ellauri020.html on line 443: Turner´s penchant for controversial statements earned him the nicknames "The Mouth of the South" and "Captain Outrageous". He was the largest private landowner in the United States until John C. Malone surpassed him in 2011. He uses much of his land for ranches to re-popularize bison meat (for his Ted´s Montana Grill chain), amassing the largest herd in the world. He also created the environmental-themed animated series Captain Planet and the Planeteers.
ellauri042.html on line 682: Atwood's works encompass a variety of themes including gender and identity, religion and myth, the power of language, climate change, and "power politics". Many of her poems are inspired by myths and fairy tales which interested her from a very early age. Atwood is a founder of the Griffin Poetry Prize and Writers' Trust of Canada. She is also a Senior Fellow of Massey College, Toronto.
ellauri042.html on line 943: Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne´s poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.
ellauri046.html on line 802: Your shepherds, your flocks, those fantastical themes,
ellauri051.html on line 405: Blow again, trumpeter! and for thy theme, 30 Puhalla taas, Trump! ja sun sävelmä
ellauri051.html on line 406: Take now the enclosing theme of all--the solvent and the setting; on nyt koko orkesterin teema -- liuotin ja taustamusa;
ellauri051.html on line 409: No other theme but love--knitting, enclosing, all-diffusing love. Ei muuta teemaa naisilla kuin tää rakkaus, paizi neulominen yms.
ellauri052.html on line 112: Leader defines Bellow’s recurrent themes as “the relative claims of life and work, the intensity of childhood experience, sexual insecurity.” He could have added Jewish life and identity, the perils of matrimony and the defects of modern civilisation.
ellauri052.html on line 171: The novel, which Bellow initially intended to be a short story, is a roman à clef about Bellow's friendship with the poet Delmore Schwartz. It explores the changing relationship of art and power in a materialist America. This theme is addressed through the contrasting careers of two writers, Von Humboldt Fleisher (to some degree a version of Schwartz) and his protégé Charlie Citrine (to some degree a version of Bellow himself).
ellauri052.html on line 866: Leader (se elämäkerturi) defines Bellow’s recurrent themes as “the relative claims of life and work, the intensity of childhood experience, sexual insecurity.” He could have added Jewish life and identity, the perils of matrimony and the defects of modern civilisation. The highly disciplined fellow devoted almost every morning to the sacred writing hours from nine to one. Sale ostettiin loppupeleissä Chicagosta Bostoniin. Jasu ja Sale kehu izeään varmaan kilpaa BU:n kekkereissä.
ellauri061.html on line 584: HAMLET Why I will fight with him upon this theme HAMLET Mit vit, mä tappelen sen kanssa tästä aiheesta
ellauri061.html on line 586: QUEEN GERTRUDE O my son, what theme? KUNINGATAR GERTRUDE: Mistä aiheesta?
ellauri062.html on line 292: Because the book has been frequently challenged or banned in some of the United States of America over the last thirty years, many people have expressed discontent at The Handmaid's Tale's presence in the classroom. Some of these challenges have come from parents concerned about the explicit sexuality and other adult themes represented in the book. Others have argued that The Handmaid's Tale depicts a negative view of religion, a view supported by several academics who propose that Atwood's work satirizes contemporary religious fundamentalists in the United States, offering a feminist critique of the trends this movement to the Right represents.
ellauri067.html on line 247: Loppupäässä alkaa lukijoiden mielenkiinto Pynchoniin herpautua. Against the Day 2006 ( just ennen meidän Springfieldin reisua) inspired mixed reactions from critics and reviewers. One reviewer remarked, "It is brilliant, but it is exhaustingly brilliant." Other reviewers described Against the Day as "lengthy and rambling" and "a baggy monster of a book", while negative appraisals condemned the novel for its "silliness" or characterized its action as "fairly pointless" and remained unimpressed by its "grab bag of themes". Alkoi mennä jo ylijuonikkaax.
ellauri067.html on line 388: By the time World War II comes, as with most other comics of the time, the Hop Harrigan comic has World War II themed adventures as Hop, Tank and Prop join the US Army Air Corps in service of the war effort.
ellauri067.html on line 467: Franz von Bayros (28 May 1866 – 3 April 1924) was an Austrian commercial artist, illustrator, and painter, best known for his controversial Tales at the Dressing Table portfolio. He belonged to the Decadent movement in art, often utilizing erotic themes and phantasmagoric imagery. His work can be found at the Metropolitan Museum of Art in New York. He drew over 2000 illustrations in total. Bayros piirsi eri paljon porsliinipilluja. Sanalla sanoen, pornokuvia.
ellauri067.html on line 608: A Hot Time in the Old Town, also titled as "There’ll Be a Hot Time in the Old Town Tonight", is an American popular song, copyrighted and perhaps composed in 1896 by Theodore August Metz with lyrics by Joe Hayden. Metz was the band leader of the McIntyre and Heath Minstrels. The song was a favorite of the American military around the start of the 20th century, particularly during the Spanish–American War and the Boxer Rebellion. The tune became popular in the military after it was used as a theme by Teddy Roosevelt´s Rough Riders.
ellauri069.html on line 678: The Cracker Jack brand has been owned and marketed by Frito-Lay since 1997. Frito-Lay announced in 2016 that the prizes would no longer be provided and had been replaced with a QR code which can be used to download a baseball-themed game. We're sorry but Cracker Jack doesn't work properly without JavaScript enabled. Please enable it to continue.
ellauri071.html on line 112: Design for Living, written for Alfred Lunt and Lynn Fontanne, was so risqué, with its theme of bisexuality and a ménage à trois, that Coward premiered it in New York, knowing that it would not survive the censor in London.
ellauri071.html on line 222: As a result of this mass exposure, Junior G-Men clubs sprouted up throughout the United States and Canada as a "law and order" themed alternative to the Boy Scouts. Junior G-Men clubs found support from police departments and non-profit organizations that saw them as a means of combating juvenile delinquency. The clubs structured children´s time with activities designed to instill law-abiding attitudes, as reflected in their slogan "It's easier to build boys than to mend men." Tätä perinnettä jatkaa nytten Donald Trump and his Proud Boys. Stand back, stand by. We love you, you are special. Least said soonest mended.
ellauri073.html on line 275: Quickly on your attacks on Wallace's writing style, I will mention that -- contrary to your rather baffling notions -- people did enjoy Infinite Jest and other works of his. They will continue to do so for decades. Listen Fartey: his work will live on. People recognize great writing wherever it materializes. Forget your distaste of footnotes, or your struggle in understanding the themes and ideals his work encompasses. His audience is clearly beyond you, so try to see that not everyone feels the same as you. You don't have to like his writing, but when you detract from it it makes it even more apparent that you are the lesser man. Your comments on Foster's writing ability led me to some of your other articles, and to be completely honest, it wasn't all bad. I genuinely enjoyed your "Fucking vs. Making Love" poetry bit, although it did seem like a cheap knockoff of Black Coffee Blues. Regardless, I can still acknowledge that the piece had its moments. However (and this is where I want you to pay attention you tub of lard), the piece can also be slammed in several areas. This is highly important, as we can see the parallels between this aspect of "Fucking vs. Making Love" and anything David Foster Wallace wrote. When it comes down to it, your writing can be criticized stylistically and formatically just like his can; the only difference is that there are few that actually give a shit about your writing, whereas Wallace's work is meaningful to the point where people have legitimate incentive to think critically about it. So defile it with your petty blog posts all you want, but at the end of the day you're the one who's only making yourself look bad, and as a heavily obese man based in Europe you are surely having few problems achieving this in the status quo, since Europeans are notably fatist.
ellauri079.html on line 109: Jethro is the only surviving member of the family and has had his fair share of ups and downs since being on the show. He never really reached the level of stardom that he wanted and instead went on to be a producer and a director, as he had 6yrs of school and his uncle owned the studio. After a while he had the idea to create a Beverly Hillbillies-themed casino out of a WalMart but failed. The second attempt is still currently suspended. He’s hopeful that he’ll get things going again.
ellauri079.html on line 122: A lot of fans will remember this awkward but funny family from TV and probably be able to sing the theme song without having to hear it. The Beverly Hillbillies were after all a favorite show back in their day and inspired a lot of other ideas that came much later, like David Foster Wallace´s magnum opus The Infinite Jest. The attempt to make a movie out of the show wasn’t all that successful and kind of left a bad taste in a lot of peoples’ mouths since it was such a poor attempt that even watching the trailer was something that people didn’t want to admit for a while. Sometimes the best thing you can do is remember the good times and think back to the original that made it something special. Lets hope they will never, never try to make a movie out of Infinite Jest. Jim Incandenza tried that once already, with singularly bad results.
ellauri080.html on line 715: Every episode begins with a camera's-eye view of a model of a neighborhood, then panning in closer to a representation of a house to the music of a piano instrumental of the theme song, "Won't You be My Neighbor?".
ellauri083.html on line 116: WALSH: The novel follows the life of a brilliant young man, a genius, from his birth to his military career to a love affair with an older woman in London to Paris, where he meets a Chinese girl. And it is a very personal, fictional explanation of themes, of toleration and humanity that informed Pearl's work.
ellauri083.html on line 344: It follows a team of doctors and support staff stationed at the "4077th Mobile Army Surgical Hospital" in Uijeongbu, South Korea, during the Korean War (1950–53). The show's title sequence features an instrumental-only version of "Suicide Is Painless," the original film's theme song.
ellauri089.html on line 77: Heinlein used his science fiction to earn money and as a way to explore his provocative social and political ideas, and to speculate how progress in science and engineering might shape the future of politics, race, religion, and sex. Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of being earnest, individual liberty and self-reliance, the nature of incestual sexual relationships, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.
ellauri089.html on line 116: There's no gap between will and action, for Heinlein's juveniles adulthood is devotion to something they want to do. This is the origin of the books' guilelessness—for that worldview is innocence, down at its root, even when the grand theme of a book is slavery, war, or survival in harsh circumstances. Being human isn't an insoluble problem for them. It's a puzzle that has a solution: be juvenile. What made Robert Heinlein inimitable was the easiness of the people in those stories.
