ellauri016.html on line 552: Snobbery surfaced more strongly as the structure of the society changed, and the bourgeoisie had the possibility to imitate aristocracy.[citation needed] Snobbery appears when elements of culture are perceived as belonging to an aristocracy or elite, and some people (the snobs) feel that the mere adoption of the fashion and tastes of the elite or aristocracy is sufficient to include someone in the elites, upper classes or aristocracy.[citation needed]
ellauri024.html on line 1392: Mikä sit tekee apinalle gutaa? Ja mitä von Wright siitä tietää? Sillä on jotain epämääräsiä selityxiä mix epikurolaisuus (hedonismi) ei toimi: six koska apina on utelias silloinkin kun se ei ole sille hyväxi. Mitä hemmettiä, johan Aristoteleskin sanoi että apina luonnostaan haluaa tietää, siis se on siitä kivaa. Mitä toi muka todistaa? Ei mitään. Ajatelkaamme analyyttistä filosofia, joka imettyään aikansa mautonta penixenmuotoista lakrizipötköä tuntee olonsa hyväxi ja sanoo: "It tastes good. It is the real thing." Olix tää nyt uteliaisuutta vai mielihyvän hakua? Vai molempia? Nautinnosta kirjoittavat filosofit imexivät useimmiten omenaa, jostain syystä, onkohan se se Eevan omena? Eeva antoi, minä sain.
ellauri051.html on line 1143: 552 The air tastes good to my palate. 552 Ilma maistuu makuuni.
ellauri051.html on line 1431: 831 All this I swallow, it tastes good, I like it well, it becomes mine, 831 Kaiken tämän nielen, se maistuu hyvältä, pidän siitä hyvin, siitä tulee minun,
ellauri078.html on line 250: Everyone has an equal right to contribute to what I called the “moral environment”—even people whose tastes reflect no “ideas” but only very offensive “prejudices, life styles, and cultures.”
ellauri119.html on line 464: As the fat and ugly French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides. Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often[how often?] confused eroticism with pornography, with the anti-pornography activist Andrea Dworkin saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as Lynn Hunt writes, "demonstrate the difficulty of drawing… a clear generic demarcation between the erotic and the pornographic": indeed arguably "the history of the separation of pornography from eroticism… remains to be written". In the eighteenth century, eroticism was the result of the intrusion into the public sphere of something that was at base private.
ellauri191.html on line 2142: The prize has "become widely seen as a political one – a peace prize in literary disguise", whose judges are prejudiced against authors with political tastes different from theirs.
ellauri222.html on line 709: His literary tastes are also very interesting. Lord Pococurante is quite able to criticize Homer, Horace, and Cicero; there is nothing, which may seem flawless. His ability to find defects in everything prevents him from taking pleasure in literature, philosophy, and painting. It is obvious that the author is ironic about him, it can be deduced from Candides remark “But is there not a pleasure in criticizing everything, in pointing out faults where others see nothing but beauties’ (Voltaire, 73). The main problem is that such a world outlook is a personal tragedy, and such an attitude may eventually result in suicide.
ellauri223.html on line 194: Alice Bacon and her mother Dorothy were both reported by contemporaries as having extravagant tastes, and being interested in wealth and power. However, early in the marriage, Bacon had money to spare, "pouring jewels in her lap", and spending large sums on decorations. Power was also available, as in March 1617, along with Francis Bacon being made temporary Regent of England, a document was drawn up making Lady Bacon first lady in the land, taking precedence over all other Baronesses (it is not clear whether it was signed into law).
ellauri241.html on line 176: She tastes unseen; unseen her nimble feet Hän maistaa näkymättömänä; Näkymätönnä hänen ketterät jalkansa
ellauri262.html on line 76: C. S. Lewis kirjoitti, että hän piti MacDonaldia "mestarinaan": "Hain eräänä päivänä Phantastesia rautatieaseman kirjakaupasta ja aloin lukea. Muutamaa tuntia myöhemmin tiesin, että olin ylittänyt suuren rajan." [ lainaus tarvitaan ] G. K. Chesterton mainitsi Prinsessan ja Goblinin kirjana, joka oli "vaikuttanut koko olemassaoloani".
ellauri262.html on line 168: C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later, I knew that I had crossed a great frontier."[citation needed] G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by him. MacDonald's theology "celebrated the rediscovery of God as Father, and Christ as a shaved Lion King."
ellauri277.html on line 221: Day was partial to exotic and orientalist themes and produced elegant homoerotic photographs of young men. Day became Gibran’s friend and patron, using the boy as a nude model, introducing him to smutty literature, and "helping him with his drawing". No one who reads Gibran’s works and knows Day’s tastes can doubt the depth of the latter’s influence on Gibran. Perhaps more important, Day and Day’s friends convinced Gibran that he had a special artistic calling.
ellauri369.html on line 364: The Editor: The narrator of the novel, who in reviewing Teufelsdröckh´s book, reveals much about his own tastes, as well as deep sympathy towards Teufelsdröckh, and much worry as to social issues of his day. His tone varies between conversational, condemning and even semi-Biblical prophecy. The Reviewer should not be confused with Carlyle himself, seeing as much of Teufelsdröckh´s life implements Carlyle´s own biography. I told you so!
xxx/ellauri010.html on line 624: I think that 650 usd is pretty enough for this little false. I made a split screen vid(records from screen (u have interesting tastes ) and camera ooooooh... its awful AF)
xxx/ellauri120.html on line 80: The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in a democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country. We are governed, our minds are molded, our tastes formed, and our ideas suggested, largely by men we have never heard of…It is they who pull the wires that control the public mind. (Lähde: Bernays; Propaganda)
xxx/ellauri187.html on line 195: Getting to the point wasn’t exactly Rilke’s forte. It may not be fair to expect that of any poet, especially one born in 1875 and swimming in the currents of the Symbolists. Rilke’s flowery — and daresay twee — verses do not jibe with today’s tastes for cut-and-dry clarity, blasé irony, and Tweet-able brevity. But that’s precisely why Rilke is enjoying somewhat of a posthumous comeback. He offers what Twitter can’t.
xxx/ellauri312.html on line 418: Eveen tekee vaikutuxen Roarken takatukka, kiiltelevä Rolex, yxityinen suihkari ja pössyttely. Rourken rööki haisi houkuttelevalta. Winstonia röyhyttävät Laura Bush, Princess Caroline, ja Nora Roberts. Winston tastes GOOD like a cigarette should! USA 2050 on dystopia, jossa tupakointi, aseenkanto ja hississä pystynainti on kielletty. Kahvi on korviketta koska Amazon on poltettu.
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