ellauri025.html on line 585: Samaa suomenruozalaista kermapersegenreä kuin Kjell Westön turinat. Niinkuin Kjellin Leijoissa, saa kukin kertoa oman versionsa samasta tapauxesta. Se pahoinpidelty Sascha on nimestä huolimatta tyttö, koulukotitapaus. Kelpas hurrihomopojille ilmeisesti tytötkin, pepun puutteessa.
ellauri028.html on line 336: The Pittsburgh Post-Gazette of December 4, 1939, reported that the historical inspiration for the song had been a young Frenchwoman named Marie Lecoq (later Marie Marceau), who worked as a waitress at the Café de la Paix in Armentières at the time of the war. Despite the obscenity of many popular versions of the song, it was reportedly quite clean in its original form.
ellauri032.html on line 294: Piispa John Bramhall, vannoutunut arminianismin kannattaja (ks yllä), julkaisi pienen tutkielman Of Liberty and Necessity joka oli osoitettu Hobbesille. Bramhall oli tavannut Hobbesin aiemmin ja väitellyt tämän kanssa, ja kirjoitti jälkeenpäin näkemyksensä Hobbesin vastattavaksi. Hobbes vastasi, mutta ei julkaistavaksi. Eräs ranskalainen tuttava kuitenkin julkaisi vastauksen. Bramhall julkaisi vuonna 1655 vastaiskuna kaiken kirjeenvaihdon heidän välillään nimellä A Defence of the True Liberty of Human Actions from Antecedent or Extrinsic Necessity. Vuonna 1656 Hobbesilla oli puolestaan valmiina teos Questions concerning Liberty, Necessity and Chance, jolla hän vastasi piispalle voimallisesti. Hobbesin vastaukset olivat merkittäviä vapaan tahdon ongelman historiassa mahdollisesti ensimmäisinä selkeän psykologisen determinismin esityksinä. Piispa vastasi syytöksiin vuonna 1658 teoksella Castigations of Mr Hobbes´s Animadversions, johon oli liitetty laaja liite nimellä The Catching of Leviathan the Great Whale. Hobbes ei koskaan vastannut tähän teokseen.
ellauri033.html on line 295: dès-grandes conversions?

ellauri046.html on line 359: This abridgement reduces the original quarter of a million words down to about 12,000 (around 5%), based on three different translations, one by Alastair Hannay, another by Howard V. Hong and Edna H. Hong, and a third by an unnamed translator, possibly Lee M. Hollander. As with many of these condensed versions, having picked out the glowing passages may give an impression of a coherence which is absent in the rambling, repetitive and frequently incomprehensible original. The staccato style, though, is what it is like.
ellauri065.html on line 528: The meme was born in late 2008 when an administrator of the Finnish gaming forum Jonneweb posted several links redirecting to the Finnish imageboard Kuvalauta. Due to Jonneweb´s reputation as an online hub for (pre)teenagers, some members of Kuvalauta became concerned that the imageboard would be overrun with unoriginal content by an influx of newcomers, a phenomenon commonly known as "newfaggotry" on the English-speaking web. The Jonneweb administrator referred to Kuvalauta as a "forum where you discuss about fish and bears" and thus the world-wide Pedo bear meme was considered to be posted particularly by Jonneweb users. The combination of pre-teenager Jonnes and the Pedo bear meme took a great evolution in 2009 when the users of Kuvalauta started to post ironically as Jonnes by capsing the text, representing as underage school kids and adding typoes on text. On December 6th, 2009, a thread with poorly drawn versions of Pedobear was posted onto Kuvalauta.
ellauri067.html on line 418: Used as the title of the political manifesto of George Lincoln Rockwell and the American Nazi Party. Is the motto on the coat of arms of the city of Plzeň, Czech Republic. The phrase is in the coat of arms of the city of Birkirkara, the largest city on the island of Malta, and the city of Bayamon, Puerto Rico. Is the motto on the Coat of Arms of O´Donnell. Appears in one of the paintings of the Polish artist Zdzisław Beksiński. It has been used in some versions of logo for the brand of cigarettes, Pall Mall. Appears on one of the stickers on the guitar of Alvin Lee, Ten Years After´s frontman, the same guitar he played at The ´69 Woodstock Festival.
ellauri067.html on line 428: Freud´s didactic strategy in his Three Essays on the Theory of Sexuality was to construct a bridge between the "perversions" and "normal" sexuality. Clinically exploring "a richly diversified collection of erotic endowments and inclinations: hermaphroditism, pedophilia, sodomy, fetishism, exhibitionism, sadism, masochism, coprophilia, necrophilia" among them, Freud concluded that "all humans are innately perverse". He found the roots of such perversions in infantile sexuality—in the child´s "polymorphously perverse" inclinations ... the "aptitude" for such perversity is innate.