ellauri094.html on line 654: The body of Algernon Charles Swinburne’s poetry is so vast and varied that it is difficult to generalize about it. Swinburne wrote poetry for more than sixty years, and in that time he treated an enormous variety of subjects and employed many poetic forms and meters. He wrote English and Italian sonnets, elegies, odes, lyrics, dramatic monologues, ballads, and romances; and he experimented with the rondeau, the ballade, and the sestina. Much of this poetry is marked by a strong lyricism and a self-conscious, formal use of such rhetorical devices as alliteration, assonance, repetition, personification, and synecdoche. Swinburne’s brilliant self-parody, “Nephilidia,” hardly exaggerates the excessive rhetoric of some of his earlier poems. The early A Song of Italy would have more effectively conveyed its extreme republican sentiments had it been more restrained. As it is, content is too often lost in verbiage, leading a reviewer for The Athenaeum to remark that “hardly any literary bantling has been shrouded in a thicker veil of indefinite phrases.” A favorite technique of Swinburne is to reiterate a poem’s theme in a profusion of changing images until a clear line of development is lost. “The Triumph of Time” is an example. Here the stanzas can be rearranged without loss of effect. This poem does not so much develop as accrete. Clearly a large part of its greatness rests in its music. As much as any other poet, Swinburne needs to be read aloud. The diffuse lyricism of Swinburne is the opposite of the closely knit structures of John Donne and is akin to the poetry of Walt Whitman.
ellauri094.html on line 702: central theme;
ellauri095.html on line 169: Some of Hopkins´s poems, such as The Bugler´s First Communion and Epithalamion, arguably embody homoerotic themes, although the second poem was arranged by Robert Bridges from extant fragments.
ellauri095.html on line 522: In addition to specific inspirations such as these, the father communicated to his son a sense of nature as a book written by God which leads its readers to a thoughtful contemplation of Him, a theme particularly evident in Manley and Thomas Marsland Hopkins’s book of poems, Pietas Metrica. Consequently, Gerard went on to write poems which were some of the best expressions not only of the Romantic approach to nature but also the older tradition of explicitly religious nature poetry.
ellauri096.html on line 591: Although obscure at the time of its initial publication, Maldoror was rediscovered and championed by the Surrealist artists during the early twentieth century. The work's transgressive, violent, and absurd themes are shared in common with much of Surrealism's output; in particular, Louis Aragon, André Breton, Salvador Dalí, Man Ray, and Philippe Soupault were influenced by the work. Maldoror was itself influenced by earlier gothic literature of the period, including Lord Byron's Manfred, and Charles Maturin's Melmoth the Wanderer.
ellauri099.html on line 50: The whole pile of smut, with all of Wilde's original material intact, was first published in 2011 by Harvard University Press. The Picture of Dorian Gray "pivots on a gothic plot device" with strong themes interpreted from Faust.
ellauri106.html on line 668: If on my theme I rightly think, There are five reasons why men drink: Good wine; a friend; because I´m dry; Or lest I should be by and by; Or any other reason why.
ellauri107.html on line 116: Rojack's journey reflects a seminal theme for Mailer in the importance of growth by confronting serious existential situations with courage. In a 1963 letter, Mailer defines what he means by "existentialism" as "that character can dissolve in one stricken event and re-form in startling new fashion".
ellauri107.html on line 173: Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States.
ellauri108.html on line 112: There is no uniform Rasta view on race. Black supremacy was a theme early in the movement, with the belief in the existence of a distinctly black African race that is superior to other racial groups. While some still hold this belief, non-black Rastas are now widely accepted in the movement. Rastafari's history has opened the religion to accusations of racism. Cashmore noted that there was an "implicit potential" for racism in Rasta beliefs but he also noted that racism was not "intrinsic" to the religion. Some Rastas have acknowledged that there is racism in the movement, primarily against Europeans and Asians. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta. Other Rasta sects believe that an "African" identity is not inherently linked to black skin but rather is about whether an individual displays an African "attitude" or "spirit".
ellauri108.html on line 168: As Rastafari developed, popular music became its chief communicative medium. During the 1960s, ska was a popular musical style in Jamaica, and although its protests against social and political conditions were mild, it gave early expression to Rasta socio-political ideology. Particularly prominent in the connection between Rastafari and ska were the musicians Count Ossie and Don Drummond. Ossie was a drummer who believed that black people needed to develop their own style of music; he was heavily influenced by Burru, an Afro-Jamaican drumming style. Ossie subsequently popularised this new Rastafari ritual music by playing at various groundings and groundations around Jamaica, with songs like "Another Moses" and "Babylon Gone" reflecting Rasta influence. Rasta themes also appeared in Drummond's work, with songs such as "Reincarnation" and "Tribute to Marcus Garvey".
ellauri108.html on line 170: 1968 saw the development of reggae in Jamaica, a musical style typified by slower, heavier rhythms than ska and the increased use of Jamaican Patois. Like calypso, reggae was a medium for social commentary, although it demonstrated a wider use of radical political and Rasta themes than were previously present in Jamaican popular music. Reggae artists incorporated Rasta ritual rhythms, and also adopted Rasta chants, language, motifs, and social critiques. Songs like The Wailers' "African Herbsman" and Peter Tosh's "Legalize It" referenced cannabis use, while tracks like The Melodians' "Rivers of Babylon" and Junior Byles' "Beat Down Babylon" referenced Rasta beliefs in Babylon. Reggae gained widespread international popularity during the mid-1970s, coming to be viewed by black people in many different countries as music of the oppressed. Many Rastas grew critical of reggae, believing that it had commercialised their religion. Although reggae contains much Rastafari symbolism, and the two are widely associated, the connection is often exaggerated by non-Rastas. Most Rastas do not listen to reggae music, and reggae has also been utilised by other religious groups, such as Protestant Evangelicals. Out of reggae came dub music; dub artists often employ Rastafari terminology, even when not Rastas themselves.
ellauri108.html on line 222: In the mid-1970s, reggae's international popularity exploded. The most successful reggae artist was Bob Marley, who—according to Cashmore—"more than any other individual, was responsible for introducing Rastafarian themes, concepts and demands to a truly universal audience". Reggae's popularity led to a growth in "pseudo-Rastafarians", individuals who listened to reggae and wore Rasta clothing but did not share its belief system. Many Rastas were angered by this, believing it commercialised their religion.
ellauri108.html on line 229: Enthusiasm for Rastafari was dampened by the unexpected death of Haile Selassie in 1975 and that of Marley in 1981. During the 1980s, the number of Rastas in Jamaica declined, with Pentecostal and other Charismatic Christian groups proving more successful at attracting young recruits. Several publicly prominent Rastas converted to Christianity, and two of those who did so—Judy Mowatt and Tommy Cowan—maintained that Marley had converted from Rastafari to Christianity, in the form of the Ethiopian Orthodox Church, during his final days. The significance of Rastafari messages in reggae also declined with the growing popularity of dancehall, a Jamaican musical genre that typically foregrounded lyrical themes of hyper-masculinity, violence, and sexual activity rather than religious symbolism.
ellauri109.html on line 509: Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction.
ellauri109.html on line 756: My great example, as it is my theme! sua esimerkkinä, enkä ainoastaan aiheena!
ellauri112.html on line 757: Äärioikeistoon kuuluvat juutalaisväestön "edustajat" ampuvat tuliaseilla kiviä ja ilotulitteita heittäviä filistealaisia. Äärioikeistolaiset juutalaiset ovat jalkautuneet aseistautuneina partioimaan Lodin arabialueille ja pyrkivät sisään arabien koteihin. Juutalaisryhmät kannustavat netissä aatetovereitaan muualta maasta matkustamaan Lodiin. Älkää tulko ilman suojavarusteita, varoitti 1 ryhmä jäseniään The Guardianissa. Creedence Clearwater´s hit "Oh Lord, stuck in Lodi again," has been the theme of several city events in Lodi.
ellauri115.html on line 946: The most distinctive element in Socinian, as opposed to Arian, Christology is the rejection of the personal pre-existence of Christ. The theme of Christ's preexistence occurs repeatedly in the Racovian Catechism, with detailed discussion of disputed verses, such as:
ellauri119.html on line 422: Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, obsessiveness or codependency. It may also describe compassionate and affectionate actions towards other humans, one's self or animals. In its various forms, love acts as a major facilitator of interpersonal relationships and, owing to its central psychological importance, is one of the most common themes in the creative arts. Love has been postulated to be a function that keeps human beings together against menaces and to facilitate the continuation of the species.
ellauri119.html on line 539: Extreme examples of mania in popular culture include yandere anime and manga characters. Additionally, manic love is a central theme in the films Endless Love, Fatal Attraction, Misery, Play Misty for Me, Swimfan, and Taxi Driver.
ellauri119.html on line 684: She is good at writing a thriller novel and carries a hypnotic theme that keeps the reader absorbed and lends to a subtle brainwashing/indoctrination toward her worldview. That doesn´t make it right, just believable, and, unfortunately, too many people think that believable means it is true. Believable just means that you can be fooled.
ellauri133.html on line 72:
Prologue. The fuzzy bit at the beginning that doesn’t make sense until you’ve read the whole novel. It's backstory in disguise. Prologues that start a thousand years in the past will cause the author to burn in hell. Okay, you most likely also speed forward over the Paw Patrol theme song.
ellauri133.html on line 466: I think the whole story is a bit of a— approaches the theme of growing up, and the group sex episode in the book is a bit of a metaphor of the end of childhood and into adulthood. And I don’t think it was really needed in the movie, apart that it was very hard to allow us to shoot an orgy in the movie so, I didn’t think it was necessary because the story itself is a bit of a journey, and it illustrates that. And in the end, the replacement for it is the scene with the blood oath, where everyone sort of says goodbye. Spoiler. The blood oath scene is there and it’s the last time they see each other as a group. It’s unspoken. And they don’t know it, but it’s a bit of a foreboding that this is the last time, and being together was a bit of a necessity to beat the monster. Now that the monster recedes, they don’t need to be together. And also because their childhood is ending, and their adulthood is starting. And that’s the bittersweet moment of that sequence. Blood oath, bloody sheath, they even sound the same.
