ellauri030.html on line 898: Sigmund Freud noticed that humor, like dreams, can be related to unconscious content. In the 1905 book Jokes and Their Relation to the Unconscious (German: Der Witz und seine Beziehung zum Unbewußten), as well as in the 1928 journal article Humor, Freud distinguished contentious jokes from non-contentious or silly humor.
ellauri048.html on line 1320: O somewhere, meek, unconscious dove, Hohhoo, jossain nöyrä, tajuntansa menettänyt kyyhky,
ellauri051.html on line 358: The tendency in savages to imagine that natural objects and agencies are animated by spiritual or living essences, is perhaps illustrated by a little fact which I once noticed: my dog, a full grown and very sensible animal, was lying on the lawn during a hot and still day; but at a little distance a slight breeze occasionally moved an open parasol, which would have been wholly disregarded by the dog, had any one stood near it. As it was, every time that the parasol slightly moved, the dog growled fiercely and barked. He must, I think, have reasoned to himself in a rapid and unconscious manner, that movement without any apparent cause indicated the presence of some strange living agent, and no stranger had a right to be on his territory. (Darwin)
ellauri052.html on line 755: At length Gerald lay back inert on the carpet, his breast rising in great slow panting, whilst Birkin kneeled over him, almost unconscious. Birkin was much more exhausted. He caught little, short breaths, he could scarcely breathe any more. The earth seemed to tilt and sway, and a complete darkness was coming over his mind. He did not know what happened. He slid forward quite unconscious, over Gerald, and Gerald did not notice. Then he was half-conscious again, aware only of the strange tilting and sliding of the world. The world was sliding, everything was sliding off into the darkness. And he was sliding, endlessly, endlessly away.
ellauri052.html on line 765: Birkin heard the sound as if his own spirit stood behind him, outside him, and listened to it. His body was in a trance of exhaustion, his spirit heard thinly. His body could not answer. Only he knew his heart was getting quieter. He was divided entirely between his spirit, which stood outside, and knew, and his body, that was a plunging, unconscious stroke of blood.
ellauri055.html on line 38: In Greek mythology, Comus (Ancient Greek: Κῶμος) is the god of festivity, revels and nocturnal dalliances. He is a son and a cup-bearer of the god Dionysus. Comus represents anarchy and chaos. His mythology occurs in the later times of antiquity. During his festivals in Ancient Greece, men and women exchanged clothes. He was depicted as a young man on the point of unconsciousness from drink. He had a wreath of flowers on his head and carried a torch that was in the process of being dropped. Unlike the purely carnal Pan or purely intoxicated Dionysos, Comus was a god of excess.
ellauri073.html on line 182: This child had an amazing ability to perceive and respond intuitively, that is, unconsciously, to this need of the mother or of both parents, for him to take on the role that had unconsciously been assigned to him.
ellauri080.html on line 528: Meanwhile, the NE/SI axis is not so trusting of direct experience, which is hardly a mystery, because their perception of reality is introverted, meaning they aren’t interested in direct and photographic reality, but in the ideal versions of experiences abstracted from reality (e.g. Socrates’ search for the overarching ‘idea’ of everyday things like dogs, beds, piety, etc., as opposed to individual instances of these things). This is why, as CelebrityTypes also points out, “The person will also be more careful and meticulous (SI) because there is an unconscious striving to contribute one’s observations to building a system which is valid not just in the here and now, but which is perceived to be true in general: To generate the type of knowledge that could conceivably end up in a future textbook on the subject.” The axis makes use of Ne’s multifaceted nature to accomplish this.
