ellauri145.html on line 111: The transformation of labor into pleasure is the craziest idea in Fourier´s giant socialist utopia," said Marcuse. He had a concern for the sexually rejected; jilted suitors would be led away by a corps of "fairies" who would soon cure them of their lovesickness, and visitors could consult the card-index of personality types for suitable partners for casual sex. He also defended homosexuality as a personal preference for some people. Fourier sexualizes work itself—the life of the Phalanstery is a continual orgy of intense feeling, intellection, & activity, a society of lovers & wild enthusiasts.
ellauri145.html on line 294: un mal-être intense, où l'instinct de mort s'installe (III - Je suis comme le roi d'un pays pluvieux) puis triomphe (IV - Quand le ciel bas et lourd pèse comme un couvercle).
ellauri151.html on line 488: dense barbed-wire, still tense with thirst for blood. Tiheää piikkilankaa, vielä verenhimoisen jäykkänä.
ellauri152.html on line 693: Reb Nathan Zuckerman adds that prior to messianic era the power of evil is so intense that we lack the power to overcome it. Therefore, explains Reb Nathan, it is imperative to enlist the aid of the spiritual giants of past generations through Rabbeinu Tam's Tefillin. Rabbeinu Tam's Tefillin expand the intelligence, enabling us to break evil at its source and stand up against the forces of evil. "In the turbulent era prior to the coming of the messiah, for anyone who is serious about wanting to find the dog, wearing Rabbeinu Tam's Tefillin is very important." (Lekutey Halachoth: Orach Chaim: Hilchoth Tefillin 5:27-29)
ellauri156.html on line 643: David, on the other hand, does not even bother to go through the pretense of mourning. He does not even try to be hypocritical. When other mighty men of Israel died, David led the nation in mourning their loss. David mourned for Saul and his sons, killed in the battle with the Philistines (2 Samuel 1). David mourned the death of Abner, wickedly put to death by Joab (2 Samuel 3:28ff.). He even sent a delegation to officially mourn the death of Nahash, king of the Ammonites (2 Samuel 10). But when Uriah is killed “in battle,” not a word of mourning comes from David's lips. He is not sorry; he is relieved. Instead of instructing others to mourn for Uriah, he sends word to Joab not to take his death too seriously.
ellauri159.html on line 905: ESFJs are the Molly Weasleys of the world. Outgoing and community-minded, people of this type value loyalty, dependability, and practicality. They are driven by an active and intense caring about people along with a strong desire to bring harmony to their relationships. Barbara Walters and Chris Wallace are ESFJ authors. Learn more about how ESFJs write here.
ellauri159.html on line 951: ENFJs care intensely about people and are driven by a need for relational harmony. They tend to be warmly expressive and empathetic people who enjoy helping others reach their potential. ENFJ writers include Johann von Goethe, Matthieu Ricard, Erasmus of Rotterdam, and Erich Fromm. Learn more about how ENFJs write here.
ellauri162.html on line 819: Darwin proposed that embryos resembled each other since they shared a common ancestor, which presumably had a similar embryo, but that development did not necessarily recapitulate phylogeny: he saw no reason to suppose that an embryo at any stage resembled an adult of any ancestor. Darwin supposed further that embryos were subject to less intense selection pressure than adults, and had therefore changed less.
ellauri180.html on line 581: Some "men" smile into their hands in intense cynicism for what is happening. People seem frustrated.
ellauri185.html on line 781: In this scene from the biblical book of Exodus, Moses and Aaron (upper right) visit the pharaoh, who is mourning his son. The Egyptian ruler’s son had died from one of the plagues sent by God to secure the Israelites’ release from Egypt. The gloom of the painting reflects the father’s intense grief.
ellauri197.html on line 108: In the final lines of the poem, the speaker reveals that even in his old age he’s “full of tears”. Things did not go as he wanted them to. The transition into the present tense informs the reader that the impact of this failed relationship (which he knows failed because of him) is long-lasting.
ellauri197.html on line 293: ‘How Happy I Was If I Could Forget’ is a two-stanza work where the narrator takes the reader through a series of confusing verb tenses and language choices to represent the overall lack of clarity she has for the memory that she wishes she “could forget.” The cyclical state of the stanzas’ disorganization, additionally, reflects that the narrator feels trapped in her confused loop from the memory, and the reader could finish ‘How Happy I Was If I Could Forget’ without knowing what the troubling memory is. This is yet another method of revealing the narrator’s confusion over the memory. Just as she does not know how to treat the memory, the reader does not know solid details about the memory. From start to finish then, this is a work that is structured perfectly to share and represent the narrator’s confusion.
ellauri197.html on line 295: The shift in verb tenses is remarkable in this first stanza to address the narrator’s unclear thoughts that are connected to whatever memory she wishes to “forget.” Within the first two lines of ‘How Happy I Was If I Could Forget’, the reader encounters past tense in “was” and the subjunctive imagined prospect of “if I could forget.” This “if” indicates that this is only a wish the narrator has, meaning it is not past, present, or future because it has not happened and will not definitively ever happen. From there, the narrator turns to the present tense by saying, “how sad I am.” There is no clear way that all of these verb tenses senspibly link up, and this grammatic confusion mirrors how uncertain and shaken the narrator is from this memory’s lingering presence.
ellauri197.html on line 305: An interesting thing to note, however, is that the “adversity” is treated in a beautiful way by being addressed as a “Bloom.” The capitalization can be written off with the notion that even a bad memory could be important enough to merit capitalization, but a “Bloom” has a connotation of natural beauty and livelihood. This could simply mean the negativity from the circumstance grows with time, but the choice of such a soft verb gives the feeling that the narrator has warm feelings about whatever happened to cause this bad memory—maybe a relationship she loved but lost or a friend who was dear but forsaken. This would again give a reason for the grammatical chaos of the lack of subject and mismatched verb tenses since, it seems, the narrator does not know how she feels about the memory.