ellauri141.html on line 404: The solfege system (Do, Re, Mi), which is the theme of a song by the Von Trapp children, is just a small sample of Horace's all-pervasive influence on western culture, even among people who might never have heard the name Quintus Horatius Flaccus. Horace was not just a superb literary craftsman, but a musician, songwriter and entertainer for the Roman elite, creating a new Latin idiom derived from Greek lyric song. A final chapter, "Horace, Guido and the Do-re-mi Mystery", the result of careful research and detective work, argues that Guido d'Arezzo, an eleventh-century Benedictine choirmaster, used the melody of Horace's Ode to Phyllis (alla) to invent the do-re-mi mnemonic, but applied it to an eighth-century Hymn to John the Baptist ("Ut queant laxis") by Paul the Deacon, keeping the true source secret. A musical comparison of the Horatian melody and Guido's version of "ut-re-mi" is included. Lyons' verse translation of the Odes was named a Financial Times Book of the Year (1996) and was welcomed as 'a wonderful rendering of one of the great, central poets in the European tradition.'
ellauri142.html on line 55: Markku's life changes after he becomes the sole heir to his father's vast estate, and his position in society is changed from that of an illegitimate son to the new Count Bezukhov. His inability to control his emotions and sexual passions lead him into a marriage with the vapid but sexually beautiful Princess Kristina, a match which her self-serving father, Prince Carl Erik, sets up to secure his access to Markku's newly acquired vast fortune. Kristina is not in love with Markku, and has affairs. From jealousy, Markku shoots his suspected lover, Dolokhov, in a duel. He is distraught at having committed such a crime and eventually separates from Kristina and then becomes a Freemason. His madhat escape into the city of Moscow and his subsequent obsessive belief that he is destined to be Napoleon’s mistress show his submission to irrational impulses. Yet his search for meaning in his life and for how to overcome his emotions are a central theme of the novel. He eventually finds love and marriage with Pirkko Hiekkala, becomes a ladies shoes salesman called Al Bundy and their marriage is perhaps the culmination of a life of moral and spiritual questioning. They have four children: three boys and one girl. Correction, one extremely good-looking platinum blonde girl and one about equally gifted son.
ellauri142.html on line 116: In 1870, The Shriners, a group of elite Freemasons, created their first rituals, emblems, and costumes based on Middle Eastern themes, when 11 Master Masons were initiated into the organization.
ellauri142.html on line 147: Geometry and architecture are essential themes within Freemasonry, which is why Freemasons often refer to God as either The Supreme Being or The Grand Geometrician. These names help keep the concept of God as generic, and not tied to a specific religion, which removes any chance that a member will be offended.
ellauri143.html on line 92: The Kura is structured into 133 chapters, each containing 10 couplets (or kuras), for a total of 1,330 couplets. All the couplets are in kura venba metre, and all the 133 chapters have an ethical theme and are grouped into three parts, or "books":
ellauri150.html on line 492: The story recounts the adventures of Judah Ben-Hur, a Jewish prince from Jerusalem, who is enslaved by the Romans at the beginning of the first century and becomes a charioteer and a Christian. Running in parallel with Judah's narrative is the unfolding story of Jesus, from the same region and around the same age. The novel reflects themes of betrayal, conviction, and redemption, with a revenge plot that leads to a story of gay love and compassion.
ellauri151.html on line 562: Wittgenstein referred to Hamannian themes and to Hamann’s
ellauri151.html on line 566: themes of divine language and an epistemology of faith.
ellauri159.html on line 1021: Begin scheduling a writing project as soon as you receive it. Jot down your ideas in a rough first draft to give yourself something tangible to work with. Be quick to see a theme forming in the draft, so this theme guides them through the development of the project.
ellauri159.html on line 1083: No need to develop a unifying theme. To orient the reader, it is enough to include a thesis statement or some other statement of purpose in the opening.
ellauri159.html on line 1115: You may procrastinate because writing is essentially an introverted activity, and you are a super extrovert. Be sure to schedule ample time for revision (your own and your poor teacher´s). Don´t worry, the first draft is sure be unfocused—full of ideas but without a unifying theme. The subsequent drafts will be the same, until your teacher can isolate your best ideas and weave them together more or less coherently.
ellauri159.html on line 1149: Focus on the concrete and avoid useless abstract concepts. As a result, your writing will lack a unifying theme that communicates the author’s purpose to those who do not need to know. Be sure to incorporate an organizing principle or chart, such as problem–solution, to serve as a roadmap for the intended reader, for example on a separate crypted page.
ellauri159.html on line 1197: You dislike writing according to a predetermined structure. You want control over their own creative process. You are drawn to original pictures and imaginative symbols. When revising a draft, search for a central, unifying theme, and articulate it for your reader. At the same time, avoid trying too hard to be unique. Instead, aim for authenticity, remember to mention the sources of the pictures.
ellauri164.html on line 963: But wait. Didn’t we already learn a similar story back in Exodus? In fact, the first story of thirst came very soon after the crossing at the Sea of Reeds (Shemot 17:4). Since that was at the very beginning of the sojourn in the wilderness, before the events that led to God’s decision to delay the Israelites’ entry to the Land—and this story is at the end of the forty years—we can see the two stories as forming a kind of a framework around the whole saga of the wandering. In the first story, the Israelites were the first generation of those who left Egypt. In this story, they are the children and grandchildren of that generation. When we see this kind of framework, we look for the similarities and differences between the bracketing stories. At the same time, we understand that they suggest a theme for the stories between them.
ellauri172.html on line 767: One of St. Olaf's chief attractions is a giant black hole, which the townspeople enjoyed standing around and looking at - which prompted Dorothy to refer to St. Olaf sarcastically as the real "entertainment capital of the world." St. Olafians also celebrate various oddly themed festivals, including; "Hay Day" (the day everyone in town celebrates hay),"The Crowning of the Princess Pig", "The Day of the Wheat" (where everyone goes to town dressed like sandwiches), "The Festival of the Dancing Sturgeons" (a festival where the townsfolk watch sturgeons flopping around on the dock), a "Butter Queen" competition (in which Rose almost won, however her churn jammed causing her to believe it had been tampered with), and a milk diving competition (Rose ranked in the "low fat" division), as well as many other events.
ellauri180.html on line 571: The dream of the speaker revolves around one main concept, “darkness.” Byron’s ‘Darkness’ is considered one of the best poems ever on the theme of darkness.
ellauri182.html on line 218: Kirjallisuussiten themes/">jättimäinen luettelo yleisistä teemoista on "jännästi" vähän eri proosalle, runoudelle ja leffoille. Ehkä jotkut aiheet on liian monimutkaisia leffoille ja liian arkisia runoille? Proosan aiheet on lausemaisempia ja niissä on usein mukana joku opetus. Mutta onko runo- tai leffa-aiheita joita ei sovi käsitellä proosassa? Onko proosa, runot ja leffat yleisesti ottaen tarkoitettu eriluonteisille ihmisille ja sixi niiden teematkin on erilaisia, vastaten yleisön (ja/tai väsääjien) luonteenomaisia harrastuxia ja arvomaailmoja? Vai onko tässä otannallinen vääristymä. Se on todennäköistä. Sopii toivoa, että netti ym. julkisuudessa esiintyvien termiittiapinoiden pärstien ja mielipiteiden tomppelius on vääristymä sekin, eli esiin nousevat pahimmat paskakökkäreet kuin kerma maidon pinnalle. Vaikka toisaalta, tavallset turvelothan ne kökkäreet esiin nostavat kuin 200M kärpästä, Google-äänestyxellä.
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ellauri184.html on line 60: Morales moved in with Mailer during 1951 into an apartment on First Avenue near Second Street in the East Village, and they married in 1954. They had two daughters, Danielle and Elizabeth. After attending a party on Saturday, November 19, 1960, Mailer stabbed Adele twice with a two-and-a-half inch blade that he used to clean his nails, nearly killing her by puncturing her pericardium. He stabbed her once in the chest and once in the back. Adele required emergency surgery but made a quick recovery. Mailer claimed he had stabbed Adele "to relieve her of cancer". He was involuntarily committed to Bellevue Hospital for 17 days. While Adele did not press charges, saying she wanted to protect their daughters, Mailer later pleaded guilty to a reduced charge of assault saying, "I feel I did a lousy, dirty, cowardly thing", and received a suspended sentence of three years' probation. In 1962, the two divorced. In 1997, Adele published a memoir of their marriage entitled The Last Party, which recounted her husband stabbing her at a party and the aftermath. This incident has been a focal point for feminist critics of Mailer, who point to themes of sexual violence in his work.
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ellauri197.html on line 82: Yeats engages with several important themes in ‘Down By the Salley Gardens’ such as memory and love/relationships. There is also a great deal of regret underneath these primary themes. The speaker spends the poem looking back at a failed relationship, one that he surely regrets and would like to go back and change. He knows exactly what he did wrong, in fact, his love warned him about it several times and he didn’t listen. This is likely part of what makes the loss so painful, even though a great deal of time has passed.
ellauri197.html on line 178: Yeats' poem was completed in 1936. Yeats, in an oft quoted letter, describes the gift thus: "Lapis Lazuli carved by some Chinese sculptor into the semblance of a mountain with temple, trees, paths, and an ascetic and pupil about to climb the mountain. Ascetic, pupil, hard stone, eternal theme of the sensual east. The heroic cry in the midst of despair. But no, I am wrong, the east has its solutions always and therefore knows nothing of tragedy. It is we, not the east, that must raise the heroic cry." (Letter to Dorothy Wellesley (as in Wellesley College?) July 6 1935)
ellauri198.html on line 144: Not all reviewers agree that Warren’s work deserves such unqualified praise. Though Warren tackles unquestionably important themes, his treatment of those themes borders on the bombastic. Warren becomes ridiculous on occasion, whenever we lapse from total conviction. His philosophical musings are “sometimes truly awkward and sometimes pseudo-profound.” Warren thus joins a central American tradition of speakers—Emerson, Thoreau, Henry Adams, Norman Mailer—who are not only the salesmen but the advertisers of their own snake oil.”
ellauri198.html on line 708: The Dark Tower is a series of eight novels and one short story written by American author Stephen King. Incorporating themes from multiple genres, including dark fantasy, science fantasy, horror, and Western, it describes a "gunslinger" and his quest toward a tower, the nature of which is both physical and metaphorical. The series, and its use of the Dark Tower, expands upon Stephen King's multiverse and in doing so, links together many of his other novels.
