A cette vérité mobile, frémissante, que les Goncourt ont attrapée au
ellauri034.html on line 451: Siggen lakimiespojasta Martinista tuli Lontoissa tupakkakauppias. Aiheesta lisää sen mustelmissa Glory Reflected 1952. Menestynein oli arkkitehtipoika Ernst, jonka luo Sigge Martta Minna ja Anna pelastautui Anschlussista kuin Sound of Musicin von Trappit. Siggen siskot jäi trappiin ja päätyi Treblinkaan et co. Freudin tavis kuopusveli Alexander selvis Schweizin kautta Kanadaan, josta sen poik Harry ehti koviseleman Freudien omaisuutta varjellutta nazikomisaaria. No panic Harry sanoi Anna-täti, hold your horses, tää häiskä oli meidän puolella.
ellauri036.html on line 776: triste. On n'est plus assez fou pour se faire trappiste;
ellauri036.html on line 1572: Kukaan hullu ei enää rupeisi trappistixi;
ellauri043.html on line 4378: Täntyyppinen rengas ympäröi löysänä vyönä mitrapäistä pikkumiestä,jolla on corona kädessä, ja jonka alaruumis katoaa isoista sulista levitettyyn hameeseen.
ellauri046.html on line 82: vince, trapassa e rompe ogni misura. voittaa, ylittää ja rikkoo kaikki enkat.
ellauri046.html on line 369: Diapsalmata: I'd rather be a swineherd than a misunderstood poet. People are vapid, unreasonable, life is a trouble, I feel trapped, and bored. Alas, the door of fortune does not open inwards so that one can force it by charging at it. Business is silly. If the gods offered me a wish, I'd wish for laughter.
ellauri051.html on line 755: 185 I saw the marriage of the trapper in the open air in the far west, the bride was a 185 Näin ansojan häät ulkoilmassa kaukana lännessä, morsian oli punainen tyttö,
ellauri051.html on line 759: 187 On a bank lounged the trapper, he was drest mostly in skins, his luxuriant beard and 187 Pankissa ansastaja oli pukeutunut enimmäkseen nahoihin, hänen rehevä parta ja kiharat suojasivat
ellauri051.html on line 864: 282 The half-breed straps on his light boots to compete in the race, 282 Puoliverinen hihnat hänen kevyissä saappaissaan kilpaillakseen kilpailussa,
ellauri051.html on line 871: 289 The Wolverine sets traps on the creek that helps fill the Huron, 289 Wolverine asettaa ansoja purolle, joka auttaa täyttämään Huronin,
ellauri051.html on line 905: 323 In walls of adobie, in canvas tents, rest hunters and trappers after their day's sport, 323 Adobien seinissä, kangasteltoissa, metsästäjiä ja ansoja lepäävät päivän urheilun jälkeen,
ellauri052.html on line 942: It may be helpful to note here that Bellow’s fame, already growing after The Adventures of Augie March, exploded after the publication of Herzog in 1964—the same year Daniel, his youngest son, was born. By the time the newly rich writer, urged by his third wife, moved into a fancy co-op on Lake Michigan, Greg already possessed enough of what he thought were his own opinions to dislike the white plush carpets, the 11 rooms “filled with fancy furniture and modern art.” Reminding the reader he was “raised by a frugal mother and a father who had no steady income,” Greg says that he “found the trappings of wealth in their new apartment so repellent that I complained bitterly to Saul,” who replied that he didn’t care about the new shiny things so long as he could still write—which he could. “As I always had, I accepted what he said about art at face value,” Greg admits, but he stopped visiting the new place. After the marriage deteriorated and Saul moved out, 3-year-old Daniel, in the words of ex-child-therapist Greg, “took to expressing his distress” by peeing on the carpets. “I have to admit that the yellow stains on them greatly pleased me,” Greg writes—for once showing off the Bellovian touch.
ellauri069.html on line 95: Barthelme felt that American fiction had abandoned what modernists called “the revolution of the word.” “Fiction after Joyce seems to have devoted itself to propaganda, to novels of social relationships, to short stories constructed mousetrap-like to supply, at the finish, a tiny insight typically having to do with innocence violated, or to works written as vehicles for saying no! in thunder,” he wrote in 1964, in the second issue (there would be only two) of Location.
ellauri073.html on line 467: Wallun mielestä, jos sietää ikävystyttävyyttä on jo voiton puolella. Ikävystymistä pelätään koska muiden attrappien puutteessa jonkinlainen perusikävä uhkaa vallata mielen, taustahuminana normaalisti tuskin havaittava melankolia.