ellauri197.html on line 309: Once more, the variation of verb tenses happens within this stanza to continue the representation of her uncertain mind frame since the “Bloom [k]eeps making November difficult,” which is present tense, but she “was almost bold,” which is past tense. Though there is a logic behind this particular verb tense change, the pattern is still striking enough to merit mention.
ellauri197.html on line 311: Additionally, the third line of this stanza again does not have a subject for its main verb, and this format adds a bit of structure amidst the chaos since the varying verb tenses happen in the first two lines of both stanzas while the missing subject shows up in the third lines. This sustained format is an indication that this bad memory she could not “forget” keeps her in a loop she cannot break free of, as in no matter how far she tries to run from it, she always ends up dealing with the same problems again and again. The grammar details, then, mirror the circular repetition of her emotional problems.
ellauri197.html on line 321: Overall in ‘How Happy I Was If I Could Forget’, the lack of clear details about what has happened to affect the narrator so, in addition to the confusion of verb tenses, subjects, and figurative language, creates an unclear work that perfectly depicts how unclear the narrator herself feels about her memory. Does she hate it? Does she want to keep it? Was it good? Was it bad? She does not seem to know, just as the reader cannot know the memory’s most vivid details.
ellauri197.html on line 325: What the fuck? The idiot who wrote the analysis could not parse the poem! All that takes place in the first 2 lines of poem is that a Chomsky topicalization transformation moves the clausal objects of the main verbs to the front. There is nothing the matter with the tenses in the poem, it is all quite run of the mill.
ellauri198.html on line 134: A typical Warren character undergoes a period of intense self-examination that ideally results in a near-religious experience of conversion, rebirth, and a mystical feeling of oneness with God. Luisiaana nuaarissa kännipäinen lasten isä pääsi kuivatelakalle ja ajoi pois paxut viixensä ja ohuthuulisen vaimonsa ja rukoili typerästi Roland Westin kanssa käsi kädessä kahvipöydän ääressä. Taisi olla kaappihomoja.
ellauri198.html on line 142: "In the whiplash of Warren’s long line, the most ordinary syntax becomes tense, muscular, searching,” comments a certain Williamson. Olikohan nääkin jäbät homoja? “His ear is formidable, though given to strong effects rather than graceful ones.” Ei tarvi korvatorvea.
ellauri198.html on line 691: In March 1833, "Pauline, a Fragment of a Confession" was published anonymously by Saunders and Otley at the expense of the author, Robert Browning, who received the money from his aunt, Mrs Silverthorne. It is a long poem composed in homage to the poet Shelley and somewhat in his style. Originally Browning considered Pauline as the first of a series written by different aspects of himself, but he soon abandoned this idea. John Stuart Mill, however, wrote that the author suffered from an "intense and morbid self-consciousness". Later Browning was rather embarrassed by the work.
ellauri203.html on line 215: Fyodor Dostoevsky´s novels mirrored his life: complicated, tense and full of psychological unrest. He was as dedicated to the women that accompanied him on this difficult journey as he was to the novels that he felt compelled to write. Lets explore the great writer’s relationships with his three key hens, Isajeva, Suslova and Snitkina. (There were more, but they were not key.)
ellauri210.html on line 383: The money Cravan earned from the Johnson fight helped him buy his passage out of Europe, and what he thought was safety from the war. In January 1917, he sailed for New York. Dozens of other European artists and intellectuals were making the same journey at the time; one of Cravan’s shipmates was Leon Trotsky, who noted in his diary that he’d met a man who claimed to be related to Oscar Wilde and “who frankly declared that he would rather smash a Yankee’s face in the noble art of boxing than be done in by a German.” Cravan didn’t stay in New York long; just long enough to put several noses metsphorically out of joint. He split his time between sleeping rough in Central Park and hobnobbing with Greenwich Village bohemians. Among them was the poet Mina Loy, with whom Cravan began an intense love affair.
ellauri210.html on line 726: Combatte per la federazione statunitense Ultimate Fighting Championship nella categoria pesi medi, nella quale è stato il terzo italiano di sempre a competere dopo Alessio Sakara ed Ivan Serati.
ellauri213.html on line 419: In discussion of science fiction, a Big Dumb Object (BDO) is any mysterious object, usually of extraterrestrial or unknown origin and immense power, in a story which generates an intense sense of wonder by its mere existence. To a certain extent, the term deliberately deflates this.
ellauri219.html on line 583: At Princeton, Rawls was influenced by Norman Malcolm, Ludwig Wittgenstein's dumb student. During his last two years at Princeton, he "became deeply concerned with theology and its doctrines." He considered attending a seminary to study for the Episcopal priesthood and wrote an "intensely religious senior thesis (BI)." In his 181-page long thesis titled "Meaning of Sin and Faith," Rawls attacked Pelagianism because it "would render the Cross of Christ to no effect." His argument was partly drawn from Karl Marx's book On the Jewish Question, which criticized the idea that natural inequality in ability could be a just determiner of the distribution of wealth in society. Even after Rawls became an atheist, many of the anti-Pelagian arguments he used were repeated in A Theory of Justice. Pelagianism is a heretical Christian theological position that holds that the original sin did not taint human nature and that humans by divine grace have free will to achieve human perfection. Pelagius (c. 355 – c. 420 AD), an ascetic and philosopher from the British Isles, taught that God could not command believers to do the impossible, and therefore it must be possible to satisfy all divine commandments. He also taught that it was unjust to punish one person for the sins of another; therefore, infants are born blameless. Pelagius accepted no excuse for sinful behavior and taught that all Christians, regardless of their station in life, should live unimpeachable, sinless lives, or else... Se oli tollanen humanisti, mitä Hippo aivan erityisesti inhosi. Vittu eihän sitten mitään kirkkoa ja pappeja edes tarvittaisi. Jeesus jäisi työttömäxi, Jahve eläkkeelle.
