ellauri194.html on line 114: Vuonna 1946 jazz-säveltäjä ja pianisti Bobby Troup kirjoitti tunnetuimman teoksensa, Route 66, ajettuaan itse reitin Kaliforniaan. Kappaleen nimen keksi nokkelasti Troupen ensimmäisen vaimo Cynthia, joka oli ollut mukana automatkalla. Toisella automatkalla olikin jo vähemmän mäkättävä vaimo. Hän esitteli kappaleensa Nat King Colelle, joka sai siitä erään suurimmista hiteistään. Laulusta on tullut hitti myös Chuck Berrylle ja sen ovat levyttäneet myös monet tunnetut artistit, kuten The Rolling Stones, Depeche Mode ja Manhattan Transfer. Suomalaisista maailmanluokan artisteista M. A. Numminen on esittänyt kappaleen nimeltä ”Route 66”. Eero and the Boysin coveri 1964 oli huomattavasti parempi. MA Numminen on ylimainostettu pelle, se laulaa vielä paljon huonommin kuin Bob Dylan. Jussi Raittinen levytti vuonna 1975 kappaleesta suomenkielisen version ”Valtatie 66”, joka ei tosin kerro Route 66:sta vaan Suomen Kantatie 66:sta (Orivesi–Lapua). Samaisen kappaleen on levyttänyt myös "Sami Saari " Heti vapaa-levylleen, vuonna 2009. Sami Saaresta ei kyllä ole kuullut kukaan.
ellauri219.html on line 475: The very definition of a “triple threat,” Shirley Temple was an actress, singer, and dancer who became a child star in the 30s. She also appears on the Sgt. Pepper album cover three times over, her hair poking out from between the wax figures of John Lennon (No.62) and Ringo Starr (No.63), and also standing in front of the model of Diana Dors (No.70). There’s also a cloth figure of the star off to the far right, wearing a jumper emblazoned with the slogan “Welcome The Rolling Stones.”
ellauri221.html on line 157: An important characteristic of the Dunno trilogy is its heavily didactic nature. Nosov describes this as an effort to teach "honesty, bravery, camaraderie, willpower, and persistence" and discourage "jealousy, cowardice, mendacity, arrogance, and effrontery." Strong political undertones are also present. In addition to general egalitarianism and feminism, communist tendencies dominate the works. The first book takes the reader into a typical Soviet-like town, the second into a communist utopia, and the third into a capitalistic satire. Nosov's captivating and humorous literary style has made his ideologies accessible to children and adults alike.
ellauri238.html on line 911: spices whose scent drifted away, precious stones, lots of red, mausteista joiden hajut haihtuivat, jalokivistä, paljosta punaväristä,
ellauri241.html on line 309: Grated the quaystones with her brazen prow Raasti laiturikiviä röyhkeällä keulallaan
ellauri241.html on line 1358: Amid the tones of trumpets, shoutings, and belabour'd drums, and sudden cannon.
ellauri246.html on line 218: And these sepulchral stones, so old and brown, Ja nää hautakivet, vanhuuttaan ruskeat,
ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
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ellauri260.html on line 351: Socialism wants to create a structure which is superior to the individuals, and all its wishes and hopes are centred in this, but what it constructs can never be more than a bringing together of separate elements without any inner connection. It thus comes to be divided in its own body. Its ideal of the whole demands a world of action, and puts in on the lines of self-direction and spirit ; but in its actual development it imitates the mere contiguity of the material world and is bound up with it. The consequence is that it contains several different ideals of life which are not reconciled with each other. Even the happiness it offers is marred by this division. The whole body is to be as happy as possible ; but what is the nature of the happiness if in the end it means merely the welfare of individuals, if it does not evolve a realm of goodness and truth out of the turmoil of interests and enable human nature to participate in it ? Quantity, it seems, is to replace quality ; but is that done so easily ? Do we not find ourselves in entirely different worlds ? Socialism wants a community, but can only attain a comradeship. It can find stones for the building and stimulate people to work ; but it cannot either design or create the entire structure.
