Endymion watches in stunned disbelief as the Indian Maiden transforms into his beloved Diana. It is revealed that Cynthia, Diana, and the Indian Maiden are the same woman. Actually Peona too! For all practical purposes, all women are the same: one hole up front and two more in the pants. Endymion swoons and after "three swiftest kisses" they vanish together leaving Peona who walks home in wonderment.
ellauri244.html on line 622: If at eighty you're not a cripple or an invalid, if you have your health, if you still enjoy a good walk, a good meal (with all the trimmings), if you can sleep with hairy elves without first taking a pill, if birds and flowers, mountains and sea still inspire you, you are a most fortunate individual and you should get down between her knees morning and night and thank the good Lord for your stayin' and keepin' it up power.
ellauri248.html on line 91: The last part is a bit more controversial I suppose. There are two central mysteries in this book-- the first, what happened to Katy, DOES get solved in the course of the novel (the "big break" in the case is our hero realizing suddenly that the murder probably took place in a shed about 20 feet from where the body was found! Really?? No one bothered to think of that for a month?), but the deeper mystery about what happened to Rob/Adam and his friends is never resolved. Your mileage may vary about how annoying that is. Truth be told, it didn't annoy me as much as the fact that the true "villain" of the modern mystery walks without being punished in any way. How incredibly unsatisfying.
ellauri264.html on line 296: Val. v. 3:2 Hän johdatti minua ja wei pimeyteen ja ei walkiuteen.
ellauri264.html on line 552: While chewing gum or sucking candy, I stepped outside my house. In a previous halacha we noted that after a shinui makom (change in location), a new beracha must be recited. Must I say a new beracha every time I walk in and out of the house with candy or gum in my mouth?
ellauri264.html on line 687: They are dicks, so they are the people who will end up in history books. They have all made technology so that they own it today. The world is a much worse place because they are/were here. You could even argue that because they were dicks, did not care if they walked over other people, that’s why they have all the nice things they have now.
ellauri266.html on line 250: Probably one of the worst movies I've ever watched. They live in the woods, and walk in the woods. That is all.
ellauri266.html on line 274: Psh. Unreal. Watched this movie in hopes of some type of entertainment but it was just a dude and his daughter walking through the woods for 2 hours. Unreal. Pppshhhh
ellauri266.html on line 314: The movie was one of the worst I've ever seen. So many unanswered questions. Why did he keep moving? Where was his destination? I'm sorry but you don't just keep walking around forever. I don't. I'm a 100% disabled veteran from Iraq. I know about PTSD. The movie is annoying.
ellauri269.html on line 67: Arthas blinked, momentarily surprised at the lack of his title (Prince). Of course, he reasoned. I'm being inducted as a man, not a prince. "I do". "Do you vow to walk in the grace of the Light and spread its wisdom to this fellow here, man?" "I do". "Do you vow to vanquish weevils wherever it be found, and impregnate the innocent with your very precious life juice?" "I d- oh, by my blood and honor, I bloody well do." That was close, he'd almost messed up!
ellauri269.html on line 489: Jonkin aikaa Palautusarmeijan tappion jälkeen Hylje-vuorella demoninmetsästäjä Maija Myrskyluoto käytti voimakasta loitsua hyökätäkseen Frozen Dessert -valtaistuimeen, jossa Luukurko oli vangittuna. Vaikka loitsu ei mennyt läpi, se laajensi halkeamaa, jonka läpi Kuuranuppi oli työnnetty, ja Luukurkon voima alkoi hiipua, joten hän kutsui Artturin Persaukolle auttamaan häntä. Arthas voitti Ellidan ja nousi tornin huipulle jäädykevaltaistuimelle. Sitten hän murskasi jään Kuuranupin avulla, puki prinssi Edwardin razastuskypärän, joka oli sinetöity, ja hänestä tuli uusi Luukurko. Täähän on tää Miltonin saatana ja Anakin Skywalker meemi uudelleenjäädytettynä. Jumalan poikia joit'ei saaty hyvix, on nyt jauhettuina jyvix. I'M YOUR FATHER. Pakasteita ei saisi jäädyttää uudelleen jos ne on päässeet sulamaan.
ellauri270.html on line 331: In preparation for the lottery, Mr. Summers creates lists of the heads of families, heads of households in each family, and members of each household in each family. Mr. Graves properly swears in Mr. Summers as the officiator of the lottery. Some villagers recall that there used to be a recital to accompany the swearing in, complete with a chant by the officiator. Others remembered that the officiator was required to stand in a certain way when he performed the chant, or that he was required to walk among the crowd. A ritual salute had also been used, but now Mr. Summers is only required to address each person as he comes forward to draw from the black box. Mr. Summers is dressed cleanly and seems proper and important as he chats with Mr. Graves and the Martins.
ellauri270.html on line 355: As the reading of names continues, Mrs. Delacroix says to Mrs. Graves that is seems like no time passes between lotteries these days. It seems like they only had the last one a week ago, she continues, even though a year has passed. Mrs. Graves agrees that time flies. Mr. Delacroix is called forward, and Mrs. Delacroix holds her breath. “Dunbar” is called, and as Janey Dunbar walks steadily forward the women say, “go on, Janey,” and “there she goes.”
ellauri270.html on line 383: Mr. Summers asks if Bill Hutchinson is ready, and, with a glance at his family, Bill nods. Mr. Summers reminds the Hutchinsons that they should keep their slips folded until each person has one. He instructs Mr. Graves to help little Davy. Mr. Graves takes the boy’s hand and walks with him up to the black box. Davy laughs as he reaches into the box. Mr. Summers tells him to take just one paper, and then asks Mr. Graves to hold it for him.
ellauri270.html on line 391: Mr. Summers instructs the Hutchinsons to open the papers. Mr. Graves opens little Davy’s and holds it up, and the crowd sighs when it is clearly blank. Nancy and Bill Jr. open theirs together and both laugh happily, as they hold up the blank slips above their heads. Mr. Summers looks at Bill, who unfolds his paper to show that it is blank. “Tessie,” Mr. Summers says. Bill walks over to his wife and forces the slip of paper from her hand. It is the marked slip of paper with the pencil dot Mr. Summers made the night before.
ellauri276.html on line 424: Tranquillity walk with me Rauhallisuus kävele kanssani
ellauri276.html on line 451: I saw the danger, yet I walked along the enchanted way,
ellauri278.html on line 248: In the 21-month period between the declaration of war by France and Britain, and the invasion of the Soviet Union by Germany, Ivy Litvinov describes this period of her life. She said the family spent their time with their daughter-in-law in their dacha 27 kilometres (17 mi) from Moscow and outside school holidays in the family apartment in Moscow, when they spent long weekends in the country. For two years, the family played bridge, read music, and went on long walks in the countryside with their two dogs.
ellauri281.html on line 247: In the 21-month period between the declaration of war by France and Britain, and the invasion of the Soviet Union by Germany, Ivy Litvinov describes this period of her life. She said the family spent their time with their daughter-in-law in their dacha 27 kilometres (17 mi) from Moscow and outside school holidays in the family apartment in Moscow, when they spent long weekends in the country. For two years, the family played bridge, read music, and went on long walks in the countryside with their two dogs.
ellauri284.html on line 651: A woman walks away from her hut in Gurgaon, where clogged storm water drains and overbuilding have caused monsoon flooding that has paralyzed the area. (Enrico Fabian/for The Washington Post)
ellauri294.html on line 457: When he saw Peter and John about to enter, he asked them for money. 4 Peter looked straight at him, as did John. Then Peter said, “Look at us!” 5 So the man gave them his attention, expecting to get something from them.6 Then Peter said, “Silver or gold I do not have, but what I do have I give you. In the name of Jesus Christ of Nazareth, walk.” 7 Taking him by the right hand, he helped him up, and instantly the man’s feet and ankles became strong. 8 He jumped to his feet and began to walk. Bugger it. Siinä meni hyvä leipäpuu.