ellauri204.html on line 688: Sexton was heavily criticized for her poetic content and themes, but these topics contributed to the popularity of her work. Transformations (1971) is a revisionary retelling of Grimm's Fairy Tales. Check If der eiserne Hans is included.
ellauri204.html on line 704: Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as one of the major figures of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican practices. Hirveää scheissea.
ellauri210.html on line 831: The word “Dada” brings to mind an international range of extreme modernist antics. The book’s title is something of a publicist’s misnomer. Jacques Rigaut is the only confirmed suicide among the group, and while Jacques Vache did die of a drug overdose, many, including author Michel Leiris, claimed that his death was accidental, characterized as deliberate by those aiming to enhance Vache’s cultural cache. Arthur Cravan and Julian Torma simply disappeared, wandering into, rather than jumping towards, the cracks of avant-garde history. Of the four only Rigaut is genuinely obsessed with themes of self-destruction.
ellauri214.html on line 83: But if fans are expecting a Harry Potter-like book, they’re in for a shock: The Casual Vacancy features some similar Harry Potter themes, such as morality and mortality, but that is where the comparisons end. The adjectives, for example, are of a different sort.
ellauri214.html on line 88: The Harry Potter series didn’t become a global phenomenon just because it was an exciting adventure, but because there was a real heart to it, characters who had both strengths and weaknesses, who struggled with their choices, much like Batman or Superman. Not so this time. Instead, “The Casual Vacancy” is a generally well-written book whose central theme is responsibility for those less fortunate, all the time imbued with ever-present British themes of class and notions of propriety.
ellauri214.html on line 181: Depending on the rating, I’m seen drinking hard liquor and doing drugs. But unless the show's theme is about drugs, these habit never really have negative impact on my health or my actions.
ellauri219.html on line 756: The theme, if the present interpreter be right, is the great regeneration, the birth of the spiritual from the psychical man: the same theme which Paul so wisely and eloquently set forth in writing to his disciples in Corinth, the theme of all mystics in all lands: oka kyljessä, minnekä se tuikata?
ellauri220.html on line 69: The theme was the March from Prokofiev's The Love for Three Oranges, arranged for small symphony orchestra by Amedeo De Filippi, with Vladimir Selinksy conducting. The music was accompanied by a chant of "L-A-V-A," in reference to the show's sponsor being Lava soap.
ellauri222.html on line 141: This notion that Bellow’s achievement as a novelist was redemptive of the form was a consistent theme in the reviews up through “Herzog.” So was the notion that his protagonists were representatives of the modern condition. After “Herzog,” those reactions largely disappeared. People stopped fretting about the death of the novel, and Bellow’s protagonists started being treated as what they always were, oddballs and cranks. But the critical reception of Bellow’s books in the first half of his career funded his reputation. It cashed out, ultimately, in the Nobel Prize. Nobels are awarded to writers who are judged to have universalized the marginal.
ellauri222.html on line 277: One of your persistent themes is the purgation one can obtain only through rage. The forces of aggression are liberating, etc. And I can see that as a legitimate point of view. OK if your characters are titans. But Eve is simply a pitiful woman and Sylphid is a pampered, wicked fat girl with a bison hump. These are not titans.
ellauri222.html on line 357: The Spanish word for eagle, as Augie learns, is águila, and the similarity between that word and Augie’s name invites a comparison between the eagle and the man. Both the eagle and Augie are adopted and trained by others for schemes they barely understand. And both the eagle and Augie prove to be sensitive creatures, not quite vicious enough to succeed in a Machiavellian world. The episode with the eagle can be read as a metaphor for one of the main themes of the book: nature as destiny. Ultimately, neither the eagle nor Augie does what others expect them to do, but follow their own nature. No tästähän me ollaan jo puhuttu.
ellauri222.html on line 359: The foremost theme in The Adventures of Augie March is the search for identity. Unsure of what he wants from life, Augie is pulled along into the schemes of friends and strangers, trying on different identities and learning about the world through jobs ranging from union organizer to eagle trainer to book thief. His path seems random, but as Augie notes, quoting the Greek philosopher Heraclitus, “a man’s character is his fate.” As Augie goes through life, knocking on various doors, these doors of fate open up for him as if by random, but the knocks are unquestionably his own. In the end of the novel, Augie defines his identity as a “Columbus of those near-at-hand,” whose purpose in life is to knock some eggs. Augie notes that “various jobs” are the Rosetta stone, or key, to his entire life. Americans define themselves by their work (having no roots, family or land to stick to), and Augie is a sort of vagabond, trying on different identities as he goes along. Unwilling to limit himself by specializing in any one area, Augie drifts from job to job. He becomes a handbill-distributor, a paperboy, a Woolworth’s stocker, a newsstand clerk, a trinket-seller, a Christmas helper at a department store, a flower delivery boy, a butler, a clerk at fine department stores, a paint salesman, a dog groomer, a book thief, a coal yard worker, a housing inspector, a union organizer, an eagle-trainer, a gambler, a literary researcher, a business machine salesman, a merchant marine, and ultimately an importer-exporter working in wartime Europe. Augie’s job changing is emblematic of the social mobility that is so quintessentially American. Augie is the American Everyman, continually reinventing himself, like Donald Duck. Olemme kaikki oman onnemme Akuja, joopa joo. Yrmf, olet tainnut mainita. You are telling me!
ellauri222.html on line 365: One of the major themes of the novel is the human tendency toward dishonesty. Augie is not a particularly honest character. He cheats, he steals, and lies quite frequently. Dishonesty characterizes many of the other characters in the novel, including Grandma, Einhorn, Mimi (who lies to doctors that she thinks her pregnancy abnormal), Stella, Agnes, and Mintouchian. The only characters who do not lie or cheat are the simple-minded Mama and Georgie. Lying appears necessary for people to survive in a Machiavellian world. As Mintouchian puts it: “I’m a great admirer of our species. I stand in awe of the genius of the race. But a large part of this genius is devoted to lying and seeming what you are not.” The ethics of the American Jew. The book starts with a lie: I am an American, Chicago born."
ellauri222.html on line 886: Ozymandias (/ˌɒziˈmændiəs/ oz-ee-MAN-dee-əs; real name Adrian Alexander Veidt) is a fictional anti-villain in the graphic novel limited series Watchmen, published by DC Comics. Created by Alan Moore and Dave Gibbons, named "Ozymandias" in the manner of Ramesses II, his name recalls the famous poem by Percy Bysshe Shelley, which takes as its theme the fleeting nature of empire and is excerpted as the epigraph of one of the chapters of Watchmen. Ozymandias is ranked number 25 on Wizard's Top 200 Comic Book Characters list and number 21 on IGN's Top 100 Villains list. No, wait, Ozymandias was a Greek name for the pharaoh Ramesses II (r. 1279–1213 BC), derived from a part of his throne name, Usermaatre. In 1817, Shelley began writing the poem "Ozymandias", after the British Museum acquired the Younger Memnon, a head-and-torso fragment of a statue of Ramesses II, which dated from the 13th century BC. Earlier, in 1816, the Italian archeologist Giovanni Battista Belzoni had "removed" the 7.25-short-ton (6.58 t; 6,580 kg) statue fragment from the Ramesseum, the mortuary temple of Ramesses II at Thebes, Egypt. The reputation of the statue fragment preceded its arrival to Western Europe; after his Egyptian expedition in 1798, Napoleon Bonaparte had failed to acquire the Younger Memnon for France. Although the British Museum expected delivery of the antiquity in 1818, the Younger Memnon did not arrive in London until 1821. Shelley published his poems before the statue fragment of Ozymandias arrived in Britain, and the view of modern scholarship is that Shelley never saw the statue, although he might have learned about it from news reports, as it was well known even in its previous location near Luxor.
ellauri222.html on line 888: The book Les Ruines, ou méditations sur les révolutions des empires (1791) by Constantin François de Chassebœuf, comte de Volney (1757–1820), first published in an English translation as The Ruins, or a Survey of the Revolutions of Empires (London: Joseph Johnson, 1792) by James Marshall, was an influence on Shelley. helley had explored similar themes in his 1813 work Queen Mab. Typically, Shelley published his literary works either anonymously or pseudonymously, under the name "Glirastes", a Graeco-Latin name created by combining the Latin glīs ("dormouse") with the Greek suffix ἐραστής (erastēs, "lover", vitut se on mikään suffixi!); the Glirastes name referred to his wife, Mary Shelley, whom he nicknamed "dormouse". Unikeon köyrijä. Mäuschen, sanoi Percy Marylle niikö Pikin kreikkalainen poikaystävä, setämäinen Kleomenis.
ellauri236.html on line 192: In another of Mr. Chase's books, He Won't Need It Now, the hero, who is intended to be a sympathetic and perhaps even noble character, is described as stamping on somebody's face, and then, having crushed the man's mouth in, grinding his heel round and round in it. Even when physical incidents of this kind are not occurring, the mental atmosphere of these books is always the same. Their whole theme is the struggle for power and the triumph of the strong over the weak. The big gangsters wipe out the little ones as mercilessly as a pike gobbling up the little fish in a pond; the police kill off the criminals as cruelly as the angler kills the pike. If ultimately one sides with the police against the gangsters, it is merely because they are better organized and more powerful, because, in fact, the law is a bigger racket than crime. Might is right: vae victis. But think of it, what is new? All undying epic heroes are described as stamping on one anothers faces.
ellauri236.html on line 206: Until recently the characteristic adventure stories of the English-speaking peoples have been stories in which the hero fights against odds. This is true all the way from Robin Hood to Pop-eye the Sailor. Perhaps the basic myth of the Western world is Jack the Giant-killer, but to be brought up to date this should be renamed Jack the Dwarf-killer, and there already exists a considerable literature which teaches, either overtly or implicitly, that one should side with the big man against the little man. Most of what is now written about foreign policy is simply an embroidery on this theme, and for several decades such phrases as ‘Play the game’, ‘Don't hit a man when he's down’ and ‘It's not cricket’ have never failed to draw a snigger from anyone of intellectual pretensions. What is comparatively new is to find the accepted pattern, according to which (a) right is right and wrong is wrong, whoever wins, and (b) weakness must be respected, disappearing from popular literature as well. When I first read D. H. Lawrence's novels, at the age of about twenty, I was puzzled by the fact that there did not seem to be any classification of the characters into ‘good’ and ‘bad’. Lawrence seemed to sympathize with all of them about equally, and this was so unusual as to give me the feeling of having lost my bearings. Today no one would think of looking for heroes and villains in a serious novel, but in lowbrow fiction one still expects to find a sharp distinction between right and wrong and between legality and illegality. The common people, on the whole, are still living in the world of absolute good and evil from which the intellectuals have long since escaped. But the popularity of No Orchids and the American books and magazines to which it is akin shows how rapidly the doctrine of ‘realism’ is gaining ground.