ellauri222.html on line 819: An intensely intellectual writer who peppers his novels with allusions, Bellow draws on many cultural traditions in his analysis of both the sources of American experience and its present manifestations. His fiction fully documents the decline of Western civilization without conceding its obvious demise, and the ambiguity and tenuousness of even his most positive endings balance sadness and comic skepticism with the steadfast faith that he the artist can effect coherence and order, or failing that a lot of cash, out of the chaos of modern experience. His tip for success: kusettakaa minkä jaxatte! For his achievement in confronting the modern existential dilemma with compassion and humor, Bellow's place in twentieth-century American literary history seems assured by drooling groupies like myself.
ellauri241.html on line 1635: Endymion has an intense love for the goddess of his dreams but he professes his love to the Indian Maiden. He believes that his declaration of love seals his death and he asks for the goddess to sing a song to him so he can die peacefully. Within her song is the story of how she ended up wandering the forest alone. She says that she joined the god Bacchus and his cult of followers and traveled across countries. She witnessed people of multiple nations fall to Bacchus and decided to flee on her own. The Maiden ended up in the woods where she and Endymion have met.
ellauri248.html on line 87: "I am intensely aware, by the way, that this story does not show me in a particularly flattering light. I am aware that, within an impressively short time of meeting me, Rosalind had me coming to heel like a well-trained dog: running up and down stairs to bring her coffee, nodding along while she bitched about my partner, imagining like some starstruck teenager that she was a kindred soul. But before you decide to despise me too thoroughly, consider this: she fooled you, too. You had as good a chance as I did. I told you everything I saw, as I saw it at the time. And if that was in itself deceptive, remember, I told you that, too: I warned you, right from the beginning, that I lie." As if that excused anything... and NO, she didn't "fool" me, because YOU'RE the narrator and YOU'RE the one telling the story. This paragraph probably ticked me off more than anything else in the book.
ellauri248.html on line 115: Rob and Cassie start off enjoying that incredible, intense and yet easy, all-forgiving and natural closeness of a friendship I think every person in the world (non-sociopathic, to be exact) longs for.
ellauri254.html on line 503: Klages developed an intense childhood friendship with classmate Theodor Lessing, with whom he shared "many passionate interests." Klages fought to maintain their friendship in spite of his father's anti-semitism. According to Lessing, "Ludwig's father did not view his son's fraternization with 'Juden' as acceptable." Klages' childhood friendship with Theodor Lessing came to a bitter end in 1899. Both would later write about the depth of their relationship and influence on each other—though many aspects, such as the effect race had on their friendship, remain unclear.
ellauri254.html on line 506: When Klages (at 23) moved into a new Schwabing flat in 1895, he entered into an intense sexual relationship with his landlady's daughter, with the mother's approval; the daughter, whom Klages called 'Putti', was eleven years younger than him (12 yrs), and their relationship continued for almost two decades though remained only sexual in nature, and squeaky clean. During his years in Schwabing, Klages also became romantically involved with novelist Franziska zu Reventlow, which was further alluded to in her 1913 roman à clef Herrn Dames Aufzeichnungen. Both Stefan George and Alfred Schuler, with whom Klages closely associated, were openly homosexual men. Whilst some of Klages' outward statements on homosexuality may be seen as harsh, he maintained an intimate personal and not just academic admiration for Schuler all throughout his life. Kaikki käy, kuhan paikat pysyy kemiallisen puhtaana. Kemia ei tunne likaa.
ellauri254.html on line 517: In Munich, the Cosmic Circle of Ludwig Klages and Alfred Schuler, deeming "the Jew the enemy of the human race," gave their erstwhile leader, Stefan George, this ultimatum: "What is your stand on Judah?" He replied that he wished he had more such deep-throated Jewish disciples as Wolfskehl. George's views continued to overlap with those of the Cosmic Circle, especially in invoking the pagan earth mother of "Templars." Actually what first launched the George cult on a nationwide basis was Klages's own book, Stefan George, of 1902. The accusation of Klages's Nazism by indignantly pointing out that the Nazis distinctly distanced themselves from Klages. Though the Nazis shared Klages's basic metapolitics and had found him useful for propaganda among professors, they later found the Klages-Schuler cult embarrassing. The intensity of George's break with Klages-Schuler is paralleled by Nietzsche's break with the Jew-hater Richard Wagner; in both cases an intense friendship was severed on the grounds of civilized values higher than friendship. Klages thought that Nazis and Israelis were both wrong in thinking they were the chosen people, with the difference that the Jews had actually already won the beauty contest.
ellauri263.html on line 335: Various Modern Orthodox and Conservative rabbits have proposed amending Nachem, as its wording no longer reflects the existence of a rebuilt Jerusalem under Israeli sovereignty. Chief Rabbit Shlomo Goren, for example, issued a revised wording of the prayer and Rabbit Hayim David HaLevi proposed putting the prayer's verbs relating to the Temple's destruction into the past tense. However, such proposals have not been widely adopted. Following the Six-Day War, the national religious community viewed Israel's territorial conquests with almost messianic overtones. The conquest of geographical areas with immense religious significance, including Jerusalem, the Western Wall, and the Temple Mount, was seen as portentous; however, only the full rebuilding of the Temple would engender enough reason to cease observing the day as one of mourning and transform it into a day of joy instead. The re-occupation of the Gaza strip is surely a source of joy, as well as annihilating philistines of the West Bank.