ellauri262.html on line 314: The scholar of children's literature Zoë Jaques writes that Shelob is the "embodiment of monstrous maternity"; Sam's battle with Shelob could be interpreted as a "masculine rite of passage" where a smaller, weaker male penetrates and escapes the vast female body and her malicious intent. The feminist scholar Brenda Partridge described the hobbits' protracted struggle with Shelob as rife with sexual symbolism. She writes that Tolkien derived Shelob from multiple myths: Sigurd killing Fafnir the dragon; Theseus killing the Minotaur; Ariadne and the spider; and Milton's Sin in Paradise Lost. The result is to depict the woman as a threat, with implicit overtones of sexuality.
ellauri263.html on line 335: Various Modern Orthodox and Conservative rabbits have proposed amending Nachem, as its wording no longer reflects the existence of a rebuilt Jerusalem under Israeli sovereignty. Chief Rabbit Shlomo Goren, for example, issued a revised wording of the prayer and Rabbit Hayim David HaLevi proposed putting the prayer's verbs relating to the Temple's destruction into the past tense. However, such proposals have not been widely adopted. Following the Six-Day War, the national religious community viewed Israel's territorial conquests with almost messianic overtones. The conquest of geographical areas with immense religious significance, including Jerusalem, the Western Wall, and the Temple Mount, was seen as portentous; however, only the full rebuilding of the Temple would engender enough reason to cease observing the day as one of mourning and transform it into a day of joy instead. The re-occupation of the Gaza strip is surely a source of joy, as well as annihilating philistines of the West Bank.
ellauri270.html on line 315: The children arrive in the village square first, enjoying their summer leisure time. Bobby Martin fills his pockets with stones, and other boys do the same. Bobby helps Harry Jones and Dickie Delacroix build a giant pile of stones and protect it from “raids” by other children. The girls stand talking in groups. Then adults arrive and watch their children’s activities. The men speak of farming, the weather, and taxes. They smile, but do not laugh. The women arrive, wearing old dresses and sweaters, and gossip amongst themselves. Then the women call for their children, but the excited children have to be called repeatedly. Bobby Martin runs back to the pile of stones before his father reprimands him and he quietly takes his place with his family.
ellauri270.html on line 317: The children’s activities—gathering stones—have a false innocence about them. Because this resembles the regular play of children, the reader may not assume gathering stones is intended for anything violent. The word “raids,” however, introduces a telling element of violence and warfare into the children’s innocent games. Similarly, the reader is lulled into a false sense of security by the calm and innocuous activities and topics of conversation among the adult villagers. We see the villagers strictly divided along gendered lines, even as children.
ellauri270.html on line 395: Mr. Summers tells the crowd, “let’s finish quickly.” The villagers have forgotten several aspects of the lottery’s original ritual, but they remember to use stones for performing the final act. There are stones in the boys’ piles and some others on the ground. Mrs. Delacroix selects a large stone she can barely lift. “Hurry up,” she says to Mrs. Dunbar beside her. Mrs. Dunbar gasps for breath and says that she can’t run. Go ahead, she urges, “I’ll catch up.”
ellauri270.html on line 397: Mrs. Dunbar already sent her son away, perhaps to spare him having to participate in murder this year, and now she herself seems to try and avoid taking part in the lottery as well. The line about the stones makes an important point—most of the external trappings of the lottery have been lost or forgotten, but the terrible act at its heart remains. There is no real religious or practical justification for the lottery anymore—it’s just a primitive murder for the sake of tradition. Now the situation would be quite different if this were a real case of adultery, about which there are clear instructions in the Old Testament!
ellauri270.html on line 399: The use of stones also connects the ritual to Biblical punishments of “stoning” people for various sins, which then brings up the idea of the lottery’s victim as a sacrifice. The idea behind most primitive human sacrifices was that something (or someone) must die in order for the crops to grow that year. This village has been established as a farming community, so it seems likely that this was the origin of the lottery. The horrifying part of the story is that the murderous tradition continues even in a seemingly modern, “normal” society. In actual fact, the point is to reduce the number of mouths to feed in times of shortage.