ellauri077.html on line 325: Similarly, he always emphasized the need to cultivate a religious spirit, but he himself was trapped in an aesthetic-ethical sphere.
ellauri077.html on line 555: In his interview with Larry McCaffery, Wallace shows he was aware of his failure to overcome the use of postmodern irony: “I got trapped just trying to expose the illusions of metafiction the same way metafiction had tried to expose the illusions of the pseudo-unmediated realist fiction that had come before it. It was a horror show.”
ellauri077.html on line 621: If we take the Incandenza-wraith’s claim that “Infinite Jest” was his last, desperate attempt to reconnect with Hal, to “simply converse”(IJ 838, original emphasis), as fact, this means that the actual product does just the opposite of what it was meant to. It instead traps the viewer in a solipsistic cage out of which there seems to be no escape.
ellauri097.html on line 212: Sairaus Phara — idiopaattinen symmetrinen kalsifikaatio aivojen rakenteista: subkorttinen ganglia, aivokuori, pikkuaivo. Se voi olla oireeton, kliinisesti ilmenevä ekstrapyramidaalisten häiriöiden (hyperkineesi, parkinsonismi), aivomelon häiriöt, henkinen heikkeneminen. Aivokohtaisen CT: n tiedot diagnosoitiin, lukuun ottamatta kalsifioituneiden soikeuksien sekundaarisuutta biokemiallisten, ultraäänitutkimusten, PCR-tutkimusten tulosten perusteella. Hoito on oireileva sellaisten työkalujen käytön kanssa, jotka parantavat kudoksen aineenvaihduntaa, sytoproteaattoreita, huumeita levodopaa, kouristuslääkkeitä.
ellauri099.html on line 223: trapi_marjane/satrapi_persepolis2.jpg" width="40%" />
ellauri100.html on line 287: On the whole, what I have seen, known, and done amounts to a large sample of the human experience. I am not trapped in the upper-middle-class “bubble” defined in Charles Murray’s Coming Apart: The State of White America, 1960–2010.
ellauri106.html on line 126: A committed atheist, Philip Roth feared only one form of posthumous punishment: being trapped for all eternity in a hostile biography. In 2007, Roth, echoing a similar quip from Oscar Wilde, said, “Biography gives a new dimension of terror to dying.” Roth’s had already been the subject of a harsh and unforgiving portrait in Leaving a Doll’s House (1996), the memoirs of his former wife, the actor Claire Bloom. As John Updike noted in The New York Review of Books, “Claire Bloom, as the wronged ex-wife of Philip Roth, shows him to have been, as their marriage rapidly unraveled, neurasthenic to the point of hospitalization, adulterous, callously selfish, and financially vindictive.” This crisp summary ended Roth’s friendship with Updike, even after Updike made clear he was recapping Bloom’s book and not affirming its accuracy.
ellauri106.html on line 386: A committed atheist, Philip Roth feared only one form of posthumous punishment: being trapped for all eternity in a hostile biography. In 2007, Roth, echoing a similar quip from Oscar Wilde, said, “Biography gives a new dimension of terror to dying.” Roth’s had already been the subject of a harsh and unforgiving portrait in Leaving a Doll’s House (1996), the memoirs of his former wife, the actor Claire Bloom. As John Updike noted in The New York Review of Books, “Claire Bloom, as the wronged ex-wife of Philip Roth, shows him to have been, as their marriage rapidly unraveled, neurasthenic to the point of hospitalization, adulterous, callously selfish, and financially vindictive.” This crisp summary ended Roth’s friendship with Updike, even after Updike made clear he was recapping Bloom’s book and not affirming its accuracy.
ellauri108.html on line 381: I know Jah will provide, Benjy says with certainty. When that truth came I had no money, no job, no food. The child, my child, is crying and crying, my wife can't shut him up. As a matter of fact, she schedaadled. Just vamoosed. I am so vexed I can't pray no more. So I open the door and look to the sea. There I see a boat with three fishermen in it. The men are fishing but there is no space in the boat for another person. Out there on the sea, the waves are tall. Behind that boat, I see someone swimming. A little boy swimming along after the boat. I am wondering why the fishermen don't stop to pick up the boy in such a rough sea. But then I come to an understandingand it is Jah who put this idea into my head. That little boy's job is to dive for the fish traps, bring them up from the bottom. He is diving in that rough, rough sea for fish traps, and raising them up, all heavy with saltwater, all by himself. Just a little boy, too. Maybe ten years old. But so strong. Sometimes the sea cover him. I wouldn't see him or the boat. Then they would bounce him back into the sea.
