ellauri051.html on line 1067: 477 Endless unfolding of words of ages! 477 Aikojen sanojen loputon avautuminen!
ellauri063.html on line 212: If a Mogwai gets wet, it spawns new Mogwai from its back; small balls of fur that are approximately the size of a marble pop out from the wet Mogwai's back, then the furballs start to grow in size before unfolding themselves into new and fully grown Mogwai. This process does not take much time but it still usually takes just about a minute. According to the novel, the creator of the species, Mogturmen, wanted the Mogwai to be able to easily reproduce themselves. The cocoon and gremlin stage are unwanted defects from when the Mogwai species was created. It turned out that all the positive attributes are recessive.
ellauri150.html on line 492: The story recounts the adventures of Judah Ben-Hur, a Jewish prince from Jerusalem, who is enslaved by the Romans at the beginning of the first century and becomes a charioteer and a Christian. Running in parallel with Judah's narrative is the unfolding story of Jesus, from the same region and around the same age. The novel reflects themes of betrayal, conviction, and redemption, with a revenge plot that leads to a story of gay love and compassion.
ellauri223.html on line 157: The novel depicts a mythical island, Bensalem, which is discovered by the crew of a European ship after they are lost in the Pacific Ocean somewhere west of Peru. The minimal plot serves the gradual unfolding of the island, its customs, but most importantly, its state-sponsored scientific institution, Salomon's House, "which house or college ... is the very eye of this kingdom."
ellauri245.html on line 489: Lake Lyseren has a key role in the murder mystery unfolding in the Norwegian detective thriller "The Leopard". Some episodes in the book feature police detectives from cosmopolitan Oslo coming to conduct investigations in the rural environment of Lyseren.
xxx/ellauri379.html on line 117: But it’s overly reductive to boil Heart of Darkness down to the commonalities it shares with Conrad’s own experiences. It would be useful to examine its elements crucial to the emergence of modernism: for example, Conrad’s use of multiple narrators; his couching of one narrative within another; the story’s achronological unfolding; and as would become increasingly clear as the 20th century progressed, his almost post-structuralist distrust in the stability of language. At the same time, his story pays homage to the Victorian tales he grew up on, evident in the popular heroism so central to his story’s narrative. In that sense, Heart of Darkness straddles the boundary between a waning Victorian sensibility and a waxing Modernist one.
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