ellauri270.html on line 401: The children pick up stones, and Davy Hutchinson is handed a few sharp pebbles in a paper cone. Tessie Hutchinson holds out her arms desperately, saying, “it isn’t fair,” as the crowd advances toward her. A flying stone hits her on the side of her head. Old Man Warner urges everyone forward, and Steve Adams and Mrs. Graves are at the front of the crowd. “It isn’t fair, it isn’t right,” Tessie screams, and then the villagers overwhelm her.
ellauri270.html on line 411: “The Lottery” begins with a description of a particular day, the 27th of June, which is marked by beautiful details and a warm tone that strongly contrast with the violent and dark ending of the story. The narrator describes flowers blossoming and children playing, but the details also include foreshadowing of the story’s resolution, as the children are collecting stones and three boys guard their pile against the “raids of the other boys.” These details… read analysis of The Juxtaposition of Peace and Violence.
ellauri272.html on line 408: Ammons wrote about humanity's relationship to nature in alternately comic and solemn tones. His poetry often addresses religious and philosophical matters and scenes involving nature, almost in a Transcendental fashion. According to reviewer Daniel Hoffman, his work "is founded on an implied Emersonian division of experience into Nature and the Soul," adding that it "sometimes consciously echoes familiar lines from Emerson, Whitman and Dickinson."[citation needed]
ellauri276.html on line 997: Saaristolainen historioitsija Alan Phillips antoi meille vihjeen tästä laulusta, jota laulettiin vielä 1950-luvulla Brightstonessa – tässä tapauksessa Brookin Bob Cassell. Bob Cassell oli osa voimakasta West Wightin lauluperinnettä, jonka keskipisteenä olivat The New Inn at Brighstone ja The Sun Inn at Hulverstone. Tämän perinteen kaiut jatkuvat Graham Keepingin upeassa laulussa. Versiossamme käytetään Hampshiren sävelmää ja sanoja, jotka julkaistiin Lucy Broadwoodin Englanninkielisessä County Songsissa (1893).
ellauri279.html on line 214: From the return of Perón in 1973 and under the leadership of Isabel Perón, the Justicialist Party was no longer characterized by anti-imperialist and revolutionary tones but by a strong focus on orthodox peronism and anticommunism (of which it became the main bulwark in South America) and the support of economic liberalism.
ellauri285.html on line 74: To accommodate our flawed design, we are taught from birth to use wads of paper, magazine pages, dried corncobs and even stones, to wipe our filthy behinds. And this we must do! If we did not wipe, we would reek of dung from the cake of dingleberries between our cheeks and our pants, skirts, caftans and burkas, would be fouled with nicotine stains and clouds of flies would follow us down the street like goslings.
ellauri300.html on line 850: The Lord sent fire down, and it burned up the sacrifice, the wood, and the stones, scorched the earth and dried up the water in the trench. 39 When the people saw this, they threw themselves on the ground and exclaimed, “The Lord is God; the Lord alone is God!”
ellauri302.html on line 117: "Setä" on ilmetty Tevje: He is a tall, strong man of about forty, stout; swarthy countenance, covered all over with dark hair; his black heard cut round. He speaks in loud, gruff tones, at the same time making coarse gestures and grasping the lapel of the man whom he happens to he addressing. Despite this, his face and person heam with a certain frank geniality.
ellauri309.html on line 302: nastiness, but it still disgusts me. Sticks and stones may break your bones.
ellauri375.html on line 176: Throughout my life, you have been my pillars of strength and support, guiding me through every step with love and wisdom. The moments we've shared, from the simple joys to the big milestones, are cherished memories that I hold dear to my heart.
ellauri383.html on line 517: Lotsa people in Trininad used to hear The Voice of God, V.S. Naipaul tells. One of them even let himself be tied to a balsa Cross but got pissed when people began to throw at him largish stones. Ei jumalauta nyt loppu hei! Laama sabakhthaani! In the previous Gem I opened up the topic of hearing God’s Voice and I gave you the list of guys to whom God had spoken to in our Jakarta and Sysmä based Cell Groups over the years. But how do I know whether It Is God or me? Realize there are times when God Himself breaks the rules. He does that. He is not at all a God who is stuck in his own silly old rules! That is when we may well grasp the wrong end of His humongous stick. That could spell the end of our intimacy with His nugget...