ellauri069.html on line 495: Recently, I got a subscription to Audible and picked up the George Guidall unabridged audiobook of this dense tome. Unabridged, the book took up 37 hours and 21 minutes. Over about 2 months of commutes and air travel, I finally “read” the book. And that will only be the FIRST reading. I probably absorbed maybe 25% of the meaning (generously) but at least got to hear the sections waxing poetic on calculus, aeronautical engineering, and the nature of creating things. There was also an unexpected amount of graphic sex and other wacky perversions, but I guess that was just a bonus.
ellauri074.html on line 234: If you are interested in personal development or self-help you have heard of Tony Robbins. The self-made peak performance coach has been helping individuals become the best versions of themselves since the early 1980s. He has grown in popularity over his career through books, seminars, infomercials, and podcasts. All of these accomplishments have led Tony Robbins to have a net worth of $500 million dollars in 2021. In this post, we will discuss how Robbins has amassed his wealth and how you can do the same.
ellauri080.html on line 528: Meanwhile, the NE/SI axis is not so trusting of direct experience, which is hardly a mystery, because their perception of reality is introverted, meaning they aren’t interested in direct and photographic reality, but in the ideal versions of experiences abstracted from reality (e.g. Socrates’ search for the overarching ‘idea’ of everyday things like dogs, beds, piety, etc., as opposed to individual instances of these things). This is why, as CelebrityTypes also points out, “The person will also be more careful and meticulous (SI) because there is an unconscious striving to contribute one’s observations to building a system which is valid not just in the here and now, but which is perceived to be true in general: To generate the type of knowledge that could conceivably end up in a future textbook on the subject.” The axis makes use of Ne’s multifaceted nature to accomplish this.
ellauri093.html on line 120: 125 schools and directly resulted in 18,000 Christian conversions, as well as the establishment of more than 300 stations of work with more than 500 local helpers in all eighteen provinces. His CIM opposed the opium culture, stupid fool.
ellauri107.html on line 84: "With clarity and with crudeness, and a great deal of exuberance, the embryonic writer who was me wrote these stories in his early 20s, while he was a graduate student at the University of Chicago, a soldier stationed in New Jersey and Washington, and a novice English instructor back at Chicago following his Army discharge...In the beginning it amazed him that any literate audience could seriously be interested in his story of tribal secrets, in what he knew, as a child of his neighborhood, about the rites and taboos of his clan—about their aversions, their aspirations, their fears of deviance and defection, their embarrassments and ideas of success."
ellauri108.html on line 79: The Spanish language Reina Valera Bible employs "JAH" in 21 instances within the Old Testament according to the Nueva Concordancia Strong Exhaustiva. The Darby Bible, Young's Literal Translation, The Jubilee Bible 2000, Lexham English Bible, The Complete Jewish Bible, Names of God Bible, The Recovery Version, Green's Literal Translation, the New Jewish Publication Society or NJPS Tanakh and World English Bible includes "Jah" (Yah in the Lexham English Bible, Complete Jewish Bible, the NJPS Tanakh and the World English Bible) numerous times within the Old Testament (as well as in the New Testament or New Covenant as is the case in Christian and Messianic Jewish Bibles) as "Hallelujah!" or "Alleluia!" (Praise Jah or Yah in either instance) which is also employed throughout the Old Testament of these Bible versions.
ellauri108.html on line 81: "Hallelujah!" or "Alleluia!" is also used in other Bible versions such as the Divine Name King James Bible, American Standard Version, the Recovery Version, The Tree of Life Version, Amplified Bible, God's Word Translation, Holman Christian Standard Bible, International Standard Version, The Message, New American Bible Revised Edition, The Jerusalem Bible, The New Jerusalem Bible, NJPS Tanakh, The first JPS translation, The Living Bible, The Bible in Living English, Young's Literal Translation, King James Version, The Spanish language Reina Valera and even in Bible versions that otherwise do not generally use the Divine Name such as the New King James Version, English Standard Version, J.B. Phillips New Testament, New International Version, Douay-Rheims Version, God's Word Translation, Revised Standard Version, New Revised Standard Version, The Jubilee Bible 2000, New American Standard Bible, New Century Version, New International Reader's Version and several other versions, translations and/or editions in English and other languages varying from once to numerous times depending on the Bible version especially and most notably in Revelation Chapter 19 in Christian and Messianic Jewish Bibles.
ellauri108.html on line 376: the truth, and all of these versions are a part of the whole. A vision of what happened, is happening, and will happen. My father said, "It's the last quarter before the year 2000 and righteousness-the positive way of thinking must win." As I see it, the year 2000 is based on a Roman system
ellauri111.html on line 737: The serpent power basically tells Hindus the same thing that Satan told Eve in the garden--"ye shall be as gods." Who does not know that Hinduism is pantheistic (saying that "all is god") and teaches that all people are supposedly already god but just have to realize it? The ignorant church people are getting something similar--"panentheism" (God is in everything). They are not hearkening to the Authorized Version of 1611 of the Bible and can therefore be taken by men's words (even if those words are found in unauthorized Bible versions).