ellauri238.html on line 765: During the nazi occupation, he worked as a feeder of lice in the Rudolf Weigl Institute. From January until July 1952, he was a salaried blood donor. The loss of Lviw to the reds was an important theme in his later works. Herbert was attached to his new homeland tynkä-Poland, but at the same time was deeply disgusted by all effects (political, economical, cultural etc.) of the commies.
ellauri245.html on line 290: „Jo Nesbøs 700-seitiges Krimi-Opus „Leopard“ nötigt Bewunderung ab ob der fehlerfreien, mathematisch anmutenden Konstruktion. Doch darin liegt auch seine Schwäche: Es gleicht einer Kunstübung, die wegen dieser Künstlichkeit nichts mehr mit einem Krimi zu tun hat. Nesbø bremst sich selber aus, lässt nur aufkeimen, um es wieder vom Tapet zu nehmen, hat er doch schon sämtliche Neben- und Kernthemen ineinander verwoben. Er hat den Bogen überspannt, legt falsche Fährten und lässt das Weber-Schiffchen in seinem Geflecht wirklich durch alle Richtungen schießen, um seine Kernthemen anzuheizen und das eine mit in das andere herüberzuziehen. Er überhitzt. Nach etwa 500 Seiten steht ein exaltiertes, kühnes Gerüst eines Molekülmodells mit dutzenden angeordneter Atome. Nicht, dass das nicht zu verstehen wäre. Doch es entbehrt jeder menschlichen Natürlichkeit. Die restlichen 200 Seiten wirken wie die Anmerkungen zu einem Fachbuch; und das, obgleich doch der blutige Showdown erst noch kommen soll.“
ellauri247.html on line 530: Baboons leave their lairs at dawn and congregate to chatter and howl, while jumping in the warmth of the early morning sun, as if singing and dancing. The belief that they greet the rising sun gave rise to a favorite theme in art – baboon in attitude of adoration, facing the sun with raised arms as if ‘offering prayers and salutation to the first rays of dawn’.
ellauri262.html on line 204: In addition to his scholarly work, Lewis wrote several popular novels, including the science fiction Space Trilogy for adults and the Narnia fantasies for children. Most deal implicitly with Christian themes such as sin, humanity's fall from grace, and redemption.
ellauri262.html on line 208: The second novel, Perelandra, depicts a new Garden of Eden on the planet Venus, a new Adam and Eve, and a new "serpent figure" to tempt Eve. The story can be seen as an account of what might have happened if the terrestrial Adam had defeated the serpent and avoided the Fall of Man, with Ransom intervening in the novel to "ransom" the new Adam and Eve from the deceptions of the enemy. The third novel, That Hideous Strength, develops the theme of nihilistic science threatening traditional human values, embodied in Arthurian legend.
ellauri262.html on line 211: The books contain Christian ideas intended to be easily accessible to young readers. In addition to Christian themes, Lewis also borrows characters from Greek and Roman mythology, as well as traditional British and Irish fairy tales.
ellauri264.html on line 130: A children's book appropriating the Pepe character, The Adventures of Pepe and Pede, advanced "racist, Islamophobic and hate-filled themes", The book's author, a vice-principal with the Denton Independent School District, was reassigned after the publicity. In January 2019, the video game Jesus Strikes Back: Judgment Day was released, which allows players to play as Pepe the Frog, among other figures, and murder various target groups including feminists, minorities, and liberals.
ellauri264.html on line 475: Born in Gloucester, England, poet, editor, and critic William Ernest Henley was educated at Crypto Grammar School, where he studied with the poet T.E. Brown, and with the University of St. Andrews. His father was a struggling bookseller who died when Henley was a teenager. At age 12 Henley was diagnosed with tubercular arthritis that necessitated the amputation of one of his legs just below the knee; the other foot was saved only through a radical surgery performed by Joseph Lister. As he healed in the infirmary, Henley began to write poems, including “Invictus,” which concludes with the oft-referenced lines “I am the master of my fate; / I am the captain of my soul.” Henley’s poems often engage themes of inner strength and perseverance. His numerous collections of poetry include A Book of Verses (1888), London Voluntaries (1893), and Hawthorn and Lavender (1899).
ellauri269.html on line 566: Pandaren are so chinese themed that you would have to be from another planet to deny it.
ellauri269.html on line 588: Not every race is 1:1 representation of a real world culture besides some exceptions like Worgen but thats only their visual theme and it does not go any deeper than that.
ellauri270.html on line 313: This seemingly idyllic beginning establishes a setting at odds with the violent resolution of the story. Early details, such as sun and flowers, all have positive connotations, and establish the theme of the juxtaposition of peace and violence. The lottery is mentioned in the first paragraph, but not explained until the last lines.
ellauri270.html on line 345: Mrs. Dunbar is the only woman to draw in the lottery, and the discussion of her role in the ritual proceedings emphasizes the theme of family structure and gender roles. Women are considered so inferior that even a teenaged son would replace a mother as the “head of household.” Wow this is going back to last century, or to Afghanistan! The formality surrounding these proceedings shows Mrs. Dunbar’s involvement to be an anomaly for the village.
ellauri272.html on line 318: with Forney's black-comedy illustrations explore themes of "racial tension,
ellauri275.html on line 453: Chavchavadze's influence over Georgian literature was immense. He moved the Georgian poetic language closer to the vernacular, combining the elements of the formal wealth and somewhat artificial antiquated "high" style inherited from the 18th-century Georgian Renaissance literature, melody of Persian lyrical poetry, particularly Hafiz and Saadi, bohemian language of the streets of Tiflis and the moods and themes of European Romanticism. The subject of his works varied from purely anacreontic in his early period to deeply philosophic in his maturity.
ellauri276.html on line 603: Here we are on familiar ground, for the beginning is that of the well-known Condescending Lass, often printed on broadsides, and not infrequently met with in the mouths of country singers to this day. The Condescending Lass belongs to a sizeable family of songs on the theme “I wouldn't marry a …”. In it the girl reviews men of various trades, and rejects them all until she finds one whom she will deign to consider. But the present version loses sight of this theme, and from verse two onwards forgets all about the persnickety girl, settling down to a eulogy of the ploughman's trade, though here and there the words still recall those of The Condescending Lass. For the sake of coherence we have abandoned Mr Burstow's first verse and given it another title (he called it: Pretty Wench). The Taverners Folk Group sang The Ploughman in 1974 on their Folk Heritage album Times of Old England. They noted:
ellauri277.html on line 221: Day was partial to exotic and orientalist themes and produced elegant homoerotic photographs of young men. Day became Gibran’s friend and patron, using the boy as a nude model, introducing him to smutty literature, and "helping him with his drawing". No one who reads Gibran’s works and knows Day’s tastes can doubt the depth of the latter’s influence on Gibran. Perhaps more important, Day and Day’s friends convinced Gibran that he had a special artistic calling.
ellauri277.html on line 248: The work begins with the prophet Almustafa preparing to leave the city of Orphalese, where he has lived for twelve years, to return to the island of his birth. The people of the city gather and beg him not to leave, but the seeress Almitra, knowing that his ship has come for him, asks him instead to tell them his truths. The people ask him about the great themes of human life: love, marriage, children, giving, eating and drinking, and many others, concluding with death. Almustafa speaks of each of the themes in sober, sonorous aphorisms grouped into twenty-six short chapters. As in earlier books, Gibran illustrated The Prophet with his own drawings, adding to the power of the work.
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ellauri278.html on line 324: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
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ellauri281.html on line 323: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
ellauri302.html on line 64: Yet the essentially (though not conventionally) moral earnestness of both Shaw and Ash brings the circles of their themes in a sense tangent to each other. neither falls prey to that sentimentalization of the prostitute which Dumas helped so much to effect and which Augier strove to combat, nor the delusion of the conservative, conventional horror before an institution for the perpetuation of which conservatism and conventionalism are much to blame. Its all just business as usual. Pecunia non olet.
ellauri321.html on line 101: A new English edition appeared in the year following, and an American reprint of the editio princeps was brought out by Matthew Carey in Philadelphia in 1793. In the meantime its author, whose full name was J. Hector Saint John de Crèvecoeur, had himself translated the book into French, adding to it very considerably, and publishing it in Paris in 1784.* A second French edition, still further enlarged and containing excellent maps and plates, appeared in 1787. These bibliographical facts are significant. They show that for at least twenty years, probably for a much longer period, the “Letters from an American Farmer” was an important interpreter of the New World to the Old. It seems to have been in answer to a demand aroused by his first book that Crèvecoeur ventured to treat the same theme once more. But the three bulky volumes of his “Journey in Upper Pennsylvania” (1801) contain little that is now or illuminating.
ellauri333.html on line 79: The Kala Pani theme features prominently in the Indo-Caribbean history, and has been elaborately discussed in the writings of V. S. Naipaul. Ashoka oli proselyytti buddhisti. Ashoka also states that he sent emissaries to the West to transmit medical care and medicinal plants (Major Rock Edict No.2). We do not know what the influence of these emissaries was on the Greek world. Most likely null. Barbaarit varmaan mätki niitä takaraivoon ja vei Ketan kamat.
ellauri334.html on line 337: I am Jewish…..I have always viewed Judas as the purist of adherers to Jesus….He got a bum steer and killed himself when he revealed that Jesus would be in the garden of gesthemene where he could be captured. Judas stuck to the teachings of Jesus….Jesus got very heady being a Leader, as Judas saw it..