xxx/ellauri056.html on line 218: Taavi syntyy Blunderstonessa (oikeesti Blundeston, Suffolk), ja elämä alkaa kivasti kiltin mutta löperön nuoren leskiäidin ja hoitotädin Peggottyn kaa. Sitten seuraa kurja ja julma aika isäpuolen, hra Murdstonen hännän alla, ja Murdstonen siskon Janen, joka lopulta ajaa Taavin äidin aikaiseen hautaan. Sitten seuraa koettelemusten periodi Salem-talon akatemiassa, jota johtaa tyrannimainen öykkäri rehtori Creakle. Lieventävä asianhaara on Taavin ystävyys säteilevän Steerforthin ja tavixemman mutta hyvänahkaisen Traddlesin kaa. Sitten Taavi lähetetään paskahommiin Lontooseen Mordstonen ja Grindbyn viinakauppaan. Tällä kertaan kurjan elämän vastoinkäymisissä piristävät hra Wilkins Micawber perheineen (talent, Mr Micawber has; capital, Mr Micawber has not, siteerasi Jespersen.). Taavi karkaa löytääxeen omituisen tätinsä, Bezey Trotwoodin Doverista, ja seikkailee sikana matkalla. Bezey adoptoi Taavin ja se menee iloisena Tri Vahvan kouluun Canterburyssa, missä se loisii Bezeyn lakimiehen hra Wickfieldin luona, ja tutustuu Wickfieldin tyttäreen Agnekseen, ja sen kirjuriin, Uriah Heepiin. Maineikas yhtye 70-luvulla, ei kyllä mun suosikkien kärkipäätä. Sitten siitä Dickensin tapaan artikuloidaan proktori tohtorien kortteliin Spenlowin ja Jerkinsin firmaan. (häh? prokuraattori. Tää oli joku roomalaisen lainkäytön jäänne katoliselta ajalta. Doctors Court hoiti siviili- perintö- kirkollis- ja meriasioita kunnes lopetettiin 1800-luvulla.) Siellä se rakastuu Spenlowin tyttäreen Dooraan (ou Pandoora), jonka se naikin Spenlowin kuoltua. Sillä aikaa Heep kiusaa Wickfieldin melkein mielipuolexi.
xxx/ellauri068.html on line 474: It was made up of nothing but precious stones and gold; Se oli tehty vain arvokivistä ja kullasta;
xxx/ellauri085.html on line 217: Plus, since I am Asian, leaving my job is pretty scary because that was my parent’s bragging card in yumcha with aunties and uncles. Yum cha is the Cantonese tradition of brunch involving Chinese tea and dim sum. So yea I get it.
xxx/ellauri087.html on line 503: a time to scatter stones and a time to gather them,
xxx/ellauri120.html on line 57: As deacon in Rome, St. Lawrence was responsible for the material goods of the Church and the distribution of alms to the poor. Ambrose of Milan relates that when the treasures of the Church were demanded of Lawrence by the prefect of Rome, he brought forward the poor, to whom he had distributed the treasure as alms. "Behold in these poor persons the treasures which I promised to show you; to which I will add pearls and precious stones, those widows and consecrated virgins, which are the Church's crown."
xxx/ellauri123.html on line 1152: Remy (or Rémi) Belleau (1528 – 6 March 1577) was a poet of the French Renaissance. He is most known for his paradoxical poems of praise for simple things and his poems about precious stones.
xxx/ellauri123.html on line 1283: Peine forte et dure was a method of torture formerly used in the common law legal system, in which a defendant who refused to plead would be subjected to having heavier and heavier stones placed upon his or her chest until a plea was entered, or they died.
xxx/ellauri125.html on line 683: And sticks and stones might break your bones
xxx/ellauri138.html on line 295: All and any religious overtones were strictly forbidden. There were no speeches, only readings of excerpts he'd selected from his books ahead of time, and a violin recital by a friend's daughter. He knew no one – no matter how well they really knew him and the people there at his graveside were his closest friends – could say it better than he could say it himself. Ingenting går opp mot kålpirog om hösten - som jag själv har lagat.