ellauri117.html on line 417: Kun Zelda kirjoitti Save Me the Waltzin (1932), oman fiktiivisen versionsa heidän yhteiselämästään Euroopassa, ja lähetti sen Scribner'sille, Fitzgerald oli hyvin vihainen ja onnistui vaikuttamaan kirjan julkaisuun. Hän myös sai Zeldan lääkärit vakuuttumaan, ettei tämän pidä kirjoittaa enempää "materiaalistaan", tarkoittaen heidän suhdettaan.
ellauri140.html on line 142: Dosetti ihaili kovasti Ariostoa ja omisti kirjan Ludovicolle. Numerous adaptations in the form of children's literature have been made – the work was a popular choice in the 19th and early 20th century with over 20 different versions written.
ellauri141.html on line 352: So where am I going with all this? My purpose in quoting the various versions, isn’t to compare and reconcile them, but to give some sense of just how ubiquitous the translations are and to raise the question: Why has this poem endured?
ellauri141.html on line 516: From 1917 he began to experiment with his own versions of Horace. See Thomas Pinney (Ed.) Letters IV pp. 439-40. In 1920, he and a group of friends published Q. Horatii Flacci Carminum Liber Quintus (Horace, Book V) a collection of parodies in English and Latin, which included "A Translation". "Lollius" was specially written for the book, which also included "The Pro-Consuls". See also three later poems linked to stories in Debits and Credits (1926); “The Portent”, “The Survival” and “The Last Ode.”.
ellauri141.html on line 533: The spoof book of late Horace (it refers to contemporary politicians such as Lloyd George, gas masks, land girls, daylight saving, spiritualism, canteens and so on) which came out in 1920, was inspired by a long tradition in English literature and by Kipling’s early imitation odes and Charles Graves’s Hawarden Horace (1894) and More Hawarden Horace (1896, with a delightful introduction by T. E. Page), where felicitous modernising English versions of the Odes (and an Epode) are put in the mouth of Gladstone (251) . A[lfred] D[enis] Godley, for one, had often imagined Greek and Roman authors as still alive and commenting on nineteenth- and twentieth-century Oxford and England. (252) Kipling delighted in humorous verse. In 1917 he had enjoyed Maurice Baring’s Translations (found in a commonplace book) (253) .
ellauri141.html on line 569: The ‘editor’ of the Latin text was the clever versifier A. D. Godley of Oxford. (267) He contributed graceful acknowledgements (268) and a hilarious preface about the (fictitious) manuscripts, which parodies the standard praefatio of an Oxford Classical Text (brown-covered in those days like the spoof). (269) There is a learned apparatus criticus about disputed or variant ms. readings. He did the Latin poems, together with his Oxford colleagues and friends John Powell (270) and Ronald Knox (271) and the Etonian and former Cambridge undergraduate A. B. Ramsay. (272) There is an appendix of alternative Latin versions which the translators obviously could not bear to waste. Kipling contributed a schoolboyish prose version of ‘The Pro-consuls’: ‘the sixth ode, as it seems, rendered into English prose by a scholiast of uncertain period’, which starts:
ellauri144.html on line 210:

Phillu mainizee (175) Mandelin tykänneen Tito Puentesista ja Pupi Camposta niin paljon että muutti nimensä Babaluuxi. (Kolmas nimi on pianisti Joe Loco.) "Babalú" is a Cuban popular afro song written by Margarita Lecuona, the cousin of composers Ernestina and Ernesto Lecuona. The song title is a reference to the Santería deity Babalú Ayé. "Babalú" was the signature song of the fictional television character Ricky Ricardo, played by Desi Arnaz in the television comedy series I Love Lucy, though it was already an established musical number for Arnaz in the 1940s as evidenced in the 1946 film short Desi Arnaz and His Orchestra. By the time Arnaz had adopted the song, it had become a Latin American music standard, associated mainly with Cuban singer Miguelito Valdés, who recorded one of its many versions with Xavier Cugat and his Waldorf-Astoria Orchestra. Arnaz made the song a rather popular cultural reference in the United States.
ellauri152.html on line 587: The plot goes like this: Yentl has secretly studied Torah under her father’s tutelage. She has no interest in marriage, so when he dies, she disguises herself as Anshel and travels to a yeshiva. Along the way she meets a fellow student named Avigdor. They strike up a friendship and Yentl accompanies him to his yeshiva in Bechev, where they become study partners. Avigdor is in love with a girl named Badass, whom he wishes to marry. However, when Badass’s family learns a dark secret about Avigdor’s family, they won’t let him marry her. In desperation, Avigdor begs Anshel to marry Badass in his stead. Yentl initially resists, but eventually gives in and asks for Badass’s hand in order to retain Avigdor’s goodwill. After Anshel and Badass are married, Badass comes to look on her husband with love, but Yentl become more and more upset about the situation. Unable to go on any longer, Yentl asks Avigdor to join her on a business trip. Once they are at an inn in another city, Yentl tells him that she’s a woman. He laughs and doesn’t believe her, so she undresses momentarily. He is shocked. This is where the two versions split.