ellauri089.html on line 627: § 106. but in order fairly to decide upon the intrinsic value of virtue, we must distinguish three different kinds of disposition, each of which is commonly so called and has been maintained to be the only kind deserving the name. Thus (a) the mere unconscious "habit" of performing duties, which is the commonest type, has no intrinsic value whatsoever; Christian moralists are right in implying that mere "external rightness" has no intrinsic value, though they are wrong in saying that it is therefore not "virtuous", since this implies that it has no value as a means. …
ellauri097.html on line 802: Robert Frost, often regarded as a folksy farmer-poet, was also a more profound, even terrifying, creator. His poem "The Road Not Taken" reveals his delight in multiple meanings, his ambivalence, and his penchant for misleading his readers. He denied that the poem proclaimed his striving for the unconventional and asserted that it was meant to tease his friend Edward Thomas for his compulsive indecisiveness. This essay also notes the unconscious meanings of the poem, including Frost's reactions to losing his close friend, his own indecisiveness, his conflict between heterosexual and homosexual object choices, his need for a "secret sharer," and his attachments. J Glenn. Psychoanal Study Child. 2001.
ellauri117.html on line 253: At length Gerald lay back inert on the carpet, his breast rising in great slow panting, whilst Birkin kneeled over him, almost unconscious. Birkin was much more exhausted. He caught little, short breaths, he could scarcely breathe any more. The earth seemed to tilt and sway, and a complete darkness was coming over his mind. He did not know what happened. He slid forward quite unconscious, over Gerald, and Gerald did not notice. Then he was half-conscious again, aware only of the strange tilting and sliding of the world. The world was sliding, everything was sliding off into the darkness. And he was sliding, endlessly, endlessly away.
ellauri117.html on line 263: Birkin heard the sound as if his own spirit stood behind him, outside him, and listened to it. His body was in a trance of exhaustion, his spirit heard thinly. His body could not answer. Only he knew his heart was getting quieter. He was divided entirely between his spirit, which stood outside, and knew, and his body, that was a plunging, unconscious stroke of blood.
ellauri147.html on line 160: Gilles Deleuze also emphasized the connection between the will to power and eternal return. Both Jacques Derrida and Gilles Deleuze were careful to point out that the primary nature of will to power is unconscious.
ellauri155.html on line 367: While the United States faces the greatest immigration crisis in its history, the department of Customs and Border Protection is forcing Border Patrol agents and other staff to undergo “unconscious bias” training, according to reports.
ellauri155.html on line 368: The Washington Free Beacon reports that agents are today being educated on “the impact of stereotypes and unconscious biases” in a seminar hosted by Susan Fleming, who is described as an “expert in gender bias”. In other words, its some woke bullshit re-education camp.
ellauri155.html on line 370: Speaking to the Beacon, an anonymous Department of Homeland Security official commented “CBP doesn’t have the people to properly patrol our nation’s borders but we do have the time to step away from work hours to have a conversation on unconscious bias. It is high time to replace any wimpy inconscious biases with honest-to-God conscious ones.”
ellauri159.html on line 1001: Ss are concrete thinkers, placing more trust in experience than in flashes of insight. They’re more interested in sensory data than in the patterns perceived by the unconscious mind. Ss tend to be intellectually content—they want to enjoy the world.
ellauri159.html on line 1004: Ns are abstract thinkers, placing more trust in flashes of insight than in experience. They’re less interested in sensory data than in the patterns perceived by the unconscious mind. Ns tend to be intellectually restless—they want to change the world.
ellauri159.html on line 1169: You may burn bright during the early stages of a project but fade before they reach the end. To avoid this pattern, take periodic breaks. Spend time with friends. Let the subject percolate in your unconscious mind. You’ll come back to the project with new inspiration for that final push toward completion. Basically, be lazy, it pays off.
ellauri159.html on line 1207: According to PersonalityDesk.com, INFJs are the Myers-Briggs type most likely to express marital dissatisfaction. When I first read this, it puzzled me. After all, INFJs are adept at solving problems involving people. In fact, INFJs are so good at solving problems that they may unconsciously scan their environment looking for ways to improve relationships. This, I think, is what leads to the dissatisfaction.
ellauri159.html on line 1238: Enjoy making decisions! No need to respond to new data once you’ve got a clear, big-picture view of the topic. Others may seek feedback from you but do not give it, nor act on other people´s feedback, rely instead on your own judgment. This strategy can cause you to miss unimportant information — a drawback no real Marshal finds mortifying. Be aware of this tendency before you start unconsciously fighting it.