ellauri111.html on line 261: “I suppose you know that jury trials were still quite an innovation in my time in Russia, so it’s no surprise that they produced some odd results. A clever lawyer could easily persuade a jury one way or another. Even when all the facts pointed to the guilt of the accused, even when it was admitted that, indeed, such-and-such a woman had attacked her lover’s wife with a razor with the intention of killing her, such-and-such a father had so violently beaten his seven-year old daughter with birch rods that even the neighbours were terrified by her screams, or such-and-such parents had treated their children like animals, keeping them in filthy conditions, and beating them with leather straps, again and again—each time our poor soft-hearted jurors concluded ‘Not guilty!’ Can you imagine? Of course, there is always an explanation, there are always attenuating circumstances, there can even be provocations, and the letter of the law may tell us this is not torture but simply punishment, the kind of punishment that, in those days, all good middle-class parents thought it right to mete out so as to give their children a sense of duty. The facts. The facts are the facts, but the truth once uttered is a lie, and even the facts can be put together in such a way as to turn even torture into well-meaning parental discipline.”
ellauri112.html on line 90: Sielu on kuin valtio, tai paremminkin murkkupesä, sanoi Marvin Minsky, sekin juutalainen. Jaakko vei mut sen kotiin vierailulle Bostonissa. Koti oli joku jättimäinen tehdashalli, jossa oli Marvinille leikkipaikaxi kattoon kiinnitetty trapezi. Nain on meidankin elamassamme, eli sama juttu valtiossa ja sielussa: Yxinvalta on pahasta, mutta niin on liika demokratia. Parasta on rebublikanismi jossa senaattoreina heiluu trapezilla Eno Kala-tyyppisiä meritokraatteja. Aivokuori on ikäänkuin haggixen asiantuntijaeliittiä. Yliminä olkoon presidenttinä, mutta se on valittava joka 4. vuosi uudestaan ettei se jumahda.
ellauri119.html on line 113: In season 2's "Hot Off the Griddle," Catwoman captures Batman and Robin and straps them to two giant aluminum grills, smears them with margarine and places two giant magnifying glasses above them, with the intent to roast them with the hot sun. Robin shouts, "Holy Oleo!" to which Catwoman humorously retorts, "I didn't know you could yodel."
ellauri119.html on line 119: In the Season 2 episode "The Puzzles are Coming," the Puzzler traps Batman and Robin aboard a hot air balloon rigged to release its basket at 20,000 feet in the air. Robin remarks, "Holy Graf Zeppelin," a reference to the popular German passenger zeppelin of that name, the LZ 127 Graf Zeppelin. Just "zeppelin" probably would have done the trick, Boy Wonder!
ellauri119.html on line 130: In the season one episode "Ma Parker," Batman and Robin are trapped in electric chairs. Robin shouts out a reference to a device that controls electrical current with variable resistance. However, said device is no longer called a rheostat. It is now referred to as a potentiometer.
ellauri140.html on line 52: Book I is centered on the virtue of Holiness as embodied in the Redcrosse Knight. Largely self-contained, Book I can be understood to be its own miniature epic. The Redcrosse Knight and his lady Una travel together as he fights the monster Errour, then separately after the wizard Archipelago tricks the Redcrosse Knight into thinking that Una is unchaste using a false dream. After he leaves, the Redcrosse Knight meets Duessa, who feigns distress in order to entrap him. Duessa leads the Redcrosse Knight to captivity by the giant Orgigolo. Meanwhile, Una overcomes peril, meets Arthur, and finally finds the Redcrosse Knight and rescues him from his capture, from Duessa, and from Despair. Una and Arthur help the Redcrosse Knight recover in the House of Holiness, with the House's ruler Caelia and her three daughters joining them; there the Redcrosse Knight sees a vision of his future. He then returns Una to her parents' castle and rescues them from a dragon, and the two are betrothed after resisting Archipelago one last time.