ellauri153.html on line 500: evil in philosophy and their logical and evidential versions can be defined and mapped:
ellauri158.html on line 389: While pantheism asserts that "all is God", panentheism claims that God is greater than the universe. Some versions of panentheism suggest that the universe is nothing more than the manifestation of God. In addition, some forms indicate that the universe is contained within God, like in the Kabbalah concept of tzimtzum. Also much Hindu thought is highly characterized by panentheism and pantheism. The basic tradition on which Hantta Krause´s concept was built seems to have been Neoplatonic philosophy and its successors in Western philosophy and Orthodox theology.
ellauri163.html on line 398: The older Jewish versions and commentators (e.g., Septuagint, Targums, Saadyah, and RASHI) read this word without the letter - yod, as if written - sheloh, the archaic form for - shelo, his; or, as if it were a poetic form for - shalvah, peace. (Sama sana varmaan kuin ähläm sähläm, tai shaloom.)
ellauri189.html on line 825: And finally we have non-Jews who call themselves Jews, like the Reformists, or Conservatives, and like people who went through Orthodox conversions but didn´t think about keeping the Tora for a second, yet they lied and made a big show to make rabies think they do intend to keep it. They are not Jewish. All they do by calling themselves Jews is confusing people.
ellauri192.html on line 730: Maidan is an originally Persian میدان word for a town square or public gathering place, borrowed into various other languages: Urdu میدان (maidān); Arabic مَيْدَان (maydān); Turkish meydan and Crimean Tatar, from which Ukrainian also borrowed maidan. Its ultimate source is Proto-Indo-European *médʰyos - compare Avestan maiδya, Sanskrit मध्य (madhya) and Latin medius. Various versions include maydan, midan, meydan, majdan, mayadeen and maydān. It also means field (मैदान) in Hindi. It became a loanword in other South Asian languages to give similar means, such as in Tamil in which the word is maidhanam.
ellauri198.html on line 684: The scottish "narrative" or fairy tale about Childe Rowland comes from Danish ballads about Rosmer Halfmand from the 1695 work Kaempe Viser. There were three ballads about Rosmer, who was a giant or merman, stealing a girl whose brother later rescues her. In the first, the characters are the children of Lady Hillers of Denmark, and the sister is named Svanè. In the second, the main characters are Roland and Proud Eline lyle. In the third, the hero is Child Aller, son of the king of Iceland. Unlike the English Roland, the hero of the Danish ballads relies on trickery to rescue his sister, and in some versions they have a juicy incestuous relationship to boot.
ellauri198.html on line 734: The story then shifts to Susannah coming through the magic door to an alternate 1980s New York, where Gary Hart is president. Susannah throws away Roland's gun (which does not function on this side of the door), rejecting the life of a gunslinger, and starts a new life with alternate versions of Eddie and Jake, who in this world are brothers with the surname Toren. They have only very vague memories of their previous journey with Susannah, whose own memories of Mid-World are already beginning to fade. It is implied that an alternate version of Oy, the billy-bumbler, will also join them.
ellauri198.html on line 881: Hyperion, a Fragment is an abandoned epic poem by 19th-century English Romantic poet John Keats. It was published in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820). It is based on the Titanomachia, and tells of the despair of the Titans after their fall to the Olympians. Keats wrote the poem from late 1818 until the spring of 1819, when he gave it up as having "too many Miltonic inversions." He was also nursing his younger brother Tom, who died on 1 December 1818 of tuberculosis.
ellauri217.html on line 702: Accounts of the council are found in Acts of the Apostles chapter 15 (in two different forms, the Alexandrian and Western versions) and also possibly in Paul´s letter to the Galatians (chapter 2). Some scholars dispute that Galatians 2 is about the Council of Jerusalem, while others have defended this identification.
ellauri254.html on line 415: Vuonna 1911 itävaltalainen Hugo von Hofmannsthal julkaisi 1500-luvun tekstin pohjalta oman uusioversionsa Jedermann, jonka otsikko suomeksi kuuluu Jokamies – vanha näytelmä rikkaan miehen kuolemasta. Loppusoinnuin kirjoitetussa tekstissä Jumala ja Piru piru piru tavoittelevat rikkaan Jokamiehen sielua. Kuolema ilmestyy miehelle ja kertoo lopun olevan lähellä. Jokamies yrittää taivutella läheisiään ja Mammonaa mukaansa kuolemaan, mutta lopulta hän kulkeekin rajan yli Uskon ja Hyvien töiden saattelemana.