xxx/ellauri139.html on line 477: “Follow me, child, or else these stones will be thy bier.” Tule perässä, tai liukastut sä jäällä!
xxx/ellauri139.html on line 794: The chains lie silent on the footworn stones;— Sen takana leviää nummimaata aukeaa.
xxx/ellauri148.html on line 209: The fifth house [in the heavenly Paradise] is built of onyx and jasper stones, and inlaid stones, and silver and gold, and good pure gold. And around it are rivers of balsam, and before its door flows the River Gihon. And [it has] a canopy of all trees of incense and good scent. And[in it are] beds of gold and silver, and embroidered garments. And there sits Messiah ben David and Elijah and Messiah ben Ephraim. And there is a canopy of incense trees as in the Sanctuary which Moses made in the desert. And all its vessels and pillars are of silver, its covering is gold, its seat is purple. And in it is Messiah ben David who loves Jerusalem. Elijah of blessed memory takes hold of his head, places it in his lap and holds it, and says to him: “Endure the sufferings and the sentence of your Master who makes you suffer because of the sin of Israel.” And thus it is written; He was wounded because of our transgressions, he was crushed because of our iniquities (Isaiah 53:5) until the time when the comes. (“Midrash Konen” BhM 2:29-30)[13]
xxx/ellauri148.html on line 248: And when the days of the Messiah arrive, Gog and Magog will come up against the Lord of Israel, because they will hear that Israel is without a king and sits in safety. Instantly they will take with them seventy-one nations and go up to Jerusalem, and they will say; “Pharaoh was a fool to command that the males [of the Israelites] be killed and to let the females live. Balaam was an idiot that he wanted to curse them and did not know that their God had blessed them. Haman was insane in that he wanted to kill them, and he did not know their God can save them. I shall not do as they did, but shall fight against their God first, and thereafter I shall slay them…” And the Holy One, blessed be He, will say to him; “You wicked one! You want to wage war against Me? By your life, I shall wage war against you! Instantly the Holy One, blessed be He will cause hailstones, which are hidden in the firmament, to descend upon him, and will bring upon him a great plague… And after him will arise another king, wicked and insolent, and he will wage war against Israel for three months, and his name is Armilus. And these are his marks; he will be bald, one his eyes will be small, the other big. His right arm will be only as long as a hand…..And he will go up to Jerusalem and will slay Messiah ben Joseph…. And thereafter will come Messiah ben David….And he will kill the wick Armilus…And thereafter the Holy One, blessed be He, will gather all Israel who are dispersed here and there. (Midrash waYosha[19])
xxx/ellauri157.html on line 45: Anne Morrow Lindbergh, wife of ace aviator, Charles Lindberg was a renowned author. As an aviator she flew with Charles, assisting him as a navigator and radio operator, in many notable aviation milestones that he achieved. She was also the first American woman to obtain a glider pilots license in 1930. Her works included genres of poetry to non-fiction. She expressed her thoughts on distinct topics varying from solitude and contentment to youth and age, from the role of women in 20th century to love, marriage and peace.
xxx/ellauri165.html on line 49: They scar their bodies by making little cuts repetitively. Isn't it funny we invented all these creams, lasers and other treatments to get rid of our pubic hairs. One time I was resting in the shade of a sculptural tree and I was watching two men and a woman from a distance, they were just sitting in the grass, playing with some leaves and collecting some stones. I was trying to go back in my memory and imagine that same exact situation happening in our 'civilised' world - I couldn´t. In our civilized world the guys would've been all over her, stones hanging out and blades deep in her throat and twat.