ellauri264.html on line 626: Ebba Busch, mellan 2013 och 2020 känd som Ebba Busch Thor, egentligen Ebba-Elisabeth Busch, ursprungligen Busch-Christensen, född 11 februari 1987 i Gamla Uppsala i Uppsala län, är en svensk politiker (kristdemokrat). Sedan den 25 april 2015 är hon partiledare för Kristdemokraterna och sedan 2022 även energi- och näringsminister samt vice statsminister och statsministerns ställföreträdare i regeringen Kristersson.
ellauri277.html on line 229: In November 1902 Gibran wrote to Peabody, and she invited him to a party held at her house two weeks later. An intense platonic relationship resulted, though Gibran seems to have wanted it to progress to a sexual one. He visited her regularly; they went to musical and artistic events together; they wrote to each other often; and she encouraged his writing and his art. She gave him the nickname that he later used as the title of his most famous book: “the Prophet.” In October 1903 Gibran wrote something in a letter to Peabody that angered her, and their relationship cooled.
ellauri277.html on line 250: The Prophet received tepid reviews in Poetry and The Bookman, an enthusiastic review in the Chicago Evening Post, and little else. On the other hand, the public reception was intense. It began with a trickle of grateful letters; the first edition sold out in two months; 13,000 copies a year were sold during the Great Depression, 60,000 in 1944, and 1,000,000 by 1957. Many millions of copies were sold in the following decades, making Gibran the best-selling American poet of the twentieth century. It is clear that the book deeply moved many people. When critics finally noticed it, they were baffled by the public response; they dismissed the work as sentimental, overwritten, artificial, and affected.
ellauri313.html on line 170: Morrison wanted to call the novel War but was overridden by her editor. Ei kyllä tässä lähes kaikki ovat lakukeppejä. Rotuviha on korvautunut tässä niteessä miesvihalla. Throughout the novel, the women of the Convent provide a safe haven for all those who come to its doorstep. However, the Convent is widely perceived as a corrupting influence in Ruby (a negro town), the source of their problems rather than where problems must go because of Ruby's intolerant atmosphere. Both the men of Haven and Ruby exhibit a patriarchal nature. This is seen through their intense hatred for the Convent women who are unconventional and nonconforming.
ellauri328.html on line 513: Tlaib, one of the House's most vocal critics of Israel's treatment of Palestinians, has come under intense scrutiny following Hamas' deadly attack on October 7. Her failure to directly condemn Hamas' attack while still mourning the loss of life on both Israeli and Palestinian sides, as well as her blaming Israel for the deadly strike on a Gaza hospital, angered many in Congress, including Greene. Condemning is important, you show who was right and who was wrong, viz. which side you're on. Two wrongs don't make right, only one of them does.
ellauri338.html on line 37: Uuden kaluston sertifiointi ydinaseita varten lähestyy. Vielä ei tiedetä miten tästä eteenpäin. Onnistunutta paluulentoa ei tässä ilmeisesti lasketa mukaan, mutta ehkä se ei ydinsodan maailmassa enää järin tavoiteltavaakaan olisi. Kristensenin mukaan pienempi laskeuma taas tekee aseen käytöstä varteenotettavamman vaihtoehdon sekä sotilaalliselta että poliittiselta kannalta. Kristensenin saisi hirttää munista. Koko Naton mukana.
ellauri346.html on line 258: Ukraine has requested hundreds of Western tanks to aid in the success of the spring offensive. Winter is coming, it is just around the corner, and the Ukrainian forces have still not achieved a decisive breakthrough on the battlefield. Little progress is being made on the southern front (Zaporizhia), and unsuccessful maneuvers are taking place in the vicinity of Bakhmut. They also tried to repel the Russians' counterattacks in Kupiansk and Avdiivka, where intense fighting is still ongoing.
ellauri360.html on line 364: Useimpia Tanskan kansanopistoja on johdettu grundtvigilaisuuden hengessä, ja kun 1860-luvun lopulla Yhdistynyt vasemmistopuolue syntyi, sen pääkannattajajoukkona olivat grundtvigilaiset talonpojat ja papit, kuten Sofus Høgsbro ja Jens Christensen. Grundtvigilaisuus oli itsetietoisuuteen heränneen Tanskan maaseudun talollisväestön katsantokanta. Myös Norjassa oli grundtvigilaisuudella 1860-luvulla suuri merkitys. Sen kannattajia oli silloin runoilija Bjørnstjerne Bjørnson.
ellauri369.html on line 359: As a boy, Teufelsdröckh was left in a basket on the doorstep of a childless couple in the German country town of Entepfuhl ("Duck-Pond"); his father a retired sergeant of Frederick the Great and his mother a very pious woman, who to Teufelsdröckh´s gratitude, raises him in utmost spiritual discipline. In very flowery language, Teufelsdröckh recalls at length the values instilled in his idyllic childhood, the Editor noting most of his descriptions originating in intense spiritual pride. Teufelsdröckh eventually is recognized as being clever, and sent to Hinterschlag (slap-behind) Gymnasium. While there, Teufelsdröckh is intellectually stimulated, and befriended by a few of his teachers, but frequently bullied by other students. His reflections on this time of his life are ambivalent: glad for his education, but critical of that education´s disregard for actual human activity and character, as regarding both his own treatment and his education´s application to politics. While at University, Teufelsdröckh encounters the same problems, but eventually gains a small teaching post and some favour and recognition from the German nobility. While interacting with these social circles, Teufelsdröckh meets a woman he calls Blumine (Goddess of Flowers; the Editor assumes this to be a pseudonym), and abandons his teaching post to pursue her. She spurns his advances for a British aristocrat named Towgood. Teufelsdröckh is thrust into a spiritual crisis, and leaves the city to wander the European countryside, but even there encounters Blumine and Towgood on their honeymoon. He sinks into a deep depression, culminating in the celebrated Everlasting No, disdaining all human activity. Still trying to piece together the fragments, the Editor surmises that Teufelsdröckh either fights in a war during this period, or at least intensely uses its imagery, which leads him to a "Centre of Indifference", and on reflection of all the ancient villages and forces of history around him, ultimately comes upon the affirmation of all life in "The Everlasting Yea". The Editor, in relief, promises to return to Teufelsdröckh´s book, hoping with the of his assembled biography to glean some new insight into the philosophy. Wow, sounds a lot like Carlyle´s personal biography, lightly camouflaged?