ellauri142.html on line 53: At the opening of the novel, Markku is a young man who has recently returned to Russia to seek a career after completing his education abroad. Although a well-meaning, kind hearted young man, he is awkward and out of place in the Russian high society in whose circles he starts to move. Markku, though intelligent, is not dominated by reason, as his friend Prince Andrei Nikolayevich Balkongsky is. His lack of direction leads him to fall in with a group of profligate young men like Anatole Kuragin and Dolokhov whose pranks and heavy drinking cause mild scandals. After a particularly outrageous escapade in which a policeman is strapped to the back of a bear and thrown into a river, Markku is sent away from St. Petersburg. What happened to the poor bear?
ellauri144.html on line 450: Strapped to a wheel, yet they shall not break; Pyörään remmitettyinäkään ne eivät katkea;
ellauri146.html on line 365: Eloa comes from the throne of God, and proclaims that now the Redeemer is led to death, on which the angels of the earth form a circle round Mount Calvary, also nam'd Golgotha. Then, having consecrated that hill, he worships the Messiah. Gabriel conducts the souls of the fathers from the sun to the Mount for olives, and Adam addresses the earth. Satan and Adramelech, hovering in triumph, are put to flight by Eloa. Jesus is nail'd to the cross. The thoughts of Adam. The conversion of one of the malefactors. Uriel places a planet before the sun, and then conducts to the earth the souls of all the future generations of mankind. Eve, seeing them coming, addresses them. Eloa ascends to Heaven. Eve is affected at seeing Mary. Two angels of death fly round the cross. Eve addresses the Saviour, and the souls of the children yet unborn. Claptrap does a lot of addressing in the epos. Hope the letters reach the sender, unlike Elvis's:
ellauri147.html on line 240: Many scenes are filmed in Paris, Texas, at Place de l´Estrapade in the 5th Arrondissement, including the site of Emily´s first apartment, the restaurant ("Les Deux Compères"), and the bakery ("La Boulangerie Moderne"). Some scenes are also filmed at Cité du Cinéma, a famous film studio complex in Denver. Famous Parisian sites to feature in the series as digitally prepared miniatures include: Le Grand Véfour, the Pont Alexandre III, Palais Garnier, L´Atelier des Lumières, Rue de l´Abreuvoir, Jardin du Luxembourg, Jardin Du Palais Royale, Café de Flore and the Panthéon. An episode was also filmed at the Château de Sonnay in the department of Indre-et-Loire. Additional photography took place in Chicago during November 2019.
ellauri155.html on line 777: God’s thoughts are higher than man’s, and men will be trapped in a mental maze if they try to understand things that are beyond their human comprehension. So what the fuck do you bother us with them in the first place? Can´t you just get comfy in the institution and play with Nopperi blocks?
ellauri156.html on line 728: David has just sprung the trap on himself, and Nathan is about to let him know about it. The first thing Nathan does is to dramatically indict David as the culprit: “You are the man!” In stunned silence, David now listens to the charges against him. David thinks only in terms of the evils the rich man committed against his neighbor, stealing a man's sheep and depriving him of his companion. Put another way, David thinks only in terms of crime and socially unacceptable behavior, not in terms of sin. In verses 7-12, Nathan draws David's attention to his sin against God and the consequences God has pronounced for his sin. Note the repetition of the pronoun “I” in verses 7 and 8: “It was I who. . .
ellauri159.html on line 785: The key to upholding honor in a male gang is to always try to pull your own weight – to seek to be a boon rather than a burden to the group. If a man lacks in physical strength, he might make up for it in the area of mastery – being the group’s best tracker, weapons-maker, or trap inventor; one crafty engineer can be worth more than many strong men. If a man lacks in both physical strength and mastery, he might still endear himself to the other men with a sense of humor, a knack for storytelling, or a talent in music that keeps everyone’s spirits up. Or he might act as a shaman or priest – performing rituals that prepare men for battle and cleanse and comfort them when they return from the front. The strong men of the group will usually take care of the weak ones who at least try to do whatever they can. Shame is reserved for those who will not, or cannot excel in the tactical virtues, but don’t try to contribute in some other way, and instead cultivate bitterness and disregard for the perimeter-keepers who ironically provide the opportunity to sit on one’s hands and carp. (Aki Manninen would love this.)
ellauri171.html on line 445: He may or may not have believed her, but her beauty made her a sexual fly-trap, and he allowed her to stay. In the ensuring battle of tits, Judith managed to outwit her prey. While he was drunk and had emptied his bollocks into her, she pulled his sword out of its scabbard, prayed to God for strength, hacked Holofernes’ head off, then escaped back to her people.