xxx/ellauri166.html on line 84: Stones
xxx/ellauri166.html on line 107: Sharpening stones
xxx/ellauri166.html on line 128: A Fictional gemstones and jewelry (1 C, 23 P)
xxx/ellauri169.html on line 403: According to Knight, the four cornerstones of Ramtha's philosophy are:
xxx/ellauri176.html on line 164: is first of all a misnomer because the priest is alive and well at the end. A mixture of social realism and Walt Disney, it is a tale about a delicate young French priest, Father Mouret (Francis Huster), who elects to take a parish in the provinces where the peasants have long since embraced every sin there is. The priest himself successfully sublimates his own lustful thoughts in prayer until one day he meets a strange young woman, Albine (Gillian Hills), who lives with her atheistic uncle in the remains of an old chateau set in the middle of a magic garden.Well, one thing leads to another and poor Father Mouret loses his memory long enough to lose himself to worldly pleasures in the garden with Albine, who, like Eve, tempts the man, though in this case the author is clearly in favor of apple-eating. Things go very badly for the couple. The priest returns to his church and Albine commits suicide in a way that is unique in my movie-going memory: She smothers herself to death with calla lilies.The actors are steadfastly unconvincing. The one interesting character in the film is an old lady we meet only after her death—someone, we're told in shocked tones, who, during the Revolution, posed naked as a living-statue of Reason.
xxx/ellauri179.html on line 474: The tree sat in the middle of the sidewalk, grown up from a small patch of dirt and out of place in the sea of cobblestones. There hadn't been soil on this ground in years that hadn't been trucked in by men.
xxx/ellauri179.html on line 518: The Americans paid their tab and stepped outside. Cobblestones ran through narrow alleys and slightly less narrow streets that led to the sea with buildings all along. Across from Harry's, a white building stood next to a red one. The Americans glanced at the spot the people had been killed. It was a few feet into the street and in line with the stark change in color between the buildings. Four children walked over the spot carelessly. They jumped and skipped happily to where the men couldn't see them.
xxx/ellauri179.html on line 959: I am sick o’ wastin’ leather on these gritty pavin’-stones, Oon kylästynyt läpsyttään näitä katukiviä,
xxx/ellauri186.html on line 631: he angered a local king who ordered him nailed to a bed, covered his whole body with paper, brimstones, oil, asphalt and brushwood and set him on fire
xxx/ellauri187.html on line 135: With similarly blind zeal Freedman bases his insinuation that Rilke was secretly gay on two pieces of evidence: the poet's idealistic adolescent pact with another boy at military school, "sealed by a handshake and a kiss," as Rilke put it in a letter; and a fictional letter meant for publication, which brought Rilke, in Freedman's weasel words, "close to a disguised rendering of homosexuality with personal overtones." That's all the proof Freedman has.
xxx/ellauri218.html on line 166: Fred's buddy Ed was the inspiration for Barney Rubble in The Flintstones, and for Yogi Bear (in terms of design, clothing, and mannerisms). Ed on lättähattu hampuusi.
xxx/ellauri218.html on line 168: Thelma "Trixie" Norton, played most famously by Joyce Randolph; Ed's wife and Alice's best friend. She did not appear in every episode and had a less developed character, though she is shown to be somewhat bossy toward her husband. Trixie is the inspiration for Betty Rubble in The Flintstones.
xxx/ellauri224.html on line 516: Best friends Fred and Barney awaken with hangovers and no memory of the previous night. Their television is on, showing a program about animals using rubble and flintstones as currency to get food. In the program is a monkey nicknamed Andrew. It's the best actor of the film. Pity it only has a cameo role. Their refrigerator is filled with containers of chocolate pudding, and the answering machine contains an angry message from their twin girlfriends Wilma and Betty as to their whereabouts. The two also learn they have almost been fired from their jobs at the quarry. They emerge from their home to find Fred's car missing, and with it their baby girlfriends' first-anniversary presents. This prompts Fred to ask the film's titular question: "Dude, where's my car?"
xxx/ellauri224.html on line 520: Because the girls have promised them a "special treat", which Fred and Barney take to mean sexual intercourse, the men are desperate to retrieve their car. The duo begins retracing their steps in an attempt to discover where they left the car. Along the way, they encounter a transgender stripper, a belligerent speaker box operator at a Chinese restaurant's drive-through, two tattoos they discover on each other's backs, UFO cultists led by Zoltan (who later hold the twins hostage), a Cantonese-speaking Chinese tailor, the Zen-minded Nelson and his cannabis-loving dog Jackal, beautiful Christie Boner, her aggressive jock boyfriend Tommy and his friends, a couple of hard-nosed police detectives, and a reclusive French ostrich named Pierre. They also meet two groups of aliens, one group being five gorgeous women, the other being two Norwegian men, searching for the "Continuum Transfunctioner": an extraterrestrial device that the boys accidentally picked up last night.