ellauri370.html on line 149: F) After WWII, Stalin orchestrated an intense wave of antisemitism. Historians conclude that he was planning to exile all the Russian Jews to Siberia. His death in 1953 was a blessing.
ellauri375.html on line 680: The Roman Empire's policy toward Christians fluctuated over time, with periods of relative tolerance and periods of intense persecution. Some notable events include:
ellauri378.html on line 423: Israeli intelligence officials told The Daily Telegraph that despite months of intense fighting in the Gaza Strip, Tel Aviv is unable to destroy the Hamas group. In addition, the main goal of the invasion of autonomy is collapsing as Israel loses international support due to the bombing of Palestinian civilians.
ellauri382.html on line 555: Paranoia and intense anxiety
ellauri384.html on line 372: Yksi tärkeimmistä menetelmistä, jonka Aristoteles pitää Korintin Perianterin ansioksi, on sellaisten pätevien miesten poistaminen, jotka voivat uhata tyrannin asemaa. Thrasybuloxen pitkät viljantähkät ja Australian tall poppy syndrome. In Australia and New Zealand, tall poppy syndrome refers to successful people being criticised. This occurs when their peers believe they are too successful, or are bragging about their success. Intense scrutiny and criticism of such a person is termed as "cutting down the tall poppy". It has been described as being the by-product of the Australian and New Zealand nasty cultural value of egalitarianism. Kristina-tädin paukuttama Janteloven palaa mieleen (kz. albumia 16.)
ellauri389.html on line 79: In fact it was both the soil and a mastery of firing techniques, bolstered by a fiercely protectionist economy, that maintained Chinese porcelain superiority for so long. For much of the eighteenth century, British porcelain manufacturers were unable to replicate the intense heats required to properly fire porcelain. In addition, China further strained British market development by requiring all payment to be in specie and by remaining closed to foreign traders. As a result, when in the late eighteenth century the firing process was finally mastered by domestic china makers such as Wedgwood, Minton, and Spode, China's fierce restrictions against import trade still prevented the British competitors from threatening the supremacy of Chinese industry. A British mission to open China, for example, was stalled as late as 1816. Ironically, this disadvantageous balance of trade between Britain and China actually added to porcelain's appeal.
ellauri389.html on line 214: Ruåzalainen vässykkä Christensen näkee jopa hyödyllisyyttä argumentin käytössä: "Niin sanotut 'mitäboutistit' kyseenalaistavat sen, mitä ei ole aiemmin kyseenalaistettu, ja tuovat esiin ristiriitoja, kaksoisstandardeja ja tekopyhyyttä. Tämä ei ole naiivia oikeuttamista tai järkeistämistä, se on haaste ajatella kriittisesti (joskus tuskallista) totuutta asemastamme maailmassa." Turpa kiinni Christian sä et tajua nyt mitään.
ellauri389.html on line 419: De Quincey compares him with Rousseau, whom he certainly resembles in craziness, sentimental pensiveness and intense love of nature. As a descriptive poet he has considerable quantitative merit, and exhibits that gift of minute observation so frequently found combined with powers of mental analysis.
ellauri392.html on line 745: Herzog continues to be Bellow’s “biggest book” and it used to be on the New York Times best-seller list for one entire year. At its heart is Bellow’s profound shock at discovering, a year after his separation from Sondra, (Alexandra Tschacbasov, his second wife) her affair with their mutual friend, Jack Ludwig, Bellow lapsed into deep depression and produced an intensely self-justifying hero who was tearful, cuckolded, and utterly humiliated. Moses Herzog, a Jewish intellectual type is essentially precipitated into intellectual and spiritual crisis by the failure of his marriage. The plot of the novel is slender. Herzog leaves his home and marriage, fails in the classroom, abandons his academic project, and undertakes a mas-sive spiritual and intellectual obligation to keep the letters for God. At the end of it, he seems to have regained his sense of Jewish identity, purged himself of violent anger, abandoned his latest mistresses, and repented for his dandy style. He has had a profound education in the realities of human nature, and rediscovered the value of nature and solitude on his lushy Ludeyville estate.
ellauri393.html on line 287: Although she can't conclusively prove that Rockwell had sex with men, she makes a sound argument that he "demonstrated an intense need for emotional and physical closeness with men" and that his unhappy marriages were attempts at "passing" and "controlling his homoerotic desires." Rockwell went on to have close relationships with his studio assistants (even sleeping in the same bed with one on an extended camping trip) and created his own version of idealized boyhood beauty.