ellauri171.html on line 744: Once inside the room with the door firmly closed, Ehud drew out a sword he has strapped to his inside thigh and plunged it into the king’s very fat body.
ellauri171.html on line 1160: Absalom waited, biding his time. For two years he said nothing, did nothing, but then he set his trap. He gave a feast for all David’s sons. At the height of the festivities when Amnon was half-drunk, Absalom had his half-brother killed, stabbed to death in a scene reminiscent of a Mafia killing. In the ensuring turmoil Absalom escaped, fleeing for sanctuary to Geshur, his grandfather’s territory.
ellauri172.html on line 570: Mais non, — cria-t-il, — tonnerre de tonnerres ! c’est impossible ! Voyez-vous, vous autres, le chef d’escadron Mesnilgrand à confesse, comme une vieille bonne femme, à deux genoux sur le strapontin, le nez au guichet, dans la guérite d’un prêtre ? Voilà un spectacle qui ne m’entrera jamais dans le crâne ! Trente mille balles plutôt. — Mille bombes ! — fit Capitain Haddock, exalté.
ellauri182.html on line 137: Marriage for most Japanese women is still a social trap, commonly known as “the graveyard of life.” It means the end of a career, of economic independence. And since heterosexual love in Japan usually means marriage, an increasing number of career women are stuck with celibacy, with or without trips abroad.
ellauri184.html on line 476: Pankkiirit ja papit kukkoilevat pihalla friseerattuine partoineen kuin riikinsellaiset. Kade Jeshua alkaa pian raipata ja kaataa pöytiä. Trapeza on penkki kreikaxi, nelijalkainen trapezoidi.
ellauri185.html on line 106: trap_Advertisement.gif" />
ellauri192.html on line 861: In the Soviet Union in 1927, a former Marshal of Nobility, Ippolit Matveyevich "Kisa" Vorobyaninov, works as the registrar of marriages and deaths in a sleepy provincial town. His mother-in-law reveals on her deathbed that her family jewry was hidden from the Bolsheviks in one of the twelve chairs from the family’s dining room set. Those chairs, along with all other personal property, were taken away by the Communists after the Russian Revolution. Vorobyaninov wants to find the treasure. The “smooth operator” and con-man Ostap Bender forces Kisa to become his partner, as they set out to find the chairs. Bender's street smarts and charm are invaluable to the reticent Kisa, and Bender comes to dominate the enterprise. Father Fyodor (who had known of the treasure from the confession of Vorobyaninov's mother-in-law), their obsessed rival in the hunt for the treasure, follows a bad lead, runs out of money, ends up trapped on a mountain-top, and loses his sanitary pad. Ostap remains unflappable, and his mastery of human nature eliminates all obstacles, but Vorobyaninov steadily deteriorates.
ellauri197.html on line 293: ‘How Happy I Was If I Could Forget’ is a two-stanza work where the narrator takes the reader through a series of confusing verb tenses and language choices to represent the overall lack of clarity she has for the memory that she wishes she “could forget.” The cyclical state of the stanzas’ disorganization, additionally, reflects that the narrator feels trapped in her confused loop from the memory, and the reader could finish ‘How Happy I Was If I Could Forget’ without knowing what the troubling memory is. This is yet another method of revealing the narrator’s confusion over the memory. Just as she does not know how to treat the memory, the reader does not know solid details about the memory. From start to finish then, this is a work that is structured perfectly to share and represent the narrator’s confusion.
ellauri198.html on line 589: As when a trap shuts - you're inside the den! Ansa laukesi nähtävästi pirun merran!
ellauri210.html on line 341: Mimmosia runoja Pablo väsäsi? Entä mimmosia läppiä? Picasso kirjoitti paljon surrealistista runoutta vuodesta 1935 alkaen ja surrealistisen näytelmän Le Désir attrapé par la queue (1941).
ellauri210.html on line 1092: Dalí tomó al famoso doble de Hollywood, Russ Saunders, como modelo para pintar a Cristo, aunque hay quien afirma que el artista tomó como modelo en realidad al trapecista Diego Schmiedl. Esta es posiblemente, la obra más humana y humilde que se ha pintado sobre la Crucifixión de Cristo. Aunque, también, podríamos afirmar que la perspectiva del observador que ve a Cristo desde arriba, es decir desde donde podría verlo Dios Padre, coloca al artista en ese papel.