ellauri264.html on line 373: The song was popularized by the Stanley Brothers, who recorded the song in the 1950s; many other singers recorded versions in the 1960s, most notably by Bob Dylan. Variations of the song have also been recorded under the titles of "Girl of Constant Sorrow" by Joan Baez and by Barbara Dane, "Maid of Constant Sorrow" by Judy Collins, and "Sorrow" by Peter, Paul and Mary. It was released as a single by Ginger Baker´s Air Force with vocals by Denny Laine.
ellauri270.html on line 304: For Jackson, The Lottery is more than a ghost story; “The Daemon Lover” in particular and the collection in general critique a society that fails to protect women from becoming victims of strangers or neighbors. As in “The Lottery,” Jackson’s shocking account of a housewife’s ritualistic stoning, or in “The Pillar of Salt,” which traces a wife’s horror and growing hysteria when she has lost her way, the threatened characters are women. Although many of Jackson’s stories are modern versions of the folk tale of a young wife’s abduction by the devil, and although her characters are involved in terrifying circumstances, the point is that these tales seem true: They are rooted in reality. Thus, Jackson exposes the threat to women’s lives in a society that condones the daemon lover.
ellauri276.html on line 990: Cecil Sharp huomautti, että "Melkein jokainen laulaja tuntee Kaikki iloiset kaverit jotka seuraa auraa: huonot laulajat eivät usein tiedä juurikaan muuta." Ei sillä, että Jeff sopisi tähän kategoriaan tietenkään! Itse asiassa hänen versionsa on epätavallinen, koska siinä on mielenkiintoinen erilainen sävel. Tavallisempi sävelmä on itse asiassa versio kaikkialla esiintyvistä Villikinsistä ja Dinahista. Sharp oli tietysti oikeassa, ja harvassa on kananlaulukokoelmia, jotka eivät sisällä versiota tästä sävelestä.
ellauri368.html on line 318: Hasidism was inspired by Israel ben Eliezer, who was eventually dubbed the Ba'al Shem Tov after he was "revealed" as a wonder-working leader in about 1736. He lived in the Ukraine, where there was a high density of provincial Jewish communities. Two generations after the death of this charismatic leader, his followers printed BeShT (In Praise of the Ba'al Shem Tov, 1815, a Hebrew work consisting primarily of hagiographie tales about wonders of the rebbe, as passed on and eaborated by his disciples. In the same year, stories by Nahman of Bratislav - a great-grandson of the Ba'al Shem Tov - were published by his scribe Nathan Sternharz. Accompanied by Yiddish versions, the Hebrew tales were intended to reach the broadest possible audience.
ellauri371.html on line 636: 4. heinäkuuta 1776 Pena Franklin, Juha Adams ja Tomi Jefferson nimettiin komiteaksi ehdottamaan hyljettä. Jokainen mies ehdotti malleja, Jeffersonin muistutti suuresti Franklinin mallia. Lisäksi konsultiksi kutsuttu taidemaalari Pierre Du Simitière teki oman versionsa. Juha Adamsin kirje 14. elokuuta kuvaili erilaisia ehdotuksia, joten Franklinin oli toimitettu siihen mennessä. Valiokunta esitti mietintönsä 20. päivänä; sinetin toinen puoli, jonka tunnuslause oli E Pluribus Unum, oli pääosin sitä, mitä Du Simitière oli ehdottanut, ja toinen puoli, sitä josta Franklin ja Jefferson olivat sopineet. Kongressi esitti raportin, ja vasta vuonna 1782 nykyinen sinetti hyväksyttiin. Ensimmäisen komitean käsityöstä se säilytti vain latinalaisen moton. (Juhan ehdotus oli mennyt rodeen muitta mutkitta; siinä oli munapäinen mursu ja vähäpukeisia naisia.)
xxx/ellauri068.html on line 107: Borat on hyvin kiistanalainen hahmo, ja hän on aiheuttanut ärtymystä. Muiden muassa Kazakstanin hallitus on pitänyt Boratin komiikkaa pilkkana Kazakstania kohtaan. Lainmuutoksen johdosta Borat joutui siirtämään kotisivunsa pois Kazakstanin .kz-maapäätettä käyttävältä osoitteelta. Kazakstanin presidentin Nursultan Nazarbajevin tytär Dariga Nazarbajeva asettui julkisuudessa puolustamaan Boratia ja mainitsi, että maan johdon raivokkaat vastalauseet vahingoittivat Kazakstan-kuvaa enemmän kuin Boratin huumori. Myös jotkut Yhdysvalloissa toimivat juutalaisjärjestöt ovat hermostuneet Boratin juutalaisvastaisuutta käsittelevistä aiheista. Hän aiheutti myös närää esittämällä rodeo-tapahtumassa oman versionsa Yhdysvaltain kansallislaulusta. Puhuessaan avustajansa kanssa "kazakkia" he todellisuudessa keskustelevat armeniaksi ja hepreaksi.