ellauri408.html on line 630: Nämä kaksi viimeistä tulivat, emme tiedä miksi, ja Dieu d´Amours on yllättynyt. Mutta False Pretense ja Constraint-Abstinenence tarjoavat hänelle selityksiä, jotka pakottavat hänet käyttämään näitä kahta apuvälinettä. Faux-Semblantia kutsutaan armeijan johtajaksi, ja paronit harkitsevat, kuinka hyökätä linnaan. False Pretense and Constraint-Abstinenence, pyhiinvaeltajiksi naamioituneet, menevät tervehtimään Malebouchea, ja kun hän polvistuu tunnustaakseen, he hyppäävät hänen kurkkuun. Malebouche ojentaa kielensä, jonka Faux-Semblant leikkaa partaveitsellä, ja sitten he heittävät hänen ruumiinsa ojaan. Sitten he tulevat linnaan Malebouchen vartioiman portin kautta, näkevät humalassa normannisotilaita vartiotalossa, kuristavat heidät ja tuovat sisään Largessen ja Courtoisien, tuli vaatimaan hänen oikeuksiaan. Anteeksi, hän juoksee pappinsa Geniuksen luo, valittaa tälle, että hänelle on tehty tällainen raivo ja lähettää hänet auttamaan Rakastajaa. Génius saapuu, lisää hyökkääjien rohkeutta ja katoaa. Hyökkäys alkaa uudelleen, ja Venus sytyttää tornin tulisella merkkillään. Yleinen paniikki; koko varuskunta pakeni ja jätti paikan. Franchise ja Pity johtavat sitten rakastajan Bel -Accueiliin, ja hän voi lopulta poimia ruusun.
xxx/ellauri013.html on line 1065: ...most unexpectedly I did come upon him a few hours before he gave up his arrogant ghost. Fortunately he was willing and able to talk between the choking fits of asthma, and his racked body writherd with malicious exultation at the bare thought of Jim. He exulted thus at the idea that he had "paid out the stuck-up beggar after all". He gloated over his action. I had to bear the sunken glare of his fierce crow-footed eyes if I wanted to know; and so I bore it, reflecting how much certain forms of evil are akin to madness, derived from intense egoism, inflamed by resistance, tearing the soul to pieces...
xxx/ellauri013.html on line 1069: The story also reveals unsuspected depths of cunning in the wretched Cornelius, whose abject (sic) and intense hate acts like a subtle inspiration, pointing out an unerring way towards revenge.
xxx/ellauri057.html on line 908: Passé vingt-deux ans, il abat directement avec sa machine à écrire deux écrits de genre populaire par semaine à raison de huit heures et quatre-vingts pages par jour. À la maturité, commençant toujours à partir de 4 heures du matin, il avoue rédiger vingt pages fermes par d'intenses matinées et écrire invariablement un roman en onze journées, nécessairement continues.
xxx/ellauri075.html on line 309: Unlike his Seelenbrüder Stefan George and Alfred Schwuler, he was not gay, but rather serious. When Klages moved into a new Schwabing flat in 1895, he entered into an intense sexual relationship with his landlady's daughter, with the mother's approval; the daughter, whom Klages called 'Putti', was eleven years younger than him, and their relationship continued for almost two decades though remained only sexual in nature. Klages, like Friedrich Nietzsche, was critical of Christianity as well as what they both saw as its roots in Judaism. His attacks on judaism were veiled criticism of christianity, rather like Seija's attacks on the rest of the Carlson family.
xxx/ellauri075.html on line 520: As a gay man at a time when homosexual practices were illegal for men in Britain, Walpole conducted a succession of intense but discreet relationships with other men, and was for much of his life in search of what he saw as "the perfect friend". He eventually found one, a married policeman, with whom he settled in the English Lake District. All is well that ends well.
xxx/ellauri081.html on line 86: Lohan's early work won her childhood stardom, while the sleeper hit Mean Girls (2004) affirmed her status as a teen idol. After starring in Herbie: Fully Loaded (2005), Lohan quickly became the subject of intense media coverage due to a series of personal struggles and legal troubles, as well as a number of stints in rehabilitation facilities due to substance abuse. This period saw her lose several roles and had significantly impacted her career and public image negatively.
xxx/ellauri085.html on line 135: On location shooting as well as alot of constructed scenes, chaos, industrialization, urban streets, the search of a sexual identity, representation and the male gaze, even race. Notions explored by the filmmaker. Intense camera movement (ups and downs, left and right pans, even circular movements)
xxx/ellauri086.html on line 148: perustavat pyramiidihuijausyrityxiä kutense espoolainen murukahvimies
xxx/ellauri104.html on line 132: Anger problems, including difficulty controlling anger, intense anger that may not fit the situation and/or angry outbursts
xxx/ellauri114.html on line 638: The Aramaic word form šəḇaqtanī is based on the verb šəḇaq/šāḇaq, 'to allow, to permit, to forgive, and to forsake', with the perfect tense ending -t (2nd person singular: 'you'), and the object suffix -anī (1st person singular: 'me').
xxx/ellauri114.html on line 712: Jotain puhetta on "suuresta vedestä", ⲛⲁⲙⲟⲟⲩ, näyttää todennäköiseltä (LOL), että siinä muistellaan ebyktiläisten asutusta Eufratin rannoilla, mistä ne karkoitettiin kieltensekaannuxen aikana. Iso joki tarkoitti Eufratia (vaikka Niili oli isompi?)
