ellauri066.html on line 366: To shorten a long story of searching for sources: the essay ‘The Control System of the V-2’ by Otto Müller includes an ‘equation for control in yaw’ (Müller, 1957: 90), and in exactly the same notation as Gravity’s Rainbow’s equation ‘describ[ing] motion under the aspect of yaw control’ (GR 284). We can conclude that this is the searched-for template for Pynchon’s Second Equation (see appendix, Figure 8). Müller’s paper is part of History of German Guided Missiles Development by Theodor Benecke and August W. Quick, published in 1957, which is based on the First Guided Missiles Seminar in Munich that took place a year earlier. The seminar was organised by the American Advisory Group for Aeronautical Research and Development (AGARD) to collect information about the V-2 from German scientists and engineers to use in American research on guided missiles. Pynchon might have had access to this book and further material on rocketry in the Boeing Company for which he worked as a technical writer in the early 1960s.
ellauri100.html on line 1388: This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2018) (Learn how and when to remove this template message)
ellauri101.html on line 66: The monomyth is a universal story structure. It’s a kind of story template that takes a character through a sequence of stages.
ellauri107.html on line 187: suggestive panegyric [in his 1850 review of Hawthorne’s Mosses from an Old Manse], [that] Melville writes . . . “already I feel that this Hawthorne has dropped germinous seeds into my soul. He expands and deepens down, the more I contemplate him; and further and further, shoots his strong New England roots in the hot soil of my Southern soul”.
ellauri117.html on line 391: Briefly contemplate suicide when pilot does not receive series order.
ellauri119.html on line 473: This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. (June 2018) (Learn how and when to remove this template message)
ellauri159.html on line 1093: Build your topic around a visual element. It is way easier than reading. This might be a chart, a graphic—even a quotation. They may follow a template that’s worked in the past, rather than inventing something new. Just be sure to give a new slant on the old idea to keep it fresh.
ellauri182.html on line 133: Toward the climax of the story, when Mikage is climbing a hotel balcony in a daring moment of “utter desperation,” she contemplates the concept of free will. Up to this point in the story, Mikage has tended to believe in fate and in premonitions, which are beliefs that other powers are making decisions for her. She has also stated that “we have so little choice,” and that “we live like the lowliest worms.” Undergoing an existential change, Mikage finally admits to herself and the reader that human beings are ultimately free because “we’re constantly making choices. With the breaths we take every day, with the expression in our eyes, with the daily actions we do over and over, we decide.” She states that even when people think that they are being acted upon by outside forces, they are in reality choosing their situations and actions, sometimes subconsciously.
ellauri194.html on line 1003: Kekä on Taflat Top joka koittaa huijata rahaa laahuxelta Elon Muskin ja Ilta-Pulun avulla? Onko se tää roistonnäköinen leadership akateemikko Jimi Terska Californiasta? The Academy For Leadership and Training? The Outfit for Dealership And Suckering? Jimi Terska on kirjoittanut kirjan WORST Practices...in Corporate Training: Spectacular Disasters...What We Do by Jim Glantz. In this kinda book, we'll laugh and you learn as you hear us successful trainers tell our most horrific training disaster stories…and what the suckers learned were the root causes of their failures. After each of our epic failure stories, Jim skillfully provides simple-to-use templates and checklists to help make sure you make the same mistakes and pitfalls in your own training programs. Like hire more snakeoil salesmen like us.
ellauri197.html on line 359: Love sometimes would contemplate, sometimes do. Rakkaus joskus mietiskelisi, joskus toimahtaisi.
ellauri197.html on line 391: In fact, love is a mixture of different elements. That is why; it is sometimes passive and at other times active (that is; it is both spiritual and physical, both of the mind and the body). Sometimes it acts, and at other times it contemplates. It is an activity both of the mind and the body.
ellauri219.html on line 250: Along with Huntz Hall (No.13), Leo Gorcey was one of The Bowery Boys, a group of on-screen hoodlums who grew out of The Dead End Kids and The East Side Kids. Their movie franchise ran throughout the 40s and 50s, and totaled 48 films. As the gang’s leader, Gorcey was a prototype street thug who set the template for many to follow, though he refused to let The Beatles use his image unless they paid him a fee, which was declined.
ellauri222.html on line 733: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
ellauri240.html on line 59: Joyce Diane Brothers (1927-2013) oli amerikkalainen psykologi, televisiopersoona, neuvoja, kolumnisti ja kirjailija. Hän tuli tunnetuksi ensimmäisen kerran vuonna 1955 voittamalla pääpalkinnon amerikkalaisessa peliohjelmassa The $64,000 Question. Pikku-Aune oli aivan ilmiselvä juutalainen, os. Bauer, siskokin nai jonkun Goldsmithin. In 1949, she married Milton Brothers, who later went on to become an internist. 40 years later in 1989, Brothers lost her husband to bladder cancer. Following the death of her husband, Brothers fell into a state of depression for a year and contemplated suicide (at 62); however, she used her own self-help work to achieve inner peace and happiness. Brothers and her husband had a daughter, four grandchildren and two great-grandchildren.