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ellauri375.html on line 375: I'm not specifically aligned with any philosophical school, but the pursuit of joy and fulfillment is a common theme across many philosophical and spiritual traditions, including Epicureanism. However, it's just one perspective. Other philosophies emphasize different aspects of life's meaning, such as virtue, duty, or spiritual enlightenment.
ellauri391.html on line 550: Sabina on feministikuikelo joka kaivelee Wittgensteinin reppua. The influence of Tolstoy on Wittgenstein is discussed and elaborated with reference to the idea of a “form of life” as a locus of order, and also to that of “exceptionality” in an unfolding course of events—the latter setting up a connection with the “apocalyptic” theme. Lovibondit ovat kai anglosaxeja.
ellauri392.html on line 658: Analysis (ai): "Next, Please" by Philip Larkin explores themes of unfulfilled expectations and the passage of time. The poem depicts the speaker's frustration with the incessant anticipation of future events that ultimately fail to deliver on their promises.
ellauri392.html on line 719: These writers have worked on a variety of interesting themes having to do with Jewishness:
ellauri392.html on line 739: Jewish writers managed to interlace the theme of alienation and sick society with the theme of Jewish family. Family is a beacon of hope in Judaism. All three chaps mentioned above were real traditional Jewish family sugardaddies.
xxx/ellauri027.html on line 966: The point is to facilitate the situation in a way that allows for the emergence of emotions that support a given theme and adds life to it. For instance, most people feel emotionally different in a quiet cathedral than in a rock concert.
xxx/ellauri027.html on line 1002: If 100 people manage to focus for five hours on themes that touch everybody and bear on the grand themes of life in a subjectively significant way, reaching personally relevant insights in the course of the process, any normal human being can attest to the fact that something of significance has happened even if it is not immediately obvious what has taken place.
xxx/ellauri027.html on line 1027: The Paphos seminar is not statement-based. The seminar does not seek to provide the ”right” answers. It does not even identify ”fundamental themes”. No particular beliefs are targeted as objects of criticism or veneration. Instead, the content is expected to shine through as if behind a veil. Generic themes such as ”choice”, ”respect”, ”love”, ”temporality” serve like melodies in the background.
xxx/ellauri057.html on line 858: Environmental change features prominently in the novel – indeed, it is one of the main themes of Markens grøde. Deforestation, the drainage of wetlands, and changes in the local species composition (and thus of biodiversity) are recurring motives throughout the novel. Yet while such transformations of the non-human environment tend to arouse negative associations today, in the novel they appear as inevitable and indeed highly desirable.
xxx/ellauri068.html on line 553: He wrote hundreds of songs, many becoming major hits, which made him famous before he turned thirty. During his 60-year career he wrote an estimated 1,500 songs, including the scores for 20 original Broadway shows and 15 original Hollywood films, with his songs nominated eight times for Academy Awards. Many songs became popular themes and anthems, including "Alexander's Ragtime Band", "Easter Parade", "Puttin' on the Ritz", "Cheek to Cheek", "White Christmas", "Happy Holiday", "Anything You Can Do (I Can Do Better)", and "There's No Business Like Show Business". His Broadway musical and 1943 film This is the Army, with Ronald Reagan, had Kate Smith singing Berlin's "God Bless America" which was first performed in 1938.
xxx/ellauri075.html on line 122: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been readily available. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
xxx/ellauri075.html on line 182: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been available in English. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
xxx/ellauri081.html on line 116:
What is the theme of the poem The Tyger?
xxx/ellauri081.html on line 158: The main theme of William Blake's poem "The Tyger" is creation and origin. The speaker is in awe of the fearsome qualities and raw beauty of the tiger, and he rhetorically wonders whether the same creator could have also made "the Lamb" (a reference to another of Blake's poems).
xxx/ellauri084.html on line 535: Ronald Brown (Riippumaton, ruskea) pyrki U.S. Taloon edustamaan Tennesseetä 7. Kongressialueelta. Hän hävisi yleisissä vaaleissa Marraskuu 3, 2020. Brown täytti Äänestyspedian Ehdokassidosryhmäkyselyn v 2020. Klikkaa themes">tästä nähdäxesi kyselyvastauxet.
xxx/ellauri086.html on line 662: The Scarlet Letter: A Romance is a work of historical fiction by American author Nathaniel Hawthorne, published in 1850. Set in Puritan Massachusetts Bay Colony during the years 1642 to 1649, the novel tells the story of Hester Prynne, who conceives a daughter through an affair and then struggles to create a new life of repentance and dignity. Containing a number of religious and historic allusions, the book explores themes of legalism, sin, and guilt.
xxx/ellauri086.html on line 704: The major theme of The Scarlet Letter is shaming and social stigmatizing, both Hester´s public humiliation and Dimmesdale´s private shame and fear of exposure. Notably, their liaison is never spoken of, so the circumstances that led to Hester´s pregnancy, and how their affair was kept secret never become part of the plot.
xxx/ellauri086.html on line 708: Elmer Kennedy-Andrews remarks that Hawthorne in "The Custom-house" sets the context for his story and "tells us about ´romance´, which is his preferred generic term to describe The Scarlet Letter, as his subtitle for the book – ´A Romance´ – would indicate." In this introduction, Hawthorne describes a space between materialism and "dreaminess" that he calls "a neutral territory, somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet, and each imbues itself with nature of the other". This combination of "dreaminess" and realism gave the author space to explore major themes.
xxx/ellauri086.html on line 919: The essay states Poe's conviction that a work of fiction should be written only after the author has decided how it is to end and which emotional response, or "effect", he wishes to create, commonly known as the "unity of effect". Once this effect has been determined, the writer should decide all other matters pertaining to the composition of the work, including tone, theme, setting, characters, conflict, and plot. In this case, Poe logically decides on "the death... of a beautiful woman" as it "is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover." Some commentators have taken this to imply that pure poetry can only be attained by the eradication of female beauty. Biographers and critics have often suggested that Poe's obsession with this theme stems from the repeated loss of women throughout his life, including his mother Eliza Poe, his foster mother Frances Allan and, later, his wife Virginia.
xxx/ellauri086.html on line 946: Paikannäyttäjän talo (The Fall of the House of Usher) is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
xxx/ellauri087.html on line 485: World and Time Enough is a 1994 independent gay-themed romantic comedy-drama written and directed by Eric Mueller. In Frasier (season 10, episode 9), Niles, who has recently had heart surgery, says: "Good health is not a competition. When you've heard time's winged chariot hurrying near, as I have, every day is a gift."
xxx/ellauri091.html on line 837: His simple preaching was a source of strength and inspiration to those whom he addressed or with whom he talked; his powerful tinselfish and his noble character won him friends and followers and opened the way for brotherhood between nations under the banner of Christ – always the central theme of his preaching.
xxx/ellauri103.html on line 184: Let’s start with a tempest-in-a-teacup at Bowdoin College in Brunswick, Maine. Earlier this year, two students, both members of student government, threw a tequila-themed birthday party for a friend. The hosts provided attendees with miniature sombreros, which—the horror— numerous partygoers wore.
xxx/ellauri103.html on line 325: Shriver began by making light of a recent incident in the US, where students faced prosecution for what was argued by some as “casual racial and ethnic stereotyping and cultural insensitivity” at a Mexican-themed party.
xxx/ellauri122.html on line 904: The haunting and challenging work delves into the complex concepts that resonate within existential philosophy, exploring themes of alienation, fear of anonymity, spiritual doubt, and the qualities that lie behind one's character. Existentialism is a fake philosophy built on narcissism to justify venture capitalism.
xxx/ellauri122.html on line 1035: Just joking. The inspiration behind Barbie is a questionable one, as she was based off of Bild-Lilli, a German doll who pursued wealthy men and wore suggestive clothing, being sold in tobacco shops, bars and adult-themed toy stores. Is Barbie an insult to feminism? Japp, säger lilla Charlotte och skrattar glatt. Barbin unelmatalon asukkailla riittää pätäkkää, ne riitelevät aika lailla, ilmeilevät veikeästi ja saavat päähän tylpillä astaloilla pyörryttäviä iskuja. Hassua! Barbie is a feminist (yes, really). Barbie inventor, Ruth Handler, thought it was important for a young girl’s self-esteem to “play with a doll with breasts.” Det tycker jag också om, men varför kan Ken inte ha en jättestor ståkuk som kan blotta ollonet?
xxx/ellauri123.html on line 1049: age; and if aging isn't a theme here, with its
xxx/ellauri125.html on line 428: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction. In each performance of a self, Roth captured the same sound and consciousness. in nearly fifty years of reading him I’ve never been more bored. I got to know Roth in the nineteen-nineties, when I interviewed him for this magazine around the time he published “The Human Stain.” To be in his presence was an exhilarating, though hardly relaxing, experience. He was unnervingly present, a condor on a branch, unblinking, alive to everything: the best detail in your story, the slackest points in your argument. His intelligence was immense, his performances and imitations mildly funny. “He who is loved by his parents is a conquistador,” Roth used to say, and he was adored by his parents, though both could be daunting to the young Philip. Herman Roth sold insurance; Bess ruled the family’s modest house, on Summit Avenue, in a neighborhood of European Jewish immigrants, their children and grandchildren. There was little money, very few books. Roth was not an academic prodigy; his teachers sensed his street intelligence but they were not overawed by his classroom performance. Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
xxx/ellauri127.html on line 254: The mention (p.289 TAL) of the case abduction and rape of the 11 years old Florence Sally Horner by a 50 years old man. In 1948, the 11-year-old Horner stole a 5-cent notebook from a store in Camden, New Jersey. Frank La Salle, a 50-year-old mechanic, caught her stealing, told her that he was an FBI agent, and threatened to send her to « a place for girls like you« . Then he abducted the girl and spent 21 months traveling with her over different American states and raping her. Florence Horner died in a car accident (p.288 TAL, « a routine highway accident«) near Woodbine, New Jersey, in 1952. It seems clear that the case inspired partly « Lolita » (even though this theme existed long before in Nabokov’s works (see for instance his 1939 work « Volshebnik » (i.e. « The Enchanter« ))).
xxx/ellauri128.html on line 459: Wystan Hugh Auden (/ˈwɪstən ˈhjuː ˈɔːdən/ 21 February 1907 – 29 September 1973) was an Anglo-American poet. Auden´s poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".