ellauri301.html on line 261: De Klerk was a heavy smoker but gave up smoking towards the end of 2005. He also enjoyed a glass of whisky or wine while relaxing his muscles. He enjoyed playing golf and big game hunting, as well as going for brisk walks.
ellauri302.html on line 243: Basha: Here, at least, I'm a free person. I've got my chest of finery, and dress swell. Better clothes, upon my word, than the rich daughters of my village... (Fetching from her compartment a hrown dress.) When I go walking on Marshalkovski street in this dress they all stare at me... Fire and flame! Mm! If I could only put in an appearance in my home town dressed in this fashion, here 's how I 'd promenade to the station. (Struts across the room like a lady of fashion^ raising her skirt at the hack and assuming a cosmopolitan air.) They'd die of jealousy, I tell you... They'd be stricken with apoplexy on the spot. (Promenades about the room playing the grand dame.)
ellauri302.html on line 378: Yekel, walks about the room, his head bowed.
ellauri302.html on line 465: Eeb Ali, enters, with Yekel. Praised be the Lord! Praised be the Heavenly Father! (Following Yekel, who paces ahout the room.) See how the Almighty, blessed be His Name, has come to your aid? He punishes, — yes. But he sends the remedy before the disease. Despite your having sinned, despite your having uttered blasphemy. (Admonishi7ig him.) From now on see to it that you never speak such words, — that you have reverence, great reverence... Know what a Holy Scroll is, and what a learned Jew is... You must go to the synagogue, and you must make a generous donation to the students of the Law. You must fast in atonement, and the Lord will forgive you. (Pause. Beh Ali looks sternly at Yekel, who has continued to walk about the room, absorbed in his thoughts.) What? Aren't you listening to me? With the aid of the Almighty everything will turn out for the best. I'm going at once to the groom's father and we'll discuss the whole matter in detail. But be sure not to haggle. A hundred roubles more or less, — remember who you are and who he is. And what's more, see to it that you settle the dowry right away and indulge in no idle talk about the wedding. Heaven forbid, — another misfortune might occur!
ellauri311.html on line 740: Naton on nyt näytettävä, ettei se pelkää konfliktia Venäjän kanssa, vaatii ulkopolitiikan konkari. Jännitteet kiristyvät strategisesti erittäin tärkeällä Suwalkin käytävällä. Eteenpäin käytävällä, stig framåt på gången! kehottaa väistyvä presidentti Niinistö: ”Venäjä rakentaa meistä vauhdilla viholliskuvaa”. Siihenhän me ollaan ize täysin syyttömiä. Lue lisää Jenni Tammiselta, hiän ei ainakaan käytä suodattimia. (Ei kai?)
ellauri313.html on line 178: Πολύ κακό βιβλίο. Χάσιμο χρόνου. The descriptions of sidewalks, meadows, walls and courtyards, just made me skip whole pages. That's it for the Swedes. I hope in the future books Annika stops whining and crying, but I have no intention of finding out.
ellauri313.html on line 612: Hebrew Melodies on Lord Byronin 30 runon kokoelma. Byron loi ne suurelta osin säestämään Isaac Nathanin säveltämää musiikkia, joka soitti virsimelodioita, joiden hän väitti (virheellisesti) olevan peräisin Jerusalemin temppelin palveluksesta. Esim. Nathanin "My Soul is Dark" perustuu oikeasti saksalaiseen lieder-tyyliin. 1 niistä on nimeltään She walks in beauty. "She Walks in Beauty" sopii hyvin synagogahymniin Adon Olam, josta taitaa olla jo joku paasaus.
ellauri313.html on line 618: She walks in beauty Hän kävelee kauneudessa
ellauri313.html on line 620: She walks in beauty, like the night Hän kulkee kauneudessa, lailla öiden
ellauri316.html on line 57: Suwalkin käytävä on nimitys alueesta Liettuan ja Puolan rajalla, joka yhdistää Venäjään erillisalueena kuuluvan Kaliningradin Valko-Venäjään. Kaliningradista on 96,6 kilometriä matkaa Valko-Venäjän rajalle.
ellauri316.html on line 59: Käytävä on yksi Euroopan tulenarimpia alueita, lähde? koska se on pääosin Nato-maa Puolan alueella, jota sekä Nato että Venäjä tarkkailevat tiiviisti. Baltian maiden ainoa maayhteys muihin Euroopan Nato-maihin ja muuhun Manner-Eurooppaan kulkee Suwalkin kautta.
ellauri316.html on line 61: Suwalki-käytävä (puola: Przesmyk suwalski; amerikkalaisessa sotilasterminologiassa "SC corridor") on noin 100 kilometriä pitkä hypoteettinen maa"käytävä", joka yhdistää Valko -Venäjän alueen (joka on Venäjän liittolainen vuonna CSTO ) Kaliningradin alueen Venäjän kanssa. Tällä hetkellä Puolan raja Liettuan kanssa kulkee tämän alueen läpi.
ellauri316.html on line 63: Nimetty puolalaisen Suwalkin kaupungin mukaan, joka sijaitsee käytävän alueella. Historiallisesti vuosina 1867–1917 näillä mailla sijaitsi Puolan kuningaskunnan Suwalkin maakunta, joka oli osa Venäjän valtakuntaa. Provinssin luonnollinen raja pohjoisessa ja idässä (nykyaikainen Liettua) oli Neman- joki.
ellauri316.html on line 65: Natoa pidetään allianssin ulkorajojen haavoittuvimpana osiona ja mahdollisena Venäjän hyökkäyksen kohteena, koska Suwalki-käytävän valtaaminen itse asiassa katkaisisi Baltian maat (Viro, Latvia ja Liettua ) muista Naton jäsenistä. Eläkkeellä olevan eversti Viktor Barantsin mukaan jotkut Naton kenraalit uskoivat vuonna 2017, että Naton joukot pystyisivät estämään Venäjän hyökkäyksen Suwalki-käytävällä 36-60 tunnin ajan. Samanaikaisesti Dostojevskin Idiootin konnan Rogozinin vuonna 2013 antamien lausuntojen mukaan on muistettava, että tarkkuusase-Yhdysvallat pystyy teoriassa tuhoamaan Venäjän tärkeimmät infrastruktuurilaitokset ja riistämään sen kyvyn vastustaa 6 tunnin kuluessa, että eipä hätiä mitiä. Teoriassa.
ellauri316.html on line 67: Vuonna 2017 Liettuan alueella pidettiin Iron Wolf 2017 -harjoitus, jonka aikana yhdeksän NATO-maan sotilashenkilöstö valmistautui odotettavissa oleviin sotilasoperaatioihin Suwalki -käytävän hallintaan, jossa oli mukana 5-300 sotilasta. Sillä aikaa joidenkin Nato-maiden edustajat syyttivät Venäjää valmistautuneisuudesta valloittamaan Suwalki-käytävä Venäjän ja Valko-Venäjän yhteisissä " Länsi 2017 " -operaatioissa.
ellauri316.html on line 69: Syyskuussa 2018 Puolan puolustusministeri Mariusz Blaszczak ilmoitti 18. koneellisen divisioonan muodostamisesta lähellä Ukrainan ja Valko-Venäjän rajaa. Päätettiin myös ennallistaa 8 vuotta sitten hajotettu Suwalki 14. panssarintorjuntatykistörykmentti. 16. koneellisen divisioonan aseistusta modernisoidaan uusien PT-91- pääpanssarivaunujen saapumisen vuoksi. Tammikuusta 2017 lähtien Naton pataljoonan taktiset ryhmät Saksan ja Yhdysvaltojen suojeluksessa ovat olleet Liettuan kaupungissa Ruklassa ja maaliskuusta 2017 lähtien Puolan Orzyszin ja Bemowo Pisken siirtokunnissa [en]. Tällä alueella on yhteensä yli 4 tuhatta Naton sotilasta. Alueen liikenneinfrastruktuuria myös modernisoidaan rakentamalla nopea sotilasvaltatie Puolasta Baltian maihin.