xxx/ellauri225.html on line 406: Crane visited Mexico in 1931–32 on a Guggenheim Fellowship (Sillä oli Guggenheim, kuten sillä etovalla perhostennappaajalla Yellowstonessa. Inkkarit luulivat sitä varmaan joxikin sukupuolitaudixi), and his drinking continued as he suffered from bouts of alternating depression and elation. When Peggy Cowley, wife of his friend Malcolm Cowley, agreed to a divorce, she joined Crane. As far as is known, she was his only heterosexual partner. "The Broken Tower", one of his last published poems, emerged from that affair. Crane still felt himself a failure, in part because he recommenced his homosexual activities in spite of his relationship with Cowley.
xxx/ellauri230.html on line 494: The Leshan Giant Buddha (Chinese: 樂山大佛) is a 71-metre (233 ft) tall stone statue, built between 713 and 803 (during the Tang dynasty). It is carved out of a cliff face of Cretaceous red bed sandstones that lies at the confluence of the Min River and Dadu River in the southern part of Sichuan province in China, near the city of Leshan. The stone sculpture faces Mount Emei, with the rivers flowing below its feet. It is the largest and tallest stone Buddha statue in the world and it is by far the tallest pre-modern statue in the world. It is over 4 km from the Wuyou Temple.
xxx/ellauri233.html on line 261: Brittien ja hollantilaisten protestanttisen kaukoidän ryöstölaivaston laivat oli nimeltään Toivo, Hyväntekeväisyys, Usko, Tottelevaisuus, Voitto-Sanoma. Laivaston alkuperäinen tehtävä oli purjehtia Etelä-Amerikan länsirannikolle, missä he vaihtaisivat rahtinsa hopeaan, ja suunnata Japaniin vain, jos ensimmäinen tehtävä epäonnistuu. Siinä tapauksessa heidän piti hankkia hopeaa Japanista ja ostaa mausteita Molukkeilta ennen kuin he suuntasivat takaisin Eurooppaan. Heidän tavoitteenaan oli purjehtia Magellanin salmen läpi päästäkseen kohtalolleen, mikä pelotti monia merimiehiä ankarista sääolosuhteista johtuen. Laivastossa oli kaiken kukkuraxi mukana 30 englantilaista muusikkoa, mm. Yardbirds, Beatles, Dusty Springfield, Rolling Stones, Tom Jones, Elton John, David Bowie, Phil Collins, Cat Stevens, Sid Vicious, Brian Eno, Ozzy Osbourne, Led Zeppelin, Keith Richards, Freddie Mercury, Keith Moon, Adele, Amy Winehouse, The Who, Electric Light Orchestra, The Smiths, The Gorillaz, Bee Gees, Dua Lipa, Dire Straits, Spice Girls, Iron Maiden, The Queen, Olivia Newton-John, Billy Idol, Boy George, Pink Floyd, Motörhead, The Clash, Elvis Costello, Nick Drake, Donovan, Marianne Faithful, Edward Elgar, Petula Clark, Kate Bush, Sade, Dido, Sting, Seal, Cream, Haendel ja Rod Stewart. No okei, oli niitä enemmän kuin 30, mutta silti vittu. Ne kaikki hukkuivat. Jotkut heitettiin laidan yli ärsyttävästä soitosta.
xxx/ellauri235.html on line 861: The Spider and the Fly" is a song by English rock band the Rolling Stones, recorded in May 1965 and first released on the US version of their 1965 album Out of Our Heads. In the UK, it was released as the B-side to "(I Can't Get No) Satisfaction". Horatio H-blower got no satisfaction off H. Simpson, whose sex pistol was a dud.