xxx/ellauri104.html on line 665: The Restructured Clinical scales were designed to be psychometrically improved versions of the original clinical scales, which were known to contain a high level of interscale correlation, overlapping items, and were confounded by the presence of an overarching factor that has since been extracted and placed in a separate scale (demoralization). The RC scales measure the core constructs of the original clinical scales.
xxx/ellauri114.html on line 111: Puolikongolainen suomalainen matupoika kertoo lapsuutensa kokemuxia. Eka koulupäivänä 3 valkonaama poikaa tuli sitä mätkimään pihalla, sillä ei ollut muuta kielitaitoa kuin taskusanakirja mukana. Opettaja tuli väliin, poika ei voinut selittää, mutta 3 muuta poikaa selittivät kyllä suu vaahdossa oman versionsa tapahtumista. Tuloxena oli että mutiainen sai jälki-istuntoa ja opettaja soitti vielä vihaisesti kotiin haukkuen sen vanhempia. Vuosia myöhemmin se ja sen äiti oli Itixessä snagarilla, joku valkolainen mies tuli siihen suuta soittamaan ja heiluttamaan puukkoa. Äiti (valkoinen) sai hysteriakohtauxen, ja puolikongolainenkin pelästy. Onnexi siihen säntäs apuun mustalainen joka taltutti ammattimaisesti harrastelijapuukonheiluttajan. Sellasta on meillä Suomessa.
xxx/ellauri114.html on line 628: This phrase, among the Sayings of Jesus on the cross, is given in these two versions. The Matthean version of the phrase is transliterated in Greek as Ἠλί, Ἠλί, λεμὰ σαβαχθανί. The Markan version is Ἐλωΐ, Ἐλωΐ, λαμὰ σαβαχθανί (elōi rather than ēli and lama rather than lema).
xxx/ellauri114.html on line 630: Overall, both versions appear to be Aramaic rather than Hebrew because of the verb שבק‎ (šbq) "abandon", which is originally Aramaic. The "pure" Biblical Hebrew counterpart to this word, עזב‎ (‘zb) is seen in the second line of Psalm 22, which the saying appears to quote. Thus, Jesus is not quoting the canonical Hebrew version (ēlī ēlī lāmā ‘azabtānī) attributed in some Jewish interpretations to King David cited as Jesus' ancestor in Matthew's Genealogy of Jesus if the Eli, Eli version of Jesus' outcry is taken; he may be quoting the version given in an Aramaic Targum (surviving Aramaic Targums do use šbq in their translations of the Psalm).
xxx/ellauri114.html on line 636: Almost all ancient Greek manuscripts show signs of trying to normalize this text. For instance, the peculiar Codex Bezae renders both versions with ηλι ηλι λαμα ζαφθανι (ēli ēli lama zaphthani). The Alexandrian, Western and Caesarean textual families all reflect harmonization of the texts between Matthew and Mark. Only the Byzantine textual tradition preserves a distinction.
xxx/ellauri122.html on line 988: murder are commonly acknowledged, sexual perversions of
xxx/ellauri125.html on line 624: Munamies (engl. Eggy) on näyttelijä Riku Niemisen luoma ja esittämä sketsihahmo, joka tuli tunnetuksi MTV3-kanavalla lähetettävän Putous-ohjelman toisella tuotantokaudella talvella 2011. Hahmo nousi suureen suosioon, ja Nieminen sai lukuisia sketsihahmoon liittyviä työtarjouksia. Munamies voitti Putoukseen sisältyneen leikkimielisen ”Vuoden sketsihahmo 2011” -kilpailun. Hän sai kilpailun yleisöäänestyksessä neljä prosenttiyksikköä enemmän ääniä kuin kilpailussa toiseksi sijoittunut sketsihahmo, Aku Hirviniemen esittämä ”valvova rakennusmestari” Timo Harjakainen. Yhdessä Putouksen jaksossa Munamies esitti Rajattoman kanssa oman versionsa Mistakesin kappaleesta ”Pidä huolta”, joka tuli sittemmin myytäväksi internetiin. Munamies teki comebackin vuonna 2017 Putouksen 8. kaudella ja lauloi coverin Adelen "Hello"-laulusta. Laulu oli serenadi hänen tyttöystävälleen Muna-Liisalle. Kekä hemmetti on Rajaton?
xxx/ellauri128.html on line 525: He earned his living from writing, particularly popular historical novels such as I, Claudius; King Jesus; The Golden Fleece; and Count Belisarius. He also was a prominent translator of Classical Latin and Ancient Greek texts; his versions of The Twelve Caesars and The Golden Ass remain popular for their clarity and entertaining style. Graves was awarded the 1934 James Tait Black Memorial Prize for both I, Claudius and Claudius the God.