xxx/ellauri136.html on line 121: This “special snowflake” theme is taken even further when wizards from other countries are introduced. We loved the fact that there was one whole wizarding school in China. And, quite honestly, how exactly have they kept the Communists out???
xxx/ellauri138.html on line 111: In his book, Eker lists 17 ways in which the financial blueprints of the rich differ from those of the poor and the middle-class. One theme identified in this list is that the rich discard limiting beliefs while the unsuccessful succumb to them. Eker argues that: Rich people believe, "I create my life", while poor people believe, "Life happens to me"; rich people focus on opportunities while poor people focus on obstacles; and rich people admire other rich and successful people whereas poor people resent rich and successful people.
xxx/ellauri148.html on line 472: Lausanne, Switzerland. Nuit de la Philosophie by Nouvelle Acropole Suisse. After the first Philosophy Night in Zurich in 2016 was a great success with more than 700 visitors, the number of visitors increased steadily with a peak of more than 2100 visitors in 2019. In 2020, the event had to be held online. General theme 2021: Philosophy, an art of living. If there is a discipline that can help us to live in a world that is now volatile, uncertain, complex and ambiguous, but also to build the future on a more secure and stable basis, it is philosophy.
xxx/ellauri154.html on line 214: The theme of Salome is one that Moreau returned to time and again. The artist explored the subject in more than one hundred sketches and drawings as well as in numerous paintings—ranging from highly elaborate to sketchily rendered—and even in sculpture (both Salome and The Apparition figured in Moreau’s waxworks). Moreau was not alone in his passion for the theme of Salome, as other famous artists — Lucas Cranach, Caravaggio, Titian, Guido Reni, Artemisia Gentileschi, Aubrey Beardsley, and Nabil Kanso, to name just a few — shared this interest. Selkeästi perverssiä jengiä.
xxx/ellauri157.html on line 107: In the seventeenth century, the story of King Candaules’s wife was seen as a moral lesson, warning against violations of the marital bedchamber. The theme was treated by the poet Jacob Cats in his Toneel vande mannelicke Achtbaerheyt, in which he devoted no less than eighty-six verses to the tale of Candaules and Gyges, and illustrates the scene in the royal bedchamber with a print by Pieter de Jode after Adriaen van de Venne. In the print the Queen is seen half naked from behind. Candaules is already in bed, and the Queen looks at Gyges, who is largely concealed behind the wallhangings. The moral of the story is clarified by a scene on a smaller scale in the background, showing Candaules being slain by Gyges. The print no doubt served as an inspiration for several other later renditions of the theme in Northern Netherlandish painting, including works by Frans van Mieris the Elderv, and Eglon van de Neervi.
xxx/ellauri166.html on line 375: The theme of the shekhinah as the Sabbath Bride recurs in the writings and songs of 16th century Kabbalist, Isaac Luria.
xxx/ellauri179.html on line 334: Voiko tän selvemmin enää sanoa? "Women" with a gamin hairstyle, lovers who cut and dye their hair and change sexual roles, are themes that, with variations, occur in all of his novels!
xxx/ellauri179.html on line 608: Young Hemingway vilified James for his choice of themes and characters, but more importantly, he viciously maligned him for the traumatic but obscure accident that had occurred in his youth. Leon Edel has summarized the known facts of the injury as gathered from James´ writings and other sources. The "obscure hurt" was reported by James to have happened at the "same dark hour" of the onset of the Civil War, in other words, May 1861 (Edel, Years 176-77). But actually the causative factor, the fire at West Stables in Newport, occurred on the night of October 28, 1861 (177). James relates that he had jammed himself into "an acute angle between two fences" trying to make "a rusty, quasi-extemporised old engine work" in order to help put out the stable fire. Injured in this attempt, James later provided only incomplete details and stated that the disaster was "intimate, odious, horrid, catastrophe, obscure, and most entirely personal" (175).
xxx/ellauri179.html on line 621: Another bit of imaginative projection upon James’ life can be found in Ernest Hemingway’s letters. This novelist, on learning that Brooks had written that James was “prevented by an accident from taking part in the Civil War,” immediately incorporated this into his nearly finished novel, The Sun Also Rises. In Chapter 12, Jake Barnes refers to his World War I accident, and Gorton says, “That’s the sort of thing that can’t be spoken of. That’s what you ought to work up into a mystery. Like Henry’s bicycle.” Barnes replies it wasn’t a bicycle; “he was riding horseback.” (In his memoirs, James spoke of having had a “horrid” but “obscure hurt.” He had strained his back during a stable fire while serving as a volunteer fireman.) Hemingway had originally inserted James’ name in the novel, but Scribner’s editor, Maxwell Perkins, vetoed this. Hemingway insisted. They finally compromised on the “Henry” alone. F. Scott Fitzgerald wrote to Brooks, “Why didn’t you touch more on James’ impotence (physical) and its influence?” The castration theme was picked up by R.P. Blackmur, Glenway Wescott, Lionel Trilling, and F.O. Matthiessen in their critical writings.
xxx/ellauri179.html on line 648: Hemingway makes explicit here the themes of irony and pity: the irony of Kake's situation (he is a kind of superman who nevertheless can't perform the most basic of manly activities, namely fucking) as well as the pity "we" (who have our penises in working order) feel for him. The writer does so in an extended section, rich with dialogue, that is meant to be funny but has not dated well. The joking between Kake and Bill, over breakfast and later at lunch, is certainly believable as such, but it's difficult for a contemporary audience to follow, because the references to Frankie Fritsch and so forth have grown obscure with the passage of time. (The reference to Bryan's death tells us exactly when these scenes are occurring: 1925.) Do note, however, that Kake's physical condition is alluded to — and quickly backed away from. ("I'd a hell of a lot rather not talk about it" could be the motto of Kake's stoic take on the world, while Hemingway's would be "I want to talk about it all the time".) The writer has established, however, that Kake's condition is not simple impotence (rather it is loss of limb, or shortening of the joystick) and that it was caused by an accident.
xxx/ellauri179.html on line 650: Another theme of Kake and Bill's banter concerns the latter's status as an expatriate. He has fled America, with its prudish Anti-Saloon League and bourgeois President Coolidge (who famously said "The business of America is business"). Finally, note the gruff tenderness shared by Kake and Bill in these scenes. One of Hemingway's pleasures in life as in art was what we now call "male bonding," and in this case the bonding is poignant, as in some ways it replaces the love that Kake cannot fully express with female companions. Haha, so you must mean dick, that's the only thing Bill has and they don't.
xxx/ellauri186.html on line 742: Many of the things Mohammed wrote down are found within the Judeo-Christian canon: Jesus taught the Scriptures, he healed lepers and men who were born blind, and he raised people from the dead. But, the Gospels and nowhere else in Scripture presents Jesus ever molding clay into sparrows (or other birds, passerine or otherwise) and breathing life into them, causing them to fly away. Where is this material found? Discussing the origin of many pseudo-biblical themes, accounts, and motifs within the Quran, Yehuda D. Nevo (admittedly a Jew, but we got a common enemy here) noted that:
xxx/ellauri186.html on line 771: The infancy stories do not bear resemblance to the Jesus of the gospels and were never thought to even be remotely historical. Rather, they existed much like Christian fiction does today, to create enjoyment in speculative discourse that is full of biblical metaphor, idioms, and themes.
xxx/ellauri187.html on line 290: In the 15th century, major steps were taken by Bernardine of Siena, Pierre d'Ailly, and Jean Gerson, the chancellor of the Cathedral of Notre Dame, Paris. Gerson wrote a lengthy treatise in French titled Consideration sur Saint Joseph and a 120-verse poem in Latin about Saint Joseph. In 1416 to 1418, Gerson preached sermons on Saint Joseph at the Council of Constance in which he borrowed heavily from Marian themes.
xxx/ellauri193.html on line 627: The Days of His Grace: Life was hard under the reign of Charlemagne. One must retain one’s personal integrity during hard times. As far as a theme that surprises the reader and serves as a platform for further contemplation, I give this
xxx/ellauri199.html on line 980: Great to use on its own or as a companion book, Devotions for a Revolutionary Year expands on the themes of Lynn Cowell’s first book, His Revolutionary Love. In short, easy-to-read daily devotions, Lynn chats to girls about the challenges of growing up as a girl: identity and acceptance, breasts and pubic hair, rejection and rebellion, pads and tampons, and self-control and surrender. Through Scripture and stories any girl can relate to, Lynn Cowell encourages girls to remember that Jesus loves them and is
xxx/ellauri199.html on line 1061: Writing in The Guardian, the political journalist Gaby Hinsliff described Strange Death as "gentrified xenophobia" and "Chapter after chapter circles around the same repetitive themes: migrants raping and murdering and terrorising; paeans to Christianity; long polemics about how Europe is too ´exhausted by history´ and colonial guilt to face another battle, and is thus letting itself be rolled over by invaders fiercely confident in their own beliefs", while also pointing out that Murray offers little definition of the European culture he claims is under threat. Pankaj Mishra´s review in The New York Times described the book as "a handy digest of far-right clichés". In The Intercept, Murtaza Hussain criticized the "relentlessly paranoid tenor" of Murray´s work and said that its claims of mass crime perpetuated by immigrants were "blinkered to the point of being propaganda", while noting the book´s appeal to the far right. In Middle East Eye, Georgetown professor Ian Almond called the book "a staggeringly one-sided flow of statistics, interviews and examples, reflecting a clear decision to make the book a rhetorical claim that Europe is doomed to self-destruction".
xxx/ellauri200.html on line 176: Ezekiel enriched and established Indian English language poetry through his modernist innovations and techniques, which enlarged Indian English literature, moving it beyond purely spiritual and orientalist themes, to include a wider range of concerns and interests, including familial events, individual angst and skeptical societal introspection.
xxx/ellauri215.html on line 169: The other great theme is women, wives and ex-wives, especially. Bellow married five times with four divorces, court cases, alimony and ferocious rows about child access.
xxx/ellauri225.html on line 234: He did not meet his illegitimate daughter from a past relationship until she was 26, although she learned that he was her father when she was 16. Norris has thirteen grandchildren as of 2017. An outspoken Christian, Norris is the author of several Christian-themed books. On April 22, 2008, Norris expressed his support for the intelligent design movement when he reviewed Ben Stein´s Expelled From Townhall.com.