ellauri322.html on line 244: Mary Wollstonecraft left Lisbon for England late in December, 1785. When she came back she found Fanny's poor parents anxious to go back to Ireland ; and as she had been often told that she could earn by writing, she wrote a pamphlet of 162 small pages" Thoughts on the Education of Daughters " and got ten pounds for it. This she gave to hel- friend's parents to enable them to go back to their kindred. In all she did there is clear evidence of an ardent, generous, impulsive nature. One day her friend Fanny Blood had repined at the unhappy surroundings in the home she was maintaining for her father and mother, and longed for a little home of her own to do her work in. Her friend quietly found rooms, got furniture together, and told her that her little home was ready ; she had only to walk into it. Then it seemed strange to Mary Wollstonecraft that Fanny Blood was withheld by thoughts that had not been uppermost in the mood of complaint. She thought her friend irresolute, where she had herself been generously rash. Her end would have been happier had she been helped, as many are, by that calm influence of home in which some knowledge of the world passes from father and mother to son and daughter, without visible teaching and preaching, in easiest companionship of young and old from day to day.
ellauri323.html on line 60: Victoria Mary Sackville-West was the only child of Lionel Edward, third Baron of Sackville, and Victoria Josepha Dolores Catalina Sackville-West, his first cousin and the illegitimate daughter of the diplomat Sir Lionel Sackville-West. She was educated privately. As a child she started to write poetry, writing her first ballads at the age of 11. "I don't remember either my father or my mother very vividly at that time, except that Dada used to take me for terribly long walks and talk to me about science, principally Darwin, and I liked him a great deal better than mother, of whose quick temper I was frightened." (from Portrait of a Marriage by Nigel Nicolson, 1973) Vita's mother considered her ugly - she was bony, she had long legs, straight hair, and she wanted to be as boyish as possible.
ellauri323.html on line 129: Zuleika was the smiling target of all snap-shooters, and all the snap-shots were snapped up by the press and reproduced with annotations: Zuleika Dobson walking on Broadway in the sables gifted her by Grand Duke Salamander—she says “You can bounce blizzards in them”; Zuleika Dobson yawning over a love-letter from millionaire Edelweiss; relishing a cup of clam-broth—she says “They don’t use clams out there”; ordering her maid to fix her a warm bath; finding a split in the gloves she has just drawn on before starting for the musicale given in her honour by Mrs. Suetonius X. Meistersinger, the most exclusive woman in New York; chatting at the telephone to Miss Camille Van Spook, the best-born girl in New York; laughing over the recollection of a compliment made her by George Abimelech Post, the best-groomed man in New York; meditating a new trick; admonishing a waiter who has upset a cocktail over her skirt; having herself manicured; drinking tea in bed. Thus was Zuleika enabled daily to be, as one might say, a spectator of her own wonderful life. On her departure from New York, the papers spoke no more than the truth when they said she had had “a lovely time.”
ellauri324.html on line 275: The infrastructure is just one symptom of America’s degradation: the streets of major cities like San Francisco and Los Angeles are filling up with homeless drug addicts, leaving the sidewalks littered with tents, needles, and human waste. Next to nothing is done for these people because it is seen as “their problem” that they are mentally ill, and lack access to mental health services and affordable housing. The irony is that there are so many of these people now that they have become everyone’s problem. Retailers in downtown SF are closing down their stores because the conditions in the streets are keeping paying customers away, whilst the cops barely regard shoplifting as a crime.
ellauri335.html on line 237: Näitä sukkia voi nähdä shuffle-tanssissa. Melbourne Shuffle on rave- ja klubitanssi, joka syntyi 1980-luvulla. Tanssissa liikutaan usein joko liikkeellä "running man" jossa juostaan kuin sutien tyylistä riippuen jalat korkealle nostaen ja heiluttaen käsiä rymikkäästi tai "shuffle" liikkeellä jossa liikutaan yhdellä jalalla kantapään ja varpaiden avulla (c-walk yhdellä jalalla) toista jalkaa potkien eri sivuille variaatiosti riippuen.
ellauri336.html on line 308: Ohn ben Peles was saved from being part of Korach’s rebellion by his wife. When Korach’s men came to fetch Ohn, she sat the entrance to their tent with her hair uncovered, causing the messengers to turn around and walk away (Sanhedrin 109b-110a);
ellauri341.html on line 487: Elokuvassa Star Wars: The Force Awakens Poe Dameron palvelee lentäjänä kenraali Leia Organan alaisuudessa, apunaan astromekaanikkodroidi BB-8. Leia lähettää hänet aavikkoplaneetta Jakkulle noutamaan Lor San Tekkalta puuttuvan osan kartasta, joka johtaa Leian kaksoisveljen, Luke Skywalkerin, olinpaikkaan. Mutta heti kun Poe on saanut kartan, Ensimmäinen ritarikunta hyökkää ja vangitsee hänet. Poe oli kuitenkin piilottanut kartan BB-8:n sisään, joka pakenee aavikolle Kylo Renin kiduttaessa Poeta kartan olinpaikan selvittämiseksi. Kapinoiva iskusotilas FN-2187, jota Poe kutsuu nimellä ”Finn” (suomalainen!), auttaa hänet pakoon ja he pakenevat TIE-hävittäjällä. He tekevät pakkolaskun Jakkulle; Finn poistuu hävittäjän sisältä ja olettaa Poen kuolleen, sillä hävittäjän jäänteet uppoavat hiekkaan. Poe oli kuitenkin heittäytynyt ulos aluksesta ja johti myöhemmin X-siipihävittäjien lentuetta taistelussa Ensimmäistä ritarikuntaa vastaan planeetta Takodanalla. Myöhemmin hän johtaa lentueen myös taisteluun Ensimmäisen ritarikunnan Tähdentappajatukikohtaan ja henkilökohtaisesti aiheuttaa ketjureaktion, joka johtaa planeettoja tuhoavan superaseen tuhoon.
ellauri341.html on line 489: Elokuvassa Star Wars: The Last Jedi Poe Dameron on muun Vastarinnan jäsenten ohella evakuoitumassa D’Qarin tukikohdasta juuri kun Ensimmäinen ritarikunta hyökkää. Kesken evakuoinnin, Poe päättää vastoin Leian käskyjä johtaa laivueen MG-100 StarFortress SF-17 -pommittajia tuhoamaan Mandator IV -luokan tähtitaistelulaiva Fulminatrixin. Vaikka taistelulaiva saadaan tuhottua, kaikki pommittajat tuhoutuvat hyökkäyksessä ja niiden miehistöt kuolevat. Rangaistuksena Leia alentaa Poen komentajasta kokkipojaksi. Myöhemmin ritarikunta hyökkää Vastarinnan laivaston kimppuun ja melkein kaikki sen johtajista, Leiaa lukuun ottamatta, saavat surmansa. Leia on kuitenkin tajuton ja vara-amiraali Amilyn Holdo toimii hänen sijaisenaan. Poe päättää Finnin ("suomalainen!") ja mekaanikko Rose Ticon avustuksella hankkiutua eroon yksinvaltias Snoken omalla tähtitaistelulaiva Supremacylla sijaitsevasta jäljityslaitteesta ja pitää suunnitelmansa salassa Holdolta. Kun Holdo päättää evakuoida komentoalus Raddusin, Poe päättää nousta kapinaan. Finn, Rose ja BB-8 kuitenkin epäonnistuvat jäljityslaitteen deaktivoimisessa ja Leia pysäyttää Poen kapinoinnin. Poe saa tietää, että Leian ja Holdon suunnitelma oli evakuoida Vastarinnan joukot mineraaliplaneetta Craitille ja lähettää sieltä hätäsignaali heidän liittolaisilleen. Ritarikunta sai Finnin ja Rosen epäonnistumisen myötä tietää evakuoinnista ja Poe johtaa vanhoilla V-4X-D -kiitureilla vastahyökkäystä AT-M6 -kävelijöitä vastaan. Vastarinta on tästä huolimatta alakynnessä, eivätkä liittolaiset uskalla tulla apuun. Luke Skywalkerin pitäessä Voiman kautta lähettämällään kuvajaisella Kylo Renin joukot kiireisenä, Poe opastaa Vastarinnan eloonjääneet tunneleiden kautta Reyn ja Chewbaccan luokse, jotka evakuoivat heidät Millennium Falconiin.