xxx/ellauri116.html on line 303: Vargas Llosa began his literary career in earnest in 1957 with the publication of his first short stories, "The Leaders" ("Los jefes") and "The Grandfather" ("El abuelo"), while working for two Peruvian newspapers. Upon his graduation from the National University of San Marcos in 1958, he received a scholarship to study at the Complutense University of Madrid in Spain. In 1960, after his scholarship in Madrid had expired, Vargas Llosa moved to France under the impression that he would receive a scholarship to study there; however, upon arriving in Paris, he learned that his scholarship request was denied. Despite Mario and Julia's unexpected financial status, the couple decided to remain in Paris where he began to write prolifically. Their marriage lasted only a few more years, ending in divorce in 1964. A year later, Vargas Llosa married his first cousin, Patricia Llosa, with whom he had three children: Álvaro (born 1966), a writer and editor; Gonzalo (born 1967), an international civil servant; and Fata Morgana (born 1974), a pornographer.
xxx/ellauri116.html on line 305: Vargas Llosa väitteli vuonna 1971 tohtoriksi Gabriel García Márquezin tuotannosta Madridin Complutensen yliopistossa. Hän toimi kirjailijoiden sananvapautta puolustavan kansainvälisen Pen-klubin puheenjohtajana 1976–1979.
xxx/ellauri121.html on line 304: After graduating in English from the University of Toronto, the young poet— she was by now publishing in Canadian literary magazines—enrolled in graduate school at Radcliffe, the all-female women university at Harvard, in 1961. She was chagrined by the intensely chauvinistic atmosphere: among other things, female students were not allowed access to the university’s modern poetry collection in the Lamont Library. Only men could read all the juicy bits.
xxx/ellauri127.html on line 736: Fanny Brawne met Keats, who was her neighbour in Hampstead, at the beginning of his brief period of intense creative activity in 1818. Although his first written impressions of Brawne were quite critical, his imagination seems to have turned her into the goddess-figure he needed to worship, as expressed in Endymion, and scholars have acknowledged her as his muse. On se vähän intiaanin näköinen.
xxx/ellauri134.html on line 231: Talent: realism, empathy, lack of pretense
xxx/ellauri136.html on line 510: My name is not Ted but Brené Brown [don't miss the self-important accent aigu on the e]. I'm a tense social science worker lady mom who also wants to be a scientist. I'm here to give a motivational talk to you other tense American World I well-to-do lady moms.
xxx/ellauri136.html on line 522: Fuck you hag, imperfect, perfect, pluperfect, don't be so tense! Tää ämmä saarnaa palaamista vanhoihin sexirooleihin. Sen "ihmiset" on nimenomaan ämmiä. Narsisti pakenee häpeää. Lällällällää lieru, ämmiltä pääsi pieru, keskellä kirkon mäkkee, se oli suuri häppee. Apina ja gorilla kävelivät torilla kyselivät ämmiltä onko maito lämmintä ämmät huusi poliisia auttamaan. Brene Brownin BS mittari kilahtaa kuin Aku Ankan sirkuxen nuijapelin kello.
xxx/ellauri149.html on line 436: The 1973 film has an emotionally charged moment during Everything's Alright, with Jesus gently lifting Judas' chin, the two gripping each other's shoulders, and their arms slowly slipping away from each other, until they clasp hands and have several seconds of intense eye contact.
xxx/ellauri154.html on line 93: Besides a white rabbit, Aurore greatly admired General Murat (especially when he wore his uniform) and was quite convinced he was a fairy prince. Her mother made her a uniform too, not like the general´s, of course, but an exact copy of her father´s. It consisted of a white cashmere vest with sleeves fastened by gold buttons, over which was a loose pelisse, trimmed with black fur, while the breeches were of yellow cashmere embroidered with gold. The boots of red morocco had spurs attached; at her side hung a sabre and round her waist was a sash of crimson silk cords. In this guise Aurore was presented by Murat to his friends, but though she was intensely proud of her uniform, the little aide-de-camp found the fur and the gold very hot and heavy, and was always thankful to change it for the black silk dress and black mantilla worn by Spanish children. One does not know in which costume she must have looked most strange. I would vote for the Scrooge McDuck style high hat.
xxx/ellauri165.html on line 202: Hortensia MacAnkka (engl. Hortense McDuck) on Roopen Ankan nuorempi sisar ja Aku Ankan äiti.
xxx/ellauri165.html on line 324: After about six months of living in apartments in the Palazzo Sessa with her mother (separately from Sir William) and begging Greville to come and fetch her, Emma came to understand that he had cast her off. She was furious when she realised what Greville had planned for her, but eventually started to enjoy life in Naples and responded to Sir William's intense courtship just before Christmas in 1786. They fell in love, Sir William forgot about his plan to take her on as a temporary mistress, and Emma moved into his apartments, leaving her mother downstairs in the ground floor rooms. Emma was unable to attend Court yet, but Sir William took her to every other party, assembly and outing.
xxx/ellauri187.html on line 199: The pair first met outside Paris on Rodin’s country estate in September of 1902. Rilke, 26, took on a project as an art critic to write a German monograph on Auguste Rodin, at the time 61. Neither probably expected they would hit it off as much as they did. But long talks about art, and how to cultivate a work ethic bonded them together. Ten days into his initial stay on Rodin’s estate, Rilke wrote Rodin an affectionate letter confessing their dialogue’s intense effect. Rodin offered the young poet an open invitation to observe his studio for the next four months. During that time, Rilke not only gleaned insights for his monograph, but discovered how to be a better poet.
xxx/ellauri187.html on line 201: Three years later in September of 1905, Rilke took a job as Rodin’s assistant and lived with him full-time on his country estate. For the first time, Rodin’s correspondence was prompt and his files organized. Rilke relished more long talks with Rodin and the book is filled with examples of how Rodin stimulated the poet during this period of employment and intense "dialogue."
xxx/ellauri200.html on line 75: When seated in the Lotus Position, a character may levitate to demonstrate that he or she is meditating particularly profoundly. The Levitating Lotus Position is also used to show that a character is displaying his or her Psychic Powers/Enlightenment Superpowers, intensely concentrating, healing, or is just especially calm.