xxx/ellauri225.html on line 284: Gender and sexuality are prominent themes in a number of Le Guin´s works. The Left Hand of Darkness, published in 1969, was among the first books in the genre now known as feminist science fiction, and is the most famous examination of androgyny in science fiction. The story is set on the fictional planet of Gethen, whose inhabitants are ambisexual humans with no fixed gender identity, who adopt female or male sexual characteristics for brief periods of their sexual cycle. Which sex they adopt can depend on context and relationships.
xxx/ellauri225.html on line 292: Le Guin initially defended her writing; in a 1976 essay "Is Gender Necessary?" she wrote that gender was secondary to the novel´s primary theme of loyalty. Le Guin revisited this essay in 1988, and acknowledged that gender was central to the novel; she also apologized for depicting Gethenians solely in heterosexual relationships. In fact they did a lot of trainwatching and pussymunching too, she just did not tell.
xxx/ellauri225.html on line 302: Alternative social and political systems are a recurring theme in Le Guin´s writing. Critics have paid particular attention to The Dispossessed and Always Coming Home, although Le Guin explores related themes in a number of her works, such as in "The Ones Who Walk Away From Omelas". The Dispossessed is an anarchist utopian novel, which according to Le Guin drew from pacifist anarchists, including Peter Kropotkin, as well as from the counterculture of the 1960s and 1970s. Le Guin has been credited with "[rescuing] anarchism from the cultural ghetto to which it has been consigned", and helping to bring it into the intellectual (capitalist) mainstream. Fellow author Kathleen Ann Goonan wrote that Le Guin´s work confronted the "paradigm of insularity toward the suffering of people, other living beings, and resources", and explored "life-respecting sustainable alternatives".
xxx/ellauri228.html on line 347: Tarkovsky spent his childhood in Yuryevets. He was described by childhood friends as active and popular, having many friends and being typically in the center of action. In his school years, Tarkovsky was a troublemaker and a poor student. His father left the family in 1937, subsequently volunteering for the army in 1941. He returned home in 1943, having been awarded a Red Star after being shot in one of his legs (which he would eventually need to amputate due to gangrene). Tarkovsky stayed with his mother, moving with her and his sister Marina to Moscow, where she worked as a proofreader at a printing press. Many themes of his childhood—the evacuation, his mother and her two children, the withdrawn father, the time in the hospital—feature prominently in his films. Dodi! Minähän sanoin!
xxx/ellauri230.html on line 650: In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), literally meaning "Four Junzi", is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. The term compares the four plants to Confucian junzi, or "gentlemen". They are most typically depicted in traditional ink and wash painting and they belong to the category of bird-and-flower painting in Chinese art. In line with the wide use of nature as imagery in literary and artistic creation, the Four Gentlemen are a recurring theme for their symbolism of uprightness, purity, humility, and perseverance against harsh conditions, among other virtues valued in the Chinese traditions.
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xxx/ellauri233.html on line 377: Missä kohen Jamesin Blackthornen seikkailut poikkeavat esikuvastansa Adamsista? No mietitään - tää on romaani, eikä pelkkä rags to riches tositarina. Ei siis riitä pelkkä (E), pitää olla paxulti myös (K) ja (F). Näyttää siinä olevan kaikenlaista nujakointia, ja aika pian on jonkin verran myös japsunaisten nussintaa (sitähän oli Aatamilla kyllä izellään). "As they spend more time together, Blackthorne comes to deeply admire both Toranaga and (specifically) Mariko, and all three secretly become lovers." Samainen Mariko (joka on sentään vaan japsulainen nainen) silputaan smithereeneixi. "However, she and Blackthorne and the other ladies of Toranaga's "court", escape into a locked room. As the ninja prepare to blow the door open Mariko stands against the door and is killed by the explosion." No jäähän Toranagalle vielä "Lady Anjin". Entäs moraali? "Blackthorne is torn between his growing affection for Mariko (who is married to a powerful, abusive, and dangerous samurai, Buntaro), his increasing loyalty to Toranaga, his household and consort, a "Willow world" courtesan named Kikuli, and his desire to return to the open seas aboard Erasmus so he can intercept the Black Ship fleet before it reaches Japan." Onpa hienoa: (E,F,K) konfliktoituvat! "There are other recurring themes of Eastern values, as opposed to Western values, masculine (patriarchal) values as opposed to human values, etc."
xxx/ellauri261.html on line 265: Thornton´s themes are familiar from other personists — the timeless human condition; history as progressive, cyclical, or entropic; literature, philosophy, and religion as the touchstones of civilization.
xxx/ellauri265.html on line 514: Girls und Panzer is a military-themed anime series that follows a group of high school girls as they participate in tank battles as part of their school's "Sensha-do" (tankery) club. The anime is set in an alternate universe where tankery, the art of operating tanks, is a traditional martial art and a popular sport, especially among girls.
xxx/ellauri296.html on line 674: Silvia jätti sitten Altertumswissenschaftin ja päätyi toimittajaxi Frankfurter Rundschauhun. Kritische, kompetente und prägnante Berichterstattung über soziale, politische, wirtschaftliche Themen; nach 16 Jahren in der Branche Kennerin der Medienlandschaft und ihrer Entwicklung sowie der Arbeitsweise in den Redaktionen; Einblicke in politische Zusammenhänge und in die Wirkung von Machtstrukturen in Entscheidungsprozessen; Affinität zu Wirtschafts- und Verbraucherthemen. Positiv, kommunikativ, wertschätzend; diplomatisch, strategisch, effizient.
xxx/ellauri304.html on line 444: Just typical for a lady to start with the character and not the plot. For us men, eating fucking and bashing comes first, the choice of carcass, cunt or skull is secondary, same as burying beetles. But remember: Every really good story has some kind of conflict. No conflict, no story, just a big YAAAWWWN. The remaining 3 items on Ruthannes list are also hansypansy, lady stuff. Point of view, theme, style, WTF. Bet 50 shades had a lot of those. All we guys care about is lots of action and motivation (money, in other words, the rest like power and pussy can be bought).
xxx/ellauri304.html on line 636: I was going to write about research but I hate research, research sucks. So maybe this can be about theme because “big books” frequently have a theme, although it’s not absolutely necessary. See, themes are about ideas and some writers, very skillful and very successful, have never had an idea in their lives. Still and all, books and stories are made better when they have a strong theme, some underlying message that can resonate with your readers.
xxx/ellauri304.html on line 638: For instance, the overrated “Catcher in the Rye’s” theme is that life sucks. Okay, if you say so. Include me out. The vastly better “This is Graceanne’s Book” has the opposite theme — that you can win; no matter the odds, you can do it. I like that one better. It is pure bullshit, but then so am I. Or was.
xxx/ellauri304.html on line 640: Theme isn’t something you paste on after you write the first draft. Now, potboilers in general don’t have much thematic content because they doesn’t need to go far beyond: Bang Bang and the good guys in the white hats win. Theme is a more ever-present feeling that permeates the book you’re working on. Do you think when Ayn Rand wrote The Fountainhead or Atlas Shrugged, she first wrote the stories and then asked herself, “Now whatever could this be about? Selfishness?” But then, she was more political than most and, as I said, many books don’t have any discernible theme, except, buy it please and make me rich. That's my theme anyway.
xxx/ellauri304.html on line 647: I am proud that I never got to be as much as mediocre. Perfect is the enemy of good. (Oh, shut up, liberal, Who asked you?) I also worked with Clint on Lala land. It was great, and so was Clint. Steps is a book by a Polish-American writer Jerzy Kosiński (1933-1991, nee Lewinkopff, luopio, vsta 1957 loikkari), released in 1968 by Random House. The work comprises scores of loosely connected vignettes or short stories, which explore themes of social control and alienation by depicting scenes rich in erotic and violent motives. It was no longer recognized by any literary agent in the eighties. Random House turned it down with a form rejection letter. Well maybe it was a piece of shit to start with.
xxx/ellauri306.html on line 578: Täytyypä kazoa mitä Mätien tomskujen tampiot tästä sanovat! Top critics: Cruise’s toothy heroics are ill-suited to moral complexity, but he is elevated by a stellar supporting cast... A summer genre movie for grown-ups. Too-long Grisham thriller is full of adult themes. Höh, montako panoa? Näytetäänkö muka kuinka se menee sinne? (Ilmeisesti noin 2, ei näytetä.) The Firm amusingly satirizes the New Traditionalist aspirations of today's young urban elite -- not so much the lifestyle itself as the illusion of utter security it represents. Alas, Tom Cruise is Tom Cruise, playing yet another variation of his screen image. A first-class thriller and thought-provoking morality play. Is this a thriller? You've never scene (sic) a 'suspense film' drag its heels so deplorably. Moderately entertaining... and a big step up from the book. No, the book moved at turbo speed. At two and a half hours, the movie crawls. Two-and-a-half hour movies -- jeez, there ought to be a law.
xxx/ellauri356.html on line 77: Applied Psychology Positive Psychology Life Coaching Teamwork Team Leadership Customer Service Literature Research Commercial Aviation Mindfulness Microsoft Office English Microsoft Excel Social Media Public Speaking Microsoft Word PowerPoint Sales First Aid Secretarial Skills Change Management. Learning has been my lifelong passion. Live and learn. Focus of my interest is on human existence, communication and co-operation. I have studied psychology, social psychology, applied psychology and leadership as well as contemporary litterature and female studies. Real life experience on these themes I have gathered while working as a flight attendant and purser. In the future I want to to contribute to well being both in private as well as professional sectors of life.
xxx/ellauri379.html on line 251: Jessi Sampson from PCGamesN called Mass Effect an "impressive melting pot of ideas". Tauriq Moosa from The Guardian lauded the Mass Effect franchise as some of the best science fiction ever made, describing its overarching theme of "aspiration and connection in the face of an indifferent cosmos" to be "as cerebral as Star Trek, as hopeful as Asimov and as dramatic as Battlestar Galactica".
xxx/ellauri380.html on line 455: Amid a surge in book bans, the most challenged books in the United States in 2023 continued to focus on the experiences of L.G.B.T.Q. people or explore themes of race.
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