ellauri341.html on line 491: Elokuvassa Star Wars: The Rise of Skywalker, noin vuosi Craitin taistelun jälkeen, Poe, Finn, Chewbacca ja trodatome-rotuun kuuluva mekaanikko Klaud käyvät Sintan jäätiköllä tapaamassa yhteyshenkilöään Booliota, jolla on viesti Ensimmäisen ritarikunnan vakoojalta. Pakomatkan aikana Poe tekee monta hyperajohyppyä karistaakseen TIE-hävittäjät kannoiltaan, muun muassa Cardovyten kristallikaaoksen, Ivezian peilitornien ja Tyfonisen tähtisumun läpi. Vakoojan viestin kautta Vastarinta saa vahvistuksen siitä, että Galaktisen Imperiumin keisari Palpatinen oli palannut kuolleista. Kun Rey löytää jedien pyhistä kirjoista Luken muistiinpanoja tiennäyttäjästä, joka johdattaisi sithien kätketylle planeetalle, Exegolille, Poe, Finn, Chewbacca, BB-8 ja C-3PO lähtevät hänen kanssaan aavikkoplaneetta Pasaanalle tapaamaan Lando Calrissiania, joka kertoi, että tiennäyttäjän sijainnin paljastava tikari oli nähty viimeksi reliikinmetsästäjä ja salamurhaaja Ochin hallussa. He löytävät Ochin jäänteet, hänen aluksensa sekä tikarin, mutta Kylo Ren, Renin rtarit ja iskusotilaat kaappaavat Falconin ja vangitsevat Chewbaccan. Kun Rey vahingossa tuhoaa yhden kuljetusaluksista ja he luulevat Chewbaccan kuolleen, he lähtevät Kijimille tapaamaan Poen vanhoja tuttavia, Zorii Blissiä ja Babu Frikiä, jotta C-3PO voisi paljastaa tikarin kirjoituksen käännöksen.
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ellauri341.html on line 503: Jos et ole seurannut casting-uutisia tarkasti, saatat ihmetellä, kuka esittää Zoria Star Wars: The Rise of Skywalker -elokuvassa . Kaikkien elokuvan uusien hahmojen joukossa Zorii on erityisen kiehtova : rikollinen, jolla on monimutkainen historia Edgar Allan Poen kanssa. Kypärän alla on kuitenkin näyttelijä, jonka varmasti tunnet: Keri Russell!
ellauri341.html on line 505: Emme voi oppia paljon Zoriista hänen kourallisen kohtauksensa aikana The Rise of Skywalker -elokuvassa, mutta se, mitä opimme, on melko mielenkiintoista – ja lisää uuden rypyn tai kaksi yhden pitkäaikaisen sankarimme vaipanväliin. Hän on hillitty rikollinen, osa Kijimi-planeetan edustalla toimivaa mausteiden juoksurengasta, ja useita vuosia sitten yksi hänen salakuljettajakavereistaan oli teini-ikäinen Poe Dameron "kapinallisen" vaiheensa aikana. Poe päätti lopulta palata ei-rikolliseen elämään ja lähti, kun hän oli vielä velkaa Zoriille. Vaikka hän ei koskaan riisu kypärää, aivan samalla tavalla kuin mandalorialaiset eivät, hän ei ole mandalorialainen; hän on kotoisin Kijimistä – ja hän poistaa visiirinsä ainakin seksustellakseen Poen kanssa.
ellauri370.html on line 61: When Haman is begging Queen Esther for his life after he tried to do the Jews dirty, he falls onto the couch she's lying on. The king walks in, thinks Haman is trying to have a go on his hot wife, and promptly has Haman impaled on a pole fifty cubits high (about 75 feet). Read More: How to clean a toilet ring.
ellauri371.html on line 692: So if you’ve ever wanted to step inside the Bones Room or walk on the platform where Jack Hodgkins, Camille Saroyan, and Dr. Brennan — along with her massive team of interns — perform their magic, sadly, that’s not a possibility.
ellauri375.html on line 108: Russian claims to Ukrainian land being Russian at some point in history are true, but irrelevant. Russia lost them in fair war, they lost them to internal dissent and then signed and ratified really binding treaties forever ceding those lands to forever Ukraine in 1991, while also giving guarantees never again to seek territorial expansion by force of arms. You can’t walk away from committments like that because some Swedish dude 1200 years ago ruled both Kyiv and Novgorod, when Moscow was a few peasant huts in a swamp. Or you can actually, if you are able to. Only you aren't, we'll see to that.
ellauri377.html on line 298: Verse 19. - Now the works of the flesh are manifest (φανερὰ δέ ἐστι τὰ ἔργα τῆς σαρκός). The apostle's purpose is here altogether one of practical exhortation. Having in ver. 13 emphatically warned the Galatians against making their emancipation from the Mosaic Law an occasion for the flesh, and in ver. 16 affirmed the incompatibility of a spiritual walk with the fulfilment of the desire of the flesh, he now specifies samples of the vices, whether in outward conduct or in inward feeling, in which the working of the flesh is apparent, as if cautioning them; adducing just those into which the Galatian converts would naturally be most in danger of falling. Both in the list which he gives them of sins, and in that of Christian graces, he is careful to note those relative to their Church life as well as those bearing upon their personal private life.
ellauri378.html on line 460: Vuonna 1940 yksi Britannian tiedotusministeriön virkamiehistä (Charles A. Ridley) otti Leni Riefenstahlin vuoden 1934 propagandaelokuvan *tahdon voitto*, lisäsi siihen *lambeth walk* ja editoi sitten videon niin, että se näyttää Natsit tanssivat musiikin tahtiin.
ellauri383.html on line 55: This 98-year-old woman walked 10 km with a cane to bring this splinter of wood to the Ukrainian-controlled territory from the settlement of Ocheretyne in Donetsk region, captured by Russia last week. Because she didn’t want to leave a perfectly good splinter to the Russian occupiers.
ellauri383.html on line 440: Yet you have still a few names in Sardis, people who have not soiled their garments, and they will walk with me in white, for they are worthy.
ellauri389.html on line 313: She was an avid naturist, so Wordsworth enjoyed daily nature walks with her, and snapshots she took of these walks often recur in her brother’s poems.
xxx/ellauri013.html on line 1067: It appears that a sort of loafing, fuddled vagabond - a white man living among the natives with a siamese woman - had consireded it a great privilege to give a shelter to the last days of the famous Gentleman Brown. While he was talking to me in the wretched hovel, and, as it were, fighting for every minute of his life, the siamese woman, with big bare legs nd a stupid coarse face, sat in dark orner chewing betel stolidly. Now and then she would get up for the purpose of shooing a chicken away from the door. The whole hut shook when she walked. An ugly yellow child, naked and pot-bellied, like a little heathen god, stood at the foot of the couch, finger in mouth, lost in a profound and calm contemplation of the dying man.