xxx/ellauri154.html on line 203: Practically everyone knows Godard’s classic pronouncement, “All you need for a movie is a girl and a putz,” but a 1989 interview contains one of the more caustic charges Godard levels at cinema, that “Cinema is an ideology based on men living out through their imaginations what they could not do to women.” This chauvinist pig who openly played out his own marital problems with Anna-Kaarina in their collaborations of the ‘60s, now abrazes other toxic males for similar diversions.
xxx/ellauri157.html on line 178: Depending upon the translation used (eg. the Hebrew Transliteration “Eth Cepher”) you may get a clearer view of what actually happened. The Moabites were made to lie down upon the the ground. They were measured. Those measuring one length of cord were spared but the giants - a hybrid breed were executed. This is in keeping with the killing of the charge hybrids Goliath of Gath and his brothers. Please note that Og of Bashan was a giant, as were the Rephaim and the Anakin Skywalker. The Book of Echinococh as recommended by Peter, Paul and Mary explains further who “the sons of God” actually were and really clarifies Genesis 6 and why our Mighty Mouse had to destroy the earth. The “sons of God” were not human and hence their offspring were no longer a scale image of God (who had shrunk a lot like a leaky balloon due to all the emanation) so they could never have salivation. The Eth Cepher gives a much clearer translation of the Hebrew than the English versions and so we see that the decimated gorillas were quite malevolent towards God and His more recently created short order cooks - especially people.
xxx/ellauri157.html on line 347: Could there possibly be a connection between Scholem’s own confession of moral confusion and his treatment of Frank. Did he see something of himself in Frank, who was accused of various sexual perversions, and recoil in horror? While there can be no definitive answer to this question, considering Scholem’s emotional life from the years in which he was writing this pathbreaking essay creates the possibility of a new reading.
xxx/ellauri165.html on line 215: In all versions of the song, Mary Hamilton is a personal attendant to the Queen of Scots, but precisely which queen is not specified. She becomes pregnant by the Queen's husband, the King of Scots, which results in the birth of a baby. Mary kills the infant – in some versions by casting it out to sea or drowning, and in others by exposure. The crime is seen and she is convicted. The ballad recounts Mary's thoughts about her life and her impending death in a first-person narrative.
xxx/ellauri165.html on line 286: Most versions of the song are set in Edinburgh, but Joan Baez set her version, possibly the best known, in Glasgow.
xxx/ellauri165.html on line 294: In many versions of the song, the queen is called "the auld Queen". This would normally indicate a Queen Dowager or Queen Mother, but in this context suggests a queen consort who was an older woman, and married to a king of comparable age. If the reference is limited to Queens named Mary, another candidate would be Mary of Guelders (1434–1463), queen to James II, King of Scots.
xxx/ellauri179.html on line 181: Whereas Hemingway wrote passionately about boxing and his own prowess, others, like Dempsey, saw something else. “There were a lot of Americans in Paris and I sparred with a couple, just to be obliging,” the Champ said. “But there was one fellow I wouldn’t mix it with. That was Ernest Hemingway. He was about twenty-five or so and in good shape, and I was getting so I could read people, or anyway men, pretty well. I had this sense that Hemingway, who really thought he could box, would come out of the corner like a madman. To stop him, I would have to hurt him badly, I didn’t want to do that to Hemingway. That’s why I never sparred with him.” Hemingway’s frequent sparring partner and fellow writer Morley Callaghan offered another sobering account of his training partner, saying, “we were two amateur boxers. The difference between us was that Ernie had given time and imagination to boxing; I had actually worked out a lot with good fast college boxers.” I had never seen Mr. Hemingway box, of course. But I will say this: the confidence of mediocre men is a fucking superpower. I have met many versions of this guy. Hell, I’ve sparred with the dude myself.
xxx/ellauri179.html on line 199: But if Hemingway’s conversions were sincere — and there is little reason to think they were not — then his “cod” is not based on the agnosticism of a disillusioned existentialist, but rather on the comprehensive, universal affirmation of Christianity.
xxx/ellauri186.html on line 230: The general of Tomyris's army, Spargapises, who was also her son, and a third of the Massagetian troops, killed the group Cyrus had left there and, finding the camp well stocked with food and the wine, unwittingly drank themselves into inebriation, diminishing their capability to defend themselves when they were then overtaken by a surprise attack. They were successfully defeated, and, although he was taken prisoner, Spargapises committed suicide once he regained sobriety. Upon learning of what had transpired, Tomyris denounced Cyrus's tactics as underhanded and swore vengeance, leading a second wave of troops into battle herself. Cyrus the Great was ultimately killed, and his forces suffered massive casualties in what Herodotus referred to as the fiercest battle of his career and the ancient world. When it was over, Tomyris ordered the body of Cyrus brought to her, then decapitated him and dipped his head in a vessel of blood in a symbolic gesture of revenge for his bloodlust and the death of her son. However, some scholars question this version, mostly because even Herodotus admits this event was one of many versions of Cyrus's death that he heard from a supposedly reliable source who told him no one was there to see the aftermath.