ellauri210.html on line 1100: Jean Ferry, de son vrai nom Jean André Medous et devenu, en 1910, Jean-André Lévy, né le 16 juin 1906 à Capens (Haute-Garonne), mort le 5 septembre 1974 à Créteil, est un scénariste et écrivain français, exégète de Raymond Roussel, neveu de l'éditeur et écrivain José Corti. Il fut satrape du Collège de 'Pataphysique et « invité d'honneur » de l'Oulipo en 1972.
ellauri214.html on line 171: It might be a Scottish name, taken from a story about two men on a train. One man says, 'What's that package up there in the baggage rack?' And the other answers, 'Oh, that's a MacGuffin'. The first one asks, 'What's a MacGuffin?' 'Well,' the other man says, 'it's an apparatus for trapping lions in the Scottish Highlands.' The first man says, 'But there are no lions in the Scottish Highlands,' and the other one answers, 'Well then, that's no MacGuffin!' So you see that a MacGuffin is actually nothing at all.
ellauri217.html on line 333: Jag tog nycklarna från mitt slitna köksbord och slängde ner dem till honom utan att svara. Jag hörde hans steg i trappan. Han låste själv upp min ytterdörr och låste den bakom sig. Sedan tittade på han på mig. Vi stod så och tittade på varandra. Tysta. Vi visste ju vad som skulle hända nu. Det fanns ingen tvekan, men ändå tvekade vi. Jag tittade mot hans skrev. Jag tyckte mig se ett växande stånd innanför de mjukisbyxor han hade på sig. Han måste ha legat och sovit, tänkte jag nu. - Väckte jag dig? Andra delen i den erotiska följetongen Mellan hennes lår.
ellauri222.html on line 149: The subject of “Augie March” is the same as the subject of “Dangling Man” and “The Victim”: the danger of becoming trapped in other people’s definition of you. In the case of “Augie March,” the person in danger of being trapped was Saul Bellow. “This was not what being a novelist was supposed to have meant”: he is referring to the expectations of his intellectual backers. He realized that he didn’t want to be the great hope of the novel or to give voice to a generation’s angst. He wanted to write up the life he knew in the way James Joyce had written up the life he knew, and to transform it into a fantastic verbal artifact, a book that broke all the rules.
ellauri242.html on line 194: Toukokuun 21. päivän kivilouhoksissa pidetyn hälisevän kokouksen jälkeen tehtiin päätös "Adzhimushkain kivilouhosten puolustusosaston perustamisesta", nim. "Stalinin mukaan nimetystä Adzhimushkain kivilouhoksen puolustusrykmentistä". Eri lähteiden mukaan yksikön henkilöstö oli tuolloin 5 000 - 15 000 ihmistä, luotiin erilaisia ​​palveluja - sotilastuomioistuimen piirakkakokki Andrii Pirogov nimitettiin elintarvikeosaston päälliköksi (ennen sitä hän toimi elintarvikepäällikkönä nälkäisessä 51. armeijassa, mutta joutui vangiksi piirakoiden muilutuxesta syyskuussa 1942). Samanlaisia ​​vastustussoluja, vaikkakaan ei niin pitkäkestoisia, oli myös Bykovskessa, Vergopolskessa - jopa 16 miestä. 3 päivän kuluttua he liittyivät 27 taistelijan divisioonaan, joka saapui rientomarssia 1,5 kuukaudessa ja kykki Didushevin louhoksissa. Bulganakskyissä kivilouhokset - 3 km Adzhi-Mushkaista - surmasivat elokuuhun mennessä useita kymmeniä sotilaita 510. erillisestä ilmatorjuntatykistidivisioonasta ja 396. kivääridivisioonan lääkintä- ja terveyspataljoonasta, ennen kaikkea luutnantti M. V. Svetlosanovin ja vanhemman poliittisen insinöörin V. S. Gogitidze. Lokakuun viimeisiin päiviin saakka natsit siivosivat Voikovin mukaan nimetyn tehtaan maanalaisia ​​yhteyskäytäviä löytäen ja tuhoten lisää trappeja.