ellauri180.html on line 123: This journal will help you envision your ideal life and then identify the unconscious attachments that are preventing you from living it. Through a series of writing prompts and exercises as well as some of Brianna’s favorite quotes, most popular articles, and new passages, it will help you sort through the conflicting thoughts, feelings, and fears that are preventing you from becoming the person you want and need to be. You do not need more motivation or drive to start building the life of your dreams. You need to better understand who you are, why you keep re-creating comfortable pain patterns, and why you may not really want what is it you think you do.
ellauri210.html on line 1318: In the remaining quarter of the text, André distances himself from her corporeal form and descends into a meandering rumination on her absence, so much so that one wonders if her absence offers him greater inspiration than does her presence. It is, after all, the reification and materialization of Nadja as an ordinary person that André ultimately despises and cannot tolerate to the point of inducing tears. There is something about the closeness once felt between the narrator and Nadja that indicated a depth beyond the limits of conscious rationality, waking logic, and sane operations of the everyday. There is something essentially “mysterious, improbable, unique, bewildering” about her; this reinforces the notion that their propinquity serves only to remind André of Nadja's impenetrability. Her eventual recession into absence is the fundamental concern of this text, an absence that permits Nadja to live freely in André's conscious and unconscious, seemingly unbridled, maintaining her paradoxical role as both present and absent. With Nadja's past fixed within his own memory and consciousness, the narrator is awakened to the impenetrability of reality and perceives a particularly ghostly residue peeking from under its thin veil. Thus, he might better put into practice his theory of Surrealism, predicated on the dreaminess of the experience of reality within reality itself. Nadja Nadja soromnoo.
ellauri222.html on line 493: Agnes Kuttner is a friend of Stella’s in New York and the mistress of Mintouchian, Agnes is kept in a grand, luxurious style. Yet, she is still so ruthless in her pursuit of money that she fakes a mugging in Central Park, choking herself unconscious, so that she can collect insurance money.
ellauri222.html on line 999: 7-year-old Megan Kanka is abducted, raped, and murdered by twice-convicted sex offender Jesse Timmendequas. Timmendequas had previously pleaded guilty to the attempted sexual assault of a 5-year-old girl in 1979 and the sexual assault of a 7-year-old girl in 1981; the second victim was choked until she was unconscious. He served a 9-month sentence in a correctional facility for the attempted assault. For the second offense, he served 6 years of a 10-year term in a correctional center meant specifically to treat male sex offenders.
ellauri236.html on line 202: In a book like No Orchids one is not, as in the old-style crime story, simply escaping from dull reality into an imaginary world of action. One's escape is essentially into cruelty and sexual perversion. No Orchids is aimed at the power-instinct, which Raffles or the Sherlock Holmes stories are not. At the same time the English attitude towards crime is not so superior to the American as I may have seemed to imply. It too is mixed up with power-worship, and has become more noticeably so in the last twenty years. A writer who is worth examining is Edgar Wallace, especially in such typical books as The Orator and the Mr. J. G. Reeder stories. Wallace was one of the first crime-story writers to break away from the old tradition of the private detective and make his central figure a Scotland Yard official. Sherlock Holmes is an amateur, solving his problems without the help and even, in the earlier stories, against the opposition of the police. Moreover, like Lupin, he is essentially an intellectual, even a scientist. He reasons logically from observed fact, and his intellectuality is constantly contrasted with the routine methods of the police. Wallace objected strongly to this slur, as he considered it, on Scotland Yard, and in several newspaper articles he went out of his way to denounce Holmes by name. His own ideal was the detective-inspector who catches criminals not because he is intellectually brilliant but because he is part of an all-powerful organization. Hence the curious fact that in Wallace's most characteristic stories the ‘clue’ and the ‘deduction’ play no part. The criminal is always defeated by an incredible coincidence, or because in some unexplained manner the police know all about the crime beforehand. The tone of the stories makes it quite clear that Wallace's admiration for the police is pure bully-worship. A Scotland Yard detective is the most powerful kind of being that he can imagine, while the criminal figures in his mind as an outlaw against whom anything is permissible, like the condemned slaves in the Roman arena. His policemen behave much more brutally than British policemen do in real life — they hit people with out provocation, fire revolvers past their ears to terrify them and so on — and some of the stories exhibit a fearful intellectual sadism. (For instance, Wallace likes to arrange things so that the villain is hanged on the same day as the heroine is married.) But it is sadism after the English fashion: that is to say, it is unconscious, there is not overtly any sex in it, and it keeps within the bounds of the law. The British public tolerates a harsh criminal law and gets a kick out of monstrously unfair murder trials: but still that is better, on any account, than tolerating or admiring crime. If one must worship a bully, it is better that he should be a policeman than a gangster. Wallace is still governed to some extent by the concept of ‘not done’. In No Orchids anything is ‘done’ so long as it leads on to power. All the barriers are down, all the motives are out in the open. Chase is a worse symptom than Wallace, to the extent that all-in wrestling is worse than boxing, or Fascism is worse than capitalist democracy.
