ellauri050.html on line 242: With our Lady-Mother’s vagrant tresses, luontoäidin sekaisissa hiuxissa,
ellauri052.html on line 953: Oppressed and heavy-hearted, Bellow resorted to subtle concealment of competing mistresses, moved around like a man on the run and needed bursts of frenetic activity, “even if it means constant trips to Japan, London, Yugoslavia or Israel to keep one jump ahead” of his emotional entanglements.
ellauri052.html on line 960: During an awkward sexual encounter with Harriet Wasserman, she remembered “asking him for permission, as if it were a museum objet d’art, ‘Can I touch this?’” Many of his mistresses remained in love and in touch with him. Scott Fitzgerald said that Hemingway “needed a new woman for each big book”; Bellow lost a woman with each big book. He spilled sperm as he spilled ink, and sex both interfered with and inspired his writing. Bellow created and lived on turbulence, thrived on chaos, courted conflict and was inspired by personal cataclysm. He reported that one lover (mies vai nainen?) “caused me grandes dificultades in England and in the south, but I finished Sammler just the same.” The bearers of erogenous zones (either sex) made him feel younger, “it was a way of avoiding the Angel of Death,” and he cherished their provocative bitchiness. Bellow’s emotional upheavals — his guilt and remorse, multitudinous failings and need for self-condemnation — made him beat his breast at his private Wailing Wall. Se oli kuin kunkku David jolle tuotiin neitosia pyllynlämmittimixi.
ellauri053.html on line 152: The term 'Pre-Raphaelite' conjures up visions of tall, willowy creatures with pale skin, flowing locks, scarlet lips, and melancholic expressions. The paintings of these models and muses, who were often the artists' wives and mistresses, defied Victorian standards of beauty and caused much controversy.
ellauri062.html on line 294: The American Library Association (ALA) lists The Handmaid´s Tale as number 37 on the "100 Most Frequently Challenged Books of 1990–2000". The book was called anti-Christian and pornographic by parents after being placed on a reading list for secondary students in Texas in the 1990s, because the book is "sexually explicit, violently graphic and morally corrupt". Some parents thought the book is “detrimental to Christian values". Poor quality literature that stresses suicide, illicit sex, violence, and hopelessness". Profanity, lurid passages about sex, and statements defamatory to minorities, God, women, and the disabled.
ellauri063.html on line 288: Aphra Behn (/ˈæfrə bɛn/;[a] bapt. 14 December 1640[1] – 16 April 1689) was an English playwrightess, poetess, translatress and fiction waitress from the Restoration era. As one of the first Englishwomen to earn her living by her writing, she broke glass ceilings as a mannequin for later auctresses. Lusťs Dominion relies on the racist stereotype of the lustful, scheming, and bloodthirsty Moor, with the new Prince Philip ordering the expulsion of all the immigrant Moors from Spain because of their wickedness.
ellauri089.html on line 81: Veneeriset alienit on kaikki naisia ja kovia kokkaajia. Harsh mistresses. Mutta feminiinisiä. Ei mitään rekkalesboja.
ellauri093.html on line 313: Therefore, there is no formal ordination process for those who preach, teach, or lead within their meetings. Males who become eiders have been given the blessing of performing leadership tasks by older eider males. Females need not apply. They do duty as eiderdown mattresses and blankets.
ellauri109.html on line 709: Dryden's poem, "An Essay upon Satire," contained a number of attacks on King Charles II, his mistresses and courtiers, but most pointedly on the Earl of Rochester, a notorious womaniser. Rochester responded by hiring thugs who attacked Dryden whilst walking back from Will's Coffee House (a popular London coffee house where the Wits gathered to gossip, drink and conduct their business) back to his house on Gerrard Street. Dryden survived the attack, offering £50 for the identity of the thugs placed in the London Gazette, and a Royal Pardon if one of them would confess. No one claimed the reward.
ellauri119.html on line 148: In the season one episode "The Londinium Larcenies," Lady Prudence remarks to Robin that she received an MS in finishing school. He wonders what an MS is, and she says that it is a Mistresses of Shoplifting, to which Robin remarks "holy contributing to the delinquency of minors!"
ellauri119.html on line 497: However, Sternberg cautions that maintaining a consummate love may be even harder than achieving it. He stresses the importance of translating the components of love into action. "Without expression," he warns, "even the greatest of loves can die." Thus, consummate love may not be permanent.[citation needed] If passion is lost over time, it may change into companionate love. Consummate love is the most satisfying kind of adult relation because it combines all pieces of the triangle into this one type of love. It is the ideal kind of relationship. These kinds of relationships can be found over long periods of time or idealistic relationships found in movies.
ellauri143.html on line 451: What's the worth of shaven head or tresses long,

ellauri144.html on line 323: His greatest successes were in musical comedy revues, typically featuring actresses in deshabillé, such as As the Girls Go (which also starred Clark) and Michael Todd's Peepshow (Kuoleman tirkistelyesitys, vanhentunut).
ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed.
ellauri164.html on line 96: Que de malices dans l’attention dans la campagne… Satan, Ferdinand, court avec les graines sauvages… Jésus marche sur les ronces purpurines, sans les courber… Jésus marchait sur les eaux irritées. La lanterne nous le montra debout, blanc et des tresses brunes, au flanc d’une vague d’émeraude…
ellauri171.html on line 931: The last Bronze Age king of Ugarit, Ammurapi (circa 1215 to 1180 BC), was a contemporary of the last known Hittite king, Suppiluliuma II. Ammurapi oli amoriitti kuten esi-isänsä Hammurabi (1792 BC to c. 1750), se Babylonian silmä silmästä, hammas hampaasta kaveri. The exact dates of his reign are unknown. However, a letter by the king is preserved, in which Ammurapi stresses the seriousness of the crisis faced by many Near Eastern states due to attacks (but by whom?). Ammurapi pleads for assistance from the king of Alashiya, highlighting the desperate situation Ugarit faced:
ellauri192.html on line 117: Combien de maîtresses de maison lui demandérent-elles, à titre de faveur insigne, de dire à leurs invités le Vase brisé? Elles ne se doutaient pas que si l’homme du monde s’exécutait, après les résistances d’usage, le poéte grondait en dedans à la pensée de débiter une fois de plus cet éternel “pot cassé” qu’il avait fini par prendre en horreur. “Qu’il se brise sur leur nez, ce vase!” s’écriait-il dans un accés de fureur.
ellauri198.html on line 136: Warren’s poetry is written “in a genuinely expansive, passionate style. Look at its prose ease and rapidity oddly qualified by log-piling compounds, alliteration, successive stresses, and an occasional inversion something rough and serviceable as a horse-blanket yet fancy to—and you wonder how he ever came up with it. It is excitingly massive and moulded and full of momentum. Echoes of Yeats and Auden still persist, but it is wonderfully peculiar, homemade.” His language is robust and rhetorical. He likes his adjectives and nouns to go in pairs, reinforcing one another.
ellauri222.html on line 773: Some common synonyms of gay are animated, lively, sprightly, and vivacious. While all these words mean "keenly alive and spirited," gay stresses complete freedom from care and overflowing spirits. the gay spirit of Paris in the 1920s. Bellow and his gay chummies in Chicago.
ellauri257.html on line 504: Still, Singer was a married man, but not to Runia (Rachel) Pontsch, who in 1929 gave birth to a son, Israel Zamir, Singer's only child. In Warsaw, before immigrating to the United States, he had a child out of wedlock with one of his mistresses, Runia Shapira, a rabbi’s daughter. She was a Communist expelled from the Soviet Union for her Zionist sympathies. In his 1995 memoir, “A Journey to My Father, Isaac Bashevis Singer,” Zamir recounts how he and his mother ended up in Palestine. But since Singer and Runia separated when Zamir (born in 1929) was little, the report is almost totally deprived of a domestic portrait.
ellauri302.html on line 294: Are you cold, Rifkele darling? Nestle close to me... Ever so close... Warm yourself next to me. So. Come, let's sit down here on the lounge. (Leads Rifkele to a lounge; they sit down.) Just like this... Now rest your face snugly in my bosom. So. Just like that. And let your body touch mine... It's so cool... as if water were running between us. (Pause.) I uncovered your breasts and washed them with the rainwater that trickled down my arms. Your breasts are so white and soft. And the blood in them cools under the touch, just like white snow, — like frozen water... and their fragrance is like the grass on the meadows. And I let down your hair so... (Buns her fingers through RifkeWs hair.) And I held them like this in the rain and washed them. How sweet they smell... Like the rain itself... (She huries her face in Rifkele's hair.) Yes, I can smell the scent of the May rain in them... So light, so fine... And fresh... as the grass on the meadows... as the apple on the bough... So. Cool me, refresh me with your tresses. (She washes her face in Rifkele^s hair.) Cool me, — so. But wait... I'll comb you as if you were a bride... a nice part and two long, black braids. (Does so.) Do you want me to, Rifkele? Do you?