ellauri321.html on line 135: When I contemplate my wife, by my fire-side, while she either spins, knits, darns, or suckles our child, I cannot describe the various emotions of love, of gratitude, of conscious pride which thrill in my heart, often overflow in involuntary tears.
ellauri321.html on line 164: These new manners being grafted on the old stock, produce a strange sort of lawless profligacy, the impressions of which are indelible. The manners of the Indian natives are respectable, compared with this European medley. Their wives and children live in sloth and inactivity; and having no proper pursuits, you may judge what education the latter receive. Their tender minds have nothing else to contemplate but the example of their parents; like them they grow up a mongrel breed, half civilized, half savage, except nature stamps on them some constitutional propensities. 68 propensities. That rich, that voluptuous sentiment is gone that struck them so forcibly; the possession of their freeholds no longer conveys to their minds the same pleasure and pride.
xxx/ellauri128.html on line 540: But then he fell in love! Emppu rakastui Geneven lomalla 16-vuotiaaseen koulutyttöön kuin Vladi Lolitaan. Janine matched a template that he had got from a book that influenced his erotic fantasies permanently. With her Slavic features and her cool, rather fey manner, Wanda "Janine" de Szymkiewicz (though Polish) made a perfect Russian queen. She called him Minou, he called her Ginou. Sini ja mini. Sometime in the early nineteen-twenties, Maurois began having affairs. Janine had them, too, or at least flirtations, aquarels of fucking, especially on their seaside vacations in Deauville. Maurois put a lot of his own personality into Shelley, and wrote of Harriet as a “child-wife” made bitter by unhappiness. Emil could be savage: “Even when she had the air of being interested in ideas, her indifference was proved by the blankness of her gaze. Worst of all, she was coquettish, frivolous, versed in the tricks and wiles of woman.” Fortunately, becoming pregnant again in late 1922, Janine developed septicemia, was operated on unsuccessfully, and died on February 26, 1923. Maurois was bereaved, and free. Jahuu! Vihelteliköhän sekin koko matkan hautajaisiin kuten Peppy? Rakkaus on hassuttelua yhdessä.
xxx/ellauri176.html on line 150: The plot centres on the neurotic young priest Serge Mouret, first seen in La Conquête de Plassans, as he takes his orders and becomes the parish priest for the uninterested village of Artauds. The inbred villagers have no interest in religion and Serge is portrayed giving several wildly enthusiastic Masses to his completely empty, near-derelict church. Serge not only seems unperturbed by this state of affairs but actually appears to have positively sought it out especially, for it gives him time to contemplate religious affairs and to fully experience the fervour of his faith. Eventually he has a complete nervous breakdown and collapses into a near-comatose state, whereupon his distant relative, the unconventional doctor Pascal Rougon (the central character of the last novel in the series, 1893's Le Docteur Pascal), places him in the care of the inhabitants of a nearby derelict stately home, Le Paradou.
xxx/ellauri179.html on line 668: Alfred Edward Woodley Mason was an English author and politician. He is best remembered for his 1902 novel of courage and cowardice in wartime, The Four Feathers. He is also known as the creator of Inspector Hanaud, a French detective who was an early template for Agatha Christie's famous Hercule Poirot.
xxx/ellauri229.html on line 146: Phase 10 Score Tracking Spreadsheet. Want to keep track of scores Phase 10 but don’t want to use paper? There really wasn’t any easy way to do it electronically. I can’t think of an app that would do this well. Here’s what I would want the score keeper to be able to do: enter in numbers and the total score is calculated automatically keep track of who has completed a phase in a round easily calculate which phase each player is on Well, could a spreadsheet do that? Yes! Yes it can! Here’s mine: And here’s the template version: https://docs.google.com/spreadsheets/d/1PzaZWrFHKojBDYrMMDB-5gSQEs9ORg65Jt4MMbVfI2M/copy?copyComments=false It accomplishes all of the … Continue readingPhase 10 Score Tracking Spreadsheet
xxx/ellauri229.html on line 738: After returning home, the Stalker tells his wife how humanity has lost its faith and belief needed for both leaving their Comfort Zone and living a good life. As the Stalker sleeps, his wife contemplates their crummy relationship in a monologue delivered directly to the camera. In the last scene, Martyshka, the couple´s deformed daughter, sits alone in the kitchen reading a love poem by Fyodor Tyutchev.
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