xxx/ellauri202.html on line 329: Ever since the end of World War II, allegations of Adolf Hitler's Jewish ancestry via his paternal grandfather have been the subject of intense debate. Here's what the actual evidence says.
xxx/ellauri202.html on line 381: “I argue that one factor driving his anti-Semitism was his intense need to prove that [he’s] not Jewish,” Sax said in an interview.
xxx/ellauri224.html on line 126: It received generally positive reviews from crickets, but it also generated intense controversy here on the right side of the puddle, including disputes over its fairness to Bush. The film became the highest-grossing documentary of its time (later surpassed by Michael Jackson's extremely important This Is It), grossing over $220 million. So it can't be all wrong!
xxx/ellauri225.html on line 46: That said, The Telling feels a little different compared to the rest of the Hainish Cycle. And for good reason—released in 2000, The Telling is the first full Hainish novel Le Guin wrote since The Dispossessed in 1974. It reads softer, more intimate than the books that came before, feeling almost more like fantasy than science fiction at times. The Telling follows Sutty Dass, an Observer who arrives on the planet Aka to record its history and culture while Hain makes its diplomatic overtures. During the time dilation of Sutty’s near-light space travel, however, Aka experienced an intense social upheaval that saw a tyrannical capitalist hegemony take power over the planet and attempt to wipe out the entirety of Aka’s long history. It then falls to Sutty, who grew up under religious oppression on Earth, to uncover and understand Aka’s historical and spiritual traditions as they are actively being eradicated by the corporation-state.
xxx/ellauri251.html on line 1754: His tense flank trembling round the barbèd wound,
xxx/ellauri261.html on line 599: The phrase "God is dead" appears in the hymn "Ein Trauriger Grabgesang" ("A mournful dirge") by Johann von Rist. Johann Rist (8 March 1607 - 31 August 1667) was a German poet and dramatist best known for his hymns, which inspired musical settings and have remained in hymnals. Rist was born at Ottensen in Holstein-Pinneberg (today Hamburg) on 8 March 1607; the son of the Lutheran pastor of that place, Caspar Rist. Rist´s 1641/1642 hymn "Ein trauriger Grabgesang" is notable for being an early occurrence of the phrase "God is dead" in German culture, this time in an explicitly theistic, Protestant Christian context. The text goes:
xxx/ellauri280.html on line 251: In Nur-Sultan, Kazakstan, the winter is really cold: the average temperature in January, -16 °C (3 °F), makes it one of the coldest capitals in the world. During the most intense cold spells, the temperature can drop to -40 °C (-40 °F) or below. In December 2012 it dropped to -43 °C (-45.5 °F).
xxx/ellauri298.html on line 217: intense the fire, I thought, the shallower The band of breathable air. How
xxx/ellauri305.html on line 52: Uudesta elämäntyylistään nauttiva Clyde ihastuu manipuloivaan Hortense Briggsiin, joka manipuloi häntä ostamaan kalliita lahjoja. Kun Clyde saa tietää, että Hortense lähtee ulos muiden miesten kanssa, hänestä tulee mustasukkainen. Siitä huolimatta hän mieluummin kuluttaisi rahaa häneen kuin auttaisi sisartaan, joka oli karannut, mutta päätyi raskaaksi ja hylkäämään rakastajansa.
xxx/ellauri305.html on line 57: Clyden elämä muuttuu dramaattisesti, kun hänen ystävänsä Sparser, joka ajaa Clydea, Hortensea ja muita ystäviä takaisin syrjäiseltä tapaamiselta maalta pomonsa autolla, jota käytettiin ilman lupaa, osuu pieneen tyttöön ja tappaa tämän. Paetessaan poliisia suurella nopeudella Sparser kaataa auton. Kaikki paitsi Sparser ja hänen kumppaninsa pakenevat rikospaikalta. Clyde lähtee Kansas Citystä peläten syytteeseen joutumista Sparserin rikosten osapuolena.
xxx/ellauri312.html on line 945: Brawne Lamia’s name comes from a combination of John Keats’ beloved Fanny Brawne, and his poem named Lamia (1819). She is described as a rather short and muscular with an intense gaze. She has shoulder-length black curls, dark eyes, sharp nose and wide expressive mouth. She is said to be very beautiful anyway. She becomes "romantically involved" with Johnny and pregnant to boot. She's from Lusus, a world that has gravity 1.3 times stronger than that of Earth. Because of that, she's shorter than many others, but has "heavy layers of mussel". Varoitus! seuraava kuva paljastaa yxityiskohtia ulkosynnyttimistä!
xxx/ellauri356.html on line 426: Sergei Jakovlevich Efron (29. syyskuuta [11. lokakuuta] 1893, Moskova, Venäjän valtakunta - 16. lokakuuta 1941, Moskova, Neuvostoliitto) - publicisti, kirjailija, valkoisen armeijan upseeri, Markovite, pioneeri, NKVD -agentti. Marina Tsvetaevan aviomies. Palattuaan Moskovaan hänet pidätettiin ja teloitettiin vuonna 1941. Kuntoutunut postuumisti. Jakov oli luterilaisexi käännähtänyt juutalainen. Marina and Serjoza had an intense relationship, but Tsvetaeva had affairs, such as those with Osip Mandelstam and a poetess Sofia Parnok. Serjozha otti osaa jäämarssiin valkoisten puolella, mutta käänsi maanpaossa takkinsa ja osallistui toisen takinkääntäjän nirhaamiseen Sveizissä päästäxeen äiti-Venäjälle takasin. Ei olis kannattanut. Tytär todisti että Serjozha oli Trozkin agentti.
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