ellauri322.html on line 367: Here I met with an intelligent literary man, who was anxious to gather information from me relative to the past and present situation of France. The newspapers printed at Copenhagen, as well as those in England, give the most exaggerated accounts of their atrocities and distresses, but the former without any apparent comments or inferences. Still the Norwegians, though more connected with the English, speaking their language and copying their manners, wish well to the Republican cause, and follow with the most lively interest the successes of the French arms. So determined were they, in fact, to excuse everything, disgracing the struggle of freedom, by admitting the tyrant’s plea, necessity, that I could hardly persuade them that Robespierre was a monster. Laureenska myöntää että kaikki ukrainalaiset eivät pidä Zelenskystä.
ellauri353.html on line 279: Milton Friedman is widely regarded as the leader of the Chicago school. Of monetary economics. Stresses the importance of the quantity of money. As an instrument of government policy. Terminated. A business cycles and inflation. After graduating in one nine hundred thirty two with a Bachelor of Arts from Rutgers. He received graduate degree. From the University of Chicago. And Columbia University. Since one thousand nine hundred seventy seven. Professor print. Has been a senior research fellow at the Hoover Institution. Homeless or University Professor Friedman received the one nine hundred seventy six Nobel Prize for ECT. That's. In addition to his scientific work. Professor Friedman has written extensively on public policy. Always with primary emphasis on the preservation and extension of. Individual freedoms. In his most important works in this area. Perhaps an ever. The important area. Is life. He has collaborated by. Roads. An accomplished. Economist in her own right. Together they wrote. Capitalism and Freedom. Free to choose. And tyranny of the status quo. Free to choose and tyranny of the status quo later rip it into a T.V. series of the same names that were shown over the public. Public Broadcast stations.
ellauri392.html on line 745: Herzog continues to be Bellow’s “biggest book” and it used to be on the New York Times best-seller list for one entire year. At its heart is Bellow’s profound shock at discovering, a year after his separation from Sondra, (Alexandra Tschacbasov, his second wife) her affair with their mutual friend, Jack Ludwig, Bellow lapsed into deep depression and produced an intensely self-justifying hero who was tearful, cuckolded, and utterly humiliated. Moses Herzog, a Jewish intellectual type is essentially precipitated into intellectual and spiritual crisis by the failure of his marriage. The plot of the novel is slender. Herzog leaves his home and marriage, fails in the classroom, abandons his academic project, and undertakes a mas-sive spiritual and intellectual obligation to keep the letters for God. At the end of it, he seems to have regained his sense of Jewish identity, purged himself of violent anger, abandoned his latest mistresses, and repented for his dandy style. He has had a profound education in the realities of human nature, and rediscovered the value of nature and solitude on his lushy Ludeyville estate.
xxx/ellauri085.html on line 448: It’s not “trickle down” as if government action is the source of the money. It is “spurt up” when the government policies that discourage and suppress its productive use are relaxed. The remaining money in poor folk's socks and mattresses spurts up into the greedy pockets of the rich.
xxx/ellauri121.html on line 306: Atwood’s career as a graduate student stretched, with many interruptions, for half a dozen years. During that period she had an affair with Quebec poet D. G. Jones— which Sullivan mentions so obliquely that it is over before the reader realizes it has begun. She had broken it off, as a result of the stresses caused by his workload. She subsequently courted Jim Polk (an American writer she had met at Harvard) and, in January 1967, she decided to marry him "after five years of equivocation". She also worked at odd jobs including market researcher like Fred Waterford, and despite never finishing her PhD, began a university teaching career that would take her to cities across Canada. At 27, she became the youngest person to ever win the Governor General’s Award with her 1967 poetry collection, The Circle Game. Siitä nousi sille aika lailla kusi päähän.
xxx/ellauri122.html on line 847: actors and actresses on screen. The reader explores the
xxx/ellauri137.html on line 216: Mère des souvenirs, maîtresse des maîtresses,
xxx/ellauri137.html on line 220: Mère des souvenirs, maîtresse des maîtresses!
xxx/ellauri137.html on line 295: Oh, Mother of Memories! Mistress of Mistresses!
xxx/ellauri137.html on line 299: Oh, Mother of Memories, Mistress of Mistresses!