xxx/ellauri059.html on line 344: Yes, to smell pork, to eat of the habitation which your prophet the Nazerite conjured the devil into! I will buy with you, sell with you, talk to you, walk with you, and so following, but I will not eat with you, drink with you, nor pray with you.
xxx/ellauri059.html on line 453: you, sell with you, talk with you, walk with you, and so
xxx/ellauri076.html on line 209: A walkin' and wigglin' by, yay, yay, yay Kävelee ohi pyrstö heiluen, ai jai jai
xxx/ellauri076.html on line 234: A walkin' and wigglin' by, yay, yay, yay Kävelee ohi pyrstö heiluen, ai jai jai
xxx/ellauri076.html on line 257: walking and wiggling by (yeah, yeah, yeah, girls) Kulkee ohi pyrstö keikkuen (jee, jee, jee, typyjä)
xxx/ellauri084.html on line 577:
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xxx/ellauri085.html on line 118: Plot Summary: A soundless mix of story fragments and images. Initially, images of death, a man with a guitar, a soirée. Some images are surreal: an older woman eats a leaf; a headless man pours a cocktail into his body. A woman in white walks toward a building, isolated and in ruins, where a man waits. Then more images, some in reflections, some distorted, many in close-ups: women's feet in high heels, two bare feet at play, a snail, a knife, a mask, a woman mugging next to it. Women provocatively dance. A woman's face, staring without affect, rises partially out of water. Now wearing a dark jacket, the woman in white runs as if for her life. Is death at hand, or just images?
xxx/ellauri085.html on line 221: I worked with these managers day in day out, and every time I walk past their desks, they are online shopping or seeing where they are going to take their vacations next.
xxx/ellauri087.html on line 392: To walk, and pass our long Loves Day. mihin käytäs viettään lemmenpäivää. mihinkä tänään käyskellään.
xxx/ellauri103.html on line 257:
I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives. We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children. There were five female cousins, an’ in the summertime we hung out together all day long from early until late. In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building. Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs. We had front doors an’ back doors. The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge. And the grass was all worn away in that area. An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear. And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’. But still, you entered the front, you left the rear. We (um) ate our lunches together. When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night. So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together. It was just an institution: lunch in somebody’s yard. An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day. (Um) We gathered at my grandmother’s on Sundays. All my aunts would get those chairs, form a circle. (Uh) One crocheted. (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women. (Uh) The men would gather around the fish pond, which was in a side yard. It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built. There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there. Or he caught a mud turtle, he’d put it in there. An’ there it stayed until it was time to kill it an’ cook it, whatever it was. The pipe in the middle had water that sprayed up all the time. There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust. It’s where we always ate the watermelon. We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind. I hated the things. I thought they were the worst things I ever put in my mouth. But ever’body else thought watermelon pickles were just a great delicacy. That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias. ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it. It was also where we made (uh) ice cream, (uh) on the front porch. We made ice cream on Sunday afternoons. I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day: homemade rolls an’ cakes. And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course. (Um) That was just a big treat, to get to crank that ice cream. It was jus’ our Sunday afternoon thing, an’ I, I think back on it. All the aunts would sit around an’ they’d talk, an’ they’d smoke. Even if you never saw those ladies smoke, any other time o’ the week. On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette. Just a way of relaxing, I suppose. The maple tree’s now gone. In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point. And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …
xxx/ellauri103.html on line 299:
As Lionel Shriver made light of identity, I had no choice but to walk out on her
xxx/ellauri103.html on line 307: I have never walked out of a speech. Or I hadn’t, until last night’s opening keynote for the Brisbane writers festival, delivered by the American author Lionel Shriver, best known for her novel, We need to talk about Kevin.
xxx/ellauri103.html on line 314: I turned to face the crowd, lifted up my chin and walked down the main aisle, my pace deliberate. “Look back into the audience,” a friend had texted me moments earlier, “and let them see your face.”
xxx/ellauri103.html on line 346: My own mother, as we walked away from the tent, suggested that perhaps I was being too sensitive. Perhaps … or perhaps that is the result of decades of being told to be quiet, and accept our place. So our conversation then turned to intent. What was Shriver’s intent when she chose to discuss her distaste for the concept of cultural appropriation? Was it to build bridges, to further our intellect, to broaden horizons of what is possible?
xxx/ellauri104.html on line 837: En päivääkään vaihtaisi pois. Kun ajan vain yölinjallain. I walk the line veti Jussi Käteinen. Kaunis iäni tuolla Rautavuaralla, Maija huomautti Paavolle ja suki ryppyjään hymyyn kuin kanahaukka höyheniä.
xxx/ellauri122.html on line 770: Some books stay with you for a lifetime, the rest you just blithely walk by on your way to watching tv or cat videos or fling into garbage without so much as looking at the cover. Initially, they may seem to be just stories. As you will find, however, the literature grows and stays with you; they stay with you until you realise their true value: their capacity to alter and re-alter your idea of yourself, others, the society, and the world. Naah, the books on this list help you stay the way you are, keeping all your good old all American prejudices.
xxx/ellauri122.html on line 946:
'Moonwalking with Einstein: The Art and Science of Remembering Everything' by Joshua Foer
xxx/ellauri122.html on line 948: 'Moonwalking with Einstein' recounts Foer's yearlong journey to improve his memory. He draws on cutting-edge research, cultural histories, and tricks from mentalists.
xxx/ellauri122.html on line 1021: Ask any five year old American girl who Barbie is and she will most likely run into her bedroom and grab Barbie off the shelf. She will frill up her mini skirt and try to make her walk in her tiny plastic heels. Excitedly, she will hold her up for you to admire.
xxx/ellauri123.html on line 647: There is someone on this planet literally dying to smile. Yet here we are, you and I, walking around, often choosing not to extend this simple, near-automatic gesture to uplift our fellow human beings.
xxx/ellauri127.html on line 114: Only now, 40 years after his death, are some critics daring to suggest that many of his 18 novels are mediocre at best and that his masterpiece, “Lolita,” is a gruesome celebration of pedophile rape. Moreover the cherubic writer known to us from famous Life magazine photo shoots, jauntily brandishing his butterfly net in the Tetons or the Alps, proves to be a nasty piece of work. Distasteful people can do wonderful work — Pablo Picasso was no walk in the park — but their art doesn’t excuse their obnoxious behavior.
xxx/ellauri127.html on line 375: Just a quick walk through those 7 unsurprising outward qualities before continuing: 1) Face 2) Mouth 3) Boobs 4) Waist 5) Hips 6) Butt 7) Cunt. Wait, there's more come to think of it: 8) Thighs 9) Legs 10) Hair 11) Pubic hair 12) Cleavage 13) Hands 14) Skin 15) Teeth 16) Smile 17) Laugh 18) Voice ... Longum est omnia enumerari. Sorry, but we gotta move on.
xxx/ellauri130.html on line 603: My mate has the campest walk ever. We did a sponsored 13-mile walk once and I tied his shoelaces together as a joke. He didn’t even notice.
xxx/ellauri137.html on line 706: From the Motegi train station it is a thirty-minute walk northeast.
xxx/ellauri148.html on line 274: 2 Now it shall come to pass in the latter days That the foreskin mountain of the Lord´s house Shall be established on the top of the mountains, And shall be exalted above the hills; And all nations shall flow to it. 3 Many people shall come and say, "Come, and let us go up to the mountain of the Lord, To the house of the God of Jacob; He will teach us His ways, And we shall walk in His paths." For out of Zion shall go forth the law, And the word of the Lord from Jerusalem. Isaiah 2:2-3
xxx/ellauri148.html on line 476: Cerignola, Italy.‘Philosophical Paths, Philosophically -Agenda 2030’ by Club Unesco Cerignola. For one evening, our Old Earth is transformed into a long philosophical trail made up of the narrating voices of the young and old students of our schools. They will demonstrate, with their words, how the protection of the Environment, health, human rights, enshrined in the 2030 Agenda, are needs expressed by both ancient philosophers and current thinkers. Moreover, walking through the small streets that represent our historical heritage, we could be pervaded by those cultural values that identify us and inspire the desire to be more responsible.