xxx/ellauri235.html on line 865: Rolling Stones: "The Spider And The Fly"
xxx/ellauri261.html on line 265: Thornton´s themes are familiar from other personists — the timeless human condition; history as progressive, cyclical, or entropic; literature, philosophy, and religion as the touchstones of civilization.
xxx/ellauri265.html on line 441: I co-founded with Caroline Mehl OpenMind. If you run or are a member of any kind of group — a classroom, a soccer team, a nonprofit, a company — try OpenMind as a group. This platform actually teaches you the skills of understanding others, appreciating why we often can’t understand others, and how to talk across divides, avoiding communication's stumbling stones!
xxx/ellauri268.html on line 168: Faithfullin musiikkiura alkoi vuonna 1964, kun hänen versionsa Mick Jaggerin ja Keith Richardsin laulusta "As Tears Go By" julkaistiin singlenä jo ennen kuin Rolling Stones levytti versionsa, samana vuonna kuin Nikita Krutsov menetti paikkansa. Hänet on myös nähty Todella upeeta -sarjassa vierailevana tähtenä 1996–2001 (jaksot Last Shout 1 & 2, Donkey). Hän esitti Jumalaa ja toinen Rolling Stones -tyttö Anita Pallenberg oli piru. God was here but she left early. (Putin ei muuten oikein niellyt episkopaalien hiljan ehottamaa munatonta jumalaa.) Hiän on kai tästä jumalanpilkasta seuranneesta rintasyövästä huolimatta yhä elossa, vaikka litteämpänä, oktaavia alempana ja karheampana.
xxx/ellauri280.html on line 81: Monet Bennettin romaaneista ja novelleista sijoittuvat Staffordshire Potteriesin fiktiiviseen versioon, jota hän kutsui Viideksi kaupungiksi. Hän uskoi vahvasti, että kirjallisuuden pitäisi olla tavallisten ihmisten saatavilla, ja hän pahoitteli kirjallisia klikejä ja eliittiä. Hänen kirjansa vetosivat suureen yleisöön ja niitä myytiin suuria määriä. Tästä syystä ja hänen sitoutumisestaan realismiin modernistisen koulukunnan kirjailijat ja kannattajat, erityisesti Virginia Woolf , vähättelivät häntä, ja hänen fiktionsa laiminlyötiin hänen kuolemansa jälkeen. Hänen elämänsä aikana hänen journalistisia "self-help" -kirjoja myytiin huomattavia määriä, ja hän oli myös näytelmäkirjailija; hän menestyi teatterissa huonommin kuin romaaneissa, mutta saavutti kaksi merkittävää menestystä elokuvalla Milestones (1912) ja Suuri seikkailu (1913).
xxx/ellauri281.html on line 147: 6. Kirjoittajat [Samuel A., 2014] tutkivat tekijöitä, jotka säätelevät nesteen kulkeutumista syvyydessä. Erityisesti he tarkastelivat murtonesteiden ja suolaliuosten kulkeutumista ylöspäin Yhdysvaltojen mustissa liuskeissa, riippuen pinnalla olevien kivikerrosten läpäisevyydestä ja tärkeimmistä gradienteista, koska nämä muuttujat heidän mielestään määräävät murtoaineen suunnan ja suuruuden. nesteiden pystysuuntaiset migraatiovirrat murtumisen aikana. Korostetaan, että horisontaalinen muuttoliike on merkittävästi (suuruusluokkaa) suurempi kuin vertikaalinen muuttoliike. Nestefaasin migraatioprosessin monitekijäisyys on esitetty, johon vaikuttavat erityisesti rakeiden kokojakauma, säiliön jännitys, sen kyllästymisaste nesteillä ja sementaatioprosessit. Nämä tekijät aiheuttavat usein säiliön läpäisevyyden heikkenemistä useita suuruusluokkia. Monivaiheiset nesteet (esim. öljy, maakaasu, ja vesi) huokoisissa väliaineissa vähentää myös merkittävästi läpäisevyyttä. Hienorakeisten kivien (liuskeet, aleurit ja mutakivet) vallitsevuus ja sedimenttialtaiden kerrosrakenne rajoittavat kallioperän pystysuoraa läpäisevyyttä mustaliuskeen yläpuolella.
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