xxx/ellauri137.html on line 335: Mother of memories, mistress of mistresses
xxx/ellauri137.html on line 339: mother of memories, mistress of mistresses!
xxx/ellauri137.html on line 455: Mother of memories, mistress of mistresses,
xxx/ellauri137.html on line 459: Mother of memories, mistress of mistresses!
xxx/ellauri137.html on line 495: Mistress of mistresses, mother of memories,
xxx/ellauri137.html on line 499: Mistress of mistresses, mother of memories!
xxx/ellauri138.html on line 222:
Publicity photograph of the WAMPAS Baby Stars of 1932. The actresses are (rear row) Toshia Mori, Boots Mallory, Ruth Hall, Gloria Stuart, Patricia Ellis, Ginger Rogers, Lilian Bond, Evalyn Knapp, Marian Shockley. (Front row) Dorothy Wilson, Mary Carlisle, Lona Andre, Eleanor Holm, Dorothy Layton.

xxx/ellauri148.html on line 278: Rabba said in the name of R. Yohanan: “Jerusalem of this World is not like Jerusalem of the World to Come. Jerusalem of This world—anybody who wants to go up to visit her, can do so; but to Jerusalem of the World to Come only those can go up who are invited to come…” And Rabba said in the name of R. Yohanan: “In the future, the Holy One, blessed be He, will elevate Jerusalem by three parasangs…Resh Laqish said: “In the future the Holy One, blessed be He, will add to Jerusalem a thousand gardens, a thousand towers, a thousand fortresses, and a thousand passages, and each of them will be like sepphoris in its tranquil days, and there were in it 180,000 marketplaces of merchants of pot dishes.” (Babylonian Talmud Bab. Bath. 75b)[24]
xxx/ellauri165.html on line 292: The ballad could contain echoes of James IV or James V, who both had several illegitimate children, but none of their mistresses were executed or tried to dispose of a baby.
xxx/ellauri165.html on line 308: Only a few months later she was unemployed again and moved to London in the autumn of 1777. She started to work for the Budd family in Chatham Place, Blackfriars, London, and began acting at the Drury Lane theatre in Covent Garden. She also worked as a maid for actresses, among them Mary Robinson. Emma next worked as a model and dancer at the "Goddess of Health" for James Graham, a Scottish "quack" doctor.
xxx/ellauri173.html on line 524: » Traîtresses, divisé la touffe échevelée

xxx/ellauri186.html on line 85: Several members of Beecher's circle reported that Beecher had had an affair with Edna Dean Proctor, an author with whom he was collaborating on a book of his sermons. The couple's first encounter was the subject of dispute: Beecher reportedly told friends that it had been consensual, while Proctor reportedly told Henry Bowen that Beecher had raped her. Regardless of the initial circumstances, Beecher and Proctor allegedly then carried on their affair for more than a year. According to historian Barry Werth, "it was standard gossip that 'Beecher preaches to seven or eight of his mistresses every Sunday evening.'"
xxx/ellauri193.html on line 217: In traditional societies, women could not complain about mistresses, concubines, and in many cultures even other wives (such as polygyny); whereas male sexual jealousy was recognized as the highest emotion that could justify even murder. The recognized license of the Ancient Greek husband may be seen in the following passage of the pseudo-Demosthenic Oration Against Neaera: "We keep mistresses for our pleasures, concubines for constant attendance, and wives to bear us legitimate children and to be our faithful housekeepers. Yet, because of the wrong done to the husband only, the Athenian lawgiver Solon allowed any man to kill an adulterer whom he had taken in the act.''
xxx/ellauri251.html on line 161: With salt close tresses cleaving lock to lock, Ja suolaiset tukkatupsut harjaa kampana,
xxx/ellauri251.html on line 1879: ⁠With reluctant lengthening tresses
xxx/ellauri268.html on line 275: Merope is the name of a daughter of Atlas in Greek Mythology. It is also the name of the mother of Oedipus in Oedipus Rex. Both Voldemort and Oedipus killed their fathers randomly. The flashback scene featuring Merope and her family was cut from the film adaptation of Harry Potter and the Half-Blood Prince because of time and pacing concerns. However, it was originally present in an early draft of the film's screenplay according to director David Yates. It's unknown if there were any actresses considered to play Merope by that point. Joanie would have been good for a cameo appearance. Merope means 'part face', possibly a reference to the asymmetry of the two halves of Joanne's face.
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