ellauri243.html on line 188: 1. Barking at the ape 2. Box lunch at the ‘Y’ 3. Breakfast in bed 4. Brushing one’s teeth 5. Carpet-munching 6. Chewing the she-Fat 7. Clam-jousting 8. Clam-lapping 9. Cleaning the fish tank 10. Connie lingus 11. Contacting the aliens 12. Conversing with moses 13. Devil’s kiss 14. Dinner beneath the bridge 15. Doing it the French way 16. Donning the Beard 17. Drinking from the furry cup 18. Eating at the ‘Y’ 19. Eating fur pie 20. Eating out 21. Eating the peach 22. Eating squirrel 23. Eating sushi from the barbershop floor 24. Eating tinned mussels 25. Egg mcmuff 26. Face-fucking 27. Facing the nation 28. Fanny-noshing 29. Fence-painting 30. French-kissing Mr. Lincoln 31. Fuzz sandwich 32. Giving face 33. Gnawing on roast beef 34. Going downstairs for breakfast 35. Going south 36. Gomorrahry 37. Gorilla in the washing machine 38. Growling at the badger 39. Gumming the monster 40. Husband’s supper 41. Kissing between the hips 42. Kissing the wookie 43. Lady braille 44. Lady Semaphore 45. Larking 46. Lapping the gap 47. Lapping the lint trap 48. Lick-a-chick 49. Lickety-slit 50. Licking anchovy 51. Lip service 52. Lip-synching to the fish-fueled jukebox 53. Low-calorie snacking 54. Making mouth music 55. Medicating the hairy paper cut 56. Mopping the vulva 57. Mustache-riding 58. Muff-diving 59. Mumbling in the moss 60. Munching the bearded clam 61. One-man band 62. Oyster-gargling 63. Parting the fuzz 64. Pastrami sandwich 65. Pearl-diving 66. Placating the beaver 67. Playing in the sandbox 68. Playing the hair harmonica 69. Prawn breath 70. Pruning the orchid 71. Pug-noshing 72. Pussy-nibbling 73. Seafood dinner 74. Sipping at the fizzy cup 75. Sitting on a face 76. Slurping at the furry coconut 77. Smoking the fur 78. Sneezing in the basket 79. Spa time For Lady Boner 80. Speaking in tongues 81. Spraying the crops 82. Tackling the Brazilian 83. Talking to the canoe driver 84. Talking to lassie 85. Telephoning the stomach 86. Testing the echo in the love cave 87. Testing the waters 88. Tipping the velvet 89. Tongue-fucking 90. Tonguing the bean 91. Trimming the hedges 92. Velvet buzzsaw 93. Wearing the feed bag 94. Wearing the Sticky Beard 95. Whispering into the wet ear 96. Whispering to Venus 97. Whistling in the dark 98. Worshiping at the altar 99. Yaffling 100. Yodeling in the canyon 101. January Nelson
ellauri245.html on line 71: Ungefär klockan 15:45 onsdagen den 10 september 2003 lämnade Lindh och hennes väninna Eva Franchell utrikesdepartementets lokaler. De gick in i Gallerians sydvästra entré, gick genom Gallerian och stannade vid butiken Jackpot där Lindh köpte en tröja. De fortsatte ut genom Gallerians huvudentré mot Hamngatan, sneddade över korsningen Hamngatan - Regeringsgatan och gick in i varuhuset NK där de tog första rulltrappan upp till andra våningen strax efter klockan 16:00.
ellauri245.html on line 75: Med raska steg gick Mijailović till rulltrappan som ledde ned till gatuplanet och sprang nedför den. I rulltrappan släppte eller tappade han kniven. Ett vittne tog hand om kniven och med hjälp av en expedit blev den inslagen i silkespapper. Mijailović lämnade NK via utgången mot Regeringsgatan och fortsatte uppför denna gata. I en papperskorg slängde han slidan till kniven och gick in i Salénhuset. Där slängde han den marinblå kepsen i en papperskorg innan han gick till en frisersalong där han bad att få bli klippt. När frisören förklarade att det inte fanns någon ledig tid lämnade han salongen.
ellauri266.html on line 460: Le jour suivant, un grand tapage semble étourdir les humains de Soror qui fuient dans tous les sens. Sans trouver d’explication à cette agitation, le narrateur et Arthur Levain les suivent. Au bout de sa course, le narrateur s’arrête et découvre ce qui lui paraît un cauchemar3. Le tapage est en fait une partie de chasse où les chasseurs sont des singes et le gibier, des humains. Se trouvant sur la ligne de tir d’un gorille, le narrateur ne peut s’empêcher de remarquer l’élégance de sa tenue de chasse et son regard étincelant comme celui des humains sur la planète Terre. Ces singes semblent raisonnables et intelligents. Cependant, son compagnon Arthur, pris de terreur et tentant de s´enfuir, est tué sur-le-champ par le gorille. Le narrateur profite d’un petit instant de relâchement et s’enfonce dans les buissons. Mais il est capturé par un filet tendu pour attraper les fuyards.
ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
ellauri270.html on line 397: Mrs. Dunbar already sent her son away, perhaps to spare him having to participate in murder this year, and now she herself seems to try and avoid taking part in the lottery as well. The line about the stones makes an important point—most of the external trappings of the lottery have been lost or forgotten, but the terrible act at its heart remains. There is no real religious or practical justification for the lottery anymore—it’s just a primitive murder for the sake of tradition. Now the situation would be quite different if this were a real case of adultery, about which there are clear instructions in the Old Testament!
ellauri272.html on line 166: Persepolis by Marjane Satrapi
ellauri276.html on line 1012: I trapped there all night and it´s all the next day olin siellä loukussa koko yön ja se on koko seuraavan päivän
ellauri278.html on line 216: On 6 February 1933, Litvinov made the most-significant speech of his career, in which he tried to define aggression. He stated the internal situation of a country, alleged maladministration, possible danger to foreign residents, and civil unrest in a neighbouring country were not justifications for war. This speech became the authority when war was justified. British politician Anthony Eden had said; "to try to define aggression was a trap for the innocent and protection for the guilty". In 1946, the British Government supported Litvinov’s definition of aggression by accusing the Soviet Union of not complying with Litvinov’s definition of aggression. Finland made similar criticisms against the Soviet Union in 1939.
ellauri281.html on line 215: On 6 February 1933, Litvinov made the most-significant speech of his career, in which he tried to define aggression. He stated the internal situation of a country, alleged maladministration, possible danger to foreign residents, and civil unrest in a neighbouring country were not justifications for war. This speech became the authority when war was justified. British politician Anthony Eden had said; "to try to define aggression was a trap for the innocent and protection for the guilty". In 1946, the British Government supported Litvinov’s definition of aggression by accusing the Soviet Union of not complying with Litvinov’s definition of aggression. Finland made similar criticisms against the Soviet Union in 1939.
ellauri282.html on line 388: Kukaan hullu ei enää rupeisi trappistixi;
ellauri282.html on line 395: Trappist on suojattu nimi, jota voidaan käyttää vain benediktiiniläisten trappistiluostareiden munkkien valvonnassa tehdystä luostarioluesta. Lisäksi vaatimuksena on, että olut pannaan luostarin tiloissa ja että panimon tuotto käytetään luostarin ylläpitoon ja sosiaalityöhön. Nimeen oikeutettuja luostareita on 11, ja kuusi niistä sijaitsee Belgiassa. Muut trappistipanimot sijaitsevat Itävallassa, Alankomaissa (kaksi), Ranskassa, Yhdysvalloissa ja Italiassa.
ellauri282.html on line 399: Trappistit, jotka virallisesti tunnetaan nimellä Cisternians of Strict Observance (latina: Ordo Cisterciensis Strictioris Observantiae, lyhennettynä OCSO) ja alun perin nimeltään La Trappen Neitsyt Marian reformoitujen kystertsiläisten ritarikunta, ovat katolinen uskonnollinen veljeskunta. He noudattavat Pyhän Benedictin sääntöä ja heillä on sekä munkkien että nunnien yhteisöjä jotka tunnetaan trappisteina ja trappistinnoina. Ne on nimetty La Trappe Abbeyn mukaan, luostarin, josta liike ja uskonnollinen järjestys sai alkunsa. Liike sai alkunsa uudistuksista, jotka apotti Armand Jean le Bouteillier de Rancé esitteli vuonna 1664, mikä johti myöhemmin trappistiseurakuntien luomiseen ja lopulta viralliseen perustuslakiin erillisenä uskonnollisena järjestyksenä vuonna 1892.
ellauri282.html on line 408: Thomas Merton OCSO (31. tammikuuta 1915 – 10. joulukuuta 1968) oli amerikkalainen trappistimunkki, kirjailija, teologi, mystikko, runoilija, sosiaalinen aktivisti ja vertailevan uskonnon tutkija. 26. toukokuuta 1949 hänet vihittiin katoliseen pappeuteen ja hänelle annettiin nimi "isä Louis". Hän kuului Gethsemanin luostariin Bardstownin lähellä Kentuckyssa ja oli siellä kirjoilla vuodesta 1941 kuolemaansa asti, vaikka kuoli jossain Kaakkois-Aasiassa nussiretkillä (siitä enemmän alempana).
ellauri282.html on line 462: