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From 1900, his poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life. In 1923, he was awarded the Nobel Prize in Literature.

ellauri107.html on line 171: He was born in 1804 in Salem, Massachusetts, to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge from the Salem witch trials who never repented his involvement in the witch hunt. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work.[2] He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children.
ellauri119.html on line 396: In 1961, Christian theologian Gabriel Vahanian published The Death of God. Vahanian argued that modern secular culture had lost all sense of the sacred, lacking any sacramental meaning, no transcendental purpose or sense of providence. He concluded that for the modern secular mind "God is dead", but he did not mean that God did not exist. In Vahanian´s vision a transformed post-Christian and post-modern culture was needed to create a renewed experience of deity.
ellauri158.html on line 715: -- P. 2. prop. 40. schol. 1. Notiones communes, secundae, transcendentales, universales. [in: P. 3. prop. 55. schol., prop. 56., P. 4. prop. 27.]
ellauri161.html on line 1100: The chief of his mystical writings are, The Ornament of Spiritual Marriage (Lat. by Gerh. Groot, Ornatus Spiritualis Desponsionis, MS. at Strasburg; by another translator, and published by Faber Stapulensis [Paris, 1512], De Ornatu Spirit. Nuptiarum, etc.; also in French, Toulouse, 1619; and in Flemish, ´J Cieraet der gheestclyeke Bruyloft, Brussels, 1624, Hengelliset häät): — Speculum AEternae Salutis: — De Calculo, an interpretation of the calculus candidus, Re 2:17: — Samuel, sive de Alta Contemplatione. The other works of Ruysbroeck contain but little more than repetitions of the thoughts expressed in those here mentioned. (Esim. 7 hengellisen rakkauden askelmasta.) He wrote in his native language, and rendered to that dialect the same service which accrued to the High German from its use by the mystics of the section where it prevailed. He is still regarded in Holland as "the best prose writer of the Netherlands in the Middle Ages." His style is characterized by great precision of statement, which becomes impaired, however, whenever his imagination soars, as it often does, to transcendental regions too sublimated for language to describe. His works were accessible until lately only in Latin editions (by Surius, Cologne, 1549, 1552, 1609 [the best], 1692, fol.), or in manuscripts scattered through different libraries in Belgium and Holland. Four of the more important works were published in their original tongue, with prefaces by Ullmann (Hanover, 1848). No complete edition has as yet been undertaken (see Moll, )e Boekerij van het S. Barbara-Klooster te Delft [Amst. 1857, 4to], p. 41).
ellauri222.html on line 799: Stylistically, Bellow's fiction reflects some of the same tensions that his protagonists seek to balance. His concern with social and personal destruction has been traced to the common run of European writers such as Flaubert, Dostoevsky, Kafka, Sartre, and Camus. But Bellow's fiction also has many ties to the American literary tradition. His neotranscendentalism (what? Emersonian tomfoolery I guess), his identification with America, and the loose form of his most acclaimed novels link him most obviously to Emerson and Whitman.
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Ihmiset kysyvät myös: What is neo transcendentalism?

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Ihmiset kysyvät myös: What is a simple definition of transcendentalism?

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Ihmiset kysyvät myös: Is transcendentalism a religion?

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Ihmiset kysyvät myös: What are basic transcendentalist beliefs?

ellauri222.html on line 817: Key transcendentalism beliefs were that humans are inherently good but can be corrupted by society and institutions, insight and experience are more important than logic, spirituality should come from the self, not organized religion, and nature is beautiful and should be respected.
ellauri270.html on line 232: Jeffin runousoppi on ilmeisesti plagioitu sen Lontoon lehtorilta Winifred Nowottnyltä. "Current criticism often takes metaphor au grand sérieux, as a peephole on the nature of transcendental reality, a prime means by which the imagination can see into the life of things." --Language Poets Use (1962) by Winifred Nowottny. Winifred M.T.Nowottny, nee Dobbs, was educated at the University of London and later taught English Literature at University College London. She published the books, Language Poets Use in 1962 and Hopkins´ Language of Prayer of Praise in 1972. Jeff ois niikö Harry Potter ja Winifer Dobbs sen kotihaltija. Toinen keskeinen Jeffin lähde oli Penguin Dictionary of Quotations.
ellauri272.html on line 414: Critics tracing his creative genealogy are apt to begin with Ralph Waldo Emerson and Henry David Thoreau and work chronologically forward through Walt Whitman, Ezra Pound, Robert Frost, Wallace Stevens, and William Carlos Williams. Of those poets, Harold Bloom felt that the transcendentalists Emerson and Whitman have influenced Ammons the most. Xcept he overdoes the colon. Radical colectomy is indicated.
ellauri272.html on line 420: Ammons’s concerns with the transcendental everyman coalesce in what may prove to be his finest effort: the National Book Award winner of 1993, Garbage. The title, suggested when Ammons drove by a Florida landfill, is characteristically flippant and yet perfectly serious. “Garbage is a brilliant book,” said David Baker in the Kenyon Review. “It may very well be a great one. ...
xxx/ellauri086.html on line 687: He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860.
xxx/ellauri261.html on line 607: In his 1961 booklet The Death of God. Gabriel Vahanian argued that modern secular culture had lost all sense of the sacred, lacking any sacramental meaning, no transcendental purpose or sense of providence. He concluded that for the modern mind "God is dead".
xxx/ellauri442.html on line 67: Although trained in the Anglo-American analytic tradition, Cavell frequently interacted with the continental tradition. He includes film and literary study in philosophical inquiry. Cavell wrote extensively on Ludwig Wittgenstein, J. L. Austin, and Martin Heidegger, as well as the American transcendentalists Henry Thoreau and Ralph Waldo Emerson. He was congenial with Jacques Derrida, another Jew.
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