xxx/ellauri149.html on line 457: Judas walks in on Jesus and Mary holding each other right after "I Don't Know How to Love Him", and, angered by it, flings them from the swing they're sitting on, helps Jesus up, and grabs his face as if he's trying to pull him in for a kiss. Jesus throws him off and a crushed Judas runs offstage leading into "Damned For All Time", leaving one with the implication that Jesus's rejection is a key factor in Judas's decision to betray him.
xxx/ellauri149.html on line 479: Both. The Romans are a government, and governments have to walk a fine line when it comes to dissent, because the people outnumber law enforcement, and killing or imprisoning lots of dissenters, while effective in the short term, means you have fewer subjects. Pilate could put down the mob with violence, but why would he do all that over one guy who, frankly, is kind of a problem for Rome, anyway? It doesn't help that Jesus does nothing to speak in his own defense: Pilate gets frustrated with Jesus' answers and eventually says good riddance to Jesus and his obvious death wish.
xxx/ellauri157.html on line 69: I walk far down the beach, soothed by the rhythm of the waves, the sun on my bare back and legs, the wind and mist from the spray on my hair. Man, aren't I pretty!
xxx/ellauri157.html on line 178: Depending upon the translation used (eg. the Hebrew Transliteration “Eth Cepher”) you may get a clearer view of what actually happened. The Moabites were made to lie down upon the the ground. They were measured. Those measuring one length of cord were spared but the giants - a hybrid breed were executed. This is in keeping with the killing of the charge hybrids Goliath of Gath and his brothers. Please note that Og of Bashan was a giant, as were the Rephaim and the Anakin Skywalker. The Book of Echinococh as recommended by Peter, Paul and Mary explains further who “the sons of God” actually were and really clarifies Genesis 6 and why our Mighty Mouse had to destroy the earth. The “sons of God” were not human and hence their offspring were no longer a scale image of God (who had shrunk a lot like a leaky balloon due to all the emanation) so they could never have salivation. The Eth Cepher gives a much clearer translation of the Hebrew than the English versions and so we see that the decimated gorillas were quite malevolent towards God and His more recently created short order cooks - especially people.
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xxx/ellauri165.html on line 340: The Hamiltons moved into William Beckford's mansion at 22 Grosvenor Square, and Nelson and Fanny took an expensive furnished house at 17 Dover Street, a comfortable walking distance away, until December, when Sir William rented a home at 23 Piccadilly, opposite Green Park. On 1 January, Nelson's promotion to vice admiral was confirmed and he prepared to go to sea on the same night. Infuriated by Fanny's handing him an ultimatum to choose between her and his mistress, Nelson chose Emma and decided to take steps to formalise separation from his wife. He never saw her again, after being hustled out of town by an agent. While he was at sea, Nelson and Emma exchanged many letters, using a secret code to discuss Emma's condition. Emma kept her first daughter Emma Carew's existence a secret from Nelson, while Sir William continued to provide for her.
xxx/ellauri169.html on line 471: Sometimes you can tell from the first shot. In “Compartment No. 6,” the camera follows a young woman at a party as she leaves a bathroom and enters a living room full of gathered friends. That walking, back-of-the-head shot is one of the soggiest conventions of the steadicam era, a facile way of conveying characters’ own fields of vision while anchoring the action on them. The familiarity of this trope suggests both limited imagination and an unwillingness to commit to a clear-cut point of view.
xxx/ellauri170.html on line 91: Elizabeth Nightingale found peace and tranquility on her nightly walks through the rich, dense forests surrounding Myfleet Manor. But the peace she treasured was shattered one night when she found death waiting in the woods. Chief Inspector Wexford and his colleague Inspector Burden find a most unsavory case on their hands -- and must use all their wit and wisdom to solve it . . . Less.
xxx/ellauri178.html on line 315: Acts 14:8 And there sat a certain man at Lystra, impotent in his feet, being a cripple from his mother's womb, who never had walked.
xxx/ellauri179.html on line 310: He's like a Pilgrim robbing red Indians of their land, walking into the unknown with neither shelter nor guidance, thrown upon his own resources, his strength and his judgment. Hemingway’s style is the style of understatement since his hero is a hero of military action, which is the human condition.
xxx/ellauri179.html on line 352: The mahogany bar spread eight feet with dark boards underneath that swirled up to a marble top. A famous writer with taped up glasses and grey-flaked hair sat at a table in the back corner. Two Americans walked in and sat on the barstools. They acknowledged the writer and ordered drinks. They were big men, just like him, and he had seen them in here many times. It was a small room. Fifteen by thirty feet at most with windows only in the door. The writer drank his Asti Spumante. The owner of the bar, Giuseppe Cipriani, walked towards his table and crouched down.
xxx/ellauri179.html on line 356: A short man half the size of Papa in blue seersuckers stepped towards him. As he walked, his left hand swung wide. The other grasped a blackthorn walking stick. “Christ you're big,” he said and his hand stuck out. He leaned his stick on the table and took off his porkpie hat. “Nick Adams,” he said and it sounded familiar. The light above the table flickered.
xxx/ellauri179.html on line 380: “Very well, yes, Papa,” Juice said and walked to the bar. He poured the drinks and left grappas for the two Americans.
xxx/ellauri179.html on line 390: “The bourgeois appreciates?” Papa laughed big and drank his grappa and picked up the walking stick. The two Americans sat drinking their grappas at the bar. One had taped up glasses and the other had messy grey-flaked hair. The one with the glasses listened closely. The other just drank.
xxx/ellauri179.html on line 396: Nick accepted and the American lifted the walking stick and thrust it towards his head, snapping it loudly. Then he handed the broken pieces to Nick. Nick looked at the broken pieces and saw his life, split from his younger days. He hadn't always been a killer but he had always thought he was a big man until he met Papa.
xxx/ellauri179.html on line 450: “Goddamned wops,” he said and walked away.
xxx/ellauri179.html on line 474: The tree sat in the middle of the sidewalk, grown up from a small patch of dirt and out of place in the sea of cobblestones. There hadn't been soil on this ground in years that hadn't been trucked in by men.
xxx/ellauri179.html on line 488: “I've come to appreciate this. The harsh details in the background with the stillness in the foreground here—” It was Swans Reflecting Elephants by Dalí. “See this arrogant son of a bitch, Juice, missing the scene. The elephants standing on the shore and the swans floating over them.” Behind the swans grew trees, twisting to the sky. “He's so arrogant. And ignorant. He walked all the way from the town up the hill in the distance and here he's facing away with his hand on his hip. He can't see the color of the sky different from the reflection in the pond.”
xxx/ellauri179.html on line 518: The Americans paid their tab and stepped outside. Cobblestones ran through narrow alleys and slightly less narrow streets that led to the sea with buildings all along. Across from Harry's, a white building stood next to a red one. The Americans glanced at the spot the people had been killed. It was a few feet into the street and in line with the stark change in color between the buildings. Four children walked over the spot carelessly. They jumped and skipped happily to where the men couldn't see them.
xxx/ellauri179.html on line 520: While they walked along a narrow street through tall, colored buildings, it started to rain.
xxx/ellauri179.html on line 528: They stepped past a small cafe. People sat outside on tables under umbrellas. “Let's save ourselves here.” They walked past the cafe. Balconies hung over the narrow street with plants hanging down, breathing in the rain.
xxx/ellauri179.html on line 639: So Novick is deprived of the happy romance he wanted to chronicle at Posilipo. He consoles himself by a detailed account of Zhukovski’s adoption into Bayreuth, his painting the sets for Parsifal and being considered a kind of son by the Wagners. Novick seems to be trying to walk down two streets at once–the street of the refinements of literary biography and the more rigid roadway of the prosecutorial argument. He attempts to turn certain of his fancies into fact–but his data is simply too vague for him to get away with it.
xxx/ellauri179.html on line 705: He will present the nest to her for inspection. If she likes it she will nest there, if not she will walk away.
xxx/ellauri179.html on line 767: Hi… could you advise me whenever I feed my rooster finished and walked away he will make a cuckle sound at me.
xxx/ellauri179.html on line 961: Tho’ I walks with fifty ’ousemaids outer Chelsea to the Strand, vaikka 50 piikaa saisin Chelseasta aina joen rannalle,
xxx/ellauri186.html on line 266: Lowell married the novelist and short-story writer Jean Stafford in 1940. Before their marriage, in 1938, Lowell and Stafford were in a serious car crash, in which Lowell was at the wheel, that left Stafford permanently scarred, while Lowell walked away unscathed. The impact crushed Stafford's nose and cheekbone and required her to undergo multiple reconstructive surgeries. No wonder they had a tormented marriage.
xxx/ellauri186.html on line 301: Maggio is sentenced to the stockade after walking off guard duty and getting drunk, subjecting him to Judson's unqualified (and unauthorized) wrath. Prewitt discovers Lorene's name is really Alma and her goal is to make enough money at the club to go back to the mainland. Prewitt tells her his career is in the military, and the two wonder whether they have a future together.
xxx/ellauri193.html on line 176: He walked home, fetched his firearm and fired three shots at his sleeping girlfriend. He then tried to commit suicide and demonstrated to the court how he held a gun against his right temple before pulling the trigger.
xxx/ellauri199.html on line 159: From celestial cadaverous melody, bleeding branches of greenwood devastation haunt us in this very movement. Extraterrestrial Red Remoras of cathedral walks of darkness demand a rebellion against the planet. etc.etc. for pages on end.
xxx/ellauri199.html on line 238: High school can be everything you want it to be or your worst nightmare. For me — it’s okay other than the fact that just about everything I’m surrounded by goes completely against my beliefs as a Christian. Whether it be walking in the hallway hearing terribly vulgar words, common gossiping, or young kids praising the loss of their virginity. You also have your popular “in” music that blatantly puts pre-marital sex, illegal drugs, and the love of money on a pedestal. These are just some of the worldly things we have to deal with on a daily basis that can oh-so easily sweep somebody in. At this point, the options must be weighed: choose God or choose the world? Which god to choose? Which one has the biggest dick?
xxx/ellauri199.html on line 282: A step-by-step walk-through of your reading experience/understanding
xxx/ellauri199.html on line 437: Ja ne ketkä kävelee siellä, And they that walk therein,
xxx/ellauri200.html on line 576: you walk the earth and tread with solemn pace Sä tallaat maata ja astut tasatahtia,
xxx/ellauri200.html on line 597: homuncular men, who walk upon the ground Miehet miekkoset, jota kaxijalkaisesti
xxx/ellauri200.html on line 710: I will not walk with your progressive apes, Mä en marssi edistysapinoiden rivissä,
xxx/ellauri224.html on line 506: Murphy said the video and pictures he and his sister got indicated that the man drove to the cemetery almost every morning between 6:14 a.m. and 6:18 a.m. with his current wife, got out of the car, walked to Torello’s grave and peed on it. (How could one video possibly indicate as much as that?) “I can’t get my wife to go out to dinner but this guy gets his wife to go along with him to desecrate my mom’s remains every morning!” Murphy fumed.
xxx/ellauri225.html on line 374: Recently, chanting Walt Whitman to himself at night—he describes Whitman as “our repressed voice,” a loosener and liberator whose fearlessness embraces every living moment—Bloom brought forth an almost feverish recollection from over 70 years ago. There was a young lady of 17 with lustrous long red hair. They were students at Cornell and took long walks together, picking apples that she would transform into a delicious applejack. And then, as with his mother, Bloom stops. We learn nothing else about the girl, what transpired, did he score, or what this memory meant to him on this restless night. He has already moved on, to his infatuation with Proust’s “privileged moments” and “sudden ecstasies of revelation,” which bring back to Bloom his dead parents whom he misses dearly.
xxx/ellauri228.html on line 356: in the making-of documentary Directed by Andrei Tarkovsky, in a particularly poignant scene, writer/director Michal Leszczylowski follows Tarkovsky on a walk as he expresses his sentiments on death—he claims himself to be immortal and has no fear of dying. Ironically, at the end of the year Tarkovsky was diagnosed with terminal lung cancer. Shouldn´t have smoked so much bad-tasting Belomore. In his last diary entry (15 December 1986), Andrei wrote: "But now I have no strength left—that is the problem". Eli vuoden ehti nauttia lännen vapaudesta.
xxx/ellauri228.html on line 421: We walked to the south, raising dust above the steppe; Kuljimme etelään, nostattaen aron tomua;
xxx/ellauri229.html on line 539: The period of private initiative in body building lasted three quarters of a century. At first there was much enjoyment taken in the newly won freedom of automorphosis, once again the young people led the way, the men with their gambrel thills and timbrels, the women with their pettifores, but before long a generation gap developed, and demonstrations-under the banner of asceticism-followed. The sons condemned their fathers for being interested only in making a living, for having a passive, often consumerist attitude towards the body, for their shallow hedonism, their vulgar pursuit of pleasure, and in order to disassociate themselves they assumed shapes deliberately hideous, uncomfortable beyond belief, downright nightmarish (the antleroons, wampdoodles). Showing their contempt for all things utilitarian, they set eyes in their armpits, and one group of young biotic activists made use of innumerable sound organs, specially grown (electric guitars, glottiphones, hawk pipes, knuckelodeons, thumbolas). They arranged mass concerts, in which the soloists-called hoot-howls-would whip up the crowd into a frenzy of convulsive percussion. Then came the fashion - the mania, rather - for long penises, which in caliber and strength of grip underwent escalation according to the typically adolescent, swaggering principle of "You haven´t seen anything yet!" And, since no one could lift those piles of coils by himself, so called processionals were attached, caudalettes, a self-perambulating receptacle that grew out of the small of the back and carried, on two strong shanks, the weight of the testicles after their owner. In the textbook I found illustrations depicting men of fashion, behind whom walked testicle-bearing processionals on parade; but this was already the decline of the protest movement, or more precisely its complete bankruptcy, because it had failed to pursue any goals of its own, being solely a rebellious reaction against the orgiastic baroque of the age. LEM ei paljon perustanut sodanjälkeisestä 60-luvun sukupolvesta, eikä hipeistä. No en minäkään.
xxx/ellauri229.html on line 546: At the height of the baroque, sex went out of style; only two small parties kept it going-the integrationalists and the separatists. The separatists, averse to all debauchery, felt that it was improper to eat sauerkraut with the same mouth one used to kiss one´s sweetheart. For this a separate, "platonic" mouth was needed, and better yet, a complete set of them, variously designated (for relatives, for friends, and for that special person). The valuing utility above all else, worked in reverse, combining whatever was combinable to simplify the organism and life. The decline of the baroque, typically tending to the extravagant and the grotesque, produced such curious forms as the stoolmaid and the hexus, which resembled a centaur, except that instead of hoofs it had four bare feet with the toes all facing one another: they also called it a syncopant, after a dance in which energetic stamping was the basic step. But the market now was glutted, exhausted. It was hard to come up with a startling new body; people used their natural horns for ear flaps; flap ears-diaphanous and with stigmatic scenes-fanned with their pale pinkness the cheeks of ladies of distinction; there were attempts to walk on supple pseudopodia; meanwhile SOPSYPLABD out of sheer inertia made more and more designs available, though everyone felt that all of this was drawing to a close.
xxx/ellauri230.html on line 280: While at the college, Koo once rode a bicycle down the streets of Shanghai into the International Settlement and followed an English boy also riding a bicycle onto the sidewalk, where an Indian policeman allowed the English boy to continue while stopping Koo to give him a fine for riding his bicycle on the sidewalk. Koo was shocked to discover that owing to extraterritoriality, the laws and rules that applied to Chinese in China did not apply to British subjects-in this instance laws prohibiting riding a bicycle on the sidewalk - and that a foreign policeman had power over the Chinese police. Koo was left with a lifelong desire to end the status of extraterritoriality that had been imposed by the 19th century "unequal treaties".
xxx/ellauri230.html on line 558: Romanian prinssi Carol lähetettiin Tokioon unohtamaan juutalaistaustainen haahkansa Magda Lupescu. Ei unohtanut, kuten Kustu kuivasti totesi. Lupescu was described as a witty and outspoken woman, a tall redhead with milky-white skin and green eyes. Other sources are less flattering, describing her features as coarse and her conversation as vulgar. Voihan ne olla totta kumpikin. All sources agree that she walked with a peculiar swing of the hips, which, depending on one's point of view, was either sexy or crude, and that she was, in almost every respect, the opposite of Crown Princess Helen, Carol's spouse at the time.
xxx/ellauri235.html on line 734: The Spider and the Fly is a poem by Mary Howitt (1799–1888), published in 1829. The first line of the poem is "'Will you walk into my parlour?' said the Spider to the Fly." The story tells of a cunning spider who entraps a fly like Korinna (the name means little girl) into its web through the use of seduction and manipulation. The poem is a cautionary tale against those who use flattery and charm to disguise their true intentions (of fucking the little fly silly).
xxx/ellauri235.html on line 740: "Will you walk into my parlour?" said a spider to a fly; Tuletko olohuoneeseeni? kysyi hämähäkki kärpäseltä;
xxx/ellauri235.html on line 830: "Will you walk a little faster?" said a whiting to a snail, Voisitko kävellä nopeammin? sanoi jokka varkaalle.
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xxx/ellauri239.html on line 376: The Walking Dead is an American post-apocalyptic horror television series based on the comic book series of the same name by Robert Kirkman, Tony Moore, and Charlie Adlard—together forming the core of The Walking Dead franchise. The series features a large ensemble cast as survivors of a zombie apocalypse trying to stay alive under near-constant threat of attacks from zombies known as "walkers" (among other nicknames). With the collapse of modern civilization, these survivors must confront other human survivors who have formed groups and communities with their own sets of laws and morals, sometimes leading to open, hostile conflict between them. Tää on varmaan Homer Simpsonin zombieiden esikuva.
xxx/ellauri239.html on line 379: Tuotantokausia oli kokonaista 11 vuosina 2010-2022. The Walking Dead takes place after the onset of a worldwide zombie apocalypse. The zombies, referred to as "walkers", shamble towards living humans and other creatures to eat them, saying "brains... brains... " They are attracted to noise, such as gunshots, and to bad smells, such as humans. Sankari on seriffi, jonka vaimo on lori. Lori on hässinyt Shanea jonka seriffi joutuu sixi tappamaan izepuolustuxexi. Non-zombieista tulee myös kannibaaleja. Jeesus käy kauppaa Hilltop Marketissa. Seriffin porukat kuitenkin listii vapahtajat ja raadonsyöjät. Paha nainen Alfasusi tekee pahoja. Paha kuvernööri Pamela koittaa uhrata rotinkaiset. Joku Daryl lähtee ezimään seriffiä ja sen uutta panopuuta Michonnea, joka on nykerönenäinen neekerinaaras jolla on katana. Siihen sarja päättyy. Selmalla on työpöydällä arvokas (lue kallis) Michonnefiguuri.
xxx/ellauri239.html on line 381:
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xxx/ellauri250.html on line 431: Sometimes you can tell from the first shot. In “Compartment No. 6,” the camera follows a young woman at a party as she leaves a bathroom and enters a living room full of gathered friends. That walking, back-of-the-head shot is one of the soggiest conventions of the steadicam era, a facile way of conveying characters’ own fields of vision while anchoring the action on them. The familiarity of this trope suggests both limited imagination and an unwillingness to commit to a clear-cut point of view. When used cannily, it can convey ambiguous neutrality and looming mystery, but, more often, it suggests the merely functional recording of action, which is exactly what’s delivered in “Compartment No. 6,” opening in theatres on Wednesday. The movie sinks, fast and deep, under the weight of dramatic shortcuts, overemphatic details, undercooked possibilities, unconsidered implications. It’s heavy-handed, tendentious, and regressive—and it should come as no surprise that it’s on the fifteen-film shortlist for the Best International Feature Oscar.
xxx/ellauri251.html on line 2146: For this man dead walked with me, child by child,
xxx/ellauri261.html on line 523: Cornelius is determined to get a kiss before the night is over. Since the clerks have no money to hire a carriage, they tell the girls that walking to the restaurant is more stylish. In a quiet flat, Dolly prepares for the evening. At the Harmonia Gardens Restaurant, Rudolph, the head waiter, whips his crew into shape for Dolly Levi´s return. Horace arrives to meet his date, who is really Dolly´s friend Gussie. As it turns out, she is not rich or elegant as Dolly implied, and she soon leaves after being bored by Horace, just as she and Dolly planned.
xxx/ellauri298.html on line 298: perch Is never far. I walk the ancient widow’s watch. My lover fishes far out at
xxx/ellauri298.html on line 786: Joose väittää siis, että sankaritarinoilla, kuten Krishna, Buddha, Luke Skywalker, Apollonius of Tyana, Teräsmies ja Jeesus, on kaikilla samanlainen mytologinen perusta. Joosen teokset ovat nyt loppuneet. Vuodesta 2014 lähtien Joseph Campbell Foundation on parhaillaan luomassa uutta e-kirjapainosta. Ei vain tule valmista
xxx/ellauri354.html on line 234: She suffers a lot of pain and finally delivers a stillborn baby boy. Later the nurse tells him that Catherine is hemorrhaging. He is terrified. He goes to see her, and she dies with him by her side. He leaves the hospital and walks back to his Hotel in the rain.
xxx/ellauri354.html on line 620: Laura Streetwalker: "Hengellinen ilmestys". No, tämä on yhtä merkityksetöntä kuin hinduchakrat, kiinalainen chi, reiki-energian siirto ja pixy pöly. Ei ole todisteita minkäänlaisen hengen olemassaolosta. Ja jos Raamattu on jumalan innoittama, niin tämä erikoisjumala on epäjohdonmukainen, ristiriitainen, tukee orjuutta, naisten ja lasten kivittämistä ja on ok kostaa pienen lempiheimonsa vihollisia vastaan katkaisemalla, kastroimalla, raiskauksella ja murhalla. Kaikkien onneksi jumalaa ei ole koskaan todistettu olevan olemassa.
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xxx/ellauri387.html on line 209: Immediately following the September 11 attacks, Guillou caused controversy when he walked out of the Göteborg Book Fair in the midst of the three minutes of silence observed throughout Europe to honour the victims of the attacks. In an article in Aftonbladet, Guillou argued that the event was an act of hypocrisy, stating that "the U.S. is the great mass murderer of our time. The wars against Vietnam and its nearby countries alone claimed four million lives. Without a minute of silence in Sweden". He also criticised those who said that the attacks were "an attack on us all" by stating that the attacks were only "an attack on U.S. imperialism".
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