xxx/ellauri208.html on line 586: "Beautiful Isle of Somewhere" is a song with words by Jessie Brown Pounds and music by John Sylvester Fearis, written in 1897. The song gained huge popularity when it was used in William McKinley's funeral. It was subsequently a staple at funerals for decades, and there are dozens of recorded versions.
xxx/ellauri228.html on line 613: Charlie Parsons developed The Robinsonian format in 1994 for United Kingdom, but the Swedish debut in 1997 was the first production to actually make it to television. The winner (vinnare) Ingvar S. Melin was a success, he married Camilla Läckberg (an even bigger success), and plans for international versions were made. An American version called Survivor started in 2000. Note the telltale change of numerus: from many survivors there remains just one. Monopoly in the jungle without a board.
xxx/ellauri229.html on line 81: Works of John Sergeant, electronic. I began a project in my spare time of editing and cleaning up extant electronic versions of the works of the early modern philosopher and theologian, John Sergeant (1623-1707). The most famous and most easily available are his Method to Science (1696), Solid Philosophy (1697), and Transnatural Philosophy (1700). You can go to the “John Sergeant” link in the menu to see what chapters and sections are available thus far.
xxx/ellauri250.html on line 567: Failing to break into the military world, Bukowski grew disillusioned with the publication process and quit writing for almost a decade, a time that he referred to as a "ten-year drunk". These "lost years" formed the basis for his later semiautobiographical chronicles, fictionalized versions of Bukowski's life through his highly stylized alter-ego, Henry Chinaski.
xxx/ellauri268.html on line 168: Faithfullin musiikkiura alkoi vuonna 1964, kun hänen versionsa Mick Jaggerin ja Keith Richardsin laulusta "As Tears Go By" julkaistiin singlenä jo ennen kuin Rolling Stones levytti versionsa, samana vuonna kuin Nikita Krutsov menetti paikkansa. Hänet on myös nähty Todella upeeta -sarjassa vierailevana tähtenä 1996–2001 (jaksot Last Shout 1 & 2, Donkey). Hän esitti Jumalaa ja toinen Rolling Stones -tyttö Anita Pallenberg oli piru. God was here but she left early. (Putin ei muuten oikein niellyt episkopaalien hiljan ehottamaa munatonta jumalaa.) Hiän on kai tästä jumalanpilkasta seuranneesta rintasyövästä huolimatta yhä elossa, vaikka litteämpänä, oktaavia alempana ja karheampana.
xxx/ellauri268.html on line 507: In 2001, Sedaris was awarded the Thumber Prize for American Humor and named Humorist of the Year by Time magazine. He has also earned three Grammy nominations for audio versions of his works, and in 2008 he was awarded an honorary doctorate by Binghamton University in New York.
xxx/ellauri312.html on line 648: versions of ourselves, for example sitting on the toilet seat with somebody's erect pecker in the hand.
xxx/ellauri410.html on line 150: In brief, “The Columbiad,” as Eliot also calls it, begins in Spain, where Columbo dines in with the King and Queen. Queen Isabella “pricks” Columbo’s navel; in response, he defecates on the table. Columbo takes the Queen with him on his voyage, buggers his mates, and finds, in what is now Cuba, King Bolo and BBQ. The setting shifts to the Philippines and then to London, first to the suburb of Golders Green, and then to Russell Square, where Eliot launches the Bolovian Club luncheons. An important upshot of all the whoring is a bastard son named Boloumbo, who presumably begins the European line of ancestry. The rest of the “epic” documents contain Prof. Krapp’s (et al.) and Eliot’s research on the ancient history of the Bolovians, who originate somewhere in South America. Not only the locations, but also the tables have been turned. The “scholarship” reveals that Bolovian behavior and characteristics are the sources of many modern Western traditions, including the wearing of bowler hats. Bolovians practiced Wuxianity, a religion with two gods (or more, depending on the interpretation), anticipating the divine/ human controversy in Christology. Their language, in which Eliot has learned to sing the Bolovian anthem, predates the Indo-European pronunciations of “W,” a combination of the “Greek Ksi” and the “German schsh” (Letters III 730). Eliot’s verses borrow from many versions of Christopher Columbus and his adventures. “Columbo” is a common misspelling for “Colombo,” which is Italian and Portuguese for “Columbus.” Many children know, “In fourteen hundred and ninety-two, Columbus sailed the ocean blue,” but others may know some of the sailors’ ditties or military songs, one of which has the following chorus:
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