ellauri285.html on line 228: I cannot get into these issues here, but there is mounting empirical evidence of complex unconscious mental phenomena guiding complex social behaviour and goal pursuit (for a good overview, see Hassin, et al 2004). Matelijan aivot rulettaa! Jasun transitiivisuusaxiooma failaa, Mirjam huomauttaa, mutta ei se mitään, failaa se muutenkin.
ellauri342.html on line 436: Into one unconscious jest yhteen tajuttomaan läppään,
ellauri362.html on line 289: "Tom and Jerry" was a commonplace phrase for young men given to drinking, gambling, and riotous living in 19th-century London, England. The term comes from Life in London; or, The Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant friend, Corinthian Tom (1821) by Pierce Egan, the British sports journalist who authored similar accounts compiled as Boxiana. However Brewer notes no more than an "unconscious" echo of the Regency era, and thus Georgian era, origins in the naming of the cartoon.
xxx/ellauri044.html on line 430: soul, thus assimilating and integrating the projections of the unconscious. They
xxx/ellauri044.html on line 432: believes,20 but symbols produced from the depth of Sinclair‘s unconscious.
xxx/ellauri044.html on line 437: All symbols and rites, the treasury of ideals of mankind, have their origin in the unconscious of the soul, meditates Sinclair.
xxx/ellauri157.html on line 508: Hesse’s personal experience with psychoanalysis began when he sought therapy and refuge in a sanatorium after his father’s death in 1916, his first wife’s schizophrenia, and a serious illness of his son, Martin (not Mordechai). This began a long obsession with psychoanalysis, the influence of which appears in Demian (1919) and in his later work, which evidences his interest in Jungian concepts of introversion and extraversion, the collective unconscious, idealism, and the duality of human nature.
xxx/ellauri179.html on line 117: After some exploring, Abel discovers an enchanting forest where he hears a strange bird-like singing. His Indian friends avoid the forest because of its evil spirit-protector, "the Daughter of the Didi." Persisting in the search, Abel finally finds Rima the Bird Girl. She has dark hair, a smock of spider webs, and can communicate with birds in an unknown tongue. When she shields a coral snake, Abel is bitten and falls unconscious.
xxx/ellauri225.html on line 359: But Bloom’s insights don’t resonate deeply. He is too obsessed with comparing and contrasting, rather than allowing his responses to touch us deeply. He repeats his theory that poets always wrestle with the work of the poets that have come before them, either unconsciously or consciously, and then struggle to find their own voice in reaction to what has come before. There is something anti-transformative about his assertions, often tangled up with incomprehensible jargon.
xxx/ellauri268.html on line 366: Still, Jewish stereotypes and prejudice persist. That is reflected, and to some degree advanced, by fictional narratives and imagery that (unconsciously or otherwise) associate goodness with Christian charity and evil with supposed Jewish greed. In his "lighthearted" criticism of Rowling, Stewart reminded us that our fantasies remain structured around antisemitism. As long as that’s the case, Jewish people will be at risk, and defeating Voldemort will be that much harder.
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